summaryrefslogtreecommitdiff
path: root/old/53299-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/53299-0.txt')
-rw-r--r--old/53299-0.txt1231
1 files changed, 0 insertions, 1231 deletions
diff --git a/old/53299-0.txt b/old/53299-0.txt
deleted file mode 100644
index e9a3631..0000000
--- a/old/53299-0.txt
+++ /dev/null
@@ -1,1231 +0,0 @@
-The Project Gutenberg EBook of A Christmas Hamper, by Various
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: A Christmas Hamper
- A Volume of Pictures and Stories for Little Folks
-
-Author: Various
-
-Release Date: October 17, 2016 [EBook #53299]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK A CHRISTMAS HAMPER ***
-
-
-
-
-Produced by David Edwards, Emmy, Susan Theresa Morin and
-the Online Distributed Proofreading Team at
-http://www.pgdp.net (This book was produced from scanned
-images of public domain material from the Google Books
-project.)
-
-
-
-
-
-See Transcriber’s Notes at end of text.
-
-
-
-
-[Illustration:
-
- This Christmas hamper, neat and trim,
- Is full of sweet things to the brim!
- Its tales and rhymes, and pictures bright,
- Will please you, dear, on Christmas night,
- When of such games as blind-man’s-buff
- And hide-and-seek you’ve had enough.]
-
-
-
-
-
-[Illustration: A CARRIAGE AND PAIR.]
-
-[Illustration]
-
-
-a Christmas Hamper
-
-A Volume of Pictures and Stories
-for Little Folks
-
-
-T. NELSON & SONS
-LONDON, EDINBURGH &
-NEW YORK
-
-[Illustration]
-
-
-
-
-CONTENTS
-
-
- A Very Naughty Little Person.
-
- Poor Uncle Tom.
-
- A Snow Man.
-
- Not Such Fun as it Seemed.
-
- On the Sands.
-
- Old Clothes.
-
- The Little Tiny Thing.
-
- Questions.
- Answers.
-
- A Lesson in Manners.
-
- The Prize Boat.
-
- The Little Thief in the Pantry.
-
- Great-Grandmother’s Wish.
-
-
-
-
-[Illustration]
-
-
-
-
-A Very Naughty Little Person.
-
-[Illustration]
-
- I’M told I’m very naughty—
- I almost ’spect I am;
- But, somehow, when I shut the door
- It’s nearly sure to slam.
-
- Can you tell why my shoe-strings break
- And tie themselves in knots,
- And how it is my copy-books
- Are always full of blots?
-
- It seems as if too many blots
- Lived in one pot of ink;
- But when they’re wet and shiny,
- They’re pretty, don’t you think?
-
- Why does my hair get tangled?
- What makes me talk all day?
- And why don’t toys and books just try
- To put themselves away?
-
- I think that p’r’aps I _might_ be good
- A little, by-and-by;
- It’s very hard, but sometimes
- I _almost_ ’spect I’ll try.
-
- But now they say I’m naughty,
- And p’r’aps it’s nearly true;
- There are so many naughty things
- For little folks to do.
-
-
-
-
-Poor Uncle Tom.
-
-[Illustration]
-
-
-HE seemed a funny old gentleman, the children thought, but still rather
-nice, especially when he brought those sweets out of his pocket and
-let them dip into the bag and take what they liked. They had seen him
-walking through the wood, and then when they left off playing, he had
-come to sit down beside them, and asked them their names.
-
-“Mine’s Hugh, like father,” said the eldest; “and this is Lily, and
-this is Tom.”
-
-The old gentleman looked a little quickly at Tom.
-
-“Who is he named after?” he said.
-
-The children’s faces grew grave.
-
-“He is named after poor Uncle Tom,” said Lily in a low voice, “who went
-to sea and was drowned.”
-
-There was silence for a minute. Then the old gentleman spoke again,—
-
-“So poor Uncle Tom was drowned, was he?”
-
-“Yes,” said Hugh. “His ship was lost, and everybody was drowned, ’cept
-two or three that got in the boat, and Uncle Tom wasn’t among them.
-Father waited and waited, but it wasn’t any good. So then he put up a
-monument in the church just where we can see it from our pew.”
-
-“And we always sings about the saints of God on his burfday,” said
-Lily, “and father cries a little.”
-
-[Illustration]
-
-“No, he don’t!” said Hugh indignantly. “Father’s a man, and men don’t
-cry!”
-
-“But he does,” said Lily. “I saw a weeny little tear on his cheek this
-morning, for to-day is Uncle Tom’s burfday, and his voice goes all
-shaky like, ’cause he was so fond of poor Uncle Tom, and says he was so
-good.”
-
-The old gentleman sat silent, staring hard at the ground.
-
-“Is it long since Uncle Tom went away?” he said at last.
-
-“It is ten years,” replied Hugh. “It was the year I was born.”
-
-“Ten years—so it is,” murmured the old gentleman—“only ten years, and
-it has seemed like a hundred.”
-
-The children looked at one another surprised.
-
-“Did you ever know Uncle Tom?” asked Hugh curiously.
-
-“Yes, I knew him well. I was on his ship.”
-
-“But you aren’t drowned!” cried Lily.
-
-The old gentleman smiled.
-
-“No,” he said, “I wasn’t drowned; I got off safe. Uncle Tom used to
-talk to me, though, about his old home, and one day he said that he had
-carved his name on a tree in the park, and I was to go and see it if I
-ever got home.”
-
-“Oh, I’ll show you,” said little Tom. “It is on a beech tree close by
-here. I’ll show you. There it is.”
-
-He pointed to a tree on which some initials and a date were cut deep
-into the bark.
-
-“It has kept very fresh,” said the old gentleman. “I thought it would
-have been grown over by now.”
-
-“Father always comes and tidies it up on uncle’s birthday,” said
-the boy. “See, he is coming now! I’ll go and tell him you are
-here.—Father!” he shouted, running off—“father, here’s a gentleman who
-knew Uncle Tom!”
-
-But when father came near and saw the old gentleman, he stared at him
-for a moment as if he had seen a ghost, and then he gave a great cry.
-
-“Tom, Tom, it is you yourself!”
-
-And it _was_ Uncle Tom, who had not been drowned after all, but when
-the ship was wrecked had managed to get ashore to an island, and there
-had lived on the fish he caught, and birds’ eggs, and cocoa-nuts,
-watching for a sail, like Robinson Crusoe. At last the sail came after
-ten long years. And when he reached England he did not write, but came
-down to his old home to see who was there, for of course he had heard
-no tidings all the time.
-
-Nobody recognized him at the village, for the tropical sun had burned
-his skin brown, and the long waiting and the sorrow and the hardships
-had turned his hair white. Only his brother knew him by his eyes, for
-they two had loved each other very much.
-
-“But what will father do with your tombstone?” said Lily gravely, as
-she sat on her uncle’s knee that night. “It is such a pretty one, with
-a beautiful angel on it!”
-
-[Illustration]
-
-
-
-
-A Snow Man.
-
-[Illustration]
-
-
- OH, the beautiful snow!
- We’re all in a glow—
- Nell, Dolly, and Willie, and Dan;
- For the primest of fun,
- When all’s said and done,
- Is just making a big snow man.
-
- Two stones for his eyes
- Look quite owlishly wise,
- A hard pinch of snow for his nose;
- Then a mouth that’s as big
- As the snout of a pig,
- And he’ll want an old pipe, I suppose.
-
- Then the snow man is done,
- And to-morrow what fun
- To make piles of snow cannon all day,
- And to pelt him with balls
- Till he totters and falls,
- And a thaw comes and melts him away.
-
-[Illustration: FINISHING TOUCHES.]
-
-
-
-
-Not Such Fun as it Seemed.
-
-[Illustration]
-
-
-“ISN’T it fun, Dolly?” asked Eric, as he and his little sister ran
-along the sea front as fast as their sturdy legs could carry them.
-
-Eric was the jolliest little boy imaginable, but, unfortunately, a
-little bit too fond of mischief, and Dolly was generally only too eager
-to join in her brother’s pranks.
-
-Just now they were running away from nurse, who was down on the sands
-with baby. They waited until her head was turned away, then off they
-ran.
-
-“We’ll go out to the rocks and play at being shipwrecked sailors,” Eric
-went on. “I’ve got some biscuits in my pocket, and I’ll dole them out,
-piece by piece, and pretend we shan’t have any more food unless a boat
-takes us off.”
-
-[Illustration]
-
-Poor Eric! his play very soon became earnest, for he and Dolly waded
-out to a big rock in a very lonely part of the coast, and so interested
-were they in their game that they never noticed the tide coming in
-until it had surrounded them, and there was no getting back.
-
-[Illustration: ALONG THE SEA FRONT.]
-
-They waited on and on, hoping some one would come for them, and fearing
-every moment that the sea would cover the rock, and that they would be
-drowned.
-
-It was long past dinner-time, and they were wet through and hungry and
-wretched when at last a fisherman, who had been sent out to search for
-them, spied the two forlorn little figures, and rescued them.
-
-They went home hand in hand, very solemn and silent, expecting to get a
-good scolding; but instead of that, mother burst into tears of relief,
-and both Eric and Dolly felt so thoroughly ashamed of themselves for
-having frightened their darling mother so terribly that it was a very
-long, long time before they got into mischief again.
-
-[Illustration]
-
-
-
-
-On The Sands.
-
-[Illustration]
-
-
- THE sun is shining brightly,
- The seagulls floating lightly,
- And the sea is calling, “Children,
- Won’t you come and play with me?”
- So ask for breakfast early,
- While the waves are crisp and curly,
- And come with us to paddle,
- Paddle gaily in the sea.
-
-
-
-
-Old Clothes.
-
-[Illustration]
-
-
-THE sunniest of days, the clearest and loveliest of blue seas, and I, a
-little lobster, young, proud, and as lively as a cricket—that is what
-people say; but I can’t help thinking “as lively as a shrimp” would
-sound better.
-
-I always wear a lovely suit of armour, like those old warriors you read
-about. It is strong and firm and well jointed, so that I can move ever
-so fast—of course not so fast as that silly little fish.
-
-He has armour too, he says, but wears it _inside_. That seems queer to
-me; I can’t quite believe it.
-
-But I want to tell you what a queer thing happened to mine not long
-ago. _It grew small and shabby_, like your last year’s dress; that is
-why I have called this story “Old Clothes.”
-
-Listen. I lived a very happy life out at sea for some time, till one
-day I fell into a strange basket-box thing.
-
-There were several other lobsters and one or two crabs sitting there,
-looking anxious and disturbed. And I soon found out that they had need
-to feel so, for there was no _exit_. That means “way out” in plain
-words.
-
-Our basket was joined to a strong rope, and that was attached to a cork
-floating on the top of the water.
-
-Not long after I had fallen into this basket, which I now know was a
-lobster-trap, a boat rowed out from the shore, stopped just above us,
-and then we were lifted up, up, right out of the water, and placed in
-the boat.
-
-The next thing was a good deal of pushing and knocking about, and then
-some one tossed me carelessly out on the beach, saying roughly, “Too
-small for any use.”
-
-But some one else thought differently. Another hand touched me, and
-another voice said, “Just the thing for my aquarium.”
-
-[Illustration: THE LITTLE CAPTIVE.]
-
-What that meant I could not even guess; but it turned out to be the
-tiniest sea in the world. Steady old limpets, red anemones, hermit
-crabs, and shrimps were all there.
-
-It was a very nice home, with plenty of good food, the only drawback
-being want of space.
-
-And now the event happened that I promised to tell you about.
-
-My armour took to hurting me. You will hardly believe me. We all know
-that _new_ clothes hurt sometimes, but _old_ ones!
-
-It grew tighter and tighter. I wriggled about, feeling miserable. Oh,
-if only I could get out of this!
-
-At last I grew desperate. This choked, tight feeling was too much. I
-gave a tremendous struggle, and shook myself; crickle, crackle went my
-old armour, off it came, and out I stepped.
-
-But, oh, so tender, and so nervous! The shrimps pranced round and
-knocked up against me, pricking and tormenting till I could have
-screamed.
-
-I crept behind a stone and looked at my old armour half sadly. It
-looked just like old me, only so still, and rather as if I had been out
-in the rain all night and had shrunk.
-
-Then I glanced at the new me. Well, I was a pretty fellow—not
-blue-black any longer, but a reddish pink of lovely hue.
-
-Some one else took pride in my appearance, for I heard again a voice
-say, “Look at my lobster; he has cast his shell.”
-
-I hadn’t, you know—it was the shell that had cast me; but these men
-can’t know _everything_.
-
-The man touched me, but he hurt me almost as much as the shrimps, and I
-shrank farther still behind the stone out of his way. There I quietly
-lay for some days, till one morning, feeling braver and ever so much
-bigger, I stepped out for an early saunter.
-
-That moment came a voice, “Oh, here is my lobster! How he has grown,
-more than half as big again!” Down came the hand as before; and just to
-show him I was also half as _strong_ again, I gave him a nip.
-
-He keeps his hands above water now, and _me_ at arm’s length.
-
-[Illustration]
-
-[Illustration: WINTER ABROAD.]
-
-[Illustration: WINTER AT HOME.]
-
-
-
-
-The Little Tiny Thing.
-
-[Illustration]
-
-
-OUT in the garden Mary sat hemming a pocket-handkerchief, and there
-came a little insect running—oh, in such a hurry!—across the small
-stone table by her side.
-
-The sewing was not done, for Mary liked doing nothing best, and she
-thought it would be fun to drop her thimble over the little ant. “Now
-he is in the dark,” said she. “Can he mind? He is only such a little
-tiny thing.”
-
-Mary ran away, for her mother called her, and she forgot all about the
-ant under the thimble.
-
-There he was, running round and round and round the dark prison, with
-little horns on his head quivering, little perfect legs bending as
-beautifully as those of a race-horse, and he was in quite as big a
-fright as if he were an elephant.
-
-“Oh,” you would have heard him say, if you had been clever enough, “I
-can’t get out, I can’t get out! I shall lie down and die.” ” Mary went
-to bed, and in the night the rain poured. The handkerchief was soaked
-as if somebody had been crying very much, when she went out to fetch
-it as soon as the sun shone. She remembered who was under the thimble.
-“I wonder what he is doing,” said Mary. But when she lifted up the
-thimble the little tiny thing lay stiff and still.
-
-“Oh, did he die of being under the thimble?” she said aloud. “I am
-afraid he _did_ mind.”
-
-“Why did you do that, Mary?” said her father, who was close by, and who
-had guessed the truth. “See! he moves one of his legs. Run to the house
-and fetch a wee taste of honey from the breakfast-table for the little
-thing you starved.”
-
-“I didn’t mean to,” said Mary.
-
-She touched the honey in the spoon with a blade of grass, and tenderly
-put a drop of it before the little ant. He put out a fairy tongue to
-lick up the sweet stuff. He grew well, and stood upon his pretty little
-jointed feet. He tried to run.
-
-“Where is he in such a hurry to go, do you think?” said father.
-
-“I don’t know,” said Mary softly. She felt ashamed.
-
-“He wants to run home,” said father. “I know where he lives. In a
-little round world of ants, under the apple tree.”
-
-“Oh! Has such a little tiny thing a real home of his own? I should have
-thought he lived just anywhere about.”
-
-“Why, he would not like that at all. At home he has a fine palace, with
-passages and rooms more than you could count; he and the others dug
-them out, that they might all live together like little people in a
-little town.”
-
-“And has he got a wife and children—a lot of little ants at home?”
-
-“The baby ants are born as eggs; they are little helpless things, and
-must be carried about by their big relations. There are father ants and
-mother ants, and lots of other ants who are nurses to the little ones.
-Nobody knows his own children, but all the grown-up ones are kind to
-all the babies. This is a little nurse ant. See how she hurries off!
-Her babies at home must have their faces washed.”
-
-“O father!” cried Mary; “now that is a fairy story.”
-
-“Not a bit of it,” said father. “Ants really _do_ clean their young
-ones by licking them. On sunny days they carry their babies out, and
-let them lie in the sun. On cold days they take them downstairs, away
-from the cold wind and the rain. The worker ants are the nurses. Though
-the little ones are not theirs, they love them and care for them as
-dearly as if they were.”
-
-[Illustration]
-
-“Why, that’s just like Aunt Jenny who lives with us, and mends our
-things, and puts baby to bed, and goes out for walks with us.”
-
-“Just the same,” said father, laughing.
-
-“Is that the reason we say _Ant_ Jenny?”
-
-“You little dunce! Who taught you to spell? But it is not a bad idea,
-all the same. It would be a good thing if there were as many ‘ant’
-Jennys in this big round world of ours as there are in the ants’ little
-round world—folk who care for all, no matter whose children they are.”
-
-[Illustration]
-
-While they were talking, the little ant crept to the edge of the table,
-and down the side, and was soon lost among the blades of grass.
-
-“He will never find his way,” said Mary.
-
-“Let him alone for that,” said father. “The ants have paths leading
-from their hill. They never lose their way. But they meet with sad
-accidents sometimes. What do you think I saw the other day? One of
-these small chaps—it may have been this very one—was carrying home a
-scrap of something in his jaws for the youngsters at home. As he ran
-along, a bird dropped an ivy berry on him. Poor mite of a thing! This
-was worse than if a cannon ball were to fall from the sky on one of us.
-He lay under it, not able to move. By-and-by one of his brother ants,
-who was taking a stroll, caught sight of him under the berry.
-
-“What did he do?” said Mary.
-
-“First he tried to push the berry off his friend’s body, but it was
-too heavy. Next he caught hold of one of his friend’s legs with his
-jaws, and tugged till I thought it would come off. Then he rushed about
-in a frantic state, as if he were saying to himself, ‘What shall I do?
-what shall I do?’ And then he ran off up the path. In another minute he
-came hurrying back with three other ants.”
-
-“Is it quite true, father?”
-
-“Quite. The four ants talked together by gentle touches of their
-horns. They looked as if they were telling one another what a dreadful
-accident it was, and how nobody knew whose turn would come next. After
-this they set to work with a will. Two of them pushed the berry as hard
-as they could, while the other two pulled their friend out by the hind
-legs. When at last he was free, they crowded round as if petting and
-kissing him. You see these little ant folk have found out that ‘’Tis
-love, love, love, that makes the world go round.’ I shouldn’t wonder if
-that ant you teased so thoughtlessly is gone off to tell the news at
-home that there is a drop of honey to be had here.”
-
-“Oh, he couldn’t, father!”
-
-“Wait and see,” said father.
-
-In a little while back came the ant with a troop of friends.
-
-“He has been home and told them the good news about the honey,” said
-father. “Do you think that all children are as kind as that?”
-
-Mary said, “No, they’re not. I don’t run to call all the others when I
-find a good place for blackberries.”
-
-“Then,” said father, “don’t be unkind to the ant, who is kinder than
-you, though he is only a little tiny thing.”
-
-[Illustration: GOOD FRIENDS.]
-
-
-
-
-Questions.
-
-[Illustration]
-
-
- OH, where do they sell all the lilies and roses,
- The “pandies” and “pudsies” and funny snub noses,
- The dimpled wee “chin-chops” and fat pinky knees,
- Of the dear little, queer little, babies one sees?
-
- And what would they want for some soft golden curlies;
- A pair of blue eyes, and two teeth white as pearlies;
- A mouth like a rosebud, just made for a kiss?
- I fear they would ask me a great deal for this.
-
- And where is the gentle school-mistress who teaches
- The mothers and grannies their sweet baby speeches,
- Their “lovies” and “dovies” and tender “coo-coos”
- That the newest new pet understands in two twos?
-
-
-Answers.
-
- ALAS! and alas! you may search through the city,
- Yet ne’er find the shop where they sell things so pretty;
- But I think it’s the angels from far, far away,
- Teach the mothers and grannies the sweet things they say.
-
-
-
-
-A Lesson in Manners.
-
- THERE was once a dear little, queer little cat,
- The sweetest kit e’er seen,
- Who made up her mind to journey
- To town to see the queen.
-
-[Illustration]
-
- Mr. Puggy, a teacher of manners and dancing,
- Gave her a lesson or two.
- “Observe my instructions, Miss Tabby,
- And be sure to do as I do.”
-
-[Illustration]
-
- But Tabby espied her saucer of milk,
- And made a dart at that,
- While Pug distressfully murmured,
- “What a very ill-bred cat!”
-
-[Illustration]
-
-
-
-
-[Illustration]
-
-The Prize Boat.
-
-
-“DON’T do it, Dick!” pleaded Dolly.
-
-“Girls always spoil sport!” growled Mark, as he saw Dick ready to give
-in.
-
-“We shan’t hurt the boat! Don’t be silly, Dolly. Even if the sails do
-get wet, Tom can get fresh ones. And it will be better for him to know
-whether it will sail or not.” And the twins departed for the seashore
-with the boat in their hands.
-
-How they wished they had taken Dolly’s advice, when they saw the ship,
-which had sailed so gallantly at first in the little cove, break from
-its moorings and drift out to sea!
-
-Tom had worked very hard for the prize of £2 offered in a weekly paper
-for the best-made boat, not only for the sake of the money, but because
-the toys were to go to the Home for Orphans. And now all his work was
-gone.
-
-“Oh! well, it can’t be helped,” he said good-naturedly, when his first
-feeling of anger had passed; “but I wish you chaps would leave my
-things alone.”
-
-“But it can be helped,” said Dolly, rushing in. “See! a fisherman
-brought it to shore, and it isn’t a bit broken.”
-
-So the orphans got the boat after all, and had great fun sailing it in
-the river near the Home; and what was perhaps more wonderful, Tom won
-the prize.
-
-[Illustration]
-
-
-
-
-The Little Thief in the Pantry.
-
-
-“MOTHER dear,” said a little mouse one day, “I think the people in our
-house must be very kind; don’t you? They leave such nice things for us
-in the larder.”
-
-There was a twinkle in the mother’s eye as she replied,—
-
-“Well, my child, no doubt they are very well in their way, but I
-don’t think they are quite as fond of us as you seem to think. Now
-remember, Greywhiskers, I have absolutely forbidden you to put your
-nose above the ground unless I am with you, for kind as the people are,
-I shouldn’t be at all surprised if they tried to catch you.”
-
-Greywhiskers twitched his tail with scorn; he was quite sure he knew
-how to take care of himself, and he didn’t mean to trot meekly after
-his mother’s tail all his life. So as soon as she had curled herself
-up for an afternoon nap he stole away, and scampered across the pantry
-shelves.
-
-Ah! here was something particularly good to-day. A large iced cake
-stood far back upon the shelf, and Greywhiskers licked his lips as he
-sniffed it. Across the top of the cake there were words written in pink
-sugar; but as Greywhiskers could not read, he did not know that he was
-nibbling at little Miss Ethel’s birthday cake. But he did feel a little
-guilty when he heard his mother calling. Off he ran, and was back in
-the nest again by the time his mother had finished rubbing her eyes
-after her nap.
-
-She took Greywhiskers up to the pantry then, and when she saw the hole
-in the cake she seemed a little annoyed.
-
-[Illustration]
-
-“Some mouse has evidently been here before us,” she said, but of course
-she never guessed that it was her own little son.
-
-The next day the naughty little mouse again popped up to the pantry
-when his mother was asleep; but at first he could find nothing at all
-to eat, though there was a most delicious smell of toasted cheese.
-
-Presently he found a dear little wooden house, and there hung the
-cheese, just inside it.
-
-In ran Greywhiskers, but, oh! “click” went the little wooden house, and
-mousie was caught fast in a trap.
-
-When the morning came, the cook, who had set the trap, lifted it from
-the shelf, and then called a pretty little girl to come and see the
-thief who had eaten her cake.
-
-“What are you going to do with him?” asked Ethel.
-
-“Why, drown him, my dear, to be sure.”
-
-The tears came into the little girl’s pretty blue eyes.
-
-“You didn’t know it was stealing, did you, mousie dear?” she said.
-
-“No,” squeaked Greywhiskers sadly; “indeed I didn’t.”
-
-Cook’s back was turned for a moment, and in that moment tender-hearted
-little Ethel lifted the lid of the trap, and out popped mousie.
-
-Oh! how quickly he ran home to his mother, and how she comforted and
-petted him until he began to forget his fright; and then she made him
-promise never to disobey her again, and you may be sure he never did.
-
-
-
-
-Great-Grandmother’s Wish.
-
-
-“DID you ever see a fairy, grannie?” said Trots.
-
-“No,” she said, “but my great-grandmother did.”
-
-[Illustration: A VISIT TO GRANNIE.]
-
-“Oh, do tell me!” cried Trots.
-
-“Well, once upon a time, as she was carrying her butter to market,
-she picked up a crooked sixpence. And with it, and what she sold her
-butter for, she bought a little black pig. Now, coming home, she had
-to cross the brook; so she picked piggy up in her arms and carried her
-over the brook. And, lo, instead of a pig, there was a little fairy in
-her arms!”
-
-“Oh!” cried Trots, “what was it like?”
-
-“Well, it had a red cap on its head, and a green frock, and it had
-gauzy wings, and it wanted to fly away, but great-grandmother held it
-tight.
-
-“‘Please let me go,’ said the fairy.
-
-“‘What will you give me?’ said great-grandmother.
-
-“‘I will give you one wish,’” answered the fairy.
-
-So great-grandmother thought and thought what was the best thing to
-wish for, and at last she said,—
-
-“‘Give to me and to my daughters to the eleventh generation the lucky
-finger and the loving heart.’
-
-“‘You have wished a big wish,’ said the fairy, ‘but you shall have
-it.’” So she kissed great-grandmother’s eyes and mouth, and then she
-flew away.
-
-“And did the wish come true?” asked Trots.
-
-“Always—always,” answered grannie. “We have been since then the best
-spinners and knitters in all the countryside, and the best wives and
-daughters.”
-
-“But,” said Trots, “what will the eleventh generation do when the wish
-stops and the good-luck?”
-
-“I don’t know,” said grannie, shaking her head. “I suppose they’ll have
-to catch a fairy of their own.”
-
-
-
-
-
-Transcriber’s notes:
-
-A Table of Contents was created for this text version.
-
- Not Such Fun as it Seemed:
- ... and Dolly was generally only too eager to join in her
- brothers pranks. Brothers corrected to brother’s.
- ... and Dolly was generally only too eager to join in her
- brother’s pranks.
-
- The Little Tiny Thing:
- ... said father. Do you think that all children
- are as kind as that?” Missing opening quotation mark before the
- word Do. Opening quotation mark inserted.
- ... said father. “Do you think that all children
- are as kind as that?”
-
- Great-Granmother’s Wish:
- “‘I will give you one wish,’ answered the fairy.
- Missing ending closing double quotation mark. Inserted
- “‘I will give you one wish,’” answered the fairy.
-
- “‘You have wished a big wish,’ said the fairy, ‘but
- you shall have it.’ So she kissed great-grandmother’s eyes
- and mouth, and then she flew away.” Misplaced ending double quote.
- Repositioned—“‘You have wished a big wish,’ said the fairy, ‘but
- you shall have it.’” So she kissed great-grandmother’s eyes
- and mouth, and then she flew away.
-
-
-
-
-
-End of the Project Gutenberg EBook of A Christmas Hamper, by Various
-
-*** END OF THIS PROJECT GUTENBERG EBOOK A CHRISTMAS HAMPER ***
-
-***** This file should be named 53299-0.txt or 53299-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/3/2/9/53299/
-
-Produced by David Edwards, Emmy, Susan Theresa Morin and
-the Online Distributed Proofreading Team at
-http://www.pgdp.net (This book was produced from scanned
-images of public domain material from the Google Books
-project.)
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-