diff options
| author | nfenwick <nfenwick@pglaf.org> | 2025-02-06 21:53:21 -0800 |
|---|---|---|
| committer | nfenwick <nfenwick@pglaf.org> | 2025-02-06 21:53:21 -0800 |
| commit | 0c70d955a1c3256bfea9ded8ee15cffcb079346e (patch) | |
| tree | 084b9376c6edf62544aba7ef4c84299b248811e2 | |
| parent | fdf561700e9ca68bab90572b9c92a74e660e285d (diff) | |
45 files changed, 17 insertions, 3120 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..5bd8c06 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #54146 (https://www.gutenberg.org/ebooks/54146) diff --git a/old/54146-8.txt b/old/54146-8.txt deleted file mode 100644 index 1f2ba99..0000000 --- a/old/54146-8.txt +++ /dev/null @@ -1,1392 +0,0 @@ -The Project Gutenberg EBook of A Few Suggestions to McGraw-Hill Authors., by -McGraw-Hill Book Company - -This eBook is for the use of anyone anywhere in the United States and most -other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms of -the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll have -to check the laws of the country where you are located before using this ebook. - -Title: A Few Suggestions to McGraw-Hill Authors. - Details of manuscript preparation, Typograpy, Proof-reading - and other matters in the production of manuscripts and - books. - -Author: McGraw-Hill Book Company - -Release Date: February 10, 2017 [EBook #54146] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK SUGGESTIONS TO MCGRAW-HILL AUTHORS *** - - - - -Produced by Chris Curnow, Lesley Halamek and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive) - - - - - - - - - - A FEW SUGGESTIONS TO - - McGRAW-HILL AUTHORS - - - - - A FEW SUGGESTIONS TO - - McGRAW-HILL AUTHORS - - - DETAILS OF MANUSCRIPT PREPARATION, - TYPOGRAPHY, PROOF-READING AND - OTHER MATTERS INVOLVED IN - THE PRODUCTION OF - MANUSCRIPTS AND - BOOKS - - - - - MCGRAW-HILL BOOK COMPANY, INC. - NEW YORK: 370 SEVENTH AVENUE - LONDON: 6 & 8 BOUVERIE ST., E. C. 4 - 1922 - - - - - COPYRIGHT, 1922, BY THE - MCGRAW-HILL BOOK COMPANY, INC. - - - - -INTRODUCTION - - -The McGraw-Hill Book Company was formed on July 1, 1909, by a -consolidation of the book departments of the McGraw Publishing -Company and the Hill Publishing Company, then separate publishers of -engineering journals and books. For over twenty years, prior to -the formation of the McGraw-Hill Book Company, the several journals -controlled by Mr. McGraw and Mr. Hill (now published by the -McGraw-Hill Company, Inc., a separate organization) had been producing -books in their special fields; but the publication of technical books -had not been brought to the high standard of technical journals. - -From the beginning we adopted the slogan, _Better Books in Text and -Manufacture_. It was evident to the men who had brought the leading -technical journals of the country from comparative insignificance -to positions of influence that there was need of a new technical -literature--a literature for classroom and reference which should -adequately supplement their periodicals. - -Our first efforts were largely in the field of engineering, but -presently we set new goals for ourselves. By processes which seemed -natural to us, we have extended our publishing not only into the -fields of chemistry, physics, mathematics and English, with a view -always of supplying better fundamental textbooks for students, but -also into the fields of agriculture, business administration and -economics. Similarly our range of publishing has broadened from the -somewhat restricted field of _applied science_, to include numerous -works of high standard dealing with _pure science_. - -In all these fields the aim has been, not only to produce a better -grade of text and reference book, but to put behind each book a -selling organization so competent that the maximum market, both -in this country and abroad, would be reached. Without this the -possibility of persuading important men, in all branches of science, -to produce textbooks seemed futile, for the author's return must -always be in proportion to the distribution. - -The association with the journals of the McGraw-Hill Company, which we -represent in all matters pertaining to the production of books, -brings us into close contact with the widest range of engineering and -industrial activities. The circulations of these journals include the -leading engineers and executives of the world. The list follows: - - _American Machinist_ - _Electric Railway Journal_ - _Electrical World_ - _Engineering and Mining Journal-Press_ - _Coal Age_ - _Engineering News-Record_ - _Power_ - _Chemical and Metallurgical Engineering_ - _Electrical Merchandising_ - _Industrial Engineer_ - _Bus Transportation_ - _Journal of Electricity_ - _Ingenieria Internacional_ - -From these journals we draw both editorial guidance and marketing -power. They are the "natural resources" which simplified the problems -of our early years and made possible our rapid development and growth, -until today, by the application of the same editorial standards and -marketing methods, in broader fields, we are able to offer to the -author of technical books a highly developed machinery of publication -and distribution. - - - - -TABLE OF CONTENTS - - - PAGE - - I. UNIFORMITY AND STANDARDS 1 - - II. PREPARING THE MANUSCRIPT 3 - - Typing--Numbering the Pages--Copy for Footnotes--Copy - for Illustrations--Subdividing the Text--Some Details - of Typography--Bibliographies--Tables of Contents-- - Indexes--Some Details of Style--Copyright Infringements - --Shipping the Manuscript. - - III. ILLUSTRATIONS 10 - - Line Drawings--Halftone Illustrations--Wax Cuts--In - General--The Number of Illustrations. - - IV. MANUFACTURING THE BOOK 14 - - Sample Galleys--Galley Proofs--Page Proofs--Answering - Queries--Proof-reading--Author's Corrections. - - V. WHEN THE BOOK IS PUBLISHED 19 - - Marketing a Book--Corrections and Revisions--Translations - --Prompt Publication. - - - - -A FEW SUGGESTIONS TO McGRAW-HILL AUTHORS - - - - -I - -UNIFORMITY AND STANDARDS - - -The purpose of these suggestions is fourfold: - - (1) To assist our authors in preparing their manuscripts and - in understanding the general process of publication. - - (2) To lighten the burden of the editors, typesetters, and - proof-readers in securing uniformity and adherence to high - standards. - - (3) To avoid complications and delays and--worst of all--the - item of author's corrections. - - (4) To obtain a standard of editorial details as uniformly - high as that of the subject-matter of our books. - -Let it be understood, first of all, that these are suggestions, not -rules. Although we endeavor to maintain high standards, we do not -insist upon uniformity of style or consistency throughout the books -in our widely diversified list. The editor of a periodical or the -proceedings of a society properly insists upon uniformity, generally -issues a style sheet to guide his contributors, and edits all -manuscript to fixed standards. But since our books cover nearly all -branches of science, we feel that absolute uniformity would accomplish -no good purpose. - -Throughout a single manuscript, however, in details of punctuation, -spelling, abbreviation, compounding of words, side- and -center-headings, notation, bibliographic references, etc., we do ask -for the adoption of a conservative, well-recognized standard. Even -uniformity throughout a manuscript seems, curiously enough, -most difficult to secure, although the lack of it leads to -misunderstandings, delays and author's corrections, with their -attendant avoidable expenses. - -We have used the phrase "conservative, well-recognized standard" -advisedly. Departure from such standards, either in spelling, -punctuation, systems of notation or otherwise, is not advisable, for -whatever convictions the author and the publisher may have it is quite -certain that the majority of the readers of any given book will be -conservative and more often annoyed than otherwise by any radical -departures from common practice. - -Without reference to our own views on simplified spelling, for -example, we are confident that the radical simplified speller is -neither surprised nor disturbed to find in a book what he would term -old-fashioned spelling. The conservative speller, on the other hand, -is shocked even at _tho_ and _thru_, and the book suffers accordingly. -Nevertheless, we have no quarrel with _sulfur_ in our manuscripts on -chemical subjects, or with any other spelling which has been approved -officially by the leading technical society in the particular field of -the manuscript. - -To secure consistency in details throughout his manuscript it is best -for an author to adopt as his guides, at the very beginning of -his work, some standard unabridged dictionary and an authoritative -writer's manual, and to stick to these alone until his book is on the -market. By this method he will give his book not only a high standard -but uniformity in details. - - - - -II - -PREPARING THE MANUSCRIPT - - -The first requisite of good manuscript is obviously legibility. To -this end we suggest the following: - -=Typing.=--Manuscript should be typewritten in black on one side of -white paper, uniform in size and preferably 8-1/2×11 inches. A paper -of reasonable thickness and toughness is desirable. Thin, "manifold" -paper should not be used for the publisher's copy. - -The same spacing should be used as far as practicable on each sheet -to facilitate estimates as to the number of words in the complete -manuscript. A margin of at least an inch should be left at top, -bottom, and left-hand side. Single spacing should be avoided. - -A carbon copy should invariably be made and retained by the author, -both for his reference and to protect him against possible loss of the -original. The original or ribbon copy should be sent to the publisher. - -=Numbering the Pages.=--Sheets should be numbered consecutively in the -upper right-hand corner from beginning to end and arranged in order -of their numbers. Interpolated pages may be marked 36a, 36b, and so -forth, in accordance with the number of the preceding page. If any -pages are removed from the manuscript for any reason, the preceding -page should be double numbered, as, for example: 36 & 7 or 36-40. - -=Copy for Footnotes.=--Footnotes, if used, should be put into the body -of the manuscript immediately following the reference and separated -from the text by parallel lines above and below. The number referring -to the footnote should be placed in the text and before the footnote. -Generally speaking, we prefer the use of arabic numerals for -footnotes,[1] which should be carried out consecutively through each -chapter, when the footnotes are numerous, with a new series for each -chapter. In cases where footnotes are relatively few, the numerals -may be repeated without risk of confusion from page to page as the -footnotes occur. - - [Footnote 1: This footnote is to show the size of type (8 - point) which we generally use for footnotes. Incidentally - this booklet is set up in 10 point, and in the general - typographical style of our reference and textbooks, as - distinguished from handbooks. The dimensions of the type page - and the trimmed size of the page are those we usually adopt - for the standard 6×9-inch book.] - -=Copy for Illustrations.=--Drawings and photographs, which are -discussed more fully later, should not be inserted in the manuscript, -because illustrations are sent to the engraver at the same time that -the manuscript is sent to the printer. Small drawings should be pasted -on separate sheets of paper, one drawing to the sheet, but large -drawings and photographs should not be treated in this manner. Mounted -photographs are entirely satisfactory, but unmounted photographs -should not be pasted on sheets or mounted, except by an expert. All -illustrations should be referred to by figure numbers in the text and -numbered correspondingly for identification on the copy. We prefer to -have illustrations numbered consecutively from the beginning to the -end of the manuscript. - -=Subdividing the Text.=--In modern textbooks and scientific works the -tendency is toward clearly marked subdivisions of the text. To this -end center-headings, side-headings, and subheadings are constantly -used. It is in general advisable that all manuscripts be prepared in -this way. As far as is possible the divisions should be of reasonable -length in order that the text may be broken up sharply into its -subdivisions. In the case of textbooks intended for classroom use, we -find that teachers generally prefer divisions of approximately equal -size and not over a page in length. Where the division is longer than -a page, subdivisions with side-headings in italics may be used. - -Bold-face headings may be indicated in the manuscript either by the -letters =b. f.= or by underlining with a wavy line. Italics may be -indicated by underlining with a straight line. If bold-face capitals -are required, mark =b. f. caps=. - -In the designation of headings and subheadings particular care should -be taken to follow a consistent and easily understood plan. - -Some of our editors strongly recommend that every chapter should begin -with an uncaptioned introductory paragraph to avoid the bald-headed -appearance that results if a chapter begins immediately with a -bold-face caption. - -If a text is designed for one of the numerous series which we publish, -the author should consult the editor of the series for his preference -in this and similar matters. - -=Some Details of Typography.=--For classroom use the majority -of teachers seem to prefer to have the side-headings numbered -consecutively throughout the book. - -Tables and illustrations should be numbered consecutively throughout -the book but in separate series. Tables should have an appropriate -caption above, and, generally speaking, illustrations should have a -descriptive legend below. Tables should be arranged, if possible, so -that they can be printed across the page. - -When equations and formulas are numerous, and especially in books -designed for classroom use, it is often advantageous to number them -consecutively throughout the text. - -For chapters and tables roman numerals should be used; for all other -series, arabic. - -Excerpts from the works of other authors (when they are more than -a phrase or sentence), problems, examples and test questions are -generally set in smaller type than the body of the text itself. -Accordingly they should be clearly marked. - -=Bibliographies.=--Bibliographic references by footnotes serve in -most books. Bibliographies of greater extent should be arranged -alphabetically at the end of each chapter of the book, or numbered -serially and referred to by numbers in the text. The custom is to -print the titles of books in roman and the titles of periodicals in -italics. Abbreviations should conform to the well-established -style sheets of technical societies. We recommend particularly the -abbreviations of: - - { Issued by the American Society of - ENGINEERING INDEX { Mechanical Engineers, 29 West 39th - { Street, New York. - - { Issued by the American Chemical - CHEMICAL ABSTRACTS { Society, 1709 G Street, N. W., - { Washington, D. C. - - { Issued by the Board of Control of - { Botanical Abstracts, Dr. Donald - BOTANICAL ABSTRACTS { Reddick, Business Manager, Cornell - { University, Ithaca, N. Y. - - { Issued by the Zoological Society of - THE ZOOLOGICAL RECORD { London, Regent's Park, London. - - THE INTERNATIONAL CATALOGUE { Issued by the Royal Society of - OF SCIENTIFIC LITERATURE { London. - -The extent of the bibliography will vary, of course, with the nature -of the subject and the treatment. The tendency to-day appears to -be toward rather excessive bibliographies, which do not seem to -us generally to be justified. For a simple rule, we recommend -"bibliographies of easily accessible sources." - -=Tables of Contents.=--Detailed tables of contents to run in the front -of the book serve a useful purpose. They should, however, be kept down -to reasonable limits. - -There are three forms of contents used in our books: - - (1) A simple list of chapter headings. In many cases this is - sufficient. - - (2) Chapter headings with all articles or sub-headings given - underneath. These may either be listed or "run in." With a - good index, such a full table of contents seems hardly to - serve a useful purpose. - - (3) The chapter headings with the outstanding sub-headings - listed or "run in" underneath. When these headings are - selected carefully they give a quick but comprehensive picture - of the contents. - -Lists of illustrations are nowadays generally regarded as unnecessary -in a technical book, and should be prepared only for the guidance of -the author and the publisher. - -=Indexes.=--A good subject index is necessary in all technical works. -A widely-read periodical in New York at one time published regularly -the following notice of subject books which were submitted to it for -review and found to be without indexes: - - The publisher and the author did not think well enough of this - book to supply it with a suitable index. We feel, therefore, - that it is hardly worthy of a review in our columns. - -A good index is one which enables the reader or student to locate -readily the subject or item which he seeks. It is usually best for an -author to make his own index. A professional indexer is inclined to -overload an index; the author, with his knowledge of the subject and a -little study, will generally produce a better working index. - -Our usual style of index is two columns to the page, set in 8-point -type, with not more than two indentions. The following example shows -the use of the single and double indentions: - - -INDEX - - A - - Acetylene starters, 263 - - Air cooling, 125 - valve, 425 - auxiliary, 72 - dashpot, 74 - - Alcohol, heating value, 70 - use in radiator, 128 - - Alignment of wheels, 421 - - Alternating current generator, simple, 280 - - Ammeter, method of connecting, 133 - operation of, 337 - - Ampere, definition of, 132 - - Anti-friction bearings, 364 - - Armature type magneto, 191 - - Arm, torque, 400 - - Atwater-Kent ignition systems, 163, 167 - - - B - - Battery, effect of overcharging, 245 - overfilling, 257 - undercharging, 245 - freezing temperature of, 250 - ignition systems, 159 - care of, 186 - timing, 185 - jars and covers, 242 - markings, 244 - necessity of pure water in, 247 - operation of, 245 - rundown, causes, 260 - sediment, 260 - specific gravity, change in, 247 - sulphation, 256 - testing with hydrometer, 247, 248 - with voltmeter, 255 - voltage, 244 - -Serious objection is properly made to numerous page references under -a single heading. For example, in a book on Petroleum, references to -every page on which the word _petroleum_ appears would obviously be -valueless. The solution lies in concise qualifications of the main -titles to reduce to the minimum the actual number of page references -opposite each heading. - -In the preparation of an index the use of 3×5-inch cards, or paper of -sufficient weight to be handled easily and of similar dimensions, -is advisable. This enables the author to arrange his subject matter -alphabetically and assemble his duplicate references easily. The -single and double indentions should be marked on these cards, and the -guide words stricken out when indentions are indicated. For single -indentions use this mark [sq]. For double indentions use [sq][sq]. -If, after the cards are so arranged and marked, it is possible for the -author to have the index typewritten in manuscript form, the risk of -mixing and loss of cards is minimized and the work of the printer is -facilitated. - -=Some Details of Style.=--Because we do not seek uniformity throughout -our entire list of books but ask only for uniformity within -a manuscript itself, with adherence to any conservative and -well-recognized standard, we do not issue a style sheet. - -The periodicals with which we are associated (the publications of the -McGraw-Hill Company, Inc., Tenth Avenue and 36th Street, New York) -have a sheet which is excellent, and which may well serve as a guide -to the author who is undertaking the preparation of a manuscript. Or -the author may use as his guide any good writer's manual. At the risk -of monotonous repetition, however, we urge once more the importance of -uniformity throughout the manuscript itself. To this end, we suggest -the following: - -_Spelling._--Follow any one of the standard and well-recognized -dictionaries, but follow it consistently. We encounter difficulties -especially in the matter of hyphenated words; in using hyphens follow -the dictionary. - -_Abbreviations._--Again, any well-recognized standard will satisfy us. -Dictionaries do not, in general, cover the abbreviations of scientific -words to a satisfactory extent. We would suggest, therefore, that -the author secure the style sheet of one of the leading technical -societies in the field in which he works. - - For Chemistry American Chemical Society - - For Civil Engineering American Society of Civil - Engineers - - For Electrical Engineering American Institute of Electrical - Engineers - - For Mechanical Engineering American Society of - Mechanical Engineers - - For Mining and Metallurgy American Institute of Mining - and Metallurgical Engineers - - For Economics and Business American Economic Association - -All of these technical societies have not only worked out their style -sheets with care, but they have, in general, accustomed their numerous -members to the details of these style sheets. - -=Copyright Infringements.=--All publishers have noted in recent years -a great increase in the number of copyright infringement cases. Many -of these appear to spring from the habit of first preparing lecture -notes, which are compiled or dictated from various sources without -thought of publication. By the time the plan to produce a book -matures, the source of the original material is often entirely -forgotten. - -No question is more common in the technical publishing field than "How -far can I make excerpts, with credit but without permission, from the -writings of other authors?" - -To this question no definite and entirely satisfactory answer can be -given. Certainly, where illustrations, tables, or important abstracts -are to be made, the author should ask permission of the publisher or -author from whose work he wishes to quote. In addition he should take -special pains to see that full credit is given in the form required by -the author or publisher from whom he has secured permission. - -The copyright law and the penalties for infringement of copyright are -drastic, but the decisions which have been rendered in cases that have -gone to trial do not furnish any particularly safe guide. - -In our experience the safest guide is a simple rule of courtesy. -Neither the author nor the publisher of a work will refuse any -reasonable request, though he may greatly resent borrowing without the -courtesy of a request. It is safer, therefore, to obtain permission -from author or publisher before borrowing from another work. - -=Shipping the Manuscript.=--Manuscript should invariably be shipped -flat, not folded or rolled. - -Manuscript and drawings should be sent together and not in -instalments. Except in rare instances, we do not undertake piecemeal -manufacture of a book. In our experience such publication methods save -little or no time and more often result in confusion and expense. - -Manuscript, before it has been set up in type, should be shipped by -express with a suitable valuation placed thereon. After the manuscript -has been set up in type, the manuscript and proof may best be sent by -parcel post, special delivery. - - - - -III - -ILLUSTRATIONS - - -In technical work such as ours the illustrations are of two classes: -(1) line drawings; (2) photographic or halftone illustrations. - -=Line Drawings.=--Copy for line drawings should be made two to three -times the dimensions of the completed illustration. The weight of -line, and especially the lettering, should be carefully worked out -to give desired results. The following illustrations, taken from -"Engineering Drawing," by Thomas E. French, will serve as a guide to -the draftsman preparing these illustrations. We suggest, however, -that when the completed copy for a few characteristic illustrations -is ready, the author send the samples to us in order that we may -determine their suitability or even, if desirable, reproduce the -samples in order that the author may examine the results with us. When -difficulty is encountered in securing suitable lettering, which will -give a finished appearance to the illustrations, we are willing to -accept the drawings with the lettering penciled in. We, in turn, -engage draftsmen, who are experienced in lettering for reproduction, -to finish the work. As this often leads to errors, however, we prefer -the completed drawings ready for reproduction. - -Line drawings from periodicals, catalogues and other publications can -be reproduced direct without material reduction in size, when the copy -is suitable for the book, and, of course, when permission to reproduce -has been secured by the author. - -=Halftone Illustrations.=--Halftone illustrations can be made -satisfactorily only from photographs or wash drawings. Photographs -on a high-finish or glossy paper produce the best results. We cannot -produce good results by making a halftone from a halftone print. -A halftone engraving is photographed through a screen, and when we -undertake to reproduce a halftone from a halftone print we throw one -screen upon the other. In rare cases passable results can be obtained -in this way, but such copy should be used most sparingly. - -[Illustration: Drawing for one-half reduction.] - -[Illustration: One-half reduction.] - -If photographs are unmounted, they should not be mounted or pasted on -sheets of paper. Smoothly mounted photographs present no difficulties -to the engraver. - -Numbers, letters or marks should not be placed on the face of -photographic prints or wash drawings. If numbers or letters are called -for, they should be indicated in pencil at the proper point on the -back of unmounted prints. This can be done easily by holding the -print against a window facing a strong light. In the case of mounted -photographs, a fly leaf of thin paper pasted on the back of the -photograph at the top and folded over the face of the photograph, can -be used for the numbers or letters. In both cases the engraver adds -the numbers or letters on the print in the manner best suited to -reproduction. - -[Illustration: Drawing for two-thirds reduction.] - -[Illustration: Two-thirds reduction.] - -Manufacturers' cuts can sometimes be used when the nature of the text -calls for them. If possible the manufacturer should be asked to supply -the original photograph or drawing. If this is not available, then the -original cut--not an electrotype--should be secured. Electrotypes can -often be used, but the results are not of the standard which we like -to maintain. - -=Wax Cuts.=--Formerly many textbooks were illustrated by engravings -made by the wax process. This is the process ordinarily used for the -production of maps. The cost of these engravings has risen, however, -to a point which makes them now practically out of the question for -the average book. They may be used in special cases. Their chief -advantage is that they can be made from rough pen or pencil sketches -and do not call either for finished lines or careful lettering. - -=In General.=--Wherever possible illustrations to occupy a full page -should stand vertically on the page. This is, we think, obviously more -satisfactory to the user of the book. - -Folded plates and charts should be avoided as far as possible, -not only because they involve an unreasonable expense, but because -American readers, at least, do not like them. Furthermore any -considerable number of inserted charts weakens the binding of the -book. - -Color plates and maps in color are prohibitively expensive for most -technical books, but systems of shading and cross-hatching can be -employed as a substitute for colors in many forms of illustration. - -=The Number of Illustrations.=--The cost of engravings of all types -has risen out of all proportion to the costs of other details of book -manufacture, and there is no present prospect of a reduction in -the scale of prices. This proves to be especially burdensome to the -publishers of technical and scientific books where the texts generally -contain a large number of illustrations. Accordingly we ask authors -to consider carefully the possibilities of reducing the number of -illustrations. In books of the character of ours illustrations are -essential, and wherever they aid the reader in grasping the subject -or are essential to the understanding of the subject, they cannot be -eliminated. But we do not believe in illustrations that are merely -"pictures" and are not essential to the understanding of the text. -Wherever they can be dispensed with, without injury to the text, they -should be eliminated in order that the retail price of the book may be -kept within reasonable limits. - - - - -IV - -MANUFACTURING THE BOOK - - -=Sample Galleys.=--When the manuscript has been prepared in our -offices for the printer, and the time has come to undertake the -manufacture of the book, we ask the printer, first, to set a few pages -of the manuscript and submit them to us in galley proofs. These are in -turn submitted to the author in order that he may study the typography -and inform us if we have in any way misunderstood his manuscript and -the marks on it. This step is, of course, dispensed with if a definite -agreement has been reached in advance as to the typographical details -of the book. - -When the author has looked over these first galleys, not with the idea -of proof-reading but of determining upon the style, we instruct the -printer to proceed with the typesetting. - -=Galley Proofs.=--These proofs in duplicate (one set is for the -author's files) are first submitted to the author, and accompanying -these is a cut dummy which shows the illustrations reproduced as they -will appear in the book. - -Galley proofs should be read with extreme care, and wherever possible -the author should call in some associate or assistant to read them as -well, for it is our experience that the author who has spent a great -deal of time in the preparation of a manuscript often reads with his -memory rather than his eyes and passes the most obvious errors. - -When the author returns the galleys with his corrections marked -thereon, he should at the same time return the original manuscript. -At this time also figure numbers and captions should be added to -the illustrations, and an indication should be made by number in -the margin of the galleys of the approximate location of the -illustrations. - -Illustrations are inserted in the pages by the printer as near the -point of reference as the limitations of make-up will permit. If, as -happens in rare cases, an illustration must be inserted in a given -paragraph, this should be clearly indicated on the galley proof. - -=Page Proofs.=--The printer then proceeds to make the book up into -pages, and duplicate page proofs are forwarded to the author. These -again should be read carefully to make sure that all corrections which -were indicated in the galleys have been properly made, and returned -to us for final casting into plates. Changes, and additions other -than typographical corrections, which involve the overrunning and -rearranging of lines or pages, often mean the remake-up of many pages -of type and an expense that is usually out of all proportion to the -good accomplished. Corrections and changes should, therefore, always -be made in the galley proofs, to avoid the difficult question of -author's corrections, which is discussed on page 18. - -The duplicate set of page proofs should be retained by the author for -use in preparing his index, in order that the copy for the index -may be forwarded as soon after the final shipment of page proofs as -possible. - -=Answering Queries.=--Frequently the proof-readers query certain -points in the manuscript on the galley or page proofs. It is important -that the author note these queries in all cases and indicate his -decision regarding the questions so raised. - -=Proof-reading.=--In technical books especially, good proof-reading is -essential. We use every effort to submit proofs which follow closely -the original copy, but the experienced author knows that he himself -cannot exercise too much care in proof-reading. The amount of damage -which has been done to the reputation and sales of many otherwise -excellent technical books, by carelessness in proof-reading, would -astound the inexperienced author. - -One set of galley and one set of page proofs which the author receives -are marked with the printer's corrections, generally in green or red -ink. The set containing the printer's marks should be returned with -the author's corrections added. The duplicate set the author should -keep for his own files. - -For the guidance of those who are inexperienced in proof-reading, -we give herewith a reproduction of a sheet showing the ordinary -proof-reading marks. It is helpful if the author follows this general -system in marking his proofs. It is essential that the corrections be -clearly marked. - - - - -PROOFREADER'S MARKS - - [symbol] Insert the letter, word or punctuation mark indicated. - [symbol] Insert or substitute a period at the place indicated. - [symbol] Insert an apostrophe. - [symbol] Insert quotation marks. - [symbol] Insert a hyphen. - [symbol] Make a space at the point indicated. - [symbol] Close up or join separated letters or words. - [symbol] Delete or take out. - [l.c.] Change from capital to small letter. - [Cap.] Change to capital letter. - [s.c.] Change to small caps. - [ital.] Change to italics. - [rom.] Change to roman type. - [w.f.] Wrong font letter. - [tr] Transpose. - [symbol] Words or letters inclosed by line should change places. - [¶] Paragraph here. - [No ¶] No paragraph here. - [Stet or ... ] Restore word or sentence mistakenly marked out. - [? or Qy.] Is this right? - [X] Broken letter. - [symbol] Move to left. - [symbol] Move to right. - [symbol] Push down space. - - -In preparing copy for the printer the writer should underline: - - _One line_, words to be put in italics. - _Two lines_, words to be put in small caps. - _Three lines_, words to be put in large caps. - _Wave line_ (~~~~~~), words to be put in heavy face type. - - -[Illustration: A CORRECTED PROOF-SHEET] - - -=Author's Corrections.=--No problem in the publishing of technical -books gives the publisher and the author more trouble than the -question of author's corrections. The term "author's corrections" -covers, technically, changes made in content, arrangement or -typographical style, or additions to the manuscript, after the type -has been set. - -The publisher, to protect himself against the author who practically -rewrites his manuscript after it has been set up in type, usually -provides in his contract that corrections in excess of a certain -percentage of the cost of composition shall be charged to and paid -for by the author. The printer makes a careful distinction between -printer's corrections and author's corrections. Corrections marked in -galley and page proofs of a book where the printer has not followed -copy are printer's corrections. Author's corrections are changes and -additions made in the proof. Obviously, where these changes make -a distinct improvement in the text--that is, a better book--the -publisher takes a sympathetic attitude; but when the item of author's -corrections runs to a total of twenty-five or fifty per cent or more -of the cost of setting up the book, there is clear indication that the -author did not complete his book in the manuscript but in the proof. - -For a general rule it should be kept in mind that corrections in the -galley proofs cost much less than corrections in the page proofs -where remake-up of pages involving a large expense may result from -the addition of a single line, or even a few words. But it is most -important of all for the author to realize that every correction made -after the manuscript has been set up in type is time-consuming and -expensive, and that such delay and expense are reduced to a minimum -when the author submits a clean, carefully prepared manuscript which -embodies his final judgment of content and style. - - - - -V - -WHEN THE BOOK IS PUBLISHED - - -Within a short period after the author returns the proofs of the -index, the book is ready for publication. The author's work is then -practically done. - -Immediately upon the arrival of the bound books from the bindery, -the publisher places the work upon the market, copyrights it in this -country and abroad, and undertakes campaigns for its distribution. - -This section of the _Suggestions_ is intended to show the author how -he can help in this work and to answer certain questions which are -asked constantly. - -=Marketing a Book.=--We take pride in the thoroughness with which we -seek the market for all books bearing our imprint. The spirit of -the agreement which we make with the author is that each book is a -separate business venture into which we have entered as a partner of -the author. - -In marketing his book the author can be of material assistance to us. -He knows the subject better than we can ever know it, and he knows the -type of man to which he intends his book to appeal. For these reasons -we always welcome the assistance and suggestions of the author. - -At the time when the author begins to receive page proofs of the book, -we are outlining our campaign for its distribution. At that time we -like to receive from the author, first, a brief but exact definition -of the scope and purpose of the book. This we use, not for our -advertising, but as the basis of our advertising. Second, we find -distinctly helpful a list of points to emphasize in our circular and -periodical advertising, and for such a list we look to the author. A -cut-and-dried table of contents often fails to give as good a picture -of a book as do a few well-selected points. - -At the same time the author's suggestions of special periodicals to -which copies should be sent for review, and of special lists which may -well be circularized, will also be helpful. These we generally know -about, but sometimes we overlook obvious points of attack in our -campaigns. - -=Corrections and Revisions.=--In practically every instance our books -are printed from electrotype plates. Consequently the first printings -are rarely large, because we are able to produce further copies, from -our electrotype plates, as needed. - -Before a book is reprinted the author is given an opportunity to send -in corrections of typographical and other errors which have escaped -notice in the earlier printing or printings. Such reprints, however, -are not called new editions nor is the title page date of the book -changed. We follow strictly the policy of designating as new editions -only books which have been more or less thoroughly revised, and the -title page date of one of our books is an indication of the date of -the text--not of the reprint. - -When, in the author's opinion or our own, the text requires revision, -we discuss the details with the author and arrange for as complete a -revision as the condition of the text calls for. Since the printings -of our books are rarely large, we are able to arrange for the -production of a new edition in normal cases as soon as the author -feels that it is required and can complete his portion of the work. - -=Translations.=--We arrange, where possible, for translations of books -into foreign languages, dividing the proceeds with the author. The -underlying theory of this division is that, with the publication of a -translation, both the author and the publisher suffer from the loss of -sales of the edition in English. - -The foreign publisher generally has to pay to his translator about the -royalties usually paid to an author, and accordingly the amount which -can be charged to a foreign publisher for rights of translation -is, except in rare cases, small. Translations must be regarded as a -by-product. - -Our attempts to market books in foreign languages from New York, -or from one of our foreign agencies, have not been encouraging. -Accordingly, the first question, when we are endeavoring to arrange -for a translation, is for us to find a publisher in the country -selected who will undertake the work of securing a translator and -publishing the book. When a translator offers his services, we find it -necessary to ask him first to interest a publisher in his own country -in the venture. - -=Prompt Publication.=--From the standpoint of both the author and the -publisher it is desirable that a book should be put on the market as -soon as possible after the manuscript is completed. - -From the moment the publisher undertakes to manufacture a book he has -an investment which grows rapidly and yields nothing until the sales -of the book begin. - -The production of technical books is delayed, generally, by one of the -following causes: - - (1) The author wishes to submit his material to his associates - or to specialists in the field. Except for purposes of - proof-reading such submission should be made in manuscript. - - (2) The author fails to return his proofs and manuscript copy - promptly. The prompt reading and return of proofs is of the - greatest importance. - - (3) The copy for the index does not follow closely upon the - return of the final batch of page proofs. - -The printer, the engraver, the paper manufacturer, the binder or -the publisher may also interfere with prompt publication; but if the -author's end of the work is handled systematically and promptly, we -are generally able to control the manufacturing details. - - * * * * * - - - - - Transcriber's Note - - - _ _ indicates italic script; - - = = indicates bold script; - - [sq] indicates a hollow square. - - - Sundry missing or damaged punctuation has been repaired. - - - Page 6, etc.: 'sub-headings', and 'subheadings' both appear in - this book, as do 'Proof-reader' and 'Proofreader', and some other - instances of hyphenated and non-hyphenated words. - - As it is a book of suggestions on layout and style from a respected - publishing house, it can be assumed they knew what they intended, - so both hyphenated and non-hyphenated words have been retained. - - Page 9: 'instalments'. - - From Webster's Dictionary, 1913 Edition - (http: //www. bibliomania.com/2/3/257/frameset.html): - - Installment - (In*stall"ment) n. [Written also instalment.] - - 'instalments' has therefore been retained. - - - - - -End of the Project Gutenberg EBook of A Few Suggestions to McGraw-Hill -Authors., by McGraw-Hill Book Company - -*** END OF THIS PROJECT GUTENBERG EBOOK SUGGESTIONS TO MCGRAW-HILL AUTHORS *** - -***** This file should be named 54146-8.txt or 54146-8.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/5/4/1/4/54146/ - -Produced by Chris Curnow, Lesley Halamek and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive) - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for the eBooks, unless you receive -specific permission. If you do not charge anything for copies of this -eBook, complying with the rules is very easy. You may use this eBook -for nearly any purpose such as creation of derivative works, reports, -performances and research. They may be modified and printed and given -away--you may do practically ANYTHING in the United States with eBooks -not protected by U.S. copyright law. Redistribution is subject to the -trademark license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country outside the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you'll have to check the laws of the country where you - are located before using this ebook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm web site -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from both the Project Gutenberg Literary Archive Foundation and The -Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm -trademark. Contact the Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org - - - -Section 3. Information about the Project Gutenberg Literary Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's principal office is in Fairbanks, Alaska, with the -mailing address: PO Box 750175, Fairbanks, AK 99775, but its -volunteers and employees are scattered throughout numerous -locations. Its business office is located at 809 North 1500 West, Salt -Lake City, UT 84116, (801) 596-1887. Email contact links and up to -date contact information can be found at the Foundation's web site and -official page at www.gutenberg.org/contact - -For additional contact information: - - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works. - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our Web site which has the main PG search -facility: www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - diff --git a/old/54146-8.zip b/old/54146-8.zip Binary files differdeleted file mode 100644 index c22bfd9..0000000 --- a/old/54146-8.zip +++ /dev/null diff --git a/old/54146-h.zip b/old/54146-h.zip Binary files differdeleted file mode 100644 index 7da1eef..0000000 --- a/old/54146-h.zip +++ /dev/null diff --git a/old/54146-h/54146-h.htm b/old/54146-h/54146-h.htm deleted file mode 100644 index c94f258..0000000 --- a/old/54146-h/54146-h.htm +++ /dev/null @@ -1,1728 +0,0 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" -"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> -<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en"> - -<head> - <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" /> - - <title>The Project Gutenberg eBook of "A Few Suggestions to McGraw-Hill Authors" by McGraw-Hill Book Company</title> - -<link rel="coverpage" href="images/cover.jpg" /> - - <style type="text/css"> - - body {margin-left: 15%; margin-right: 15%;} - #coverpage {border: 1px solid black;} - #half-title {margin-top: 8em; margin-bottom: 8em;} - @media screen { - #half-title {margin: 6em 0;} - } - @media print, handheld { - #half-title {page-break-before: always; page-break-after: always;} - } - - .half-title {text-align: center; font-weight: bold; line-height: 150%; margin-top: 5em; margin-bottom: 5em;} - - div.chapter {margin-top: 5em;} - - @media print, handheld { - div.chapter {page-break-before: always;} - } - - table {width: auto; margin: auto;} - .toc {width: 70%; margin: auto; margin-top: 2em;} - table.left {margin-left: 5em;} - - th {font-weight: bold; font-size: 1.1em; text-align: left; padding-left: 5em;vertical-align: top;} - th.left {font-weight: bold; font-size: 1.1em; text-align: left; padding-left: 1em; vertical-align: top;} - th.right {font-weight: normal; font-size: 1.1em; text-align: right; padding-left: 0; padding-right: 0; vertical-align: top;} - - td {font-weight: normal; font-size: 1.0em; text-align: left; padding-left: 0; padding-right: 0.5em; vertical-align: top;} - td.foo {font-weight: normal; font-size: 1.0em; text-align: left; padding-left: 0; padding-right: 1.5em; vertical-align: top;} - td.left {font-weight: normal; font-size: 1.1em; text-align: left; padding-left: 1em; padding-right: 1em; vertical-align: top; padding-top: 0.5em;} - td.right {font-weight: normal; font-size: 1.1em; text-align: right; padding-left: 1em; padding-right: 1em; vertical-align: middle; padding-top: 0.5em;} - td.leftm {font-weight: normal; font-size: 1.0em; text-align: left; padding-left: 1em; padding-right: 1em; vertical-align: middle;} - td.leftt {font-weight: normal; font-size: 1.0em; text-align: left; text-indent: -1em; padding-left: 1em; padding-right: 1em; vertical-align: top;} - td.leftt1 {font-weight: normal; font-size: 1.0em; text-align: left; padding-left: 0; padding-right: 0; vertical-align: top;} - - td.left1 {font-weight: normal; text-align: left; padding-right: 1em; padding-left: 2.5em; vertical-align: top;} - - .tn {width: 45em; margin: 0 auto; background-color: #ffffee; color: #000000; margin-top: 3em;} - p {text-align: justify;} - blockquote {text-align: justify; font-size: 0.95em;} - - .ind {margin-left: 2em; margin-right: 2em;} - - h1 {font-size: 2.8em; line-height: 150%;} - h2 {line-height: 150%;} - h1,h2,h3,h4 {text-align: center; margin-top: 3em;} - p.title {font-weight: bold; font-size: 1.3em; text-align: center; line-height: 130%;} - - span.foo {font-size: 1.1em; font-weight: bold; padding-right: 0.5em;} - span.emph {font-size: 140%; font-weight: bold;} - - .less1 {font-size: 85%;} - .less3 {font-size: 70%;} - small {font-size: 50%;} - big {font-size: 140%;} - - p.right {float: right; font-size: 1.1em; font-weight: bold; margin-right: 1em; padding-bottom: 1em;} - - pre {font-size: 0.7em;} - .sc {font-variant: small-caps;} - - ins {text-decoration: none; border-bottom: dashed 1px #dddddd;} - - div.center {max-width: 50em; text-align: center; margin: auto; border: 1px solid yellow;} - - .spaced2 {letter-spacing: 0.2em;} - - .b30 {line-height: 30%;} - - .center {text-align: center;} - .centerb {text-align: center; font-size: 1.1em; font-weight: bold; margin-top: 8em; line-height: 130%} - - .bhead {font-size: 1.1em; font-weight: bold;} - - span.left {float: left;} - span.right {float: right;} - - ul.none {list-style-type: none; margin-left: 1em; font-size: 0.9em;} - ul.index1 {margin-left: 2em; list-style-type: none;} - ul.index2 {margin-left: 2em; list-style-type: none;} - - hr {width: 100%;} - html>body hr {margin-right: 0%; margin-left: 0%; width: 100%;} - hr.medium {width: 76%; clear: both;} - html>body hr.medium {margin-right: 12%; margin-left: 12%; width: 76%;} - hr.short {width: 40%; clear: both;} - html>body hr.short {margin-right: 30%; margin-left: 30%; width: 40%;} - - span.pagenum {position: absolute; left: 1%; right: 91%; font-size: 8pt; text-indent: 0;} - - sup {font-size: 0.95em; font-weight: normal;} - - p.footnote {font-size: 0.9em; margin-left: 5%; margin-right: 5%; margin-top: 3em; margin-bottom: 2em;} - -.figcenter {padding: 1em; margin: 0; text-align: center; font-size: 0.9em;} -.figcenter img - {border: none;} -.figcenter p - {margin: 1em 0 0 0; text-indent: 1em;} -.figcenter {margin: auto;} - -a:link {color: #0000ff; background: inherit; font-size: 1.0em; font-weight: normal; text-decoration: none;} -a:visited {color: #cc3399; background: inherit; font-size: 1.0em; font-weight: normal; text-decoration: none;} -a.toc:link {color: #330066; text-decoration: none;} -a.toc:visited {color: #cc3399; text-decoration: none;} - -@media handheld { -body { -margin-left : 2%; -margin-right : 2%; -margin-top : 1%; -margin-bottom : 1%; -} -hr { -margin-top : 0.1em; -margin-bottom : 0.1em; -visibility : hidden; -color : white; -display : none; -} -} -@media print { -span.pagenum { -visibility: hidden; -color: white; -display: none; -} -} - - </style> -</head> -<body> - - -<pre> - -The Project Gutenberg EBook of A Few Suggestions to McGraw-Hill Authors., by -McGraw-Hill Book Company - -This eBook is for the use of anyone anywhere in the United States and most -other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms of -the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll have -to check the laws of the country where you are located before using this ebook. - -Title: A Few Suggestions to McGraw-Hill Authors. - Details of manuscript preparation, Typograpy, Proof-reading - and other matters in the production of manuscripts and - books. - -Author: McGraw-Hill Book Company - -Release Date: February 10, 2017 [EBook #54146] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK SUGGESTIONS TO MCGRAW-HILL AUTHORS *** - - - - -Produced by Chris Curnow, Lesley Halamek and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive) - - - - - - -</pre> - - -<div class="figcenter"><img src="images/cover-300.jpg" width="300" height="412" alt="cover" /></div> - -<div id="half-title"> - -<h2>A FEW SUGGESTIONS TO<br /> - -McGRAW-HILL AUTHORS</h2> -</div> - -<hr class="short" /> - -<h1>A FEW SUGGESTIONS TO<br /> - -McGRAW-HILL AUTHORS</h1> - -<p class="title"> -<span class="sc">Details of Manuscript Preparation,</span><br /> -<span class="sc">Typography, Proof-reading and</span><br /> -<span class="sc">Other Matters Involved in</span><br /> -<span class="spaced2"><span class="sc">the Production of</span></span><br /> -<span class="sc">Manuscripts and</span><br /> -<span class="sc">Books</span></p> - -<p class="centerb"><span class="sc">McGRAW-HILL BOOK COMPANY, Inc.</span><br /> -<span class="less1">NEW YORK: 370 SEVENTH AVENUE</span><br /> -<span class="less3">LONDON: 6 & 8 BOUVERIE ST., E. C. 4</span><br /> -<span class="less1">1922</span></p> - -<hr class="medium" /> - -<div class="half-title"> -<span class="sc">Copyright, 1922, by the</span><br /> -<span class="sc">McGraw-Hill Book Company, Inc.</span> -</div> - -<hr class="medium" /> - -<p><span class="pagenum"><a name="pagev" id="pagev"></a>[pg v]</span></p> - -<div class="chapter"> -<h2>INTRODUCTION</h2> -</div> - -<hr class="short" /> - -<p>The McGraw-Hill Book Company was formed on July 1, -1909, by a consolidation of the book departments of the McGraw -Publishing Company and the Hill Publishing Company, then -separate publishers of engineering journals and books. For over -twenty years, prior to the formation of the McGraw-Hill Book -Company, the several journals controlled by Mr. McGraw and -Mr. Hill (now published by the McGraw-Hill Company, Inc., a -separate organization) had been producing books in their special -fields; but the publication of technical books had not been brought -to the high standard of technical journals.</p> - -<p>From the beginning we adopted the slogan, <i>Better Books in -Text and Manufacture</i>. It was evident to the men who had -brought the leading technical journals of the country from comparative -insignificance to positions of influence that there was need -of a new technical literature—a literature for classroom and -reference which should adequately supplement their periodicals.</p> - -<p>Our first efforts were largely in the field of engineering, but -presently we set new goals for ourselves. By processes which -seemed natural to us, we have extended our publishing not only -into the fields of chemistry, physics, mathematics and English, -with a view always of supplying better fundamental textbooks -for students, but also into the fields of agriculture, business -administration and economics. Similarly our range of publishing -has broadened from the somewhat restricted field of <i>applied -science</i>, to include numerous works of high standard dealing with -<i>pure science</i>.</p> - -<p>In all these fields the aim has been, not only to produce a -better grade of text and reference book, but to put behind each -book a selling organization so competent that the maximum -market, both in this country and abroad, would be reached. -<span class="pagenum"><a name="pagevi" id="pagevi"></a>[pg vi]</span> -Without this the possibility of persuading important men, in all -branches of science, to produce textbooks seemed futile, for the -author's return must always be in proportion to the distribution.</p> - -<p>The association with the journals of the McGraw-Hill Company, -which we represent in all matters pertaining to the production -of books, brings us into close contact with the widest -range of engineering and industrial activities. The circulations -of these journals include the leading engineers and executives -of the world. The list follows:</p> - -<ul class="none"> -<li><i>American Machinist</i></li> -<li><i>Electric Railway Journal</i></li> -<li><i>Electrical World</i></li> -<li><i>Engineering and Mining Journal-Press</i></li> -<li><i>Coal Age</i></li> -<li><i>Engineering News-Record</i></li> -<li><i>Power</i></li> -<li><i>Chemical and Metallurgical Engineering</i></li> -<li><i>Electrical Merchandising</i></li> -<li><i>Industrial Engineer</i></li> -<li><i>Bus Transportation</i></li> -<li><i>Journal of Electricity</i></li> -<li><i>Ingenieria Internacional</i></li> -</ul> - -<p>From these journals we draw both editorial guidance and -marketing power. They are the "natural resources" which simplified -the problems of our early years and made possible our -rapid development and growth, until today, by the application -of the same editorial standards and marketing methods, in broader -fields, we are able to offer to the author of technical books a highly -developed machinery of publication and distribution.</p> -<p><span class="pagenum"><a name="pagevii" id="pagevii"></a>[pg vii]</span></p> - -<h2>TABLE OF CONTENTS</h2> - -<hr class="short" /> - -<table class="toc" summary="contents" border="0"> -<tr> - <th class="right" colspan="3">PAGE</th> -</tr> -<tr> - <th class="right">I.</th> - <th class="left"><a class="toc" href="#page1"><span class="sc">Uniformity and Standards</span></a></th> - <th class="right"><a href="#page1">1</a></th> -</tr> -<tr> - <th class="right">II.</th> - <th class="left"><a class="toc" href="#page3"><span class="sc">Preparing the Manuscript</span></a></th> - <th class="right"><a href="#page3">3</a></th> -</tr> -<tr> - <td> </td> - <td class="left1">Typing—Numbering the Pages—Copy for Footnotes—Copy -for Illustrations—Subdividing the Text—Some Details -of Typography—Bibliographies—Tables of Contents—Indexes—Some Details of Style—Copyright -Infringements—Shipping the Manuscript.</td> - <td> </td> -</tr> -<tr> - <th class="right">III.</th> - <th class="left"><a class="toc" href="#page10"><span class="sc">Illustrations</span></a></th> - <th class="right"><a href="#page10">10</a></th> -</tr> -<tr> - <td> </td> - <td class="left1">Line Drawings—Halftone Illustrations—Wax Cuts—In General—The Number of Illustrations. - </td> - <td> </td> -</tr> -<tr> - <th class="right">IV.</th> - <th class="left"><a class="toc" href="#page14"><span class="sc">Manufacturing the Book</span></a></th> - <th class="right"><a href="#page14">14</a></th> -</tr> -<tr> - <td> </td> - <td class="left1">Sample Galleys—Galley Proofs—Page Proofs—Answering Queries—Proof-reading—Author's Corrections.</td> - <td> </td> -</tr> -<tr> - <th class="right">V.</th> - <th class="left"><a class="toc" href="#page19"><span class="sc">When the Book Is Published</span></a></th> - <th class="right"><a href="#page19">19</a></th> -</tr> -<tr> - <td> </td> - <td class="left1">Marketing a Book—Corrections and Revisions—Translations—Prompt Publication.</td> - <td> </td> -</tr> -</table> - -<p><span class="pagenum"><a name="page1" id="page1"></a>[pg 1]</span></p> - -<h2>A FEW SUGGESTIONS TO<br /> -McGRAW-HILL AUTHORS</h2> - -<hr class="short" /> - -<div class="chapter"> -<h3>I<br /><br /> - -UNIFORMITY AND STANDARDS</h3></div> - -<p>The purpose of these suggestions is fourfold:</p> - -<blockquote><p> -(1) To assist our authors in preparing their manuscripts -and in understanding the general process of publication.</p> - -<p>(2) To lighten the burden of the editors, typesetters, and -proof-readers in securing uniformity and adherence to -high standards.</p> - -<p>(3) To avoid complications and delays and—worst of all—the -item of author's corrections.</p> - -<p>(4) To obtain a standard of editorial details as uniformly -high as that of the subject-matter of our books. -</p></blockquote> - -<p>Let it be understood, first of all, that these are suggestions, -not rules. Although we endeavor to maintain high standards, -we do not insist upon uniformity of style or consistency throughout -the books in our widely diversified list. The editor of a -periodical or the proceedings of a society properly insists upon -uniformity, generally issues a style sheet to guide his contributors, -and edits all manuscript to fixed standards. But since our books -cover nearly all branches of science, we feel that absolute uniformity -would accomplish no good purpose.</p> - -<p>Throughout a single manuscript, however, in details of punctuation, -spelling, abbreviation, compounding of words, side- and -center-headings, notation, bibliographic references, etc., we do -<span class="pagenum"><a name="page2" id="page2"></a>[pg 2]</span> -ask for the adoption of a conservative, well-recognized standard. -Even uniformity throughout a manuscript seems, curiously -enough, most difficult to secure, although the lack of it leads -to misunderstandings, delays and author's corrections, with their -attendant avoidable expenses.</p> - -<p>We have used the phrase "conservative, well-recognized -standard" advisedly. Departure from such standards, either in -spelling, punctuation, systems of notation or otherwise, is not -advisable, for whatever convictions the author and the publisher -may have it is quite certain that the majority of the readers of any -given book will be conservative and more often annoyed than -otherwise by any radical departures from common practice.</p> - -<p>Without reference to our own views on simplified spelling, for -example, we are confident that the radical simplified speller is -neither surprised nor disturbed to find in a book what he would -term old-fashioned spelling. The conservative speller, on the -other hand, is shocked even at <i>tho</i> and <i>thru</i>, and the book suffers -accordingly. Nevertheless, we have no quarrel with <i>sulfur</i> in our -manuscripts on chemical subjects, or with any other spelling -which has been approved officially by the leading technical -society in the particular field of the manuscript.</p> - -<p>To secure consistency in details throughout his manuscript it is -best for an author to adopt as his guides, at the very beginning of -his work, some standard unabridged dictionary and an authoritative -writer's manual, and to stick to these alone until his book is on -the market. By this method he will give his book not only a high -standard but uniformity in details.</p> -<p><span class="pagenum"><a name="page3" id="page3"></a>[pg 3]</span></p> - -<div class="chapter"> -<h3>II<br /><br /> - -PREPARING THE MANUSCRIPT</h3></div> - -<p>The first requisite of good manuscript is obviously legibility. -To this end we suggest the following:</p> - -<p><span class="bhead">Typing.</span>—Manuscript should be typewritten in black on one -side of white paper, uniform in size and preferably 8½×11 inches. -A paper of reasonable thickness and toughness is desirable. Thin, -"manifold" paper should not be used for the publisher's copy.</p> - -<p>The same spacing should be used as far as practicable on each -sheet to facilitate estimates as to the number of words in the -complete manuscript. A margin of at least an inch should be left -at top, bottom, and left-hand side. Single spacing should be -avoided.</p> - -<p>A carbon copy should invariably be made and retained by the -author, both for his reference and to protect him against possible -loss of the original. The original or ribbon copy should be sent -to the publisher.</p> - -<p><span class="bhead">Numbering the Pages.</span>—Sheets should be numbered consecutively -in the upper right-hand corner from beginning to end -and arranged in order of their numbers. Interpolated pages may -be marked 36a, 36b, and so forth, in accordance with the number -of the preceding page. If any pages are removed from the manuscript -for any reason, the preceding page should be double numbered, -as, for example: 36 & 7 or 36-40.</p> - -<p><span class="bhead">Copy for Footnotes.</span>—Footnotes, if used, should be put into -the body of the manuscript immediately following the reference -and separated from the text by parallel lines above and below. -The number referring to the footnote should be placed in the text -and before the footnote. Generally speaking, we prefer the use of -arabic numerals for footnotes,<a id="footnotetag1" name="footnotetag1"></a><a href="#footnote1"><sup>1</sup></a> -which should be carried out consecutively -<span class="pagenum"><a name="page4" id="page4"></a>[pg 4]</span> -through each chapter, when the footnotes are numerous, -with a new series for each chapter. In cases where footnotes are -relatively few, the numerals may be repeated without risk of confusion -from page to page as the footnotes occur.</p> - -<blockquote> -<p class="footnote"><a id="footnote1" name="footnote1"></a><a class="footnote" href="#footnotetag1">1:</a> -This footnote is to show the size of type (8 point) which we generally -use for footnotes. Incidentally this booklet is set up in 10 point, and in the -general typographical style of our reference and textbooks, as distinguished -from handbooks. The dimensions of the type page and the trimmed size of -the page are those we usually adopt for the standard 6×9-inch book.</p> -</blockquote> - -<p><span class="bhead">Copy for Illustrations.</span>—Drawings and photographs, which are -discussed more fully later, should not be inserted in the manuscript, -because illustrations are sent to the engraver at the same time -that the manuscript is sent to the printer. Small drawings should -be pasted on separate sheets of paper, one drawing to the sheet, -but large drawings and photographs should not be treated in this -manner. Mounted photographs are entirely satisfactory, but unmounted -photographs should not be pasted on sheets or mounted, -except by an expert. All illustrations should be referred to by -figure numbers in the text and numbered correspondingly for identification -on the copy. We prefer to have illustrations numbered -consecutively from the beginning to the end of the manuscript.</p> - -<p><span class="bhead">Subdividing the Text.</span>—In modern textbooks and scientific -works the tendency is toward clearly marked subdivisions of the -text. To this end center-headings, side-headings, and subheadings -are constantly used. It is in general advisable that all manuscripts -be prepared in this way. As far as is possible the divisions -should be of reasonable length in order that the text may be -broken up sharply into its subdivisions. In the case of textbooks -intended for classroom use, we find that teachers generally prefer -divisions of approximately equal size and not over a page in length. -Where the division is longer than a page, subdivisions with side-headings -in italics may be used.</p> - -<p>Bold-face headings may be indicated in the manuscript either -by the letters <span class="bhead">b. f.</span> or by underlining with a wavy line. Italics -may be indicated by underlining with a straight line. If bold-face -capitals are required, mark <span class="bhead">b. f. caps</span>.</p> - -<p>In the designation of headings and subheadings particular care -should be taken to follow a consistent and easily understood plan.</p> - -<p>Some of our editors strongly recommend that every chapter -should begin with an uncaptioned introductory paragraph to -avoid the bald-headed appearance that results if a chapter begins -immediately with a bold-face caption.</p> - -<p>If a text is designed for one of the numerous series which we -publish, the author should consult the editor of the series for his -preference in this and similar matters.</p> -<p><span class="pagenum"><a name="page5" id="page5"></a>[pg 5]</span></p> - -<p><span class="bhead">Some Details of Typography.</span>—For classroom use the majority -of teachers seem to prefer to have the side-headings numbered -consecutively throughout the book.</p> - -<p>Tables and illustrations should be numbered consecutively -throughout the book but in separate series. Tables should have -an appropriate caption above, and, generally speaking, illustrations -should have a descriptive legend below. Tables should be -arranged, if possible, so that they can be printed across the page.</p> - -<p>When equations and formulas are numerous, and especially in -books designed for classroom use, it is often advantageous to -number them consecutively throughout the text.</p> - -<p>For chapters and tables roman numerals should be used; for -all other series, arabic.</p> - -<p>Excerpts from the works of other authors (when they are more -than a phrase or sentence), problems, examples and test questions -are generally set in smaller type than the body of the text itself. -Accordingly they should be clearly marked.</p> - -<p><span class="bhead">Bibliographies.</span>—Bibliographic references by footnotes serve in -most books. Bibliographies of greater extent should be arranged -alphabetically at the end of each chapter of the book, or numbered -serially and referred to by numbers in the text. The custom is to -print the titles of books in roman and the titles of periodicals in -italics. Abbreviations should conform to the well-established -style sheets of technical societies. We recommend particularly -the abbreviations of:</p> - -<table class="left" summary="recommendations" border="0"> -<tr> - <td class="leftm"><span class="sc">Engineering Index</span></td> - <td><img src="images/leftbracef.png" width="20" height="70" alt="leftbrace" /></td> - <td class="leftt">Issued by the American Society of<br /> - Mechanical Engineers, 29 West 39th<br /> - Street, New York.</td> -</tr> -<tr> - <td class="leftm"><span class="sc">Chemical Abstracts</span></td> - <td><img src="images/leftbracef.png" width="20" height="70" alt="leftbrace" /></td> - <td class="leftt">Issued by the American Chemical<br /> - Society, 1709 G Street, N. W.,<br /> - Washington, D. C.</td> -</tr> -<tr> - <td class="leftm"><span class="sc">Botanical Abstracts</span></td> - <td><img src="images/leftbracef.png" width="20" height="70" alt="leftbrace" /></td> - <td class="leftt">Issued by the Board of Control of<br /> - Botanical Abstracts, Dr. Donald<br /> - Reddick, Business Manager, Cornell<br /> - University, Ithaca, N. Y.</td> -</tr> -<tr> - <td class="leftm"><span class="sc">The Zoological Record</span></td> - <td><img src="images/leftbraceh.png" width="20" height="40" alt="leftbrace" /></td> - <td class="leftt">Issued by the Zoological Society of<br /> - London, Regent's Park, London.</td> -</tr> -<tr> - <td class="leftt"><span class="sc">The International Catalogue<br /> - of Scientific Literature</span></td> - <td><img src="images/leftbraceh.png" width="20" height="40" alt="leftbrace" /></td> - <td class="leftt">Issued by the Royal Society of<br /> - London.</td> -</tr> -</table> - -<p><span class="pagenum"><a name="page6" id="page6"></a>[pg 6]</span></p> - -<p>The extent of the bibliography will vary, of course, with the -nature of the subject and the treatment. The tendency to-day -appears to be toward rather excessive bibliographies, which -do not seem to us generally to be justified. For a simple -rule, we recommend "bibliographies of easily accessible -sources."</p> - -<p><span class="bhead">Tables of Contents.</span>—Detailed tables of contents to run in the -front of the book serve a useful purpose. They should, however, -be kept down to reasonable limits.</p> - -<p>There are three forms of contents used in our books:</p> - -<blockquote><p> -(1) A simple list of chapter headings. In many cases this -is sufficient.</p> - -<p>(2) Chapter headings with all articles or sub-headings -given underneath. These may either be listed or "run -in." With a good index, such a full table of contents -seems hardly to serve a useful purpose.</p> - -<p>(3) The chapter headings with the outstanding sub-headings -listed or "run in" underneath. When these -headings are selected carefully they give a quick but -comprehensive picture of the contents. -</p></blockquote> - -<p>Lists of illustrations are nowadays generally regarded as -unnecessary in a technical book, and should be prepared only for -the guidance of the author and the publisher.</p> - -<p><span class="bhead">Indexes.</span>—A good subject index is necessary in all technical -works. A widely-read periodical in New York at one time published -regularly the following notice of subject books which were -submitted to it for review and found to be without indexes:</p> - -<blockquote><p> -The publisher and the author did not think well enough of this book to -supply it with a suitable index. We feel, therefore, that it is hardly worthy -of a review in our columns. -</p></blockquote> - -<p>A good index is one which enables the reader or student to locate -readily the subject or item which he seeks. It is usually best -for an author to make his own index. A professional indexer is -inclined to overload an index; the author, with his knowledge of -the subject and a little study, will generally produce a better -working index.</p> -<p><span class="pagenum"><a name="page7" id="page7"></a>[pg 7]</span></p> - -<p>Our usual style of index is two columns to the page, set in -8-point type, with not more than two indentions. The following -example shows the use of the single and double indentions:</p> - -<h4>INDEX</h4> - -<table summary="index" border="0"> -<tr> - <th>A</th> - <th>B</th> -</tr> -<tr> - <td class="foo"> -<ul class="none"> -<li>Acetylene starters, 263</li> -<li>Air cooling, 125 -<ul class="index1"><li>valve, 425 -<ul class="index2"><li>auxiliary, 72</li> -<li>dashpot, 74</li></ul></li></ul></li> -<li>Alcohol, heating value, 70 -<ul class="index1"><li>use in radiator, 128</li></ul></li> -<li>Alignment of wheels, 421</li> -<li>Alternating current generator, simple, 280</li> -<li>Ammeter, method of connecting, 133 -<ul class="index1"><li>operation of, 337</li></ul></li> -<li>Ampere, definition of, 132</li> -<li>Anti-friction bearings, 364</li> -<li>Armature type magneto, 191</li> -<li>Arm, torque, 400</li> -<li>Atwater-Kent ignition systems, 163, 167</li> -</ul> - </td> - <td class="foo"> -<ul class="none"> -<li>Battery, effect of overcharging, 245 -<ul class="index1"><li> -<ul class="index2"><li>overfilling, 257</li> -<li>undercharging, 245</li></ul></li></ul> -<ul class="index1"><li>freezing temperature of, 250</li> -<li>ignition systems, 159 -<ul class="index2"><li>care of, 186</li> -<li>timing, 185</li></ul></li> -<li>jars and covers, 242</li> -<li>markings, 244</li> -<li>necessity of pure water in, 247</li> -<li>operation of, 245</li> -<li>rundown, causes, 260</li> -<li>sediment, 260</li> -<li>specific gravity, change in, 247</li> -<li>sulphation, 256</li> -<li>testing with hydrometer, 247, 248 -<ul class="index2"><li>with voltmeter, 255</li></ul></li> -<li>voltage, 244</li></ul></li> -</ul> - </td> -</tr> -</table> - -<p>Serious objection is properly made to numerous page references -under a single heading. For example, in a book on Petroleum, -references to every page on which the word <i>petroleum</i> appears -would obviously be valueless. The solution lies in concise qualifications -of the main titles to reduce to the minimum the actual -number of page references opposite each heading.</p> - -<p>In the preparation of an index the use of 3×5-inch cards, or -paper of sufficient weight to be handled easily and of similar -dimensions, is advisable. This enables the author to arrange his -subject matter alphabetically and assemble his duplicate references -easily. The single and double indentions should be marked on -these cards, and the guide words stricken out when indentions are -indicated. For single indentions use this mark <span class="emph"><ins title="white square">◻</ins></span>. For double -indentions use <span class="emph">◻◻</span>. If, after the cards are so arranged and -marked, it is possible for the author to have the index typewritten -in manuscript form, the risk of mixing and loss of cards is minimized -and the work of the printer is facilitated.</p> -<p><span class="pagenum"><a name="page8" id="page8"></a>[pg 8]</span></p> - -<p><span class="bhead">Some Details of Style.</span>—Because we do not seek uniformity -throughout our entire list of books but ask only for uniformity -within a manuscript itself, with adherence to any conservative and -well-recognized standard, we do not issue a style sheet.</p> - -<p>The periodicals with which we are associated (the publications -of the McGraw-Hill Company, Inc., Tenth Avenue and 36th -Street, New York) have a sheet which is excellent, and which -may well serve as a guide to the author who is undertaking the -preparation of a manuscript. Or the author may use as his guide -any good writer's manual. At the risk of monotonous repetition, -however, we urge once more the importance of uniformity throughout -the manuscript itself. To this end, we suggest the following:</p> - -<p><i>Spelling.</i>—Follow any one of the standard and well-recognized -dictionaries, but follow it consistently. We encounter difficulties -especially in the matter of hyphenated words; in using hyphens -follow the dictionary.</p> - -<p><i>Abbreviations.</i>—Again, any well-recognized standard will satisfy -us. Dictionaries do not, in general, cover the abbreviations -of scientific words to a satisfactory extent. We would suggest, -therefore, that the author secure the style sheet of one of the -leading technical societies in the field in which he works.</p> - -<table class="left" summary="technical societies" border="0"> -<tr> - <td class="leftt1">For Chemistry . . . . . . . . . . . . .</td> - <td class="leftt1">American Chemical Society</td> -</tr> -<tr> - <td class="leftt1">For Civil Engineering . . . . . . . .</td> - <td class="leftt1">American Society of Civil Engineers</td> -</tr> -<tr> - <td class="leftt1">For Electrical Engineering . . . . .</td> - <td class="leftt1">American Institute of Electrical Engineers</td> -</tr> -<tr> - <td class="leftt1">For Mechanical Engineering . . .</td> - <td class="leftt1">American Society of Mechanical Engineers</td> -</tr> -<tr> - <td class="leftt1">For Mining and Metallurgy . . . .</td> - <td class="leftt1">American Institute of Mining and Metallurgical Engineers</td> -</tr> -<tr> - <td class="leftt1">For Economics and Business . .</td> - <td class="leftt1">American Economic Association</td> -</tr> -</table> - -<p>All of these technical societies have not only worked out their -style sheets with care, but they have, in general, accustomed their -numerous members to the details of these style sheets.</p> - -<p><span class="bhead">Copyright Infringements.</span>—All publishers have noted in recent -years a great increase in the number of copyright infringement -<span class="pagenum"><a name="page9" id="page9"></a>[pg 9]</span> -cases. Many of these appear to spring from the habit of first -preparing lecture notes, which are compiled or dictated from -various sources without thought of publication. By the time the -plan to produce a book matures, the source of the original material -is often entirely forgotten.</p> - -<p>No question is more common in the technical publishing field -than "How far can I make excerpts, with credit but without -permission, from the writings of other authors?"</p> - -<p>To this question no definite and entirely satisfactory answer -can be given. Certainly, where illustrations, tables, or important -abstracts are to be made, the author should ask permission of the -publisher or author from whose work he wishes to quote. In -addition he should take special pains to see that full credit is -given in the form required by the author or publisher from whom -he has secured permission.</p> - -<p>The copyright law and the penalties for infringement of copyright -are drastic, but the decisions which have been rendered in -cases that have gone to trial do not furnish any particularly safe -guide.</p> - -<p>In our experience the safest guide is a simple rule of courtesy. -Neither the author nor the publisher of a work will refuse any -reasonable request, though he may greatly resent borrowing -without the courtesy of a request. It is safer, therefore, to obtain -permission from author or publisher before borrowing from another -work.</p> - -<p><span class="bhead">Shipping the Manuscript.</span>—Manuscript should invariably be -shipped flat, not folded or rolled.</p> - -<p>Manuscript and drawings should be sent together and not in -instalments. Except in rare instances, we do not undertake -piecemeal manufacture of a book. In our experience such publication -methods save little or no time and more often result in -confusion and expense.</p> - -<p>Manuscript, before it has been set up in type, should be shipped -by express with a suitable valuation placed thereon. After the -manuscript has been set up in type, the manuscript and proof may -best be sent by parcel post, special delivery.</p> -<p><span class="pagenum"><a name="page10" id="page10"></a>[pg 10]</span></p> - -<div class="chapter"> -<h3>III<br /><br /> - -ILLUSTRATIONS</h3></div> - -<p>In technical work such as ours the illustrations are of two -classes: (1) line drawings; (2) photographic or halftone illustrations.</p> - -<p><span class="bhead">Line Drawings.</span>—Copy for line drawings should be made two -to three times the dimensions of the completed illustration. The -weight of line, and especially the lettering, should be carefully -worked out to give desired results. The following illustrations, -taken from "Engineering Drawing," by Thomas E. French, will -serve as a guide to the draftsman preparing these illustrations. -We suggest, however, that when the completed copy for a few -characteristic illustrations is ready, the author send the samples -to us in order that we may determine their suitability or even, if -desirable, reproduce the samples in order that the author may -examine the results with us. When difficulty is encountered in -securing suitable lettering, which will give a finished appearance -to the illustrations, we are willing to accept the drawings with the -lettering penciled in. We, in turn, engage draftsmen, who are -experienced in lettering for reproduction, to finish the work. As -this often leads to errors, however, we prefer the completed drawings -ready for reproduction.</p> - -<p>Line drawings from periodicals, catalogues and other publications -can be reproduced direct without material reduction in size, -when the copy is suitable for the book, and, of course, when permission -to reproduce has been secured by the author.</p> - -<p><span class="bhead">Halftone Illustrations.</span>—Halftone illustrations can be made -satisfactorily only from photographs or wash drawings. Photographs -on a high-finish or glossy paper produce the best results. -We cannot produce good results by making a halftone from a -halftone print. A halftone engraving is photographed through -a screen, and when we undertake to reproduce a halftone from -<span class="pagenum"><a name="page11" id="page11"></a>[pg 11]</span> -a halftone print we throw one screen upon the other. In rare -cases passable results can be obtained in this way, but such copy -should be used most sparingly.</p> - -<div class="figcenter" style="width: 400px;"><a href="images/011a-1000.png"><img src="images/011a-400.png" width="400" height="459" alt="Drawing for one-half reduction." /></a> -<p class="center">Drawing for one-half reduction.</p></div> - -<div class="figcenter" style="width: 200px;"><a href="images/011b-500.png"><img src="images/011b-200.png" width="200" height="230" alt="One-half reduction." /></a> -<p class="center">One-half reduction.</p></div> - -<p>If photographs are unmounted, they should not be mounted -or pasted on sheets of paper. Smoothly mounted photographs -present no difficulties to the engraver.</p> -<p><span class="pagenum"><a name="page12" id="page12"></a>[pg 12]</span></p> - -<p>Numbers, letters or marks should not be placed on the face -of photographic prints or wash drawings. If numbers or letters -are called for, they should be indicated in pencil at the proper -point on the back of unmounted prints. This can be done easily -by holding the print against a window facing a strong light. In -the case of mounted photographs, a fly leaf of thin paper pasted -on the back of the photograph at the top and folded over the face -of the photograph, can be used for the numbers or letters. In both -cases the engraver adds the numbers or letters on the print in the -manner best suited to reproduction.</p> - -<div class="figcenter" style="width: 600px;"><a href="images/012a-1200.png"><img src="images/012a-600.png" width="600" height="402" alt="Drawing for two-thirds reduction." /></a> -<p class="center">Drawing for two-thirds reduction.</p></div> - -<div class="figcenter" style="width: 200px;"><a href="images/012b-400.png"><img src="images/012b-200.png" width="200" height="135" alt="Two-thirds reduction." /></a> -<p class="center">Two-thirds reduction.</p></div> - -<p>Manufacturers' cuts can sometimes be used when the nature -of the text calls for them. If possible the manufacturer should -be asked to supply the original photograph or drawing. If this is -<span class="pagenum"><a name="page13" id="page13"></a>[pg 13]</span> -not available, then the original cut—not an electrotype—should -be secured. Electrotypes can often be used, but the results are -not of the standard which we like to maintain.</p> - -<p><span class="bhead">Wax Cuts.</span>—Formerly many textbooks were illustrated by -engravings made by the wax process. This is the process ordinarily -used for the production of maps. The cost of these engravings -has risen, however, to a point which makes them now practically -out of the question for the average book. They may be used in -special cases. Their chief advantage is that they can be made -from rough pen or pencil sketches and do not call either for finished -lines or careful lettering.</p> - -<p><span class="bhead">In General.</span>—Wherever possible illustrations to occupy a full -page should stand vertically on the page. This is, we think, obviously -more satisfactory to the user of the book.</p> - -<p>Folded plates and charts should be avoided as far as possible, -not only because they involve an unreasonable expense, but -because American readers, at least, do not like them. Furthermore -any considerable number of inserted charts weakens the -binding of the book.</p> - -<p>Color plates and maps in color are prohibitively expensive for -most technical books, but systems of shading and cross-hatching -can be employed as a substitute for colors in many forms of illustration.</p> - -<p><span class="bhead">The Number of Illustrations.</span>—The cost of engravings of all -types has risen out of all proportion to the costs of other details -of book manufacture, and there is no present prospect of a -reduction in the scale of prices. This proves to be especially -burdensome to the publishers of technical and scientific books -where the texts generally contain a large number of illustrations. -Accordingly we ask authors to consider carefully the possibilities -of reducing the number of illustrations. In books of the character -of ours illustrations are essential, and wherever they aid the reader -in grasping the subject or are essential to the understanding of the -subject, they cannot be eliminated. But we do not believe in -illustrations that are merely "pictures" and are not essential -to the understanding of the text. Wherever they can be dispensed -with, without injury to the text, they should be eliminated -in order that the retail price of the book may be kept within -reasonable limits.</p> -<p><span class="pagenum"><a name="page14" id="page14"></a>[pg 14]</span></p> - -<div class="chapter"> -<h3>IV<br /><br /> - -MANUFACTURING THE BOOK</h3></div> - -<p><span class="bhead">Sample Galleys.</span>—When the manuscript has been prepared -in our offices for the printer, and the time has come to undertake -the manufacture of the book, we ask the printer, first, to set a few -pages of the manuscript and submit them to us in galley proofs. -These are in turn submitted to the author in order that he may -study the typography and inform us if we have in any way misunderstood -his manuscript and the marks on it. This step is, of -course, dispensed with if a definite agreement has been reached -in advance as to the typographical details of the book.</p> - -<p>When the author has looked over these first galleys, not with -the idea of proof-reading but of determining upon the style, we -instruct the printer to proceed with the typesetting.</p> - -<p><span class="bhead">Galley Proofs.</span>—These proofs in duplicate (one set is for the -author's files) are first submitted to the author, and accompanying -these is a cut dummy which shows the illustrations reproduced -as they will appear in the book.</p> - -<p>Galley proofs should be read with extreme care, and wherever -possible the author should call in some associate or assistant to -read them as well, for it is our experience that the author who has -spent a great deal of time in the preparation of a manuscript often -reads with his memory rather than his eyes and passes the most -obvious errors.</p> - -<p>When the author returns the galleys with his corrections marked -thereon, he should at the same time return the original manuscript. -At this time also figure numbers and captions should be -added to the illustrations, and an indication should be made by -number in the margin of the galleys of the approximate location -of the illustrations.</p> - -<p>Illustrations are inserted in the pages by the printer as near -the point of reference as the limitations of make-up will permit. -<span class="pagenum"><a name="page15" id="page15"></a>[pg 15]</span> -If, as happens in rare cases, an illustration must be inserted in -a given paragraph, this should be clearly indicated on the galley -proof.</p> - -<p><span class="bhead">Page Proofs.</span>—The printer then proceeds to make the book up -into pages, and duplicate page proofs are forwarded to the author. -These again should be read carefully to make sure that all corrections -which were indicated in the galleys have been properly made, -and returned to us for final casting into plates. Changes, and -additions other than typographical corrections, which involve the -overrunning and rearranging of lines or pages, often mean the -remake-up of many pages of type and an expense that is usually -out of all proportion to the good accomplished. Corrections and -changes should, therefore, always be made in the galley proofs, -to avoid the difficult question of author's corrections, which is -discussed on page 18.</p> - -<p>The duplicate set of page proofs should be retained by the -author for use in preparing his index, in order that the copy for -the index may be forwarded as soon after the final shipment of -page proofs as possible.</p> - -<p><span class="bhead">Answering Queries.</span>—Frequently the proof-readers query -certain points in the manuscript on the galley or page proofs. It -is important that the author note these queries in all cases and -indicate his decision regarding the questions so raised.</p> - -<p><span class="bhead">Proof-reading.</span>—In technical books especially, good proof-reading -is essential. We use every effort to submit proofs which -follow closely the original copy, but the experienced author knows -that he himself cannot exercise too much care in proof-reading. -The amount of damage which has been done to the reputation -and sales of many otherwise excellent technical books, by carelessness -in proof-reading, would astound the inexperienced author.</p> - -<p>One set of galley and one set of page proofs which the author -receives are marked with the printer's corrections, generally in -green or red ink. The set containing the printer's marks should -be returned with the author's corrections added. The duplicate -set the author should keep for his own files.</p> - -<p>For the guidance of those who are inexperienced in proof-reading, -we give herewith a reproduction of a sheet showing the -ordinary proof-reading marks. It is helpful if the author follows -this general system in marking his proofs. It is essential that the -corrections be clearly marked.</p> -<p><span class="pagenum"><a name="page16" id="page16"></a>[pg 16]</span></p> - -<div class="chapter"> -<h4>PROOFREADER'S MARKS</h4></div> - -<table summary="proofreader's marks" border="0"> -<tr> - <td class="right"><img src="images/024-01.png" width="15" height="15" alt="proofing mark" /></td> - <td class="left">Insert the letter, word or punctuation mark indicated.</td> -</tr> -<tr> - <td class="right"><img src="images/024-02.png" width="16" height="20" alt="proofing mark" /></td> - <td class="left">Insert or substitute a period at the place indicated.</td> -</tr> -<tr> - <td class="right"><img src="images/024-03.png" width="16" height="27" alt="proofing mark" /></td> - <td class="left">Insert an apostrophe.</td> -</tr> -<tr> - <td class="right"><img src="images/024-04.png" width="35" height="24" alt="proofing mark" /></td> - <td class="left">Insert quotation marks.</td> -</tr> -<tr> - <td class="right"><img src="images/024-05.png" width="19" height="30" alt="proofing mark" /></td> - <td class="left">Insert a hyphen.</td> -</tr> - - <tr> - <td class="right"><img src="images/024-06.png" width="18" height="18" alt="proofing mark" /></td> - <td class="left">Make a space at the point indicated.</td> -</tr> -<tr> - <td class="right"><img src="images/024-07.png" width="22" height="17" alt="proofing mark" /></td> - <td class="left">Close up or join separated letters or words.</td> -</tr> -<tr> - <td class="right"><img src="images/024-08.png" width="16" height="22" alt="proofing mark" /></td> - <td class="left">Delete or take out.</td> -</tr> -<tr> - <td class="right"><img src="images/024-09.png" width="26" height="17" alt="proofing mark" /></td> - <td class="left">Change from capital to small letter.</td> -</tr> -<tr> - <td class="right"><img src="images/024-10.png" width="38" height="21" alt="proofing mark" /></td> - <td class="left">Change to capital letter.</td> -</tr> -<tr> - <td class="right"><img src="images/024-11.png" width="27" height="11" alt="proofing mark" /></td> - <td class="left">Change to small caps.</td> -</tr> -<tr> - <td class="right"><img src="images/024-12.png" width="35" height="16" alt="proofing mark" /></td> - <td class="left">Change to italics.</td> -</tr> -<tr> - <td class="right"><img src="images/024-13.png" width="38" height="10" alt="proofing mark" /></td> - <td class="left">Change to roman type.</td> -</tr> -<tr> - <td class="right"><img src="images/024-14.png" width="33" height="21" alt="proofing mark" /></td> - <td class="left">Wrong font letter.</td> -</tr> -<tr> - <td class="right"><img src="images/024-15.png" width="17" height="14" alt="proofing mark" /></td> - <td class="left">Transpose.</td> -</tr> -<tr> - <td class="right"><img src="images/024-16.png" width="54" height="15" alt="proofing mark" /></td> - <td class="left"> Words or letters inclosed by line should change places.</td> -</tr> -<tr> - <td class="right"><img src="images/024-17.png" width="15" height="19" alt="proofing mark" /></td> - <td class="left">Paragraph here.</td> -</tr> -<tr> - <td class="right"><img src="images/024-18.png" width="42" height="18" alt="proofing mark" /></td> - <td class="left">No paragraph here.</td> -</tr> -<tr> - <td class="right"><img src="images/024-19.png" width="72" height="13" alt="proofing mark" /></td> - <td class="left">Restore word or sentence mistakenly marked out.</td> -</tr> -<tr> - <td class="right"><img src="images/024-20.png" width="61" height="20" alt="proofing mark" /></td> - <td class="left">Is this right?</td> -</tr> -<tr> - <td class="right"><img src="images/024-21.png" width="9" height="10" alt="proofing mark" /></td> - <td class="left">Broken letter.</td> -</tr> -<tr> - <td class="right"><img src="images/024-22.png" width="19" height="16" alt="proofing mark" /></td> - <td class="left">Move to left.</td> -</tr> -<tr> - <td class="right"><img src="images/024-23.png" width="19" height="16" alt="proofing mark" /></td> - <td class="left">Move to right.</td> -</tr> -<tr> - <td class="right"><img src="images/024-24.png" width="18" height="18" alt="proofing mark" /></td> - <td class="left">Push down space.</td> -</tr> -</table> -<p>In preparing copy for the printer the writer should underline:</p> - -<p><i>One line</i>, words to be put in italics.</p> -<p><i>Two lines</i>, words to be put in small caps.</p> -<p><i>Three lines</i>, words to be put in large caps.</p> -<p><i>Wave line</i> (<big><span class="bhead">~~~~~~</span></big>), words to be put in heavy face type.</p> - -<p><span class="pagenum"><a name="page17" id="page17"></a>[pg 17]</span></p> - -<div class="figcenter" style="width: 430px;"><h4>A CORRECTED PROOF-SHEET</h4> -<a href="images/page17-930.png"><img src="images/page17-430.png" width="430" height="496" alt="A CORRECTED PROOF-SHEET" /></a></div> -<p><span class="pagenum"><a name="page18" id="page18"></a>[pg 18]</span></p> - -<p><span class="bhead">Author's Corrections.</span>—No problem in the publishing of technical -books gives the publisher and the author more trouble than -the question of author's corrections. The term "author's corrections" -covers, technically, changes made in content, arrangement -or typographical style, or additions to the manuscript, after -the type has been set.</p> - -<p>The publisher, to protect himself against the author who -practically rewrites his manuscript after it has been set up in type, -usually provides in his contract that corrections in excess of a -certain percentage of the cost of composition shall be charged to -and paid for by the author. The printer makes a careful distinction -between printer's corrections and author's corrections. -Corrections marked in galley and page proofs of a book where the -printer has not followed copy are printer's corrections. Author's -corrections are changes and additions made in the proof. Obviously, -where these changes make a distinct improvement in the -text—that is, a better book—the publisher takes a sympathetic -attitude; but when the item of author's corrections runs to a total -of twenty-five or fifty per cent or more of the cost of setting up -the book, there is clear indication that the author did not complete -his book in the manuscript but in the proof.</p> - -<p>For a general rule it should be kept in mind that corrections -in the galley proofs cost much less than corrections in the page -proofs where remake-up of pages involving a large expense may -result from the addition of a single line, or even a few words. -But it is most important of all for the author to realize that every -correction made after the manuscript has been set up in type is -time-consuming and expensive, and that such delay and expense -are reduced to a minimum when the author submits a clean, carefully -prepared manuscript which embodies his final judgment of -content and style.</p> -<p><span class="pagenum"><a name="page19" id="page19"></a>[pg 19]</span></p> - -<div class="chapter"> -<h3>V<br /><br /> - -WHEN THE BOOK IS PUBLISHED</h3></div> - -<p>Within a short period after the author returns the proofs of -the index, the book is ready for publication. The author's work -is then practically done.</p> - -<p>Immediately upon the arrival of the bound books from the -bindery, the publisher places the work upon the market, copyrights -it in this country and abroad, and undertakes campaigns -for its distribution.</p> - -<p>This section of the <i>Suggestions</i> is intended to show the author -how he can help in this work and to answer certain questions -which are asked constantly.</p> - -<p><span class="bhead">Marketing a Book.</span>—We take pride in the thoroughness with -which we seek the market for all books bearing our imprint. The -spirit of the agreement which we make with the author is that -each book is a separate business venture into which we have -entered as a partner of the author.</p> - -<p>In marketing his book the author can be of material assistance -to us. He knows the subject better than we can ever know it, -and he knows the type of man to which he intends his book to -appeal. For these reasons we always welcome the assistance and -suggestions of the author.</p> - -<p>At the time when the author begins to receive page proofs -of the book, we are outlining our campaign for its distribution. -At that time we like to receive from the author, first, a brief but -exact definition of the scope and purpose of the book. This -we use, not for our advertising, but as the basis of our advertising. -Second, we find distinctly helpful a list of points to emphasize in -our circular and periodical advertising, and for such a list we -look to the author. A cut-and-dried table of contents often fails -to give as good a picture of a book as do a few well-selected points.</p> - -<p>At the same time the author's suggestions of special periodicals -to which copies should be sent for review, and of special lists which -<span class="pagenum"><a name="page20" id="page20"></a>[pg 20]</span> -may well be circularized, will also be helpful. These we generally -know about, but sometimes we overlook obvious points of attack -in our campaigns.</p> - -<p><span class="bhead">Corrections and Revisions.</span>—In practically every instance our -books are printed from electrotype plates. Consequently the first -printings are rarely large, because we are able to produce further -copies, from our electrotype plates, as needed.</p> - -<p>Before a book is reprinted the author is given an opportunity -to send in corrections of typographical and other errors which have -escaped notice in the earlier printing or printings. Such reprints, -however, are not called new editions nor is the title page date of -the book changed. We follow strictly the policy of designating -as new editions only books which have been more or less thoroughly -revised, and the title page date of one of our books is an indication -of the date of the text—not of the reprint.</p> - -<p>When, in the author's opinion or our own, the text requires -revision, we discuss the details with the author and arrange for as -complete a revision as the condition of the text calls for. Since -the printings of our books are rarely large, we are able to arrange -for the production of a new edition in normal cases as soon as the -author feels that it is required and can complete his portion of the -work.</p> - -<p><span class="bhead">Translations.</span>—We arrange, where possible, for translations of -books into foreign languages, dividing the proceeds with the -author. The underlying theory of this division is that, with the -publication of a translation, both the author and the publisher -suffer from the loss of sales of the edition in English.</p> - -<p>The foreign publisher generally has to pay to his translator -about the royalties usually paid to an author, and accordingly the -amount which can be charged to a foreign publisher for rights of -translation is, except in rare cases, small. Translations must be -regarded as a by-product.</p> - -<p>Our attempts to market books in foreign languages from New -York, or from one of our foreign agencies, have not been encouraging. -Accordingly, the first question, when we are endeavoring to -arrange for a translation, is for us to find a publisher in the country -selected who will undertake the work of securing a translator and -publishing the book. When a translator offers his services, we -find it necessary to ask him first to interest a publisher in his own -country in the venture.</p> -<p><span class="pagenum"><a name="page21" id="page21"></a>[pg 21]</span></p> - -<p><span class="bhead">Prompt Publication.</span>—From the standpoint of both the author -and the publisher it is desirable that a book should be put on the -market as soon as possible after the manuscript is completed.</p> - -<p>From the moment the publisher undertakes to manufacture -a book he has an investment which grows rapidly and yields -nothing until the sales of the book begin.</p> - -<p>The production of technical books is delayed, generally, by one -of the following causes:</p> - -<blockquote><p> -(1) The author wishes to submit his material to his associates -or to specialists in the field. Except for purposes -of proof-reading such submission should be made -in manuscript.</p> - -<p>(2) The author fails to return his proofs and manuscript -copy promptly. The prompt reading and return of -proofs is of the greatest importance.</p> - -<p>(3) The copy for the index does not follow closely upon the -return of the final batch of page proofs. -</p></blockquote> - -<p>The printer, the engraver, the paper manufacturer, the binder -or the publisher may also interfere with prompt publication; but if -the author's end of the work is handled systematically and -promptly, we are generally able to control the manufacturing -details.</p> -<hr /> - -<div class="tn"> - -<h4>Transcriber's Note</h4> - -<p>Sundry missing or damaged punctuation has been repaired.</p> - -<p>Page 6, etc.: 'sub-headings', and 'subheadings' both appear in this book, as do 'proof-reader' and 'proofreader', -and some other instances of hyphenated and non-hyphenated words.</p> - -<p>As it is a book of suggestions on layout and style from a respected publishing house, -it can be assumed they knew what they intended, so both hyphenated and non-hyphenated words have been retained.</p> - -<p>Page 9: 'instalments'.</p> -<p class="ind">From Webster's Dictionary, 1913 Edition:<br /> -(http: //www. bibliomania.com/2/3/257/frameset.html):</p> -<p class="ind">Installment<br /> -(In*stall"ment) n. [Written also instalment.]</p> -<p>'instalments' has therefore been retained.</p> - -</div> - - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of A Few Suggestions to McGraw-Hill -Authors., by McGraw-Hill Book Company - -*** END OF THIS PROJECT GUTENBERG EBOOK SUGGESTIONS TO MCGRAW-HILL AUTHORS *** - -***** This file should be named 54146-h.htm or 54146-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/5/4/1/4/54146/ - -Produced by Chris Curnow, Lesley Halamek and the Online -Distributed Proofreading Team at http://www.pgdp.net (This -file was produced from images generously made available -by The Internet Archive) - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for the eBooks, unless you receive -specific permission. If you do not charge anything for copies of this -eBook, complying with the rules is very easy. You may use this eBook -for nearly any purpose such as creation of derivative works, reports, -performances and research. They may be modified and printed and given -away--you may do practically ANYTHING in the United States with eBooks -not protected by U.S. copyright law. Redistribution is subject to the -trademark license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country outside the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you'll have to check the laws of the country where you - are located before using this ebook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm web site -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from both the Project Gutenberg Literary Archive Foundation and The -Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm -trademark. Contact the Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org - - - -Section 3. Information about the Project Gutenberg Literary Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's principal office is in Fairbanks, Alaska, with the -mailing address: PO Box 750175, Fairbanks, AK 99775, but its -volunteers and employees are scattered throughout numerous -locations. Its business office is located at 809 North 1500 West, Salt -Lake City, UT 84116, (801) 596-1887. Email contact links and up to -date contact information can be found at the Foundation's web site and -official page at www.gutenberg.org/contact - -For additional contact information: - - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works. - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our Web site which has the main PG search -facility: www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. - - - -</pre> - -</body> -</html> - diff --git a/old/54146-h/images/011a-1000.png b/old/54146-h/images/011a-1000.png Binary files differdeleted file mode 100644 index 375853a..0000000 --- a/old/54146-h/images/011a-1000.png +++ /dev/null diff --git a/old/54146-h/images/011a-400.png b/old/54146-h/images/011a-400.png Binary files differdeleted file mode 100644 index 541d0c3..0000000 --- a/old/54146-h/images/011a-400.png +++ /dev/null diff --git a/old/54146-h/images/011b-200.png b/old/54146-h/images/011b-200.png Binary files differdeleted file mode 100644 index 1fe4613..0000000 --- a/old/54146-h/images/011b-200.png +++ /dev/null diff --git a/old/54146-h/images/011b-500.png b/old/54146-h/images/011b-500.png Binary files differdeleted file mode 100644 index 71a4669..0000000 --- a/old/54146-h/images/011b-500.png +++ /dev/null diff --git a/old/54146-h/images/012a-1200.png b/old/54146-h/images/012a-1200.png Binary files differdeleted file mode 100644 index f857d9b..0000000 --- a/old/54146-h/images/012a-1200.png +++ /dev/null diff --git a/old/54146-h/images/012a-600.png b/old/54146-h/images/012a-600.png Binary files differdeleted file mode 100644 index be6cff4..0000000 --- a/old/54146-h/images/012a-600.png +++ /dev/null diff --git a/old/54146-h/images/012b-200.png b/old/54146-h/images/012b-200.png Binary files differdeleted file mode 100644 index d2ea475..0000000 --- a/old/54146-h/images/012b-200.png +++ /dev/null diff --git a/old/54146-h/images/012b-400.png b/old/54146-h/images/012b-400.png Binary files differdeleted file mode 100644 index d54aa4e..0000000 --- a/old/54146-h/images/012b-400.png +++ /dev/null diff --git a/old/54146-h/images/024-01.png b/old/54146-h/images/024-01.png Binary files differdeleted file mode 100644 index 4d4f219..0000000 --- a/old/54146-h/images/024-01.png +++ /dev/null diff --git a/old/54146-h/images/024-02.png b/old/54146-h/images/024-02.png Binary files differdeleted file mode 100644 index b85b2c3..0000000 --- a/old/54146-h/images/024-02.png +++ /dev/null diff --git a/old/54146-h/images/024-03.png b/old/54146-h/images/024-03.png Binary files differdeleted file mode 100644 index 869e920..0000000 --- a/old/54146-h/images/024-03.png +++ /dev/null diff --git a/old/54146-h/images/024-04.png b/old/54146-h/images/024-04.png Binary files differdeleted file mode 100644 index 6344688..0000000 --- a/old/54146-h/images/024-04.png +++ /dev/null diff --git a/old/54146-h/images/024-05.png b/old/54146-h/images/024-05.png Binary files differdeleted file mode 100644 index cba28ce..0000000 --- a/old/54146-h/images/024-05.png +++ /dev/null diff --git a/old/54146-h/images/024-06.png b/old/54146-h/images/024-06.png Binary files differdeleted file mode 100644 index 3a672b5..0000000 --- a/old/54146-h/images/024-06.png +++ /dev/null diff --git a/old/54146-h/images/024-07.png b/old/54146-h/images/024-07.png Binary files differdeleted file mode 100644 index fb47125..0000000 --- a/old/54146-h/images/024-07.png +++ /dev/null diff --git a/old/54146-h/images/024-08.png b/old/54146-h/images/024-08.png Binary files differdeleted file mode 100644 index 960c75c..0000000 --- a/old/54146-h/images/024-08.png +++ /dev/null diff --git a/old/54146-h/images/024-09.png b/old/54146-h/images/024-09.png Binary files differdeleted file mode 100644 index 231fc91..0000000 --- a/old/54146-h/images/024-09.png +++ /dev/null diff --git a/old/54146-h/images/024-10.png b/old/54146-h/images/024-10.png Binary files differdeleted file mode 100644 index 847824f..0000000 --- a/old/54146-h/images/024-10.png +++ /dev/null diff --git a/old/54146-h/images/024-11.png b/old/54146-h/images/024-11.png Binary files differdeleted file mode 100644 index 1216cdb..0000000 --- a/old/54146-h/images/024-11.png +++ /dev/null diff --git a/old/54146-h/images/024-12.png b/old/54146-h/images/024-12.png Binary files differdeleted file mode 100644 index bc7c1ed..0000000 --- a/old/54146-h/images/024-12.png +++ /dev/null diff --git a/old/54146-h/images/024-13.png b/old/54146-h/images/024-13.png Binary files differdeleted file mode 100644 index 2ddd1a7..0000000 --- a/old/54146-h/images/024-13.png +++ /dev/null diff --git a/old/54146-h/images/024-14.png b/old/54146-h/images/024-14.png Binary files differdeleted file mode 100644 index a6ebabf..0000000 --- a/old/54146-h/images/024-14.png +++ /dev/null diff --git a/old/54146-h/images/024-15.png b/old/54146-h/images/024-15.png Binary files differdeleted file mode 100644 index 2633271..0000000 --- a/old/54146-h/images/024-15.png +++ /dev/null diff --git a/old/54146-h/images/024-16.png b/old/54146-h/images/024-16.png Binary files differdeleted file mode 100644 index b46f036..0000000 --- a/old/54146-h/images/024-16.png +++ /dev/null diff --git a/old/54146-h/images/024-17.png b/old/54146-h/images/024-17.png Binary files differdeleted file mode 100644 index e675ef9..0000000 --- a/old/54146-h/images/024-17.png +++ /dev/null diff --git a/old/54146-h/images/024-18.png b/old/54146-h/images/024-18.png Binary files differdeleted file mode 100644 index 356c36b..0000000 --- a/old/54146-h/images/024-18.png +++ /dev/null diff --git a/old/54146-h/images/024-19.png b/old/54146-h/images/024-19.png Binary files differdeleted file mode 100644 index da17bef..0000000 --- a/old/54146-h/images/024-19.png +++ /dev/null diff --git a/old/54146-h/images/024-20.png b/old/54146-h/images/024-20.png Binary files differdeleted file mode 100644 index fbb8e99..0000000 --- a/old/54146-h/images/024-20.png +++ /dev/null diff --git a/old/54146-h/images/024-21.png b/old/54146-h/images/024-21.png Binary files differdeleted file mode 100644 index df13f2e..0000000 --- a/old/54146-h/images/024-21.png +++ /dev/null diff --git a/old/54146-h/images/024-22.png b/old/54146-h/images/024-22.png Binary files differdeleted file mode 100644 index af32a13..0000000 --- a/old/54146-h/images/024-22.png +++ /dev/null diff --git a/old/54146-h/images/024-23.png b/old/54146-h/images/024-23.png Binary files differdeleted file mode 100644 index 1d66449..0000000 --- a/old/54146-h/images/024-23.png +++ /dev/null diff --git a/old/54146-h/images/024-24.png b/old/54146-h/images/024-24.png Binary files differdeleted file mode 100644 index 45db9f8..0000000 --- a/old/54146-h/images/024-24.png +++ /dev/null diff --git a/old/54146-h/images/cover-300.jpg b/old/54146-h/images/cover-300.jpg Binary files differdeleted file mode 100644 index 465c49a..0000000 --- a/old/54146-h/images/cover-300.jpg +++ /dev/null diff --git a/old/54146-h/images/cover.jpg b/old/54146-h/images/cover.jpg Binary files differdeleted file mode 100644 index 1774a74..0000000 --- a/old/54146-h/images/cover.jpg +++ /dev/null diff --git a/old/54146-h/images/leftbracef.png b/old/54146-h/images/leftbracef.png Binary files differdeleted file mode 100644 index c907e07..0000000 --- a/old/54146-h/images/leftbracef.png +++ /dev/null diff --git a/old/54146-h/images/leftbraceh.png b/old/54146-h/images/leftbraceh.png Binary files differdeleted file mode 100644 index e1f3c13..0000000 --- a/old/54146-h/images/leftbraceh.png +++ /dev/null diff --git a/old/54146-h/images/page17-430.png b/old/54146-h/images/page17-430.png Binary files differdeleted file mode 100644 index e3efbec..0000000 --- a/old/54146-h/images/page17-430.png +++ /dev/null diff --git a/old/54146-h/images/page17-930.png b/old/54146-h/images/page17-930.png Binary files differdeleted file mode 100644 index 4028cd2..0000000 --- a/old/54146-h/images/page17-930.png +++ /dev/null |
