summaryrefslogtreecommitdiff
path: root/old/54822-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/54822-0.txt')
-rw-r--r--old/54822-0.txt2717
1 files changed, 0 insertions, 2717 deletions
diff --git a/old/54822-0.txt b/old/54822-0.txt
deleted file mode 100644
index f8ea3a5..0000000
--- a/old/54822-0.txt
+++ /dev/null
@@ -1,2717 +0,0 @@
-The Project Gutenberg eBook, A Roadside Harp, by Louise Imogen Guiney
-
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-
-Title: A Roadside Harp
- A Book of Verses
-
-
-Author: Louise Imogen Guiney
-
-
-
-Release Date: June 1, 2017 [eBook #54822]
-
-Language: English
-
-Character set encoding: UTF-8
-
-
-***START OF THE PROJECT GUTENBERG EBOOK A ROADSIDE HARP***
-
-
-E-text prepared by Emmy, MWS, and the Online Distributed Proofreading Team
-(http://www.pgdp.net) from page images generously made available by
-Internet Archive (https://archive.org)
-
-
-
-
- ---------------------------------------
- This ebook is dedicated to
- EMMY
- friend, colleague, mentor, role model
- who fell off the planet far too soon.
- ---------------------------------------
-
-
-Note: Images of the original pages are available through
- Internet Archive. See
- https://archive.org/details/roadsideharpbook00guinuoft
-
-
-
-
-
-A ROADSIDE HARP
-
-
- * * * * * *
-
- By Miss Guiney.
-
- THE WHITE SAIL, AND OTHER
- POEMS. 16mo, gilt top, $1.25.
-
- SONGS AT THE START. 16mo, $1.00.
-
- A ROADSIDE HARP. 16mo.
-
- HOUGHTON, MIFFLIN & CO.
- BOSTON AND NEW YORK.
-
- * * * * * *
-
-
-A ROADSIDE HARP
-
-A Book of Verses by
-
-LOUISE IMOGEN GUINEY
-
-
- “_Highway, since you my chief Parnassus be,
- And that my Muse, to some ears not unsweet,
- Tempers her words to trampling horses’ feet,
- More oft than to a chamber melody!_”
-
-
-[Illustration]
-
-
-
-
-
-
-Boston and New York
-Houghton Mifflin and
-Company M DCCC XCIII
-
-Copyright, 1893
-By Louise Imogen Guiney
-All Rights Reserved
-
-The Riverside Press, Cambridge, Mass., U.S.A.
-Electrotyped and Printed by H. O. Houghton & Co.
-
-
-
-
-TO DORA AND HESTER SIGERSON
-
-
- _There in the Druid brake
- If the cuckoo be awake
- Again, O take my rhyme!
- And keep it long for the sake
- Of a bygone primrose-time;
- You of the star-bright head
- That twilight thoughts sequester,
- You to your native fountains led
- Like to a young Muse garlanded:
- Dora, and Hester._
-
-March, 1893.
-
-
-
-
-TABLE OF CONTENTS
-
-
- _Page_
-
- PETER RUGG the Bostonian 1
-
- A Ballad of Kenelm 8
-
- Vergniaud in the Tumbril 10
-
- Winter Boughs 13
-
- M. A. 1822-1888 13
-
- W. H. 1778-1830 14
-
- The Vigil-at-Arms 14
-
- A Madonna of Domenico Ghirlandajo 15
-
- Spring Nightfall 15
-
- A Friend’s Song for Simoisius 16
-
- Athassel Abbey 17
-
- Florentin 18
-
- Friendship Broken 19
-
- A Song of the Lilac 20
-
- In a Ruin, after a Thunder-Storm 21
-
- The Cherry Bough 21
-
- Two Irish Peasant Songs 23
-
- The Japanese Anemone 25
-
- Tryste Noel 26
-
- A Talisman 27
-
- Heathenesse 27
-
- For Izaak Walton 28
-
- Sherman: “An Horatian Ode” 29
-
- When on the Marge of Evening 32
-
- Rooks in New College Gardens 32
-
- Open, Time 33
-
- The Knight Errant (Donatello’s Saint George) 34
-
- To a Dog’s Memory 35
-
- A Seventeenth-Century Song 36
-
- On the Pre-Reformation Churches about Oxford 37
-
- The Still of the Year 38
-
- A Foot-note to a Famous Lyric 39
-
- T. W. P. 1819-1892 41
-
- Summum Bonum 41
-
- Saint Florent-le-Vieil 42
-
- Hylas 42
-
- Nocturne 43
-
- The Kings 44
-
- Alexandriana 47
-
- London: Twelve Sonnets.
-
- On First Entering Westminster Abbey 55
-
- Fog 55
-
- St. Peter-ad-Vincula 56
-
- Strikers in Hyde Park 56
-
- Changes in the Temple 57
-
- The Lights of London 58
-
- Doves 58
-
- In the Reading-Room of the British Museum 59
-
- Sunday Chimes in the City 59
-
- A Porch in Belgravia 60
-
- York Stairs 61
-
- In the Docks 61
-
-
-
-
-A ROADSIDE HARP.
-
-POEMS BY LOUISE IMOGEN GUINEY
-
-
-
-
-_Peter Rugg the Bostonian_
-
-
-I
-
- THE mare is pawing by the oak,
- The chaise is cool and wide
- For Peter Rugg the Bostonian
- With his little son beside;
- The women loiter at the wheels
- In the pleasant summer-tide.
-
- “And when wilt thou be home, Father?”
- “And when, good husband, say:
- The cloud hangs heavy on the house
- What time thou art away.”
- He answers straight, he answers short,
- “At noon of the seventh day.”
-
- “Fail not to come, if God so will,
- And the weather be kind and clear.”
- “Farewell, farewell! But who am I
- A blockhead rain to fear?
- God willing or God unwilling,
- I have said it, I will be here.”
-
- He gathers up the sunburnt boy
- And from the gate is sped;
- He shakes the spark from the stones below,
- The bloom from overhead,
- Till the last roofs of his own town
- Pass in the morning-red.
-
- Upon a homely mission
- North unto York he goes,
- Through the long highway broidered thick
- With elder-blow and rose;
- And sleeps in sound of breakers
- At every twilight’s close.
-
- Intense upon his heedless head
- Frowns Agamenticus,
- Knowing of Heaven’s challenger
- The answer: even thus
- The Patience that is hid on high
- Doth stoop to master us.
-
-
-II
-
- Full light are all his parting dreams;
- Desire is in his brain;
- He tightens at the tavern-post
- The fiery creature’s rein:
- “Now eat thine apple, six years’ child!
- We face for home again.”
-
- They had not gone a many mile
- With nimble heart and tongue,
- When the lone thrush grew silent
- The walnut woods among;
- And on the lulled horizon
- A premonition hung.
-
- The babes at Hampton schoolhouse,
- The wife with lads at sea,
- Search with a level-lifted hand
- The distance bodingly;
- And farmer folk bid pilgrims in
- Under a safe roof-tree.
-
- The mowers mark by Newbury
- How low the swallows fly,
- They glance across the southern roads
- All white and fever-dry,
- And the river, anxious at the bend,
- Beneath a thinking sky.
-
- But there is one abroad was born
- To disbelieve and dare:
- Along the highway furiously
- He cuts the purple air.
- The wind leaps on the startled world
- As hounds upon a hare;
-
- With brawl and glare and shudder ope
- The sluices of the storm;
- The woods break down, the sand upblows
- In blinding volleys warm;
- The yellow floods in frantic surge
- Familiar fields deform.
-
- From evening until morning
- His skill will not avail,
- And as he cheers his youngest born,
- His cheek is spectre-pale;
- For the bonnie mare from courses known
- Has drifted like a sail!
-
-
-III
-
- On some wild crag he sees the dawn
- Unsheathe her scimitar.
- “Oh, if it be my mother-earth,
- And not a foreign star,
- Tell me the way to Boston,
- And is it near or far?”
-
- One watchman lifts his lamp and laughs:
- “Ye’ve many a league to wend.”
- The next doth bless the sleeping boy
- From his mad father’s end;
- A third upon a drawbridge growls:
- “Bear ye to larboard, friend.”
-
- Forward and backward, like a stone
- The tides have in their hold,
- He dashes east, and then distraught
- Darts west as he is told,
- (Peter Rugg the Bostonian,
- That knew the land of old!)
-
- And journeying, and resting scarce
- A melancholy space,
- Turns to and fro, and round and round,
- The frenzy in his face,
- And ends alway in angrier mood,
- And in a stranger place,
-
- Lost! lost in bayberry thickets
- Where Plymouth plovers run,
- And where the masts of Salem
- Look lordly in the sun;
- Lost in the Concord vale, and lost
- By rocky Wollaston!
-
- Small thanks have they that guide him,
- Awed and aware of blight;
- To hear him shriek denial
- It sickens them with fright:
- “They lied to me a month ago
- With thy same lie to-night!”
-
- To-night, to-night, as nights succeed,
- He swears at home to bide,
- Until, pursued with laughter
- Or fled as soon as spied,
- The weather-drenchèd man is known
- Over the country side!
-
-
-IV
-
- The seventh noon ’s a memory,
- And autumn ’s closing in;
- The quince is fragrant on the bough,
- And barley chokes the bin.
- “O Boston, Boston, Boston!
- And O my kith and kin!”
-
- The snow climbs o’er the pasture wall,
- It crackles ’neath the moon;
- And now the rustic sows the seed,
- Damp in his heavy shoon;
- And now the building jays are loud
- In canopies of June.
-
- For season after season
- The three are whirled along,
- Misled by every instinct
- Of light, or scent, or song;
- Yea, put them on the surest trail,
- The trail is in the wrong.
-
- Upon those wheels in any path
- The rain will follow loud,
- And he who meets that ghostly man
- Will meet a thunder-cloud,
- And whosoever speaks with him
- May next bespeak his shroud.
-
- Tho’ nigh two hundred years have gone,
- Doth Peter Rugg the more
- A gentle answer and a true
- Of living lips implore:
- “Oh, show me to my own town,
- And to my open door!”
-
-
-V
-
- Where shall he see his own town
- Once dear unto his feet?
- The psalms, the tankard to the King,
- The beacon’s cliffy seat,
- The gabled neighborhood, the stocks
- Set in the middle street?
-
- How shall he know his own town
- If now he clatters thro’?
- Much men and cities change that have
- Another love to woo;
- And things occult, incredible,
- They find to think and do.
-
- With such new wonders since he went
- A broader gossip copes,
- Across the crowded triple hills,
- And up the harbor slopes,
- Tradition’s self for him no more
- Remembers, watches, hopes.
-
- But ye, O unborn children!
- (For many a race must thrive
- And drip away like icicles
- Ere Peter Rugg arrive,)
- If of a sudden to your ears
- His plaint is blown alive;
-
- If nigh the city, folding in
- A little lad that cries,
- A wet and weary traveller
- Shall fix you with his eyes,
- And from the crazy carriage lean
- To spend his heart in sighs:--
-
- “That I may enter Boston,
- Oh, help it to befall!
- There would no fear encompass me,
- No evil craft appall;
- Ah, but to be in Boston,
- GOD WILLING, after all!”--
-
- Ye children, tremble not, but go
- And lift his bridle brave
- In the one Name, the dread Name,
- That doth forgive and save,
- And lead him home to Copp’s Hill ground,
- And to his fathers’ grave.
-
-[Illustration]
-
-
-
-
-_A Ballad of Kenelm_
-
- “In Clent cow-batch, Kenelm King born Lieth under a thorn.”
-
-
- IT was a goodly child,
- Sweet as the gusty May;
- It was a knight that broke
- On his play,
- A fair and coaxing knight:
- “O little liege!” said he,
- “Thy sister bids thee come
- After me.
-
- “A pasture rolling west
- Lies open to the sun,
- Bright-shod with primroses
- Doth it run;
- And forty oaks be nigh,
- Apart, and face to face,
- And cow-bells all the morn
- In the space.
-
- “And there the sloethorn bush
- Beside the water grows,
- And hides her mocking head
- Under snows;
- Black stalks afoam with bloom,
- And never a leaf hath she:
- Thou crystal of the realm,
- Follow me!”
-
- Uplooked the undefiled:
- “All things, ere I was born
- My sister found; now find
- Me the thorn.”
- They travelled down the lane,
- An hour’s dust they made:
- The belted breast of one
- Bore a blade.
-
- The primroses were out,
- The aislèd oaks were green,
- The cow-bells pleasantly
- Tinked between;
- The brook was beaded gold,
- The thorn was burgeoning,
- Where evil Ascobert
- Slew the King.
-
- He hid him in the ground,
- Nor washed away the dyes,
- Nor smoothed the fallen curls
- From his eyes.
- No father had the babe
- To bless his bed forlorn;
- No mother now to weep
- By the thorn.
-
- There fell upon that place
- A shaft of heavenly light;
- The thorn in Mercia spake
- Ere the night:
- “Beyond, a sister sees
- Her crownèd period,
- But at my root a lamb
- Seeth God.”
-
- Unto each, even so.
- As dew before the cloud,
- The guilty glory passed
- Of the proud.
- Boy Kenelm has the song,
- Saint Kenelm has the bower;
- His thorn a thousand years
- Is in flower!
-
-[Illustration]
-
-
-
-
-_Vergniaud in the Tumbril_
-
-
-I
-
- THE wheels are silent, the cords are slack,
- The terrible faces are surging back.
- France, they too love thee! bid that keep plain;
-
- The wrath and carnage I stayed afar
- Colleagues of my white conscience are:
- Accept my slayers, accept me slain!
-
- Shed for days, in its olden guise
- The quiet delicate snake-skin lies
- To cheat a boy on his woodland stroll:
-
- What if he crush it? Others see
- Beauty’s miracle under a tree
- Supple in mail, and adroit, and whole;
-
- The shaper rid of a shape, and thence
- (Growth of an outgrown excellence),
- Mounted with infinite might and speed,
-
- Freed like a soul to the heaven it dreamed;
- Over life that was, and death that seemed
- A victory and a revenge indeed!
-
- As the serpent moves to the open spring,
- The while a mock, a delusive thing
- Sole in sight of the crowd may be,
-
- So ye, my martyrs, arise, advance!
- For what is left at the feet of France
- It is our failure, it is not we.
-
-
-II
-
- Not to ourselves our strength we brought:
- Inexpiable the Hand that wrought
- In us the ruin of no redress,
-
- The storm, the effort, the pang, the fire,
- The premonition, the vast desire,
- The primal passion of righteousness!
-
- Scarce by the pitiful thwarted plan,
- The haste, or the studious fears of man
- Drawing a discord from best delight,
-
- The measure is meted of God most wise;
- Nor the future, with her adjusted eyes,
- Shall speak us false in our dying fight.
-
- But e’en to me now some use is clear
- In the builded truth down-beaten here
- For any along the way to spurn,
-
- Since ever our broken task may stand
- Disaster’s college in one saved land,
- Whence many a stripling state shall learn.
-
- Out of the human shoots the divine:
- Be the Republic our only sign,
- For whose life’s glory our lives have been
-
- Ambassadors on a noble way
- Tempest-driven, and sent astray
- The first and the final good between.
-
- Close to the vision undestroyed,
- The hope not compassed and yet not void,
- We perish so; but the world shall mark
-
- On the hilltop of our work we died,
- With joy of the groom before the bride,
- With a dawn-cry thro’ the battle’s dark.
-
-
-III
-
- O last save me on the scaffold’s round!
- Take heart, that after a thirst profound
- The cup of delicious death is near,
-
- And whoso hold it, or whence it flow,
- O drink it to France, to France! and know
- For the gift thou givest, thou hast her tear.
-
- True seed thou wert of the sunnier hour,
- Honorable, and burst to flower
- Late in a hell-pit poison-walled:
-
- Farewell, mortality lopped and pale,
- Thou body that wast my friend! and Hail,
- Dear spirit already!... My name is called.
-
-[Illustration]
-
-
-
-
-_Winter Boughs_
-
-
- HOW tender and how slow, in sunset’s cheer,
- Far on the hill, our quiet treetops fade!
- A broidery of northern seaweed, laid
- Long in a book, were scarce more fine and clear.
- Frost, and sad light, and windless atmosphere
- Have breathed on them, and of their frailties made
- Beauty more sweet than summer’s builded shade,
- Whose green domes fall, to bring this wonder here.
- O ye forgetting and outliving boughs,
- With not a plume, gay in the jousts before,
- Left for the Archer! so, in evening’s eye,
- So stilled, so lifted, let your lover die,
- Set in the upper calm no voices rouse,
- Stript, meek, withdrawn, against the heavenly door.
-
-[Illustration]
-
-
-
-
-_M. A. 1822-1888_
-
-
- GOOD oars, for Arnold’s sake
- By Laleham lightly bound,
- And near the bank, O soft,
- Darling swan!
- Let not the o’erweary wake
- From this his natal ground,
- But where he slumbered oft,
- Slumber on.
-
-[Illustration]
-
-
-
-
-_W. H. 1778-1830_
-
-
- BETWEEN the wet trees and the sorry steeple,
- Keep, Time, in dark Soho, what once was Hazlitt,
- Seeker of Truth, and finder oft of Beauty;
-
- Beauty ’s a sinking light, ah, none too faithful;
- But Truth, who leaves so here her spent pursuer,
- Forgets not her great pawn: herself shall claim it.
-
- Therefore sleep safe, thou dear and battling spirit,
- Safe also on our earth, begetting ever
- Some one love worth the ages and the nations!
-
- Nothing falls under to thine eyes eternal.
- Sleep safe in dark Soho: the stars are shining,
- Titian and Wordsworth live; the People marches.
-
-[Illustration]
-
-
-
-
-_The Vigil-at-Arms_
-
-
- KEEP holy watch with silence, prayer, and fasting
- Till morning break, and all the bugles play;
- Unto the One aware from everlasting
- Dear are the winners: thou art more than they.
-
- Forth from this peace on manhood’s way thou goest,
- Flushed with resolve, and radiant in mail;
- Blessing supreme for men unborn thou sowest,
- O knight elect! O soul ordained to fail!
-
-[Illustration]
-
-
-
-
-_A Madonna of Domenico Ghirlandajo_
-
-
- LET thoughts go hence as from a mountain spring,
- Of the great dust of battle clean and whole,
- And the wild birds that have no nest nor goal
- Fold in a young man’s breast their trancèd wing;
- For thou art made of purest Light, a thing
- Art gave, beyond her own devout control;
- And Light upon thy seeing, suffering soul
- Hath wrought a sign for many journeying;
- Our sign. As up a wayside, after rain,
- When the blown beeches purple all the height
- And clouds sink to the sea-marge, suddenly
- The autumn sun (how soft, how solemn-bright!)
- Moves to the vacant dial, so is lain
- God’s meaning Hand, thou chosen, upon thee.
-
-[Illustration]
-
-
-
-
-_Spring Nightfall_
-
-
- APRIL is sad, as if the end she knew.
- The maple’s misty red, the willow’s gold
- Face-deep in nimble water, seem to hold
- In hope’s own weather their autumnal hue.
- There is no wind, no star, no sense of dew,
- But the thin vapors gird the mountain old,
- And the moon, risen before the west is cold,
- Pale with compassion slopes into the blue.
- Under the shining dark the day hath passed
- Shining; so even of thee was home bereaved,
- Thou dear and pensive spirit! overcast
- Hardly at all, but drawn from light to light,
- Who in the doubtful hour, and unperceived,
- Rebuked adoring hearts with change and flight.
-
-[Illustration]
-
-
-
-
-_A Friend’s Song for Simoisius_
-
-
- THE breath of dew, and twilight’s grace,
- Be on the lonely battle-place;
- And to so young, so kind a face,
- The long, protecting grasses cling!
- (Alas, alas,
- The one inexorable thing!)
-
- In rocky hollows cool and deep,
- The bees our boyhood hunted sleep;
- The early moon from Ida’s steep
- Comes to the empty wrestling-ring.
- (Alas, alas,
- The one inexorable thing!)
-
- Upon the widowed wind recede
- No echoes of the shepherd’s reed,
- And children without laughter lead
- The war-horse to the watering.
- (Alas, alas,
- The one inexorable thing!)
-
- Thou stranger Ajax Telamon!
- What to the loveliest hast thou done,
- That ne’er with him a maid may run
- Across the marigolds in spring?
- (Alas, alas,
- The one inexorable thing!)
-
- With footstep separate and slow
- The father and the mother go,
- Not now upon an urn they know
- To mingle tears for comforting.
- (Alas, alas,
- The one inexorable thing!)
-
- The world to me has nothing dear
- Beyond the namesake river here:
- O Simois is wild and clear!
- And to his brink my heart I bring;
- (Alas, alas,
- The one inexorable thing!)
-
- My heart no more, if that might be,
- Would stay his waters from the sea,
- To cover Troy, to cover me,
- To save us from the perishing.
- (Alas, alas,
- The one inexorable thing!)
-
-[Illustration]
-
-
-
-
-_Athassel Abbey_
-
-
- FOLLY and Time have fashioned
- Of thee a songless reed;
- O not-of-earth-impassioned!
- Thy music ’s mute indeed.
-
- Red from the chantry crannies
- The orchids burn and swing,
- And where the arch began is
- Rest for a raven’s wing;
-
- And up the bossy column
- Quick tails of squirrels wave,
- And black, prodigious, solemn,
- A forest fills the nave.
-
- Still faithfuller, still faster,
- To ruin give thy heart:
- Perfect before the Master
- Aye as thou wert, thou art.
-
- But I am wind that passes
- In ignorant wild tears,
- Uplifted from the grasses,
- Blown to the void of years,
-
- Blown to the void, yet sighing
- In thee to merge and cease,
- Last breath of beauty’s dying,
- Of sanctity, of peace!
-
- Tho’ use nor place forever
- Unto my soul befall,
- By no belovèd river
- Set in a saintly wall,
-
- Do thou by builders given
- Speech of the dumb to be,
- Beneath thine open heaven,
- Athassel! pray for me.
-
-[Illustration]
-
-
-
-
-_Florentin_
-
-
- HEART all full of heavenly haste, too like the bubble bright
- On loud little water floating half of an April night,
- Fled from the ear in music, fled from the eye in light,
- Dear and stainless heart of a boy! No sweeter thing can be
- Drawn to the quiet centre of God who is our sea;
- Whither, thro’ troubled valleys, we also follow thee.
-
-[Illustration]
-
-
-
-
-_Friendship Broken_
-
-
-I
-
- WE chose the faint chill morning, friend and friend,
- Pacing the twilight out beneath an oak,
- Soul calling soul to judgment; and we spoke
- Strange things and deep as any poet penned,
- Such truth as never truth again can mend,
- Whatever arts we win, what gods invoke;
- It was not wrath, it made nor strife nor smoke:
- Be what it may, it had a solemn end.
- Farewell, in peace. We of the selfsame throne
- Are foeman vassals; pale astrologers,
- Each a wise sceptic of the other’s star.
- Silently, as we went our ways alone,
- The steadfast sun, whom no poor prayer deters,
- Drew high between us his majestic bar.
-
-
-II
-
- Mine was the mood that shows the dearest face
- Thro’ a long avenue, and voices kind
- Idle, and indeterminate, and blind
- As rumors from a very distant place;
- Yet, even so, it gathered the first chase
- Of the first swallows where the lane ’s inclined,
- An ebb of wavy wings to serve my mind
- For round Spring’s vision. Ah, some equal grace
- (The calm sense of seen beauty without sight)
- Befell thee, honorable heart! no less
- In patient stupor walking from the dawn;
- Albeit thou too wert loser of life’s light,
- Like fallen Adam in the wilderness,
- Aware of naught but of the thing withdrawn.
-
-[Illustration]
-
-
-
-
-_A Song of the Lilac_
-
-
- ABOVE the wall that ’s broken,
- And from the coppice thinned,
- So sacred and so sweet
- The lilac in the wind!
- And when by night the May wind blows
- The lilac-blooms apart,
- The memory of his first love
- Is shaken on his heart.
-
- In tears it long was buried,
- And trances wrapt it round;
- O how they wake it now,
- The fragrance and the sound!
- For when by night the May wind blows
- The lilac-blooms apart,
- The memory of his first love
- Is shaken on his heart.
-
-[Illustration]
-
-
-
-
-_In a Ruin, after a Thunder-Storm_
-
-
- KEEP of the Norman, old to flood and cloud!
- Thou dost reproach me with thy sunset look,
- That in our common menace, I forsook
- Hope, the last fear, and stood impartial proud:
- Almost, almost, while ether spake aloud,
- Death from the smoking stones my spirit shook
- Into thy hollow as leaves into a brook,
- No more than they by heaven’s assassins cowed.
-
- But now thy thousand-scarrèd steep is flecked
- With the calm kisses of the light delayed,
- Breathe on me better valor: to subject
- My soul to greed of life, and grow afraid
- Lest, ere her fight’s full term, the Architect
- See downfall of the stronghold that He made.
-
-[Illustration]
-
-
-
-
-_The Cherry Bough_
-
-
- IN a new poet’s and a new friend’s honor,
- Forth from the scornèd town and her gold-getting,
- Come men with lutes and bowls, and find a welcome
- Here in my garden,
-
- Find bowers and deep shade and windy grasses,
- And by the south wall, wet and forward-jutting,
- One early branch fire-tipped with Roman cherries.
- O naught is absent,
-
- O naught but you, kind head that far in prison
- Sunk on a weary arm, feels no god’s pity
- Stroking and sighing where the kingly laurels
- Were once so plenty,
-
- Nor dreams, from revels and strange faces turning,
- How on the strength of my fair tree that knew you,
- I lean to-day, when most my heart is laden
- With your rich verses!
-
- Since, long ago, in other gentler weather
- Ere wrath and exile were, you lay beneath it,
- (Your symbol then, your innocent wild brother,
- Glad with your gladness,)
-
- What has befallen in the world of wonder,
- That still it puts forth bubbles of sweet color,
- And you, and you that burst our eyes with beauty,
- Are sapped and rotten?
-
- Alas! When my young guests have done with singing,
- I break it, leaf and fruit, my garden’s glory,
- And hold it high among them, and say after:
- “O my poor Ovid,
-
- “Years pass, and loves pass too; and yet remember
- For the clear time when we were boys together,
- These tears at home are shed; and with you also
- Your bough is dying.”
-
-[Illustration]
-
-
-
-
-_Two Irish Peasant Songs_
-
-
-I
-
- I KNEAD and I spin, but my life is low the while,
- Oh, I long to be alone, and walk abroad a mile,
- Yet if I walk alone, and think of naught at all,
- Why from me that ’s young should the wild tears fall?
-
- The shower-stricken earth, the earth-colored streams,
- They breathe on me awake, and moan to me in dreams,
- And yonder ivy fondling the broke castle-wall,
- It pulls upon my heart till the wild tears fall.
-
- The cabin-door looks down a furze-lighted hill,
- And far as Leighlin Cross the fields are green and still;
- But once I hear the blackbird in Leighlin hedges call,
- The foolishness is on me, and the wild tears fall!
-
-
-II
-
- ’Tis the time o’ the year, if the quicken-bough be staunch,
- The green, like a breaker, rolls steady up the branch,
- And surges in the spaces, and floods the trunk, and heaves
- In little angry spray that is the under-white of leaves;
- And from the thorn in companies the foamy petals fall,
- And waves of jolly ivy wink along a windy wall.
-
- ’Tis the time o’ the year the marsh is full of sound,
- And good and glorious it is to smell the living ground.
- The crimson-headed catkin shakes above the pasture-bars,
- The daisy takes the middle field and spangles it with stars,
- And down the bank into the lane the primroses do crowd,
- All colored like the twilight moon, and spreading like a cloud!
-
- ’Tis the time o’ the year, in early light and glad,
- The lark has a music to drive a lover mad;
- The downs are dripping nightly, the breathèd damps arise,
- Deliciously the freshets cool the grayling’s golden eyes,
- And lying in a row against the chilly north, the sheep
- Inclose a place without a wind for tender lambs to sleep.
-
- ’Tis the time o’ the year I turn upon the height
- To watch from my harrow the dance of going light;
- And if before the sun be hid, come slowly up the vale
- Honora with her dimpled throat, Honora with her pail,
- Hey, but there ’s many a March for me, and many and many a lass!
- I fall to work and song again, and let Honora pass.
-
-[Illustration]
-
-
-
-
-_The Japanese Anemone_
-
-
- ALL summer the breath of the roses around
- Exhales with a delicate, passionate sound;
- And when from a trellis, in holiday places,
- They croon and cajole, with their slumberous faces,
- A lad in the lane must slacken his paces.
-
- Fragrance of these is a voice in a bower:
- But low by the wall is my odorless flower,
- So pure, so controlled, not a fume is above her,
- That poet or bee should delay there and hover;
- For she is a silence, and therefore I love her.
-
- And never a mortal by morn or midnight
- Is called to her hid little house of delight;
- And she keeps from the wind, on his pillages olden,
- Upon a true stalk in rough weather upholden,
- Her winter-white gourd with the hollow moon-golden.
-
- While ardors of roses contend and increase,
- Methinks she has found how noble is peace,
- Like a spirit besought from the world to dissever,
- Not absent to men, tho’ resumed by the Giver,
- And dead long ago, being lovely for ever.
-
-[Illustration]
-
-
-
-
-_Tryste Noel_
-
-
- THE Ox he openeth wide the Doore
- And from the Snowe he calls her inne,
- And he hath seen her Smile therefore,
- Our Ladye without Sinne.
- Now soone from Sleepe
- A Starre shall leap,
- And soone arrive both King and Hinde;
- _Amen, Amen_:
- But O, the place co’d I but finde!
-
- The Ox hath husht his voyce and bent
- Trewe eyes of Pitty ore the Mow,
- And on his lovelie Neck, forspent,
- The Blessed lays her Browe.
- Around her feet
- Full Warme and Sweete
- His bowerie Breath doth meeklie dwell;
- _Amen, Amen_:
- But sore am I with Vaine Travèl!
-
- The Ox is host in Juda’s stall,
- And Host of more than onelie one,
- For close she gathereth withal
- Our Lorde her littel Sonne.
- Glad Hinde and King
- Their Gyfte may bring
- But wo’d to-night my Teares were there,
- _Amen, Amen_:
- Between her Bosom and His hayre!
-
-[Illustration]
-
-
-
-
-_A Talisman_
-
-
- TAKE Temperance to thy breast,
- While yet is the hour of choosing,
- As arbitress exquisite
- Of all that shall thee betide;
- For better than fortune’s best
- Is mastery in the using,
- And sweeter than anything sweet
- The art to lay it aside!
-
-[Illustration]
-
-
-
-
-_Heathenesse_
-
-
- NO round boy-satyr, racing from the mere,
- Shakes on the mountain-lawn his dripping head
- This many a May, your sister being dead,
- Ye Christian folk! your sister great and dear.
- To breathe her name, to think how sad-sincere
- Was all her searching, straying, dreaming, dread,
- How of her natural night was Plato bred,
- A star to keep the ways of honor clear,
- Who will not sigh for her? who can forget
- Not only unto campèd Israel,
- Nor martyr-maids that as a bridegroom met
- The Roman lion’s roar, salvation fell?
- To Him be most of praise that He is yet
- Your God thro’ gods not inaccessible.
-
-[Illustration]
-
-
-
-
-_For Izaak Walton_
-
-
- WHAT trout shall coax the rod of yore
- In Itchen stream to dip?
- What lover of her banks restore
- That sweet Socratic lip?
- Old fishing and wishing
- Are over many a year.
- O hush thee, O hush thee! heart innocent and dear.
-
- Again the foamy shallows fill,
- The quiet clouds amass,
- And soft as bees by Catherine Hill
- At dawn the anglers pass,
- And follow the hollow,
- In boughs to disappear.
- O hush thee, O hush thee! heart innocent and dear.
-
- Nay, rise not now, nor with them take
- One silver-freckled fool!
- Thy sons to-day bring each an ache
- For ancient arts to cool.
- But, father, lie rather
- Unhurt and idle near;
- O hush thee, O hush thee! heart innocent and dear.
-
- While thought of thee to men is yet
- A sylvan playfellow,
- Ne’er by thy marble they forget
- In pious cheer to go.
- As air falls, the prayer falls
- O’er kingly Winchester:
- O hush thee, O hush thee! heart innocent and dear.
-
-[Illustration]
-
-
-
-
-_Sherman: “An Horatian Ode”_
-
-
- THIS was the truest man of men,
- The early-armored citizen,
- Who had, with most of sight,
- Most passion for the right;
-
- Who first forecasting treason’s scope
- Able to sap the Founders’ hope,
- First to the laic arm
- Cried ultimate alarm;
-
- Who bent upon his guns the while
- A misconceived and aching smile,
- And felt, thro’ havoc’s part,
- A torment of the heart,
-
- Sure, when he cut the moated South
- From Shiloh to Savannah’s mouth,
- Braved grandly to the end,
- To conquer like a friend;
-
- In whom the Commonwealth withstood
- Again the Carolinian blood,
- The beautiful proud line
- Beneath an evil sign,
-
- And taught his foes and doubters still
- How fatal is a good man’s will,
- That like a sun or sod
- Thinks not itself, but God!
-
- Many the captains of our wrath
- Sought thus the pious civic path,
- Knowing in what a land
- Their destiny was planned,
-
- And after, with a forward sense,
- A simple Roman excellence,
- Pledge in their spirit bore
- That war should be no more.
-
- Thrice Roman he, who saw the shock
- (Calm as a weather-wrinkled rock,)
- Roll in the Georgian fen;
- And steadfast aye as then
-
- In plenitude of old control
- That asked, secure of his own soul,
- No pardon and no aid,
- If clear his way were made,
-
- Would have nor seat nor bays, nor bring
- The Cæsar in him to be king,
- But with abstracted ear
- Rode pleased without a cheer.
-
- Now he declines from peace and age,
- And home, his triple heritage,
- The last and dearest head
- Of all our perfect dead,
-
- O what if sorrow cannot reach
- Far in the shallow fords of speech,
- But leads us silent round
- The sad Missouri ground,
-
- Where on her hero Freedom lays
- The scroll and blazon of her praise,
- And bids to him belong
- Arms trailing, and a song,
-
- And broken flags with ruined dyes
- (Bright once in young and dying eyes),
- Against the morn to shake
- For love’s familiar sake?
-
- The blessèd broken flags unfurled
- Above a healed and happier world!
- There let them droop, and be
- His tent of victory;
-
- There, in each year’s auguster light,
- Lean in, and loose their red and white,
- Like apple-blossoms strewn
- Upon his burial-stone.
-
- For nothing more, the ages thro’,
- Can nature or the nation do
- For him who helped retrieve
- Our life, as we believe,
-
- Save that we also, trooping by
- In sound yet of his battle-cry,
- Safeguard with general mind
- Our pact as brothers kind,
-
- And, ever nearer to our star,
- Adore indeed not what we are,
- But wise reprovings hold
- Thankworthier than gold;
-
- And bear in faith and rapture such
- As can eternal issues touch,
- Whole from the final field,
- Our father Sherman’s shield.
-
-[Illustration]
-
-
-
-
-_When on the Marge of Evening_
-
-
- WHEN on the marge of evening the last blue light is broken,
- And winds of dreamy odor are loosened from afar,
- Or when my lattice opens, before the lark has spoken,
- On dim laburnum-blossoms, and morning’s dying star,
-
- I think of thee, (O mine the more if other eyes be sleeping!)
- Whose great and noonday splendor the many share and see,
- While sacred and forever, some perfect law is keeping
- The late and early twilight alone and sweet for me.
-
-[Illustration]
-
-
-
-
-_Rooks in New College Gardens_
-
-
- THRO’ rosy cloud, and over thorny towers,
- Their wings with all the autumn distance filled,
- From Isis’ valley border hundred-hilled,
- The rooks are crowding home as evening lowers:
- Not for men only and their musing hours,
- By battled walls did gracious Wykeham build
- These dewy spaces early sown and stilled,
- These dearest inland melancholy bowers.
-
- Blest birds! A book held open on the knee
- Below, is all they know of Adam’s blight:
- With surer art the while, and simpler rite,
- They follow Truth in some monastic tree,
- Where breathe against their innocent breasts by night
- The scholar’s star, the star of sanctity.
-
-[Illustration]
-
-
-
-
-_Open, Time_
-
-
- OPEN, Time, and let him pass
- Shortly where his feet would be!
- Like a leaf at Michaelmas
- Swooning from the tree,
-
- Ere its hour the manly mind
- Trembles in a sure decrease,
- Nor the body now can find
- Any hold on peace.
-
- Take him, weak and overworn;
- Fold about his dying dream
- Boyhood, and the April morn,
- And the rolling stream:
-
- Weather on a sunny ridge,
- Showery weather, far from here;
- Under some deep-ivied bridge,
- Water rushing clear:
-
- Water quick to cross and part,
- (Golden light on silver sound),
- Weather that was next his heart
- All the world around!
-
- Soon upon his vision break
- These, in their remembered blue;
- He shall toil no more, but wake
- Young, in air he knew.
-
- He has done with roofs and men.
- Open, Time, and let him pass,
- Vague and innocent again,
- Into country grass.
-
-[Illustration]
-
-
-
-
-_The Knight Errant (Donatello’s Saint George)_
-
-
- SPIRITS of old that bore me,
- And set me, meek of mind,
- Between great dreams before me,
- And deeds as great behind,
- Knowing humanity my star
- As first abroad I ride,
- Shall help me wear, with every scar,
- Honor at eventide.
-
- Let claws of lightning clutch me
- From summer’s groaning cloud,
- Or ever malice touch me,
- And glory make me proud.
- O give my youth, my faith, my sword,
- Choice of the heart’s desire:
- A short life in the saddle, Lord!
- Not long life by the fire.
-
- Forethought and recollection
- Rivet mine armor gay!
- The passion for perfection
- Redeem my failing way!
- The arrows of the tragic time
- From sudden ambush cast,
- With calm angelic touches ope
- My Paradise at last!
-
- I fear no breathing bowman,
- But only, east and west,
- The awful other foeman
- Impowered in my breast.
- The outer fray in the sun shall be,
- The inner beneath the moon;
- And may Our Lady lend to me
- Sight of the Dragon soon!
-
-[Illustration]
-
-
-
-
-_To a Dog’s Memory_
-
-
- THE gusty morns are here,
- When all the reeds ride low with level spear;
- And on such nights as lured us far of yore,
- Down rocky alleys yet, and thro’ the pine,
- The Hound-star and the pagan Hunter shine:
- But I and thou, ah, field-fellow of mine,
- Together roam no more.
-
- Soft showers go laden now
- With odors of the sappy orchard-bough,
- And brooks begin to brawl along the march;
- The late frost steams from hollow sedges high;
- The finch is come, the flame-blue dragon-fly,
- The cowslip’s common gold that children spy,
- The plume upon the larch.
-
- There is a music fills
- The oaks of Belmont and the Wayland hills
- Southward to Dewing’s little bubbly stream,
- The heavenly weather’s call! Oh, who alive
- Hastes not to start, delays not to arrive,
- Having free feet that never felt a gyve
- Weigh, even in a dream?
-
- But thou, instead, hast found
- The sunless April uplands underground,
- And still, wherever thou art, I must be.
- My beautiful! arise in might and mirth,
- For we were tameless travellers from our birth;
- Arise against thy narrow door of earth,
- And keep the watch for me.
-
-[Illustration]
-
-
-
-
-_A Seventeenth-Century Song_
-
-
- SHE alone of Shepherdesses
- With her blue disdayning eyes,
- Wo’d not hark a Kyng that dresses
- All his lute in sighes:
- Yet to winne
- Katheryn,
- I elect for mine Emprise.
-
- None is like her, none above her,
- Who so lifts my youth in me,
- That a littel more to love her
- Were to leave her free!
- But to winne
- Katheryn,
- Is mine utmost love’s degree.
-
- Distaunce, cold, delay, and danger,
- Build the four walles of her bower;
- She ’s noe Sweete for any stranger,
- She ’s noe valley flower:
- And to winne
- Katheryn,
- To her height my heart can Tower!
-
- Uppe to Beautie’s promontory
- I will climb, nor loudlie call
- Perfect and escaping glory
- Folly, if I fall:
- Well to winne
- Katheryn!
- To be worth her is my all.
-
-[Illustration]
-
-
-
-
-_On the Pre-Reformation Churches about Oxford_
-
-
-I
-
- IMPERIAL Iffley, Cumnor bowered in green,
- And Templar Sandford in the boatman’s call,
- And sweet-belled Appleton, and Wytham wall
- That doth upon adoring ivies lean;
- Meek Binsey; Dorchester where streams convene
- Bidding on graves her solemn shadow fall;
- Clear Cassington that soars perpetual;
- Holton and Hampton, and ye towers between:
- If one of all in your sad courts that come,
- Belovèd and disparted! be your own,
- Kin to the souls ye had, while time endures,
- Known to each exiled, each estrangèd stone
- Home in the quarries of old Christendom,--
- Ah, mark him: he will lay his cheek to yours.
-
-
-II
-
- Is this the end? is this the pilgrim’s day
- For dread, for dereliction, and for tears?
- Rather, from grass and air and many spheres
- In prophecy his spirit sinks away;
- And under English eaves, more still than they,
- Far-off, incoming, wonderful, he hears
- The long-arrested and believing years
- Carry the sea-wall! Shall he, sighing, say,
- “Farewell to Faith, for she is dead at best
- Who had such beauty”? or with kisses lain
- For witness on her darkened doors, go by
- With a new psalm: “O banished light so nigh!
- Of them was I who bore thee and who blest;
- Even here remember me when thou shalt reign.”
-
-[Illustration]
-
-
-
-
-_The Still of the Year_
-
-
- UP from the willow-root
- Subduing agonies leap;
- The squirrel and the purple moth
- Turn over amid their sleep;
- The icicled rocks aloft
- Burn saffron and blue alway,
- And trickling and tinkling
- The snows of the drift decay.
- O mine is the head must hang
- And share the immortal pang!
- Winter or spring is fair;
- Thaw ’s hard to bear.
- Heigho! my heart ’s sick.
-
- Sweet is cherry-time, sweet
- A shower, a bobolink,
- And the little trillium-blossom
- Tucked under her leaf to think;
- But here in the vast unborn
- Is the bitterest place to be,
- Till striving and longing
- Shall quicken the earth and me.
- What change inscrutable
- Is nigh us, we know not well;
- Gone is the strength to sigh
- Either to live or die.
- Heigho! my heart ’s sick.
-
-[Illustration]
-
-
-
-
-_A Foot-note to a Famous Lyric_
-
-
- TRUE love’s own talisman, which here
- Shakespeare and Sidney failed to teach,
- A steel-and-velvet Cavalier
- Gave to our Saxon speech:
-
- Chief miracle of theme and touch
- That upstart enviers adore:
- _I could not love thee, dear, so much,
- Loved I not Honour more_.
-
- No critic born since Charles was king
- But sighed in smiling, as he read:
- “Here ’s theft of the supremest thing
- A poet might have said!”
-
- Young knight and wit and beau, who won
- Mid war’s adventure, ladies’ praise,
- Was’t well of you, ere you had done,
- To blight our modern bays?
-
- O yet to you, whose random hand
- Struck from the dark whole gems like these,
- Archaic beauty, never planned
- Nor reared by wan degrees,
-
- Which leaves an artist poor, and art
- An earldom richer all her years;
- To you, dead on your shield apart,
- Be “Ave!” passed in tears.
-
- How shall this singing era spurn
- Her master, and in lauds be loath?
- Your worth, your work, bid us discern
- Light exquisite in both.
-
- ’T was virtue’s breath inflamed your lyre,
- Heroic from the heart it ran;
- Nor for the shedding of such fire
- Lives since a manlier man.
-
- And till your strophe sweet and bold
- So lovely aye, so lonely long,
- Love’s self outdo, dear Lovelace! hold
- The pinnacles of song.
-
-[Illustration]
-
-
-
-
-_T. W. P. 1819-1892_
-
-
- FRIEND who hast gone, and dost enrich to-day
- New England brightly building far away,
- And crown her liberal walk
- With company more choice, and sweeter talk,
-
- Look not on Fame, but Peace; and in a bower
- Receive at last her fulness and her power:
- Nor wholly, pure of heart!
- Forget thy few, who would be where thou art.
-
-[Illustration]
-
-
-
-
-_Summum Bonum_
-
-
- WAITING on Him who knows us and our need,
- Most need have we to dare not, nor desire,
- But as He giveth, softly to suspire
- Against His gift, with no inglorious greed,
- For this is joy, tho’ still our joys recede;
- And, as in octaves of a noble lyre,
- To move our minds with His, and clearer, higher,
- Sound forth our fate; for this is strength indeed.
-
- Thanks to His love let earth and man dispense
- In smoke of worship when the heart is stillest,
- A praying more than prayer: “Great good have I,
- Till it be greater good to lay it by;
- Nor can I lose peace, power, permanence,
- For these smile on me from the thing Thou willest!”
-
-[Illustration]
-
-
-
-
-_Saint Florent-le-Vieil_
-
-
- THE spacious open vale, the vale of doom,
- Is full of autumn sunset; blue and strong
- The semicirque of water sweeps among
- Her lofty acres, each a martyr’s tomb;
- And slowly, slowly, melt into the gloom
- Two little idling clouds, that look for long
- Like roseleaf bodies of two babes in song
- Correggio left to flush a convent room.
-
- Dear hill deflowered in the frantic war!
- In my day, rather, have I seen thee blest
- With pastoral roofs to break the darker crest
- Of apple-woods by many-islèd Loire,
- And fires that still suffuse the lower west,
- Blanching the beauty of thine evening star.
-
-[Illustration]
-
-
-
-
-_Hylas_
-
-
- JAR in arm, they bade him rove
- Thro’ the alder’s long alcove,
- Where the hid spring musically
- Gushes to the ample valley.
- (There ’s a bird on the under bough
- Fluting evermore and now:
- “Keep--young!” but who knows how?)
-
- Down the woodland corridor,
- Odors deepened more and more;
- Blossomed dogwood, in the briers,
- Struck her faint delicious fires;
- Miles of April passed between
- Crevices of closing green,
- And the moth, the violet-lover,
- By the wellside saw him hover.
-
- Ah, the slippery sylvan dark!
- Never after shall he mark
- Noisy ploughmen drinking, drinking,
- On his drownèd cheek down-sinking;
- Quit of serving is that wild,
- Absent, and bewitchèd child,
- Unto action, age, and danger,
- Thrice a thousand years a stranger.
-
- Fathoms low, the naiads sing
- In a birthday welcoming;
- Water-white their breasts, and o’er him,
- Water-gray, their eyes adore him.
- (There ’s a bird on the under bough
- Fluting evermore and now:
- “Keep--young!” but who knows how?)
-
-[Illustration]
-
-
-
-
-_Nocturne_
-
-
- THE sun that hurt his lovers from on high
- Is fallen; she more merciful is nigh,
- The blessèd one whose beauty’s even glow
- Gave never wound to any shepherd’s eye.
- Above our pausing boat in shallows drifted,
- Alone her plaintive form ascends the sky.
-
- O sing! the water-golds are deepening now,
- A hush is come upon the beechen bough;
- She shines the while on thee, as saint to saint
- Sweet interchanged adorings may allow:
- Sing, dearest, with that lily throat uplifted;
- They are so like, the holy Moon and thou!
-
-[Illustration]
-
-
-
-
-_The Kings_
-
-
- A MAN said unto his angel:
- “My spirits are fallen thro’,
- And I cannot carry this battle,
- O brother! what shall I do?
-
- “The terrible Kings are on me,
- With spears that are deadly bright,
- Against me so from the cradle
- Do fate and my fathers fight.”
-
- Then said to the man his angel:
- “Thou wavering, foolish soul,
- Back to the ranks! What matter
- To win or to lose the whole,
-
- “As judged by the little judges
- Who hearken not well, nor see?
- Not thus, by the outer issue,
- The Wise shall interpret thee.
-
- “Thy will is the very, the only,
- The solemn event of things;
- The weakest of hearts defying
- Is stronger than all these Kings.
-
- “Tho’ out of the past they gather,
- Mind’s Doubt and Bodily Pain,
- And pallid Thirst of the Spirit
- That is kin to the other twain,
-
- “And Grief, in a cloud of banners,
- And ringletted Vain Desires,
- And Vice, with the spoils upon him
- Of thee and thy beaten sires,
-
- “While Kings of eternal evil
- Yet darken the hills about,
- Thy part is with broken sabre
- To rise on the last redoubt;
-
- “To fear not sensible failure,
- Nor covet the game at all,
- But fighting, fighting, fighting,
- Die, driven against the wall!”
-
-
-
-
-ALEXANDRIANA
-
-
-
-
-_Alexandriana_
-
-
-I
-
- I LAID the strewings, sweetest, on thine urn;
- I lowered the torch, I poured the cup to Dis.
- Now hushaby, my little child, and learn
- Long sleep how good it is.
-
- In vain thy mother prays, wayfaring hence,
- Peace to her heart, where only heartaches dwell;
- But thou more blest, O wild intelligence!
- Forget her, and Farewell.
-
-
-II
-
- Gentle Grecian passing by,
- Father of thy peace am I:
- Wouldst thou now, in memory,
- Give a soldier’s flower to me,
- Choose the flag I named of yore
- Beautiful Worth-dying-for,
- That shall wither not, but wave
- All the year above my grave.
-
-
-III
-
- Light thou hast of the moon,
- Shade of the dammar-pine,
- Here on thy hillside bed;
- Fair befall thee, O fair
- Lily of womanhood,
- Patient long, and at last
- Here on thy hillside bed,
- Happier: ah, Blæsilla!
-
-
-IV
-
- Two white heads the grasses cover:
- Dorcas, and her lifelong lover.
- While they graced their country closes
- Simply as the brooks and roses,
- Where was lot so poor, so trodden,
- But they cheered it of a sudden?
- Fifty years at home together,
- Hand in hand, they went elsewhither,
- Then first leaving hearts behind
- Comfortless. Be thou as kind.
-
-
-V
-
- Upon thy level tomb, till windy winter dawn,
- The fallen leaves delay;
- But plain and pure their trace is, when themselves are torn
- From delicate frost away.
-
- As here to transient frost the absent leaf is, such
- Thou wert and art to me:
- So on my passing life is thy long-passèd touch,
- O dear Alcithoë!
-
-
-VI
-
- Hail, and be of comfort, thou pious Xeno,
- Late the urn of many a kinsman wreathing;
- On thine own shall even the stranger offer
- Plentiful myrtle.
-
-
-VII
-
- Here lies one in the earth who scarce of the earth was moulded,
- Wise Æthalides’ son, himself no lover of study,
- Cnopus, asleep, indoors: the young invincible runner.
- They from the cliff footpath that see on the grave we made him,
- Tameless, slant in the wind, the bare and beautiful iris,
- Stop short, full of delight, and shout forth: “See, it is Cnopus
- Runs, with white throat forward, over the sands to Chalcis!”
-
-
-VIII
-
- Ere the Ferryman from the coast of spirits
- Turn the diligent oar that brought thee thither,
- Soul, remember: and leave a kiss upon it
- For thy desolate father, for thy sister,
- Whichsoever be first to cross hereafter.
-
-
-IX
-
- Jaffa ended, Cos begun
- Thee, Aristeus. Thou wert one
- Fit to trample out the sun:
- Who shall think thine ardors are
- But a cinder in a jar?
-
-
-X
-
- Me, deep-tressèd meadows, take to your loyal keeping,
- Hard by the swish of sickles ever in Aulon sleeping,
- Philophron, old and tired, and glad to be done with reaping!
-
-
-XI
-
- As wind that wasteth the unmarried rose,
- And mars the golden breakers in the bay,
- Hurtful and sweet from heaven forever blows
- Sad thought that roughens all our quiet day;
-
- And elder poets envy while they weep
- Ion, whom first the gods to covert brought,
- Here under inland olives laid asleep,
- Most wise, most happy, having done with thought.
-
-
-XII
-
- Cows in the narrowing August marshes,
- Cows in a stretch of water
- Motionless,
- Neck on neck overlapped and drooping;
-
- These in their troubled and dumb communion,
- Thou on the steep bank yonder,
- Pastora!
- No more ever to lead and love them,
-
- No more ever. Thine innocent mourners
- Pass thy tree in the evening
- Heavily,
- Hearing another herd-girl calling.
-
-
-XIII
-
- Praise thou the Mighty Mother for what is wrought, not me,
- A nameless nothing-caring head asleep against her knee.
-
-
-
-
-LONDON:
-
-TWELVE SONNETS
-
-
-
-
-_On First Entering Westminster Abbey_
-
-
- THABOR of England! since my light is short
- And faint, O rather by the sun anew
- Of timeless passion set my dial true,
- That with thy saints and thee I may consort,
- And wafted in the calm Chaucerian port
- Of poets, seem a little sail long due,
- And be as one the call of memory drew
- Unto the saddle void since Agincourt!
-
- Not now for secular love’s unquiet lease
- Receive my soul, who rapt in thee erewhile
- Hath broken tryst with transitory things;
- But seal with her a marriage and a peace
- Eternal, on thine Edward’s holy isle,
- Above the stormy sea of ended kings.
-
-[Illustration]
-
-
-
-
-_Fog_
-
-
- LIKE bodiless water passing in a sigh,
- Thro’ palsied streets the fatal shadows flow,
- And in their sharp disastrous undertow
- Suck in the morning sun, and all the sky.
- The towery vista sinks upon the eye,
- As if it heard the Hebrew bugles blow,
- Black and dissolved; nor could the founders know
- How what was built so bright should daily die.
-
- Thy mood with man’s is broken and blent in,
- City of Stains! and ache of thought doth drown
- The primitive light in which thy life began;
- Great as thy dole is, smirchèd with his sin,
- Greater and elder yet the love of man
- Full in thy look, tho’ the dark visor ’s down.
-
-[Illustration]
-
-
-
-
-_St. Peter-ad-Vincula_
-
-
- TOO well I know, pacing the place of awe,
- Three queens, young save in trouble, moulder by;
- More in his halo, Monmouth’s mocking eye,
- The eagle Essex in a harpy’s claw;
- Seymour and Dudley, and stout heads that saw
- Sundown of Scotland: how with treasons lie
- White martyrdoms; rank in a company
- Breaker and builder of the eternal law.
-
- Oft as I come, the hateful garden-row
- Of ruined roses hanging from the stem,
- Where winds of old defeat yet batter them,
- Infects me: suddenly must I depart,
- Ere thought of men’s injustice then and now
- Add to these aisles one other broken heart.
-
-[Illustration]
-
-
-
-
-_Strikers in Hyde Park_
-
-
- A WOOF reversed the fatal shuttles weave,
- How slow! but never once they slip the thread.
- Hither, upon the Georgian idlers’ tread,
- Up spacious ways the lindens interleave,
- Clouding the royal air since yester-eve,
- Come men bereft of time and scant of bread,
- Loud, who were dumb, immortal, who were dead,
- Thro’ the cowed world their kingdom to retrieve.
-
- What ails thee, England? Altar, mart, and grange
- Dream of the knife by night; not so, not so
- The clear Republic waits the general throe,
- Along her noonday mountains’ open range.
- God be with both! for one is young to know
- The other’s rote of evil and of change.
-
-[Illustration]
-
-
-
-
-_Changes in the Temple_
-
-
- THE cry is at thy gates, thou darling ground,
- Again; for oft ere now thy children went
- Beggared and wroth, and parting greeting sent
- Some red old alley with a dial crowned;
- Some house of honor, in a glory bound
- With lives and deaths of spirits excellent;
- Some tree rude-taken from his kingly tent
- Hard by a little fountain’s friendly sound.
-
- O for Virginius’ hand, if only that
- Maintain the whole, and spoil these spoilings soon!
- Better the scowling Strand should lose, alas,
- Her peopled oasis, and where it was
- All mournful in the cleared quadrangle sat
- Echo, and ivy, and the loitering moon.
-
-[Illustration]
-
-
-
-
-_The Lights of London_
-
-
- THE evenfall, so slow on hills, hath shot
- Far down into the valley’s cold extreme,
- Untimely midnight; spire and roof and stream
- Like fleeing spectres, shudder and are not.
- The Hampstead hollies, from their sylvan plot
- Yet cloudless, lean to watch as in a dream,
- From chaos climb with many a sudden gleam,
- London, one moment fallen and forgot.
-
- Her booths begin to flare; and gases bright
- Prick door and window; all her streets obscure
- Sparkle and swarm with nothing true nor sure,
- Full as a marsh of mist and winking light;
- Heaven thickens over, Heaven that cannot cure
- Her tear by day, her fevered smile by night.
-
-[Illustration]
-
-
-
-
-_Doves_
-
-
- AH, if man’s boast and man’s advance be vain,
- And yonder bells of Bow, loud-echoing home,
- And the lone Tree foreknow it, and the Dome,
- The monstrous island of the middle main;
- If each inheritor must sink again
- Under his sires, as falleth where it clomb
- Back on the gone wave the disheartened foam?--
- I crossed Cheapside, and this was in my brain.
-
- What folly lies in forecasts and in fears!
- Like a wide laughter sweet and opportune,
- Wet from the fount, three hundred doves of Paul’s
- Shook their warm wings, drizzling the golden noon,
- And in their rain-cloud vanished up the walls.
- “God keeps,” I said, “our little flock of years.”
-
-[Illustration]
-
-
-
-
-_In the Reading-Room of the British Museum_
-
-
- PRAISED be the moon of books! that doth above
- A world of men, the fallen Past behold,
- And fill the spaces else so void and cold
- To make a very heaven again thereof;
- As when the sun is set behind a grove,
- And faintly unto nether ether rolled,
- All night his whiter image and his mould
- Grows beautiful with looking on her love.
-
- Thou therefore, moon of so divine a ray,
- Lend to our steps both fortitude and light!
- Feebly along a venerable way
- They climb the infinite, or perish quite;
- Nothing are days and deeds to such as they,
- While in this liberal house thy face is bright.
-
-[Illustration]
-
-
-
-
-_Sunday Chimes in the City_
-
-
- ACROSS the bridge, where in the morning blow
- The wrinkled tide turns homeward, and is fain
- Homeward to drag the black sea-goer’s chain,
- And the long yards by Dowgate dipping low;
- Across dispeopled ways, patient and slow,
- Saint Magnus and Saint Dunstan call in vain:
- From Wren’s forgotten belfries, in the rain,
- Down the blank wharves the dropping octaves go.
-
- Forbid not these! Tho’ no man heed, they shower
- A subtle beauty on the empty hour,
- From all their dark throats aching and outblown;
- Aye in the prayerless places welcome most,
- Like the last gull that up a naked coast
- Deploys her white and steady wing, alone.
-
-[Illustration]
-
-
-
-
-_A Porch in Belgravia_
-
-
- WHEN, after dawn, the lordly houses hide
- Till you fall foul of it, some piteous guest,
- Some girl the damp stones gather to their breast,
- Her gold hair rough, her rebel garment wide,
- Who sleeps, with all that luck and life denied
- Camped round, and dreams how seaward and southwest
- Blue over Devon farms the smoke-rings rest,
- And sheep and lambs ascend the lit hillside,
-
- Dear, of your charity, speak low, step soft,
- Pray for a sinner. Planet-like and still,
- Best hearts of all are sometimes set aloft
- Only to see and pass, nor yet deplore
- Even Wrong itself, crowned Wrong inscrutable,
- Which cannot not have been for evermore.
-
-[Illustration]
-
-
-
-
-_York Stairs_
-
-
- MANY a musing eye returns to thee,
- Against the lurid street disconsolate,
- Who kept in green domains thy bridal state,
- With young tide-waters leaping at thy knee;
- And lest the ravening smoke, and enmity,
- Corrode thee quite, thy lover sighs, and straight
- Desires thee safe afar, too graceful gate!
- Throned on a terrace of the Boboli.
-
- Nay, nay, thy use is here. Stand queenly thus
- Till the next fury; teach the time and us
- Leisure and will to draw a serious breath:
- Not wholly where thou art the soul is cowed,
- Nor the fooled capital proclaims aloud
- Barter is god, while Beauty perisheth.
-
-[Illustration]
-
-
-
-
-_In the Docks_
-
-
- WHERE the bales thunder till the day is done,
- And the wild sounds with wilder odors cope;
- Where over crouching sail and coiling rope,
- Lascar and Moor along the gangway run;
- Where stifled Thames spreads in the pallid sun,
- A hive of anarchy from slope to slope;
- Flag of my birth, my liberty, my hope,
- I see thee at the masthead, joyous one!
-
- O thou good guest! So oft as, young and warm,
- To the home-wind thy hoisted colors bound,
- Away, away from this too thoughtful ground,
- Sated with human trespass and despair,
- Thee only, from the desert, from the storm,
- A sick mind follows into Eden air.
-
-
-
-***END OF THE PROJECT GUTENBERG EBOOK A ROADSIDE HARP***
-
-
-******* This file should be named 54822-0.txt or 54822-0.zip *******
-
-
-This and all associated files of various formats will be found in:
-http://www.gutenberg.org/dirs/5/4/8/2/54822
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-