summaryrefslogtreecommitdiff
path: root/old/54712-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/54712-0.txt')
-rw-r--r--old/54712-0.txt1659
1 files changed, 0 insertions, 1659 deletions
diff --git a/old/54712-0.txt b/old/54712-0.txt
deleted file mode 100644
index 43476ff..0000000
--- a/old/54712-0.txt
+++ /dev/null
@@ -1,1659 +0,0 @@
-The Project Gutenberg EBook of The Irish Penny Journal, Vol. 1 No. 30,
-January 23, 1841, by Various
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: The Irish Penny Journal, Vol. 1 No. 30, January 23, 1841
-
-Author: Various
-
-Release Date: May 12, 2017 [EBook #54712]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK IRISH PENNY JOURNAL, JAN 23, 1841 ***
-
-
-
-
-Produced by Brownfox and the Online Distributed Proofreading
-Team at http://www.pgdp.net (This file was produced from
-images generously made available by JSTOR www.jstor.org)
-
-
-
-
-
-
-
-
-
-
- THE IRISH PENNY JOURNAL.
-
- NUMBER 30. SATURDAY, JANUARY 23, 1841. VOLUME I.
-
-[Illustration: THE CASTLE OF MONEA, COUNTY OF FERMANAGH.]
-
-The Castle of Monea or Castletown-Monea--properly _Magh an fhiaidh_, i.e.
-the plain of the deer--is situated in the parish of Devinish, county
-of Fermanagh, and about five miles north-west of Enniskillen. Like the
-Castle of Tully, in the same county, of which we gave a view in a recent
-number, this castle affords a good example of the class of castellated
-residences erected on the great plantation of Ulster by the British and
-Scottish undertakers, in obedience to the fourth article concerning the
-English and Scottish undertakers, who “are to plant their portions with
-English and inland-Scottish tenants,” which was imposed upon them by
-“the orders and conditions to be observed by the undertakers upon the
-distribution and plantation of the escheated lands in Ulster,” in 1608.
-By this article it was provided that “every undertaker of the _greatest
-proportion_ of two thousand acres shall, within two years after the date
-of his letters patent, build thereupon a castle, with a strong court or
-bawn about it; and every undertaker of the second or _middle proportion_
-of fifteen hundred acres shall within the same time build a stone or
-brick house thereupon, with a strong court or bawn about it. And every
-undertaker of the _least proportion_ of one thousand acres shall within
-the same time make thereupon a strong court or bawn at least; and all the
-said undertakers shall cause their tenants to build houses for themselves
-and their families, near the principal castle, house, or bawn, for their
-mutual defence or strength,” &c.
-
-Such was the origin of most of the castles and villages now existing in
-the six escheated counties of Ulster--historical memorials of a vast
-political movement--and among the rest this of Monea, which was the
-castle of the _middle proportion_ of Dirrinefogher, of which Sir Robert
-Hamilton was the first patentee.
-
-From Pynnar’s Survey of Ulster, made in 1618-19, it appears that this
-proportion had at that time passed into the possession of Malcolm
-Hamilton (who was afterwards archbishop of Cashel), by whom the castle
-was erected, though the bawn, as prescribed by the conditions, was not
-added till some years later. He says,
-
- “Upon this proportion there is a strong castle of lime and
- stone, being fifty-four feet long and twenty feet broad, but
- hath no bawn unto it, nor any other defence for the succouring
- or relieving of his tenants.”
-
-From an inquisition taken at Monea in 1630, we find, however, that this
-want was soon after supplied, and that the castle, which was fifty feet
-in height, was surrounded by a wall nine feet in height and three hundred
-in circuit.
-
-The Malcolm Hamilton noticed by Pynnar as possessor of “the middle
-proportion of Dirrinefogher,” subsequently held the rectory of Devenish,
-which he retained _in commendam_ with his archbishopric till his death
-in 1629. The proportion of Dirrinefogher, however, with its castle,
-was escheated to the crown in 1630; and shortly after, the old chapel
-of Monea was converted into a parish church, the original church being
-inconveniently situated on an island of Lough Erne.
-
-Monea Castle served as a chief place of refuge to the English and
-Scottish settlers of the vicinity during the rebellion of 1641, and,
-like the Castle of Tully, it has its tales of horror recorded in story;
-but we shall not uselessly drag them to light. The village of Monea is
-an inconsiderable one, but there are several gentlemen’s seats in its
-neighbourhood, and the scenery around it is of great richness and beauty.
-
- P.
-
-
-
-
-ON THE SUBJUGATION OF ANIMALS BY MEANS OF CHARMS, INCANTATIONS, OR DRUGS.
-
-FIRST ARTICLE.
-
-ON SERPENT-CHARMING, AS PRACTISED BY THE JUGGLERS OF ASIA.
-
-
-Many of my readers will doubtless recollect that in a paper on “Animal
-Taming,” which appeared some weeks back in the pages of this Journal, I
-alluded slightly to the _charming_ of animals, or _taming_ them by spells
-or drugs. It is now my purpose to enter more fully upon this subject,
-and present my readers with a brief notice of what I have been able to
-glean respecting it, as well from the published accounts of remarkable
-travellers, as from oral descriptions received from personal friends
-of my own, who had opportunities of being eye witnesses to many of the
-practices to which I refer.
-
-The most remarkable, and also the most ancient description of
-animal-charming with which we are acquainted, is that which consists in
-calling the venomous serpents from their holes, quelling their fury, and
-allaying their irritation, by means of certain charms, amongst which
-music stands forth in the most prominent position, though, whether it
-really is worthy of the first place as an actual agent, or is only thus
-put forward to cover that on which the true secret depends, is by no
-means perfectly clear.
-
-Even in scripture we find the practice of serpent-charming noticed,
-and by no means as a novelty; in the 58th Psalm we are told that the
-wicked are like the “deaf adder that stoppeth her ear, which hearkeneth
-not unto the voice of the charmer, charm he never so wisely!” And in
-the book of Jeremiah, chap. viii, the disobedient people are thus
-threatened--“Behold, I will send serpents, cockatrices, among you, which
-will not be _charmed_.” These are two very remarkable passages, and I
-think we may, without going too far, set down as snake-charmers the
-Egyptian magi who contended against Moses and Aaron before the court of
-the proud and vacillating Pharaoh, striving to imitate by their juggling
-tricks the wondrous miracles which Moses wrought by the immediate aid
-of God himself. The feat of changing their sticks into serpents, for
-instance, is one of every-day performance in India, which a friend of
-mine has assured me he many times saw himself, and which has not been
-satisfactorily explained by any one.
-
-The serpent has long been an object of extreme veneration to the natives
-of Hindostan, and has indeed, from the very earliest ages, been selected
-by many nations as an object of worship; why, I cannot explain, unless
-it originated in a superstitious perversion of the elevation of the
-brazen serpent in the wilderness by Moses. In India the serpent is not,
-however, altogether regarded as a deity--merely as a _demon_ or genius:
-and the office usually supposed to be peculiar to these creatures is that
-of _guardians_. This is perhaps one of the most widely spread notions
-respecting the serpent that we are acquainted with. Herodotus mentions
-the sacred serpents which guarded the citadel of Athens, and which he
-states to have been fed monthly with cakes of honey; and adds, that
-these serpents being sacred, were harmless, and would not hurt men. A
-dragon was said to have guarded the golden fleece (or, as some think, a
-_scaly serpent_), and protected the gardens of the Hesperides--a singular
-coincidence, as it is of _gardens_ principally that the Indians conceive
-the serpent to be the guardian.
-
-Medea _charmed_ the dragon by the melody of her voice. Herodotus
-mentions snakes being soothed by harmony; and Virgil, in the Æneid, says
-(translated by Dryden),
-
- “His wand and holy words the viper’s rage
- And venom’d wound of serpents could assuage.”
-
-Even our own island, although serpents do not exist in it--a blessing
-for which, if we are to put faith in legendary lore, we have to thank St
-Patrick--has numberless legends and tales of crocks of treasure at the
-bottom of deep, deep lakes, or in dark and gloomy caves, in inaccessible
-and rocky mountains, guarded by a fierce and wakeful snake, a sleepless
-serpent, whose eyes are never closed, and who never for a second abated
-of his watchful care of the treasure-crock, of which he had originally
-been appointed guardian;[1] and, further, we are told how the daring and
-inventive genius of the son of Erin has often found out a mode of putting
-a “_comether_” on the “big sarpint, the villain,” and haply closing his
-eyes in slumber, while he succeeded in possessing himself of the hoard
-which by his cunning and bravery he had so fairly won; in other words,
-_charming_ the snake and possessing himself of the spoil.
-
-Having thus glanced at the antiquity and wide spread of serpent-charming,
-I shall proceed to lay before you a short description of the mode in
-which the spell is cast over the animals by the modern jugglers of Arabia
-and India.
-
-Of all the Indian serpents, next to the Cobra Minelle, the Cobra Capella,
-or hooded snake (_Coluber Naja_), called in India the “Naig,” and also
-“spectacle snake,” is the most venomous. It derives its names of _hooded_
-and _spectacle_ snake from a fold of skin resembling a hood near the
-head, which it possesses a power of enlarging or contracting at pleasure;
-and in the centre of this hood are seen, when it is distended, black and
-white markings, bearing no distant or fanciful likeness to a pair of
-spectacles. The mode of charming, or, at all events, all that is to be
-seen or understood by the spectators, consists in the juggler playing
-upon a flute or fife near the hole which a snake has been seen to enter,
-or which his employers have otherwise reason to suppose the reptile
-inhabits. The serpent will presently put forth his head, a portion of his
-body will shortly follow, and in a few minutes he will creep forth from
-his retreat, and, approaching the musician, rear himself on his tail,
-and by moving his head and neck up and down or from side to side, keep
-tolerably accurate time to the tune with which his ears are ravished.
-
-After having played for a short period, and apparently soothed the
-reptile into a state of dreamy unconsciousness of all that is passing,
-save only the harmony which delights him, the juggler will gradually
-bring himself within grasp of the snake, and by a sudden snatch seize
-him by the tail, and hold him out at arms’ length. On the cessation of
-the music, and on finding himself thus roughly assailed, the reptile
-becomes fearfully enraged, and exerts all his energies to turn upwards,
-and bite the arm of his aggressor. His efforts are however fruitless;
-while held in that position, he is utterly incapable of doing any injury;
-and is, after having been held thus for a few minutes before the gaze
-of the admiring crowd, dropped into a basket ready to receive him, and
-laid aside until the juggler has leisure and privacy to complete the
-subjugation which his wonder-working melody had begun.
-
-When charmed serpents are exhibited dancing to the sound of music, the
-spectators should not crowd too closely around the seat of the juggler,
-for, no matter how well trained they may be, there is great danger
-attending the cessation of the sweet sounds; and if from any cause the
-flute or fife suddenly stops or is checked, it not unfrequently happens
-that the snake will spring upon some one of the company, and bite him.
-I think that it will not be amiss if I quote the description of Indian
-snake-charming, furnished by a gentleman in the Honourable Company’s
-civil service at Madras, to the writer, who vouches for its veracity:--
-
-“One morning,” says he, “as I sat at breakfast, I heard a loud noise and
-shouting among my palankeen bearers. On inquiry I learned that they had
-seen a large hooded snake (or Cobra Capella), and were trying to kill
-it. I immediately went out, and saw the snake climbing up a very high
-green mound, whence it escaped into a hole in an old wall of an ancient
-fortification. The men were armed with their sticks, which they always
-carry in their hands, and had attempted in vain to kill the reptile,
-which had eluded their pursuit, and in his hole he had coiled himself
-up secure, while we could see his bright eyes shining. I had often
-desired to ascertain the truth of the report as to the effect of music
-upon snakes: I therefore inquired for a snake catcher. I was told there
-was no person of the kind in the village, but, after a little inquiry I
-heard there was one in a village distant three miles. I accordingly sent
-for him, keeping a strict watch over the snake, which never attempted
-to escape whilst we his enemies were in sight. About an hour elapsed,
-when my messenger returned, bringing the snake catcher. This man wore no
-covering on his head, nor any on his person, excepting a small piece of
-cloth round his loins: he had in his hands two baskets, one containing
-tame snakes, one empty: these and his musical pipe were the only things
-he had with him. I made the snake catcher leave his two baskets on the
-ground at some distance, while he ascended the mound with his pipe alone.
-He began to play: at the sound of the music the snake came gradually and
-slowly out of his hole. When he was entirely within reach, the snake
-catcher seized him dexterously by the tail, and held him thus at arms’
-length, whilst the enraged snake darted his head in all directions, but
-in vain: thus suspended, he has not the power to round himself so as to
-seize hold of his tormentor. He exhausted himself in vain exertions, when
-the snake catcher descended the bank, dropped him into the empty basket,
-and closed the lid: he then began to play, and after a short time raised
-the lid of the basket, when the snake darted about wildly, and attempted
-to escape; the lid was shut down again quickly, the music always playing.
-This was repeated two or three times; and in a very short interval, the
-lid being raised, the snake sat on his tail, opened his hood, and danced
-quite as quietly as the tame snakes in the other basket, nor did he again
-attempt to escape. This, having witnessed it with my own eyes, I can
-assert as a fact.”
-
-I particularly request the attention of my readers to the foregoing
-account, as, from the circumstance of its having been furnished by an
-eye-witness, and a man whose public station and known character were
-sufficient to command belief in his veracity, it will prove serviceable
-to me by and bye, when I shall endeavour to disprove the ridiculous
-assertions of Abbé Dubois[2] and others, who hold that serpent-charming
-is a mere imposition, and assert, certainly without a shade of warranty
-for so doing, that the serpents are in these cases always previously
-tamed, and deprived of their poison bags and fangs, when they are let
-loose in certain situations for the purpose of being artfully caught
-again, and represented as _wild_ snakes, subdued by the charms of their
-pipe. I shall, however, say no more at present of Dubois, Denon, or
-others who are sceptical on this subject, but shall leave the refutation
-of their fanciful opinions to another opportunity--my present purpose
-being the establishment of _facts_, ere I venture to advance a theory.
-
-I shall therefore conclude my present paper, and in my next, besides
-adducing many other important facts relative to serpent-charming, shall
-endeavour to throw some light upon the real mode by which it is effected.
-
- H. D. R.
-
-[1] See numerous legends of the “Peiste.”
-
-[2] Description of the People of India, p. 469.
-
-
-
-
-GRUMBLING.
-
-
-If it be no part of the English constitution, it is certainly part of
-the constitution of Englishmen to grumble. They cannot help it, even if
-they tried; not that they ever do try, quite the reverse, but they could
-not help grumbling if they tried ever so much. A true-born Englishman is
-born grumbling. He grumbles at the light, because it dazzles his eyes,
-and he grumbles at the darkness, because it takes away the light. He
-grumbles when he is hungry, because he wants to eat; he grumbles when he
-is full, because he can eat no more. He grumbles at the winter, because
-it is cold; he grumbles at the summer, because it is hot; and he grumbles
-at spring and autumn, because they are neither hot nor cold. He grumbles
-at the past, because it is gone; he grumbles at the future, because it
-is not come; and he grumbles at the present, because it is neither the
-past nor the future. He grumbles at law, because it restrains him; and
-he grumbles at liberty, because it does not restrain others. He grumbles
-at all the elements--fire, water, earth, and air. He grumbles at fire,
-because it is so dear; at water, because it is so foul; at the earth, in
-all its combinations of mud, dust, bricks, and sand; and at the air, in
-all its conditions of hot or cold, wet or dry. All the world seems as if
-it were made for nothing else than to plague Englishmen, and set them
-a-grumbling. The Englishman must grumble at nature for its rudeness, and
-at art for its innovation; at what is old, because he is tired of it; and
-at what is new, because he is not used to it. He grumbles at everything
-that is to be grumbled at; and when there is nothing to grumble at, he
-grumbles at that. Grumbling cleaves to him in all the departments of
-life; when he is well, he grumbles at the cook; and when he is ill, he
-grumbles at the doctor and nurse. He grumbles in his amusements, and he
-grumbles in his devotion; at the theatres he grumbles at the players,
-and at church he grumbles at the parson. He cannot for the life of him
-enjoy a day’s pleasure without grumbling. He grumbles at his enemies, and
-he grumbles at his friends. He grumbles at all the animal creation, at
-horses when he rides on them, at dogs when he shoots with them, at birds
-when he misses them, at pigs when they squeak, at asses when they bray,
-at geese when they cackle, and at peacocks when they scream. He is always
-on the look-out for something to grumble at; he reads the newspapers,
-that he may grumble at public affairs; his eyes are always open to look
-for abominations; he is always pricking up his ears to detect discords,
-and snuffing up the air to find stinks. Can you insult an Englishman
-more than by telling him he has nothing to grumble at? Can you by any
-possibility inflict a greater injury upon him than by convincing him he
-has no occasion to grumble? Break his head, and he will forget it; pick
-his pocket, and he will forgive it, but deprive him of his privilege of
-grumbling, you more than kill him--you expatriate him. But the beauty of
-it is, you cannot inflict this injury on him; you cannot by all the logic
-ever invented, or by all the arguments that ever were uttered, convince
-an Englishman that he has nothing to grumble at; for if you were to do
-so, he would grumble at you so long as he lived for disturbing his old
-associations. Grumbling is a pleasure which we all enjoy more or less,
-but none, or but few, enjoy it in all the perfection and completeness of
-which it is capable. If we were to take a little more pains, we should
-find, that having no occasion to grumble, we should have cause to grumble
-at everything. But we grow insensible to a great many annoyances, and
-accustomed to a great many evils, and think nothing of them. What a
-tremendous noise there is in the city, of carts, coaches, drays, waggons,
-barrel-organs, fish-women, and all manner of abominations, of which
-they in the city take scarcely any notice at all! How badly are all
-matters in government and administration conducted! What very bad bread
-do the bakers make! What very bad meat do the butchers kill! In a word,
-what is there in the whole compass of existence that is good? What is
-there in human character that is as it should be? Are we not justified
-in grumbling at everything that is in heaven above, or in the earth
-beneath, or in the waters under the earth? In fact, gentle reader, is the
-world formed or governed half so well as you or I could form or govern
-it?--_From a newspaper._
-
-
-
-
-VULGARITY.
-
-
-The very essence of vulgarity, after all, consists merely in one
-error--in taking manners, actions, words, opinions, on trust from
-others, without examining one’s own feelings, or weighing the merits of
-the case. It is coarseness or shallowness of taste, arising from want
-of individual refinement, together with the confidence and presumption
-inspired by example and numbers. It may be defined to be a prostitution
-of the mind or body to ape the more or less obvious defects of others,
-because by so doing we shall secure the suffrages of those we associate
-with. To affect a gesture, an opinion, a phrase, because it is the rage
-with a large number of persons, or to hold it in abhorrence because
-another set of persons very little, if at all, better informed, cry
-it down to distinguish themselves from the former, is in either case
-equal vulgarity and absurdity. A thing is not vulgar merely because it
-is common. It is common to breathe, to see, to feel, to live. Nothing
-is vulgar that is natural, spontaneous, unavoidable. Grossness is not
-vulgarity, ignorance is not vulgarity, awkwardness is not vulgarity;
-but all these become vulgar when they are affected and shown off on the
-authority of others, or to fall in with the fashion or the company we
-keep. Caliban is coarse enough, but surely he is not vulgar. We might as
-well spurn the clod under our feet, and call it vulgar. Cobbett is coarse
-enough, but he is not vulgar. He does not belong to the herd. Nothing
-real, nothing original, can be vulgar; but I should think an imitator of
-Cobbett a vulgar man. Simplicity is not vulgarity; but the looking to
-imitation or affectation of any sort for distinction is. A Cockney is a
-vulgar character, whose imagination cannot wander beyond the suburbs of
-the metropolis. An aristocrat, also, who is always thinking of the High
-Street, Edinburgh, is vulgar. We want a name for this last character. An
-opinion is often vulgar that is stewed in the rank breath of the rabble;
-but it is not a bit purer or more refined for having passed through the
-well-cleansed teeth of a whole court. The inherent vulgarity lies in the
-having no other feeling on any subject than the crude, blind, headlong,
-gregarious notion acquired by sympathy with the mixed multitude, or with
-a fastidious minority, who are just as insensible to the real truth,
-and as indifferent to every thing but their own frivolous pretensions.
-The upper are not wiser than the lower orders, because they resolve to
-differ from them. The fashionable have the advantage of the unfashionable
-in nothing but the fashion. The true vulgar are the persons who have
-a horrible dread of daring to differ from their clique--the herd of
-pretenders to what they do not feel, and to do what is not natural to
-them, whether in high or low life. To belong to any class, to move in
-any rank or sphere of life, is not a very exclusive distinction or test
-of refinement. Refinement will in all classes be the exception, not the
-rule; and the exception may occur in one class as well as another. A
-king is but a man with a hereditary title. A nobleman is only one of the
-House of Peers. To be a knight or alderman--above all, to desire being
-either, is confessedly a vulgar thing. The king made Walter Scott a
-baronet, but not all the power of the Three Estates could make another
-“Author of Waverley.” Princes, heroes, are often commonplace people, and
-sometimes the reverse; Hamlet was not a vulgar character, neither was Don
-Quixote. To be an author, to be a painter, one of the many, is nothing.
-It is a trick, it is a trade. Nay, to be a member of the Royal Academy,
-or a Fellow of the Royal Society, is but a vulgar distinction. But to
-be a Virgil, a Milton, a Raphael, a Claude, is what falls to the lot of
-humanity but once. I do not think those were vulgar people, though, for
-any thing I know to the contrary, the First Lord of the Bedchamber may
-be a very vulgar man. Such are pretty much my notions with regard to
-vulgarity.--_Hazlitt’s Table-Talk._
-
-
-
-
-WINTER COMES.
-
-
- Winter comes with screech and wail,
- Piercing blast and thundering gale;
- Far from frozen climes he brings
- Sleet and snow, and blanching things.
- He has trod the North Pole round,
- Long in icy fetters bound;
- Swept by Greenland’s frigid shore,
- Where the western billows roar--
- Roamed o’er Lapland’s ice-bound plains,
- Where chaotic darkness reigns;
- Rested on that land of woe
- Where the Russian captives go;
- Land where men of royal race,
- Exiled by some tyrant base,
- Pined in suffering, died in grief,
- No fond hand to bring relief--
- No bright eyes to shed one tear
- O’er their cold and lonely bier;
- Dying far from wife and child
- In Siberia’s stormy wild.
-
- Winter comes--his footsteps tread
- O’er the ocean’s rugged bed;
- As a ruthless conqueror he
- Sends his storms from sea to sea;
- Pity ne’er hath seized his breast,
- Sighs do ne’er disturb his rest--
- Shrieks that boom along the wave,
- And mark the seaman’s wat’ry grave,
- Fail to touch his icy soul,
- Fail to stop the billow’s roll.
- When enthroned as ocean’s king,
- Spirits of his triumphs sing,
- Drinking to his sovereign power
- In the fearful midnight hour,
- From those remnants of the dead
- That round ocean’s depths are spread.
-
- Winter comes, with giant stride
- O’er the hills and forests wide;
- From his aged brow he sheds
- Hoary locks around their heads--
- Mantles in his polar garb
- Tree and flower and tender herb.
- Not a leaf appears to show
- Where the summer cowslips grow;
- Not a bud or blossom fair
- Scents with sweets the chilly air;
- Not a bluebell decks the heath,
- All are hid beneath the wreath
- Spread by his unfriendly hand
- O’er the dark dismantled land.
- Gardens once so bright and gay,
- ’Neath the summer’s solar ray,
- Once so rich in lovely gems,
- Hanging on their pendent stems,
- Seem as some lone desert wild
- Where fair beauty never smiled--
- Where the light of summer’s sun
- Never touched or lit upon;
- Nature lies all lone and dead,
- ’Neath old Winter’s frosty tread.
-
- Winter comes, and some rejoice,
- Glad to hear his sullen voice
- Booming o’er the crested waves,
- Sounding through old grots and caves--
- Sighing ’mid the forest trees,
- Not in songs of summer’s breeze,
- But like mournings for the dead,
- That as fairy flowers have fled;
- Mounting o’er the mountain’s brow,
- Where the oak-tree’s trembling bough,
- Rushing through the wooded glen,
- Swooping o’er the frightsome fen.
- This is joy to hearts that know
- Nothing of the drifting snow,
- But beside the glowing hearth
- Spend the hours in joy and mirth,
- Laughing at the well-told tale,
- While without the rising gale
- Sweeps in furious mood along,
- Heedless of their boisterous song.
-
- Winter comes--and sorrow brings
- On his dark foreboding wings,
- To the poor lone helpless child
- On whom fortune never smiled,
- To the wretched cots and cells
- Where want’s abject sufferer dwells.
- Round them he does cast his reins,
- O’er them brings his woes and pains.
- O! ye lordlings of the earth,
- Freed from pinching want by birth,
- Let your bosoms heave one sigh
- For the poor whose piercing cry
- Calls for sympathy from all,
- Loud as human woes can call,
- Plead with you on every mind
- To be moved with mercy kind;
- Supplicates for help to save
- Suffering equals from the grave.
- Hear, O hear their melting cries
- Rising upward to the skies;
- Hear, and let the good which heaven
- Kindly to your hands hath given,
- Aid in promptly helping those
- Steept in poverty and woes;
- Then when earthly days are fled,
- And the joys (now dark and dead)
- Cease for ever from your eyes,
- May you live beyond the skies;
- May you hear your Saviour say,
- Come, my servants, come away;
- Enter in and seize your crown,
- Be partakers of my throne;
- For on earth you loved your lord;
- Hearken’d to his every word--
- Heard his suffering children cry,
- Wiped the tear-drops from their eye--
- Inasmuch as thus your love,
- Round their troubled souls did move,
- So to me that love was given
- Enter in with me to heaven.
-
- Coleraine, December 1840. S. A.
-
-
-
-
-TALES OF MY CHILDHOOD, BY JOHN KEEGAN.
-
-No. I.--THE BOCCOUGH RUADH.
-
-A TRADITION OF POOR-MAN’S BRIDGE.
-
- “When ghosts, as cottage maids believe,
- Their pebbled beds permitted leave,
- And goblins haunt, from fire or fen,
- Or mine or flood, the walks of men.”----COLLINS.
-
-
-One evening last winter--a holiday evening too--when the western wind was
-sweeping on wild pinions from the grey hills of Tipperary, athwart the
-rich and level plains of the Queen’s County, when the blast roared down
-in the chimney, and the huge rain-drops pattered saucily against the four
-tiny panes which constituted the little kitchen window, I was sitting in
-the cottage of a neighbouring peasant, amid a small but happy group of
-village rustics, and enjoying with them that enlivening mirth and sinless
-delight which I have never found any where but at the fireside of an
-Irish peasant. The earthen floor was well scrubbed over; the “brullaws
-ov furnithure” were arranged with more than usual tidiness, and even the
-crockery on the well-scoured dresser reflected the ruddy glare of the red
-fire with redoubled brilliancy, and glittered and glistened as merrily as
-if they felt conscious of the calm and tranquillity of that happy scene.
-And happy indeed was that scene, and happy was that time, and happier
-still the hearts of the laughing rustics by whom I was on that occasion
-surrounded, and amongst whom I have spent the lightest and happiest hours
-of my existence.
-
-It was, as I said, a wild night, but even the violence of the weather
-abroad gave an additional relish to the enjoyments within. The blast
-whistled fiercely in the bawn and in the haggard, but the huge fire
-blazed brightly on the hearth-stone. The rain fell in torrents; but, as
-one of the company chucklingly remarked, “the wrong side ov the house was
-out,” and I myself mentally exclaimed with Tam o’ Shanter,
-
- “The storm without may roar and rustle,
- _We_ do not mind the storm a whustle.”
-
-Whilst, to wind up the climax of our happiness, a gossoon who had been
-dispatched for a grey-beard full of “the native,” now returned, and
-in a few minutes a huge jug of half and half smoked on the table, and
-was circulated around the smiling and expectant ring, with an impetus
-of which the peasantry of Ireland will in a short time, from certain
-existing causes, have not even the remotest idea.
-
-Well! such an evening as we had, I shall never forget; it would be vain
-to attempt a description. Those who have witnessed similar scenes require
-none, and to those who have not, any attempt at one would be useless.
-All therefore I shall say, is, that such a scene of fun and frolic and
-harmless waggery could not be found any where outside that ring which
-encircles the Emerald Isle, and even within that bright zone, nowhere but
-in the cabin of an Irish “scullogue.”
-
-The songs of our sires, chanted with all that melancholy softness and
-pathetic sweetness for which the voices of our wild Irish girls are
-remarkable, the wild legend recited with that rich brogue and waggish
-humour peculiar alone to the Irish peasant, and the romantic and absurd
-fairy tale, told with all the reverential awe and caution which the
-solemnity of the subject required, long amused and excited the captivated
-auditors; but at length, more’s the pity, the vocalist could sing no
-more, having “a mighty great could intirely.” The story-teller was “as
-dry as a chip wid all he talked,” and even the sides of most of the
-company “war ready to split wid the rale dint of laughin’;” whilst, as if
-to afford us another illustration of the truth of the old proverb, “one
-trouble never comes alone,” even the old crone who had astonished us with
-the richness and extent of her fairy lore, was also knocked up, or rather
-knocked _down_, for the quantity of earthly _spirits_ she had put _in_,
-entirely put _out_ all memory of _un_-earthly _spirits_, and sent her
-disordered fancy, all confused as it was, wool-gathering to the classic
-regions of _Their-na-noge_.[3]
-
-Well, what was to be done? It was still young in the night, and, better
-than that, a good “slug” still remained in the grey-beard, and as we all
-had contributed to procure the stock, so all declared that none should
-depart until the very last drop was drained. But how was the interval to
-be employed? The singer was hushed, the story-teller was exhausted, and
-vollies of wit and waggery had exploded until every one was tired; yet to
-remain silent was considered by all as the highest degree of discomfort.
-In this dilemma the man of the house scratched his pericranium, and, as
-acting by some sudden impulse, started up and handed me an old sooty
-book, “hoping that I would read a wollume for the edication of the
-company, until it would be time to retire.”
-
-I agreed without hesitation, and on opening the dusty and smoke-begrimed
-volume found that it was “Sir Charles Coote’s Statistical Survey of
-the Queen’s County,” printed in Dublin by Graisberry and Campbell, and
-published by direction of the Dublin Society in the year 1801. Although
-well aware that the dry details of a work professedly and almost
-exclusively statistical, were little calculated to amuse or interest
-_such_ an audience, yet, as the library of an Irish peasant is always
-unfortunately scanty, and in this instance, with the exception of a few
-trifling works on religious subjects, limited to the book in question, I
-determined to make the best I could of it, and for that purpose opened
-it at Sir Charles’s description of the immediate district in which we
-were situated, namely, the barony of Maryborough West, and town-land of
-Killeany. I read on thus:--“On Sir Allen Johnson’s estate stand the ruins
-of Killeany Castle; the walls are injudiciously built of very bad stones,
-though excellent quarry is contiguous. … Poor-man’s Bridge over the Nore
-was lately widened, and is very safe, but I cannot learn the tradition
-why it was so called.”
-
-“Read that again, sir,” said a fine grey-headed, patriarchal old man who
-was present; “read that again,” said he emphatically. I did so.
-
-“_He_ cannot learn the tradition of Poor-man’s Bridge, _inagh_!” said the
-old man with a sneer; “faith, I believe not; I’d take his word for more
-nor that. But had he come to me when he was travelling the country making
-up his statisticks, I could open his eyes on that subject, and many
-others too.”
-
-Some of those present laughed outright at the old man’s gravity of manner
-as he made this confident boast.
-
-“You need not laugh--you may shut your potato-traps,” said the old man
-indignantly. “Grand as he was, with his gold and silver, his coach and
-horses, and servants with gold and scarlet livery, I could enlighten him
-more on the ancient history and traditions of our country than all the
-_boddaghs_ of squireens whom he visited on his tour through the Queen’s
-County.”
-
-These assertions served only to increase the storm of ridicule which was
-gathering around the old man’s head; and to put a stop to any bad blood
-which the occasion might call forth, I requested of him to tell us the
-tradition of “the Boccough Ruadh.”
-
-After some wheedling and flattery he complied, and told a curious story,
-of which the following is the substance.
-
-The river Nore flows through a district of the Queen’s County celebrated
-for fertility and romantic beauty. From its source amongst the blue hills
-of Slievebloom to its termination at New Ross, where its bright ripples
-commingle with the briny billows of the Irish sea, many excellent and
-even some beautiful bridges span its stream. Until the commencement of
-the last century, however, except in the vicinity of towns, there were
-but few permanent bridges across this river, and in the country districts
-access was gained over it chiefly by means of causeways, or, as they are
-termed, “foords,” constructed of stones and huge blocks of timber fixed
-firmly in the bed of the river, and extending in irregular succession
-from bank to bank. Over this pathway foot passengers crossed easily
-enough, but cattle and wheeled carriages were obliged to struggle through
-the water as well as they could; but in time of floods, and in the winter
-season when the waters were swollen, all communication was cut off except
-to pedestrians alone.
-
-One of those “foords,” in former times, crossed the Nore at Shanahoe, a
-very pretty neighbourhood, about three miles northwards of the beautiful
-and rising town of Abbeyleix, in the Queen’s County. The river here winds
-its course through a silent glen, and now several snug cottages and
-farm-houses arise above its banks at either side. The country in this
-neighbourhood is remarkably beautiful. Several gentlemen’s seats are
-scattered along the banks of the river in this vicinity, all elegant and
-of modern erection, whilst swelling hills, sloping dales, gloomy groves,
-and ruins of church and tower and “castle grey,” ornament and diversify
-the scene.
-
-On a gentle eminence on the eastern bank of the river, stood, about a
-hundred years ago, the cabin of a man named Neale O’Shea. At that period
-there was not another dwelling within a long distance of the “foord,”
-and many a time was Neale summoned from his midnight repose to guide the
-traveller in his passage over the lonely and dangerous river pathway.
-
-One wild stormy December night, when the huge limestone rocks that formed
-the stepping-stones of the ford were lashed and chafed by the angry foam
-of the agitated river, Neale O’Shea’s wife fancied she heard, amid the
-fitful pausings of the wind, the cry of some mortal in distress. She
-immediately aroused her husband, who was stretched asleep on a large
-oak stool in the chimney corner, and told him to look out. Neale, ever
-willing to relieve a fellow-creature, arose, and, flinging his grey
-“trusty” over his expansive shoulders, and seizing a long iron-shod pole
-or wattle, the constant companion of his nightly excursions, hastened
-down to the river’s brink. He stood a moment at the verge of the ford,
-and tried to penetrate through the intense gloom, to see if he could
-discover a human form, but he could see nothing.
-
-“Is there any one there?” he shouted in a stentorian voice, which rose
-high above the whistling of the blast, and the brawling of the angry and
-swift-rushing river.
-
-A voice sounded at the other extremity of the ford, and the stout-hearted
-peasant, with steady step, crossed over the slippery stepping-stones.
-
-“Who the devil are you?” roughly exclaimed Neale to a man who lay
-extended on the brink of the river, convenient to the entrance of the
-ford.
-
-“Whoever I am,” faintly replied the stranger, “you are my good angel,
-and it was surely Providence who sent you this night to rescue me from a
-watery grave.”
-
-“Whoever you are,” again said Neale, “come along with me, and Kathleen
-and the childre will make you welcome in my cabin until morning.”
-So saying, he seized the bending form of the wayworn stranger, and
-flinging him on his back with herculean strength, trudged over the
-stepping-stones, chuckling with delight, and gaily whistling as he went.
-
-The dangerous pass was soon crossed, and arriving at the door, Neale
-pushed it before him, and with a smile deposited his trembling burthen
-on the warm hearth. A fine fire blazed merrily, and its flickering
-beams fell brightly on the face of the stranger. He was a tall, portly
-figure, stooped as if from extreme suffering more than age, and had a
-wooden leg. His features, which had evidently been handsome in his youth,
-were worn, pale, and attenuated, and he might be about fifty years of
-age. His clothes were faded and ragged; he was entirely without shoes
-or stockings; and his head was covered by a broad-brimmed leathern hat,
-under which he wore an enormous red nightcap of coarse woollen cloth.
-
-The good Kathleen now set about preparing supper, and while thus
-employed, the stranger gave them a brief account of his bygone life.
-He told them that he was a native of the north of Ireland, and that
-he had spent several years of his youth at sea; that being wounded
-in a fray with smugglers on the coast of France, and losing his leg,
-he was discharged from his employment, and sent adrift on the world,
-without having one friend on earth, or a penny in his pocket. In this
-exigence he had no alternative but to apply to the commiseration of his
-fellow-creatures, and had thus for the last twenty years wandered up and
-down, entirely dependent on the bounty and charity of the public.
-
-Supper was now ready, and having partaken of a comfortable meal, the
-wanderer went to rest in a comfortable “shake-down,” which the good woman
-had prepared for him in the chimney corner. The storm died away during
-the night, and next morning the watery beams of the winter’s sun shone
-faintly yet gaily on the smooth surface of the silvery Nore.
-
-The stranger was up at sunrise, and was preparing to depart, but his kind
-host and hostess would not permit him to go. They told him to stop a few
-days to rest himself, and in the interim, that he could not do better
-than take his stand at the ford, and ask alms of those who passed the
-way, as a great many frequented that pass; and as nothing was ever craved
-from them there, they would cheerfully extend their charity to an object
-worthy of relief.
-
-Acting on their suggestions, the old sailor was soon sitting on a stone
-at the western extremity of the ford. With his old caubeen in his hand,
-and his head enveloped in the gigantic red nightcap, he craved alms,
-in the name of God and the Virgin, from all who passed the way; and
-before the sickly beams of the December sun had sunk behind the conical
-“Gizebo,” he could show more money than ever he did before, since his
-limb was swept off by the shot of the smuggling Frenchman.
-
-The next morning, and every morning after, found the sailor at his post
-at the ford: he soon became well known to all the villagers, and from the
-circumstance of his always appearing with no other head-gear than the red
-nightcap, they nicknamed him the “Boccough Ruadh,”[4] a name by which he
-went ever after till his death.
-
-Time passed on as usual, and the one-legged sailor still plied his
-lucrative vocation at the river pass. Neale O’Shea’s cabin still
-continued to afford him shelter every night, and all his days, from the
-crow of the cock to the vesper song of the wood-thrush, were passed at
-the ford, seated on that remarkable block of limestone called to this day
-the “Clough-na-Boccough.”[5] His hand was stretched to every stranger
-for alms, “for the good of their souls,” and very few passed without
-giving more or less to the Boccough Ruadh. Thus he acquired considerable
-sums of money, but constantly denied having a “keenogue;” but when
-bantered by any of the neighbouring urchins on the length of his purse,
-he would get into a great rage, and swear, by the cross of his crutch,
-that between buying the shough of tobacco and paying for other things he
-wanted, he hadn’t as much as would jingle on a tomb-stone, or what would
-buy a farthing candle to show light to his poor corpse at the last day.
-His food was of the very worst description, and unless supplied by the
-kind-hearted Kathleen O’Shea, he would sooner go to bed supperless than
-lay out one penny to buy bread. He suffered his clothes to go to rags,
-unless when any person in the neighbourhood would give him old clothes
-for charity, and he would not pay for soap to wash his shirt once in the
-twelvemonth. Yet no one could find out what he did with his money; he did
-not spend two-and-sixpence in the year, and it was people’s opinion that
-he was hoarding it up to give for the benefit of his soul at his dying
-day.
-
-Years rolled away, and Neale O’Shea having now waxed old, died, and
-was gathered to his fathers in the adjacent green churchyard of
-Shannikill,[6] on the banks of the winding Nore. The Boccough followed
-the remains of his kind benefactor to his last earthly resting-place,
-and poured his sorrows over his grave in loud and long-continued
-lamentations. But though Neale was gone, Kathleen remained, and she
-promised that while she lived, neither son nor daughter should ever turn
-out the Boccough Ruadh.
-
-It was now forty years since the Boccough first crossed the waters of
-the Nore, and still he was constantly to be found from morning till
-night on his favourite stone at the river side. In the mean time, all
-O’Shea’s children were married, and separated through various parts of
-the country, with the exception of Terry, the youngest, a fine stout
-fellow, now about thirty-five years of age, who still remained in a state
-of single blessedness, and said he would continue so, “until he would
-be after laying the last sod on his poor ould mother.” With gigantic
-strength, he inherited all his father’s kindness of heart and undaunted
-bravery, and he was particularly attentive to the Boccough, whom he
-regarded with the same affection as a child would a parent.
-
-One morning in summer, the Boccough was observed to remain in bed longer
-than was his custom, and thinking that he might be unwell, Terry went to
-his bedside, and demanded why he was not up as usual.
-
-“Ah, Terry, _alanna_,” said the old man sorrowfully, “I will never get up
-again until I do upon the bearer.[7] My days are spent, and I know it,
-for there is something over me that I cannot describe, and I won’t be
-alive in twenty-four hours;” and as he said these words, he heaved a deep
-groan, whilst Terry, wiping his eyes with the sleeve of his coat, wept
-bitterly.
-
-“Will I go for the priest?” demanded Terry, sobbing as if his heart would
-break.
-
-“No,” replied the old man sorrowfully, “I do not want him. It is long
-since I complied with my religious duties, and now I feel it is useless.”
-
-“There is mercy still,” replied Terry; “you know the ould sayin’,
-
- ‘Mercy craved and mercy found
- Between the saddle and the ground.’”
-
-The old man replied not, but shook his head, indicating his determination
-to die without the consolations of religion, whilst Terry trembled for
-his hopeless situation.
-
-“Well, since you won’t have the priest, will you give me some money till
-I bring you the doctor?” said Terry.
-
-The old man’s eyes literally flashed fire, his form heaved with rage, and
-his countenance displayed demoniac indignation.
-
-“What’s that you say?” he demanded in a ferocious tone.
-
-Terry repeated the question.
-
-“Send for a doctor!--give you money!” echoed the old man. “Where the
-devil would I get money to pay a doctor?”
-
-“You have it, and ten times as much,” said Terry, “and you cannot deny
-it.”
-
-“If I have as much money as would buy me a coffin,” said the Boccough,
-“may my soul never rest quiet in the grave.”
-
-Terry crossed his brow with terror. He knew the unhappy wretch was dying
-with a lie on his tongue, but he resolved not to press the matter further.
-
-“You are dying as fast as you can,” remarked Terry; “have you any thing
-to say before you go?”
-
-“Nothing,” replied he faintly. “But let me be buried with my red nightcap
-on me.”
-
-“Your wish must be granted,” said Terry, and he went to awake his old
-mother, who still lay asleep. When he returned, he found the old man
-breathing his last. He uttered a convulsive groan, and expired.
-
-He was washed and stretched, and waked, with all the honours, rites,
-and ceremonies belonging to a genuine Irish wake; and on the third day
-following, being the Sabbath, he was followed to the grave by crowds of
-the village peasantry, who remained in the churchyard until they saw his
-remains deposited, as they thought for ever, in the rank soil of the
-“City of the Dead.”
-
-Many rumours were now current respecting the Boccough’s money. Every one
-but Terry believed that the “lob” fell with Terry himself. But Terry, who
-knew better, believed and affirmed that “what was got under the devil’s
-belly, always goes over his back,” and that the “old boy” had taken the
-spoil, and that it lay concealed in some crevice in the bank of the river.
-
-The night following the burial of the old sailor was passed in a very
-disturbed and agitated manner by Terry O’Shea: he could not sleep a wink;
-and when he fell into a slumber, he started and moaned, and appeared
-frightened and annoyed.
-
-“What ails you?” affectionately demanded his old mother, who slept in the
-same room, and who was kept awake by her son’s restless and disturbed
-manner.
-
-“I don’t know, mother,” said Terry; “I am so frightened and tormented
-with dreaming of the Boccough Ruadh, that I am almost out of my natural
-senses. Even at this moment I think I see him walking the room before me.”
-
-“Holy Mary, protect us!” ejaculated the old woman. “And it is no wonder
-that his misforthunate soul would be star-gazing about--and to die
-without the priest, and a curse and a lie in his mouth!”
-
-Terry groaned agitatedly.
-
-“And how does he appear in your dreams?” asked the old woman.
-
-“As he always was,” replied Terry. “But I think I see him pointing to his
-red nightcap, and endeavouring to pull it off with his old withered hand.”
-
-“Umph!” said the old woman, in a knowing tone. “Ha! ha! I have it now.
-Are you sure that the strings of his nightcap were unloosed before he was
-nailed up in the coffin?”
-
-“I don’t know,” was the reply.
-
-“I’ll go bail they weren’t,” said the old woman; “and you know, or at any
-rate you ought to know, that a corpse can never rest in the grave when
-there is a knot or a tie upon any thing belonging to its grave-dress.”
-
-Terry emitted another deep groan.
-
-“Well, _acushla_,” said the old mother, “go to-morrow, and take a
-neighbour with you, and open the grave, and see if any thing be asthray.
-If you find the nightcap or any thing else not as it should be, set it to
-rights, and close the grave again decently, and he will trouble you no
-more.”
-
-“God send,” was Terry’s brief but emphatic response.
-
-Early next morning Terry was at the Boccough’s grave, accompanied by a
-man of the neighbourhood. The coffin was opened, the corpse examined,
-and, according to the mother’s prediction, the red nightcap was found
-knotted tightly under the dead man’s chin. Terry proceeded to unloosen
-it, and in the act of doing so, a corner of the nightcap gave way, and
-out peeped a shining golden guinea.
-
-“Ah ha!” mentally exclaimed Terry, “that’s no blind nut any how; there’s
-more where that was, but I had better keep a hard cheek!” So, without
-seeming to appear any way affected, he opened the knot, closed the
-coffin, shut up the grave, and departed homewards, without acquainting
-his comrade with what he had seen.
-
-The moment Terry entered his own door, he told his mother about the
-guinea, and expressed his determination to go that very night, and fetch
-the red nightcap home with him, “body and bones and all,” “for,” added
-he, “that guinea has its comrade; and I’ll hold you a halfpenny there’s
-where the old dog has the ‘lob’ concealed, and that’s what made him order
-me to have the red cap buried with him.”
-
-“_Asthore machree_,” said the mother doubtingly, “won’t you be afraid?”
-
-“Afraid!” echoed Terry, “devil a bit--afraid indeed! and my fortune
-perhaps in the red nightcap.”
-
-The mother consented, but enjoined him to tell nobody about the matter
-for fear of disappointment. Terry vowed implicit obedience, and retired
-to his usual avocations in the garden.
-
-Well, at last the night came, and Terry set about preparing for his
-strange undertaking. All the arts and prayers and charms of old Kathleen
-were put in requisition to preserve him from danger; and about the
-witching hour of twelve, with his spade on his shoulder, and his dhudeen
-in his mouth, the bold-hearted Terry set forward all alone to the
-grave-yard, shaping his course by the winding banks of the glassy river,
-and whistling as he went--not “for want of thought,” however, for never
-was man’s mind more busily occupied than was Terry’s, in predisposing of
-the money which he expected to find in the Boccough Ruadh’s nightcap.
-
-After a short walk, Terry arrived at the precincts of the churchyard.
-It was a lovely summer’s night, the full moon shining gloriously, and
-myriads of pretty stars blinking and twinkling in the blue expanse, but
-all their native lustre was drowned in the borrowed splendour of the
-Queen of Heaven. Terry stood a moment to reconnoitre, and, resting on his
-spade, looked around with an anxious gaze. He could discover nothing; all
-was silent as the departed beneath his feet, except the murmuring of the
-river’s surges in the rear, or the barking of some village cur-dog in the
-hazy distance. He advanced to the grave of the Boccough, and in a few
-minutes the ghastly moonbeams shone full on the pale grim features of the
-dead. He snatched the nightcap quickly from the bald head of the corpse,
-put it in his pocket, and, notwithstanding the awe and superhuman terror
-under which he laboured, he chuckled with delight as he remarked the
-“_dead_ weight” of the Boccough’s head-gear. He then closed the coffin,
-and as he proceeded to cover it, the clay and stones fell on it with an
-appalling and unearthly sound. The grave now covered up, the intrepid
-fellow again shouldered his spade, and sought the river’s margin, and as
-he strode hurriedly along its banks in the direction of his home, the
-splash of the otter and the diving of the water-hen more than once broke
-the thread of his lonely musings.
-
-Terry was soon at his mother’s side, who since his departure had been on
-her knees, praying for his safe return. The nightcap was ripped up, and
-lo! three hundred golden guineas were the reward of Terry’s churchyard
-adventure! Stitched carefully in every part of the huge nightcap, the
-gold lay secure, so as not to attract the notice of any one, or cause the
-least suspicion of its proximity to the old man’s pericranium.
-
-Terry and his mother were in ecstacies. Farms were already purchased
-in ideality, cattle bought, houses built, and even Terry began in his
-mind to make preparations for his wedding with Onny Kinshellagh, a rich
-farmer’s daughter of the neighbourhood, for whom he had breathed many a
-hopeless sigh, and who, in addition to her beauty, was possessed of fifty
-pounds in hard gold, a couple of good yearlings, and a feather-bed as
-broad as the “nine acres.”
-
-The mother and son retired to bed, as happy as the certain possession
-of wealth, and the almost as certain expectations of honour and
-distinction, could make them. After a long time spent in constructing and
-condemning schemes for the future, Terry fell asleep. He had not slept
-long, however, when he started up with a loud scream, crying out, “the
-Boccough! the Boccough!” “Och, weary’s on him for a Boccough!” exclaimed
-the mother; “is he coming for the nightcap and the goold?”
-
-“Oh, no,” said Terry, calmly; “but I was again dreaming of him, and I was
-frightened.”
-
-“What did you dream to-night?” asked the old woman.
-
-“I was dreaming that I was going over the foord by moonlight, and that I
-saw the Boccough walking on the water towards me; that he stopped at a
-certain big stone, and began to examine under with his hands; that I came
-up, and asked him what he was searching for, when he looked up with a
-frightful phiz, and cried out in a horrible voice, ‘For my red nightcap!’”
-
-“God Almighty never opened one door but he opened two,” exclaimed old
-Kathleen. “Examine under that stone to-morrow, and by all the cottoners
-in Cork, you’ll find another ‘lob’ of money in it.”
-
-“Faix, maybe so,” replied Terry; “it’s no harm to say ‘Godsend,’ and that
-God may make a thief of you before a _liar_.”
-
-“Amen, _achiernah_,” replied Kathleen.
-
-Next morning at daybreak, Terry got up, and proceeded to the identical
-stone where he fancied that he had seen the spirit of the Boccough. He
-examined it closely, and after a strict search, discovered in the sand
-beneath the rock a leathern pouch full of money. He seized it joyfully,
-and on counting its contents, found it amounted to upwards of a hundred
-pounds, all in silver and copper coins.
-
-“What a lucky born man you are, Terry O’Shea!” cried the overjoyed
-gold-finder, “and what a bright day it was for your family that the
-Boccough Ruadh crossed over the waters of the Nore.”
-
-“It was not a bright day at all, but a wild, gloomy, stormy night,”
-said the old woman, who, unperceived, had followed her son to watch the
-success of his expedition.
-
-“No matter for that,” said Terry; “there never was so bright a day in
-your seven generations as that dark night; I am now the richest man of my
-name, and I would not, this mortal minute, call Lord De Vesci my uncle.”
-
-It is easier for the reader to imagine than for the writer to describe
-the manner in which this joyful day was passed by the happy mother and
-son. Now counting and examining the gold, and again proposing plans, and
-considering the best purposes to which it could be applied, they passed
-the hours until the summer sun had long sunk behind the crimson west.
-
-Terry was again in bed, when he started with a wild shriek. “Mother of
-mercy!” he frantically vociferated, “here is the Boccough Ruadh; I hear
-the tramp of his wooden leg on the floor.”
-
-“Lord save us!” said the old woman in a trembling voice, “what can ail
-him now? Maybe it’s more money he has hid somewhere else.”
-
-“Oh, do you hear how he rattles about! Devil a _kippeen_ in the cabin but
-he will destroy,” exclaimed poor Terry. “It’s the black day to us that
-ever we seen himself or his dirty thrash of money; and if God saves me
-till morning, I’ll go back and lave every rap ov id where I got it.”
-
-“That would be a murdher to lave so much fine money moulding in the clay,
-and so many in want of it; you shall do no such thing,” said the mother.
-
-“I don’t care a straw for that,” said Terry. “I would not have the ould
-sinner, God rest his sowl, stravagin’ every other night about my honest
-decent cabin for all the goold in the Queen’s County.”
-
-“Well, then,” says the old woman, “go to the priest in the morning, and
-leave him the money, and let him dispose of it as he likes for the good
-of the ould vagabond’s misforthunate soul.”
-
-This plan was agreed to, and the conversation dropt. The ghost of the
-Boccough still rattled and clanked about the house. He never ceased
-stumping about, from the kitchen to the room, and from the room to the
-kitchen. Pots and pans, plates and pitchers, were tossed here and there;
-the dog was kicked, the cat was mauled, and even the raked-up fire was
-lashed out of the “gree-sough.” In fact, Terry declared that if the
-devil or Captain Rock was about the place, there couldn’t be more noise
-than there was that night with the Boccough’s ghost, and this continued
-without intermission until the bell of Abbeyleix castle clock was tolling
-the midnight hour.
-
-Terry was up next morning at sunrise, and having packed up the money
-which was the cause of all his trouble in his mother’s check apron,
-proceeded with a heavy heart to the residence of the priest, about two
-miles from the present Poor-man’s Bridge. The priest was not up when
-Terry arrived, but being well known to the domestics, he was admitted to
-his bed-chamber.
-
-“You have started early,” said the priest; “what troubles you now, Terry?”
-
-Terry gave a full and true account of his troubles, and concluded by
-telling him that he brought him the money to dispose of it as he thought
-best.
-
-“I won’t have any thing to do with it,” said the Father. “It is not mine,
-so you may take it back again the same road.”
-
-“Not a rap of it will ever go my road again,” said Terry. “Can’t you give
-it for his unfortunate ould sowl?”
-
-“I’ll have no hand in it,” said the priest.
-
-“Nor I either,” said Terry. “I wouldn’t have the ould miser
-_polthogueing_ about my quiet floor another night for the king’s ransom.”
-
-“Well, take it to your landlord; he is a magistrate, and he will have it
-put to some public works connected with the county,” said the priest.
-
-“Bad luck to the lord or lady I’ll ever take it to,” said Terry, making a
-spring, and bounding down the stairs, leaving the money, apron and all,
-on the floor at the priest’s bedside.
-
-“Come back, come back!” shouted the Father in a towering passion.
-
-“Good morning to your ravirince,” said Terry, as he flew with the
-swiftness of a mountain deer over the common before the priest’s door.
-“Ay, go back, indeed; catch ould birds with chaff. You have the money
-now, and you may make a bog or a dog of it, whichever you plaise.”
-
-In an hour after, the priest’s servant man was on the road to
-Maryborough, mounted on the priest’s own black gelding, with a sealed
-parcel containing the Boccough’s money strapped in a portmanteau behind
-him, and a letter to the treasurer of the Queen’s County grand jury,
-detailing the curious circumstances by which it came into his possession,
-and recommending him to convert it to whatever purpose the gentlemen of
-the county should deem most expedient.
-
-The summer assizes came on in a few days, and the matter was brought
-before the grand jury, who agreed to expend the money in constructing a
-stone bridge over the ford where it was collected.
-
-Before that day twelvemonth, the ford had disappeared, and a noble bridge
-of seven arches spanned the sparkling waters of the Nore, which is here
-pretty broad and of considerable depth. From that day to this it is
-called the “Poor-man’s Bridge,” and I never cross it without thinking of
-the strange circumstances which led to its erection.
-
-The spirit of the Boccough Ruadh never troubled Terry O’Shea after, but
-often, as people say, amid the gloom of a winter’s night, or the grey
-haze of a summer’s evening, may the figure of a wan and decrepid old
-man with his head enveloped in a red nightcap, be seen wandering about
-Poor-man’s Bridge, or walking quite “natural” over the glassy waters of
-the transparent Nore.
-
-[3] That imaginary region under ground, supposed by the peasantry to be
-the residence of spirits and fairies.
-
-[4] The red beggarman.
-
-[5] Anglice, the Stone of the Cripple, or the stone of the beggarman.
-This stone lay for many years in the position it occupied in the days of
-the “Boccough,” but is now incorporated in the stonework of the parapet
-of the bridge. It was believed to be enchanted, and the peasantry of the
-neighbourhood used to affirm that it descended to the river to drink,
-every night at the hour of twelve o’clock. This belief is now almost
-exploded, but however it is affirmed to be the identical stone on which
-the Boccough collected his wealth.
-
-[6] This is a very ancient churchyard, situated on a gentle eminence
-overhanging the western bank of the river Nore, and about half a mile
-from Poor-man’s Bridge. The ruins of a church or monastic establishment
-still remain in the centre of the grave-yard. It is said to have been
-erected by St Comgall, from whom it took the name of Cell-Comgall, though
-_now_ called Shankill, or Shannakill. St Comgall was born in Ulster in
-516, and was educated under St Fintan, in the monastery of Clonenagh,
-near Mountrath, in the Queen’s County. He died on the 10th of May 601.
-
-[7] The bier or hand-carriage on which the dead are borne to the grave.
-
- * * * * *
-
-AN EXCUSE.--Miravaux was one day accosted by a sturdy beggar, who asked
-alms of him. “How is this,” inquired Miravaux, “that a lusty fellow like
-you is unemployed?” “Ah!” replied the beggar, looking very piteously at
-him, “if you did but know how lazy I am!” The reply was so ludicrous and
-unexpected, that Miravaux gave the varlet a piece of silver.
-
- * * * * *
-
-AN INCIDENT.--At the time Commodore Elliot commanded the navy at Norfolk
-(I think it was), happening to be conducting a number of ladies and
-gentlemen who were visiting the yard, he chanced to see a little boy who
-had a basket full of chips, which he had gathered in the yard; probably
-to show his importance he saluted him, and asked where he got the chips.
-“In the yard,” replied the boy. “Then drop them,” said the brave man. The
-little boy dropped the chips as he was ordered, and after gaining a safe
-distance, turning round with his thumb to his nose, said, “That is the
-first prize you ever took, any how!”
-
- * * * * *
-
-Solon enacted, that children who did not maintain their parents in old
-age, when in want, should be branded with infamy, and lose the privilege
-of citizens; he, however, excepted from the rule those children whom
-their parents had taught no trade, nor provided with other means of
-procuring a livelihood. It was a proverb of the Jews, that he who did not
-bring up his son to a trade, brought him up as a thief.
-
- * * * * *
-
-If there be a lot on earth worthy of envy, it is that of a man, good
-and tender-hearted, who beholds his own creation in the happiness
-of all those who surround him. Let him who would be happy strive to
-encircle himself with happy beings. Let the happiness of his family be
-the incessant object of his thoughts. Let him divine the sorrows and
-anticipate the wishes of his friends.
-
- * * * * *
-
-A cheerful heart paints the world as it finds it, like a sunny landscape;
-the morbid mind depicts it like a sterile wilderness, palled with thick
-vapours, and dark as “the shadow of death.” It is the mirror, in short,
-on which it is caught, which lends to the face of nature the aspect of
-its own turbulence or tranquillity.
-
- * * * * *
-
-The lazy, the dissipated, and the fearful, should patiently see the
-active and the bold pass by them in the course. They must bring down
-their pretensions to the level of their talents. Those who have not
-energy to work must learn to be humble.--_Sharp’s Essays._
-
- * * * * *
-
- Printed and published every Saturday by GUNN and CAMERON, at
- the Office of the General Advertiser, No. 6, Church Lane,
- College Green, Dublin.--Agents:--R. GROOMBRIDGE, Panyer Alley,
- Paternoster Row, London; SIMMS and DINHAM, Exchange Street,
- Manchester; C. DAVIES, North John Street, Liverpool; J. DRAKE,
- Birmingham; SLOCOMBE & SIMMS, Leeds; FRASER and CRAWFORD,
- George Street, Edinburgh; and DAVID ROBERTSON, Trongate,
- Glasgow.
-
-
-
-
-
-End of the Project Gutenberg EBook of The Irish Penny Journal, Vol. 1 No.
-30, January 23, 1841, by Various
-
-*** END OF THIS PROJECT GUTENBERG EBOOK IRISH PENNY JOURNAL, JAN 23, 1841 ***
-
-***** This file should be named 54712-0.txt or 54712-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/4/7/1/54712/
-
-Produced by Brownfox and the Online Distributed Proofreading
-Team at http://www.pgdp.net (This file was produced from
-images generously made available by JSTOR www.jstor.org)
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-