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+ <head>
+ <title>
+ The Sea Fogs, by Robert Louis Stevenson
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
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+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
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+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
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+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of The Sea Fogs, by Robert Louis Stevenson
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Sea Fogs
+
+Author: Robert Louis Stevenson
+
+Release Date: June 1, 2009 [EBook #5272]
+Last Updated: November 26, 2012
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE SEA FOGS ***
+
+
+
+
+Produced by David Schwan, and David Widger
+
+
+
+
+
+
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ THE SEA FOGS
+ </h1>
+ <p>
+ <br /><br />
+ </p>
+ <h2>
+ By Robert Louis Stevenson
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <h3>
+ With an Introduction by Thomas Rutherford Bacon
+ </h3>
+ <h5>
+ Western Classics No. 1
+ </h5>
+<pre xml:space="preserve">
+ A sheeted spectre white and tall,
+ The cold mist climbs the castle wall
+ And lays its hand upon thy cheek.
+
+ &mdash;Longfellow.
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <table summary="" style="margin-right: auto; margin-left: auto">
+ <tr>
+ <td>
+ <p class="toc">
+ <a href="#link2H_INTR"> Introduction </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> THE SEA FOGS </a>
+ </p>
+ </td>
+ </tr>
+ </table>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_INTR" id="link2H_INTR">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h2>
+ Introduction
+ </h2>
+ <p>
+ Robert Louis Stevenson first came to California in 1879 for the purpose of
+ getting married. The things that delayed his marriage are sufficiently set
+ forth in his "Letters" (edited by Sidney Colvin) and in his "Life"
+ (written by Graham Balfour). It is here necessary to refer only to the
+ last of the obstacles, the breaking down of his health. It is in
+ connection with the evil thing that came to him at this time that he first
+ makes mention of "the sea fogs," that beset a large part of the California
+ coast. He speaks of them as poisonous; and poisonous they are to any one
+ who is afflicted with pulmonary weakness, but bracing and glorious to
+ others. They give the charm of climate to dwellers around the great bay.
+ How he took this first very serious attack of the terrible malady is
+ indicated in the letter to Edmund Gosse, dated April 16, 1880. His
+ attitude toward death is shown here, and is further shown in his little
+ paper AEs Triplex, in which he successfully vindicates his generation from
+ the charge of cowardice in the face of death. Stevenson's two
+ distinguishing characteristics were his courage and his determination to
+ be happy as the right way of making other people happy. His courage, far
+ more than change of scene and climate, gave him fourteen more years in
+ which to contribute to the sweetness and light of the world. These years
+ were made fruitful to others by his determined happiness, a happiness in
+ which the main factor, outside of his own determination, came from the
+ companionship which his marriage brought to him. The great principles by
+ which he lived influenced those who did not know him personally, through
+ his gift of writing. He always maintained that it was not a gift but an
+ achievement, and that any one could write as well as he by taking as much
+ pains. We may well doubt the soundness of this theory, but we cannot doubt
+ the spiritual attitude from which it came. It came from no mock humility,
+ but from a feeling that nothing was creditable to him except what he did.
+ He asked no credit for the talents committed to his charge. He asked
+ credit only for the use be made of the talents.
+ </p>
+ <p>
+ Stevenson was married May 19, 1880. His health, which had delayed the
+ marriage, determined the character of the honeymoon. He must get away from
+ the coast and its fogs. His honeymoon experiences are recorded in one of
+ the most delightful of his minor writings, "The Silverado Squatters." He
+ went, with his wife, his stepson and a dog, to squat on the eastern
+ shoulder of Mount Saint Helena, a noble mountain which closes and
+ dominates the Napa Valley, a wonderful and fertile valley, running
+ northward from the bay of San Francisco. Silverado was a deserted
+ mining-camp. Stevenson has intimated that there are more ruined cities in
+ California than in the land of Bashan, and in one of these he took up his
+ residence for about two months, "camping" in the deserted quarters of the
+ extinct mining company. Had he gone a little beyond the toll-house, just
+ over the shoulder of the mountain, he would probably never have seen the
+ glory of "the sea fogs." It would have been better for his health but
+ worse for English literature.
+ </p>
+ <p>
+ My first knowledge of that glory came to me twenty years ago. I had come
+ to California to care for one dearly beloved by me, who was fighting the
+ same fight that Stevenson fought, and against the same enemy, and who was
+ fighting it just as bravely. I took him to the summit of the Santa Cruz
+ Mountains in the hope that we might escape the fogs. As I watched on the
+ porch of the little cottage where he lay, I saw night after night what I
+ believe to be the most beautiful of all natural phenomena, the sea fog of
+ the Pacific, seen from above. Under the full moon, or under the early sun
+ which slowly withers it away, the great silver sea with its dark islands
+ of redwood seemed to me the most wonderful of things. With my wonder and
+ delight, perhaps making them more poignant, was the fear lest the glory
+ should mount too high, and lay its attractive hand on my beloved. The fog
+ has been dear to me ever since. I have often grumbled at it when I was in
+ it or under it, but when I have seen it from above, that first thrill of
+ wonder and delight has come back to me &mdash;always. Whether on the
+ Berkeley hills I see its irresistible columns moving through the Golden
+ Gate across the bay to take possession of the land, or whether I stand on
+ the height of Tamalpais and look at the white, tangled flood below,&mdash;
+ </p>
+<pre xml:space="preserve">
+ "My heart leaps up when I behold."
+</pre>
+ <p>
+ It remains to me&mdash;
+ </p>
+<pre xml:space="preserve">
+ "A vision, a delight and a desire."
+</pre>
+ <p>
+ When the beauty of the fog first got hold of me, I wondered whether any
+ one had given literary expression to its supreme charm. I searched the
+ works of some of the better-known California poets, not quite without
+ result. I was familiar with what seem to me the best of the serious verses
+ of Bret Harte, the lines on San Francisco,&mdash;wherein the city is
+ pictured as a penitent Magdalen, cowled in the grey of the Franciscans,
+ &mdash;the soft pale grey of the sea fog. The literary value of the figure
+ is hardly injured by the cold fog that the penitence of this particular
+ Magdalen has never been of an enduring quality. It is to be noted that
+ what Harte speaks of is not the beauty of the fog, but its sobriety and
+ dignity.
+ </p>
+ <p>
+ Sill, with his susceptibility to the infinite variety of nature and with
+ the spark of the divine fire which burned in him, refers often to some of
+ the effects of the fog, such as the wonderful sunset colors on the
+ Berkeley hills in summer. But I find only one direct allusion to the
+ beauty of the fog itself:&mdash;
+ </p>
+<pre xml:space="preserve">
+ (1)"There lies a little city in the hills;
+ White are its roofs, dim is each dwelling's door,
+ And peace with perfect rest its bosom fills.
+
+ "There the pure mist, the pity of the sea,
+ Comes as a white, soft hand, and reaches o'er
+ And touches its still face most tenderly."
+</pre>
+ <p>
+ In 1887 I had not read "The Silverado Squatters." Part of it had been
+ published in Scribner's Magazine. It was only in the following year that I
+ got hold of the book and found an almost adequate expression of my own
+ feeling about the sea fogs. Stevenson did not know all their beauty, for
+ he was not here long enough, but he could tell what he saw. In other
+ words, he had a gift which is denied to most of us.
+ </p>
+ <p>
+ Silverado is now a quite impossible place for squatting. When I first
+ tried to enter, I found it so given over to poison-oak and rattlesnakes
+ that I did not care to pursue my investigations very far. I did not know
+ at that time that I was quite immune from the poison of the oak and that
+ the California rattlesnake was quite so friendly and harmless an animal as
+ John Muir has since assured us that he is. The last time that I passed
+ Silverado, it was accessible only by the aid of a gang of wood-choppers.
+ </p>
+ <p>
+ Curiously, the last great fog effect that I have seen was almost the same
+ which Stevenson has described. Last summer we had been staying for a month
+ with our friends who have a summer home about three miles beyond
+ Stevenson's "toll-house." It is, I believe, the most beautiful
+ country-seat on this round earth, and its free and gentle hospitality
+ cannot be surpassed. We left this delightful place of sojourning between
+ three and four o'clock in the morning to catch the early train from
+ Calistoga. Our steep climb up to the toll-house was under the broad smile
+ of the moon, which gradually gave way to the brilliant dawn. When we
+ passed the toll-house, the whole Napa Valley should have been revealed to
+ us, but it was not. The fog had surged through it and had hidden it. What
+ we saw was better than the beautiful Napa Valley. I should like to tell
+ what we saw, but I cannot,&mdash;"For what can the man do who cometh after
+ the king?"
+ </p>
+ <p>
+ (1) This exquisite little poem is unaccountably omitted from the Household
+ (and presumably complete) Edition of Sill's poems issued by Houghton,
+ Mifflin &amp; Co., 1906. It is found in the little volume, "Poems," by
+ Edward Rowland Sill, published by the same firm at an earlier date.
+ Mountain View Cemetery is no longer a "little city."
+ </p>
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE SEA FOGS
+ </h2>
+ <p>
+ A change in the colour of the light usually called me in the morning. By a
+ certain hour, the long, vertical chinks in our western gable, where the
+ boards had shrunk and separated, flashed suddenly into my eyes as stripes
+ of dazzling blue, at once so dark and splendid that I used to marvel how
+ the qualities could be combined. At an earlier hour, the heavens in that
+ quarter were still quietly coloured, but the shoulder of the mountain
+ which shuts in the canyon already glowed with sunlight in a wonderful
+ compound of gold and rose and green; and this too would kindle, although
+ more mildly and with rainbow tints, the fissures of our crazy gable. If I
+ were sleeping heavily, it was the bold blue that struck me awake; if more
+ lightly, then I would come to myself in that earlier and fairer light.
+ </p>
+ <p>
+ One Sunday morning, about five, the first brightness called me. I rose and
+ turned to the east, not for my devotions, but for air. The night had been
+ very still. The little private gale that blew every evening in our canyon,
+ for ten minutes or perhaps a quarter of an hour, had swiftly blown itself
+ out; in the hours that followed, not a sigh of wind had shaken the
+ treetops; and our barrack, for all its breaches, was less fresh that
+ morning than of wont. But I had no sooner reached the window than I forgot
+ all else in the sight that met my eyes, and I made but two bounds into my
+ clothes, and down the crazy plank to the platform.
+ </p>
+ <p>
+ The sun was still concealed below the opposite hilltops, though it was
+ shining already, not twenty feet above my head, on our own mountain slope.
+ But the scene, beyond a few near features, was entirely changed. Napa
+ Valley was gone; gone were all the lower slopes and woody foothills of the
+ range; and in their place, not a thousand feet below me, rolled a great
+ level ocean. It was as though I had gone to bed the night before, safe in
+ a nook of inland mountains and had awakened in a bay upon the coast. I had
+ seen these inundations from below; at Calistoga I had risen and gone
+ abroad in the early morning, coughing and sneezing, under fathoms on
+ fathoms of gray sea vapour, like a cloudy sky&mdash;a dull sight for the
+ artist, and a painful experience for the invalid. But to sit aloft one's
+ self in the pure air and under the unclouded dome of heaven, and thus look
+ down on the submergence of the valley, was strangely different and even
+ delightful to the eyes. Far away were hilltops like little islands.
+ Nearer, a smoky surf beat about the foot of precipices and poured into all
+ the coves of these rough mountains. The colour of that fog ocean was a
+ thing never to be forgotten. For an instant, among the Hebrides and just
+ about sundown, I have seen something like it on the sea itself. But the
+ white was not so opaline; nor was there, what surprisingly increased the
+ effect, that breathless crystal stillness over all. Even in its gentlest
+ moods the salt sea travails, moaning among the weeds or lisping on the
+ sand; but that vast fog ocean lay in a trance of silence, nor did the
+ sweet air of the morning tremble with a sound.
+ </p>
+ <p>
+ As I continued to sit upon the dump, I began to observe that this sea was
+ not so level as at first sight it appeared to be. Away in the extreme
+ south, a little hill of fog arose against the sky above the general
+ surface, and as it had already caught the sun it shone on the horizon like
+ the topsails of some giant ship. There were huge waves, stationary, as it
+ seemed, like waves in a frozen sea; and yet, as I looked again, I was not
+ sure but they were moving after all, with a slow and august advance. And
+ while I was yet doubting, a promontory of the hills some four or five
+ miles away, conspicuous by a bouquet of tall pines, was in a single
+ instant overtaken and swallowed up. It reappeared in a little, with its
+ pines, but this time as an islet and only to be swallowed up once more and
+ then for good. This set me looking nearer, and I saw that in every cove
+ along the line of mountains the fog was being piled in higher and higher,
+ as though by some wind that was inaudible to me. I could trace its
+ progress, one pine tree first growing hazy and then disappearing after
+ another; although sometimes there was none of this forerunning haze, but
+ the whole opaque white ocean gave a start and swallowed a piece of
+ mountain at a gulp. It was to flee these poisonous fogs that I had left
+ the seaboard, and climbed so high among the mountains. And now, behold,
+ here came the fog to besiege me in my chosen altitudes, and yet came so
+ beautifully that my first thought was of welcome.
+ </p>
+ <p>
+ The sun had now gotten much higher, and through all the gaps of the hills
+ it cast long bars of gold across that white ocean. An eagle, or some other
+ very great bird of the mountain, came wheeling over the nearer pinetops,
+ and hung, poised and something sideways, as if to look abroad on that
+ unwonted desolation, spying, perhaps with terror, for the eyries of her
+ comrades. Then, with a long cry, she disappeared again toward Lake County
+ and the clearer air. At length it seemed to me as if the flood were
+ beginning to subside. The old landmarks, by whose disappearance I had
+ measured its advance, here a crag, there a brave pine tree, now began, in
+ the inverse order, to make their reappearance into daylight. I judged all
+ danger of the fog was over. This was not Noah's flood; it was but a
+ morning spring, and would now drift out seaward whence it came. So,
+ mightily relieved, and a good deal exhilarated by the sight, I went into
+ the house to light the fire.
+ </p>
+ <p>
+ I suppose it was nearly seven when I once more mounted the platform to
+ look abroad. The fog ocean had swelled up enormously since last I saw it;
+ and a few hundred feet below me, in the deep gap where the Toll House
+ stands and the road runs through into Lake County, it had already topped
+ the slope, and was pouring over and down the other side like driving
+ smoke. The wind had climbed along with it; and though I was still in calm
+ air, I could see the trees tossing below me, and their long, strident
+ sighing mounted to me where I stood.
+ </p>
+ <p>
+ Half an hour later, the fog had surmounted all the ridge on the opposite
+ side of the gap, though a shoulder of the mountain still warded it out of
+ our canyon. Napa Valley and its bounding hills were now utterly blotted
+ out. The fog, sunny white in the sunshine, was pouring over into Lake
+ County in a huge, ragged cataract, tossing treetops appearing and
+ disappearing in the spray. The air struck with a little chill, and set me
+ coughing. It smelt strong of the fog, like the smell of a washing-house,
+ but with a shrewd tang of the sea-salt.
+ </p>
+ <p>
+ Had it not been for two things&mdash;the sheltering spur which answered as
+ a dyke, and the great valley on the other side which rapidly engulfed
+ whatever mounted&mdash;our own little platform in the canyon must have
+ been already buried a hundred feet in salt and poisonous air. As it was,
+ the interest of the scene entirely occupied our minds. We were set just
+ out of the wind, and but just above the fog; we could listen to the voice
+ of the one as to music on the stage; we could plunge our eyes down into
+ the other, as into some flowing stream from over the parapet of a bridge;
+ thus we looked on upon a strange, impetuous, silent, shifting exhibition
+ of the powers of nature, and saw the familiar landscape changing from
+ moment to moment like figures in a dream.
+ </p>
+ <p>
+ The imagination loves to trifle with what is not. Had this been indeed the
+ deluge, I should have felt more strongly, but the emotion would have been
+ similar in kind. I played with the idea as the child flees in delighted
+ terror from the creations of his fancy. The look of the thing helped me.
+ And when at last I began to flee up the mountain, it was indeed partly to
+ escape from the raw air that kept me coughing, but it was also part in
+ play.
+ </p>
+ <p>
+ As I ascended the mountainside, I came once more to overlook the upper
+ surface of the fog; but it wore a different appearance from what I had
+ beheld at daybreak. For, first, the sun now fell on it from high overhead,
+ and its surface shone and undulated like a great nor'land moor country,
+ sheeted with untrodden morning snow. And, next, the new level must have
+ been a thousand or fifteen hundred feet higher than the old, so that only
+ five or six points of all the broken country below me still stood out.
+ Napa Valley was now one with Sonoma on the west. On the hither side, only
+ a thin scattered fringe of bluffs was unsubmerged; and through all the
+ gaps the fog was pouring over, like an ocean into the blue clear sunny
+ country on the east. There it was soon lost; for it fell instantly into
+ the bottom of the valleys, following the watershed; and the hilltops in
+ that quarter were still clear cut upon the eastern sky.
+ </p>
+ <p>
+ Through the Toll House gap and over the near ridges on the other side, the
+ deluge was immense. A spray of thin vapour was thrown high above it,
+ rising and falling, and blown into fantastic shapes. The speed of its
+ course was like a mountain torrent. Here and there a few treetops were
+ discovered and then whelmed again; and for one second, the bough of a dead
+ pine beckoned out of the spray like the arm of a drowning man. But still
+ the imagination was dissatisfied, still the ear waited for something more.
+ Had this indeed been water (as it seemed so, to the eye), with what a
+ plunge of reverberating thunder would it have rolled upon its course,
+ disembowelling mountains and deracinating pines And yet water it was and
+ sea-water at that&mdash;true Pacific billows, only somewhat rarefied,
+ rolling in mid-air among the hilltops.
+ </p>
+ <p>
+ I climbed still higher, among the red rattling gravel and dwarf underwood
+ of Mount Saint Helena, until I could look right down upon Silverado, and
+ admire the favoured nook in which it lay. The sunny plain of fog was
+ several hundred feet higher; behind the protecting spur a gigantic
+ accumulation of cottony vapour threatened, with every second to blow over
+ and submerge our homestead; but the vortex setting past the Toll House was
+ too strong; and there lay our little platform, in the arms of the deluge,
+ but still enjoying its unbroken sunshine. About eleven, however, thin
+ spray came flying over the friendly buttress, and I began to think the fog
+ had hunted out its Jonah after all. But it was the last effort. The wind
+ veered while we were at dinner, and began to blow squally from the
+ mountain summit and by half-past one all that world of sea fogs was
+ utterly routed and flying here and there into the south in little rags of
+ cloud. And instead of a lone sea-beach, we found ourselves once more
+ inhabiting a high mountainside, with the clear green country far below us,
+ and the light smoke of Calistoga blowing in the air.
+ </p>
+ <p>
+ This was the great Russian campaign for that season. Now and then, in the
+ early morning, a little white lakelet of fog would be seen far down in
+ Napa Valley but the heights were not again assailed, nor was the
+ surrounding world again shut off from Silverado.
+ </p>
+<pre xml:space="preserve">
+ Here Ends No. One the Western Classics Being The Sea Fogs by Robert
+ Louis Stevenson With an Introduction by Thomas Rutherford Bacon &amp; A
+ Photogravure Frontispiece After A Painting by Albertine Randall Wheelan
+ of this First Edition One Thousand Copies Have Been Issued Printed Upon
+ Fabriano Handmade Paper the Typography Designed by J. H. Nash Published
+ by Paul Elder and Company &amp; Done Into A Book for Them at the Tomoye
+ Press in the City of New York MCMVII
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of The Sea Fogs, by Robert Louis Stevenson
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE SEA FOGS ***
+
+***** This file should be named 5272-h.htm or 5272-h.zip *****
+This and all associated files of various formats will be found in:
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+</pre>
+ </body>
+</html>