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-The Project Gutenberg EBook of An Uninvited Member, by Elizabeth F. Guptill
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: An Uninvited Member
- A Play for Girls in Two Scenes
-
-Author: Elizabeth F. Guptill
-
-Release Date: October 28, 2016 [EBook #53389]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK AN UNINVITED MEMBER ***
-
-
-
-
-Produced by Emmy, MFR and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by The
-Internet Archive)
-
-
-
-
-
-
-
-
-[Transcriber's Note: Bold text is surrounded by =equal signs= and italic
-text is surrounded by _underscores_.]
-
-
-[Illustration]
-
- NO PLAYS EXCHANGED.
-
- Amateur Series.
-
- _Price 15¢_
-
- An Uninvited Member
-
- T. S. DENISON & COMPANY
- PUBLISHERS CHICAGO
-
-
-
-
-DENISON’S ACTING PLAYS.
-
-
-A Partial List of Successful and Popular Plays. Large Catalogue Free.
-
-Price 15 Cents Each, Postpaid, Unless Different Price is Given.
-
-DRAMAS, COMEDIES, ENTERTAINMENTS, Etc.
-
- M. F.
-
- After the Game, 2 acts, 1¼ hrs. (25c) 1 9
- All a Mistake, 3 acts, 2 hrs. (25c) 4 4
- All That Glitters Is Not Gold, 2 acts, 2 hrs. 6 3
- Altar of Riches, 4 acts, 2½ hrs. (25c) 5 5
- American Hustler, 4 acts, 2½ hrs. (25c) 7 4
- Arabian Nights, 3 acts, 2 hrs. 4 5
- Bank Cashier, 4 acts, 2 hrs. (25c) 8 4
- Black Heifer, 3 acts, 2 hrs. (25c) 9 3
- Bonnybell, 1 hr. (25c) Optnl.
- Brookdale Farm, 4 acts, 2¼ hrs. (25c) 7 3
- Brother Josiah, 3 acts, 2 h. (25c) 7 4
- Busy Liar, 3 acts, 2¼ hrs. (25c) 7 4
- Caste, 3 acts, 2½ hrs. 5 3
- Corner Drug Store, 1 hr. (25c) 17 14
- Cricket on the Hearth, 3 acts,1¾ hrs. 7 8
- Danger Signal, 2 acts, 2 hrs. 7 4
- Daughter of the Desert, 4 acts, 2¼ hrs. (25c) 6 4
- Down in Dixie, 4 acts, 2½ hrs. (25c) 8 4
- East Lynne, 5 acts, 2¼ hrs. 8 7
- Editor-in-Chief, 1 hr. (25c) 10
- Elma, 1¾ hrs. (25c) Optnl.
- Enchanted Wood, 1¾ h. (35c) Optnl.
- Eulalia, 1½ hrs. (25c) Optnl.
- Face at the Window, 3 acts, 2 hrs. (25c) 4 4
- From Sumter to Appomattox, 4 acts, 2½ hrs. (25c) 6 2
- Fun on the Podunk Limited, 1½ hrs. (25c) 9 14
- Handy Andy (Irish), 2 acts, 1½ h. 8 2
- Heiress of Hoetown, 3 acts, 2 hrs. (25c) 8 4
- High School Freshman, 3 acts, 2 h. (25c) 12
- Home, 3 acts, 2 hrs. 4 3
- Honor of a Cowboy, 4 acts, 2½ hrs. (25c) 13 4
- Iron Hand, 4 acts, 2 hrs. (25c) 5 4
- It’s All in the Pay Streak, 3 acts, 1¾ hrs. (25c) 4 3
- Jayville Junction, 1½ hrs. (25c) 14 17
- Jedediah Judkins, J. P., 4 acts, 2½ hrs. (25c) 7 5
- Kingdom of Heart’s Content, 3 acts, 2¼ hrs. (25c) 6 12
- Light Brigade, 40 min. (25c) 10
- Little Buckshot, 3 acts, 2¼ hrs. (25c) 7 4
- Lodge of Kye Tyes, 1 hr. (25c) 13
- Lonelyville Social Club, 3 acts, 1½ hrs. (25c) 10
- Louva, the Pauper, 5 acts, 2 h. 9 4
- Man from Borneo, 3 acts, 2 hrs. (25c) 5 2
- Man from Nevada, 4 acts, 2½ hrs. (25c) 9 5
- Mirandy’s Minstrels (25c) Optnl.
- New Woman, 3 acts, 1 hr. 3 6
- Not Such a Fool as He Looks, 3 acts, 2 hrs. 5 3
- Odds with the Enemy, 4 acts, 1¾ hrs. 7 4
- Old Maid’s Club, 1½ hrs. (25c) 2 16
- Old School at Hick’ry Holler, 1¼ hrs. (25c) 12 9
- Only Daughter, 3 acts, 1¼ hrs. 5 2
- On the Little Big Horn, 4 acts, 2½ hrs. (25c) 10 4
- Our Boys, 3 acts, 2 hrs. 6 4
- Out in the Streets, 3 acts, 1 hr. 6 4
- Pet of Parson’s Ranch, 5 acts, 2 h. 9 2
- School Ma’am, 4 acts, 1¾ hrs. 6 5
- Scrap of Paper, 3 acts, 2 hrs. 6 6
- Seth Greenback, 4 acts, 1¼ hrs. 7 3
- Soldier of Fortune, 5 acts, 2½ h. 8 3
- Solon Shingle, 2 acts, 1½ hrs. 7 2
- Sweethearts, 2 acts, 35 min. 2 2
- Ten Nights in a Barroom, 5 acts, 2 hrs. 7 4
- Third Degree, 40 min. (25c) 12
- Those Dreadful Twins, 3 acts, 2 hrs. (25c) 6 4
- Ticket-of-Leave Man, 4 acts, 2¾ hrs. 8 3
- Tony, The Convict, 5 acts, 2½ hrs. (25c) 7 4
- Topp’s Twins, 4 acts, 2 h. (25c) 6 4
- Trip to Storyland, 1¼ hrs. (25c) 17 23
- Uncle Josh, 4 acts, 2¼ hrs. (25c) 8 3
- Under the Laurels, 5 acts, 2 hrs. 6 4
- Under the Spell, 4 acts, 2½ hrs. (25c) 7 3
- Yankee Detective, 3 acts, 2 hrs. 8 3
-
-
-FARCES, COMEDIETTAS, Etc.
-
- Under the Spell, 4 acts, 2½ hrs. (25c) 7 3
- April Fools, 30 min. 3
- Assessor, The, 10 min. 3 2
- Aunt Matilda’s Birthday Party, 35 min. 12
- Baby Show at Pineville, 20 min. 19
- Bad Job, 30 min. 3 2
- Betsy Baker, 45 min. 2 2
- Billy’s Chorus Girl, 25 mi. 2 3
- Billy’s Mishap, 20 min. 2 3
- Borrowed Luncheon, 20 min. 5
- Borrowing Trouble, 20 min. 3 5
- Box and Cox, 35 min. 2 1
- Cabman No. 93, 40 min. 2 2
- Case Against Casey, 40 min. 23
- Convention of Papas, 25 min. 7
- Country Justice, 15 min. 8
- Cow that Kicked Chicago, 20 m. 3 2
-
- T. S. DENISON & COMPANY, 154 W. Randolph St., Chicago
-
-
-
-
- AN UNINVITED MEMBER
-
- A PLAY FOR GIRLS IN TWO SCENES
-
- BY
- ELIZABETH F. GUPTILL
-
- AUTHOR OF
- _“Mother Goose’s Goslings” and “A Trip to Storyland”_
-
- [Illustration]
-
- CHICAGO
- T. S. DENISON & COMPANY
- PUBLISHERS
-
-
-
-
-AN UNINVITED MEMBER
-
-
-CHARACTERS.
-
- VIVIAN MASON }
- FLORENCE DENNIS }
- BETTINA WARREN } _Boarding School Girls from_
- DOROTHY } _Sixteen To Eighteen_
- MAUD ATHERTON }
- BEATRICE MORTIMER }
- EFFIE WARREN }
- HAZEL DENNIS } _Little Girls of Eleven or Twelve_
- MISS DUNHAM _A Teacher_
- MRS. WATERMAN _The Principal_
-
-PLACE—_A Boarding School._
-
-TIME OF PLAYING—_Thirty-five Minutes._
-
-
-COSTUMES.
-
-The teachers tastefully dressed and the girls wear pretty school
-dresses suitable to their respective ages.
-
-
- COPYRIGHT, 1912, BY EBEN H. NORRIS.
-
-
-
-
-AN UNINVITED MEMBER
-
-
-
-
-SCENE I.
-
-
-SCENE: _It may represent a schoolroom, hall or campus, to suit
-the convenience. Entrances right and left or one entrance will be
-sufficient._
-
-_FLORENCE and VIVIAN enter, arms entwined around each other’s waists,
-whispering eagerly. They wear yellow badges with black letters. EFFIE,
-a little girl of eleven or twelve, comes tiptoeing up behind, pounces
-on the entwined arms and cries “Boo!” Girls jump and shriek slightly,
-then confront EFFIE indignantly._
-
-FLORENCE. Effie Warren, you’re a perfect little nuisance!
-
-EFFIE (_mimicking her_). Florence Dennis, you’re a perfect big nuisance!
-
-VIVIAN. How long had you been there behind us?
-
-EFFIE. Not under two seconds and not exceeding two hours, Miss Vivian.
-Sorry I cannot tell any closer, but I left my watch at home on the
-piano, and two hundred miles is a bit too far to run before prayer time.
-
-FLORENCE. Did you hear what we said?
-
-EFFIE. Don’t you wish you knew?
-
-VIVIAN. Did you, Effie?
-
-EFFIE. What’ll you give me not to tell, Miss Mason?
-
-FLORENCE. A box of chocolates.
-
-EFFIE. Goody! Then I won’t tell. But when will you give it to me?
-
-VIVIAN. Run away, Effie. Florence doesn’t carry chocolates to prayers.
-
-EFFIE. I suppose not. “I shall be obliged to confiscate these, young
-ladies (_very primly_), although it distresses me very much to be
-obliged to do so.” Oh, Florence, what’s your badge for? S. O. M. F. Is
-it a new society, and can’t I join?
-
-FLORENCE. Yes, Effie, it’s a new society. No, you can’t join.
-
-EFFIE Why can’t I?
-
-VIVIAN. You are much too young and giddy (frivolous, I should say) to
-understand the high motives and lofty ideals of the S. O. M. F. You
-don’t even know who Socrates was.
-
-EFFIE No; but I know he’s nothing to do with your society or you’d
-never have mentioned his name. I’m not quite a baby, Miss Vivian, if my
-dresses aren’t down to my ankles. My ankles aren’t so big I’m ashamed
-to show ’em, either! S. O.—Society Of—oh, I’ll find out your old secret
-yet!
-
-FLORENCE. Effie, you’re a perfect terror. (_Calling._) Betty! Betty!
-
-_Enter BETTY._
-
-BETTY. Oh, what is it?
-
-FLORENCE. If you have any faint remnant of regard for that small sister
-of yours, rescue her before I fall upon her with evil intent and commit
-a fell and awful murder with malice aforethought.
-
-BETTY. Justifiable homicide, I should call it. What’s the kidlet been
-doing now?
-
-EFFIE (_indignantly_). Kidlet yourself, Bettina Warren! Oh, Betty,
-you’ve got a badge, too! Do tell me what S. O. M. F. means. I’m dying
-to know!
-
-_Enter LILLIAN._
-
-LILLIAN. Cheer up, Effie, we’ll all come to the wake.
-
-_Enter MAUDE and BEATRICE, arms entwined._
-
-MAUDE. To whose wake?
-
-BEATRICE. Are any of you girls going to commit suicide? If so, count me
-out. I positively decline.
-
-BETTY. It’s only my small sister here—no one that counts.
-
-EFFIE. Don’t I? You may find out yet, Miss Bettina. You think you’re so
-grown-up!
-
-LILLIAN. What you dying of, Effie? Unrequited affection for the
-butcher’s boy?
-
-EFFIE. No, nor for the Professor’s boy, either.
-
-MAUDE. Good for you, Effie! Oh, Lil!
-
-LILLIAN. Saucy little bunch! Betty, why don’t you make that kid behave?
-
-EFFIE. Kid yourself! I’d like to see her try it!
-
-BETTY. I would not. Effie’s dying of unrequited curiosity, Lil.
-
-BEATRICE. Did you ever hear of Mother Eve, Effie?
-
-EFFIE. Yes, I have! And of Pandora, and Meddlesome Matty, and Curious
-Carrie, and Bee Mortimer, and so on.
-
-FLORENCE. Effie, you’ll surely be an old maid, your tongue is so sharp.
-
-EFFIE. Hope I will. I wouldn’t marry one of those soft, squashy, mushy
-academy boys you girls are so soft on for anything. I’d rather have a
-cat and a parrot. _They_ know something, anyway. And I’m going to find
-out what those letters stand for. S. O.—Society Of—M—Monkey—F—Fools.
-
-GIRLS (_in chorus_). The idea!
-
-BETTY. You’re a first rate guesser, Effie. You don’t want to be a
-monkey fool, do you?
-
-EFFIE. Oh, I’ll guess it right yet. You see!
-
-BETTY. I do believe she will, girls. She’s a perfect terror at finding
-out things she ought not to know.
-
-VIVIAN. An investigating mind, hey?
-
-FLORENCE. Look out, Vivian! If Miss Dunham hears you say “hey” she’ll
-give you another imposition.
-
-VIVIAN. Who cares for Old Dunham? I’ll say “hey” when I please, and
-straw, too, for all her!
-
-BEATRICE. Say, girls, I met her this morning and she put out her left
-hand to stop me—you know her way.
-
-EFFIE (_mimicking_). Just so!
-
-BEATRICE. Exactly, Effie. And she said, “Isn’t that a rather
-conspicuous badge, Miss Mortimer?”
-
-MAUDE. What did you say, Bee?
-
-BEATRICE. I looked down at it as if I was just being introduced to
-it, and answered modestly, “Is it, Miss Dunham?” Then she read the
-letters slowly, but with as much curiosity as Effie here, and said,
-“S—O—M—F—Society of Moonlight Flirts.” (_GIRLS shriek with laughter._)
-
-LILLIAN. Pretty good for Dunham. Oh, why hadn’t _we_ thought of that?
-
-VIVIAN. Really, that’s a great name.
-
-FLORENCE. Beats ours all hollow.
-
-BETTY. That’s even better than Effie’s “Monkey Fools.”
-
-MAUDE. Better join forces with Dunham, Effie, and ferret out that
-secret.
-
-BEATRICE. You might call yourselves the “S. O. C. P.,” Effie.
-
-EFFIE. What’s that?
-
-BEATRICE. Society of Curious Pryers.
-
-EFFIE. Thanks. I shan’t join forces with the enemy, but I’m going to
-find out what those letters stand for, and don’t you forget it. You’d
-better tell me and let me join.
-
-MAUDE. Well, you see, Effie, the membership is limited to seven—the
-mystic number.
-
-EFFIE (_counting badges_). Betty, one; Maude, two; Lil, three; Bee,
-four; Floss, five; Vivian, six; Effie, seven. That just makes it.
-
-VIVIAN. But Dorothy’s to be number seven, Effie.
-
-EFFIE. Pooh! I saw Dorothy this morning, myself, and she hadn’t a sign
-of a badge.
-
-FLORENCE (_taking badge from book_). Well, she’ll have this one when I
-see her again.
-
-EFFIE. Oh, give it to me, Floss—do!
-
-FLORENCE. I can’t Effie, truly. It’s promised to Dorothy.
-
-EFFIE. Make me number eight, then.
-
-BETTY. No. That will spoil it. Go get up a society of your own with
-Hazel and Helen and Marjorie.
-
-FLORENCE. I’ll paint your badges, Effie, and never ask what the letters
-stand for.
-
-EFFIE. Can’t switch me off that way. I’m going to find out about that
-S. O. M. F. of yours, and I’m going to join. You’ll see! (_Snatches
-badge from FLORENCE’S hand and runs off with it. GIRLS start to chase
-her._)
-
-_Enter MISS DUNHAM._
-
-MISS DUNHAM (_putting out left hand_). Stay, young ladies, the chapel
-is in the other direction.
-
-LILLIAN. But—
-
-MISS DUNHAM. No excuses, please. The bell has rung for prayers.
-
-MAUDE. Mayn’t I—
-
-MISS DUNHAM. If you mean may I not, Miss Atherton, say so.
-
-MAUDE. May I not—
-
-MISS DUNHAM. Certainly not. Whatever you wish to do, you must wait
-until after prayers. (_BETTY attempts to sneak off but is promptly
-recalled._) Miss Warren, I shall report you for insubordination and you
-will do one hundred lines after school.
-
-FLORENCE (_aside_). Oh, ye gods and little fishes!
-
-MISS DUNHAM. Miss Dennis, I shall report you for profanity. I have
-remarked before on your flippant manner of conversation. Two hundred
-lines, please. Come, young ladies, we’ll all be late to prayers.
-(_Ushers them all before her in opposite direction to that taken by
-EFFIE._)
-
-_When all have disappeared EFFIE re-enters, pins on badge and capers
-around._
-
-EFFIE. S. O. M. F.—Society of—that much is easy.
-M—Monkey—Moonlight—Morning—Midnight—oh, I bet that’s it. Society of
-Midnight. F—Fools—Flowers—Feasters. Oh, ho! I’ve got it. S. O. M.
-F.—Society of Midnight Feasters! Bee got a box from home yesterday.
-Well, you can just bet little Effie’s going to join and attend the
-first meeting. Now to learn where it’s to be.
-
-_Enter HAZEL._
-
-HAZEL. Hurry up, Effie; you’ll be late to prayers. (_Sees badge._) Why,
-Effie Warren, where’d you get that?
-
-EFFIE (_softly_). Don’t be inquisitive, Hazel. That’s the badge of a
-new society within this Select Seminary for Young Ladies.
-
-HAZEL. Well, you don’t belong. It’s for the big girls.
-
-EFFIE. Doesn’t this look like it? My sister’s a member.
-
-HAZEL. So’s mine, but she wouldn’t even tell me what S. O. M. F. stood
-for. (_Coaxingly._) Won’t you, Effie dear?
-
-EFFIE. The idea, Hazel Dennis! Don’t you know I musn’t? It wouldn’t be
-honorable. I’m surprised at you!
-
-HAZEL. H’m! Think you’re awful big, don’t you? I know your old
-password, anyway.
-
-EFFIE. Bet you don’t!
-
-HAZEL. Well, I do. I heard Vivian tell Floss. She said: “Tonight in
-Lil and Bee’s room, at the witching hour. Open sesame—Bx!” So there,
-now! Seems as if you might have found an English word instead of that
-Russian thing.
-
-EFFIE. Well, I don’t know what they meant at all. Our password is not
-Russian at all, but English. You’re way off. There goes second bell.
-
-HAZEL. Aren’t you coming?
-
-EFFIE. Not just now. (_HAZEL runs out._) Bx! That’s Russian for box, I
-suppose. And tonight at midnight! I’ll be there. Oh, yes. Won’t it be
-fun to see the girls’ faces! Here goes for chapel. (_Runs out._)
-
- CURTAIN.
-
-
-
-
-SCENE II.
-
-
-SCENE: _A bedroom in a boarding school. One door, may be either right,
-left or center, to suit convenience of stage. A box couch at one side,
-a bed at the other. A table near center with a motley collection of
-food upon it. FLORENCE, VIVIAN, LILLIAN, BEATRICE and MAUDE sitting
-around in various schoolgirl positions. BEE jumps up and begins to
-re-arrange table. LILLIAN is seated near door. A light knock heard. She
-opens door a crack. BETTY hisses “Bx!” and is admitted._
-
-FLORENCE. Why wear such a sad and solemn face, Bettina?
-
-BETTY. I can’t find Effie anywhere.
-
-FLORENCE. I can, then.
-
-BETTY. Oh, where is she, Floss? I was in the library, reading up for
-my essay, and stayed overtime. Of course the omnipresent Dunham had to
-meander down the corridor as I was hiking for my room, and I got an
-impo.
-
-VIVIAN. You’d have got two, Betty mine, if the very precise and proper
-Dunham had heard you make use of that very expressive and slangy verb
-“to hike.”
-
-BETTY. Well, when I got to my room Effie wasn’t there. I thought she
-was hiding and hunted everywhere. But she just wasn’t there.
-
-FLORENCE. Had you looked in mine you’d have found her in bed with
-Hazel. I room with you tonight. I got permission from Mrs. Waterman
-herself to exchange for tonight.
-
-BETTY. How?
-
-FLORENCE. In ways best kept secret. An’ ye love me, ask me no
-questions, I pray thee.
-
-BEATRICE. Where’s the dragon, Betsy Bobbet? Do you know?
-
-BETTY. Sound asleep in her room, I suppose.
-
-MAUDE. Kindly let her remain there.
-
-BETTY. If she only _will_, Maudie. I shan’t drag her forth.
-
-LILLIAN. All here. Time for initiation. Bring the prisoner forward.
-
-_VIVIAN and MAUDE go behind a screen and come out leading DOROTHY, who
-is blindfolded. They place her before LILLIAN._
-
-LILLIAN. Sisters in mystery, behold before you the aspiring maiden who
-rashly dared to seek admittance to our select circle.
-
-DOROTHY. I never, Lil Norton. You invited me yourself.
-
-LILLIAN. Does the rash prisoner dare to speak unbidden? Guard—the
-penalty. (_FLORENCE passes a bottle of pepper sauce._) Put out thy bold
-and audacious tongue, varlet.
-
-DOROTHY. I shan’t.
-
-VIVIAN. You must, Dorothy.
-
-MAUDE. Oh, go ahead, Dot. She’s put us all through this before.
-
-DOROTHY (_hesitatingly_). Well, what is it?
-
-BETTY. Fire—liquid fire.
-
-BEATRICE. ’Twon’t hurt you, Doto.
-
-DOROTHY. Well—(_puts out tongue, draws it back. Does it several times.
-At last LILLIAN succeeds in putting pepper sauce on it. DOROTHY
-covering mouth with hands._) Whew! That burns like—
-
-BEATRICE. Water—only water, I assure you. Drawn from the northeast
-corner of the deepest well in Byfield.
-
-LILLIAN. If the taste doesn’t appeal to you, don’t answer this august
-tribunal with back talk. Now for your kittychasm. Answer promptly and
-respectfully. What is your father?
-
-DOROTHY. A doctor.
-
-LILLIAN. Her father is the undertaker’s partner, girls.
-
-DOROTHY (_indignantly_). No such thing!
-
-LILLIAN. Don’t the undertaker bury the ones he kills for him?
-
-DOROTHY. The idea, Lil Norton! He doesn’t kill people.
-
-LILLIAN. Then all his patients recover?
-
-DOROTHY. Well, no, of course, not all.
-
-LILLIAN. Then they die?
-
-DOROTHY. Sometimes, of course.
-
-LILLIAN. Then don’t try to hide from us who his partner is. Perhaps in
-your town they don’t bury the doctor’s victims. Do they cremate them,
-or mummify them, or simply pickle them?
-
-DOROTHY. Don’t, Lil. That’s horrid! They bury them, of course.
-
-LILLIAN. Oh, you perceive, friends, that the culprit has acknowledged
-that the learned doctor does have victims. Here is a serious question
-for you. Shall we admit the daughter of a murderer to our learned and
-elegant society?
-
-DOROTHY. If you are going to insult my father, Lil Norton, I don’t want
-to join your old society.
-
-LILLIAN. Is the candidate getting touchy? Smooth her ruffled feelings,
-guards. (_GIRLS smooth DOROTHY vigorously._)
-
-DOROTHY. There! That will do. My feelings aren’t ruffled any more.
-
-LILLIAN. Drop the candidate’s paternal parent with a sharp thud. (_BEE
-drops a book._) He is dropped. We will proceed. Miss Mason, you may
-take up the cross-examination.
-
-VIVIAN. Does your mother ever wash her face?
-
-DOROTHY. Of course.
-
-VIVIAN. Is it seemly, sisters, to admit to our circle the daughter of a
-washerwoman?
-
-DOROTHY. My mother isn’t a washerwoman, Vivian Mason!
-
-VIVIAN. Please confine your statements to the truth, the whole truth
-and nothing but the truth. Are we to understand that your mother never
-washes her face?
-
-DOROTHY. Of course she does. She isn’t a pig.
-
-VIVIAN. Will the ladies please make a mental note of the candidate’s
-last statement for future reference? Her mother _isn’t_ a pig! Then we
-are to understand that your mother, being neither a pig nor a woman, is
-a man? How passing strange! Does she wear a beard?
-
-DOROTHY. No, she doesn’t, and she isn’t a man.
-
-VIVIAN. Third person, singular number, neuter gender. Miss Dennis, your
-turn.
-
-FLORENCE. How old is your grandmother’s cat?
-
-DOROTHY. She hasn’t got a cat.
-
-FLORENCE. So the poor old lady can’t afford to keep a cat! Does she
-reside in the poorhouse, or has she a tumble-down hovel of her own?
-
-DOROTHY. Neither.
-
-FLORENCE. You don’t mean that she’s a beggar on the the street, I hope?
-
-DOROTHY. No, I don’t.
-
-FLORENCE. Then please tell this assembly exactly how and where she does
-live.
-
-DOROTHY. She doesn’t. Both my grandmothers died years ago. One before
-I was born. The other immediately after.
-
-FLORENCE. Oh, Dot, were you as homely as that? She killed her own
-grandmothers. I’ve no more to ask. Proceed with the inquisition, Miss
-Mortimer, while I recover from the effects of the shock. A pickle,
-please.
-
-BEATRICE. No; no pickles yet. The smelling salts are—somewhere. (_To
-DOROTHY._) When and where were you born?
-
-DOROTHY. In Boston, May 1, ——. (_Insert date to fit age of girl taking
-the part._)
-
-BEATRICE. What day of the week?
-
-DOROTHY. Sunday.
-
-BEATRICE. Ladies, she’s a Sabbath breaker. Very poor taste, to say the
-least, to work the stork express on Sunday. The hour of the day?
-
-DOROTHY. Really, I don’t know. Does it matter?
-
-BEATRICE. Does it matter? Certainly it matters. If you can’t tell when
-you were born, you can’t prove you were born at all, and if, like
-Topsy, you “just growed,” you certainly cannot be admitted to this
-select society, every member of which was born.
-
-DOROTHY (_laughing_). Don’t be silly, Bee! Of course I was born.
-
-BEATRICE. Were you present at the occasion?
-
-DOROTHY. Sure! But I don’t remember much about it.
-
-BEATRICE. Was your mother present?
-
-DOROTHY. I suppose she was.
-
-BEATRICE. Suppose! Write to her immediately and ask her if you were
-born. She may know, and it is very essential. Miss Warren, it is your
-turn.
-
-BETTY. Let us drop family matters, since they appear so disgraceful,
-and find out if the candidate’s mental achievements are such as entitle
-her to admission to our select association. Can you read?
-
-DOROTHY. I think so.
-
-BETTY (_putting a book in her hand_). Read this, please, aloud,
-slowly, and with expression. Begin at the place marked and read seven
-paragraphs. (_DOROTHY attempts to pull bandage from eyes. GIRLS prevent
-her._)
-
-DOROTHY. I can’t read with this on my eyes!
-
-BETTY (_taking book_). I feared it. Ladies, the candidate, by her own
-admission, cannot read. Can you write?
-
-DOROTHY. Yes, I can do that blindfold, I think.
-
-BETTY. Very well. Here are pencil and paper. Write your name, please,
-if you know it. Also the name of this delightful Alma Mater of ours.
-(_DOROTHY starts to write._ GIRLS jog her elbow and move her paper
-around._)
-
-DOROTHY. I can’t write if you girls—
-
-GIRLS (_in chorus_). She can’t write! She can’t write! She said so!
-
-BETTY (_taking pencil_). Sad, sad indeed! Do you know your letters?
-
-DOROTHY. Probably not, according to you. You’re worse than Miss Dunham.
-
-BETTY. Try. Say your letters for the ladies, dear.
-
-DOROTHY. A, b, c, d, e—
-
-BETTY. Hold on! That isn’t the way!
-
-DOROTHY. Well, z, y, x, w—
-
-BETTY. No, no! Say them correctly.
-
-DOROTHY. Alpha, Beta, Gamma, Delta—
-
-BETTY. What gibberish! Say them in English.
-
-DOROTHY. I did, but you wouldn’t let me go on.
-
-BETTY. Begin again.
-
-DOROTHY. A, b, c—
-
-BETTY. No, no!
-
-DOROTHY. Well, how shall I say ’em?
-
-BETTY. One at a time.
-
-DOROTHY. All right. A.
-
-BETTY. Correct. Proceed.
-
-DOROTHY. B.
-
-BEATRICE. Yes? What do you want?
-
-DOROTHY. I didn’t want you. C.
-
-BETTY. See what?
-
-DOROTHY. A lot of idiots, I should say. D.
-
-MAUDE. That’s what she calls Bert, I suppose. Her dee boy.
-
-DOROTHY. Oh, dry up, Maude. E.
-
-BETTY. I regret to say that the candidate doesn’t know her letters. She
-hasn’t given the definition of A yet.
-
-DOROTHY. Well, what is the definition of A?
-
-BETTY. I am asking questions, not answering them. One more trial. Can
-you define A?
-
-DOROTHY. No, I can’t and I don’t want to.
-
-BETTY. I am overcome at the thought of such ignorance. Miss Atherton
-may finish the kittychasm.
-
-MAUDE. Can you do arithmetic? Add one cat, two dogs, three bears and a
-lion.
-
-DOROTHY. Seven animals.
-
-MAUDE. Wrong.
-
-DOROTHY. One, then—the lion.
-
-MAUDE. That’s not addition; that’s subtraction.
-
-DOROTHY. No, because they’d all be added to the lion.
-
-MAUDE. Wrong. The correct answer is, a big row. Can you do
-multiplication? Do you know your times table?
-
-DOROTHY. I think so.
-
-MAUDE. How many times have you been kissed?
-
-DOROTHY. What a question?
-
-MAUDE. I will make it simpler. How many times were you kissed by
-a—er—young man? Bert, for instance?
-
-DOROTHY. The idea, Maude Atherton! I shan’t answer another question.
-
-MAUDE. The defendant pleads guilty. The last question is answered.
-Kneel. (_DOROTHY kneels._) Look up. (_DOROTHY does so. LILLIAN throws
-water in her face Dorothy gasps. GIRLS laugh. Another laugh is heard._)
-
-LILLIAN. What was that?
-
-BEATRICE. What?
-
-BETTY (_pointing_). Girls, look!
-
-_All look. See EFFIE peeping from raised lid of box couch. As they rush
-toward her she throws it back and jumps out._
-
-BEATRICE. Effie Warren, you dreadful child. How did you get here?
-
-EFFIE. Been here all the time. Came while you and Lil were squeezing
-lemons in the dressing-room. Sorry to disturb you before the initiation
-was over, but you asked such a heap of foolish questions, and its
-stuffy in there. Besides, I was hungry. (_Makes a dive for the table,
-grabs a cream cake and a pickle and begins to munch._)
-
-BEATRICE. Effie Warren, you go straight back to your room!
-
-EFFIE. If I do I’ll send Miss Dunham up here.
-
-LILLIAN. Effie, you wouldn’t be so mean!
-
-EFFIE. I would if you were mean enough to turn me out without my share
-of the spread.
-
-BEATRICE. Your share! Well, I call that cool. You weren’t invited.
-
-EFFIE. Perhaps not, but I’m a member of the S. O. M. F., which means
-Society of Midnight Feasters, and I know the password—Bx! See my badge?
-
-BETTY. Oh, Effie, you’re a regular Paul Pry. What shall we do, girls?
-
-BEATRICE. Eat and decide afterward. See the young gourmand stuff.
-
-EFFIE. Yes, it’s a first rate spread. (_All begin to eat. Intersperse
-remarks such as “Pass the pickles,” “Isn’t this great,” etc. The knob
-of the door rattles loudly. All pause in dismay._)
-
-VOICE (_from without_). Miss Norton! Miss Mortimer! Young ladies. (_No
-response._) Miss Norton! Miss Mortimer! (_Loud rapping._) Open this
-door! (_A pause._) Do you intend to obey? Very well, I shall fetch Mrs.
-Waterman. (_Steps recede._)
-
-BEATRICE. Scoot, girls, quick!
-
-BETTY. We don’t dare. She’s probably waiting a little way down the
-corridor.
-
-LILLIAN. What shall we do?
-
-FLORENCE. You and Lil get into bed quick. The rest of us will hide.
-Effie, you’re little and spry, you blow out the candle and unlock the
-door. Then get back into your former hiding place.
-
-EFFIE. All right.
-
-_LILLIAN and BEE scramble into bed, DOROTHY and BETTY hide behind
-screen, FLORENCE, VIVIAN and MAUDE dive under bed. EFFIE unlocks door,
-calmly fills her hands and apron with goodies and gets into the box
-couch. Someone knocks twice, then door opens and MRS. WATERMAN enters._
-
-MRS. WATERMAN. Lillian! Beatrice! (_No answer. She lights lamp and
-looks around her, advances to bed, holds lamp high._) Lillian!
-Beatrice! (_Still no answer. GIRLS appear to be asleep. She gives a
-quick glance behind screen, then seats herself near table, occasionally
-glaring at or beneath the bed. Talks aloud to herself._) Well, I think
-Miss Dunham must have been mistaken as to the number of voices she
-heard. No one here but Beatrice and Lillian and they sound asleep. I
-suppose their brains are weary from over study. (_Looks at table._)
-I suppose this is the contents of Beatrice’s box. Spread out to see
-how much show it would make, I presume. A midnight feast, Miss Dunham
-seemed to think, but this seems hardly touched. I believe I’ll try a
-glass of that lemonade. How prodigal of Beatrice to make up so much
-at once. Doesn’t she know it won’t be nearly so good in the morning?
-(_Pours out lemonade and sips it._) Delicious, I’m sure, and I believe
-a slice of that cake would be nice. (_Takes it and tastes._) Ah, what
-an excellent cook Mrs. Mortimer is and what a delicate, refined little
-lady. I’m glad she has brought up her daughter to be sensible and
-keep her goodies for morning, when they’ll be digestible. I told Miss
-Dunham she was mistaken. Beatrice and Lillian are both too fond of me
-to grieve me by such a flagrant breach of rules. I told her she might
-go to bed and I’d go the rounds and see who was missing. It seems
-unnecessary now, however. (_BETTY gives a slight cough, immediately
-suppressed. MRS. MORTIMER looks toward bed._) There, Lillian has taken
-cold again. Her chest is so delicate. She must take a bottle of cod
-liver oil, I think. I’ll give her some in the morning. These things
-ought not to remain here, they’ll attract the rats. Let me see, there’s
-that clothes hamper. I’ll pack them in that and take them to my room
-for safe keeping. I presume Beatrice will be asking permission to have
-a party tomorrow afternoon or evening. Let’s see. I believe I can guess
-whom she will ask, even. Betty and Maude, Florence and Vivian and
-Dorothy. “We are Seven,” and where one is, behold the other six. Dear
-girls, I wonder if they know how truly I have their interests at heart,
-and how well I love them all. (_Packs basket, commenting on food. As
-she rises from packing last of it, her eyes meet EFFIE’S, peeping
-out from couch. EFFIE dodges back, MRS. W. advances, lifts cover and
-motions her to get out._) Why, Effie Warren! This is a surprise. How
-did you come in there?
-
-EFFIE. I hid when I heard you coming.
-
-MRS. W. But how came you here at all? What are you doing in a room
-belonging to two large girls, when those two girls are abed and asleep?
-
-EFFIE. Well, they didn’t want me and I just came.
-
-MRS. W. And you have been eating Bee’s goodies! Oh, what a pig! Did Bee
-give any of these to you?
-
-EFFIE. No’m, but—
-
-MRS. W. What do we call it when one person takes another’s goods
-without their knowledge or permission?
-
-EFFIE. Truly, I wasn’t stealing, Mrs. Waterman. The idea! I wouldn’t!
-Besides they did know.
-
-MRS. W. And said you might?
-
-EFFIE. N—no. But it wasn’t stealing.
-
-MRS. W. Robbery, then, if you like that any better. A little girl who
-forces herself on those who do not wish her company is very bold and
-forward, indeed. How much have you eaten, Effie?
-
-EFFIE. Two cream cakes, three tarts, two pickles, a hunk of nutcake, a
-piece of pie, some macaroons. I guess that’s all.
-
-MRS. W. I should hope so. Come with me to my room and have a dose of
-castor oil, and then go back to bed with Hazel as quickly as possible.
-
-EFFIE. I don’t need any castor oil, Mrs. Waterman.
-
-MRS. W. Indeed you do, after eating all of that in the middle of the
-night. Here, help me carry this hamper. (_They go out and close door.
-GIRLS come out from hiding places._)
-
-VIVIAN. Oh, I’m so cramped. Floss and Maude did crowd so!
-
-MAUDE. Crowd! I was way at the back, _being_ crowded. ’Twas Floss.
-
-FLORENCE. Well, I was right in front and I was sure she could see me.
-
-DOROTHY. And Betty coughed.
-
-LILLIAN. Yes, and _I’ll_ have to take cod liver oil to cure it.
-
-BEATRICE. Do you suppose she’ll make you?
-
-LILLIAN. Of course. I can’t say it was Betty, can I? Besides, she has
-been saying I ought.
-
-BETTY. Girls, she knew we were there!
-
-DOROTHY. I believe she did!
-
-MAUDE. And talked for our benefit.
-
-FLORENCE. Made us feel pretty small, too. I’m glad she got Effie,
-anyway. She did feel so big at getting the best of it.
-
-BETTY. Say, girls, let’s make a clean breast of it and tell her we’re
-sorry. (_Tears off badge._) No more midnight feasts for me!
-
-BEATRICE. Nor me. Girls, S. O. M. F. is disbanded.
-
-FLORENCE. And nobody had a feast after all but that troublesome little
-Effie.
-
-VIVIAN. And she’ll pay for hers.
-
-BETTY. Indeed she will. No one can coax, hire, threaten or force her to
-take castor oil at home.
-
-BEATRICE. She was a little trump, though, and never tattled a bit.
-Stood her sermon like a little martyr. Let’s change our society to one
-where we needn’t sneak, and let Effie join.
-
-FLORENCE. So we will. Now, girls, let’s run, and in the morning we’ll
-’fess. We do think a lot of Mrs. Waterman, and we’ll prove it.
-
-VIVIAN. Think of her sending Dunham to bed. _She’d_ have delighted in
-dragging us out one by one.
-
-LILLIAN. Yes, and we’d have been defiant and saucy and in no end of a
-mess.
-
-DOROTHY. And have done it all over as soon as possible, whereas now—
-
-BEATRICE. Now we solemnly promise to abjure midnight feasting for a
-year and a day. Unpin badges. (_All do so._) March around and lay them
-on table. (_All do so._) I hereby declare the S. O. M. F. disbanded and
-solemnly bury the regalia. (_Opens top drawer of bureau, puts badges in
-and covers them, then closes drawer._) Goodnight, sisters in mystery.
-(_The girls all go out but LILLIAN and BEATRICE._)
-
-BEATRICE (_as curtain falls_). I expected she’d feel my pulse to see if
-I was feverish, my face burned so while she talked.
-
-LILLIAN. And to think Effie was the only active member of the S. O. M.
-F. after all!
-
- CURTAIN.
-
-
-
-
-_Denison’s Vaudeville Sketches_
-
-Price, 15 Cents Each, Postpaid.
-
-
-[Illustration]
-
-Nearly all of these sketches were written for professionals and have
-been given with great success by vaudeville artists of note. They are
-essentially dramatic and very funny; up-to-date comedy. They are not
-recommended for church entertainments; however, they contain nothing
-that will offend, and are all within the range of amateurs.
-
-=DOINGS OF A DUDE.=—Vaudeville sketch, by Harry L. Newton; 2 m., 1 f.
-Time 20 m. _Scene_: Simple interior. Maizy Von Billion of athletic
-tendencies is expecting a boxing instructor and has procured Bloody
-Mike, a prize fighter, to “try him out.” Percy Montmorency, her
-sister’s ping pong teacher, is mistaken for the boxing instructor and
-has a “trying out” that is a surprise. A whirlwind of fun and action.
-
-=FRESH TIMOTHY HAY.=—Vaudeville sketch, by Harry L. Newton; 2 m., 1 f.
-Time 20 m. _Scene_: Simple rural exterior. By terms of a will, Rose
-Lark must marry Reed Bird or forfeit a legacy. Rose and Reed have never
-met and when he arrives Timothy Hay, a fresh farm hand, mistakes him
-for Pink Eye Pete, a notorious thief. Ludicrous lines and rapid action.
-
-=GLICKMAN, THE GLAZIER.=—Vaudeville sketch, by Harry L. Newton and A.
-S. Hoffman; 1 m., 1 f. Time 25 m. _Scene_: Simple interior. Charlotte
-Russe, an actress, is scored by a dramatic paper. With “blood in her
-eye” she seeks the critic at the office, finds no one in and smashes a
-window. Jacob Glickman, a Hebrew glazier, rushes in and is mistaken for
-the critic. Fun, jokes, gags and action follow with lightning rapidity.
-A great Jew part.
-
-=THE GODDESS OF LOVE.=—Vaudeville sketch, by Harry L. Newton; 1 m., 1
-f. Time 15 m. _Scene_: Simple exterior. Aphrodite, a Greek goddess, is
-a statue in the park. According to tradition a gold ring placed upon
-her finger will bring her to life. Knott Jones, a tramp, who had slept
-in the park all night, brings her to life. A rare combination of the
-beautiful and the best of comedy. Novel, easy to produce and a great
-hit.
-
-=HEY, RUBE!=—Monologue, by Harry L. Newton; 1 m. Time 15 m. Reuben
-Spinach from Yapton visits Chicago for the first time. The way he tells
-of the sights and what befell him would make a sphinx laugh.
-
-=IS IT RAINING?=—Vaudeville sketch, by Harry L. Newton; 1 m., 1 f. Time
-10 m. Otto Swimorebeer, a German, Susan Fairweather, a friend of his.
-This act runs riot with fun, gags, absurdities and comical lines.
-
-=MARRIAGE AND AFTER.=—Monologue, by Harry L. Newton and A. S. Hoffman;
-1 m. Time about 10 m. A laugh every two seconds on a subject which
-appeals to all. Full of local hits.
-
-=ME AND MY DOWN TRODDEN SEX.=—Old maid monologue, by Harry L. Newton;
-1 f. Time 5 m. Polly has lived long enough to gather a few facts about
-men, which are told in the most laughable manner imaginable.
-
-=AN OYSTER STEW.=—A rapid fire talking act, by Harry L. Newton and A.
-S. Hoffman; 2 m. Time 10 m. Dick Tell, a knowing chap. Tom Askit, not
-so wise. This act is filled to overflowing with lightning cross-fires,
-pointed puns and hot retorts.
-
-=PICKLES FOR TWO.=—Dutch rapid-fire talking act, by Harry L. Newton
-and A. S. Hoffman; 2 m. Time 15 m. Hans, a German mixer. Gus, another
-one. Unique ludicrous Dutch dialect, interspersed with rib-starting
-witticisms. The style of act made famous by Weber and Field.
-
-=THE TROUBLES OF ROZINSKI.=—Jew monologue, by Harry L. Newton and A.
-S. Hoffman; 1 m. Time 15 m. Rozinski, a buttonhole-maker, is forced to
-join the union and go on a “strike.” He has troubles every minute that
-will tickle the ribs of both Labor and Capital.
-
-=WORDS TO THE WISE.=—Monologue, by Harry L. Newton; 1 m. Time about 15
-m. A typical vaudeville talking act, which is fat with funny lines and
-rich rare hits that will be remembered and laughed over for weeks.
-
- T. S. DENISON & COMPANY, 154 W. Randolph St., Chicago
-
-
-
-
-DENISON’S ACTING PLAYS.
-
-
-Price 15 Cents Each, Postpaid, Unless Different Price is Given.
-
- M. F.
- Documentary Evidence, 25 min. 1 1
- Dude in a Cyclone, 20 min. 4 2
- Family Strike, 20 min. 3 3
- First-Class Hotel, 20 min. 4
- For Love and Honor, 20 min. 2 1
- Fudge and a Burglar, 15 min. 5
- Fun in a Photograph Gallery, 30 min. 6 10
- Great Doughnut Corporation, 30 min. 3 5
- Great Medical Dispensary, 30 m. 6
- Great Pumpkin Case, 30 min. 12
- Hans Von Smash, 30 min. 4 3
- Happy Pair, 25 min. 1 1
- I’m Not Mesilf at All, 25 min. 3 2
- Initiating a Granger, 25 min. 8
- Irish Linen Peddler, 40 min. 3 3
- Is the Editor In? 20 min. 4 2
- Kansas Immigrants, 20 min. 5 1
- Men Not Wanted, 30 min. 8
- Mike Donovan’s Courtship, 15 m. 1 3
- Mother Goose’s Goslings, 30 m. 7 9
- Mrs. Carver’s Fancy Ball, 40 m. 4 3
- Mrs. Stubbins’ Book Agent, 30 min. 3 2
- My Lord in Livery, 1 hr. 4 3
- My Neighbor’s Wife, 45 min. 3 3
- My Turn Next, 45 min. 4 3
- My Wife’s Relations, 1 hr. 4 6
- Not a Man in the House, 40 m. 5
- Obstinate Family, 40 min. 3 3
- Only Cold Tea, 20 min. 3 3
- Outwitting the Colonel, 25 min. 3 2
- Pair of Lunatics, 20 min. 1 1
- Patsy O’Wang, 35 min. 4 3
- Pat, the Apothecary, 35 min. 6 2
- Persecuted Dutchman, 30 min. 6 3
- Regular Fix, 35 min. 6 4
- Rough Diamond, 40 min. 4 3
- Second Childhood, 15 min. 2 2
- Slasher and Crasher, 50 min. 5 2
- Taking Father’s Place, 30 min. 5 3
- Taming a Tiger, 30 min. 3
- That Rascal Pat, 30 min. 3 2
- Those Red Envelopes, 25 min. 4 4
- Too Much of a Good Thing, 45 min. 3 6
- Treasure from Egypt, 45 min. 4 1
- Turn Him Out, 35 min. 3 2
- Two Aunts and a Photo, 20 m. 4
- Two Bonnycastles, 45 min. 3 3
- Two Gentlemen in a Fix, 15 m. 2
- Two Ghosts in White, 20 min. 8
- Two of a Kind, 40 min. 2 3
- Uncle Dick’s Mistake, 20 min. 3 2
- Wanted a Correspondent, 45 m. 4 4
- Wanted a Hero, 20 min. 1 1
- Which Will He Marry? 20 min. 2 8
- Who Is Who? 40 min. 3 2
- Wide Enough for Two, 45 min. 5 2
- Wrong Baby, 25 min. 8
- Yankee Peddler, 1 hr. 7 3
-
-
-VAUDEVILLE SKETCHES, MONOLOGUES, ETHIOPIAN PLAYS.
-
- M. F.
- Ax’in’ Her Father, 25 min. 2 3
- Booster Club of Blackville, 25 m. 10
- Breakfast Food for Two, 20 m. 1 1
- Cold Finish, 15 min. 2 1
- Coon Creek Courtship, 15 min. 1 1
- Coontown Thirteen Club, 25 m. 14
- Counterfeit Bills, 20 min. 1 1
- Doings of a Dude, 20 min. 2 1
- Dutch Cocktail, 20 min. 2
- Five Minutes from Yell College, 15 min. 2
- For Reform, 20 min. 4
- Fresh Timothy Hay, 20 min. 2 1
- Glickman, the Glazier, 25 min. 1 1
- Handy Andy (Negro), 12 min. 2
- Her Hero, 20 min. 1 1
- Hey, Rube! 15 min. 1
- Home Run, 15 min. 1 1
- Hot Air, 25 min. 2 1
- Jumbo Jum, 30 min. 4 3
- Little Red School House, 20 m. 4
- Love and Lather, 35 min. 3 2
- Marriage and After, 10 min. 1
- Mischievous Nigger, 25 min. 4 2
- Mistaken Miss, 20 min. 1 1
- Mr. and Mrs. Fido, 20 min. 1 1
- Mr. Badger’s Uppers, 40 min. 4 2
- One Sweetheart for Two, 20 m. 2
- Oshkosh Next Week, 20 min. 4
- Oyster Stew, 10 min. 2
- Pete Yansen’s Gurl’s Moder, 10 min. 1
- Pickles for Two, 15 min. 2
- Pooh Bah of Peacetown, 35 min. 2 2
- Prof. Black’s Funnygraph, 15 m. 6
- Recruiting Office, 15 min. 2
- Sham Doctor, 10 min. 4 2
- Si and I, 15 min. 1
- Special Sale, 15 min. 2
- Stage Struck Darky, 10 min. 2 1
- Sunny Son of Italy, 15 min. 1
- Time Table, 20 min. 1 1
- Tramp and the Actress, 20 min. 1 1
- Troubled by Ghosts, 10 min. 4
- Troubles of Rozinski, 15 min. 1
- Two Jay Detectives, 15 min. 3
- Umbrella Mender, 15 min. 2
- Uncle Bill at the Vaudeville, 15
- min. 1
- Uncle Jeff, 25 min. 5 2
- Who Gits de Reward? 30 min. 5 1
-
- =A great number of Standard and Amateur Plays not found
- here are listed in Denison’s Catalogue.=
-
- T. S. DENISON & COMPANY, 154 W. Randolph St., Chicago
-
-
-
-
-POPULAR ENTERTAINMENT BOOKS
-
-
-Price, Illustrated Paper Covers,
-
-[Illustration: PRICE 25 CENTS PATRIOTIC CELEBRATIONS]
-
-In this Series are found books touching every feature in the
-entertainment field. Finely made, good paper, clear print and each book
-has an attractive individual cover design.
-
-
-DIALOGUES
-
- =All Sorts of Dialogues.=
- Selected, fine for older pupils.
-
- =Catchy Comic Dialogues.=
- New, clever; for young people.
-
- =Children’s Comic Dialogues.=
- From six to eleven years of age.
-
- =Dialogues from Dickens.=
- Thirteen selections.
-
- =The Friday Afternoon Dialogues.=
- 50,000 copies sold.
-
- =From Tots to Teens.=
- Dialogues and recitations.
-
- =Lively Dialogues.=
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- T. S. DENISON & COMPANY, Publishers, 154 W. Randolph St., Chicago
-
- * * * * *
-
-Transcriber’s Notes:
-
-Obvious punctuation errors repaired. There was a Library of Congress
-sticker over a small part of the back cover’s text. The missing text
-was taken from another identical ad in the same series.
-
-Page 4, “postively” changed to “positively” (I positively decline)
-
-Page 12, “immediatly” changed to “immediately” (her immediately and ask)
-
-Page 17, “EFFE.” changed to “EFFIE.” (EFFIE. Truly, I wasn’t)
-
-
-
-
-
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