summaryrefslogtreecommitdiff
path: root/old/53145-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/53145-0.txt')
-rw-r--r--old/53145-0.txt2862
1 files changed, 0 insertions, 2862 deletions
diff --git a/old/53145-0.txt b/old/53145-0.txt
deleted file mode 100644
index f29c0a8..0000000
--- a/old/53145-0.txt
+++ /dev/null
@@ -1,2862 +0,0 @@
-The Project Gutenberg EBook of The Great Taxicab Robbery, by James H. Collins
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: The Great Taxicab Robbery
- A True Detective Story
-
-Author: James H. Collins
-
-Release Date: September 25, 2016 [EBook #53145]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE GREAT TAXICAB ROBBERY ***
-
-
-
-
-Produced by ellinora and The Online Distributed Proofreading
-Team at http://www.pgdp.net (This file was produced from
-images generously made available by The Internet Archive)
-
-
-
-
-
-
- Transcriber’s Note
-
- Obvious spelling and punctuation errors have been corrected.
-
- Spelling variations have been kept as in the original.
-
- Italic text is indicated by underscores surrounding the _italic text_.
-
- Small capitals in the original have been converted to ALL CAPS.
-
-------------------------------------------------------------------------
-
-
-
-
- THE GREAT
- TAXICAB ROBBERY
-
-------------------------------------------------------------------------
-
-[Illustration:
-
- RHINELANDER WALDO
- Commissioner of Police, New York City
-]
-
-------------------------------------------------------------------------
-
-
-
-
- THE GREAT
- TAXICAB ROBBERY
-
- _A True Detective Story_
-
- BY
- JAMES H. COLLINS
-
- WRITTEN FROM RECORDS AND PERSONAL ACCOUNTS
- OF THE CASE FURNISHED BY THE NEW
- YORK POLICE DEPARTMENT
-
-
- NEW YORK
- JOHN LANE COMPANY
- MCMXII
-
-------------------------------------------------------------------------
-
-
-
-
- COPYRIGHT, 1912, BY
- JOHN LANE COMPANY
-
-------------------------------------------------------------------------
-
-
-
-
- This book has something to say about practical
- results of wiser police administration in New
- York. It is respectfully dedicated to
-
- HON. WILLIAM J. GAYNOR
-
- MAYOR OF NEW YORK CITY
-
- the official who took the initiative in improving
- conditions
-
-------------------------------------------------------------------------
-
-
-
-
- PREFACE
-
-
-There are several reasons for this little book, but the best of all is
-the main reason—that it is a cracking good story, and right out of life.
-The characters will be found interesting, and they are real people,
-every one of them. The incidents are full of action and color. The plot
-has mystery, surprise, interplay of mind and motive—had a novelist
-invented it, the reader might declare it improbable. This is the kind of
-story that is fundamental—the kind Mr. Chesterton says is so necessary
-to plain people that, when writers do not happen to write it, plain
-people invent it for themselves in the form of folk-lore.
-
-But apart from the story interest there are other reasons.
-
-When the New York police department had run down all the threads of the
-plot, and accounted for most of the characters by locking them up, they
-had become so absorbed in the story themselves, as a story, that they
-thought the public would enjoy following it from the inside.
-
-While the crime was being dealt with, the police were subjected to
-pretty severe criticism. They felt that the facts would make it clear
-that they knew their trade and had been working at it diligently.
-
-The story gives an insight into real police methods. These are very
-different from the methods of the fiction detective, and also from the
-average citizen’s idea of police work. They ought to be better known.
-When the public understands that there is nothing secret, tyrannical or
-dangerous in good police practice, and that our laws safeguard even the
-guilty against abuses, there will be helpful public opinion behind
-officers of the law, and we shall have a higher degree of order and
-security.
-
-The directing mind in this case was that of Commissioner George
-Dougherty, executive head of the detectives of the New York Police
-Department. Thousands of clean, ambitious young fellows are constantly
-putting on the policeman’s uniform all over the country, and rising to
-places as detectives and officials. The manufacturer or merchant may
-find himself in the police commissioner’s chair. Even the suburbanite,
-with his bundles, may be, out at Lonesomehurst, a member of the village
-council, and thus responsible for the supervision of a police force
-that, though it be only two patrolmen and a chief, is important in its
-place. So in writing the story there has been an effort to show how a
-first-rate man like Commissioner Dougherty works. His methods are plain
-business methods. Most of his life he has earned his living following
-the policeman’s trade as a commercial business. What he did in a case of
-this kind, and how, and why, are matters of general interest and
-importance.
-
-Finally, the story throws some useful light on criminals. It shows the
-cunning of the underworld, and also its limitations. To free the
-law-abiding mind of romantic notions about the criminal, and show him as
-he is, is highly important in the prevention of crime.
-
-------------------------------------------------------------------------
-
-
-
-
- LIST OF ILLUSTRATIONS
-
-
- FACING
- PAGE
-
- Rhinelander Waldo, Commissioner of
- Police, New York City
-
- _Frontispiece_
-
- George S. Dougherty, Second Deputy 20
- Police Commissioner
-
- Edward P. Hughes, Inspector in Command 40
- of Detective Bureau, and Dominick G.
- Riley, Lieutenant and Aide to
- Commissioner Dougherty
-
- Geno Montani, Eddie Kinsman, Gene 60
- Splaine, “Scotty the Lamb” and John
- Molloy
-
- James Pasquale, Bob Delio, Jess 80
- Albrazzo, and Matteo Arbrano
-
- “Scotty” Receives Final Instructions 110
-
- “The Brigands” “Stick-up” the Hold-up 126
- Men for Theirs
-
-------------------------------------------------------------------------
-
-
-
-
- THE CAST
-
-
- GENO MONTANI, a taxicab proprietor.
- WILBUR SMITH, an elderly bank teller.
- FRANK WARDLE, a seventeen-year-old bank office boy.
- EDDIE KINSMAN, alias “Collins,” alias “Eddie the Boob,” a hold-up man.
- BILLY KELLER, alias “Dutch,” a hold-up man.
- GENE SPLAINE, a hold-up man.
- “SCOTTY THE LAMB,” a thieves’ helper, or “stall.”
- JOE PHILADELPHIA, alias “The Kid,” a runner for thieves, or “lobbygow.”
- JAMES PASQUALE, alias “Jimmy the Push,” keeper of shady resorts known
- as “208” and “233.”
- BOB DEILIO, partner of “Jimmy the Push.”
- JESS ALBRAZZO, a middleman, formerly keeper of the Arch Café, pal of
- Montani, “Jimmy the Push” and Bob Deilio.
- MATTEO ARBRANO, }
- PAULI GONZALES, } The “Three Brigands.”
- CHARLES CAVAGNARO, }
- “KING DODO,” a Bowery character.
- RHINELANDER WALDO, Police Commissioner of New York.
- GEORGE S. DOUGHERTY, Second Deputy Police Commissioner, executive head
- of detectives.
- INSPECTOR EDWARD P. HUGHES, in command of Detective Bureau.
- POLICE LIEUTENANT DOMINICK G. RILEY, Aide of Commissioner Dougherty’s
- staff.
- DETECTIVE SERGT JOHN J. O’CONNELL, Official Stenographer.
- THE DETECTIVES on “Plants,” “Trailing,” “Surrounding,” “Arresting,”
- etc.:
-
- John P. Barron, Edward Boyle, Frank Campbell, James Dalton, James J.
- Finan, John W. Finn, Joseph A. Daly, Daniel W. Clare, John Gaynor,
- Anthony Grieco, John P. Griffith, Daniel F. Hallihan, Edward Lennon,
- Henry Mugge, Richard Oliver, Gustavus J. Riley, James F. Shevlin,
- Joseph Toner, George Trojan, James A. Watson.
-
- “SWEDE ANNIE,” Kinsman’s sweetheart.
- MYRTLE HORN, a pal of Annie.
- ROSE LEVY, a newcomer in Thompson street, Jess Albrazzo’s girl.
- MRS. ISABELLA GOODWIN, a police matron.
- MRS. SULLIVAN, keeper of a West Side rooming house.
- “JOSIE,” a lady of the Levee district, Chicago.
-
- Detectives, policemen, informants, witnesses, denizens of the
- underworld, newspaper reporters, trainmen, ticket sellers, etc.,
- etc.
-
- * * * * *
-
- PLACE—Chiefly in New York, with Scenes in Chicago, Albany, Memphis,
- Boston and Montreal.
-
- TIME—February and March, 1912.
-
-------------------------------------------------------------------------
-
-
-
-
- The
- Great Taxicab Robbery
-
-
-
-
- CHAPTER I
- WHAT THE PUBLIC HEARD ABOUT THE CRIME
-
-
-On Thursday, February 15, 1912, the New York evening papers had a
-startling news story.
-
-Between ten and eleven o’clock that morning two messengers were sent in
-a taxicab from the East River National Bank, at Broadway and Third
-street, to draw $25,000 in currency from the Produce Exchange National
-Bank, at Broadway and Beaver street, in the downtown financial district,
-and bring it uptown. This transfer of money had been made several times
-a week for so long a period without danger or loss that the messengers
-were unarmed. One of them, Wilbur F. Smith, was an old man who had been
-in the service of the bank thirty-five years, and the other was a mere
-boy, named Wardle, seventeen years old. The taxicab man, an Italian
-named Geno Montani, seemed almost a trusted employee, too, for he
-operated two cabs from a stand near the bank, and was frequently called
-upon for such trips.
-
-While the cab was returning uptown through Church street with the money,
-five men suddenly closed in upon it. According to the chauffeur’s story,
-a sixth man forced him to slacken speed by stumbling in front of the
-vehicle. Immediately two men on each side of the cab opened the doors.
-Two assailants were boosted in and quickly beat the messengers into
-insensibility, while their two helpers ran along on the sidewalk. The
-fifth man climbed onto the seat beside the chauffeur, held a revolver to
-his ribs, and ordered him to drive fast on peril of his life. This
-fellow seemed to be familiar with automobiles, and threatened the driver
-when he tried to slacken speed. That is a busy part of the city. Yet
-nobody on the sidewalks seemed to notice anything out of the ordinary.
-The cab dodged vehicles, going at high speed for several blocks. At Park
-Place and Church street, after a trip of eleven blocks, at a busy
-corner, the chauffeur was ordered to stop the cab, and the three robbers
-got down, carrying the $25,000 in a leather bag, ran quickly to a black
-automobile without a license number which was waiting for them, and in a
-few moments were gone.
-
-That was the substance of the story.
-
-Information came chiefly from the chauffeur, because the two bank
-employees had been attacked so suddenly and viciously that they lost
-consciousness in a moment. When the chauffeur looked inside his cab
-after the crime, he said, he saw them both lying senseless and bleeding.
-They could give no description of the assailants. Eye-witnesses were
-found who had seen men loitering in the neighborhood where the cab was
-boarded shortly before the crime, but their descriptions were not very
-useful.
-
-That night the New York evening papers published accounts of the crime
-under great black headlines, and on the following morning every news
-item of a criminal nature was grouped in the same part of the papers to
-prove that the city had entered one of its sensational “waves of crime.”
-And for more than a week the public read criticism and denunciation of
-the police force.
-
-It was charged that the police had become “demoralized,” and various
-changes of administrative policy introduced into the department within
-the past eight months were blindly denounced.
-
-The most important of these changes was that devised by Mayor Gaynor.
-Eight or ten years ago, every uniformed policeman in New York carried a
-club, and often used it freely in defending himself while making
-arrests. Abuses led to the abolition of this means of defense except for
-officers patrolling the streets at night. There were still undoubted
-abuses, however, and when Mayor Gaynor came into office, bringing
-well-thought-out opinions of police administration from his experience
-as a magistrate on the bench, he took a determined stand for more humane
-methods of making arrests, and strict holding of every policeman to the
-letter of the laws. Every case of clubbing was prosecuted, the plain
-legal rights of citizens or criminals upheld, and the Police Department
-began teaching its men new ways of defending themselves by skillful
-holds in wrestling whereby prisoners may be handled effectually and
-without doing them harm. Sentiment against the use of the club began to
-grow in the Police Department itself, it being recognized that clubbing
-was an unskillful means of defense, and that special athletic devices
-were more workmanlike.
-
-Now, however, the newspapers published every chance opinion of
-discharged, retired and anonymous police officers who objected to the
-new regulations. It was alleged that criminals had got out of bounds
-because policemen no longer dared club them into good behavior, and the
-editors, without paying much attention to the many good points of the
-new regulations, or trying to understand the merits of a settled policy
-applied to an organization of more than ten thousand men, set up a cry
-for the presumably “good old days” of Inspector So-and-So and Chief
-This-and-That, when every known criminal was promptly struck over the
-head on sight and thereby taught to know his place. If the files of New
-York journals for those days following the robbery are examined they
-will reveal a curious exhibition of pleading for official lawlessness
-and autocracy.
-
-------------------------------------------------------------------------
-
-[Illustration:
-
- GEORGE S. DOUGHERTY
- Second Deputy Police Commissioner
-]
-
-------------------------------------------------------------------------
-
-Another point of criticism centered on a new method adopted in the
-distribution of the detective force. This comprises more than five
-hundred men. For years they were all required to report at Police
-Headquarters every day, coming from distant precincts, and had an
-opportunity to see whatever professional criminals were under arrest.
-Then they went back to different precincts to work. This took too much
-time, it was found, and the old-fashioned “line-up” of criminals was
-chiefly a spectacle, the same offenders dropping into the hands of the
-police with more or less regularity. So detectives were re-distributed
-on a plan that attaches a proper number of plain-clothes policemen to
-each precinct, according to its needs, and in those precincts the men
-live and become acquainted with local criminals. Many of them work in
-sections where they were born, and detectives speaking foreign languages
-are assigned to foreign quarters.
-
-The newspapers charged that red-tape had brought the Police Department
-to such a low state that young detectives had no idea what a real
-criminal looked like, and urged the restoration of the old system, with
-its picturesque “line-up.”
-
-In the days of Inspector Byrnes, when practically all the banking of the
-city was done around Wall Street, the police established a “dead line”
-beyond which criminals were supposed not to operate. In its day, the
-“dead line” was real enough, undoubtedly. But it was not necessarily an
-ideal police measure, and the growth of the city has long made it a mere
-memory, living only in newspaper tradition. To-day, banking extends as
-far north as Central Park, and millions upon millions of dollars are
-being carried about daily by people of every sort. Despite the fact that
-the last loss of money from a New York bank through professional
-criminals (apart from fraud and forgery) dated back some fifteen or
-eighteen years, the newspapers seemed to agree that life and property
-were no longer safe in the city because this purely mythical “dead line”
-had been disregarded by the robbers.
-
-There was other comment of the same character, and it had an immediate
-and grievous effect.
-
-On the day after the robbery a chance remark about a safe in an East
-Side bank, coupled with the general excitement, led to a run of its
-depositors, chiefly people of foreign birth. The bank was solvent, and
-the run was undoubtedly stimulated by gossip started by criminals for
-their own ends. But the frightened depositors insisted on drawing out
-their money, and exposing themselves to danger of robbery and assault.
-The situation was met by careful police co-operation.
-
-About six months before the taxicab robbery, the New York legislature
-put into force a measure known as the “Sullivan law,” providing
-penalties for the carrying of pistols and concealed weapons. This is
-unquestionably a wise measure fundamentally, and one that was badly
-needed for police administration and public safety. It is perhaps open
-to certain modifications, to be made as actual conditions are
-encountered in practical working of the law. Newspaper opinion drew a
-connection between this law and the “wave of crime,” and its repeal was
-urged, so that every citizen might arm himself as he pleased. Hundreds
-of persons who had felt safe in going about their business unarmed now
-applied for permits to carry pistols.
-
-Fortunately, a sensation does not last long in New York.
-
-Though the Police Department felt this criticism keenly, and was
-hampered by it, pressure began to slacken in about a week. Other
-sensations came along. There was nothing to publish about the taxicab
-case, as police information was withheld for good official reasons.
-Presently the town ventured to joke about the case. At an elaborate
-public dinner one night, among other topical effects, a dummy taxicab
-suddenly scooted out before the guests, held up a dummy police
-commissioner, took his watch, and scooted away again. The diners
-laughed, and that was fairly representative of the town, which was now
-ready to have its joke about the crime, too. Had there never been any
-further action by the police, the case would have quietly dropped out of
-sight. But fortunately there was police action, and with that we shall
-now deal.
-
-------------------------------------------------------------------------
-
-
-
-
- CHAPTER II
- HOW THE CRIME WAS HANDLED BY THE POLICE—ON THE TRAIL
-
-
-Now, let us follow the police story. We will begin at the very
-beginning, watch the incidents and character unfold, and give quite a
-little attention to the technical methods by which results were arrived
-at. For the story is a study in clean, straightforward detective work,
-and that work ought to be better known by the public, so that
-intelligent public opinion may back up honest police effort.
-
-The story starts with a burly, genial man, sitting in a big office at
-Police Headquarters. The office is that of the Second Deputy Police
-Commissioner, and the man is the Commissioner himself, George S.
-Dougherty.
-
-Commissioner Dougherty dominates the story. The taxicab robbers were
-caught by his methods, plans and supervision, backed by the splendid
-team work of the men under him. His own sources of information supplied
-the clues, and his personal skill in examining criminals brought out the
-confessions that saved the city the expense of trials with all but one
-offender. It is far from the writer’s wish to indulge in hero-worship,
-however, so these details will appear in their proper place in the
-narrative.
-
-George Dougherty has had nearly twenty-five years’ experience in
-criminal work in New York, and over the whole country. Until his
-appointment by Mayor Gaynor in May, 1911, he was connected with the
-Pinkerton organization. Bank and financial crimes have long been his
-specialty, so the taxicab case fell right into his own province. He
-knows the ways of forgers, bank sneaks, swindlers, burglars and
-“yeggmen,” and is personally acquainted with most of the criminals in
-those lines in and out of prison. He has also had much to do with
-protecting the crowds at races, ball games, aeronautic meetings and
-other big gatherings. As executive head of the detective bureau, five
-hundred plain-clothes policemen scattered over Greater New York cover
-all crimes of a local and routine nature, and are subject to his call
-when a special case like the taxicab robbery comes up for his personal
-attention.
-
-On an ordinarily quiet morning at Police Headquarters, there will be a
-steady stream of people passing into Dougherty’s office. Several
-assistants guard the doors leading from two ante-rooms, and marshal the
-visitors. Now a group of detectives enters and hears a talk on methods.
-Then two detectives come in, make a report and receive further
-instructions. Then there will be an interruption, perhaps, while an
-assistant soothes and sends away a crank who occasionally turns up with
-a purely imaginary affair of his own, and two more detectives pass in
-accompanied by a man and a woman who look just like the people one sees
-dining at a fashionable uptown restaurant. The woman’s furs are
-magnificent, and her hat a costly Fifth avenue creation.
-
-“A couple of taxpayers?” speculates the group of reporters, waiting
-outside to get a statement about some important case.
-
-“Two of the cleverest check swindlers in the country,” corrects a
-detective, and presently the reporters are called in, and Dougherty
-recites names, dates and facts connected with the gang to which these
-prosperous “taxpayers” belong, gazing reflectively out of the window as
-details come back in memory, and chuckling with the delighted
-journalists as the pithy slang and professional names of the underworld
-are jotted down on their pads. They fire a scattering volley of
-questions at him and depart, and then his secretary announces that the
-saloon-keeper who knows a good deal about the Blind Puppy Café case is
-outside, but refuses to talk to the police at all.
-
-“Hullo!” is the Commissioner’s off-hand greeting as the cautious
-saloon-keeper comes in, and in two minutes the latter is answering
-questions freely.
-
-“Why, say!” he exclaims, “I’ll tell _you_ anything.”
-
-Then a humble little woman in a cheap hat and a long cloak is brought
-in. For more than an hour she has been waiting outside, with her eyes
-fixed patiently on the door leading to the inner office.
-
-“Stand there,” says the Commissioner, with gruff kindness, and he makes
-a formal statement about her husband, who has been arrested with a
-criminal gang, and is pretty certain to go to prison. He tells her what
-has been done in the case, and what will follow, and the little woman
-listens mutely. When he finishes, her eyes fill with tears. But she
-makes no reply, nor any sound. The Commissioner winks fast as he looks
-out of the window again, and then says, sympathetically:
-
-“That’s the best that can be done. But don’t you worry. Come in and see
-me again. Keep in touch with me, and don’t worry yourself. Come in and
-talk with me—come in to-morrow.” And she bravely wipes her eyes and goes
-out with her trouble.
-
-The procession continues.
-
-Police captains and detectives in squads, prisoners and witnesses in
-twos and threes, newspaper men in corps and singly, and occasionally a
-cautious gentleman who wants to see the Commissioner alone, and is
-anxious that nobody say anything about this visit to Police
-Headquarters—for he is an informant.
-
-
- _The First Alarm_
-
-The taxicab robbery took place on a quiet morning like this.
-
-Suddenly, around eleven o’clock on Thursday, February 15, a brief
-message comes from the second precinct, stating that a robbery has been
-committed in the financial district. A little later there is a fuller
-report over police wires. The details are few, as will be seen by the
-general alarm that presently goes out over the city:
-
- _Police Department, City of New York_,
-
- February 15, 1912.
-
- To all, all Boroughs—notify the patrol platoon immediately.
-
- Arrest for assault and robbery three men:
-
- No. 1, about 35 years, five feet eight or nine inches in height,
- 160 or 170 pounds, small stubby dark mustache, dark complexion,
- medium build, dark suit and cap, no overcoat.
-
- No. 2, about 35 years, five feet ten inches in height, slender
- build, dark hair, possibly smooth shaven, light brown suit, no
- overcoat, wore a cap.
-
- No description of No. 3.
-
- Stole $25,000 in five and ten dollar bills, contained in a brown
- leather telescope bag, 24 inches long, 16 inches square, from
- two bank messengers in a taxicab about 11 this a. m., at Park
- Place and Church Street, and escaped in a five or seven-seated
- black touring car, top up. Look out for this car, bag and
- occupants on streets, at ferry entrances, bridge terminals,
- railroad stations. Inquire at all garages, automobile stands,
- stables, etc.
-
- If found, notify Detective Bureau.
-
-Before noon, the Commissioner has postponed appointments, assigned
-routine business, and is engaged in an investigation that will keep him
-busy until that morning, twelve days later, when the first arrests are
-made, and the case is, in police parlance, “broken.”
-
-Where do the police begin in such a crime? What do they start with when
-there is apparently so little to work upon?
-
-In spite of the wide popular interest in police and criminal matters,
-the average citizen has no very clear idea. Even the newspaper reporter,
-following police activities every day, is not well informed in technical
-details. Some information is necessarily withheld from him, and he is a
-busy young man, with his own technical viewpoint, working hard to get
-his own kind of information.
-
-This lack of knowledge leads to a feeling of mystery, helplessness and
-terror after a sensational crime, and to criticism of the police. They
-are at work, skillfully, honestly, diligently. But results take time. It
-would do little good to make arrests without evidence. The citizen’s
-sympathies are aroused by brutal lawlessness, and he urges that somebody
-be caught and punished. If results are not at once apparent, he jumps to
-the conclusion that the police are “demoralized.” He would be startled
-if he could see how quickly and persistently the underworld takes steps
-to strengthen him in that conclusion, and use him to discredit the
-police.
-
-Sixty detectives are immediately called into the case. Five of them go
-down to the scene of the robbery, with orders to work there until
-further notice. They make a thorough search of the neighborhood,
-following the route taken by Montani’s taxicab, and questioning
-merchants, newsdealers, porters, truckmen and other persons likely to
-have information as eye-witnesses. They go through the streets that may
-have been taken by the escaping robbers, and work over the whole ground.
-This search through one of the busiest sections of New York in a busy
-hour, amid the excitement created by the crime, may appear like hopeless
-business. But, as will be seen presently, it yields important results.
-Other detectives search garages for the black automobile without a
-license number in which the robbers are reported to have got away. Four
-uniformed policemen on beats along the route taken by the taxicab are
-questioned. Other detailed inquiries of the same nature are started.
-
-But the most important work of the first day centers at Police
-Headquarters, where a conference is held by Commissioner Dougherty and
-his assistants, and in the examination of Montani, the taxicab driver.
-
-Strip all the labels off a suit of clothes and lay it before a committee
-of tailors. In a few moments certain points would be agreed upon. It may
-be a new suit, or an old one, a fine piece of tailoring, or a cheap
-hand-me-down. The committee could often identify the cheap suit and tell
-the name of its manufacturer, while with a seventy-five-dollar suit it
-might be possible to determine the maker’s name. This holds true of many
-other lines of work, and it is particularly true of criminal
-investigation.
-
-Who cut and made that suit of clothes?
-
-The conference sat down to determine this, judging the robbery strictly
-as a piece of workmanship. Names of known bank criminals were brought
-up, one by one, and details gone over. It soon became clear that none of
-the men identified with bank crime were likely to have the brains, skill
-or organization to plan and execute so complicated a robbery.
-
-The criminals had known the habits of the bank in conveying cash uptown.
-They knew the route, and were aware that the guard was only an elderly
-man and a seventeen-year-old boy, both unarmed. They had boarded the cab
-at the best point, and evidently made arrangements for stopping it.
-There was team work in every detail. It showed marked insight, for
-instance, to provide additional men to boost each assailant in at the
-doors. For young Wardle, the bank employee, had made a plucky attempt to
-shove his robber out and shut the door, and might have succeeded had
-there not been an outside man. Robberies are committed under exciting
-conditions. They sometimes fail because criminals balk. That outside man
-was there not only to help his “slugger” into the cab, but to _force_
-him in if he shrank, and make certain he did his work. Whoever planned
-such details, it was agreed at the conference, possessed more cunning
-than the ordinary bank criminal.
-
-
- _Montani is Examined._
-
-When Montani, the taxicab driver, arrived at Police Headquarters, he was
-willing to talk, and seemed anxious to help the police in every way. He
-knew suspicion might be directed toward himself, but did not resent
-that. He talked like a man confident of the truth of his story, and
-certain that he would be found blameless.
-
-Montani is an Italian, from the northern part of Italy, about 30 years
-old, five feet six inches high, rather stout and thick-set, with very
-dark complexion. The striking feature of his countenance, his large,
-intelligent brown eyes. Commissioner Dougherty found himself thinking of
-Napoleon in connection with Montani.
-
-The first examination lasted all afternoon, Montani going out to lunch
-with the Commissioner. Hundreds of questions were asked bearing on the
-robbery, the appearance of the criminals, and Montani’s past and
-personal affairs. The story was gone over again and again, and different
-questioners relieved each other. Yet the taxicab man never lost his
-temper or patience, and did not contradict himself in any important
-particular.
-
-Montani had been in this country since the age of twelve, it appeared,
-had a wife and two children, and was the owner of two taxicabs operated
-from a stand at a hotel near the bank, whose money he regularly carried.
-He had owned three cabs, but lost one through business reverses. In
-fact, he had passed through money troubles, and his story excited
-sympathy. Starting originally as a truckman for a salvage company, his
-ambition and intelligence had won him such confidence that this company
-lent him money to set up trucking for himself. Still more ambitious, he
-had become a taxicab proprietor. Through the trickery of an ill-chosen
-partner, however, he has lost some of his savings. He seemed a little
-bitter about this, and it was a circumstance not likely to escape an
-expert police examiner, for the loss of money through fraud, coupled
-with temptation, is often the starting point in crime. The Italian’s
-former employers spoke highly of his character when questioned by
-detectives. He gave the names of chauffeurs who had worked for him
-lately, and of business people who knew him, and careful investigation
-failed to disclose any suspicious circumstances. Montani quite won the
-newspaper men—so much so that, when he was discharged in court a few
-days later for apparent lack of evidence, the newspapers criticised the
-police for having held him at all.
-
-And yet, before that first night, Montani himself, largely through
-simple answers to questions, had become so involved that there was
-ground for holding him under arrest.
-
-------------------------------------------------------------------------
-
-[Illustration:
-
- EDWARD P. HUGHES
- Inspector in Command of Detective Bureau
-]
-
-[Illustration:
-
- DOMINICK G. RILEY
- Lieutenant and Aide to Commissioner Dougherty
-]
-
-------------------------------------------------------------------------
-
-In the questions and cross-questions, the checks and counter-checks of a
-skillful examiner, there are possibilities little suspected by those not
-familiar with that kind of work.
-
-Montani had slowed down his cab at the point where the robbers boarded
-it. He said that an old man had suddenly got in front, and he had
-slackened speed to avoid running over him. But detectives along the
-route found eye-witnesses who had seen the robbers board the cab, and
-who could testify that there had been nobody in front of the vehicle.
-
-Both of his cabs had stood in line near the bank that morning, the one
-driven by himself being second, and the other, in charge of an employee,
-was first. When the call came from the bank, Montani answered it himself
-out of his turn, sending the other cab uptown, as he explained, to have
-some tires vulcanized. But it was not a good explanation.
-
-He said that as soon as the robbers left his cab he had raised a cry for
-help. But eye-witnesses were found who denied this.
-
-Instead of running north after the robbers’ automobile when he had taken
-a policeman aboard his cab, he ran south, away from it. This action, he
-maintained, was taken under orders from the policeman. But the latter
-denied that.
-
-He was not able to explain how the robbers had known where to post their
-automobile so it would be waiting at the spot where they finished their
-work.
-
-Interest centered in this mysterious black automobile without a license
-number. For, though Montani was an experienced chauffeur, and his
-replies to other questions showed that he had seen both the rear and the
-side of that car, he was unable to tell its make.
-
-Meanwhile, it was learned that three men had hurriedly boarded an
-elevated train near the scene of the robbery shortly after, not waiting
-for change from a quarter. The ticket-seller was unable to describe
-them, but connected them with the robbery when he heard about it.
-
-Montani was held in the custody of the Commissioner that night, to be
-put through further examination in the morning. But long before morning
-the police were working on an entirely new development.
-
-
- _The First Direct Clue_
-
-The law-abiding citizen goes around New York with little knowledge of
-the crowding underworld all about him. It is perhaps just as well that
-he knows nothing of the lives and morals of hundreds of people who elbow
-him on the streets, sit beside him in the cars, and scrutinize him with
-a strictly professional eye in many places.
-
-Nor has he any clear conception of the relations that a good police
-officer maintains with members of this underworld. It is a world just as
-complete as that of business or society, however, and much of the time
-of a detective or police official is spent keeping track of people in
-it, forming acquaintances and connections in various ways, and
-establishing the organization of informants that will help in the
-detection and prevention of crime. A good detective is like a good
-salesman—he keeps track of his “trade.”
-
-Shortly after midnight of the first day, Commissioner Dougherty received
-a message over the telephone that sent him uptown to meet an informant.
-At two o’clock in the morning of Friday, February 16, he and this person
-had a talk at a fashionable uptown hotel. Indeed, most of the meetings
-with informants during this case were held at two well-known hotels,
-perhaps the last places in the city that anybody would connect with such
-conferences.
-
-Informants are not always right, nor always possessed of useful
-information. But this one had the first real clue.
-
-On the afternoon of the robbery, it was learned, a fellow known as
-“Eddie Collins” had come to his rooming house, on the lower West Side,
-told a woman with whom he lived, known as “Swede Annie,” to pack up and
-be ready to leave the city in a hurry, and presently disappeared with
-her. He was also reported to have a large roll of money. With a rough
-estimate of the size of this roll, given by the informant, and a dummy
-roll of “stage money” made up for the purpose, the police were able to
-judge that Collins must have had between $3,000 and $5,000. That would
-have been his probable share in a division of the stolen currency among
-five men.
-
-The house where Collins had lived was kept by a Mrs. Sullivan. Steps
-were at once taken to “surround” this woman, as the operation is known
-technically. For before a possible source of information like Mrs.
-Sullivan is followed up, it is necessary to know something about it. The
-person in question may be criminal, or in league with the underworld. On
-the other hand, he or she may be quite innocent, and willing to aid the
-police. The “surround” is an interesting operation. It is often made
-without the knowledge of the person investigated. In many cases it takes
-time.
-
-Mrs. Sullivan came through the ordeal handsomely.
-
-She proved to be a wholesome, hard-working landlady, keeping a house
-that sheltered occasional suspicious characters, but entirely honest
-herself. She was not only able to furnish information about her late
-lodgers, but willing.
-
-“Sure, it’s a good deal I know about that Collins, as he calls himself,”
-she said, “and mighty little that’s good.”
-
-It seems that about two weeks previously Collins had offered to pay the
-landlady if she would appear in a Brooklyn court and testify to the good
-character of a criminal named Molloy, who was being held for trial on a
-charge of robbery.
-
-“They’re paying fifteen to twenty dollars for ‘character’ witnesses,”
-said her lodger.
-
-“And do you think I’d take the stand and perjure myself swearing for a
-man I never heard of?” asked the indignant landlady.
-
-“Oh, that’s nothing to some of the things we do,” was the reply.
-
-Several days later, while she was putting some laundry into Collins’
-bureau drawer the landlady caught sight of two new blackjacks. She asked
-Collins what he was doing with such weapons.
-
-“Aw, we use them in our business,” he said. Then, with the confidence
-often bred in criminals by success, he told her he knew a gang that was
-planning to rob a taxicab that carried money uptown to a bank every
-week. Mrs. Sullivan questioned him as to details, and he assured her it
-would be an easy job.
-
-“For we’ve got it all fixed with the chauffeur,” he said.
-
-At that point, however, like many an honest person who might aid the
-police with information, Mrs. Sullivan let the matter drop out of her
-mind. It is a simple thing to mail a letter or telephone to Police
-Headquarters, giving such information, and the experience of the
-Detective Bureau is such that the information can be investigated
-without involving innocent persons. But perhaps Mrs. Sullivan concluded
-that, in a big city like New York, it is well for people to keep their
-mouths shut. Or maybe she decided that Collins was merely boasting.
-
-On Friday, less than twenty-four hours after the robbery, a “network
-investigation” was begun.
-
-Sixty detectives searched that part of the city where Collins and Annie
-had lived, seeking further information. Photograph galleries and other
-places were investigated on the chance of finding pictures. Denizens of
-the underworld were talked with casually. Professional criminals,
-prostitutes, dive-keepers, receivers of stolen goods and other shady
-characters were brought before Commissioner Dougherty in couples and
-half-dozens for quick cross-examination. By Saturday evening the police
-had some highly important information.
-
-It was learned that Annie had been seen going away on the afternoon of
-the robbery in a taxicab, accompanied by two men, one of whom was
-Collins, and the other unknown. Good descriptions were secured of Annie
-and her sweetheart, especially of her hat, which was a cheap affair, but
-conspicuous by reason of a row of little red roses. It was also
-discovered that Collins had been a boxer, that he hailed from Boston,
-and that his real name was Eddie Kinsman. Finally, the police secured
-two photographs, one an indifferent picture of Kinsman, and the other an
-excellent portrait of Annie. These were quickly put through the
-department’s photograph gallery, where there are facilities for making
-duplicates in a hurry, and more than a hundred copies were soon ready
-for work which will be described in its proper place.
-
-The trail now seemed to lead to Boston. At all events, further
-information was to be secured there. And here came in a little
-refinement imparted by Commissioner Dougherty’s experience with the
-Pinkerton forces. For where this private detective organization works
-unhampered over the whole country, the official police forces in most
-cities confine their searches to their own territory. When it is
-believed that criminals have left town, as in this case, a general
-description is telegraphed to other cities. Dougherty’s method, however,
-is always to send a man from his own staff, with detailed instructions.
-There are no local boundaries for him.
-
-Late on Saturday night Inspector Hughes, of the Detective Bureau,
-slipped out of headquarters with Detective O’Connell, and took a train
-for Boston. Their departure was kept strictly secret. They bid good
-night to associates, saying that they expected to be up and at work
-again early next morning, and until their return on Monday everybody who
-asked for the Inspector was told that “he is usually around the building
-somewhere.”
-
-
- _Montani Points Out “King Dodo”_
-
-All through Friday and Saturday, while the network investigation was
-going on, Commissioner Dougherty continued his examination of Montani.
-
-Some important information against him now came from outside.
-
-It developed that Montani had been involved several months before in an
-insurance case, claiming indemnity for a burned automobile under a
-policy. He had presented, as part of its value, a bill for repairs
-amounting to $1,348. The insurance company, however, had found that this
-bill was fraudulent, that the repairs had never been made, and had
-obtained a statement to that effect from the Italian chauffeur. Out of
-pity for his wife and two children the case was not pressed against him.
-Now that he was involved in another crime, however, the insurance people
-came forward and laid the facts before the police.
-
-Of course, Montani knew nothing about this new development.
-
-For two days the chauffeur was questioned at intervals, and the inquiry
-centered chiefly on the knotty points in his story of the crime. He was
-particularly pressed for better explanations of the slackening of his
-cab when the robbers boarded it, but stuck to his original statement
-about a man getting in front of the vehicle. He described this person as
-an old man, and said he must have been in league with the criminals. As
-the police had good evidence that there had been nobody in front of the
-taxicab, however, this point was returned to again and again, and toward
-night on Saturday, February 17, the little chauffeur began to feel the
-strain.
-
-On his way to supper that evening with men from the Detective Bureau,
-Montani was taken through the Bowery. Suddenly he stopped, dramatically,
-and exclaimed:
-
-“There! That is the old man who got in front of my cab!”
-
-His finger indicated a Bowery character as typical as anything ever seen
-in melodrama—a ragged little old figure with an amazing set of whiskers,
-engaged in picking up cigar butts along the gutters. He was immediately
-taken to headquarters.
-
-No detail of his work interests Commissioner Dougherty more keenly than
-his study of the many picturesque characters who turn up as an important
-case unfolds. He has a ready appreciation of everybody who appears, from
-the society lady who lost her jewels to the typical Bowery loafer. He is
-as ready to look at facts from a criminal’s point of view as that of an
-honest man. He has often gone half across the country to get acquainted
-with a good burglar, and in this warm human interest lies the basis of
-his skill as an examiner of suspects. These details are set down, not in
-glorification of Dougherty, but for the guidance of every police officer
-interested in his methods.
-
-The moment Dougherty laid eyes on this new character, with his
-magnificent whiskers, he gave him a nickname.
-
-“King Dodo!” said the Commissioner, and that by that name he was known
-in so far as he figured in the case at all. “King Dodo” proved to be
-entirely innocent, and nothing more than the victim of a chance move of
-Montani’s, who evidently thought that he ought to produce something
-tangible to back up his assertion that the cab had been intercepted by
-an old man. “King Dodo” established a perfect alibi, proving that he had
-been elsewhere at the time of the robbery, and after being questioned
-and the truth of his story established, he was released, there being no
-reason for holding him.
-
-“I feel safe,” said the Commissioner solemnly, “in paroling you on your
-own responsibility, to appear again if wanted.”
-
-That may have been a heavier responsibility than had been put on his
-shoulders in years. But he rose to it. Two days later a decently
-dressed, clean shaven, elderly gentleman came in and asked for the
-Commissioner. He was “all dolled up,” in police parlance, and looked
-like a retired small shopkeeper. The staff did not recognize him for a
-moment. But it was “King Dodo,” doing his best to fill the part of a
-minor figure in the great taxicab mystery. There being nothing for him
-to do, he dropped back into private life.
-
-On his Sunday visit to Boston Inspector Hughes talked with Chief
-Inspector Watts of that city, learned where Kinsman lived, and that his
-family was a respectable one; found a bright patrolman named Dorsey who
-knew Kinsman, and gave more information about his personal appearance,
-habits and career as a boxer, desertion from the Navy, and so forth, and
-made arrangements to have the Kinsman home watched so that news of his
-return would be secured immediately. It was clear that Kinsman had not
-returned to Boston.
-
-
- _Discovery of Kinsman’s Trail_
-
-As soon as Inspector Hughes returned from Boston, on Monday morning, the
-Commissioner took steps to question the crews of every train that had
-left New York since one p. m. on the day of the robbery.
-
-Just the other afternoon the writer sat with a squad of young detectives
-at Police Headquarters and heard a talk on methods given by Dougherty,
-and one point clearly brought out was the usefulness to the
-thief-catcher of routine information.
-
-He began by relating an amusing incident. Some days before a detective
-had turned up at headquarters for instruction, and naïvely asked the
-Commissioner to lend him a pencil and a slip of paper, so he could make
-some notes. Another detective was found who had only a hazy idea of the
-location of New York’s telephone exchanges. Taking these as his text,
-the Commissioner explained the value to every police officer of what
-might be called “time-table” information—knowing the depots and ferries,
-what roads run out of them, the cities reached, the number and character
-of trains, the general methods of dispatching trains, and so forth. The
-Commissioner himself is as well informed on such matters as any railroad
-man, and thoroughly familiar with routine methods in many other lines of
-work and business. How such knowledge can be employed was shown by the
-next move in the taxicab case.
-
-Detectives were sent to every railroad terminal to secure lists of
-trains, learn the names of the crews, and make out schedules of the time
-when each crew would be back in the city. Then each man was found and
-carefully questioned. His memory could be helped by pictures of Kinsman
-and Annie, and by intimate details of personal appearance and manner.
-
-The search bore fruit, though it took time.
-
-On Wednesday Detective Watson, who was a railroad engineer before he
-joined the police, found that Train No. 13 on the New York Central had
-taken on three passengers answering the descriptions on the afternoon of
-the robbery. They had boarded the train at Peekskill, the town to which,
-as it was subsequently learned, they had ridden in a taxicab. The
-conductor’s attention had been drawn to Annie by her smoking a cigarette
-on the sly in the toilet of the day coach. He remembered her high cheek
-bones, and the black velvet hat with its little roses, and the athletic
-build of her men companions, who both appeared to be boxers. It was also
-established that the trio had gone to Albany, for one of the trainmen
-distinctly remembered helping Annie down at that station.
-
-
- _“Plant 21” Is Established_
-
-Monday, February 19, was an important day in more ways than one.
-
-While the train investigation was going on, it was learned that a woman
-known as “Myrtle Horn,” an intimate of Annie’s, had moved to a lower
-West Side rooming house, taking Annie’s trunk with her, as though Annie
-expected to return to the city. After a preliminary survey, this house
-was visited by Commissioner Dougherty in person. He explained that he
-was a contractor, about to build a section of the new subway, and that
-he was looking for a quiet room at a reasonable price where he might
-have some of the comforts of home. After a little talk with the landlady
-it became clear that she was honest and trustworthy, with no information
-of the new lodger who had taken her front room in the basement.
-Arrangements were quickly made to put this house, inside and outside,
-under constant surveillance.
-
-------------------------------------------------------------------------
-
-[Illustration: GENE SPLAINE]
-
-[Illustration: EDDIE KINSMAN]
-
-[Illustration: GENO MONTANI]
-
-[Illustration: “SCOTTY THE LAMB”]
-
-[Illustration: JOHN MOLLOY]
-
-------------------------------------------------------------------------
-
-Along in the evening Mrs. Isabella Goodwin, a police matron, was
-installed there. The Commissioner brought her, and carried her bundle.
-The landlady and the matron had never seen each other in their lives,
-but kissed ostentatiously, and made considerable fuss on the chance of
-being overheard. Mrs. Goodwin was “planted” as the landlady’s “sister,”
-who had come from Montreal to live with her and help in the housework
-until she could find a position in New York. The Commissioner grumbled a
-little about her stinginess in refusing to pay an expressman to bring
-her bundle, and then took his departure, explaining that the train had
-been late, and the baby was not well, and his wife, Aggie, would be
-worried about him, and so forth. Mrs. Goodwin established herself in a
-room at the rear of the basement, handy to that occupied by Myrtle Horn,
-and kept her eyes and ears open as she went about the housework,
-slipping out to report when she had any information, and receiving
-instructions.
-
-Outside surveillance on this house was conducted from an empty store
-across the street. Arrangements for the use of such property are usually
-made by the police without difficulty, though occasionally a
-close-fisted owner expects rent. Blinds were put up over the windows,
-peep-holes made, and a few hammers provided, with some nails and boards.
-Then six of the best “shadow men” in the Detective Bureau were stationed
-there. They made a little noise occasionally, in “getting the store
-ready for a big firm moving up from downtown,” and watched the house day
-and night. Whenever Myrtle went out she was followed. If she had
-visitors, they were investigated. This store was known by the code term
-of “Plant 21,” so that reports could be sent without disclosing police
-information.
-
-
- _Montani Goes Free_
-
-On Monday, too, Montani was arraigned in court, and discharged for what
-appeared to be lack of any evidence against him.
-
-At this point the Commissioner took the liberty of fooling the newspaper
-men for the good of his case.
-
-Newspaper criticism for three days had been particularly severe. Editors
-made many charges, and were fertile in suggestions as what ought to be
-done to reorganize the presumably “demoralized” police department. The
-present writer feels confident, however, that a careful search of the
-files for those days will disclose hardly any suggestions likely to be
-at all helpful to public servants in the discharge of duty. Many
-questions with no real bearing on the case had been brought up by the
-journalists, and the Commissioner, who was patient in answering the
-newspaper men, began to be a little tired.
-
-On Sunday night his big office was filled with reporters. They sat about
-everywhere. He had admitted them because he wanted them to see that he
-was working. From time to time they quizzed him in this fashion:
-
-“Is it true that you and Commissioner Waldo have quarrelled?”
-
-“Is Waldo going to resign?”
-
-“Do you favor the Sullivan law against pistols?”
-
-“Will the ‘dead line’ be maintained now?”
-
-“Hadn’t the daily ‘line up’ of criminals ought to be restored so that
-detectives will know crooks when they see them?”
-
-“Hasn’t Mayor Gaynor tied the hands of the police?”
-
-And so forth, and so forth, and so forth.
-
-Suddenly, on Sunday night, Dougherty turned and read the newspaper men a
-lecture. He said that he wanted them to understand that he was no spring
-chicken at his business, that he was working eighteen hours a day, and
-that he knew he would show results if the people would only be patient,
-and give him time. His only recommendation in the way of new laws or
-reforms was for a statute that would enable the police to put known
-criminals, without occupation or visible means of support, at work
-mending roads. He outlined a plan which, rather strangely, did not get
-any attention in the newspapers at all. His idea of dealing with idle
-criminals, he said, was to have a cart, with commissary and sleeping
-quarters for twelve men. As soon as twelve idle criminals with records
-had been sentenced, they would pull this cart out of town themselves,
-under guard, and go to work repairing roads. If that plan were adopted,
-New York would not only be as free from criminals as the District of
-Columbia, where a similar measure is enforced, but the roads all around
-the city would be so well cared for that they could be used as
-roller-skating rinks.
-
-The newspapers next morning were quite certain that Commissioners Waldo
-and Dougherty had quarrelled, and when the journalists went down to
-report Montani’s examination in court they were decidedly partial to the
-taxicab man.
-
-Dougherty had told the newspaper men beforehand that he had evidence
-enough to have Montani held for trial. He had made very positive
-statements about this. Montani would be arraigned, he predicted, and if
-discharged on one count, would be immediately arrested on something
-else. If he was discharged on that, he would still be arraigned on
-further charges.
-
-It needs no very brilliant imagination, therefore, to picture the effect
-upon the newspapers when Montani, after being arraigned on the doubtful
-points in his own account of the crime, and those not too vigorously
-pressed, was discharged, with comment by the court upon the flimsiness
-of the police case. There was one striking discrepancy in the evidence
-presented at that examination which, if pressed, should have resulted in
-the holding of Montani for trial. He still insisted that he had stopped
-his cab because an old man had got in front of it, but this was denied
-by a witness. That point was permitted to pass by Lieutenant Riley, who
-appeared for the police. Montani could have been re-arrested on charges
-based upon his attempt to defraud the insurance company. But he was
-permitted to go free. That course had been decided on at Police
-Headquarters after some difference of opinion.
-
-The newspapers were now more pessimistic than ever in their comment.
-They contrasted this outcome with Dougherty’s promises that the
-chauffeur would be re-arrested. It was taken as a confession of police
-incompetency and bewilderment—which, as will be seen in its proper
-place, was very useful in its way. Montani went free, and was jubilant,
-calling on the Commissioner next morning to thank him. But from the
-moment he left court until he was arrested again the Italian chauffeur
-never got out of sight of the Police Department.
-
-
- _What Developed on a Busy Tuesday_
-
-It was on the day after Montani’s release that Commissioner Dougherty
-began to uncover more interesting characters in the taxicab drama.
-
-Bit by bit, through points supplied by informants and persons who had
-come in contact with him in various ways, a very good working knowledge
-of the fugitive Kinsman was pieced together. It appeared that he had
-come to New York the previous summer, from Boston, and after a brief
-career as a boxer, had gone to work in a Sixth avenue resort known as
-the “Nutshell Café,” where he was a waiter. Among his associates there
-had been two characters who invited further inquiry.
-
-The first of these was a fellow called “Gene,” described as having a
-“parrot nose,” and a criminal record. He had been a close pal of
-Kinsman, and had also introduced another intimate, a wily little Italian
-called “Jess,” who had formerly owned a thieves’ resort which he called
-the “Arch Café.” A good description of Jess was secured.
-
-There was some delay while the Commissioner “surrounded” this
-last-mentioned resort to find out if it was a place where any
-information might be obtained openly. The question was decided in the
-negative. So a plain-clothes man was quietly “planted” there to pick up
-information.
-
-When a criminal is arrested (or “falls”) it is customary in the
-underworld to raise a fund for his defense. The Arch Café was a center
-for the deposit of such “fall money.” It was learned that a hundred
-dollars had been raised for the defense of a man named Clarke, alias
-“Molloy,” under arrest in Brooklyn for robbery. This was the same Molloy
-to whose fine character Kinsman had asked his landlady to swear in
-court. The Italian named Jess had taken charge of Molloy’s defense fund,
-but squandered it in a spree. Later, making it good, he had sent it over
-to Molloy’s relief by Kinsman’s pal, “Dutch,” and an Italian known as
-“Matteo.”
-
-District inspectors of police were then called upon to find a detective
-who knew Jess, and an Italian plain-clothes man, Antony Grieco, who had
-grown up in that part of New York where Jess had kept a café, and who
-knew the latter well, was detailed with another detective to look him up
-and keep him under surveillance. They found that Jess, whose last name
-was Albrazzo, had headquarters in a tough resort in Thompson street,
-kept by an Italian named James Pasqualle, better known as “Jimmie the
-Push.” From that time Jess was kept “on tap,” to await further
-developments.
-
-Then the Commissioner undertook to find out more about the character
-called “Gene.” Working in New York, as waiters and bartenders, were many
-members of a criminal band known as the “Forty Thieves of Boston.” The
-Commissioner called in all of them that he could find, and sounded each
-for information about this “Gene.” After the time of day had been
-passed, the talk would turn on members of the band and criminals in
-general, and after curiosity had been excited, “Gene” would be referred
-to casually. If the party interviewed said he knew “Gene,” the
-Commissioner would probably be sceptical, ask his last name, press for
-details of appearance and habits, and then pass to some other subject.
-
-It was found that “Gene’s” last name was Splaine, that he had served a
-term in prison in Boston as a boy, and that, by his general description,
-he must be the third fugitive accompanying Kinsman and Annie. When
-Detective Watson got better descriptions of the third man at Albany, and
-comparisons were made with sources of information in New York, it became
-practically certain that Gene Splaine was with Kinsman.
-
-
- _Annie Shows at “Plant 21”_
-
-It was on this day, too (Tuesday, February 20), that “Swede Annie”
-suddenly stepped into police view, _wearing a new hat_. She turned up
-quietly at the house where Myrtle Horn had moved with her trunk, and
-began living in the front basement room. Matron Goodwin and “Plant 21”
-immediately reported her presence, and from that time the shadow men
-across the street had something to do besides driving nails. For
-whenever Annie or Myrtle went out of the house they were followed.
-
-Shadowing is a highly interesting kind of police work, at which some men
-have exceptional ability.
-
-The general conception is that of a detective following closely behind
-the suspected person, with his eyes glued to him, and cautiously
-crouching behind lamp-posts and trees when the victim turns suddenly.
-But that is far from the real thing. The work is done in ways altogether
-different. Shadow men operate in pairs, as a rule, and keep track of
-their party from vantage points not likely to be suspected. They dress
-according to the character of the case, always in quiet clothes, changed
-daily, and with absolutely no colors that will attract attention or lead
-to recognition through the memory. They know how to follow when the
-person under surveillance rides in cabs, cars or trains, to cover the
-different exits from a building into which he or she may have gone, and
-to loiter several hours around a given neighborhood, if need be, without
-attracting the attention of honest citizens.
-
-This work is done by shifts. The operators relieve each other almost as
-regularly as office employees, no matter how far the trail may have
-taken them. They are in constant touch with headquarters for the purpose
-of making reports and receiving instructions.
-
-In this branch of detective work, as in many others, the chief requisite
-is resourcefulness. The detective of fact wears little disguise apart
-from clothes that fit the surroundings he moves in. But he has an
-instant knack at accounting for himself as a normal character who has
-happened quite naturally into the scene. Ready wits do the trick—not
-false whiskers. Thus it came about that whenever Annie and Myrtle were
-hungry, and sat down in a restaurant, what they said was noted by a
-couple of fellows at another table, who quickly made a party of the
-chance patrons they found there, discussing wages or the suffragettes.
-Or if Annie used the telephone in a drug store, a polite young man
-turning over the directory said to her, “Go ahead, lady—I’m in no
-hurry,” and listened.
-
-At the same time, Matron Goodwin was reporting conversation from inside
-the house. It appeared that Kinsman had sent Annie back to the city
-after buying her a new hat and giving her $125. He promised to write
-soon, but did not tell her where he was going. Toward the end of the
-week, as no letter arrived, Annie began worrying, and was talkative. She
-feared that Eddie no longer loved her. She reproached herself for
-letting him go without taking her along, and spoke of setting out to
-find him.
-
-
- _The Trail Is Taken Up_
-
-It was now Wednesday, February 21, and all the careful detail work began
-to come together.
-
-It was this day that Detective Watson found the crew of Train No. 13, on
-the New York Central, which had taken Kinsman, Annie and Splaine aboard
-at Peekskill the afternoon of the robbery after they had ridden out of
-New York in a taxicab to avoid possible police surveillance at the
-railroad stations. Commissioner Dougherty dispatched Watson to Peekskill
-and Albany with thorough instructions. His motto in working out a case
-is, “Supervision is half the battle.”
-
-“When you get to Albany,” he said, “go to that big hat store on Broadway
-near the station. I’ll bet that’s where Annie’s new hat was bought—they
-sell the best millinery in the country outside of New York.”
-
-Nothing important was learned at Peekskill, but at Albany, sure enough,
-Detective Watson found the saleswoman right in “that big hat store” who
-had sold the new hat, and secured Annie’s discarded headgear. The new
-hat had cost twenty-five dollars. The old one looked as though it might
-have cost ninety-five cents—a “Division Street Special.” Its black
-velvet was of the cheapest grade, the famous little red roses proved to
-be, on close inspection, nothing more than little loops of pink cotton
-cloth, and the general state of the hat indicated that it was about time
-Annie had a new one. This interesting “bonnet,” however, seemed just
-then more handsome than any costly article of millinery ever smuggled
-over from Paris. It was immediately sent to New York by express, with a
-copy of the sales slip covering the purchase. The saleswoman was able to
-add one or two details of description, and remembered how, after the
-woman had selected a hat, the two men had joked about who was to pay for
-it.
-
-“She’s your girl,” said Splaine, and so Kinsman had paid the bill with
-five five-dollar bills.
-
-Nothing could be learned as to the direction in which the two men meant
-to travel. Detective Watson now began a search among train crews running
-out of Albany, and Commissioner Dougherty, in New York, got the Albany
-ticket-sellers by long-distance telephone. His knowledge of how railroad
-tickets are sold, accounted for, taken up, cancelled and checked by the
-auditing department made it possible to sift matters down to the
-strongest kind of probability. After considerable telephoning, aided by
-Detective Watson on the spot, it was determined that Kinsman and Splaine
-had been the purchasers of two consecutively numbered tickets for
-Chicago sold together on Friday morning, twenty-four hours after the
-robbery, and that they had gone west on Train No. 3, leaving Albany at
-12:10 p. m. Their tickets were available for that train, and the
-conclusion was strengthened by calculating Annie’s movements. For it was
-found that she had come back to New York the same day, between four and
-five in the afternoon. She had kept out of sight until she appeared at
-Myrtle Horn’s lodging and was reported by Matron Goodwin and “Plant 21”
-on Tuesday. But she must have taken a train from Albany about the time
-that the men were starting for Chicago, reaching New York at 3:45 p. m.
-
-Commissioner Dougherty felt that the chances of finding his men in
-Chicago were so good that, without wasting time in an investigation of
-the crew of Train No. 3, he put Detectives Daly and Clare aboard a
-Chicago train that same night. Kinsman and Splaine would both find
-congenial company among the pugilists in Chicago.
-
-These detectives were given names to conceal their identity, and ordered
-to report under the code term of “Orange Growers” to eliminate all
-flavor of police business. They received detailed instructions about
-where to go and what to do. Again the Commissioner covered the trail
-when it led out of New York by sending capable assistants, instead of
-merely wiring the police in other cities. Before the “Orange Growers”
-departed, the “boss” gave them a little talk about expenses.
-
-The detective attached to a municipal police force is very often
-hampered by fear of making unusual expenditures. Accounting routine is
-strict. Telegrams are often limited to the minimum of ten words where a
-hundred are needed to send a working description or report. The
-long-distance telephone is used as a luxury, and in many instances where
-the plain-clothes man can get valuable information through an informant
-he pays the shot out of his own pocket because there is no other way of
-paying it, and trusts to the chance that this private investment out of
-his salary will help him “break” a knotty case.
-
-Commissioner Dougherty told the “Orange Growers” that they would be kept
-on this trail if it led all around the world. They must not consider
-expenditure when there was vital information to put on the wire. He
-expected them to turn to the long-distance telephone whenever they
-needed new instructions in a hurry. Briefly, he took the blinders and
-shackles off them, and sent them out to do good work, and the outcome
-justified this far-sightedness.
-
-------------------------------------------------------------------------
-
-[Illustration: JESS ALBRAZZO]
-
-[Illustration: MATTEO ARBRANO]
-
-[Illustration: JAMES PASQUALE]
-
-[Illustration: BOB DELIO]
-
-------------------------------------------------------------------------
-
-At that period of the winter trains were delayed everywhere by storms,
-so the “Orange Growers” had opportunities to make inquiries at stations
-and railroad restaurants all along the line to Buffalo. They were in
-search of their “brother,” who was described in terms of Kinsman’s
-personal appearance, and was supposed to be on his way somewhere with
-another man. At Syracuse an observant waitress remembered their
-“brother” distinctly, having served both the men when their train
-stopped for supper. Finally, the two “Orange Growers” got snowed up in
-Michigan for a time, and there we will leave them for the present.
-
-
- _Montani Quizzed Once More_
-
-By Thursday many loose ends of the case were being brought together so
-effectually that the outlook seemed exceedingly bright.
-
-But only to the executive circle in Dougherty’s office.
-
-Outside, all was dark. Newspaper criticism had become more caustic than
-ever, and the public, after the ingrained habit of New York, was turning
-its attention to fresher news sensations.
-
-At a big annual dinner of police officials held that evening, February
-22, the atmosphere of gloom resting upon the department was most
-tangible. The fourteen hundred guests, who were chiefly police
-inspectors, captains and lieutenants, felt that a stigma lay upon the
-service with which they were identified. They had no means of knowing,
-of course, that one week from that night the gloom would have lifted,
-criticism be turned to praise, and that policemen generally would be, as
-a witty lieutenant put it, “back to our official standing again—which
-never was so very high.”
-
-Montani had called at Police Headquarters repeatedly, accompanied by his
-unseen shadowers. He professed to be anxious to furnish further
-information, if it lay in his power, and the Commissioner chatted with
-him cordially, leading him to believe that he no longer rested under the
-slightest suspicion.
-
-On Friday Dougherty made an interesting effort to “break” Montani.
-
-He now had a minute physical description of Kinsman, as well as two
-photographs of him. The chauffeur was asked to describe once more the
-man who had sat upon the cab seat with him. The questions went over
-details from head to foot, and were prompted by details of Kinsman’s
-real appearance.
-
-Montani said the man had large brown eyes, which was true.
-
-He remembered that he had talked with a good American accent, and used
-words not common to the criminal, which was also more or less true.
-
-He suddenly recalled a gold-filled tooth in the robber’s upper
-right-hand jaw, a point already furnished by informants.
-
-In fact, as this new examination went on, it became clear to the
-Commissioner that Montani was actually describing Kinsman, changing only
-one detail. He said that the robber had had a dark mustache, while it
-was certain that Kinsman had been smooth-shaven.
-
-Suddenly the Commissioner tried what is known as a “shot.”
-
-The examiner in such an inquiry is often in possession of incriminating
-evidence. Instead of producing it bluntly as evidence, however, he will
-perhaps let it slip out bit by bit, as though by awkwardness, meanwhile
-maintaining an appearance of absolute confidence in the suspect’s
-integrity. A classic example of this device is found in the Russian
-writer Dostoieffsky’s “Crime and Punishment.” The skillful “shot” is
-usually far more disconcerting than evidence produced openly to
-overwhelm. For the suspect assumes that the examiner really knows
-nothing, and has merely blundered. So he is on his guard outwardly. But
-he also worries inwardly, and this trying conflict between inner doubt
-and the need for keeping up outer calm will often break him down
-completely.
-
-Dougherty’s “shot” was a photograph of Kinsman.
-
-By pre-arrangement an assistant came into the office and began turning
-over some papers on the Commissioner’s desk. The photo of Kinsman popped
-out where Montani could see it plainly, and then was hurriedly put out
-of sight again. The Commissioner scolded his assistant, and the latter
-stood shamefaced and silent.
-
-But in this instance the device failed.
-
-Montani not only betrayed no interest in Kinsman’s picture, but took the
-awkward assistant’s part, and asked the Commissioner not to scold him.
-
-Montani had planned his crime, fitted the plan with men, laid out every
-detail in his mind, and arranged his story beforehand. He expected to be
-arrested, and said so. He admitted that there were inconsistencies in
-his story, but hoped to clear them up. He had discussed the crime with
-Jess and Dutch, and had not been seen in the company of the other
-criminals. So, having settled on his story, Montani stuck to it without
-variation under every form of pressure. Others forgot what they had
-arranged as their defense, or departed from it, or broke down and
-confessed. But not Montani. He alone went to trial, and stuck to his
-story until the end.
-
-
- _The “Orange Growers” in Chicago_
-
-When Daly and Clare, the two New York detectives working as the “Orange
-Growers,” arrived in Chicago, they went to Police Headquarters in that
-city, made inquiries about Kinsman and Splaine, and secured the aid of
-Chicago detectives. Then they put up at a hotel where, by arrangements
-with the house detective, they occupied a room on the second floor handy
-to a little-used stairway leading to a side street, which would make it
-easy to slip in and out without going through the lobby. On the trip
-from New York both of them had neglected shaving, and Daly was an
-especially tough-looking citizen, for his beard grows out stiff and
-bristly, with black and red intermixed, and a little green to help the
-general effect. With suits of old clothes and sweaters they were so
-little like their official selves that for several days, though they
-went rather freely around resorts frequented by crooks who knew them in
-New York, they were not recognized.
-
-The “Orange Growers” now became a pair of hardened “yeggmen,” or bank
-robbers, and for three days were busy visiting thieves’ haunts all over
-the city, from the Levee district to the Stockyards. It was found that
-Kinsman and Splaine had put up at a high-class boarding house in a
-fashionable residence section. Kinsman seemed to be doubtful about the
-impression Splaine might make there, though in the opinion of the police
-Splaine was by far the more intelligent of the pair. So he took the
-landlady aside and asked her, privately, if she had objections to a
-prize-fighter in her house. The landlady replied, “Why, no! if he is a
-gentleman—many prize-fighters are just like other people!” Thereupon,
-Kinsman undertook that Splaine should behave himself. He also wanted to
-know if valuables were safe there, and the astonished landlady assured
-him that her house was like a home, that the guests were like one big
-family and seldom locked their doors, and that Mr. Smith, well known as
-an officer in one of the leading banks, had lived there for years.
-
-The pair had spent considerable time in criminal haunts, but had now
-disappeared. Kinsman, as it was learned later, had returned to New York.
-Splaine was apparently in Chicago still, spending his money, but the two
-“Orange Growers” seemed never to catch up with him. Their man had always
-gone around the corner within the past hour.
-
-Finally they planned a ruse with the aid of two Chicago detectives.
-Splaine had been intimate with a certain woman of the underworld, known
-as “Josie.” Clare went to her, represented himself as a “stick-up man,”
-said he and his partner were after that guy with all the money and
-diamonds, meaning Splaine, and that they meant to rob him. If Josie
-worked with them, like a good girl, she would come in for her third of
-the plunder.
-
-Josie professed ignorance. She was sure, so help her Mike, cross her
-heart, that she knew nothing about no gent with any money or diamonds—no
-such a party had been near the house in months, worse luck. Clare argued
-awhile with no results, and then said he would come back a little later
-and bring his pal. Then Daly was introduced to Josie as the extremely
-undesirable citizen who would do the strong-arm work. But Josie still
-insisted that she had no idea what they were talking about.
-
-They went out, and within a few minutes the two Chicago detectives,
-Dempsey and McFarland, known by Josie as officers, came in, described
-the disguised Clare and Daly as two of the most desperate “yeggmen” in
-the country, said that they had warrants for them, and asked if they had
-been seen. Josie crossed her heart again, and said that there had been
-nobody around there all evening—believe her, it was like living the
-simple life, and if things kept on bein’ so quiet she’d blow the town
-and go back to Keokuk.
-
-Then, enter the two “Orange Growers” once more, to be warned by the fair
-Josie.
-
-“Say, the bulls are after you boys, an’ you better pull your freight,
-‘cause if you stay around here they’re goin’ to _get_ you.”
-
-“Aw, hell!” was the reply, “We’d just as lieve kill a cop or anybody
-else. We stick in this house till you tell us where we can reach that
-guy with the money and the diamonds—understand?”
-
-Then Josie broke down, and told them Splaine had been there early in the
-evening, but had gone away to take a train out of town. She did not know
-the railroad, and urged them to leave. This was evidently the truth, so
-they hurried to Police Headquarters, telegraphed descriptions to other
-cities with a request that arriving trains be watched, and went to bed
-to get a little sleep, so that they could be at work early the next
-morning.
-
-But in the morning word came from the Memphis Police that Splaine had
-been arrested there on alighting from a train, and they thereupon
-notified New York, went to Memphis, secured Splaine on extradition
-papers, and brought him back to the metropolis.
-
-
- _The Traps Are Sprung_
-
-On Saturday afternoon, February 24, while most of the energy of the
-Detective Bureau was centered on the taxicab case, a brutal murder was
-committed in Brooklyn.
-
-Word came that a Flatbush merchant had been found dead in his store,
-shot by unknown criminals whose motive was robbery. They had taken his
-watch and five safety razors.
-
-Inspector Hughes was sent to the scene of the crime, and Commissioner
-Dougherty quickly followed. The murder occurred about one p. m. By six
-o’clock the same day the number of the watch had been learned through a
-canvass of jewelers in the neighborhood, it being on record by one of
-them who had repaired it, and the watch and two of the safety razors had
-been found in pawnshops. Descriptions of the murderers were obtained,
-and by three o’clock Sunday, the following day, their identity had been
-established. Within thirty hours after the crime these men had been
-arrested, positively identified as the pawners of the stolen articles,
-and completely tied up in their own statements.
-
-At half-past nine Sunday night, while the Commissioner, Inspector Hughes
-and Captain Coughlin, in charge of Brooklyn detectives, and Lieutenant
-Riley were winding up their work on this murder case, word suddenly came
-over the telephone to Commissioner Dougherty from an informant that
-Eddie Kinsman had been seen in New York with “Swede Annie,” and that he
-was accompanied by an unknown man, wearing a red necktie, supposed to be
-Gene Splaine. At the same time Matron Goodwin, stationed inside Annie’s
-lodgings, telephoned that she had information indicating that Kinsman
-had returned to the city.
-
-When the Commissioner motored over to New York, he found his men
-covering a hotel on Third avenue, not far from 42d street. Kinsman and
-Annie were inside.
-
-The Commissioner hurried to the 18th precinct police station and sent
-out a call for twenty-five detectives. Team work on the case had
-developed to such a degree by this time that, though the men came from
-many stations, they were all on hand in record time, a matter of twenty
-or thirty minutes. Then a squad of these plain-clothes men was sent to
-watch every railroad station and ferry house, each accompanied by one of
-the men from “Plant 21,” familiar with Annie from having followed her
-movements for a week. Surveillance on the hotel was strengthened, and
-steps taken to ascertain whether the unknown man in the red tie was
-really Splaine.
-
-While making these arrangements, a curious incident occurred, showing
-how small is New York, after all, with its five million people. As
-Dougherty sat in the 18th precinct station, Detective Rein brought in a
-prisoner arrested for shooting a citizen. He was drunk and extremely
-disagreeable, and gave his name as “Steigel,” living at 98 Third avenue.
-Something in this address echoed to something in Dougherty’s memory—a
-keen one for names, dates, addresses and facts generally. He
-investigated further, and found that this prisoner was no other than the
-criminal Molloy, whose urgent need of “character witnesses” had played
-so important a part in furnishing the first information in the taxicab
-case.
-
-By some mischance, these operations came to the ears of the newspaper
-men. Word went about, beginning in Brooklyn, that important arrests were
-to be made. The reporters followed the Commissioner in a crowd when he
-refused to make a statement. They not only hampered the work, but
-greatly endangered the outcome. On the following day, Monday, the papers
-published information about the police activities of the night before.
-The hazard here may be appreciated when the reader is told that Kinsman
-had been a persistent reader of newspapers from the day of the robbery,
-and that it was largely the pessimistic newspaper comment upon Montani’s
-release in court that led him to return to New York. Deceived by the
-newspaper chorus of “police demoralization,” and the easy way in which
-Montani had got free, he concluded that the taxicab investigation had
-been given up as hopeless.
-
-Kinsman was arrested in the Grand Central Station at half-past eleven
-Monday morning, with Swede Annie and the unknown in the red tie. They
-were about to set out for Boston.
-
-There were some amusing circumstances in the arrest.
-
-Kinsman’s immunity over night, and police precaution in deferring the
-arrest until the last moment, on the chance that other persons would
-join the party, gave him a false confidence. He afterward admitted that
-ideas of a “pinch” at that time were far from his mind.
-
-When a criminal thought to be dangerous is to be arrested in a crowded
-place like the Grand Central Station, police officers operate by methods
-that prevent a struggle. As two detectives closed in on the party,
-Kinsman watched one of them out of the corner of his eye. While a waiter
-at the “Nutshell Café” he had often thrown objectionable guests out onto
-the sidewalk. He now fancied that one of the detectives resembled a man
-he had once “bounced,” and was ready to fight if attacked.
-
-“I was just folding it up,” he said, referring to his fist, “and getting
-ready to land on him when one had me from behind and the other in front.
-Then I knew they were cops.”
-
-Annie was gorgeously dressed in a new blue suit and fine fur coat,
-bought out of the taxicab money. The unknown man proved to be Kinsman’s
-brother, who had come down from Boston with him. Kinsman had visited his
-native city before returning to New York, but had escaped the police net
-there by stopping at a hotel and sending for his brother. He sent a grip
-home by this brother, and it was afterward found to contain three
-packages of bills of $250 each in the original wrappers of the bank.
-
-As soon as word of these arrests was telephoned to Police Headquarters,
-the other traps were sprung. Detectives brought in Montani, Jess
-Albrazzo and Myrtle Horn, the latter, with Annie, being held as
-witnesses.
-
-------------------------------------------------------------------------
-
-
-
-
- CHAPTER III
- HOW THE CRIME WAS HANDLED BY THE POLICE—THE CONFESSIONS
-
-
-Now begins some of the most interesting work connected with the taxicab
-case—the examination of the first prisoners, which led to confessions,
-the implication of other guilty persons not yet under arrest, and the
-voluntary pleas of guilty in court which saved costly trials in all but
-Montani’s case.
-
-This sort of work is familiar under the term of “third degree.” It is
-popularly supposed to be accompanied by force and sometimes
-brutality—and in wrong hands often is. Commissioner Dougherty’s
-experience with a commercial detective agency, however, has led him to
-develop intelligent methods. The commercial detective organization has
-none of the authority of an official police force, and at the same time,
-through its national operations and the general character of its work,
-deals chiefly with the most accomplished criminals. Therefore, tact and
-legal subtilty are depended upon in examining suspects, and the
-Commissioner long ago learned to get his results mainly by straight
-question and answer. He puts his own wits against those of the suspect,
-backed by experience in many other cases. He has a practical grasp of
-criminal psychology, as well as many ingenious ways of using evidence to
-the best purpose, overwhelming the suspect, and breaking down stolidity
-and deception. Dougherty is not only opposed to force in the “third
-degree,” but knows that it is of absolutely no use.
-
-The first prisoner examined was Eddie Kinsman.
-
-When he was brought to Police Headquarters Kinsman appeared to be
-thoroughly satisfied with himself, and confident that no policeman would
-get anything out of _him_. He proved to be a good-looking young fellow,
-of athletic build, and by no means a fool.
-
-Methods of examination are never twice alike, for they depend upon the
-case and the suspect. As a rule, however, when the criminal first sits
-down to answer Commissioner Dougherty he is astonished by that
-gentleman’s apparent lack of guile, and ignorance of worldly knowledge.
-When Dougherty composes himself for an inquiry, he is rather a
-heavy-looking citizen, not unlike a country magistrate, and his first
-questions, put for the purpose of determining the suspect’s character
-and previous surroundings, usually relate to bald routine matters, such
-as name, age, residence, education, family, and so on.
-
-“Gee!” thinks the suspect, “This guy is the biggest lobster I ever got
-up against! I wonder how he ever got to be a police commissioner. He
-must have a strong political pull.”
-
-Kinsman was ushered into a large, quiet office, where this bureaucratic
-official began by asking his name, birthplace and other details.
-
-“Will you kindly stand up a minute while I get your height?” asked the
-questioner, and Kinsman did so in a patronizing way. Then the
-dull-looking gentleman turned back Kinsman’s coat and looked at the
-little label sewed in the inside pocket.
-
-“I see that you have been in Chicago recently,” he observed. “This suit
-was made by a tailor there. You ordered it February 17th, two days after
-the robbery.”
-
-He looked into Kinsman’s hat.
-
-“That was bought in Chicago, too.”
-
-He examined the label on Kinsman’s tie.
-
-“This was also bought in Chicago.”
-
-He turned up the label at the back of the neck of the new silk
-underclothes worn by the prisoner.
-
-“Those were bought in State street, Chicago, and from a very good store,
-too—I know it well.”
-
-Kinsman now began to be pugnacious and defiant.
-
-“See here!” he said, “You must take me for a boob.”
-
-“Yes, I think you are a boob,” replied the Commissioner. “You might as
-well have made your getaway with a brass band as to take Swede Annie
-with you to Albany, attracting attention all the way, and then send her
-back to New York with a hundred dollars to tell the police where you had
-gone.”
-
-Suddenly Lieutenant Riley, personal aide, walked into the Commissioner’s
-office carrying a cheap article of millinery—a shabby black velvet hat
-with a row of little red roses across the front. Commissioner Dougherty
-apparently grew very angry.
-
-“What do you mean by bringing that thing in here now?” he exclaimed. “I
-am not ready for that—take it away.”
-
-This “shot” had been previously arranged, of course, but Riley pretended
-to be injured when called by his superior.
-
-“Cripes!” exclaimed Kinsman. “Annie’s old hat. How did you get that so
-quick?”
-
-“Oh, that is only one thing we’ve got on you,” replied the Commissioner.
-“We know that you went to Peekskill in a taxicab with Annie and Splaine
-on the afternoon of the robbery. We know that you took Train 13 to
-Albany, and where you stopped that night, and where you bought Annie’s
-new hat, and how much you paid for it, and what train you took to
-Chicago Friday noon. Suppose you tell me something more about your
-movements?”
-
-Kinsman became scornful.
-
-“If you know all that,” he said, “maybe you know more about where I went
-and what I did than I do myself. So what would be the use of me telling
-_you_ anything?”
-
-While certain people were being found outside, the Commissioner worked
-upon the prisoner along another line. Enough of Kinsman’s personality
-was now disclosed to show that he was vain and egotistical. This side of
-his nature was therefore fed with flattery. He was assured that the
-taxicab robbery had been a wonderful “stick-up.” Everybody in New York
-had been astonished. The whole country was talking about it, and about
-him. He must be an awfully bright, cunning fellow to have planned and
-carried out such a piece of crime.
-
-Kinsman warmed up genially under this admiration, and seemed to be more
-confident than ever that so shrewd a young man as himself would have
-little difficulty in fooling the police.
-
-But presently self-satisfaction was subjected to shock after shock.
-
-Detectives were bringing in Montani, Myrtle Hoyt, Rose Levy, Mrs.
-Sullivan, the landlady with whom Kinsman had lived, and her housekeeper.
-Jess Albrazzo was under arrest. Kinsman’s brother was there for
-examination, and Inspector Hughes and Lieutenant Riley were bringing in
-startling intelligence every few minutes.
-
-The housekeeper was ushered in, and told how Kinsman had given her five
-dollars from a huge roll of bills before leaving for Peekskill.
-
-Commissioner Waldo came in and sat while Mrs. Sullivan told what she
-knew about her late lodger.
-
-Kinsman’s brother gave information about the former’s movements from the
-time he had arrived in Boston until he brought him to New York to have a
-good time, and Kinsman knew that at the home of his parents in Boston
-the police would surely find money in the original wrappers of the bank.
-
-The prisoner was put under pressure to explain how a man like himself,
-known to be working as a waiter in a cheap resort, could suddenly have
-come into possession of such sums. Statements from the women in the case
-had been secured, and were produced, and finally Kinsman was brought to
-detailed admissions, one by one. He agreed that it was true he had gone
-to Peekskill in a taxicab with Annie and Splaine, that he had gone to
-Albany, had bought Annie a hat there, had gone to Chicago, and so forth.
-Opportunities were given him to see Montani and Jess, under arrest.
-Nothing but the truth was told him, yet by degrees he was led to see
-himself surrounded on all sides by evidence and confessing accomplices.
-At last he broke down completely, his vain self-confidence destroyed,
-and made a detailed confession.
-
-Kinsman’s story brought up fresh circumstances and new actors in the
-taxicab case.
-
-He told how he had come to New York nine months before, to have a good
-time and make money, and how, after going penniless and hungry, and
-getting a few dollars for taking part in a boxing match, he had become a
-waiter at the “Nutshell Café.” There he soon made the acquaintance of
-criminals, meeting Gene Splaine, “Dutch” Keller, “Joe the Kid,” “Scotty
-the Lamb” and other characters who were afterward to assist in the taxi
-robbery. There he also met “Swede Annie” and became her sweetheart, and
-finally, Jess Albrazzo, a dark little Italian who seemed to exert marked
-influence over all the others. It was from Jess that Kinsman first heard
-about the plan to rob a taxicab carrying money to a bank. This “swell
-job” was discussed, and Jess told him he had a friend named Montani who
-carried the bank’s cash, and would cooperate in stealing it. The job
-would be easy, because Montani would run the cab through a side street,
-and the only guard was an old man and a boy, neither of them armed.
-
-One Sunday night, two weeks before the crime, Jess took Kinsman and
-other accomplices over the route, after all had drunk themselves into
-optimistic mood, and pointed out the bank from which the money was
-drawn, the streets through which Montani would run, the place where the
-gang could board the cab, and the point at which they could leave it and
-escape uptown. Details were discussed. There was a difference of opinion
-as to methods, and the plotters parted that night with the understanding
-that each would submit his own ideas of how the robbery could be most
-effectively and safely carried out. Eventually there was a definite
-agreement as to boarding the cab, preventing an outcry, making the
-getaway and splitting up the money.
-
-According to Montani’s information, the bank messengers usually carried
-between $75,000 and $100,000. When the day for the robbery had been set,
-word suddenly came that there would not be so large a sum. This was
-disappointing, but the gang decided to put their project through,
-nevertheless. Kinsman was busy at the café, where he worked until four
-o’clock on the morning of February 15, and “Dutch” called for him
-several times, asking if he was going to “lay down on the job.” Finally
-Kinsman got away, went to a room in a lodging house taken by “Dutch,”
-and found the gang all there smoking and drinking. At five o’clock they
-all went to sleep. At eight everybody was awakened. “Dutch” and Splaine
-took blackjacks, and offered Kinsman a revolver, which he refused,
-saying he could take care of himself with his hands, being a boxer.
-There were six in the party—Kinsman, “Dutch,” Splaine, “Joe the Kid,”
-Jess and “Scotty the Lamb,” whose part was to stumble in front of
-Montani’s cab at the place selected for the boarding, and thus give the
-chauffeur a colorable reason for slackening speed if eye-witnesses
-afterward called his honesty into question. The gang had breakfast in a
-cheap restaurant, stopped for a drink at the saloon of “Jimmie the Push”
-in Thompson street, where the booty was to be divided, and proceeded
-downtown, after parting with Jess. The latter was the organizer, and
-took no part in the robbery; as he explained, he was known as a friend
-of Montani’s, and wanted to arrange so that he could prove an alibi if
-suspected, proving that he had not been near the scene of the crime when
-it was committed.
-
-------------------------------------------------------------------------
-
-[Illustration: “Scotty” Receives Final Instructions]
-
-------------------------------------------------------------------------
-
-At that saloon they had met a trio of Italian criminals known as the
-“Three Brigands,” who said they were not to take part in the robbery,
-but would be on hand to see that it was vigorously put through.
-
-Arrived upon the ground, at Church street and Trinity Place, Splaine and
-Kinsman waited on the west side of the thoroughfare, while “Dutch” and
-“Joe the Kid” stood on the opposite side. “Scotty the Lamb” posted
-himself fifty feet off.
-
-As Montani’s cab came speeding along, “Dutch” raised his hat as a
-signal. “Scotty the Lamb” did not have time to step in front of the
-vehicle before it slackened, and the robbers were aboard. “Dutch” opened
-one door and struck the old bank teller, Wilbur Smith, and “Joe the Kid”
-boosted Splaine in on the other side, where he assaulted young Wardle.
-Kinsman mounted the seat beside Montani, and the latter put on full
-speed, telling Kinsman to point his finger at his side as though he had
-a revolver. The cab slipped past trucks and dodged pedestrians. Kinsman
-said he seemed to see policemen everywhere, and was dazed when the
-vehicle stopped at Park Place and Church street. All the criminals got
-off there, “Dutch” lugging the brown bag containing the money. Splaine
-and “Dutch” were both covered with the bank guards’ blood. Taking
-Kinsman, they jumped aboard a street car. It was crowded. Several
-passengers noticed the bloody men, but were told that there had been a
-fight, and the occurrence was not reported to the police. After riding
-two or three blocks they got off, boarded an elevated train, rode to
-Bleeker street, and went to a back room in “Jimmie the Push’s” saloon,
-where the money was to be divided. Here they found Jess and the “Three
-Brigands,” and the latter now set up a claim for a share in the booty.
-Matteo, leader of the trio, pulled out a revolver, and there was a
-discussion. Finally the bag was opened, and found to contain $25,000.
-There were three packages of $5,000 each and one of $10,000. Matteo
-grabbed the latter package, saying that his gang was to get $3,000
-apiece, and that the odd $1,000 would go for “fall money” to get Molloy
-out of jail in Brooklyn. The robbers then divided the remainder, Jess
-taking $3,000 for himself and another $3,000 for Montani, Splaine
-getting $3,000, Kinsman $2,750, “Joe the Kid” $250 and “Scotty the Lamb”
-nothing. Kinsman then told how he had called for Swede Annie, and left
-town in a taxicab, going as far as Peekskill, to avoid the police at the
-Grand Central Station.
-
-
- _Jess Confesses and Assists_
-
-The next prisoner examined was Jess Albrazzo, a dark little Italian, who
-appeared to be somewhat ignorant.
-
-In this examination the Commissioner had ample outside proof, and he
-also employed what he calls his “psychological study.” Years ago, in
-dealing with negro suspects in Southern crime, Dougherty devised a
-little instrument which he dubbed his “lie watch.” This was a dial with
-a needle, hung round the suspect’s neck. If the latter told the truth,
-the needle presumably pointed to “Truth,” and if he didn’t, it pointed
-to “Lie.” Being out of the suspect’s sight, it had a strong effect.
-
-From that, Dougherty went into studies of the mental states of suspects
-under examination, and found rough physiological indications which he
-uses as a guide to the integrity of the suspect. Investigations of
-European criminal experts like Professor Hans Gross amply demonstrate
-that there is a real scientific basis for such methods.
-
-Dougherty took it a little easier with Jess. They sat down, and the
-Commissioner went over the Italian’s movements for the past few months,
-showing him how thoroughly he was implicated. Jess had worked for
-Montani, and been intimate with the rest of the taxicab “mob.” He and
-Montani were confronted with each other, and points brought out in
-Kinsman’s confession were skillfully used.
-
-At one point in this examination the Commissioner rose from his desk,
-took the lobe of Jess’s ear between his thumb and finger, pinched it
-slightly, looked at the ear closely, and then walked out of the room.
-
-Jess was all on edge with curiosity.
-
-“Why did he pinch my ear?” he asked of Lieutenant Riley.
-
-“To see if you are telling the truth,” was the answer, and in a moment
-the Commissioner came back and examined that ear again.
-
-“Yes, he’s lying,” he declared. “Look at his ear—can’t you see it
-yourself?” Others were invited to look at Jess’s ear, and the little
-Italian became so curious that he actually tried to look around the side
-of his skull and see his own ear!
-
-This psychological study was backed up with abundant proof that Jess had
-not told the whole truth. Presently he weakened and confessed. He told
-how he had handed $2,000 in a collar box to “Jimmie the Push” on the day
-of the robbery, which was to be taken to a Bowery bank and put in a
-safe-deposit vault for Montani. He agreed to accompany the police to
-Jimmie’s place in Thompson street, and late that evening a party made up
-of Commissioner Dougherty, Inspector Hughes and Lieutenant Riley went
-there, taking Jess along.
-
-“Jimmie the Push’s” place is one of the most picturesque thieves’
-resorts in lower New York.
-
-“Typical of the old village,” as Dougherty puts it. “In fact, this whole
-case has a strong flavor of the little old village of New York.”
-
-Jimmie was out when they got there, but this saloon was in charge of the
-biggest, swarthiest Italian bartender in town, a tough Hercules weighing
-somewhere around three hundred pounds. The room was crowded with motley
-characters, drinking beverages known to the neighborhood as “shocks” and
-“high hats.” For their edification, a tramp magician was taking coins
-out of his ears, his nose and the air.
-
-Jess was not known to be under arrest, and immediately sent a boy called
-“Reddy” to fetch the proprietor, who had known the three police officers
-for years. Presently Reddy came back and said that Jimmie would come in
-about half an hour, as he was playing cards and had a fine hand.
-
-Reddy was sent back to impress upon Jimmie that Jess wanted to see him
-right away—it was very important. In about two minutes, just as the
-Commissioner had bought a “high hat” for everybody in his party, Jimmie
-appeared. He was told that Jess had got into trouble in connection with
-the taxicab robbery, and asked about the money in the safe deposit
-vault. “Jimmie the Push,” with his partner, Bob Deilio, had by this time
-been implicated themselves, for it was clear that the money had been
-divided in their resort, and that probably they had taken part in the
-planning, and the decidedly one-sided division of the spoils. Jimmie was
-led to believe that he did not rest under suspicion, however, and that
-he was only asked to aid the police. He said Jess had handed him a
-collar box on the day of the robbery, asking him to put it in a vault in
-his own name, but that he had had no idea what the box contained, and
-had left it lying behind the bar for a couple of days before he got a
-chance to go to the bank with it. He readily promised to appear at
-Police Headquarters the following morning, bring the key to the safe
-deposit box, and help recover the money. Thereupon the police officials
-bade him good night and went away. But no chances were taken on “Jimmie
-the Push.” From that moment he was shadowed.
-
-That Monday was a busy day in many other ways.
-
-Developments came thick and fast.
-
-Kinsman’s home in Boston was visited, and $750 of the bank money
-recovered in the original wrappers. It had laid in his grip, unknown to
-the honest Kinsman family.
-
-Swede Annie, Myrtle Horn and a girl named Rose Levy were examined,
-quickly broke down, and made tearful statements to be used in evidence.
-These women were held only as witnesses, and as the case cleared up
-after a few days’ detention, were released.
-
-The girl, Rose Levy, greatly attracted the Commissioner. She was only
-nineteen years old, a mild-mannered little Jewess with jet black hair
-and very remarkable eyes. The Commissioner went into details of her
-personal story. It seems that she had left her home in Brooklyn two
-months before, after a quarrel with her mother, and had come to New York
-looking for a position. But she quickly fell into the lower world,
-became known as Jess’s girl, and was ambitious to be “one of the gang.”
-After a fatherly talk she was persuaded to return to her home and live a
-decent life. But within a week she was back in New York again, in her
-old haunts, trying to raise money to help Jess, for whom, she told the
-Commissioner, she would willingly work for the rest of her days.
-
-Before visiting Jimmie’s saloon the Commissioner called up the “Orange
-Growers” in Chicago, had a long talk with them, told what progress was
-being made, and put new life into them.
-
-
- _More Money Recovered_
-
-True to his word, “Jimmie the Push” walked into Police Headquarters at
-nine o’clock Tuesday morning, February 27, closely followed by his
-unseen shadowers. He produced the key of the safe-deposit vault, and
-went with officers to see the money recovered. There was $2,000, as Jess
-had stated, still in the wrappers of the bank. Jimmie was still
-permitted to go free, under the impression that he had come through the
-ordeal “clean,” while fresh evidence was being obtained against him.
-
-That morning the Commissioner also took Kinsman down over the route of
-the robbery, to have him explain it in his own way. This was done to
-strengthen the case against Montani, and upset his story in court.
-
-Then “Scotty the Lamb” was located, arrested, brought to headquarters
-and led to confess. “Scotty the Lamb” was in some respects a pathetic
-figure in the case, and also a humorous one. He had been in charge of
-the lunch kitchen at the Arch Café when Jess owned it, and later worked
-as a dishwasher in a Washington Square hotel. A Scotch youth, from
-Glasgow, he had been in this country about four years, and while no
-criminal record appeared against him, he was plainly in the company of
-thieves most of the time. According to his statement, he had been
-promised $25 for doing some work for Jess, and without inquiring into
-the nature of it at all, had shown up with the gang and gone along to do
-his minor part of a “stall,” stumbling in front of the cab. But before
-he could get out into the street, the cab had been boarded. So poor
-“Scotty the Lamb,” without a nickel for carfare, plodded all the way
-uptown again to the saloon where the money was to be divided, and got
-nothing whatever. He was a cheerful soul, however, and the life of the
-party when the gang was locked up, cracking jokes, and taking the view
-that, as sentences ought to be proportioned to the amount of money each
-member of the gang had got in the division, and he had got nothing, he
-might be let off with six months’ imprisonment.
-
-“Scotty, haven’t you got any overcoat?” asked Inspector Hughes,
-sympathetically, as they were going to court one brisk morning. “Did you
-_ever_ have an overcoat, Scotty?”
-
-“No, sir, I never had an overcoat,” replied Scotty, and then as he
-thought of his prospects for going to prison, added drolly, “And now I
-don’t expect, sir, that I ever will!”
-
-
- _The Fine Italian Hand_
-
-The next step in the case was that of arresting “Jimmie the Push” and
-his partner, Bob Deilio.
-
-Another phase of the robbery now began to come out plainly.
-
-Up to the present time the main burden of proof pointed to the four
-“hold-up” men of American birth as the chief actors in the crime.
-Montani and Jess, the two Italians, appeared to be accessories.
-
-But as the tangled threads were unravelled, one by one, it was found
-that the Italians involved outnumbered the American thugs, and that
-furthermore they had outwitted them.
-
-When Bob Deilio was arrested he drew $215 in five-dollar bills out of
-his pocket and handed it to the police, admitting that it was part of
-$5,500 of the stolen money. The rest, he asserted, had just been paid
-for rent of the two resorts operated by “Jimmie the Push” and himself.
-
-Jimmie and Bob were taken to Police Headquarters and examined, with Jess
-present. Commissioner Dougherty played one against the other so
-skillfully, with cross-questions and counter pressure, that in a little
-while each was excitedly telling tales on his two companions with the
-desperate hope of clearing himself, and denunciations flew back and
-forth among the trio as evidence came out that was likely to send them
-all to prison. Their confessions were obtained, and used in a new effort
-to break down Montani. But this was without results. The little Italian
-chauffeur still stuck doggedly to his original story.
-
-From these new confessions it appeared that the Italians had planned the
-crime, enlisted the American hold-up men to carry out the dirty work,
-and laid a counter-plot for holding them up in turn when the money was
-divided. The “Three Brigands” were ostensibly offered a chance to take
-part in the actual robbery, but refused on the plea that it would be too
-risky, and that they did not believe Montani could carry it out
-successfully. On the morning of the crime they walked north over the
-route. When they met the taxicab coming south, with a policeman on the
-seat beside Montani and two unconscious bank messengers inside, they
-knew that the project had succeeded. So the “Three Brigands” hurried
-uptown to “Jimmie the Push’s” saloon. They got there so quickly that
-they were ahead of the robbers. Jess made a rehearsed protest when they
-insisted in sharing in the plunder, but the “Three Brigands” drew
-revolvers, threatened to make a disturbance that would bring in the
-police, and finally helped themselves to $10,000. When the thugs who had
-done the actual work left the saloon, they had only $8,000 all told. The
-Italians, who had “played safe” at every point, had $17,000.
-
-------------------------------------------------------------------------
-
-[Illustration: “The Brigands” “Stick-up” the Hold-up Men for Theirs]
-
-------------------------------------------------------------------------
-
-
- _One of the Brigands Comes In_
-
-The actual whereabouts of the “Three Brigands” was not known to the
-police then. But there were certain channels through which news might
-reach at least one of them. Word was sent through those channels,
-therefore, that it might be best for them to appear and give an account
-of themselves, and on Friday, March 1, just at the time Splaine had been
-brought back from Memphis, the little leader of the brigands, Matteo
-Arbrano, an undersized Italian wearing spectacles, who had carried out
-the job of robbing the hold-up men, surrendered himself to the District
-Attorney.
-
-Arbrano said that he had divided his $10,000 with his two companions,
-Gonzales and Cavaquero, and immediately left New York, taking a steamer
-for Mexico by way of Havana. At the latter city he stopped over night,
-met a woman and accompanied her to a resort, was drugged and robbed of
-$2,700, and woke on the Prado with only $100 left, a single bill that
-had been concealed in his shoe. With that he returned to New York. The
-story is regarded by the police as more picturesque than convincing. It
-is probable that Matteo’s share of the plunder, with that of other
-Italians involved, has been carefully “planted.”
-
-Pauli Gonzales, another of the brigands, was traced to Vera Cruz,
-Mexico. In the present state of that country, however, it was found
-impossible to arrest and extradite him upon the evidence at hand.
-
-Three other persons concerned in the robbery are still at large at this
-writing—“Dutch” Keller, “Joe the Kid,” and an “unknown” whose identity
-is concealed for police reasons.
-
-Montani pleaded “Not guilty,” and stood trial. After two days, exactly a
-month and a day subsequent to the robbery, he was convicted by a jury,
-and sentenced to not less than ten years and not more than eighteen
-years and two months in prison, with hard labor.
-
-A word must be said about the prompt action of the District Attorney’s
-office in the taxicab case. Where crime has had such publicity there is
-an opportunity to make a demonstration of great value by pressing the
-prosecutions. It was not lost. Under Assistant Charles C. Nott, Jr.,
-evidence was succinctly laid before judges and juries, the trials
-finished in a matter of hours, and convictions and sentences secured
-within six weeks after the robbery. Furthermore, the various sentences
-were just, being carefully graded according to the part played by each
-offender, his character and previous record, and his individual effort
-in facilitating justice.
-
-------------------------------------------------------------------------
-
- _Name_ _Arrested_ _Pleaded_ _Sentenced_ _Sentence_
-
- MONTANI, GENO Feb. 26,’12 Feb. 29,’12 Mch. 16,’12 Not less than
- 10 yrs. nor
- more than 18
- yrs. 2 mos.
- Judge
- Seabury.
-
- KINSMAN, EDW. Feb. 26,’12 Mch. 1,’12 April 9,’12 Not less than 3
- yrs. nor more
- than 6 yrs.
- Judge Crain.
-
- SPLAINE, EUGENE Mch. 2,’12 Mch. 4,’12 Mch. 25,’12 Not less than 7
- yrs. 6 mos.
- nor more than
- 14 yrs. 6
- mos. Judge
- Seabury.
-
- DELIO, ROBERT Feb. 28,’12 Mch. 4,’12 Mch. 29,’12 Not less than 2
- yrs. 6 mos.
- nor more than
- 4 yrs. 2 mos.
- Judge
- Seabury.
-
- PASQUALE, JAMES Feb. 28,’12 Mch. 4,’12 April 8,’12 6 mos.
- (“Jimmie the Penitent’ry.
- Push”) Judge Davis.
-
- LAMB, JOSEPH Feb. 27,’12 Mch. 18,’12 Mch. 29,’12 Indeterminate
- (“Scotty the sentence,
- Lamb”) Elmira. Judge
- Seabury.
-
- ARBRANO, MATTEO Mch. 2,’12 April 3,’12 2 to 4 years.
- Judge Davis.
-
- ALBRAZZO, JESS Mch. 26,’12 Mch. 18,’12 3 to 6 years.
- Judge Davis.
-
-------------------------------------------------------------------------
-
-
-
-
- FINAL
- A WORD ABOUT THE NEW YORK POLICE
-
-
-It has been the writer’s good fortune to look into the work of both the
-London and the New York policemen recently, within the same year.
-
-A somewhat embarrassing point arose.
-
-In London, the “bobby” was anxious to know which police force the writer
-considered best. The “bobby” gets his ideas of the New York “cop” from
-such accounts as filter through the cable dispatches from our
-newspapers. He hears chiefly the worst, and pictures the “cop” as a
-lawless individual, wielding pistol and club indiscriminately, with whom
-it is not safe to pass a civil word. So, when he puts his little
-question about the respective merits of the two organizations, he
-reserves the right to keep his opinion that the London force is best
-anyway.
-
-In New York, it is much the same. The “cop” has heard just enough about
-the “bobby” to regard him with mild tolerance. He pictures him as a
-policeman servile to the last degree, thankfully accepting sixpenny tips
-from pedestrians, and occupied chiefly with unarmed thieves and harmless
-political offenders.
-
-When one has good friends in both forces, the question “Which do you
-think best?” is to be met with tactful evasions. And the more one thinks
-it over, the more it becomes clear that there is really little
-difference at bottom. Both police organizations are made up of good men,
-following the same trade along the same lines, and dealing with about
-the same general conditions.
-
-The London “bobby,” however, enjoys excellent leadership, is governed by
-a definite administrative policy, has the backing of the courts, and
-therefore comes in for a general public good will which is exceedingly
-useful to him in the performance of duty.
-
-The New York “cop” rather lacks public good will. Administrative policy
-has not been well defined in the past. The courts do not always accept
-his evidence, much less back him up, and he has been made the scapegoat
-for various shortcomings in leadership.
-
-But to-day the New York policeman is working on an entirely new basis.
-Before long his public is certain to understand and like him as
-thoroughly as London does its “bobby.”
-
-The change began with Mayor Gaynor, who insisted that both policeman and
-citizen have plain legal rights—until the citizen has committed a crime
-the policeman may not arrest him. The policeman has plain rights—the law
-empowers him to use all necessary force in making arrests in grave
-cases. But force must not be used for minor offenses. Confusion existed
-on these points to such a degree that when the Mayor began insisting
-upon them, many people thought he was putting into effect some of his
-personal whims. But they are all in the statute books, and many of them
-were there before the Mayor was born, because they are constitutional.
-
-The present Police Commissioner, Rhinelander Waldo, is not only
-administering the department along the strict legal line pointed out by
-the Mayor, but is effecting improvements of organization and method that
-must favorably alter the whole future of the service.
-
-Commissioner Waldo is a soldier, with a record of service in the United
-States Army, and the Army’s fine standards to guide him.
-
-In some ways the administration of the New York Police Department is a
-soldier’s job. If the ten thousand members were mobilized, they would
-make quite an impressive little standing army, with eight or ten full
-regiments of patrolmen, a brigade of cavalry, a small transport corps, a
-little navy, and so forth. As in an army, too, the men are enlisted, and
-may only be discharged for serious offenses. It is a force scattered
-over three hundred square miles of territory. The leader must be
-skillful in laying down regulations, and handling men in the mass rather
-than by personal contact. He must define duty plainly, hold everybody to
-it, eliminate departmental politics and abuses. Every man, wherever he
-is stationed, must feel that the general knows his business, that he
-lays down regulations for good reasons, and that day by day he is taking
-the organization somewhere.
-
-For years, every Police Commissioner has asked for more men to keep pace
-with the growing city. When Waldo took charge he asked, too. While he
-was waiting, however, he overhauled the organization and got one
-thousand additional patrolmen by cutting off men detailed for clerical
-and other special duty. Every large working force tends to create
-superfluous routine work. The useless routine was eliminated by better
-accounting methods, and the men sent back to do the street duty for
-which they originally enlisted.
-
-Then Waldo’s system of “fixed posts” was introduced. Complaints that
-policemen were hard to find at night had become common. So the platoon
-on duty from 11 p. m. to 7 a. m. was distributed by a plan under which
-the men work in pairs, one patrolling a given beat and the other
-standing on a street intersection. Each hour they change places, or
-oftener in severe weather. The fixed posts are about a thousand feet
-apart all over Manhattan and parts of Brooklyn. The system has been
-indiscriminately criticised, but produces its results. Fire losses were
-cut down the first six months, night crime has decreased, and many
-notable arrests are due to the fact that policemen stand all over town
-like checkers through the night. The exposure is no greater than that
-endured by traffic men. The men have better opportunities to advance
-themselves by making meritorious arrests, and the Commissioner knows
-that, as citizens see the police on duty, night after night, and crime
-decreases, there will be a growing good will for the department.
-
-The Detective Bureau has not only been reorganized so that plain-clothes
-men are distributed over the whole city, but a new spirit has been
-introduced. Formerly, when the patrolman rose to detective rank, he felt
-that he had “arrived.” No longer wearing the uniform or keeping
-scheduled hours, he was in danger of going to sleep. To-day, however,
-the detective has, not a job, but an opportunity. He must maintain his
-rank by results, or be reduced. To help him do this, he is taught
-methods in the school for detectives. But he knows that hundreds of
-ambitious men in brass buttons are working to attain that rank.
-
-In an organization of ten thousand men, it would be strange if there
-were not some intriguing and politics. New York policemen are
-exceptionally shrewd, and occasionally they will try to “put one over”
-on the Commissioner, going around his authority. But Commissioner Waldo
-has proved singularly resourceful. He meets such an emergency with the
-quickness, certainty and impartiality of a natural force like gravity,
-and the department has found it out.
-
-He has laid out a clear path for advancement all through the department.
-The newest uniformed patrolman understands that, for meritorious work,
-he will have a chance of promotion. If he makes a commendable arrest, he
-is sent to the Detective Bureau, given instruction, and tried at
-detective work. If he makes good, he stays. If unfitted for
-plain-clothes duty, he has still had his chance. What is just as
-important, the Detective Bureau has had a chance to see him.
-
-Under Commissioner Waldo and Deputy Commissioner Dougherty, the
-so-called “Black Hand” crimes among Italians have been checked, and will
-be stopped. Many of these cases were traced to sensational reporting of
-ordinary quarrels and assaults, and others to business rivalries. In the
-serious cases, arrests have been made and convictions secured.
-
-Another well-known form of law-breaking in New York is gambling. This is
-particularly difficult to check because of ingenuity in concealing
-evidence, developed by long experience on the part of the law-breakers,
-and also the strong political alliances of gambling-house keepers. But
-after several experiments in dealing with it, the Commissioner now feels
-confident that he has a method which will result in the suppression of
-gambling, and that, as he says, “When you put a crimp into things of
-that sort they don’t generally come back.”
-
-In other directions red tape has been abolished and economies brought
-about; the way has been opened for individual merit in all ranks; steps
-have been taken to develop and teach better methods; the work of the
-department has been brought closer to the public. There is a new spirit
-in the New York Police Department to-day—a spirit certain to develop the
-public good will and appreciation that is so necessary to the best order
-of public service.
-
- * * * * *
-
- SOME INTERESTING FACTS ABOUT THE POLICE
- DEPARTMENT OF THE CITY OF NEW YORK
-
-The Police Department of the City of New York is made up as follows:
-
- Commissioner and four Deputy Commissioners
-
- 19 Inspectors
-
- 25 Surgeons
-
- 95 Captains
-
- 624 Lieutenants
-
- 586 Sergeants
-
- 8,585 Patrolmen
-
- 191 Doormen
-
- 69 Matrons
-
- 1 Superintendent of Telegraph
-
- 2 Assistant Superintendents of Telegraph
-
- 1 Chief Lineman
-
- 5 Linemen
-
- 2 Boiler Inspectors
-
- ------
-
- 10,207 Total uniform force
-
-Of this number, 500 are detectives in civilian dress.
-
-In addition, there are over 247 civilians employed in clerical capacity.
-
-There are 6 automobiles and 161 other vehicles, including patrol wagons,
-used by the Department. Also 679 horses for mounted patrolmen.
-
-The Harbor Squad numbers: 1 Captain, 7 Lieutenants, 9 Sergeants, 36
-Patrolmen, 2 Doormen, besides civilians employed as engineers, firemen,
-oilers, deck-hands, etc.
-
-It is provided with one vessel of 235 tons, five launches, two dories,
-and six boats.
-
-These boats patrol about 340 miles of water front.
-
-
-
-
-
-End of Project Gutenberg's The Great Taxicab Robbery, by James H. Collins
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE GREAT TAXICAB ROBBERY ***
-
-***** This file should be named 53145-0.txt or 53145-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/3/1/4/53145/
-
-Produced by ellinora and The Online Distributed Proofreading
-Team at http://www.pgdp.net (This file was produced from
-images generously made available by The Internet Archive)
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-