summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-02-06 02:46:46 -0800
committernfenwick <nfenwick@pglaf.org>2025-02-06 02:46:46 -0800
commitbbc5e6af50dccbc298a30bef93c4d61f9b2c3faf (patch)
treec95cba43b74f8e8526cac2837c1bc7d13298fd6c
parent162e1d110dc4155db2611349e379149196cde4e8 (diff)
NormalizeHEADmain
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/52600-0.txt1810
-rw-r--r--old/52600-0.zipbin36164 -> 0 bytes
-rw-r--r--old/52600-h.zipbin1492568 -> 0 bytes
-rw-r--r--old/52600-h/52600-h.htm2137
-rw-r--r--old/52600-h/images/cover.jpgbin171356 -> 0 bytes
-rw-r--r--old/52600-h/images/i_004.jpgbin62262 -> 0 bytes
-rw-r--r--old/52600-h/images/i_014.jpgbin73226 -> 0 bytes
-rw-r--r--old/52600-h/images/i_018.jpgbin63707 -> 0 bytes
-rw-r--r--old/52600-h/images/i_022.jpgbin48434 -> 0 bytes
-rw-r--r--old/52600-h/images/i_026.jpgbin59378 -> 0 bytes
-rw-r--r--old/52600-h/images/i_030.jpgbin56667 -> 0 bytes
-rw-r--r--old/52600-h/images/i_034.jpgbin51682 -> 0 bytes
-rw-r--r--old/52600-h/images/i_038.jpgbin62557 -> 0 bytes
-rw-r--r--old/52600-h/images/i_042.jpgbin56466 -> 0 bytes
-rw-r--r--old/52600-h/images/i_046.jpgbin74735 -> 0 bytes
-rw-r--r--old/52600-h/images/i_050.jpgbin44027 -> 0 bytes
-rw-r--r--old/52600-h/images/i_054.jpgbin58236 -> 0 bytes
-rw-r--r--old/52600-h/images/i_058.jpgbin83843 -> 0 bytes
-rw-r--r--old/52600-h/images/i_062.jpgbin71773 -> 0 bytes
-rw-r--r--old/52600-h/images/i_066.jpgbin76775 -> 0 bytes
-rw-r--r--old/52600-h/images/i_070.jpgbin74526 -> 0 bytes
-rw-r--r--old/52600-h/images/i_074.jpgbin59542 -> 0 bytes
-rw-r--r--old/52600-h/images/i_078.jpgbin62757 -> 0 bytes
-rw-r--r--old/52600-h/images/i_082.jpgbin65012 -> 0 bytes
-rw-r--r--old/52600-h/images/i_086.jpgbin75604 -> 0 bytes
28 files changed, 17 insertions, 3947 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..5264e9c
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #52600 (https://www.gutenberg.org/ebooks/52600)
diff --git a/old/52600-0.txt b/old/52600-0.txt
deleted file mode 100644
index 2bcd2b1..0000000
--- a/old/52600-0.txt
+++ /dev/null
@@ -1,1810 +0,0 @@
-The Project Gutenberg EBook of Bird Portraits, by Ernest Seton-Thompson
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-Title: Bird Portraits
-
-Author: Ernest Seton-Thompson
-
-Commentator: Ralph Hoffmann
-
-Release Date: July 18, 2016 [EBook #52600]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK BIRD PORTRAITS ***
-
-
-
-
-Produced by Richard Tonsing and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by The
-Internet Archive)
-
-
-
-
-
-
-
-
-
- BIRD PORTRAITS
-
-
-[Illustration: THE SONG SPARROW]
-
-
-
-
- BIRD PORTRAITS
-
-
- _By_ Ernest Seton-Thompson
-
-
- WITH DESCRIPTIVE TEXT
-
- _By_ Ralph Hoffmann
-
-
- BOSTON
- Ginn & Company
- The Athenæum Press
- 1901
-
-
-
-
- COPYRIGHT, 1901
- BY GINN & COMPANY
-
- ALL RIGHTS RESERVED
-
-
-
-
- CONTENTS
-
-
- PAGE
-
- THE SONG SPARROW 1
-
- THE FLICKER 3
-
- THE BROWN THRASHER 5
-
- THE BARN SWALLOW 7
-
- THE CHIMNEY SWIFT 9
-
- THE KINGBIRD 11
-
- THE BALTIMORE ORIOLE 13
-
- THE WOOD THRUSH 15
-
- THE SCARLET TANAGER 17
-
- THE ROSE-BREASTED GROSBEAK 19
-
- THE REDSTART 21
-
- THE RUBY-THROATED HUMMING-BIRD 23
-
- BOB-WHITE 25
-
- THE GOLDFINCH 27
-
- THE BLUE JAY 29
-
- THE BROWN CREEPER 31
-
- THE BUTCHER BIRD 33
-
- THE GOLDEN-CROWNED KINGLET 35
-
- THE HERRING GULL 37
-
- THE CHICKADEE 39
-
-
-
-
- _INTRODUCTION_
-
-
-_This book is called "Bird Portraits" because Mr. Seton-Thompson's
-pictures are always faithful and charming portraits of the birds which
-he draws. But since a bird's portrait, no matter how accurate, can show
-its subject in only one position, singing, feeding, flying, or sitting,
-a short account of some of the main events of the bird's life has been
-added to each picture._
-
-_Any one who learns from such books as Mr. Seton-Thompson's how beset
-with perils is the life of every wild creature will take the greatest
-pains at all times, and especially in the nesting season, not only not
-to injure or persecute such defenseless little creatures as our song
-birds, but also to protect them in every way. Whoever seeks their
-acquaintance, in the spirit of friendship, will always be grateful for
-the interest and pleasure to be gained from such friends._
-
-_Of the twenty birds whose portraits are here presented, a majority are
-only summer residents in the Northern States; some visit us only in
-winter; a few spend the whole year near the same spot. The birds which
-are first described are those that are most closely associated with the
-return of spring; then follow those whose gay colors and bright songs
-give much of its charm to early summer; last come those that brave, even
-in the North, the tempests of winter._
-
- R. H.
-
-
-
-
- BIRD PORTRAITS
-
-
-
-
- THE SONG SPARROW
-
-
-After a severe winter, while snow and ice still remind us of the past,
-the Song Sparrow, mounting to the top of some bush or small tree,
-repeats his cheerful tinkling song, "helping," as Thoreau says, "to
-crack the ice" in the ponds. Few people are so unobservant as not to
-notice this bright strain, after the silence of winter. A peculiarity of
-the song is the amount of variation shown by different individuals and
-often by the same bird. At almost regular distances along the bushy
-roadside, or over the hedge-intersected fields, one will meet on the
-early spring mornings one Song Sparrow after another, each restricted to
-his part of the road or field. If one notices the songs of each, it is
-evident that, though the songs have the same general character, there
-are almost as many ways of beginning a strain as there are singers.
-Moreover, the same bird has been observed to alter his song in a short
-space of time to two or three different variations. Probably, if one's
-ear were acute enough, all birds of one species would be found to sing
-with slight differences, but few show in so marked a degree as the Song
-Sparrow the tendency to variation which characterizes a species.
-
-In early April, the Song Sparrow builds a nest of grass, either on the
-ground beneath a tuft of grass, or under some brambles, or less
-frequently a few feet above the ground, in a bush or on the lower limbs
-of a tree. In the latter situation, twigs are of course necessary for
-the support of the structure. Here again the bird shows a tendency to
-vary in its habits. The eggs are from four to five in number, greenish
-white, thickly marked with shades of brown, lavender, or purple.
-Sometimes an egg is found in the nest much larger than the others; this
-has been laid by the lazy Cowbird. As the large egg receives most warmth
-and hatches first, the young Cowbird soon crowds out the rightful
-occupants of the nest, and the parent Song Sparrows will be seen later,
-working busily to feed a great homely youngster as large as themselves,
-who will afterwards go off to join a flock of his own kind. Probably
-every Cowbird has been reared at the expense of a brood of some small
-bird, Sparrow, Warbler, or Vireo.
-
-In June, the young Song Sparrows are able to take care of themselves,
-and the energetic parents build another nest and rear another brood. The
-brooding time is the chief period of song, so that birds that breed
-twice sing later in the summer than others. The Song Sparrow's little
-strain may be heard well into August; but toward the end of that month
-we hear from the cornfields and gardens a curious, husky warble, unlike
-the bright spring carol of the Song Sparrow, but nevertheless made by
-that bird. In the fall, and even during the winter, a warm bright day
-will occasionally induce a Song Sparrow to sing his lively spring song,
-so that where the Song Sparrow winters, the strain may be heard every
-month of the year.
-
-In the late summer and fall, the neglected corners of gardens and
-fields, where the seeds of weeds and grasses offer an abundance of food,
-are the favorite resort of the sparrows. The Song Sparrow may be
-distinguished from most of its relatives by its streaked breast, in the
-middle of which the spots generally form a conspicuous blotch, and by
-its long tail, which it constantly jerks as it flies. The Song Sparrow
-is very retiring, and when alarmed, slips into brush heaps or bushes,
-where it hides as skillfully as a mouse.
-
-[Illustration: THE FLICKER]
-
-
-
-
- THE FLICKER
-
-
-The Flicker is most beloved in March, when his hearty shout is one of
-the characteristic sounds of the first warm days of early spring. The
-same week which brings the Bluebird and the Blackbird hears the cheerful
-song of the Song Sparrow and the loud call of the Flicker.
-
-Though a woodpecker, the Flicker has departed somewhat from the habits
-of its relatives, spending considerable time on the ground, and
-depending largely for its food on berries and ants. It is often startled
-from lawns and hillsides, where it has been thrusting its long tongue
-into colonies of black ants, seizing them on the moist, brushy tip. When
-so engaged, the bird may sometimes be closely approached, and a sight of
-its plumage is then a revelation to one who has seen from a distance
-only its dark brown body and white rump. The ashy gray nape sets off a
-bright red patch; there is a handsome black crescent across the breast,
-and the male wears black mustaches. The breast is handsomely spotted,
-and the quills and undersides of the wing and tail feathers are golden
-yellow. Unless one can steal up close to a bird, few of these marks
-show; but the Flicker may always be distinguished by his size (he is the
-largest of our common birds except the Crow), by the white rump, and the
-gleam of yellow which has given him the name Golden-winged Woodpecker.
-The flight, too, like that of all the woodpeckers, is characteristic;
-the wing strokes are slow, and between them the bird drops a little, so
-that its progress is in waves instead of in a straight line.
-
-All the woodpeckers nest in holes, which they chisel out of decayed or
-even live wood. A circular entrance leads to a vertical passage, and
-this to a wide chamber some distance below. No lining of moss or
-feathers is put in; the pure white, nearly round eggs are laid directly
-on the chips at the bottom of the cavity, and the young birds after a
-few days hang by their claws to the side of the hole. Young Flickers,
-like young Humming-birds, are fed by their parents with a liquid food,
-which is pumped into their wide-opened mouths, the parent's bill being
-thrust far into the young one's.
-
-The Flicker is one of the few birds that frequently return to the old
-nest. Most birds, contrary to the common notion, instead of refurnishing
-the weather-beaten and insecure structure into which their last year's
-home has been converted by snow, rain, and wind, prefer to build a new
-one. The material is everywhere at hand, and time is not so precious
-before the young are hatched. The Flicker, however, having built in a
-stout limb, can safely return for several seasons to the same cavity,
-or, if this becomes insecure, can cut another in the same trunk.
-Branches are often seen where three or four round openings show the
-tenements of several generations of these noisy birds. South of
-Massachusetts, Flickers generally spend the whole year in one spot, and
-in winter live largely on berries; a favorite food at this season is the
-berry of the poison ivy. In the fall, the rum cherry becomes a resort
-for all fruit-loving species.
-
-The Flicker, though not known to raise a second brood, has a second
-period of song, so that we hear again in June the shout, or mating call,
-of the early spring days. Besides this high-pitched _wick, wick, wick_,
-the Flicker utters, when startled, a curious note like _worroo_; a sharp
-_ti'ou_ is the call to its kind, and the syllables _yucker, yucker_,
-often accompanied by ludicrous bowing with wings and tail outspread, are
-used to show affection.
-
-[Illustration: THE BROWN THRASHER]
-
-
-
-
- THE BROWN THRASHER
-
-
-The Thrasher is the first great musician of the year; he arrives in the
-last week of April, so that his song forms the prelude of the chorus
-which is given in May by the true Thrushes, the Bobolink, and the
-Oriole. There is a spirit, a brilliancy of execution, and a power in his
-song which is perhaps more appropriate to early spring than the rich,
-sweet tone of the birds who take up the strain in warmer days. He sings
-when spring, though assured, is not everywhere manifest, and the vigor
-of his ringing phrases serves to dispel any lingering doubt that the
-faint-hearted may yet entertain.
-
-The trees are yet leafless, and the singer can be seen afar off on the
-very topmost twig of some hillside tree; his long tail is held straight
-below him, his head is up-lifted, and from his full throat comes phrase
-after phrase, a succession of the most varied and apparently extremely
-difficult notes, executed with an ease and full-hearted joy which, to
-the ears of many, place the Thrasher in the class with the true
-Thrushes. Like the song of all male birds, the performance is not only
-an offering or an invitation to the female, but also an answer to some
-rival whose fainter notes reach the ear from the neighboring grove.
-
-This last week of April is often one of the most delightful seasons of
-the year, and particularly attractive to a beginner in bird study. There
-are only a few bushes in leaf, and those of a delicate green; the dried
-leaves under them are starred with white bloodroot; on the hillsides,
-the purple violet and yellow five-finger are wide open in the warm sun,
-and in the woods, the mayflower and the hepatica surprise the visitor in
-spots where the late snow still lingers. The birds are easy to find;
-there is no dense foliage to hide them, and the number of species is
-still so few that their songs and figures are not difficult to
-distinguish.
-
-The Thrasher's song ceases as you approach him. He slips down like a
-wren to the undergrowth, where, if you listen, you hear him rustling and
-scratching in the dry leaves. If you sit down near by, you will see him
-as he mounts again from one twig to the next. His white breast is
-heavily spotted with black, his head, back, and tail are of a bright
-rufous shade, and his yellow eye glitters like a snake's. When he is
-alarmed, he puffs like a turtle, or utters a note curiously like a loud
-smack. The whole air of the bird is one of vigor and intelligence. The
-sexes are alike in size and color. By watching patiently near the spot
-where the male sings, it is often possible to surprise the pair bringing
-bark and roots to the bush among whose roots or stems the nest is woven.
-
-It is one of the most delightful experiences in the study of birds thus
-to watch a pair of birds building their nest, to note later the laying
-of each egg, to see the female brooding till the nestlings are hatched
-and finally leave the nest. One always heaves a sigh of relief at the
-last moment, for so many tragedies may put an end to the story. The
-female Thrasher is very bold when on the nest, and sits close till the
-visitor, if he approach quietly, is within a few feet of her. She gazes
-fixedly at him with her bright eye, but let him draw a step nearer and
-she slips off into the bushes. The eggs are four or five, whitish,
-covered with many light brown markings.
-
-The food of the Thrasher consists of insects and fruit. Many linger in
-the North till the end of October, and spend the winter in the Southern
-States, where the ground is generally free from snow.
-
-[Illustration: THE BARN SWALLOW]
-
-
-
-
- THE BARN SWALLOW
-
-
-There is no pleasanter sight among birds than a family of young reared
-in the neighborhood of man and often on some part of his house itself.
-Visit an old farmhouse; look about and see how many welcome guests the
-farmer shelters without thought of pecuniary profit. Under the woodshed,
-on a beam, the Phœbe has built a nest of moss, from which she flies to
-the barnyard to pursue the insects that swarm there. In the vines on the
-piazza, Robins and Chipping Sparrows have reared their young. In the old
-elm over the door, an Oriole has woven a nest with thread twitched from
-the clothesline or perhaps purposely laid out for her, and the orchard
-shelters numbers of species—Bluebirds, Woodpeckers, Kingbirds, and
-Chebecs. Of all these tenants, however, none seem so completely at home
-as the swallows; none show so little concern at man's presence; none
-take possession so coolly of the boxes, the eaves, or the rafters where
-they build. Their kindred lived with man, ages ago, in Greece and Rome;
-they have been welcomed each spring as heralds of a joyful season; their
-departure has been watched with regret. Though they have but few notes
-which are musical, yet their grace, agility, and swiftness have passed
-into proverb and song.
-
-There are several species of swallow, or martin, which take advantage of
-man's structures in or on which to place their nests, but the most
-numerous, the most familiar to people in general, and perhaps the most
-attractive, is the Barn Swallow. This is the only species whose outer
-tail feathers are long and pointed, and form with the rest of the tail
-the peculiar figure known as "swallow-tail." The head, back, wings, and
-tail are all of a beautiful lustrous blue, and the tail, when spread,
-shows large white spots in the inner feathers. The under parts vary from
-whitish in immature birds to a rich chestnut in fully mature ones, who
-have also the throat and forehead of a darker reddish brown. The bill
-opens far back, so that there is a wide cavity to engulf any insect
-which may be met in the ceaseless flight backward and forward over grass
-and water.
-
-The nest of the Barn Swallow is familiar to all who have enjoyed life on
-a farm. It is made of straws and grass, plastered together with mud, and
-is placed on a beam or rafter in the barn. One hospitable farmer drove a
-horseshoe into a beam, and on this ledge a swallow built each year.
-Through the open door or window of the barn the swallows fly in and out,
-and up into the gloom above, where twittering sounds tell of young that
-are being fed. As soon as the young are old enough, the parents urge
-them to fly, and in a few days they become skillful enough to take food
-on the wing. This is an extremely pretty spectacle; the parent and the
-young meet, and then fly upward for an instant, their breasts apparently
-touching, while the food is passed from one bill to the other. One July
-afternoon the writer watched a row of six young swallows clinging to the
-shingles on a barn roof, every mouth gaping for food whenever the
-parents approached. When the father brought the food, the bird sitting
-nearest him got the mouthful, and in an instant later another from the
-mother. Five times in succession this favored youngster was fed, while
-the other five seemed neglected. But when the little fellow had all that
-he could hold, he went to sleep, and the next wide-open mouth received
-the food. What seemed at first an unfair arrangement was after all the
-surest way to feed all alike.
-
-[Illustration: THE CHIMNEY SWIFT]
-
-
-
-
- THE CHIMNEY SWIFT
-
-
-The Swift is universally known as the Chimney Swallow, from a belief
-that it belongs to the swallow family. It is, in fact, no relative of
-the swallows, but very nearly related to the Whippoorwill and
-Night-hawk. Swifts and swallows both have long, powerful wings, which
-enable them to remain for long periods on the wing in a restless search
-for insects. Scientists themselves were for a long time misled by the
-resemblance in the appearance and habits of the two families, but a
-close examination of the skeleton of the two birds has convinced
-naturalists that the two families descended from different ancestors,
-but have arrived at similar solutions of the problem presented to them
-in their search for food.
-
-The Swift builds, as is well known, in the flues of chimneys. It is
-often seen in May, dashing past the dead twigs of some tree, and then
-off to the chimney, where the twigs are glued together and to the bricks
-by the help of saliva secreted by the bird. A common and distressing
-experience after a storm in summer is the discovery of the young Chimney
-Swifts at the wrong end of the chimney,—on the hearth, in other words.
-Even in their proper place in the chimney, the young birds can make
-their presence very well known by beginning, as soon as it is light, an
-incessant clamor for food.
-
-The long narrow wings, the powerful chest muscles, the cut of the bird's
-body, and the way the keel is ballasted, so to speak, enable the bird to
-remain for hours in constant flight without apparently experiencing the
-least fatigue. Swallows are often seen resting on telegraph wires, but I
-have never seen a Swift perch on any support outside a chimney. At night
-and during such part of the day as is given up to rest, the bird
-supports itself in chimneys by clinging to projections or crevices. The
-stiff, sharp-pointed tail feathers aid greatly in supporting it. Before
-the coming of the white man, hollow trees served as the roosting and
-nesting places of the Swifts.
-
-There is no better practice for the eye than distinguishing swallows
-from Swifts, when both species are mingled in the air. The Swift's
-flight, though very powerful, suggests that of the bat, on account of
-the frequency of the wing strokes; the rapid beating of the wings ceases
-at intervals and the bird glides through the air or turns on set wings.
-Then the twinkling flight begins again. There are none of those long
-sweeping strokes with which the Barn Swallow cleaves the air. The tail
-of the Swift, when the bird is flying, generally appears short and
-cigar-shaped, or, if spread, it is fan-shaped, not forked like the tails
-of all the swallows.
-
-The ordinary note of the Swift is a single sharp cry, slowly or rapidly
-repeated; it is characteristic of warm summer evenings when the birds
-fly about the houses in twos or threes, pursuing each other and uttering
-this note _staccato_. A pretty sight at this time is the Swift sailing
-with wings raised above the body, in the position of our common pigeon
-just before alighting; the Swift assumes the same attitude above the
-chimney, poising a moment before he drops into the flue.
-
-Early in September the Swifts leave the North, and may be seen high
-overhead flying southward; unlike many of our small birds, they migrate
-by day, their powers of flight protecting them from the birds of prey
-which are such a menace to the smaller birds.
-
-[Illustration: THE KINGBIRD]
-
-
-
-
- THE KINGBIRD
-
-
-The swallows and swifts spend hours on the wing, turning to the right or
-to the left, upward or back, in pursuit of winged insects. Many other
-birds, notably the warbler family, take occasional flights after some
-insect which they have startled from the leaves. The habits of another
-large family of birds, the Flycatchers, are a compromise between these
-two methods of obtaining food. Selecting some post of observation, such
-as a dead limb, a fence, or the stalk of a stout weed, they wait
-patiently, keeping a sharp watch of the air about them. At sight of an
-insect flying near, they fly out in pursuit. If one is near enough to
-the bird, a click of its bill will announce the fate of the insect. The
-Flycatchers then return to the same or a neighboring perch.
-
-The family is not, on the whole, very good-humored; in fact, they might
-justly be accused of irritability and pugnacity. The Kingbird, in
-particular, the head of the house, is noted for his constant attacks on
-any winged creature that approaches his nest. It must be admitted,
-however, that when nesting time is over, he lives very peaceably with
-his neighbors; but while the female is brooding the eggs or young, the
-excited cry of the male is constantly heard, and every Crow that comes
-in sight is pursued, sometimes for a mile. The Kingbird gets above his
-victim and darts down at its head; the Crow can be seen wincing at each
-vicious jab of the bill. One or two observers have actually seen the
-Kingbird ride on the Crow's back for some distance. The Kingbird has a
-patch of red concealed under the black feathers of his crown; when he is
-angry or excited, these red feathers blaze out. They are very rarely
-seen by men, but I imagine the Crows see them oftener than they like.
-
-Apple trees in old orchards are favorite nesting places of the Kingbird,
-and no pains are taken to conceal the nest. It is composed of twigs
-loosely laid together, and often festooned with white strings or the
-dry, woolly heads of the mouse-ear everlasting. The inside of the nest
-is neatly lined with feathers, horsehair, or roots, and contains from
-three to five white eggs spotted with brown. The Kingbird is here from
-the first of May to the first of September, but like all strictly
-insectivorous birds, it must spend the winter far to the southward. The
-bird's only notes are the shrill cries, _kipper, kipper_, given singly
-or quickly repeated. In spring the birds often mount to a considerable
-height, uttering this cry continually, and apparently attempting, by
-this exhibition, to express the emotion common to all creatures at this
-period of the year.
-
-The Kingbird is a very satisfactory bird to beginners; the color pattern
-is so marked and the bird is so fond of exposed situations that it is
-seen and recognized without difficulty. Except the Cedarbird, whose tail
-is tipped with yellow, I know no other small bird of the eastern United
-States whose tail feathers are all tipped with a regular edge of light
-color. The Kingbird is the bird most commonly seen from a car window; in
-almost every field, the mullein stalks or wire fences will display one
-or more individuals, their white breasts or black and white tails
-showing conspicuously in the landscape.
-
-The Kingbird has often been accused of destroying honeybees. Even
-allowing that individuals occasionally do some damage in this way, the
-good services of the race in destroying harmful insects far outweigh
-these injuries, and the remedy is to drive the bird away from the hives,
-not to kill it.
-
-[Illustration: THE BALTIMORE ORIOLE]
-
-
-
-
- THE BALTIMORE ORIOLE
-
-
-The arrival of the Orioles in the first week of May marks for many
-people the return of spring. The males come first and take possession at
-once of our streets and gardens, calling from the elms, or dashing into
-the cherry trees white with blossoms. The females arrive a day or two
-later, and the work of house-hunting begins soon after. In the selection
-of a nesting site, the judgment of the female alone is naturally allowed
-to have entire weight. The male is politely anxious, flying from twig to
-twig, as if recommending them; but the female knows that she must sit
-for days over her precious eggs, and be swung by all manner of storms,
-in whatever situation she finally selects; she means, therefore, to be
-sure before she builds.
-
-The number of trees on which hang two nests, one evidently older than
-the other, is very noticeable, and probably means that the same pair
-return to the same tree to build. Many people have an idea that birds
-use the same nest in successive years, but it does not seem likely that
-such a skillful architect as the Oriole would patch up the old nest,
-when with a few days' labor she can build a new one, clean and strong,
-and very likely improved by her former experience. The materials used
-for the construction of the nest are tough, fibrous strips for the
-framework, and softer materials for the lining. The female often comes
-to the clothesline and twitches out some threads, and she is very
-thankful for twine or similar material hung out where she can find it.
-Lowell, who loved the Oriole next after the Bobolink, hung out
-gay-colored threads for his birds, and was rewarded with the sight of a
-brilliant nest.
-
-The female builds at first a framework of strong material, which is
-attached to the several twigs on which the nest hangs. She actually ties
-knots of this material with her long sharp bill, thrusting the end of
-the thread through a loop, then reaching over and pulling it tight.
-Tragedies sometimes occur during this process, the bird becoming
-entangled in her own thread and choking or starving to death. A bit of
-comedy is sometimes seen when the Oriole, returning to her half-finished
-nest, catches a Summer Yellow-bird in the act of stealing some of the
-material. After the frame is completed, the Oriole works from inside,
-weaving the web from side to side.
-
-By June, the young hatch, and now the male, who has hitherto had an easy
-time, becomes very busy bringing food to the young. In a few days, they
-become old enough to cry for it very vigorously, and this they do so
-incessantly that their _peet-teet_ becomes one of the characteristic
-sounds of early summer. By the middle of July, the young leave the nest,
-and then for a week or two the whole family are met with in the country
-lanes, the children resembling their mother in color, but easily
-distinguished by their short tails and the general downy look about the
-head.
-
-The male suffers an eclipse during midsummer; his cheerful whistle is no
-longer heard, and we should think that he had already left for the
-South, did he not resume his strain in August. In fact, he has been
-moulting; but, unlike the Tanager, he replaces his bright feathers by
-others as gay, and before he leaves us, he is as bright as when he came.
-The wild cherry trees are now a favorite resort for the whole family;
-but by the first of September, they leave the Northern States and return
-to Central and South America, where they lead a careless life till the
-approach of spring reminds them of the village elms a thousand miles
-away.
-
-[Illustration: THE WOOD THRUSH]
-
-
-
-
- THE WOOD THRUSH
-
-
-It is difficult to speak without enthusiasm of the song of a Thrush. He
-seems wholly to outclass all other birds. When a Rose-breasted Grosbeak,
-no mean singer as our birds go, has finished his song, let a Wood Thrush
-utter but a phrase of his strain, and the Grosbeak's warble seems
-commonplace. Except the Thrushes, we have few birds whose song appeals
-to the imagination as human music does. We listen curiously to the songs
-of the others, criticise them or comment on them, as we do on a
-landscape; but let a Thrush sing and we fall into a reverie, recalling
-sad, tender, or solemn ideas and associations.
-
-The Wood Thrush and the Veery, or Wilson's Thrush, are the common
-Thrushes of all but the northern part of the Northern States. In the
-mountains, the Hermit Thrush is found. This bird is generally considered
-superior even to the Wood Thrush in the purity and solemnity of its
-cadences. It has one great advantage over its rival; it sings on
-mountain sides in clear, still air, so that the finest vibrations of its
-voice come to the ear with perfect distinctness. The song of the two
-Thrushes is readily distinguished by listening for the phrase
-_ee-o-lee'_, with which the Wood Thrush regularly opens his chant. The
-Veery has received its name in imitation of its song, which resembles
-the syllables _ve[(e-u]ry, ve[(e-u]ry, ve[(e-u]ry_, each phrase lower in
-the scale than the preceding.
-
-The Wood Thrush arrives in the Northern States in May, and unlike the
-Veery, which is strangely silent on its first arrival, the male Wood
-Thrush announces his presence on the morning of his arrival, by chanting
-from some low limb his beautiful flute-like notes. In the Middle States,
-it is a common and almost familiar bird, building in the gardens even of
-large towns; but in wilder regions, it prefers copses, groves of young
-trees, and rocky glens, particularly if there is a stream near by. By
-the end of May the pair have finished their nest, which resembles that
-of the Robin, but is often composed of less coarse material and is
-generally placed in the fork of a sapling. The birds often take little
-trouble to conceal it, sometimes placing it close to a woodland path,
-and the passer-by becomes aware of its nearness by hearing the harsh,
-anxious chatter of the parents. The four eggs are blue like the Robin's.
-The Robin is, in fact, a near relative of the Thrushes, and the
-relationship is shown not only by the shape of the body and the bill,
-but by the spotted breast which the young Robins assume with their first
-plumage. In the Middle States, this relationship seems to have been
-recognized, as the Wood Thrush is there commonly called the Wood Robin.
-
-While the female is brooding the eggs, the male may be heard day after
-day from some favorite perch, not too near the nest. The early morning
-and the late afternoon are the favorite times for all the Thrushes, but
-on cloudy days or in the cool shades of deep woods, they sing all day.
-Occasionally the song ceases for several days. Some calamity has
-befallen the nest; a squirrel or some other marauder has robbed the
-pair, and there are no more outpourings of joy, till with renewed
-courage they select some safer spot and build again. In midsummer, the
-Thrushes become very silent. Occasionally we come upon a group feeding
-in the cherry or viburnum bushes, but few are seen after August, and by
-November they are in the tropics. Only the nest filled with snow reminds
-us of the pair, whose return in May we await with impatience.
-
-[Illustration: THE SCARLET TANAGER]
-
-
-
-
- THE SCARLET TANAGER
-
-
-In South America, the Tanagers form a large family, but they send to the
-more northern of our Eastern States only one representative, the
-well-known Scarlet Tanager. A sight of this splendid bird properly,
-therefore, suggests the tropics. The Tanager is considered a rare bird,
-but it can always be found in suitable situations, and in certain parts
-of the country is really a common bird. Oak groves are the favorite
-resort of the bird, and since it does not often visit our dooryards,
-even in migration, and since we, as a people, do not often visit oak
-groves, the sight of a Tanager remains for most people a rare and
-exhilarating experience. The bird, too, is of a rather sluggish
-disposition, so that even if we visit the spot where a pair are nesting,
-they display only a rather languid curiosity. The call-note used by both
-sexes is well worth learning, for by its means our attention is often
-attracted to a pair which we should otherwise overlook; it consists of
-two syllables, resembling the syllables _tschip, tschurr_, uttered in a
-hoarse voice. The song of the male is such as a Robin with a cold might
-produce.
-
-Either because the Tanager breeds generally at some distance from man,
-or because he considers that his brilliant coloring will make up for
-other deficiencies, the bird has never, as far as I know, done much to
-win the affection of bird lovers. They have enthusiastic praise for his
-coat, but little to say of his manners. A story which Wilson tells of a
-male Tanager is, however, a worthy exception to this statement. Wilson
-found a young bird which had fallen out of the nest and, having brought
-it home, put it into a cage with some Orioles. They altogether neglected
-the orphan, and as it refused to be fed by Wilson, the latter was about
-to return it to the woods, when a male appeared and tried to enter the
-cage. Finding this impossible, he went off, but returned with food and
-fed the young one for three or four days. At last, he showed so
-unmistakably his desire for the release of the young one that the owner
-set it free, and the two flew off rejoicing. If this Tanager was a type
-of his kind, the species need not fear the application of the proverb,
-"Handsome is that handsome does."
-
-Tanagers arrive early in May, and may then be easily observed, as the
-trees are not yet in full leaf. Occasionally, in cold storms, all birds
-seem to keep near the ground, and on such occasions Tanagers are
-sometimes seen feeding on the ground itself, their splendid colors
-showing to wonderful advantage. The female is a very plain personage.
-Olive green above and greenish yellow below, with dull brownish wings,
-is a combination of color that serves very well to keep her concealed
-among the leaves. The nest is sometimes placed in orchard trees or even
-in low bushes, but frequently in tall oaks. It is loosely built of straw
-and twigs, and contains, by the end of May, from three to four eggs of a
-light greenish blue, marked with brown and lilac. The young are fed on
-insects gathered from the leaves. By the end of the summer, the male
-moults his bright red feathers and comes out in a suit resembling that
-of the female, but he keeps his black wings and tail. The whole family,
-clothed in these inconspicuous colors, migrate southward and remain in
-the tropics till the following spring.
-
-[Illustration: THE ROSE BREASTED GROSBEAK]
-
-
-
-
- THE ROSE-BREASTED GROSBEAK
-
-
-To see a Grosbeak for the first time gives a student of birds almost the
-same feeling of exaltation as the first sight of a Scarlet Tanager. If
-one should hear, in the shade trees about the house, a Robin singing
-much faster and with a richer voice than ever before, and, after patient
-search, find the twig where the bird was singing, one's first thought
-would probably be, "Some escaped cage bird from the tropics." The head
-of the male Grosbeak is black, the tail and wings black and white, but
-in the center of the white breast is a triangle of pure rose, carried in
-some individuals far down the breast. When the bird flies, the white
-patches in the wings have a peculiar effect, like a circle of white. The
-large, almost monstrous bill, not only accounts for the bird's name, but
-explains why he is put into the same family with the sparrows. His
-nature, too, is eminently practical, as a sparrow's should be; a
-favorite food is the potato bug.
-
-His mate lacks the black and rose, but her beak betrays her. She is not
-a particularly interesting bird, and does not even have the credit of
-excellence in household matters, at any rate as far as building her nest
-is concerned. It is made of a few coarse twigs loosely laid together,—a
-little platform through which the eggs sometimes show from below, and
-from which one would think they must certainly fall off. The nest is
-placed in a bush or low tree, and contains three or four greenish blue
-eggs, thickly marked with red. The young are out in July, and though a
-few Grosbeaks are occasionally seen in September, most of them have
-already left for the tropics by the end of the summer. The same joyous
-week of May which brings the Thrushes, Bobolinks, and Orioles brings
-them back again.
-
-Just as a knowledge of the hoarse note of the Tanager will often betray
-the presence of that splendid bird, so an acquaintance with the sharp
-_click_, like that of a pair of shears, which the Grosbeaks make, will
-often attract the student and reward him with a sight of the beautiful
-rosy breast. Grosbeaks sing for a long time on one perch,—not on the
-uppermost spray of the tree, as that other tropical sparrow, the Indigo
-bird, loves to do, but, like the Tanager, on some branch well inside the
-canopy of leaves. In the first weeks of May, when birds of many species
-are mating, two and sometimes three male Grosbeaks may occasionally be
-seen pursuing each other, their white wing bars and spots making a showy
-contrast to the black. The victor in the struggle then returns to the
-tree near the female, and pours out a song of unusual vigor and
-sweetness. In May, the Grosbeak visits the blossoming fruit trees,
-snipping off the petals and the undeveloped fruit. Suspicion has
-therefore fallen on him, but it is now believed by the best authorities
-that this "budding" is not severe enough to injure the tree or the crop
-of fruit. Nor must we forget to throw into the other balance the result
-of his labors in the potato field.
-
-When the adult male Grosbeak moults in summer, the rose on the breast
-becomes duller, and the black on the head and back is almost entirely
-replaced by brown. Like the Tanager, however, he retains his black wings
-and tail, and may thus be distinguished from the brown-winged young
-males.
-
-[Illustration: THE REDSTART]
-
-
-
-
- THE REDSTART
-
-
-Almost a fourth of the birds usually seen by a good observer in a
-morning's walk in May or June, belong to a family known as Warblers. If
-they were really as musical as their name suggests, people might know
-them better; but even as it is, their colors are often so bright that
-the birds well repay one who takes the trouble to make their
-acquaintance. Perhaps the best known of the family is the Yellow
-Warbler, not to be confused with the Goldfinch, from which the absence
-of the latter's black cap, wings, and tail will distinguish it. The
-Oven-bird, whose loud _teach-er, teach-er, teach-er_ is so common a
-sound in dry woods in summer, is another member of the Warbler family.
-The gayest of them all, however, in most parts of our country, is the
-Redstart. His coal black head, with bright orange patches at the
-shoulders, and yellowish bands across the wings and tail, suggest a
-miniature Oriole.
-
-The Redstart is a splendid bit of color; in Cuba he is known, according
-to Mr. Chapman, as "Candelita," the little torch. Black and orange is a
-not uncommon combination of color among birds, and never fails to be
-effective. The Redstart, moreover, makes the most of his color by
-keeping both wings and tail spread, so that the yellow and orange is
-constantly displayed. He flits from one twig to another, spreading his
-little black-and-yellow fan, flying out, turning his black head and
-glowing shoulders toward one, and continually uttering a little song,
-not much in itself, and only full of meaning and association to the
-bird's friends, to whom it suggests leafy shade near brooks in the
-summer heat.
-
-The name of the family to which the Redstart belongs needs, perhaps, a
-word of explanation. It simply means that our Warblers are related to a
-family of European birds which have well earned their name, since the
-family includes the Nightingale and one or two other birds almost as
-musical. The name Redstart, too, is English,—_start_ coming from the
-Anglo-Saxon word for tail. It was applied in England to a bird with a
-red tail, and since our bird has bright color in the tail, the name was
-transferred to it by the English settlers.
-
-Many of the Warblers frequent the thick woods and are little noticed;
-the Redstart, however, often builds in the trees or shrubbery about the
-house, particularly if a brook or pool afford an abundance of insects.
-In the crotch of a sapling or on a limb, the female places a pretty nest
-built of bark and soft materials. The female resembles the male in the
-pattern of color, but the black is replaced by gray, and the orange by a
-faint yellowish shade. Males only one year old resemble the female so
-closely that the sharp little song often seems to proceed from the bill
-of a female; in reality it is a young male that is singing, one not yet
-arrived at the full splendor of his future gay plumage.
-
-The Redstart is often victimized by the Cowbird, and one feels the
-imposition more keenly in its case than in that of almost any other
-bird, for we know that the big clumsy Cowbird is being reared at the
-expense of a whole family of these pretty warblers.
-
-The Redstart comes early in May and stays through the summer. Some are
-seen even as late as October, but these are, very likely, birds which
-have bred far North, where the late summer did not permit them to rear
-their young so early as our own birds.
-
-[Illustration: THE RUBY-THROATED HUMMING-BIRD]
-
-
-
-
- THE RUBY-THROATED HUMMING-BIRD
-
-
-The restless activity and general appearance of the Humming-bird make
-one almost hesitate to believe that it is really a bird and not a
-brilliant tropical insect. It possesses no song; few people see it
-except on the wing, and its nest is so rarely found that to most people
-the bird is merely a sudden apparition, seen hovering over a flower, its
-ruby throat sparkling in the sun. When the Humming-bird's nest is
-discovered, it turns out to be a structure as delicate and rare as its
-little architect. It is often fixed on a lichen-covered twig, frequently
-in orchards, but as often on tall forest trees. To the outside of the
-nest, bits of gray lichen are fastened, so that at a distance the nest
-is mistaken for a knob of the twig itself. The eggs are always two,
-ridiculously small, like pea beans.
-
-The Humming-bird is not a good father. He neglects all the domestic
-duties, being rarely seen near the nest after it is completed. The
-female brings up the two young birds unaided, feeding them by thrusting
-her long bill into their gaping mouths and pumping food into their
-throats. The process has been described as "a frightful-looking act."
-The food thus administered to the young consists, probably, of
-soft-bodied insects, for when Humming-birds visit flowers, it is not
-only to gather honey, but also to capture the smaller honey-gatherers.
-
-Many charming stories have been told of the fearlessness of the
-Humming-bird. It had often been observed that birds fed from flowers
-held in the hand, but it remained for Mrs. Soule to make artificial
-trumpet-vine flowers, and by filling them with sugar water, to provide a
-daily feast for her Humming-bird neighbors. Though the birds are very
-irritable and pugnacious when wild, frequently attacking each other with
-the shrill squeaks which are their only notes, yet, in captivity, they
-prove very gentle and almost affectionate. The Humming-bird has
-discovered another method of obtaining the sweet liquor which it loves.
-The Sapsucker, or Yellow-bellied Woodpecker, is in the habit of drilling
-rows of small holes into the maples of the northern forests, and sucking
-out the sap which fills these little wells. Many insects are attracted
-to the sweet fluid, and the Humming-birds also come as uninvited guests
-to the feast; so that while the Woodpecker is drinking on one side of
-the tree, butterflies, bees, wasps, and Humming-birds are fluttering
-about the other.
-
-By the end of September, the season for honey gatherers is about over in
-the North, and the wings which can support the little body for so many
-seconds in front of a flower, now take it southward to the tropics,
-where there are always flowers. It is not until May, not until the red
-blossoms of the Japan quince are open, that the Humming-birds return.
-
-The Ruby-throated Humming-bird is the only species found on the Atlantic
-coast; the female, however, lacks the ruby throat, and is sometimes
-taken for another species. Humming-birds seen at dusk, if caught, will
-prove to be, not birds but clear-winged or Humming-bird moths. In South
-America, however, there are over four hundred different species of
-Humming-birds. A museum case full of these is a marvel of beauty and
-interest; the iridescent colors of their gorgets, or throat-pieces, the
-variety of shapes which their bills assume, the development of their
-throat and tail feathers, give one the impression of a show case full of
-fantastic jewels.
-
-[Illustration: BOB-WHITE]
-
-
-
-
- BOB-WHITE
-
-
-Bob-white, unlike the majority of our birds, does not migrate southward
-in winter; the whole covey, unless they are killed, spend the whole year
-near the spot where they were born, feeding on the fallen grain, seeds,
-and various kinds of fruit. In hard winters, they become very tame, and
-if fed regularly, come to the barnyard almost like poultry. Most people
-are only too familiar with this bird, but not as he looks in life. Then
-he is full of energy and spirit; his pure white throat shows against the
-black of his head, and his rich reddish brown wings are ready to carry
-him off with a whirr that startles one. For one that we see alive, we
-see a thousand hanging, bloody and bedraggled, in the markets. Few
-people who become really acquainted with Bob-white, who see him sitting
-on a stone wall calling his name, or see his mate hurrying her little
-ones over the road into the blackberry vines, will care to make another
-meal off his little body. We must consider not only the wrong, if we
-acknowledge it to be one, done to the individual quail whose life has
-been taken, but the danger that threatens his whole race. The cheerful
-_Bob-white_ is already a much rarer sound than it used to be, and the
-bird has many other dangers to contend against besides the pot-hunter's
-gun.
-
-The greatest peril that besets quail in the North is the occasional
-midwinter blizzard, followed by intense cold. The quail at night huddle
-close together on the ground, their tails touching and their heads
-pointing out in a circle. After a great storm in a recent winter, the
-melting snow exposed a circle of quail, surprised and buried by the
-snow, like the people of Pompeii buried under the falling ashes.
-
-In May, the male begins to whistle the two or three clear notes which
-have been translated into "Bob-white," or "More wet." This call is not
-only a summons to the female, but also a challenge to other males; if
-one hides near by and imitates the whistle accurately enough, a sudden
-flight will sometimes bring the angry bird directly to the spot. The
-surprise of the visitor is then amusing enough. Stone walls, fences, the
-low limbs of trees are favorite perches for the male, and his cheerful
-call has long been a familiar sound in farming country, from
-Massachusetts southward.
-
-The nest is placed in some tangle of blackberry vines, along the edge of
-a field, and is a sight worth a long journey to see. The pure white
-eggs, often as many as fifteen, are laid close together in such a manner
-that the little body of the female may cover and warm them all. When the
-young are hatched, they are covered with down, and run at once, like
-chickens, and unlike the little blind naked young which we see in the
-nests of song birds. They follow their mother through the tangled grass
-or low bushes, feeding on fruit and insects, and later on the grain in
-the stubble fields. The whole family keep together, even when the young
-are able to care for themselves. When they hear any danger approaching,
-they keep close to the ground, relying on their brown coloring to
-conceal them. If the danger comes too near, they are off in half a dozen
-directions, over walls and bushes, coming quickly to earth again when
-they see some sheltering covert. Then, after an interval, one hears a
-note something like a guinea hen's, issuing from different parts of the
-field. Guided by these sounds, the whole covey reassemble.
-
-[Illustration: THE GOLDFINCH]
-
-
-
-
- THE GOLDFINCH
-
-
-Not the most sullen sky nor the bitterest cold seems to discourage
-Goldfinches. They are always cheerful and affectionate, keeping together
-for the greater part of the year in larger or smaller flocks, which call
-to each other, if separated, by notes as sweet as those of a Canary. In
-summer, Goldfinches find an abundance of food in the seeds of many
-species of plants, but in winter also many remain even in the Northern
-States, searching cheerfully among the dry weeds and grasses, and
-uttering their sweet notes. Many people, however, do not notice them at
-this season, for when winter comes the head and body of the males of
-this species, as of many others, lose the bright black and yellow which
-marks them so distinctly in summer, and are clothed in dull brownish
-shades. About the first of April, one notices here and there in a flock
-a male that shows a few bright yellow feathers, and by another month,
-they have moulted their winter dress and are as gay as ever.
-
-In the spring and early summer, the Goldfinches are extremely musical,
-spending hours in uttering a simple but pleasing song. Several males now
-engage in what seems to be a musical contest, flying out from a tree and
-circling about with set wings, all the time keeping up a continual
-strain. When flying through the air at a considerable height, they go in
-long curves, and utter during each undulation three or four simple
-notes. As they seem constantly to have business in one part or other of
-the country, the wave-like flight and characteristic notes become a
-common feature of the summer landscape.
-
-Though the Goldfinches are here all winter, they delay nesting till very
-much later than the other resident birds; the Chickadees have their
-first brood already out in the world by the time the Goldfinches
-determine on building. The female is a modest-colored little body, as is
-often the case where the male is bright. The pair generally build in
-July, and choose some thick leafy tree, often a maple or poplar, and
-there, on a limb at a considerable height from the ground, construct a
-very neat nest, deep and cup-shaped, built of fine materials and lined
-with down from plants like the thistle. Here five or six bluish white
-eggs are laid, and when in another month the young Goldfinches begin to
-fly, it is at once evident from their sharp, insistent crying. As the
-calling of the young Orioles is a mark of late June, so the notes of the
-young Goldfinches become associated with August.
-
-Goldfinches are very fond of the seeds of many kinds of composite
-flowers; they bite holes in unripe dandelion heads and take out the
-seeds; thistles are another favorite food, and a row of sunflowers
-planted in the garden will not fail to attract them. In winter, besides
-the seeds of weeds, they feed on birch seeds, scattering the scales over
-the snow, and they even pull out the seeds of the pitch pine, when the
-scales begin to loosen toward spring.
-
-No bird has livelier, more cheerful ways than our Goldfinch, and none
-becomes a greater favorite. People are often at considerable pains to
-remove the dandelion plants from their lawns; if the gay flowers
-themselves do not repay one for their presence, many would certainly
-allow them to remain in order to have the pleasant spectacle, in summer,
-of a flock of yellow Goldfinches scattered about the grass and feeding
-on the seeds.
-
-[Illustration: THE BLUE JAY]
-
-
-
-
- THE BLUE JAY
-
-
-Most people are surprised when they first learn that the Blue Jay is a
-near relative of the Crow. The difference in color is certainly marked,
-but in other ways the resemblance is striking. Neither bird can utter
-its most characteristic note without gesticulation. Watch a Crow from a
-car window when the _caw_ is inaudible, and the bowing and opening of
-the wings are all the more noticeable. The motions which the Jay makes
-when screaming are not so well known, as the sound generally comes from
-a screen of leaves. Both birds are thieves and seem to relish their
-thieving life; both can live on almost any food; both are heartily hated
-by their neighbors in bird world. The Jay is more bitterly detested by
-the other birds than the Crow. He is himself suspicious, and at the
-approach of a hawk, owl, or man, warns the woods by his cries. Besides
-the ordinary _djay, djay_, the loud scream so familiar in the autumn
-woods, the Jay has other cries; a note like a wheelbarrow turning on an
-ungreased axle, a high scream exactly like the Red-shouldered Hawk's,
-and such a variety of lesser notes that one never is surprised to find
-that any unusual sound heard in the woods is produced by the Blue Jay.
-
-Though one of the noisiest of birds when pursuing an intruder, the Jay
-has learned to slip through the trees without a sound, and conceals its
-bright blue and white in a remarkable way. A pair of Jays may be nesting
-in some evergreen in our very garden, and unless we happen to see the
-female slip into the tree, we may remain entirely unaware of their
-presence. The nest is roughly constructed of twigs and roots, and is
-placed in a tree from six to twenty feet from the ground. On a lining of
-finer roots are laid four or five brownish or greenish eggs, spotted
-with yellowish brown. The young are hatched by the middle or end of
-June.
-
-The Jay in spring is undoubtedly a reprobate. He cannot resist the
-temptation to sneak through the trees and bushes, and when he finds a
-nest of eggs temporarily left by its owner, to thrust his sharp bill
-through the shells; even young birds are devoured. In the autumn,
-however, the Jay is a hearty, open fellow, noisy and intent on acorns
-and chestnuts. The woods ring with his loud screams, as he travels
-through them with his companions. It is amusing at this season to
-observe them obtaining chestnuts, a favorite food. They drive their
-powerful bills into a nut and wrench it out of the burr, then fly off
-with it to a convenient limb and hammer it open. Many Jays spend the
-entire winter in the northern woods, subsisting on nuts, but the large
-numbers observed in the fall are evidence that many others are moving
-southward, where food is more plenty.
-
-Jays and squirrels are curiously associated; both live in the autumn and
-winter, innocently enough, on nuts and acorns; both, in spring, poach on
-the eggs and young of birds. One becomes fond of each of these rascals
-in spite of his undoubted villanies, and is glad that though neither
-Squirrel nor Jay is protected by law, and in some states both are
-constantly persecuted, neither seems to be diminishing in numbers.
-
-In Europe, the Crow and the Jay have several relatives, many of whom,
-such as the Magpie, Rook, and Jackdaw, share the family characteristics.
-They are all thieves, clowns, and impudent fellows, and yet win, if not
-affection, yet a certain degree of good-humored toleration.
-
-[Illustration: THE BROWN CREEPER]
-
-
-
-
- THE BROWN CREEPER
-
-
-In the bands of little birds which in winter visit the trees about the
-houses, there are often three different species, all of which find their
-food on the trunks or large limbs of trees, but by such different
-methods that a study of their habits is not only interesting but also
-extremely instructive. The little Downy Woodpecker, like all its tribe,
-hitches up the trunk or along the upper side of the limb, using its
-stiff tail feathers as a support, and holding on to the bark by its two
-pairs of sharp claws. The Nuthatch, with a short weak tail, and toes
-arranged as in all song birds, three in front and one behind, has the
-toes, however, spread so wide that it can climb head downward, over,
-under, or around the limb. Least known of the three is the Brown
-Creeper. It, too, has three toes in front and one behind, but although
-not related to the Woodpeckers, it has developed stiff and pointed tail
-feathers. It therefore clings to the bark in an upright position, and it
-commonly begins at the bottom of the tree and works steadily upward,
-often in a spiral.
-
-During the winter months, the Brown Creeper probably visits every
-village street and every city park in the Northern States, but as it is
-just the color of the weathered bark and moves close to it, it escapes
-the notice of nearly every one. If one learns to distinguish the fine
-wiry note, and watches the tree from which it proceeds, one sees the
-bird flutter to the base of a neighboring tree and begin again its
-steady ascent. When two birds are together, they sometimes indulge in a
-very pretty flight, and tumble in the air like pigeons. As a rule,
-however, the Creeper is solitary, and, in this respect, offers a marked
-contrast to its companions and relatives, the sociable Chickadees and
-Kinglets.
-
-The eyes of a Creeper are so near the bark which it is inspecting, that
-it is not strange that it finds food where we should look in vain. It
-has, besides, a very long curved bill which will reach into crevices in
-the bark, and before the end of the winter, it has undoubtedly stripped
-the trees of a large proportion of the dormant insects and their eggs,
-especially as, like the other winter birds, it seems to have a very
-regular beat, visiting the same groups or rows of trees every day. Few
-birds are so strictly arboreal as the Creepers. The writer has only once
-seen one alight on the ground, when the bird flew to a little stream to
-bathe. In the ice storms which occasionally clothe every trunk and limb
-with a glassy covering, the Creeper has to confine itself to the leeward
-side of the trees. Occasionally the Creeper, on account of its practice
-of beginning at the bottom of the trunk, flies to a spot on the tree
-below the band of tarred paper, which protects the shade trees from the
-visits of the canker-worm moth. On reaching the band, the bird makes a
-circuit of the trunk, in a vain attempt to find a passage. It is better
-provided, however, than the wingless moths, and when the circuit has
-been made, a short flight carries it over.
-
-In April, the Creeper leaves its winter quarters for the North, and
-joins many other species in the great spruce forests of northern New
-England and Canada. Occasionally, on warm mornings before its departure,
-the male indulges in a little song, of the thinnest quality imaginable.
-When the pair reach their northern home, they hunt for a crevice under
-some great flake of loose bark, and there construct their nest. The bark
-of trees, therefore, furnishes the Creeper with a cradle at birth and a
-home for the rest of its life.
-
-[Illustration: THE BUTCHER BIRD]
-
-
-
-
- THE BUTCHER BIRD
-
-
-Every one who observes the habits of birds soon notices with
-astonishment the regularity with which they return each summer to the
-same spots to breed. This is perhaps not so strange in the case of
-breeding birds; they may be so fastidious in their selection of food or
-of a nesting site that only a few places suit them, or the spot where
-they bred one year may appeal to their affection and so be selected
-again. It is no less evident and more remarkable that birds that spend
-only the winter in our neighborhood often have as well defined a home as
-those that spend the summer. Every autumn, about the first of November,
-if one looks carefully at the topmost twigs of the small trees that are
-scattered about the edges of some marsh, the eye may finally catch,
-perched on the very top, the figure of a plump gray bird, with black
-wings and tail, about the size of a Robin. Its tail often moves as if
-the bird were balancing itself. A nearer view would show that its bill
-was stout and slightly hooked, like a hawk's. Among song birds, it is
-our largest regular winter visitor, and will remain near the same spot
-till the end of March, when it retires northward to breed. The same
-trees serve year after year as look-out posts; no doubt the bird
-remembers where to find the fattest mice and grasshoppers.
-
-The Butcher Bird, or Shrike, is one of the few birds that seem to have
-developed a sense of humor. I have seen it attack and drive off birds
-far larger than itself, apparently out of simple mischief. It often
-indulges in a succession of strange noises, some of which resemble the
-song of the Catbird, but the whole performance is interspersed with
-chuckles, squeaks, and harsh sounds, or interrupted by a grating cry, so
-that it can make no pretense to be called melodious. It seems sometimes
-as if the bird were simply amusing itself.
-
-For a while you will regard the Butcher Bird as a good-natured,
-good-looking fellow; it is not till you find, near its post of
-observation, mice or birds jammed into the crotches of twigs, or
-discover a thornbush decorated with grasshoppers and caterpillars, that
-you recall certain unpleasant reports about its character. When you
-finally see it dash into a flock of sparrows and hear their screech of
-terror, or see it tear out its victim's brains with that hooked bill,
-you will understand its hawk-like habit of sitting where it can survey
-its whole domain. The Hawks clutch their prey in their curved talons,
-and then tear it with their beak. The Shrike's claws are neither curved
-nor powerful, so that it is evident that it wedges its victims into
-forked twigs or impales them on thorns, so that it can then tear off
-portions to devour. But why it so often leaves them uneaten (the
-practice of thus displaying its wares has earned the bird its name) has
-never been satisfactorily explained. Perhaps the bird means to return to
-them in times of scarcity, but they are so often left uneaten that it
-seems probable that it has formed the habit of hunting and hanging up
-its game, often with no thought of eating it.
-
-The Butcher Bird has often been persecuted for the destruction of
-smaller birds; it seems far wiser to protect it, not only in order to
-preserve so interesting a bird, but because birds form so small a per
-cent of its food. In the spring and fall, it lives very largely on
-insects, and throughout the winter, mice form a large part of its diet.
-There is always danger of blundering when man interferes in the concerns
-of nature, and if he once exterminates any creature, it is beyond his
-power to re-create it.
-
-[Illustration: THE GOLDEN-CROWNED KINGLET AND BROWN CREEPER]
-
-
-
-
- THE GOLDEN-CROWNED KINGLET
-
-
-The Golden-crowned Kinglet is, next to the Humming-bird, almost our
-smallest bird, and it frequents thick evergreens so continually that it
-is rarely seen. There is little in its voice and habits to attract
-attention, and its activity and restlessness are so constant that we
-rarely catch sight of the bit of color which it possesses,—the crown
-which the little king carries. But if we train our ear so that it
-catches every fine natural sound, no matter how trifling, we become
-aware some crisp winter day of a thin _see, see, see_, often repeated
-from some hedge, or group of orchard trees. If we watch, our eye will
-catch sight of one or two tiny creatures, flitting restlessly among the
-twigs, keeping their wings in almost constant motion, even when not
-actually flying. The general color of the bird is a shade known in the
-books as olivaceous, but the effect outdoors and at a distance is a dark
-gray; across the wings there are little whitish bars, and over the head
-dark lines enclose the little crown,—yellow in the female, orange in the
-male.
-
-If we succeed in attracting the Chickadees to our trees, by tying up
-bones, the Kinglets often come in their company, but their little bills
-are too weak to pick at the frozen gristle, and they merely glean from
-the twigs and buds. The little scale insects, the eggs of moths and
-spiders, all manner of minute objects, are detected by their sharp eyes
-and seized by their skillful little bills and tongues. At night, the
-band retires to some thick evergreen hedge or grove, ready the next
-morning to resume their busy rounds. In April, the male is moved to
-utter a simple little song, and by the end of the month the whole
-company move to the spruce forests of the North, not to return to us
-until the next September.
-
-In the Northern States, the Golden-crowned Kinglet is the only species
-that remains all winter, but from Virginia southward its cousin, the
-Ruby-crowned Kinglet, is associated with it; in summer, strange to say,
-the more Southern winter species goes farther North than the
-Golden-crowned, breeding from northern Maine to the frigid zone. A few
-years ago, no eggs or nest of either Kinglet had been described, but
-when they were at last discovered, they proved as dainty as the little
-builders themselves. The nest is globular, with an entrance in the upper
-part; it is placed in a thick mass of spruce twigs and composed of
-hanging moss, ornamented with bits of dead leaves, and lined chiefly
-with feathers. In such a nest, as many as nine eggs are often laid;
-imagine the little Golden-crown brooding in this bower.
-
-Like some of the Warbler family, the Kinglet does not let an insect
-escape, though it should take wing before it could be seized. The bird,
-too, has wings, and darts out after its prey. In winter, it often hovers
-under the piazza roofs, or the lintels of the barn door, and while in
-the air, picks off the eggs or chrysalids that have been hidden in the
-crevices. Occasionally one of the birds, in its eagerness to seize some
-attractive morsel, flies sharply against a windowpane. No doubt it is
-the part of a thrifty householder to sweep out the insects from his
-piazza roof, but there are some, like Lowell, wise enough to leave a few
-decayed limbs on their apple trees for the Woodpeckers, a patch or so of
-weeds for the Snowbirds, and a chrysalis or two for the hungry Kinglets
-in winter.
-
-[Illustration: THE HERRING GULL]
-
-
-
-
- THE HERRING GULL
-
-
-All winter, a traveler along the seashore sees the great gray gulls
-wheeling gracefully through the air with outstretched wings, floating
-lightly on the water, or sitting in long lines or compact masses on the
-bars or flats which are exposed at low tide. The harbors of all the
-northern seacoast cities are visited in winter by numbers of these
-birds, constantly on the watch for any bits of refuse which may be
-thrown from the wharfs or vessels, or brought down by the tides or
-currents. Their long and powerful wings make the flight of even so heavy
-a bird a sight beautiful to watch, and the water looks deserted when the
-motion and color which the gulls furnish is absent. But it is not to the
-eye alone that the birds appeal.
-
-The ceaseless activity of the gulls in pursuit of floating refuse and
-their inordinate appetite make them invaluable scavengers; without them,
-the refuse dumped into the water would return at each tide to pollute
-the shore. No idea can be formed of the value of the service performed
-by the gulls, till one sees the countless throngs which hover over the
-dumping grounds in the lower New York Bay, awaiting the arrival of the
-scows with the refuse from that city. As the buzzards and vultures are
-protected in all warm countries for their services in devouring carrion,
-so ought these scavengers of the northern seas to be guarded from
-persecution.
-
-The adult Herring Gull in full plumage has pure white underparts, head
-and tail, but a gray mantle, as it is termed, is spread over the wings.
-Young birds, however, show many shades of brown, and attain the white
-only after a year or two. The small, elegantly built birds, known along
-the seacoast as Mackerel Gulls, are not strictly gulls, but terns. They
-may be known by their forked tails and by their black caps. It is they
-that hover screaming over the water, constantly darting down to strike
-at fish.
-
-Gulls breed commonly along the coast of Maine and far northward. Great
-colonies occupy a small area, and a visit to their breeding places is a
-marvelous experience. At the approach of an intruder, the parents rise
-from their nests and circle about overhead, uttering hoarse cries, till
-the air is full of their wheeling forms. The downy young squat in the
-grass or bushes till the danger is past.
-
-Both gulls and terns have long been persecuted for their soft white and
-gray plumage, which is coveted for the adornment of women's hats. As the
-destruction of the birds on the islands where they are breeding would
-soon destroy the whole race, efforts are being made by the lovers of
-birds to protect the birds on all the sandy points or rocky islands
-where they rear their young.
-
-Gulls have wonderful powers of flight, and some species often follow
-ocean steamers for days, flying constantly about the vessel's stern,
-watching for bits of food which may be thrown overboard. When an object
-is spied the whole flock dart upon it, and it soon disappears among the
-crowd of struggling birds.
-
-In the Eastern States gulls are always associated with the sea, but in
-the Mississippi valley certain species are found on the prairies, where
-they follow the plough to seize the upturned insects.
-
-[Illustration: THE CHICKADEE]
-
-
-
-
- THE CHICKADEE
-
-
-Throughout the winter, bands of small birds visit the orchards and
-ornamental trees of every village and farm, gleaning dormant insects and
-their eggs from the twigs and boughs. The best known member and the
-leader, apparently, of the company is the Chickadee. There are generally
-about half a dozen of these birds together, possibly the parents and
-young of the preceding summer. The whole company are rarely in sight at
-any one time; some are in one tree, some are flying to the next, one
-perhaps is on the ground. There is a constant interchange of lisping
-call-notes, which break into excited gurgles, and the familiar _tee,
-dee, dee, dee_, when something excites their alarm or curiosity. It is
-not hard to disturb their composure; they come more easily than almost
-any other bird to the squeaking sound that bird students make to attract
-the attention of birds. One fluffy head after another pitches into the
-tree nearest the performer; then, by short stages, the boldest comes
-nearer to the strange sight and sound, often within arm's length. When
-their curiosity is appeased, they return to their examination of the
-twigs and branches, or, if startled by a sudden movement, they dive into
-the nearest cover.
-
-Their positions when feeding on slender twigs are extremely graceful,
-and their agility surprising. When gathering sunflower seeds, of which
-they are extremely fond, they cling to the under surface of the drooping
-head and pick till they loosen the seed. Then they fly with it to a
-branch and hammer it open. A favorite winter food is the berry of the
-poison ivy. By tying a bone or a piece of suet to the branches of trees
-near the house, not only Chickadees but other birds as well will be
-attracted to the spot, and will become regular winter visitors. They are
-by no means confined, however, to villages and farms. Often as we push
-through the deep snows of the winter forests, the only sound will be the
-distant lisp of this hardy bird.
-
-Besides the notes heard so commonly in winter, the Chickadee has a
-pensive and extremely gentle whistle, which it utters while sitting
-motionless, and oftener in spring than at other seasons, though it may
-be heard in every month of the year. It consists of two notes, an exact
-interval apart, and each accented. It is often mistaken, especially in
-early spring, for the song of the Phœbe, but it may be distinguished by
-its purity and sweetness. It is easily imitated by whistling, and the
-bird will often answer, or even fly toward the person whistling, and
-survey him with astonishment.
-
-It is generally believed by people who see the bird only in winter that
-the Chickadees retire northward in spring; it is true that they then no
-longer frequent the yards and gardens, but in the woods and retired
-orchards many a pair have excavated some decaying birch or apple stump,
-and after lining it warmly with moss and feathers, provided amply for
-the continuance of their race; sometimes as many as nine eggs are laid.
-In winter, the birds spend the night in holes, not necessarily the same
-in which they were bred.
-
-Several writers have mentioned instances of the extreme boldness of this
-bird; Mr. Chapman has had a Chickadee perch on his hand. One can easily
-imagine it, but we do not need such a mark of confidence to feel strong
-affection for this companionable and winter-loving bird.
-
-
-
-
- TRANSCRIBER'S NOTES
-
-
- 1. Silently corrected simple spelling, grammar, and typographical
- errors.
- 2. Retained anachronistic and non-standard spellings as printed.
- 3. Enclosed italics font in _underscores_.
- 4. The term [(e-u]denotes an "e-u" with a Triple Inverted Breve over
- the characters.
-
-
-
-
-
-End of the Project Gutenberg EBook of Bird Portraits, by Ernest Seton-Thompson
-
-*** END OF THIS PROJECT GUTENBERG EBOOK BIRD PORTRAITS ***
-
-***** This file should be named 52600-0.txt or 52600-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/2/6/0/52600/
-
-Produced by Richard Tonsing and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by The
-Internet Archive)
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/52600-0.zip b/old/52600-0.zip
deleted file mode 100644
index 213d0d9..0000000
--- a/old/52600-0.zip
+++ /dev/null
Binary files differ
diff --git a/old/52600-h.zip b/old/52600-h.zip
deleted file mode 100644
index f4ef7a6..0000000
--- a/old/52600-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/52600-h.htm b/old/52600-h/52600-h.htm
deleted file mode 100644
index 1da5b2b..0000000
--- a/old/52600-h/52600-h.htm
+++ /dev/null
@@ -1,2137 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" />
- <title>The Project Gutenberg eBook of title, by author</title>
- <link rel="coverpage" href="images/cover.jpg" />
- <style type="text/css">
- body { margin-left: 8%; margin-right: 10%; }
- h1 { text-align: center; font-weight: bold; font-size: xx-large; }
- h2 { text-align: center; font-weight: bold; font-size: x-large; }
- .pageno { right: 1%; font-size: x-small; background-color: inherit; color: silver;
- text-indent: 0em; text-align: right; position: absolute;
- border: thin solid silver; padding: .1em .2em; font-style: normal;
- font-variant: normal; font-weight: normal; text-decoration: none; }
- p { text-indent: 0; margin-top: 0.5em; margin-bottom: 0.5em; text-align: justify; }
- .sc { font-variant: small-caps; }
- .large { font-size: large; }
- .xlarge { font-size: x-large; }
- .lg-container-r { text-align: right; }
- @media handheld { .lg-container-r { clear: both; } }
- .linegroup { display: inline-block; text-align: left; }
- @media handheld { .linegroup { display: block; margin-left: 1.5em; } }
- .linegroup .group { margin: 1em auto; }
- .linegroup .line { text-indent: -3em; padding-left: 3em; }
- div.linegroup > :first-child { margin-top: 0; }
- ol.ol_1 {padding-left: 0; margin-left: 2.78%; margin-top: .5em;
- margin-bottom: .5em; list-style-type: decimal; }
- .chapter { clear: both; page-break-before: always; }
- .figcenter { clear: both; max-width: 100%; margin: 2em auto; text-align: center; }
- div.figcenter p { text-align: center; text-indent: 0; }
- .figcenter img { max-width: 100%; height: auto; }
- .id001 { width:516px; }
- .id002 { width:489px; }
- .id003 { width:515px; }
- .id004 { width:485px; }
- .id005 { width:493px; }
- .id006 { width:505px; }
- .id007 { width:512px; }
- .id008 { width:520px; }
- .id009 { width:502px; }
- .id010 { width:521px; }
- .id011 { width:522px; }
- .id012 { width:527px; }
- .id013 { width:513px; }
- .id014 { width:501px; }
- .id015 { width:514px; }
- .id016 { width:507px; }
- @media handheld { .id001 { margin-left:18%; width:64%; } }
- @media handheld { .id002 { margin-left:19%; width:61%; } }
- @media handheld { .id003 { margin-left:18%; width:64%; } }
- @media handheld { .id004 { margin-left:20%; width:60%; } }
- @media handheld { .id005 { margin-left:19%; width:61%; } }
- @media handheld { .id006 { margin-left:18%; width:63%; } }
- @media handheld { .id007 { margin-left:18%; width:64%; } }
- @media handheld { .id008 { margin-left:17%; width:65%; } }
- @media handheld { .id009 { margin-left:19%; width:62%; } }
- @media handheld { .id010 { margin-left:17%; width:65%; } }
- @media handheld { .id011 { margin-left:17%; width:65%; } }
- @media handheld { .id012 { margin-left:17%; width:65%; } }
- @media handheld { .id013 { margin-left:18%; width:64%; } }
- @media handheld { .id014 { margin-left:19%; width:62%; } }
- @media handheld { .id015 { margin-left:18%; width:64%; } }
- @media handheld { .id016 { margin-left:18%; width:63%; } }
- .ic001 { width:100%; }
- .ig001 { width:100%; }
- .table0 { margin: auto; margin-top: 2em; }
- .nf-center { text-align: center; }
- .nf-center-c1 { text-align: left; margin: 1em 0; }
- .c000 { margin-top: 0.5em; margin-bottom: 0.5em; }
- .c001 { margin-top: 4em; }
- .c002 { page-break-before: always; margin-top: 4em; }
- .c003 { margin-top: 2em; }
- .c004 { margin-top: 1em; }
- .c005 { page-break-before:auto; margin-top: 4em; }
- .c006 { vertical-align: top; text-align: left; padding-right: 1em; }
- .c007 { vertical-align: top; text-align: right; }
- .c008 { margin-top: 2em; margin-bottom: 0.5em; }
- div.tnotes { padding-left:1em;padding-right:1em;background-color:#E3E4FA;
- border:1px solid silver; margin:2em 10% 0 10%; }
- .covernote { visibility: hidden; display: none; }
- div.tnotes p { text-align:left; }
- @media handheld { .covernote { visibility: visible; display: block;} }
- .sc {font-style: normal; }
- .footnote {font-size: 90%; }
- .ph1 { text-indent: 0em; font-weight: bold; font-size: xx-large;
- margin: .67em auto; }
- .breve { text-decoration: overline; }
- </style>
- </head>
- <body>
-
-
-<pre>
-
-The Project Gutenberg EBook of Bird Portraits, by Ernest Seton-Thompson
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-Title: Bird Portraits
-
-Author: Ernest Seton-Thompson
-
-Commentator: Ralph Hoffmann
-
-Release Date: July 18, 2016 [EBook #52600]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK BIRD PORTRAITS ***
-
-
-
-
-Produced by Richard Tonsing and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by The
-Internet Archive)
-
-
-
-
-
-
-</pre>
-
-
-<div class='tnotes covernote'>
-
-<p class='c000'> <strong>Transcriber's Note:</strong></p>
-
-<p class='c000'> The cover image was created by the transcriber and is placed in the public domain.</p>
-
-</div>
-
-<div class='ph1'>
-
-<div class='nf-center-c1'>
-<div class='nf-center c001'>
- <div>BIRD PORTRAITS</div>
- </div>
-</div>
-
-</div>
-
-<div class='figcenter id001'>
-<img src='images/i_004.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>THE SONG SPARROW</p>
-</div>
-</div>
-
-<div>
- <h1 class='c002'>BIRD PORTRAITS</h1>
-</div>
-
-<div class='nf-center-c1'>
-<div class='nf-center c003'>
- <div><span class='large'><em>By</em></span> <span class='xlarge'>Ernest Seton-Thompson</span></div>
- <div class='c003'>WITH DESCRIPTIVE TEXT</div>
- <div class='c004'><span class='large'><em>By</em> Ralph Hoffmann</span></div>
- <div class='c003'>BOSTON</div>
- <div><span class='large'>Ginn &amp; Company</span></div>
- <div>The Athenæum Press</div>
- <div>1901</div>
- </div>
-</div>
-
-<div class='nf-center-c1'>
-<div class='nf-center c001'>
- <div><span class='sc'>Copyright, 1901</span></div>
- <div><span class='sc'>By GINN &amp; COMPANY</span></div>
- <div class='c004'>ALL RIGHTS RESERVED</div>
- </div>
-</div>
-
-<div class='chapter'>
- <h2 class='c005'>CONTENTS</h2>
-</div>
-
-<table class='table0' summary='CONTENTS'>
- <tr>
- <td class='c006'>&nbsp;</td>
- <td class='c007'>PAGE</td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>The Song Sparrow</span></td>
- <td class='c007'><a href='#Page_1'>1</a></td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>The Flicker</span></td>
- <td class='c007'><a href='#Page_3'>3</a></td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>The Brown Thrasher</span></td>
- <td class='c007'><a href='#Page_5'>5</a></td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>The Barn Swallow</span></td>
- <td class='c007'><a href='#Page_7'>7</a></td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>The Chimney Swift</span></td>
- <td class='c007'><a href='#Page_9'>9</a></td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>The Kingbird</span></td>
- <td class='c007'><a href='#Page_11'>11</a></td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>The Baltimore Oriole</span></td>
- <td class='c007'><a href='#Page_13'>13</a></td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>The Wood Thrush</span></td>
- <td class='c007'><a href='#Page_15'>15</a></td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>The Scarlet Tanager</span></td>
- <td class='c007'><a href='#Page_17'>17</a></td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>The Rose-Breasted Grosbeak</span></td>
- <td class='c007'><a href='#Page_19'>19</a></td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>The Redstart</span></td>
- <td class='c007'><a href='#Page_21'>21</a></td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>The Ruby-Throated Humming-Bird</span></td>
- <td class='c007'><a href='#Page_23'>23</a></td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>Bob-White</span></td>
- <td class='c007'><a href='#Page_25'>25</a></td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>The Goldfinch</span></td>
- <td class='c007'><a href='#Page_27'>27</a></td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>The Blue Jay</span></td>
- <td class='c007'><a href='#Page_29'>29</a></td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>The Brown Creeper</span></td>
- <td class='c007'><a href='#Page_31'>31</a></td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>The Butcher Bird</span></td>
- <td class='c007'><a href='#Page_33'>33</a></td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>The Golden-Crowned Kinglet</span></td>
- <td class='c007'><a href='#Page_35'>35</a></td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>The Herring Gull</span></td>
- <td class='c007'><a href='#Page_37'>37</a></td>
- </tr>
- <tr><td>&nbsp;</td></tr>
- <tr>
- <td class='c006'><span class='sc'>The Chickadee</span></td>
- <td class='c007'><a href='#Page_39'>39</a></td>
- </tr>
-</table>
-
-<div class='chapter'>
- <h2 class='c005'><em>INTRODUCTION</em></h2>
-</div>
-
-<p class='c008'><em>This book is called "Bird Portraits" because Mr. Seton-Thompson's
-pictures are always faithful and charming portraits of the birds which he
-draws. But since a bird's portrait, no matter how accurate, can show its
-subject in only one position, singing, feeding, flying, or sitting, a short account
-of some of the main events of the bird's life has been added to each picture.</em></p>
-
-<p class='c000'><em>Any one who learns from such books as Mr. Seton-Thompson's how
-beset with perils is the life of every wild creature will take the greatest
-pains at all times, and especially in the nesting season, not only not to injure
-or persecute such defenseless little creatures as our song birds, but also to protect
-them in every way. Whoever seeks their acquaintance, in the spirit of
-friendship, will always be grateful for the interest and pleasure to be gained
-from such friends.</em></p>
-
-<p class='c000'><em>Of the twenty birds whose portraits are here presented, a majority are
-only summer residents in the Northern States; some visit us only in winter; a
-few spend the whole year near the same spot. The birds which are first
-described are those that are most closely associated with the return of spring;
-then follow those whose gay colors and bright songs give much of its charm
-to early summer; last come those that brave, even in the North, the tempests
-of winter.</em></p>
-
-<div class='lg-container-r'>
- <div class='linegroup'>
- <div class='group'>
- <div class='line'>R. H.</div>
- </div>
- </div>
-</div>
-
-<div class='ph1'>
-
-<div class='nf-center-c1'>
-<div class='nf-center c001'>
- <div>BIRD PORTRAITS</div>
- </div>
-</div>
-
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_1'>1</span>
- <h2 class='c005'>THE SONG SPARROW</h2>
-</div>
-
-<p class='c008'>After a severe winter, while snow and ice still remind us of
-the past, the Song Sparrow, mounting to the top of some bush or
-small tree, repeats his cheerful tinkling song, "helping," as Thoreau
-says, "to crack the ice" in the ponds. Few people are so unobservant
-as not to notice this bright strain, after the silence of winter.
-A peculiarity of the song is the amount of variation shown by
-different individuals and often by the same bird. At almost regular
-distances along the bushy roadside, or over the hedge-intersected
-fields, one will meet on the early spring mornings one Song
-Sparrow after another, each restricted to his part of the road or
-field. If one notices the songs of each, it is evident that, though
-the songs have the same general character, there are almost as
-many ways of beginning a strain as there are singers. Moreover,
-the same bird has been observed to alter his song in a short space of
-time to two or three different variations. Probably, if one's ear were
-acute enough, all birds of one species would be found to sing with
-slight differences, but few show in so marked a degree as the Song
-Sparrow the tendency to variation which characterizes a species.</p>
-
-<p class='c000'>In early April, the Song Sparrow builds a nest of grass, either
-on the ground beneath a tuft of grass, or under some brambles, or
-less frequently a few feet above the ground, in a bush or on the
-lower limbs of a tree. In the latter situation, twigs are of course
-necessary for the support of the structure. Here again the bird
-shows a tendency to vary in its habits. The eggs are from four
-<span class='pageno' id='Page_2'>2</span>to five in number, greenish white, thickly marked with shades of
-brown, lavender, or purple. Sometimes an egg is found in the
-nest much larger than the others; this has been laid by the lazy
-Cowbird. As the large egg receives most warmth and hatches first,
-the young Cowbird soon crowds out the rightful occupants of the
-nest, and the parent Song Sparrows will be seen later, working
-busily to feed a great homely youngster as large as themselves, who
-will afterwards go off to join a flock of his own kind. Probably
-every Cowbird has been reared at the expense of a brood of some
-small bird, Sparrow, Warbler, or Vireo.</p>
-
-<p class='c000'>In June, the young Song Sparrows are able to take care of
-themselves, and the energetic parents build another nest and rear
-another brood. The brooding time is the chief period of song, so
-that birds that breed twice sing later in the summer than others.
-The Song Sparrow's little strain may be heard well into August;
-but toward the end of that month we hear from the cornfields and
-gardens a curious, husky warble, unlike the bright spring carol of
-the Song Sparrow, but nevertheless made by that bird. In the fall,
-and even during the winter, a warm bright day will occasionally
-induce a Song Sparrow to sing his lively spring song, so that
-where the Song Sparrow winters, the strain may be heard every
-month of the year.</p>
-
-<p class='c000'>In the late summer and fall, the neglected corners of gardens
-and fields, where the seeds of weeds and grasses offer an abundance
-of food, are the favorite resort of the sparrows. The Song Sparrow
-may be distinguished from most of its relatives by its streaked
-breast, in the middle of which the spots generally form a conspicuous
-blotch, and by its long tail, which it constantly jerks as it flies.
-The Song Sparrow is very retiring, and when alarmed, slips into
-brush heaps or bushes, where it hides as skillfully as a mouse.</p>
-
-<div class='figcenter id002'>
-<img src='images/i_014.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>THE FLICKER</p>
-</div>
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_3'>3</span>
- <h2 class='c005'>THE FLICKER</h2>
-</div>
-
-<p class='c008'>The Flicker is most beloved in March, when his hearty shout
-is one of the characteristic sounds of the first warm days of early
-spring. The same week which brings the Bluebird and the Blackbird
-hears the cheerful song of the Song Sparrow and the loud
-call of the Flicker.</p>
-
-<p class='c000'>Though a woodpecker, the Flicker has departed somewhat from
-the habits of its relatives, spending considerable time on the ground,
-and depending largely for its food on berries and ants. It is often
-startled from lawns and hillsides, where it has been thrusting its
-long tongue into colonies of black ants, seizing them on the moist,
-brushy tip. When so engaged, the bird may sometimes be closely
-approached, and a sight of its plumage is then a revelation to one
-who has seen from a distance only its dark brown body and white
-rump. The ashy gray nape sets off a bright red patch; there is
-a handsome black crescent across the breast, and the male wears
-black mustaches. The breast is handsomely spotted, and the quills
-and undersides of the wing and tail feathers are golden yellow.
-Unless one can steal up close to a bird, few of these marks show;
-but the Flicker may always be distinguished by his size (he is
-the largest of our common birds except the Crow), by the white
-rump, and the gleam of yellow which has given him the name
-Golden-winged Woodpecker. The flight, too, like that of all the
-woodpeckers, is characteristic; the wing strokes are slow, and between
-them the bird drops a little, so that its progress is in waves instead
-of in a straight line.</p>
-
-<p class='c000'><span class='pageno' id='Page_4'>4</span>All the woodpeckers nest in holes, which they chisel out of
-decayed or even live wood. A circular entrance leads to a vertical
-passage, and this to a wide chamber some distance below. No lining
-of moss or feathers is put in; the pure white, nearly round eggs
-are laid directly on the chips at the bottom of the cavity, and the
-young birds after a few days hang by their claws to the side of
-the hole. Young Flickers, like young Humming-birds, are fed by
-their parents with a liquid food, which is pumped into their wide-opened
-mouths, the parent's bill being thrust far into the young one's.</p>
-
-<p class='c000'>The Flicker is one of the few birds that frequently return to
-the old nest. Most birds, contrary to the common notion, instead
-of refurnishing the weather-beaten and insecure structure into which
-their last year's home has been converted by snow, rain, and wind,
-prefer to build a new one. The material is everywhere at hand, and
-time is not so precious before the young are hatched. The Flicker,
-however, having built in a stout limb, can safely return for several
-seasons to the same cavity, or, if this becomes insecure, can cut
-another in the same trunk. Branches are often seen where three or
-four round openings show the tenements of several generations of
-these noisy birds. South of Massachusetts, Flickers generally spend
-the whole year in one spot, and in winter live largely on berries; a
-favorite food at this season is the berry of the poison ivy. In the
-fall, the rum cherry becomes a resort for all fruit-loving species.</p>
-
-<p class='c000'>The Flicker, though not known to raise a second brood, has a
-second period of song, so that we hear again in June the shout, or
-mating call, of the early spring days. Besides this high-pitched
-<em>wick, wick, wick</em>, the Flicker utters, when startled, a curious note
-like <em>worroo</em>; a sharp <em>ti'ou</em> is the call to its kind, and the syllables
-<em>yucker, yucker</em>, often accompanied by ludicrous bowing with wings
-and tail outspread, are used to show affection.</p>
-
-<div class='figcenter id003'>
-<img src='images/i_018.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>THE BROWN THRASHER</p>
-</div>
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_5'>5</span>
- <h2 class='c005'>THE BROWN THRASHER</h2>
-</div>
-
-<p class='c008'>The Thrasher is the first great musician of the year; he arrives
-in the last week of April, so that his song forms the prelude of the
-chorus which is given in May by the true Thrushes, the Bobolink,
-and the Oriole. There is a spirit, a brilliancy of execution, and a
-power in his song which is perhaps more appropriate to early spring
-than the rich, sweet tone of the birds who take up the strain in
-warmer days. He sings when spring, though assured, is not everywhere
-manifest, and the vigor of his ringing phrases serves to dispel
-any lingering doubt that the faint-hearted may yet entertain.</p>
-
-<p class='c000'>The trees are yet leafless, and the singer can be seen afar off
-on the very topmost twig of some hillside tree; his long tail is
-held straight below him, his head is up-lifted, and from his full
-throat comes phrase after phrase, a succession of the most varied
-and apparently extremely difficult notes, executed with an ease and
-full-hearted joy which, to the ears of many, place the Thrasher in
-the class with the true Thrushes. Like the song of all male birds,
-the performance is not only an offering or an invitation to the
-female, but also an answer to some rival whose fainter notes reach
-the ear from the neighboring grove.</p>
-
-<p class='c000'>This last week of April is often one of the most delightful
-seasons of the year, and particularly attractive to a beginner in bird
-study. There are only a few bushes in leaf, and those of a delicate
-green; the dried leaves under them are starred with white bloodroot;
-on the hillsides, the purple violet and yellow five-finger are
-wide open in the warm sun, and in the woods, the mayflower and
-<span class='pageno' id='Page_6'>6</span>the hepatica surprise the visitor in spots where the late snow still
-lingers. The birds are easy to find; there is no dense foliage to
-hide them, and the number of species is still so few that their songs
-and figures are not difficult to distinguish.</p>
-
-<p class='c000'>The Thrasher's song ceases as you approach him. He slips
-down like a wren to the undergrowth, where, if you listen, you
-hear him rustling and scratching in the dry leaves. If you sit
-down near by, you will see him as he mounts again from one twig
-to the next. His white breast is heavily spotted with black, his
-head, back, and tail are of a bright rufous shade, and his yellow eye
-glitters like a snake's. When he is alarmed, he puffs like a turtle,
-or utters a note curiously like a loud smack. The whole air of the
-bird is one of vigor and intelligence. The sexes are alike in size
-and color. By watching patiently near the spot where the male
-sings, it is often possible to surprise the pair bringing bark and
-roots to the bush among whose roots or stems the nest is woven.</p>
-
-<p class='c000'>It is one of the most delightful experiences in the study of
-birds thus to watch a pair of birds building their nest, to note later
-the laying of each egg, to see the female brooding till the nestlings
-are hatched and finally leave the nest. One always heaves a sigh
-of relief at the last moment, for so many tragedies may put an
-end to the story. The female Thrasher is very bold when on the
-nest, and sits close till the visitor, if he approach quietly, is within
-a few feet of her. She gazes fixedly at him with her bright
-eye, but let him draw a step nearer and she slips off into the
-bushes. The eggs are four or five, whitish, covered with many
-light brown markings.</p>
-
-<p class='c000'>The food of the Thrasher consists of insects and fruit. Many
-linger in the North till the end of October, and spend the winter in
-the Southern States, where the ground is generally free from snow.</p>
-
-<div class='figcenter id004'>
-<img src='images/i_022.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>THE BARN SWALLOW</p>
-</div>
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_7'>7</span>
- <h2 class='c005'>THE BARN SWALLOW</h2>
-</div>
-
-<p class='c008'>There is no pleasanter sight among birds than a family of
-young reared in the neighborhood of man and often on some part
-of his house itself. Visit an old farmhouse; look about and see
-how many welcome guests the farmer shelters without thought of
-pecuniary profit. Under the woodshed, on a beam, the Phœbe has
-built a nest of moss, from which she flies to the barnyard to pursue
-the insects that swarm there. In the vines on the piazza, Robins
-and Chipping Sparrows have reared their young. In the old elm
-over the door, an Oriole has woven a nest with thread twitched
-from the clothesline or perhaps purposely laid out for her, and the
-orchard shelters numbers of species—Bluebirds, Woodpeckers, Kingbirds,
-and Chebecs. Of all these tenants, however, none seem so
-completely at home as the swallows; none show so little concern at
-man's presence; none take possession so coolly of the boxes, the
-eaves, or the rafters where they build. Their kindred lived with
-man, ages ago, in Greece and Rome; they have been welcomed
-each spring as heralds of a joyful season; their departure has been
-watched with regret. Though they have but few notes which are
-musical, yet their grace, agility, and swiftness have passed into
-proverb and song.</p>
-
-<p class='c000'>There are several species of swallow, or martin, which take
-advantage of man's structures in or on which to place their nests,
-but the most numerous, the most familiar to people in general, and
-perhaps the most attractive, is the Barn Swallow. This is the only
-species whose outer tail feathers are long and pointed, and form
-<span class='pageno' id='Page_8'>8</span>with the rest of the tail the peculiar figure known as "swallow-tail."
-The head, back, wings, and tail are all of a beautiful lustrous blue,
-and the tail, when spread, shows large white spots in the inner
-feathers. The under parts vary from whitish in immature birds to
-a rich chestnut in fully mature ones, who have also the throat and
-forehead of a darker reddish brown. The bill opens far back, so
-that there is a wide cavity to engulf any insect which may be met
-in the ceaseless flight backward and forward over grass and water.</p>
-
-<p class='c000'>The nest of the Barn Swallow is familiar to all who have
-enjoyed life on a farm. It is made of straws and grass, plastered
-together with mud, and is placed on a beam or rafter in the barn.
-One hospitable farmer drove a horseshoe into a beam, and on this
-ledge a swallow built each year. Through the open door or window
-of the barn the swallows fly in and out, and up into the gloom above,
-where twittering sounds tell of young that are being fed. As soon
-as the young are old enough, the parents urge them to fly, and in
-a few days they become skillful enough to take food on the wing.
-This is an extremely pretty spectacle; the parent and the young
-meet, and then fly upward for an instant, their breasts apparently
-touching, while the food is passed from one bill to the other. One
-July afternoon the writer watched a row of six young swallows
-clinging to the shingles on a barn roof, every mouth gaping for
-food whenever the parents approached. When the father brought
-the food, the bird sitting nearest him got the mouthful, and in
-an instant later another from the mother. Five times in succession
-this favored youngster was fed, while the other five seemed
-neglected. But when the little fellow had all that he could hold,
-he went to sleep, and the next wide-open mouth received the food.
-What seemed at first an unfair arrangement was after all the surest
-way to feed all alike.</p>
-
-<div class='figcenter id005'>
-<img src='images/i_026.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>THE CHIMNEY SWIFT</p>
-</div>
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_9'>9</span>
- <h2 class='c005'>THE CHIMNEY SWIFT</h2>
-</div>
-
-<p class='c008'>The Swift is universally known as the Chimney Swallow, from
-a belief that it belongs to the swallow family. It is, in fact, no
-relative of the swallows, but very nearly related to the Whippoorwill
-and Night-hawk. Swifts and swallows both have long, powerful
-wings, which enable them to remain for long periods on the wing
-in a restless search for insects. Scientists themselves were for a
-long time misled by the resemblance in the appearance and habits
-of the two families, but a close examination of the skeleton of the
-two birds has convinced naturalists that the two families descended
-from different ancestors, but have arrived at similar solutions of the
-problem presented to them in their search for food.</p>
-
-<p class='c000'>The Swift builds, as is well known, in the flues of chimneys.
-It is often seen in May, dashing past the dead twigs of some tree,
-and then off to the chimney, where the twigs are glued together
-and to the bricks by the help of saliva secreted by the bird. A
-common and distressing experience after a storm in summer is the
-discovery of the young Chimney Swifts at the wrong end of the
-chimney,—on the hearth, in other words. Even in their proper
-place in the chimney, the young birds can make their presence very
-well known by beginning, as soon as it is light, an incessant clamor
-for food.</p>
-
-<p class='c000'>The long narrow wings, the powerful chest muscles, the cut
-of the bird's body, and the way the keel is ballasted, so to speak,
-enable the bird to remain for hours in constant flight without apparently
-experiencing the least fatigue. Swallows are often seen resting
-<span class='pageno' id='Page_10'>10</span>on telegraph wires, but I have never seen a Swift perch on any
-support outside a chimney. At night and during such part of the
-day as is given up to rest, the bird supports itself in chimneys
-by clinging to projections or crevices. The stiff, sharp-pointed tail
-feathers aid greatly in supporting it. Before the coming of the
-white man, hollow trees served as the roosting and nesting places
-of the Swifts.</p>
-
-<p class='c000'>There is no better practice for the eye than distinguishing
-swallows from Swifts, when both species are mingled in the air.
-The Swift's flight, though very powerful, suggests that of the bat,
-on account of the frequency of the wing strokes; the rapid beating
-of the wings ceases at intervals and the bird glides through the
-air or turns on set wings. Then the twinkling flight begins again.
-There are none of those long sweeping strokes with which the Barn
-Swallow cleaves the air. The tail of the Swift, when the bird is
-flying, generally appears short and cigar-shaped, or, if spread, it is
-fan-shaped, not forked like the tails of all the swallows.</p>
-
-<p class='c000'>The ordinary note of the Swift is a single sharp cry, slowly or
-rapidly repeated; it is characteristic of warm summer evenings when
-the birds fly about the houses in twos or threes, pursuing each other
-and uttering this note <em>staccato</em>. A pretty sight at this time is the
-Swift sailing with wings raised above the body, in the position of
-our common pigeon just before alighting; the Swift assumes the
-same attitude above the chimney, poising a moment before he drops
-into the flue.</p>
-
-<p class='c000'>Early in September the Swifts leave the North, and may be
-seen high overhead flying southward; unlike many of our small birds,
-they migrate by day, their powers of flight protecting them from the
-birds of prey which are such a menace to the smaller birds.</p>
-
-<div class='figcenter id006'>
-<img src='images/i_030.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>THE KINGBIRD</p>
-</div>
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_11'>11</span>
- <h2 class='c005'>THE KINGBIRD</h2>
-</div>
-
-<p class='c008'>The swallows and swifts spend hours on the wing, turning to
-the right or to the left, upward or back, in pursuit of winged
-insects. Many other birds, notably the warbler family, take occasional
-flights after some insect which they have startled from the
-leaves. The habits of another large family of birds, the Flycatchers,
-are a compromise between these two methods of obtaining food.
-Selecting some post of observation, such as a dead limb, a fence,
-or the stalk of a stout weed, they wait patiently, keeping a sharp
-watch of the air about them. At sight of an insect flying near, they
-fly out in pursuit. If one is near enough to the bird, a click of
-its bill will announce the fate of the insect. The Flycatchers then
-return to the same or a neighboring perch.</p>
-
-<p class='c000'>The family is not, on the whole, very good-humored; in fact,
-they might justly be accused of irritability and pugnacity. The
-Kingbird, in particular, the head of the house, is noted for his
-constant attacks on any winged creature that approaches his nest.
-It must be admitted, however, that when nesting time is over, he
-lives very peaceably with his neighbors; but while the female is
-brooding the eggs or young, the excited cry of the male is constantly
-heard, and every Crow that comes in sight is pursued, sometimes
-for a mile. The Kingbird gets above his victim and darts down at
-its head; the Crow can be seen wincing at each vicious jab of the
-bill. One or two observers have actually seen the Kingbird ride
-on the Crow's back for some distance. The Kingbird has a patch
-of red concealed under the black feathers of his crown; when he
-<span class='pageno' id='Page_12'>12</span>is angry or excited, these red feathers blaze out. They are very
-rarely seen by men, but I imagine the Crows see them oftener
-than they like.</p>
-
-<p class='c000'>Apple trees in old orchards are favorite nesting places of the
-Kingbird, and no pains are taken to conceal the nest. It is composed
-of twigs loosely laid together, and often festooned with white
-strings or the dry, woolly heads of the mouse-ear everlasting. The
-inside of the nest is neatly lined with feathers, horsehair, or roots,
-and contains from three to five white eggs spotted with brown. The
-Kingbird is here from the first of May to the first of September,
-but like all strictly insectivorous birds, it must spend the winter
-far to the southward. The bird's only notes are the shrill cries,
-<em>kipper, kipper</em>, given singly or quickly repeated. In spring the birds
-often mount to a considerable height, uttering this cry continually,
-and apparently attempting, by this exhibition, to express the emotion
-common to all creatures at this period of the year.</p>
-
-<p class='c000'>The Kingbird is a very satisfactory bird to beginners; the color
-pattern is so marked and the bird is so fond of exposed situations
-that it is seen and recognized without difficulty. Except the Cedarbird,
-whose tail is tipped with yellow, I know no other small bird of
-the eastern United States whose tail feathers are all tipped with a
-regular edge of light color. The Kingbird is the bird most commonly
-seen from a car window; in almost every field, the mullein stalks or
-wire fences will display one or more individuals, their white breasts
-or black and white tails showing conspicuously in the landscape.</p>
-
-<p class='c000'>The Kingbird has often been accused of destroying honeybees.
-Even allowing that individuals occasionally do some damage in this
-way, the good services of the race in destroying harmful insects far
-outweigh these injuries, and the remedy is to drive the bird away
-from the hives, not to kill it.</p>
-
-<div class='figcenter id007'>
-<img src='images/i_034.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>THE BALTIMORE ORIOLE</p>
-</div>
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_13'>13</span>
- <h2 class='c005'>THE BALTIMORE ORIOLE</h2>
-</div>
-
-<p class='c008'>The arrival of the Orioles in the first week of May marks for
-many people the return of spring. The males come first and take
-possession at once of our streets and gardens, calling from the elms,
-or dashing into the cherry trees white with blossoms. The females
-arrive a day or two later, and the work of house-hunting begins
-soon after. In the selection of a nesting site, the judgment of the
-female alone is naturally allowed to have entire weight. The male is
-politely anxious, flying from twig to twig, as if recommending them;
-but the female knows that she must sit for days over her precious
-eggs, and be swung by all manner of storms, in whatever situation
-she finally selects; she means, therefore, to be sure before she builds.</p>
-
-<p class='c000'>The number of trees on which hang two nests, one evidently
-older than the other, is very noticeable, and probably means that
-the same pair return to the same tree to build. Many people have
-an idea that birds use the same nest in successive years, but it
-does not seem likely that such a skillful architect as the Oriole
-would patch up the old nest, when with a few days' labor she can
-build a new one, clean and strong, and very likely improved by her
-former experience. The materials used for the construction of the
-nest are tough, fibrous strips for the framework, and softer materials
-for the lining. The female often comes to the clothesline and twitches
-out some threads, and she is very thankful for twine or similar material
-hung out where she can find it. Lowell, who loved the Oriole
-next after the Bobolink, hung out gay-colored threads for his birds,
-and was rewarded with the sight of a brilliant nest.</p>
-
-<p class='c000'><span class='pageno' id='Page_14'>14</span>The female builds at first a framework of strong material, which
-is attached to the several twigs on which the nest hangs. She
-actually ties knots of this material with her long sharp bill, thrusting
-the end of the thread through a loop, then reaching over and
-pulling it tight. Tragedies sometimes occur during this process,
-the bird becoming entangled in her own thread and choking or
-starving to death. A bit of comedy is sometimes seen when the
-Oriole, returning to her half-finished nest, catches a Summer Yellow-bird
-in the act of stealing some of the material. After the frame
-is completed, the Oriole works from inside, weaving the web from
-side to side.</p>
-
-<p class='c000'>By June, the young hatch, and now the male, who has hitherto
-had an easy time, becomes very busy bringing food to the young.
-In a few days, they become old enough to cry for it very vigorously,
-and this they do so incessantly that their <em>peet-teet</em> becomes one of
-the characteristic sounds of early summer. By the middle of July,
-the young leave the nest, and then for a week or two the whole
-family are met with in the country lanes, the children resembling
-their mother in color, but easily distinguished by their short tails
-and the general downy look about the head.</p>
-
-<p class='c000'>The male suffers an eclipse during midsummer; his cheerful
-whistle is no longer heard, and we should think that he had already
-left for the South, did he not resume his strain in August. In
-fact, he has been moulting; but, unlike the Tanager, he replaces
-his bright feathers by others as gay, and before he leaves us, he
-is as bright as when he came. The wild cherry trees are now a
-favorite resort for the whole family; but by the first of September,
-they leave the Northern States and return to Central and South
-America, where they lead a careless life till the approach of spring
-reminds them of the village elms a thousand miles away.</p>
-
-<div class='figcenter id008'>
-<img src='images/i_038.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>THE WOOD THRUSH</p>
-</div>
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_15'>15</span>
- <h2 class='c005'>THE WOOD THRUSH</h2>
-</div>
-
-<p class='c008'>It is difficult to speak without enthusiasm of the song of a
-Thrush. He seems wholly to outclass all other birds. When a
-Rose-breasted Grosbeak, no mean singer as our birds go, has finished
-his song, let a Wood Thrush utter but a phrase of his strain, and
-the Grosbeak's warble seems commonplace. Except the Thrushes,
-we have few birds whose song appeals to the imagination as human
-music does. We listen curiously to the songs of the others, criticise
-them or comment on them, as we do on a landscape; but let a
-Thrush sing and we fall into a reverie, recalling sad, tender, or
-solemn ideas and associations.</p>
-
-<p class='c000'>The Wood Thrush and the Veery, or Wilson's Thrush, are the
-common Thrushes of all but the northern part of the Northern
-States. In the mountains, the Hermit Thrush is found. This bird
-is generally considered superior even to the Wood Thrush in the
-purity and solemnity of its cadences. It has one great advantage
-over its rival; it sings on mountain sides in clear, still air, so that
-the finest vibrations of its voice come to the ear with perfect distinctness.
-The song of the two Thrushes is readily distinguished
-by listening for the phrase <em>ee-o-lee'</em>, with which the Wood Thrush
-regularly opens his chant. The Veery has received its name in
-imitation of its song, which resembles the syllables <em>ve<span class='breve'>e-u</span>ry, ve<span class='breve'>e-u</span>ry,
-ve<span class='breve'>e-u</span>ry</em>, each phrase lower in the scale than the preceding.</p>
-
-<p class='c000'>The Wood Thrush arrives in the Northern States in May,
-and unlike the Veery, which is strangely silent on its first arrival,
-the male Wood Thrush announces his presence on the morning of
-<span class='pageno' id='Page_16'>16</span>his arrival, by chanting from some low limb his beautiful flute-like
-notes. In the Middle States, it is a common and almost familiar
-bird, building in the gardens even of large towns; but in wilder
-regions, it prefers copses, groves of young trees, and rocky glens,
-particularly if there is a stream near by. By the end of May the
-pair have finished their nest, which resembles that of the Robin, but
-is often composed of less coarse material and is generally placed in
-the fork of a sapling. The birds often take little trouble to conceal
-it, sometimes placing it close to a woodland path, and the passer-by
-becomes aware of its nearness by hearing the harsh, anxious chatter
-of the parents. The four eggs are blue like the Robin's. The Robin
-is, in fact, a near relative of the Thrushes, and the relationship is
-shown not only by the shape of the body and the bill, but by
-the spotted breast which the young Robins assume with their first
-plumage. In the Middle States, this relationship seems to have
-been recognized, as the Wood Thrush is there commonly called the
-Wood Robin.</p>
-
-<p class='c000'>While the female is brooding the eggs, the male may be heard
-day after day from some favorite perch, not too near the nest. The
-early morning and the late afternoon are the favorite times for all
-the Thrushes, but on cloudy days or in the cool shades of deep
-woods, they sing all day. Occasionally the song ceases for several
-days. Some calamity has befallen the nest; a squirrel or some
-other marauder has robbed the pair, and there are no more outpourings
-of joy, till with renewed courage they select some safer
-spot and build again. In midsummer, the Thrushes become very
-silent. Occasionally we come upon a group feeding in the cherry or
-viburnum bushes, but few are seen after August, and by November
-they are in the tropics. Only the nest filled with snow reminds us
-of the pair, whose return in May we await with impatience.</p>
-
-<div class='figcenter id009'>
-<img src='images/i_042.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>THE SCARLET TANAGER</p>
-</div>
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_17'>17</span>
- <h2 class='c005'>THE SCARLET TANAGER</h2>
-</div>
-
-<p class='c008'>In South America, the Tanagers form a large family, but they
-send to the more northern of our Eastern States only one representative,
-the well-known Scarlet Tanager. A sight of this splendid bird
-properly, therefore, suggests the tropics. The Tanager is considered
-a rare bird, but it can always be found in suitable situations, and
-in certain parts of the country is really a common bird. Oak groves
-are the favorite resort of the bird, and since it does not often
-visit our dooryards, even in migration, and since we, as a people,
-do not often visit oak groves, the sight of a Tanager remains for
-most people a rare and exhilarating experience. The bird, too, is
-of a rather sluggish disposition, so that even if we visit the spot
-where a pair are nesting, they display only a rather languid curiosity.
-The call-note used by both sexes is well worth learning, for by its
-means our attention is often attracted to a pair which we should
-otherwise overlook; it consists of two syllables, resembling the
-syllables <em>tschip, tschurr</em>, uttered in a hoarse voice. The song of
-the male is such as a Robin with a cold might produce.</p>
-
-<p class='c000'>Either because the Tanager breeds generally at some distance
-from man, or because he considers that his brilliant coloring will
-make up for other deficiencies, the bird has never, as far as I know,
-done much to win the affection of bird lovers. They have enthusiastic
-praise for his coat, but little to say of his manners. A story
-which Wilson tells of a male Tanager is, however, a worthy exception
-to this statement. Wilson found a young bird which had fallen out
-of the nest and, having brought it home, put it into a cage with
-<span class='pageno' id='Page_18'>18</span>some Orioles. They altogether neglected the orphan, and as it
-refused to be fed by Wilson, the latter was about to return it to the
-woods, when a male appeared and tried to enter the cage. Finding
-this impossible, he went off, but returned with food and fed the
-young one for three or four days. At last, he showed so unmistakably
-his desire for the release of the young one that the owner
-set it free, and the two flew off rejoicing. If this Tanager was a
-type of his kind, the species need not fear the application of the
-proverb, "Handsome is that handsome does."</p>
-
-<p class='c000'>Tanagers arrive early in May, and may then be easily observed,
-as the trees are not yet in full leaf. Occasionally, in cold storms,
-all birds seem to keep near the ground, and on such occasions
-Tanagers are sometimes seen feeding on the ground itself, their
-splendid colors showing to wonderful advantage. The female is a
-very plain personage. Olive green above and greenish yellow below,
-with dull brownish wings, is a combination of color that serves very
-well to keep her concealed among the leaves. The nest is sometimes
-placed in orchard trees or even in low bushes, but frequently in tall
-oaks. It is loosely built of straw and twigs, and contains, by the
-end of May, from three to four eggs of a light greenish blue, marked
-with brown and lilac. The young are fed on insects gathered from
-the leaves. By the end of the summer, the male moults his bright
-red feathers and comes out in a suit resembling that of the female,
-but he keeps his black wings and tail. The whole family, clothed
-in these inconspicuous colors, migrate southward and remain in the
-tropics till the following spring.</p>
-
-<div class='figcenter id010'>
-<img src='images/i_046.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>THE ROSE BREASTED GROSBEAK</p>
-</div>
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_19'>19</span>
- <h2 class='c005'>THE ROSE-BREASTED GROSBEAK</h2>
-</div>
-
-<p class='c008'>To see a Grosbeak for the first time gives a student of birds
-almost the same feeling of exaltation as the first sight of a Scarlet
-Tanager. If one should hear, in the shade trees about the house, a
-Robin singing much faster and with a richer voice than ever before,
-and, after patient search, find the twig where the bird was singing,
-one's first thought would probably be, "Some escaped cage bird from
-the tropics." The head of the male Grosbeak is black, the tail and
-wings black and white, but in the center of the white breast is a
-triangle of pure rose, carried in some individuals far down the breast.
-When the bird flies, the white patches in the wings have a peculiar
-effect, like a circle of white. The large, almost monstrous bill, not
-only accounts for the bird's name, but explains why he is put into
-the same family with the sparrows. His nature, too, is eminently
-practical, as a sparrow's should be; a favorite food is the potato bug.</p>
-
-<p class='c000'>His mate lacks the black and rose, but her beak betrays her.
-She is not a particularly interesting bird, and does not even have
-the credit of excellence in household matters, at any rate as far
-as building her nest is concerned. It is made of a few coarse
-twigs loosely laid together,—a little platform through which the
-eggs sometimes show from below, and from which one would think
-they must certainly fall off. The nest is placed in a bush or low
-tree, and contains three or four greenish blue eggs, thickly marked
-with red. The young are out in July, and though a few Grosbeaks
-are occasionally seen in September, most of them have already left
-for the tropics by the end of the summer. The same joyous week
-<span class='pageno' id='Page_20'>20</span>of May which brings the Thrushes, Bobolinks, and Orioles brings
-them back again.</p>
-
-<p class='c000'>Just as a knowledge of the hoarse note of the Tanager will
-often betray the presence of that splendid bird, so an acquaintance
-with the sharp <em>click</em>, like that of a pair of shears, which the Grosbeaks
-make, will often attract the student and reward him with a
-sight of the beautiful rosy breast. Grosbeaks sing for a long time
-on one perch,—not on the uppermost spray of the tree, as that other
-tropical sparrow, the Indigo bird, loves to do, but, like the Tanager,
-on some branch well inside the canopy of leaves. In the first weeks
-of May, when birds of many species are mating, two and sometimes
-three male Grosbeaks may occasionally be seen pursuing each other,
-their white wing bars and spots making a showy contrast to the black.
-The victor in the struggle then returns to the tree near the female,
-and pours out a song of unusual vigor and sweetness. In May, the
-Grosbeak visits the blossoming fruit trees, snipping off the petals
-and the undeveloped fruit. Suspicion has therefore fallen on him,
-but it is now believed by the best authorities that this "budding"
-is not severe enough to injure the tree or the crop of fruit. Nor
-must we forget to throw into the other balance the result of his
-labors in the potato field.</p>
-
-<p class='c000'>When the adult male Grosbeak moults in summer, the rose on
-the breast becomes duller, and the black on the head and back is
-almost entirely replaced by brown. Like the Tanager, however,
-he retains his black wings and tail, and may thus be distinguished
-from the brown-winged young males.</p>
-
-<div class='figcenter id001'>
-<img src='images/i_050.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>THE REDSTART</p>
-</div>
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_21'>21</span>
- <h2 class='c005'>THE REDSTART</h2>
-</div>
-
-<p class='c008'>Almost a fourth of the birds usually seen by a good observer
-in a morning's walk in May or June, belong to a family known
-as Warblers. If they were really as musical as their name suggests,
-people might know them better; but even as it is, their colors are
-often so bright that the birds well repay one who takes the trouble
-to make their acquaintance. Perhaps the best known of the family
-is the Yellow Warbler, not to be confused with the Goldfinch,
-from which the absence of the latter's black cap, wings, and tail
-will distinguish it. The Oven-bird, whose loud <em>teach-er, teach-er,
-teach-er</em> is so common a sound in dry woods in summer, is another
-member of the Warbler family. The gayest of them all, however,
-in most parts of our country, is the Redstart. His coal black head,
-with bright orange patches at the shoulders, and yellowish bands
-across the wings and tail, suggest a miniature Oriole.</p>
-
-<p class='c000'>The Redstart is a splendid bit of color; in Cuba he is known,
-according to Mr. Chapman, as "Candelita," the little torch. Black
-and orange is a not uncommon combination of color among birds,
-and never fails to be effective. The Redstart, moreover, makes the
-most of his color by keeping both wings and tail spread, so that
-the yellow and orange is constantly displayed. He flits from one
-twig to another, spreading his little black-and-yellow fan, flying
-out, turning his black head and glowing shoulders toward one, and
-continually uttering a little song, not much in itself, and only full
-of meaning and association to the bird's friends, to whom it suggests
-leafy shade near brooks in the summer heat.</p>
-
-<p class='c000'><span class='pageno' id='Page_22'>22</span>The name of the family to which the Redstart belongs needs,
-perhaps, a word of explanation. It simply means that our Warblers
-are related to a family of European birds which have well earned
-their name, since the family includes the Nightingale and one or two
-other birds almost as musical. The name Redstart, too, is English,—<em>start</em>
-coming from the Anglo-Saxon word for tail. It was applied
-in England to a bird with a red tail, and since our bird has
-bright color in the tail, the name was transferred to it by the
-English settlers.</p>
-
-<p class='c000'>Many of the Warblers frequent the thick woods and are little
-noticed; the Redstart, however, often builds in the trees or shrubbery
-about the house, particularly if a brook or pool afford an abundance
-of insects. In the crotch of a sapling or on a limb, the female
-places a pretty nest built of bark and soft materials. The female
-resembles the male in the pattern of color, but the black is replaced
-by gray, and the orange by a faint yellowish shade. Males only
-one year old resemble the female so closely that the sharp little
-song often seems to proceed from the bill of a female; in reality
-it is a young male that is singing, one not yet arrived at the full
-splendor of his future gay plumage.</p>
-
-<p class='c000'>The Redstart is often victimized by the Cowbird, and one feels
-the imposition more keenly in its case than in that of almost any
-other bird, for we know that the big clumsy Cowbird is being reared
-at the expense of a whole family of these pretty warblers.</p>
-
-<p class='c000'>The Redstart comes early in May and stays through the summer.
-Some are seen even as late as October, but these are, very likely,
-birds which have bred far North, where the late summer did not
-permit them to rear their young so early as our own birds.</p>
-
-<div class='figcenter id011'>
-<img src='images/i_054.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>THE RUBY-THROATED HUMMING-BIRD</p>
-</div>
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_23'>23</span>
- <h2 class='c005'>THE RUBY-THROATED HUMMING-BIRD</h2>
-</div>
-
-<p class='c008'>The restless activity and general appearance of the Humming-bird
-make one almost hesitate to believe that it is really a bird
-and not a brilliant tropical insect. It possesses no song; few
-people see it except on the wing, and its nest is so rarely found
-that to most people the bird is merely a sudden apparition, seen
-hovering over a flower, its ruby throat sparkling in the sun. When
-the Humming-bird's nest is discovered, it turns out to be a structure
-as delicate and rare as its little architect. It is often fixed
-on a lichen-covered twig, frequently in orchards, but as often on
-tall forest trees. To the outside of the nest, bits of gray lichen
-are fastened, so that at a distance the nest is mistaken for a knob
-of the twig itself. The eggs are always two, ridiculously small,
-like pea beans.</p>
-
-<p class='c000'>The Humming-bird is not a good father. He neglects all the
-domestic duties, being rarely seen near the nest after it is completed.
-The female brings up the two young birds unaided, feeding
-them by thrusting her long bill into their gaping mouths and
-pumping food into their throats. The process has been described
-as "a frightful-looking act." The food thus administered to the
-young consists, probably, of soft-bodied insects, for when Humming-birds
-visit flowers, it is not only to gather honey, but also to capture
-the smaller honey-gatherers.</p>
-
-<p class='c000'>Many charming stories have been told of the fearlessness of
-the Humming-bird. It had often been observed that birds fed from
-flowers held in the hand, but it remained for Mrs. Soule to make
-<span class='pageno' id='Page_24'>24</span>artificial trumpet-vine flowers, and by filling them with sugar water,
-to provide a daily feast for her Humming-bird neighbors. Though
-the birds are very irritable and pugnacious when wild, frequently
-attacking each other with the shrill squeaks which are their only
-notes, yet, in captivity, they prove very gentle and almost affectionate.
-The Humming-bird has discovered another method of obtaining the
-sweet liquor which it loves. The Sapsucker, or Yellow-bellied Woodpecker,
-is in the habit of drilling rows of small holes into the maples
-of the northern forests, and sucking out the sap which fills these
-little wells. Many insects are attracted to the sweet fluid, and the
-Humming-birds also come as uninvited guests to the feast; so that
-while the Woodpecker is drinking on one side of the tree, butterflies,
-bees, wasps, and Humming-birds are fluttering about the other.</p>
-
-<p class='c000'>By the end of September, the season for honey gatherers is
-about over in the North, and the wings which can support the little
-body for so many seconds in front of a flower, now take it southward
-to the tropics, where there are always flowers. It is not until May,
-not until the red blossoms of the Japan quince are open, that the
-Humming-birds return.</p>
-
-<p class='c000'>The Ruby-throated Humming-bird is the only species found
-on the Atlantic coast; the female, however, lacks the ruby throat,
-and is sometimes taken for another species. Humming-birds seen
-at dusk, if caught, will prove to be, not birds but clear-winged or
-Humming-bird moths. In South America, however, there are over
-four hundred different species of Humming-birds. A museum case
-full of these is a marvel of beauty and interest; the iridescent colors
-of their gorgets, or throat-pieces, the variety of shapes which their
-bills assume, the development of their throat and tail feathers, give
-one the impression of a show case full of fantastic jewels.</p>
-
-<div class='figcenter id012'>
-<img src='images/i_058.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>BOB-WHITE</p>
-</div>
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_25'>25</span>
- <h2 class='c005'>BOB-WHITE</h2>
-</div>
-
-<p class='c008'>Bob-white, unlike the majority of our birds, does not migrate
-southward in winter; the whole covey, unless they are killed, spend
-the whole year near the spot where they were born, feeding on the
-fallen grain, seeds, and various kinds of fruit. In hard winters, they
-become very tame, and if fed regularly, come to the barnyard almost
-like poultry. Most people are only too familiar with this bird, but
-not as he looks in life. Then he is full of energy and spirit; his
-pure white throat shows against the black of his head, and his
-rich reddish brown wings are ready to carry him off with a whirr
-that startles one. For one that we see alive, we see a thousand
-hanging, bloody and bedraggled, in the markets. Few people who
-become really acquainted with Bob-white, who see him sitting on a
-stone wall calling his name, or see his mate hurrying her little
-ones over the road into the blackberry vines, will care to make
-another meal off his little body. We must consider not only the
-wrong, if we acknowledge it to be one, done to the individual quail
-whose life has been taken, but the danger that threatens his whole
-race. The cheerful <em>Bob-white</em> is already a much rarer sound than
-it used to be, and the bird has many other dangers to contend
-against besides the pot-hunter's gun.</p>
-
-<p class='c000'>The greatest peril that besets quail in the North is the occasional
-midwinter blizzard, followed by intense cold. The quail at
-night huddle close together on the ground, their tails touching and
-their heads pointing out in a circle. After a great storm in a
-recent winter, the melting snow exposed a circle of quail, surprised
-<span class='pageno' id='Page_26'>26</span>and buried by the snow, like the people of Pompeii buried under
-the falling ashes.</p>
-
-<p class='c000'>In May, the male begins to whistle the two or three clear notes
-which have been translated into "Bob-white," or "More wet." This
-call is not only a summons to the female, but also a challenge to
-other males; if one hides near by and imitates the whistle accurately
-enough, a sudden flight will sometimes bring the angry bird directly
-to the spot. The surprise of the visitor is then amusing enough.
-Stone walls, fences, the low limbs of trees are favorite perches for
-the male, and his cheerful call has long been a familiar sound in
-farming country, from Massachusetts southward.</p>
-
-<p class='c000'>The nest is placed in some tangle of blackberry vines, along
-the edge of a field, and is a sight worth a long journey to see. The
-pure white eggs, often as many as fifteen, are laid close together
-in such a manner that the little body of the female may cover and
-warm them all. When the young are hatched, they are covered
-with down, and run at once, like chickens, and unlike the little blind
-naked young which we see in the nests of song birds. They follow
-their mother through the tangled grass or low bushes, feeding on
-fruit and insects, and later on the grain in the stubble fields. The
-whole family keep together, even when the young are able to care
-for themselves. When they hear any danger approaching, they keep
-close to the ground, relying on their brown coloring to conceal them.
-If the danger comes too near, they are off in half a dozen directions,
-over walls and bushes, coming quickly to earth again when they
-see some sheltering covert. Then, after an interval, one hears a note
-something like a guinea hen's, issuing from different parts of the
-field. Guided by these sounds, the whole covey reassemble.</p>
-
-<div class='figcenter id013'>
-<img src='images/i_062.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>THE GOLDFINCH</p>
-</div>
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_27'>27</span>
- <h2 class='c005'>THE GOLDFINCH</h2>
-</div>
-
-<p class='c008'>Not the most sullen sky nor the bitterest cold seems to discourage
-Goldfinches. They are always cheerful and affectionate,
-keeping together for the greater part of the year in larger or smaller
-flocks, which call to each other, if separated, by notes as sweet as
-those of a Canary. In summer, Goldfinches find an abundance
-of food in the seeds of many species of plants, but in winter also
-many remain even in the Northern States, searching cheerfully among
-the dry weeds and grasses, and uttering their sweet notes. Many
-people, however, do not notice them at this season, for when winter
-comes the head and body of the males of this species, as of many
-others, lose the bright black and yellow which marks them so distinctly
-in summer, and are clothed in dull brownish shades. About
-the first of April, one notices here and there in a flock a male that
-shows a few bright yellow feathers, and by another month, they
-have moulted their winter dress and are as gay as ever.</p>
-
-<p class='c000'>In the spring and early summer, the Goldfinches are extremely
-musical, spending hours in uttering a simple but pleasing song.
-Several males now engage in what seems to be a musical contest,
-flying out from a tree and circling about with set wings, all the
-time keeping up a continual strain. When flying through the air at
-a considerable height, they go in long curves, and utter during each
-undulation three or four simple notes. As they seem constantly
-to have business in one part or other of the country, the wave-like
-flight and characteristic notes become a common feature of the
-summer landscape.</p>
-
-<p class='c000'><span class='pageno' id='Page_28'>28</span>Though the Goldfinches are here all winter, they delay nesting
-till very much later than the other resident birds; the Chickadees
-have their first brood already out in the world by the time the
-Goldfinches determine on building. The female is a modest-colored
-little body, as is often the case where the male is bright. The pair
-generally build in July, and choose some thick leafy tree, often a
-maple or poplar, and there, on a limb at a considerable height from
-the ground, construct a very neat nest, deep and cup-shaped, built
-of fine materials and lined with down from plants like the thistle.
-Here five or six bluish white eggs are laid, and when in another
-month the young Goldfinches begin to fly, it is at once evident from
-their sharp, insistent crying. As the calling of the young Orioles is
-a mark of late June, so the notes of the young Goldfinches become
-associated with August.</p>
-
-<p class='c000'>Goldfinches are very fond of the seeds of many kinds of composite
-flowers; they bite holes in unripe dandelion heads and take
-out the seeds; thistles are another favorite food, and a row of
-sunflowers planted in the garden will not fail to attract them. In
-winter, besides the seeds of weeds, they feed on birch seeds, scattering
-the scales over the snow, and they even pull out the seeds of the
-pitch pine, when the scales begin to loosen toward spring.</p>
-
-<p class='c000'>No bird has livelier, more cheerful ways than our Goldfinch, and
-none becomes a greater favorite. People are often at considerable
-pains to remove the dandelion plants from their lawns; if the gay
-flowers themselves do not repay one for their presence, many would
-certainly allow them to remain in order to have the pleasant spectacle,
-in summer, of a flock of yellow Goldfinches scattered about the grass
-and feeding on the seeds.</p>
-
-<div class='figcenter id014'>
-<img src='images/i_066.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>THE BLUE JAY</p>
-</div>
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_29'>29</span>
- <h2 class='c005'>THE BLUE JAY</h2>
-</div>
-
-<p class='c008'>Most people are surprised when they first learn that the Blue
-Jay is a near relative of the Crow. The difference in color is certainly
-marked, but in other ways the resemblance is striking. Neither bird
-can utter its most characteristic note without gesticulation. Watch a
-Crow from a car window when the <em>caw</em> is inaudible, and the bowing
-and opening of the wings are all the more noticeable. The motions
-which the Jay makes when screaming are not so well known, as
-the sound generally comes from a screen of leaves. Both birds are
-thieves and seem to relish their thieving life; both can live on
-almost any food; both are heartily hated by their neighbors in bird
-world. The Jay is more bitterly detested by the other birds than
-the Crow. He is himself suspicious, and at the approach of a hawk,
-owl, or man, warns the woods by his cries. Besides the ordinary <em>djay,
-djay</em>, the loud scream so familiar in the autumn woods, the Jay has
-other cries; a note like a wheelbarrow turning on an ungreased axle,
-a high scream exactly like the Red-shouldered Hawk's, and such a
-variety of lesser notes that one never is surprised to find that any
-unusual sound heard in the woods is produced by the Blue Jay.</p>
-
-<p class='c000'>Though one of the noisiest of birds when pursuing an intruder,
-the Jay has learned to slip through the trees without a sound, and
-conceals its bright blue and white in a remarkable way. A pair
-of Jays may be nesting in some evergreen in our very garden, and
-unless we happen to see the female slip into the tree, we may remain
-entirely unaware of their presence. The nest is roughly constructed
-of twigs and roots, and is placed in a tree from six to twenty feet
-<span class='pageno' id='Page_30'>30</span>from the ground. On a lining of finer roots are laid four or five
-brownish or greenish eggs, spotted with yellowish brown. The young
-are hatched by the middle or end of June.</p>
-
-<p class='c000'>The Jay in spring is undoubtedly a reprobate. He cannot resist
-the temptation to sneak through the trees and bushes, and when he
-finds a nest of eggs temporarily left by its owner, to thrust his sharp
-bill through the shells; even young birds are devoured. In the
-autumn, however, the Jay is a hearty, open fellow, noisy and intent
-on acorns and chestnuts. The woods ring with his loud screams,
-as he travels through them with his companions. It is amusing at
-this season to observe them obtaining chestnuts, a favorite food.
-They drive their powerful bills into a nut and wrench it out of the
-burr, then fly off with it to a convenient limb and hammer it open.
-Many Jays spend the entire winter in the northern woods, subsisting
-on nuts, but the large numbers observed in the fall are evidence that
-many others are moving southward, where food is more plenty.</p>
-
-<p class='c000'>Jays and squirrels are curiously associated; both live in the
-autumn and winter, innocently enough, on nuts and acorns; both, in
-spring, poach on the eggs and young of birds. One becomes fond
-of each of these rascals in spite of his undoubted villanies, and is
-glad that though neither Squirrel nor Jay is protected by law, and
-in some states both are constantly persecuted, neither seems to be
-diminishing in numbers.</p>
-
-<p class='c000'>In Europe, the Crow and the Jay have several relatives, many
-of whom, such as the Magpie, Rook, and Jackdaw, share the family
-characteristics. They are all thieves, clowns, and impudent fellows,
-and yet win, if not affection, yet a certain degree of good-humored
-toleration.</p>
-
-<div class='figcenter id013'>
-<img src='images/i_070.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>THE BROWN CREEPER</p>
-</div>
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_31'>31</span>
- <h2 class='c005'>THE BROWN CREEPER</h2>
-</div>
-
-<p class='c008'>In the bands of little birds which in winter visit the trees
-about the houses, there are often three different species, all of which
-find their food on the trunks or large limbs of trees, but by such
-different methods that a study of their habits is not only interesting
-but also extremely instructive. The little Downy Woodpecker, like
-all its tribe, hitches up the trunk or along the upper side of the limb,
-using its stiff tail feathers as a support, and holding on to the bark
-by its two pairs of sharp claws. The Nuthatch, with a short weak
-tail, and toes arranged as in all song birds, three in front and one
-behind, has the toes, however, spread so wide that it can climb head
-downward, over, under, or around the limb. Least known of the
-three is the Brown Creeper. It, too, has three toes in front and one
-behind, but although not related to the Woodpeckers, it has developed
-stiff and pointed tail feathers. It therefore clings to the bark in an
-upright position, and it commonly begins at the bottom of the tree
-and works steadily upward, often in a spiral.</p>
-
-<p class='c000'>During the winter months, the Brown Creeper probably visits
-every village street and every city park in the Northern States, but
-as it is just the color of the weathered bark and moves close to it, it
-escapes the notice of nearly every one. If one learns to distinguish
-the fine wiry note, and watches the tree from which it proceeds, one
-sees the bird flutter to the base of a neighboring tree and begin
-again its steady ascent. When two birds are together, they sometimes
-indulge in a very pretty flight, and tumble in the air like
-pigeons. As a rule, however, the Creeper is solitary, and, in this
-<span class='pageno' id='Page_32'>32</span>respect, offers a marked contrast to its companions and relatives,
-the sociable Chickadees and Kinglets.</p>
-
-<p class='c000'>The eyes of a Creeper are so near the bark which it is inspecting,
-that it is not strange that it finds food where we should look in
-vain. It has, besides, a very long curved bill which will reach into
-crevices in the bark, and before the end of the winter, it has
-undoubtedly stripped the trees of a large proportion of the dormant
-insects and their eggs, especially as, like the other winter birds, it
-seems to have a very regular beat, visiting the same groups or rows
-of trees every day. Few birds are so strictly arboreal as the
-Creepers. The writer has only once seen one alight on the ground,
-when the bird flew to a little stream to bathe. In the ice storms
-which occasionally clothe every trunk and limb with a glassy covering,
-the Creeper has to confine itself to the leeward side of the trees.
-Occasionally the Creeper, on account of its practice of beginning at
-the bottom of the trunk, flies to a spot on the tree below the band
-of tarred paper, which protects the shade trees from the visits of the
-canker-worm moth. On reaching the band, the bird makes a circuit
-of the trunk, in a vain attempt to find a passage. It is better
-provided, however, than the wingless moths, and when the circuit has
-been made, a short flight carries it over.</p>
-
-<p class='c000'>In April, the Creeper leaves its winter quarters for the North,
-and joins many other species in the great spruce forests of northern
-New England and Canada. Occasionally, on warm mornings before
-its departure, the male indulges in a little song, of the thinnest
-quality imaginable. When the pair reach their northern home, they
-hunt for a crevice under some great flake of loose bark, and there
-construct their nest. The bark of trees, therefore, furnishes the
-Creeper with a cradle at birth and a home for the rest of its life.</p>
-
-<div class='figcenter id005'>
-<img src='images/i_074.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>THE BUTCHER BIRD</p>
-</div>
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_33'>33</span>
- <h2 class='c005'>THE BUTCHER BIRD</h2>
-</div>
-
-<p class='c008'>Every one who observes the habits of birds soon notices with
-astonishment the regularity with which they return each summer to
-the same spots to breed. This is perhaps not so strange in the case
-of breeding birds; they may be so fastidious in their selection of
-food or of a nesting site that only a few places suit them, or the
-spot where they bred one year may appeal to their affection and so
-be selected again. It is no less evident and more remarkable that
-birds that spend only the winter in our neighborhood often have
-as well defined a home as those that spend the summer. Every
-autumn, about the first of November, if one looks carefully at the
-topmost twigs of the small trees that are scattered about the edges
-of some marsh, the eye may finally catch, perched on the very top,
-the figure of a plump gray bird, with black wings and tail, about the
-size of a Robin. Its tail often moves as if the bird were balancing
-itself. A nearer view would show that its bill was stout and slightly
-hooked, like a hawk's. Among song birds, it is our largest regular
-winter visitor, and will remain near the same spot till the end of
-March, when it retires northward to breed. The same trees serve
-year after year as look-out posts; no doubt the bird remembers
-where to find the fattest mice and grasshoppers.</p>
-
-<p class='c000'>The Butcher Bird, or Shrike, is one of the few birds that seem
-to have developed a sense of humor. I have seen it attack and
-drive off birds far larger than itself, apparently out of simple mischief.
-It often indulges in a succession of strange noises, some of
-which resemble the song of the Catbird, but the whole performance
-<span class='pageno' id='Page_34'>34</span>is interspersed with chuckles, squeaks, and harsh sounds, or interrupted
-by a grating cry, so that it can make no pretense to be
-called melodious. It seems sometimes as if the bird were simply
-amusing itself.</p>
-
-<p class='c000'>For a while you will regard the Butcher Bird as a good-natured,
-good-looking fellow; it is not till you find, near its post of observation,
-mice or birds jammed into the crotches of twigs, or discover
-a thornbush decorated with grasshoppers and caterpillars, that you
-recall certain unpleasant reports about its character. When you finally
-see it dash into a flock of sparrows and hear their screech of terror,
-or see it tear out its victim's brains with that hooked bill, you will
-understand its hawk-like habit of sitting where it can survey its whole
-domain. The Hawks clutch their prey in their curved talons, and
-then tear it with their beak. The Shrike's claws are neither curved
-nor powerful, so that it is evident that it wedges its victims into
-forked twigs or impales them on thorns, so that it can then tear off
-portions to devour. But why it so often leaves them uneaten (the
-practice of thus displaying its wares has earned the bird its name)
-has never been satisfactorily explained. Perhaps the bird means to
-return to them in times of scarcity, but they are so often left uneaten
-that it seems probable that it has formed the habit of hunting and
-hanging up its game, often with no thought of eating it.</p>
-
-<p class='c000'>The Butcher Bird has often been persecuted for the destruction
-of smaller birds; it seems far wiser to protect it, not only in order
-to preserve so interesting a bird, but because birds form so small a
-per cent of its food. In the spring and fall, it lives very largely
-on insects, and throughout the winter, mice form a large part of its
-diet. There is always danger of blundering when man interferes in
-the concerns of nature, and if he once exterminates any creature, it
-is beyond his power to re-create it.</p>
-
-<div class='figcenter id013'>
-<img src='images/i_078.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>THE GOLDEN-CROWNED KINGLET AND BROWN CREEPER</p>
-</div>
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_35'>35</span>
- <h2 class='c005'>THE GOLDEN-CROWNED KINGLET</h2>
-</div>
-
-<p class='c008'>The Golden-crowned Kinglet is, next to the Humming-bird,
-almost our smallest bird, and it frequents thick evergreens so continually
-that it is rarely seen. There is little in its voice and habits
-to attract attention, and its activity and restlessness are so constant
-that we rarely catch sight of the bit of color which it possesses,—the
-crown which the little king carries. But if we train our ear
-so that it catches every fine natural sound, no matter how trifling,
-we become aware some crisp winter day of a thin <em>see, see, see</em>, often
-repeated from some hedge, or group of orchard trees. If we watch,
-our eye will catch sight of one or two tiny creatures, flitting restlessly
-among the twigs, keeping their wings in almost constant motion,
-even when not actually flying. The general color of the bird is a
-shade known in the books as olivaceous, but the effect outdoors and
-at a distance is a dark gray; across the wings there are little whitish
-bars, and over the head dark lines enclose the little crown,—yellow
-in the female, orange in the male.</p>
-
-<p class='c000'>If we succeed in attracting the Chickadees to our trees, by tying
-up bones, the Kinglets often come in their company, but their little
-bills are too weak to pick at the frozen gristle, and they merely glean
-from the twigs and buds. The little scale insects, the eggs of moths
-and spiders, all manner of minute objects, are detected by their sharp
-eyes and seized by their skillful little bills and tongues. At night,
-the band retires to some thick evergreen hedge or grove, ready the
-next morning to resume their busy rounds. In April, the male is
-moved to utter a simple little song, and by the end of the month
-<span class='pageno' id='Page_36'>36</span>the whole company move to the spruce forests of the North, not
-to return to us until the next September.</p>
-
-<p class='c000'>In the Northern States, the Golden-crowned Kinglet is the only
-species that remains all winter, but from Virginia southward its
-cousin, the Ruby-crowned Kinglet, is associated with it; in summer,
-strange to say, the more Southern winter species goes farther North
-than the Golden-crowned, breeding from northern Maine to the frigid
-zone. A few years ago, no eggs or nest of either Kinglet had been
-described, but when they were at last discovered, they proved as
-dainty as the little builders themselves. The nest is globular, with
-an entrance in the upper part; it is placed in a thick mass of spruce
-twigs and composed of hanging moss, ornamented with bits of dead
-leaves, and lined chiefly with feathers. In such a nest, as many as
-nine eggs are often laid; imagine the little Golden-crown brooding
-in this bower.</p>
-
-<p class='c000'>Like some of the Warbler family, the Kinglet does not let an
-insect escape, though it should take wing before it could be seized.
-The bird, too, has wings, and darts out after its prey. In winter, it
-often hovers under the piazza roofs, or the lintels of the barn door,
-and while in the air, picks off the eggs or chrysalids that have
-been hidden in the crevices. Occasionally one of the birds, in its
-eagerness to seize some attractive morsel, flies sharply against a
-windowpane. No doubt it is the part of a thrifty householder to
-sweep out the insects from his piazza roof, but there are some, like
-Lowell, wise enough to leave a few decayed limbs on their apple
-trees for the Woodpeckers, a patch or so of weeds for the Snowbirds,
-and a chrysalis or two for the hungry Kinglets in winter.</p>
-
-<div class='figcenter id015'>
-<img src='images/i_082.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>THE HERRING GULL</p>
-</div>
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_37'>37</span>
- <h2 class='c005'>THE HERRING GULL</h2>
-</div>
-
-<p class='c008'>All winter, a traveler along the seashore sees the great gray
-gulls wheeling gracefully through the air with outstretched wings,
-floating lightly on the water, or sitting in long lines or compact
-masses on the bars or flats which are exposed at low tide. The
-harbors of all the northern seacoast cities are visited in winter by
-numbers of these birds, constantly on the watch for any bits of refuse
-which may be thrown from the wharfs or vessels, or brought down
-by the tides or currents. Their long and powerful wings make
-the flight of even so heavy a bird a sight beautiful to watch,
-and the water looks deserted when the motion and color which the
-gulls furnish is absent. But it is not to the eye alone that the
-birds appeal.</p>
-
-<p class='c000'>The ceaseless activity of the gulls in pursuit of floating refuse
-and their inordinate appetite make them invaluable scavengers;
-without them, the refuse dumped into the water would return at
-each tide to pollute the shore. No idea can be formed of the value
-of the service performed by the gulls, till one sees the countless
-throngs which hover over the dumping grounds in the lower New
-York Bay, awaiting the arrival of the scows with the refuse from
-that city. As the buzzards and vultures are protected in all warm
-countries for their services in devouring carrion, so ought these
-scavengers of the northern seas to be guarded from persecution.</p>
-
-<p class='c000'>The adult Herring Gull in full plumage has pure white underparts,
-head and tail, but a gray mantle, as it is termed, is spread over
-the wings. Young birds, however, show many shades of brown, and
-<span class='pageno' id='Page_38'>38</span>attain the white only after a year or two. The small, elegantly built
-birds, known along the seacoast as Mackerel Gulls, are not strictly
-gulls, but terns. They may be known by their forked tails and by
-their black caps. It is they that hover screaming over the water,
-constantly darting down to strike at fish.</p>
-
-<p class='c000'>Gulls breed commonly along the coast of Maine and far northward.
-Great colonies occupy a small area, and a visit to their
-breeding places is a marvelous experience. At the approach of an
-intruder, the parents rise from their nests and circle about overhead,
-uttering hoarse cries, till the air is full of their wheeling forms. The
-downy young squat in the grass or bushes till the danger is past.</p>
-
-<p class='c000'>Both gulls and terns have long been persecuted for their soft
-white and gray plumage, which is coveted for the adornment of
-women's hats. As the destruction of the birds on the islands where
-they are breeding would soon destroy the whole race, efforts are
-being made by the lovers of birds to protect the birds on all the
-sandy points or rocky islands where they rear their young.</p>
-
-<p class='c000'>Gulls have wonderful powers of flight, and some species often
-follow ocean steamers for days, flying constantly about the vessel's
-stern, watching for bits of food which may be thrown overboard.
-When an object is spied the whole flock dart upon it, and it soon
-disappears among the crowd of struggling birds.</p>
-
-<p class='c000'>In the Eastern States gulls are always associated with the sea,
-but in the Mississippi valley certain species are found on the prairies,
-where they follow the plough to seize the upturned insects.</p>
-
-<div class='figcenter id016'>
-<img src='images/i_086.jpg' alt='' class='ig001' />
-<div class='ic001'>
-<p>THE CHICKADEE</p>
-</div>
-</div>
-
-<div class='chapter'>
- <span class='pageno' id='Page_39'>39</span>
- <h2 class='c005'>THE CHICKADEE</h2>
-</div>
-
-<p class='c008'>Throughout the winter, bands of small birds visit the orchards
-and ornamental trees of every village and farm, gleaning dormant
-insects and their eggs from the twigs and boughs. The best known
-member and the leader, apparently, of the company is the Chickadee.
-There are generally about half a dozen of these birds together, possibly
-the parents and young of the preceding summer. The whole
-company are rarely in sight at any one time; some are in one tree,
-some are flying to the next, one perhaps is on the ground. There
-is a constant interchange of lisping call-notes, which break into
-excited gurgles, and the familiar <em>tee, dee, dee, dee</em>, when something
-excites their alarm or curiosity. It is not hard to disturb their
-composure; they come more easily than almost any other bird to
-the squeaking sound that bird students make to attract the attention
-of birds. One fluffy head after another pitches into the tree nearest
-the performer; then, by short stages, the boldest comes nearer to
-the strange sight and sound, often within arm's length. When their
-curiosity is appeased, they return to their examination of the twigs
-and branches, or, if startled by a sudden movement, they dive into
-the nearest cover.</p>
-
-<p class='c000'>Their positions when feeding on slender twigs are extremely
-graceful, and their agility surprising. When gathering sunflower
-seeds, of which they are extremely fond, they cling to the under
-surface of the drooping head and pick till they loosen the seed.
-Then they fly with it to a branch and hammer it open. A favorite
-winter food is the berry of the poison ivy. By tying a bone or
-<span class='pageno' id='Page_40'>40</span>a piece of suet to the branches of trees near the house, not only
-Chickadees but other birds as well will be attracted to the spot, and
-will become regular winter visitors. They are by no means confined,
-however, to villages and farms. Often as we push through the deep
-snows of the winter forests, the only sound will be the distant lisp
-of this hardy bird.</p>
-
-<p class='c000'>Besides the notes heard so commonly in winter, the Chickadee
-has a pensive and extremely gentle whistle, which it utters while
-sitting motionless, and oftener in spring than at other seasons,
-though it may be heard in every month of the year. It consists
-of two notes, an exact interval apart, and each accented. It is often
-mistaken, especially in early spring, for the song of the Phœbe, but
-it may be distinguished by its purity and sweetness. It is easily
-imitated by whistling, and the bird will often answer, or even fly
-toward the person whistling, and survey him with astonishment.</p>
-
-<p class='c000'>It is generally believed by people who see the bird only in
-winter that the Chickadees retire northward in spring; it is true
-that they then no longer frequent the yards and gardens, but in
-the woods and retired orchards many a pair have excavated some
-decaying birch or apple stump, and after lining it warmly with
-moss and feathers, provided amply for the continuance of their race;
-sometimes as many as nine eggs are laid. In winter, the birds
-spend the night in holes, not necessarily the same in which they
-were bred.</p>
-
-<p class='c000'>Several writers have mentioned instances of the extreme boldness
-of this bird; Mr. Chapman has had a Chickadee perch on his
-hand. One can easily imagine it, but we do not need such a mark
-of confidence to feel strong affection for this companionable and
-winter-loving bird.</p>
-
-<div class='tnotes'>
-
-<div class='chapter'>
- <h2 class='c005'>TRANSCRIBER'S NOTES</h2>
-</div>
- <ol class='ol_1 c003'>
- <li>Silently corrected simple spelling, grammar, and typographical errors.
-
- </li>
- <li>Retained anachronistic and non-standard spellings as printed.
- </li>
- </ol>
-
-</div>
-
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of Bird Portraits, by Ernest Seton-Thompson
-
-*** END OF THIS PROJECT GUTENBERG EBOOK BIRD PORTRAITS ***
-
-***** This file should be named 52600-h.htm or 52600-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/2/6/0/52600/
-
-Produced by Richard Tonsing and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by The
-Internet Archive)
-
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org Section 3. Information about the Project Gutenberg
-Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
-
- </body>
- <!-- created with ppgen.py 3.56b on 2016-07-18 04:53:24 GMT -->
-</html>
diff --git a/old/52600-h/images/cover.jpg b/old/52600-h/images/cover.jpg
deleted file mode 100644
index a9faa96..0000000
--- a/old/52600-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_004.jpg b/old/52600-h/images/i_004.jpg
deleted file mode 100644
index 9968f49..0000000
--- a/old/52600-h/images/i_004.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_014.jpg b/old/52600-h/images/i_014.jpg
deleted file mode 100644
index 701285b..0000000
--- a/old/52600-h/images/i_014.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_018.jpg b/old/52600-h/images/i_018.jpg
deleted file mode 100644
index a5fafe6..0000000
--- a/old/52600-h/images/i_018.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_022.jpg b/old/52600-h/images/i_022.jpg
deleted file mode 100644
index 407b30a..0000000
--- a/old/52600-h/images/i_022.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_026.jpg b/old/52600-h/images/i_026.jpg
deleted file mode 100644
index 3d50b2a..0000000
--- a/old/52600-h/images/i_026.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_030.jpg b/old/52600-h/images/i_030.jpg
deleted file mode 100644
index 8d316c4..0000000
--- a/old/52600-h/images/i_030.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_034.jpg b/old/52600-h/images/i_034.jpg
deleted file mode 100644
index d356f37..0000000
--- a/old/52600-h/images/i_034.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_038.jpg b/old/52600-h/images/i_038.jpg
deleted file mode 100644
index 1915c35..0000000
--- a/old/52600-h/images/i_038.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_042.jpg b/old/52600-h/images/i_042.jpg
deleted file mode 100644
index fd44825..0000000
--- a/old/52600-h/images/i_042.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_046.jpg b/old/52600-h/images/i_046.jpg
deleted file mode 100644
index 958ff11..0000000
--- a/old/52600-h/images/i_046.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_050.jpg b/old/52600-h/images/i_050.jpg
deleted file mode 100644
index 2a155fa..0000000
--- a/old/52600-h/images/i_050.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_054.jpg b/old/52600-h/images/i_054.jpg
deleted file mode 100644
index ac4939d..0000000
--- a/old/52600-h/images/i_054.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_058.jpg b/old/52600-h/images/i_058.jpg
deleted file mode 100644
index d4c8249..0000000
--- a/old/52600-h/images/i_058.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_062.jpg b/old/52600-h/images/i_062.jpg
deleted file mode 100644
index be12065..0000000
--- a/old/52600-h/images/i_062.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_066.jpg b/old/52600-h/images/i_066.jpg
deleted file mode 100644
index 0aa3e41..0000000
--- a/old/52600-h/images/i_066.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_070.jpg b/old/52600-h/images/i_070.jpg
deleted file mode 100644
index 6b2552e..0000000
--- a/old/52600-h/images/i_070.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_074.jpg b/old/52600-h/images/i_074.jpg
deleted file mode 100644
index 4666dd2..0000000
--- a/old/52600-h/images/i_074.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_078.jpg b/old/52600-h/images/i_078.jpg
deleted file mode 100644
index 8b2bf88..0000000
--- a/old/52600-h/images/i_078.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_082.jpg b/old/52600-h/images/i_082.jpg
deleted file mode 100644
index 2bd0862..0000000
--- a/old/52600-h/images/i_082.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52600-h/images/i_086.jpg b/old/52600-h/images/i_086.jpg
deleted file mode 100644
index 7c3bbc8..0000000
--- a/old/52600-h/images/i_086.jpg
+++ /dev/null
Binary files differ