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-Project Gutenberg's Christmas Speakin' at Skagg's Schule, by Marie Irish
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Christmas Speakin' at Skagg's Schule
-
-Author: Marie Irish
-
-Release Date: January 5, 2017 [EBook #53896]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK CHRISTMAS SPEAKIN'--SKAGG'S SCHULE ***
-
-
-
-
-Produced by Emmy, MFR and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by The
-Internet Archive)
-
-
-
-
-
-
-
-
-[Transcriber's Note: Bold text is surrounded by =equal signs= and
-italic text is surrounded by _underscores_.]
-
-
-
- Price, 25 Cents
-
- Christmas Speakin’
- at
- Skaggs’s Skule
-
-
- ———————————
- MARIE IRISH
- ———————————
-
-
- PAINE PUBLISHING COMPANY
- DAYTON, OHIO
-
-
-
-
-MUSICAL ENTERTAINMENTS
-
-
-These songs can be used in all manner of entertainments. The music is
-easy and both music and words are especially catchy. Children like
-them. Everybody likes them. Sheet music. Price, 35 cents each.
-
-=HERE’S TO THE LAND OF THE STARS AND THE STRIPES.= (Bugbee-Worrell.) A
-patriotic song which every child should know and love. The sentiment
-is elevating. The music is martial and inspiring. May be effectively
-sung by the entire school. Suitable for any occasion and may be sung by
-children or grown-ups. Be the first to use this song in your community.
-
-=I’LL NEVER PLAY WITH YOU AGAIN.= (Guptill-Weaver.) A quarrel between a
-small boy and girl. The words are defiant and pert. The boy and his dog
-have been in mischief, and the small maiden poutingly declares that she
-will never play with him again, but changes her mind in the last verse.
-A taking little duet for any occasion, with full directions for motions.
-
-=JOLLY FARMER LADS AND LASSIES.= (Irish-Lyman.) A decidedly humorous
-action song prepared especially for district schools. It will make a
-hit wherever produced.
-
-=JOLLY PICKANINNIES.= (Worrell.) Introduce this coon song into your
-next entertainment. If you use the directions for the motions which
-accompany the music, the pickaninnies will bring down the house. Their
-black faces and shining eyes will guarantee a “hit.” The words are
-great and the music just right.
-
-=LULLABY LANE.= (Worrell.) This song is one which the children, once
-having learned, will never forget. The words have the charm of the
-verses written by Robert Louis Stevenson. The music is equally sweet
-and is perfectly suited to the beautiful words. It may be sung as a
-solo by a little girl with a chorus of other little girls with dolls,
-or as a closing song by the whole school.
-
-=MY OWN AMERICA, I LOVE BUT THEE.= (Worrell.) Here is a song that will
-arouse patriotism in the heart of every one who hears it. The music is
-so catchy that the children and grown-ups, too, just can’t resist it.
-It makes a capital marching song.
-
-=NOW, AREN’T YOU GLAD YOU CAME?= (Guptill-Weaver.) This is a closing
-song which is quite out of the ordinary. There is humor in every line.
-The music is lively. Your audience will not soon forget this spicy song
-for it will get many an unexpected laugh. The motions which accompany
-this song make it doubly effective. For any occasion and for any number
-of children.
-
-=WE ARE CREEPY LITTLE SCARECROWS.= (Guptill-Weaver.) A weird,
-fascinating action song. You can’t go wrong with this song. There are
-four verses and chorus. Complete directions accompany this song so that
-it may be featured as a song and drill, if desired. For any occasion
-and for any number of children.
-
-=WE’VE JUST ARRIVED FROM BASHFUL TOWN.= (Worrell.) This song will bring
-memories to the listeners of their own bashful school days. They will
-recall just how “scared” they were when asked to sing or play or speak.
-The words are unusually clever. The music is decidedly melodious. It
-makes a capital welcome song or it may be sung at any time on any
-program with assured success.
-
-=WE HOPE YOU’VE BROUGHT YOUR SMILES ALONG.= (Worrell.) A welcome song
-that will at once put the audience in a joyous frame of mind and create
-a happy impression that will mean half the success of your entire
-program. Words, bright and inspiring. Music, catchy. A sure hit for
-your entertainment.
-
-=WE’LL NOW HAVE TO SAY GOOD-BYE.= (Worrell.) This beautiful song has
-snap and go that will appeal alike to visitors and singers. It is just
-the song to send your audience home with happy memories of the occasion.
-
-
- Paine Publishing Company Dayton, Ohio
-
-
-
-
- Christmas Speakin’
- at Skaggs’s Skule
-
- _By_
-
- MARIE IRISH
-
- PAINE PUBLISHING COMPANY
- DAYTON, OHIO
-
-
-
-
-CHARACTERS
-
-
- MISS EMMELINE ELKINS—Teacher.
-
- JOSIAH JUDD—Clerk of Skule Board.
-
- MRS. SKAGGS } Visitors.
- MRS. HILL }
-
- BILLY SKAGGS—Very Bashful.
-
- OLE SWANSON—A Swede.
-
- FLORILDY } The Twins.
- MATILDY }
-
- RASTUS—A Negro Boy.
-
- SAM SHAW—Who Stutters.
-
- VIRGIL VANE—Very Studious.
-
- TINY TILLY—Small for Age.
-
- CORABELL—Her Fat Sister.
-
- SARAH JANE—Who’s Not Scared.
-
-TIME OF PLAYING—THIRTY MINUTES
-
-_Scene, An Old-time District School room_
-
- Copyright, 1921, by Paine Publishing Company
-
-
-
-
-COSTUMES
-
-
-MISS ELKINS, Old-maid costume, much fussed up with bright colors;
-spectacles, hair in corkscrew curls each side of face.
-
-JOSIAH JUDD, Chin whiskers, colored shirt, bright tie, suit that is too
-large, boots, large red bandanna handkerchief.
-
-MRS. SKAGGS and MRS. HILL, Hair done up old style, old-fashioned wool
-dresses, small old-time bonnets that tie under chin, shawls.
-
-BILLY SKAGGS, good-sized boy with clothes too small, waist with large
-ruffled collar, bright bow tie, short trousers, bright stockings.
-
-OLE SWANSON, colored shirt, overalls, colored handkerchief tied around
-neck.
-
-MATILDY and FLORILDY, Old-fashioned wool dresses, much too long, hair
-flowing, ribbon tied around head with bow at the top.
-
-RASTUS, Bright calico waist, trousers that do not fit, patched with
-bright color, face blackened.
-
-VIRGIL VANE, hair parted in middle, spectacles, coat much too small,
-long trousers, stand-up collar.
-
-SAM SHAW, Short trousers, a coat much too large and long.
-
-TILLY, A small slender girl with rather long, tight-fitting dress, hair
-hanging in two braids.
-
-CORABELL, Good-sized girl, well padded to be fat, very short skirt,
-hair with big bow at each side of face.
-
-SARAH JANE, Rather small size, dressed much too old for age, hair
-crimped, old-style gown.
-
-Stage arrangement—Pupils sit on benches along back of stage; small
-table for teacher at one side with books, bell and long ruler. Stand
-with water pail and dipper, dinner pails hanging on wall, also
-children’s wraps; some decorations of evergreen and Merry Christmas
-pinned on wall in letters of various sizes and colors. Visitors sit in
-chairs at sides of room.
-
-
-
-
-Christmas Speakin’ at Skaggs’s Skule
-
-
-TEACHER (_tapping bell loudly_)—Now, children dear, I hope you
-will all be very, very good and very, very quiet while we have our
-entertainment. What kind of an entertainment is it to be, children? (_a
-pause_) W’y, children, don’t you know what kind of an entertainment it
-is going to be?
-
-VIRGIL—Wal, I think it’ll be a fust-rate good ’un if none of ’em don’t
-fergit their pieces.
-
-SAM—W-w-w-w-w-wal, I w-w-w-w-w-won’t f-f-f-f-fergit mine if I
-d-d-d-d-don’t git b-b-b-b-b-bashful.
-
-SARAH JANE—Huh, you bet you I won’t git skeered—I haint fraid o’
-nothin’. I wouldn’t be skeered to speak if they was a grizzly bear here.
-
-TILLY—Oh, teacher, she would, too, wouldn’t she, teacher?
-
-SARAH JANE—I wouldn’t neither, so there!
-
-TEACHER (_tapping bell_)—Children, be still. That is not a nice way to
-act on entertainment day. I meant what kind of an entertainment are we
-going to have according to the season (_a pause_). W’y, can’t you tell,
-children?
-
-CORABELL—Teacher, what’s season?
-
-MATILDY—Huh, don’t you know that? W’y, it’s salt an’ pepper an’ spice
-an’ stuff they put in things to season ’em.
-
-VIRGIL—Aw, that haint what it means—it’s spring an’ fall an’
-winter—that’s what season means, haint it, teacher?
-
-TEACHER (_tapping bell_)—Children, be still. I mean what kind of pieces
-are we going to have in our entertainment?
-
-ALL (_loudly_)—Chris’mus pieces.
-
-TEACHER—Yes, children, that is right—Christmas pieces, children. Why
-are we going to have Christmas pieces, children? (_pause_).
-
-RASTUS—I reckon so’s we-all’ll git a Chris’mus present ef we does our
-pieces good. Mammy says as how she’s gwine gimme a mighty nice present
-ef I does my part good.
-
-SAM—I t-t-t-t-think we’re s-s-s-s-s-sayin’ K-k-k-k-k-k-k-kris’mus
-pieces k-k-k-k-k-kawase K-k-k-k-k-k-kris’mus is the time to
-s-s-s-s-s-say K-k-k-k-k-k-k-kris’mus pieces.
-
-TEACHER—Yes, children, we’re going to have a nice Christmas
-entertainment because Christmas day is coming and we all love Christmas
-day, don’t we, children?
-
-ALL—Yes, ma’am.
-
-TEACHER—And so, children, I hope we shall have a nice entertainment,
-an’ that you will be very, very good an’ speak up nice an’ loud an’ do
-your parts the very, very best you can (_children nudge each other and
-point off stage as if looking out of window_).
-
-FLORILDY (_waving hand_)—Teacher, somebody’s comin’ (_knock is heard_).
-
-TEACHER—S-s-sh! Be quiet, children (_goes over and admits Mrs. Hill_).
-
-_Enter Mrs. Hill_
-
-MRS. HILL—Good afternoon, teacher. I heard as how you’re goin’ to have
-Chris’mus speakin’ here this afternoon an’ I says to Jeremiah, I says,
-I’m jes’ goin’ over to the skule house an’ hear that speakin’ ’cause as
-I says to ’im, says I, I do jes’ love to hear the childrun speak their
-pieces. An’ so here I be, teacher, an’ I hope I haint late.
-
-TEACHER—No, indeed, you’re not late, Mis’ Hill, an’ we’re very, very
-glad you came. Have this chair (_she seats Mrs. Hill_).
-
-MRS. HILL—My, my, well I remember the time, teacher, that I’ve spoke a
-piece at Chris’mus time. They did say, as I says to Jeremiah, says I,
-they used to say that I was an awful good hand at speakin’. Mebbe I’ll
-speak a piece here today (_smiles at children_).
-
-TEACHER—That will be very, very nice. You’d like to have Mis’ Hill
-speak, wouldn’t you, children?
-
-ALL—Yes, ma’am (_they nudge and point off stage again_).
-
-SARAH JANE—Oh, teacher, Billy Skaggs’s mother, she’s comin’ (_a knock
-is heard. Teacher goes over and admits Mrs. Skaggs_).
-
-_Enter Mrs. Skaggs_
-
-MRS. SKAGGS—How-de-do, teacher. I hope you’re feelin’ real well. I’ve
-come over to the Chris’mus speakin’, teacher. I’ve got an awful lot o’
-work to do to home, bein’ as we’re goin’ to have comp’ny on Chris’mus,
-an’ I’m tryin’ to make some Chris’mus presents, an’ bake an’ clean up
-an’ all, but Billy he was so set on my comin’ that I jes’ come an’ here
-I be (_she shakes hands with the teacher and Mrs. Hill_).
-
-TEACHER—We are very, very glad you came. I should have been very, very
-disappointed if no one came to visit (_she seats Mrs. Skaggs by Mrs.
-Hill_).
-
-MRS. SKAGGS—I hope you haint had none the speakin’ yet. I’d hate
-dreadful bad to miss any of it. As I was sayin’ to Hen—that’s my
-husban’—I says, Hen, there aint a single thing I like to hear better’n
-children speakin’ pieces. I think it’s dreadful nice, even when they
-make mistakes. As I says to Hen, we can’t expect ’em to do too good.
-
-OLE (_pointing off stage_)—Oh, teacher, yust look who’s ban comin’!
-
-TEACHER (_tapping bell_)—Be quiet, children (_knock is heard. She goes
-over and admits Josiah Judd_).
-
-_Enter Josiah Judd_
-
-MR. JUDD—How-de-do, teacher, how-de-do? I came over to be present
-at—that is, to attend, and injoy—that is, to participate in the
-Chris’mus entertainment (_shakes hands awkwardly with teacher and the
-two visitors_). As a member of the skule board I feel that I should
-incourage the childern of the deestrict with my presence here an’ see
-how they’re gittin’ on. Be they doin’ purty good, teacher? (_looks
-children over_).
-
-TEACHER—We’re very, very glad you came, Mr. Judd. Yes, they’re doin’
-real well (_she seats him_). Now, children dear, we will begin to
-commence our Christmas entertainment (_Billy sobs softly_).
-
-SARAH JANE (_waving hand_)—Teacher, teacher, Billy’s bawlin’.
-
-TEACHER—W’y, Billy, what is the matter? (_goes to him_).
-
-BILLY (_sobbing_)—I—I—I—
-
-MRS. SKAGGS—Lan’ sakes, teacher, what’s the matter with ’im? Billy, is
-your stummick botherin’ you?
-
-BILLY—I—I want to set longside o’ maw.
-
-MRS. SKAGGS—Now, Billy, you set right where you be an’ stop your
-fussin’.
-
-BILLY (_boo-hooing out loud_)—I—want—to set—by—maw.
-
-MRS. SKAGGS—Wal, lan’ sakes, teacher, I spose he’ll cry himself sick ef
-he can’t set by me. Can he come set here? He’s an awful hand fer his
-maw, Billy is (_the children giggle_).
-
-TEACHER (_taking Billy by hand and leading him_)—Yes, he may sit up
-here (_she fixes a chair beside his mother for Billy_). Now, children
-dear, we will sing our nice welcome song (_she beats time with long
-ruler, Mr. Judd beats time with his hand and keeps time with his head;
-the two visitors beat time with foot. The children sing with a great
-deal of spirit_).
-
-TUNE: JUST BEFORE THE BATTLE, MOTHER
-
- Welcome, welcome, Merry Christmas,
- Joyfully we welcome you;
- Welcome, welcome, Merry Christmas,
- With a welcome glad and true;
- Welcome, welcome, Merry Christmas,
- Welcome to your Christmas toys;
- Welcome, welcome, Merry Christmas,
- With your welcome Christmas joys.
- Welcome, welcome, Merry Christmas,
- With a welcome loud and clear
- Welcome, welcome, Merry Christmas,
- Welcome, best day of the year.
-
-MRS. HILL—That was real fine.
-
-MRS. SKAGGS—They done jes’ splendid, teacher.
-
-MR. JUDD—Very good, very good!
-
-TEACHER—Now we will have an essay on Christmas by Virgil Vale. Virgil
-wrote this all by himself out of his own head an’ it is very, very good
-(_Virgil walks to the front with long strides, smoothes his hair, fixes
-his collar, straightens his coat, blows his nose, then takes a paper
-from his pocket and reads; high tone and sing-song_).
-
-VIRGIL—Christmas is a very nice day. It comes on the 25th day of
-December. Christmas is when Santa Claus comes with presents. Christmas
-is when we hang up our stockings to get presents. Christmas is when
-we have Christmas trees with presents on. Christmas is when folks has
-company or goes visitin’. On Christmas day folks say Merry Christmas
-to each other. Christmas day don’t last long but it is a long time
-gettin’ here. It is more blessed to give Christmas than to receive it.
-Christmas is a merry day (_bows low and takes seat_).
-
-TEACHER—That was fine, Virgil.
-
-MR. JUDD (_nodding head_)—Very good, very good!
-
-MRS. HILL—I couldn’t a wrote a better one myself.
-
-TEACHER—Now we will have a piece by Ole Swanson.
-
-OLE (_much scared_)—Teacher, I aint ban feel very gude—I don’t gass
-I ban speakin’ my piece today. I—I skall got awfully yumpin’ tooths
-aching, teacher.
-
-TEACHER—Oh, now, Ole, you can speak. Your tooth doesn’t ache.
-
-OLE—Teacher, please, I ban gotting such a headache I aint skall ban
-feelings gude, teacher. I no skall ban able to speakings, teacher.
-
-TEACHER—Then I shall tell your mother not to give you any Christmas
-present.
-
-OLE—Then by yimminy, I skall ban speakings, yust the same like I aint
-ban sick (_marches rapidly to front and speaks_):
-
- One time there ban one little boy,
- Who sometimes yust ban bad an’ rude;
- He makes a face to his mamma (_makes face_)
- An’ aint behaves not very gude.
-
- He don’t ban studies very hard
- To learn his lessons gude to skule;
- An’ sometimes whispers with the girls,
- Which skall ban ’gainst the teacher’s rule.
-
- This little boy he ban so bad
- That when gude Mister Santy come,
- All he skall puts into his stocking
- Ban yust one piece of shewing gum.
- (_Makes quick bow and hurries to seat._)
-
-RASTUS—Done served dat-dare boy jes’ right, aint it, teacher?
-
-TEACHER—Yes, indeed. You spoke very well, Ole. Next we shall have a
-song by the twins, Matildy and Florildy.
-
-MATILDY—Oh, I don’t want to sing—I’m scart.
-
-FLORILDY—You come on, now. You know what maw told you—that she’d spank
-you if you didn’t sing nice after teacher had learned us so good.
-
-MRS. HILL—Come on, Matildy. I know that song’s goin’ to be jes’
-splendid (_the twins go to the front and are about to sing when Matildy
-begins to giggle. Florildy looks at her then she too giggles_).
-
-TEACHER—Girls, that is very, very wrong. Sing your song like nice
-girls. (_Matildy straightens out, then as they are about to sing she
-has another spell of giggling in which Florildy finally joins. They at
-last sing_):
-
-MATILDY and FLORILDY.
-
-TUNE: BLUE BELLS OF SCOTLAND
-
-1.
-
- Oh we are the twins, (_Matildy alone_) and Matildy is my name,
- (_Florildy alone_) And mine is Florildy, which is almost the same;
- (_Both_) Matildy and Florildy, the merry twins are we,
- And it’s just before Christmas
- We’re good as good can be.
-
-(_Florildy looks very solemn and good, Matildy giggles._)
-
-2.
-
- (_Matildy alone_) When Santa Claus cometh I want a pretty ring,
- (_Florildy alone_) And since we are twins I am wanting the same
- thing;
- (_Matildy alone_) I want a Christmas doll with fair hair and eyes
- of blue,
- (_Both_) And because we are twins, ’course Florildy wants one too.
-
-3.
-
- Oh, we are the twins (_Florildy pointing to Matildy_) And Matildy
- is her name;
- (_Maltildy, pointing to Florildy_) And hers is Florildy which is
- almost the same.
- (_Both_) Matildy and Florildy, the merry twins are we,
- And it’s just before Christmas
- We’re good as good can be (_pass to seats_).
-
-MRS. SKAGGS—Now, I think they done that real fine.
-
-MR. JUDD—Very good, very good!
-
-TEACHER—The next will be a piece by Rastus.
-
-RASTUS—Say, teacher, I don’t wan’ ter speak no piece, I shooly don’
-wan’ ter, teacher.
-
-TEACHER—Oh, yes, you do, Rastus.
-
-RASTUS—No, hones’, re’lly, I shooly cross mah heart an’ hope ter die, I
-don’ wan’ ter speak mah piece, teacher.
-
-TEACHER—Why not?
-
-RASTUS—I’s ’fraid I’ll disrecomember it, teacher an’ mammy said as how
-if I disrecomembered mah piece I’d git skun alive when I gits home. I
-don’ wan’ ter get skun, shuah’s youse born I don’ wan’ ter, teacher.
-
-TEACHER—Now, Rastus, you won’t forget. I know you won’t, so come speak
-like a nice boy.
-
-RASTUS (_rubbing eyes_)—I—I—don’ wan’ ter—be—SKUN!
-
-MRS. HILL—Poor little fellow (_wipes her eyes_).
-
-SARAH JANE—Teacher, if she skuns ’im will he die?
-
-RASTUS (_loudly_)—Boo-hoo, I don’ wan’ ter DIE!
-
-MR. JUDD—Now, Rastus, you speak your piece and I’ll see that your
-mother doesn’t touch you and I’ll give you some candy.
-
-RASTUS—All right (_comes forward grinning widely, bows and speaks_):
-
- Some boys dey wants a drum er gun,
- An’ some dey t’inks a sled is fun;
- But fer mah Chris’mus I’s a tellin’
- I wants a great, big watermelon.
- (_Measures large size with arms._)
-
- A tickin’ watch would suit some boys,
- An’ some dey’s fond ob books an’ toys;
- But, OH, ’twould set mah heart a swellin’
- On Chris’mus ter git a watermelon.
- (_Measures large size as before._)
-
- Candy an’ nuts dey jes’ suits some,
- But as fer me—oh, yum—yum—YUM! (_smacks lips_)
- Fer joy I’d shooly feel like yellin’
- Ef Santy’d brang me a watermelon.
- (_Measures as before, bows low and takes seat._)
-
-TILLIE—Teacher, he won’t git skun, will he?
-
-MR. JUDD—No, indeed he won’t. That was very good, very good (_he gives
-Rastus bright stick of candy_).
-
-RASTUS (_eating candy_)—Teacher, I jes’ as liefs to speak mah piece
-ovah agin.
-
-TEACHER—No, once is enough.
-
-BILLY—Boo-hoo, boo-hoo, boo-hoo!
-
-MRS. SKAGGS—Lan’ sakes, Billy, what’s the matter now?
-
-BILLY—Boo-hoo, boo-hoo, boo-hoo!
-
-MRS. SKAGGS—Now, Billy, tell maw what’s the matter. Be your stummick a
-hurtin’ you agin, Billy?
-
-BILLY—I want some candy like he’s got (_points to Rastus_).
-
-MRS. SKAGGS—Wal, jes’ as soon’s we git home you can have some.
-
-BILLY (_kicking floor with both feet_)—Don’t wan’ ter wait. Boo-hoo,
-boo-hoo!
-
-SAM—I s-s-s-s-s-s-say, he b-b-b-b-b-b-better have a g-g-g-g-good
-l-l-l-l-l-l-lickin’. (_Mr. Judd slips over quietly and puts a stick of
-candy into Billy’s hand_).
-
-BILLY—I won’t—(_sees candy and stares at it, laughs and puts it in his
-mouth_). Oh, Maw, I got some, too (_laughs_).
-
-TEACHER—Now we will have—
-
-CORABELL (_softly_)—Boo-hoo, boo-hoo, boo-hoo!
-
-TILLY—Oh, teacher, my little sister’s cryin’! (_puts arm around
-Corabell_). What’s the matter, little sister? Are you sick?
-
-CORABELL—No! (_louder_). Boo-hoo-hoo-hoo-hoo-hoo!
-
-TEACHER (_goes over_)—Do you want to go home?
-
-CORABELL—NO! (_louder_) Boo-hoo-hoo-hoo-hoo-hoo!
-
-TILLY—Please, dearie, tell sister what’s the matter.
-
-CORABELL—I want—some—too—boo-hoo-hoo!
-
-MR. JUDD—Pshaw, now! I guess I got myself in trouble (_he slips over
-and puts candy in Corabell’s hand_).
-
-TILLY—Oh, see, little sister, what the nice man gave you (_Corabell
-laughs and puts candy in mouth_).
-
-TEACHER—We will now have a piece by Sarah Jane (_she sits fussing in
-her seat_). Come, Sarah Jane, speak your piece.
-
-SAM—Huh, she’s f-f-f-f-f-f-fraid to s-s-s-s-s-say it.
-
-SARAH JANE—I haint neither—I haint scart o’ nuthin’. I’m—I’m a fixin’
-up my stockin’ (_fusses, then goes to front and stands there, twisting
-her dress and looking down at floor_).
-
-TEACHER—Speak up, nice, Sarah Jane.
-
-VIRGIL—Say, I bet she’s so skeert she can’t say nothin’.
-
-SARAH JANE—I haint neither.
-
-VIRGIL—Oh, you be, too.
-
-SARAH JANE—I haint scart o’ nothin’.
-
-TEACHER—Why don’t you speak, Sarah Jane?
-
-SARAH JANE—I’m thinkin’.
-
-TEACHER—What are you thinking about?
-
-SARAH JANE—How my piece starts (_twists dress, looks down at floor,
-moves lips. Then speaks, loud and fast_).
-
- The air was cold as cold could be,
- The wind was blowing dis-ma-lee,
- The night was dark as a black cat
- And Santy Claus’ heart went pit-y-pat.
-
-(_Stops, moves lips, etc., as before. Then speaks the four lines over
-again and adds_):
-
- ’Cause ’twas so dark he feared he’d make,
- Scootin’ down chimbleys a bad mistake,
- An’ leave a doll with curly hair
- For the big boy a livin’ there.
- (_Bows low and takes seat._)
-
-MRS. HILL—That was real fine, Sarah Jane.
-
-MR. JUDD—Very good, very good!
-
-TEACHER—Next Sam Shaw will speak.
-
-SAM—T-t-t-t-t-teacher, I g-g-g-g-g-g-got a s-s-s-s-s-short piece,
-k-k-k-k-k-kawse it takes me so l-l-l-l-l-long to s-s-s-s-s-say it,
-k-k-k-k-k-kawse I st-st-st-st-st-stutter.
-
-TEACHER—Very well (_Sam pulls coat and contorts body trying to speak_):
-
- A l-l-l-l-l-little b-b-b-b-b-bird sat on a t-t-t-t-tree,
- S-s-s-s-s-singin’ loud an’ k-k-k-k-klear,
- Oh, l-l-l-l-l-let us all b-b-b-b-b-be h-h-h-h-h-happy,
- K-k-k-k-k-kawse K-k-k-k-k-k-kris’mus time is here.
- (_Bows and takes seat._)
-
-MRS. SKAGGS—I think he done that real fine.
-
-MR. JUDD—Very good, very good!
-
-TEACHER—Now, Billy will speak his piece (_Billy shakes head_).
-
-MRS. SKAGGS—Now Billy, you go speak like a good boy.
-
-BILLY—I—don’t wan’—to (_hangs to his mother’s skirt_).
-
-MRS. SKAGGS—Now, don’t you be naughty. You go speak your piece so Santy
-Claus will bring you a nice present.
-
-BILLY—No, no, NO!
-
-MRS. SKAGGS—Come now, maw will take you over (_she takes him by the
-hand, pulls him to the front to speak, fixes his tie, smoothes his hair
-and goes back to her seat_). Now speak, Billy.
-
-BILLY—No, no, NO! (_he runs back and sits by his mother_).
-
-MRS. SKAGGS—Now, Billy, don’t act so—what would paw say? (_she pulls
-him back to front, fixes him again and turns to go to her seat. Billy
-grabs her skirt and follows her, crying_). Wal, teacher, I don’t guess
-he’ll speak, he’s so bashful. He gits it from his paw an’ I spose he
-can’t help it.
-
-TEACHER—Then Tilly will speak her piece.
-
-TILLY (_in high, piping voice, very dramatic gestures_).
-
- Upon the mountains high, (_up to right with right hand_)
- Or in the valleys low, (_down at left with left hand_)
- Or in the arching heavens, (_up with both hands_)
- Where stars in silence glow (_same as above_).
- In the North and South land (_point to the front, then back_)
- East and West the breezes say, (_to right, then left_)
- “Let ev’ry one be merry (_to the front with both hands_)
- On Christmas Day” (_same as above_).
- (_Very sweeping bow, then takes seat._)
-
-MRS. HILL—My, my, her motions was jes’ grand!
-
-MR. JUDD (_nodding_)—Very good, very good!
-
-TILLY—Teacher, my little sister has a piece to say.
-
-TEACHER—Then she may speak now.
-
-TILLY—Come on, Corabell, don’t be ’fraid. I’ll take you up to speak
-(_she leads Corabell to the front and fixes her hair, ribbons, dress,
-etc._) Now speak your piece, little sister (_Corabell should be fat and
-larger than Tilly_).
-
-CORABELL (_lisping_)—
-
- I am a very little girl,
- An’ has’nt much to thay,
- But I’ll throw you a sweet kiss,
- An’ then I’ll run away.
- (_Throws a kiss then stands grinning._)
-
-TILLY—Come on, Corabell, run to your seat.
-
-CORABELL—I don’t want to (_stands grinning_).
-
-TILLY—Why not?
-
-CORABELL—I want you to come fetch me to my seat.
-
-TILLY—All right (_she goes and takes Corabell to seat_).
-
-MRS. HILL—My, my, aint she the cute little thing?
-
-MRS. SKAGGS—Aint she though? Billy, can’t you speak like that little
-girl?
-
-BILLY—No, no (_clings to his mother_).
-
-VIRGIL—Teacher, can’t Mis’ Hill speak her piece now?
-
-THE OTHERS—Oh, yes, ma’am, yes, ma’am!
-
-MRS. HILL—My, my, me! It’s so long sence I’ve spoke I guess I’ve forgot
-how. Wal, I’ll try, but don’t you laugh at me (_goes to front, makes
-sweeping gesture with both hands and bows low_).
-
- Some folks there be, but they aint like me,
- That whines an’ almost has a fit,
- An’ pouts if Santy don’t bring jes’ what
- They was wishin’ fer to git.
- (_Pouts and stands looking very ugly._)
-
- But some folks there be, an’ they’re like me,
- That smiles an’ says “Ho, ho, ho”,
- No matter what Santy brings ’em,
- They’re jolly an’ laugh jes’ like so.
-
-(_Hands on hips and laughs, ha-ha-ha, ho-ho-ho, then makes another low
-bow and takes seat._)
-
-TEACHER—That was splendid, wasn’t it children? (_Virgil goes off_).
-
-CHILDREN (_heartily_)—Yes, ma’am.
-
-MR. JUDD—Very good, very good!
-
-TEACHER—Now, children, we are very, very glad to have our esteemed an’
-highly respected clerk of the Skule board here with us today. It was
-very, very nice for him to take so much interest in you an’ come to
-hear your pieces. Now we shall be very, very glad to have him make us a
-speech, won’t we, children?
-
-CHILDREN—Yes, ma’am.
-
-MR. JUDD (_going to front and rubbing hands together as he talks_)—Wal,
-teacher and children and visiters, I can say with great truth an’ much
-joy that I be glad to been here today. Yes, childern, I allus like fer
-to hear the childern speak pieces an’ I can said that I been proud of
-the way you speaked an’ sung. Yes, childern, I can say with truth an’
-not a tellin’ nuthin’ that haint so, that you all done good, very good,
-in your speakin’. Your nice teacher has been a learnin’ you fine an’
-as I said, you done good. Yes, childern. An’ you mus’ all been proper
-behaved in skule, childern, fer nobody can’t larn good when they been a
-cuttin’ up, an’ misbehavin’ an’ not a mindin’ the nice teacher’s rule.
-Yes, childern. So I want fer to tell you as how you mus’ study hard an’
-behave good. Now, childern, do you know what I be? (_pause_).
-
-FLORILDY—I guess mebbe you’re teacher’s beau (_children giggle_).
-
-TEACHER (_smiling_)—W’y, w’y, w’y, Florildy, dear, how can you SAY such
-a thing?
-
-MR. JUDD (_wiping face vigorously with bandanna_)—Yes, yes, that is, I
-mean to said, I, yes, wal, (_twists bandanna nervously_) I wanted fer
-to have you said I were CLERK of the SKULE BOARD, childern, yes, CLERK
-of SKAGGS’S SKULE, childern, an’ I was goin’ fer to say as how if you
-study hard an’ been good mebbe some day—yes, who knows, childern, mebbe
-some o’ you’ll git to been clerk. Wouldn’t that be grand, childern?
-Yes. So you mus’ study hard an’ been good behaved. Now I can truthful
-say I been glad to been here today with you an’ your nice teacher, an’
-I hope you can all said the same. An’ I wish you all a merry Chris’mus,
-childern, very merry. Yes (_sits, mops face with bandanna_).
-
-TEACHER (_beaming_)—Now, wasn’t that a splendid speech? An’ we thank
-Mr. Judd very, very much, don’t we, children?
-
-CHILDREN—Yes, ma’am.
-
-TEACHER—An’ now, children, we will sing our Santy Claus song, an’ who
-knows, children, mebbe Santy Claus will come right here an’ serprise us
-all (_beats time with ruler_).
-
-TUNE: WONDERFUL WORDS OF LIFE
-
- ALL SING—There’s a man who lives far away,
- His name is Santy Claus,
- He comes with his reindeer an’ sleigh,
- His name is Santy Claus;
- With his bells a ringin’,
- He comes presents bringin’,
- Listen, you’ll hear (_bells ring off stage_)
- Here comes old Santy Claus!
-
- _Enter Virgil_ (_dressed as Santy Claus_)
-
-VIRGIL (_gruff voice_)—Wal, wal, childern, didn’t expec’ ter see me
-here today, did ye? Wal, here I be an’ I hope yer al glad to see Santy.
-Now fust thing, I want ter know HAVE YE BEEN GOOD CHILDERN? Have ye?
-(_pause_) Have ye been good?
-
-TILLY (_faintly_)—Yes, ma’am.
-
-BILLY—Oh, boo-hoo-hoo, boo-hoo-hoo, boo-hoo-hoo!
-
-MRS. SKAGGS—W’y, Billy, what’s the matter?
-
-BILLY—Boo-hoo-hoo, boo-hoo-hoo! I’m ’fraid of Santy Claus.
-
-MRS. SKAGGS—Now, Billy, Santy won’t hurt you none.
-
-BILLY (_bawling_)—I want to go home. I want to go home (_cries louder
-and falls down on floor_).
-
-MRS. SKAGGS—Oh, I’m ’fraid he’ll have a fit he’s so skeered. (_to
-teacher_) Tell ’im to take off his face so’s Billy can see ’im
-(_teacher runs and talks to Virgil who pulls off his false face_).
-
-TEACHER—See, Billy, it’s only Virgil.
-
-VIRGIL (_crossly_)—Nice way to spoil our fun (_Billy stops crying,
-looks at Virgil and begins to laugh_).
-
-TEACHER—Now, children, we will have a treat and Mr. Judd will help
-Santy pass it to you (_Virgil and Mr. J. give each one a sack of pop
-corn and candy as curtain falls_).
-
-
- CURTAIN
-
-
-
-
-PLAYS, MONOLOGS, Etc.
-
-
-=AS OUR WASHWOMAN SEES IT.= (Edna I. MacKenzie.) Time, 10 minutes. Nora
-is seen at the washboard at the home of Mrs. McNeal, where, amidst her
-work, she engages in a line of gossip concerning her patrons, that will
-make a hit with any audience. 25 cents.
-
-=ASK OUIJA.= (Edna I. MacKenzie.) Time, 8 minutes. A present-day girl
-illustrates to her friends the wonders of the Ouija board. Her comments
-on the mysteries of this present-day fad as she consults Ouija will
-delight any audience. 25 cents.
-
-=COONTOWN TROUBLES.= (Bugbee-Berg.) A lively black-face song given by
-Josephus Johnsing, Uncle Rastus and other Coontown folks. 35 cents.
-
-=THE GREAT CHICKEN STEALING CASE OF EBENEZER COUNTY.= (Walter
-Richardson.) A negro mock trial for 9 males, 2 females and jurors.
-Time, 35 minutes. Any ordinary room easily arranged. From start to
-finish this trial is ludicrous to the extreme and will bring roars of
-laughter from the audience. 25 cents.
-
-=THE GREAT WHISKEY-STEALING CASE OF RUMBOLD VS. RYEBOLD.= (Walter
-Richardson.) A mock trial for 11 males and jury. The fun increases as
-the trial proceeds, and reaches a climax when the jury decides who
-stole the whiskey. 25 cents.
-
-=HERE’S TO THE LAND OF THE STARS AND THE STRIPES.= (Bugbee-Worrell.)
-Open your minstrel with this rousing patriotic song. Sheet music. 35
-cents.
-
-=THE KINK IN KIZZIE’S WEDDING.= (Mary Bonham.) Time, 20 minutes. For 7
-males and 5 females. A colored wedding that will convulse any audience
-with laughter. Said to be the funniest mock wedding ever produced. 25
-cents.
-
-=SHE SAYS SHE STUDIES.= A monologue. (Edna I. MacKenzie.) A sentimental
-high-school girl seated with her books preparing the next day’s
-lessons, in a highly original and entertaining manner, expresses her
-views on the merits of her various studies and her unbiased opinion of
-her teachers, as she proceeds from book to book in the order of her
-recitation; but when she has finished, you will agree that she is very
-much more of an entertainer than a student. 25 cents.
-
-=SUSAN GETS READY FOR CHURCH.= (Edna I. MacKenzie.) Time, 10 minutes.
-It is time for church and Susan, at her toilet, is excitedly calling
-for missing articles and her rapid line of gossip about her friends and
-of certain church activities will bring many a laugh. 25 cents.
-
-=THAT AWFUL LETTER.= A comedy of unusual merit, in one act. (Edna I.
-MacKenzie.) For five girls. Time, 30 minutes. Recommended for high
-schools, societies and churches. Elizabeth Norton, an accomplished
-college girl from the country, has been reluctantly and rudely invited
-to visit a city cousin, Margaret Neilson, whom she has never seen.
-Finding she is expected to be gawky and uneducated, Elizabeth acts the
-part perfectly. Developments follow thick and fast amid flashes of wit,
-humor and satire from Elizabeth, who at last reveals her real self.
-Margaret’s humiliation is complete and there is a happy ending. All the
-characters are good. The country cousin is a star. 25 cents.
-
-=THE UNEXPECTED GUEST.= A one-act comedy. (Edna I. MacKenzie.) Six
-females. Time, 45 minutes. The unexpected arrival of an eccentric aunt
-throws, a family into a state of excitement and dismay, but before the
-play is over the unwelcome aunt has endeared herself to her relatives
-in quite an unexpected manner. Funny situations throughout. 25 cents.
-
- Paine Publishing Company Dayton, Ohio
-
-
-
-
-CHRISTMAS ENTERTAINMENTS
-
-
-=CHRISTMAS AT PUNKIN HOLLER.= (Elizabeth P. Guptill.) One of the most
-popular Christmas plays clean, wholesome fun from beginning to end. It
-depicts the trials of the teacher of an old-fashioned “deestric school”
-in conducting the last rehearsal for the Christmas Entertainment.
-Children and grown-ups will be delighted with CHRISTMAS AT PUNKIN
-HOLLER. 25c.
-
-=CHRISTMAS AT McCARTHY’S.= (Elizabeth F. Guptill.) A Christmas play for
-young folks and children that is brimful of fun from start to close and
-is interspersed with the gentlest pathos. All the characters are good.
-Easy to produce. No special scenery or costumes. No Santa Claus. Can be
-played in any schoolroom. 25c.
-
-=CHRISTMAS SPEAKIN’ AT SKAGGS’S SKULE.= (Marie Irish.) Just published.
-Humorous entertainment for six boys and eight girls, including Ole, the
-Swede; Rastus, the negro; bashful Bill; Jeremiah Judkins, the skule
-clerk; Mis’ Skaggs and Mis’ Hill, the mothers who “help out;” fat
-little sister; Matildy and Florildy, the twins; Sam who st-t-tut-ters;
-Tiny, and Miss Emmeline Elkins, the teacher. The speech by the skule
-clerk and the fake Santy Claus are features. 25c.
-
-=CHRISTMAS DIALOGUES.= (Cecil J. Richmond.) Every dialogue in this
-book is decidedly to the point and easy to prepare. They will delight
-both young and old. The book contains the following: Is There a Santa
-Clause? (2 small children, Santa Claus and chorus); Herbert’s Discovery
-(2 boys); The Christmas Dinner (2 little girls, 1 larger girl, and
-2 boys); Playing Santa Claus (1 small and 2 larger boys); A Double
-Christmas Gift (2 small girls, 2 larger girls, and 3 boys). Many
-customers have told us that the last named dialogue is worth the price
-of the book. 25 cents.
-
-=EVERGREEN AND HOLLY—SONG AND DRILL.= (Elizabeth F. Guptill.) A drill
-for any even number of boys and girls, or all girls. The girls carry
-garlands of evergreen while the boys carry wreaths of the same. After a
-spectacular drill and fancy march they all sing a beautiful Christmas
-song, which accompanies the drill. Easy to produce and decidedly novel.
-25 cents.
-
-=GOOD-BYE, CHRISTMAS GROUCHES.= (Irish-Lyman.) A jolly Christmas song
-for any number of boys and girls. It abounds with Christmas cheer and
-many pleasant surprises. Full of action. Sheet music. This popular song
-will put “pep” in your Christmas entertainment and will furnish your
-audience a rare treat. 35 cents.
-
-=POINSETTIA DRILL.= (Marie Irish.) A drill for 12 or more girls
-carrying poinsettias. Given to the music of a lively march,
-interspersed with verses to the tune of the song. “Comin’ Through the
-Rye.” Several diagrams make clear the following of the directions. One
-of the most beautiful Christmas drills published. 25 cents.
-
-=SANTA CLAUS IS COMING.= (Irish-Garster.) Song for little folks. Easy
-words and simple action. A pleasing little song that the children will
-enjoy giving and others will enjoy hearing, because of its merry humor.
-Sheet music. 35 cents.
-
-=STARS OF BETHLEHEM.= (Irish-Leyman.) A beautiful song of the Christ
-Child for either solo or chorus. The music is sweet and perfectly
-suited to the beautiful words. A delightful number for children or
-adults. Sheet music, 35 cents.
-
-=SNOWBOUND FOR CHRISTMAS.= (Edna I. MacKenzie.) For 4 boys and 4 girls.
-Time, 25 minutes. The roads being blocked by a recent snowstorm,
-the Simpson family has not been able to get to town to do their
-Christmas shopping. After considerable lamenting by the children over
-their disappointment, Ma Simpson, Pa Simpson, and the older children
-determine upon home-made presents, which results in a most pleasant
-surprise. 25 cents.
-
-=TOPSY TURVY CHRISTMAS, A.= (Elizabeth F. Guptill.) A decidedly
-humorous Christmas play for any number of children from six to twelve
-years old. The children are tired of “minding” and of everything
-being “just so,” so they start to find a place where things will be
-different. There is a pleasing surprise for the audience at every turn
-of the play. 25 cents.
-
- Paine Publishing Company Dayton, Ohio
-
- * * * * *
-
-Transcriber’s Notes:
-
-Obvious punctuation errors repaired.
-
-Page 4, “leters” changed to “letters” (letters of various)
-
-Page 8, “dissapointed” changed to “disappointed” (very disappointed if
-no)
-
-Page 12, “Maltildy” changed to “Matildy” (Come on, Matildy)
-
-Page 20, “litle” changed to “little” (my little sister)
-
-Page 21, “CHILREN” changed to “CHILDREN” (CHILDREN (_heartily_))
-
-Inside back cover, “rlatives” changed to “relatives” (to her relatives)
-
-
-
-
-
-End of the Project Gutenberg EBook of Christmas Speakin' at Skagg's Schule, by
-Marie Irish
-
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