summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-02-06 05:58:23 -0800
committernfenwick <nfenwick@pglaf.org>2025-02-06 05:58:23 -0800
commit6a3ccd5b65b47ce43f7290c235d1fb8c0d73bc9e (patch)
tree0006b6fde3b7790f43596447ec20249442ac0bfa
parent184f327f2c80fd4f186952d40de375163377cc98 (diff)
NormalizeHEADmain
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/52995-h.zipbin392856 -> 0 bytes
-rw-r--r--old/52995-h/52995-h.htm1395
-rw-r--r--old/52995-h/images/cover.jpgbin83509 -> 0 bytes
-rw-r--r--old/52995-h/images/illus1.jpgbin92761 -> 0 bytes
-rw-r--r--old/52995-h/images/illus2.jpgbin93177 -> 0 bytes
-rw-r--r--old/52995-h/images/illus3.jpgbin97972 -> 0 bytes
-rw-r--r--old/52995.txt1264
-rw-r--r--old/52995.zipbin24186 -> 0 bytes
11 files changed, 17 insertions, 2659 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..85ab7e2
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #52995 (https://www.gutenberg.org/ebooks/52995)
diff --git a/old/52995-h.zip b/old/52995-h.zip
deleted file mode 100644
index 0bfadbc..0000000
--- a/old/52995-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/52995-h/52995-h.htm b/old/52995-h/52995-h.htm
deleted file mode 100644
index afdea1b..0000000
--- a/old/52995-h/52995-h.htm
+++ /dev/null
@@ -1,1395 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=us-ascii" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- The Project Gutenberg eBook of Spaceman on a Spree, by Mack Reynolds.
- </title>
- <link rel="coverpage" href="images/cover.jpg" />
-
- <style type="text/css">
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
- h1,h2 {
- text-align: center; /* all headings centered */
- clear: both;
-}
-
-p {
- margin-top: .51em;
- text-align: justify;
- margin-bottom: .49em;
-}
-
-hr {
- width: 33%;
- margin-top: 2em;
- margin-bottom: 2em;
- margin-left: 33.5%;
- margin-right: 33.5%;
- clear: both;
-}
-
-hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;}
-hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;}
-
-.center {text-align: center;}
-
-.right {text-align: right;}
-
-.caption {font-weight: bold;}
-
-/* Images */
-.figcenter {
- margin: auto;
- text-align: center;
-}
-
-div.titlepage {
- text-align: center;
- page-break-before: always;
- page-break-after: always;
-}
-
-div.titlepage p {
- text-align: center;
- text-indent: 0em;
- font-weight: bold;
- line-height: 1.5;
- margin-top: 3em;
-}
-
-.ph1, .ph2, .ph3, .ph4 { text-align: center; text-indent: 0em; font-weight: bold; }
-.ph1 { font-size: xx-large; margin: .67em auto; }
-.ph2 { font-size: x-large; margin: .75em auto; }
-.ph3 { font-size: large; margin: .83em auto; }
-.ph4 { font-size: medium; margin: 1.12em auto; }
-
-
- </style>
- </head>
-<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of Spaceman on a Spree, by Mack Reynolds
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-Title: Spaceman on a Spree
-
-Author: Mack Reynolds
-
-Illustrator: Nochem Nodel
-
-Release Date: September 6, 2016 [EBook #52995]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK SPACEMAN ON A SPREE ***
-
-
-
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-</pre>
-
-
-<div class="figcenter">
- <img src="images/cover.jpg" width="366" height="500" alt=""/>
-</div>
-
-<hr class="chap" />
-
-<div class="titlepage">
-<h1>SPACEMAN ON A SPREE</h1>
-
-<p>BY MACK REYNOLDS</p>
-
-<p>Illustrated by Nodel</p>
-
-<p>[Transcriber's Note: This etext was produced from<br />
-Worlds of Tomorrow June 1963<br />
-Extensive research did not uncover any evidence that<br />
-the U.S. copyright on this publication was renewed.]</p>
-
-</div>
-
-<hr class="chap" />
-
-<p class="ph3">What's more important&mdash;Man's conquest<br />
-of space, or one spaceman's life?</p>
-
-<hr class="chap" />
-
-<p class="ph4">I</p>
-
-<p>They gave him a gold watch. It was meant to be symbolical, of course.
-In the old tradition. It was in the way of an antique, being one of the
-timepieces made generations past in the Alpine area of Eur-Asia. Its
-quaintness lay in the fact that it was wound, not electronically by
-power-radio, but by the actual physical movements of the bearer, a free
-swinging rotor keeping the mainspring at a constant tension.</p>
-
-<p>They also had a banquet for him, complete with speeches by such
-bigwigs of the Department of Space Exploration as Academician Lofting
-Gubelin and Doctor Hans Girard-Perregaux. There was also somebody
-from the government who spoke, but he was one of those who were
-pseudo-elected and didn't know much about the field of space travel
-nor the significance of Seymour Pond's retirement. Si didn't bother to
-remember his name. He only wondered vaguely why the cloddy had turned
-up at all.</p>
-
-<p>In common with recipients of gold watches of a score of generations
-before him, Si Pond would have preferred something a bit more tangible
-in the way of reward, such as a few shares of Variable Basic to add to
-his portfolio. But that, he supposed, was asking too much.</p>
-
-<p>The fact of the matter was, Si knew that his retiring had set them
-back. They hadn't figured he had enough shares of Basic to see him
-through decently. Well, possibly he didn't, given their standards.
-But Space Pilot Seymour Pond didn't have their standards. He'd had
-plenty of time to think it over. It was better to retire on a limited
-crediting, on a confoundedly limited crediting, than to take the two or
-three more trips in hopes of attaining a higher standard.</p>
-
-<p>He'd had plenty of time to figure it out, there alone in space on the
-Moon run, there on the Venus or Mars runs. There on the long, long
-haul to the Jupiter satellites, fearfully checking the symptoms of
-space cafard, the madness compounded of claustrophobia, monotony,
-boredom and free fall. Plenty of time. Time to decide that a one
-room mini-auto-apartment, complete with an autochair and built-in
-autobar, and with one wall a teevee screen, was all he needed to
-find contentment for a mighty long time. Possibly somebody like
-Doc Girard-Perregaux might be horrified at the idea of living in a
-mini-auto-apartment ... not realizing that to a pilot it was roomy
-beyond belief compared to the conning tower of a space craft.</p>
-
-<p>No. Even as Si listened to their speeches, accepted the watch and
-made a halting little talk of his own, he was grinning inwardly. There
-wasn't anything they could do. He had them now. He had enough Basic to
-keep him comfortably, by his standards, for the rest of his life. He
-was never going to subject himself to space cafard again. Just thinking
-about it, now, set the tic to going at the side of his mouth.</p>
-
-<p>They could count down and blast off, for all he gave a damn.</p>
-
-<hr class="tb" />
-
-<p>The gold watch idea had been that of Lofting Gubelin, which was
-typical, he being in the way of a living anachronism himself. In fact,
-Academician Gubelin was possibly the only living man on North America
-who still wore spectacles. His explanation was that a phobia against
-having his eyes touched prohibited either surgery to remould his
-eyeballs and cure his myopia, or contact lenses.</p>
-
-<p>That was only an alibi so far as his closest associate, Hans
-Girard-Perregaux, was concerned. Doctor Girard-Perregaux was convinced
-Gubelin would have even worn facial hair, had he but a touch more
-courage. Gubelin longed for yesteryear, a seldom found phenomenon under
-the Ultrawelfare State.</p>
-
-<p>Slumped in an autochair in the escape room of his Floridian home,
-Lofting Gubelin scowled at his friend. He said, acidly, "Any more
-bright schemes, Hans? I presume you now acknowledge that appealing to
-the cloddy's patriotism, sentiment and desire for public acclaim have
-miserably failed."</p>
-
-<p>Girard-Perregaux said easily, "I wouldn't call Seymour Pond a cloddy.
-In his position, I am afraid I would do the same thing he has."</p>
-
-<p>"That's nonsense, Hans. Zoroaster! Either you or I would gladly take
-Pond's place were we capable of performing the duties for which he has
-been trained. There aren't two men on North America&mdash;there aren't two
-men in the world!&mdash;who better realize the urgency of continuing our
-delving into space." Gubelin snapped his fingers. "Like that, either of
-us would give our lives to prevent man from completely abandoning the
-road to his destiny."</p>
-
-<p>His friend said drily, "Either of us could have volunteered for pilot
-training forty years ago, Lofting. We didn't."</p>
-
-<p>"At that time there wasn't such a blistering percentage of funkers
-throughout this whole blistering Ultrawelfare State! Who could
-foresee that eventually our whole program would face ending due to
-lack of courageous young men willing to take chances, willing to face
-adventure, willing to react to the stimulus of danger in the manner our
-ancestors did?"</p>
-
-<p>Girard-Perregaux grunted his sarcasm and dialed a glass of iced tea
-and tequila. He said, "Nevertheless, both you and I conform with the
-present generation in finding it far more pleasant to follow one's
-way of life in the comfort of one's home than to be confronted with
-the unpleasantness of facing nature's dangers in more adventurous
-pastimes."</p>
-
-<p>Gubelin, half angry at his friend's argument, leaned forward to snap
-rebuttal, but the other was wagging a finger at him negatively. "Face
-reality, Lofting. Don't require or expect from Seymour Pond more
-than is to be found there. He is an average young man. Born in our
-Ultrawelfare State, he was guaranteed his fundamental womb-to-tomb
-security by being issued that minimum number of Basic shares in our
-society that allows him an income sufficient to secure the food,
-clothing, shelter, medical care and education to sustain a low level
-of subsistence. Percentages were against his ever being drafted
-into industry. Automation being what it is, only a fraction of the
-population is ever called up. But Pond was. His industrial aptitude
-dossier revealed him a possible candidate for space pilot, and it was
-you yourself who talked him into taking the training ... pointing out
-the more pragmatic advantages such as complete retirement after but six
-trips, added shares of Basic so that he could enjoy a more comfortable
-life than most and the fame that would accrue to him as one of the
-very few who still participate in travel to the planets. Very well.
-He was sold. Took his training, which, of course, required long years
-of drudgery to him. Then, performing his duties quite competently, he
-made his six trips. He is now legally eligible for retirement. He was
-drafted into the working force reserves, served his time, and is now
-free from toil for the balance of his life. Why should he listen to
-our pleas for a few more trips?"</p>
-
-<p>"But has he no spirit of adventure? Has he no feeling for...."</p>
-
-<hr class="tb" />
-
-<p>Girard-Perregaux was wagging his finger again, a gesture that,
-seemingly mild though it was, had an astonishing ability to break off
-the conversation of one who debated with the easy-seeming, quiet spoken
-man.</p>
-
-<p>He said, "No, he hasn't. Few there are who have, nowadays. Man has
-always paid lip service to adventure, hardships and excitement, but in
-actuality his instincts, like those of any other animal, lead him to
-the least dangerous path. Today we've reached the point where no one
-need face danger&mdash;ever. There are few who don't take advantage of the
-fact. Including you and me, Lofting, and including Seymour Pond."</p>
-
-<p>His friend and colleague changed subjects abruptly, impatiently. "Let's
-leave this blistering jabber about Pond's motivation and get to the
-point. The man is the only trained space pilot in the world. It will
-take months, possibly more than a year, to bring another novitiate
-pilot to the point where he can safely be trusted to take our next
-explorer craft out. Appropriations for our expeditions have been
-increasingly hard to come by&mdash;even though in <i>our</i> minds, Hans, we are
-near important breakthroughs, breakthroughs which might possibly so
-spark the race that a new dream to push man out to the stars will take
-hold of us. If it is admitted that our organization has degenerated
-to the point that we haven't a single pilot, then it might well be
-that the Economic Planning Board, and especially those cloddies
-on Appropriations, will terminate the whole Department of Space
-Exploration."</p>
-
-<p>"So...." Girard-Perregaux said gently.</p>
-
-<p>"So some way we've got to bring Seymour Pond out of his retirement!"</p>
-
-<p>"Now we are getting to matters." Girard-Perregaux nodded his agreement.
-Looking over the rim of his glass, his eyes narrowed in thought as his
-face took on an expression of Machiavellianism. "And do not the ends
-justify the means?"</p>
-
-<p>Gubelin blinked at him.</p>
-
-<p>The other chuckled. "The trouble with you, Lofting, is that you have
-failed to bring history to bear on our problem. Haven't you ever read
-of the sailor and his way of life?"</p>
-
-<p>"Sailor? What in the name of the living Zoroaster has the sailor got to
-do with it?"</p>
-
-<p>"You must realize, my dear Lofting, that our Si Pond is nothing more
-than a latter-day sailor, with many of the problems and view-points,
-tendencies and weaknesses of the voyager of the past. Have you never
-heard of the seaman who dreamed of returning to the village of his
-birth and buying a chicken farm or some such? All the long months at
-sea&mdash;and sometimes the tramp freighters or whaling craft would be out
-for years at a stretch before returning to home port&mdash;he would talk
-of his retirement and his dream. And then? Then in port, it would be
-one short drink with the boys, before taking his accumulated pay and
-heading home. The one short drink would lead to another. And morning
-would find him, drunk, rolled, tattooed and possibly sleeping it off in
-jail. So back to sea he'd have to go."</p>
-
-<p>Gubelin grunted bitterly. "Unfortunately, our present-day sailor
-can't be separated from his money quite so easily. If he could, I'd
-personally be willing to lure him down some dark alley, knock him over
-the head and roll him myself. Just to bring him back to his job again."</p>
-
-<p>He brought his wallet from his pocket, and flicked it open to his
-universal credit card. "The ultimate means of exchange," he grunted.
-"Nobody can spend your money, but you, yourself. Nobody can steal it,
-nobody can, ah, <i>con</i> you out of it. Just how do you expect to sever
-our present-day sailor and his accumulated nest egg?"</p>
-
-<p>The other chuckled again. "It is simply a matter of finding more modern
-methods, my dear chap."</p>
-
-<hr class="tb" />
-
-
-<p class="ph4">II</p>
-
-<p>Si Pond was a great believer in the institution of the spree. Any
-excuse would do. Back when he had finished basic education at the age
-of twenty-five and was registered for the labor draft, there hadn't
-been a chance in a hundred that he'd have the bad luck to have his
-name pulled. But when it had been, Si had celebrated.</p>
-
-<p>When he had been informed that his physical and mental qualifications
-were such that he was eligible for the most dangerous occupation in
-the Ultrawelfare State and had been pressured into taking training
-for space pilot, he had celebrated once again. Twenty-two others had
-taken the training with him, and only he and Rod Cameroon had passed
-the finals. On this occasion, he and Rod had celebrated together. It
-had been quite a party. Two weeks later, Rod had burned on a faulty
-take-off on what should have been a routine Moon run.</p>
-
-<p>Each time Si returned from one of his own runs, he celebrated. A spree,
-a bust, a bat, a wing-ding, a night on the town. A commemoration of
-dangers met and passed.</p>
-
-<p>Now it was all over. At the age of thirty he was retired. Law prevented
-him from ever being called up for contributing to the country's labor
-needs again. And he most certainly wasn't going to volunteer.</p>
-
-<p>He had taken his schooling much as had his contemporaries. There wasn't
-any particular reason for trying to excell. You didn't want to get the
-reputation for being a wise guy, or a cloddy either. Just one of the
-fellas. You could do the same in life whether you really studied or
-not. You had your Inalienable Basic stock, didn't you? What else did
-you need?</p>
-
-<p>It had come as a surprise when he'd been drafted for the labor force.</p>
-
-<p>In the early days of the Ultrawelfare State, they had made a mistake
-in adapting to the automation of the second industrial revolution.
-They had attempted to give everyone work by reducing the number of
-working hours in the day, and the number of working days in the week.
-It finally became ludicrous when employees of industry were working
-but two days a week, two hours a day. In fact, it got chaotic. It
-became obvious that it was more practical to have one worker putting in
-thirty-five hours a week and getting to know his job well, than it was
-to have a score of employees, each working a few hours a week and none
-of them ever really becoming efficient.</p>
-
-<p>The only fair thing was to let the technologically unemployed remain
-unemployed, with their Inalienable Basic stock as the equivalent of
-unemployment insurance, while the few workers still needed put in a
-reasonable number of hours a day, a reasonable number of weeks a year
-and a reasonable number of years in a life time. When new employees
-were needed, a draft lottery was held.</p>
-
-<p>All persons registered in the labor force participated. If you
-were drawn, you must need serve. The dissatisfaction those chosen
-might feel at their poor luck was offset by the fact that they were
-granted additional Variable Basic shares, according to the tasks
-they fulfilled. Such shares could be added to their portfolios, the
-dividends becoming part of their current credit balance, or could be
-sold for a lump sum on the market.</p>
-
-<p>Yes, but now it was all over. He had his own little place, his own
-vacuum-tube vehicle and twice the amount of shares of Basic that most
-of his fellow citizens could boast. Si Pond had it made. A spree was
-obviously called for.</p>
-
-<p>He was going to do this one right. This was the big one. He'd
-accumulated a lot of dollars these past few months and he intended
-to blow them, or at least a sizeable number of them. His credit card
-was burning a hole in his pocket, as the expression went. However, he
-wasn't going to rush into things. This had to be done correctly.</p>
-
-<p>Too many a spree was played by ear. You started off with a few drinks,
-fell in with some second rate mopsy and usually wound up in a third
-rate groggery where you spent just as much as though you'd been in the
-classiest joint in town. Came morning and you had nothing to show for
-all the dollars that had been spent but a rum-head.</p>
-
-<p>Thus, Si was vaguely aware, it had always been down through the
-centuries since the Phoenecian sailor, back from his year-long trip to
-the tin mines of Cornwall, blew his hard earned share of the voyage's
-profits in a matter of days in the wine shops of Tyre. Nobody gets
-quite so little for his money as that loneliest of all workers, he who
-must leave his home for distant lands, returning only periodically and
-usually with the salary of lengthy, weary periods of time to be spent
-hurriedly in an attempt to achieve the pleasure and happiness so long
-denied him.</p>
-
-<p>Si was going to do it differently this time.</p>
-
-<p>Nothing but the best. Wine, women, song, food, entertainment. The
-works. But nothing but the best.</p>
-
-<hr class="tb" />
-
-<p>To start off, he dressed with great care in the honorable
-retirement-rank suit he had so recently purchased. His space pin he
-attached carefully to the lapel. That was a good beginning, he decided.
-A bit of prestige didn't hurt you when you went out on the town. In
-the Ultrawelfare State hardly one person in a hundred actually ever
-performed anything of value to society. The efforts of most weren't
-needed. Those few who did contribute were awarded honors, decorations,
-titles.</p>
-
-<p>Attired satisfactorily, Si double-checked to see that his credit
-card was in his pocket. As an after-thought, he went over to the
-auto-apartment's teevee-phone, flicked it on, held the card to the
-screen and said, "Balance check, please."</p>
-
-<p>In a moment, the teevee-phone's robot voice reported, "Ten shares of
-Inalienable Basic. Twelve shares of Variable Basic, current value, four
-thousand, two hundred and thirty-three dollars and sixty-two cents
-apiece. Current cash credit, one thousand and eighty-four dollars." The
-screen went dead.</p>
-
-<p>One thousand and eighty-four dollars. That was plenty. He could safely
-spend as much as half of it, if the spree got as lively as he hoped it
-would. His monthly dividends were due in another week or so, and he
-wouldn't have to worry about current expenses. Yes, indeedy, Si Pond
-was as solvent as he had ever been in his thirty years.</p>
-
-<p>He opened the small, closet-like door which housed his vacuum-tube
-two-seater, and wedged himself into the small vehicle. He brought down
-the canopy, dropped the pressurizer and considered the dial. Only one
-place really made sense. The big city.</p>
-
-<p>He considered for a moment, decided against the boroughs of Baltimore
-and Boston, and selected Manhattan instead. He had the resources. He
-might as well do it up brown.</p>
-
-<p>He dialed Manhattan and felt the sinking sensation that presaged his
-car's dropping to tube level. While it was being taken up by the robot
-controls, being shuttled here and there preparatory to the shot to his
-destination, he dialed the vehicle's teevee-phone for information on
-the hotels of the island of the Hudson. He selected a swank hostelry
-he'd read about and seen on the teevee casts of society and celebrity
-gossip reporters, and dialed it on the car's destination dial.</p>
-
-<p>"Nothing too good for ex-Space Pilot Si Pond," he said aloud.</p>
-
-<p>The car hesitated for a moment, that brief hesitation before the
-shot, and Si took the involuntary breath from which only heroes could
-refrain. He sank back slowly into the seat. Moments passed, and the
-direction of the pressure was reversed.</p>
-
-<p>Manhattan. The shuttling began again, and one or two more traversing
-sub-shots. Finally, the dash threw a green light and Si opened the
-canopy and stepped into his hotel room.</p>
-
-<p>A voice said gently, "If the quarters are satisfactory, please present
-your credit card within ten minutes."</p>
-
-<p>Si took his time. Not that he really needed it. It was by far the most
-swank suite he had ever seen. One wall was a window of whatever size
-the guest might desire and Si touched the control that dilated it to
-the full. His view opened in such wise that he could see both the
-Empire State Building Museum and the Hudson. Beyond the river stretched
-the all but endless city which was Greater Metropolis.</p>
-
-<p>He didn't take the time to flick on the menu, next to the auto-dining
-table, nor to check the endless potables on the autobar list. All that,
-he well knew, would be superlative. Besides, he didn't plan to dine
-or do much drinking in his suite. He made a mock leer. Not unless he
-managed to acquire some feminine companionship, that was.</p>
-
-<p>He looked briefly into the swimming pool and bath, then flopped
-himself happily onto the bed. It wasn't up to the degree of softness
-he presently desired, and he dialed the thing to the ultimate in that
-direction so that with a laugh he sank almost out of sight into the
-mattress.</p>
-
-<p>He came back to his feet, gave his suit a quick patting so that it
-fell into press and, taking his credit card from his pocket, put it
-against the teevee-phone screen and pressed the hotel button so that
-registration could be completed.</p>
-
-<p>For a moment he stood in the center of the floor, in thought. Take it
-easy, Si Pond, take it all easy, this time. No throwing his dollars
-around in second-class groggeries, no eating in automated luncheterias.
-This time, be it the only time in his life, he was going to frolic in
-the grand manner. No cloddy was Si Pond.</p>
-
-<p>He decided a drink was in order to help him plan his strategy. A drink
-at the hotel's famous Kudos Room where celebrities were reputed to be a
-dime a dozen.</p>
-
-<p>He left the suite and stepped into one of the elevators. He said,
-"Kudos Room."</p>
-
-<p>The auto-elevator murmured politely, "Yes, sir, the Kudos Room."</p>
-
-<hr class="tb" />
-
-<p>At the door to the famous rendezvous of the swankiest set, Si paused a
-moment and looked about. He'd never been in a place like this, either.
-However, he stifled his first instinct to wonder about what this was
-going to do to his current credit balance with an inner grin and made
-his way to the bar.</p>
-
-<p>There was actually a bartender.</p>
-
-<p>Si Pond suppressed his astonishment and said, offhand, attempting an
-air of easy sophistication, "Slivovitz Sour."</p>
-
-<p>"Yes, sir."</p>
-
-<p>The drinks in the Kudos Room might be concocted by hand, but Si noticed
-they had the routine teevee screens built into the bar for payment.
-He put his credit card on the screen immediately before him when the
-drink came, and had to quell his desire to dial for a balance check, so
-as to be able to figure out what the Sour had cost him.</p>
-
-<p>Well, this was something like it. This was the sort of thing he'd
-dreamed about, out there in the great alone, seated in the confining
-conning tower of his space craft. He sipped at the drink, finding it up
-to his highest expectations, and then swiveled slightly on his stool to
-take a look at the others present.</p>
-
-<p>To his disappointment, there were no recognizable celebrities. None
-that he placed, at least&mdash;top teevee stars, top politicians of the
-Ultrawelfare State or Sports personalities.</p>
-
-<p>He turned back to his drink and noticed, for the first time, the girl
-who occupied the stool two down from him. Si Pond blinked. He blinked
-and then swallowed.</p>
-
-<p>"<i>Zo-ro-as-ter</i>," he breathed.</p>
-
-<p>She was done in the latest style from Shanghai, even to the point of
-having cosmetically duplicated the Mongolian fold at the corners of her
-eyes. Every pore, but <i>every</i> pore, was in place. She sat with the easy
-grace of the Orient, so seldom found in the West.</p>
-
-<p>His stare couldn't be ignored.</p>
-
-<p>She looked at him coldly, turned to the bartender and murmured, "A Far
-Out Cooler, please, Fredric." Then deliberately added, "I thought the
-Kudos Room was supposed to be exclusive."</p>
-
-<p>There was nothing the bartender could say to that, and he went about
-building the drink.</p>
-
-<p>Si cleared his throat. "Hey," he said, "how about letting this one be
-on me?"</p>
-
-<p>Her eyebrows, which had been plucked and penciled to carry out her
-Oriental motif, rose. "Really!" she said, drawing it out.</p>
-
-<p>The bartender said hurriedly, "I beg your pardon, sir...."</p>
-
-<p>The girl, her voice suddenly subtly changed, said, "Why, isn't that a
-space pin?"</p>
-
-<p>Si, disconcerted by the sudden reversal, said, "Yeah ... sure."</p>
-
-<p>"Good Heavens, you're a spaceman?"</p>
-
-<p>"Sure." He pointed at the lapel pin. "You can't wear one unless you
-been on at least a Moon run."</p>
-
-<p>She was obviously both taken back and impressed. "Why," she said,
-"you're Seymour Pond, the pilot. I tuned in on the banquet they gave
-you."</p>
-
-<p>Si, carrying his glass, moved over to the stool next to her. "Call me
-Si," he said. "Everybody calls me Si."</p>
-
-<p>She said, "I'm Natalie. Natalie Paskov. Just Natalie. Imagine meeting
-Seymour Pond. Just sitting down next to him at a bar. Just like that."</p>
-
-<p>"Si," Si said, gratified. Holy Zoroaster, he'd never seen anything
-like this rarified pulchritude. Maybe on teevee, of course, one of the
-current sex symbols, but never in person. "Call me Si," he said again.
-"I been called Si so long, I don't even know who somebody's talking to
-if they say Seymour."</p>
-
-<p>"I cried when they gave you that antique watch," she said, her tone
-such that it was obvious she hadn't quite adjusted as yet to having
-met him.</p>
-
-<p>Si Pond was surprised. "Cried?" he said. "Well, why? I was kind of
-bored with the whole thing. But old Doc Gubelin, I used to work under
-him in the Space Exploration department, he was hot for it."</p>
-
-<p>"<i>Academician</i> Gubelin?" she said. "You just call him <i>Doc</i>?"</p>
-
-<p>Si was expansive. "Why, sure. In the Space Department we don't have
-much time for formality. Everybody's just Si, and Doc, and Jim. Like
-that. But how come you cried?"</p>
-
-<hr class="tb" />
-
-<p>She looked down into the drink the bartender had placed before her,
-as though avoiding his face. "I ... I suppose it was that speech
-Doctor Girard-Perregaux made. There you stood, so fine and straight in
-your space-pilot uniform, the veteran of six exploration runs to the
-planets...."</p>
-
-<p>"Well," Si said modestly, "two of my runs were only to the Moon."</p>
-
-<p>"... and he said all those things about man's conquest of space. And
-the dream of the stars which man has held so long. And then the fact
-that you were the last of the space pilots. The last man in the whole
-world trained to pilot a space craft. And here you were, retiring."</p>
-
-<p>Si grunted. "Yeah. That's all part of the Doc's scheme to get me to
-take on another three runs. They're afraid the whole department'll be
-dropped by the Appropriations Committee on this here Economic Planning
-Board. Even if they can find some other patsy to train for the job,
-it'd take maybe a year before you could even send him on a Moon hop.
-So old man Gubelin, and Girard-Perregaux too, they're both trying to
-pressure me into more trips. Otherwise they got a Space Exploration
-Department, with all the expense and all, but nobody to pilot their
-ships. It's kind of funny, in a way. You know what one of those
-spaceships costs?"</p>
-
-<p>"Funny?" she said. "Why, I don't think it's funny at all."</p>
-
-<p>Si said, "Look, how about another drink?"</p>
-
-<p>Natalie Paskov said, "Oh, I'd love to have a drink with you, Mr...."</p>
-
-<hr class="chap" />
-
-<div class="figcenter">
- <img src="images/illus1.jpg" width="338" height="500" alt=""/>
-</div>
-
-<hr class="chap" />
-
-<p>"Si," Si said. He motioned to the bartender with a circular twist of
-the hand indicating their need for two more of the same. "How come you
-know so much about it? You don't meet many people who are interested
-in space any more. In fact, most people are almost contemptuous, like.
-Think it's kind of a big boondoggle deal to help use up a lot of
-materials and all and keep the economy going."</p>
-
-<p>Natalie said earnestly, "Why, I've been a space fan all my life. I've
-read all about it. Have always known the names of all the space pilots
-and everything about them, ever since I was a child. I suppose you'd
-say I have the dream that Doctor Girard-Perregaux spoke about."</p>
-
-<p>Si chuckled. "A real buff, eh? You know, it's kind of funny. I was
-never much interested in it. And I got a darn sight less interested
-after my first run and I found out what space cafard was."</p>
-
-<p>She frowned. "I don't believe I know much about that."</p>
-
-<p>Sitting in the Kudos Room with the most beautiful girl to whom he had
-ever talked, Si could be nonchalant about the subject. "Old Gubelin
-keeps that angle mostly hushed up and out of the magazine and newspaper
-articles. Says there's enough adverse publicity about space exploration
-already. But at this stage of the game when the whole ship's crammed
-tight with this automatic scientific apparatus and all, there's
-precious little room in the conning tower and you're the only man
-aboard. The Doc says later on when ships are bigger and there's a whole
-flock of people aboard, there won't be any such thing as space cafard,
-but...." Of a sudden the right side of Si Pond's mouth began to tic
-and he hurriedly took up his drink and knocked it back.</p>
-
-<hr class="chap" />
-
-<div class="figcenter">
- <img src="images/illus3.jpg" width="600" height="401" alt=""/>
-</div>
-
-<hr class="chap" />
-
-<p>He cleared his throat. "Let's talk about some other angle. Look, how
-about something to eat, Natalie? I'm celebrating my retirement, like.
-You know, out on the town. If you're free...."</p>
-
-<p>She put the tip of a finger to her lips, looking for the moment like a
-small girl rather than an ultra-sophisticate. "Supposedly, I have an
-appointment," she said hesitantly.</p>
-
-<hr class="tb" />
-
-<p>When the mists rolled out in the morning&mdash;if it was still morning&mdash;it
-was to the tune of an insistent hotel chime. Si rolled over on his back
-and growled, "<i>Zo-ro-as-ter</i>, cut that out. What do you want?"</p>
-
-<p>The hotel communicator said softly, "Checking-out time, sir, is at two
-o'clock."</p>
-
-<p>Si groaned. He couldn't place the last of the evening at all. He didn't
-remember coming back to the hotel. He couldn't recall where he had
-separated from, what was her name ... Natalie.</p>
-
-<p>He vaguely recalled having some absinthe in some fancy club she had
-taken him to. What was the gag she'd made? Absinthe makes the heart
-grow fonder. And then the club where they had the gambling machines.
-And the mists had rolled in on him. Mountains of the Moon! but that
-girl could drink. He simply wasn't that used to the stuff. You don't
-drink in Space School and you most certainly don't drink when in space.
-His binges had been few and far between.</p>
-
-<p>He said now, "I don't plan on checking out today. Don't bother me." He
-turned to his pillow.</p>
-
-<p>The hotel communicator said quietly, "Sorry, sir, but your credit
-balance does not show sufficient to pay your bill for another day."</p>
-
-<p>Si Pond shot up, upright in bed, suddenly cold sober.</p>
-
-<p>His eyes darted about the room, as though he was seeing it for
-the first time. His clothes, he noted, were thrown over a chair
-haphazardly. He made his way to them, his face empty, and fished about
-for his credit card, finding it in a side pocket. He wavered to the
-teevee-phone and thrust the card against the screen. He demanded, his
-voice as empty as his expression, "Balance check, please."</p>
-
-<p>In less than a minute the robot-voice told him: "Ten shares of
-Inalienable Basic. Current cash credit, forty-two dollars and thirty
-cents." The screen went dead.</p>
-
-<p>He sank back into the chair which held his clothes, paying no attention
-to them. It couldn't be right. Only yesterday, he'd had twelve shares
-of Variable Basic, immediately convertible into more than fifty
-thousand dollars, had he so wished to convert rather than collect
-dividends indefinitely. Not only had he the twelve shares of Variable
-Basic, but more than a thousand dollars to his credit.</p>
-
-<p>He banged his fist against his mouth. Conceivably, he might have
-gone through his thousand dollars. It was possible, though hardly
-believable. The places he'd gone to with that girl in the Chinese
-get-up were probably the most expensive in Greater Metropolis. But,
-however expensive, he couldn't possibly have spent fifty thousand
-dollars! Not possibly.</p>
-
-<p>He came to his feet again to head for the teevee screen and demand
-an audit of the past twenty-four hours from Central Statistics.
-That'd show it up. Every penny expended. Something was crazy here.
-Someway that girl had pulled a fast one. She didn't seem the type. But
-something had happened to his twelve shares of Variable Basic, and
-he wasn't standing for it. It was his security, his defense against
-slipping back into the ranks of the cloddies, the poor demi-buttocked
-ranks of the average man, the desperately dull life of those who
-subsisted on the bounty of the Ultrawelfare State and the proceeds of
-ten shares of Inalienable Basic.</p>
-
-<p>He dialed Statistics and placed his card against the screen. His
-voice was strained now. "An audit of all expenditures for the past
-twenty-four hours."</p>
-
-<p>Then he sat and watched.</p>
-
-<p>His vacuum-tube trip to Manhattan was the first item. Two dollars and
-fifty cents. Next was his hotel suite. Fifty dollars. Well, he had
-known it was going to be expensive. A Slivovitz Sour at the Kudos Room,
-he found, went for three dollars a throw, and the Far out Coolers
-Natalie drank, four dollars. Absinthe was worse still, going for ten
-dollars a drink.</p>
-
-<p>He was impatient. All this didn't account for anything like a thousand
-dollars, not to speak of fifty thousand.</p>
-
-<p>The audit threw an item he didn't understand. A one dollar credit. And
-then, immediately afterward, a hundred dollar credit. Si scowled.</p>
-
-<p>And then slowly reached out and flicked the set off. For it had all
-come back to him.</p>
-
-<p>At first he had won. Won so that the other players had crowded around
-him, watching. Five thousand, ten thousand. Natalie had been jubilant.
-The others had cheered him on. He'd bet progressively higher, smaller
-wagers becoming meaningless and thousands being involved on single
-bets. A five thousand bet on odd had lost, and then another. The
-kibitzers had gone silent. When he had attempted to place another
-five thousand bet, the teevee screen robot voice had informed him
-dispassionately that his current cash credit balance was insufficient
-to cover that amount.</p>
-
-<hr class="chap" />
-
-<div class="figcenter">
- <img src="images/illus2.jpg" width="600" height="427" alt=""/>
-</div>
-
-<hr class="chap" />
-
-<p>Yes. He could remember now. He had needed no time to decide, had simply
-snapped, "Sell one share of Variable Basic at current market value."</p>
-
-<p>The other eleven shares had taken the route of the first.</p>
-
-<p>When it was finally all gone and he had looked around, it was to find
-that Natalie Paskov was gone as well.</p>
-
-<hr class="tb" />
-
-<p>Academician Lofting Gubelin, seated in his office, was being
-pontifical. His old friend Hans Girard-Perregaux had enough other
-things on his mind to let him get away with it, only half following the
-monologue.</p>
-
-<p>"I submit," Gubelin orated, "that there is evolution in society. But
-it is by fits and starts, and by no means a constant thing. Whole
-civilizations can go dormant, so far as progress is concerned, for
-millennia at a time."</p>
-
-<p>Girard-Perregaux said mildly, "Isn't that an exaggeration, Lofting?"</p>
-
-<p>"No, by Zoroaster, it is not! Take the Egyptians. Their greatest
-monuments, such as the pyramids, were constructed in the earlier
-dynasties. Khufu, or Cheops, built the largest at Gizeh. He was the
-founder of the 4th Dynasty, about the year 2900 B. C. Twenty-five
-dynasties later, and nearly three thousand years, there was no greatly
-discernable change in the Egyptian culture."</p>
-
-<p>Girard-Perregaux egged him on gently. "The sole example of your theory
-I can think of, offhand."</p>
-
-<p>"Not at all!" Gubelin glared. "The Mayans are a more recent proof.
-Their culture goes back to at least 500 B. C. At that time their
-glyph-writing was already wide-spread and their cities, eventually
-to number in the hundreds, being built. By the time of Christ they
-had reached their peak. And they remained there until the coming of
-the Spaniards, neither gaining nor losing, in terms of evolution of
-society."</p>
-
-<p>His colleague sighed. "And your point, Lofting?"</p>
-
-<p>"Isn't it blisteringly obvious?" the other demanded. "We're in danger
-of reaching a similar static condition here and now. The Ultrawelfare
-State!" He snorted indignation. "The Conformist State or the Status
-Quo State, is more like it. I tell you, Hans, all progress is being
-dried up. There is no will to delve into the unknown, no burning fever
-to explore the unexplored. And this time it isn't a matter of a single
-area, such as Egypt or Yucatan, but our whole world. If man goes into
-intellectual coma this time, then all the race slows down, not merely a
-single element of it."</p>
-
-<p>He rose suddenly from the desk chair he'd been occupying to pace the
-room. "The race must find a new frontier, a new ocean to cross, a new
-enemy to fight."</p>
-
-<p>Girard-Perregaux raised his eyebrows.</p>
-
-<p>"Don't be a cloddy," Gubelin snapped. "You know what I mean. Not a
-human enemy, not even an alien intelligence. But something against
-which we must pit our every wit, our every strength, our strongest
-determination. Otherwise, we go dull, we wither on the vine."</p>
-
-<p>The other at long last chuckled. "My dear Lofting, you wax absolutely
-lyrical."</p>
-
-<p>Gubelin suddenly stopped his pacing, returned to his desk and sank
-back into his chair. He seemed to add a score of years to his age, and
-his face sagged. "I don't know why I take it out on you, Hans. You're
-as aware of the situation as I. Man's next frontier is space. First
-the planets, and then a reaching out to the stars. This is our new
-frontier, our new ocean to cross."</p>
-
-<p>His old friend was nodding. He brought his full attention to the
-discussion at last. "And we'll succeed, Lofting. The last trip Pond
-made gives us ample evidence that we can actually colonize and
-exploit the Jupiter satellites. Two more runs, at most three, and
-we can release our findings in such manner that they'll strike the
-imaginations of every Tom, Dick and Harry like nothing since Columbus
-made his highly exaggerated reports on his New World."</p>
-
-<p>"Two or three more runs," Gubelin grunted bitterly. "You've heard the
-rumors. Appropriations is going to lower the boom on us. Unless we can
-get Pond back into harness, we're sunk. The runs will never be made. I
-tell you, Hans...."</p>
-
-<hr class="tb" />
-
-<p>But Hans Girard-Perregaux was wagging him to silence with a finger.
-"They'll be made. I've taken steps to see friend Seymour Pond comes
-dragging back to us."</p>
-
-<p>"But he <i>hates</i> space! The funker probably won't consent to come within
-a mile of the New Albuquerque Spaceport for the rest of his life, the
-blistering cloddy."</p>
-
-<p>A desk light flicked green, and Girard-Perregaux raised his eyebrows.
-"Exactly at the psychological moment. If I'm not mistaken, Lofting,
-that is probably our fallen woman."</p>
-
-<p>"Our <i>what</i>?"</p>
-
-<p>But Doctor Hans Girard-Perregaux had come to his feet and personally
-opened the door. "Ah, my dear," he said affably.</p>
-
-<p>Natalie Paskov, done today in Bulgarian peasant garb, and as faultless
-in appearance as she had been in the Kudos Room, walked briskly into
-the office.</p>
-
-<p>"Assignment carried out," she said crisply.</p>
-
-<p>"Indeed," Girard-Perregaux said approvingly. "So soon?"</p>
-
-<p>Gubelin looked from one to the other. "What in the blistering name of
-Zoroaster is going on?"</p>
-
-<p>His friend said. "Academician Gubelin, may I present Operative Natalie
-of Extraordinary Services Incorporated?"</p>
-
-<p>"Extraordinary Services?" Gubelin blurted.</p>
-
-<p>"In this case," Natalie said smoothly, even while taking the chair held
-for her by Doctor Girard-Perregaux, "a particularly apt name. It was a
-dirty trick."</p>
-
-<p>"But for a good cause, my dear."</p>
-
-<p>She shrugged. "So I am often told, when sent on these far-out
-assignments."</p>
-
-<p>Girard-Perregaux, in spite of her words, was beaming at her. "Please
-report in full," he said, ignoring his colleague's obvious bewilderment.</p>
-
-<p>Natalie Paskov made it brief. "I picked up the subject in the Kudos
-Room of the Greater Metropolis Hotel, pretending to be a devotee of
-the space program as an excuse. It soon developed that he had embarked
-upon a celebration of his retirement. He was incredibly naive, and
-allowed me to over-indulge him in semi-narcotics as well as alcohol, so
-that his defensive inhibitions were low. I then took him to a gambling
-spot where, so dull that he hardly knew what he was doing, he lost his
-expendable capital."</p>
-
-<p>Gubelin had been staring at her, but now he blurted, "But suppose he
-had won?"</p>
-
-<p>She shrugged it off. "Hardly, the way I was encouraging him to wager.
-Each time he won, I urged him to double up. It was only a matter of
-time until ..." she let the sentence dribble away.</p>
-
-<p>Girard-Perregaux rubbed his hands together briskly. "Then, in turn, it
-is but a matter of time until friend Pond comes around again."</p>
-
-<p>"That I wouldn't know," Natalie Paskov said disinterestedly. "My job
-is done. However, the poor man seems so utterly opposed to returning
-to your service that I wouldn't be surprised if he remained in his
-retirement, living on his Inalienable Basic shares. He seems literally
-terrified of being subjected to space cafard again."</p>
-
-<p>But Hans Girard-Perregaux wagged a finger negatively at her. "Not after
-having enjoyed a better way of life for the past decade. A person is
-able to exist on the Inalienable Basic dividends, but it is almost
-impossible to bring oneself to it once a fuller life has been enjoyed.
-No, Seymour Pond will never go back to the dullness of life the way it
-is lived by nine-tenths of our population."</p>
-
-<p>Natalie came to her feet. "Well, gentlemen, you'll get your bill&mdash;a
-whopping one. I hope your need justifies this bit of dirty work.
-Frankly, I am considering my resignation from Extraordinary Services,
-although I'm no more anxious to live on my Inalienable Basic than poor
-Si Pond is. Good day, gentlemen."</p>
-
-<p>She started toward the door.</p>
-
-<p>The teevee-phone on Gubelin's desk lit up and even as Doctor
-Girard-Perregaux was saying unctuously to the girl, "Believe me, my
-dear, the task you have performed, though odious, will serve the whole
-race," the teevee-phone said:</p>
-
-<p>"Sir, you asked me to keep track of Pilot Seymour Pond. There is a
-report on the news. He suicided this morning."</p>
-
-<p class="ph4">END</p>
-
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of Spaceman on a Spree, by Mack Reynolds
-
-*** END OF THIS PROJECT GUTENBERG EBOOK SPACEMAN ON A SPREE ***
-
-***** This file should be named 52995-h.htm or 52995-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/2/9/9/52995/
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
-
-</body>
-</html>
diff --git a/old/52995-h/images/cover.jpg b/old/52995-h/images/cover.jpg
deleted file mode 100644
index 1776801..0000000
--- a/old/52995-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52995-h/images/illus1.jpg b/old/52995-h/images/illus1.jpg
deleted file mode 100644
index b5caa03..0000000
--- a/old/52995-h/images/illus1.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52995-h/images/illus2.jpg b/old/52995-h/images/illus2.jpg
deleted file mode 100644
index 441c650..0000000
--- a/old/52995-h/images/illus2.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52995-h/images/illus3.jpg b/old/52995-h/images/illus3.jpg
deleted file mode 100644
index 8c4f880..0000000
--- a/old/52995-h/images/illus3.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52995.txt b/old/52995.txt
deleted file mode 100644
index be4a7b0..0000000
--- a/old/52995.txt
+++ /dev/null
@@ -1,1264 +0,0 @@
-The Project Gutenberg EBook of Spaceman on a Spree, by Mack Reynolds
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-Title: Spaceman on a Spree
-
-Author: Mack Reynolds
-
-Illustrator: Nochem Nodel
-
-Release Date: September 6, 2016 [EBook #52995]
-
-Language: English
-
-Character set encoding: ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK SPACEMAN ON A SPREE ***
-
-
-
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-
-
-
- SPACEMAN ON A SPREE
-
- BY MACK REYNOLDS
-
- Illustrated by Nodel
-
- [Transcriber's Note: This etext was produced from
- Worlds of Tomorrow June 1963
- Extensive research did not uncover any evidence that
- the U.S. copyright on this publication was renewed.]
-
-
-
-
- What's more important--Man's conquest
- of space, or one spaceman's life?
-
-
-I
-
-They gave him a gold watch. It was meant to be symbolical, of course.
-In the old tradition. It was in the way of an antique, being one of the
-timepieces made generations past in the Alpine area of Eur-Asia. Its
-quaintness lay in the fact that it was wound, not electronically by
-power-radio, but by the actual physical movements of the bearer, a free
-swinging rotor keeping the mainspring at a constant tension.
-
-They also had a banquet for him, complete with speeches by such
-bigwigs of the Department of Space Exploration as Academician Lofting
-Gubelin and Doctor Hans Girard-Perregaux. There was also somebody
-from the government who spoke, but he was one of those who were
-pseudo-elected and didn't know much about the field of space travel
-nor the significance of Seymour Pond's retirement. Si didn't bother to
-remember his name. He only wondered vaguely why the cloddy had turned
-up at all.
-
-In common with recipients of gold watches of a score of generations
-before him, Si Pond would have preferred something a bit more tangible
-in the way of reward, such as a few shares of Variable Basic to add to
-his portfolio. But that, he supposed, was asking too much.
-
-The fact of the matter was, Si knew that his retiring had set them
-back. They hadn't figured he had enough shares of Basic to see him
-through decently. Well, possibly he didn't, given their standards.
-But Space Pilot Seymour Pond didn't have their standards. He'd had
-plenty of time to think it over. It was better to retire on a limited
-crediting, on a confoundedly limited crediting, than to take the two or
-three more trips in hopes of attaining a higher standard.
-
-He'd had plenty of time to figure it out, there alone in space on the
-Moon run, there on the Venus or Mars runs. There on the long, long
-haul to the Jupiter satellites, fearfully checking the symptoms of
-space cafard, the madness compounded of claustrophobia, monotony,
-boredom and free fall. Plenty of time. Time to decide that a one
-room mini-auto-apartment, complete with an autochair and built-in
-autobar, and with one wall a teevee screen, was all he needed to
-find contentment for a mighty long time. Possibly somebody like
-Doc Girard-Perregaux might be horrified at the idea of living in a
-mini-auto-apartment ... not realizing that to a pilot it was roomy
-beyond belief compared to the conning tower of a space craft.
-
-No. Even as Si listened to their speeches, accepted the watch and
-made a halting little talk of his own, he was grinning inwardly. There
-wasn't anything they could do. He had them now. He had enough Basic to
-keep him comfortably, by his standards, for the rest of his life. He
-was never going to subject himself to space cafard again. Just thinking
-about it, now, set the tic to going at the side of his mouth.
-
-They could count down and blast off, for all he gave a damn.
-
- * * * * *
-
-The gold watch idea had been that of Lofting Gubelin, which was
-typical, he being in the way of a living anachronism himself. In fact,
-Academician Gubelin was possibly the only living man on North America
-who still wore spectacles. His explanation was that a phobia against
-having his eyes touched prohibited either surgery to remould his
-eyeballs and cure his myopia, or contact lenses.
-
-That was only an alibi so far as his closest associate, Hans
-Girard-Perregaux, was concerned. Doctor Girard-Perregaux was convinced
-Gubelin would have even worn facial hair, had he but a touch more
-courage. Gubelin longed for yesteryear, a seldom found phenomenon under
-the Ultrawelfare State.
-
-Slumped in an autochair in the escape room of his Floridian home,
-Lofting Gubelin scowled at his friend. He said, acidly, "Any more
-bright schemes, Hans? I presume you now acknowledge that appealing to
-the cloddy's patriotism, sentiment and desire for public acclaim have
-miserably failed."
-
-Girard-Perregaux said easily, "I wouldn't call Seymour Pond a cloddy.
-In his position, I am afraid I would do the same thing he has."
-
-"That's nonsense, Hans. Zoroaster! Either you or I would gladly take
-Pond's place were we capable of performing the duties for which he has
-been trained. There aren't two men on North America--there aren't two
-men in the world!--who better realize the urgency of continuing our
-delving into space." Gubelin snapped his fingers. "Like that, either of
-us would give our lives to prevent man from completely abandoning the
-road to his destiny."
-
-His friend said drily, "Either of us could have volunteered for pilot
-training forty years ago, Lofting. We didn't."
-
-"At that time there wasn't such a blistering percentage of funkers
-throughout this whole blistering Ultrawelfare State! Who could
-foresee that eventually our whole program would face ending due to
-lack of courageous young men willing to take chances, willing to face
-adventure, willing to react to the stimulus of danger in the manner our
-ancestors did?"
-
-Girard-Perregaux grunted his sarcasm and dialed a glass of iced tea
-and tequila. He said, "Nevertheless, both you and I conform with the
-present generation in finding it far more pleasant to follow one's
-way of life in the comfort of one's home than to be confronted with
-the unpleasantness of facing nature's dangers in more adventurous
-pastimes."
-
-Gubelin, half angry at his friend's argument, leaned forward to snap
-rebuttal, but the other was wagging a finger at him negatively. "Face
-reality, Lofting. Don't require or expect from Seymour Pond more
-than is to be found there. He is an average young man. Born in our
-Ultrawelfare State, he was guaranteed his fundamental womb-to-tomb
-security by being issued that minimum number of Basic shares in our
-society that allows him an income sufficient to secure the food,
-clothing, shelter, medical care and education to sustain a low level
-of subsistence. Percentages were against his ever being drafted
-into industry. Automation being what it is, only a fraction of the
-population is ever called up. But Pond was. His industrial aptitude
-dossier revealed him a possible candidate for space pilot, and it was
-you yourself who talked him into taking the training ... pointing out
-the more pragmatic advantages such as complete retirement after but six
-trips, added shares of Basic so that he could enjoy a more comfortable
-life than most and the fame that would accrue to him as one of the
-very few who still participate in travel to the planets. Very well.
-He was sold. Took his training, which, of course, required long years
-of drudgery to him. Then, performing his duties quite competently, he
-made his six trips. He is now legally eligible for retirement. He was
-drafted into the working force reserves, served his time, and is now
-free from toil for the balance of his life. Why should he listen to
-our pleas for a few more trips?"
-
-"But has he no spirit of adventure? Has he no feeling for...."
-
- * * * * *
-
-Girard-Perregaux was wagging his finger again, a gesture that,
-seemingly mild though it was, had an astonishing ability to break off
-the conversation of one who debated with the easy-seeming, quiet spoken
-man.
-
-He said, "No, he hasn't. Few there are who have, nowadays. Man has
-always paid lip service to adventure, hardships and excitement, but in
-actuality his instincts, like those of any other animal, lead him to
-the least dangerous path. Today we've reached the point where no one
-need face danger--ever. There are few who don't take advantage of the
-fact. Including you and me, Lofting, and including Seymour Pond."
-
-His friend and colleague changed subjects abruptly, impatiently. "Let's
-leave this blistering jabber about Pond's motivation and get to the
-point. The man is the only trained space pilot in the world. It will
-take months, possibly more than a year, to bring another novitiate
-pilot to the point where he can safely be trusted to take our next
-explorer craft out. Appropriations for our expeditions have been
-increasingly hard to come by--even though in _our_ minds, Hans, we are
-near important breakthroughs, breakthroughs which might possibly so
-spark the race that a new dream to push man out to the stars will take
-hold of us. If it is admitted that our organization has degenerated
-to the point that we haven't a single pilot, then it might well be
-that the Economic Planning Board, and especially those cloddies
-on Appropriations, will terminate the whole Department of Space
-Exploration."
-
-"So...." Girard-Perregaux said gently.
-
-"So some way we've got to bring Seymour Pond out of his retirement!"
-
-"Now we are getting to matters." Girard-Perregaux nodded his agreement.
-Looking over the rim of his glass, his eyes narrowed in thought as his
-face took on an expression of Machiavellianism. "And do not the ends
-justify the means?"
-
-Gubelin blinked at him.
-
-The other chuckled. "The trouble with you, Lofting, is that you have
-failed to bring history to bear on our problem. Haven't you ever read
-of the sailor and his way of life?"
-
-"Sailor? What in the name of the living Zoroaster has the sailor got to
-do with it?"
-
-"You must realize, my dear Lofting, that our Si Pond is nothing more
-than a latter-day sailor, with many of the problems and view-points,
-tendencies and weaknesses of the voyager of the past. Have you never
-heard of the seaman who dreamed of returning to the village of his
-birth and buying a chicken farm or some such? All the long months at
-sea--and sometimes the tramp freighters or whaling craft would be out
-for years at a stretch before returning to home port--he would talk
-of his retirement and his dream. And then? Then in port, it would be
-one short drink with the boys, before taking his accumulated pay and
-heading home. The one short drink would lead to another. And morning
-would find him, drunk, rolled, tattooed and possibly sleeping it off in
-jail. So back to sea he'd have to go."
-
-Gubelin grunted bitterly. "Unfortunately, our present-day sailor
-can't be separated from his money quite so easily. If he could, I'd
-personally be willing to lure him down some dark alley, knock him over
-the head and roll him myself. Just to bring him back to his job again."
-
-He brought his wallet from his pocket, and flicked it open to his
-universal credit card. "The ultimate means of exchange," he grunted.
-"Nobody can spend your money, but you, yourself. Nobody can steal it,
-nobody can, ah, _con_ you out of it. Just how do you expect to sever
-our present-day sailor and his accumulated nest egg?"
-
-The other chuckled again. "It is simply a matter of finding more modern
-methods, my dear chap."
-
-
-II
-
-Si Pond was a great believer in the institution of the spree. Any
-excuse would do. Back when he had finished basic education at the age
-of twenty-five and was registered for the labor draft, there hadn't
-been a chance in a hundred that he'd have the bad luck to have his
-name pulled. But when it had been, Si had celebrated.
-
-When he had been informed that his physical and mental qualifications
-were such that he was eligible for the most dangerous occupation in
-the Ultrawelfare State and had been pressured into taking training
-for space pilot, he had celebrated once again. Twenty-two others had
-taken the training with him, and only he and Rod Cameroon had passed
-the finals. On this occasion, he and Rod had celebrated together. It
-had been quite a party. Two weeks later, Rod had burned on a faulty
-take-off on what should have been a routine Moon run.
-
-Each time Si returned from one of his own runs, he celebrated. A spree,
-a bust, a bat, a wing-ding, a night on the town. A commemoration of
-dangers met and passed.
-
-Now it was all over. At the age of thirty he was retired. Law prevented
-him from ever being called up for contributing to the country's labor
-needs again. And he most certainly wasn't going to volunteer.
-
-He had taken his schooling much as had his contemporaries. There wasn't
-any particular reason for trying to excell. You didn't want to get the
-reputation for being a wise guy, or a cloddy either. Just one of the
-fellas. You could do the same in life whether you really studied or
-not. You had your Inalienable Basic stock, didn't you? What else did
-you need?
-
-It had come as a surprise when he'd been drafted for the labor force.
-
-In the early days of the Ultrawelfare State, they had made a mistake
-in adapting to the automation of the second industrial revolution.
-They had attempted to give everyone work by reducing the number of
-working hours in the day, and the number of working days in the week.
-It finally became ludicrous when employees of industry were working
-but two days a week, two hours a day. In fact, it got chaotic. It
-became obvious that it was more practical to have one worker putting in
-thirty-five hours a week and getting to know his job well, than it was
-to have a score of employees, each working a few hours a week and none
-of them ever really becoming efficient.
-
-The only fair thing was to let the technologically unemployed remain
-unemployed, with their Inalienable Basic stock as the equivalent of
-unemployment insurance, while the few workers still needed put in a
-reasonable number of hours a day, a reasonable number of weeks a year
-and a reasonable number of years in a life time. When new employees
-were needed, a draft lottery was held.
-
-All persons registered in the labor force participated. If you
-were drawn, you must need serve. The dissatisfaction those chosen
-might feel at their poor luck was offset by the fact that they were
-granted additional Variable Basic shares, according to the tasks
-they fulfilled. Such shares could be added to their portfolios, the
-dividends becoming part of their current credit balance, or could be
-sold for a lump sum on the market.
-
-Yes, but now it was all over. He had his own little place, his own
-vacuum-tube vehicle and twice the amount of shares of Basic that most
-of his fellow citizens could boast. Si Pond had it made. A spree was
-obviously called for.
-
-He was going to do this one right. This was the big one. He'd
-accumulated a lot of dollars these past few months and he intended
-to blow them, or at least a sizeable number of them. His credit card
-was burning a hole in his pocket, as the expression went. However, he
-wasn't going to rush into things. This had to be done correctly.
-
-Too many a spree was played by ear. You started off with a few drinks,
-fell in with some second rate mopsy and usually wound up in a third
-rate groggery where you spent just as much as though you'd been in the
-classiest joint in town. Came morning and you had nothing to show for
-all the dollars that had been spent but a rum-head.
-
-Thus, Si was vaguely aware, it had always been down through the
-centuries since the Phoenecian sailor, back from his year-long trip to
-the tin mines of Cornwall, blew his hard earned share of the voyage's
-profits in a matter of days in the wine shops of Tyre. Nobody gets
-quite so little for his money as that loneliest of all workers, he who
-must leave his home for distant lands, returning only periodically and
-usually with the salary of lengthy, weary periods of time to be spent
-hurriedly in an attempt to achieve the pleasure and happiness so long
-denied him.
-
-Si was going to do it differently this time.
-
-Nothing but the best. Wine, women, song, food, entertainment. The
-works. But nothing but the best.
-
- * * * * *
-
-To start off, he dressed with great care in the honorable
-retirement-rank suit he had so recently purchased. His space pin he
-attached carefully to the lapel. That was a good beginning, he decided.
-A bit of prestige didn't hurt you when you went out on the town. In
-the Ultrawelfare State hardly one person in a hundred actually ever
-performed anything of value to society. The efforts of most weren't
-needed. Those few who did contribute were awarded honors, decorations,
-titles.
-
-Attired satisfactorily, Si double-checked to see that his credit
-card was in his pocket. As an after-thought, he went over to the
-auto-apartment's teevee-phone, flicked it on, held the card to the
-screen and said, "Balance check, please."
-
-In a moment, the teevee-phone's robot voice reported, "Ten shares of
-Inalienable Basic. Twelve shares of Variable Basic, current value, four
-thousand, two hundred and thirty-three dollars and sixty-two cents
-apiece. Current cash credit, one thousand and eighty-four dollars." The
-screen went dead.
-
-One thousand and eighty-four dollars. That was plenty. He could safely
-spend as much as half of it, if the spree got as lively as he hoped it
-would. His monthly dividends were due in another week or so, and he
-wouldn't have to worry about current expenses. Yes, indeedy, Si Pond
-was as solvent as he had ever been in his thirty years.
-
-He opened the small, closet-like door which housed his vacuum-tube
-two-seater, and wedged himself into the small vehicle. He brought down
-the canopy, dropped the pressurizer and considered the dial. Only one
-place really made sense. The big city.
-
-He considered for a moment, decided against the boroughs of Baltimore
-and Boston, and selected Manhattan instead. He had the resources. He
-might as well do it up brown.
-
-He dialed Manhattan and felt the sinking sensation that presaged his
-car's dropping to tube level. While it was being taken up by the robot
-controls, being shuttled here and there preparatory to the shot to his
-destination, he dialed the vehicle's teevee-phone for information on
-the hotels of the island of the Hudson. He selected a swank hostelry
-he'd read about and seen on the teevee casts of society and celebrity
-gossip reporters, and dialed it on the car's destination dial.
-
-"Nothing too good for ex-Space Pilot Si Pond," he said aloud.
-
-The car hesitated for a moment, that brief hesitation before the
-shot, and Si took the involuntary breath from which only heroes could
-refrain. He sank back slowly into the seat. Moments passed, and the
-direction of the pressure was reversed.
-
-Manhattan. The shuttling began again, and one or two more traversing
-sub-shots. Finally, the dash threw a green light and Si opened the
-canopy and stepped into his hotel room.
-
-A voice said gently, "If the quarters are satisfactory, please present
-your credit card within ten minutes."
-
-Si took his time. Not that he really needed it. It was by far the most
-swank suite he had ever seen. One wall was a window of whatever size
-the guest might desire and Si touched the control that dilated it to
-the full. His view opened in such wise that he could see both the
-Empire State Building Museum and the Hudson. Beyond the river stretched
-the all but endless city which was Greater Metropolis.
-
-He didn't take the time to flick on the menu, next to the auto-dining
-table, nor to check the endless potables on the autobar list. All that,
-he well knew, would be superlative. Besides, he didn't plan to dine
-or do much drinking in his suite. He made a mock leer. Not unless he
-managed to acquire some feminine companionship, that was.
-
-He looked briefly into the swimming pool and bath, then flopped
-himself happily onto the bed. It wasn't up to the degree of softness
-he presently desired, and he dialed the thing to the ultimate in that
-direction so that with a laugh he sank almost out of sight into the
-mattress.
-
-He came back to his feet, gave his suit a quick patting so that it
-fell into press and, taking his credit card from his pocket, put it
-against the teevee-phone screen and pressed the hotel button so that
-registration could be completed.
-
-For a moment he stood in the center of the floor, in thought. Take it
-easy, Si Pond, take it all easy, this time. No throwing his dollars
-around in second-class groggeries, no eating in automated luncheterias.
-This time, be it the only time in his life, he was going to frolic in
-the grand manner. No cloddy was Si Pond.
-
-He decided a drink was in order to help him plan his strategy. A drink
-at the hotel's famous Kudos Room where celebrities were reputed to be a
-dime a dozen.
-
-He left the suite and stepped into one of the elevators. He said,
-"Kudos Room."
-
-The auto-elevator murmured politely, "Yes, sir, the Kudos Room."
-
- * * * * *
-
-At the door to the famous rendezvous of the swankiest set, Si paused a
-moment and looked about. He'd never been in a place like this, either.
-However, he stifled his first instinct to wonder about what this was
-going to do to his current credit balance with an inner grin and made
-his way to the bar.
-
-There was actually a bartender.
-
-Si Pond suppressed his astonishment and said, offhand, attempting an
-air of easy sophistication, "Slivovitz Sour."
-
-"Yes, sir."
-
-The drinks in the Kudos Room might be concocted by hand, but Si noticed
-they had the routine teevee screens built into the bar for payment.
-He put his credit card on the screen immediately before him when the
-drink came, and had to quell his desire to dial for a balance check, so
-as to be able to figure out what the Sour had cost him.
-
-Well, this was something like it. This was the sort of thing he'd
-dreamed about, out there in the great alone, seated in the confining
-conning tower of his space craft. He sipped at the drink, finding it up
-to his highest expectations, and then swiveled slightly on his stool to
-take a look at the others present.
-
-To his disappointment, there were no recognizable celebrities. None
-that he placed, at least--top teevee stars, top politicians of the
-Ultrawelfare State or Sports personalities.
-
-He turned back to his drink and noticed, for the first time, the girl
-who occupied the stool two down from him. Si Pond blinked. He blinked
-and then swallowed.
-
-"_Zo-ro-as-ter_," he breathed.
-
-She was done in the latest style from Shanghai, even to the point of
-having cosmetically duplicated the Mongolian fold at the corners of her
-eyes. Every pore, but _every_ pore, was in place. She sat with the easy
-grace of the Orient, so seldom found in the West.
-
-His stare couldn't be ignored.
-
-She looked at him coldly, turned to the bartender and murmured, "A Far
-Out Cooler, please, Fredric." Then deliberately added, "I thought the
-Kudos Room was supposed to be exclusive."
-
-There was nothing the bartender could say to that, and he went about
-building the drink.
-
-Si cleared his throat. "Hey," he said, "how about letting this one be
-on me?"
-
-Her eyebrows, which had been plucked and penciled to carry out her
-Oriental motif, rose. "Really!" she said, drawing it out.
-
-The bartender said hurriedly, "I beg your pardon, sir...."
-
-The girl, her voice suddenly subtly changed, said, "Why, isn't that a
-space pin?"
-
-Si, disconcerted by the sudden reversal, said, "Yeah ... sure."
-
-"Good Heavens, you're a spaceman?"
-
-"Sure." He pointed at the lapel pin. "You can't wear one unless you
-been on at least a Moon run."
-
-She was obviously both taken back and impressed. "Why," she said,
-"you're Seymour Pond, the pilot. I tuned in on the banquet they gave
-you."
-
-Si, carrying his glass, moved over to the stool next to her. "Call me
-Si," he said. "Everybody calls me Si."
-
-She said, "I'm Natalie. Natalie Paskov. Just Natalie. Imagine meeting
-Seymour Pond. Just sitting down next to him at a bar. Just like that."
-
-"Si," Si said, gratified. Holy Zoroaster, he'd never seen anything
-like this rarified pulchritude. Maybe on teevee, of course, one of the
-current sex symbols, but never in person. "Call me Si," he said again.
-"I been called Si so long, I don't even know who somebody's talking to
-if they say Seymour."
-
-"I cried when they gave you that antique watch," she said, her tone
-such that it was obvious she hadn't quite adjusted as yet to having
-met him.
-
-Si Pond was surprised. "Cried?" he said. "Well, why? I was kind of
-bored with the whole thing. But old Doc Gubelin, I used to work under
-him in the Space Exploration department, he was hot for it."
-
-"_Academician_ Gubelin?" she said. "You just call him _Doc_?"
-
-Si was expansive. "Why, sure. In the Space Department we don't have
-much time for formality. Everybody's just Si, and Doc, and Jim. Like
-that. But how come you cried?"
-
- * * * * *
-
-She looked down into the drink the bartender had placed before her,
-as though avoiding his face. "I ... I suppose it was that speech
-Doctor Girard-Perregaux made. There you stood, so fine and straight in
-your space-pilot uniform, the veteran of six exploration runs to the
-planets...."
-
-"Well," Si said modestly, "two of my runs were only to the Moon."
-
-"... and he said all those things about man's conquest of space. And
-the dream of the stars which man has held so long. And then the fact
-that you were the last of the space pilots. The last man in the whole
-world trained to pilot a space craft. And here you were, retiring."
-
-Si grunted. "Yeah. That's all part of the Doc's scheme to get me to
-take on another three runs. They're afraid the whole department'll be
-dropped by the Appropriations Committee on this here Economic Planning
-Board. Even if they can find some other patsy to train for the job,
-it'd take maybe a year before you could even send him on a Moon hop.
-So old man Gubelin, and Girard-Perregaux too, they're both trying to
-pressure me into more trips. Otherwise they got a Space Exploration
-Department, with all the expense and all, but nobody to pilot their
-ships. It's kind of funny, in a way. You know what one of those
-spaceships costs?"
-
-"Funny?" she said. "Why, I don't think it's funny at all."
-
-Si said, "Look, how about another drink?"
-
-Natalie Paskov said, "Oh, I'd love to have a drink with you, Mr...."
-
-"Si," Si said. He motioned to the bartender with a circular twist of
-the hand indicating their need for two more of the same. "How come you
-know so much about it? You don't meet many people who are interested
-in space any more. In fact, most people are almost contemptuous, like.
-Think it's kind of a big boondoggle deal to help use up a lot of
-materials and all and keep the economy going."
-
-Natalie said earnestly, "Why, I've been a space fan all my life. I've
-read all about it. Have always known the names of all the space pilots
-and everything about them, ever since I was a child. I suppose you'd
-say I have the dream that Doctor Girard-Perregaux spoke about."
-
-Si chuckled. "A real buff, eh? You know, it's kind of funny. I was
-never much interested in it. And I got a darn sight less interested
-after my first run and I found out what space cafard was."
-
-She frowned. "I don't believe I know much about that."
-
-Sitting in the Kudos Room with the most beautiful girl to whom he had
-ever talked, Si could be nonchalant about the subject. "Old Gubelin
-keeps that angle mostly hushed up and out of the magazine and newspaper
-articles. Says there's enough adverse publicity about space exploration
-already. But at this stage of the game when the whole ship's crammed
-tight with this automatic scientific apparatus and all, there's
-precious little room in the conning tower and you're the only man
-aboard. The Doc says later on when ships are bigger and there's a whole
-flock of people aboard, there won't be any such thing as space cafard,
-but...." Of a sudden the right side of Si Pond's mouth began to tic
-and he hurriedly took up his drink and knocked it back.
-
-He cleared his throat. "Let's talk about some other angle. Look, how
-about something to eat, Natalie? I'm celebrating my retirement, like.
-You know, out on the town. If you're free...."
-
-She put the tip of a finger to her lips, looking for the moment like a
-small girl rather than an ultra-sophisticate. "Supposedly, I have an
-appointment," she said hesitantly.
-
- * * * * *
-
-When the mists rolled out in the morning--if it was still morning--it
-was to the tune of an insistent hotel chime. Si rolled over on his back
-and growled, "_Zo-ro-as-ter_, cut that out. What do you want?"
-
-The hotel communicator said softly, "Checking-out time, sir, is at two
-o'clock."
-
-Si groaned. He couldn't place the last of the evening at all. He didn't
-remember coming back to the hotel. He couldn't recall where he had
-separated from, what was her name ... Natalie.
-
-He vaguely recalled having some absinthe in some fancy club she had
-taken him to. What was the gag she'd made? Absinthe makes the heart
-grow fonder. And then the club where they had the gambling machines.
-And the mists had rolled in on him. Mountains of the Moon! but that
-girl could drink. He simply wasn't that used to the stuff. You don't
-drink in Space School and you most certainly don't drink when in space.
-His binges had been few and far between.
-
-He said now, "I don't plan on checking out today. Don't bother me." He
-turned to his pillow.
-
-The hotel communicator said quietly, "Sorry, sir, but your credit
-balance does not show sufficient to pay your bill for another day."
-
-Si Pond shot up, upright in bed, suddenly cold sober.
-
-His eyes darted about the room, as though he was seeing it for
-the first time. His clothes, he noted, were thrown over a chair
-haphazardly. He made his way to them, his face empty, and fished about
-for his credit card, finding it in a side pocket. He wavered to the
-teevee-phone and thrust the card against the screen. He demanded, his
-voice as empty as his expression, "Balance check, please."
-
-In less than a minute the robot-voice told him: "Ten shares of
-Inalienable Basic. Current cash credit, forty-two dollars and thirty
-cents." The screen went dead.
-
-He sank back into the chair which held his clothes, paying no attention
-to them. It couldn't be right. Only yesterday, he'd had twelve shares
-of Variable Basic, immediately convertible into more than fifty
-thousand dollars, had he so wished to convert rather than collect
-dividends indefinitely. Not only had he the twelve shares of Variable
-Basic, but more than a thousand dollars to his credit.
-
-He banged his fist against his mouth. Conceivably, he might have
-gone through his thousand dollars. It was possible, though hardly
-believable. The places he'd gone to with that girl in the Chinese
-get-up were probably the most expensive in Greater Metropolis. But,
-however expensive, he couldn't possibly have spent fifty thousand
-dollars! Not possibly.
-
-He came to his feet again to head for the teevee screen and demand
-an audit of the past twenty-four hours from Central Statistics.
-That'd show it up. Every penny expended. Something was crazy here.
-Someway that girl had pulled a fast one. She didn't seem the type. But
-something had happened to his twelve shares of Variable Basic, and
-he wasn't standing for it. It was his security, his defense against
-slipping back into the ranks of the cloddies, the poor demi-buttocked
-ranks of the average man, the desperately dull life of those who
-subsisted on the bounty of the Ultrawelfare State and the proceeds of
-ten shares of Inalienable Basic.
-
-He dialed Statistics and placed his card against the screen. His
-voice was strained now. "An audit of all expenditures for the past
-twenty-four hours."
-
-Then he sat and watched.
-
-His vacuum-tube trip to Manhattan was the first item. Two dollars and
-fifty cents. Next was his hotel suite. Fifty dollars. Well, he had
-known it was going to be expensive. A Slivovitz Sour at the Kudos Room,
-he found, went for three dollars a throw, and the Far out Coolers
-Natalie drank, four dollars. Absinthe was worse still, going for ten
-dollars a drink.
-
-He was impatient. All this didn't account for anything like a thousand
-dollars, not to speak of fifty thousand.
-
-The audit threw an item he didn't understand. A one dollar credit. And
-then, immediately afterward, a hundred dollar credit. Si scowled.
-
-And then slowly reached out and flicked the set off. For it had all
-come back to him.
-
-At first he had won. Won so that the other players had crowded around
-him, watching. Five thousand, ten thousand. Natalie had been jubilant.
-The others had cheered him on. He'd bet progressively higher, smaller
-wagers becoming meaningless and thousands being involved on single
-bets. A five thousand bet on odd had lost, and then another. The
-kibitzers had gone silent. When he had attempted to place another
-five thousand bet, the teevee screen robot voice had informed him
-dispassionately that his current cash credit balance was insufficient
-to cover that amount.
-
-Yes. He could remember now. He had needed no time to decide, had simply
-snapped, "Sell one share of Variable Basic at current market value."
-
-The other eleven shares had taken the route of the first.
-
-When it was finally all gone and he had looked around, it was to find
-that Natalie Paskov was gone as well.
-
- * * * * *
-
-Academician Lofting Gubelin, seated in his office, was being
-pontifical. His old friend Hans Girard-Perregaux had enough other
-things on his mind to let him get away with it, only half following the
-monologue.
-
-"I submit," Gubelin orated, "that there is evolution in society. But
-it is by fits and starts, and by no means a constant thing. Whole
-civilizations can go dormant, so far as progress is concerned, for
-millennia at a time."
-
-Girard-Perregaux said mildly, "Isn't that an exaggeration, Lofting?"
-
-"No, by Zoroaster, it is not! Take the Egyptians. Their greatest
-monuments, such as the pyramids, were constructed in the earlier
-dynasties. Khufu, or Cheops, built the largest at Gizeh. He was the
-founder of the 4th Dynasty, about the year 2900 B. C. Twenty-five
-dynasties later, and nearly three thousand years, there was no greatly
-discernable change in the Egyptian culture."
-
-Girard-Perregaux egged him on gently. "The sole example of your theory
-I can think of, offhand."
-
-"Not at all!" Gubelin glared. "The Mayans are a more recent proof.
-Their culture goes back to at least 500 B. C. At that time their
-glyph-writing was already wide-spread and their cities, eventually
-to number in the hundreds, being built. By the time of Christ they
-had reached their peak. And they remained there until the coming of
-the Spaniards, neither gaining nor losing, in terms of evolution of
-society."
-
-His colleague sighed. "And your point, Lofting?"
-
-"Isn't it blisteringly obvious?" the other demanded. "We're in danger
-of reaching a similar static condition here and now. The Ultrawelfare
-State!" He snorted indignation. "The Conformist State or the Status
-Quo State, is more like it. I tell you, Hans, all progress is being
-dried up. There is no will to delve into the unknown, no burning fever
-to explore the unexplored. And this time it isn't a matter of a single
-area, such as Egypt or Yucatan, but our whole world. If man goes into
-intellectual coma this time, then all the race slows down, not merely a
-single element of it."
-
-He rose suddenly from the desk chair he'd been occupying to pace the
-room. "The race must find a new frontier, a new ocean to cross, a new
-enemy to fight."
-
-Girard-Perregaux raised his eyebrows.
-
-"Don't be a cloddy," Gubelin snapped. "You know what I mean. Not a
-human enemy, not even an alien intelligence. But something against
-which we must pit our every wit, our every strength, our strongest
-determination. Otherwise, we go dull, we wither on the vine."
-
-The other at long last chuckled. "My dear Lofting, you wax absolutely
-lyrical."
-
-Gubelin suddenly stopped his pacing, returned to his desk and sank
-back into his chair. He seemed to add a score of years to his age, and
-his face sagged. "I don't know why I take it out on you, Hans. You're
-as aware of the situation as I. Man's next frontier is space. First
-the planets, and then a reaching out to the stars. This is our new
-frontier, our new ocean to cross."
-
-His old friend was nodding. He brought his full attention to the
-discussion at last. "And we'll succeed, Lofting. The last trip Pond
-made gives us ample evidence that we can actually colonize and
-exploit the Jupiter satellites. Two more runs, at most three, and
-we can release our findings in such manner that they'll strike the
-imaginations of every Tom, Dick and Harry like nothing since Columbus
-made his highly exaggerated reports on his New World."
-
-"Two or three more runs," Gubelin grunted bitterly. "You've heard the
-rumors. Appropriations is going to lower the boom on us. Unless we can
-get Pond back into harness, we're sunk. The runs will never be made. I
-tell you, Hans...."
-
- * * * * *
-
-But Hans Girard-Perregaux was wagging him to silence with a finger.
-"They'll be made. I've taken steps to see friend Seymour Pond comes
-dragging back to us."
-
-"But he _hates_ space! The funker probably won't consent to come within
-a mile of the New Albuquerque Spaceport for the rest of his life, the
-blistering cloddy."
-
-A desk light flicked green, and Girard-Perregaux raised his eyebrows.
-"Exactly at the psychological moment. If I'm not mistaken, Lofting,
-that is probably our fallen woman."
-
-"Our _what_?"
-
-But Doctor Hans Girard-Perregaux had come to his feet and personally
-opened the door. "Ah, my dear," he said affably.
-
-Natalie Paskov, done today in Bulgarian peasant garb, and as faultless
-in appearance as she had been in the Kudos Room, walked briskly into
-the office.
-
-"Assignment carried out," she said crisply.
-
-"Indeed," Girard-Perregaux said approvingly. "So soon?"
-
-Gubelin looked from one to the other. "What in the blistering name of
-Zoroaster is going on?"
-
-His friend said. "Academician Gubelin, may I present Operative Natalie
-of Extraordinary Services Incorporated?"
-
-"Extraordinary Services?" Gubelin blurted.
-
-"In this case," Natalie said smoothly, even while taking the chair held
-for her by Doctor Girard-Perregaux, "a particularly apt name. It was a
-dirty trick."
-
-"But for a good cause, my dear."
-
-She shrugged. "So I am often told, when sent on these far-out
-assignments."
-
-Girard-Perregaux, in spite of her words, was beaming at her. "Please
-report in full," he said, ignoring his colleague's obvious bewilderment.
-
-Natalie Paskov made it brief. "I picked up the subject in the Kudos
-Room of the Greater Metropolis Hotel, pretending to be a devotee of
-the space program as an excuse. It soon developed that he had embarked
-upon a celebration of his retirement. He was incredibly naive, and
-allowed me to over-indulge him in semi-narcotics as well as alcohol, so
-that his defensive inhibitions were low. I then took him to a gambling
-spot where, so dull that he hardly knew what he was doing, he lost his
-expendable capital."
-
-Gubelin had been staring at her, but now he blurted, "But suppose he
-had won?"
-
-She shrugged it off. "Hardly, the way I was encouraging him to wager.
-Each time he won, I urged him to double up. It was only a matter of
-time until ..." she let the sentence dribble away.
-
-Girard-Perregaux rubbed his hands together briskly. "Then, in turn, it
-is but a matter of time until friend Pond comes around again."
-
-"That I wouldn't know," Natalie Paskov said disinterestedly. "My job
-is done. However, the poor man seems so utterly opposed to returning
-to your service that I wouldn't be surprised if he remained in his
-retirement, living on his Inalienable Basic shares. He seems literally
-terrified of being subjected to space cafard again."
-
-But Hans Girard-Perregaux wagged a finger negatively at her. "Not after
-having enjoyed a better way of life for the past decade. A person is
-able to exist on the Inalienable Basic dividends, but it is almost
-impossible to bring oneself to it once a fuller life has been enjoyed.
-No, Seymour Pond will never go back to the dullness of life the way it
-is lived by nine-tenths of our population."
-
-Natalie came to her feet. "Well, gentlemen, you'll get your bill--a
-whopping one. I hope your need justifies this bit of dirty work.
-Frankly, I am considering my resignation from Extraordinary Services,
-although I'm no more anxious to live on my Inalienable Basic than poor
-Si Pond is. Good day, gentlemen."
-
-She started toward the door.
-
-The teevee-phone on Gubelin's desk lit up and even as Doctor
-Girard-Perregaux was saying unctuously to the girl, "Believe me, my
-dear, the task you have performed, though odious, will serve the whole
-race," the teevee-phone said:
-
-"Sir, you asked me to keep track of Pilot Seymour Pond. There is a
-report on the news. He suicided this morning."
-
-END
-
-
-
-
-
-End of the Project Gutenberg EBook of Spaceman on a Spree, by Mack Reynolds
-
-*** END OF THIS PROJECT GUTENBERG EBOOK SPACEMAN ON A SPREE ***
-
-***** This file should be named 52995.txt or 52995.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/2/9/9/52995/
-
-Produced by Greg Weeks, Mary Meehan and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/52995.zip b/old/52995.zip
deleted file mode 100644
index 90eda56..0000000
--- a/old/52995.zip
+++ /dev/null
Binary files differ