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+in the PUBLIC DOMAIN IN THE UNITED STATES.
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+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #53989 (https://www.gutenberg.org/ebooks/53989)
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-The Project Gutenberg EBook of The Double Life, by Gaston Leroux
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-Title: The Double Life
-
-Author: Gaston Leroux
-
-Release Date: January 17, 2017 [EBook #53989]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE DOUBLE LIFE ***
-
-
-
-
-Produced by David Widger from page images generously
-provided by the Internet Archive
-
-
-
-
-
-
-
-THE DOUBLE LIFE
-
-BY GASTON LEROUX
-
-Author of “The Mystery of the Yellow Room”
-
-JOHN E. KEARNEY Forty-Three West Twenty-Seventh Street New York
-
-Copyright, 1909, by JOHN E. KEARNEY
-
-
-
-
-HISTORICAL PREFACE
-
-
-|I WAS passing through the waiting-room of the _Morning Journal_ on a
-certain evening last year when my attention was drawn to a man seated
-in a corner. He was dressed in black and his appearance was that of
-the deepest dejection. In fact upon his face I read the most melancholy
-despair.
-
-He was not weeping, his eyes were dry and almost expressionless and
-received the impression of exterior objects like motionless ice. He had
-placed upon his knees a small oaken chest, ornamented with ironwork.
-His hands were crossed over this object and hung down, accentuating his
-dejected appearance.
-
-An attendant told me that he had been awaiting my arrival there three
-long hours without a movement, without so much as a sigh. I went towards
-him, and announcing myself, I invited him to enter my office. I showed
-him a seat, but instead of taking it he came straight to my writing-desk
-and placed the little oaken chest on it. “Sir, this chest belongs to
-you,” said he, and his voice seemed far away and indistinct. “My
-friend, M. Théophraste Longuet, commissioned me to bring it to you.
-Take it, sir, and believe me, your servant.” As he spoke the man bowed
-and made a motion toward the door. I stopped him, however, and said:
-“Why, do not go, I cannot receive this box without a knowledge of its
-contents.” He replied: “Sir, I do not know what it contains, it is
-locked and its key is lost. You might have to break it open to find out
-the contents.” I replied: “Then at least I would like to know to
-whom I am indebted for bringing it to me.”
-
-“My friend, M. Théophraste Longuet, called me Adolphe,” replied
-the man, in a voice so melancholy that it seemed to grow more faint and
-indistinct with each syllable.
-
-“Well, if M. Longuet had brought me the chest himself, he would most
-certainly have told me what it contains; I expect that M. Longuet,
-himself.”
-
-“I also, sir,” said the man, “but M. Théophraste Longuet is dead,
-and I am his sole executor.”
-
-By this time he had edged his way to the door, and having said these
-words, he opened the door and departed. I was taken back by this sudden
-move and stood staring at the door, then at the chest. Collecting myself
-I hastily followed the man, but could find no trace of him... he had
-disappeared.
-
-Opening the chest I found it contained a bundle of papers, which at
-first I regarded with indifference, but which I presently began
-to examine with greater interest. The deeper I penetrated the more
-mysterious they appeared to be and the more unexpected were the
-adventures revealed. In fact, so strange did they seem that I at first
-could not believe my intelligence, and if the proof had not been in
-front of me I never would have been convinced of their reality.
-
-It was some time before I could bring myself to realize my position
-regarding these papers. M. Théophraste Longuet had made me heir to this
-chest and to the mysteries lying therein. In fact, the secrets of his
-life.
-
-These papers were written in the form of memoirs and were voluminous.
-They related with the minutest detail, all the incidents of an
-exceptionally dramatic existence. M. Théophraste Longuet had by the
-discovery of a document two centuries old acquired the proof that Louis
-Dominique Cartouche, the most cunning criminal in the annals of French
-crime, and he, Théophraste, were one and the same person. This was
-indeed a most startling discovery and valuable, for it also put me on
-the track of the treasures of the famous Cartouche.
-
-He had frequently confided in me facts about his peculiar life, but an
-untimely death, certain terrible events related in these documents,
-had prevented him from telling me all. We had been great friends. I had
-written for a journal he had called his “favorite organ.” He
-had chosen me as his companion and confidant from among many other
-journalists, not because of any superiority of intellect, but rather,
-as he used to say, “because a reliable level-headed friend is worth
-twenty acquaintances, and he found me reliable.” There was much
-significance in this word, “level-headed,” as you will learn as you
-read this narrative.
-
-Having thoroughly examined the papers, I immediately took them to my
-manager, who was a keen business man. He did not hesitate for a moment
-to find the “Treasures of Cartouche” a valuable piece for his paper,
-and it is now a matter of common knowledge how curiously the sum of
-twenty-five thousand francs, divided into seven sums, were hidden in and
-around Paris, and how the author of these lines in the history of the
-chest which appeared in print in the month of October, in the year 1903,
-* touched lightly upon the story found therein.
-
-* This date is very important, for it established the fact that
-my authentic history of Cartouche had appeared before Mr. Frank
-Brentano’s book, and that one two books the day after that of Mr.
-Maurice Bernard.
-
-I have believed it my duty toward the public, and also to the memory of
-Théophraste Longuet, to publish in volume the authentic history of the
-reincarnation of Cartouche, written exclusively from the documents found
-in the little oaken chest, a plain narrative, unembellished by all that
-which I, poor journalist, had added for the chance reader of my journal.
-
-The reader will find more than a mere treasure. The documents are of
-the greatest literary value, inasmuch as they contain proof of things
-hitherto only dreamt of. It is certain that many people imagining
-themselves of superior intellect will doubt and possibly scoff at many
-of these mysteries.
-
-The oaken chest contained the secret of the tomb; it also contained
-the history of the Talpa people written by no less an authority than M.
-Milfroid, Commissioner of Police, who remained for three weeks with M.
-Théophraste Longuet in the subterranean home of those monsters. This
-last infernal comedy would most certainly have met with incredulity had
-not it been vented by one of the most honest and intellectual of Police
-Commissioners. M. Milfroid was a most noble and accomplished character,
-and he could place music, painting, sculptors among his accomplishments.
-
-Now before closing this preface I must warn my readers that they
-will find many strange things in the narrative, weird and almost
-supernatural. And I would say that unless he is possessed with
-great level-headedness, he must not read the secrets of the Life of
-Théophraste Longuet.
-
-
-
-
-CHAPTER PAGE
-
-Historical Preface........................ 5
-
-I M. Théophraste Longuet Wishes to Inform Himself, and Visits
-Historical Monuments.............................. 15
-
-II An Explanation from Théophraste------- 26
-
-III A Search and a Discovery................ 34
-
-IV Some Philosophy and a Song.............. 48
-
-V Théophraste Remembers Himself......... 57
-
-VI M. Lecamus Expresses Himself............ 64
-
-VII Théophraste and His Black Plume_______ 68
-
-VIII An Appeal for Help...................... 76
-
-IX The Portrait............................ 84
-
-X Cartouche’s Past........................ 94
-
-XI Signor Appears.......................... 99
-
-XII Théophraste’s Memory is Refreshed.. 112
-
-XIII The Cat................................ 125
-
-XIV Petito Loses His Ears.................. 131
-
-XV Adolphe Consulted...................... 140
-
-XVI On Private Ground...................... 146
-
-XVII They Decide to Kill.................... 161
-
-XVIII The Operation.......................... 166
-
-XIX The Torture Chamber.................... 177
-
-XX In the Charnel House................... 188
-
-XXI Results of the Operation............... 197
-
-XXII Visits to a Butcher’s Shop............ 201
-
-XXIII A Newspaper Report..................... 207
-
-XXIV The Murder in the Rue Guenegaud... 215
-
-
-
-
-CHAPTER PAGE
-
-XXV The Calf’s Revenge.............. 221
-
-XXVI Théophraste Again Hears of His
-
-Treasures...................... 228
-
-XXVII The Express Train’s Disappearance 234
-
-XXVIII Not to be Explained.............. 240
-
-XXIX M. Mifroid Recognizes Cartouche.. 244
-
-XXX M. Mifroid’s Theory................ 247
-
-XXXI Lost in the Catacombs.............. 253
-
-XXXII A Dissertation on Fish............. 264
-
-XXXIII The Meeting of the Talfa........ 269
-
-XXXIV M. Mifroid Performs on the Stage.. 276
-
-XXXV A New Trade...................... 280
-
-XXXVI A Robber Is Caught................. 284
-
-XXXVII The Escape from the Catacombs..... 287
-
-XXXVIII An Old Friend...................... 293
-
-XXXIX The Final Tragedy................... 296
-
-THE DOUBLE LIFE
-
-
-
-
-CHAPTER I
-
-_M. Théophraste Longuet Wishes to Inform Him-self and Visits Historical
-Monuments_
-
-
-|THE strange adventures of M. Théophraste Longuet, which ended so
-tragically, originated in a visit to the prison of the Conciergerie, on
-the 28th of June, 1899. Therefore this history is modern; but the writer
-would say that, having read and examined all the papers and writings
-of M. Théophraste Longuet, its recentness does not detract from its
-sensational character.
-
-When M. Longuet rang the bell of the Conciergerie he was accompanied
-by his wife, Marceline, and M. Adolphe Lecamus. The latter was a close
-friend. It was his physique that had attracted M. Longuet. He was not
-handsome, but was tall and well built, and every movement showed that
-strength which M. Longuet lacked. His forehead was broad and convex, his
-eyebrows were heavy and straight. He had a habit of every now and
-then lifting them gracefully to express his disdain of others and
-his confidence in himself. His grey eyes twinkled under near-sighted
-spectacles, and the straight nose, the proud arch of the underlip,
-surmounted by a dark, flowing mustache, the square outline of his chin
-and his amaranthine complexion, all combined to accentuate his strong
-appearance.
-
-He had been employed as postmaster at Turin, and had traveled
-considerably. He had crossed the sea. This was also an attraction to M.
-Longuet, who had never crossed anything, unless it was the Seine.
-
-M. Longuet had been a rubber stamp manufacturer, but had made sufficient
-money to retire at an early age. He was the antithesis of Adolphe in
-build and character. His face showed no marked intelligence, and his
-slight build lent almost insignificance to his appearance. He had,
-however, imagination, and he used to laughingly say to Adolphe: “Even
-if I haven’t traveled, I run just as much risk in walking the streets
-of Paris as one who crosses the ocean in ships. Might not houses
-collapse or pots of flowers fall on one’s head?” Thus he lived a
-monotonous existence, relieved only by the morbid workings of his mind.
-
-Before his retirement he had worked hard and had little time to study,
-therefore, now he had leisure, it occurred to him to occupy his time in
-improving his mind. It was with this intention that we find him visiting
-the various buildings of historic interest around Paris.
-
-On ringing the bell of the Conciergerie the iron door turned heavily
-on its hinges. A warden shaking the keys demanded of Théophraste his
-permit. He had anticipated this and had received it that morning from
-the Prefect of Police. He tendered it with satisfaction, looking around
-at his companion with the confidence of anticipations realized.
-
-The gate-keeper turned the little company over to the Chief Warden, who
-was passing at the time. Marceline was much impressed, and as she leaned
-on Adolphe’s arm, thought of Marie Antoinette’s dungeon, the Grevin
-Museum, and all the mysteries of this famous prison. The Chief Warden
-said: “Are you French?” to which Théophraste replied, laughingly,
-for he was typically French: “Do we look like English people?”
-
-“This is the first time,” explained the Chief Warden, “that any
-French people have asked permission to visit the Conciergerie. French
-people are indifferent to things of interest in their own country.”
-“They are wrong, sir,” replied Théophraste, wiping his spectacles.
-“In the monuments of the past we have foundations of the future.”
-This idea rather pleased him, and he looked for approval to Adolphe and
-Marceline. He continued following the Warden. “As for me, I am an old
-Parisian and would have visited all these places of interest long ago
-but for my work. I have worked hard at my trade and the only leisure I
-got was when I went to bed. That time is over now, sir, and now is the
-time for me to educate myself,” and he struck the century-old pavement
-with the end of his green umbrella.
-
-Passing a small door and a large wicket, they descended some steps and
-were in the guard-room. The first thing to draw attention made Adolphe
-laugh, Marceline blush, and Théophraste turn in disgust. It was the
-capital of a Gothic column carved to symbolize the story of Abelard and
-Heloise. Abelard was pleading with the Carion Fulbert for his clemency,
-while the latter was taking the child from Heloise.
-
-“It is strange,” said M. Longuet, “that in the name of art the
-Government should tolerate such obscenities. That capital is a disgrace
-to the Conciergerie and should be removed.” M. Lecamus did not agree,
-and said: “Many things are excusable in art if they are done in the
-right spirit.”
-
-However, the subject was dropped and they were soon interested in other
-parts of these old historic buildings. The Chief Warden conducted them
-through the Tower of Cæsar, into the Silver Tower, or Tower of Bon
-Bee. They thought of the thousand of illustrious prisoners who had been
-incarcerated in prison for years. Marceline could not keep from thinking
-of the martyred Marie Antoinette, of Elizabeth, and the little Dauphin,
-and of the waxen gendarmes in the museum, who watched over the Royal
-family. All this impressed her, and her mind was continually carried
-back to those stirring times. The Silver Tower had been transformed into
-a record office, and the modern writing desks were in striking contrast
-to the old medieval walls. Returning through the guard-room, they
-directed their steps towards the Bon Bee Tower. Théophraste had read
-about this tower and imagined he knew it well, so wishing to appear well
-informed, asked of the Warden, “Is it not there, sir, that the last
-meal of the Girondists was served? You ought certainly to tell us
-exactly where to find the table, and also the place which Camille des
-Moulins occupied.” The Warden replied that the Environdists had dined
-in the chapel and that they would soon visit it.
-
-“I wish to know Camille des Moulins’ place,” said Théophraste,
-“because he was a friend of mine.”
-
-“And mine also,” said Marceline, with a look towards Adolphe, which
-seemed to say, “Not as much as you, Adolphe.”
-
-But Adolphe laughed and said Camille was not a Girondist, he was a
-Franciscan friar, a friend of Danton, a Septembrian.
-
-Théophraste was vexed, and Marceline protested that if he had been
-anything of the sort Lucille would not have married him. Adolphe did
-not insist, but as they had by now reached the chamber of torture, he
-feigned condescendingly to be interested in the labels which adorned the
-drawers decorating the walls, “Hops,” “Cinnamon,” “Spice,”
-etc.
-
-“Here is the room in question. They have transformed it into the
-doctor’s store-room.”
-
-“It is just as well, perhaps,” said Théophraste, “but not so
-impressive.”
-
-Adolphe and Marceline were of the same opinion. They were not at all
-impressed. Here was the famous torture chamber. They expected something
-else. They were disillusioned. Outside, when viewed from the court of
-the Sundial, the formidable aspect of those old feudal towers, the last
-vestige of the palace of the French monarchy, momentarily brought fear
-and awe to their minds. That prison had stood a thousand years, had
-known so many tragedies, death rattles, legendary miseries, hidden
-secrets. It seemed that one only had to step inside to find an
-inquisition court in some dark corner, damp and funereal. Here seemed
-to be all the tragedies of the history of Paris, as immortal as the very
-walls.
-
-What a disillusion here in these towers with a little plaster and paint
-they had made the office of the Director of Records, the store-room of
-the prison doctor. One could carouse here where once the hangman held
-sway. One could laugh where only the cries of the tortured were heard.
-
-Now there would have been nothing unusual about this visit to the
-Conciergerie but for a very extraordinary incident which occurred after
-the party had left the torture chamber. The incident was weird and
-inexplicable, and while I read M. Longuet’s own description of it, I
-confess I found it impossible to believe. Therefore I went to the
-Chief Warden, who had shown the party round the prison, and asked for
-his account of the incident.
-
-He gave it to me in the following words:
-
-Sir, the affair passed as usual, and the lady, the two gentlemen and I
-visited the kitchen of St. Louis, which is now used as a store-house for
-plaster. We proceeded towards the dungeon of Marie Antoinette, which is
-now the chapel. On the way I showed them the crucifix, before which she
-prayed before mounting the cart which is now in the Director’s room.
-I told the man with the green umbrella that we had been obliged to
-transfer the Queen’s arm-chair to the Director’s room, because the
-English visitors had carried away pieces from it as souvenirs. We had
-by this time arrived at the end of the Street of Paris—you know the
-street that leads from Paris to the Conciergerie. We passed through that
-frightfully dark passage, where we found the grating behind which they
-cut off the hair of the women before execution. You know that it is
-the very same grating. It is a passage where never a ray of sunlight
-penetrates. Marie Antoinette walked through that passage on the day of
-her death. It is there that the old Conciergerie stands just as it was
-hundreds of years ago.
-
-I was describing the Street of Paris, when suddenly the man with the
-green umbrella cried out in a voice so unlike the previous voice, so
-strangely that the other gentleman and lady looked startled: “Zounds,
-it is the walk of the Straw Dealers.” He said it in a weird tone and
-his whole attitude was changed. He used the expression, zounds, twice. I
-told him he was mistaken, that the walk of the Straw Dealers is what
-we call to-day the Street of Paris. He answered me in the same strange
-voice: “Zounds, you cannot tell me that! I have lain there on that
-straw like the others!” I remarked to him, smilingly, although not
-without a feeling of fear, that no one had lain on that straw in the
-alley of the Straw Dealers for more than two hundred years.
-
-He was just about to answer me when his wife intervened. “What are you
-saying, Théophraste?” said she. “Do you wish to teach Monsieur his
-business? You have never been to the Conciergerie before.” Then he
-said in his natural voice, the voice by which I had known him at first:
-“That is so, I have never been here before.”
-
-I could not understand then at all, but thought the incident closed,
-when he did something stranger still.
-
-We visited the Queen’s Dungeon, Robespierre’s Dungeon, the Chapel
-of the Girondists, and that little gate, which is still the same as when
-the unfortunate prisoners, called the Septembrians, leaped over it to be
-massacred in the court. We were now in the Street of Paris. There was
-a little stairway on the left which we did not descend. It led to the
-cellars which I did not deem necessary to show, as it was dark and
-difficult of access. The gate at the bottom of this staircase is closed
-by a grating which is perhaps a thousand years old—possibly more. The
-gentleman, whom they called Adolphe, proceeded with the lady toward the
-door leading out of the guard-room, but without saying a word the man
-with the green umbrella descended the little staircase. When he was at
-the grating he cried out in that strange, weird voice: “Well, where
-are you going? It is here.” The gentleman and the lady stopped as if
-petrified. The voice was terrible, and nothing in the outward appearance
-of the man would make you believe that the voice came from him. In spite
-of my fear I ran to the head of the stairs. I was thunderstruck. He
-ordered me to open the grating, and I don’t know how I obeyed him. It
-was as if I had been hypnotized. I obeyed mechanically. Then when the
-grating was opened he disappeared in the darkness of the cellar. Where
-had he gone? How could he find his way? Those subterranean passages of
-the Conciergerie are plunged in frightful darkness and nobody has been
-down there for centuries and centuries.
-
-He had already gone too far for me to stop him. He had hypnotized me. I
-stayed about a quarter of an hour at the entrance of that dark hole. His
-companions were in the same state as I was. It was impossible to follow
-him. Then suddenly we heard his voice, not his first voice, but his
-second. I was so startled I had to cling to the grating for support. He
-cried out: “It is thou, Simon l’Anvergust.” I could not answer. He
-passed near me, and as he passed it seemed to me that he put a scrap of
-paper in his jacket pocket. He leaped up the steps with one bound and
-rejoined the lady and gentleman. He gave them no explanation. As for
-me, I ran to open the door of the prison for them. I wanted to get them
-outside. When the wicket was open and the man with the green umbrella
-was walking out, without apparent reason he said: “We must avoid the
-wheel.” I don’t know what he meant, as there was no carriage near.
-
-
-
-
-CHAPTER II
-
-_An Explanation from Théophraste_
-
-
-|NOW in reading the last chapter one would immediately think that M.
-Longuet had gone mad. What had possessed him? Where did he go? In order
-that you might fully understand his peculiar actions I will give you the
-extract from his memoirs relating to this incident. He writes:
-
-I am a man of sound body and mind. I am a good citizen and recognize
-all the laws. I believe laws are necessary for the proper regulation of
-society. I dislike heartily any formalities, and in determining my lines
-of conduct I have always chosen the simplest way.
-
-I dislike imaginative people, and the occult has always been repulsive
-to me. However, this is not through want of understanding, for
-my friend, Adolphe Lecamus, had given himself up to the study of
-spiritualism. Whoever teaches spiritualism teaches foolishness, and the
-desire to question the spirits of the dead by means of the planchette
-seems to me to be beyond belief, it is grotesque. However, I have
-assisted at some of Adolphe’s seances which he had given for the
-benefit of Marceline and myself. I have even taken a certain part in
-them, desiring to prove the absurdity of his theories. My wife and I
-once rested our hands on a table for a quarter of an hour waiting for it
-to move. Nothing happened, and we laughed heartily at him. However, my
-wife was more sympathetic, and was inclined to be a little more serious.
-Women are always more susceptible to the occult and ready to believe in
-the mysterious. Adolphe bought her books, which she read eagerly, and he
-amused himself sometimes by willing her to sleep, by making passes with
-his hands and breathing on her eyes. It seemed foolish, and I should not
-have allowed it from any one else, but I have always had a liking for
-Adolphe, and know that it amuses him. Marceline and he said that I was
-a skeptic. However, I am not a skeptic, as a skeptic is one who doubts
-all. I believe in progress, but do not believe that one person having an
-unnatural influence over another tends towards progress. Therefore I am
-not a skeptic, but rather a philosopher.
-
-During his travels Adolphe read a great deal. I have had to work hard
-all my life, therefore, while he is an idealist, I am a materialist.
-
-It seems necessary for me to thus describe my character so that it may
-be well understood that the happenings of the day before yesterday were
-not due to any occult reasons. I visited the prison in just the same
-manner as I would go to a store to buy a cravat. I wanted to learn, that
-is all. Having sold my business, I have more leisure, and so I said to
-myself: “I will visit the interesting places of the city of Paris.”
-Fate decreed that the Conciergerie was the first place to be visited. I
-do not know whether I really regret it.
-
-At present I am calm and collected and can relate all I remember of what
-happened.
-
-While we were in the Towers nothing happened worth recording. I remember
-trying to picture to myself in the little room which looked like a
-grocery store all the horrors of the place, how the executioners and
-their assistants approached the prisoners with their monstrous machines,
-how so many illustrious persons were martyred, and all the terrible
-griefs and agonies which had been witnessed within these walls. But
-the transformation had taken all the romance away, and the labels,
-“Senna,” “Hops,” etc., did not inspire imagination. Even the Bon
-Bee Tower, also called Bavarde, on account of the terrible cries which
-were heard in it, has been changed into offices. However, I must not
-complain. These are all the signs of progress and a more enlightened
-age.
-
-But we penetrated into that part of the Conciergerie which has changed
-little during all these centuries, which had not been spoiled by the
-plasterer and in which all the stones could tell their own history; then
-it was that a most inexplicable fever took possession of me, and when we
-had reached the dark end of the walk of the “Straw Dealers,” I cried
-out from my soul, “Zounds! this is the walk of the Straw Dealers.”
-
-I turned around immediately to find out who had uttered these words.
-They were all staring at me, and I was convinced that it was myself who
-had cried out. It seemed so strange. The voice was not like mine, but it
-had emanated from me. Even now it is unaccountable.
-
-The Warden pretended that we had passed the walk of the “Straw
-Dealers.” I told him that I knew the place better than he, for I had
-lain there on the straw myself. But I had never been in the Conciergerie
-before, and yet I was sure of it. It is difficult to explain. While
-we walked through the chapel of the Girondists, and the Warden was
-explaining the story to us, I played with my umbrella. I tried to appear
-natural and collected. Although the things which happened were quite
-natural, and not the result of any effort, a cold perspiration seized me
-and I shook like a leaf. I remember that I found myself at the bottom
-of the stairs, standing before a grating. I was endowed with almost
-superhuman strength. Shaking the grating, I called out for the others to
-follow. However, the others had gone ahead and did not hear. I called to
-the Warden to open the grating. I don’t know what would have happened
-if he had not done so, quickly. I was crazy, and yet everything was
-natural to me. Truly, I was in a state of great nervous excitement, but
-everything was lucid to me. Never before had I seen so clearly as when
-in that dark cellar. Never before had I recognized a place so vividly as
-when I was down there where I had never been before. My God! I did not
-know them, and yet I recognized them.
-
-Without hesitating I groped around, feeling the stones in the dark, and
-my feet trod a soil which seemed familiar but which had not been trodden
-for centuries. I seemed to know these very stones, forgotten in the
-darkness of those cellars. I slid the length of the damp flagstones as
-if I had been accustomed to the way. My finger-nails came in contact
-with sharp stones in the wall and I counted the seams as I passed. I
-knew that if I turned round I would see a certain square light in
-the distant gallery, a single ray in all this place where the sun had
-forgotten to shine since France’s history had begun. I turned and saw
-it, and I felt my heart beat violently.
-
-Here there was a momentary interruption in the writings. M. Longuet,
-having explained what had happened to him in that strange hour in the
-Conciergerie, was greatly agitated. It was with difficulty he remained
-master of his thoughts. It was difficult to follow them; they seemed to
-come and go, just leaving faint traces on the paper of the record.
-
-He resumed the pen with feverish hand. Continuing to busy himself with
-the subterranean passages, he writes:
-
-It is necessary to pause here as one pauses at the edge of a precipice.
-My very thoughts make me shiver!...
-
-And the Bavarde, there it stands. There are the walls which have helped
-to make history. It is not on high in the glorious sunlight that the
-Bavarde tells its history. It is here in the blackness of the earth.
-There are some large iron staples in the wall here. The very chains
-of Ravaillac! I recall no more; but towards that ray, the sole ray of
-light, as eternal and immovable as the very walls— towards that small
-square beam, which since the beginning of things has taken and kept the
-shape of a sentinel, I advanced. There was some impelling force which
-urged me on. I rushed ahead while the fever was in me and seemed to
-intoxicate me. Suddenly I paused, my feet seemed held to the ground and
-my fingers ran sliding and pressing the length of the wall. What it was
-that impelled my finger, what was the thought, I cannot tell. All at
-once I let my umbrella fall, and drawing my pen-knife, began to scrape
-steadily between two stones. The dust and cement powdered away easily,
-and soon my knife struck something between the stones, and I pulled the
-thing out.
-
-This is why I am sure I was not mad. This thing has been before my
-eyes. In my most peaceful hours I, Théophraste Longuet, see it in my
-writing-desk. It is not I who am mad, but this thing itself! It is a
-piece of torn paper, stained. . . a document of which it is easy to tell
-the age and calculated to plunge any man into the deepest consternation.
-
-The paper is, as you must know, terribly decayed. The dampness has eaten
-into half the words, which seem, on account of their reddish tint, to
-have been written with blood.
-
-I took the document to the small ray of light, and on looking it over my
-hair seemed to stand on end with horror. _There I could recognize my
-own handwriting_, and I give you this precious and mysterious document
-clearly translated:
-
-“Dead and buried all his treasures after the Treachery of April
-1st. Go, take a look in the barroom! Look at the furnace! Look at the
-weathercock! Dig a while and you shall be rich!”
-
-
-
-
-CHAPTER III
-
-_A Search and a Discovery_
-
-
-|M. ADOLPHE LECAMUS and Marceline thought M. Théophraste’s actions
-strange, but they were too much occupied with an affair of their own to
-attach very great importance to them. However, M. Théophraste concealed
-his anxiety and pretended that the visit to the Conciergerie was quite
-a natural occurrence. He had gone down in the cellars just to satisfy
-a natural curiosity, not being one of those who make a superficial
-inspection of things of interest.
-
-The following day, M. Théophraste, under the pretext of putting his
-affairs in order, shut himself up in his office and gave instructions
-for nobody to disturb him. Leaning over the balcony he looked out
-upon the little square of Anvers and reflected over the happenings
-of yesterday. There was nothing in the view to distract him. He was
-accustomed to the scene below: nurses pushing perambulators gossiping
-over the latest news, and a few professors walking towards the Rollie
-College. The Avenue Touraine rang with the shouts of college students
-who had come before the lecture hour.
-
-Nothing had changed; the world was just the same. To-day, like
-yesterday, or like the day before yesterday. The people were going
-to their business just the same. Even Nidine Petito, the wife of the
-Italian professor, who lived in the apartment below, was the same. She
-began to play the “Carnival of Venice” on the piano just as she did
-every day.
-
-Nothing had changed; thus he reflected. On turning round he could see
-amongst his papers on the desk, the document. Did it really exist?
-He had passed a restless night and was now attributing his strange
-adventure to a bad dream—but no, it could not be that, for there was
-the paper on his desk, in his own handwriting, and written in blood.
-Good God! perhaps it was his own blood. What thoughts, what thoughts!
-
-Théophraste passed his hand over his forehead. He was perspiring and
-restless. Suddenly breathing a sigh and slapping his thigh with his
-hand, he appeared to have come to a definite resolution, and put the
-paper carefully away in his portfolio.
-
-He remembered that Signor Petito, the Italian professor, was an expert
-in handwriting and that he had had experience in engraving. He would
-take the document to him and ask his opinion. His friend Adolphe was
-also interested in graphology, but only in a spiritual way, and so he
-would not confide in him. There was already too much mystery in the
-affair without mixing it up with spiritualism and mediums.
-
-He had only known the professor to bow to on the stairs, and so
-in presenting himself he was introduced. The professor greeted him
-cordially, and after the usual formalities, Théophraste broached the
-subject of his visit. He produced the paper, and a letter which he
-had written some time previously. “Signor Petito,” he commenced,
-“having heard of your renown as an expert in handwriting, I would be
-grateful to you if you would examine this letter, and this document,
-and give me the result of your observations. I may say that there is no
-connection between the two papers.”
-
-Théophraste was not in the habit of lying, and blushed redder than a
-peony. But Signor Petito was already deeply engrossed in the examining
-of the two papers. His scholarly eye looked over one, then the other.
-He placed them together, held them up to the light, passed his hand
-over the writing, and measured them. Then he laughed, showing his white
-teeth.
-
-“Monsieur Longuet,” said he, “it is not necessary for me to keep
-you waiting long for a reply. This document is in a very bad condition,
-but the specimen of handwriting can still be read. They are in every way
-similar to the letter, and I would swear before any tribunal that those
-two handwritings have been traced by the same hand.”
-
-Then he entered into details. “A child,” he said, “could not be
-mistaken about it.” He pointed out how this duplicate writing was
-identically angular. “We call a handwriting angular, Monsieur, when
-the hair-strokes which join the bottom of the letters and the separate
-letters are at an acute angle to the down-strokes of the letters. Do
-you understand? Compare this hook and that one, those hair-strokes
-with these others, and all those letters getting larger, larger in both
-writing and in equal measure. But what a clear writing, Monsieur; I
-have never seen such clear writing before. As clear as if cut with a
-knife.”
-
-By this time Théophraste had become white with nervousness. Signor
-Petito thought that he was going to faint. However, he arose, picked up
-the document and the letter, and having thanked Signor Petito, he went
-out.
-
-He wandered the streets for a long time, and at last turning down
-a small street, he stood in front of an old door in the Rue Inger.
-Entering, he found himself in a narrow, dark passage. A man came out of
-a back room, and on recognizing Théophraste, greeted him in a friendly
-way. He was wearing a square paper cap, and had on a black gown which
-reached down to his feet.
-
-“Good-day, Théophraste, good-day. What happy chance has brought you
-here?”
-
-As it had been two years since they had last seen each other they at
-first spoke of family matters and other generalities. Ambrose spoke of
-his trade of engraving visiting cards. He had been a printer. He had
-been a printer in the province, but having put all he had into an
-invention for a new paper, he had failed. He was a distant cousin to
-Marceline, and when he was deep in financial troubles, Théophraste had
-come to his rescue.
-
-Théophraste seated himself on the wicker chair in the small room which
-served as a workshop. This room was lighted by a large window reaching
-from floor to ceiling.
-
-“Ambrose, you are an expert. No one can approach you in the knowledge
-of papers, eh?” “That is not quite true,” said Ambrose, “but I
-can judge a good paper.”
-
-“You understand all kinds?”
-
-“All kinds.”
-
-“If some one showed you a piece of paper, could you tell the age of
-it?”
-
-“Yes,” said Ambrose, “I could. I have published a treatise on the
-water-marks of papers used in France in the seventeenth and eighteenth
-centuries. That study was accepted by the Academy.” “I know, and I
-have great respect for your knowledge.”
-
-“Well, the thing is simple. The oldest paper showed a plain, glossy
-surface, but soon there appeared wide lines crossed at intervals by
-perpendicular lines, both giving the impression of a metal trellis over
-which the paste had been spread. From the fourteenth century they used
-these as a maker’s mark, and in the end they designed figures in
-brass wire, initials, words, emblems of all sorts —these are the
-water-marks. Every sheet of water-marked paper tells its tale, and the
-year of its make can be detected, but the difficulty is to decipher
-it. This necessitates a little practice.” Théophraste opened his
-portfolio and took out the paper.
-
-“Can you tell me the exact date of this?” Ambrose put on his
-eyeglass and took the paper to the daylight.
-
-“There is the date,” he said, “172--, the last figure is rubbed
-out. It must be of the eighteenth century.”
-
-“Oh,” said Théophraste, “I saw that date quite well, but do you
-really think that the paper is-of that century? Does not the date lie?
-That is what I want to know.”
-
-Ambrose showed him the center of the paper. “See?”
-
-Théophraste said nothing. Then Ambrose lit a small lamp and held the
-paper up before it. In illuminating the document one could detect in the
-thickness of the paper the design of a crown.
-
-“Théophraste,” said Ambrose excitedly, “that paper is exceedingly
-rare. That mark is almost unknown, for a very little paper was made
-with that sign, which is called the Crown of Thorns. That paper, my dear
-Théophraste, was made in 1721.”
-
-“You are sure?”
-
-“Yes, but tell me,” cried Ambrose, who could not conceal his
-surprise, “how is it that this document, dated 1721, could be by all
-visible marks in your handwriting?”
-
-Théophraste said nothing, but getting up and putting the document back
-into the portfolio, he hastened out of the house.
-
-And so here was proof enough. He could doubt it no longer. This paper,
-dated in the beginning of the eighteenth century, in the time of the
-Regents, this sheet that he had sought for in the prison, distinctly
-bore his own handwriting. He had written on that sheet, he, Théophraste
-Longuet, late maker of rubber stamps, who retired last week at the age
-of 41—he wrote on that sheet of paper these incomprehensible words in
-1721. However, it did not want Signor Petito or Ambrose to prove it to
-him. He knew it himself. Everything within him cried out, “It is your
-paper!” And so instead of being Théophraste Longuet, son of John
-Longuet, master gardener to the Ferte sous Jonaise, he had been in the
-past some one he did not know, but who had been reborn in him. Yes,
-that was it, and he now had the great desire to recall having lived 200
-years.
-
-Who was he? What was his name? In which body had his immortal soul
-elected momentarily to live? He felt certain that these questions would
-not remain long unanswered. Was it true that some of the things ignored
-in his present existence constituted part of his past life? What was
-meant by certain expressions spoken in the Conciergerie? Who, then, was
-Simon de Anvergust, whose name had been twice repeated by his burning
-lips?
-
-“Yes, yes, the name, in former times my own, his also,” wrote
-Théophraste in his journal, “arose from my awakened brain, and
-knowing who I was, I recalled the whole life lived in former years, and
-I read in a flash from that piece of paper all the details of a past
-life.”
-
-Monsieur Théophraste Longuet, to state the matter frankly, had not
-arrived at the conclusion without having, in these incoherent lines,
-wandered before. The happenings of these days were too unusual. Imagine,
-he was simple-minded, a little heavy, a little foppish, he had never
-invented anything in his life. He was just an amiable, honest citizen,
-stupid and headstrong. He had no religion. He left that to the women,
-and without declaring his atheism, used to say: “When one dies, it is
-forever.” However, now he had discovered by an extraordinary incident,
-that one never dies. He had to support this, and in doing so declared
-that not even those in the business, in occult science, frequenting
-spirits daily, could have such palpable proof. In the end Théophraste
-made his resolution quickly.
-
-This anterior existence could no longer be denied, although he knew
-nothing about it. In the uncertainty of his mind he could not associate
-the date 1721 with his visit to the Conciergerie.
-
-However, he came to this final conclusion. In 1721 he had been confined
-in the Conciergerie Prison, probably as a prisoner of state. He could
-not admit for a second that he, Théophraste Longuet, had been shut up,
-even under Louis XV, as a common criminal. In a solemn moment, perhaps
-before being put to torture, he had drawn up this document and hidden
-the paper between the stones in the dungeon, and passing by there two
-centuries later, had found it again. This was simple enough and not
-the result of any supernatural inspiration. The facts themselves were
-enough.
-
-Certain words of the document were in themselves quite natural and of
-the most momentous importance. These were “Treasure... treachery of
-the first of April.”
-
-It was with these words that he hoped to discover his identity. First,
-he had been rich and powerful. The words about the treasure showed
-conclusively that the man had been rich and that he had buried his
-treasure. He had been powerful and had been betrayed. Théophraste
-had in his mind that the treason had been a memorable treason, perhaps
-historic—the treachery of the first of April.
-
-Yes, all the oddities and all the mysteries of the document left
-at least a glimpse of something certain: that he had been a great
-personage, that he had buried his treasures; and that after having
-buried them mysteriously, more mysteriously still revealed their
-existence, at the price of much cunning; perhaps at the price of his own
-blood. Without doubt those tinted words had been written with blood.
-
-Later he proposed to ask a distinguished chemist to examine it. The
-treasures belonged to him, and if necessary he would use this document
-to establish his right to them.
-
-Théophraste was not rich. He had retired from business with a modest
-little income. He had a comfortable little house with a garden and
-bowling alley. However, this was little, with the somewhat extravagant
-tastes of Marceline, and so the treasure would be most acceptable. He
-therefore applied himself diligently to the research.
-
-It must be said, though, to his credit, that he was much more puzzled by
-the mystery of his personality than by the mystery of the treasure, and
-that he resolved to temporarily suspend his research until the time
-when he could at least give a name to this personage that he had
-been—Théophraste Longuet in 1721. That discovery which interested him
-most came to be in his mind the key of all the others.
-
-That which astonished him most was the sudden development of what
-he called his “historical instinct,” the instinct which had been
-deficient in him all his life, but which had been revealed to him with
-the suddenness and force of a clap of thunder in the depths of the
-Conciergerie. In one moment, the Other, as he used to say in conversing
-of this great 18th-century personage, had possessed him. It was the
-Other who had found the document; it was the Other who had cried out
-in the Conciergerie; it was the Other who had called to Simon
-l’Anvergust, and since the Other had disappeared, Théophraste did not
-know what had become of him. He sought him in vain; he examined himself;
-he searched his very soul.
-
-Before this adventure Théophraste had no curiosity about the
-beginning or ending of things, he had not wasted time in wondering
-over philosophical mysteries; in his vanity he had always shrugged his
-shoulders at such things. However, now things were different; here was a
-quiet citizen, with little scientific knowledge, who had to prove that
-a manufacturer of India rubber in the year 1899 had been shut up in a
-dungeon after having buried treasures in 1721. But the revelation of
-this extraordinary fact had come to him spontaneously and remained so
-fixed in his mind that he resolved to probe the matter to the bottom.
-
-His instinct abandoned him momentarily and he would search books and
-discover who this powerful, rich person was who had been betrayed on
-April 1st; which April 1st? This remained to be determined. He haunted
-the libraries from that time on. He marshaled before him the Premiers of
-the Kingdom. He found nothing to give him a clue. Some dukes and peers,
-some illustrious generals, some great financiers, a few princes of
-the blood. He stopped an instant at Law, but he was too dissipated; at
-Maurice de Saxe, who ought to have won the Battle of Fontenoy; at the
-Count du Barry, who had had the most beautiful mistress in Paris.
-He feared that perhaps he had been the Count de Charolais, who
-distinguished himself by his debauches, and killed the thatchers on
-the roofs by shooting at them. He was forty-eight hours the Cardinal of
-Palegria, but was disgusted when he learned that his Eminence had been
-a farm hand for the Duchess of Maine. It was refreshing to find in some
-corner of history a sympathetic count or lord that the writers of the
-epoch had adorned in engaging colors and on whom they had bestowed
-some virtues. But Théophraste soon saw that all these would have to be
-abandoned. For none of them had the principal qualifications of having
-been shut up in the Conciergerie in 1721, or having been betrayed on an
-April 1st.
-
-However, in the Journal of the Barber, he discovered a bastard of the
-Regent, about whom were some startling facts which precipitated him into
-a state of great excitement.
-
-Before entering into the details, however, of this discovery, we will
-return to the doings of Marceline and M. Adolphe Lecamus.
-
-
-
-
-CHAPTER IV
-
-_Some Philosophy and a Song_
-
-
-|LET us leave Paris awhile and return to the little estate on the banks
-of the Marne, which Théophraste generally moved to with the first rays
-of the July sun. This year he was to go there before Marceline and his
-friend, Adolphe, who had been commissioned to survey the timbers on
-some lands elsewhere. Thus these last few days he could spend alone
-in security and peace to attend to this unusual treatise which his new
-position in the world had given him.
-
-The name of the house was “Villa Flots d’Azure.” Théophraste had
-given it this name against the wishes of Adolphe, who protested that the
-name was for a villa near the sea. He had replied with logic that he had
-often gone to the Preport, and that he had always seen the sea green;
-that he knew the Marne, and that on account of the reflected blue sky
-the water seemed blue. Do they not say “the beautiful blue Danube”?
-It was not only the ocean that had blue waves, so he did not see why he
-should not call his villa on the Marne “Villa Flots d’Azure.”
-
-That day was the anniversary of their marriage. Théophraste was very
-fond of Marceline, and these anniversaries were always the occasion for
-much merry-making. Marceline also loved Théophraste, and saw no reason
-why she should not like Adolphe equally as well, whereas, on the other
-side, Adolphe adored Marceline and would have died for Théophraste. On
-reflection, the name “Villa Flots d’Amour” would have been more
-appropriate than “Villa Flots d’Azure,” such harmony existed
-therein.
-
-Théophraste shook Adolphe’s hand effusively. He complimented his wife
-on her beauty. He had his green umbrella that day, and in making his
-congratulations twirled it in a fashion, as he thought, resembling
-the manner in which they used canes in the beginning of the eighteenth
-century. He was not a vain person, but he knew by this scientific
-miracle that he had been a great man two hundred years ago, and he
-felt that he should convey the impression that he had moved among great
-people and affairs.
-
-It was their custom upon their return to their country house to invite
-a few friends to a party to celebrate the occasion. Upon this occasion
-Théophraste was at his best. He was in high spirits, and while passing
-the good word to the gentlemen, made flattering speeches to the ladies.
-The table was set in the garden under a tent where the guests assembled.
-After a while the conversation turned to the latest doings in angling.
-M. Lopard had caught a trout of three pounds; old M. Tartoush had cast
-his line on Sunday—having caught nothing, complained that people made
-too much noise shooting during the week, and drove the fish from these
-waters. All joined in the conversation and gave their experiences except
-M. Théophraste.
-
-He kept silent. He found the topic too commonplace and felt a desire to
-raise its level. He wanted it to drift into some subject related to
-that preoccupying his mind. After awhile he was able to get Adolphe
-interested in the subject of ghosts. From ghosts the conversation led on
-to spiritualism. One lady knew a somnambulist and related some strange
-stories which were calculated to work upon the imagination of the
-company. Adolphe, upon this, explained the spiritualistic point of view
-of the phenomena of somnambulism, and cited well-known authorities. He
-seemed quite in his element, and finally reached the point desired by
-Théophraste, the transmigration of souls and reincarnation.
-
-“Is it possible,” said Marceline, “that a soul comes back to live
-in its body? You have often told me so, Adolphe, but it seems to me that
-one’s reason strongly repulses such an hypothesis.” “Nothing is
-lost in Nature,” replied Adolphe, positively. “Neither the soul
-nor the body. All is transformed, the soul as well as the body. The
-reincarnation of souls at the end of a century is a doctrine which goes
-back to such great antiquity that the ancient philosophers do not deny
-it.”
-
-“If one’s soul returned to a body,” said Marceline, “one would
-surely know it.”
-
-“Not always,” said Adolphe, “but sometimes.” “Ah,
-sometimes?” asked Théophraste, who was by this time becoming
-intensely interested.
-
-“Yes, there are cases. For instance: Ptolemy Caesar, son of Caesar and
-Cleopatra, who was king of Egypt before Christ, remembered well to have
-been Pythagoras, a Greek philosopher, who lived 600 years before.”
-
-“Impossible!” cried the ladies, and the gentlemen smiled
-skeptically.
-
-“You need not laugh, gentlemen. It is impossible to be more serious.
-Our actual transformation, which is the final word in science, is in
-full accord with the theory of reincarnation. What is transformation
-except the idea that living things transform themselves, progressing one
-into another? Nature presents herself to us under the aspect of a spark,
-elaborately perfecting without ceasing to create, to attain an ideal
-which will be the millennium. Whatever Nature does for the body she does
-for the soul. It can be proved, for I have studied this side a great
-deal, and it is the original of all sciences.
-
-Monsieur Adolphe was not understood by the company, a fact of which he
-was inwardly proud. He liked to feel a superiority of intellect, and
-often he would raise the conversation above the level of his audience
-just to gratify his vanity. He touched on many points which only need
-be referred to lightly here in order to convince skeptics that the
-extraordinary history of Théophraste is founded on a most scientific
-basis.
-
-“The transmigration of souls was taught in India,” said Adolphe;
-“the cradle of the genus human, then in Egypt, then in Greece. They
-chanted its mysteries in the name of Orpheus. Pythagoras, who continued
-the teaching, did not admit with the philosophers on the banks of the
-Ganges that the soul traveled over the cycle of all animal existence. He
-made it come back, for example, into a pig.”
-
-“There are some men,” said Madame Beulie, “who still have the
-souls of pigs.”
-
-“Without doubt,” said Adolphe, smiling; “but what Pythagoras says
-is that we must not conclude from that, that pigs have the souls of
-men. Plato also adopts this doctrine. It is the first which gave in the
-Phidon the proof that souls do not exile themselves forever and that
-they come back to animate bodies anew.”
-
-“Oh, if we could only get proof of that it would be nothing for me to
-die,” declared old Mlle. Tabouret, who had a mortal terror of dying.
-
-“Here are the proofs,” continued Adolphe. “They are two in number.
-One is taken from the general law of Nature, the other from human
-nature. First, Nature is governed by the laws of contraries, and from
-that we see that while death succeeds life, all would end by being
-absorbed in death, and Nature would one day come to an end like
-Endymion. Therefore I say that we exist after death.
-
-“Secondly, if after consulting the general laws of Nature we turn to
-our own minds, we will find there the same dogma attested by the fact of
-resemblance. ‘To learn,’ said Plato, ‘is nothing but to recollect.
-Since our souls learn, they must have a resemblance. What does it
-recollect except to have lived, and to have lived in another body? Why
-can we not believe that in leaving the body while it is animate at
-this time it can animate several others in succession?’ I quote Plato
-literally,” remarked Adolphe.
-
-Then he passed from Plato to a modern authority. “Charles Fournier has
-said: ‘Where is the old man who has not truly wished to be born again,
-and to use in another life the experience he has acquired in this?’ To
-pretend that that desire ought not to be realized is to admit that God
-can deceive us. We ought then to recognize that we have lived previous
-to being what we are, and that several other lives await us. All these
-lives, to the number of eight hundred and ten, are distributed between
-five periods and embrace a span of eighty-one thousand years. Allan
-Hardai reckons that the soul returns to another body after two or three
-thousand years unless we die a violent death. Then it is quite possible
-one can be reincarnated after two hundred years.”
-
-Adolphe had by this time drawn all around him and became the center of
-attraction by his entertaining remarks. Théophraste had sat open-eyed,
-listening intently, and upon hearing the last remark thought “That is
-well. They may have hung me; so if I did not die that way, they may have
-got rid of me by some other death more in keeping with my station in
-life. Nevertheless,” he thought, “if all these people here could
-only realize that they had a prince of the royal blood among them, they
-would be very much astonished, and be filled with respect. But no, he
-will still be Théophraste Longuet, manufacturer of rubber stamps.”
-
-Champagne was brought, and soon the air rang merrily with general
-chatter and the explosion of corks. It was then that Marceline turned
-around to Théophraste and begged him to sing the song which he was
-accustomed to sing on the anniversary of their marriage. He had sung it
-the day of their wedding, and on account of its beauty they had adopted
-it as their wedding song. It was Lissette de Baranger.
-
-However, to the consternation of Marceline and all the guests, instead
-of singing the song, he rose, threw his napkin on the table and said to
-her in that strange voice which they heard at the Conciergerie:
-
-“As thou wishest, Marie Antoinette, I can refuse thee nothing.”
-
-“Oh, my God,” cried Marceline. “Hear what he called me in that
-strange voice!”
-
-The guests were obviously uncomfortable, and did not know what to make
-of his peculiar behavior. The song was a vulgar song of the Regency
-period, and certainly not for such a gathering as was at this party. He
-sang it with the old French air:=
-
-````Tou joli belle mimiere--
-
-````Tou joli, moulin.=
-
-
-
-
-CHAPTER V
-
-_Théophraste Remembers Himself_
-
-
-|THEOPHRASTE sang the song in loud, strident tones, his eyes sparkling,
-glass in hand. It was with indescribable surprise that the company
-received it, and despite the richness of the rhyme, the couplet was
-followed by no applause. An awkward silence followed, and all the ladies
-looked to Marceline for an explanation.
-
-What was it that Marceline could explain? Adolphe himself looked at
-Théophraste in surprise; but Théophraste, as if possessed with the
-devil, continued with the second couplet of the drinking song. When he
-had finished, he sat down, looked around with satisfaction, and said to
-Marceline, “What do you think of that, Marie Antoinette?”
-
-In the midst of a death-like silence preserved by all, Marceline asked
-tremblingly, “Why do you call me Marie Antoinette?”
-
-“Because you are the most beautiful of all!” cried Théophraste.
-“I appeal to Madame la Marechale de Bouilleurs, who has taste. I
-appeal to all of you. And there is not one who, by the signet of the
-Pope, will contradict me, neither the Eros Picards, nor the Bourbons,
-nor the Burgundias, nor the Provincials, nor the Poet St. Jack, nor
-Gatelard, nor Bras-de-Fer, nor Guente Noir, not even Bal-a-voir.”
-
-M. Théophraste had on his right old Mlle. Tabouret, and he pinched her
-knee as he looked at Marceline, which nearly made that austere person
-faint. No one dared to move; for the fiery look of Théophraste
-frightened the whole company. He leaned amorously towards Mlle.
-Tabouret, and said to her, staring at Marceline, who was by this time
-weeping: “Let us see, Mlle. Tabouret, am I not right? To whom can I
-compare her? Is it La Belle Laitere, or La Petite Minion; or even La
-Blanche of the bowling alley; or La Belle Helene, who kept the Harp
-Tavern?”
-
-Turning towards Adolphe, he said with great energy, “Come you,
-Va-de-Bon Cœur, tell me your opinion. Look at Marie Antoinette a little
-while. By the fatted calf, she puts them all in the shade: Jeannette,
-the flower girl of the Royal Palace; Marie Leroy and the female Solomon,
-the beauty of the Temple; Jeanne Bonnefoy, who kept the café of
-the Port Marie; Manon de Versailles, the poultry girl—none of them
-approach her in beauty.”
-
-He then leapt with one bound upon the table, and breaking the dishes,
-cups and plates into a thousand pieces, held his glass over his head
-and shouted, “Let us drink to the Queen of the Nymphs, Marie
-Antoinette.”
-
-Draining his glass, he smashed it against the table and waved his hand,
-which was covered with blood. By this time the party had fled in
-terror, fearing that some tragedy would follow Théophraste’s strange
-behavior. On superficially thinking of these curious actions one would
-immediately conclude that he had gone mad or was drunk, but this was not
-the case. There is another kind of sense beside common sense. It was
-not because he was crazy or drunk that he could sing a song that he
-had never learnt, speak a language that he had never heard, or refer to
-people that he had never read about, who had been dead for centuries.
-There must have been some other force working in his brain.
-
-Modern scientific experiments have shown with indisputable examples that
-this particular case was far from unique. Ignorant people, who neither
-knew how to read or write, who had never been outside their village,
-have been known to give most correct answers to the medium who
-questioned them in a dead language. And this has been before professors
-of colleges, not before charlatans. It is difficult to explain. It is
-the mystery of this life, the life hereafter. Some say that it is
-a learned spirit talking through these ignorant mouths, others have
-timidly expressed the opinion that such phenomena can only be explained
-by the remembrance of a former life. Therefore the things which
-Théophraste said and did without understanding, the Other who relives
-in him at intervals understands perfectly well, and if we would
-understand them we must know who this Other is.
-
-As to Théophraste, after the guests had disappeared from the tent, he
-climbed down from the table. He found it more difficult to reach the
-floor than it had been to climb upon the table, and he knelt down,
-taking great precaution not to fall. He then assumed his natural self
-and called Marceline. She did not answer him, and in searching for
-her he found her trembling with fright in her room. He closed the door
-carefully and prepared to give an explanation. She looked at him with
-her large eyes, amazed, filled with tears, and he felt it his duty as a
-husband not to conceal from her any longer this extraordinary phenomenon
-which had been preoccupying his mind.
-
-The night was ideal, and after they had retired he said to her, “My
-dear Marceline, you cannot understand what has happened to me this
-evening, and I can assure you I don’t understand myself, but in
-telling you all I know perhaps we can arrive at some conclusion.”
-
-He then related all the details of his visits to the cellars of the
-Conciergerie. He concealed nothing, and sketched in minute details the
-extraordinary feelings which had actuated him that evening, and the
-unknown influence which had commanded him. At first she said nothing,
-but softly moved away from him as if afraid of him; but when he came to
-the document which revealed the existence of the treasures, she demanded
-to see it at once. He judged then that she was taking an interest in the
-adventure and felt thankful. They got up and he showed her the paper in
-the light of the full moon, which was streaming into the room. Like
-all those who had seen it before, she recognized the handwriting
-immediately, and made the sign of the cross as if fearing some sorcery.
-Marceline was not a fool, but explained that she could not help making
-the sign. However, she soon became composed, and began to praise
-Adolphe, who, in spite of Théophraste’s disapproval, had initiated
-her into the elements of spiritualism, a science she said which would be
-of some service to Théophraste in his condition. But even in the face
-of that uncontestable evidence she found it difficult to believe that he
-was a reincarnated spirit dating back two hundred years, until he asked
-her who she thought he had been.
-
-Marceline didn’t think that he had been a very great personage, and in
-reply to his disappointed inquiry she said:
-
-“Because this evening you sang in slang, and the ladies whose names
-you mentioned do not belong to the aristocracy. People who frequented
-La Terpidere, La Platire, Manon de Versailles, I think are not of much
-account.”
-
-“But I also mentioned the leader of the Bouffleurs,” replied
-Théophraste, “and you know that morals were so dissolute under the
-Regency of the Duke of Orleans that the fashion at Court was to call the
-ladies in slighting terms. What do you think of the idea of me being the
-Bastard of the Regent?”
-
-For sole response she embraced Théophraste in delight, and recollecting
-his duty on this day of celebration proved to her that if he was more
-than two hundred years old, his love always remained youthful.
-
-
-
-
-CHAPTER VI
-
-_M. Lecamus Expresses His Views._
-
-
-|AFTER a while Marceline was able to persuade Théophraste to confide in
-M. Adolphe Lecamus. She declared that Adolphe’s great experience, his
-certain knowledge of the science of metaphysics, ought to be a great
-help to a man who had buried treasures two hundred years before and
-wished to find them again. “And,” she added, “it is he who will be
-able to reveal your identity.”
-
-He yielded to her persuasions, and in the morning told Adolphe
-everything. Adolphe was astonished, and it surprised Théophraste that a
-man who professed Spiritualism should show so much emotion when face to
-face with a reincarnated spirit. He said that Théophraste’s conduct
-at the dinner table the day before and the words he uttered to him
-before and since the visit to the Conciergerie were well calculated to
-prepare him for such a confidence, but he did not expect such a thing
-as this. He demanded to see the proof of such a phenomenon. Théophraste
-readily showed the document, and Adolphe could not deny the authenticity
-of it. He recognized the handwriting at once, and exclaimed, upon
-examination, that the handwriting explained many things to him. He
-had often thought how curiously the characters in Théophraste’s
-handwriting differed from his real character. It had always been
-difficult for him to associate the handwriting with Théophraste.
-
-“Really,” said Théophraste, “what character do you ascribe to
-me?”
-
-“Well, if you will promise not to bear me any ill, I will tell you!”
-
-On this assurance he painted Théophraste’s character. It was that
-of a kind citizen, an honest merchant, an excellent husband, but a man
-incapable of showing any firmness, wit or energy. He told him also
-that his timidity was excessive, and that kindness was always ready to
-degenerate into weakness. The picture was not at all flattering, and
-Théophraste felt a little hurt.
-
-“And now,” said he, “that you have told me what you think of my
-character, tell me what you think of my writing.”
-
-Then he made observations on his handwriting which would not have failed
-to make him quite angry if he had not remembered that Signor Petito had
-said the same. He said:
-
-“Your writing expresses all the contrary sentiments in your nature as
-I know it, and I can imagine nothing more antithetical than your writing
-and your real character. Thus you do not write a characteristic hand,
-but the handwriting of the Other.”
-
-Théophraste was deeply interested. He thought of the strength and
-energy of the Other, he imagined that he was a great captain. However,
-Adolphe’s next remark completely disillusioned him.
-
-“Any sign in those formations, in the pointed fashion they have of
-reuniting, and in the way of growing tall and of climbing up, and of
-passing each other, show energy, firmness, obstinacy, ardor, activity,
-and ambition, but all for evil.”
-
-This dismayed him, but he exclaimed with a show of spirit: “Where is
-the evil? Where is the good? If Attila had known how to write perhaps he
-would have written like Napoleon.”
-
-“They called Attila the scourge of God.”
-
-“And Napoleon the scourge of man,” replied Théophraste, with
-difficulty controlling his anger.
-
-How could it be that Théophraste Longuet could have been anything else
-but an honest being before his birth, during his life, and after his
-death?
-
-Marceline agreed with him, and Adolphe fearing that he had gone too far
-made apologies.
-
-
-
-
-CHAPTER VII
-
-_Théophraste and His Black Plume_
-
-
-|FOR the next few days M. Lecamus and M.
-
-Longuet occupied themselves with evidence of this phenomenon, and were
-often seen together, conversing mysteriously, in the bar-rooms and about
-town, about the treason of the first of April. They left the Villa
-Flots d’Azure to return to Paris, with the intention of searching the
-libraries. They worked diligently for several days without any result,
-until M. Longuet began to lose spirit. M. Lecamus was more patient.
-
-One evening as they were walking towards the Rond Point, in the Champs
-Elysees, he turned around and said, “What can we do to find the
-approximate place where the treasures are buried if you have not your
-black plume?” Théophraste and Marceline could not understand this,
-and asked for an explanation. He commented:
-
-“You have heard of the water witches who could discover water by the
-aid of a wand, by a phenomenon which nobody has as yet been able to
-explain. These witches traced water across the various beds of earth,
-and by pointing the little rods, indicated where it was necessary to dig
-in order to make a well. I do not despair of showing you, Théophraste,
-where your treasures are buried. I will conduct you over the ground
-shown in the document, and tell you where it is that you must dig to
-find your treasure.”
-
-“Yes,” interrupted Théophraste, “but this does not explain to us
-what you mean by ‘the black plume.’”
-
-“I am coming to that now. I am obliged to speak of Darwin. You will
-understand directly. You know that Darwin devoted himself to several
-celebrated experiments, of which the best known is that with pigeons.
-
-“Desirous of accounting for the phenomenon of heredity and the value
-that he attached to it, he closely studied the breeding of pigeons,
-which is sufficiently rapid to have enabled him to draw conclusions upon
-an appreciable number of generations. At the end of the tenth generation
-he found the same type of pigeon, with the same defects, the same
-qualities, the same form, the same outline, and the same black plume
-there in the same place where the first pigeon had a black feather. Very
-well! With that I will prove to you that it is the same with souls as it
-is with bodies.
-
-“At the end of the tenth generation, we find the same soul, as far
-as it exists, with the same defects, the same virtues, and, as it were,
-with the original black feather. While giving you this illustration,
-it is necessary to distinguish between the soul which reappears thus
-hereditarily, and that which comes back by reincarnation. Believing that
-it is the result of a unique combination which nothing can oppose,
-and, since it dwells in a case called a body, is hereditary in the same
-degree as that body, an hereditary soul which comes from an ancestor
-always has his black feather, while a soul which comes back by
-reincarnation finds itself in a body which is in no way prepared to
-receive it. The aggregate materials of this body are original, and
-decaying, momentarily impose a silence on that soul.
-
-“But a time comes when this soul becomes the strongest, when it
-speaks, when it shows itself entirely, just as the black feather does.
-
-“Now, Théophraste, for several generations you were the honest
-gardeners in the Ferte-sous-Jonarre. But when that soul speaks in you,
-you are no longer yourself. Théophraste Longuet has disappeared. It is
-the Other who is there. It is the Other who has the gesture, the manner,
-the action, the black feather. It is the other who recalls the mystery
-of the treasure, it is the Other who remembers the Other.”
-
-“Oh! This is admirable!” exclaimed Théophraste, who was so deeply
-moved that he could hardly refrain from weeping with excitement. “And
-now I understand what you mean by my black feather. My black feather
-returns to me when I am the Other.”
-
-“And he will help you then, my friend,” declared Adolphe with
-conviction. “But until we have released the unknown who is hidden
-in Théophraste Longuet, and until he lives with sufficient strength,
-audacity, and liberty, until he is resuscitated, in a word, until he
-appears to us with his ‘black feather,’ we will confine ourselves
-to the study of that interesting document which you brought from the
-Conciergerie. Let us make a plan for penetrating the mystery. We will
-find out exactly where the treasures are buried, but we must wait for
-the spirit who dwells in you to say to us, ‘It is there.’”
-
-“My friend,” said Marceline, overflowing with admiration, “you
-talk like a book, and I wonder that you have not more often tried to
-teach us these things, for we are so ignorant. You must not leave a
-stone unturned to find the treasure. I do not fear the destruction of
-the earth on account of the object of our search.”
-
-Adolphe turned around to reprove Marceline for her flippancy, but at
-this moment M. Milfroid, the Commissioner of Police, approached, and
-Adolphe rose to greet his friend.
-
-Adolphe introduced M. Milfroid to M. and Mme. Longuet. He was a man
-of about forty years of age, elegantly dressed, immaculate gloves, a
-silvery ringlet of hair on the white forehead. He advanced, smiling and
-bowing.
-
-“We have often heard our friend M. Adolphe speak of you,” said
-Marceline. “Your fame has gone before you.”
-
-“Oh, madame, I have known you for a long time. Every time I meet M.
-Lecamus he speaks to me of his friends of the Rue Gerauds, and in such
-terms that it has been my greatest desire to have the happiness of being
-presented to you.”
-
-Marceline was conquered by such gallant manners. “I hear that you play
-the violin very well,” she said.
-
-“I am equally interested in philosophy,” said M. Milfroid. “An
-interest which I owe to M. Adolphe, who is continually in dispute with
-me over the immortality of the soul, and other psychic matters. He has
-really made a convert of me.”
-
-“Monsieur,” said Théophraste, who had not yet taken part in the
-conversation, “Adolphe and I like to converse about serious matters,
-also. We were just speaking of the relations between the soul and the
-body, and the different ways that the soul has of behaving with the
-body.”
-
-“Ah!” said M. Milfroid, who desired to shine before Marceline,
-“are you able to distinguish between matter and mind, or the material
-and the spiritual? Matter and mind are the same thing in the eyes of
-science. That is to say, they constitute alike one unit, one force,
-produce at one time the phenomenon of cause and effect, tending to
-one end, the progressive steps of existence. You are the only ones,
-gentlemen, to still make that old distinction between matter and
-mind.”
-
-After a while they rose and returned through the Place de la Concorde.
-At the entrance to the Rue Royale, there was a crowd of people, shouting
-and gesticulating. Théophraste, an old Parisian, wanted to know what
-was taking place, and flung himself into the crowd.
-
-“Look out for pickpockets,” Marceline called to him.
-
-“Oh, madame,” said Monsieur Milfroid, the Commissioner of Police,
-“there are no pickpockets when I am about.”
-
-“It is true. We should be in no danger when you are here.”
-
-“I do not know about that,” said Adolphe, looking about them. “My
-friend here appears more dangerous to me than all the pickpockets on
-earth.” At this they all laughed.
-
-Théophraste made them wait ten minutes before he appeared, and then he
-announced that it was a coachman who had gotten his wheels locked with
-an automobile, and could not separate them.
-
-Marceline felt annoyed at having been kept waiting so long on such a
-slight pretext. However, her thoughts were diverted in doing the honors
-of a hostess, and she invited M. Milfroid to dinner.
-
-During the dinner many pleasantries were passed, and M. Milfroid
-excelled in complimenting Marceline.
-
-Suddenly, he became uneasy, and plunging his hands in his pockets,
-looked vainly for his handkerchief. After a final and useless search, he
-passed his forefinger under his moustache, and sighed, declaring that it
-did not matter.
-
-However, at that moment Théophraste wiped his mouth, and Marceline
-asked him where he had found such a beautiful handkerchief. M. Mil-froid
-at once recognized it as his own, and thinking it just a piece of
-pleasantry, took the handkerchief from Théophraste. However, feeling in
-his left side, he became pale and exclaimed, “Good God! I have lost my
-pocketbook. There were five hundred francs in it.” M. Milfroid did not
-regret losing the five hundred francs, but he found himself ridiculed by
-Adolphe, and Marceline teased him gently and laughed prettily. They were
-all poking fun at him, and this made him furious.
-
-“M. Milfroid,” said Théophraste, “if you need any money for the
-evening I can lend it to you,” and he drew a wallet from his pocket.
-M. Milfroid uttered a cry: it was his! M. Milfroid took the wallet from
-him as he had done the handkerchief, and alleging numerous engagements,
-he took his leave. Before going down the stairs, he said to his friend
-Adolphe, who followed him, “These are nice kind of people you have
-introduced me to.”
-
-When Adolphe returned to the dining-room, Théophraste was emptying
-his pockets. On the table there lay three watches, six handkerchiefs,
-several pocketbooks, containing large sums of money, and eighteen
-checks.
-
-
-
-
-CHAPTER VIII
-
-_An Appeal for Help_
-
-
-|THE important events of this story and its hero have occupied us to
-such an extent that we have not found time to present Monsieur Lecamus
-as he should be. The little that we know of him does not effect our
-sympathy. The place that he occupies in the house of Longuet, which is
-eminently immoral; the cynicism with which he deceives an innocent soul;
-the little danger that he seems to run in accomplishing the larceny—
-these are good reasons why we have deferred showing our contempt for
-him. It may be said that we have judged hastily, and have not allowed
-him to plead extenuating circumstances. The principal one, and the one
-which it would be well for us to dwell upon, is that he really liked
-Théophraste above everybody else. He loved him with his faults, his
-weaknesses, his ingenuousness, the confidence he had in him, and above
-all, the admiration Théophraste had for him. There was no sacrifice he
-would not make for Théophraste, and I daresay that if Théophraste
-had any pecuniary troubles, which after all are the only troubles which
-really count here below, Adolphe Lecamus would open his purse, and give
-to him freely. Adolphe loved Théophraste even above Marceline; and
-although I do not pretend to deal here with psychology, I find myself
-confronted with a case which is much less common than one would be
-inclined to believe. For Adolphe loved Marceline because he had made her
-his mistress.
-
-If he had learned, by some supernatural warning, that Théophraste would
-some day learn his real position in the household, he would only have
-respected Marceline. “But,” he thought to himself, “Théophraste
-will never know anything about it, and as unknown evils do not exist, I
-will be the lover of the wife of my best friend.”
-
-These lines are necessary, that the reader may understand properly
-the knavish tricks of the lover. But we must understand distinctly
-Adolphe’s devotion to Théophraste.
-
-After the departure of the Commissioner, they all set themselves to
-consider what was to be done with the articles which Théophraste had
-brought home with him. At first they all sat silently looking at the
-objects, no one wishing to break the silence, until Théophraste said,
-“I have nothing more in my pockets. I really believe I have got my
-black plume.”
-
-Marceline and Adolphe were startled by this, but still did not say
-anything, and waited for Théophraste to give some explanation. Then he
-declared it was in the crowd at the Place de la Concorde. He went in and
-out among the crowd, and it was a very simple matter for him.
-
-“What must we do?” asked Adolphe in a grave voice?”
-
-“What do you wish me to do?” replied Théophraste, who by this time
-had begun to confess. “You do not think that I am going to keep them!
-It is not my habit to keep things that do not belong to me. I am an
-honest man and have never wronged anybody. You must take them all to M.
-Milfroid, your friend, the Commissioner of Police. He can easily restore
-them to the owners.”
-
-“What can I say to him?”
-
-“Whatever you wish,” burst out Théophraste, who was becoming
-impatient. “Did the honest coachman who found a purse and fifty
-thousand francs in his carriage think about what he should say when he
-took them to the commissariat? He simply said, ‘I have found them in
-the carriage.’ That was sufficient. They even rewarded him for it. You
-must say, ‘My friend Longuet charged me to bring this to you. He found
-them in his pockets, and he does not wish a reward.’”
-
-Marceline touched Adolphe with her foot under the table. This was her
-customary way of secretly drawing Adolphe’s attention. She wanted to
-signify to him that she thought Théophraste was demented, and her look
-quite showed it. Adolphe understood. He knitted his brows and scratched
-the tip of his nose. He felt that now was the time to act. He
-looked from Théophraste to the pocket-books, and coughing, said,
-“Théophraste, this is not natural. We have to explain ourselves. We
-must understand. You must not close your eyes to this misfortune. You
-must open them wide, and bring your will to fight it.”
-
-“Of what misfortune are you speaking?” asked Théophraste, becoming
-frightened.
-
-“Well, is it not a misfortune to have things in your pocket that do
-not belong to you?”
-
-“I do not understand. You seem to be accusing me of being dishonest.
-I am an honest man, and whatever I have done dishonestly, I have done
-against my will.”
-
-Having said these words, he fell back in his chair in a dead faint, and
-a deep silence fell over them all.
-
-When Théophraste came out of his stupor, his eyes were full of tears.
-He motioned to his wife and his friend to come nearer to him. When
-they were beside him, he said, showing pitiable emotion, “I feel that
-Adolphe is right. A great misfortune menaces me, I know not what! I know
-not what! My God! I know not what! I know not what!”
-
-Adolphe and Marceline attempted to console him, but he wept more. Then
-Marceline began to weep.
-
-In his emotion, Théophraste grasped them both by the hand, and cried,
-“Swear never to abandon me, no matter what happens, for, oh! some day
-I shall need your help.” They swore to him in good faith.
-
-Adolphe then asked to see the document. As he spread the document before
-him, he said, “Théophraste, tell me, do you ever have dreams?”
-
-“It is very probable, but I only dream a very little.”
-
-“Never?” insisted Adolphe.
-
-“Scarcely ever. However, I remember to have dreamed four or five times
-in my life, perhaps because I woke each time in the middle of my dream,
-and it was always the same dream. But what possible interest can there
-be in this, to the subject which is occupying us now, Adolphe?”
-
-Adolphe continued: “Dreams have never been explained by science.
-Science attributes them all to the effects of the imagination, but it
-does not give us the reason for these clear, distinct visions which
-appear to us sometimes. Thus it explains a thing which is not known
-by another which is no better understood. It says that dreams are the
-recollection of things which took place in a former life. But even
-admitting this solution—which is a doubtful one—we still have
-to find out what is the magic mirror that serves so well to keep the
-imprint of things. Moreover, how can one explain visions of real things,
-events that one has never seen in a former state, and of which one
-has never even thought? Who can affirm that these are not visions of
-retrospective past events in a former life?”
-
-“That is right, my dear Adolphe,” said Théophraste, “and I ought
-to confess the things that I have dreamed. I have dreamed them three
-times as I said before, things that were perhaps true in the past, or
-will be in the future. I have never seen them in a waking state in my
-present life.”
-
-“You understand me,” said Adolphe. “Relate to me the things that
-you have dreamed of and have never seen.”
-
-“Oh, that will not take long. But so much the better, for it is not
-very cheerful: I dreamed that I was married to a woman named Marie
-Antoinette, and then----”
-
-“And then?” interrupted Adolphe, who had never taken his eyes off
-the document.
-
-“And then I cut her up in pieces.”
-
-“Oh, horrors!” cried Marceline.
-
-“It is horrible,” continued Théophraste, shaking his head. “Then
-I put the pieces in a basket and threw them into the Seine by the little
-bridge of the Hotel Dieu. I awoke then, and you may be sure I was not
-sorry.”
-
-Adolphe struck the table a hard blow with his fist. “It is
-frightful,” he cried in a harsh voice, looking at Théophraste.
-
-“Is it not?” said Marceline, shuddering.
-
-Adolphe read the first lines of the document.
-
-“Oh, how dreadful it is!” he continued, groaning. “Alas, alas! I
-understand all, now.”
-
-“What do you understand?” asked Théophraste in a frightened voice,
-following Adolphe’s finger as he traced the first two lines of the
-document.
-
-“This,” said Adolphe. “‘Moi et! I buried my, treasures.’ And you do not
-know what that ‘et’ means? Well, I won’t tell you until I am quite sure.
-I will know to-morrow. Théophraste, tomorrow at two o’clock be at the
-Rue Guinegaud and the Rue Mazarin. I am going to take these articles to
-M. Milfroid’s house. He will restore them to their owners, and we will
-prove to him that there are pickpockets even when the Commissioner is
-present. Adieu, my friend, adieu. Above all take courage. Take courage.”
-Adolphe shook Théophraste’s hand with the warmth of a comrade, and
-departed.
-
-Théophraste did not sleep that night. While Marceline reposed
-peacefully by his side, he lay with eyes wide open in the darkness. His
-respiration was irregular, and he sighed often. Anxiety lay heavy upon
-him.
-
-
-
-
-CHAPTER IX
-
-_The Portrait_
-
-
-|DAY broke over the city. A cloudy day, with a mist that enveloped
-everything in a sinister manner. The sun tried in vain to penetrate that
-sombre atmosphere.
-
-Mid-day showed a dark red ball, rolling ingloriously in a sulphurous
-light. Such was the picture of the heavens that day.
-
-Théophraste sprang out of bed early, and awoke Marceline suddenly by
-an excess of foolish hilarity. Marceline inquired the reason for such
-strange joyfulness. He said that he could not help laughing at the idea
-of M. Milfroid, the Commissioner of Police, receiving back the stolen
-goods which had been pickpocketed right before his very eyes. “My dear
-Marceline,” he said, “it is foolish, the way people carry the money
-in their pockets. If you cannot put your hand in, slip a straw, filled
-with glue, in. It is an excellent scheme for extricating money from
-people’s pockets.”
-
-Marceline sat up and gazed at him. She could not understand, as he never
-looked more natural in his life, and yet he was saying peculiar things,
-and his words were most unnatural.
-
-“Théophraste, you frighten me,” she cried, and in her fear,
-groaned, “My poor child.”
-
-Théophraste grew terribly angry. He threw himself at his wife, and
-threatened to strike her. “You know perfectly well that I do not
-wish to be called a child since the death of Jeanneton-Venes. I am no
-child.”
-
-Marceline swore that she would never do it again, and in the depths
-of her soul regretted the unlucky moment which had given her husband
-proprietorship of a document which had brought into the household
-such fears and such follies. She knew neither Marie Antoinette, nor
-Jeanneton-Venes, although he continually referred to them. He had a
-familiar way of expressing himself about these women which made her
-uneasy, and finally the unexpected sentences, spoken by Théophraste,
-and his actions, made her dread the incomprehensible Théophraste of
-two hundred years ago. It made her long for the former Théophraste,
-so kind, so easy to understand. Then she gave herself up to bitter
-reflections upon the theory of reincarnation.
-
-Théophraste finished dressing, and then announcing that he would
-not breakfast at home, said that he had a rendezvous with his friend
-Va-de-Bon Cœur, at the corner of the Rue Mazarin and Rue Guinegaud,
-to do a good turn for M. de Francouse, but as that rendezvous was after
-breakfast, he intended enjoying the air in the Moulin de Chopinette.
-
-“You will leave my green umbrella here,” he said, “and I will take
-my black feather.” Then, putting the final touches to his cravat, he
-went out. On the landing he met Signor Petito, the Italian professor,
-who was also going downstairs. Signor Petito bowed very low, complained
-of the state of the weather, and complimented Théophraste on his
-appearance.
-
-Théophraste answered in a less amiable tone, as he was not desiring the
-Signor’s company, and he demanded of him if Madame Petito could not be
-induced to learn another air on the piano than “Carnival de Venice.”
-But Signor Petito replied, smiling, that she was already studying
-“Love’s Destiny,” but in future she would study only the pieces
-which would please M. Longuet. He then asked, “Which way are you
-going?”
-
-“For a turn in the Moulin de Chopinette; but the weather is too bad,
-so I will have to go down to the Porcherons.”
-
-“To the Porcherons?” Signor Petito was going to ask, but he changed
-his mind. “Where is the Porcherons?” he asked. “I will go, too.”
-
-“Aha, indeed!” said M. Longuet, glancing curiously at Signor Petito.
-“You too will go to the Porcherons?”
-
-“Go there or somewhere else,” said Signor Petito, pleasantly, and he
-followed Théophraste.
-
-At the end of a short silence Signor Petito ventured to ask, “Where
-are your treasures, M. Longuet?”
-
-Théophraste faced about suddenly. “What has put such an idea into
-your head?” he exclaimed.
-
-“Do you not remember the day that you brought the specimen of your
-handwriting and asked for my opinion?”
-
-“I remember, and you were wrong,” said Théophraste drily, as he
-opened his umbrella.
-
-Signor Petito, in nowise discouraged, placed himself under the shelter
-of Théophraste’s umbrella. “Oh! M. Longuet, I did not say that to
-annoy you.”
-
-They arrived at the corner of the Avenue Tre-daine. Théophraste was in
-very bad humor.
-
-“Monsieur,” he said, “I have an appointment at the tavern of the
-Veau-qui-telle, by the side of the Chapel Porcherons, here, you see.”
-
-“But we are at the Chapel Notre Dame de Lor-rete, and not the
-Porcherons, at all.”
-
-Théophraste disregarded Petito’s remark, and suddenly said to him,
-“Do you know that there is a price on my head?”
-
-Signor Petito seemed taken aback by this sudden change of tone.
-
-“It will cost them dear, though, to get my head,” said Théophraste.
-“Do you know how much it will cost, Signor, the head of L’Enfant?
-No? Very well. I am going to tell you, since the occasion has presented
-itself, and I am going to tell you the whole story, which may be
-profitable to you.”
-
-Then, without any preparation, he related in the most natural way
-possible, his existence previous to his present one.
-
-“My head is worth 20,000 pounds,” said he, “and you know it very
-well.” And as he pronounced these words he struck the table such a
-blow that Signor Petito recoiled instinctively.
-
-“Here is the history of it all. I was walking, two hundred years
-ago, in the Rue de Vauregard, with my hands in my pocket, without arms,
-without even a sword, with the most honest intentions in the world, when
-a man met me. He bowed almost to the ground, and told me that my face
-reminded him so much of some one he knew. He was called ‘Old Man
-Bidel,’ or ‘Bidel the Good-natured,’ and he said that he had a
-secret to confide to me.
-
-I encouraged him by a friendly tap on the shoulder, and he confided his
-secret to me. He whispered in my ear that the Regent had promised twenty
-thousand pounds to whoever would arrest the Enfant, and he knew where
-the Enfant was hiding. That I looked to him like a man of courage, and
-that he, with my aid, would do anything to get the 20,000 pounds. He
-said that he would divide the reward.
-
-“The old man Bidel was on the wrong track, Signor Petito, for I also
-knew where to find L’Enfant, seeing that I was that person.”
-
-Signor Petito did not wish to believe any of this, as he could see
-for himself that M. Longuet had been out of infancy a good many years.
-However, he dared not say anything. Théophraste continued, “I replied
-to the old man Bidel, that it was a happy chance and that I thanked
-Heaven for putting him in my path, and I made him conduct me to the
-place where he could find the Enfaut. He said to me, ‘To-night, the
-Enfant sleeps at the Capucine, in the Tavern Suite, which bears as a
-sign the Cross of the St. Hester.’
-
-“It was true, Signor Petito, the old man Bidel was very well informed.
-I congratulated him, and we passed just then a cutlery shop, and I
-bought a small knife, much to the astonishment of Bidel, who asked me
-what I planned to do with such a weapon. I replied to him that with a
-small knife like this one could kill a fly, and I plunged it into his
-heart. He sank down, raised his arms wildly for a few moments, and
-died.”
-
-Signor Petito, who at first had moved away from Théophraste, now rose
-and ran to the door, and was glad to get out of sight.
-
-M. Longuet drank his wine, got up and went to the Bousset Brewery, where
-Mme. Barth was standing, making up her books. He said to her, “Mme.
-Taconet-------”
-
-Mme. Barth demanded why he called her Mine. Taconet, but he disregarded
-her question, and continued, “If Signor Petito comes here again, you
-will tell him for me that the first time I find him in my way, I will
-cut his ears off.” Saying this, Théophraste fondled the handle of his
-umbrella as one grasps the handle of a dagger.
-
-There was no doubt about it, he had his black plume. He had become the
-Other entirely.
-
-The fog was still thick and he did not think of breakfasting yet. He
-walked into the sulphurous mist like one in a dream. He crossed the
-whole of the Quarter of An tin, and that which was formerly the Avenue
-L’Enrique, until he came under the shadows of the towers of Trinity,
-which he called the Chateau du Coq. On his arrival at the St. Lazare, he
-believed that he was at the Petite Pologue.
-
-But little by little the fog cleared away, and his dream disappeared
-with it. He had the most exact idea of things when he crossed
-the Point Royale, and by the time he had set foot on the left bank, he
-was again the honest Théophraste, and had only the vaguest idea of that
-which had happened on the right bank. But he could remember this,
-and when he questioned himself thoroughly, he began to experience the
-different conditions or states of the soul. He discovered in himself
-three distinct states. First, that which resulted from his life as an
-actuality, the honest merchant; second, that which resulted from the
-sudden and momentary resurrection of the Other; and third, that
-which resulted from memory. The recollection was to him like a third
-Théophraste, who related to the first what he had known of the second.
-This resurrection of Théophraste’s was a terrible thing.
-
-On crossing the Bridge he hurried beyond the Rue Guinegaud. He did
-not care to pass by the corner of the Rue Mazarin, he knew not why. He
-turned the corner by the Hotel Monniare, and almost ran into Adolphe,
-who was waiting for him there.
-
-“Have you ever heard of a person called L’Enfant, my dear
-Adolphe?” he asked.
-
-“Oh, yes, yes,” said Aldolphe, “I have heard of him. I even know
-his real name, his family name.”
-
-“Ah, what is it?” anxiously inquired Théophraste.
-
-Adolphe for reply pushed Théophraste into the hallway of an old house,
-in the Rue Guinegard, a few steps from the Hotel de la Monniare. They
-climbed a tottering staircase, and entered a room in which the curtains
-were drawn. Somebody had spent the night in the room.
-
-On a little table in the corner, the trembling flame of a wax candle lit
-up a portrait. It was the picture of a man about thirty years of age.
-He had a robust figure, high forehead, strong nose, a smooth chin, and
-large mouth and moustache. His thick hair was covered by a coarse woolen
-cap, and he wore a coat over a coarse linen shirt, which appeared to be
-a prison garb.
-
-“Wait,” said Théophraste, without raising his tone, “how is it
-that my portrait is in this house?”
-
-“Your picture?” asked Adolphe. “Are you sure?”
-
-“Who could be more sure of it than I?” said Théophraste again,
-without being excited.
-
-“Very well,” said M. Lecamus, with emotions that it would be hard to
-describe. “That portrait, which is your portrait, is the portrait of
-Cartouche.” When M. Lecamus turned to see the effect his words would
-produce on his friend, he saw Théophraste stretched on the floor in a
-dead swoon.
-
-For a long time he worked to bring him to. He blew out the candle and
-opened the windows, allowing the good air to come in. Théophraste came
-to himself, and his first words were, “Adolphe, above all things do
-not speak of this to my wife.”
-
-
-
-
-CHAPTER X
-
-_Cartouche’s Past_
-
-
-|THE following day Théophraste and Marceline returned to the quiet life
-of the Villa Flots-d’Azure. Théophraste had not mentioned a word of
-the discovery, and his wife refrained from questioning him. Marceline
-knew nothing yet of the terrible discovery. Théophraste’s face was
-full of consternation, and it was evident to Marceline that he had
-terrible things on his mind.
-
-Adolphe was to join them in a few days; two days passed very quietly in
-the villa. Marceline attended to her household duties, and Théophraste
-silently prepared his fishing tackle, as he had promised Adolphe a few
-days’ fishing in the Marne. On the third day, Théophraste, who had
-passed a good night, showed a less agitated countenance, and began to
-smile and was cheered at the prospect of Adolphe’s coming. M. Lecamus
-arrived before noon, and they both received him with delight.
-
-Taking their places at lunch their conversation turned on angling, but
-nothing was said of the mysterious proceedings of the week before. After
-lunch they prepared for their fishing expedition; Théophraste took care
-of the lines, the rods and the bait, and Adolphe took the nets.
-
-Going down to the water’s edge, Théophraste turned to Adolphe and
-said, “Tell me, have you any news? While we are fishing I will listen
-to you. I have prepared a lot of sport, but I don’t think we will do
-very much to-day, if you have important news for me.”
-
-Adolphe replied, “There is some good, and some bad news. But I must
-tell you that there is more bad than good. No doubt many stories have
-been invented about you, but the real truth is not entirely pleasant.”
-
-“Are you well informed, and is your information authentic?”
-
-“I have been to the very fountain-head, I have seen the authentic
-documents. I am going to tell you what I know. If I am mistaken, correct
-me.”
-
-Théophraste threw his half-prepared bait into the water, and said,
-“Go on. I must have a full explanation.”
-
-“First,” said Adolphe, “you were born in the month of October,
-1693. You were called Louis Dominique Cartouche.”
-
-“But it is needless to call me Cartouche, no one need know that. Call
-me L’Enfant. I like it much better and no one will understand.”
-
-“Yes,” insisted Adolphe, “but you know that your name is
-Cartouche. It is not an assumed name. It is said that you studied hard
-in Clermont College. That you were the schoolfellow of Voltaire, and
-there is a legend that while you learned to read, in the course of time,
-thanks to the gypsies who taught you reading, you were never able to
-write.”
-
-“Well, that’s funny,” cried Théophraste, “for if I never
-learned to write, how could I have drawn up the document in the dungeon
-of the Conciergerie?”
-
-“At the time of your trial, you declared that you did not know how
-to write. You signed your depositions with a cross and you have never
-written a line to show who it was.”
-
-“But,” Théophraste said, “it was never necessary to write. In my
-position I should have dreaded to compromise myself. But the document is
-there.”
-
-“Evidently. Let us return to your eleventh year. One day you were in
-the Saint Laurent Faire, with some comrades, when you fell in with a
-band of gypsies. The gypsies carried you away. They stole you. They
-taught you the play of the cudgel, the sword, to shoot a pistol,
-to jump, and to rob the pockets of the bourgeoisie without being
-discovered. At your twelfth year you were an adept at this, and without
-an equal for bringing back handkerchiefs, snuff boxes, and watches. The
-band of gypsies found themselves at Rouen, when little Louis Dominique
-fell ill. He was taken to a hospital in Rouen, and it was there that an
-uncle discovered him. He recognized him, and swore to restore him to his
-parents.”
-
-Here Théophraste interrupted with a word as to his uncle, and Lecamus
-becoming impatient, begged him to cease his continual interruptions,
-declaring it would take some time to tell the story of Cartouche if he
-would not listen to it silently.
-
-“I would like to see you in my place,” said Théophraste.
-
-Adolphe continued: “In a while Cartouche became the chief of a band
-of brigands. He commanded about three thousand men, had more than
-fifty lieutenants; it was their habit to dress exactly alike, in
-cinnamon-colored coats, and doublets of silk and amaranthine, showing a
-piece of black taffeta underneath the left eye. They brought against him
-more than one hundred and fifty personal assassinations, and put a price
-upon his head. He was tried and broken on the wheel.” “Upon hearing
-this Théophraste showed evident signs of alarm. He dropped his fishing
-tackle, losing it in the swift current of the river. He could not give
-his mind to fishing any more that day, and so they resolved to give
-up the attempt. They did not wait for sundown, to return to the Villa
-Flots-d’Azure. Swinging their meagre spoils lightly in their nets
-they sadly retraced their steps. Cartouche filled their minds, and their
-return journey was occupied in thoughts of this dual personality.
-
-
-
-
-CHAPTER XI
-
-_Signor Petito Appears_
-
-
-|WHILE waiting for the stage from Crecy to stop for them, they called
-at the wayside inn, and had some refreshment, while Adolphe took up the
-story of L’Enfant at the point where he had left off.
-
-“That good uncle,” said he, “had fellow-feeling for one of his
-family, and he rescued young Cartouche from his miserable lot and made
-him return to his parents. His father was a cooper by trade, and
-young Louis, having profited by his youthful misfortunes, swore that
-henceforth he would be a good son and a diligent apprentice. He helped
-his father to make casks, working from daybreak to sunset.
-
-“He was frequently seen, during lunch hour, amusing his companions
-with pretty tricks of sleight-of-hand which he had learned during the
-few months he had been with the gypsies. He had become so adept at
-this science that on special occasions little Louis and his family were
-invited to dinners and suppers before friends, for they looked forward
-to the enjoyment of these tricks of Louis’, and he became a great
-success in the quarter, and he, on his part, was proud of his growing
-renown.
-
-“In the meantime he had attained that happy period where the least
-sensitive of human beings feel the beating of their hearts awaken to the
-most tender sentiments. Louis Dominique was in love. The object of his
-affections was a charming needlewoman of the Rue Porte Foin, coquettish,
-with blue eyes, golden hair, and a fine figure. I have said that this
-needlewoman was a coquette. She loved dress, jewels and laces, and it
-was her desire always to be better clothed than her companions. The
-modest income of Louis Dominique did not permit of his paying for the
-extravagant fancies of his poor seamstress, and so Cartouche stole from
-his father. The latter soon found out and took steps by which he could
-have his boy placed in the Convent of the Lazaretto, in the Faubourg St.
-Denis.”
-
-“Ah,” said Théophraste, “instead of combating with kindness the
-wickedness of this child, they drive him to despair by incarcerating him
-where he only meets with bad examples, and where the feeling of
-revolt increases, and boils over, stifling all other feelings in his
-inexperienced mind. I wager that if they had not put Louis in the House
-of Correction, that all the trouble would never have happened.”
-
-“Reassure yourself,” said Adolphe. “Cartouche was never shut up in
-the Convent of the Lazaretto, for while his father had discovered this
-crime of Louis’, he did not tell him of it; but one Sunday morning, he
-asked his son to take a walk with him. Dominique readily acquiesced, and
-they were soon seen walking down the street together.
-
-“‘Where are we going, father?’ asked Louis. ‘No matter where. By
-way of the Faubourg St. Denis.’ Louis pricked up his ears. He knew that
-at the end of the Faubourg St. Denis was the Lazaretto, and he also knew
-that sometimes fathers escorted their boys to the Lazaretto.
-
-“He at once felt suspicious, for his conscience was not altogether
-tranquil, and when they arrived at the corner of the Faubourg St. Denis,
-and the battlement of the St. Lazaretto rose before them, it seemed to
-him that his father looked unnatural, and he felt uncomfortable at once.
-He told his father to continue his walk, slowly, without hurrying, as he
-wished to stop at the corner.
-
-When his father returned, the son had disappeared, and he never saw him
-again.”
-
-About this time the coach had arrived, and Adolphe discontinued his tale
-while they mounted to the top. Théophraste recognized M. Bache, and
-Mme. Froude, and he at once bowed to them, but they did not respond.
-He called them by name, but they remained mute. Théophraste could not
-understand this, and turned to ask Adolphe what he thought of it, and
-why they did not recognize him.
-
-“That does not astonish me at all,” said Adolphe. “It is no wonder
-to me, since the dinner the other day, that nobody bows to you. Your
-extraordinary behavior was enough to upset them all. Do you not remember
-how you were mounted on the table and sang that vulgar song? There were
-some young ladies present, Miles. Froude and Tabouret.”
-
-“Ah,” said Théophraste, “that accounts for Mme. Bache’s
-pretending not to see me the other day in Paris, when she called at the
-Pharmacy Crecy and I happened to meet her there. Never mind, Adolphe,
-continue where you left off about my father. What happened to him?”
-
-“Well, you forgot about your seamstress at the Rue Point Foin, and you
-thought of her no more.
-
-She worried over your disappearance about a fortnight, and then got
-somebody else, as is done under similar circumstances to-day. The
-necessity to make your way in the world recalled your old talents, and
-soon you were robbing passers-by of the things in their pockets. You
-operated so adroitly, that you incurred the admiration of a great
-sharper, who having seen you work, stopped you at the corner of the Rue
-Gallaud, and demanded of you your money or your life. ‘You shall have
-my purse only when you have my life,’ said you to him, and you drew
-your sword, a small sword that you had taken the day before from a
-French Guardsman. The great sharper flattered you upon your courage, and
-then upon your dexterity, and he begged you to accompany him home to the
-Rue Bout du Monde. He told you on the way that he sought an associate,
-and you could do the business. He also told you that he had a wife,
-and the wife had a very pretty sister. After a while you married this
-sister, though neither notary nor priest was sent for. The attachment
-did not last over six months, because the sharper, his wife, and his
-sister-in-law were sent to the gallows. You had already left them by
-this time, and had joined the army. You were caught one day, drunk, by
-a recruiting officer, and he took you to the barracks, and made you sign
-on.”
-
-By this time it was seven o’clock, and Adolphe interrupted the course
-of his recital at that point, as they had to alight from the coach.
-
-“Tell me,” said Théophraste, “I am curious to know how I was
-built. Was I a handsome man, a tall man?”
-
-“They represent you thus at the theater, in M. d’Ennury’s play,
-but on the contrary, according to the poet Granvel, you were a conceited
-man, and always fond of singing your own praises. You were dark, lean,
-small, but of great courage. You were enterprising and bold, and very
-alert.”
-
-“You have not told me,” said Théophraste, “how you got that
-picture in the house on the Rue Guinegaud.”
-
-“It is a copy of a photograph by Nedar. He photographed a wax mask,
-which ought to resemble you, as that mask was made from your face by the
-order of the Regent. Nedar photographed that mask in 1859. The mask was
-found in the Chateau de St. Germain.”
-
-“Oh! I want to see it,” cried Théophraste—“to touch it. We must
-go to St. Germain to-morrow.”
-
-By this time they had reached the house, and Marceline, in neat
-dishabille, smilingly opened the door and greeted them.
-
-Théophraste had a great desire to see and touch that waxen mask that
-had been made from his face, and the desire was still greater when
-Adolphe entered into the details of it. He told him that it had been in
-the Chateau de St. Germain en Laye, since the 24th of April, 1849.
-
-“It appears that the portrait was given by an abbot, one Viallier, to
-be inherited by one Richot, an old officer of the Hussars of King Louis
-XVI. M. Richot died at St. Germain. He owned the portrait for many
-years, one most precious, especially as it had belonged to the royal
-family. The wax mask was moulded by a Florentine artist some days before
-Cartouche’s punishment. The head-dress was a woolen or coarse felt
-cap, his clothing was a shirt of very coarse linen, a waistcoat, and
-another vest, and a doublet of black camelot. But the most remarkable
-thing of all was that Cartouche’s hair was cut off of his corpse
-and pasted on the waxen mask. The whole was shut up in a gilded wooden
-chest, large and deep, of beautiful workmanship. A Venetian glass
-protected the portrait, and one could still see the escutcheon of the
-arms of France on the chest.”
-
-Théophraste asked Adolphe where he had found such precise details,
-and was told that they were the result of two days’ searching in the
-forgotten archives of the most noted libraries and museums of Paris.
-There he found his hair, his moustache, and his clothes, two hundred
-years old.
-
-In spite of the horror which these relics of a man so monstrous ought to
-have inspired in him, Théophraste could not control his impatience to
-see them, to touch them. Here was Théophraste Longuet, whose name was
-synonymous with honor, who had always feared the shedding of blood,
-cherishing in his heart the coarse remains of the greatest brigand on
-earth. When he had again command of his senses, he did not find in the
-bottom of his soul a feeling of absolute despair, but of great pity, a
-pity so keenly felt that he did not weep only for himself, Théophraste,
-but also moved him to pity Cartouche. He asked himself which was the
-more dominant, honest Théophraste, carrying with him the brigand
-Cartouche, or the brigand Cartouche, shut up within honest Théophraste.
-“It is necessary that we should understand each other,” he said
-aloud. He felt that he should not have uttered that sentence which must
-have seemed odd, but which expressed so well the double and yet unique
-preoccupation of his soul that he could not restrain himself. A great
-light dawned upon him at the same time, that recalled the theory of
-reincarnation that had been explained to him by M. Lecamus. He connected
-reincarnation with the natural evolution of things, and of individuals,
-that which was no other than transformation. “Does it not point to
-the fact that souls reincarnate themselves in order to pass according to
-natural law to advancement to a better state? It is the progressive step
-of being. Well, the natural law which certain persons call God, did not
-find anything better on the earth than the body of Théophraste Longuet
-through which to make the criminal soul of Cartouche evolve to a better
-state.”
-
-When that idea got a firm hold on him, in place of the deepest despair,
-which had led him to faint, he found himself prompted by a sentiment
-almost akin to pride. He was entrusted with the destiny of the world.
-He, the humble but honest Théophraste, entrusted with the regeneration
-in ideal splendor, of the soul of shadows and of the bloody Louis
-Dominique Cartouche, called L’Enfant. He accepted this unexpected task
-willingly, since he could not do otherwise, and he put himself at once
-on his guard. Instead of saying, “It is necessary for us to understand
-each other,” he immediately ordered Cartouche to obey Théophraste,
-and he promised himself to lead him a life so hard that he could not
-say without smiling, “Poor Cartouche.” He had charged M. Lecamus to
-write everything possible about Louis Dominique Cartouche in such a way
-that he could not be ignorant of anything that could be known of his
-life. With that and with what his black feather and his memory had
-taught him, he justly thought he could resist in spirit the Other
-One, which would allow him to act accordingly. He partly confided his
-reflections to Adolphe, who approved of them, but warned him against a
-tendency he had to separate Théophraste from Cartouche.
-
-“You must not forget,” said he, “that they are one. You have the
-instincts of the gardeners of the Ferte-sous-Jonarre. Those instincts
-are good, but you have the soul of Cartouche, which is detestable. Take
-care. You are his declared enemy, the question is raised as to who will
-vanquish— the soul of former years, or the instincts of today.”
-
-Théophraste asked Adolphe if the soul of Cartouche was really
-altogether detestable, and was happy to learn that it had some good
-points. Adolphe said that Cartouche had expressly forbidden to kill or
-even wound passers-by without cause. When he operated in Paris with some
-of his bands, and they brought victims to him, he spoke to them with so
-much politeness and kindness, that they always returned a part of the
-booty to him. Sometimes they would limit matters to a simple exchange of
-clothes. When he found letters or pictures in the pockets of the coats
-thus exchanged, he ran after the ex-proprietors to return them. It was
-a maxim of that extraordinary individual, that a man ought not to
-be robbed twice in the same night, nor were they to be too severely
-treated, so as not to prevent the Parisians from going out in the
-evening. Therefore he ordered his men to take the utmost care not to
-kill any one without good reason. At this time the man was not yet
-thoroughly wicked. Up to then he had always had a reason for every act.
-It is to be regretted, however, that he had had one hundred and fifty
-reasons to assassinate.
-
-Let us return to the wax mask.
-
-Théophraste and Adolphe were going down the stairs in the station
-of St. Germain-en-Laye, when suddenly Théophraste thought he saw a
-familiar figure ahead of him, among a group of travelers. Moved by a
-feeling over which he had no control, he ran rapidly towards the group,
-but the figure had disappeared. Where had he seen that figure before? It
-was so repulsive to him. Adolphe asked him the cause of his agitation,
-and he recovered himself at once.
-
-“I would swear,” said Théophraste, “that it was Signor Petito,
-the Italian professor of the floor below. What did Signor Petito come to
-St. Germain for? I do not want to run foul of him.”
-
-“Well, what has he done, then?” asked Adolphe.
-
-“Oh, nothing. Only if he runs across my way, I swear I will cut off
-his ears, and you know I will do it if I say so.”
-
-They then went, without any more thought of Signor Petito, to the
-castle. They entered the Museum, and asked to see the wax mask of
-Cartouche. Théophraste became enraged when he learned that it was not
-to be found there, and in his excitement he poked the handle of his
-green umbrella into the eye of a plaster cast of a member of the Legion
-of Honor. An old guard came up and told him that he knew well there had
-been a wax mask of Cartouche in St. Germain, and that it could be found,
-he thought, in the library. But the latter had been closed up for eight
-days for repairs. Théophraste gave that man a franc, and they turned
-their steps toward the terrace, promising themselves to come again at
-a later time, for the farther the wax mask seemed away, the more
-Théophraste burned to touch it.
-
-It was a beautiful day, and they walked together in the forest, in the
-magnificent walk which led to the battlements of the Loge, which were
-constructed in front of the Castle Germain, by Queen Anne of Austria.
-
-As they reached the south angle of the ramparts, it seemed that
-Théophraste recognized again, gliding in a thicket, the repulsive form
-of Signor Petito.
-
-Adolphe insisted that he was mistaken.
-
-
-
-
-CHAPTER XII
-
-_Théophraste’s Memory Is Refreshed_
-
-
-|THEY wandered down to the lawns at the foot of the ramparts, and
-walking across the green grass, they stopped at the foot of a
-forked tree. They were seated chatting for some time, when suddenly
-Théophraste’s face seemed to light up as if he recalled something. It
-seemed as if his memory had suddenly become awakened to events of years
-ago. His whole soul was filled with sweet memories, like the tenderest
-recollections of youthful days returning, after having been forgotten
-for a long time. In his mind he saw perfectly the spirit of Cartouche,
-as if he had never been separated from him by two hundred years. It
-seemed to come suddenly to him, and as the events came back to him, he
-related them to Adolphe, in the following words:
-
-“Adolphe, my friend, I must tell you that at that time my fortune was
-complete. I was dreaded and yet liked by all. I was even liked by my
-victims. I despoiled them so gallantly that they went their way along
-through the city singing my praises. I had not yet been attacked by that
-wonderful sanguinary instinct which some months later made me commit the
-most atrocious crimes. Everything prospered with me; everybody feared me
-and loved me. I was happy, merry, of a magnificent audacity, gallant in
-love, and the ruler of Paris. They said that I was the greatest of
-all robbers; that was only half true, because it was imperative that I
-should partake of the sovereignty with M. Law, the Controller-General of
-Finance. My glory was at its zenith; for often he and his people paid
-me tribute. But he imagined he might excite the Regent against me. One
-evening when I had stolen into his room in his hotel, disguised as
-a lackey to Lord Dermott, the Regent sent for Monsieur d’Argenson,
-keeper of the seals, and told him that he had eight hours in which to
-arrest me. M. d’Argenson promised everything he wanted, provided they
-let him go by the way of the Convent of the Madeline du Frainel, where
-his mistress, Mlle. Husson, had taken refuge. Eight hours later, M.
-d’Argenson was still at the Convent with Mlle. Husson. As for me, my
-dear Adolphe, during that time, I attended to my small affairs, and I
-commanded without any trouble three thousand men. It was the month of
-September, the nights were beautiful and clear, and we profited by this
-to get into the house of the Spanish Ambassador, who lived in the old
-hotel of the Marshal d’Aucre, in the Rue de Fournon, the same house
-even which has since been occupied by the Guard de Paris. We entered
-his wife’s bedroom and took possession of all her dresses, of a buckle
-ornament with twenty-seven large diamonds, a necklace of very fine
-pearls, six plates, six table sets, six knives and ten coral goblets.
-We rolled it all up in a table cloth, and went to supper at the house
-of the Belle Helene, who kept what you called the Inn of the Harp in the
-Rue de la Harp.
-
-“Oh, Adolphe, what a wonderful thing memory is! Truly I do not know
-why I said that _you_ called it the Inn of the Harp, unless in my mind
-you are representing a friend whom I had, who was as good as you, and
-whom I loved as well as you, whose name was Va-de-Bon Cœur. By the
-Thunder of the Breast, but he was a handsome young fellow! He was a
-sergeant of the French Guards, and he was my lieutenant. I must tell
-you, my dear Adolphe, that I commanded a considerable number of
-French Guardsmen. At the time of my arrest, one hundred and fifty
-non-commissioned officers, soldiers of the French Guard, hid themselves,
-and disappeared over to the colonies. They dreaded lest I should
-compromise them. They were wrong, however, for torture could not make me
-speak. However, let me leave those melancholy moments, and come back to
-the beautiful September nights. We will proceed to the time when it
-was customary for the Parisians to take up their new abodes. The Regent
-showed still more anger against me and M. d’Argenson, when he learned
-about the escapade against the Spanish Ambassador. Imagine his fury as
-I turned my attentions to him. Va-de-Bon Cœur, being on guard at the
-Palais Royal, carried off two vermilion flambeaux, which the Duke of
-Orleans prized very highly. The Regent was so afraid of being robbed
-that instead of wearing silver-faced buckles and sword handles, he
-resolved to substitute carved steel. On the first day that he carried
-one of that kind, I, Cartouche, stole it from him as he was leaving the
-opera house. The next day I sent it back to him in pieces, and I taunted
-him about his apparent avarice, and upbraided him, that he, the greatest
-man in France, should wish to deprive his unfortunate confrères, the
-silversmiths, of a livelihood.
-
-“He answered me publicly by proclaiming that he was very anxious to
-know me, and that he would give from his own pocket 20,000 pounds to
-whoever would bring Cartouche to him. The next day, as he walked to
-Saint Germain and was breakfasting in the castle, he found under his
-napkin a message of which you will readily see the sense: ‘My lord,
-you can see me for nothing. It may be to-night, at midnight, behind the
-Anne of Austria Wall in the forest, where Cartouche will expect you. You
-are brave. Come alone. If you come accompanied, you run the danger of
-death.’
-
-“At midnight, I awaited the Regent; twelve o’clock was still
-sounding in the Loges, when the Regent appeared. The moonlight made the
-forest seem like fairyland—enchanted, such as one sees at the theater.
-The forest, a marvelous, transparent blue, seemed bereft of all its
-branches, of all its foliage, of all its thickets.
-
-“‘Behold me, Cartouche,’ said the prince; ‘I come to you armed
-with my sword alone, as you have wished. I run perhaps the greatest
-danger,’ he said in a clear, derisive voice, ‘but who would not
-risk everything to see at close range at midnight, in the heart of the
-forest, the form of Cartouche, when it costs nothing?’ Oh, Adolphe,
-my friend, that thou couldst have been there to hear me respond to the
-Regent of France! To be sure, I am only the son of a poor cooper of the
-Rue du Pontaux-Choux, but what Condé, what Montmorency could have bowed
-with more grace, sweeping the wet grass with the plume of his hat? The
-Duke de Richelieu himself could not kneel more elegantly than I did, nor
-present in a more gracious manner to my lord the purse that I had taken
-from his pocket. ‘I am,’ said I, ‘the most humble servant of my
-lord, and I beg him to take back from Cartouche this purse that I had
-the audacity to steal with so much coolness, only to prove to my lord
-that his highness finds himself face to face with Cartouche.’ The
-Regent begged me to preserve that purse for a remembrance of him. He was
-wrong to relate, in the course of time, this anecdote; for the report
-was spread that he was one of my band. I believe that he had started to
-go away, when he put his arm in mine and dragged me as far to the right
-as we are sitting to-day.
-
-“Then the regent did me the honor to put his arm in mine, and I saw
-that he had something of a secret nature to confide to me. He did not
-wait to acknowledge that he counted upon my ingenuity to avenge
-him for an offense that Monsieur the Controller-General had committed
-against him. He told me that he was quite in love with the courtesan,
-Emily; that she was his mistress, and had been for fifteen days, and
-that he had learned from La Fillon that M. Law had the promise of her
-favors the next night against the present that he would make her of a
-ten-thousand-louis necklace. He was sure of it, for La Fillon was never
-mistaken. Was it not from her that he had had a hint of the Cellamore
-conspiracy? All the rogues of Paris knew La Fillon.
-
-“La Fillon is a woman of five feet ten inches, who was admirably
-formed, a ravishingly beautiful face. From the age of fifteen years,
-that model beauty thought that Nature had not provided such rare
-treasures to be hidden, so she lavished them. The Duke d’Orleans, a
-long time before the regency, loved her. He remained smitten with her
-for more than a year. It was for her that he had constructed, in a
-retired part of the gardens of Saint Germain, a sort of grotto, lighted
-mysteriously by several rays directed upon a bed of mats, upon which his
-mistress stretched herself, clothed in her blonde hair only. He showed
-them to all who passed that way, and in that way he made numerous
-friends. But the fifteen years of La Fillon flew away in happy days. Now
-she had no longer the enjoyment of intrigue, of which she has made
-two parts—gallantry and observation. So she furnished some important
-information to the police and to M. d’Argenson, guard of the seals,
-and some remarkable subjects for the amours of the Regent. It was she
-who procured Emily for him, who is by far the prettiest girl in Paris.
-Everybody wanted to steal her from him. Law, who was the richest, swore
-to succeed there. The bargain was concluded for the next night.
-
-“‘Cartouche,’ the Regent said to me, after having explained
-his small affairs to me, ‘thou art a brave man. I give thee the
-necklace.’
-
-“And he went away in the moonlight, giving me a slight wave of the
-hand. This kind of mission that I received—to thwart the loves of the
-Superintendent, and avenge those of the Duke of Orleans, filled me with
-pride.
-
-“Being back in Paris, I learned near the morning, through my police
-(which was the best information of the epoch), that the courtesan Emily
-lived at a small hotel in the Mardis, at the corner of the Rue Barbette
-and of the Trois-Pavillons, and that the Regent showed more attachment
-for her than he had ever for the Duchess of Berry, with whom he was
-disgusted long since for La Baratere, who shut herself up in the Convent
-of Chelles, less on account of her love for God than for her liking for
-the beautiful nuns (what morals, my dear Adolphe, what morals!), and it
-consoled her that she had recently been mistaken for Mlle de Valois,
-uniquely occupied with the Duke de Richelieu. This courtesan, Emily,
-was no more than an opera girl, but her beauty, as I have told you,
-surpassed all that one can imagine—I was not long in judging for
-myself.
-
-“Twenty-four hours after the interview of Saint Germain, that is to
-say the midnight following, I went out with a placard describing exactly
-the angle of the Rue des Trois-Pavillons and the Rue Barbette. I had, as
-if by chance, a pistol in each hand, which made it impossible for me to
-decently bow to Mlle. Emily, who appeared, considering the hour, in the
-most polite dishabille, with the Superintendent, who presented a casket
-to her in which there shone the gems of a necklace, which was valued at
-the least at ten thousand louis. I excused myself for the necessity
-of keeping my hat on my head, and begged Monsieur, the Superintendent,
-seeing the encumbrance of my hands, to close the casket on the necklace,
-and to put the whole thing in the pocket of my cinnamon coat, promising
-my gratitude or recognition for this slight service.
-
-“As he hesitated, I proceeded with my presentation, and when he knew
-that my name was Cartouche, he obeyed with alacrity.
-
-“I begged Mlle. Emily to reassure herself, declaring that she was in
-no danger, of which she was convinced, for she began to laugh heartily
-at the discomfiture of M. Law. I laughed also. I said to M. Law that his
-necklace was worth 10,000 louis, but if he wished to send the next day,
-towards five o’clock in the afternoon, a confidence man to the corner
-of the Rue Vaugirard and of the Rue des Fosses—Monsieur le Prince,
-with five thousand louis, they would return the collar, on the word of
-honor of Cartouche. He replied to me that the bargain was concluded and
-we took leave of each other.
-
-“Two days later some one related the adventure to the Regent, who
-was at first overjoyed, but whose face changed when he learned the
-culmination of the event. The man, Law, had given the five thousand
-louis as was arranged, to the man, Cartouche, and he expected the jewel
-box, when the other told him that Cartouche had already gone to carry it
-himself to Mlle. Emily. Law ran to the house of the courtesan, saw the
-necklace and demanded the price.
-
-“‘It is already received,’ replied Emily, turning her back on him.
-
-“‘And by whom?’ exclaimed M„ le Superintendent.
-
-“‘Evidently by the one who brought me the necklace—by Cartouche,
-who has just left here. Should I not pay upon receipt of the necklace?
-And immediately? I have no credit, myself,’ added she, shouting over
-the discomfited face of the man of the Rue Quincamprix.
-
-“At the Palais Royal, my dear Adolphe, the jest had the success that
-you can imagine. It did not matter, the Regent had found out that I
-had surpassed his instructions, and in his anger he again sent M.
-d’Argenson to hunt for me. He, however, was again diverted by the
-attractions of Mlle. Husson. It was a fact, my dear Adolphe, that
-women were a source of great help to me, and I leaned towards them
-considerably. But they contributed much to my ruin, also. Knowing of
-the propriety of my manners, and of my exclusive love for Marceline, you
-must think how two hundred years changes a man.”
-
-Elated at his narrative, Adolphe laughed at the pleasantry which
-terminated it. “How two hundred years changes a man!” M. Longuet
-laughed at it. The supernatural and terrifying antithesis between
-Cartouche and Longuet, which had plunged him at first into the most
-melancholy fright, now incited him to make jests. His excuse was that
-he did not see anything to fear. He only found his case a little odd.
-He joked about it with Adolphe, and even resolved to no longer keep
-his true personality from Marceline. She was intelligent and would
-understand. He imagined that this personality would present dangers to
-himself and to society, but, behold! it existed no longer in the real
-condition, but only in his memory, as a vivid picture. He would not have
-to control Cartouche as he had dreaded; he would only have to ask
-him from time to time, some anecdote, which would help M. Longuet in
-conversation. The history of the Regent, M. Law, and of the courtesan,
-were sure proofs of that condition of the soul. How it had glided from
-his memory without effort! What evil, then, was there in that? After
-all, if he had been Cartouche, it was not his fault, and it would
-be very foolish in him to be angry about it. He even joked about the
-fortune.
-
-At midnight they made their way back to Paris. As they arrived at the
-station St. Lazare, M. Lecamus asked him the following question:
-
-“My friend, when you are Cartouche, and you take your walks in Paris,
-and you see the life of Paris, what astonishes you most? Is it the
-telephone, or the railway, or the Metro, or the Eiffel Tower?”
-
-Théophraste replied, “No, no. That which astonishes me most when I am
-Cartouche is the police force.”
-
-
-
-
-CHAPTER XIII
-
-_The Cat_
-
-
-|IT seems that the destiny which controls the lives of men, takes a
-diabolical pleasure in preceding the worst catastrophe by the serenest
-of joys. Thus is it often that we are warned of the tempest by the calm.
-
-Thus in the beginning of the misfortunes of Théophraste, Marceline and
-Adolphe, there was something which was not of very great importance in
-itself—the strange behavior of a small black cat.
-
-I have not yet described in detail the apartment occupied by the
-household of Longuet in the Rue Geronde. It is now necessary to do so.
-It was a small apartment, rented for twelve hundred francs a year, on
-passing through the folding-doors of which one entered a vestibule
-of restricted dimensions, all the furniture of which consisted of a
-polished oak trunk, which seemed to fill the whole vestibule. Besides
-the front door, four doors opened into the vestibule: the kitchen door,
-the dining-room door, to the left; the parlor door, and that of the
-bedroom, on the right. The parlor and bedroom windows looked out into
-the street, and those of the kitchen and dining-room looked out into the
-court. The window of the little room in which M. Longuet had made his
-office, opened on the street also. This room was between the bedroom and
-the dining-room, and could be entered by doors from either of these. As
-to the furniture in this apartment, that in the office is all that need
-be described. There was a small desk against the wall.
-
-These great misfortunes of Théophraste, Marceline and Adolphe centered
-around something which was not of great importance in itself: it was
-only an ornament in the form of a small black cat, which was placed over
-the patent lock with which the small desk was fastened, thus hiding it.
-
-This little black cat was nothing more than an ingenious silken cushion,
-which served the double purpose of pin-cushion and pen-wiper. There was
-also a tea-table in this room.
-
-Upon returning from their trip, Adolphe accompanied Théophraste up the
-stairway, and as it was late he announced his intention of leaving at
-once. He ordered his friend to go to bed so that he might get up early
-the next day to make further researches. He shook his hand with a show
-of sincerity, and as he went downstairs, looked up to Théophraste,
-who was holding the lamp for him, and murmured, “Good-bye, till
-to-morrow.”
-
-Théophraste closed the door of the apartment with the greatest care,
-and as he made the second turn to the latch, he said to Marceline,
-“Now that we are very often in the country, we ought to have extra
-bolts for safety.”
-
-Théophraste and Marceline searched the apartment before going to bed.
-They went into the kitchen, into the dining-room, into the parlor, and
-into the office. Nothing unusual had happened during their absence.
-Everything was in its usual place.
-
-Having gone to bed, Théophraste lay awake for some time. He amused
-himself by thinking of Cartouche and all the wonderful things he had
-done. While he tried to fall asleep, his mind kept continually going
-back to the same theme. Suddenly he opened his frightened eyes in the
-darkness, and laid his hand on his wife’s arm, waking her. Then, in a
-voice so low that he alone knew he had spoken, he said, “Do you hear
-anything?” Marceline woke with a start, and they both strained their
-ears. They heard something in the apartment. It was a peculiar sound
-like the purring of a cat. It seemed as if it came from the office, and
-they listened intently for some minutes, too frightened to move.
-
-Théophraste, as we have said before, was not a brave man, and he would
-have given a hundred thousand francs for it to have been daylight.
-Marceline whispered in his ear, “Go and see what is the matter.
-You must, Théophraste. Take the revolver from the table drawer.”
-Théophraste just had the strength to answer, “You know very well it
-is not loaded.”
-
-They listened again, but the noise had stopped. Marceline hoped that
-they had been mistaken. Théophraste, quaking with fear, then got out of
-the bed, and taking the revolver, softly opened the door which led into
-the office.
-
-The night was clear, and the moon shone across the large blue
-table-cloth which was spread on the table. Théophraste recoiled. He
-pushed the door to by pressing his back against it, as if he would
-hinder whatever he had seen from entering the room. “What is it?”
-demanded Marceline, raising herself from the pillows. Théophraste, with
-chattering teeth, answered, “It does not purr any more, but it has
-moved. It is on the tea-table.”
-
-“What is on the tea-table?”
-
-“The cat!”
-
-“Are you sure it was in its right place last night?” asked
-Marceline.
-
-“Perfectly sure. I put my scarf-pin on it when I was going to bed.”
-
-“Oh, you only think that you did it,” said Marceline. “Shall I
-light the lamp?”
-
-“No, no. We can escape in the darkness. If I open the door on the
-landing we can call the conciergerie.”
-
-“You are not afraid, then?” asked Marceline, who, now that she heard
-it was the cat, was recovering her senses. “It was an illusion that we
-had. You must have changed his place last night.”
-
-“After all it is very possible,” said Théophraste. He only wanted
-to get back to bed.
-
-“Put it in its place,” insisted Marceline. Théophraste decided to
-do so. He went into the office, and with a hasty, trembling hand took
-the cat from the tea-table and put it on the desk, and soon found
-himself back in bed. By this time they had recovered their composure.
-
-They even smiled in the darkness to think that they had been afraid.
-However, a quarter of an hour elapsed, and they were frightened to hear
-again the rattle of the ornament. “Oh, it is not possible,” cried
-Marceline; “we are the victims of hallucination. There is nothing to
-astonish us after what has happened at the Conciergerie.”
-
-It was Marceline who got up this time. She pulled open the door of the
-office, and came back at once towards Théophraste, and said with a
-voice so weak that it seemed far away, “You did not, then, put the cat
-back on the desk?”
-
-“But I did,” growled Théophraste.
-
-“Well, but it is back on the tea-table.”
-
-“My God!” said the man hiding his head under the coverings.
-
-Marceline was convinced that, in the disordered condition of his mind,
-he had left the cat on the tea-table. She took it, holding her breath,
-and put it on the table. The cat rattled audibly again as she did it,
-but neither Marceline nor Théophraste saw anything in this. Marceline
-went back to bed again.
-
-Another quarter of an hour passed, at the end of which they again heard
-the same noise. Then an incredible thing happened. Théophraste
-turned like a tiger and cried out, “What is it? It is only too true,
-something unusual is happening.”
-
-
-
-
-CHAPTER XIV
-
-_Petito Loses His Ears_
-
-
-|WE will now go downstairs to the flat below, into the apartment
-occupied by Signor and Signora Petito. Signora Petito is saying, “I
-do not understand M. Longuet’s conduct at the dinner at all. He spoke
-such vague, peculiar words.”
-
-“Well,” answers Signor Petito, “he has this treasure which may
-be found in the environs of Paris, and he is thinking of it. It
-is certainly very interesting, and I would like to find it myself.
-According to the document, my opinion is that one ought to look either
-at the side of Montrouge, or at the side of Montmartre. I am inclined
-to think that it is Montmartre, on acount of the ‘Coq.’ There was
-a castle ‘Coq de Percherons’ there. You will find it if you look at
-this plan of old Paris.”
-
-They looked at the plan, and after a short silence Signor Petito added,
-“It is still very vague. For myself, I think that one ought to attach
-importance to the words ‘Le Four.’”
-
-“My dear, then it is more and more vague,” said his wife, “for
-there are many furnaces around Paris. There were plaster furnaces, and
-quicklime furnaces, and many others.”
-
-“My idea,” said Signor Petito, “is that Le Four does not mean
-‘the furnaces.’ I remember that there was a space after the word
-‘Four,’ on the paper. Pass my dictionary.” Signora Petito,
-noiselessly, and with great care, brought him the lexicon. They looked
-over all the words beginning with the syllable ‘Four.’ On account
-of the article, le, they decided not to pay any attention to feminine
-words.
-
-Just then the clock on the mantel-shelf struck midnight. Signora Petito
-got up, and said to the Signor, “Now is the time. We will find some
-useful information on the floor above. They cannot hear you in your
-stockinged feet. I will watch behind their door at the head of their
-stairway. You know there is no danger, they are still in the country.”
-
-Two minutes later a form glided over the landing at M. Longuet’s door,
-put a key into the lock stealthily, and went into the vestibule. M.
-Longuet’s apartment was arranged exactly like Signor Petito’s, and
-so the latter easily found his way into the dining-room. He acted with
-perfect composure, believing the apartment to be uninhabited. He pushed
-the office door open. As it was evidently the lock of the desk that he
-wished to reach. Signor Petito took the ornament which inconvenienced
-him and placed it on the tea-table. Then he quitted the room
-noiselessly, and entered the dining-room, from there into the vestibule,
-for he seemed to hear a voice on the stairway. He was without doubt
-mistaken, for he listened intently for some time without hearing a
-sound. When he came back into the office, he found the cat again on the
-desk, and purring. His hair seemed to stand on end, for the horror
-which had seized upon him was not to be compared to the horror which had
-seized upon those in the next room.
-
-Signor Petito remained immovable in the bluish moonlight. With a timid
-hand he seized the little black cat. The movement caused by this made
-the cat purr again. Now he understood that in the cat’s pasteboard
-body there was a little ball, balanced in such a manner that it
-ingeniously simulated the purring of a cat when it was moved.
-
-How frightened he had been! He felt a fool. All was explained. Did he
-not remove the cat before returning to the vestibule? Instead of having
-placed the cat on the table, as he thought, he must have replaced it
-on the desk. That was a simple explanation, and he paid the strictest
-attention this time when he placed it on the table.
-
-While he was doing this there was a fresh noise on the stairway. It was
-only Signora Petito, who had very incautiously sneezed.
-
-Signor Petito went hurriedly and silently back into the vestibule, and
-when he was reassured, went back into the office again.
-
-The black cat had been returned to the desk again!
-
-He thought that he would die of fright. A miraculous intervention had
-arrested him on the verge of a great crime, and he uttered a hurried
-prayer in which he promised heaven never to do it again. However,
-another quarter of an hour passed, and he attributed these surprising
-events to his conscience, and returning, placed the cat back again on
-the table.
-
-Just then the door of the room was violently opened, and Signor
-Petito fell into the arms of M. Longuet, who did not express the least
-astonishment.
-
-M. Longuet threw Signor Petito on the floor in disgust, and picking
-up the ornament, opened the window, and threw it out into the street.
-During this time, Signor Petito, who had gotten up, could hardly compose
-his features, for Mme. Longuet, in her chemise, was threatening him
-with a revolver. He could only stammer, “I beg your pardon, I really
-thought that you were in the country.”
-
-M. Longuet went up to him, and taking him by one of his ears, said,
-“Now, my dear Signor Petito, we must talk.”
-
-Marceline lowered the barrel of her revolver, and felt pleased at seeing
-her husband show such courage.
-
-“You see, my dear Signor Petito,” continued Théophraste, “that I
-am calm. A little while ago I was getting angry, but it was only at that
-little cat which was keeping me from going to sleep, and which I have
-thrown out of the window. Rut be assured, my dear Signor, I shall not
-throw you out of the window. You have not kept me from sleeping, you
-have even taken the precaution to put on slippers. Many thanks. But why,
-my dear Signor, do you make that ridiculous grimace? It is without doubt
-on account of your ear. I have some good news to tell you which will
-perhaps put you at ease about your ears. Your ears will make you suffer
-no more.”
-
-Having finished his sarcastic talk, Théophraste begged his wife to pass
-him a cloth, and ordered Signor Petito to go into the kitchen. “Do not
-be surprised that I receive you in the kitchen. I prize my carpets very
-much, and you will probably bleed like a pig.”
-
-M. Longuet drew towards him a white wooden table, which he placed in the
-middle of the kitchen. He asked Marceline to place an oil-cloth over the
-table, and get him a large bowl. He then asked for a carving set,
-which he said she would find in the dresser drawer, which stood in the
-dining-room. Marceline tried to ask for an explanation, but her husband
-looked at her so coldly and so strangely, that, shuddering, she could
-only obey. Signor Petito, in a cold perspiration, tried to reach the
-door of the kitchen, but M. Longuet stood between him and the means of
-exit, and commanded him to be seated.
-
-“Signor Petito,” said he, in a tone of the most sarcastic
-politeness, “you have a face which displeases me. It is not your
-fault; but then it is not mine, either. Certainly you are by far the
-most cowardly and the most despicable of thieves. But what does that
-matter? But do not smile, Signor Petito.” It is certain that Signor
-Petito had no intention of smiling.
-
-“You have ridiculously large ears, and surely with such ears, you dare
-not pass by the corner of the Guiliere.”
-
-Signor Petito clasped his hands and stammered, “But my wife awaits
-me.”
-
-“What are you doing, Marceline?” Théophraste cried impatiently.
-“Do not you see that Signor Petito is in a hurry? His wife is waiting
-for him. Have you the carving set?”
-
-“I could not find the fork,” answered Marceline in a trembling
-voice. (The truth was, Marceline did not know what to say, for she
-believed that her husband had become completely insane, and between
-Signor Petito the house-breaker, and Théophraste mad, she was in
-anything but an enviable position.) She had hidden herself behind
-a cupboard door, and her distress was so extreme, that in turning
-suddenly, when Théophraste hurled a volley of insults at her, she
-upset her favorite vase, which made a loud noise, thus adding to the
-confusion.
-
-Théophraste resorted once more to oaths and insults, and called
-Marceline in such a tone that she ran to him in spite of herself. The
-spectacle which awaited her in the kitchen was atrocious. Signor Petito
-was lying on the wooden table, his eyes bursting from their orbits, a
-handkerchief in his mouth, which nearly suffocated him. Théophraste had
-had the time, and was possessed with the extraordinary strength to tie
-his hands and ankles with cords. Signor Petito’s head hung a little
-beyond the edge of the table, and under it there was a bowl which M.
-Longuet had placed there to prevent soiling anything. The latter with
-palpitating nostrils had caught Signor Petito by the hair with his left
-hand. In his right he clasped the handle of a notched kitchen knife.
-
-Gnashing his teeth, he cried out, “Strike the flags.”
-
-As he said this he made the first cut at the right ear. The cartilage
-resisted. Signor Petito’s muffled groans could just be heard. M.
-Longuet, who was still in his night-shirt, worked like a surgeon bent
-upon a difficult operation. Marceline’s strength failed her, and she
-fell upon her knees. Signor Petito, in attempting to struggle, threw the
-blood from his ears across the kitchen, and Théophraste, letting go his
-hair, struck him a blow across the head. “Be a little careful,” said
-he, “you are splashing the blood all over everything.”
-
-The cartilage still resisted, so taking the right ear in his left hand,
-with a strong blow with the notched knife he tore it away. He placed the
-ear in a saucer which he had previously placed on the sink, and
-allowed the water to flow over it. Then he came back to the second ear.
-Marceline groaned very loudly, but he silenced her with a glance. The
-second ear was cut off much more easily, and with more dispatch.
-
-By this time Signor Petito had swallowed half of the handkerchief, and
-was suffocating. Théophraste took the handkerchief out of his mouth and
-threw it out into the clothes-basket near by. He then untied his
-ankles and wrists, and signed to him to leave the apartment as soon as
-possible. He had the forethought to wrap his head in a dish-cloth, so
-that the blood would not stain the stairway or the janitor’s family.
-As Signor Petito passed by, in agony, Théophraste put the washed ears
-into his vest pocket.
-
-“You forgot something,” he said. “What would Signora Petito say
-if you went back without your ears?” He closed the door. Looking at
-Marceline, who was on her knees, paralysed with horror, he wiped the
-bloody knife on his sleeve.
-
-
-
-
-CHAPTER XV
-
-_Adolphe Consulted_
-
-
-|THEOPHRASTE, the next day, seemed to have forgotten all the incidents
-of the night before, or at least to attach very little importance to
-them.
-
-As to Marceline, she was far too agitated to make any direct mention
-of it. However, she knew Adolphe would be calling at noon and she was
-resolved to find out the cause of Théophraste’s actions before he
-came so that she could tell Adolphe the best to act. The thing that
-struck her most was Théophraste’s sudden show of courage and
-strength. Before he had shown excessive lack of courage, and he was
-naturally physically weak. Suddenly, to be seized with all the nerve
-necessary to meet a burglar and then to have the strength to gag and
-bind him and cut off his ears, was unnatural. He had always recoiled
-from the sight of blood, and here he was fairly reveling in it. What
-could all this mean? He had suddenly turned from a quiet, inoffensive
-citizen to a ghoul.
-
-It was with these thoughts that she approached Théophraste and demanded
-an explanation. He at first was loath to tell her, but her entreaties
-prevailed, and he eventually told her that it was the spirit of
-Cartouche that had seized him and forced him to do these horrible
-actions. He told her with a sort of bravado that there had been more
-than one hundred and fifty assassinations laid to his account.
-
-Marceline was in a terrible state of mind and shrank from him. She
-declared that nothing in the world would make her live with him. She
-would apply for a divorce. She thought she had married an honest man,
-and now she had discovered him to be a thief and murderer. Here were
-enough grounds for a separation, and she declared her intention of
-securing it.
-
-At this Théophraste became very melancholy, and entreated her to think
-of his side of the calamity. He told her how necessary her help was to
-him, and with Adolphe’s and her assistance he thought he could throw
-off this evil influence. By this time he had become quite rational, and
-they decided to consult Adolphe, and if necessary, have him live with
-them.
-
-Marceline readily acquiesced in this suggestion. Adolphe arrived about
-1 o’clock, and she took him into the sitting-room and was soon in
-earnest and animated council with him. Théophraste went into his
-office and waited anxiously for them to join him. After some time they
-returned, and Marceline insisted that Théophraste should do all that
-Adolphe should ask of him, which he readily consented to do, having
-confidence in his friend.
-
-Later on in the afternoon Théophraste and Adolphe went for a walk
-into the city. Théophraste immediately began asking questions as to
-Adolphe’s progress in the search for the treasures. He, however, was
-in no mood to tell much. Marceline’s story of the night before had
-driven all thoughts of the treasure out of his head, and he answered
-somewhat abruptly that nothing of importance had been found, and that he
-must think of Théophraste’s health first, before taking any further
-steps.
-
-It was obvious to Théophraste that Adolphe was evading the subject, and
-he was determined to find out more of the matter.
-
-He felt that Adolphe had more information, and so pressed him to speak.
-Adolphe then told how he had discovered that after the war most of the
-soldiers who had been serving with Cartouche had been discharged, and
-were left with no means of livelihood, and so, recognizing him as having
-the talent of a leader, they formed themselves into a party of bandits,
-and placed him at their head. At this time the police force of Paris was
-quite inadequate to cope with the many crimes; therefore Cartouche and
-his comrades resolved to turn their attention to this. He divided his
-men into troops, and gave them each a quarter, to guard over which
-he placed an intelligent lieutenant. When anybody was found out after
-curfew he was politely accosted and requested to turn over a sum of
-money, or if he had no money on him, to part with his coat. In exchange
-for this he was given a pass which entitled him to walk through Paris in
-perfect security at any time he pleased. He would have nothing to fear
-from Cartouche’s men. If he showed any resistance he was immediately
-killed. Cartouche had the clergy on his side, and was often able to make
-good use of them. One priest named Le Ratichon, was even hanged for him.
-
-On reaching the Hotel de Ville, Adolphe stopped and asked Théophraste
-if he cared to cross the Place de l’Hotel de Ville.
-
-He answered, “If you wish, certainly we will.”
-
-“Have you often crossed the place?” said Adolphe.
-
-“Yes, very often,” replied Théophraste.
-
-“And nothing unusual has happened? Is there any place in Paris which
-you have some difficulty in passing?”
-
-“Why, no, of course not. What is there to hinder me from going
-anywhere?”
-
-However, Adolphe’s look made him reflect, and then he recalled having
-several times walked up the Place de l’Ordson, and when in front of
-the Institute he changed his mind and retraced his steps. He accounted
-for this rather by his absent-mindedness than by anything unusual. He
-recalled that he had never passed through the Rue Mazarine or crossed
-the Pont-Neuf. Neither had he crossed the Petit Pont. He had always
-turned at the corner of the Rue Ville du Temple, near the house with the
-grated windows.
-
-“Why,” Adolphe asked, “can’t you pass these places?”
-
-“I think it is because the paving stones are red; and I dislike that
-color.”
-
-“You remember the Place de Grere?”
-
-“Why, yes. It was there that the pillory and scaffold were erected.
-The wheel was placed there on execution days in front of the Rue
-Vanniere. There was the old coal harbor. I never passed that place
-without counselling my comrades to avoid the wheel. However, I will
-wager not one profited by it.”
-
-“Nor you either,” said Adolphe. “It was there that you suffered
-the final torment. It was there that you were racked and expired by the
-tortures of the wheel.”
-
-
-
-
-CHAPTER XVI
-
-_On Private Ground_
-
-
-|AMONG all the paper that I found in the oaken chest, those which
-related to the death of Cartouche were by far the most curious, and
-presented the highest interest, in that they partly contradicted
-history. They denied with such persuasive strength, and such undeniable
-logic, that it is difficult to see how the great historians could have
-overlooked the real details, and the generations which have succeeded
-since the year 1721, should not have suspected the truth. History
-teaches us that Cartouche, after having suffered the rack in its most
-cruel form, during which he confessed nothing, not even a name or a
-fact, this Cartouche, who had only to die, and nothing to gain from his
-confession, nothing to soften his last moments, was brought to torment
-in the Place de la Grere, and it was there that he decided to speak.
-That they took him back to the Hotel de Ville, and that it was there
-that he betrayed his principal accomplices, after which he was racked
-and fastened to the cross, where he expired.
-
-Immediately after this 360 persons were arrested, with the result that
-they were tried, and judicially massacred, the last one of them being
-executed two years after Cartouche.
-
-Now in following the papers of Théophraste, we are not doing full
-justice to Cartouche. While Cartouche was an object of terror, he was at
-the same time an object of admiration. His courage knew no bounds,
-and he proved it at the time of his torture. At the moments when his
-sufferings were greatest, he did not speak. It was said that he only
-wished to die bravely. The great ladies of the court and of the city had
-hired windows and points of vantage from which to witness his death, and
-he did not wish to show them on the scaffold, a cowardly dastard, but
-the most daring and bravest of bandits. It is an historical fact that
-of the 360 persons who were arrested after his death, it was found that
-Cartouche was loved by all. The official report showed women throwing
-themselves in the arms of L’Enfant at the Hotel de Ville, even after
-the denunciation.
-
-It is not necessary to mention all the protests that M. Longuet made
-against the dishonorable death attributed to Cartouche, but some of the
-preceding lines seem to show that he was right.
-
-It was while conversing on this question that Théophraste and his
-friend arrived at the Rue de le Petit Pont, without passing over the
-bridge.
-
-“My dear friend,” said Théophraste, “look at that house at the
-side of the hotel, which has the sign, ‘To the rendezvous of the
-Maraiches,’ and tell me if you find anything remarkable about it.”
-They were then in front of a low, narrow and dirty old house, a hotel.
-The door on the ground floor disclosed a counter for the sale of
-drinks. Above the door was a notice, “To the rendezvous of the
-kitchen-gardeners.” The hotel was leaning against a vast building of
-the eighteenth century, which Théophraste pointed out with his green
-umbrella. This building had a balcony of iron, wrought in a delicate
-design of the period.
-
-“I observe a beautiful balcony, of which the feature in the design
-seems to be the quiver of the god of love.”
-
-“Anything more?” asked Théophraste.
-
-“I do not notice anything further,” said Adolphe.
-
-“Do you notice the large gratings on the windows? There was a time, my
-dear Adolphe, when windows that had gratings on were very much in vogue.
-There were never so many grilled windows in Paris as in the year 1720,
-and I would swear that these were placed there the day after the affair
-of the Chateaux Augustins. The Parisians always protected their
-ground floor, but this did not trouble us very much, for we had Simon
-L’Auvergnat.”
-
-Adolphe took the opportunity of asking Théophraste exactly who this
-Simon L’Auvergnat was. He was always referring to him, and without any
-obvious reasons.
-
-“He was a very useful person,” said Théophraste, “he was the base
-of my column.”
-
-“What do you mean by the ‘base of your column’?”
-
-“You do not understand. Wait, and you soon will. Imagine yourself
-to be Simon L’Auvergnat. Stand like this,” and he indicated the
-position, against the wall of the house, that Adolphe was to take.
-He spread his legs and lowered his head, and raising his arms, leaned
-against the wall. “I will place you here,” said he, “on account
-of the cornice which is to the left. I remember that it was very
-convenient. Now, since you are the base of my column, I lean on that
-base and then-----------”
-
-Before M. Lecamus had had time to see what was going to happen,
-Théophraste gripped his shoulders, leaped on the cornice of the hotel,
-from there to the balcony of the hotel at the side, and entered a room
-of which the window had been opened.
-
-M. Lecamus, stupefied, looked up into the air, and was wondering to
-himself how on earth his friend could have disappeared in such a way,
-when suddenly piercing cries came from the room, and a voice yelled out,
-“Help! Robbers! Murder! Help!” Fearing some dreadful act, Adolphe
-rushed into the hotel. The passers-by were stopping in the street, and
-before long a crowd had collected. He leapt over the vast stairway with
-the agility of a young man, and arrived on the first landing at the
-moment the door opened, and Théophraste appeared, hat in hand. He was
-bowing to an old lady, whose teeth were chattering from fright, and
-whose hair was all done up in curl papers. “Dear madame,” he was
-saying, “if I had believed for one instant that I would have caused
-you such surprise, I would have remained downstairs. I am neither a
-robber, nor an assassin, my dear madam. All this is the fault of my
-friend Adolphe, who wanted me to show him how Simon L’Auvergnat could
-serve me as the base of a column.”
-
-Adolphe had already seized his arm, and was drawing him toward the
-stairway. He made signs to the lady from behind Théophraste trying to
-make her understand that his friend was off his head. Thereupon, she
-fell unconscious into the hands of a chambermaid, and the stairway was
-soon filled with a crowd.
-
-Adolphe profited by this to take Théophraste away. They passed through
-without hindrance, and were soon in the street again. Adolphe seemed not
-to hear Théophraste’s protests. With one hand he dragged him towards
-the Rue Huchette, and with the other dried the sweat which was running
-down his forehead.
-
-“Where are you taking me to?” asked Théophraste.
-
-“To the house of one of my friends in the Rue Huchette.”
-
-When they reached the house in the Rue Huchette, they passed under a red
-porch, and into a very old house. Adolphe seemed to know the people,
-for he did not wait to be ushered in. He made Théophraste climb half
-a dozen stone steps which were extremely worn, and pushed open a thick
-door which was at the end of the court.
-
-They were now in a sort of vestibule, lighted by a large lamp in the
-shape of a huge ball, suspended by iron chains from the stone ceiling.
-
-“Wait for me here,” said Adolphe, after having closed the door by
-which they had entered. He promised not to be long and disappeared.
-
-Théophraste seated himself in a large armchair, and looked around him.
-What he saw on the wall amused him. There was an incredible quantity of
-words painted in black letters. They seemed to cover the whole surface
-of the wall, in no sort of order at all. He spelt some of them. There
-was Iris, Thabet, Rush, Jakin, Bokez, Thebe, Paracaler, and the word
-“Iboah,” which appeared in many places. Turning toward the other
-wall, against which he had been leaning, he saw a Sphinx and the
-Pyramids.
-
-An immense arch arose, and in the center of this was Christ, His arms
-extended out into a circle of flowers. On the arch were the words,
-“Amphitheater of the wise eternal son of Truth.” It was the arch of
-the “Rose Cross.” Below was this inscription, “There are none
-so blind as those who will not see.” Looking around he came across
-another inscription, in letters of gold: “As soon as you have won a
-fact, apply yourself to it with your whole mind. Look for the salient
-points in it. Behold the knowledge which is in it. Give way to the
-hypothesis. Hunt for the fault in it.” (Instructions to the clinic of
-the Hotel Dieu, Prof. Trousseau.) Besides this he saw figures of forles
-and vultures and jackals, men with birds’ heads, beetles, and the
-emblem of Osiris—an ass, and an eye. Finally he read these words in
-blue letters: “The more the soul is rooted in her instincts, the more
-will she be forgotten in the flesh, the less consciousness she will have
-of her immortality, and the more she will remain a prisoner in living
-corpses.”
-
-Impatient at the absence of his friend, and becoming a little
-frightened, he attempted to raise the drapery behind which Adolphe had
-disappeared. But as he ascended the step his head struck an object which
-was suspended in the air, and looking up he found it was a skeleton.
-
-We have said that M. Lecamus had applied himself to the occult sciences,
-and practiced spiritualism, but from what we know of M. Lecamus’
-character, we feel that he was only an amateur in these things. He only
-practiced spiritualism for show, for snobbery, and to make an impression
-at the parties which he used to frequent. He believed no more in
-spiritualism than he believed in love. The day came, however, when his
-heart gave way, and when his spirit humiliated itself. It was the day
-that he met Marceline and M. Eliphaste de St. Elm. He met Marceline at
-a seance, where they had made him the father spirit. At this séance
-M. Eliphaste was recognized as the chief. However, this gentleman was
-rarely seen. He led a most retired and mysterious life at the foot of
-the Rue Huchette.
-
-Marceline had attended this seance by the will of M. Longuet, who,
-having been to the Salon Pneumatics, insisted that Marceline should be
-presented there. He thought that it was a kind of worldly society, where
-such subjects as pneuma-tology were discussed.
-
-The day that Marceline made her entrance to the Salon M. Eliphaste de
-St. Elm was to read a paper on the Gourse. Mme. Longuet found herself
-by chance next to M. Lecamus, and after discussing a good many points in
-the lecture, they found that they had a great many things in common,
-and by a curious chance M. Lecamus discovered that he was an old college
-chum of M. Longuet’s. It was thus that he became welcomed into the
-family circle of M. Longuet.
-
-This preamble is necessary for us to understand the presence of M.
-Lecamus and Marceline together in the house of M. Eliphaste de St. Elm,
-at the foot of the Rue de Huchette, while Théophraste was waiting for
-him wearily in the vestibule. The visit was the result of a conversation
-between M. Lecamus and Mme. Longuet, early that morning. She had hidden
-nothing from him regarding the events of the nights before, and the
-history of Signor Petito’s ears showed to M. Lecamus the necessity of
-taking precautions against the spirit of Cartouche. At the bottom of
-his heart M. Lecamus felt to a certain extent guilty for the follies of
-Théophraste, and he had been asking himself, lately, just how far he
-could let this reincarnated soul go, for M. Lecamus was a novice at
-spiritualism, and it was his intention to experiment with Théophraste
-and Cartouche.
-
-He was no sooner assured of having in his hands a reincarnated soul,
-than his curiosity aroused in him a desire to make use of it. This was
-exactly what he had done in putting the reincarnated soul of Cartouche
-before his portrait, without taking any precautions, and now he did not
-know how he could stop that which he had unconsciously set in motion. He
-knew how to arouse such a spirit, but he did not know how to stop it.
-
-It was for this reason that he and Mme. Longuet had come this morning to
-beg M. St. Elm to exercise his influence, for there was not a cleverer
-guide for reincarnated souls in Paris.
-
-In the meantime, Théophraste had been locked up in the vestibule, and
-when he struck his head against the skeleton, he began to think that it
-would be more tranquil in a mound at St. Chaumont. The corridor in which
-he found himself did not have a single window. A red gloom lighted it
-from one end to the other. It came from the cellar, and penetrated the
-thick pavement glass. The corridor had crevices and angles. He came to a
-corner and stopped abruptly. He was impatient to go ahead, and went into
-one of the two branching passageways which ran from the corridor. Five
-minutes later he found himself at the same cross passage. Then he went
-up the first corridor again, taking the direction that he had followed
-in coming out to the vestibule, but to his great surprise he could not
-find the vestibule. He wandered about for what seemed to him several
-hours, and he was just giving up hope of ever getting out of this
-labyrinth, when he saw Adolphe in the distance. He ran up to him and was
-on the point of reproving him for having kept him waiting so long, when
-Adolphe said to him sadly: “Come, Marceline is in there; we are going
-to present you to a good friend.”
-
-Théophraste found himself in a large, dark room, where his attention
-was attracted by a great light which fell on the figure of a man. But
-strange to say, the light did not seem to fall on the man, but rather to
-radiate from him. In fact, when the figure moved it seemed to carry
-the light with it. Before the flambeau a woman was standing in a humble
-attitude, with clasped hands and bowed head.
-
-Then Théophraste heard a voice, a friendly voice, a manly voice, a
-voice sweeter than the sweetest voice of woman, which said to him:
-“Come to me without fear.”
-
-That which astonished M. Longuet above all else was the astral light
-which showed up the noble features of M. Eliphaste de St. Elm. He was a
-person of divine elegance, as elegant as a Christ on the Tripoli.
-
-“I do not know where I am,” said Théophraste, “but it gives me
-confidence to see my friend Adolphe, and my wife, Marceline, at your
-side. However, I should like to know your name.”
-
-“My dear sir,” said the harmonious voice, “I am called M.
-Eliphaste de St. Elm.”
-
-“Well,” said Théophraste, “my name is Cartouche. But it has
-been believed for a long, long time that this name was given to me as a
-nickname.”
-
-“You are not Cartouche,” said Eliphaste.
-
-“Your name is Théophraste Longuet. You will pardon me, but there is
-no longer any need for confusion; you were formerly called Cartouche,
-but now you are called Théophraste Longuet.”
-
-M. Théophraste then recalled a number of personages with whom he
-had, in the spirit of Cartouche, been speaking. They were all of the
-eighteenth century—Gatelard, Marie Antoinette Neron, and others, and
-it was evident that his mind was dwelling on that period, and he was
-living in the present a life of the past.
-
-Théophraste was still talking of these times, when the half shadows
-which seemed to envelop him were suddenly dissipated, and the room
-appeared in the splendid brightness of day. He looked around with
-evident satisfaction, first at his wife, and then at Adolphe, and
-finally at M. Eliphaste. Eliphaste had entirely lost his supernatural
-aspect, his astral mantle had disappeared, and if his features had still
-their sublime and unusual pallor, he seemed, nevertheless, a man like
-other men.
-
-“Ah, this is better,” said Théophraste, sighing.
-
-“It is not necessary for you to think any more of old Paris,”
-said M. Eliphaste. “You have nothing more to do with it. You are
-Théophraste, and it is the year of grace, 1899.”
-
-“Possibly,” replied Théophraste, who was obstinate; “but the
-question is, what about my treasure? I have a perfect right to look at
-a plan of old Paris, for I can follow the place where I buried it
-formerly, and find the place where I must look.”
-
-Eliphaste, speaking to Lecamus, said, “I have often witnessed the
-crises of Karma, but never has it been given to me to study one of such
-strength.”
-
-Eliphaste reflected, and then leading Théophraste to the right, he
-brought him before a map of real Paris. “Behold,” said he, “the
-exact point where Le Fouches de Mount Fançons were. As to the mouth of
-the Choppinettes, and of the Coq, they were at those two points of the
-Monte St. Chaumont. The forks were found on a small eminence on the side
-of the principal mound, but far to the right of where the Protestant of
-the Rue de Crimee stands to-day. To find your treasure again, my friend,
-it will be necessary to search in that triangle. The mounds, as you say,
-have been the remains of a filled-in ditch, and I doubt very much if
-your treasure could still be found there. I specified for you the old
-space on a modern plan to disillusion you. You must clear your mind.
-Think no more on your treasures. Do not live in the past. You must
-live in the present, and for the future. You must drive away Cartouche,
-because Cartouche is no more. It is Théophraste Longuet who is.”
-
-M. Eliphaste pronounced these words with great force.
-
-
-
-
-CHAPTER XVII
-
-_They Decide to Kill_
-
-
-|MELIPHASTE had been reasoning with Théophraste, and using all the
-arguments of spiritualists to persuade him to make an effort to rid
-himself of the spirit of Cartouche.
-
-“However,” said Théophraste, “I thank you for the interest you
-have taken in me, and for your sympathy; but I tell you, you can do
-nothing for me. You say I am sick, but I am not. If I were you could
-cure me. You also say that I am to drive away this Cartouche; but,
-though that is easily said, I can assure you that it is not so easily
-done. It is impossible, my dear M. Eli-phaste.”
-
-“And yet,” said M. Eliphaste, “it is necessary. For if we do not
-succeed in driving him out, we must kill him. That is an operation the
-result of which I cannot vouch. It is a delicate operation, and full of
-dangers.”
-
-M. Eliphaste had hoped that this obsession of Cartouche was only
-imaginary, and so by reasoning he could drive it away. But, alas, the
-reality of it was only too true, and Théophraste, while willing to help
-him, could not get himself to believe M. Eliphaste’s arguments.
-
-“You understand,” said M. Eliphaste, “your case is most
-extraordinary. Everybody in the world has lived before, and will live
-again. This is the Law of Karma. It may be possible to find some one
-who was a friend of Cartouche’s. The true object of that wonderful
-evolution of souls through the bodies, is to develop and qualify them to
-enjoy the perfect happiness which will finally be the inheritance of the
-fortunate ones who will enter into the Kingdom of Heaven. It is thought
-that at each birth, the personality differs from the preceding one,
-but it is only the veritable, divine and spiritual I. These divers
-personalities are in some measures only the links of the infinite
-chain of life, which constitutes, throughout the ages, our immortal
-individuality.”
-
-The admirable wisdom of the teaching appealed to Théophraste immensely.
-Eliphaste had shown himself so much the master of his thoughts, that he
-could not understand why he had remained ignorant so long, without even
-having suspected these wonderful truths. He saw the great difference
-between Eliphaste and Adolphe, the difference, as he said, “between
-the Man of Reason and the Learned Ape.”
-
-Eliphaste continued: “When one is persuaded of this great truth,
-one need not be astonished at the wonderful things that happen in the
-present—if they recall events of former times. But to live according
-to the Law of Wisdom, one must live in the present, and not look
-behind.”
-
-Théophraste had too often looked behind. His mind had occupied itself
-with thoughts of the past. If this had continued, in a very short time
-Théophraste would have gone quite mad.
-
-And so Théophraste thought: “I must either forget Cartouche, throw
-him off completely, or develop all his characteristics.”
-
-M. Eliphaste told them that what men call vocations to-day were only
-a latent revelation of the past, and they could only be explained that
-way. He told them that what was called facility among men to-day was
-nothing else but retrospective sympathy for some objects that they
-knew better than others, having studied them better before the real and
-actual life. He said that we even assume the gesture of the past
-without knowing it. He himself had seen, on the eve of the Battle of
-the Bourget, two young men fall near him, handsome as demigods, brave as
-Castor and Pollux, and who succumbed with grace that the heroes showed
-in dying at Salamis, Marathon, or at Platies. M. Eliphaste then pressed
-Théophraste to his heart, breathed on his forehead and his eyes, and
-then asked him if he was quite persuaded of the truth. He said that
-to be happy we must seek to give an account of ourselves, as to the
-perpetual changes of our condition, and that by this we learned to
-live in the present, and to comprehend that the future belonged to
-us entirely. Are we not the children of the Eternal, in whose eyes a
-thousand years are as a day, and a day as a thousand years?
-
-Théophraste said to him that he was not at all astonished at having
-been Cartouche—it seemed so natural to his mind—that he would never
-more dwell on it, and he declared that at present Cartouche was driven
-away.
-
-Thereupon Marceline asked what time it was, and Adolphe told her it was
-eleven o’clock, and so they rose to take their leave. However, just
-before leaving, an incident occurred which went to prove too clearly
-that the spirit of Cartouche had not left Théophraste.
-
-Upon Adolphe’s declaring that it was eleven o’clock, Théophraste
-took out his watch and contended that it was half after eleven, and
-after a few words, he said, “You can cut off my right hand if I am
-wrong.”
-
-Turning to M. Eliphaste, that gentleman confirmed M. Lecamus’
-statement, whereupon Théophraste picked up a small knife which was
-lying near, and would have severed his right hand but for M. Eliphaste,
-who, grasping the situation, seized Théophraste’s uplifted hand with
-dexterity and incredible strength. He ordered him to drop the knife, and
-told him that he was not keeping to the compact. M. Eliphaste felt
-that it was no good arguing with him on the matter of the spirit of
-Cartouche, and despaired of ever ridding him of the spirit by reasoning.
-He turned to Adolphe and said, “Let us go. It is too late. There is
-nothing to do but to kill him.”
-
-
-
-
-CHAPTER XVIII
-
-_The Operation_
-
-
-|THIS savage onslaught, which but for the presence of mind of M.
-Eliphaste would have terminated in the amputation of M. Longuet’s
-hand, proved to them that the sanguine imagination of Cartouche had so
-completely invaded the brain of M. Longuet that it seemed to them the
-only remedy for such a misfortune was the death of Cartouche.
-
-M. Eliphaste did not hesitate. He had reasoned with him in vain, and had
-even hoped at one time that he had been victorious, but this incident
-undoubtedly proved otherwise. He rose and looked at Théophraste, giving
-him a long, steady glance, which seemed to pierce the uttermost depths
-of his soul. Théophraste sighed several times and began to tremble
-violently, when M. Eliphaste cried, “Cartouche, I order you to
-sleep.” Théophraste fell as if stricken on the armchair which stood
-behind him, and did not make another move. His respiration was so silent
-that they doubted if he still lived. Marceline ran to him alarmed, but
-M. Eliphaste restrained her, saying, “All is well. The operation of
-the death of Cartouche has begun.”
-
-Adolphe knew, from several examples, that there is always a great risk
-when one wishes to kill a reincarnated soul—that is to say, to throw
-it back toward the past. There is a risk of killing the body in which
-it is reincarnated. And so he knew that trying to kill the soul of
-Cartouche without killing Théophraste was a great undertaking.
-
-It needed all the authority, and all the science of M. Eliphaste, to
-calm them in the extremity in which they found themselves. He was the
-most intellectual and scientific spiritualist of the day. He had the
-most absolute and domineering will that the world had seen since Jacques
-Molay, to whom he had succeeded, by the supreme direction of the secret
-order of Temphis. He had made an allegorical demonstration of his last
-treatise on “Psychic Surgery,” and had analyzed the subject in his
-pamphlet on “Astral Scalpel.”
-
-It is necessary to enumerate all the accomplishments of M. Eliphaste,
-for it gives Adolphe a chance of refuting in advance the reproach put
-upon him for letting him treat his best friend with the utmost severity.
-The criminal eccentricities of M. Longuet, of which Signor Petito was
-the first victim, made him dread the most irremediable catastrophes,
-and it was for this reason that he was led to consider the operation
-of Cartouche as a benefit, not only possible, but probable, without
-too great a risk to Théophraste. As to Mme. Longuet, her faith in M.
-Eliphaste was so great that at first she only made a few remarks, so as
-to relieve her of any responsibility, and then the terror that she had
-of sleeping with Cartouche made her, over and above everything, desire
-his death.
-
-M. Eliphaste told Adolphe to take Théophraste’s heels, and he
-took and held him under the armpits, and they carried him into the
-sub-cellar, where a laboratory had been fitted up, which was lighted in
-the day by gas, with large, red, hissing flames.
-
-Mme. Longuet followed. They placed Théophraste on a bed, and bound
-him down with straps. He was still under the mesmeric influence. M.
-Eliphaste stood over him, watching him closely, for a quarter of an
-hour, during which time there was a deep silence in the room. At length
-a voice was heard. It was M. Eliphaste praying. The prayer began in this
-way:
-
-“In the beginning there was silence. Oh, age Eternal, source of all
-ages------”
-
-When the prayer was ended, M. Eliphaste took Théophraste by the hand
-and seemed to command him without speaking. He questioned Théophraste
-by the strength of his domineering spirit —only by the answers
-Théophraste made could they understand what he had been commanded to
-tell. Théophraste said, without effort, “Yes, I see. Yes, I am. I
-am M. Théophraste Longuet; in an apartment of the Rue Gerondeau.” M.
-Eliphaste turned toward Adolphe and Marceline. “The operation is a bad
-one,” he said in a deep voice. “I have put Cartouche to sleep, and
-Théophraste answers me. He is sleeping in the present. We must not
-precipitate matters. It will be dangerous.”
-
-“I am in the Rue Gerondeau—in the apartment under mine—and I see
-stretched on the bed a man without ears. In front of him a woman; a dark
-woman—she is pretty—she is young—her name is Regina—the woman is
-saying to the man, ‘Signor Petito, as true as I am called Regina, and
-that you have lost your ears, you will cease to see me in forty-eight
-hours if you have not found the means to give me a little comfort, to
-which I have a right. When I married you, you basely deceived me, both
-as to your fortune and as to your intelligence. Your fortune rested only
-in hopes which have not been realized. What are you going to do?’
-
-“Signor Petito replies, ‘My dear Regina, you puzzle me. Leave me
-in peace to find a trace of the treasures that the imbecile above is
-incapable of snatching from the profound depths of the earth.’”
-
-Théophraste made them understand, in his sleep, that the imbecile
-referred to was Cartouche. M. Eliphaste turned toward them, saying, “I
-expect that word to make him quit the present. Now, madam, the time
-has come. I am going to tempt God.” And then he spoke in a
-commanding voice, in a voice that it seemed impossible not to obey.
-“Cartouche,” said he, extending his hand above the strapped bed with
-a commanding majesty, “Cartouche, where wast thou on the night of the
-first of April, 1721, at ten o’clock?”
-
-“On the night of April first, 1721, at ten o’clock, I struck two
-light blows on the door, with the intention of making them open the door
-of the Tavern Reine Margot. I never should have believed that I could
-have reached the ironmonger’s shop so easily. But I had killed the
-horse of the French guardsman, and I had thrown those who had followed
-him into the Seine. At the Reine Margot I found Paleton, Gatelard, and
-Guenal Noire. La Belle Laittiere was with them. I related the story to
-them while emptying a bottle of wine. I had confidence in them, and
-I told them that I suspected Va de Bon Cœur—and perhaps Marie
-Antoinette—of having whispered something to the spies. They cried out,
-but I cried out louder than they. I announced to them that I had decided
-to deal summarily with all who gave me cause to suspect them. I
-became very angry, and La Belle Laittiere told me that I was no longer
-bearable. Was it my fault? Every one had betrayed me. I could not sleep
-two nights consecutively in one place. Where, then, were the days when
-all Paris was with me? Where, then, was the day of my wedding to Marie
-Antoinette, when we sang the air of ‘Tout joli belle menniere, Tout
-joli moulin’? Where was now my uncle Taton? Shut up in a castle. And
-his son? Killed by me because he was going to denounce me. I had done it
-quickly. A pistol shot, and his corpse was under a pile of rubbish. Then
-I was sure of his silence. I killed the robber Pepin, and the police
-officer Huron. I did not ask anything, only that they leave me alone to
-police Paris for the security of everybody. My great council,” this he
-murmured to himself, “did not pardon me for having Jacques le Febrere
-executed. I am no longer bearable, and that is because I wish to live.
-After that which had come to pass,” continued Théophraste in his
-hypnotic sleep, “and the miraculous way in which I escaped in spite of
-treachery and the precautions taken by the spies, I did not conceal from
-Gate-lard or from Guenal Noire that I had decided to leave them.
-
-“I soon left them and opened the door of the Reine Margot. Not a soul
-in the ironmonger’s shop. I was saved. I did not even stop Magdelen,
-whom I passed while walking along the walls of the cemetery, where I was
-going to sleep that night. Truth was, I was going to pass the night like
-a robber in my hole in the Rue Amelot. It was pouring with rain.”
-
-It would be difficult to describe the strange tone in which this
-narrative was related. The undulation of the phrases, their stops and
-their stations, then the peculiar monotone in which the words fell
-from Théophraste’s lips while he was in the hypnotic sleep. His face
-sometimes expressed anger, sometimes contempt, and sometimes terror.
-
-M. Lecamus, who had seen Cartouche’s portrait, recalled that at
-certain times there was a striking resemblance to that of Théophraste.
-Just as he was relating the incident of passing Magdelen, and the
-downpour of rain, Théophraste’s face showed a most peculiar
-expression, changing from joy to most overwhelming despair.
-
-M. Eliphaste, leaning over the bed, asked him: “What then,
-Cartouche?”
-
-Théophraste replied in a rattling voice: “I killed a passerby.”
-
-The operation continued, but it was only by degrees that M. Eliphaste
-wished to bring Cartouche to the hour of his death. Before making him
-live his death, it was necessary to make him live a little of his life.
-That was the reason that M. Eliphaste had thrown the spirit of Cartouche
-back to the month of April, 1721.
-
-Though the minutes following were terrible for the onlookers, they were
-worse for Cartouche, who was passing through the end of his career the
-second time.
-
-It was not until October 11, 1721, that the treason bore fruit.
-
-Coustard, sergeant in the company of Cha-bannes, took forty men and
-four sergeants with him, all of whom were designated by Duchatelle,
-Cartouche’s lieutenant, who had betrayed him. This little army, in
-citizen clothes, concealing its arms very mysteriously, surrounded the
-house pointed out by Duchatelle.
-
-It could not have been more than nine o’clock in the evening when they
-arrived in sight of the tavern, Au Pictolet, kept by Germain Tassard and
-his wife, near the Rue des Trois Bornes. Tassard was smoking his pipe on
-the doorstep, when Duchatelle came up and demanded, “Is there nobody
-upstairs? No? Where are the four ladies?”
-
-Tassard, who expected this question, said, “Go up.”
-
-The little troop rushed in, and when they came to the room above, they
-found Boloquy and Cartouche drinking wine before the fireplace. Gaillard
-was in bed, and Cartouche was seated on the bed, mending his breeches.
-
-They rushed upon him. The attack was so sudden that he had no time to
-make any resistance. They tied him with strong ropes, and, placing him
-in the coach, took him prisoner to Monsieur the Secretary of State. Then
-he was taken to the Grande Châtelet.
-
-He was in his shirt, having had no time to put on his breeches. He kept
-cool, congratulating the lieutenant who had betrayed him on the fine
-livery he wore.
-
-As the coach passed down the road, it nearly crushed some poor wretch
-who was in the way, and Cartouche, seeing his plight, shouted to him
-that phrase which he seemed to have affected, “It is necessary to look
-out for the wheel.”
-
-All the people ran out to see him on his way to the house of M.
-the Secretary of State. They cried out, “It is Cartouche! It is
-Cartouche!” only half believing it, as they had so often been
-deceived.
-
-While in the prison awaiting trial, Cartouche received many illustrious
-visitors. The Regent came; the courtesan Emilie and the Mme. le
-Maréchale de Boufflers followed one after the other to pay the prisoner
-small attentions. Some one had composed a play, and Quinnato, the famous
-actor of the time, who filled the principal rôle in it, came to ask him
-for suggestions about the chief scene.
-
-When Cartouche had been sufficiently amused, he began to think of making
-his escape. He intended doing this in spite of the very close watch that
-was being kept over him.
-
-After getting out of his dungeon, and just as he was pushing the last
-bar which separated him from the street and liberty, he was discovered
-and caught.
-
-Thinking that the Grande Châtelet was not strong enough for so
-ingenious a man, he was bound securely in chains and taken to the
-Conciergerie, in the most formidable corner of the tower of Montgomery.
-
-
-
-
-CHAPTER XIX
-
-_The Torture Chamber_
-
-
-|IT is only the basest of literature that describes without adequate
-reason the weird, the horrible. However, many authors find it necessary
-to dilate upon the most satanic personalities of men, and the worst
-cruelties imaginable.
-
-Therefore, it is only with the knowledge that the recital of the
-misfortunes of Théophraste is destined to throw a light on the most
-obscure problems of psychic surgery that the author of these lines
-proceeds with this description of the most frightful tortures, moral and
-physical, that have ever been endured by man.
-
-The operation to be performed was a singular one, and full of the
-gravest of dangers. However, M. Eliphaste was in the habit of performing
-the most complicated of psychic operations, and the delicacy of his
-astral scalpel was universally acknowledged. But the difficulty was the
-delay.
-
-Had M. Lecamus brought Théophraste earlier, the danger would have been
-less, but now M. Eliphaste recognized the gravity of the case, and he
-said that to kill Cartouche without killing Longuet was to tempt God. It
-was the gravest responsibility.
-
-However, he knew how to lead M. Longuet’s mind quietly and without
-haste to the subject of his death, and thus he prepared him for death.
-
-He made him live his death the moment that he made him die his death.
-Then, at the psychological moment, he made a certain gesture, the double
-sign which precipitated in death the spirit of the dead, and brought
-back to life the living mind.
-
-These were the details of the operation to be performed, and the
-preliminaries, which consisted in making Théophraste live through the
-last months of Cartouche’s life, having been started, M. Eliphaste
-began asking Théophraste a series of questions. The latter was lying,
-groaning, on the bed in the laboratory, which was lighted by the hissing
-scarlet flames.
-
-M. Lecamus and Mme. Longuet sat on a low bench at one side of the room.
-M. Eliphaste stood beside the bed.
-
-“Where did they take you, Cartouche?”
-
-“In the torture room. My trial is ended. I am condemned to die on
-the wheel. Before the torture they wish me to confess the names of my
-accomplices, my friends, my mistresses. I should rather die on the wheel
-twice! They shall know nothing!”
-
-“And now, where are you, Cartouche?”
-
-“I am going down a small stairway, at the end of the ‘Walk of the
-Pillory.’ I open a grating. I am in the dark cellars. These dungeons
-do not frighten me. I know them well! Ah! Ah! I was shut up in that
-dungeon under Phillippe le Bel!”
-
-Then with a terrible power M. Eliphaste cried out, “Cartouche! Thou
-art Cartouche! Thou art in the dungeons by order of the Regent.” Then
-he repeated to himself, “Phillippe le Bel?” and then to Théophraste
-again, “Where are we going? Where are we? My God! We must not lose our
-way! And now where are you, Cartouche?”
-
-“I advance in the darkness of the cellars. There are about me, walking
-in the dark, so many guardsmen that I cannot tell the number. I see
-below, far, far below, a ray of light that I know well. It is a square
-ray of light that the sun has forgotten since the beginning of the
-history of France. My guards are not French guardsmen. They mistrust all
-French guardsmen. My guards are commanded by the Lieutenant of the Short
-Robe of the Châtelet.”
-
-“Where art thou now, Cartouche?”
-
-“I am in the torture chamber. There are before me men clothed in long
-robes, but I cannot distinguish their faces. They are my commissioners,
-who have been entrusted with the verifications, as appeared to be the
-custom. But why do they call it verifications? The thought makes me
-smile.” (Théophraste really smiled as he said this.) “Where are you
-now, Cartouche?”
-
-“They put me on the criminal stool. They have put my legs in backings.
-With incredibly strong cords, they have bound small planks about my
-legs. I believe truly that the rascals wish to make me suffer to the
-limit, and the whole day’s work will be rough. But I have a heart
-hardened by courage. They shall not break it!” At this point M.
-Longuet, on his strapped bed, uttered a fearful cry. His mouth was wide
-open, and he groaned incessantly. Adolphe and Marceline leaned over him
-and asked with horror when that howling would cease, and when that mouth
-would close. But M. Eliphaste only said, “The torture has begun. But
-if he howls like that at the first blow of the mallet, there is going to
-be trouble.” M. Eliphaste was not expecting those groans. He paid no
-attention to the howling. He calmed M. Lecamus and Mme. Longuet with a
-supreme gesture. He spoke to Théophraste, something they never knew,
-for the howling prevented them from hearing anything.
-
-At last the howling became groaning, and eventually the groaning itself
-stopped. Théophraste’s face had become comparatively placid.
-
-“Why do you cry out in that way, Cartouche?” “I scream because
-it is a punishment that I cannot denounce my accomplices. I have their
-names on the end of my tongue! They do not see that if I do not denounce
-them it is because I cannot move the end of my tongue! I cannot! I
-cannot! I cannot! And they struck with their mallet again! And they sunk
-the pieces of wood into my legs again! It is unjust! I cannot move the
-end of my tongue!”
-
-“What are they doing to you now, Cartouche?” “The doctor and
-the surgeon are leaning over me and feeling my pulse. They are
-congratulating themselves on having chosen that kind of torture, which
-is, they are saying to the commissioners, the least dangerous to life
-and the least susceptible to accidents.”
-
-“And now, Cartouche, what are they doing to you?”
-
-“They are doing nothing to me, and I regret it, for they have decided
-to bury the second wedge in me only a half hour after the first, and let
-the pain which it produced pass away, and the sensibility be entirely
-restored. I am looking at my judges. They have black mouths. I like the
-face of the executioner better. He is no more amused than I. He wants
-to be somewhere else. But there he comes with the second judge. They are
-all around me. They are over me! Ah! Ah! Ah! Ah!...”
-
-Never had Théophraste looked so terrible. His mouth was wide open,
-and his tongue seemed paralyzed. Foam was around his lips, and his eyes
-seemed to start out of his head.
-
-M. Lecamus looked across to M. Eliphaste, who said, when the second howl
-had died away, “Why do you scream, Cartouche?”
-
-“Because these torturers will not listen to the names that are on the
-end of my tongue.”
-
-“But you have not told us any names. You have only screamed.”
-
-“It is Cartouche they are torturing and Longuet who screams,”
-answered Théophraste.
-
-M. Eliphaste was taken aback by this last response. He turned toward the
-two silent onlookers and said in a low, trembling voice, “Then it is
-he who is suffering.”
-
-There was no room for doubting this truth. The fearful expressions on
-Théophraste’s face as he imagined the executioner forcing the wedge
-in, showed too plainly that though it was Cartouche whom they tortured,
-it was Théophraste who really suffered.
-
-M. Eliphaste seemed very concerned. Never before had such a case come
-before his astral scalpel. The identity of the soul had been proven, and
-suffering Cartouche had cried out in distress after two centuries. This
-cry had waited to come from the lips of Théophraste.
-
-M. Eliphaste leaned his head on his hands and prayed. After a short
-silence he turned to M. Lecamus and said, “We are only at the second
-wedge, and there are seven of them.”
-
-“Do you think my husband will have the strength to bear them?” asked
-Marceline.
-
-M. Eliphaste leaned over the prostrate form of Théophraste and examined
-his head, just as the doctor had done to Cartouche in the torture
-chamber.
-
-“The man is all right,” said he. “I don’t believe there is
-anything to fear now. We must kill Cartouche.”
-
-“I think so, too,” said Lecamus. “It is necessary for the future
-security and definite happiness of M. Longuet.”
-
-M. Eliphaste then continued his interrogations:
-
-“And now what are they doing to you, Cartouche?”
-
-“They are questioning me. I cannot reply. Why doesn’t that man in
-the corner of the dungeon do his duty? I have not yet seen his face. He
-turned his back to me and made a noise with old irons. The executioner
-is very quiet. He is leaning against the wall, yawning. There is a lamp
-on the table which gives light to two men, who write incessantly.
-Behind the man who is making the noise I see a little red light. The
-executioner’s assistant has loosened the knots in the cords a little,
-which gives me a relief for which I am grateful... But... but... but
-the assistant on the other side pulls and pulls. If he continues to pull
-the cords so he will cut my legs off. They bring a crucifix for me to
-kiss. Behind the man who turned his back on me I hear something like
-crackling embers, and there are small red flames which lick the stone
-walls. Between the two men who are writing there is a man who makes a
-sign. The executioner has a kind face. I sign to him for some water. I
-could bear the pain better if I had not such a thirst. The executioner
-raises his mallet! I swear I cannot say the names which are at the end
-of my tongue. They will not leave me. I cannot speak! Oh! why cannot you
-hear them? Take them from me!”
-
-By this time his mouth had become closed, but the lips were opened in
-such a way as to make it appear that he had no lips. The teeth were
-locked and welded together tightly. A muffled cry of suffering came
-from the throat, but could not escape through the closed teeth. Suddenly
-there was a sharp grinding, and his teeth began to break under the great
-pressure of that closed jaw. Pieces of teeth were scattered over the
-bed, and blood issued from his mouth. His horrible groaning continued,
-and Théophraste showed signs of weakening under the great strain.
-
-At this horrible spectacle M. Eliphaste declared wearily that he had
-never assisted or suspected that he could assist at such suffering. He
-confessed that until to-day he had never operated on a reincarnated soul
-of less than five hundred years. It was obvious that in spite of all his
-science and all his experience the illustrious medium was nonplussed.
-
-M. Eliphaste did not try any longer to dissimulate his anxiety. He could
-have stopped the operation there if he had had time. But they buried
-the wedges in so rapidly that it did not even permit him to question M.
-Longuet.
-
-During this last performance M. Longuet’s toothless mouth opened
-again. Other cries issued from it which were not like human cries at
-all. They were so curious and so weird that all three onlookers leaned
-over him, trembling with terror to see how such a cry could be made by a
-human mouth.
-
-Mme. Longuet wanted to run away, but in her fright she fell. When she
-arose the cries had ceased. M. Eliphaste commanded her to be quiet,
-recalling to her with a severe look her responsibility in the operation.
-
-M. Théophraste now reposed peacefully on his strap-mattress. That
-peacefulness, following immediately the horrors of such suffering, was
-extraordinary. He was not in pain. He remembered none of it. After the
-torturing was over he ceased to think of it, and consequently this was
-how he could reply to M. Eliphaste in the intervals of torture, in the
-most natural way, without physical emotion.
-
-M. Eliphaste again began to interrogate him:
-
-“And now where are you, Cartouche?”
-
-“I am still in the torture chamber. Ah! they hold me! They hold me
-tightly! They hold my arms! What are they going to do? The man in the
-center says, ‘By order of the Regent we must have the names. So
-much the worse if he dies for it! Are the tongs ready? Begin with the
-breasts!.. Oh! Oh! The man kneeling before the burning coals gets
-up, making a noise with the irons. He hands the red tongs to the
-executioner. They uncover my right breast! Oh! Oh! It is dreadful! I
-cannot live through it!”
-
-
-
-
-CHAPTER XX
-
-_In the Charnel House_
-
-
-|THE recital which follows is the integral reproduction of what came out
-of the mouth of Théophraste while plunged in hypnotic sleep, from the
-moment that he submitted to the torture until he died. This part is of
-the highest importance, not only for the experimental spirit of science,
-but for history, for it destroys the legend of the wheel and shows to
-us, in an indisputable fashion, the real death of Cartouche. I have
-not found this part stored in the oaken chest, but in the papers and
-statements which have been read in the Spiritual Congress of 1889. It is
-all from M. Eliphaste’s hand.
-
-Théophraste, or, rather, Cartouche in the power of M. Eliphaste, said,
-“I do not know exactly what has happened to me. I have died, I
-have hidden the document, and I have not met a single person. When
-I re-opened my eyes (I had them closed then, and I was without doubt
-falling from a feebleness that seemed like death) I did not recognize
-at first a single one of the objects which surrounded me, and I did not
-know the place into which they had carried me. Certainly I am no longer
-in the torture room, nor in my dungeon in the tower of Montgomery. Am
-I only in the Conciergerie again? I do not know. Where have they
-imprisoned me after the torture, whilst waiting for my death? Into what
-new prison have they thrown me? The first thing that I distinguish is
-a bluish light which flitters across some heavy bars which are covered
-with a grating. The moon visits me. It descends two or three steps. I
-try to make a movement, but I cannot. I am an inert thing. My will does
-not control my legs any longer, nor a single one of my muscles. It is as
-if they had severed all relations between my will and my flesh. My brain
-is no longer the master of seeing and comprehending. It is no longer
-master of my actions. My poor legs! I feel them scattered around me. I
-ought to have attained a degree of suffering—I kneel on one, as I have
-explained, so that I shall not suffer more. But where am I?... The moon
-descended two more steps, and then two more.... Oh! Oh! What is this
-that the moon lights? It is an eye! A large eye! But the eye is empty;
-that large eye is empty, and the other eye at its side—which is also
-lighted now—is covered again with its green eyelid. I see the whole
-head! It had no skin on the cheeks, but it had a beard on the chin. The
-moon advances continuously. It halts gently in the holes of the nose. It
-has two holes in the nose, two on a head.... They threw me, then, into
-a common ditch! The moon shone on me.... I have two legs of a corpse
-across my stomach. I recognize those steps now, and this ditch, and this
-moon.... I am in the charnel house of Montfançon!... I am afraid!...
-When I went up to the Cleopimetes by the Bue des Morts on junketing days
-I used to look at that charnel house through the grating. I looked at
-it with curiosity because I already saw my carrion there, but the idea
-never occurred to me that when a carrion was there it could look from
-the other side of the grating. And now my carrion sees! They threw me
-there because they thought me dead, and I am buried alive, with the
-corpses of the persons hanged. My fate is entirely miserable and
-surpasses all that the imagination of men could invent! The saddest
-reflections assail me, and if I ask myself first of all, by what
-artifice of fate I am reduced to such an extremity, I am obliged to
-confess that fate had nothing to do with this affair, but my pride only.
-I should have continued quietly to be the ‘chief of all the robbers’
-if I had remained alive. But La Belle Laittiere was right when she said
-in the tavern of the Reine Margot that I was no longer fit to live. I
-was pleased to play the potentate, and I ended by having a mania for
-cutting up in pieces all those whom I suspected. My lieutenants ran more
-danger in serving me than in deserting me. They betrayed me, and
-that was logical. The beginning of my bad luck was the affair of the
-Luxembourg. It should have opened my eyes, but my pride hindered me from
-seeing clearly. This is a good time for these reflections, now that I am
-in the charnel house.
-
-“I am living in the charnel house with the dead, and for the first
-time in my life I am afraid. But I am not afraid of the dead; I am
-afraid of the living, for there is one near me alive! _I know that he
-moves_. It is strange that at this moment, when I am upon the limit
-of life and death, my senses perceive things that they ignored in
-good health, and while my ears do not hear any more, on account of the
-boiling water with which they were filled, I know there is some one
-alive near me. Shall I be then not the only one to live in this domain
-of putrefaction? I recall that the Vache-a-Paniers told me that the
-Count de Charalais had caused some women who had resisted him to
-be buried alive in the little ditches near the earthen mound of
-Montfançon, but I, Cartouche, have no desire to think of such a crime.
-I know very well that he bathes himself in the blood of young virgins
-whom he had killed, to cure himself of a terrible disease which ate into
-his flesh, but to bury women alive in ditches, that I do not believe.
-And yet there is on my left side a woman who moves in one of the
-ditches. I do not hear her, I feel her. The moon had lengthened its ray
-of light as far as myself. Its ray is divided into three by the bars of
-the grating. This makes three blue bands, by which I see, first of
-all, the hole of the eye, and the three holes of the nose, and then a
-wonderful mouth, which sticks its tongue out at me. Then there are three
-bodies without heads. In the left side of the third body I distinguish
-very plainly the putrefied wound in which was buried one of the rings
-from which the headless one was hanged. He could not be hanged by the
-neck, as he had no head. As I do not feel the woman at my side in the
-ditch move any more, I collect my wits a little and I employ myself
-in remembering the bodies which fill the charnel house. I begin to see
-those which are entirely in the shadows. There are some! There are some
-more sounds. They bring all the executed criminals here from the city.
-There are some fresh ones, there are some decayed ones, there are
-some well preserved ones, and all dry; but the others are not
-presentable—they are falling into ruin. I will soon be a ruin like
-them. However, all is not said, all is not finished, since I exist. Hope
-is not dead. One finds hope even in the depths of a charnel house. Oh,
-if I could move! The dead men are moving! I will end by moving also. I
-have turned my eyes as far as it is possible in the right corner of the
-orbit. I have seen that the corpse which is on my stomach does not
-move its head. It slides on my stomach. I begin to be afraid again, not
-because the dead one moved—for the charnel house belongs to the dead,
-who do there what they wish, but because they pull the dead man by the
-legs. I turn my eyes in the other corner. In the left corner I saw a
-dead man’s leg in the air. This leg ought to be held by something,
-pulled by something. The moon rises the length of the wall, with the leg
-as far as one of the holes. And my eyes look so much to the left that
-they see a living hand. The living hand which came out of the hole holds
-the dead foot. _I feel, I know that there is a woman eating_ in the
-ditch at the side. And now I cannot take my eyes from the hole for fear
-of seeing the live hand come back and seeing it reach out. But I hope on
-my salvation. I hope that the hand will not be long enough. Suddenly the
-moon ceases to light up the hole, and I turn my eyes toward the grating
-where the moonlight enters. Then I see between the moon and me a man
-on the steps of the charnel house. A living man. I am saved perhaps. I
-wished to cry out with joy, and I should have, perhaps, if the horror
-of that which I feel and know all at once had not suddenly closed
-my throat. _I feel, I know_, that that man has come to rob me of
-my bones!... On account of the Courtesan Emilie!... The Regent is
-remembered with the Duke of Orleans and Jean sans Peur.
-
-“The Courtesan Emilie would not see him again. The devil meddled with
-the affair, and carried a bone of Cartouche, who was beloved by Emilie,
-to place in her bed between her chemise and her skin. I know this, my
-eye has read this in the heart of the man who descends the steps of the
-charnel house. He comes there to take my bones from me.... He lights a
-lantern. He goes straight to my corpse. He does not see, then, that the
-eyes of my corpse are moving!... He draws out from under his cloak—a
-steel blade sharp and red in the rays from the lantern. He puts the
-lantern down, he catches me by the shoulders and leaves me half sitting
-against the wall, under the hole. He took my left hand with his left
-hand, and with his right hand he buried the steel blade in my wrist.
-I do not feel the blade in my wrist, but I see it. It turns around my
-wrist. It is going to cut it, already it has detached it. Now I commence
-to feel the blade! Life has come back into my wrist! Oh, yes, my
-wrist!... Oh, yes, my wrist!... One last blow with the blade and my left
-hand remains in his left hand. Oh, my poor wrist!... Yes! Yes! Yes! The
-life! The life! The life of a nerve! I tell you that it sufficed for the
-life of a nerve! Oh! Oh! Oh! The man howls and breaks his lantern with
-a kick. My hand is partly in the man’s hand, but by a great miracle
-of the ebbing life in my wrist, my hand, at the moment it leaves my arm,
-has seized the hand of the man! And the man cannot rid himself of my
-hand, which is stiffening in death, and which holds him! Ah! he moves
-about, he shakes, he howls, he shakes my hand, which holds him—which
-holds him. He pulls my hand with his right hand, but he cannot free
-himself thus of the wrist of a dead man’s hand! I see him as he
-flees from the charnel house, howling, bounding over the steps in the
-moonlight like a fool, like a madman, gesticulating with my wrist.
-
-“At this moment, above my head, a hand that I do not see, but which I
-feel, comes out of the wall and takes me by the hair! It pulls me, pulls
-me by the head. Oh, to cry out! To cry out! To cry out! But how can I
-cry out with those living teeth staving me in the neck and throat?”
-
-“And now, Cartouche, where art thou?”
-
-“I go into the darkness radiant in death.”
-
-
-
-
-CHAPTER XXI
-
-_The Result of the Operation_
-
-
-|As soon as Théophraste had pronounced these words, M. Eliphaste made a
-sweeping gesture with his right arm. He leaned over the prostrate form,
-and blew impatiently on his eye.
-
-He said to him: “Awake thou, Théophraste Longuet!”
-
-This was repeated three times, each time with greater earnestness.
-However, Théophraste never moved. His immobility was deathlike, and
-his toothless mouth and bloodless lips made the silent onlookers believe
-that he had followed Cartouche in the shadow of death. His corpselike
-pallor seemed to them to be already turning green, and his hair, having
-become suddenly white, gave him the appearance of a very old man. Was he
-already dead? Was he decomposing already?
-
-M. Eliphaste repeated the gestures, and in his lids, intense earnestness
-appeared like a madman. He blew again on the eyes, and parted the
-eyelashes, again crying out: “Théophraste Longuet, awake thou! Awake
-thou, Théophraste Longuet!”
-
-Just at the moment when they believed that Théophraste Longuet would
-never return to life again, a slight tremble shook his frame, and
-drawing a deep breath, he turned his face toward them. At first he
-breathed with difficulty, but quickly recovering, he opened his eyes and
-said: “Cartouche is dead!”
-
-M. Eliphaste’s face lit up with emotion. “Let us thank God,” he
-said, “that the operation has been successful,” and he began his
-prayer again: “In the beginning thou wast silent! Eon! Source of all
-ages!...”
-
-Mme. Longuet and M. Adolphe threw themselves on Théophraste, while
-thanking God from the bottom of their hearts. They felt that the death
-of Cartouche had not been too dearly bought. The operation had certainly
-been a rough one, but he had only lost his teeth, and his hair had
-turned white. Mme. Longuet put her arms around her husband, and helped
-him rise from the couch. “Let us go. We have stopped here too long
-already,” she said.
-
-“Speak louder,” said Théophraste, with strange enunciation. “I
-have something in my ears. I cannot move, either.”
-
-“It is natural that you should be a little benumbed, my dear,” said
-Mme. Longuet. “You have been stretched on that bed for a long time.
-But make an effort.”
-
-“Speak louder, I tell you. I can move my arms now, but I cannot stir
-my legs. They won’t move, and my feet pain me very much.”
-
-He then put his hand to his mouth and said: “Why, what have you done
-with my teeth? You put me to sleep to fix my teeth, and you have taken
-them from me.”
-
-It was curious that while he was asleep, even after he had lost his
-teeth, he spoke distinctly. It was evident that he could not move, and
-Mme. Longuet removed the clothing to rub his stiff limbs. To her sorrow
-she found his clothes all torn, and on looking closer saw all the flesh
-on his limbs lacerated. His legs and feet were boiled. The flesh was
-torn away in some places, and burned horribly in others. M. Eliphaste,
-with trembling hands, removed the clothing from his chest, and there
-they saw, over the heart, two spots of black blood. His biceps bore
-fresh marks of frightful torture.
-
-Mme. Longuet sobbed loudly, and sat with lowered head, looking at the
-horrible sight. Adolphe ran to get a carriage. It was evident that
-Théophraste could not walk or move. On his return, Théophraste was
-still complaining of the pain. Adolphe, with the assistance of the
-carriage driver, carried him out into the street. They lifted him
-carefully on the mattress, and walked slowly out, followed by the
-weeping Marceline.
-
-M. Eliphaste prostrated himself on the ground, and with his hands
-clasped and elbows on the floor, cried out with a voice full of sorrow:
-“My beloved! My well beloved! I believed that I was Your son. Oh, my
-well beloved! I have taken Thy shadow for Thy light. Thou hast crushed
-my pride. I am in the dark, at the bottom of an abyss—I, the man of
-light—and I have hated it. I am only the son of silence. Eon! Source
-of Eon! Oh, life! To know life! To possess life!”
-
-And thus, as they went out into the pure air, they left him praying.
-
-
-
-
-CHAPTER XXII
-
-_Visits to a Butcher’s Shop_
-
-
-|THEOPHRASTE’S bones were not broken, and it only took six weeks to
-heal, although he was obliged to keep to his bed for two months, when
-he regained the use of his legs. During all this time he did not make
-a single allusion to the past. Cartouche was dead—quite dead. The
-operation had been successful, although very painful. So much so, that
-every one dreaded that he would remain a cripple to the end of his life;
-but he had recovered marvelously. He had obtained a new set of teeth,
-and was able to speak quite plainly, but it was a more difficult thing
-to rid himself of the effects of the boiling water in his ears, and at
-times he was perfectly deaf.
-
-After a while Théophraste thought of occupying his mind by going back
-into business. He had retired when young, being able to live on the
-income derived from several inventions which he had made for the use of
-rubber stamps.
-
-However, they were all very thankful for the result, and this slight
-inconvenience did not worry them.
-
-It was his habit to rise early, and after breakfast he would go out
-for a little walk to strengthen his legs. He soon found their old
-elasticity, and regained their full use. On these occasions Adolphe used
-to follow a short distance behind in order to watch his movements and
-report to M. Eliphaste.
-
-At first he noticed nothing abnormal in his behavior, and in his report
-contented himself with stating this unimportant fact, that he stopped
-quite a while before a butcher’s stall. If this had occurred only
-once, it would have passed the watchful Adolphe unnoticed. However, it
-became a regular thing for Théophraste to stand looking at the bloody
-meat, and spend some time talking to the butcher, a square-shouldered,
-florid fellow, always ready with a jest.
-
-One day, when M. Lecamus had decided that Théophraste had spent too
-much time at the butcher’s shop, he came up to him, as if by chance,
-and found him, with the butcher, decorating all the fresh meat with curl
-papers. This was innocent enough. Thus judged M. Eliphaste, although he
-wrote in the margin of the report:
-
-“He may look at the meat in the butcher’s shop. It is good to let
-him see blood sometimes. It is the end of the crisis, and can do no
-harm.”
-
-This butchery was a small one, and had its specialty. M. Houdry sold
-among other ordinary meats a special quality of veal. The secret of this
-quality lay in the way it was killed. The majority of Paris butchers
-obtain their meat from the abattoirs, but M. Houdry always bought his
-alive, and killed it himself, in his own way. He was not satisfied to
-knock the calf in the head, as they did at the abattoirs. He bled it
-after the Jewish manner, with a large knife which he called the bleeder,
-and so dexterous had he become in this art that he never had to cut the
-same wound twice. He had gained some reputation as a good butcher.
-
-M. Houdry had explained the case about his veal to M. Longuet, with the
-greatest mystery, and he had evidently taken great pleasure in it—
-so much so that Théophraste, after having listened to the theory,
-had shown the desire to assist at a practical lesson. In a small court
-adjacent to the store, M. Houdry had a secret abattoir. On a certain
-morning, Théophraste, who happened there at a much earlier hour than
-was his custom, found his man at the abattoir with a calf. The butcher
-begged him to come in, and to close the doors behind him. “I shut
-myself up every day thus with a live calf,” said M. Houdry, “and
-when the doors of the abattoir are opened again, the calf is dead. I
-lose no time; I have operated in twenty-five minutes.”
-
-Théophraste congratulated him. He asked him many questions, interesting
-himself in all the objects which struck his attention. The bellows with
-its large arms drew his attention. He also saw a windlass. He learned
-that that strong oak cross-bar, with pegs in it, supported the windlass
-and the bucket. He admired the solid oak hand-barrow also. A chopper
-which was drawn up was called a “leaf.” But that which interested
-him more was a set of tools hung on the walls in the shop. In this
-“shop,” which was sort of saddle-bags for cutlass, he saw first
-of all the bleeder, and was pleased to pass his finger over the long,
-strong and sharpened edge. Then there was a much smaller knife, called
-the “Moutoniner,” used ordinarily to cut up mutton, as the name
-indicates, but which was used there to cut certain parts of veal.
-Then some other small knives, among which was the canut, used in
-“flowering” the veal. “Flowering” the veal consists in making
-light, artistic designs on the shin of the veal, as soon as it is
-bleached.
-
-The first day M. Longuet received instructions about the tools. But
-in the following days he learned the art of the whole operation, and
-entered into each detail with little repugnance. He used to say, some
-days, in going away, jestingly: “You kill a calf every day; you must
-be careful, my dear M. Houdry, you see it will end by its becoming known
-to the other calves.”
-
-Théophraste was not idle, either. Whenever he had an opportunity he
-would help M. Houdry in these killings. One day the assistant did not
-come, and Théophraste helped rope up the calf for killing. As he
-was doing this, M. Houdry remarked on the evil of killing the calf by
-striking him on the head, as they did at the abattoir.
-
-Théophraste declared it was a crime, and most inhuman. “It is much
-finer to do it with the bleeder. One blow is sufficient, and the head is
-off. What a fine death. How the blood flows, and with what dispatch does
-he die.”
-
-“Ah,” said Théophraste, who had killed the calf, “see the
-calf’s eyes, as the blood flows. How they stare at you. They are dead,
-but they look at you!”
-
-“What is the matter with the calf’s eyes?” demanded M. Houdry. “They are
-like the rest. Ah, you think it is a joke? Well, well, you are not so
-used to it as I.”
-
-M. Houdry then prepared the meat for selling, and while he was doing so
-Théophraste took the head, cleaned it and cut out the eyes. The sight
-of the blood had excited him beyond control, and M. Houdry was amused
-when he desired to take the head and feet home with him.
-
-In parting he said: “Au revoir, M. Houdry, au revoir. I will take the
-head away with me, but I leave you the eyes. I do not like eyes to
-stare at me. You must not laugh at me, though. You do not understand me.
-However, it is my affair, and you must be glad that you are not afraid
-of dead eyes staring at you.”
-
-And so he returned home, and when he appeared at the door of his house
-with the calf’s head under his arm, Adolphe and Marceline smiled,
-saying: “He is amusing himself with some innocent prank.”
-
-
-
-
-CHAPTER XXIII
-
-_A Newspaper Report_
-
-
-|IT had become their habit in the Longuet flat to play dominoes in the
-evening. M. Adolphe was a good player, and always he used the Norman
-provincial names. When he played the double six, he would call the
-“double negro”; the five was “the dog that bites,” and so on.
-Marceline was always amused by these terms, and was always ready to
-play.
-
-It happened on this particular evening that Théophraste lost his game,
-and after a short argument he began to sulk, and refused to play more.
-Seating himself in a chair near the window, he began reading the paper.
-He had strong political opinions.
-
-Suddenly he was attracted by a strange headline. He read it and re-read
-it, and could not resist an exclamation. “Strange! Is not Cartouche
-dead, then?”
-
-He could not help smiling. This hypothesis was so absurd. Then he ran
-over the first lines of the article and said: “My dear Adolphe,
-have you read this article? ‘Is not Cartouche dead, then?’ It is a
-strange, a surprising article.”
-
-Adolphe and Marceline could hardly prevent a start, and looked at him
-with uneasiness.
-
-Théophraste began to read the article aloud, as follows:
-
-“‘For some days the police have been occupying themselves with one
-of the greatest of mysteries that have occurred in Paris, and with a
-series of odd crimes. They are endeavoring to hide from the public
-the most curious sides. Those crimes and the manner in which their
-perpetrator escapes from the police at the moment they think they
-have him, recall, point by point, the manner in which the celebrated
-Cartouche committed his crimes. If he was not enacting a thing so
-reprehensible, one could admire the perfect art with which the model is
-imitated. It is Cartouche to a finish! The police themselves have never
-dealt with a more mysterious bandit. Nevertheless, the administration,
-very mysteriously, but, we admit, very intelligently, has sent by
-some of them an abstract of Cartouche’s history, compiled from the
-manuscripts of the National Libraries. They thought, subtly, that the
-history of Cartouche would be useful to them, not only in the present
-task, which is to prevent the criminal outrages of the new Cartouche,
-and to arrest him, but also that Cartouche’s history ought to form a
-part of the general instruction to all the agents of police.
-
-“‘Finally the news was brought to us that M. Lepine, Prefect of
-Police, has ordered them to devote several evenings in the Prefecture
-to listen to lectures on the authentic history of the illustrious
-bandit.’
-
-“What do you say to that?” demanded Théophraste with merriment.
-“It is a merry farce, and the journalists are great fellows to issue
-such fibs.”
-
-Neither Adolphe nor Marceline smiled. Marceline’s voice trembled
-slightly when she begged Théophraste to continue. He began to read
-again quietly:
-
-“‘The first crime of the new Cartouche did not at all present the
-horror that we shall find in some of the others. It was a polite crime.
-Let us say at once that all the crimes of which we have any knowledge,
-and which they attribute to the new Cartouche, have been accomplished in
-the last fifteen days, at the North, and always from eleven o’clock in
-the evening to four o’clock in the morning.’”
-
-Mme. Longuet rose, very pale. M. Lecamus made her sit down again, by a
-knowing shake of the head, and commanded her to be silent.
-
-Théophraste said: “What is this that they want to tell with their new
-Cartouche? As for me, I only know the old one. After all, let’s see
-the gallant polite crime,” and he read it over more and more calmly:
-
-“‘A pretty woman, well known in Paris, where her literary salon is
-frequented by all those who interest themselves with debates and
-with matters spiritualistic, was proceeding, toward morning, with her
-toilette for bed, and preparing to take a well-earned rest, following
-the fatigue which had wearied her that evening there with the disorder
-of a conference at home of the most illustrious of our pneumatics, when
-suddenly the casement of her balcony was opened quickly by a man with a
-figure a little over the medium, still young and vigorous (this last is
-in the report of the police), but with perfectly white hair. He had in
-his hand a brilliant nickel revolver.
-
-“‘“Madame,” said he to the terrified woman, “compose yourself.
-I do not wish to do you any evil. Consider me the most humble of your
-servants. My name is Louis Dominique Cartouche, and I have no other
-ambition than to sup at your side. By the tripes of Mme. de Phalaris, I
-have the hunger of all the devils!” and he began to laugh.
-
-“‘Mme. de B.—let us call her Mme. de B.— believed that she was
-dealing with a crazy man, but he declared he was only determined to take
-supper with her, which peculiar favor he had long desired. That man was
-much more dangerous than a crazy man, for it might be necessary to kill
-him on account of the brilliantly nickeled revolver.
-
-“‘“Go,” said the man, “and call your people, and tell them to
-bring here to you a good supper. Do not give them a single explanation
-which would be likely to cause me any embarrassment or trouble, for if
-you do you will be a dead woman.”
-
-“‘Mme. de B. then took her departure, for she was brave, with a
-mind sufficiently elevated to enable her to face the most unexpected
-adventures. She rang for the chambermaid, and a quarter of an hour later
-the man with the white hair and Mme. de B. were seated opposite each
-other in proper style, and apparently the best of friends. The supper
-was prolonged through the night (we do not wish to affirm anything as to
-this point, which is so interesting—but are a little skeptical as
-to the veracity of this story), so that the man did not descend by the
-sheet from the balcony until about sunrise. The beautiful Mme. de B. had
-not had supper, and so she did not complain about that forced supper,
-which she ended by partaking of in very good grace, nor had she seen the
-necessity of reporting her adventure to the Police Commissioner. And
-we see what the circumstances were. Some days later the Commissioner was
-announced at Mme. de B.’s. He told her that the ring that she wore on
-her finger, in which a magnificent diamond glittered, was the property
-of Mlle. Emily de Bescancon. Mme. de B. was of course ignorant of its
-value—or where it came from. It had been presented to her. But Mlle.
-Emily de Besancon, who had seen it on the finger of Mme. de B. the day
-before at a charity sale, claimed it formally as hers. She had furnished
-all sorts of proofs of it, and the diamond was set in such a unique way
-that there could be no doubt of it. Mme. de B. was infinitely troubled,
-and was obliged to relate the adventure which had befallen her. She
-spoke of the unknown, of the balcony, of the supper, of the gratitude he
-had shown her for his supper, and his placing the magnificent diamond
-on her finger, which he had obtained, he said, from a woman he had loved
-very much, a Mme. de Phalaris, who had been dead for some time. Mme.
-de B. could not be suspected. She furnished a proof—the nickel-plated
-revolver that the unknown had left on the table that night. Finally
-she begged the Commissioner of Police to take away from her house the
-hundred bottles of champagne of every choice brand that the unknown had
-sent to her the day after the eventful night, under the pretext that the
-supper had been exquisite, and that the only thing that could have been
-desired was champagne. She feared that the champagne, as well as the
-ring, had been stolen. The Commissioner acquitted the beautiful Mme.
-de B. He could do nothing at the time, the news being in everybody’s
-mouth, as the world at large would henceforth interest itself in the new
-Cartouche.
-
-“‘This little adventure, which is the least important of those we
-have to relate, is the reproduction of what happened on the night of the
-13th of July, 1721, at the house of Mme. la Maréchale de Boufflers.
-She also was occupied in making her toilette. The young man, who came
-unexpectedly by way of the balcony, had no revolver in his hand, but he
-carried six English pistols. He demanded supper after presenting himself
-as Louis Dominique Cartouche, and the widow of Louis François, Duke of
-Boufflers, peer and Marshal of France, one of the heirs of Lille and of
-Malplaquet, supped with Cartouche, and late at night.
-
-“‘Cartouche only complained of the champagne, and Mme. de Boufflers
-received a hundred bottles of it the next day. She had them taken, by
-her butler Patapon, into the cellars of a great financier.
-
-“‘Some time after that one of Cartouche’s bands stopped an
-equipage in the streets of Paris. Cartouche leaned into the carriage to
-recognize the faces. It was Mme. la Maréchale de Boufflers. He turned
-toward his people. “Give them liberty to pass on, now and always, Mme.
-de la Maréchale de Boufflers!” ordered he in a ringing voice, and he
-bowed very low to the Maréchale, after he had slipped on her finger a
-magnificent diamond that he had probably stolen from Mme. de Phalaris.
-_Mme. de Phalaris never saw it again_.
-
-“‘Now let us pass on to the crime in the Rue du Bac.’”
-
-
-
-
-CHAPTER XXIV
-
-_The Murder in the Rue Guenegaud_
-
-
-|MARCELINE got up as much to hide her feelings as to find out if the
-nickel-plated revolver was in its usual place in the drawer. Upon her
-return she was greatly agitated, and told them that the revolver had
-been removed.
-
-Théophraste advised her to calm herself, saying there was nothing of
-importance in that; and he proceeded to read about the crime in the
-Rue du Bac, saying that the journalist who wrote the narrative was more
-intelligent, and had made his report more interesting than the first
-one.
-
-“However,” said he, “there are a few inaccuracies and omissions
-in his narrative. According to him one is led to think that Cartouche
-indulged in amorous proceedings with Mme. de Bithigne after supper.
-However, such a thing should not be allowed to get abroad, as no such
-thing happened. He had no other intention than to take supper with the
-lady.
-
-“Why, my dear Marceline, if I had intended otherwise, my reputation
-would have suffered, and Mme. la Maréchale de Boufflers would have
-scorned me when I met her on July 13th, 1721.
-
-“These gentlemen also relate that I outraged Mme. la Maréchale de
-Boufflers. This is all wrong. I am very fond of her on account of her
-intellect, and our intercourse was most polite, as well as virtuous.
-If they had only studied more, these journalists would have known that
-Madame in 1721 was over sixty years old, and I dare say Cartouche knew
-many younger women to play such tricks on.”
-
-Théophraste then took up the paper:
-
-“‘The history of the Rue du Bac is much more simple. The Prefect of
-Police had received a note which ran: “If you dare, come and find me;
-I am always at the inn in the Rue du Bac, with Bernard.” It was signed
-“Cartouche.” The thing had occurred after Mme. de Bithigne had told
-her story. The Prefect thought over his case and laid his plans.
-
-“‘That same evening, a quarter of an hour after midnight, half a
-dozen policemen raided the tavern in the Rue du Bac. They were met on
-the stairs by a man, who, although still young, had perfectly white
-hair. He was endowed with almost superhuman strength, and, on seeing the
-police, he picked up a chair near by and started striking them. Three
-of them were stunned, and the others only just had time to drag the
-prostrated bodies of their companions into the street to prevent them
-from being burned by a fire started on the first landing by this man
-with white hair. The man saved himself by jumping from roof to roof over
-spaces more than thirty feet high.
-
-“‘The new Cartouche,’ continued Théophraste, amid the scared
-silence of Marceline and M. Le-camus, ‘the new Cartouche has taken
-possession of the Rue Guenegaud. Several days ago they found in a
-vault-like passage there under the floor the body of a young doctor, who
-had been active at the death of Mme. de Bardinoldi, the mystery of which
-had baffled the police and press. The police had not confided to any one
-the fact that pinned to the young doctor’s tunic was a card on which
-some one had written in pencil: “We will meet each other in the other
-world, M. de Traneuse.” This was without doubt a crime of the new
-Cartouche, for the old one did in fact assassinate at this place an
-engineer named Traneuse. Cartouche had knocked him on the head with a
-stick, and the young doctor had had his skull fractured with a blunt
-instrument.’”
-
-Théophraste laid down the paper, and, looking at Adolphe and Marceline,
-remarked that they both looked as if they were expecting a like
-catastrophe.
-
-“Why, my dear Adolphe,” said he, “it is ridiculous for you to be
-angry at such pleasantries. I take the opportunity of telling you that I
-often frequent the Rue Guenegaud. That history of M. de Traneuse was to
-me the beginning of one of the prettiest farces that ever I played with
-M. d’Argenson’s spies. Following the death of M. de Traneuse (who
-had allowed some very improper talk about me), I was followed by
-two patrols of the guard, who covered me and rendered all resistance
-impossible. But they were ignorant that I was Cartouche, and satisfied
-themselves by conducting me to the Ford l’Avegne, which was the
-easiest prison in Paris. In this prison they put debtors, drunks, and
-disorderly people, and the people who have not paid their fines. They
-were sure that they had taken Cartouche on the 10th of January, but
-on the evening of the 9th Cartouche had made his escape, and took the
-direction of his police. It was time, for everybody was now searching
-the streets of Paris.
-
-“My dear Marceline, and my dear Adolphe, you look as if you were at
-a funeral. That article does not lose its quota of a certain amount of
-wit. At first I thought it only the jest of a cheap journalist, but I
-see now that it is very serious, believe me. Wait for the history of the
-calf! Ah! We have not done yet with the affair of the Petits Augustines!
-Listen!”
-
-Théophraste picked up his paper, adjusted his gold spectacles, and
-began again:
-
-“‘That which was the most extraordinary in this adventure was that
-several times during light days they have been on the point of capturing
-this modern Cartouche, and that he always escaped just as the other
-did, by way of the chimneys. History teaches us that the true Cartouche
-designed on the 11th of June, 1721, to sack the Hotel Desmarets, Rue des
-Petits Augustines. It was one of his men, Le Ratichon, who had given
-him the idea. But Cartouche and Le Ratichon had been imprisoned by the
-police. As soon as Cartouche was in the house, the bailiffs hastened
-there and the place was invaded. He tranquilly closed the doors of the
-salons and extinguished the lights, undressed himself, climbed into the
-chimney, descended by another way into the kitchen, where he found a
-scullion, killed the scullion, disguised himself with the dead man’s
-clothes, and went out in fine form from the hotel, killing two bailiffs
-with two pistol shots because they asked him news of Cartouche. Well,
-what will you say when you know that our Cartouche was surrounded the
-day before yesterday in a confectioner’s shop in a quarter of the
-Augustines, escaped by the chimney, after having put on over all his
-effects, to prevent soiling them, the pastry cook’s blouse, which had
-been found on the roofs, also his pantaloons. As to the pastry cook,
-they found him half buried in his bake oven. But, before putting him
-there, as a humane precaution, the murderer, Cartouche, had assassinated
-him.’ ”
-
-Here Théophraste, interrupting himself again, cried:
-
-“Previously, previously. I had previously assassinated him.... But
-why do you fly into the corners? Are you afraid? Let us see, my dear
-Adolphe, my dear Marceline, a little coolness— you will need it for
-the history of the calf.”
-
-
-
-
-CHAPTER XXV
-
-_The Calf’s Revenge_
-
-
-|NEVER had Mme. Longuet or M. Lecamus been so upset before at the
-reading of a newspaper. The account of the atrocious murder did not seem
-to disturb Théophraste a bit. When he came to the part where Cartouche
-had placed the baker in the bake oven, Mme. Longuet groaned and could
-not sit still. M. Lecamus was no less disturbed, and they both rose and
-looked to Théophraste in amazement.
-
-He then began to read the account of M. Houdry’s calf:
-
-“‘M. Houdry was a head butcher on one of the small streets.
-Everybody came to him to buy veal, which was his specialty. This report
-explained itself by a fact so unusual that we can believe it only on the
-affirmation of M. le Commissioner of Police Mifroid, who conducted the
-first inquest. We know that all the butchers of Paris get their meat
-from the abattoirs. It was against the law for them to kill anything at
-home.’
-
-“That is accurate,” said Théophraste, “that is exactly right; M.
-Houdry explained that to me several times, and the confidence that he
-placed in me by telling me the mystery of his abattoir astonished me not
-a little. Why should he confide to me a fact which was not known to his
-wife, his private clerk, a foundling whom he considered as one of the
-family, and his brother-in-law, who brought the calf to him each night?
-Why? Ah! No one knows. Perhaps it was because he couldn’t help it.
-You know very well that no one can escape his fate. As for me, I said to
-him: ‘Take care, you might end by being one of the calves!’ I resume
-my reading: ‘That calf was brought to him secretly each night by his
-brother-in-law, and as his abattoir was on a little court, behind which
-was the open country, no one ever saw a live calf at M. Houdry’s.
-
-“‘The inquest will tell us from whence the calf came. M. Mifroid,
-the Commissioner of Police, has decided to sift the matter to the
-bottom, and penetrate the whole mystery.
-
-“‘It appears that M. Houdry had his special way of killing his calf,
-a way that gave quality to the veal. He used to cut the calf’s throat
-with a bleeder.’
-
-“Is it necessary for me,” said Théophraste, “to show you what a
-bleeder is?”
-
-Going to the drawer of the sideboard, he took out the carving knife, and
-while explaining that a bleeder was twice as large as that, he passed
-it up and down M. Lecamus’ face to make him understand the method of
-killing the calf. He tried to get M. Lecamus to hold the knife, but by
-this time he was too frightened, and had retreated into a corner of the
-room, fearing that Théophraste would do something violent. However, he
-laughed at their temerity and sat down to read the further account.
-
-“‘Yesterday, leaving early, monsieur shut himself in his abattoir as
-usual with his calf. He was aided by his clerk in tying the calf to the
-hanger. The calf being tied, the clerk busied himself in rinsing the
-casks before the abattoir, which the butcher always kept shut when
-killing.
-
-“‘Ordinarily, M. Houdry took from twenty to thirty minutes to kill
-his calf, gut it and bleach it. Thirty-five minutes passed, and the
-double doors of the abattoir were not opened. The clerk, who had
-finished rinsing, noticed it with the greatest astonishment. Often M.
-Houdry had called him to scald the head, scrape the hairs off, and clean
-the ears. That particular day his master did not call him. Meanwhile,
-Mme. Houdry, the butcher’s wife, appeared at the door of the court.
-
-“‘“What isthe matter there?” she asked. “Is he not finished
-yet?”
-
-“‘“It is true, madame, he is a very long time.”
-
-“‘Then she called, “Houdry! Houdry!” No response. She crossed
-the court and opened the abattoir door. The calf immediately escaped,
-and began gracefully jumping around her. She looked at the calf at once
-with emotion, for at that time the calf should have been dead. Then
-she struck a single blow on the double door, and called again to her
-husband, who did not answer her. She turned toward the clerk. “M.
-Houdry is not there,” she said. “Are you sure he has not gone
-out?”
-
-“‘“Oh, madame, I am perfectly sure of it. He has not come out and
-no one has gone in. I have not left the court,” replied the clerk,
-springing at the calf’s head as it continued running around. “I am
-sure he is there. He is just hiding to frighten you.”
-
-“‘“It will be better to hide the calf. Houdry! Houdry!”
-
-“‘The clerk, with a turn of the halter, had tied the calf. Entering
-with Mme. Houdry he uttered a cry of surprise and said: “Oh, that is
-queer! When we came in there was only one calf, a single calf, madame,
-a calf which was tied to the hanger, and which gambols in the court now,
-and here is another calf on the crossbeam.” Yes, indeed, there was
-another calf on the tinel.
-
-“‘“I see it now,” said Mme. Houdry. “What a small calf! But
-you are foolish; there should be two calves.”
-
-“‘“Never, madame, never.”
-
-“‘“Well, you see perfectly the calf on the beam?”
-
-“‘The little clerk and Mme. Houdry drew near to the beam, which was
-in the shadow, and how astonished they were to see the kind of white
-meat which was hanging from the beam. They had never seen such white
-meat, and this meat was arranged exactly like the calf’s. They
-accounted for this finally by deciding that it was not veal meat.
-
-“‘“What a curious calf,” the clerk continued to repeat.
-
-“‘“It is not a small calf,” said Mme. Houdry. “No! no!”
-
-“‘“All the same, madame, they have decorated the skin on the
-stomach with the lancet. See!
-
-What pretty patterns! There are two hearts, some arrows, some flowers
-...Ah! those beautiful flowers.” The clerk raised up the lungs from
-which hung the heart.
-
-“‘“It is a beautiful pluck,” said he, “and has not been
-trufled. The heart is good.”
-
-“‘“Yes, he had a good heart!” groaned Mme. Houdry, who was all
-at once terrified at what she had said.
-
-“‘Thereupon the clerk began to weep, and without knowing why, dipped
-his hands in a pail of cold water which was placed beside the boiler,
-looking for the head of the animal, and he drew out a head. But when she
-saw the head, Mme. Houdry fainted, for she had recognized the head of
-her husband.
-
-“‘Mme. Houdry had immediately recognized her husband’s head, and
-the clerk himself examined it more closely, to be sure that it was the
-head of his master. It was a well-cut head—well refined, well scalded,
-well scraped. The moustache and hair had been shaved, as they should be,
-and but for something unforeseen, if need be, the head of the butcher
-would have passed for the head of a calf.
-
-“‘The clerk in his turn fainted, and let the head of M. Houdry roll
-away.
-
-“‘Some minutes later the tragedy was discovered, judging from the
-disturbance in the quarter.’
-
-“The journalist,” said Théophraste, “was not of the opinion
-that the calf had decapitated the butcher, and that also was put before
-Cartouche’s name—that poor Cartouche.” He shrugged his shoulders
-once more, and then, having raised his eyes above the paper, he sought
-in the two corners of the dining-room, where M. Lecamus and his wife
-had taken refuge. They had disappeared. He called them and they did not
-answer. He tried to open the door of the landing, and it would not open.
-He then rushed to the chimney, which was large enough for him to get
-up, and scaled it with the same facility as he had descended the chimney
-when the boiler was beginning to boil at M. Houdry’s, the same morning
-that he had decapitated that unfortunate man.
-
-
-
-
-CHAPTER XXVI
-
-_Théophraste Again Hears of His Treasures_
-
-
-|THE clamber over the roofs of the Rue Ge-rondo on a cold rainy night
-had a physical and moral effect on Théophraste. He had taken cold and
-was suffering in consequence. From a moral point of view it had made
-him change his whole view of these events. While he had been reading
-the accounts of these crimes with which the new Cartouche had been
-terrifying Paris, he had shown a callous indifference, but now he
-commenced to hold himself responsible for many of the atrocities, and
-especially for the murder of M. Houdry, which he had before facetiously
-blamed on the calf.
-
-He often recalled nocturnal visits by the route he was now following,
-and several bloody crimes came back to his memory, disgusting him, and
-making him weep bitter tears of useless remorse.
-
-It was, however, too late. In spite of all his sufferings, in spite of
-M. de la Nox’s invocations, and the torture they had submitted him to,
-Cartouche was not dead.
-
-And that evening, then, like many other criminal evenings, he led his
-damned soul over the roofs of Paris. He wept. He cursed that mysterious,
-irresistible force, which from the depths of centuries commanded him
-to kill. He cursed the influence which made him kill. He thought of his
-wife—of Adolphe. He bitterly regretted the hours of passed happiness
-between those two beings so dear to him. He excused them for running
-away. He pardoned them for their terror. He resolved never again to
-trouble their peaceful days with his bloody incoherencies. “Let
-me disappear,” he said to himself. “Let me hide my shame and my
-original defect in the midst of the desert. They will forget me. I shall
-forget myself. Let me profit by these logical moments, when my brain,
-released momentarily from the Other, discusses, weighs, deduces, and
-concludes and sees in the present.”
-
-It was not Cartouche who spoke, it was Théophraste, who cried to
-Cartouche: “Let us fly! Since I love Marceline, let us fly! Since I
-love Adolphe, let us fly! One day they will be happy without me! There
-is no longer happiness with me! Adieu! adieu! Marceline, adored woman,
-faithful wife! Farewell, Adolphe, precious, consoling friend! Farewell!
-Théophraste tells you farewell!” He wept. Then he said aloud: “I
-come, Cartouche!”
-
-Then he plunged into the darkness, going from gutter to gutter, from
-roof to roof, sliding from high walls with safety, protected, like a
-somnambulist, by Providence.
-
-And now who is that man who, with his head lowered, his back curved,
-his hands in his pockets, swayed like a poor wretch in the wind and rain
-which fell profusely all the tedious way? He followed the road which
-skirts the railroad. It is a straight road, bordered by small, weak
-trees, plain common broom-straw—sad ornaments for a departmental
-road—running along the side of the railroad. Whence comes this man,
-with his hands in his pockets, or, rather, this shade of a man? The
-plain extends to the right and the left without an undulation, without
-the rising of a hillock, without the hollow of a riser. All this can be
-seen, for this is not a night scene; it is broad daylight, on the track,
-straight on by the side of the road.
-
-Trains pass each other from time to time, local trains, fast trains,
-freight trains, rattling along with an occasional ceasing when one
-hears in the wind the ting, ting, ting of the bell of the disks at the
-station. There is one station before, and one behind. They are small
-stations, and are five kilometers apart. Between the two stations there
-is a straight double track, but no viaduct, no tunnel, no bridge, not
-even a culvert.
-
-As I said before, from whence came the sad shade of a man?
-
-It is Théophraste. He has resolved to fly—no matter where—far from
-his wife.
-
-After a night passed from gutter to gutter, not knowing where to direct
-his steps, and not caring at all, he goes into a railway station. He
-gets into a train without a ticket, gets out of the train at another
-station.
-
-How often does it happen that the control registers of railway stations
-are badly made on account of the number of travelers.
-
-Behold him, then, on the road at the entrance of a village which follows
-the railroad track. And who is it that watches him as he crosses the
-threshold of a little house at the entrance of a village?
-
-Mme. Petito herself!
-
-It was the first time that Mme. Petito had seen M. Longuet since he cut
-off the ears of her husband. Upon seeing him, Mme. Petito became highly
-indignant, and commenced upbraiding Théophraste.
-
-After all sorts of imprecations—the result of the barbarity of
-Théophraste—Mme. Petito informed Théophraste that Signor Petito had
-found the treasures of the Chopinettes, that he had put them in a safe
-place, and that the treasures were the richest on earth, treasures which
-were worth more than two ears. They were as good as the ears of Signor
-Petito, and so they were quits.
-
-Théophraste, in the course of this discourse, found it difficult to
-say very much, but this did not disturb him. He was glad of the anger
-of Mme. Petito, for having furnished him with such valuable information,
-and he said: “I have found my treasures, for I have found Signor
-Petito again.”
-
-Mme. Petito burst into satanic laughter.
-
-“Signor Petito,” she exclaimed, “is in the train.”
-
-“In which train?”
-
-“In the train which will pass under your very nose! It will carry my
-husband beyond the frontier. Get in, then, my dear monsieur; climb in
-if you wish to speak to him. But hurry, for he passes by in an hour,
-and they do not distribute tickets at the next station,” and her laugh
-became more satanic still, so much so that Théophraste almost wished
-that he was deaf again. He saluted her and walked away rapidly along
-the railroad track. When he was alone he said: “Come, come! I must get
-some information about my treasures from Signor Petito himself. But how?
-He is in the train which will pass under my nose...
-
-
-
-
-CHAPTER XXVII
-
-_The Express Train’s Disappearance_
-
-
-|IT is necessary now for us to relate the extraordinary events which
-happened on the railway. At this part of the track, which is double,
-there were two stations about four miles apart, through which the
-express trains ran quite frequently. In the evening after Théophraste
-had been speaking to Mme. Petito, the express train had passed through
-the first station, and the station master was waiting for the signal
-from the second station, when suddenly a message came through saying
-that the train had not arrived yet. The station master could not
-understand it. The train had passed through his station fifteen minutes
-before, and would not have taken all that time to go the short distance
-to the other station. He went out and looked up the track. There was no
-sign of the train, and all was quiet. Again the signal came back, and
-the second station master said that he would walk along the track to see
-if he could find the cause of the delay. The first man said he would
-do the same, and they both started running down the track, followed by
-other men in the stations. Although it was broad daylight, nothing could
-be seen of the train, and the two parties met on the track. The first
-station master was greatly agitated, and wrung his hands in despair. He
-knew the train had passed through his station. He was sure of it. The
-report of his assistant confirmed it. Where could it have disappeared
-to? The excitement and fear was too much for him, and without any
-warning he fell dead at their feet with heart failure.
-
-The men ran hither, thither, on both sides of the tracks, but no sign
-of the train was there. At last they gave up the search, and placing the
-dead body of the station master on a rough bier of sticks and leaves,
-they made their way sadly back to the station.
-
-They had not gone far when one of the party cried out: “Look ahead,
-there’s the train!”
-
-And there, a few yards outside the station, on the very track they had
-traveled on, was a wagon and baggage car of the disappeared train!
-
-They were all very astonished, and were running, shouting, toward the
-train, when they suddenly stopped. Peering out of the doors of the train
-was a peculiar head. It had no ears, and appeared as though the door had
-been shut violently, catching the man’s neck. They called to him as
-soon as they saw him, but he did not answer. The head just swayed from
-one side to the other, rocked by the wind, which was blowing in great
-gusts. Upon the head was curly hair, and the cravat around the white
-neck was untied, floating in the wind.
-
-On approaching, they saw the door of the coach was covered with blood,
-and on examination saw that the man’s head was held to the door by a
-piece of rag. He had evidently opened the door and poked his head out,
-when somebody must have shut the door again and decapitated him. The
-two men who carried the dead body of the station master uttered a cry
-of dismay, and placing their burden on the track, made an examination of
-the trucks. They found no one in the first one, and opening the door
-of the second, found that it was empty save for the dead man’s body,
-which had been stripped of all its clothing.
-
-The news of this fantastic horror spread rapidly in the villages on the
-road, and an enormous crowd gathered at the little station.
-
-The police were sent for, but they were unable to get any clue as to who
-the strange man was, or where the train with all its travelers had gone
-to.
-
-They were, however, very quiet about it, and only at the inquest did the
-facts become known.
-
-As it has been said, the tracks between these stations contained no
-bridge or tunnel, but ran through a flat, desolate country, marked by
-no hills. The only thing to break the line of the track was a short
-side line which ran into a disused quarry, which had been used as a sand
-quarry by a glassmaker. This had been abandoned many years ago, and had
-not been used since.
-
-On looking at the plan one would at once think that the presence of this
-branch line was an explanation of the train disaster. But this was not
-so, as subsequent events will prove. In fact, so simple a solution of
-the problem would soon have been discovered by the station men.
-
-Wandering along the road which followed the track, Théophraste had
-noticed the little side track, and he had seen that the switch had been
-left unlocked. This would have had no significance to him before he had
-the interview with Mme. Petito, but now he saw an excellent opportunity
-of getting at Signor Petito, who was on the train. He of course could
-not get on the train while it was in motion. He would open the switch
-and wait for the train to come up. The engineer would be sure to see it
-and stop his train. Here was his opportunity.
-
-This was simple enough, and he did as he intended. He turned the switch,
-and, going along the track, hid behind the bushes to await the express.
-He waited and waited for a long time, but no express came. He became
-impatient, and looked up and down the track, hoping to hear it, or see
-its smoke.
-
-However, after half an hour, he rose, and, although tired of waiting,
-went down the track to see what had happened. He had gone about half the
-distance to the station, when he met a train-fitter who was going along
-the track to look for the train. Asking him what had become of the
-train, he turned back up the line, and arriving at the point where he
-had been hiding, he discovered the baggage car and carriage which were
-to be found a few minutes later by the trainmen from the station.
-
-In his astonishment he asked how they could have got there without
-passing him. He had not left the track, so it could not have passed him.
-
-Suddenly he saw the head of a man at the carriage door; the head had
-no ears, and so he quickly recognized it as that of Signor Petito.
-He climbed up into the carriage, all excitement, and searching the
-carriage, suddenly had an idea. He would disguise himself in Signor
-Petito’s clothes! He quickly undressed, and stripping the dead body
-of all its clothes put them on, and tied his own up in a bundle. He then
-descended from the carriage, and fumbling in the pockets of the dead
-man’s clothes, drew out an old pocketbook. He became feverishly
-excited as he searched through the papers, seeking some trace of his
-treasures. But he found nothing, and he found it difficult to hide his
-disappointment, for Signor Petito had carried the secret of the treasure
-to the grave.
-
-Mme. Petito was unable to give him any information, for soon after
-hearing of her husband’s death she became insane, and remained so to
-the end of her days.
-
-
-
-
-CHAPTER XXVIII
-
-_Not To Be Explained!_
-
-
-|AS Théophraste was searching through the pocketbook of Signor Petito,
-he had wandered unconsciously away from the track into the fields. Upon
-returning, he was astonished to find the carriage had disappeared. He
-looked up and down the track, but could find no trace of it. Which was
-the most astonishing, the disappearance or the apparition of the train?
-He could not make it out, and the events had thrown him into a state
-bordering on prostration.
-
-He went down the track, examined the switch, and put it back in its
-original position and locked it, taking the key with him.
-
-He walked on to the upper station, but with the exception of the
-signalman everybody had gone out in search of the train. He interrogated
-him, but could only learn that the train had been reported but never
-came.
-
-Théophraste insisted. “They certainly did report the express to you
-from the preceding station?”
-
-“Yes, sir. I am certain. Look at my signal. It is still put to allow
-the train to pass. The station master and all the men of the station
-preceding saw the express pass and telegraphed to us. In short,
-monsieur, you see my little yellow arm. A catastrophe between the
-preceding station and this one is not possible; there is not a single
-bridge or viaduct. I was mounted on the ladder that you see leaning
-against that great vat. From there one can see the whole line, as far as
-the other station. I saw our people gesticulating on the line, but did
-not see the train.”
-
-“Strange, very strange!”
-
-“Yes, indeed. You must trust my little yellow arm.”
-
-“Inexplicable.”
-
-“There is nothing more inexplicable.”
-
-“There are things more inexplicable still than that which have
-happened.”
-
-“What, then?”
-
-“A carriage without a locomotive appeared and disappeared, and no one
-could tell from whence it came. It disappeared, as it appeared.... Did
-you not see a carriage with a man at the door pass by here?”
-
-“Monsieur,” said the signalman angrily, “you mock me! You are
-exaggerating because you do not believe the story of the express which
-did not come. But look, monsieur, at my signal; that is proof enough. It
-cannot make a mistake.”
-
-M. Longuet replied to the signalman: “If you did not see the express,
-neither did I.”
-
-In that “neither did I” commenced the inward thoughts of M. Longuet,
-who went away in Signor Petito’s clothes. M. Longuet had an idea. His
-misfortune was so extreme and so incurable that he resolved to die
-for the others. With a little cunning this was possible, since he had
-reclothed himself in Signor Petito’s clothes. Nothing would hinder him
-from leaving his on the bank of the first river he came to.
-
-This would constitute a suicidal act, according to the law.
-
-M. Longuet was moved to the thought of addressing a letter to Marceline
-and Adolphe. On the banks of what river would he put his clothes? How
-could he re-enter Paris? However, these thoughts passed through his head
-momentarily, for there was only one thing which was really of importance
-to him, and that was the explanation of the disappearance of the train.
-
-This explanation was given to Théophraste by M. Mifroid, under the
-circumstances which we shall now report.
-
-
-
-
-CHAPTER XXIX
-
-_M. Milford Recognizes Cartouche_
-
-
-|AT midnight an artisan was singing in a square in Paris, at the side
-of the ancient Quarter d’Enfer, the hymn which several months later
-became so popular, the “International.” That artisan was working
-with several companions repairing the track, which had sustained certain
-damages, following the construction of a new drain. The track was bent
-in certain places, and even a house in that situation, a heavy new house
-of seven stories, was leaning. The city engineers were much concerned
-by this state of affairs. They knew that in this quarter the catacombs
-projected their innumerable tunnels, their thousands of drains, and that
-certain buildings were in a very precarious state.
-
-There are ancient Gallic-Roman quarries under those tottering walls, and
-so they determined on some work to make these houses secure.
-
-The day which interests us saw the end of this work. The artisan who
-sang the “International” had, with his companions, completed the
-stopping of a hole in the subterranean vault that they had previously
-strengthened with very heavy pillars, several meters high.
-
-It was just about twilight when they relinquished their work, and the
-workman who sang the “International” had almost finished stopping up
-the hole at that hour.
-
-At the same hour, not far away on the square, in front of an electrical
-lamp store, a few people stood about on the pavement, and M. Mifroid
-was buying a few lamps for his men. He had paid for them and was just
-leaving the store with his package, when he saw in front of the store
-a young man with white hair. He was so taken aback that he slipped into
-his pockets, without having paid for them, several electrical lamps.
-Always courageous, M. Mifroid bounded toward the man, crying: “It is
-Cartouche!” He had recognized him, for since the revenge of the calf,
-all the commissioners of police had the portrait of Cartouche in their
-pockets. We should add that Mme. Longuet herself, and M. Lecamus,
-immediately after the reading relative to the calf, had shut M. Longuet
-up, with the design of sending an urgent communication to the nearest
-Commissariat.
-
-Then M. Mifroid, who had known our hero as Théophraste, when he had
-dined with him, and who recognized him as Cartouche, cried out in
-bounding toward him: “It is Cartouche!”
-
-Théophraste had known for days what the police wanted with him, and
-when he saw Mifroid and heard the words “It is Cartouche!” he said
-to himself: “It is time for me to get out of this.” And he ran down
-the street.
-
-The commissioner ran on behind him, and was just grabbing him by the
-collar, when they both fell down the hole which the workman was filling.
-
-The man had left for a few minutes to drink with his companions at the
-saloon near by, and on his return he completed his work, not knowing
-that the two men had fallen, and so they were imprisoned.
-
-
-
-
-CHAPTER XXX
-
-_M. Mifroid’s Theory_
-
-
-|WHEN M. Mifroid recovered sufficiently from the shock of his fall, the
-first thing that worried him was that he would be “out of the game.”
-Even at the moment of his fall his presence of mind did not fail him,
-and he knew that he was falling into one of the thousand-year-old
-quarries, which crossed under Paris in their intricate meanderings. He
-experienced that feeling accompanied by a light, painful torpor which
-follows a swoon caused by shock.
-
-He was in the catacombs!
-
-His first thought was to try and find the lights which he had just
-bought, and so find out how the passage lay. He felt sure that they
-must have fallen through the hole with him. The darkness seemed to weigh
-heavily on his eyelids, and a great feeling of depression came over
-him. Without getting up, for by an imprudent movement he would lose the
-knowledge of the exact place where he had fallen, he spread his hands
-about him and was relieved to find his package again. He feared at first
-that the lamps would be broken, but soon felt that it was not so; and
-breaking open the package, he pressed the button on one of the lamps.
-The cavern was lighted with a fairy brightness, and he could not keep
-from smiling as he thought of the unfortunates who, shut up in some
-cavern, generally drag themselves along, holding their breath, behind a
-paltry snuff of a candle, which at any moment might flicker out.
-
-He got up then and examined the vault. He knew of the work of repairing
-the track, and knew that they neared the end, but when he saw that the
-hole through which he had fallen was closed, a feeling akin to fear came
-over him.
-
-Now some meters of earth separated him from the outside world, unless it
-was possible for him to get up to this place which they had filled in.
-He, however, flashed his light around, and after surveying the walls and
-the vaults, he came across a prostrate body. The sight at first gave
-him a shock, but on examination he found it to be the body of M.
-Longuet—the body of the new Cartouche. He examined it and noticed that
-it did not bear a single trace of serious wounds. The man was stunned,
-as he had been himself, and without doubt he would not be slow in coming
-out of that swoon. He recalled that M. Lecamus had presented him to his
-friend in the Champs Elysées, and behold, he was now mixed up with him
-like the worst kind of assassins.
-
-Just then M. Longuet breathed a sigh, stretched his arm, and complained
-of some pains. He arose, and, saluting M. Mifroid, asked him where
-they were. M. Mifroid told him. He did not seem at all distressed, but
-drawing forth his portfolio, he traced some lines which resembled a
-plan, and showed them to M. Mifroid, saying:
-
-“M. le Commissioner, we are at the bottom of the catacombs. It is an
-extraordinary event. How we are going to get out I do not know, but that
-which is distressing me most at the present moment is what has happened
-to the express train.” M. Mifroid demanded some explanation, and M.
-Longuet related to him, with the closest detail, the disappearance
-and re-appearance of the carriage and the train. For the better
-understanding of the track he drew a plan out as follows:
-
-A H D C B
-
-This he showed to M. Mifroid.
-
-He explained how the train had disappeared between A and B. How he had
-turned the switch at H and waited at D for the train to pass on to
-the side track. He described how the train had never come, and how the
-carriage had appeared and disappeared.
-
-M. Mifroid became greatly interested, and begged him to repeat the
-story. “And when did this happen?” asked he. “It has not yet been
-reported to me.”
-
-“It happened several hours ago,” said Théophraste, “and it should
-have been reported by now.”
-
-M. Mifroid examined the plan for about five minutes, and after
-reflecting for a while, asked Théophraste a few questions. Suddenly he
-burst out laughing and said: “Why, what a difficult problem. I have
-solved it in five minutes.
-
-“You said there were five men at A and five men at B. It passes
-through B, but not A. You were at D, and because you did not see, it
-did not pass? Consequently, your train vanished. Well, I say the train
-exists between A and B, and must be somewhere between B and I, that is
-sure; the train is in the sandhill.”
-
-“I swear not!” said Théophraste. “I was at D expecting the train, and I
-did not leave the track.”
-
-“It can be nowhere else, for five men saw it pass B and the five men
-at A are equally certain it didn’t pass them. Therefore I say that as
-only you were at D it passed that point, and undoubtedly switched off
-on I, since it could not be otherwise. By a necessary chance, while the
-first cars of the train were engulfed in the sand hillock, which covered
-it up (imagine that the line H is too short for the engineer to have had
-time to avoid the accident), the yoke chain of the last car was broken,
-and so the last carriage was forced by the baggage car to descend as far
-as D, on the track, which was slightly up-grade, since it wrent into
-a sand hillock. Then after going down to H and back to D, you saw the
-carriage and Signor Petito in the doorway. Your Signor Petito opened the
-carriage door, perhaps to throw himself out, as soon as he was aware of
-the imminent catastrophe, and as the latter caused a shock, it closed
-the door on the head of your Signor Petito.
-
-“Now, having despoiled Signor Petito of his clothing, you walk into
-the fields to read his papers. When you return the carriage is no longer
-there. Now, then. Since there was a declivity, and since there was a
-wind, the carriage, after having rolled as far as H, is found on the
-line A—B, where the trainmen certainly have found it by this time. Do
-you understand now? Do you understand all except that you did not see
-the train pass D? You are deaf sometimes, M. Longuet?”
-
-“I have already had the honor of telling you so.”
-
-“Imagine that you were deaf while you were waiting for the train at D.
-You did not hear then?”
-
-“No, but I should have seen it.”
-
-“Already you did not hear it. That is much. Possibly you turned your
-head for three seconds. Three seconds, that is to say, one second and
-thirty hundredths longer than is necessary to see an express train of
-four carriages pass before you, which, being late, made 120 to the hour.
-M. Longuet, the train disappeared, or, rather, seemed to disappear,
-because you were deaf and turned your head for a brief space of time.”
-
-M. Longuet raised his arms to the limit toward the vaults of the
-catacombs.
-
-
-
-
-CHAPTER XXXI
-
-_Lost in the Catacombs_
-
-
-|WHEN M. Longuet had recovered from the emotion that M. Mifroid’s
-explanation of the train had caused him, he went through his pockets and
-handed over to M. Mifroid a revolver and a large knife that he had found
-in Signor Petito’s pocket.
-
-He was now perfectly rational and felt free from the influences of
-Cartouche. He, however, dreaded the return of these fancies, and asked
-M. Mifroid to accept these articles in order to defend himself should he
-again be possessed with this evil spirit.
-
-Continuing the search through his pockets, he produced seven lamps like
-those of M. Mifroid, and so between them they had thirteen of these
-lights, which would give them 520 hours of continuous light. They,
-however, worked out that they could do ten hours a day without light
-on account of sleep, and their calculations gave them fourteen hours of
-light per day.
-
-“M. Longuet,” said M. Mifroid, “you are wonderful. Cartouche
-himself could not have done better; but what is the good of carrying
-them around with us? They will only be a nuisance. Are you hungry, M.
-Longuet? How long do you think you could remain without food?”
-
-“I am sure,” he declared, “that I could remain this way
-forty-eight hours.”
-
-“Well, you will have to remain like this for seven days, perhaps. I
-will throw these ten lamps away, as after the third one I am afraid we
-shall not have much need of the rest.”
-
-“Where are you going?” asked M. Longuet. “No matter where,”
-answered his companion; “but we must go anywhere rather than stay
-here, for there is not a ray of hope here. We will reflect while
-walking. Walking is our only salvation, but by walking seven days we
-will risk all chance of arriving anywhere, unless we make a plan.”
-“Why not make an exact plan?” asked M. Longuet.
-
-“Because I have observed in all the stories of the catacombs there
-were always marked plans which the unfortunate wanderers have lost. They
-were confused by the marked places, and not understanding anything
-about it, they became overwhelmed with despair. In our situation it is
-necessary to shun all causes for despair. You are not without hope, M.
-Longuet?”
-
-“Oh, by no means, M. Mifroid. I will add, even, that were I not so
-hungry, your pleasant society aiding, I should not at all regret
-the roofs of the Rue Gerondo. You must tell me some stories of the
-catacombs, M. Mifroid, to let me forget my hunger.”
-
-“Why, certainly, my friend. There is the story of the ‘Jailer,’
-and the story of the ‘Four Soldiers.’”
-
-“With which will you begin?”
-
-“I am first going to tell you of the catacombs in general; this will
-make you understand why it is necessary to walk a long time to get out
-of them.”
-
-Here M. Longuet interrupted him, asking why in ending his sentences he
-always made a gesture with the thumb of his right hand.
-
-“That means, M. le Commissioner, that the gesture has become a habit
-with you—putting on thumb-screws?”
-
-M. Mifroid declared that that was not the reason. He often gave himself
-up to sculpture, and he explained to him that it was the habit of a
-modeler. He buried his hand in his discoveries, just as he did in his
-clay.”
-
-M. Longuet expressed astonishment that a police commissioner should
-interest himself in sculpture. However, it afterward transpired that M.
-Mifroid’s knowledge of this art was the means of their final escape
-from the catacombs.
-
-M. Mifroid, in reporting, the events of the catacombs, wrote as follows:
-
-“The way that we were following was a vast passage of four or five
-meters high. The walls were very dry, and the electric light which lit
-our way allowed us to see a hard stone, devoid of all vegetation, even
-of moisture. That proof was not one to rejoice M. Longuet’s heart, for
-he was beginning to be very thirsty. I knew that in the catacombs there
-were some threads of running water. I thanked heaven for not putting us
-on one of these threadlike streams, for we should only have lost time in
-imbibing there, and, moreover, as we could not carry away any water, it
-would only have made us more thirsty.
-
-“M. Longuet objected to the idea that we were walking without caring
-where. I resolved to make him understand the necessity of walking
-on anywhere, in relating to him that which was the truth, that the
-engineers, when repairing the track, had descended into the catacombs,
-and had sought in vain to discover their limits, and to find an outlet
-they were obliged to give it up, and they built those pillars as
-supports, and built the arch with masons’ materials; they descended
-directly into the hole, before closing it finally over our heads. Not
-to discourage M. Longuet, I informed him that, to my knowledge, we
-could count on at least 520 kilometers of catacombs, but there was not a
-single reason why they should not have had more. Evidently, if I had
-not warned him immediately of the difficulty of getting out of there, he
-would have manifested his despair the second day of the walk.
-
-“‘I think, then,’ I said to him, ‘that they have dug this soil
-from the third to the seventeenth century. For during 1400 years, man
-had removed from under the soil the materials that were necessary to
-construct above. If at any time there was not enough above, there was
-always more below. That above returns below, and goes out thence,’
-and as we still found ourselves under the ancient Quarter d’Enfer, I
-recalled to him that in 1777 a house in the Rue d’Enfer was swallowed
-up by the earth below. It was precipitated to 28 meters below the soil
-in its court. Some months later, in 1778, seven persons met death in a
-similar caving in. I cited still several more recent examples, dwelling
-upon the accident to persons. He understood, and said to me: ‘In
-short, it is often more dangerous to walk above than below.’
-
-“I kept on, seeing that he was impressed, and he spoke no more of his
-hunger, and forgot his thirst. I profited by it to make him lengthen his
-step, and I burst into the most entrancing song which came into my mind.
-He took it up, and we sang in chorus:=
-
-```“‘Au pas, comerade, au pas,
-
-````La route est belle!
-
-```J’aura du frictiti la bas,
-
-````Dans la gamelle!’=
-
-“It was this which made him keep step.
-
-“One gets tired of singing very quickly in the catacombs, because
-the voice does not carry; so when we had got tired M. Longuet asked a
-hundred more questions. He asked me how many meters there were over our
-heads. I told him that that could vary, from the latest reports, from
-5m.82 and 79 meters. Sometimes, I told him, the crust of earth was so
-thin that it was necessary to extend the foundations of the tombs as far
-as the bottom of the catacombs. So that we might, in the course of our
-peregrinations, encounter the pillars of Saint Sulpice de St. Etienne du
-Mont, of the Pantheon of the Val de Grace, of the Odeon. These monuments
-are erected in some way on the subterranean pilings.
-
-“‘Really, in the course of our peregrinations we risk encountering
-some of these subterranean pilings.’ But he had his own fixed idea.
-
-“‘And in the course of our peregrinations, is there any chance of
-our coming upon an exit? Are there many ways out of the catacombs?’
-
-“‘There are not,’ I replied; ‘there is need of them. First of
-all, there are egresses into the quarter.’
-
-“‘So much the better,’ he interrupted.
-
-“‘And other ways out that some know of, but by which none are ever
-admitted, but which exist, nevertheless, in the caves of the Pantheon,
-in those of the College of Henry IV, of the Hospital of the Undi, of
-some houses in the Rue d’Enfer, of Vangirard, of the Tombe Issoire at
-Passy, at Chaillot, at Saint Maur, at Clarenton, at Gentilly—more
-than sixty. In order to safeguard building construction, an ordinance
-was made which closed all the openings to the catacombs.
-
-It is that ordinance, my dear M. Longuet, which has almost walled us
-in.’
-
-“At that moment we struck an enormous pillar. I examined its
-construction, and said without stopping: ‘Here is a pillar which
-was used by the architects of Louis XVI in 1778, then of the
-Consolidation.’
-
-“‘Poor Louis XVI!’ said M. Longuet. ‘He had better have
-consolidated royalty.’
-
-“M. Longuet had taken the electric lamp from my hands, and did not
-cease to throw the rays to the right and left, as if he was looking for
-something. I asked him the reason of this, which would fatigue the eyes.
-
-“‘I am looking for some corpses,’ he said.
-
-“‘Some corpses!’
-
-“‘Skeletons. I have heard that the walls of the catacombs are hung
-with skeletons.’
-
-“‘Oh, my friend’—I already called him friend, his serenity
-in such a serious emergency delighting me so much—‘that ghastly
-tapestry is only a little longer than a kilometer. That kilometer justly
-called an ossuary, on account of the skulls, the radius, the cubitus,
-tibias, shin-bones, phalanges, the thorax, and other small bones which
-were made into unique ornaments. But what ornaments! Ornaments of three
-million skeletons, that were brought from the cemeteries and acropolis
-of Saint Midard Clucy, Saint Lamdry of the Carmelites, the Benedictines,
-and of the Innocents.
-
-“‘All bones, the little bones well sorted, arranged, co-ordinated,
-classified, labeled, which made on the walls and in the cross passages,
-roses, parallelopipides, triangles, rectangles, volutes, crevices, and
-many other figures of marvelous regularity.
-
-“‘Let us wish, my friend, to reach that domain of the dead. It
-will be life. For there there are always a number of people. It is much
-frequented. But we are not there. What is one kilometer of dead men’s
-bones in five hundred?’
-
-“‘Clearly! How many kilometers do you think we have made, M.
-Mifroid?’
-
-“‘We have made nine.’
-
-“‘What are nine kilometers in five hundred?’
-
-“I induced M. Longuet not to make these useless calculations, and
-he begged me to tell him the story of the ‘Jailer’ and that of the
-‘Four Soldiers.’
-
-“That made two histories which were not very long in telling. There
-were only a few words in the first. There was once a jailer of the
-catacombs who became lost in the catacombs. They found his corpse eight
-days later. The second related to four soldiers of the Val-de-Graces,
-who were descending, by the aid of a cord, into a well of eighty meters.
-They were in the catacombs, and as they did not reappear some drummers
-were sent down, who made the greatest noise that they could with their
-drums, but in the catacombs sound does not carry, and no one responded
-to the rolling. They hunted, and at the end of forty hours they found
-them dying in a blind alley.
-
-“‘They had no moral courage,’ said Théophraste.
-
-“‘They were foolish,’ I added. ‘Whoever is foolish enough to
-wander into the catacombs deserves no pity.’
-
-“We were by this time come to a crossway, and M. Longuet turned to ask
-which way we would follow.
-
-“I could answer him without delay. I said:
-
-“‘Here are two galleries; which are you going to take? One goes
-almost directly back to our starting-point, the other directly away from
-it.’ As our design was to go away from our starting-point, M. Longuet
-showed me the first gallery.
-
-“‘I was sure of it!’ I exclaimed. ‘But you disregard the entire
-principle. The experimental method has for centuries demonstrated that
-at the bottom of the catacombs all individuals who wish to come back to
-their point of setting out (to the entrance of the catacombs) go away
-from it; then the whole logic of it is, to go away from one’s point of
-starting out, one must take the way which apparently brings one back to
-it.’ And so we decided on the gallery which seemed to us to bring us
-back over our steps, so we were sure of not having made a useless trip.
-That system was excellent, for it led us into a certain region of the
-catacombs that no one had visited before, since the fourteenth century,
-otherwise it would have been known.”
-
-
-
-
-CHAPTER XXXII
-
-_A Dissertation on Fish_
-
-
-|M. LONGUET had from the first been complaining of his great hunger.
-He was getting very weak, and the end of the thirty-sixth hour saw him
-cursing their misfortune. However, what would have been the good of a
-little food? They were buried alive, and food would have been like a
-buoy to a shipwrecked sailor, alone in the middle of the ocean. It could
-only serve to prolong the agony.
-
-M. Mifroid was more philosophical. He said that if there had been
-anything to eat to give them strength to continue their way, he would
-have been the first to suggest their stopping. But, with the exception
-of some mushrooms, probably poisonous, that his watchful eye had seen,
-there was nothing, so he urged M. Longuet to tramp on. M. Longuet,
-however, was unreasonable; he said he was hungry, and yet did not seem
-able to exert himself to get out of the catacombs.
-
-He asked M. Mifroid question after question as to the catacombs and what
-he could eat to stay his terrible hunger. M. Mifroid tried to keep him
-interested by telling him of a visit he had made to the laboratory in
-the catacombs of M. M. Edwards. He told him of the fauna and the flora
-in obscure and cavernous places, of which, if necessary, he could make a
-meal.
-
-Although the conversation was in vain, as far as its effects on
-Théophraste were concerned, M. Mifroid kept on. Hungry men are always
-eager to talk of things to eat, and although he didn’t wish to
-acknowledge his hunger, he spoke of these things, and in endeavoring to
-put spirit into Théophraste allayed his own feelings.
-
-“My dear friend,” said he to Théophraste, “it may be that even if
-we don’t get out of the catacombs we will not die of hunger. There is
-a stream somewhere here, and I have heard that there are certain fishes
-therein. They are not large fish, but there are incalculable quantities
-of them. They are of different sizes, and are not unpleasant to
-taste.”
-
-“Have you seen them?” asked Théophraste.
-
-“No; but my friend, M. Edwards, told me about them when I visited the
-Fountain of the Fanaisetan.”
-
-“Is that far from here?”
-
-“I can’t tell you just now—all that I know is that this fountain
-was constructed in 1810 by M. Hericourt de Thury, engineer of the
-subterranean quarries. This fountain is inhabited by the cope-podes.”
-
-“Are they fish?”
-
-“Yes, they present some very singular modifications of tissues and
-colorative. They have a beautiful red eye. That is why they are called
-cyclops. That this fish has only one eye ought not to astonish you, for
-the asellus aquaticus, which lives as well in the running water of the
-catacombs, is a small isopode aquatic, which often has no eyes at all.
-Many species have, instead of an eye, only a small red pig snout; others
-have not a trace of one. They do not need to see clearly, since they
-live in darkness. Nature is perfect, and never found wanting. It only
-gives eyes to those who can use them, and does not give them to those to
-whom they are unnecessary.”
-
-Théophraste was struck by M. Mifroid’s words.
-
-“Then,” said he, “if we continue to live in the catacombs we will
-end by not having eyes!”
-
-“Evidently we will commence to lose the use of our sight and
-eventually become blind.”
-
-Then Théophraste insisted upon M. Mifroid continuing his talk on
-these fish that could be found in the catacombs, and which they would,
-perhaps, have to eat. He was thus induced to give a sort of lecture on
-the modifications of the organs, and their excessive development, or
-their atrophy, following the ways frequented by individuals.
-
-He continued: “So the fish of which I speak have no eyes. Their sense
-organs present modifications. For instance, the asellus aquaticus, even
-of the normal species, is armed with small, flat organs, terminated by a
-pore, that are considered olfactory organs. They are veritable olfactory
-cudgels, and these very fish which do not see know the space around
-them as well, possibly better, than if they could see in the light, so
-perfectly developed are these olfactory and tactile organs. Yes, my dear
-Théophraste, there are circumstances in the lives of some living
-things where the nose takes the place of the eyes, and the nose can thus
-acquire perfectly incredible dimensions. In the wells of Padirac there
-was found an asellide which possessed olfactory cudgels of an amazing
-length.”
-
-“Are there none in the running waters of the catacombs?” demanded
-Théophraste.
-
-“No, none at all. Yet there are found many sorts of cavernical fish,
-such, for example, as the niphugus puleamus, and this is found in great
-abundance. Their ocular organs are atrophied.”
-
-This, however, did not interest Théophraste, who had got his own idea.
-
-“Do you know how they fish for them?” he asked.
-
-“I cannot say,” said Mif roid; “but we can surely get some sort of
-bait from the surrounding vege-matter.”
-
-In a little while they both fell asleep, dreaming of this water which
-was to bring them relief. However, though their dreams were pleasant
-enough, there were surprises for them when they awoke.
-
-
-
-
-CHAPTER XXXIII
-
-_The Meeting of the Talfa_
-
-
-|THEY had been sleeping on a soft soil or decayed vegetable matter, the
-sight of which had drawn from M. Mifroid the remark that it was a good
-omen for the near future. Their travels up to the present had been
-without incident, except for some differences of opinion between them.
-The subterranean galleries, lit up by the electric lamps, were sometimes
-vast, sometimes straight, sometimes rounded out like the vault of a
-cathedral, then square and regular, and so narrow that they had to crawl
-on their knees to get through. They had by this time become silent,
-except for a remark or two upon the variety of the strata they were
-passing through. Here was rock, here clay, here sand, and so on.
-
-It could not, however, last much longer. For forty-eight hours they
-had been walking, without coming across any water. M. Mifroid, however,
-hoped on, and we will soon see how justified he was. He hoped at least
-to come across some water or vegetation.
-
-They estimated it to be about four o’clock in the afternoon, when
-Théophraste rose, and, tightening his belt, prepared to start on
-another tramp. This time he did not speak of his hunger or thirst, but
-walked on in that silence which weakness brings on men. They had been
-walking about an hour when it was noticed that the temperature had
-become much higher, and they both involuntarily took off their coats.
-Soon the perspiration began to pour off their foreheads, and they began
-to wonder how this change could have come about. Were they going toward
-the center of the earth? How could it be accounted for? In two hours the
-temperature had risen from 60 to 90 degrees Fahrenheit. M. Mifroid knew
-of some galleries 79 meters below the ground, but who could estimate
-what depth they were at now?
-
-Their electric lamps spread their brilliancy around them as they
-advanced, now discussing the cause of this phenomenon. Suddenly the
-walls of the galleries spread out, and they found themselves in a cave
-of such large dimensions that even with their strong lights they could
-not see the farther ends. What was their joy and amazement when they
-found before them a beautiful lake, the banks of which were covered with
-a thick carpet of moss, and in the crystal transparency of which they
-saw fish with beautifully colored scales. The fish had no eyes, and did
-not appear timid. They disported themselves in the water, coming quite
-close to where the two astonished men stood. They could easily catch
-them by leaning over. A flock of ducks were swimming about in the
-enchanted water.
-
-M. Théophraste wept with joy on seeing this wonderful sight, and cried
-out softly, for he was afraid of disturbing them: “My friend, what did
-I say? Isn’t this better than all earthly scenes?”
-
-M. Mifroid felt somewhat humiliated at not knowing this before, but
-soon regained his influence over Théophraste, who was beginning to get
-excited over this wonderful sight. He made him sit down on the bank, so
-as not to frighten the ducks, and began explaining to him that what they
-saw was quite natural. He explained that it was caused by the soil, and
-that the water had collected here by the action of the heat.
-
-Théophraste was for throwing himself into the water at once, and would
-have done so if they had not suddenly seen a sight which riveted them
-to the very ground. Neither of them spoke. Their tongues were paralyzed.
-Their electric light revealed, far ahead of them, but not far enough
-for them to lose a single detail, the figure of a woman. She was quite
-naked, and had her back toward them. Never before had they seen a form
-so elegant and so graceful.
-
-This first view, however, lasted only an instant, for she threw herself
-into the water and swam away with the grace and ease of a swan.
-
-The apparition had the effect of making them forget the ducks, and they
-both forgot the hunger which gnawed at their vitals. They had hoped that
-she would not vanish, and that their presence would remain unnoticed.
-
-After several plunges, the nymph, shaking the pearly drops from her
-beautiful body into the sleeping waters, emerged not far away from where
-they stood, but always with her back turned.
-
-What quarry of Carrara ever gave to the world more precious or purer
-a marble? By what miracle of the divine fires can we contemplate those
-lines of definitive beauty? It was the form of a Greek statue, and her
-arms were as graceful as one could wish to imagine on the Venus de Milo.
-
-They waited in silence for her to turn around, while she disported
-herself on the green moss. Soon their curiosity was satisfied, and she
-suddenly turned. Neither of them could restrain a cry of horror, which
-made the Venus plunge back into the water. She had no eyes, and there
-was nothing in their place. Her ears, which were hidden from their sight
-by the profusion of hair, stood out like horns. But that which terrified
-them most was her enormous, snout-like red nose.
-
-They had hardly recovered from their first surprise when another young
-female, clothed in a light tunic, came unexpectedly on the bank, holding
-in her arms a long gown. She also had a nose like the other, and no
-eyes.
-
-The Venus came toward her companion on the bank, and the latter said:
-“They are silent now, and not saying a word.”
-
-“Ha, Saint Mary, they shall have no pardon! They are traitors. Do you
-know what our people are doing? Go and find out; I want to know.” She
-spoke in the purest French of the fourteenth century, and the delicacy
-and sweetness of her voice was like the rippling water of a brook. The
-two men watched and listened in amazement. They stood still and stared
-before them. They felt that a great miracle was being wrought.
-
-Suddenly they were surrounded by thirty or more men, who seemed to have
-come from out of the very rocks. They stood around them, gesticulating
-and talking vehemently, but in very low voices. They too had no eyes,
-but their ears were developed to a surprising size. On each of their
-hands they had ten fingers, and they had ten toes to each foot. As they
-came into the glare of the electric light, they held their hands up to
-their red snouts, as if they had smelled a disagreeable odor. They all
-mumbled in half-audible tones: “Lady Jane de Montfort, Demoiselle de
-Coucy,” and it was easy to see that they referred to the ladies who
-had been disturbed. As they passed they felt the faces of the two
-men. They just touched them lightly, and in doing so moved away in an
-apologetic way. It seemed as if they were curiosities. They felt their
-eyes, their noses, and their ears, and some of them even put their
-fingers down their ears. It was evident they could not understand the
-smallness of their features.
-
-Then one of them addressed M. Mifroid, and while apologizing for their
-curiosity, said he was astonished at their want of beauty.
-
-By this time Lady Jane de Montfort and Demoiselle de Coucy were dressed,
-and M. Mifroid and M. Théophraste were presented to them.
-
-The two men begged a thousand pardons for their intrusion, and were
-about to explain their intrusion, when Demoiselle de Coucy took
-Théophraste by the arm, and Lady Jane took M. Mifroid, and they were
-conducted through the vaults surrounded by the crowd of men. It was
-difficult for them to prevent the men from poking their eyes out as they
-fumbled over their faces.
-
-They had been forty-eight hours without food, and their hunger was
-extreme, and now they were to be taken away from where there was food.
-
-The two women had taken possession of their lamps under the pretext of
-being troubled by the odor.
-
-They tried to tell the people that they were exhausted, but so many
-questions were put to them that no opportunity presented itself.
-
-They had by this time reached a large chamber. There was a dull light,
-and they felt the presence of thousands of people. M. Mifroid managed to
-get one of the lamps, and quickly pressing the button, lit up the vast
-hall, in which were crowded thousands of these weird men, all with
-the large noses and ears, but with no eyes. Some of them walked on all
-fours, and some had such long noses that they looked like pelicans.
-
-Finally they were informed that they were at the entrance to the meeting
-hall.
-
-
-
-
-CHAPTER XXXIV
-
-_M. Mifroid Performs on the Stage_
-
-
-|ONE would never have expected to drop from one of the numberless ways
-in the catacombs into a city of twenty thousand inhabitants. However,
-upon reflection, one would wonder why men, taken out of their natural
-environment, would not be susceptible to the same natural changes as the
-animals.
-
-Arajo relates to us how he saw flocks of blind ducks come out of the
-caverns of the subterranean lake of Zirhnitz. One is bound to believe
-that these ducks were the products of ducks which once saw clearly, but
-which were shut up by some accident in the bowels of the earth, in the
-midst of obscure waters. And so there is some logic in the theory that
-if the family of a man in the first years of the fourteenth century was
-by accident confined in the catacombs, it would live there and produce
-offspring. At the end of the third generation they would have forgotten
-the existence of the open world. Of course they would continue to speak
-the language, and as no strange element would mix with it, it would
-preserve its purity through centuries.
-
-Then in the darkness they would lose the use of their eyes, but develop
-their sense of touch as blind men do. Hence the excess of digits on
-their hands and feet. Then the loss of one sense always develops all the
-other senses in proportion. After centuries these super-developed senses
-become abnormal, and the nose and ears develop accordingly in size.
-
-And so it was with these people of the Talfa. Their features had
-developed to an extraordinary extent, and their idea of beauty in the
-human form was based on the excessive development of these features.
-Demoiselle de Coucy was considered the most beautiful of all the Talfa.
-
-They had entered the large meeting room, and M. Mifroid attempted to
-again light his lamp, but the crowd cried out in such disgust that he
-was persuaded to keep it out. He endeavored to converse with those near
-by. Their names were among the most illustrious in France at the time
-of the Battle of Crecy. But they addressed themselves in a tone so
-ineffably sweet, and all the uproar they tried to make resulted in
-an enchanting murmur. It was difficult to imagine that such sweet and
-honeyed words could emanate from such ugly beings.
-
-M. Mifroid was seated on a chair next to Lady Jane de Montfort, who
-continually felt his face and touched his ears. While her curiosity
-was great she approached him with such delicate gracefulness that he
-hadn’t the heart to restrain her.
-
-Soon there was a great silence, and a concert began. To Mifroid and
-Théophraste nothing was to be heard. Occasionally the people applauded
-quietly, but the absolute silence of the performers was a striking
-feature. Not a word was heard.
-
-Soon there was much talking again around the two men, and they learned
-that it was intended that they should go down on the stage. This was the
-reason why they had been dragged to the meeting hall. They were to be
-exhibited as a phenomenon. Théophraste willingly consented, as his
-companion had promised him a good duck for dinner. M. Mifroid was not
-so easily persuaded, but at last acquiesced, and they descended to the
-stage. They all clamored for a song, and M. Mifroid started one of the
-old French songs of the fourteenth century, which he had learned as a
-boy. He had hardly started the first verse, when everybody in the hall
-called out for him to sing lower.
-
-He started again, this time moderating his voice, but again they called
-to him to sing lower. The third time he could hardly hear himself, so
-low was his voice, but this did not satisfy his audience, and he left
-the platform with his song unfinished. He afterward learned that the
-sense of hearing of these people was so developed that they could
-understand silent music.
-
-
-
-
-CHAPTER XXXVI
-
-_A New Trade_
-
-
-|AFTER the concert the party went out of the hall, and passed on to a
-striking mansion in which a sumptuous repast was served. M. Mifroid
-had by this time become quite intimate with the Lady de Montfort. He
-confessed that he was unable to withstand the allurements of the lady.
-It must not be forgotten that the darkness was most conducive to the
-failure of all his honorable intentions. However, we will not dilate
-upon what happened, but Mme. de Montfort weakened him with her caresses
-and M. Mifroid at last succumbed to the temptation. After a while she
-slept, and he opened the door and went out.
-
-Although they had been among the Talfa several hours, neither M. Mifroid
-nor Théophraste had had the inclination to see what kind of habitation
-they were in. Weakness and the great crowd of Talfa had prevented them.
-
-M. Théophraste had conducted himself in such a manner during the meal,
-eating everything to excess, that he had had to be carried out. It was
-done according to the directions of Mme. de Coucy, who, it is feared,
-would not at that time have carried on her love intrigues.
-
-Now M. Mifroid found himself alone, and he decided to investigate. As he
-went out of the room, he realized that he was in a subterranean city.
-
-That which struck him most was the total absence of doors. All the shops
-were open to the passers-by, and the most precious articles as well as
-the poorest were exposed for any one to take who wished.
-
-He was very much amused by the profusion of the columns, by the
-incredible carving in the friezes, by the reliefs and sculptured caps
-to the pillars. They were so extravagantly flowered, with the lines so
-intricate, that only a master hand could have worked them. A curious
-point about all this work was that it only reached as high as a man
-could touch. Above that point the design mixed in with the vaulting of
-the catacombs and was left to the imagination. But whatever was seen of
-this beautiful carving could only be compared with the marvels worked by
-the early sculptors of India or the ivory-carvers of Burma.
-
-In the search M. Mifroid did not come upon any large building. He had
-frequently heard Mademoiselle say: “Ah, St. Mary!” And so he tried
-to find some temple in order to find out what their religion was. His
-search, however, was in vain. The only building of any size was
-the concert hall where they had been earlier. It was certainly more
-wonderful than all the rest, but except for this one example all the
-architectural marvels were applied to the private buildings. The meanest
-aperture, the poorest door, were little gems of art. There were no
-statues in the squares.
-
-M. Mifroid was just starting back to his lady’s house, when he met
-a party of young Talfa, armed with cross-bows. “Ah!” thought he,
-“here are the guards.” He was, however, quickly undeceived, for they
-had smelled the odor from his lamp, and they came up to him. They told
-him they were going for a hunt. The hunting season started every year
-on the rising of the waters of the great lake. At this time there were
-always a lot of rats, which were killed in thousands and used for many
-different things in the Talfa households.
-
-Thanks to the directions they had given him, he soon found his way back
-to Lady de Montfort’s house. There he found her waiting at the window,
-and as soon as he got near her, she waved her handkerchief.
-
-They were soon in conversation again, and he found out that she was not
-married.
-
-She asked him what he did on the top of the earth, and he told her he
-was a commissioner of police. She listened intently, and asked what
-Théophraste did.
-
-“He is a robber,” said M. Mifroid.
-
-Evidently neither a commissioner of police nor a robber was known among
-the Talfa, and soon the news spread that the two strangers had unknown
-trades, and a great crowd gathered, who begged them to show them what
-they did on earth.
-
-M. Mifroid sent to fetch Théophraste.
-
-
-
-
-CHAPTER XXXVI
-
-_A Robber is Caught_
-
-
-|WHEN Théophraste was brought up to M. Mifroid, he was in a pitiful
-condition. He had given himself up to the worst debauchery, and was
-still under the influence of his excesses.
-
-However, M. Mifroid explained to him what was required of him. He had to
-demonstrate to the Talfa people the duties of a police commissioner, and
-Théophraste was to act the robber and be arrested. However, owing to
-Théophraste’s condition, M. Mifroid had his misgivings as to the
-result of this practical demonstration.
-
-The crowd by this time had assumed enormous proportions, and by special
-permission an electric lamp was lit. All present held their noses as if
-the lamp smelled.
-
-Then M. Mifroid instructed Théophraste. He told him to run into a store
-and take some things, and run out. This was an easy matter, as none of
-the stores had doors, and Théophraste commenced to act the robber.
-He ran into a hatter’s and seized all sorts of rat-skin caps. He
-instinctively put them under his coat, and hid them about his person,
-looking furtively around him in a most natural way.
-
-All this time the people around the store looked on noiselessly. No one
-said anything and not the least sign of surprise was shown. One man at
-length said: “Look at that fellow providing himself with hats for
-a year. It was then that M. Mifroid came upon the scene, and seizing
-Théophraste by the arm, said in his most official tone: “In the name
-of the law, I arrest you!”
-
-This did not produce the desired effect, as the people still preserved
-their dumbness, and did not appear at all impressed.
-
-Mlle. de Coucy asked M. Mifroid what he meant by “In the name of the
-law.” But as the Talfa people had no law, he found it difficult to
-explain.
-
-He told her how the police was an institution to protect the person and
-property of peaceable citizens. They were the guardians of the law. He,
-however, could not make them understand, as they thought Théophraste
-had a right to the hats.
-
-Lady de Montfort explained that they had no need of laws to protect the
-state, as they had no state, nor the property, as they had no property,
-and as individuals never conflicted no law was necessary to protect
-persons. All the Talfa people did was to hunt for their food and make
-clothing from the skins of rats. Marriage to them was a prehistoric
-institution which appeared unworthy of the human state. They only half
-believed its existence as a sacred legend. Their unions were of a very
-liberal nature, and did not require any ceremony or oath. Consequently
-they lived together peacefully and happily.
-
-A curious feature of these Talfa people was the entire absence of any
-code of morals. There was no difference made between a virtuous woman
-and one of loose habits. Everybody lived on the same footing and enjoyed
-the same privileges. Things happened according to taste and temperament,
-and nobody thought anything about it. Thus conflicts of passion were
-reduced to a minimum. No one had rights, as no one possessed anything.
-
-Thus lived the Talfa people. No laws, no trouble, and no police
-commissioners.
-
-
-
-
-CHAPTER XXXVII
-
-_The Escape from the Catacombs_
-
-
-|M. THEOPHRASTE LONGUET had by this time quite forgotten the ties
-which bound him to the world above, and while M. Mifroid was abandoning
-himself to the fancies of Lady de Montfort, he was indulging in excesses
-of debauchery with the Talfa people.
-
-The time came when M. Mifroid became tired of this kind of life. They
-had been in the catacombs three weeks and had become acquainted with the
-habits of all the Talfa people. M. Mifroid longed to get into the open
-world, where people had public affairs and a properly organized society.
-He felt confused, and a feeling of weariness came over him.
-
-Théophraste was for stopping there altogether. He said he had never had
-such a time before. He had been playing the tricks of Cartouche on
-the Talfa people, and he felt more free in spirits than he had felt on
-earth. He was so persistent In his determination to stay that M. Mifroid
-decided to appeal to Mlle de Coucy. He felt that Théophraste was a
-nuisance to the Talfa, and the best way to get him out was to appeal to
-the people themselves. Théophraste had even suggested putting out his
-own eyes to be like these people.
-
-Upon telling Mlle, de Coucy, however, he got a totally different answer
-than he expected. She told him that the Talfa people had decided to let
-them go as soon as twenty thousand people had passed their fingers over
-their faces. She explained that the Talfa had forever been trying to get
-into the upper world, and therefore they must all visit these men from
-the coveted realms and see what they looked like before their departure.
-
-M. Mifroid calculated that it would take some time to complete this
-ceremony, and so he devised a plan by which they could deceive the
-people and escape. They were never long alone, and all day and all night
-fingers were feeling their faces and were thrust into their eyes, nose
-or mouth. It was during these operations one night that M. Mifroid
-devised his plan of escape. He would utilize his powers as a sculptor.
-
-Obtaining some clay from the bed of the lake he modeled two masks like
-those of the Talfa people with large noses and ears. Then under the
-pretense of acquiescing in Théophraste’s wishes, who dreamed only of
-becoming a Talfa, he put one of the masks on his face, and the other he
-wore himself. The deception was perfect, and although they met several
-Talfa they were not recognized, in spite of much finger feeling.
-
-M. Mifroid took the precaution of providing himself with food, and
-they both started out. Théophraste laughed with delight at the bold
-deception, and in his merriment he did not realize that M. Mifroid had
-led him out of the domains of the Talfa. They walked for five days.
-Their eyes had by this time become accustomed to the darkness, and they
-were able to make good headway. On the fifth day they came across some
-human bones, and M. Mifroid uttered a prayer of thankfulness, for here
-were signs of a civilized people. They were on the outskirts of the city
-of Ossarium.
-
-Théophraste had been in a very depressed state of mind since leaving
-the Talfa. He had continually reproached M. Mifroid for getting him
-away. Upon coming upon the first signs of human existence, M. Mifroid
-drew his attention to them and declared that in a short time they would
-be out in the light of day again.
-
-Soon they came across a skull with the signs of a candle near it,
-showing Catholic burial, then the gallery seemed to dip down, the ground
-became wet, and they found themselves wading through mire. Water dripped
-on them from crevices above, and the air became cold and damp. At last
-M. Mifroid recognized a part of the gallery, and again he sent a prayer
-up to heaven for his deliverance.
-
-There was a Latin inscription cut out of the rock: “Ossa arida audite
-verbum Domini,” which M. Mifroid recognized as being near an entrance
-to the catacombs.
-
-They had not proceeded far when voices were heard, and they found
-themselves in a large vault. This was a very different place than
-the hall of the Talfa, though. There were ordinary human beings here.
-Through the whole length of the hall chairs were arranged. The place was
-lit up by numerous candles enclosed in human skulls. At the end was a
-kind of rotunda where evidently the musicians sat, for a large circle
-of music-stands were arranged. A number of people were present getting
-ready for a feast. No one took any notice of the two strangers, as it
-was thought that they were invited guests, and they strolled through,
-watching the proceedings. Soon the musicians began to arrive one by one,
-and the people sat around making pleasantries, and passing the time away
-in talk. It was half-past one.
-
-It was indeed a curious sight. Here down among the dead, with coffins
-and bones all around, had assembled a crowd to listen to music, and
-to make revelry. Fifty musicians had assembled, among whom M. Mifroid
-recognized many of the orchestra of the Opera House.
-
-Soon the music started, Chopin’s “Dead March” being the first
-piece. After listening for some time M. Mifroid tapped Théophraste on
-the shoulder, whispering to him that it was time to go. They hurried
-along, and ten minutes later they found themselves on the earth again.
-
-They walked together for about half an hour, neither uttering a word.
-They were both thinking what a wonderful experience they had gone
-through. The Talfa nation, with its peculiar habits, had impressed them
-wonderfully, and neither wished to disturb the other in contemplation of
-it all.
-
-Suddenly Théophraste said: “What are you waiting for, M. Mifroid? Do
-you intend to arrest me?”
-
-M. Mifroid had, in the emotion of the moment, forgotten his original
-mission. He, however, had become very friendly with Théophraste in the
-catacombs, in spite of his excesses, and so, now that he was confronted
-with the necessity of arresting him, he said: “No, my friend, I shall
-not arrest you. My mission was to arrest Cartouche, but as Cartouche
-is no more, I cannot arrest him. Besides, you, M. Longuet, are my
-friend.”
-
-They then parted at the Buci Crossway.
-
-
-
-
-CHAPTER XXXVII
-
-An Old Friend
-
-
-|AFTER the footsteps of M. Mifroid had died away, M. Longuet remained
-standing at the street corner. A feeling of intense sadness and
-loneliness had come over him. He could not decide on whether to go back
-to his wife or to leave her altogether. But what would he do? If he left
-her he would have no home, and he would be an outcast from the world.
-He wandered for a long time through the streets, until he found himself
-opposite a door in the Rue Suger. He rang the bell and a man in a blouse
-and paper cap opened the door in response.
-
-“Good-evening, Ambrose,” said Théophraste. “Are you up at this
-hour? I would not have disturbed you, but many things have happened
-since I last saw you.”
-
-He had not seen him since the evening he came to ask his opinion on the
-watermark on the old paper.
-
-“Come in,” said Ambrose cordially. “Make yourself at home. How are
-all the folks at home?” “I will tell you all to-morrow. What I want
-now is some sound sleep. I am tired out.”
-
-Ambrose showed him his own bed, and soon Théophraste was stretched out
-and asleep.
-
-The following day Ambrose tried to get some news from Théophraste, who,
-however, observed an absolute silence, and would not be persuaded to
-say a word. He was like a dumb man. He passed his time for two days in
-examining words and papers, which filled his pockets, and in writing,
-but always without saying a word.
-
-One morning as he was preparing to go out, Ambrose asked him: “Where
-are you going?”
-
-“I am going to see M. Mifroid about the details of a trip we took
-together, and of which you will learn when I am dead.”
-
-“You are going to kill yourself?”
-
-“Oh, no. There is no use in doing that. I shall die soon enough. But I
-shall come to your house to die, my dear Ambrose. After going to see M.
-Mifroid, I shall go to see my wife.”
-
-“I did not dare to ask about her. Your sadness and silence made me
-fear some domestic trouble. It is all so inexplicable.”
-
-“She still loves me,” said Théophraste.
-
-Before letting him go, Ambrose made him change his underclothes, and
-lent him a clean shirt, as he said he could not see his wife decently in
-the rags he was in at present.
-
-“I will put it on,” said Théophraste, “for my own sake, as my
-wife won’t see it. I’m not going near her. I shall only see her from
-a distance. I only want to learn if she is happy.”
-
-
-
-
-CHAPTER XXXIX
-
-_The Final Tragedy_
-
-
-|IT was nine o’clock in the evening, the season was well advanced,
-and a heavy mist hung over the land. M. Longuet went up the long
-drive toward the “Villa Flots de Azure.” His hand trembled as he
-cautiously pushed open the little garden gate. He crossed the garden
-step by step, to look around. His whole demeanor was one of evil intent.
-There was a light in the parlor, and the window was half open. With
-short steps Théophraste advanced, and stretching his head he peered in.
-
-He fell back groaning. Placing his hands over his face, he tore the
-white locks on his forehead. The sight had frenzied him, and he felt a
-pang of agonizing jealousy go through his frame.
-
-Marceline and Adolphe were there, locked in affectionate embrace! This
-is what he had come to see! His wife no doubt was happy, but in quite a
-different way from what he expected.
-
-He sat down on the ground and wept with rage. Rising, his curiosity
-forced him to get nearer and listen.
-
-What he heard only made him worse, and he inwardly felt that he was
-about to commit a great crime. However, he battled against this feeling,
-and ran away from the house. Something compelled him to return!
-
-In a state of sanguinary expectation, comparable to nothing in the
-history of crimes, he again retraced his steps, found himself in the
-garden again, and without waiting to look in he bounded into the parlor.
-
-M. Lecamus and Marceline were taken aback, and both uttered a cry of
-surprise. Their surprise was soon turned to terror, as Théophraste,
-seizing some stout cord, ran to Adolphe, and with superhuman strength
-and agility bound him hand and foot. Dragging him to the hall, he tied
-him to a newel post and left him. It was all done with such lightning
-speed that Adolphe hadn’t the time to resist the first attack, and he
-was as a child in the ferocious grip of Théophraste.
-
-Turning around he ran to the sitting-room, and seized an old sword that
-was hanging on the wall. Marceline in her terror called to Lecamus to
-mind his ears. She feared that he would undergo the same treatment
-as Signor Petito. However, nothing was further from Théophraste’s
-thoughts, for turning on Marceline he struck her down with one blow. Two
-seconds later he was holding her head up to Adolphe, saying: “Haste
-thee now to kiss these lips while they are still warm.”
-
-Adolphe could do nothing, so he touched the lips of the dead woman, and
-then fell in a faint.
-
-Théophraste ran upstairs, and brought down from the garret an old
-trunk, and in less than twenty-five minutes he had the body of Marceline
-cut up and placed in it. He closed the trunk with a key, and putting
-it over his shoulder he said good-by to Lecamus. However, he might
-have said good-by to the door-post, for Lecamus was in a dead faint and
-choking from the cords around his neck.
-
-Théophraste and the trunk disappeared in the darkness.
-
-That same night one could have seen a man on a barge in the Seine
-discharging the contents of a trunk into the river. They could also have
-heard him murmur: “My poor Marceline, my poor Marceline! It was not
-your fault.”
-
-At dawn Théophraste knocked at Ambrose’s door. Ambrose saw that
-he was greatly agitated, and asked him in sympathetic tones what had
-happened.
-
-Théophraste could not reply. His tongue seemed riveted to his mouth. He
-crawled to the bed, and, lying down, wept.
-
-At last Ambrose was able to console him sufficiently to get these few
-words from him: “I felt the flame of murder pass through my veins.
-The impulse to kill had returned to me after centuries. The same impulse
-that had made me decapitate my faithless wife, Marie Antoinette Neron,
-two hundred years previously, and to throw her body into the river. I
-forgive M. Lecamus. When I am dead go and look for him and tell him that
-I name him my testamentary executor. I leave him all my worldly goods.
-He will know what to do with the little oaken chest, in which is locked
-the terrible secrets of the last months of my sad life.” Having
-said these words, Théophraste raised himself on the pillow, for the
-oppression increased, and he knew that the end was near. His look was
-no longer of this world. His gaze was fixed on some imaginary object far
-away, and in a doleful voice he said: “I have seen—I see—I turn
-again toward the square ray of light.”
-
-And he expired!
-
-
-THE END
-
-
-
-
-
-
-
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-
-The Project Gutenberg EBook of The Double Life, by Gaston Leroux
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
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-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-Title: The Double Life
-
-Author: Gaston Leroux
-
-Release Date: January 17, 2017 [EBook #53989]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE DOUBLE LIFE ***
-
-
-
-
-Produced by David Widger from page images generously
-provided by the Internet Archive
-
-
-
-
-
-
-</pre>
-
-<div style="height: 8em;">
-<br /><br /><br /><br /><br /><br /><br /><br />
-</div>
-<h1>
-THE DOUBLE LIFE
-</h1>
-<h2>
-BY GASTON LEROUX
-</h2>
-<h4>
-Author of "The Mystery of the Yellow Room"
-</h4>
-
-<h3>
-Copyright, 1909, by JOHN E. KEARNEY
-</h3>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<br /><br />
-</p>
-<p>
-<b>CONTENTS</b>
-</p>
-<p class="toc">
-<a href="#link2H_4_0001"> HISTORICAL PREFACE </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0003"> CHAPTER I </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0004"> CHAPTER II </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0005"> CHAPTER III </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0006"> CHAPTER IV </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0007"> CHAPTER V </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0008"> CHAPTER VI </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0009"> CHAPTER VII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0010"> CHAPTER VIII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0011"> CHAPTER IX </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0012"> CHAPTER X </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0013"> CHAPTER XI </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0014"> CHAPTER XII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0015"> CHAPTER XIII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0016"> CHAPTER XIV </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0017"> CHAPTER XV </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0018"> CHAPTER XVI </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0019"> CHAPTER XVII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0020"> CHAPTER XVIII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0021"> CHAPTER XIX </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0022"> CHAPTER XX </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0023"> CHAPTER XXI </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0024"> CHAPTER XXII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0025"> CHAPTER XXIII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0026"> CHAPTER XXIV </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0027"> CHAPTER XXV </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0028"> CHAPTER XXVI </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0029"> CHAPTER XXVII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0030"> CHAPTER XXVIII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0031"> CHAPTER XXIX </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0032"> CHAPTER XXX </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0033"> CHAPTER XXXI </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0034"> CHAPTER XXXII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0035"> CHAPTER XXXIII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0036"> CHAPTER XXXIV </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0037"> CHAPTER XXXVI </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0038"> CHAPTER XXXVI </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0039"> CHAPTER XXXVII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0040"> CHAPTER XXXVII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0041"> CHAPTER XXXIX </a>
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2H_4_0001" id="link2H_4_0001"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-HISTORICAL PREFACE
-</h2>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span> WAS passing through the waiting-room of the <i>Morning Journal</i> on a
-certain evening last year when my attention was drawn to a man seated in a
-corner. He was dressed in black and his appearance was that of the deepest
-dejection. In fact upon his face I read the most melancholy despair.
-</p>
-<p>
-He was not weeping, his eyes were dry and almost expressionless and
-received the impression of exterior objects like motionless ice. He had
-placed upon his knees a small oaken chest, ornamented with ironwork. His
-hands were crossed over this object and hung down, accentuating his
-dejected appearance.
-</p>
-<p>
-An attendant told me that he had been awaiting my arrival there three long
-hours without a movement, without so much as a sigh. I went towards him,
-and announcing myself, I invited him to enter my office. I showed him a
-seat, but instead of taking it he came straight to my writing-desk and
-placed the little oaken chest on it. &ldquo;Sir, this chest belongs to you,&rdquo;
- said he, and his voice seemed far away and indistinct. &ldquo;My friend, M.
-Théophraste Longuet, commissioned me to bring it to you. Take it, sir, and
-believe me, your servant.&rdquo; As he spoke the man bowed and made a motion
-toward the door. I stopped him, however, and said: &ldquo;Why, do not go, I
-cannot receive this box without a knowledge of its contents.&rdquo; He replied:
-&ldquo;Sir, I do not know what it contains, it is locked and its key is lost.
-You might have to break it open to find out the contents.&rdquo; I replied:
-&ldquo;Then at least I would like to know to whom I am indebted for bringing it
-to me.&rdquo;
- </p>
-<p>
-&ldquo;My friend, M. Théophraste Longuet, called me Adolphe,&rdquo; replied the man,
-in a voice so melancholy that it seemed to grow more faint and indistinct
-with each syllable.
-</p>
-<p>
-&ldquo;Well, if M. Longuet had brought me the chest himself, he would most
-certainly have told me what it contains; I expect that M. Longuet,
-himself.&rdquo;
- </p>
-<p>
-&ldquo;I also, sir,&rdquo; said the man, &ldquo;but M. Théophraste Longuet is dead, and I am
-his sole executor.&rdquo;
- </p>
-<p>
-By this time he had edged his way to the door, and having said these
-words, he opened the door and departed. I was taken back by this sudden
-move and stood staring at the door, then at the chest. Collecting myself I
-hastily followed the man, but could find no trace of him... he had
-disappeared.
-</p>
-<p>
-Opening the chest I found it contained a bundle of papers, which at first
-I regarded with indifference, but which I presently began to examine with
-greater interest. The deeper I penetrated the more mysterious they
-appeared to be and the more unexpected were the adventures revealed. In
-fact, so strange did they seem that I at first could not believe my
-intelligence, and if the proof had not been in front of me I never would
-have been convinced of their reality.
-</p>
-<p>
-It was some time before I could bring myself to realize my position
-regarding these papers. M. Théophraste Longuet had made me heir to this
-chest and to the mysteries lying therein. In fact, the secrets of his
-life.
-</p>
-<p>
-These papers were written in the form of memoirs and were voluminous. They
-related with the minutest detail, all the incidents of an exceptionally
-dramatic existence. M. Théophraste Longuet had by the discovery of a
-document two centuries old acquired the proof that Louis Dominique
-Cartouche, the most cunning criminal in the annals of French crime, and
-he, Théophraste, were one and the same person. This was indeed a most
-startling discovery and valuable, for it also put me on the track of the
-treasures of the famous Cartouche.
-</p>
-<p>
-He had frequently confided in me facts about his peculiar life, but an
-untimely death, certain terrible events related in these documents, had
-prevented him from telling me all. We had been great friends. I had
-written for a journal he had called his &ldquo;favorite organ.&rdquo; He had chosen me
-as his companion and confidant from among many other journalists, not
-because of any superiority of intellect, but rather, as he used to say,
-&ldquo;because a reliable level-headed friend is worth twenty acquaintances, and
-he found me reliable.&rdquo; There was much significance in this word,
-&ldquo;level-headed,&rdquo; as you will learn as you read this narrative.
-</p>
-<p>
-Having thoroughly examined the papers, I immediately took them to my
-manager, who was a keen business man. He did not hesitate for a moment to
-find the &ldquo;Treasures of Cartouche&rdquo; a valuable piece for his paper, and it
-is now a matter of common knowledge how curiously the sum of twenty-five
-thousand francs, divided into seven sums, were hidden in and around Paris,
-and how the author of these lines in the history of the chest which
-appeared in print in the month of October, in the year 1903, * touched
-lightly upon the story found therein.
-</p>
-<p>
-* This date is very important, for it established the fact that my
-authentic history of Cartouche had appeared before Mr. Frank Brentano&rsquo;s
-book, and that one two books the day after that of Mr. Maurice Bernard.
-</p>
-<p>
-I have believed it my duty toward the public, and also to the memory of
-Théophraste Longuet, to publish in volume the authentic history of the
-reincarnation of Cartouche, written exclusively from the documents found
-in the little oaken chest, a plain narrative, unembellished by all that
-which I, poor journalist, had added for the chance reader of my journal.
-</p>
-<p>
-The reader will find more than a mere treasure. The documents are of the
-greatest literary value, inasmuch as they contain proof of things hitherto
-only dreamt of. It is certain that many people imagining themselves of
-superior intellect will doubt and possibly scoff at many of these
-mysteries.
-</p>
-<p>
-The oaken chest contained the secret of the tomb; it also contained the
-history of the Talpa people written by no less an authority than M.
-Milfroid, Commissioner of Police, who remained for three weeks with M.
-Théophraste Longuet in the subterranean home of those monsters. This last
-infernal comedy would most certainly have met with incredulity had not it
-been vented by one of the most honest and intellectual of Police
-Commissioners. M. Milfroid was a most noble and accomplished character,
-and he could place music, painting, sculptors among his accomplishments.
-</p>
-<p>
-Now before closing this preface I must warn my readers that they will find
-many strange things in the narrative, weird and almost supernatural. And I
-would say that unless he is possessed with great level-headedness, he must
-not read the secrets of the Life of Théophraste Longuet.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-
-
-<h1>
-THE DOUBLE LIFE
-</h1>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0003" id="link2HCH0003"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER I
-</h2>
-<h3>
-<i>M. Théophraste Longuet Wishes to Inform Him-self and Visits Historical
-Monuments</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HE strange adventures of M. Théophraste Longuet, which ended so
-tragically, originated in a visit to the prison of the Conciergerie, on
-the 28th of June, 1899. Therefore this history is modern; but the writer
-would say that, having read and examined all the papers and writings of M.
-Théophraste Longuet, its recentness does not detract from its sensational
-character.
-</p>
-<p>
-When M. Longuet rang the bell of the Conciergerie he was accompanied by
-his wife, Marceline, and M. Adolphe Lecamus. The latter was a close
-friend. It was his physique that had attracted M. Longuet. He was not
-handsome, but was tall and well built, and every movement showed that
-strength which M. Longuet lacked. His forehead was broad and convex, his
-eyebrows were heavy and straight. He had a habit of every now and then
-lifting them gracefully to express his disdain of others and his
-confidence in himself. His grey eyes twinkled under near-sighted
-spectacles, and the straight nose, the proud arch of the underlip,
-surmounted by a dark, flowing mustache, the square outline of his chin and
-his amaranthine complexion, all combined to accentuate his strong
-appearance.
-</p>
-<p>
-He had been employed as postmaster at Turin, and had traveled
-considerably. He had crossed the sea. This was also an attraction to M.
-Longuet, who had never crossed anything, unless it was the Seine.
-</p>
-<p>
-M. Longuet had been a rubber stamp manufacturer, but had made sufficient
-money to retire at an early age. He was the antithesis of Adolphe in build
-and character. His face showed no marked intelligence, and his slight
-build lent almost insignificance to his appearance. He had, however,
-imagination, and he used to laughingly say to Adolphe: &ldquo;Even if I haven&rsquo;t
-traveled, I run just as much risk in walking the streets of Paris as one
-who crosses the ocean in ships. Might not houses collapse or pots of
-flowers fall on one&rsquo;s head?&rdquo; Thus he lived a monotonous existence,
-relieved only by the morbid workings of his mind.
-</p>
-<p>
-Before his retirement he had worked hard and had little time to study,
-therefore, now he had leisure, it occurred to him to occupy his time in
-improving his mind. It was with this intention that we find him visiting
-the various buildings of historic interest around Paris.
-</p>
-<p>
-On ringing the bell of the Conciergerie the iron door turned heavily on
-its hinges. A warden shaking the keys demanded of Théophraste his permit.
-He had anticipated this and had received it that morning from the Prefect
-of Police. He tendered it with satisfaction, looking around at his
-companion with the confidence of anticipations realized.
-</p>
-<p>
-The gate-keeper turned the little company over to the Chief Warden, who
-was passing at the time. Marceline was much impressed, and as she leaned
-on Adolphe&rsquo;s arm, thought of Marie Antoinette&rsquo;s dungeon, the Grevin
-Museum, and all the mysteries of this famous prison. The Chief Warden
-said: &ldquo;Are you French?&rdquo; to which Théophraste replied, laughingly, for he
-was typically French: &ldquo;Do we look like English people?&rdquo;
- </p>
-<p>
-&ldquo;This is the first time,&rdquo; explained the Chief Warden, &ldquo;that any French
-people have asked permission to visit the Conciergerie. French people are
-indifferent to things of interest in their own country.&rdquo; &ldquo;They are wrong,
-sir,&rdquo; replied Théophraste, wiping his spectacles. &ldquo;In the monuments of the
-past we have foundations of the future.&rdquo; This idea rather pleased him, and
-he looked for approval to Adolphe and Marceline. He continued following
-the Warden. &ldquo;As for me, I am an old Parisian and would have visited all
-these places of interest long ago but for my work. I have worked hard at
-my trade and the only leisure I got was when I went to bed. That time is
-over now, sir, and now is the time for me to educate myself,&rdquo; and he
-struck the century-old pavement with the end of his green umbrella.
-</p>
-<p>
-Passing a small door and a large wicket, they descended some steps and
-were in the guard-room. The first thing to draw attention made Adolphe
-laugh, Marceline blush, and Théophraste turn in disgust. It was the
-capital of a Gothic column carved to symbolize the story of Abelard and
-Heloise. Abelard was pleading with the Carion Fulbert for his clemency,
-while the latter was taking the child from Heloise.
-</p>
-<p>
-&ldquo;It is strange,&rdquo; said M. Longuet, &ldquo;that in the name of art the Government
-should tolerate such obscenities. That capital is a disgrace to the
-Conciergerie and should be removed.&rdquo; M. Lecamus did not agree, and said:
-&ldquo;Many things are excusable in art if they are done in the right spirit.&rdquo;
- </p>
-<p>
-However, the subject was dropped and they were soon interested in other
-parts of these old historic buildings. The Chief Warden conducted them
-through the Tower of Cæsar, into the Silver Tower, or Tower of Bon Bee.
-They thought of the thousand of illustrious prisoners who had been
-incarcerated in prison for years. Marceline could not keep from thinking
-of the martyred Marie Antoinette, of Elizabeth, and the little Dauphin,
-and of the waxen gendarmes in the museum, who watched over the Royal
-family. All this impressed her, and her mind was continually carried back
-to those stirring times. The Silver Tower had been transformed into a
-record office, and the modern writing desks were in striking contrast to
-the old medieval walls. Returning through the guard-room, they directed
-their steps towards the Bon Bee Tower. Théophraste had read about this
-tower and imagined he knew it well, so wishing to appear well informed,
-asked of the Warden, &ldquo;Is it not there, sir, that the last meal of the
-Girondists was served? You ought certainly to tell us exactly where to
-find the table, and also the place which Camille des Moulins occupied.&rdquo;
- The Warden replied that the Environdists had dined in the chapel and that
-they would soon visit it.
-</p>
-<p>
-&ldquo;I wish to know Camille des Moulins&rsquo; place,&rdquo; said Théophraste, &ldquo;because he
-was a friend of mine.&rdquo;
- </p>
-<p>
-&ldquo;And mine also,&rdquo; said Marceline, with a look towards Adolphe, which seemed
-to say, &ldquo;Not as much as you, Adolphe.&rdquo;
- </p>
-<p>
-But Adolphe laughed and said Camille was not a Girondist, he was a
-Franciscan friar, a friend of Danton, a Septembrian.
-</p>
-<p>
-Théophraste was vexed, and Marceline protested that if he had been
-anything of the sort Lucille would not have married him. Adolphe did not
-insist, but as they had by now reached the chamber of torture, he feigned
-condescendingly to be interested in the labels which adorned the drawers
-decorating the walls, &ldquo;Hops,&rdquo; &ldquo;Cinnamon,&rdquo; &ldquo;Spice,&rdquo; etc.
-</p>
-<p>
-&ldquo;Here is the room in question. They have transformed it into the doctor&rsquo;s
-store-room.&rdquo;
- </p>
-<p>
-&ldquo;It is just as well, perhaps,&rdquo; said Théophraste, &ldquo;but not so impressive.&rdquo;
- </p>
-<p>
-Adolphe and Marceline were of the same opinion. They were not at all
-impressed. Here was the famous torture chamber. They expected something
-else. They were disillusioned. Outside, when viewed from the court of the
-Sundial, the formidable aspect of those old feudal towers, the last
-vestige of the palace of the French monarchy, momentarily brought fear and
-awe to their minds. That prison had stood a thousand years, had known so
-many tragedies, death rattles, legendary miseries, hidden secrets. It
-seemed that one only had to step inside to find an inquisition court in
-some dark corner, damp and funereal. Here seemed to be all the tragedies
-of the history of Paris, as immortal as the very walls.
-</p>
-<p>
-What a disillusion here in these towers with a little plaster and paint
-they had made the office of the Director of Records, the store-room of the
-prison doctor. One could carouse here where once the hangman held sway.
-One could laugh where only the cries of the tortured were heard.
-</p>
-<p>
-Now there would have been nothing unusual about this visit to the
-Conciergerie but for a very extraordinary incident which occurred after
-the party had left the torture chamber. The incident was weird and
-inexplicable, and while I read M. Longuet&rsquo;s own description of it, I
-confess I found it impossible to believe. Therefore I went to the Chief
-Warden, who had shown the party round the prison, and asked for his
-account of the incident.
-</p>
-<p>
-He gave it to me in the following words:
-</p>
-<p>
-Sir, the affair passed as usual, and the lady, the two gentlemen and I
-visited the kitchen of St. Louis, which is now used as a store-house for
-plaster. We proceeded towards the dungeon of Marie Antoinette, which is
-now the chapel. On the way I showed them the crucifix, before which she
-prayed before mounting the cart which is now in the Director&rsquo;s room. I
-told the man with the green umbrella that we had been obliged to transfer
-the Queen&rsquo;s arm-chair to the Director&rsquo;s room, because the English visitors
-had carried away pieces from it as souvenirs. We had by this time arrived
-at the end of the Street of Paris-you know the street that leads from
-Paris to the Conciergerie. We passed through that frightfully dark
-passage, where we found the grating behind which they cut off the hair of
-the women before execution. You know that it is the very same grating. It
-is a passage where never a ray of sunlight penetrates. Marie Antoinette
-walked through that passage on the day of her death. It is there that the
-old Conciergerie stands just as it was hundreds of years ago.
-</p>
-<p>
-I was describing the Street of Paris, when suddenly the man with the green
-umbrella cried out in a voice so unlike the previous voice, so strangely
-that the other gentleman and lady looked startled: &ldquo;Zounds, it is the walk
-of the Straw Dealers.&rdquo; He said it in a weird tone and his whole attitude
-was changed. He used the expression, zounds, twice. I told him he was
-mistaken, that the walk of the Straw Dealers is what we call to-day the
-Street of Paris. He answered me in the same strange voice: &ldquo;Zounds, you
-cannot tell me that! I have lain there on that straw like the others!&rdquo; I
-remarked to him, smilingly, although not without a feeling of fear, that
-no one had lain on that straw in the alley of the Straw Dealers for more
-than two hundred years.
-</p>
-<p>
-He was just about to answer me when his wife intervened. &ldquo;What are you
-saying, Théophraste?&rdquo; said she. &ldquo;Do you wish to teach Monsieur his
-business? You have never been to the Conciergerie before.&rdquo; Then he said in
-his natural voice, the voice by which I had known him at first: &ldquo;That is
-so, I have never been here before.&rdquo;
- </p>
-<p>
-I could not understand then at all, but thought the incident closed, when
-he did something stranger still.
-</p>
-<p>
-We visited the Queen&rsquo;s Dungeon, Robespierre&rsquo;s Dungeon, the Chapel of the
-Girondists, and that little gate, which is still the same as when the
-unfortunate prisoners, called the Septembrians, leaped over it to be
-massacred in the court. We were now in the Street of Paris. There was a
-little stairway on the left which we did not descend. It led to the
-cellars which I did not deem necessary to show, as it was dark and
-difficult of access. The gate at the bottom of this staircase is closed by
-a grating which is perhaps a thousand years old-possibly more. The
-gentleman, whom they called Adolphe, proceeded with the lady toward the
-door leading out of the guard-room, but without saying a word the man with
-the green umbrella descended the little staircase. When he was at the
-grating he cried out in that strange, weird voice: &ldquo;Well, where are you
-going? It is here.&rdquo; The gentleman and the lady stopped as if petrified.
-The voice was terrible, and nothing in the outward appearance of the man
-would make you believe that the voice came from him. In spite of my fear I
-ran to the head of the stairs. I was thunderstruck. He ordered me to open
-the grating, and I don&rsquo;t know how I obeyed him. It was as if I had been
-hypnotized. I obeyed mechanically. Then when the grating was opened he
-disappeared in the darkness of the cellar. Where had he gone? How could he
-find his way? Those subterranean passages of the Conciergerie are plunged
-in frightful darkness and nobody has been down there for centuries and
-centuries.
-</p>
-<p>
-He had already gone too far for me to stop him. He had hypnotized me. I
-stayed about a quarter of an hour at the entrance of that dark hole. His
-companions were in the same state as I was. It was impossible to follow
-him. Then suddenly we heard his voice, not his first voice, but his
-second. I was so startled I had to cling to the grating for support. He
-cried out: &ldquo;It is thou, Simon l&rsquo;Anvergust.&rdquo; I could not answer. He passed
-near me, and as he passed it seemed to me that he put a scrap of paper in
-his jacket pocket. He leaped up the steps with one bound and rejoined the
-lady and gentleman. He gave them no explanation. As for me, I ran to open
-the door of the prison for them. I wanted to get them outside. When the
-wicket was open and the man with the green umbrella was walking out,
-without apparent reason he said: &ldquo;We must avoid the wheel.&rdquo; I don&rsquo;t know
-what he meant, as there was no carriage near.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0004" id="link2HCH0004"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER II
-</h2>
-<h3>
-<i>An Explanation from Théophraste</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">N</span>OW in reading the last chapter one would immediately think that M.
-Longuet had gone mad. What had possessed him? Where did he go? In order
-that you might fully understand his peculiar actions I will give you the
-extract from his memoirs relating to this incident. He writes:
-</p>
-<p>
-I am a man of sound body and mind. I am a good citizen and recognize all
-the laws. I believe laws are necessary for the proper regulation of
-society. I dislike heartily any formalities, and in determining my lines
-of conduct I have always chosen the simplest way.
-</p>
-<p>
-I dislike imaginative people, and the occult has always been repulsive to
-me. However, this is not through want of understanding, for my friend,
-Adolphe Lecamus, had given himself up to the study of spiritualism.
-Whoever teaches spiritualism teaches foolishness, and the desire to
-question the spirits of the dead by means of the planchette seems to me to
-be beyond belief, it is grotesque. However, I have assisted at some of
-Adolphe&rsquo;s seances which he had given for the benefit of Marceline and
-myself. I have even taken a certain part in them, desiring to prove the
-absurdity of his theories. My wife and I once rested our hands on a table
-for a quarter of an hour waiting for it to move. Nothing happened, and we
-laughed heartily at him. However, my wife was more sympathetic, and was
-inclined to be a little more serious. Women are always more susceptible to
-the occult and ready to believe in the mysterious. Adolphe bought her
-books, which she read eagerly, and he amused himself sometimes by willing
-her to sleep, by making passes with his hands and breathing on her eyes.
-It seemed foolish, and I should not have allowed it from any one else, but
-I have always had a liking for Adolphe, and know that it amuses him.
-Marceline and he said that I was a skeptic. However, I am not a skeptic,
-as a skeptic is one who doubts all. I believe in progress, but do not
-believe that one person having an unnatural influence over another tends
-towards progress. Therefore I am not a skeptic, but rather a philosopher.
-</p>
-<p>
-During his travels Adolphe read a great deal. I have had to work hard all
-my life, therefore, while he is an idealist, I am a materialist.
-</p>
-<p>
-It seems necessary for me to thus describe my character so that it may be
-well understood that the happenings of the day before yesterday were not
-due to any occult reasons. I visited the prison in just the same manner as
-I would go to a store to buy a cravat. I wanted to learn, that is all.
-Having sold my business, I have more leisure, and so I said to myself: &ldquo;I
-will visit the interesting places of the city of Paris.&rdquo; Fate decreed that
-the Conciergerie was the first place to be visited. I do not know whether
-I really regret it.
-</p>
-<p>
-At present I am calm and collected and can relate all I remember of what
-happened.
-</p>
-<p>
-While we were in the Towers nothing happened worth recording. I remember
-trying to picture to myself in the little room which looked like a grocery
-store all the horrors of the place, how the executioners and their
-assistants approached the prisoners with their monstrous machines, how so
-many illustrious persons were martyred, and all the terrible griefs and
-agonies which had been witnessed within these walls. But the
-transformation had taken all the romance away, and the labels, &ldquo;Senna,&rdquo;
- &ldquo;Hops,&rdquo; etc., did not inspire imagination. Even the Bon Bee Tower, also
-called Bavarde, on account of the terrible cries which were heard in it,
-has been changed into offices. However, I must not complain. These are all
-the signs of progress and a more enlightened age.
-</p>
-<p>
-But we penetrated into that part of the Conciergerie which has changed
-little during all these centuries, which had not been spoiled by the
-plasterer and in which all the stones could tell their own history; then
-it was that a most inexplicable fever took possession of me, and when we
-had reached the dark end of the walk of the &ldquo;Straw Dealers,&rdquo; I cried out
-from my soul, &ldquo;Zounds! this is the walk of the Straw Dealers.&rdquo;
- </p>
-<p>
-I turned around immediately to find out who had uttered these words. They
-were all staring at me, and I was convinced that it was myself who had
-cried out. It seemed so strange. The voice was not like mine, but it had
-emanated from me. Even now it is unaccountable.
-</p>
-<p>
-The Warden pretended that we had passed the walk of the &ldquo;Straw Dealers.&rdquo; I
-told him that I knew the place better than he, for I had lain there on the
-straw myself. But I had never been in the Conciergerie before, and yet I
-was sure of it. It is difficult to explain. While we walked through the
-chapel of the Girondists, and the Warden was explaining the story to us, I
-played with my umbrella. I tried to appear natural and collected. Although
-the things which happened were quite natural, and not the result of any
-effort, a cold perspiration seized me and I shook like a leaf. I remember
-that I found myself at the bottom of the stairs, standing before a
-grating. I was endowed with almost superhuman strength. Shaking the
-grating, I called out for the others to follow. However, the others had
-gone ahead and did not hear. I called to the Warden to open the grating. I
-don&rsquo;t know what would have happened if he had not done so, quickly. I was
-crazy, and yet everything was natural to me. Truly, I was in a state of
-great nervous excitement, but everything was lucid to me. Never before had
-I seen so clearly as when in that dark cellar. Never before had I
-recognized a place so vividly as when I was down there where I had never
-been before. My God! I did not know them, and yet I recognized them.
-</p>
-<p>
-Without hesitating I groped around, feeling the stones in the dark, and my
-feet trod a soil which seemed familiar but which had not been trodden for
-centuries. I seemed to know these very stones, forgotten in the darkness
-of those cellars. I slid the length of the damp flagstones as if I had
-been accustomed to the way. My finger-nails came in contact with sharp
-stones in the wall and I counted the seams as I passed. I knew that if I
-turned round I would see a certain square light in the distant gallery, a
-single ray in all this place where the sun had forgotten to shine since
-France&rsquo;s history had begun. I turned and saw it, and I felt my heart beat
-violently.
-</p>
-<p>
-Here there was a momentary interruption in the writings. M. Longuet,
-having explained what had happened to him in that strange hour in the
-Conciergerie, was greatly agitated. It was with difficulty he remained
-master of his thoughts. It was difficult to follow them; they seemed to
-come and go, just leaving faint traces on the paper of the record.
-</p>
-<p>
-He resumed the pen with feverish hand. Continuing to busy himself with the
-subterranean passages, he writes:
-</p>
-<p>
-It is necessary to pause here as one pauses at the edge of a precipice. My
-very thoughts make me shiver!...
-</p>
-<p>
-And the Bavarde, there it stands. There are the walls which have helped to
-make history. It is not on high in the glorious sunlight that the Bavarde
-tells its history. It is here in the blackness of the earth. There are
-some large iron staples in the wall here. The very chains of Ravaillac! I
-recall no more; but towards that ray, the sole ray of light, as eternal
-and immovable as the very walls- towards that small square beam, which
-since the beginning of things has taken and kept the shape of a sentinel,
-I advanced. There was some impelling force which urged me on. I rushed
-ahead while the fever was in me and seemed to intoxicate me. Suddenly I
-paused, my feet seemed held to the ground and my fingers ran sliding and
-pressing the length of the wall. What it was that impelled my finger, what
-was the thought, I cannot tell. All at once I let my umbrella fall, and
-drawing my pen-knife, began to scrape steadily between two stones. The
-dust and cement powdered away easily, and soon my knife struck something
-between the stones, and I pulled the thing out.
-</p>
-<p>
-This is why I am sure I was not mad. This thing has been before my eyes.
-In my most peaceful hours I, Théophraste Longuet, see it in my
-writing-desk. It is not I who am mad, but this thing itself! It is a piece
-of torn paper, stained. . . a document of which it is easy to tell the age
-and calculated to plunge any man into the deepest consternation.
-</p>
-<p>
-The paper is, as you must know, terribly decayed. The dampness has eaten
-into half the words, which seem, on account of their reddish tint, to have
-been written with blood.
-</p>
-<p>
-I took the document to the small ray of light, and on looking it over my
-hair seemed to stand on end with horror. <i>There I could recognize my own
-handwriting</i>, and I give you this precious and mysterious document
-clearly translated:
-</p>
-<p>
-&ldquo;Dead and buried all his treasures after the Treachery of April 1st. Go,
-take a look in the barroom! Look at the furnace! Look at the weathercock!
-Dig a while and you shall be rich!&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0005" id="link2HCH0005"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER III
-</h2>
-<h3>
-<i>A Search and a Discovery</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>. ADOLPHE LECAMUS and Marceline thought M. Théophraste&rsquo;s actions
-strange, but they were too much occupied with an affair of their own to
-attach very great importance to them. However, M. Théophraste concealed
-his anxiety and pretended that the visit to the Conciergerie was quite a
-natural occurrence. He had gone down in the cellars just to satisfy a
-natural curiosity, not being one of those who make a superficial
-inspection of things of interest.
-</p>
-<p>
-The following day, M. Théophraste, under the pretext of putting his
-affairs in order, shut himself up in his office and gave instructions for
-nobody to disturb him. Leaning over the balcony he looked out upon the
-little square of Anvers and reflected over the happenings of yesterday.
-There was nothing in the view to distract him. He was accustomed to the
-scene below: nurses pushing perambulators gossiping over the latest news,
-and a few professors walking towards the Rollie College. The Avenue
-Touraine rang with the shouts of college students who had come before the
-lecture hour.
-</p>
-<p>
-Nothing had changed; the world was just the same. To-day, like yesterday,
-or like the day before yesterday. The people were going to their business
-just the same. Even Nidine Petito, the wife of the Italian professor, who
-lived in the apartment below, was the same. She began to play the
-&ldquo;Carnival of Venice&rdquo; on the piano just as she did every day.
-</p>
-<p>
-Nothing had changed; thus he reflected. On turning round he could see
-amongst his papers on the desk, the document. Did it really exist? He had
-passed a restless night and was now attributing his strange adventure to a
-bad dream-but no, it could not be that, for there was the paper on his
-desk, in his own handwriting, and written in blood. Good God! perhaps it
-was his own blood. What thoughts, what thoughts!
-</p>
-<p>
-Théophraste passed his hand over his forehead. He was perspiring and
-restless. Suddenly breathing a sigh and slapping his thigh with his hand,
-he appeared to have come to a definite resolution, and put the paper
-carefully away in his portfolio.
-</p>
-<p>
-He remembered that Signor Petito, the Italian professor, was an expert in
-handwriting and that he had had experience in engraving. He would take the
-document to him and ask his opinion. His friend Adolphe was also
-interested in graphology, but only in a spiritual way, and so he would not
-confide in him. There was already too much mystery in the affair without
-mixing it up with spiritualism and mediums.
-</p>
-<p>
-He had only known the professor to bow to on the stairs, and so in
-presenting himself he was introduced. The professor greeted him cordially,
-and after the usual formalities, Théophraste broached the subject of his
-visit. He produced the paper, and a letter which he had written some time
-previously. &ldquo;Signor Petito,&rdquo; he commenced, &ldquo;having heard of your renown as
-an expert in handwriting, I would be grateful to you if you would examine
-this letter, and this document, and give me the result of your
-observations. I may say that there is no connection between the two
-papers.&rdquo;
- </p>
-<p>
-Théophraste was not in the habit of lying, and blushed redder than a
-peony. But Signor Petito was already deeply engrossed in the examining of
-the two papers. His scholarly eye looked over one, then the other. He
-placed them together, held them up to the light, passed his hand over the
-writing, and measured them. Then he laughed, showing his white teeth.
-</p>
-<p>
-&ldquo;Monsieur Longuet,&rdquo; said he, &ldquo;it is not necessary for me to keep you
-waiting long for a reply. This document is in a very bad condition, but
-the specimen of handwriting can still be read. They are in every way
-similar to the letter, and I would swear before any tribunal that those
-two handwritings have been traced by the same hand.&rdquo;
- </p>
-<p>
-Then he entered into details. &ldquo;A child,&rdquo; he said, &ldquo;could not be mistaken
-about it.&rdquo; He pointed out how this duplicate writing was identically
-angular. &ldquo;We call a handwriting angular, Monsieur, when the hair-strokes
-which join the bottom of the letters and the separate letters are at an
-acute angle to the down-strokes of the letters. Do you understand? Compare
-this hook and that one, those hair-strokes with these others, and all
-those letters getting larger, larger in both writing and in equal measure.
-But what a clear writing, Monsieur; I have never seen such clear writing
-before. As clear as if cut with a knife.&rdquo;
- </p>
-<p>
-By this time Théophraste had become white with nervousness. Signor Petito
-thought that he was going to faint. However, he arose, picked up the
-document and the letter, and having thanked Signor Petito, he went out.
-</p>
-<p>
-He wandered the streets for a long time, and at last turning down a small
-street, he stood in front of an old door in the Rue Inger. Entering, he
-found himself in a narrow, dark passage. A man came out of a back room,
-and on recognizing Théophraste, greeted him in a friendly way. He was
-wearing a square paper cap, and had on a black gown which reached down to
-his feet.
-</p>
-<p>
-&ldquo;Good-day, Théophraste, good-day. What happy chance has brought you here?&rdquo;
- </p>
-<p>
-As it had been two years since they had last seen each other they at first
-spoke of family matters and other generalities. Ambrose spoke of his trade
-of engraving visiting cards. He had been a printer. He had been a printer
-in the province, but having put all he had into an invention for a new
-paper, he had failed. He was a distant cousin to Marceline, and when he
-was deep in financial troubles, Théophraste had come to his rescue.
-</p>
-<p>
-Théophraste seated himself on the wicker chair in the small room which
-served as a workshop. This room was lighted by a large window reaching
-from floor to ceiling.
-</p>
-<p>
-&ldquo;Ambrose, you are an expert. No one can approach you in the knowledge of
-papers, eh?&rdquo; &ldquo;That is not quite true,&rdquo; said Ambrose, &ldquo;but I can judge a
-good paper.&rdquo;
- </p>
-<p>
-&ldquo;You understand all kinds?&rdquo;
- </p>
-<p>
-&ldquo;All kinds.&rdquo;
- </p>
-<p>
-&ldquo;If some one showed you a piece of paper, could you tell the age of it?&rdquo;
- </p>
-<p>
-&ldquo;Yes,&rdquo; said Ambrose, &ldquo;I could. I have published a treatise on the
-water-marks of papers used in France in the seventeenth and eighteenth
-centuries. That study was accepted by the Academy.&rdquo; &ldquo;I know, and I have
-great respect for your knowledge.&rdquo;
- </p>
-<p>
-&ldquo;Well, the thing is simple. The oldest paper showed a plain, glossy
-surface, but soon there appeared wide lines crossed at intervals by
-perpendicular lines, both giving the impression of a metal trellis over
-which the paste had been spread. From the fourteenth century they used
-these as a maker&rsquo;s mark, and in the end they designed figures in brass
-wire, initials, words, emblems of all sorts -these are the water-marks.
-Every sheet of water-marked paper tells its tale, and the year of its make
-can be detected, but the difficulty is to decipher it. This necessitates a
-little practice.&rdquo; Théophraste opened his portfolio and took out the paper.
-</p>
-<p>
-&ldquo;Can you tell me the exact date of this?&rdquo; Ambrose put on his eyeglass and
-took the paper to the daylight.
-</p>
-<p>
-&ldquo;There is the date,&rdquo; he said, &ldquo;172&mdash;, the last figure is rubbed out.
-It must be of the eighteenth century.&rdquo;
- </p>
-<p>
-&ldquo;Oh,&rdquo; said Théophraste, &ldquo;I saw that date quite well, but do you really
-think that the paper is-of that century? Does not the date lie? That is
-what I want to know.&rdquo;
- </p>
-<p>
-Ambrose showed him the center of the paper. &ldquo;See?&rdquo;
- </p>
-<p>
-Théophraste said nothing. Then Ambrose lit a small lamp and held the paper
-up before it. In illuminating the document one could detect in the
-thickness of the paper the design of a crown.
-</p>
-<p>
-&ldquo;Théophraste,&rdquo; said Ambrose excitedly, &ldquo;that paper is exceedingly rare.
-That mark is almost unknown, for a very little paper was made with that
-sign, which is called the Crown of Thorns. That paper, my dear
-Théophraste, was made in 1721.&rdquo;
- </p>
-<p>
-&ldquo;You are sure?&rdquo;
- </p>
-<p>
-&ldquo;Yes, but tell me,&rdquo; cried Ambrose, who could not conceal his surprise,
-&ldquo;how is it that this document, dated 1721, could be by all visible marks
-in your handwriting?&rdquo;
- </p>
-<p>
-Théophraste said nothing, but getting up and putting the document back
-into the portfolio, he hastened out of the house.
-</p>
-<p>
-And so here was proof enough. He could doubt it no longer. This paper,
-dated in the beginning of the eighteenth century, in the time of the
-Regents, this sheet that he had sought for in the prison, distinctly bore
-his own handwriting. He had written on that sheet, he, Théophraste
-Longuet, late maker of rubber stamps, who retired last week at the age of
-41-he wrote on that sheet of paper these incomprehensible words in 1721.
-However, it did not want Signor Petito or Ambrose to prove it to him. He
-knew it himself. Everything within him cried out, &ldquo;It is your paper!&rdquo; And
-so instead of being Théophraste Longuet, son of John Longuet, master
-gardener to the Ferte sous Jonaise, he had been in the past some one he
-did not know, but who had been reborn in him. Yes, that was it, and he now
-had the great desire to recall having lived 200 years.
-</p>
-<p>
-Who was he? What was his name? In which body had his immortal soul elected
-momentarily to live? He felt certain that these questions would not remain
-long unanswered. Was it true that some of the things ignored in his
-present existence constituted part of his past life? What was meant by
-certain expressions spoken in the Conciergerie? Who, then, was Simon de
-Anvergust, whose name had been twice repeated by his burning lips?
-</p>
-<p>
-&ldquo;Yes, yes, the name, in former times my own, his also,&rdquo; wrote Théophraste
-in his journal, &ldquo;arose from my awakened brain, and knowing who I was, I
-recalled the whole life lived in former years, and I read in a flash from
-that piece of paper all the details of a past life.&rdquo;
- </p>
-<p>
-Monsieur Théophraste Longuet, to state the matter frankly, had not arrived
-at the conclusion without having, in these incoherent lines, wandered
-before. The happenings of these days were too unusual. Imagine, he was
-simple-minded, a little heavy, a little foppish, he had never invented
-anything in his life. He was just an amiable, honest citizen, stupid and
-headstrong. He had no religion. He left that to the women, and without
-declaring his atheism, used to say: &ldquo;When one dies, it is forever.&rdquo;
- However, now he had discovered by an extraordinary incident, that one
-never dies. He had to support this, and in doing so declared that not even
-those in the business, in occult science, frequenting spirits daily, could
-have such palpable proof. In the end Théophraste made his resolution
-quickly.
-</p>
-<p>
-This anterior existence could no longer be denied, although he knew
-nothing about it. In the uncertainty of his mind he could not associate
-the date 1721 with his visit to the Conciergerie.
-</p>
-<p>
-However, he came to this final conclusion. In 1721 he had been confined in
-the Conciergerie Prison, probably as a prisoner of state. He could not
-admit for a second that he, Théophraste Longuet, had been shut up, even
-under Louis XV, as a common criminal. In a solemn moment, perhaps before
-being put to torture, he had drawn up this document and hidden the paper
-between the stones in the dungeon, and passing by there two centuries
-later, had found it again. This was simple enough and not the result of
-any supernatural inspiration. The facts themselves were enough.
-</p>
-<p>
-Certain words of the document were in themselves quite natural and of the
-most momentous importance. These were &ldquo;Treasure... treachery of the first
-of April.&rdquo;
- </p>
-<p>
-It was with these words that he hoped to discover his identity. First, he
-had been rich and powerful. The words about the treasure showed
-conclusively that the man had been rich and that he had buried his
-treasure. He had been powerful and had been betrayed. Théophraste had in
-his mind that the treason had been a memorable treason, perhaps
-historic-the treachery of the first of April.
-</p>
-<p>
-Yes, all the oddities and all the mysteries of the document left at least
-a glimpse of something certain: that he had been a great personage, that
-he had buried his treasures; and that after having buried them
-mysteriously, more mysteriously still revealed their existence, at the
-price of much cunning; perhaps at the price of his own blood. Without
-doubt those tinted words had been written with blood.
-</p>
-<p>
-Later he proposed to ask a distinguished chemist to examine it. The
-treasures belonged to him, and if necessary he would use this document to
-establish his right to them.
-</p>
-<p>
-Théophraste was not rich. He had retired from business with a modest
-little income. He had a comfortable little house with a garden and bowling
-alley. However, this was little, with the somewhat extravagant tastes of
-Marceline, and so the treasure would be most acceptable. He therefore
-applied himself diligently to the research.
-</p>
-<p>
-It must be said, though, to his credit, that he was much more puzzled by
-the mystery of his personality than by the mystery of the treasure, and
-that he resolved to temporarily suspend his research until the time when
-he could at least give a name to this personage that he had
-been-Théophraste Longuet in 1721. That discovery which interested him most
-came to be in his mind the key of all the others.
-</p>
-<p>
-That which astonished him most was the sudden development of what he
-called his &ldquo;historical instinct,&rdquo; the instinct which had been deficient in
-him all his life, but which had been revealed to him with the suddenness
-and force of a clap of thunder in the depths of the Conciergerie. In one
-moment, the Other, as he used to say in conversing of this great
-18th-century personage, had possessed him. It was the Other who had found
-the document; it was the Other who had cried out in the Conciergerie; it
-was the Other who had called to Simon l&rsquo;Anvergust, and since the Other had
-disappeared, Théophraste did not know what had become of him. He sought
-him in vain; he examined himself; he searched his very soul.
-</p>
-<p>
-Before this adventure Théophraste had no curiosity about the beginning or
-ending of things, he had not wasted time in wondering over philosophical
-mysteries; in his vanity he had always shrugged his shoulders at such
-things. However, now things were different; here was a quiet citizen, with
-little scientific knowledge, who had to prove that a manufacturer of India
-rubber in the year 1899 had been shut up in a dungeon after having buried
-treasures in 1721. But the revelation of this extraordinary fact had come
-to him spontaneously and remained so fixed in his mind that he resolved to
-probe the matter to the bottom.
-</p>
-<p>
-His instinct abandoned him momentarily and he would search books and
-discover who this powerful, rich person was who had been betrayed on April
-1st; which April 1st? This remained to be determined. He haunted the
-libraries from that time on. He marshaled before him the Premiers of the
-Kingdom. He found nothing to give him a clue. Some dukes and peers, some
-illustrious generals, some great financiers, a few princes of the blood.
-He stopped an instant at Law, but he was too dissipated; at Maurice de
-Saxe, who ought to have won the Battle of Fontenoy; at the Count du Barry,
-who had had the most beautiful mistress in Paris. He feared that perhaps
-he had been the Count de Charolais, who distinguished himself by his
-debauches, and killed the thatchers on the roofs by shooting at them. He
-was forty-eight hours the Cardinal of Palegria, but was disgusted when he
-learned that his Eminence had been a farm hand for the Duchess of Maine.
-It was refreshing to find in some corner of history a sympathetic count or
-lord that the writers of the epoch had adorned in engaging colors and on
-whom they had bestowed some virtues. But Théophraste soon saw that all
-these would have to be abandoned. For none of them had the principal
-qualifications of having been shut up in the Conciergerie in 1721, or
-having been betrayed on an April 1st.
-</p>
-<p>
-However, in the Journal of the Barber, he discovered a bastard of the
-Regent, about whom were some startling facts which precipitated him into a
-state of great excitement.
-</p>
-<p>
-Before entering into the details, however, of this discovery, we will
-return to the doings of Marceline and M. Adolphe Lecamus.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0006" id="link2HCH0006"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER IV
-</h2>
-<h3>
-<i>Some Philosophy and a Song</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">L</span>ET us leave Paris awhile and return to the little estate on the banks of
-the Marne, which Théophraste generally moved to with the first rays of the
-July sun. This year he was to go there before Marceline and his friend,
-Adolphe, who had been commissioned to survey the timbers on some lands
-elsewhere. Thus these last few days he could spend alone in security and
-peace to attend to this unusual treatise which his new position in the
-world had given him.
-</p>
-<p>
-The name of the house was &ldquo;Villa Flots d&rsquo;Azure.&rdquo; Théophraste had given it
-this name against the wishes of Adolphe, who protested that the name was
-for a villa near the sea. He had replied with logic that he had often gone
-to the Preport, and that he had always seen the sea green; that he knew
-the Marne, and that on account of the reflected blue sky the water seemed
-blue. Do they not say &ldquo;the beautiful blue Danube&rdquo;? It was not only the
-ocean that had blue waves, so he did not see why he should not call his
-villa on the Marne &ldquo;Villa Flots d&rsquo;Azure.&rdquo;
- </p>
-<p>
-That day was the anniversary of their marriage. Théophraste was very fond
-of Marceline, and these anniversaries were always the occasion for much
-merry-making. Marceline also loved Théophraste, and saw no reason why she
-should not like Adolphe equally as well, whereas, on the other side,
-Adolphe adored Marceline and would have died for Théophraste. On
-reflection, the name &ldquo;Villa Flots d&rsquo;Amour&rdquo; would have been more
-appropriate than &ldquo;Villa Flots d&rsquo;Azure,&rdquo; such harmony existed therein.
-</p>
-<p>
-Théophraste shook Adolphe&rsquo;s hand effusively. He complimented his wife on
-her beauty. He had his green umbrella that day, and in making his
-congratulations twirled it in a fashion, as he thought, resembling the
-manner in which they used canes in the beginning of the eighteenth
-century. He was not a vain person, but he knew by this scientific miracle
-that he had been a great man two hundred years ago, and he felt that he
-should convey the impression that he had moved among great people and
-affairs.
-</p>
-<p>
-It was their custom upon their return to their country house to invite a
-few friends to a party to celebrate the occasion. Upon this occasion
-Théophraste was at his best. He was in high spirits, and while passing the
-good word to the gentlemen, made flattering speeches to the ladies. The
-table was set in the garden under a tent where the guests assembled. After
-a while the conversation turned to the latest doings in angling. M. Lopard
-had caught a trout of three pounds; old M. Tartoush had cast his line on
-Sunday-having caught nothing, complained that people made too much noise
-shooting during the week, and drove the fish from these waters. All joined
-in the conversation and gave their experiences except M. Théophraste.
-</p>
-<p>
-He kept silent. He found the topic too commonplace and felt a desire to
-raise its level. He wanted it to drift into some subject related to that
-preoccupying his mind. After awhile he was able to get Adolphe interested
-in the subject of ghosts. From ghosts the conversation led on to
-spiritualism. One lady knew a somnambulist and related some strange
-stories which were calculated to work upon the imagination of the company.
-Adolphe, upon this, explained the spiritualistic point of view of the
-phenomena of somnambulism, and cited well-known authorities. He seemed
-quite in his element, and finally reached the point desired by
-Théophraste, the transmigration of souls and reincarnation.
-</p>
-<p>
-&ldquo;Is it possible,&rdquo; said Marceline, &ldquo;that a soul comes back to live in its
-body? You have often told me so, Adolphe, but it seems to me that one&rsquo;s
-reason strongly repulses such an hypothesis.&rdquo; &ldquo;Nothing is lost in Nature,&rdquo;
- replied Adolphe, positively. &ldquo;Neither the soul nor the body. All is
-transformed, the soul as well as the body. The reincarnation of souls at
-the end of a century is a doctrine which goes back to such great antiquity
-that the ancient philosophers do not deny it.&rdquo;
- </p>
-<p>
-&ldquo;If one&rsquo;s soul returned to a body,&rdquo; said Marceline, &ldquo;one would surely know
-it.&rdquo;
- </p>
-<p>
-&ldquo;Not always,&rdquo; said Adolphe, &ldquo;but sometimes.&rdquo; &ldquo;Ah, sometimes?&rdquo; asked
-Théophraste, who was by this time becoming intensely interested.
-</p>
-<p>
-&ldquo;Yes, there are cases. For instance: Ptolemy Caesar, son of Caesar and
-Cleopatra, who was king of Egypt before Christ, remembered well to have
-been Pythagoras, a Greek philosopher, who lived 600 years before.&rdquo;
- </p>
-<p>
-&ldquo;Impossible!&rdquo; cried the ladies, and the gentlemen smiled skeptically.
-</p>
-<p>
-&ldquo;You need not laugh, gentlemen. It is impossible to be more serious. Our
-actual transformation, which is the final word in science, is in full
-accord with the theory of reincarnation. What is transformation except the
-idea that living things transform themselves, progressing one into
-another? Nature presents herself to us under the aspect of a spark,
-elaborately perfecting without ceasing to create, to attain an ideal which
-will be the millennium. Whatever Nature does for the body she does for the
-soul. It can be proved, for I have studied this side a great deal, and it
-is the original of all sciences.
-</p>
-<p>
-Monsieur Adolphe was not understood by the company, a fact of which he was
-inwardly proud. He liked to feel a superiority of intellect, and often he
-would raise the conversation above the level of his audience just to
-gratify his vanity. He touched on many points which only need be referred
-to lightly here in order to convince skeptics that the extraordinary
-history of Théophraste is founded on a most scientific basis.
-</p>
-<p>
-&ldquo;The transmigration of souls was taught in India,&rdquo; said Adolphe; &ldquo;the
-cradle of the genus human, then in Egypt, then in Greece. They chanted its
-mysteries in the name of Orpheus. Pythagoras, who continued the teaching,
-did not admit with the philosophers on the banks of the Ganges that the
-soul traveled over the cycle of all animal existence. He made it come
-back, for example, into a pig.&rdquo;
- </p>
-<p>
-&ldquo;There are some men,&rdquo; said Madame Beulie, &ldquo;who still have the souls of
-pigs.&rdquo;
- </p>
-<p>
-&ldquo;Without doubt,&rdquo; said Adolphe, smiling; &ldquo;but what Pythagoras says is that
-we must not conclude from that, that pigs have the souls of men. Plato
-also adopts this doctrine. It is the first which gave in the Phidon the
-proof that souls do not exile themselves forever and that they come back
-to animate bodies anew.&rdquo;
- </p>
-<p>
-&ldquo;Oh, if we could only get proof of that it would be nothing for me to
-die,&rdquo; declared old Mlle. Tabouret, who had a mortal terror of dying.
-</p>
-<p>
-&ldquo;Here are the proofs,&rdquo; continued Adolphe. &ldquo;They are two in number. One is
-taken from the general law of Nature, the other from human nature. First,
-Nature is governed by the laws of contraries, and from that we see that
-while death succeeds life, all would end by being absorbed in death, and
-Nature would one day come to an end like Endymion. Therefore I say that we
-exist after death.
-</p>
-<p>
-&ldquo;Secondly, if after consulting the general laws of Nature we turn to our
-own minds, we will find there the same dogma attested by the fact of
-resemblance. &lsquo;To learn,&rsquo; said Plato, &lsquo;is nothing but to recollect. Since
-our souls learn, they must have a resemblance. What does it recollect
-except to have lived, and to have lived in another body? Why can we not
-believe that in leaving the body while it is animate at this time it can
-animate several others in succession?&rsquo; I quote Plato literally,&rdquo; remarked
-Adolphe.
-</p>
-<p>
-Then he passed from Plato to a modern authority. &ldquo;Charles Fournier has
-said: &lsquo;Where is the old man who has not truly wished to be born again, and
-to use in another life the experience he has acquired in this?&rsquo; To pretend
-that that desire ought not to be realized is to admit that God can deceive
-us. We ought then to recognize that we have lived previous to being what
-we are, and that several other lives await us. All these lives, to the
-number of eight hundred and ten, are distributed between five periods and
-embrace a span of eighty-one thousand years. Allan Hardai reckons that the
-soul returns to another body after two or three thousand years unless we
-die a violent death. Then it is quite possible one can be reincarnated
-after two hundred years.&rdquo;
- </p>
-<p>
-Adolphe had by this time drawn all around him and became the center of
-attraction by his entertaining remarks. Théophraste had sat open-eyed,
-listening intently, and upon hearing the last remark thought &ldquo;That is
-well. They may have hung me; so if I did not die that way, they may have
-got rid of me by some other death more in keeping with my station in life.
-Nevertheless,&rdquo; he thought, &ldquo;if all these people here could only realize
-that they had a prince of the royal blood among them, they would be very
-much astonished, and be filled with respect. But no, he will still be
-Théophraste Longuet, manufacturer of rubber stamps.&rdquo;
- </p>
-<p>
-Champagne was brought, and soon the air rang merrily with general chatter
-and the explosion of corks. It was then that Marceline turned around to
-Théophraste and begged him to sing the song which he was accustomed to
-sing on the anniversary of their marriage. He had sung it the day of their
-wedding, and on account of its beauty they had adopted it as their wedding
-song. It was Lissette de Baranger.
-</p>
-<p>
-However, to the consternation of Marceline and all the guests, instead of
-singing the song, he rose, threw his napkin on the table and said to her
-in that strange voice which they heard at the Conciergerie:
-</p>
-<p>
-&ldquo;As thou wishest, Marie Antoinette, I can refuse thee nothing.&rdquo;
- </p>
-<p>
-&ldquo;Oh, my God,&rdquo; cried Marceline. &ldquo;Hear what he called me in that strange
-voice!&rdquo;
- </p>
-<p>
-The guests were obviously uncomfortable, and did not know what to make of
-his peculiar behavior. The song was a vulgar song of the Regency period,
-and certainly not for such a gathering as was at this party. He sang it
-with the old French air:
-</p>
-<p class="indent20">Tou joli belle mimiere&mdash;
-</p>
-<p class="indent20">Tou joli, moulin.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0007" id="link2HCH0007"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER V
-</h2>
-<h3>
-<i>Théophraste Remembers Himself</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HEOPHRASTE sang the song in loud, strident tones, his eyes sparkling,
-glass in hand. It was with indescribable surprise that the company
-received it, and despite the richness of the rhyme, the couplet was
-followed by no applause. An awkward silence followed, and all the ladies
-looked to Marceline for an explanation.
-</p>
-<p>
-What was it that Marceline could explain? Adolphe himself looked at
-Théophraste in surprise; but Théophraste, as if possessed with the devil,
-continued with the second couplet of the drinking song. When he had
-finished, he sat down, looked around with satisfaction, and said to
-Marceline, &ldquo;What do you think of that, Marie Antoinette?&rdquo;
- </p>
-<p>
-In the midst of a death-like silence preserved by all, Marceline asked
-tremblingly, &ldquo;Why do you call me Marie Antoinette?&rdquo;
- </p>
-<p>
-&ldquo;Because you are the most beautiful of all!&rdquo; cried Théophraste. &ldquo;I appeal
-to Madame la Marechale de Bouilleurs, who has taste. I appeal to all of
-you. And there is not one who, by the signet of the Pope, will contradict
-me, neither the Eros Picards, nor the Bourbons, nor the Burgundias, nor
-the Provincials, nor the Poet St. Jack, nor Gatelard, nor Bras-de-Fer, nor
-Guente Noir, not even Bal-a-voir.&rdquo;
- </p>
-<p>
-M. Théophraste had on his right old Mlle. Tabouret, and he pinched her
-knee as he looked at Marceline, which nearly made that austere person
-faint. No one dared to move; for the fiery look of Théophraste frightened
-the whole company. He leaned amorously towards Mlle. Tabouret, and said to
-her, staring at Marceline, who was by this time weeping: &ldquo;Let us see,
-Mlle. Tabouret, am I not right? To whom can I compare her? Is it La Belle
-Laitere, or La Petite Minion; or even La Blanche of the bowling alley; or
-La Belle Helene, who kept the Harp Tavern?&rdquo;
- </p>
-<p>
-Turning towards Adolphe, he said with great energy, &ldquo;Come you, Va-de-Bon
-Cour, tell me your opinion. Look at Marie Antoinette a little while. By
-the fatted calf, she puts them all in the shade: Jeannette, the flower
-girl of the Royal Palace; Marie Leroy and the female Solomon, the beauty
-of the Temple; Jeanne Bonnefoy, who kept the café of the Port Marie; Manon
-de Versailles, the poultry girl-none of them approach her in beauty.&rdquo;
- </p>
-<p>
-He then leapt with one bound upon the table, and breaking the dishes, cups
-and plates into a thousand pieces, held his glass over his head and
-shouted, &ldquo;Let us drink to the Queen of the Nymphs, Marie Antoinette.&rdquo;
- </p>
-<p>
-Draining his glass, he smashed it against the table and waved his hand,
-which was covered with blood. By this time the party had fled in terror,
-fearing that some tragedy would follow Théophraste&rsquo;s strange behavior. On
-superficially thinking of these curious actions one would immediately
-conclude that he had gone mad or was drunk, but this was not the case.
-There is another kind of sense beside common sense. It was not because he
-was crazy or drunk that he could sing a song that he had never learnt,
-speak a language that he had never heard, or refer to people that he had
-never read about, who had been dead for centuries. There must have been
-some other force working in his brain.
-</p>
-<p>
-Modern scientific experiments have shown with indisputable examples that
-this particular case was far from unique. Ignorant people, who neither
-knew how to read or write, who had never been outside their village, have
-been known to give most correct answers to the medium who questioned them
-in a dead language. And this has been before professors of colleges, not
-before charlatans. It is difficult to explain. It is the mystery of this
-life, the life hereafter. Some say that it is a learned spirit talking
-through these ignorant mouths, others have timidly expressed the opinion
-that such phenomena can only be explained by the remembrance of a former
-life. Therefore the things which Théophraste said and did without
-understanding, the Other who relives in him at intervals understands
-perfectly well, and if we would understand them we must know who this
-Other is.
-</p>
-<p>
-As to Théophraste, after the guests had disappeared from the tent, he
-climbed down from the table. He found it more difficult to reach the floor
-than it had been to climb upon the table, and he knelt down, taking great
-precaution not to fall. He then assumed his natural self and called
-Marceline. She did not answer him, and in searching for her he found her
-trembling with fright in her room. He closed the door carefully and
-prepared to give an explanation. She looked at him with her large eyes,
-amazed, filled with tears, and he felt it his duty as a husband not to
-conceal from her any longer this extraordinary phenomenon which had been
-preoccupying his mind.
-</p>
-<p>
-The night was ideal, and after they had retired he said to her, &ldquo;My dear
-Marceline, you cannot understand what has happened to me this evening, and
-I can assure you I don&rsquo;t understand myself, but in telling you all I know
-perhaps we can arrive at some conclusion.&rdquo;
- </p>
-<p>
-He then related all the details of his visits to the cellars of the
-Conciergerie. He concealed nothing, and sketched in minute details the
-extraordinary feelings which had actuated him that evening, and the
-unknown influence which had commanded him. At first she said nothing, but
-softly moved away from him as if afraid of him; but when he came to the
-document which revealed the existence of the treasures, she demanded to
-see it at once. He judged then that she was taking an interest in the
-adventure and felt thankful. They got up and he showed her the paper in
-the light of the full moon, which was streaming into the room. Like all
-those who had seen it before, she recognized the handwriting immediately,
-and made the sign of the cross as if fearing some sorcery. Marceline was
-not a fool, but explained that she could not help making the sign.
-However, she soon became composed, and began to praise Adolphe, who, in
-spite of Théophraste&rsquo;s disapproval, had initiated her into the elements of
-spiritualism, a science she said which would be of some service to
-Théophraste in his condition. But even in the face of that uncontestable
-evidence she found it difficult to believe that he was a reincarnated
-spirit dating back two hundred years, until he asked her who she thought
-he had been.
-</p>
-<p>
-Marceline didn&rsquo;t think that he had been a very great personage, and in
-reply to his disappointed inquiry she said:
-</p>
-<p>
-&ldquo;Because this evening you sang in slang, and the ladies whose names you
-mentioned do not belong to the aristocracy. People who frequented La
-Terpidere, La Platire, Manon de Versailles, I think are not of much
-account.&rdquo;
- </p>
-<p>
-&ldquo;But I also mentioned the leader of the Bouffleurs,&rdquo; replied Théophraste,
-&ldquo;and you know that morals were so dissolute under the Regency of the Duke
-of Orleans that the fashion at Court was to call the ladies in slighting
-terms. What do you think of the idea of me being the Bastard of the
-Regent?&rdquo;
- </p>
-<p>
-For sole response she embraced Théophraste in delight, and recollecting
-his duty on this day of celebration proved to her that if he was more than
-two hundred years old, his love always remained youthful.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0008" id="link2HCH0008"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER VI
-</h2>
-<h3>
-<i>M. Lecamus Expresses His Views.</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>FTER a while Marceline was able to persuade Théophraste to confide in M.
-Adolphe Lecamus. She declared that Adolphe&rsquo;s great experience, his certain
-knowledge of the science of metaphysics, ought to be a great help to a man
-who had buried treasures two hundred years before and wished to find them
-again. &ldquo;And,&rdquo; she added, &ldquo;it is he who will be able to reveal your
-identity.&rdquo;
- </p>
-<p>
-He yielded to her persuasions, and in the morning told Adolphe everything.
-Adolphe was astonished, and it surprised Théophraste that a man who
-professed Spiritualism should show so much emotion when face to face with
-a reincarnated spirit. He said that Théophraste&rsquo;s conduct at the dinner
-table the day before and the words he uttered to him before and since the
-visit to the Conciergerie were well calculated to prepare him for such a
-confidence, but he did not expect such a thing as this. He demanded to see
-the proof of such a phenomenon. Théophraste readily showed the document,
-and Adolphe could not deny the authenticity of it. He recognized the
-handwriting at once, and exclaimed, upon examination, that the handwriting
-explained many things to him. He had often thought how curiously the
-characters in Théophraste&rsquo;s handwriting differed from his real character.
-It had always been difficult for him to associate the handwriting with
-Théophraste.
-</p>
-<p>
-&ldquo;Really,&rdquo; said Théophraste, &ldquo;what character do you ascribe to me?&rdquo;
- </p>
-<p>
-&ldquo;Well, if you will promise not to bear me any ill, I will tell you!&rdquo;
- </p>
-<p>
-On this assurance he painted Théophraste&rsquo;s character. It was that of a
-kind citizen, an honest merchant, an excellent husband, but a man
-incapable of showing any firmness, wit or energy. He told him also that
-his timidity was excessive, and that kindness was always ready to
-degenerate into weakness. The picture was not at all flattering, and
-Théophraste felt a little hurt.
-</p>
-<p>
-&ldquo;And now,&rdquo; said he, &ldquo;that you have told me what you think of my character,
-tell me what you think of my writing.&rdquo;
- </p>
-<p>
-Then he made observations on his handwriting which would not have failed
-to make him quite angry if he had not remembered that Signor Petito had
-said the same. He said:
-</p>
-<p>
-&ldquo;Your writing expresses all the contrary sentiments in your nature as I
-know it, and I can imagine nothing more antithetical than your writing and
-your real character. Thus you do not write a characteristic hand, but the
-handwriting of the Other.&rdquo;
- </p>
-<p>
-Théophraste was deeply interested. He thought of the strength and energy
-of the Other, he imagined that he was a great captain. However, Adolphe&rsquo;s
-next remark completely disillusioned him.
-</p>
-<p>
-&ldquo;Any sign in those formations, in the pointed fashion they have of
-reuniting, and in the way of growing tall and of climbing up, and of
-passing each other, show energy, firmness, obstinacy, ardor, activity, and
-ambition, but all for evil.&rdquo;
- </p>
-<p>
-This dismayed him, but he exclaimed with a show of spirit: &ldquo;Where is the
-evil? Where is the good? If Attila had known how to write perhaps he would
-have written like Napoleon.&rdquo;
- </p>
-<p>
-&ldquo;They called Attila the scourge of God.&rdquo;
- </p>
-<p>
-&ldquo;And Napoleon the scourge of man,&rdquo; replied Théophraste, with difficulty
-controlling his anger.
-</p>
-<p>
-How could it be that Théophraste Longuet could have been anything else but
-an honest being before his birth, during his life, and after his death?
-</p>
-<p>
-Marceline agreed with him, and Adolphe fearing that he had gone too far
-made apologies.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0009" id="link2HCH0009"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER VII
-</h2>
-<h3>
-<i>Théophraste and His Black Plume</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">F</span>OR the next few days M. Lecamus and M.
-</p>
-<p>
-Longuet occupied themselves with evidence of this phenomenon, and were
-often seen together, conversing mysteriously, in the bar-rooms and about
-town, about the treason of the first of April. They left the Villa Flots
-d&rsquo;Azure to return to Paris, with the intention of searching the libraries.
-They worked diligently for several days without any result, until M.
-Longuet began to lose spirit. M. Lecamus was more patient.
-</p>
-<p>
-One evening as they were walking towards the Rond Point, in the Champs
-Elysees, he turned around and said, &ldquo;What can we do to find the
-approximate place where the treasures are buried if you have not your
-black plume?&rdquo; Théophraste and Marceline could not understand this, and
-asked for an explanation. He commented:
-</p>
-<p>
-&ldquo;You have heard of the water witches who could discover water by the aid
-of a wand, by a phenomenon which nobody has as yet been able to explain.
-These witches traced water across the various beds of earth, and by
-pointing the little rods, indicated where it was necessary to dig in order
-to make a well. I do not despair of showing you, Théophraste, where your
-treasures are buried. I will conduct you over the ground shown in the
-document, and tell you where it is that you must dig to find your
-treasure.&rdquo;
- </p>
-<p>
-&ldquo;Yes,&rdquo; interrupted Théophraste, &ldquo;but this does not explain to us what you
-mean by &lsquo;the black plume.&rsquo;&rdquo;
- </p>
-<p>
-&ldquo;I am coming to that now. I am obliged to speak of Darwin. You will
-understand directly. You know that Darwin devoted himself to several
-celebrated experiments, of which the best known is that with pigeons.
-</p>
-<p>
-&ldquo;Desirous of accounting for the phenomenon of heredity and the value that
-he attached to it, he closely studied the breeding of pigeons, which is
-sufficiently rapid to have enabled him to draw conclusions upon an
-appreciable number of generations. At the end of the tenth generation he
-found the same type of pigeon, with the same defects, the same qualities,
-the same form, the same outline, and the same black plume there in the
-same place where the first pigeon had a black feather. Very well! With
-that I will prove to you that it is the same with souls as it is with
-bodies.
-</p>
-<p>
-&ldquo;At the end of the tenth generation, we find the same soul, as far as it
-exists, with the same defects, the same virtues, and, as it were, with the
-original black feather. While giving you this illustration, it is
-necessary to distinguish between the soul which reappears thus
-hereditarily, and that which comes back by reincarnation. Believing that
-it is the result of a unique combination which nothing can oppose, and,
-since it dwells in a case called a body, is hereditary in the same degree
-as that body, an hereditary soul which comes from an ancestor always has
-his black feather, while a soul which comes back by reincarnation finds
-itself in a body which is in no way prepared to receive it. The aggregate
-materials of this body are original, and decaying, momentarily impose a
-silence on that soul.
-</p>
-<p>
-&ldquo;But a time comes when this soul becomes the strongest, when it speaks,
-when it shows itself entirely, just as the black feather does.
-</p>
-<p>
-&ldquo;Now, Théophraste, for several generations you were the honest gardeners
-in the Ferte-sous-Jonarre. But when that soul speaks in you, you are no
-longer yourself. Théophraste Longuet has disappeared. It is the Other who
-is there. It is the Other who has the gesture, the manner, the action, the
-black feather. It is the other who recalls the mystery of the treasure, it
-is the Other who remembers the Other.&rdquo;
- </p>
-<p>
-&ldquo;Oh! This is admirable!&rdquo; exclaimed Théophraste, who was so deeply moved
-that he could hardly refrain from weeping with excitement. &ldquo;And now I
-understand what you mean by my black feather. My black feather returns to
-me when I am the Other.&rdquo;
- </p>
-<p>
-&ldquo;And he will help you then, my friend,&rdquo; declared Adolphe with conviction.
-&ldquo;But until we have released the unknown who is hidden in Théophraste
-Longuet, and until he lives with sufficient strength, audacity, and
-liberty, until he is resuscitated, in a word, until he appears to us with
-his &lsquo;black feather,&rsquo; we will confine ourselves to the study of that
-interesting document which you brought from the Conciergerie. Let us make
-a plan for penetrating the mystery. We will find out exactly where the
-treasures are buried, but we must wait for the spirit who dwells in you to
-say to us, &lsquo;It is there.&rsquo;&rdquo;
- </p>
-<p>
-&ldquo;My friend,&rdquo; said Marceline, overflowing with admiration, &ldquo;you talk like a
-book, and I wonder that you have not more often tried to teach us these
-things, for we are so ignorant. You must not leave a stone unturned to
-find the treasure. I do not fear the destruction of the earth on account
-of the object of our search.&rdquo;
- </p>
-<p>
-Adolphe turned around to reprove Marceline for her flippancy, but at this
-moment M. Milfroid, the Commissioner of Police, approached, and Adolphe
-rose to greet his friend.
-</p>
-<p>
-Adolphe introduced M. Milfroid to M. and Mme. Longuet. He was a man of
-about forty years of age, elegantly dressed, immaculate gloves, a silvery
-ringlet of hair on the white forehead. He advanced, smiling and bowing.
-</p>
-<p>
-&ldquo;We have often heard our friend M. Adolphe speak of you,&rdquo; said Marceline.
-&ldquo;Your fame has gone before you.&rdquo;
- </p>
-<p>
-&ldquo;Oh, madame, I have known you for a long time. Every time I meet M.
-Lecamus he speaks to me of his friends of the Rue Gerauds, and in such
-terms that it has been my greatest desire to have the happiness of being
-presented to you.&rdquo;
- </p>
-<p>
-Marceline was conquered by such gallant manners. &ldquo;I hear that you play the
-violin very well,&rdquo; she said.
-</p>
-<p>
-&ldquo;I am equally interested in philosophy,&rdquo; said M. Milfroid. &ldquo;An interest
-which I owe to M. Adolphe, who is continually in dispute with me over the
-immortality of the soul, and other psychic matters. He has really made a
-convert of me.&rdquo;
- </p>
-<p>
-&ldquo;Monsieur,&rdquo; said Théophraste, who had not yet taken part in the
-conversation, &ldquo;Adolphe and I like to converse about serious matters, also.
-We were just speaking of the relations between the soul and the body, and
-the different ways that the soul has of behaving with the body.&rdquo;
- </p>
-<p>
-&ldquo;Ah!&rdquo; said M. Milfroid, who desired to shine before Marceline, &ldquo;are you
-able to distinguish between matter and mind, or the material and the
-spiritual? Matter and mind are the same thing in the eyes of science. That
-is to say, they constitute alike one unit, one force, produce at one time
-the phenomenon of cause and effect, tending to one end, the progressive
-steps of existence. You are the only ones, gentlemen, to still make that
-old distinction between matter and mind.&rdquo;
- </p>
-<p>
-After a while they rose and returned through the Place de la Concorde. At
-the entrance to the Rue Royale, there was a crowd of people, shouting and
-gesticulating. Théophraste, an old Parisian, wanted to know what was
-taking place, and flung himself into the crowd.
-</p>
-<p>
-&ldquo;Look out for pickpockets,&rdquo; Marceline called to him.
-</p>
-<p>
-&ldquo;Oh, madame,&rdquo; said Monsieur Milfroid, the Commissioner of Police, &ldquo;there
-are no pickpockets when I am about.&rdquo;
- </p>
-<p>
-&ldquo;It is true. We should be in no danger when you are here.&rdquo;
- </p>
-<p>
-&ldquo;I do not know about that,&rdquo; said Adolphe, looking about them. &ldquo;My friend
-here appears more dangerous to me than all the pickpockets on earth.&rdquo; At
-this they all laughed.
-</p>
-<p>
-Théophraste made them wait ten minutes before he appeared, and then he
-announced that it was a coachman who had gotten his wheels locked with an
-automobile, and could not separate them.
-</p>
-<p>
-Marceline felt annoyed at having been kept waiting so long on such a
-slight pretext. However, her thoughts were diverted in doing the honors of
-a hostess, and she invited M. Milfroid to dinner.
-</p>
-<p>
-During the dinner many pleasantries were passed, and M. Milfroid excelled
-in complimenting Marceline.
-</p>
-<p>
-Suddenly, he became uneasy, and plunging his hands in his pockets, looked
-vainly for his handkerchief. After a final and useless search, he passed
-his forefinger under his moustache, and sighed, declaring that it did not
-matter.
-</p>
-<p>
-However, at that moment Théophraste wiped his mouth, and Marceline asked
-him where he had found such a beautiful handkerchief. M. Mil-froid at once
-recognized it as his own, and thinking it just a piece of pleasantry, took
-the handkerchief from Théophraste. However, feeling in his left side, he
-became pale and exclaimed, &ldquo;Good God! I have lost my pocketbook. There
-were five hundred francs in it.&rdquo; M. Milfroid did not regret losing the
-five hundred francs, but he found himself ridiculed by Adolphe, and
-Marceline teased him gently and laughed prettily. They were all poking fun
-at him, and this made him furious.
-</p>
-<p>
-&ldquo;M. Milfroid,&rdquo; said Théophraste, &ldquo;if you need any money for the evening I
-can lend it to you,&rdquo; and he drew a wallet from his pocket. M. Milfroid
-uttered a cry: it was his! M. Milfroid took the wallet from him as he had
-done the handkerchief, and alleging numerous engagements, he took his
-leave. Before going down the stairs, he said to his friend Adolphe, who
-followed him, &ldquo;These are nice kind of people you have introduced me to.&rdquo;
- </p>
-<p>
-When Adolphe returned to the dining-room, Théophraste was emptying his
-pockets. On the table there lay three watches, six handkerchiefs, several
-pocketbooks, containing large sums of money, and eighteen checks.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0010" id="link2HCH0010"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER VIII
-</h2>
-<h3>
-<i>An Appeal for Help</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HE important events of this story and its hero have occupied us to such
-an extent that we have not found time to present Monsieur Lecamus as he
-should be. The little that we know of him does not effect our sympathy.
-The place that he occupies in the house of Longuet, which is eminently
-immoral; the cynicism with which he deceives an innocent soul; the little
-danger that he seems to run in accomplishing the larceny- these are good
-reasons why we have deferred showing our contempt for him. It may be said
-that we have judged hastily, and have not allowed him to plead extenuating
-circumstances. The principal one, and the one which it would be well for
-us to dwell upon, is that he really liked Théophraste above everybody
-else. He loved him with his faults, his weaknesses, his ingenuousness, the
-confidence he had in him, and above all, the admiration Théophraste had
-for him. There was no sacrifice he would not make for Théophraste, and I
-daresay that if Théophraste had any pecuniary troubles, which after all
-are the only troubles which really count here below, Adolphe Lecamus would
-open his purse, and give to him freely. Adolphe loved Théophraste even
-above Marceline; and although I do not pretend to deal here with
-psychology, I find myself confronted with a case which is much less common
-than one would be inclined to believe. For Adolphe loved Marceline because
-he had made her his mistress.
-</p>
-<p>
-If he had learned, by some supernatural warning, that Théophraste would
-some day learn his real position in the household, he would only have
-respected Marceline. &ldquo;But,&rdquo; he thought to himself, &ldquo;Théophraste will never
-know anything about it, and as unknown evils do not exist, I will be the
-lover of the wife of my best friend.&rdquo;
- </p>
-<p>
-These lines are necessary, that the reader may understand properly the
-knavish tricks of the lover. But we must understand distinctly Adolphe&rsquo;s
-devotion to Théophraste.
-</p>
-<p>
-After the departure of the Commissioner, they all set themselves to
-consider what was to be done with the articles which Théophraste had
-brought home with him. At first they all sat silently looking at the
-objects, no one wishing to break the silence, until Théophraste said, &ldquo;I
-have nothing more in my pockets. I really believe I have got my black
-plume.&rdquo;
- </p>
-<p>
-Marceline and Adolphe were startled by this, but still did not say
-anything, and waited for Théophraste to give some explanation. Then he
-declared it was in the crowd at the Place de la Concorde. He went in and
-out among the crowd, and it was a very simple matter for him.
-</p>
-<p>
-&ldquo;What must we do?&rdquo; asked Adolphe in a grave voice?&rdquo;
- </p>
-<p>
-&ldquo;What do you wish me to do?&rdquo; replied Théophraste, who by this time had
-begun to confess. &ldquo;You do not think that I am going to keep them! It is
-not my habit to keep things that do not belong to me. I am an honest man
-and have never wronged anybody. You must take them all to M. Milfroid,
-your friend, the Commissioner of Police. He can easily restore them to the
-owners.&rdquo;
- </p>
-<p>
-&ldquo;What can I say to him?&rdquo;
- </p>
-<p>
-&ldquo;Whatever you wish,&rdquo; burst out Théophraste, who was becoming impatient.
-&ldquo;Did the honest coachman who found a purse and fifty thousand francs in
-his carriage think about what he should say when he took them to the
-commissariat? He simply said, &lsquo;I have found them in the carriage.&rsquo; That
-was sufficient. They even rewarded him for it. You must say, &lsquo;My friend
-Longuet charged me to bring this to you. He found them in his pockets, and
-he does not wish a reward.&rsquo;&rdquo;
- </p>
-<p>
-Marceline touched Adolphe with her foot under the table. This was her
-customary way of secretly drawing Adolphe&rsquo;s attention. She wanted to
-signify to him that she thought Théophraste was demented, and her look
-quite showed it. Adolphe understood. He knitted his brows and scratched
-the tip of his nose. He felt that now was the time to act. He looked from
-Théophraste to the pocket-books, and coughing, said, &ldquo;Théophraste, this is
-not natural. We have to explain ourselves. We must understand. You must
-not close your eyes to this misfortune. You must open them wide, and bring
-your will to fight it.&rdquo;
- </p>
-<p>
-&ldquo;Of what misfortune are you speaking?&rdquo; asked Théophraste, becoming
-frightened.
-</p>
-<p>
-&ldquo;Well, is it not a misfortune to have things in your pocket that do not
-belong to you?&rdquo;
- </p>
-<p>
-&ldquo;I do not understand. You seem to be accusing me of being dishonest. I am
-an honest man, and whatever I have done dishonestly, I have done against
-my will.&rdquo;
- </p>
-<p>
-Having said these words, he fell back in his chair in a dead faint, and a
-deep silence fell over them all.
-</p>
-<p>
-When Théophraste came out of his stupor, his eyes were full of tears. He
-motioned to his wife and his friend to come nearer to him. When they were
-beside him, he said, showing pitiable emotion, &ldquo;I feel that Adolphe is
-right. A great misfortune menaces me, I know not what! I know not what! My
-God! I know not what! I know not what!&rdquo;
- </p>
-<p>
-Adolphe and Marceline attempted to console him, but he wept more. Then
-Marceline began to weep.
-</p>
-<p>
-In his emotion, Théophraste grasped them both by the hand, and cried,
-&ldquo;Swear never to abandon me, no matter what happens, for, oh! some day I
-shall need your help.&rdquo; They swore to him in good faith.
-</p>
-<p>
-Adolphe then asked to see the document. As he spread the document before
-him, he said, &ldquo;Théophraste, tell me, do you ever have dreams?&rdquo;
- </p>
-<p>
-&ldquo;It is very probable, but I only dream a very little.&rdquo;
- </p>
-<p>
-&ldquo;Never?&rdquo; insisted Adolphe.
-</p>
-<p>
-&ldquo;Scarcely ever. However, I remember to have dreamed four or five times in
-my life, perhaps because I woke each time in the middle of my dream, and
-it was always the same dream. But what possible interest can there be in
-this, to the subject which is occupying us now, Adolphe?&rdquo;
- </p>
-<p>
-Adolphe continued: &ldquo;Dreams have never been explained by science. Science
-attributes them all to the effects of the imagination, but it does not
-give us the reason for these clear, distinct visions which appear to us
-sometimes. Thus it explains a thing which is not known by another which is
-no better understood. It says that dreams are the recollection of things
-which took place in a former life. But even admitting this solution-which
-is a doubtful one-we still have to find out what is the magic mirror that
-serves so well to keep the imprint of things. Moreover, how can one
-explain visions of real things, events that one has never seen in a former
-state, and of which one has never even thought? Who can affirm that these
-are not visions of retrospective past events in a former life?&rdquo;
- </p>
-<p>
-&ldquo;That is right, my dear Adolphe,&rdquo; said Théophraste, &ldquo;and I ought to
-confess the things that I have dreamed. I have dreamed them three times as
-I said before, things that were perhaps true in the past, or will be in
-the future. I have never seen them in a waking state in my present life.&rdquo;
- </p>
-<p>
-&ldquo;You understand me,&rdquo; said Adolphe. &ldquo;Relate to me the things that you have
-dreamed of and have never seen.&rdquo;
- </p>
-<p>
-&ldquo;Oh, that will not take long. But so much the better, for it is not very
-cheerful: I dreamed that I was married to a woman named Marie Antoinette,
-and then&mdash;&mdash;&rdquo;
- </p>
-<p>
-&ldquo;And then?&rdquo; interrupted Adolphe, who had never taken his eyes off the
-document.
-</p>
-<p>
-&ldquo;And then I cut her up in pieces.&rdquo;
- </p>
-<p>
-&ldquo;Oh, horrors!&rdquo; cried Marceline.
-</p>
-<p>
-&ldquo;It is horrible,&rdquo; continued Théophraste, shaking his head. &ldquo;Then I put the
-pieces in a basket and threw them into the Seine by the little bridge of
-the Hotel Dieu. I awoke then, and you may be sure I was not sorry.&rdquo;
- </p>
-<p>
-Adolphe struck the table a hard blow with his fist. &ldquo;It is frightful,&rdquo; he
-cried in a harsh voice, looking at Théophraste.
-</p>
-<p>
-&ldquo;Is it not?&rdquo; said Marceline, shuddering.
-</p>
-<p>
-Adolphe read the first lines of the document.
-</p>
-<p>
-&ldquo;Oh, how dreadful it is!&rdquo; he continued, groaning. &ldquo;Alas, alas! I
-understand all, now.&rdquo;
- </p>
-<p>
-&ldquo;What do you understand?&rdquo; asked Théophraste in a frightened voice,
-following Adolphe&rsquo;s finger as he traced the first two lines of the
-document.
-</p>
-<p>
-&ldquo;This,&rdquo; said Adolphe. &ldquo;&lsquo;Moi et! I buried my, treasures.&rsquo; And you do not
-know what that &lsquo;et&rsquo; means? Well, I won&rsquo;t tell you until I am quite sure. I
-will know to-morrow. Théophraste, tomorrow at two o&rsquo;clock be at the Rue
-Guinegaud and the Rue Mazarin. I am going to take these articles to M.
-Milfroid&rsquo;s house. He will restore them to their owners, and we will prove
-to him that there are pickpockets even when the Commissioner is present.
-Adieu, my friend, adieu. Above all take courage. Take courage.&rdquo; Adolphe
-shook Théophraste&rsquo;s hand with the warmth of a comrade, and departed.
-</p>
-<p>
-Théophraste did not sleep that night. While Marceline reposed peacefully
-by his side, he lay with eyes wide open in the darkness. His respiration
-was irregular, and he sighed often. Anxiety lay heavy upon him.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0011" id="link2HCH0011"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER IX
-</h2>
-<h3>
-<i>The Portrait</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">D</span>AY broke over the city. A cloudy day, with a mist that enveloped
-everything in a sinister manner. The sun tried in vain to penetrate that
-sombre atmosphere.
-</p>
-<p>
-Mid-day showed a dark red ball, rolling ingloriously in a sulphurous
-light. Such was the picture of the heavens that day.
-</p>
-<p>
-Théophraste sprang out of bed early, and awoke Marceline suddenly by an
-excess of foolish hilarity. Marceline inquired the reason for such strange
-joyfulness. He said that he could not help laughing at the idea of M.
-Milfroid, the Commissioner of Police, receiving back the stolen goods
-which had been pickpocketed right before his very eyes. &ldquo;My dear
-Marceline,&rdquo; he said, &ldquo;it is foolish, the way people carry the money in
-their pockets. If you cannot put your hand in, slip a straw, filled with
-glue, in. It is an excellent scheme for extricating money from people&rsquo;s
-pockets.&rdquo;
- </p>
-<p>
-Marceline sat up and gazed at him. She could not understand, as he never
-looked more natural in his life, and yet he was saying peculiar things,
-and his words were most unnatural.
-</p>
-<p>
-&ldquo;Théophraste, you frighten me,&rdquo; she cried, and in her fear, groaned, &ldquo;My
-poor child.&rdquo;
- </p>
-<p>
-Théophraste grew terribly angry. He threw himself at his wife, and
-threatened to strike her. &ldquo;You know perfectly well that I do not wish to
-be called a child since the death of Jeanneton-Venes. I am no child.&rdquo;
- </p>
-<p>
-Marceline swore that she would never do it again, and in the depths of her
-soul regretted the unlucky moment which had given her husband
-proprietorship of a document which had brought into the household such
-fears and such follies. She knew neither Marie Antoinette, nor
-Jeanneton-Venes, although he continually referred to them. He had a
-familiar way of expressing himself about these women which made her
-uneasy, and finally the unexpected sentences, spoken by Théophraste, and
-his actions, made her dread the incomprehensible Théophraste of two
-hundred years ago. It made her long for the former Théophraste, so kind,
-so easy to understand. Then she gave herself up to bitter reflections upon
-the theory of reincarnation.
-</p>
-<p>
-Théophraste finished dressing, and then announcing that he would not
-breakfast at home, said that he had a rendezvous with his friend Va-de-Bon
-Cour, at the corner of the Rue Mazarin and Rue Guinegaud, to do a good
-turn for M. de Francouse, but as that rendezvous was after breakfast, he
-intended enjoying the air in the Moulin de Chopinette.
-</p>
-<p>
-&ldquo;You will leave my green umbrella here,&rdquo; he said, &ldquo;and I will take my
-black feather.&rdquo; Then, putting the final touches to his cravat, he went
-out. On the landing he met Signor Petito, the Italian professor, who was
-also going downstairs. Signor Petito bowed very low, complained of the
-state of the weather, and complimented Théophraste on his appearance.
-</p>
-<p>
-Théophraste answered in a less amiable tone, as he was not desiring the
-Signor&rsquo;s company, and he demanded of him if Madame Petito could not be
-induced to learn another air on the piano than &ldquo;Carnival de Venice.&rdquo; But
-Signor Petito replied, smiling, that she was already studying &ldquo;Love&rsquo;s
-Destiny,&rdquo; but in future she would study only the pieces which would please
-M. Longuet. He then asked, &ldquo;Which way are you going?&rdquo;
- </p>
-<p>
-&ldquo;For a turn in the Moulin de Chopinette; but the weather is too bad, so I
-will have to go down to the Porcherons.&rdquo;
- </p>
-<p>
-&ldquo;To the Porcherons?&rdquo; Signor Petito was going to ask, but he changed his
-mind. &ldquo;Where is the Porcherons?&rdquo; he asked. &ldquo;I will go, too.&rdquo;
- </p>
-<p>
-&ldquo;Aha, indeed!&rdquo; said M. Longuet, glancing curiously at Signor Petito. &ldquo;You
-too will go to the Porcherons?&rdquo;
- </p>
-<p>
-&ldquo;Go there or somewhere else,&rdquo; said Signor Petito, pleasantly, and he
-followed Théophraste.
-</p>
-<p>
-At the end of a short silence Signor Petito ventured to ask, &ldquo;Where are
-your treasures, M. Longuet?&rdquo;
- </p>
-<p>
-Théophraste faced about suddenly. &ldquo;What has put such an idea into your
-head?&rdquo; he exclaimed.
-</p>
-<p>
-&ldquo;Do you not remember the day that you brought the specimen of your
-handwriting and asked for my opinion?&rdquo;
- </p>
-<p>
-&ldquo;I remember, and you were wrong,&rdquo; said Théophraste drily, as he opened his
-umbrella.
-</p>
-<p>
-Signor Petito, in nowise discouraged, placed himself under the shelter of
-Théophraste&rsquo;s umbrella. &ldquo;Oh! M. Longuet, I did not say that to annoy you.&rdquo;
- </p>
-<p>
-They arrived at the corner of the Avenue Tre-daine. Théophraste was in
-very bad humor.
-</p>
-<p>
-&ldquo;Monsieur,&rdquo; he said, &ldquo;I have an appointment at the tavern of the
-Veau-qui-telle, by the side of the Chapel Porcherons, here, you see.&rdquo;
- </p>
-<p>
-&ldquo;But we are at the Chapel Notre Dame de Lor-rete, and not the Porcherons,
-at all.&rdquo;
- </p>
-<p>
-Théophraste disregarded Petito&rsquo;s remark, and suddenly said to him, &ldquo;Do you
-know that there is a price on my head?&rdquo;
- </p>
-<p>
-Signor Petito seemed taken aback by this sudden change of tone.
-</p>
-<p>
-&ldquo;It will cost them dear, though, to get my head,&rdquo; said Théophraste. &ldquo;Do
-you know how much it will cost, Signor, the head of L&rsquo;Enfant? No? Very
-well. I am going to tell you, since the occasion has presented itself, and
-I am going to tell you the whole story, which may be profitable to you.&rdquo;
- </p>
-<p>
-Then, without any preparation, he related in the most natural way
-possible, his existence previous to his present one.
-</p>
-<p>
-&ldquo;My head is worth 20,000 pounds,&rdquo; said he, &ldquo;and you know it very well.&rdquo;
- And as he pronounced these words he struck the table such a blow that
-Signor Petito recoiled instinctively.
-</p>
-<p>
-&ldquo;Here is the history of it all. I was walking, two hundred years ago, in
-the Rue de Vauregard, with my hands in my pocket, without arms, without
-even a sword, with the most honest intentions in the world, when a man met
-me. He bowed almost to the ground, and told me that my face reminded him
-so much of some one he knew. He was called &lsquo;Old Man Bidel,&rsquo; or &lsquo;Bidel the
-Good-natured,&rsquo; and he said that he had a secret to confide to me.
-</p>
-<p>
-I encouraged him by a friendly tap on the shoulder, and he confided his
-secret to me. He whispered in my ear that the Regent had promised twenty
-thousand pounds to whoever would arrest the Enfant, and he knew where the
-Enfant was hiding. That I looked to him like a man of courage, and that
-he, with my aid, would do anything to get the 20,000 pounds. He said that
-he would divide the reward.
-</p>
-<p>
-&ldquo;The old man Bidel was on the wrong track, Signor Petito, for I also knew
-where to find L&rsquo;Enfant, seeing that I was that person.&rdquo;
- </p>
-<p>
-Signor Petito did not wish to believe any of this, as he could see for
-himself that M. Longuet had been out of infancy a good many years.
-However, he dared not say anything. Théophraste continued, &ldquo;I replied to
-the old man Bidel, that it was a happy chance and that I thanked Heaven
-for putting him in my path, and I made him conduct me to the place where
-he could find the Enfaut. He said to me, &lsquo;To-night, the Enfant sleeps at
-the Capucine, in the Tavern Suite, which bears as a sign the Cross of the
-St. Hester.&rsquo;
-</p>
-<p>
-&ldquo;It was true, Signor Petito, the old man Bidel was very well informed. I
-congratulated him, and we passed just then a cutlery shop, and I bought a
-small knife, much to the astonishment of Bidel, who asked me what I
-planned to do with such a weapon. I replied to him that with a small knife
-like this one could kill a fly, and I plunged it into his heart. He sank
-down, raised his arms wildly for a few moments, and died.&rdquo;
- </p>
-<p>
-Signor Petito, who at first had moved away from Théophraste, now rose and
-ran to the door, and was glad to get out of sight.
-</p>
-<p>
-M. Longuet drank his wine, got up and went to the Bousset Brewery, where
-Mme. Barth was standing, making up her books. He said to her, &ldquo;Mme.
-Taconet&mdash;&mdash;&mdash;-&rdquo;
- </p>
-<p>
-Mme. Barth demanded why he called her Mine. Taconet, but he disregarded
-her question, and continued, &ldquo;If Signor Petito comes here again, you will
-tell him for me that the first time I find him in my way, I will cut his
-ears off.&rdquo; Saying this, Théophraste fondled the handle of his umbrella as
-one grasps the handle of a dagger.
-</p>
-<p>
-There was no doubt about it, he had his black plume. He had become the
-Other entirely.
-</p>
-<p>
-The fog was still thick and he did not think of breakfasting yet. He
-walked into the sulphurous mist like one in a dream. He crossed the whole
-of the Quarter of An tin, and that which was formerly the Avenue
-L&rsquo;Enrique, until he came under the shadows of the towers of Trinity, which
-he called the Chateau du Coq. On his arrival at the St. Lazare, he
-believed that he was at the Petite Pologue.
-</p>
-<p>
-But little by little the fog cleared away, and his dream disappeared with
-it. He had the most exact idea of things when he crossed the Point Royale,
-and by the time he had set foot on the left bank, he was again the honest
-Théophraste, and had only the vaguest idea of that which had happened on
-the right bank. But he could remember this, and when he questioned himself
-thoroughly, he began to experience the different conditions or states of
-the soul. He discovered in himself three distinct states. First, that
-which resulted from his life as an actuality, the honest merchant; second,
-that which resulted from the sudden and momentary resurrection of the
-Other; and third, that which resulted from memory. The recollection was to
-him like a third Théophraste, who related to the first what he had known
-of the second. This resurrection of Théophraste&rsquo;s was a terrible thing.
-</p>
-<p>
-On crossing the Bridge he hurried beyond the Rue Guinegaud. He did not
-care to pass by the corner of the Rue Mazarin, he knew not why. He turned
-the corner by the Hotel Monniare, and almost ran into Adolphe, who was
-waiting for him there.
-</p>
-<p>
-&ldquo;Have you ever heard of a person called L&rsquo;Enfant, my dear Adolphe?&rdquo; he
-asked.
-</p>
-<p>
-&ldquo;Oh, yes, yes,&rdquo; said Aldolphe, &ldquo;I have heard of him. I even know his real
-name, his family name.&rdquo;
- </p>
-<p>
-&ldquo;Ah, what is it?&rdquo; anxiously inquired Théophraste.
-</p>
-<p>
-Adolphe for reply pushed Théophraste into the hallway of an old house, in
-the Rue Guinegard, a few steps from the Hotel de la Monniare. They climbed
-a tottering staircase, and entered a room in which the curtains were
-drawn. Somebody had spent the night in the room.
-</p>
-<p>
-On a little table in the corner, the trembling flame of a wax candle lit
-up a portrait. It was the picture of a man about thirty years of age. He
-had a robust figure, high forehead, strong nose, a smooth chin, and large
-mouth and moustache. His thick hair was covered by a coarse woolen cap,
-and he wore a coat over a coarse linen shirt, which appeared to be a
-prison garb.
-</p>
-<p>
-&ldquo;Wait,&rdquo; said Théophraste, without raising his tone, &ldquo;how is it that my
-portrait is in this house?&rdquo;
- </p>
-<p>
-&ldquo;Your picture?&rdquo; asked Adolphe. &ldquo;Are you sure?&rdquo;
- </p>
-<p>
-&ldquo;Who could be more sure of it than I?&rdquo; said Théophraste again, without
-being excited.
-</p>
-<p>
-&ldquo;Very well,&rdquo; said M. Lecamus, with emotions that it would be hard to
-describe. &ldquo;That portrait, which is your portrait, is the portrait of
-Cartouche.&rdquo; When M. Lecamus turned to see the effect his words would
-produce on his friend, he saw Théophraste stretched on the floor in a dead
-swoon.
-</p>
-<p>
-For a long time he worked to bring him to. He blew out the candle and
-opened the windows, allowing the good air to come in. Théophraste came to
-himself, and his first words were, &ldquo;Adolphe, above all things do not speak
-of this to my wife.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0012" id="link2HCH0012"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER X
-</h2>
-<h3>
-<i>Cartouche&rsquo;s Past</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HE following day Théophraste and Marceline returned to the quiet life of
-the Villa Flots-d&rsquo;Azure. Théophraste had not mentioned a word of the
-discovery, and his wife refrained from questioning him. Marceline knew
-nothing yet of the terrible discovery. Théophraste&rsquo;s face was full of
-consternation, and it was evident to Marceline that he had terrible things
-on his mind.
-</p>
-<p>
-Adolphe was to join them in a few days; two days passed very quietly in
-the villa. Marceline attended to her household duties, and Théophraste
-silently prepared his fishing tackle, as he had promised Adolphe a few
-days&rsquo; fishing in the Marne. On the third day, Théophraste, who had passed
-a good night, showed a less agitated countenance, and began to smile and
-was cheered at the prospect of Adolphe&rsquo;s coming. M. Lecamus arrived before
-noon, and they both received him with delight.
-</p>
-<p>
-Taking their places at lunch their conversation turned on angling, but
-nothing was said of the mysterious proceedings of the week before. After
-lunch they prepared for their fishing expedition; Théophraste took care of
-the lines, the rods and the bait, and Adolphe took the nets.
-</p>
-<p>
-Going down to the water&rsquo;s edge, Théophraste turned to Adolphe and said,
-&ldquo;Tell me, have you any news? While we are fishing I will listen to you. I
-have prepared a lot of sport, but I don&rsquo;t think we will do very much
-to-day, if you have important news for me.&rdquo;
- </p>
-<p>
-Adolphe replied, &ldquo;There is some good, and some bad news. But I must tell
-you that there is more bad than good. No doubt many stories have been
-invented about you, but the real truth is not entirely pleasant.&rdquo;
- </p>
-<p>
-&ldquo;Are you well informed, and is your information authentic?&rdquo;
- </p>
-<p>
-&ldquo;I have been to the very fountain-head, I have seen the authentic
-documents. I am going to tell you what I know. If I am mistaken, correct
-me.&rdquo;
- </p>
-<p>
-Théophraste threw his half-prepared bait into the water, and said, &ldquo;Go on.
-I must have a full explanation.&rdquo;
- </p>
-<p>
-&ldquo;First,&rdquo; said Adolphe, &ldquo;you were born in the month of October, 1693. You
-were called Louis Dominique Cartouche.&rdquo;
- </p>
-<p>
-&ldquo;But it is needless to call me Cartouche, no one need know that. Call me
-L&rsquo;Enfant. I like it much better and no one will understand.&rdquo;
- </p>
-<p>
-&ldquo;Yes,&rdquo; insisted Adolphe, &ldquo;but you know that your name is Cartouche. It is
-not an assumed name. It is said that you studied hard in Clermont College.
-That you were the schoolfellow of Voltaire, and there is a legend that
-while you learned to read, in the course of time, thanks to the gypsies
-who taught you reading, you were never able to write.&rdquo;
- </p>
-<p>
-&ldquo;Well, that&rsquo;s funny,&rdquo; cried Théophraste, &ldquo;for if I never learned to write,
-how could I have drawn up the document in the dungeon of the
-Conciergerie?&rdquo;
- </p>
-<p>
-&ldquo;At the time of your trial, you declared that you did not know how to
-write. You signed your depositions with a cross and you have never written
-a line to show who it was.&rdquo;
- </p>
-<p>
-&ldquo;But,&rdquo; Théophraste said, &ldquo;it was never necessary to write. In my position
-I should have dreaded to compromise myself. But the document is there.&rdquo;
- </p>
-<p>
-&ldquo;Evidently. Let us return to your eleventh year. One day you were in the
-Saint Laurent Faire, with some comrades, when you fell in with a band of
-gypsies. The gypsies carried you away. They stole you. They taught you the
-play of the cudgel, the sword, to shoot a pistol, to jump, and to rob the
-pockets of the bourgeoisie without being discovered. At your twelfth year
-you were an adept at this, and without an equal for bringing back
-handkerchiefs, snuff boxes, and watches. The band of gypsies found
-themselves at Rouen, when little Louis Dominique fell ill. He was taken to
-a hospital in Rouen, and it was there that an uncle discovered him. He
-recognized him, and swore to restore him to his parents.&rdquo;
- </p>
-<p>
-Here Théophraste interrupted with a word as to his uncle, and Lecamus
-becoming impatient, begged him to cease his continual interruptions,
-declaring it would take some time to tell the story of Cartouche if he
-would not listen to it silently.
-</p>
-<p>
-&ldquo;I would like to see you in my place,&rdquo; said Théophraste.
-</p>
-<p>
-Adolphe continued: &ldquo;In a while Cartouche became the chief of a band of
-brigands. He commanded about three thousand men, had more than fifty
-lieutenants; it was their habit to dress exactly alike, in
-cinnamon-colored coats, and doublets of silk and amaranthine, showing a
-piece of black taffeta underneath the left eye. They brought against him
-more than one hundred and fifty personal assassinations, and put a price
-upon his head. He was tried and broken on the wheel.&rdquo; &ldquo;Upon hearing this
-Théophraste showed evident signs of alarm. He dropped his fishing tackle,
-losing it in the swift current of the river. He could not give his mind to
-fishing any more that day, and so they resolved to give up the attempt.
-They did not wait for sundown, to return to the Villa Flots-d&rsquo;Azure.
-Swinging their meagre spoils lightly in their nets they sadly retraced
-their steps. Cartouche filled their minds, and their return journey was
-occupied in thoughts of this dual personality.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0013" id="link2HCH0013"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XI
-</h2>
-<h3>
-<i>Signor Petito Appears</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>HILE waiting for the stage from Crecy to stop for them, they called at
-the wayside inn, and had some refreshment, while Adolphe took up the story
-of L&rsquo;Enfant at the point where he had left off.
-</p>
-<p>
-&ldquo;That good uncle,&rdquo; said he, &ldquo;had fellow-feeling for one of his family, and
-he rescued young Cartouche from his miserable lot and made him return to
-his parents. His father was a cooper by trade, and young Louis, having
-profited by his youthful misfortunes, swore that henceforth he would be a
-good son and a diligent apprentice. He helped his father to make casks,
-working from daybreak to sunset.
-</p>
-<p>
-&ldquo;He was frequently seen, during lunch hour, amusing his companions with
-pretty tricks of sleight-of-hand which he had learned during the few
-months he had been with the gypsies. He had become so adept at this
-science that on special occasions little Louis and his family were invited
-to dinners and suppers before friends, for they looked forward to the
-enjoyment of these tricks of Louis&rsquo;, and he became a great success in the
-quarter, and he, on his part, was proud of his growing renown.
-</p>
-<p>
-&ldquo;In the meantime he had attained that happy period where the least
-sensitive of human beings feel the beating of their hearts awaken to the
-most tender sentiments. Louis Dominique was in love. The object of his
-affections was a charming needlewoman of the Rue Porte Foin, coquettish,
-with blue eyes, golden hair, and a fine figure. I have said that this
-needlewoman was a coquette. She loved dress, jewels and laces, and it was
-her desire always to be better clothed than her companions. The modest
-income of Louis Dominique did not permit of his paying for the extravagant
-fancies of his poor seamstress, and so Cartouche stole from his father.
-The latter soon found out and took steps by which he could have his boy
-placed in the Convent of the Lazaretto, in the Faubourg St. Denis.&rdquo;
- </p>
-<p>
-&ldquo;Ah,&rdquo; said Théophraste, &ldquo;instead of combating with kindness the wickedness
-of this child, they drive him to despair by incarcerating him where he
-only meets with bad examples, and where the feeling of revolt increases,
-and boils over, stifling all other feelings in his inexperienced mind. I
-wager that if they had not put Louis in the House of Correction, that all
-the trouble would never have happened.&rdquo;
- </p>
-<p>
-&ldquo;Reassure yourself,&rdquo; said Adolphe. &ldquo;Cartouche was never shut up in the
-Convent of the Lazaretto, for while his father had discovered this crime
-of Louis&rsquo;, he did not tell him of it; but one Sunday morning, he asked his
-son to take a walk with him. Dominique readily acquiesced, and they were
-soon seen walking down the street together.
-</p>
-<p>
-&ldquo;&lsquo;Where are we going, father?&rsquo; asked Louis. &lsquo;No matter where. By way of
-the Faubourg St. Denis.&rsquo; Louis pricked up his ears. He knew that at the
-end of the Faubourg St. Denis was the Lazaretto, and he also knew that
-sometimes fathers escorted their boys to the Lazaretto.
-</p>
-<p>
-&ldquo;He at once felt suspicious, for his conscience was not altogether
-tranquil, and when they arrived at the corner of the Faubourg St. Denis,
-and the battlement of the St. Lazaretto rose before them, it seemed to him
-that his father looked unnatural, and he felt uncomfortable at once. He
-told his father to continue his walk, slowly, without hurrying, as he
-wished to stop at the corner.
-</p>
-<p>
-When his father returned, the son had disappeared, and he never saw him
-again.&rdquo;
- </p>
-<p>
-About this time the coach had arrived, and Adolphe discontinued his tale
-while they mounted to the top. Théophraste recognized M. Bache, and Mme.
-Froude, and he at once bowed to them, but they did not respond. He called
-them by name, but they remained mute. Théophraste could not understand
-this, and turned to ask Adolphe what he thought of it, and why they did
-not recognize him.
-</p>
-<p>
-&ldquo;That does not astonish me at all,&rdquo; said Adolphe. &ldquo;It is no wonder to me,
-since the dinner the other day, that nobody bows to you. Your
-extraordinary behavior was enough to upset them all. Do you not remember
-how you were mounted on the table and sang that vulgar song? There were
-some young ladies present, Miles. Froude and Tabouret.&rdquo;
- </p>
-<p>
-&ldquo;Ah,&rdquo; said Théophraste, &ldquo;that accounts for Mme. Bache&rsquo;s pretending not to
-see me the other day in Paris, when she called at the Pharmacy Crecy and I
-happened to meet her there. Never mind, Adolphe, continue where you left
-off about my father. What happened to him?&rdquo;
- </p>
-<p>
-&ldquo;Well, you forgot about your seamstress at the Rue Point Foin, and you
-thought of her no more.
-</p>
-<p>
-She worried over your disappearance about a fortnight, and then got
-somebody else, as is done under similar circumstances to-day. The
-necessity to make your way in the world recalled your old talents, and
-soon you were robbing passers-by of the things in their pockets. You
-operated so adroitly, that you incurred the admiration of a great sharper,
-who having seen you work, stopped you at the corner of the Rue Gallaud,
-and demanded of you your money or your life. &lsquo;You shall have my purse only
-when you have my life,&rsquo; said you to him, and you drew your sword, a small
-sword that you had taken the day before from a French Guardsman. The great
-sharper flattered you upon your courage, and then upon your dexterity, and
-he begged you to accompany him home to the Rue Bout du Monde. He told you
-on the way that he sought an associate, and you could do the business. He
-also told you that he had a wife, and the wife had a very pretty sister.
-After a while you married this sister, though neither notary nor priest
-was sent for. The attachment did not last over six months, because the
-sharper, his wife, and his sister-in-law were sent to the gallows. You had
-already left them by this time, and had joined the army. You were caught
-one day, drunk, by a recruiting officer, and he took you to the barracks,
-and made you sign on.&rdquo;
- </p>
-<p>
-By this time it was seven o&rsquo;clock, and Adolphe interrupted the course of
-his recital at that point, as they had to alight from the coach.
-</p>
-<p>
-&ldquo;Tell me,&rdquo; said Théophraste, &ldquo;I am curious to know how I was built. Was I
-a handsome man, a tall man?&rdquo;
- </p>
-<p>
-&ldquo;They represent you thus at the theater, in M. d&rsquo;Ennury&rsquo;s play, but on the
-contrary, according to the poet Granvel, you were a conceited man, and
-always fond of singing your own praises. You were dark, lean, small, but
-of great courage. You were enterprising and bold, and very alert.&rdquo;
- </p>
-<p>
-&ldquo;You have not told me,&rdquo; said Théophraste, &ldquo;how you got that picture in the
-house on the Rue Guinegaud.&rdquo;
- </p>
-<p>
-&ldquo;It is a copy of a photograph by Nedar. He photographed a wax mask, which
-ought to resemble you, as that mask was made from your face by the order
-of the Regent. Nedar photographed that mask in 1859. The mask was found in
-the Chateau de St. Germain.&rdquo;
- </p>
-<p>
-&ldquo;Oh! I want to see it,&rdquo; cried Théophraste-&ldquo;to touch it. We must go to St.
-Germain to-morrow.&rdquo;
- </p>
-<p>
-By this time they had reached the house, and Marceline, in neat
-dishabille, smilingly opened the door and greeted them.
-</p>
-<p>
-Théophraste had a great desire to see and touch that waxen mask that had
-been made from his face, and the desire was still greater when Adolphe
-entered into the details of it. He told him that it had been in the
-Chateau de St. Germain en Laye, since the 24th of April, 1849.
-</p>
-<p>
-&ldquo;It appears that the portrait was given by an abbot, one Viallier, to be
-inherited by one Richot, an old officer of the Hussars of King Louis XVI.
-M. Richot died at St. Germain. He owned the portrait for many years, one
-most precious, especially as it had belonged to the royal family. The wax
-mask was moulded by a Florentine artist some days before Cartouche&rsquo;s
-punishment. The head-dress was a woolen or coarse felt cap, his clothing
-was a shirt of very coarse linen, a waistcoat, and another vest, and a
-doublet of black camelot. But the most remarkable thing of all was that
-Cartouche&rsquo;s hair was cut off of his corpse and pasted on the waxen mask.
-The whole was shut up in a gilded wooden chest, large and deep, of
-beautiful workmanship. A Venetian glass protected the portrait, and one
-could still see the escutcheon of the arms of France on the chest.&rdquo;
- </p>
-<p>
-Théophraste asked Adolphe where he had found such precise details, and was
-told that they were the result of two days&rsquo; searching in the forgotten
-archives of the most noted libraries and museums of Paris. There he found
-his hair, his moustache, and his clothes, two hundred years old.
-</p>
-<p>
-In spite of the horror which these relics of a man so monstrous ought to
-have inspired in him, Théophraste could not control his impatience to see
-them, to touch them. Here was Théophraste Longuet, whose name was
-synonymous with honor, who had always feared the shedding of blood,
-cherishing in his heart the coarse remains of the greatest brigand on
-earth. When he had again command of his senses, he did not find in the
-bottom of his soul a feeling of absolute despair, but of great pity, a
-pity so keenly felt that he did not weep only for himself, Théophraste,
-but also moved him to pity Cartouche. He asked himself which was the more
-dominant, honest Théophraste, carrying with him the brigand Cartouche, or
-the brigand Cartouche, shut up within honest Théophraste. &ldquo;It is necessary
-that we should understand each other,&rdquo; he said aloud. He felt that he
-should not have uttered that sentence which must have seemed odd, but
-which expressed so well the double and yet unique preoccupation of his
-soul that he could not restrain himself. A great light dawned upon him at
-the same time, that recalled the theory of reincarnation that had been
-explained to him by M. Lecamus. He connected reincarnation with the
-natural evolution of things, and of individuals, that which was no other
-than transformation. &ldquo;Does it not point to the fact that souls reincarnate
-themselves in order to pass according to natural law to advancement to a
-better state? It is the progressive step of being. Well, the natural law
-which certain persons call God, did not find anything better on the earth
-than the body of Théophraste Longuet through which to make the criminal
-soul of Cartouche evolve to a better state.&rdquo;
- </p>
-<p>
-When that idea got a firm hold on him, in place of the deepest despair,
-which had led him to faint, he found himself prompted by a sentiment
-almost akin to pride. He was entrusted with the destiny of the world. He,
-the humble but honest Théophraste, entrusted with the regeneration in
-ideal splendor, of the soul of shadows and of the bloody Louis Dominique
-Cartouche, called L&rsquo;Enfant. He accepted this unexpected task willingly,
-since he could not do otherwise, and he put himself at once on his guard.
-Instead of saying, &ldquo;It is necessary for us to understand each other,&rdquo; he
-immediately ordered Cartouche to obey Théophraste, and he promised himself
-to lead him a life so hard that he could not say without smiling, &ldquo;Poor
-Cartouche.&rdquo; He had charged M. Lecamus to write everything possible about
-Louis Dominique Cartouche in such a way that he could not be ignorant of
-anything that could be known of his life. With that and with what his
-black feather and his memory had taught him, he justly thought he could
-resist in spirit the Other One, which would allow him to act accordingly.
-He partly confided his reflections to Adolphe, who approved of them, but
-warned him against a tendency he had to separate Théophraste from
-Cartouche.
-</p>
-<p>
-&ldquo;You must not forget,&rdquo; said he, &ldquo;that they are one. You have the instincts
-of the gardeners of the Ferte-sous-Jonarre. Those instincts are good, but
-you have the soul of Cartouche, which is detestable. Take care. You are
-his declared enemy, the question is raised as to who will vanquish- the
-soul of former years, or the instincts of today.&rdquo;
- </p>
-<p>
-Théophraste asked Adolphe if the soul of Cartouche was really altogether
-detestable, and was happy to learn that it had some good points. Adolphe
-said that Cartouche had expressly forbidden to kill or even wound
-passers-by without cause. When he operated in Paris with some of his
-bands, and they brought victims to him, he spoke to them with so much
-politeness and kindness, that they always returned a part of the booty to
-him. Sometimes they would limit matters to a simple exchange of clothes.
-When he found letters or pictures in the pockets of the coats thus
-exchanged, he ran after the ex-proprietors to return them. It was a maxim
-of that extraordinary individual, that a man ought not to be robbed twice
-in the same night, nor were they to be too severely treated, so as not to
-prevent the Parisians from going out in the evening. Therefore he ordered
-his men to take the utmost care not to kill any one without good reason.
-At this time the man was not yet thoroughly wicked. Up to then he had
-always had a reason for every act. It is to be regretted, however, that he
-had had one hundred and fifty reasons to assassinate.
-</p>
-<p>
-Let us return to the wax mask.
-</p>
-<p>
-Théophraste and Adolphe were going down the stairs in the station of St.
-Germain-en-Laye, when suddenly Théophraste thought he saw a familiar
-figure ahead of him, among a group of travelers. Moved by a feeling over
-which he had no control, he ran rapidly towards the group, but the figure
-had disappeared. Where had he seen that figure before? It was so repulsive
-to him. Adolphe asked him the cause of his agitation, and he recovered
-himself at once.
-</p>
-<p>
-&ldquo;I would swear,&rdquo; said Théophraste, &ldquo;that it was Signor Petito, the Italian
-professor of the floor below. What did Signor Petito come to St. Germain
-for? I do not want to run foul of him.&rdquo;
- </p>
-<p>
-&ldquo;Well, what has he done, then?&rdquo; asked Adolphe.
-</p>
-<p>
-&ldquo;Oh, nothing. Only if he runs across my way, I swear I will cut off his
-ears, and you know I will do it if I say so.&rdquo;
- </p>
-<p>
-They then went, without any more thought of Signor Petito, to the castle.
-They entered the Museum, and asked to see the wax mask of Cartouche.
-Théophraste became enraged when he learned that it was not to be found
-there, and in his excitement he poked the handle of his green umbrella
-into the eye of a plaster cast of a member of the Legion of Honor. An old
-guard came up and told him that he knew well there had been a wax mask of
-Cartouche in St. Germain, and that it could be found, he thought, in the
-library. But the latter had been closed up for eight days for repairs.
-Théophraste gave that man a franc, and they turned their steps toward the
-terrace, promising themselves to come again at a later time, for the
-farther the wax mask seemed away, the more Théophraste burned to touch it.
-</p>
-<p>
-It was a beautiful day, and they walked together in the forest, in the
-magnificent walk which led to the battlements of the Loge, which were
-constructed in front of the Castle Germain, by Queen Anne of Austria.
-</p>
-<p>
-As they reached the south angle of the ramparts, it seemed that
-Théophraste recognized again, gliding in a thicket, the repulsive form of
-Signor Petito.
-</p>
-<p>
-Adolphe insisted that he was mistaken.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0014" id="link2HCH0014"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XII
-</h2>
-<h3>
-<i>Théophraste&rsquo;s Memory Is Refreshed</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HEY wandered down to the lawns at the foot of the ramparts, and walking
-across the green grass, they stopped at the foot of a forked tree. They
-were seated chatting for some time, when suddenly Théophraste&rsquo;s face
-seemed to light up as if he recalled something. It seemed as if his memory
-had suddenly become awakened to events of years ago. His whole soul was
-filled with sweet memories, like the tenderest recollections of youthful
-days returning, after having been forgotten for a long time. In his mind
-he saw perfectly the spirit of Cartouche, as if he had never been
-separated from him by two hundred years. It seemed to come suddenly to
-him, and as the events came back to him, he related them to Adolphe, in
-the following words:
-</p>
-<p>
-&ldquo;Adolphe, my friend, I must tell you that at that time my fortune was
-complete. I was dreaded and yet liked by all. I was even liked by my
-victims. I despoiled them so gallantly that they went their way along
-through the city singing my praises. I had not yet been attacked by that
-wonderful sanguinary instinct which some months later made me commit the
-most atrocious crimes. Everything prospered with me; everybody feared me
-and loved me. I was happy, merry, of a magnificent audacity, gallant in
-love, and the ruler of Paris. They said that I was the greatest of all
-robbers; that was only half true, because it was imperative that I should
-partake of the sovereignty with M. Law, the Controller-General of Finance.
-My glory was at its zenith; for often he and his people paid me tribute.
-But he imagined he might excite the Regent against me. One evening when I
-had stolen into his room in his hotel, disguised as a lackey to Lord
-Dermott, the Regent sent for Monsieur d&rsquo;Argenson, keeper of the seals, and
-told him that he had eight hours in which to arrest me. M. d&rsquo;Argenson
-promised everything he wanted, provided they let him go by the way of the
-Convent of the Madeline du Frainel, where his mistress, Mlle. Husson, had
-taken refuge. Eight hours later, M. d&rsquo;Argenson was still at the Convent
-with Mlle. Husson. As for me, my dear Adolphe, during that time, I
-attended to my small affairs, and I commanded without any trouble three
-thousand men. It was the month of September, the nights were beautiful and
-clear, and we profited by this to get into the house of the Spanish
-Ambassador, who lived in the old hotel of the Marshal d&rsquo;Aucre, in the Rue
-de Fournon, the same house even which has since been occupied by the Guard
-de Paris. We entered his wife&rsquo;s bedroom and took possession of all her
-dresses, of a buckle ornament with twenty-seven large diamonds, a necklace
-of very fine pearls, six plates, six table sets, six knives and ten coral
-goblets. We rolled it all up in a table cloth, and went to supper at the
-house of the Belle Helene, who kept what you called the Inn of the Harp in
-the Rue de la Harp.
-</p>
-<p>
-&ldquo;Oh, Adolphe, what a wonderful thing memory is! Truly I do not know why I
-said that <i>you</i> called it the Inn of the Harp, unless in my mind you
-are representing a friend whom I had, who was as good as you, and whom I
-loved as well as you, whose name was Va-de-Bon Cour. By the Thunder of the
-Breast, but he was a handsome young fellow! He was a sergeant of the
-French Guards, and he was my lieutenant. I must tell you, my dear Adolphe,
-that I commanded a considerable number of French Guardsmen. At the time of
-my arrest, one hundred and fifty non-commissioned officers, soldiers of
-the French Guard, hid themselves, and disappeared over to the colonies.
-They dreaded lest I should compromise them. They were wrong, however, for
-torture could not make me speak. However, let me leave those melancholy
-moments, and come back to the beautiful September nights. We will proceed
-to the time when it was customary for the Parisians to take up their new
-abodes. The Regent showed still more anger against me and M. d&rsquo;Argenson,
-when he learned about the escapade against the Spanish Ambassador. Imagine
-his fury as I turned my attentions to him. Va-de-Bon Cour, being on guard
-at the Palais Royal, carried off two vermilion flambeaux, which the Duke
-of Orleans prized very highly. The Regent was so afraid of being robbed
-that instead of wearing silver-faced buckles and sword handles, he
-resolved to substitute carved steel. On the first day that he carried one
-of that kind, I, Cartouche, stole it from him as he was leaving the opera
-house. The next day I sent it back to him in pieces, and I taunted him
-about his apparent avarice, and upbraided him, that he, the greatest man
-in France, should wish to deprive his unfortunate confrères, the
-silversmiths, of a livelihood.
-</p>
-<p>
-&ldquo;He answered me publicly by proclaiming that he was very anxious to know
-me, and that he would give from his own pocket 20,000 pounds to whoever
-would bring Cartouche to him. The next day, as he walked to Saint Germain
-and was breakfasting in the castle, he found under his napkin a message of
-which you will readily see the sense: &lsquo;My lord, you can see me for
-nothing. It may be to-night, at midnight, behind the Anne of Austria Wall
-in the forest, where Cartouche will expect you. You are brave. Come alone.
-If you come accompanied, you run the danger of death.&rsquo;
-</p>
-<p>
-&ldquo;At midnight, I awaited the Regent; twelve o&rsquo;clock was still sounding in
-the Loges, when the Regent appeared. The moonlight made the forest seem
-like fairyland-enchanted, such as one sees at the theater. The forest, a
-marvelous, transparent blue, seemed bereft of all its branches, of all its
-foliage, of all its thickets.
-</p>
-<p>
-&ldquo;&lsquo;Behold me, Cartouche,&rsquo; said the prince; &lsquo;I come to you armed with my
-sword alone, as you have wished. I run perhaps the greatest danger,&rsquo; he
-said in a clear, derisive voice, &lsquo;but who would not risk everything to see
-at close range at midnight, in the heart of the forest, the form of
-Cartouche, when it costs nothing?&rsquo; Oh, Adolphe, my friend, that thou
-couldst have been there to hear me respond to the Regent of France! To be
-sure, I am only the son of a poor cooper of the Rue du Pontaux-Choux, but
-what Condé, what Montmorency could have bowed with more grace, sweeping
-the wet grass with the plume of his hat? The Duke de Richelieu himself
-could not kneel more elegantly than I did, nor present in a more gracious
-manner to my lord the purse that I had taken from his pocket. &lsquo;I am,&rsquo; said
-I, &lsquo;the most humble servant of my lord, and I beg him to take back from
-Cartouche this purse that I had the audacity to steal with so much
-coolness, only to prove to my lord that his highness finds himself face to
-face with Cartouche.&rsquo; The Regent begged me to preserve that purse for a
-remembrance of him. He was wrong to relate, in the course of time, this
-anecdote; for the report was spread that he was one of my band. I believe
-that he had started to go away, when he put his arm in mine and dragged me
-as far to the right as we are sitting to-day.
-</p>
-<p>
-&ldquo;Then the regent did me the honor to put his arm in mine, and I saw that
-he had something of a secret nature to confide to me. He did not wait to
-acknowledge that he counted upon my ingenuity to avenge him for an offense
-that Monsieur the Controller-General had committed against him. He told me
-that he was quite in love with the courtesan, Emily; that she was his
-mistress, and had been for fifteen days, and that he had learned from La
-Fillon that M. Law had the promise of her favors the next night against
-the present that he would make her of a ten-thousand-louis necklace. He
-was sure of it, for La Fillon was never mistaken. Was it not from her that
-he had had a hint of the Cellamore conspiracy? All the rogues of Paris
-knew La Fillon.
-</p>
-<p>
-&ldquo;La Fillon is a woman of five feet ten inches, who was admirably formed, a
-ravishingly beautiful face. From the age of fifteen years, that model
-beauty thought that Nature had not provided such rare treasures to be
-hidden, so she lavished them. The Duke d&rsquo;Orleans, a long time before the
-regency, loved her. He remained smitten with her for more than a year. It
-was for her that he had constructed, in a retired part of the gardens of
-Saint Germain, a sort of grotto, lighted mysteriously by several rays
-directed upon a bed of mats, upon which his mistress stretched herself,
-clothed in her blonde hair only. He showed them to all who passed that
-way, and in that way he made numerous friends. But the fifteen years of La
-Fillon flew away in happy days. Now she had no longer the enjoyment of
-intrigue, of which she has made two parts-gallantry and observation. So
-she furnished some important information to the police and to M.
-d&rsquo;Argenson, guard of the seals, and some remarkable subjects for the
-amours of the Regent. It was she who procured Emily for him, who is by far
-the prettiest girl in Paris. Everybody wanted to steal her from him. Law,
-who was the richest, swore to succeed there. The bargain was concluded for
-the next night.
-</p>
-<p>
-&ldquo;&lsquo;Cartouche,&rsquo; the Regent said to me, after having explained his small
-affairs to me, &lsquo;thou art a brave man. I give thee the necklace.&rsquo;
-</p>
-<p>
-&ldquo;And he went away in the moonlight, giving me a slight wave of the hand.
-This kind of mission that I received-to thwart the loves of the
-Superintendent, and avenge those of the Duke of Orleans, filled me with
-pride.
-</p>
-<p>
-&ldquo;Being back in Paris, I learned near the morning, through my police (which
-was the best information of the epoch), that the courtesan Emily lived at
-a small hotel in the Mardis, at the corner of the Rue Barbette and of the
-Trois-Pavillons, and that the Regent showed more attachment for her than
-he had ever for the Duchess of Berry, with whom he was disgusted long
-since for La Baratere, who shut herself up in the Convent of Chelles, less
-on account of her love for God than for her liking for the beautiful nuns
-(what morals, my dear Adolphe, what morals!), and it consoled her that she
-had recently been mistaken for Mlle, de Valois, uniquely occupied with the
-Duke de Richelieu. This courtesan, Emily, was no more than an opera girl,
-but her beauty, as I have told you, surpassed all that one can imagine-I
-was not long in judging for myself.
-</p>
-<p>
-&ldquo;Twenty-four hours after the interview of Saint Germain, that is to say
-the midnight following, I went out with a placard describing exactly the
-angle of the Rue des Trois-Pavillons and the Rue Barbette. I had, as if by
-chance, a pistol in each hand, which made it impossible for me to decently
-bow to Mlle. Emily, who appeared, considering the hour, in the most polite
-dishabille, with the Superintendent, who presented a casket to her in
-which there shone the gems of a necklace, which was valued at the least at
-ten thousand louis. I excused myself for the necessity of keeping my hat
-on my head, and begged Monsieur, the Superintendent, seeing the
-encumbrance of my hands, to close the casket on the necklace, and to put
-the whole thing in the pocket of my cinnamon coat, promising my gratitude
-or recognition for this slight service.
-</p>
-<p>
-&ldquo;As he hesitated, I proceeded with my presentation, and when he knew that
-my name was Cartouche, he obeyed with alacrity.
-</p>
-<p>
-&ldquo;I begged Mlle. Emily to reassure herself, declaring that she was in no
-danger, of which she was convinced, for she began to laugh heartily at the
-discomfiture of M. Law. I laughed also. I said to M. Law that his necklace
-was worth 10,000 louis, but if he wished to send the next day, towards
-five o&rsquo;clock in the afternoon, a confidence man to the corner of the Rue
-Vaugirard and of the Rue des Fosses-Monsieur le Prince, with five thousand
-louis, they would return the collar, on the word of honor of Cartouche. He
-replied to me that the bargain was concluded and we took leave of each
-other.
-</p>
-<p>
-&ldquo;Two days later some one related the adventure to the Regent, who was at
-first overjoyed, but whose face changed when he learned the culmination of
-the event. The man, Law, had given the five thousand louis as was
-arranged, to the man, Cartouche, and he expected the jewel box, when the
-other told him that Cartouche had already gone to carry it himself to
-Mlle. Emily. Law ran to the house of the courtesan, saw the necklace and
-demanded the price.
-</p>
-<p>
-&ldquo;&lsquo;It is already received,&rsquo; replied Emily, turning her back on him.
-</p>
-<p>
-&ldquo;&lsquo;And by whom?&rsquo; exclaimed M&rdquo; le Superintendent.
-</p>
-<p>
-&ldquo;&lsquo;Evidently by the one who brought me the necklace-by Cartouche, who has
-just left here. Should I not pay upon receipt of the necklace? And
-immediately? I have no credit, myself,&rsquo; added she, shouting over the
-discomfited face of the man of the Rue Quincamprix.
-</p>
-<p>
-&ldquo;At the Palais Royal, my dear Adolphe, the jest had the success that you
-can imagine. It did not matter, the Regent had found out that I had
-surpassed his instructions, and in his anger he again sent M. d&rsquo;Argenson
-to hunt for me. He, however, was again diverted by the attractions of
-Mlle. Husson. It was a fact, my dear Adolphe, that women were a source of
-great help to me, and I leaned towards them considerably. But they
-contributed much to my ruin, also. Knowing of the propriety of my manners,
-and of my exclusive love for Marceline, you must think how two hundred
-years changes a man.&rdquo;
- </p>
-<p>
-Elated at his narrative, Adolphe laughed at the pleasantry which
-terminated it. &ldquo;How two hundred years changes a man!&rdquo; M. Longuet laughed
-at it. The supernatural and terrifying antithesis between Cartouche and
-Longuet, which had plunged him at first into the most melancholy fright,
-now incited him to make jests. His excuse was that he did not see anything
-to fear. He only found his case a little odd. He joked about it with
-Adolphe, and even resolved to no longer keep his true personality from
-Marceline. She was intelligent and would understand. He imagined that this
-personality would present dangers to himself and to society, but, behold!
-it existed no longer in the real condition, but only in his memory, as a
-vivid picture. He would not have to control Cartouche as he had dreaded;
-he would only have to ask him from time to time, some anecdote, which
-would help M. Longuet in conversation. The history of the Regent, M. Law,
-and of the courtesan, were sure proofs of that condition of the soul. How
-it had glided from his memory without effort! What evil, then, was there
-in that? After all, if he had been Cartouche, it was not his fault, and it
-would be very foolish in him to be angry about it. He even joked about the
-fortune.
-</p>
-<p>
-At midnight they made their way back to Paris. As they arrived at the
-station St. Lazare, M. Lecamus asked him the following question:
-</p>
-<p>
-&ldquo;My friend, when you are Cartouche, and you take your walks in Paris, and
-you see the life of Paris, what astonishes you most? Is it the telephone,
-or the railway, or the Metro, or the Eiffel Tower?&rdquo;
- </p>
-<p>
-Théophraste replied, &ldquo;No, no. That which astonishes me most when I am
-Cartouche is the police force.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0015" id="link2HCH0015"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XIII
-</h2>
-<h3>
-<i>The Cat</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>T seems that the destiny which controls the lives of men, takes a
-diabolical pleasure in preceding the worst catastrophe by the serenest of
-joys. Thus is it often that we are warned of the tempest by the calm.
-</p>
-<p>
-Thus in the beginning of the misfortunes of Théophraste, Marceline and
-Adolphe, there was something which was not of very great importance in
-itself-the strange behavior of a small black cat.
-</p>
-<p>
-I have not yet described in detail the apartment occupied by the household
-of Longuet in the Rue Geronde. It is now necessary to do so. It was a
-small apartment, rented for twelve hundred francs a year, on passing
-through the folding-doors of which one entered a vestibule of restricted
-dimensions, all the furniture of which consisted of a polished oak trunk,
-which seemed to fill the whole vestibule. Besides the front door, four
-doors opened into the vestibule: the kitchen door, the dining-room door,
-to the left; the parlor door, and that of the bedroom, on the right. The
-parlor and bedroom windows looked out into the street, and those of the
-kitchen and dining-room looked out into the court. The window of the
-little room in which M. Longuet had made his office, opened on the street
-also. This room was between the bedroom and the dining-room, and could be
-entered by doors from either of these. As to the furniture in this
-apartment, that in the office is all that need be described. There was a
-small desk against the wall.
-</p>
-<p>
-These great misfortunes of Théophraste, Marceline and Adolphe centered
-around something which was not of great importance in itself: it was only
-an ornament in the form of a small black cat, which was placed over the
-patent lock with which the small desk was fastened, thus hiding it.
-</p>
-<p>
-This little black cat was nothing more than an ingenious silken cushion,
-which served the double purpose of pin-cushion and pen-wiper. There was
-also a tea-table in this room.
-</p>
-<p>
-Upon returning from their trip, Adolphe accompanied Théophraste up the
-stairway, and as it was late he announced his intention of leaving at
-once. He ordered his friend to go to bed so that he might get up early the
-next day to make further researches. He shook his hand with a show of
-sincerity, and as he went downstairs, looked up to Théophraste, who was
-holding the lamp for him, and murmured, &ldquo;Good-bye, till to-morrow.&rdquo;
- </p>
-<p>
-Théophraste closed the door of the apartment with the greatest care, and
-as he made the second turn to the latch, he said to Marceline, &ldquo;Now that
-we are very often in the country, we ought to have extra bolts for
-safety.&rdquo;
- </p>
-<p>
-Théophraste and Marceline searched the apartment before going to bed. They
-went into the kitchen, into the dining-room, into the parlor, and into the
-office. Nothing unusual had happened during their absence. Everything was
-in its usual place.
-</p>
-<p>
-Having gone to bed, Théophraste lay awake for some time. He amused himself
-by thinking of Cartouche and all the wonderful things he had done. While
-he tried to fall asleep, his mind kept continually going back to the same
-theme. Suddenly he opened his frightened eyes in the darkness, and laid
-his hand on his wife&rsquo;s arm, waking her. Then, in a voice so low that he
-alone knew he had spoken, he said, &ldquo;Do you hear anything?&rdquo; Marceline woke
-with a start, and they both strained their ears. They heard something in
-the apartment. It was a peculiar sound like the purring of a cat. It
-seemed as if it came from the office, and they listened intently for some
-minutes, too frightened to move.
-</p>
-<p>
-Théophraste, as we have said before, was not a brave man, and he would
-have given a hundred thousand francs for it to have been daylight.
-Marceline whispered in his ear, &ldquo;Go and see what is the matter. You must,
-Théophraste. Take the revolver from the table drawer.&rdquo; Théophraste just
-had the strength to answer, &ldquo;You know very well it is not loaded.&rdquo;
- </p>
-<p>
-They listened again, but the noise had stopped. Marceline hoped that they
-had been mistaken. Théophraste, quaking with fear, then got out of the
-bed, and taking the revolver, softly opened the door which led into the
-office.
-</p>
-<p>
-The night was clear, and the moon shone across the large blue table-cloth
-which was spread on the table. Théophraste recoiled. He pushed the door to
-by pressing his back against it, as if he would hinder whatever he had
-seen from entering the room. &ldquo;What is it?&rdquo; demanded Marceline, raising
-herself from the pillows. Théophraste, with chattering teeth, answered,
-&ldquo;It does not purr any more, but it has moved. It is on the tea-table.&rdquo;
- </p>
-<p>
-&ldquo;What is on the tea-table?&rdquo;
- </p>
-<p>
-&ldquo;The cat!&rdquo;
- </p>
-<p>
-&ldquo;Are you sure it was in its right place last night?&rdquo; asked Marceline.
-</p>
-<p>
-&ldquo;Perfectly sure. I put my scarf-pin on it when I was going to bed.&rdquo;
- </p>
-<p>
-&ldquo;Oh, you only think that you did it,&rdquo; said Marceline. &ldquo;Shall I light the
-lamp?&rdquo;
- </p>
-<p>
-&ldquo;No, no. We can escape in the darkness. If I open the door on the landing
-we can call the conciergerie.&rdquo;
- </p>
-<p>
-&ldquo;You are not afraid, then?&rdquo; asked Marceline, who, now that she heard it
-was the cat, was recovering her senses. &ldquo;It was an illusion that we had.
-You must have changed his place last night.&rdquo;
- </p>
-<p>
-&ldquo;After all it is very possible,&rdquo; said Théophraste. He only wanted to get
-back to bed.
-</p>
-<p>
-&ldquo;Put it in its place,&rdquo; insisted Marceline. Théophraste decided to do so.
-He went into the office, and with a hasty, trembling hand took the cat
-from the tea-table and put it on the desk, and soon found himself back in
-bed. By this time they had recovered their composure.
-</p>
-<p>
-They even smiled in the darkness to think that they had been afraid.
-However, a quarter of an hour elapsed, and they were frightened to hear
-again the rattle of the ornament. &ldquo;Oh, it is not possible,&rdquo; cried
-Marceline; &ldquo;we are the victims of hallucination. There is nothing to
-astonish us after what has happened at the Conciergerie.&rdquo;
- </p>
-<p>
-It was Marceline who got up this time. She pulled open the door of the
-office, and came back at once towards Théophraste, and said with a voice
-so weak that it seemed far away, &ldquo;You did not, then, put the cat back on
-the desk?&rdquo;
- </p>
-<p>
-&ldquo;But I did,&rdquo; growled Théophraste.
-</p>
-<p>
-&ldquo;Well, but it is back on the tea-table.&rdquo;
- </p>
-<p>
-&ldquo;My God!&rdquo; said the man hiding his head under the coverings.
-</p>
-<p>
-Marceline was convinced that, in the disordered condition of his mind, he
-had left the cat on the tea-table. She took it, holding her breath, and
-put it on the table. The cat rattled audibly again as she did it, but
-neither Marceline nor Théophraste saw anything in this. Marceline went
-back to bed again.
-</p>
-<p>
-Another quarter of an hour passed, at the end of which they again heard
-the same noise. Then an incredible thing happened. Théophraste turned like
-a tiger and cried out, &ldquo;What is it? It is only too true, something unusual
-is happening.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0016" id="link2HCH0016"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XIV
-</h2>
-<h3>
-<i>Petito Loses His Ears</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>E will now go downstairs to the flat below, into the apartment occupied
-by Signor and Signora Petito. Signora Petito is saying, &ldquo;I do not
-understand M. Longuet&rsquo;s conduct at the dinner at all. He spoke such vague,
-peculiar words.&rdquo;
- </p>
-<p>
-&ldquo;Well,&rdquo; answers Signor Petito, &ldquo;he has this treasure which may be found in
-the environs of Paris, and he is thinking of it. It is certainly very
-interesting, and I would like to find it myself. According to the
-document, my opinion is that one ought to look either at the side of
-Montrouge, or at the side of Montmartre. I am inclined to think that it is
-Montmartre, on acount of the &lsquo;Coq.&rsquo; There was a castle &lsquo;Coq de Percherons&rsquo;
-there. You will find it if you look at this plan of old Paris.&rdquo;
- </p>
-<p>
-They looked at the plan, and after a short silence Signor Petito added,
-&ldquo;It is still very vague. For myself, I think that one ought to attach
-importance to the words &lsquo;Le Four.&rsquo;&rdquo;
- </p>
-<p>
-&ldquo;My dear, then it is more and more vague,&rdquo; said his wife, &ldquo;for there are
-many furnaces around Paris. There were plaster furnaces, and quicklime
-furnaces, and many others.&rdquo;
- </p>
-<p>
-&ldquo;My idea,&rdquo; said Signor Petito, &ldquo;is that Le Four does not mean &lsquo;the
-furnaces.&rsquo; I remember that there was a space after the word &lsquo;Four,&rsquo; on the
-paper. Pass my dictionary.&rdquo; Signora Petito, noiselessly, and with great
-care, brought him the lexicon. They looked over all the words beginning
-with the syllable &lsquo;Four.&rsquo; On account of the article, le, they decided not
-to pay any attention to feminine words.
-</p>
-<p>
-Just then the clock on the mantel-shelf struck midnight. Signora Petito
-got up, and said to the Signor, &ldquo;Now is the time. We will find some useful
-information on the floor above. They cannot hear you in your stockinged
-feet. I will watch behind their door at the head of their stairway. You
-know there is no danger, they are still in the country.&rdquo;
- </p>
-<p>
-Two minutes later a form glided over the landing at M. Longuet&rsquo;s door, put
-a key into the lock stealthily, and went into the vestibule. M. Longuet&rsquo;s
-apartment was arranged exactly like Signor Petito&rsquo;s, and so the latter
-easily found his way into the dining-room. He acted with perfect
-composure, believing the apartment to be uninhabited. He pushed the office
-door open. As it was evidently the lock of the desk that he wished to
-reach. Signor Petito took the ornament which inconvenienced him and placed
-it on the tea-table. Then he quitted the room noiselessly, and entered the
-dining-room, from there into the vestibule, for he seemed to hear a voice
-on the stairway. He was without doubt mistaken, for he listened intently
-for some time without hearing a sound. When he came back into the office,
-he found the cat again on the desk, and purring. His hair seemed to stand
-on end, for the horror which had seized upon him was not to be compared to
-the horror which had seized upon those in the next room.
-</p>
-<p>
-Signor Petito remained immovable in the bluish moonlight. With a timid
-hand he seized the little black cat. The movement caused by this made the
-cat purr again. Now he understood that in the cat&rsquo;s pasteboard body there
-was a little ball, balanced in such a manner that it ingeniously simulated
-the purring of a cat when it was moved.
-</p>
-<p>
-How frightened he had been! He felt a fool. All was explained. Did he not
-remove the cat before returning to the vestibule? Instead of having placed
-the cat on the table, as he thought, he must have replaced it on the desk.
-That was a simple explanation, and he paid the strictest attention this
-time when he placed it on the table.
-</p>
-<p>
-While he was doing this there was a fresh noise on the stairway. It was
-only Signora Petito, who had very incautiously sneezed.
-</p>
-<p>
-Signor Petito went hurriedly and silently back into the vestibule, and
-when he was reassured, went back into the office again.
-</p>
-<p>
-The black cat had been returned to the desk again!
-</p>
-<p>
-He thought that he would die of fright. A miraculous intervention had
-arrested him on the verge of a great crime, and he uttered a hurried
-prayer in which he promised heaven never to do it again. However, another
-quarter of an hour passed, and he attributed these surprising events to
-his conscience, and returning, placed the cat back again on the table.
-</p>
-<p>
-Just then the door of the room was violently opened, and Signor Petito
-fell into the arms of M. Longuet, who did not express the least
-astonishment.
-</p>
-<p>
-M. Longuet threw Signor Petito on the floor in disgust, and picking up the
-ornament, opened the window, and threw it out into the street. During this
-time, Signor Petito, who had gotten up, could hardly compose his features,
-for Mme. Longuet, in her chemise, was threatening him with a revolver. He
-could only stammer, &ldquo;I beg your pardon, I really thought that you were in
-the country.&rdquo;
- </p>
-<p>
-M. Longuet went up to him, and taking him by one of his ears, said, &ldquo;Now,
-my dear Signor Petito, we must talk.&rdquo;
- </p>
-<p>
-Marceline lowered the barrel of her revolver, and felt pleased at seeing
-her husband show such courage.
-</p>
-<p>
-&ldquo;You see, my dear Signor Petito,&rdquo; continued Théophraste, &ldquo;that I am calm.
-A little while ago I was getting angry, but it was only at that little cat
-which was keeping me from going to sleep, and which I have thrown out of
-the window. Rut be assured, my dear Signor, I shall not throw you out of
-the window. You have not kept me from sleeping, you have even taken the
-precaution to put on slippers. Many thanks. But why, my dear Signor, do
-you make that ridiculous grimace? It is without doubt on account of your
-ear. I have some good news to tell you which will perhaps put you at ease
-about your ears. Your ears will make you suffer no more.&rdquo;
- </p>
-<p>
-Having finished his sarcastic talk, Théophraste begged his wife to pass
-him a cloth, and ordered Signor Petito to go into the kitchen. &ldquo;Do not be
-surprised that I receive you in the kitchen. I prize my carpets very much,
-and you will probably bleed like a pig.&rdquo;
- </p>
-<p>
-M. Longuet drew towards him a white wooden table, which he placed in the
-middle of the kitchen. He asked Marceline to place an oil-cloth over the
-table, and get him a large bowl. He then asked for a carving set, which he
-said she would find in the dresser drawer, which stood in the dining-room.
-Marceline tried to ask for an explanation, but her husband looked at her
-so coldly and so strangely, that, shuddering, she could only obey. Signor
-Petito, in a cold perspiration, tried to reach the door of the kitchen,
-but M. Longuet stood between him and the means of exit, and commanded him
-to be seated.
-</p>
-<p>
-&ldquo;Signor Petito,&rdquo; said he, in a tone of the most sarcastic politeness, &ldquo;you
-have a face which displeases me. It is not your fault; but then it is not
-mine, either. Certainly you are by far the most cowardly and the most
-despicable of thieves. But what does that matter? But do not smile, Signor
-Petito.&rdquo; It is certain that Signor Petito had no intention of smiling.
-</p>
-<p>
-&ldquo;You have ridiculously large ears, and surely with such ears, you dare not
-pass by the corner of the Guiliere.&rdquo;
- </p>
-<p>
-Signor Petito clasped his hands and stammered, &ldquo;But my wife awaits me.&rdquo;
- </p>
-<p>
-&ldquo;What are you doing, Marceline?&rdquo; Théophraste cried impatiently. &ldquo;Do not
-you see that Signor Petito is in a hurry? His wife is waiting for him.
-Have you the carving set?&rdquo;
- </p>
-<p>
-&ldquo;I could not find the fork,&rdquo; answered Marceline in a trembling voice. (The
-truth was, Marceline did not know what to say, for she believed that her
-husband had become completely insane, and between Signor Petito the
-house-breaker, and Théophraste mad, she was in anything but an enviable
-position.) She had hidden herself behind a cupboard door, and her distress
-was so extreme, that in turning suddenly, when Théophraste hurled a volley
-of insults at her, she upset her favorite vase, which made a loud noise,
-thus adding to the confusion.
-</p>
-<p>
-Théophraste resorted once more to oaths and insults, and called Marceline
-in such a tone that she ran to him in spite of herself. The spectacle
-which awaited her in the kitchen was atrocious. Signor Petito was lying on
-the wooden table, his eyes bursting from their orbits, a handkerchief in
-his mouth, which nearly suffocated him. Théophraste had had the time, and
-was possessed with the extraordinary strength to tie his hands and ankles
-with cords. Signor Petito&rsquo;s head hung a little beyond the edge of the
-table, and under it there was a bowl which M. Longuet had placed there to
-prevent soiling anything. The latter with palpitating nostrils had caught
-Signor Petito by the hair with his left hand. In his right he clasped the
-handle of a notched kitchen knife.
-</p>
-<p>
-Gnashing his teeth, he cried out, &ldquo;Strike the flags.&rdquo;
- </p>
-<p>
-As he said this he made the first cut at the right ear. The cartilage
-resisted. Signor Petito&rsquo;s muffled groans could just be heard. M. Longuet,
-who was still in his night-shirt, worked like a surgeon bent upon a
-difficult operation. Marceline&rsquo;s strength failed her, and she fell upon
-her knees. Signor Petito, in attempting to struggle, threw the blood from
-his ears across the kitchen, and Théophraste, letting go his hair, struck
-him a blow across the head. &ldquo;Be a little careful,&rdquo; said he, &ldquo;you are
-splashing the blood all over everything.&rdquo;
- </p>
-<p>
-The cartilage still resisted, so taking the right ear in his left hand,
-with a strong blow with the notched knife he tore it away. He placed the
-ear in a saucer which he had previously placed on the sink, and allowed
-the water to flow over it. Then he came back to the second ear. Marceline
-groaned very loudly, but he silenced her with a glance. The second ear was
-cut off much more easily, and with more dispatch.
-</p>
-<p>
-By this time Signor Petito had swallowed half of the handkerchief, and was
-suffocating. Théophraste took the handkerchief out of his mouth and threw
-it out into the clothes-basket near by. He then untied his ankles and
-wrists, and signed to him to leave the apartment as soon as possible. He
-had the forethought to wrap his head in a dish-cloth, so that the blood
-would not stain the stairway or the janitor&rsquo;s family. As Signor Petito
-passed by, in agony, Théophraste put the washed ears into his vest pocket.
-</p>
-<p>
-&ldquo;You forgot something,&rdquo; he said. &ldquo;What would Signora Petito say if you
-went back without your ears?&rdquo; He closed the door. Looking at Marceline,
-who was on her knees, paralysed with horror, he wiped the bloody knife on
-his sleeve.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0017" id="link2HCH0017"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XV
-</h2>
-<h3>
-<i>Adolphe Consulted</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HEOPHRASTE, the next day, seemed to have forgotten all the incidents of
-the night before, or at least to attach very little importance to them.
-</p>
-<p>
-As to Marceline, she was far too agitated to make any direct mention of
-it. However, she knew Adolphe would be calling at noon and she was
-resolved to find out the cause of Théophraste&rsquo;s actions before he came so
-that she could tell Adolphe the best to act. The thing that struck her
-most was Théophraste&rsquo;s sudden show of courage and strength. Before he had
-shown excessive lack of courage, and he was naturally physically weak.
-Suddenly, to be seized with all the nerve necessary to meet a burglar and
-then to have the strength to gag and bind him and cut off his ears, was
-unnatural. He had always recoiled from the sight of blood, and here he was
-fairly reveling in it. What could all this mean? He had suddenly turned
-from a quiet, inoffensive citizen to a ghoul.
-</p>
-<p>
-It was with these thoughts that she approached Théophraste and demanded an
-explanation. He at first was loath to tell her, but her entreaties
-prevailed, and he eventually told her that it was the spirit of Cartouche
-that had seized him and forced him to do these horrible actions. He told
-her with a sort of bravado that there had been more than one hundred and
-fifty assassinations laid to his account.
-</p>
-<p>
-Marceline was in a terrible state of mind and shrank from him. She
-declared that nothing in the world would make her live with him. She would
-apply for a divorce. She thought she had married an honest man, and now
-she had discovered him to be a thief and murderer. Here were enough
-grounds for a separation, and she declared her intention of securing it.
-</p>
-<p>
-At this Théophraste became very melancholy, and entreated her to think of
-his side of the calamity. He told her how necessary her help was to him,
-and with Adolphe&rsquo;s and her assistance he thought he could throw off this
-evil influence. By this time he had become quite rational, and they
-decided to consult Adolphe, and if necessary, have him live with them.
-</p>
-<p>
-Marceline readily acquiesced in this suggestion. Adolphe arrived about 1
-o&rsquo;clock, and she took him into the sitting-room and was soon in earnest
-and animated council with him. Théophraste went into his office and waited
-anxiously for them to join him. After some time they returned, and
-Marceline insisted that Théophraste should do all that Adolphe should ask
-of him, which he readily consented to do, having confidence in his friend.
-</p>
-<p>
-Later on in the afternoon Théophraste and Adolphe went for a walk into the
-city. Théophraste immediately began asking questions as to Adolphe&rsquo;s
-progress in the search for the treasures. He, however, was in no mood to
-tell much. Marceline&rsquo;s story of the night before had driven all thoughts
-of the treasure out of his head, and he answered somewhat abruptly that
-nothing of importance had been found, and that he must think of
-Théophraste&rsquo;s health first, before taking any further steps.
-</p>
-<p>
-It was obvious to Théophraste that Adolphe was evading the subject, and he
-was determined to find out more of the matter.
-</p>
-<p>
-He felt that Adolphe had more information, and so pressed him to speak.
-Adolphe then told how he had discovered that after the war most of the
-soldiers who had been serving with Cartouche had been discharged, and were
-left with no means of livelihood, and so, recognizing him as having the
-talent of a leader, they formed themselves into a party of bandits, and
-placed him at their head. At this time the police force of Paris was quite
-inadequate to cope with the many crimes; therefore Cartouche and his
-comrades resolved to turn their attention to this. He divided his men into
-troops, and gave them each a quarter, to guard over which he placed an
-intelligent lieutenant. When anybody was found out after curfew he was
-politely accosted and requested to turn over a sum of money, or if he had
-no money on him, to part with his coat. In exchange for this he was given
-a pass which entitled him to walk through Paris in perfect security at any
-time he pleased. He would have nothing to fear from Cartouche&rsquo;s men. If he
-showed any resistance he was immediately killed. Cartouche had the clergy
-on his side, and was often able to make good use of them. One priest named
-Le Ratichon, was even hanged for him.
-</p>
-<p>
-On reaching the Hotel de Ville, Adolphe stopped and asked Théophraste if
-he cared to cross the Place de l&rsquo;Hotel de Ville.
-</p>
-<p>
-He answered, &ldquo;If you wish, certainly we will.&rdquo;
- </p>
-<p>
-&ldquo;Have you often crossed the place?&rdquo; said Adolphe.
-</p>
-<p>
-&ldquo;Yes, very often,&rdquo; replied Théophraste.
-</p>
-<p>
-&ldquo;And nothing unusual has happened? Is there any place in Paris which you
-have some difficulty in passing?&rdquo;
- </p>
-<p>
-&ldquo;Why, no, of course not. What is there to hinder me from going anywhere?&rdquo;
- </p>
-<p>
-However, Adolphe&rsquo;s look made him reflect, and then he recalled having
-several times walked up the Place de l&rsquo;Ordson, and when in front of the
-Institute he changed his mind and retraced his steps. He accounted for
-this rather by his absent-mindedness than by anything unusual. He recalled
-that he had never passed through the Rue Mazarine or crossed the
-Pont-Neuf. Neither had he crossed the Petit Pont. He had always turned at
-the corner of the Rue Ville du Temple, near the house with the grated
-windows.
-</p>
-<p>
-&ldquo;Why,&rdquo; Adolphe asked, &ldquo;can&rsquo;t you pass these places?&rdquo;
- </p>
-<p>
-&ldquo;I think it is because the paving stones are red; and I dislike that
-color.&rdquo;
- </p>
-<p>
-&ldquo;You remember the Place de Grere?&rdquo;
- </p>
-<p>
-&ldquo;Why, yes. It was there that the pillory and scaffold were erected. The
-wheel was placed there on execution days in front of the Rue Vanniere.
-There was the old coal harbor. I never passed that place without
-counselling my comrades to avoid the wheel. However, I will wager not one
-profited by it.&rdquo;
- </p>
-<p>
-&ldquo;Nor you either,&rdquo; said Adolphe. &ldquo;It was there that you suffered the final
-torment. It was there that you were racked and expired by the tortures of
-the wheel.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0018" id="link2HCH0018"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XVI
-</h2>
-<h3>
-<i>On Private Ground</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>MONG all the paper that I found in the oaken chest, those which related
-to the death of Cartouche were by far the most curious, and presented the
-highest interest, in that they partly contradicted history. They denied
-with such persuasive strength, and such undeniable logic, that it is
-difficult to see how the great historians could have overlooked the real
-details, and the generations which have succeeded since the year 1721,
-should not have suspected the truth. History teaches us that Cartouche,
-after having suffered the rack in its most cruel form, during which he
-confessed nothing, not even a name or a fact, this Cartouche, who had only
-to die, and nothing to gain from his confession, nothing to soften his
-last moments, was brought to torment in the Place de la Grere, and it was
-there that he decided to speak. That they took him back to the Hotel de
-Ville, and that it was there that he betrayed his principal accomplices,
-after which he was racked and fastened to the cross, where he expired.
-</p>
-<p>
-Immediately after this 360 persons were arrested, with the result that
-they were tried, and judicially massacred, the last one of them being
-executed two years after Cartouche.
-</p>
-<p>
-Now in following the papers of Théophraste, we are not doing full justice
-to Cartouche. While Cartouche was an object of terror, he was at the same
-time an object of admiration. His courage knew no bounds, and he proved it
-at the time of his torture. At the moments when his sufferings were
-greatest, he did not speak. It was said that he only wished to die
-bravely. The great ladies of the court and of the city had hired windows
-and points of vantage from which to witness his death, and he did not wish
-to show them on the scaffold, a cowardly dastard, but the most daring and
-bravest of bandits. It is an historical fact that of the 360 persons who
-were arrested after his death, it was found that Cartouche was loved by
-all. The official report showed women throwing themselves in the arms of
-L&rsquo;Enfant at the Hotel de Ville, even after the denunciation.
-</p>
-<p>
-It is not necessary to mention all the protests that M. Longuet made
-against the dishonorable death attributed to Cartouche, but some of the
-preceding lines seem to show that he was right.
-</p>
-<p>
-It was while conversing on this question that Théophraste and his friend
-arrived at the Rue de le Petit Pont, without passing over the bridge.
-</p>
-<p>
-&ldquo;My dear friend,&rdquo; said Théophraste, &ldquo;look at that house at the side of the
-hotel, which has the sign, &lsquo;To the rendezvous of the Maraiches,&rsquo; and tell
-me if you find anything remarkable about it.&rdquo; They were then in front of a
-low, narrow and dirty old house, a hotel. The door on the ground floor
-disclosed a counter for the sale of drinks. Above the door was a notice,
-&ldquo;To the rendezvous of the kitchen-gardeners.&rdquo; The hotel was leaning
-against a vast building of the eighteenth century, which Théophraste
-pointed out with his green umbrella. This building had a balcony of iron,
-wrought in a delicate design of the period.
-</p>
-<p>
-&ldquo;I observe a beautiful balcony, of which the feature in the design seems
-to be the quiver of the god of love.&rdquo;
- </p>
-<p>
-&ldquo;Anything more?&rdquo; asked Théophraste.
-</p>
-<p>
-&ldquo;I do not notice anything further,&rdquo; said Adolphe.
-</p>
-<p>
-&ldquo;Do you notice the large gratings on the windows? There was a time, my
-dear Adolphe, when windows that had gratings on were very much in vogue.
-There were never so many grilled windows in Paris as in the year 1720, and
-I would swear that these were placed there the day after the affair of the
-Chateaux Augustins. The Parisians always protected their ground floor, but
-this did not trouble us very much, for we had Simon L&rsquo;Auvergnat.&rdquo;
- </p>
-<p>
-Adolphe took the opportunity of asking Théophraste exactly who this Simon
-L&rsquo;Auvergnat was. He was always referring to him, and without any obvious
-reasons.
-</p>
-<p>
-&ldquo;He was a very useful person,&rdquo; said Théophraste, &ldquo;he was the base of my
-column.&rdquo;
- </p>
-<p>
-&ldquo;What do you mean by the &lsquo;base of your column&rsquo;?&rdquo;
- </p>
-<p>
-&ldquo;You do not understand. Wait, and you soon will. Imagine yourself to be
-Simon L&rsquo;Auvergnat. Stand like this,&rdquo; and he indicated the position,
-against the wall of the house, that Adolphe was to take. He spread his
-legs and lowered his head, and raising his arms, leaned against the wall.
-&ldquo;I will place you here,&rdquo; said he, &ldquo;on account of the cornice which is to
-the left. I remember that it was very convenient. Now, since you are the
-base of my column, I lean on that base and then&mdash;&mdash;&mdash;&mdash;&mdash;-&rdquo;
- </p>
-<p>
-Before M. Lecamus had had time to see what was going to happen,
-Théophraste gripped his shoulders, leaped on the cornice of the hotel,
-from there to the balcony of the hotel at the side, and entered a room of
-which the window had been opened.
-</p>
-<p>
-M. Lecamus, stupefied, looked up into the air, and was wondering to
-himself how on earth his friend could have disappeared in such a way, when
-suddenly piercing cries came from the room, and a voice yelled out, &ldquo;Help!
-Robbers! Murder! Help!&rdquo; Fearing some dreadful act, Adolphe rushed into the
-hotel. The passers-by were stopping in the street, and before long a crowd
-had collected. He leapt over the vast stairway with the agility of a young
-man, and arrived on the first landing at the moment the door opened, and
-Théophraste appeared, hat in hand. He was bowing to an old lady, whose
-teeth were chattering from fright, and whose hair was all done up in curl
-papers. &ldquo;Dear madame,&rdquo; he was saying, &ldquo;if I had believed for one instant
-that I would have caused you such surprise, I would have remained
-downstairs. I am neither a robber, nor an assassin, my dear madam. All
-this is the fault of my friend Adolphe, who wanted me to show him how
-Simon L&rsquo;Auvergnat could serve me as the base of a column.&rdquo;
- </p>
-<p>
-Adolphe had already seized his arm, and was drawing him toward the
-stairway. He made signs to the lady from behind Théophraste trying to make
-her understand that his friend was off his head. Thereupon, she fell
-unconscious into the hands of a chambermaid, and the stairway was soon
-filled with a crowd.
-</p>
-<p>
-Adolphe profited by this to take Théophraste away. They passed through
-without hindrance, and were soon in the street again. Adolphe seemed not
-to hear Théophraste&rsquo;s protests. With one hand he dragged him towards the
-Rue Huchette, and with the other dried the sweat which was running down
-his forehead.
-</p>
-<p>
-&ldquo;Where are you taking me to?&rdquo; asked Théophraste.
-</p>
-<p>
-&ldquo;To the house of one of my friends in the Rue Huchette.&rdquo;
- </p>
-<p>
-When they reached the house in the Rue Huchette, they passed under a red
-porch, and into a very old house. Adolphe seemed to know the people, for
-he did not wait to be ushered in. He made Théophraste climb half a dozen
-stone steps which were extremely worn, and pushed open a thick door which
-was at the end of the court.
-</p>
-<p>
-They were now in a sort of vestibule, lighted by a large lamp in the shape
-of a huge ball, suspended by iron chains from the stone ceiling.
-</p>
-<p>
-&ldquo;Wait for me here,&rdquo; said Adolphe, after having closed the door by which
-they had entered. He promised not to be long and disappeared.
-</p>
-<p>
-Théophraste seated himself in a large armchair, and looked around him.
-What he saw on the wall amused him. There was an incredible quantity of
-words painted in black letters. They seemed to cover the whole surface of
-the wall, in no sort of order at all. He spelt some of them. There was
-Iris, Thabet, Rush, Jakin, Bokez, Thebe, Paracaler, and the word &ldquo;Iboah,&rdquo;
- which appeared in many places. Turning toward the other wall, against
-which he had been leaning, he saw a Sphinx and the Pyramids.
-</p>
-<p>
-An immense arch arose, and in the center of this was Christ, His arms
-extended out into a circle of flowers. On the arch were the words,
-&ldquo;Amphitheater of the wise eternal son of Truth.&rdquo; It was the arch of the
-&ldquo;Rose Cross.&rdquo; Below was this inscription, &ldquo;There are none so blind as
-those who will not see.&rdquo; Looking around he came across another
-inscription, in letters of gold: &ldquo;As soon as you have won a fact, apply
-yourself to it with your whole mind. Look for the salient points in it.
-Behold the knowledge which is in it. Give way to the hypothesis. Hunt for
-the fault in it.&rdquo; (Instructions to the clinic of the Hotel Dieu, Prof.
-Trousseau.) Besides this he saw figures of forles and vultures and
-jackals, men with birds&rsquo; heads, beetles, and the emblem of Osiris-an ass,
-and an eye. Finally he read these words in blue letters: &ldquo;The more the
-soul is rooted in her instincts, the more will she be forgotten in the
-flesh, the less consciousness she will have of her immortality, and the
-more she will remain a prisoner in living corpses.&rdquo;
- </p>
-<p>
-Impatient at the absence of his friend, and becoming a little frightened,
-he attempted to raise the drapery behind which Adolphe had disappeared.
-But as he ascended the step his head struck an object which was suspended
-in the air, and looking up he found it was a skeleton.
-</p>
-<p>
-We have said that M. Lecamus had applied himself to the occult sciences,
-and practiced spiritualism, but from what we know of M. Lecamus&rsquo;
-character, we feel that he was only an amateur in these things. He only
-practiced spiritualism for show, for snobbery, and to make an impression
-at the parties which he used to frequent. He believed no more in
-spiritualism than he believed in love. The day came, however, when his
-heart gave way, and when his spirit humiliated itself. It was the day that
-he met Marceline and M. Eliphaste de St. Elm. He met Marceline at a
-seance, where they had made him the father spirit. At this séance M.
-Eliphaste was recognized as the chief. However, this gentleman was rarely
-seen. He led a most retired and mysterious life at the foot of the Rue
-Huchette.
-</p>
-<p>
-Marceline had attended this seance by the will of M. Longuet, who, having
-been to the Salon Pneumatics, insisted that Marceline should be presented
-there. He thought that it was a kind of worldly society, where such
-subjects as pneuma-tology were discussed.
-</p>
-<p>
-The day that Marceline made her entrance to the Salon M. Eliphaste de St.
-Elm was to read a paper on the Gourse. Mme. Longuet found herself by
-chance next to M. Lecamus, and after discussing a good many points in the
-lecture, they found that they had a great many things in common, and by a
-curious chance M. Lecamus discovered that he was an old college chum of M.
-Longuet&rsquo;s. It was thus that he became welcomed into the family circle of
-M. Longuet.
-</p>
-<p>
-This preamble is necessary for us to understand the presence of M. Lecamus
-and Marceline together in the house of M. Eliphaste de St. Elm, at the
-foot of the Rue de Huchette, while Théophraste was waiting for him wearily
-in the vestibule. The visit was the result of a conversation between M.
-Lecamus and Mme. Longuet, early that morning. She had hidden nothing from
-him regarding the events of the nights before, and the history of Signor
-Petito&rsquo;s ears showed to M. Lecamus the necessity of taking precautions
-against the spirit of Cartouche. At the bottom of his heart M. Lecamus
-felt to a certain extent guilty for the follies of Théophraste, and he had
-been asking himself, lately, just how far he could let this reincarnated
-soul go, for M. Lecamus was a novice at spiritualism, and it was his
-intention to experiment with Théophraste and Cartouche.
-</p>
-<p>
-He was no sooner assured of having in his hands a reincarnated soul, than
-his curiosity aroused in him a desire to make use of it. This was exactly
-what he had done in putting the reincarnated soul of Cartouche before his
-portrait, without taking any precautions, and now he did not know how he
-could stop that which he had unconsciously set in motion. He knew how to
-arouse such a spirit, but he did not know how to stop it.
-</p>
-<p>
-It was for this reason that he and Mme. Longuet had come this morning to
-beg M. St. Elm to exercise his influence, for there was not a cleverer
-guide for reincarnated souls in Paris.
-</p>
-<p>
-In the meantime, Théophraste had been locked up in the vestibule, and when
-he struck his head against the skeleton, he began to think that it would
-be more tranquil in a mound at St. Chaumont. The corridor in which he
-found himself did not have a single window. A red gloom lighted it from
-one end to the other. It came from the cellar, and penetrated the thick
-pavement glass. The corridor had crevices and angles. He came to a corner
-and stopped abruptly. He was impatient to go ahead, and went into one of
-the two branching passageways which ran from the corridor. Five minutes
-later he found himself at the same cross passage. Then he went up the
-first corridor again, taking the direction that he had followed in coming
-out to the vestibule, but to his great surprise he could not find the
-vestibule. He wandered about for what seemed to him several hours, and he
-was just giving up hope of ever getting out of this labyrinth, when he saw
-Adolphe in the distance. He ran up to him and was on the point of
-reproving him for having kept him waiting so long, when Adolphe said to
-him sadly: &ldquo;Come, Marceline is in there; we are going to present you to a
-good friend.&rdquo;
- </p>
-<p>
-Théophraste found himself in a large, dark room, where his attention was
-attracted by a great light which fell on the figure of a man. But strange
-to say, the light did not seem to fall on the man, but rather to radiate
-from him. In fact, when the figure moved it seemed to carry the light with
-it. Before the flambeau a woman was standing in a humble attitude, with
-clasped hands and bowed head.
-</p>
-<p>
-Then Théophraste heard a voice, a friendly voice, a manly voice, a voice
-sweeter than the sweetest voice of woman, which said to him: &ldquo;Come to me
-without fear.&rdquo;
- </p>
-<p>
-That which astonished M. Longuet above all else was the astral light which
-showed up the noble features of M. Eliphaste de St. Elm. He was a person
-of divine elegance, as elegant as a Christ on the Tripoli.
-</p>
-<p>
-&ldquo;I do not know where I am,&rdquo; said Théophraste, &ldquo;but it gives me confidence
-to see my friend Adolphe, and my wife, Marceline, at your side. However, I
-should like to know your name.&rdquo;
- </p>
-<p>
-&ldquo;My dear sir,&rdquo; said the harmonious voice, &ldquo;I am called M. Eliphaste de St.
-Elm.&rdquo;
- </p>
-<p>
-&ldquo;Well,&rdquo; said Théophraste, &ldquo;my name is Cartouche. But it has been believed
-for a long, long time that this name was given to me as a nickname.&rdquo;
- </p>
-<p>
-&ldquo;You are not Cartouche,&rdquo; said Eliphaste.
-</p>
-<p>
-&ldquo;Your name is Théophraste Longuet. You will pardon me, but there is no
-longer any need for confusion; you were formerly called Cartouche, but now
-you are called Théophraste Longuet.&rdquo;
- </p>
-<p>
-M. Théophraste then recalled a number of personages with whom he had, in
-the spirit of Cartouche, been speaking. They were all of the eighteenth
-century-Gatelard, Marie Antoinette Neron, and others, and it was evident
-that his mind was dwelling on that period, and he was living in the
-present a life of the past.
-</p>
-<p>
-Théophraste was still talking of these times, when the half shadows which
-seemed to envelop him were suddenly dissipated, and the room appeared in
-the splendid brightness of day. He looked around with evident
-satisfaction, first at his wife, and then at Adolphe, and finally at M.
-Eliphaste. Eliphaste had entirely lost his supernatural aspect, his astral
-mantle had disappeared, and if his features had still their sublime and
-unusual pallor, he seemed, nevertheless, a man like other men.
-</p>
-<p>
-&ldquo;Ah, this is better,&rdquo; said Théophraste, sighing.
-</p>
-<p>
-&ldquo;It is not necessary for you to think any more of old Paris,&rdquo; said M.
-Eliphaste. &ldquo;You have nothing more to do with it. You are Théophraste, and
-it is the year of grace, 1899.&rdquo;
- </p>
-<p>
-&ldquo;Possibly,&rdquo; replied Théophraste, who was obstinate; &ldquo;but the question is,
-what about my treasure? I have a perfect right to look at a plan of old
-Paris, for I can follow the place where I buried it formerly, and find the
-place where I must look.&rdquo;
- </p>
-<p>
-Eliphaste, speaking to Lecamus, said, &ldquo;I have often witnessed the crises
-of Karma, but never has it been given to me to study one of such
-strength.&rdquo;
- </p>
-<p>
-Eliphaste reflected, and then leading Théophraste to the right, he brought
-him before a map of real Paris. &ldquo;Behold,&rdquo; said he, &ldquo;the exact point where
-Le Fouches de Mount Fançons were. As to the mouth of the Choppinettes, and
-of the Coq, they were at those two points of the Monte St. Chaumont. The
-forks were found on a small eminence on the side of the principal mound,
-but far to the right of where the Protestant of the Rue de Crimee stands
-to-day. To find your treasure again, my friend, it will be necessary to
-search in that triangle. The mounds, as you say, have been the remains of
-a filled-in ditch, and I doubt very much if your treasure could still be
-found there. I specified for you the old space on a modern plan to
-disillusion you. You must clear your mind. Think no more on your
-treasures. Do not live in the past. You must live in the present, and for
-the future. You must drive away Cartouche, because Cartouche is no more.
-It is Théophraste Longuet who is.&rdquo;
- </p>
-<p>
-M. Eliphaste pronounced these words with great force.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0019" id="link2HCH0019"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XVII
-</h2>
-<h3>
-<i>They Decide to Kill</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>ELIPHASTE had been reasoning with Théophraste, and using all the
-arguments of spiritualists to persuade him to make an effort to rid
-himself of the spirit of Cartouche.
-</p>
-<p>
-&ldquo;However,&rdquo; said Théophraste, &ldquo;I thank you for the interest you have taken
-in me, and for your sympathy; but I tell you, you can do nothing for me.
-You say I am sick, but I am not. If I were you could cure me. You also say
-that I am to drive away this Cartouche; but, though that is easily said, I
-can assure you that it is not so easily done. It is impossible, my dear M.
-Eli-phaste.&rdquo;
- </p>
-<p>
-&ldquo;And yet,&rdquo; said M. Eliphaste, &ldquo;it is necessary. For if we do not succeed
-in driving him out, we must kill him. That is an operation the result of
-which I cannot vouch. It is a delicate operation, and full of dangers.&rdquo;
- </p>
-<p>
-M. Eliphaste had hoped that this obsession of Cartouche was only
-imaginary, and so by reasoning he could drive it away. But, alas, the
-reality of it was only too true, and Théophraste, while willing to help
-him, could not get himself to believe M. Eliphaste&rsquo;s arguments.
-</p>
-<p>
-&ldquo;You understand,&rdquo; said M. Eliphaste, &ldquo;your case is most extraordinary.
-Everybody in the world has lived before, and will live again. This is the
-Law of Karma. It may be possible to find some one who was a friend of
-Cartouche&rsquo;s. The true object of that wonderful evolution of souls through
-the bodies, is to develop and qualify them to enjoy the perfect happiness
-which will finally be the inheritance of the fortunate ones who will enter
-into the Kingdom of Heaven. It is thought that at each birth, the
-personality differs from the preceding one, but it is only the veritable,
-divine and spiritual I. These divers personalities are in some measures
-only the links of the infinite chain of life, which constitutes,
-throughout the ages, our immortal individuality.&rdquo;
- </p>
-<p>
-The admirable wisdom of the teaching appealed to Théophraste immensely.
-Eliphaste had shown himself so much the master of his thoughts, that he
-could not understand why he had remained ignorant so long, without even
-having suspected these wonderful truths. He saw the great difference
-between Eliphaste and Adolphe, the difference, as he said, &ldquo;between the
-Man of Reason and the Learned Ape.&rdquo;
- </p>
-<p>
-Eliphaste continued: &ldquo;When one is persuaded of this great truth, one need
-not be astonished at the wonderful things that happen in the present-if
-they recall events of former times. But to live according to the Law of
-Wisdom, one must live in the present, and not look behind.&rdquo;
- </p>
-<p>
-Théophraste had too often looked behind. His mind had occupied itself with
-thoughts of the past. If this had continued, in a very short time
-Théophraste would have gone quite mad.
-</p>
-<p>
-And so Théophraste thought: &ldquo;I must either forget Cartouche, throw him off
-completely, or develop all his characteristics.&rdquo;
- </p>
-<p>
-M. Eliphaste told them that what men call vocations to-day were only a
-latent revelation of the past, and they could only be explained that way.
-He told them that what was called facility among men to-day was nothing
-else but retrospective sympathy for some objects that they knew better
-than others, having studied them better before the real and actual life.
-He said that we even assume the gesture of the past without knowing it. He
-himself had seen, on the eve of the Battle of the Bourget, two young men
-fall near him, handsome as demigods, brave as Castor and Pollux, and who
-succumbed with grace that the heroes showed in dying at Salamis, Marathon,
-or at Platies. M. Eliphaste then pressed Théophraste to his heart,
-breathed on his forehead and his eyes, and then asked him if he was quite
-persuaded of the truth. He said that to be happy we must seek to give an
-account of ourselves, as to the perpetual changes of our condition, and
-that by this we learned to live in the present, and to comprehend that the
-future belonged to us entirely. Are we not the children of the Eternal, in
-whose eyes a thousand years are as a day, and a day as a thousand years?
-</p>
-<p>
-Théophraste said to him that he was not at all astonished at having been
-Cartouche-it seemed so natural to his mind-that he would never more dwell
-on it, and he declared that at present Cartouche was driven away.
-</p>
-<p>
-Thereupon Marceline asked what time it was, and Adolphe told her it was
-eleven o&rsquo;clock, and so they rose to take their leave. However, just before
-leaving, an incident occurred which went to prove too clearly that the
-spirit of Cartouche had not left Théophraste.
-</p>
-<p>
-Upon Adolphe&rsquo;s declaring that it was eleven o&rsquo;clock, Théophraste took out
-his watch and contended that it was half after eleven, and after a few
-words, he said, &ldquo;You can cut off my right hand if I am wrong.&rdquo;
- </p>
-<p>
-Turning to M. Eliphaste, that gentleman confirmed M. Lecamus&rsquo; statement,
-whereupon Théophraste picked up a small knife which was lying near, and
-would have severed his right hand but for M. Eliphaste, who, grasping the
-situation, seized Théophraste&rsquo;s uplifted hand with dexterity and
-incredible strength. He ordered him to drop the knife, and told him that
-he was not keeping to the compact. M. Eliphaste felt that it was no good
-arguing with him on the matter of the spirit of Cartouche, and despaired
-of ever ridding him of the spirit by reasoning. He turned to Adolphe and
-said, &ldquo;Let us go. It is too late. There is nothing to do but to kill him.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0020" id="link2HCH0020"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XVIII
-</h2>
-<h3>
-<i>The Operation</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HIS savage onslaught, which but for the presence of mind of M. Eliphaste
-would have terminated in the amputation of M. Longuet&rsquo;s hand, proved to
-them that the sanguine imagination of Cartouche had so completely invaded
-the brain of M. Longuet that it seemed to them the only remedy for such a
-misfortune was the death of Cartouche.
-</p>
-<p>
-M. Eliphaste did not hesitate. He had reasoned with him in vain, and had
-even hoped at one time that he had been victorious, but this incident
-undoubtedly proved otherwise. He rose and looked at Théophraste, giving
-him a long, steady glance, which seemed to pierce the uttermost depths of
-his soul. Théophraste sighed several times and began to tremble violently,
-when M. Eliphaste cried, &ldquo;Cartouche, I order you to sleep.&rdquo; Théophraste
-fell as if stricken on the armchair which stood behind him, and did not
-make another move. His respiration was so silent that they doubted if he
-still lived. Marceline ran to him alarmed, but M. Eliphaste restrained
-her, saying, &ldquo;All is well. The operation of the death of Cartouche has
-begun.&rdquo;
- </p>
-<p>
-Adolphe knew, from several examples, that there is always a great risk
-when one wishes to kill a reincarnated soul-that is to say, to throw it
-back toward the past. There is a risk of killing the body in which it is
-reincarnated. And so he knew that trying to kill the soul of Cartouche
-without killing Théophraste was a great undertaking.
-</p>
-<p>
-It needed all the authority, and all the science of M. Eliphaste, to calm
-them in the extremity in which they found themselves. He was the most
-intellectual and scientific spiritualist of the day. He had the most
-absolute and domineering will that the world had seen since Jacques Molay,
-to whom he had succeeded, by the supreme direction of the secret order of
-Temphis. He had made an allegorical demonstration of his last treatise on
-&ldquo;Psychic Surgery,&rdquo; and had analyzed the subject in his pamphlet on &ldquo;Astral
-Scalpel.&rdquo;
- </p>
-<p>
-It is necessary to enumerate all the accomplishments of M. Eliphaste, for
-it gives Adolphe a chance of refuting in advance the reproach put upon him
-for letting him treat his best friend with the utmost severity. The
-criminal eccentricities of M. Longuet, of which Signor Petito was the
-first victim, made him dread the most irremediable catastrophes, and it
-was for this reason that he was led to consider the operation of Cartouche
-as a benefit, not only possible, but probable, without too great a risk to
-Théophraste. As to Mme. Longuet, her faith in M. Eliphaste was so great
-that at first she only made a few remarks, so as to relieve her of any
-responsibility, and then the terror that she had of sleeping with
-Cartouche made her, over and above everything, desire his death.
-</p>
-<p>
-M. Eliphaste told Adolphe to take Théophraste&rsquo;s heels, and he took and
-held him under the armpits, and they carried him into the sub-cellar,
-where a laboratory had been fitted up, which was lighted in the day by
-gas, with large, red, hissing flames.
-</p>
-<p>
-Mme. Longuet followed. They placed Théophraste on a bed, and bound him
-down with straps. He was still under the mesmeric influence. M. Eliphaste
-stood over him, watching him closely, for a quarter of an hour, during
-which time there was a deep silence in the room. At length a voice was
-heard. It was M. Eliphaste praying. The prayer began in this way:
-</p>
-<p>
-&ldquo;In the beginning there was silence. Oh, age Eternal, source of all ages&mdash;&mdash;&mdash;&rdquo;
- </p>
-<p>
-When the prayer was ended, M. Eliphaste took Théophraste by the hand and
-seemed to command him without speaking. He questioned Théophraste by the
-strength of his domineering spirit -only by the answers Théophraste made
-could they understand what he had been commanded to tell. Théophraste
-said, without effort, &ldquo;Yes, I see. Yes, I am. I am M. Théophraste Longuet;
-in an apartment of the Rue Gerondeau.&rdquo; M. Eliphaste turned toward Adolphe
-and Marceline. &ldquo;The operation is a bad one,&rdquo; he said in a deep voice. &ldquo;I
-have put Cartouche to sleep, and Théophraste answers me. He is sleeping in
-the present. We must not precipitate matters. It will be dangerous.&rdquo;
- </p>
-<p>
-&ldquo;I am in the Rue Gerondeau-in the apartment under mine-and I see stretched
-on the bed a man without ears. In front of him a woman; a dark woman-she
-is pretty-she is young-her name is Regina-the woman is saying to the man,
-‘Signor Petito, as true as I am called Regina, and that you have lost your
-ears, you will cease to see me in forty-eight hours if you have not found
-the means to give me a little comfort, to which I have a right. When I
-married you, you basely deceived me, both as to your fortune and as to
-your intelligence. Your fortune rested only in hopes which have not been
-realized. What are you going to do?&rsquo;
-</p>
-<p>
-&ldquo;Signor Petito replies, &lsquo;My dear Regina, you puzzle me. Leave me in peace
-to find a trace of the treasures that the imbecile above is incapable of
-snatching from the profound depths of the earth.&rsquo;&rdquo;
- </p>
-<p>
-Théophraste made them understand, in his sleep, that the imbecile referred
-to was Cartouche. M. Eliphaste turned toward them, saying, &ldquo;I expect that
-word to make him quit the present. Now, madam, the time has come. I am
-going to tempt God.&rdquo; And then he spoke in a commanding voice, in a voice
-that it seemed impossible not to obey. &ldquo;Cartouche,&rdquo; said he, extending his
-hand above the strapped bed with a commanding majesty, &ldquo;Cartouche, where
-wast thou on the night of the first of April, 1721, at ten o&rsquo;clock?&rdquo;
- </p>
-<p>
-&ldquo;On the night of April first, 1721, at ten o&rsquo;clock, I struck two light
-blows on the door, with the intention of making them open the door of the
-Tavern Reine Margot. I never should have believed that I could have
-reached the ironmonger&rsquo;s shop so easily. But I had killed the horse of the
-French guardsman, and I had thrown those who had followed him into the
-Seine. At the Reine Margot I found Paleton, Gatelard, and Guenal Noire. La
-Belle Laittiere was with them. I related the story to them while emptying
-a bottle of wine. I had confidence in them, and I told them that I
-suspected Va de Bon Cour-and perhaps Marie Antoinette-of having whispered
-something to the spies. They cried out, but I cried out louder than they.
-I announced to them that I had decided to deal summarily with all who gave
-me cause to suspect them. I became very angry, and La Belle Laittiere told
-me that I was no longer bearable. Was it my fault? Every one had betrayed
-me. I could not sleep two nights consecutively in one place. Where, then,
-were the days when all Paris was with me? Where, then, was the day of my
-wedding to Marie Antoinette, when we sang the air of &lsquo;Tout joli belle
-menniere, Tout joli moulin&rsquo;? Where was now my uncle Taton? Shut up in a
-castle. And his son? Killed by me because he was going to denounce me. I
-had done it quickly. A pistol shot, and his corpse was under a pile of
-rubbish. Then I was sure of his silence. I killed the robber Pepin, and
-the police officer Huron. I did not ask anything, only that they leave me
-alone to police Paris for the security of everybody. My great council,&rdquo;
- this he murmured to himself, &ldquo;did not pardon me for having Jacques le
-Febrere executed. I am no longer bearable, and that is because I wish to
-live. After that which had come to pass,&rdquo; continued Théophraste in his
-hypnotic sleep, &ldquo;and the miraculous way in which I escaped in spite of
-treachery and the precautions taken by the spies, I did not conceal from
-Gate-lard or from Guenal Noire that I had decided to leave them.
-</p>
-<p>
-&ldquo;I soon left them and opened the door of the Reine Margot. Not a soul in
-the ironmonger&rsquo;s shop. I was saved. I did not even stop Magdelen, whom I
-passed while walking along the walls of the cemetery, where I was going to
-sleep that night. Truth was, I was going to pass the night like a robber
-in my hole in the Rue Amelot. It was pouring with rain.&rdquo;
- </p>
-<p>
-It would be difficult to describe the strange tone in which this narrative
-was related. The undulation of the phrases, their stops and their
-stations, then the peculiar monotone in which the words fell from
-Théophraste&rsquo;s lips while he was in the hypnotic sleep. His face sometimes
-expressed anger, sometimes contempt, and sometimes terror.
-</p>
-<p>
-M. Lecamus, who had seen Cartouche&rsquo;s portrait, recalled that at certain
-times there was a striking resemblance to that of Théophraste. Just as he
-was relating the incident of passing Magdelen, and the downpour of rain,
-Théophraste&rsquo;s face showed a most peculiar expression, changing from joy to
-most overwhelming despair.
-</p>
-<p>
-M. Eliphaste, leaning over the bed, asked him: &ldquo;What then, Cartouche?&rdquo;
- </p>
-<p>
-Théophraste replied in a rattling voice: &ldquo;I killed a passerby.&rdquo;
- </p>
-<p>
-The operation continued, but it was only by degrees that M. Eliphaste
-wished to bring Cartouche to the hour of his death. Before making him live
-his death, it was necessary to make him live a little of his life. That
-was the reason that M. Eliphaste had thrown the spirit of Cartouche back
-to the month of April, 1721.
-</p>
-<p>
-Though the minutes following were terrible for the onlookers, they were
-worse for Cartouche, who was passing through the end of his career the
-second time.
-</p>
-<p>
-It was not until October 11, 1721, that the treason bore fruit.
-</p>
-<p>
-Coustard, sergeant in the company of Cha-bannes, took forty men and four
-sergeants with him, all of whom were designated by Duchatelle, Cartouche&rsquo;s
-lieutenant, who had betrayed him. This little army, in citizen clothes,
-concealing its arms very mysteriously, surrounded the house pointed out by
-Duchatelle.
-</p>
-<p>
-It could not have been more than nine o&rsquo;clock in the evening when they
-arrived in sight of the tavern, Au Pictolet, kept by Germain Tassard and
-his wife, near the Rue des Trois Bornes. Tassard was smoking his pipe on
-the doorstep, when Duchatelle came up and demanded, &ldquo;Is there nobody
-upstairs? No? Where are the four ladies?&rdquo;
- </p>
-<p>
-Tassard, who expected this question, said, &ldquo;Go up.&rdquo;
- </p>
-<p>
-The little troop rushed in, and when they came to the room above, they
-found Boloquy and Cartouche drinking wine before the fireplace. Gaillard
-was in bed, and Cartouche was seated on the bed, mending his breeches.
-</p>
-<p>
-They rushed upon him. The attack was so sudden that he had no time to make
-any resistance. They tied him with strong ropes, and, placing him in the
-coach, took him prisoner to Monsieur the Secretary of State. Then he was
-taken to the Grande Châtelet.
-</p>
-<p>
-He was in his shirt, having had no time to put on his breeches. He kept
-cool, congratulating the lieutenant who had betrayed him on the fine
-livery he wore.
-</p>
-<p>
-As the coach passed down the road, it nearly crushed some poor wretch who
-was in the way, and Cartouche, seeing his plight, shouted to him that
-phrase which he seemed to have affected, &ldquo;It is necessary to look out for
-the wheel.&rdquo;
- </p>
-<p>
-All the people ran out to see him on his way to the house of M. the
-Secretary of State. They cried out, &ldquo;It is Cartouche! It is Cartouche!&rdquo;
- only half believing it, as they had so often been deceived.
-</p>
-<p>
-While in the prison awaiting trial, Cartouche received many illustrious
-visitors. The Regent came; the courtesan Emilie and the Mme. le Maréchale
-de Boufflers followed one after the other to pay the prisoner small
-attentions. Some one had composed a play, and Quinnato, the famous actor
-of the time, who filled the principal rôle in it, came to ask him for
-suggestions about the chief scene.
-</p>
-<p>
-When Cartouche had been sufficiently amused, he began to think of making
-his escape. He intended doing this in spite of the very close watch that
-was being kept over him.
-</p>
-<p>
-After getting out of his dungeon, and just as he was pushing the last bar
-which separated him from the street and liberty, he was discovered and
-caught.
-</p>
-<p>
-Thinking that the Grande Châtelet was not strong enough for so ingenious a
-man, he was bound securely in chains and taken to the Conciergerie, in the
-most formidable corner of the tower of Montgomery.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0021" id="link2HCH0021"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XIX
-</h2>
-<h3>
-<i>The Torture Chamber</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>T is only the basest of literature that describes without adequate
-reason the weird, the horrible. However, many authors find it necessary to
-dilate upon the most satanic personalities of men, and the worst cruelties
-imaginable.
-</p>
-<p>
-Therefore, it is only with the knowledge that the recital of the
-misfortunes of Théophraste is destined to throw a light on the most
-obscure problems of psychic surgery that the author of these lines
-proceeds with this description of the most frightful tortures, moral and
-physical, that have ever been endured by man.
-</p>
-<p>
-The operation to be performed was a singular one, and full of the gravest
-of dangers. However, M. Eliphaste was in the habit of performing the most
-complicated of psychic operations, and the delicacy of his astral scalpel
-was universally acknowledged. But the difficulty was the delay.
-</p>
-<p>
-Had M. Lecamus brought Théophraste earlier, the danger would have been
-less, but now M. Eliphaste recognized the gravity of the case, and he said
-that to kill Cartouche without killing Longuet was to tempt God. It was
-the gravest responsibility.
-</p>
-<p>
-However, he knew how to lead M. Longuet&rsquo;s mind quietly and without haste
-to the subject of his death, and thus he prepared him for death.
-</p>
-<p>
-He made him live his death the moment that he made him die his death.
-Then, at the psychological moment, he made a certain gesture, the double
-sign which precipitated in death the spirit of the dead, and brought back
-to life the living mind.
-</p>
-<p>
-These were the details of the operation to be performed, and the
-preliminaries, which consisted in making Théophraste live through the last
-months of Cartouche&rsquo;s life, having been started, M. Eliphaste began asking
-Théophraste a series of questions. The latter was lying, groaning, on the
-bed in the laboratory, which was lighted by the hissing scarlet flames.
-</p>
-<p>
-M. Lecamus and Mme. Longuet sat on a low bench at one side of the room. M.
-Eliphaste stood beside the bed.
-</p>
-<p>
-&ldquo;Where did they take you, Cartouche?&rdquo;
- </p>
-<p>
-&ldquo;In the torture room. My trial is ended. I am condemned to die on the
-wheel. Before the torture they wish me to confess the names of my
-accomplices, my friends, my mistresses. I should rather die on the wheel
-twice! They shall know nothing!&rdquo;
- </p>
-<p>
-&ldquo;And now, where are you, Cartouche?&rdquo;
- </p>
-<p>
-&ldquo;I am going down a small stairway, at the end of the &lsquo;Walk of the
-Pillory.&rsquo; I open a grating. I am in the dark cellars. These dungeons do
-not frighten me. I know them well! Ah! Ah! I was shut up in that dungeon
-under Phillippe le Bel!&rdquo;
- </p>
-<p>
-Then with a terrible power M. Eliphaste cried out, &ldquo;Cartouche! Thou art
-Cartouche! Thou art in the dungeons by order of the Regent.&rdquo; Then he
-repeated to himself, &ldquo;Phillippe le Bel?&rdquo; and then to Théophraste again,
-&ldquo;Where are we going? Where are we? My God! We must not lose our way! And
-now where are you, Cartouche?&rdquo;
- </p>
-<p>
-&ldquo;I advance in the darkness of the cellars. There are about me, walking in
-the dark, so many guardsmen that I cannot tell the number. I see below,
-far, far below, a ray of light that I know well. It is a square ray of
-light that the sun has forgotten since the beginning of the history of
-France. My guards are not French guardsmen. They mistrust all French
-guardsmen. My guards are commanded by the Lieutenant of the Short Robe of
-the Châtelet.&rdquo;
- </p>
-<p>
-&ldquo;Where art thou now, Cartouche?&rdquo;
- </p>
-<p>
-&ldquo;I am in the torture chamber. There are before me men clothed in long
-robes, but I cannot distinguish their faces. They are my commissioners,
-who have been entrusted with the verifications, as appeared to be the
-custom. But why do they call it verifications? The thought makes me
-smile.&rdquo; (Théophraste really smiled as he said this.) &ldquo;Where are you now,
-Cartouche?&rdquo;
- </p>
-<p>
-&ldquo;They put me on the criminal stool. They have put my legs in backings.
-With incredibly strong cords, they have bound small planks about my legs.
-I believe truly that the rascals wish to make me suffer to the limit, and
-the whole day&rsquo;s work will be rough. But I have a heart hardened by
-courage. They shall not break it!&rdquo; At this point M. Longuet, on his
-strapped bed, uttered a fearful cry. His mouth was wide open, and he
-groaned incessantly. Adolphe and Marceline leaned over him and asked with
-horror when that howling would cease, and when that mouth would close. But
-M. Eliphaste only said, &ldquo;The torture has begun. But if he howls like that
-at the first blow of the mallet, there is going to be trouble.&rdquo; M.
-Eliphaste was not expecting those groans. He paid no attention to the
-howling. He calmed M. Lecamus and Mme. Longuet with a supreme gesture. He
-spoke to Théophraste, something they never knew, for the howling prevented
-them from hearing anything.
-</p>
-<p>
-At last the howling became groaning, and eventually the groaning itself
-stopped. Théophraste&rsquo;s face had become comparatively placid.
-</p>
-<p>
-&ldquo;Why do you cry out in that way, Cartouche?&rdquo; &ldquo;I scream because it is a
-punishment that I cannot denounce my accomplices. I have their names on
-the end of my tongue! They do not see that if I do not denounce them it is
-because I cannot move the end of my tongue! I cannot! I cannot! I cannot!
-And they struck with their mallet again! And they sunk the pieces of wood
-into my legs again! It is unjust! I cannot move the end of my tongue!&rdquo;
- </p>
-<p>
-&ldquo;What are they doing to you now, Cartouche?&rdquo; &ldquo;The doctor and the surgeon
-are leaning over me and feeling my pulse. They are congratulating
-themselves on having chosen that kind of torture, which is, they are
-saying to the commissioners, the least dangerous to life and the least
-susceptible to accidents.&rdquo;
- </p>
-<p>
-&ldquo;And now, Cartouche, what are they doing to you?&rdquo;
- </p>
-<p>
-&ldquo;They are doing nothing to me, and I regret it, for they have decided to
-bury the second wedge in me only a half hour after the first, and let the
-pain which it produced pass away, and the sensibility be entirely
-restored. I am looking at my judges. They have black mouths. I like the
-face of the executioner better. He is no more amused than I. He wants to
-be somewhere else. But there he comes with the second judge. They are all
-around me. They are over me! Ah! Ah! Ah! Ah!...&rdquo;
- </p>
-<p>
-Never had Théophraste looked so terrible. His mouth was wide open, and his
-tongue seemed paralyzed. Foam was around his lips, and his eyes seemed to
-start out of his head.
-</p>
-<p>
-M. Lecamus looked across to M. Eliphaste, who said, when the second howl
-had died away, &ldquo;Why do you scream, Cartouche?&rdquo;
- </p>
-<p>
-&ldquo;Because these torturers will not listen to the names that are on the end
-of my tongue.&rdquo;
- </p>
-<p>
-&ldquo;But you have not told us any names. You have only screamed.&rdquo;
- </p>
-<p>
-&ldquo;It is Cartouche they are torturing and Longuet who screams,&rdquo; answered
-Théophraste.
-</p>
-<p>
-M. Eliphaste was taken aback by this last response. He turned toward the
-two silent onlookers and said in a low, trembling voice, &ldquo;Then it is he
-who is suffering.&rdquo;
- </p>
-<p>
-There was no room for doubting this truth. The fearful expressions on
-Théophraste&rsquo;s face as he imagined the executioner forcing the wedge in,
-showed too plainly that though it was Cartouche whom they tortured, it was
-Théophraste who really suffered.
-</p>
-<p>
-M. Eliphaste seemed very concerned. Never before had such a case come
-before his astral scalpel. The identity of the soul had been proven, and
-suffering Cartouche had cried out in distress after two centuries. This
-cry had waited to come from the lips of Théophraste.
-</p>
-<p>
-M. Eliphaste leaned his head on his hands and prayed. After a short
-silence he turned to M. Lecamus and said, &ldquo;We are only at the second
-wedge, and there are seven of them.&rdquo;
- </p>
-<p>
-&ldquo;Do you think my husband will have the strength to bear them?&rdquo; asked
-Marceline.
-</p>
-<p>
-M. Eliphaste leaned over the prostrate form of Théophraste and examined
-his head, just as the doctor had done to Cartouche in the torture chamber.
-</p>
-<p>
-&ldquo;The man is all right,&rdquo; said he. &ldquo;I don&rsquo;t believe there is anything to
-fear now. We must kill Cartouche.&rdquo;
- </p>
-<p>
-&ldquo;I think so, too,&rdquo; said Lecamus. &ldquo;It is necessary for the future security
-and definite happiness of M. Longuet.&rdquo;
- </p>
-<p>
-M. Eliphaste then continued his interrogations:
-</p>
-<p>
-&ldquo;And now what are they doing to you, Cartouche?&rdquo;
- </p>
-<p>
-&ldquo;They are questioning me. I cannot reply. Why doesn&rsquo;t that man in the
-corner of the dungeon do his duty? I have not yet seen his face. He turned
-his back to me and made a noise with old irons. The executioner is very
-quiet. He is leaning against the wall, yawning. There is a lamp on the
-table which gives light to two men, who write incessantly. Behind the man
-who is making the noise I see a little red light. The executioner&rsquo;s
-assistant has loosened the knots in the cords a little, which gives me a
-relief for which I am grateful... But... but... but the assistant on the
-other side pulls and pulls. If he continues to pull the cords so he will
-cut my legs off. They bring a crucifix for me to kiss. Behind the man who
-turned his back on me I hear something like crackling embers, and there
-are small red flames which lick the stone walls. Between the two men who
-are writing there is a man who makes a sign. The executioner has a kind
-face. I sign to him for some water. I could bear the pain better if I had
-not such a thirst. The executioner raises his mallet! I swear I cannot say
-the names which are at the end of my tongue. They will not leave me. I
-cannot speak! Oh! why cannot you hear them? Take them from me!&rdquo;
- </p>
-<p>
-By this time his mouth had become closed, but the lips were opened in such
-a way as to make it appear that he had no lips. The teeth were locked and
-welded together tightly. A muffled cry of suffering came from the throat,
-but could not escape through the closed teeth. Suddenly there was a sharp
-grinding, and his teeth began to break under the great pressure of that
-closed jaw. Pieces of teeth were scattered over the bed, and blood issued
-from his mouth. His horrible groaning continued, and Théophraste showed
-signs of weakening under the great strain.
-</p>
-<p>
-At this horrible spectacle M. Eliphaste declared wearily that he had never
-assisted or suspected that he could assist at such suffering. He confessed
-that until to-day he had never operated on a reincarnated soul of less
-than five hundred years. It was obvious that in spite of all his science
-and all his experience the illustrious medium was nonplussed.
-</p>
-<p>
-M. Eliphaste did not try any longer to dissimulate his anxiety. He could
-have stopped the operation there if he had had time. But they buried the
-wedges in so rapidly that it did not even permit him to question M.
-Longuet.
-</p>
-<p>
-During this last performance M. Longuet&rsquo;s toothless mouth opened again.
-Other cries issued from it which were not like human cries at all. They
-were so curious and so weird that all three onlookers leaned over him,
-trembling with terror to see how such a cry could be made by a human
-mouth.
-</p>
-<p>
-Mme. Longuet wanted to run away, but in her fright she fell. When she
-arose the cries had ceased. M. Eliphaste commanded her to be quiet,
-recalling to her with a severe look her responsibility in the operation.
-</p>
-<p>
-M. Théophraste now reposed peacefully on his strap-mattress. That
-peacefulness, following immediately the horrors of such suffering, was
-extraordinary. He was not in pain. He remembered none of it. After the
-torturing was over he ceased to think of it, and consequently this was how
-he could reply to M. Eliphaste in the intervals of torture, in the most
-natural way, without physical emotion.
-</p>
-<p>
-M. Eliphaste again began to interrogate him:
-</p>
-<p>
-&ldquo;And now where are you, Cartouche?&rdquo;
- </p>
-<p>
-&ldquo;I am still in the torture chamber. Ah! they hold me! They hold me
-tightly! They hold my arms! What are they going to do? The man in the
-center says, &lsquo;By order of the Regent we must have the names. So much the
-worse if he dies for it! Are the tongs ready? Begin with the breasts!..
-Oh! Oh! The man kneeling before the burning coals gets up, making a noise
-with the irons. He hands the red tongs to the executioner. They uncover my
-right breast! Oh! Oh! It is dreadful! I cannot live through it!&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0022" id="link2HCH0022"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XX
-</h2>
-<h3>
-<i>In the Charnel House</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HE recital which follows is the integral reproduction of what came out
-of the mouth of Théophraste while plunged in hypnotic sleep, from the
-moment that he submitted to the torture until he died. This part is of the
-highest importance, not only for the experimental spirit of science, but
-for history, for it destroys the legend of the wheel and shows to us, in
-an indisputable fashion, the real death of Cartouche. I have not found
-this part stored in the oaken chest, but in the papers and statements
-which have been read in the Spiritual Congress of 1889. It is all from M.
-Eliphaste&rsquo;s hand.
-</p>
-<p>
-Théophraste, or, rather, Cartouche in the power of M. Eliphaste, said, &ldquo;I
-do not know exactly what has happened to me. I have died, I have hidden
-the document, and I have not met a single person. When I re-opened my eyes
-(I had them closed then, and I was without doubt falling from a feebleness
-that seemed like death) I did not recognize at first a single one of the
-objects which surrounded me, and I did not know the place into which they
-had carried me. Certainly I am no longer in the torture room, nor in my
-dungeon in the tower of Montgomery. Am I only in the Conciergerie again? I
-do not know. Where have they imprisoned me after the torture, whilst
-waiting for my death? Into what new prison have they thrown me? The first
-thing that I distinguish is a bluish light which flitters across some
-heavy bars which are covered with a grating. The moon visits me. It
-descends two or three steps. I try to make a movement, but I cannot. I am
-an inert thing. My will does not control my legs any longer, nor a single
-one of my muscles. It is as if they had severed all relations between my
-will and my flesh. My brain is no longer the master of seeing and
-comprehending. It is no longer master of my actions. My poor legs! I feel
-them scattered around me. I ought to have attained a degree of suffering-I
-kneel on one, as I have explained, so that I shall not suffer more. But
-where am I?... The moon descended two more steps, and then two more....
-Oh! Oh! What is this that the moon lights? It is an eye! A large eye! But
-the eye is empty; that large eye is empty, and the other eye at its
-side-which is also lighted now-is covered again with its green eyelid. I
-see the whole head! It had no skin on the cheeks, but it had a beard on
-the chin. The moon advances continuously. It halts gently in the holes of
-the nose. It has two holes in the nose, two on a head.... They threw me,
-then, into a common ditch! The moon shone on me.... I have two legs of a
-corpse across my stomach. I recognize those steps now, and this ditch, and
-this moon.... I am in the charnel house of Montfançon!... I am afraid!...
-When I went up to the Cleopimetes by the Bue des Morts on junketing days I
-used to look at that charnel house through the grating. I looked at it
-with curiosity because I already saw my carrion there, but the idea never
-occurred to me that when a carrion was there it could look from the other
-side of the grating. And now my carrion sees! They threw me there because
-they thought me dead, and I am buried alive, with the corpses of the
-persons hanged. My fate is entirely miserable and surpasses all that the
-imagination of men could invent! The saddest reflections assail me, and if
-I ask myself first of all, by what artifice of fate I am reduced to such
-an extremity, I am obliged to confess that fate had nothing to do with
-this affair, but my pride only. I should have continued quietly to be the
-‘chief of all the robbers&rsquo; if I had remained alive. But La Belle Laittiere
-was right when she said in the tavern of the Reine Margot that I was no
-longer fit to live. I was pleased to play the potentate, and I ended by
-having a mania for cutting up in pieces all those whom I suspected. My
-lieutenants ran more danger in serving me than in deserting me. They
-betrayed me, and that was logical. The beginning of my bad luck was the
-affair of the Luxembourg. It should have opened my eyes, but my pride
-hindered me from seeing clearly. This is a good time for these
-reflections, now that I am in the charnel house.
-</p>
-<p>
-&ldquo;I am living in the charnel house with the dead, and for the first time in
-my life I am afraid. But I am not afraid of the dead; I am afraid of the
-living, for there is one near me alive! <i>I know that he moves</i>. It is
-strange that at this moment, when I am upon the limit of life and death,
-my senses perceive things that they ignored in good health, and while my
-ears do not hear any more, on account of the boiling water with which they
-were filled, I know there is some one alive near me. Shall I be then not
-the only one to live in this domain of putrefaction? I recall that the
-Vache-a-Paniers told me that the Count de Charalais had caused some women
-who had resisted him to be buried alive in the little ditches near the
-earthen mound of Montfançon, but I, Cartouche, have no desire to think of
-such a crime. I know very well that he bathes himself in the blood of
-young virgins whom he had killed, to cure himself of a terrible disease
-which ate into his flesh, but to bury women alive in ditches, that I do
-not believe. And yet there is on my left side a woman who moves in one of
-the ditches. I do not hear her, I feel her. The moon had lengthened its
-ray of light as far as myself. Its ray is divided into three by the bars
-of the grating. This makes three blue bands, by which I see, first of all,
-the hole of the eye, and the three holes of the nose, and then a wonderful
-mouth, which sticks its tongue out at me. Then there are three bodies
-without heads. In the left side of the third body I distinguish very
-plainly the putrefied wound in which was buried one of the rings from
-which the headless one was hanged. He could not be hanged by the neck, as
-he had no head. As I do not feel the woman at my side in the ditch move
-any more, I collect my wits a little and I employ myself in remembering
-the bodies which fill the charnel house. I begin to see those which are
-entirely in the shadows. There are some! There are some more sounds. They
-bring all the executed criminals here from the city. There are some fresh
-ones, there are some decayed ones, there are some well preserved ones, and
-all dry; but the others are not presentable-they are falling into ruin. I
-will soon be a ruin like them. However, all is not said, all is not
-finished, since I exist. Hope is not dead. One finds hope even in the
-depths of a charnel house. Oh, if I could move! The dead men are moving! I
-will end by moving also. I have turned my eyes as far as it is possible in
-the right corner of the orbit. I have seen that the corpse which is on my
-stomach does not move its head. It slides on my stomach. I begin to be
-afraid again, not because the dead one moved-for the charnel house belongs
-to the dead, who do there what they wish, but because they pull the dead
-man by the legs. I turn my eyes in the other corner. In the left corner I
-saw a dead man&rsquo;s leg in the air. This leg ought to be held by something,
-pulled by something. The moon rises the length of the wall, with the leg
-as far as one of the holes. And my eyes look so much to the left that they
-see a living hand. The living hand which came out of the hole holds the
-dead foot. <i>I feel, I know that there is a woman eating</i> in the ditch
-at the side. And now I cannot take my eyes from the hole for fear of
-seeing the live hand come back and seeing it reach out. But I hope on my
-salvation. I hope that the hand will not be long enough. Suddenly the moon
-ceases to light up the hole, and I turn my eyes toward the grating where
-the moonlight enters. Then I see between the moon and me a man on the
-steps of the charnel house. A living man. I am saved perhaps. I wished to
-cry out with joy, and I should have, perhaps, if the horror of that which
-I feel and know all at once had not suddenly closed my throat. <i>I feel,
-I know</i>, that that man has come to rob me of my bones!... On account of
-the Courtesan Emilie!... The Regent is remembered with the Duke of Orleans
-and Jean sans Peur.
-</p>
-<p>
-&ldquo;The Courtesan Emilie would not see him again. The devil meddled with the
-affair, and carried a bone of Cartouche, who was beloved by Emilie, to
-place in her bed between her chemise and her skin. I know this, my eye has
-read this in the heart of the man who descends the steps of the charnel
-house. He comes there to take my bones from me.... He lights a lantern. He
-goes straight to my corpse. He does not see, then, that the eyes of my
-corpse are moving!... He draws out from under his cloak-a steel blade
-sharp and red in the rays from the lantern. He puts the lantern down, he
-catches me by the shoulders and leaves me half sitting against the wall,
-under the hole. He took my left hand with his left hand, and with his
-right hand he buried the steel blade in my wrist. I do not feel the blade
-in my wrist, but I see it. It turns around my wrist. It is going to cut
-it, already it has detached it. Now I commence to feel the blade! Life has
-come back into my wrist! Oh, yes, my wrist!... Oh, yes, my wrist!... One
-last blow with the blade and my left hand remains in his left hand. Oh, my
-poor wrist!... Yes! Yes! Yes! The life! The life! The life of a nerve! I
-tell you that it sufficed for the life of a nerve! Oh! Oh! Oh! The man
-howls and breaks his lantern with a kick. My hand is partly in the man&rsquo;s
-hand, but by a great miracle of the ebbing life in my wrist, my hand, at
-the moment it leaves my arm, has seized the hand of the man! And the man
-cannot rid himself of my hand, which is stiffening in death, and which
-holds him! Ah! he moves about, he shakes, he howls, he shakes my hand,
-which holds him-which holds him. He pulls my hand with his right hand, but
-he cannot free himself thus of the wrist of a dead man&rsquo;s hand! I see him
-as he flees from the charnel house, howling, bounding over the steps in
-the moonlight like a fool, like a madman, gesticulating with my wrist.
-</p>
-<p>
-&ldquo;At this moment, above my head, a hand that I do not see, but which I
-feel, comes out of the wall and takes me by the hair! It pulls me, pulls
-me by the head. Oh, to cry out! To cry out! To cry out! But how can I cry
-out with those living teeth staving me in the neck and throat?&rdquo;
- </p>
-<p>
-&ldquo;And now, Cartouche, where art thou?&rdquo;
- </p>
-<p>
-&ldquo;I go into the darkness radiant in death.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0023" id="link2HCH0023"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXI
-</h2>
-<h3>
-<i>The Result of the Operation</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>s soon as Théophraste had pronounced these words, M. Eliphaste made a
-sweeping gesture with his right arm. He leaned over the prostrate form,
-and blew impatiently on his eye.
-</p>
-<p>
-He said to him: &ldquo;Awake thou, Théophraste Longuet!&rdquo;
- </p>
-<p>
-This was repeated three times, each time with greater earnestness.
-However, Théophraste never moved. His immobility was deathlike, and his
-toothless mouth and bloodless lips made the silent onlookers believe that
-he had followed Cartouche in the shadow of death. His corpselike pallor
-seemed to them to be already turning green, and his hair, having become
-suddenly white, gave him the appearance of a very old man. Was he already
-dead? Was he decomposing already?
-</p>
-<p>
-M. Eliphaste repeated the gestures, and in his lids, intense earnestness
-appeared like a madman. He blew again on the eyes, and parted the
-eyelashes, again crying out: &ldquo;Théophraste Longuet, awake thou! Awake thou,
-Théophraste Longuet!&rdquo;
- </p>
-<p>
-Just at the moment when they believed that Théophraste Longuet would never
-return to life again, a slight tremble shook his frame, and drawing a deep
-breath, he turned his face toward them. At first he breathed with
-difficulty, but quickly recovering, he opened his eyes and said:
-&ldquo;Cartouche is dead!&rdquo;
- </p>
-<p>
-M. Eliphaste&rsquo;s face lit up with emotion. &ldquo;Let us thank God,&rdquo; he said,
-&ldquo;that the operation has been successful,&rdquo; and he began his prayer again:
-&ldquo;In the beginning thou wast silent! Eon! Source of all ages!...&rdquo;
- </p>
-<p>
-Mme. Longuet and M. Adolphe threw themselves on Théophraste, while
-thanking God from the bottom of their hearts. They felt that the death of
-Cartouche had not been too dearly bought. The operation had certainly been
-a rough one, but he had only lost his teeth, and his hair had turned
-white. Mme. Longuet put her arms around her husband, and helped him rise
-from the couch. &ldquo;Let us go. We have stopped here too long already,&rdquo; she
-said.
-</p>
-<p>
-&ldquo;Speak louder,&rdquo; said Théophraste, with strange enunciation. &ldquo;I have
-something in my ears. I cannot move, either.&rdquo;
- </p>
-<p>
-&ldquo;It is natural that you should be a little benumbed, my dear,&rdquo; said Mme.
-Longuet. &ldquo;You have been stretched on that bed for a long time. But make an
-effort.&rdquo;
- </p>
-<p>
-&ldquo;Speak louder, I tell you. I can move my arms now, but I cannot stir my
-legs. They won&rsquo;t move, and my feet pain me very much.&rdquo;
- </p>
-<p>
-He then put his hand to his mouth and said: &ldquo;Why, what have you done with
-my teeth? You put me to sleep to fix my teeth, and you have taken them
-from me.&rdquo;
- </p>
-<p>
-It was curious that while he was asleep, even after he had lost his teeth,
-he spoke distinctly. It was evident that he could not move, and Mme.
-Longuet removed the clothing to rub his stiff limbs. To her sorrow she
-found his clothes all torn, and on looking closer saw all the flesh on his
-limbs lacerated. His legs and feet were boiled. The flesh was torn away in
-some places, and burned horribly in others. M. Eliphaste, with trembling
-hands, removed the clothing from his chest, and there they saw, over the
-heart, two spots of black blood. His biceps bore fresh marks of frightful
-torture.
-</p>
-<p>
-Mme. Longuet sobbed loudly, and sat with lowered head, looking at the
-horrible sight. Adolphe ran to get a carriage. It was evident that
-Théophraste could not walk or move. On his return, Théophraste was still
-complaining of the pain. Adolphe, with the assistance of the carriage
-driver, carried him out into the street. They lifted him carefully on the
-mattress, and walked slowly out, followed by the weeping Marceline.
-</p>
-<p>
-M. Eliphaste prostrated himself on the ground, and with his hands clasped
-and elbows on the floor, cried out with a voice full of sorrow: &ldquo;My
-beloved! My well beloved! I believed that I was Your son. Oh, my well
-beloved! I have taken Thy shadow for Thy light. Thou hast crushed my
-pride. I am in the dark, at the bottom of an abyss-I, the man of light-and
-I have hated it. I am only the son of silence. Eon! Source of Eon! Oh,
-life! To know life! To possess life!&rdquo;
- </p>
-<p>
-And thus, as they went out into the pure air, they left him praying.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0024" id="link2HCH0024"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXII
-</h2>
-<h3>
-<i>Visits to a Butcher&rsquo;s Shop</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HEOPHRASTE&rsquo;S bones were not broken, and it only took six weeks to heal,
-although he was obliged to keep to his bed for two months, when he
-regained the use of his legs. During all this time he did not make a
-single allusion to the past. Cartouche was dead-quite dead. The operation
-had been successful, although very painful. So much so, that every one
-dreaded that he would remain a cripple to the end of his life; but he had
-recovered marvelously. He had obtained a new set of teeth, and was able to
-speak quite plainly, but it was a more difficult thing to rid himself of
-the effects of the boiling water in his ears, and at times he was
-perfectly deaf.
-</p>
-<p>
-After a while Théophraste thought of occupying his mind by going back into
-business. He had retired when young, being able to live on the income
-derived from several inventions which he had made for the use of rubber
-stamps.
-</p>
-<p>
-However, they were all very thankful for the result, and this slight
-inconvenience did not worry them.
-</p>
-<p>
-It was his habit to rise early, and after breakfast he would go out for a
-little walk to strengthen his legs. He soon found their old elasticity,
-and regained their full use. On these occasions Adolphe used to follow a
-short distance behind in order to watch his movements and report to M.
-Eliphaste.
-</p>
-<p>
-At first he noticed nothing abnormal in his behavior, and in his report
-contented himself with stating this unimportant fact, that he stopped
-quite a while before a butcher&rsquo;s stall. If this had occurred only once, it
-would have passed the watchful Adolphe unnoticed. However, it became a
-regular thing for Théophraste to stand looking at the bloody meat, and
-spend some time talking to the butcher, a square-shouldered, florid
-fellow, always ready with a jest.
-</p>
-<p>
-One day, when M. Lecamus had decided that Théophraste had spent too much
-time at the butcher&rsquo;s shop, he came up to him, as if by chance, and found
-him, with the butcher, decorating all the fresh meat with curl papers.
-This was innocent enough. Thus judged M. Eliphaste, although he wrote in
-the margin of the report:
-</p>
-<p>
-&ldquo;He may look at the meat in the butcher&rsquo;s shop. It is good to let him see
-blood sometimes. It is the end of the crisis, and can do no harm.&rdquo;
- </p>
-<p>
-This butchery was a small one, and had its specialty. M. Houdry sold among
-other ordinary meats a special quality of veal. The secret of this quality
-lay in the way it was killed. The majority of Paris butchers obtain their
-meat from the abattoirs, but M. Houdry always bought his alive, and killed
-it himself, in his own way. He was not satisfied to knock the calf in the
-head, as they did at the abattoirs. He bled it after the Jewish manner,
-with a large knife which he called the bleeder, and so dexterous had he
-become in this art that he never had to cut the same wound twice. He had
-gained some reputation as a good butcher.
-</p>
-<p>
-M. Houdry had explained the case about his veal to M. Longuet, with the
-greatest mystery, and he had evidently taken great pleasure in it- so much
-so that Théophraste, after having listened to the theory, had shown the
-desire to assist at a practical lesson. In a small court adjacent to the
-store, M. Houdry had a secret abattoir. On a certain morning, Théophraste,
-who happened there at a much earlier hour than was his custom, found his
-man at the abattoir with a calf. The butcher begged him to come in, and to
-close the doors behind him. &ldquo;I shut myself up every day thus with a live
-calf,&rdquo; said M. Houdry, &ldquo;and when the doors of the abattoir are opened
-again, the calf is dead. I lose no time; I have operated in twenty-five
-minutes.&rdquo;
- </p>
-<p>
-Théophraste congratulated him. He asked him many questions, interesting
-himself in all the objects which struck his attention. The bellows with
-its large arms drew his attention. He also saw a windlass. He learned that
-that strong oak cross-bar, with pegs in it, supported the windlass and the
-bucket. He admired the solid oak hand-barrow also. A chopper which was
-drawn up was called a &ldquo;leaf.&rdquo; But that which interested him more was a set
-of tools hung on the walls in the shop. In this &ldquo;shop,&rdquo; which was sort of
-saddle-bags for cutlass, he saw first of all the bleeder, and was pleased
-to pass his finger over the long, strong and sharpened edge. Then there
-was a much smaller knife, called the &ldquo;Moutoniner,&rdquo; used ordinarily to cut
-up mutton, as the name indicates, but which was used there to cut certain
-parts of veal. Then some other small knives, among which was the canut,
-used in &ldquo;flowering&rdquo; the veal. &ldquo;Flowering&rdquo; the veal consists in making
-light, artistic designs on the shin of the veal, as soon as it is
-bleached.
-</p>
-<p>
-The first day M. Longuet received instructions about the tools. But in the
-following days he learned the art of the whole operation, and entered into
-each detail with little repugnance. He used to say, some days, in going
-away, jestingly: &ldquo;You kill a calf every day; you must be careful, my dear
-M. Houdry, you see it will end by its becoming known to the other calves.&rdquo;
- </p>
-<p>
-Théophraste was not idle, either. Whenever he had an opportunity he would
-help M. Houdry in these killings. One day the assistant did not come, and
-Théophraste helped rope up the calf for killing. As he was doing this, M.
-Houdry remarked on the evil of killing the calf by striking him on the
-head, as they did at the abattoir.
-</p>
-<p>
-Théophraste declared it was a crime, and most inhuman. &ldquo;It is much finer
-to do it with the bleeder. One blow is sufficient, and the head is off.
-What a fine death. How the blood flows, and with what dispatch does he
-die.&rdquo;
- </p>
-<p>
-&ldquo;Ah,&rdquo; said Théophraste, who had killed the calf, &ldquo;see the calf&rsquo;s eyes, as
-the blood flows. How they stare at you. They are dead, but they look at
-you!&rdquo;
- </p>
-<p>
-&ldquo;What is the matter with the calf&rsquo;s eyes?&rdquo; demanded M. Houdry. &ldquo;They are
-like the rest. Ah, you think it is a joke? Well, well, you are not so used
-to it as I.&rdquo;
- </p>
-<p>
-M. Houdry then prepared the meat for selling, and while he was doing so
-Théophraste took the head, cleaned it and cut out the eyes. The sight of
-the blood had excited him beyond control, and M. Houdry was amused when he
-desired to take the head and feet home with him.
-</p>
-<p>
-In parting he said: &ldquo;Au revoir, M. Houdry, au revoir. I will take the head
-away with me, but I leave you the eyes. I do not like eyes to stare at me.
-You must not laugh at me, though. You do not understand me. However, it is
-my affair, and you must be glad that you are not afraid of dead eyes
-staring at you.&rdquo;
- </p>
-<p>
-And so he returned home, and when he appeared at the door of his house
-with the calf&rsquo;s head under his arm, Adolphe and Marceline smiled, saying:
-&ldquo;He is amusing himself with some innocent prank.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0025" id="link2HCH0025"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXIII
-</h2>
-<h3>
-<i>A Newspaper Report</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>T had become their habit in the Longuet flat to play dominoes in the
-evening. M. Adolphe was a good player, and always he used the Norman
-provincial names. When he played the double six, he would call the &ldquo;double
-negro&rdquo;; the five was &ldquo;the dog that bites,&rdquo; and so on. Marceline was always
-amused by these terms, and was always ready to play.
-</p>
-<p>
-It happened on this particular evening that Théophraste lost his game, and
-after a short argument he began to sulk, and refused to play more. Seating
-himself in a chair near the window, he began reading the paper. He had
-strong political opinions.
-</p>
-<p>
-Suddenly he was attracted by a strange headline. He read it and re-read
-it, and could not resist an exclamation. &ldquo;Strange! Is not Cartouche dead,
-then?&rdquo;
- </p>
-<p>
-He could not help smiling. This hypothesis was so absurd. Then he ran over
-the first lines of the article and said: &ldquo;My dear Adolphe, have you read
-this article? &lsquo;Is not Cartouche dead, then?&rsquo; It is a strange, a surprising
-article.&rdquo;
- </p>
-<p>
-Adolphe and Marceline could hardly prevent a start, and looked at him with
-uneasiness.
-</p>
-<p>
-Théophraste began to read the article aloud, as follows:
-</p>
-<p>
-&ldquo;&lsquo;For some days the police have been occupying themselves with one of the
-greatest of mysteries that have occurred in Paris, and with a series of
-odd crimes. They are endeavoring to hide from the public the most curious
-sides. Those crimes and the manner in which their perpetrator escapes from
-the police at the moment they think they have him, recall, point by point,
-the manner in which the celebrated Cartouche committed his crimes. If he
-was not enacting a thing so reprehensible, one could admire the perfect
-art with which the model is imitated. It is Cartouche to a finish! The
-police themselves have never dealt with a more mysterious bandit.
-Nevertheless, the administration, very mysteriously, but, we admit, very
-intelligently, has sent by some of them an abstract of Cartouche&rsquo;s
-history, compiled from the manuscripts of the National Libraries. They
-thought, subtly, that the history of Cartouche would be useful to them,
-not only in the present task, which is to prevent the criminal outrages of
-the new Cartouche, and to arrest him, but also that Cartouche&rsquo;s history
-ought to form a part of the general instruction to all the agents of
-police.
-</p>
-<p>
-&ldquo;&lsquo;Finally the news was brought to us that M. Lepine, Prefect of Police,
-has ordered them to devote several evenings in the Prefecture to listen to
-lectures on the authentic history of the illustrious bandit.&rsquo;
-</p>
-<p>
-&ldquo;What do you say to that?&rdquo; demanded Théophraste with merriment. &ldquo;It is a
-merry farce, and the journalists are great fellows to issue such fibs.&rdquo;
- </p>
-<p>
-Neither Adolphe nor Marceline smiled. Marceline&rsquo;s voice trembled slightly
-when she begged Théophraste to continue. He began to read again quietly:
-</p>
-<p>
-&ldquo;&lsquo;The first crime of the new Cartouche did not at all present the horror
-that we shall find in some of the others. It was a polite crime. Let us
-say at once that all the crimes of which we have any knowledge, and which
-they attribute to the new Cartouche, have been accomplished in the last
-fifteen days, at the North, and always from eleven o&rsquo;clock in the evening
-to four o&rsquo;clock in the morning.&rsquo;&rdquo;
- </p>
-<p>
-Mme. Longuet rose, very pale. M. Lecamus made her sit down again, by a
-knowing shake of the head, and commanded her to be silent.
-</p>
-<p>
-Théophraste said: &ldquo;What is this that they want to tell with their new
-Cartouche? As for me, I only know the old one. After all, let&rsquo;s see the
-gallant polite crime,&rdquo; and he read it over more and more calmly:
-</p>
-<p>
-&ldquo;&lsquo;A pretty woman, well known in Paris, where her literary salon is
-frequented by all those who interest themselves with debates and with
-matters spiritualistic, was proceeding, toward morning, with her toilette
-for bed, and preparing to take a well-earned rest, following the fatigue
-which had wearied her that evening there with the disorder of a conference
-at home of the most illustrious of our pneumatics, when suddenly the
-casement of her balcony was opened quickly by a man with a figure a little
-over the medium, still young and vigorous (this last is in the report of
-the police), but with perfectly white hair. He had in his hand a brilliant
-nickel revolver.
-</p>
-<p>
-&ldquo;&lsquo;"Madame,&rdquo; said he to the terrified woman, &ldquo;compose yourself. I do not
-wish to do you any evil. Consider me the most humble of your servants. My
-name is Louis Dominique Cartouche, and I have no other ambition than to
-sup at your side. By the tripes of Mme. de Phalaris, I have the hunger of
-all the devils!&rdquo; and he began to laugh.
-</p>
-<p>
-&ldquo;&lsquo;Mme. de B.-let us call her Mme. de B.- believed that she was dealing
-with a crazy man, but he declared he was only determined to take supper
-with her, which peculiar favor he had long desired. That man was much more
-dangerous than a crazy man, for it might be necessary to kill him on
-account of the brilliantly nickeled revolver.
-</p>
-<p>
-&ldquo;&lsquo;"Go,&rdquo; said the man, &ldquo;and call your people, and tell them to bring here
-to you a good supper. Do not give them a single explanation which would be
-likely to cause me any embarrassment or trouble, for if you do you will be
-a dead woman.&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;Mme. de B. then took her departure, for she was brave, with a mind
-sufficiently elevated to enable her to face the most unexpected
-adventures. She rang for the chambermaid, and a quarter of an hour later
-the man with the white hair and Mme. de B. were seated opposite each other
-in proper style, and apparently the best of friends. The supper was
-prolonged through the night (we do not wish to affirm anything as to this
-point, which is so interesting-but are a little skeptical as to the
-veracity of this story), so that the man did not descend by the sheet from
-the balcony until about sunrise. The beautiful Mme. de B. had not had
-supper, and so she did not complain about that forced supper, which she
-ended by partaking of in very good grace, nor had she seen the necessity
-of reporting her adventure to the Police Commissioner. And we see what
-the circumstances were. Some days later the Commissioner was announced at
-Mme. de B.&rsquo;s. He told her that the ring that she wore on her finger, in
-which a magnificent diamond glittered, was the property of Mlle. Emily de
-Bescancon. Mme. de B. was of course ignorant of its value-or where it came
-from. It had been presented to her. But Mlle. Emily de Besancon, who had
-seen it on the finger of Mme. de B. the day before at a charity sale,
-claimed it formally as hers. She had furnished all sorts of proofs of it,
-and the diamond was set in such a unique way that there could be no doubt
-of it. Mme. de B. was infinitely troubled, and was obliged to relate the
-adventure which had befallen her. She spoke of the unknown, of the
-balcony, of the supper, of the gratitude he had shown her for his supper,
-and his placing the magnificent diamond on her finger, which he had
-obtained, he said, from a woman he had loved very much, a Mme. de
-Phalaris, who had been dead for some time. Mme. de B. could not be
-suspected. She furnished a proof-the nickel-plated revolver that the
-unknown had left on the table that night. Finally she begged the
-Commissioner of Police to take away from her house the hundred bottles of
-champagne of every choice brand that the unknown had sent to her the day
-after the eventful night, under the pretext that the supper had been
-exquisite, and that the only thing that could have been desired was
-champagne. She feared that the champagne, as well as the ring, had been
-stolen. The Commissioner acquitted the beautiful Mme. de B. He could do
-nothing at the time, the news being in everybody&rsquo;s mouth, as the world at
-large would henceforth interest itself in the new Cartouche.
-</p>
-<p>
-&ldquo;&lsquo;This little adventure, which is the least important of those we have to
-relate, is the reproduction of what happened on the night of the 13th of
-July, 1721, at the house of Mme. la Maréchale de Boufflers. She also was
-occupied in making her toilette. The young man, who came unexpectedly by
-way of the balcony, had no revolver in his hand, but he carried six
-English pistols. He demanded supper after presenting himself as Louis
-Dominique Cartouche, and the widow of Louis François, Duke of Boufflers,
-peer and Marshal of France, one of the heirs of Lille and of Malplaquet,
-supped with Cartouche, and late at night.
-</p>
-<p>
-&ldquo;&lsquo;Cartouche only complained of the champagne, and Mme. de Boufflers
-received a hundred bottles of it the next day. She had them taken, by her
-butler Patapon, into the cellars of a great financier.
-</p>
-<p>
-&ldquo;&lsquo;Some time after that one of Cartouche&rsquo;s bands stopped an equipage in the
-streets of Paris. Cartouche leaned into the carriage to recognize the
-faces. It was Mme. la Maréchale de Boufflers. He turned toward his people.
-&ldquo;Give them liberty to pass on, now and always, Mme. de la Maréchale de
-Boufflers!&rdquo; ordered he in a ringing voice, and he bowed very low to the
-Maréchale, after he had slipped on her finger a magnificent diamond that
-he had probably stolen from Mme. de Phalaris. <i>Mme. de Phalaris never
-saw it again</i>.
-</p>
-<p>
-&ldquo;&lsquo;Now let us pass on to the crime in the Rue du Bac.&rsquo;&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0026" id="link2HCH0026"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXIV
-</h2>
-<h3>
-<i>The Murder in the Rue Guenegaud</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>ARCELINE got up as much to hide her feelings as to find out if the
-nickel-plated revolver was in its usual place in the drawer. Upon her
-return she was greatly agitated, and told them that the revolver had been
-removed.
-</p>
-<p>
-Théophraste advised her to calm herself, saying there was nothing of
-importance in that; and he proceeded to read about the crime in the Rue du
-Bac, saying that the journalist who wrote the narrative was more
-intelligent, and had made his report more interesting than the first one.
-</p>
-<p>
-&ldquo;However,&rdquo; said he, &ldquo;there are a few inaccuracies and omissions in his
-narrative. According to him one is led to think that Cartouche indulged in
-amorous proceedings with Mme. de Bithigne after supper. However, such a
-thing should not be allowed to get abroad, as no such thing happened. He
-had no other intention than to take supper with the lady.
-</p>
-<p>
-&ldquo;Why, my dear Marceline, if I had intended otherwise, my reputation would
-have suffered, and Mme. la Maréchale de Boufflers would have scorned me
-when I met her on July 13th, 1721.
-</p>
-<p>
-&ldquo;These gentlemen also relate that I outraged Mme. la Maréchale de
-Boufflers. This is all wrong. I am very fond of her on account of her
-intellect, and our intercourse was most polite, as well as virtuous. If
-they had only studied more, these journalists would have known that Madame
-in 1721 was over sixty years old, and I dare say Cartouche knew many
-younger women to play such tricks on.&rdquo;
- </p>
-<p>
-Théophraste then took up the paper:
-</p>
-<p>
-&ldquo;&lsquo;The history of the Rue du Bac is much more simple. The Prefect of Police
-had received a note which ran: &ldquo;If you dare, come and find me; I am always
-at the inn in the Rue du Bac, with Bernard.&rdquo; It was signed &ldquo;Cartouche.&rdquo;
- The thing had occurred after Mme. de Bithigne had told her story. The
-Prefect thought over his case and laid his plans.
-</p>
-<p>
-&ldquo;&lsquo;That same evening, a quarter of an hour after midnight, half a dozen
-policemen raided the tavern in the Rue du Bac. They were met on the stairs
-by a man, who, although still young, had perfectly white hair. He was
-endowed with almost superhuman strength, and, on seeing the police, he
-picked up a chair near by and started striking them. Three of them were
-stunned, and the others only just had time to drag the prostrated bodies
-of their companions into the street to prevent them from being burned by a
-fire started on the first landing by this man with white hair. The man
-saved himself by jumping from roof to roof over spaces more than thirty
-feet high.
-</p>
-<p>
-&ldquo;&lsquo;The new Cartouche,&rsquo; continued Théophraste, amid the scared silence of
-Marceline and M. Le-camus, &lsquo;the new Cartouche has taken possession of the
-Rue Guenegaud. Several days ago they found in a vault-like passage there
-under the floor the body of a young doctor, who had been active at the
-death of Mme. de Bardinoldi, the mystery of which had baffled the police
-and press. The police had not confided to any one the fact that pinned to
-the young doctor&rsquo;s tunic was a card on which some one had written in
-pencil: &ldquo;We will meet each other in the other world, M. de Traneuse.&rdquo; This
-was without doubt a crime of the new Cartouche, for the old one did in
-fact assassinate at this place an engineer named Traneuse. Cartouche had
-knocked him on the head with a stick, and the young doctor had had his
-skull fractured with a blunt instrument.&rsquo;&rdquo;
- </p>
-<p>
-Théophraste laid down the paper, and, looking at Adolphe and Marceline,
-remarked that they both looked as if they were expecting a like
-catastrophe.
-</p>
-<p>
-&ldquo;Why, my dear Adolphe,&rdquo; said he, &ldquo;it is ridiculous for you to be angry at
-such pleasantries. I take the opportunity of telling you that I often
-frequent the Rue Guenegaud. That history of M. de Traneuse was to me the
-beginning of one of the prettiest farces that ever I played with M.
-d&rsquo;Argenson&rsquo;s spies. Following the death of M. de Traneuse (who had allowed
-some very improper talk about me), I was followed by two patrols of the
-guard, who covered me and rendered all resistance impossible. But they
-were ignorant that I was Cartouche, and satisfied themselves by conducting
-me to the Ford l&rsquo;Avegne, which was the easiest prison in Paris. In this
-prison they put debtors, drunks, and disorderly people, and the people who
-have not paid their fines. They were sure that they had taken Cartouche on
-the 10th of January, but on the evening of the 9th Cartouche had made his
-escape, and took the direction of his police. It was time, for everybody
-was now searching the streets of Paris.
-</p>
-<p>
-&ldquo;My dear Marceline, and my dear Adolphe, you look as if you were at a
-funeral. That article does not lose its quota of a certain amount of wit.
-At first I thought it only the jest of a cheap journalist, but I see now
-that it is very serious, believe me. Wait for the history of the calf! Ah!
-We have not done yet with the affair of the Petits Augustines! Listen!&rdquo;
- </p>
-<p>
-Théophraste picked up his paper, adjusted his gold spectacles, and began
-again:
-</p>
-<p>
-&ldquo;&lsquo;That which was the most extraordinary in this adventure was that several
-times during light days they have been on the point of capturing this
-modern Cartouche, and that he always escaped just as the other did, by way
-of the chimneys. History teaches us that the true Cartouche designed on
-the 11th of June, 1721, to sack the Hotel Desmarets, Rue des Petits
-Augustines. It was one of his men, Le Ratichon, who had given him the
-idea. But Cartouche and Le Ratichon had been imprisoned by the police. As
-soon as Cartouche was in the house, the bailiffs hastened there and the
-place was invaded. He tranquilly closed the doors of the salons and
-extinguished the lights, undressed himself, climbed into the chimney,
-descended by another way into the kitchen, where he found a scullion,
-killed the scullion, disguised himself with the dead man&rsquo;s clothes, and
-went out in fine form from the hotel, killing two bailiffs with two pistol
-shots because they asked him news of Cartouche. Well, what will you say
-when you know that our Cartouche was surrounded the day before yesterday
-in a confectioner&rsquo;s shop in a quarter of the Augustines, escaped by the
-chimney, after having put on over all his effects, to prevent soiling
-them, the pastry cook&rsquo;s blouse, which had been found on the roofs, also
-his pantaloons. As to the pastry cook, they found him half buried in his
-bake oven. But, before putting him there, as a humane precaution, the
-murderer, Cartouche, had assassinated him.&rsquo; &rdquo;
- </p>
-<p>
-Here Théophraste, interrupting himself again, cried:
-</p>
-<p>
-&ldquo;Previously, previously. I had previously assassinated him.... But why do
-you fly into the corners? Are you afraid? Let us see, my dear Adolphe, my
-dear Marceline, a little coolness- you will need it for the history of the
-calf.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0027" id="link2HCH0027"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXV
-</h2>
-<h3>
-<i>The Calf&rsquo;s Revenge</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">N</span>EVER had Mme. Longuet or M. Lecamus been so upset before at the reading
-of a newspaper. The account of the atrocious murder did not seem to
-disturb Théophraste a bit. When he came to the part where Cartouche had
-placed the baker in the bake oven, Mme. Longuet groaned and could not sit
-still. M. Lecamus was no less disturbed, and they both rose and looked to
-Théophraste in amazement.
-</p>
-<p>
-He then began to read the account of M. Houdry&rsquo;s calf:
-</p>
-<p>
-&ldquo;&lsquo;M. Houdry was a head butcher on one of the small streets. Everybody came
-to him to buy veal, which was his specialty. This report explained itself
-by a fact so unusual that we can believe it only on the affirmation of M.
-le Commissioner of Police Mifroid, who conducted the first inquest. We
-know that all the butchers of Paris get their meat from the abattoirs. It
-was against the law for them to kill anything at home.&rsquo;
-</p>
-<p>
-&ldquo;That is accurate,&rdquo; said Théophraste, &ldquo;that is exactly right; M. Houdry
-explained that to me several times, and the confidence that he placed in
-me by telling me the mystery of his abattoir astonished me not a little.
-Why should he confide to me a fact which was not known to his wife, his
-private clerk, a foundling whom he considered as one of the family, and
-his brother-in-law, who brought the calf to him each night? Why? Ah! No
-one knows. Perhaps it was because he couldn&rsquo;t help it. You know very well
-that no one can escape his fate. As for me, I said to him: &lsquo;Take care, you
-might end by being one of the calves!&rsquo; I resume my reading: &lsquo;That calf was
-brought to him secretly each night by his brother-in-law, and as his
-abattoir was on a little court, behind which was the open country, no one
-ever saw a live calf at M. Houdry&rsquo;s.
-</p>
-<p>
-&ldquo;&lsquo;The inquest will tell us from whence the calf came. M. Mifroid, the
-Commissioner of Police, has decided to sift the matter to the bottom, and
-penetrate the whole mystery.
-</p>
-<p>
-&ldquo;&lsquo;It appears that M. Houdry had his special way of killing his calf, a way
-that gave quality to the veal. He used to cut the calf&rsquo;s throat with a
-bleeder.&rsquo;
-</p>
-<p>
-&ldquo;Is it necessary for me,&rdquo; said Théophraste, &ldquo;to show you what a bleeder
-is?&rdquo;
- </p>
-<p>
-Going to the drawer of the sideboard, he took out the carving knife, and
-while explaining that a bleeder was twice as large as that, he passed it
-up and down M. Lecamus&rsquo; face to make him understand the method of killing
-the calf. He tried to get M. Lecamus to hold the knife, but by this time
-he was too frightened, and had retreated into a corner of the room,
-fearing that Théophraste would do something violent. However, he laughed
-at their temerity and sat down to read the further account.
-</p>
-<p>
-&ldquo;&lsquo;Yesterday, leaving early, monsieur shut himself in his abattoir as usual
-with his calf. He was aided by his clerk in tying the calf to the hanger.
-The calf being tied, the clerk busied himself in rinsing the casks before
-the abattoir, which the butcher always kept shut when killing.
-</p>
-<p>
-&ldquo;&lsquo;Ordinarily, M. Houdry took from twenty to thirty minutes to kill his
-calf, gut it and bleach it. Thirty-five minutes passed, and the double
-doors of the abattoir were not opened. The clerk, who had finished
-rinsing, noticed it with the greatest astonishment. Often M. Houdry had
-called him to scald the head, scrape the hairs off, and clean the ears.
-That particular day his master did not call him. Meanwhile, Mme. Houdry,
-the butcher&rsquo;s wife, appeared at the door of the court.
-</p>
-<p>
-&ldquo;&lsquo;"What isthe matter there?&rdquo; she asked. &ldquo;Is he not finished yet?&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;"It is true, madame, he is a very long time.&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;Then she called, &ldquo;Houdry! Houdry!&rdquo; No response. She crossed the court
-and opened the abattoir door. The calf immediately escaped, and began
-gracefully jumping around her. She looked at the calf at once with
-emotion, for at that time the calf should have been dead. Then she struck
-a single blow on the double door, and called again to her husband, who did
-not answer her. She turned toward the clerk. &ldquo;M. Houdry is not there,&rdquo; she
-said. &ldquo;Are you sure he has not gone out?&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;"Oh, madame, I am perfectly sure of it. He has not come out and no one
-has gone in. I have not left the court,&rdquo; replied the clerk, springing at
-the calf&rsquo;s head as it continued running around. &ldquo;I am sure he is there. He
-is just hiding to frighten you.&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;"It will be better to hide the calf. Houdry! Houdry!&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;The clerk, with a turn of the halter, had tied the calf. Entering with
-Mme. Houdry he uttered a cry of surprise and said: &ldquo;Oh, that is queer!
-When we came in there was only one calf, a single calf, madame, a calf
-which was tied to the hanger, and which gambols in the court now, and here
-is another calf on the crossbeam.&rdquo; Yes, indeed, there was another calf on
-the tinel.
-</p>
-<p>
-&ldquo;&lsquo;"I see it now,&rdquo; said Mme. Houdry. &ldquo;What a small calf! But you are
-foolish; there should be two calves.&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;"Never, madame, never.&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;"Well, you see perfectly the calf on the beam?&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;The little clerk and Mme. Houdry drew near to the beam, which was in the
-shadow, and how astonished they were to see the kind of white meat which
-was hanging from the beam. They had never seen such white meat, and this
-meat was arranged exactly like the calf&rsquo;s. They accounted for this finally
-by deciding that it was not veal meat.
-</p>
-<p>
-&ldquo;&lsquo;"What a curious calf,&rdquo; the clerk continued to repeat.
-</p>
-<p>
-&ldquo;&lsquo;"It is not a small calf,&rdquo; said Mme. Houdry. &ldquo;No! no!&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;"All the same, madame, they have decorated the skin on the stomach with
-the lancet. See!
-</p>
-<p>
-What pretty patterns! There are two hearts, some arrows, some flowers
-...Ah! those beautiful flowers.&rdquo; The clerk raised up the lungs from which
-hung the heart.
-</p>
-<p>
-&ldquo;&lsquo;"It is a beautiful pluck,&rdquo; said he, &ldquo;and has not been trufled. The heart
-is good.&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;"Yes, he had a good heart!&rdquo; groaned Mme. Houdry, who was all at once
-terrified at what she had said.
-</p>
-<p>
-&ldquo;&lsquo;Thereupon the clerk began to weep, and without knowing why, dipped his
-hands in a pail of cold water which was placed beside the boiler, looking
-for the head of the animal, and he drew out a head. But when she saw the
-head, Mme. Houdry fainted, for she had recognized the head of her husband.
-</p>
-<p>
-&ldquo;&lsquo;Mme. Houdry had immediately recognized her husband&rsquo;s head, and the clerk
-himself examined it more closely, to be sure that it was the head of his
-master. It was a well-cut head-well refined, well scalded, well scraped.
-The moustache and hair had been shaved, as they should be, and but for
-something unforeseen, if need be, the head of the butcher would have
-passed for the head of a calf.
-</p>
-<p>
-&ldquo;&lsquo;The clerk in his turn fainted, and let the head of M. Houdry roll away.
-</p>
-<p>
-&ldquo;&lsquo;Some minutes later the tragedy was discovered, judging from the
-disturbance in the quarter.&rsquo;
-</p>
-<p>
-&ldquo;The journalist,&rdquo; said Théophraste, &ldquo;was not of the opinion that the calf
-had decapitated the butcher, and that also was put before Cartouche&rsquo;s
-name-that poor Cartouche.&rdquo; He shrugged his shoulders once more, and then,
-having raised his eyes above the paper, he sought in the two corners of
-the dining-room, where M. Lecamus and his wife had taken refuge. They had
-disappeared. He called them and they did not answer. He tried to open the
-door of the landing, and it would not open. He then rushed to the chimney,
-which was large enough for him to get up, and scaled it with the same
-facility as he had descended the chimney when the boiler was beginning to
-boil at M. Houdry&rsquo;s, the same morning that he had decapitated that
-unfortunate man.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0028" id="link2HCH0028"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXVI
-</h2>
-<h3>
-<i>Théophraste Again Hears of His Treasures</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HE clamber over the roofs of the Rue Ge-rondo on a cold rainy night had
-a physical and moral effect on Théophraste. He had taken cold and was
-suffering in consequence. From a moral point of view it had made him
-change his whole view of these events. While he had been reading the
-accounts of these crimes with which the new Cartouche had been terrifying
-Paris, he had shown a callous indifference, but now he commenced to hold
-himself responsible for many of the atrocities, and especially for the
-murder of M. Houdry, which he had before facetiously blamed on the calf.
-</p>
-<p>
-He often recalled nocturnal visits by the route he was now following, and
-several bloody crimes came back to his memory, disgusting him, and making
-him weep bitter tears of useless remorse.
-</p>
-<p>
-It was, however, too late. In spite of all his sufferings, in spite of M.
-de la Nox&rsquo;s invocations, and the torture they had submitted him to,
-Cartouche was not dead.
-</p>
-<p>
-And that evening, then, like many other criminal evenings, he led his
-damned soul over the roofs of Paris. He wept. He cursed that mysterious,
-irresistible force, which from the depths of centuries commanded him to
-kill. He cursed the influence which made him kill. He thought of his
-wife-of Adolphe. He bitterly regretted the hours of passed happiness
-between those two beings so dear to him. He excused them for running away.
-He pardoned them for their terror. He resolved never again to trouble
-their peaceful days with his bloody incoherencies. &ldquo;Let me disappear,&rdquo; he
-said to himself. &ldquo;Let me hide my shame and my original defect in the midst
-of the desert. They will forget me. I shall forget myself. Let me profit
-by these logical moments, when my brain, released momentarily from the
-Other, discusses, weighs, deduces, and concludes and sees in the present.&rdquo;
- </p>
-<p>
-It was not Cartouche who spoke, it was Théophraste, who cried to
-Cartouche: &ldquo;Let us fly! Since I love Marceline, let us fly! Since I love
-Adolphe, let us fly! One day they will be happy without me! There is no
-longer happiness with me! Adieu! adieu! Marceline, adored woman, faithful
-wife! Farewell, Adolphe, precious, consoling friend! Farewell! Théophraste
-tells you farewell!&rdquo; He wept. Then he said aloud: &ldquo;I come, Cartouche!&rdquo;
- </p>
-<p>
-Then he plunged into the darkness, going from gutter to gutter, from roof
-to roof, sliding from high walls with safety, protected, like a
-somnambulist, by Providence.
-</p>
-<p>
-And now who is that man who, with his head lowered, his back curved, his
-hands in his pockets, swayed like a poor wretch in the wind and rain which
-fell profusely all the tedious way? He followed the road which skirts the
-railroad. It is a straight road, bordered by small, weak trees, plain
-common broom-straw-sad ornaments for a departmental road-running along the
-side of the railroad. Whence comes this man, with his hands in his
-pockets, or, rather, this shade of a man? The plain extends to the right
-and the left without an undulation, without the rising of a hillock,
-without the hollow of a riser. All this can be seen, for this is not a
-night scene; it is broad daylight, on the track, straight on by the side
-of the road.
-</p>
-<p>
-Trains pass each other from time to time, local trains, fast trains,
-freight trains, rattling along with an occasional ceasing when one hears
-in the wind the ting, ting, ting of the bell of the disks at the station.
-There is one station before, and one behind. They are small stations, and
-are five kilometers apart. Between the two stations there is a straight
-double track, but no viaduct, no tunnel, no bridge, not even a culvert.
-</p>
-<p>
-As I said before, from whence came the sad shade of a man?
-</p>
-<p>
-It is Théophraste. He has resolved to fly-no matter where-far from his
-wife.
-</p>
-<p>
-After a night passed from gutter to gutter, not knowing where to direct
-his steps, and not caring at all, he goes into a railway station. He gets
-into a train without a ticket, gets out of the train at another station.
-</p>
-<p>
-How often does it happen that the control registers of railway stations
-are badly made on account of the number of travelers.
-</p>
-<p>
-Behold him, then, on the road at the entrance of a village which follows
-the railroad track. And who is it that watches him as he crosses the
-threshold of a little house at the entrance of a village?
-</p>
-<p>
-Mme. Petito herself!
-</p>
-<p>
-It was the first time that Mme. Petito had seen M. Longuet since he cut
-off the ears of her husband. Upon seeing him, Mme. Petito became highly
-indignant, and commenced upbraiding Théophraste.
-</p>
-<p>
-After all sorts of imprecations-the result of the barbarity of
-Théophraste-Mme. Petito informed Théophraste that Signor Petito had found
-the treasures of the Chopinettes, that he had put them in a safe place,
-and that the treasures were the richest on earth, treasures which were
-worth more than two ears. They were as good as the ears of Signor Petito,
-and so they were quits.
-</p>
-<p>
-Théophraste, in the course of this discourse, found it difficult to say
-very much, but this did not disturb him. He was glad of the anger of Mme.
-Petito, for having furnished him with such valuable information, and he
-said: &ldquo;I have found my treasures, for I have found Signor Petito again.&rdquo;
- </p>
-<p>
-Mme. Petito burst into satanic laughter.
-</p>
-<p>
-&ldquo;Signor Petito,&rdquo; she exclaimed, &ldquo;is in the train.&rdquo;
- </p>
-<p>
-&ldquo;In which train?&rdquo;
- </p>
-<p>
-&ldquo;In the train which will pass under your very nose! It will carry my
-husband beyond the frontier. Get in, then, my dear monsieur; climb in if
-you wish to speak to him. But hurry, for he passes by in an hour, and they
-do not distribute tickets at the next station,&rdquo; and her laugh became more
-satanic still, so much so that Théophraste almost wished that he was deaf
-again. He saluted her and walked away rapidly along the railroad track.
-When he was alone he said: &ldquo;Come, come! I must get some information about
-my treasures from Signor Petito himself. But how? He is in the train which
-will pass under my nose...
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0029" id="link2HCH0029"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXVII
-</h2>
-<h3>
-<i>The Express Train&rsquo;s Disappearance</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>T is necessary now for us to relate the extraordinary events which
-happened on the railway. At this part of the track, which is double, there
-were two stations about four miles apart, through which the express trains
-ran quite frequently. In the evening after Théophraste had been speaking
-to Mme. Petito, the express train had passed through the first station,
-and the station master was waiting for the signal from the second station,
-when suddenly a message came through saying that the train had not arrived
-yet. The station master could not understand it. The train had passed
-through his station fifteen minutes before, and would not have taken all
-that time to go the short distance to the other station. He went out and
-looked up the track. There was no sign of the train, and all was quiet.
-Again the signal came back, and the second station master said that he
-would walk along the track to see if he could find the cause of the delay.
-The first man said he would do the same, and they both started running
-down the track, followed by other men in the stations. Although it was
-broad daylight, nothing could be seen of the train, and the two parties
-met on the track. The first station master was greatly agitated, and wrung
-his hands in despair. He knew the train had passed through his station. He
-was sure of it. The report of his assistant confirmed it. Where could it
-have disappeared to? The excitement and fear was too much for him, and
-without any warning he fell dead at their feet with heart failure.
-</p>
-<p>
-The men ran hither, thither, on both sides of the tracks, but no sign of
-the train was there. At last they gave up the search, and placing the dead
-body of the station master on a rough bier of sticks and leaves, they made
-their way sadly back to the station.
-</p>
-<p>
-They had not gone far when one of the party cried out: &ldquo;Look ahead,
-there&rsquo;s the train!&rdquo;
- </p>
-<p>
-And there, a few yards outside the station, on the very track they had
-traveled on, was a wagon and baggage car of the disappeared train!
-</p>
-<p>
-They were all very astonished, and were running, shouting, toward the
-train, when they suddenly stopped. Peering out of the doors of the train
-was a peculiar head. It had no ears, and appeared as though the door had
-been shut violently, catching the man&rsquo;s neck. They called to him as soon
-as they saw him, but he did not answer. The head just swayed from one side
-to the other, rocked by the wind, which was blowing in great gusts. Upon
-the head was curly hair, and the cravat around the white neck was untied,
-floating in the wind.
-</p>
-<p>
-On approaching, they saw the door of the coach was covered with blood, and
-on examination saw that the man&rsquo;s head was held to the door by a piece of
-rag. He had evidently opened the door and poked his head out, when
-somebody must have shut the door again and decapitated him. The two men
-who carried the dead body of the station master uttered a cry of dismay,
-and placing their burden on the track, made an examination of the trucks.
-They found no one in the first one, and opening the door of the second,
-found that it was empty save for the dead man&rsquo;s body, which had been
-stripped of all its clothing.
-</p>
-<p>
-The news of this fantastic horror spread rapidly in the villages on the
-road, and an enormous crowd gathered at the little station.
-</p>
-<p>
-The police were sent for, but they were unable to get any clue as to who
-the strange man was, or where the train with all its travelers had gone
-to.
-</p>
-<p>
-They were, however, very quiet about it, and only at the inquest did the
-facts become known.
-</p>
-<p>
-As it has been said, the tracks between these stations contained no bridge
-or tunnel, but ran through a flat, desolate country, marked by no hills.
-The only thing to break the line of the track was a short side line which
-ran into a disused quarry, which had been used as a sand quarry by a
-glassmaker. This had been abandoned many years ago, and had not been used
-since.
-</p>
-<p>
-On looking at the plan one would at once think that the presence of this
-branch line was an explanation of the train disaster. But this was not so,
-as subsequent events will prove. In fact, so simple a solution of the
-problem would soon have been discovered by the station men.
-</p>
-<p>
-Wandering along the road which followed the track, Théophraste had noticed
-the little side track, and he had seen that the switch had been left
-unlocked. This would have had no significance to him before he had the
-interview with Mme. Petito, but now he saw an excellent opportunity of
-getting at Signor Petito, who was on the train. He of course could not get
-on the train while it was in motion. He would open the switch and wait for
-the train to come up. The engineer would be sure to see it and stop his
-train. Here was his opportunity.
-</p>
-<p>
-This was simple enough, and he did as he intended. He turned the switch,
-and, going along the track, hid behind the bushes to await the express. He
-waited and waited for a long time, but no express came. He became
-impatient, and looked up and down the track, hoping to hear it, or see its
-smoke.
-</p>
-<p>
-However, after half an hour, he rose, and, although tired of waiting, went
-down the track to see what had happened. He had gone about half the
-distance to the station, when he met a train-fitter who was going along
-the track to look for the train. Asking him what had become of the train,
-he turned back up the line, and arriving at the point where he had been
-hiding, he discovered the baggage car and carriage which were to be found
-a few minutes later by the trainmen from the station.
-</p>
-<p>
-In his astonishment he asked how they could have got there without passing
-him. He had not left the track, so it could not have passed him.
-</p>
-<p>
-Suddenly he saw the head of a man at the carriage door; the head had no
-ears, and so he quickly recognized it as that of Signor Petito. He climbed
-up into the carriage, all excitement, and searching the carriage, suddenly
-had an idea. He would disguise himself in Signor Petito&rsquo;s clothes! He
-quickly undressed, and stripping the dead body of all its clothes put them
-on, and tied his own up in a bundle. He then descended from the carriage,
-and fumbling in the pockets of the dead man&rsquo;s clothes, drew out an old
-pocketbook. He became feverishly excited as he searched through the
-papers, seeking some trace of his treasures. But he found nothing, and he
-found it difficult to hide his disappointment, for Signor Petito had
-carried the secret of the treasure to the grave.
-</p>
-<p>
-Mme. Petito was unable to give him any information, for soon after hearing
-of her husband&rsquo;s death she became insane, and remained so to the end of
-her days.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0030" id="link2HCH0030"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXVIII
-</h2>
-<h3>
-<i>Not To Be Explained!</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>S Théophraste was searching through the pocketbook of Signor Petito, he
-had wandered unconsciously away from the track into the fields. Upon
-returning, he was astonished to find the carriage had disappeared. He
-looked up and down the track, but could find no trace of it. Which was the
-most astonishing, the disappearance or the apparition of the train? He
-could not make it out, and the events had thrown him into a state
-bordering on prostration.
-</p>
-<p>
-He went down the track, examined the switch, and put it back in its
-original position and locked it, taking the key with him.
-</p>
-<p>
-He walked on to the upper station, but with the exception of the signalman
-everybody had gone out in search of the train. He interrogated him, but
-could only learn that the train had been reported but never came.
-</p>
-<p>
-Théophraste insisted. &ldquo;They certainly did report the express to you from
-the preceding station?&rdquo;
- </p>
-<p>
-&ldquo;Yes, sir. I am certain. Look at my signal. It is still put to allow the
-train to pass. The station master and all the men of the station preceding
-saw the express pass and telegraphed to us. In short, monsieur, you see my
-little yellow arm. A catastrophe between the preceding station and this
-one is not possible; there is not a single bridge or viaduct. I was
-mounted on the ladder that you see leaning against that great vat. From
-there one can see the whole line, as far as the other station. I saw our
-people gesticulating on the line, but did not see the train.&rdquo;
- </p>
-<p>
-&ldquo;Strange, very strange!&rdquo;
- </p>
-<p>
-&ldquo;Yes, indeed. You must trust my little yellow arm.&rdquo;
- </p>
-<p>
-&ldquo;Inexplicable.&rdquo;
- </p>
-<p>
-&ldquo;There is nothing more inexplicable.&rdquo;
- </p>
-<p>
-&ldquo;There are things more inexplicable still than that which have happened.&rdquo;
- </p>
-<p>
-&ldquo;What, then?&rdquo;
- </p>
-<p>
-&ldquo;A carriage without a locomotive appeared and disappeared, and no one
-could tell from whence it came. It disappeared, as it appeared.... Did you
-not see a carriage with a man at the door pass by here?&rdquo;
- </p>
-<p>
-&ldquo;Monsieur,&rdquo; said the signalman angrily, &ldquo;you mock me! You are exaggerating
-because you do not believe the story of the express which did not come.
-But look, monsieur, at my signal; that is proof enough. It cannot make a
-mistake.&rdquo;
- </p>
-<p>
-M. Longuet replied to the signalman: &ldquo;If you did not see the express,
-neither did I.&rdquo;
- </p>
-<p>
-In that &ldquo;neither did I&rdquo; commenced the inward thoughts of M. Longuet, who
-went away in Signor Petito&rsquo;s clothes. M. Longuet had an idea. His
-misfortune was so extreme and so incurable that he resolved to die for the
-others. With a little cunning this was possible, since he had reclothed
-himself in Signor Petito&rsquo;s clothes. Nothing would hinder him from leaving
-his on the bank of the first river he came to.
-</p>
-<p>
-This would constitute a suicidal act, according to the law.
-</p>
-<p>
-M. Longuet was moved to the thought of addressing a letter to Marceline
-and Adolphe. On the banks of what river would he put his clothes? How
-could he re-enter Paris? However, these thoughts passed through his head
-momentarily, for there was only one thing which was really of importance
-to him, and that was the explanation of the disappearance of the train.
-</p>
-<p>
-This explanation was given to Théophraste by M. Mifroid, under the
-circumstances which we shall now report.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0031" id="link2HCH0031"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXIX
-</h2>
-<h3>
-<i>M. Milford Recognizes Cartouche</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>T midnight an artisan was singing in a square in Paris, at the side of
-the ancient Quarter d&rsquo;Enfer, the hymn which several months later became so
-popular, the &ldquo;International.&rdquo; That artisan was working with several
-companions repairing the track, which had sustained certain damages,
-following the construction of a new drain. The track was bent in certain
-places, and even a house in that situation, a heavy new house of seven
-stories, was leaning. The city engineers were much concerned by this state
-of affairs. They knew that in this quarter the catacombs projected their
-innumerable tunnels, their thousands of drains, and that certain buildings
-were in a very precarious state.
-</p>
-<p>
-There are ancient Gallic-Roman quarries under those tottering walls, and
-so they determined on some work to make these houses secure.
-</p>
-<p>
-The day which interests us saw the end of this work. The artisan who sang
-the &ldquo;International&rdquo; had, with his companions, completed the stopping of a
-hole in the subterranean vault that they had previously strengthened with
-very heavy pillars, several meters high.
-</p>
-<p>
-It was just about twilight when they relinquished their work, and the
-workman who sang the &ldquo;International&rdquo; had almost finished stopping up the
-hole at that hour.
-</p>
-<p>
-At the same hour, not far away on the square, in front of an electrical
-lamp store, a few people stood about on the pavement, and M. Mifroid was
-buying a few lamps for his men. He had paid for them and was just leaving
-the store with his package, when he saw in front of the store a young man
-with white hair. He was so taken aback that he slipped into his pockets,
-without having paid for them, several electrical lamps. Always courageous,
-M. Mifroid bounded toward the man, crying: &ldquo;It is Cartouche!&rdquo; He had
-recognized him, for since the revenge of the calf, all the commissioners
-of police had the portrait of Cartouche in their pockets. We should add
-that Mme. Longuet herself, and M. Lecamus, immediately after the reading
-relative to the calf, had shut M. Longuet up, with the design of sending
-an urgent communication to the nearest Commissariat.
-</p>
-<p>
-Then M. Mifroid, who had known our hero as Théophraste, when he had dined
-with him, and who recognized him as Cartouche, cried out in bounding
-toward him: &ldquo;It is Cartouche!&rdquo;
- </p>
-<p>
-Théophraste had known for days what the police wanted with him, and when
-he saw Mifroid and heard the words &ldquo;It is Cartouche!&rdquo; he said to himself:
-&ldquo;It is time for me to get out of this.&rdquo; And he ran down the street.
-</p>
-<p>
-The commissioner ran on behind him, and was just grabbing him by the
-collar, when they both fell down the hole which the workman was filling.
-</p>
-<p>
-The man had left for a few minutes to drink with his companions at the
-saloon near by, and on his return he completed his work, not knowing that
-the two men had fallen, and so they were imprisoned.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0032" id="link2HCH0032"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXX
-</h2>
-<h3>
-<i>M. Mifroid&rsquo;s Theory</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>HEN M. Mifroid recovered sufficiently from the shock of his fall, the
-first thing that worried him was that he would be &ldquo;out of the game.&rdquo; Even
-at the moment of his fall his presence of mind did not fail him, and he
-knew that he was falling into one of the thousand-year-old quarries, which
-crossed under Paris in their intricate meanderings. He experienced that
-feeling accompanied by a light, painful torpor which follows a swoon
-caused by shock.
-</p>
-<p>
-He was in the catacombs!
-</p>
-<p>
-His first thought was to try and find the lights which he had just bought,
-and so find out how the passage lay. He felt sure that they must have
-fallen through the hole with him. The darkness seemed to weigh heavily on
-his eyelids, and a great feeling of depression came over him. Without
-getting up, for by an imprudent movement he would lose the knowledge of
-the exact place where he had fallen, he spread his hands about him and was
-relieved to find his package again. He feared at first that the lamps
-would be broken, but soon felt that it was not so; and breaking open the
-package, he pressed the button on one of the lamps. The cavern was lighted
-with a fairy brightness, and he could not keep from smiling as he thought
-of the unfortunates who, shut up in some cavern, generally drag themselves
-along, holding their breath, behind a paltry snuff of a candle, which at
-any moment might flicker out.
-</p>
-<p>
-He got up then and examined the vault. He knew of the work of repairing
-the track, and knew that they neared the end, but when he saw that the
-hole through which he had fallen was closed, a feeling akin to fear came
-over him.
-</p>
-<p>
-Now some meters of earth separated him from the outside world, unless it
-was possible for him to get up to this place which they had filled in. He,
-however, flashed his light around, and after surveying the walls and the
-vaults, he came across a prostrate body. The sight at first gave him a
-shock, but on examination he found it to be the body of M. Longuet-the
-body of the new Cartouche. He examined it and noticed that it did not bear
-a single trace of serious wounds. The man was stunned, as he had been
-himself, and without doubt he would not be slow in coming out of that
-swoon. He recalled that M. Lecamus had presented him to his friend in the
-Champs Elysées, and behold, he was now mixed up with him like the worst
-kind of assassins.
-</p>
-<p>
-Just then M. Longuet breathed a sigh, stretched his arm, and complained of
-some pains. He arose, and, saluting M. Mifroid, asked him where they were.
-M. Mifroid told him. He did not seem at all distressed, but drawing forth
-his portfolio, he traced some lines which resembled a plan, and showed
-them to M. Mifroid, saying:
-</p>
-<p>
-&ldquo;M. le Commissioner, we are at the bottom of the catacombs. It is an
-extraordinary event. How we are going to get out I do not know, but that
-which is distressing me most at the present moment is what has happened to
-the express train.&rdquo; M. Mifroid demanded some explanation, and M. Longuet
-related to him, with the closest detail, the disappearance and
-re-appearance of the carriage and the train. For the better understanding
-of the track he drew a plan out as follows:
-</p>
-<h3>
-A H D C B
-</h3>
-<p>
-This he showed to M. Mifroid.
-</p>
-<p>
-He explained how the train had disappeared between A and B. How he had
-turned the switch at H and waited at D for the train to pass on to the
-side track. He described how the train had never come, and how the
-carriage had appeared and disappeared.
-</p>
-<p>
-M. Mifroid became greatly interested, and begged him to repeat the story.
-&ldquo;And when did this happen?&rdquo; asked he. &ldquo;It has not yet been reported to
-me.&rdquo;
- </p>
-<p>
-&ldquo;It happened several hours ago,&rdquo; said Théophraste, &ldquo;and it should have
-been reported by now.&rdquo;
- </p>
-<p>
-M. Mifroid examined the plan for about five minutes, and after reflecting
-for a while, asked Théophraste a few questions. Suddenly he burst out
-laughing and said: &ldquo;Why, what a difficult problem. I have solved it in
-five minutes.
-</p>
-<p>
-&ldquo;You said there were five men at A and five men at B. It passes through B,
-but not A. You were at D, and because you did not see, it did not pass?
-Consequently, your train vanished. Well, I say the train exists between A
-and B, and must be somewhere between B and I, that is sure; the train is
-in the sandhill.&rdquo;
- </p>
-<p>
-&ldquo;I swear not!&rdquo; said Théophraste. &ldquo;I was at D expecting the train, and I
-did not leave the track.&rdquo;
- </p>
-<p>
-&ldquo;It can be nowhere else, for five men saw it pass B and the five men at A
-are equally certain it didn&rsquo;t pass them. Therefore I say that as only you
-were at D it passed that point, and undoubtedly switched off on I, since
-it could not be otherwise. By a necessary chance, while the first cars of
-the train were engulfed in the sand hillock, which covered it up (imagine
-that the line H is too short for the engineer to have had time to avoid
-the accident), the yoke chain of the last car was broken, and so the last
-carriage was forced by the baggage car to descend as far as D, on the
-track, which was slightly up-grade, since it wrent into a sand hillock.
-Then after going down to H and back to D, you saw the carriage and Signor
-Petito in the doorway. Your Signor Petito opened the carriage door,
-perhaps to throw himself out, as soon as he was aware of the imminent
-catastrophe, and as the latter caused a shock, it closed the door on the
-head of your Signor Petito.
-</p>
-<p>
-&ldquo;Now, having despoiled Signor Petito of his clothing, you walk into the
-fields to read his papers. When you return the carriage is no longer
-there. Now, then. Since there was a declivity, and since there was a wind,
-the carriage, after having rolled as far as H, is found on the line A-B,
-where the trainmen certainly have found it by this time. Do you understand
-now? Do you understand all except that you did not see the train pass D?
-You are deaf sometimes, M. Longuet?&rdquo;
- </p>
-<p>
-&ldquo;I have already had the honor of telling you so.&rdquo;
- </p>
-<p>
-&ldquo;Imagine that you were deaf while you were waiting for the train at D. You
-did not hear then?&rdquo;
- </p>
-<p>
-&ldquo;No, but I should have seen it.&rdquo;
- </p>
-<p>
-&ldquo;Already you did not hear it. That is much. Possibly you turned your head
-for three seconds. Three seconds, that is to say, one second and thirty
-hundredths longer than is necessary to see an express train of four
-carriages pass before you, which, being late, made 120 to the hour. M.
-Longuet, the train disappeared, or, rather, seemed to disappear, because
-you were deaf and turned your head for a brief space of time.&rdquo;
- </p>
-<p>
-M. Longuet raised his arms to the limit toward the vaults of the
-catacombs.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0033" id="link2HCH0033"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXXI
-</h2>
-<h3>
-<i>Lost in the Catacombs</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>HEN M. Longuet had recovered from the emotion that M. Mifroid&rsquo;s
-explanation of the train had caused him, he went through his pockets and
-handed over to M. Mifroid a revolver and a large knife that he had found
-in Signor Petito&rsquo;s pocket.
-</p>
-<p>
-He was now perfectly rational and felt free from the influences of
-Cartouche. He, however, dreaded the return of these fancies, and asked M.
-Mifroid to accept these articles in order to defend himself should he
-again be possessed with this evil spirit.
-</p>
-<p>
-Continuing the search through his pockets, he produced seven lamps like
-those of M. Mifroid, and so between them they had thirteen of these
-lights, which would give them 520 hours of continuous light. They,
-however, worked out that they could do ten hours a day without light on
-account of sleep, and their calculations gave them fourteen hours of light
-per day.
-</p>
-<p>
-&ldquo;M. Longuet,&rdquo; said M. Mifroid, &ldquo;you are wonderful. Cartouche himself could
-not have done better; but what is the good of carrying them around with
-us? They will only be a nuisance. Are you hungry, M. Longuet? How long do
-you think you could remain without food?&rdquo;
- </p>
-<p>
-&ldquo;I am sure,&rdquo; he declared, &ldquo;that I could remain this way forty-eight
-hours.&rdquo;
- </p>
-<p>
-&ldquo;Well, you will have to remain like this for seven days, perhaps. I will
-throw these ten lamps away, as after the third one I am afraid we shall
-not have much need of the rest.&rdquo;
- </p>
-<p>
-&ldquo;Where are you going?&rdquo; asked M. Longuet. &ldquo;No matter where,&rdquo; answered his
-companion; &ldquo;but we must go anywhere rather than stay here, for there is
-not a ray of hope here. We will reflect while walking. Walking is our only
-salvation, but by walking seven days we will risk all chance of arriving
-anywhere, unless we make a plan.&rdquo; &ldquo;Why not make an exact plan?&rdquo; asked M.
-Longuet.
-</p>
-<p>
-&ldquo;Because I have observed in all the stories of the catacombs there were
-always marked plans which the unfortunate wanderers have lost. They were
-confused by the marked places, and not understanding anything about it,
-they became overwhelmed with despair. In our situation it is necessary to
-shun all causes for despair. You are not without hope, M. Longuet?&rdquo;
- </p>
-<p>
-&ldquo;Oh, by no means, M. Mifroid. I will add, even, that were I not so hungry,
-your pleasant society aiding, I should not at all regret the roofs of the
-Rue Gerondo. You must tell me some stories of the catacombs, M. Mifroid,
-to let me forget my hunger.&rdquo;
- </p>
-<p>
-&ldquo;Why, certainly, my friend. There is the story of the &lsquo;Jailer,&rsquo; and the
-story of the &lsquo;Four Soldiers.&rsquo;&rdquo;
- </p>
-<p>
-&ldquo;With which will you begin?&rdquo;
- </p>
-<p>
-&ldquo;I am first going to tell you of the catacombs in general; this will make
-you understand why it is necessary to walk a long time to get out of
-them.&rdquo;
- </p>
-<p>
-Here M. Longuet interrupted him, asking why in ending his sentences he
-always made a gesture with the thumb of his right hand.
-</p>
-<p>
-&ldquo;That means, M. le Commissioner, that the gesture has become a habit with
-you-putting on thumb-screws?&rdquo;
- </p>
-<p>
-M. Mifroid declared that that was not the reason. He often gave himself up
-to sculpture, and he explained to him that it was the habit of a modeler.
-He buried his hand in his discoveries, just as he did in his clay.&rdquo;
- </p>
-<p>
-M. Longuet expressed astonishment that a police commissioner should
-interest himself in sculpture. However, it afterward transpired that M.
-Mifroid&rsquo;s knowledge of this art was the means of their final escape from
-the catacombs.
-</p>
-<p>
-M. Mifroid, in reporting, the events of the catacombs, wrote as follows:
-</p>
-<p>
-&ldquo;The way that we were following was a vast passage of four or five meters
-high. The walls were very dry, and the electric light which lit our way
-allowed us to see a hard stone, devoid of all vegetation, even of
-moisture. That proof was not one to rejoice M. Longuet&rsquo;s heart, for he was
-beginning to be very thirsty. I knew that in the catacombs there were some
-threads of running water. I thanked heaven for not putting us on one of
-these threadlike streams, for we should only have lost time in imbibing
-there, and, moreover, as we could not carry away any water, it would only
-have made us more thirsty.
-</p>
-<p>
-&ldquo;M. Longuet objected to the idea that we were walking without caring
-where. I resolved to make him understand the necessity of walking on
-anywhere, in relating to him that which was the truth, that the engineers,
-when repairing the track, had descended into the catacombs, and had sought
-in vain to discover their limits, and to find an outlet they were obliged
-to give it up, and they built those pillars as supports, and built the
-arch with masons&rsquo; materials; they descended directly into the hole, before
-closing it finally over our heads. Not to discourage M. Longuet, I
-informed him that, to my knowledge, we could count on at least 520
-kilometers of catacombs, but there was not a single reason why they should
-not have had more. Evidently, if I had not warned him immediately of the
-difficulty of getting out of there, he would have manifested his despair
-the second day of the walk.
-</p>
-<p>
-&ldquo;&lsquo;I think, then,&rsquo; I said to him, &lsquo;that they have dug this soil from the
-third to the seventeenth century. For during 1400 years, man had removed
-from under the soil the materials that were necessary to construct above.
-If at any time there was not enough above, there was always more below.
-That above returns below, and goes out thence,&rsquo; and as we still found
-ourselves under the ancient Quarter d&rsquo;Enfer, I recalled to him that in
-1777 a house in the Rue d&rsquo;Enfer was swallowed up by the earth below. It
-was precipitated to 28 meters below the soil in its court. Some months
-later, in 1778, seven persons met death in a similar caving in. I cited
-still several more recent examples, dwelling upon the accident to persons.
-He understood, and said to me: &lsquo;In short, it is often more dangerous to
-walk above than below.&rsquo;
-</p>
-<p>
-&ldquo;I kept on, seeing that he was impressed, and he spoke no more of his
-hunger, and forgot his thirst. I profited by it to make him lengthen his
-step, and I burst into the most entrancing song which came into my mind.
-He took it up, and we sang in chorus:
-</p>
-<p class="indent15">&ldquo;&lsquo;Au pas, comerade, au pas,
-</p>
-<p class="indent20">La route est belle!
-</p>
-<p class="indent15">J&rsquo;aura du frictiti la bas,
-</p>
-<p class="indent20">Dans la gamelle!&rsquo;
-</p>
-<p>
-&ldquo;It was this which made him keep step.
-</p>
-<p>
-&ldquo;One gets tired of singing very quickly in the catacombs, because the
-voice does not carry; so when we had got tired M. Longuet asked a hundred
-more questions. He asked me how many meters there were over our heads. I
-told him that that could vary, from the latest reports, from 5m.82 and 79
-meters. Sometimes, I told him, the crust of earth was so thin that it was
-necessary to extend the foundations of the tombs as far as the bottom of
-the catacombs. So that we might, in the course of our peregrinations,
-encounter the pillars of Saint Sulpice de St. Etienne du Mont, of the
-Pantheon of the Val de Grace, of the Odeon. These monuments are erected in
-some way on the subterranean pilings.
-</p>
-<p>
-&ldquo;&lsquo;Really, in the course of our peregrinations we risk encountering some of
-these subterranean pilings.&rsquo; But he had his own fixed idea.
-</p>
-<p>
-&ldquo;&lsquo;And in the course of our peregrinations, is there any chance of our
-coming upon an exit? Are there many ways out of the catacombs?&rsquo;
-</p>
-<p>
-&ldquo;&lsquo;There are not,&rsquo; I replied; &lsquo;there is need of them. First of all, there
-are egresses into the quarter.&rsquo;
-</p>
-<p>
-&ldquo;&lsquo;So much the better,&rsquo; he interrupted.
-</p>
-<p>
-&ldquo;&lsquo;And other ways out that some know of, but by which none are ever
-admitted, but which exist, nevertheless, in the caves of the Pantheon, in
-those of the College of Henry IV, of the Hospital of the Undi, of some
-houses in the Rue d&rsquo;Enfer, of Vangirard, of the Tombe Issoire at Passy, at
-Chaillot, at Saint Maur, at Clarenton, at Gentilly-more than sixty. In
-order to safeguard building construction, an ordinance was made which
-closed all the openings to the catacombs.
-</p>
-<p>
-It is that ordinance, my dear M. Longuet, which has almost walled us in.&rsquo;
-</p>
-<p>
-&ldquo;At that moment we struck an enormous pillar. I examined its construction,
-and said without stopping: &lsquo;Here is a pillar which was used by the
-architects of Louis XVI in 1778, then of the Consolidation.&rsquo;
-</p>
-<p>
-&ldquo;&lsquo;Poor Louis XVI!&rsquo; said M. Longuet. &lsquo;He had better have consolidated
-royalty.&rsquo;
-</p>
-<p>
-&ldquo;M. Longuet had taken the electric lamp from my hands, and did not cease
-to throw the rays to the right and left, as if he was looking for
-something. I asked him the reason of this, which would fatigue the eyes.
-</p>
-<p>
-&ldquo;&lsquo;I am looking for some corpses,&rsquo; he said.
-</p>
-<p>
-&ldquo;&lsquo;Some corpses!&rsquo;
-</p>
-<p>
-&ldquo;&lsquo;Skeletons. I have heard that the walls of the catacombs are hung with
-skeletons.&rsquo;
-</p>
-<p>
-&ldquo;&lsquo;Oh, my friend&rsquo;-I already called him friend, his serenity in such a
-serious emergency delighting me so much-&rsquo;that ghastly tapestry is only a
-little longer than a kilometer. That kilometer justly called an ossuary,
-on account of the skulls, the radius, the cubitus, tibias, shin-bones,
-phalanges, the thorax, and other small bones which were made into unique
-ornaments. But what ornaments! Ornaments of three million skeletons, that
-were brought from the cemeteries and acropolis of Saint Midard Clucy,
-Saint Lamdry of the Carmelites, the Benedictines, and of the Innocents.
-</p>
-<p>
-&ldquo;&lsquo;All bones, the little bones well sorted, arranged, co-ordinated,
-classified, labeled, which made on the walls and in the cross passages,
-roses, parallelopipides, triangles, rectangles, volutes, crevices, and
-many other figures of marvelous regularity.
-</p>
-<p>
-&ldquo;&lsquo;Let us wish, my friend, to reach that domain of the dead. It will be
-life. For there there are always a number of people. It is much
-frequented. But we are not there. What is one kilometer of dead men&rsquo;s
-bones in five hundred?&rsquo;
-</p>
-<p>
-&ldquo;&lsquo;Clearly! How many kilometers do you think we have made, M. Mifroid?&rsquo;
-</p>
-<p>
-&ldquo;&lsquo;We have made nine.&rsquo;
-</p>
-<p>
-&ldquo;&lsquo;What are nine kilometers in five hundred?&rsquo;
-</p>
-<p>
-&ldquo;I induced M. Longuet not to make these useless calculations, and he
-begged me to tell him the story of the &lsquo;Jailer&rsquo; and that of the &lsquo;Four
-Soldiers.&rsquo;
-</p>
-<p>
-&ldquo;That made two histories which were not very long in telling. There were
-only a few words in the first. There was once a jailer of the catacombs
-who became lost in the catacombs. They found his corpse eight days later.
-The second related to four soldiers of the Val-de-Graces, who were
-descending, by the aid of a cord, into a well of eighty meters. They were
-in the catacombs, and as they did not reappear some drummers were sent
-down, who made the greatest noise that they could with their drums, but in
-the catacombs sound does not carry, and no one responded to the rolling.
-They hunted, and at the end of forty hours they found them dying in a
-blind alley.
-</p>
-<p>
-&ldquo;&lsquo;They had no moral courage,&rsquo; said Théophraste.
-</p>
-<p>
-&ldquo;&lsquo;They were foolish,&rsquo; I added. &lsquo;Whoever is foolish enough to wander into
-the catacombs deserves no pity.&rsquo;
-</p>
-<p>
-&ldquo;We were by this time come to a crossway, and M. Longuet turned to ask
-which way we would follow.
-</p>
-<p>
-&ldquo;I could answer him without delay. I said:
-</p>
-<p>
-&ldquo;&lsquo;Here are two galleries; which are you going to take? One goes almost
-directly back to our starting-point, the other directly away from it.&rsquo; As
-our design was to go away from our starting-point, M. Longuet showed me
-the first gallery.
-</p>
-<p>
-&ldquo;&lsquo;I was sure of it!&rsquo; I exclaimed. &lsquo;But you disregard the entire principle.
-The experimental method has for centuries demonstrated that at the bottom
-of the catacombs all individuals who wish to come back to their point of
-setting out (to the entrance of the catacombs) go away from it; then the
-whole logic of it is, to go away from one&rsquo;s point of starting out, one
-must take the way which apparently brings one back to it.&rsquo; And so we
-decided on the gallery which seemed to us to bring us back over our steps,
-so we were sure of not having made a useless trip. That system was
-excellent, for it led us into a certain region of the catacombs that no
-one had visited before, since the fourteenth century, otherwise it would
-have been known.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0034" id="link2HCH0034"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXXII
-</h2>
-<h3>
-<i>A Dissertation on Fish</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>. LONGUET had from the first been complaining of his great hunger. He
-was getting very weak, and the end of the thirty-sixth hour saw him
-cursing their misfortune. However, what would have been the good of a
-little food? They were buried alive, and food would have been like a buoy
-to a shipwrecked sailor, alone in the middle of the ocean. It could only
-serve to prolong the agony.
-</p>
-<p>
-M. Mifroid was more philosophical. He said that if there had been anything
-to eat to give them strength to continue their way, he would have been the
-first to suggest their stopping. But, with the exception of some
-mushrooms, probably poisonous, that his watchful eye had seen, there was
-nothing, so he urged M. Longuet to tramp on. M. Longuet, however, was
-unreasonable; he said he was hungry, and yet did not seem able to exert
-himself to get out of the catacombs.
-</p>
-<p>
-He asked M. Mifroid question after question as to the catacombs and what
-he could eat to stay his terrible hunger. M. Mifroid tried to keep him
-interested by telling him of a visit he had made to the laboratory in the
-catacombs of M. M. Edwards. He told him of the fauna and the flora in
-obscure and cavernous places, of which, if necessary, he could make a
-meal.
-</p>
-<p>
-Although the conversation was in vain, as far as its effects on
-Théophraste were concerned, M. Mifroid kept on. Hungry men are always
-eager to talk of things to eat, and although he didn&rsquo;t wish to acknowledge
-his hunger, he spoke of these things, and in endeavoring to put spirit
-into Théophraste allayed his own feelings.
-</p>
-<p>
-&ldquo;My dear friend,&rdquo; said he to Théophraste, &ldquo;it may be that even if we don&rsquo;t
-get out of the catacombs we will not die of hunger. There is a stream
-somewhere here, and I have heard that there are certain fishes therein.
-They are not large fish, but there are incalculable quantities of them.
-They are of different sizes, and are not unpleasant to taste.&rdquo;
- </p>
-<p>
-&ldquo;Have you seen them?&rdquo; asked Théophraste.
-</p>
-<p>
-&ldquo;No; but my friend, M. Edwards, told me about them when I visited the
-Fountain of the Fanaisetan.&rdquo;
- </p>
-<p>
-&ldquo;Is that far from here?&rdquo;
- </p>
-<p>
-&ldquo;I can&rsquo;t tell you just now-all that I know is that this fountain was
-constructed in 1810 by M. Hericourt de Thury, engineer of the subterranean
-quarries. This fountain is inhabited by the cope-podes.&rdquo;
- </p>
-<p>
-&ldquo;Are they fish?&rdquo;
- </p>
-<p>
-&ldquo;Yes, they present some very singular modifications of tissues and
-colorative. They have a beautiful red eye. That is why they are called
-cyclops. That this fish has only one eye ought not to astonish you, for
-the asellus aquaticus, which lives as well in the running water of the
-catacombs, is a small isopode aquatic, which often has no eyes at all.
-Many species have, instead of an eye, only a small red pig snout; others
-have not a trace of one. They do not need to see clearly, since they live
-in darkness. Nature is perfect, and never found wanting. It only gives
-eyes to those who can use them, and does not give them to those to whom
-they are unnecessary.&rdquo;
- </p>
-<p>
-Théophraste was struck by M. Mifroid&rsquo;s words.
-</p>
-<p>
-&ldquo;Then,&rdquo; said he, &ldquo;if we continue to live in the catacombs we will end by
-not having eyes!&rdquo;
- </p>
-<p>
-&ldquo;Evidently we will commence to lose the use of our sight and eventually
-become blind.&rdquo;
- </p>
-<p>
-Then Théophraste insisted upon M. Mifroid continuing his talk on these
-fish that could be found in the catacombs, and which they would, perhaps,
-have to eat. He was thus induced to give a sort of lecture on the
-modifications of the organs, and their excessive development, or their
-atrophy, following the ways frequented by individuals.
-</p>
-<p>
-He continued: &ldquo;So the fish of which I speak have no eyes. Their sense
-organs present modifications. For instance, the asellus aquaticus, even of
-the normal species, is armed with small, flat organs, terminated by a
-pore, that are considered olfactory organs. They are veritable olfactory
-cudgels, and these very fish which do not see know the space around them
-as well, possibly better, than if they could see in the light, so
-perfectly developed are these olfactory and tactile organs. Yes, my dear
-Théophraste, there are circumstances in the lives of some living things
-where the nose takes the place of the eyes, and the nose can thus acquire
-perfectly incredible dimensions. In the wells of Padirac there was found
-an asellide which possessed olfactory cudgels of an amazing length.&rdquo;
- </p>
-<p>
-&ldquo;Are there none in the running waters of the catacombs?&rdquo; demanded
-Théophraste.
-</p>
-<p>
-&ldquo;No, none at all. Yet there are found many sorts of cavernical fish, such,
-for example, as the niphugus puleamus, and this is found in great
-abundance. Their ocular organs are atrophied.&rdquo;
- </p>
-<p>
-This, however, did not interest Théophraste, who had got his own idea.
-</p>
-<p>
-&ldquo;Do you know how they fish for them?&rdquo; he asked.
-</p>
-<p>
-&ldquo;I cannot say,&rdquo; said Mif roid; &ldquo;but we can surely get some sort of bait
-from the surrounding vege-matter.&rdquo;
- </p>
-<p>
-In a little while they both fell asleep, dreaming of this water which was
-to bring them relief. However, though their dreams were pleasant enough,
-there were surprises for them when they awoke.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0035" id="link2HCH0035"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXXIII
-</h2>
-<h3>
-<i>The Meeting of the Talfa</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HEY had been sleeping on a soft soil or decayed vegetable matter, the
-sight of which had drawn from M. Mifroid the remark that it was a good
-omen for the near future. Their travels up to the present had been without
-incident, except for some differences of opinion between them. The
-subterranean galleries, lit up by the electric lamps, were sometimes vast,
-sometimes straight, sometimes rounded out like the vault of a cathedral,
-then square and regular, and so narrow that they had to crawl on their
-knees to get through. They had by this time become silent, except for a
-remark or two upon the variety of the strata they were passing through.
-Here was rock, here clay, here sand, and so on.
-</p>
-<p>
-It could not, however, last much longer. For forty-eight hours they had
-been walking, without coming across any water. M. Mifroid, however, hoped
-on, and we will soon see how justified he was. He hoped at least to come
-across some water or vegetation.
-</p>
-<p>
-They estimated it to be about four o&rsquo;clock in the afternoon, when
-Théophraste rose, and, tightening his belt, prepared to start on another
-tramp. This time he did not speak of his hunger or thirst, but walked on
-in that silence which weakness brings on men. They had been walking about
-an hour when it was noticed that the temperature had become much higher,
-and they both involuntarily took off their coats. Soon the perspiration
-began to pour off their foreheads, and they began to wonder how this
-change could have come about. Were they going toward the center of the
-earth? How could it be accounted for? In two hours the temperature had
-risen from 60 to 90 degrees Fahrenheit. M. Mifroid knew of some galleries
-79 meters below the ground, but who could estimate what depth they were at
-now?
-</p>
-<p>
-Their electric lamps spread their brilliancy around them as they advanced,
-now discussing the cause of this phenomenon. Suddenly the walls of the
-galleries spread out, and they found themselves in a cave of such large
-dimensions that even with their strong lights they could not see the
-farther ends. What was their joy and amazement when they found before them
-a beautiful lake, the banks of which were covered with a thick carpet of
-moss, and in the crystal transparency of which they saw fish with
-beautifully colored scales. The fish had no eyes, and did not appear
-timid. They disported themselves in the water, coming quite close to where
-the two astonished men stood. They could easily catch them by leaning
-over. A flock of ducks were swimming about in the enchanted water.
-</p>
-<p>
-M. Théophraste wept with joy on seeing this wonderful sight, and cried out
-softly, for he was afraid of disturbing them: &ldquo;My friend, what did I say?
-Isn&rsquo;t this better than all earthly scenes?&rdquo;
- </p>
-<p>
-M. Mifroid felt somewhat humiliated at not knowing this before, but soon
-regained his influence over Théophraste, who was beginning to get excited
-over this wonderful sight. He made him sit down on the bank, so as not to
-frighten the ducks, and began explaining to him that what they saw was
-quite natural. He explained that it was caused by the soil, and that the
-water had collected here by the action of the heat.
-</p>
-<p>
-Théophraste was for throwing himself into the water at once, and would
-have done so if they had not suddenly seen a sight which riveted them to
-the very ground. Neither of them spoke. Their tongues were paralyzed.
-Their electric light revealed, far ahead of them, but not far enough for
-them to lose a single detail, the figure of a woman. She was quite naked,
-and had her back toward them. Never before had they seen a form so elegant
-and so graceful.
-</p>
-<p>
-This first view, however, lasted only an instant, for she threw herself
-into the water and swam away with the grace and ease of a swan.
-</p>
-<p>
-The apparition had the effect of making them forget the ducks, and they
-both forgot the hunger which gnawed at their vitals. They had hoped that
-she would not vanish, and that their presence would remain unnoticed.
-</p>
-<p>
-After several plunges, the nymph, shaking the pearly drops from her
-beautiful body into the sleeping waters, emerged not far away from where
-they stood, but always with her back turned.
-</p>
-<p>
-What quarry of Carrara ever gave to the world more precious or purer a
-marble? By what miracle of the divine fires can we contemplate those lines
-of definitive beauty? It was the form of a Greek statue, and her arms were
-as graceful as one could wish to imagine on the Venus de Milo.
-</p>
-<p>
-They waited in silence for her to turn around, while she disported herself
-on the green moss. Soon their curiosity was satisfied, and she suddenly
-turned. Neither of them could restrain a cry of horror, which made the
-Venus plunge back into the water. She had no eyes, and there was nothing
-in their place. Her ears, which were hidden from their sight by the
-profusion of hair, stood out like horns. But that which terrified them
-most was her enormous, snout-like red nose.
-</p>
-<p>
-They had hardly recovered from their first surprise when another young
-female, clothed in a light tunic, came unexpectedly on the bank, holding
-in her arms a long gown. She also had a nose like the other, and no eyes.
-</p>
-<p>
-The Venus came toward her companion on the bank, and the latter said:
-&ldquo;They are silent now, and not saying a word.&rdquo;
- </p>
-<p>
-&ldquo;Ha, Saint Mary, they shall have no pardon! They are traitors. Do you know
-what our people are doing? Go and find out; I want to know.&rdquo; She spoke in
-the purest French of the fourteenth century, and the delicacy and
-sweetness of her voice was like the rippling water of a brook. The two men
-watched and listened in amazement. They stood still and stared before
-them. They felt that a great miracle was being wrought.
-</p>
-<p>
-Suddenly they were surrounded by thirty or more men, who seemed to have
-come from out of the very rocks. They stood around them, gesticulating and
-talking vehemently, but in very low voices. They too had no eyes, but
-their ears were developed to a surprising size. On each of their hands
-they had ten fingers, and they had ten toes to each foot. As they came
-into the glare of the electric light, they held their hands up to their
-red snouts, as if they had smelled a disagreeable odor. They all mumbled
-in half-audible tones: &ldquo;Lady Jane de Montfort, Demoiselle de Coucy,&rdquo; and
-it was easy to see that they referred to the ladies who had been
-disturbed. As they passed they felt the faces of the two men. They just
-touched them lightly, and in doing so moved away in an apologetic way. It
-seemed as if they were curiosities. They felt their eyes, their noses, and
-their ears, and some of them even put their fingers down their ears. It
-was evident they could not understand the smallness of their features.
-</p>
-<p>
-Then one of them addressed M. Mifroid, and while apologizing for their
-curiosity, said he was astonished at their want of beauty.
-</p>
-<p>
-By this time Lady Jane de Montfort and Demoiselle de Coucy were dressed,
-and M. Mifroid and M. Théophraste were presented to them.
-</p>
-<p>
-The two men begged a thousand pardons for their intrusion, and were about
-to explain their intrusion, when Demoiselle de Coucy took Théophraste by
-the arm, and Lady Jane took M. Mifroid, and they were conducted through
-the vaults surrounded by the crowd of men. It was difficult for them to
-prevent the men from poking their eyes out as they fumbled over their
-faces.
-</p>
-<p>
-They had been forty-eight hours without food, and their hunger was
-extreme, and now they were to be taken away from where there was food.
-</p>
-<p>
-The two women had taken possession of their lamps under the pretext of
-being troubled by the odor.
-</p>
-<p>
-They tried to tell the people that they were exhausted, but so many
-questions were put to them that no opportunity presented itself.
-</p>
-<p>
-They had by this time reached a large chamber. There was a dull light, and
-they felt the presence of thousands of people. M. Mifroid managed to get
-one of the lamps, and quickly pressing the button, lit up the vast hall,
-in which were crowded thousands of these weird men, all with the large
-noses and ears, but with no eyes. Some of them walked on all fours, and
-some had such long noses that they looked like pelicans.
-</p>
-<p>
-Finally they were informed that they were at the entrance to the meeting
-hall.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0036" id="link2HCH0036"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXXIV
-</h2>
-<h3>
-<i>M. Mifroid Performs on the Stage</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">O</span>NE would never have expected to drop from one of the numberless ways in
-the catacombs into a city of twenty thousand inhabitants. However, upon
-reflection, one would wonder why men, taken out of their natural
-environment, would not be susceptible to the same natural changes as the
-animals.
-</p>
-<p>
-Arajo relates to us how he saw flocks of blind ducks come out of the
-caverns of the subterranean lake of Zirhnitz. One is bound to believe that
-these ducks were the products of ducks which once saw clearly, but which
-were shut up by some accident in the bowels of the earth, in the midst of
-obscure waters. And so there is some logic in the theory that if the
-family of a man in the first years of the fourteenth century was by
-accident confined in the catacombs, it would live there and produce
-offspring. At the end of the third generation they would have forgotten
-the existence of the open world. Of course they would continue to speak
-the language, and as no strange element would mix with it, it would
-preserve its purity through centuries.
-</p>
-<p>
-Then in the darkness they would lose the use of their eyes, but develop
-their sense of touch as blind men do. Hence the excess of digits on their
-hands and feet. Then the loss of one sense always develops all the other
-senses in proportion. After centuries these super-developed senses become
-abnormal, and the nose and ears develop accordingly in size.
-</p>
-<p>
-And so it was with these people of the Talfa. Their features had developed
-to an extraordinary extent, and their idea of beauty in the human form was
-based on the excessive development of these features. Demoiselle de Coucy
-was considered the most beautiful of all the Talfa.
-</p>
-<p>
-They had entered the large meeting room, and M. Mifroid attempted to again
-light his lamp, but the crowd cried out in such disgust that he was
-persuaded to keep it out. He endeavored to converse with those near by.
-Their names were among the most illustrious in France at the time of the
-Battle of Crecy. But they addressed themselves in a tone so ineffably
-sweet, and all the uproar they tried to make resulted in an enchanting
-murmur. It was difficult to imagine that such sweet and honeyed words
-could emanate from such ugly beings.
-</p>
-<p>
-M. Mifroid was seated on a chair next to Lady Jane de Montfort, who
-continually felt his face and touched his ears. While her curiosity was
-great she approached him with such delicate gracefulness that he hadn&rsquo;t
-the heart to restrain her.
-</p>
-<p>
-Soon there was a great silence, and a concert began. To Mifroid and
-Théophraste nothing was to be heard. Occasionally the people applauded
-quietly, but the absolute silence of the performers was a striking
-feature. Not a word was heard.
-</p>
-<p>
-Soon there was much talking again around the two men, and they learned
-that it was intended that they should go down on the stage. This was the
-reason why they had been dragged to the meeting hall. They were to be
-exhibited as a phenomenon. Théophraste willingly consented, as his
-companion had promised him a good duck for dinner. M. Mifroid was not so
-easily persuaded, but at last acquiesced, and they descended to the stage.
-They all clamored for a song, and M. Mifroid started one of the old French
-songs of the fourteenth century, which he had learned as a boy. He had
-hardly started the first verse, when everybody in the hall called out for
-him to sing lower.
-</p>
-<p>
-He started again, this time moderating his voice, but again they called to
-him to sing lower. The third time he could hardly hear himself, so low was
-his voice, but this did not satisfy his audience, and he left the platform
-with his song unfinished. He afterward learned that the sense of hearing
-of these people was so developed that they could understand silent music.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0037" id="link2HCH0037"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXXVI
-</h2>
-<h3>
-<i>A New Trade</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>FTER the concert the party went out of the hall, and passed on to a
-striking mansion in which a sumptuous repast was served. M. Mifroid had by
-this time become quite intimate with the Lady de Montfort. He confessed
-that he was unable to withstand the allurements of the lady. It must not
-be forgotten that the darkness was most conducive to the failure of all
-his honorable intentions. However, we will not dilate upon what happened,
-but Mme. de Montfort weakened him with her caresses and M. Mifroid at last
-succumbed to the temptation. After a while she slept, and he opened the
-door and went out.
-</p>
-<p>
-Although they had been among the Talfa several hours, neither M. Mifroid
-nor Théophraste had had the inclination to see what kind of habitation
-they were in. Weakness and the great crowd of Talfa had prevented them.
-</p>
-<p>
-M. Théophraste had conducted himself in such a manner during the meal,
-eating everything to excess, that he had had to be carried out. It was
-done according to the directions of Mme. de Coucy, who, it is feared,
-would not at that time have carried on her love intrigues.
-</p>
-<p>
-Now M. Mifroid found himself alone, and he decided to investigate. As he
-went out of the room, he realized that he was in a subterranean city.
-</p>
-<p>
-That which struck him most was the total absence of doors. All the shops
-were open to the passers-by, and the most precious articles as well as the
-poorest were exposed for any one to take who wished.
-</p>
-<p>
-He was very much amused by the profusion of the columns, by the incredible
-carving in the friezes, by the reliefs and sculptured caps to the pillars.
-They were so extravagantly flowered, with the lines so intricate, that
-only a master hand could have worked them. A curious point about all this
-work was that it only reached as high as a man could touch. Above that
-point the design mixed in with the vaulting of the catacombs and was left
-to the imagination. But whatever was seen of this beautiful carving could
-only be compared with the marvels worked by the early sculptors of India
-or the ivory-carvers of Burma.
-</p>
-<p>
-In the search M. Mifroid did not come upon any large building. He had
-frequently heard Mademoiselle say: &ldquo;Ah, St. Mary!&rdquo; And so he tried to find
-some temple in order to find out what their religion was. His search,
-however, was in vain. The only building of any size was the concert hall
-where they had been earlier. It was certainly more wonderful than all the
-rest, but except for this one example all the architectural marvels were
-applied to the private buildings. The meanest aperture, the poorest door,
-were little gems of art. There were no statues in the squares.
-</p>
-<p>
-M. Mifroid was just starting back to his lady&rsquo;s house, when he met a party
-of young Talfa, armed with cross-bows. &ldquo;Ah!&rdquo; thought he, &ldquo;here are the
-guards.&rdquo; He was, however, quickly undeceived, for they had smelled the
-odor from his lamp, and they came up to him. They told him they were going
-for a hunt. The hunting season started every year on the rising of the
-waters of the great lake. At this time there were always a lot of rats,
-which were killed in thousands and used for many different things in the
-Talfa households.
-</p>
-<p>
-Thanks to the directions they had given him, he soon found his way back to
-Lady de Montfort&rsquo;s house. There he found her waiting at the window, and as
-soon as he got near her, she waved her handkerchief.
-</p>
-<p>
-They were soon in conversation again, and he found out that she was not
-married.
-</p>
-<p>
-She asked him what he did on the top of the earth, and he told her he was
-a commissioner of police. She listened intently, and asked what
-Théophraste did.
-</p>
-<p>
-&ldquo;He is a robber,&rdquo; said M. Mifroid.
-</p>
-<p>
-Evidently neither a commissioner of police nor a robber was known among
-the Talfa, and soon the news spread that the two strangers had unknown
-trades, and a great crowd gathered, who begged them to show them what they
-did on earth.
-</p>
-<p>
-M. Mifroid sent to fetch Théophraste.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0038" id="link2HCH0038"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXXVI
-</h2>
-<h3>
-<i>A Robber is Caught</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>HEN Théophraste was brought up to M. Mifroid, he was in a pitiful
-condition. He had given himself up to the worst debauchery, and was still
-under the influence of his excesses.
-</p>
-<p>
-However, M. Mifroid explained to him what was required of him. He had to
-demonstrate to the Talfa people the duties of a police commissioner, and
-Théophraste was to act the robber and be arrested. However, owing to
-Théophraste&rsquo;s condition, M. Mifroid had his misgivings as to the result of
-this practical demonstration.
-</p>
-<p>
-The crowd by this time had assumed enormous proportions, and by special
-permission an electric lamp was lit. All present held their noses as if
-the lamp smelled.
-</p>
-<p>
-Then M. Mifroid instructed Théophraste. He told him to run into a store
-and take some things, and run out. This was an easy matter, as none of the
-stores had doors, and Théophraste commenced to act the robber. He ran into
-a hatter&rsquo;s and seized all sorts of rat-skin caps. He instinctively put
-them under his coat, and hid them about his person, looking furtively
-around him in a most natural way.
-</p>
-<p>
-All this time the people around the store looked on noiselessly. No one
-said anything and not the least sign of surprise was shown. One man at
-length said: &ldquo;Look at that fellow providing himself with hats for a year.
-It was then that M. Mifroid came upon the scene, and seizing Théophraste
-by the arm, said in his most official tone: &ldquo;In the name of the law, I
-arrest you!&rdquo;
- </p>
-<p>
-This did not produce the desired effect, as the people still preserved
-their dumbness, and did not appear at all impressed.
-</p>
-<p>
-Mlle. de Coucy asked M. Mifroid what he meant by &ldquo;In the name of the law.&rdquo;
- But as the Talfa people had no law, he found it difficult to explain.
-</p>
-<p>
-He told her how the police was an institution to protect the person and
-property of peaceable citizens. They were the guardians of the law. He,
-however, could not make them understand, as they thought Théophraste had a
-right to the hats.
-</p>
-<p>
-Lady de Montfort explained that they had no need of laws to protect the
-state, as they had no state, nor the property, as they had no property,
-and as individuals never conflicted no law was necessary to protect
-persons. All the Talfa people did was to hunt for their food and make
-clothing from the skins of rats. Marriage to them was a prehistoric
-institution which appeared unworthy of the human state. They only half
-believed its existence as a sacred legend. Their unions were of a very
-liberal nature, and did not require any ceremony or oath. Consequently
-they lived together peacefully and happily.
-</p>
-<p>
-A curious feature of these Talfa people was the entire absence of any code
-of morals. There was no difference made between a virtuous woman and one
-of loose habits. Everybody lived on the same footing and enjoyed the same
-privileges. Things happened according to taste and temperament, and nobody
-thought anything about it. Thus conflicts of passion were reduced to a
-minimum. No one had rights, as no one possessed anything.
-</p>
-<p>
-Thus lived the Talfa people. No laws, no trouble, and no police
-commissioners.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0039" id="link2HCH0039"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXXVII
-</h2>
-<h3>
-<i>The Escape from the Catacombs</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>. THEOPHRASTE LONGUET had by this time quite forgotten the ties which
-bound him to the world above, and while M. Mifroid was abandoning himself
-to the fancies of Lady de Montfort, he was indulging in excesses of
-debauchery with the Talfa people.
-</p>
-<p>
-The time came when M. Mifroid became tired of this kind of life. They had
-been in the catacombs three weeks and had become acquainted with the
-habits of all the Talfa people. M. Mifroid longed to get into the open
-world, where people had public affairs and a properly organized society.
-He felt confused, and a feeling of weariness came over him.
-</p>
-<p>
-Théophraste was for stopping there altogether. He said he had never had
-such a time before. He had been playing the tricks of Cartouche on the
-Talfa people, and he felt more free in spirits than he had felt on earth.
-He was so persistent In his determination to stay that M. Mifroid decided
-to appeal to Mlle, de Coucy. He felt that Théophraste was a nuisance to
-the Talfa, and the best way to get him out was to appeal to the people
-themselves. Théophraste had even suggested putting out his own eyes to be
-like these people.
-</p>
-<p>
-Upon telling Mlle, de Coucy, however, he got a totally different answer
-than he expected. She told him that the Talfa people had decided to let
-them go as soon as twenty thousand people had passed their fingers over
-their faces. She explained that the Talfa had forever been trying to get
-into the upper world, and therefore they must all visit these men from the
-coveted realms and see what they looked like before their departure.
-</p>
-<p>
-M. Mifroid calculated that it would take some time to complete this
-ceremony, and so he devised a plan by which they could deceive the people
-and escape. They were never long alone, and all day and all night fingers
-were feeling their faces and were thrust into their eyes, nose or mouth.
-It was during these operations one night that M. Mifroid devised his plan
-of escape. He would utilize his powers as a sculptor.
-</p>
-<p>
-Obtaining some clay from the bed of the lake he modeled two masks like
-those of the Talfa people with large noses and ears. Then under the
-pretense of acquiescing in Théophraste&rsquo;s wishes, who dreamed only of
-becoming a Talfa, he put one of the masks on his face, and the other he
-wore himself. The deception was perfect, and although they met several
-Talfa they were not recognized, in spite of much finger feeling.
-</p>
-<p>
-M. Mifroid took the precaution of providing himself with food, and they
-both started out. Théophraste laughed with delight at the bold deception,
-and in his merriment he did not realize that M. Mifroid had led him out of
-the domains of the Talfa. They walked for five days. Their eyes had by
-this time become accustomed to the darkness, and they were able to make
-good headway. On the fifth day they came across some human bones, and M.
-Mifroid uttered a prayer of thankfulness, for here were signs of a
-civilized people. They were on the outskirts of the city of Ossarium.
-</p>
-<p>
-Théophraste had been in a very depressed state of mind since leaving the
-Talfa. He had continually reproached M. Mifroid for getting him away. Upon
-coming upon the first signs of human existence, M. Mifroid drew his
-attention to them and declared that in a short time they would be out in
-the light of day again.
-</p>
-<p>
-Soon they came across a skull with the signs of a candle near it, showing
-Catholic burial, then the gallery seemed to dip down, the ground became
-wet, and they found themselves wading through mire. Water dripped on them
-from crevices above, and the air became cold and damp. At last M. Mifroid
-recognized a part of the gallery, and again he sent a prayer up to heaven
-for his deliverance.
-</p>
-<p>
-There was a Latin inscription cut out of the rock: &ldquo;Ossa arida audite
-verbum Domini,&rdquo; which M. Mifroid recognized as being near an entrance to
-the catacombs.
-</p>
-<p>
-They had not proceeded far when voices were heard, and they found
-themselves in a large vault. This was a very different place than the hall
-of the Talfa, though. There were ordinary human beings here. Through the
-whole length of the hall chairs were arranged. The place was lit up by
-numerous candles enclosed in human skulls. At the end was a kind of
-rotunda where evidently the musicians sat, for a large circle of
-music-stands were arranged. A number of people were present getting ready
-for a feast. No one took any notice of the two strangers, as it was
-thought that they were invited guests, and they strolled through, watching
-the proceedings. Soon the musicians began to arrive one by one, and the
-people sat around making pleasantries, and passing the time away in talk.
-It was half-past one.
-</p>
-<p>
-It was indeed a curious sight. Here down among the dead, with coffins and
-bones all around, had assembled a crowd to listen to music, and to make
-revelry. Fifty musicians had assembled, among whom M. Mifroid recognized
-many of the orchestra of the Opera House.
-</p>
-<p>
-Soon the music started, Chopin&rsquo;s &ldquo;Dead March&rdquo; being the first piece. After
-listening for some time M. Mifroid tapped Théophraste on the shoulder,
-whispering to him that it was time to go. They hurried along, and ten
-minutes later they found themselves on the earth again.
-</p>
-<p>
-They walked together for about half an hour, neither uttering a word. They
-were both thinking what a wonderful experience they had gone through. The
-Talfa nation, with its peculiar habits, had impressed them wonderfully,
-and neither wished to disturb the other in contemplation of it all.
-</p>
-<p>
-Suddenly Théophraste said: &ldquo;What are you waiting for, M. Mifroid? Do you
-intend to arrest me?&rdquo;
- </p>
-<p>
-M. Mifroid had, in the emotion of the moment, forgotten his original
-mission. He, however, had become very friendly with Théophraste in the
-catacombs, in spite of his excesses, and so, now that he was confronted
-with the necessity of arresting him, he said: &ldquo;No, my friend, I shall not
-arrest you. My mission was to arrest Cartouche, but as Cartouche is no
-more, I cannot arrest him. Besides, you, M. Longuet, are my friend.&rdquo;
- </p>
-<p>
-They then parted at the Buci Crossway.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0040" id="link2HCH0040"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXXVII
-</h2>
-<h3>
-An Old Friend
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>FTER the footsteps of M. Mifroid had died away, M. Longuet remained
-standing at the street corner. A feeling of intense sadness and loneliness
-had come over him. He could not decide on whether to go back to his wife
-or to leave her altogether. But what would he do? If he left her he would
-have no home, and he would be an outcast from the world. He wandered for a
-long time through the streets, until he found himself opposite a door in
-the Rue Suger. He rang the bell and a man in a blouse and paper cap opened
-the door in response.
-</p>
-<p>
-&ldquo;Good-evening, Ambrose,&rdquo; said Théophraste. &ldquo;Are you up at this hour? I
-would not have disturbed you, but many things have happened since I last
-saw you.&rdquo;
- </p>
-<p>
-He had not seen him since the evening he came to ask his opinion on the
-watermark on the old paper.
-</p>
-<p>
-&ldquo;Come in,&rdquo; said Ambrose cordially. &ldquo;Make yourself at home. How are all the
-folks at home?&rdquo; &ldquo;I will tell you all to-morrow. What I want now is some
-sound sleep. I am tired out.&rdquo;
- </p>
-<p>
-Ambrose showed him his own bed, and soon Théophraste was stretched out and
-asleep.
-</p>
-<p>
-The following day Ambrose tried to get some news from Théophraste, who,
-however, observed an absolute silence, and would not be persuaded to say a
-word. He was like a dumb man. He passed his time for two days in examining
-words and papers, which filled his pockets, and in writing, but always
-without saying a word.
-</p>
-<p>
-One morning as he was preparing to go out, Ambrose asked him: &ldquo;Where are
-you going?&rdquo;
- </p>
-<p>
-&ldquo;I am going to see M. Mifroid about the details of a trip we took
-together, and of which you will learn when I am dead.&rdquo;
- </p>
-<p>
-&ldquo;You are going to kill yourself?&rdquo;
- </p>
-<p>
-&ldquo;Oh, no. There is no use in doing that. I shall die soon enough. But I
-shall come to your house to die, my dear Ambrose. After going to see M.
-Mifroid, I shall go to see my wife.&rdquo;
- </p>
-<p>
-&ldquo;I did not dare to ask about her. Your sadness and silence made me fear
-some domestic trouble. It is all so inexplicable.&rdquo;
- </p>
-<p>
-&ldquo;She still loves me,&rdquo; said Théophraste.
-</p>
-<p>
-Before letting him go, Ambrose made him change his underclothes, and lent
-him a clean shirt, as he said he could not see his wife decently in the
-rags he was in at present.
-</p>
-<p>
-&ldquo;I will put it on,&rdquo; said Théophraste, &ldquo;for my own sake, as my wife won&rsquo;t
-see it. I&rsquo;m not going near her. I shall only see her from a distance. I
-only want to learn if she is happy.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0041" id="link2HCH0041"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXXIX
-</h2>
-<h3>
-<i>The Final Tragedy</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>T was nine o&rsquo;clock in the evening, the season was well advanced, and a
-heavy mist hung over the land. M. Longuet went up the long drive toward
-the &ldquo;Villa Flots de Azure.&rdquo; His hand trembled as he cautiously pushed open
-the little garden gate. He crossed the garden step by step, to look
-around. His whole demeanor was one of evil intent. There was a light in
-the parlor, and the window was half open. With short steps Théophraste
-advanced, and stretching his head he peered in.
-</p>
-<p>
-He fell back groaning. Placing his hands over his face, he tore the white
-locks on his forehead. The sight had frenzied him, and he felt a pang of
-agonizing jealousy go through his frame.
-</p>
-<p>
-Marceline and Adolphe were there, locked in affectionate embrace! This is
-what he had come to see! His wife no doubt was happy, but in quite a
-different way from what he expected.
-</p>
-<p>
-He sat down on the ground and wept with rage. Rising, his curiosity forced
-him to get nearer and listen.
-</p>
-<p>
-What he heard only made him worse, and he inwardly felt that he was about
-to commit a great crime. However, he battled against this feeling, and ran
-away from the house. Something compelled him to return!
-</p>
-<p>
-In a state of sanguinary expectation, comparable to nothing in the history
-of crimes, he again retraced his steps, found himself in the garden again,
-and without waiting to look in he bounded into the parlor.
-</p>
-<p>
-M. Lecamus and Marceline were taken aback, and both uttered a cry of
-surprise. Their surprise was soon turned to terror, as Théophraste,
-seizing some stout cord, ran to Adolphe, and with superhuman strength and
-agility bound him hand and foot. Dragging him to the hall, he tied him to
-a newel post and left him. It was all done with such lightning speed that
-Adolphe hadn&rsquo;t the time to resist the first attack, and he was as a child
-in the ferocious grip of Théophraste.
-</p>
-<p>
-Turning around he ran to the sitting-room, and seized an old sword that
-was hanging on the wall. Marceline in her terror called to Lecamus to mind
-his ears. She feared that he would undergo the same treatment as Signor
-Petito. However, nothing was further from Théophraste&rsquo;s thoughts, for
-turning on Marceline he struck her down with one blow. Two seconds later
-he was holding her head up to Adolphe, saying: &ldquo;Haste thee now to kiss
-these lips while they are still warm.&rdquo;
- </p>
-<p>
-Adolphe could do nothing, so he touched the lips of the dead woman, and
-then fell in a faint.
-</p>
-<p>
-Théophraste ran upstairs, and brought down from the garret an old trunk,
-and in less than twenty-five minutes he had the body of Marceline cut up
-and placed in it. He closed the trunk with a key, and putting it over his
-shoulder he said good-by to Lecamus. However, he might have said good-by
-to the door-post, for Lecamus was in a dead faint and choking from the
-cords around his neck.
-</p>
-<p>
-Théophraste and the trunk disappeared in the darkness.
-</p>
-<p>
-That same night one could have seen a man on a barge in the Seine
-discharging the contents of a trunk into the river. They could also have
-heard him murmur: &ldquo;My poor Marceline, my poor Marceline! It was not your
-fault.&rdquo;
- </p>
-<p>
-At dawn Théophraste knocked at Ambrose&rsquo;s door. Ambrose saw that he was
-greatly agitated, and asked him in sympathetic tones what had happened.
-</p>
-<p>
-Théophraste could not reply. His tongue seemed riveted to his mouth. He
-crawled to the bed, and, lying down, wept.
-</p>
-<p>
-At last Ambrose was able to console him sufficiently to get these few
-words from him: &ldquo;I felt the flame of murder pass through my veins. The
-impulse to kill had returned to me after centuries. The same impulse that
-had made me decapitate my faithless wife, Marie Antoinette Neron, two
-hundred years previously, and to throw her body into the river. I forgive
-M. Lecamus. When I am dead go and look for him and tell him that I name
-him my testamentary executor. I leave him all my worldly goods. He will
-know what to do with the little oaken chest, in which is locked the
-terrible secrets of the last months of my sad life.&rdquo; Having said these
-words, Théophraste raised himself on the pillow, for the oppression
-increased, and he knew that the end was near. His look was no longer of
-this world. His gaze was fixed on some imaginary object far away, and in a
-doleful voice he said: &ldquo;I have seen-I see-I turn again toward the square
-ray of light.&rdquo;
- </p>
-<p>
-And he expired!
-</p>
-<h3>
-THE END
-</h3>
-<div style="height: 6em;">
-<br /><br /><br /><br /><br /><br />
-</div>
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
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-
-The Project Gutenberg EBook of The Double Life, by Gaston Leroux
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-Title: The Double Life
-
-Author: Gaston Leroux
-
-Release Date: January 17, 2017 [EBook #53989]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE DOUBLE LIFE ***
-
-
-
-
-Produced by David Widger from page images generously
-provided by the Internet Archive
-
-
-
-
-
-
-</pre>
-
-<div style="height: 8em;">
-<br /><br /><br /><br /><br /><br /><br /><br />
-</div>
-<h1>
-THE DOUBLE LIFE
-</h1>
-<h2>
-BY GASTON LEROUX
-</h2>
-<h4>
-Author of "The Mystery of the Yellow Room"
-</h4>
-
-<h3>
-Copyright, 1909, by JOHN E. KEARNEY
-</h3>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<br /><br />
-</p>
-<p>
-<b>CONTENTS</b>
-</p>
-<p class="toc">
-<a href="#link2H_4_0001"> HISTORICAL PREFACE </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0003"> CHAPTER I </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0004"> CHAPTER II </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0005"> CHAPTER III </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0006"> CHAPTER IV </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0007"> CHAPTER V </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0008"> CHAPTER VI </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0009"> CHAPTER VII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0010"> CHAPTER VIII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0011"> CHAPTER IX </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0012"> CHAPTER X </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0013"> CHAPTER XI </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0014"> CHAPTER XII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0015"> CHAPTER XIII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0016"> CHAPTER XIV </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0017"> CHAPTER XV </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0018"> CHAPTER XVI </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0019"> CHAPTER XVII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0020"> CHAPTER XVIII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0021"> CHAPTER XIX </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0022"> CHAPTER XX </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0023"> CHAPTER XXI </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0024"> CHAPTER XXII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0025"> CHAPTER XXIII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0026"> CHAPTER XXIV </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0027"> CHAPTER XXV </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0028"> CHAPTER XXVI </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0029"> CHAPTER XXVII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0030"> CHAPTER XXVIII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0031"> CHAPTER XXIX </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0032"> CHAPTER XXX </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0033"> CHAPTER XXXI </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0034"> CHAPTER XXXII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0035"> CHAPTER XXXIII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0036"> CHAPTER XXXIV </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0037"> CHAPTER XXXVI </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0038"> CHAPTER XXXVI </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0039"> CHAPTER XXXVII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0040"> CHAPTER XXXVII </a>
-</p>
-<p class="toc">
-<a href="#link2HCH0041"> CHAPTER XXXIX </a>
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2H_4_0001" id="link2H_4_0001"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-HISTORICAL PREFACE
-</h2>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span> WAS passing through the waiting-room of the <i>Morning Journal</i> on a
-certain evening last year when my attention was drawn to a man seated in a
-corner. He was dressed in black and his appearance was that of the deepest
-dejection. In fact upon his face I read the most melancholy despair.
-</p>
-<p>
-He was not weeping, his eyes were dry and almost expressionless and
-received the impression of exterior objects like motionless ice. He had
-placed upon his knees a small oaken chest, ornamented with ironwork. His
-hands were crossed over this object and hung down, accentuating his
-dejected appearance.
-</p>
-<p>
-An attendant told me that he had been awaiting my arrival there three long
-hours without a movement, without so much as a sigh. I went towards him,
-and announcing myself, I invited him to enter my office. I showed him a
-seat, but instead of taking it he came straight to my writing-desk and
-placed the little oaken chest on it. &ldquo;Sir, this chest belongs to you,&rdquo;
- said he, and his voice seemed far away and indistinct. &ldquo;My friend, M.
-Théophraste Longuet, commissioned me to bring it to you. Take it, sir, and
-believe me, your servant.&rdquo; As he spoke the man bowed and made a motion
-toward the door. I stopped him, however, and said: &ldquo;Why, do not go, I
-cannot receive this box without a knowledge of its contents.&rdquo; He replied:
-&ldquo;Sir, I do not know what it contains, it is locked and its key is lost.
-You might have to break it open to find out the contents.&rdquo; I replied:
-&ldquo;Then at least I would like to know to whom I am indebted for bringing it
-to me.&rdquo;
- </p>
-<p>
-&ldquo;My friend, M. Théophraste Longuet, called me Adolphe,&rdquo; replied the man,
-in a voice so melancholy that it seemed to grow more faint and indistinct
-with each syllable.
-</p>
-<p>
-&ldquo;Well, if M. Longuet had brought me the chest himself, he would most
-certainly have told me what it contains; I expect that M. Longuet,
-himself.&rdquo;
- </p>
-<p>
-&ldquo;I also, sir,&rdquo; said the man, &ldquo;but M. Théophraste Longuet is dead, and I am
-his sole executor.&rdquo;
- </p>
-<p>
-By this time he had edged his way to the door, and having said these
-words, he opened the door and departed. I was taken back by this sudden
-move and stood staring at the door, then at the chest. Collecting myself I
-hastily followed the man, but could find no trace of him... he had
-disappeared.
-</p>
-<p>
-Opening the chest I found it contained a bundle of papers, which at first
-I regarded with indifference, but which I presently began to examine with
-greater interest. The deeper I penetrated the more mysterious they
-appeared to be and the more unexpected were the adventures revealed. In
-fact, so strange did they seem that I at first could not believe my
-intelligence, and if the proof had not been in front of me I never would
-have been convinced of their reality.
-</p>
-<p>
-It was some time before I could bring myself to realize my position
-regarding these papers. M. Théophraste Longuet had made me heir to this
-chest and to the mysteries lying therein. In fact, the secrets of his
-life.
-</p>
-<p>
-These papers were written in the form of memoirs and were voluminous. They
-related with the minutest detail, all the incidents of an exceptionally
-dramatic existence. M. Théophraste Longuet had by the discovery of a
-document two centuries old acquired the proof that Louis Dominique
-Cartouche, the most cunning criminal in the annals of French crime, and
-he, Théophraste, were one and the same person. This was indeed a most
-startling discovery and valuable, for it also put me on the track of the
-treasures of the famous Cartouche.
-</p>
-<p>
-He had frequently confided in me facts about his peculiar life, but an
-untimely death, certain terrible events related in these documents, had
-prevented him from telling me all. We had been great friends. I had
-written for a journal he had called his &ldquo;favorite organ.&rdquo; He had chosen me
-as his companion and confidant from among many other journalists, not
-because of any superiority of intellect, but rather, as he used to say,
-&ldquo;because a reliable level-headed friend is worth twenty acquaintances, and
-he found me reliable.&rdquo; There was much significance in this word,
-&ldquo;level-headed,&rdquo; as you will learn as you read this narrative.
-</p>
-<p>
-Having thoroughly examined the papers, I immediately took them to my
-manager, who was a keen business man. He did not hesitate for a moment to
-find the &ldquo;Treasures of Cartouche&rdquo; a valuable piece for his paper, and it
-is now a matter of common knowledge how curiously the sum of twenty-five
-thousand francs, divided into seven sums, were hidden in and around Paris,
-and how the author of these lines in the history of the chest which
-appeared in print in the month of October, in the year 1903, * touched
-lightly upon the story found therein.
-</p>
-<p>
-* This date is very important, for it established the fact that my
-authentic history of Cartouche had appeared before Mr. Frank Brentano&rsquo;s
-book, and that one two books the day after that of Mr. Maurice Bernard.
-</p>
-<p>
-I have believed it my duty toward the public, and also to the memory of
-Théophraste Longuet, to publish in volume the authentic history of the
-reincarnation of Cartouche, written exclusively from the documents found
-in the little oaken chest, a plain narrative, unembellished by all that
-which I, poor journalist, had added for the chance reader of my journal.
-</p>
-<p>
-The reader will find more than a mere treasure. The documents are of the
-greatest literary value, inasmuch as they contain proof of things hitherto
-only dreamt of. It is certain that many people imagining themselves of
-superior intellect will doubt and possibly scoff at many of these
-mysteries.
-</p>
-<p>
-The oaken chest contained the secret of the tomb; it also contained the
-history of the Talpa people written by no less an authority than M.
-Milfroid, Commissioner of Police, who remained for three weeks with M.
-Théophraste Longuet in the subterranean home of those monsters. This last
-infernal comedy would most certainly have met with incredulity had not it
-been vented by one of the most honest and intellectual of Police
-Commissioners. M. Milfroid was a most noble and accomplished character,
-and he could place music, painting, sculptors among his accomplishments.
-</p>
-<p>
-Now before closing this preface I must warn my readers that they will find
-many strange things in the narrative, weird and almost supernatural. And I
-would say that unless he is possessed with great level-headedness, he must
-not read the secrets of the Life of Théophraste Longuet.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-
-
-<h1>
-THE DOUBLE LIFE
-</h1>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0003" id="link2HCH0003"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER I
-</h2>
-<h3>
-<i>M. Théophraste Longuet Wishes to Inform Him-self and Visits Historical
-Monuments</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HE strange adventures of M. Théophraste Longuet, which ended so
-tragically, originated in a visit to the prison of the Conciergerie, on
-the 28th of June, 1899. Therefore this history is modern; but the writer
-would say that, having read and examined all the papers and writings of M.
-Théophraste Longuet, its recentness does not detract from its sensational
-character.
-</p>
-<p>
-When M. Longuet rang the bell of the Conciergerie he was accompanied by
-his wife, Marceline, and M. Adolphe Lecamus. The latter was a close
-friend. It was his physique that had attracted M. Longuet. He was not
-handsome, but was tall and well built, and every movement showed that
-strength which M. Longuet lacked. His forehead was broad and convex, his
-eyebrows were heavy and straight. He had a habit of every now and then
-lifting them gracefully to express his disdain of others and his
-confidence in himself. His grey eyes twinkled under near-sighted
-spectacles, and the straight nose, the proud arch of the underlip,
-surmounted by a dark, flowing mustache, the square outline of his chin and
-his amaranthine complexion, all combined to accentuate his strong
-appearance.
-</p>
-<p>
-He had been employed as postmaster at Turin, and had traveled
-considerably. He had crossed the sea. This was also an attraction to M.
-Longuet, who had never crossed anything, unless it was the Seine.
-</p>
-<p>
-M. Longuet had been a rubber stamp manufacturer, but had made sufficient
-money to retire at an early age. He was the antithesis of Adolphe in build
-and character. His face showed no marked intelligence, and his slight
-build lent almost insignificance to his appearance. He had, however,
-imagination, and he used to laughingly say to Adolphe: &ldquo;Even if I haven&rsquo;t
-traveled, I run just as much risk in walking the streets of Paris as one
-who crosses the ocean in ships. Might not houses collapse or pots of
-flowers fall on one&rsquo;s head?&rdquo; Thus he lived a monotonous existence,
-relieved only by the morbid workings of his mind.
-</p>
-<p>
-Before his retirement he had worked hard and had little time to study,
-therefore, now he had leisure, it occurred to him to occupy his time in
-improving his mind. It was with this intention that we find him visiting
-the various buildings of historic interest around Paris.
-</p>
-<p>
-On ringing the bell of the Conciergerie the iron door turned heavily on
-its hinges. A warden shaking the keys demanded of Théophraste his permit.
-He had anticipated this and had received it that morning from the Prefect
-of Police. He tendered it with satisfaction, looking around at his
-companion with the confidence of anticipations realized.
-</p>
-<p>
-The gate-keeper turned the little company over to the Chief Warden, who
-was passing at the time. Marceline was much impressed, and as she leaned
-on Adolphe&rsquo;s arm, thought of Marie Antoinette&rsquo;s dungeon, the Grevin
-Museum, and all the mysteries of this famous prison. The Chief Warden
-said: &ldquo;Are you French?&rdquo; to which Théophraste replied, laughingly, for he
-was typically French: &ldquo;Do we look like English people?&rdquo;
- </p>
-<p>
-&ldquo;This is the first time,&rdquo; explained the Chief Warden, &ldquo;that any French
-people have asked permission to visit the Conciergerie. French people are
-indifferent to things of interest in their own country.&rdquo; &ldquo;They are wrong,
-sir,&rdquo; replied Théophraste, wiping his spectacles. &ldquo;In the monuments of the
-past we have foundations of the future.&rdquo; This idea rather pleased him, and
-he looked for approval to Adolphe and Marceline. He continued following
-the Warden. &ldquo;As for me, I am an old Parisian and would have visited all
-these places of interest long ago but for my work. I have worked hard at
-my trade and the only leisure I got was when I went to bed. That time is
-over now, sir, and now is the time for me to educate myself,&rdquo; and he
-struck the century-old pavement with the end of his green umbrella.
-</p>
-<p>
-Passing a small door and a large wicket, they descended some steps and
-were in the guard-room. The first thing to draw attention made Adolphe
-laugh, Marceline blush, and Théophraste turn in disgust. It was the
-capital of a Gothic column carved to symbolize the story of Abelard and
-Heloise. Abelard was pleading with the Carion Fulbert for his clemency,
-while the latter was taking the child from Heloise.
-</p>
-<p>
-&ldquo;It is strange,&rdquo; said M. Longuet, &ldquo;that in the name of art the Government
-should tolerate such obscenities. That capital is a disgrace to the
-Conciergerie and should be removed.&rdquo; M. Lecamus did not agree, and said:
-&ldquo;Many things are excusable in art if they are done in the right spirit.&rdquo;
- </p>
-<p>
-However, the subject was dropped and they were soon interested in other
-parts of these old historic buildings. The Chief Warden conducted them
-through the Tower of Cæsar, into the Silver Tower, or Tower of Bon Bee.
-They thought of the thousand of illustrious prisoners who had been
-incarcerated in prison for years. Marceline could not keep from thinking
-of the martyred Marie Antoinette, of Elizabeth, and the little Dauphin,
-and of the waxen gendarmes in the museum, who watched over the Royal
-family. All this impressed her, and her mind was continually carried back
-to those stirring times. The Silver Tower had been transformed into a
-record office, and the modern writing desks were in striking contrast to
-the old medieval walls. Returning through the guard-room, they directed
-their steps towards the Bon Bee Tower. Théophraste had read about this
-tower and imagined he knew it well, so wishing to appear well informed,
-asked of the Warden, &ldquo;Is it not there, sir, that the last meal of the
-Girondists was served? You ought certainly to tell us exactly where to
-find the table, and also the place which Camille des Moulins occupied.&rdquo;
- The Warden replied that the Environdists had dined in the chapel and that
-they would soon visit it.
-</p>
-<p>
-&ldquo;I wish to know Camille des Moulins&rsquo; place,&rdquo; said Théophraste, &ldquo;because he
-was a friend of mine.&rdquo;
- </p>
-<p>
-&ldquo;And mine also,&rdquo; said Marceline, with a look towards Adolphe, which seemed
-to say, &ldquo;Not as much as you, Adolphe.&rdquo;
- </p>
-<p>
-But Adolphe laughed and said Camille was not a Girondist, he was a
-Franciscan friar, a friend of Danton, a Septembrian.
-</p>
-<p>
-Théophraste was vexed, and Marceline protested that if he had been
-anything of the sort Lucille would not have married him. Adolphe did not
-insist, but as they had by now reached the chamber of torture, he feigned
-condescendingly to be interested in the labels which adorned the drawers
-decorating the walls, &ldquo;Hops,&rdquo; &ldquo;Cinnamon,&rdquo; &ldquo;Spice,&rdquo; etc.
-</p>
-<p>
-&ldquo;Here is the room in question. They have transformed it into the doctor&rsquo;s
-store-room.&rdquo;
- </p>
-<p>
-&ldquo;It is just as well, perhaps,&rdquo; said Théophraste, &ldquo;but not so impressive.&rdquo;
- </p>
-<p>
-Adolphe and Marceline were of the same opinion. They were not at all
-impressed. Here was the famous torture chamber. They expected something
-else. They were disillusioned. Outside, when viewed from the court of the
-Sundial, the formidable aspect of those old feudal towers, the last
-vestige of the palace of the French monarchy, momentarily brought fear and
-awe to their minds. That prison had stood a thousand years, had known so
-many tragedies, death rattles, legendary miseries, hidden secrets. It
-seemed that one only had to step inside to find an inquisition court in
-some dark corner, damp and funereal. Here seemed to be all the tragedies
-of the history of Paris, as immortal as the very walls.
-</p>
-<p>
-What a disillusion here in these towers with a little plaster and paint
-they had made the office of the Director of Records, the store-room of the
-prison doctor. One could carouse here where once the hangman held sway.
-One could laugh where only the cries of the tortured were heard.
-</p>
-<p>
-Now there would have been nothing unusual about this visit to the
-Conciergerie but for a very extraordinary incident which occurred after
-the party had left the torture chamber. The incident was weird and
-inexplicable, and while I read M. Longuet&rsquo;s own description of it, I
-confess I found it impossible to believe. Therefore I went to the Chief
-Warden, who had shown the party round the prison, and asked for his
-account of the incident.
-</p>
-<p>
-He gave it to me in the following words:
-</p>
-<p>
-Sir, the affair passed as usual, and the lady, the two gentlemen and I
-visited the kitchen of St. Louis, which is now used as a store-house for
-plaster. We proceeded towards the dungeon of Marie Antoinette, which is
-now the chapel. On the way I showed them the crucifix, before which she
-prayed before mounting the cart which is now in the Director&rsquo;s room. I
-told the man with the green umbrella that we had been obliged to transfer
-the Queen&rsquo;s arm-chair to the Director&rsquo;s room, because the English visitors
-had carried away pieces from it as souvenirs. We had by this time arrived
-at the end of the Street of Paris-you know the street that leads from
-Paris to the Conciergerie. We passed through that frightfully dark
-passage, where we found the grating behind which they cut off the hair of
-the women before execution. You know that it is the very same grating. It
-is a passage where never a ray of sunlight penetrates. Marie Antoinette
-walked through that passage on the day of her death. It is there that the
-old Conciergerie stands just as it was hundreds of years ago.
-</p>
-<p>
-I was describing the Street of Paris, when suddenly the man with the green
-umbrella cried out in a voice so unlike the previous voice, so strangely
-that the other gentleman and lady looked startled: &ldquo;Zounds, it is the walk
-of the Straw Dealers.&rdquo; He said it in a weird tone and his whole attitude
-was changed. He used the expression, zounds, twice. I told him he was
-mistaken, that the walk of the Straw Dealers is what we call to-day the
-Street of Paris. He answered me in the same strange voice: &ldquo;Zounds, you
-cannot tell me that! I have lain there on that straw like the others!&rdquo; I
-remarked to him, smilingly, although not without a feeling of fear, that
-no one had lain on that straw in the alley of the Straw Dealers for more
-than two hundred years.
-</p>
-<p>
-He was just about to answer me when his wife intervened. &ldquo;What are you
-saying, Théophraste?&rdquo; said she. &ldquo;Do you wish to teach Monsieur his
-business? You have never been to the Conciergerie before.&rdquo; Then he said in
-his natural voice, the voice by which I had known him at first: &ldquo;That is
-so, I have never been here before.&rdquo;
- </p>
-<p>
-I could not understand then at all, but thought the incident closed, when
-he did something stranger still.
-</p>
-<p>
-We visited the Queen&rsquo;s Dungeon, Robespierre&rsquo;s Dungeon, the Chapel of the
-Girondists, and that little gate, which is still the same as when the
-unfortunate prisoners, called the Septembrians, leaped over it to be
-massacred in the court. We were now in the Street of Paris. There was a
-little stairway on the left which we did not descend. It led to the
-cellars which I did not deem necessary to show, as it was dark and
-difficult of access. The gate at the bottom of this staircase is closed by
-a grating which is perhaps a thousand years old-possibly more. The
-gentleman, whom they called Adolphe, proceeded with the lady toward the
-door leading out of the guard-room, but without saying a word the man with
-the green umbrella descended the little staircase. When he was at the
-grating he cried out in that strange, weird voice: &ldquo;Well, where are you
-going? It is here.&rdquo; The gentleman and the lady stopped as if petrified.
-The voice was terrible, and nothing in the outward appearance of the man
-would make you believe that the voice came from him. In spite of my fear I
-ran to the head of the stairs. I was thunderstruck. He ordered me to open
-the grating, and I don&rsquo;t know how I obeyed him. It was as if I had been
-hypnotized. I obeyed mechanically. Then when the grating was opened he
-disappeared in the darkness of the cellar. Where had he gone? How could he
-find his way? Those subterranean passages of the Conciergerie are plunged
-in frightful darkness and nobody has been down there for centuries and
-centuries.
-</p>
-<p>
-He had already gone too far for me to stop him. He had hypnotized me. I
-stayed about a quarter of an hour at the entrance of that dark hole. His
-companions were in the same state as I was. It was impossible to follow
-him. Then suddenly we heard his voice, not his first voice, but his
-second. I was so startled I had to cling to the grating for support. He
-cried out: &ldquo;It is thou, Simon l&rsquo;Anvergust.&rdquo; I could not answer. He passed
-near me, and as he passed it seemed to me that he put a scrap of paper in
-his jacket pocket. He leaped up the steps with one bound and rejoined the
-lady and gentleman. He gave them no explanation. As for me, I ran to open
-the door of the prison for them. I wanted to get them outside. When the
-wicket was open and the man with the green umbrella was walking out,
-without apparent reason he said: &ldquo;We must avoid the wheel.&rdquo; I don&rsquo;t know
-what he meant, as there was no carriage near.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0004" id="link2HCH0004"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER II
-</h2>
-<h3>
-<i>An Explanation from Théophraste</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">N</span>OW in reading the last chapter one would immediately think that M.
-Longuet had gone mad. What had possessed him? Where did he go? In order
-that you might fully understand his peculiar actions I will give you the
-extract from his memoirs relating to this incident. He writes:
-</p>
-<p>
-I am a man of sound body and mind. I am a good citizen and recognize all
-the laws. I believe laws are necessary for the proper regulation of
-society. I dislike heartily any formalities, and in determining my lines
-of conduct I have always chosen the simplest way.
-</p>
-<p>
-I dislike imaginative people, and the occult has always been repulsive to
-me. However, this is not through want of understanding, for my friend,
-Adolphe Lecamus, had given himself up to the study of spiritualism.
-Whoever teaches spiritualism teaches foolishness, and the desire to
-question the spirits of the dead by means of the planchette seems to me to
-be beyond belief, it is grotesque. However, I have assisted at some of
-Adolphe&rsquo;s seances which he had given for the benefit of Marceline and
-myself. I have even taken a certain part in them, desiring to prove the
-absurdity of his theories. My wife and I once rested our hands on a table
-for a quarter of an hour waiting for it to move. Nothing happened, and we
-laughed heartily at him. However, my wife was more sympathetic, and was
-inclined to be a little more serious. Women are always more susceptible to
-the occult and ready to believe in the mysterious. Adolphe bought her
-books, which she read eagerly, and he amused himself sometimes by willing
-her to sleep, by making passes with his hands and breathing on her eyes.
-It seemed foolish, and I should not have allowed it from any one else, but
-I have always had a liking for Adolphe, and know that it amuses him.
-Marceline and he said that I was a skeptic. However, I am not a skeptic,
-as a skeptic is one who doubts all. I believe in progress, but do not
-believe that one person having an unnatural influence over another tends
-towards progress. Therefore I am not a skeptic, but rather a philosopher.
-</p>
-<p>
-During his travels Adolphe read a great deal. I have had to work hard all
-my life, therefore, while he is an idealist, I am a materialist.
-</p>
-<p>
-It seems necessary for me to thus describe my character so that it may be
-well understood that the happenings of the day before yesterday were not
-due to any occult reasons. I visited the prison in just the same manner as
-I would go to a store to buy a cravat. I wanted to learn, that is all.
-Having sold my business, I have more leisure, and so I said to myself: &ldquo;I
-will visit the interesting places of the city of Paris.&rdquo; Fate decreed that
-the Conciergerie was the first place to be visited. I do not know whether
-I really regret it.
-</p>
-<p>
-At present I am calm and collected and can relate all I remember of what
-happened.
-</p>
-<p>
-While we were in the Towers nothing happened worth recording. I remember
-trying to picture to myself in the little room which looked like a grocery
-store all the horrors of the place, how the executioners and their
-assistants approached the prisoners with their monstrous machines, how so
-many illustrious persons were martyred, and all the terrible griefs and
-agonies which had been witnessed within these walls. But the
-transformation had taken all the romance away, and the labels, &ldquo;Senna,&rdquo;
- &ldquo;Hops,&rdquo; etc., did not inspire imagination. Even the Bon Bee Tower, also
-called Bavarde, on account of the terrible cries which were heard in it,
-has been changed into offices. However, I must not complain. These are all
-the signs of progress and a more enlightened age.
-</p>
-<p>
-But we penetrated into that part of the Conciergerie which has changed
-little during all these centuries, which had not been spoiled by the
-plasterer and in which all the stones could tell their own history; then
-it was that a most inexplicable fever took possession of me, and when we
-had reached the dark end of the walk of the &ldquo;Straw Dealers,&rdquo; I cried out
-from my soul, &ldquo;Zounds! this is the walk of the Straw Dealers.&rdquo;
- </p>
-<p>
-I turned around immediately to find out who had uttered these words. They
-were all staring at me, and I was convinced that it was myself who had
-cried out. It seemed so strange. The voice was not like mine, but it had
-emanated from me. Even now it is unaccountable.
-</p>
-<p>
-The Warden pretended that we had passed the walk of the &ldquo;Straw Dealers.&rdquo; I
-told him that I knew the place better than he, for I had lain there on the
-straw myself. But I had never been in the Conciergerie before, and yet I
-was sure of it. It is difficult to explain. While we walked through the
-chapel of the Girondists, and the Warden was explaining the story to us, I
-played with my umbrella. I tried to appear natural and collected. Although
-the things which happened were quite natural, and not the result of any
-effort, a cold perspiration seized me and I shook like a leaf. I remember
-that I found myself at the bottom of the stairs, standing before a
-grating. I was endowed with almost superhuman strength. Shaking the
-grating, I called out for the others to follow. However, the others had
-gone ahead and did not hear. I called to the Warden to open the grating. I
-don&rsquo;t know what would have happened if he had not done so, quickly. I was
-crazy, and yet everything was natural to me. Truly, I was in a state of
-great nervous excitement, but everything was lucid to me. Never before had
-I seen so clearly as when in that dark cellar. Never before had I
-recognized a place so vividly as when I was down there where I had never
-been before. My God! I did not know them, and yet I recognized them.
-</p>
-<p>
-Without hesitating I groped around, feeling the stones in the dark, and my
-feet trod a soil which seemed familiar but which had not been trodden for
-centuries. I seemed to know these very stones, forgotten in the darkness
-of those cellars. I slid the length of the damp flagstones as if I had
-been accustomed to the way. My finger-nails came in contact with sharp
-stones in the wall and I counted the seams as I passed. I knew that if I
-turned round I would see a certain square light in the distant gallery, a
-single ray in all this place where the sun had forgotten to shine since
-France&rsquo;s history had begun. I turned and saw it, and I felt my heart beat
-violently.
-</p>
-<p>
-Here there was a momentary interruption in the writings. M. Longuet,
-having explained what had happened to him in that strange hour in the
-Conciergerie, was greatly agitated. It was with difficulty he remained
-master of his thoughts. It was difficult to follow them; they seemed to
-come and go, just leaving faint traces on the paper of the record.
-</p>
-<p>
-He resumed the pen with feverish hand. Continuing to busy himself with the
-subterranean passages, he writes:
-</p>
-<p>
-It is necessary to pause here as one pauses at the edge of a precipice. My
-very thoughts make me shiver!...
-</p>
-<p>
-And the Bavarde, there it stands. There are the walls which have helped to
-make history. It is not on high in the glorious sunlight that the Bavarde
-tells its history. It is here in the blackness of the earth. There are
-some large iron staples in the wall here. The very chains of Ravaillac! I
-recall no more; but towards that ray, the sole ray of light, as eternal
-and immovable as the very walls- towards that small square beam, which
-since the beginning of things has taken and kept the shape of a sentinel,
-I advanced. There was some impelling force which urged me on. I rushed
-ahead while the fever was in me and seemed to intoxicate me. Suddenly I
-paused, my feet seemed held to the ground and my fingers ran sliding and
-pressing the length of the wall. What it was that impelled my finger, what
-was the thought, I cannot tell. All at once I let my umbrella fall, and
-drawing my pen-knife, began to scrape steadily between two stones. The
-dust and cement powdered away easily, and soon my knife struck something
-between the stones, and I pulled the thing out.
-</p>
-<p>
-This is why I am sure I was not mad. This thing has been before my eyes.
-In my most peaceful hours I, Théophraste Longuet, see it in my
-writing-desk. It is not I who am mad, but this thing itself! It is a piece
-of torn paper, stained. . . a document of which it is easy to tell the age
-and calculated to plunge any man into the deepest consternation.
-</p>
-<p>
-The paper is, as you must know, terribly decayed. The dampness has eaten
-into half the words, which seem, on account of their reddish tint, to have
-been written with blood.
-</p>
-<p>
-I took the document to the small ray of light, and on looking it over my
-hair seemed to stand on end with horror. <i>There I could recognize my own
-handwriting</i>, and I give you this precious and mysterious document
-clearly translated:
-</p>
-<p>
-&ldquo;Dead and buried all his treasures after the Treachery of April 1st. Go,
-take a look in the barroom! Look at the furnace! Look at the weathercock!
-Dig a while and you shall be rich!&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0005" id="link2HCH0005"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER III
-</h2>
-<h3>
-<i>A Search and a Discovery</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>. ADOLPHE LECAMUS and Marceline thought M. Théophraste&rsquo;s actions
-strange, but they were too much occupied with an affair of their own to
-attach very great importance to them. However, M. Théophraste concealed
-his anxiety and pretended that the visit to the Conciergerie was quite a
-natural occurrence. He had gone down in the cellars just to satisfy a
-natural curiosity, not being one of those who make a superficial
-inspection of things of interest.
-</p>
-<p>
-The following day, M. Théophraste, under the pretext of putting his
-affairs in order, shut himself up in his office and gave instructions for
-nobody to disturb him. Leaning over the balcony he looked out upon the
-little square of Anvers and reflected over the happenings of yesterday.
-There was nothing in the view to distract him. He was accustomed to the
-scene below: nurses pushing perambulators gossiping over the latest news,
-and a few professors walking towards the Rollie College. The Avenue
-Touraine rang with the shouts of college students who had come before the
-lecture hour.
-</p>
-<p>
-Nothing had changed; the world was just the same. To-day, like yesterday,
-or like the day before yesterday. The people were going to their business
-just the same. Even Nidine Petito, the wife of the Italian professor, who
-lived in the apartment below, was the same. She began to play the
-&ldquo;Carnival of Venice&rdquo; on the piano just as she did every day.
-</p>
-<p>
-Nothing had changed; thus he reflected. On turning round he could see
-amongst his papers on the desk, the document. Did it really exist? He had
-passed a restless night and was now attributing his strange adventure to a
-bad dream-but no, it could not be that, for there was the paper on his
-desk, in his own handwriting, and written in blood. Good God! perhaps it
-was his own blood. What thoughts, what thoughts!
-</p>
-<p>
-Théophraste passed his hand over his forehead. He was perspiring and
-restless. Suddenly breathing a sigh and slapping his thigh with his hand,
-he appeared to have come to a definite resolution, and put the paper
-carefully away in his portfolio.
-</p>
-<p>
-He remembered that Signor Petito, the Italian professor, was an expert in
-handwriting and that he had had experience in engraving. He would take the
-document to him and ask his opinion. His friend Adolphe was also
-interested in graphology, but only in a spiritual way, and so he would not
-confide in him. There was already too much mystery in the affair without
-mixing it up with spiritualism and mediums.
-</p>
-<p>
-He had only known the professor to bow to on the stairs, and so in
-presenting himself he was introduced. The professor greeted him cordially,
-and after the usual formalities, Théophraste broached the subject of his
-visit. He produced the paper, and a letter which he had written some time
-previously. &ldquo;Signor Petito,&rdquo; he commenced, &ldquo;having heard of your renown as
-an expert in handwriting, I would be grateful to you if you would examine
-this letter, and this document, and give me the result of your
-observations. I may say that there is no connection between the two
-papers.&rdquo;
- </p>
-<p>
-Théophraste was not in the habit of lying, and blushed redder than a
-peony. But Signor Petito was already deeply engrossed in the examining of
-the two papers. His scholarly eye looked over one, then the other. He
-placed them together, held them up to the light, passed his hand over the
-writing, and measured them. Then he laughed, showing his white teeth.
-</p>
-<p>
-&ldquo;Monsieur Longuet,&rdquo; said he, &ldquo;it is not necessary for me to keep you
-waiting long for a reply. This document is in a very bad condition, but
-the specimen of handwriting can still be read. They are in every way
-similar to the letter, and I would swear before any tribunal that those
-two handwritings have been traced by the same hand.&rdquo;
- </p>
-<p>
-Then he entered into details. &ldquo;A child,&rdquo; he said, &ldquo;could not be mistaken
-about it.&rdquo; He pointed out how this duplicate writing was identically
-angular. &ldquo;We call a handwriting angular, Monsieur, when the hair-strokes
-which join the bottom of the letters and the separate letters are at an
-acute angle to the down-strokes of the letters. Do you understand? Compare
-this hook and that one, those hair-strokes with these others, and all
-those letters getting larger, larger in both writing and in equal measure.
-But what a clear writing, Monsieur; I have never seen such clear writing
-before. As clear as if cut with a knife.&rdquo;
- </p>
-<p>
-By this time Théophraste had become white with nervousness. Signor Petito
-thought that he was going to faint. However, he arose, picked up the
-document and the letter, and having thanked Signor Petito, he went out.
-</p>
-<p>
-He wandered the streets for a long time, and at last turning down a small
-street, he stood in front of an old door in the Rue Inger. Entering, he
-found himself in a narrow, dark passage. A man came out of a back room,
-and on recognizing Théophraste, greeted him in a friendly way. He was
-wearing a square paper cap, and had on a black gown which reached down to
-his feet.
-</p>
-<p>
-&ldquo;Good-day, Théophraste, good-day. What happy chance has brought you here?&rdquo;
- </p>
-<p>
-As it had been two years since they had last seen each other they at first
-spoke of family matters and other generalities. Ambrose spoke of his trade
-of engraving visiting cards. He had been a printer. He had been a printer
-in the province, but having put all he had into an invention for a new
-paper, he had failed. He was a distant cousin to Marceline, and when he
-was deep in financial troubles, Théophraste had come to his rescue.
-</p>
-<p>
-Théophraste seated himself on the wicker chair in the small room which
-served as a workshop. This room was lighted by a large window reaching
-from floor to ceiling.
-</p>
-<p>
-&ldquo;Ambrose, you are an expert. No one can approach you in the knowledge of
-papers, eh?&rdquo; &ldquo;That is not quite true,&rdquo; said Ambrose, &ldquo;but I can judge a
-good paper.&rdquo;
- </p>
-<p>
-&ldquo;You understand all kinds?&rdquo;
- </p>
-<p>
-&ldquo;All kinds.&rdquo;
- </p>
-<p>
-&ldquo;If some one showed you a piece of paper, could you tell the age of it?&rdquo;
- </p>
-<p>
-&ldquo;Yes,&rdquo; said Ambrose, &ldquo;I could. I have published a treatise on the
-water-marks of papers used in France in the seventeenth and eighteenth
-centuries. That study was accepted by the Academy.&rdquo; &ldquo;I know, and I have
-great respect for your knowledge.&rdquo;
- </p>
-<p>
-&ldquo;Well, the thing is simple. The oldest paper showed a plain, glossy
-surface, but soon there appeared wide lines crossed at intervals by
-perpendicular lines, both giving the impression of a metal trellis over
-which the paste had been spread. From the fourteenth century they used
-these as a maker&rsquo;s mark, and in the end they designed figures in brass
-wire, initials, words, emblems of all sorts -these are the water-marks.
-Every sheet of water-marked paper tells its tale, and the year of its make
-can be detected, but the difficulty is to decipher it. This necessitates a
-little practice.&rdquo; Théophraste opened his portfolio and took out the paper.
-</p>
-<p>
-&ldquo;Can you tell me the exact date of this?&rdquo; Ambrose put on his eyeglass and
-took the paper to the daylight.
-</p>
-<p>
-&ldquo;There is the date,&rdquo; he said, &ldquo;172&mdash;, the last figure is rubbed out.
-It must be of the eighteenth century.&rdquo;
- </p>
-<p>
-&ldquo;Oh,&rdquo; said Théophraste, &ldquo;I saw that date quite well, but do you really
-think that the paper is-of that century? Does not the date lie? That is
-what I want to know.&rdquo;
- </p>
-<p>
-Ambrose showed him the center of the paper. &ldquo;See?&rdquo;
- </p>
-<p>
-Théophraste said nothing. Then Ambrose lit a small lamp and held the paper
-up before it. In illuminating the document one could detect in the
-thickness of the paper the design of a crown.
-</p>
-<p>
-&ldquo;Théophraste,&rdquo; said Ambrose excitedly, &ldquo;that paper is exceedingly rare.
-That mark is almost unknown, for a very little paper was made with that
-sign, which is called the Crown of Thorns. That paper, my dear
-Théophraste, was made in 1721.&rdquo;
- </p>
-<p>
-&ldquo;You are sure?&rdquo;
- </p>
-<p>
-&ldquo;Yes, but tell me,&rdquo; cried Ambrose, who could not conceal his surprise,
-&ldquo;how is it that this document, dated 1721, could be by all visible marks
-in your handwriting?&rdquo;
- </p>
-<p>
-Théophraste said nothing, but getting up and putting the document back
-into the portfolio, he hastened out of the house.
-</p>
-<p>
-And so here was proof enough. He could doubt it no longer. This paper,
-dated in the beginning of the eighteenth century, in the time of the
-Regents, this sheet that he had sought for in the prison, distinctly bore
-his own handwriting. He had written on that sheet, he, Théophraste
-Longuet, late maker of rubber stamps, who retired last week at the age of
-41-he wrote on that sheet of paper these incomprehensible words in 1721.
-However, it did not want Signor Petito or Ambrose to prove it to him. He
-knew it himself. Everything within him cried out, &ldquo;It is your paper!&rdquo; And
-so instead of being Théophraste Longuet, son of John Longuet, master
-gardener to the Ferte sous Jonaise, he had been in the past some one he
-did not know, but who had been reborn in him. Yes, that was it, and he now
-had the great desire to recall having lived 200 years.
-</p>
-<p>
-Who was he? What was his name? In which body had his immortal soul elected
-momentarily to live? He felt certain that these questions would not remain
-long unanswered. Was it true that some of the things ignored in his
-present existence constituted part of his past life? What was meant by
-certain expressions spoken in the Conciergerie? Who, then, was Simon de
-Anvergust, whose name had been twice repeated by his burning lips?
-</p>
-<p>
-&ldquo;Yes, yes, the name, in former times my own, his also,&rdquo; wrote Théophraste
-in his journal, &ldquo;arose from my awakened brain, and knowing who I was, I
-recalled the whole life lived in former years, and I read in a flash from
-that piece of paper all the details of a past life.&rdquo;
- </p>
-<p>
-Monsieur Théophraste Longuet, to state the matter frankly, had not arrived
-at the conclusion without having, in these incoherent lines, wandered
-before. The happenings of these days were too unusual. Imagine, he was
-simple-minded, a little heavy, a little foppish, he had never invented
-anything in his life. He was just an amiable, honest citizen, stupid and
-headstrong. He had no religion. He left that to the women, and without
-declaring his atheism, used to say: &ldquo;When one dies, it is forever.&rdquo;
- However, now he had discovered by an extraordinary incident, that one
-never dies. He had to support this, and in doing so declared that not even
-those in the business, in occult science, frequenting spirits daily, could
-have such palpable proof. In the end Théophraste made his resolution
-quickly.
-</p>
-<p>
-This anterior existence could no longer be denied, although he knew
-nothing about it. In the uncertainty of his mind he could not associate
-the date 1721 with his visit to the Conciergerie.
-</p>
-<p>
-However, he came to this final conclusion. In 1721 he had been confined in
-the Conciergerie Prison, probably as a prisoner of state. He could not
-admit for a second that he, Théophraste Longuet, had been shut up, even
-under Louis XV, as a common criminal. In a solemn moment, perhaps before
-being put to torture, he had drawn up this document and hidden the paper
-between the stones in the dungeon, and passing by there two centuries
-later, had found it again. This was simple enough and not the result of
-any supernatural inspiration. The facts themselves were enough.
-</p>
-<p>
-Certain words of the document were in themselves quite natural and of the
-most momentous importance. These were &ldquo;Treasure... treachery of the first
-of April.&rdquo;
- </p>
-<p>
-It was with these words that he hoped to discover his identity. First, he
-had been rich and powerful. The words about the treasure showed
-conclusively that the man had been rich and that he had buried his
-treasure. He had been powerful and had been betrayed. Théophraste had in
-his mind that the treason had been a memorable treason, perhaps
-historic-the treachery of the first of April.
-</p>
-<p>
-Yes, all the oddities and all the mysteries of the document left at least
-a glimpse of something certain: that he had been a great personage, that
-he had buried his treasures; and that after having buried them
-mysteriously, more mysteriously still revealed their existence, at the
-price of much cunning; perhaps at the price of his own blood. Without
-doubt those tinted words had been written with blood.
-</p>
-<p>
-Later he proposed to ask a distinguished chemist to examine it. The
-treasures belonged to him, and if necessary he would use this document to
-establish his right to them.
-</p>
-<p>
-Théophraste was not rich. He had retired from business with a modest
-little income. He had a comfortable little house with a garden and bowling
-alley. However, this was little, with the somewhat extravagant tastes of
-Marceline, and so the treasure would be most acceptable. He therefore
-applied himself diligently to the research.
-</p>
-<p>
-It must be said, though, to his credit, that he was much more puzzled by
-the mystery of his personality than by the mystery of the treasure, and
-that he resolved to temporarily suspend his research until the time when
-he could at least give a name to this personage that he had
-been-Théophraste Longuet in 1721. That discovery which interested him most
-came to be in his mind the key of all the others.
-</p>
-<p>
-That which astonished him most was the sudden development of what he
-called his &ldquo;historical instinct,&rdquo; the instinct which had been deficient in
-him all his life, but which had been revealed to him with the suddenness
-and force of a clap of thunder in the depths of the Conciergerie. In one
-moment, the Other, as he used to say in conversing of this great
-18th-century personage, had possessed him. It was the Other who had found
-the document; it was the Other who had cried out in the Conciergerie; it
-was the Other who had called to Simon l&rsquo;Anvergust, and since the Other had
-disappeared, Théophraste did not know what had become of him. He sought
-him in vain; he examined himself; he searched his very soul.
-</p>
-<p>
-Before this adventure Théophraste had no curiosity about the beginning or
-ending of things, he had not wasted time in wondering over philosophical
-mysteries; in his vanity he had always shrugged his shoulders at such
-things. However, now things were different; here was a quiet citizen, with
-little scientific knowledge, who had to prove that a manufacturer of India
-rubber in the year 1899 had been shut up in a dungeon after having buried
-treasures in 1721. But the revelation of this extraordinary fact had come
-to him spontaneously and remained so fixed in his mind that he resolved to
-probe the matter to the bottom.
-</p>
-<p>
-His instinct abandoned him momentarily and he would search books and
-discover who this powerful, rich person was who had been betrayed on April
-1st; which April 1st? This remained to be determined. He haunted the
-libraries from that time on. He marshaled before him the Premiers of the
-Kingdom. He found nothing to give him a clue. Some dukes and peers, some
-illustrious generals, some great financiers, a few princes of the blood.
-He stopped an instant at Law, but he was too dissipated; at Maurice de
-Saxe, who ought to have won the Battle of Fontenoy; at the Count du Barry,
-who had had the most beautiful mistress in Paris. He feared that perhaps
-he had been the Count de Charolais, who distinguished himself by his
-debauches, and killed the thatchers on the roofs by shooting at them. He
-was forty-eight hours the Cardinal of Palegria, but was disgusted when he
-learned that his Eminence had been a farm hand for the Duchess of Maine.
-It was refreshing to find in some corner of history a sympathetic count or
-lord that the writers of the epoch had adorned in engaging colors and on
-whom they had bestowed some virtues. But Théophraste soon saw that all
-these would have to be abandoned. For none of them had the principal
-qualifications of having been shut up in the Conciergerie in 1721, or
-having been betrayed on an April 1st.
-</p>
-<p>
-However, in the Journal of the Barber, he discovered a bastard of the
-Regent, about whom were some startling facts which precipitated him into a
-state of great excitement.
-</p>
-<p>
-Before entering into the details, however, of this discovery, we will
-return to the doings of Marceline and M. Adolphe Lecamus.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0006" id="link2HCH0006"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER IV
-</h2>
-<h3>
-<i>Some Philosophy and a Song</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">L</span>ET us leave Paris awhile and return to the little estate on the banks of
-the Marne, which Théophraste generally moved to with the first rays of the
-July sun. This year he was to go there before Marceline and his friend,
-Adolphe, who had been commissioned to survey the timbers on some lands
-elsewhere. Thus these last few days he could spend alone in security and
-peace to attend to this unusual treatise which his new position in the
-world had given him.
-</p>
-<p>
-The name of the house was &ldquo;Villa Flots d&rsquo;Azure.&rdquo; Théophraste had given it
-this name against the wishes of Adolphe, who protested that the name was
-for a villa near the sea. He had replied with logic that he had often gone
-to the Preport, and that he had always seen the sea green; that he knew
-the Marne, and that on account of the reflected blue sky the water seemed
-blue. Do they not say &ldquo;the beautiful blue Danube&rdquo;? It was not only the
-ocean that had blue waves, so he did not see why he should not call his
-villa on the Marne &ldquo;Villa Flots d&rsquo;Azure.&rdquo;
- </p>
-<p>
-That day was the anniversary of their marriage. Théophraste was very fond
-of Marceline, and these anniversaries were always the occasion for much
-merry-making. Marceline also loved Théophraste, and saw no reason why she
-should not like Adolphe equally as well, whereas, on the other side,
-Adolphe adored Marceline and would have died for Théophraste. On
-reflection, the name &ldquo;Villa Flots d&rsquo;Amour&rdquo; would have been more
-appropriate than &ldquo;Villa Flots d&rsquo;Azure,&rdquo; such harmony existed therein.
-</p>
-<p>
-Théophraste shook Adolphe&rsquo;s hand effusively. He complimented his wife on
-her beauty. He had his green umbrella that day, and in making his
-congratulations twirled it in a fashion, as he thought, resembling the
-manner in which they used canes in the beginning of the eighteenth
-century. He was not a vain person, but he knew by this scientific miracle
-that he had been a great man two hundred years ago, and he felt that he
-should convey the impression that he had moved among great people and
-affairs.
-</p>
-<p>
-It was their custom upon their return to their country house to invite a
-few friends to a party to celebrate the occasion. Upon this occasion
-Théophraste was at his best. He was in high spirits, and while passing the
-good word to the gentlemen, made flattering speeches to the ladies. The
-table was set in the garden under a tent where the guests assembled. After
-a while the conversation turned to the latest doings in angling. M. Lopard
-had caught a trout of three pounds; old M. Tartoush had cast his line on
-Sunday-having caught nothing, complained that people made too much noise
-shooting during the week, and drove the fish from these waters. All joined
-in the conversation and gave their experiences except M. Théophraste.
-</p>
-<p>
-He kept silent. He found the topic too commonplace and felt a desire to
-raise its level. He wanted it to drift into some subject related to that
-preoccupying his mind. After awhile he was able to get Adolphe interested
-in the subject of ghosts. From ghosts the conversation led on to
-spiritualism. One lady knew a somnambulist and related some strange
-stories which were calculated to work upon the imagination of the company.
-Adolphe, upon this, explained the spiritualistic point of view of the
-phenomena of somnambulism, and cited well-known authorities. He seemed
-quite in his element, and finally reached the point desired by
-Théophraste, the transmigration of souls and reincarnation.
-</p>
-<p>
-&ldquo;Is it possible,&rdquo; said Marceline, &ldquo;that a soul comes back to live in its
-body? You have often told me so, Adolphe, but it seems to me that one&rsquo;s
-reason strongly repulses such an hypothesis.&rdquo; &ldquo;Nothing is lost in Nature,&rdquo;
- replied Adolphe, positively. &ldquo;Neither the soul nor the body. All is
-transformed, the soul as well as the body. The reincarnation of souls at
-the end of a century is a doctrine which goes back to such great antiquity
-that the ancient philosophers do not deny it.&rdquo;
- </p>
-<p>
-&ldquo;If one&rsquo;s soul returned to a body,&rdquo; said Marceline, &ldquo;one would surely know
-it.&rdquo;
- </p>
-<p>
-&ldquo;Not always,&rdquo; said Adolphe, &ldquo;but sometimes.&rdquo; &ldquo;Ah, sometimes?&rdquo; asked
-Théophraste, who was by this time becoming intensely interested.
-</p>
-<p>
-&ldquo;Yes, there are cases. For instance: Ptolemy Caesar, son of Caesar and
-Cleopatra, who was king of Egypt before Christ, remembered well to have
-been Pythagoras, a Greek philosopher, who lived 600 years before.&rdquo;
- </p>
-<p>
-&ldquo;Impossible!&rdquo; cried the ladies, and the gentlemen smiled skeptically.
-</p>
-<p>
-&ldquo;You need not laugh, gentlemen. It is impossible to be more serious. Our
-actual transformation, which is the final word in science, is in full
-accord with the theory of reincarnation. What is transformation except the
-idea that living things transform themselves, progressing one into
-another? Nature presents herself to us under the aspect of a spark,
-elaborately perfecting without ceasing to create, to attain an ideal which
-will be the millennium. Whatever Nature does for the body she does for the
-soul. It can be proved, for I have studied this side a great deal, and it
-is the original of all sciences.
-</p>
-<p>
-Monsieur Adolphe was not understood by the company, a fact of which he was
-inwardly proud. He liked to feel a superiority of intellect, and often he
-would raise the conversation above the level of his audience just to
-gratify his vanity. He touched on many points which only need be referred
-to lightly here in order to convince skeptics that the extraordinary
-history of Théophraste is founded on a most scientific basis.
-</p>
-<p>
-&ldquo;The transmigration of souls was taught in India,&rdquo; said Adolphe; &ldquo;the
-cradle of the genus human, then in Egypt, then in Greece. They chanted its
-mysteries in the name of Orpheus. Pythagoras, who continued the teaching,
-did not admit with the philosophers on the banks of the Ganges that the
-soul traveled over the cycle of all animal existence. He made it come
-back, for example, into a pig.&rdquo;
- </p>
-<p>
-&ldquo;There are some men,&rdquo; said Madame Beulie, &ldquo;who still have the souls of
-pigs.&rdquo;
- </p>
-<p>
-&ldquo;Without doubt,&rdquo; said Adolphe, smiling; &ldquo;but what Pythagoras says is that
-we must not conclude from that, that pigs have the souls of men. Plato
-also adopts this doctrine. It is the first which gave in the Phidon the
-proof that souls do not exile themselves forever and that they come back
-to animate bodies anew.&rdquo;
- </p>
-<p>
-&ldquo;Oh, if we could only get proof of that it would be nothing for me to
-die,&rdquo; declared old Mlle. Tabouret, who had a mortal terror of dying.
-</p>
-<p>
-&ldquo;Here are the proofs,&rdquo; continued Adolphe. &ldquo;They are two in number. One is
-taken from the general law of Nature, the other from human nature. First,
-Nature is governed by the laws of contraries, and from that we see that
-while death succeeds life, all would end by being absorbed in death, and
-Nature would one day come to an end like Endymion. Therefore I say that we
-exist after death.
-</p>
-<p>
-&ldquo;Secondly, if after consulting the general laws of Nature we turn to our
-own minds, we will find there the same dogma attested by the fact of
-resemblance. &lsquo;To learn,&rsquo; said Plato, &lsquo;is nothing but to recollect. Since
-our souls learn, they must have a resemblance. What does it recollect
-except to have lived, and to have lived in another body? Why can we not
-believe that in leaving the body while it is animate at this time it can
-animate several others in succession?&rsquo; I quote Plato literally,&rdquo; remarked
-Adolphe.
-</p>
-<p>
-Then he passed from Plato to a modern authority. &ldquo;Charles Fournier has
-said: &lsquo;Where is the old man who has not truly wished to be born again, and
-to use in another life the experience he has acquired in this?&rsquo; To pretend
-that that desire ought not to be realized is to admit that God can deceive
-us. We ought then to recognize that we have lived previous to being what
-we are, and that several other lives await us. All these lives, to the
-number of eight hundred and ten, are distributed between five periods and
-embrace a span of eighty-one thousand years. Allan Hardai reckons that the
-soul returns to another body after two or three thousand years unless we
-die a violent death. Then it is quite possible one can be reincarnated
-after two hundred years.&rdquo;
- </p>
-<p>
-Adolphe had by this time drawn all around him and became the center of
-attraction by his entertaining remarks. Théophraste had sat open-eyed,
-listening intently, and upon hearing the last remark thought &ldquo;That is
-well. They may have hung me; so if I did not die that way, they may have
-got rid of me by some other death more in keeping with my station in life.
-Nevertheless,&rdquo; he thought, &ldquo;if all these people here could only realize
-that they had a prince of the royal blood among them, they would be very
-much astonished, and be filled with respect. But no, he will still be
-Théophraste Longuet, manufacturer of rubber stamps.&rdquo;
- </p>
-<p>
-Champagne was brought, and soon the air rang merrily with general chatter
-and the explosion of corks. It was then that Marceline turned around to
-Théophraste and begged him to sing the song which he was accustomed to
-sing on the anniversary of their marriage. He had sung it the day of their
-wedding, and on account of its beauty they had adopted it as their wedding
-song. It was Lissette de Baranger.
-</p>
-<p>
-However, to the consternation of Marceline and all the guests, instead of
-singing the song, he rose, threw his napkin on the table and said to her
-in that strange voice which they heard at the Conciergerie:
-</p>
-<p>
-&ldquo;As thou wishest, Marie Antoinette, I can refuse thee nothing.&rdquo;
- </p>
-<p>
-&ldquo;Oh, my God,&rdquo; cried Marceline. &ldquo;Hear what he called me in that strange
-voice!&rdquo;
- </p>
-<p>
-The guests were obviously uncomfortable, and did not know what to make of
-his peculiar behavior. The song was a vulgar song of the Regency period,
-and certainly not for such a gathering as was at this party. He sang it
-with the old French air:
-</p>
-<p class="indent20">Tou joli belle mimiere&mdash;
-</p>
-<p class="indent20">Tou joli, moulin.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0007" id="link2HCH0007"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER V
-</h2>
-<h3>
-<i>Théophraste Remembers Himself</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HEOPHRASTE sang the song in loud, strident tones, his eyes sparkling,
-glass in hand. It was with indescribable surprise that the company
-received it, and despite the richness of the rhyme, the couplet was
-followed by no applause. An awkward silence followed, and all the ladies
-looked to Marceline for an explanation.
-</p>
-<p>
-What was it that Marceline could explain? Adolphe himself looked at
-Théophraste in surprise; but Théophraste, as if possessed with the devil,
-continued with the second couplet of the drinking song. When he had
-finished, he sat down, looked around with satisfaction, and said to
-Marceline, &ldquo;What do you think of that, Marie Antoinette?&rdquo;
- </p>
-<p>
-In the midst of a death-like silence preserved by all, Marceline asked
-tremblingly, &ldquo;Why do you call me Marie Antoinette?&rdquo;
- </p>
-<p>
-&ldquo;Because you are the most beautiful of all!&rdquo; cried Théophraste. &ldquo;I appeal
-to Madame la Marechale de Bouilleurs, who has taste. I appeal to all of
-you. And there is not one who, by the signet of the Pope, will contradict
-me, neither the Eros Picards, nor the Bourbons, nor the Burgundias, nor
-the Provincials, nor the Poet St. Jack, nor Gatelard, nor Bras-de-Fer, nor
-Guente Noir, not even Bal-a-voir.&rdquo;
- </p>
-<p>
-M. Théophraste had on his right old Mlle. Tabouret, and he pinched her
-knee as he looked at Marceline, which nearly made that austere person
-faint. No one dared to move; for the fiery look of Théophraste frightened
-the whole company. He leaned amorously towards Mlle. Tabouret, and said to
-her, staring at Marceline, who was by this time weeping: &ldquo;Let us see,
-Mlle. Tabouret, am I not right? To whom can I compare her? Is it La Belle
-Laitere, or La Petite Minion; or even La Blanche of the bowling alley; or
-La Belle Helene, who kept the Harp Tavern?&rdquo;
- </p>
-<p>
-Turning towards Adolphe, he said with great energy, &ldquo;Come you, Va-de-Bon
-Cour, tell me your opinion. Look at Marie Antoinette a little while. By
-the fatted calf, she puts them all in the shade: Jeannette, the flower
-girl of the Royal Palace; Marie Leroy and the female Solomon, the beauty
-of the Temple; Jeanne Bonnefoy, who kept the café of the Port Marie; Manon
-de Versailles, the poultry girl-none of them approach her in beauty.&rdquo;
- </p>
-<p>
-He then leapt with one bound upon the table, and breaking the dishes, cups
-and plates into a thousand pieces, held his glass over his head and
-shouted, &ldquo;Let us drink to the Queen of the Nymphs, Marie Antoinette.&rdquo;
- </p>
-<p>
-Draining his glass, he smashed it against the table and waved his hand,
-which was covered with blood. By this time the party had fled in terror,
-fearing that some tragedy would follow Théophraste&rsquo;s strange behavior. On
-superficially thinking of these curious actions one would immediately
-conclude that he had gone mad or was drunk, but this was not the case.
-There is another kind of sense beside common sense. It was not because he
-was crazy or drunk that he could sing a song that he had never learnt,
-speak a language that he had never heard, or refer to people that he had
-never read about, who had been dead for centuries. There must have been
-some other force working in his brain.
-</p>
-<p>
-Modern scientific experiments have shown with indisputable examples that
-this particular case was far from unique. Ignorant people, who neither
-knew how to read or write, who had never been outside their village, have
-been known to give most correct answers to the medium who questioned them
-in a dead language. And this has been before professors of colleges, not
-before charlatans. It is difficult to explain. It is the mystery of this
-life, the life hereafter. Some say that it is a learned spirit talking
-through these ignorant mouths, others have timidly expressed the opinion
-that such phenomena can only be explained by the remembrance of a former
-life. Therefore the things which Théophraste said and did without
-understanding, the Other who relives in him at intervals understands
-perfectly well, and if we would understand them we must know who this
-Other is.
-</p>
-<p>
-As to Théophraste, after the guests had disappeared from the tent, he
-climbed down from the table. He found it more difficult to reach the floor
-than it had been to climb upon the table, and he knelt down, taking great
-precaution not to fall. He then assumed his natural self and called
-Marceline. She did not answer him, and in searching for her he found her
-trembling with fright in her room. He closed the door carefully and
-prepared to give an explanation. She looked at him with her large eyes,
-amazed, filled with tears, and he felt it his duty as a husband not to
-conceal from her any longer this extraordinary phenomenon which had been
-preoccupying his mind.
-</p>
-<p>
-The night was ideal, and after they had retired he said to her, &ldquo;My dear
-Marceline, you cannot understand what has happened to me this evening, and
-I can assure you I don&rsquo;t understand myself, but in telling you all I know
-perhaps we can arrive at some conclusion.&rdquo;
- </p>
-<p>
-He then related all the details of his visits to the cellars of the
-Conciergerie. He concealed nothing, and sketched in minute details the
-extraordinary feelings which had actuated him that evening, and the
-unknown influence which had commanded him. At first she said nothing, but
-softly moved away from him as if afraid of him; but when he came to the
-document which revealed the existence of the treasures, she demanded to
-see it at once. He judged then that she was taking an interest in the
-adventure and felt thankful. They got up and he showed her the paper in
-the light of the full moon, which was streaming into the room. Like all
-those who had seen it before, she recognized the handwriting immediately,
-and made the sign of the cross as if fearing some sorcery. Marceline was
-not a fool, but explained that she could not help making the sign.
-However, she soon became composed, and began to praise Adolphe, who, in
-spite of Théophraste&rsquo;s disapproval, had initiated her into the elements of
-spiritualism, a science she said which would be of some service to
-Théophraste in his condition. But even in the face of that uncontestable
-evidence she found it difficult to believe that he was a reincarnated
-spirit dating back two hundred years, until he asked her who she thought
-he had been.
-</p>
-<p>
-Marceline didn&rsquo;t think that he had been a very great personage, and in
-reply to his disappointed inquiry she said:
-</p>
-<p>
-&ldquo;Because this evening you sang in slang, and the ladies whose names you
-mentioned do not belong to the aristocracy. People who frequented La
-Terpidere, La Platire, Manon de Versailles, I think are not of much
-account.&rdquo;
- </p>
-<p>
-&ldquo;But I also mentioned the leader of the Bouffleurs,&rdquo; replied Théophraste,
-&ldquo;and you know that morals were so dissolute under the Regency of the Duke
-of Orleans that the fashion at Court was to call the ladies in slighting
-terms. What do you think of the idea of me being the Bastard of the
-Regent?&rdquo;
- </p>
-<p>
-For sole response she embraced Théophraste in delight, and recollecting
-his duty on this day of celebration proved to her that if he was more than
-two hundred years old, his love always remained youthful.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0008" id="link2HCH0008"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER VI
-</h2>
-<h3>
-<i>M. Lecamus Expresses His Views.</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>FTER a while Marceline was able to persuade Théophraste to confide in M.
-Adolphe Lecamus. She declared that Adolphe&rsquo;s great experience, his certain
-knowledge of the science of metaphysics, ought to be a great help to a man
-who had buried treasures two hundred years before and wished to find them
-again. &ldquo;And,&rdquo; she added, &ldquo;it is he who will be able to reveal your
-identity.&rdquo;
- </p>
-<p>
-He yielded to her persuasions, and in the morning told Adolphe everything.
-Adolphe was astonished, and it surprised Théophraste that a man who
-professed Spiritualism should show so much emotion when face to face with
-a reincarnated spirit. He said that Théophraste&rsquo;s conduct at the dinner
-table the day before and the words he uttered to him before and since the
-visit to the Conciergerie were well calculated to prepare him for such a
-confidence, but he did not expect such a thing as this. He demanded to see
-the proof of such a phenomenon. Théophraste readily showed the document,
-and Adolphe could not deny the authenticity of it. He recognized the
-handwriting at once, and exclaimed, upon examination, that the handwriting
-explained many things to him. He had often thought how curiously the
-characters in Théophraste&rsquo;s handwriting differed from his real character.
-It had always been difficult for him to associate the handwriting with
-Théophraste.
-</p>
-<p>
-&ldquo;Really,&rdquo; said Théophraste, &ldquo;what character do you ascribe to me?&rdquo;
- </p>
-<p>
-&ldquo;Well, if you will promise not to bear me any ill, I will tell you!&rdquo;
- </p>
-<p>
-On this assurance he painted Théophraste&rsquo;s character. It was that of a
-kind citizen, an honest merchant, an excellent husband, but a man
-incapable of showing any firmness, wit or energy. He told him also that
-his timidity was excessive, and that kindness was always ready to
-degenerate into weakness. The picture was not at all flattering, and
-Théophraste felt a little hurt.
-</p>
-<p>
-&ldquo;And now,&rdquo; said he, &ldquo;that you have told me what you think of my character,
-tell me what you think of my writing.&rdquo;
- </p>
-<p>
-Then he made observations on his handwriting which would not have failed
-to make him quite angry if he had not remembered that Signor Petito had
-said the same. He said:
-</p>
-<p>
-&ldquo;Your writing expresses all the contrary sentiments in your nature as I
-know it, and I can imagine nothing more antithetical than your writing and
-your real character. Thus you do not write a characteristic hand, but the
-handwriting of the Other.&rdquo;
- </p>
-<p>
-Théophraste was deeply interested. He thought of the strength and energy
-of the Other, he imagined that he was a great captain. However, Adolphe&rsquo;s
-next remark completely disillusioned him.
-</p>
-<p>
-&ldquo;Any sign in those formations, in the pointed fashion they have of
-reuniting, and in the way of growing tall and of climbing up, and of
-passing each other, show energy, firmness, obstinacy, ardor, activity, and
-ambition, but all for evil.&rdquo;
- </p>
-<p>
-This dismayed him, but he exclaimed with a show of spirit: &ldquo;Where is the
-evil? Where is the good? If Attila had known how to write perhaps he would
-have written like Napoleon.&rdquo;
- </p>
-<p>
-&ldquo;They called Attila the scourge of God.&rdquo;
- </p>
-<p>
-&ldquo;And Napoleon the scourge of man,&rdquo; replied Théophraste, with difficulty
-controlling his anger.
-</p>
-<p>
-How could it be that Théophraste Longuet could have been anything else but
-an honest being before his birth, during his life, and after his death?
-</p>
-<p>
-Marceline agreed with him, and Adolphe fearing that he had gone too far
-made apologies.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0009" id="link2HCH0009"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER VII
-</h2>
-<h3>
-<i>Théophraste and His Black Plume</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">F</span>OR the next few days M. Lecamus and M.
-</p>
-<p>
-Longuet occupied themselves with evidence of this phenomenon, and were
-often seen together, conversing mysteriously, in the bar-rooms and about
-town, about the treason of the first of April. They left the Villa Flots
-d&rsquo;Azure to return to Paris, with the intention of searching the libraries.
-They worked diligently for several days without any result, until M.
-Longuet began to lose spirit. M. Lecamus was more patient.
-</p>
-<p>
-One evening as they were walking towards the Rond Point, in the Champs
-Elysees, he turned around and said, &ldquo;What can we do to find the
-approximate place where the treasures are buried if you have not your
-black plume?&rdquo; Théophraste and Marceline could not understand this, and
-asked for an explanation. He commented:
-</p>
-<p>
-&ldquo;You have heard of the water witches who could discover water by the aid
-of a wand, by a phenomenon which nobody has as yet been able to explain.
-These witches traced water across the various beds of earth, and by
-pointing the little rods, indicated where it was necessary to dig in order
-to make a well. I do not despair of showing you, Théophraste, where your
-treasures are buried. I will conduct you over the ground shown in the
-document, and tell you where it is that you must dig to find your
-treasure.&rdquo;
- </p>
-<p>
-&ldquo;Yes,&rdquo; interrupted Théophraste, &ldquo;but this does not explain to us what you
-mean by &lsquo;the black plume.&rsquo;&rdquo;
- </p>
-<p>
-&ldquo;I am coming to that now. I am obliged to speak of Darwin. You will
-understand directly. You know that Darwin devoted himself to several
-celebrated experiments, of which the best known is that with pigeons.
-</p>
-<p>
-&ldquo;Desirous of accounting for the phenomenon of heredity and the value that
-he attached to it, he closely studied the breeding of pigeons, which is
-sufficiently rapid to have enabled him to draw conclusions upon an
-appreciable number of generations. At the end of the tenth generation he
-found the same type of pigeon, with the same defects, the same qualities,
-the same form, the same outline, and the same black plume there in the
-same place where the first pigeon had a black feather. Very well! With
-that I will prove to you that it is the same with souls as it is with
-bodies.
-</p>
-<p>
-&ldquo;At the end of the tenth generation, we find the same soul, as far as it
-exists, with the same defects, the same virtues, and, as it were, with the
-original black feather. While giving you this illustration, it is
-necessary to distinguish between the soul which reappears thus
-hereditarily, and that which comes back by reincarnation. Believing that
-it is the result of a unique combination which nothing can oppose, and,
-since it dwells in a case called a body, is hereditary in the same degree
-as that body, an hereditary soul which comes from an ancestor always has
-his black feather, while a soul which comes back by reincarnation finds
-itself in a body which is in no way prepared to receive it. The aggregate
-materials of this body are original, and decaying, momentarily impose a
-silence on that soul.
-</p>
-<p>
-&ldquo;But a time comes when this soul becomes the strongest, when it speaks,
-when it shows itself entirely, just as the black feather does.
-</p>
-<p>
-&ldquo;Now, Théophraste, for several generations you were the honest gardeners
-in the Ferte-sous-Jonarre. But when that soul speaks in you, you are no
-longer yourself. Théophraste Longuet has disappeared. It is the Other who
-is there. It is the Other who has the gesture, the manner, the action, the
-black feather. It is the other who recalls the mystery of the treasure, it
-is the Other who remembers the Other.&rdquo;
- </p>
-<p>
-&ldquo;Oh! This is admirable!&rdquo; exclaimed Théophraste, who was so deeply moved
-that he could hardly refrain from weeping with excitement. &ldquo;And now I
-understand what you mean by my black feather. My black feather returns to
-me when I am the Other.&rdquo;
- </p>
-<p>
-&ldquo;And he will help you then, my friend,&rdquo; declared Adolphe with conviction.
-&ldquo;But until we have released the unknown who is hidden in Théophraste
-Longuet, and until he lives with sufficient strength, audacity, and
-liberty, until he is resuscitated, in a word, until he appears to us with
-his &lsquo;black feather,&rsquo; we will confine ourselves to the study of that
-interesting document which you brought from the Conciergerie. Let us make
-a plan for penetrating the mystery. We will find out exactly where the
-treasures are buried, but we must wait for the spirit who dwells in you to
-say to us, &lsquo;It is there.&rsquo;&rdquo;
- </p>
-<p>
-&ldquo;My friend,&rdquo; said Marceline, overflowing with admiration, &ldquo;you talk like a
-book, and I wonder that you have not more often tried to teach us these
-things, for we are so ignorant. You must not leave a stone unturned to
-find the treasure. I do not fear the destruction of the earth on account
-of the object of our search.&rdquo;
- </p>
-<p>
-Adolphe turned around to reprove Marceline for her flippancy, but at this
-moment M. Milfroid, the Commissioner of Police, approached, and Adolphe
-rose to greet his friend.
-</p>
-<p>
-Adolphe introduced M. Milfroid to M. and Mme. Longuet. He was a man of
-about forty years of age, elegantly dressed, immaculate gloves, a silvery
-ringlet of hair on the white forehead. He advanced, smiling and bowing.
-</p>
-<p>
-&ldquo;We have often heard our friend M. Adolphe speak of you,&rdquo; said Marceline.
-&ldquo;Your fame has gone before you.&rdquo;
- </p>
-<p>
-&ldquo;Oh, madame, I have known you for a long time. Every time I meet M.
-Lecamus he speaks to me of his friends of the Rue Gerauds, and in such
-terms that it has been my greatest desire to have the happiness of being
-presented to you.&rdquo;
- </p>
-<p>
-Marceline was conquered by such gallant manners. &ldquo;I hear that you play the
-violin very well,&rdquo; she said.
-</p>
-<p>
-&ldquo;I am equally interested in philosophy,&rdquo; said M. Milfroid. &ldquo;An interest
-which I owe to M. Adolphe, who is continually in dispute with me over the
-immortality of the soul, and other psychic matters. He has really made a
-convert of me.&rdquo;
- </p>
-<p>
-&ldquo;Monsieur,&rdquo; said Théophraste, who had not yet taken part in the
-conversation, &ldquo;Adolphe and I like to converse about serious matters, also.
-We were just speaking of the relations between the soul and the body, and
-the different ways that the soul has of behaving with the body.&rdquo;
- </p>
-<p>
-&ldquo;Ah!&rdquo; said M. Milfroid, who desired to shine before Marceline, &ldquo;are you
-able to distinguish between matter and mind, or the material and the
-spiritual? Matter and mind are the same thing in the eyes of science. That
-is to say, they constitute alike one unit, one force, produce at one time
-the phenomenon of cause and effect, tending to one end, the progressive
-steps of existence. You are the only ones, gentlemen, to still make that
-old distinction between matter and mind.&rdquo;
- </p>
-<p>
-After a while they rose and returned through the Place de la Concorde. At
-the entrance to the Rue Royale, there was a crowd of people, shouting and
-gesticulating. Théophraste, an old Parisian, wanted to know what was
-taking place, and flung himself into the crowd.
-</p>
-<p>
-&ldquo;Look out for pickpockets,&rdquo; Marceline called to him.
-</p>
-<p>
-&ldquo;Oh, madame,&rdquo; said Monsieur Milfroid, the Commissioner of Police, &ldquo;there
-are no pickpockets when I am about.&rdquo;
- </p>
-<p>
-&ldquo;It is true. We should be in no danger when you are here.&rdquo;
- </p>
-<p>
-&ldquo;I do not know about that,&rdquo; said Adolphe, looking about them. &ldquo;My friend
-here appears more dangerous to me than all the pickpockets on earth.&rdquo; At
-this they all laughed.
-</p>
-<p>
-Théophraste made them wait ten minutes before he appeared, and then he
-announced that it was a coachman who had gotten his wheels locked with an
-automobile, and could not separate them.
-</p>
-<p>
-Marceline felt annoyed at having been kept waiting so long on such a
-slight pretext. However, her thoughts were diverted in doing the honors of
-a hostess, and she invited M. Milfroid to dinner.
-</p>
-<p>
-During the dinner many pleasantries were passed, and M. Milfroid excelled
-in complimenting Marceline.
-</p>
-<p>
-Suddenly, he became uneasy, and plunging his hands in his pockets, looked
-vainly for his handkerchief. After a final and useless search, he passed
-his forefinger under his moustache, and sighed, declaring that it did not
-matter.
-</p>
-<p>
-However, at that moment Théophraste wiped his mouth, and Marceline asked
-him where he had found such a beautiful handkerchief. M. Mil-froid at once
-recognized it as his own, and thinking it just a piece of pleasantry, took
-the handkerchief from Théophraste. However, feeling in his left side, he
-became pale and exclaimed, &ldquo;Good God! I have lost my pocketbook. There
-were five hundred francs in it.&rdquo; M. Milfroid did not regret losing the
-five hundred francs, but he found himself ridiculed by Adolphe, and
-Marceline teased him gently and laughed prettily. They were all poking fun
-at him, and this made him furious.
-</p>
-<p>
-&ldquo;M. Milfroid,&rdquo; said Théophraste, &ldquo;if you need any money for the evening I
-can lend it to you,&rdquo; and he drew a wallet from his pocket. M. Milfroid
-uttered a cry: it was his! M. Milfroid took the wallet from him as he had
-done the handkerchief, and alleging numerous engagements, he took his
-leave. Before going down the stairs, he said to his friend Adolphe, who
-followed him, &ldquo;These are nice kind of people you have introduced me to.&rdquo;
- </p>
-<p>
-When Adolphe returned to the dining-room, Théophraste was emptying his
-pockets. On the table there lay three watches, six handkerchiefs, several
-pocketbooks, containing large sums of money, and eighteen checks.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0010" id="link2HCH0010"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER VIII
-</h2>
-<h3>
-<i>An Appeal for Help</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HE important events of this story and its hero have occupied us to such
-an extent that we have not found time to present Monsieur Lecamus as he
-should be. The little that we know of him does not effect our sympathy.
-The place that he occupies in the house of Longuet, which is eminently
-immoral; the cynicism with which he deceives an innocent soul; the little
-danger that he seems to run in accomplishing the larceny- these are good
-reasons why we have deferred showing our contempt for him. It may be said
-that we have judged hastily, and have not allowed him to plead extenuating
-circumstances. The principal one, and the one which it would be well for
-us to dwell upon, is that he really liked Théophraste above everybody
-else. He loved him with his faults, his weaknesses, his ingenuousness, the
-confidence he had in him, and above all, the admiration Théophraste had
-for him. There was no sacrifice he would not make for Théophraste, and I
-daresay that if Théophraste had any pecuniary troubles, which after all
-are the only troubles which really count here below, Adolphe Lecamus would
-open his purse, and give to him freely. Adolphe loved Théophraste even
-above Marceline; and although I do not pretend to deal here with
-psychology, I find myself confronted with a case which is much less common
-than one would be inclined to believe. For Adolphe loved Marceline because
-he had made her his mistress.
-</p>
-<p>
-If he had learned, by some supernatural warning, that Théophraste would
-some day learn his real position in the household, he would only have
-respected Marceline. &ldquo;But,&rdquo; he thought to himself, &ldquo;Théophraste will never
-know anything about it, and as unknown evils do not exist, I will be the
-lover of the wife of my best friend.&rdquo;
- </p>
-<p>
-These lines are necessary, that the reader may understand properly the
-knavish tricks of the lover. But we must understand distinctly Adolphe&rsquo;s
-devotion to Théophraste.
-</p>
-<p>
-After the departure of the Commissioner, they all set themselves to
-consider what was to be done with the articles which Théophraste had
-brought home with him. At first they all sat silently looking at the
-objects, no one wishing to break the silence, until Théophraste said, &ldquo;I
-have nothing more in my pockets. I really believe I have got my black
-plume.&rdquo;
- </p>
-<p>
-Marceline and Adolphe were startled by this, but still did not say
-anything, and waited for Théophraste to give some explanation. Then he
-declared it was in the crowd at the Place de la Concorde. He went in and
-out among the crowd, and it was a very simple matter for him.
-</p>
-<p>
-&ldquo;What must we do?&rdquo; asked Adolphe in a grave voice?&rdquo;
- </p>
-<p>
-&ldquo;What do you wish me to do?&rdquo; replied Théophraste, who by this time had
-begun to confess. &ldquo;You do not think that I am going to keep them! It is
-not my habit to keep things that do not belong to me. I am an honest man
-and have never wronged anybody. You must take them all to M. Milfroid,
-your friend, the Commissioner of Police. He can easily restore them to the
-owners.&rdquo;
- </p>
-<p>
-&ldquo;What can I say to him?&rdquo;
- </p>
-<p>
-&ldquo;Whatever you wish,&rdquo; burst out Théophraste, who was becoming impatient.
-&ldquo;Did the honest coachman who found a purse and fifty thousand francs in
-his carriage think about what he should say when he took them to the
-commissariat? He simply said, &lsquo;I have found them in the carriage.&rsquo; That
-was sufficient. They even rewarded him for it. You must say, &lsquo;My friend
-Longuet charged me to bring this to you. He found them in his pockets, and
-he does not wish a reward.&rsquo;&rdquo;
- </p>
-<p>
-Marceline touched Adolphe with her foot under the table. This was her
-customary way of secretly drawing Adolphe&rsquo;s attention. She wanted to
-signify to him that she thought Théophraste was demented, and her look
-quite showed it. Adolphe understood. He knitted his brows and scratched
-the tip of his nose. He felt that now was the time to act. He looked from
-Théophraste to the pocket-books, and coughing, said, &ldquo;Théophraste, this is
-not natural. We have to explain ourselves. We must understand. You must
-not close your eyes to this misfortune. You must open them wide, and bring
-your will to fight it.&rdquo;
- </p>
-<p>
-&ldquo;Of what misfortune are you speaking?&rdquo; asked Théophraste, becoming
-frightened.
-</p>
-<p>
-&ldquo;Well, is it not a misfortune to have things in your pocket that do not
-belong to you?&rdquo;
- </p>
-<p>
-&ldquo;I do not understand. You seem to be accusing me of being dishonest. I am
-an honest man, and whatever I have done dishonestly, I have done against
-my will.&rdquo;
- </p>
-<p>
-Having said these words, he fell back in his chair in a dead faint, and a
-deep silence fell over them all.
-</p>
-<p>
-When Théophraste came out of his stupor, his eyes were full of tears. He
-motioned to his wife and his friend to come nearer to him. When they were
-beside him, he said, showing pitiable emotion, &ldquo;I feel that Adolphe is
-right. A great misfortune menaces me, I know not what! I know not what! My
-God! I know not what! I know not what!&rdquo;
- </p>
-<p>
-Adolphe and Marceline attempted to console him, but he wept more. Then
-Marceline began to weep.
-</p>
-<p>
-In his emotion, Théophraste grasped them both by the hand, and cried,
-&ldquo;Swear never to abandon me, no matter what happens, for, oh! some day I
-shall need your help.&rdquo; They swore to him in good faith.
-</p>
-<p>
-Adolphe then asked to see the document. As he spread the document before
-him, he said, &ldquo;Théophraste, tell me, do you ever have dreams?&rdquo;
- </p>
-<p>
-&ldquo;It is very probable, but I only dream a very little.&rdquo;
- </p>
-<p>
-&ldquo;Never?&rdquo; insisted Adolphe.
-</p>
-<p>
-&ldquo;Scarcely ever. However, I remember to have dreamed four or five times in
-my life, perhaps because I woke each time in the middle of my dream, and
-it was always the same dream. But what possible interest can there be in
-this, to the subject which is occupying us now, Adolphe?&rdquo;
- </p>
-<p>
-Adolphe continued: &ldquo;Dreams have never been explained by science. Science
-attributes them all to the effects of the imagination, but it does not
-give us the reason for these clear, distinct visions which appear to us
-sometimes. Thus it explains a thing which is not known by another which is
-no better understood. It says that dreams are the recollection of things
-which took place in a former life. But even admitting this solution-which
-is a doubtful one-we still have to find out what is the magic mirror that
-serves so well to keep the imprint of things. Moreover, how can one
-explain visions of real things, events that one has never seen in a former
-state, and of which one has never even thought? Who can affirm that these
-are not visions of retrospective past events in a former life?&rdquo;
- </p>
-<p>
-&ldquo;That is right, my dear Adolphe,&rdquo; said Théophraste, &ldquo;and I ought to
-confess the things that I have dreamed. I have dreamed them three times as
-I said before, things that were perhaps true in the past, or will be in
-the future. I have never seen them in a waking state in my present life.&rdquo;
- </p>
-<p>
-&ldquo;You understand me,&rdquo; said Adolphe. &ldquo;Relate to me the things that you have
-dreamed of and have never seen.&rdquo;
- </p>
-<p>
-&ldquo;Oh, that will not take long. But so much the better, for it is not very
-cheerful: I dreamed that I was married to a woman named Marie Antoinette,
-and then&mdash;&mdash;&rdquo;
- </p>
-<p>
-&ldquo;And then?&rdquo; interrupted Adolphe, who had never taken his eyes off the
-document.
-</p>
-<p>
-&ldquo;And then I cut her up in pieces.&rdquo;
- </p>
-<p>
-&ldquo;Oh, horrors!&rdquo; cried Marceline.
-</p>
-<p>
-&ldquo;It is horrible,&rdquo; continued Théophraste, shaking his head. &ldquo;Then I put the
-pieces in a basket and threw them into the Seine by the little bridge of
-the Hotel Dieu. I awoke then, and you may be sure I was not sorry.&rdquo;
- </p>
-<p>
-Adolphe struck the table a hard blow with his fist. &ldquo;It is frightful,&rdquo; he
-cried in a harsh voice, looking at Théophraste.
-</p>
-<p>
-&ldquo;Is it not?&rdquo; said Marceline, shuddering.
-</p>
-<p>
-Adolphe read the first lines of the document.
-</p>
-<p>
-&ldquo;Oh, how dreadful it is!&rdquo; he continued, groaning. &ldquo;Alas, alas! I
-understand all, now.&rdquo;
- </p>
-<p>
-&ldquo;What do you understand?&rdquo; asked Théophraste in a frightened voice,
-following Adolphe&rsquo;s finger as he traced the first two lines of the
-document.
-</p>
-<p>
-&ldquo;This,&rdquo; said Adolphe. &ldquo;&lsquo;Moi et! I buried my, treasures.&rsquo; And you do not
-know what that &lsquo;et&rsquo; means? Well, I won&rsquo;t tell you until I am quite sure. I
-will know to-morrow. Théophraste, tomorrow at two o&rsquo;clock be at the Rue
-Guinegaud and the Rue Mazarin. I am going to take these articles to M.
-Milfroid&rsquo;s house. He will restore them to their owners, and we will prove
-to him that there are pickpockets even when the Commissioner is present.
-Adieu, my friend, adieu. Above all take courage. Take courage.&rdquo; Adolphe
-shook Théophraste&rsquo;s hand with the warmth of a comrade, and departed.
-</p>
-<p>
-Théophraste did not sleep that night. While Marceline reposed peacefully
-by his side, he lay with eyes wide open in the darkness. His respiration
-was irregular, and he sighed often. Anxiety lay heavy upon him.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0011" id="link2HCH0011"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER IX
-</h2>
-<h3>
-<i>The Portrait</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">D</span>AY broke over the city. A cloudy day, with a mist that enveloped
-everything in a sinister manner. The sun tried in vain to penetrate that
-sombre atmosphere.
-</p>
-<p>
-Mid-day showed a dark red ball, rolling ingloriously in a sulphurous
-light. Such was the picture of the heavens that day.
-</p>
-<p>
-Théophraste sprang out of bed early, and awoke Marceline suddenly by an
-excess of foolish hilarity. Marceline inquired the reason for such strange
-joyfulness. He said that he could not help laughing at the idea of M.
-Milfroid, the Commissioner of Police, receiving back the stolen goods
-which had been pickpocketed right before his very eyes. &ldquo;My dear
-Marceline,&rdquo; he said, &ldquo;it is foolish, the way people carry the money in
-their pockets. If you cannot put your hand in, slip a straw, filled with
-glue, in. It is an excellent scheme for extricating money from people&rsquo;s
-pockets.&rdquo;
- </p>
-<p>
-Marceline sat up and gazed at him. She could not understand, as he never
-looked more natural in his life, and yet he was saying peculiar things,
-and his words were most unnatural.
-</p>
-<p>
-&ldquo;Théophraste, you frighten me,&rdquo; she cried, and in her fear, groaned, &ldquo;My
-poor child.&rdquo;
- </p>
-<p>
-Théophraste grew terribly angry. He threw himself at his wife, and
-threatened to strike her. &ldquo;You know perfectly well that I do not wish to
-be called a child since the death of Jeanneton-Venes. I am no child.&rdquo;
- </p>
-<p>
-Marceline swore that she would never do it again, and in the depths of her
-soul regretted the unlucky moment which had given her husband
-proprietorship of a document which had brought into the household such
-fears and such follies. She knew neither Marie Antoinette, nor
-Jeanneton-Venes, although he continually referred to them. He had a
-familiar way of expressing himself about these women which made her
-uneasy, and finally the unexpected sentences, spoken by Théophraste, and
-his actions, made her dread the incomprehensible Théophraste of two
-hundred years ago. It made her long for the former Théophraste, so kind,
-so easy to understand. Then she gave herself up to bitter reflections upon
-the theory of reincarnation.
-</p>
-<p>
-Théophraste finished dressing, and then announcing that he would not
-breakfast at home, said that he had a rendezvous with his friend Va-de-Bon
-Cour, at the corner of the Rue Mazarin and Rue Guinegaud, to do a good
-turn for M. de Francouse, but as that rendezvous was after breakfast, he
-intended enjoying the air in the Moulin de Chopinette.
-</p>
-<p>
-&ldquo;You will leave my green umbrella here,&rdquo; he said, &ldquo;and I will take my
-black feather.&rdquo; Then, putting the final touches to his cravat, he went
-out. On the landing he met Signor Petito, the Italian professor, who was
-also going downstairs. Signor Petito bowed very low, complained of the
-state of the weather, and complimented Théophraste on his appearance.
-</p>
-<p>
-Théophraste answered in a less amiable tone, as he was not desiring the
-Signor&rsquo;s company, and he demanded of him if Madame Petito could not be
-induced to learn another air on the piano than &ldquo;Carnival de Venice.&rdquo; But
-Signor Petito replied, smiling, that she was already studying &ldquo;Love&rsquo;s
-Destiny,&rdquo; but in future she would study only the pieces which would please
-M. Longuet. He then asked, &ldquo;Which way are you going?&rdquo;
- </p>
-<p>
-&ldquo;For a turn in the Moulin de Chopinette; but the weather is too bad, so I
-will have to go down to the Porcherons.&rdquo;
- </p>
-<p>
-&ldquo;To the Porcherons?&rdquo; Signor Petito was going to ask, but he changed his
-mind. &ldquo;Where is the Porcherons?&rdquo; he asked. &ldquo;I will go, too.&rdquo;
- </p>
-<p>
-&ldquo;Aha, indeed!&rdquo; said M. Longuet, glancing curiously at Signor Petito. &ldquo;You
-too will go to the Porcherons?&rdquo;
- </p>
-<p>
-&ldquo;Go there or somewhere else,&rdquo; said Signor Petito, pleasantly, and he
-followed Théophraste.
-</p>
-<p>
-At the end of a short silence Signor Petito ventured to ask, &ldquo;Where are
-your treasures, M. Longuet?&rdquo;
- </p>
-<p>
-Théophraste faced about suddenly. &ldquo;What has put such an idea into your
-head?&rdquo; he exclaimed.
-</p>
-<p>
-&ldquo;Do you not remember the day that you brought the specimen of your
-handwriting and asked for my opinion?&rdquo;
- </p>
-<p>
-&ldquo;I remember, and you were wrong,&rdquo; said Théophraste drily, as he opened his
-umbrella.
-</p>
-<p>
-Signor Petito, in nowise discouraged, placed himself under the shelter of
-Théophraste&rsquo;s umbrella. &ldquo;Oh! M. Longuet, I did not say that to annoy you.&rdquo;
- </p>
-<p>
-They arrived at the corner of the Avenue Tre-daine. Théophraste was in
-very bad humor.
-</p>
-<p>
-&ldquo;Monsieur,&rdquo; he said, &ldquo;I have an appointment at the tavern of the
-Veau-qui-telle, by the side of the Chapel Porcherons, here, you see.&rdquo;
- </p>
-<p>
-&ldquo;But we are at the Chapel Notre Dame de Lor-rete, and not the Porcherons,
-at all.&rdquo;
- </p>
-<p>
-Théophraste disregarded Petito&rsquo;s remark, and suddenly said to him, &ldquo;Do you
-know that there is a price on my head?&rdquo;
- </p>
-<p>
-Signor Petito seemed taken aback by this sudden change of tone.
-</p>
-<p>
-&ldquo;It will cost them dear, though, to get my head,&rdquo; said Théophraste. &ldquo;Do
-you know how much it will cost, Signor, the head of L&rsquo;Enfant? No? Very
-well. I am going to tell you, since the occasion has presented itself, and
-I am going to tell you the whole story, which may be profitable to you.&rdquo;
- </p>
-<p>
-Then, without any preparation, he related in the most natural way
-possible, his existence previous to his present one.
-</p>
-<p>
-&ldquo;My head is worth 20,000 pounds,&rdquo; said he, &ldquo;and you know it very well.&rdquo;
- And as he pronounced these words he struck the table such a blow that
-Signor Petito recoiled instinctively.
-</p>
-<p>
-&ldquo;Here is the history of it all. I was walking, two hundred years ago, in
-the Rue de Vauregard, with my hands in my pocket, without arms, without
-even a sword, with the most honest intentions in the world, when a man met
-me. He bowed almost to the ground, and told me that my face reminded him
-so much of some one he knew. He was called &lsquo;Old Man Bidel,&rsquo; or &lsquo;Bidel the
-Good-natured,&rsquo; and he said that he had a secret to confide to me.
-</p>
-<p>
-I encouraged him by a friendly tap on the shoulder, and he confided his
-secret to me. He whispered in my ear that the Regent had promised twenty
-thousand pounds to whoever would arrest the Enfant, and he knew where the
-Enfant was hiding. That I looked to him like a man of courage, and that
-he, with my aid, would do anything to get the 20,000 pounds. He said that
-he would divide the reward.
-</p>
-<p>
-&ldquo;The old man Bidel was on the wrong track, Signor Petito, for I also knew
-where to find L&rsquo;Enfant, seeing that I was that person.&rdquo;
- </p>
-<p>
-Signor Petito did not wish to believe any of this, as he could see for
-himself that M. Longuet had been out of infancy a good many years.
-However, he dared not say anything. Théophraste continued, &ldquo;I replied to
-the old man Bidel, that it was a happy chance and that I thanked Heaven
-for putting him in my path, and I made him conduct me to the place where
-he could find the Enfaut. He said to me, &lsquo;To-night, the Enfant sleeps at
-the Capucine, in the Tavern Suite, which bears as a sign the Cross of the
-St. Hester.&rsquo;
-</p>
-<p>
-&ldquo;It was true, Signor Petito, the old man Bidel was very well informed. I
-congratulated him, and we passed just then a cutlery shop, and I bought a
-small knife, much to the astonishment of Bidel, who asked me what I
-planned to do with such a weapon. I replied to him that with a small knife
-like this one could kill a fly, and I plunged it into his heart. He sank
-down, raised his arms wildly for a few moments, and died.&rdquo;
- </p>
-<p>
-Signor Petito, who at first had moved away from Théophraste, now rose and
-ran to the door, and was glad to get out of sight.
-</p>
-<p>
-M. Longuet drank his wine, got up and went to the Bousset Brewery, where
-Mme. Barth was standing, making up her books. He said to her, &ldquo;Mme.
-Taconet&mdash;&mdash;&mdash;-&rdquo;
- </p>
-<p>
-Mme. Barth demanded why he called her Mine. Taconet, but he disregarded
-her question, and continued, &ldquo;If Signor Petito comes here again, you will
-tell him for me that the first time I find him in my way, I will cut his
-ears off.&rdquo; Saying this, Théophraste fondled the handle of his umbrella as
-one grasps the handle of a dagger.
-</p>
-<p>
-There was no doubt about it, he had his black plume. He had become the
-Other entirely.
-</p>
-<p>
-The fog was still thick and he did not think of breakfasting yet. He
-walked into the sulphurous mist like one in a dream. He crossed the whole
-of the Quarter of An tin, and that which was formerly the Avenue
-L&rsquo;Enrique, until he came under the shadows of the towers of Trinity, which
-he called the Chateau du Coq. On his arrival at the St. Lazare, he
-believed that he was at the Petite Pologue.
-</p>
-<p>
-But little by little the fog cleared away, and his dream disappeared with
-it. He had the most exact idea of things when he crossed the Point Royale,
-and by the time he had set foot on the left bank, he was again the honest
-Théophraste, and had only the vaguest idea of that which had happened on
-the right bank. But he could remember this, and when he questioned himself
-thoroughly, he began to experience the different conditions or states of
-the soul. He discovered in himself three distinct states. First, that
-which resulted from his life as an actuality, the honest merchant; second,
-that which resulted from the sudden and momentary resurrection of the
-Other; and third, that which resulted from memory. The recollection was to
-him like a third Théophraste, who related to the first what he had known
-of the second. This resurrection of Théophraste&rsquo;s was a terrible thing.
-</p>
-<p>
-On crossing the Bridge he hurried beyond the Rue Guinegaud. He did not
-care to pass by the corner of the Rue Mazarin, he knew not why. He turned
-the corner by the Hotel Monniare, and almost ran into Adolphe, who was
-waiting for him there.
-</p>
-<p>
-&ldquo;Have you ever heard of a person called L&rsquo;Enfant, my dear Adolphe?&rdquo; he
-asked.
-</p>
-<p>
-&ldquo;Oh, yes, yes,&rdquo; said Aldolphe, &ldquo;I have heard of him. I even know his real
-name, his family name.&rdquo;
- </p>
-<p>
-&ldquo;Ah, what is it?&rdquo; anxiously inquired Théophraste.
-</p>
-<p>
-Adolphe for reply pushed Théophraste into the hallway of an old house, in
-the Rue Guinegard, a few steps from the Hotel de la Monniare. They climbed
-a tottering staircase, and entered a room in which the curtains were
-drawn. Somebody had spent the night in the room.
-</p>
-<p>
-On a little table in the corner, the trembling flame of a wax candle lit
-up a portrait. It was the picture of a man about thirty years of age. He
-had a robust figure, high forehead, strong nose, a smooth chin, and large
-mouth and moustache. His thick hair was covered by a coarse woolen cap,
-and he wore a coat over a coarse linen shirt, which appeared to be a
-prison garb.
-</p>
-<p>
-&ldquo;Wait,&rdquo; said Théophraste, without raising his tone, &ldquo;how is it that my
-portrait is in this house?&rdquo;
- </p>
-<p>
-&ldquo;Your picture?&rdquo; asked Adolphe. &ldquo;Are you sure?&rdquo;
- </p>
-<p>
-&ldquo;Who could be more sure of it than I?&rdquo; said Théophraste again, without
-being excited.
-</p>
-<p>
-&ldquo;Very well,&rdquo; said M. Lecamus, with emotions that it would be hard to
-describe. &ldquo;That portrait, which is your portrait, is the portrait of
-Cartouche.&rdquo; When M. Lecamus turned to see the effect his words would
-produce on his friend, he saw Théophraste stretched on the floor in a dead
-swoon.
-</p>
-<p>
-For a long time he worked to bring him to. He blew out the candle and
-opened the windows, allowing the good air to come in. Théophraste came to
-himself, and his first words were, &ldquo;Adolphe, above all things do not speak
-of this to my wife.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0012" id="link2HCH0012"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER X
-</h2>
-<h3>
-<i>Cartouche&rsquo;s Past</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HE following day Théophraste and Marceline returned to the quiet life of
-the Villa Flots-d&rsquo;Azure. Théophraste had not mentioned a word of the
-discovery, and his wife refrained from questioning him. Marceline knew
-nothing yet of the terrible discovery. Théophraste&rsquo;s face was full of
-consternation, and it was evident to Marceline that he had terrible things
-on his mind.
-</p>
-<p>
-Adolphe was to join them in a few days; two days passed very quietly in
-the villa. Marceline attended to her household duties, and Théophraste
-silently prepared his fishing tackle, as he had promised Adolphe a few
-days&rsquo; fishing in the Marne. On the third day, Théophraste, who had passed
-a good night, showed a less agitated countenance, and began to smile and
-was cheered at the prospect of Adolphe&rsquo;s coming. M. Lecamus arrived before
-noon, and they both received him with delight.
-</p>
-<p>
-Taking their places at lunch their conversation turned on angling, but
-nothing was said of the mysterious proceedings of the week before. After
-lunch they prepared for their fishing expedition; Théophraste took care of
-the lines, the rods and the bait, and Adolphe took the nets.
-</p>
-<p>
-Going down to the water&rsquo;s edge, Théophraste turned to Adolphe and said,
-&ldquo;Tell me, have you any news? While we are fishing I will listen to you. I
-have prepared a lot of sport, but I don&rsquo;t think we will do very much
-to-day, if you have important news for me.&rdquo;
- </p>
-<p>
-Adolphe replied, &ldquo;There is some good, and some bad news. But I must tell
-you that there is more bad than good. No doubt many stories have been
-invented about you, but the real truth is not entirely pleasant.&rdquo;
- </p>
-<p>
-&ldquo;Are you well informed, and is your information authentic?&rdquo;
- </p>
-<p>
-&ldquo;I have been to the very fountain-head, I have seen the authentic
-documents. I am going to tell you what I know. If I am mistaken, correct
-me.&rdquo;
- </p>
-<p>
-Théophraste threw his half-prepared bait into the water, and said, &ldquo;Go on.
-I must have a full explanation.&rdquo;
- </p>
-<p>
-&ldquo;First,&rdquo; said Adolphe, &ldquo;you were born in the month of October, 1693. You
-were called Louis Dominique Cartouche.&rdquo;
- </p>
-<p>
-&ldquo;But it is needless to call me Cartouche, no one need know that. Call me
-L&rsquo;Enfant. I like it much better and no one will understand.&rdquo;
- </p>
-<p>
-&ldquo;Yes,&rdquo; insisted Adolphe, &ldquo;but you know that your name is Cartouche. It is
-not an assumed name. It is said that you studied hard in Clermont College.
-That you were the schoolfellow of Voltaire, and there is a legend that
-while you learned to read, in the course of time, thanks to the gypsies
-who taught you reading, you were never able to write.&rdquo;
- </p>
-<p>
-&ldquo;Well, that&rsquo;s funny,&rdquo; cried Théophraste, &ldquo;for if I never learned to write,
-how could I have drawn up the document in the dungeon of the
-Conciergerie?&rdquo;
- </p>
-<p>
-&ldquo;At the time of your trial, you declared that you did not know how to
-write. You signed your depositions with a cross and you have never written
-a line to show who it was.&rdquo;
- </p>
-<p>
-&ldquo;But,&rdquo; Théophraste said, &ldquo;it was never necessary to write. In my position
-I should have dreaded to compromise myself. But the document is there.&rdquo;
- </p>
-<p>
-&ldquo;Evidently. Let us return to your eleventh year. One day you were in the
-Saint Laurent Faire, with some comrades, when you fell in with a band of
-gypsies. The gypsies carried you away. They stole you. They taught you the
-play of the cudgel, the sword, to shoot a pistol, to jump, and to rob the
-pockets of the bourgeoisie without being discovered. At your twelfth year
-you were an adept at this, and without an equal for bringing back
-handkerchiefs, snuff boxes, and watches. The band of gypsies found
-themselves at Rouen, when little Louis Dominique fell ill. He was taken to
-a hospital in Rouen, and it was there that an uncle discovered him. He
-recognized him, and swore to restore him to his parents.&rdquo;
- </p>
-<p>
-Here Théophraste interrupted with a word as to his uncle, and Lecamus
-becoming impatient, begged him to cease his continual interruptions,
-declaring it would take some time to tell the story of Cartouche if he
-would not listen to it silently.
-</p>
-<p>
-&ldquo;I would like to see you in my place,&rdquo; said Théophraste.
-</p>
-<p>
-Adolphe continued: &ldquo;In a while Cartouche became the chief of a band of
-brigands. He commanded about three thousand men, had more than fifty
-lieutenants; it was their habit to dress exactly alike, in
-cinnamon-colored coats, and doublets of silk and amaranthine, showing a
-piece of black taffeta underneath the left eye. They brought against him
-more than one hundred and fifty personal assassinations, and put a price
-upon his head. He was tried and broken on the wheel.&rdquo; &ldquo;Upon hearing this
-Théophraste showed evident signs of alarm. He dropped his fishing tackle,
-losing it in the swift current of the river. He could not give his mind to
-fishing any more that day, and so they resolved to give up the attempt.
-They did not wait for sundown, to return to the Villa Flots-d&rsquo;Azure.
-Swinging their meagre spoils lightly in their nets they sadly retraced
-their steps. Cartouche filled their minds, and their return journey was
-occupied in thoughts of this dual personality.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0013" id="link2HCH0013"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XI
-</h2>
-<h3>
-<i>Signor Petito Appears</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>HILE waiting for the stage from Crecy to stop for them, they called at
-the wayside inn, and had some refreshment, while Adolphe took up the story
-of L&rsquo;Enfant at the point where he had left off.
-</p>
-<p>
-&ldquo;That good uncle,&rdquo; said he, &ldquo;had fellow-feeling for one of his family, and
-he rescued young Cartouche from his miserable lot and made him return to
-his parents. His father was a cooper by trade, and young Louis, having
-profited by his youthful misfortunes, swore that henceforth he would be a
-good son and a diligent apprentice. He helped his father to make casks,
-working from daybreak to sunset.
-</p>
-<p>
-&ldquo;He was frequently seen, during lunch hour, amusing his companions with
-pretty tricks of sleight-of-hand which he had learned during the few
-months he had been with the gypsies. He had become so adept at this
-science that on special occasions little Louis and his family were invited
-to dinners and suppers before friends, for they looked forward to the
-enjoyment of these tricks of Louis&rsquo;, and he became a great success in the
-quarter, and he, on his part, was proud of his growing renown.
-</p>
-<p>
-&ldquo;In the meantime he had attained that happy period where the least
-sensitive of human beings feel the beating of their hearts awaken to the
-most tender sentiments. Louis Dominique was in love. The object of his
-affections was a charming needlewoman of the Rue Porte Foin, coquettish,
-with blue eyes, golden hair, and a fine figure. I have said that this
-needlewoman was a coquette. She loved dress, jewels and laces, and it was
-her desire always to be better clothed than her companions. The modest
-income of Louis Dominique did not permit of his paying for the extravagant
-fancies of his poor seamstress, and so Cartouche stole from his father.
-The latter soon found out and took steps by which he could have his boy
-placed in the Convent of the Lazaretto, in the Faubourg St. Denis.&rdquo;
- </p>
-<p>
-&ldquo;Ah,&rdquo; said Théophraste, &ldquo;instead of combating with kindness the wickedness
-of this child, they drive him to despair by incarcerating him where he
-only meets with bad examples, and where the feeling of revolt increases,
-and boils over, stifling all other feelings in his inexperienced mind. I
-wager that if they had not put Louis in the House of Correction, that all
-the trouble would never have happened.&rdquo;
- </p>
-<p>
-&ldquo;Reassure yourself,&rdquo; said Adolphe. &ldquo;Cartouche was never shut up in the
-Convent of the Lazaretto, for while his father had discovered this crime
-of Louis&rsquo;, he did not tell him of it; but one Sunday morning, he asked his
-son to take a walk with him. Dominique readily acquiesced, and they were
-soon seen walking down the street together.
-</p>
-<p>
-&ldquo;&lsquo;Where are we going, father?&rsquo; asked Louis. &lsquo;No matter where. By way of
-the Faubourg St. Denis.&rsquo; Louis pricked up his ears. He knew that at the
-end of the Faubourg St. Denis was the Lazaretto, and he also knew that
-sometimes fathers escorted their boys to the Lazaretto.
-</p>
-<p>
-&ldquo;He at once felt suspicious, for his conscience was not altogether
-tranquil, and when they arrived at the corner of the Faubourg St. Denis,
-and the battlement of the St. Lazaretto rose before them, it seemed to him
-that his father looked unnatural, and he felt uncomfortable at once. He
-told his father to continue his walk, slowly, without hurrying, as he
-wished to stop at the corner.
-</p>
-<p>
-When his father returned, the son had disappeared, and he never saw him
-again.&rdquo;
- </p>
-<p>
-About this time the coach had arrived, and Adolphe discontinued his tale
-while they mounted to the top. Théophraste recognized M. Bache, and Mme.
-Froude, and he at once bowed to them, but they did not respond. He called
-them by name, but they remained mute. Théophraste could not understand
-this, and turned to ask Adolphe what he thought of it, and why they did
-not recognize him.
-</p>
-<p>
-&ldquo;That does not astonish me at all,&rdquo; said Adolphe. &ldquo;It is no wonder to me,
-since the dinner the other day, that nobody bows to you. Your
-extraordinary behavior was enough to upset them all. Do you not remember
-how you were mounted on the table and sang that vulgar song? There were
-some young ladies present, Miles. Froude and Tabouret.&rdquo;
- </p>
-<p>
-&ldquo;Ah,&rdquo; said Théophraste, &ldquo;that accounts for Mme. Bache&rsquo;s pretending not to
-see me the other day in Paris, when she called at the Pharmacy Crecy and I
-happened to meet her there. Never mind, Adolphe, continue where you left
-off about my father. What happened to him?&rdquo;
- </p>
-<p>
-&ldquo;Well, you forgot about your seamstress at the Rue Point Foin, and you
-thought of her no more.
-</p>
-<p>
-She worried over your disappearance about a fortnight, and then got
-somebody else, as is done under similar circumstances to-day. The
-necessity to make your way in the world recalled your old talents, and
-soon you were robbing passers-by of the things in their pockets. You
-operated so adroitly, that you incurred the admiration of a great sharper,
-who having seen you work, stopped you at the corner of the Rue Gallaud,
-and demanded of you your money or your life. &lsquo;You shall have my purse only
-when you have my life,&rsquo; said you to him, and you drew your sword, a small
-sword that you had taken the day before from a French Guardsman. The great
-sharper flattered you upon your courage, and then upon your dexterity, and
-he begged you to accompany him home to the Rue Bout du Monde. He told you
-on the way that he sought an associate, and you could do the business. He
-also told you that he had a wife, and the wife had a very pretty sister.
-After a while you married this sister, though neither notary nor priest
-was sent for. The attachment did not last over six months, because the
-sharper, his wife, and his sister-in-law were sent to the gallows. You had
-already left them by this time, and had joined the army. You were caught
-one day, drunk, by a recruiting officer, and he took you to the barracks,
-and made you sign on.&rdquo;
- </p>
-<p>
-By this time it was seven o&rsquo;clock, and Adolphe interrupted the course of
-his recital at that point, as they had to alight from the coach.
-</p>
-<p>
-&ldquo;Tell me,&rdquo; said Théophraste, &ldquo;I am curious to know how I was built. Was I
-a handsome man, a tall man?&rdquo;
- </p>
-<p>
-&ldquo;They represent you thus at the theater, in M. d&rsquo;Ennury&rsquo;s play, but on the
-contrary, according to the poet Granvel, you were a conceited man, and
-always fond of singing your own praises. You were dark, lean, small, but
-of great courage. You were enterprising and bold, and very alert.&rdquo;
- </p>
-<p>
-&ldquo;You have not told me,&rdquo; said Théophraste, &ldquo;how you got that picture in the
-house on the Rue Guinegaud.&rdquo;
- </p>
-<p>
-&ldquo;It is a copy of a photograph by Nedar. He photographed a wax mask, which
-ought to resemble you, as that mask was made from your face by the order
-of the Regent. Nedar photographed that mask in 1859. The mask was found in
-the Chateau de St. Germain.&rdquo;
- </p>
-<p>
-&ldquo;Oh! I want to see it,&rdquo; cried Théophraste-&ldquo;to touch it. We must go to St.
-Germain to-morrow.&rdquo;
- </p>
-<p>
-By this time they had reached the house, and Marceline, in neat
-dishabille, smilingly opened the door and greeted them.
-</p>
-<p>
-Théophraste had a great desire to see and touch that waxen mask that had
-been made from his face, and the desire was still greater when Adolphe
-entered into the details of it. He told him that it had been in the
-Chateau de St. Germain en Laye, since the 24th of April, 1849.
-</p>
-<p>
-&ldquo;It appears that the portrait was given by an abbot, one Viallier, to be
-inherited by one Richot, an old officer of the Hussars of King Louis XVI.
-M. Richot died at St. Germain. He owned the portrait for many years, one
-most precious, especially as it had belonged to the royal family. The wax
-mask was moulded by a Florentine artist some days before Cartouche&rsquo;s
-punishment. The head-dress was a woolen or coarse felt cap, his clothing
-was a shirt of very coarse linen, a waistcoat, and another vest, and a
-doublet of black camelot. But the most remarkable thing of all was that
-Cartouche&rsquo;s hair was cut off of his corpse and pasted on the waxen mask.
-The whole was shut up in a gilded wooden chest, large and deep, of
-beautiful workmanship. A Venetian glass protected the portrait, and one
-could still see the escutcheon of the arms of France on the chest.&rdquo;
- </p>
-<p>
-Théophraste asked Adolphe where he had found such precise details, and was
-told that they were the result of two days&rsquo; searching in the forgotten
-archives of the most noted libraries and museums of Paris. There he found
-his hair, his moustache, and his clothes, two hundred years old.
-</p>
-<p>
-In spite of the horror which these relics of a man so monstrous ought to
-have inspired in him, Théophraste could not control his impatience to see
-them, to touch them. Here was Théophraste Longuet, whose name was
-synonymous with honor, who had always feared the shedding of blood,
-cherishing in his heart the coarse remains of the greatest brigand on
-earth. When he had again command of his senses, he did not find in the
-bottom of his soul a feeling of absolute despair, but of great pity, a
-pity so keenly felt that he did not weep only for himself, Théophraste,
-but also moved him to pity Cartouche. He asked himself which was the more
-dominant, honest Théophraste, carrying with him the brigand Cartouche, or
-the brigand Cartouche, shut up within honest Théophraste. &ldquo;It is necessary
-that we should understand each other,&rdquo; he said aloud. He felt that he
-should not have uttered that sentence which must have seemed odd, but
-which expressed so well the double and yet unique preoccupation of his
-soul that he could not restrain himself. A great light dawned upon him at
-the same time, that recalled the theory of reincarnation that had been
-explained to him by M. Lecamus. He connected reincarnation with the
-natural evolution of things, and of individuals, that which was no other
-than transformation. &ldquo;Does it not point to the fact that souls reincarnate
-themselves in order to pass according to natural law to advancement to a
-better state? It is the progressive step of being. Well, the natural law
-which certain persons call God, did not find anything better on the earth
-than the body of Théophraste Longuet through which to make the criminal
-soul of Cartouche evolve to a better state.&rdquo;
- </p>
-<p>
-When that idea got a firm hold on him, in place of the deepest despair,
-which had led him to faint, he found himself prompted by a sentiment
-almost akin to pride. He was entrusted with the destiny of the world. He,
-the humble but honest Théophraste, entrusted with the regeneration in
-ideal splendor, of the soul of shadows and of the bloody Louis Dominique
-Cartouche, called L&rsquo;Enfant. He accepted this unexpected task willingly,
-since he could not do otherwise, and he put himself at once on his guard.
-Instead of saying, &ldquo;It is necessary for us to understand each other,&rdquo; he
-immediately ordered Cartouche to obey Théophraste, and he promised himself
-to lead him a life so hard that he could not say without smiling, &ldquo;Poor
-Cartouche.&rdquo; He had charged M. Lecamus to write everything possible about
-Louis Dominique Cartouche in such a way that he could not be ignorant of
-anything that could be known of his life. With that and with what his
-black feather and his memory had taught him, he justly thought he could
-resist in spirit the Other One, which would allow him to act accordingly.
-He partly confided his reflections to Adolphe, who approved of them, but
-warned him against a tendency he had to separate Théophraste from
-Cartouche.
-</p>
-<p>
-&ldquo;You must not forget,&rdquo; said he, &ldquo;that they are one. You have the instincts
-of the gardeners of the Ferte-sous-Jonarre. Those instincts are good, but
-you have the soul of Cartouche, which is detestable. Take care. You are
-his declared enemy, the question is raised as to who will vanquish- the
-soul of former years, or the instincts of today.&rdquo;
- </p>
-<p>
-Théophraste asked Adolphe if the soul of Cartouche was really altogether
-detestable, and was happy to learn that it had some good points. Adolphe
-said that Cartouche had expressly forbidden to kill or even wound
-passers-by without cause. When he operated in Paris with some of his
-bands, and they brought victims to him, he spoke to them with so much
-politeness and kindness, that they always returned a part of the booty to
-him. Sometimes they would limit matters to a simple exchange of clothes.
-When he found letters or pictures in the pockets of the coats thus
-exchanged, he ran after the ex-proprietors to return them. It was a maxim
-of that extraordinary individual, that a man ought not to be robbed twice
-in the same night, nor were they to be too severely treated, so as not to
-prevent the Parisians from going out in the evening. Therefore he ordered
-his men to take the utmost care not to kill any one without good reason.
-At this time the man was not yet thoroughly wicked. Up to then he had
-always had a reason for every act. It is to be regretted, however, that he
-had had one hundred and fifty reasons to assassinate.
-</p>
-<p>
-Let us return to the wax mask.
-</p>
-<p>
-Théophraste and Adolphe were going down the stairs in the station of St.
-Germain-en-Laye, when suddenly Théophraste thought he saw a familiar
-figure ahead of him, among a group of travelers. Moved by a feeling over
-which he had no control, he ran rapidly towards the group, but the figure
-had disappeared. Where had he seen that figure before? It was so repulsive
-to him. Adolphe asked him the cause of his agitation, and he recovered
-himself at once.
-</p>
-<p>
-&ldquo;I would swear,&rdquo; said Théophraste, &ldquo;that it was Signor Petito, the Italian
-professor of the floor below. What did Signor Petito come to St. Germain
-for? I do not want to run foul of him.&rdquo;
- </p>
-<p>
-&ldquo;Well, what has he done, then?&rdquo; asked Adolphe.
-</p>
-<p>
-&ldquo;Oh, nothing. Only if he runs across my way, I swear I will cut off his
-ears, and you know I will do it if I say so.&rdquo;
- </p>
-<p>
-They then went, without any more thought of Signor Petito, to the castle.
-They entered the Museum, and asked to see the wax mask of Cartouche.
-Théophraste became enraged when he learned that it was not to be found
-there, and in his excitement he poked the handle of his green umbrella
-into the eye of a plaster cast of a member of the Legion of Honor. An old
-guard came up and told him that he knew well there had been a wax mask of
-Cartouche in St. Germain, and that it could be found, he thought, in the
-library. But the latter had been closed up for eight days for repairs.
-Théophraste gave that man a franc, and they turned their steps toward the
-terrace, promising themselves to come again at a later time, for the
-farther the wax mask seemed away, the more Théophraste burned to touch it.
-</p>
-<p>
-It was a beautiful day, and they walked together in the forest, in the
-magnificent walk which led to the battlements of the Loge, which were
-constructed in front of the Castle Germain, by Queen Anne of Austria.
-</p>
-<p>
-As they reached the south angle of the ramparts, it seemed that
-Théophraste recognized again, gliding in a thicket, the repulsive form of
-Signor Petito.
-</p>
-<p>
-Adolphe insisted that he was mistaken.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0014" id="link2HCH0014"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XII
-</h2>
-<h3>
-<i>Théophraste&rsquo;s Memory Is Refreshed</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HEY wandered down to the lawns at the foot of the ramparts, and walking
-across the green grass, they stopped at the foot of a forked tree. They
-were seated chatting for some time, when suddenly Théophraste&rsquo;s face
-seemed to light up as if he recalled something. It seemed as if his memory
-had suddenly become awakened to events of years ago. His whole soul was
-filled with sweet memories, like the tenderest recollections of youthful
-days returning, after having been forgotten for a long time. In his mind
-he saw perfectly the spirit of Cartouche, as if he had never been
-separated from him by two hundred years. It seemed to come suddenly to
-him, and as the events came back to him, he related them to Adolphe, in
-the following words:
-</p>
-<p>
-&ldquo;Adolphe, my friend, I must tell you that at that time my fortune was
-complete. I was dreaded and yet liked by all. I was even liked by my
-victims. I despoiled them so gallantly that they went their way along
-through the city singing my praises. I had not yet been attacked by that
-wonderful sanguinary instinct which some months later made me commit the
-most atrocious crimes. Everything prospered with me; everybody feared me
-and loved me. I was happy, merry, of a magnificent audacity, gallant in
-love, and the ruler of Paris. They said that I was the greatest of all
-robbers; that was only half true, because it was imperative that I should
-partake of the sovereignty with M. Law, the Controller-General of Finance.
-My glory was at its zenith; for often he and his people paid me tribute.
-But he imagined he might excite the Regent against me. One evening when I
-had stolen into his room in his hotel, disguised as a lackey to Lord
-Dermott, the Regent sent for Monsieur d&rsquo;Argenson, keeper of the seals, and
-told him that he had eight hours in which to arrest me. M. d&rsquo;Argenson
-promised everything he wanted, provided they let him go by the way of the
-Convent of the Madeline du Frainel, where his mistress, Mlle. Husson, had
-taken refuge. Eight hours later, M. d&rsquo;Argenson was still at the Convent
-with Mlle. Husson. As for me, my dear Adolphe, during that time, I
-attended to my small affairs, and I commanded without any trouble three
-thousand men. It was the month of September, the nights were beautiful and
-clear, and we profited by this to get into the house of the Spanish
-Ambassador, who lived in the old hotel of the Marshal d&rsquo;Aucre, in the Rue
-de Fournon, the same house even which has since been occupied by the Guard
-de Paris. We entered his wife&rsquo;s bedroom and took possession of all her
-dresses, of a buckle ornament with twenty-seven large diamonds, a necklace
-of very fine pearls, six plates, six table sets, six knives and ten coral
-goblets. We rolled it all up in a table cloth, and went to supper at the
-house of the Belle Helene, who kept what you called the Inn of the Harp in
-the Rue de la Harp.
-</p>
-<p>
-&ldquo;Oh, Adolphe, what a wonderful thing memory is! Truly I do not know why I
-said that <i>you</i> called it the Inn of the Harp, unless in my mind you
-are representing a friend whom I had, who was as good as you, and whom I
-loved as well as you, whose name was Va-de-Bon Cour. By the Thunder of the
-Breast, but he was a handsome young fellow! He was a sergeant of the
-French Guards, and he was my lieutenant. I must tell you, my dear Adolphe,
-that I commanded a considerable number of French Guardsmen. At the time of
-my arrest, one hundred and fifty non-commissioned officers, soldiers of
-the French Guard, hid themselves, and disappeared over to the colonies.
-They dreaded lest I should compromise them. They were wrong, however, for
-torture could not make me speak. However, let me leave those melancholy
-moments, and come back to the beautiful September nights. We will proceed
-to the time when it was customary for the Parisians to take up their new
-abodes. The Regent showed still more anger against me and M. d&rsquo;Argenson,
-when he learned about the escapade against the Spanish Ambassador. Imagine
-his fury as I turned my attentions to him. Va-de-Bon Cour, being on guard
-at the Palais Royal, carried off two vermilion flambeaux, which the Duke
-of Orleans prized very highly. The Regent was so afraid of being robbed
-that instead of wearing silver-faced buckles and sword handles, he
-resolved to substitute carved steel. On the first day that he carried one
-of that kind, I, Cartouche, stole it from him as he was leaving the opera
-house. The next day I sent it back to him in pieces, and I taunted him
-about his apparent avarice, and upbraided him, that he, the greatest man
-in France, should wish to deprive his unfortunate confrères, the
-silversmiths, of a livelihood.
-</p>
-<p>
-&ldquo;He answered me publicly by proclaiming that he was very anxious to know
-me, and that he would give from his own pocket 20,000 pounds to whoever
-would bring Cartouche to him. The next day, as he walked to Saint Germain
-and was breakfasting in the castle, he found under his napkin a message of
-which you will readily see the sense: &lsquo;My lord, you can see me for
-nothing. It may be to-night, at midnight, behind the Anne of Austria Wall
-in the forest, where Cartouche will expect you. You are brave. Come alone.
-If you come accompanied, you run the danger of death.&rsquo;
-</p>
-<p>
-&ldquo;At midnight, I awaited the Regent; twelve o&rsquo;clock was still sounding in
-the Loges, when the Regent appeared. The moonlight made the forest seem
-like fairyland-enchanted, such as one sees at the theater. The forest, a
-marvelous, transparent blue, seemed bereft of all its branches, of all its
-foliage, of all its thickets.
-</p>
-<p>
-&ldquo;&lsquo;Behold me, Cartouche,&rsquo; said the prince; &lsquo;I come to you armed with my
-sword alone, as you have wished. I run perhaps the greatest danger,&rsquo; he
-said in a clear, derisive voice, &lsquo;but who would not risk everything to see
-at close range at midnight, in the heart of the forest, the form of
-Cartouche, when it costs nothing?&rsquo; Oh, Adolphe, my friend, that thou
-couldst have been there to hear me respond to the Regent of France! To be
-sure, I am only the son of a poor cooper of the Rue du Pontaux-Choux, but
-what Condé, what Montmorency could have bowed with more grace, sweeping
-the wet grass with the plume of his hat? The Duke de Richelieu himself
-could not kneel more elegantly than I did, nor present in a more gracious
-manner to my lord the purse that I had taken from his pocket. &lsquo;I am,&rsquo; said
-I, &lsquo;the most humble servant of my lord, and I beg him to take back from
-Cartouche this purse that I had the audacity to steal with so much
-coolness, only to prove to my lord that his highness finds himself face to
-face with Cartouche.&rsquo; The Regent begged me to preserve that purse for a
-remembrance of him. He was wrong to relate, in the course of time, this
-anecdote; for the report was spread that he was one of my band. I believe
-that he had started to go away, when he put his arm in mine and dragged me
-as far to the right as we are sitting to-day.
-</p>
-<p>
-&ldquo;Then the regent did me the honor to put his arm in mine, and I saw that
-he had something of a secret nature to confide to me. He did not wait to
-acknowledge that he counted upon my ingenuity to avenge him for an offense
-that Monsieur the Controller-General had committed against him. He told me
-that he was quite in love with the courtesan, Emily; that she was his
-mistress, and had been for fifteen days, and that he had learned from La
-Fillon that M. Law had the promise of her favors the next night against
-the present that he would make her of a ten-thousand-louis necklace. He
-was sure of it, for La Fillon was never mistaken. Was it not from her that
-he had had a hint of the Cellamore conspiracy? All the rogues of Paris
-knew La Fillon.
-</p>
-<p>
-&ldquo;La Fillon is a woman of five feet ten inches, who was admirably formed, a
-ravishingly beautiful face. From the age of fifteen years, that model
-beauty thought that Nature had not provided such rare treasures to be
-hidden, so she lavished them. The Duke d&rsquo;Orleans, a long time before the
-regency, loved her. He remained smitten with her for more than a year. It
-was for her that he had constructed, in a retired part of the gardens of
-Saint Germain, a sort of grotto, lighted mysteriously by several rays
-directed upon a bed of mats, upon which his mistress stretched herself,
-clothed in her blonde hair only. He showed them to all who passed that
-way, and in that way he made numerous friends. But the fifteen years of La
-Fillon flew away in happy days. Now she had no longer the enjoyment of
-intrigue, of which she has made two parts-gallantry and observation. So
-she furnished some important information to the police and to M.
-d&rsquo;Argenson, guard of the seals, and some remarkable subjects for the
-amours of the Regent. It was she who procured Emily for him, who is by far
-the prettiest girl in Paris. Everybody wanted to steal her from him. Law,
-who was the richest, swore to succeed there. The bargain was concluded for
-the next night.
-</p>
-<p>
-&ldquo;&lsquo;Cartouche,&rsquo; the Regent said to me, after having explained his small
-affairs to me, &lsquo;thou art a brave man. I give thee the necklace.&rsquo;
-</p>
-<p>
-&ldquo;And he went away in the moonlight, giving me a slight wave of the hand.
-This kind of mission that I received-to thwart the loves of the
-Superintendent, and avenge those of the Duke of Orleans, filled me with
-pride.
-</p>
-<p>
-&ldquo;Being back in Paris, I learned near the morning, through my police (which
-was the best information of the epoch), that the courtesan Emily lived at
-a small hotel in the Mardis, at the corner of the Rue Barbette and of the
-Trois-Pavillons, and that the Regent showed more attachment for her than
-he had ever for the Duchess of Berry, with whom he was disgusted long
-since for La Baratere, who shut herself up in the Convent of Chelles, less
-on account of her love for God than for her liking for the beautiful nuns
-(what morals, my dear Adolphe, what morals!), and it consoled her that she
-had recently been mistaken for Mlle, de Valois, uniquely occupied with the
-Duke de Richelieu. This courtesan, Emily, was no more than an opera girl,
-but her beauty, as I have told you, surpassed all that one can imagine-I
-was not long in judging for myself.
-</p>
-<p>
-&ldquo;Twenty-four hours after the interview of Saint Germain, that is to say
-the midnight following, I went out with a placard describing exactly the
-angle of the Rue des Trois-Pavillons and the Rue Barbette. I had, as if by
-chance, a pistol in each hand, which made it impossible for me to decently
-bow to Mlle. Emily, who appeared, considering the hour, in the most polite
-dishabille, with the Superintendent, who presented a casket to her in
-which there shone the gems of a necklace, which was valued at the least at
-ten thousand louis. I excused myself for the necessity of keeping my hat
-on my head, and begged Monsieur, the Superintendent, seeing the
-encumbrance of my hands, to close the casket on the necklace, and to put
-the whole thing in the pocket of my cinnamon coat, promising my gratitude
-or recognition for this slight service.
-</p>
-<p>
-&ldquo;As he hesitated, I proceeded with my presentation, and when he knew that
-my name was Cartouche, he obeyed with alacrity.
-</p>
-<p>
-&ldquo;I begged Mlle. Emily to reassure herself, declaring that she was in no
-danger, of which she was convinced, for she began to laugh heartily at the
-discomfiture of M. Law. I laughed also. I said to M. Law that his necklace
-was worth 10,000 louis, but if he wished to send the next day, towards
-five o&rsquo;clock in the afternoon, a confidence man to the corner of the Rue
-Vaugirard and of the Rue des Fosses-Monsieur le Prince, with five thousand
-louis, they would return the collar, on the word of honor of Cartouche. He
-replied to me that the bargain was concluded and we took leave of each
-other.
-</p>
-<p>
-&ldquo;Two days later some one related the adventure to the Regent, who was at
-first overjoyed, but whose face changed when he learned the culmination of
-the event. The man, Law, had given the five thousand louis as was
-arranged, to the man, Cartouche, and he expected the jewel box, when the
-other told him that Cartouche had already gone to carry it himself to
-Mlle. Emily. Law ran to the house of the courtesan, saw the necklace and
-demanded the price.
-</p>
-<p>
-&ldquo;&lsquo;It is already received,&rsquo; replied Emily, turning her back on him.
-</p>
-<p>
-&ldquo;&lsquo;And by whom?&rsquo; exclaimed M&rdquo; le Superintendent.
-</p>
-<p>
-&ldquo;&lsquo;Evidently by the one who brought me the necklace-by Cartouche, who has
-just left here. Should I not pay upon receipt of the necklace? And
-immediately? I have no credit, myself,&rsquo; added she, shouting over the
-discomfited face of the man of the Rue Quincamprix.
-</p>
-<p>
-&ldquo;At the Palais Royal, my dear Adolphe, the jest had the success that you
-can imagine. It did not matter, the Regent had found out that I had
-surpassed his instructions, and in his anger he again sent M. d&rsquo;Argenson
-to hunt for me. He, however, was again diverted by the attractions of
-Mlle. Husson. It was a fact, my dear Adolphe, that women were a source of
-great help to me, and I leaned towards them considerably. But they
-contributed much to my ruin, also. Knowing of the propriety of my manners,
-and of my exclusive love for Marceline, you must think how two hundred
-years changes a man.&rdquo;
- </p>
-<p>
-Elated at his narrative, Adolphe laughed at the pleasantry which
-terminated it. &ldquo;How two hundred years changes a man!&rdquo; M. Longuet laughed
-at it. The supernatural and terrifying antithesis between Cartouche and
-Longuet, which had plunged him at first into the most melancholy fright,
-now incited him to make jests. His excuse was that he did not see anything
-to fear. He only found his case a little odd. He joked about it with
-Adolphe, and even resolved to no longer keep his true personality from
-Marceline. She was intelligent and would understand. He imagined that this
-personality would present dangers to himself and to society, but, behold!
-it existed no longer in the real condition, but only in his memory, as a
-vivid picture. He would not have to control Cartouche as he had dreaded;
-he would only have to ask him from time to time, some anecdote, which
-would help M. Longuet in conversation. The history of the Regent, M. Law,
-and of the courtesan, were sure proofs of that condition of the soul. How
-it had glided from his memory without effort! What evil, then, was there
-in that? After all, if he had been Cartouche, it was not his fault, and it
-would be very foolish in him to be angry about it. He even joked about the
-fortune.
-</p>
-<p>
-At midnight they made their way back to Paris. As they arrived at the
-station St. Lazare, M. Lecamus asked him the following question:
-</p>
-<p>
-&ldquo;My friend, when you are Cartouche, and you take your walks in Paris, and
-you see the life of Paris, what astonishes you most? Is it the telephone,
-or the railway, or the Metro, or the Eiffel Tower?&rdquo;
- </p>
-<p>
-Théophraste replied, &ldquo;No, no. That which astonishes me most when I am
-Cartouche is the police force.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0015" id="link2HCH0015"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XIII
-</h2>
-<h3>
-<i>The Cat</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>T seems that the destiny which controls the lives of men, takes a
-diabolical pleasure in preceding the worst catastrophe by the serenest of
-joys. Thus is it often that we are warned of the tempest by the calm.
-</p>
-<p>
-Thus in the beginning of the misfortunes of Théophraste, Marceline and
-Adolphe, there was something which was not of very great importance in
-itself-the strange behavior of a small black cat.
-</p>
-<p>
-I have not yet described in detail the apartment occupied by the household
-of Longuet in the Rue Geronde. It is now necessary to do so. It was a
-small apartment, rented for twelve hundred francs a year, on passing
-through the folding-doors of which one entered a vestibule of restricted
-dimensions, all the furniture of which consisted of a polished oak trunk,
-which seemed to fill the whole vestibule. Besides the front door, four
-doors opened into the vestibule: the kitchen door, the dining-room door,
-to the left; the parlor door, and that of the bedroom, on the right. The
-parlor and bedroom windows looked out into the street, and those of the
-kitchen and dining-room looked out into the court. The window of the
-little room in which M. Longuet had made his office, opened on the street
-also. This room was between the bedroom and the dining-room, and could be
-entered by doors from either of these. As to the furniture in this
-apartment, that in the office is all that need be described. There was a
-small desk against the wall.
-</p>
-<p>
-These great misfortunes of Théophraste, Marceline and Adolphe centered
-around something which was not of great importance in itself: it was only
-an ornament in the form of a small black cat, which was placed over the
-patent lock with which the small desk was fastened, thus hiding it.
-</p>
-<p>
-This little black cat was nothing more than an ingenious silken cushion,
-which served the double purpose of pin-cushion and pen-wiper. There was
-also a tea-table in this room.
-</p>
-<p>
-Upon returning from their trip, Adolphe accompanied Théophraste up the
-stairway, and as it was late he announced his intention of leaving at
-once. He ordered his friend to go to bed so that he might get up early the
-next day to make further researches. He shook his hand with a show of
-sincerity, and as he went downstairs, looked up to Théophraste, who was
-holding the lamp for him, and murmured, &ldquo;Good-bye, till to-morrow.&rdquo;
- </p>
-<p>
-Théophraste closed the door of the apartment with the greatest care, and
-as he made the second turn to the latch, he said to Marceline, &ldquo;Now that
-we are very often in the country, we ought to have extra bolts for
-safety.&rdquo;
- </p>
-<p>
-Théophraste and Marceline searched the apartment before going to bed. They
-went into the kitchen, into the dining-room, into the parlor, and into the
-office. Nothing unusual had happened during their absence. Everything was
-in its usual place.
-</p>
-<p>
-Having gone to bed, Théophraste lay awake for some time. He amused himself
-by thinking of Cartouche and all the wonderful things he had done. While
-he tried to fall asleep, his mind kept continually going back to the same
-theme. Suddenly he opened his frightened eyes in the darkness, and laid
-his hand on his wife&rsquo;s arm, waking her. Then, in a voice so low that he
-alone knew he had spoken, he said, &ldquo;Do you hear anything?&rdquo; Marceline woke
-with a start, and they both strained their ears. They heard something in
-the apartment. It was a peculiar sound like the purring of a cat. It
-seemed as if it came from the office, and they listened intently for some
-minutes, too frightened to move.
-</p>
-<p>
-Théophraste, as we have said before, was not a brave man, and he would
-have given a hundred thousand francs for it to have been daylight.
-Marceline whispered in his ear, &ldquo;Go and see what is the matter. You must,
-Théophraste. Take the revolver from the table drawer.&rdquo; Théophraste just
-had the strength to answer, &ldquo;You know very well it is not loaded.&rdquo;
- </p>
-<p>
-They listened again, but the noise had stopped. Marceline hoped that they
-had been mistaken. Théophraste, quaking with fear, then got out of the
-bed, and taking the revolver, softly opened the door which led into the
-office.
-</p>
-<p>
-The night was clear, and the moon shone across the large blue table-cloth
-which was spread on the table. Théophraste recoiled. He pushed the door to
-by pressing his back against it, as if he would hinder whatever he had
-seen from entering the room. &ldquo;What is it?&rdquo; demanded Marceline, raising
-herself from the pillows. Théophraste, with chattering teeth, answered,
-&ldquo;It does not purr any more, but it has moved. It is on the tea-table.&rdquo;
- </p>
-<p>
-&ldquo;What is on the tea-table?&rdquo;
- </p>
-<p>
-&ldquo;The cat!&rdquo;
- </p>
-<p>
-&ldquo;Are you sure it was in its right place last night?&rdquo; asked Marceline.
-</p>
-<p>
-&ldquo;Perfectly sure. I put my scarf-pin on it when I was going to bed.&rdquo;
- </p>
-<p>
-&ldquo;Oh, you only think that you did it,&rdquo; said Marceline. &ldquo;Shall I light the
-lamp?&rdquo;
- </p>
-<p>
-&ldquo;No, no. We can escape in the darkness. If I open the door on the landing
-we can call the conciergerie.&rdquo;
- </p>
-<p>
-&ldquo;You are not afraid, then?&rdquo; asked Marceline, who, now that she heard it
-was the cat, was recovering her senses. &ldquo;It was an illusion that we had.
-You must have changed his place last night.&rdquo;
- </p>
-<p>
-&ldquo;After all it is very possible,&rdquo; said Théophraste. He only wanted to get
-back to bed.
-</p>
-<p>
-&ldquo;Put it in its place,&rdquo; insisted Marceline. Théophraste decided to do so.
-He went into the office, and with a hasty, trembling hand took the cat
-from the tea-table and put it on the desk, and soon found himself back in
-bed. By this time they had recovered their composure.
-</p>
-<p>
-They even smiled in the darkness to think that they had been afraid.
-However, a quarter of an hour elapsed, and they were frightened to hear
-again the rattle of the ornament. &ldquo;Oh, it is not possible,&rdquo; cried
-Marceline; &ldquo;we are the victims of hallucination. There is nothing to
-astonish us after what has happened at the Conciergerie.&rdquo;
- </p>
-<p>
-It was Marceline who got up this time. She pulled open the door of the
-office, and came back at once towards Théophraste, and said with a voice
-so weak that it seemed far away, &ldquo;You did not, then, put the cat back on
-the desk?&rdquo;
- </p>
-<p>
-&ldquo;But I did,&rdquo; growled Théophraste.
-</p>
-<p>
-&ldquo;Well, but it is back on the tea-table.&rdquo;
- </p>
-<p>
-&ldquo;My God!&rdquo; said the man hiding his head under the coverings.
-</p>
-<p>
-Marceline was convinced that, in the disordered condition of his mind, he
-had left the cat on the tea-table. She took it, holding her breath, and
-put it on the table. The cat rattled audibly again as she did it, but
-neither Marceline nor Théophraste saw anything in this. Marceline went
-back to bed again.
-</p>
-<p>
-Another quarter of an hour passed, at the end of which they again heard
-the same noise. Then an incredible thing happened. Théophraste turned like
-a tiger and cried out, &ldquo;What is it? It is only too true, something unusual
-is happening.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0016" id="link2HCH0016"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XIV
-</h2>
-<h3>
-<i>Petito Loses His Ears</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>E will now go downstairs to the flat below, into the apartment occupied
-by Signor and Signora Petito. Signora Petito is saying, &ldquo;I do not
-understand M. Longuet&rsquo;s conduct at the dinner at all. He spoke such vague,
-peculiar words.&rdquo;
- </p>
-<p>
-&ldquo;Well,&rdquo; answers Signor Petito, &ldquo;he has this treasure which may be found in
-the environs of Paris, and he is thinking of it. It is certainly very
-interesting, and I would like to find it myself. According to the
-document, my opinion is that one ought to look either at the side of
-Montrouge, or at the side of Montmartre. I am inclined to think that it is
-Montmartre, on acount of the &lsquo;Coq.&rsquo; There was a castle &lsquo;Coq de Percherons&rsquo;
-there. You will find it if you look at this plan of old Paris.&rdquo;
- </p>
-<p>
-They looked at the plan, and after a short silence Signor Petito added,
-&ldquo;It is still very vague. For myself, I think that one ought to attach
-importance to the words &lsquo;Le Four.&rsquo;&rdquo;
- </p>
-<p>
-&ldquo;My dear, then it is more and more vague,&rdquo; said his wife, &ldquo;for there are
-many furnaces around Paris. There were plaster furnaces, and quicklime
-furnaces, and many others.&rdquo;
- </p>
-<p>
-&ldquo;My idea,&rdquo; said Signor Petito, &ldquo;is that Le Four does not mean &lsquo;the
-furnaces.&rsquo; I remember that there was a space after the word &lsquo;Four,&rsquo; on the
-paper. Pass my dictionary.&rdquo; Signora Petito, noiselessly, and with great
-care, brought him the lexicon. They looked over all the words beginning
-with the syllable &lsquo;Four.&rsquo; On account of the article, le, they decided not
-to pay any attention to feminine words.
-</p>
-<p>
-Just then the clock on the mantel-shelf struck midnight. Signora Petito
-got up, and said to the Signor, &ldquo;Now is the time. We will find some useful
-information on the floor above. They cannot hear you in your stockinged
-feet. I will watch behind their door at the head of their stairway. You
-know there is no danger, they are still in the country.&rdquo;
- </p>
-<p>
-Two minutes later a form glided over the landing at M. Longuet&rsquo;s door, put
-a key into the lock stealthily, and went into the vestibule. M. Longuet&rsquo;s
-apartment was arranged exactly like Signor Petito&rsquo;s, and so the latter
-easily found his way into the dining-room. He acted with perfect
-composure, believing the apartment to be uninhabited. He pushed the office
-door open. As it was evidently the lock of the desk that he wished to
-reach. Signor Petito took the ornament which inconvenienced him and placed
-it on the tea-table. Then he quitted the room noiselessly, and entered the
-dining-room, from there into the vestibule, for he seemed to hear a voice
-on the stairway. He was without doubt mistaken, for he listened intently
-for some time without hearing a sound. When he came back into the office,
-he found the cat again on the desk, and purring. His hair seemed to stand
-on end, for the horror which had seized upon him was not to be compared to
-the horror which had seized upon those in the next room.
-</p>
-<p>
-Signor Petito remained immovable in the bluish moonlight. With a timid
-hand he seized the little black cat. The movement caused by this made the
-cat purr again. Now he understood that in the cat&rsquo;s pasteboard body there
-was a little ball, balanced in such a manner that it ingeniously simulated
-the purring of a cat when it was moved.
-</p>
-<p>
-How frightened he had been! He felt a fool. All was explained. Did he not
-remove the cat before returning to the vestibule? Instead of having placed
-the cat on the table, as he thought, he must have replaced it on the desk.
-That was a simple explanation, and he paid the strictest attention this
-time when he placed it on the table.
-</p>
-<p>
-While he was doing this there was a fresh noise on the stairway. It was
-only Signora Petito, who had very incautiously sneezed.
-</p>
-<p>
-Signor Petito went hurriedly and silently back into the vestibule, and
-when he was reassured, went back into the office again.
-</p>
-<p>
-The black cat had been returned to the desk again!
-</p>
-<p>
-He thought that he would die of fright. A miraculous intervention had
-arrested him on the verge of a great crime, and he uttered a hurried
-prayer in which he promised heaven never to do it again. However, another
-quarter of an hour passed, and he attributed these surprising events to
-his conscience, and returning, placed the cat back again on the table.
-</p>
-<p>
-Just then the door of the room was violently opened, and Signor Petito
-fell into the arms of M. Longuet, who did not express the least
-astonishment.
-</p>
-<p>
-M. Longuet threw Signor Petito on the floor in disgust, and picking up the
-ornament, opened the window, and threw it out into the street. During this
-time, Signor Petito, who had gotten up, could hardly compose his features,
-for Mme. Longuet, in her chemise, was threatening him with a revolver. He
-could only stammer, &ldquo;I beg your pardon, I really thought that you were in
-the country.&rdquo;
- </p>
-<p>
-M. Longuet went up to him, and taking him by one of his ears, said, &ldquo;Now,
-my dear Signor Petito, we must talk.&rdquo;
- </p>
-<p>
-Marceline lowered the barrel of her revolver, and felt pleased at seeing
-her husband show such courage.
-</p>
-<p>
-&ldquo;You see, my dear Signor Petito,&rdquo; continued Théophraste, &ldquo;that I am calm.
-A little while ago I was getting angry, but it was only at that little cat
-which was keeping me from going to sleep, and which I have thrown out of
-the window. Rut be assured, my dear Signor, I shall not throw you out of
-the window. You have not kept me from sleeping, you have even taken the
-precaution to put on slippers. Many thanks. But why, my dear Signor, do
-you make that ridiculous grimace? It is without doubt on account of your
-ear. I have some good news to tell you which will perhaps put you at ease
-about your ears. Your ears will make you suffer no more.&rdquo;
- </p>
-<p>
-Having finished his sarcastic talk, Théophraste begged his wife to pass
-him a cloth, and ordered Signor Petito to go into the kitchen. &ldquo;Do not be
-surprised that I receive you in the kitchen. I prize my carpets very much,
-and you will probably bleed like a pig.&rdquo;
- </p>
-<p>
-M. Longuet drew towards him a white wooden table, which he placed in the
-middle of the kitchen. He asked Marceline to place an oil-cloth over the
-table, and get him a large bowl. He then asked for a carving set, which he
-said she would find in the dresser drawer, which stood in the dining-room.
-Marceline tried to ask for an explanation, but her husband looked at her
-so coldly and so strangely, that, shuddering, she could only obey. Signor
-Petito, in a cold perspiration, tried to reach the door of the kitchen,
-but M. Longuet stood between him and the means of exit, and commanded him
-to be seated.
-</p>
-<p>
-&ldquo;Signor Petito,&rdquo; said he, in a tone of the most sarcastic politeness, &ldquo;you
-have a face which displeases me. It is not your fault; but then it is not
-mine, either. Certainly you are by far the most cowardly and the most
-despicable of thieves. But what does that matter? But do not smile, Signor
-Petito.&rdquo; It is certain that Signor Petito had no intention of smiling.
-</p>
-<p>
-&ldquo;You have ridiculously large ears, and surely with such ears, you dare not
-pass by the corner of the Guiliere.&rdquo;
- </p>
-<p>
-Signor Petito clasped his hands and stammered, &ldquo;But my wife awaits me.&rdquo;
- </p>
-<p>
-&ldquo;What are you doing, Marceline?&rdquo; Théophraste cried impatiently. &ldquo;Do not
-you see that Signor Petito is in a hurry? His wife is waiting for him.
-Have you the carving set?&rdquo;
- </p>
-<p>
-&ldquo;I could not find the fork,&rdquo; answered Marceline in a trembling voice. (The
-truth was, Marceline did not know what to say, for she believed that her
-husband had become completely insane, and between Signor Petito the
-house-breaker, and Théophraste mad, she was in anything but an enviable
-position.) She had hidden herself behind a cupboard door, and her distress
-was so extreme, that in turning suddenly, when Théophraste hurled a volley
-of insults at her, she upset her favorite vase, which made a loud noise,
-thus adding to the confusion.
-</p>
-<p>
-Théophraste resorted once more to oaths and insults, and called Marceline
-in such a tone that she ran to him in spite of herself. The spectacle
-which awaited her in the kitchen was atrocious. Signor Petito was lying on
-the wooden table, his eyes bursting from their orbits, a handkerchief in
-his mouth, which nearly suffocated him. Théophraste had had the time, and
-was possessed with the extraordinary strength to tie his hands and ankles
-with cords. Signor Petito&rsquo;s head hung a little beyond the edge of the
-table, and under it there was a bowl which M. Longuet had placed there to
-prevent soiling anything. The latter with palpitating nostrils had caught
-Signor Petito by the hair with his left hand. In his right he clasped the
-handle of a notched kitchen knife.
-</p>
-<p>
-Gnashing his teeth, he cried out, &ldquo;Strike the flags.&rdquo;
- </p>
-<p>
-As he said this he made the first cut at the right ear. The cartilage
-resisted. Signor Petito&rsquo;s muffled groans could just be heard. M. Longuet,
-who was still in his night-shirt, worked like a surgeon bent upon a
-difficult operation. Marceline&rsquo;s strength failed her, and she fell upon
-her knees. Signor Petito, in attempting to struggle, threw the blood from
-his ears across the kitchen, and Théophraste, letting go his hair, struck
-him a blow across the head. &ldquo;Be a little careful,&rdquo; said he, &ldquo;you are
-splashing the blood all over everything.&rdquo;
- </p>
-<p>
-The cartilage still resisted, so taking the right ear in his left hand,
-with a strong blow with the notched knife he tore it away. He placed the
-ear in a saucer which he had previously placed on the sink, and allowed
-the water to flow over it. Then he came back to the second ear. Marceline
-groaned very loudly, but he silenced her with a glance. The second ear was
-cut off much more easily, and with more dispatch.
-</p>
-<p>
-By this time Signor Petito had swallowed half of the handkerchief, and was
-suffocating. Théophraste took the handkerchief out of his mouth and threw
-it out into the clothes-basket near by. He then untied his ankles and
-wrists, and signed to him to leave the apartment as soon as possible. He
-had the forethought to wrap his head in a dish-cloth, so that the blood
-would not stain the stairway or the janitor&rsquo;s family. As Signor Petito
-passed by, in agony, Théophraste put the washed ears into his vest pocket.
-</p>
-<p>
-&ldquo;You forgot something,&rdquo; he said. &ldquo;What would Signora Petito say if you
-went back without your ears?&rdquo; He closed the door. Looking at Marceline,
-who was on her knees, paralysed with horror, he wiped the bloody knife on
-his sleeve.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0017" id="link2HCH0017"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XV
-</h2>
-<h3>
-<i>Adolphe Consulted</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HEOPHRASTE, the next day, seemed to have forgotten all the incidents of
-the night before, or at least to attach very little importance to them.
-</p>
-<p>
-As to Marceline, she was far too agitated to make any direct mention of
-it. However, she knew Adolphe would be calling at noon and she was
-resolved to find out the cause of Théophraste&rsquo;s actions before he came so
-that she could tell Adolphe the best to act. The thing that struck her
-most was Théophraste&rsquo;s sudden show of courage and strength. Before he had
-shown excessive lack of courage, and he was naturally physically weak.
-Suddenly, to be seized with all the nerve necessary to meet a burglar and
-then to have the strength to gag and bind him and cut off his ears, was
-unnatural. He had always recoiled from the sight of blood, and here he was
-fairly reveling in it. What could all this mean? He had suddenly turned
-from a quiet, inoffensive citizen to a ghoul.
-</p>
-<p>
-It was with these thoughts that she approached Théophraste and demanded an
-explanation. He at first was loath to tell her, but her entreaties
-prevailed, and he eventually told her that it was the spirit of Cartouche
-that had seized him and forced him to do these horrible actions. He told
-her with a sort of bravado that there had been more than one hundred and
-fifty assassinations laid to his account.
-</p>
-<p>
-Marceline was in a terrible state of mind and shrank from him. She
-declared that nothing in the world would make her live with him. She would
-apply for a divorce. She thought she had married an honest man, and now
-she had discovered him to be a thief and murderer. Here were enough
-grounds for a separation, and she declared her intention of securing it.
-</p>
-<p>
-At this Théophraste became very melancholy, and entreated her to think of
-his side of the calamity. He told her how necessary her help was to him,
-and with Adolphe&rsquo;s and her assistance he thought he could throw off this
-evil influence. By this time he had become quite rational, and they
-decided to consult Adolphe, and if necessary, have him live with them.
-</p>
-<p>
-Marceline readily acquiesced in this suggestion. Adolphe arrived about 1
-o&rsquo;clock, and she took him into the sitting-room and was soon in earnest
-and animated council with him. Théophraste went into his office and waited
-anxiously for them to join him. After some time they returned, and
-Marceline insisted that Théophraste should do all that Adolphe should ask
-of him, which he readily consented to do, having confidence in his friend.
-</p>
-<p>
-Later on in the afternoon Théophraste and Adolphe went for a walk into the
-city. Théophraste immediately began asking questions as to Adolphe&rsquo;s
-progress in the search for the treasures. He, however, was in no mood to
-tell much. Marceline&rsquo;s story of the night before had driven all thoughts
-of the treasure out of his head, and he answered somewhat abruptly that
-nothing of importance had been found, and that he must think of
-Théophraste&rsquo;s health first, before taking any further steps.
-</p>
-<p>
-It was obvious to Théophraste that Adolphe was evading the subject, and he
-was determined to find out more of the matter.
-</p>
-<p>
-He felt that Adolphe had more information, and so pressed him to speak.
-Adolphe then told how he had discovered that after the war most of the
-soldiers who had been serving with Cartouche had been discharged, and were
-left with no means of livelihood, and so, recognizing him as having the
-talent of a leader, they formed themselves into a party of bandits, and
-placed him at their head. At this time the police force of Paris was quite
-inadequate to cope with the many crimes; therefore Cartouche and his
-comrades resolved to turn their attention to this. He divided his men into
-troops, and gave them each a quarter, to guard over which he placed an
-intelligent lieutenant. When anybody was found out after curfew he was
-politely accosted and requested to turn over a sum of money, or if he had
-no money on him, to part with his coat. In exchange for this he was given
-a pass which entitled him to walk through Paris in perfect security at any
-time he pleased. He would have nothing to fear from Cartouche&rsquo;s men. If he
-showed any resistance he was immediately killed. Cartouche had the clergy
-on his side, and was often able to make good use of them. One priest named
-Le Ratichon, was even hanged for him.
-</p>
-<p>
-On reaching the Hotel de Ville, Adolphe stopped and asked Théophraste if
-he cared to cross the Place de l&rsquo;Hotel de Ville.
-</p>
-<p>
-He answered, &ldquo;If you wish, certainly we will.&rdquo;
- </p>
-<p>
-&ldquo;Have you often crossed the place?&rdquo; said Adolphe.
-</p>
-<p>
-&ldquo;Yes, very often,&rdquo; replied Théophraste.
-</p>
-<p>
-&ldquo;And nothing unusual has happened? Is there any place in Paris which you
-have some difficulty in passing?&rdquo;
- </p>
-<p>
-&ldquo;Why, no, of course not. What is there to hinder me from going anywhere?&rdquo;
- </p>
-<p>
-However, Adolphe&rsquo;s look made him reflect, and then he recalled having
-several times walked up the Place de l&rsquo;Ordson, and when in front of the
-Institute he changed his mind and retraced his steps. He accounted for
-this rather by his absent-mindedness than by anything unusual. He recalled
-that he had never passed through the Rue Mazarine or crossed the
-Pont-Neuf. Neither had he crossed the Petit Pont. He had always turned at
-the corner of the Rue Ville du Temple, near the house with the grated
-windows.
-</p>
-<p>
-&ldquo;Why,&rdquo; Adolphe asked, &ldquo;can&rsquo;t you pass these places?&rdquo;
- </p>
-<p>
-&ldquo;I think it is because the paving stones are red; and I dislike that
-color.&rdquo;
- </p>
-<p>
-&ldquo;You remember the Place de Grere?&rdquo;
- </p>
-<p>
-&ldquo;Why, yes. It was there that the pillory and scaffold were erected. The
-wheel was placed there on execution days in front of the Rue Vanniere.
-There was the old coal harbor. I never passed that place without
-counselling my comrades to avoid the wheel. However, I will wager not one
-profited by it.&rdquo;
- </p>
-<p>
-&ldquo;Nor you either,&rdquo; said Adolphe. &ldquo;It was there that you suffered the final
-torment. It was there that you were racked and expired by the tortures of
-the wheel.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0018" id="link2HCH0018"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XVI
-</h2>
-<h3>
-<i>On Private Ground</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>MONG all the paper that I found in the oaken chest, those which related
-to the death of Cartouche were by far the most curious, and presented the
-highest interest, in that they partly contradicted history. They denied
-with such persuasive strength, and such undeniable logic, that it is
-difficult to see how the great historians could have overlooked the real
-details, and the generations which have succeeded since the year 1721,
-should not have suspected the truth. History teaches us that Cartouche,
-after having suffered the rack in its most cruel form, during which he
-confessed nothing, not even a name or a fact, this Cartouche, who had only
-to die, and nothing to gain from his confession, nothing to soften his
-last moments, was brought to torment in the Place de la Grere, and it was
-there that he decided to speak. That they took him back to the Hotel de
-Ville, and that it was there that he betrayed his principal accomplices,
-after which he was racked and fastened to the cross, where he expired.
-</p>
-<p>
-Immediately after this 360 persons were arrested, with the result that
-they were tried, and judicially massacred, the last one of them being
-executed two years after Cartouche.
-</p>
-<p>
-Now in following the papers of Théophraste, we are not doing full justice
-to Cartouche. While Cartouche was an object of terror, he was at the same
-time an object of admiration. His courage knew no bounds, and he proved it
-at the time of his torture. At the moments when his sufferings were
-greatest, he did not speak. It was said that he only wished to die
-bravely. The great ladies of the court and of the city had hired windows
-and points of vantage from which to witness his death, and he did not wish
-to show them on the scaffold, a cowardly dastard, but the most daring and
-bravest of bandits. It is an historical fact that of the 360 persons who
-were arrested after his death, it was found that Cartouche was loved by
-all. The official report showed women throwing themselves in the arms of
-L&rsquo;Enfant at the Hotel de Ville, even after the denunciation.
-</p>
-<p>
-It is not necessary to mention all the protests that M. Longuet made
-against the dishonorable death attributed to Cartouche, but some of the
-preceding lines seem to show that he was right.
-</p>
-<p>
-It was while conversing on this question that Théophraste and his friend
-arrived at the Rue de le Petit Pont, without passing over the bridge.
-</p>
-<p>
-&ldquo;My dear friend,&rdquo; said Théophraste, &ldquo;look at that house at the side of the
-hotel, which has the sign, &lsquo;To the rendezvous of the Maraiches,&rsquo; and tell
-me if you find anything remarkable about it.&rdquo; They were then in front of a
-low, narrow and dirty old house, a hotel. The door on the ground floor
-disclosed a counter for the sale of drinks. Above the door was a notice,
-&ldquo;To the rendezvous of the kitchen-gardeners.&rdquo; The hotel was leaning
-against a vast building of the eighteenth century, which Théophraste
-pointed out with his green umbrella. This building had a balcony of iron,
-wrought in a delicate design of the period.
-</p>
-<p>
-&ldquo;I observe a beautiful balcony, of which the feature in the design seems
-to be the quiver of the god of love.&rdquo;
- </p>
-<p>
-&ldquo;Anything more?&rdquo; asked Théophraste.
-</p>
-<p>
-&ldquo;I do not notice anything further,&rdquo; said Adolphe.
-</p>
-<p>
-&ldquo;Do you notice the large gratings on the windows? There was a time, my
-dear Adolphe, when windows that had gratings on were very much in vogue.
-There were never so many grilled windows in Paris as in the year 1720, and
-I would swear that these were placed there the day after the affair of the
-Chateaux Augustins. The Parisians always protected their ground floor, but
-this did not trouble us very much, for we had Simon L&rsquo;Auvergnat.&rdquo;
- </p>
-<p>
-Adolphe took the opportunity of asking Théophraste exactly who this Simon
-L&rsquo;Auvergnat was. He was always referring to him, and without any obvious
-reasons.
-</p>
-<p>
-&ldquo;He was a very useful person,&rdquo; said Théophraste, &ldquo;he was the base of my
-column.&rdquo;
- </p>
-<p>
-&ldquo;What do you mean by the &lsquo;base of your column&rsquo;?&rdquo;
- </p>
-<p>
-&ldquo;You do not understand. Wait, and you soon will. Imagine yourself to be
-Simon L&rsquo;Auvergnat. Stand like this,&rdquo; and he indicated the position,
-against the wall of the house, that Adolphe was to take. He spread his
-legs and lowered his head, and raising his arms, leaned against the wall.
-&ldquo;I will place you here,&rdquo; said he, &ldquo;on account of the cornice which is to
-the left. I remember that it was very convenient. Now, since you are the
-base of my column, I lean on that base and then&mdash;&mdash;&mdash;&mdash;&mdash;-&rdquo;
- </p>
-<p>
-Before M. Lecamus had had time to see what was going to happen,
-Théophraste gripped his shoulders, leaped on the cornice of the hotel,
-from there to the balcony of the hotel at the side, and entered a room of
-which the window had been opened.
-</p>
-<p>
-M. Lecamus, stupefied, looked up into the air, and was wondering to
-himself how on earth his friend could have disappeared in such a way, when
-suddenly piercing cries came from the room, and a voice yelled out, &ldquo;Help!
-Robbers! Murder! Help!&rdquo; Fearing some dreadful act, Adolphe rushed into the
-hotel. The passers-by were stopping in the street, and before long a crowd
-had collected. He leapt over the vast stairway with the agility of a young
-man, and arrived on the first landing at the moment the door opened, and
-Théophraste appeared, hat in hand. He was bowing to an old lady, whose
-teeth were chattering from fright, and whose hair was all done up in curl
-papers. &ldquo;Dear madame,&rdquo; he was saying, &ldquo;if I had believed for one instant
-that I would have caused you such surprise, I would have remained
-downstairs. I am neither a robber, nor an assassin, my dear madam. All
-this is the fault of my friend Adolphe, who wanted me to show him how
-Simon L&rsquo;Auvergnat could serve me as the base of a column.&rdquo;
- </p>
-<p>
-Adolphe had already seized his arm, and was drawing him toward the
-stairway. He made signs to the lady from behind Théophraste trying to make
-her understand that his friend was off his head. Thereupon, she fell
-unconscious into the hands of a chambermaid, and the stairway was soon
-filled with a crowd.
-</p>
-<p>
-Adolphe profited by this to take Théophraste away. They passed through
-without hindrance, and were soon in the street again. Adolphe seemed not
-to hear Théophraste&rsquo;s protests. With one hand he dragged him towards the
-Rue Huchette, and with the other dried the sweat which was running down
-his forehead.
-</p>
-<p>
-&ldquo;Where are you taking me to?&rdquo; asked Théophraste.
-</p>
-<p>
-&ldquo;To the house of one of my friends in the Rue Huchette.&rdquo;
- </p>
-<p>
-When they reached the house in the Rue Huchette, they passed under a red
-porch, and into a very old house. Adolphe seemed to know the people, for
-he did not wait to be ushered in. He made Théophraste climb half a dozen
-stone steps which were extremely worn, and pushed open a thick door which
-was at the end of the court.
-</p>
-<p>
-They were now in a sort of vestibule, lighted by a large lamp in the shape
-of a huge ball, suspended by iron chains from the stone ceiling.
-</p>
-<p>
-&ldquo;Wait for me here,&rdquo; said Adolphe, after having closed the door by which
-they had entered. He promised not to be long and disappeared.
-</p>
-<p>
-Théophraste seated himself in a large armchair, and looked around him.
-What he saw on the wall amused him. There was an incredible quantity of
-words painted in black letters. They seemed to cover the whole surface of
-the wall, in no sort of order at all. He spelt some of them. There was
-Iris, Thabet, Rush, Jakin, Bokez, Thebe, Paracaler, and the word &ldquo;Iboah,&rdquo;
- which appeared in many places. Turning toward the other wall, against
-which he had been leaning, he saw a Sphinx and the Pyramids.
-</p>
-<p>
-An immense arch arose, and in the center of this was Christ, His arms
-extended out into a circle of flowers. On the arch were the words,
-&ldquo;Amphitheater of the wise eternal son of Truth.&rdquo; It was the arch of the
-&ldquo;Rose Cross.&rdquo; Below was this inscription, &ldquo;There are none so blind as
-those who will not see.&rdquo; Looking around he came across another
-inscription, in letters of gold: &ldquo;As soon as you have won a fact, apply
-yourself to it with your whole mind. Look for the salient points in it.
-Behold the knowledge which is in it. Give way to the hypothesis. Hunt for
-the fault in it.&rdquo; (Instructions to the clinic of the Hotel Dieu, Prof.
-Trousseau.) Besides this he saw figures of forles and vultures and
-jackals, men with birds&rsquo; heads, beetles, and the emblem of Osiris-an ass,
-and an eye. Finally he read these words in blue letters: &ldquo;The more the
-soul is rooted in her instincts, the more will she be forgotten in the
-flesh, the less consciousness she will have of her immortality, and the
-more she will remain a prisoner in living corpses.&rdquo;
- </p>
-<p>
-Impatient at the absence of his friend, and becoming a little frightened,
-he attempted to raise the drapery behind which Adolphe had disappeared.
-But as he ascended the step his head struck an object which was suspended
-in the air, and looking up he found it was a skeleton.
-</p>
-<p>
-We have said that M. Lecamus had applied himself to the occult sciences,
-and practiced spiritualism, but from what we know of M. Lecamus&rsquo;
-character, we feel that he was only an amateur in these things. He only
-practiced spiritualism for show, for snobbery, and to make an impression
-at the parties which he used to frequent. He believed no more in
-spiritualism than he believed in love. The day came, however, when his
-heart gave way, and when his spirit humiliated itself. It was the day that
-he met Marceline and M. Eliphaste de St. Elm. He met Marceline at a
-seance, where they had made him the father spirit. At this séance M.
-Eliphaste was recognized as the chief. However, this gentleman was rarely
-seen. He led a most retired and mysterious life at the foot of the Rue
-Huchette.
-</p>
-<p>
-Marceline had attended this seance by the will of M. Longuet, who, having
-been to the Salon Pneumatics, insisted that Marceline should be presented
-there. He thought that it was a kind of worldly society, where such
-subjects as pneuma-tology were discussed.
-</p>
-<p>
-The day that Marceline made her entrance to the Salon M. Eliphaste de St.
-Elm was to read a paper on the Gourse. Mme. Longuet found herself by
-chance next to M. Lecamus, and after discussing a good many points in the
-lecture, they found that they had a great many things in common, and by a
-curious chance M. Lecamus discovered that he was an old college chum of M.
-Longuet&rsquo;s. It was thus that he became welcomed into the family circle of
-M. Longuet.
-</p>
-<p>
-This preamble is necessary for us to understand the presence of M. Lecamus
-and Marceline together in the house of M. Eliphaste de St. Elm, at the
-foot of the Rue de Huchette, while Théophraste was waiting for him wearily
-in the vestibule. The visit was the result of a conversation between M.
-Lecamus and Mme. Longuet, early that morning. She had hidden nothing from
-him regarding the events of the nights before, and the history of Signor
-Petito&rsquo;s ears showed to M. Lecamus the necessity of taking precautions
-against the spirit of Cartouche. At the bottom of his heart M. Lecamus
-felt to a certain extent guilty for the follies of Théophraste, and he had
-been asking himself, lately, just how far he could let this reincarnated
-soul go, for M. Lecamus was a novice at spiritualism, and it was his
-intention to experiment with Théophraste and Cartouche.
-</p>
-<p>
-He was no sooner assured of having in his hands a reincarnated soul, than
-his curiosity aroused in him a desire to make use of it. This was exactly
-what he had done in putting the reincarnated soul of Cartouche before his
-portrait, without taking any precautions, and now he did not know how he
-could stop that which he had unconsciously set in motion. He knew how to
-arouse such a spirit, but he did not know how to stop it.
-</p>
-<p>
-It was for this reason that he and Mme. Longuet had come this morning to
-beg M. St. Elm to exercise his influence, for there was not a cleverer
-guide for reincarnated souls in Paris.
-</p>
-<p>
-In the meantime, Théophraste had been locked up in the vestibule, and when
-he struck his head against the skeleton, he began to think that it would
-be more tranquil in a mound at St. Chaumont. The corridor in which he
-found himself did not have a single window. A red gloom lighted it from
-one end to the other. It came from the cellar, and penetrated the thick
-pavement glass. The corridor had crevices and angles. He came to a corner
-and stopped abruptly. He was impatient to go ahead, and went into one of
-the two branching passageways which ran from the corridor. Five minutes
-later he found himself at the same cross passage. Then he went up the
-first corridor again, taking the direction that he had followed in coming
-out to the vestibule, but to his great surprise he could not find the
-vestibule. He wandered about for what seemed to him several hours, and he
-was just giving up hope of ever getting out of this labyrinth, when he saw
-Adolphe in the distance. He ran up to him and was on the point of
-reproving him for having kept him waiting so long, when Adolphe said to
-him sadly: &ldquo;Come, Marceline is in there; we are going to present you to a
-good friend.&rdquo;
- </p>
-<p>
-Théophraste found himself in a large, dark room, where his attention was
-attracted by a great light which fell on the figure of a man. But strange
-to say, the light did not seem to fall on the man, but rather to radiate
-from him. In fact, when the figure moved it seemed to carry the light with
-it. Before the flambeau a woman was standing in a humble attitude, with
-clasped hands and bowed head.
-</p>
-<p>
-Then Théophraste heard a voice, a friendly voice, a manly voice, a voice
-sweeter than the sweetest voice of woman, which said to him: &ldquo;Come to me
-without fear.&rdquo;
- </p>
-<p>
-That which astonished M. Longuet above all else was the astral light which
-showed up the noble features of M. Eliphaste de St. Elm. He was a person
-of divine elegance, as elegant as a Christ on the Tripoli.
-</p>
-<p>
-&ldquo;I do not know where I am,&rdquo; said Théophraste, &ldquo;but it gives me confidence
-to see my friend Adolphe, and my wife, Marceline, at your side. However, I
-should like to know your name.&rdquo;
- </p>
-<p>
-&ldquo;My dear sir,&rdquo; said the harmonious voice, &ldquo;I am called M. Eliphaste de St.
-Elm.&rdquo;
- </p>
-<p>
-&ldquo;Well,&rdquo; said Théophraste, &ldquo;my name is Cartouche. But it has been believed
-for a long, long time that this name was given to me as a nickname.&rdquo;
- </p>
-<p>
-&ldquo;You are not Cartouche,&rdquo; said Eliphaste.
-</p>
-<p>
-&ldquo;Your name is Théophraste Longuet. You will pardon me, but there is no
-longer any need for confusion; you were formerly called Cartouche, but now
-you are called Théophraste Longuet.&rdquo;
- </p>
-<p>
-M. Théophraste then recalled a number of personages with whom he had, in
-the spirit of Cartouche, been speaking. They were all of the eighteenth
-century-Gatelard, Marie Antoinette Neron, and others, and it was evident
-that his mind was dwelling on that period, and he was living in the
-present a life of the past.
-</p>
-<p>
-Théophraste was still talking of these times, when the half shadows which
-seemed to envelop him were suddenly dissipated, and the room appeared in
-the splendid brightness of day. He looked around with evident
-satisfaction, first at his wife, and then at Adolphe, and finally at M.
-Eliphaste. Eliphaste had entirely lost his supernatural aspect, his astral
-mantle had disappeared, and if his features had still their sublime and
-unusual pallor, he seemed, nevertheless, a man like other men.
-</p>
-<p>
-&ldquo;Ah, this is better,&rdquo; said Théophraste, sighing.
-</p>
-<p>
-&ldquo;It is not necessary for you to think any more of old Paris,&rdquo; said M.
-Eliphaste. &ldquo;You have nothing more to do with it. You are Théophraste, and
-it is the year of grace, 1899.&rdquo;
- </p>
-<p>
-&ldquo;Possibly,&rdquo; replied Théophraste, who was obstinate; &ldquo;but the question is,
-what about my treasure? I have a perfect right to look at a plan of old
-Paris, for I can follow the place where I buried it formerly, and find the
-place where I must look.&rdquo;
- </p>
-<p>
-Eliphaste, speaking to Lecamus, said, &ldquo;I have often witnessed the crises
-of Karma, but never has it been given to me to study one of such
-strength.&rdquo;
- </p>
-<p>
-Eliphaste reflected, and then leading Théophraste to the right, he brought
-him before a map of real Paris. &ldquo;Behold,&rdquo; said he, &ldquo;the exact point where
-Le Fouches de Mount Fançons were. As to the mouth of the Choppinettes, and
-of the Coq, they were at those two points of the Monte St. Chaumont. The
-forks were found on a small eminence on the side of the principal mound,
-but far to the right of where the Protestant of the Rue de Crimee stands
-to-day. To find your treasure again, my friend, it will be necessary to
-search in that triangle. The mounds, as you say, have been the remains of
-a filled-in ditch, and I doubt very much if your treasure could still be
-found there. I specified for you the old space on a modern plan to
-disillusion you. You must clear your mind. Think no more on your
-treasures. Do not live in the past. You must live in the present, and for
-the future. You must drive away Cartouche, because Cartouche is no more.
-It is Théophraste Longuet who is.&rdquo;
- </p>
-<p>
-M. Eliphaste pronounced these words with great force.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0019" id="link2HCH0019"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XVII
-</h2>
-<h3>
-<i>They Decide to Kill</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>ELIPHASTE had been reasoning with Théophraste, and using all the
-arguments of spiritualists to persuade him to make an effort to rid
-himself of the spirit of Cartouche.
-</p>
-<p>
-&ldquo;However,&rdquo; said Théophraste, &ldquo;I thank you for the interest you have taken
-in me, and for your sympathy; but I tell you, you can do nothing for me.
-You say I am sick, but I am not. If I were you could cure me. You also say
-that I am to drive away this Cartouche; but, though that is easily said, I
-can assure you that it is not so easily done. It is impossible, my dear M.
-Eli-phaste.&rdquo;
- </p>
-<p>
-&ldquo;And yet,&rdquo; said M. Eliphaste, &ldquo;it is necessary. For if we do not succeed
-in driving him out, we must kill him. That is an operation the result of
-which I cannot vouch. It is a delicate operation, and full of dangers.&rdquo;
- </p>
-<p>
-M. Eliphaste had hoped that this obsession of Cartouche was only
-imaginary, and so by reasoning he could drive it away. But, alas, the
-reality of it was only too true, and Théophraste, while willing to help
-him, could not get himself to believe M. Eliphaste&rsquo;s arguments.
-</p>
-<p>
-&ldquo;You understand,&rdquo; said M. Eliphaste, &ldquo;your case is most extraordinary.
-Everybody in the world has lived before, and will live again. This is the
-Law of Karma. It may be possible to find some one who was a friend of
-Cartouche&rsquo;s. The true object of that wonderful evolution of souls through
-the bodies, is to develop and qualify them to enjoy the perfect happiness
-which will finally be the inheritance of the fortunate ones who will enter
-into the Kingdom of Heaven. It is thought that at each birth, the
-personality differs from the preceding one, but it is only the veritable,
-divine and spiritual I. These divers personalities are in some measures
-only the links of the infinite chain of life, which constitutes,
-throughout the ages, our immortal individuality.&rdquo;
- </p>
-<p>
-The admirable wisdom of the teaching appealed to Théophraste immensely.
-Eliphaste had shown himself so much the master of his thoughts, that he
-could not understand why he had remained ignorant so long, without even
-having suspected these wonderful truths. He saw the great difference
-between Eliphaste and Adolphe, the difference, as he said, &ldquo;between the
-Man of Reason and the Learned Ape.&rdquo;
- </p>
-<p>
-Eliphaste continued: &ldquo;When one is persuaded of this great truth, one need
-not be astonished at the wonderful things that happen in the present-if
-they recall events of former times. But to live according to the Law of
-Wisdom, one must live in the present, and not look behind.&rdquo;
- </p>
-<p>
-Théophraste had too often looked behind. His mind had occupied itself with
-thoughts of the past. If this had continued, in a very short time
-Théophraste would have gone quite mad.
-</p>
-<p>
-And so Théophraste thought: &ldquo;I must either forget Cartouche, throw him off
-completely, or develop all his characteristics.&rdquo;
- </p>
-<p>
-M. Eliphaste told them that what men call vocations to-day were only a
-latent revelation of the past, and they could only be explained that way.
-He told them that what was called facility among men to-day was nothing
-else but retrospective sympathy for some objects that they knew better
-than others, having studied them better before the real and actual life.
-He said that we even assume the gesture of the past without knowing it. He
-himself had seen, on the eve of the Battle of the Bourget, two young men
-fall near him, handsome as demigods, brave as Castor and Pollux, and who
-succumbed with grace that the heroes showed in dying at Salamis, Marathon,
-or at Platies. M. Eliphaste then pressed Théophraste to his heart,
-breathed on his forehead and his eyes, and then asked him if he was quite
-persuaded of the truth. He said that to be happy we must seek to give an
-account of ourselves, as to the perpetual changes of our condition, and
-that by this we learned to live in the present, and to comprehend that the
-future belonged to us entirely. Are we not the children of the Eternal, in
-whose eyes a thousand years are as a day, and a day as a thousand years?
-</p>
-<p>
-Théophraste said to him that he was not at all astonished at having been
-Cartouche-it seemed so natural to his mind-that he would never more dwell
-on it, and he declared that at present Cartouche was driven away.
-</p>
-<p>
-Thereupon Marceline asked what time it was, and Adolphe told her it was
-eleven o&rsquo;clock, and so they rose to take their leave. However, just before
-leaving, an incident occurred which went to prove too clearly that the
-spirit of Cartouche had not left Théophraste.
-</p>
-<p>
-Upon Adolphe&rsquo;s declaring that it was eleven o&rsquo;clock, Théophraste took out
-his watch and contended that it was half after eleven, and after a few
-words, he said, &ldquo;You can cut off my right hand if I am wrong.&rdquo;
- </p>
-<p>
-Turning to M. Eliphaste, that gentleman confirmed M. Lecamus&rsquo; statement,
-whereupon Théophraste picked up a small knife which was lying near, and
-would have severed his right hand but for M. Eliphaste, who, grasping the
-situation, seized Théophraste&rsquo;s uplifted hand with dexterity and
-incredible strength. He ordered him to drop the knife, and told him that
-he was not keeping to the compact. M. Eliphaste felt that it was no good
-arguing with him on the matter of the spirit of Cartouche, and despaired
-of ever ridding him of the spirit by reasoning. He turned to Adolphe and
-said, &ldquo;Let us go. It is too late. There is nothing to do but to kill him.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0020" id="link2HCH0020"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XVIII
-</h2>
-<h3>
-<i>The Operation</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HIS savage onslaught, which but for the presence of mind of M. Eliphaste
-would have terminated in the amputation of M. Longuet&rsquo;s hand, proved to
-them that the sanguine imagination of Cartouche had so completely invaded
-the brain of M. Longuet that it seemed to them the only remedy for such a
-misfortune was the death of Cartouche.
-</p>
-<p>
-M. Eliphaste did not hesitate. He had reasoned with him in vain, and had
-even hoped at one time that he had been victorious, but this incident
-undoubtedly proved otherwise. He rose and looked at Théophraste, giving
-him a long, steady glance, which seemed to pierce the uttermost depths of
-his soul. Théophraste sighed several times and began to tremble violently,
-when M. Eliphaste cried, &ldquo;Cartouche, I order you to sleep.&rdquo; Théophraste
-fell as if stricken on the armchair which stood behind him, and did not
-make another move. His respiration was so silent that they doubted if he
-still lived. Marceline ran to him alarmed, but M. Eliphaste restrained
-her, saying, &ldquo;All is well. The operation of the death of Cartouche has
-begun.&rdquo;
- </p>
-<p>
-Adolphe knew, from several examples, that there is always a great risk
-when one wishes to kill a reincarnated soul-that is to say, to throw it
-back toward the past. There is a risk of killing the body in which it is
-reincarnated. And so he knew that trying to kill the soul of Cartouche
-without killing Théophraste was a great undertaking.
-</p>
-<p>
-It needed all the authority, and all the science of M. Eliphaste, to calm
-them in the extremity in which they found themselves. He was the most
-intellectual and scientific spiritualist of the day. He had the most
-absolute and domineering will that the world had seen since Jacques Molay,
-to whom he had succeeded, by the supreme direction of the secret order of
-Temphis. He had made an allegorical demonstration of his last treatise on
-&ldquo;Psychic Surgery,&rdquo; and had analyzed the subject in his pamphlet on &ldquo;Astral
-Scalpel.&rdquo;
- </p>
-<p>
-It is necessary to enumerate all the accomplishments of M. Eliphaste, for
-it gives Adolphe a chance of refuting in advance the reproach put upon him
-for letting him treat his best friend with the utmost severity. The
-criminal eccentricities of M. Longuet, of which Signor Petito was the
-first victim, made him dread the most irremediable catastrophes, and it
-was for this reason that he was led to consider the operation of Cartouche
-as a benefit, not only possible, but probable, without too great a risk to
-Théophraste. As to Mme. Longuet, her faith in M. Eliphaste was so great
-that at first she only made a few remarks, so as to relieve her of any
-responsibility, and then the terror that she had of sleeping with
-Cartouche made her, over and above everything, desire his death.
-</p>
-<p>
-M. Eliphaste told Adolphe to take Théophraste&rsquo;s heels, and he took and
-held him under the armpits, and they carried him into the sub-cellar,
-where a laboratory had been fitted up, which was lighted in the day by
-gas, with large, red, hissing flames.
-</p>
-<p>
-Mme. Longuet followed. They placed Théophraste on a bed, and bound him
-down with straps. He was still under the mesmeric influence. M. Eliphaste
-stood over him, watching him closely, for a quarter of an hour, during
-which time there was a deep silence in the room. At length a voice was
-heard. It was M. Eliphaste praying. The prayer began in this way:
-</p>
-<p>
-&ldquo;In the beginning there was silence. Oh, age Eternal, source of all ages&mdash;&mdash;&mdash;&rdquo;
- </p>
-<p>
-When the prayer was ended, M. Eliphaste took Théophraste by the hand and
-seemed to command him without speaking. He questioned Théophraste by the
-strength of his domineering spirit -only by the answers Théophraste made
-could they understand what he had been commanded to tell. Théophraste
-said, without effort, &ldquo;Yes, I see. Yes, I am. I am M. Théophraste Longuet;
-in an apartment of the Rue Gerondeau.&rdquo; M. Eliphaste turned toward Adolphe
-and Marceline. &ldquo;The operation is a bad one,&rdquo; he said in a deep voice. &ldquo;I
-have put Cartouche to sleep, and Théophraste answers me. He is sleeping in
-the present. We must not precipitate matters. It will be dangerous.&rdquo;
- </p>
-<p>
-&ldquo;I am in the Rue Gerondeau-in the apartment under mine-and I see stretched
-on the bed a man without ears. In front of him a woman; a dark woman-she
-is pretty-she is young-her name is Regina-the woman is saying to the man,
-‘Signor Petito, as true as I am called Regina, and that you have lost your
-ears, you will cease to see me in forty-eight hours if you have not found
-the means to give me a little comfort, to which I have a right. When I
-married you, you basely deceived me, both as to your fortune and as to
-your intelligence. Your fortune rested only in hopes which have not been
-realized. What are you going to do?&rsquo;
-</p>
-<p>
-&ldquo;Signor Petito replies, &lsquo;My dear Regina, you puzzle me. Leave me in peace
-to find a trace of the treasures that the imbecile above is incapable of
-snatching from the profound depths of the earth.&rsquo;&rdquo;
- </p>
-<p>
-Théophraste made them understand, in his sleep, that the imbecile referred
-to was Cartouche. M. Eliphaste turned toward them, saying, &ldquo;I expect that
-word to make him quit the present. Now, madam, the time has come. I am
-going to tempt God.&rdquo; And then he spoke in a commanding voice, in a voice
-that it seemed impossible not to obey. &ldquo;Cartouche,&rdquo; said he, extending his
-hand above the strapped bed with a commanding majesty, &ldquo;Cartouche, where
-wast thou on the night of the first of April, 1721, at ten o&rsquo;clock?&rdquo;
- </p>
-<p>
-&ldquo;On the night of April first, 1721, at ten o&rsquo;clock, I struck two light
-blows on the door, with the intention of making them open the door of the
-Tavern Reine Margot. I never should have believed that I could have
-reached the ironmonger&rsquo;s shop so easily. But I had killed the horse of the
-French guardsman, and I had thrown those who had followed him into the
-Seine. At the Reine Margot I found Paleton, Gatelard, and Guenal Noire. La
-Belle Laittiere was with them. I related the story to them while emptying
-a bottle of wine. I had confidence in them, and I told them that I
-suspected Va de Bon Cour-and perhaps Marie Antoinette-of having whispered
-something to the spies. They cried out, but I cried out louder than they.
-I announced to them that I had decided to deal summarily with all who gave
-me cause to suspect them. I became very angry, and La Belle Laittiere told
-me that I was no longer bearable. Was it my fault? Every one had betrayed
-me. I could not sleep two nights consecutively in one place. Where, then,
-were the days when all Paris was with me? Where, then, was the day of my
-wedding to Marie Antoinette, when we sang the air of &lsquo;Tout joli belle
-menniere, Tout joli moulin&rsquo;? Where was now my uncle Taton? Shut up in a
-castle. And his son? Killed by me because he was going to denounce me. I
-had done it quickly. A pistol shot, and his corpse was under a pile of
-rubbish. Then I was sure of his silence. I killed the robber Pepin, and
-the police officer Huron. I did not ask anything, only that they leave me
-alone to police Paris for the security of everybody. My great council,&rdquo;
- this he murmured to himself, &ldquo;did not pardon me for having Jacques le
-Febrere executed. I am no longer bearable, and that is because I wish to
-live. After that which had come to pass,&rdquo; continued Théophraste in his
-hypnotic sleep, &ldquo;and the miraculous way in which I escaped in spite of
-treachery and the precautions taken by the spies, I did not conceal from
-Gate-lard or from Guenal Noire that I had decided to leave them.
-</p>
-<p>
-&ldquo;I soon left them and opened the door of the Reine Margot. Not a soul in
-the ironmonger&rsquo;s shop. I was saved. I did not even stop Magdelen, whom I
-passed while walking along the walls of the cemetery, where I was going to
-sleep that night. Truth was, I was going to pass the night like a robber
-in my hole in the Rue Amelot. It was pouring with rain.&rdquo;
- </p>
-<p>
-It would be difficult to describe the strange tone in which this narrative
-was related. The undulation of the phrases, their stops and their
-stations, then the peculiar monotone in which the words fell from
-Théophraste&rsquo;s lips while he was in the hypnotic sleep. His face sometimes
-expressed anger, sometimes contempt, and sometimes terror.
-</p>
-<p>
-M. Lecamus, who had seen Cartouche&rsquo;s portrait, recalled that at certain
-times there was a striking resemblance to that of Théophraste. Just as he
-was relating the incident of passing Magdelen, and the downpour of rain,
-Théophraste&rsquo;s face showed a most peculiar expression, changing from joy to
-most overwhelming despair.
-</p>
-<p>
-M. Eliphaste, leaning over the bed, asked him: &ldquo;What then, Cartouche?&rdquo;
- </p>
-<p>
-Théophraste replied in a rattling voice: &ldquo;I killed a passerby.&rdquo;
- </p>
-<p>
-The operation continued, but it was only by degrees that M. Eliphaste
-wished to bring Cartouche to the hour of his death. Before making him live
-his death, it was necessary to make him live a little of his life. That
-was the reason that M. Eliphaste had thrown the spirit of Cartouche back
-to the month of April, 1721.
-</p>
-<p>
-Though the minutes following were terrible for the onlookers, they were
-worse for Cartouche, who was passing through the end of his career the
-second time.
-</p>
-<p>
-It was not until October 11, 1721, that the treason bore fruit.
-</p>
-<p>
-Coustard, sergeant in the company of Cha-bannes, took forty men and four
-sergeants with him, all of whom were designated by Duchatelle, Cartouche&rsquo;s
-lieutenant, who had betrayed him. This little army, in citizen clothes,
-concealing its arms very mysteriously, surrounded the house pointed out by
-Duchatelle.
-</p>
-<p>
-It could not have been more than nine o&rsquo;clock in the evening when they
-arrived in sight of the tavern, Au Pictolet, kept by Germain Tassard and
-his wife, near the Rue des Trois Bornes. Tassard was smoking his pipe on
-the doorstep, when Duchatelle came up and demanded, &ldquo;Is there nobody
-upstairs? No? Where are the four ladies?&rdquo;
- </p>
-<p>
-Tassard, who expected this question, said, &ldquo;Go up.&rdquo;
- </p>
-<p>
-The little troop rushed in, and when they came to the room above, they
-found Boloquy and Cartouche drinking wine before the fireplace. Gaillard
-was in bed, and Cartouche was seated on the bed, mending his breeches.
-</p>
-<p>
-They rushed upon him. The attack was so sudden that he had no time to make
-any resistance. They tied him with strong ropes, and, placing him in the
-coach, took him prisoner to Monsieur the Secretary of State. Then he was
-taken to the Grande Châtelet.
-</p>
-<p>
-He was in his shirt, having had no time to put on his breeches. He kept
-cool, congratulating the lieutenant who had betrayed him on the fine
-livery he wore.
-</p>
-<p>
-As the coach passed down the road, it nearly crushed some poor wretch who
-was in the way, and Cartouche, seeing his plight, shouted to him that
-phrase which he seemed to have affected, &ldquo;It is necessary to look out for
-the wheel.&rdquo;
- </p>
-<p>
-All the people ran out to see him on his way to the house of M. the
-Secretary of State. They cried out, &ldquo;It is Cartouche! It is Cartouche!&rdquo;
- only half believing it, as they had so often been deceived.
-</p>
-<p>
-While in the prison awaiting trial, Cartouche received many illustrious
-visitors. The Regent came; the courtesan Emilie and the Mme. le Maréchale
-de Boufflers followed one after the other to pay the prisoner small
-attentions. Some one had composed a play, and Quinnato, the famous actor
-of the time, who filled the principal rôle in it, came to ask him for
-suggestions about the chief scene.
-</p>
-<p>
-When Cartouche had been sufficiently amused, he began to think of making
-his escape. He intended doing this in spite of the very close watch that
-was being kept over him.
-</p>
-<p>
-After getting out of his dungeon, and just as he was pushing the last bar
-which separated him from the street and liberty, he was discovered and
-caught.
-</p>
-<p>
-Thinking that the Grande Châtelet was not strong enough for so ingenious a
-man, he was bound securely in chains and taken to the Conciergerie, in the
-most formidable corner of the tower of Montgomery.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0021" id="link2HCH0021"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XIX
-</h2>
-<h3>
-<i>The Torture Chamber</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>T is only the basest of literature that describes without adequate
-reason the weird, the horrible. However, many authors find it necessary to
-dilate upon the most satanic personalities of men, and the worst cruelties
-imaginable.
-</p>
-<p>
-Therefore, it is only with the knowledge that the recital of the
-misfortunes of Théophraste is destined to throw a light on the most
-obscure problems of psychic surgery that the author of these lines
-proceeds with this description of the most frightful tortures, moral and
-physical, that have ever been endured by man.
-</p>
-<p>
-The operation to be performed was a singular one, and full of the gravest
-of dangers. However, M. Eliphaste was in the habit of performing the most
-complicated of psychic operations, and the delicacy of his astral scalpel
-was universally acknowledged. But the difficulty was the delay.
-</p>
-<p>
-Had M. Lecamus brought Théophraste earlier, the danger would have been
-less, but now M. Eliphaste recognized the gravity of the case, and he said
-that to kill Cartouche without killing Longuet was to tempt God. It was
-the gravest responsibility.
-</p>
-<p>
-However, he knew how to lead M. Longuet&rsquo;s mind quietly and without haste
-to the subject of his death, and thus he prepared him for death.
-</p>
-<p>
-He made him live his death the moment that he made him die his death.
-Then, at the psychological moment, he made a certain gesture, the double
-sign which precipitated in death the spirit of the dead, and brought back
-to life the living mind.
-</p>
-<p>
-These were the details of the operation to be performed, and the
-preliminaries, which consisted in making Théophraste live through the last
-months of Cartouche&rsquo;s life, having been started, M. Eliphaste began asking
-Théophraste a series of questions. The latter was lying, groaning, on the
-bed in the laboratory, which was lighted by the hissing scarlet flames.
-</p>
-<p>
-M. Lecamus and Mme. Longuet sat on a low bench at one side of the room. M.
-Eliphaste stood beside the bed.
-</p>
-<p>
-&ldquo;Where did they take you, Cartouche?&rdquo;
- </p>
-<p>
-&ldquo;In the torture room. My trial is ended. I am condemned to die on the
-wheel. Before the torture they wish me to confess the names of my
-accomplices, my friends, my mistresses. I should rather die on the wheel
-twice! They shall know nothing!&rdquo;
- </p>
-<p>
-&ldquo;And now, where are you, Cartouche?&rdquo;
- </p>
-<p>
-&ldquo;I am going down a small stairway, at the end of the &lsquo;Walk of the
-Pillory.&rsquo; I open a grating. I am in the dark cellars. These dungeons do
-not frighten me. I know them well! Ah! Ah! I was shut up in that dungeon
-under Phillippe le Bel!&rdquo;
- </p>
-<p>
-Then with a terrible power M. Eliphaste cried out, &ldquo;Cartouche! Thou art
-Cartouche! Thou art in the dungeons by order of the Regent.&rdquo; Then he
-repeated to himself, &ldquo;Phillippe le Bel?&rdquo; and then to Théophraste again,
-&ldquo;Where are we going? Where are we? My God! We must not lose our way! And
-now where are you, Cartouche?&rdquo;
- </p>
-<p>
-&ldquo;I advance in the darkness of the cellars. There are about me, walking in
-the dark, so many guardsmen that I cannot tell the number. I see below,
-far, far below, a ray of light that I know well. It is a square ray of
-light that the sun has forgotten since the beginning of the history of
-France. My guards are not French guardsmen. They mistrust all French
-guardsmen. My guards are commanded by the Lieutenant of the Short Robe of
-the Châtelet.&rdquo;
- </p>
-<p>
-&ldquo;Where art thou now, Cartouche?&rdquo;
- </p>
-<p>
-&ldquo;I am in the torture chamber. There are before me men clothed in long
-robes, but I cannot distinguish their faces. They are my commissioners,
-who have been entrusted with the verifications, as appeared to be the
-custom. But why do they call it verifications? The thought makes me
-smile.&rdquo; (Théophraste really smiled as he said this.) &ldquo;Where are you now,
-Cartouche?&rdquo;
- </p>
-<p>
-&ldquo;They put me on the criminal stool. They have put my legs in backings.
-With incredibly strong cords, they have bound small planks about my legs.
-I believe truly that the rascals wish to make me suffer to the limit, and
-the whole day&rsquo;s work will be rough. But I have a heart hardened by
-courage. They shall not break it!&rdquo; At this point M. Longuet, on his
-strapped bed, uttered a fearful cry. His mouth was wide open, and he
-groaned incessantly. Adolphe and Marceline leaned over him and asked with
-horror when that howling would cease, and when that mouth would close. But
-M. Eliphaste only said, &ldquo;The torture has begun. But if he howls like that
-at the first blow of the mallet, there is going to be trouble.&rdquo; M.
-Eliphaste was not expecting those groans. He paid no attention to the
-howling. He calmed M. Lecamus and Mme. Longuet with a supreme gesture. He
-spoke to Théophraste, something they never knew, for the howling prevented
-them from hearing anything.
-</p>
-<p>
-At last the howling became groaning, and eventually the groaning itself
-stopped. Théophraste&rsquo;s face had become comparatively placid.
-</p>
-<p>
-&ldquo;Why do you cry out in that way, Cartouche?&rdquo; &ldquo;I scream because it is a
-punishment that I cannot denounce my accomplices. I have their names on
-the end of my tongue! They do not see that if I do not denounce them it is
-because I cannot move the end of my tongue! I cannot! I cannot! I cannot!
-And they struck with their mallet again! And they sunk the pieces of wood
-into my legs again! It is unjust! I cannot move the end of my tongue!&rdquo;
- </p>
-<p>
-&ldquo;What are they doing to you now, Cartouche?&rdquo; &ldquo;The doctor and the surgeon
-are leaning over me and feeling my pulse. They are congratulating
-themselves on having chosen that kind of torture, which is, they are
-saying to the commissioners, the least dangerous to life and the least
-susceptible to accidents.&rdquo;
- </p>
-<p>
-&ldquo;And now, Cartouche, what are they doing to you?&rdquo;
- </p>
-<p>
-&ldquo;They are doing nothing to me, and I regret it, for they have decided to
-bury the second wedge in me only a half hour after the first, and let the
-pain which it produced pass away, and the sensibility be entirely
-restored. I am looking at my judges. They have black mouths. I like the
-face of the executioner better. He is no more amused than I. He wants to
-be somewhere else. But there he comes with the second judge. They are all
-around me. They are over me! Ah! Ah! Ah! Ah!...&rdquo;
- </p>
-<p>
-Never had Théophraste looked so terrible. His mouth was wide open, and his
-tongue seemed paralyzed. Foam was around his lips, and his eyes seemed to
-start out of his head.
-</p>
-<p>
-M. Lecamus looked across to M. Eliphaste, who said, when the second howl
-had died away, &ldquo;Why do you scream, Cartouche?&rdquo;
- </p>
-<p>
-&ldquo;Because these torturers will not listen to the names that are on the end
-of my tongue.&rdquo;
- </p>
-<p>
-&ldquo;But you have not told us any names. You have only screamed.&rdquo;
- </p>
-<p>
-&ldquo;It is Cartouche they are torturing and Longuet who screams,&rdquo; answered
-Théophraste.
-</p>
-<p>
-M. Eliphaste was taken aback by this last response. He turned toward the
-two silent onlookers and said in a low, trembling voice, &ldquo;Then it is he
-who is suffering.&rdquo;
- </p>
-<p>
-There was no room for doubting this truth. The fearful expressions on
-Théophraste&rsquo;s face as he imagined the executioner forcing the wedge in,
-showed too plainly that though it was Cartouche whom they tortured, it was
-Théophraste who really suffered.
-</p>
-<p>
-M. Eliphaste seemed very concerned. Never before had such a case come
-before his astral scalpel. The identity of the soul had been proven, and
-suffering Cartouche had cried out in distress after two centuries. This
-cry had waited to come from the lips of Théophraste.
-</p>
-<p>
-M. Eliphaste leaned his head on his hands and prayed. After a short
-silence he turned to M. Lecamus and said, &ldquo;We are only at the second
-wedge, and there are seven of them.&rdquo;
- </p>
-<p>
-&ldquo;Do you think my husband will have the strength to bear them?&rdquo; asked
-Marceline.
-</p>
-<p>
-M. Eliphaste leaned over the prostrate form of Théophraste and examined
-his head, just as the doctor had done to Cartouche in the torture chamber.
-</p>
-<p>
-&ldquo;The man is all right,&rdquo; said he. &ldquo;I don&rsquo;t believe there is anything to
-fear now. We must kill Cartouche.&rdquo;
- </p>
-<p>
-&ldquo;I think so, too,&rdquo; said Lecamus. &ldquo;It is necessary for the future security
-and definite happiness of M. Longuet.&rdquo;
- </p>
-<p>
-M. Eliphaste then continued his interrogations:
-</p>
-<p>
-&ldquo;And now what are they doing to you, Cartouche?&rdquo;
- </p>
-<p>
-&ldquo;They are questioning me. I cannot reply. Why doesn&rsquo;t that man in the
-corner of the dungeon do his duty? I have not yet seen his face. He turned
-his back to me and made a noise with old irons. The executioner is very
-quiet. He is leaning against the wall, yawning. There is a lamp on the
-table which gives light to two men, who write incessantly. Behind the man
-who is making the noise I see a little red light. The executioner&rsquo;s
-assistant has loosened the knots in the cords a little, which gives me a
-relief for which I am grateful... But... but... but the assistant on the
-other side pulls and pulls. If he continues to pull the cords so he will
-cut my legs off. They bring a crucifix for me to kiss. Behind the man who
-turned his back on me I hear something like crackling embers, and there
-are small red flames which lick the stone walls. Between the two men who
-are writing there is a man who makes a sign. The executioner has a kind
-face. I sign to him for some water. I could bear the pain better if I had
-not such a thirst. The executioner raises his mallet! I swear I cannot say
-the names which are at the end of my tongue. They will not leave me. I
-cannot speak! Oh! why cannot you hear them? Take them from me!&rdquo;
- </p>
-<p>
-By this time his mouth had become closed, but the lips were opened in such
-a way as to make it appear that he had no lips. The teeth were locked and
-welded together tightly. A muffled cry of suffering came from the throat,
-but could not escape through the closed teeth. Suddenly there was a sharp
-grinding, and his teeth began to break under the great pressure of that
-closed jaw. Pieces of teeth were scattered over the bed, and blood issued
-from his mouth. His horrible groaning continued, and Théophraste showed
-signs of weakening under the great strain.
-</p>
-<p>
-At this horrible spectacle M. Eliphaste declared wearily that he had never
-assisted or suspected that he could assist at such suffering. He confessed
-that until to-day he had never operated on a reincarnated soul of less
-than five hundred years. It was obvious that in spite of all his science
-and all his experience the illustrious medium was nonplussed.
-</p>
-<p>
-M. Eliphaste did not try any longer to dissimulate his anxiety. He could
-have stopped the operation there if he had had time. But they buried the
-wedges in so rapidly that it did not even permit him to question M.
-Longuet.
-</p>
-<p>
-During this last performance M. Longuet&rsquo;s toothless mouth opened again.
-Other cries issued from it which were not like human cries at all. They
-were so curious and so weird that all three onlookers leaned over him,
-trembling with terror to see how such a cry could be made by a human
-mouth.
-</p>
-<p>
-Mme. Longuet wanted to run away, but in her fright she fell. When she
-arose the cries had ceased. M. Eliphaste commanded her to be quiet,
-recalling to her with a severe look her responsibility in the operation.
-</p>
-<p>
-M. Théophraste now reposed peacefully on his strap-mattress. That
-peacefulness, following immediately the horrors of such suffering, was
-extraordinary. He was not in pain. He remembered none of it. After the
-torturing was over he ceased to think of it, and consequently this was how
-he could reply to M. Eliphaste in the intervals of torture, in the most
-natural way, without physical emotion.
-</p>
-<p>
-M. Eliphaste again began to interrogate him:
-</p>
-<p>
-&ldquo;And now where are you, Cartouche?&rdquo;
- </p>
-<p>
-&ldquo;I am still in the torture chamber. Ah! they hold me! They hold me
-tightly! They hold my arms! What are they going to do? The man in the
-center says, &lsquo;By order of the Regent we must have the names. So much the
-worse if he dies for it! Are the tongs ready? Begin with the breasts!..
-Oh! Oh! The man kneeling before the burning coals gets up, making a noise
-with the irons. He hands the red tongs to the executioner. They uncover my
-right breast! Oh! Oh! It is dreadful! I cannot live through it!&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0022" id="link2HCH0022"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XX
-</h2>
-<h3>
-<i>In the Charnel House</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HE recital which follows is the integral reproduction of what came out
-of the mouth of Théophraste while plunged in hypnotic sleep, from the
-moment that he submitted to the torture until he died. This part is of the
-highest importance, not only for the experimental spirit of science, but
-for history, for it destroys the legend of the wheel and shows to us, in
-an indisputable fashion, the real death of Cartouche. I have not found
-this part stored in the oaken chest, but in the papers and statements
-which have been read in the Spiritual Congress of 1889. It is all from M.
-Eliphaste&rsquo;s hand.
-</p>
-<p>
-Théophraste, or, rather, Cartouche in the power of M. Eliphaste, said, &ldquo;I
-do not know exactly what has happened to me. I have died, I have hidden
-the document, and I have not met a single person. When I re-opened my eyes
-(I had them closed then, and I was without doubt falling from a feebleness
-that seemed like death) I did not recognize at first a single one of the
-objects which surrounded me, and I did not know the place into which they
-had carried me. Certainly I am no longer in the torture room, nor in my
-dungeon in the tower of Montgomery. Am I only in the Conciergerie again? I
-do not know. Where have they imprisoned me after the torture, whilst
-waiting for my death? Into what new prison have they thrown me? The first
-thing that I distinguish is a bluish light which flitters across some
-heavy bars which are covered with a grating. The moon visits me. It
-descends two or three steps. I try to make a movement, but I cannot. I am
-an inert thing. My will does not control my legs any longer, nor a single
-one of my muscles. It is as if they had severed all relations between my
-will and my flesh. My brain is no longer the master of seeing and
-comprehending. It is no longer master of my actions. My poor legs! I feel
-them scattered around me. I ought to have attained a degree of suffering-I
-kneel on one, as I have explained, so that I shall not suffer more. But
-where am I?... The moon descended two more steps, and then two more....
-Oh! Oh! What is this that the moon lights? It is an eye! A large eye! But
-the eye is empty; that large eye is empty, and the other eye at its
-side-which is also lighted now-is covered again with its green eyelid. I
-see the whole head! It had no skin on the cheeks, but it had a beard on
-the chin. The moon advances continuously. It halts gently in the holes of
-the nose. It has two holes in the nose, two on a head.... They threw me,
-then, into a common ditch! The moon shone on me.... I have two legs of a
-corpse across my stomach. I recognize those steps now, and this ditch, and
-this moon.... I am in the charnel house of Montfançon!... I am afraid!...
-When I went up to the Cleopimetes by the Bue des Morts on junketing days I
-used to look at that charnel house through the grating. I looked at it
-with curiosity because I already saw my carrion there, but the idea never
-occurred to me that when a carrion was there it could look from the other
-side of the grating. And now my carrion sees! They threw me there because
-they thought me dead, and I am buried alive, with the corpses of the
-persons hanged. My fate is entirely miserable and surpasses all that the
-imagination of men could invent! The saddest reflections assail me, and if
-I ask myself first of all, by what artifice of fate I am reduced to such
-an extremity, I am obliged to confess that fate had nothing to do with
-this affair, but my pride only. I should have continued quietly to be the
-‘chief of all the robbers&rsquo; if I had remained alive. But La Belle Laittiere
-was right when she said in the tavern of the Reine Margot that I was no
-longer fit to live. I was pleased to play the potentate, and I ended by
-having a mania for cutting up in pieces all those whom I suspected. My
-lieutenants ran more danger in serving me than in deserting me. They
-betrayed me, and that was logical. The beginning of my bad luck was the
-affair of the Luxembourg. It should have opened my eyes, but my pride
-hindered me from seeing clearly. This is a good time for these
-reflections, now that I am in the charnel house.
-</p>
-<p>
-&ldquo;I am living in the charnel house with the dead, and for the first time in
-my life I am afraid. But I am not afraid of the dead; I am afraid of the
-living, for there is one near me alive! <i>I know that he moves</i>. It is
-strange that at this moment, when I am upon the limit of life and death,
-my senses perceive things that they ignored in good health, and while my
-ears do not hear any more, on account of the boiling water with which they
-were filled, I know there is some one alive near me. Shall I be then not
-the only one to live in this domain of putrefaction? I recall that the
-Vache-a-Paniers told me that the Count de Charalais had caused some women
-who had resisted him to be buried alive in the little ditches near the
-earthen mound of Montfançon, but I, Cartouche, have no desire to think of
-such a crime. I know very well that he bathes himself in the blood of
-young virgins whom he had killed, to cure himself of a terrible disease
-which ate into his flesh, but to bury women alive in ditches, that I do
-not believe. And yet there is on my left side a woman who moves in one of
-the ditches. I do not hear her, I feel her. The moon had lengthened its
-ray of light as far as myself. Its ray is divided into three by the bars
-of the grating. This makes three blue bands, by which I see, first of all,
-the hole of the eye, and the three holes of the nose, and then a wonderful
-mouth, which sticks its tongue out at me. Then there are three bodies
-without heads. In the left side of the third body I distinguish very
-plainly the putrefied wound in which was buried one of the rings from
-which the headless one was hanged. He could not be hanged by the neck, as
-he had no head. As I do not feel the woman at my side in the ditch move
-any more, I collect my wits a little and I employ myself in remembering
-the bodies which fill the charnel house. I begin to see those which are
-entirely in the shadows. There are some! There are some more sounds. They
-bring all the executed criminals here from the city. There are some fresh
-ones, there are some decayed ones, there are some well preserved ones, and
-all dry; but the others are not presentable-they are falling into ruin. I
-will soon be a ruin like them. However, all is not said, all is not
-finished, since I exist. Hope is not dead. One finds hope even in the
-depths of a charnel house. Oh, if I could move! The dead men are moving! I
-will end by moving also. I have turned my eyes as far as it is possible in
-the right corner of the orbit. I have seen that the corpse which is on my
-stomach does not move its head. It slides on my stomach. I begin to be
-afraid again, not because the dead one moved-for the charnel house belongs
-to the dead, who do there what they wish, but because they pull the dead
-man by the legs. I turn my eyes in the other corner. In the left corner I
-saw a dead man&rsquo;s leg in the air. This leg ought to be held by something,
-pulled by something. The moon rises the length of the wall, with the leg
-as far as one of the holes. And my eyes look so much to the left that they
-see a living hand. The living hand which came out of the hole holds the
-dead foot. <i>I feel, I know that there is a woman eating</i> in the ditch
-at the side. And now I cannot take my eyes from the hole for fear of
-seeing the live hand come back and seeing it reach out. But I hope on my
-salvation. I hope that the hand will not be long enough. Suddenly the moon
-ceases to light up the hole, and I turn my eyes toward the grating where
-the moonlight enters. Then I see between the moon and me a man on the
-steps of the charnel house. A living man. I am saved perhaps. I wished to
-cry out with joy, and I should have, perhaps, if the horror of that which
-I feel and know all at once had not suddenly closed my throat. <i>I feel,
-I know</i>, that that man has come to rob me of my bones!... On account of
-the Courtesan Emilie!... The Regent is remembered with the Duke of Orleans
-and Jean sans Peur.
-</p>
-<p>
-&ldquo;The Courtesan Emilie would not see him again. The devil meddled with the
-affair, and carried a bone of Cartouche, who was beloved by Emilie, to
-place in her bed between her chemise and her skin. I know this, my eye has
-read this in the heart of the man who descends the steps of the charnel
-house. He comes there to take my bones from me.... He lights a lantern. He
-goes straight to my corpse. He does not see, then, that the eyes of my
-corpse are moving!... He draws out from under his cloak-a steel blade
-sharp and red in the rays from the lantern. He puts the lantern down, he
-catches me by the shoulders and leaves me half sitting against the wall,
-under the hole. He took my left hand with his left hand, and with his
-right hand he buried the steel blade in my wrist. I do not feel the blade
-in my wrist, but I see it. It turns around my wrist. It is going to cut
-it, already it has detached it. Now I commence to feel the blade! Life has
-come back into my wrist! Oh, yes, my wrist!... Oh, yes, my wrist!... One
-last blow with the blade and my left hand remains in his left hand. Oh, my
-poor wrist!... Yes! Yes! Yes! The life! The life! The life of a nerve! I
-tell you that it sufficed for the life of a nerve! Oh! Oh! Oh! The man
-howls and breaks his lantern with a kick. My hand is partly in the man&rsquo;s
-hand, but by a great miracle of the ebbing life in my wrist, my hand, at
-the moment it leaves my arm, has seized the hand of the man! And the man
-cannot rid himself of my hand, which is stiffening in death, and which
-holds him! Ah! he moves about, he shakes, he howls, he shakes my hand,
-which holds him-which holds him. He pulls my hand with his right hand, but
-he cannot free himself thus of the wrist of a dead man&rsquo;s hand! I see him
-as he flees from the charnel house, howling, bounding over the steps in
-the moonlight like a fool, like a madman, gesticulating with my wrist.
-</p>
-<p>
-&ldquo;At this moment, above my head, a hand that I do not see, but which I
-feel, comes out of the wall and takes me by the hair! It pulls me, pulls
-me by the head. Oh, to cry out! To cry out! To cry out! But how can I cry
-out with those living teeth staving me in the neck and throat?&rdquo;
- </p>
-<p>
-&ldquo;And now, Cartouche, where art thou?&rdquo;
- </p>
-<p>
-&ldquo;I go into the darkness radiant in death.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0023" id="link2HCH0023"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXI
-</h2>
-<h3>
-<i>The Result of the Operation</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>s soon as Théophraste had pronounced these words, M. Eliphaste made a
-sweeping gesture with his right arm. He leaned over the prostrate form,
-and blew impatiently on his eye.
-</p>
-<p>
-He said to him: &ldquo;Awake thou, Théophraste Longuet!&rdquo;
- </p>
-<p>
-This was repeated three times, each time with greater earnestness.
-However, Théophraste never moved. His immobility was deathlike, and his
-toothless mouth and bloodless lips made the silent onlookers believe that
-he had followed Cartouche in the shadow of death. His corpselike pallor
-seemed to them to be already turning green, and his hair, having become
-suddenly white, gave him the appearance of a very old man. Was he already
-dead? Was he decomposing already?
-</p>
-<p>
-M. Eliphaste repeated the gestures, and in his lids, intense earnestness
-appeared like a madman. He blew again on the eyes, and parted the
-eyelashes, again crying out: &ldquo;Théophraste Longuet, awake thou! Awake thou,
-Théophraste Longuet!&rdquo;
- </p>
-<p>
-Just at the moment when they believed that Théophraste Longuet would never
-return to life again, a slight tremble shook his frame, and drawing a deep
-breath, he turned his face toward them. At first he breathed with
-difficulty, but quickly recovering, he opened his eyes and said:
-&ldquo;Cartouche is dead!&rdquo;
- </p>
-<p>
-M. Eliphaste&rsquo;s face lit up with emotion. &ldquo;Let us thank God,&rdquo; he said,
-&ldquo;that the operation has been successful,&rdquo; and he began his prayer again:
-&ldquo;In the beginning thou wast silent! Eon! Source of all ages!...&rdquo;
- </p>
-<p>
-Mme. Longuet and M. Adolphe threw themselves on Théophraste, while
-thanking God from the bottom of their hearts. They felt that the death of
-Cartouche had not been too dearly bought. The operation had certainly been
-a rough one, but he had only lost his teeth, and his hair had turned
-white. Mme. Longuet put her arms around her husband, and helped him rise
-from the couch. &ldquo;Let us go. We have stopped here too long already,&rdquo; she
-said.
-</p>
-<p>
-&ldquo;Speak louder,&rdquo; said Théophraste, with strange enunciation. &ldquo;I have
-something in my ears. I cannot move, either.&rdquo;
- </p>
-<p>
-&ldquo;It is natural that you should be a little benumbed, my dear,&rdquo; said Mme.
-Longuet. &ldquo;You have been stretched on that bed for a long time. But make an
-effort.&rdquo;
- </p>
-<p>
-&ldquo;Speak louder, I tell you. I can move my arms now, but I cannot stir my
-legs. They won&rsquo;t move, and my feet pain me very much.&rdquo;
- </p>
-<p>
-He then put his hand to his mouth and said: &ldquo;Why, what have you done with
-my teeth? You put me to sleep to fix my teeth, and you have taken them
-from me.&rdquo;
- </p>
-<p>
-It was curious that while he was asleep, even after he had lost his teeth,
-he spoke distinctly. It was evident that he could not move, and Mme.
-Longuet removed the clothing to rub his stiff limbs. To her sorrow she
-found his clothes all torn, and on looking closer saw all the flesh on his
-limbs lacerated. His legs and feet were boiled. The flesh was torn away in
-some places, and burned horribly in others. M. Eliphaste, with trembling
-hands, removed the clothing from his chest, and there they saw, over the
-heart, two spots of black blood. His biceps bore fresh marks of frightful
-torture.
-</p>
-<p>
-Mme. Longuet sobbed loudly, and sat with lowered head, looking at the
-horrible sight. Adolphe ran to get a carriage. It was evident that
-Théophraste could not walk or move. On his return, Théophraste was still
-complaining of the pain. Adolphe, with the assistance of the carriage
-driver, carried him out into the street. They lifted him carefully on the
-mattress, and walked slowly out, followed by the weeping Marceline.
-</p>
-<p>
-M. Eliphaste prostrated himself on the ground, and with his hands clasped
-and elbows on the floor, cried out with a voice full of sorrow: &ldquo;My
-beloved! My well beloved! I believed that I was Your son. Oh, my well
-beloved! I have taken Thy shadow for Thy light. Thou hast crushed my
-pride. I am in the dark, at the bottom of an abyss-I, the man of light-and
-I have hated it. I am only the son of silence. Eon! Source of Eon! Oh,
-life! To know life! To possess life!&rdquo;
- </p>
-<p>
-And thus, as they went out into the pure air, they left him praying.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0024" id="link2HCH0024"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXII
-</h2>
-<h3>
-<i>Visits to a Butcher&rsquo;s Shop</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HEOPHRASTE&rsquo;S bones were not broken, and it only took six weeks to heal,
-although he was obliged to keep to his bed for two months, when he
-regained the use of his legs. During all this time he did not make a
-single allusion to the past. Cartouche was dead-quite dead. The operation
-had been successful, although very painful. So much so, that every one
-dreaded that he would remain a cripple to the end of his life; but he had
-recovered marvelously. He had obtained a new set of teeth, and was able to
-speak quite plainly, but it was a more difficult thing to rid himself of
-the effects of the boiling water in his ears, and at times he was
-perfectly deaf.
-</p>
-<p>
-After a while Théophraste thought of occupying his mind by going back into
-business. He had retired when young, being able to live on the income
-derived from several inventions which he had made for the use of rubber
-stamps.
-</p>
-<p>
-However, they were all very thankful for the result, and this slight
-inconvenience did not worry them.
-</p>
-<p>
-It was his habit to rise early, and after breakfast he would go out for a
-little walk to strengthen his legs. He soon found their old elasticity,
-and regained their full use. On these occasions Adolphe used to follow a
-short distance behind in order to watch his movements and report to M.
-Eliphaste.
-</p>
-<p>
-At first he noticed nothing abnormal in his behavior, and in his report
-contented himself with stating this unimportant fact, that he stopped
-quite a while before a butcher&rsquo;s stall. If this had occurred only once, it
-would have passed the watchful Adolphe unnoticed. However, it became a
-regular thing for Théophraste to stand looking at the bloody meat, and
-spend some time talking to the butcher, a square-shouldered, florid
-fellow, always ready with a jest.
-</p>
-<p>
-One day, when M. Lecamus had decided that Théophraste had spent too much
-time at the butcher&rsquo;s shop, he came up to him, as if by chance, and found
-him, with the butcher, decorating all the fresh meat with curl papers.
-This was innocent enough. Thus judged M. Eliphaste, although he wrote in
-the margin of the report:
-</p>
-<p>
-&ldquo;He may look at the meat in the butcher&rsquo;s shop. It is good to let him see
-blood sometimes. It is the end of the crisis, and can do no harm.&rdquo;
- </p>
-<p>
-This butchery was a small one, and had its specialty. M. Houdry sold among
-other ordinary meats a special quality of veal. The secret of this quality
-lay in the way it was killed. The majority of Paris butchers obtain their
-meat from the abattoirs, but M. Houdry always bought his alive, and killed
-it himself, in his own way. He was not satisfied to knock the calf in the
-head, as they did at the abattoirs. He bled it after the Jewish manner,
-with a large knife which he called the bleeder, and so dexterous had he
-become in this art that he never had to cut the same wound twice. He had
-gained some reputation as a good butcher.
-</p>
-<p>
-M. Houdry had explained the case about his veal to M. Longuet, with the
-greatest mystery, and he had evidently taken great pleasure in it- so much
-so that Théophraste, after having listened to the theory, had shown the
-desire to assist at a practical lesson. In a small court adjacent to the
-store, M. Houdry had a secret abattoir. On a certain morning, Théophraste,
-who happened there at a much earlier hour than was his custom, found his
-man at the abattoir with a calf. The butcher begged him to come in, and to
-close the doors behind him. &ldquo;I shut myself up every day thus with a live
-calf,&rdquo; said M. Houdry, &ldquo;and when the doors of the abattoir are opened
-again, the calf is dead. I lose no time; I have operated in twenty-five
-minutes.&rdquo;
- </p>
-<p>
-Théophraste congratulated him. He asked him many questions, interesting
-himself in all the objects which struck his attention. The bellows with
-its large arms drew his attention. He also saw a windlass. He learned that
-that strong oak cross-bar, with pegs in it, supported the windlass and the
-bucket. He admired the solid oak hand-barrow also. A chopper which was
-drawn up was called a &ldquo;leaf.&rdquo; But that which interested him more was a set
-of tools hung on the walls in the shop. In this &ldquo;shop,&rdquo; which was sort of
-saddle-bags for cutlass, he saw first of all the bleeder, and was pleased
-to pass his finger over the long, strong and sharpened edge. Then there
-was a much smaller knife, called the &ldquo;Moutoniner,&rdquo; used ordinarily to cut
-up mutton, as the name indicates, but which was used there to cut certain
-parts of veal. Then some other small knives, among which was the canut,
-used in &ldquo;flowering&rdquo; the veal. &ldquo;Flowering&rdquo; the veal consists in making
-light, artistic designs on the shin of the veal, as soon as it is
-bleached.
-</p>
-<p>
-The first day M. Longuet received instructions about the tools. But in the
-following days he learned the art of the whole operation, and entered into
-each detail with little repugnance. He used to say, some days, in going
-away, jestingly: &ldquo;You kill a calf every day; you must be careful, my dear
-M. Houdry, you see it will end by its becoming known to the other calves.&rdquo;
- </p>
-<p>
-Théophraste was not idle, either. Whenever he had an opportunity he would
-help M. Houdry in these killings. One day the assistant did not come, and
-Théophraste helped rope up the calf for killing. As he was doing this, M.
-Houdry remarked on the evil of killing the calf by striking him on the
-head, as they did at the abattoir.
-</p>
-<p>
-Théophraste declared it was a crime, and most inhuman. &ldquo;It is much finer
-to do it with the bleeder. One blow is sufficient, and the head is off.
-What a fine death. How the blood flows, and with what dispatch does he
-die.&rdquo;
- </p>
-<p>
-&ldquo;Ah,&rdquo; said Théophraste, who had killed the calf, &ldquo;see the calf&rsquo;s eyes, as
-the blood flows. How they stare at you. They are dead, but they look at
-you!&rdquo;
- </p>
-<p>
-&ldquo;What is the matter with the calf&rsquo;s eyes?&rdquo; demanded M. Houdry. &ldquo;They are
-like the rest. Ah, you think it is a joke? Well, well, you are not so used
-to it as I.&rdquo;
- </p>
-<p>
-M. Houdry then prepared the meat for selling, and while he was doing so
-Théophraste took the head, cleaned it and cut out the eyes. The sight of
-the blood had excited him beyond control, and M. Houdry was amused when he
-desired to take the head and feet home with him.
-</p>
-<p>
-In parting he said: &ldquo;Au revoir, M. Houdry, au revoir. I will take the head
-away with me, but I leave you the eyes. I do not like eyes to stare at me.
-You must not laugh at me, though. You do not understand me. However, it is
-my affair, and you must be glad that you are not afraid of dead eyes
-staring at you.&rdquo;
- </p>
-<p>
-And so he returned home, and when he appeared at the door of his house
-with the calf&rsquo;s head under his arm, Adolphe and Marceline smiled, saying:
-&ldquo;He is amusing himself with some innocent prank.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0025" id="link2HCH0025"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXIII
-</h2>
-<h3>
-<i>A Newspaper Report</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>T had become their habit in the Longuet flat to play dominoes in the
-evening. M. Adolphe was a good player, and always he used the Norman
-provincial names. When he played the double six, he would call the &ldquo;double
-negro&rdquo;; the five was &ldquo;the dog that bites,&rdquo; and so on. Marceline was always
-amused by these terms, and was always ready to play.
-</p>
-<p>
-It happened on this particular evening that Théophraste lost his game, and
-after a short argument he began to sulk, and refused to play more. Seating
-himself in a chair near the window, he began reading the paper. He had
-strong political opinions.
-</p>
-<p>
-Suddenly he was attracted by a strange headline. He read it and re-read
-it, and could not resist an exclamation. &ldquo;Strange! Is not Cartouche dead,
-then?&rdquo;
- </p>
-<p>
-He could not help smiling. This hypothesis was so absurd. Then he ran over
-the first lines of the article and said: &ldquo;My dear Adolphe, have you read
-this article? &lsquo;Is not Cartouche dead, then?&rsquo; It is a strange, a surprising
-article.&rdquo;
- </p>
-<p>
-Adolphe and Marceline could hardly prevent a start, and looked at him with
-uneasiness.
-</p>
-<p>
-Théophraste began to read the article aloud, as follows:
-</p>
-<p>
-&ldquo;&lsquo;For some days the police have been occupying themselves with one of the
-greatest of mysteries that have occurred in Paris, and with a series of
-odd crimes. They are endeavoring to hide from the public the most curious
-sides. Those crimes and the manner in which their perpetrator escapes from
-the police at the moment they think they have him, recall, point by point,
-the manner in which the celebrated Cartouche committed his crimes. If he
-was not enacting a thing so reprehensible, one could admire the perfect
-art with which the model is imitated. It is Cartouche to a finish! The
-police themselves have never dealt with a more mysterious bandit.
-Nevertheless, the administration, very mysteriously, but, we admit, very
-intelligently, has sent by some of them an abstract of Cartouche&rsquo;s
-history, compiled from the manuscripts of the National Libraries. They
-thought, subtly, that the history of Cartouche would be useful to them,
-not only in the present task, which is to prevent the criminal outrages of
-the new Cartouche, and to arrest him, but also that Cartouche&rsquo;s history
-ought to form a part of the general instruction to all the agents of
-police.
-</p>
-<p>
-&ldquo;&lsquo;Finally the news was brought to us that M. Lepine, Prefect of Police,
-has ordered them to devote several evenings in the Prefecture to listen to
-lectures on the authentic history of the illustrious bandit.&rsquo;
-</p>
-<p>
-&ldquo;What do you say to that?&rdquo; demanded Théophraste with merriment. &ldquo;It is a
-merry farce, and the journalists are great fellows to issue such fibs.&rdquo;
- </p>
-<p>
-Neither Adolphe nor Marceline smiled. Marceline&rsquo;s voice trembled slightly
-when she begged Théophraste to continue. He began to read again quietly:
-</p>
-<p>
-&ldquo;&lsquo;The first crime of the new Cartouche did not at all present the horror
-that we shall find in some of the others. It was a polite crime. Let us
-say at once that all the crimes of which we have any knowledge, and which
-they attribute to the new Cartouche, have been accomplished in the last
-fifteen days, at the North, and always from eleven o&rsquo;clock in the evening
-to four o&rsquo;clock in the morning.&rsquo;&rdquo;
- </p>
-<p>
-Mme. Longuet rose, very pale. M. Lecamus made her sit down again, by a
-knowing shake of the head, and commanded her to be silent.
-</p>
-<p>
-Théophraste said: &ldquo;What is this that they want to tell with their new
-Cartouche? As for me, I only know the old one. After all, let&rsquo;s see the
-gallant polite crime,&rdquo; and he read it over more and more calmly:
-</p>
-<p>
-&ldquo;&lsquo;A pretty woman, well known in Paris, where her literary salon is
-frequented by all those who interest themselves with debates and with
-matters spiritualistic, was proceeding, toward morning, with her toilette
-for bed, and preparing to take a well-earned rest, following the fatigue
-which had wearied her that evening there with the disorder of a conference
-at home of the most illustrious of our pneumatics, when suddenly the
-casement of her balcony was opened quickly by a man with a figure a little
-over the medium, still young and vigorous (this last is in the report of
-the police), but with perfectly white hair. He had in his hand a brilliant
-nickel revolver.
-</p>
-<p>
-&ldquo;&lsquo;"Madame,&rdquo; said he to the terrified woman, &ldquo;compose yourself. I do not
-wish to do you any evil. Consider me the most humble of your servants. My
-name is Louis Dominique Cartouche, and I have no other ambition than to
-sup at your side. By the tripes of Mme. de Phalaris, I have the hunger of
-all the devils!&rdquo; and he began to laugh.
-</p>
-<p>
-&ldquo;&lsquo;Mme. de B.-let us call her Mme. de B.- believed that she was dealing
-with a crazy man, but he declared he was only determined to take supper
-with her, which peculiar favor he had long desired. That man was much more
-dangerous than a crazy man, for it might be necessary to kill him on
-account of the brilliantly nickeled revolver.
-</p>
-<p>
-&ldquo;&lsquo;"Go,&rdquo; said the man, &ldquo;and call your people, and tell them to bring here
-to you a good supper. Do not give them a single explanation which would be
-likely to cause me any embarrassment or trouble, for if you do you will be
-a dead woman.&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;Mme. de B. then took her departure, for she was brave, with a mind
-sufficiently elevated to enable her to face the most unexpected
-adventures. She rang for the chambermaid, and a quarter of an hour later
-the man with the white hair and Mme. de B. were seated opposite each other
-in proper style, and apparently the best of friends. The supper was
-prolonged through the night (we do not wish to affirm anything as to this
-point, which is so interesting-but are a little skeptical as to the
-veracity of this story), so that the man did not descend by the sheet from
-the balcony until about sunrise. The beautiful Mme. de B. had not had
-supper, and so she did not complain about that forced supper, which she
-ended by partaking of in very good grace, nor had she seen the necessity
-of reporting her adventure to the Police Commissioner. And we see what
-the circumstances were. Some days later the Commissioner was announced at
-Mme. de B.&rsquo;s. He told her that the ring that she wore on her finger, in
-which a magnificent diamond glittered, was the property of Mlle. Emily de
-Bescancon. Mme. de B. was of course ignorant of its value-or where it came
-from. It had been presented to her. But Mlle. Emily de Besancon, who had
-seen it on the finger of Mme. de B. the day before at a charity sale,
-claimed it formally as hers. She had furnished all sorts of proofs of it,
-and the diamond was set in such a unique way that there could be no doubt
-of it. Mme. de B. was infinitely troubled, and was obliged to relate the
-adventure which had befallen her. She spoke of the unknown, of the
-balcony, of the supper, of the gratitude he had shown her for his supper,
-and his placing the magnificent diamond on her finger, which he had
-obtained, he said, from a woman he had loved very much, a Mme. de
-Phalaris, who had been dead for some time. Mme. de B. could not be
-suspected. She furnished a proof-the nickel-plated revolver that the
-unknown had left on the table that night. Finally she begged the
-Commissioner of Police to take away from her house the hundred bottles of
-champagne of every choice brand that the unknown had sent to her the day
-after the eventful night, under the pretext that the supper had been
-exquisite, and that the only thing that could have been desired was
-champagne. She feared that the champagne, as well as the ring, had been
-stolen. The Commissioner acquitted the beautiful Mme. de B. He could do
-nothing at the time, the news being in everybody&rsquo;s mouth, as the world at
-large would henceforth interest itself in the new Cartouche.
-</p>
-<p>
-&ldquo;&lsquo;This little adventure, which is the least important of those we have to
-relate, is the reproduction of what happened on the night of the 13th of
-July, 1721, at the house of Mme. la Maréchale de Boufflers. She also was
-occupied in making her toilette. The young man, who came unexpectedly by
-way of the balcony, had no revolver in his hand, but he carried six
-English pistols. He demanded supper after presenting himself as Louis
-Dominique Cartouche, and the widow of Louis François, Duke of Boufflers,
-peer and Marshal of France, one of the heirs of Lille and of Malplaquet,
-supped with Cartouche, and late at night.
-</p>
-<p>
-&ldquo;&lsquo;Cartouche only complained of the champagne, and Mme. de Boufflers
-received a hundred bottles of it the next day. She had them taken, by her
-butler Patapon, into the cellars of a great financier.
-</p>
-<p>
-&ldquo;&lsquo;Some time after that one of Cartouche&rsquo;s bands stopped an equipage in the
-streets of Paris. Cartouche leaned into the carriage to recognize the
-faces. It was Mme. la Maréchale de Boufflers. He turned toward his people.
-&ldquo;Give them liberty to pass on, now and always, Mme. de la Maréchale de
-Boufflers!&rdquo; ordered he in a ringing voice, and he bowed very low to the
-Maréchale, after he had slipped on her finger a magnificent diamond that
-he had probably stolen from Mme. de Phalaris. <i>Mme. de Phalaris never
-saw it again</i>.
-</p>
-<p>
-&ldquo;&lsquo;Now let us pass on to the crime in the Rue du Bac.&rsquo;&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0026" id="link2HCH0026"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXIV
-</h2>
-<h3>
-<i>The Murder in the Rue Guenegaud</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>ARCELINE got up as much to hide her feelings as to find out if the
-nickel-plated revolver was in its usual place in the drawer. Upon her
-return she was greatly agitated, and told them that the revolver had been
-removed.
-</p>
-<p>
-Théophraste advised her to calm herself, saying there was nothing of
-importance in that; and he proceeded to read about the crime in the Rue du
-Bac, saying that the journalist who wrote the narrative was more
-intelligent, and had made his report more interesting than the first one.
-</p>
-<p>
-&ldquo;However,&rdquo; said he, &ldquo;there are a few inaccuracies and omissions in his
-narrative. According to him one is led to think that Cartouche indulged in
-amorous proceedings with Mme. de Bithigne after supper. However, such a
-thing should not be allowed to get abroad, as no such thing happened. He
-had no other intention than to take supper with the lady.
-</p>
-<p>
-&ldquo;Why, my dear Marceline, if I had intended otherwise, my reputation would
-have suffered, and Mme. la Maréchale de Boufflers would have scorned me
-when I met her on July 13th, 1721.
-</p>
-<p>
-&ldquo;These gentlemen also relate that I outraged Mme. la Maréchale de
-Boufflers. This is all wrong. I am very fond of her on account of her
-intellect, and our intercourse was most polite, as well as virtuous. If
-they had only studied more, these journalists would have known that Madame
-in 1721 was over sixty years old, and I dare say Cartouche knew many
-younger women to play such tricks on.&rdquo;
- </p>
-<p>
-Théophraste then took up the paper:
-</p>
-<p>
-&ldquo;&lsquo;The history of the Rue du Bac is much more simple. The Prefect of Police
-had received a note which ran: &ldquo;If you dare, come and find me; I am always
-at the inn in the Rue du Bac, with Bernard.&rdquo; It was signed &ldquo;Cartouche.&rdquo;
- The thing had occurred after Mme. de Bithigne had told her story. The
-Prefect thought over his case and laid his plans.
-</p>
-<p>
-&ldquo;&lsquo;That same evening, a quarter of an hour after midnight, half a dozen
-policemen raided the tavern in the Rue du Bac. They were met on the stairs
-by a man, who, although still young, had perfectly white hair. He was
-endowed with almost superhuman strength, and, on seeing the police, he
-picked up a chair near by and started striking them. Three of them were
-stunned, and the others only just had time to drag the prostrated bodies
-of their companions into the street to prevent them from being burned by a
-fire started on the first landing by this man with white hair. The man
-saved himself by jumping from roof to roof over spaces more than thirty
-feet high.
-</p>
-<p>
-&ldquo;&lsquo;The new Cartouche,&rsquo; continued Théophraste, amid the scared silence of
-Marceline and M. Le-camus, &lsquo;the new Cartouche has taken possession of the
-Rue Guenegaud. Several days ago they found in a vault-like passage there
-under the floor the body of a young doctor, who had been active at the
-death of Mme. de Bardinoldi, the mystery of which had baffled the police
-and press. The police had not confided to any one the fact that pinned to
-the young doctor&rsquo;s tunic was a card on which some one had written in
-pencil: &ldquo;We will meet each other in the other world, M. de Traneuse.&rdquo; This
-was without doubt a crime of the new Cartouche, for the old one did in
-fact assassinate at this place an engineer named Traneuse. Cartouche had
-knocked him on the head with a stick, and the young doctor had had his
-skull fractured with a blunt instrument.&rsquo;&rdquo;
- </p>
-<p>
-Théophraste laid down the paper, and, looking at Adolphe and Marceline,
-remarked that they both looked as if they were expecting a like
-catastrophe.
-</p>
-<p>
-&ldquo;Why, my dear Adolphe,&rdquo; said he, &ldquo;it is ridiculous for you to be angry at
-such pleasantries. I take the opportunity of telling you that I often
-frequent the Rue Guenegaud. That history of M. de Traneuse was to me the
-beginning of one of the prettiest farces that ever I played with M.
-d&rsquo;Argenson&rsquo;s spies. Following the death of M. de Traneuse (who had allowed
-some very improper talk about me), I was followed by two patrols of the
-guard, who covered me and rendered all resistance impossible. But they
-were ignorant that I was Cartouche, and satisfied themselves by conducting
-me to the Ford l&rsquo;Avegne, which was the easiest prison in Paris. In this
-prison they put debtors, drunks, and disorderly people, and the people who
-have not paid their fines. They were sure that they had taken Cartouche on
-the 10th of January, but on the evening of the 9th Cartouche had made his
-escape, and took the direction of his police. It was time, for everybody
-was now searching the streets of Paris.
-</p>
-<p>
-&ldquo;My dear Marceline, and my dear Adolphe, you look as if you were at a
-funeral. That article does not lose its quota of a certain amount of wit.
-At first I thought it only the jest of a cheap journalist, but I see now
-that it is very serious, believe me. Wait for the history of the calf! Ah!
-We have not done yet with the affair of the Petits Augustines! Listen!&rdquo;
- </p>
-<p>
-Théophraste picked up his paper, adjusted his gold spectacles, and began
-again:
-</p>
-<p>
-&ldquo;&lsquo;That which was the most extraordinary in this adventure was that several
-times during light days they have been on the point of capturing this
-modern Cartouche, and that he always escaped just as the other did, by way
-of the chimneys. History teaches us that the true Cartouche designed on
-the 11th of June, 1721, to sack the Hotel Desmarets, Rue des Petits
-Augustines. It was one of his men, Le Ratichon, who had given him the
-idea. But Cartouche and Le Ratichon had been imprisoned by the police. As
-soon as Cartouche was in the house, the bailiffs hastened there and the
-place was invaded. He tranquilly closed the doors of the salons and
-extinguished the lights, undressed himself, climbed into the chimney,
-descended by another way into the kitchen, where he found a scullion,
-killed the scullion, disguised himself with the dead man&rsquo;s clothes, and
-went out in fine form from the hotel, killing two bailiffs with two pistol
-shots because they asked him news of Cartouche. Well, what will you say
-when you know that our Cartouche was surrounded the day before yesterday
-in a confectioner&rsquo;s shop in a quarter of the Augustines, escaped by the
-chimney, after having put on over all his effects, to prevent soiling
-them, the pastry cook&rsquo;s blouse, which had been found on the roofs, also
-his pantaloons. As to the pastry cook, they found him half buried in his
-bake oven. But, before putting him there, as a humane precaution, the
-murderer, Cartouche, had assassinated him.&rsquo; &rdquo;
- </p>
-<p>
-Here Théophraste, interrupting himself again, cried:
-</p>
-<p>
-&ldquo;Previously, previously. I had previously assassinated him.... But why do
-you fly into the corners? Are you afraid? Let us see, my dear Adolphe, my
-dear Marceline, a little coolness- you will need it for the history of the
-calf.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0027" id="link2HCH0027"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXV
-</h2>
-<h3>
-<i>The Calf&rsquo;s Revenge</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">N</span>EVER had Mme. Longuet or M. Lecamus been so upset before at the reading
-of a newspaper. The account of the atrocious murder did not seem to
-disturb Théophraste a bit. When he came to the part where Cartouche had
-placed the baker in the bake oven, Mme. Longuet groaned and could not sit
-still. M. Lecamus was no less disturbed, and they both rose and looked to
-Théophraste in amazement.
-</p>
-<p>
-He then began to read the account of M. Houdry&rsquo;s calf:
-</p>
-<p>
-&ldquo;&lsquo;M. Houdry was a head butcher on one of the small streets. Everybody came
-to him to buy veal, which was his specialty. This report explained itself
-by a fact so unusual that we can believe it only on the affirmation of M.
-le Commissioner of Police Mifroid, who conducted the first inquest. We
-know that all the butchers of Paris get their meat from the abattoirs. It
-was against the law for them to kill anything at home.&rsquo;
-</p>
-<p>
-&ldquo;That is accurate,&rdquo; said Théophraste, &ldquo;that is exactly right; M. Houdry
-explained that to me several times, and the confidence that he placed in
-me by telling me the mystery of his abattoir astonished me not a little.
-Why should he confide to me a fact which was not known to his wife, his
-private clerk, a foundling whom he considered as one of the family, and
-his brother-in-law, who brought the calf to him each night? Why? Ah! No
-one knows. Perhaps it was because he couldn&rsquo;t help it. You know very well
-that no one can escape his fate. As for me, I said to him: &lsquo;Take care, you
-might end by being one of the calves!&rsquo; I resume my reading: &lsquo;That calf was
-brought to him secretly each night by his brother-in-law, and as his
-abattoir was on a little court, behind which was the open country, no one
-ever saw a live calf at M. Houdry&rsquo;s.
-</p>
-<p>
-&ldquo;&lsquo;The inquest will tell us from whence the calf came. M. Mifroid, the
-Commissioner of Police, has decided to sift the matter to the bottom, and
-penetrate the whole mystery.
-</p>
-<p>
-&ldquo;&lsquo;It appears that M. Houdry had his special way of killing his calf, a way
-that gave quality to the veal. He used to cut the calf&rsquo;s throat with a
-bleeder.&rsquo;
-</p>
-<p>
-&ldquo;Is it necessary for me,&rdquo; said Théophraste, &ldquo;to show you what a bleeder
-is?&rdquo;
- </p>
-<p>
-Going to the drawer of the sideboard, he took out the carving knife, and
-while explaining that a bleeder was twice as large as that, he passed it
-up and down M. Lecamus&rsquo; face to make him understand the method of killing
-the calf. He tried to get M. Lecamus to hold the knife, but by this time
-he was too frightened, and had retreated into a corner of the room,
-fearing that Théophraste would do something violent. However, he laughed
-at their temerity and sat down to read the further account.
-</p>
-<p>
-&ldquo;&lsquo;Yesterday, leaving early, monsieur shut himself in his abattoir as usual
-with his calf. He was aided by his clerk in tying the calf to the hanger.
-The calf being tied, the clerk busied himself in rinsing the casks before
-the abattoir, which the butcher always kept shut when killing.
-</p>
-<p>
-&ldquo;&lsquo;Ordinarily, M. Houdry took from twenty to thirty minutes to kill his
-calf, gut it and bleach it. Thirty-five minutes passed, and the double
-doors of the abattoir were not opened. The clerk, who had finished
-rinsing, noticed it with the greatest astonishment. Often M. Houdry had
-called him to scald the head, scrape the hairs off, and clean the ears.
-That particular day his master did not call him. Meanwhile, Mme. Houdry,
-the butcher&rsquo;s wife, appeared at the door of the court.
-</p>
-<p>
-&ldquo;&lsquo;"What isthe matter there?&rdquo; she asked. &ldquo;Is he not finished yet?&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;"It is true, madame, he is a very long time.&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;Then she called, &ldquo;Houdry! Houdry!&rdquo; No response. She crossed the court
-and opened the abattoir door. The calf immediately escaped, and began
-gracefully jumping around her. She looked at the calf at once with
-emotion, for at that time the calf should have been dead. Then she struck
-a single blow on the double door, and called again to her husband, who did
-not answer her. She turned toward the clerk. &ldquo;M. Houdry is not there,&rdquo; she
-said. &ldquo;Are you sure he has not gone out?&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;"Oh, madame, I am perfectly sure of it. He has not come out and no one
-has gone in. I have not left the court,&rdquo; replied the clerk, springing at
-the calf&rsquo;s head as it continued running around. &ldquo;I am sure he is there. He
-is just hiding to frighten you.&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;"It will be better to hide the calf. Houdry! Houdry!&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;The clerk, with a turn of the halter, had tied the calf. Entering with
-Mme. Houdry he uttered a cry of surprise and said: &ldquo;Oh, that is queer!
-When we came in there was only one calf, a single calf, madame, a calf
-which was tied to the hanger, and which gambols in the court now, and here
-is another calf on the crossbeam.&rdquo; Yes, indeed, there was another calf on
-the tinel.
-</p>
-<p>
-&ldquo;&lsquo;"I see it now,&rdquo; said Mme. Houdry. &ldquo;What a small calf! But you are
-foolish; there should be two calves.&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;"Never, madame, never.&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;"Well, you see perfectly the calf on the beam?&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;The little clerk and Mme. Houdry drew near to the beam, which was in the
-shadow, and how astonished they were to see the kind of white meat which
-was hanging from the beam. They had never seen such white meat, and this
-meat was arranged exactly like the calf&rsquo;s. They accounted for this finally
-by deciding that it was not veal meat.
-</p>
-<p>
-&ldquo;&lsquo;"What a curious calf,&rdquo; the clerk continued to repeat.
-</p>
-<p>
-&ldquo;&lsquo;"It is not a small calf,&rdquo; said Mme. Houdry. &ldquo;No! no!&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;"All the same, madame, they have decorated the skin on the stomach with
-the lancet. See!
-</p>
-<p>
-What pretty patterns! There are two hearts, some arrows, some flowers
-...Ah! those beautiful flowers.&rdquo; The clerk raised up the lungs from which
-hung the heart.
-</p>
-<p>
-&ldquo;&lsquo;"It is a beautiful pluck,&rdquo; said he, &ldquo;and has not been trufled. The heart
-is good.&rdquo;
- </p>
-<p>
-&ldquo;&lsquo;"Yes, he had a good heart!&rdquo; groaned Mme. Houdry, who was all at once
-terrified at what she had said.
-</p>
-<p>
-&ldquo;&lsquo;Thereupon the clerk began to weep, and without knowing why, dipped his
-hands in a pail of cold water which was placed beside the boiler, looking
-for the head of the animal, and he drew out a head. But when she saw the
-head, Mme. Houdry fainted, for she had recognized the head of her husband.
-</p>
-<p>
-&ldquo;&lsquo;Mme. Houdry had immediately recognized her husband&rsquo;s head, and the clerk
-himself examined it more closely, to be sure that it was the head of his
-master. It was a well-cut head-well refined, well scalded, well scraped.
-The moustache and hair had been shaved, as they should be, and but for
-something unforeseen, if need be, the head of the butcher would have
-passed for the head of a calf.
-</p>
-<p>
-&ldquo;&lsquo;The clerk in his turn fainted, and let the head of M. Houdry roll away.
-</p>
-<p>
-&ldquo;&lsquo;Some minutes later the tragedy was discovered, judging from the
-disturbance in the quarter.&rsquo;
-</p>
-<p>
-&ldquo;The journalist,&rdquo; said Théophraste, &ldquo;was not of the opinion that the calf
-had decapitated the butcher, and that also was put before Cartouche&rsquo;s
-name-that poor Cartouche.&rdquo; He shrugged his shoulders once more, and then,
-having raised his eyes above the paper, he sought in the two corners of
-the dining-room, where M. Lecamus and his wife had taken refuge. They had
-disappeared. He called them and they did not answer. He tried to open the
-door of the landing, and it would not open. He then rushed to the chimney,
-which was large enough for him to get up, and scaled it with the same
-facility as he had descended the chimney when the boiler was beginning to
-boil at M. Houdry&rsquo;s, the same morning that he had decapitated that
-unfortunate man.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0028" id="link2HCH0028"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXVI
-</h2>
-<h3>
-<i>Théophraste Again Hears of His Treasures</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HE clamber over the roofs of the Rue Ge-rondo on a cold rainy night had
-a physical and moral effect on Théophraste. He had taken cold and was
-suffering in consequence. From a moral point of view it had made him
-change his whole view of these events. While he had been reading the
-accounts of these crimes with which the new Cartouche had been terrifying
-Paris, he had shown a callous indifference, but now he commenced to hold
-himself responsible for many of the atrocities, and especially for the
-murder of M. Houdry, which he had before facetiously blamed on the calf.
-</p>
-<p>
-He often recalled nocturnal visits by the route he was now following, and
-several bloody crimes came back to his memory, disgusting him, and making
-him weep bitter tears of useless remorse.
-</p>
-<p>
-It was, however, too late. In spite of all his sufferings, in spite of M.
-de la Nox&rsquo;s invocations, and the torture they had submitted him to,
-Cartouche was not dead.
-</p>
-<p>
-And that evening, then, like many other criminal evenings, he led his
-damned soul over the roofs of Paris. He wept. He cursed that mysterious,
-irresistible force, which from the depths of centuries commanded him to
-kill. He cursed the influence which made him kill. He thought of his
-wife-of Adolphe. He bitterly regretted the hours of passed happiness
-between those two beings so dear to him. He excused them for running away.
-He pardoned them for their terror. He resolved never again to trouble
-their peaceful days with his bloody incoherencies. &ldquo;Let me disappear,&rdquo; he
-said to himself. &ldquo;Let me hide my shame and my original defect in the midst
-of the desert. They will forget me. I shall forget myself. Let me profit
-by these logical moments, when my brain, released momentarily from the
-Other, discusses, weighs, deduces, and concludes and sees in the present.&rdquo;
- </p>
-<p>
-It was not Cartouche who spoke, it was Théophraste, who cried to
-Cartouche: &ldquo;Let us fly! Since I love Marceline, let us fly! Since I love
-Adolphe, let us fly! One day they will be happy without me! There is no
-longer happiness with me! Adieu! adieu! Marceline, adored woman, faithful
-wife! Farewell, Adolphe, precious, consoling friend! Farewell! Théophraste
-tells you farewell!&rdquo; He wept. Then he said aloud: &ldquo;I come, Cartouche!&rdquo;
- </p>
-<p>
-Then he plunged into the darkness, going from gutter to gutter, from roof
-to roof, sliding from high walls with safety, protected, like a
-somnambulist, by Providence.
-</p>
-<p>
-And now who is that man who, with his head lowered, his back curved, his
-hands in his pockets, swayed like a poor wretch in the wind and rain which
-fell profusely all the tedious way? He followed the road which skirts the
-railroad. It is a straight road, bordered by small, weak trees, plain
-common broom-straw-sad ornaments for a departmental road-running along the
-side of the railroad. Whence comes this man, with his hands in his
-pockets, or, rather, this shade of a man? The plain extends to the right
-and the left without an undulation, without the rising of a hillock,
-without the hollow of a riser. All this can be seen, for this is not a
-night scene; it is broad daylight, on the track, straight on by the side
-of the road.
-</p>
-<p>
-Trains pass each other from time to time, local trains, fast trains,
-freight trains, rattling along with an occasional ceasing when one hears
-in the wind the ting, ting, ting of the bell of the disks at the station.
-There is one station before, and one behind. They are small stations, and
-are five kilometers apart. Between the two stations there is a straight
-double track, but no viaduct, no tunnel, no bridge, not even a culvert.
-</p>
-<p>
-As I said before, from whence came the sad shade of a man?
-</p>
-<p>
-It is Théophraste. He has resolved to fly-no matter where-far from his
-wife.
-</p>
-<p>
-After a night passed from gutter to gutter, not knowing where to direct
-his steps, and not caring at all, he goes into a railway station. He gets
-into a train without a ticket, gets out of the train at another station.
-</p>
-<p>
-How often does it happen that the control registers of railway stations
-are badly made on account of the number of travelers.
-</p>
-<p>
-Behold him, then, on the road at the entrance of a village which follows
-the railroad track. And who is it that watches him as he crosses the
-threshold of a little house at the entrance of a village?
-</p>
-<p>
-Mme. Petito herself!
-</p>
-<p>
-It was the first time that Mme. Petito had seen M. Longuet since he cut
-off the ears of her husband. Upon seeing him, Mme. Petito became highly
-indignant, and commenced upbraiding Théophraste.
-</p>
-<p>
-After all sorts of imprecations-the result of the barbarity of
-Théophraste-Mme. Petito informed Théophraste that Signor Petito had found
-the treasures of the Chopinettes, that he had put them in a safe place,
-and that the treasures were the richest on earth, treasures which were
-worth more than two ears. They were as good as the ears of Signor Petito,
-and so they were quits.
-</p>
-<p>
-Théophraste, in the course of this discourse, found it difficult to say
-very much, but this did not disturb him. He was glad of the anger of Mme.
-Petito, for having furnished him with such valuable information, and he
-said: &ldquo;I have found my treasures, for I have found Signor Petito again.&rdquo;
- </p>
-<p>
-Mme. Petito burst into satanic laughter.
-</p>
-<p>
-&ldquo;Signor Petito,&rdquo; she exclaimed, &ldquo;is in the train.&rdquo;
- </p>
-<p>
-&ldquo;In which train?&rdquo;
- </p>
-<p>
-&ldquo;In the train which will pass under your very nose! It will carry my
-husband beyond the frontier. Get in, then, my dear monsieur; climb in if
-you wish to speak to him. But hurry, for he passes by in an hour, and they
-do not distribute tickets at the next station,&rdquo; and her laugh became more
-satanic still, so much so that Théophraste almost wished that he was deaf
-again. He saluted her and walked away rapidly along the railroad track.
-When he was alone he said: &ldquo;Come, come! I must get some information about
-my treasures from Signor Petito himself. But how? He is in the train which
-will pass under my nose...
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0029" id="link2HCH0029"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXVII
-</h2>
-<h3>
-<i>The Express Train&rsquo;s Disappearance</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>T is necessary now for us to relate the extraordinary events which
-happened on the railway. At this part of the track, which is double, there
-were two stations about four miles apart, through which the express trains
-ran quite frequently. In the evening after Théophraste had been speaking
-to Mme. Petito, the express train had passed through the first station,
-and the station master was waiting for the signal from the second station,
-when suddenly a message came through saying that the train had not arrived
-yet. The station master could not understand it. The train had passed
-through his station fifteen minutes before, and would not have taken all
-that time to go the short distance to the other station. He went out and
-looked up the track. There was no sign of the train, and all was quiet.
-Again the signal came back, and the second station master said that he
-would walk along the track to see if he could find the cause of the delay.
-The first man said he would do the same, and they both started running
-down the track, followed by other men in the stations. Although it was
-broad daylight, nothing could be seen of the train, and the two parties
-met on the track. The first station master was greatly agitated, and wrung
-his hands in despair. He knew the train had passed through his station. He
-was sure of it. The report of his assistant confirmed it. Where could it
-have disappeared to? The excitement and fear was too much for him, and
-without any warning he fell dead at their feet with heart failure.
-</p>
-<p>
-The men ran hither, thither, on both sides of the tracks, but no sign of
-the train was there. At last they gave up the search, and placing the dead
-body of the station master on a rough bier of sticks and leaves, they made
-their way sadly back to the station.
-</p>
-<p>
-They had not gone far when one of the party cried out: &ldquo;Look ahead,
-there&rsquo;s the train!&rdquo;
- </p>
-<p>
-And there, a few yards outside the station, on the very track they had
-traveled on, was a wagon and baggage car of the disappeared train!
-</p>
-<p>
-They were all very astonished, and were running, shouting, toward the
-train, when they suddenly stopped. Peering out of the doors of the train
-was a peculiar head. It had no ears, and appeared as though the door had
-been shut violently, catching the man&rsquo;s neck. They called to him as soon
-as they saw him, but he did not answer. The head just swayed from one side
-to the other, rocked by the wind, which was blowing in great gusts. Upon
-the head was curly hair, and the cravat around the white neck was untied,
-floating in the wind.
-</p>
-<p>
-On approaching, they saw the door of the coach was covered with blood, and
-on examination saw that the man&rsquo;s head was held to the door by a piece of
-rag. He had evidently opened the door and poked his head out, when
-somebody must have shut the door again and decapitated him. The two men
-who carried the dead body of the station master uttered a cry of dismay,
-and placing their burden on the track, made an examination of the trucks.
-They found no one in the first one, and opening the door of the second,
-found that it was empty save for the dead man&rsquo;s body, which had been
-stripped of all its clothing.
-</p>
-<p>
-The news of this fantastic horror spread rapidly in the villages on the
-road, and an enormous crowd gathered at the little station.
-</p>
-<p>
-The police were sent for, but they were unable to get any clue as to who
-the strange man was, or where the train with all its travelers had gone
-to.
-</p>
-<p>
-They were, however, very quiet about it, and only at the inquest did the
-facts become known.
-</p>
-<p>
-As it has been said, the tracks between these stations contained no bridge
-or tunnel, but ran through a flat, desolate country, marked by no hills.
-The only thing to break the line of the track was a short side line which
-ran into a disused quarry, which had been used as a sand quarry by a
-glassmaker. This had been abandoned many years ago, and had not been used
-since.
-</p>
-<p>
-On looking at the plan one would at once think that the presence of this
-branch line was an explanation of the train disaster. But this was not so,
-as subsequent events will prove. In fact, so simple a solution of the
-problem would soon have been discovered by the station men.
-</p>
-<p>
-Wandering along the road which followed the track, Théophraste had noticed
-the little side track, and he had seen that the switch had been left
-unlocked. This would have had no significance to him before he had the
-interview with Mme. Petito, but now he saw an excellent opportunity of
-getting at Signor Petito, who was on the train. He of course could not get
-on the train while it was in motion. He would open the switch and wait for
-the train to come up. The engineer would be sure to see it and stop his
-train. Here was his opportunity.
-</p>
-<p>
-This was simple enough, and he did as he intended. He turned the switch,
-and, going along the track, hid behind the bushes to await the express. He
-waited and waited for a long time, but no express came. He became
-impatient, and looked up and down the track, hoping to hear it, or see its
-smoke.
-</p>
-<p>
-However, after half an hour, he rose, and, although tired of waiting, went
-down the track to see what had happened. He had gone about half the
-distance to the station, when he met a train-fitter who was going along
-the track to look for the train. Asking him what had become of the train,
-he turned back up the line, and arriving at the point where he had been
-hiding, he discovered the baggage car and carriage which were to be found
-a few minutes later by the trainmen from the station.
-</p>
-<p>
-In his astonishment he asked how they could have got there without passing
-him. He had not left the track, so it could not have passed him.
-</p>
-<p>
-Suddenly he saw the head of a man at the carriage door; the head had no
-ears, and so he quickly recognized it as that of Signor Petito. He climbed
-up into the carriage, all excitement, and searching the carriage, suddenly
-had an idea. He would disguise himself in Signor Petito&rsquo;s clothes! He
-quickly undressed, and stripping the dead body of all its clothes put them
-on, and tied his own up in a bundle. He then descended from the carriage,
-and fumbling in the pockets of the dead man&rsquo;s clothes, drew out an old
-pocketbook. He became feverishly excited as he searched through the
-papers, seeking some trace of his treasures. But he found nothing, and he
-found it difficult to hide his disappointment, for Signor Petito had
-carried the secret of the treasure to the grave.
-</p>
-<p>
-Mme. Petito was unable to give him any information, for soon after hearing
-of her husband&rsquo;s death she became insane, and remained so to the end of
-her days.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0030" id="link2HCH0030"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXVIII
-</h2>
-<h3>
-<i>Not To Be Explained!</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>S Théophraste was searching through the pocketbook of Signor Petito, he
-had wandered unconsciously away from the track into the fields. Upon
-returning, he was astonished to find the carriage had disappeared. He
-looked up and down the track, but could find no trace of it. Which was the
-most astonishing, the disappearance or the apparition of the train? He
-could not make it out, and the events had thrown him into a state
-bordering on prostration.
-</p>
-<p>
-He went down the track, examined the switch, and put it back in its
-original position and locked it, taking the key with him.
-</p>
-<p>
-He walked on to the upper station, but with the exception of the signalman
-everybody had gone out in search of the train. He interrogated him, but
-could only learn that the train had been reported but never came.
-</p>
-<p>
-Théophraste insisted. &ldquo;They certainly did report the express to you from
-the preceding station?&rdquo;
- </p>
-<p>
-&ldquo;Yes, sir. I am certain. Look at my signal. It is still put to allow the
-train to pass. The station master and all the men of the station preceding
-saw the express pass and telegraphed to us. In short, monsieur, you see my
-little yellow arm. A catastrophe between the preceding station and this
-one is not possible; there is not a single bridge or viaduct. I was
-mounted on the ladder that you see leaning against that great vat. From
-there one can see the whole line, as far as the other station. I saw our
-people gesticulating on the line, but did not see the train.&rdquo;
- </p>
-<p>
-&ldquo;Strange, very strange!&rdquo;
- </p>
-<p>
-&ldquo;Yes, indeed. You must trust my little yellow arm.&rdquo;
- </p>
-<p>
-&ldquo;Inexplicable.&rdquo;
- </p>
-<p>
-&ldquo;There is nothing more inexplicable.&rdquo;
- </p>
-<p>
-&ldquo;There are things more inexplicable still than that which have happened.&rdquo;
- </p>
-<p>
-&ldquo;What, then?&rdquo;
- </p>
-<p>
-&ldquo;A carriage without a locomotive appeared and disappeared, and no one
-could tell from whence it came. It disappeared, as it appeared.... Did you
-not see a carriage with a man at the door pass by here?&rdquo;
- </p>
-<p>
-&ldquo;Monsieur,&rdquo; said the signalman angrily, &ldquo;you mock me! You are exaggerating
-because you do not believe the story of the express which did not come.
-But look, monsieur, at my signal; that is proof enough. It cannot make a
-mistake.&rdquo;
- </p>
-<p>
-M. Longuet replied to the signalman: &ldquo;If you did not see the express,
-neither did I.&rdquo;
- </p>
-<p>
-In that &ldquo;neither did I&rdquo; commenced the inward thoughts of M. Longuet, who
-went away in Signor Petito&rsquo;s clothes. M. Longuet had an idea. His
-misfortune was so extreme and so incurable that he resolved to die for the
-others. With a little cunning this was possible, since he had reclothed
-himself in Signor Petito&rsquo;s clothes. Nothing would hinder him from leaving
-his on the bank of the first river he came to.
-</p>
-<p>
-This would constitute a suicidal act, according to the law.
-</p>
-<p>
-M. Longuet was moved to the thought of addressing a letter to Marceline
-and Adolphe. On the banks of what river would he put his clothes? How
-could he re-enter Paris? However, these thoughts passed through his head
-momentarily, for there was only one thing which was really of importance
-to him, and that was the explanation of the disappearance of the train.
-</p>
-<p>
-This explanation was given to Théophraste by M. Mifroid, under the
-circumstances which we shall now report.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0031" id="link2HCH0031"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXIX
-</h2>
-<h3>
-<i>M. Milford Recognizes Cartouche</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>T midnight an artisan was singing in a square in Paris, at the side of
-the ancient Quarter d&rsquo;Enfer, the hymn which several months later became so
-popular, the &ldquo;International.&rdquo; That artisan was working with several
-companions repairing the track, which had sustained certain damages,
-following the construction of a new drain. The track was bent in certain
-places, and even a house in that situation, a heavy new house of seven
-stories, was leaning. The city engineers were much concerned by this state
-of affairs. They knew that in this quarter the catacombs projected their
-innumerable tunnels, their thousands of drains, and that certain buildings
-were in a very precarious state.
-</p>
-<p>
-There are ancient Gallic-Roman quarries under those tottering walls, and
-so they determined on some work to make these houses secure.
-</p>
-<p>
-The day which interests us saw the end of this work. The artisan who sang
-the &ldquo;International&rdquo; had, with his companions, completed the stopping of a
-hole in the subterranean vault that they had previously strengthened with
-very heavy pillars, several meters high.
-</p>
-<p>
-It was just about twilight when they relinquished their work, and the
-workman who sang the &ldquo;International&rdquo; had almost finished stopping up the
-hole at that hour.
-</p>
-<p>
-At the same hour, not far away on the square, in front of an electrical
-lamp store, a few people stood about on the pavement, and M. Mifroid was
-buying a few lamps for his men. He had paid for them and was just leaving
-the store with his package, when he saw in front of the store a young man
-with white hair. He was so taken aback that he slipped into his pockets,
-without having paid for them, several electrical lamps. Always courageous,
-M. Mifroid bounded toward the man, crying: &ldquo;It is Cartouche!&rdquo; He had
-recognized him, for since the revenge of the calf, all the commissioners
-of police had the portrait of Cartouche in their pockets. We should add
-that Mme. Longuet herself, and M. Lecamus, immediately after the reading
-relative to the calf, had shut M. Longuet up, with the design of sending
-an urgent communication to the nearest Commissariat.
-</p>
-<p>
-Then M. Mifroid, who had known our hero as Théophraste, when he had dined
-with him, and who recognized him as Cartouche, cried out in bounding
-toward him: &ldquo;It is Cartouche!&rdquo;
- </p>
-<p>
-Théophraste had known for days what the police wanted with him, and when
-he saw Mifroid and heard the words &ldquo;It is Cartouche!&rdquo; he said to himself:
-&ldquo;It is time for me to get out of this.&rdquo; And he ran down the street.
-</p>
-<p>
-The commissioner ran on behind him, and was just grabbing him by the
-collar, when they both fell down the hole which the workman was filling.
-</p>
-<p>
-The man had left for a few minutes to drink with his companions at the
-saloon near by, and on his return he completed his work, not knowing that
-the two men had fallen, and so they were imprisoned.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0032" id="link2HCH0032"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXX
-</h2>
-<h3>
-<i>M. Mifroid&rsquo;s Theory</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>HEN M. Mifroid recovered sufficiently from the shock of his fall, the
-first thing that worried him was that he would be &ldquo;out of the game.&rdquo; Even
-at the moment of his fall his presence of mind did not fail him, and he
-knew that he was falling into one of the thousand-year-old quarries, which
-crossed under Paris in their intricate meanderings. He experienced that
-feeling accompanied by a light, painful torpor which follows a swoon
-caused by shock.
-</p>
-<p>
-He was in the catacombs!
-</p>
-<p>
-His first thought was to try and find the lights which he had just bought,
-and so find out how the passage lay. He felt sure that they must have
-fallen through the hole with him. The darkness seemed to weigh heavily on
-his eyelids, and a great feeling of depression came over him. Without
-getting up, for by an imprudent movement he would lose the knowledge of
-the exact place where he had fallen, he spread his hands about him and was
-relieved to find his package again. He feared at first that the lamps
-would be broken, but soon felt that it was not so; and breaking open the
-package, he pressed the button on one of the lamps. The cavern was lighted
-with a fairy brightness, and he could not keep from smiling as he thought
-of the unfortunates who, shut up in some cavern, generally drag themselves
-along, holding their breath, behind a paltry snuff of a candle, which at
-any moment might flicker out.
-</p>
-<p>
-He got up then and examined the vault. He knew of the work of repairing
-the track, and knew that they neared the end, but when he saw that the
-hole through which he had fallen was closed, a feeling akin to fear came
-over him.
-</p>
-<p>
-Now some meters of earth separated him from the outside world, unless it
-was possible for him to get up to this place which they had filled in. He,
-however, flashed his light around, and after surveying the walls and the
-vaults, he came across a prostrate body. The sight at first gave him a
-shock, but on examination he found it to be the body of M. Longuet-the
-body of the new Cartouche. He examined it and noticed that it did not bear
-a single trace of serious wounds. The man was stunned, as he had been
-himself, and without doubt he would not be slow in coming out of that
-swoon. He recalled that M. Lecamus had presented him to his friend in the
-Champs Elysées, and behold, he was now mixed up with him like the worst
-kind of assassins.
-</p>
-<p>
-Just then M. Longuet breathed a sigh, stretched his arm, and complained of
-some pains. He arose, and, saluting M. Mifroid, asked him where they were.
-M. Mifroid told him. He did not seem at all distressed, but drawing forth
-his portfolio, he traced some lines which resembled a plan, and showed
-them to M. Mifroid, saying:
-</p>
-<p>
-&ldquo;M. le Commissioner, we are at the bottom of the catacombs. It is an
-extraordinary event. How we are going to get out I do not know, but that
-which is distressing me most at the present moment is what has happened to
-the express train.&rdquo; M. Mifroid demanded some explanation, and M. Longuet
-related to him, with the closest detail, the disappearance and
-re-appearance of the carriage and the train. For the better understanding
-of the track he drew a plan out as follows:
-</p>
-<h3>
-A H D C B
-</h3>
-<p>
-This he showed to M. Mifroid.
-</p>
-<p>
-He explained how the train had disappeared between A and B. How he had
-turned the switch at H and waited at D for the train to pass on to the
-side track. He described how the train had never come, and how the
-carriage had appeared and disappeared.
-</p>
-<p>
-M. Mifroid became greatly interested, and begged him to repeat the story.
-&ldquo;And when did this happen?&rdquo; asked he. &ldquo;It has not yet been reported to
-me.&rdquo;
- </p>
-<p>
-&ldquo;It happened several hours ago,&rdquo; said Théophraste, &ldquo;and it should have
-been reported by now.&rdquo;
- </p>
-<p>
-M. Mifroid examined the plan for about five minutes, and after reflecting
-for a while, asked Théophraste a few questions. Suddenly he burst out
-laughing and said: &ldquo;Why, what a difficult problem. I have solved it in
-five minutes.
-</p>
-<p>
-&ldquo;You said there were five men at A and five men at B. It passes through B,
-but not A. You were at D, and because you did not see, it did not pass?
-Consequently, your train vanished. Well, I say the train exists between A
-and B, and must be somewhere between B and I, that is sure; the train is
-in the sandhill.&rdquo;
- </p>
-<p>
-&ldquo;I swear not!&rdquo; said Théophraste. &ldquo;I was at D expecting the train, and I
-did not leave the track.&rdquo;
- </p>
-<p>
-&ldquo;It can be nowhere else, for five men saw it pass B and the five men at A
-are equally certain it didn&rsquo;t pass them. Therefore I say that as only you
-were at D it passed that point, and undoubtedly switched off on I, since
-it could not be otherwise. By a necessary chance, while the first cars of
-the train were engulfed in the sand hillock, which covered it up (imagine
-that the line H is too short for the engineer to have had time to avoid
-the accident), the yoke chain of the last car was broken, and so the last
-carriage was forced by the baggage car to descend as far as D, on the
-track, which was slightly up-grade, since it wrent into a sand hillock.
-Then after going down to H and back to D, you saw the carriage and Signor
-Petito in the doorway. Your Signor Petito opened the carriage door,
-perhaps to throw himself out, as soon as he was aware of the imminent
-catastrophe, and as the latter caused a shock, it closed the door on the
-head of your Signor Petito.
-</p>
-<p>
-&ldquo;Now, having despoiled Signor Petito of his clothing, you walk into the
-fields to read his papers. When you return the carriage is no longer
-there. Now, then. Since there was a declivity, and since there was a wind,
-the carriage, after having rolled as far as H, is found on the line A-B,
-where the trainmen certainly have found it by this time. Do you understand
-now? Do you understand all except that you did not see the train pass D?
-You are deaf sometimes, M. Longuet?&rdquo;
- </p>
-<p>
-&ldquo;I have already had the honor of telling you so.&rdquo;
- </p>
-<p>
-&ldquo;Imagine that you were deaf while you were waiting for the train at D. You
-did not hear then?&rdquo;
- </p>
-<p>
-&ldquo;No, but I should have seen it.&rdquo;
- </p>
-<p>
-&ldquo;Already you did not hear it. That is much. Possibly you turned your head
-for three seconds. Three seconds, that is to say, one second and thirty
-hundredths longer than is necessary to see an express train of four
-carriages pass before you, which, being late, made 120 to the hour. M.
-Longuet, the train disappeared, or, rather, seemed to disappear, because
-you were deaf and turned your head for a brief space of time.&rdquo;
- </p>
-<p>
-M. Longuet raised his arms to the limit toward the vaults of the
-catacombs.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0033" id="link2HCH0033"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXXI
-</h2>
-<h3>
-<i>Lost in the Catacombs</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>HEN M. Longuet had recovered from the emotion that M. Mifroid&rsquo;s
-explanation of the train had caused him, he went through his pockets and
-handed over to M. Mifroid a revolver and a large knife that he had found
-in Signor Petito&rsquo;s pocket.
-</p>
-<p>
-He was now perfectly rational and felt free from the influences of
-Cartouche. He, however, dreaded the return of these fancies, and asked M.
-Mifroid to accept these articles in order to defend himself should he
-again be possessed with this evil spirit.
-</p>
-<p>
-Continuing the search through his pockets, he produced seven lamps like
-those of M. Mifroid, and so between them they had thirteen of these
-lights, which would give them 520 hours of continuous light. They,
-however, worked out that they could do ten hours a day without light on
-account of sleep, and their calculations gave them fourteen hours of light
-per day.
-</p>
-<p>
-&ldquo;M. Longuet,&rdquo; said M. Mifroid, &ldquo;you are wonderful. Cartouche himself could
-not have done better; but what is the good of carrying them around with
-us? They will only be a nuisance. Are you hungry, M. Longuet? How long do
-you think you could remain without food?&rdquo;
- </p>
-<p>
-&ldquo;I am sure,&rdquo; he declared, &ldquo;that I could remain this way forty-eight
-hours.&rdquo;
- </p>
-<p>
-&ldquo;Well, you will have to remain like this for seven days, perhaps. I will
-throw these ten lamps away, as after the third one I am afraid we shall
-not have much need of the rest.&rdquo;
- </p>
-<p>
-&ldquo;Where are you going?&rdquo; asked M. Longuet. &ldquo;No matter where,&rdquo; answered his
-companion; &ldquo;but we must go anywhere rather than stay here, for there is
-not a ray of hope here. We will reflect while walking. Walking is our only
-salvation, but by walking seven days we will risk all chance of arriving
-anywhere, unless we make a plan.&rdquo; &ldquo;Why not make an exact plan?&rdquo; asked M.
-Longuet.
-</p>
-<p>
-&ldquo;Because I have observed in all the stories of the catacombs there were
-always marked plans which the unfortunate wanderers have lost. They were
-confused by the marked places, and not understanding anything about it,
-they became overwhelmed with despair. In our situation it is necessary to
-shun all causes for despair. You are not without hope, M. Longuet?&rdquo;
- </p>
-<p>
-&ldquo;Oh, by no means, M. Mifroid. I will add, even, that were I not so hungry,
-your pleasant society aiding, I should not at all regret the roofs of the
-Rue Gerondo. You must tell me some stories of the catacombs, M. Mifroid,
-to let me forget my hunger.&rdquo;
- </p>
-<p>
-&ldquo;Why, certainly, my friend. There is the story of the &lsquo;Jailer,&rsquo; and the
-story of the &lsquo;Four Soldiers.&rsquo;&rdquo;
- </p>
-<p>
-&ldquo;With which will you begin?&rdquo;
- </p>
-<p>
-&ldquo;I am first going to tell you of the catacombs in general; this will make
-you understand why it is necessary to walk a long time to get out of
-them.&rdquo;
- </p>
-<p>
-Here M. Longuet interrupted him, asking why in ending his sentences he
-always made a gesture with the thumb of his right hand.
-</p>
-<p>
-&ldquo;That means, M. le Commissioner, that the gesture has become a habit with
-you-putting on thumb-screws?&rdquo;
- </p>
-<p>
-M. Mifroid declared that that was not the reason. He often gave himself up
-to sculpture, and he explained to him that it was the habit of a modeler.
-He buried his hand in his discoveries, just as he did in his clay.&rdquo;
- </p>
-<p>
-M. Longuet expressed astonishment that a police commissioner should
-interest himself in sculpture. However, it afterward transpired that M.
-Mifroid&rsquo;s knowledge of this art was the means of their final escape from
-the catacombs.
-</p>
-<p>
-M. Mifroid, in reporting, the events of the catacombs, wrote as follows:
-</p>
-<p>
-&ldquo;The way that we were following was a vast passage of four or five meters
-high. The walls were very dry, and the electric light which lit our way
-allowed us to see a hard stone, devoid of all vegetation, even of
-moisture. That proof was not one to rejoice M. Longuet&rsquo;s heart, for he was
-beginning to be very thirsty. I knew that in the catacombs there were some
-threads of running water. I thanked heaven for not putting us on one of
-these threadlike streams, for we should only have lost time in imbibing
-there, and, moreover, as we could not carry away any water, it would only
-have made us more thirsty.
-</p>
-<p>
-&ldquo;M. Longuet objected to the idea that we were walking without caring
-where. I resolved to make him understand the necessity of walking on
-anywhere, in relating to him that which was the truth, that the engineers,
-when repairing the track, had descended into the catacombs, and had sought
-in vain to discover their limits, and to find an outlet they were obliged
-to give it up, and they built those pillars as supports, and built the
-arch with masons&rsquo; materials; they descended directly into the hole, before
-closing it finally over our heads. Not to discourage M. Longuet, I
-informed him that, to my knowledge, we could count on at least 520
-kilometers of catacombs, but there was not a single reason why they should
-not have had more. Evidently, if I had not warned him immediately of the
-difficulty of getting out of there, he would have manifested his despair
-the second day of the walk.
-</p>
-<p>
-&ldquo;&lsquo;I think, then,&rsquo; I said to him, &lsquo;that they have dug this soil from the
-third to the seventeenth century. For during 1400 years, man had removed
-from under the soil the materials that were necessary to construct above.
-If at any time there was not enough above, there was always more below.
-That above returns below, and goes out thence,&rsquo; and as we still found
-ourselves under the ancient Quarter d&rsquo;Enfer, I recalled to him that in
-1777 a house in the Rue d&rsquo;Enfer was swallowed up by the earth below. It
-was precipitated to 28 meters below the soil in its court. Some months
-later, in 1778, seven persons met death in a similar caving in. I cited
-still several more recent examples, dwelling upon the accident to persons.
-He understood, and said to me: &lsquo;In short, it is often more dangerous to
-walk above than below.&rsquo;
-</p>
-<p>
-&ldquo;I kept on, seeing that he was impressed, and he spoke no more of his
-hunger, and forgot his thirst. I profited by it to make him lengthen his
-step, and I burst into the most entrancing song which came into my mind.
-He took it up, and we sang in chorus:
-</p>
-<p class="indent15">&ldquo;&lsquo;Au pas, comerade, au pas,
-</p>
-<p class="indent20">La route est belle!
-</p>
-<p class="indent15">J&rsquo;aura du frictiti la bas,
-</p>
-<p class="indent20">Dans la gamelle!&rsquo;
-</p>
-<p>
-&ldquo;It was this which made him keep step.
-</p>
-<p>
-&ldquo;One gets tired of singing very quickly in the catacombs, because the
-voice does not carry; so when we had got tired M. Longuet asked a hundred
-more questions. He asked me how many meters there were over our heads. I
-told him that that could vary, from the latest reports, from 5m.82 and 79
-meters. Sometimes, I told him, the crust of earth was so thin that it was
-necessary to extend the foundations of the tombs as far as the bottom of
-the catacombs. So that we might, in the course of our peregrinations,
-encounter the pillars of Saint Sulpice de St. Etienne du Mont, of the
-Pantheon of the Val de Grace, of the Odeon. These monuments are erected in
-some way on the subterranean pilings.
-</p>
-<p>
-&ldquo;&lsquo;Really, in the course of our peregrinations we risk encountering some of
-these subterranean pilings.&rsquo; But he had his own fixed idea.
-</p>
-<p>
-&ldquo;&lsquo;And in the course of our peregrinations, is there any chance of our
-coming upon an exit? Are there many ways out of the catacombs?&rsquo;
-</p>
-<p>
-&ldquo;&lsquo;There are not,&rsquo; I replied; &lsquo;there is need of them. First of all, there
-are egresses into the quarter.&rsquo;
-</p>
-<p>
-&ldquo;&lsquo;So much the better,&rsquo; he interrupted.
-</p>
-<p>
-&ldquo;&lsquo;And other ways out that some know of, but by which none are ever
-admitted, but which exist, nevertheless, in the caves of the Pantheon, in
-those of the College of Henry IV, of the Hospital of the Undi, of some
-houses in the Rue d&rsquo;Enfer, of Vangirard, of the Tombe Issoire at Passy, at
-Chaillot, at Saint Maur, at Clarenton, at Gentilly-more than sixty. In
-order to safeguard building construction, an ordinance was made which
-closed all the openings to the catacombs.
-</p>
-<p>
-It is that ordinance, my dear M. Longuet, which has almost walled us in.&rsquo;
-</p>
-<p>
-&ldquo;At that moment we struck an enormous pillar. I examined its construction,
-and said without stopping: &lsquo;Here is a pillar which was used by the
-architects of Louis XVI in 1778, then of the Consolidation.&rsquo;
-</p>
-<p>
-&ldquo;&lsquo;Poor Louis XVI!&rsquo; said M. Longuet. &lsquo;He had better have consolidated
-royalty.&rsquo;
-</p>
-<p>
-&ldquo;M. Longuet had taken the electric lamp from my hands, and did not cease
-to throw the rays to the right and left, as if he was looking for
-something. I asked him the reason of this, which would fatigue the eyes.
-</p>
-<p>
-&ldquo;&lsquo;I am looking for some corpses,&rsquo; he said.
-</p>
-<p>
-&ldquo;&lsquo;Some corpses!&rsquo;
-</p>
-<p>
-&ldquo;&lsquo;Skeletons. I have heard that the walls of the catacombs are hung with
-skeletons.&rsquo;
-</p>
-<p>
-&ldquo;&lsquo;Oh, my friend&rsquo;-I already called him friend, his serenity in such a
-serious emergency delighting me so much-&rsquo;that ghastly tapestry is only a
-little longer than a kilometer. That kilometer justly called an ossuary,
-on account of the skulls, the radius, the cubitus, tibias, shin-bones,
-phalanges, the thorax, and other small bones which were made into unique
-ornaments. But what ornaments! Ornaments of three million skeletons, that
-were brought from the cemeteries and acropolis of Saint Midard Clucy,
-Saint Lamdry of the Carmelites, the Benedictines, and of the Innocents.
-</p>
-<p>
-&ldquo;&lsquo;All bones, the little bones well sorted, arranged, co-ordinated,
-classified, labeled, which made on the walls and in the cross passages,
-roses, parallelopipides, triangles, rectangles, volutes, crevices, and
-many other figures of marvelous regularity.
-</p>
-<p>
-&ldquo;&lsquo;Let us wish, my friend, to reach that domain of the dead. It will be
-life. For there there are always a number of people. It is much
-frequented. But we are not there. What is one kilometer of dead men&rsquo;s
-bones in five hundred?&rsquo;
-</p>
-<p>
-&ldquo;&lsquo;Clearly! How many kilometers do you think we have made, M. Mifroid?&rsquo;
-</p>
-<p>
-&ldquo;&lsquo;We have made nine.&rsquo;
-</p>
-<p>
-&ldquo;&lsquo;What are nine kilometers in five hundred?&rsquo;
-</p>
-<p>
-&ldquo;I induced M. Longuet not to make these useless calculations, and he
-begged me to tell him the story of the &lsquo;Jailer&rsquo; and that of the &lsquo;Four
-Soldiers.&rsquo;
-</p>
-<p>
-&ldquo;That made two histories which were not very long in telling. There were
-only a few words in the first. There was once a jailer of the catacombs
-who became lost in the catacombs. They found his corpse eight days later.
-The second related to four soldiers of the Val-de-Graces, who were
-descending, by the aid of a cord, into a well of eighty meters. They were
-in the catacombs, and as they did not reappear some drummers were sent
-down, who made the greatest noise that they could with their drums, but in
-the catacombs sound does not carry, and no one responded to the rolling.
-They hunted, and at the end of forty hours they found them dying in a
-blind alley.
-</p>
-<p>
-&ldquo;&lsquo;They had no moral courage,&rsquo; said Théophraste.
-</p>
-<p>
-&ldquo;&lsquo;They were foolish,&rsquo; I added. &lsquo;Whoever is foolish enough to wander into
-the catacombs deserves no pity.&rsquo;
-</p>
-<p>
-&ldquo;We were by this time come to a crossway, and M. Longuet turned to ask
-which way we would follow.
-</p>
-<p>
-&ldquo;I could answer him without delay. I said:
-</p>
-<p>
-&ldquo;&lsquo;Here are two galleries; which are you going to take? One goes almost
-directly back to our starting-point, the other directly away from it.&rsquo; As
-our design was to go away from our starting-point, M. Longuet showed me
-the first gallery.
-</p>
-<p>
-&ldquo;&lsquo;I was sure of it!&rsquo; I exclaimed. &lsquo;But you disregard the entire principle.
-The experimental method has for centuries demonstrated that at the bottom
-of the catacombs all individuals who wish to come back to their point of
-setting out (to the entrance of the catacombs) go away from it; then the
-whole logic of it is, to go away from one&rsquo;s point of starting out, one
-must take the way which apparently brings one back to it.&rsquo; And so we
-decided on the gallery which seemed to us to bring us back over our steps,
-so we were sure of not having made a useless trip. That system was
-excellent, for it led us into a certain region of the catacombs that no
-one had visited before, since the fourteenth century, otherwise it would
-have been known.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0034" id="link2HCH0034"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXXII
-</h2>
-<h3>
-<i>A Dissertation on Fish</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>. LONGUET had from the first been complaining of his great hunger. He
-was getting very weak, and the end of the thirty-sixth hour saw him
-cursing their misfortune. However, what would have been the good of a
-little food? They were buried alive, and food would have been like a buoy
-to a shipwrecked sailor, alone in the middle of the ocean. It could only
-serve to prolong the agony.
-</p>
-<p>
-M. Mifroid was more philosophical. He said that if there had been anything
-to eat to give them strength to continue their way, he would have been the
-first to suggest their stopping. But, with the exception of some
-mushrooms, probably poisonous, that his watchful eye had seen, there was
-nothing, so he urged M. Longuet to tramp on. M. Longuet, however, was
-unreasonable; he said he was hungry, and yet did not seem able to exert
-himself to get out of the catacombs.
-</p>
-<p>
-He asked M. Mifroid question after question as to the catacombs and what
-he could eat to stay his terrible hunger. M. Mifroid tried to keep him
-interested by telling him of a visit he had made to the laboratory in the
-catacombs of M. M. Edwards. He told him of the fauna and the flora in
-obscure and cavernous places, of which, if necessary, he could make a
-meal.
-</p>
-<p>
-Although the conversation was in vain, as far as its effects on
-Théophraste were concerned, M. Mifroid kept on. Hungry men are always
-eager to talk of things to eat, and although he didn&rsquo;t wish to acknowledge
-his hunger, he spoke of these things, and in endeavoring to put spirit
-into Théophraste allayed his own feelings.
-</p>
-<p>
-&ldquo;My dear friend,&rdquo; said he to Théophraste, &ldquo;it may be that even if we don&rsquo;t
-get out of the catacombs we will not die of hunger. There is a stream
-somewhere here, and I have heard that there are certain fishes therein.
-They are not large fish, but there are incalculable quantities of them.
-They are of different sizes, and are not unpleasant to taste.&rdquo;
- </p>
-<p>
-&ldquo;Have you seen them?&rdquo; asked Théophraste.
-</p>
-<p>
-&ldquo;No; but my friend, M. Edwards, told me about them when I visited the
-Fountain of the Fanaisetan.&rdquo;
- </p>
-<p>
-&ldquo;Is that far from here?&rdquo;
- </p>
-<p>
-&ldquo;I can&rsquo;t tell you just now-all that I know is that this fountain was
-constructed in 1810 by M. Hericourt de Thury, engineer of the subterranean
-quarries. This fountain is inhabited by the cope-podes.&rdquo;
- </p>
-<p>
-&ldquo;Are they fish?&rdquo;
- </p>
-<p>
-&ldquo;Yes, they present some very singular modifications of tissues and
-colorative. They have a beautiful red eye. That is why they are called
-cyclops. That this fish has only one eye ought not to astonish you, for
-the asellus aquaticus, which lives as well in the running water of the
-catacombs, is a small isopode aquatic, which often has no eyes at all.
-Many species have, instead of an eye, only a small red pig snout; others
-have not a trace of one. They do not need to see clearly, since they live
-in darkness. Nature is perfect, and never found wanting. It only gives
-eyes to those who can use them, and does not give them to those to whom
-they are unnecessary.&rdquo;
- </p>
-<p>
-Théophraste was struck by M. Mifroid&rsquo;s words.
-</p>
-<p>
-&ldquo;Then,&rdquo; said he, &ldquo;if we continue to live in the catacombs we will end by
-not having eyes!&rdquo;
- </p>
-<p>
-&ldquo;Evidently we will commence to lose the use of our sight and eventually
-become blind.&rdquo;
- </p>
-<p>
-Then Théophraste insisted upon M. Mifroid continuing his talk on these
-fish that could be found in the catacombs, and which they would, perhaps,
-have to eat. He was thus induced to give a sort of lecture on the
-modifications of the organs, and their excessive development, or their
-atrophy, following the ways frequented by individuals.
-</p>
-<p>
-He continued: &ldquo;So the fish of which I speak have no eyes. Their sense
-organs present modifications. For instance, the asellus aquaticus, even of
-the normal species, is armed with small, flat organs, terminated by a
-pore, that are considered olfactory organs. They are veritable olfactory
-cudgels, and these very fish which do not see know the space around them
-as well, possibly better, than if they could see in the light, so
-perfectly developed are these olfactory and tactile organs. Yes, my dear
-Théophraste, there are circumstances in the lives of some living things
-where the nose takes the place of the eyes, and the nose can thus acquire
-perfectly incredible dimensions. In the wells of Padirac there was found
-an asellide which possessed olfactory cudgels of an amazing length.&rdquo;
- </p>
-<p>
-&ldquo;Are there none in the running waters of the catacombs?&rdquo; demanded
-Théophraste.
-</p>
-<p>
-&ldquo;No, none at all. Yet there are found many sorts of cavernical fish, such,
-for example, as the niphugus puleamus, and this is found in great
-abundance. Their ocular organs are atrophied.&rdquo;
- </p>
-<p>
-This, however, did not interest Théophraste, who had got his own idea.
-</p>
-<p>
-&ldquo;Do you know how they fish for them?&rdquo; he asked.
-</p>
-<p>
-&ldquo;I cannot say,&rdquo; said Mif roid; &ldquo;but we can surely get some sort of bait
-from the surrounding vege-matter.&rdquo;
- </p>
-<p>
-In a little while they both fell asleep, dreaming of this water which was
-to bring them relief. However, though their dreams were pleasant enough,
-there were surprises for them when they awoke.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0035" id="link2HCH0035"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXXIII
-</h2>
-<h3>
-<i>The Meeting of the Talfa</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">T</span>HEY had been sleeping on a soft soil or decayed vegetable matter, the
-sight of which had drawn from M. Mifroid the remark that it was a good
-omen for the near future. Their travels up to the present had been without
-incident, except for some differences of opinion between them. The
-subterranean galleries, lit up by the electric lamps, were sometimes vast,
-sometimes straight, sometimes rounded out like the vault of a cathedral,
-then square and regular, and so narrow that they had to crawl on their
-knees to get through. They had by this time become silent, except for a
-remark or two upon the variety of the strata they were passing through.
-Here was rock, here clay, here sand, and so on.
-</p>
-<p>
-It could not, however, last much longer. For forty-eight hours they had
-been walking, without coming across any water. M. Mifroid, however, hoped
-on, and we will soon see how justified he was. He hoped at least to come
-across some water or vegetation.
-</p>
-<p>
-They estimated it to be about four o&rsquo;clock in the afternoon, when
-Théophraste rose, and, tightening his belt, prepared to start on another
-tramp. This time he did not speak of his hunger or thirst, but walked on
-in that silence which weakness brings on men. They had been walking about
-an hour when it was noticed that the temperature had become much higher,
-and they both involuntarily took off their coats. Soon the perspiration
-began to pour off their foreheads, and they began to wonder how this
-change could have come about. Were they going toward the center of the
-earth? How could it be accounted for? In two hours the temperature had
-risen from 60 to 90 degrees Fahrenheit. M. Mifroid knew of some galleries
-79 meters below the ground, but who could estimate what depth they were at
-now?
-</p>
-<p>
-Their electric lamps spread their brilliancy around them as they advanced,
-now discussing the cause of this phenomenon. Suddenly the walls of the
-galleries spread out, and they found themselves in a cave of such large
-dimensions that even with their strong lights they could not see the
-farther ends. What was their joy and amazement when they found before them
-a beautiful lake, the banks of which were covered with a thick carpet of
-moss, and in the crystal transparency of which they saw fish with
-beautifully colored scales. The fish had no eyes, and did not appear
-timid. They disported themselves in the water, coming quite close to where
-the two astonished men stood. They could easily catch them by leaning
-over. A flock of ducks were swimming about in the enchanted water.
-</p>
-<p>
-M. Théophraste wept with joy on seeing this wonderful sight, and cried out
-softly, for he was afraid of disturbing them: &ldquo;My friend, what did I say?
-Isn&rsquo;t this better than all earthly scenes?&rdquo;
- </p>
-<p>
-M. Mifroid felt somewhat humiliated at not knowing this before, but soon
-regained his influence over Théophraste, who was beginning to get excited
-over this wonderful sight. He made him sit down on the bank, so as not to
-frighten the ducks, and began explaining to him that what they saw was
-quite natural. He explained that it was caused by the soil, and that the
-water had collected here by the action of the heat.
-</p>
-<p>
-Théophraste was for throwing himself into the water at once, and would
-have done so if they had not suddenly seen a sight which riveted them to
-the very ground. Neither of them spoke. Their tongues were paralyzed.
-Their electric light revealed, far ahead of them, but not far enough for
-them to lose a single detail, the figure of a woman. She was quite naked,
-and had her back toward them. Never before had they seen a form so elegant
-and so graceful.
-</p>
-<p>
-This first view, however, lasted only an instant, for she threw herself
-into the water and swam away with the grace and ease of a swan.
-</p>
-<p>
-The apparition had the effect of making them forget the ducks, and they
-both forgot the hunger which gnawed at their vitals. They had hoped that
-she would not vanish, and that their presence would remain unnoticed.
-</p>
-<p>
-After several plunges, the nymph, shaking the pearly drops from her
-beautiful body into the sleeping waters, emerged not far away from where
-they stood, but always with her back turned.
-</p>
-<p>
-What quarry of Carrara ever gave to the world more precious or purer a
-marble? By what miracle of the divine fires can we contemplate those lines
-of definitive beauty? It was the form of a Greek statue, and her arms were
-as graceful as one could wish to imagine on the Venus de Milo.
-</p>
-<p>
-They waited in silence for her to turn around, while she disported herself
-on the green moss. Soon their curiosity was satisfied, and she suddenly
-turned. Neither of them could restrain a cry of horror, which made the
-Venus plunge back into the water. She had no eyes, and there was nothing
-in their place. Her ears, which were hidden from their sight by the
-profusion of hair, stood out like horns. But that which terrified them
-most was her enormous, snout-like red nose.
-</p>
-<p>
-They had hardly recovered from their first surprise when another young
-female, clothed in a light tunic, came unexpectedly on the bank, holding
-in her arms a long gown. She also had a nose like the other, and no eyes.
-</p>
-<p>
-The Venus came toward her companion on the bank, and the latter said:
-&ldquo;They are silent now, and not saying a word.&rdquo;
- </p>
-<p>
-&ldquo;Ha, Saint Mary, they shall have no pardon! They are traitors. Do you know
-what our people are doing? Go and find out; I want to know.&rdquo; She spoke in
-the purest French of the fourteenth century, and the delicacy and
-sweetness of her voice was like the rippling water of a brook. The two men
-watched and listened in amazement. They stood still and stared before
-them. They felt that a great miracle was being wrought.
-</p>
-<p>
-Suddenly they were surrounded by thirty or more men, who seemed to have
-come from out of the very rocks. They stood around them, gesticulating and
-talking vehemently, but in very low voices. They too had no eyes, but
-their ears were developed to a surprising size. On each of their hands
-they had ten fingers, and they had ten toes to each foot. As they came
-into the glare of the electric light, they held their hands up to their
-red snouts, as if they had smelled a disagreeable odor. They all mumbled
-in half-audible tones: &ldquo;Lady Jane de Montfort, Demoiselle de Coucy,&rdquo; and
-it was easy to see that they referred to the ladies who had been
-disturbed. As they passed they felt the faces of the two men. They just
-touched them lightly, and in doing so moved away in an apologetic way. It
-seemed as if they were curiosities. They felt their eyes, their noses, and
-their ears, and some of them even put their fingers down their ears. It
-was evident they could not understand the smallness of their features.
-</p>
-<p>
-Then one of them addressed M. Mifroid, and while apologizing for their
-curiosity, said he was astonished at their want of beauty.
-</p>
-<p>
-By this time Lady Jane de Montfort and Demoiselle de Coucy were dressed,
-and M. Mifroid and M. Théophraste were presented to them.
-</p>
-<p>
-The two men begged a thousand pardons for their intrusion, and were about
-to explain their intrusion, when Demoiselle de Coucy took Théophraste by
-the arm, and Lady Jane took M. Mifroid, and they were conducted through
-the vaults surrounded by the crowd of men. It was difficult for them to
-prevent the men from poking their eyes out as they fumbled over their
-faces.
-</p>
-<p>
-They had been forty-eight hours without food, and their hunger was
-extreme, and now they were to be taken away from where there was food.
-</p>
-<p>
-The two women had taken possession of their lamps under the pretext of
-being troubled by the odor.
-</p>
-<p>
-They tried to tell the people that they were exhausted, but so many
-questions were put to them that no opportunity presented itself.
-</p>
-<p>
-They had by this time reached a large chamber. There was a dull light, and
-they felt the presence of thousands of people. M. Mifroid managed to get
-one of the lamps, and quickly pressing the button, lit up the vast hall,
-in which were crowded thousands of these weird men, all with the large
-noses and ears, but with no eyes. Some of them walked on all fours, and
-some had such long noses that they looked like pelicans.
-</p>
-<p>
-Finally they were informed that they were at the entrance to the meeting
-hall.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0036" id="link2HCH0036"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXXIV
-</h2>
-<h3>
-<i>M. Mifroid Performs on the Stage</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">O</span>NE would never have expected to drop from one of the numberless ways in
-the catacombs into a city of twenty thousand inhabitants. However, upon
-reflection, one would wonder why men, taken out of their natural
-environment, would not be susceptible to the same natural changes as the
-animals.
-</p>
-<p>
-Arajo relates to us how he saw flocks of blind ducks come out of the
-caverns of the subterranean lake of Zirhnitz. One is bound to believe that
-these ducks were the products of ducks which once saw clearly, but which
-were shut up by some accident in the bowels of the earth, in the midst of
-obscure waters. And so there is some logic in the theory that if the
-family of a man in the first years of the fourteenth century was by
-accident confined in the catacombs, it would live there and produce
-offspring. At the end of the third generation they would have forgotten
-the existence of the open world. Of course they would continue to speak
-the language, and as no strange element would mix with it, it would
-preserve its purity through centuries.
-</p>
-<p>
-Then in the darkness they would lose the use of their eyes, but develop
-their sense of touch as blind men do. Hence the excess of digits on their
-hands and feet. Then the loss of one sense always develops all the other
-senses in proportion. After centuries these super-developed senses become
-abnormal, and the nose and ears develop accordingly in size.
-</p>
-<p>
-And so it was with these people of the Talfa. Their features had developed
-to an extraordinary extent, and their idea of beauty in the human form was
-based on the excessive development of these features. Demoiselle de Coucy
-was considered the most beautiful of all the Talfa.
-</p>
-<p>
-They had entered the large meeting room, and M. Mifroid attempted to again
-light his lamp, but the crowd cried out in such disgust that he was
-persuaded to keep it out. He endeavored to converse with those near by.
-Their names were among the most illustrious in France at the time of the
-Battle of Crecy. But they addressed themselves in a tone so ineffably
-sweet, and all the uproar they tried to make resulted in an enchanting
-murmur. It was difficult to imagine that such sweet and honeyed words
-could emanate from such ugly beings.
-</p>
-<p>
-M. Mifroid was seated on a chair next to Lady Jane de Montfort, who
-continually felt his face and touched his ears. While her curiosity was
-great she approached him with such delicate gracefulness that he hadn&rsquo;t
-the heart to restrain her.
-</p>
-<p>
-Soon there was a great silence, and a concert began. To Mifroid and
-Théophraste nothing was to be heard. Occasionally the people applauded
-quietly, but the absolute silence of the performers was a striking
-feature. Not a word was heard.
-</p>
-<p>
-Soon there was much talking again around the two men, and they learned
-that it was intended that they should go down on the stage. This was the
-reason why they had been dragged to the meeting hall. They were to be
-exhibited as a phenomenon. Théophraste willingly consented, as his
-companion had promised him a good duck for dinner. M. Mifroid was not so
-easily persuaded, but at last acquiesced, and they descended to the stage.
-They all clamored for a song, and M. Mifroid started one of the old French
-songs of the fourteenth century, which he had learned as a boy. He had
-hardly started the first verse, when everybody in the hall called out for
-him to sing lower.
-</p>
-<p>
-He started again, this time moderating his voice, but again they called to
-him to sing lower. The third time he could hardly hear himself, so low was
-his voice, but this did not satisfy his audience, and he left the platform
-with his song unfinished. He afterward learned that the sense of hearing
-of these people was so developed that they could understand silent music.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0037" id="link2HCH0037"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXXVI
-</h2>
-<h3>
-<i>A New Trade</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>FTER the concert the party went out of the hall, and passed on to a
-striking mansion in which a sumptuous repast was served. M. Mifroid had by
-this time become quite intimate with the Lady de Montfort. He confessed
-that he was unable to withstand the allurements of the lady. It must not
-be forgotten that the darkness was most conducive to the failure of all
-his honorable intentions. However, we will not dilate upon what happened,
-but Mme. de Montfort weakened him with her caresses and M. Mifroid at last
-succumbed to the temptation. After a while she slept, and he opened the
-door and went out.
-</p>
-<p>
-Although they had been among the Talfa several hours, neither M. Mifroid
-nor Théophraste had had the inclination to see what kind of habitation
-they were in. Weakness and the great crowd of Talfa had prevented them.
-</p>
-<p>
-M. Théophraste had conducted himself in such a manner during the meal,
-eating everything to excess, that he had had to be carried out. It was
-done according to the directions of Mme. de Coucy, who, it is feared,
-would not at that time have carried on her love intrigues.
-</p>
-<p>
-Now M. Mifroid found himself alone, and he decided to investigate. As he
-went out of the room, he realized that he was in a subterranean city.
-</p>
-<p>
-That which struck him most was the total absence of doors. All the shops
-were open to the passers-by, and the most precious articles as well as the
-poorest were exposed for any one to take who wished.
-</p>
-<p>
-He was very much amused by the profusion of the columns, by the incredible
-carving in the friezes, by the reliefs and sculptured caps to the pillars.
-They were so extravagantly flowered, with the lines so intricate, that
-only a master hand could have worked them. A curious point about all this
-work was that it only reached as high as a man could touch. Above that
-point the design mixed in with the vaulting of the catacombs and was left
-to the imagination. But whatever was seen of this beautiful carving could
-only be compared with the marvels worked by the early sculptors of India
-or the ivory-carvers of Burma.
-</p>
-<p>
-In the search M. Mifroid did not come upon any large building. He had
-frequently heard Mademoiselle say: &ldquo;Ah, St. Mary!&rdquo; And so he tried to find
-some temple in order to find out what their religion was. His search,
-however, was in vain. The only building of any size was the concert hall
-where they had been earlier. It was certainly more wonderful than all the
-rest, but except for this one example all the architectural marvels were
-applied to the private buildings. The meanest aperture, the poorest door,
-were little gems of art. There were no statues in the squares.
-</p>
-<p>
-M. Mifroid was just starting back to his lady&rsquo;s house, when he met a party
-of young Talfa, armed with cross-bows. &ldquo;Ah!&rdquo; thought he, &ldquo;here are the
-guards.&rdquo; He was, however, quickly undeceived, for they had smelled the
-odor from his lamp, and they came up to him. They told him they were going
-for a hunt. The hunting season started every year on the rising of the
-waters of the great lake. At this time there were always a lot of rats,
-which were killed in thousands and used for many different things in the
-Talfa households.
-</p>
-<p>
-Thanks to the directions they had given him, he soon found his way back to
-Lady de Montfort&rsquo;s house. There he found her waiting at the window, and as
-soon as he got near her, she waved her handkerchief.
-</p>
-<p>
-They were soon in conversation again, and he found out that she was not
-married.
-</p>
-<p>
-She asked him what he did on the top of the earth, and he told her he was
-a commissioner of police. She listened intently, and asked what
-Théophraste did.
-</p>
-<p>
-&ldquo;He is a robber,&rdquo; said M. Mifroid.
-</p>
-<p>
-Evidently neither a commissioner of police nor a robber was known among
-the Talfa, and soon the news spread that the two strangers had unknown
-trades, and a great crowd gathered, who begged them to show them what they
-did on earth.
-</p>
-<p>
-M. Mifroid sent to fetch Théophraste.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0038" id="link2HCH0038"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXXVI
-</h2>
-<h3>
-<i>A Robber is Caught</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">W</span>HEN Théophraste was brought up to M. Mifroid, he was in a pitiful
-condition. He had given himself up to the worst debauchery, and was still
-under the influence of his excesses.
-</p>
-<p>
-However, M. Mifroid explained to him what was required of him. He had to
-demonstrate to the Talfa people the duties of a police commissioner, and
-Théophraste was to act the robber and be arrested. However, owing to
-Théophraste&rsquo;s condition, M. Mifroid had his misgivings as to the result of
-this practical demonstration.
-</p>
-<p>
-The crowd by this time had assumed enormous proportions, and by special
-permission an electric lamp was lit. All present held their noses as if
-the lamp smelled.
-</p>
-<p>
-Then M. Mifroid instructed Théophraste. He told him to run into a store
-and take some things, and run out. This was an easy matter, as none of the
-stores had doors, and Théophraste commenced to act the robber. He ran into
-a hatter&rsquo;s and seized all sorts of rat-skin caps. He instinctively put
-them under his coat, and hid them about his person, looking furtively
-around him in a most natural way.
-</p>
-<p>
-All this time the people around the store looked on noiselessly. No one
-said anything and not the least sign of surprise was shown. One man at
-length said: &ldquo;Look at that fellow providing himself with hats for a year.
-It was then that M. Mifroid came upon the scene, and seizing Théophraste
-by the arm, said in his most official tone: &ldquo;In the name of the law, I
-arrest you!&rdquo;
- </p>
-<p>
-This did not produce the desired effect, as the people still preserved
-their dumbness, and did not appear at all impressed.
-</p>
-<p>
-Mlle. de Coucy asked M. Mifroid what he meant by &ldquo;In the name of the law.&rdquo;
- But as the Talfa people had no law, he found it difficult to explain.
-</p>
-<p>
-He told her how the police was an institution to protect the person and
-property of peaceable citizens. They were the guardians of the law. He,
-however, could not make them understand, as they thought Théophraste had a
-right to the hats.
-</p>
-<p>
-Lady de Montfort explained that they had no need of laws to protect the
-state, as they had no state, nor the property, as they had no property,
-and as individuals never conflicted no law was necessary to protect
-persons. All the Talfa people did was to hunt for their food and make
-clothing from the skins of rats. Marriage to them was a prehistoric
-institution which appeared unworthy of the human state. They only half
-believed its existence as a sacred legend. Their unions were of a very
-liberal nature, and did not require any ceremony or oath. Consequently
-they lived together peacefully and happily.
-</p>
-<p>
-A curious feature of these Talfa people was the entire absence of any code
-of morals. There was no difference made between a virtuous woman and one
-of loose habits. Everybody lived on the same footing and enjoyed the same
-privileges. Things happened according to taste and temperament, and nobody
-thought anything about it. Thus conflicts of passion were reduced to a
-minimum. No one had rights, as no one possessed anything.
-</p>
-<p>
-Thus lived the Talfa people. No laws, no trouble, and no police
-commissioners.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0039" id="link2HCH0039"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXXVII
-</h2>
-<h3>
-<i>The Escape from the Catacombs</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">M</span>. THEOPHRASTE LONGUET had by this time quite forgotten the ties which
-bound him to the world above, and while M. Mifroid was abandoning himself
-to the fancies of Lady de Montfort, he was indulging in excesses of
-debauchery with the Talfa people.
-</p>
-<p>
-The time came when M. Mifroid became tired of this kind of life. They had
-been in the catacombs three weeks and had become acquainted with the
-habits of all the Talfa people. M. Mifroid longed to get into the open
-world, where people had public affairs and a properly organized society.
-He felt confused, and a feeling of weariness came over him.
-</p>
-<p>
-Théophraste was for stopping there altogether. He said he had never had
-such a time before. He had been playing the tricks of Cartouche on the
-Talfa people, and he felt more free in spirits than he had felt on earth.
-He was so persistent In his determination to stay that M. Mifroid decided
-to appeal to Mlle, de Coucy. He felt that Théophraste was a nuisance to
-the Talfa, and the best way to get him out was to appeal to the people
-themselves. Théophraste had even suggested putting out his own eyes to be
-like these people.
-</p>
-<p>
-Upon telling Mlle, de Coucy, however, he got a totally different answer
-than he expected. She told him that the Talfa people had decided to let
-them go as soon as twenty thousand people had passed their fingers over
-their faces. She explained that the Talfa had forever been trying to get
-into the upper world, and therefore they must all visit these men from the
-coveted realms and see what they looked like before their departure.
-</p>
-<p>
-M. Mifroid calculated that it would take some time to complete this
-ceremony, and so he devised a plan by which they could deceive the people
-and escape. They were never long alone, and all day and all night fingers
-were feeling their faces and were thrust into their eyes, nose or mouth.
-It was during these operations one night that M. Mifroid devised his plan
-of escape. He would utilize his powers as a sculptor.
-</p>
-<p>
-Obtaining some clay from the bed of the lake he modeled two masks like
-those of the Talfa people with large noses and ears. Then under the
-pretense of acquiescing in Théophraste&rsquo;s wishes, who dreamed only of
-becoming a Talfa, he put one of the masks on his face, and the other he
-wore himself. The deception was perfect, and although they met several
-Talfa they were not recognized, in spite of much finger feeling.
-</p>
-<p>
-M. Mifroid took the precaution of providing himself with food, and they
-both started out. Théophraste laughed with delight at the bold deception,
-and in his merriment he did not realize that M. Mifroid had led him out of
-the domains of the Talfa. They walked for five days. Their eyes had by
-this time become accustomed to the darkness, and they were able to make
-good headway. On the fifth day they came across some human bones, and M.
-Mifroid uttered a prayer of thankfulness, for here were signs of a
-civilized people. They were on the outskirts of the city of Ossarium.
-</p>
-<p>
-Théophraste had been in a very depressed state of mind since leaving the
-Talfa. He had continually reproached M. Mifroid for getting him away. Upon
-coming upon the first signs of human existence, M. Mifroid drew his
-attention to them and declared that in a short time they would be out in
-the light of day again.
-</p>
-<p>
-Soon they came across a skull with the signs of a candle near it, showing
-Catholic burial, then the gallery seemed to dip down, the ground became
-wet, and they found themselves wading through mire. Water dripped on them
-from crevices above, and the air became cold and damp. At last M. Mifroid
-recognized a part of the gallery, and again he sent a prayer up to heaven
-for his deliverance.
-</p>
-<p>
-There was a Latin inscription cut out of the rock: &ldquo;Ossa arida audite
-verbum Domini,&rdquo; which M. Mifroid recognized as being near an entrance to
-the catacombs.
-</p>
-<p>
-They had not proceeded far when voices were heard, and they found
-themselves in a large vault. This was a very different place than the hall
-of the Talfa, though. There were ordinary human beings here. Through the
-whole length of the hall chairs were arranged. The place was lit up by
-numerous candles enclosed in human skulls. At the end was a kind of
-rotunda where evidently the musicians sat, for a large circle of
-music-stands were arranged. A number of people were present getting ready
-for a feast. No one took any notice of the two strangers, as it was
-thought that they were invited guests, and they strolled through, watching
-the proceedings. Soon the musicians began to arrive one by one, and the
-people sat around making pleasantries, and passing the time away in talk.
-It was half-past one.
-</p>
-<p>
-It was indeed a curious sight. Here down among the dead, with coffins and
-bones all around, had assembled a crowd to listen to music, and to make
-revelry. Fifty musicians had assembled, among whom M. Mifroid recognized
-many of the orchestra of the Opera House.
-</p>
-<p>
-Soon the music started, Chopin&rsquo;s &ldquo;Dead March&rdquo; being the first piece. After
-listening for some time M. Mifroid tapped Théophraste on the shoulder,
-whispering to him that it was time to go. They hurried along, and ten
-minutes later they found themselves on the earth again.
-</p>
-<p>
-They walked together for about half an hour, neither uttering a word. They
-were both thinking what a wonderful experience they had gone through. The
-Talfa nation, with its peculiar habits, had impressed them wonderfully,
-and neither wished to disturb the other in contemplation of it all.
-</p>
-<p>
-Suddenly Théophraste said: &ldquo;What are you waiting for, M. Mifroid? Do you
-intend to arrest me?&rdquo;
- </p>
-<p>
-M. Mifroid had, in the emotion of the moment, forgotten his original
-mission. He, however, had become very friendly with Théophraste in the
-catacombs, in spite of his excesses, and so, now that he was confronted
-with the necessity of arresting him, he said: &ldquo;No, my friend, I shall not
-arrest you. My mission was to arrest Cartouche, but as Cartouche is no
-more, I cannot arrest him. Besides, you, M. Longuet, are my friend.&rdquo;
- </p>
-<p>
-They then parted at the Buci Crossway.
-</p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0040" id="link2HCH0040"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXXVII
-</h2>
-<h3>
-An Old Friend
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">A</span>FTER the footsteps of M. Mifroid had died away, M. Longuet remained
-standing at the street corner. A feeling of intense sadness and loneliness
-had come over him. He could not decide on whether to go back to his wife
-or to leave her altogether. But what would he do? If he left her he would
-have no home, and he would be an outcast from the world. He wandered for a
-long time through the streets, until he found himself opposite a door in
-the Rue Suger. He rang the bell and a man in a blouse and paper cap opened
-the door in response.
-</p>
-<p>
-&ldquo;Good-evening, Ambrose,&rdquo; said Théophraste. &ldquo;Are you up at this hour? I
-would not have disturbed you, but many things have happened since I last
-saw you.&rdquo;
- </p>
-<p>
-He had not seen him since the evening he came to ask his opinion on the
-watermark on the old paper.
-</p>
-<p>
-&ldquo;Come in,&rdquo; said Ambrose cordially. &ldquo;Make yourself at home. How are all the
-folks at home?&rdquo; &ldquo;I will tell you all to-morrow. What I want now is some
-sound sleep. I am tired out.&rdquo;
- </p>
-<p>
-Ambrose showed him his own bed, and soon Théophraste was stretched out and
-asleep.
-</p>
-<p>
-The following day Ambrose tried to get some news from Théophraste, who,
-however, observed an absolute silence, and would not be persuaded to say a
-word. He was like a dumb man. He passed his time for two days in examining
-words and papers, which filled his pockets, and in writing, but always
-without saying a word.
-</p>
-<p>
-One morning as he was preparing to go out, Ambrose asked him: &ldquo;Where are
-you going?&rdquo;
- </p>
-<p>
-&ldquo;I am going to see M. Mifroid about the details of a trip we took
-together, and of which you will learn when I am dead.&rdquo;
- </p>
-<p>
-&ldquo;You are going to kill yourself?&rdquo;
- </p>
-<p>
-&ldquo;Oh, no. There is no use in doing that. I shall die soon enough. But I
-shall come to your house to die, my dear Ambrose. After going to see M.
-Mifroid, I shall go to see my wife.&rdquo;
- </p>
-<p>
-&ldquo;I did not dare to ask about her. Your sadness and silence made me fear
-some domestic trouble. It is all so inexplicable.&rdquo;
- </p>
-<p>
-&ldquo;She still loves me,&rdquo; said Théophraste.
-</p>
-<p>
-Before letting him go, Ambrose made him change his underclothes, and lent
-him a clean shirt, as he said he could not see his wife decently in the
-rags he was in at present.
-</p>
-<p>
-&ldquo;I will put it on,&rdquo; said Théophraste, &ldquo;for my own sake, as my wife won&rsquo;t
-see it. I&rsquo;m not going near her. I shall only see her from a distance. I
-only want to learn if she is happy.&rdquo;
- </p>
-<p>
-<br /><br />
-</p>
-<hr />
-<p>
-<a name="link2HCH0041" id="link2HCH0041"> </a>
-</p>
-<div style="height: 4em;">
-<br /><br /><br /><br />
-</div>
-<h2>
-CHAPTER XXXIX
-</h2>
-<h3>
-<i>The Final Tragedy</i>
-</h3>
-<p class="pfirst"><span class="dropcap" style="font-size: 4.00em">I</span>T was nine o&rsquo;clock in the evening, the season was well advanced, and a
-heavy mist hung over the land. M. Longuet went up the long drive toward
-the &ldquo;Villa Flots de Azure.&rdquo; His hand trembled as he cautiously pushed open
-the little garden gate. He crossed the garden step by step, to look
-around. His whole demeanor was one of evil intent. There was a light in
-the parlor, and the window was half open. With short steps Théophraste
-advanced, and stretching his head he peered in.
-</p>
-<p>
-He fell back groaning. Placing his hands over his face, he tore the white
-locks on his forehead. The sight had frenzied him, and he felt a pang of
-agonizing jealousy go through his frame.
-</p>
-<p>
-Marceline and Adolphe were there, locked in affectionate embrace! This is
-what he had come to see! His wife no doubt was happy, but in quite a
-different way from what he expected.
-</p>
-<p>
-He sat down on the ground and wept with rage. Rising, his curiosity forced
-him to get nearer and listen.
-</p>
-<p>
-What he heard only made him worse, and he inwardly felt that he was about
-to commit a great crime. However, he battled against this feeling, and ran
-away from the house. Something compelled him to return!
-</p>
-<p>
-In a state of sanguinary expectation, comparable to nothing in the history
-of crimes, he again retraced his steps, found himself in the garden again,
-and without waiting to look in he bounded into the parlor.
-</p>
-<p>
-M. Lecamus and Marceline were taken aback, and both uttered a cry of
-surprise. Their surprise was soon turned to terror, as Théophraste,
-seizing some stout cord, ran to Adolphe, and with superhuman strength and
-agility bound him hand and foot. Dragging him to the hall, he tied him to
-a newel post and left him. It was all done with such lightning speed that
-Adolphe hadn&rsquo;t the time to resist the first attack, and he was as a child
-in the ferocious grip of Théophraste.
-</p>
-<p>
-Turning around he ran to the sitting-room, and seized an old sword that
-was hanging on the wall. Marceline in her terror called to Lecamus to mind
-his ears. She feared that he would undergo the same treatment as Signor
-Petito. However, nothing was further from Théophraste&rsquo;s thoughts, for
-turning on Marceline he struck her down with one blow. Two seconds later
-he was holding her head up to Adolphe, saying: &ldquo;Haste thee now to kiss
-these lips while they are still warm.&rdquo;
- </p>
-<p>
-Adolphe could do nothing, so he touched the lips of the dead woman, and
-then fell in a faint.
-</p>
-<p>
-Théophraste ran upstairs, and brought down from the garret an old trunk,
-and in less than twenty-five minutes he had the body of Marceline cut up
-and placed in it. He closed the trunk with a key, and putting it over his
-shoulder he said good-by to Lecamus. However, he might have said good-by
-to the door-post, for Lecamus was in a dead faint and choking from the
-cords around his neck.
-</p>
-<p>
-Théophraste and the trunk disappeared in the darkness.
-</p>
-<p>
-That same night one could have seen a man on a barge in the Seine
-discharging the contents of a trunk into the river. They could also have
-heard him murmur: &ldquo;My poor Marceline, my poor Marceline! It was not your
-fault.&rdquo;
- </p>
-<p>
-At dawn Théophraste knocked at Ambrose&rsquo;s door. Ambrose saw that he was
-greatly agitated, and asked him in sympathetic tones what had happened.
-</p>
-<p>
-Théophraste could not reply. His tongue seemed riveted to his mouth. He
-crawled to the bed, and, lying down, wept.
-</p>
-<p>
-At last Ambrose was able to console him sufficiently to get these few
-words from him: &ldquo;I felt the flame of murder pass through my veins. The
-impulse to kill had returned to me after centuries. The same impulse that
-had made me decapitate my faithless wife, Marie Antoinette Neron, two
-hundred years previously, and to throw her body into the river. I forgive
-M. Lecamus. When I am dead go and look for him and tell him that I name
-him my testamentary executor. I leave him all my worldly goods. He will
-know what to do with the little oaken chest, in which is locked the
-terrible secrets of the last months of my sad life.&rdquo; Having said these
-words, Théophraste raised himself on the pillow, for the oppression
-increased, and he knew that the end was near. His look was no longer of
-this world. His gaze was fixed on some imaginary object far away, and in a
-doleful voice he said: &ldquo;I have seen-I see-I turn again toward the square
-ray of light.&rdquo;
- </p>
-<p>
-And he expired!
-</p>
-<h3>
-THE END
-</h3>
-<div style="height: 6em;">
-<br /><br /><br /><br /><br /><br />
-</div>
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
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