summaryrefslogtreecommitdiff
path: root/old/53892-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/53892-0.txt')
-rw-r--r--old/53892-0.txt1011
1 files changed, 0 insertions, 1011 deletions
diff --git a/old/53892-0.txt b/old/53892-0.txt
deleted file mode 100644
index e7ea36c..0000000
--- a/old/53892-0.txt
+++ /dev/null
@@ -1,1011 +0,0 @@
-The Project Gutenberg EBook of An Ideal Kitchen, by Maria Parloa
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: An Ideal Kitchen
- Miss Parloa's Kitchen Companion A Guide for All Who Would
- be Good Housekeepers
-
-Author: Maria Parloa
-
-Release Date: January 5, 2017 [EBook #53892]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK AN IDEAL KITCHEN ***
-
-
-
-
-Produced by Emmy, MFR and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by The
-Internet Archive)
-
-
-
-
-
-
-
-[Transcriber's Note: Bold text is surrounded by =equal signs= and italic
-text is surrounded by _underscores_.]
-
-
-
-AN IDEAL KITCHEN.
-
- MISS PARLOA’S KITCHEN COMPANION.
-
- _A GUIDE FOR ALL WHO WOULD BE
- GOOD HOUSEKEEPERS._
-
-
- BY MARIA PARLOA,
-
- FOUNDER OF THE ORIGINAL COOKING-SCHOOL IN BOSTON; PRINCIPAL
- OF THE SCHOOL OF COOKERY IN NEW YORK; AND AUTHOR OF
- “MISS PARLOA’S NEW COOK-BOOK,” “THE APPLEDORE
- COOK-BOOK,” “FIRST PRINCIPLES OF HOUSEHOLD
- MANAGEMENT,” “CAMP COOKERY,” ETC.
-
-
- TWENTIETH EDITION
-
- ILLUSTRATED.
-
- BOSTON:
- ESTES AND LAURIAT,
- PUBLISHERS.
-
-
-
-
-_Mind your Ps & Qs_
-
-
-And the three best Ps to mind are
-
- =MISS
- PARLOA’S Kitchen Companion.= 1 vol., crown
- 8vo, cloth or waterproof binding, $2.50.
-
-It is thoroughly practical; it is perfectly reliable; it is
-marvellously comprehensive; it is copiously illustrated; it is in
-short overflowing with good qualities, and is just the book that all
-housekeepers need to guide them.
-
- =MISS
- PARLOA’S New Cook Book and Marketing
- Guide.= 1 vol., 12mo, cloth, $1.50.
-
-This is one of the most popular Cook Books ever printed, containing
-1,724 receipts and items of instruction. The directions are clear and
-concise, and the chapters on marketing and kitchen furnishing very
-useful.
-
-
- =MISS
- PARLOA’S Camp Cookery. How to Live in
- a Camp.= 1 vol., 18mo, cloth, 50 cents.
-
-A most comprehensive little manual. Every one who intends camping out
-during the coming summer should have it right at hand for constant
-reference.
-
-
-_For sale by all booksellers, or sent postpaid by_
-
- ESTES AND LAURIAT, Boston, Mass.
-
-
-
-
- AN IDEAL KITCHEN.
-
- MISS PARLOA’S KITCHEN COMPANION.
-
- _A GUIDE FOR ALL WHO WOULD BE
- GOOD HOUSEKEEPERS._
-
- BY MARIA PARLOA,
-
- FOUNDER OF THE ORIGINAL COOKING-SCHOOL IN BOSTON; PRINCIPAL
- OF THE SCHOOL OF COOKERY IN NEW YORK; AND AUTHOR OF
- “MISS PARLOA’S NEW COOK-BOOK,” “THE APPLEDORE
- COOK-BOOK,” “FIRST PRINCIPLES OF HOUSEHOLD
- MANAGEMENT,” “CAMP COOKERY,” ETC.
-
-
- TWENTIETH EDITION
-
- ILLUSTRATED.
-
-
- BOSTON:
- ESTES AND LAURIAT,
- PUBLISHERS.
-
-
-
-
- _Copyright, 1887_,
- BY MARIA PARLOA.
-
- University Press:
- JOHN WILSON AND SON, CAMBRIDGE, U.S.A.
-
-
-
-
-AN IDEAL KITCHEN.
-
-
-How few people who build houses give proper attention to the plan and
-construction of the kitchen! Pains may be taken to have the exterior
-of the building attractive, the halls broad, the parlors spacious and
-finely finished, the dining-room bright and inviting, the chambers airy
-and sunny, but the plan of the kitchen generally receives much less
-thought than its importance deserves, if one be seeking to make the
-house as nearly perfect as is practicable. The trouble is not wholly
-due to unwillingness to expend more money than may have been at first
-appropriated. A little extra thought alone is needed to effect many
-improvements on the average kitchen when a house is in process of
-construction, but this extra thought usually is missing. Of course, in
-order to have a model kitchen, one must be willing to pay a good price
-for it; yet the price will not be so high that one will ever regret the
-expenditure; indeed, most persons will promptly admit that the money
-has been used as profitably as that used for any other part of the
-house. The object of this chapter is to show how a model kitchen may
-be arranged; and although few people may adopt the recommendations as
-a whole, it is hoped that every reader may find some suggestions of
-value, to be followed whether the house be already built or yet to be
-erected.
-
-[Illustration]
-
-The first matter to be considered is the size of the room. While it is
-important to have ample space for range, sink, dresser, tables, and
-chairs, and for free movements, it also is important to avoid having
-the room so large as to oblige one to take many steps to and from
-range, sink, table, and pantry. A good size is 16 × 16 or 15 × 17 feet.
-
-Be particular to have the ventilation as good as possible; for the
-comfort of not only those who have duties in the kitchen, but of the
-entire household, is in a measure dependent upon it. If the ventilation
-be poor, the strength of those who work in the room will needlessly
-become exhausted, and they are likely to get irritated easily.
-Moreover, odors of cooking will escape to other parts of the house
-instead of passing to the open air. The room should be high, and have
-large windows that can be raised or dropped easily. If the kitchen
-be located in a one-story extension, almost perfect ventilation may
-be secured by means of a ventilator in the roof or by a skylight; or
-it may be found easy to have a ventilator placed in the chimney. If
-expense be no obstacle, it will be well to have a separate chimney for
-the kitchen, as this is one of the surest ways of preventing odors of
-food from reaching other rooms. Although the room may be admirably
-arranged and finished, it will not be a model apartment unless there
-be good ventilation and an abundance of light. Most kitchens have some
-dark corners, but there should be none.
-
-Excepting the ceilings, every part of the room, as well as of the
-pantry and the adjoining closets, should be finished in a way that
-permits of washing. A hard-wood floor is desirable. Avoid spruce. Hard
-pine, if carefully selected, makes a good floor; but the best wood is
-maple or birch, in strips not more than three inches wide. If soft wood
-be used, splinters will in time get torn up. Oil-cloth often is used
-for covering the floor. It may look bright and clean, but is too cold,
-and frequently causes rheumatism. Lignum, which somewhat resembles
-oil-cloth, but is thicker and warmer, is as good a covering as can be
-found. It is clean and durable. Tiles are sometimes recommended for
-the floor of a kitchen; they can be kept clean and will wear well, but
-they tire the feet, and for that reason should not be used.
-
-It is well to have the woodwork in a kitchen oiled. A wainscot is
-desirable. Have the walls painted a rather light color. If one can
-afford it, the walls about the range and sink should be tiled. At the
-outset tiles may appear costly, but after experience one finds it is
-really a saving to use them. They can easily be kept perfectly clean,
-and will last as long as the house itself. English or Dutch tiles
-should be used, and there is nothing more appropriate than the blue and
-white. The price for furnishing and setting such tiles is from seventy
-cents to a dollar per square foot. Probably the time will come when
-nobody will think of finishing a house without them.
-
-Do not be satisfied with a small sink. Have one of good size, and of
-iron, with a sloping and grooved shelf at one end, on which to drain
-dishes after washing them. Let the sink rest on iron legs. The space
-under it should not be enclosed, as every dark place is a source of
-temptation to a slovenly domestic.
-
-One caution in regard to the sink: have the strainer screwed down firm.
-Anything that will not pass through the strainer should not go into the
-pipes. The hinged or loose strainer gives but little protection, as
-the temptation to lift it and let sediment pass through is very great.
-With an immovable strainer and the use, once a fortnight, of the hot
-solution of soda described in the chapter on “Care of Utensils,” there
-will be no trouble with pipes, unless it be caused by wear or freezing.
-After using the hot soda, flush the pipes with cold water. This plan
-has been followed in the care of the plumbing of a large house for many
-years, with the most satisfactory results. Put hooks under the sink,
-for dish-cloths, dish-pans, etc. Unless there be tiles above, below,
-and at the sides of the sink, all this space should be finished in hard
-wood. If tiles be used, have a broad capping of hard wood extend across
-the upper edge of the top row, in which to place brass hooks for the
-various small utensils in frequent use at the sink.
-
-[Illustration]
-
-Between the doors leading to the china closet and the hall have a
-dresser. Here can be kept the kitchen table-ware and some utensils.
-Near the back part of each shelf have a groove, so that plates and
-platters may be placed on edge without danger of their falling.
-There also should be two drawers, and below the drawers two closets
-containing shelves. The doors of the upper part of the dresser should
-be made in part of glass, and instead of swinging on hinges they should
-slide one in front of the other.
-
-Allow enough room for the tables, so as to avoid crowding and
-confusion when a meal is being prepared or served. Swinging tables
-are convenient, as they occupy no space when not in use. At one end
-of the sink have a table, about 2½ × 3½ feet, containing one drawer
-for knives, forks, and spoons, and one for towels. This table should
-be placed on castors, so that it can easily be moved to the centre
-of the room. There should be a small table, about the height of the
-range, for use as a resting-place for utensils when omelets, waffles,
-griddle-cakes, etc., are made. Its top should be covered with zinc.
-When not in use this table may be moved to some other part of the room.
-There should be one more table in the kitchen, between two windows if
-the space will permit,—a settle table, which serves as a seat when not
-in use for ironing or some other purpose. Above the table have two
-shelves,—one for a clock, and the other for cook-books, the grocer’s
-and marketman’s order-books, etc. It is a good idea to have the corners
-of all the tables rounded, so that nobody shall be hurt by striking
-against them.
-
-[Illustration: —Kitchen View—]
-
-Have broad window-seats, in order to keep a few pots of flowers, herbs,
-or other plants in the room. Flowers brighten a kitchen wonderfully,
-and seem to grow better there than in any other part of the house.
-One other point about the windows; they should be supplied with wire
-screens in summer. Swarms of flies will get in unless this precaution
-be taken. The same barrier is needed at the outside door as much as at
-the windows.
-
-[Illustration: —Kitchen View—]
-
-The most important piece of furniture is the range. Many housekeepers
-find it difficult to decide which is better, a set or a portable range.
-Each has merits. Less room is required for set ranges; broiling and
-roasting can be done before the fire, and a constant supply of hot
-water is insured. But set ranges are rather slow to respond to draughts
-and checks; they consume a great deal of coal; the hearth becomes hot,
-and uncomfortable to stand on; and there is but one side of the range
-to approach, which necessitates the frequent lifting and moving of
-heavy utensils.
-
-Now, a portable range can be so placed as to permit of one’s walking
-almost around it; it can be used as advantageously as a set range,
-with about half the same quantity of coal; there is a prompt response
-to the opening or closing of a draught; one’s feet do not get heated
-by standing near it; there are no dark corners; the need of moving
-utensils is to a large extent avoided, and it can be so managed that
-there shall be a hot oven at any time of the day. But roasting must be
-done in the oven, and broiling over the coals, and the supply of hot
-water is limited.
-
-With a set range there must be a broad hearth of tiles, slate, or best
-face-brick. If a portable range be used, only a large piece of zinc
-will be required under it.
-
-
-THE PANTRY.
-
-And now the pantry. It should be about 12 × 8 feet. The window
-should have a wire screen, and inside folding blinds will be found
-a great convenience,—indeed, they are a necessity. A large, strong
-table, containing two drawers, should be placed at this window. There
-should be hooks at the ends of the table, from which to suspend the
-pastry-board, the board on which cold meats are cut, and that on which
-bread and cake are cut. In one drawer the rolling-pin, knives, pastry
-and cake cutters, and a few other utensils may be kept; and in the
-other drawer, spices, flavoring extracts, etc.
-
-At one end of the room the wall should be covered with hooks on which
-to hang saucepans. At the same end, about a foot from the floor, there
-should be a broad shelf on which to keep heavy pots and kettles, turned
-upside down to keep out dust. Two feet above this shelf there should
-be a narrow one for the covers of the utensils just mentioned. By
-following this plan one can keep all these articles together and always
-in sight, and no time need be lost in searching for any of them.
-
-There will be space in this end of the room for small shelves for the
-glass jars in which to keep materials used frequently, such as tapioca,
-barley, rice, baking-powder, soda, cream-of-tartar, ginger, split peas,
-etc. Here, also, may be kept small pasteboard boxes containing herbs.
-
-In the window-frame put brass hooks, on which to hang the egg-beater,
-spoons, graded measuring-cups, a whisk, etc.
-
-At the lower end of the pantry have a strong rack, a few inches from
-the floor, on which to place flour-barrels. This plan insures the
-circulation of air under the barrels, keeping their contents sweet.
-About a foot above the barrels have a wall closet, with shelves
-about twenty inches wide. This should be supplied with a lock, as it
-is designed for keeping cooked food and such groceries as raisins,
-currants, and citron, in glass jars, besides fresh fruit. The door or
-doors should be made partly of wire.
-
-[Illustration]
-
-Extending the length of one side of the room have a tier of shelves,
-beginning about a foot from the floor and running as high as the top
-of the wall closet. Tin cans of meal and sugar, stone jars of salt,
-and jugs of molasses and vinegar may be kept on the lower shelves; and
-mixing-bowls, mixing-pans, stone-china measuring-cups, etc.,—indeed,
-all utensils for which no other place has been provided,—may be kept on
-the upper shelves.
-
-In some place near the door of the pantry have a hook or a roller for a
-towel, in order to avoid taking steps across the kitchen whenever the
-hands require wiping.
-
-Now, if a kitchen and pantry be built or reconstructed on this plan,
-the cooking can be done with comfort, and the washing of dishes will
-not seem so burdensome as it does in the ordinary kitchen. Even if
-one find it impracticable to follow all or many of the suggestions
-made, pains ought to be taken—whatever the plan of the kitchen be—to
-concentrate the work, obtain good light, good ventilation, and ample
-table-room; and all measures which are calculated to insure cleanliness
-and to make the kitchen an attractive place should be adopted. There
-must be a closet near by for brooms, brushes, dusters, etc.; and there
-should be a cold room near the kitchen, in which to keep most of the
-perishable stores. In case there be no room of this kind, it will be
-well to keep the refrigerator in the pantry.
-
-
-THE STOREROOM.
-
-A storeroom well arranged and properly managed is a source of economy,
-security, and comfort to a housekeeper. It should be kept locked except
-when stores are being put in or taken out. Light should be furnished by
-a small window. For a household of moderate size a room 7 × 5 feet will
-suffice. In the ground-plan given on page 10 no provision is made for
-such a room on the first floor, but there would be space for one if the
-china closet were made smaller and there were no closets in the back
-hall.
-
-Broad shelves should run all round the room, and there should be a
-movable set of broad, firm steps—say two or three steps—for use in
-reaching the upper shelves. The floor and shelves should be planed
-smooth, that there may be no grooves nor defective places where any
-substance which may be spilled will lodge, giving a disagreeable odor
-to the room. The shelves must be made strong, so that no danger shall
-arise from putting a great weight of stores on them. A tier of three
-shelves will be enough. Have a space of about twenty inches between
-the shelves. Do not have any of the woodwork painted. The walls may be
-plastered or sheathed. If plastered, they may be whitened each spring,
-if necessary. This will freshen and sweeten the room. The shelves and
-floor may be cleaned once a month, and the other woodwork washed twice
-a year. Care must be taken not to use much water. The room should be
-kept dry, as well as clean, cool, and dark.
-
-Use the lower shelves for such supplies as are frequently drawn upon,
-and the upper ones for those stores which are used the least. On the
-upper shelves there may also be kept such kitchen utensils as may be
-required to replace those which become worthless,—such as bowls and
-cups, saucepans, etc., which a wise housekeeper will always keep in
-reserve.
-
-If flour be kept in a barrel in the storeroom, there should be a strong
-rack, a few inches from the floor (as recommended for the pantry), on
-which to place the barrel; the idea being to get a free circulation of
-air under the barrel and prevent dampness. Such groceries as molasses,
-granulated sugar, vinegar, wine, cider, washing-soda, etc., may be kept
-on the floor. A strip of wood into which are screwed half a dozen or
-more hooks, may be fastened on one side of the room, and on it can be
-hung the brushes, brooms, etc., required to replace those which become
-worn out.
-
-Following is a list of supplies which should be kept in the storeroom.
-In sections of the country where such articles as shrimp and lobster
-can always be found fresh it will not be necessary to use canned goods.
-Again, in those places where fish and oysters are never found fresh, it
-is well, on account of the saving in cost, to buy them by the quantity,
-as one would buy canned peas, tomatoes, mushrooms, etc. In some
-parts of the country the people depend almost wholly upon condensed
-milk rather than upon the fresh fluid. If canned milk must be used, a
-considerable saving can be made by buying a large quantity at one time.
-Then, too, if one be so placed that it would not be possible to obtain
-an extra quantity of milk in an emergency, it will be well to keep a
-few cans of condensed milk on hand.
-
-Time and money will be saved by purchasing by the dozen such canned
-goods as peas, tomatoes, mushrooms, peaches, apricots, as well as
-gelatine, etc. Soap and Sapolio, candles and starch, all should be
-bought by the box. It is well to have peas of two qualities,—the small
-French peas for use as a vegetable, and the larger and cheaper kind
-for making soups and purées. Truffles, caviare, sardines, anchovies
-in various forms, and a few other things, are luxuries in which many
-housekeepers never indulge; and in any case a small can or bottle is
-all that one will require in a storeroom, provided one lives in or near
-a large city where such articles can be obtained.
-
-In the list of supplies which follows these remarks are mentioned many
-things not actually essential, but which are very useful in giving
-variety to the fare. It may surprise some readers that dried or smoked
-fish, ham, bacon, salt pork, brown soap, and some other articles are
-not included in the list. The reason is, that they have moisture or a
-strong odor, two things to be avoided in a storeroom where delicate
-groceries are kept. A cold room where there is a free circulation of
-air is a better place for them.
-
-Experience has proved that tin boxes are the best receptacles for
-all kinds of food that would attract mice or weevils. Tin boxes are,
-to be sure, much more expensive than wooden buckets; but as they are
-lasting and perfectly secure, it is, in the end, economical to buy
-them. Each box should be labelled; and if they be made to order, it
-will be well to have the labels painted on them at the time. Such
-boxes as cracker-manufacturers use will answer for this purpose, and a
-housekeeper may obtain them through her grocer if no more convenient
-way presents itself. When made to order, tin boxes are expensive.
-
-_First Shelf._—Graham, corn meal, both white and yellow, oatmeal, rye
-meal, hominy, buckwheat, rice, soda, cream-of-tartar, tapioca, powdered
-and block sugar, dried peas, beans, barley, picked raisins, currants
-that have been cleaned, eggs, cheese, gelatine, tea, coffee, chocolate,
-starch, bluing, candles; all the articles, except the last three and
-the gelatine, to be kept in tin boxes.
-
-_Second Shelf._—Olive oil, vanilla, lemon, orange, and almond extracts,
-Santa Cruz rum, eau-de-vie de Dantzic, maraschino, brandy, white wine,
-tarragon vinegar, olives, capers, liquid rennet; table salt, macaroni,
-spaghetti, vermicelli, crackers, lime-water, stove-polish, Sapolio,
-Castile soap, toilet soap, chloride of lime.
-
-Preserved ginger, pickles, anchovy paste, chutney sauce, extract of
-meat in small jars, arrowroot, cornstarch, potted ham, tongue, and
-chicken, French paste for coloring soups and sauces, devilled ham,
-anchovies in oil and in salt, Russian caviare, sardines, orange
-marmalade, jellies, canned and preserved fruits, almonds, citron,
-candied lemon and orange peel, tomato, walnut, and mushroom ketchup,
-essence of anchovy, curry-powder, white and red pepper, essence of
-shrimp, Worcestershire or Leicestershire sauce, and these whole
-spices,-nutmegs, cloves, cinnamon, mace, allspice, pepper-corns, and
-ginger; these ground spices,—mace, cinnamon, clove, allspice, ginger;
-these whole herbs,—sage, savory, thyme, parsley, sweet-marjoram, summer
-savory, tarragon; these ground herbs,—sage, summer savory, thyme,
-parsley, sweet-marjoram.
-
-_Third Shelf._—These canned vegetables,—button onions, cauliflower,
-peas, string beans, shelled beans, mixed vegetables, tomatoes, and
-corn; also, canned cèpes, mushrooms, truffles, salmon, lobster, shrimp,
-chicken and tongue, and dessert biscuit, prunes, twine, chamois skin,
-whiting, household ammonia, clothes-pins.
-
-_Floor._—Molasses, cider, vinegar, granulated sugar, wine, coarse salt
-for freezing, washing-soda for the plumbing.
-
-
-THE COLD STOREROOM.
-
-This room should be on the north side of the house, and should have
-two small windows, on two sides of the room, if possible. A broad
-beam should extend across one end of the room, at least one foot from
-the wall. Strong meat-hooks should be fastened in this beam, on which
-to hang ham, bacon, smoked tongue, smoked salmon, and fresh meat or
-poultry that is to be kept a day or more. At the other end of the room
-there should be broad, strong shelves on which to put the tubs or jars
-in which pork, lard, pickles, etc., are kept. All the things which
-should be kept very cold, such as fruits, vegetables, preserves, etc.,
-may be stored in this room.
-
-If one have a good light cellar, the cold storeroom may be arranged
-there. The entrance should be near the kitchen stairs. In most modern
-cellars the furnace gives so much heat that a separate place is
-required for storage purposes. If one be about to build a house, it
-will be well to take this matter under consideration. Have a separate
-cellar under the kitchen, and keep it for vegetables and a storeroom.
-In the larger cellar have the furnace, fuel-bins, and a workshop, if
-one be needed. If the cellar extend the entire length of the house, a
-cold room may be made by building a brick partition at the end of the
-cellar farthest from the furnace. The room, whether on the ground floor
-or downstairs, should be so arranged that it can be made light when
-necessary. The windows should have inside blinds.
-
-In most households the cellar will be found to be the most desirable
-place for a cold room, because the temperature will be more even than
-in a place above ground. Dry atmosphere, light, and ventilation are the
-special points to keep in mind. Even in an old house, where the light
-is insufficient, large windows may be put in, and the trouble thus
-easily remedied. Perfect cleanliness and frequent airing are necessary
-for the preservation of food in this room.
-
-Of course, it is desirable to have the room divided into two
-parts,—a thin partition will suffice,—that the milk and butter in
-one compartment shall not absorb the flavor of meats, fish, fruits,
-or vegetables kept in the other. If there be no refrigerator in the
-pantry, have one in this room. Ice will not melt so quickly here as in
-other parts of the house.
-
-A writer who has given considerable thought to the subject of
-ventilation says that “a great mistake is sometimes made in ventilating
-cellars and milk-houses. The object of ventilation is to keep the
-cellars cool and dry, but this object often fails of being accomplished
-by a common mistake, and instead the cellar is made both warm and damp.
-A cool place should never be ventilated unless the air admitted is
-cooler than the air within, or is at least as cool as that, or only
-a very little warmer. The warmer the air the more moisture it holds
-in suspension. Necessarily, the cooler the air the more this moisture
-is condensed and precipitated. When a cool cellar is aired on a warm
-day, the entering air being in motion appears cool; but as it fills
-the cellar the cooler air with which it becomes mixed chills it, the
-moisture is condensed, and dew is deposited on the cold walls, and may
-often be seen running down them in streams. Then the cellar is damp,
-and soon becomes mouldy. To avoid this, the windows should only be
-opened at night, and late,—the last thing before retiring. There is no
-need to fear that the night air is unhealthful; it is as pure as the
-air of midday, and is really drier. The cool air enters the apartment
-during the night and circulates through it. The windows should be
-closed before sunrise in the morning, and kept closed and shaded
-through the day. If the air of the cellar be damp, it may be thoroughly
-dried by placing in it a peck of fresh lime in an open box. A peck of
-lime will absorb about seven pounds, or more than three quarts, of
-water; and in this way a cellar or milkroom may soon be dried, even in
-the hottest weather.”
-
-
-THE CHINA CLOSET.
-
-Between the kitchen and dining-room there should be a closet where
-the dining-room dishes (except rare glass and china) can be kept,
-and where the glassware, silver, and delicate china—if not all the
-china—can be washed. A window is needed in this room. Have the floor
-made of hard wood, unless it is to be covered. If covered, use lignum.
-A woollen carpet never should be laid in a china closet. The walls may
-be sheathed, or plastered and painted. Everything considered, sheathing
-with well-finished hard wood is the best plan.
-
-On one side of the room have closets about three feet high, beginning
-at the floor. Above the closets have broad shelves. These should have
-deep grooves, so that meat dishes may be placed on edge and inclined
-against the wall. On the opposite side of the room have a similar tier
-of shelves, with drawers, instead of closets, under the lowest. If the
-room be planned like that in the design given, there will be space
-between the two tiers of shelves already mentioned for still another
-tier, although it will be better to save this space for the steps
-needed for reaching the high shelves. These steps should be broad, as a
-precaution against accidents to anybody and damage to dishes.
-
-[Illustration]
-
-The shelves should be made of smooth hard wood, which is easily kept
-clean. It adds considerably to the cost of the room, but also
-considerably to the convenience, to have sliding glass doors in front
-of the shelves. They will exclude a great deal of the dust which
-otherwise would collect.
-
-At one end of the room, near the window, have a sink for washing
-dishes,—not such a sink as that in the kitchen, but a rather small
-basin, say of copper, about eighteen inches long, twelve wide, and
-eight or nine deep. Copper is especially recommended because it wears
-better than zinc. A soapstone sink or a porcelain-lined pan would be
-desirable but for the greater liability of breaking dishes. It is a
-good idea to have a small cedar tub—they are made with brass hoops,
-and look very neat—for the washing of the most delicate china and
-glassware, which is likely to get marred or broken if crowded into a
-pan with other heavier articles.
-
-On each side of the sink have a swinging table, on which to place
-dishes. The tables will at times be convenient when making salads and
-other similar dishes. Above the table nearest the kitchen have a slide
-in the wall, that dishes may be passed to and from the kitchen. This
-small space will not admit odors or the hot air as the door would if
-kept open. In case there be two or more servants in the household, the
-door from the closet to the kitchen need not be opened at all while a
-meal is served, all dishes being passed through the slide.
-
-The small closets in the room are for the sugar, tea, condiments,
-and the cake, bread, and cracker boxes. There should be one small
-closet for the articles used in cleaning the table-ware, such as soap,
-whiting, alcohol, ammonia, brushes, chamois skin, etc. The drawers
-under the shelves are intended for the table linen, clean dish-towels,
-etc.
-
-A towel-rack that can be fastened to the window-casing is a necessity.
-In case the walls be plastered or tiled, a broad moulding of wood
-should be placed just above the sink. Brass hooks screwed into this
-moulding will prove to be a great convenience.
-
-This room is often called the butler’s pantry.
-
-[Illustration]
-
-
-
-
- Miss Parloa’s Cook Books
-
- Can be procured from any bookseller in the United
- States.
-
- Her name in connection with cooking is a household word.
-
-
-
-
-
-End of the Project Gutenberg EBook of An Ideal Kitchen, by Maria Parloa
-
-*** END OF THIS PROJECT GUTENBERG EBOOK AN IDEAL KITCHEN ***
-
-***** This file should be named 53892-0.txt or 53892-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/3/8/9/53892/
-
-Produced by Emmy, MFR and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by The
-Internet Archive)
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-