summaryrefslogtreecommitdiff
path: root/old/55086-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/55086-0.txt')
-rw-r--r--old/55086-0.txt6838
1 files changed, 0 insertions, 6838 deletions
diff --git a/old/55086-0.txt b/old/55086-0.txt
deleted file mode 100644
index 6fe4c83..0000000
--- a/old/55086-0.txt
+++ /dev/null
@@ -1,6838 +0,0 @@
-The Project Gutenberg EBook of Poems, by Edward Dowden
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: Poems
-
-Author: Edward Dowden
-
-Release Date: July 10, 2017 [EBook #55086]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK POEMS ***
-
-
-
-
-Produced by Larry B. Harrison, Chuck Greif, Bryan Ness and
-the Online Distributed Proofreading Team at
-http://www.pgdp.net (This file was produced from images
-generously made available by The Internet Archive/Canadian
-Libraries)
-
-
-
-
-
-
-
-
-
-
-
-
-
-
- POEMS
-
- EDWARD DOWDEN
-
- [Illustration: portrait of Edward Dowden]
-
-
-
-
- POEMS
-
- BY
-
- EDWARD DOWDEN
-
- [Illustration: colophon]
-
- MCMXIV. J. M. DENT & SONS LTD.
- LONDON AND TORONTO
-
-
-
-
-CONTENTS
-
-
- PAGE
-
-THE WANDERER (_Sept. 1872_) 1
-
-THE FOUNTAIN (_Sept. 1873_) 2
-
-IN THE GALLERIES--
-
- I. The Apollo Belvedere 5
-
- II. The Venus of Melos 5
-
- III. Antinous Crowned as Bacchus (_Feb. 1873_) 6
-
- IV. Leonardo’s “Monna Lisa” (_Dec. 1872_) 7
-
- V. St Luke Painting the Virgin (_April 1872_) 7
-
-ON THE HEIGHTS (_Feb. 1872_) 9
-
-“LA RÉVÉLATION PAR LE DÉSERT” (_Feb. 1873_) 13
-
-THE MORNING STAR (_Aug. 1873_) 19
-
-A CHILD’S NOONDAY SLEEP (_Aug. 1872_) 22
-
-IN THE GARDEN--
-
- I. The Garden (_1867_) 24
-
- II. Visions (_1866_) 24
-
- III. An Interior 25
-
- IV. The Singer 26
-
- V. A Summer Moon (_1866_) 26
-
- VI. A Peach 27
-
- VII. Early Autumn 28
-
- VIII. Later Autumn 28
-
-THE HEROINES (_1873_)--
-
- Helena 33
-
- Atalanta 36
-
- Europa 44
-
- Andromeda 47
-
- Eurydice 52
-
-BY THE SEA--
-
- I. The Assumption (_Aug. 1872_) 58
-
- II. The Artist’s Waiting (_Sept. 1872_) 58
-
- III. Counsellors (_May 1872_) 59
-
- IV. Evening (_July 1873_) 60
-
- V. Joy (_May 1872_) 60
-
- VI. Ocean (_May 1865_) 61
-
- VII. News for London 61
-
-AMONG THE ROCKS (_1873_) 63
-
-TO A YEAR (_Dec. 31, 1872_) 66
-
-A SONG OF THE NEW DAY (_Sept. 1872_) 67
-
-SWALLOWS (_July 1873_) 68
-
-MEMORIALS OF TRAVEL--
-
- I. Coaching (_1867_) 70
-
- II. In a Mountain Pass (_1867_) 70
-
- III. The Castle (_1867_) 71
-
- IV. Άισθητιχή φαντασία 72
-
- V. On the Sea-cliff (_1873_) 72
-
- VI. Ascetic Nature 73
-
- VII. Relics 74
-
- VIII. On the Pier of Boulogne 74
-
- IX. Dover (_1862_) 75
-
-AN AUTUMN SONG (_1872_) 76
-
-BURDENS (_April 1872_) 77
-
-SONG 78
-
-BY THE WINDOW (_May 1872_) 81
-
-SUNSETS (_June 1873_) 83
-
-OASIS (_1866_) 84
-
-FOREIGN SPEECH (_1868_) 85
-
-IN THE TWILIGHT (_1873_) 86
-
-THE INNER LIFE--
-
- I. A Disciple 87
-
- II. Theists (_April 1872_) 87
-
- III. Seeking God (_1865_) 88
-
- IV. Darwinism in Morals (_April 1872_) 88
-
- V. Awakening (_1865_) 89
-
- VI. Fishers 90
-
- VII. Communion (_1862_) 90
-
- VIII. A Sonnet for the Times 91
-
- IX. Emmausward (_1867_) 91
-
- X. A Farewell (_Sept. 1872_) 92
-
- XI. Deliverance (_Oct. 1872_) 93
-
- XII. Paradise Lost 93
-
-THE RESTING PLACE (_Sept. 1872_) 95
-
-NEW HYMNS FOR SOLITUDE--
-
- I. (_April 1872_) 96
-
- II. (_Oct. 1872_) 96
-
- III. (_May 1872_) 97
-
- IV. (_May 1872_) 98
-
- V. (_April 1872_) 99
-
- VI. (_April 1872_) 100
-
-IN THE CATHEDRAL CLOSE (_1876_) 101
-
-FIRST LOVE 103
-
-THE SECRET OF THE UNIVERSE 105
-
-BEAU RIVAGE HOTEL 107
-
-IN A JUNE NIGHT 108
-
-FROM APRIL TO OCTOBER--
-
- I. Beauty 112
-
- II. Two Infinities 112
-
- III. The Dawn (_1865_) 113
-
- IV. The Skylark (_1866_) 113
-
- V. The Mill-race 114
-
- VI. In the Wood 115
-
- VII. The Pause of Evening (_Aug. 1873_) 115
-
- VIII. In July 116
-
- IX. In September 116
-
- X. In the Window (_1865_) 117
-
- XI. An Autumn Morning 118
-
-SEA VOICES (_May 1872_) 119
-
-ABOARD THE “SEA-SWALLOW” (_1865_) 121
-
-SEA-SIGHING (_1871_) 122
-
-IN THE MOUNTAINS (_April 1872_) 123
-
-“THE TOP OF A HILL CALLED CLEAR” (_May 1872_) 126
-
-THE INITIATION (_Oct. 1872_) 128
-
-RENUNCIANTS (_Nov. 1872_) 130
-
-SPEAKERS TO GOD (_April 1873_) 131
-
-POESIA (_Feb. 1873_) 133
-
-MUSICIANS (_Jan. 1873_) 134
-
-MISCELLANEOUS SONNETS--
-
- A DAY OF DEFECTION 139
-
- SONG AND SILENCE 140
-
- LOVE-TOKENS (_Nov. 1872_) 141
-
- A DREAM (_Aug. 1875_) 142
-
- MICHELANGELESQUE (_Oct. 1872_) 143
-
- LIFE’S GAIN (_Aug. 1872_) 144
-
- COMPENSATION 145
-
- TO A CHILD DEAD AS SOON AS BORN 146
-
- BROTHER DEATH 147
-
- THE MAGE 148
-
- WISE PASSIVENESS (_1865_) 149
-
- THE SINGER’S PLEA 150
-
- THE TRESPASSER 151
-
- RITUALISM 152
-
- PROMETHEUS UNBOUND 153
-
- KING MOB (_1865_) 154
-
- THE MODERN ELIJAH 155
-
- DAVID AND MICHAL (_1865_) 156
-
-WINDLE-STRAWS (_1872_)--
-
- I. 159
-
- II. 159
-
- III. 160
-
- IV. 161
-
- V. 161
-
- VI. 162
-
- VII. 162
-
- VIII. 162
-
-
-POEMS OF LATER DATES
-
-AT THE OAR 167
-
-THE DIVINING ROD 168
-
-SALOME 169
-
-WATERSHED 170
-
-THE GUEST 171
-
-MORITURUS 172
-
-ALONE 173
-
-FAME 174
-
-WHERE WERT THOU? 175
-
-A WISH 176
-
-THE GIFT 177
-
-RECOVERY 178
-
-IF IT MIGHT BE 179
-
-WINTER NOONTIDE 180
-
-THE POOL 181
-
-THE DESIRE TO GIVE 182
-
-A BEECH-TREE IN WINTER 183
-
-JUDGMENT 184
-
-DÜRER’S “MELENCHOLIA” 185
-
-MILLET’S “THE SOWER” 186
-
-AT MULLION (CORNWALL) 187
-
-THE WINNOWER TO THE WINDS 188
-
-EMERSON 189
-
-SENT TO AN AMERICAN SHAKESPEARE SOCIETY 190
-
-NOCTURNE 191
-
-THE WHIRLIGIG 192
-
-PARADISE LOST AND FOUND 195
-
-AFTER METASTASIO 199
-
-THE CORN-CRAKE 200
-
-IN THE CATHEDRAL 203
-
-EDGAR ALLAN POE 204
-
-DEUS ABSCONDITUS 205
-
-SUBLIMINAL 206
-
-LOUISA SHORE 207
-
-FLOWERS FROM THE SOUTH OF FRANCE 208
-
-TO HESTER 209
-
-UNUTTERED 212
-
-IMITATED FROM J. SOULARY’S “LE FOSSOYEUR” 213
-
-IMITATED FROM GOETHE’S “GANYMEDE” 214
-
-WITH A COPY OF MY “POEMS” 216
-
-PROLOGUE TO MAURICE GEROTHWOHL’S VERSION
-OF VIGNY’S “CHATTERTON” 217
-
-A SONG 219
-
-THE DROPS OF NECTAR (_1789_) 220
-
-AMOR AS LANDSCAPE-PAINTER 221
-
-THE WANDERER 224
-
-“ALEXIS AND DORA” 234
-
-
-
-
-PREFACE
-
-
-Goethe says in a little poem[A] that “Poems are stained glass
-windows”--“_Gedichte sind gemalte Fensterscheiben_”--to be seen aright
-not from the “market-place” but only from the interior of the church,
-“_die heilige Kapelle_”: and that “_der Herr Philister_” (equivalent for
-“indolent Reviewer”) glances at them from without and gets out of temper
-because he finds them unintelligible from his “market-place” standpoint.
-This comparison is a pretty conceit, and holds good as a half truth--but
-not more than a half: for while the artist who paints his “church
-windows” needs only to make them beautiful from within, the maker of
-poems must so shape and colour his work that its outer side--the
-technical, towards the “market-place” of the public--shall have no lack
-of beauty, though differing from the beauty visible from the spiritual
-interior.
-
- [A] “Sechzehn Parabeln,” _Gedichte_, Leoper’s edition (p. 180) of
- Goethe’s _Gedichte_.
-
-The old volume of _Edward Dowden’s Poems_ of 1876, which is now
-reprinted with additions, has been, to a limited extent, long before
-the public--seen from the “market-place” by general critics, who, for
-the most part, approved the outer side of the “painted windows,” and
-seen perhaps from within by some few like-minded readers, who, though no
-definite door was opened into “_die heilige Kapelle_,” somehow entered
-in.
-
-But a great many people, to whom the author’s prose works are well
-known, have never even heard that he had written poetry. This is due in
-a measure to the fact that the published book of poems only got into
-circulation by its first small edition. Its second edition found a
-silent apotheosis in flame at a great fire at the publisher’s in London,
-in which nearly the whole of it perished.
-
-Edward Dowden’s chief work has been as a prose writer. That fact
-remains--yet it is accidental rather than essential. In the early
-seventies he felt the urge very strongly towards making verse his
-vocation in life, and he probably would have yielded to it, but for the
-necessity to be bread-winner for a much-loved household. Poetry is a
-ware of small commercial value, as most poets--at least for a long space
-of their lives--have known, and prose, for even a young writer of
-promise, held out prospects of bread for immediate eating. Hence to
-prose he turned, and on that road went his way, and whether the
-accidental circumstances that determined his course at the parting of
-the ways wrought loss or gain for our literature, who can say?
-
-But he never wholly abandoned verse, and all through his life, even to
-the very end, he would fitfully, from time to time, utter in it a part
-of himself which never found complete issue in prose and which was his
-most real self.
-
-Perhaps the nearest approaches to his utterance in poetry occurred
-sometimes in his College lecturing, when in the midst of a written
-discourse he would interrupt it and stop and liberate his heart in a
-little rush of words--out of the depths, accompanied by that familiar
-gesture of his hands which always came to him when emotionally stirred
-in speaking. Some of his students have told me that they usually found
-those little extempore bits in a lecture by far the most illuminated and
-inspiring parts of it, especially as it was then that his voice, always
-musical in no common degree, vibrated, and acquired a richer tone.
-
-In his prose writings in general he seemed to curb and restrain himself.
-That he did so was by no means an evil, for the habitual retinence in
-his style gave to the little rare outbreaks of emotion the quality of
-charm that we find in a tender flower growing out of a solid stone wall
-unexpectedly.
-
-Not infrequently a sort of hard irony was employed by him, as restraint
-on enthusiasm, with occasional loosening of the curb.
-
- * * * * *
-
-In Edward Dowden’s soul there seemed to be capacities which might, under
-other circumstances, have made him more than a minor poet. His was a
-more than usually rich, sensuous nature. This, combined with absolute
-purity--the purity not of ice and snow, but of fire. And, superadded,
-was an unlimited capacity for sternness--that quality which, as salt,
-acts as preservative of all human ardours. He came from his Maker,
-fashioned out of the stuff whereof are made saints, patriots, martyrs,
-and the great lovers in the world. His work as a scholar never
-obliterated anything of this in him. By this, his erudition gained
-richness--the richness of vital blood. It was as no anæmic recluse that
-he dwelt amongst his book-shelves, and hence no Faust-like weariness of
-intellectual satiety ever came to him, no sense of being “_beschränkt
-mit diesem Bücherhauf_” in his surroundings of his library (which
-latterly had grown to some twenty-four thousand volumes). He lived in
-company with these in a twofold way, keenly and accurately grasping all
-their textual details, and at the same time valuing them for the sake,
-chiefly, of spiritual converse with the writers.
-
-Besides the spiritual converse he gained thus, he found, as a
-book-lover, a fertile source of recreation in the collecting of literary
-rarities, old books, MSS. and curiosities. In this he felt the keen zest
-of a sportsman. This was his shooting on the moors, his fishing in the
-rivers. No living creature ever lost its life for his amusement, but in
-this innocuous play he found unfailing pleasure, and many a piece of
-luck he had with his gun or rod in hitting some rare bird, or landing
-some big prize of a fish out of old booksellers’ catalogues or the
-“carts” in the back streets.
-
-His physical nature was fully and strongly developed, and it is out of
-strong physical instincts that strong spiritual instincts often
-grow--the boundary line between them being undefined.
-
-His one athletic exercise--swimming--was to him a joy of no common sort.
-He gave himself to the sea with an eagerness of body, soul and spirit,
-breasting the bright waters exultingly on many a summer’s day on some
-West of Ireland or Cornish shore, revelling in the sea’s life and in his
-own.
-
-And akin to that, in the sensuous, spiritual region of the soul, was his
-feeling for all External Nature, his deep delight in the coming of each
-new Spring--its blackthorn blossoms, its hazel and willow catkins, its
-daffodils--and his response, as the year went on in its procession, to
-the glory of the furze and heather glow and to all Earth’s sounds and
-silences.
-
-And of a like sort was his enjoyment of music which had the depth of a
-passion.
-
-Very possibly, if his lot had been cast in early Christian or mediæval
-times, all these impulses towards the joy and beauty of the earth might
-have been sternly crushed out by the moral forces of his character.
-
-Looking at a picture of St. Jerome one day--not unlike E. D. in
-feature--I said to him, “There’s what _you_ would have been if you had
-lived in those times.” (The saint is depicted there as lean, emaciated
-and woefully dirty!).
-
-It was well for Edward Dowden that he was laid hold of in his early life
-by that great non-ascetic soul, William Wordsworth. He was initiated
-into the inner secret of Wordsworth. He had experience of the
-Wordsworthian ecstasy--that ecstasy which comes, if at all, straight as
-a gift from God, and is not to be taught by the teaching of the scribes.
-
-Through kinship a man who is born potentially a poet comes first into
-relation with poets, and with E. Dowden’s sensuousness of capacities it
-was natural that he should be in his early years attracted to Keats, to
-the long, deep, rich dwelling of his verse on the vision and the sounds
-of Nature. It was not until he had advanced some way towards middle life
-that he came into vital contact with Shelley. He had felt aloof from
-him; but the attraction, when once owned, became very powerful, and he
-yielded to the delight of the swift motion of the Shelleyan utterances.
-
-He always recognized Robert Browning’s greatness profoundly, and
-responded to all his best truths, especially as regards the relation, in
-love, of Man and Woman, but he never became pledged to an all-round
-Browning worship; his admiration had no discipleship in it.
-
-For Walt Whitman, with whom a personal friendship, strong on both sides,
-was formed, he felt the cordial reverence due to the giver of what he
-reckoned as a gift of immense value. While condemning whatever was
-unreticent in _Leaves of Grass_, he at the same time saw there the great
-flood of spirituality available as a force for emancipation of our
-hearts from pressure of sordidnesses in the world.
-
-It is somewhat remarkable that with all his trend towards the great
-spiritual and mystical forces in literature he was all along never
-without a keen appreciation of the writers who brought mundane
-shrewdness and wisdom. The first book he bought for himself in childhood
-with the hoarded savings of his pocket-money was _Bacon’s Essays_, with
-which as a small boy he became very familiar. And all through his life
-he sought with unfailing pleasure the companionship of Jane Austen again
-and again. And amongst the books which he himself made, it was perhaps
-his _Montaigne_ that gave him, in the process of making, the delicatest
-satisfaction--the satisfaction of witnessing and analysing the dexterous
-play of human intellect and character on low levels.
-
-His attraction to Goethe--very dominant with him in middle life--came, I
-imagine, from the fact that he saw in that mightiest of the Teutons two
-diverse qualities in operation--the measureless intellectual
-spirituality and the vast common-sense of mundane wisdom.
-
-In this attraction there was also the element of the magnetism which
-draws together opposites--not less forcible than the attraction between
-affinities.
-
-As regards the moral nature, his own was as far as the North Pole is
-from the South from that of the great sage of Weimar, whose
-serenely-wise beneficence contained no potentialities of sainthood,
-martyrdom or absolute human love. He sought gain from Goethe just
-_because_ of that unlikeness to what was in himself.
-
-At one period of his literary work he was intending to make as his
-“_opus magnus_” a full study of Goethe’s life and works, and with that
-intent he carried on a course of reading, and laid in a great equipment
-of workman’s tools--Goethe books in German, French and English. From
-this project he was turned aside by a call to write the life of
-Shelley--a long and difficult task. But he never lost sight of Goethe.
-In one of the later years of his life, as recreation in a summer’s
-holiday in Cornwall, he translated the whole of the “West-Eastern Divan”
-into English verse, and previously, from time to time, isolated essays
-on Goethe themes appeared amongst his prose writings. And yet it is not
-unlikely that even if the task of Shelley’s biography had not
-intervened, no complete study, such as he had at first planned, might
-have been ever accomplished by him on Goethe, for with experience there
-came to him a growing conviction that his best work in criticism could
-only be done in dealing with what was written in his mother-tongue.
-
-Some of Edward Dowden’s friends, Nationalist and Unionist both, have
-felt regret that he, the gentle scholar, gave such large share of his
-energies to the strife of politics, as if force were subtracted thereby
-from his work in Literature. They are mistaken. The output of energy
-thus given came back to the giver, reinforcing his prose writing with a
-mundane vigour and virility, exceeding what it might have had if he had
-kept himself aloof from the affairs of the nation.
-
-Yet, strangely enough, between his politics and his poetry there was a
-water-tight wall of separation. Other men, to take scattered instances,
-Kipling, Wordsworth, Milton, fused in various ways their political
-feeling and their poetical. This Edward Dowden never attempted. I cannot
-analyse the “why.”
-
-Confining myself to some points which seem left out of sight in most of
-the admirably appreciative obituary notices in last April’s newspapers,
-I have tried to say here, in a fragmentary way, a few things about a man
-of whom many things--infinitely many--might be said without exhausting
-the total. He was himself at the same time many and one. He had
-multiform aspects--interests very diverse--and yet life was for him in
-no wise “patchy and scrappy,” but had unity throughout.
-
-In Shakespeare, whose faithful scholar he was, there are diversities:
-and yet, do we not image Shakespeare to our minds as one and a whole?
-
-In the volumes now issued by Messrs. J. M. Dent & Sons is contained all
-the verse that the author left available for publication, with the
-exception of a sequence of a hundred and one lyrics (which by desire is
-separately published under the somewhat transparent disguise of
-editorship). That little sequence, named _A Woman’s Reliquary_, is his
-latest work in verse. Much in it re-echoes sounds that can be heard in
-his old poems of the early seventies.
-
-E. D. D.
-
-_September 1913._
-
-
-
-
-THE WANDERER
-
-
- I cast my anchor nowhere (the waves whirled
- My anchor from me); East and West are one
- To me; against no winds are my sails furled;
- --Merely my planet anchors to the Sun.
-
-
-
-
-THE FOUNTAIN
-
-(AN INTRODUCTION TO THE SONNETS)
-
-
- Hush, let the fountain murmur dim
- Melodious secrets; stir no limb,
- But lie along the marge and wait,
- Till deep and pregnant as with fate,
- Fine as a star-beam, crystal-clear,
- Each ripple grows upon the ear.
- This is that fountain seldom seen
- By mortal wanderer,--Hippocrene,--
- Where the virgins three times three,
- Thy singing brood, Mnemosyne,
- Loosen’d the girdle, and with grave
- Pure joy their faultless bodies gave
- To sacred pleasure of the wave.
- Listen! the lapsing waters tell
- The urgence uncontrollable
- Which makes the trouble of their breast,
- And bears them onward with no rest
- To ampler skies and some grey plain
- Sad with the tumbling of the main.
- But see, a sidelong eddy slips
- Back into the soft eclipse
- Of day, while careless fate allows,
- Darkling beneath still olive boughs;
- Then with chuckle liquid sweet
- Coils within its shy retreat;
- This is mine, no wave of might,
- But pure and live with glimmering light;
- I dare not follow that broad flood
- Of Poesy, whose lustihood
- Nourishes mighty lands, and makes
- Resounding music for their sakes;
- I lie beside the well-head clear
- With musing joy, with tender fear,
- And choose for half a day to lean
- Thus on my elbow where the green
- Margin-grass and silver-white
- Starry buds, the wind’s delight,
- Thirsting steer, nor goat-hoof rude
- Of the branch-sundering Satyr brood
- Has ever pashed; now, now, I stoop,
- And in hand-hollow dare to scoop
- This scantling from the delicate stream;
- It lies as quiet as a dream,
- And lustrous in my curvèd hand.
- Were it a crime if this were drain’d
- By lips which met the noonday blue
- Fiery and emptied of its dew?
- Crown me with small white marish-flowers!
- To the good Dæmon, and the Powers
- Of this fair haunt I offer up
- In unprofanèd lily-cup
- Libations; still remains for me
- A bird’s drink of clear Poesy;
- Yet not as light bird comes and dips
- A pert bill, but with reverent lips
- I drain this slender trembling tide;
- O sweet the coolness at my side,
- And, lying back, to slowly pry
- For spaces of the upper sky
- Radiant ’twixt woven olive leaves;
- And, last, while some fair show deceives
- The closing eyes, to find a sleep
- As full of healing and as deep
- As on toil-worn Odysseus lay
- Surge-swept to his Ionian bay.
-
-
-
-
- IN THE GALLERIES
-
-
- I. THE APOLLO BELVEDERE
-
- Radiance invincible! Is that the brow
- Which gleamed on Python while thy arrow sped?
- Are those the lips for Hyacinthus dead
- That grieved? Wherefore a God indeed art thou:
- For all we toil with ill, and the hours bow
- And break us, and at best when we have bled,
- And are much marred, perchance propitiated
- A little doubtful victory they allow:
- We sorrow, and thenceforth the lip retains
- A shade, and the eyes shine and wonder less.
- O joyous Slayer of evil things! O great
- And splendid Victor! God, whom no soil stains
- Of passion or doubt, of grief or languidness,
- --Even to worship thee I come too late.
-
-
-II. THE VENUS OF MELOS
-
- Goddess, or woman nobler than the God,
- No eyes a-gaze upon Ægean seas
- Shifting and circling past their Cyclades
- Saw thee. The Earth, the gracious Earth, wastrod
- First by thy feet, while round thee lay her broad
- Calm harvests, and great kine, and shadowing trees,
- And flowers like queens, and a full year’s increase,
- Clusters, ripe berry, and the bursting pod.
- So thy victorious fairness, unallied
- To bitter things or barren, doth bestow
- And not exact; so thou art calm and wise;
- Thy large allurement saves; a man may grow
- Like Plutarch’s men by standing at thy side,
- And walk thenceforward with clear-visioned eyes!
-
-
-III. ANTINOUS CROWNED AS BACCHUS
-
-(_In the British Museum_)
-
- Who crowned thy forehead with the ivy wreath
- And clustered berries burdening the hair?
- Who gave thee godhood, and dim rites? Beware
- O beautiful, who breathest mortal breath,
- Thou delicate flame great gloom environeth!
- The gods are free, and drink a stainless air,
- And lightly on calm shoulders they upbear
- A weight of joy eternal, nor can Death
- Cast o’er their sleep the shadow of her shrine.
- O thou confessed too mortal by the o’er-fraught
- Crowned forehead, must thy drooped eyes ever see
- The glut of pleasure, those pale lips of thine
- Still suck a bitter-sweet satiety,
- Thy soul descend through cloudy realms of thought?
-
-
-IV. LEONARDO’S “MONNA LISA”
-
- Make thyself known, Sibyl, or let despair
- Of knowing thee be absolute; I wait
- Hour-long and waste a soul. What word of fate
- Hides ’twixt the lips which smile and still forbear?
- Secret perfection! Mystery too fair!
- Tangle the sense no more lest I should hate
- Thy delicate tyranny, the inviolate
- Poise of thy folded hands, thy fallen hair.
- Nay, nay,--I wrong thee with rough words; still be
- Serene, victorious, inaccessible;
- Still smile but speak not; lightest irony
- Lurk ever ’neath thine eyelids’ shadow; still
- O’ertop our knowledge; Sphinx of Italy
- Allure us and reject us at thy will!
-
-
-V. ST LUKE PAINTING THE VIRGIN
-
-(_By Van der Weyden_)
-
- It was Luke’s will; and she, the mother-maid,
- Would not gainsay; to please him pleased her best;
- See, here she sits with dovelike heart at rest
- Brooding, and smoothest brow; the babe is laid
- On lap and arm, glad for the unarrayed
- And swatheless limbs he stretches; lightly pressed
- By soft maternal fingers the full breast
- Seeks him, while half a sidelong glance is stayed
- By her own bosom and half passes down
- To reach the boy. Through doors and window-frame
- Bright airs flow in; a river tranquilly
- Washes the small, glad Netherlandish town.
- Innocent calm! no token here of shame,
- A pierced heart, sunless heaven, and Calvary.
-
-
-
-
-ON THE HEIGHTS
-
-
- Here are the needs of manhood satisfied!
- Sane breath, an amplitude for soul and sense,
- The noonday silence of the summer hills,
- And this embracing solitude; o’er all
- The sky unsearchable, which lays its claim,--
- A large redemption not to be annulled,--
- Upon the heart; and far below, the sea
- Breaking and breaking, smoothly, silently.
- What need I any further? Now once more
- My arrested life begins, and I am man
- Complete with eye, heart, brain, and that within
- Which is the centre and the light of being;
- O dull! who morning after morning chose
- Never to climb these gorse and heather slopes
- Cairn-crowned, but last within one seaward nook
- Wasted my soul on the ambiguous speech
- And slow eye-mesmerism of rolling waves,
- Courting oblivion of the heart. True life
- That was not which possessed me while I lay
- Prone on the perilous edge, mere eye and ear,
- Staring upon the bright monotony,
- Having let slide all force from me, each thought
- Yield to the vision of the gleaming blank,
- Each nerve of motion and of sense grow numb,
- Till to the bland persuasion of some breeze,
- Which played across my forehead and my hair,
- The lost volition would efface itself,
- And I was mingled wholly in the sound
- Of tumbling billow and upjetting surge,
- Long reluctation, welter and refluent moan,
- And the reverberating tumultuousness
- ’Mid shelf and hollow and angle black with spray.
- Yet under all oblivion there remained
- A sense of some frustration, a pale dream
- Of Nature mocking man, and drawing down,
- As streams draw down the dust of gold, his will,
- His thought and passion to enrich herself
- The insatiable devourer.
-
- Welcome earth,
- My natural heritage! and this soft turf,
- These rocks which no insidious ocean saps,
- But the wide air flows over, and the sun
- Illumines. Take me, Mother, to thy breast,
- Gather me close in tender, sustinent arms,
- Lay bare thy bosom’s sweetness and its strength
- That I may drink vigour and joy and love.
- Oh, infinite composure of the hills!
- Thou large simplicity of this fair world,
- Candour and calmness, with no mockery,
- No soft frustration, flattering sigh or smile
- Which masks a tyrannous purpose; and ye Powers
- Of these sky-circled heights, and Presences
- Awful and strict, I find you favourable,
- Who seek not to exclude me or to slay,
- Rather accept my being, take me up
- Into your silence and your peace. Therefore
- By him whom ye reject not, gracious Ones,
- Pure vows are made that haply he will be
- Not all unworthy of the world; he casts
- Forth from him, never to resume again,
- Veiled nameless things, frauds of the unfilled heart,
- Fantastic pleasures, delicate sadnesses,
- The lurid, and the curious, and the occult,
- Coward sleights and shifts, the manners of the slave,
- And long unnatural uses of dim life.
- Hence with you! Robes of angels touch these heights
- Blown by pure winds and I lay hold upon them.
-
- Here is a perfect bell of purple heath,
- Made for the sky to gaze at reverently,
- As faultless as itself, and holding light,
- Glad air and silence in its slender dome;
- Small, but a needful moment in the sum
- Of God’s full joy--the abyss of ecstasy
- O’er which we hang as the bright bow of foam
- Above the never-filled receptacle
- Hangs seven-hued where the endless cataract leaps.
-
- O now I guess why you have summoned me,
- Headlands and heights, to your companionship;
- Confess that I this day am needful to you!
- The heavens were loaded with great light, the winds
- Brought you calm summer from a hundred fields,
- All night the stars had pricked you to desire,
- The imminent joy at its full season flowered,
- There was a consummation, the broad wave
- Toppled and fell. And had ye voice for this?
- Sufficient song to unburden the urged breast?
- A pastoral pipe to play? a lyre to touch?
- The brightening glory of the heath and gorse
- Could not appease your passion, nor the cry
- Of this wild bird that flits from bush to bush.
- Me therefore you required, a voice for song,
- A pastoral pipe to play, a lyre to touch,
- I recognize your bliss to find me here;
- The sky at morning when the sun upleaps
- Demands her atom of intense melody,
- Her point of quivering passion and delight,
- And will not let the lark’s heart be at ease.
- Take me, the brain with various, subtile fold,
- The breast that knows swift joy, the vocal lips;
- I yield you here the cunning instrument
- Between your knees; now let the plectrum fall!
-
-
-
-
-“LA RÉVÉLATION PAR LE DÉSERT”
-
- “Toujours le désert se montre à l’horizon, quand vous
- prononcez le nom de Jéhovah.”
- EDGAR QUINET.
-
-
- Beyond the places haunted by the feet
- Of thoughts and swift desires, and where the eyes
- Of wing’d imaginings are wild, and dreams
- Glide by on noiseless plumes, beyond the dim
- Veiled sisterhood of ever-circling mists,
- Who dip their urns in those enchanted meres
- Where all thought fails, and every ardour dies,
- And through the vapour dead looms a low moon,
- Beyond the fountains of the dawn, beyond
- The white home of the morning star, lies spread
- A desert lifeless, bright, illimitable,
- The world’s confine, o’er which no sighing goes
- From weary winds of Time.
-
- I sat me down
- Upon a red stone flung on the red sand,
- In length as great as some sarcophagus
- Which holds a king, but scribbled with no runes,
- Bald, and unstained by lichen or grey moss.
- Save me no living thing in that red land
- Showed under heaven; no furtive lizard slipped,
- No desert weed pushed upward the tough spine
- Or hairy lump, no slow bird was a spot
- Of moving black on the deserted air,
- Or stationary shrilled his tuneless cry;
- No shadow stirr’d, nor luminous haze uprose,
- Quivering against the blanched blue of the marge.
- I sat unbonneted, and my throat baked,
- And my tongue loll’d dogwise. Red sand below,
- And one unlidded eye above--mere God
- Blazing from marge to marge. I did not pray,
- My heart was as a cinder in my breast,
- And with both hands I held my head which throbbed.
- I, who had sought for God, had followed God
- Through the fair world which stings with sharp desire
- For him of whom its hints and whisperings are,
- Its gleams and tingling moments of the night,
- I, who in flower, and wave, and mountain-wind,
- And song of bird, and man’s diviner heart
- Had owned the present Deity, yet strove
- For naked access to his inmost shrine,--
- Now found God doubtless, for he filled the heaven
- Like brass, he breathed upon the air like fire.
- But I, a speck ’twixt the strown sand and sky,
- Being yet an atom of pure and living will,
- And perdurable as any God of brass,
- With all my soul, with all my mind and strength
- Hated this God. O, for a little cloud
- No bigger than a man’s hand on the rim,
- To rise with rain and thunder in its womb,
- And blot God out! But no such cloud would come.
- I felt my brain on fire, heard each pulse tick;
- It was a God to make a man stark mad;
- I rose with neck out-thrust, and nodding head,
- While with dry chaps I could not choose but laugh;
- _Ha_, _ha_, _ha_, _ha_, across the air it rang,
- No sweeter than the barking of a dog,
- Hard as the echo from an iron cliff;
- It must have buffeted the heaven; I ceased,
- I looked to see from the mid sky an arm,
- And one sweep of the scimitar; I stood;
- And when the minute passed with no event,
- No doomsman’s stroke, no sundering soul and flesh,
- When silence dropt its heavy fold on fold,
- And God lay yet inert in heaven, or scorn’d
- His rebel antic-sized, grotesque,--I swooned.
-
- Now when the sense returned my lips were wet,
- And cheeks and chin were wet, with a dank dew,
- Acrid and icy, and one shadow huge
- Hung over me blue-black, while all around
- The fierce light glared. O joy, a living thing,
- Emperor of this red domain of sand,
- A giant snake! One fold, one massy wreath
- Arched over me; a man’s expanded arms
- Could not embrace the girth of this great lord
- In his least part, and low upon the sand
- His small head lay, wrinkled, a flaccid bag,
- Set with two jewels of green fire, the eyes
- That had not slept since making of the world.
- Whence grew I bold to gaze into such eyes?
- Thus gazing each conceived the other’s thought,
- Aware how each read each; the Serpent mused,
- “Are all the giants dead, a long time dead,
- Born of the broad-hipped women, grave and tall,
- In whom God’s sons poured a celestial seed?
- A long time dead, whose great deeds filled the earth
- With clamour as of beaten shields, all dead,
- And Cush and Canaan, Mizraim and Phut,
- And the boy Nimrod storming through large lands
- Like earthquake through tower’d cities, these depart,
- And what remains? Behold, the elvish thing
- We raised from out his swoon, this now is man.
- The pretty vermin! helpless to conceive
- Of great, pure, simple sin, and vast revolt;
- The world escapes from deluge these new days,
- We build no Babels with the Shinar slime;
- What would this thin-legged grasshopper with us,
- The Dread Ones? Rather let him skip, and chirp
- Hymns in his smooth grass to his novel God,
- ‘The Father’; here no bland paternity
- He meets, but visible Might blocks the broad sky,
- My great Co-mate, the Ancient. Hence! avoid!
- What wouldst thou prying on our solitude?
- For thee my sly small cousin may suffice,
- And sly small bites about the heart and groin;
- Hence to his haunt! Yet ere thou dost depart
- I mark thee with my sign.”
-
- A vibrant tongue
- Had in a moment pricked upon my brow
- The mystic mark of brotherhood, Cain’s brand,
- But when I read within his eyes the words
- “Hence” and “avoid,” dim horror seized on me,
- And rising, with both arms stretched forth, and head
- Bowed earthward, and not turning once I ran;
- And what things saw me as I raced by them,
- What hands plucked at my dress, what light wings brushed
- My face, what waters in my hearing seethed,
- I know not, till I reached familiar lands,
- And saw grey clouds slow gathering for the night,
- Above sweet fields, whence the June mowers strolled
- Homewards with girls who chatted down the lane.
-
- Is this the secret lying round the world?
- A Dread One watching with unlidded eye
- Slow century after century from his heaven,
- And that great lord, the worm of the red plain,
- Cold in mid sun, strenuous, untameable,
- Coiling his solitary strength along
- Slow century after century, conscious each
- How in the life of his Arch-enemy
- He lives, how ruin of one confounds the pair,--
- Is this the eternal dual mystery?
- One Source of being, Light, or Love, or Lord,
- Whose shadow is the brightness of the world,
- Still let thy dawns and twilights glimmer pure
- In flow perpetual from hill to hill,
- Still bathe us in thy tides of day and night;
- Wash me at will a weed in thy free wave,
- Drenched in the sun and air and surge of Thee.
-
-
-
-
-THE MORNING STAR
-
-
-I
-
- Backward betwixt the gates of steepest heaven,
- Faint from the insupportable advance
- Of light confederate in the East, is driven
-
- The starry chivalry, and helm and lance,
- Which held keen ward upon the shadowy plain,
- Yield to the stress and stern predominance
-
- Of Day; no wanderer morning-moon awane
- Floats through dishevelled clouds, exanimate,
- In disarray, with gaze of weariest pain;
-
- O thou, sole Splendour, sprung to vindicate
- Night’s ancient fame, thou in dread strife serene,
- With back-blown locks, joyous yet desperate
-
- Flamest; from whose pure ardour Earth doth win
- High passionate pangs, thou radiant paladin.
-
-
-II
-
- Nay; strife must cease in song: far-sent and clear
- Piercing the silence of this summer morn
- I hear thy swan-song rapturous; I hear
-
- Life’s ecstasy; sharp cries of flames which burn
- With palpitating joy, intense and pure,
- From altars of the universe, and yearn
-
- In eager spires; and under these the sure
- Strong ecstasy of Death, in phrase too deep
- For thought, too bright for dim investiture.
-
- Of mortal words, and sinking more than sleep
- Down holier places of the soul’s delight;
- Cry, through the quickening dawn, to us who creep
-
- ’Mid dreams and dews of the dividing night,
- Thou searcher of the darkness and the light.
-
-
-III
-
- I seek thee, and thou art not; for the sky
- Has drawn thee in upon her breast to be
- A hidden talisman, while light soars high,
-
- Virtuous to make wide heaven’s tranquillity
- More tranquil, and her steadfast truth more true,
- Yea even her overbowed infinity.
-
- Of tenderness, when o’er wet woods the blue
- Shows past white edges of a sundering cloud,
- More infinitely tender. Day is new,
-
- Night ended; how the hills are overflowed
- With spaciousness of splendour, and each tree
- Is touched; only not yet the lark is loud,
-
- Since viewless still o’er city and plain and sea
- Vibrates thy spirit-wingèd ecstasy.
-
-
-
-
-A CHILD’S NOONDAY SLEEP
-
-
- Because you sleep, my child, with breathing light
- As heave of the June sea,
- Because your lips soft petals dewy-bright
- Dispart so tenderly;
-
- Because the slumbrous warmth is on your cheek
- Up from the hushed heart sent,
- And in this midmost noon when winds are weak
- No cloud lies more content;
-
- Because nor song of bird, nor lamb’s keen call
- May reach you sunken deep,
- Because your lifted arm I thus let fall
- Heavy with perfect sleep;
-
- Because all will is drawn from you, all power,
- And Nature through dark roots
- Will hold and nourish you for one sweet hour
- Amid her flowers and fruits;
-
- Therefore though tempests gather, and the gale
- Through autumn skies will roar,
- Though Earth send up to heaven the ancient wail
- Heard by dead Gods of yore;
-
- Though spectral faiths contend, and for her course
- The soul confused must try,
- While through the whirl of atoms and of force
- Looms an abandoned sky;
-
- Yet, know I, Peace abides, of earth’s wild things
- Centre, and ruling thence;
- Behold, a spirit folds her budded wings
- In confident innocence.
-
-
-
-
-IN THE GARDEN
-
-
-I. THE GARDEN
-
- Past the town’s clamour is a garden full
- Of loneness and old greenery; at noon
- When birds are hushed, save one dim cushat’s croon,
- A ripen’d silence hangs beneath the cool
- Great branches; basking roses dream and drop
- A petal, and dream still; and summer’s boon
- Of mellow grasses, to be levelled soon
- By a dew-drenchèd scythe, will hardly stop
- At the uprunning mounds of chestnut trees.
- Still let me muse in this rich haunt by day,
- And know all night in dusky placidness
- It lies beneath the summer, while great ease
- Broods in the leaves, and every light wind’s stress
- Lifts a faint odour down the verdurous way.
-
-
-II. VISIONS
-
- Here I am slave of visions. When noon heat
- Strikes the red walls, and their environ’d air
- Lies steep’d in sun; when not a creature dare
- Affront the fervour, from my dim retreat
- Where woof of leaves embowers a beechen seat,
- With chin on palm, and wide-set eyes I stare,
- Beyond the liquid quiver and the glare,
- Upon fair shapes that move on silent feet.
- Those Three strait-robed, and speechless as they pass,
- Come often, touch the lute, nor heed me more
- Than birds or shadows heed; that naked child
- Is dove-like Psyche slumbering in deep grass;
- Sleep, sleep,--he heeds thee not, you Sylvan wild
- Munching the russet apple to its core.
-
-
-III. AN INTERIOR
-
- The grass around my limbs is deep and sweet;
- Yonder the house has lost its shadow wholly,
- The blinds are dropped, and softly now and slowly
- The day flows in and floats; a calm retreat
- Of tempered light where fair things fair things meet;
- White busts and marble Dian make it holy,
- Within a niche hangs Dürer’s Melancholy
- Brooding; and, should you enter, there will greet
- Your sense with vague allurement effluence faint
- Of one magnolia bloom; fair fingers draw
- From the piano Chopin’s heart-complaint;
- Alone, white-robed she sits; a fierce macaw
- On the verandah, proud of plume and paint,
- Screams, insolent despot, showing beak and claw.
-
-
-IV. THE SINGER
-
- “That was the thrush’s last good-night,” I thought,
- And heard the soft descent of summer rain
- In the drooped garden leaves; but hush! again
- The perfect iterance,--freer than unsought
- Odours of violets dim in woodland ways,
- Deeper than coilèd waters laid a-dream
- Below mossed ledges of a shadowy stream,
- And faultless as blown roses in June days.
- Full-throated singer! art thou thus anew
- Voiceful to hear how round thyself alone
- The enrichèd silence drops for thy delight
- More soft than snow, more sweet than honey-dew?
- Now cease: the last faint western streak is gone,
- Stir not the blissful quiet of the night.
-
-
-V. A SUMMER MOON
-
- Queen-moon of this enchanted summer night,
- One virgin slave companioning thee,--I lie
- Vacant to thy possession as this sky
- Conquered and calmed by thy rejoicing might;
- Swim down through my heart’s deep, thou dewy bright
- Wanderer of heaven, till thought must faint and die,
- And I am made all thine inseparably,
- Resolved into the dream of thy delight.
- Ah no! the place is common for her feet,
- Not here, not here,--beyond the amber mist,
- And breadths of dusky pine, and shining lawn,
- And unstirred lake, and gleaming belts of wheat,
- She comes upon her Latmos, and has kissed
- The sidelong face of blind Endymion.
-
-
-VI. A PEACH
-
- If any sense in mortal dust remains
- When mine has been refined from flower to flower,
- Won from the sun all colours, drunk the shower
- And delicate winy dews, and gained the gains
- Which elves who sleep in airy bells, a-swing
- Through half a summer day, for love bestow,
- Then in some warm old garden let me grow
- To such a perfect, lush, ambrosian thing
- As this. Upon a southward-facing wall
- I bask, and feel my juices dimly fed
- And mellowing, while my bloom comes golden grey:
- Keep the wasps from me! but before I fall
- Pluck me, white fingers, and o’er two ripe-red
- Girl lips O let me richly swoon away!
-
-
-VII. EARLY AUTUMN
-
- If while I sit flatter’d by this warm sun
- Death came to me, and kissed my mouth and brow,
- And eyelids which the warm light hovers through,
- I should not count it strange. Being half won
- By hours that with a tender sadness run,
- Who would not softly lean to lips which woo
- In the Earth’s grave speech? Nor could it aught undo
- Of Nature’s calm observances begun
- Still to be here the idle autumn day.
- Pale leaves would circle down, and lie unstirr’d
- Where’er they fell; the tired wind hither call
- Her gentle fellows; shining beetles stray
- Up their green courts; and only yon shy bird
- A little bolder grow ere evenfall.
-
-
-VIII. LATER AUTUMN
-
- This is the year’s despair: some wind last night
- Utter’d too soon the irrevocable word,
- And the leaves heard it, and the low clouds heard;
- So a wan morning dawned of sterile light;
- Flowers drooped, or showed a startled face and white;
- The cattle cowered, and one disconsolate bird
- Chirped a weak note; last came this mist and blurred
- The hills, and fed upon the fields like blight.
- Ah, why so swift despair! There yet will be
- Warm noons, the honey’d leavings of the year,
- Hours of rich musing, ripest autumn’s core,
- And late-heaped fruit, and falling hedge-berry,
- Blossoms in cottage-crofts, and yet, once more,
- A song, not less than June’s, fervent and clear.
-
-
-
-
-THE HEROINES
-
-
-
-
-HELENA
-
-(_Tenth year of Troy-Siege_)
-
-
- She stood upon the wall of windy Troy,
- And lifted high both arms, and cried aloud
- With no man near:--
- “Troy-town and glory of Greece
- Strive, let the flame aspire, and pride of life
- Glow to white heat! Great lords be strong, rejoice,
- Lament, know victory, know defeat--then die;
- Fair is the living many-coloured play
- Of hates and loves, and fair it is to cease,
- To cease from these and all Earth’s comely things.
- I, Helena, impatient of a couch
- Dim-scented, and dark eyes my face had fed,
- And soft captivity of circling arms,
- Come forth to shed my spirit on you, a wind
- And sunlight of commingling life and death.
- City and tented plain behold who stands
- Betwixt you! Seems she worth a play of swords,
- And glad expense of rival hopes and hates?
- Have the Gods given a prize which may content,
- Who set your games afoot,--no fictile vase,
- But a sufficient goblet of great gold,
- Embossed with heroes, filled with perfumed wine?
- How! doubt ye? Thus I draw the robe aside
- And bare the breasts of Helen.
-
- Yesterday
- A mortal maiden I beheld, the light
- Tender within her eyes, laying white arms
- Around her sire’s mailed breast, and heard her chide
- Because his cheek was blood-splashed,--I beheld
- And did not wish me her. O, not for this
- A God’s blood thronged within my mother’s veins!
- For no such tender purpose rose the swan
- With ruffled plumes, and hissing in his joy
- Flashed up the stream, and held with heavy wings
- Leda, and curved the neck to reach her lips,
- And stayed, nor left her lightly. It is well
- To have quickened into glory one supreme,
- Swift hour, the century’s fiery-hearted bloom,
- Which falls,--to stand a splendour paramount,
- A beacon of high hearts and fates of men,
- A flame blown round by clear, contending winds,
- Which gladden in the contest and wax strong.
- Cities of Greece, fair islands, and Troy town,
- Accept a woman’s service; these my hands
- Hold not the distaff, ply not at the loom;
- I store from year to year no well-wrought web
- For daughter’s dowry; wide the web I make,
- Fine-tissued, costly as the Gods desire,
- Shot with a gleaming woof of lives and deaths,
- Inwrought with colours flowerlike, piteous, strange.
- Oblivion yields before me: ye winged years
- Which make escape from darkness, the red light
- Of a wild dawn upon your plumes, I stand
- The mother of the stars and winds of heaven,
- Your eastern Eos; cry across the storm!
- Through me man’s heart grows wider; little town
- Asleep in silent sunshine and smooth air,
- While babe grew man beneath your girdling towers,
- Wake, wonder, lift the eager head alert,
- Snake-like, and swift to strike, while altar-flame
- Rises for plighted faith with neighbour town
- That slept upon the mountain-shelf, and showed
- A small white temple in the morning sun.
- Oh, ever one way tending you keen prows
- Which shear the shadowy waves when stars are faint
- And break with emulous cries unto the dawn,
- I gaze and draw you onward; splendid names
- Lurk in you, and high deeds, and unachieved
- Virtues, and house-o’erwhelming crimes, while life
- Leaps in sharp flame ere all be ashes grey.
- Thus have I willed it ever since the hour
- When that great lord, the one man worshipful,
- Whose hands had haled the fierce Hippolyta
- Lightly from out her throng of martial maids,
- Would grace his triumph, strengthen his large joy
- With splendour of the swan-begotten child,
- Nor asked a ten years’ siege to make acquist
- Of all her virgin store. No dream that was,--
- The moonlight in the woods, our singing stream,
- Eurotas, the sleek panther at my feet,
- And on my heart a hero’s strong right hand.
- O draught of love immortal! Dastard world
- Too poor for great exchange of soul, too poor
- For equal lives made glorious! O too poor
- For Theseus and for Helena!
-
- Yet now
- It yields once more a brightness, if no love;
- Around me flash the tides, and in my ears
- A dangerous melody and piercing-clear
- Sing the twin siren-sisters, Death and Life;
- I rise and gird my spirit for the close.
-
- Last night Cassandra cried ‘Ruin, ruin, and ruin!’
- I mocked her not, nor disbelieved; the gloom
- Gathers, and twilight takes the unwary world.
- Hold me, ye Gods, a torch across the night,
- With one long flare blown back o’er tower and town,
- Till the last things of Troy complete themselves:
- --Then blackness, and the grey dust of a heart.”
-
-
-
-
-ATALANTA
-
-
- “Milanion, seven years ago this day
- You overcame me by a golden fraud,
- Traitor, and see I crown your cup with flowers,
- With violets and white sorrel from dim haunts,--
- A fair libation--ask you to what God?
- To Artemis, to Artemis my Queen.
-
- Not by my will did you escape the spear
- Though piteous I might be for your glad life,
- Husband, and for your foolish love: the Gods
- Who heard your vows had care of you: I stooped
- Half toward the beauty of the shining thing
- Through some blind motion of an instant joy,--
- As when our babe reached arms to pluck the moon
- A great, round fruit between dark apple-boughs,--
- And half, marking your wile, to fling away
- Needless advantage, conquer carelessly,
- And pass the goal with one light finger-touch
- Just while you leaned forth the bent body’s length
- To reach it. Could I guess I strove with three,
- With Aphrodite, Eros, and the third--
- Milanion? There upon the maple-post
- Your right hand rested: the event had sprung
- Complete from darkness, and possessed the world
- Ere yet conceived: upon the edge of doom
- I stood with foot arrested and blind heart,
- Aware of nought save some unmastered fate
- And reddening neck and brow. I heard you cry
- ‘Judgment, both umpires!’ saw you stand erect,
- Panting, and with a face so glad, so great
- It shone through all my dull bewilderment
- A beautiful uncomprehended joy,
- One perfect thing and bright in a strange world.
- But when I looked to see my father shamed,
- A-choke with rage and words of proper scorn,
- He nodded, and the beard upon his breast
- Pulled twice or thrice, well-pleased, and laughed aloud,
- And while the wrinkles gathered round his eyes
- Cried ‘Girl, well done! My brother’s son retain
- Shrewd head upon your shoulders! Maidens ho!
- A veil for Atalanta, and a zone
- Male fingers may unclasp! Lead home the bride,
- Prepare the nuptial chamber!’ At his word
- My life turned round: too great the shame had grown
- With all men leagued to mock me. Could I stay,
- Confront the vulgar gladness of the world
- At high emprise defeated, a free life
- Tethered, light dimmed, a virtue singular
- Subdued to ways of common use and wont?
- Must I become the men’s familiar jest,
- The comment of the matron-guild? I turned,
- I sought the woods, sought silence, solitude,
- Green depths divine, where the soft-footed ounce
- Lurks, and the light deer comes and drinks and goes,
- Familiar paths in which the mind might gain
- Footing, and haply from a vantage-ground
- Drive this new fate an arm’s-length, hand’s-breadth off
- A little while, till certitude of sight
- And strength returned.
-
- At evening I went back,
- Walked past the idle groups at gossipry,
- Sought you, and laid my hand upon your wrist,
- Drew you apart, and with no shaken voice
- Spoke, while the swift, hard strokes my heart out-beat
- Seemed growing audible, ‘Milanion,
- I am your wife for freedom and fair deeds:
- Choose: am I such an one a man could love?
- What need you? Some soft song to soothe your life,
- Or a clear cry at daybreak?’ And I ceased.
- How deemed you that first moment? That the Gods
- Had changed my heart? That I since morn had grown
- Haunter of Aphrodite’s golden shrine,
- Had kneeled before the victress, vowed my vow,
- Besought her pardon, ‘Aphrodite, grace!
- Accept the rueful Atalanta’s gifts,
- Rose wreaths and snow-white doves’?
-
- In the dim woods
- There is a sacred place, a solitude
- Within their solitude, a heart of strength
- Within their strength. The rocks are heaped around
- A goblet of great waters ever fed
- By one swift stream which flings itself in air
- With all the madness, mirth and melody
- Of twenty rivulets gathered in the hills
- Where might escapes in gladness. Here the trees
- Strike deeper roots into the heart of earth,
- And hold more high communion with the heavens;
- Here in the hush of noon the silence broods
- More full of vague divinity; the light
- Slow-changing and the shadows as they shift
- Seem characters of some inscrutable law,
- And one who lingers long will almost hope
- The secret of the world may be surprised
- Ere he depart. It is a haunt beloved
- Of Artemis, the echoing rocks have heard
- Her laughter and her lore, and the brown stream
- Flashed, smitten by the splendour of her limbs.
- Hither I came; here turned, and dared confront
- Pursuing thoughts; here held my life at gaze,
- If ruined at least to clear loose wrack away,
- Study its lines of bare dismantlement,
- And shape a strict despair. With fixed hard lips,
- Dry-eyed, I set my face against the stream
- To deal with fate; the play of woven light
- Gleaming and glancing on the rippled flood
- Grew to a tyranny; and one visioned face
- Would glide into the circle of my sight,
- Would glide and pass away, so glad, so great
- The imminent joy it brought seemed charged with fear.
- I rose, and paced from trunk to trunk, brief track
- This way and that; at least my will maintained
- Her law upon my limbs; they needs must turn
- At the appointed limit. A keen cry
- Rose from my heart--‘Toils of the world grow strong,
- ‘Yield strength, yield strength to rend them to my hands;
- ‘Be thou apparent, Queen! in dubious ways
- ‘Lo my feet fail; cry down the forest glade,
- ‘Pierce with thy voice the tangle and dark boughs,
- ‘Call, and I follow thee.’
-
- What things made up
- Memorial for the Presence of the place
- Thenceforth to hold? Only the torrent’s leap
- Endlessly vibrating, monotonous rhythm
- Of the swift footstep pacing to and fro,
- Only a soul’s reiterated cry
- Under the calm, controlling, ancient trees,
- And tutelary ward and watch of heaven
- Felt through steep inlets which the upper airs
- Blew wider.
-
- On the grass at last I lay
- Seized by a peace divine, I know not how;
- Passive, yet never so possessed of power,
- Strong, yet content to feel not use my strength
- Sustained a babe upon the breasts of life
- Yet armed with adult will, a shining spear.
- O strong deliverance of the larger law
- Which strove not with the less! impetuous youth
- Caught up in ampler force of womanhood!
- Co-operant ardours of joined lives! the calls
- Of heart to heart in chase of strenuous deeds!
- Virgin and wedded freedom not disjoined,
- And loyal married service to my Queen!
-
- Husband, have lesser gains these seven good years
- Been yours because you chose no gracious maid
- Whose hands had woven in the women’s room
- Many fair garments, while her dreaming heart
- Had prescience of the bridal; one whose claims,
- Tender exactions feminine, had pleased
- Fond husband, one whose gentle gifts had pleased,
- Soft playful touches, little amorous words,
- Untutored thoughts that widened up toward yours,
- With trustful homage of uplifted eyes,
- And sweetest sorrows lightly comforted?
- Have we two challenged each the other’s heart
- Too highly? Have our joys been all too large,
- No gleaming gems on finger or on neck
- A man may turn and touch caressingly,
- But ampler than this heaven we stand beneath--
- Wide wings of Presences august? Our lives,
- Were it not better they had stood apart
- A little space, letting the sweet sense grow
- Of distance bridged by love? Had that full calm,--
- I may not question since you call it true,--
- Found in some rightness of a woman’s will,
- Been gladder through perturbing touch of doubt,
- By brief unrest made exquisitely aware
- Of all its dear possession? Have our eyes
- Met with too calm directness--soul to soul
- Turned with the unerroneous long regard,
- Until no stuff remains for dreams to weave,
- Nought but unmeasured faithfulness, clear depths
- Pierced by the sun, and yielding to the eye
- Which searches, yet not fathoms? Did my lips
- Lay on your lips too great a pledge of love
- With awe too rapturous? Teach me how I fail,
- Recount what things your life has missed through me,
- Appease me with new needs; my strength is weak
- Trembling toward perfect service.”
-
- In her eyes
- Tears stood and utterance ceased. Wondering the boy
- Parthenopœus stopped his play and gazed.
-
-
-
-
-EUROPA
-
-
- “He stood with head erect fronting the herd;
- At the first sight of him I knew the God
- And had no fear. The grass is sweet and long
- Up the east land backed by a pale blue heaven:
- Grey, shining gravel shelves toward the sea
- Which sang and sparkled; between these he stood,
- Beautiful, with imperious head, firm foot,
- And eyes resolved on present victory,
- Which swerved not from the full acquist of joy,
- Calmly triumphant. Did I see at all
- The creamy hide, deep dewlap, little horns,
- Or hear the girls describe them? I beheld
- Zeus, and the law of my completed life.
- Therefore the ravishment of some great calm
- Possessed me, and I could not basely start
- Or scream; if there was terror in my breast
- It was to see the inevitable bliss
- In prone descent from heaven; apart I lived
- Held in some solitude, intense and clear,
- Even while amid the frolic girls I stooped
- And praised the flowers we gathered, they and I,
- Pink-streaked convolvulus the warm sand bears,
- Orchids, dark poppies with the crumpled leaf,
- And reeds and giant rushes from a pond
- Where the blue dragon-fly shimmers and shifts.
- All these were notes of music, harmonies
- Fashioned to underlie a resonant song,
- Which sang how no more days of flower-culling
- Little Europa must desire; henceforth
- The large needs of the world resumed her life,
- So her least joy must be no trivial thing,
- But ordered as the motion of the stars,
- Or grand incline of sun-flower to the sun.
-
- By this the God was near; my soul waxed strong,
- And wider orbed the vision of the world
- As fate drew nigh. He stooped, all gentleness,
- Inviting touches of the tender hands,
- And wore the wreaths they twisted round his horns
- In lordly-playful wise, me all this while
- Summoning by great mandates at my heart,
- Which silenced every less authentic call,
- Away, away, from girlhood, home, sweet friends,
- The daily dictates of my mother’s will,
- Agenor’s cherishing hand, and all the ways
- Of the calm household. I would fain have felt
- Some ruth to part from these, the tender ties
- Severing with thrills of passion. Can I blame
- My heart for light surrender of things dear,
- And hardness of a little selfish soul?
- Nay: the decree of joy was over me,
- There was the altar, I, the sacrifice
- Foredoomed to life, not death; the victim bound
- Looked for the stroke, the world’s one fact for her,
- The blissful consummation: straight to this
- Her course had tended from the hour of birth.
- Even till this careless morn of maidenhood
- A sudden splendour changed to life’s high noon:
- For this my mother taught me gracious things,
- My father’s thoughts had dealt with me, for this
- The least flower blossomed, the least cloud went by,
- All things conspired for this; the glad event
- Summed my full past and held it, as the fruit
- Holds the fair sequence of the bud and flower
- In soft matureness.
-
- Now he bent the knee;
- I never doubted of my part to do,
- Nor lingered idly, since to veil command
- In tender invitation pleased my lord;
- I sat, and round his neck one arm I laid
- Beyond all chance secure. Whether my weight
- Or the soft pressure of the encircling arm
- Quickened in him some unexpected bliss
- I know not, but his flight was one steep rush.
- O uncontrollable and joyous rage!
- O splendour of the multitudinous sea!
- Swift foam about my feet, the eager stroke
- Of the strong swimmer, new sea-creatures brave,
- And uproar of blown conch, and shouting lips
- Under the open heaven; till Crete rose fair
- With steadfast shining peak, and promontories.
-
- Shed not a leaf, O plane-tree, not a leaf,
- Let sacred shadow, and slumbrous sound remain
- Alway, where Zeus looked down upon his bride.”
-
-
-
-
-ANDROMEDA
-
-
- “This is my joy--that when my soul had wrought
- Her single victory over fate and fear,
- He came, who was deliverance. At the first,
- Though the rough-bearded fellows bruised my wrists
- Holding them backwards while they drove the bolts,
- And stared around my body, workman-like,
- I did not argue nor bewail; but when
- The flash and dip of equal oars had passed,
- And I was left a thing for sky and sea
- To encircle, gaze on, wonder at, not save--
- The clear resolve which I had grasped and held,
- Slipped as a dew-drop slips from some flower-cup
- O’erweighted, and I longed to cry aloud
- One sharp, great cry, and scatter the fixed will,
- In fond self-pity. Have you watched night-long,
- Above a face from which the life recedes,
- And seen death set his seal before the dawn?
- You do not shriek and clasp the hands, but just
- When morning finds the world once more all good
- And ready for wave’s leap and swallow’s flight,
- There comes a drift from undiscovered flowers,
- A drone of sailing bee, a dance of light
- Among the awakened leaves, a touch, a tang,
- A nameless nothing, and the world turns round,
- And the full soul runs over, and tears flow,
- And it is seen a piteous thing to die.
- So fared it there with me; the ripple ran
- Crisp to my feet; the tufted sea-pink bloomed
- From a cleft rock, I saw the insects drop
- From blossom into blossom; and the wide
- Intolerable splendour of the sea,
- Calm in a liquid hush of summer morn,
- Girdled me, and no cloud relieved the sky.
- I had refused to drink the proffered wine
- Before they bound me, and my strength was less
- Than needful: yet the cry escaped not, yet
- My purpose had not fallen abroad in ruin;
- Only the perfect knowledge I had won
- Of things which fate decreed deserted me,
- The vision I had held of life and death
- Was blurred by some vague mist of piteousness,
- Nor could I lean upon a steadfast will.
- Therefore I closed both eyes resolved to search
- Backwards across the abysm, and find Death there,
- And hold him with my hand, and scan his face
- By my own choice, and read his strict intent
- On lip and brow,--not hunted to his feet
- And cowering slavewise; ‘Death,’ I whispered, ‘Death,’
- Calling him whom I needed: and he came.
-
- Wherefore record the travail of the soul
- Through darkness to grey light, the cloudy war,
- The austere calm, the bitter victory?
- It seemed that I had mastered fate, and held,
- Still with shut eyes, the passion of my heart
- Compressed, and cast the election of my will
- Into that scale made heavy with the woe
- Of all the world, and fair relinquished lives.
- Suddenly the broad sea was vibrated,
- And the air shaken with confused noise
- Not like the steadfast plash and creak of oars,
- And higher on my foot the ripple slid.
- The monster was abroad beneath the sun.
- This therefore was the moment--could my soul
- Sustain her trial? And the soul replied
- A swift, sure ‘Yes’: yet must I look forth once,
- Confront my anguish, nor drop blindly down
- From horror into horror: and I looked--
- O thou deliverance, thou bright victory
- I saw thee, and was saved! The middle air
- Was cleft by thy impatience of revenge,
- Thy zeal to render freedom to things bound:
- The conquest sitting on thy brow, the joy
- Of thy unerring flight became to me
- Nowise mere hope, but full enfranchisement.
- A sculptor of the isles has carved the deed
- Upon a temple’s frieze; the maiden chained
- Lifts one free arm across her eyes to hide
- The terror of the moment, and her head
- Sideways averted writhes the slender neck:
- While with a careless grace in flying curve,
- And glad like Hermes in his aery poise,
- Toward the gaping throat a youth extends
- The sword held lightly. When to sacrifice
- I pass at morn with my tall Sthenelos,
- I smile, but do not speak. No! when my gaze
- First met him I was saved; because the world
- Could hold so brave a creature I was free:
- Here one had come with not my father’s eyes
- Which darkened to the clamour of the crowd,
- And gave a grieved assent; not with the eyes
- Of anguish-stricken Cassiopeia, dry
- And staring as I passed her to the boat.
- Was not the beauty of his strength and youth
- Warrant for many good things in the world
- Which could not be so poor while nourishing him?
- What faithlessness of heart could countervail
- The witness of that brow? What dastard chains?
- Did he not testify of sovereign powers
- O’ermatching evil, awful charities
- Which save and slay, the terror of clear joy,
- Unquenchable intolerance of ill,
- Order subduing chaos, beauty pledged
- To conquest of all foul deformities?
- And was there need to turn my head aside,
- I, who had one sole thing to do, no more,
- To watch the deed? I know the careless grace
- My Perseus wears in manage of the steed,
- Or shooting the swift disc: not such the mode
- Of that victorious moment of descent
- When the large tranquil might his soul contains
- Was gathered for a swift abolishment
- Of proud brute-tyranny. He seemed in air
- A shining spear which hisses in its speed
- And smites through boss and breastplate. Did he see
- Andromeda, who never glanced at her
- But set his face against the evil thing?
- I know not; yet one truth I may not doubt
- How ere the wallowing monster blind and vast
- Turned a white belly to the sun, he stood
- Beside me with some word of comfort strong
- Nourishing the heart like choral harmonies.
- O this was then my joy, that I could give
- A soul not saved from wretched female fright,
- Or anarchy of self-abandoned will,
- But one which had achieved deliverance,
- And wrought with shaping hands among the stuff
- Which fate presented. Had I shrunk from Death?
- Might I not therefore unashamed accept--
- In a calm wonder of unfaltering joy--
- Life, the fair gift he laid before my feet?
- Somewhat a partner of his deed I seemed;
- His equal? Nay, yet upright at his side
- Scarce lower by a head and helmet’s height
- Touching my Perseus’ shoulder.
-
- He has wrought
- Great deeds. Athena loves to honour him;
- And I have borne him sons. Look, yonder goes
- Lifting the bow, Eleios, the last-born.”
-
-
-
-
-EURYDICE
-
-
- “Now must this waste of vain desire have end:
- Fetter these thoughts which traverse to and fro
- The road which has no issue! We are judged.
- O wherefore could I not uphold his heart?
- Why claimed I not some partnership with him
- In the strict test, urging my right of wife?
- How have I let him fall? I, knowing thee
- My Orpheus, bounteous giver of rich gifts,
- Not all inured in practice of the will,
- Worthier than I, yet weaker to sustain
- An inner certitude against the blank
- And silence of the senses; so no more
- My heart helps thine, and henceforth there remains
- No gift to thee from me, who would give all,
- Only the memory of me growing faint
- Until I seem a thing incredible,
- Some high, sweet dream, which was not, nor could be.
- Ay, and in idle fields of asphodel
- Must it not be that I shall fade indeed,
- No memory of me, but myself; these hands
- Ceasing from mastery and use, my thoughts
- Losing distinction in the vague, sweet air,
- The heart’s swift pulses slackening to the sob
- Of the forgetful river, with no deed
- Pre-eminent to dare and to achieve,
- No joy for climbing to, no clear resolve
- From which the soul swerves never, no ill thing
- To rid the world of, till I am no more
- Eurydice, and shouldst thou at thy time
- Descend, and hope to find a helpmate here,
- I were grown slavish, like the girls men buy
- Soft-bodied, foolish-faced, luxurious-eyed,
- And meet to be another thing than wife.
-
- Would that it had been thus: when the song ceased
- And laughterless Aidoneus lifted up
- The face, and turned his grave persistent eyes
- Upon the singer, I had forward stepped
- And spoken--‘King! he has wrought well, nor failed,
- Who ever heard divine large song like this,
- Keener than sunbeam, wider than the air,
- And shapely as the mould of faultless fruit?
- And now his heart upon the gale of song
- Soars with wide wing, and he is strong for flight,
- Not strong for treading with the careful foot:
- Grant me the naked trial of the will
- Divested of all colour, scents and song:
- The deed concerns the wife; I claim my share.’
- O then because Persephone was by
- With shadowed eyes when Orpheus sang of flowers,
- He would have yielded. And I stepping forth
- From the clear radiance of the singer’s heights,
- Made calm through vision of his wider truth,
- And strengthened by deep beauty to hold fast
- The presences of the invisible things,
- Had led the way. I know how in that mood
- He leans on me as babe on mother’s breast,
- Nor could he choose but let his foot descend
- Where mine left lightest pressure; so are passed
- The brute three-visaged, and the flowerless ways,
- Nor have I turned my head; and now behold
- The greyness of remote terrestrial light,
- And I step swifter. Does he follow still?
- O surely since his will embraces mine
- Closer than clinging hand can clasp a hand:
- No need to turn and dull with visible proof
- The certitude that soul relies on soul!
- So speed we to the day; and now we touch
- Warm grass, and drink the Sun. O Earth, O Sun,
- Not you I need, but Orpheus’ breast, and weep
- The gladdest tears that ever woman shed,
- And may be weak awhile, and need to know
- The sustenance and comfort of his arms.
-
- Self-foolery of dreams; come bitter truth.
- Yet he has sung at least a perfect song
- While the Gods heard him, and I stood beside
- O not applauding, but at last content,
- Fearless for him, and calm through perfect joy,
- Seeing at length his foot upon the heights
- Of highest song, by me discerned from far,
- Now suddenly attained in confident
- And errorless ascension. Did I ask
- The lesser joy, lips’ touch and clasping arms,
- Or was not this salvation? For I urged
- Always, in jealous service to his art,
- ‘Now thou hast told their secrets to the trees
- Of which they muse through lullèd summer nights;
- Thou hast gazed downwards in the formless gulf
- Of the brute-mind, and canst control the will
- Of snake, and brooding panther fiery-eyed,
- And lark in middle heaven: leave these behind!
- And let some careless singer of the fields
- Set to the shallow sound of cymbal-stroke
- The Faun a-dance; some less true-tempered soul,
- Which cannot shape to harmony august
- The splendour and the tumult of the world,
- Inflame to frenzy of delirious rage
- The Mœnad’s breast; yea, and the hearts of men,
- Smoke of whose fire upcurls from little roofs,
- Let singers of the wine-cup and the roast,
- The whirling spear, the toy-like chariot-race,
- And bickering counsel of contending kings
- Delight them: leave thou these; sing thou for Gods.’
- And thou hast sung for Gods; and I have heard.
-
- I shall not fade beneath this sunless sky,
- Mixed in the wandering, ineffectual tribe;
- For these have known no moment when the soul
- Stood vindicated, laying sudden hands
- On immortality of joy, and love
- Which sought not, saw not, knew not, could not know
- The instruments of sense; I shall not fade.
- Yea, and thy face detains me evermore
- Within the realm of light. Love, wherefore blame
- Thy heart because it sought me? Could the years’
- Whole sum of various fashioned happiness
- Exceed the measure of that eager face
- Importunate and pure, still lit with song,
- Turning from song to comfort of my love,
- And thirsty for my presence? We are saved!
- Yield Heracles, thou brawn and thews of Zeus,
- Yield up thy glory on Thessalian ground,
- Competitor of Death in single strife!
- The lyre methinks outdoes the club and fist,
- And beauty’s ingress the outrageous force
- Of tyrant though beneficent; supreme
- This feat remains, a memory shaped for Gods.
-
- Nor canst thou wholly lose me from thy life;
- Still I am with thee; still my hand keeps thine;
- Now I restrain from too intemperate grief
- Being a portion of the thoughts that claim
- Thy service; now I urge with that good pain
- Which wastes and feeds the spirit, a desire
- Unending; now I lurk within thy will
- As vigour; now am gleaming through the world
- As beauty; and if greater thoughts must lay
- Their solemn light on thee, outshining mine,
- And in some far faint-gleaming hour of Hell
- I stand unknown and muffled by the boat
- Leaning an eager ear to catch some speech
- Of thee, and if some comer tell aloud
- How Orpheus who had loved Eurydice
- Was summoned by the Gods to fill with joy
- And clamour of celestial song the courts
- Of bright Olympus,--I, with pang of pride
- And pain dissolved in rapture, will return
- Appeased, with sense of conquest stern and high.”
-
- But while she spoke, upon a chestnut trunk
- Fallen from cliffs of Thracian Rhodope
- Sat Orpheus, for he deemed himself alone,
- And sang. But bands of wild-eyed women roamed
- The hills, whom he had passed with calm disdain.
- And now the shrilling Berecynthian pipe
- Sounded, blown horn, and frantic female cries:
- He ceased from song and looked for the event.
-
-
-
-
-BY THE SEA
-
-
-I. THE ASSUMPTION
-
- Why would the open sky not be denied
- Possession of me, when I sat to-day
- Rock-couched, and round my feet the soft slave lay,
- My singing Sea, dark-bosom’d, dusky-eyed?
- She breathed low mystery of song, she sighed,
- And stirred herself, and set lithe limbs to play
- In blandishing serpent-wreaths, and would betray
- An anklet gleaming, or a swaying side.
- Why could she not detain me? Why must I
- Devote myself to the dread Heaven, adore
- The spacious pureness, the large ardour? why
- Sprang forth my heart as though all wanderings
- Had end? To what last bliss did I upsoar
- Beating on indefatigable wings?
-
-
-II. THE ARTIST’S WAITING
-
- Tender impatience quickening, quickening;
- O heart within me that art grown a sea,
- How vexed with longing all thy live waves be,
- How broken with desire! A ceaseless wing
- O’er every green sea-ridge goes fluttering,
- And there are cries and long reluctancy,
- Swift ardours, and the clash of waters free,
- Fain for the coming of some perfect Thing.
- Emerge white Wonder, be thou born a Queen!
- Let shine the splendours of thy loveliness
- From the brow’s radiance to the equal poise
- Of calm, victorious feet; let thy serene
- Command go forth; replenish with strong joys
- The spaces and the sea-deeps measureless.
-
-
-III. COUNSELLORS
-
- Who are chief counsellors of me? Who know
- My heart’s desire and every secret thing?
- Three of one fellowship: the encompassing
- Strong Sea, who mindful of Earth’s ancient woe
- Still surges on with swift, undaunted flow
- That no sad shore should lack his comforting;
- And next the serene Sky, whether he ring
- With flawless blue a wilderness, or show
- Tranced in the Twilight’s arms his fair child-star;
- Third of the three, eldest and lordliest,
- Love, all whose wings are wide above my head,
- Whose eyes are clearer heavens, whose lips have said
- Low words more rare than the quired sea-songs are,--
- O Love, high things and stern thou counsellest.
-
-
-IV. EVENING
-
- Light ebbs from off the Earth; the fields are strange,
- Dusk, trackless, tenantless; now the mute sky
- Resigns itself to Night and Memory,
- And no wind will yon sunken clouds derange,
- No glory enrapture them; from cot or grange
- The rare voice ceases; one long-breathèd sigh,
- And steeped in summer sleep the world must lie;
- All things are acquiescing in the change.
- Hush! while the vaulted hollow of the night
- Deepens, what voice is this the sea sends forth,
- Disconsolate iterance, a passionless moan?
- Ah! now the Day is gone, and tyrannous Light,
- And the calm presence of fruit-bearing Earth:
- Cry, Sea! it is thy hour; thou art alone.
-
-
-V. JOY
-
- Spring-tides of Pleasure in the blood, keen thrill
- Of eager nerves,--but ended as a dream;
- Look! the wind quickens, and the long waves gleam
- Shoreward, and all this deep noon hour will fill
- Each lone sea-cave with mirth immeasurable,
- Huge sport of Ocean’s brood; yet eve’s red sky
- Fades o’er spent waters, weltering sullenly,
- The dank piled weed, the sand-waste grey and still.
- Sad Pleasure in the moon’s control! But Joy
- Is stable; is discovered law; the birth
- Of dreadful light; life’s one imperative way;
- The rigour hid in song; flowers’ strict employ
- Which turn to meet their sun; the roll of Earth
- Swift and perpetual through the night and day.
-
-
-VI. OCEAN
-
- More than bare mountains ’neath a naked sky,
- Or star-enchanted hollows of the night
- When clouds are riven, or the most sacred light
- Of summer dawns, art thou a mystery
- And awe and terror and delight, O sea!
- Our Earth is simple-hearted, sad to-day
- Beneath the hush of snow, next morning gay
- Because west-winds have promised to the lea
- Violets and cuckoo-buds; and sweetly these
- Live innocent lives, each flower in its green field,
- Joying as children in sun, air, and sleep.
- But thou art terrible, with the unrevealed
- Burden of dim lamentful prophecies,
- And thy lone life is passionate and deep.
-
-
-VII. NEWS FOR LONDON
-
- Whence may I glean a just return, my friend,
- For tidings of your great world hither borne?
- What garbs of new opinion men have worn
- I wot not, nor what fame world-without-end
- Sprouted last night, nor know I to contend
- For Irving or the Italian; but forlorn
- In this odd angle of the isle from morn
- Till eve, nor sow, nor reap, nor get, nor spend.
- Yet have I heard the sea-gulls scream for glee
- Treading the drenched rock-ridges, and the gale
- Hiss over tremulous heath-bells, while the bee
- Driven sidelong quested low; and I have seen
- The live sea-hollows, and moving mounds grey-green,
- And watched the flying foam-bow flush and fail.
-
-
-
-
-AMONG THE ROCKS
-
-
- Never can we be strangers, you and I,
- Nor quite disown our mysteries of kin,
- Grey Sea-rocks, since I sat an hour to-day
- Companion of the Ocean and of you.
- I, sensitive soft flesh a thorn invades,
- The light breath of a rose can win aside,
- Flesh fashioned to be hourly tried and thrill’d,
- Delighted, tortured, to betray whose ward
- The unready heart is ruler, still surprised,
- With emissary flushes swift and false,
- And tremulous to touches of the stars.
- You, spiny ridges of the land, rude backs,
- Clawless and wingless, half-created things,
- Monsters at ease before the sun and sea,
- Untamed, unshrinking, unpersuadable,
- My kindred.
-
- For the wide-delivering womb
- Which casts abroad a mammoth as a man,
- And still conceals the new and better birth,
- Bore me and you. Old parents of the Sphinx
- What words primeval murmured in my ears
- To-day between the lapping of the waves?
- What recognitions flashed and disappeared?
- What rare faint touches passed of sympathy
- From you to me, from me to you? What sense
- Of the ancestral things shadowed the heart,
- Cloud-like, and with the pleasure of a cloud.
- Therefore I know from henceforth that the shrill
- Short crying of the sea-lark when his feet
- Touch where the wave slips off the shining sand
- Pierces you; and the wide and luminous air
- Impregnate with sharp sea smells is to you
- A passion and allurement; and the sun
- At mid-day loads your sense with drowsy warmth,
- And in the waver and echo of your caves,
- You cherish memories of the billowy chaunt,
- And ponder its dim prophecy.
-
- And I,--
- Lo here I strike upon the granite too,
- Something is here austere and obdurate
- As you are, something rugged and untamed.
- A strength behind the will. I am not all
- The shapely, agile creature named a man,
- So artful, with the quick-conceiving brain,
- Nerve-network, and the hand to grasp and hold,
- Most dexterous of kinds that wage the strife
- Of being through the years. I am not all
- This creature with the various heart, alive
- To curious joys, rare anguish, skilled in shames,
- Prides, hatreds, loves, fears, frauds, the heart which turns
- A sudden venomous asp, the heart which bleeds
- The red, great drops of glad self-sacrifice.
- Pierce below these and seek the primal layer!
- Behind Apollo loom the Earth-born Ones,
- Half-god, half-brute; behind this symmetry,
- This versatility of heart and brain
- A strength abides, sustaining thought and love,
- Untamed, unshrinking, unpersuadable,
- At ease before the powers of Earth and Heaven,
- Equal to any, of no younger years,
- Calm as the greatest, haughty as the best,
- Of imprescriptible authority.
-
- Down upon you I sink, and leave myself,
- My vain, frail self, and find repose on you,
- Prime Force, whether amassed through myriad years
- From dear accretions of dead ancestry,
- Or ever welling from the source of things
- In undulation vast and unperceived,
- Down upon you I sink and lose myself!
-
- My child that shouts and races on the sand
- Your cry restores me. Have I been with Pan,
- Kissing the hoofs of his goat-majesty?
- You come, no granite of the nether earth,
- Bright sea-flower rather, shining foam that flies,
- Yet sweet as blossom of our inland fields.
-
-
-
-
-TO A YEAR
-
-
- Fly, Year, not backward down blind gulfs of night,
- Thick with the swarm of miscreated things:
- Forth, flying year, through calms and broader light,
- Clear-eyed, strong-bosom’d year, on strenuous wings;
- Bearing a song more high-intoned, more holy
- Than the wild Swan’s melodious melancholy,
- More rapturous than the atom lark outflings.
-
- I follow on slow foot and unsubdued:
- Have I not heard thy cry across the wind?
- Not seen thee, Slayer of the serpent brood,--
- Error, and doubt, and death, and anguish blind?
- I follow, I shall know thee by thy plumes
- Flame-tipped, when on that morn of conquered tombs,
- I praise amidst my years the doom assigned.
-
-
-
-
-A SONG OF THE NEW DAY
-
-
- The tender Sorrows of the twilight leave me,
- And shall I want the fanning of smooth wings?
- Shall I not miss sweet sorrows? Will it grieve me
- To hear no cooing from soft dove-like things?
-
- Let Evening hear them! O wide Dawn uprisen,
- Know me all thine; and ye, whose level flight
- Has pierced the drear hours and the cloudy prison,
- Cry for the pathless spaces and the light!
-
-
-
-
-SWALLOWS
-
-
- Wide fields of air left luminous,
- Though now the uplands comprehend
- How the sun’s loss is ultimate:
- The silence grows; but still to us
- From yon air-winnowing breasts elate
- The tiny shrieks of glee descend.
-
- Deft wings, each moment is resigned
- Some touch of day, some pulse of light,
- While yet in poised, delicious curve,
- Ecstatic doublings down the wind,
- Light dash and dip and sidelong swerve,
- You try each dainty trick of flight.
-
- Will not your airy glee relent
- At all? The aimless frolic cease?
- Know ye no touch of quelling pain,
- Nor joy’s more strict admonishment,
- No tender awe at day-light’s wane,
- Ye slaves of delicate caprice?
-
- Hush, once again that cry intense!
- High-venturing spirits have your will!
- Urge the last freak, prolong your glee,
- Keen voyagers, while still the immense
- Sea-spaces haunt your memory,
- With zests and pangs ineffable.
-
- Not in the sunshine of old woods
- Ye won your warrant to be gay
- By duteous, sweet observances,
- Who dared through darkening solitudes,
- And ’mid the hiss of alien seas,
- The larger ordinance obey.
-
-
-
-
-MEMORIALS OF TRAVEL
-
-
-I. COACHING
-
-(_In Scotland_)
-
-
- Where have I been this perfect summer day,
- --Or _fortnight_ is it, since I rose from bed,
- Devour’d that kippered fish, the oatmeal bread,
- And mounted to this box? O bowl away
- Swift stagers through the dusk, I will not say
- “Enough,” nor care where I have been or be,
- Nor know one name of hill, or lake, or lea,
- Or moor, or glen! Were not the clouds at play
- Nameless among the hills, and fair as dreams?
- On such a day we must love things not words,
- And memory take or leave them as they are.
- On such a day! What unimagined streams
- Are in the world, how many haunts of birds,
- What fields and flowers,--and what an evening Star!
-
-
-II. IN A MOUNTAIN PASS
-
-(_In Scotland_)
-
- To what wild blasts of tyrannous harmony
- Uprose these rocky walls, mass threatening mass,
- Dusk, shapeless shapes, around a desolate pass?
- What deep heart of the ancient hills set free
- The passion, the desire, the destiny
- Of this lost stream? Yon clouds that break and form,
- Light vanward squadrons of the joyous storm,
- They gather hither from what untrack’d sea?
- Primeval kindred! here the mind regains
- Its vantage ground against the world; here thought
- Wings up the silent waste of air on broad
- Undaunted pinion; man’s imperial pains
- Are ours, and visiting fears, and joy unsought,
- Native resolve, and partnership with God.
-
-
-III. THE CASTLE
-
-(_In Scotland_)
-
- The tenderest ripple touched and touched the shore;
- The tenderest light was in the western sky;--
- Its one soft phrase, closing reluctantly,
- The sea articulated o’er and o’er
- To comfort all tired things; and one might pore,
- Till mere oblivion took the heart and eye,
- On that slow-fading, amber radiancy
- Past the long levels of the ocean-floor.
- A turn,--the castle fronted me, four-square,
- Holding its seaward crag, abrupt, intense
- Against the west, an apparition bold
- Of naked human will; I stood aware,
- With sea and sky, of powers unowned of sense,
- Presences awful, vast, and uncontrolled.
-
-
-IV. Άισθητιχή φαντασία
-
-(_In Ireland_)
-
- The sound is in my ears of mountain streams!
- I cannot close my lids but some grey rent
- Of wildered rock, some water’s clear descent
- In shattering crystal, pine-trees soft as dreams
- Waving perpetually, the sudden gleams
- Of remote sea, a dear surprise of flowers,
- Some grace or wonder of to-day’s long hours
- Straightway possesses the moved sense, which teems
- With fantasy unbid. O fair, large day!
- The unpractised sense brings heavings from a sea
- Of life too broad, and yet the billows range,
- The elusive footing glides. Come, Sleep, allay
- The trouble with thy heaviest balms, and change
- These pulsing visions to still Memory.
-
-
-V. ON THE SEA-CLIFF
-
-(_In Ireland_)
-
- Ruins of a church with its miraculous well,
- O’er which the Christ, a squat-limbed dwarf of stone,
- Great-eyed, and huddled on his cross, has known
- The sea-mists and the sunshine, stars that fell
- And stars that rose, fierce winter’s chronicle,
- And centuries of dead summers. From his throne
- Fronting the dawn the elf has ruled alone,
- And saved this region fair from pagan hell.
- Turn! June’s great joy abroad; each bird, flower, stream
- Loves life, loves love; wide ocean amorously
- Spreads to the sun’s embrace; the dulse-weeds sway,
- The glad gulls are afloat. Grey Christ to-day
- Our ban on thee! Rise, let the white breasts gleam,
- Unvanquished Venus of the northern sea!
-
-
-VI. ASCETIC NATURE
-
-(_In Ireland_)
-
- Passion and song, and the adornèd hours
- Of floral loveliness, hopes grown most sweet,
- And generous patience in the ripening heat,
- A mother’s bosom, a bride’s face of flowers
- --Knows Nature aught so fair? Witness ye Powers
- Which rule the virgin heart of this retreat
- To rarer issues, ye who render meet
- Earth, purged and pure, for gracious heavenly dowers!
- The luminous pale lake, the pearl-grey sky,
- The wave that gravely murmurs meek desires,
- The abashed yet lit expectance of the whole,
- --These and their beauty speak of earthly fires
- Long quenched, clear aims, deliberate sanctity,--
- O’er the white forehead lo! the aureole.
-
-
-VII. RELICS
-
-(_In Switzerland_)
-
- What relic of the dear, dead yesterday
- Shall my heart keep? The visionary light
- Of dawn? Alas! it is a thing too bright,
- God does not give such memories away.
- Nor choose I one fair flower of those that sway
- To the chill breathing of the waterfall
- In rocky angles black with scattering spray,
- Fair though no sunbeam lays its coronal
- Of light on their pale brows; nor glacier-gleam
- I choose, nor eve’s red glamour; ’twas at noon
- Resting I found this speedwell, while a stream,
- That knew the immemorial inland croon,
- Sang in my ears, and lulled me to a dream
- Of English meadows, and one perfect June.
-
-
-VIII. ON THE PIER OF BOULOGNE
-
-(_A Reminiscence of 1870_)
-
- A venal singer to a thrumming note
- Chanted the civic war-song, that red flower
- Of melody seized in a sudden hour
- By frenzied winds of change, and borne afloat
- A live light in the storm; and now by rote
- To a cold crowd, while vague and sad the tide
- Loomed after sunset and the grey gulls cried,
- The verses quavered from a hireling throat.
- Wherefore should English eyes their right forbear,
- Or droop for smitten France? let the tossed sou,
- Before they turn, be quittance for the stare.
- O Lady, who, clear-voiced, with impulse true
- To lift that cry “_To Arms!_” alone would dare,
- My heart received a golden alms from you!
-
-
-IX. DOVER
-
-(_In a Field_)
-
- A joy has met me on this English ground
- I looked not for. O gladness, fields still green!
- Listen,--the going of a murmurous sound
- Along the corn; there is not to be seen
- In all the land a single pilèd sheaf
- Or line of grain new-fallen, and not a tree
- Has felt as yet within its lightest leaf
- The year’s despair; nay, Summer saves for me
- Her bright, late flowers. O my Summer-time
- Named low as lost, I turn, and find you here--
- Where else but in our blessed English clime
- That lingers o’er the sweet days of the year,
- Days of long dreaming under spacious skies
- Ere melancholy winds of Autumn rise.
-
-
-
-
-AN AUTUMN SONG
-
-
- Long Autumn rain;
- White mists which choke the vale, and blot the sides
- Of the bewildered hills; in all the plain
- No field agleam where the gold pageant was,
- And silent o’er a tangle of drenched grass
- The blackbird glides.
-
- In the heart,--fire,
- Fire and clear air and cries of water-springs,
- And large, pure winds; all April’s quick desire,
- All June’s possession; a most fearless Earth
- Drinking great ardours; and the rapturous birth
- Of wingèd things.
-
-
-
-
-BURDENS
-
-
- Are sorrows hard to bear,--the ruin
- Of flowers, the rotting of red fruit,
- A love’s decease, a life’s undoing,
- And summer slain, and song-birds mute,
- And skies of snow and bitter air?
- These things, you deem, are hard to bear.
-
- But ah, the burden, the delight
- Of dreadful joys! Noon opening wide,
- Golden and great; the gulfs of night,
- Fair deaths, and rent veils cast aside,
- Strong soul to strong soul rendered up,
- And silence filling like a cup.
-
-
-
-
-SONG
-
-(From “’Tis Pity she’s a Queen.”--A.D. 1610.)
-
-
-ACT IV. SCENE 2.
-
-_The_ LADY MARGARET, _with_ SUSAN _and_ LUCY; LADY M. _at her embroidery
-frame, singing_.
-
- Girls, when I am gone away,
- On this bosom strew
- Only flowers meek and pale,
- And the yew.
-
- Lay these hands down by my side,
- Let my face be bare;
- Bind a kerchief round the face,
- Smooth my hair.
-
- Let my bier be borne at dawn,
- Summer grows so sweet,
- Deep into the forest green
- Where boughs meet.
-
- Then pass away, and let me lie
- One long, warm, sweet day
- There alone with face upturn’d,
- One sweet day.
-
- While the morning light grows broad,
- While noon sleepeth sound,
- While the evening falls and faints,
- While the world goes round.
-
- _Susan._ Whence had you this song, lady?
-
- _L. Mar._ Out of the air;
- From no one an it be not from the wind
- That goes at noonday in the sycamore trees.
- --When said the tardy page he would return?
-
- _Susan._ By twelve, upon this very hour.
-
- _L. Mar._ Look now,
- The sand falls down the glass with even pace,
- The shadows lie like yesterday’s. Nothing
- Is wrong with the world. You are a part of it,--
- I stand within a magic circle charm’d
- From reach of anything, shut in from you,
- Leagues from my needle, and this frame I touch,
- Waiting till doomsday come--
- [_Knocking heard_] The messenger!
- Quick, I will wait you here, and hold my heart
- Ready for death, or too much ravishment.
-
-[_Exeunt both Girls._]
-
- How the little sand-hill slides and slides; how many
- Red grains would drop while a man’s keen knife drawn
- Across one’s heart let the red life out?
-
- _Susan._ [_returning_] Lady!
-
- _L. Mar._ I know it by your eyes. O do not fear
- To tell all punctually: I am carved of stone.
-
-
-
-
-BY THE WINDOW
-
-
- Still deep into the West I gazed; the light
- Clear, spiritual, tranquil as a bird
- Wide-winged that soars on the smooth gale and sleeps,
- Was it from sun far-set or moon unrisen?
- Whether from moon, or sun, or angel’s face
- It held my heart from motion, stayed my blood,
- Betrayed each rising thought to quiet death
- Along the blind charm’d way to nothingness,
- Lull’d the last nerve that ached. It was a sky
- Made for a man to waste his will upon,
- To be received as wiser than all toil,
- And much more fair. And what was strife of men?
- And what was time?
-
- Then came a certain thing.
- Are intimations for the elected soul
- Dubious, obscure, of unauthentic power
- Since ghostly to the intellectual eye,
- Shapeless to thinking? Nay, but are not we
- Servile to words and an usurping brain,
- Infidels of our own high mysteries,
- Until the senses thicken and lose the world,
- Until the imprisoned soul forgets to see,
- And spreads blind fingers forth to reach the day,
- Which once drank light, and fed on angels’ food?
-
- It happened swiftly, came and straight was gone.
- One standing on some aery balcony
- And looking down upon a swarming crowd
- Sees one man beckon to him with finger-tip
- While eyes meet eyes; he turns and looks again--
- The man is lost, and the crowd sways and swarms.
- Shall such an one say “Thus ’tis proved a dream,
- And no hand beckoned, no eyes met my own?”
- Neither can I say this. There was a hint,
- A thrill, a summons faint yet absolute,
- Which ran across the West; the sky was touch’d,
- And failed not to respond. Does a hand pass
- Lightly across your hair? you feel it pass
- Not half so heavy as a cobweb’s weight,
- Although you never stir; so felt the sky
- Not unaware of the Presence, so my soul
- Scarce less aware. And if I cannot say
- The meaning and monition, words are weak
- Which will not paint the small wing of a moth,
- Nor bear a subtile odour to the brain,
- And much less serve the soul in her large needs.
- I cannot tell the meaning, but a change
- Was wrought in me; it was not the one man
- Who come to the luminous window to gaze forth,
- And who moved back into the darkened room
- With awe upon his heart and tender hope;
- From some deep well of life tears rose; the throng
- Of dusty cares, hopes, pleasures, prides fell off,
- And from a sacred solitude I gazed
- Deep, deep into the liquid eyes of Life.
-
-
-
-
-SUNSETS
-
-
- Did your eyes watch the mystic sunset splendours
- Through evenings of old summers, slow of parting,--
- Wistful while loveliest gains and fair surrenders
- Hallow’d the West,--till tremulous tears came starting?
-
- Did your soul wing her way on noiseless pinion
- Through lucid fields of air, and penetrated
- With light and silence roam the wide dominion
- Where Day and Dusk embrace,--serene, unmated?
-
- And they are past the shining hours and tender,
- And snows are fallen between, and winds are driven?
- Nay, for I find across your face the splendour,
- And in your wings the central winds of heaven.
-
- They reach me, those lost sunsets. Undivining
- Your own high mysteries you pause and ponder;
- See, in my eyes the vanished light is shining,
- Feel, through what spaces of clear heaven I wander!
-
-
-
-
-OASIS
-
-
- Let them go by--the heats, the doubts, the strife;
- I can sit here and care not for them now,
- Dreaming beside the glimmering wave of life
- Once more,--I know not how.
-
- There is a murmur in my heart, I hear
- Faint, O so faint, some air I used to sing;
- It stirs my sense; and odours dim and dear
- The meadow-breezes bring.
-
- Just this way did the quiet twilights fade
- Over the fields and happy homes of men,
- While one bird sang as now, piercing the shade,
- Long since,--I know not when.
-
-
-
-
-FOREIGN SPEECH
-
-
- Ah, do not tell me what they mean,
- The tremulous brook, the scarcely stirred
- June leaves, the hum of things unseen,
- This sovran bird.
-
- Do they say things so deep, and rare,
- And perfect? I can only tell
- That they are happy, and can bear
- Such ignorance well;
-
- Feeding on all things said and sung
- From hour to hour in this high wood
- Articulate in a strange, sweet tongue
- Not understood.
-
-
-
-
-IN THE TWILIGHT
-
-
- A noise of swarming thoughts,
- A muster of dim cares, a foil’d intent,
- With plots and plans, and counterplans and plots;
- And thus along the city’s edges grey
- Unmindful of the darkening autumn day
- With a droop’d head I went.
-
- My face rose,--through what spell?--
- Not hoping anything from twilight dumb:
- One star possessed her heaven. Oh! all grew well
- Because of thee, and thy serene estate:
- Silence ... I let thy beauty make me great;
- What though the black night come.
-
-
-
-
-THE INNER LIFE
-
-
-I. A DISCIPLE
-
- Master, they argued fast concerning Thee,
- Proved what Thou art, denied what Thou art not,
- Till brows were on the fret, and eyes grew hot,
- And lip and chin were thrust out eagerly;
- Then through the temple-door I slipped to free
- My soul from secret ache in solitude,
- And sought this brook, and by the brookside stood
- The world’s Light, and the Light and Life of me.
- It is enough, O Master, speak no word!
- The stream speaks, and the endurance of the sky
- Outpasses speech: I seek not to discern
- Even what smiles for me Thy lips have stirred;
- Only in Thy hand still let my hand lie,
- And let the musing soul within me burn.
-
-
-II. THEISTS
-
- Who needs God most? That man whose pulses play
- With fullest life-blood; he whose foot dare climb
- To Joy’s high limit, solitude sublime
- Under a sky whose splendour sure must slay
- If Godless; he who owns the sovereign sway
- Of that small inner voice and still, what time
- His whole life urges toward one blissful crime,
- And Hell confuses Heaven, and night, the day.
- It is he whose faithfulness of love puts by
- Time’s anodyne, and that gross palliative,
- A Stoic pride, and bears all humanly;
- He whose soul grows one long desire to give
- Measureless gifts; ah! let _him_ quickly die
- Unless he lift frail hands to God and live.
-
-
-III. SEEKING GOD
-
- I said “I will find God,” and forth I went
- To seek Him in the clearness of the sky,
- But over me stood unendurably
- Only a pitiless, sapphire firmament
- Ringing the world,--blank splendour; yet intent
- Still to find God, “I will go and seek,” said I,
- “His way upon the waters,” and drew nigh
- An ocean marge weed-strewn and foam-besprent;
- And the waves dashed on idle sand and stone,
- And very vacant was the long, blue sea;
- But in the evening as I sat alone,
- My window open to the vanishing day,
- Dear God! I could not choose but kneel and pray
- And it sufficed that I was found of Thee.
-
-
-IV. DARWINISM IN MORALS
-
- High instincts, dim previsions, sacred fears,
- --Whence issuing? Are they but the brain’s amassed
- Tradition, shapings of a barbarous past,
- Remoulded ever by the younger years,
- Mixed with fresh clay, and kneaded with new tears?
- No more? The dead chief’s ghost a shadow cast
- Across the roving clan, and thence at last
- Comes God, who in the soul His law uprears?
- Is this the whole? Has not the Future powers
- To match the Past,--attractions, pulsings, tides,
- And voices for purged ears? Is all our light
- The glow of ancient sunsets and lost hours?
- Advance no banners up heaven’s eastern sides?
- Trembles the margin with no portent bright?
-
-
-V. AWAKENING
-
- With brain o’erworn, with heart a summer clod,
- With eye so practised in each form around,--
- And all forms mean,--to glance above the ground
- Irks it, each day of many days we plod,
- Tongue-tied and deaf, along life’s common road.
- But suddenly, we know not how, a sound
- Of living streams, an odour, a flower crowned
- With dew, a lark upspringing from the sod,
- And we awake. O joy and deep amaze!
- Beneath the everlasting hills we stand,
- We hear the voices of the morning seas,
- And earnest prophesyings in the land,
- While from the open heaven leans forth at gaze
- The encompassing great cloud of witnesses.
-
-
-VI. FISHERS
-
- We by no shining Galilean lake
- Have toiled, but long and little fruitfully
- In waves of a more old and bitter sea
- Our nets we cast; large winds, that sleep and wake
- Around the feet of Dawn and Sunset, make
- Our spiritual inhuman company,
- And formless shadows of water rise and flee
- All night around us till the morning break.
- Thus our lives wear--shall it be ever thus?
- Some idle day, when least we look for grace,
- Shall we see stand upon the shore indeed
- The visible Master, and the Lord of us,
- And leave our nets, nor question of His creed,
- Following the Christ within a young man’s face?
-
-
-VII. COMMUNION
-
- Lord, I have knelt and tried to pray to-night,
- But Thy love came upon me like a sleep,
- And all desire died out; upon the deep
- Of Thy mere love I lay, each thought in light
- Dissolving like the sunset clouds, at rest
- Each tremulous wish, and my strength weakness, sweet
- As a sick boy with soon o’erwearied feet
- Finds, yielding him unto his mother’s breast
- To weep for weakness there. I could not pray,
- But with closed eyes I felt Thy bosom’s love
- Beating toward mine, and then I would not move
- Till of itself the joy should pass away;
- At last my heart found voice,--“Take me, O Lord,
- And do with me according to Thy word.”
-
-
-VIII. A SONNET FOR THE TIMES
-
- What! weeping? Had ye your Christ yesterday,
- Close wound in linen, made your own by tears,
- Kisses, and pounds of myrrh, the sepulchre’s
- Mere stone most venerable? And now ye say
- “No man hath seen Him, He is borne away
- We wot not where.” And so, with many a sigh,
- Watching the linen clothes and napkin lie,
- Ye choose about the grave’s sad mouth to stay.
- Blind hearts! Why seek the living amongst the dead?
- Better than carols for the babe new-born
- The shining young men’s speech “He is not here;”
- Why question where the feet lay, where the head?
- Come forth; bright o’er the world breaks Easter morn,
- He is arisen, Victor o’er grief and fear.
-
-
-IX. EMMAUSWARD
-
- Lord Christ, if Thou art with us and these eyes
- Are holden, while we go sadly and say
- “We hoped it had been He, and now to-day
- Is the third day, and hope within us dies,”
- Bear with us, O our Master, Thou art wise
- And knowest our foolishness; we do not pray
- “Declare Thyself, since weary grows the way
- And faith’s new burden hard upon us lies.”
- Nay, choose Thy time; but ah! whoe’er Thou art
- Leave us not; where have we heard any voice
- Like Thine? Our hearts burn in us as we go;
- Stay with us; break our bread; so, for our part
- Ere darkness falls haply we may rejoice,
- Haply when day has been far spent may know.
-
-
-X. A FAREWELL
-
- Thou movest from us; we shall see Thy face
- No more. Ah, look below these troubled eyes,
- This woman’s heart in us that faints and dies,
- Trust not our faltering lips, our sad amaze;
- Glance some time downward from Thy golden place,
- And know how we rejoice. It is meet, is wise;
- High tasks are Thine, surrenders, victories,
- Communings pure, mysterious works and ways.
- Leave us: how should we keep Thee in these blown
- Grey fields, or soil with earth a Master’s feet?
- Nor deem us comfortless: have we not known
- Thee once, for ever. Friend, the pain is sweet
- Seeing Thy completeness to have grown complete,
- Thy gift it is that we can walk alone.
-
-
-XI. DELIVERANCE
-
- I prayed to be delivered, O true God,
- Not from the foes that compass us about,--
- Them I might combat; not from any doubt
- That wrings the soul; not from Thy bitter rod
- Smiting the conscience; not from plagues abroad,
- Nor my strong inward lusts; nor from the rout
- Of worldly men, the scourge, the spit, the flout,
- And the whole dolorous way the Master trod.
- All these would rouse the life that lurks within,
- Would save or slay; these things might be defied
- Or strenuously endured; yea, pressed by sin
- The soul is stung with sudden, visiting gleams;
- Leave these, if Thou but scatter, Lord, I cried,
- The counterfeiting shadows and vain dreams.
-
-
-XII. PARADISE LOST
-
- O would you read that Hebrew legend true
- Look deep into the little children’s eyes,
- Who walk with naked souls in Paradise,
- And know not shame; who, with miraculous dew
- To keep the garden ever fair and new,
- Want not our sobbing rains in their blue skies.
- Among the trees God moves, and o’er them rise
- All night in deeper heavens great stars to view.
- Ah, how we wept when through the gate we came!
- What boots it to look back? The world is ours,
- Come, we will fare, my brothers, boldly forth;
- Let that dread Angel wave the sword of flame
- Forever idly round relinquished bowers--
- Leave Eden there; we will subdue the earth.
-
-
-
-
-THE RESTING PLACE
-
-
- How all things transitory, all things vain
- Desert me! Whither am I sinking slow
- On the prone wing, to what predestined home,
- What peace beyond all peace, what ultimate joy?
- Nay, cease from questioning, care not to know,
- Let bliss dissolve each thought, all function cease,
- Fold close the wing, let the soft-flowing light
- Permeate, and merely once uplift drooped lids
- To mark the world remote, the abandoned shore,
- Fretted with much vain pleasure, futile pain,
- Far, far.
-
- The deepening peace! a dawn of essences
- Awful and incommunicably dear!
- Grace opening into grace, joy quenching joy!
- Thy waves and billows have gone over me
- Blissful and calm, and still the dreams drop off,
- And true things grow more true, and larger orbs
- The strong salvation which has seized my soul.
-
- The stream of the attraction draws me on
- Toward some centre; all will quickly end,
- All be attained. The sweetness of repose
- And this swift motion slay the consciousness
- Of being, and bind up the will in sleep.
- Silence and light accept my soul--I touch....
- Is it death’s centre or the breast of God?
-
-
-
-
-NEW HYMNS FOR SOLITUDE
-
-
-I
-
- I come to Thee not asking aught; I crave
- No gift of Thine, no grace;
- Yet where the suppliants enter let me have
- Within Thy courts a place.
-
- My hands, my heart contain no offering;
- Thy name I would not bless
- With lips untouched by altar-fire; I bring
- Only my weariness.
-
- These are the children, frequent in Thy home;
- Grant, Lord, to each his share;
- Then turn, and merely gaze on me, who come
- To lay my spirit bare.
-
-
-II
-
- Yet one more step--no flight
- The weary soul can bear--
- Into a whiter light,
- Into a hush more rare.
-
- Take me, I am all Thine,
- Thine now, not seeking Thee,--
- Hid in the secret shrine,
- Lost in the shoreless sea.
-
- Grant to the prostrate soul
- Prostration new and sweet,
- Make weak the weak, control
- Thy creature at Thy feet.
-
- Passive I lie: shine down,
- Pierce through the will with straight
- Swift beams, one after one,
- Divide, disintegrate,
-
- Free me from self,--resume
- My place, and be Thou there;
- Yet also keep me. Come
- Thou Saviour and Thou Slayer!
-
-
-III
-
- Nothing remains to say to Thee, O Lord,
- I am confessed,
- All my lips’ empty crying Thou hast heard,
- My unrest, my rest.
- Why wait I any longer? Thou dost stay,
- And therefore, Lord, I would not go away.
-
- Let me be at Thy feet a little space,
- Forget me here;
- I will not touch Thy hand, nor seek Thy face,
- Only be near,
- And this hour let Thy nearness feed the heart,
- And when Thou goest I also will depart.
-
- Then when Thou seekest Thy way, and I, mine
- Let the World be
- Not wide and cold after this cherishing shrine
- Illum’d by Thee,
- Nay, but worth worship, fair, a radiant star,
- Tender and strong as Thy chief angels are.
-
- Yet bid me not go forth: I cannot now
- Take hold on joy,
- Nor sing the swift, glad song, nor bind my brow;
- Her wise employ
- Be mine, the silent woman at Thy knee
- In the low room in little Bethany.
-
-
-IV
-
- Ah, that sharp thrill through all my frame!
- And yet once more! Withstand
- I can no longer; in Thy name
- I yield me to Thy hand.
-
- Such pangs were in the soul unborn,
- The fear, the joy were such,
- When first it felt in that keen morn
- A dread, creating touch.
-
- Maker of man, Thy pressure sure
- This grosser stuff must quell;
- The spirit faints, yet will endure,
- Subdue, control, compel.
-
- The Potter’s finger shaping me....
- Praise, praise! the clay curves up
- Not for dishonour, though it be
- God’s least adornèd cup.
-
-
-V
-
- Sins grew a heavy load and cold,
- And pressed me to the dust;
- “Whither,” I cried, “can this be rolled
- Ere I behold the Just?”
-
- But now I claim them for my own;
- Thy face I needs must find;
- Lo! thus I wrought, yea, I alone,
- Not weak, beguiled, or blind.
-
- See my full arms, my heaped-up shame,
- An evil load I bring:
- Thou, God, art a consuming flame,
- Accept the hateful thing.
-
- Pronounce the dread condemning word,
- I stand in blessed fear;
- Dear is Thy cleansing wrath, O Lord,
- The fire that burns is dear.
-
-
-VI
-
- I found Thee in my heart, O Lord,
- As in some secret shrine;
- I knelt, I waited for Thy word,
- I joyed to name Thee mine.
-
- I feared to give myself away
- To that or this; beside
- Thy altar on my face I lay,
- And in strong need I cried.
-
- Those hours are past. Thou art not mine,
- And therefore I rejoice,
- I wait within no holy shrine,
- I faint not for the voice.
-
- In Thee we live; and every wind
- Of heaven is Thine; blown free
- To west, to east, the God unshrined
- Is still discovering me.
-
-
-
-
-IN THE CATHEDRAL CLOSE
-
-
- In the Dean’s porch a nest of clay
- With five small tenants may be seen,
- Five solemn faces, each as wise
- As though its owner were a Dean;
-
- Five downy fledglings in a row,
- Packed close, as in the antique pew
- The school-girls are whose foreheads clear
- At the _Venite_ shine on you.
-
- Day after day the swallows sit
- With scarce a stir, with scarce a sound,
- But dreaming and digesting much
- They grow thus wise and soft and round.
-
- They watch the Canons come to dine,
- And hear the mullion-bars across,
- Over the fragrant fruit and wine
- Deep talk of rood-screen and reredos.
-
- Her hands with field-flowers drench’d, a child
- Leaps past in wind-blown dress and hair,
- The swallows turn their heads askew--
- Five judges deem that she is fair.
-
- Prelusive touches sound within,
- Straightway they recognize the sign,
- And, blandly nodding, they approve
- The minuet of Rubinstein.
-
- They mark the cousins’ schoolboy talk,
- (Male birds flown wide from minster bell),
- And blink at each broad term of art,
- Binomial or bicycle.
-
- Ah! downy young ones, soft and warm,
- Doth such a stillness mask from sight
- Such swiftness? can such peace conceal
- Passion and ecstasy of flight?
-
- Yet somewhere ’mid your Eastern suns,
- Under a white Greek architrave
- At morn, or when the shaft of fire
- Lies large upon the Indian wave,
-
- A sense of something dear gone-by
- Will stir, strange longings thrill the heart
- For a small world embowered and close,
- Of which ye some time were a part.
-
- The dew-drench’d flowers, the child’s glad eyes
- Your joy unhuman shall control,
- And in your wings a light and wind
- Shall move from the Maestro’s soul.
-
-
-
-
-FIRST LOVE
-
-
- My long first year of perfect love,
- My deep new dream of joy;
- She was a little chubby girl,
- I was a chubby boy.
-
- I wore a crimson frock, white drawers,
- A belt, a crown was on it;
- She wore some angel’s kind of dress
- And such a tiny bonnet,
-
- Old-fashioned, but the soft brown hair
- Would never keep its place;
- A little maid with violet eyes,
- And sunshine in her face.
-
- O my child-queen, in those lost days
- How sweet was daily living!
- How humble and how proud I grew,
- How rich by merely giving!
-
- She went to school, the parlour-maid
- Slow stepping to her trot;
- That parlour-maid, ah, did she feel
- How lofty was her lot!
-
- Across the road I saw her lift
- My Queen, and with a sigh
- I envied Raleigh; my new coat
- Was hung a peg too high.
-
- A hoard of never-given gifts
- I cherished,--priceless pelf;
- ’Twas two whole days ere I devour’d
- That peppermint myself.
-
- In Church I only prayed for her--
- “O God bless Lucy Hill;”
- Child, may His angels keep their arms
- Ever around you still.
-
- But when the hymn came round, with heart
- That feared some heart’s surprising
- Its secret sweet, I climb’d the seat
- ’Mid rustling and uprising;
-
- And there against her mother’s arm
- The sleeping child was leaning,
- While far away the hymn went on,
- The music and the meaning.
-
- Oh I have loved with more of pain
- Since then, with more of passion,
- Loved with the aching in my love
- After our grown-up fashion;
-
- Yet could I almost be content
- To lose here at your feet
- A year or two, you murmuring elm,
- To dream a dream so sweet.
-
-
-
-
-THE SECRET OF THE UNIVERSE: AN ODE
-
-(_By a Western Spinning Dervish_)
-
-
- I spin, I spin, around, around,
- And close my eyes,
- And let the bile arise
- From the sacred region of the soul’s Profound;
- Then gaze upon the world; how strange! how new!
- The earth and heaven are one,
- The horizon-line is gone,
- The sky how green! the land how fair and blue!
- Perplexing items fade from my large view,
- And thought which vexed me with its false and true
- Is swallowed up in Intuition; this,
- This is the sole true mode
- Of reaching God,
- And gaining the universal synthesis
- Which makes All--One; while fools with peering eyes
- Dissect, divide, and vainly analyse.
- So round, and round, and round again!
- How the whole globe swells within my brain,
- The stars inside my lids appear,
- The murmur of the spheres I hear
- Throbbing and beating in each ear;
- Right in my navel I can feel
- The centre of the world’s great wheel.
- Ah peace divine, bliss dear and deep,
- No stay, no stop,
- Like any top
- Whirling with swiftest speed, I sleep.
- O ye devout ones round me coming,
- Listen! I think that I am humming;
- No utterance of the servile mind
- With poor chop-logic rules agreeing
- Here shall ye find,
- But inarticulate burr of man’s unsundered being.
- Ah, could we but devise some plan,
- Some patent jack by which a man
- Might hold himself ever in harmony
- With the great Whole, and spin perpetually,
- As all things spin
- Without, within,
- As Time spins off into Eternity,
- And Space into the inane Immensity,
- And the Finite into God’s Infinity,
- Spin, spin, spin, spin.
-
-
-
-
-BEAU RIVAGE HOTEL
-
-SATURDAY EVENING
-
-
- Below there’s a brumming and strumming
- And twiddling and fiddling amain,
- And sweeping of muslins and laughter,
- And pattering of luminous rain.
-
- Fair England, resplendent Columbia,
- Gaul, Teuton,--how precious a smother!
- But the happiest is brisk little Polly
- To galop with only her brother.
-
- And up to the fourth étage landing,
- Come the violins’ passionate cries,
- Where the pale femme-de-chambre is sitting
- With sleep in her beautiful eyes.
-
-
-
-
-IN A JUNE NIGHT
-
-(_A Study in the manner of Robert Browning_)
-
-
-I
-
- See, the door opens of this alcove,
- Here we are now in the cool night air
- Out of the heat and smother; above
- The stars are a wonder, alive and fair,
- It is a perfect night,--your hand,--
- Down these steps and we reach the garden,
- An odorous, dim, enchanted land,
- With the dusk stone-god for only warden.
-
-
-II
-
- Was I not right to bring you here?
- We might have seen slip the hours within
- Till God’s new day in the East were clear,
- And His silence abashed the dancers’ din,
- Then each have gone away, the pain
- And longing greatened, not satisfied,
- By a hand’s slight touch or a glance’s gain,--
- And now we are standing side by side!
-
-
-III
-
- Come to the garden’s end,--not so,
- Not by the grass, it would drench your feet;
- See, here is a path where the trees o’ergrow
- And the fireflies flicker; but, my sweet,
- Lean on me now, for one cannot see
- Here where the great leaves lie unfurled
- To take the whole soul and the mystery
- Of a summer night poured out for the world.
-
-
-IV
-
- Into the open air once more!
- Yonder’s the edge of the garden-wall
- Where we may sit and talk,--deplore
- This half-hour lost from so bright a ball,
- Or praise my partner with the eyes
- And the raven hair, or the other one
- With her flaxen curls, and slow replies
- As near asleep in the Tuscan sun.
-
-
-V
-
- Hush! do you hear on the beach’s cirque
- Just below, though the lake is dim,
- How the little ripples do their work,
- Fall and faint on the pebbled rim,
- So they say what they want, and then
- Break at the marge’s feet and die;
- It is so different with us men
- Who never can once speak perfectly.
-
-
-VI
-
- Yet hear me,--trust that they mean indeed
- Oh, so much more than the words will say
- Or shall it be ’twixt us two agreed
- That all we might spend a night and day
- In striving to put in a word or thought,
- Which were then from ourselves a thing apart,
- Shall be just believed and quite forgot,
- When my heart is felt against your heart.
-
-
-VII
-
- Ah, but that will not tell you all,
- How I am yours not thus alone,
- To find how your pulses rise and fall,
- And winning you wholly be your own,
- But yours to be humble, could you grow
- The Queen that you are, remote and proud,
- And I with only a life to throw
- Where the others’ flowers for your feet were strowed.
-
-
-VIII
-
- Well, you have faults too! I can blame
- If you choose: this hand is not so white
- Or round as a little one that came
- On my shoulder once or twice to-night
- Like a soft white dove. Envy her now!
- And when you talked to that padded thing
- And I passed you leisurely by, your brow
- Was cold, not a flush nor fluttering.
-
-
-IX
-
- Such foolish talk! while that one star still
- Dwells o’er the mountain’s margin-line
- Till the dawn takes all; one may drink one’s fill
- Of such quiet; there’s a whisper fine
- In the leaves a-tremble, and now ’tis dumb;
- We have lived long years, love, you and I,
- And the heart grows faint; your lips, then: come,--
- It were not so very hard to die.
-
-
-
-
-FROM APRIL TO OCTOBER
-
-
-I. BEAUTY
-
- The beauty of the world, the loveliness
- Of woodland pools, which doves have coo’d to sleep,
- Dreaming the noontide through beneath the deep
- Of heaven; the radiant blue’s benign caress
- When April clouds are rifted; buds that bless
- Each little nook and bower, where the leaves keep
- Dew and light shadow, and quick lizards peep
- For sunshine,--these, and the ancient stars no less,
- And the sea’s mystery of dusk and bright
- Are but the curious characters that lie,
- Priestess of Beauty, in thy robe of light.
- Ah, where, divine One, is thy veiled retreat,
- That I may creep to it and clasp thy feet,
- And gaze in thy pure face though I should die?
-
-
-II. TWO INFINITIES
-
- A lonely way, and as I went my eyes
- Could not unfasten from the Spring’s sweet things,
- Lush-sprouted grass, and all that climbs and clings
- In loose, deep hedges, where the primrose lies
- In her own fairness, buried blooms surprise
- The plunderer bee and stop his murmurings,
- And the glad flutter of a finch’s wings
- Outstartle small blue-speckled butterflies.
- Blissfully did one speedwell plot beguile
- My whole heart long; I loved each separate flower,
- Kneeling. I looked up suddenly--Dear God!
- There stretched the shining plain for many a mile,
- The mountains rose with what invincible power!
- And how the sky was fathomless and broad!
-
-
-III. THE DAWN
-
- The Dawn,--O silence and wise mystery!
- Was it a dream, the murmurous room, the glitter,
- The tinkling songs, the dance, and that fair sitter
- I talk’d æsthetics to so rapturously?
- Sweet Heaven, thy silentness and purity,
- Thy sister-words of blame, not railings bitter,
- With these great quiet leaves, and the light twitter
- Of small birds wakening in the greenery,
- And one stream stepping quickly on its way
- So well it knows the glad work it must do,
- Reclaim a wayward heart scarce answering true
- To that sweet strain of hours that closes May;
- How the pale marge quickens with pulsings new,
- O welcome to thy world thou fair, great day!
-
-
-IV. THE SKYLARK
-
- There drops our lark into his secret nest!
- All is felt silence and the broad blue sky;
- Come, the incessant rain of melody
- Is over; now earth’s quietudes invest,
- In cool and shadowy limit, that wild breast
- Which trembled forth the sudden ecstasy
- Till raptures came too swift, and song must die
- Since midmost deeps of heaven grew manifest.
- My poet of the garden-walk last night
- Sang in rich leisure, ceased and sang again,
- Of pleasure in green leaves, of odours given
- By flowers at dusk, and many a dim delight;
- The finer joy was thine keen-edged with pain,
- Soarer! alone with thy own heart and heaven.
-
-
-V. THE MILL-RACE
-
- “Only a mill-race,” said they, and went by,
- But we were wiser, spoke no word, and stayed;
- It was a place to make the heart afraid
- With so much beauty, lest the after sigh,
- When one had drunk its sweetness utterly,
- Should leave the spirit faint; a living shade
- From beechen branches o’er the water played
- To unweave that spell through which the conquering sky
- Subdues the sweet will of each summer stream;
- So this ran freshlier through the swaying weeds.
- I gazed until the whole was as a dream,
- Nor should have waked or wondered had I seen
- Some smooth-limbed wood-nymph glance across the green,
- Or Naiad lift a head amongst the reeds.
-
-
-VI. IN THE WOOD
-
- A place where Una might have fallen asleep
- Assured of quiet dreams, a place to make
- Sad eyes bright with strange tears; a little lake
- In the green heart of a wood; the crystal deep
- Of heaven so wide if there should chance to stray
- Into that stainless field some thin cloud-flake,
- When not a breeze the trance of noon dare break,
- About the middle it must melt away.
- Lilies upon the water in their leaves,
- Stirr’d by faint ripples that go curving on
- To little reedy coves; a stream that grieves
- To the fine grasses and wild flowers around;
- And we two in a golden silence bound,
- Not a line read of rich _Endymion_.
-
-
-VII. THE PAUSE OF EVENING
-
- Nightward on dimmest wing in Twilight’s train
- The grey hours floated smoothly, lingeringly;
- A solemn wonder was the western sky
- Rich with the slow forsaking sunset-stain,
- Barred by long violet cloud; hillside and plain
- The feet of Night had touched; a wind’s low sigh
- Told of whole pleasure lapsed,--then rustled by
- With soft subsidence in the rippling grain.
- Why in dark dews, unready to depart,
- Did Evening pause and ponder, nor perceive
- Star follow star into the central blue?
- What secret was the burden of her heart?
- What grave, sweet memory grew she loath to leave?
- What finer sense, no morrow may renew?
-
-
-VIII. IN JULY
-
- Why do I make no poems? Good my friend
- Now is there silence through the summer woods,
- In whose green depths and lawny solitudes
- The light is dreaming; voicings clear ascend
- Now from no hollow where glad rivulets wend,
- But murmurings low of inarticulate moods,
- Softer than stir of unfledged cushat broods,
- Breathe, till o’erdrowsed the heavy flower-heads bend.
- Now sleep the crystal and heart-charmèd waves
- Round white, sunstricken rocks the noontide long,
- Or ’mid the coolness of dim lighted caves
- Sway in a trance of vague deliciousness;
- And I,--I am too deep in joy’s excess
- For the imperfect impulse of a song.
-
-
-IX. IN SEPTEMBER
-
- Spring scarce had greener fields to show than these
- Of mid September; through the still warm noon
- The rivulets ripple forth a gladder tune
- Than ever in the summer; from the trees
- Dusk-green, and murmuring inward melodies,
- No leaf drops yet; only our evenings swoon
- In pallid skies more suddenly, and the moon
- Finds motionless white mists out on the leas.
- Dear chance it were in some rough wood-god’s lair
- A month hence, gazing on the last bright field,
- To sink o’er-drowsed, and dream that wild-flowers blew
- Around my head and feet silently there,
- Till Spring’s glad choir adown the valley pealed,
- And violets trembled in the morning dew.
-
-
-X. IN THE WINDOW
-
- A still grey evening: Autumn in the sky,
- And Autumn on the hills and the sad wold;
- No congregated towers of pearl and gold
- In the vaporous West, no fiend limned duskily,
- No angel whose reared trump must soon be loud,
- Nor mountains which some pale green lake enfold
- Nor islands in an ocean glacial-cold;
- Hardly indeed a noticeable cloud.
- Yet here I lingered, all my will asleep,
- Gazing an hour with neither joy nor pain,
- No noonday trance in midsummer more deep;
- And wake with a vague yearning in the dim,
- Blind room, my heart scarce able to restrain
- The idle tears that tremble to the brim.
-
-
-XI. AN AUTUMN MORNING
-
- O what a morn is this for us who knew
- The large, blue, summer mornings, heaven let down
- Upon the earth for men to drink, the crown
- Of perfect human living, when we grew
- Great-hearted like the Gods! Come, we will strew
- White ashes on our hair, nor strive to drown
- In faint hymn to the year’s fulfilled renown
- The sterile grief which is the season’s due.
- Lightly above the vine-rows of rich hills
- Where the brown peasant girls move amid grapes
- The swallow glances; let him cry for glee!
- But yon pale mist diffused ’twixt paler shapes,--
- Once sovereign trees,--my spirit also fills,
- And an east-wind comes moaning from the sea.
-
-
-
-
-SEA VOICES
-
-
- Was it a lullaby the Sea went singing
- About my feet, some old-world monotone,
- Filled full of secret memories, and bringing
- Not hope to sting the heart, but peace alone,
- Sleep and the certitude of sleep to be
- Wiser henceforth than all philosophy?
-
- Truth! did we seek for truth with eye and brain
- Through days so many and wasted with desire?
- Listen, the same long gulfing voice again:
- Tired limbs lie slack as sands are, eyes that tire
- Close gently, close forever, twilight grey
- Receives you, tenderer than the glaring day.
-
-[_He sleeps, and after an interval awakes._]
-
- Ah terror, ah delight! A sudden cry,
- Anguish, or hope, or triumph. Awake, arise,--
- The winds awake! Is ocean’s lullaby
- This clarion-call? Her kiss, the spray that flies
- Salt to the lip and cheek? Her motion light
- Of nursing breasts, this swift pursuit and flight?
-
- O wild sea-voices! Victory and defeat,
- But ever deathless passion and unrest,
- White wings upon the wind and flying feet,
- Disdain and wrath, a reared and hissing crest,
- The imperious urge, and last, a whole life spent
- In bliss of one supreme abandonment.
-
-
-
-
-ABOARD THE “SEA-SWALLOW”
-
-
- The gloom of the sea-fronting cliffs
- Lay on the water, violet-dark,
- The pennon drooped, the sail fell in,
- And slowly moved our bark.
-
- A golden day; the summer dreamed
- In heaven and on the whispering sea,
- Within our hearts the summer dreamed;
- The hours had ceased to be.
-
- Then rose the girls with bonnets loosed,
- And shining tresses lightly blown,
- Alice and Adela, and sang
- A song of Mendelssohn.
-
- O sweet, and sad, and wildly clear,
- Through summer air it sinks and swells,
- Wild with a measureless desire,
- And sad with all farewells.
-
-
-
-
-SEA-SIGHING
-
-
- This is the burden of the Sea,
- Loss, failure, sorrows manifold;
- Yet something though the voice sound free
- Remains untold.
-
- Listen! that secret sigh again
- Kept very low, a whole heart’s waste;
- What means this inwardness of pain?
- This sob repressed?
-
- Some ancient sin, some supreme wrong,
- Some huge attempt God brought to nought,
- All over while the world was young,
- And ne’er forgot?
-
- Those lips, which open wide and cry,
- Weak as pale flowers or trembling birds,
- Are proud, and fixed immutably
- Against such words.
-
- Confession from that burdened soul
- No ghostly counsellor may win;
- Could such as we receive its whole
- Passion and sin?
-
- In this high presence priest or king,
- Prophet or singer of the earth,
- With yon cast sea-weed were a thing
- Of equal worth.
-
-
-
-
-IN THE MOUNTAINS
-
-
- Fatigued of heart, and owning how the world
- Is strong, too strong for will of mine, my steps
- Through the tall pines I led, to reach that spur
- Which strikes from off the mountain toward the West.
- I hoped to lull a fretted heart to sleep,
- And in the place of definite thought a sense
- Possessed me, dim and sweet, of Motherhood,
- The breasts of Nature, warmth, and soothing hands,
- And tender, inarticulate nursing-words
- Slow uttered o’er tired eyes.
-
- But suddenly
- Rude waking! Suddenly the rocks, the trees
- Stood up in rangèd power, rigid, erect,
- And all cried out on me “Away with him!
- Away! He is not of us, has no part
- In ours or us! Traitor, away with him!”
- And the birds shrilled it “Traitor,” and the flowers
- Stared up at me with small, hard, insolent eyes.
- But I, who had been weak, was weak no more,
- Nor shrank at all, but with deliberate step
- Moved on, and with both hands waved off the throng,
- And feared them not, nor sent defiance back.
- Thus, till the pine-glooms fell away, and goats
- Went tinkling and no herd-boy near; glad airs
- With sunshine in them moved angelical
- Upon the solitary heights; the sky
- Held not a cloud from marge to marge; and now
- Westward the sun was treading, calm and free.
- I lay upon the grass, and how an hour
- Went past I know not. When again time was,
- The sun had fallen, and congregated clouds,
- A vision of great glories, held the West,
- And through them, and beyond, the hyaline
- Led the charm’d spirit through infinite spaces on.
- I think of all the men upon this earth
- The sight was mine alone; it for my soul,
- My soul for it, until all seeing died.
- Where did I live transfigured? through what times
- Of heaven’s great year? What sudden need of me
- For sacrifice on altar, or for priest,
- For soldier at the rampart, cup-bearer
- At feasts of God, rapt singer in the joy
- Of consonant praise, doom’d rebel for the fires?
- --I know not, but somewhere some part I held,
- Nor fail’d when summoned.
-
- When the body took
- Its guest once more the clouds were massy-grey,
- The event was ended; yet a certain thing
- Abode with me, which still eludes its name,
- Yet lies within my heart like some great word
- A mage has taught, and he who heard it once
- Cannot pronounce, and never may forget.
- But this I dare record,--when all was past,
- And once again I turned to seek the vale,
- And moved adown the slippery pine-wood path,
- In the dimness every pine tree bowed to me
- With duteous service, and the rocks lay couched
- Like armèd followers round, and one bird sang
- The song I chose, and heavy fragrance came
- From unseen flowers, and all things were aware
- One passed who had been called and consecrate.
-
-
-
-
-“THE TOP OF A HILL CALLED _CLEAR_”
-
-(_In sight of the Celestial City_)
-
-
- And all my days led on to this! the days
- Of pallid light, of springs no sun would warm,
- Of chilling rain autumnal, which decays
- High woods while veering south the quick wings swarm,
- The days of hot desire, of broken dreaming,
- Mechanic toil, poor pride that was but seeming,
- And bleeding feet, and sun-smit flowerless ways.
-
- Below me spreads a sea of tranquil light,
- No blue cloud thunder-laden, but pure air
- Shot through and through with sunshine; from this height
- A man might cast himself in joy’s despair,
- And find unhoped, to bear him lest he fall,
- Swift succouring wings, and hands angelical,
- And circling of soft eyes, and foreheads bright.
-
- Under me light, and light is o’er my head,
- And awful heaven and heaven to left and right;
- In all His worlds this spot unvisited
- God kept, save by the winging of keen light,
- And the dread gaze of stars, and morning’s wan
- Virginity, for me a living man,
- Living, not borne among the enfranchised dead.
-
- New life,--not death! No glow the senses cast
- Across the spirit, no pleasure shoots o’er me
- Its scattering flaw, no words may I hold fast
- Here, where God’s breath streams inexhaustibly;
- But conquest stern is mine, a will made sane,
- Life’s vision wide and calm, a supreme pain,
- An absolute joy; and love the first and last.
-
-
-
-
-THE INITIATION
-
-
- Under the flaming wings of cherubim
- I moved toward that high altar. O, the hour!
- And the light waxed intenser, and the dim
- Low edges of the hills and the grey sea
- Were caught and captur’d by the present Power,
- My sureties and my witnesses to be.
-
- Then the light drew me in. Ah, perfect pain!
- Ah, infinite moment of accomplishment!
- Thou terror of pure joy, with neither wane
- Nor waxing, but long silence and sharp air
- As womb-forsaking babes breathe. Hush! the event
- Let him who wrought Love’s marvellous things declare.
-
- Shall I who fear’d not joy, fear grief at all?
- I on whose mouth Life laid his sudden lips
- Tremble at Death’s weak kiss, and not recall
- That sundering from the flesh, the flight from time,
- The judgments stern, the clear apocalypse,
- The lightnings, and the Presences sublime.
-
- How came I back to earth? I know not how,
- Nor what hands led me, nor what words were said.
- Now all things are made mine,--joy, sorrow; now
- I know my purpose deep, and can refrain;
- I walk among the living not the dead;
- My sight is purged; I love and pity men.
-
-
-
-
-RENUNCIANTS
-
-
- Seems not our breathing light?
- Sound not our voices free?
- Bid to Life’s festal bright
- No gladder guests there be.
-
- Ah, stranger, lay aside
- Cold prudence! I divine
- The secret you would hide,
- And you conjecture mine.
-
- You too have temperate eyes,
- Have put your heart to school,
- Are proved. I recognize
- A brother of the rule.
-
- I knew it by your lip,
- A something when you smiled,
- Which meant “close scholarship,
- A master of the guild.”
-
- Well, and how good is life,
- Good to be born, have breath,
- The calms good and the strife,
- Good life, and perfect death.
-
- Come, for the dancers wheel,
- Join we the pleasant din,
- --Comrade, it serves to feel
- The sackcloth next the skin.
-
-
-
-
-SPEAKERS TO GOD
-
-
-_First Speaker_
-
- Eastward I went and Westward, North and South,
- And the wind blew me from deep zone to zone;
- Many strong women did I love; my mouth
- I gave for kisses, rose, and straight was gone.
-
- I fought with heroes; there was joyous play
- Of swords; my cities rose in every land;
- Then forth I fared. O God, thou knowest, I lay
- Ever within the hollow of thy hand.
-
-
-_Second Speaker_
-
- I am borne out to thee upon the wave,
- And the land lessens; cry nor speech I hear,
- Nought but the leaping waters and the brave
- Pure winds commingling. O the joy, the fear!
-
- Alone with thee; sky’s rim and ocean’s rim
- Touch, overhead the clear immensity
- Is merely God; no eyes of seraphim
- Gaze in ... O God, Thou also art the sea!
-
-
-_Third Speaker_
-
- Thus it shall be a lifetime,--ne’er to meet;
- A trackless land divides us lone and long;
- Others, who seek Him, find, run swift to greet
- Their Friend, approach the bridegroom’s door with song.
-
- I stand, nor dare affirm I see or hear;
- How should I dream, when strict is my employ?
- Yet if some time, far hence, thou drawest near
- Shall there be any joy like to our joy?
-
-
-
-
-POESIA
-
-(_To a Painter_)
-
-
- Paint her with robe and girdle laid aside,
- Without a jewel upon her; you must hide
- By sleight of artist from the gazer’s view
- No whit of her fair body; calm and true
- Her eyes must meet our passion, as aware
- The world is beautiful, and she being fair
- A part of it. She needs be no more pure
- Than a dove is, nor could one well endure
- More faultlessness than of a sovran rose,
- Reserved, yet liberal to each breeze that blows.
- Let her be all revealed, nor therefore less
- A mystery of unsearchable loveliness;
- There must be no discoveries to be made,
- Save as a noonday sky with not a shade
- Or floating cloud of Summer to the eye
- Which drinks its light admits discovery.
- Did common raiment hide her could we know
- How hopeless were the rash attempt to throw
- Sideways the veil which guards her womanhood?
- Therefore her sacred vesture must elude
- All mortal touch, and let her welcome well
- Each corner, being still unapproachable.
- Plant firm on Earth her feet, as though her own
- Its harvests were, and, for she would be known
- Fearless not fugitive, interpose no bar
- ’Twixt us and her, Love’s radiant avatar,
- No more to be possessed than sunsets are.
-
-
-
-
-MUSICIANS
-
-
- I know the harps whereon the Angels play,
- While in God’s listening face they gaze intent,
- Are these frail hearts,--yours, mine; and gently they,
- Leaning a warm breast toward the instrument,
- And preluding among the tremulous wires,
- First draw forth dreams of song, unfledged desires,
- Nameless regrets, sweet hopes which will not stay.
-
- But when the passionate sense of heavenly things
- Possesses the musician, and his lips
- Part glowing, and the shadow of his wings
- Grows golden, and fire streams from finger-tips,
- And he is mighty, and his heart-throbs thicken,
- And quick intolerable pulses quicken,
- How his hand lords it in among the strings!
-
- Ah the keen crying of the wires! the pain
- Of restless music yearning to out-break
- And shed its sweetness utterly, the rain
- Of heavenly laughters, threats obscure which shake
- The spirit, trampling tumults which dismay,
- The fateful pause, the fiat summoning day,
- The faultless flower of light which will not wane.
-
- How wrought with you the awful lord of song?
- What thirst of God hath he appeased? What bliss
- Raised to clear ecstasy? O tender and strong
- The eager melodist who leaned o’er this
- Live heart of mine, who leans above it now:
- The stern pure eyes! the ample, radiant brow!
- Pluck boldly, Master, the good strain prolong.
-
-
-
-
-MISCELLANEOUS SONNETS
-
-
-
-
-A DAY OF DEFECTION
-
-
- This day among the days will never stand,
- Carven and clear, a shape of fair delight,
- With singing lips, and gaze of innocent might,
- Crown’d queenwise, or the lyre within her hand,
- And firm feet making conquest of a land
- Heavy with fruitage; nay, from all men’s sight
- Drop far, cold sun, and let remorseful Night
- Cloke the shamed forehead, and the bosom’s brand.
- Could but the hammer rive, the thunder-stone
- Flung forth from heaven on some victorious morn
- Grind it to dust! Slave, must I always see
- Thy beauty soil’d? Must shining days foregone
- Admit thee peer, and wondering new-born
- To-morrow meet thy dull eyes’ infamy?
-
-
-
-
-SONG AND SILENCE
-
-
- While Sorrow sat beside me many a day,
- I,--with head turned from her, and yet aware
- How her eyes’ light was on my brow and hair,
- The light which bites and blights our gold to grey,--
- Still sang, and swift winds bore my songs away
- Full of sweet sounds, as of a lute-player
- Who sees fresh colours, breathes the ripe soft air,
- And hears the cuckoo shout in dells of May,
- Being filled with ease and indolent of heart.
- So sang I, Sorrow near me: chide me not,
- O Joy, for silence now! Hereafter wise,
- Large song may come, life blossoming in art,
- From this new fate; but leave me, thou long sought,
- To gaze awhile into those perfect eyes.
-
-
-
-
-LOVE-TOKENS
-
-
- I wear around my forehead evermore,
- The circlet of your praise, pure gold; and how
- I walk forth crown’d, the approving angels know,
- And see how I am meeker than before
- Being thus proud. For roses my full store,
- Upon a cheek where flowers will scantly blow,
- Is your lips’ one immortal touch, and lo!
- All shame deserts my blood to the heart’s core.
- Dare I display love’s choicest gift--this scar
- Still sanguine-hued? Here ran your sudden brand
- Sheer through the starting flesh, and let abroad
- A traitor’s life; your wrathful eyes afar,
- Had doom’d him first. Ah, gracious, valiant hand
- Which drew me bleeding to the feet of God!
-
-
-
-
-A DREAM
-
-
- I dreamed I went to seek for her whose sight
- Is sunshine to my soul; and in my dream
- I found her not; then sank the latest beam
- Of day in the rich west; upswam the Night
- With sliding dews, and still I searched in vain,
- Through thickest glooms of garden-alleys quaint,
- On moonlit lawns, by glimmering lakes where faint
- The ripples brake and died, and brake again.
- Then said I, “At God’s inner court of light
- I will beg for her;” straightway toward the same
- I went, and lo! upon the altar-stair,
- She knelt with face uplifted, and soft hair
- Fallen upon shoulders purely gowned in white
- And on her parted lips I read my name.
-
-
-
-
-MICHELANGELESQUE
-
-
- Shaping thy life what if the stubborn stuff
- Grudge to inform itself through each dull part
- With the soul’s high invention, and thy art
- Seem a defeated thing, and earth rebuff
- Heaven’s splendour, choosing darkness,--leave the rough
- Brute-parts unhewn. Toilest thou for the mart
- Or for the temple? Does the God see start
- Quick beauty from the block, it is enough.
- The spirit, foiled elsewhere, presses to the mouth,
- Disparts the lips, lives on the lighted brow,
- Fills the wide nostrils, flings the imperious chin
- Out proudly. Now behold! the lyric youth,
- The wrestler stooping in the act to win,
- Pythian Apollo with the vengeful bow.
-
-
-
-
-LIFE’S GAIN
-
-
- “Now having gained Life’s gain, how hold it fast?
- The harder task! because the world is still
- The world, and days creep slow, and wear the will,
- And Custom, gendering in the heart’s blind waste,
- Brings forth a wingèd mist, which with no haste
- Upcircling the steep air, and charged with ill,
- Blots all our shining heights adorable,
- And leaves slain Faith, slain Hope, slain Love the last.”
- O shallow lore of life! He who hath won
- Life’s gain doth hold nought fast, who could hold all,
- Holden himself of strong, immortal Powers.
- The stars accept him; for his sake the Sun
- Hath sworn in heaven an oath memorial;
- Around his feet stoop the obsequious Hours.
-
-
-
-
-COMPENSATION
-
-
- You shake your head and talk of evil days:
- My friend, I learn’d ere I had told twelve years
- That truth of yours,--how irrepressible tears
- Surprise us, and strength fails, and pride betrays,
- And sorrows lurk for us in all the ways
- Of joyous living. But now to front my fears
- I set a counter-truth which comes and cheers
- Our after-life, when, temperate, the heart weighs
- Evil with good. Do never smiles surprise
- Sad lips? Did the glad violets blow last spring
- In no new haunts? Or are the heavens not fair
- After drench’d days of June, when all the air
- Grows fragrant, and the rival thrushes sing,
- Until stars gather into twilight skies?
-
-
-
-
-TO A CHILD DEAD AS SOON AS BORN
-
-
- A little wrath was on thy forehead, Boy,
- Being thus defeated; the resolvèd will
- Which death could not subdue, was threatening still
- From lip and brow. I know that it was joy
- No casual misadventure might destroy
- To have lived, and fought and died. Therefore I kill
- The pang for thee, unknown; nor count it ill
- That thou hast entered swiftly on employ
- Where Life would plant a warder keen and pure.
- I thought to see a little piteous clay
- The grave had need of, pale from light obscure
- Of embryo dreams; thy face was as the day
- Smit on by storm. Palms for my child, and bay!
- Thus far thou hast done well, true son: endure.
-
-
-
-
-BROTHER DEATH
-
-
- When thou would’st have me go with thee, O Death,
- Over the utmost verge, to the dim place,
- Practise upon me with no amorous grace
- Of fawning lips, and words of delicate breath,
- And curious music thy lute uttereth;
- Nor think for me there must be sought-out ways
- Of cloud and terror; have we many days
- Sojourned together, and is this thy faith?
- Nay, be there plainness ’twixt us; come to me
- Even as thou art, O brother of my soul;
- Hold thy hand out and I will place mine there;
- I trust thy mouth’s inscrutable irony,
- And dare to lay my forehead where the whole
- Shadow lies deep of thy purpureal hair.
-
-
-
-
-THE MAGE
-
-
- When I shall sing my songs the world will hear,
- --Which hears not these,--I shall be white with age,
- My beard on breast great as befits a mage
- So skilled; but song is young, and in no drear
- Tome-crammed, lamp-litten chamber shall mine fear
- To pine ascetic. Where the woods are deep,
- Thick leaves for arras, in a noonday sleep
- Of breeze and bloom, gaze, but my art revere!
- There I will sit, and score rare wisardry
- In characters vermilion, azure, gold,
- With bird, starred flower, and peering dragon-fly
- Limned in the lines; and secrets shall be told
- Of greatest Pan, and lives of wood-nymphs shy,
- Blabbed by my goat-foot servitor overbold.
-
-
-
-
-WISE PASSIVENESS
-
-
- Think you I choose or that or this to sing?
- I lie as patient as yon wealthy stream
- Dreaming among green fields its summer dream,
- Which takes whate’er the gracious hours will bring
- Into its quiet bosom; not a thing
- Too common, since perhaps you see it there
- Who else had never seen it, though as fair
- As on the world’s first morn; a fluttering
- Of idle butterflies; or the deft seeds
- Blown from a thistle-head; a silver dove
- As faultlessly; or the large, yearning eyes
- Of pale Narcissus; or beside the reeds
- A shepherd seeking lilies for his love,
- And evermore the all-encircling skies.
-
-
-
-
-THE SINGER’S PLEA
-
-
- Why do I sing? I know not why, my friend;
- The ancient rivers, rivers of renown,
- A royal largess to the sea roll down,
- And on those liberal highways nations send
- Their tributes to the world,--stored corn and wine,
- Gold-dust, the wealth of pearls, and orient spar,
- And myrrh, and ivory, and cinnabar,
- And dyes to make a presence-chamber shine.
- But in the woodlands, where the wild-flowers are,
- The rivulets, they must have their innocent will
- Who all the summer hours are singing still,
- The birds care for them, and sometimes a star,
- And should a tired child rest beside the stream
- Sweet memories would slide into his dream.
-
-
-
-
-THE TRESPASSER
-
-
- _Trespassers will be prosecuted_,--so
- Announced the inhospitable notice-board;
- But silver-clear as any lady’s word
- _Come in, in, in, come in_, now rich and low,
- Now with tumultuous palpitating flow,
- I swear by ring of Canace I heard.
- “Sure,” said I, “this is no brown-breasted bird,
- But some fair princess, lost an age ago
- Through stepdame’s cursed spell, till the saints brought her
- Who but myself, the knight foredoomed of grace.”
- Alas! poor knight, in all that cockney place
- You found no magic, save one radiant sight,
- The huge, obstreperous house-keeper’s granddaughter,
- A child with eyes of pure ethereal light.
-
-
-
-
-RITUALISM
-
-
- This is high ritual and a holy day;
- I think from Palestrina the wind chooses
- That movement in the firs; one sits and muses
- In hushed heart-vacancy made meek to pray;
- Listen! the birds are choristers with gay
- Clear voices infantine, and with good will
- Each acolyte flower has swung his thurible,
- Censing to left and right these aisles of May.
- For congregation, see! real sheep most clean,
- And I--what am I, worshipper or priest?
- At least all these I dare absolve from sin,
- Ay, dare ascend to where the splendours shine
- Of yon steep mountain-altar, and the feast
- Is holy, God Himself being bread and wine.
-
-
-
-
-PROMETHEUS UNBOUND
-
-
- I, who lie warming here by your good fire,
- Was once Prometheus and elsewhere have lain;
- Ah, still in dreams they come,--the sudden chain,
- The swooping birds, the silence, the desire
- Of pitying, powerless eyes, the night, and higher
- The keen stars; (if you please I fill again
- The bowl, Silenus)--; yet ’twas common pain
- Their beaks’ mad rooting; O, but they would tire,
- And one go circling o’er the misty vast
- On great, free wings, and one sit, head out-bent,
- Poised for the plunge; then ’twas I crushed the cry
- “Zeus, Zeus, I kiss your feet, and learn at last
- The baseness of this crude self-government
- Matched with glad impulse and blind liberty.”
-
-
-
-
-KING MOB
-
-
- Dismiss, O sweet King Mob, your foot-lickers!
- When you held court last night I too was there
- To listen, and in truth well nigh despair
- O’ercame me when I saw your greedy ears
- Drink such gross poison. I could weep hot tears
- To think how three drugged words avail to keep
- A waking people still on the edge of sleep,
- And lose the world a right good score of years.
- I love you too, big Anarch, lately born,
- Half beast, yet with a stupid heart of man,
- And since I love, would God that I could warn
- Work out the beast as shortly as you can,
- Till which time oath of mine shall ne’er be sworn,
- Nor knee be bent to you, King Caliban.
-
-
-
-
-THE MODERN ELIJAH
-
-
- What went ye forth to see? a shaken reed?--
- Ye throngers of the Parthenon last night.
- Prophet, yea more than prophet, we agreed;
- No John a’ Desert with the girdle tight,
- And locusts and wild honey for his need,
- Before the dreadful day appears in sight
- Urging one word to make the conscience bleed,
- But an obese John Smith, “a shining light”
- (Our chairman felt), “an honour to his creed.”
- O by the gas, when buns and tea had wrought
- Upon our hearts, how grew the Future bright,--
- The Press, the Institutes, Advance of Thought,
- And People’s Books, till every mother’s son
- Can prove there is a God, or there is none.
-
-
-
-
-DAVID AND MICHAL
-
-(2 SAMUEL vi. 16)
-
-
- _But then you don’t mean really what you say_--
- To hear this from the sweetest little lips,
- O’er which each pretty word daintily trips
- Like small birds hopping down a garden way,
- When I had given my soul full scope to play
- For once before her in the Orphic style
- Caught from three several volumes of Carlyle,
- And undivulged before this very day!
- O young men of our earnest school confess
- How it is deeply, darkly tragical
- To find the feminine souls we would adore
- So full of sense, so versed in worldly lore,
- So deaf to the Eternal Silences,
- So unbelieving, so conventional.
-
-
-
-
-WINDLE-STRAWS
-
-
-I
-
- Under grey clouds some birds will dare to sing,
- No wild exultant chants, but soft and low;
- Under grey clouds the young leaves seek the spring,
- And lurking violets blow.
-
- And waves make idle music on the strand,
- And inland streams have lucky words to say,
- And children’s voices sound across the land
- Although the clouds be grey.
-
-
-II
-
- Only maidenhood and youth,
- Only eyes that are most fair,
- And the pureness of a mouth,
- And the grace of golden hair,
- Yet beside her we grow wise,
- And we breathe a finer air.
-
- Words low-utter’d, simple-sweet,--
- Yet, nor songs of morning birds,
- Nor soft whisperings of the wheat
- More than such clear-hearted words
- Make us wait, and love, and listen,
- Stir more mellow heart accords.
-
- Only maiden-motions light,
- Only smiles that sweetly go,
- Girlish laughter pure and bright,
- And a footfall like the snow,
- What in these should make us wise?
- What should bid the blossom blow?
-
- Child! on thee God’s angels wait,
- ’Tis their robes that wave and part,
- Make this summer air elate,
- Fresh and fragrant, and thou art
- But a simple child indeed,
- One dare cherish to the heart.
-
-
-III
-
- Were life to last for ever, love,
- We might go hand in hand,
- And pause and pull the flowers that blow
- In all the idle land,
- And we might lie in sunny fields
- And while the hours away
- With fallings-out and fallings-in
- For half a summer day.
-
- But since we two must sever, love,
- Since some dim hour we part,
- I have no time to give thee much
- But quickly take my heart,
- “For ever thine,” and “thine my love,”--
- O Death may come apace,
- What more of love could life bestow,
- Dearest, than this embrace.
-
-
-IV
-
- Now drops in the abyss a day of life:
- I count my twelve hours’ gain;--
- Tired senses? vain desires? a baffled strife,
- Vexed heart and beating brain?
-
- Ten pages traversed by a languid eye?
- --Nay, but one moment’s space
- I gazed into the soul of the blue sky;
- Rare day! O day of grace!
-
-
-V
-
- She kissed me on the forehead,
- She spoke not any word,
- The silence flowed between us,
- And I nor spoke nor stirred.
-
- So hopeless for my sake it was,
- So full of ruth, so sweet,
- My whole heart rose and blessed her,
- --Then died before her feet.
-
-
-VI
-
- Nay, more! yet more, for my lips are fain;
- No cups for a babe; I ask the whole
- Deep draught that a God could hardly drain,
- --Wine of your soul.
-
- Pour! for the goblet is great I bring,
- Not worthless, rough with youths at strife,
- And men that toil and women that sing,
- --It is all my life.
-
-
-VII
-
- Look forward with those steadfast eyes
- O Pilot of our star!
- It sweeps through rains and driving snows,
- Strong Angel, gaze afar!
-
- Seest thou a zone of golden air?
- Hearest thou the March-winds ring?
- Or is thy heart prophetic yet
- With stirrings of the Spring?
-
-
-VIII
-
- Words for my song like sighing of dim seas,
- Words with no thought in them,--a piping reed,
- An infant’s cry, a moan low-uttered,--these
- Are all the words I need.
-
- Others have song for broad-winged winds that pass,
- For stars and sun, for standing men around;
- I put my mouth low down into the grass,
- And whisper to the ground.
-
-
- HERE END THE POEMS
- WHICH WERE FIRST
- PUBLISHED IN
- A VOLUME
- IN 1876
-
-
-
-
- MISCELLANEOUS
- POEMS OF LATER DATES
-
-
-
-
-AT THE OAR
-
-
- I dare not lift a glance to you, yet stay
- Ye Gracious Ones, still save me, hovering near;
- If music live upon mine inward ear,
- I know ye lean bright brow to brow, and say
- Your secret things; if rippling breezes play
- Cool on my cheeks, it is those robes ye wear
- That wave, and shadowy fragrance of your hair
- Drifted, the fierce noon fervour to allay,
- Fierce fervour, ceaseless stroke, small speed, and I
- Find grim contentment in the servile mood;
- But should I gaze in yon untrammelled sky
- Once, or behold your dewy eyes, my blood
- Would madden, and I should fling with one free cry
- My body headlong in the whelming flood.
-
-
-
-
-THE DIVINING ROD
-
-
- Here some time flowed my springs and sent a cry
- Of joy before them up the shining air,
- While morn was new, and heaven all blue and bare;
- Here dipped the swallow to a tenderer sky,
- And o’er my flowers lean’d some pure mystery
- Of liquid eyes and golden-glimmering hair;
- For which now, drouth and death, a bright despair,
- Shards, choking slag, the world’s dust small and dry.
- Yet turn not hence thy faithful foot, O thou,
- Diviner of my buried life; pace round,
- Poising the hazel-wand; believe and wait,
- Listen and lean; ah, listen! even now
- Stirrings and murmurings of the underground
- Prelude the flash and outbreak of my fate.
-
-
-
-
-SALOME
-
-(_By Henri Regnault_)
-
-
- Fair sword of doom, and bright with martyr blood,
- Thee Regnault saw not as mine eyes have seen;
- No Judith of the Faubourg, mænad-queen,
- Pale on her tumbril-throne, when the live flood
- Foams through revolted Paris, unwithstood,
- Is of thy kin. Blossom and bud between,
- Clear-brow’d Salome, with her silk head’s sheen,
- Lips where a linnet might have pecked for food,
- Pure curves of neck, and dimpling hand aloft,
- Moved like a wave at sunrise. Herod said--
- “A boon for maiden freshness! Ask of me
- What toy may please, though half my Galilee;”
- And with beseeching eyes, and bird-speech soft,
- She fluted: “Give me here John Baptist’s head.”
-
-
-
-
-WATERSHED
-
-
- Now on life’s crest we breathe the temperate air;
- Turn either way; the parted paths o’erlook;
- Dear, we shall never bid the Sphinx despair,
- Nor read in Sibyl’s book.
-
- The blue bends o’er us; good are Night and Day;
- Some blissful influence from the starry Seven
- Thrilled us ere youth took wing; wherefore essay
- The vain assault on heaven?
-
- And what great Word Life’s singing lips pronounce,
- And what intends the sealing kiss of Death,
- It skills us not; yet we accept, renounce,
- And draw this tranquil breath.
-
- Enough, one thing we know, haply anon
- All truths; yet no truths better or more clear
- Than that your hand holds my hand; wherefore on!
- The downward pathway, Dear!
-
-
-
-
-THE GUEST
-
-
- Rude is the dwelling, low the door,
- No chamber this where men may feast,
- I strew clean rushes on the floor,
- Set wide my window to the East.
-
- I can but set my little room
- In order, then gaze forth and wait;
- I know not if the Guest will come,
- Who holds aloft his starry state.
-
-
-
-
-MORITURUS
-
-
- Lord, when my hour to part is come,
- And all the powers of being sink,
- When eyes are filmed, and lips are dumb,
- And scarce I hang upon the brink.
-
- Grant me but this--in that strange light
- Or blind amid confused alarms,
- One moment’s strength to stand upright
- And cast myself into Thy arms.
-
-
-
-
-ALONE
-
-
- This is the shore of God’s lone love, which stirs
- And heaves to some majestic tidal law;
- And bright the illimitable horizons’ awe;
- God’s love; yet all my soul cries out for hers.
-
-
-
-
-FAME
-
-
- My arches crumble; that bright dome I flung
- Heavenward in pride decays; yet all unmoved
- One column soars, and, graven in sacred tongue,
- Endure the victor words--“This man was loved.”
-
-
-
-
-WHERE WERT THOU?
-
-
- Where wert Thou, Master, ’mid that rain of tears,
- When grey the waste before me stretched and wide,
- And when with boundless silence ached mine ears?
- “Child, I was at thy side.”
-
- Where wert Thou when I trod the obscure wood,
- And one lone cry of sorrow was the wind,
- And drop by heavy drop failed my heart’s blood?
- “Before thee and behind.”
-
- Where wert Thou when I fell and lay alone
- Faithless and hopeless, yet through one dear smart
- Not loveless quite, making my empty moan?
- “Son, I was in thy heart.”
-
-
-
-
-A WISH
-
-
- Could I roll off two heavy years
- That lie on me like lead;
- And see you past their cloudy tears,
- Nor dream that you are dead.
-
- I would not touch your lips, your hair,
- Your breast, that once were mine;
- Ah! not for me in Faith’s despair
- Love’s sacramental wine.
-
- Find you I must for only this
- In some new earth or heaven,
- To bare my sorry heart, and kiss
- Your feet and be forgiven.
-
-
-
-
-THE GIFT
-
-
- “Now I draw near: alone, apart
- I stood, nor deemed I should require
- Such access, till my musing heart
- Suddenly kindled to desire.
-
- No farther from Thee than Thy feet!
- No less a sight than all Thy face!
- Nay, touch me where the heart doth beat,
- Breathe where the throbbing brain hath place.
-
- Yield me the best, the unnamed good,
- The gift which most shall prove me near,
- Thy wine for drink, Thy fruit for food,
- Thy tokens of the nail, the spear!”
-
- Such cry was mine: I lifted up
- My face from treacherous speech to cease,
- Daring to take the bitter cup,
- But ah! Thy perfect gift was peace.
-
- Quiet deliverance from all need,
- A little space of boundless rest,
- To live within the Light indeed
- To lean upon the Master’s breast.
-
-
-
-
-RECOVERY
-
-
- I joy to know I shall rejoice again
- Borne upward on the good tide of the world,
- Shall mark the cowslip tossed, the fern uncurled
- And hear the enraptured lark high o’er my pain,
- And o’er green graves; and I shall love the wane
- Of sea-charm’d sunsets with all winds upfurl’d,
- And that great gale adown whose stream are whirl’d,
- Pale autumn dreams, dead hopes, and broodings vain.
- Nor do I fear that I shall faintlier bless
- The joy of youth and maid, or the gold hair
- Of a wild-hearted child; then, none the less,
- Instant within my shrine, no man aware,
- Feed on a living sorrow’s sacredness,
- And lean my forehead on this altar-stair.
-
-
-
-
-IF IT MIGHT BE
-
-
- If it might be, I would not have my leaves
- Drop in autumnal stillness one by one,
- Like these pale fluttering waifs that heap sad sheaves
- Through mere inertia trembling, tottering down.
-
- Better one roaring day, one wrestling night,
- The dark musician’s fiercer harmony,
- And then abandoned bareness, or the light
- Of strange discovered skies, if it might be.
-
-
-
-
-WINTER NOONTIDE
-
-
- I go forth now, but not to fill my lap
- With violets and white sorrel of the wood;
- This is a winter noon; and I may hap
- Upon a few dry sticks, and fire is good.
-
- A quickening shrewdness edges the fore wind;
- Some things stand clear in this dismantled hour
- Which deep-leaved June had hidden; earth is kind,
- The heaven is wide, and fire shall be my flower.
-
-
-
-
-THE POOL
-
-
- A wood obscure in this man’s haunt of love,
- And midmost in the wood where leaves fall sere,
- A pool unplumbed; no winds these waters move,
- Gathered as in a vase from year to year.
-
- And he has thought that he himself lies drowned,
- Wan-faced where the pale water glimmereth,
- And that the voiceless man who paces round
- The brink, nor sheds a tear now, is his wraith.
-
-
-
-
-THE DESIRE TO GIVE
-
-
- They who would comfort guess not the main grief--
- Not that her hand is never on my hair,
- Her lips upon my brow; the time is brief
- At longest, and I grow inured to bear.
-
- All that was ever mine I have and hold;
- But that I cannot give by day or night
- My poor gift which was dear to her of old,
- And poorly given--that loss is infinite.
-
-
-
-
-A BEECH-TREE IN WINTER
-
-
- Now in the frozen gloom I trace thy girth,
- Broad beech, that with lit leaves upon a day
- When heaven was wide and down the meadow May
- Moved bride-like, touched my forehead in sweet mirth,
- And blissful secrets told of the deep Earth,
- Low in mine ear; wherefore this eve I lay
- My hand thus close till stirrings faint bewray
- Thy piteous secrets of the days of dearth,
- Silence! yet to my heart from thine has passed
- Divine contentment; it is well with thee;
- Still let the stars slide o’er thee whispering fate,
- The might be in thee of the shouldering blast,
- Still let fire-fingered snow thy tiremaid be,
- Still bearing springtime in thy bosom wait.
-
-
-
-
-JUDGMENT
-
-
- I stand for judgment; vain the will
- To judge myself, O Lord!
- I cannot sunder good from ill
- With a dividing sword.
-
- How should I know myself aright,
- Who would by Thee be known?
- Let me stand naked in Thy sight;
- Thy doom shall be my own.
-
- Slay in me that which would be slain!
- Thy justice be my grace!
- If aught survive the joy, the pain,
- Still must it seek Thy face.
-
-
-
-
-DÜRER’S “MELENCHOLIA”
-
-
- The bow of promise, this lost flaring star,
- Terror and hope are in mid-heaven; but She,
- The mighty-wing’d crown’d Lady Melancholy,
- Heeds not. O to what vision’d goal afar
- Does her thought bear those steadfast eyes which are
- A torch in darkness? There nor shore nor sea,
- Nor ebbing Time vexes Eternity,
- Where that lone thought outsoars the mortal bar.
- Tools of the brain--the globe, the cube--no more
- She deals with; in her hand the compass stays;
- Nor those, industrious genius, of her lore
- Student and scribe, thou gravest of the fays,
- Expect this secret to enlarge thy store;
- She moves through incommunicable ways.
-
-
-
-
-MILLET’S “THE SOWER”
-
-
- Son of the Earth, brave flinger of the seed,
- Strider of furrows, copesmate of the morn,
- Which, stirr’d with quickenings now of day unborn,
- Approves the mystery of thy fruitful deed;
- Thou, young in hope and old as man’s first need,
- Through all the hours that laugh, the hours that mourn,
- Hold’st to one strenuous faith, by time unworn,
- Sure of the miracle--that the clod will breed.
- Dark is this upland, pallid still the sky,
- And man, rude bondslave of the glebe, goes forth
- To labour; serf, yet genius of the soil,
- Great his abettors--a confederacy
- Of mightiest Powers, old laws of heaven and earth,
- Foresight and Faith, and ever-during Toil.
-
-
-
-
-AT MULLION (CORNWALL)
-
-_Sunday_
-
-
- Where the blue dome is infinite,
- And choral voices of the sea
- Chaunt the high lauds, or meek, as now,
- Intone their ancient litany;
-
- Where through his ritual pomp still moves
- The Sun in robe pontifical,
- Whose only creed is catholic light,
- Whose benediction is for all;
-
- I enter with glad face uplift,
- Asperged on brow and brain and heart;
- I am confessed, absolved, illumed,
- Receive my blessing and depart.
-
-
-
-
-THE WINNOWER TO THE WINDS
-
-(_From Joachim de Bellay_)
-
-
- To yon light troop, who fly
- On wing that hurries by
- The wide world over,
- And with soft sibilance
- Bid every shadow dance
- Of the glad cover.
-
- These violets I consign
- Lilies and sops-in-wine
- Roses, all yours,
- These roses vermeil-tinctured
- Their graces new-uncinctured
- And gilly-flowers.
-
- So with your gentle breath
- Blow on the plain beneath
- Through my grange blow,
- What time I swink and strain,
- Winnowing my golden grain
- In noontide’s glow.
-
-
-
-
-EMERSON
-
-
- Memnon the Yankee! bare to every star,
- But silent till one vibrant shaft of light
- Strikes; then a voice thrilling, oracular,
- And clear harmonies through the infinite.
-
-
-
-
-SENT TO AN AMERICAN SHAKESPEARE SOCIETY
-
-
- ’Twixt us through gleam and gloom in glorious play
- League-long the leonine billows ramp and roll,
- The same maturing sun illumes our day,
- Ripens our blood--the sun of Shakespeare’s soul.
-
-
-
-
-NOCTURNE
-
-
- Ere sleep upheaves me on one glassy billow
- To drift me down the deep,
- I lie with easeful head upon my pillow,
- Letting the minutes creep.
-
- Until Time’s pulse is stayed and all earth’s riot
- Fades in a limit white,
- While over me curve fragrant wings of quiet
- Tender and great as Night.
-
- Then I gaze up. Divine, descending slumber
- Thine access yet forbear,
- Though vow I proffer none, nor blessings number,
- Nor breathe a wordless prayer.
-
- A Presence is within me and above me,
- That takes me for its own,
- A Motherhood, a bosom prompt to love me,
- I know it and am known.
-
- So softly I roll back the Spirit’s portals;
- O be the entrance wide!
- Silence and light from home of my Immortals
- Flow in, a tranquil tide.
-
- Calming, assuaging, cleansing, freshening, freeing,
- It floods each inlet deep;
- Now pass thou wave of Light, ebb thought and being!
- Come thou dark wave of sleep!
-
-
-
-
-THE WHIRLIGIG
-
-
- Glee at the cottage-doors to-day!
- Small hearts with joy are big;
- The merchant chanced to come our way
- Who vends the whirligig.
-
- You know the marvel-stick of deal,
- And, where the top should taper,
- Pinned lightly, the ecstatic wheel,
- Flaunting its purple paper.
-
- Raptures a halfpenny each; and see
- The liberal-bosomed mother
- Faltering; they tug her skirts the three,
- (Ah, soon will come another!)
-
- Away they start! Swift, swifter fly
- The buzzing, whirring chips,
- O eyes grown great! O gleesome cry
- From daubed, cherubic lips!
-
- I as companion of my walk
- Had chosen a soul heroic
- (So much I love superior talk)
- An Emperor and a Stoic.
-
- The cowslip tossed; upsoared the lark;
- Our choice was to recline us
- Against an elm-bole, I and Mark
- Aurelius Antoninus.
-
- Pale victory lightened on his brow,
- Grieved conquest wrung from pain;
- Of Nature’s course he spake, and how
- Man should sustain, abstain.
-
- Physician of the soul, he spake
- Of simples that allay
- The blood, and how the nerves that ache
- Freeze under ethic spray.
-
- I turned; perhaps his touch of pride
- Moved me, a garb he wore;
- I saw those children eager-eyed,
- And Rome’s pale Emperor.
-
- “You miss,” I said, “born Nature’s rule,
- Her statutes unrepealed,
- You would remove us from the school,
- And from the playing-field.
-
- And if our griefs be vain, our joys
- Vainer, all’s in the plan;
- For what are we but gamesome boys?
- Through these we grow to man.
-
- I to my hornbook now give heed,
- Now hear my playmates call,
- Will ‘chase the rolling circles speed,
- And urge the flying ball.’
-
- Joys, pains, hopes, fears,--a mingled heap,
- Grant me, nor Prince nor prig!
- I want, sad Emperor, rosy sleep,
- Leave me my whirligig.”
-
- In haste I spoke; such gusty talk
- Oft wrongs these lips of mine;
- Under grey clouds some day I’ll walk
- Again with Antonine.
-
-
-
-
-PARADISE LOST AND FOUND
-
-
- Eve, to tell truth, was not deceived;
- The snake’s word seemed to tally
- With something she herself conceived,
- Sick of her happy valley.
-
- The place amused her for a bit,
- (Some think ’twas half a day)
- Then came, alas! a desperate fit
- Of neurasthenia.
-
- She tired of lions bland and grand,
- She tired of thornless roses,
- She felt she could no longer stand
- Her Adam’s courtly glozes.
-
- His “graceful consort,” “spouse adored,”
- His amorous-pious lectures;
- She found herself supremely bored,
- If one may risk conjectures.
-
- “Would he but scold for once!” sighed she,
- “_De haut en bas_ caressings,
- Qualified by astronomy,
- Prove scarce unmingled blessings.”
-
- She strolled; fine gentlemen in wings
- Would deftly light and stop her;
- She looked demure; half-missed her “things,”
- Half feared ’twas not quite proper.
-
- They asked for Adam, always him,
- Each affable Archangel,
- Nor heeded charms of neck or limb,
- Big with their stale evangel.
-
- They dined; her cookery instinct stirred;
- A dinner grew a dream,
- Not berries cold, eternal curd,
- And everlasting cream.
-
- Boon fruit was hers, but tame in sooth;
- One thought her soul would grapple--
- To get her little ivory tooth
- Deep in some wicked apple.
-
- So, when that sinuous cavalier
- Spired near the tree of evil,
- The woman hasted to draw near;
- Such luck!--the genuine devil!
-
- And Satan, who to man had lied,
- Man ever prone to palter,
- The franker course with woman tried,
- Assured she would not falter.
-
- He spoke of freedom and its pains,
- Of passion and its sorrow,
- Of sacrifice, and nobler gains
- Wrung from a dark to-morrow.
-
- He did not shirk the names of death,
- Worn heart, a night of tears--
- If here the woman caught her breath,
- She dared to face her fears.
-
- Perhaps he touched on pretty needs,
- Named frill, flounce, furbelow,
- Perhaps referred to sable weeds,
- And dignity in woe.
-
- Glowed like two rose-leaves both ear-lobes,
- White grew her lips and set,
- The sly snake picturing small white robes,
- A roseate bassinet.
-
- He smiled; then squarely told the curse,
- Birth-pang, a lord and master;
- She hung her head--“It might be worse,
- It seems no huge disaster.”
-
- She mused--“A sin’s a sin at most;
- Life’s joy outweighs my sentence;
- What of my man, who now can boast
- A virtue so portentous?
-
- Best for him too! Sweat, workman’s groan
- And death which makes us even;
- I want a sinner of my own,
- Who finds my breast his heaven.”
-
- Our General Mother, which is true
- This tale, or that old story,
- Tradition’s _fable convenue_
- Fashioned for Jahveh’s glory?
-
-
-
-
-AFTER METASTASIO
-
-
- If seeking me she ask “What hap
- Befel him? Whither is he fled,
- My friend, my poor unhappy friend?”
- Then softly answer “He is dead.”
-
- Yet no! May never pang so keen
- Be hers, and I the giver! Say,
- If word be spoken, this alone,
- “Weeping for you he went his way.”
-
-
-
-
-THE CORN-CRAKE
-
-
-I
-
- Here let the bliss of summer and her night
- Be on my heart as wide and pure as heaven;
- Now while o’er earth the tide of young delight
- Brims to the full, calm’d by the wizard Seven,
- And their high mistress, yon enchanted Moon;
- The air is faint, yet fresh as primrose buds,
- And dim with weft of honey-colour’d beams,
- A bride-robe for the new espousèd June,
- Who lies white-limbed among her flowers, nor dreams,
- Such a divine content her being floods.
-
-
-II
-
- Awake, awake! The silence hath a voice;
- Not thine, thou heart of fire, palpitating
- Until all griefs change countenance and rejoice,
- And all joys ache o’er-ripe since thou dost sing,
- Not thine this voice of the dry meadow-lands,
- Harsh iteration! note untuneable!
- Which shears the breathing quiet with a blade
- Of ragged edge! Say, wilt thou ne’er be still
- Crier in June’s high progress, whose commands
- Upon no heedless drowzed heart are laid?
-
-
-III
-
- Nay, cease not till thy breast disquieted
- Hath won a term of ease; the dewy grass
- Trackless at morn betrays not thy swift tread,
- And through smooth-closing air thy call-notes pass,
- To faint on yon soft-bosom’d pastoral steep
- Thee bird the Night accepts; and I, through thee,
- Reach to embalmèd hearts of summers dead,
- Feel round my feet old, inland meadows deep,
- And bow o’er flowers that not a leaf have shed,
- Nor once have heard moan of an alien sea.
-
-
-IV
-
- Even while I muse thy halting-place doth shift,
- Now nearer, now more distant--I have seen
- When April, through her shining hair adrift,
- Gleams a farewell, and elms are fledged with green,
- The voiceful, wandering envoy of the Spring;
- Thee, never; though the mower’s scythe hath dashed
- Thy nest aside, but thou hast sped askant,
- Viewless; then last we lose thee, and thy wing
- Brushes Nilotic maize and thou dost chaunt
- Haply all night to stony ears of Pasht.
-
-
-V
-
- Ah, now an end to thy inveterate tale!
- The silence melts from the mid spheres of heaven;
- Enough! before this peace has time to fail
- From out my soul, or yon white cloud has driven
- Up the moon’s path I turn, and I will rest
- Once more with summer in my heart. Farewell!
- Shut are the wild-rose cups; no moth’s awhirr;
- My room will be moon-silvered from the west
- For one more hour; thy note shall be a burr
- To tease out thought and catch the slumbrous spell.
-
-
-
-
-IN THE CATHEDRAL
-
-
- The altar-lights burn low, the incense-fume
- Sickens: O listen, how the priestly prayer
- Runs as a fenland stream; a dim despair
- Hails through their chaunt of praise, who here inhume
- A clay-cold Faith within its carven tomb.
- But come thou forth into the vital air
- Keen, dark, and pure! grave Night is no betrayer,
- And if perchance some faint cold star illume
- Her brow of mystery, shall we walk forlorn?
- An altar of the natural rock may rise
- Somewhere for men who seek; there may be borne
- On the night-wind authentic prophecies:
- If not, let this--to breathe sane breath--suffice,
- Till in yon East, mayhap, the dark be worn.
-
-
-
-
-EDGAR ALLAN POE
-
-(_Read at the Centenary Celebration, University of Virginia, 19th Jan.
-1909_)
-
-
- Seeker for Eldorado, magic land,
- Whose gold is beauty fine-spun, amber-clear,
- O’er what Moon-mountains, down what Valley of fear
- By what love waters fringed with pallid sand,
- Did thy foot falter? Say what airs have fanned
- Thy fervid brow, blown from no terrene sphere,
- What rustling wings, what echoes thrilled thine ear
- From mighty tombs whose brazen ports expand?
- Seeker, who never quite attained, yet caught,
- Moulded and fashioned, as by strictest law
- The rainbow’d moon-mist and the flying gleam
- To mortal loveliness, for pity and awe,
- To us what carven dreams thy hand has brought
- Dreams with the serried logic of a dream.
-
-
-
-
-DEUS ABSCONDITUS
-
-
- Since Thou dost clothe Thyself to-day in cloud,
- Lord God in heaven, and no voice low or loud
- Proclaims Thee,--see, I turn me to the Earth,
- Its wisdom and its sorrow and its mirth,
- Thy Earth perchance, but sure my very own,
- And precious to me grows the clod, the stone,
- A voiceless moor’s brooding monotony,
- A keen star quivering through the sunset dye,
- Young wrinkled beech leaves, saturate with light,
- The arching wave’s suspended malachite;
- I turn to men, Thy sons perchance, but sure
- My brethren, and no face shall be too poor
- To yield me some unquestionable gain
- Of wonder, laughter, loathing, pity, pain,
- Some dog-like craving caught in human eyes,
- Some new-waked spirit’s April ecstasies;
- These will not fail nor foil me; while I live
- There will be actual truck in take and give,
- But Thou hast foiled me; therefore undistraught,
- I cease from seeking what will not be sought,
- Or sought, will not be found through joy or fear,
- If still Thou claimst me, seek me. I am here.
-
-
-
-
-SUBLIMINAL
-
-
- Door, little door,
- Shadowed door in the innermost room of my heart,
- I lean and listen, withdrawn from the stir and apart,
- For a word of the wordless love.
-
- And still you hide,
- Yourself of me, who are more than myself, within,
- And I wait if perchance a whisper I may win
- From my soul on the other side.
-
- What do I catch
- Afloat on the air, for something is said or done?
- Are there two who speak--my soul and the nameless One?
- Little door, could I lift the latch.
-
- Sigh for some want
- Measureless sigh of desire, or a speechless prayer?
- Rustle of robe of a priest at sacrifice there
- Benediction or far-heard chaunt?
-
- Could we but meet,
- Myself and my hidden self in a still amaze!
- But the tramp of men comes up, and the roll of drays,
- And a woman’s cry from the street!
-
-
-
-
-LOUISA SHORE
-
-(_Author of “Hannibal, a Drama”_)
-
-
- Who dared to pluck the sleeve of Hannibal,
- And hale him from the shades? Who bade the man,
- Indomitable of brain, return to plan
- A vast revenge and vowed? Wild clarions call;
- Dusk faces flame; the turreted brute-wall
- Moves, tramples, overwhelms; van clashes van;
- Roman, Numidian, Carthaginian;
- And griefs are here, unbowed, imperial.
- Who caught the world’s fierce tides? An English girl.
- Shy dreamer ’neath fledged elm and apple-bloom,
- With Livy or Polybius on her knee,
- Whose dreams were light as dew and pure as pearl,--
- Yet poignant-witted; thew’d for thought; girl-groom
- Sped to her Lord across the Midland Sea.
-
-
-
-
-FLOWERS FROM THE SOUTH OF FRANCE
-
-
- Thanks spoken under rainy skies,
- And tossed by March winds of the North,
- And faint ere they can find your eyes,
- Pale thanks are mine and poor in worth,
-
- Matched with your gift of dews and light,
- Quick heart-beats of the Southern spring,
- Provençal flowers, pearl-pure, blood-bright,
- Which heard the Mid-sea murmuring.
-
- Listen! a lark in Irish air,
- A silver spray of ecstasy!
- O wind of March blow wide and bear
- This song of home as thanks for me.
-
- Nay, but yourself find thanks more meet;
- Blossoms like these which drank the sky
- Strew in some shadowy alcove-seat,
- And lay your violin where they lie;
-
- Leave them; but with the first star rise,
- And bring the bow, and poise at rest
- The enchanted wood. Ah, shrill sweet cries!
- A prisoned heart is in its breast.
-
-
-
-
-TO HESTER
-
-(_At the Piano_)
-
-
- So ends your fingers’ fine intrigue!
- The netted guile! Nor yonder sat he
- In pump and frill who made the gigue,
- Your Neapolitan Scarlatti.
-
- The twilight yields you to me; strange!
- My dainty sprite, a most rare vision!
- Well, is it not a wise exchange,
- Live maid for ghost of dead musician?
-
- Yet gently let the shadows troop
- To darkness; lightly lie the dust on
- Damon and Chloe, hose and hoop,
- My bevy of the days Augustan.
-
- What led my fancy down the track,
- Through century-silent, shadowy mazes?
- Perhaps that foolish bric-à-brac
- Your pseudo-classic shelf that graces.
-
- Or haply something I divined,
- While on your face I stayed a dweller,
- Of that fair ancestress--unsigned--
- It pleases you to name a Kneller;
-
- And still your fingers ran the keys,
- Through quaint encounter, pretty wrangle
- Light laughter, interspace of ease,
- Fine turn, and softly-severed tangle,
-
- Gigue, minuet, rondo, ritornelle--
- Quaint jars with rose-leaf memories scented,
- Stored with glad sound, when life went well,
- Ere melancholy was invented,
-
- When pleasure ran, a rippling tide,
- And Phillida with Phyllis carolled,
- Ere Werther yet for Lotte sighed,
- Or English maids adored Childe Harold;
-
- Ere music shook the central heart,
- Or soared to spheral heights inhuman,
- Ere Titans stormed the heaven of art,
- Let by the hammer-welder, Schumann.
-
- Ah, well, we sigh beneath the load,
- We sing our pain, our pride, our passion,
- And Weltschmerz is the modern mode,
- But sweet seventeen is still a fashion.
-
- Let be a while the Infinite,
- Those chords with tremulous fervour laden,
- Where Chopin’s fire and dew unite--
- I choose instead one mortal maiden.
-
- Let sorrow rave, and sadness fret,
- And all our century’s ailments pester,
- I am not quite despairful yet--
- There, at the keyboard, sits a Hester.
-
-
-
-
-UNUTTERED
-
-
- Song that is pent in me,
- Song that is aching,
- Ne’er to escape from me,
- Sleeping or waking,
-
- Down aspic! the dust of me,
- Blown the world over
- A century hence
- Will envenom a lover.
-
- His red lips grow vocal,
- His great word is new,
- And the world knows my secret,
- Is dreaming of you.
-
-
-
-
-IMITATED FROM J. SOULARY’S “LE FOSSOYEUR”
-
-
- For every child new-born God brings to birth
- A little grave-digger, deft at his trade,
- Who ’neath his master’s feet still voids the earth,
- There where one day the man’s dark plunge is made.
-
- Do you know yours? Hideous perhaps is he,
- You shudder seeing the workman at his task;
- Such gracious looks commend who waits on me
- I yield whole-hearted, nor for quarter ask.
-
- A child rose-white, sweet-lipped, my steps he presses
- On to the pit with coaxings and caresses,
- Lovelier assassin none could choose to have.
- Rogue, hast thou done? Let’s haste. The hour comes quick,
- Give with a kiss the last stroke of the pick,
- And gently lay me in my flowery grave.
-
-
-
-
-IMITATED FROM GOETHE’S “GANYMEDE”
-
-
- As with splendour of morning
- Around me thou flamest,
- O Spring time, my lover,
- With a thousand delights and desires;
- To my heart comes thronging
- The sacred sense
- Of thy glow everlasting,
- O infinite beauty!
-
- Would I might seize thee
- In these my arms!
-
- Ah! on thy bosom
- I lie sore yearning;
- Thy flowers, thy grasses,
- Press close to my heart;
- Fresh breeze of the morn
- Thy coolest the burning
- Thirst of my breast.
- With love the nightingale
- Calls to me from the misty valley!
-
- I come, I am coming!
- Whither? Ah, whither?
- Upward! Upward the urge is!
- Lower the clouds come drifting,
- They stoop to the longing of love.
- For me! for me!
- Borne in the lap of you
- Upwards!
- Embracing, embraced!
- Upwards, even to the bosom
- Of thee all-loving, my Father!
-
-
-
-
-WITH A COPY OF MY “POEMS”
-
-
- My slender, wondering Nautilus,
- Sunk in the ooze--a thing how frail!--
- Because you choose to have it thus
- Through wavering waters luminous
- Rises once more, sets up the sail;
-
- It trembles to the sun, has fear
- Of life, that knew no fear of death:
- Ah! may kind Ariel, hovering near,
- Speed the toy onward with his breath!
-
-
-
-
-PROLOGUE TO MAURICE GEROTHWOHL’S VERSION OF VIGNY’S “CHATTERTON”
-
-(_March 1909_)
-
-
- Not yet to life inured, the Muse’s son,
- Born to be lord of visions, Chatterton,
- A youth, nor yet the master of his dream,
- Poor, proud, o’erwrought, perplex’d in the extreme
- By poetry, his demon, and by love--
- Powers of the deep below, the height above--
- Ringed by a world with dreams and love at strife,
- Rejects in fiery spleen the gift of life.
-
- Condemn, but pity!
- In the South, they say,
- Boys in their sportive mood affect a play;
- The brands aglow they fashion in a ring,
- Then in the ardent cirque a scorpion fling;
- Crouched motionless the creature lies, until
- Urged by the fire you see him throb and thrill,
- Whereon the laughter peals! Anon, he’ll shape
- Right on the flames his course to make escape,
- And backward draws o’erpowered. Fresh shouts of glee!
- Next round the circle curving timorously
- He seeks impossible exit; now, once more,
- Quailing, and in the centre as before,
- He shrinks despairing; lest, he knows his part,
- Turns on himself, grown bold, his poisoned dart,
- And on the instant dies. O then at height
- We hear the cries uproarious of delight!
- Doubtless the wretch on mortal crime was bent,
- Doubtless the boys were good and innocent.
-
- Play not, O world of men, the savage boy,
- Make not the poet, quickener of earth’s joy,
- Your scorpion! Hardly once a hundred years
- Compact of spirit and fire and dew, appears
- He through whose song the spheral harmonies
- Vibrate in mortal hearing. Nay, be wise,
- For your own joy, and see he lacks not bread,
- If ye but wreathe the white brows of the dead,
- ’Tis ye yourselves are disinherited.
-
-
-
-
-A SONG
-
-
- When did such moons upheave?
- When were such pure dawns born?
- Yet fly morn into eve,
- Fly eve into morn.
-
- Lily and iris blooms,
- Blooms of the orchard close,
- Pass--for she comes, she comes,
- Your sovereign, the rose.
-
- Lark, that is heart of the height,
- Thrush, that is voice of the vale,
- Cease, it is nearing, the night
- Of the nightingale.
-
- Hasten great noon that glows,
- Night, when the swift stars pale,
- Hasten noon of the rose,
- Night of the nightingale.
-
-
-
-
-THE DROPS OF NECTAR. 1789
-
-_Imitated from_ GOETHE’S “DIE NEKTARTROPFEN”
-
-
- When Minerva, granting graces
- To her darling, her Prometheus,
- Brought a brimming bowl of nectar
- To the underworld from heaven
- To rejoice his race of mortals,
- And to quicken in their bosom
- Of all gracious arts the impulse,
- Fearing Jupiter should see her,
- With a rapid foot she hastened,
- And the golden bowl was shaken,
- And there fell some slender sprinklings
- On the verdurous plain below her.
-
- Whereupon the bees grew busy
- With the same in eager sucking.
- Came the butterfly as eager
- Some small drop to gather also.
- Even the spider, the unshapely,
- Hither crept and sucked with gusto.
- Happy are they to have tasted,
- They and other delicate creatures,
- For they share henceforth with mortals
- Art, of all earth’s joys the fairest.
-
-
-
-
-AMOR AS LANDSCAPE-PAINTER
-
-_Imitated from_ GOETHE’S “AMOR ALS LANDSCHAFTSMALER”
-
-
- On a point of rock I sat one morning,
- Gazed with fixèd eyes upon the vapour,
- Like a sheet of solid grey outspreading
- Did it cover all in plain and mountain.
-
- By my side meanwhile a boy had placed him,
- And he spake. “Good friend, how can’st thou calmly
- Stare upon the void grey sheet before thee?
- Hast thou then for painting and for modelling
- All desire, it seemeth, lost for ever?”
-
- On the child I looked, and thought in secret,
- “Would the little lad then play the Master?”
-
- “If thou wouldst be ever sad and idle,”
- Spake the boy, “no thing of skill can follow.
- Look! I’ll paint you straight a little picture,
- Teach you how to paint a pretty picture.”
-
- And thereon forth stretched he his forefinger,
- Which was rosy even as a rose blossom,
- To the ample canvas strained before him
- Set to work at sketching with his finger.
- There on high a glorious sun he painted,
- Which mine eyes with its effulgence dazzled,
- And the fringe of clouds he made it golden.
- Through the clouds he let press forth the sunbeams,
- Then the tree-tops delicate, light, he painted,
- Late refreshed and quickened. Over the hillrange
- Hill behind hill folded, for a background.
- Nor were waters wanting. There below them
- He the river limned, so true to Nature,
- That it seemed to sparkle in the sunbeams,
- That against its banks it seemed to murmur.
-
- And there stood beside the river flowers,
- And their colours glowed upon the meadow,
- Gold and an enamel green and purple;
- As if all were emerald and carbuncle.
- Pure and clear above he limned the heaven,
- And the azure mountains far and further,
- So that I, new-born and all enraptured,
- Gazed on now the painter, now the picture.
-
- “I have given thee proof, perhaps,” so spake he,
- “That this handicraft I’ve comprehended
- But the hardest part is yet to follow.”
-
- Then and with his finger-tip he outlined,
- Using utmost care beside the thicket,
- At the point where from earth’s gleaming surface
- Was the sun cast back in all its radiance--
- Outlined there the loveliest of maidens,
- Fair of form, now clad in richest raiment,
- Brown her hair and ’neath it cheeks the freshest
- And the cheeks were of the self-same colour
- As the pretty finger that had drawn them.
-
- “O my boy,” I cried, “declare what master
- Did receive thee in his school as pupil,
- That so swiftly and so true to Nature
- Thou with skill beginn’st and well completest?”
-
- But while yet I spake a breeze uprises.
- And behold, it sets astir the summits,
- Curleth every wave upon the river,
- Puffs the veil out of the charming maiden.
- And, what me the astonished, more astonished,
- Now the maiden’s foot is put in motion,
- She advances, and to the place draws nearer,
- Where I sit beside the cunning Master.
-
- Now when all things, all things are in motion,
- Trees and river, flowers and veil outblowing,
- And the slender foot of her the fairest,
- Think you I upon my rock stayed seated,
- Speechless as a rock and as immobile?
-
-
-
-
-THE WANDERER
-
-_Imitated from_ GOETHE’S “DER WANDERER”
-
-
-WANDERER
-
- God’s grace be thine, young woman
- And his, the boy who sucks
- That breast of thine.
- Here let me on the craggy scar,
- In shade of the great elm,
- My knapsack fling from me
- And rest me by thy side.
-
-
-WOMAN
-
- What business urges thee
- Now in the heat of day
- Along this dusty path?
- Bringest thou some city merchandise
- Into the country round?
- Thou smilest, stranger,
- At this my question.
-
-
-WANDERER
-
- No city merchandise I bring,
- Cool now the evening grows,
- Show me the rills
- Whence thou dost drink,
- My good young woman.
-
-
-WOMAN
-
- Here, up the rocky path,
- Go onward. Through the shrubs
- The path runs by the cot
- Wherein I dwell,
- On to the rills
- From whence I drink.
-
-
-WANDERER
-
- Traces of ordering human hands
- Betwixt the underwood.
- These stones _thou_ hast not so disposed,
- Nature--thou rich dispensatress.
-
-
-WOMAN
-
- Yet further up.
-
-
-WANDERER
-
- With moss o’erlaid, an architrave!
- I recognize thee, plastic spirit,
- Thou hast impressed thy seal upon the stone.
-
-
-WOMAN
-
- Further yet, stranger.
-
-
-WANDERER
-
- Lo, an inscription whereupon I tread,
- But all illegible,
- Worn out by wayfarers are ye,
- Which should show forth your Master’s piety,
- Unto a thousand children’s children.
-
-
-WOMAN
-
- In wonder, stranger, dost thou gaze
- Upon these stones?
- Up yonder round my cot
- Are many such.
-
-
-WANDERER
-
- Up yonder?
-
-
-WOMAN
-
- Leftwards directly
- On through the underwood,
- Here!
-
-
-WANDERER
-
- Ye Muses! and ye Graces!
-
-
-WOMAN
-
- That is my cottage.
-
-
-WANDERER
-
- The fragments of a temple!
-
-
-WOMAN
-
- Here onwards on one side
- The rivulet flows
- From whence I drink.
-
-
-WANDERER
-
- Glowing, then hoverest
- Above thy sepulchre,
- Genius! Over thee
- Is tumbled in a heap
- Thy masterpiece,
- O thou undying one!
-
-
-WOMAN
-
- Wait till I bring the vessel
- That thou mayst drink.
-
-
-WANDERER
-
- Ivy hath clad around
- Thy slender form divine.
- How do ye upward strive
- From out the wreck,
- Twin columns!
- And thou, the solitary sister there,
- How do ye,
- With sombre moss upon your sacred heads,
- Gaze in majestic mourning down
- Upon these scattered fragments
- There at your feet,
- Your kith and kin!
- Where lie the shadows of the bramble bush,
- Concealed by wrack and earth,
- And the long grass wavers above.
- Nature dost then so hold in price
- Thy masterpiece’s masterpiece?
- Dost thou, regardless, shatter thus
- Thy sanctuary?
- Dost sow the thistles therein?
-
-
-WOMAN
-
- How the boy sleeps!
- Wouldst thou within the cottage rest,
- Stranger? Wouldst here
- Rather than ’neath the open heavens bide?
- Now it is cool. Here, take the boy.
- Let me go draw the water.
- Sleep, darling, sleep!
-
-
-WANDERER
-
- Sweet is thy rest.
- How, bathed in heavenly healthiness,
- Restful he breathes!
- Thou, born above the relics
- Of a most sacred past,
- Upon thee may its spirit rest.
- He whom it environeth
- Will in the consciousness of power divine
- Each day enjoy.
- Seedling so rich expand,
- The shining spring’s
- Resplendent ornament,
- In presence of thy fellows shine,
- And when the flower-sheathe fades and falls
- May from thy bosom rise
- The abounding fruit,
- And ripening, front the sun.
-
-
-WOMAN
-
- God bless him--and ever still he sleeps.
- Nought have I with this water clear
- Except a piece of bread to offer thee.
-
-
-WANDERER
-
- I give thee thanks.
- How gloriously all blooms around
- And groweth green!
-
-
-WOMAN
-
- My husband soon
- Home from the fields
- Returns. Stay, stay, O man,
- And eat with us thy evening bread.
-
-
-WANDERER
-
- Here do ye dwell?
-
-
-WOMAN
-
- There, between yonder walls,
- The cot. My father builded it
- Of brick, and of the wreckage stones.
- Here do we dwell.
- He gave me to a husbandman,
- And in our arms he died--
- Sweetheart--and hast thou slept?
- How bright he is--and wants to play.
- My rogue!
-
-
-WANDERER
-
- O Nature! everlastingly conceiving.
- Each one thou bearest for the joy of life,
- All of thy babes thou hast endowed
- Lovingly with a heritage--a Name.
- High on the cornice doth the swallow build,
- Of what an ornament she hides
- All unaware.
- The caterpillar round the golden bough
- Spins her a winter quarters for her young.
- Thus dost thou patch in ’twixt the august
- Fragments of bygone time
- For needs of thine--for thy own needs
- A hut. O men--
- Rejoicing over graves.
- Farewell, thou happy wife.
-
-
-WOMAN
-
- Thou wilt not stay?
-
-
-WANDERER
-
- God keep you safe
- And bless your boy.
-
-
-WOMAN
-
- A happy wayfaring!
-
-
-WANDERER
-
- Where doth the pathway lead me
- Over the mountain there?
-
-
-WOMAN
-
- To Cuma.
-
-
-WANDERER
-
- How far is it hence?
-
-
-WOMAN
-
- ’Tis three good miles.
-
-
-WANDERER
-
- Farewell!
- O Nature! guide my way,
- The stranger’s travel-track
- Which over graves
- Of sacred times foregone
- I still pursue.
- Me to some covert guide,
- Sheltered against the north,
- And where from noontide’s glare
- A poplar grove protects.
- And when at eve I turn
- Home to the hut,
- Made golden with the sun’s last beam,
- Grant that such wife may welcome me,
- The boy upon her arm.
-
-
-
-
-IMITATED FROM GOETHE’S “ALEXIS AND DORA”
-
-
- Ah, without stop or stay the ship still momently presses
- On through the foaming deep, further and further from shore.
- Far-traced the furrow is cut by the keel, and in it the dolphins
- Bounding follow as though prey were before them in flight.
- All betokens a fortunate voyage; light-hearted the shipman
- Gently handles the sail that takes on it labour for all.
- Forward as pennon and streamer presses the voyager’s spirit,
- One alone by the mast stands reverted and sad.
- Mountains already blue he sees departing, he sees them
- Sink in the sea, while sinks every joy from his gaze.
- Also for thee has vanished the ship that bears thy Alexis,
- Robs thee, O Dora, of friend, robs thee of, ah! the betrothed.
- Thou, too, gazest in vain after me. Our hearts are still beating
- For one another, but ah! on one another no more.
- Single moment wherein I have lived, thou weigh’st in the balance
- More than all days erewhile coldly squandered by me.
- Ah, in that moment alone, the last, arose in my bosom
- Life unhoped for in thee, come down as a gift from the Gods.
- Now in vain dost thou with thy light make glorious the æther,
- Thy all-illumining day--Phœbus, by me is abhorred.
- Back on myself I return, and fain would I there in the silence
- Live o’er again the time when daily to me she appeared.
- Was it possible beauty to see and never to feel it?
- Did not the heavenly charm work on thy dullness of soul?
- Blame not thyself, poor heart, so the poet proposes a riddle,
- Artfully wrought into words oft to the ear of the crowd,
- The network of images, lovely and strange, is a joy to the hearer,
- Yet still there lacketh the word affirming the sense of the whole.
- Is it at last disclosed, then every spirit is gladdened,
- And in the verse perceives meaning of twofold delight.
- Ah, why so late, O love, dost thou unbind from my forehead
- Wrappings that darkened my eyes--why too late dost unbind?
- Long time the freighted bark delayed for favouring breezes,
- Fair at last rose the wind pressing off-shore to the sea.
- Idle seasons of youth and idle dreams of the future
- Ye have departed--for me only remaineth the hour;
- Yes, it remains the gladness remaining for me; Dora, I hold thee.
- Hope to my gaze presents, Dora, thy image alone.
- Often on thy way to the temple I saw thee gay-decked and decorous,
- Stepped the good mother beside, all ceremonious and grave.
- Quick-footed wert thou and eager, bearing thy fruit to the market,
- Quitting the well, thy head how daringly balanced the jar;
- There, lo! thy throat was shown, thy neck more fair than all others,
- Fairer than others were shown the poise and play of thy limbs.
- Ofttime I held me in fear for the totter and crash of the pitcher,
- Yet upright ever it stood, there where the kerchief was pleached.
- Fairest neighbour, yes, my wont it was to behold thee,
- As we behold the stars, as we contemplate the moon.
- In them rejoicing, while never once in the tranquil bosom,
- Even in shadow of thought stirs the desire to possess.
- Thus did ye pass, my years. But twenty paces asunder
- Our dwellings, thine and mine, nor once on thy threshold I trod.
- Now the hideous deep divides us! Ye lie to the heavens,
- Billows! your lordly blue to me is the colour of night.
- Already was everything in motion. A boy came running
- Swift to my father’s house, calling me down to the shore.
- “The sail is already hoisted; it flaps in the wind,” so spake he.
- “Weighed with a lusty cheer the anchor parts from the sand.
- Come, Alexis! O come!” And gravely, in token of blessing,
- Laid my good father his hand on the clustering curls of the son.
- Careful the mother reached me a bundle newly made ready;
- “Come back happy!” they cried. “Come back happy and rich.”
- So out of doors, the bundle under my arm, did I fling me,
- And at the wall below, there by the garden gate,
- Saw thee stand; thou smiledst upon me and spake’st. “Alexis,
- Yonder clamouring folk, are these thy comrades aboard?
- Distant shores thou visitest now and merchandise precious
- Thou dost deal in, and jewels for the wealthy city dames.
- Wilt thou not bring me also one little light chain? I would buy it
- Thankfully. I have wished so oft to adorn me with this.”
- Holding my own I stood and asked, in the way of a merchant,
- First of the form, the weight exact, of the order thou gavest.
- Modest in truth was the price thou assignedst. While gazing upon thee,
- Neck and shoulders I saw worthy the jewels of our queen.
- Louder sounded the cry from the ship. Then saidest thou kindly,
- “Some of the garden fruit take thou with thee on thy way.
- Take the ripest oranges--take white figs. The sea yields
- Never a fruit at all. Nor doth every country give fruits.”
- Thereon I stepped within; the fruit thou busily broughtest,
- There in the gathered robe bearing a burden all gold.
- Often I pleaded, “see this is enough,” and ever another
- And fairer fruit down dropped, lightly touched, to thy hand.
- Then at the last to the bower thou camest. There was a basket,
- And the myrtle in bloom bent over thee, over me.
- Skilfully didst thou begin to arrange the fruit and in silence.
- First the orange, that lies heavy a globe of gold,
- Then the tenderer fig, which slightest pressure will injure,
- And with myrtle o’erlaid, fair adorned was the gift.
- But I lifted it not. I stood, we looked one another
- Full in the eyes. When straight the sight of my eyes waxed dim.
- Thy bosom I felt on my own! and now my arm encircled
- The stately neck, whereon thousandfold kisses I showered.
- Sank thy head on my shoulder--by tender arms enfolded
- As with a chain was he the man whom thou hast made blest.
- The hands of Love I felt, he drew us with might together,
- And thrice from a cloudless sky it thundered; and now there flowed
- Tears from my eyes, down streaming, weeping wert thou. I wept,
- And through sorrow and joy the world seemed to pass from our sense.
- Ever more urgent their shoreward cry; but thither to bear me
- My feet refused: I cried, “Dora, and art thou not mine?”
- “For ever,” thou gently saidst. And thereon it seemed that our tears,
- As by some breath divine, gently were blown from our eyes.
- Nearer the cry “Alexis!” Then peered the boy, as he sought me,
- In through the garden gate. How the basket he eyed.
- How he constrained me. How I pressed thee once more by the hand.
- How arrived I aboard? I know as one drunken I seemed.
- Even so my companions took me to be; they bore with one ailing,
- And already in haze of distance the city grew dim.
- “For ever,” Dora, thy whisper was. In my ear it echoes
- Even with the thunder of Zeus. There stood she by his throne,
- She, his daughter, the Goddess of Love, and beside her the Graces.
- So by the Gods confirmed this our union abides.
- O then haste thee, our bark, with the favouring winds behind thee.
- Labour, thou lusty keel, sunder the foaming flood!
- Bring me to that strange haven; that so for me may the goldsmith
- In his workshop anon fashion the heavenly pledge.
- Ay, in truth, the chainlet shall grow to a chain, O Dora.
- Nine times loosely wound shall it encircle thy neck.
- Further, jewels most manifold will I procure for thee; golden
- Bracelets also. My gifts richly shall deck thy hand.
- There shall the ruby contend with the emerald; loveliest sapphire
- Matched against jacinth shall stand, while with a setting of gold
- Every gem may be held in a perfect union of beauty.
- O what joy for the lover to grace with jewel and gold the beloved.
- If pearls I view, my thought is of thee; there rises before me
- With every ring the shape slender and fair of thy hand.
- I will barter and buy, and out of them all the fairest
- Thou shalt choose. I devote all my lading to thee.
- But not jewel and gem alone shall thy lover procure thee.
- What a housewife would choose, that will he bring with him too.
- Coverlets delicate, woollen and purple, hemmed to make ready
- A couch that grateful and soft fondly shall welcome the pair.
- Lengths of the finest linen. Thou sittest and sewest and clothest
- Me therein and thyself, and haply also a third.
- Visions of hope delude my heart. Allay, O Divine Ones,
- Flames of resistless desire wildly at work in my breast,
- And yet I fain would recall delights that are bitter,
- When care to me draws near, hideous, cold and unmoved.
- Not the Erinnyes torch nor the baying of hounds infernal
- Strikes such terror in him, the culprit in realms of despair,
- As that phantom unmoved in me who shows me the fair one
- Far away. Open stands even now the garden gate,
- And another, not I, draws near--for him fruits are falling,
- And for him, too, the fig strengthening honey retains.
- Him too doth she draw to the bower. Does he follow? O sightless
- Make me, O Gods! destroy the vision of memory in me.
- Yes--a maiden is she--she who gives herself straight to one lover,
- She to another who woes as speedily turns her around.
- Laugh not, O Zeus, this time, at an oath audaciously broken--
- Thunder more fiercely! strike! yet hold back thy lightning shaft.
- Send on my trace the sagging clouds. In gloom as of night-time
- Let thy bright lightning-flash strike this ill-fated mast.
- Scatter the planks around and give to the raging waters
- This my merchandise. Give me to the dolphins a prey.
- Now ye Muses enough! In vain is your effort to image
- How in a heart that loves alternate sorrow and joy.
- Nor are ye able to heal those wounds which Love has inflicted,
- Yet their assuagement comes, Gracious Ones, only from you.
-
-
- EDITOR’S NOTE.--The four Goethe translations with which this volume
- closes are taken from rough jottings, hardly more than
- _protoplasm_.
-
- They much need re-handling, which they cannot now receive. Many
- lines are, as verse, defective for the ear ... yet some contain
- sufficient beauty, as well as fidelity, in translation to justify,
- perhaps, their preservation as fragments of unfinished work.
-
- This does not apply to the other translations which were left by E.
- D. in fair MS. as completed.
-
-
-COLSTONS LIMITED, PRINTERS, EDINBURGH
-
-
-
-
-
-End of the Project Gutenberg EBook of Poems, by Edward Dowden
-
-*** END OF THIS PROJECT GUTENBERG EBOOK POEMS ***
-
-***** This file should be named 55086-0.txt or 55086-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/5/0/8/55086/
-
-Produced by Larry B. Harrison, Chuck Greif, Bryan Ness and
-the Online Distributed Proofreading Team at
-http://www.pgdp.net (This file was produced from images
-generously made available by The Internet Archive/Canadian
-Libraries)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.