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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/5260-0.txt b/5260-0.txt new file mode 100644 index 0000000..3d06dd6 --- /dev/null +++ b/5260-0.txt @@ -0,0 +1,9223 @@ +The Project Gutenberg eBook, A Duet, by Arthur Conan Doyle + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: A Duet + with an Occasional Chorus + + +Author: Arthur Conan Doyle + + + +Release Date: July 5, 2014 [eBook #5260] +[This file was first posted on June 18, 2002] + +Language: English + +Character set encoding: UTF-8 + + +***START OF THE PROJECT GUTENBERG EBOOK A DUET*** + + +Transcribed from the 1899 Grant Richards edition by David Price, email +ccx074@pglaf.org + + [Picture: Book cover] + + + + + + A DUET + WITH AN OCCASIONAL CHORUS + + + BY + + A. CONAN DOYLE + + [Picture: Decorative graphic] + + * * * * * + + LONDON + + GRANT RICHARDS + + 9 HENRIETTA STREET + + 1899 + + * * * * * + + Edinburgh: T. and A CONSTABLE, Printers to Her Majesty + + * * * * * + + TO + MRS. MAUDE CROSSE + +DEAR MAUDE,—All the little two-oared boats which put out into the great +ocean have need of some chart which will show them how to lay their +course. Each starts full of happiness and confidence, and yet we know +how many founder, for it is no easy voyage, and there are rocks and +sandbanks upon the way. So I give a few pages of your own private log, +which tell of days of peace, and days of storm—such storms as seem very +petty from the deck of a high ship, but are serious for the two-oared +boats. If your peace should help another to peace, or your storm console +another who is storm-tossed, then I know that you will feel repaid for +this intrusion upon your privacy. May all your voyage be like the +outset, and when at last the oars fall from your hands, and those of +Frank, may other loving ones be ready to take their turn of toil—and so, +_bon voyage_! + + Ever your friend, + + THE AUTHOR. + +_Jan._ 20, 1899. + + + + +CONTENTS + + PAGE +THE OVERTURE 1 +THE OVERTURE CONTINUED 9 +THE OVERTURE CONCLUDED 24 +THE TWO SOLOS 34 +IN BRITAIN’S VALHALLA 48 +TWO SOLOS AND A DUET 71 +KEEPING UP APPEARANCES 88 +THE HOME-COMING 100 +LAYING A COURSE 112 +CONFESSIONS 128 +CONCERNING MRS. BEETON 146 +MR. SAMUEL PEPYS 158 +A VISIT TO MR. SAMUEL PEPYS 170 +TROUBLE 185 +A RESCUE 204 +THE BROWNING SOCIETY 218 +AN INVESTMENT 236 +A THUNDERCLOUD 251 +DANGER 269 +NO. 5 CHEYNE ROW 290 +THE LAST NOTE OF THE DUET 311 +THE TRIO 326 + + + + +THE OVERTURE +I +ABOUT THAT DATE + + +THESE are the beginnings of some of the letters which they wrote about +that time. + + _Woking_, _May_ 20_th_. + +MY DEAREST MAUDE,—You know that your mother suggested, and we agreed, +that we should be married about the beginning of September. Don’t you +think that we might say the 3rd of August? It is a Wednesday, and in +every sense suitable. Do try to change the date, for it would in many +ways be preferable to the other. I shall be eager to hear from you about +it. And now, dearest Maude . . . (The rest is irrelevant.) + + _St. Albans_, _May_ 22_nd_. + +My Dearest Frank,—Mother sees no objection to the 3rd of August, and I am +ready to do anything which will please you and her. Of course there are +the guests to be considered, and the dressmakers and other arrangements, +but I have no doubt that we shall be able to change the date all right. +O Frank . . . (What follows is beside the point.) + + _Woking_, _May_ 25_th_. + +MY DEAREST MAUDE,—I have been thinking over that change of date, and I +see one objection which had not occurred to me when I suggested it. +August the 1st is Bank holiday, and travelling is not very pleasant about +that time. My idea now is that we should bring it off before that date. +Fancy, for example, how unpleasant it would be for your Uncle Joseph if +he had to travel all the way from Edinburgh with a Bank-holiday crowd. +It would be selfish of us if we did not fit in our plans so as to save +our relatives from inconvenience. I think therefore, taking everything +into consideration, that the 20th of July, a Wednesday, would be the very +best day that we could select. I do hope that you will strain every +nerve, my darling, to get your mother to consent to this change. When I +think . . . (A digression follows.) + + _St. Albans_, _May_ 27_th_. + +MY DEAREST FRANK,—I think that what you say about the date is very +reasonable, and it is so sweet and unselfish of you to think about Uncle +Joseph. Of course it would be very unpleasant for him to have to travel +at such a time, and we must strain every nerve to prevent it. There is +only one serious objection which my mother can see. Uncle Percival (that +is my mother’s second brother) comes back from Rangoon about the end of +July, and will miss the wedding (O Frank, think of its being _our_ +wedding!) unless we delay it. He has always been very fond of me, and he +might be hurt if we were married so immediately before his arrival. +Don’t you think it would be as well to wait? Mother leaves it all in +your hands, and we shall do exactly as you advise. O Frank . . . (The +rest is confidential.) + + _Woking_, _May_ 29_th_. + +MY OWN DEAREST,—I think that it would be unreasonable upon the part of +your Uncle Percival to think that we ought to have changed the date of a +matter so important to ourselves, simply in order that he should be +present. I am sure that on second thoughts your mother and yourself will +see the thing in this light. I must say, however, that in one point I +think you both show great judgment. It would certainly be invidious to +be married _immediately_ before his arrival. I really think that he +would have some cause for complaint if we did that. To prevent any +chance of hurting his feelings, I think that it would be far best, if +your mother and you agree with me, that we should be married upon July +7th. I see that it is a Thursday, and in every way suitable. When I +read your last letter . . . (The remainder is unimportant.) + + _St. Albans_, _June_ 1_st_. + +DEAREST FRANK,—I am sure that you are right in thinking that it would be +as well not to have the ceremony too near the date of Uncle Percival’s +arrival in England. We should be so sorry to hurt his feelings in any +way. Mother has been down to Madame Mortimer’s about the dresses, and +she thinks that everything could be hurried up so as to be ready by July +7th. She is so obliging, and her skirts _do_ hang so beautifully. O +Frank, it is only a few weeks’ time, and then . . . + + _Woking_, _June_ 3_rd_. + +MY OWN DARLING MAUDE,—How good you are—and your mother also—in falling in +with my suggestions! Please, please don’t bother your dear self about +dresses. You only want the one travelling-dress to be married in, and +the rest we can pick up as we go. I am sure that white dress with the +black stripe—the one you were playing tennis with at the +Arlingtons’—would do splendidly. You looked simply splendid that day. I +am inclined to think that it is my favourite of all your dresses, with +the exception of the dark one with the light-green front. That shows off +your figure so splendidly. I am very fond also of the grey Quaker-like +alpaca dress. What a little dove you do look in it! I think those +dresses, and of course your satin evening-dress, are my favourites. On +second thoughts, they are the only dresses I have ever seen you in. But +I like the grey best, because you wore it the first time I ever—you +remember! You must _never_ get rid of those dresses. They are too full +of associations. I want to see you in them for years, and years, and +years. + +What I wanted to say was that you have so many charming dresses, that we +may consider ourselves independent of Madame Mortimer. If her things +should be late, they will come in very usefully afterwards. I don’t want +to be selfish or inconsiderate, my own dearest girlie, but it would be +rather too much if we allowed my tailor or your dressmaker to be +obstacles to our union. I just want you—your dainty little self—if you +had only your ‘wee coatie,’ as Burns says. Now look here! I want you to +bring your influence to bear upon your mother, and so make a small change +in our plans. The earlier we can have our honeymoon, the more pleasant +the hotels will be. I do want your first experiences with me to be +without a shadow of discomfort. In July half the world starts for its +holiday. If we could get away at the end of this mouth, we should just +be ahead of them. This month, this very month! Oh, do try to manage +this, my own dearest girl. The 30th of June is a Tuesday, and in every +way suitable. They could spare me from the office most excellently. +This would just give us time to have the banns three times, beginning +with next Sunday. I leave it in your hands, dear. Do try to work it. + + _St. Albans_, _June_ 4_th_. + +MY DEAREST FRANK,—We nearly called in the doctor after your dear old +preposterous letter. My mother gasped upon the sofa while I read her +some extracts. That I, the daughter of the house, should be married in +my old black and white tennis-dress, which I wore at the Arlingtons’ to +save my nice one! Oh, you are simply splendid sometimes! And the +learned way in which you alluded to my alpaca. As a matter of fact, it’s +a merino, but that doesn’t matter. Fancy your remembering my wardrobe +like that! And wanting me to wear them all for years! So I shall, dear, +secretly, when we are quite quite alone. But they are all out of date +already, and if in a year or so you saw your poor dowdy wife with tight +sleeves among a roomful of puff-shouldered young ladies, you would not be +consoled even by the memory that it was in that dress that you first . . . +you know! + +As a matter of fact, I _must_ have my dress to be married in. I don’t +think mother would regard it as a legal marriage if I hadn’t, and if you +knew how nice it will be, you would not have the heart to interfere with +it. Try to picture it, silver-grey—I know how fond you are of greys—a +little white chiffon at neck and wrists, and the prettiest pearl +trimming. Then the hat _en suite_, pale-grey lisse, white feather and +brilliant buckle. All these details are wasted upon you, sir, but you +will like it when you see it. It fulfils your ideal of tasteful +simplicity, which men always imagine to be an economical method of +dressing, until they have wives and milliners’ bills of their own. + +And now I have kept the biggest news to the last. Mother has been to +Madame, and she says that if she works all night, she will have +everything ready for the 30th. O Frank, does it not seem incredible! +Next Tuesday three weeks. And the banns! Oh my goodness, I am +frightened when I think about it! Dear old boy, you won’t tire of me, +will you? Whatever should I do if I thought you had tired of me! And +the worst of it is, that you don’t know me a bit. I have a hundred +thousand faults, and you are blinded by your love and cannot see them. +But then some day the scales will fall from your eyes, and you will +perceive the whole hundred thousand at once. Oh, what a reaction there +will be! You will see me as I am, frivolous, wilful, idle, petulant, and +altogether horrid. But I do love you, Frank, with all my heart, and +soul, and mind, and strength, and you’ll count that on the other side, +won’t you? Now I am so glad I have said all this, because it is best +that you should know what you should expect. It will be nice for you to +look back and to say, ‘She gave me fair warning, and she is no worse than +she said.’ O Frank, think of the 30th. + +_P.S._—I forgot to say that I had a grey silk cape, lined with cream, to +go with the dress. It is just sweet! + + * * * * * + +So that is how they arranged about the date. + + + + +THE OVERTURE CONTINUED +II +IN A MINOR KEY + + + _Woking_, _June_ 7_th_. + +MY OWN DEAREST MAUDE,—How I wish you were here, for I have been down, +down, down, in the deepest state of despondency all day. I have longed +to hear the sound of your voice, or to feel the touch of your hand! How +can I be despondent, when in three weeks I shall be the husband of the +dearest girl in England? That is what I ask myself, and then the answer +comes that it is just exactly on that account that my wretched conscience +is gnawing at me. I feel that I have not used you well; I owe you +reparation, and I don’t know what to do. + +In your last dear letter you talk about being frivolous. _You_ have +never been frivolous. But I have been frivolous—for ever since I have +learned to love you, I have been so wrapped up in my love, with my +happiness gilding everything about me, that I have never really faced the +prosaic facts of life or discussed with you what our marriage will really +necessitate. And now, at this eleventh hour, I realise that I have led +you on in ignorance to an act which will perhaps take a great deal of the +sunshine out of your life. What have I to offer you in exchange for the +sacrifice which you will make for me? Myself, my love, and all that I +have—but how little it all amounts to! You are a girl in a thousand, in +ten thousand—bright, beautiful, sweet, the dearest lady in all the land. +And I an average man—or perhaps hardly that—with little to boast of in +the past, and vague ambitions for the future. It is a poor bargain for +you, a most miserable bargain. You have still time. Count the cost, and +if it be too great, then draw back even now without fear of one word or +inmost thought of reproach from me. Your whole life is at stake. How +can I hold you to a decision which was taken before you realised what it +meant? Now I shall place the facts before you, and then, come what may, +my conscience will be at rest, and I shall be sure that you are acting +with your eyes open. + +You have to compare your life as it is, and as it will be. Your father +is rich, or at least comfortably off, and you have been accustomed all +your life to have whatever you desired. From what I know of your +mother’s kindness, I should imagine that no wish of yours has ever +remained ungratified. You have lived well, dressed well, a sweet home, a +lovely garden, your collie, your canary, your maid. Above all, you have +never had anxiety, never had to worry about the morrow. I can see all +your past life so well. In the mornings, your music, your singing, your +gardening, your reading. In the afternoons, your social duties, the +visit and the visitor. In the evening, tennis, a walk, music again, your +father’s return from the City, the happy family-circle, with occasionally +the dinner, the dance, and the theatre. And so smoothly on, month after +month, and year after year, your own sweet, kindly, joyous nature, and +your bright face, making every one round you happy, and so reacting upon +your own happiness. Why should you bother about money? That was your +father’s business. Why should you trouble about housekeeping? That was +your mother’s duty. You lived like the birds and the flowers, and had no +need to take heed for the future. Everything which life could offer was +yours. + +And now you must turn to what is in store for you, if you are still +content to face the future with me. Position I have none to offer. What +is the exact position of the wife of the assistant-accountant of the +Co-operative Insurance Office? It is indefinable. What are my +prospects? I may become head-accountant. If Dinton died—and I hope he +won’t, for he is an excellent fellow—I should probably get his berth. +Beyond that I have no career. I have some aspirations after literature—a +few critical articles in the monthlies—but I don’t suppose they will ever +lead to anything of consequence. + +And my income, £400 a year with a commission on business I introduce. +But that amounts to hardly anything. You have £50. Our total, then, is +certainly under £500. Have you considered what it will mean to leave +that charming house at St. Albans—the breakfast-room, the billiard-room, +the lawn—and to live in the little £50 a year house at Woking, with its +two sitting-rooms and pokey garden? Have I a right to ask you to do such +a thing? And then the housekeeping, the planning, the arranging, the +curtailing, the keeping up appearances upon a limited income. I have +made myself miserable, because I feel that you are marrying me without a +suspicion of the long weary uphill struggle which lies before you. O +Maude, my darling Maude, I feel that you sacrifice too much for me! If I +were a man I should say to you, ‘Forget me—forget it all! Let our +relations be a closed chapter in your life. You can do better. I and my +cares come like a great cloud-bank to keep the sunshine from your young +life. You who are so tender and dainty! How can I bear to see you +exposed to the drudgery and sordid everlasting cares of such a household! +I think of your graces, your pretty little ways, the elegancies of your +life, and how charmingly you carry them off. You are born and bred for +just such an atmosphere as the one which you breathe. And I take +advantage of my good-fortune in winning your love to drag you down, to +take the beauty and charm from your life, to fill it with small and +vulgar cares, never-ending and soul-killing. Selfish beast that I am, +why should I allow you to come down into the stress and worry of life, +when I found you so high above it? And what can I offer you in +exchange?’ These are the thoughts which come back and back all day, and +leave me in the blackest fit of despondency. I confessed to you that I +had dark humours, but never one so hopeless as this. I do not wish my +worst enemy to be as unhappy as I have been to-day. + +Write to me, my own darling Maude, and tell me all you think, your very +inmost soul, in this matter. Am I right? Have I asked too much of you? +Does the change frighten you? You will have this in the morning, and I +should have my answer by the evening post. I shall meet the postman. +How hard I shall try not to snatch the letter from him, or to give myself +away. Wilson has been in worrying me with foolish talk, while my +thoughts were all of our affairs. He worked me up into a perfectly +homicidal frame of mind, but I hope that I kept on smiling and was not +discourteous to him. I wonder which is right, to be polite but +hypocritical, or to be inhospitable but honest. + +Good-bye, my own dearest sweetheart—all the dearer when I feel that I may +lose you.—Ever your devoted + + FRANK. + + _St. Albans_, _June_ 8_th_. + +Frank, tell me for Heaven’s sake what your letter means! You use words +of love, and yet you talk of parting. You speak as if our love were a +thing which we might change or suppress. O Frank, you cannot take my +love away from me. You don’t know what you are to me, my heart, my life, +my all. I would give my life for you willingly, gladly—every beat of my +heart is for you. You don’t know what you have become to me. My every +thought is yours, and has been ever since that night at the Arlingtons’. +My love is so deep and strong, it rules my whole life, my every action +from morning to night. It is the very breath and heart of my +life—unchangeable. I could not alter my love any more than I could stop +my heart from beating. How could you, could you suggest such a thing! I +know that you really love me just as much as I love you, or I should not +open my heart like this. I should be too proud to give myself away. But +I feel that pride is out of place when any mistake or misunderstanding +may mean lifelong misery to both of us. I would only say good-bye if I +thought your love had changed or grown less. But I know that it has not. +O my darling, if you only knew what terrible agony the very thought of +parting is, you would never have let such an idea even for an instant, on +any pretext, enter your mind. The very possibility is too awful to think +of. When I read your letter just now up in my room, I nearly fainted. I +can’t write. O Frank, don’t take my love away from me. I can’t bear it. +Oh no, it is my everything. If I could only see you now, I know that you +would kiss these heart-burning tears away. I feel so lonely and tired. +I cannot follow all your letter. I only know that you talked of parting, +and that I am weary and miserable. + + MAUDE. + + (COPY OF TELEGRAM) + + _From Frank Crosse_, to _Miss Maude Selby_, + + _The Laurels_, _St. Albans_ + + Coming up eight-fifteen, arrive midnight. + + _June_ 10_th_. + +How good of you, dear old boy, to come racing across two counties at a +minute’s notice, simply in order to console me and clear away my +misunderstandings. Of course it was most ridiculous of me to take your +letter so much to heart, but when I read any suggestion about our +parting, it upset me so dreadfully, that I was really incapable of +reasoning about anything else. Just that one word PART seemed to be +written in letters of fire right across the page, to the exclusion of +everything else. So then I wrote an absurd letter to my boy, and the +dear came scampering right across the South of England, and arrived at +midnight in the most demoralised state. It was just sweet of you to +come, dear, and I shall never forget it. + +I am so sorry that I have been so foolish, but you must confess, sir, +that you have been just a little bit foolish also. The idea of supposing +that when I love a man my love can be affected by the size of his house +or the amount of his income. It makes me smile to think of it. Do you +suppose a woman’s happiness is affected by whether she has a +breakfast-room, or a billiard-board, or a collie dog, or any of the other +luxuries which you enumerated? But these things are all the merest +trimmings of life. They are not the essentials. _You_ and your love are +the essentials. Some one who will love me with all his heart. Some one +whom I can love with all my heart. Oh the difference it makes in life! +How it changes everything! It glorifies and beautifies everything. I +always felt that I was capable of a great love—and now I have it. + +Fancy your imagining that you had come into my life in order to darken +it. Why, you _are_ my life. If you went out of it, what would be left? +You talk about my happiness before I met you—but oh, how empty it all +was! I read, and played, and sang as you say, but what a void there was! +I did it to please mother, but there really seemed no very clear reason +why I should continue to do it. Then you came, and everything was +changed. I read because you are fond of reading and because I wanted to +talk about books with you. I played because you are fond of music. I +sang in the hope that it might please you. Whatever I did, you were +always in my mind. I tried and tried to become a better and nobler +woman, because I wanted to be worthy of the love you bore me. I have +changed, and developed, and improved more in the last three months than +in all my life before. And then you come and tell me that you have +darkened my life. You know better now. My life has become full and +rich, for Love fills my life. It is the keynote of my nature, the +foundation, the motive power. It inspires me to make the most of any +gift or talent that I have. How could I tell you all this if I did not +know that your own feeling was as deep. I could not have given the one, +great, and only love of my life in exchange for a half-hearted affection +from you. But you will never again make the mistake of supposing that +any material consideration can affect our love. + +And now we won’t be serious any longer. Dear mother was very much +astounded by your tumultuous midnight arrival, and equally precipitate +departure next morning. Dear old boy, it was so nice of you! But you +won’t ever have horrid black humours and think miserable things any more, +will you? But if you must have dark days, now is your time, for I can’t +possibly permit any after the 30th.—Ever your own + + MAUDE. + + _Woking_, _June_ 11_th_. + +MY OWN DEAREST GIRLIE,—How perfectly sweet you are! I read and re-read +your letter, and I understand more and more how infinitely your nature is +above mine. And your conception of love—how lofty and unselfish it is! +How could I lower it by thinking that any worldly thing could be weighed +for an instant against it! And yet it was just my jealous love for you, +and my keenness that you should never be the worse through me, which led +me to write in that way, so I will not blame myself too much. I am +really glad that the cloud came, for the sunshine is so much brighter +afterwards. And I seem to know you so much better, and to see so much +more deeply into your nature. I knew that my own passion for you was the +very essence of my soul—oh, how hard it is to put the extreme of emotion +into the terms of human speech!—but I did not dare to hope that your +feelings were as deep. I hardly ventured to tell even you how I really +felt. Somehow, in these days of lawn-tennis and afternoon tea, a strong +strong passion, such a passion as one reads of in books and poems, seems +out of place. I thought that it would surprise, even frighten you, +perhaps, if I were to tell you all that I felt. And now you have written +me two letters, which contain all that I should have said if I had spoken +from my heart. It is all my own inmost thought, and there is not a +feeling that I do not share. O Maude, I may write lightly and speak +lightly, perhaps, sometimes, but there never was a woman, never, never in +all the story of the world, who was loved more passionately than you are +loved by me. Come what may, while the world lasts and the breath of life +is between my lips, you are the one woman to me. If we are together, I +care nothing for what the future may bring. If we are not together, all +the world cannot fill the void. + +You say that I have given an impulse to your life: that you read more, +study more, take a keener interest in everything. You could not possibly +have said a thing which could have given me more pleasure than that. It +is splendid! It justifies me in aspiring to you. It satisfies my +conscience over everything which I have done. It must be right if that +is the effect. I have felt so happy and light-hearted ever since you +said it. It is rather absurd to think that _I_ should improve you, but +if you in your sweet frankness say that it is so, why, I can only marvel +and rejoice. + +But you must not study and work too hard. You say that you do it to +please me, but that would not please me. I’ll tell you an anecdote as a +dreadful example. I had a friend who was a great lover of Eastern +literature, Sanskrit, and so on. He loved a lady. The lady to please +him worked hard at these subjects also. In a month she had shattered her +nervous system, and will perhaps never be the same again. It was +impossible. She was not meant for it, and yet she made herself a martyr +over it. I don’t mean by this parable that it will be a strain upon your +intellect to keep up with mine. But I do mean that a woman’s mind is +_different_ from a man’s. A dainty rapier is a finer thing than a +hatchet, but it is not adapted for cutting down trees all the same. + +Rupton Hale, the architect, one of the few friends I have down here, has +some most deplorable views about women. I played a round of the Byfleet +Golf Links with him upon Wednesday afternoon, and we discussed the +question of women’s intellects. He would have it that they have never a +light of their own, but are always the reflectors of some other light +which you cannot see. He would allow that they were extraordinarily +quick in assimilating another person’s views, but that was all. I quoted +some very shrewd remarks which a lady had made to me at dinner. ‘Those +are the traces of the last man,’ said he. According to his preposterous +theory, you could in conversation with a woman reconstruct the last man +who had made an impression to her. ‘She will reflect you upon the next +person she talks to,’ said he. It was ungallant, but it was ingenious. + +Dearest sweetheart, before I stop, let me tell you that if I have brought +any happiness into your life, you have brought far, far more into mine. +My soul seemed to come into full being upon the day when I loved you. It +was so small, and cramped, and selfish, before—and life was so hard, and +stupid, and purposeless. To live, to sleep, to eat, for some years, and +then to die—it was so trivial and so material. But now the narrow walls +seem in an instant to have fallen, and a boundless horizon stretches +around me. And everything appears beautiful. London Bridge, King +William Street, Abchurch Lane, the narrow stair, the office with the +almanacs and the shining desks, it has all become glorified, tinged with +a golden haze. I am stronger: I step out briskly and breathe more +deeply. And I am a better man too. God knows there was room for it. +But I do try to make an ideal, and to live up to it. I feel such a fraud +when I think of being put upon a pedestal by you, when some little hole +where I am out of sight is my true place. I am like the man in Browning +who mourned over the spots upon his ‘speckled hide,’ but rejoiced in the +swansdown of his lady. And so, my own dear sweet little swansdown lady, +good-night to you, with my heart’s love now and for ever from your true +lover, + + FRANK. + +Saturday! Saturday! Saturday! oh, how I am longing for Saturday, when I +shall see you again! We will go on Sunday and hear the banns together. + + + + +THE OVERTURE CONCLUDED + + + _St. Albans_, _June_ 14_th_. + +MY DEAREST FRANK,—What a dreadful thing it is to have your name shouted +out in public! And what a voice the man had! He simply bellowed ‘Maude +Selby of this parish’ as if he meant all this parish to know about it. +And then he let you off so easily. I suppose he thought that there was +no local interest in Frank Crosse of Woking. But when he looked round +expectantly, after asking whether there was any known cause or just +impediment why we should not be joined together, it gave me quite a +thrill. I felt as if some one would jump up like a Jack-in-the-box and +make a scene in the church. How relieved I was when he changed the +subject! I sank my face in my hands, but I know that I was blushing all +down my neck. Then I looked at you between my fingers, and there you +were sitting quite cool and cheerful, as if you rather liked it. I think +that we shall go to evening-service next week. Papa has given up going +altogether since the new organist came. He says he cannot face the +music. + +What a sweet time we had together. I shall never, never forget it! O +Frank, how good you are to me! And how I hope you won’t regret what you +are doing. It is all very well just now, when I am young and you think +that I am pretty. I love that you should think so, but I am compelled to +tell you that it is not really so. I can’t imagine how you came to think +it! I suppose it was from seeing me so often beside papa. If you saw me +near Nelly Sheridan, or any other _really_ pretty girl, you would at once +see the difference. It just happens that you like grey eyes and brown +hair, and the other things, but that does not mean that I am really +pretty. I should be so sorry if there were any misunderstanding about +this, and you only found out when too late. You ought to keep this +letter for reference, as papa always says, and then it will be +interesting to you afterwards. + +I should like you to see me now—or rather I wouldn’t have you see me for +the world. I am so flushed and untidy, for I have been cooking. Is it +not absurd, if you come to think of it, that we girls should be taught +the irregular French verbs, and the geography of China, and never to cook +the simplest thing? It really does seem ridiculous. + +But it is never too late to mend, so I went into the kitchen this morning +and made a tart. You can’t imagine what a lot of things one needs even +for such a simple thing as that. I thought cook was joking when she put +them all down in front of me. It was like a conjurer giving his +performance. There was an empty bowl, and a bowl full of sliced apples, +and a big board, and a rolling-pin, and eggs, and butter, and sugar, and +cloves, and of course flour. We broke eggs and put them into a bowl—you +can’t think what a mess an egg makes when it misses the bowl. Then we +stirred them up with flour and butter and things. I stirred until I was +perfectly exhausted. No wonder a cook has usually a great thick arm. +Then when it had formed a paste, we rolled it out, and put the apples in +the dish, and roofed it in, and trimmed the edges, and stuck flat leaves +made of paste all over it, and the dearest little crown in the middle. +Then we put it into the oven until it was brown. It looked a very nice +tart, and mamma said that I had made it very solidly. It certainly did +feel very heavy for its size. Mamma would not taste it, because she said +that she thought Dr. Tristram would not approve of her doing so, but I +had a piece, and really it was not so bad. Mamma said the servants might +have it at dinner, but the servants said that the poor window-cleaner had +a large family, and so we gave it to him. It is so sweet to feel that +one is of any use to any one. + +What do you think happened this morning? Two wedding-presents arrived. +The first was a very nice fish slice and fork in a case. It was from +dear old Mrs. Jones Beyrick, on whom we really had no claim whatever. We +all think it so kind of her, and such a nice fish-slice. The other was a +beautiful travelling-bag from Uncle Arthur. Stamped in gold upon it were +the letters M.C., I said, ‘Oh, what a pity! They have put the wrong +initials.’ That made mamma laugh. I suppose one soon gets used to it. +Fancy how you would feel if it were the other way about, and you changed +your name to mine. They might call you Selby, but you would continue to +feel Crosse. I didn’t mean that for a joke, but women make jokes without +intending it. The other day the curate drove up in his donkey-cart, and +mother said, ‘Oh, what a nice tandem!’ I think that she meant to say +‘turn-out’; but papa said it was the neatest thing he had heard for a +long time, so mamma is very pleased, but I am sure that she does not know +even now why it should be so funny. + +What stupid letters I write! Doesn’t it frighten you when you read them +and think that is the person with whom I have to spend my life. Yet you +never seem alarmed about it. I think it is so _brave_ of you. That +reminds me that I never finished what I wanted to say at the beginning of +this letter. Even supposing that I am pretty (and my complexion +sometimes is simply awful), you must bear in mind how quickly the years +slip by, and how soon a woman alters. Why, we shall hardly be married +before you will find me full of wrinkles, and without a tooth in my head. +Poor boy, how dreadful for you! Men seem to change so little and so +slowly. Besides, it does not matter for them, for nobody marries a man +because he is pretty. But you must marry me, Frank, not for what I look +but for what I am—for my inmost, inmost self, so that if I had no body at +all, you would love me just the same. That is how I love you, but I do +prefer you with your body on all the same. I don’t know how I love you, +dear. I only know that I am in a dream when you are near me—just a +beautiful dream. I live for those moments.—Ever your own little + + MAUDE. + +_P.S._—Papa gave us such a fright, for he came in just now and said that +the window-cleaner and all his family were very ill. This was a joke, +because the coachman had told him about my tart. Wasn’t it horrid of +him? + + _Woking_, _June_ 17_th_. + +MY OWN SWEETEST MAUDE,—I do want you to come up to town on Saturday +morning. Then I will see you home to St. Albans in the evening, and we +shall have another dear delightful week end. I think of nothing else, +and I count the hours. Now please to manage it, and don’t let anything +stop you. You know that you can always get your way. Oh yes, you can, +miss! _I_ know. + +We shall meet at the bookstall at Charing Cross railway station at one +o’clock, but if anything should go wrong, send me a wire to the Club. +Then we can do some shopping together, and have some fun also. Tell your +mother that we shall be back in plenty of time for dinner. Make another +tart, and I shall eat it. Things are slack at the office just now, and I +could be spared for a few days. + +So you have had a fish-slice. It is so strange, because on that very day +I had my first present, and it was a fish-slice also. We shall have fish +at each end when we give a dinner. If we get another fish-slice, then we +shall give a fish-dinner—or keep one of the slices to give to your friend +Nelly Sheridan when _she_ gets married. They will always come in useful. +And I have had two more presents. One is a Tantalus spirit-stand from my +friends in the office. The other is a pair of bronzes from the cricket +club. They got it up without my knowing anything about it, and I was +amazed when a deputation came up to my rooms with them last night. ‘May +your innings be long and your partnership unbroken until you each make a +hundred not out.’ That was the inscription upon a card. + +I have something very grave to tell you. I’ve been going over my bills +and things, and I owe ever so much more than I thought. I have always +been so careless, and never known exactly how I stood. It did not matter +when one was a bachelor, for one always felt that one could live quite +simply for a few months, and so set matters straight. But now it is more +serious. The bills come to more than a hundred pounds; the biggest one +is forty-two pounds to Snell and Walker, the Conduit Street tailors. +However, I am ordering my marriage-suit from them, and that will keep +them quiet. I have enough on hand to pay most of the others. But we +must not run short upon our honeymoon—what an awful idea! Perhaps there +may be some cheques among our presents. We will hope for the best. + +But there is a more serious thing upon which I want to consult you. You +asked me never to have any secrets from you, or else I should not bother +you about such things. I should have kept it for Saturday when we meet, +but I want you to have time to think about it, so that we may come to +some decision then. + +I am surety to a man for an indefinite sum of money. It sounds rather +dreadful, does it not? But it is not so bad as it sounds, for there is +no harm done yet. But the question is what we should do in the future +about it, and the answer is not a very easy one. He is a very pleasant +fellow, an insurance agent, and he got into some trouble about his +accounts last year. The office would have dismissed him, but as I knew +his wife and his family, I became surety that he should not go wrong +again, and so I saved him from losing his situation. His name is +Farintosh. He is one of those amiable, weak, good fellows whom you +cannot help loving, although you never can trust them. Of course we +could give notice that we should not be responsible any longer, but it +would be a thunderbolt to this poor family, and the man would certainly +be ruined. We don’t want to begin our own happiness by making any one +else unhappy, do we? But we shall talk it over, and I shall do what you +advise. You understand that we are only liable in case he defaults, and +surely it is very unlikely that he will do so after the lesson that he +has already had. + +I think the house will do splendidly. The Lindens is the name, and it is +on the Maybury Road, not more than a quarter of a mile from the station. +If your mother and you could come down on Tuesday or Wednesday, I should +get a half-day off, and you would be able to inspect it. Such a nice +little lawn in front, and garden behind. A conservatory, if you please, +dining-room and drawing-room. You can never assemble more than four or +five guests. On your at-home days, we shall put up little placards as +they do outside the theatres, ‘Drawing-room full,’ ‘Dining-room full,’ +‘Room in the Conservatory.’ There are two good bedrooms, one large +maid’s room, and a lumber-room. One cook and one housemaid could run it +beautifully. Rent £50 on a three years’ lease—with taxes, about £62. I +think it was just built for us. Rupton Hale says that we must be careful +not to brush against the walls, and that it would be safer to go outside +to sneeze—but that is only his fun. + +What a dull, stupid letter! I do hope that I shall be in good form on +Saturday. I am a man of moods—worse luck! and they come quite regardless +of how I wish to be, or even of how I have cause to be. I do hope that I +shall make your day bright for you—the last day that we shall have +together before _the_ day. There have been times when I have been such +bad company to you, just when I wished to be at my best. But you are +always so sweet and patient and soothing. Until Saturday, then, my own +darling.—Ever your lover, + + FRANK. + +_P.S._—I open this to tell you that such a gorgeous fish-knife, with our +monograms upon it, has just arrived from Mrs. Preston, my father’s old +friend. I went to the Goldsmith’s Company in Regent Street yesterday +afternoon, and I bought—what do you think? It looks so beautiful upon +its snow-white cotton wadding. I like them very broad and rather flat. +I do hope you will think it all right. It fills me with the strangest +feelings when I look at it. Come what may, foul weather or fair, sorrow +or joy, that little strip of gold will still be with us—we shall see it +until we can see no more. + +_P.P.S._—Saturday! Saturday!! Saturday!!! + + + + +THE TWO SOLOS + + +THEIR tryst was at the Charing Cross bookstall at one o’clock, and so Mr. +Frank Crosse was there at quarter-past twelve, striding impatiently up +and down, and stopping dead whenever a woman emerged from the entrance, +like a pointer dog before a partridge. Before he came he had been +haunted by the idea that possibly Maude might have an impulse to come +early—and what if she were to arrive and not find him there! Every +second of her company was so dear to him, that when driving to meet her +he had sometimes changed from one cab to another upon the way, because +the second seemed to have the faster horse. But now that he was on the +ground he realised that she was very exact to her word, and that she +would neither be early nor late. And yet, in the illogical fashion of a +lover, he soon forgot that it was he who was too soon, and he chafed and +chafed as the minutes passed, until at about quarter to one he was +striding gloomily about with despondent features and melancholy +forebodings, imagining a thousand miserable reasons for her inexplicable +delay. A good many people stared at him as they passed, and we may do so +among the number. + +In person Frank Crosse was neither tall nor short, five feet eight and a +half to be exact, with the well-knit frame and springy step of a young +man who had been an athlete from his boyhood. He was slim, but wiry, and +carried his head with a half-defiant backward slant which told of pluck +and breed. His face was tanned brown, in spite of his City hours, but +his hair and slight moustache were flaxen, and his eyes, which were his +best features, were of a delicate blue, and could vary in expression from +something very tender to something particularly hard. He was an orphan, +and had inherited nothing from his parents save a dash of the artist from +his mother. It was not enough to help him to earn a living, but it +transformed itself into a keen appreciation and some ambitions in +literature, and it gave a light and shade to his character which made him +rather complex, and therefore interesting. His best friends could not +deny the shade, and yet it was but the shadow thrown by the light. +Strength, virility, emotional force, power of deep feeling—these are +traits which have to be paid for. There was sometimes just a touch of +the savage, or at least there were indications of the possibility of a +touch of the savage, in Frank Crosse. His intense love of the open air +and of physical exercise was a sign of it. He left upon women the +impression, not altogether unwelcome, that there were unexplored recesses +of his nature to which the most intimate of them had never penetrated. +In those dark corners of the spirit either a saint or a sinner might be +lurking, and there was a pleasurable excitement in peering into them, and +wondering which it was. No woman ever found him dull. Perhaps it would +have been better for him if they had, for his impulsive nature had never +been long content with a chilly friendship. He was, as we may see, a man +with a past, but it _was_ a past, now that Maude Selby had come like an +angel of light across the shadowed path of his life. In age he was +nearly twenty-seven. + +There are one or two things which might be said for him which he would +not have said for himself. He was an only child and an orphan, but he +had adopted his grandparents, who had been left penniless through his +father’s death, and through all his struggles he had managed to keep them +happy and comfortable in a little cottage in Worcestershire. Nor did he +ever tell them that he had a struggle—fearing lest it should make their +position painful; and so when their quarterly cheque arrived, they took +it as a kindly but not remarkable act of duty upon the part of their +wealthy grandson in the City, with no suspicion as to the difference +which their allowance was making to him. Nor did he himself look upon +his action as a virtuous one, but simply as a thing which must obviously +be done. In the meantime, he had stuck closely to his work, had won +rapid promotion in the Insurance Office in which he had started as junior +clerk, had gained the goodwill of his superiors through his frank, +unaffected ways, and had been asked to play for the second Surrey eleven +at cricket. So without going the length of saying that he was worthy of +Maude Selby, one might perhaps claim—if it could be done without +endangering that natural modesty which was one of his charms—that he was +as worthy as any other young man who was available. + +That unfortunate artistic soul of his, which had been in the tropics of +expectation, and was now in the arctic of reaction, had just finally +settled down to black despair, with a grim recognition of the fact that +Maude had certainly and absolutely given him up, when one boomed from the +station clock, and on the very stroke she hurried on to the platform. +How could he have strained his eyes after other women, as if a second +glance were ever needed when it was really she! The perfectly graceful +figure, the trimness and neatness of it, the beautiful womanly poise of +the head, the quick elastic step, he could have sworn to her among ten +thousand. His heart gave a bound at the sight of her, but he had the +English aversion to giving himself away, and so he walked quickly forward +to meet her with an impassive face, but with a look in his eyes which was +all that she wanted. + +‘How are you?’ + +‘How do you do?’ + +He stood for a few moments looking at her in silence. She had on the +dress which he loved so much, a silver-grey merino skirt and jacket, with +a blouse of white pongee silk showing in front. Some lighter coloured +trimming fringed the cloth. She wore a grey toque, with a dash of white +at the side, and a white veil which softened without concealing the dark +brown curls and fresh girlish face beneath it. Her gloves were of grey +suède, and the two little pointed tan shoes peeping from the edge of her +skirt were the only touches of a darker tint in her attire. Crosse had +the hereditary artist’s eye, and he could only stand and stare and enjoy +it. He was filled with admiration, with reverence, and with wonder that +this perfect thing should really proclaim itself to be all his own. +Whatever had he done, or could he do, to deserve it? + +She looked up at him in a roguish sidelong way, with the bright +mischievous smile which was one of her charms. + +‘Well, sir, do you approve?’ + +‘By Jove, it is splendid—beautiful!’ + +‘So glad! I hoped you would, since you are so fond of greys. Besides, +it is cooler in this weather. I hope you have not been waiting.’ + +‘Oh no, that’s all right.’ + +‘You looked so solemn when first I saw you.’ + +‘Did I?’ + +‘And then you just jumped.’ + +‘Did I? I’m sorry.’ + +‘Why?’ + +‘I don’t know. I like our feelings to be our very very own, and never to +show them to any one else at all. I dare say it is absurd, but that is +my instinct.’ + +‘Never mind, dear, it wasn’t such a big jump as all that. Where are we +going?’ + +‘Come here, Maude, into the waiting-room.’ + +She followed him into the gloomy, smoky, dingy room. Bare yellow benches +framed an empty square of brown linoleum. A labouring man with his wife +and a child sat waiting with the stolid patience of the poor in one +corner. They were starting on some Saturday afternoon excursion, and had +mistimed their train. Maude Selby and Frank Crosse took the other +corner. He drew a jeweller’s box from his pocket and removed the lid. +Something sparkled among the wadding. + +‘O Frank! Is that really it?’ + +‘Do you like it?’ + +‘What a broad one it is! Mother’s is quite thin.’ + +‘They wear thin in time.’ + +‘It is beautiful. Shall I try it on?’ + +‘No, don’t. There is some superstition about it.’ + +‘But suppose it won’t fit?’ + +‘That is quite safe. I measured it with your sapphire ring.’ + +‘I haven’t half scolded you enough about that sapphire ring. How could +you go and give twenty-two guineas for a ring?—oh yes, sir, that was the +price, for I saw a duplicate yesterday in the Goldsmith’s Company. You +dear extravagant old boy!’ + +‘I had saved the money.’ + +‘But not for that!’ + +‘For nothing half or quarter as important. But I had the other to the +same size, so it is sure to fit.’ + +Maude had pushed up her veil, and sat with the little golden circlet in +her hand, looking down at it, while the dim watery London sunlight poured +through the window, and tagged all her wandering curls with a coppery +gleam. It was a face beautiful in itself, but more beautiful for its +expression—sensitive, refined, womanly, full of innocent archness and +girlish mischief, but with a depth of expression in the eyes, and a +tender delicacy about the mouth, which spoke of a great spirit with all +its capacities for suffering and devotion within. The gross admirer of +merely physical charms might have passed her over unnoticed. So might +the man who is attracted only by outward and obvious signs of character. +But to the man who could see, to the man whose own soul had enough of +spirituality to respond to hers, and whose eye could appreciate the +subtlety of a beauty which is of the mind as well as of the body, there +was not in all wide London upon that midsummer day a sweeter girl than +Maude Selby, as she sat in her grey merino dress with the London sun +tagging her brown curls with that coppery glimmer. + +She handed back the ring, and a graver expression passed over her mobile +face. + +‘I feel as you said in your letter, Frank. There _is_ something tragic +in it. It will be with me for ever. All the future will arrange itself +round that little ring.’ + +‘Are you afraid of it?’ + +‘Afraid!’ her grey glove rested for an instant upon the back of his hand. +‘I _couldn’t_ be afraid of anything if you were with me. It is really +extraordinary, for by nature I am so easily frightened. But if I were +with you in a railway accident or anywhere, it would be just the same. +You see I become for the time part of you, as it were, and you are brave +enough for two.’ + +‘I don’t profess to be so brave as all that,’ said Frank. ‘I expect I +have as many nerves as my neighbours.’ + +Maude’s grey toque nodded up and down. ‘I know all about that,’ said +she. + +‘You have such a false idea of me. It makes me happy at the time and +miserable afterwards, for I feel such a rank impostor. You imagine me to +be a hero, and a genius, and all sorts of things, while I _know_ that I +am about as ordinary a young fellow as walks the streets of London, and +no more worthy of you than—well, than any one else is.’ + +She laughed with shining eyes. + +‘I like to hear you talk like that,’ said she. ‘That is just what is so +beautiful about you.’ + +It is hopeless to prove that you are not a hero when your disclaimers are +themselves taken as a proof of heroism. Frank shrugged his shoulders. + +‘I only hope you’ll find me out gradually and not suddenly,’ said he. +‘Now, Maude, we have all day and all London before us. What shall we do? +I want you to choose.’ + +‘I am quite happy whatever we do. I am content to sit here with you +until evening.’ + +Her idea of a happy holiday set them both laughing. + +‘Come along,’ said he, ‘we shall discuss it as we go.’ + +The workman’s family was still waiting, and Maude handed the child a +shilling as she went out. She was so happy herself that she wanted every +one else to be happy also. The people turned to look at her as she +passed. With the slight flush upon her cheeks and the light in her eyes, +she seemed the personification of youth, and life, and love. One tall +old gentleman started as he looked, and watched her with a rapt face +until she disappeared. Some cheek had flushed and some eye had +brightened at his words once, and sweet old days had for an instant lived +again. + +‘Shall we have a cab?’ + +‘O Frank, we must learn to be economical. Let us walk.’ + +‘I can’t and won’t be economical to-day.’ + +‘There now! See what a bad influence I have upon you.’ + +‘Most demoralising! But we have not settled yet where we are to go to.’ + +‘What _does_ it matter, if we are together?’ + +‘There is a good match at the Oval, the Australians against Surrey. +Would you care to see that?’ + +‘Yes, dear, if you would.’ + +‘And there are matinées at all the theatres.’ + +‘You would rather be in the open air.’ + +‘All I want is that you should enjoy yourself.’ + +‘Never fear. I shall do that.’ + +‘Well, then, first of all I vote that we go and have some lunch.’ + +They started across the station yard, and passed the beautiful old stone +cross. Among the hansoms and the four-wheelers, the hurrying travellers, +and the lounging cabmen, there rose that lovely reconstruction of +mediævalism, the pious memorial of a great Plantagenet king to his +beloved wife. + +‘Six hundred years ago,’ said Frank, as they paused and looked up, ‘that +old stone cross was completed, with heralds and armoured knights around +it to honour her whose memory was honoured by the king. Now the +corduroyed porters stand where the knights stood, and the engines whistle +where the heralds trumpeted, but the old cross is the same as ever in the +same old place. It is a little thing of that sort which makes one +realise the unbroken history of our country.’ + +Maude insisted upon hearing about Queen Eleanor, and Frank imparted the +little that he knew as they walked out into the crowded Strand. + +‘She was Edward the First’s wife, and a splendid woman. It was she, you +remember, who sucked the wound when he was stabbed with a poisoned +dagger. She died somewhere in the north, and he had the body carried +south to bury it in Westminster Abbey. Wherever it rested for a night he +built a cross, and so you have a line of crosses all down England to show +where that sad journey was broken.’ + +They had turned down Whitehall, and passed the big cuirassiers upon their +black chargers at the gate of the Horse Guards. Frank pointed to one of +the windows of the old banqueting-hall. + +‘You’ve seen a memorial of a queen of England,’ said he. ‘That window is +the memorial of a king.’ + +‘Why so, Frank?’ + +‘I believe that it was through that window that Charles the First passed +out to the scaffold when his head was cut off. It was the first time +that the people had ever shown that they claimed authority over their +king.’ + +‘Poor fellow!’ said Maude. ‘He was so handsome, and such a good husband +and father.’ + +‘It is the good kings who may be the dangerous ones.’ + +‘O Frank!’ + +‘If a king thinks only of pleasure, then he does not interfere with +matters of state. But if he is conscientious, he tries to do what he +imagines to be his duty, and so he causes trouble. Look at Charles, for +example. He was a very good man, and yet he caused a civil war. George +the Third was a most exemplary character, but his stupidity lost us +America, and nearly lost us Ireland. They were each succeeded by +thoroughly bad men, who did far less harm.’ + +They had reached the end of Whitehall, and the splendid panorama of +Westminster Abbey and the Houses of Parliament lay before them. The most +stately of ancient English buildings was contrasted with the most +beautiful of modern ones. How anything so graceful came to be built by +this tasteless and utilitarian nation must remain a marvel to the +traveller. The sun was shining upon the gold-work of the roof, and the +grand towers sprang up amid the light London haze, like some gorgeous +palace in a dream. It was a fit centre for the rule to whose mild sway +one-fifth of the human race acquiesces—a rule upheld by so small a force +that only the consent of the governed can sustain it. + +Frank and Maude stood together looking up at it. + +‘How beautiful it is!’ she cried. ‘How the gilding lights up the whole +building!’ + +‘And how absurd it is not to employ it more in our gloomy London +architecture!’ said Frank. ‘Imagine how grand a gilded dome of St. +Paul’s would look, hanging like a rising sun over the City. But here is +our restaurant, Maude, and Big Ben says that it is a quarter to two. + + + + +IN BRITAIN’S VALHALLA + + +THEY had discussed the rooms in their new house, and the bridesmaids’ +dresses, and Maude’s cooking, and marriage-presents, and the merits of +Brighton, and the nature of love, and volleying at tennis (Maude was the +lady-champion of a tennis club), and season tickets, and the destiny of +the universe—to say nothing of a small bottle of Perrier Jouet. It was +reprehensibly extravagant, but this would be their last unmarried +excursion, and so they drank to the dear days of the past, and the dearer +ones of the future. Good comrades as well as lovers, they talked freely, +and with pleasure. Frank never made the common mistake of talking down, +and Maude justified his confidence by eagerly keeping up. To both of +them silence was preferable to conventional small talk. + +‘We’ll just get down there after lunch,’ said Frank, as he paid his bill. +‘You have not seen the Australians, have you?’ + +‘Yes, dear, I saw them at Clifton four years ago.’ + +‘But this is a new lot. There are nine of the present team who have +never played in England before.’ + +‘They are very good, are they not?’ + +‘Very good indeed. And the dry summer has helped them. It is the sticky +English wickets which put them off. The wickets are very fast over +there. Giffen is their best all-round man, but Darling and Iredale and +young Hill are good enough for anything. Well, then—O Lord, what a +pity!’ + +He had turned towards the window as he rose, and saw one of those little +surprises by which Nature relieves the monotony of life in these islands. +The sun had gone, a ragged slate-coloured cloud was drifting up from over +the river, and the rain was falling with a soft persistency which is more +fatal than the most boisterous shower. There would be no more cricket +that day. + +‘Two coffees and two benedictines,’ cried Frank, and they relapsed into +their chairs. But a half-hour passed and the grey cloud was thicker and +the rain more heavy. The cheerless leaden river flowed slowly under +drifting skies. Beyond an expanse of shining pavement the great black +Abbey towered amidst the storm. + +‘Have you ever done the Abbey, Maude?’ + +‘No, Frank; I should love to.’ + +‘I have only been once—more shame to me to say so! Is it not a sin that +we young Englishmen should be familiar with every music-hall in London +and should know so little of this which is the centre of the British +race, the most august and tremendous monument that ever a nation owned. +Six hundred years ago the English looked upon it as their holiest and +most national shrine, and since then our kings and our warriors and our +thinkers and our poets have all been laid there, until there is such an +accumulation that the huge Abbey has hardly space for another monument. +Let us spend an hour inside it.’ + +They made for Solomon’s porch, since it was the nearest and they had but +the one umbrella. Under its shelter they brushed themselves dry before +they entered. + +‘Whom does the Abbey belong to, Frank?’ + +‘To you and me!’ + +‘Now you are joking!’ + +‘Not at all. It belongs in the long-run to the British taxpayer. You +have heard the story of the Scotch visitor who came on board one of our +battleships and asked to see the captain. “Who shall I say?” said the +sentry. “One of the proprietors,” said the Scotchman. That’s _our_ +position towards the Abbey. Let us inspect our property.’ + +They were smiling as they entered, but the smile faded from their lips as +the door closed behind them. In this holy of holies, this inner +sanctuary of the race, there was a sense of serene and dignified +solemnity which would have imposed itself upon the most thoughtless. +Frank and Maude stood in mute reverence. The high arches shot up in long +rows upon either side of them, straight and slim as beautiful trees, +until they curved off far up near the clerestory and joined their sister +curves to form the lightest, most delicate tracery of stone. In front of +them a great rose-window of stained glass, splendid with rich purples and +crimsons, shone through a subdued and reverent gloom. Here and there in +the aisles a few spectators moved among the shadows, but all round along +the walls two and three deep were ranged the illustrious dead, the +perishable body within, the lasting marble without, and the more lasting +name beneath. It was very silent in the home of the great dead—only a +distant footfall or a subdued murmur here and there. Maude knelt down +and sank her face in her hands. Frank prayed also with that prayer which +is a feeling rather than an utterance. + +Then they began to move round the short transept in which they found +themselves—a part of the Abbey reserved for the great statesmen. Frank +tried to quote the passage in which Macaulay talks about the men worn out +by the stress and struggle of the neighbouring parliament-hall, and +coming hither for peace and rest. Here were the men who had been strong +enough to grasp the helm, and who, sometimes wisely, sometimes foolishly, +but always honestly, had tried to keep the old ship before the wind. +Canning and Peel were there, with Pitt, Fox, Grattan and Beaconsfield. +Governments and oppositions moulder behind the walls. Beaconsfield alone +among all the statues showed the hard-lined face of the self-made man. +These others look so plump and smooth one can hardly realise how strong +they were, but they sprang from those ruling castes to whom strength came +by easy inheritance. Frank told Maude the little which he knew of each +of them—of Grattan, the noblest Irishman of them all, of Castlereagh, +whose coffin was pursued to the gates of the Abbey by a raging mob who +wished to tear out his corpse, of Fox the libertine philosopher, of +Palmerston the gallant sportsman, who rode long after he could walk. +They marvelled together at the realism of the sculptor who had pitted +Admiral Warren with the smallpox, and at the absurdity of that other one +who had clad Robert Peel in a Roman toga. + +Then turning to the right at the end of the Statesmen’s Transept, they +wandered aimlessly down the huge nave. It was overwhelming, the grandeur +of the roof above and of the contents below. Any one of hundreds of +these tombs was worth a devout pilgrimage, but how could one raise his +soul to the appreciation of them all. Here was Darwin who revolutionised +zoology, and here was Isaac Newton who gave a new direction to astronomy. +Here were old Ben Jonson, and Stephenson the father of railways, and +Livingstone of Africa, and Wordsworth, and Kingsley, and Arnold. Here +were the soldiers of the mutiny—Clyde and Outram and Lawrence,—and +painters, and authors, and surgeons, and all the good sons who in their +several degrees had done loyal service to the old mother. And when their +service was done the old mother had stretched out that long arm of hers +and had brought them home, and always for every good son brought home she +had sent another forth, and her loins were ever fruitful, and her +children loving and true. Go into the Abbey and think, and as the +nation’s past is borne in upon you, you will have no fear for its future. + +Frank was delighted with some of the monuments and horrified by others, +and he communicated both his joy and his anger to Maude. They noticed +together how the moderns and the Elizabethans had much in common in their +types of face, their way of wearing the hair, and their taste in +monuments, while between them lie the intolerable affectations—which +culminated towards the end of last century. + +‘It all rings false—statue, inscription, everything,’ said Frank. ‘These +insufferable allegorical groups sprawling round a dead hero are of the +same class as the pompous and turgid prose of Doctor Johnson. The +greatest effects are the simplest effects, and so it always was and so it +always will be. But that little bit of Latin is effective, I confess.’ + +It was a very much defaced inscription underneath a battered Elizabethan +effigy, whose feet had been knocked off, and whose features were blurred +into nothing. Two words of the inscription had caught Frank’s eye. + +‘_Moestissima uxor_! It was his “most sad wife” who erected it! Look at +it now! The poor battered monument of a woman’s love. Now, Maude, come +with me, and we shall visit the famous Poets’ Corner.’ + +What an assembly it would be if at some supreme day each man might stand +forth from the portals of his tomb. Tennyson, the last and almost the +greatest of that illustrious line, lay under the white slab upon the +floor. Maude and Frank stood reverently beside it. + + ‘“Sunset and evening Star + And one clear call for me.”’ + +Frank quoted. ‘What lines for a very old man to write! I should put him +second only to Shakespeare had I the marshalling of them.’ + +‘I have read so little,’ said Maude. + +‘We will read it all together after next week. But it makes your reading +so much more real and intimate when you have stood at the grave of the +man who wrote. That’s Chaucer, the big tomb there. He is the father of +British poetry. Here is Browning beside Tennyson—united in life and in +death. He was the more profound thinker, but music and form are +essential also.’ + +‘What a splendid face!’ cried Maude. + +‘It is a bust to Longfellow, the American.’ They read the inscription. +‘This bust was placed among the memorials of the poets of England by +English admirers of an American poet.’ + +‘I am so glad to have seen that. I know his poems so well,’ said Maude. + +‘I believe he is more read than any poet in England.’ + +‘Who is that standing figure?’ + +‘It is Dryden. What a clever face, and what a modern type. Here is +Walter Scott beside the door. How kindly and humorous his expression +was! And see how high his head was from the ear to the crown. It was a +great brain. There is Burns, the other famous Scot. Don’t you think +there is a resemblance between the faces? And here are Dickens, and +Thackeray, and Macaulay. I wonder whether, when Macaulay was writing his +essays, he had a premonition that he would be buried in Westminster +Abbey. He is continually alluding to the Abbey and its graves. I always +think that we have a vague intuition as to what will occur to us in +life.’ + +‘We can guess what is probable.’ + +‘It amounts to more than that. I had an intuition that I should marry +you from the first day that I saw you, and yet it did not seem probable. +But deep down in my soul I knew that I should marry you.’ + +‘I knew that I should marry you, Frank, or else that I should never marry +at all.’ + +‘There now! We both had it. Well, that _is_ really wonderful!’ + +They stood among the memorials of all those great people, marvelling at +the mysteries of their own small lives. A voice at their elbows brought +them back to the present. + +‘This way, if you please, for the kings,’ said the voice. ‘They are now +starting for the kings.’ + +‘They’ proved to be a curiously mixed little group of people who were +waiting at the entrance through the enclosure for the arrival of the +official guide. There were a tall red-bearded man with a very Scotch +accent and a small gentle wife, also an American father with his two +bright and enthusiastic daughters, a petty-officer of the navy in his +uniform, two young men whose attention was cruelly distracted from the +monuments by the American girls, and a dozen other travellers of various +sexes and ages. Just as Maude and Frank joined them the guide, a young +fresh-faced fellow, came striding up, and they passed through the opening +into the royal burying-ground. + +‘This way, ladies and gentlemen,’ cried the hurrying guide, and they all +clattered over the stone pavement. He stopped beside a tomb upon which a +lady with a sad worn face was lying. ‘Mary, Queen of Scots,’ said he, +‘the greatest beauty of her day. This monument was erected by her son, +James the First.’ + +‘Isn’t she just perfectly sweet?’ said one of the American girls. + +‘Well, I don’t know. I expected more of her than that,’ the other +answered. + +‘I reckon,’ remarked the father, ‘that if any one went through as much as +that lady did, it would not tend to improve her beauty. Now what age +might the lady be, sir?’ + +‘Forty-four years of age at the time of her execution,’ said the guide. + +‘Ah weel, she’s young for her years,’ muttered the Scotchman, and the +party moved on. Frank and Maude lingered to have a further look at the +unfortunate princess, the bright French butterfly, who wandered from the +light and warmth into that grim country, a land of blood and of psalms. + +‘She was as hard as nails under all her gentle grace,’ said Frank. ‘She +rode eighty miles and hardly drew rein after the battle of Langside.’ + +‘She looks as if she were tired, poor dear!’ said Maude; ‘I don’t think +that she was sorry to be at rest.’ + +The guide was narrating the names of the owners of the tombs at the +further end of the chapel. ‘Queen Anne is here, and Mary the wife of +William the Third is beside her. And here is William himself. The king +was very short and the queen very tall, so in the sculptures the king is +depicted standing upon a stool so as to bring their heads level. In the +vaults beyond there are thirty-eight Stuarts.’ + +Thirty-eight Stuarts! Princes, bishops, generals, once the salt of the +earth, the mightiest of men, and now lumped carelessly together as +thirty-eight Stuarts. So Death the Republican and Time the Radical can +drag down the highest from his throne. + +They had followed the guide into another small chapel, which bore the +name of Henry VII. upon the door. Surely they were great builders and +great designers in those days! Had stone been as pliable as wax it could +not have been twisted and curved into more exquisite spirals and curls, +so light, so delicate, so beautiful, twining and turning along the walls, +and drooping from the ceiling. Never did the hand of man construct +anything more elaborately ornate, nor the brain of man think out a design +more absolutely harmonious and lovely. In the centre, with all the pomp +of mediæval heraldry, starred and spangled with the Tudor badges, the two +bronze figures of Henry and his wife lay side by side upon their tomb. +The guide read out the quaint directions in the king’s will, by which +they were to be buried ‘with some respect to their Royal dignity, but +avoiding damnable pomp and outrageous superfluities!’ There was, as +Frank remarked, a fine touch of the hot Tudor blood in the adjectives. +One could guess where Henry the Eighth got his masterful temper. Yet it +was an ascetic and priest-like face which looked upwards from the tomb. + +They passed the rifled tombs of Cromwell, Blake, and Ireton—the +despicable revenge of the men who did not dare to face them in the +field,—and they marked the grave of James the First, who erected no +monument to himself, and so justified in death the reputation for +philosophy which he had aimed at in his life. Then they inspected the +great tomb of Villiers, Duke of Buckingham, as surprising and as +magnificent as his history, cast a glance at the covering of plucky +little George the Second, the last English king to lead his own army into +battle, and so onwards to see the corner of the Innocents, where rest the +slender bones of the poor children murdered in the Tower. + +But now the guide had collected his little flock around him again, with +the air of one who has something which is not to be missed. ‘You will +stand upon the step to see the profile,’ said he, as he indicated a +female figure upon a tomb. ‘It is the great Queen Elizabeth.’ + +It was a profile and a face worth seeing—the face of a queen who was +worthy of her Shakespeares upon the land and her Drakes upon the sea. +Had the Spanish king seen her, he would have understood that she was not +safe to attack—this grim old lady with the eagle nose and the iron lips. +You could understand her grip upon her cash-box, you could explain her +harshness to her lovers, you could realise the confidence of her people, +you could read it all in that wonderful face. + +‘She’s splendid,’ said Frank. + +‘She’s terrible,’ said Maude. + +‘Did I understand you to say, sir,’ asked the American, ‘that it was this +lady who beheaded the other lady, Queen of Scotland, whom we saw ’way +back in the other compartment?’ + +‘Yes, sir, she did.’ + +‘Well, I guess if there was any beheading to be done, this was the lady +to see that it was put through with promptness and despatch. Not a +married lady, I gather?’ + +‘No, sir.’ + +‘And a fortunate thing for somebody. That woman’s husband would have a +mean time of it, sir, in my opinion.’ + +‘Hush, poppa,’ said the two daughters, and the procession moved on. They +were entering the inner chapel of all, the oldest and the holiest, in +which, amid the ancient Plantagenet kings, there lies that one old Saxon +monarch, confessor and saint, the holy Edward, round whose honoured body +the whole of this great shrine has gradually risen. A singular erection +once covered with mosaic work, but now bare and gaunt, stood in the +centre. + +‘The body of Edward the Confessor is in a case up at the top,’ said the +guide. ‘This hollow place below was filled with precious relics, and the +pilgrims used to kneel in these niches, which are just large enough to +hold a man upon his knees. The mosaic work has been picked out by the +pilgrims.’ + +‘What is the date of the shrine?’ asked Frank. + +‘About 1250, sir. The early kings were all buried as near to it as they +could get, for it was their belief in those days that the devil might +carry off the body, and so the nearer they got to the shrine the safer +they felt. Henry the Fifth, who won the battle of Agincourt, is there. +Those are the actual helmet, shield, and saddle which he used in the +battle upon the crossbeam yonder. That king with the grave face and the +beard is Edward the Third, the father of the Black Prince. The Black +Prince never lived to ascend the throne, but he was the father of the +unfortunate Richard the Second, who lies here—this clean-shaven king with +the sharp features. Now, ladies and gentlemen, if you will turn this +way, I will show you one of the most remarkable objects in the Abbey.’ + +The object in question proved to be nothing more singular than a square +block of stone placed under an old chair. And yet as the guide continued +to speak, they felt that he had justified his words. + +‘This is the sacred stone of Scone upon which the kings of Scotland have +been crowned from time immemorial. When Edward the First overran +Scotland 600 years ago, he had it brought here, and since then every +monarch of England has also sat upon it when crowned.’ + +‘The present Queen?’ asked some one. + +‘Yes, she also. The legend was that it was the stone upon which Jacob +rested his head when he dreamed, but the geologists have proved that it +is red sandstone of Scotland.’ + +‘Then I understand, sir, that this other throne is the Scottish throne,’ +said the American gentleman. + +‘No, sir, the Scottish throne and the English throne are the same throne. +But at the time of William and Mary it was necessary to crown her as well +as him, and so a second throne was needed. But that of course was +modern.’ + +‘Only a couple of hundred years ago. I wonder they let it in. But I +guess they might have taken better care of it. Some one has carved his +name upon it.’ + +‘A Westminster boy bet his schoolfellows that he would sleep among the +tombs, and to prove that he had done it, he carved his name upon the +throne.’ + +‘You don’t say!’ cried the American. ‘Well, I guess that boy ended +pretty high up.’ + +‘As high as the gallows, perhaps,’ said Frank, and every one tittered, +but the guide hurried on with a grave face, for the dignity of the Abbey +was in his keeping. + +‘This tomb is that of Queen Eleanor,’ said he. + +Frank twitched Maude by the sleeve. ‘Eleanor of Charing Cross,’ said he. +‘See how one little bit of knowledge links on with another.’ + +‘And here is the tomb of her husband, Edward the First. It was he who +brought the stone from Scone. At the time of his death the conquest of +Scotland was nearly done, and he gave orders that his burial should be +merely temporary until Scotland was thoroughly subdued. He is still, as +you perceive, in his temporary tomb.’ + +The big Scotchman laughed loudly and derisively. All the others looked +sadly at him with the pitying gaze which the English use towards the more +excitable races when their emotion gets the better of them. A stream +from a garden hose could not have damped him more. + +‘They opened the grave last century,’ said the guide. ‘Inside was an +inscription, which said, “Here lies the hammer of the Scots.” He was a +fine man, six feet two inches from crown to sole.’ + +They wandered out of the old shrine where the great Plantagenet kings lie +like a bodyguard round the Saxon saint. Abbots lay on one side of them +as they passed, and dead crusaders with their legs crossed, upon the +other. And then, in an instant, they were back in comparatively modern +times again. + +‘This is the tomb of Wolfe, who died upon the Heights of Abraham,’ said +the guide. ‘It was due to him and to his soldiers that all America +belongs to the English-speaking races. There is a picture of his +Highlanders going up to the battle along the winding path which leads +from Wolfe’s Cove. He died in the moment of victory.’ + +It was bewildering, the way in which they skipped from age to age. The +history of England appeared to be not merely continuous, but +simultaneous, as they turned in an instant from the Georgian to the +Elizabethan, the one monument as well preserved as the other. They +passed the stately de Vere, his armour all laid out in fragments upon a +marble slab, as a proof that he died at peace with all men; and they saw +the terrible statue of the onslaught of Death, which, viewed in the +moonlight, made a midnight robber drop his booty and fly panic-stricken +out of the Abbey. So awful and yet so fascinating is it, that the +shuffling feet of the party of sightseers had passed out of hearing +before Maude and Frank could force themselves away from it. + +In the base of the statue is an iron door, which has been thrown open, +and the sculptor’s art has succeeded wonderfully in convincing you that +it has been thrown open violently. The two leaves of it seem still to +quiver with the shock, and one could imagine that one heard the harsh +clang of the metal. Out of the black opening had sprung a dreadful +thing, something muffled in a winding-sheet, one bony hand clutching the +edge of the pedestal, the other upraised to hurl a dart at the woman +above him. She, a young bride of twenty-seven, has fallen fainting, +while her husband, with horror in his face, is springing forward, his +hand outstretched, to get between his wife and her loathsome assailant. + +‘I shall dream of this,’ said Maude. She had turned pale, as many a +woman has before this monument. + +‘It is awful!’ Frank walked backwards, unable to take his eyes from it. +‘What pluck that sculptor had! It is an effect which must be either +ludicrous or great, and he has made it great.’ + +‘Roubillac is his name,’ said Maude, reading it from the pedestal. + +‘A Frenchman, or a man of French descent. Isn’t that characteristic! In +the whole great Abbey the one monument which has impressed us with its +genius and imagination is by a foreigner. We haven’t got it in us. We +are too much afraid of letting ourselves go and of giving ourselves away. +We are heavy-handed and heavy-minded.’ + +‘If we can’t produce the monuments, we can produce the men who deserve +them,’ said Maude, and Frank wrote the aphorism down upon his shirt-cuff. + +‘We are too severe both in sculpture and architecture,’ said he. ‘More +fancy and vigour in our sculptors, more use of gold and more ornament in +our architects—that is what we want. But I think it is past praying for. +It would be better to subdivide the work of the world, according to the +capacity of the different nations. Let Italy and France embellish us. +We might do something in exchange—organise the French colonies, perhaps, +or the Italian exchequer. That is our legitimate work, but we will never +do anything at the other.’ + +The guide had already reached the end of his round, an iron gate +corresponding to that by which they had entered, and they found him +waiting impatiently and swinging his keys. But Maude’s smile and word of +thanks as she passed him brought content into his face once more. A ray +of living sunshine is welcome to the man who spends his days among the +tombs. + +They walked down the North Transept and out through Solomon’s Porch. The +rain-cloud had swept over, and the summer sun was shining upon the wet +streets, turning them all to gold. This might have been that fabled +London of which young Whittington dreamed. In front of them lay the +lawns of vivid green, with the sunlit raindrops gleaming upon the grass. +The air was full of the chirping of the sparrows. Across their vision, +from the end of Whitehall to Victoria Street, the black ribbon of traffic +whirled and circled, one of the great driving-belts of the huge city. +Over it all, to their right, towered those glorious Houses of Parliament, +the very sight of which made Frank repent his bitter words about English +architecture. They stood in the old porch gazing at the scene. It was +so wonderful to come back at one stride from the great country of the +past to the greater country of the present. Here was the very thing +which these dead men lived and died to build. + +‘It’s not much past three,’ said Frank. ‘What a gloomy place to take you +to! Good heavens, we have one day together, and I take you to a +cemetery! Shall we go to a matinée to counteract it?’ + +But Maude laid her hand upon his arm. + +‘I don’t think, Frank, that I was ever more impressed, or learned more in +so short a time, in my life. It was a grand hour—an hour never to be +forgotten. And you must not think that I am ever with you to be amused. +I am with you to accompany you in whatever seems to you to be highest and +best. Now before we leave the dear old Abbey, promise me that you will +always live your own highest and never come down to me.’ + +‘I can very safely promise that I will never come down to you,’ said +Frank. ‘I may climb all my life, and yet there are parts of your soul +which will be like snow-peaks in the clouds to me. But you will be now +and always my own dear comrade as well as my sweetest wife. And now, +Maude, what shall it be, the theatre or the Australians?’ + +‘Do you wish to go to either very much?’ + +‘Not unless you do.’ + +‘Well, then, I feel as if either would be a profanation. Let us walk +together down to the Embankment, and sit on one of the benches there, and +watch the river flowing in the sunshine, and talk and think of all that +we have seen.’ + + + + +TWO SOLOS AND A DUET + + +THE night before the wedding, Frank Crosse and his best man, Rupton Hale, +dined at the Raleigh Club with Maude’s brother, Jack Selby, who was a +young lieutenant in a Hussar regiment. Jack was a horsy, slangy young +sportsman who cared nothing about Frank’s worldly prospects, but had +given the match his absolute approval from the moment that he realised +that his future brother had played for the Surrey Second. ‘What more can +you want?’ said he. ‘You won’t exactly be a Mrs. W. G., but you will be +on the edge of first-class cricket.’ And Maude, who rejoiced in his +approval, without quite understanding the grounds for it, kissed him, and +called him the best of brothers. + +The marriage was to be at eleven o’clock at St. Monica’s Church, and the +Selbys were putting up at the Langham. Frank stayed at the Metropole, +and so did Rupton Hale. They were up early, their heads and nerves none +the better for Jack Selby’s hospitality of the night before. + +Frank could eat no breakfast, and he shunned publicity in his +wedding-garments, so they remained in the upstairs sitting-room. He +stood by the window, drumming his fingers upon the pane, and looking down +into Northumberland Avenue. He had often pictured this day, and +associated it with sunshine and flowers and every emblem of joy. But +Nature had not risen to the occasion. A thick vapour, half smoke half +cloud, drifted along the street, and a thin persistent rain was falling +steadily. It pit-patted upon the windows, splashed upon the sills, and +gurgled in the water-pipes. Far down beneath him on the drab-coloured +slimy road stood the lines of wet cabs, looking like beetles with +glistening backs. Round black umbrellas hurried along the shining +pavements. A horse had fallen at the door of the Constitutional Club, +and an oil-skinned policeman was helping the cabman to raise it. Frank +watched it until the harness had been refastened, and it had vanished +into Trafalgar Square. Then he turned and examined himself in the +mirror. His trim black frock-coat and pearl grey trousers set off his +alert athletic figure to advantage. His glossy hat, too, his lavender +gloves, and dark-blue tie, were all absolutely irreproachable. And yet +he was not satisfied with himself. Maude ought to have something better +than that. What a fool he had been to take so much wine last night! On +this day of all days in their lives she surely had a right to find him at +his best. He was restless, and his nerves were all quivering. He would +have given anything for a cigarette, but he did not wish to scent himself +with tobacco. He had cut himself in shaving, and his nose was peeling +from a hot day on the cricket-field. What a silly thing to expose his +nose to the sun before his wedding! Perhaps when Maude saw it she +would—well, she could hardly break it off, but at least she might be +ashamed of him. He worked himself into a fever over that unfortunate +nose. + +‘You are off colour, Crosse,’ said his best man. + +‘I was just thinking that my nose was. It’s very kind of you to come and +stand by me.’ + +‘That’s all right. We shall see it through together.’ + +Hale was a despondent man, though the most loyal of friends, and he spoke +in a despondent way. His gloomy manner, the London drizzle, and the +nervousness proper to the occasion, were all combining to make Frank more +and more wretched. Fortunately Jack Selby burst like a gleam of sunshine +into the room. The sight of his fresh-coloured smiling face—or it may +have been some reminder of Maude which he found in it—brought consolation +to the bridegroom. + +‘How are you, Crosse? How do, Hale? Excuse my country manners! The old +Christmas-tree in the hall wanted to send for you, but I knew your +number. You’re looking rather green about the gills, old chap.’ + +‘I feel a little chippy to-day.’ + +‘That’s the worst of these cheap champagnes. Late hours are bad for the +young. Have a whisky and soda with me. No? Hale, you must buck him up, +for they’ll all be down on you if you don’t bring your man up to time in +the pink of condition. We certainly did ourselves up to the top hole +last night. Couldn’t face your breakfast, eh? Neither could I. A +strawberry and a bucket of soda-water.’ + +‘How are they all at the Langham?’ asked Frank eagerly. + +‘Oh, splendid! At least I haven’t seen Maude. She’s been getting into +parade order. But mother is full of beans. We had to take her up one +link in the curb, or there would have been no holding her.’ + +Frank’s eyes kept turning to the slow-moving minute-hand. It was not ten +o’clock yet. + +‘Don’t you think that I might go round to the Langham and see them?’ + +‘Good Lord, no! Clean against regulations. Stand by his head, Hale! +Wo, boy, steady!’ + +‘It won’t do, Crosse, it really won’t!’ said Hale solemnly. + +‘What rot it is! Here am I doing nothing, and I might be of some use or +encouragement to her. Let’s get a cab!’ + +‘Wo, laddie, wo then, boy! Keep him in hand, Hale! Get to his head.’ + +Frank flung himself down into an armchair, and muttered about absurd +conventions. + +‘It can’t be helped, my boy. It is correct.’ + +‘Buck up, Crosse, buck up! We’ll make the thing go with a buzz when we +do begin. Two of our Johnnies are coming, regular fizzers, and full of +blood both of them. We’ll paint the Langham a fine bright solferino, +when the church parade is over.’ + +Frank sat rather sulkily watching the slow minute-hand, and listening to +the light-hearted chatter of the boy-lieutenant, and the more deliberate +answers of his best man. At last he jumped up and seized his hat and +gloves. + +‘Half-past,’ said he. ‘Come on. I can’t wait any longer. I must do +_something_. It is time we went to the church.’ + +‘Fall in for the church!’ cried Jack. ‘Wait a bit! I know this game, +for I was best man myself last month. Inspect his kit, Hale. See that +he’s according to regulations. Ring? All right. Parson’s money? Right +oh! Small change? Good! By the right, quick march!’ + +Frank soon recovered his spirits now that he had something to do. Even +that drive through the streaming streets, with the rain pattering upon +the top of their four-wheeler, could not depress him any longer. He rose +to the level of Jack Selby, and they chattered gaily together. + +‘Ain’t we bringing him up fighting fit?’ cried Jack exultingly. ‘Shows +that all the care we have taken of him in the last twenty-four hours has +not been wasted. That’s the sort I like—game as a pebble! You can’t buy +’em, you have to breed ’em. A regular fizzer _he_ is, and full of blood. +And here we are on the ground.’ + +It was a low, old-fashioned, grey church, with a Gothic entrance and two +niches on either side, which spoke of pre-Lutheran days. Cheap modern +shops, which banked it in, showed up the quaint dignity of the ancient +front. The side-door was open, and they passed into its dim-lit +interior, with high carved pews, and rich, old, stained glass. Huge +black oak beams curved over their heads, and dim inscriptions of mediæval +Latin curled and writhed upon the walls. A single step seemed to have +taken them from the atmosphere of the nineteenth to that of the fifteenth +century. + +‘What a ripping old church!’ Jack whispered. + +‘You can’t buy ’em. But it’s as festive as an ice-house. There’s a +friendly native coming down the aisle. He’s your man, Hale, if you want +the news.’ + +The verger was not in the best of tempers. ‘It’s at a quarter to four,’ +said he, as Hale met him. + +‘No, no, at eleven.’ + +‘Quarter to four, I tell you. The vicar says so.’ + +‘Why, it’s not possible.’ + +‘We have them at all hours.’ + +‘Have what?’ + +‘Buryin’s.’ + +‘But this is a marriage.’ + +‘I’m sure I beg your pardon, sir. I thought when I looked at you as you +was the party about the child’s funeral.’ + +‘Good heavens, no.’ + +‘It was something in your expression, sir, but now that I can see the +colour of your clothes, why of course I know better. There’s three +marriages—which was it?’ + +‘Crosse and Selby are the names.’ + +The verger consulted an old crumpled notebook. + +‘Yes, sir, I have it here. Mr. or Miss Crosse to Mr. or Miss Selby. +Eleven o’clock, sir, _sharp_. The vicar’s a terrible punctual man, and I +should advise you to take your places.’ + +‘Any hitch?’ asked Frank nervously, as Hale returned. + +‘No, no.’ + +‘What was he talking about?’ + +‘Oh, nothing. Some little confusion of ideas.’ + +‘Shall we go up?’ + +‘Yes, I think that we had better.’ + +Their steps clattered and reverberated through the empty church as they +passed up the aisle. They stood in an aimless way before the altar +rails. Frank fidgeted about, and made sure that the ring was in his +ticket-pocket. He also took a five-pound note and placed it where he +knew he could lay his hands upon it easily. Then he sprang round with a +flush upon his cheeks, for one of the side-doors had been flung open with +a great bustle and clanging. A stout charwoman entered with a tin pail +and a mop. + +‘Put up the wrong bird that time,’ whispered Jack, and sniggered at +Frank’s change of expression. + +But almost at the same instant, the Selbys entered the church at the +further end. Mr. Selby, with his red face and fluffy side-whiskers, had +Maude upon his arm. She looked very pale and very sweet, with downcast +eyes and solemn mouth, while behind her walked her younger sister Mary +and her pretty friend Nelly Sheridan, both in pink dresses with broad +pink hats and white curling feathers. The bride was herself in the grey +travelling-dress with which Frank was already familiar by its description +in her letter. Its gentle tint and her tenderly grave expression made a +charming effect. Behind them was the mother, still young and elegant, +with something of Maude’s grace in her figure and carriage. As the party +came up the aisle, Frank was to be restrained no longer. ‘Get to his +head!’ cried Jack to Hale in an excited whisper, but their man was +already hurrying to shake hands with Maude. He walked up on her right, +and they took their position in two little groups, the happy couple in +the centre. At the same moment the clang of the church-clock sounded +above them, and the vicar, shrugging his shoulders to get his white +surplice into position, came bustling out of the vestry. To him it was +all the most usual, commonplace, and unimportant thing in the world, and +both Frank and Maude were filled with amazement at the nonchalant way in +which he whipped out a prayer-book, and began to rapidly perform the +ceremony. It was all so new and solemn and all-important to them, that +they had expected something mystic and overpowering in the function, and +yet here was this brisk little man, with an obvious cold in his head, +tying them up in as business-like a fashion as a grocer uniting two +parcels. After all, he had to do it a thousand times a year, and so he +could not be extravagant in his emotions. + +The singular service was read out to them, the exhortations, and the +explanations, sometimes stately, sometimes beautiful, sometimes odious. +Then the little vicar turned upon Frank—‘_Wilt thou have this woman to +thy wedded wife_, _to live together after God’s ordinance in the holy +estate of matrimony_? _Wilt thou love her_, _comfort her_, _honour her_, +_in sickness and in health_, _and forsaking all other_, _keep thee only +unto her as long as ye both shall live_?’ + +‘_I will_,’ cried Frank, with conviction. + +‘_And wilt thou have this man to thy wedded husband_, _to live together +after God’s ordinance in the holy estate of matrimony_? _Wilt thou obey +him_, _and serve him_, _love_, _honour_, _and keep him_, _in sickness and +in health_, _and forsaking all other_, _keep thee only unto him so long +as ye both shall live_?’ + +‘_I will_,’ said Maude, from her heart. + +‘_Who giveth this woman to be married to this man_?’ + +‘_I do_. Mr. John Selby—her father, you know.’ + +And then in turn they repeated the fateful words—‘_I take thee to have +and to hold from this day forward_, _for better_, _for worse_, _for +richer_, _for poorer_, _in sickness and in health_, _to love_, _cherish_, +_and obey_, _till death us do part_, _according to God’s holy ordinance_, +_and thereto I give thee my troth_.’ + +‘Ring! Ring!’ said Hale. + +‘Ring, you Juggins!’ whispered Jack Selby. + +Frank thrust his hands frantically into all his pockets. The ring was in +the last one which he attempted. But the bank-note was not to be found. +He remembered that he had put it in some safe place. Where could it have +been? Was it in his boot, or in the lining of his hat? No, surely he +could not have done anything so infatuated. Again he took his pockets +two at a time, while a dreadful pause came in the ceremony. + +‘Vestry—afterwards,’ whispered the clergyman. + +‘Here you are!’ gasped Frank. He had come upon it in a last desperate +dive into his watch-pocket, in which he never by any chance kept +anything. Of course it was for that very reason, that it might be alone +and accessible, that he had placed it there. Ring and note were handed +to the vicar, who deftly concealed the one and returned the other. Then +Maude’s little white hand was outstretched, and over the third finger +Frank slipped the circlet of gold. + +‘_With this ring I thee wed_,’ said Frank, ‘_and with my body I thee +worship_ (he paused, and made a mental emendation of ‘with my soul +also’), _and with all my worldly goods I thee endow_.’ + +There was a prayer, and then the vicar joined the two hands, the muscular +sunburned one and the dainty white one, with the new ring gleaming upon +it. + +‘_Those whom God hath joined together_, _let no man put asunder_,’ said +he. ‘_Forasmuch as Francis Crosse and Maude Selby have consented +together in holy wedlock_, _and have witnessed the same before God and +this company_, _and thereto have given and pledged their troth_, _either +to other_, _and have declared the same by giving and receiving of a +ring_, _and by joining of hands; I pronounce that they be man and wife +together_.’ + +There now, it was done! They were one, never more to part until the +coffin-lid closed over one or the other. They were kneeling together +now, and the vicar was rapidly repeating some psalms and prayers. But +Frank’s mind was not with the ritual. He looked slantwise at the +graceful, girlish figure by his side. Her hair hung beautifully over her +white neck, and the reverent droop of her head was lovely to his eyes. +So gentle, so humble, so good, so beautiful, and all his, his sworn +life-companion for ever! A gush of tenderness flowed through his heart +for her. His love had always been passionate, but, for the instant, it +was heroic, tremendous in its unselfishness. Might he bring her +happiness, the highest which woman could wish for! God grant that he +might do so! But if he were to make her unhappy, or to take anything +from her beauty and her goodness, then he prayed that he might die now, +at this supreme moment, kneeling at her side before the altar rails. So +intense was his prayer that he looked up expectantly at the altar, as if +in the presence of an imminent catastrophe. But every one had risen to +their feet, and the service was at an end. The vicar led the way, and +they all followed him, into the vestry. There was a general murmur all +round them of congratulation and approval. + +‘Heartiest congratulations, Crosse!’ said Hale. + +‘Bravo, Maude, you looked ripping!’ cried Jack, kissing his sister. ‘By +Jove, it simply went with a buzz from the word “go.”’ + +‘You sign it here and here,’ said the vicar, ‘and the witnesses here and +here. Thank you very much. I am sure that I wish you every happiness. +I need not detain you by any further formality.’ + +And so, with a curious dream-like feeling, Frank Crosse and Maude found +themselves walking down the aisle, he very proud and erect, she very +gentle and shy, while the organ thundered the wedding-march. Carriages +were waiting: he handed in his wife, stepped in after her, and they drove +off, amidst a murmur of sympathy from a little knot of idlers who had +gathered in the porch, partly from curiosity, and partly to escape the +rain. + +Maude had often driven alone with Frank before, but now she felt suddenly +constrained and shy. The marriage-service, with all its half-understood +allusions and exhortations, had depressed and frightened her. She hardly +dared to glance at her husband. But he soon led her out of her graver +humour. + +‘Name, please?’ said he. + +‘O Frank!’ + +‘Name, if _you_ please?’ + +‘Why, you know.’ + +‘Say it.’ + +‘Maude.’ + +‘That all?’ + +‘Maude Crosse—O Frank!’ + +‘You blessing! How grand it sounds! O Maude, what a jolly old world it +is! Isn’t it pretty to see the rain falling? And aren’t the shining +pavements lovely? And isn’t everything splendid, and am I not the +luckiest—the most incredibly lucky of men. Dear girlie, give me your +hand! I can feel _it_ under the glove. Now, sweetheart, you are not +frightened, are you?’ + +‘Not now.’ + +‘You were?’ + +‘Yes, I was a little. O Frank, you won’t tire of me, will you? I should +break my heart if you did.’ + +‘Tire of you! Good heavens! Now you’ll never guess what I was doing +while the parson was telling us about what Saint Paul said to the +Colossians, and all the rest of it.’ + +‘I know perfectly well what you were doing. And you shouldn’t have done +it.’ + +‘What was I doing, then?’ + +‘You were staring at me.’ + +‘Oh, you saw that, did you?’ + +‘I felt it.’ + +‘Well, I was. But I was praying also.’ + +‘Were you, Frank?’ + +‘When I saw you kneeling there, so sweet and pure and good, I seemed to +realise how you had been given into my keeping for life, and I prayed +with all my heart that if I should ever injure you in thought, or word, +or deed, I might drop dead now before I had time to do it.’ + +‘O Frank, what a dreadful prayer!’ + +‘But I felt it and I wished it, and I could not help it. My own darling, +there you are just a living angel, the gentlest, most sensitive, and +beautiful living creature that walks the earth, and please God I shall +keep you so, and ever higher and higher if such a thing is possible, and +if ever I say a word or do a deed that seems to lower you, then remind me +of this moment, and send me back to try to live up to our highest ideal +again. And I for my part will try to improve myself and to live up to +you, and to bridge more and more the gap that is between us, that I may +feel myself not altogether unworthy of our love. And so we shall act and +re-act upon each other, ever growing better and wiser, and dating what is +best and brightest in our minds and souls from the day that we were +married. And that’s _my_ idea of a marriage-service, and here endeth the +first lesson, and the windows are blurred with rain, and hang the +coachman, and it’s hard lines if a man may not kiss his own wife—you +blessing!’ + +A broad-brimmed hat with a curling feather is not a good shape for +driving with an ardent young bridegroom in a discreetly rain-blurred +carriage. Frank demonstrated the fact, and it took them all the way to +the Langham to get those pins driven home again. And then after an +abnormal meal, which was either a very late breakfast or a very early +lunch, they drove on to Victoria Station, from which they were to start +for Brighton. Jack Selby and the two regimental fizzers, who had secured +immortality for the young couple, if the deep and constant drinking of +healths could have done it, had provided themselves with packages of +rice, old slippers, and other time-honoured missiles. On a hint from +Maude, however, that she would prefer a quiet departure, Frank coaxed the +three back into the luncheon-room with a perfectly guileless face, and +then locking the door on the outside, handed the key and a half-sovereign +to the head-waiter, with instructions to release the prisoners when the +carriage had gone—an incident which in itself would cause the judicious +observer to think that, given the opportunity, Mister Frank Crosse had it +in him to go pretty far in life. And so, quietly and soberly, they +rolled away upon their first journey—the journey which was the opening of +that life’s journey, the goal of which no man may see. + + + + +KEEPING UP APPEARANCES + + +IT was in the roomy dining-room of the Hotel Metropole at Brighton. +Maude and Frank were seated at the favourite small round table near the +window, where they always lunched. Their immediate view was a +snowy-white tablecloth with a shining centre dish of foppish little +cutlets, each with a wisp of ornamental paper, and a surrounding bank of +mashed potatoes. Beyond, from the very base of the window, as it seemed, +there stretched the huge expanse of the deep blue sea, its soothing mass +of colour broken only by a few white leaning sails upon the furthest +horizon. Along the sky-line the white clouds lay in carelessly piled +cumuli, like snow thrown up from a clearing. It was restful and +beautiful, that distant view, but just at the moment it was the near one +which interested them most. Though they lose from this moment onwards +the sympathy of every sentimental reader, the truth must be told that +they were thoroughly enjoying their lunch. + +With the wonderful adaptability of women—a hereditary faculty, which +depends upon the fact that from the beginning of time the sex has been +continually employed in making the best of situations which were not of +their own choosing—Maude carried off her new character easily and +gracefully. In her trim blue serge dress and sailor hat, with the warm +tint of yesterday’s sun upon her cheeks, she was the very picture of +happy and healthy womanhood. Frank was also in a blue serge +boating-suit, which was appropriate enough, for they spent most of their +time upon the water, as a glance at his hands would tell. Their +conversation was unhappily upon a very much lower plane than when we +overheard them last. + +‘I’ve got such an appetite!’ + +‘So have I, Frank.’ + +‘Capital. Have another cutlet.’ + +‘Thank you, dear.’ + +‘Potatoes?’ + +‘Please.’ + +‘I always thought that people on their honeymoon lived on love.’ + +‘Yes, isn’t it dreadful, Frank? We must be so material.’ + +‘Good old mother Nature! Cling on to her skirt and you never lose your +way. One wants a healthy physical basis for a healthy spiritual emotion. +Might I trouble you for the pickles?’ + +‘Are you happy, Frank?’ + +‘Absolutely and completely.’ + +‘Quite, _quite_ sure?’ + +‘I never was quite so sure of anything.’ + +‘It makes me so happy to hear you say so.’ + +‘And you?’ + +‘O Frank, I am just floating upon golden clouds in a dream. But your +poor hands! Oh, how they must pain you!’ + +‘Not a bit.’ + +‘It was that heavy oar.’ + +‘I get no practice at rowing. There is no place to row in at Woking, +unless one used the canal. But it was worth a blister or two. By Jove, +wasn’t it splendid, coming back in the moonlight with that silver lane +flickering on the water in front of us? We were so completely alone. We +might have been up in the interstellar spaces, you and I, travelling from +Sirius to Arcturus in one of those profound gulfs of the void which Hardy +talks about. It was overpowering.’ + +‘I can never forget it.’ + +‘We’ll go again to-night.’ + +‘But the blisters!’ + +‘Hang the blisters! And we’ll take some bait with us and try to catch +something.’ + +‘What fun!’ + +‘And we’ll drive to Rottingdean this afternoon, if you feel inclined. +Have this last cutlet, dear!’ + +‘No, thank you.’ + +‘Well, it seems a pity to waste it. Here goes! By the way, Maude, I +must speak very severely to you. I can’t if you look at me like that. +But really, joking apart, you must be more careful before the waiters.’ + +‘Why, dear?’ + +‘Well, we have carried it off splendidly so far. No one has found us out +yet, and no one will if we are reasonably careful. The fat waiter is +convinced that we are veterans. But last night at dinner you very nearly +gave the thing away.’ + +‘Did I, Frank?’ + +‘Don’t look so sweetly penitent, you blessing. The fact is that you make +a shocking bad conspirator. Now I have a kind of talent for that, as I +have for every other sort of depravity, so it will be pretty safe in my +hands. You are as straight as a line by nature, and you can’t be crooked +when you try.’ + +‘But what did I say? Oh, I _am_ so sorry! I tried to be so careful.’ + +‘Well, about the curry, you know. It was an error of judgment to ask if +I took chutnee. And then . . . ’ + +‘Something else?’ + +‘About the boots. Did I get them in London or Woking.’ + +‘Oh dear, dear!’ + +‘And then . . . ’ + +‘Not another! O Frank!’ + +‘Well, the use of the word “my.” You must give that word up. It should +be “our.”’ + +‘I know, I know. It was when I said that the salt water had taken the +curl out of the feather in my—no, in our—well, in _the_ hat.’ + +‘That was all right. But it is _our_ luggage, you know, and _our_ room, +and so on.’ + +‘Of course it is. How foolish I am! Then the waiter knows! O Frank, +what shall we do?’ + +‘Not he. He knows nothing. I am sure of it. He is a dull sort of +person. I had my eye on him all the time. Besides, I threw in a few +remarks just to set the thing right.’ + +‘That was when you spoke about our travels in the Tyrol?’ + +‘Yes.’ + +‘O Frank, how _could_ you? And you said how lonely it was when we were +the only visitors at the Swiss hotel.’ + +‘That was an inspiration. That finished him.’ + +‘And about the closeness of the Atlantic staterooms. I blushed to hear +you.’ + +‘But he listened eagerly to it all. I could see it.’ + +‘I wonder if he really believed it. I have noticed that the maids and +the waiters seem to look at us with a certain interest.’ + +‘My dear girlie, you will find as you go through life that every man will +always look at you with a certain interest.’ + +Maude smiled, but was unconvinced. + +‘Cheese, dear?’ + +‘A little butter, please.’ + +‘Some butter, waiter, and the Stilton. You know the real fact is, that +we make the mistake of being much too nice to each other in public. +Veterans don’t do that. They take the small courtesies for granted—which +is all wrong, but it shows that they _are_ veterans. That is where we +give ourselves away.’ + +‘That never occurred to me.’ + +‘If you want to settle that waiter for ever, and remove the last +lingering doubt from his mind, the thing is for you to be rude to me.’ + +‘Or you to me, Frank.’ + +‘Sure you won’t mind?’ + +‘Not a bit.’ + +‘Oh, hang it, I can’t—not even for so good an object.’ + +‘Well, then, I can’t either.’ + +‘But this is absurd. It is only acting.’ + +‘Quite so. It is only fun.’ + +‘Then why won’t you do it?’ + +‘Why won’t you?’ + +‘He’ll be back before we settle it. Look here! I’ve a shilling under my +hand. Heads or tails, and the loser has to be rude. Do you agree?’ + +‘Very well.’ + +‘Your call.’ + +‘Heads.’ + +‘It’s tails.’ + +‘Oh goodness!’ + +‘You’ve got to be rude. Now mind you are. Here he comes.’ + +The waiter had come up the room bearing the pride of the hotel, the grand +green Stilton with the beautiful autumn leaf heart shading away to rich +plum-coloured cavities. He placed it on the table with a solemn air. + +‘It’s a beautiful Stilton,’ Frank remarked. + +Maude tried desperately to be rude. + +‘Well, dear, I don’t think it is so very beautiful,’ was the best that +she could do. + +It was not much, but it had a surprising effect upon the waiter. He +turned and hurried away. + +‘There now, you’ve shocked him?’ cried Frank. + +‘Where _has_ he gone, Frank?’ + +‘To complain to the management about your language.’ + +‘No, Frank. Please tell me! Oh, I wish I hadn’t been so rude. Here he +is again.’ + +‘All right. Sit tight,’ said Frank. + +A sort of procession was streaming up the hall. There was their fat +waiter in front with a large covered cheese-dish. Behind him was another +with two smaller ones, and a third with some yellow powder upon a plate +was bringing up the rear. + +‘This is Gorgonzola, main,’ said the waiter, with a severe manner. ‘And +there’s Camembert and Gruyère behind, and powdered Parmesan as well. I’m +sorry that the Stilton don’t give satisfaction.’ + +Maude helped herself to Gorgonzola and looked very guilty and +uncomfortable. Frank began to laugh. + +‘I meant you to be rude to _me_, not to the cheese,’ said he, when the +procession had withdrawn. + +‘I did my best, Frank. I contradicted you.’ + +‘Oh, it was a shocking display of temper.’ + +‘And I hurt the poor waiter’s feelings.’ + +‘Yes, you’ll have to apologise to his Stilton before he will forgive +you.’ + +‘And I don’t believe he is a bit more convinced that we are veterans than +he was before.’ + +‘All right, dear; leave him to me. Those reminiscences of mine must have +settled him. If they didn’t, then I feel it is hopeless.’ + + * * * * * + +It was as well for his peace of mind that Frank could not hear the +conversation between the fat waiter and their chambermaid, for whom he +nourished a plethoric attachment. They had half an hour off in the +afternoon, and were comparing notes. + +‘Nice-lookin’ couple, ain’t they, John?’ said the maid, with the air of +an expert. ‘I don’t know as we’ve ‘ad a better since the spring +weddin’s.’ + +‘I don’t know as I’d go as far as that,’ said the fat waiter critically. +‘’E’d pass all right. ’E’s an upstandin’ young man with a good sperrit +in ’im.’ + +‘What’s wrong with ’er, then?’ + +‘It’s a matter of opinion,’ said the waiter. ‘I likes ’em a bit more +full-flavoured myself. And as to ’er taste, why there, if you ’ad seen +’er turn up ’er nose at the Stilton at lunch.’ + +‘Turn up ’er nose, did she? Well, she seemed to me a very soft-spoken, +obligin’ young lady.’ + +‘So she may be, but they’re a queer couple, I tell you. It’s as well +they are married at last.’ + +‘Why?’ + +‘Because they ’ave been goin’ on most owdacious before’and. I ’ave it +from their own lips, and it fairly made me blush to listen to it. Awful, +it was, _awful_!’ + +‘You don’t say that, John!’ + +‘I tell you, Jane, I couldn’t ’ardly believe my ears. They was married +on Tuesday last, as we know well, and to-day’s _Times_ to prove it, and +yet if you’ll believe me, they was talkin’ about ’ow they ’ad travelled +alone abroad—’ + +‘Never, John!’ + +‘And alone in a Swiss ’otel!’ + +‘My goodness!’ + +‘And a steamer too.’ + +‘Well, there! I’ll never trust any one again.’ + +‘Oh, a perfec’ pair of scorchers. But I’ll let ’im see as I knows it. +I’ll put that _Times_ before ’im to-night at dinner as sure as my name’s +John.’ + +‘And a good lesson to them, too! If you didn’t say you’d ’eard it from +their own lips, John, I never could ’ave believed it. It’s things like +that as shakes your trust in ’uman nature.’ + +Maude and Frank were lingering at the _table d’hôte_ over their walnuts +and a glass of port wine, when their waiter came softly behind them. + +‘Beg pardon, sir, but did you see it in the _Times_?’ + +‘See what?’ + +‘_That_, sir. I thought that it might be of interest to you and to your +good lady to see it.’ + +He had laid one page of the paper before them, with his forefinger upon +an item in the left-hand top corner. Then he discreetly withdrew. Frank +stared at it in horror. + +‘Maude, your people have gone and put it in.’ + +‘Our marriage!’ + +‘Here it is! Listen! “Crosse—Selby. 30th June, at St. Monica’s Church, +by the Rev. John Tudwell, M.A., Vicar of St. Monica’s, Frank Crosse, of +Maybury Road, Woking, to Maude Selby, eldest daughter of Robert Selby, +Esq., of St. Albans.” Great Scot, Maude! what shall we do?’ + +‘Well, dear, does it matter?’ + +‘Matter! It’s simply awful!’ + +‘I don’t mind much if they do know.’ + +‘But my reminiscences, Maude! The travels in the Tyrol! The Swiss +Hotel! The Stateroom! Great goodness, how I have put my foot into it.’ + +Maude burst out laughing. + +‘You old dear!’ she cried, ‘I don’t believe you are a bit better as a +conspirator than I am. There’s only one thing you can do. Give the +waiter half a crown, tell him the truth, and don’t conspire any more.’ + +And so ignominiously ended the attempt which so many have made, and at +which so many have failed. Take warning, gentle reader, and you also, +gentler reader still, when your own turn comes. + + + + +THE HOME-COMING + + +THE days of holiday were over, and for each of them the duties of life +were waiting. For him it was his work, and for her, her housekeeping. +They both welcomed the change, for there was a rush and a want of privacy +about the hotel life which had been amusing at first, but was now +becoming irksome. It was pleasant, as they rolled out of Waterloo +Station that summer night, to know that their cosy little home was +awaiting them just five-and-twenty miles down the line. They had a +first-class carriage to themselves—it is astonishing how easy it is for +two people to fit into one of those armchair partitions,—and they talked +all the way down about their plans for the future. Golden visions of +youth, how they can glorify even a suburban villa and four hundred a +year! They exulted together over the endless vista of happy days which +stretched before them. + +Mrs. Watson, Frank’s trusty housekeeper, had been left in charge of The +Lindens, and he had sent her a telegram the evening before to tell her +that they were coming. She had already engaged the two servants, so +everything would be ready for them. They pictured her waiting at the +door, the neat little rooms with all their useful marriage-presents in +their proper places, the lamplight and the snowy cloth laid for supper in +the dining-room. It would be ten o’clock before they got there, and that +supper would be a welcome sight. It was all delightful to look forward +to, and this last journey was the happiest of all their wanderings. +Maude wanted to see her kitchen. Frank wanted to see his books. Both +were eager for the fight. + +But they found a small annoyance waiting for them at Woking. A crowded +train had preceded them, and there was not a single cab left at the +station. Some would be back soon, but nobody could tell when. + +‘You don’t mind walking, Maude?’ + +‘I should prefer it.’ + +So a friendly porter took charge of their trunks, and promised to send +them up when a conveyance had arrived. In the meantime they started off +together down an ill-lit and ill-kept road, which opened into that more +important thoroughfare in which their own villa was situated. They +walked quickly, full of eager anticipations. + +‘It’s just past the third lamp-post on the right,’ said Frank. ‘Now it’s +only the second lamp-post. You see it will not be far from the station. +Those windows among the trees are where Hale lives—my best man, you know! +Now it is only one lamp-post!’ They quickened their pace almost to a +run, and so arrived at the gate of The Lindens. + +It was a white gate leading into a short path—‘carriage sweep’ the +house-agent called it,—and so to a low but comfortable-looking little +house. The night was so dark that one could only see its outline. To +their surprise, there was no sign of a light either above the door or at +any of the windows. + +‘Well, I’m blessed!’ cried Frank. + +‘Never mind, dear. They live at the back, no doubt.’ + +‘But I gave them the hour. This is too bad. I am so sorry.’ + +‘It will be all the more cosy inside. What a dear little gate this is! +The whole place is perfectly charming.’ + +But in spite of her brave attempts at making the best of it, it could not +be denied that this black house was not what they had pictured in their +dreams. Frank strode angrily up the path and pulled at the bell. There +was no answer, so he knocked violently. Then he knocked with one hand +while he rang with the other, but no sound save that of the clanging bell +came from the gloomy house. As they stood forlornly in front of their +own hall-door, a soft rain began to rustle amidst the bushes. At this +climax of their troubles Maude burst into such a quiet, hearty, +irresistible fit of laughter, that the angry Frank was forced to laugh +also. + +‘My word, it will be no laughing matter for Mrs. Watson if she cannot +give a good reason for it,’ said he. + +‘Perhaps the poor woman is ill.’ + +‘But there should be two other people, the cook and the housemaid. It is +just as well that we did not bring up our trunks, or we should have had +to dump them down in the front garden. You wait here, dear, under the +shelter of the porch, and I will walk round and see if I can burgle it.’ + +He tried the back, but it was as dark as the front, and the kitchen-door +was locked. Then he prowled unhappily in the rain from window to window. +They were all fastened. He came back to the kitchen-door, poked his +stick through the glass which formed the upper panel, and then putting +his hand through the hole, he turned the key, and so stumbled into the +obscurity of his own hall. He passed through it, unlocked the front +door, and received Maude into his open arms. + +‘Welcome to your home, my own darling girl. May you never have one sad +hour under this roof! What a dismal home-coming! What can I do to make +amends? But good comes out of evil, you see, for in no other possible +way could I have been inside to welcome you when you entered.’ + +They stayed in the hall in the dark some time, these wet and foolish +young people. Then Frank struck a match, and tried to light the +hall-lamp. There was no oil in it. He muttered something vigorous, and +carried his burning vesta into the dining-room. Two candles were +standing on the sideboard. He lit them both, and things began to look a +little more cheerful. They took a candle each and began to explore their +own deserted house. + +The dining-room was excellent—small, but very snug. The Tantalus +spirit-stand—stood upon the walnut sideboard, and the bronzes from the +cricket-club looked splendid upon each side of the mantelpiece. Beside +the clock in the centre lay an open telegram. Frank seized it eagerly. + +‘There now!’ he cried. ‘Listen to this. “Expect us on Thursday evening +about ten.” It was _Tuesday_ evening, I said. That’s the telegraphic +clerk. We’ve come two days before our time.’ + +It was good to have any sort of explanation, although it left a great +deal unexplained. They passed through the hall with its shining +linoleum, and into the drawing-room. It was not a very good room, too +square for elegance, but they were in no humour for criticism, and it was +charming to see all the old knick-knacks, and the photographs of friends +in their frames. A big wrought-iron and brass-work standing lamp towered +up near the fireplace, but again there was no oil. + +‘I think that Mrs. Watson has arranged it all splendidly,’ said Maude, +whose active fingers were already beginning to reconstruct. ‘But where +can she be?’ + +‘She must be out, for, of course, she lives in the house. But it is the +absence of the servants which amazes me, for I understood that they had +arrived. What would you like to do?’ + +‘Aren’t you hungry, Frank?’ + +‘Simply starving.’ + +‘So am I.’ + +‘Well, then, let us forage and see if we cannot find something to eat.’ + +So hand in hand, and each with a candle in the other hand, like a pair of +young penitents, they continued their explorations with more purpose than +before. The kitchen, into which they penetrated, had clearly been much +used of late, for there were dirty dishes scattered about, and the fire +had been lighted, though it was now out. In one corner was what seemed +to be a pile of drab-coloured curtains. In the other, an armchair lay +upon its side with legs projecting. A singular disorder, very alien to +Mrs. Watson’s habits, pervaded the apartment. A dresser with a cupboard +over it claimed the first attention of the hungry pair. With a cheer +from Frank and hand-clapping from Maude, they brought out a new loaf of +bread, some butter, some cheese, a tin of cocoa, and a bowl full of eggs. +Maude tied an apron over her pretty russet dress, seized some sticks and +paper, and had a fire crackling in a very few minutes. + +‘Put some water in the kettle, Frank.’ + +‘Here you are! Anything else?’ + +‘Some in the small saucepan for the eggs.’ + +‘I believe they are “cookers,”’ said he, sniffing at them suspiciously. + +‘Hold them up to the light, sir. There, they are quite bright and nice. +In with them! Now, if you will cut some bread and butter it, we shall +soon have our supper ready.’ + +‘It’s too new to cut,’ cried Frank, sawing away upon the kitchen table. +‘Besides, new bread is better in chunks. Here are some cloths and knives +and forks in the dresser drawer. I will go and lay the table.’ + +‘And leave me here alone. No please, Frank, if I am cook, you must be +scullery-maid. Get the cups down and put the cocoa in them. What fun it +all is! I think it is simply _splendid_ to be mistress of a house.’ + +‘With one scullery-maid.’ + +‘And she perfectly incompetent, and much given to embracing her mistress. +I must take my hat off. Get the sugar for the cocoa out of the cupboard. +The kettle is singing, so it won’t be long. Do you know, Frank’—she +paused, listening, with the egg-saucepan in her hands. ‘There’s a dog or +something in the room.’ + +They had both become aware of a sort of sibilant breathing, and they +looked round them in bewilderment. + +‘Where is it?’ asked Maude. ‘Frank, I believe it’s a mouse.’ + +‘Hope for the best. Don’t frighten yourself unnecessarily. I fancy it +comes from under these curtains.’ He approached them with his candle, +and was suddenly aware of a boot which was projecting from them. ‘Great +Scot!’ he cried, ‘there’s a woman here asleep.’ + +Reassured as to the mouse, Maude approached with her saucepan still +clutched in her hand. There could be no doubt either as to the woman or +the sleep. She lay in an untidy heap, her head under the table, and her +figure sprawling. She appeared to be a very large woman. + +‘Hullo!’ cried Frank, shaking her by the shoulder. ‘Hullo, you there!’ + +But the woman slumbered peacefully on. + +‘Heh, wake up, wake up!’ he shouted, and pulled her up into a sitting +position. But she slept as soundly sitting as lying. + +‘The poor thing must be ill,’ said Maude. ‘O Frank, shall I run for a +doctor?’ + +‘Wake up, woman, wake up!’ Frank yelled, and danced her up and down. She +flopped about like a sawdust doll, with her arms swinging in front of +her. He panted with his exertions, but she was serenely unconscious. At +last he had to lower her on to the floor again, putting a footstool under +her head. + +‘It’s no go,’ said he. ‘I can make nothing of her. She will sleep it +off.’ + +‘You don’t mean to say, Frank, that she is—’ + +‘Indeed I do.’ + +‘How horrible!’ + +‘That kettle is boiling now. Suppose we have our supper.’ + +‘Dear Frank, I could not enjoy my supper with that unfortunate woman +lying there. O Frank, I know that you could not either.’ + +‘Bless her!’ said Frank bitterly, as he gazed at the inert lump. ‘I +really don’t see why we should put ourselves out for her. She is quite +comfortable.’ + +‘Oh I couldn’t, Frank. It would seem inhuman.’ + +‘What are we to do, then?’ + +‘We must put her to bed.’ + +‘Great heavens!’ + +‘Yes, dear, it is our duty to put her to bed.’ + +‘But look here, my dear girl, we must be practical. The woman weighs +half a ton, and the bedrooms are at the top of the house. It’s simply +impossible.’ + +‘Don’t you think, Frank, that if you took her head and I took her feet, +we might get her up?’ + +‘Not up the stair, dear. She is enormous.’ + +‘Well, then, on to the drawing-room sofa,’ said Maude. ‘I could have my +supper, if I knew that she was safe upon the sofa.’ + +So Frank, seeing that there was no help for it, seized her under the +arms, and Maude took her ankles, and they bore her, bulging but serene, +down the passage. They staggered exhausted into the drawing-room, and +the new sofa groaned beneath the weight. It was a curious and unsavoury +inaugural ceremony. Maude put a rug over the prostrate form, and they +returned to their boiling kettle and their uncooked eggs. Then they laid +the table, and served the supper, and enjoyed this picnic meal of their +own creating as no conventional meal could ever have been enjoyed. +Everything seemed beautiful to the young wife—the wall-paper, the +pictures, the carpet, the rug; but to him, she was so beautiful in mind, +and soul, and body, that her presence turned the little room into an +enchanted chamber. They sat long together, and marvelled at their own +happiness—that pure serene happiness of mere companionship, which is so +much more intimate and deeper than all the transports of passion. + +But suddenly he sprang from his chair. There was the sound of steps, of +several steps, outside upon the gravel path. Then a key clicked, and a +burst of cold air told them that the door was open. + +‘It’s agin’ the law for me to enter,’ said a gruff voice. + +‘I tell you she’s very strong and violent,’ said a second voice, which +Frank recognised as that of Mrs. Watson. ‘She chased the maid out of the +house, and I can do nothing with her.’ + +‘Very sorry, mum, but it’s clean agin’ the law of England. Give me a +warrant, and in I come. If you will bring her to the doorstep, I will be +answerable for her removal.’ + +‘She’s in the dining-room. I can see the lights,’ said Mrs. Watson; and +then, ‘Good Lord, Mr. Crosse, what a fright you gave me! Oh dear me, +that you should have come when I was out, and I not expecting you for +another two days yet. Well, now, I shall never forgive myself for this.’ + +But all the mistakes and misfortunes were very quickly explained. The +telegram was the root of the evil. And then the new cook had proved to +be a violent, intermittent drunkard. She had chased the other maid out +of the house, and then, while Mrs. Watson rushed for the police, she had +drunk herself into the stupor in which she had been found. But now, in +the nick of time, the station cab came up with the luggage, and so the +still placidly slumbering culprit was carried out to it, and sent off in +the charge of the policeman. Such was the first entry of Mr. and Mrs. +Crosse into their home at The Lindens. + + + + +LAYING A COURSE + + +FRANK CROSSE was a methodical young man—his enemies might sometimes have +called him pedantic,—and he loved to reduce his life to rule and order. +It was one of his peculiarities. But how about this new life into which +he was entering? It took two to draw up the rules for that. The little +two-oared craft who put out upon that voyage have to lay their own +course, each for itself; and all round them, as they go, they see the +floating timbers and broken keels of other little boats, which had once +started out full of hope and confidence. There are currents and eddies, +low sand-banks and sunken reefs, and happy the crews who see them ahead, +and trim their course to avoid them. Frank brooded over it all. He had +seen something of life, for his years. He was observant and reflective. +He had watched his friends who were happy, and he had watched his friends +who were not. And now, as a result of all this wise cogitation, he sat +down at a table one evening, with a solemn face, and a sheet of foolscap. + +‘Now, Maude,’ said he, ‘I want to have a serious talk.’ + +Maude looked up in surprise from the linen which she was marking. + +‘Oh dear!’ she cried. + +‘Why “oh dear”?’ + +‘There’s something wrong?’ + +‘Nothing in the world.’ + +‘You looked so solemn, Frank. I thought you had been looking at the +tradesman’s books. What is it, dear?’ + +‘Well, Maude, I have been thinking of married life in general. Don’t you +think it would be a good thing if we were to make some resolutions as to +how it should be conducted—some fundamental principles, as it were?’ + +‘Oh do, dear, do! What fun it will be!’ + +‘But it’s serious, Maude.’ + +‘Yes, dear, I am quite serious.’ + +‘It seemed to me, that if we could reduce it to certain rules, then, +whatever came upon us in the future, we should always know exactly how to +act.’ + +‘What are the rules, dear?’ + +‘Well, we can only arrive at them by talking it over between ourselves. +I could not draw up a set of rules, and ask you to submit to them. That +is not my idea of a partnership. But if we found that we were agreed +upon certain points, then we could both adopt them by mutual consent.’ + +‘How charming, Frank! Do please tell me some of the points.’ + +‘I have a few in my mind, and I should like to hear any which you may +have—any ideas, you know, how to get the very highest and best out of our +life. Now, first of all, there is the subject of quarrelling.’ + +‘O Frank, how horrid!’ + +‘Dear girl, we must look into the future. We are going to live all our +lives together. We must foresee and prepare for all the chances of +life.’ + +‘But that is absurd.’ + +‘You can’t live all your life and never be in a bad temper!’ + +‘But not with _you_, Frank.’ + +‘Oh, I can be very aggravating sometimes. Now, my idea is this. +Ill-humour passes and hurts nobody. But if two people are ill-humoured, +then each excites the other, and they say ever so much more than they +mean. Let us make a compact never both to be ill-humoured at the same +time. If _you_ are cross, then it is your turn, and I stand clear. If +_I_ am cross, you let me work it off. When either hoists the +danger-signal, the other is on guard. What do you think of that?’ + +‘I think you are the funniest old boy—’ + +‘Do you agree?’ + +‘Yes, dear, of course I agree.’ + +‘Article number one,’ said Frank, and scribbled upon his paper. + +‘Your turn, now.’ + +‘No, dear, I have not thought of anything.’ + +‘Well, then, here is another point. Never take each other for granted.’ + +‘What do you mean by that?’ + +‘Never relax those attentions which one lover shows to another. Some +husbands seem to forget that their wives are ladies. Some wives speak to +their husbands with less courtesy and consideration than to any casual +male visitor. They mean no harm, but they get into a slack way. We must +not do that.’ + +‘I don’t think we are likely to.’ + +‘People get into it unconsciously. Pull me up sharply at the first +sign.’ + +‘Yes, sir, I will.’ + +‘The next point that I have noted is an extension of the last. Let each +strive to be worthy of the love of the other. People get slovenly and +slipshoddy, as if it didn’t matter now that they were married. If each +were very keen to please the other, that would not be so. How many women +neglect their music after marriage.’ + +‘My goodness, I haven’t practised for a week!’ cried Maude. + +‘And their dress and their hair’—Maude’s hand flew up to her curls. ‘My +darling, yours is just perfect. But you know how often a woman grows +careless. “He will love me anyhow,” she says to herself, and perhaps she +is right, but still it is not as it should be.’ + +‘Why, Frank, I had no idea you knew so much.’ + +‘I have heard my friends’ experiences.—And the man too: he should +consider his wife’s feelings as much as he did his sweetheart’s. If she +dislikes smoke, he should not smoke. He should not yawn in her presence. +He should keep himself well-groomed and attractive. Look at that dirty +cuff! I have no business to have it.’ + +‘As if it could make any difference to me.’ + +‘There now! That is what is so demoralising. You should stand out for +the highest. When I came to you at St. Albans, I had not dirty cuffs.’ + +‘You forgive me the music, Frank, and I’ll forgive you the cuff. But I +agree to all you say. I think it is so wise and good. Now I’ve got +something to add.’ + +‘Good. What is it?’ + +‘Each should take an interest in the other’s department.’ + +‘Why, of course they should.’ + +‘But it is not done.’ + +‘Why naturally, dear, you take an interest in my City work.’ + +‘Yes, sir, but do you take as keen an interest in my housekeeping?’ + +‘Perhaps I have been a little thoughtless.’ + +‘No, no, dear, you haven’t. You are always full of consideration. But I +have noticed it with mother, and with others also. The husband pulls out +his cheque-book at the end of the week or month, and he says, “Well, this +is rather more than we can afford,” or “This is less than I expected,” +but he never really takes any interest in his wife’s efforts to keep +things nice on a little. He does not see it with her eyes and try to +realise her difficulties. Oh, I wish I could express myself better, but +I know that the interest is one-sided.’ + +‘I think what you say is quite right. I’ll try to remember that. How +shall we enter it upon our list?’ + +‘That Interests should be mutual.’ + +‘Quite right. I have it down. Well, any more points?’ + +‘It is your turn.’ + +‘Well, there is this, and I feel that it is just the holiest thing in +matrimony, and its greatest justification—that love should never +degenerate into softness, that each should consciously stimulate the +better part of the other and discourage the worse, that there should be a +discipline in our life, and that we should brace each other up to a +higher ideal. The love that says, “I know it is wrong, but I love him or +her so much that I can’t refuse,” is a poor sort of love for the +permanent use of married life. The self-respect which refuses to let the +most lofty ideal of love down by an inch is a far nobler thing, and it +wears better too.’ + +‘How will you express all that?’ + +‘Mutual respect is necessary for mutual love.’ + +‘Yes, I am sure that that is right.’ + +‘It sounds obvious, but the very intensity of love makes love soft and +blind. Now I have another, which I am convinced that you will not agree +with.’ + +‘Let me hear it.’ + +‘I have put it in this way, “The tight cord is the easiest to snap.”’ + +‘What do you mean?’ + +‘Well, I mean that married couples should give each other a certain +latitude and freedom. If they don’t, one or other will sooner or later +chafe at the restriction. It is only human nature, which is an older and +more venerable thing than marriage.’ + +‘I don’t like that at all, Frank.’ + +‘I feared you wouldn’t, dear, but I believe you’ll see it with me when I +explain what I mean. If you don’t, then I must try to see it with you. +When one talks of freedom in married life, it means, as a rule, freedom +only for the man. He does what he likes, but still claims to be a strict +critic of his wife. That, I am sure, is wrong. To take an obvious +example of what I mean, has a husband a right to read his wife’s letters? +Certainly not, any more than she has a right to read his without his +permission. To read them as a matter of course would be stretching the +chain too tight.’ + +‘Chain is a horrid word, Frank.’ + +‘Well, it is only a metaphor. Or take the subject of friendships. Is a +married man to be debarred from all friendship and intimacy with another +woman?’ + +Maude looked doubtful. + +‘I should like to see the woman first,’ she said. + +‘Or is a married woman to form no friendship with another man who might +interest or improve her? There is such a want of mutual confidence in +such a view. People who are sure of each other should give each other +every freedom in that. If they don’t, they are again stretching it +tight.’ + +‘If they do, it may become so slack that it might as well not be there at +all.’ + +‘I felt sure that we should have an argument over this. But I have seen +examples. Look at the Wardrops. _There_ were a couple who were never +apart. It was their boast that everything was in common with them. If +he was not in, she opened his letters, and he hers. And then there came +a most almighty smash. The tight cord had snapped. Now, I believe that +for some people, it is a most excellent thing that they should take their +holidays at different times.’ + +‘O Frank!’ + +‘Yes, I do. No, not for us, by Jove! I am generalising now. But for +some couples, I am sure that it is right. They reconsider each other +from a distance, and they like each other the better.’ + +‘Yes, but these rules are for our guidance, not for that of other +people.’ + +‘Quite right, dear. I was off the rails. “As you were,” as your brother +Jack would say. But I am afraid that I am not going to convince you over +this point.’ + +Maude looked charmingly mutinous. + +‘No, Frank, you are not. I don’t think marriage can be too close. I +believe that every hope, and thought, and aspiration should be in common. +I could never get as near to your heart and soul as I should wish to do. +I want every year to draw me closer and closer, until we really are as +nearly the same person as it is possible to be upon earth.’ + +When you have to surrender, it is well to do so gracefully. Frank +stooped down and kissed his wife’s hand, and apologised. ‘The wisdom of +the heart is greater than the wisdom of the brain,’ said he. But the +love of man comes from the brain, far more than the love of woman, and so +it is that there will always be some points upon which they will never +quite see alike. + +‘Then we scratch out that item.’ + +‘No, dear. ‘Put “The cord which is held tight is the easiest to snap.” +That will be all right. The cord of which I speak is never held at all. +The moment it is necessary to hold it, it is of no value. It must be +voluntary, natural, unavoidable.’ + +So Frank amended his aphorism. + +‘Anything more, dear?’ + +‘Yes, I have thought of one other,’ said she. ‘It is that if ever you +had to find fault with me about anything, it should be when we are +alone.’ + +‘And the same in your case with me. That is excellent. What can be more +vulgar and degrading than a public difference of opinion? People do it +half in fun sometimes, but it is wrong all the same. Duly entered upon +the minutes. Anything else?’ + +‘Only material things.’ + +‘Yes, but they count also. Now, in the matter of money, I feel that +every husband should allow his wife a yearly sum of her own, to be paid +over to her, and kept by her, so that she may make her own arrangements +for herself. It is degrading to a woman to have to apply to her husband +every time she wants a sovereign. On the other hand, if the wife has any +money, she should have the spending of it. If she chooses to spend part +of it in helping the establishment, that is all right, but I am sure that +she should have her own separate account, and her own control of it.’ + +‘If a woman really loves a man, Frank, how can she grudge him everything +she has? If my little income would take one worry from your mind, what a +joy it would be to me to feel that you were using it!’ + +‘Yes, but the man has his self-respect to think of. In a great crisis +one might fall back upon one’s wife—since our interests are the same, but +only that could justify it. So much for the wife’s money. Now for the +question of housekeeping.’ + +‘That terrible question!’ + +‘It is only hard because people try to do so much upon a little. Why +should they try to do so much? The best pleasures of life are absolutely +inexpensive. Books, music, pleasant intimate evenings, the walk among +the heather, the delightful routine of domestic life, my cricket and my +golf—these things cost very little.’ + +‘But you must eat and drink, Frank. And as to Jemima and the cook, it is +really extraordinary the amount which they consume.’ + +‘But the tendency is for meals to become much too elaborate. Why that +second vegetable?’ + +‘There now! I knew that you were going to say something against that +poor vegetable. It costs so little.’ + +‘On an average, I have no doubt that it costs threepence a day. Come +now, confess that it does. Do you know what threepence a day comes to in +a year? There is no use in having an accountant for a husband, if you +can’t get at figures easily. It is four pounds eleven shillings and +threepence.’ + +‘It does not seem very much.’ + +‘But for that money, and less, one could become a member of the London +Library, with the right to take out fifteen books at a time, and all the +world’s literature to draw from. Now just picture it: on one side, all +the books in the world, all the words of the wise, and great, and witty; +on the other side, a lot of cauliflowers and vegetable-marrows and French +beans. Which is the better bargain?’ + +‘Good gracious, we shall never have a second vegetable again!’ + +‘And pudding?’ + +‘My dear, you always eat the pudding.’ + +‘I know I do. It seems an obvious thing to do when the pudding is there +in front of me. But if it were not there, I should neither eat it nor +miss it, and I know that you care nothing about it. There would be +another five or six pounds a year.’ + +‘We’ll have a compromise, dear. Second vegetable one day, pudding the +next.’ + +‘Very good.’ + +‘I notice that it is always after you have had a substantial meal that +you discuss economy in food. I wonder if you will feel the same when you +come back starving from the City to-morrow? Now, sir, any other +economy?’ + +‘I don’t think money causes happiness. But debt causes unhappiness. And +so we must cut down every expense until we have a reserve fund to meet +any unexpected call. If you see any way in which I could save, or any +money I spend which you think is unjustifiable, I do wish that you would +tell me. I got into careless ways in my bachelor days.’ + +‘That red golfing-coat.’ + +‘I know. It was idiotic of me.’ + +‘Never mind, dear. You look very nice in it. After all, it was only +thirty shillings. Can you show me any extravagance of mine?’ + +‘Well, dear, I looked at that dressmaker’s bill yesterday.’ + +‘O Frank, it is such a pretty dress, and you said you liked it, and you +have to pay for a good cut, and you said yourself that a wife must not +become dowdy after marriage, and it would have cost double as much in +Regent Street.’ + +‘I didn’t think the dress dear.’ + +‘What was it, then?’ + +‘The silk lining of the skirt.’ + +‘You funny boy!’ + +‘It cost thirty shillings extra. Now, what can it matter if it is lined +with silk or not?’ + +‘Oh, doesn’t it? Just you try one and see.’ + +‘But no one can know that it is lined with silk.’ + +‘When I rustle into a room, dear, every woman in it knows that my skirt +is lined with silk.’ + +Frank felt that he had ventured out of his depth, so he struck out for +land again. + +‘There’s only one economy which I don’t think is justifiable,’ said he, +‘and that is, to cut down your subscriptions to charities. It is such a +very cheap way of doing things. Not that I do much in that line—too +little, perhaps. But to say that because _we_ want to economise, +therefore some poor people are to suffer, is a very poor argument. We +must save at our own expense.’ + +So now Frank, in his methodical fashion, had all his results tabulated +upon his sheet of foolscap. It was not a very brilliant production, but +it might serve as a chart for the little two-oared boats until a better +one is forthcoming. It ran in this way— + + _Maxims for the Married_ + + 1. Since you are married, you may as well make the best of it. + + 2. So make some maxims and try to live up to them. + + 3. And don’t be discouraged if you fail. You will fail, but perhaps + you won’t always fail. + + 4. Never both be cross at the same time. Wait your turn. + + 5. Never cease to be lovers. If you cease, some one else may begin. + + 6. You were gentleman and lady before you were husband and wife. + Don’t forget it. + + 7. Keep yourself at your best. It is a compliment to your partner. + + 8. Keep your ideal high. You may miss it, but it is better to miss + a high one than to hit a low one. + + 9. A blind love is a foolish love. Encourage the best in each + other’s nature. + + 10. Permanent mutual respect is necessary for a permanent mutual + love. A woman can love without respect, but a man cannot. + + 11. The tight cord is the easiest to snap. + + 12. Let there be one law for both. + + 13. There is only one thing worse than quarrels in public. That is + caresses. + + 14. Money is not essential to happiness, but happy people usually + have enough. + + 15. So save some. + + 16. The easiest way of saving is to do without things. + + 17. If you can’t, then you had better do without a wife. + + 18. The man who respects his wife does not turn her into a + mendicant. Give her a purse of her own. + + 19. If you save, save at your own expense. + + 20. In all matters of money, prepare always for the worst and hope + for the best. + +Such was their course as far as this ambitious young couple could lay it. +They may correct it by experience, and improve it by use, but it is good +enough to guide them safely out to sea. + + + + +CONFESSIONS + + +‘TELL me, Frank, did you ever love any one before me?’ + +‘How badly trimmed the lamp is to-night!’ said he. It was so bad that he +went off instantly into the dining-room to get another. It was some time +before he returned. + +She waited inexorably until he had settled down again. + +‘Did you, Frank?’ she asked. + +‘Did I what?’ + +‘Ever love any one else?’ + +‘My dear Maude, what _is_ the use of asking questions like that?’ + +‘You said that there were no secrets between us.’ + +‘No, but there are some things better left alone.’ + +‘That is what I should call a secret.’ + +‘Of course, if you make a point of it—’ + +‘I do.’ + +‘Well, then, I am ready to answer anything that you ask. But you must +not blame me if you do not like my answers.’ + +‘Who was she, Frank?’ + +‘Which?’ + +‘O Frank, more than one!’ + +‘I told you that you would not like it.’ + +‘Oh, I wish I had not asked you!’ + +‘Then do let us drop it.’ + +‘No, I can’t drop it now, Frank. You have gone too far. You must tell +me everything.’ + +‘Everything?’ + +‘Yes, everything, Frank.’ + +‘I am not sure that I can.’ + +‘Is it so dreadful as that?’ + +‘No, there is another reason.’ + +‘Do tell me, Frank.’ + +‘There is a good deal of it. You know how a modern poet excused himself +to his wife for all his pre-matrimonial experiences. He said that he was +looking for her.’ + +‘Well, I do like that!’ she cried indignantly. + +‘I was looking for you.’ + +‘You seem to have looked a good deal.’ + +‘But I found you at last.’ + +‘I had rather you had found me at first, Frank.’ He said something about +supper, but she was not to be turned. + +‘How many did you really love?’ she asked. ‘Please don’t joke about it, +Frank. I really want to know.’ + +‘If I choose to tell you a lie—’ + +‘But you won’t!’ + +‘No, I won’t. I could never feel the same again.’ + +‘Well, then, how many did you love?’ + +‘Don’t exaggerate what I say, Maude, or take it to heart. You see it +depends upon what you mean by love. There are all sorts and degrees of +love, some just the whim of a moment, and others the passion of a +lifetime; some are founded on mere physical passion, and some on +intellectual sympathy, and some on spiritual affinity.’ + +‘Which do you love me with?’ + +‘All three.’ + +‘Sure?’ + +‘Perfectly sure.’ + +She came over and the cross-examination was interrupted. But in a few +minutes she had settled down to it again. + +‘Well, now—the first?’ said she. + +‘Oh, I can’t, Maude—don’t.’ + +‘Come, sir—her name?’ + +‘No, no, Maude, that is going a little too far. Even to you, I should +never mention another woman’s name.’ + +‘Who was she, then?’ + +‘Please don’t let us go into details. It is perfectly _horrible_. Let +me tell things in my own way.’ + +She made a little grimace. + +‘You are wriggling, sir. But I won’t be hard upon you. Tell it your own +way.’ + +‘Well, in a word, Maude, I was always in love with some one.’ + +Her face clouded over. + +‘Your love must be very cheap,’ said she. + +‘It’s almost a necessity of existence for a healthy young man who has +imagination and a warm heart. It was all—or nearly all—quite +superficial.’ + +‘I should think all your love was superficial, if it can come so easily.’ + +‘Don’t be cross, Maude. I had never seen you at the time. I owed no +duty to you.’ + +‘You owed a duty to your own self-respect.’ + +‘There, I knew we should have trouble over it. What do you want to ask +such questions for? I dare say I am a fool to be so frank.’ + +She sat for a little with her face quite cold and set. In his inmost +heart Frank was glad that she should be jealous, and he watched her out +of the corner of his eye. + +‘Well!’ said she at last. + +‘Must I go on?’ + +‘Yes, I may as well hear it.’ + +‘You’ll only be cross.’ + +‘We’ve gone too far to stop. And I’m not cross, Frank. Only pained a +little. But I do appreciate your frankness. I had no idea you were such +a—such a Mormon.’ She began to laugh. + +‘I used to take an interest in every woman.’ + +‘“Take an interest” is good.’ + +‘That was how it began. And then if circumstances were favourable the +interest deepened, until at last, naturally—well, you can understand.’ + +‘How many did you take an interest in?’ + +‘Well, in pretty nearly all of them.’ + +‘And how many deepened?’ + +‘Oh, I don’t know.’ + +‘Twenty?’ + +‘Well—rather more than that, I think.’ + +‘Thirty?’ + +‘Quite thirty.’ + +‘Forty?’ + +‘Not more than forty, I think.’ + +Maude sat aghast at the depths of his depravity. + +‘Let me see: you are twenty-seven now, so you have loved four women a +year since you were seventeen.’ + +‘If you reckon it that way,’ said Frank, ‘I am afraid that it must have +been more than forty.’ + +‘It’s dreadful,’ said Maude, and began to cry. + +Frank knelt down in front of her and kissed her hands. She had sweet +little plump hands, very soft and velvety. + +‘You make me feel such a brute,’ said he. ‘Anyhow, I love you now with +all my heart and mind and soul.’ + +‘Forty-firstly and lastly,’ she sobbed, half laughing and half crying. +Then she pulled his hair to reassure him. + +‘I can’t be angry with you,’ said she. ‘Besides, it would be ungenerous +to be angry when you tell me things of your own free will. You are not +forced to tell me. It is very honourable of you. But I do wish you had +taken an interest in me first.’ + +‘Well, it was not so fated. I suppose there are some men who are quite +good when they are bachelors. But I don’t believe they are the best men. +They are either archangels upon earth—young Gladstones and Newmans—or +else they are cold, calculating, timid, un-virile creatures, who will +never do any good. The first class must be splendid. I never met one +except in memoirs. The others I don’t want to meet.’ + +Women are not interested in generalities. + +‘Were they nicer than me?’ she asked. + +‘Who?’ + +‘Those forty women.’ + +‘No, dear, of course not. Why are you laughing?’ + +‘Well, it came into my head how funny it would be, if the forty were all +gathered into one room, and you were turned loose in the middle of them.’ + +‘Funny!’ Frank ejaculated. Women have such extraordinary ideas of +humour. Maude laughed until she was quite tired. + +‘It doesn’t strike you as comic?’ she cried at last. + +‘No, it doesn’t,’ he answered coldly. + +‘Of course it wouldn’t,’ said she, and went off into another ripple of +pretty contralto laughter. There is a soft, deep, rich laugh, which some +women have, that is the sweetest sound in Nature. + +‘When you have quite finished,’ said he huffily. Her jealousy was much +more complimentary than her ridicule. + +‘All right now. Don’t be cross. If I didn’t laugh I should cry. I’m so +sorry if I have annoyed you.’ He had gone back to his chair, so she paid +him a flying visit. ‘Satisfied?’ + +‘Not quite.’ + +‘Now?’ + +‘All right. I forgive you.’ + +‘That’s funny too. Fancy _you_ forgiving _me_ after all these +confessions. But you never loved one of them all as you love me.’ + +‘Never.’ + +‘Swear it.’ + +‘I do swear it.’ + +‘Morally, and what do you call it, and the other?’ + +‘Not one of them.’ + +‘And never will again?’ + +‘Never.’ + +‘Good boy for ever and ever?’ + +‘For ever and ever.’ + +‘And the forty were horrid?’ + +‘No, hang it, Maude, I can’t say that.’ + +She pouted and hung her head. + +‘You do like them better, then?’ + +‘How absurd you are, Maude! If I had liked one better, I should have +married her.’ + +‘Well, yes, I suppose you would. You must have taken a deeper interest +in me than in the others, since you married me. I hadn’t thought of +that.’ + +‘Silly old girl! Of course I liked you best. Let us drop the thing, and +never talk about it any more.’ + +‘Have you their photographs?’ + +‘No.’ + +‘None of them?’ + +‘No.’ + +‘What did you do with them?’ + +‘I never had most of them.’ + +‘And the others?’ + +‘I destroyed some when I married.’ + +‘That was nice of you. Aren’t you sorry?’ + +‘No, I thought it was only right.’ + +‘Were you fondest of dark women or fair?’ + +‘Oh, I don’t know. _I_ was never pernickety in _my_ tastes. You know +those lines I read you from Henley: “Handsome, ugly—all are women.” +That’s a bachelor’s sentiment.’ + +‘But do you mean to say, sir—now, you are speaking on your honour, that +out of all these forty, there was not one who was prettier than I am?’ + +‘Do let us talk of something else.’ + +‘And not one as clever?’ + +‘How absurd you are to-night, Maude!’ + +‘Come, answer me.’ + +‘I’ve answered you already.’ + +‘I did not hear you.’ + +‘Oh yes, you did. I said that I had married you, and that shows that I +liked you best. I don’t compare you quality for quality against every +one in the world. That would be absurd. What I say is that your +combination of qualities is the one which is most dear to me.’ + +‘Oh, I see,’ said Maude dubiously. ‘How nice and frank you are!’ + +‘Now I’ve hurt you!’ + +‘Oh no, not in the least. I like you to be frank. I should hate to +think that there was anything you did not dare to tell me.’ + +‘And you, Maude—would you be equally frank with me?’ + +‘Yes, dear, I will. I feel that I owe it to you after your confidence in +me. I have had my little experiences too.’ + +‘You!’ + +‘Perhaps you would rather that I said nothing about them. What good can +there be in raking up these old stories?’ + +‘No, I had rather you told me.’ + +‘You won’t be hurt?’ + +‘No, no—certainly not.’ + +‘You may take it from me, Frank, that if any married woman ever tells her +husband that until she saw him she never felt any emotion at the sight of +another man, it is simple nonsense. There may be women of that sort +about, but I never met them. I don’t think I should like them, for they +must be dry, cold, unsympathetic, unemotional, unwomanly creatures.’ + +‘Maude, you have loved some one else!’ + +‘I won’t deny that I have been interested deeply interested in several +men.’ + +‘Several!’ + +‘It was before I had met you, dear. I owed you no duty.’ + +‘You have loved several men.’ + +‘The feeling was for the most part quite superficial. There are many +different sorts and degrees of love.’ + +‘Good God, Maude! How many men inspired this feeling in you?’ + +‘The truth is, Frank, that a healthy young woman who has imagination and +a warm heart is attracted by every young man. I know that you wish me to +be frank and to return your confidence. But there is a certain kind of +young man with whom I always felt my interest deepen.’ + +‘Oh, you did discriminate?’ + +‘Now you are getting bitter. I will say no more.’ + +‘You have said too much. You must go on now.’ + +‘Well, I was only going to say that dark men always had a peculiar +fascination for me. I don’t know what it is, but the feeling is quite +overpowering.’ + +‘Is that why you married a man with flaxen hair?’ + +‘Well, I couldn’t expect to find every quality in my husband, could I? +It would not be reasonable. I assure you, dear, that taking your _tout +ensemble_, I like you far the best of all. You may not be the +handsomest, and you may not be the cleverest—one cannot expect one’s +absolute ideal,—but I love you far, far the best of any. I do hope I +haven’t hurt you by anything I have said.’ + +‘I am sorry I am not your ideal, Maude. It would be absurd to suppose +myself anybody’s ideal, but I hoped always that the eyes of love +transfigured an object and made it seem all right. My hair is past +praying for, but if you can point out anything that I can mend—’ + +‘No, no, I want you just as you are. If I hadn’t liked you best, I +shouldn’t have married you, Frank, should I?’ + +‘But those other experiences?’ + +‘Oh, we had better drop them. What good can it possibly do to discuss my +old experiences? It will only annoy you.’ + +‘Not at all. I honour you for your frankness in speaking out, although I +acknowledge that it is a little unexpected. Go on.’ + +‘I forget where I was.’ + +‘You had just remarked that before your marriage you had love-affairs +with a number of men.’ + +‘How horrid it sounds, doesn’t it?’ + +‘Well, it did strike me in that way.’ + +‘But that’s because you exaggerate what I said. I said that I had been +attracted by several men.’ + +‘And that dark men thrilled you.’ + +‘Exactly.’ + +‘I had hoped that I was the first.’ + +‘It was not fated to be so. I could easily tell you a lie, Frank, and +say that you were, but I should never forgive myself if I were to do such +a thing. You see I left school at seventeen, and I was twenty-three when +I became engaged to you. There are six years. Imagine all the dances, +picnics, parties, visitings of six years. I could not help meeting young +men continually. A good many were interested in me, and I—’ + +‘You were interested in them.’ + +‘It was natural, Frank.’ + +‘Oh yes, perfectly natural. And then I understand that the interest +deepened.’ + +‘Sometimes. When you met a young man who was interested several times +running, at a dance, then in the street, then in the garden, then a walk +home at night—of course your interest began to deepen.’ + +‘Yes.’ + +‘And then—’ + +‘Well, what was the next stage?’ + +‘Sure you’re not angry?’ + +‘No, no, not at all. Why don’t you keep the key in the spirit-stand?’ + +‘It might tempt Jemima. Shall I get it?’ + +‘No, no, go on! The next stage was?’ + +‘Well, when you have been deeply interested some time, then you begin to +have experiences.’ + +‘Ah!’ + +‘Don’t shout, Frank.’ + +‘Did I shout? Never mind. Go on! You had experiences.’ + +‘Why go into details?’ + +‘You must go on. You have said too much to stop. I insist upon hearing +the experiences.’ + +‘Not if you ask for them in that way, Frank.’ Maude had a fine dignity +of her own when she liked. + +‘Well, I don’t insist. I beg you to have confidence in me, and tell me +some of your experiences.’ + +She leaned back in her armchair with her eyes half closed, and a quiet +retrospective smile upon her face. + +‘Well, if you would really like to hear, Frank, as a proof of my +confidence and trust, I will tell you. You will remember that I had not +seen you at the time.’ + +‘I will make every excuse.’ + +‘I will tell you a single experience. It was my first of the sort, and +stands out very clearly in my memory. It all came through my being left +alone with a gentleman who was visiting my mother.’ + +‘Yes!’ + +‘Well, we were alone in the room, you understand.’ + +‘Yes, yes, go on!’ + +‘And he paid me many little compliments: kept saying how pretty I was, +and that he had never seen a sweeter girl, and so on. You know what +gentlemen would say?’ + +‘And you?’ + +‘Oh, I hardly answered him, but of course I was young and inexperienced, +and I could not help being flattered and pleased at his words. I may +have shown him what I felt, for he suddenly—’ + +‘Kissed you!’ + +‘Exactly. He kissed me. Don’t walk up and down the room, dear. It +fidgets me.’ + +‘All right. Go on. Don’t stop. After this outrage what happened next?’ + +‘You really want to know?’ + +‘I must know. What did you do?’ + +‘I am so sorry that I ever began, for I can see that it is exciting you. +Light your pipe, dear, and let us talk of something else. It will only +make you cross if I tell you the truth.’ + +‘I won’t be cross. Go on. What did you do?’ + +‘Well, Frank, since you insist—I kissed him back.’ + +‘You—you kissed him back!’ + +‘You’ll have Jemima up if you go on like that.’ + +‘You kissed him back!’ + +‘Yes, dear; it may be wrong, but I did.’ + +‘Good God! why did you do that?’ + +‘Well, I liked him.’ + +‘A dark man?’ + +‘Yes, he was dark.’ + +‘O Maude! Maude! Well, don’t stop. What then?’ + +‘Then he kissed me several times.’ + +‘Of course he would, if you kissed him. What else could you expect? And +then?’ + +‘O Frank, I can’t.’ + +‘Go on. I am ready for anything!’ + +‘Well, do sit down, and don’t run about the room. I am only agitating +you.’ + +‘There, I am sitting. You can see that I am not agitated. For Heaven’s +sake, go on!’ + +‘He asked me if I would sit upon his knee.’ + +‘Yek!’ + +Maude began to laugh. + +‘Why, Frank, you are croaking like a frog.’ + +‘I am glad you think it a laughing matter. Go on! Go on! You yielded +to his very moderate and natural request. You sat upon his knee.’ + +‘Well, Frank, I did.’ + +‘Good heavens!’ + +‘Don’t be so excitable, dear. It was long before I ever saw you.’ + +‘You mean to sit there and tell me in cold blood that you sat upon this +ruffian’s knee!’ + +‘What else could I do?’ + +‘What could you do? You could have screamed, you could have rung the +bell, you could have struck him—you could have risen in the dignity of +your insulted womanhood and walked out of the room.’ + +‘It was not so easy for me to walk out of the room.’ + +‘He held you?’ + +‘Yes, he held me.’ + +‘Oh, if I had been there!’ + +‘And there was another reason.’ + +‘What was that?’ + +‘Well, I wasn’t very good at walking at that time. You see, I was only +three years old.’ + +Frank sat for a few minutes absorbing it. + +‘You little wretch!’ he said at last. + +‘Oh you dear old goose! I feel so much better.’ + +‘You horror!’ + +‘I had to get level with you over my forty predecessors. You old +Bluebeard! But I did harrow you a little—didn’t I?’ + +‘Harrow me! I’m raw all over. It’s a nightmare. O Maude, how could you +have the heart?’ + +‘Oh, it was lovely—beautiful!’ + +‘It was dreadful.’ + +‘And how jealous you were! Oh, I _am_ so glad!’ + +‘I don’t think,’ said Frank, as he put his arms round her, ‘that I ever +quite realised before—’ + +And just then Jemima came in with the tray. + + + + +CONCERNING MRS. BEETON + + +FRANK CROSSE had only been married some months when he first had occasion +to suspect that his wife had some secret sorrow. There was a sadness and +depression about her at times, for which he was unable to account. One +Saturday afternoon he happened to come home earlier than he was expected, +and entering her bedroom suddenly, he found her seated in the +basket-chair in the window, with a large book upon her knees. Her face, +as she looked up at him with a mixed expression of joy and of confusion, +was stained by recent tears. She put the book hastily down upon the +dressing-stand. + +‘Maude, you’ve been crying.’ + +‘No, Frank, no!’ + +‘O Maude, you fibber! Remove those tears instantly.’ He knelt down +beside her and helped. ‘Better now?’ + +‘Yes, dearest, I am quite happy.’ + +‘Tears all gone?’ + +‘Quite gone.’ + +‘Well, then, explain!’ + +‘I didn’t mean to tell you, Frank!’ She gave the prettiest, most +provocative little wriggles as her secret was drawn from her. ‘I wanted +to do it without your knowing. I thought it would be a surprise for you. +But I begin to understand now that my ambition was much too high. I am +not clever enough for it. But it is disappointing all the same.’ + +Frank took the bulky book off the table. It was Mrs. Beeton’s _Book of +Household Management_. The open page was headed, ‘General Observations +on the Common Hog,’ and underneath was a single large tear-drop. It had +fallen upon a woodcut of the Common Hog, in spite of which Frank solemnly +kissed it, and turned Maude’s trouble into laughter. + +‘Now you are all right again. I do hate to see you crying, though you +never look more pretty. But tell me, dear, what was your ambition?’ + +‘To know as much as any woman in England about housekeeping. To know as +much as Mrs. Beeton. I wanted to master every page of it, from the first +to the last.’ + +‘There are 1641 of them,’ said Frank, turning them over. + +‘I know. I felt that I should be quite old before I had finished. But +the last part, you see, is all about wills, and bequests, and homeopathy, +and things of that kind. We could do it later. It is the early part +that I want to learn now—but it _is_ so hard.’ + +‘But why do you wish to do it, Maude?’ + +‘Because I want you to be as happy as Mr. Beeton.’ + +‘I’ll bet I am.’ + +‘No, no, you can’t be, Frank. It says somewhere here that the happiness +and comfort of the husband depend upon the housekeeping of the wife. +Mrs. Beeton must have been the finest housekeeper in the world. +Therefore, Mr. Beeton must have been the happiest and most comfortable +man. But why should Mr. Beeton be happier and more comfortable than my +Frank? From the hour I read that I determined that he shouldn’t be—and +he won’t be.’ + +‘And he isn’t.’ + +‘Oh, you think so. But then you know nothing about it. You think it +right because I do it. But if you were visiting Mrs. Beeton, you would +soon see the difference.’ + +‘What an awkward trick you have of always sitting in a window,’ said +Frank, after an interval. ‘I’ll swear that the wise Mrs. Beeton never +advocates that—with half a dozen other windows within point-blank range.’ + +‘Well, then, you shouldn’t do it.’ + +‘Well, then, you shouldn’t be so nice.’ + +‘You really still think that I am nice?’ + +‘Fishing!’ + +‘After all these months?’ + +‘Nicer and nicer every day.’ + +‘Not a bit tired?’ + +‘You blessing! When I am tired of you, I shall be tired of life.’ + +‘How wonderful it all seems!’ + +‘Does it not?’ + +‘To think of that first day at the tennis-party. “I hope you are not a +very good player, Mr. Crosse!”—“No, Miss Selby, but I shall be happy to +make one in a set.” That’s how we began. And now!’ + +‘Yes, it is wonderful.’ + +‘And at dinner afterwards. “Do you like Irving’s acting?”—“Yes, I think +that he is a great genius.” How formal and precise we were! And now I +sit curling your hair in a bedroom window.’ + +‘It _does_ seem funny. But I suppose, if you come to think of it, +something of the same kind must have happened to one or two people +before.’ + +‘But never quite like us.’ + +‘Oh no, never quite like us. But with a kind of family resemblance, you +know. Married people do usually end by knowing each other a little +better than on the first day they met.’ + +‘What _did_ you think of me, Frank?’ + +‘I’ve told you often.’ + +‘Well, tell me again.’ + +‘What’s the use when you know?’ + +‘But I like to hear.’ + +‘Well, it’s just spoiling you.’ + +‘I love to be spoiled.’ + +‘Well, then, I thought to myself—If I can only have that woman for my +own, I believe I will do something in life yet. And I also thought—If I +don’t get that woman for my own, I will never, never be the same man +again.’ + +‘Really, Frank, the very first day you saw me?’ + +‘Yes, the very first day.’ + +‘And then?’ + +‘And then, day by day, and week by week, that feeling grew deeper and +stronger, until at last you swallowed up all my other hopes, and +ambitions, and interests. I hardly dare think, Maude, what would have +happened to me if you had refused me.’ + +She laughed aloud with delight. + +‘How sweet it is to hear you say so! And the wonderful thing is that you +have never seemed disappointed. I always expected that some day after +marriage—not immediately, perhaps, but at the end of a week or so—you +would suddenly give a start, like those poor people who are hypnotised, +and you would say, “Why, I used to think that she was pretty! I used to +think that she was sweet! How could I be so infatuated over a little, +insignificant, ignorant, selfish, uninteresting—” O Frank, the +neighbours will see you?’ + +‘Well, then, you mustn’t provoke me.’ + +‘What _will_ Mrs. Potter think?’ + +‘You should pull down the blinds before you make speeches of that sort.’ + +‘Now do sit quiet and be a good boy.’ + +‘Well, then, tell me what you thought.’ + +‘I thought you were a very good tennis-player.’ + +‘Anything else?’ + +‘And you talked nicely.’ + +‘Did I? I never felt such a stick in my life. I was as nervous as a +cat.’ + +‘That was so delightful. I do hate people who are very cool and assured. +I saw that you were disturbed, and I even thought—’ + +‘Yes?’ + +‘Well, I thought that perhaps it was I who disturbed you.’ + +‘And you liked me?’ + +‘I was very interested in you.’ + +‘Well, that is the blessed miracle which I can never get over. You, with +your beauty, and your grace, and your rich father, and every young man at +your feet, and I, a fellow with neither good looks, nor learning, nor +prospects, nor—’ + +‘Be quiet, sir! Yes, you shall! Now?’ + +‘By Jove, there _is_ old Mrs. Potter at the window! We’ve done it this +time. Let us get back to serious conversation again.’ + +‘How did we leave it?’ + +‘It was that hog, I believe. And then Mr. Beeton. But where does the +hog come in? Why should you weep over him? And what are the Lady’s +Observations on the Common Hog?’ + +‘Read them for yourself.’ + +Frank read out aloud: ‘“The hog belongs to the order Mammalia, the genus +_sus scrofa_, and the species _pachydermata_, or thick-skinned. Its +generic characters are a long, flexible snout, forty-two teeth, cloven +feet, furnished with four toes, and a tail, which is small, short, and +twisted, while, in some varieties, this appendage is altogether +wanting.”—But what on earth has all this to do with housekeeping?’ + +‘That’s what _I_ want to know. It is so disheartening to have to +remember such things. What does it matter if the hog _has_ forty-two +toes. And yet, if Mrs. Beeton knew it, one feels that one ought to know +it also. If once I began to skip, there would be no end to it. But it +really is such a splendid book in other ways. It doesn’t matter what you +want, you will find it here. Take the index anywhere. Cream. If you +want cream, it’s all there. Croup. If you want—I mean, if you don’t +want croup, it will teach you how not to get it. Crumpets—all about +them. Crullers—I’m sure you don’t know what a cruller is, Frank.’ + +‘No, I don’t.’ + +‘Neither do I. But I could look it up and learn. Here it is—paragraph +2847. It is a sort of pancake, you see. That’s how you learn things.’ + +Frank Crosse took the book and dropped it. It fell with a sulky thud +upon the floor. + +‘Nothing that it can teach you, dear, can ever make up to me if it makes +you cry, and bothers you.—You bloated, pedantic thing!’ he cried, in +sudden fury, aiming a kick at the squat volume. ‘It is to you I owe all +those sad, tired looks which I have seen upon my wife’s face. I know my +enemy now. You pompous, fussy old humbug, I’ll kick the red cover off +you!’ + +But Maude snatched it up, and gathered it to her bosom. ‘No, no, Frank, +I don’t know what I should do without it. You have no idea what a wise +old book it is. Now, sit there on the footstool at my feet, and I will +read to you.’ + +‘Do, dear; it’s delightful.’ + +‘Sit quiet, then, and be good. Now listen to this pearl of wisdom: “As +with the commander of an army, so it is with the mistress of a house. +Her spirit will be seen through the whole establishment, and, just in +proportion as she performs her duties thoroughly, so will her domestics +follow in her path.”’ + +‘From which it follows,’ said her husband, ‘that Jemima must be a perfect +paragon.’ + +‘On the contrary, it explains all Jemima’s shortcomings. Listen to this: +“Early rising is one of the most essential qualities. When a mistress is +an early riser, it is almost certain that her house will be orderly and +well managed.”’ + +‘Well, you are down at nine—what more do you want?’ + +‘At nine! I am sure that Mrs. Beeton was always up at six.’ + +‘I have my doubts about Mrs. B. Methinks the lady doth protest too much. +I should not be very much surprised to learn that she had breakfast in +bed every morning.’ + +‘O Frank! You have no reverence for anything.’ + +‘Let us have some more wisdom.’ + +‘“Frugality and Economy are home virtues without which no household can +prosper. Dr. Johnson says, ‘Frugality may be termed—’” + +‘Oh, bother Dr. Johnson! Who cares for a man’s opinion. Now, if it had +been Mrs. Johnson—!’ + +‘Johnson kept house for himself for years—and a queer job he made of it.’ + +‘So I should think.’ Maude tossed her pretty curls. ‘Mrs. Beeton is all +right, but I will not be lectured by Dr. Johnson. Where was I? Oh +yes—“‘We must always remember that to manage a little well, is a great +merit in housekeeping.”’ + +‘Hurrah! Down with the second vegetable! No pudding on fish days. +_Vive la bière de Pilsen_!’ + +‘What a noisy boy you are!’ + +‘This book excites me. Anything more?’ + +“Friendships should not be hastily formed, nor the heart given at once to +every newcomer—”’ + +‘Well, I should hope not! Don’t let me catch you at it! You don’t mind +my cigarette? Has Mrs. Beeton a paragraph about smoking in bedrooms?’ + +‘Such an enormity never occurred to her as a remote possibility. If she +had known you, dear, she would have had to write an appendix to her book +to meet all the new problems which you would suggest. Shall I go on?’ + +‘Please do!’ + +‘She next treats conversation. “In conversation, trifling occurrences +such as small disappointments, petty annoyances, and other everyday +incidents, should never be mentioned to friends. If the mistress be a +wife, never let a word in connection with her husband’s failings pass her +lips—”’ + +‘By Jove, this book has more wisdom to the square inch than any work of +man,’ cried Frank, in enthusiasm. + +‘I thought that would please you. “Good temper should be cultivated by +every mistress, as upon it the welfare of the household may be said to +turn.”’ + +‘Excellent!’ + +‘“In starting a household, it is always best in the long-run to get the +very best articles of their kind.”’ + +‘That is why I got you, Maude.’ + +‘Thank you, sir. We have a dissertation then upon dress and fashion, +another upon engaging domestics, another about daily duties, another +about visiting, another about fresh air and exercise—’ + +‘The most essential of any,’ cried Frank, jumping up, and pulling his +wife by the arms out of her low wicker-chair. ‘There is just time for +nine holes at golf before it is dark, if you wilt come exactly as you +are. But listen to this, young lady. If ever again I see you fretting +or troubling yourself about your household affairs—’ + +‘No, no, Frank, I won’t!’ + +‘Well, if you do, Mrs. Beeton goes into the kitchen-fire. Now remember?’ + +‘You are sure you don’t envy Mr. Beeton?’ + +‘I don’t envy a man upon earth.’ + +‘Then why should I try to be Mrs. Beeton?’ + +‘Why indeed?’ + +‘O Frank, what a load off my mind! Those sixteen hundred pages have just +lain upon it for months. Dear old boy! come on!’ + +And they clattered downstairs for their golf-clubs. + + + + +MR. SAMUEL PEPYS + + +THERE were few things which Maude liked so much as a long winter evening +when Frank and she dined together, and then sat beside the fire and made +good cheer. It would be an exaggeration to say that she preferred it to +a dance, but next to that supreme joy, and higher even than the theatre +in her scale of pleasures, were those serene and intimate evenings when +they talked at their will, and were silent at their will, within their +home brightened by those little jokes and endearments and allusions which +make up that inner domestic masonry which is close-tiled for ever to the +outsider. Five or six evenings a week, she with her sewing and Frank +with his book, settled down to such enjoyment as men go to the ends of +the earth to seek, while it awaits them, if they will but atune their +souls to sympathy, beside their own hearthstones. Now and again their +sweet calm would be broken by a ring at the bell, when some friend of +Frank’s would come round to pay them an evening visit. At the sound +Maude would say ‘bother,’ and Frank something shorter and stronger, but, +as the intruder appeared, they would both break into, ‘Well, really now +it _was_ good of you to drop in upon us in this homely way.’ Without +such hypocrisy, the world would be a hard place to live in. + +I may have mentioned somewhere that Frank had a catholic taste in +literature. Upon a shelf in their bedroom—a relic of his bachelor +days—there stood a small line of his intimate books, the books which +filled all the chinks of his life when no new books were forthcoming. +They were all volumes which he had read in his youth, and many times +since, until they had become the very tie-beams of his mind. His tastes +were healthy and obvious without being fine. Macaulay’s _Essays_, +Holmes’ _Autocrat_, Gibbons’ _History_, Jefferies’ _Story of my Heart_, +Carlyle’s Life, Pepys’ _Diary_, and Borrow’s _Lavengro_ were among his +inner circle of literary friends. The sturdy East Anglian, half +prize-fighter, half missionary, was a particular favourite of his, and so +was the garrulous Secretary of the Navy. One day it struck him that it +would be a pleasant thing to induce his wife to share his enthusiasms, +and he suggested that the evenings should be spent in reading selections +from these old friends of his. Maude was delighted. If he had proposed +to read the rig-vedas in the original Sanskrit, Maude would have listened +with a smiling face. It is in such trifles that a woman’s love is more +than a man’s. + +That night Frank came downstairs with a thick well-thumbed volume in his +hand. + +‘This is Mr. Pepys,’ said he solemnly. + +‘What a funny name!’ cried Maude. ‘It makes me think of indigestion. +Why? Oh yes, pepsine, of course.’ + +‘We shall take a dose of him every night after dinner to complete the +resemblance. But seriously, dear, I think that now that we have taken up +a course of reading, we should try to approach it in a grave spirit, and +endeavour to realise—Oh, I say, don’t!’ + +‘I _am_ so sorry, dear! I do hope I didn’t hurt, you!’ + +‘You did—considerably.’ + +‘It all came from my having the needle in my hand at the time—and you +looked so solemn—and—well, I couldn’t help it.’ + +‘Little wretch—!’ + +‘No, dear; Jemima may come in any moment with the coffee. Now, do sit +down and read about Mr. Pepys to me. And first of all, would you mind +explaining all about the gentleman, from the beginning, and taking +nothing for granted, just as if I had never heard of him before.’ + +‘I don’t believe—’ + +‘Never mind, sir! Be a good boy and do exactly what you are told. Now +begin!’ + +‘Well, Maude, Mr. Pepys was born—’ + +‘What was his first name?’ + +‘Samuel.’ + +‘Oh dear, I’m sure I should not have liked him.’ + +‘Well, it’s too late to change that. He was born—I could see by looking, +but it really doesn’t matter, does it? He was born somewhere in sixteen +hundred and something or other, and I forget what his father was.’ + +‘I must try to remember what you tell me.’ + +‘Well, it all amounts to this, that he got on very well in the world, +that he became at last a high official of the navy in the time of Charles +the Second, and that he died in fairly good circumstances, and left his +library, which was a fine one, to one of the universities, I can’t +remember which.’ + +‘There is an accuracy about your information, Frank—’ + +‘I know, dear, but it really does not matter. All this has nothing to do +with the main question.’ + +‘Go on, then!’ + +‘Well, this library was left as a kind of dust-catcher, as such libraries +are, until one day, more than a hundred years after the old boy’s death, +some enterprising person seems to have examined his books, and he found a +number of volumes of writing which were all in cipher, so that no one +could make head or tail of them.’ + +‘Dear me, how very interesting!’ + +‘Yes, it naturally excited curiosity. Why should a man write volumes of +cipher? Imagine the labour of it! So some one set to work to solve the +cipher. This was about the year 1820. After three years they +succeeded.’ + +‘How in the world did they do it?’ + +‘Well, they say that human ingenuity never yet invented a cipher which +human ingenuity could not also solve. Anyhow, they did succeed. And +when they had done so, and copied it all out clean, they found they had +got hold of such a book as was never heard of before in the whole history +of literature.’ + +Maude laid her sewing on her lap, and looked across with her lips parted +and her eyebrows raised. + +‘They found that it was an inner Diary of the life of this man, with all +his impressions, and all his doings, and all his thoughts—not his +ought-to-be thoughts, but his real, real thoughts, just as he thought +then at the back of his soul. You see this man, and you know him very +much better than his own wife knew him. It is not only that he tells of +his daily doings, and gives us such an intimate picture of life in those +days, as could by no other means have been conveyed, but it is as a piece +of psychology that the thing is so valuable. Remember the dignity of the +man, a high government official, an orator, a writer, a patron of +learning, and here you have the other side, the little thoughts, the mean +ideas which may lurk under a bewigged head, and behind a solemn +countenance. Not that he is worse than any of us. Not a bit. But he is +frank. And that is why the book is really a consoling one, for every +sinner who reads it can say to himself, “Well, if this man who did so +well, and was so esteemed, felt like this, it is no very great wonder +that I do.”’ + +Maude looked at the fat brown book with curiosity. ‘Is it really all +there?’ she asked. + +‘No, dear, it will never all be published. A good deal of it is, I +believe, quite impossible. And when he came to the impossible places, he +doubled and trebled his cipher, so as to make sure that it should never +be made out. But all that is usually published is here.’ Frank turned +over the leaves, which were marked here and there with pencilings. + +‘Why are you smiling, Frank?’ + +‘Only at his way of referring to his wife.’ + +‘Oh, he was married?’ + +‘Yes, to a very charming girl. She must have been a sweet creature. He +married her at fifteen on account of her beauty. He had a keen eye for +beauty had old Pepys.’ + +‘Were they happy?’ + +‘Oh yes, fairly so. She was only twenty-nine when she died!’ + +‘Poor girl!’ + +‘She was happy in her life—though he _did_ blacken her eye once.’ + +‘Not really?’ + +‘Yes, he did. And kicked the housemaid.’ + +‘Oh, the brute!’ + +‘But on the whole he was a good husband. He had a few very good points +about him.’ + +‘But how does he allude to his wife?’ + +‘He has a trick of saying, “my wife, poor wretch!”’ + +‘Impertinent! Frank, you said to-night that other men think what this +odious Mr. Pepys says. Yes, you did! Don’t deny it! Does that mean +that you always think of me as “poor wretch”?’ + +‘We have come along a little since then. But how these passages take you +back to the homely life of those days!’ + +‘Do read some.’ + +‘Well, listen to this, “And then to bed without prayers, to-morrow being +washing-day.” Fancy such a detail coming down to us through two +centuries.’ + +‘Why no prayers?’ + +‘I don’t know. I suppose they had to get up early on washing-days, and +so they wanted to go to sleep soon.’ + +‘I’m afraid, dear, you do the same without as good an excuse. Read +another!’ + +‘He goes to dine with some one—his uncle, I think. He says, “An +excellent dinner, but the venison pasty was palpable beef, which was not +handsome.”’ + +‘How beautiful! Mrs. Hunt Mortimer’s sole last week was palpable plaice. +Mr. Pepys is right. It was not handsome.’ + +‘Here’s another grand entry: “Talked with my wife of the poorness and +meanness of all that the people about us do, compared with what we do.” +I dare say he was right, for they did things very well. When he dined +out, he says that his host gave him “the meanest dinner of beef, shoulder +and umbles of venison, and a few pigeons, and all in the meanest manner +that ever I did see, to the basest degree.” + +‘What are umbles, dear?’ + +‘I have no idea.’ + +‘Well, whatever they are, it sounds to me a very good dinner. People +must have lived very well in those days.’ + +‘They habitually over-ate and over-drank themselves. But Pepys gives us +the menu of one of his own entertainments. I’ve marked it somewhere. +Yes, here it is. “Fricassee of rabbits and chickens, a leg of mutton +boiled, three carps in a dish, a great dish of a side of lamb, a dish of +roasted pigeons, a dish of four lobsters, three tarts, a lamprey pie (a +most rare pie!), a dish of anchovies, good wine of several sorts, and all +things mighty noble and to my great content.”’ + +‘Good gracious! I told you that I associated him with indigestion.’ + +‘He did them pretty well that time.’ + +‘Who cooked all this?’ + +‘The wife helped in those days.’ + +‘No wonder she died at twenty-nine. Poor dear! What a splendid +kitchen-range they must have had! I never understood before why they had +such enormous grates in the old days. Naturally, if you have six +pigeons, and a lamprey, and a lobster, and a side of lamb, and a leg of +mutton, and all these other things cooking at the same time, you would +need a huge fire.’ + +‘The wonderful thing about Pepys,’ said Frank, looking thoughtfully over +the pages, ‘is that he is capable of noting down the mean little impulses +of human nature, which most men would be so ashamed of, that they would +hasten to put them out of their mind. His occasional shabbiness in money +matters, his jealousies, his envies, all his petty faults, which are +despicable on account of their pettiness. Fancy any man writing this. +He is describing how he visited a friend and was reading a book from his +library. “A very good book,” says he, “especially one letter of advice +to a courtier, most true and good, which made me once resolve to tear out +the two leaves that it was writ in, but I forbore it.” Imagine recording +such a vile thought.’ + +‘But what you have never explained to me yet, dear, or if you did, I +didn’t understand—you don’t mind my being a little stupid, do you?—is, +what object Mr. Pepys had in putting down all this in such a form that no +one could read it.’ + +‘Well, you must bear in mind, dear, that he could read it himself. +Besides he was a fellow with a singularly methodical side to his mind. +He was, for example, continually adding up how much money he had, or +cataloguing and indexing his library, and so on. He liked to have +everything shipshape. And so with his life, it pleased him to have an +exact record which he could turn to. And yet, after all, I don’t know +that that is a sufficient explanation.’ + +‘No, indeed, it is not. My experience of man—’ + +‘_Your_ experience, indeed!’ + +‘Yes, sir, my experience of men—how rude you are, Frank!—tells me that +they have funny little tricks and vanities which take the queerest +shapes.’ + +‘Indeed! Have I any?’ + +‘You—you are compounded of them. Not vanity—no, I don’t mean that. But +pride—you are as proud as Lucifer, and much too proud to show it. That +is the most subtle form of pride. Oh yes, I know perfectly well what I +mean. But in this man’s case, it took the form of wishing to make a +sensation after his death. He could not publish such a thing when he +lived, could he?’ + +‘Rather not.’ + +‘Well, then, he had to do it after his death. He had to write it in +cipher, or else some one would have found him out during his lifetime. +But, very likely, he left a key to the cipher, so that every one might +read it when he was gone, but the key and his directions were in some way +lost.’ + +‘Well, it is very probable.’ + +The fire had died down, so Maude shipped off her chair, and sat on the +black fur rug, with her back against Frank’s knees. ‘Now, dear, read +away!’ said she. + +But the lamp shone down upon her dainty head, and it gleamed upon her +white neck, and upon the fluffy, capricious, untidy, adorable, little +curlets, which broke out along the edges of the gathered strands of her +chestnut hair. And so, after the fashion of men, his thoughts flew away +from Mr. Pepys and the seventeenth century, and all that is lofty and +instructive, and could fix upon nothing except those dear little +wandering tendrils, and the white column on which they twined. Alas, +that so small a thing can bring the human mind from its empyrean flights! +Alas, that vague emotions can drag down the sovereign intellect! Alas, +that even for an hour, a man should prefer the material to the spiritual! + +But the man who doesn’t misses a good deal. + + + + +A VISIT TO MR. SAMUEL PEPYS + + +THERE are several unjustifiable extravagances which every normal man +commits. There are also several unjustifiable economies. Among others, +there is that absurd eagerness to save the striking of a second match, +which occasions so many burned fingers, and such picturesque language. +And again, there is the desire to compress a telegraphic message into the +minimum sixpennyworth, and so send an ambiguous and cryptic sentence, +when sevenpence would have made it as clear as light. We all tend to be +stylists in our telegrams. + +A week after the conversation about Mr. Pepys, when some progress had +been made with the reading of the _Diary_, Maude received the following +wire from Frank— + + ‘MRS. CROSSE. Woking.—Pepys buttered toast suède gloves four + Monument wait late.’ + +As a sixpennyworth it was a success, but as a message it seemed to leave +something to be desired. Maude puzzled over it, and tried every possible +combination of the words. The nearest approach to sense was when it was +divided in this way—Pepys—buttered toast—suède gloves—four—Monument, wait +late. + +She wrote it out in this form, and took it section by section. ‘Pepys,’ +that was unintelligible. ‘Buttered toast,’ no sense in that. ‘Suède +gloves,’ yes, she had told Frank that when she came to town, she would +buy some suède gloves at a certain shop in the City, where she could get +for three and threepence a pair which would cost her three and ninepence +in Woking. Maude was so conscientiously economical, that she was always +prepared to spend two shillings in railway fares to reach a spot where a +sixpence was to be saved, and to lavish her nerve and energy freely in +the venture. Here, then, in the suède gloves, was a central point of +light. And then her heart bounded with joy, as she realised that the +last part could only mean that she was to meet Frank at the Monument at +four, and that she was to wait for him if he were late. + +So, now, returning to the opening of the message, with the light which +shone from the ending, she realised that buttered toast might refer to a +queer little City hostel, remarkable for that luxury, where Frank had +already taken her twice to tea. And so leaving Mr. Pepys to explain +himself later, Maude gave hurried orders to Jemima and the cook, and +dashed upstairs to put on her new fawn-coloured walking-dress—a garment +which filled her with an extraordinary mixture of delight and remorse, +for it was very smart, cost seven guineas, and had not yet been paid for. + +The rendezvous was evidently a sudden thought upon the part of Frank, for +he had left very little time for her to reach the trysting-place. +However, she was fortunate in catching a train to Waterloo, and another +thence to the City, and so reached the Monument at five minutes to four. +The hour was just striking when Frank, with his well-brushed top-hat and +immaculate business frock-coat, came rushing from the direction of King +William Street. Maude held out her hand and he shook it, and then they +both laughed at the formality. + +‘I am so glad you were able to come, dearest. How you do brighten up the +old City!’ + +‘Do I? I felt quite lonely until you came. Nothing but droves of +men—and all staring.’ + +‘It’s your dress.’ + +‘Oh, thank you, sir!’ + +‘Entirely that pretty brown—’ + +‘Brown! Fawn colour.’ + +‘Well, that’s brown. Anyhow, it looks charming. And so do you—by Jove +you do, Maude! Come this way!’ + +‘Where are we going?’ + +‘By underground. Here we are.—Two second singles, Mark Lane, please!—No, +that’s for the west-end trains. Down here! Next train, the man says.’ + +They were in the mephitic cellar, with the two long wooden platforms +where the subterranean trains land or load their freights. A strangling +gas tickled their throats and set them coughing. It was all dank and +dark and gloomy. But little youth and love care for that! They were +bubbling over with the happiness of this abnormal meeting. Both talked +together in their delight, and Maude patted Frank’s sleeve with every +remark. They could even illuminate all that was around them, by the +beauty and brightness of their own love. It went the length of open +praise for their abominable surroundings. + +‘Isn’t it grand and solemn?’ said Maude. ‘Look at the black shadows.’ + +‘When they come to excavate all this some thousands of years hence, they +will think it was constructed by a race of giants,’ Frank answered. + +‘The modern works for the benefit of the community are really far greater +than those which sprang from the caprice of kings. The London and +North-Western Railway is an infinitely grander thing than the pyramids. +Look at the two headlights in the dark!’ + +Two sullen crimson discs glowed in the black arch of the tunnel. With a +menacing and sinister speed, they grew and grew until roaring they sprang +out of the darkness, and the long, dingy train, with a whining of brakes, +drew up at the platform. + +‘Here’s one nearly empty,’ said Frank, with his hand on the handle. + +‘Don’t you think—’ said Maude. + +‘Yes, I do,’ cried Frank. + +And they got into one which was quite empty. For the underground railway +is blessed as regards privacy above all other lines, and where could a +loving couple be more happy, who have been torn apart by cruel fate for +seven long hours or so? It was with a groan that Frank remarked that +they had reached Mark Lane. + +‘Bother!’ said Maude, and wondered if there were any shop near where she +could buy hairpins. As every lady knows, or will know, there is a very +intimate connection between hairpins and a loving husband. + +‘Now, Frank, about your telegram.’ + +‘All right, dear. Come along where I lead you, and you will understand +all about it.’ + +They passed out of Mark Lane Station and down a steep and narrow street +to the right. At the bottom lay an old smoke-stained church with a +square tower, and a small open churchyard beside it. + +‘That’s the church of Saint Olave,’ said Frank. ‘We are going into it.’ + +He pushed open a folding oaken door, and they found themselves inside it. +Rows of modern seats filled the body of it, but the walls and windows +gave an impression of great antiquity. The stained glass—especially that +which surmounted the altar—contained those rich satisfying purples and +deep deep crimsons which only go with age. It was a bright and yet a +mellow light, falling in patches of vivid colour upon the brown woodwork +and the grey floors. Here and there upon the walls were marble +inscriptions in the Latin tongue, with pompous allegorical figures with +trumpets, for our ancestors blew them in stone as well as in epitaphs +over their tombs. They loved to die, as they had lived, with dignity and +with affectation. White statues glimmered in the shadows of the corners. +As Frank and his wife passed down the side-aisle, their steps clanged +through the empty and silent church. + +‘Here he is!’ said Frank, and faced to the wall. + +He was looking up at the modern representation of a gentleman in a full +and curly wig. It was a well-rounded and comely face, with shrewd eyes +and a sensitive mouth. The face of a man of affairs, and a good fellow, +with just that saving touch of sensuality about it which makes an +expression human and lovable. Underneath was printed— + + SAMUEL PEPYS + + Erected by public subscription + + 1883. + +‘Oh, isn’t he nice?’ said Maude. + +‘He’s not a bad-looking chap, is he?’ + +‘I don’t believe that man ever could have struck his wife or kicked the +maid.’ + +‘That’s calling him a liar.’ + +‘Oh dear, I forgot that he said so himself. Then I suppose he must have +done it. What a pity it seems.’ + +‘Cheer up! We must say what the old heathen lady said when they read the +gospels to her.’ + +‘What did she say?’ + +‘She said, “Well, it was a long time ago, and we’ll hope that it wasn’t +true!”’ + +‘O Frank, how can you tell such stories in a church. Do you really +suppose that Mr. Pepys is in that wall?’ + +‘I presume that the monument marks the grave.’ + +‘There’s a little bit of plaster loose. Do you think I might take it?’ + +‘It isn’t quite the thing.’ + +‘But it can’t matter, and it isn’t wrong, and we are quite alone.’ She +picked off the little flake of plaster, and her heart sprang into her +mouth as she did so, for there came an indignant snort from her very +elbow, and there was a queer little smoke-dried, black-dressed person who +seemed to have risen, like the Eastern genii or a modern genius, in a +single instant. A pair of black list slippers explained the silence of +his approach. + +‘Put that back, young lady,’ said he severely. + +Poor Maude held out her guilty relic on the palm of her hand. ‘I am so +sorry,’ said she. ‘I am afraid I cannot put it back.’ + +‘We’ll ’ave the ’ole church picked to pieces at this rate,’ said the +clerk. ‘You shouldn’t ’ave done it, and it was very wrong.’ He snorted +and shook his head. + +‘It’s of no consequence,’ said Frank. ‘The plaster was hanging, and must +have fallen in any case. Don’t make a fuss about a trifle.’ + +The clerk looked at the young gentleman and saw defiance in one of his +eyes and half a crown in the other. + +‘Well, well!’ he grumbled. ‘It shows as the young lady takes an +interest, and that’s more than most. Why, sir, if you’ll believe me, +there’s not one in a hundred that comes to this church that ever ’eard of +Pepys. “Pepys!” says they. “’Oo’s Pepys?” “The Diarist,” says I. +“Diarist!” says they, “wot’s a Diarist?” I could sit down sometimes an’ +cry. But maybe, miss, you thought as you were picking that plaster off +’is grave?’ + +‘Yes, I thought so.’ + +The clerk chuckled. + +‘Well, it ain’t so. I’ll tell you where ’e really lies, if you’ll +promise you won’t pick another chunk off that. Well, then, it’s +there—beside the communion. I saw ’im lyin’ there with these very eyes, +and ’is wife in the coffin beneath ’im.’ + +‘You saw him?’ + +‘Yes, sir, I saw ’im, an’ that’s more than any livin’ man could say, for +there were only four of us, and the other three are as dead as Pepys by +now.’ + +‘Oh do tell us about it!’ cried Maude. + +‘Well, it was like this, miss. We ’ad to examine to see ’ow much room +there was down there, and so we came upon them.’ + +‘And what did you see?’ + +‘Well, miss, ’is coffin lay above, and ’is wife’s below, as might be +expected, seeing that she died thirty years or so before ’im. The +coffins was very much broken, an’ we could see ’im as clear us I can see +you. When we first looked in I saw ’im lying quite plain—a short thick +figure of a man—with ’is ’ands across ’is chest. And then, just as we +looked at ’im, ’e crumbled in, as you might say, across ’is breast bone, +an’ just quietly settled down into a ’uddle of dust. It’s a way they ’as +when the fresh air strikes ’em. An’ she the same, an’ ‘is dust just fell +through the chinks o’ the wood and mixed itself with ’ers.’ + +‘O Frank!’ Maude’s ready tears sprang to her eyes. She put her hand +upon her husband’s and was surprised to find how cold it was. Women +never realise that the male sex is the more sensitive. He had not said, +‘O Maude!’ because he could not. + +‘They used some powder like pepper for embalmin’ in those days,’ said the +clerk. ‘And the vicar—it was in old Bellamy’s time—’e took a sniff into +the grave, an’ ’e sneezed an’ sneezed till we thought we should ’ave to +fetch a doctor. ’Ave you seen Mrs. Pepys’ tomb?’ + +‘No, we have only just come.’ + +‘That’s it on the left of the common.’ + +‘With the woman leaning forward?’ + +‘Yes, sir. That’s Mrs. Pepys herself.’ + +It was an arch laughing face, the face of a quite young woman; the +sculptor had depicted her as leaning forward in an animated and natural +attitude. Below was engraved— + + Obiit + + Xo Novembris + + Ætatis 29 + + Conjugii 15 + + Anno Domini 1669. + +‘Poor dear!’ whispered Maude. + +‘It was hard that she should die just as her husband was becoming famous +and successful,’ said Frank. ‘She who had washed his shirts, and made up +the coal fires, when they lived in a garret together. What a pity that +she could not have a good time!’ + +‘Ah well, if she loved him, dear, she had a good time in the garret.’ + +Maude was leaning forward with her face raised to look at the bust of the +dead woman, which also leaned forward as if to look down upon her. A +pair of marble skulls flanked the lady’s grave. A red glow from the +evening sun struck through a side-window and bathed the whole group in +its ruddy light. As Frank, standing back in the shadow, ran his eyes +from the face of the dead young wife to that of his own sweet, girlish +bride, with those sinister skulls between, there came over him like a +wave, a realisation of the horror which lies in things, the grim close of +the passing pageant, the black gloom, which swallows up the never-ending +stream of life. Will the spirit wear better than the body; and if not, +what infernal practical joke is this to which we are subjected! + +‘It will. It must,’ he said. + +‘_Why_, Frank—Frank dear, what is the matter? You are quite pale.’ + +‘Come out into the air, Maude. I have had enough of this stuffy old +church.’ + +‘Stuffy!’ said the clerk. ‘Well, we’ve ’ad the Lord Mayor ’ere at least +once a year, an’ ’e never found it stuffy. A cleaner, fresher church you +won’t find in the city of London. It’s ’ad its day, I’ll allow. There +was a time—and I can remember it—when folk used to spend their money +where they made it, and the plate would be full of paper and gold, where +now we find it ’ard enough to get coppers. That was fifty year ago, when +I was a young clerk. You might not think it, but I’ve seen a Lord Mayor, +a past Lord Mayor, and a Lord Mayor elect of the city of London, all +sitting on one bench in this very church. And _you_ call it stuffy!’ + +Frank soothed the wounded feelings of the old clerk, and explained that +by stuffy he meant interesting. He also shook hands with him in a +peculiar way as he held his palm upturned in the small of his back. Then +Maude and he retraced their steps up the narrow street which is called +Seething Lane. + +‘Poor old boy! What was it, then?’ asked Maude, looking up with her +sympathetic eyes. It is at such moments that a man realises what the +companionship of women means. The clouds melted before the sun. + +‘What an ass I was! I began to think of all sorts of horrible things. +Never mind, Maude! We are out for a holiday. Hang the future! Let us +live in the present.’ + +‘I always do,’ said Maude, and she spoke for her sex. + +‘Well, what now? Buttered toast or suède gloves?’ + +‘Business first!’ said Maude primly, and so proceeded to save her +sixpence on the gloves. As she was tempted, however (‘such a civil +obliging shopman, Frank!’), to buy four yards of so-called Astrakhan +trimming, a frill of torchon lace, six dear little festooned +handkerchiefs, and four pairs of open-work stockings—none of which were +contemplated when she entered the shop—her sixpenny saving was not as +brilliant a piece of finance as she imagined. + +And then they finished their excursion in the dark, wainscotted, +low-ceilinged coffee-room of an old-fashioned inn, once the mother of +many coaches, and now barren and deserted, but with a strange cunning in +the matter of buttered toast which had come down from more prosperous +days. It was a new waiter who served them, and he imagined them to be +lovers and scented an intrigue; but when they called for a second plate +of toast and a jug of boiling water, he recognised the healthy appetite +of the married. And then, instead of going home like a good little +couple, Maude suddenly got it into her head that it would cheer away the +last traces of Frank’s gloom if they went to see ‘Charley’s Aunt’ at the +Globe. So they loitered and shopped for a couple of hours, and then +squeezed into the back of the pit; and wedged in among honest, hearty +folk who were not ashamed to show their emotions, they laughed until they +were tired. And so home, as their friend Pepys would have said, after +such a day as comes into the memory, shining golden among the drab, when +old folk look back, and think of the dear dead past. May you and I, +reader, if ever we also come to sit in our final armchairs in the chimney +corners, have many such to which our minds may turn, sweet and innocent +and fragrant, to cheer us in those darksome hours to come. + + + + +TROUBLE + + +ONE evening Frank came home with a clouded face. His wife said nothing, +but after dinner she sat on a footstool beside his chair and waited. She +knew that if it were for the best, he would tell her everything, and she +had confidence enough in his judgment to acquiesce in his silence if he +thought it best to be silent. As a matter of fact, it was just this +telling her which made his trouble hard to bear. And yet he thought it +wiser to tell. + +‘I’ve had something to worry me, dear.’ + +‘Poor old boy, I know you have. What was it?’ + +‘Why should I bother you with it?’ + +‘A nice wife I should be, if I shared all your joys and none of your +sorrows! Anyhow, I had rather share sorrow with you than joy within any +one else.’ She snuggled her head up against his knee. ‘Tell me about +it, Frank.’ + +‘You remember my telling you just before our marriage that I was surety +for a man?’ + +‘I remember perfectly well.’ + +‘His name was Farintosh. He was an insurance-agent, and I became surety +for him in order to save his situation.’ + +‘Yes, dear, it was so noble of you.’ + +‘Well, Maude, he was on the platform this morning, and when he saw me, he +turned on his heel and hurried out of the station. I read guilt in his +eyes. I am sure that his accounts are wrong again.’ + +‘Oh, what an ungrateful wretch!’ + +‘Poor devil, I dare say he has had a bad time. But I was a fool not to +draw out of that. It was all very well when I was a bachelor. But here +I am as a married man faced with an indefinite liability and nothing to +meet it with. I don’t know what is to become of us, Maude.’ + +‘How much is it, dearest?’ + +‘I don’t know. That is the worst of it.’ + +‘But surely your own office would not be so hard upon you?’ + +‘It is not my own office. It is another office—the Hotspur.’ + +‘Oh dear! What have you done about it, Frank?’ + +‘I called at their office in my lunch-hour, and I requested them to send +down an accountant to examine Farintosh’s books. He will be here +to-morrow morning, and I have leave of absence for the day.’ + +And so they were to spend an evening and a night without knowing whether +they were merely crippled or absolutely ruined. Frank’s nature was +really a very proud one, and the thought of failing in his engagements +wounded his self-respect most deeply. His nerves winced and quivered +before it. But her sweet, strong soul rose high above all fear, and bore +him up with her, into the serenity of love and trust and confidence. The +really precious things, the things of the spirit, were permanent, and +could not be lost. What matter if they lived in an eight-roomed villa, +or in a tent out on the heath? What matter if they had two servants, or +if she worked for him herself? All this was the merest trifle, the +outside of life. But the intimate things, their love, their trust, their +pleasures of mind and soul, these could not be taken away from them while +they had life to enjoy them. And so she soothed Frank with sweet +caresses and gentle words, until this night of gloom had turned to the +most beautiful of all his life, and he had learned to bless the +misfortune which had taught him to know the serene courage and the +wholehearted devotion which can only be felt, like the scent of a +fragrant leaf, when Fate gives us a crush between its iron fingers. + +Shortly after breakfast Mr. Wingfield, the accountant from London, +arrived—a tall, gentlemanly man, with a formal manner. + +‘I’m sorry about this business, Mr. Crosse,’ said he. + +Frank made a grimace. ‘It can’t be helped.’ + +‘We will hope that the amount is not very serious. We have warned Mr. +Farintosh that his books will be inspected to-day. When you are ready we +shall go round.’ + +The agent lived in a side-street not far off. A brass plate, outside a +small brick house, marked it out from the line of other small brick +houses. A sad-faced woman opened the door, and Farintosh himself, +haggard and white, was seated among his ledgers in the little front room. +A glance at the man’s helpless face turned all Frank’s resentment to +pity. + +They sat down at the table, the accountant in the centre, Farintosh on +the right, and Frank on the left. There was no talk save an occasional +abrupt question and answer. For two hours the swish and rustle of the +great blue pages of the ledgers were the chief sound, with the scratching +of Mr. Wingfield’s pen as he totalled up long columns of figures. +Frank’s heart turned to water as he saw the huge sums which had passed +through this man’s hands. How much had remained there? His whole future +depended upon the answer to that question. How prosaic and undramatic +are the moments in which a modern career is made or marred! In this +obscure battlefield, the squire no longer receives his accolade in public +for his work well done, nor do we see the butcher’s cleaver as it hacks +off the knightly spurs, but failure and success come strangely and +stealthily, determined by trifles, and devoid of dignity. Here was the +crisis of Frank’s young life, in this mean front room, amongst the +almanacs and the account-books. + +‘Can I rely upon these figures?’ asked Wingfield at last. + +‘You can, sir.’ + +‘In that case I congratulate you, Mr. Crosse. I can only find a +deficiency of fifty pounds.’ + +Only enough to swallow the whole of their little savings, which they had +carefully invested! However, it was good news, and Frank shook the +proffered hand of the accountant. + +‘I will stay for another hour to check these figures,’ said Wingfield. +‘But there is no need to detain you.’ + +‘You will come round and lunch with us?’ + +‘With pleasure.’ + +‘_Au revoir_, then.’ Frank ran all the way home, and burst in upon his +wife. ‘It is not so very bad, dear—only fifty pounds.’ They danced +about in their joy like two children. + +But Wingfield came to his lunch within a solemn face. + +‘I am very sorry to disappoint you,’ he said, ‘but the matter is more +serious than I thought. We have entered some sums as unpaid which he has +really received, but the receipts for which he has held back. They +amount to another hundred pounds.’ + +Maude felt inclined to cry as she glanced at Frank, and saw his resolute +effort to look unconcerned. + +‘Then it’s a hundred and fifty.’ + +‘Certainly not less. I have marked the items down upon this paper for +your inspection.’ + +Frank glanced his practised eyes over the results of the accountant’s +morning’s work. + +‘You have credited him within a hundred and twenty pounds in the bank, I +see.’ + +‘Yes, his bank-book shows a balance of that amount.’ + +‘When was it made out?’ + +‘Last Saturday.’ + +‘He may have drawn it since them.’ + +‘It is certainly possible.’ + +‘We might go round after lunch and make sure.’ + +‘Very good.’ + +‘And in any case, as it is the Company’s money, don’t you think we had +better take it out of his hands?’ + +‘Yes, I think you are right.’ + +It was a miserable meal, and they were all glad when it was finished. +Maude drew Frank into the other room before he started. + +‘I could not let you go without _that_, dearest. Keep a brave heart, my +own laddie, for I know so well that we shall come through it all right.’ + +So Frank set out with a higher courage, and they both returned to the +agent’s house. His white face turned a shade whiter when he understood +their errand. + +‘Is this necessary, Mr. Wingfield?’ he pleaded. ‘Won’t you take my word +for this money?’ + +‘I am sorry to have to say it, sir, but we have trusted in your word too +often.’ + +‘But the money is there, I swear it.’ + +‘It is the Company’s money, and we must have it.’ + +‘It will ruin my credit locally if I draw out my whole account under +compulsion.’ + +‘Then let him keep ten pounds in,’ said Frank. Farintosh agreed with an +ill grace to the compromise, and they all started off for the bank. When +they reached the door the agent turned upon them with an appealing face. + +‘Don’t come in with me, gentlemen. I could never hold up my head again.’ + +‘It is for Mr. Crosse to decide.’ + +‘I don’t want to be unreasonable, Farintosh. Go in alone and draw the +money.’ + +They could never understand why he begged for that extra five minutes. +Perhaps it was that he had some mad hope of persuading the bank manager +to allow him to overdraw to that amount. If so, the refusal was a curt +one, for he reappeared with a ghastly face and walked up to Frank. + +‘I may as well confess to you, Mr. Crosse, I have nothing in the bank.’ + +Frank whistled and turned upon his heel. He could not by reproaches add +to the wretched man’s humiliation. After all, he had himself to blame. +He had incurred a risk with his eyes open, and he was not the man to +whine now that the thing had gone against him. Wingfield walked home +with him and murmured some words of sympathy. At the gate the accountant +left him and went on to the station. + +So their liability had risen from fifty to two hundred and seventy +pounds. Even Maude was for an instant daunted by the sum. The sale of +their furniture would hardly meet it. It was the blackest hour of their +lives, and yet, always a strange sweet undercurrent of joy was running +through it, for it is only sorrow, fairly shared and bravely borne, which +can weld two human souls together. + +Dinner was over when there came a ring at the bell. + +‘If you please, sir, Mr. Farintosh would like to see you,’ said the maid +Jemima. + +‘Show him in here.’ + +‘Don’t you think, Frank, that I had better go?’ + +‘No, I don’t. I never asked him to come. If he comes, let him face us +both. I have not made much of my dealings with him alone.’ + +He was shown in, downcast, shifty-eyed, and ill at ease. He laid his hat +upon the floor, and crept humbly towards the chair which Frank pushed +towards him. + +‘Well, Farintosh?’ + +‘Well, Mr. Crosse, I have come round to tell you, and you too, missus, +the sorrow I feel that I have brought this trouble upon you. I hoped all +would have gone right after that last time, but I’ve had to pay up back +debts, and that’s what has put me wrong. I’ve never had what one may +call a fair chance. But I’m really sorry, sir, that you who have, as one +might say, befriended me, should have to suffer for it in this way.’ + +‘Words won’t mend it, Farintosh. I only blame you for not coming to me +when first things began to go wrong.’ + +‘Well, sir, I was always hoping that I could turn them right again, so as +you wouldn’t need to be troubled at all. And so it went from bad to +worse until we find ourselves here. But what I wanted to ask you, Mr. +Crosse, was what you meant to do about it?’ + +Frank writhed before this home question. + +‘Well, I suppose I am responsible,’ said he. + +‘You mean to pay the money, sir?’ + +‘Well, somebody must pay it.’ + +‘Do you remember the wording of the bond, Mr. Crosse?’ + +‘Not the exact wording.’ + +‘Well, sir, I should advise you to get your lawyer to read it. In my +opinion, sir, you are not liable at all.’ + +‘Not liable!’ Frank felt as if his heart had turned suddenly from a +round-shot to an air-balloon. ‘Why not liable?’ + +‘You were a little slapdashy, if one might say so, in matters of +business, sir, and perhaps you read that bond less carefully than I did. +There was a clause in it by which the Company agreed frequently and +periodically to audit my accounts, so as to prevent your liability being +at any time a very high one.’ + +‘So there was!’ cried Frank. ‘Well, didn’t they?’ + +‘No, sir, they didn’t.’ + +‘By Jove—Maude, do you hear that?—if that is right, they brought their +own misfortunes upon themselves. Do you mean to say they never audited +you?’ + +‘Yes, sir, they did so four times.’ + +‘In how long?’ + +‘In fourteen months.’ + +The air-balloon was gone and the cannon-ball back in its place once more. + +‘That will be held to exonerate them.’ + +‘No, sir, I think not. “Frequently and periodically” does not mean four +times in fourteen months.’ + +‘A jury might take it so.’ + +‘Consider, sir, that the object was that your liability should be +limited. Thousands of pounds were passing through my hands in that time, +and therefore these four audits were, as one might say, insufficient for +the object of the bond.’ + +‘So I think,’ cried Maude, with conviction. ‘Frank, we’ll have the best +advice upon the subject to-morrow.’ + +‘And meanwhile, Mr. Crosse,’ said Farintosh, rising from his chair, ‘I am +your witness, whether the Company prosecutes me or not. And I hope that +this will be some humble atonement for the trouble that I have brought +you.’ + +And so a first rift of light began to shine in the dark place. But it +was not broadened by the letter which he found waiting upon his +breakfast-table— + + _Re_ Farintosh’s Accounts. + + HOTSPUR INSURANCE OFFICE. + + DEAR SIR,—On arriving in London I came here at once, and checked + Farintosh’s accounts from the books of the head office. I am sorry + to say that I find a further discrepancy of seventy pounds. I am + able, however, to assure you that we have now touched bottom. The + total amount is three hundred and forty pounds, and a cheque for that + sum at your early convenience would oblige us, as we are anxious to + bring so unpleasant a business to a conclusion.—Yours truly, + + JAMES WINGFIELD. + +To which Frank and Maude in collaboration— + + DEAR SIR,—I note your claim for £340 on account of the affairs of + your agent Farintosh. I am advised, however, that there have been + certain irregularities in the matter, about which I must make some + investigation before paying the claim.—Yours truly, + + FRANK CROSSE. + +To which the Hotspur Insurance Office— + + SIR,—Had your letter been a plea for more time to fulfil your + engagement, we should have been content to wait; but since you appear + disposed to dispute your liability, we have no alternative but to + take immediate steps to enforce payment.—Yours truly, + + JOHN WATERS, _Secretary_. + +To which Frank and Maude— + + SIR,—My solicitor, A. C. R. Owen, of 14 Shirley Lane, E.C., will be + happy to accept service. + +Which is the correct legal English for ‘You may go to the devil!’ + +But this is an anticipation. In the meantime, having received the +original letter and answered it, Frank went up to town as usual, while +Maude played the more difficult part of waiting quietly at home. In his +lunch-hour Frank went to see his friend and solicitor, who in turn +obtained leave to see the bond, and came back with a grave face. + +‘You have a case,’ said he, ‘but by no means a certainty. It all depends +upon how the judge might read the document. I think that it would +strengthen our case very materially if we had counsel’s opinion. I’ll +copy the bond and show it to Manners, and have his opinion before you go +back to-night.’ + +So Frank went round again after office-hours, and found Owen waiting in +very low spirits, for their relations were closer than those of mere +solicitor and client. + +‘Very sorry,’ said he. + +‘Opinion against us.’ + +‘Dead against us.’ + +Frank tried to look as if he didn’t mind. + +‘Let me see it.’ + +It was a long blue document with the heading, ‘The Hotspur Insurance +Company, Limited, _v._ Frank Crosse.’ + +‘I have perused the case submitted to me, and the papers accompanying the +same,’ said the learned counsel, ‘and in my opinion the Hotspur Insurance +Company, Limited, are entitled to recover from Mr. Crosse under his +guarantee, the sum of £340, being monies received by Mr. Farintosh, and +not paid over by him to the said Company.’ There was a great deal more, +but it was anticlimax. + +‘Well, what shall we do?’ asked Frank helplessly. The British law makes +one feel so. + +‘Well, I should stand out, if I were you. There is certainly a chance.’ + +‘Look here, old chap,’ said Frank, ‘I may as well be honest with you. If +this thing goes against me, I am stony broke. I don’t know where your +costs are coming from.’ + +‘Don’t bother about that,’ said Owen kindly. ‘After all, Manners is not +infallible. Let us have Holland, and see what he can make of it.’ + +So twenty-four hours later Frank found Owen radiant with another opinion +in his hand. + +‘Dead for us this time. Look here!’ + +And he read out, ‘I have carefully considered the case submitted to me +for my opinion, and the documents sent therewith. In my opinion the +Hotspur Insurance Company, Limited, are not entitled to recover against +Mr. Crosse the sum claimed by them or any part thereof, as there has been +a breach on their part of an essential condition of the guarantee.’ ‘He +reads “frequently and periodically” as we do,’ continued Owen, glancing +over the long document, ‘and he is very clear as to our case.’ + +‘Suppose we have another, and try the best of three,’ said Frank. + +‘It’s too expensive a game. No, Holland is a sound man, and his opinion +would weigh with any judge. I think we have enough to go on with.’ + +‘And you think it is safe?’ + +‘No, no, nothing is ever safe in the law. But we can make a fight of it +now.’ + +And now Frank was to learn what it meant to be entangled in an intricate +clumsy old machine, incredibly cumbrous and at the same time incredibly +powerful, jolting along with its absurd forms and abominable English +towards an end which might or might not be just, but was most certainly +ruinously expensive. The game began by a direct letter from the Queen, +of all people, an honour which Frank had never aspired to before, and +certainly never did again. + +Victoria, by the grace of God, of the United Kingdom of Great Britain and +Ireland, Queen, Defender of the Faith, remarked abruptly to Frank Crosse +of Woking, in the county of Surrey, ‘We command you that within eight +days of the service of this writ on you, inclusive of the day of such +service, you cause an appearance to be entered for you in an action at +the suit of the Hotspur Insurance Company, Limited.’ If he didn’t do so, +Her Majesty remarked that several very unpleasant things might occur, and +Hardinge Stanley, Earl of Halsbury, corroborated Her Majesty. Maude was +frightened to death when she saw the document, and felt as if unawares +they must have butted up against the British Constitution, but Owen +explained that it was only a little legal firework, which meant that +there might be some trouble later. + +‘Well, at any rate,’ said Frank, ‘it means that in eight days it will all +be over.’ + +Owen laughed heartily at the remark. + +‘It means,’ said he, ‘that in eight days we must promise that at some +future date we will begin to make preparations for something to happen in +the future. That is about the meaning of it. All you can do now is to +be perfectly philosophic, and leave the rest to me.’ + +But how is a man with a capital of fifty pounds going to be philosophic +when he is fighting an opponent whose assets, as a certain hoarding near +Clapham Junction told him every morning, exceeded three millions of +pounds. He treated it lightly to Maude, and she to him, but each +suffered horribly, and each was well aware of the other’s real feelings. +Sometimes there was a lull, and they could almost believe that the whole +thing was over. And then the old machine gave a creak, and the rusty +cog-wheels took one more turn, and they both felt the horrid thing which +held them. + +First of all, they had to enter appearances, which meant that they would +dispute the action. Then the other side had to make an affidavit +verifying their claim. Then a Master had to pronounce whether the action +should be treated offhand, or whether he would listen to what they had to +say about it. He decided to listen to what was to be said. Then each +side claimed to see the other’s documents, ‘discovery’ they called it, as +if the documents were concealed, and they had to hunt for them stealthily +with lanterns. Then each made remarks about the other’s documents, and +claimed to see the remarks so made. Then the lawyers of the Company made +a statement of their claim, and when she read it Maude burst into tears, +and said that it was all over, and they must make the best of it, and she +should never forgive herself for that new dress in the spring. And then +Frank’s lawyer drew up a defence, and when Frank heard it, he said, ‘Why, +what a silly business it seems! They have not got a leg to stand upon.’ +And so, after all these flourishes and prancings, the two parties did +actually begin to show signs of coming to a hearing after all, and a day +was fixed for the trial. By a coincidence it was Frank’s birthday. +‘There’s a good omen!’ cried Maude. + +The first herald of the approaching conflict was a seedy person, who +thrust a paper into Frank’s hand as he emerged from The Lindens in the +morning. It was another letter from Her Majesty, in which sub pœnâ (Her +Majesty has not a gracious way of putting things in these documents), Mr. +Frank Crosse had ‘to attend at the Royal Courts of Justice, Strand, at +the sittings of the Queen’s Bench Division of our High Court of Justice, +to give evidence on behalf of the Hotspur Company.’ + +This seemed to Frank to be a most unexpected and fearsome stroke, but +Owen simply laughed. + +‘That is mere bluff,’ said he. ‘It makes me think that they are +weakening. They want to frighten you.’ + +‘They did,’ said Frank. + +‘Two can play at that game. We must keep a bold front.’ + +‘What do you mean to do?’ + +‘To subpœna all their crowd.’ + +‘Capital!’ cried Frank. So a clerk was sent across to the Hotspur office +with a whole bundle of subpœnas, and served them liberally out. And in +two days’ time was the day of battle. + + + + +A RESCUE + + +AS the day fixed for the hearing drew near, Ruin lived with them by day +and slept with them by night. Its dark shadow covered their lives, and +they moved in the gloom of its presence. If the trial went against them, +and Owen in his most hopeful moods did not disguise from them that it +might, they would have to pay the double costs as well as the original +claim. All that they possessed would not cover it. On the other hand, +if they won, this rich Company might carry the matter to a higher Appeal +Court, and so involve them in a fresh succession of anxieties and +expenses. Do what they would, there was always danger. Frank said +little, and he slept little also. + +One night, just before the trial, Wingfield, the accountant of the +Society, came down to Woking. He had managed the case all through for +the directors. His visit was a sort of ultimatum. + +‘We are still ready to pay our own law-costs,’ said he, ‘if you will +allow the original claim.’ + +‘I can’t do that,’ said Frank doggedly. + +‘The costs are piling up at a furious rate, and some one will have to pay +them.’ + +‘I hope that it will be you.’ + +‘Well, don’t say afterwards that I did not warn you. My dear Crosse, I +assure you that you are being misled, and that you have not really got a +leg to stand upon.’ + +‘That’s what the trial is about,’ said Frank. + +He kept a bold face to the enemy, but after Wingfield’s departure, Maude +saw that his confidence was greatly shaken. + +‘He seemed very sure of their case,’ said he. ‘He would not speak like +that if he did not know.’ + +But Maude took quite another view. + +‘If they know that they can recover their money in court, why should they +send Mr. Wingfield down in this way.’ + +‘He is such a good chap—he wants to save us expense.’ + +Maude was less trusting. + +‘He is doing the best for his own side,’ said she. ‘It is his duty, and +we can’t blame him. But if he thought it best to get behind his own +lawyers and come down here, then he must have some doubts about going +into court. Perhaps he would be willing to consider some compromise.’ + +But Frank only shook his head. + +‘We have drawn the cork, and we must drink the wine,’ said he. ‘We have +gone too far to stop. Any compromise which they would accept would be as +much out of our power to pay as the whole sum would be, and so we may +just as well see it through.’ But for once Maude did not take his +opinion as final, but lay awake all night and thought it over. She had +determined to begin acting upon her own account, and she was so eager to +try what she could do that she lay longing for the morning to break. +When she came down to breakfast, her plan of campaign was formed. + +‘I am coming up to town with you, Frank.’ + +‘Delighted to hear it, dear.’ When she had shopping to do, she +frequently went up with him, so it did not surprise him. What would have +surprised him was to know that she had despatched three telegrams, by +means of Jemima, before he was up. + + ‘To John Selby, 53 Fenchurch Street, E.C. Will call eleven o’clock. + Important business.— + + MAUDE.’ + + ‘To Lieutenant Selby, the Depôt, Canterbury. Please come up next + train, meet me Fenchurch Street, eleven thirty. Important.—MAUDE.’ + + ‘To Owen, 14 Shirley Lane, E.C. Will call twelve o’clock. + Important.—MRS. CROSSE.’ + +So she had opened her campaign. + +‘By the way, Frank,’ said she, as they travelled up together, ‘to-morrow +is your birthday.’ + +‘Yes, dear, it is,’ he answered lugubriously. + +‘Dear me! What shall I give my boy for a birthday present? Nothing you +particularly want?’ + +‘I have all I want,’ said he, looking at her. + +‘Oh, but I think I could find something. I must look round when I am in +town.’ + +She began her looking round by a visit to her father in Fenchurch Street. +It was something new for him to get telegrams from Maude upon business, +and he was very much surprised. + +‘Looking remarkably well, my dear. Your appearance is a certificate of +character to your husband. Well, and how is all at Woking? I hope the +second cook proved to be a success.’ + +But Maude was not there for small talk. ‘Dear dad,’ said she, ‘I want +you to stand by me, for I am in trouble. Now, my dear good dad, please +see things from my point of view, and don’t make objections, and do +exactly what I ask you.’ She threw her arms round his neck and gave him +a hearty squeeze. + +‘Now I call that exerting undue pressure,’ said he, extricating his white +head. ‘If this sort of thing is allowed in the city of London, there is +an end of all business.’ However, his eyes twinkled and looked as if he +liked it. ‘Now madame, what can I do for you?’ + +‘I’m going to be perfectly business-like,’ said she, and gave him another +squeeze before sitting down. ‘Look here, dad. You give me an income of +fifty pounds a year, don’t you?’ + +‘My dear girl, I can’t raise it. Jack’s expenses in the Hussars—’ + +‘I don’t want you to raise it.’ + +‘What do you want?’ + +‘I seem to remember, dad, that you told me that this fifty pounds was the +interest on a thousand pounds which was invested for me.’ + +‘So it is—five per cent. debentures.’ + +‘Well, dad, if I were content with an income of twenty-five pounds a year +instead of fifty pounds, then I could take five hundred pounds out of my +money, and nobody would be the worse.’ + +‘Except yourself.’ + +Maude laughed at that. + +‘I want the use of the money just for one day. I certainly won’t need it +all. I just want to feel that I have as much as that in case I need it. +Now, my dear old daddy, do please not ask any questions, but be very nice +and good, and tell me how I can get these five hundred pounds.’ + +‘And you won’t tell me why you want them?’ + +‘I had rather not—but I will if you insist.’ + +Old Selby looked into the brave, clear eyes of his daughter, and he did +not insist. + +‘Look here! You’ve got your own little banking account, have you not?’ + +‘Yes, dad.’ + +‘That’s right. Never mix it up with your husband’s.’ He scribbled a +cheque. ‘Pay that in! It is for five hundred pounds. I will sell half +your debentures and charge you with brokerage. I believe in strict +business between relatives. When you pay back the five hundred pounds, +your allowance will be fifty a year once more.’ + +Maude then and there endorsed the cheque and posted it to her bank. Then +with a final embrace to her father, she hastened out to further +victories. Jack Selby was smoking a cigarette upon the doorstep. + +‘Hullo, Maude! Calling up the reserves? What’s the matter? Jolly lucky +it wasn’t my day on duty. You girls think a soldier has nothing to do. +It was so once, but we are all scientific blokes now. No, thank you, I +won’t see the dad! He’d think I had come for money, and it would upset +him for the day.’ + +Maude took her brother in the cab with her, and told him the whole story +of Frank’s misfortune, with some account of her own intentions. Jack was +vastly interested. + +‘What did dad say about it?’ + +‘I didn’t tell him. I thought Frank would rather not.’ + +‘Quite right. He won’t mind me. He knows I’m a bit of a business man +myself. Only signed a paper once in my life, and quite a small paper +too, and I haven’t heard the last of it yet. The thing wasn’t much +bigger than a postcard, but the fuss those people made afterwards! I +suppose they’ve been worrying Frank.’ + +‘We have had no peace for months.’ + +‘Worry is bad for the young. But he should not mind. He should go on +fizzing like I did. Now we’ll put this thing through together, Maude. I +see your line, and I’ll ride it with you.’ + +They found Mr. Owen at home, and Maude did the talking. + +‘I am convinced, Mr. Owen, that they don’t want to go into court. Mr. +Wingfield coming down like that proves it. My husband is too proud to +bargain with them, but I have no scruples. Don’t you think that I might +go to Mr. Wingfield myself, and pay the three hundred and forty pounds, +and so have done with the worry for ever?’ + +‘Speaking as a lawyer,’ said Owen, ‘I think that it is very irregular. +Speaking as a man, I think no harm could come of it. But I should not +like you to offer the whole sum. Simply say that you are prepared for a +reasonable compromise, and ask them to suggest what is the lowest sum +which the office would accept to close the business.’ + +‘You leave it with me,’ said Jack, winking at the lawyer. ‘I am seeing +her through. I’ll keep her on the rails. I am Number 1, Class A, at +business. We’ll take ’em up one link in the curb if they try any games +with us! Come on, Maude, and get it over.’ + +He was an excellent companion for her, for his buoyancy turned the whole +thing into fun. She could not take it too seriously in his company. +They called at the Hotspur office and asked to see Mr. Wingfield. He was +engaged, but Mr. Waters, the secretary, a very fat, pompous man, came in +to them. + +‘I am very sorry,’ said he, ‘very sorry, indeed, Mrs. Crosse, but it is +too late for any compromise of the sort. We have our costs to consider, +and there is no alternative but for the case to go into court.’ + +Poor Maude nearly burst into tears. + +‘But suppose that we were to offer—’ + +‘To give you an hour to think it over,’ cried Jack. + +Mr. Waters shook, his head despondently. + +‘I do not think that we should alter our decision. However, Mr. +Wingfield will be here presently, and he will, of course, listen to any +representations which you may have to make. In the meantime you must +excuse me, as I have matters of importance to attend to.’ + +‘Why, Maude, you little Juggins,’ cried Jack, when the door was shut, +‘you were just going to offer to pay their costs. I only just headed you +off in time.’ + +‘Well, I was going to inquire about it.’ + +‘Great Scot, it’s lucky you’ve got a business man at your elbow. I +couldn’t stand that chap at any price. A bit too hairy in the fetlocks +for my taste. Couldn’t you see that he was only bluffing?’ + +‘How do you know, Jack?’ + +‘It was shining all over him. Do you suppose a man has bought as many +hairies as I have, and can’t tell when a dealer is bluffing? He was +piling it on so that when the next Christmas-tree comes along, he may +find a soft job waiting for him. I tell you you want a friendly native, +like me, when you get into this kind of country. Now ride this one on +the curb, and don’t let him have his head for a moment.’ + +Mr. Wingfield had entered, and his manner was very different to that of +the secretary. He had great sympathy with the Crosses, and no desire to +wash the Company’s dirty linen in public. He was, therefore, more +anxious than he dared to show to come to some arrangement. + +‘It is rather irregular for me to see you. I should refer you to our +solicitors,’ said he. + +‘Well, we saw you when you came to Woking,’ said Maude. ‘I believe that +we are much more likely to come to an arrangement if we talk it over +ourselves.’ + +‘I am sure I earnestly hope so,’ Wingfield answered. ‘I shall be +delighted to listen to anything which you may suggest. Do you, in the +first place, admit your liability?’ + +‘To some extent,’ said Maude, ‘if the Company will admit that they are in +the wrong also.’ + +‘Well, we may go so far as to say that we wish the books had been +inspected more often, and that we regret our misplaced confidence in our +agent. That should satisfy you, Mrs. Crosse. And now that you admit +_some_ liability, that is a great step in advance. We have no desire to +be unreasonable, but as long as no liability was admitted, we had no +course open to us but litigation. We now come to the crucial point, +which is, how much liability should fall upon you. My own idea is, that +each should pay their own costs, and that you should, in addition, pay +over to the Company—’ + +‘Forty pounds,’ said Jack firmly. + +Maude expected Mr. Wingfield to rise up and leave the room. As he did +not do so, nor show any signs of violence, she said, ‘Yes, forty pounds.’ + +He shook his head. + +‘Dear me, Mrs. Crosse, this is a very small sum.’ + +‘Forty pounds is our offer,’ said Jack. + +‘But on what is this offer based?’ + +‘We have worked it out,’ said Jack, ‘and we find that forty pounds is +right.’ + +Mr. Wingfield rose from his chair. + +‘Well,’ said he, ‘of course any offer is better than no offer. I cannot +say what view the directors may take of this proposal, but they will hold +a board meeting this afternoon, and I will lay it before them.’ + +‘And when shall we know?’ + +‘I could send you round a line by hand to your solicitor.’ + +‘No hurry about it! Quite at your own convenience!’ said Jack. When he +got outside, in the privacy of their hansom, he was convulsed with the +sense of his own achievements. + +‘Class A, Number 1, and mentioned at the Agricultural Hall,’ he cried, +hugging himself in his delight. His sister hugged him also, so he was a +much-embraced young man. ‘Am I not a man of business, Maude? You can’t +buy ’em—you must breed ’em. One shilling with the basket. I shook him +in the first round, and he never rallied after.’ + +‘You are a dear good boy. You did splendidly.’ + +‘That’s the way to handle ’em. He saw that I was a real fizzer and full +of blood. One business man can tell another at a glance.’ + +Maude laughed, for Jack, with his cavalry swagger and a white weal all +round his sunburned face to show where his chin-strap hung, looked the +most unbusiness-like of mortals. + +‘Why did you offer forty pounds?’ she asked. + +‘Well, you have to begin somewhere.’ + +‘But why forty?’ + +‘Because it is what we offer when we are buying the hairies—trooper’s +chargers, you know. It’s a great thing to have a fixed rule in business. +I never go higher than forty—rule one, section one, and no exceptions in +the margin.’ + +They lunched together at the Holborn, and Jack took Maude afterwards to +what he called ‘a real instructive show,’ which proved to be a horse-sale +at Tattersall’s. They then drove back to the lawyer’s, and there they +found a letter waiting addressed to Mrs. Crosse. Maude tore it open. + +‘Dear Mrs. Crosse,’ said this delightful note, ‘I am happy to be able to +inform you that the directors have decided to stop the legal proceedings, +and to accept your offer of forty pounds in full satisfaction of all +claims due against your husband.’ + +Maude, Jack, and the good Owen performed a triumphant _pas de trois_. + +‘You have done splendidly, Mrs. Crosse, splendidly!’ cried Owen. ‘I +never heard a better day’s work in my life. Now, if you will give me +your cheque and wait here, I will go over and settle everything.’ + +‘And please bring the bond back with you,’ said Maude. + + * * * * * + +So it was that Frank, coming down upon the morning of his birthday, +perceived a pretty silver cigarette-box laid in front of his plate. + +‘Is this for me, my darling?’ + +‘Yes, Frank, a wee present from your wife.’ + +‘How sweet of you! I never saw such a lovely case. Why, there’s +something inside it.’ + +‘Cigarettes, I suppose. + +‘No, it is a paper of some kind. “Hotspur Insurance Company.” Good +Lord, I never seem for one instant to be able to shake that infernal +thing off! How on earth did it get in there? What’s this?—“I hereby +guarantee to you—” What’s this? Maude, Maude, what have you been +doing?’ + +‘Dear old boy,’ she cried, as she put her arms round him. ‘Dear old boy! +Oh, I _do_ feel so happy!’ + + + + +THE BROWNING SOCIETY + + +IT all began by Mrs. Hunt Mortimer, the smart little up-to-date wife of +the solicitor, saying to Mrs. Beecher, the young bride of the banker, +that in a place like Woking it was very hard to get any mental friction, +or to escape from the same eternal grooves of thought and conversation. +The same idea, it seemed, had occurred to Mrs. Beecher, fortified by a +remark from the _Lady’s Journal_ that an internal intellectual life was +the surest method by which a woman could preserve her youth. She turned +up the article—for the conversation occurred in her drawing-room—and she +read extracts from it. ‘Shakespeare as a Cosmetic’ was the title. Maude +was very much struck, and before they separated they had formed +themselves into a Literary Society which should meet and discuss +classical authors every Wednesday afternoon at each other’s houses. That +one hour of concentrated thought and lofty impulse should give a dignity +and a tone to the whole dull provincial week. + +What should they read? It was well that they should decide it before +they separated, so as to start fair upon the next Wednesday. Maude +suggested Shakespeare, but Mrs. Hunt Mortimer thought that a good deal of +it was improper. + +‘Does it matter?’ said Mrs. Beecher. ‘We are all married.’ + +‘Still I don’t think it would be quite nice,’ said Mrs. Hunt Mortimer. +She belonged to the extreme right on matters of propriety. + +‘But surely Mr. Bowdler made Shakespeare quite respectable,’ Mrs. Beecher +argued. + +‘He did his work very carelessly. He left in much that might be +dispensed with, and he omitted a good deal which was quite innocent.’ + +‘How do you know?’ + +‘Because I once got two copies and read all the omissions.’ + +‘Why did you do that?’ asked Maude mischievously. + +‘Because I wanted to make sure that they _had_ been omitted,’ said Mrs. +Hunt Mortimer severely. + +Mrs. Beecher stooped and picked an invisible hairpin out of the rug. +Mrs. Hunt Mortimer continued. + +‘There is Byron, of course. But he is so very suggestive. There are +passages in his works—’ + +‘I could never see any harm in them,’ said Mrs. Beecher. + +‘That is because you did not know where to look,’ said Mrs. Hunt +Mortimer. ‘If you have a copy in the house, Mrs. Beecher, I will +undertake to make it abundantly clear to you that he is to be eschewed by +those who wish to keep their thoughts unsullied. Not? I fancy that even +quoting from memory I could convince you that it is better to avoid him.’ + +‘Pass Byron,’ said Mrs. Beecher, who was a very pretty little kittenish +person, with no apparent need of any cosmetics, literary or otherwise. +‘How about Shelley?’ + +‘Frank raves about Shelley,’ observed Maude. + +Mrs. Hunt Mortimer shook her head. + +‘His work has some dreadful tendencies. He was, I am informed, either a +theist or an atheist, I cannot for the moment recall which—I think that +we should make our little course as improving as possible.’ + +‘Tennyson,’ Maude suggested. + +‘I have been told that his meaning is too clear to entitle him to rank +among the great thinkers of our race. The lofty thought is necessarily +obscure. There is no merit in following a poem which is perfectly +intelligible. Which leads us to—’ + +‘Browning!’ cried the other ladies. + +‘Exactly. We might form a little Browning Society of our own.’ + +‘Charming! Charming!’ + +And so it was agreed. + +There was only one other point to be settled at this their inaugural +meeting, which was, to choose the other ladies who should be admitted +into their literary circle. There were to be no men. + +‘They do distract one so,’ said Mrs. Hunt Mortimer. + +The great thing was to admit no one save those earnest spirits who would +aspire to get the full benefit from their studies. Mrs. Fortescue could +not be thought of, she was much too talkative. And Mrs. Jones had such a +frivolous mind. Mrs. Charles could think and talk of nothing but her +servants. And Mrs. Patt-Beatson always wanted to lay down the law. +Perhaps on the whole it would be better to start the society quietly +among themselves, and then gradually to increase it. The first meeting +should be next Wednesday, at Mrs. Crosse’s house, and Mrs. Hunt Mortimer +would bring her complete two-volume edition with her. Mrs. Beecher +thought that one volume would be enough just at first, but Mrs. Hunt +Mortimer said that it was better to have a wide choice. Maude went home +and told Frank in the evening. He was pleased, but rather sceptical. + +‘You must begin with the simpler things first,’ said he. ‘I should +recommend _Hervé Riel_ and _Gold Hair_.’ + +But Maude put on the charming air of displeasure which became her so +well. + +‘We are serious students, sir,’ said she. ‘We want the very hardest poem +in the book. I assure you, Frank, that one of your little faults is that +you always underrate a woman’s intelligence. Mrs. Hunt Mortimer says +that though we may be less original than men, we are more assim— more +assmun—’ + +‘Assimulative.’ + +‘That’s what I say—assimulative. Now, you always talk as if—oh yes, you +do! No, you mustn’t! How absurd you are, Frank! Whenever I try to +speak seriously to you, you always do that and spoil everything. How +would you like to discuss Browning if at the end of every sentence +somebody came and kissed you? You wouldn’t mind! No, I dare say not. +But you would feel that you were not being taken seriously. Wait till +the next time _you_ are in earnest about anything—you’ll see!’ + + * * * * * + +The meeting was to be at three o’clock, and at ten minutes to the hour +Mrs. Hunt Mortimer arrived with two large brown volumes under her arm. +She had come early, she said, because there was to be a rehearsal of the +amateur theatricals at the Dixons’ at a quarter-past four. Mrs. Beecher +did not appear until five minutes after the hour. Her cook had +quarrelled with the housemaid, and given instantaneous notice, with five +people coming to dinner on Saturday. It had upset the lady very much, +and she explained that she would not have come if she had not promised. +It was so difficult to follow poetry when you were thinking about the +entrée all the time. + +‘Why the entrée?’ asked Mrs. Hunt Mortimer, looking up from the book +which she held open in front of her. + +‘My dear,’ said Mrs. Beecher, who had the art of saying the most simple +things as if they were profoundly confidential secrets,—‘My dear, my +parlourmaid is really an excellent cook, and I shall rely upon her if +Martha really goes. But she is limited, very limited, and entrées and +savouries are the two things in which I cannot entirely trust her. I +must, therefore, find some dish which is well within her capacity.’ + +Mrs. Hunt Mortimer prided herself upon her housekeeping, so the problem +interested her. Maude also began to feel the meeting less dull than she +had expected. + +‘Of course there are many things to be considered,’ said Mrs. Hunt +Mortimer, with the air of a Q.C. giving an opinion. ‘Oyster patties or +oyster vol-au-vents—’ + +‘Oysters are out of season,’ said Maude. + +‘I was about to say,’ Mrs. Hunt Mortimer continued, with admirable +presence of mind, ‘that these entrées of oysters are inadmissible because +they are out of season. Now curried prawns—’ + +‘My husband loathes them.’ + +‘Well, well! What do you say to sweetbreads en caisse? All you want are +chopped mushrooms, shalots, parsley, nutmeg, pepper, salt, breadcrumb, +bacon fat—’ + +‘No, no,’ cried Mrs. Beecher despairingly. ‘Anne would never remember +all that.’ + +‘Cutlets à la Constance,’ said Mrs. Hunt Mortimer. ‘I am sure that they +are simple enough. Cutlets, butter, fowls’ livers, cocks’ combs, +mushrooms—’ + +‘My dear, my dear, remember that she is only a parlourmaid. It is +unreasonable.’ + +‘Ragout of fowl, chicken patties, croquettes of veal with a little +browning—’ + +‘We’ve got back to Browning after all,’ cried Maude. + +‘Dear me,’ said Mrs. Beecher, ‘it is all my fault, and I am so sorry. +Now, Mrs. Hunt Mortimer, do please read us a little of that delightful +poetry.’ + +‘You can always get small entrées sent down from the Stores,’ cried +Maude, as a happy thought. + +‘You dear, good girl, how sweet of you to think of it. Of course one +can. That is really an admirable idea. There now, we may consider the +entrée as being removed, so we proceed to—’ + +‘The _pièce de résistance_,’ said Mrs. Hunt Mortimer solemnly, glancing +down the index of the first volume. ‘I confess that my acquaintance with +the poet has up to now been rather superficial. Our ambition must be to +so master him that he becomes from this time forward part and parcel of +ourselves. I fancy that the difficulties in understanding him have been +very much exaggerated, and that with goodwill and perseverance we shall +manage to overcome them.’ + +It was a relief to Mrs. Beecher and to Maude to realise that Mrs. Hunt +Mortimer knew no more about the matter than themselves. They both +ventured upon a less diffident air now that it was clear that it might be +done in safety. Maude frowned thoughtfully, and Mrs. Beecher cast up her +pretty brown eyes at the curtain-rod, as if she were running over in her +memory the whole long catalogue of the poet’s works. + +‘I will tell you what we should do,’ said she. ‘We must make a vow that +we shall never pass a line until we understand it. We will go over it +again and again until we grasp its meaning.’ + +‘What an excellent idea!’ cried Maude, with one of her little bursts of +enthusiasm. ‘Now that is really splendid, Mrs. Beecher.’ + +‘My friends always call me Nellie,’ said the little brunette. + +‘How nice of you to say so! I should love to call you so, if you don’t +mind. It is such a pretty name too. Only you must call me Maude.’ + +‘You look like a Maude,’ said Mrs. Beecher. ‘I always picture a Maude as +bright and pretty and blonde. Isn’t it strange how names associate +themselves with characters. Mary is always domestic, and Rose is a +flirt, and Elizabeth is dutiful, and Evelyn is dashing, and Alice is +colourless, and Helen is masterful—’ + +‘And Matilda is impatient,’ said Mrs. Hunt Mortimer, laughing. ‘Matilda +has reason to be, seated here with an index in front of her while you two +are exchanging compliments.’ + +‘Why, we were waiting for you to begin,’ said Mrs. Beecher reproachfully. +‘Do let us have something, for really the time is slipping away.’ + +‘It would be a pity to begin at the beginning, because that represents +his immature genius,’ remarked Mrs. Hunt Mortimer. ‘I think that on this +the opening day of the Society, we should have the poet at his best.’ + +‘How are we to know which _is_ his best?’ Maude asked. + +‘I should be inclined to choose something with a title which suggests +profundity—“A Pretty Woman,” “Love in a Life,” “Any Wife to any +Husband”—’ + +‘Oh, what _did_ she say to him?’ cried Maude. + +‘Well, I was about to say that all these subjects rather suggested +frivolity.’ + +‘Besides, it really is a very absurd title,’ remarked Mrs. Beecher, who +was fond of generalising from her six months’ experience of matrimony. +‘_A_ husband to _a_ wife’ would be intelligible, but how can you know +what _any_ husband would say to _any_ wife? No one can really foretell +what a man will do. They really are such extraordinary creatures.’ + +But Mrs. Hunt Mortimer had been married for five years, and felt as +competent to lay down the law about husbands as about entrées. + +‘When you have had a larger experience of them, dear, you will find that +there is usually a reason, or at least a primitive instinct of some sort, +at the root of their actions. But, seriously, we must really concentrate +our attention upon the poet, for my other engagement will call me away at +four, which only leaves me ten minutes to reach Maybury.’ + +Mrs. Beecher and Maude settled down with anxious attention upon their +faces. + +‘Do please go on!’ they cried. + +‘Here is “The Pied Piper of Hamelin.”’ + +‘Now that interests me more than I can tell,’ cried Maude, with her eyes +shining with pleasure. ‘Do please read us everything there is about that +dear piper.’ + +‘Why so?’ asked her two companions. + +‘Well, the fact is,’ said Maude, ‘Frank—my husband, you know—came to a +fancy-dress at St. Albans as the Pied Piper. I had no idea that it came +from Browning.’ + +‘How did he dress for it?’ asked Mrs. Beecher. ‘We are invited to the +Aston’s dress ball, and I want something suitable for George.’ + +‘It was a most charming dress. Red and black all over, something like +Mephistopheles, you know, and a peaked hat with a bell at the top. Then +he had a flute, of course, and a thin wire from his waist with a stuffed +rat at the end of it.’ + +‘A rat! How horrid!’ + +‘Well, that was the story, you know. The rats all followed the Pied +Piper, and so this rat followed Frank. He put it in his pocket when he +danced, but once he forgot, and so it got stood upon, and the sawdust +came out all over the floor.’ + +Mrs. Hunt Mortimer was also invited to the dress ball, and her thoughts +flew away from the book in front of her. + +‘How did you go, Mrs. Crosse?’ she asked. + +‘I went as “Night.”’ + +‘What! you with your brown hair!’ + +‘Well, father said that I was not a very dark night. I was in black, you +know, just my ordinary black silk dinner-dress. Then I had a silver +half-moon over my head, and black veils round my hair, and stars all over +my bodice and skirt, with a long comet right across the front. Father +upset a cup of milk over me at supper, and said afterwards that it was +the milky way.’ + +‘It is simply maddening how men _will_ make jokes about the most +important subjects,’ said Mrs. Hunt Mortimer. ‘But I have no doubt, +dear, that your dress was an exceedingly effective one. Now, for my own +part, I had some idea of going as the “Duchess of Devonshire.”’ + +‘Charming!’ cried Mrs. Beecher and Maude. + +‘It is not a very difficult costume, you know. I have some old Point +d’Alençon lace which has been in the family for a century. I make it the +starting-point of my costume. The gown need not be very elaborate—’ + +‘Silk?’ asked Mrs. Beecher. + +‘Well, I thought that perhaps a white-flowered brocade—’ + +‘Oh yes, with pearl trimming.’ + +‘No, no, dear, with my lace for trimming.’ + +‘Of course. You said so.’ + +‘And then a muslin fichu coming over here.’ + +‘How perfectly sweet!’ cried Maude. + +‘And the waist cut high, and ruffles at the sleeves. And, of course, a +picture hat—you know what I mean—with a curling ostrich feather.’ + +‘Powdered hair, of course?’ said Mrs. Beecher. + +‘Powdered in ringlets.’ + +‘It will suit you admirably—beautifully. You are tall enough to carry it +off, and you have the figure also. How I wish I was equally certain +about my own!’ + +‘What had you thought of, dear?’ + +‘Well, I had some idea about “Ophelia.” Do you think that it would do?’ + +‘Certainly. Had you worked it out at all?’ + +‘Well, my dear,’ said Mrs. Beecher, relapsing into her pleasant +confidential manner. ‘I had some views, but, of course, I should be so +glad to have your opinion about it. I only saw _Hamlet_ once, and the +lady was dressed in white, with a gauzy light nun’s-veiling over it. I +thought that with white pongee silk as an under-dress, and then some sort +of delicate—’ + +‘Crepe de Chine,’ Maude suggested. + +‘But in Ophelia’s day such a thing had never been heard of,’ said Mrs. +Hunt Mortimer. ‘A net of silver thread—’ + +‘Exactly,’ cried Mrs. Beecher, ‘with some sort of jewelling upon it. +That was just what I had imagined. Of course it should be cut +classically and draped—my dressmaker is such a treasure—and I should have +a gold embroidery upon the white silk.’ + +‘Crewel work,’ said Maude. + +‘Or a plain cross-stitch pattern. Then a tiara of pearls on the head. +Shakespeare—’ + +At the name of the poet their three consciences pricked simultaneously. +They looked at each other and then at the clock with dismay. + +‘We must—we really _must_ go on with our reading,’ cried Mrs. Hunt +Mortimer. ‘How did we get talking about these dresses?’ + +‘It was my fault,’ said Mrs. Beecher, looking contrite. + +‘No, dear, it was mine,’ said Maude. ‘You remember it all came from my +saying that Frank had gone to the ball as the Pied Piper.’ + +‘I am going to read the very first poem that I open,’ said Mrs. Hunt +Mortimer remorselessly. ‘I am afraid that it is almost time that I +started, but we may still be able to skim over a few pages. Now then! +There! _Setebos_! What a funny name!’ + +‘What _does_ it mean?’ asked Maude. + +‘We shall find out, no doubt, as we proceed,’ said Mrs. Hunt Mortimer. +‘We shall take it line by line and draw the full meaning from it. The +first line is— + + ‘Will sprawl now that the heat of day is best—’ + +‘Who will?’ asked Mrs. Beecher. + +‘I don’t know. That’s what it says.’ + +‘The next line will explain, no doubt.’ + + ‘Flat on his—’ + +‘Dear me, I had no idea that Browning was like this!’ + +‘Do read it, dear.’ + +‘I couldn’t possibly think of doing so. With your permission we will +pass on to the next paragraph.’ + +‘But we vowed not to skip.’ + +‘But why read what cannot instruct or elevate us. Let us begin this next +stanza, and hope for something better. The first line is—I wonder if it +really can be as it is written.’ + +‘Do please read it!’ + + ‘Setebos and Setebos and Setebos.’ + +The three students looked sadly at each other. ‘This is worse than +anything I could have imagined,’ said the reader. + +‘We mast skip that line.’ + +‘But we are skipping everything.’ + +‘It’s a person’s name,’ said Mrs. Beecher. + +‘Or three persons.’ + +‘No, only one, I think.’ + +‘But why should he repeat it three times?’ + +‘For emphasis!’ + +‘Perhaps,’ said Mrs. Beecher, ‘it was Mr. Setebos, and Mrs. Setebos, and +a little Setebos.’ + +‘Now, if you are going to make fun, I won’t read. But I think we were +wrong to say that we would take it line by line. It would be easier +sentence by sentence.’ + +‘Quite so.’ + +‘Then we will include the next line, which finishes the sentence. It is, +“thinketh he dwelleth in the cold of the moon.”’ + +‘Then it _was_ only one Setebos!’ cried Maude. + +‘So it appears. It is easy to understand if one will only put it into +ordinary language. This person Setebos was under the impression that his +life was spent in the moonlight.’ + +‘But what nonsense it is!’ cried Mrs. Beecher. Mrs. Hunt Mortimer looked +at her reproachfully. ‘It is very easy to call everything which we do +not understand “nonsense,”’ said she. ‘I have no doubt that Browning had +a profound meaning in this.’ + +‘What was it, then?’ + +Mrs. Hunt Mortimer looked at the clock. + +‘I am very sorry to have to go,’ said she, ‘but really I have no choice +in the matter. Just as we were getting on so nicely—it is really most +vexatious. You’ll come to my house next Wednesday, Mrs. Crosse, won’t +you? And you also, Mrs. Beecher. Good-bye, and thanks for _such_ a +pleasant afternoon!’ + +But her skirts had hardly ceased to rustle in the passage before the +Browning Society had been dissolved by a two-thirds’ vote of the total +membership. + +‘What is the use?’ cried Mrs. Beecher. ‘Two lines have positively made +my head ache, and there are two volumes.’ + +‘We must change our poet.’ + +‘His verbosity!’ cried Mrs. Beecher. + +‘His Setebosity!’ cried Maude. + +‘And dear Mrs. Hunt Mortimer pretending to like him! Shall we propose +Tennyson next week?’ + +‘It would be far better.’ + +‘But Tennyson is quite simple, is he not?’ + +‘Perfectly.’ + +‘Then why should we meet to discuss him if there is nothing to discuss?’ + +‘You mean that we might as well each read him for herself.’ + +‘I think it would be easier.’ + +‘Why, of course it would.’ + +And so after one hour of precarious life, Mrs. Hunt Mortimer’s Mutual +Improvement Society for the elucidation of Browning came to an untimely +end. + + + + +AN INVESTMENT + + +‘I WANT your advice, Maude.’ + +She was looking very sweet and fresh in the morning sunlight. She wore a +flowered, French print blouse—little sprigs of roses on a white +background—and a lace frill round her pretty, white, smooth throat. The +buckle of her brown leather belt just gleamed over the edge of the +table-cloth. In front of her were a litter of correspondence, a white +cup of coffee, and two empty eggshells—for she was a perfectly healthy +young animal with an excellent appetite. + +‘Well, dear, what is it?’ + +‘I shall take the later train. Then I need not hurry, and can walk down +at my ease.’ + +‘How nice of you!’ + +‘I am not sure that Dinton will think so.’ + +‘Only one little hour of difference—what can it matter?’ + +‘They don’t run offices on those lines. An hour means a good deal in the +City of London.’ + +‘Oh, I do hate the City of London! It is the only thing which ever comes +between us.’ + +‘I suppose that it separates a good many loving couples every morning.’ + +He had come across and an egg-cup had been upset. Then he had been +scolded, and they sat together laughing upon the sofa. When he had +finished admiring her little, shining, patent-leather, Louis shoes and +the two charming curves of open-work black stocking, she reminded him +that he had asked for her advice. + +‘Yes, dear, what was it?’ She knitted her brows and tried to look as her +father did when he considered a matter of business. But then her father +was not hampered by having a young man’s arm round his neck. It is so +hard to be business-like when any one is curling one’s hair round his +finger. + +‘I have some money to invest.’ + +‘O Frank, how clever of you!’ + +‘It is only fifty pounds.’ + +‘Never mind, dear, it is a beginning.’ + +‘That is what I feel. It is the foundation-stone of our fortunes. And +so I want Her Majesty to lay it—mustn’t wrinkle your brow though—that is +not allowed.’ + +‘But it is a great responsibility, Frank.’ + +‘Yes, we must not lose it.’ + +‘No, dear, we must not lose it. Suppose we invest it in one of those +modern fifty-guinea pianos. Our dear old Broadwood was an excellent +piano when I was a girl, but it is getting so squeaky in the upper notes. +Perhaps they would allow us something for it.’ + +He shook his head. + +‘I know that we want one very badly, dear. And such a musician as you +are should have the best instrument that money can buy. I promise you +that when we have a little to turn round on, you shall have a beauty. +But in the meantime we must not buy anything with this money—I mean +nothing for ourselves—we must invest it. We cannot tell what might +happen. I might fall ill. I might die.’ + +‘O Frank, how horrid you are this morning!’ + +‘Well, we have to be ready for anything. So I want to put this where we +can get it on an emergency, and where in the meantime it will bring us +some interest. Now what shall we buy?’ + +‘Papa always bought a house.’ + +‘But we have not enough.’ + +‘Not a little house?’ + +‘No, not the smallest.’ + +‘A mortgage, then?’ + +‘The sum is too small.’ + +‘Government stock, Frank—if you think it is safe.’ + +‘Oh, it is safe enough. But the interest is so low.’ + +‘How much should we get?’ + +‘Well, I suppose the fifty pounds would bring us in about thirty +shillings a year.’ + +‘Thirty shillings! O Frank!’ + +‘Rather less than more.’ + +‘Fancy a great rich nation like ours taking our fifty pounds and treating +us like that. How _mean_ of them! Don’t let them have it, Frank.’ + +‘No, I won’t.’ + +‘If they want it, they can make us a fair offer for it.’ + +‘I think we’ll try something else.’ + +‘Well, they have only themselves to thank. But you have some plan in +your head, Frank. What is it?’ + +He brought the morning paper over from the table. Then he folded it so +as to bring the financial columns to the top. + +‘I saw a fellow in the City yesterday who knows a great deal about +gold-mining. I only had a few minutes’ talk, but he strongly advised me +to have some shares in the El Dorado Proprietary Gold Mine.’ + +‘What a nice name! I wonder if they would let us have any?’ + +‘Oh yes, they are to be bought in the open market. It is like this, +Maude. The mine was a very good one, and paid handsome dividends. Then +it had some misfortunes. First, there was no water, and then there was +too much water, and the workings were flooded. So, of course, the price +of the shares fell. Now they are getting the mine all right again, but +the shares are still low. It certainly seems a very good chance to pick +a few of them up.’ + +‘Are they very dear, Frank?’ + +‘I looked them up in the _Mining Register_ before I came home yesterday. +The original price of each share was ten shillings, but as they have had +these misfortunes, one would expect to find them rather lower.’ + +‘Ten shillings! It does not seem much to pay for a share in a thing with +a name like that.’ + +‘Here it is,’ said he, pointing with a pencil to one name in a long +printed list. ‘This one, between the Royal Bonanza and the Alabaster +Consols. You see—El Dorado Proprietary! Then after it you have printed, +4¾—4⅞. I don’t profess to know much about these things, but that of +course means the price.’ + +‘Yes, dear, it is printed at the top of the column—“Yesterday’s prices.”’ + +‘Quito so. Well, we know that the original price of each share was ten +shillings, and of course they must have dropped with a flood in the mine, +so that these figures must mean that the price yesterday was four +shillings and nine-pence, or thereabouts.’ + +‘What a clear head for business you have, dear!’ + +‘I think we can’t do wrong in buying at that price. You see, with our +fifty pounds we could buy two hundred of them, and then if they went up +again we could sell, and take our profit.’ + +‘How delightful! But suppose they don’t go up.’ + +‘Well, they can’t go down. I should not think that a share at four +shillings and ninepence _could_ go down very much. There is no room. +But it may go up to any extent.’ + +‘Besides, your friend said that they would go up.’ + +‘Yes, he seemed quite confident about it. Well, what do you think, +Maude? Is it good enough or not?’ + +‘O Frank, I hardly dare advise you. Just imagine if we were to lose it +all. Do you think it would be wiser to get a hundred shares, and then we +could buy twenty-five pounds’ worth of Royal Bonanza as well. It would +be impossible for them both to go wrong.’ + +‘The Royal Bonanza shares are dear, and then we have had no information +about it. I think we had better back our own opinion.’ + +‘All right, Frank.’ + +‘Then that is settled. I have a telegraph-form here.’ + +‘Could you not buy them yourself when you are in town?’ + +‘No, you can’t buy things yourself. You have to do it through a broker.’ + +‘I always thought a broker was a horrid man, who came and took your +furniture away.’ + +‘Ah, that’s another kind of broker. He comes afterwards. I promised +Harrison that he should have any business which I could put in his way, +so here goes. How is that?’— + + ‘Harrison, 13a Throgmorton Street, E.C.—Buy two hundred El Dorado + Proprietaries. + + ‘CROSSE, Woking.’ + +‘Doesn’t it sound rather peremptory, Frank?’ + +‘No, no, that is mere business.’ + +‘I hope he won’t be offended.’ + +‘I think I can answer for that.’ + +‘You have not said the price.’ + +‘One cannot say the price because one does not know it. You see, it is +always going up and down. By this time it may be a little higher or a +little lower than yesterday. There cannot be much change, that is +certain. Great Scot, Maude, it is ten-fifteen. Three and a half minutes +for a quarter of a mile. Good-bye, darling! I just love you in that +bodice. O Lord—good-bye!’ + + * * * * * + +‘Well, has anything happened?’ + +‘Yes, you have come back. Oh I am so glad to see you, you dear old boy!’ + +‘Take care of that window, darling!’ + +‘Oh, my goodness, I hope he didn’t see. No, it’s all right. He was +looking the other way. We have the gold shares all right.’ + +‘Harrison has telegraphed?’ + +‘Yes, here it is.’— + + ‘Crosse, The Lindens, Woking.—Bought two hundred El Dorados at 4¾. + + HARRISON.’ + +‘That is capital. I rather expected to see Harrison in the train. I +shouldn’t be surprised if he calls on his way from the station. He has +to pass our door, you know, on his way to Maybury.’ + +‘He is sure to call.’ + +‘What are you holding there?’ + +‘It’s a paper.’ + +‘What paper?’ + +‘Who is it who talks about woman’s curiosity?’ + +‘Let me see it.’ + +‘Well, sir, if you must know, it is the _Financial Whisper_.’ + +‘Where in the world did you get it?’ + +‘I knew that the Montresors took a financial paper. I remember Mrs. +Montresor saying once how dreadfully dry it was. So when you were gone I +sent Jemima round and borrowed it, and I have read it right through to +see if there was anything about our mine in it—_our_ mine, Frank; does it +not sound splendid?’ + +‘Well, is there anything?’ + +She clapped her hands with delight. + +‘Yes, there is. “This prosperous mine—” that is what it says. Look +here, it is under the heading of Australian Notes,’ she held out the +paper and pointed, but his face fell as he looked. + +‘O Maude, it’s preposterous.’ + +‘What is preposterous?’ + +‘The word is preposterous and not prosperous—“this preposterous mine.”’ + +‘Frank!’ She turned her face away. + +‘Never mind, dear! What’s the odds?’ + +‘O Frank, our first investment—our fifty pounds! And to think that I +should have kept the paper as a surprise for you!’ + +‘Well, the print is a little slurred, and it was a very natural mistake. +After all, the paper may be wrong. Oh don’t, Maude, please don’t! It’s +not worth it—all the gold on the earth is not worth it. There’s a sweet +girlie! Now, are you better? Oh, damn those open curtains!’ + +A tall and brisk young man with a glossy hat was coming through the +garden. An instant later Jemima had ushered him in. + +‘Hullo, Harrison!’ + +‘How do you do, Crosse? How are you, Mrs. Crosse?’ + +‘How do you do? I’ll just order tea if you will excuse me.’ + +Ordering tea seemed to involve a good deal of splashing water. Maude +came back with a merrier face. + +‘Is this a good paper, Mr. Harrison?’ + +‘What is it? _Financial Whisper_! No, the most venal rag in the city.’ + +‘Oh, I am so glad!’ + +‘Why?’ + +‘Well, you know, we bought some shares to-day, and it calls our mine a +preposterous one.’ + +‘Oh, is that all. Who cares what the _Financial Whisper_ says! It would +call the Bank of England a preposterous institution if it thought it +could bear Consols by doing so. Its opinion is not worth a halfpenny. +By the way, Crosse, it was about those shares that I called.’ + +‘I thought you might. I have only just got back myself, and I saw by +your wire that you had bought them all right.’ + +‘Yes, I thought I had better let you have your contract at once. +Settling day is on Monday, you know.’ + +‘All right. Thank you. I will let you have a cheque. What—what’s +this?’ + +The contract had been laid face upwards upon the table. Frank Crosse’s +face grew whiter and his eyes larger as he stared at it. It ran in this +way— + + 13a THROGMORTON STREET. + + Bought for Francis Crosse, Esq. + + (Subject to the Specific Rules and Regulations of the Stock + Exchange.) + +200 El Dorado Proprietaries at 4¾ £950 0 0 +Stamps and Fees 4 17 6 +Commission 7 10 0 + £962 7 6 + + For the 7th inst. + +‘I fancy there is some mistake here, Harrison,’ said he, speaking with a +very dry pair of lips. + +‘A mistake!’ + +‘Yes, this is not at all what I expected.’ + +‘O Frank! Nearly a thousand pounds!’ gasped Maude. + +Harrison glanced from one of them to the other. He saw that the matter +was serious. + +‘I am very sorry if there has been any mistake. I tried to obey your +instructions. You wanted two hundred El Dorados, did you not?’ + +‘Yes, at four and ninepence.’ + +‘Four and ninepence! They are four pound fifteen each.’ + +‘But I read that they were only ten shillings originally, and that they +had been falling.’ + +‘Yes, they have been falling for months. But they were as high as ten +pounds once. They are down at four pound fifteen now.’ + +‘Why on earth could the paper not say so?’ + +‘When a fraction is used, it always means a fraction of a pound.’ + +‘Good heavens! And I have to find this sum before Monday.’ + +‘Monday is settling day.’ + +‘I can’t do it, Harrison. It is impossible.’ + +‘Then there is the obvious alternative.’ + +‘No, I had rather die. I will never go bankrupt—never!’ + +Harrison began to laugh, and then turned stonily solemn as he met a pair +of reproachful grey eyes. + +‘It strikes me that you have not done much at this game, Crosse.’ + +‘Never before—and by Heaven, never again!’ + +‘You take it much too hard. When I spoke of an alternative, I never +dreamed of bankruptcy. All you have to do is to sell your stock +to-morrow morning, and pay the difference.’ + +‘Can I do that?’ + +‘Rather. Why not?’ + +‘What would the difference be?’ + +Harrison took an evening paper from his pocket. ‘We deal in rails +chiefly, and I don’t profess to keep in touch with the mining market. +We’ll find the quotation here. By Jove!’ He whistled between his teeth. + +‘Well!’ said Frank, and felt his wife’s little warm palm fall upon his +hand under the table. + +‘The difference is in your favour.’ + +‘In my favour?’ + +‘Yes, listen to this. “The mining markets, both the South African and +the Australian, opened dull, but grew more animated as the day proceeded, +prices closing at the best. Out crops upon the Rand mark a general +advance of one-sixteenth to one-eighth. The chief feature in the +Australian section was a sharp advance of five-eighths in El Dorados, +upon a telegram that the workings had been pumped dry.” Crosse, I +congratulate you.’ + +‘I can really sell them for more than I gave?’ + +‘I should think so. You have two hundred of them, and a profit of ten +shillings on each.’ + +‘Maude, we’ll have the whisky and the soda. Harrison, you must have a +drink. Why, that’s a hundred pounds.’ + +‘More than a hundred.’ + +‘Without my paying anything?’ + +‘Not a penny.’ + +‘When does the Exchange open to-morrow?’ + +‘The rattle goes at eleven.’ + +‘Well, be there at eleven, Harrison. Sell them at once.’ + +‘You won’t hold on and watch the market?’ + +‘No, no—I won’t have an easy moment until they are sold.’ + +‘All right, my boy. You can rely upon me. You will get a cheque for +your balance on Tuesday or Wednesday. Good evening! I am so glad that +it has all ended well.’ + +‘And the joke of it is, Maude,’ said her husband, after they had talked +over the whole adventure from the beginning. ‘The joke of it is that we +have still to find an investment for our original fifty pounds. I am +inclined to put it into Consols after all.’ + +‘Well,’ said Maude, ‘perhaps it would be the patriotic thing to do.’ + + * * * * * + +Two days later the poor old Broadwood with the squeaky treble and the +wheezy bass was banished for ever from The Lindens, and there arrived in +its place a ninety-five-guinea cottage grand, all dark walnut and +gilding, with notes in it so deep and rich and resonant that Maude could +sit before it by the hour and find music enough in simply touching one +here and one there, and listening to the soft, sweet, reverberant tones +which came swelling from its depths. Her El Dorado piano, she called it, +and tried to explain to lady visitors how her husband had been so clever +at business that he had earned it in a single day. As she was never very +clear in her own mind how the thing had occurred, she never succeeded in +explaining it to any one else, but a vague and solemn impression became +gradually diffused abroad that young Mr. Frank Crosse was a very +remarkable man, and that he had done something exceedingly clever in the +matter of an Australian mine. + + + + +A THUNDERCLOUD + + +BLUE skies and shining sun, but far down on the horizon one dark cloud +gathers and drifts slowly upwards unobserved. Frank Crosse was aware of +its shadow when coming down to breakfast he saw an envelope with a +well-remembered handwriting beside his plate. How he had loved that +writing once, how his heart had warmed and quickened at the sight of it, +how eagerly he had read it—and now a viper coiled upon the white +table-cloth would hardly have given him a greater shock. Contradictory, +incalculable, whimsical life! A year ago how scornfully he would have +laughed, what contemptuous unbelief would have filled his soul, if he had +been told that any letter of hers could have struck him cold with the +vague apprehension of coming misfortune. He tore off the envelope and +threw it into the fire. But before he could glance at the letter there +was the quick patter of his wife’s feet upon the stair, and she burst, +full of girlish health and high spirits, into the little room. She wore +a pink crepon dressing-gown, with cream guipure lace at the neck and +wrists. Pink ribbon outlined her trim waist. The morning sun shone upon +her, and she seemed to him to be the daintiest, sweetest tiling upon +earth. He had thrust his letter into his pocket as she entered. + +‘You will excuse the dressing-gown, Frank.’ + +‘I just love you in it. No, you mustn’t pass. Now you can go.’ + +‘I was so afraid that you would breakfast without me that I had no time +to dress. I shall have the whole day to finish in when you are gone. +There now—Jemima has forgotten to warm the plates again! And your coffee +is cold. I wish you had not waited.’ + +‘Better cold coffee with Maude’s society.’ + +‘I always thought men gave up complimenting their wives after they +married them. I am so glad you don’t. I think on the whole that women’s +ideas of men are unfair and severe. The reason is that the women who +have met unpleasant men run about and make a noise, but the women who are +happy just keep quiet and enjoy themselves. For example, I have not time +to write a book explaining to every one how nice Frank Crosse is; but if +he were nasty my life would be empty, and so of course I should write my +book.’ + +‘I feel such a fraud when you talk like that.’ + +‘That is part of your niceness.’ + +‘Oh don’t, Maude! It really hurts me.’ + +‘Why, Frank, what is the matter with you to-day?’ + +‘Nothing, dear.’ + +‘Oh yes, there is. I can tell easily.’ + +‘Perhaps I am not quite myself.’ + +‘No, I am sure that you are not. I believe that you have a cold coming +on. O Frank, do take some ammoniated quinine.’ + +‘Good heavens, no!’ + +‘Please! Please!’ + +‘My dear girlie, there is nothing the matter with me.’ + +‘But it is such splendid stuff.’ + +‘Yes, I know. But really I don’t want it.’ + +‘Have you had any letters, Frank?’ + +‘Yes, one.’ + +‘Anything important?’ + +‘I have hardly glanced at it yet.’ + +‘Glance at it now.’ + +‘Oh, I will keep it for the train. Good-bye, dearest. It is time that I +was off.’ + +‘If you would only take the ammoniated quinine. You men are so proud and +obstinate. Good-bye, darling. Eight hours, and then I shall begin to +live again.’ + +He had a quiet corner of a carriage to himself, so he unfolded his letter +and read it. Then he read it again with frowning brows and compressed +lips. It ran in this way— + + MY DEAREST FRANKIE,—I suppose that I should not address you like this + now that you are a good little married man, but the force of custom + is strong, and, after all, I knew you long before she did. I don’t + suppose you were aware of it, but there was a time when I could very + easily have made you marry me, in spite of all you may know about my + trivial life and adventures, but I thought it all over very + carefully, and I came to the conclusion that it was not good enough. + You were always a dear good chap yourself, but your prospects were + not quite dashing enough for your festive Violet. I believe in a + merry time even if it is a short one. But if I had really wanted to + settle down in a humdrum sort of way, you are the man whom I should + have chosen out of the whole batch of them. I hope what I say won’t + make you conceited, for one of your best points used to be your + modesty. + + But for all that, my dear Frankie, I by no means give you up + altogether, and don’t you make any mistake about that. It was only + yesterday that I saw Charlie Scott, and he told me all about you, and + gave me your address. Don’t you bless him? And yet I don’t know. + Perhaps you have still a kindly thought of your old friend, and would + like to see her. + + But you are going to see her whether you like or not, my dear boy, so + make up your mind to that. You know how you used to chaff me about + my whims. Well, I’ve got a whim now, and I’ll have my way as usual. + I am going to see you to-morrow, and if you won’t see me under my + conditions in London, I shall call at Woking in the evening. Oh my + goodness, what a bombshell! But you know that I am always as good as + my word. So look out! + + Now I’ll give you your orders for the day, and don’t you forget them. + To-morrow (Thursday, 14th, no excuses about the date) you will leave + your office at 3.30. I know that you can when you like. You will + drive to Mariani’s, and you will find me at the door. We shall go up + to our old private room, and we shall have tea together, and a dear + old chat about all sorts of things. So come! But if you don’t, + there is a train which leaves Waterloo at 6.10 and reaches Woking at + 7. I will come by it and be just in time for dinner. What a joke it + will be! + + Good-bye, old boy! I hope your wife does not read your letters, or + this will rather give her fits.—Yours as ever, + + VIOLET WRIGHT. + +At the first reading this letter filled him with anger. To be wooed by a +very pretty woman is pleasant even to the most austere of married men +(and never again trust the one who denies it), but to be wooed with a +very dangerous threat mixed up with the wooing is no such pleasant +experience. And it was no empty threat. Violet was a woman who prided +herself upon being as good as her word. She had laughingly said with her +accustomed frankness upon one occasion that it was her sole remaining +virtue. If he did not go to Mariani’s, she would certainly come to +Woking. He shuddered to think of Maude being annoyed by her. It was one +thing to speak in a general way to his wife of prematrimonial +experiences, and it was another to have this woman forcing herself upon +her and making a scene. The idea was so vulgar. The sweet, pure +atmosphere of The Lindens would never be the same again. + +No, there was no getting out of it. He must go to Mariani’s. He was +sufficiently master of himself to know that no harm could come of that. +His absolute love for his wife shielded him from all danger. The very +thought of infidelity nauseated him. And then, as the idea became more +familiar to him, other emotions succeeded that of anger. There was an +audacity about his old flame, a spirit and devilment, which appealed to +his sporting instincts. Besides, it was complimentary to him, and +flattering to his masculine vanity, that she should not give him up +without a struggle. Merely as a friend it would not be disagreeable to +see her again. Before he had reached Clapham Junction his anger had +departed, and by the time that he arrived at Waterloo he was surprised to +find himself looking forward to the interview. + +Mariani’s is a quiet restaurant, famous for its _lachryma christi +spumante_, and situated in the network of sombre streets between Drury +Lane and Covent Garden. The fact of its being in a by-street was not +unfavourable to its particular class of business. Its customers were +very free from the modern vice of self-advertisement, and would even take +some trouble to avoid publicity. Nor were they gregarious or luxurious +in their tastes. A small, simple apartment was usually more to their +taste than a crowded salon, and they were even prepared to pay a higher +sum for it. + +It was five minutes to four when Frank arrived, and the lady had not yet +appeared. He stood near the door and waited. Presently a hansom rattled +into the narrow street, and there she sat framed in its concavity. A +pretty woman never looks prettier than in a hansom, with the shadows +behind to give their Rembrandt effect to the face in front. She raised a +yellow kid hand, and flashed a smile at him. + +‘Just the same as ever,’ said she, as he handed her down. + +‘So are you.’ + +‘So glad you think so. I am afraid I can’t quite agree with you. +Thirty-four yesterday. It’s simply awful. Thank you, I have some +change. All right, cabby. Well, have you got a room?’ + +‘No.’ + +‘But you’ll come?’ + +‘Oh yes, I should like to have a chat.’ + +The clean-shaven, round-faced manager, a man of suave voice and +diplomatic manner, was standing in the passage. His strange life was +spent in standing in the passage. He remembered the pair at once, and +smiled paternally. + +‘Not seen you for some time, sir!’ + +‘No, I have been engaged.’ + +‘Married,’ said the lady. + +‘Dear me!’ said the proprietor. ‘Tea, sir?’ + +‘And muffins. You used to like the muffins.’ + +‘Oh yes, muffins by all means.’ + +‘Number ten,’ said the proprietor, and a waiter showed them upstairs. +‘All meals nine shillings each,’ he whispered, as Frank passed him at the +door. He was a new waiter, and so mistook every one for a new customer, +which is an error which runs through life. + +It was a dingy little room with a round table covered by a soiled cloth +in the middle. Two windows, discreetly blinded, let in a dim London +light. An armchair stood at each side of the empty fireplace, and an +uncomfortable, old-fashioned, horsehair sofa lined the opposite wall. +There were pink vases upon the mantelpiece, and a portrait of Garibaldi +above it. + +The lady sat down and took off her gloves. Frank stood by the window and +smoked a cigarette. The waiter rattled and banged and jingled with the +final effect of producing a tea-tray and a hot-water dish. ‘You’ll ring +if you want me, sir,’ said he, and shut the door with ostentatious +completeness. + +‘Now we can talk,’ said Frank, throwing his cigarette into the fireplace. +‘That waiter was getting on my nerves.’ + +‘I say, I hope you’re not angry.’ + +‘What at?’ + +‘Well, my saying I should come down to Woking, and all that.’ + +‘I should have been angry if I thought you had meant it.’ + +‘Oh, I meant it right enough.’ + +‘But with what object?’ + +‘Just to get level with you, Frankie, if you threw me over too +completely. Hang it all, she has three hundred and sixty-five days in +the year! Am I to be grudged a single hour?’ + +‘Well, Violet, we won’t quarrel about it. You see I came all right. +Pull up your chair and have some tea.’ + +‘You haven’t even looked at me yet. I won’t take any tea until you do.’ + +She stood up in front of him, and pushed up her veil. It was a face and +a figure worth looking at. Hazel eyes, dark chestnut hair, a warm flush +of pink in her cheeks, the features and outline of an old Grecian +goddess, but with more of Juno than of Venus, for she might perhaps err a +little upon the side of opulence. There was a challenge and defiance +dancing in those dark devil-may-care eyes of hers which might have roused +a more cold-blooded man than her companion. Her dress was simple and +dark, but admirably cut. She was clever enough to know that a pretty +woman should concentrate attention upon herself, and a plain one divert +it to her adornments. + +‘Well?’ + +‘By Jove, Violet, you look splendid.’ + +‘Well?’ + +‘The muffins are getting cold.’ + +‘Frankie, what _is_ the matter with you?’ + +‘Nothing is the matter.’ + +‘Well?’ + +She put out her two hands and took hold of his. That well-remembered +sweet, subtle scent of hers rose to his nostrils. There is nothing more +insidious than a scent which carries suggestions and associations. +‘Frankie, you have not kissed me yet.’ + +She turned her smiling face upwards and sideways, and for an instant he +leaned forward towards it. But he had himself in hand again in a moment. +It gave him confidence to find how quickly and completely he could do it. +With a laugh, still holding her two hands, he pushed her back into the +chair by the table. + +‘There’s a good girl!’ said he. ‘Now we’ll have some tea, and I’ll give +you a small lecture while we do so.’ + +‘You are a nice one to give lectures.’ + +‘Oh, there’s no such preacher as a converted sinner.’ + +‘You really are converted then?’ + +‘Rather. Two lumps, if I remember right. You ought to do this, not I. +No milk, and very strong—how you keep your complexion I can’t imagine. +But you do keep it; my word, you do! Now please don’t look so crossly at +me.’ + +Her flushed cheeks and resentful eyes had drawn forth the remonstrance. + +‘You _are_ changed,’ she said, with surprise as well as anger in her +voice. + +‘Why, of course I am. I am married.’ + +‘For that matter Charlie Scott is married.’ + +‘Don’t give Charlie Scott away.’ + +‘I think I give myself away. So you have lost all your love for me. I +thought it was to last for ever.’ + +‘Now, do be sensible, Violet.’ + +‘Sensible! How I loathe that word! A man only uses it when he is going +to do something cold-blooded and mean. It is always the beginning of the +end.’ + +‘What do you want me to do?’ + +‘I want you to be my own Frankie—just the same as before. Ah do, +Franck—don’t leave me! You know I would give any of them up for you. +And you have a good influence over me—you have really! You call’t think +how hard I am with other people. Ask Charlie Scott. He will tell you. +I’ve been so different since I have lost sight of you. Now, Frankie, +don’t be horrid to me! Kiss and be nice!’ Again her soft warm hand was +upon his, and the faint sweet smell of violets went to his blood like +wine. He jumped up, lit another cigarette, and paced about the room. + +‘You shan’t have a cigarette, Frankie.’ + +‘Why not?’ + +‘Because you said once it helped you to control yourself. I don’t want +you to control yourself. I want you to feel as I feel.’ + +‘Do sit down, like a good girl!’ + +‘Cigarette out!’ + +‘Don’t be absurd, Violet!’ + +‘Come, out with it, sir.’ + +‘No, no, leave it alone!’ + +She had snatched it from his lips and thrown it into the grate. + +‘What is the use of that? I have a case full.’ + +‘They shall all follow the first.’ + +‘Well, then, I won’t smoke.’ + +‘I’ll see that you don’t.’ + +‘Well, what the better are you for that?’ + +‘Now, be nice.’ + +‘Go back to your chair and have some more tea.’ + +‘Oh, bother the tea!’ + +‘Well, I won’t speak to you unless you sit down and behave yourself.’ + +‘There now! Speak away.’ + +‘Look here, dear Violet, you must not talk about this any more. Some +things are possible and some are impossible. This is absolutely, finally +impossible. We can never go back upon the past. It is finished and done +with.’ + +‘Then what did you come here for?’ + +‘To bid you good-bye.’ + +‘A Platonic good-bye.’ + +‘Of course.’ + +‘In a private room at Mariani’s.’ + +‘Why not?’ + +She laughed bitterly. + +‘You were always a little mad, Frankie.’ + +He leaned earnestly over the table. + +‘Look here, Violet, the chances are that we shall never meet again.’ + +‘It takes two to say that.’ + +‘Well, I mean that after to-day I should not meet you again. If you were +not quite what you are it would be easier. But as it is I find it a +little too much of a test. No, don’t mistake me or think that I am +weakening. That is impossible. But all the same I don’t want to go +through it again.’ + +‘So sorry if I have upset you.’ + +He disregarded her irony. + +‘We have been very good friends, Violet. Why should we part as enemies?’ + +‘Why should we part at all?’ + +‘We won’t go back over that. Now do please look facts in the face and +help me to do the right thing, for it would be so much easier if you +would help me. If you were a very good and kind girl you would shake my +hand, like any other old pal, and wish me joy of my marriage. You know +that I should do so if I knew that you were going to be married.’ + +But the lady was not to be so easily appeased. She took her tea in +silence or answered his remarks with monosyllables, while the occasional +flash of her dark eyes as she raised them was like the distant lightning +which heralds the storm. Suddenly, with a swift rustle of skirts, she +was between the door and his chair. + +‘Now, Frankie, we have had about enough of this nonsense,’ said she. +‘Don’t imagine that you are going to get out of this thing so easily. +I’ve got you, and I’ll keep you.’ + +He faced round in his chair and looked helplessly at her with a hand upon +each knee. + +‘O Lord! Don’t begin it all over again,’ said he. + +‘No, I won’t,’ she answered with an angry laugh. ‘I’ll try another line +this time, Master Frank. I’m not the sort of woman who lets a thing go +easily when once I have set my heart upon it. I won’t try coaxing any +longer—’ + +‘So glad,’ he murmured. + +‘You may say what you like, but you can’t do it, my boy. I knew you +before she did, and I’ll keep you, or else I’ll make such a row that you +will be sorry that you ever put my back up. It’s all very fine to sit +there and preach, but it won’t do, Frankie. You can’t slip out of things +as easily as all that.’ + +‘Why should you turn nasty like this, Violet? What do you think you will +gain by it?’ + +‘I mean to gain _you_. I like you, Frankie. I’m not sure that I don’t +really love you—real, real love, you know. Any way, I don’t intend to +let you go, and if you go against my will I give you my word that I shall +make it pretty sultry for you down at Woking.’ + +He stared moodily into his teacup. + +‘Besides, what rot it all is!’ she continued, laying her hand upon his +shoulder. ‘When did you begin to ride the high moral horse? You were +just as cheerful as the rest of them when last I saw you. You speak as +if a man ceased to live just because he is married. What has changed +you?’ + +‘I’ll tell you what has changed me,’ said he, looking up. ‘My wife has +changed me.’ + +‘Oh, bother your wife!’ + +A look which was new to her came over his face. + +‘Stop that!’ said he sharply. + +‘Oh, no harm! How has your wife made this wonderful change?’ + +His mood softened as his thoughts flew back to Woking. + +‘By her own goodness—the atmosphere that she makes round her. If you +knew how wholesome she was, how delicate in her most intimate thoughts, +how fresh and how sweet and how pure, you would understand that the +thought of being false to her is horrible. When I think of her as she +sat at breakfast this morning, so loving and so innocent—’ + +He would have been more discreet if he had been less eloquent. The +lady’s temper suddenly overflowed. + +‘Innocent!’ she cried. ‘As innocent as I am.’ + +He sprang to his feet with eyes which were more angry than her own. + +‘Hold your tongue! How dare you talk against my wife! You are not fit +to mention her name.’ + +‘I’ll go to Woking,’ she gasped. + +‘You can go to the devil!’ said he, and rang the bell for his bill. She +stared at him with a surprise which had eclipsed her anger, while she +pulled on her gloves with little sharp twitches. This was a new Frank +Crosse to her. As long as a woman gets on very well with a man, she is +apt, at the back of her soul, to suspect him of weakness. It is only +when she differs from him that she can see the other side, and it always +comes as a surprise. She liked him better than ever for the revelation. + +‘I’m not joking,’ she whispered, as they went down the stair. ‘I’ll go, +as sure as fate.’ + +He took no notice, but passed on down the street without a word of +farewell. When he came to the turning he looked back. She was standing +by the curb, with her proud head high in the air, while the manager +screamed loudly upon a whistle. A cab swung round a distant corner. +Crosse reached her before it did. + +‘I hope I haven’t hurt your feelings,’ said he. ‘I spoke too roughly.’ + +‘Trying to coax me away from Woking,’ she sneered. ‘I’m coming all the +same.’ + +‘That’s your affair,’ said he, as he handed her into the cab. + + + + +DANGER + + +AGAIN the bright little dining-room, with the morning sun gleaming upon +the high silver coffee pot and the electro-plated toast-rack—everything +the same, down to the plates which Jemima had once again forgotten to +warm. Maude, with the golden light playing upon the fringes of her +curls, and throwing two little epaulettes of the daintiest pink across +her shoulders, sat in silence, glancing across from time to time with +interrogative eyes at her husband. He ate his breakfast moodily, for he +was very ill at ease. There was a struggle within him, for his +conscience was pulling him one way and his instincts the other. +Instincts are a fine old conservative force, while conscience is a thing +of yesterday, so it is usually safe to prophesy which will sway the +other. + +The matter at issue was whether he should tell Maude about Violet Wright. +If she were going to carry out her threat, then certainly it would be +better to prepare her. But after all, his arguments of yesterday might +prevail with her when her first impetuous fit of passion was over. Why +should he go half-way to meet danger? If it came, nothing which he could +say would ward it off. If it did not come, there was no need for saying +anything. Conscience told him that it would be better to be perfectly +straight with his wife. Instinct told him that though she would probably +be sweet and sympathetic over it, yet it would rankle in her mind and +poison her thoughts. And perhaps for once, Instinct may have been better +than Conscience. Do not ask too many questions, you young wife! Do not +be too free with your reminiscences, you young husband. There are things +which can be forgiven, but never, never, can they be forgotten. That +highest thing on earth, the heart of a loving woman, is too tender, too +sacred, to be bruised by a wanton confidence. You are hers. She is +yours. The future lies with both of you. It is wiser to leave the past +alone. The couples who boast that they have never had a secret are +sometimes happy because the boast is sometimes untrue. + +‘You won’t be late to-day, Frank,’ said Maude at last, peeping round the +tall coffee-pot. + +‘No, dear, I won’t.’ + +‘You were yesterday, you know.’ + +‘Yes, I know I was.’ + +‘Were you kept at the office?’ + +‘No, I had tea with a friend.’ + +‘At his house?’ + +‘No, no, at a restaurant. Where has Jemima put my boots? I wonder if +she has cleaned them. I can never tell by looking. Here they are. And +my coat? Anything I can get you in town? Well, good-bye, dear, +good-bye!’ Maude had never seen him make so hurried an exit. + +It is always a mystery to the City man how his wife puts in the seven +hours a day of loneliness while the E.C. has claimed him for its own. +She cannot explain it to him, for she can hardly explain it to herself. +It is frittered away in a thousand little tasks, each trivial in itself, +and yet making in their sum the difference between a well-ordered and a +neglected household. Under the illustrious guidance of the omniscient +Mrs. Beeton there is the usual routine to be gone through. The cook has +to be seen, the larder examined, the remains cunningly transformed into +new and attractive shapes, the dinner to be ordered (anything will do for +lunch), and the new supplies to be got in. The husband accepts the +excellent little dinner, the fried sole, the _ris de veau en caisse_, the +lemon pudding, as if they had grown automatically out of the table-cloth. +He knows nothing of the care, the judgment, the prevision which ring the +changes with every season, which never relax and never mistake. He +enjoys the fruits, but he ignores the work which raised them. And yet +the work goes cheerfully and uncomplainingly on. + +Then when every preparation has been made for the dinner—that solemn +climax of the British day, there is plenty for Maude to do. There is the +white chiffon to be taken out of the neck of that dress, and the pink to +be put in. Amateur dressmaking is always going on at The Lindens, and +Frank has become more careful in his caresses since he found one evening +that his wife had a row of pins between her lips—which is not a pleasant +discovery to make with your own. Then there are drawers to be tidied, +and silver to be cleaned, and the leaves of the gutta-percha plant to be +washed, and the feather which was damped yesterday to be re-curled before +the fire. That leaves just time before lunch to begin the new novel by +glancing at the last two pages to see what _did_ happen, and then the +three minutes lunch of a lonely woman. So much for business, now for the +more trying social duties. The pink dressing-gown is shed and a trim +little walking dress—French grey cloth with white lisse in front and a +grey zouave jacket—takes its place. Visiting strangers is not nearly so +hard when you are pleased with your dress, and even entertaining becomes +more easy when your costumière lives in Regent Street. On Tuesdays Maude +is at home. Every other day she hunts through her plate of cards, and is +overwhelmed by the sense of her rudeness towards her neighbours. But her +task is never finished, though day after day she comes back jaded with +her exertions. Strangers still call upon her—‘hope it is not too late to +do the right thing, and to welcome,’ etc., etc.—and they have to be +re-visited. While she is visiting them, other cards appear upon her hall +table, and so the foolish and tiresome convention continues to exhaust +the time and the energies of its victim. + +Those original receptions were really very difficult. Jemima announced a +name which might or might not bear some relation to the visitor’s. The +lady entered. Her name might perhaps be Mrs. Baker. Maude had no means +of knowing who Mrs. Baker might be. The visitor seldom descended to an +explanation. Ten minutes of desultory and forced conversation about +pinewoods and golf and cremation. A cup of tea and a departure. Then +Maude would rush to the card-tray to try to find out whom it was that she +had been talking to, and what it was all about. + +Maude did not intend to go visiting that particular day, and she had +hoped that no one might visit her. The hours of danger were almost past, +and it was close upon four o’clock, when there came a brisk pull at the +bell. + +‘Mrs. White,’ said Jemima, opening the drawing-room door. + +‘Wright,’ said the visitor, as she walked in—‘Mrs. Violet Wright.’ + +Maude rose with her pleasant smile. It was a peculiarly sweet and kindly +smile, for it was inspired by a gentle womanly desire to make things +pleasant for all who were around her. Amiability was never artificial +with her, for she had the true instincts of a lady—those instincts so +often spoken of, so seldom, so very seldom seen. Like a gentleman, or a +Christian, or any other ideal, it is but a poor approximation which is +commonly attained. + +But the visitor did not respond to the pretty gesture of welcome, nor did +her handsome face return that sympathetic smile. They stood for an +instant looking at each other, the one tall, masterful, mature, the other +sweet, girlish, and self-distrustful, but each beautiful and engaging in +her own way. Lucky Master Frank, whose past and present could take such +a form; but luckier still if he could have closed the past when the +present opened. The visitor was silent, but her dark eyes looked +critically and fixedly at her rival. Maude, setting the silence down to +the shyness of a first visit, tried to make matters easier. + +‘Please try this armchair. No doubt you have had a tiring walk. It is +still very warm in the afternoons. I think it was so kind of you to +call.’ + +A faint smile flickered upon the dark face. + +‘Kind of me to call!’ said she. + +‘Yes; for in a rising place like Woking, with so many new arrivals, it +must be quite a task for the older inhabitants to welcome them. I have +been so surprised by the kindness which every one has shown.’ + +‘Oh, I see,’ said her visitor, ‘you think that I live here. I have +really just come down from London.’ + +‘Indeed,’ said Maude, and awaited an explanation. As none was +forthcoming, she added, ‘You will find Woking a very nice place.’ + +‘A nice place to be buried in, alive or dead,’ said her visitor. + +There was something peculiarly ungracious in her tone and manner. It +seemed to Maude that she had never before been alone with so singular a +person. There was, in the first place, her striking and yet rather +sinister and voluptuous beauty. + +Then there was the absolute carelessness of her manner, the quiet +assumption that she was outside the usual conventionalities of life. It +is a manner only to be met in English life, among some of the highest of +the high world, and some of the highest of the half world. It was new to +Maude, and it made her uncomfortable, while mingled with it there was +something else which made her feel for the first time in her life that +she had incurred the hostility of a fellow-mortal. It chilled her, and +made her unhappy. + +The visitor made no effort to sustain the conversation, but leaned back +in her chair and stared at her hostess with a very critical and searching +glance. Those two questioning dark eyes played eagerly over her from her +brown curls down to the little shining shoe-tips which peeped from under +the grey skirt. Especially they dwelt upon her face, reading it and +rereading it. Never had Maude been so inspected, and her instinct told +her that the inspection was not altogether a friendly one. + +Violet Wright having examined her rival, proceeded now with the same cool +attention to take in her surroundings. She looked round deliberately at +the furniture of the room, and reconstructed in her own mind the life of +the people who owned it. Maude ventured upon one or two conventional +remarks, but her visitor was not to be diverted to the weather or to the +slowness of the South-Western train service. She continued her quiet and +silent inspection. Suddenly she rose and swept across to the side-table. +A photograph of Frank in his volunteer uniform stood upon it. + +‘This is your husband, Mr. Frank Crosse?’ + +‘Yes, do you know him?’ + +‘Slightly. We have mutual friends.’ An ambiguous smile played across +her face as she spoke. ‘This must have been taken after I saw him.’ + +‘It was taken just after our marriage.’ + +‘Quite so. He looks like a good little married man. The photograph is +flattering.’ + +‘Oh, you think so!’ said Maude coldly. ‘My own impression is that it +fails to do him justice.’ + +Her visitor laughed. ‘Of course that _would_ be your impression,’ said +she. + +Maude’s gentle soul began to rise in anger. + +‘It is the truth,’ she cried. + +‘It is right that you should think so,’ the other answered, with the same +irritating laugh. + +‘You must have known him very slightly if you can’t see that it is the +truth.’ + +‘Then I must have known him very slightly.’ + +Maude was very angry indeed. She began to find sides to her own nature +the very existence of which she had never suspected. She tapped her +little shoe upon the ground, and she sat with a pale face, and compressed +lips, and bright eyes, quite prepared to be very rude indeed to this +eccentric woman who ventured to criticise her Frank in so free and easy a +style. Her visitor watched her, and a change had come over her +expression. Maude’s evident anger seemed to amuse and interest her. Her +eyes lost their critical coldness, and softened into approval. She +suddenly put her hand upon the other’s shoulder with so natural and yet +masterful a gesture, that Maude found it impossible to resent it. + +‘He is a lucky man to have such a warm little champion,’ said she. + +Her strong character and greater knowledge of the world gave her an +ascendency over the girlish wife such as age has over youth. There were +not ten years between them, and yet Maude felt that for some reason the +conversation between them could not quite be upon equal terms. The quiet +assurance of her visitor, whatever its cause, made resentment or +remonstrance difficult. Besides, they were a pair of very kindly as well +as of very shrewd eyes which now looked down into hers. + +‘You love him very much, then?’ + +‘Of course I love him. He is my husband.’ + +‘Does it always follow?’ + +‘You are married yourself. Don’t you love yours?’ + +‘Oh, never mind mine. _He’s_ all right. Did you ever love any one +else?’ + +‘No, not really.’ + +Maude was astonished at herself, and yet the questions were so frankly +put that a frank answer came naturally to them. It pleased her to lose +that cold chill of dislike, and to feel that for some reason her strange +visitor had become more friendly to her. + +‘You lucky girl, you actually married the one love of your life!’ + +Maude smiled and nodded. + +‘What a splendid thing to do! I thought it only happened in books. How +happy you must be!’ + +‘I _am_ very, very happy.’ + +‘Well, I dare say you deserve to be. Besides, you really are very +pretty. If ever you had a rival, I should think that it must be some +consolation to her to know that it was so charming a person who cut her +out.’ + +Maude laughed at the thought. + +‘I never had a rival,’ said she. ‘My husband never _really_ loved until +he met me.’ + +‘Did he—oh yes, quite so! That is so nice that you should both start +with a clean sheet! I thought you were very handsome just now when you +were angry with me, but you are quite delightful with that little flush +upon your cheeks. If I had been a man, your husband would certainly have +had one rival in his wooing. And so he really never loved any one but +you? I thought that also only happened in books.’ + +There was a hard and ironic tone in the last sentences which jarred upon +Maude’s sensitive nature. She glanced up quickly and was surprised at +the look of pain which had come upon her companion’s face. It relaxed +into a serious serenity. + +‘That fits in beautifully,’ said she. ‘But there’s one bit of advice +which I should like to give you, if you won’t think it a liberty. Don’t +be selfish in your married life.’ + +‘Selfish!’ + +‘Yes, there is a kind of family selfishness which is every bit as bad—I +am not sure that it is not worse—than personal selfishness. People love +each other, and they shut out the world, and have no thought for any one +else, and the whole universe can slide to perdition so long as their love +is not disturbed. That is what I call family selfishness. It’s a sin +and a shame.’ + +Maude looked at this strange woman in amazement. She was speaking fast +and hotly, like one whose bitter thoughts have been long penned up for +want of a suitable listener. + +‘Remember the women who have been less fortunate than you. Remember the +thousands who are starving, dying, for want of love, and no love comes +their way; whose hearts yearn and faint for that which Nature owes them, +but Nature never pays her debt. Remember the plain women. Remember the +lonely women. Above all, remember your unfortunate sisters; they, the +most womanly of all, who have been ruined by their own kindliness and +trust and loving weakness. It is that family selfishness which turns +every house in the land into a fort to be held against these poor +wanderers. They make them evil, and then they revile the very evil which +they have made. When I look back—’ + +She stopped with a sudden sob. Her forearm fell upon the mantelpiece, +and her forehead upon her forearm. In an instant Maude was by her side, +the tears running down her cheeks, for the sight of grief was always +grief to her, and her nerves were weakened by this singular interview. + +‘Dear Mrs. Wright, don’t cry!’ she whispered, and her little white hand +passed in a soothing, hesitating gesture over the coil of rich chestnut +hair. ‘Don’t cry! I am afraid you have suffered. Oh, how I wish I +could help you! Do tell me how I can help you.’ + +But Violet’s occasional fits of weakness were never of a very long +duration. She dashed her hand impatiently across her eyes, straightened +her tall figure, and laughed as she glanced at herself in the mirror. + +‘Madame Celandine would be surprised if she could see how I have treated +one of her masterpieces,’ said she, as she straightened her crushed hat, +and arranged her hair with those quick little deft pats of the palm with +which women can accomplish so much in so short a time. Rumpled finery +sets the hands of every woman within sight of it fidgeting, so Maude +joined in at the patting and curling and forgot all about her tears. + +‘There, that will have to do,’ said Violet at last. ‘I am so sorry to +have made such a fool of myself. I don’t err upon the sentimental side +as a rule. I suppose it is about time that I thought of catching my +train for town. I have a theatre engagement which I must not miss.’ + +‘How strange it is!’ said Maude, looking at her own pretty tear-marked +face in the mirror. ‘You have only been here a few minutes, as time +goes, and yet I feel that in some things I am more intimate with you than +with any woman I have ever met. How can it be? What bond can there be +to draw us together like this? And it is the more extraordinary, because +I felt that you disliked me when you entered the room, and I am sure that +you won’t be offended if I say that when you had been here a little I +thought that I disliked you. But I don’t. On the contrary, I wish you +could come every day. And I want to come and see you also when I am in +town.’ + +Maude, for all her amiability, was not gushing by nature, and this long +speech caused her great astonishment when she looked back upon it. But +at the moment it came so naturally from her heart that she never paused +to think of its oddity. Her enthusiasm was a little chilled, however, by +the way in which her advances were received. Violet Wright’s eyes were +more kindly than ever, but she shook her head. + +‘No, I don’t suppose we shall ever meet again. I don’t think I could ask +you to visit me in London. I wanted to see you, and I have seen you, but +that, I fear, must be the end of it.’ + +Maude’s lip trembled in a way which it had when she was hurt. + +‘Why did you wish to see me, then?’ she asked. + +‘On account of that slight acquaintance with your husband. I thought it +would be interesting to see what sort of wife he had chosen.’ + +‘I hope you are not disappointed,’ said Maude, making a roguish face. + +‘He has done very well—better than I expected.’ + +‘You had not much respect for his taste, then?’ + +‘Oh yes, I always thought highly of his taste.’ + +‘You have such a pretty way of putting things. You know my husband very +slightly, but still I can see that you know the world very well. I often +wonder if I am really the best kind of woman that he could have married. +Do you think I am, Mrs. Wright?’ + +Her visitor looked in silence for a little at the gentle grace and dainty +sympathetic charm of the woman before her. + +‘Yes,’ she said slowly, as one who weighs her words. ‘I think you are. +You are a lady with a lady’s soul in you. A woman can draw a man down +very low, or she can make him live at his very highest. Don’t be soft +with him. Don’t give way when you know that your way is the higher way. +Pull him up, don’t let him ever pull you down. Then his respect for you +will strengthen his love for you, and the two together are so much +greater than either one apart. Your instinct would be to do this, and +therefore you are the best sort of woman for him.’ + +Her opinion was given with so much thought, and yet so much decision, +that Maude glowed with pride and with pleasure. There was knowledge and +authority behind the words of this unaccountable woman. + +‘How sweet you are!’ she cried. ‘I feel that what you say is true. I +feel that that is what a wife should be to her husband. Please God, I +will be so to Frank!’ + +‘And one other piece of advice before I leave you,’ said Violet Wright. +‘Don’t ever take your husband for granted. Don’t ever accept his kiss or +caress as a routine thing. Don’t ever relax those little attentions +which you showed him in the earliest days. Don’t let the freshness go +out of love, for the love may soon follow it, even when duty keeps the +man true. It is the commonest mistake which married women make. It has +caused more unhappiness than any other. They do not realise it until it +is too late. Be keenly watchful for your husband’s wants and comforts. +It is not the comfort but the attention which he values. If it is not +there he will say nothing, if he is a good fellow, but he notices it all +the same. She has changed, he thinks. And from that moment he will +begin to change also. Be on your guard against that. It is very +unselfish of me to give you all this wise counsel.’ + +‘It is very good of you, and I feel that it is all so true. But why is +it unselfish of you?’ + +‘I only meant that I had no interest in the matter. What does it matter +to me whether you keep his love or not. And yet I don’t know.’ She +suddenly put her arms round Maude, and kissed her upon the cheek. ‘You +are a good little sort, and I hope you will be happy.’ + + * * * * * + +Frank Crosse had disentangled himself from the rush of City men emerging +from the Woking station, and he was walking swiftly through the gathering +gloom along the vile, deeply-rutted road, which formed a short cut to The +Lindens. Suddenly, with a sinking heart, he was aware of a tall graceful +figure which was sweeping towards him. There could not be two women of +that height, who carried themselves in that fashion. + +‘Violet!’ + +‘Hullo, Frankie! I thought it might be you, but those tall hats and +black overcoats make every one alike. Your wife will be glad to see +you.’ + +‘Violet! You have ruined our happiness. How could you have the heart to +do it! It is not for myself I speak, God knows. But to think of her +feelings being so abused, her confidence so shaken—’ + +‘All right, Frankie, there is nothing to be tragic about.’ + +‘Haven’t you been to my house?’ + +‘Yes, I have.’ + +‘And seen her?’ + +‘Yes.’ + +‘Well then—’ + +‘I didn’t give you away, my boy. I was a model of discretion. I give +you my word that it is all right. And she’s a dear little soul, Frankie. +You’re not worthy to varnish those pretty patent leathers of hers. You +know you’re not. And by Jove, Frankie, if you had stayed with me +yesterday I should never have forgiven you—no, never! I’ll resign in her +favour. I will. But in no one else’s, and if ever I hear of your going +wrong, my boy, or doing anything but the best with that sweet trusting +woman, I’ll make you curse the day that ever you knew me—I will, by the +living Jingo.’ + +‘Do, Violet—you have my leave.’ + +‘All right. The least said the soonest mended. Give me a kiss before we +part.’ + +She raised her veil, and he kissed her. He was wearing some withered +flower in his overcoat, and she took it from him. + +‘It’s a souvenir of our friendship, Frankie, and rather a good emblem of +it also. So-long!’ said she, as she turned down the weary road which +leads to the station. A young golfer, getting in at Byfleet, was +surprised to see a handsome woman weeping bitterly in the corner of a +second-class carriage. ‘Comm’ up from roastin’ somebody at that damned +crematory place,’ was his explanation to his companion. + +Frank had a long and animated account from Maude of the extraordinary +visitor whom she had entertained. ‘It’s such a pity, dear, that you +don’t know her well, for I should really like to hear every detail about +her. At first I thought she was mad, and then I thought she was odious, +and then finally she seemed to be the very wisest and kindest woman that +I had ever known. She made me angry, and frightened, and grieved, and +grateful, and affectionate, one after the other, and I never in my life +was so taken out of myself by any one. She _is_ so sensible!’ + +‘Sensible, is she?’ + +‘And she said that I was—oh! I can’t repeat it—everything that is nice.’ + +‘Then she _is_ sensible.’ + +‘And such a high opinion of your taste.’ + +‘Had she indeed.’ + +‘Do you know, Frank, I really believe that in a quiet, secret, retiring +sort of way she has been fond of you herself.’ + +‘O Maude, what funny ideas you get sometimes! I say, if we are going out +for dinner, it is high time that we began to dress.’ + + + + +NO. 5 CHEYNE ROW + + +FRANK had brought home the _Life of Carlyle_, and Maude had been dipping +into it in the few spare half-hours which the many duties of a young +housekeeper left her. At first it struck her as dry, but from the moment +that she understood that this was, among other things, an account of the +inner life of a husband and a wife, she became keenly interested, and a +passionate and unreasonable partisan. For Frederick and Cromwell and the +other great issues her feelings were tolerant but lukewarm. But the +great sex-questions of ‘How did he treat her?’ and of ‘How did she stand +it?’ filled her with that eternal and personal interest with which they +affect every woman. Her gentle nature seldom disliked any one, but +certainly amongst those whom she liked least, the gaunt figure of the +Chelsea sage began to bulk largely. One night, as Frank sat reading in +front of the fire, he suddenly found his wife on her knees upon the rug, +and a pair of beseeching eyes upon his face. + +‘Frank, dear, I want you to make me a promise.’ + +‘Well, what is it?’ + +‘Will you grant it?’ + +‘How can I tell you when I have not heard it?’ + +‘How horrid you are, Frank! A year ago you would have promised first and +asked afterwards.’ + +‘But I am a shrewd old married man now. Well, let me hear it.’ + +‘I want you to promise me that you will never be a Carlyle.’ + +‘No, no, never.’ + +‘Really?’ + +‘Really and truly.’ + +‘You swear it?’ + +‘Yes, I do.’ + +‘O Frank, you can’t think what a relief that is to me. That dear, good, +helpful, little lady—it really made me cry this morning when I thought +how she had been used.’ + +‘How, then?’ + +‘I have been reading that green-covered book of yours, and he seemed so +cold and so sarcastic and so unsympathetic. He never seemed to +appreciate all that she did for him. He had no thought for her. He +lived in his books and never in her—such a harsh, cruel man!’ + +Frank went upstairs, and returned with a volume in his hand. + +‘When you have finished the ‘Life,’ you must read this, dear.’ + +‘What is it?’ + +‘It is her letters. They were arranged for publication after her death, +while her husband was still alive. You know that—’ + +‘Please take it for granted, darling, that I know nothing. It is so +jolly to have some one before whom it is not necessary to keep up +appearances. Now, begin at the beginning and go ahead.’ She pillowed +her head luxuriously against his knees. + +‘There’s nothing to tell—or very little. As you say, they had their +troubles in life. The lady could take particularly good care of herself, +I believe. She had a tongue like a lancet when she chose to use it. He, +poor chap, was all liver and nerves, porridge-poisoned in his youth. No +children to take the angles off them. Half a dozen little buffer states +would have kept them at peace. However, to hark back to what I was about +to say, he outlived her by fifteen years or so. During that time he +collected these letters, and he has annotated them. You can read those +notes here, and the man who wrote those notes loved his wife and +cherished her memory, if ever a man did upon earth.’ + +The graceful head beside his knee shook impatiently. + +‘What is the use of that to the poor dead woman? Why could not he show +his love by kindness and thought for her while she was alive?’ + +‘I tell you, Maude, there were two sides to that. Don’t be so +prejudiced! And remember that no one has ever blamed Carlyle as bitterly +as he has blamed himself. I could read you bits of these notes—’ + +‘Well, do.’ + +‘Here’s the first letter, in which she is talking about how they first +moved into the house at Cheyne Row. They spent their early years in +Scotland, you know, and he was a man going on to the forties when he came +to London. The success of _Sartor Resartus_ encouraged them to the step. +Her letter describes all the incoming. Here is his comment, written +after her death: “In about a week all was swept and garnished, fairly +habitable; and continued incessantly to get itself polished, civilised, +and beautified to a degree that surprised one. I have elsewhere alluded +to all that, and to my little Jeannie’s conduct of it; heroic, lovely, +pathetic, mournfully beautiful as in the light of Eternity that little +scene of time now looks to me. From birth upwards she had lived in +opulence, and now became poor for me—so nobly poor. No such house for +beautiful thrift, quiet, spontaneous, nay, as it were, unconscious +minimum of money reconciled to human comfort and human dignity, have I +anywhere looked upon where I have been.” Now, Maude, did that man +appreciate his wife?’ + +But the obstinate head still shook. + +‘Words, words,’ said she. + +‘Yes, but words with the ring of truth in them. Can’t you tell real +feeling from sham? I don’t believe women can, or they would not be so +often taken in. Here’s the heading of the next letter: “Mournfully +beautiful is this letter to me, a clear little household light shining +pure and brilliant in the dark obstructive places of the past”—a little +later comes the note: “Oh my poor little woman—become poor for me.”’ + +‘I like to hear him talk like that. Yes, I do like him better after what +you have said, Frank.’ + +‘You must remember two things about him, Maude. The first, that he was a +Scotchman, who are of all men the least likely to wear their hearts upon +their sleeves; the other, that his mind was always grappling with some +far-away subject which made him forget the smaller things close by him.’ + +‘But the smaller things are everything to a woman,’ said Maude. ‘If ever +you forget those smaller things, sir, to be as courteous to your wife as +you would be to any other lady, to be loving and thoughtful and +sympathetic, it will be no consolation to me to know that you have +written the grandest book that ever was. I should just hate that book, +and I believe that in her inmost heart this poor lady hated all the books +that had taken her husband away from her. I wonder if their house is +still standing.’ + +‘Certainly it is. Would you like to visit it?’ + +‘I don’t think there is anything I should like more.’ + +‘Why, Maude, we are getting quite a distinguished circle of +acquaintances. Mr. Pepys last month—and now the Carlyles. Well, we +could not spend a Saturday afternoon better, so if you will meet me +to-morrow at Charing Cross, we shall have a cosy little lunch together at +Gatti’s, and then go down to Chelsea.’ + + * * * * * + +Maude was a rigid economist, and so was Frank in his way, for with the +grand self-respect of the middle classes the thought of debt was +unendurable to them. A cab in preference to a ’bus gave both of them a +feeling of dissipation, but none the less they treated themselves to one +on the occasion of this, their little holiday. It is a delightful thing +to snuggle up in, is a hansom; but in order to be really trim and +comfortable one has to put one’s arm round one’s companion’s waist. No +one can observe it there, for the vehicle is built upon intelligent +principles. The cabman, it is true, can overlook you through a hole in +the roof. This cabman did so, and chuckled in his cravat. ‘If that +cove’s wife could see him—huddup, then!’ said the cabman. + +He was an intelligent cabman too, for having heard Frank say ‘Thomas +Carlyle’s house’ after giving the address 5 Cheyne Row, he pulled up on +the Thames Embankment. Right ahead of them was Chelsea Bridge, seen +through a dim, soft London haze—monstrous, Cyclopean, giant arches +springing over a vague river of molten metal, the whole daintily blurred, +as though out of focus. The glamour of the London haze, what is there +upon earth so beautiful? But it was not to admire it that the cabman had +halted. + +‘I beg your pardin’, sir,’ said he, in the softly insinuating way of the +Cockney, ‘but I thought that maybe the lidy would like to see Mr. +Carlyle’s statue. That’s ’im, sir, a-sittin’ in the overcoat with the +book in ’is ’and.’ + +Frank and Maude got out and entered the small railed garden, in the +centre of which the pedestal rose. It was very simple and plain—an old +man in a dressing-gown, with homely wornout boots, a book upon his knee, +his eyes and thoughts far away. No more simple statue in all London, but +human to a surprising degree. They stood for five minutes and stared at +it. + +‘Well,’ said Frank at last, ‘small as it is, I think it is worthy of the +man.’ + +‘It is so natural.’ + +‘You can see him think. By Jove, it is splendid!’ Frank had enough of +the true artist to be able to feel that rush of enthusiasm which adequate +work should cause. That old man, with his head shamefully defiled by +birds, was a positive joy to him. Among the soulless, pompous, +unspeakable London statues, here at last there was one over which it is +pleasant to linger. + +‘What other one is there?’ + +‘Gordon in Trafalgar Square.’ + +‘Well, Gordon, perhaps. But our Nelsons and Napiers and Havelocks—to +think that we could do no better than that for them! Now, dear, we have +seen the man—let us look at the house!’ + +It had evidently been an old-fashioned building when first they came to +it. 1708 was the date at the corner of the street. Six or seven +drab-coloured, flat-chested, dim-windowed houses stood in a line—theirs +wedged in the middle of them. A poor medallion with a profile head of +him had been clumsily let into the wall. Several worn steps led to the +thin high door with an old-fashioned fanlight above it. Frank rang the +bell, and a buxom cheerful matron came at the call. + +‘Names in this book, sir—_and_ address, if you please,’ said the cheery +matron. ‘One shilling each—thank you, sir. First door to the left, sir! +This was the dining-room, sir—’ + +But Frank had come to a dead stop in the dim, dull, wood-panelled hall. +In front of them rose the stairs with old-fashioned banisters, cracked, +warped, and dusty. + +‘It’s awful to think of, Maude—awful! To think that she ran up those +stairs as a youngish woman—that he took them two at a time as an active +man, and then that they hobbled and limped down them, old and weary and +broken, and now both dead and gone for ever, and the stairs standing, the +very rails, the very treads—I don’t know that I ever felt so strongly +what bubbles of the air we are, so fragile, so utterly dissolved when the +prick comes.’ + +‘How _could_ they be happy in such a house?’ said Maude. ‘I can feel +that there have been sorrow and trouble here. There is an atmosphere of +gloom.’ + +The matron-attendant approved of emotion, but in its due order. One +should be affected in the dining-room first, and then in the hall. And +so at her summons they followed her into the long, low, quaint room in +which this curious couple had lived their everyday life. Little of the +furniture was left, and the walls were lined with collected pictures +bearing upon the life of the Carlyles. + +‘There’s the fireplace that he smoked his pipe up,’ said Frank. + +‘Why up the fireplace?’ + +‘She did not like the smell in the room. He often at night took his +friends down into the kitchen.’ + +‘Fancy my driving you into the kitchen.’ + +‘Well, the habit of smoking was looked upon much less charitably at that +time.’ + +‘And besides, he smoked clay pipes,’ said the matron. ‘This is +considered a good print of Mrs. Carlyle.’ + +It was a peaky eager face, with a great spirit looking out of it, and +possibilities of passion both for good and evil in the keen, alert +features. Just beside her was the dour, grim outline of her husband. +Their life-histories were in those two portraits. + +‘Poor dear!’ said Maude. + +‘Ay, you may say so,’ said the matron, whose accent showed that she was +from the north of the Tweed. ‘He was gey ill to live wi’. His own +mither said so. Now, what think you that room was for?’ + +It was little larger than a cupboard, without window or skylight, opening +out of the end of the dining-room. + +‘I can’t imagine.’ + +‘Well, sir, it was the powdering-room in the days when folk wore wigs. +The powder made such a mess that they just had a room for nothing else. +There was a hole in the door, and the man put his head through the hole, +and the barber on the other side powdered him out of the flour-dredger.’ + +It was curious to be brought back in this fashion to those far-off days, +and to suddenly realise how many other people had played their +tragi-comedies within these walls. Wigs! Only the dressy people wore +wigs. So people of fashion in the days of the early Georges trod these +same rooms where Carlyle grumbled and his wife fretted. And they too had +grumbled and fretted—or worse perhaps. It was a ghostly old house. + +‘This,’ said the matron, when they had passed up the stair, ‘used to be +the drawing-room. That’s their sofa.’ + +‘Not _the_ sofa,’ said Frank. + +‘Yes, sir, the sofa that is mentioned in the letters.’ + +‘She was so proud of it, Maude. Gave eighteen shillings for it, and +covered and stuffed it herself. And that, I suppose, is _the_ screen. +She was a great housekeeper—brought up a spoiled child, according to her +own account, but a great housekeeper all the same. What’s that writing +in the case?’ + +‘It is the history that he was at work on when he died—something about +the kings of Norway, sir. Those are his corrections in blue.’ + +‘I can’t read them.’ + +‘No more could any one else, sir. Perhaps that’s why the book has never +been published. Those are the portraits of the kings of Prussia, about +whom he wrote a book.’ + +Frank looked with interest at the old engravings, one of the schoolmaster +face of the great Frederick, the other of the frog-like features of +Frederick William, the half-mad recruiter of the big Potsdam grenadiers. +When he had finished, the matron had gone down to open the door, and they +were alone. Maude’s hand grasped his. + +‘Is it not strange, dear?’ she said. ‘Here they lived, the most talented +couple in the world, and yet with all their wisdom they missed what we +have got—what perhaps that good woman who showed us round has got—the +only thing, as it seems to me, that is really worth living for. What are +all the wit and all the learning and all the insight into things compared +to love.’ + +‘By Jove, little woman, in all this house of wise sayings, no wiser or +deeper saying has been said than that. Well, thank God, we have that +anyhow!’ And he kissed his wife, while six grand electors of Brandenburg +and kings of Prussia looked fiercely out upon them from the wall. + +They sat down together in two old chairs in the window, and they looked +out into the dingy street, and Frank tried to recount all the great +men—‘the other great men, as Maude said, half chaffing and half +earnest—who had looked through those panes. Tennyson, Ruskin, Emerson, +Mill, Froude, Mazzini, Leigh Hunt—he had got so far when the matron +returned. + +There was a case in the corner with some of the wreckage from those +vanished vessels. Notes from old Goethe in a singularly neat boyish +writing inscribed upon little ornamented cards. Here, too, were small +inscriptions which had lain upon presents from Carlyle to his wife. It +was pleasant among all that jangling of the past to think of the love +which had written them, and that other love which had so carefully +preserved them. On one was written: ‘All good attend my darling through +this gulf of time and through the long ocean it is leading to. Amen. +Amen. T. C.’ On another, dated 1850, and attached evidently to some +birthday present, was: ‘Many years to my poor little Jeannie, and may the +worst of them be past. No good that is in me to give her shall ever be +wanting while I live. May God bless her.’ How strange that this apostle +of reticence should have such privacies as these laid open before the +curious public within so few years of his death! + +‘This is her bedroom,’ said the matron. + +‘And here is the old red bed,’ cried Frank. It looked bare and gaunt and +dreary with its uncurtained posts. + +‘The bed belonged to Mrs. Carlyle’s mother,’ the matron explained. ‘It’s +the same bed that Mrs. Carlyle talks about in her letters when she says +how she pulled it to pieces.’ + +‘Why did she pull it to pieces?’ asked Maude. + +‘Better not inquire, dear.’ + +‘Indeed you’re right, sir. If you get them into these old houses, it is +very hard to get them out. A cleaner woman than Mrs. Carlyle never came +out of Scotland. This little room behind was his dressing-room. There’s +his stick in the corner. Look what’s written upon the window!’ + +Decidedly it was a ghostly house. Scratched upon one of the panes with a +diamond was the following piece of information— + + ‘John Harbel Knowles cleaned all the windows in this house, and + painted part, in the eighteenth year of age. + + _March_ 7_th_, 1794.’ + +‘Who was _he_?’ asked Maude. + +‘Nobody knows, miss!’ It was characteristic of Maude that she was so +gentle in her bearing that every one always took it for granted that she +was Miss. Frank examined the writing carefully. + +‘He was the son of the house and a young aristocrat who had never done a +stroke of work before in his life,’ said he. + +The matron was surprised. + +‘What makes you say that, sir?’ + +‘What would a workman do with such a name as John Harbel Knowles, or with +a diamond ring for that matter? And who would dare to disfigure a window +so, if he were not of the family? And why should he be so proud of his +work, unless work was a new and wondrous thing to him. To paint _part_ +of the windows also sounds like the amateur and not the workman. So I +repeat that it was the first achievement of the son of the house.’ + +‘Well, indeed, I dare say you are right, though I never thought of it +before,’ said the matron. ‘Now this, up here, is Carlyle’s own room, in +which he slept for forty-seven years. In the case is a cast of his head +taken after death.’ + +It was strange and rather ghastly to see a plaster head in this room +where the head of flesh had so often lain. Maude and Frank stood beside +it, and gazed long and silently while the matron, half-bored and +half-sympathetic, waited for them to move on. It was an aquiline face, +very different from any picture which they had seen, sunken cheeks, an +old man’s toothless mouth, a hawk nose, a hollow eye—the gaunt timbers of +what had once been a goodly house. There was repose, and something of +surprise also, in the features—also a very subtle serenity and dignity. + +‘The distance from the ear to the forehead is said to be only equalled by +Napoleon and by Gladstone. That’s what they _say_,’ said the matron, +with Scotch caution. + +‘It’s the face of a noble man when all is said and done,’ said Frank. ‘I +believe that the true Thomas Carlyle without the dyspepsia, and the true +Jane Welsh without the nerves, are knowing and loving each other in some +further life.’ + +‘It is sweet to think so,’ cried Maude. ‘Oh, I do hope that it is so! +How dear death would be if we could only be certain of that!’ + +The matron smiled complacently in the superior wisdom of the Shorter +Catechism. ‘There is neither marriage nor giving in marriage,’ said she, +shaking her head. ‘This is the spare bedroom, sir, where Mr. Emerson +slept when he was here. And now if you will step this way I will show +you the study.’ + +It was the singular room which Carlyle had constructed in the hopes that +he could shut out all the noises of the universe, the crowing of cocks, +and the jingling of a young lady’s five-finger exercise in particular. +It had cost him a hundred odd pounds, and had ended in being unendurably +hot in summer, impossibly cold in winter, and so constructed acoustically +that it reverberated every sound in the neighbourhood. For once even his +wild and whirling words could hardly match the occasion—not all his +_kraft sprachen_ would be too much. For the rest it was at least a roomy +and lofty apartment, with space for many books, and for an irritable man +to wander to and fro. Prints there were of many historical notables, and +slips of letters and of memoranda in a long glass case. + +‘That is one of his clay pipes,’ said the matron. ‘He had them all sent +through to him from Glasgow. And that is the pen with which he wrote +_Frederick_.’ + +It was a worn, stubby old quill, much the worse for its monstrous task. +It at least of all quill pens might rest content with having done its +work in the world. Some charred paper beside it caught Frank’s eye. + +‘Oh look, Maude,’ he cried. ‘This is a little bit of the burned _French +Revolution_.’ + +‘Oh, I remember. He lent the only copy to a friend, and it was burned by +mistake.’ + +‘What a blow! What a frightful blow! And to think that his first +comment to his wife was, “Well, Mill, poor fellow, is very much cut up +about this.” There is Carlyle at his best. And here is actually a shred +of the old manuscript. How beautifully he wrote in those days!’ + +‘Read this, sir,’ said the matron. + +It was part of a letter from Carlyle to his publisher about his ruined +work. ‘Do not pity me,’ said he; ‘forward me rather as a runner that is +tripped but will not lie there, but run and run again.’ + +‘See what positive misfortune can do for a man,’ said Frank. ‘It raised +him to a hero. And yet he could not stand the test of a crowing cock. +How infinitely complex is the human soul—how illimitably great and how +pitiably small! Now, if ever I have a study of my own, this is what I +want engraved upon the wall. This alone is well worth our pilgrimage to +Chelsea.’ + +It was a short exclamation which had caught his eye. + +‘Rest! Rest! Shall I not have all eternity to rest in!’ That serene +plaster face down yonder gave force to the brave words. Frank copied +them down onto the back of one of Maude’s cards. + +And now they had finished the rooms, but the matron, catching a glow from +these enthusiastic pilgrims, had yet other things to show them. There +was the back garden. Here was the green pottery seat upon which the +unphilosophic philosopher had smoked his pipe—a singularly cold and +uncomfortable perch. And here was where Mrs. Carlyle had tried to build +a tent and to imagine herself in the country. And here was the famous +walnut tree—or at least the stumpy bole thereof. And here was where the +dog Nero was buried, best known of small white mongrels. + +And last of all there was the subterranean and gloomy kitchen, in which +there had lived that long succession of serving-maids of whom we gain +shadowy glimpses in the _Letters_ and in the _Journal_. Poor souls, +dwellers in the gloom, working so hard for others, so bitterly reviled +when by chance some weakness of humanity comes to break, for an instant, +the routine of their constant labour, so limited in their hopes and in +their pleasures, they are of all folk upon this planet those for whom a +man’s heart may most justly soften. So said Frank as he gazed around him +in the dark-cornered room. ‘And never one word of sympathy for them, or +of anything save scorn in all his letters. His pen upholding human +dignity, but where was the dignity of these poor girls for whom he has +usually one bitter line of biography in his notes to his wife’s letters? +It’s the worst thing I have against him.’ + +‘Jemima wouldn’t have stood it,’ said Maude. + +It was pleasant to be out in the open air once more, but they were in the +pine groves of Woking before Maude had quite shaken off the gloom of that +dark, ghost-haunted house. ‘After all, you are only twenty-seven,’ she +remarked as they walked up from the station. She had a way of +occasionally taking a subject by the middle in that way. + +‘What then, dear?’ + +‘When Carlyle was only twenty-seven I don’t suppose he knew he was going +to do all this.’ + +‘No, I don’t suppose so.’ + +‘And his wife—if he were married then—would feel as I do to you.’ + +‘No doubt.’ + +‘Then what guarantee have I that you won’t do it after all?’ + +‘Do what?’ + +‘Why, turn out a second Carlyle.’ + +‘Hear me swear!’ cried Frank, and they turned laughing into their own +little gateway at the Lindens. + + + + +THE LAST NOTE OF THE DUET + + +OUR young married couples may feel that two is company and three is none, +but there comes a little noisy intruder to break into their sweet +intimacy. The coming of the third is the beginning of a new life for +them as well as for it—a life which is more useful and more permanent, +but never so concentrated as before. That little pink thing with the +blinking eyes will divert some of the love and some of the attention, and +the very trouble which its coming has caused will set its mother’s heart +yearning over it. Not so the man. Some vague resentment mixes with his +pride of paternity, and his wife’s sufferings rankle in his memory when +she has herself forgotten them. His pity, his fears, his helplessness, +and his discomfort, give him a share in the domestic tragedy. It is not +without cause that in some societies it is the man and not the woman who +receives the condolence and the sympathy. + +There came a time when Maude was bad, and there came months when she was +better, and then there were indications that a day was approaching, the +very thought of which was a shadow upon her husband’s life. For her +part, with the steadfast, gentle courage of a woman, she faced the future +with a sweet serenity. But to him it was a nightmare—an actual nightmare +which brought him up damp and quivering in those gray hours of the dawn, +when dark shadows fall upon the spirit of man. He had a steady nerve for +that which affected himself, a nerve which would keep him quiet and +motionless in a dentist’s chair, but what philosophy or hardihood can +steel one against the pain which those whom we love have to endure. He +fretted and chafed, and always with the absurd delusion that his fretting +and chafing were successfully concealed. A hundred failures never +convince a man how impossible it is to deceive a woman who loves him. +Maude watched him demurely, and made her plans. + +‘Do you know, dear,’ said she, one evening, ‘if you can get a week of +your holidays now, I think it would be a very good thing for you to +accept that invitation of Mr. Mildmay’s, and spend a few days in golfing +at Norwich.’ + +Frank stared at her open-eyed. + +‘What! Now!’ + +‘Yes, dear, now—at once.’ + +‘But _now_ of all times.’ + +Maude looked at him with that glance of absolute obvious candour which a +woman never uses unless she has intent to deceive. + +‘Yes, dear—but only next week. I thought it would brace you up for—well, +for the week afterwards.’ + +‘You think the week afterwards?’ + +‘Yes, dear. It would help me so, if I knew that you were in your best +form.’ + +‘_I_! What can it matter what form _I_ am in. But in any case, it is +out of the question.’ + +‘But you could get leave.’ + +‘Oh yes, easily enough.’ + +‘Then do go.’ + +‘And leave you at such a time!’ + +‘No, no, you would be back.’ + +‘You can’t be so sure of that. No, Maude, I should never forgive myself. +Such an idea would never enter my head.’ + +‘But for my sake—!’ + +‘That’s enough, Maude. It is settled.’ + +Master Frank had a heavy foot when he did bring it down, and his wife +recognised a decisive thud this time. With a curious double current of +feeling, she was pleased and disappointed at the same time, but more +pleased than disappointed, so she kissed the marrer of her plots. + +‘What an obstinate old boy it is! But of course you know best, and I +should much rather have you at home. As you say, one can never be +certain.’ + +In a conflict of wits the woman may lose a battle, but the odds are that +she will win the campaign. The man dissipates over many things, while +she concentrates upon the one. Maude had made up her mind absolutely +upon one point, and she meant to attain it. She tried here, she tried +there, through a friend, through her mother, but Frank was still +immovable. The ordeal coming upon herself never disturbed her for an +instant. But the thought that Frank would suffer was unendurable. She +put herself in his place, and realised what it would be to him if he were +in the house at such a time. With many cunning devices she tried to lure +him off, but still, in his stubborn way, he refused to be misled. And +then suddenly she realised that it was too late. + +It was early one morning that the conviction came home to her, but he, at +her side, knew nothing of it. He came up to her before he left for the +City. + +‘You have not eaten anything, dear.’ + +‘No, Frank, I am not hungry.’ + +‘Perhaps, after you get up—’ + +‘Well, dear, I thought of staying in bed.’ + +‘You are not—?’ + +‘What nonsense, dear! I want to keep very quiet until next week, when I +may need all my strength.’ + +‘Dear girl, I would gladly give ten years of my life to have next week +past.’ + +‘Silly old boy! But I do think it would be wiser if I were to keep in +bed.’ + +‘Yes, yes, do.’ + +‘I have a little headache. Nothing to speak of, but just a little.’ + +‘Don’t you think Dr. Jordan had better give you something for it.’ + +‘Do you think so? Well, just as you like. You might call as you pass, +and tell him to step up.’ + +And so, upon a false mission, the doctor was summoned to her side, but +found a very real mission waiting for him when he got there. She had +written a note for Frank the moment that he had left the house, and he +found both it and a conspiracy of silence waiting for him when he +returned in the late afternoon. The note was upon the hall-table, and he +eagerly tore it open. + +‘My dear boy,’ said this mendacious epistle, ‘my head is still rather +bad, and Dr. Jordan thought that it would be wiser if I were to have an +undisturbed rest, but I will send down to you when I feel better. Until +then I had best, perhaps, remain alone. Mr. Harrison sent round to say +that he would come to help you to pot the bulbs, so that will give you +something to do. Don’t bother about me, for I only want a little +rest.—MAUDE.’ + +It seemed very unnatural to him to come back and not to hear the swift +rustle of the dress which followed always so quickly upon the creak of +his latch-key that they might have been the same sound. The hall and +dining-room seemed unhomely without the bright welcoming face. He +wandered about in a discontented fashion upon his tiptoes, and then, +looking through the window, he saw Harrison his neighbour coming up the +path with a straw basket in his hand. He opened the door for him with +his finger upon his lips. + +‘Don’t make a row, Harrison,’ said he, ‘my wife’s bad.’ + +Harrison whistled softly. + +‘Not—?’ + +‘No, no, not that. Only a headache, but she is not to be disturbed. We +expect _that_ next week. Come in here and smoke a pipe with me. It was +very kind of you to bring the bulbs.’ + +‘I am going back for some more.’ + +‘Wait a little. You can go back presently. Sit down and light your +pipe. There is some one moving about upstairs. It must be that +heavy-footed Jemima. I hope she won’t wake Maude up. I suppose one must +expect such attacks at such a time.’ + +‘Yes, my wife was just the same. No, thank you, I’ve just had some tea. +You look worried, Crosse. Don’t take things too hard.’ + +‘I can’t get the thought of next week out of my head. If anything goes +wrong—well there, what can I do? I never knew how a man’s nerves may be +harrowed before. And she is such a saint, Harrison—such an absolutely +unselfish saint! You’ll never guess what she tried to do.’ + +‘What, then?’ + +‘She knew what it would mean to me—what it will mean to me—to sit here in +impotence while she goes through this horrible business. She guessed in +some extraordinary way what my secret feelings were about it. And she +actually tried to deceive me as to when it was to occur—tried to get me +out of the house on one pretext or another until it was all over. That +was her plot, and, by Jove, she tried it so cleverly that she would have +managed it if something had not put me on my guard. She was a little too +eager, unnaturally so, and I saw through her game. But think of it, the +absolute unselfishness of it. To consider _me_ at such a time, and to +face her trouble alone and unsupported in order to make it easier for me. +She wanted me to go to Norwich and play golf.’ + +‘She must have thought you pretty guileless, Crosse, to be led away so +easily.’ + +‘Yes, it was a hopeless attempt to deceive me on such a point, or to +dream for an instant that my instincts would not tell me when she had +need of me. But none the less it was beautiful and characteristic. You +don’t mind my talking of these things, Harrison?’ + +‘My dear chap, it is just what you need. You have been bottling things +up too much. Your health will break down under it. After all, it is not +so serious as all that. The danger is very much exaggerated.’ + +‘You think so.’ + +‘I’ve had the experience twice now. You’ll go to the City some fine +morning, and when you come back the whole thing will be over.’ + +‘Indeed it won’t. I have made arrangements at the office, and from the +hour that she first seems bad I will never stir from the house. For all +she may say, I know very well that it gives her strength and courage to +feel that I am there.’ + +‘You may not know that it is coming on?’ + +Frank laughed incredulously. + +‘We’ll see about that,’ said he. ‘And you think from your experience, +Harrison, that it is not so very bad after all?’ + +‘Oh no. It soon passes.’ + +‘Soon! What do you mean by soon?’ + +‘Jordan was there six hours the first time.’ + +‘Good God! Six hours!’ Frank wiped his forehead. ‘They must have +seemed six years.’ + +‘They _were_ rather long. I kept on working in the garden. That’s the +tip. Keep on doing something and it helps you along wonderfully.’ + +‘That’s a good suggestion, Harrison. What a curious smell there is in +the air! Do you notice a sort of low, sweetish, spirity kind of scent? +Well, perhaps it’s my imagination. I dare say that my nerves are a bit +strung up these days. But that is a capital idea of yours about having +some work to do. I should like to work madly for those hours. Have +everything up out of the back garden and plant it all again in the +front.’ + +Harrison laughed. + +‘I’ll tell you something less heroic,’ said he; ‘you could keep all these +bulbs, and pot them then. By the way, I’ll go round and get the others. +Don’t bother about the door. I shall leave it open, for I won’t be five +minutes.’ + +‘And I’ll put these in the greenhouse,’ said Frank. He took the basket +of bulbs and he laid them all out on the wooden shelf of the tiny +conservatory which leaned against the back of the house. When he came +out there was a kitten making a noise somewhere. It was a low sound, but +persistent, coming in burst after burst. He took the rake and jabbed +with the handle amongst the laurel bushes under their bedroom window. +The beast might waken Maude, and so it was worth some trouble to dislodge +it. He could not see it, but when he had poked among the bushes and +cried ‘Skat!’ several times, the crying died away, and he carried his +empty basket into the dining-room. There he lit his pipe again, and +waited for Harrison’s return. + +There was that bothersome kitten again. He could hear it mewing away +somewhere. It did not sound so loud as in the garden, so perhaps it +would not matter. He felt very much inclined to steal upstairs upon +tiptoe and see if Maude were stirring yet. After all, if Jemima, or +whoever it was, could go clumping about in heavy boots over his head, +there was no fear that he could do any harm. And yet she had said that +she would ring or send word the moment she could see him, and so perhaps +he had better wait where he was. He put his head out of the window and +cried ‘Shoo!’ into the laurel bushes several times. Then he sat in the +armchair with his back to the door. Steps came heavily along the hall, +and he saw dimly with the back corner of his eye that some one was in the +doorway carrying something. He thought that really Harrison might have +brought the bulbs in more quietly, and so he treated him with some +coldness, and did not turn round to him. + +‘Put it in the out-house,’ said he. + +‘Why the out-house?’ + +‘We keep them there. But you can put it under the sideboard, or in the +coal-scuttle, or where you like as long as you don’t make any more +noise.’ + +‘Why, surely, Crosse—’ But Frank suddenly sprang out of his chair. + +‘I’m blessed if that infernal kitten isn’t somewhere in the room!’ + +And there when he turned was the grim, kindly face of old Doctor Jordan +facing him. He carried in the crook of his arm a brown shawl with +something round and small muffled up in it. There was one slit in front, +and through this came a fist about the size of a marble, the thumb +doubled under the tiny fingers, and the whole limb giving circular waves, +as if the owner were cheering lustily at his own successful arrival. +‘Here am I, good people, hurrah! hurrah! hurrah!’ cried the waving hand. +Then as the slit in the shawl widened Frank saw that behind the energetic +fist there was a huge open mouth, a little button of a nose, and two eyes +which were so resolutely screwed up that it seemed as if the owner had +made a resolution never under any circumstances to take the least notice +of this new world into which it had been transported. Frank dropped his +pipe and stood staring at this apparition. + +‘What! What’s that?’ + +‘The baby!’ + +‘Baby? Whose baby?’ + +‘Your baby, of course.’ + +‘My baby! Where—where did you get it?’ + +Doctor Jordan burst out laughing. + +‘You are like a man who has just been wakened out of his sleep,’ said he. +‘Why, Crosse, your wife has been bad all day, but she’s all right now, +and here’s your son and heir—a finer lad of the age I never saw—fighting +weight about seven pounds.’ + +Frank was a very proud man at the roots of his nature. He did not +readily give himself away. Perhaps if he had been quite alone he might +at that moment, as the great wave of joy washed through his soul, bearing +all his fears and forebodings away upon its crest, have dropped upon his +knees in prayer. But prayer comes not from the knee but from the heart, +and the whole strength of his nature breathed itself out in silent thanks +to that great Fate which goes its way regardless either of thanks or +reproaches. The doctor saw a pale self-contained young man before him, +and thought him strangely wanting in emotion. + +‘Well!’ said he, impatiently. ‘Is she all right?’ + +‘Yes. Won’t you take your son?’ + +‘Could she see me?’ + +‘I don’t suppose five minutes would do any harm.’ + +Dr. Jordan said afterwards that it was three steps which took Frank up +the fifteen stairs. The nurse who met him at the corner looks back on it +as the escape of her lifetime. Maude lay in bed with a face as pale as +the pillow which framed it. Her lips were bloodless but smiling. + +‘Frank!’ + +‘My own dear sweet girlie!’ + +‘You never knew. Did you, Frank? Tell me that you never knew.’ + +And at that anxious question the foolish pride which keeps the emotions +of the strong man buried down in his soul as though they were the least +honourable part of his nature, fell suddenly to nothing, and Frank +dropped with his head beside the white face upon the pillow, and lay with +his arm across the woman whom he loved, and sobbed as he had not sobbed +since his childhood. Her cheek was wet with his tears. He never saw the +doctor until he came beside him and touched him on the shoulder. + +‘I think you had better go now,’ said he. + +‘Sorry to be a fool, doctor,’ said Frank, blushing hotly in his clumsy +English fashion. ‘It’s just more than I can stand.’ + +‘Sir,’ the doctor answered, ‘I owe you an apology, for I had done you an +injustice. Meanwhile your son is about to be dressed, and there is +hardly room for three men in one bedroom.’ + +So Frank went down into the darkening room below, and mechanically +lighting his pipe, he sat with his elbows upon his knees and stared out +into the gathering gloom where one bright evening star twinkled in a +violet sky. The gentle hush of the gloaming was around him, and some +late bird was calling outside amongst the laurels. Above he heard the +shuffling of feet, the murmur of voices, and then amid it all those thin +glutinous cries, _his_ voice, the voice of this new man with all a man’s +possibilities for good and for evil, who had taken up his dwelling with +them. And as he listened to those cries, a gentle sadness was mixed with +his joy, for he felt that things were now for ever changed—that whatever +sweet harmonies of life might still be awaiting him, from this hour +onwards, they might form themselves into the subtlest and loveliest of +chords, but it must always be as a trio, and never as the dear duet of +the past. + + + + +THE TRIO + + + (_Extract from a letter to the Author from Mrs. Frank Crosse_.) + +‘IT is very singular that you should say with such confidence that you +know that our baby is a splendid one, and further on you say that in some +ways it differs from any other baby. It is so true, but neither Frank +nor I can imagine how you knew. We both think it so _clever_ of you to +have found it out. When you write to us, do please tell us how you +discovered it. + +‘I want to tell you something about baby, since you so kindly ask me, but +Frank says there is no use my beginning as there is only one quire of +paper in the house. As a matter of fact, I shall be quite short, which +is not because I have not plenty to say—you cannot think what a _dear_ he +is—but because he may wake up at any moment. After that happens I can +only write with one hand, while I wave a feather fan with the other, and +it is so difficult then to say exactly what you mean. In any case you +know that I have not the habit of collecting and writing down my ideas, +so please forgive me if this seems a stupid letter. Frank could have +done it splendidly. But he has so many sweet and quite _remarkable_ +ways, that I ought to be able to put some of them down for you. + +‘It will be easier perhaps if I imagine a day of him—and one of his days +is very much like another. No one could ever say that he was irregular +in his habits. First thing in the morning I go over to his cot to see if +he is awake yet—though, of course, I know that he can’t be, for he always +lets us know—the darling! However, I go over all the same, and I find +everything quiet and nothing visible of baby, but a tiny, turned-up nose. +It is so exactly Frank’s nose, only that his is curved the other way. +Then, as I bend over his cot, there is a small sigh, such a soft, +comfortable sound! Then a sort of earthquake takes place under the eider +down, and a tightly clenched fist appears and is waved in the air. He +has such a pleasant, cheerful way of waving his fists. Then one eye is +half opened, as if he were looking round to see if it were safe to open +the other one, and then he gives a long, sorrowful wail as he realises +that his bottle is not where he left it when he went to sleep. In a +moment he is in my arms and quite happy again, playing with the lace +round the neck of my pink dressing-gown. When he finds that his nice +warm bath is all ready for him, he becomes quite jovial, and laughs and +chuckles to himself. Something awfully funny must have happened to him +before ever he came into this world at all, for nothing that has occurred +since could account for the intense expression of amusement that one can +often see in his eyes. When he laughs, Frank says that he looks like +some jolly old clean-shaven toothless friar—so chubby and good-humoured. +He takes the greatest interest in everything in the room, watches the +nurse moving about, looks out of the window, and examines my hair and my +dress very critically. He loves to see untidy hair and a bright tie, or +a brooch will often catch his eye, and make him smile. His smile is the +most wonderful thing! As he lies gazing with his great serious blue +eyes, his whole face suddenly lights up, his mouth turns up at one corner +in the most irresistible way, and his cheeks all go off into dimples. He +looks so sweet and innocent, and at the same time so humorous and wicked, +that his foolish mother wants to laugh at him and to weep over him at the +same time. + +‘Then comes his bath, and there is a sad display of want of faith upon +his part. He enjoys the process, but he is convinced that only his own +exertions keep him from drowning, so his little fists are desperately +clenched, his legs kick up and down the whole time, and he watches every +movement of mother and nurse with suspicion. He enjoys being dressed, +and smiles at first, and then he suddenly remembers that he has not had +his breakfast. Then the smiles vanish, the small round face grows so red +and angry, and all covered with little wrinkles, and there is a dismal +wailing—poor darling! If the bottle is not instantly forthcoming he will +howl loudly, and beat the air with his fists until he gets it. He _does_ +remind me so of his father sometimes. He is always hunting for his +bottle, and will seize my finger, or a bit of my dress, or anything, and +carry it to his mouth, and when he finds it isn’t what he wants, he +throws it away very angrily. When finally he does get the bottle, he +becomes at once the most contented being in the whole world, and sucks +away with such great long pulls, and such dear little grunts in between. +Then afterwards, a well-washed, well-fed atom, he is ready to look about +him and observe things. I am sure that he has his father’s brains, and +that he is storing up all sorts of impressions and observations for +future use, for he notices _everything_. I used to think that babies +were stupid and indifferent—and perhaps other babies are—but _he_ is +never indifferent. Sometimes he is pleased and amused, and sometimes +angry, and sometimes gravely interested, but he is always wide awake and +taking things in. When I go into his room, he always looks at my head, +and if I have my garden hat with the flowers, he is so pleased. He much +prefers chiffon to silk. + +‘Almost the first thing that struck me when I saw him, and it strikes me +more and more, was, how could any one have got the idea of original sin? +The people who believe in it can never have looked into a baby’s eyes. I +love to watch them, and sometimes fancy I can see a faint shade of +reminiscence in them, as if he had still some memories of another life, +and could tell me things if he could only speak. One day as I sat beside +his cot—Oh dear! I hear his Majesty calling. So sorry! Good-bye.—Yours +very truly, + + MAUDE CROSSE.’ + +_P.S._—I have not time to read this over, but I may say, in case I +omitted it before, that he really is a very remarkable baby.’ + + * * * * * + + * * * * * + + Printed by T. and A. CONSTABLE, Printers to Her Majesty + at the Edinburgh University Press + + + + +***END OF THE PROJECT GUTENBERG EBOOK A DUET*** + + +******* This file should be named 5260-0.txt or 5260-0.zip ******* + + +This and all associated files of various formats will be found in: +http://www.gutenberg.org/dirs/5/2/6/5260 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. 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You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: A Duet + with an Occasional Chorus + + +Author: Arthur Conan Doyle + + + +Release Date: July 5, 2014 [eBook #5260] +[This file was first posted on June 18, 2002] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK A DUET*** +</pre> +<p>Transcribed from the 1899 Grant Richards edition by David +Price, email ccx074@pglaf.org</p> +<p style="text-align: center"> +<a href="images/coverb.jpg"> +<img alt= +"Book cover" +title= +"Book cover" +src="images/covers.jpg" /> +</a></p> +<h1>A DUET<br /> +<span class="GutSmall">WITH AN OCCASIONAL CHORUS</span></h1> +<p style="text-align: center"><span +class="GutSmall">BY</span></p> +<p style="text-align: center">A. CONAN DOYLE</p> +<p style="text-align: center"> +<a href="images/tpb.jpg"> +<img alt= +"Decorative graphic" +title= +"Decorative graphic" +src="images/tps.jpg" /> +</a></p> + +<div class="gapspace"> </div> +<p style="text-align: center">LONDON</p> +<p style="text-align: center">GRANT RICHARDS</p> +<p style="text-align: center"><span class="GutSmall">9 HENRIETTA +STREET</span></p> +<p style="text-align: center">1899</p> + +<div class="gapspace"> </div> +<p style="text-align: center"><a name="pageiv"></a><span +class="pagenum">p. iv</span>Edinburgh: T. and A <span +class="smcap">Constable</span>, Printers to Her Majesty</p> + +<div class="gapspace"> </div> +<p style="text-align: center"><a name="pagev"></a><span +class="pagenum">p. v</span><span class="GutSmall">TO</span><br /> +MRS. MAUDE CROSSE</p> +<p><span class="smcap">Dear Maude</span>,—All the little +two-oared boats which put out into the great ocean have need of +some chart which will show them how to lay their course. +Each starts full of happiness and confidence, and yet we know how +many founder, for it is no easy voyage, and there are rocks and +sandbanks upon the way. So I give a few pages of your own +private log, which tell of days of peace, and days of +storm—such storms as seem very petty from the deck of a +high ship, but are serious for the two-oared boats. If your +peace should help another to peace, or your storm console another +who is storm-tossed, then I know that you will feel repaid for +this intrusion upon your privacy. May all your voyage be +like the outset, and when at last the oars fall from your hands, +and those of Frank, may other loving ones be ready to take their +turn of toil—and so, <i>bon voyage</i>!</p> +<p style="text-align: center">Ever your friend,</p> +<p style="text-align: right"><span class="smcap">The +Author</span>.</p> +<p><i>Jan.</i> 20, 1899.</p> +<h2><a name="pagevii"></a><span class="pagenum">p. +vii</span>CONTENTS</h2> +<table> +<tr> +<td><p> </p> +</td> +<td><p style="text-align: right"><span +class="GutSmall">PAGE</span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">The Overture</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page1">1</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">The Overture Continued</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page9">9</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">The Overture Concluded</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page24">24</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">The Two Solos</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page34">34</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">In Britain’s Valhalla</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page48">48</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">Two Solos and a Duet</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page71">71</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">Keeping up Appearances</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page88">88</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">The Home-Coming</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page100">100</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">Laying a Course</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page112">112</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">Confessions</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page128">128</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">Concerning Mrs. Beeton</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page146">146</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">Mr. Samuel Pepys</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page158">158</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">A Visit to Mr. Samuel Pepys</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page170">170</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">Trouble</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page185">185</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">A Rescue</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page204">204</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">The Browning Society</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page218">218</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">An Investment</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page236">236</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">A Thundercloud</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page251">251</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">Danger</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page269">269</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">No. 5 Cheyne Row</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page290">290</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">The Last Note of the Duet</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page311">311</a></span></p> +</td> +</tr> +<tr> +<td><p><span class="smcap">The Trio</span></p> +</td> +<td><p style="text-align: right"><span class="indexpageno"><a +href="#page326">326</a></span></p> +</td> +</tr> +</table> +<h2><a name="page1"></a><span class="pagenum">p. 1</span>THE +OVERTURE<br /> +I<br /> +<span class="GutSmall">ABOUT THAT DATE</span></h2> +<p><span class="smcap">These</span> are the beginnings of some of +the letters which they wrote about that time.</p> +<p style="text-align: right"><i>Woking</i>, <i>May</i> +20<i>th</i>.</p> +<p><span class="smcap">My dearest Maude</span>,—You know +that your mother suggested, and we agreed, that we should be +married about the beginning of September. Don’t you +think that we might say the 3rd of August? It is a +Wednesday, and in every sense suitable. Do try to change +the date, for it would in many ways be preferable to the +other. I shall be eager to hear from you about it. +And now, dearest Maude . . . (The rest is irrelevant.)</p> +<p style="text-align: right"><i>St. Albans</i>, <i>May</i> +22<i>nd</i>.</p> +<p>My Dearest Frank,—Mother sees no objection to the 3rd of +August, and I am ready to do anything which will please you and +her. Of course there are the guests to be considered, and +the dressmakers and other arrangements, but I have no doubt that +we shall be able to change the date all right. O Frank . . +. (What follows is beside the point.)</p> +<p style="text-align: right"><i>Woking</i>, <i>May</i> +25<i>th</i>.</p> +<p><span class="smcap">My dearest Maude</span>,—I have been +thinking over that change of date, and I see one objection which +had not occurred to me when I suggested it. August the 1st +is Bank holiday, and travelling is not very pleasant about that +time. My idea now is that we should bring it off before +that date. Fancy, for example, how unpleasant it would be +for your Uncle Joseph if he had to travel all the way from +Edinburgh with a Bank-holiday crowd. It would be selfish of +us if we did not fit in our plans so as to save our relatives +from inconvenience. I think therefore, taking everything +into consideration, that the 20th of July, a Wednesday, would be +the very best day that we could select. I do hope that you +will strain every nerve, my darling, to get your mother to +consent to this change. When I think . . . (A digression +follows.)</p> +<p style="text-align: right"><i>St. Albans</i>, <i>May</i> +27<i>th</i>.</p> +<p><span class="smcap">My dearest Frank</span>,—I think +that what you say about the date is very reasonable, and it is so +sweet and unselfish of you to think about Uncle Joseph. Of +course it would be very unpleasant for him to have to travel at +such a time, and we must strain every nerve to prevent it. +There is only one serious objection which my mother can +see. Uncle Percival (that is my mother’s second +brother) comes back from Rangoon about the end of July, and will +miss the wedding (O Frank, think of its being <i>our</i> +wedding!) unless we delay it. He has always been very fond +of me, and he might be hurt if we were married so immediately +before his arrival. Don’t you think it would be as +well to wait? Mother leaves it all in your hands, and we +shall do exactly as you advise. O Frank . . . (The rest is +confidential.)</p> +<p style="text-align: right"><i>Woking</i>, <i>May</i> +29<i>th</i>.</p> +<p><span class="smcap">My own Dearest</span>,—I think that +it would be unreasonable upon the part of your Uncle Percival to +think that we ought to have changed the date of a matter so +important to ourselves, simply in order that he should be +present. I am sure that on second thoughts your mother and +yourself will see the thing in this light. I must say, +however, that in one point I think you both show great +judgment. It would certainly be invidious to be married +<i>immediately</i> before his arrival. I really think that +he would have some cause for complaint if we did that. To +prevent any chance of hurting his feelings, I think that it would +be far best, if your mother and you agree with me, that we should +be married upon July 7th. I see that it is a Thursday, and +in every way suitable. When I read your last letter . . . +(The remainder is unimportant.)</p> +<p style="text-align: right"><i>St. Albans</i>, <i>June</i> +1<i>st</i>.</p> +<p><span class="smcap">Dearest Frank</span>,—I am sure that +you are right in thinking that it would be as well not to have +the ceremony too near the date of Uncle Percival’s arrival +in England. We should be so sorry to hurt his feelings in +any way. Mother has been down to Madame Mortimer’s +about the dresses, and she thinks that everything could be +hurried up so as to be ready by July 7th. She is so +obliging, and her skirts <i>do</i> hang so beautifully. O +Frank, it is only a few weeks’ time, and then . . .</p> +<p style="text-align: right"><i>Woking</i>, <i>June</i> +3<i>rd</i>.</p> +<p><span class="smcap">My own darling Maude</span>,—How +good you are—and your mother also—in falling in with +my suggestions! Please, please don’t bother your dear +self about dresses. You only want the one travelling-dress +to be married in, and the rest we can pick up as we go. I +am sure that white dress with the black stripe—the one you +were playing tennis with at the Arlingtons’—would do +splendidly. You looked simply splendid that day. I am +inclined to think that it is my favourite of all your dresses, +with the exception of the dark one with the light-green +front. That shows off your figure so splendidly. I am +very fond also of the grey Quaker-like alpaca dress. What a +little dove you do look in it! I think those dresses, and +of course your satin evening-dress, are my favourites. On +second thoughts, they are the only dresses I have ever seen you +in. But I like the grey best, because you wore it the first +time I ever—you remember! You must <i>never</i> get +rid of those dresses. They are too full of +associations. I want to see you in them for years, and +years, and years.</p> +<p>What I wanted to say was that you have so many charming +dresses, that we may consider ourselves independent of Madame +Mortimer. If her things should be late, they will come in +very usefully afterwards. I don’t want to be selfish +or inconsiderate, my own dearest girlie, but it would be rather +too much if we allowed my tailor or your dressmaker to be +obstacles to our union. I just want you—your dainty +little self—if you had only your ‘wee coatie,’ +as Burns says. Now look here! I want you to bring +your influence to bear upon your mother, and so make a small +change in our plans. The earlier we can have our honeymoon, +the more pleasant the hotels will be. I do want your first +experiences with me to be without a shadow of discomfort. +In July half the world starts for its holiday. If we could +get away at the end of this mouth, we should just be ahead of +them. This month, this very month! Oh, do try to +manage this, my own dearest girl. The 30th of June is a +Tuesday, and in every way suitable. They could spare me +from the office most excellently. This would just give us +time to have the banns three times, beginning with next +Sunday. I leave it in your hands, dear. Do try to +work it.</p> +<p style="text-align: right"><i>St. Albans</i>, <i>June</i> +4<i>th</i>.</p> +<p><span class="smcap">My dearest Frank</span>,—We nearly +called in the doctor after your dear old preposterous +letter. My mother gasped upon the sofa while I read her +some extracts. That I, the daughter of the house, should be +married in my old black and white tennis-dress, which I wore at +the Arlingtons’ to save my nice one! Oh, you are +simply splendid sometimes! And the learned way in which you +alluded to my alpaca. As a matter of fact, it’s a +merino, but that doesn’t matter. Fancy your +remembering my wardrobe like that! And wanting me to wear +them all for years! So I shall, dear, secretly, when we are +quite quite alone. But they are all out of date already, +and if in a year or so you saw your poor dowdy wife with tight +sleeves among a roomful of puff-shouldered young ladies, you +would not be consoled even by the memory that it was in that +dress that you first . . . you know!</p> +<p>As a matter of fact, I <i>must</i> have my dress to be married +in. I don’t think mother would regard it as a legal +marriage if I hadn’t, and if you knew how nice it will be, +you would not have the heart to interfere with it. Try to +picture it, silver-grey—I know how fond you are of +greys—a little white chiffon at neck and wrists, and the +prettiest pearl trimming. Then the hat <i>en suite</i>, +pale-grey lisse, white feather and brilliant buckle. All +these details are wasted upon you, sir, but you will like it when +you see it. It fulfils your ideal of tasteful simplicity, +which men always imagine to be an economical method of dressing, +until they have wives and milliners’ bills of their +own.</p> +<p>And now I have kept the biggest news to the last. Mother +has been to Madame, and she says that if she works all night, she +will have everything ready for the 30th. O Frank, does it +not seem incredible! Next Tuesday three weeks. And +the banns! Oh my goodness, I am frightened when I think +about it! Dear old boy, you won’t tire of me, will +you? Whatever should I do if I thought you had tired of +me! And the worst of it is, that you don’t know me a +bit. I have a hundred thousand faults, and you are blinded +by your love and cannot see them. But then some day the +scales will fall from your eyes, and you will perceive the whole +hundred thousand at once. Oh, what a reaction there will +be! You will see me as I am, frivolous, wilful, idle, +petulant, and altogether horrid. But I do love you, Frank, +with all my heart, and soul, and mind, and strength, and +you’ll count that on the other side, won’t you? +Now I am so glad I have said all this, because it is best that +you should know what you should expect. It will be nice for +you to look back and to say, ‘She gave me fair warning, and +she is no worse than she said.’ O Frank, think of the +30th.</p> +<p><i>P.S.</i>—I forgot to say that I had a grey silk cape, +lined with cream, to go with the dress. It is just +sweet!</p> + +<div class="gapspace"> </div> +<p>So that is how they arranged about the date.</p> +<h2><a name="page9"></a><span class="pagenum">p. 9</span>THE +OVERTURE CONTINUED<br /> +II<br /> +<span class="GutSmall">IN A MINOR KEY</span></h2> +<p style="text-align: right"><i>Woking</i>, <i>June</i> +7<i>th</i>.</p> +<p><span class="smcap">My own dearest Maude</span>,—How I +wish you were here, for I have been down, down, down, in the +deepest state of despondency all day. I have longed to hear +the sound of your voice, or to feel the touch of your hand! +How can I be despondent, when in three weeks I shall be the +husband of the dearest girl in England? That is what I ask +myself, and then the answer comes that it is just exactly on that +account that my wretched conscience is gnawing at me. I +feel that I have not used you well; I owe you reparation, and I +don’t know what to do.</p> +<p>In your last dear letter you talk about being frivolous. +<i>You</i> have never been frivolous. But I have been +frivolous—for ever since I have learned to love you, I have +been so wrapped up in my love, with my happiness gilding +everything about me, that I have never really faced the prosaic +facts of life or discussed with you what our marriage will really +necessitate. And now, at this eleventh hour, I realise that +I have led you on in ignorance to an act which will perhaps take +a great deal of the sunshine out of your life. What have I +to offer you in exchange for the sacrifice which you will make +for me? Myself, my love, and all that I have—but how +little it all amounts to! You are a girl in a thousand, in +ten thousand—bright, beautiful, sweet, the dearest lady in +all the land. And I an average man—or perhaps hardly +that—with little to boast of in the past, and vague +ambitions for the future. It is a poor bargain for you, a +most miserable bargain. You have still time. Count +the cost, and if it be too great, then draw back even now without +fear of one word or inmost thought of reproach from me. +Your whole life is at stake. How can I hold you to a +decision which was taken before you realised what it meant? +Now I shall place the facts before you, and then, come what may, +my conscience will be at rest, and I shall be sure that you are +acting with your eyes open.</p> +<p>You have to compare your life as it is, and as it will +be. Your father is rich, or at least comfortably off, and +you have been accustomed all your life to have whatever you +desired. From what I know of your mother’s kindness, +I should imagine that no wish of yours has ever remained +ungratified. You have lived well, dressed well, a sweet +home, a lovely garden, your collie, your canary, your maid. +Above all, you have never had anxiety, never had to worry about +the morrow. I can see all your past life so well. In +the mornings, your music, your singing, your gardening, your +reading. In the afternoons, your social duties, the visit +and the visitor. In the evening, tennis, a walk, music +again, your father’s return from the City, the happy +family-circle, with occasionally the dinner, the dance, and the +theatre. And so smoothly on, month after month, and year +after year, your own sweet, kindly, joyous nature, and your +bright face, making every one round you happy, and so reacting +upon your own happiness. Why should you bother about +money? That was your father’s business. Why +should you trouble about housekeeping? That was your +mother’s duty. You lived like the birds and the +flowers, and had no need to take heed for the future. +Everything which life could offer was yours.</p> +<p>And now you must turn to what is in store for you, if you are +still content to face the future with me. Position I have +none to offer. What is the exact position of the wife of +the assistant-accountant of the Co-operative Insurance +Office? It is indefinable. What are my +prospects? I may become head-accountant. If Dinton +died—and I hope he won’t, for he is an excellent +fellow—I should probably get his berth. Beyond that I +have no career. I have some aspirations after +literature—a few critical articles in the +monthlies—but I don’t suppose they will ever lead to +anything of consequence.</p> +<p>And my income, £400 a year with a commission on business +I introduce. But that amounts to hardly anything. You +have £50. Our total, then, is certainly under +£500. Have you considered what it will mean to leave +that charming house at St. Albans—the breakfast-room, the +billiard-room, the lawn—and to live in the little £50 +a year house at Woking, with its two sitting-rooms and pokey +garden? Have I a right to ask you to do such a thing? +And then the housekeeping, the planning, the arranging, the +curtailing, the keeping up appearances upon a limited +income. I have made myself miserable, because I feel that +you are marrying me without a suspicion of the long weary uphill +struggle which lies before you. O Maude, my darling Maude, +I feel that you sacrifice too much for me! If I were a man +I should say to you, ‘Forget me—forget it all! +Let our relations be a closed chapter in your life. You can +do better. I and my cares come like a great cloud-bank to +keep the sunshine from your young life. You who are so +tender and dainty! How can I bear to see you exposed to the +drudgery and sordid everlasting cares of such a household! +I think of your graces, your pretty little ways, the elegancies +of your life, and how charmingly you carry them off. You +are born and bred for just such an atmosphere as the one which +you breathe. And I take advantage of my good-fortune in +winning your love to drag you down, to take the beauty and charm +from your life, to fill it with small and vulgar cares, +never-ending and soul-killing. Selfish beast that I am, why +should I allow you to come down into the stress and worry of +life, when I found you so high above it? And what can I +offer you in exchange?’ These are the thoughts which +come back and back all day, and leave me in the blackest fit of +despondency. I confessed to you that I had dark humours, +but never one so hopeless as this. I do not wish my worst +enemy to be as unhappy as I have been to-day.</p> +<p>Write to me, my own darling Maude, and tell me all you think, +your very inmost soul, in this matter. Am I right? +Have I asked too much of you? Does the change frighten +you? You will have this in the morning, and I should have +my answer by the evening post. I shall meet the +postman. How hard I shall try not to snatch the letter from +him, or to give myself away. Wilson has been in worrying me +with foolish talk, while my thoughts were all of our +affairs. He worked me up into a perfectly homicidal frame +of mind, but I hope that I kept on smiling and was not +discourteous to him. I wonder which is right, to be polite +but hypocritical, or to be inhospitable but honest.</p> +<p>Good-bye, my own dearest sweetheart—all the dearer when +I feel that I may lose you.—Ever your devoted</p> +<p style="text-align: right"><span +class="smcap">Frank</span>.</p> +<p style="text-align: right"><i>St. Albans</i>, <i>June</i> +8<i>th</i>.</p> +<p>Frank, tell me for Heaven’s sake what your letter +means! You use words of love, and yet you talk of +parting. You speak as if our love were a thing which we +might change or suppress. O Frank, you cannot take my love +away from me. You don’t know what you are to me, my +heart, my life, my all. I would give my life for you +willingly, gladly—every beat of my heart is for you. +You don’t know what you have become to me. My every +thought is yours, and has been ever since that night at the +Arlingtons’. My love is so deep and strong, it rules +my whole life, my every action from morning to night. It is +the very breath and heart of my life—unchangeable. I +could not alter my love any more than I could stop my heart from +beating. How could you, could you suggest such a +thing! I know that you really love me just as much as I +love you, or I should not open my heart like this. I should +be too proud to give myself away. But I feel that pride is +out of place when any mistake or misunderstanding may mean +lifelong misery to both of us. I would only say good-bye if +I thought your love had changed or grown less. But I know +that it has not. O my darling, if you only knew what +terrible agony the very thought of parting is, you would never +have let such an idea even for an instant, on any pretext, enter +your mind. The very possibility is too awful to think +of. When I read your letter just now up in my room, I +nearly fainted. I can’t write. O Frank, +don’t take my love away from me. I can’t bear +it. Oh no, it is my everything. If I could only see +you now, I know that you would kiss these heart-burning tears +away. I feel so lonely and tired. I cannot follow all +your letter. I only know that you talked of parting, and +that I am weary and miserable.</p> +<p style="text-align: right"><span +class="smcap">Maude</span>.</p> +<p style="text-align: center">(<span class="smcap">Copy of +Telegram</span>)</p> +<p style="text-align: center"><i>From Frank Crosse</i>, to +<i>Miss Maude Selby</i>,</p> +<p style="text-align: center"><i>The Laurels</i>, <i>St. +Albans</i></p> +<p style="text-align: center">Coming up eight-fifteen, arrive +midnight.</p> +<p style="text-align: right"><i>June</i> 10<i>th</i>.</p> +<p>How good of you, dear old boy, to come racing across two +counties at a minute’s notice, simply in order to console +me and clear away my misunderstandings. Of course it was +most ridiculous of me to take your letter so much to heart, but +when I read any suggestion about our parting, it upset me so +dreadfully, that I was really incapable of reasoning about +anything else. Just that one word PART seemed to be written +in letters of fire right across the page, to the exclusion of +everything else. So then I wrote an absurd letter to my +boy, and the dear came scampering right across the South of +England, and arrived at midnight in the most demoralised +state. It was just sweet of you to come, dear, and I shall +never forget it.</p> +<p>I am so sorry that I have been so foolish, but you must +confess, sir, that you have been just a little bit foolish +also. The idea of supposing that when I love a man my love +can be affected by the size of his house or the amount of his +income. It makes me smile to think of it. Do you +suppose a woman’s happiness is affected by whether she has +a breakfast-room, or a billiard-board, or a collie dog, or any of +the other luxuries which you enumerated? But these things +are all the merest trimmings of life. They are not the +essentials. <i>You</i> and your love are the +essentials. Some one who will love me with all his +heart. Some one whom I can love with all my heart. Oh +the difference it makes in life! How it changes +everything! It glorifies and beautifies everything. I +always felt that I was capable of a great love—and now I +have it.</p> +<p>Fancy your imagining that you had come into my life in order +to darken it. Why, you <i>are</i> my life. If you +went out of it, what would be left? You talk about my +happiness before I met you—but oh, how empty it all +was! I read, and played, and sang as you say, but what a +void there was! I did it to please mother, but there really +seemed no very clear reason why I should continue to do it. +Then you came, and everything was changed. I read because +you are fond of reading and because I wanted to talk about books +with you. I played because you are fond of music. I +sang in the hope that it might please you. Whatever I did, +you were always in my mind. I tried and tried to become a +better and nobler woman, because I wanted to be worthy of the +love you bore me. I have changed, and developed, and +improved more in the last three months than in all my life +before. And then you come and tell me that you have +darkened my life. You know better now. My life has +become full and rich, for Love fills my life. It is the +keynote of my nature, the foundation, the motive power. It +inspires me to make the most of any gift or talent that I +have. How could I tell you all this if I did not know that +your own feeling was as deep. I could not have given the +one, great, and only love of my life in exchange for a +half-hearted affection from you. But you will never again +make the mistake of supposing that any material consideration can +affect our love.</p> +<p>And now we won’t be serious any longer. Dear +mother was very much astounded by your tumultuous midnight +arrival, and equally precipitate departure next morning. +Dear old boy, it was so nice of you! But you won’t +ever have horrid black humours and think miserable things any +more, will you? But if you must have dark days, now is your +time, for I can’t possibly permit any after the +30th.—Ever your own</p> +<p style="text-align: right"><span +class="smcap">maude</span>.</p> +<p style="text-align: right"><i>Woking</i>, <i>June</i> +11<i>th</i>.</p> +<p><span class="smcap">My own dearest Girlie</span>,—How +perfectly sweet you are! I read and re-read your letter, +and I understand more and more how infinitely your nature is +above mine. And your conception of love—how lofty and +unselfish it is! How could I lower it by thinking that any +worldly thing could be weighed for an instant against it! +And yet it was just my jealous love for you, and my keenness that +you should never be the worse through me, which led me to write +in that way, so I will not blame myself too much. I am +really glad that the cloud came, for the sunshine is so much +brighter afterwards. And I seem to know you so much better, +and to see so much more deeply into your nature. I knew +that my own passion for you was the very essence of my +soul—oh, how hard it is to put the extreme of emotion into +the terms of human speech!—but I did not dare to hope that +your feelings were as deep. I hardly ventured to tell even +you how I really felt. Somehow, in these days of +lawn-tennis and afternoon tea, a strong strong passion, such a +passion as one reads of in books and poems, seems out of +place. I thought that it would surprise, even frighten you, +perhaps, if I were to tell you all that I felt. And now you +have written me two letters, which contain all that I should have +said if I had spoken from my heart. It is all my own inmost +thought, and there is not a feeling that I do not share. O +Maude, I may write lightly and speak lightly, perhaps, sometimes, +but there never was a woman, never, never in all the story of the +world, who was loved more passionately than you are loved by +me. Come what may, while the world lasts and the breath of +life is between my lips, you are the one woman to me. If we +are together, I care nothing for what the future may bring. +If we are not together, all the world cannot fill the void.</p> +<p>You say that I have given an impulse to your life: that you +read more, study more, take a keener interest in +everything. You could not possibly have said a thing which +could have given me more pleasure than that. It is +splendid! It justifies me in aspiring to you. It +satisfies my conscience over everything which I have done. +It must be right if that is the effect. I have felt so +happy and light-hearted ever since you said it. It is +rather absurd to think that <i>I</i> should improve you, but if +you in your sweet frankness say that it is so, why, I can only +marvel and rejoice.</p> +<p>But you must not study and work too hard. You say that +you do it to please me, but that would not please me. +I’ll tell you an anecdote as a dreadful example. I +had a friend who was a great lover of Eastern literature, +Sanskrit, and so on. He loved a lady. The lady to +please him worked hard at these subjects also. In a month +she had shattered her nervous system, and will perhaps never be +the same again. It was impossible. She was not meant +for it, and yet she made herself a martyr over it. I +don’t mean by this parable that it will be a strain upon +your intellect to keep up with mine. But I do mean that a +woman’s mind is <i>different</i> from a man’s. +A dainty rapier is a finer thing than a hatchet, but it is not +adapted for cutting down trees all the same.</p> +<p>Rupton Hale, the architect, one of the few friends I have down +here, has some most deplorable views about women. I played +a round of the Byfleet Golf Links with him upon Wednesday +afternoon, and we discussed the question of women’s +intellects. He would have it that they have never a light +of their own, but are always the reflectors of some other light +which you cannot see. He would allow that they were +extraordinarily quick in assimilating another person’s +views, but that was all. I quoted some very shrewd remarks +which a lady had made to me at dinner. ‘Those are the +traces of the last man,’ said he. According to his +preposterous theory, you could in conversation with a woman +reconstruct the last man who had made an impression to her. +‘She will reflect you upon the next person she talks +to,’ said he. It was ungallant, but it was +ingenious.</p> +<p>Dearest sweetheart, before I stop, let me tell you that if I +have brought any happiness into your life, you have brought far, +far more into mine. My soul seemed to come into full being +upon the day when I loved you. It was so small, and +cramped, and selfish, before—and life was so hard, and +stupid, and purposeless. To live, to sleep, to eat, for +some years, and then to die—it was so trivial and so +material. But now the narrow walls seem in an instant to +have fallen, and a boundless horizon stretches around me. +And everything appears beautiful. London Bridge, King +William Street, Abchurch Lane, the narrow stair, the office with +the almanacs and the shining desks, it has all become glorified, +tinged with a golden haze. I am stronger: I step out +briskly and breathe more deeply. And I am a better man +too. God knows there was room for it. But I do try to +make an ideal, and to live up to it. I feel such a fraud +when I think of being put upon a pedestal by you, when some +little hole where I am out of sight is my true place. I am +like the man in Browning who mourned over the spots upon his +‘speckled hide,’ but rejoiced in the swansdown of his +lady. And so, my own dear sweet little swansdown lady, +good-night to you, with my heart’s love now and for ever +from your true lover,</p> +<p style="text-align: right"><span +class="smcap">Frank</span>.</p> +<p>Saturday! Saturday! Saturday! oh, how I am longing +for Saturday, when I shall see you again! We will go on +Sunday and hear the banns together.</p> +<h2><a name="page24"></a><span class="pagenum">p. 24</span>THE +OVERTURE CONCLUDED</h2> +<p style="text-align: right"><i>St. Albans</i>, <i>June</i> +14<i>th</i>.</p> +<p><span class="smcap">My dearest Frank</span>,—What a +dreadful thing it is to have your name shouted out in +public! And what a voice the man had! He simply +bellowed ‘Maude Selby of this parish’ as if he meant +all this parish to know about it. And then he let you off +so easily. I suppose he thought that there was no local +interest in Frank Crosse of Woking. But when he looked +round expectantly, after asking whether there was any known cause +or just impediment why we should not be joined together, it gave +me quite a thrill. I felt as if some one would jump up like +a Jack-in-the-box and make a scene in the church. How +relieved I was when he changed the subject! I sank my face +in my hands, but I know that I was blushing all down my +neck. Then I looked at you between my fingers, and there +you were sitting quite cool and cheerful, as if you rather liked +it. I think that we shall go to evening-service next +week. Papa has given up going altogether since the new +organist came. He says he cannot face the music.</p> +<p>What a sweet time we had together. I shall never, never +forget it! O Frank, how good you are to me! And how I +hope you won’t regret what you are doing. It is all +very well just now, when I am young and you think that I am +pretty. I love that you should think so, but I am compelled +to tell you that it is not really so. I can’t imagine +how you came to think it! I suppose it was from seeing me +so often beside papa. If you saw me near Nelly Sheridan, or +any other <i>really</i> pretty girl, you would at once see the +difference. It just happens that you like grey eyes and +brown hair, and the other things, but that does not mean that I +am really pretty. I should be so sorry if there were any +misunderstanding about this, and you only found out when too +late. You ought to keep this letter for reference, as papa +always says, and then it will be interesting to you +afterwards.</p> +<p>I should like you to see me now—or rather I +wouldn’t have you see me for the world. I am so +flushed and untidy, for I have been cooking. Is it not +absurd, if you come to think of it, that we girls should be +taught the irregular French verbs, and the geography of China, +and never to cook the simplest thing? It really does seem +ridiculous.</p> +<p>But it is never too late to mend, so I went into the kitchen +this morning and made a tart. You can’t imagine what +a lot of things one needs even for such a simple thing as +that. I thought cook was joking when she put them all down +in front of me. It was like a conjurer giving his +performance. There was an empty bowl, and a bowl full of +sliced apples, and a big board, and a rolling-pin, and eggs, and +butter, and sugar, and cloves, and of course flour. We +broke eggs and put them into a bowl—you can’t think +what a mess an egg makes when it misses the bowl. Then we +stirred them up with flour and butter and things. I stirred +until I was perfectly exhausted. No wonder a cook has +usually a great thick arm. Then when it had formed a paste, +we rolled it out, and put the apples in the dish, and roofed it +in, and trimmed the edges, and stuck flat leaves made of paste +all over it, and the dearest little crown in the middle. +Then we put it into the oven until it was brown. It looked +a very nice tart, and mamma said that I had made it very +solidly. It certainly did feel very heavy for its +size. Mamma would not taste it, because she said that she +thought Dr. Tristram would not approve of her doing so, but I had +a piece, and really it was not so bad. Mamma said the +servants might have it at dinner, but the servants said that the +poor window-cleaner had a large family, and so we gave it to +him. It is so sweet to feel that one is of any use to any +one.</p> +<p>What do you think happened this morning? Two +wedding-presents arrived. The first was a very nice fish +slice and fork in a case. It was from dear old Mrs. Jones +Beyrick, on whom we really had no claim whatever. We all +think it so kind of her, and such a nice fish-slice. The +other was a beautiful travelling-bag from Uncle Arthur. +Stamped in gold upon it were the letters M.C., I said, ‘Oh, +what a pity! They have put the wrong initials.’ +That made mamma laugh. I suppose one soon gets used to +it. Fancy how you would feel if it were the other way +about, and you changed your name to mine. They might call +you Selby, but you would continue to feel Crosse. I +didn’t mean that for a joke, but women make jokes without +intending it. The other day the curate drove up in his +donkey-cart, and mother said, ‘Oh, what a nice +tandem!’ I think that she meant to say +‘turn-out’; but papa said it was the neatest thing he +had heard for a long time, so mamma is very pleased, but I am +sure that she does not know even now why it should be so +funny.</p> +<p>What stupid letters I write! Doesn’t it frighten +you when you read them and think that is the person with whom I +have to spend my life. Yet you never seem alarmed about +it. I think it is so <i>brave</i> of you. That +reminds me that I never finished what I wanted to say at the +beginning of this letter. Even supposing that I am pretty +(and my complexion sometimes is simply awful), you must bear in +mind how quickly the years slip by, and how soon a woman +alters. Why, we shall hardly be married before you will +find me full of wrinkles, and without a tooth in my head. +Poor boy, how dreadful for you! Men seem to change so +little and so slowly. Besides, it does not matter for them, +for nobody marries a man because he is pretty. But you must +marry me, Frank, not for what I look but for what I am—for +my inmost, inmost self, so that if I had no body at all, you +would love me just the same. That is how I love you, but I +do prefer you with your body on all the same. I don’t +know how I love you, dear. I only know that I am in a dream +when you are near me—just a beautiful dream. I live +for those moments.—Ever your own little</p> +<p style="text-align: right"><span +class="smcap">Maude</span>.</p> +<p><i>P.S.</i>—Papa gave us such a fright, for he came in +just now and said that the window-cleaner and all his family were +very ill. This was a joke, because the coachman had told +him about my tart. Wasn’t it horrid of him?</p> +<p style="text-align: right"><i>Woking</i>, <i>June</i> +17<i>th</i>.</p> +<p><span class="smcap">My own sweetest Maude</span>,—I do +want you to come up to town on Saturday morning. Then I +will see you home to St. Albans in the evening, and we shall have +another dear delightful week end. I think of nothing else, +and I count the hours. Now please to manage it, and +don’t let anything stop you. You know that you can +always get your way. Oh yes, you can, miss! <i>I</i> +know.</p> +<p>We shall meet at the bookstall at Charing Cross railway +station at one o’clock, but if anything should go wrong, +send me a wire to the Club. Then we can do some shopping +together, and have some fun also. Tell your mother that we +shall be back in plenty of time for dinner. Make another +tart, and I shall eat it. Things are slack at the office +just now, and I could be spared for a few days.</p> +<p>So you have had a fish-slice. It is so strange, because +on that very day I had my first present, and it was a fish-slice +also. We shall have fish at each end when we give a +dinner. If we get another fish-slice, then we shall give a +fish-dinner—or keep one of the slices to give to your +friend Nelly Sheridan when <i>she</i> gets married. They +will always come in useful. And I have had two more +presents. One is a Tantalus spirit-stand from my friends in +the office. The other is a pair of bronzes from the cricket +club. They got it up without my knowing anything about it, +and I was amazed when a deputation came up to my rooms with them +last night. ‘May your innings be long and your +partnership unbroken until you each make a hundred not +out.’ That was the inscription upon a card.</p> +<p>I have something very grave to tell you. I’ve been +going over my bills and things, and I owe ever so much more than +I thought. I have always been so careless, and never known +exactly how I stood. It did not matter when one was a +bachelor, for one always felt that one could live quite simply +for a few months, and so set matters straight. But now it +is more serious. The bills come to more than a hundred +pounds; the biggest one is forty-two pounds to Snell and Walker, +the Conduit Street tailors. However, I am ordering my +marriage-suit from them, and that will keep them quiet. I +have enough on hand to pay most of the others. But we must +not run short upon our honeymoon—what an awful idea! +Perhaps there may be some cheques among our presents. We +will hope for the best.</p> +<p>But there is a more serious thing upon which I want to consult +you. You asked me never to have any secrets from you, or +else I should not bother you about such things. I should +have kept it for Saturday when we meet, but I want you to have +time to think about it, so that we may come to some decision +then.</p> +<p>I am surety to a man for an indefinite sum of money. It +sounds rather dreadful, does it not? But it is not so bad +as it sounds, for there is no harm done yet. But the +question is what we should do in the future about it, and the +answer is not a very easy one. He is a very pleasant +fellow, an insurance agent, and he got into some trouble about +his accounts last year. The office would have dismissed +him, but as I knew his wife and his family, I became surety that +he should not go wrong again, and so I saved him from losing his +situation. His name is Farintosh. He is one of those +amiable, weak, good fellows whom you cannot help loving, although +you never can trust them. Of course we could give notice +that we should not be responsible any longer, but it would be a +thunderbolt to this poor family, and the man would certainly be +ruined. We don’t want to begin our own happiness by +making any one else unhappy, do we? But we shall talk it +over, and I shall do what you advise. You understand that +we are only liable in case he defaults, and surely it is very +unlikely that he will do so after the lesson that he has already +had.</p> +<p>I think the house will do splendidly. The Lindens is the +name, and it is on the Maybury Road, not more than a quarter of a +mile from the station. If your mother and you could come +down on Tuesday or Wednesday, I should get a half-day off, and +you would be able to inspect it. Such a nice little lawn in +front, and garden behind. A conservatory, if you please, +dining-room and drawing-room. You can never assemble more +than four or five guests. On your at-home days, we shall +put up little placards as they do outside the theatres, +‘Drawing-room full,’ ‘Dining-room full,’ +‘Room in the Conservatory.’ There are two good +bedrooms, one large maid’s room, and a lumber-room. +One cook and one housemaid could run it beautifully. Rent +£50 on a three years’ lease—with taxes, about +£62. I think it was just built for us. Rupton +Hale says that we must be careful not to brush against the walls, +and that it would be safer to go outside to sneeze—but that +is only his fun.</p> +<p>What a dull, stupid letter! I do hope that I shall be in +good form on Saturday. I am a man of moods—worse +luck! and they come quite regardless of how I wish to be, or even +of how I have cause to be. I do hope that I shall make your +day bright for you—the last day that we shall have together +before <i>the</i> day. There have been times when I have +been such bad company to you, just when I wished to be at my +best. But you are always so sweet and patient and +soothing. Until Saturday, then, my own darling.—Ever +your lover,</p> +<p style="text-align: right"><span +class="smcap">Frank</span>.</p> +<p><i>P.S.</i>—I open this to tell you that such a gorgeous +fish-knife, with our monograms upon it, has just arrived from +Mrs. Preston, my father’s old friend. I went to the +Goldsmith’s Company in Regent Street yesterday afternoon, +and I bought—what do you think? It looks so beautiful +upon its snow-white cotton wadding. I like them very broad +and rather flat. I do hope you will think it all +right. It fills me with the strangest feelings when I look +at it. Come what may, foul weather or fair, sorrow or joy, +that little strip of gold will still be with us—we shall +see it until we can see no more.</p> +<p><i>P.P.S.</i>—Saturday! Saturday!! +Saturday!!!</p> +<h2><a name="page34"></a><span class="pagenum">p. 34</span>THE +TWO SOLOS</h2> +<p><span class="smcap">Their</span> tryst was at the Charing +Cross bookstall at one o’clock, and so Mr. Frank Crosse was +there at quarter-past twelve, striding impatiently up and down, +and stopping dead whenever a woman emerged from the entrance, +like a pointer dog before a partridge. Before he came he +had been haunted by the idea that possibly Maude might have an +impulse to come early—and what if she were to arrive and +not find him there! Every second of her company was so dear +to him, that when driving to meet her he had sometimes changed +from one cab to another upon the way, because the second seemed +to have the faster horse. But now that he was on the ground +he realised that she was very exact to her word, and that she +would neither be early nor late. And yet, in the illogical +fashion of a lover, he soon forgot that it was he who was too +soon, and he chafed and chafed as the minutes passed, until at +about quarter to one he was striding gloomily about with +despondent features and melancholy forebodings, imagining a +thousand miserable reasons for her inexplicable delay. A +good many people stared at him as they passed, and we may do so +among the number.</p> +<p>In person Frank Crosse was neither tall nor short, five feet +eight and a half to be exact, with the well-knit frame and +springy step of a young man who had been an athlete from his +boyhood. He was slim, but wiry, and carried his head with a +half-defiant backward slant which told of pluck and breed. +His face was tanned brown, in spite of his City hours, but his +hair and slight moustache were flaxen, and his eyes, which were +his best features, were of a delicate blue, and could vary in +expression from something very tender to something particularly +hard. He was an orphan, and had inherited nothing from his +parents save a dash of the artist from his mother. It was +not enough to help him to earn a living, but it transformed +itself into a keen appreciation and some ambitions in literature, +and it gave a light and shade to his character which made him +rather complex, and therefore interesting. His best friends +could not deny the shade, and yet it was but the shadow thrown by +the light. Strength, virility, emotional force, power of +deep feeling—these are traits which have to be paid +for. There was sometimes just a touch of the savage, or at +least there were indications of the possibility of a touch of the +savage, in Frank Crosse. His intense love of the open air +and of physical exercise was a sign of it. He left upon +women the impression, not altogether unwelcome, that there were +unexplored recesses of his nature to which the most intimate of +them had never penetrated. In those dark corners of the +spirit either a saint or a sinner might be lurking, and there was +a pleasurable excitement in peering into them, and wondering +which it was. No woman ever found him dull. Perhaps +it would have been better for him if they had, for his impulsive +nature had never been long content with a chilly +friendship. He was, as we may see, a man with a past, but +it <i>was</i> a past, now that Maude Selby had come like an angel +of light across the shadowed path of his life. In age he +was nearly twenty-seven.</p> +<p>There are one or two things which might be said for him which +he would not have said for himself. He was an only child +and an orphan, but he had adopted his grandparents, who had been +left penniless through his father’s death, and through all +his struggles he had managed to keep them happy and comfortable +in a little cottage in Worcestershire. Nor did he ever tell +them that he had a struggle—fearing lest it should make +their position painful; and so when their quarterly cheque +arrived, they took it as a kindly but not remarkable act of duty +upon the part of their wealthy grandson in the City, with no +suspicion as to the difference which their allowance was making +to him. Nor did he himself look upon his action as a +virtuous one, but simply as a thing which must obviously be +done. In the meantime, he had stuck closely to his work, +had won rapid promotion in the Insurance Office in which he had +started as junior clerk, had gained the goodwill of his superiors +through his frank, unaffected ways, and had been asked to play +for the second Surrey eleven at cricket. So without going +the length of saying that he was worthy of Maude Selby, one might +perhaps claim—if it could be done without endangering that +natural modesty which was one of his charms—that he was as +worthy as any other young man who was available.</p> +<p>That unfortunate artistic soul of his, which had been in the +tropics of expectation, and was now in the arctic of reaction, +had just finally settled down to black despair, with a grim +recognition of the fact that Maude had certainly and absolutely +given him up, when one boomed from the station clock, and on the +very stroke she hurried on to the platform. How could he +have strained his eyes after other women, as if a second glance +were ever needed when it was really she! The perfectly +graceful figure, the trimness and neatness of it, the beautiful +womanly poise of the head, the quick elastic step, he could have +sworn to her among ten thousand. His heart gave a bound at +the sight of her, but he had the English aversion to giving +himself away, and so he walked quickly forward to meet her with +an impassive face, but with a look in his eyes which was all that +she wanted.</p> +<p>‘How are you?’</p> +<p>‘How do you do?’</p> +<p>He stood for a few moments looking at her in silence. +She had on the dress which he loved so much, a silver-grey merino +skirt and jacket, with a blouse of white pongee silk showing in +front. Some lighter coloured trimming fringed the +cloth. She wore a grey toque, with a dash of white at the +side, and a white veil which softened without concealing the dark +brown curls and fresh girlish face beneath it. Her gloves +were of grey suède, and the two little pointed tan shoes +peeping from the edge of her skirt were the only touches of a +darker tint in her attire. Crosse had the hereditary +artist’s eye, and he could only stand and stare and enjoy +it. He was filled with admiration, with reverence, and with +wonder that this perfect thing should really proclaim itself to +be all his own. Whatever had he done, or could he do, to +deserve it?</p> +<p>She looked up at him in a roguish sidelong way, with the +bright mischievous smile which was one of her charms.</p> +<p>‘Well, sir, do you approve?’</p> +<p>‘By Jove, it is splendid—beautiful!’</p> +<p>‘So glad! I hoped you would, since you are so fond +of greys. Besides, it is cooler in this weather. I +hope you have not been waiting.’</p> +<p>‘Oh no, that’s all right.’</p> +<p>‘You looked so solemn when first I saw you.’</p> +<p>‘Did I?’</p> +<p>‘And then you just jumped.’</p> +<p>‘Did I? I’m sorry.’</p> +<p>‘Why?’</p> +<p>‘I don’t know. I like our feelings to be our +very very own, and never to show them to any one else at +all. I dare say it is absurd, but that is my +instinct.’</p> +<p>‘Never mind, dear, it wasn’t such a big jump as +all that. Where are we going?’</p> +<p>‘Come here, Maude, into the waiting-room.’</p> +<p>She followed him into the gloomy, smoky, dingy room. +Bare yellow benches framed an empty square of brown +linoleum. A labouring man with his wife and a child sat +waiting with the stolid patience of the poor in one corner. +They were starting on some Saturday afternoon excursion, and had +mistimed their train. Maude Selby and Frank Crosse took the +other corner. He drew a jeweller’s box from his +pocket and removed the lid. Something sparkled among the +wadding.</p> +<p>‘O Frank! Is that really it?’</p> +<p>‘Do you like it?’</p> +<p>‘What a broad one it is! Mother’s is quite +thin.’</p> +<p>‘They wear thin in time.’</p> +<p>‘It is beautiful. Shall I try it on?’</p> +<p>‘No, don’t. There is some superstition about +it.’</p> +<p>‘But suppose it won’t fit?’</p> +<p>‘That is quite safe. I measured it with your +sapphire ring.’</p> +<p>‘I haven’t half scolded you enough about that +sapphire ring. How could you go and give twenty-two guineas +for a ring?—oh yes, sir, that was the price, for I saw a +duplicate yesterday in the Goldsmith’s Company. You +dear extravagant old boy!’</p> +<p>‘I had saved the money.’</p> +<p>‘But not for that!’</p> +<p>‘For nothing half or quarter as important. But I +had the other to the same size, so it is sure to fit.’</p> +<p>Maude had pushed up her veil, and sat with the little golden +circlet in her hand, looking down at it, while the dim watery +London sunlight poured through the window, and tagged all her +wandering curls with a coppery gleam. It was a face +beautiful in itself, but more beautiful for its +expression—sensitive, refined, womanly, full of innocent +archness and girlish mischief, but with a depth of expression in +the eyes, and a tender delicacy about the mouth, which spoke of a +great spirit with all its capacities for suffering and devotion +within. The gross admirer of merely physical charms might +have passed her over unnoticed. So might the man who is +attracted only by outward and obvious signs of character. +But to the man who could see, to the man whose own soul had +enough of spirituality to respond to hers, and whose eye could +appreciate the subtlety of a beauty which is of the mind as well +as of the body, there was not in all wide London upon that +midsummer day a sweeter girl than Maude Selby, as she sat in her +grey merino dress with the London sun tagging her brown curls +with that coppery glimmer.</p> +<p>She handed back the ring, and a graver expression passed over +her mobile face.</p> +<p>‘I feel as you said in your letter, Frank. There +<i>is</i> something tragic in it. It will be with me for +ever. All the future will arrange itself round that little +ring.’</p> +<p>‘Are you afraid of it?’</p> +<p>‘Afraid!’ her grey glove rested for an instant +upon the back of his hand. ‘I <i>couldn’t</i> +be afraid of anything if you were with me. It is really +extraordinary, for by nature I am so easily frightened. But +if I were with you in a railway accident or anywhere, it would be +just the same. You see I become for the time part of you, +as it were, and you are brave enough for two.’</p> +<p>‘I don’t profess to be so brave as all +that,’ said Frank. ‘I expect I have as many +nerves as my neighbours.’</p> +<p>Maude’s grey toque nodded up and down. ‘I +know all about that,’ said she.</p> +<p>‘You have such a false idea of me. It makes me +happy at the time and miserable afterwards, for I feel such a +rank impostor. You imagine me to be a hero, and a genius, +and all sorts of things, while I <i>know</i> that I am about as +ordinary a young fellow as walks the streets of London, and no +more worthy of you than—well, than any one else +is.’</p> +<p>She laughed with shining eyes.</p> +<p>‘I like to hear you talk like that,’ said +she. ‘That is just what is so beautiful about +you.’</p> +<p>It is hopeless to prove that you are not a hero when your +disclaimers are themselves taken as a proof of heroism. +Frank shrugged his shoulders.</p> +<p>‘I only hope you’ll find me out gradually and not +suddenly,’ said he. ‘Now, Maude, we have all +day and all London before us. What shall we do? I +want you to choose.’</p> +<p>‘I am quite happy whatever we do. I am content to +sit here with you until evening.’</p> +<p>Her idea of a happy holiday set them both laughing.</p> +<p>‘Come along,’ said he, ‘we shall discuss it +as we go.’</p> +<p>The workman’s family was still waiting, and Maude handed +the child a shilling as she went out. She was so happy +herself that she wanted every one else to be happy also. +The people turned to look at her as she passed. With the +slight flush upon her cheeks and the light in her eyes, she +seemed the personification of youth, and life, and love. +One tall old gentleman started as he looked, and watched her with +a rapt face until she disappeared. Some cheek had flushed +and some eye had brightened at his words once, and sweet old days +had for an instant lived again.</p> +<p>‘Shall we have a cab?’</p> +<p>‘O Frank, we must learn to be economical. Let us +walk.’</p> +<p>‘I can’t and won’t be economical +to-day.’</p> +<p>‘There now! See what a bad influence I have upon +you.’</p> +<p>‘Most demoralising! But we have not settled yet +where we are to go to.’</p> +<p>‘What <i>does</i> it matter, if we are +together?’</p> +<p>‘There is a good match at the Oval, the Australians +against Surrey. Would you care to see that?’</p> +<p>‘Yes, dear, if you would.’</p> +<p>‘And there are matinées at all the +theatres.’</p> +<p>‘You would rather be in the open air.’</p> +<p>‘All I want is that you should enjoy +yourself.’</p> +<p>‘Never fear. I shall do that.’</p> +<p>‘Well, then, first of all I vote that we go and have +some lunch.’</p> +<p>They started across the station yard, and passed the beautiful +old stone cross. Among the hansoms and the four-wheelers, +the hurrying travellers, and the lounging cabmen, there rose that +lovely reconstruction of mediævalism, the pious memorial of +a great Plantagenet king to his beloved wife.</p> +<p>‘Six hundred years ago,’ said Frank, as they +paused and looked up, ‘that old stone cross was completed, +with heralds and armoured knights around it to honour her whose +memory was honoured by the king. Now the corduroyed porters +stand where the knights stood, and the engines whistle where the +heralds trumpeted, but the old cross is the same as ever in the +same old place. It is a little thing of that sort which +makes one realise the unbroken history of our country.’</p> +<p>Maude insisted upon hearing about Queen Eleanor, and Frank +imparted the little that he knew as they walked out into the +crowded Strand.</p> +<p>‘She was Edward the First’s wife, and a splendid +woman. It was she, you remember, who sucked the wound when +he was stabbed with a poisoned dagger. She died somewhere +in the north, and he had the body carried south to bury it in +Westminster Abbey. Wherever it rested for a night he built +a cross, and so you have a line of crosses all down England to +show where that sad journey was broken.’</p> +<p>They had turned down Whitehall, and passed the big cuirassiers +upon their black chargers at the gate of the Horse Guards. +Frank pointed to one of the windows of the old +banqueting-hall.</p> +<p>‘You’ve seen a memorial of a queen of +England,’ said he. ‘That window is the memorial +of a king.’</p> +<p>‘Why so, Frank?’</p> +<p>‘I believe that it was through that window that Charles +the First passed out to the scaffold when his head was cut +off. It was the first time that the people had ever shown +that they claimed authority over their king.’</p> +<p>‘Poor fellow!’ said Maude. ‘He was so +handsome, and such a good husband and father.’</p> +<p>‘It is the good kings who may be the dangerous +ones.’</p> +<p>‘O Frank!’</p> +<p>‘If a king thinks only of pleasure, then he does not +interfere with matters of state. But if he is +conscientious, he tries to do what he imagines to be his duty, +and so he causes trouble. Look at Charles, for +example. He was a very good man, and yet he caused a civil +war. George the Third was a most exemplary character, but +his stupidity lost us America, and nearly lost us Ireland. +They were each succeeded by thoroughly bad men, who did far less +harm.’</p> +<p>They had reached the end of Whitehall, and the splendid +panorama of Westminster Abbey and the Houses of Parliament lay +before them. The most stately of ancient English buildings +was contrasted with the most beautiful of modern ones. How +anything so graceful came to be built by this tasteless and +utilitarian nation must remain a marvel to the traveller. +The sun was shining upon the gold-work of the roof, and the grand +towers sprang up amid the light London haze, like some gorgeous +palace in a dream. It was a fit centre for the rule to +whose mild sway one-fifth of the human race acquiesces—a +rule upheld by so small a force that only the consent of the +governed can sustain it.</p> +<p>Frank and Maude stood together looking up at it.</p> +<p>‘How beautiful it is!’ she cried. ‘How +the gilding lights up the whole building!’</p> +<p>‘And how absurd it is not to employ it more in our +gloomy London architecture!’ said Frank. +‘Imagine how grand a gilded dome of St. Paul’s would +look, hanging like a rising sun over the City. But here is +our restaurant, Maude, and Big Ben says that it is a quarter to +two.</p> +<h2><a name="page48"></a><span class="pagenum">p. 48</span>IN +BRITAIN’S VALHALLA</h2> +<p><span class="smcap">They</span> had discussed the rooms in +their new house, and the bridesmaids’ dresses, and +Maude’s cooking, and marriage-presents, and the merits of +Brighton, and the nature of love, and volleying at tennis (Maude +was the lady-champion of a tennis club), and season tickets, and +the destiny of the universe—to say nothing of a small +bottle of Perrier Jouet. It was reprehensibly extravagant, +but this would be their last unmarried excursion, and so they +drank to the dear days of the past, and the dearer ones of the +future. Good comrades as well as lovers, they talked +freely, and with pleasure. Frank never made the common +mistake of talking down, and Maude justified his confidence by +eagerly keeping up. To both of them silence was preferable +to conventional small talk.</p> +<p>‘We’ll just get down there after lunch,’ +said Frank, as he paid his bill. ‘You have not seen +the Australians, have you?’</p> +<p>‘Yes, dear, I saw them at Clifton four years +ago.’</p> +<p>‘But this is a new lot. There are nine of the +present team who have never played in England before.’</p> +<p>‘They are very good, are they not?’</p> +<p>‘Very good indeed. And the dry summer has helped +them. It is the sticky English wickets which put them +off. The wickets are very fast over there. Giffen is +their best all-round man, but Darling and Iredale and young Hill +are good enough for anything. Well, then—O Lord, what +a pity!’</p> +<p>He had turned towards the window as he rose, and saw one of +those little surprises by which Nature relieves the monotony of +life in these islands. The sun had gone, a ragged +slate-coloured cloud was drifting up from over the river, and the +rain was falling with a soft persistency which is more fatal than +the most boisterous shower. There would be no more cricket +that day.</p> +<p>‘Two coffees and two benedictines,’ cried Frank, +and they relapsed into their chairs. But a half-hour passed +and the grey cloud was thicker and the rain more heavy. The +cheerless leaden river flowed slowly under drifting skies. +Beyond an expanse of shining pavement the great black Abbey +towered amidst the storm.</p> +<p>‘Have you ever done the Abbey, Maude?’</p> +<p>‘No, Frank; I should love to.’</p> +<p>‘I have only been once—more shame to me to say +so! Is it not a sin that we young Englishmen should be +familiar with every music-hall in London and should know so +little of this which is the centre of the British race, the most +august and tremendous monument that ever a nation owned. +Six hundred years ago the English looked upon it as their holiest +and most national shrine, and since then our kings and our +warriors and our thinkers and our poets have all been laid there, +until there is such an accumulation that the huge Abbey has +hardly space for another monument. Let us spend an hour +inside it.’</p> +<p>They made for Solomon’s porch, since it was the nearest +and they had but the one umbrella. Under its shelter they +brushed themselves dry before they entered.</p> +<p>‘Whom does the Abbey belong to, Frank?’</p> +<p>‘To you and me!’</p> +<p>‘Now you are joking!’</p> +<p>‘Not at all. It belongs in the long-run to the +British taxpayer. You have heard the story of the Scotch +visitor who came on board one of our battleships and asked to see +the captain. “Who shall I say?” said the +sentry. “One of the proprietors,” said the +Scotchman. That’s <i>our</i> position towards the +Abbey. Let us inspect our property.’</p> +<p>They were smiling as they entered, but the smile faded from +their lips as the door closed behind them. In this holy of +holies, this inner sanctuary of the race, there was a sense of +serene and dignified solemnity which would have imposed itself +upon the most thoughtless. Frank and Maude stood in mute +reverence. The high arches shot up in long rows upon either +side of them, straight and slim as beautiful trees, until they +curved off far up near the clerestory and joined their sister +curves to form the lightest, most delicate tracery of +stone. In front of them a great rose-window of stained +glass, splendid with rich purples and crimsons, shone through a +subdued and reverent gloom. Here and there in the aisles a +few spectators moved among the shadows, but all round along the +walls two and three deep were ranged the illustrious dead, the +perishable body within, the lasting marble without, and the more +lasting name beneath. It was very silent in the home of the +great dead—only a distant footfall or a subdued murmur here +and there. Maude knelt down and sank her face in her +hands. Frank prayed also with that prayer which is a +feeling rather than an utterance.</p> +<p>Then they began to move round the short transept in which they +found themselves—a part of the Abbey reserved for the great +statesmen. Frank tried to quote the passage in which +Macaulay talks about the men worn out by the stress and struggle +of the neighbouring parliament-hall, and coming hither for peace +and rest. Here were the men who had been strong enough to +grasp the helm, and who, sometimes wisely, sometimes foolishly, +but always honestly, had tried to keep the old ship before the +wind. Canning and Peel were there, with Pitt, Fox, Grattan +and Beaconsfield. Governments and oppositions moulder +behind the walls. Beaconsfield alone among all the statues +showed the hard-lined face of the self-made man. These +others look so plump and smooth one can hardly realise how strong +they were, but they sprang from those ruling castes to whom +strength came by easy inheritance. Frank told Maude the +little which he knew of each of them—of Grattan, the +noblest Irishman of them all, of Castlereagh, whose coffin was +pursued to the gates of the Abbey by a raging mob who wished to +tear out his corpse, of Fox the libertine philosopher, of +Palmerston the gallant sportsman, who rode long after he could +walk. They marvelled together at the realism of the +sculptor who had pitted Admiral Warren with the smallpox, and at +the absurdity of that other one who had clad Robert Peel in a +Roman toga.</p> +<p>Then turning to the right at the end of the Statesmen’s +Transept, they wandered aimlessly down the huge nave. It +was overwhelming, the grandeur of the roof above and of the +contents below. Any one of hundreds of these tombs was +worth a devout pilgrimage, but how could one raise his soul to +the appreciation of them all. Here was Darwin who +revolutionised zoology, and here was Isaac Newton who gave a new +direction to astronomy. Here were old Ben Jonson, and +Stephenson the father of railways, and Livingstone of Africa, and +Wordsworth, and Kingsley, and Arnold. Here were the +soldiers of the mutiny—Clyde and Outram and +Lawrence,—and painters, and authors, and surgeons, and all +the good sons who in their several degrees had done loyal service +to the old mother. And when their service was done the old +mother had stretched out that long arm of hers and had brought +them home, and always for every good son brought home she had +sent another forth, and her loins were ever fruitful, and her +children loving and true. Go into the Abbey and think, and +as the nation’s past is borne in upon you, you will have no +fear for its future.</p> +<p>Frank was delighted with some of the monuments and horrified +by others, and he communicated both his joy and his anger to +Maude. They noticed together how the moderns and the +Elizabethans had much in common in their types of face, their way +of wearing the hair, and their taste in monuments, while between +them lie the intolerable affectations—which culminated +towards the end of last century.</p> +<p>‘It all rings false—statue, inscription, +everything,’ said Frank. ‘These insufferable +allegorical groups sprawling round a dead hero are of the same +class as the pompous and turgid prose of Doctor Johnson. +The greatest effects are the simplest effects, and so it always +was and so it always will be. But that little bit of Latin +is effective, I confess.’</p> +<p>It was a very much defaced inscription underneath a battered +Elizabethan effigy, whose feet had been knocked off, and whose +features were blurred into nothing. Two words of the +inscription had caught Frank’s eye.</p> +<p>‘<i>Moestissima uxor</i>! It was his “most +sad wife” who erected it! Look at it now! The +poor battered monument of a woman’s love. Now, Maude, +come with me, and we shall visit the famous Poets’ +Corner.’</p> +<p>What an assembly it would be if at some supreme day each man +might stand forth from the portals of his tomb. Tennyson, +the last and almost the greatest of that illustrious line, lay +under the white slab upon the floor. Maude and Frank stood +reverently beside it.</p> +<blockquote><p>‘“Sunset and evening Star<br /> +And one clear call for me.”’</p> +</blockquote> +<p>Frank quoted. ‘What lines for a very old man to +write! I should put him second only to Shakespeare had I +the marshalling of them.’</p> +<p>‘I have read so little,’ said Maude.</p> +<p>‘We will read it all together after next week. But +it makes your reading so much more real and intimate when you +have stood at the grave of the man who wrote. That’s +Chaucer, the big tomb there. He is the father of British +poetry. Here is Browning beside Tennyson—united in +life and in death. He was the more profound thinker, but +music and form are essential also.’</p> +<p>‘What a splendid face!’ cried Maude.</p> +<p>‘It is a bust to Longfellow, the American.’ +They read the inscription. ‘This bust was placed +among the memorials of the poets of England by English admirers +of an American poet.’</p> +<p>‘I am so glad to have seen that. I know his poems +so well,’ said Maude.</p> +<p>‘I believe he is more read than any poet in +England.’</p> +<p>‘Who is that standing figure?’</p> +<p>‘It is Dryden. What a clever face, and what a +modern type. Here is Walter Scott beside the door. +How kindly and humorous his expression was! And see how +high his head was from the ear to the crown. It was a great +brain. There is Burns, the other famous Scot. +Don’t you think there is a resemblance between the +faces? And here are Dickens, and Thackeray, and +Macaulay. I wonder whether, when Macaulay was writing his +essays, he had a premonition that he would be buried in +Westminster Abbey. He is continually alluding to the Abbey +and its graves. I always think that we have a vague +intuition as to what will occur to us in life.’</p> +<p>‘We can guess what is probable.’</p> +<p>‘It amounts to more than that. I had an intuition +that I should marry you from the first day that I saw you, and +yet it did not seem probable. But deep down in my soul I +knew that I should marry you.’</p> +<p>‘I knew that I should marry you, Frank, or else that I +should never marry at all.’</p> +<p>‘There now! We both had it. Well, that +<i>is</i> really wonderful!’</p> +<p>They stood among the memorials of all those great people, +marvelling at the mysteries of their own small lives. A +voice at their elbows brought them back to the present.</p> +<p>‘This way, if you please, for the kings,’ said the +voice. ‘They are now starting for the +kings.’</p> +<p>‘They’ proved to be a curiously mixed little group +of people who were waiting at the entrance through the enclosure +for the arrival of the official guide. There were a tall +red-bearded man with a very Scotch accent and a small gentle +wife, also an American father with his two bright and +enthusiastic daughters, a petty-officer of the navy in his +uniform, two young men whose attention was cruelly distracted +from the monuments by the American girls, and a dozen other +travellers of various sexes and ages. Just as Maude and +Frank joined them the guide, a young fresh-faced fellow, came +striding up, and they passed through the opening into the royal +burying-ground.</p> +<p>‘This way, ladies and gentlemen,’ cried the +hurrying guide, and they all clattered over the stone +pavement. He stopped beside a tomb upon which a lady with a +sad worn face was lying. ‘Mary, Queen of +Scots,’ said he, ‘the greatest beauty of her +day. This monument was erected by her son, James the +First.’</p> +<p>‘Isn’t she just perfectly sweet?’ said one +of the American girls.</p> +<p>‘Well, I don’t know. I expected more of her +than that,’ the other answered.</p> +<p>‘I reckon,’ remarked the father, ‘that if +any one went through as much as that lady did, it would not tend +to improve her beauty. Now what age might the lady be, +sir?’</p> +<p>‘Forty-four years of age at the time of her +execution,’ said the guide.</p> +<p>‘Ah weel, she’s young for her years,’ +muttered the Scotchman, and the party moved on. Frank and +Maude lingered to have a further look at the unfortunate +princess, the bright French butterfly, who wandered from the +light and warmth into that grim country, a land of blood and of +psalms.</p> +<p>‘She was as hard as nails under all her gentle +grace,’ said Frank. ‘She rode eighty miles and +hardly drew rein after the battle of Langside.’</p> +<p>‘She looks as if she were tired, poor dear!’ said +Maude; ‘I don’t think that she was sorry to be at +rest.’</p> +<p>The guide was narrating the names of the owners of the tombs +at the further end of the chapel. ‘Queen Anne is +here, and Mary the wife of William the Third is beside her. +And here is William himself. The king was very short and +the queen very tall, so in the sculptures the king is depicted +standing upon a stool so as to bring their heads level. In +the vaults beyond there are thirty-eight Stuarts.’</p> +<p>Thirty-eight Stuarts! Princes, bishops, generals, once +the salt of the earth, the mightiest of men, and now lumped +carelessly together as thirty-eight Stuarts. So Death the +Republican and Time the Radical can drag down the highest from +his throne.</p> +<p>They had followed the guide into another small chapel, which +bore the name of Henry VII. upon the door. Surely they were +great builders and great designers in those days! Had stone +been as pliable as wax it could not have been twisted and curved +into more exquisite spirals and curls, so light, so delicate, so +beautiful, twining and turning along the walls, and drooping from +the ceiling. Never did the hand of man construct anything +more elaborately ornate, nor the brain of man think out a design +more absolutely harmonious and lovely. In the centre, with +all the pomp of mediæval heraldry, starred and spangled +with the Tudor badges, the two bronze figures of Henry and his +wife lay side by side upon their tomb. The guide read out +the quaint directions in the king’s will, by which they +were to be buried ‘with some respect to their Royal +dignity, but avoiding damnable pomp and outrageous +superfluities!’ There was, as Frank remarked, a fine +touch of the hot Tudor blood in the adjectives. One could +guess where Henry the Eighth got his masterful temper. Yet +it was an ascetic and priest-like face which looked upwards from +the tomb.</p> +<p>They passed the rifled tombs of Cromwell, Blake, and +Ireton—the despicable revenge of the men who did not dare +to face them in the field,—and they marked the grave of +James the First, who erected no monument to himself, and so +justified in death the reputation for philosophy which he had +aimed at in his life. Then they inspected the great tomb of +Villiers, Duke of Buckingham, as surprising and as magnificent as +his history, cast a glance at the covering of plucky little +George the Second, the last English king to lead his own army +into battle, and so onwards to see the corner of the Innocents, +where rest the slender bones of the poor children murdered in the +Tower.</p> +<p>But now the guide had collected his little flock around him +again, with the air of one who has something which is not to be +missed. ‘You will stand upon the step to see the +profile,’ said he, as he indicated a female figure upon a +tomb. ‘It is the great Queen Elizabeth.’</p> +<p>It was a profile and a face worth seeing—the face of a +queen who was worthy of her Shakespeares upon the land and her +Drakes upon the sea. Had the Spanish king seen her, he +would have understood that she was not safe to attack—this +grim old lady with the eagle nose and the iron lips. You +could understand her grip upon her cash-box, you could explain +her harshness to her lovers, you could realise the confidence of +her people, you could read it all in that wonderful face.</p> +<p>‘She’s splendid,’ said Frank.</p> +<p>‘She’s terrible,’ said Maude.</p> +<p>‘Did I understand you to say, sir,’ asked the +American, ‘that it was this lady who beheaded the other +lady, Queen of Scotland, whom we saw ’way back in the other +compartment?’</p> +<p>‘Yes, sir, she did.’</p> +<p>‘Well, I guess if there was any beheading to be done, +this was the lady to see that it was put through with promptness +and despatch. Not a married lady, I gather?’</p> +<p>‘No, sir.’</p> +<p>‘And a fortunate thing for somebody. That +woman’s husband would have a mean time of it, sir, in my +opinion.’</p> +<p>‘Hush, poppa,’ said the two daughters, and the +procession moved on. They were entering the inner chapel of +all, the oldest and the holiest, in which, amid the ancient +Plantagenet kings, there lies that one old Saxon monarch, +confessor and saint, the holy Edward, round whose honoured body +the whole of this great shrine has gradually risen. A +singular erection once covered with mosaic work, but now bare and +gaunt, stood in the centre.</p> +<p>‘The body of Edward the Confessor is in a case up at the +top,’ said the guide. ‘This hollow place below +was filled with precious relics, and the pilgrims used to kneel +in these niches, which are just large enough to hold a man upon +his knees. The mosaic work has been picked out by the +pilgrims.’</p> +<p>‘What is the date of the shrine?’ asked Frank.</p> +<p>‘About 1250, sir. The early kings were all buried +as near to it as they could get, for it was their belief in those +days that the devil might carry off the body, and so the nearer +they got to the shrine the safer they felt. Henry the +Fifth, who won the battle of Agincourt, is there. Those are +the actual helmet, shield, and saddle which he used in the battle +upon the crossbeam yonder. That king with the grave face +and the beard is Edward the Third, the father of the Black +Prince. The Black Prince never lived to ascend the throne, +but he was the father of the unfortunate Richard the Second, who +lies here—this clean-shaven king with the sharp +features. Now, ladies and gentlemen, if you will turn this +way, I will show you one of the most remarkable objects in the +Abbey.’</p> +<p>The object in question proved to be nothing more singular than +a square block of stone placed under an old chair. And yet +as the guide continued to speak, they felt that he had justified +his words.</p> +<p>‘This is the sacred stone of Scone upon which the kings +of Scotland have been crowned from time immemorial. When +Edward the First overran Scotland 600 years ago, he had it +brought here, and since then every monarch of England has also +sat upon it when crowned.’</p> +<p>‘The present Queen?’ asked some one.</p> +<p>‘Yes, she also. The legend was that it was the +stone upon which Jacob rested his head when he dreamed, but the +geologists have proved that it is red sandstone of +Scotland.’</p> +<p>‘Then I understand, sir, that this other throne is the +Scottish throne,’ said the American gentleman.</p> +<p>‘No, sir, the Scottish throne and the English throne are +the same throne. But at the time of William and Mary it was +necessary to crown her as well as him, and so a second throne was +needed. But that of course was modern.’</p> +<p>‘Only a couple of hundred years ago. I wonder they +let it in. But I guess they might have taken better care of +it. Some one has carved his name upon it.’</p> +<p>‘A Westminster boy bet his schoolfellows that he would +sleep among the tombs, and to prove that he had done it, he +carved his name upon the throne.’</p> +<p>‘You don’t say!’ cried the American. +‘Well, I guess that boy ended pretty high up.’</p> +<p>‘As high as the gallows, perhaps,’ said Frank, and +every one tittered, but the guide hurried on with a grave face, +for the dignity of the Abbey was in his keeping.</p> +<p>‘This tomb is that of Queen Eleanor,’ said he.</p> +<p>Frank twitched Maude by the sleeve. ‘Eleanor of +Charing Cross,’ said he. ‘See how one little +bit of knowledge links on with another.’</p> +<p>‘And here is the tomb of her husband, Edward the +First. It was he who brought the stone from Scone. At +the time of his death the conquest of Scotland was nearly done, +and he gave orders that his burial should be merely temporary +until Scotland was thoroughly subdued. He is still, as you +perceive, in his temporary tomb.’</p> +<p>The big Scotchman laughed loudly and derisively. All the +others looked sadly at him with the pitying gaze which the +English use towards the more excitable races when their emotion +gets the better of them. A stream from a garden hose could +not have damped him more.</p> +<p>‘They opened the grave last century,’ said the +guide. ‘Inside was an inscription, which said, +“Here lies the hammer of the Scots.” He was a +fine man, six feet two inches from crown to sole.’</p> +<p>They wandered out of the old shrine where the great +Plantagenet kings lie like a bodyguard round the Saxon +saint. Abbots lay on one side of them as they passed, and +dead crusaders with their legs crossed, upon the other. And +then, in an instant, they were back in comparatively modern times +again.</p> +<p>‘This is the tomb of Wolfe, who died upon the Heights of +Abraham,’ said the guide. ‘It was due to him +and to his soldiers that all America belongs to the +English-speaking races. There is a picture of his +Highlanders going up to the battle along the winding path which +leads from Wolfe’s Cove. He died in the moment of +victory.’</p> +<p>It was bewildering, the way in which they skipped from age to +age. The history of England appeared to be not merely +continuous, but simultaneous, as they turned in an instant from +the Georgian to the Elizabethan, the one monument as well +preserved as the other. They passed the stately de Vere, +his armour all laid out in fragments upon a marble slab, as a +proof that he died at peace with all men; and they saw the +terrible statue of the onslaught of Death, which, viewed in the +moonlight, made a midnight robber drop his booty and fly +panic-stricken out of the Abbey. So awful and yet so +fascinating is it, that the shuffling feet of the party of +sightseers had passed out of hearing before Maude and Frank could +force themselves away from it.</p> +<p>In the base of the statue is an iron door, which has been +thrown open, and the sculptor’s art has succeeded +wonderfully in convincing you that it has been thrown open +violently. The two leaves of it seem still to quiver with +the shock, and one could imagine that one heard the harsh clang +of the metal. Out of the black opening had sprung a +dreadful thing, something muffled in a winding-sheet, one bony +hand clutching the edge of the pedestal, the other upraised to +hurl a dart at the woman above him. She, a young bride of +twenty-seven, has fallen fainting, while her husband, with horror +in his face, is springing forward, his hand outstretched, to get +between his wife and her loathsome assailant.</p> +<p>‘I shall dream of this,’ said Maude. She had +turned pale, as many a woman has before this monument.</p> +<p>‘It is awful!’ Frank walked backwards, +unable to take his eyes from it. ‘What pluck that +sculptor had! It is an effect which must be either +ludicrous or great, and he has made it great.’</p> +<p>‘Roubillac is his name,’ said Maude, reading it +from the pedestal.</p> +<p>‘A Frenchman, or a man of French descent. +Isn’t that characteristic! In the whole great Abbey +the one monument which has impressed us with its genius and +imagination is by a foreigner. We haven’t got it in +us. We are too much afraid of letting ourselves go and of +giving ourselves away. We are heavy-handed and +heavy-minded.’</p> +<p>‘If we can’t produce the monuments, we can produce +the men who deserve them,’ said Maude, and Frank wrote the +aphorism down upon his shirt-cuff.</p> +<p>‘We are too severe both in sculpture and +architecture,’ said he. ‘More fancy and vigour +in our sculptors, more use of gold and more ornament in our +architects—that is what we want. But I think it is +past praying for. It would be better to subdivide the work +of the world, according to the capacity of the different +nations. Let Italy and France embellish us. We might +do something in exchange—organise the French colonies, +perhaps, or the Italian exchequer. That is our legitimate +work, but we will never do anything at the other.’</p> +<p>The guide had already reached the end of his round, an iron +gate corresponding to that by which they had entered, and they +found him waiting impatiently and swinging his keys. But +Maude’s smile and word of thanks as she passed him brought +content into his face once more. A ray of living sunshine +is welcome to the man who spends his days among the tombs.</p> +<p>They walked down the North Transept and out through +Solomon’s Porch. The rain-cloud had swept over, and +the summer sun was shining upon the wet streets, turning them all +to gold. This might have been that fabled London of which +young Whittington dreamed. In front of them lay the lawns +of vivid green, with the sunlit raindrops gleaming upon the +grass. The air was full of the chirping of the +sparrows. Across their vision, from the end of Whitehall to +Victoria Street, the black ribbon of traffic whirled and circled, +one of the great driving-belts of the huge city. Over it +all, to their right, towered those glorious Houses of Parliament, +the very sight of which made Frank repent his bitter words about +English architecture. They stood in the old porch gazing at +the scene. It was so wonderful to come back at one stride +from the great country of the past to the greater country of the +present. Here was the very thing which these dead men lived +and died to build.</p> +<p>‘It’s not much past three,’ said +Frank. ‘What a gloomy place to take you to! +Good heavens, we have one day together, and I take you to a +cemetery! Shall we go to a matinée to counteract +it?’</p> +<p>But Maude laid her hand upon his arm.</p> +<p>‘I don’t think, Frank, that I was ever more +impressed, or learned more in so short a time, in my life. +It was a grand hour—an hour never to be forgotten. +And you must not think that I am ever with you to be +amused. I am with you to accompany you in whatever seems to +you to be highest and best. Now before we leave the dear +old Abbey, promise me that you will always live your own highest +and never come down to me.’</p> +<p>‘I can very safely promise that I will never come down +to you,’ said Frank. ‘I may climb all my life, +and yet there are parts of your soul which will be like +snow-peaks in the clouds to me. But you will be now and +always my own dear comrade as well as my sweetest wife. And +now, Maude, what shall it be, the theatre or the +Australians?’</p> +<p>‘Do you wish to go to either very much?’</p> +<p>‘Not unless you do.’</p> +<p>‘Well, then, I feel as if either would be a +profanation. Let us walk together down to the Embankment, +and sit on one of the benches there, and watch the river flowing +in the sunshine, and talk and think of all that we have +seen.’</p> +<h2><a name="page71"></a><span class="pagenum">p. 71</span>TWO +SOLOS AND A DUET</h2> +<p><span class="smcap">The</span> night before the wedding, Frank +Crosse and his best man, Rupton Hale, dined at the Raleigh Club +with Maude’s brother, Jack Selby, who was a young +lieutenant in a Hussar regiment. Jack was a horsy, slangy +young sportsman who cared nothing about Frank’s worldly +prospects, but had given the match his absolute approval from the +moment that he realised that his future brother had played for +the Surrey Second. ‘What more can you want?’ +said he. ‘You won’t exactly be a Mrs. W. G., +but you will be on the edge of first-class cricket.’ +And Maude, who rejoiced in his approval, without quite +understanding the grounds for it, kissed him, and called him the +best of brothers.</p> +<p>The marriage was to be at eleven o’clock at St. +Monica’s Church, and the Selbys were putting up at the +Langham. Frank stayed at the Metropole, and so did Rupton +Hale. They were up early, their heads and nerves none the +better for Jack Selby’s hospitality of the night +before.</p> +<p>Frank could eat no breakfast, and he shunned publicity in his +wedding-garments, so they remained in the upstairs +sitting-room. He stood by the window, drumming his fingers +upon the pane, and looking down into Northumberland Avenue. +He had often pictured this day, and associated it with sunshine +and flowers and every emblem of joy. But Nature had not +risen to the occasion. A thick vapour, half smoke half +cloud, drifted along the street, and a thin persistent rain was +falling steadily. It pit-patted upon the windows, splashed +upon the sills, and gurgled in the water-pipes. Far down +beneath him on the drab-coloured slimy road stood the lines of +wet cabs, looking like beetles with glistening backs. Round +black umbrellas hurried along the shining pavements. A +horse had fallen at the door of the Constitutional Club, and an +oil-skinned policeman was helping the cabman to raise it. +Frank watched it until the harness had been refastened, and it +had vanished into Trafalgar Square. Then he turned and +examined himself in the mirror. His trim black frock-coat +and pearl grey trousers set off his alert athletic figure to +advantage. His glossy hat, too, his lavender gloves, and +dark-blue tie, were all absolutely irreproachable. And yet +he was not satisfied with himself. Maude ought to have +something better than that. What a fool he had been to take +so much wine last night! On this day of all days in their +lives she surely had a right to find him at his best. He +was restless, and his nerves were all quivering. He would +have given anything for a cigarette, but he did not wish to scent +himself with tobacco. He had cut himself in shaving, and +his nose was peeling from a hot day on the cricket-field. +What a silly thing to expose his nose to the sun before his +wedding! Perhaps when Maude saw it she would—well, +she could hardly break it off, but at least she might be ashamed +of him. He worked himself into a fever over that +unfortunate nose.</p> +<p>‘You are off colour, Crosse,’ said his best +man.</p> +<p>‘I was just thinking that my nose was. It’s +very kind of you to come and stand by me.’</p> +<p>‘That’s all right. We shall see it through +together.’</p> +<p>Hale was a despondent man, though the most loyal of friends, +and he spoke in a despondent way. His gloomy manner, the +London drizzle, and the nervousness proper to the occasion, were +all combining to make Frank more and more wretched. +Fortunately Jack Selby burst like a gleam of sunshine into the +room. The sight of his fresh-coloured smiling face—or +it may have been some reminder of Maude which he found in +it—brought consolation to the bridegroom.</p> +<p>‘How are you, Crosse? How do, Hale? Excuse +my country manners! The old Christmas-tree in the hall +wanted to send for you, but I knew your number. +You’re looking rather green about the gills, old +chap.’</p> +<p>‘I feel a little chippy to-day.’</p> +<p>‘That’s the worst of these cheap champagnes. +Late hours are bad for the young. Have a whisky and soda +with me. No? Hale, you must buck him up, for +they’ll all be down on you if you don’t bring your +man up to time in the pink of condition. We certainly did +ourselves up to the top hole last night. Couldn’t +face your breakfast, eh? Neither could I. A +strawberry and a bucket of soda-water.’</p> +<p>‘How are they all at the Langham?’ asked Frank +eagerly.</p> +<p>‘Oh, splendid! At least I haven’t seen +Maude. She’s been getting into parade order. +But mother is full of beans. We had to take her up one link +in the curb, or there would have been no holding her.’</p> +<p>Frank’s eyes kept turning to the slow-moving +minute-hand. It was not ten o’clock yet.</p> +<p>‘Don’t you think that I might go round to the +Langham and see them?’</p> +<p>‘Good Lord, no! Clean against regulations. +Stand by his head, Hale! Wo, boy, steady!’</p> +<p>‘It won’t do, Crosse, it really +won’t!’ said Hale solemnly.</p> +<p>‘What rot it is! Here am I doing nothing, and I +might be of some use or encouragement to her. Let’s +get a cab!’</p> +<p>‘Wo, laddie, wo then, boy! Keep him in hand, +Hale! Get to his head.’</p> +<p>Frank flung himself down into an armchair, and muttered about +absurd conventions.</p> +<p>‘It can’t be helped, my boy. It is +correct.’</p> +<p>‘Buck up, Crosse, buck up! We’ll make the +thing go with a buzz when we do begin. Two of our Johnnies +are coming, regular fizzers, and full of blood both of +them. We’ll paint the Langham a fine bright +solferino, when the church parade is over.’</p> +<p>Frank sat rather sulkily watching the slow minute-hand, and +listening to the light-hearted chatter of the boy-lieutenant, and +the more deliberate answers of his best man. At last he +jumped up and seized his hat and gloves.</p> +<p>‘Half-past,’ said he. ‘Come on. +I can’t wait any longer. I must do +<i>something</i>. It is time we went to the +church.’</p> +<p>‘Fall in for the church!’ cried Jack. +‘Wait a bit! I know this game, for I was best man +myself last month. Inspect his kit, Hale. See that +he’s according to regulations. Ring? All +right. Parson’s money? Right oh! Small +change? Good! By the right, quick march!’</p> +<p>Frank soon recovered his spirits now that he had something to +do. Even that drive through the streaming streets, with the +rain pattering upon the top of their four-wheeler, could not +depress him any longer. He rose to the level of Jack Selby, +and they chattered gaily together.</p> +<p>‘Ain’t we bringing him up fighting fit?’ +cried Jack exultingly. ‘Shows that all the care we +have taken of him in the last twenty-four hours has not been +wasted. That’s the sort I like—game as a +pebble! You can’t buy ’em, you have to breed +’em. A regular fizzer <i>he</i> is, and full of +blood. And here we are on the ground.’</p> +<p>It was a low, old-fashioned, grey church, with a Gothic +entrance and two niches on either side, which spoke of +pre-Lutheran days. Cheap modern shops, which banked it in, +showed up the quaint dignity of the ancient front. The +side-door was open, and they passed into its dim-lit interior, +with high carved pews, and rich, old, stained glass. Huge +black oak beams curved over their heads, and dim inscriptions of +mediæval Latin curled and writhed upon the walls. A +single step seemed to have taken them from the atmosphere of the +nineteenth to that of the fifteenth century.</p> +<p>‘What a ripping old church!’ Jack whispered.</p> +<p>‘You can’t buy ’em. But it’s as +festive as an ice-house. There’s a friendly native +coming down the aisle. He’s your man, Hale, if you +want the news.’</p> +<p>The verger was not in the best of tempers. +‘It’s at a quarter to four,’ said he, as Hale +met him.</p> +<p>‘No, no, at eleven.’</p> +<p>‘Quarter to four, I tell you. The vicar says +so.’</p> +<p>‘Why, it’s not possible.’</p> +<p>‘We have them at all hours.’</p> +<p>‘Have what?’</p> +<p>‘Buryin’s.’</p> +<p>‘But this is a marriage.’</p> +<p>‘I’m sure I beg your pardon, sir. I thought +when I looked at you as you was the party about the child’s +funeral.’</p> +<p>‘Good heavens, no.’</p> +<p>‘It was something in your expression, sir, but now that +I can see the colour of your clothes, why of course I know +better. There’s three marriages—which was +it?’</p> +<p>‘Crosse and Selby are the names.’</p> +<p>The verger consulted an old crumpled notebook.</p> +<p>‘Yes, sir, I have it here. Mr. or Miss Crosse to +Mr. or Miss Selby. Eleven o’clock, sir, +<i>sharp</i>. The vicar’s a terrible punctual man, +and I should advise you to take your places.’</p> +<p>‘Any hitch?’ asked Frank nervously, as Hale +returned.</p> +<p>‘No, no.’</p> +<p>‘What was he talking about?’</p> +<p>‘Oh, nothing. Some little confusion of +ideas.’</p> +<p>‘Shall we go up?’</p> +<p>‘Yes, I think that we had better.’</p> +<p>Their steps clattered and reverberated through the empty +church as they passed up the aisle. They stood in an +aimless way before the altar rails. Frank fidgeted about, +and made sure that the ring was in his ticket-pocket. He +also took a five-pound note and placed it where he knew he could +lay his hands upon it easily. Then he sprang round with a +flush upon his cheeks, for one of the side-doors had been flung +open with a great bustle and clanging. A stout charwoman +entered with a tin pail and a mop.</p> +<p>‘Put up the wrong bird that time,’ whispered Jack, +and sniggered at Frank’s change of expression.</p> +<p>But almost at the same instant, the Selbys entered the church +at the further end. Mr. Selby, with his red face and fluffy +side-whiskers, had Maude upon his arm. She looked very pale +and very sweet, with downcast eyes and solemn mouth, while behind +her walked her younger sister Mary and her pretty friend Nelly +Sheridan, both in pink dresses with broad pink hats and white +curling feathers. The bride was herself in the grey +travelling-dress with which Frank was already familiar by its +description in her letter. Its gentle tint and her tenderly +grave expression made a charming effect. Behind them was +the mother, still young and elegant, with something of +Maude’s grace in her figure and carriage. As the +party came up the aisle, Frank was to be restrained no +longer. ‘Get to his head!’ cried Jack to Hale +in an excited whisper, but their man was already hurrying to +shake hands with Maude. He walked up on her right, and they +took their position in two little groups, the happy couple in the +centre. At the same moment the clang of the church-clock +sounded above them, and the vicar, shrugging his shoulders to get +his white surplice into position, came bustling out of the +vestry. To him it was all the most usual, commonplace, and +unimportant thing in the world, and both Frank and Maude were +filled with amazement at the nonchalant way in which he whipped +out a prayer-book, and began to rapidly perform the +ceremony. It was all so new and solemn and all-important to +them, that they had expected something mystic and overpowering in +the function, and yet here was this brisk little man, with an +obvious cold in his head, tying them up in as business-like a +fashion as a grocer uniting two parcels. After all, he had +to do it a thousand times a year, and so he could not be +extravagant in his emotions.</p> +<p>The singular service was read out to them, the exhortations, +and the explanations, sometimes stately, sometimes beautiful, +sometimes odious. Then the little vicar turned upon +Frank—‘<i>Wilt thou have this woman to thy wedded +wife</i>, <i>to live together after God’s ordinance in the +holy estate of matrimony</i>? <i>Wilt thou love her</i>, +<i>comfort her</i>, <i>honour her</i>, <i>in sickness and in +health</i>, <i>and forsaking all other</i>, <i>keep thee only +unto her as long as ye both shall live</i>?’</p> +<p>‘<i>I will</i>,’ cried Frank, with conviction.</p> +<p>‘<i>And wilt thou have this man to thy wedded +husband</i>, <i>to live together after God’s ordinance in +the holy estate of matrimony</i>? <i>Wilt thou obey +him</i>, <i>and serve him</i>, <i>love</i>, <i>honour</i>, <i>and +keep him</i>, <i>in sickness and in health</i>, <i>and forsaking +all other</i>, <i>keep thee only unto him so long as ye both +shall live</i>?’</p> +<p>‘<i>I will</i>,’ said Maude, from her heart.</p> +<p>‘<i>Who giveth this woman to be married to this +man</i>?’</p> +<p>‘<i>I do</i>. Mr. John Selby—her father, you +know.’</p> +<p>And then in turn they repeated the fateful +words—‘<i>I take thee to have and to hold from this +day forward</i>, <i>for better</i>, <i>for worse</i>, <i>for +richer</i>, <i>for poorer</i>, <i>in sickness and in health</i>, +<i>to love</i>, <i>cherish</i>, <i>and obey</i>, <i>till death us +do part</i>, <i>according to God’s holy ordinance</i>, +<i>and thereto I give thee my troth</i>.’</p> +<p>‘Ring! Ring!’ said Hale.</p> +<p>‘Ring, you Juggins!’ whispered Jack Selby.</p> +<p>Frank thrust his hands frantically into all his pockets. +The ring was in the last one which he attempted. But the +bank-note was not to be found. He remembered that he had +put it in some safe place. Where could it have been? +Was it in his boot, or in the lining of his hat? No, surely +he could not have done anything so infatuated. Again he +took his pockets two at a time, while a dreadful pause came in +the ceremony.</p> +<p>‘Vestry—afterwards,’ whispered the +clergyman.</p> +<p>‘Here you are!’ gasped Frank. He had come +upon it in a last desperate dive into his watch-pocket, in which +he never by any chance kept anything. Of course it was for +that very reason, that it might be alone and accessible, that he +had placed it there. Ring and note were handed to the +vicar, who deftly concealed the one and returned the other. +Then Maude’s little white hand was outstretched, and over +the third finger Frank slipped the circlet of gold.</p> +<p>‘<i>With this ring I thee wed</i>,’ said Frank, +‘<i>and with my body I thee worship</i> (he paused, and +made a mental emendation of ‘with my soul also’), +<i>and with all my worldly goods I thee endow</i>.’</p> +<p>There was a prayer, and then the vicar joined the two hands, +the muscular sunburned one and the dainty white one, with the new +ring gleaming upon it.</p> +<p>‘<i>Those whom God hath joined together</i>, <i>let no +man put asunder</i>,’ said he. ‘<i>Forasmuch as +Francis Crosse and Maude Selby have consented together in holy +wedlock</i>, <i>and have witnessed the same before God and this +company</i>, <i>and thereto have given and pledged their +troth</i>, <i>either to other</i>, <i>and have declared the same +by giving and receiving of a ring</i>, <i>and by joining of +hands; I pronounce that they be man and wife +together</i>.’</p> +<p>There now, it was done! They were one, never more to +part until the coffin-lid closed over one or the other. +They were kneeling together now, and the vicar was rapidly +repeating some psalms and prayers. But Frank’s mind +was not with the ritual. He looked slantwise at the +graceful, girlish figure by his side. Her hair hung +beautifully over her white neck, and the reverent droop of her +head was lovely to his eyes. So gentle, so humble, so good, +so beautiful, and all his, his sworn life-companion for +ever! A gush of tenderness flowed through his heart for +her. His love had always been passionate, but, for the +instant, it was heroic, tremendous in its unselfishness. +Might he bring her happiness, the highest which woman could wish +for! God grant that he might do so! But if he were to +make her unhappy, or to take anything from her beauty and her +goodness, then he prayed that he might die now, at this supreme +moment, kneeling at her side before the altar rails. So +intense was his prayer that he looked up expectantly at the +altar, as if in the presence of an imminent catastrophe. +But every one had risen to their feet, and the service was at an +end. The vicar led the way, and they all followed him, into +the vestry. There was a general murmur all round them of +congratulation and approval.</p> +<p>‘Heartiest congratulations, Crosse!’ said +Hale.</p> +<p>‘Bravo, Maude, you looked ripping!’ cried Jack, +kissing his sister. ‘By Jove, it simply went with a +buzz from the word “go.”’</p> +<p>‘You sign it here and here,’ said the vicar, +‘and the witnesses here and here. Thank you very +much. I am sure that I wish you every happiness. I +need not detain you by any further formality.’</p> +<p>And so, with a curious dream-like feeling, Frank Crosse and +Maude found themselves walking down the aisle, he very proud and +erect, she very gentle and shy, while the organ thundered the +wedding-march. Carriages were waiting: he handed in his +wife, stepped in after her, and they drove off, amidst a murmur +of sympathy from a little knot of idlers who had gathered in the +porch, partly from curiosity, and partly to escape the rain.</p> +<p>Maude had often driven alone with Frank before, but now she +felt suddenly constrained and shy. The marriage-service, +with all its half-understood allusions and exhortations, had +depressed and frightened her. She hardly dared to glance at +her husband. But he soon led her out of her graver +humour.</p> +<p>‘Name, please?’ said he.</p> +<p>‘O Frank!’</p> +<p>‘Name, if <i>you</i> please?’</p> +<p>‘Why, you know.’</p> +<p>‘Say it.’</p> +<p>‘Maude.’</p> +<p>‘That all?’</p> +<p>‘Maude Crosse—O Frank!’</p> +<p>‘You blessing! How grand it sounds! O Maude, +what a jolly old world it is! Isn’t it pretty to see +the rain falling? And aren’t the shining pavements +lovely? And isn’t everything splendid, and am I not +the luckiest—the most incredibly lucky of men. Dear +girlie, give me your hand! I can feel <i>it</i> under the +glove. Now, sweetheart, you are not frightened, are +you?’</p> +<p>‘Not now.’</p> +<p>‘You were?’</p> +<p>‘Yes, I was a little. O Frank, you won’t +tire of me, will you? I should break my heart if you +did.’</p> +<p>‘Tire of you! Good heavens! Now you’ll +never guess what I was doing while the parson was telling us +about what Saint Paul said to the Colossians, and all the rest of +it.’</p> +<p>‘I know perfectly well what you were doing. And +you shouldn’t have done it.’</p> +<p>‘What was I doing, then?’</p> +<p>‘You were staring at me.’</p> +<p>‘Oh, you saw that, did you?’</p> +<p>‘I felt it.’</p> +<p>‘Well, I was. But I was praying also.’</p> +<p>‘Were you, Frank?’</p> +<p>‘When I saw you kneeling there, so sweet and pure and +good, I seemed to realise how you had been given into my keeping +for life, and I prayed with all my heart that if I should ever +injure you in thought, or word, or deed, I might drop dead now +before I had time to do it.’</p> +<p>‘O Frank, what a dreadful prayer!’</p> +<p>‘But I felt it and I wished it, and I could not help +it. My own darling, there you are just a living angel, the +gentlest, most sensitive, and beautiful living creature that +walks the earth, and please God I shall keep you so, and ever +higher and higher if such a thing is possible, and if ever I say +a word or do a deed that seems to lower you, then remind me of +this moment, and send me back to try to live up to our highest +ideal again. And I for my part will try to improve myself +and to live up to you, and to bridge more and more the gap that +is between us, that I may feel myself not altogether unworthy of +our love. And so we shall act and re-act upon each other, +ever growing better and wiser, and dating what is best and +brightest in our minds and souls from the day that we were +married. And that’s <i>my</i> idea of a +marriage-service, and here endeth the first lesson, and the +windows are blurred with rain, and hang the coachman, and +it’s hard lines if a man may not kiss his own +wife—you blessing!’</p> +<p>A broad-brimmed hat with a curling feather is not a good shape +for driving with an ardent young bridegroom in a discreetly +rain-blurred carriage. Frank demonstrated the fact, and it +took them all the way to the Langham to get those pins driven +home again. And then after an abnormal meal, which was +either a very late breakfast or a very early lunch, they drove on +to Victoria Station, from which they were to start for +Brighton. Jack Selby and the two regimental fizzers, who +had secured immortality for the young couple, if the deep and +constant drinking of healths could have done it, had provided +themselves with packages of rice, old slippers, and other +time-honoured missiles. On a hint from Maude, however, that +she would prefer a quiet departure, Frank coaxed the three back +into the luncheon-room with a perfectly guileless face, and then +locking the door on the outside, handed the key and a +half-sovereign to the head-waiter, with instructions to release +the prisoners when the carriage had gone—an incident which +in itself would cause the judicious observer to think that, given +the opportunity, Mister Frank Crosse had it in him to go pretty +far in life. And so, quietly and soberly, they rolled away +upon their first journey—the journey which was the opening +of that life’s journey, the goal of which no man may +see.</p> +<h2><a name="page88"></a><span class="pagenum">p. +88</span>KEEPING UP APPEARANCES</h2> +<p><span class="smcap">It</span> was in the roomy dining-room of +the Hotel Metropole at Brighton. Maude and Frank were +seated at the favourite small round table near the window, where +they always lunched. Their immediate view was a snowy-white +tablecloth with a shining centre dish of foppish little cutlets, +each with a wisp of ornamental paper, and a surrounding bank of +mashed potatoes. Beyond, from the very base of the window, +as it seemed, there stretched the huge expanse of the deep blue +sea, its soothing mass of colour broken only by a few white +leaning sails upon the furthest horizon. Along the sky-line +the white clouds lay in carelessly piled cumuli, like snow thrown +up from a clearing. It was restful and beautiful, that +distant view, but just at the moment it was the near one which +interested them most. Though they lose from this moment +onwards the sympathy of every sentimental reader, the truth must +be told that they were thoroughly enjoying their lunch.</p> +<p>With the wonderful adaptability of women—a hereditary +faculty, which depends upon the fact that from the beginning of +time the sex has been continually employed in making the best of +situations which were not of their own choosing—Maude +carried off her new character easily and gracefully. In her +trim blue serge dress and sailor hat, with the warm tint of +yesterday’s sun upon her cheeks, she was the very picture +of happy and healthy womanhood. Frank was also in a blue +serge boating-suit, which was appropriate enough, for they spent +most of their time upon the water, as a glance at his hands would +tell. Their conversation was unhappily upon a very much +lower plane than when we overheard them last.</p> +<p>‘I’ve got such an appetite!’</p> +<p>‘So have I, Frank.’</p> +<p>‘Capital. Have another cutlet.’</p> +<p>‘Thank you, dear.’</p> +<p>‘Potatoes?’</p> +<p>‘Please.’</p> +<p>‘I always thought that people on their honeymoon lived +on love.’</p> +<p>‘Yes, isn’t it dreadful, Frank? We must be +so material.’</p> +<p>‘Good old mother Nature! Cling on to her skirt and +you never lose your way. One wants a healthy physical basis +for a healthy spiritual emotion. Might I trouble you for +the pickles?’</p> +<p>‘Are you happy, Frank?’</p> +<p>‘Absolutely and completely.’</p> +<p>‘Quite, <i>quite</i> sure?’</p> +<p>‘I never was quite so sure of anything.’</p> +<p>‘It makes me so happy to hear you say so.’</p> +<p>‘And you?’</p> +<p>‘O Frank, I am just floating upon golden clouds in a +dream. But your poor hands! Oh, how they must pain +you!’</p> +<p>‘Not a bit.’</p> +<p>‘It was that heavy oar.’</p> +<p>‘I get no practice at rowing. There is no place to +row in at Woking, unless one used the canal. But it was +worth a blister or two. By Jove, wasn’t it splendid, +coming back in the moonlight with that silver lane flickering on +the water in front of us? We were so completely +alone. We might have been up in the interstellar spaces, +you and I, travelling from Sirius to Arcturus in one of those +profound gulfs of the void which Hardy talks about. It was +overpowering.’</p> +<p>‘I can never forget it.’</p> +<p>‘We’ll go again to-night.’</p> +<p>‘But the blisters!’</p> +<p>‘Hang the blisters! And we’ll take some bait +with us and try to catch something.’</p> +<p>‘What fun!’</p> +<p>‘And we’ll drive to Rottingdean this afternoon, if +you feel inclined. Have this last cutlet, dear!’</p> +<p>‘No, thank you.’</p> +<p>‘Well, it seems a pity to waste it. Here +goes! By the way, Maude, I must speak very severely to +you. I can’t if you look at me like that. But +really, joking apart, you must be more careful before the +waiters.’</p> +<p>‘Why, dear?’</p> +<p>‘Well, we have carried it off splendidly so far. +No one has found us out yet, and no one will if we are reasonably +careful. The fat waiter is convinced that we are +veterans. But last night at dinner you very nearly gave the +thing away.’</p> +<p>‘Did I, Frank?’</p> +<p>‘Don’t look so sweetly penitent, you +blessing. The fact is that you make a shocking bad +conspirator. Now I have a kind of talent for that, as I +have for every other sort of depravity, so it will be pretty safe +in my hands. You are as straight as a line by nature, and +you can’t be crooked when you try.’</p> +<p>‘But what did I say? Oh, I <i>am</i> so +sorry! I tried to be so careful.’</p> +<p>‘Well, about the curry, you know. It was an error +of judgment to ask if I took chutnee. And then . . . +’</p> +<p>‘Something else?’</p> +<p>‘About the boots. Did I get them in London or +Woking.’</p> +<p>‘Oh dear, dear!’</p> +<p>‘And then . . . ’</p> +<p>‘Not another! O Frank!’</p> +<p>‘Well, the use of the word “my.” You +must give that word up. It should be +“our.”’</p> +<p>‘I know, I know. It was when I said that the salt +water had taken the curl out of the feather in my—no, in +our—well, in <i>the</i> hat.’</p> +<p>‘That was all right. But it is <i>our</i> luggage, +you know, and <i>our</i> room, and so on.’</p> +<p>‘Of course it is. How foolish I am! Then the +waiter knows! O Frank, what shall we do?’</p> +<p>‘Not he. He knows nothing. I am sure of +it. He is a dull sort of person. I had my eye on him +all the time. Besides, I threw in a few remarks just to set +the thing right.’</p> +<p>‘That was when you spoke about our travels in the +Tyrol?’</p> +<p>‘Yes.’</p> +<p>‘O Frank, how <i>could</i> you? And you said how +lonely it was when we were the only visitors at the Swiss +hotel.’</p> +<p>‘That was an inspiration. That finished +him.’</p> +<p>‘And about the closeness of the Atlantic +staterooms. I blushed to hear you.’</p> +<p>‘But he listened eagerly to it all. I could see +it.’</p> +<p>‘I wonder if he really believed it. I have noticed +that the maids and the waiters seem to look at us with a certain +interest.’</p> +<p>‘My dear girlie, you will find as you go through life +that every man will always look at you with a certain +interest.’</p> +<p>Maude smiled, but was unconvinced.</p> +<p>‘Cheese, dear?’</p> +<p>‘A little butter, please.’</p> +<p>‘Some butter, waiter, and the Stilton. You know +the real fact is, that we make the mistake of being much too nice +to each other in public. Veterans don’t do +that. They take the small courtesies for +granted—which is all wrong, but it shows that they +<i>are</i> veterans. That is where we give ourselves +away.’</p> +<p>‘That never occurred to me.’</p> +<p>‘If you want to settle that waiter for ever, and remove +the last lingering doubt from his mind, the thing is for you to +be rude to me.’</p> +<p>‘Or you to me, Frank.’</p> +<p>‘Sure you won’t mind?’</p> +<p>‘Not a bit.’</p> +<p>‘Oh, hang it, I can’t—not even for so good +an object.’</p> +<p>‘Well, then, I can’t either.’</p> +<p>‘But this is absurd. It is only acting.’</p> +<p>‘Quite so. It is only fun.’</p> +<p>‘Then why won’t you do it?’</p> +<p>‘Why won’t you?’</p> +<p>‘He’ll be back before we settle it. Look +here! I’ve a shilling under my hand. Heads or +tails, and the loser has to be rude. Do you +agree?’</p> +<p>‘Very well.’</p> +<p>‘Your call.’</p> +<p>‘Heads.’</p> +<p>‘It’s tails.’</p> +<p>‘Oh goodness!’</p> +<p>‘You’ve got to be rude. Now mind you +are. Here he comes.’</p> +<p>The waiter had come up the room bearing the pride of the +hotel, the grand green Stilton with the beautiful autumn leaf +heart shading away to rich plum-coloured cavities. He +placed it on the table with a solemn air.</p> +<p>‘It’s a beautiful Stilton,’ Frank +remarked.</p> +<p>Maude tried desperately to be rude.</p> +<p>‘Well, dear, I don’t think it is so very +beautiful,’ was the best that she could do.</p> +<p>It was not much, but it had a surprising effect upon the +waiter. He turned and hurried away.</p> +<p>‘There now, you’ve shocked him?’ cried +Frank.</p> +<p>‘Where <i>has</i> he gone, Frank?’</p> +<p>‘To complain to the management about your +language.’</p> +<p>‘No, Frank. Please tell me! Oh, I wish I +hadn’t been so rude. Here he is again.’</p> +<p>‘All right. Sit tight,’ said Frank.</p> +<p>A sort of procession was streaming up the hall. There +was their fat waiter in front with a large covered +cheese-dish. Behind him was another with two smaller ones, +and a third with some yellow powder upon a plate was bringing up +the rear.</p> +<p>‘This is Gorgonzola, main,’ said the waiter, with +a severe manner. ‘And there’s Camembert and +Gruyère behind, and powdered Parmesan as well. +I’m sorry that the Stilton don’t give +satisfaction.’</p> +<p>Maude helped herself to Gorgonzola and looked very guilty and +uncomfortable. Frank began to laugh.</p> +<p>‘I meant you to be rude to <i>me</i>, not to the +cheese,’ said he, when the procession had withdrawn.</p> +<p>‘I did my best, Frank. I contradicted +you.’</p> +<p>‘Oh, it was a shocking display of temper.’</p> +<p>‘And I hurt the poor waiter’s feelings.’</p> +<p>‘Yes, you’ll have to apologise to his Stilton +before he will forgive you.’</p> +<p>‘And I don’t believe he is a bit more convinced +that we are veterans than he was before.’</p> +<p>‘All right, dear; leave him to me. Those +reminiscences of mine must have settled him. If they +didn’t, then I feel it is hopeless.’</p> + +<div class="gapspace"> </div> +<p>It was as well for his peace of mind that Frank could not hear +the conversation between the fat waiter and their chambermaid, +for whom he nourished a plethoric attachment. They had half +an hour off in the afternoon, and were comparing notes.</p> +<p>‘Nice-lookin’ couple, ain’t they, +John?’ said the maid, with the air of an expert. +‘I don’t know as we’ve ‘ad a better since +the spring weddin’s.’</p> +<p>‘I don’t know as I’d go as far as +that,’ said the fat waiter critically. +‘’E’d pass all right. ’E’s an +upstandin’ young man with a good sperrit in +’im.’</p> +<p>‘What’s wrong with ’er, then?’</p> +<p>‘It’s a matter of opinion,’ said the +waiter. ‘I likes ’em a bit more full-flavoured +myself. And as to ’er taste, why there, if you +’ad seen ’er turn up ’er nose at the Stilton at +lunch.’</p> +<p>‘Turn up ’er nose, did she? Well, she seemed +to me a very soft-spoken, obligin’ young lady.’</p> +<p>‘So she may be, but they’re a queer couple, I tell +you. It’s as well they are married at +last.’</p> +<p>‘Why?’</p> +<p>‘Because they ’ave been goin’ on most +owdacious before’and. I ’ave it from their own +lips, and it fairly made me blush to listen to it. Awful, +it was, <i>awful</i>!’</p> +<p>‘You don’t say that, John!’</p> +<p>‘I tell you, Jane, I couldn’t ’ardly believe +my ears. They was married on Tuesday last, as we know well, +and to-day’s <i>Times</i> to prove it, and yet if +you’ll believe me, they was talkin’ about ’ow +they ’ad travelled alone abroad—’</p> +<p>‘Never, John!’</p> +<p>‘And alone in a Swiss ’otel!’</p> +<p>‘My goodness!’</p> +<p>‘And a steamer too.’</p> +<p>‘Well, there! I’ll never trust any one +again.’</p> +<p>‘Oh, a perfec’ pair of scorchers. But +I’ll let ’im see as I knows it. I’ll put +that <i>Times</i> before ’im to-night at dinner as sure as +my name’s John.’</p> +<p>‘And a good lesson to them, too! If you +didn’t say you’d ’eard it from their own lips, +John, I never could ’ave believed it. It’s +things like that as shakes your trust in ’uman +nature.’</p> +<p>Maude and Frank were lingering at the <i>table +d’hôte</i> over their walnuts and a glass of port +wine, when their waiter came softly behind them.</p> +<p>‘Beg pardon, sir, but did you see it in the +<i>Times</i>?’</p> +<p>‘See what?’</p> +<p>‘<i>That</i>, sir. I thought that it might be of +interest to you and to your good lady to see it.’</p> +<p>He had laid one page of the paper before them, with his +forefinger upon an item in the left-hand top corner. Then +he discreetly withdrew. Frank stared at it in horror.</p> +<p>‘Maude, your people have gone and put it in.’</p> +<p>‘Our marriage!’</p> +<p>‘Here it is! Listen! +“Crosse—Selby. 30th June, at St. Monica’s +Church, by the Rev. John Tudwell, M.A., Vicar of St. +Monica’s, Frank Crosse, of Maybury Road, Woking, to Maude +Selby, eldest daughter of Robert Selby, Esq., of St. +Albans.” Great Scot, Maude! what shall we +do?’</p> +<p>‘Well, dear, does it matter?’</p> +<p>‘Matter! It’s simply awful!’</p> +<p>‘I don’t mind much if they do know.’</p> +<p>‘But my reminiscences, Maude! The travels in the +Tyrol! The Swiss Hotel! The Stateroom! Great +goodness, how I have put my foot into it.’</p> +<p>Maude burst out laughing.</p> +<p>‘You old dear!’ she cried, ‘I don’t +believe you are a bit better as a conspirator than I am. +There’s only one thing you can do. Give the waiter +half a crown, tell him the truth, and don’t conspire any +more.’</p> +<p>And so ignominiously ended the attempt which so many have +made, and at which so many have failed. Take warning, +gentle reader, and you also, gentler reader still, when your own +turn comes.</p> +<h2><a name="page100"></a><span class="pagenum">p. 100</span>THE +HOME-COMING</h2> +<p><span class="smcap">The</span> days of holiday were over, and +for each of them the duties of life were waiting. For him +it was his work, and for her, her housekeeping. They both +welcomed the change, for there was a rush and a want of privacy +about the hotel life which had been amusing at first, but was now +becoming irksome. It was pleasant, as they rolled out of +Waterloo Station that summer night, to know that their cosy +little home was awaiting them just five-and-twenty miles down the +line. They had a first-class carriage to +themselves—it is astonishing how easy it is for two people +to fit into one of those armchair partitions,—and they +talked all the way down about their plans for the future. +Golden visions of youth, how they can glorify even a suburban +villa and four hundred a year! They exulted together over +the endless vista of happy days which stretched before them.</p> +<p>Mrs. Watson, Frank’s trusty housekeeper, had been left +in charge of The Lindens, and he had sent her a telegram the +evening before to tell her that they were coming. She had +already engaged the two servants, so everything would be ready +for them. They pictured her waiting at the door, the neat +little rooms with all their useful marriage-presents in their +proper places, the lamplight and the snowy cloth laid for supper +in the dining-room. It would be ten o’clock before +they got there, and that supper would be a welcome sight. +It was all delightful to look forward to, and this last journey +was the happiest of all their wanderings. Maude wanted to +see her kitchen. Frank wanted to see his books. Both +were eager for the fight.</p> +<p>But they found a small annoyance waiting for them at +Woking. A crowded train had preceded them, and there was +not a single cab left at the station. Some would be back +soon, but nobody could tell when.</p> +<p>‘You don’t mind walking, Maude?’</p> +<p>‘I should prefer it.’</p> +<p>So a friendly porter took charge of their trunks, and promised +to send them up when a conveyance had arrived. In the +meantime they started off together down an ill-lit and ill-kept +road, which opened into that more important thoroughfare in which +their own villa was situated. They walked quickly, full of +eager anticipations.</p> +<p>‘It’s just past the third lamp-post on the +right,’ said Frank. ‘Now it’s only the +second lamp-post. You see it will not be far from the +station. Those windows among the trees are where Hale +lives—my best man, you know! Now it is only one +lamp-post!’ They quickened their pace almost to a +run, and so arrived at the gate of The Lindens.</p> +<p>It was a white gate leading into a short +path—‘carriage sweep’ the house-agent called +it,—and so to a low but comfortable-looking little +house. The night was so dark that one could only see its +outline. To their surprise, there was no sign of a light +either above the door or at any of the windows.</p> +<p>‘Well, I’m blessed!’ cried Frank.</p> +<p>‘Never mind, dear. They live at the back, no +doubt.’</p> +<p>‘But I gave them the hour. This is too bad. +I am so sorry.’</p> +<p>‘It will be all the more cosy inside. What a dear +little gate this is! The whole place is perfectly +charming.’</p> +<p>But in spite of her brave attempts at making the best of it, +it could not be denied that this black house was not what they +had pictured in their dreams. Frank strode angrily up the +path and pulled at the bell. There was no answer, so he +knocked violently. Then he knocked with one hand while he +rang with the other, but no sound save that of the clanging bell +came from the gloomy house. As they stood forlornly in +front of their own hall-door, a soft rain began to rustle amidst +the bushes. At this climax of their troubles Maude burst +into such a quiet, hearty, irresistible fit of laughter, that the +angry Frank was forced to laugh also.</p> +<p>‘My word, it will be no laughing matter for Mrs. Watson +if she cannot give a good reason for it,’ said he.</p> +<p>‘Perhaps the poor woman is ill.’</p> +<p>‘But there should be two other people, the cook and the +housemaid. It is just as well that we did not bring up our +trunks, or we should have had to dump them down in the front +garden. You wait here, dear, under the shelter of the +porch, and I will walk round and see if I can burgle +it.’</p> +<p>He tried the back, but it was as dark as the front, and the +kitchen-door was locked. Then he prowled unhappily in the +rain from window to window. They were all fastened. +He came back to the kitchen-door, poked his stick through the +glass which formed the upper panel, and then putting his hand +through the hole, he turned the key, and so stumbled into the +obscurity of his own hall. He passed through it, unlocked +the front door, and received Maude into his open arms.</p> +<p>‘Welcome to your home, my own darling girl. May +you never have one sad hour under this roof! What a dismal +home-coming! What can I do to make amends? But good +comes out of evil, you see, for in no other possible way could I +have been inside to welcome you when you entered.’</p> +<p>They stayed in the hall in the dark some time, these wet and +foolish young people. Then Frank struck a match, and tried +to light the hall-lamp. There was no oil in it. He +muttered something vigorous, and carried his burning vesta into +the dining-room. Two candles were standing on the +sideboard. He lit them both, and things began to look a +little more cheerful. They took a candle each and began to +explore their own deserted house.</p> +<p>The dining-room was excellent—small, but very +snug. The Tantalus spirit-stand—stood upon the walnut +sideboard, and the bronzes from the cricket-club looked splendid +upon each side of the mantelpiece. Beside the clock in the +centre lay an open telegram. Frank seized it eagerly.</p> +<p>‘There now!’ he cried. ‘Listen to +this. “Expect us on Thursday evening about +ten.” It was <i>Tuesday</i> evening, I said. +That’s the telegraphic clerk. We’ve come two +days before our time.’</p> +<p>It was good to have any sort of explanation, although it left +a great deal unexplained. They passed through the hall with +its shining linoleum, and into the drawing-room. It was not +a very good room, too square for elegance, but they were in no +humour for criticism, and it was charming to see all the old +knick-knacks, and the photographs of friends in their +frames. A big wrought-iron and brass-work standing lamp +towered up near the fireplace, but again there was no oil.</p> +<p>‘I think that Mrs. Watson has arranged it all +splendidly,’ said Maude, whose active fingers were already +beginning to reconstruct. ‘But where can she +be?’</p> +<p>‘She must be out, for, of course, she lives in the +house. But it is the absence of the servants which amazes +me, for I understood that they had arrived. What would you +like to do?’</p> +<p>‘Aren’t you hungry, Frank?’</p> +<p>‘Simply starving.’</p> +<p>‘So am I.’</p> +<p>‘Well, then, let us forage and see if we cannot find +something to eat.’</p> +<p>So hand in hand, and each with a candle in the other hand, +like a pair of young penitents, they continued their explorations +with more purpose than before. The kitchen, into which they +penetrated, had clearly been much used of late, for there were +dirty dishes scattered about, and the fire had been lighted, +though it was now out. In one corner was what seemed to be +a pile of drab-coloured curtains. In the other, an armchair +lay upon its side with legs projecting. A singular +disorder, very alien to Mrs. Watson’s habits, pervaded the +apartment. A dresser with a cupboard over it claimed the +first attention of the hungry pair. With a cheer from Frank +and hand-clapping from Maude, they brought out a new loaf of +bread, some butter, some cheese, a tin of cocoa, and a bowl full +of eggs. Maude tied an apron over her pretty russet dress, +seized some sticks and paper, and had a fire crackling in a very +few minutes.</p> +<p>‘Put some water in the kettle, Frank.’</p> +<p>‘Here you are! Anything else?’</p> +<p>‘Some in the small saucepan for the eggs.’</p> +<p>‘I believe they are “cookers,”’ said +he, sniffing at them suspiciously.</p> +<p>‘Hold them up to the light, sir. There, they are +quite bright and nice. In with them! Now, if you will +cut some bread and butter it, we shall soon have our supper +ready.’</p> +<p>‘It’s too new to cut,’ cried Frank, sawing +away upon the kitchen table. ‘Besides, new bread is +better in chunks. Here are some cloths and knives and forks +in the dresser drawer. I will go and lay the +table.’</p> +<p>‘And leave me here alone. No please, Frank, if I +am cook, you must be scullery-maid. Get the cups down and +put the cocoa in them. What fun it all is! I think it +is simply <i>splendid</i> to be mistress of a house.’</p> +<p>‘With one scullery-maid.’</p> +<p>‘And she perfectly incompetent, and much given to +embracing her mistress. I must take my hat off. Get +the sugar for the cocoa out of the cupboard. The kettle is +singing, so it won’t be long. Do you know, +Frank’—she paused, listening, with the egg-saucepan +in her hands. ‘There’s a dog or something in +the room.’</p> +<p>They had both become aware of a sort of sibilant breathing, +and they looked round them in bewilderment.</p> +<p>‘Where is it?’ asked Maude. ‘Frank, I +believe it’s a mouse.’</p> +<p>‘Hope for the best. Don’t frighten yourself +unnecessarily. I fancy it comes from under these +curtains.’ He approached them with his candle, and +was suddenly aware of a boot which was projecting from +them. ‘Great Scot!’ he cried, +‘there’s a woman here asleep.’</p> +<p>Reassured as to the mouse, Maude approached with her saucepan +still clutched in her hand. There could be no doubt either +as to the woman or the sleep. She lay in an untidy heap, +her head under the table, and her figure sprawling. She +appeared to be a very large woman.</p> +<p>‘Hullo!’ cried Frank, shaking her by the +shoulder. ‘Hullo, you there!’</p> +<p>But the woman slumbered peacefully on.</p> +<p>‘Heh, wake up, wake up!’ he shouted, and pulled +her up into a sitting position. But she slept as soundly +sitting as lying.</p> +<p>‘The poor thing must be ill,’ said Maude. +‘O Frank, shall I run for a doctor?’</p> +<p>‘Wake up, woman, wake up!’ Frank yelled, and +danced her up and down. She flopped about like a sawdust +doll, with her arms swinging in front of her. He panted +with his exertions, but she was serenely unconscious. At +last he had to lower her on to the floor again, putting a +footstool under her head.</p> +<p>‘It’s no go,’ said he. ‘I can +make nothing of her. She will sleep it off.’</p> +<p>‘You don’t mean to say, Frank, that she +is—’</p> +<p>‘Indeed I do.’</p> +<p>‘How horrible!’</p> +<p>‘That kettle is boiling now. Suppose we have our +supper.’</p> +<p>‘Dear Frank, I could not enjoy my supper with that +unfortunate woman lying there. O Frank, I know that you +could not either.’</p> +<p>‘Bless her!’ said Frank bitterly, as he gazed at +the inert lump. ‘I really don’t see why we +should put ourselves out for her. She is quite +comfortable.’</p> +<p>‘Oh I couldn’t, Frank. It would seem +inhuman.’</p> +<p>‘What are we to do, then?’</p> +<p>‘We must put her to bed.’</p> +<p>‘Great heavens!’</p> +<p>‘Yes, dear, it is our duty to put her to bed.’</p> +<p>‘But look here, my dear girl, we must be +practical. The woman weighs half a ton, and the bedrooms +are at the top of the house. It’s simply +impossible.’</p> +<p>‘Don’t you think, Frank, that if you took her head +and I took her feet, we might get her up?’</p> +<p>‘Not up the stair, dear. She is +enormous.’</p> +<p>‘Well, then, on to the drawing-room sofa,’ said +Maude. ‘I could have my supper, if I knew that she +was safe upon the sofa.’</p> +<p>So Frank, seeing that there was no help for it, seized her +under the arms, and Maude took her ankles, and they bore her, +bulging but serene, down the passage. They staggered +exhausted into the drawing-room, and the new sofa groaned beneath +the weight. It was a curious and unsavoury inaugural +ceremony. Maude put a rug over the prostrate form, and they +returned to their boiling kettle and their uncooked eggs. +Then they laid the table, and served the supper, and enjoyed this +picnic meal of their own creating as no conventional meal could +ever have been enjoyed. Everything seemed beautiful to the +young wife—the wall-paper, the pictures, the carpet, the +rug; but to him, she was so beautiful in mind, and soul, and +body, that her presence turned the little room into an enchanted +chamber. They sat long together, and marvelled at their own +happiness—that pure serene happiness of mere companionship, +which is so much more intimate and deeper than all the transports +of passion.</p> +<p>But suddenly he sprang from his chair. There was the +sound of steps, of several steps, outside upon the gravel +path. Then a key clicked, and a burst of cold air told them +that the door was open.</p> +<p>‘It’s agin’ the law for me to enter,’ +said a gruff voice.</p> +<p>‘I tell you she’s very strong and violent,’ +said a second voice, which Frank recognised as that of Mrs. +Watson. ‘She chased the maid out of the house, and I +can do nothing with her.’</p> +<p>‘Very sorry, mum, but it’s clean agin’ the +law of England. Give me a warrant, and in I come. If +you will bring her to the doorstep, I will be answerable for her +removal.’</p> +<p>‘She’s in the dining-room. I can see the +lights,’ said Mrs. Watson; and then, ‘Good Lord, Mr. +Crosse, what a fright you gave me! Oh dear me, that you +should have come when I was out, and I not expecting you for +another two days yet. Well, now, I shall never forgive +myself for this.’</p> +<p>But all the mistakes and misfortunes were very quickly +explained. The telegram was the root of the evil. And +then the new cook had proved to be a violent, intermittent +drunkard. She had chased the other maid out of the house, +and then, while Mrs. Watson rushed for the police, she had drunk +herself into the stupor in which she had been found. But +now, in the nick of time, the station cab came up with the +luggage, and so the still placidly slumbering culprit was carried +out to it, and sent off in the charge of the policeman. +Such was the first entry of Mr. and Mrs. Crosse into their home +at The Lindens.</p> +<h2><a name="page112"></a><span class="pagenum">p. +112</span>LAYING A COURSE</h2> +<p><span class="smcap">Frank Crosse</span> was a methodical young +man—his enemies might sometimes have called him +pedantic,—and he loved to reduce his life to rule and +order. It was one of his peculiarities. But how about +this new life into which he was entering? It took two to +draw up the rules for that. The little two-oared craft who +put out upon that voyage have to lay their own course, each for +itself; and all round them, as they go, they see the floating +timbers and broken keels of other little boats, which had once +started out full of hope and confidence. There are currents +and eddies, low sand-banks and sunken reefs, and happy the crews +who see them ahead, and trim their course to avoid them. +Frank brooded over it all. He had seen something of life, +for his years. He was observant and reflective. He +had watched his friends who were happy, and he had watched his +friends who were not. And now, as a result of all this wise +cogitation, he sat down at a table one evening, with a solemn +face, and a sheet of foolscap.</p> +<p>‘Now, Maude,’ said he, ‘I want to have a +serious talk.’</p> +<p>Maude looked up in surprise from the linen which she was +marking.</p> +<p>‘Oh dear!’ she cried.</p> +<p>‘Why “oh dear”?’</p> +<p>‘There’s something wrong?’</p> +<p>‘Nothing in the world.’</p> +<p>‘You looked so solemn, Frank. I thought you had +been looking at the tradesman’s books. What is it, +dear?’</p> +<p>‘Well, Maude, I have been thinking of married life in +general. Don’t you think it would be a good thing if +we were to make some resolutions as to how it should be +conducted—some fundamental principles, as it +were?’</p> +<p>‘Oh do, dear, do! What fun it will be!’</p> +<p>‘But it’s serious, Maude.’</p> +<p>‘Yes, dear, I am quite serious.’</p> +<p>‘It seemed to me, that if we could reduce it to certain +rules, then, whatever came upon us in the future, we should +always know exactly how to act.’</p> +<p>‘What are the rules, dear?’</p> +<p>‘Well, we can only arrive at them by talking it over +between ourselves. I could not draw up a set of rules, and +ask you to submit to them. That is not my idea of a +partnership. But if we found that we were agreed upon +certain points, then we could both adopt them by mutual +consent.’</p> +<p>‘How charming, Frank! Do please tell me some of +the points.’</p> +<p>‘I have a few in my mind, and I should like to hear any +which you may have—any ideas, you know, how to get the very +highest and best out of our life. Now, first of all, there +is the subject of quarrelling.’</p> +<p>‘O Frank, how horrid!’</p> +<p>‘Dear girl, we must look into the future. We are +going to live all our lives together. We must foresee and +prepare for all the chances of life.’</p> +<p>‘But that is absurd.’</p> +<p>‘You can’t live all your life and never be in a +bad temper!’</p> +<p>‘But not with <i>you</i>, Frank.’</p> +<p>‘Oh, I can be very aggravating sometimes. Now, my +idea is this. Ill-humour passes and hurts nobody. But +if two people are ill-humoured, then each excites the other, and +they say ever so much more than they mean. Let us make a +compact never both to be ill-humoured at the same time. If +<i>you</i> are cross, then it is your turn, and I stand +clear. If <i>I</i> am cross, you let me work it off. +When either hoists the danger-signal, the other is on +guard. What do you think of that?’</p> +<p>‘I think you are the funniest old boy—’</p> +<p>‘Do you agree?’</p> +<p>‘Yes, dear, of course I agree.’</p> +<p>‘Article number one,’ said Frank, and scribbled +upon his paper.</p> +<p>‘Your turn, now.’</p> +<p>‘No, dear, I have not thought of anything.’</p> +<p>‘Well, then, here is another point. Never take +each other for granted.’</p> +<p>‘What do you mean by that?’</p> +<p>‘Never relax those attentions which one lover shows to +another. Some husbands seem to forget that their wives are +ladies. Some wives speak to their husbands with less +courtesy and consideration than to any casual male visitor. +They mean no harm, but they get into a slack way. We must +not do that.’</p> +<p>‘I don’t think we are likely to.’</p> +<p>‘People get into it unconsciously. Pull me up +sharply at the first sign.’</p> +<p>‘Yes, sir, I will.’</p> +<p>‘The next point that I have noted is an extension of the +last. Let each strive to be worthy of the love of the +other. People get slovenly and slipshoddy, as if it +didn’t matter now that they were married. If each +were very keen to please the other, that would not be so. +How many women neglect their music after marriage.’</p> +<p>‘My goodness, I haven’t practised for a +week!’ cried Maude.</p> +<p>‘And their dress and their +hair’—Maude’s hand flew up to her curls. +‘My darling, yours is just perfect. But you know how +often a woman grows careless. “He will love me +anyhow,” she says to herself, and perhaps she is right, but +still it is not as it should be.’</p> +<p>‘Why, Frank, I had no idea you knew so much.’</p> +<p>‘I have heard my friends’ experiences.—And +the man too: he should consider his wife’s feelings as much +as he did his sweetheart’s. If she dislikes smoke, he +should not smoke. He should not yawn in her presence. +He should keep himself well-groomed and attractive. Look at +that dirty cuff! I have no business to have it.’</p> +<p>‘As if it could make any difference to me.’</p> +<p>‘There now! That is what is so demoralising. +You should stand out for the highest. When I came to you at +St. Albans, I had not dirty cuffs.’</p> +<p>‘You forgive me the music, Frank, and I’ll forgive +you the cuff. But I agree to all you say. I think it +is so wise and good. Now I’ve got something to +add.’</p> +<p>‘Good. What is it?’</p> +<p>‘Each should take an interest in the other’s +department.’</p> +<p>‘Why, of course they should.’</p> +<p>‘But it is not done.’</p> +<p>‘Why naturally, dear, you take an interest in my City +work.’</p> +<p>‘Yes, sir, but do you take as keen an interest in my +housekeeping?’</p> +<p>‘Perhaps I have been a little thoughtless.’</p> +<p>‘No, no, dear, you haven’t. You are always +full of consideration. But I have noticed it with mother, +and with others also. The husband pulls out his cheque-book +at the end of the week or month, and he says, “Well, this +is rather more than we can afford,” or “This is less +than I expected,” but he never really takes any interest in +his wife’s efforts to keep things nice on a little. +He does not see it with her eyes and try to realise her +difficulties. Oh, I wish I could express myself better, but +I know that the interest is one-sided.’</p> +<p>‘I think what you say is quite right. I’ll +try to remember that. How shall we enter it upon our +list?’</p> +<p>‘That Interests should be mutual.’</p> +<p>‘Quite right. I have it down. Well, any more +points?’</p> +<p>‘It is your turn.’</p> +<p>‘Well, there is this, and I feel that it is just the +holiest thing in matrimony, and its greatest +justification—that love should never degenerate into +softness, that each should consciously stimulate the better part +of the other and discourage the worse, that there should be a +discipline in our life, and that we should brace each other up to +a higher ideal. The love that says, “I know it is +wrong, but I love him or her so much that I can’t +refuse,” is a poor sort of love for the permanent use of +married life. The self-respect which refuses to let the +most lofty ideal of love down by an inch is a far nobler thing, +and it wears better too.’</p> +<p>‘How will you express all that?’</p> +<p>‘Mutual respect is necessary for mutual love.’</p> +<p>‘Yes, I am sure that that is right.’</p> +<p>‘It sounds obvious, but the very intensity of love makes +love soft and blind. Now I have another, which I am +convinced that you will not agree with.’</p> +<p>‘Let me hear it.’</p> +<p>‘I have put it in this way, “The tight cord is the +easiest to snap.”’</p> +<p>‘What do you mean?’</p> +<p>‘Well, I mean that married couples should give each +other a certain latitude and freedom. If they don’t, +one or other will sooner or later chafe at the restriction. +It is only human nature, which is an older and more venerable +thing than marriage.’</p> +<p>‘I don’t like that at all, Frank.’</p> +<p>‘I feared you wouldn’t, dear, but I believe +you’ll see it with me when I explain what I mean. If +you don’t, then I must try to see it with you. When +one talks of freedom in married life, it means, as a rule, +freedom only for the man. He does what he likes, but still +claims to be a strict critic of his wife. That, I am sure, +is wrong. To take an obvious example of what I mean, has a +husband a right to read his wife’s letters? Certainly +not, any more than she has a right to read his without his +permission. To read them as a matter of course would be +stretching the chain too tight.’</p> +<p>‘Chain is a horrid word, Frank.’</p> +<p>‘Well, it is only a metaphor. Or take the subject +of friendships. Is a married man to be debarred from all +friendship and intimacy with another woman?’</p> +<p>Maude looked doubtful.</p> +<p>‘I should like to see the woman first,’ she +said.</p> +<p>‘Or is a married woman to form no friendship with +another man who might interest or improve her? There is +such a want of mutual confidence in such a view. People who +are sure of each other should give each other every freedom in +that. If they don’t, they are again stretching it +tight.’</p> +<p>‘If they do, it may become so slack that it might as +well not be there at all.’</p> +<p>‘I felt sure that we should have an argument over +this. But I have seen examples. Look at the +Wardrops. <i>There</i> were a couple who were never +apart. It was their boast that everything was in common +with them. If he was not in, she opened his letters, and he +hers. And then there came a most almighty smash. The +tight cord had snapped. Now, I believe that for some +people, it is a most excellent thing that they should take their +holidays at different times.’</p> +<p>‘O Frank!’</p> +<p>‘Yes, I do. No, not for us, by Jove! I am +generalising now. But for some couples, I am sure that it +is right. They reconsider each other from a distance, and +they like each other the better.’</p> +<p>‘Yes, but these rules are for our guidance, not for that +of other people.’</p> +<p>‘Quite right, dear. I was off the rails. +“As you were,” as your brother Jack would say. +But I am afraid that I am not going to convince you over this +point.’</p> +<p>Maude looked charmingly mutinous.</p> +<p>‘No, Frank, you are not. I don’t think +marriage can be too close. I believe that every hope, and +thought, and aspiration should be in common. I could never +get as near to your heart and soul as I should wish to do. +I want every year to draw me closer and closer, until we really +are as nearly the same person as it is possible to be upon +earth.’</p> +<p>When you have to surrender, it is well to do so +gracefully. Frank stooped down and kissed his wife’s +hand, and apologised. ‘The wisdom of the heart is +greater than the wisdom of the brain,’ said he. But +the love of man comes from the brain, far more than the love of +woman, and so it is that there will always be some points upon +which they will never quite see alike.</p> +<p>‘Then we scratch out that item.’</p> +<p>‘No, dear. ‘Put “The cord which is +held tight is the easiest to snap.” That will be all +right. The cord of which I speak is never held at +all. The moment it is necessary to hold it, it is of no +value. It must be voluntary, natural, +unavoidable.’</p> +<p>So Frank amended his aphorism.</p> +<p>‘Anything more, dear?’</p> +<p>‘Yes, I have thought of one other,’ said +she. ‘It is that if ever you had to find fault with +me about anything, it should be when we are alone.’</p> +<p>‘And the same in your case with me. That is +excellent. What can be more vulgar and degrading than a +public difference of opinion? People do it half in fun +sometimes, but it is wrong all the same. Duly entered upon +the minutes. Anything else?’</p> +<p>‘Only material things.’</p> +<p>‘Yes, but they count also. Now, in the matter of +money, I feel that every husband should allow his wife a yearly +sum of her own, to be paid over to her, and kept by her, so that +she may make her own arrangements for herself. It is +degrading to a woman to have to apply to her husband every time +she wants a sovereign. On the other hand, if the wife has +any money, she should have the spending of it. If she +chooses to spend part of it in helping the establishment, that is +all right, but I am sure that she should have her own separate +account, and her own control of it.’</p> +<p>‘If a woman really loves a man, Frank, how can she +grudge him everything she has? If my little income would +take one worry from your mind, what a joy it would be to me to +feel that you were using it!’</p> +<p>‘Yes, but the man has his self-respect to think +of. In a great crisis one might fall back upon one’s +wife—since our interests are the same, but only that could +justify it. So much for the wife’s money. Now +for the question of housekeeping.’</p> +<p>‘That terrible question!’</p> +<p>‘It is only hard because people try to do so much upon a +little. Why should they try to do so much? The best +pleasures of life are absolutely inexpensive. Books, music, +pleasant intimate evenings, the walk among the heather, the +delightful routine of domestic life, my cricket and my +golf—these things cost very little.’</p> +<p>‘But you must eat and drink, Frank. And as to +Jemima and the cook, it is really extraordinary the amount which +they consume.’</p> +<p>‘But the tendency is for meals to become much too +elaborate. Why that second vegetable?’</p> +<p>‘There now! I knew that you were going to say +something against that poor vegetable. It costs so +little.’</p> +<p>‘On an average, I have no doubt that it costs threepence +a day. Come now, confess that it does. Do you know +what threepence a day comes to in a year? There is no use +in having an accountant for a husband, if you can’t get at +figures easily. It is four pounds eleven shillings and +threepence.’</p> +<p>‘It does not seem very much.’</p> +<p>‘But for that money, and less, one could become a member +of the London Library, with the right to take out fifteen books +at a time, and all the world’s literature to draw +from. Now just picture it: on one side, all the books in +the world, all the words of the wise, and great, and witty; on +the other side, a lot of cauliflowers and vegetable-marrows and +French beans. Which is the better bargain?’</p> +<p>‘Good gracious, we shall never have a second vegetable +again!’</p> +<p>‘And pudding?’</p> +<p>‘My dear, you always eat the pudding.’</p> +<p>‘I know I do. It seems an obvious thing to do when +the pudding is there in front of me. But if it were not +there, I should neither eat it nor miss it, and I know that you +care nothing about it. There would be another five or six +pounds a year.’</p> +<p>‘We’ll have a compromise, dear. Second +vegetable one day, pudding the next.’</p> +<p>‘Very good.’</p> +<p>‘I notice that it is always after you have had a +substantial meal that you discuss economy in food. I wonder +if you will feel the same when you come back starving from the +City to-morrow? Now, sir, any other economy?’</p> +<p>‘I don’t think money causes happiness. But +debt causes unhappiness. And so we must cut down every +expense until we have a reserve fund to meet any unexpected +call. If you see any way in which I could save, or any +money I spend which you think is unjustifiable, I do wish that +you would tell me. I got into careless ways in my bachelor +days.’</p> +<p>‘That red golfing-coat.’</p> +<p>‘I know. It was idiotic of me.’</p> +<p>‘Never mind, dear. You look very nice in it. +After all, it was only thirty shillings. Can you show me +any extravagance of mine?’</p> +<p>‘Well, dear, I looked at that dressmaker’s bill +yesterday.’</p> +<p>‘O Frank, it is such a pretty dress, and you said you +liked it, and you have to pay for a good cut, and you said +yourself that a wife must not become dowdy after marriage, and it +would have cost double as much in Regent Street.’</p> +<p>‘I didn’t think the dress dear.’</p> +<p>‘What was it, then?’</p> +<p>‘The silk lining of the skirt.’</p> +<p>‘You funny boy!’</p> +<p>‘It cost thirty shillings extra. Now, what can it +matter if it is lined with silk or not?’</p> +<p>‘Oh, doesn’t it? Just you try one and +see.’</p> +<p>‘But no one can know that it is lined with +silk.’</p> +<p>‘When I rustle into a room, dear, every woman in it +knows that my skirt is lined with silk.’</p> +<p>Frank felt that he had ventured out of his depth, so he struck +out for land again.</p> +<p>‘There’s only one economy which I don’t +think is justifiable,’ said he, ‘and that is, to cut +down your subscriptions to charities. It is such a very +cheap way of doing things. Not that I do much in that +line—too little, perhaps. But to say that because +<i>we</i> want to economise, therefore some poor people are to +suffer, is a very poor argument. We must save at our own +expense.’</p> +<p>So now Frank, in his methodical fashion, had all his results +tabulated upon his sheet of foolscap. It was not a very +brilliant production, but it might serve as a chart for the +little two-oared boats until a better one is forthcoming. +It ran in this way—</p> +<blockquote><p style="text-align: center"><i>Maxims for the +Married</i></p> +<p>1. Since you are married, you may as well make the best +of it.</p> +<p>2. So make some maxims and try to live up to them.</p> +<p>3. And don’t be discouraged if you fail. You +will fail, but perhaps you won’t always fail.</p> +<p>4. Never both be cross at the same time. Wait your +turn.</p> +<p>5. Never cease to be lovers. If you cease, some +one else may begin.</p> +<p>6. You were gentleman and lady before you were husband +and wife. Don’t forget it.</p> +<p>7. Keep yourself at your best. It is a compliment +to your partner.</p> +<p>8. Keep your ideal high. You may miss it, but it +is better to miss a high one than to hit a low one.</p> +<p>9. A blind love is a foolish love. Encourage the +best in each other’s nature.</p> +<p>10. Permanent mutual respect is necessary for a +permanent mutual love. A woman can love without respect, +but a man cannot.</p> +<p>11. The tight cord is the easiest to snap.</p> +<p>12. Let there be one law for both.</p> +<p>13. There is only one thing worse than quarrels in +public. That is caresses.</p> +<p>14. Money is not essential to happiness, but happy +people usually have enough.</p> +<p>15. So save some.</p> +<p>16. The easiest way of saving is to do without +things.</p> +<p>17. If you can’t, then you had better do without a +wife.</p> +<p>18. The man who respects his wife does not turn her into +a mendicant. Give her a purse of her own.</p> +<p>19. If you save, save at your own expense.</p> +<p>20. In all matters of money, prepare always for the +worst and hope for the best.</p> +</blockquote> +<p>Such was their course as far as this ambitious young couple +could lay it. They may correct it by experience, and +improve it by use, but it is good enough to guide them safely out +to sea.</p> +<h2><a name="page128"></a><span class="pagenum">p. +128</span>CONFESSIONS</h2> +<p>‘<span class="smcap">Tell</span> me, Frank, did you ever +love any one before me?’</p> +<p>‘How badly trimmed the lamp is to-night!’ said +he. It was so bad that he went off instantly into the +dining-room to get another. It was some time before he +returned.</p> +<p>She waited inexorably until he had settled down again.</p> +<p>‘Did you, Frank?’ she asked.</p> +<p>‘Did I what?’</p> +<p>‘Ever love any one else?’</p> +<p>‘My dear Maude, what <i>is</i> the use of asking +questions like that?’</p> +<p>‘You said that there were no secrets between +us.’</p> +<p>‘No, but there are some things better left +alone.’</p> +<p>‘That is what I should call a secret.’</p> +<p>‘Of course, if you make a point of it—’</p> +<p>‘I do.’</p> +<p>‘Well, then, I am ready to answer anything that you +ask. But you must not blame me if you do not like my +answers.’</p> +<p>‘Who was she, Frank?’</p> +<p>‘Which?’</p> +<p>‘O Frank, more than one!’</p> +<p>‘I told you that you would not like it.’</p> +<p>‘Oh, I wish I had not asked you!’</p> +<p>‘Then do let us drop it.’</p> +<p>‘No, I can’t drop it now, Frank. You have +gone too far. You must tell me everything.’</p> +<p>‘Everything?’</p> +<p>‘Yes, everything, Frank.’</p> +<p>‘I am not sure that I can.’</p> +<p>‘Is it so dreadful as that?’</p> +<p>‘No, there is another reason.’</p> +<p>‘Do tell me, Frank.’</p> +<p>‘There is a good deal of it. You know how a modern +poet excused himself to his wife for all his pre-matrimonial +experiences. He said that he was looking for +her.’</p> +<p>‘Well, I do like that!’ she cried indignantly.</p> +<p>‘I was looking for you.’</p> +<p>‘You seem to have looked a good deal.’</p> +<p>‘But I found you at last.’</p> +<p>‘I had rather you had found me at first, +Frank.’ He said something about supper, but she was +not to be turned.</p> +<p>‘How many did you really love?’ she asked. +‘Please don’t joke about it, Frank. I really +want to know.’</p> +<p>‘If I choose to tell you a lie—’</p> +<p>‘But you won’t!’</p> +<p>‘No, I won’t. I could never feel the same +again.’</p> +<p>‘Well, then, how many did you love?’</p> +<p>‘Don’t exaggerate what I say, Maude, or take it to +heart. You see it depends upon what you mean by love. +There are all sorts and degrees of love, some just the whim of a +moment, and others the passion of a lifetime; some are founded on +mere physical passion, and some on intellectual sympathy, and +some on spiritual affinity.’</p> +<p>‘Which do you love me with?’</p> +<p>‘All three.’</p> +<p>‘Sure?’</p> +<p>‘Perfectly sure.’</p> +<p>She came over and the cross-examination was interrupted. +But in a few minutes she had settled down to it again.</p> +<p>‘Well, now—the first?’ said she.</p> +<p>‘Oh, I can’t, Maude—don’t.’</p> +<p>‘Come, sir—her name?’</p> +<p>‘No, no, Maude, that is going a little too far. +Even to you, I should never mention another woman’s +name.’</p> +<p>‘Who was she, then?’</p> +<p>‘Please don’t let us go into details. It is +perfectly <i>horrible</i>. Let me tell things in my own +way.’</p> +<p>She made a little grimace.</p> +<p>‘You are wriggling, sir. But I won’t be hard +upon you. Tell it your own way.’</p> +<p>‘Well, in a word, Maude, I was always in love with some +one.’</p> +<p>Her face clouded over.</p> +<p>‘Your love must be very cheap,’ said she.</p> +<p>‘It’s almost a necessity of existence for a +healthy young man who has imagination and a warm heart. It +was all—or nearly all—quite superficial.’</p> +<p>‘I should think all your love was superficial, if it can +come so easily.’</p> +<p>‘Don’t be cross, Maude. I had never seen you +at the time. I owed no duty to you.’</p> +<p>‘You owed a duty to your own self-respect.’</p> +<p>‘There, I knew we should have trouble over it. +What do you want to ask such questions for? I dare say I am +a fool to be so frank.’</p> +<p>She sat for a little with her face quite cold and set. +In his inmost heart Frank was glad that she should be jealous, +and he watched her out of the corner of his eye.</p> +<p>‘Well!’ said she at last.</p> +<p>‘Must I go on?’</p> +<p>‘Yes, I may as well hear it.’</p> +<p>‘You’ll only be cross.’</p> +<p>‘We’ve gone too far to stop. And I’m +not cross, Frank. Only pained a little. But I do +appreciate your frankness. I had no idea you were such +a—such a Mormon.’ She began to laugh.</p> +<p>‘I used to take an interest in every woman.’</p> +<p>‘“Take an interest” is good.’</p> +<p>‘That was how it began. And then if circumstances +were favourable the interest deepened, until at last, +naturally—well, you can understand.’</p> +<p>‘How many did you take an interest in?’</p> +<p>‘Well, in pretty nearly all of them.’</p> +<p>‘And how many deepened?’</p> +<p>‘Oh, I don’t know.’</p> +<p>‘Twenty?’</p> +<p>‘Well—rather more than that, I think.’</p> +<p>‘Thirty?’</p> +<p>‘Quite thirty.’</p> +<p>‘Forty?’</p> +<p>‘Not more than forty, I think.’</p> +<p>Maude sat aghast at the depths of his depravity.</p> +<p>‘Let me see: you are twenty-seven now, so you have loved +four women a year since you were seventeen.’</p> +<p>‘If you reckon it that way,’ said Frank, ‘I +am afraid that it must have been more than forty.’</p> +<p>‘It’s dreadful,’ said Maude, and began to +cry.</p> +<p>Frank knelt down in front of her and kissed her hands. +She had sweet little plump hands, very soft and velvety.</p> +<p>‘You make me feel such a brute,’ said he. +‘Anyhow, I love you now with all my heart and mind and +soul.’</p> +<p>‘Forty-firstly and lastly,’ she sobbed, half +laughing and half crying. Then she pulled his hair to +reassure him.</p> +<p>‘I can’t be angry with you,’ said she. +‘Besides, it would be ungenerous to be angry when you tell +me things of your own free will. You are not forced to tell +me. It is very honourable of you. But I do wish you +had taken an interest in me first.’</p> +<p>‘Well, it was not so fated. I suppose there are +some men who are quite good when they are bachelors. But I +don’t believe they are the best men. They are either +archangels upon earth—young Gladstones and Newmans—or +else they are cold, calculating, timid, un-virile creatures, who +will never do any good. The first class must be +splendid. I never met one except in memoirs. The +others I don’t want to meet.’</p> +<p>Women are not interested in generalities.</p> +<p>‘Were they nicer than me?’ she asked.</p> +<p>‘Who?’</p> +<p>‘Those forty women.’</p> +<p>‘No, dear, of course not. Why are you +laughing?’</p> +<p>‘Well, it came into my head how funny it would be, if +the forty were all gathered into one room, and you were turned +loose in the middle of them.’</p> +<p>‘Funny!’ Frank ejaculated. Women have such +extraordinary ideas of humour. Maude laughed until she was +quite tired.</p> +<p>‘It doesn’t strike you as comic?’ she cried +at last.</p> +<p>‘No, it doesn’t,’ he answered coldly.</p> +<p>‘Of course it wouldn’t,’ said she, and went +off into another ripple of pretty contralto laughter. There +is a soft, deep, rich laugh, which some women have, that is the +sweetest sound in Nature.</p> +<p>‘When you have quite finished,’ said he +huffily. Her jealousy was much more complimentary than her +ridicule.</p> +<p>‘All right now. Don’t be cross. If I +didn’t laugh I should cry. I’m so sorry if I +have annoyed you.’ He had gone back to his chair, so +she paid him a flying visit. ‘Satisfied?’</p> +<p>‘Not quite.’</p> +<p>‘Now?’</p> +<p>‘All right. I forgive you.’</p> +<p>‘That’s funny too. Fancy <i>you</i> +forgiving <i>me</i> after all these confessions. But you +never loved one of them all as you love me.’</p> +<p>‘Never.’</p> +<p>‘Swear it.’</p> +<p>‘I do swear it.’</p> +<p>‘Morally, and what do you call it, and the +other?’</p> +<p>‘Not one of them.’</p> +<p>‘And never will again?’</p> +<p>‘Never.’</p> +<p>‘Good boy for ever and ever?’</p> +<p>‘For ever and ever.’</p> +<p>‘And the forty were horrid?’</p> +<p>‘No, hang it, Maude, I can’t say that.’</p> +<p>She pouted and hung her head.</p> +<p>‘You do like them better, then?’</p> +<p>‘How absurd you are, Maude! If I had liked one +better, I should have married her.’</p> +<p>‘Well, yes, I suppose you would. You must have +taken a deeper interest in me than in the others, since you +married me. I hadn’t thought of that.’</p> +<p>‘Silly old girl! Of course I liked you best. +Let us drop the thing, and never talk about it any +more.’</p> +<p>‘Have you their photographs?’</p> +<p>‘No.’</p> +<p>‘None of them?’</p> +<p>‘No.’</p> +<p>‘What did you do with them?’</p> +<p>‘I never had most of them.’</p> +<p>‘And the others?’</p> +<p>‘I destroyed some when I married.’</p> +<p>‘That was nice of you. Aren’t you +sorry?’</p> +<p>‘No, I thought it was only right.’</p> +<p>‘Were you fondest of dark women or fair?’</p> +<p>‘Oh, I don’t know. <i>I</i> was never +pernickety in <i>my</i> tastes. You know those lines I read +you from Henley: “Handsome, ugly—all are +women.” That’s a bachelor’s +sentiment.’</p> +<p>‘But do you mean to say, sir—now, you are speaking +on your honour, that out of all these forty, there was not one +who was prettier than I am?’</p> +<p>‘Do let us talk of something else.’</p> +<p>‘And not one as clever?’</p> +<p>‘How absurd you are to-night, Maude!’</p> +<p>‘Come, answer me.’</p> +<p>‘I’ve answered you already.’</p> +<p>‘I did not hear you.’</p> +<p>‘Oh yes, you did. I said that I had married you, +and that shows that I liked you best. I don’t compare +you quality for quality against every one in the world. +That would be absurd. What I say is that your combination +of qualities is the one which is most dear to me.’</p> +<p>‘Oh, I see,’ said Maude dubiously. +‘How nice and frank you are!’</p> +<p>‘Now I’ve hurt you!’</p> +<p>‘Oh no, not in the least. I like you to be +frank. I should hate to think that there was anything you +did not dare to tell me.’</p> +<p>‘And you, Maude—would you be equally frank with +me?’</p> +<p>‘Yes, dear, I will. I feel that I owe it to you +after your confidence in me. I have had my little +experiences too.’</p> +<p>‘You!’</p> +<p>‘Perhaps you would rather that I said nothing about +them. What good can there be in raking up these old +stories?’</p> +<p>‘No, I had rather you told me.’</p> +<p>‘You won’t be hurt?’</p> +<p>‘No, no—certainly not.’</p> +<p>‘You may take it from me, Frank, that if any married +woman ever tells her husband that until she saw him she never +felt any emotion at the sight of another man, it is simple +nonsense. There may be women of that sort about, but I +never met them. I don’t think I should like them, for +they must be dry, cold, unsympathetic, unemotional, unwomanly +creatures.’</p> +<p>‘Maude, you have loved some one else!’</p> +<p>‘I won’t deny that I have been interested deeply +interested in several men.’</p> +<p>‘Several!’</p> +<p>‘It was before I had met you, dear. I owed you no +duty.’</p> +<p>‘You have loved several men.’</p> +<p>‘The feeling was for the most part quite +superficial. There are many different sorts and degrees of +love.’</p> +<p>‘Good God, Maude! How many men inspired this +feeling in you?’</p> +<p>‘The truth is, Frank, that a healthy young woman who has +imagination and a warm heart is attracted by every young +man. I know that you wish me to be frank and to return your +confidence. But there is a certain kind of young man with +whom I always felt my interest deepen.’</p> +<p>‘Oh, you did discriminate?’</p> +<p>‘Now you are getting bitter. I will say no +more.’</p> +<p>‘You have said too much. You must go on +now.’</p> +<p>‘Well, I was only going to say that dark men always had +a peculiar fascination for me. I don’t know what it +is, but the feeling is quite overpowering.’</p> +<p>‘Is that why you married a man with flaxen +hair?’</p> +<p>‘Well, I couldn’t expect to find every quality in +my husband, could I? It would not be reasonable. I +assure you, dear, that taking your <i>tout ensemble</i>, I like +you far the best of all. You may not be the handsomest, and +you may not be the cleverest—one cannot expect one’s +absolute ideal,—but I love you far, far the best of +any. I do hope I haven’t hurt you by anything I have +said.’</p> +<p>‘I am sorry I am not your ideal, Maude. It would +be absurd to suppose myself anybody’s ideal, but I hoped +always that the eyes of love transfigured an object and made it +seem all right. My hair is past praying for, but if you can +point out anything that I can mend—’</p> +<p>‘No, no, I want you just as you are. If I +hadn’t liked you best, I shouldn’t have married you, +Frank, should I?’</p> +<p>‘But those other experiences?’</p> +<p>‘Oh, we had better drop them. What good can it +possibly do to discuss my old experiences? It will only +annoy you.’</p> +<p>‘Not at all. I honour you for your frankness in +speaking out, although I acknowledge that it is a little +unexpected. Go on.’</p> +<p>‘I forget where I was.’</p> +<p>‘You had just remarked that before your marriage you had +love-affairs with a number of men.’</p> +<p>‘How horrid it sounds, doesn’t it?’</p> +<p>‘Well, it did strike me in that way.’</p> +<p>‘But that’s because you exaggerate what I +said. I said that I had been attracted by several +men.’</p> +<p>‘And that dark men thrilled you.’</p> +<p>‘Exactly.’</p> +<p>‘I had hoped that I was the first.’</p> +<p>‘It was not fated to be so. I could easily tell +you a lie, Frank, and say that you were, but I should never +forgive myself if I were to do such a thing. You see I left +school at seventeen, and I was twenty-three when I became engaged +to you. There are six years. Imagine all the dances, +picnics, parties, visitings of six years. I could not help +meeting young men continually. A good many were interested +in me, and I—’</p> +<p>‘You were interested in them.’</p> +<p>‘It was natural, Frank.’</p> +<p>‘Oh yes, perfectly natural. And then I understand +that the interest deepened.’</p> +<p>‘Sometimes. When you met a young man who was +interested several times running, at a dance, then in the street, +then in the garden, then a walk home at night—of course +your interest began to deepen.’</p> +<p>‘Yes.’</p> +<p>‘And then—’</p> +<p>‘Well, what was the next stage?’</p> +<p>‘Sure you’re not angry?’</p> +<p>‘No, no, not at all. Why don’t you keep the +key in the spirit-stand?’</p> +<p>‘It might tempt Jemima. Shall I get it?’</p> +<p>‘No, no, go on! The next stage was?’</p> +<p>‘Well, when you have been deeply interested some time, +then you begin to have experiences.’</p> +<p>‘Ah!’</p> +<p>‘Don’t shout, Frank.’</p> +<p>‘Did I shout? Never mind. Go on! You +had experiences.’</p> +<p>‘Why go into details?’</p> +<p>‘You must go on. You have said too much to +stop. I insist upon hearing the experiences.’</p> +<p>‘Not if you ask for them in that way, +Frank.’ Maude had a fine dignity of her own when she +liked.</p> +<p>‘Well, I don’t insist. I beg you to have +confidence in me, and tell me some of your +experiences.’</p> +<p>She leaned back in her armchair with her eyes half closed, and +a quiet retrospective smile upon her face.</p> +<p>‘Well, if you would really like to hear, Frank, as a +proof of my confidence and trust, I will tell you. You will +remember that I had not seen you at the time.’</p> +<p>‘I will make every excuse.’</p> +<p>‘I will tell you a single experience. It was my +first of the sort, and stands out very clearly in my +memory. It all came through my being left alone with a +gentleman who was visiting my mother.’</p> +<p>‘Yes!’</p> +<p>‘Well, we were alone in the room, you +understand.’</p> +<p>‘Yes, yes, go on!’</p> +<p>‘And he paid me many little compliments: kept saying how +pretty I was, and that he had never seen a sweeter girl, and so +on. You know what gentlemen would say?’</p> +<p>‘And you?’</p> +<p>‘Oh, I hardly answered him, but of course I was young +and inexperienced, and I could not help being flattered and +pleased at his words. I may have shown him what I felt, for +he suddenly—’</p> +<p>‘Kissed you!’</p> +<p>‘Exactly. He kissed me. Don’t walk up +and down the room, dear. It fidgets me.’</p> +<p>‘All right. Go on. Don’t stop. +After this outrage what happened next?’</p> +<p>‘You really want to know?’</p> +<p>‘I must know. What did you do?’</p> +<p>‘I am so sorry that I ever began, for I can see that it +is exciting you. Light your pipe, dear, and let us talk of +something else. It will only make you cross if I tell you +the truth.’</p> +<p>‘I won’t be cross. Go on. What did you +do?’</p> +<p>‘Well, Frank, since you insist—I kissed him +back.’</p> +<p>‘You—you kissed him back!’</p> +<p>‘You’ll have Jemima up if you go on like +that.’</p> +<p>‘You kissed him back!’</p> +<p>‘Yes, dear; it may be wrong, but I did.’</p> +<p>‘Good God! why did you do that?’</p> +<p>‘Well, I liked him.’</p> +<p>‘A dark man?’</p> +<p>‘Yes, he was dark.’</p> +<p>‘O Maude! Maude! Well, don’t +stop. What then?’</p> +<p>‘Then he kissed me several times.’</p> +<p>‘Of course he would, if you kissed him. What else +could you expect? And then?’</p> +<p>‘O Frank, I can’t.’</p> +<p>‘Go on. I am ready for anything!’</p> +<p>‘Well, do sit down, and don’t run about the +room. I am only agitating you.’</p> +<p>‘There, I am sitting. You can see that I am not +agitated. For Heaven’s sake, go on!’</p> +<p>‘He asked me if I would sit upon his knee.’</p> +<p>‘Yek!’</p> +<p>Maude began to laugh.</p> +<p>‘Why, Frank, you are croaking like a frog.’</p> +<p>‘I am glad you think it a laughing matter. Go +on! Go on! You yielded to his very moderate and +natural request. You sat upon his knee.’</p> +<p>‘Well, Frank, I did.’</p> +<p>‘Good heavens!’</p> +<p>‘Don’t be so excitable, dear. It was long +before I ever saw you.’</p> +<p>‘You mean to sit there and tell me in cold blood that +you sat upon this ruffian’s knee!’</p> +<p>‘What else could I do?’</p> +<p>‘What could you do? You could have screamed, you +could have rung the bell, you could have struck him—you +could have risen in the dignity of your insulted womanhood and +walked out of the room.’</p> +<p>‘It was not so easy for me to walk out of the +room.’</p> +<p>‘He held you?’</p> +<p>‘Yes, he held me.’</p> +<p>‘Oh, if I had been there!’</p> +<p>‘And there was another reason.’</p> +<p>‘What was that?’</p> +<p>‘Well, I wasn’t very good at walking at that +time. You see, I was only three years old.’</p> +<p>Frank sat for a few minutes absorbing it.</p> +<p>‘You little wretch!’ he said at last.</p> +<p>‘Oh you dear old goose! I feel so much +better.’</p> +<p>‘You horror!’</p> +<p>‘I had to get level with you over my forty +predecessors. You old Bluebeard! But I did harrow you +a little—didn’t I?’</p> +<p>‘Harrow me! I’m raw all over. +It’s a nightmare. O Maude, how could you have the +heart?’</p> +<p>‘Oh, it was lovely—beautiful!’</p> +<p>‘It was dreadful.’</p> +<p>‘And how jealous you were! Oh, I <i>am</i> so +glad!’</p> +<p>‘I don’t think,’ said Frank, as he put his +arms round her, ‘that I ever quite realised +before—’</p> +<p>And just then Jemima came in with the tray.</p> +<h2><a name="page146"></a><span class="pagenum">p. +146</span>CONCERNING MRS. BEETON</h2> +<p><span class="smcap">Frank Crosse</span> had only been married +some months when he first had occasion to suspect that his wife +had some secret sorrow. There was a sadness and depression +about her at times, for which he was unable to account. One +Saturday afternoon he happened to come home earlier than he was +expected, and entering her bedroom suddenly, he found her seated +in the basket-chair in the window, with a large book upon her +knees. Her face, as she looked up at him with a mixed +expression of joy and of confusion, was stained by recent +tears. She put the book hastily down upon the +dressing-stand.</p> +<p>‘Maude, you’ve been crying.’</p> +<p>‘No, Frank, no!’</p> +<p>‘O Maude, you fibber! Remove those tears +instantly.’ He knelt down beside her and +helped. ‘Better now?’</p> +<p>‘Yes, dearest, I am quite happy.’</p> +<p>‘Tears all gone?’</p> +<p>‘Quite gone.’</p> +<p>‘Well, then, explain!’</p> +<p>‘I didn’t mean to tell you, Frank!’ +She gave the prettiest, most provocative little wriggles as her +secret was drawn from her. ‘I wanted to do it without +your knowing. I thought it would be a surprise for +you. But I begin to understand now that my ambition was +much too high. I am not clever enough for it. But it +is disappointing all the same.’</p> +<p>Frank took the bulky book off the table. It was Mrs. +Beeton’s <i>Book of Household Management</i>. The +open page was headed, ‘General Observations on the Common +Hog,’ and underneath was a single large tear-drop. It +had fallen upon a woodcut of the Common Hog, in spite of which +Frank solemnly kissed it, and turned Maude’s trouble into +laughter.</p> +<p>‘Now you are all right again. I do hate to see you +crying, though you never look more pretty. But tell me, +dear, what was your ambition?’</p> +<p>‘To know as much as any woman in England about +housekeeping. To know as much as Mrs. Beeton. I +wanted to master every page of it, from the first to the +last.’</p> +<p>‘There are 1641 of them,’ said Frank, turning them +over.</p> +<p>‘I know. I felt that I should be quite old before +I had finished. But the last part, you see, is all about +wills, and bequests, and homeopathy, and things of that +kind. We could do it later. It is the early part that +I want to learn now—but it <i>is</i> so hard.’</p> +<p>‘But why do you wish to do it, Maude?’</p> +<p>‘Because I want you to be as happy as Mr. +Beeton.’</p> +<p>‘I’ll bet I am.’</p> +<p>‘No, no, you can’t be, Frank. It says +somewhere here that the happiness and comfort of the husband +depend upon the housekeeping of the wife. Mrs. Beeton must +have been the finest housekeeper in the world. Therefore, +Mr. Beeton must have been the happiest and most comfortable +man. But why should Mr. Beeton be happier and more +comfortable than my Frank? From the hour I read that I +determined that he shouldn’t be—and he won’t +be.’</p> +<p>‘And he isn’t.’</p> +<p>‘Oh, you think so. But then you know nothing about +it. You think it right because I do it. But if you +were visiting Mrs. Beeton, you would soon see the +difference.’</p> +<p>‘What an awkward trick you have of always sitting in a +window,’ said Frank, after an interval. +‘I’ll swear that the wise Mrs. Beeton never advocates +that—with half a dozen other windows within point-blank +range.’</p> +<p>‘Well, then, you shouldn’t do it.’</p> +<p>‘Well, then, you shouldn’t be so nice.’</p> +<p>‘You really still think that I am nice?’</p> +<p>‘Fishing!’</p> +<p>‘After all these months?’</p> +<p>‘Nicer and nicer every day.’</p> +<p>‘Not a bit tired?’</p> +<p>‘You blessing! When I am tired of you, I shall be +tired of life.’</p> +<p>‘How wonderful it all seems!’</p> +<p>‘Does it not?’</p> +<p>‘To think of that first day at the tennis-party. +“I hope you are not a very good player, Mr. +Crosse!”—“No, Miss Selby, but I shall be happy +to make one in a set.” That’s how we +began. And now!’</p> +<p>‘Yes, it is wonderful.’</p> +<p>‘And at dinner afterwards. “Do you like +Irving’s acting?”—“Yes, I think that he +is a great genius.” How formal and precise we +were! And now I sit curling your hair in a bedroom +window.’</p> +<p>‘It <i>does</i> seem funny. But I suppose, if you +come to think of it, something of the same kind must have +happened to one or two people before.’</p> +<p>‘But never quite like us.’</p> +<p>‘Oh no, never quite like us. But with a kind of +family resemblance, you know. Married people do usually end +by knowing each other a little better than on the first day they +met.’</p> +<p>‘What <i>did</i> you think of me, Frank?’</p> +<p>‘I’ve told you often.’</p> +<p>‘Well, tell me again.’</p> +<p>‘What’s the use when you know?’</p> +<p>‘But I like to hear.’</p> +<p>‘Well, it’s just spoiling you.’</p> +<p>‘I love to be spoiled.’</p> +<p>‘Well, then, I thought to myself—If I can only +have that woman for my own, I believe I will do something in life +yet. And I also thought—If I don’t get that +woman for my own, I will never, never be the same man +again.’</p> +<p>‘Really, Frank, the very first day you saw +me?’</p> +<p>‘Yes, the very first day.’</p> +<p>‘And then?’</p> +<p>‘And then, day by day, and week by week, that feeling +grew deeper and stronger, until at last you swallowed up all my +other hopes, and ambitions, and interests. I hardly dare +think, Maude, what would have happened to me if you had refused +me.’</p> +<p>She laughed aloud with delight.</p> +<p>‘How sweet it is to hear you say so! And the +wonderful thing is that you have never seemed disappointed. +I always expected that some day after marriage—not +immediately, perhaps, but at the end of a week or so—you +would suddenly give a start, like those poor people who are +hypnotised, and you would say, “Why, I used to think that +she was pretty! I used to think that she was sweet! +How could I be so infatuated over a little, insignificant, +ignorant, selfish, uninteresting—” O Frank, the +neighbours will see you?’</p> +<p>‘Well, then, you mustn’t provoke me.’</p> +<p>‘What <i>will</i> Mrs. Potter think?’</p> +<p>‘You should pull down the blinds before you make +speeches of that sort.’</p> +<p>‘Now do sit quiet and be a good boy.’</p> +<p>‘Well, then, tell me what you thought.’</p> +<p>‘I thought you were a very good +tennis-player.’</p> +<p>‘Anything else?’</p> +<p>‘And you talked nicely.’</p> +<p>‘Did I? I never felt such a stick in my +life. I was as nervous as a cat.’</p> +<p>‘That was so delightful. I do hate people who are +very cool and assured. I saw that you were disturbed, and I +even thought—’</p> +<p>‘Yes?’</p> +<p>‘Well, I thought that perhaps it was I who disturbed +you.’</p> +<p>‘And you liked me?’</p> +<p>‘I was very interested in you.’</p> +<p>‘Well, that is the blessed miracle which I can never get +over. You, with your beauty, and your grace, and your rich +father, and every young man at your feet, and I, a fellow with +neither good looks, nor learning, nor prospects, +nor—’</p> +<p>‘Be quiet, sir! Yes, you shall! +Now?’</p> +<p>‘By Jove, there <i>is</i> old Mrs. Potter at the +window! We’ve done it this time. Let us get +back to serious conversation again.’</p> +<p>‘How did we leave it?’</p> +<p>‘It was that hog, I believe. And then Mr. +Beeton. But where does the hog come in? Why should +you weep over him? And what are the Lady’s +Observations on the Common Hog?’</p> +<p>‘Read them for yourself.’</p> +<p>Frank read out aloud: ‘“The hog belongs to the +order Mammalia, the genus <i>sus scrofa</i>, and the species +<i>pachydermata</i>, or thick-skinned. Its generic +characters are a long, flexible snout, forty-two teeth, cloven +feet, furnished with four toes, and a tail, which is small, +short, and twisted, while, in some varieties, this appendage is +altogether wanting.”—But what on earth has all this +to do with housekeeping?’</p> +<p>‘That’s what <i>I</i> want to know. It is so +disheartening to have to remember such things. What does it +matter if the hog <i>has</i> forty-two toes. And yet, if +Mrs. Beeton knew it, one feels that one ought to know it +also. If once I began to skip, there would be no end to +it. But it really is such a splendid book in other +ways. It doesn’t matter what you want, you will find +it here. Take the index anywhere. Cream. If you +want cream, it’s all there. Croup. If you +want—I mean, if you don’t want croup, it will teach +you how not to get it. Crumpets—all about them. +Crullers—I’m sure you don’t know what a cruller +is, Frank.’</p> +<p>‘No, I don’t.’</p> +<p>‘Neither do I. But I could look it up and +learn. Here it is—paragraph 2847. It is a sort +of pancake, you see. That’s how you learn +things.’</p> +<p>Frank Crosse took the book and dropped it. It fell with +a sulky thud upon the floor.</p> +<p>‘Nothing that it can teach you, dear, can ever make up +to me if it makes you cry, and bothers you.—You bloated, +pedantic thing!’ he cried, in sudden fury, aiming a kick at +the squat volume. ‘It is to you I owe all those sad, +tired looks which I have seen upon my wife’s face. I +know my enemy now. You pompous, fussy old humbug, +I’ll kick the red cover off you!’</p> +<p>But Maude snatched it up, and gathered it to her bosom. +‘No, no, Frank, I don’t know what I should do without +it. You have no idea what a wise old book it is. Now, +sit there on the footstool at my feet, and I will read to +you.’</p> +<p>‘Do, dear; it’s delightful.’</p> +<p>‘Sit quiet, then, and be good. Now listen to this +pearl of wisdom: “As with the commander of an army, so it +is with the mistress of a house. Her spirit will be seen +through the whole establishment, and, just in proportion as she +performs her duties thoroughly, so will her domestics follow in +her path.”’</p> +<p>‘From which it follows,’ said her husband, +‘that Jemima must be a perfect paragon.’</p> +<p>‘On the contrary, it explains all Jemima’s +shortcomings. Listen to this: “Early rising is one of +the most essential qualities. When a mistress is an early +riser, it is almost certain that her house will be orderly and +well managed.”’</p> +<p>‘Well, you are down at nine—what more do you +want?’</p> +<p>‘At nine! I am sure that Mrs. Beeton was always up +at six.’</p> +<p>‘I have my doubts about Mrs. B. Methinks the lady +doth protest too much. I should not be very much surprised +to learn that she had breakfast in bed every morning.’</p> +<p>‘O Frank! You have no reverence for +anything.’</p> +<p>‘Let us have some more wisdom.’</p> +<p>‘“Frugality and Economy are home virtues without +which no household can prosper. Dr. Johnson says, +‘Frugality may be termed—’”</p> +<p>‘Oh, bother Dr. Johnson! Who cares for a +man’s opinion. Now, if it had been Mrs. +Johnson—!’</p> +<p>‘Johnson kept house for himself for years—and a +queer job he made of it.’</p> +<p>‘So I should think.’ Maude tossed her pretty +curls. ‘Mrs. Beeton is all right, but I will not be +lectured by Dr. Johnson. Where was I? Oh +yes—“‘We must always remember that to manage a +little well, is a great merit in housekeeping.”’</p> +<p>‘Hurrah! Down with the second vegetable! No +pudding on fish days. <i>Vive la bière de +Pilsen</i>!’</p> +<p>‘What a noisy boy you are!’</p> +<p>‘This book excites me. Anything more?’</p> +<p>“Friendships should not be hastily formed, nor the heart +given at once to every newcomer—”’</p> +<p>‘Well, I should hope not! Don’t let me catch +you at it! You don’t mind my cigarette? Has +Mrs. Beeton a paragraph about smoking in bedrooms?’</p> +<p>‘Such an enormity never occurred to her as a remote +possibility. If she had known you, dear, she would have had +to write an appendix to her book to meet all the new problems +which you would suggest. Shall I go on?’</p> +<p>‘Please do!’</p> +<p>‘She next treats conversation. “In +conversation, trifling occurrences such as small disappointments, +petty annoyances, and other everyday incidents, should never be +mentioned to friends. If the mistress be a wife, never let +a word in connection with her husband’s failings pass her +lips—”’</p> +<p>‘By Jove, this book has more wisdom to the square inch +than any work of man,’ cried Frank, in enthusiasm.</p> +<p>‘I thought that would please you. “Good +temper should be cultivated by every mistress, as upon it the +welfare of the household may be said to turn.”’</p> +<p>‘Excellent!’</p> +<p>‘“In starting a household, it is always best in +the long-run to get the very best articles of their +kind.”’</p> +<p>‘That is why I got you, Maude.’</p> +<p>‘Thank you, sir. We have a dissertation then upon +dress and fashion, another upon engaging domestics, another about +daily duties, another about visiting, another about fresh air and +exercise—’</p> +<p>‘The most essential of any,’ cried Frank, jumping +up, and pulling his wife by the arms out of her low +wicker-chair. ‘There is just time for nine holes at +golf before it is dark, if you wilt come exactly as you +are. But listen to this, young lady. If ever again I +see you fretting or troubling yourself about your household +affairs—’</p> +<p>‘No, no, Frank, I won’t!’</p> +<p>‘Well, if you do, Mrs. Beeton goes into the +kitchen-fire. Now remember?’</p> +<p>‘You are sure you don’t envy Mr. +Beeton?’</p> +<p>‘I don’t envy a man upon earth.’</p> +<p>‘Then why should I try to be Mrs. Beeton?’</p> +<p>‘Why indeed?’</p> +<p>‘O Frank, what a load off my mind! Those sixteen +hundred pages have just lain upon it for months. Dear old +boy! come on!’</p> +<p>And they clattered downstairs for their golf-clubs.</p> +<h2><a name="page158"></a><span class="pagenum">p. 158</span>MR. +SAMUEL PEPYS</h2> +<p><span class="smcap">There</span> were few things which Maude +liked so much as a long winter evening when Frank and she dined +together, and then sat beside the fire and made good cheer. +It would be an exaggeration to say that she preferred it to a +dance, but next to that supreme joy, and higher even than the +theatre in her scale of pleasures, were those serene and intimate +evenings when they talked at their will, and were silent at their +will, within their home brightened by those little jokes and +endearments and allusions which make up that inner domestic +masonry which is close-tiled for ever to the outsider. Five +or six evenings a week, she with her sewing and Frank with his +book, settled down to such enjoyment as men go to the ends of the +earth to seek, while it awaits them, if they will but atune their +souls to sympathy, beside their own hearthstones. Now and +again their sweet calm would be broken by a ring at the bell, +when some friend of Frank’s would come round to pay them an +evening visit. At the sound Maude would say +‘bother,’ and Frank something shorter and stronger, +but, as the intruder appeared, they would both break into, +‘Well, really now it <i>was</i> good of you to drop in upon +us in this homely way.’ Without such hypocrisy, the +world would be a hard place to live in.</p> +<p>I may have mentioned somewhere that Frank had a catholic taste +in literature. Upon a shelf in their bedroom—a relic +of his bachelor days—there stood a small line of his +intimate books, the books which filled all the chinks of his life +when no new books were forthcoming. They were all volumes +which he had read in his youth, and many times since, until they +had become the very tie-beams of his mind. His tastes were +healthy and obvious without being fine. Macaulay’s +<i>Essays</i>, Holmes’ <i>Autocrat</i>, Gibbons’ +<i>History</i>, Jefferies’ <i>Story of my Heart</i>, +Carlyle’s Life, Pepys’ <i>Diary</i>, and +Borrow’s <i>Lavengro</i> were among his inner circle of +literary friends. The sturdy East Anglian, half +prize-fighter, half missionary, was a particular favourite of +his, and so was the garrulous Secretary of the Navy. One +day it struck him that it would be a pleasant thing to induce his +wife to share his enthusiasms, and he suggested that the evenings +should be spent in reading selections from these old friends of +his. Maude was delighted. If he had proposed to read +the rig-vedas in the original Sanskrit, Maude would have listened +with a smiling face. It is in such trifles that a +woman’s love is more than a man’s.</p> +<p>That night Frank came downstairs with a thick well-thumbed +volume in his hand.</p> +<p>‘This is Mr. Pepys,’ said he solemnly.</p> +<p>‘What a funny name!’ cried Maude. ‘It +makes me think of indigestion. Why? Oh yes, pepsine, +of course.’</p> +<p>‘We shall take a dose of him every night after dinner to +complete the resemblance. But seriously, dear, I think that +now that we have taken up a course of reading, we should try to +approach it in a grave spirit, and endeavour to realise—Oh, +I say, don’t!’</p> +<p>‘I <i>am</i> so sorry, dear! I do hope I +didn’t hurt, you!’</p> +<p>‘You did—considerably.’</p> +<p>‘It all came from my having the needle in my hand at the +time—and you looked so solemn—and—well, I +couldn’t help it.’</p> +<p>‘Little wretch—!’</p> +<p>‘No, dear; Jemima may come in any moment with the +coffee. Now, do sit down and read about Mr. Pepys to +me. And first of all, would you mind explaining all about +the gentleman, from the beginning, and taking nothing for +granted, just as if I had never heard of him before.’</p> +<p>‘I don’t believe—’</p> +<p>‘Never mind, sir! Be a good boy and do exactly +what you are told. Now begin!’</p> +<p>‘Well, Maude, Mr. Pepys was born—’</p> +<p>‘What was his first name?’</p> +<p>‘Samuel.’</p> +<p>‘Oh dear, I’m sure I should not have liked +him.’</p> +<p>‘Well, it’s too late to change that. He was +born—I could see by looking, but it really doesn’t +matter, does it? He was born somewhere in sixteen hundred +and something or other, and I forget what his father +was.’</p> +<p>‘I must try to remember what you tell me.’</p> +<p>‘Well, it all amounts to this, that he got on very well +in the world, that he became at last a high official of the navy +in the time of Charles the Second, and that he died in fairly +good circumstances, and left his library, which was a fine one, +to one of the universities, I can’t remember +which.’</p> +<p>‘There is an accuracy about your information, +Frank—’</p> +<p>‘I know, dear, but it really does not matter. All +this has nothing to do with the main question.’</p> +<p>‘Go on, then!’</p> +<p>‘Well, this library was left as a kind of dust-catcher, +as such libraries are, until one day, more than a hundred years +after the old boy’s death, some enterprising person seems +to have examined his books, and he found a number of volumes of +writing which were all in cipher, so that no one could make head +or tail of them.’</p> +<p>‘Dear me, how very interesting!’</p> +<p>‘Yes, it naturally excited curiosity. Why should a +man write volumes of cipher? Imagine the labour of +it! So some one set to work to solve the cipher. This +was about the year 1820. After three years they +succeeded.’</p> +<p>‘How in the world did they do it?’</p> +<p>‘Well, they say that human ingenuity never yet invented +a cipher which human ingenuity could not also solve. +Anyhow, they did succeed. And when they had done so, and +copied it all out clean, they found they had got hold of such a +book as was never heard of before in the whole history of +literature.’</p> +<p>Maude laid her sewing on her lap, and looked across with her +lips parted and her eyebrows raised.</p> +<p>‘They found that it was an inner Diary of the life of +this man, with all his impressions, and all his doings, and all +his thoughts—not his ought-to-be thoughts, but his real, +real thoughts, just as he thought then at the back of his +soul. You see this man, and you know him very much better +than his own wife knew him. It is not only that he tells of +his daily doings, and gives us such an intimate picture of life +in those days, as could by no other means have been conveyed, but +it is as a piece of psychology that the thing is so +valuable. Remember the dignity of the man, a high +government official, an orator, a writer, a patron of learning, +and here you have the other side, the little thoughts, the mean +ideas which may lurk under a bewigged head, and behind a solemn +countenance. Not that he is worse than any of us. Not +a bit. But he is frank. And that is why the book is +really a consoling one, for every sinner who reads it can say to +himself, “Well, if this man who did so well, and was so +esteemed, felt like this, it is no very great wonder that I +do.”’</p> +<p>Maude looked at the fat brown book with curiosity. +‘Is it really all there?’ she asked.</p> +<p>‘No, dear, it will never all be published. A good +deal of it is, I believe, quite impossible. And when he +came to the impossible places, he doubled and trebled his cipher, +so as to make sure that it should never be made out. But +all that is usually published is here.’ Frank turned +over the leaves, which were marked here and there with +pencilings.</p> +<p>‘Why are you smiling, Frank?’</p> +<p>‘Only at his way of referring to his wife.’</p> +<p>‘Oh, he was married?’</p> +<p>‘Yes, to a very charming girl. She must have been +a sweet creature. He married her at fifteen on account of +her beauty. He had a keen eye for beauty had old +Pepys.’</p> +<p>‘Were they happy?’</p> +<p>‘Oh yes, fairly so. She was only twenty-nine when +she died!’</p> +<p>‘Poor girl!’</p> +<p>‘She was happy in her life—though he <i>did</i> +blacken her eye once.’</p> +<p>‘Not really?’</p> +<p>‘Yes, he did. And kicked the housemaid.’</p> +<p>‘Oh, the brute!’</p> +<p>‘But on the whole he was a good husband. He had a +few very good points about him.’</p> +<p>‘But how does he allude to his wife?’</p> +<p>‘He has a trick of saying, “my wife, poor +wretch!”’</p> +<p>‘Impertinent! Frank, you said to-night that other +men think what this odious Mr. Pepys says. Yes, you +did! Don’t deny it! Does that mean that you +always think of me as “poor wretch”?’</p> +<p>‘We have come along a little since then. But how +these passages take you back to the homely life of those +days!’</p> +<p>‘Do read some.’</p> +<p>‘Well, listen to this, “And then to bed without +prayers, to-morrow being washing-day.” Fancy such a +detail coming down to us through two centuries.’</p> +<p>‘Why no prayers?’</p> +<p>‘I don’t know. I suppose they had to get up +early on washing-days, and so they wanted to go to sleep +soon.’</p> +<p>‘I’m afraid, dear, you do the same without as good +an excuse. Read another!’</p> +<p>‘He goes to dine with some one—his uncle, I +think. He says, “An excellent dinner, but the venison +pasty was palpable beef, which was not +handsome.”’</p> +<p>‘How beautiful! Mrs. Hunt Mortimer’s sole +last week was palpable plaice. Mr. Pepys is right. It +was not handsome.’</p> +<p>‘Here’s another grand entry: “Talked with my +wife of the poorness and meanness of all that the people about us +do, compared with what we do.” I dare say he was +right, for they did things very well. When he dined out, he +says that his host gave him “the meanest dinner of beef, +shoulder and umbles of venison, and a few pigeons, and all in the +meanest manner that ever I did see, to the basest +degree.”</p> +<p>‘What are umbles, dear?’</p> +<p>‘I have no idea.’</p> +<p>‘Well, whatever they are, it sounds to me a very good +dinner. People must have lived very well in those +days.’</p> +<p>‘They habitually over-ate and over-drank +themselves. But Pepys gives us the menu of one of his own +entertainments. I’ve marked it somewhere. Yes, +here it is. “Fricassee of rabbits and chickens, a leg +of mutton boiled, three carps in a dish, a great dish of a side +of lamb, a dish of roasted pigeons, a dish of four lobsters, +three tarts, a lamprey pie (a most rare pie!), a dish of +anchovies, good wine of several sorts, and all things mighty +noble and to my great content.”’</p> +<p>‘Good gracious! I told you that I associated him +with indigestion.’</p> +<p>‘He did them pretty well that time.’</p> +<p>‘Who cooked all this?’</p> +<p>‘The wife helped in those days.’</p> +<p>‘No wonder she died at twenty-nine. Poor +dear! What a splendid kitchen-range they must have +had! I never understood before why they had such enormous +grates in the old days. Naturally, if you have six pigeons, +and a lamprey, and a lobster, and a side of lamb, and a leg of +mutton, and all these other things cooking at the same time, you +would need a huge fire.’</p> +<p>‘The wonderful thing about Pepys,’ said Frank, +looking thoughtfully over the pages, ‘is that he is capable +of noting down the mean little impulses of human nature, which +most men would be so ashamed of, that they would hasten to put +them out of their mind. His occasional shabbiness in money +matters, his jealousies, his envies, all his petty faults, which +are despicable on account of their pettiness. Fancy any man +writing this. He is describing how he visited a friend and +was reading a book from his library. “A very good +book,” says he, “especially one letter of advice to a +courtier, most true and good, which made me once resolve to tear +out the two leaves that it was writ in, but I forbore +it.” Imagine recording such a vile +thought.’</p> +<p>‘But what you have never explained to me yet, dear, or +if you did, I didn’t understand—you don’t mind +my being a little stupid, do you?—is, what object Mr. Pepys +had in putting down all this in such a form that no one could +read it.’</p> +<p>‘Well, you must bear in mind, dear, that he could read +it himself. Besides he was a fellow with a singularly +methodical side to his mind. He was, for example, +continually adding up how much money he had, or cataloguing and +indexing his library, and so on. He liked to have +everything shipshape. And so with his life, it pleased him +to have an exact record which he could turn to. And yet, +after all, I don’t know that that is a sufficient +explanation.’</p> +<p>‘No, indeed, it is not. My experience of +man—’</p> +<p>‘<i>Your</i> experience, indeed!’</p> +<p>‘Yes, sir, my experience of men—how rude you are, +Frank!—tells me that they have funny little tricks and +vanities which take the queerest shapes.’</p> +<p>‘Indeed! Have I any?’</p> +<p>‘You—you are compounded of them. Not +vanity—no, I don’t mean that. But +pride—you are as proud as Lucifer, and much too proud to +show it. That is the most subtle form of pride. Oh +yes, I know perfectly well what I mean. But in this +man’s case, it took the form of wishing to make a sensation +after his death. He could not publish such a thing when he +lived, could he?’</p> +<p>‘Rather not.’</p> +<p>‘Well, then, he had to do it after his death. He +had to write it in cipher, or else some one would have found him +out during his lifetime. But, very likely, he left a key to +the cipher, so that every one might read it when he was gone, but +the key and his directions were in some way lost.’</p> +<p>‘Well, it is very probable.’</p> +<p>The fire had died down, so Maude shipped off her chair, and +sat on the black fur rug, with her back against Frank’s +knees. ‘Now, dear, read away!’ said she.</p> +<p>But the lamp shone down upon her dainty head, and it gleamed +upon her white neck, and upon the fluffy, capricious, untidy, +adorable, little curlets, which broke out along the edges of the +gathered strands of her chestnut hair. And so, after the +fashion of men, his thoughts flew away from Mr. Pepys and the +seventeenth century, and all that is lofty and instructive, and +could fix upon nothing except those dear little wandering +tendrils, and the white column on which they twined. Alas, +that so small a thing can bring the human mind from its empyrean +flights! Alas, that vague emotions can drag down the +sovereign intellect! Alas, that even for an hour, a man +should prefer the material to the spiritual!</p> +<p>But the man who doesn’t misses a good deal.</p> +<h2><a name="page170"></a><span class="pagenum">p. 170</span>A +VISIT TO MR. SAMUEL PEPYS</h2> +<p><span class="smcap">There</span> are several unjustifiable +extravagances which every normal man commits. There are +also several unjustifiable economies. Among others, there +is that absurd eagerness to save the striking of a second match, +which occasions so many burned fingers, and such picturesque +language. And again, there is the desire to compress a +telegraphic message into the minimum sixpennyworth, and so send +an ambiguous and cryptic sentence, when sevenpence would have +made it as clear as light. We all tend to be stylists in +our telegrams.</p> +<p>A week after the conversation about Mr. Pepys, when some +progress had been made with the reading of the <i>Diary</i>, +Maude received the following wire from Frank—</p> +<blockquote><p>‘<span class="smcap">Mrs. +Crosse</span>. Woking.—Pepys buttered toast +suède gloves four Monument wait late.’</p> +</blockquote> +<p>As a sixpennyworth it was a success, but as a message it +seemed to leave something to be desired. Maude puzzled over +it, and tried every possible combination of the words. The +nearest approach to sense was when it was divided in this +way—Pepys—buttered toast—suède +gloves—four—Monument, wait late.</p> +<p>She wrote it out in this form, and took it section by +section. ‘Pepys,’ that was +unintelligible. ‘Buttered toast,’ no sense in +that. ‘Suède gloves,’ yes, she had told +Frank that when she came to town, she would buy some suède +gloves at a certain shop in the City, where she could get for +three and threepence a pair which would cost her three and +ninepence in Woking. Maude was so conscientiously +economical, that she was always prepared to spend two shillings +in railway fares to reach a spot where a sixpence was to be +saved, and to lavish her nerve and energy freely in the +venture. Here, then, in the suède gloves, was a +central point of light. And then her heart bounded with +joy, as she realised that the last part could only mean that she +was to meet Frank at the Monument at four, and that she was to +wait for him if he were late.</p> +<p>So, now, returning to the opening of the message, with the +light which shone from the ending, she realised that buttered +toast might refer to a queer little City hostel, remarkable for +that luxury, where Frank had already taken her twice to +tea. And so leaving Mr. Pepys to explain himself later, +Maude gave hurried orders to Jemima and the cook, and dashed +upstairs to put on her new fawn-coloured walking-dress—a +garment which filled her with an extraordinary mixture of delight +and remorse, for it was very smart, cost seven guineas, and had +not yet been paid for.</p> +<p>The rendezvous was evidently a sudden thought upon the part of +Frank, for he had left very little time for her to reach the +trysting-place. However, she was fortunate in catching a +train to Waterloo, and another thence to the City, and so reached +the Monument at five minutes to four. The hour was just +striking when Frank, with his well-brushed top-hat and immaculate +business frock-coat, came rushing from the direction of King +William Street. Maude held out her hand and he shook it, +and then they both laughed at the formality.</p> +<p>‘I am so glad you were able to come, dearest. How +you do brighten up the old City!’</p> +<p>‘Do I? I felt quite lonely until you came. +Nothing but droves of men—and all staring.’</p> +<p>‘It’s your dress.’</p> +<p>‘Oh, thank you, sir!’</p> +<p>‘Entirely that pretty brown—’</p> +<p>‘Brown! Fawn colour.’</p> +<p>‘Well, that’s brown. Anyhow, it looks +charming. And so do you—by Jove you do, Maude! +Come this way!’</p> +<p>‘Where are we going?’</p> +<p>‘By underground. Here we are.—Two second +singles, Mark Lane, please!—No, that’s for the +west-end trains. Down here! Next train, the man +says.’</p> +<p>They were in the mephitic cellar, with the two long wooden +platforms where the subterranean trains land or load their +freights. A strangling gas tickled their throats and set +them coughing. It was all dank and dark and gloomy. +But little youth and love care for that! They were bubbling +over with the happiness of this abnormal meeting. Both +talked together in their delight, and Maude patted Frank’s +sleeve with every remark. They could even illuminate all +that was around them, by the beauty and brightness of their own +love. It went the length of open praise for their +abominable surroundings.</p> +<p>‘Isn’t it grand and solemn?’ said +Maude. ‘Look at the black shadows.’</p> +<p>‘When they come to excavate all this some thousands of +years hence, they will think it was constructed by a race of +giants,’ Frank answered.</p> +<p>‘The modern works for the benefit of the community are +really far greater than those which sprang from the caprice of +kings. The London and North-Western Railway is an +infinitely grander thing than the pyramids. Look at the two +headlights in the dark!’</p> +<p>Two sullen crimson discs glowed in the black arch of the +tunnel. With a menacing and sinister speed, they grew and +grew until roaring they sprang out of the darkness, and the long, +dingy train, with a whining of brakes, drew up at the +platform.</p> +<p>‘Here’s one nearly empty,’ said Frank, with +his hand on the handle.</p> +<p>‘Don’t you think—’ said Maude.</p> +<p>‘Yes, I do,’ cried Frank.</p> +<p>And they got into one which was quite empty. For the +underground railway is blessed as regards privacy above all other +lines, and where could a loving couple be more happy, who have +been torn apart by cruel fate for seven long hours or so? +It was with a groan that Frank remarked that they had reached +Mark Lane.</p> +<p>‘Bother!’ said Maude, and wondered if there were +any shop near where she could buy hairpins. As every lady +knows, or will know, there is a very intimate connection between +hairpins and a loving husband.</p> +<p>‘Now, Frank, about your telegram.’</p> +<p>‘All right, dear. Come along where I lead you, and +you will understand all about it.’</p> +<p>They passed out of Mark Lane Station and down a steep and +narrow street to the right. At the bottom lay an old +smoke-stained church with a square tower, and a small open +churchyard beside it.</p> +<p>‘That’s the church of Saint Olave,’ said +Frank. ‘We are going into it.’</p> +<p>He pushed open a folding oaken door, and they found themselves +inside it. Rows of modern seats filled the body of it, but +the walls and windows gave an impression of great +antiquity. The stained glass—especially that which +surmounted the altar—contained those rich satisfying +purples and deep deep crimsons which only go with age. It +was a bright and yet a mellow light, falling in patches of vivid +colour upon the brown woodwork and the grey floors. Here +and there upon the walls were marble inscriptions in the Latin +tongue, with pompous allegorical figures with trumpets, for our +ancestors blew them in stone as well as in epitaphs over their +tombs. They loved to die, as they had lived, with dignity +and with affectation. White statues glimmered in the +shadows of the corners. As Frank and his wife passed down +the side-aisle, their steps clanged through the empty and silent +church.</p> +<p>‘Here he is!’ said Frank, and faced to the +wall.</p> +<p>He was looking up at the modern representation of a gentleman +in a full and curly wig. It was a well-rounded and comely +face, with shrewd eyes and a sensitive mouth. The face of a +man of affairs, and a good fellow, with just that saving touch of +sensuality about it which makes an expression human and +lovable. Underneath was printed—</p> +<blockquote><p style="text-align: center">SAMUEL PEPYS</p> +<p style="text-align: center">Erected by public subscription</p> +<p style="text-align: center">1883.</p> +</blockquote> +<p>‘Oh, isn’t he nice?’ said Maude.</p> +<p>‘He’s not a bad-looking chap, is he?’</p> +<p>‘I don’t believe that man ever could have struck +his wife or kicked the maid.’</p> +<p>‘That’s calling him a liar.’</p> +<p>‘Oh dear, I forgot that he said so himself. Then I +suppose he must have done it. What a pity it +seems.’</p> +<p>‘Cheer up! We must say what the old heathen lady +said when they read the gospels to her.’</p> +<p>‘What did she say?’</p> +<p>‘She said, “Well, it was a long time ago, and +we’ll hope that it wasn’t true!”’</p> +<p>‘O Frank, how can you tell such stories in a +church. Do you really suppose that Mr. Pepys is in that +wall?’</p> +<p>‘I presume that the monument marks the grave.’</p> +<p>‘There’s a little bit of plaster loose. Do +you think I might take it?’</p> +<p>‘It isn’t quite the thing.’</p> +<p>‘But it can’t matter, and it isn’t wrong, +and we are quite alone.’ She picked off the little +flake of plaster, and her heart sprang into her mouth as she did +so, for there came an indignant snort from her very elbow, and +there was a queer little smoke-dried, black-dressed person who +seemed to have risen, like the Eastern genii or a modern genius, +in a single instant. A pair of black list slippers +explained the silence of his approach.</p> +<p>‘Put that back, young lady,’ said he severely.</p> +<p>Poor Maude held out her guilty relic on the palm of her +hand. ‘I am so sorry,’ said she. ‘I +am afraid I cannot put it back.’</p> +<p>‘We’ll ’ave the ’ole church picked to +pieces at this rate,’ said the clerk. ‘You +shouldn’t ’ave done it, and it was very +wrong.’ He snorted and shook his head.</p> +<p>‘It’s of no consequence,’ said Frank. +‘The plaster was hanging, and must have fallen in any +case. Don’t make a fuss about a trifle.’</p> +<p>The clerk looked at the young gentleman and saw defiance in +one of his eyes and half a crown in the other.</p> +<p>‘Well, well!’ he grumbled. ‘It shows +as the young lady takes an interest, and that’s more than +most. Why, sir, if you’ll believe me, there’s +not one in a hundred that comes to this church that ever +’eard of Pepys. “Pepys!” says they. +“’Oo’s Pepys?” “The +Diarist,” says I. “Diarist!” says they, +“wot’s a Diarist?” I could sit down +sometimes an’ cry. But maybe, miss, you thought as +you were picking that plaster off ’is grave?’</p> +<p>‘Yes, I thought so.’</p> +<p>The clerk chuckled.</p> +<p>‘Well, it ain’t so. I’ll tell you +where ’e really lies, if you’ll promise you +won’t pick another chunk off that. Well, then, +it’s there—beside the communion. I saw +’im lyin’ there with these very eyes, and ’is +wife in the coffin beneath ’im.’</p> +<p>‘You saw him?’</p> +<p>‘Yes, sir, I saw ’im, an’ that’s more +than any livin’ man could say, for there were only four of +us, and the other three are as dead as Pepys by now.’</p> +<p>‘Oh do tell us about it!’ cried Maude.</p> +<p>‘Well, it was like this, miss. We ’ad to +examine to see ’ow much room there was down there, and so +we came upon them.’</p> +<p>‘And what did you see?’</p> +<p>‘Well, miss, ’is coffin lay above, and ’is +wife’s below, as might be expected, seeing that she died +thirty years or so before ’im. The coffins was very +much broken, an’ we could see ’im as clear us I can +see you. When we first looked in I saw ’im lying +quite plain—a short thick figure of a man—with +’is ’ands across ’is chest. And then, +just as we looked at ’im, ’e crumbled in, as you +might say, across ’is breast bone, an’ just quietly +settled down into a ’uddle of dust. It’s a way +they ’as when the fresh air strikes ’em. +An’ she the same, an’ ‘is dust just fell +through the chinks o’ the wood and mixed itself with +’ers.’</p> +<p>‘O Frank!’ Maude’s ready tears sprang +to her eyes. She put her hand upon her husband’s and +was surprised to find how cold it was. Women never realise +that the male sex is the more sensitive. He had not said, +‘O Maude!’ because he could not.</p> +<p>‘They used some powder like pepper for embalmin’ +in those days,’ said the clerk. ‘And the +vicar—it was in old Bellamy’s time—’e +took a sniff into the grave, an’ ’e sneezed an’ +sneezed till we thought we should ’ave to fetch a +doctor. ’Ave you seen Mrs. Pepys’ +tomb?’</p> +<p>‘No, we have only just come.’</p> +<p>‘That’s it on the left of the common.’</p> +<p>‘With the woman leaning forward?’</p> +<p>‘Yes, sir. That’s Mrs. Pepys +herself.’</p> +<p>It was an arch laughing face, the face of a quite young woman; +the sculptor had depicted her as leaning forward in an animated +and natural attitude. Below was engraved—</p> +<blockquote><p style="text-align: center">Obiit</p> +<p style="text-align: center">X<sup>o</sup> Novembris</p> +<p style="text-align: center">Ætatis 29</p> +<p style="text-align: center">Conjugii 15</p> +<p style="text-align: center">Anno Domini 1669.</p> +</blockquote> +<p>‘Poor dear!’ whispered Maude.</p> +<p>‘It was hard that she should die just as her husband was +becoming famous and successful,’ said Frank. +‘She who had washed his shirts, and made up the coal fires, +when they lived in a garret together. What a pity that she +could not have a good time!’</p> +<p>‘Ah well, if she loved him, dear, she had a good time in +the garret.’</p> +<p>Maude was leaning forward with her face raised to look at the +bust of the dead woman, which also leaned forward as if to look +down upon her. A pair of marble skulls flanked the +lady’s grave. A red glow from the evening sun struck +through a side-window and bathed the whole group in its ruddy +light. As Frank, standing back in the shadow, ran his eyes +from the face of the dead young wife to that of his own sweet, +girlish bride, with those sinister skulls between, there came +over him like a wave, a realisation of the horror which lies in +things, the grim close of the passing pageant, the black gloom, +which swallows up the never-ending stream of life. Will the +spirit wear better than the body; and if not, what infernal +practical joke is this to which we are subjected!</p> +<p>‘It will. It must,’ he said.</p> +<p>‘<i>Why</i>, Frank—Frank dear, what is the +matter? You are quite pale.’</p> +<p>‘Come out into the air, Maude. I have had enough +of this stuffy old church.’</p> +<p>‘Stuffy!’ said the clerk. ‘Well, +we’ve ’ad the Lord Mayor ’ere at least once a +year, an’ ’e never found it stuffy. A cleaner, +fresher church you won’t find in the city of London. +It’s ’ad its day, I’ll allow. There was a +time—and I can remember it—when folk used to spend +their money where they made it, and the plate would be full of +paper and gold, where now we find it ’ard enough to get +coppers. That was fifty year ago, when I was a young +clerk. You might not think it, but I’ve seen a Lord +Mayor, a past Lord Mayor, and a Lord Mayor elect of the city of +London, all sitting on one bench in this very church. And +<i>you</i> call it stuffy!’</p> +<p>Frank soothed the wounded feelings of the old clerk, and +explained that by stuffy he meant interesting. He also +shook hands with him in a peculiar way as he held his palm +upturned in the small of his back. Then Maude and he +retraced their steps up the narrow street which is called +Seething Lane.</p> +<p>‘Poor old boy! What was it, then?’ asked +Maude, looking up with her sympathetic eyes. It is at such +moments that a man realises what the companionship of women +means. The clouds melted before the sun.</p> +<p>‘What an ass I was! I began to think of all sorts +of horrible things. Never mind, Maude! We are out for +a holiday. Hang the future! Let us live in the +present.’</p> +<p>‘I always do,’ said Maude, and she spoke for her +sex.</p> +<p>‘Well, what now? Buttered toast or suède +gloves?’</p> +<p>‘Business first!’ said Maude primly, and so +proceeded to save her sixpence on the gloves. As she was +tempted, however (‘such a civil obliging shopman, +Frank!’), to buy four yards of so-called Astrakhan +trimming, a frill of torchon lace, six dear little festooned +handkerchiefs, and four pairs of open-work stockings—none +of which were contemplated when she entered the shop—her +sixpenny saving was not as brilliant a piece of finance as she +imagined.</p> +<p>And then they finished their excursion in the dark, +wainscotted, low-ceilinged coffee-room of an old-fashioned inn, +once the mother of many coaches, and now barren and deserted, but +with a strange cunning in the matter of buttered toast which had +come down from more prosperous days. It was a new waiter +who served them, and he imagined them to be lovers and scented an +intrigue; but when they called for a second plate of toast and a +jug of boiling water, he recognised the healthy appetite of the +married. And then, instead of going home like a good little +couple, Maude suddenly got it into her head that it would cheer +away the last traces of Frank’s gloom if they went to see +‘Charley’s Aunt’ at the Globe. So they +loitered and shopped for a couple of hours, and then squeezed +into the back of the pit; and wedged in among honest, hearty folk +who were not ashamed to show their emotions, they laughed until +they were tired. And so home, as their friend Pepys would +have said, after such a day as comes into the memory, shining +golden among the drab, when old folk look back, and think of the +dear dead past. May you and I, reader, if ever we also come +to sit in our final armchairs in the chimney corners, have many +such to which our minds may turn, sweet and innocent and +fragrant, to cheer us in those darksome hours to come.</p> +<h2><a name="page185"></a><span class="pagenum">p. +185</span>TROUBLE</h2> +<p><span class="smcap">One</span> evening Frank came home with a +clouded face. His wife said nothing, but after dinner she +sat on a footstool beside his chair and waited. She knew +that if it were for the best, he would tell her everything, and +she had confidence enough in his judgment to acquiesce in his +silence if he thought it best to be silent. As a matter of +fact, it was just this telling her which made his trouble hard to +bear. And yet he thought it wiser to tell.</p> +<p>‘I’ve had something to worry me, dear.’</p> +<p>‘Poor old boy, I know you have. What was +it?’</p> +<p>‘Why should I bother you with it?’</p> +<p>‘A nice wife I should be, if I shared all your joys and +none of your sorrows! Anyhow, I had rather share sorrow +with you than joy within any one else.’ She snuggled +her head up against his knee. ‘Tell me about it, +Frank.’</p> +<p>‘You remember my telling you just before our marriage +that I was surety for a man?’</p> +<p>‘I remember perfectly well.’</p> +<p>‘His name was Farintosh. He was an +insurance-agent, and I became surety for him in order to save his +situation.’</p> +<p>‘Yes, dear, it was so noble of you.’</p> +<p>‘Well, Maude, he was on the platform this morning, and +when he saw me, he turned on his heel and hurried out of the +station. I read guilt in his eyes. I am sure that his +accounts are wrong again.’</p> +<p>‘Oh, what an ungrateful wretch!’</p> +<p>‘Poor devil, I dare say he has had a bad time. But +I was a fool not to draw out of that. It was all very well +when I was a bachelor. But here I am as a married man faced +with an indefinite liability and nothing to meet it with. I +don’t know what is to become of us, Maude.’</p> +<p>‘How much is it, dearest?’</p> +<p>‘I don’t know. That is the worst of +it.’</p> +<p>‘But surely your own office would not be so hard upon +you?’</p> +<p>‘It is not my own office. It is another +office—the Hotspur.’</p> +<p>‘Oh dear! What have you done about it, +Frank?’</p> +<p>‘I called at their office in my lunch-hour, and I +requested them to send down an accountant to examine +Farintosh’s books. He will be here to-morrow morning, +and I have leave of absence for the day.’</p> +<p>And so they were to spend an evening and a night without +knowing whether they were merely crippled or absolutely +ruined. Frank’s nature was really a very proud one, +and the thought of failing in his engagements wounded his +self-respect most deeply. His nerves winced and quivered +before it. But her sweet, strong soul rose high above all +fear, and bore him up with her, into the serenity of love and +trust and confidence. The really precious things, the +things of the spirit, were permanent, and could not be +lost. What matter if they lived in an eight-roomed villa, +or in a tent out on the heath? What matter if they had two +servants, or if she worked for him herself? All this was +the merest trifle, the outside of life. But the intimate +things, their love, their trust, their pleasures of mind and +soul, these could not be taken away from them while they had life +to enjoy them. And so she soothed Frank with sweet caresses +and gentle words, until this night of gloom had turned to the +most beautiful of all his life, and he had learned to bless the +misfortune which had taught him to know the serene courage and +the wholehearted devotion which can only be felt, like the scent +of a fragrant leaf, when Fate gives us a crush between its iron +fingers.</p> +<p>Shortly after breakfast Mr. Wingfield, the accountant from +London, arrived—a tall, gentlemanly man, with a formal +manner.</p> +<p>‘I’m sorry about this business, Mr. Crosse,’ +said he.</p> +<p>Frank made a grimace. ‘It can’t be +helped.’</p> +<p>‘We will hope that the amount is not very serious. +We have warned Mr. Farintosh that his books will be inspected +to-day. When you are ready we shall go round.’</p> +<p>The agent lived in a side-street not far off. A brass +plate, outside a small brick house, marked it out from the line +of other small brick houses. A sad-faced woman opened the +door, and Farintosh himself, haggard and white, was seated among +his ledgers in the little front room. A glance at the +man’s helpless face turned all Frank’s resentment to +pity.</p> +<p>They sat down at the table, the accountant in the centre, +Farintosh on the right, and Frank on the left. There was no +talk save an occasional abrupt question and answer. For two +hours the swish and rustle of the great blue pages of the ledgers +were the chief sound, with the scratching of Mr. +Wingfield’s pen as he totalled up long columns of +figures. Frank’s heart turned to water as he saw the +huge sums which had passed through this man’s hands. +How much had remained there? His whole future depended upon +the answer to that question. How prosaic and undramatic are +the moments in which a modern career is made or marred! In +this obscure battlefield, the squire no longer receives his +accolade in public for his work well done, nor do we see the +butcher’s cleaver as it hacks off the knightly spurs, but +failure and success come strangely and stealthily, determined by +trifles, and devoid of dignity. Here was the crisis of +Frank’s young life, in this mean front room, amongst the +almanacs and the account-books.</p> +<p>‘Can I rely upon these figures?’ asked Wingfield +at last.</p> +<p>‘You can, sir.’</p> +<p>‘In that case I congratulate you, Mr. Crosse. I +can only find a deficiency of fifty pounds.’</p> +<p>Only enough to swallow the whole of their little savings, +which they had carefully invested! However, it was good +news, and Frank shook the proffered hand of the accountant.</p> +<p>‘I will stay for another hour to check these +figures,’ said Wingfield. ‘But there is no need +to detain you.’</p> +<p>‘You will come round and lunch with us?’</p> +<p>‘With pleasure.’</p> +<p>‘<i>Au revoir</i>, then.’ Frank ran all the +way home, and burst in upon his wife. ‘It is not so +very bad, dear—only fifty pounds.’ They danced +about in their joy like two children.</p> +<p>But Wingfield came to his lunch within a solemn face.</p> +<p>‘I am very sorry to disappoint you,’ he said, +‘but the matter is more serious than I thought. We +have entered some sums as unpaid which he has really received, +but the receipts for which he has held back. They amount to +another hundred pounds.’</p> +<p>Maude felt inclined to cry as she glanced at Frank, and saw +his resolute effort to look unconcerned.</p> +<p>‘Then it’s a hundred and fifty.’</p> +<p>‘Certainly not less. I have marked the items down +upon this paper for your inspection.’</p> +<p>Frank glanced his practised eyes over the results of the +accountant’s morning’s work.</p> +<p>‘You have credited him within a hundred and twenty +pounds in the bank, I see.’</p> +<p>‘Yes, his bank-book shows a balance of that +amount.’</p> +<p>‘When was it made out?’</p> +<p>‘Last Saturday.’</p> +<p>‘He may have drawn it since them.’</p> +<p>‘It is certainly possible.’</p> +<p>‘We might go round after lunch and make sure.’</p> +<p>‘Very good.’</p> +<p>‘And in any case, as it is the Company’s money, +don’t you think we had better take it out of his +hands?’</p> +<p>‘Yes, I think you are right.’</p> +<p>It was a miserable meal, and they were all glad when it was +finished. Maude drew Frank into the other room before he +started.</p> +<p>‘I could not let you go without <i>that</i>, +dearest. Keep a brave heart, my own laddie, for I know so +well that we shall come through it all right.’</p> +<p>So Frank set out with a higher courage, and they both returned +to the agent’s house. His white face turned a shade +whiter when he understood their errand.</p> +<p>‘Is this necessary, Mr. Wingfield?’ he +pleaded. ‘Won’t you take my word for this +money?’</p> +<p>‘I am sorry to have to say it, sir, but we have trusted +in your word too often.’</p> +<p>‘But the money is there, I swear it.’</p> +<p>‘It is the Company’s money, and we must have +it.’</p> +<p>‘It will ruin my credit locally if I draw out my whole +account under compulsion.’</p> +<p>‘Then let him keep ten pounds in,’ said +Frank. Farintosh agreed with an ill grace to the +compromise, and they all started off for the bank. When +they reached the door the agent turned upon them with an +appealing face.</p> +<p>‘Don’t come in with me, gentlemen. I could +never hold up my head again.’</p> +<p>‘It is for Mr. Crosse to decide.’</p> +<p>‘I don’t want to be unreasonable, Farintosh. +Go in alone and draw the money.’</p> +<p>They could never understand why he begged for that extra five +minutes. Perhaps it was that he had some mad hope of +persuading the bank manager to allow him to overdraw to that +amount. If so, the refusal was a curt one, for he +reappeared with a ghastly face and walked up to Frank.</p> +<p>‘I may as well confess to you, Mr. Crosse, I have +nothing in the bank.’</p> +<p>Frank whistled and turned upon his heel. He could not by +reproaches add to the wretched man’s humiliation. +After all, he had himself to blame. He had incurred a risk +with his eyes open, and he was not the man to whine now that the +thing had gone against him. Wingfield walked home with him +and murmured some words of sympathy. At the gate the +accountant left him and went on to the station.</p> +<p>So their liability had risen from fifty to two hundred and +seventy pounds. Even Maude was for an instant daunted by +the sum. The sale of their furniture would hardly meet +it. It was the blackest hour of their lives, and yet, +always a strange sweet undercurrent of joy was running through +it, for it is only sorrow, fairly shared and bravely borne, which +can weld two human souls together.</p> +<p>Dinner was over when there came a ring at the bell.</p> +<p>‘If you please, sir, Mr. Farintosh would like to see +you,’ said the maid Jemima.</p> +<p>‘Show him in here.’</p> +<p>‘Don’t you think, Frank, that I had better +go?’</p> +<p>‘No, I don’t. I never asked him to +come. If he comes, let him face us both. I have not +made much of my dealings with him alone.’</p> +<p>He was shown in, downcast, shifty-eyed, and ill at ease. +He laid his hat upon the floor, and crept humbly towards the +chair which Frank pushed towards him.</p> +<p>‘Well, Farintosh?’</p> +<p>‘Well, Mr. Crosse, I have come round to tell you, and +you too, missus, the sorrow I feel that I have brought this +trouble upon you. I hoped all would have gone right after +that last time, but I’ve had to pay up back debts, and +that’s what has put me wrong. I’ve never had +what one may call a fair chance. But I’m really +sorry, sir, that you who have, as one might say, befriended me, +should have to suffer for it in this way.’</p> +<p>‘Words won’t mend it, Farintosh. I only +blame you for not coming to me when first things began to go +wrong.’</p> +<p>‘Well, sir, I was always hoping that I could turn them +right again, so as you wouldn’t need to be troubled at +all. And so it went from bad to worse until we find +ourselves here. But what I wanted to ask you, Mr. Crosse, +was what you meant to do about it?’</p> +<p>Frank writhed before this home question.</p> +<p>‘Well, I suppose I am responsible,’ said he.</p> +<p>‘You mean to pay the money, sir?’</p> +<p>‘Well, somebody must pay it.’</p> +<p>‘Do you remember the wording of the bond, Mr. +Crosse?’</p> +<p>‘Not the exact wording.’</p> +<p>‘Well, sir, I should advise you to get your lawyer to +read it. In my opinion, sir, you are not liable at +all.’</p> +<p>‘Not liable!’ Frank felt as if his heart had +turned suddenly from a round-shot to an air-balloon. +‘Why not liable?’</p> +<p>‘You were a little slapdashy, if one might say so, in +matters of business, sir, and perhaps you read that bond less +carefully than I did. There was a clause in it by which the +Company agreed frequently and periodically to audit my accounts, +so as to prevent your liability being at any time a very high +one.’</p> +<p>‘So there was!’ cried Frank. ‘Well, +didn’t they?’</p> +<p>‘No, sir, they didn’t.’</p> +<p>‘By Jove—Maude, do you hear that?—if that is +right, they brought their own misfortunes upon themselves. +Do you mean to say they never audited you?’</p> +<p>‘Yes, sir, they did so four times.’</p> +<p>‘In how long?’</p> +<p>‘In fourteen months.’</p> +<p>The air-balloon was gone and the cannon-ball back in its place +once more.</p> +<p>‘That will be held to exonerate them.’</p> +<p>‘No, sir, I think not. “Frequently and +periodically” does not mean four times in fourteen +months.’</p> +<p>‘A jury might take it so.’</p> +<p>‘Consider, sir, that the object was that your liability +should be limited. Thousands of pounds were passing through +my hands in that time, and therefore these four audits were, as +one might say, insufficient for the object of the +bond.’</p> +<p>‘So I think,’ cried Maude, with conviction. +‘Frank, we’ll have the best advice upon the subject +to-morrow.’</p> +<p>‘And meanwhile, Mr. Crosse,’ said Farintosh, +rising from his chair, ‘I am your witness, whether the +Company prosecutes me or not. And I hope that this will be +some humble atonement for the trouble that I have brought +you.’</p> +<p>And so a first rift of light began to shine in the dark +place. But it was not broadened by the letter which he +found waiting upon his breakfast-table—</p> +<blockquote><p style="text-align: center"><i>Re</i> +Farintosh’s Accounts.</p> +<p style="text-align: right"><span class="smcap">Hotspur +Insurance Office</span>.</p> +<p><span class="smcap">Dear Sir</span>,—On arriving in +London I came here at once, and checked Farintosh’s +accounts from the books of the head office. I am sorry to +say that I find a further discrepancy of seventy pounds. I +am able, however, to assure you that we have now touched +bottom. The total amount is three hundred and forty pounds, +and a cheque for that sum at your early convenience would oblige +us, as we are anxious to bring so unpleasant a business to a +conclusion.—Yours truly,</p> +<p style="text-align: right"><span class="smcap">James +Wingfield</span>.</p> +</blockquote> +<p>To which Frank and Maude in collaboration—</p> +<blockquote><p><span class="smcap">Dear Sir</span>,—I note +your claim for £340 on account of the affairs of your agent +Farintosh. I am advised, however, that there have been +certain irregularities in the matter, about which I must make +some investigation before paying the claim.—Yours +truly,</p> +<p style="text-align: right"><span class="smcap">Frank +Crosse</span>.</p> +</blockquote> +<p>To which the Hotspur Insurance Office—</p> +<blockquote><p><span class="smcap">Sir</span>,—Had your +letter been a plea for more time to fulfil your engagement, we +should have been content to wait; but since you appear disposed +to dispute your liability, we have no alternative but to take +immediate steps to enforce payment.—Yours truly,</p> +<p style="text-align: right"><span class="smcap">John +Waters</span>, <i>Secretary</i>.</p> +</blockquote> +<p>To which Frank and Maude—</p> +<blockquote><p><span class="smcap">Sir</span>,—My +solicitor, A. C. R. Owen, of 14 Shirley Lane, E.C., will be happy +to accept service.</p> +</blockquote> +<p>Which is the correct legal English for ‘You may go to +the devil!’</p> +<p>But this is an anticipation. In the meantime, having +received the original letter and answered it, Frank went up to +town as usual, while Maude played the more difficult part of +waiting quietly at home. In his lunch-hour Frank went to +see his friend and solicitor, who in turn obtained leave to see +the bond, and came back with a grave face.</p> +<p>‘You have a case,’ said he, ‘but by no means +a certainty. It all depends upon how the judge might read +the document. I think that it would strengthen our case +very materially if we had counsel’s opinion. +I’ll copy the bond and show it to Manners, and have his +opinion before you go back to-night.’</p> +<p>So Frank went round again after office-hours, and found Owen +waiting in very low spirits, for their relations were closer than +those of mere solicitor and client.</p> +<p>‘Very sorry,’ said he.</p> +<p>‘Opinion against us.’</p> +<p>‘Dead against us.’</p> +<p>Frank tried to look as if he didn’t mind.</p> +<p>‘Let me see it.’</p> +<p>It was a long blue document with the heading, ‘The +Hotspur Insurance Company, Limited, <i>v.</i> Frank +Crosse.’</p> +<p>‘I have perused the case submitted to me, and the papers +accompanying the same,’ said the learned counsel, +‘and in my opinion the Hotspur Insurance Company, Limited, +are entitled to recover from Mr. Crosse under his guarantee, the +sum of £340, being monies received by Mr. Farintosh, and +not paid over by him to the said Company.’ There was +a great deal more, but it was anticlimax.</p> +<p>‘Well, what shall we do?’ asked Frank +helplessly. The British law makes one feel so.</p> +<p>‘Well, I should stand out, if I were you. There is +certainly a chance.’</p> +<p>‘Look here, old chap,’ said Frank, ‘I may as +well be honest with you. If this thing goes against me, I +am stony broke. I don’t know where your costs are +coming from.’</p> +<p>‘Don’t bother about that,’ said Owen +kindly. ‘After all, Manners is not infallible. +Let us have Holland, and see what he can make of it.’</p> +<p>So twenty-four hours later Frank found Owen radiant with +another opinion in his hand.</p> +<p>‘Dead for us this time. Look here!’</p> +<p>And he read out, ‘I have carefully considered the case +submitted to me for my opinion, and the documents sent +therewith. In my opinion the Hotspur Insurance Company, +Limited, are not entitled to recover against Mr. Crosse the sum +claimed by them or any part thereof, as there has been a breach +on their part of an essential condition of the +guarantee.’ ‘He reads “frequently and +periodically” as we do,’ continued Owen, glancing +over the long document, ‘and he is very clear as to our +case.’</p> +<p>‘Suppose we have another, and try the best of +three,’ said Frank.</p> +<p>‘It’s too expensive a game. No, Holland is a +sound man, and his opinion would weigh with any judge. I +think we have enough to go on with.’</p> +<p>‘And you think it is safe?’</p> +<p>‘No, no, nothing is ever safe in the law. But we +can make a fight of it now.’</p> +<p>And now Frank was to learn what it meant to be entangled in an +intricate clumsy old machine, incredibly cumbrous and at the same +time incredibly powerful, jolting along with its absurd forms and +abominable English towards an end which might or might not be +just, but was most certainly ruinously expensive. The game +began by a direct letter from the Queen, of all people, an honour +which Frank had never aspired to before, and certainly never did +again.</p> +<p>Victoria, by the grace of God, of the United Kingdom of Great +Britain and Ireland, Queen, Defender of the Faith, remarked +abruptly to Frank Crosse of Woking, in the county of Surrey, +‘We command you that within eight days of the service of +this writ on you, inclusive of the day of such service, you cause +an appearance to be entered for you in an action at the suit of +the Hotspur Insurance Company, Limited.’ If he +didn’t do so, Her Majesty remarked that several very +unpleasant things might occur, and Hardinge Stanley, Earl of +Halsbury, corroborated Her Majesty. Maude was frightened to +death when she saw the document, and felt as if unawares they +must have butted up against the British Constitution, but Owen +explained that it was only a little legal firework, which meant +that there might be some trouble later.</p> +<p>‘Well, at any rate,’ said Frank, ‘it means +that in eight days it will all be over.’</p> +<p>Owen laughed heartily at the remark.</p> +<p>‘It means,’ said he, ‘that in eight days we +must promise that at some future date we will begin to make +preparations for something to happen in the future. That is +about the meaning of it. All you can do now is to be +perfectly philosophic, and leave the rest to me.’</p> +<p>But how is a man with a capital of fifty pounds going to be +philosophic when he is fighting an opponent whose assets, as a +certain hoarding near Clapham Junction told him every morning, +exceeded three millions of pounds. He treated it lightly to +Maude, and she to him, but each suffered horribly, and each was +well aware of the other’s real feelings. Sometimes +there was a lull, and they could almost believe that the whole +thing was over. And then the old machine gave a creak, and +the rusty cog-wheels took one more turn, and they both felt the +horrid thing which held them.</p> +<p>First of all, they had to enter appearances, which meant that +they would dispute the action. Then the other side had to +make an affidavit verifying their claim. Then a Master had +to pronounce whether the action should be treated offhand, or +whether he would listen to what they had to say about it. +He decided to listen to what was to be said. Then each side +claimed to see the other’s documents, +‘discovery’ they called it, as if the documents were +concealed, and they had to hunt for them stealthily with +lanterns. Then each made remarks about the other’s +documents, and claimed to see the remarks so made. Then the +lawyers of the Company made a statement of their claim, and when +she read it Maude burst into tears, and said that it was all +over, and they must make the best of it, and she should never +forgive herself for that new dress in the spring. And then +Frank’s lawyer drew up a defence, and when Frank heard it, +he said, ‘Why, what a silly business it seems! They +have not got a leg to stand upon.’ And so, after all +these flourishes and prancings, the two parties did actually +begin to show signs of coming to a hearing after all, and a day +was fixed for the trial. By a coincidence it was +Frank’s birthday. ‘There’s a good +omen!’ cried Maude.</p> +<p>The first herald of the approaching conflict was a seedy +person, who thrust a paper into Frank’s hand as he emerged +from The Lindens in the morning. It was another letter from +Her Majesty, in which sub pœnâ (Her Majesty has not a +gracious way of putting things in these documents), Mr. Frank +Crosse had ‘to attend at the Royal Courts of Justice, +Strand, at the sittings of the Queen’s Bench Division of +our High Court of Justice, to give evidence on behalf of the +Hotspur Company.’</p> +<p>This seemed to Frank to be a most unexpected and fearsome +stroke, but Owen simply laughed.</p> +<p>‘That is mere bluff,’ said he. ‘It +makes me think that they are weakening. They want to +frighten you.’</p> +<p>‘They did,’ said Frank.</p> +<p>‘Two can play at that game. We must keep a bold +front.’</p> +<p>‘What do you mean to do?’</p> +<p>‘To subpœna all their crowd.’</p> +<p>‘Capital!’ cried Frank. So a clerk was sent +across to the Hotspur office with a whole bundle of +subpœnas, and served them liberally out. And in two +days’ time was the day of battle.</p> +<h2><a name="page204"></a><span class="pagenum">p. 204</span>A +RESCUE</h2> +<p><span class="smcap">As</span> the day fixed for the hearing +drew near, Ruin lived with them by day and slept with them by +night. Its dark shadow covered their lives, and they moved +in the gloom of its presence. If the trial went against +them, and Owen in his most hopeful moods did not disguise from +them that it might, they would have to pay the double costs as +well as the original claim. All that they possessed would +not cover it. On the other hand, if they won, this rich +Company might carry the matter to a higher Appeal Court, and so +involve them in a fresh succession of anxieties and +expenses. Do what they would, there was always +danger. Frank said little, and he slept little also.</p> +<p>One night, just before the trial, Wingfield, the accountant of +the Society, came down to Woking. He had managed the case +all through for the directors. His visit was a sort of +ultimatum.</p> +<p>‘We are still ready to pay our own law-costs,’ +said he, ‘if you will allow the original claim.’</p> +<p>‘I can’t do that,’ said Frank doggedly.</p> +<p>‘The costs are piling up at a furious rate, and some one +will have to pay them.’</p> +<p>‘I hope that it will be you.’</p> +<p>‘Well, don’t say afterwards that I did not warn +you. My dear Crosse, I assure you that you are being +misled, and that you have not really got a leg to stand +upon.’</p> +<p>‘That’s what the trial is about,’ said +Frank.</p> +<p>He kept a bold face to the enemy, but after Wingfield’s +departure, Maude saw that his confidence was greatly shaken.</p> +<p>‘He seemed very sure of their case,’ said +he. ‘He would not speak like that if he did not +know.’</p> +<p>But Maude took quite another view.</p> +<p>‘If they know that they can recover their money in +court, why should they send Mr. Wingfield down in this +way.’</p> +<p>‘He is such a good chap—he wants to save us +expense.’</p> +<p>Maude was less trusting.</p> +<p>‘He is doing the best for his own side,’ said +she. ‘It is his duty, and we can’t blame +him. But if he thought it best to get behind his own +lawyers and come down here, then he must have some doubts about +going into court. Perhaps he would be willing to consider +some compromise.’</p> +<p>But Frank only shook his head.</p> +<p>‘We have drawn the cork, and we must drink the +wine,’ said he. ‘We have gone too far to +stop. Any compromise which they would accept would be as +much out of our power to pay as the whole sum would be, and so we +may just as well see it through.’ But for once Maude +did not take his opinion as final, but lay awake all night and +thought it over. She had determined to begin acting upon +her own account, and she was so eager to try what she could do +that she lay longing for the morning to break. When she +came down to breakfast, her plan of campaign was formed.</p> +<p>‘I am coming up to town with you, Frank.’</p> +<p>‘Delighted to hear it, dear.’ When she had +shopping to do, she frequently went up with him, so it did not +surprise him. What would have surprised him was to know +that she had despatched three telegrams, by means of Jemima, +before he was up.</p> +<blockquote><p>‘To John Selby, 53 Fenchurch Street, +E.C. Will call eleven o’clock. Important +business.—</p> +<p style="text-align: right"><span +class="smcap">Maude</span>.’</p> +<p>‘To Lieutenant Selby, the Depôt, Canterbury. +Please come up next train, meet me Fenchurch Street, eleven +thirty. Important.—<span +class="smcap">Maude</span>.’</p> +<p>‘To Owen, 14 Shirley Lane, E.C. Will call twelve +o’clock. Important.—<span class="smcap">mrs. +Crosse</span>.’</p> +</blockquote> +<p>So she had opened her campaign.</p> +<p>‘By the way, Frank,’ said she, as they travelled +up together, ‘to-morrow is your birthday.’</p> +<p>‘Yes, dear, it is,’ he answered lugubriously.</p> +<p>‘Dear me! What shall I give my boy for a birthday +present? Nothing you particularly want?’</p> +<p>‘I have all I want,’ said he, looking at her.</p> +<p>‘Oh, but I think I could find something. I must +look round when I am in town.’</p> +<p>She began her looking round by a visit to her father in +Fenchurch Street. It was something new for him to get +telegrams from Maude upon business, and he was very much +surprised.</p> +<p>‘Looking remarkably well, my dear. Your appearance +is a certificate of character to your husband. Well, and +how is all at Woking? I hope the second cook proved to be a +success.’</p> +<p>But Maude was not there for small talk. ‘Dear +dad,’ said she, ‘I want you to stand by me, for I am +in trouble. Now, my dear good dad, please see things from +my point of view, and don’t make objections, and do exactly +what I ask you.’ She threw her arms round his neck +and gave him a hearty squeeze.</p> +<p>‘Now I call that exerting undue pressure,’ said +he, extricating his white head. ‘If this sort of +thing is allowed in the city of London, there is an end of all +business.’ However, his eyes twinkled and looked as +if he liked it. ‘Now madame, what can I do for +you?’</p> +<p>‘I’m going to be perfectly business-like,’ +said she, and gave him another squeeze before sitting down. +‘Look here, dad. You give me an income of fifty +pounds a year, don’t you?’</p> +<p>‘My dear girl, I can’t raise it. +Jack’s expenses in the Hussars—’</p> +<p>‘I don’t want you to raise it.’</p> +<p>‘What do you want?’</p> +<p>‘I seem to remember, dad, that you told me that this +fifty pounds was the interest on a thousand pounds which was +invested for me.’</p> +<p>‘So it is—five per cent. debentures.’</p> +<p>‘Well, dad, if I were content with an income of +twenty-five pounds a year instead of fifty pounds, then I could +take five hundred pounds out of my money, and nobody would be the +worse.’</p> +<p>‘Except yourself.’</p> +<p>Maude laughed at that.</p> +<p>‘I want the use of the money just for one day. I +certainly won’t need it all. I just want to feel that +I have as much as that in case I need it. Now, my dear old +daddy, do please not ask any questions, but be very nice and +good, and tell me how I can get these five hundred +pounds.’</p> +<p>‘And you won’t tell me why you want +them?’</p> +<p>‘I had rather not—but I will if you +insist.’</p> +<p>Old Selby looked into the brave, clear eyes of his daughter, +and he did not insist.</p> +<p>‘Look here! You’ve got your own little +banking account, have you not?’</p> +<p>‘Yes, dad.’</p> +<p>‘That’s right. Never mix it up with your +husband’s.’ He scribbled a cheque. +‘Pay that in! It is for five hundred pounds. I +will sell half your debentures and charge you with +brokerage. I believe in strict business between +relatives. When you pay back the five hundred pounds, your +allowance will be fifty a year once more.’</p> +<p>Maude then and there endorsed the cheque and posted it to her +bank. Then with a final embrace to her father, she hastened +out to further victories. Jack Selby was smoking a +cigarette upon the doorstep.</p> +<p>‘Hullo, Maude! Calling up the reserves? +What’s the matter? Jolly lucky it wasn’t my day +on duty. You girls think a soldier has nothing to do. +It was so once, but we are all scientific blokes now. No, +thank you, I won’t see the dad! He’d think I +had come for money, and it would upset him for the +day.’</p> +<p>Maude took her brother in the cab with her, and told him the +whole story of Frank’s misfortune, with some account of her +own intentions. Jack was vastly interested.</p> +<p>‘What did dad say about it?’</p> +<p>‘I didn’t tell him. I thought Frank would +rather not.’</p> +<p>‘Quite right. He won’t mind me. He +knows I’m a bit of a business man myself. Only signed +a paper once in my life, and quite a small paper too, and I +haven’t heard the last of it yet. The thing +wasn’t much bigger than a postcard, but the fuss those +people made afterwards! I suppose they’ve been +worrying Frank.’</p> +<p>‘We have had no peace for months.’</p> +<p>‘Worry is bad for the young. But he should not +mind. He should go on fizzing like I did. Now +we’ll put this thing through together, Maude. I see +your line, and I’ll ride it with you.’</p> +<p>They found Mr. Owen at home, and Maude did the talking.</p> +<p>‘I am convinced, Mr. Owen, that they don’t want to +go into court. Mr. Wingfield coming down like that proves +it. My husband is too proud to bargain with them, but I +have no scruples. Don’t you think that I might go to +Mr. Wingfield myself, and pay the three hundred and forty pounds, +and so have done with the worry for ever?’</p> +<p>‘Speaking as a lawyer,’ said Owen, ‘I think +that it is very irregular. Speaking as a man, I think no +harm could come of it. But I should not like you to offer +the whole sum. Simply say that you are prepared for a +reasonable compromise, and ask them to suggest what is the lowest +sum which the office would accept to close the +business.’</p> +<p>‘You leave it with me,’ said Jack, winking at the +lawyer. ‘I am seeing her through. I’ll +keep her on the rails. I am Number 1, Class A, at +business. We’ll take ’em up one link in the +curb if they try any games with us! Come on, Maude, and get +it over.’</p> +<p>He was an excellent companion for her, for his buoyancy turned +the whole thing into fun. She could not take it too +seriously in his company. They called at the Hotspur office +and asked to see Mr. Wingfield. He was engaged, but Mr. +Waters, the secretary, a very fat, pompous man, came in to +them.</p> +<p>‘I am very sorry,’ said he, ‘very sorry, +indeed, Mrs. Crosse, but it is too late for any compromise of the +sort. We have our costs to consider, and there is no +alternative but for the case to go into court.’</p> +<p>Poor Maude nearly burst into tears.</p> +<p>‘But suppose that we were to offer—’</p> +<p>‘To give you an hour to think it over,’ cried +Jack.</p> +<p>Mr. Waters shook, his head despondently.</p> +<p>‘I do not think that we should alter our decision. +However, Mr. Wingfield will be here presently, and he will, of +course, listen to any representations which you may have to +make. In the meantime you must excuse me, as I have matters +of importance to attend to.’</p> +<p>‘Why, Maude, you little Juggins,’ cried Jack, when +the door was shut, ‘you were just going to offer to pay +their costs. I only just headed you off in time.’</p> +<p>‘Well, I was going to inquire about it.’</p> +<p>‘Great Scot, it’s lucky you’ve got a +business man at your elbow. I couldn’t stand that +chap at any price. A bit too hairy in the fetlocks for my +taste. Couldn’t you see that he was only +bluffing?’</p> +<p>‘How do you know, Jack?’</p> +<p>‘It was shining all over him. Do you suppose a man +has bought as many hairies as I have, and can’t tell when a +dealer is bluffing? He was piling it on so that when the +next Christmas-tree comes along, he may find a soft job waiting +for him. I tell you you want a friendly native, like me, +when you get into this kind of country. Now ride this one +on the curb, and don’t let him have his head for a +moment.’</p> +<p>Mr. Wingfield had entered, and his manner was very different +to that of the secretary. He had great sympathy with the +Crosses, and no desire to wash the Company’s dirty linen in +public. He was, therefore, more anxious than he dared to +show to come to some arrangement.</p> +<p>‘It is rather irregular for me to see you. I +should refer you to our solicitors,’ said he.</p> +<p>‘Well, we saw you when you came to Woking,’ said +Maude. ‘I believe that we are much more likely to +come to an arrangement if we talk it over ourselves.’</p> +<p>‘I am sure I earnestly hope so,’ Wingfield +answered. ‘I shall be delighted to listen to anything +which you may suggest. Do you, in the first place, admit +your liability?’</p> +<p>‘To some extent,’ said Maude, ‘if the +Company will admit that they are in the wrong also.’</p> +<p>‘Well, we may go so far as to say that we wish the books +had been inspected more often, and that we regret our misplaced +confidence in our agent. That should satisfy you, Mrs. +Crosse. And now that you admit <i>some</i> liability, that +is a great step in advance. We have no desire to be +unreasonable, but as long as no liability was admitted, we had no +course open to us but litigation. We now come to the +crucial point, which is, how much liability should fall upon +you. My own idea is, that each should pay their own costs, +and that you should, in addition, pay over to the +Company—’</p> +<p>‘Forty pounds,’ said Jack firmly.</p> +<p>Maude expected Mr. Wingfield to rise up and leave the +room. As he did not do so, nor show any signs of violence, +she said, ‘Yes, forty pounds.’</p> +<p>He shook his head.</p> +<p>‘Dear me, Mrs. Crosse, this is a very small +sum.’</p> +<p>‘Forty pounds is our offer,’ said Jack.</p> +<p>‘But on what is this offer based?’</p> +<p>‘We have worked it out,’ said Jack, ‘and we +find that forty pounds is right.’</p> +<p>Mr. Wingfield rose from his chair.</p> +<p>‘Well,’ said he, ‘of course any offer is +better than no offer. I cannot say what view the directors +may take of this proposal, but they will hold a board meeting +this afternoon, and I will lay it before them.’</p> +<p>‘And when shall we know?’</p> +<p>‘I could send you round a line by hand to your +solicitor.’</p> +<p>‘No hurry about it! Quite at your own +convenience!’ said Jack. When he got outside, in the +privacy of their hansom, he was convulsed with the sense of his +own achievements.</p> +<p>‘Class A, Number 1, and mentioned at the Agricultural +Hall,’ he cried, hugging himself in his delight. His +sister hugged him also, so he was a much-embraced young +man. ‘Am I not a man of business, Maude? You +can’t buy ’em—you must breed ’em. +One shilling with the basket. I shook him in the first +round, and he never rallied after.’</p> +<p>‘You are a dear good boy. You did +splendidly.’</p> +<p>‘That’s the way to handle ’em. He saw +that I was a real fizzer and full of blood. One business +man can tell another at a glance.’</p> +<p>Maude laughed, for Jack, with his cavalry swagger and a white +weal all round his sunburned face to show where his chin-strap +hung, looked the most unbusiness-like of mortals.</p> +<p>‘Why did you offer forty pounds?’ she asked.</p> +<p>‘Well, you have to begin somewhere.’</p> +<p>‘But why forty?’</p> +<p>‘Because it is what we offer when we are buying the +hairies—trooper’s chargers, you know. +It’s a great thing to have a fixed rule in business. +I never go higher than forty—rule one, section one, and no +exceptions in the margin.’</p> +<p>They lunched together at the Holborn, and Jack took Maude +afterwards to what he called ‘a real instructive +show,’ which proved to be a horse-sale at +Tattersall’s. They then drove back to the +lawyer’s, and there they found a letter waiting addressed +to Mrs. Crosse. Maude tore it open.</p> +<p>‘Dear Mrs. Crosse,’ said this delightful note, +‘I am happy to be able to inform you that the directors +have decided to stop the legal proceedings, and to accept your +offer of forty pounds in full satisfaction of all claims due +against your husband.’</p> +<p>Maude, Jack, and the good Owen performed a triumphant <i>pas +de trois</i>.</p> +<p>‘You have done splendidly, Mrs. Crosse, +splendidly!’ cried Owen. ‘I never heard a +better day’s work in my life. Now, if you will give +me your cheque and wait here, I will go over and settle +everything.’</p> +<p>‘And please bring the bond back with you,’ said +Maude.</p> + +<div class="gapspace"> </div> +<p>So it was that Frank, coming down upon the morning of his +birthday, perceived a pretty silver cigarette-box laid in front +of his plate.</p> +<p>‘Is this for me, my darling?’</p> +<p>‘Yes, Frank, a wee present from your wife.’</p> +<p>‘How sweet of you! I never saw such a lovely +case. Why, there’s something inside it.’</p> +<p>‘Cigarettes, I suppose.</p> +<p>‘No, it is a paper of some kind. “Hotspur +Insurance Company.” Good Lord, I never seem for one +instant to be able to shake that infernal thing off! How on +earth did it get in there? What’s +this?—“I hereby guarantee to you—” +What’s this? Maude, Maude, what have you been +doing?’</p> +<p>‘Dear old boy,’ she cried, as she put her arms +round him. ‘Dear old boy! Oh, I <i>do</i> feel +so happy!’</p> +<h2><a name="page218"></a><span class="pagenum">p. 218</span>THE +BROWNING SOCIETY</h2> +<p><span class="smcap">It</span> all began by Mrs. Hunt Mortimer, +the smart little up-to-date wife of the solicitor, saying to Mrs. +Beecher, the young bride of the banker, that in a place like +Woking it was very hard to get any mental friction, or to escape +from the same eternal grooves of thought and conversation. +The same idea, it seemed, had occurred to Mrs. Beecher, fortified +by a remark from the <i>Lady’s Journal</i> that an internal +intellectual life was the surest method by which a woman could +preserve her youth. She turned up the article—for the +conversation occurred in her drawing-room—and she read +extracts from it. ‘Shakespeare as a Cosmetic’ +was the title. Maude was very much struck, and before they +separated they had formed themselves into a Literary Society +which should meet and discuss classical authors every Wednesday +afternoon at each other’s houses. That one hour of +concentrated thought and lofty impulse should give a dignity and +a tone to the whole dull provincial week.</p> +<p>What should they read? It was well that they should +decide it before they separated, so as to start fair upon the +next Wednesday. Maude suggested Shakespeare, but Mrs. Hunt +Mortimer thought that a good deal of it was improper.</p> +<p>‘Does it matter?’ said Mrs. Beecher. +‘We are all married.’</p> +<p>‘Still I don’t think it would be quite +nice,’ said Mrs. Hunt Mortimer. She belonged to the +extreme right on matters of propriety.</p> +<p>‘But surely Mr. Bowdler made Shakespeare quite +respectable,’ Mrs. Beecher argued.</p> +<p>‘He did his work very carelessly. He left in much +that might be dispensed with, and he omitted a good deal which +was quite innocent.’</p> +<p>‘How do you know?’</p> +<p>‘Because I once got two copies and read all the +omissions.’</p> +<p>‘Why did you do that?’ asked Maude +mischievously.</p> +<p>‘Because I wanted to make sure that they <i>had</i> been +omitted,’ said Mrs. Hunt Mortimer severely.</p> +<p>Mrs. Beecher stooped and picked an invisible hairpin out of +the rug. Mrs. Hunt Mortimer continued.</p> +<p>‘There is Byron, of course. But he is so very +suggestive. There are passages in his +works—’</p> +<p>‘I could never see any harm in them,’ said Mrs. +Beecher.</p> +<p>‘That is because you did not know where to look,’ +said Mrs. Hunt Mortimer. ‘If you have a copy in the +house, Mrs. Beecher, I will undertake to make it abundantly clear +to you that he is to be eschewed by those who wish to keep their +thoughts unsullied. Not? I fancy that even quoting +from memory I could convince you that it is better to avoid +him.’</p> +<p>‘Pass Byron,’ said Mrs. Beecher, who was a very +pretty little kittenish person, with no apparent need of any +cosmetics, literary or otherwise. ‘How about +Shelley?’</p> +<p>‘Frank raves about Shelley,’ observed Maude.</p> +<p>Mrs. Hunt Mortimer shook her head.</p> +<p>‘His work has some dreadful tendencies. He was, I +am informed, either a theist or an atheist, I cannot for the +moment recall which—I think that we should make our little +course as improving as possible.’</p> +<p>‘Tennyson,’ Maude suggested.</p> +<p>‘I have been told that his meaning is too clear to +entitle him to rank among the great thinkers of our race. +The lofty thought is necessarily obscure. There is no merit +in following a poem which is perfectly intelligible. Which +leads us to—’</p> +<p>‘Browning!’ cried the other ladies.</p> +<p>‘Exactly. We might form a little Browning Society +of our own.’</p> +<p>‘Charming! Charming!’</p> +<p>And so it was agreed.</p> +<p>There was only one other point to be settled at this their +inaugural meeting, which was, to choose the other ladies who +should be admitted into their literary circle. There were +to be no men.</p> +<p>‘They do distract one so,’ said Mrs. Hunt +Mortimer.</p> +<p>The great thing was to admit no one save those earnest spirits +who would aspire to get the full benefit from their +studies. Mrs. Fortescue could not be thought of, she was +much too talkative. And Mrs. Jones had such a frivolous +mind. Mrs. Charles could think and talk of nothing but her +servants. And Mrs. Patt-Beatson always wanted to lay down +the law. Perhaps on the whole it would be better to start +the society quietly among themselves, and then gradually to +increase it. The first meeting should be next Wednesday, at +Mrs. Crosse’s house, and Mrs. Hunt Mortimer would bring her +complete two-volume edition with her. Mrs. Beecher thought +that one volume would be enough just at first, but Mrs. Hunt +Mortimer said that it was better to have a wide choice. +Maude went home and told Frank in the evening. He was +pleased, but rather sceptical.</p> +<p>‘You must begin with the simpler things first,’ +said he. ‘I should recommend <i>Hervé Riel</i> +and <i>Gold Hair</i>.’</p> +<p>But Maude put on the charming air of displeasure which became +her so well.</p> +<p>‘We are serious students, sir,’ said she. +‘We want the very hardest poem in the book. I assure +you, Frank, that one of your little faults is that you always +underrate a woman’s intelligence. Mrs. Hunt Mortimer +says that though we may be less original than men, we are more +assim— more assmun—’</p> +<p>‘Assimulative.’</p> +<p>‘That’s what I say—assimulative. Now, +you always talk as if—oh yes, you do! No, you +mustn’t! How absurd you are, Frank! Whenever I +try to speak seriously to you, you always do that and spoil +everything. How would you like to discuss Browning if at +the end of every sentence somebody came and kissed you? You +wouldn’t mind! No, I dare say not. But you +would feel that you were not being taken seriously. Wait +till the next time <i>you</i> are in earnest about +anything—you’ll see!’</p> + +<div class="gapspace"> </div> +<p>The meeting was to be at three o’clock, and at ten +minutes to the hour Mrs. Hunt Mortimer arrived with two large +brown volumes under her arm. She had come early, she said, +because there was to be a rehearsal of the amateur theatricals at +the Dixons’ at a quarter-past four. Mrs. Beecher did +not appear until five minutes after the hour. Her cook had +quarrelled with the housemaid, and given instantaneous notice, +with five people coming to dinner on Saturday. It had upset +the lady very much, and she explained that she would not have +come if she had not promised. It was so difficult to follow +poetry when you were thinking about the entrée all the +time.</p> +<p>‘Why the entrée?’ asked Mrs. Hunt Mortimer, +looking up from the book which she held open in front of her.</p> +<p>‘My dear,’ said Mrs. Beecher, who had the art of +saying the most simple things as if they were profoundly +confidential secrets,—‘My dear, my parlourmaid is +really an excellent cook, and I shall rely upon her if Martha +really goes. But she is limited, very limited, and +entrées and savouries are the two things in which I cannot +entirely trust her. I must, therefore, find some dish which +is well within her capacity.’</p> +<p>Mrs. Hunt Mortimer prided herself upon her housekeeping, so +the problem interested her. Maude also began to feel the +meeting less dull than she had expected.</p> +<p>‘Of course there are many things to be +considered,’ said Mrs. Hunt Mortimer, with the air of a +Q.C. giving an opinion. ‘Oyster patties or oyster +vol-au-vents—’</p> +<p>‘Oysters are out of season,’ said Maude.</p> +<p>‘I was about to say,’ Mrs. Hunt Mortimer +continued, with admirable presence of mind, ‘that these +entrées of oysters are inadmissible because they are out +of season. Now curried prawns—’</p> +<p>‘My husband loathes them.’</p> +<p>‘Well, well! What do you say to sweetbreads en +caisse? All you want are chopped mushrooms, shalots, +parsley, nutmeg, pepper, salt, breadcrumb, bacon +fat—’</p> +<p>‘No, no,’ cried Mrs. Beecher despairingly. +‘Anne would never remember all that.’</p> +<p>‘Cutlets à la Constance,’ said Mrs. Hunt +Mortimer. ‘I am sure that they are simple +enough. Cutlets, butter, fowls’ livers, cocks’ +combs, mushrooms—’</p> +<p>‘My dear, my dear, remember that she is only a +parlourmaid. It is unreasonable.’</p> +<p>‘Ragout of fowl, chicken patties, croquettes of veal +with a little browning—’</p> +<p>‘We’ve got back to Browning after all,’ +cried Maude.</p> +<p>‘Dear me,’ said Mrs. Beecher, ‘it is all my +fault, and I am so sorry. Now, Mrs. Hunt Mortimer, do +please read us a little of that delightful poetry.’</p> +<p>‘You can always get small entrées sent down from +the Stores,’ cried Maude, as a happy thought.</p> +<p>‘You dear, good girl, how sweet of you to think of +it. Of course one can. That is really an admirable +idea. There now, we may consider the entrée as being +removed, so we proceed to—’</p> +<p>‘The <i>pièce de résistance</i>,’ +said Mrs. Hunt Mortimer solemnly, glancing down the index of the +first volume. ‘I confess that my acquaintance with +the poet has up to now been rather superficial. Our +ambition must be to so master him that he becomes from this time +forward part and parcel of ourselves. I fancy that the +difficulties in understanding him have been very much +exaggerated, and that with goodwill and perseverance we shall +manage to overcome them.’</p> +<p>It was a relief to Mrs. Beecher and to Maude to realise that +Mrs. Hunt Mortimer knew no more about the matter than +themselves. They both ventured upon a less diffident air +now that it was clear that it might be done in safety. +Maude frowned thoughtfully, and Mrs. Beecher cast up her pretty +brown eyes at the curtain-rod, as if she were running over in her +memory the whole long catalogue of the poet’s works.</p> +<p>‘I will tell you what we should do,’ said +she. ‘We must make a vow that we shall never pass a +line until we understand it. We will go over it again and +again until we grasp its meaning.’</p> +<p>‘What an excellent idea!’ cried Maude, with one of +her little bursts of enthusiasm. ‘Now that is really +splendid, Mrs. Beecher.’</p> +<p>‘My friends always call me Nellie,’ said the +little brunette.</p> +<p>‘How nice of you to say so! I should love to call +you so, if you don’t mind. It is such a pretty name +too. Only you must call me Maude.’</p> +<p>‘You look like a Maude,’ said Mrs. Beecher. +‘I always picture a Maude as bright and pretty and +blonde. Isn’t it strange how names associate +themselves with characters. Mary is always domestic, and +Rose is a flirt, and Elizabeth is dutiful, and Evelyn is dashing, +and Alice is colourless, and Helen is masterful—’</p> +<p>‘And Matilda is impatient,’ said Mrs. Hunt +Mortimer, laughing. ‘Matilda has reason to be, seated +here with an index in front of her while you two are exchanging +compliments.’</p> +<p>‘Why, we were waiting for you to begin,’ said Mrs. +Beecher reproachfully. ‘Do let us have something, for +really the time is slipping away.’</p> +<p>‘It would be a pity to begin at the beginning, because +that represents his immature genius,’ remarked Mrs. Hunt +Mortimer. ‘I think that on this the opening day of +the Society, we should have the poet at his best.’</p> +<p>‘How are we to know which <i>is</i> his best?’ +Maude asked.</p> +<p>‘I should be inclined to choose something with a title +which suggests profundity—“A Pretty Woman,” +“Love in a Life,” “Any Wife to any +Husband”—’</p> +<p>‘Oh, what <i>did</i> she say to him?’ cried +Maude.</p> +<p>‘Well, I was about to say that all these subjects rather +suggested frivolity.’</p> +<p>‘Besides, it really is a very absurd title,’ +remarked Mrs. Beecher, who was fond of generalising from her six +months’ experience of matrimony. ‘<i>A</i> +husband to <i>a</i> wife’ would be intelligible, but how +can you know what <i>any</i> husband would say to <i>any</i> +wife? No one can really foretell what a man will do. +They really are such extraordinary creatures.’</p> +<p>But Mrs. Hunt Mortimer had been married for five years, and +felt as competent to lay down the law about husbands as about +entrées.</p> +<p>‘When you have had a larger experience of them, dear, +you will find that there is usually a reason, or at least a +primitive instinct of some sort, at the root of their +actions. But, seriously, we must really concentrate our +attention upon the poet, for my other engagement will call me +away at four, which only leaves me ten minutes to reach +Maybury.’</p> +<p>Mrs. Beecher and Maude settled down with anxious attention +upon their faces.</p> +<p>‘Do please go on!’ they cried.</p> +<p>‘Here is “The Pied Piper of +Hamelin.”’</p> +<p>‘Now that interests me more than I can tell,’ +cried Maude, with her eyes shining with pleasure. ‘Do +please read us everything there is about that dear +piper.’</p> +<p>‘Why so?’ asked her two companions.</p> +<p>‘Well, the fact is,’ said Maude, +‘Frank—my husband, you know—came to a +fancy-dress at St. Albans as the Pied Piper. I had no idea +that it came from Browning.’</p> +<p>‘How did he dress for it?’ asked Mrs. +Beecher. ‘We are invited to the Aston’s dress +ball, and I want something suitable for George.’</p> +<p>‘It was a most charming dress. Red and black all +over, something like Mephistopheles, you know, and a peaked hat +with a bell at the top. Then he had a flute, of course, and +a thin wire from his waist with a stuffed rat at the end of +it.’</p> +<p>‘A rat! How horrid!’</p> +<p>‘Well, that was the story, you know. The rats all +followed the Pied Piper, and so this rat followed Frank. He +put it in his pocket when he danced, but once he forgot, and so +it got stood upon, and the sawdust came out all over the +floor.’</p> +<p>Mrs. Hunt Mortimer was also invited to the dress ball, and her +thoughts flew away from the book in front of her.</p> +<p>‘How did you go, Mrs. Crosse?’ she asked.</p> +<p>‘I went as “Night.”’</p> +<p>‘What! you with your brown hair!’</p> +<p>‘Well, father said that I was not a very dark +night. I was in black, you know, just my ordinary black +silk dinner-dress. Then I had a silver half-moon over my +head, and black veils round my hair, and stars all over my bodice +and skirt, with a long comet right across the front. Father +upset a cup of milk over me at supper, and said afterwards that +it was the milky way.’</p> +<p>‘It is simply maddening how men <i>will</i> make jokes +about the most important subjects,’ said Mrs. Hunt +Mortimer. ‘But I have no doubt, dear, that your dress +was an exceedingly effective one. Now, for my own part, I +had some idea of going as the “Duchess of +Devonshire.”’</p> +<p>‘Charming!’ cried Mrs. Beecher and Maude.</p> +<p>‘It is not a very difficult costume, you know. I +have some old Point d’Alençon lace which has been in +the family for a century. I make it the starting-point of +my costume. The gown need not be very +elaborate—’</p> +<p>‘Silk?’ asked Mrs. Beecher.</p> +<p>‘Well, I thought that perhaps a white-flowered +brocade—’</p> +<p>‘Oh yes, with pearl trimming.’</p> +<p>‘No, no, dear, with my lace for trimming.’</p> +<p>‘Of course. You said so.’</p> +<p>‘And then a muslin fichu coming over here.’</p> +<p>‘How perfectly sweet!’ cried Maude.</p> +<p>‘And the waist cut high, and ruffles at the +sleeves. And, of course, a picture hat—you know what +I mean—with a curling ostrich feather.’</p> +<p>‘Powdered hair, of course?’ said Mrs. Beecher.</p> +<p>‘Powdered in ringlets.’</p> +<p>‘It will suit you admirably—beautifully. You +are tall enough to carry it off, and you have the figure +also. How I wish I was equally certain about my +own!’</p> +<p>‘What had you thought of, dear?’</p> +<p>‘Well, I had some idea about +“Ophelia.” Do you think that it would +do?’</p> +<p>‘Certainly. Had you worked it out at +all?’</p> +<p>‘Well, my dear,’ said Mrs. Beecher, relapsing into +her pleasant confidential manner. ‘I had some views, +but, of course, I should be so glad to have your opinion about +it. I only saw <i>Hamlet</i> once, and the lady was dressed +in white, with a gauzy light nun’s-veiling over it. I +thought that with white pongee silk as an under-dress, and then +some sort of delicate—’</p> +<p>‘Crepe de Chine,’ Maude suggested.</p> +<p>‘But in Ophelia’s day such a thing had never been +heard of,’ said Mrs. Hunt Mortimer. ‘A net of +silver thread—’</p> +<p>‘Exactly,’ cried Mrs. Beecher, ‘with some +sort of jewelling upon it. That was just what I had +imagined. Of course it should be cut classically and +draped—my dressmaker is such a treasure—and I should +have a gold embroidery upon the white silk.’</p> +<p>‘Crewel work,’ said Maude.</p> +<p>‘Or a plain cross-stitch pattern. Then a tiara of +pearls on the head. Shakespeare—’</p> +<p>At the name of the poet their three consciences pricked +simultaneously. They looked at each other and then at the +clock with dismay.</p> +<p>‘We must—we really <i>must</i> go on with our +reading,’ cried Mrs. Hunt Mortimer. ‘How did we +get talking about these dresses?’</p> +<p>‘It was my fault,’ said Mrs. Beecher, looking +contrite.</p> +<p>‘No, dear, it was mine,’ said Maude. +‘You remember it all came from my saying that Frank had +gone to the ball as the Pied Piper.’</p> +<p>‘I am going to read the very first poem that I +open,’ said Mrs. Hunt Mortimer remorselessly. +‘I am afraid that it is almost time that I started, but we +may still be able to skim over a few pages. Now then! +There! <i>Setebos</i>! What a funny name!’</p> +<p>‘What <i>does</i> it mean?’ asked Maude.</p> +<p>‘We shall find out, no doubt, as we proceed,’ said +Mrs. Hunt Mortimer. ‘We shall take it line by line +and draw the full meaning from it. The first line +is—</p> +<blockquote><p>‘Will sprawl now that the heat of day is +best—’</p> +</blockquote> +<p>‘Who will?’ asked Mrs. Beecher.</p> +<p>‘I don’t know. That’s what it +says.’</p> +<p>‘The next line will explain, no doubt.’</p> +<blockquote><p>‘Flat on his—’</p> +</blockquote> +<p>‘Dear me, I had no idea that Browning was like +this!’</p> +<p>‘Do read it, dear.’</p> +<p>‘I couldn’t possibly think of doing so. With +your permission we will pass on to the next paragraph.’</p> +<p>‘But we vowed not to skip.’</p> +<p>‘But why read what cannot instruct or elevate us. +Let us begin this next stanza, and hope for something +better. The first line is—I wonder if it really can +be as it is written.’</p> +<p>‘Do please read it!’</p> +<blockquote><p>‘Setebos and Setebos and Setebos.’</p> +</blockquote> +<p>The three students looked sadly at each other. +‘This is worse than anything I could have imagined,’ +said the reader.</p> +<p>‘We mast skip that line.’</p> +<p>‘But we are skipping everything.’</p> +<p>‘It’s a person’s name,’ said Mrs. +Beecher.</p> +<p>‘Or three persons.’</p> +<p>‘No, only one, I think.’</p> +<p>‘But why should he repeat it three times?’</p> +<p>‘For emphasis!’</p> +<p>‘Perhaps,’ said Mrs. Beecher, ‘it was Mr. +Setebos, and Mrs. Setebos, and a little Setebos.’</p> +<p>‘Now, if you are going to make fun, I won’t +read. But I think we were wrong to say that we would take +it line by line. It would be easier sentence by +sentence.’</p> +<p>‘Quite so.’</p> +<p>‘Then we will include the next line, which finishes the +sentence. It is, “thinketh he dwelleth in the cold of +the moon.”’</p> +<p>‘Then it <i>was</i> only one Setebos!’ cried +Maude.</p> +<p>‘So it appears. It is easy to understand if one +will only put it into ordinary language. This person +Setebos was under the impression that his life was spent in the +moonlight.’</p> +<p>‘But what nonsense it is!’ cried Mrs. +Beecher. Mrs. Hunt Mortimer looked at her +reproachfully. ‘It is very easy to call everything +which we do not understand “nonsense,”’ said +she. ‘I have no doubt that Browning had a profound +meaning in this.’</p> +<p>‘What was it, then?’</p> +<p>Mrs. Hunt Mortimer looked at the clock.</p> +<p>‘I am very sorry to have to go,’ said she, +‘but really I have no choice in the matter. Just as +we were getting on so nicely—it is really most +vexatious. You’ll come to my house next Wednesday, +Mrs. Crosse, won’t you? And you also, Mrs. +Beecher. Good-bye, and thanks for <i>such</i> a pleasant +afternoon!’</p> +<p>But her skirts had hardly ceased to rustle in the passage +before the Browning Society had been dissolved by a +two-thirds’ vote of the total membership.</p> +<p>‘What is the use?’ cried Mrs. Beecher. +‘Two lines have positively made my head ache, and there are +two volumes.’</p> +<p>‘We must change our poet.’</p> +<p>‘His verbosity!’ cried Mrs. Beecher.</p> +<p>‘His Setebosity!’ cried Maude.</p> +<p>‘And dear Mrs. Hunt Mortimer pretending to like +him! Shall we propose Tennyson next week?’</p> +<p>‘It would be far better.’</p> +<p>‘But Tennyson is quite simple, is he not?’</p> +<p>‘Perfectly.’</p> +<p>‘Then why should we meet to discuss him if there is +nothing to discuss?’</p> +<p>‘You mean that we might as well each read him for +herself.’</p> +<p>‘I think it would be easier.’</p> +<p>‘Why, of course it would.’</p> +<p>And so after one hour of precarious life, Mrs. Hunt +Mortimer’s Mutual Improvement Society for the elucidation +of Browning came to an untimely end.</p> +<h2><a name="page236"></a><span class="pagenum">p. 236</span>AN +INVESTMENT</h2> +<p>‘I <span class="smcap">want</span> your advice, +Maude.’</p> +<p>She was looking very sweet and fresh in the morning +sunlight. She wore a flowered, French print +blouse—little sprigs of roses on a white +background—and a lace frill round her pretty, white, smooth +throat. The buckle of her brown leather belt just gleamed +over the edge of the table-cloth. In front of her were a +litter of correspondence, a white cup of coffee, and two empty +eggshells—for she was a perfectly healthy young animal with +an excellent appetite.</p> +<p>‘Well, dear, what is it?’</p> +<p>‘I shall take the later train. Then I need not +hurry, and can walk down at my ease.’</p> +<p>‘How nice of you!’</p> +<p>‘I am not sure that Dinton will think so.’</p> +<p>‘Only one little hour of difference—what can it +matter?’</p> +<p>‘They don’t run offices on those lines. An +hour means a good deal in the City of London.’</p> +<p>‘Oh, I do hate the City of London! It is the only +thing which ever comes between us.’</p> +<p>‘I suppose that it separates a good many loving couples +every morning.’</p> +<p>He had come across and an egg-cup had been upset. Then +he had been scolded, and they sat together laughing upon the +sofa. When he had finished admiring her little, shining, +patent-leather, Louis shoes and the two charming curves of +open-work black stocking, she reminded him that he had asked for +her advice.</p> +<p>‘Yes, dear, what was it?’ She knitted her +brows and tried to look as her father did when he considered a +matter of business. But then her father was not hampered by +having a young man’s arm round his neck. It is so +hard to be business-like when any one is curling one’s hair +round his finger.</p> +<p>‘I have some money to invest.’</p> +<p>‘O Frank, how clever of you!’</p> +<p>‘It is only fifty pounds.’</p> +<p>‘Never mind, dear, it is a beginning.’</p> +<p>‘That is what I feel. It is the foundation-stone +of our fortunes. And so I want Her Majesty to lay +it—mustn’t wrinkle your brow though—that is not +allowed.’</p> +<p>‘But it is a great responsibility, Frank.’</p> +<p>‘Yes, we must not lose it.’</p> +<p>‘No, dear, we must not lose it. Suppose we invest +it in one of those modern fifty-guinea pianos. Our dear old +Broadwood was an excellent piano when I was a girl, but it is +getting so squeaky in the upper notes. Perhaps they would +allow us something for it.’</p> +<p>He shook his head.</p> +<p>‘I know that we want one very badly, dear. And +such a musician as you are should have the best instrument that +money can buy. I promise you that when we have a little to +turn round on, you shall have a beauty. But in the meantime +we must not buy anything with this money—I mean nothing for +ourselves—we must invest it. We cannot tell what +might happen. I might fall ill. I might +die.’</p> +<p>‘O Frank, how horrid you are this morning!’</p> +<p>‘Well, we have to be ready for anything. So I want +to put this where we can get it on an emergency, and where in the +meantime it will bring us some interest. Now what shall we +buy?’</p> +<p>‘Papa always bought a house.’</p> +<p>‘But we have not enough.’</p> +<p>‘Not a little house?’</p> +<p>‘No, not the smallest.’</p> +<p>‘A mortgage, then?’</p> +<p>‘The sum is too small.’</p> +<p>‘Government stock, Frank—if you think it is +safe.’</p> +<p>‘Oh, it is safe enough. But the interest is so +low.’</p> +<p>‘How much should we get?’</p> +<p>‘Well, I suppose the fifty pounds would bring us in +about thirty shillings a year.’</p> +<p>‘Thirty shillings! O Frank!’</p> +<p>‘Rather less than more.’</p> +<p>‘Fancy a great rich nation like ours taking our fifty +pounds and treating us like that. How <i>mean</i> of +them! Don’t let them have it, Frank.’</p> +<p>‘No, I won’t.’</p> +<p>‘If they want it, they can make us a fair offer for +it.’</p> +<p>‘I think we’ll try something else.’</p> +<p>‘Well, they have only themselves to thank. But you +have some plan in your head, Frank. What is it?’</p> +<p>He brought the morning paper over from the table. Then +he folded it so as to bring the financial columns to the top.</p> +<p>‘I saw a fellow in the City yesterday who knows a great +deal about gold-mining. I only had a few minutes’ +talk, but he strongly advised me to have some shares in the El +Dorado Proprietary Gold Mine.’</p> +<p>‘What a nice name! I wonder if they would let us +have any?’</p> +<p>‘Oh yes, they are to be bought in the open market. +It is like this, Maude. The mine was a very good one, and +paid handsome dividends. Then it had some +misfortunes. First, there was no water, and then there was +too much water, and the workings were flooded. So, of +course, the price of the shares fell. Now they are getting +the mine all right again, but the shares are still low. It +certainly seems a very good chance to pick a few of them +up.’</p> +<p>‘Are they very dear, Frank?’</p> +<p>‘I looked them up in the <i>Mining Register</i> before I +came home yesterday. The original price of each share was +ten shillings, but as they have had these misfortunes, one would +expect to find them rather lower.’</p> +<p>‘Ten shillings! It does not seem much to pay for a +share in a thing with a name like that.’</p> +<p>‘Here it is,’ said he, pointing with a pencil to +one name in a long printed list. ‘This one, between +the Royal Bonanza and the Alabaster Consols. You +see—El Dorado Proprietary! Then after it you have +printed, 4¾—4⅞. I don’t profess to +know much about these things, but that of course means the +price.’</p> +<p>‘Yes, dear, it is printed at the top of the +column—“Yesterday’s prices.”’</p> +<p>‘Quito so. Well, we know that the original price +of each share was ten shillings, and of course they must have +dropped with a flood in the mine, so that these figures must mean +that the price yesterday was four shillings and nine-pence, or +thereabouts.’</p> +<p>‘What a clear head for business you have, +dear!’</p> +<p>‘I think we can’t do wrong in buying at that +price. You see, with our fifty pounds we could buy two +hundred of them, and then if they went up again we could sell, +and take our profit.’</p> +<p>‘How delightful! But suppose they don’t go +up.’</p> +<p>‘Well, they can’t go down. I should not +think that a share at four shillings and ninepence <i>could</i> +go down very much. There is no room. But it may go up +to any extent.’</p> +<p>‘Besides, your friend said that they would go +up.’</p> +<p>‘Yes, he seemed quite confident about it. Well, +what do you think, Maude? Is it good enough or +not?’</p> +<p>‘O Frank, I hardly dare advise you. Just imagine +if we were to lose it all. Do you think it would be wiser +to get a hundred shares, and then we could buy twenty-five +pounds’ worth of Royal Bonanza as well. It would be +impossible for them both to go wrong.’</p> +<p>‘The Royal Bonanza shares are dear, and then we have had +no information about it. I think we had better back our own +opinion.’</p> +<p>‘All right, Frank.’</p> +<p>‘Then that is settled. I have a telegraph-form +here.’</p> +<p>‘Could you not buy them yourself when you are in +town?’</p> +<p>‘No, you can’t buy things yourself. You have +to do it through a broker.’</p> +<p>‘I always thought a broker was a horrid man, who came +and took your furniture away.’</p> +<p>‘Ah, that’s another kind of broker. He comes +afterwards. I promised Harrison that he should have any +business which I could put in his way, so here goes. How is +that?’—</p> +<blockquote><p>‘Harrison, 13a Throgmorton Street, +E.C.—Buy two hundred El Dorado Proprietaries.</p> +<p style="text-align: right">‘<span +class="smcap">Crosse</span>, Woking.’</p> +</blockquote> +<p>‘Doesn’t it sound rather peremptory, +Frank?’</p> +<p>‘No, no, that is mere business.’</p> +<p>‘I hope he won’t be offended.’</p> +<p>‘I think I can answer for that.’</p> +<p>‘You have not said the price.’</p> +<p>‘One cannot say the price because one does not know +it. You see, it is always going up and down. By this +time it may be a little higher or a little lower than +yesterday. There cannot be much change, that is +certain. Great Scot, Maude, it is ten-fifteen. Three +and a half minutes for a quarter of a mile. Good-bye, +darling! I just love you in that bodice. O +Lord—good-bye!’</p> + +<div class="gapspace"> </div> +<p>‘Well, has anything happened?’</p> +<p>‘Yes, you have come back. Oh I am so glad to see +you, you dear old boy!’</p> +<p>‘Take care of that window, darling!’</p> +<p>‘Oh, my goodness, I hope he didn’t see. No, +it’s all right. He was looking the other way. +We have the gold shares all right.’</p> +<p>‘Harrison has telegraphed?’</p> +<p>‘Yes, here it is.’—</p> +<blockquote><p>‘Crosse, The Lindens, Woking.—Bought +two hundred El Dorados at 4¾.</p> +<p style="text-align: right"><span +class="smcap">Harrison</span>.’</p> +</blockquote> +<p>‘That is capital. I rather expected to see +Harrison in the train. I shouldn’t be surprised if he +calls on his way from the station. He has to pass our door, +you know, on his way to Maybury.’</p> +<p>‘He is sure to call.’</p> +<p>‘What are you holding there?’</p> +<p>‘It’s a paper.’</p> +<p>‘What paper?’</p> +<p>‘Who is it who talks about woman’s +curiosity?’</p> +<p>‘Let me see it.’</p> +<p>‘Well, sir, if you must know, it is the <i>Financial +Whisper</i>.’</p> +<p>‘Where in the world did you get it?’</p> +<p>‘I knew that the Montresors took a financial +paper. I remember Mrs. Montresor saying once how dreadfully +dry it was. So when you were gone I sent Jemima round and +borrowed it, and I have read it right through to see if there was +anything about our mine in it—<i>our</i> mine, Frank; does +it not sound splendid?’</p> +<p>‘Well, is there anything?’</p> +<p>She clapped her hands with delight.</p> +<p>‘Yes, there is. “This prosperous +mine—” that is what it says. Look here, it is +under the heading of Australian Notes,’ she held out the +paper and pointed, but his face fell as he looked.</p> +<p>‘O Maude, it’s preposterous.’</p> +<p>‘What is preposterous?’</p> +<p>‘The word is preposterous and not +prosperous—“this preposterous mine.”’</p> +<p>‘Frank!’ She turned her face away.</p> +<p>‘Never mind, dear! What’s the +odds?’</p> +<p>‘O Frank, our first investment—our fifty +pounds! And to think that I should have kept the paper as a +surprise for you!’</p> +<p>‘Well, the print is a little slurred, and it was a very +natural mistake. After all, the paper may be wrong. +Oh don’t, Maude, please don’t! It’s not +worth it—all the gold on the earth is not worth it. +There’s a sweet girlie! Now, are you better? +Oh, damn those open curtains!’</p> +<p>A tall and brisk young man with a glossy hat was coming +through the garden. An instant later Jemima had ushered him +in.</p> +<p>‘Hullo, Harrison!’</p> +<p>‘How do you do, Crosse? How are you, Mrs. +Crosse?’</p> +<p>‘How do you do? I’ll just order tea if you +will excuse me.’</p> +<p>Ordering tea seemed to involve a good deal of splashing +water. Maude came back with a merrier face.</p> +<p>‘Is this a good paper, Mr. Harrison?’</p> +<p>‘What is it? <i>Financial Whisper</i>! No, +the most venal rag in the city.’</p> +<p>‘Oh, I am so glad!’</p> +<p>‘Why?’</p> +<p>‘Well, you know, we bought some shares to-day, and it +calls our mine a preposterous one.’</p> +<p>‘Oh, is that all. Who cares what the <i>Financial +Whisper</i> says! It would call the Bank of England a +preposterous institution if it thought it could bear Consols by +doing so. Its opinion is not worth a halfpenny. By +the way, Crosse, it was about those shares that I +called.’</p> +<p>‘I thought you might. I have only just got back +myself, and I saw by your wire that you had bought them all +right.’</p> +<p>‘Yes, I thought I had better let you have your contract +at once. Settling day is on Monday, you know.’</p> +<p>‘All right. Thank you. I will let you have a +cheque. What—what’s this?’</p> +<p>The contract had been laid face upwards upon the table. +Frank Crosse’s face grew whiter and his eyes larger as he +stared at it. It ran in this way—</p> +<blockquote><p style="text-align: right">13a <span +class="smcap">Throgmorton Street</span>.</p> +<p style="text-align: center">Bought for Francis Crosse, Esq.</p> +<p>(Subject to the Specific Rules and Regulations of the Stock +Exchange.)</p> +</blockquote> +<table> +<tr> +<td><p>200 El Dorado Proprietaries at 4¾</p> +</td> +<td><p style="text-align: right">£950</p> +</td> +<td><p style="text-align: right">0</p> +</td> +<td><p style="text-align: right">0</p> +</td> +</tr> +<tr> +<td><p>Stamps and Fees</p> +</td> +<td><p style="text-align: right">4</p> +</td> +<td><p style="text-align: right">17</p> +</td> +<td><p style="text-align: right">6</p> +</td> +</tr> +<tr> +<td><p>Commission</p> +</td> +<td><p style="text-align: right">7</p> +</td> +<td><p style="text-align: right">10</p> +</td> +<td><p style="text-align: right">0</p> +</td> +</tr> +<tr> +<td><p> </p> +</td> +<td><p style="text-align: right">£962</p> +</td> +<td><p style="text-align: right">7</p> +</td> +<td><p style="text-align: right">6</p> +</td> +</tr> +</table> +<blockquote><p>For the 7th inst.</p> +</blockquote> +<p>‘I fancy there is some mistake here, Harrison,’ +said he, speaking with a very dry pair of lips.</p> +<p>‘A mistake!’</p> +<p>‘Yes, this is not at all what I expected.’</p> +<p>‘O Frank! Nearly a thousand pounds!’ gasped +Maude.</p> +<p>Harrison glanced from one of them to the other. He saw +that the matter was serious.</p> +<p>‘I am very sorry if there has been any mistake. I +tried to obey your instructions. You wanted two hundred El +Dorados, did you not?’</p> +<p>‘Yes, at four and ninepence.’</p> +<p>‘Four and ninepence! They are four pound fifteen +each.’</p> +<p>‘But I read that they were only ten shillings +originally, and that they had been falling.’</p> +<p>‘Yes, they have been falling for months. But they +were as high as ten pounds once. They are down at four +pound fifteen now.’</p> +<p>‘Why on earth could the paper not say so?’</p> +<p>‘When a fraction is used, it always means a fraction of +a pound.’</p> +<p>‘Good heavens! And I have to find this sum before +Monday.’</p> +<p>‘Monday is settling day.’</p> +<p>‘I can’t do it, Harrison. It is +impossible.’</p> +<p>‘Then there is the obvious alternative.’</p> +<p>‘No, I had rather die. I will never go +bankrupt—never!’</p> +<p>Harrison began to laugh, and then turned stonily solemn as he +met a pair of reproachful grey eyes.</p> +<p>‘It strikes me that you have not done much at this game, +Crosse.’</p> +<p>‘Never before—and by Heaven, never +again!’</p> +<p>‘You take it much too hard. When I spoke of an +alternative, I never dreamed of bankruptcy. All you have to +do is to sell your stock to-morrow morning, and pay the +difference.’</p> +<p>‘Can I do that?’</p> +<p>‘Rather. Why not?’</p> +<p>‘What would the difference be?’</p> +<p>Harrison took an evening paper from his pocket. +‘We deal in rails chiefly, and I don’t profess to +keep in touch with the mining market. We’ll find the +quotation here. By Jove!’ He whistled between +his teeth.</p> +<p>‘Well!’ said Frank, and felt his wife’s +little warm palm fall upon his hand under the table.</p> +<p>‘The difference is in your favour.’</p> +<p>‘In my favour?’</p> +<p>‘Yes, listen to this. “The mining markets, +both the South African and the Australian, opened dull, but grew +more animated as the day proceeded, prices closing at the +best. Out crops upon the Rand mark a general advance of +one-sixteenth to one-eighth. The chief feature in the +Australian section was a sharp advance of five-eighths in El +Dorados, upon a telegram that the workings had been pumped +dry.” Crosse, I congratulate you.’</p> +<p>‘I can really sell them for more than I gave?’</p> +<p>‘I should think so. You have two hundred of them, +and a profit of ten shillings on each.’</p> +<p>‘Maude, we’ll have the whisky and the soda. +Harrison, you must have a drink. Why, that’s a +hundred pounds.’</p> +<p>‘More than a hundred.’</p> +<p>‘Without my paying anything?’</p> +<p>‘Not a penny.’</p> +<p>‘When does the Exchange open to-morrow?’</p> +<p>‘The rattle goes at eleven.’</p> +<p>‘Well, be there at eleven, Harrison. Sell them at +once.’</p> +<p>‘You won’t hold on and watch the +market?’</p> +<p>‘No, no—I won’t have an easy moment until +they are sold.’</p> +<p>‘All right, my boy. You can rely upon me. +You will get a cheque for your balance on Tuesday or +Wednesday. Good evening! I am so glad that it has all +ended well.’</p> +<p>‘And the joke of it is, Maude,’ said her husband, +after they had talked over the whole adventure from the +beginning. ‘The joke of it is that we have still to +find an investment for our original fifty pounds. I am +inclined to put it into Consols after all.’</p> +<p>‘Well,’ said Maude, ‘perhaps it would be the +patriotic thing to do.’</p> + +<div class="gapspace"> </div> +<p>Two days later the poor old Broadwood with the squeaky treble +and the wheezy bass was banished for ever from The Lindens, and +there arrived in its place a ninety-five-guinea cottage grand, +all dark walnut and gilding, with notes in it so deep and rich +and resonant that Maude could sit before it by the hour and find +music enough in simply touching one here and one there, and +listening to the soft, sweet, reverberant tones which came +swelling from its depths. Her El Dorado piano, she called +it, and tried to explain to lady visitors how her husband had +been so clever at business that he had earned it in a single +day. As she was never very clear in her own mind how the +thing had occurred, she never succeeded in explaining it to any +one else, but a vague and solemn impression became gradually +diffused abroad that young Mr. Frank Crosse was a very remarkable +man, and that he had done something exceedingly clever in the +matter of an Australian mine.</p> +<h2><a name="page251"></a><span class="pagenum">p. 251</span>A +THUNDERCLOUD</h2> +<p><span class="smcap">Blue</span> skies and shining sun, but far +down on the horizon one dark cloud gathers and drifts slowly +upwards unobserved. Frank Crosse was aware of its shadow +when coming down to breakfast he saw an envelope with a +well-remembered handwriting beside his plate. How he had +loved that writing once, how his heart had warmed and quickened +at the sight of it, how eagerly he had read it—and now a +viper coiled upon the white table-cloth would hardly have given +him a greater shock. Contradictory, incalculable, whimsical +life! A year ago how scornfully he would have laughed, what +contemptuous unbelief would have filled his soul, if he had been +told that any letter of hers could have struck him cold with the +vague apprehension of coming misfortune. He tore off the +envelope and threw it into the fire. But before he could +glance at the letter there was the quick patter of his +wife’s feet upon the stair, and she burst, full of girlish +health and high spirits, into the little room. She wore a +pink crepon dressing-gown, with cream guipure lace at the neck +and wrists. Pink ribbon outlined her trim waist. The +morning sun shone upon her, and she seemed to him to be the +daintiest, sweetest tiling upon earth. He had thrust his +letter into his pocket as she entered.</p> +<p>‘You will excuse the dressing-gown, Frank.’</p> +<p>‘I just love you in it. No, you mustn’t +pass. Now you can go.’</p> +<p>‘I was so afraid that you would breakfast without me +that I had no time to dress. I shall have the whole day to +finish in when you are gone. There now—Jemima has +forgotten to warm the plates again! And your coffee is +cold. I wish you had not waited.’</p> +<p>‘Better cold coffee with Maude’s +society.’</p> +<p>‘I always thought men gave up complimenting their wives +after they married them. I am so glad you +don’t. I think on the whole that women’s ideas +of men are unfair and severe. The reason is that the women +who have met unpleasant men run about and make a noise, but the +women who are happy just keep quiet and enjoy themselves. +For example, I have not time to write a book explaining to every +one how nice Frank Crosse is; but if he were nasty my life would +be empty, and so of course I should write my book.’</p> +<p>‘I feel such a fraud when you talk like that.’</p> +<p>‘That is part of your niceness.’</p> +<p>‘Oh don’t, Maude! It really hurts +me.’</p> +<p>‘Why, Frank, what is the matter with you +to-day?’</p> +<p>‘Nothing, dear.’</p> +<p>‘Oh yes, there is. I can tell easily.’</p> +<p>‘Perhaps I am not quite myself.’</p> +<p>‘No, I am sure that you are not. I believe that +you have a cold coming on. O Frank, do take some ammoniated +quinine.’</p> +<p>‘Good heavens, no!’</p> +<p>‘Please! Please!’</p> +<p>‘My dear girlie, there is nothing the matter with +me.’</p> +<p>‘But it is such splendid stuff.’</p> +<p>‘Yes, I know. But really I don’t want +it.’</p> +<p>‘Have you had any letters, Frank?’</p> +<p>‘Yes, one.’</p> +<p>‘Anything important?’</p> +<p>‘I have hardly glanced at it yet.’</p> +<p>‘Glance at it now.’</p> +<p>‘Oh, I will keep it for the train. Good-bye, +dearest. It is time that I was off.’</p> +<p>‘If you would only take the ammoniated quinine. +You men are so proud and obstinate. Good-bye, +darling. Eight hours, and then I shall begin to live +again.’</p> +<p>He had a quiet corner of a carriage to himself, so he unfolded +his letter and read it. Then he read it again with frowning +brows and compressed lips. It ran in this way—</p> +<blockquote><p><span class="smcap">My dearest +Frankie</span>,—I suppose that I should not address you +like this now that you are a good little married man, but the +force of custom is strong, and, after all, I knew you long before +she did. I don’t suppose you were aware of it, but +there was a time when I could very easily have made you marry me, +in spite of all you may know about my trivial life and +adventures, but I thought it all over very carefully, and I came +to the conclusion that it was not good enough. You were +always a dear good chap yourself, but your prospects were not +quite dashing enough for your festive Violet. I believe in +a merry time even if it is a short one. But if I had really +wanted to settle down in a humdrum sort of way, you are the man +whom I should have chosen out of the whole batch of them. I +hope what I say won’t make you conceited, for one of your +best points used to be your modesty.</p> +<p>But for all that, my dear Frankie, I by no means give you up +altogether, and don’t you make any mistake about +that. It was only yesterday that I saw Charlie Scott, and +he told me all about you, and gave me your address. +Don’t you bless him? And yet I don’t +know. Perhaps you have still a kindly thought of your old +friend, and would like to see her.</p> +<p>But you are going to see her whether you like or not, my dear +boy, so make up your mind to that. You know how you used to +chaff me about my whims. Well, I’ve got a whim now, +and I’ll have my way as usual. I am going to see you +to-morrow, and if you won’t see me under my conditions in +London, I shall call at Woking in the evening. Oh my +goodness, what a bombshell! But you know that I am always +as good as my word. So look out!</p> +<p>Now I’ll give you your orders for the day, and +don’t you forget them. To-morrow (Thursday, 14th, no +excuses about the date) you will leave your office at 3.30. +I know that you can when you like. You will drive to +Mariani’s, and you will find me at the door. We shall +go up to our old private room, and we shall have tea together, +and a dear old chat about all sorts of things. So +come! But if you don’t, there is a train which leaves +Waterloo at 6.10 and reaches Woking at 7. I will come by it +and be just in time for dinner. What a joke it will be!</p> +<p>Good-bye, old boy! I hope your wife does not read your +letters, or this will rather give her fits.—Yours as +ever,</p> +<p style="text-align: right"><span class="smcap">Violet +Wright</span>.</p> +</blockquote> +<p>At the first reading this letter filled him with anger. +To be wooed by a very pretty woman is pleasant even to the most +austere of married men (and never again trust the one who denies +it), but to be wooed with a very dangerous threat mixed up with +the wooing is no such pleasant experience. And it was no +empty threat. Violet was a woman who prided herself upon +being as good as her word. She had laughingly said with her +accustomed frankness upon one occasion that it was her sole +remaining virtue. If he did not go to Mariani’s, she +would certainly come to Woking. He shuddered to think of +Maude being annoyed by her. It was one thing to speak in a +general way to his wife of prematrimonial experiences, and it was +another to have this woman forcing herself upon her and making a +scene. The idea was so vulgar. The sweet, pure +atmosphere of The Lindens would never be the same again.</p> +<p>No, there was no getting out of it. He must go to +Mariani’s. He was sufficiently master of himself to +know that no harm could come of that. His absolute love for +his wife shielded him from all danger. The very thought of +infidelity nauseated him. And then, as the idea became more +familiar to him, other emotions succeeded that of anger. +There was an audacity about his old flame, a spirit and +devilment, which appealed to his sporting instincts. +Besides, it was complimentary to him, and flattering to his +masculine vanity, that she should not give him up without a +struggle. Merely as a friend it would not be disagreeable +to see her again. Before he had reached Clapham Junction +his anger had departed, and by the time that he arrived at +Waterloo he was surprised to find himself looking forward to the +interview.</p> +<p>Mariani’s is a quiet restaurant, famous for its +<i>lachryma christi spumante</i>, and situated in the network of +sombre streets between Drury Lane and Covent Garden. The +fact of its being in a by-street was not unfavourable to its +particular class of business. Its customers were very free +from the modern vice of self-advertisement, and would even take +some trouble to avoid publicity. Nor were they gregarious +or luxurious in their tastes. A small, simple apartment was +usually more to their taste than a crowded salon, and they were +even prepared to pay a higher sum for it.</p> +<p>It was five minutes to four when Frank arrived, and the lady +had not yet appeared. He stood near the door and +waited. Presently a hansom rattled into the narrow street, +and there she sat framed in its concavity. A pretty woman +never looks prettier than in a hansom, with the shadows behind to +give their Rembrandt effect to the face in front. She +raised a yellow kid hand, and flashed a smile at him.</p> +<p>‘Just the same as ever,’ said she, as he handed +her down.</p> +<p>‘So are you.’</p> +<p>‘So glad you think so. I am afraid I can’t +quite agree with you. Thirty-four yesterday. +It’s simply awful. Thank you, I have some +change. All right, cabby. Well, have you got a +room?’</p> +<p>‘No.’</p> +<p>‘But you’ll come?’</p> +<p>‘Oh yes, I should like to have a chat.’</p> +<p>The clean-shaven, round-faced manager, a man of suave voice +and diplomatic manner, was standing in the passage. His +strange life was spent in standing in the passage. He +remembered the pair at once, and smiled paternally.</p> +<p>‘Not seen you for some time, sir!’</p> +<p>‘No, I have been engaged.’</p> +<p>‘Married,’ said the lady.</p> +<p>‘Dear me!’ said the proprietor. ‘Tea, +sir?’</p> +<p>‘And muffins. You used to like the +muffins.’</p> +<p>‘Oh yes, muffins by all means.’</p> +<p>‘Number ten,’ said the proprietor, and a waiter +showed them upstairs. ‘All meals nine shillings +each,’ he whispered, as Frank passed him at the door. +He was a new waiter, and so mistook every one for a new customer, +which is an error which runs through life.</p> +<p>It was a dingy little room with a round table covered by a +soiled cloth in the middle. Two windows, discreetly +blinded, let in a dim London light. An armchair stood at +each side of the empty fireplace, and an uncomfortable, +old-fashioned, horsehair sofa lined the opposite wall. +There were pink vases upon the mantelpiece, and a portrait of +Garibaldi above it.</p> +<p>The lady sat down and took off her gloves. Frank stood +by the window and smoked a cigarette. The waiter rattled +and banged and jingled with the final effect of producing a +tea-tray and a hot-water dish. ‘You’ll ring if +you want me, sir,’ said he, and shut the door with +ostentatious completeness.</p> +<p>‘Now we can talk,’ said Frank, throwing his +cigarette into the fireplace. ‘That waiter was +getting on my nerves.’</p> +<p>‘I say, I hope you’re not angry.’</p> +<p>‘What at?’</p> +<p>‘Well, my saying I should come down to Woking, and all +that.’</p> +<p>‘I should have been angry if I thought you had meant +it.’</p> +<p>‘Oh, I meant it right enough.’</p> +<p>‘But with what object?’</p> +<p>‘Just to get level with you, Frankie, if you threw me +over too completely. Hang it all, she has three hundred and +sixty-five days in the year! Am I to be grudged a single +hour?’</p> +<p>‘Well, Violet, we won’t quarrel about it. +You see I came all right. Pull up your chair and have some +tea.’</p> +<p>‘You haven’t even looked at me yet. I +won’t take any tea until you do.’</p> +<p>She stood up in front of him, and pushed up her veil. It +was a face and a figure worth looking at. Hazel eyes, dark +chestnut hair, a warm flush of pink in her cheeks, the features +and outline of an old Grecian goddess, but with more of Juno than +of Venus, for she might perhaps err a little upon the side of +opulence. There was a challenge and defiance dancing in +those dark devil-may-care eyes of hers which might have roused a +more cold-blooded man than her companion. Her dress was +simple and dark, but admirably cut. She was clever enough +to know that a pretty woman should concentrate attention upon +herself, and a plain one divert it to her adornments.</p> +<p>‘Well?’</p> +<p>‘By Jove, Violet, you look splendid.’</p> +<p>‘Well?’</p> +<p>‘The muffins are getting cold.’</p> +<p>‘Frankie, what <i>is</i> the matter with you?’</p> +<p>‘Nothing is the matter.’</p> +<p>‘Well?’</p> +<p>She put out her two hands and took hold of his. That +well-remembered sweet, subtle scent of hers rose to his +nostrils. There is nothing more insidious than a scent +which carries suggestions and associations. ‘Frankie, +you have not kissed me yet.’</p> +<p>She turned her smiling face upwards and sideways, and for an +instant he leaned forward towards it. But he had himself in +hand again in a moment. It gave him confidence to find how +quickly and completely he could do it. With a laugh, still +holding her two hands, he pushed her back into the chair by the +table.</p> +<p>‘There’s a good girl!’ said he. +‘Now we’ll have some tea, and I’ll give you a +small lecture while we do so.’</p> +<p>‘You are a nice one to give lectures.’</p> +<p>‘Oh, there’s no such preacher as a converted +sinner.’</p> +<p>‘You really are converted then?’</p> +<p>‘Rather. Two lumps, if I remember right. You +ought to do this, not I. No milk, and very strong—how +you keep your complexion I can’t imagine. But you do +keep it; my word, you do! Now please don’t look so +crossly at me.’</p> +<p>Her flushed cheeks and resentful eyes had drawn forth the +remonstrance.</p> +<p>‘You <i>are</i> changed,’ she said, with surprise +as well as anger in her voice.</p> +<p>‘Why, of course I am. I am married.’</p> +<p>‘For that matter Charlie Scott is married.’</p> +<p>‘Don’t give Charlie Scott away.’</p> +<p>‘I think I give myself away. So you have lost all +your love for me. I thought it was to last for +ever.’</p> +<p>‘Now, do be sensible, Violet.’</p> +<p>‘Sensible! How I loathe that word! A man +only uses it when he is going to do something cold-blooded and +mean. It is always the beginning of the end.’</p> +<p>‘What do you want me to do?’</p> +<p>‘I want you to be my own Frankie—just the same as +before. Ah do, Franck—don’t leave me! You +know I would give any of them up for you. And you have a +good influence over me—you have really! You +call’t think how hard I am with other people. Ask +Charlie Scott. He will tell you. I’ve been so +different since I have lost sight of you. Now, Frankie, +don’t be horrid to me! Kiss and be nice!’ +Again her soft warm hand was upon his, and the faint sweet smell +of violets went to his blood like wine. He jumped up, lit +another cigarette, and paced about the room.</p> +<p>‘You shan’t have a cigarette, Frankie.’</p> +<p>‘Why not?’</p> +<p>‘Because you said once it helped you to control +yourself. I don’t want you to control yourself. +I want you to feel as I feel.’</p> +<p>‘Do sit down, like a good girl!’</p> +<p>‘Cigarette out!’</p> +<p>‘Don’t be absurd, Violet!’</p> +<p>‘Come, out with it, sir.’</p> +<p>‘No, no, leave it alone!’</p> +<p>She had snatched it from his lips and thrown it into the +grate.</p> +<p>‘What is the use of that? I have a case +full.’</p> +<p>‘They shall all follow the first.’</p> +<p>‘Well, then, I won’t smoke.’</p> +<p>‘I’ll see that you don’t.’</p> +<p>‘Well, what the better are you for that?’</p> +<p>‘Now, be nice.’</p> +<p>‘Go back to your chair and have some more +tea.’</p> +<p>‘Oh, bother the tea!’</p> +<p>‘Well, I won’t speak to you unless you sit down +and behave yourself.’</p> +<p>‘There now! Speak away.’</p> +<p>‘Look here, dear Violet, you must not talk about this +any more. Some things are possible and some are +impossible. This is absolutely, finally impossible. +We can never go back upon the past. It is finished and done +with.’</p> +<p>‘Then what did you come here for?’</p> +<p>‘To bid you good-bye.’</p> +<p>‘A Platonic good-bye.’</p> +<p>‘Of course.’</p> +<p>‘In a private room at Mariani’s.’</p> +<p>‘Why not?’</p> +<p>She laughed bitterly.</p> +<p>‘You were always a little mad, Frankie.’</p> +<p>He leaned earnestly over the table.</p> +<p>‘Look here, Violet, the chances are that we shall never +meet again.’</p> +<p>‘It takes two to say that.’</p> +<p>‘Well, I mean that after to-day I should not meet you +again. If you were not quite what you are it would be +easier. But as it is I find it a little too much of a +test. No, don’t mistake me or think that I am +weakening. That is impossible. But all the same I +don’t want to go through it again.’</p> +<p>‘So sorry if I have upset you.’</p> +<p>He disregarded her irony.</p> +<p>‘We have been very good friends, Violet. Why +should we part as enemies?’</p> +<p>‘Why should we part at all?’</p> +<p>‘We won’t go back over that. Now do please +look facts in the face and help me to do the right thing, for it +would be so much easier if you would help me. If you were a +very good and kind girl you would shake my hand, like any other +old pal, and wish me joy of my marriage. You know that I +should do so if I knew that you were going to be +married.’</p> +<p>But the lady was not to be so easily appeased. She took +her tea in silence or answered his remarks with monosyllables, +while the occasional flash of her dark eyes as she raised them +was like the distant lightning which heralds the storm. +Suddenly, with a swift rustle of skirts, she was between the door +and his chair.</p> +<p>‘Now, Frankie, we have had about enough of this +nonsense,’ said she. ‘Don’t imagine that +you are going to get out of this thing so easily. +I’ve got you, and I’ll keep you.’</p> +<p>He faced round in his chair and looked helplessly at her with +a hand upon each knee.</p> +<p>‘O Lord! Don’t begin it all over +again,’ said he.</p> +<p>‘No, I won’t,’ she answered with an angry +laugh. ‘I’ll try another line this time, Master +Frank. I’m not the sort of woman who lets a thing go +easily when once I have set my heart upon it. I won’t +try coaxing any longer—’</p> +<p>‘So glad,’ he murmured.</p> +<p>‘You may say what you like, but you can’t do it, +my boy. I knew you before she did, and I’ll keep you, +or else I’ll make such a row that you will be sorry that +you ever put my back up. It’s all very fine to sit +there and preach, but it won’t do, Frankie. You +can’t slip out of things as easily as all that.’</p> +<p>‘Why should you turn nasty like this, Violet? What +do you think you will gain by it?’</p> +<p>‘I mean to gain <i>you</i>. I like you, +Frankie. I’m not sure that I don’t really love +you—real, real love, you know. Any way, I don’t +intend to let you go, and if you go against my will I give you my +word that I shall make it pretty sultry for you down at +Woking.’</p> +<p>He stared moodily into his teacup.</p> +<p>‘Besides, what rot it all is!’ she continued, +laying her hand upon his shoulder. ‘When did you +begin to ride the high moral horse? You were just as +cheerful as the rest of them when last I saw you. You speak +as if a man ceased to live just because he is married. What +has changed you?’</p> +<p>‘I’ll tell you what has changed me,’ said +he, looking up. ‘My wife has changed me.’</p> +<p>‘Oh, bother your wife!’</p> +<p>A look which was new to her came over his face.</p> +<p>‘Stop that!’ said he sharply.</p> +<p>‘Oh, no harm! How has your wife made this +wonderful change?’</p> +<p>His mood softened as his thoughts flew back to Woking.</p> +<p>‘By her own goodness—the atmosphere that she makes +round her. If you knew how wholesome she was, how delicate +in her most intimate thoughts, how fresh and how sweet and how +pure, you would understand that the thought of being false to her +is horrible. When I think of her as she sat at breakfast +this morning, so loving and so innocent—’</p> +<p>He would have been more discreet if he had been less +eloquent. The lady’s temper suddenly overflowed.</p> +<p>‘Innocent!’ she cried. ‘As innocent as +I am.’</p> +<p>He sprang to his feet with eyes which were more angry than her +own.</p> +<p>‘Hold your tongue! How dare you talk against my +wife! You are not fit to mention her name.’</p> +<p>‘I’ll go to Woking,’ she gasped.</p> +<p>‘You can go to the devil!’ said he, and rang the +bell for his bill. She stared at him with a surprise which +had eclipsed her anger, while she pulled on her gloves with +little sharp twitches. This was a new Frank Crosse to +her. As long as a woman gets on very well with a man, she +is apt, at the back of her soul, to suspect him of +weakness. It is only when she differs from him that she can +see the other side, and it always comes as a surprise. She +liked him better than ever for the revelation.</p> +<p>‘I’m not joking,’ she whispered, as they +went down the stair. ‘I’ll go, as sure as +fate.’</p> +<p>He took no notice, but passed on down the street without a +word of farewell. When he came to the turning he looked +back. She was standing by the curb, with her proud head +high in the air, while the manager screamed loudly upon a +whistle. A cab swung round a distant corner. Crosse +reached her before it did.</p> +<p>‘I hope I haven’t hurt your feelings,’ said +he. ‘I spoke too roughly.’</p> +<p>‘Trying to coax me away from Woking,’ she +sneered. ‘I’m coming all the same.’</p> +<p>‘That’s your affair,’ said he, as he handed +her into the cab.</p> +<h2><a name="page269"></a><span class="pagenum">p. +269</span>DANGER</h2> +<p><span class="smcap">Again</span> the bright little +dining-room, with the morning sun gleaming upon the high silver +coffee pot and the electro-plated toast-rack—everything the +same, down to the plates which Jemima had once again forgotten to +warm. Maude, with the golden light playing upon the fringes +of her curls, and throwing two little epaulettes of the daintiest +pink across her shoulders, sat in silence, glancing across from +time to time with interrogative eyes at her husband. He ate +his breakfast moodily, for he was very ill at ease. There +was a struggle within him, for his conscience was pulling him one +way and his instincts the other. Instincts are a fine old +conservative force, while conscience is a thing of yesterday, so +it is usually safe to prophesy which will sway the other.</p> +<p>The matter at issue was whether he should tell Maude about +Violet Wright. If she were going to carry out her threat, +then certainly it would be better to prepare her. But after +all, his arguments of yesterday might prevail with her when her +first impetuous fit of passion was over. Why should he go +half-way to meet danger? If it came, nothing which he could +say would ward it off. If it did not come, there was no +need for saying anything. Conscience told him that it would +be better to be perfectly straight with his wife. Instinct +told him that though she would probably be sweet and sympathetic +over it, yet it would rankle in her mind and poison her +thoughts. And perhaps for once, Instinct may have been +better than Conscience. Do not ask too many questions, you +young wife! Do not be too free with your reminiscences, you +young husband. There are things which can be forgiven, but +never, never, can they be forgotten. That highest thing on +earth, the heart of a loving woman, is too tender, too sacred, to +be bruised by a wanton confidence. You are hers. She +is yours. The future lies with both of you. It is +wiser to leave the past alone. The couples who boast that +they have never had a secret are sometimes happy because the +boast is sometimes untrue.</p> +<p>‘You won’t be late to-day, Frank,’ said +Maude at last, peeping round the tall coffee-pot.</p> +<p>‘No, dear, I won’t.’</p> +<p>‘You were yesterday, you know.’</p> +<p>‘Yes, I know I was.’</p> +<p>‘Were you kept at the office?’</p> +<p>‘No, I had tea with a friend.’</p> +<p>‘At his house?’</p> +<p>‘No, no, at a restaurant. Where has Jemima put my +boots? I wonder if she has cleaned them. I can never +tell by looking. Here they are. And my coat? +Anything I can get you in town? Well, good-bye, dear, +good-bye!’ Maude had never seen him make so hurried +an exit.</p> +<p>It is always a mystery to the City man how his wife puts in +the seven hours a day of loneliness while the E.C. has claimed +him for its own. She cannot explain it to him, for she can +hardly explain it to herself. It is frittered away in a +thousand little tasks, each trivial in itself, and yet making in +their sum the difference between a well-ordered and a neglected +household. Under the illustrious guidance of the omniscient +Mrs. Beeton there is the usual routine to be gone through. +The cook has to be seen, the larder examined, the remains +cunningly transformed into new and attractive shapes, the dinner +to be ordered (anything will do for lunch), and the new supplies +to be got in. The husband accepts the excellent little +dinner, the fried sole, the <i>ris de veau en caisse</i>, the +lemon pudding, as if they had grown automatically out of the +table-cloth. He knows nothing of the care, the judgment, +the prevision which ring the changes with every season, which +never relax and never mistake. He enjoys the fruits, but he +ignores the work which raised them. And yet the work goes +cheerfully and uncomplainingly on.</p> +<p>Then when every preparation has been made for the +dinner—that solemn climax of the British day, there is +plenty for Maude to do. There is the white chiffon to be +taken out of the neck of that dress, and the pink to be put +in. Amateur dressmaking is always going on at The Lindens, +and Frank has become more careful in his caresses since he found +one evening that his wife had a row of pins between her +lips—which is not a pleasant discovery to make with your +own. Then there are drawers to be tidied, and silver to be +cleaned, and the leaves of the gutta-percha plant to be washed, +and the feather which was damped yesterday to be re-curled before +the fire. That leaves just time before lunch to begin the +new novel by glancing at the last two pages to see what +<i>did</i> happen, and then the three minutes lunch of a lonely +woman. So much for business, now for the more trying social +duties. The pink dressing-gown is shed and a trim little +walking dress—French grey cloth with white lisse in front +and a grey zouave jacket—takes its place. Visiting +strangers is not nearly so hard when you are pleased with your +dress, and even entertaining becomes more easy when your +costumière lives in Regent Street. On Tuesdays Maude +is at home. Every other day she hunts through her plate of +cards, and is overwhelmed by the sense of her rudeness towards +her neighbours. But her task is never finished, though day +after day she comes back jaded with her exertions. +Strangers still call upon her—‘hope it is not too +late to do the right thing, and to welcome,’ etc., +etc.—and they have to be re-visited. While she is +visiting them, other cards appear upon her hall table, and so the +foolish and tiresome convention continues to exhaust the time and +the energies of its victim.</p> +<p>Those original receptions were really very difficult. +Jemima announced a name which might or might not bear some +relation to the visitor’s. The lady entered. +Her name might perhaps be Mrs. Baker. Maude had no means of +knowing who Mrs. Baker might be. The visitor seldom +descended to an explanation. Ten minutes of desultory and +forced conversation about pinewoods and golf and cremation. +A cup of tea and a departure. Then Maude would rush to the +card-tray to try to find out whom it was that she had been +talking to, and what it was all about.</p> +<p>Maude did not intend to go visiting that particular day, and +she had hoped that no one might visit her. The hours of +danger were almost past, and it was close upon four +o’clock, when there came a brisk pull at the bell.</p> +<p>‘Mrs. White,’ said Jemima, opening the +drawing-room door.</p> +<p>‘Wright,’ said the visitor, as she walked +in—‘Mrs. Violet Wright.’</p> +<p>Maude rose with her pleasant smile. It was a peculiarly +sweet and kindly smile, for it was inspired by a gentle womanly +desire to make things pleasant for all who were around her. +Amiability was never artificial with her, for she had the true +instincts of a lady—those instincts so often spoken of, so +seldom, so very seldom seen. Like a gentleman, or a +Christian, or any other ideal, it is but a poor approximation +which is commonly attained.</p> +<p>But the visitor did not respond to the pretty gesture of +welcome, nor did her handsome face return that sympathetic +smile. They stood for an instant looking at each other, the +one tall, masterful, mature, the other sweet, girlish, and +self-distrustful, but each beautiful and engaging in her own +way. Lucky Master Frank, whose past and present could take +such a form; but luckier still if he could have closed the past +when the present opened. The visitor was silent, but her +dark eyes looked critically and fixedly at her rival. +Maude, setting the silence down to the shyness of a first visit, +tried to make matters easier.</p> +<p>‘Please try this armchair. No doubt you have had a +tiring walk. It is still very warm in the afternoons. +I think it was so kind of you to call.’</p> +<p>A faint smile flickered upon the dark face.</p> +<p>‘Kind of me to call!’ said she.</p> +<p>‘Yes; for in a rising place like Woking, with so many +new arrivals, it must be quite a task for the older inhabitants +to welcome them. I have been so surprised by the kindness +which every one has shown.’</p> +<p>‘Oh, I see,’ said her visitor, ‘you think +that I live here. I have really just come down from +London.’</p> +<p>‘Indeed,’ said Maude, and awaited an +explanation. As none was forthcoming, she added, ‘You +will find Woking a very nice place.’</p> +<p>‘A nice place to be buried in, alive or dead,’ +said her visitor.</p> +<p>There was something peculiarly ungracious in her tone and +manner. It seemed to Maude that she had never before been +alone with so singular a person. There was, in the first +place, her striking and yet rather sinister and voluptuous +beauty.</p> +<p>Then there was the absolute carelessness of her manner, the +quiet assumption that she was outside the usual conventionalities +of life. It is a manner only to be met in English life, +among some of the highest of the high world, and some of the +highest of the half world. It was new to Maude, and it made +her uncomfortable, while mingled with it there was something else +which made her feel for the first time in her life that she had +incurred the hostility of a fellow-mortal. It chilled her, +and made her unhappy.</p> +<p>The visitor made no effort to sustain the conversation, but +leaned back in her chair and stared at her hostess with a very +critical and searching glance. Those two questioning dark +eyes played eagerly over her from her brown curls down to the +little shining shoe-tips which peeped from under the grey +skirt. Especially they dwelt upon her face, reading it and +rereading it. Never had Maude been so inspected, and her +instinct told her that the inspection was not altogether a +friendly one.</p> +<p>Violet Wright having examined her rival, proceeded now with +the same cool attention to take in her surroundings. She +looked round deliberately at the furniture of the room, and +reconstructed in her own mind the life of the people who owned +it. Maude ventured upon one or two conventional remarks, +but her visitor was not to be diverted to the weather or to the +slowness of the South-Western train service. She continued +her quiet and silent inspection. Suddenly she rose and +swept across to the side-table. A photograph of Frank in +his volunteer uniform stood upon it.</p> +<p>‘This is your husband, Mr. Frank Crosse?’</p> +<p>‘Yes, do you know him?’</p> +<p>‘Slightly. We have mutual friends.’ An +ambiguous smile played across her face as she spoke. +‘This must have been taken after I saw him.’</p> +<p>‘It was taken just after our marriage.’</p> +<p>‘Quite so. He looks like a good little married +man. The photograph is flattering.’</p> +<p>‘Oh, you think so!’ said Maude coldly. +‘My own impression is that it fails to do him +justice.’</p> +<p>Her visitor laughed. ‘Of course that <i>would</i> +be your impression,’ said she.</p> +<p>Maude’s gentle soul began to rise in anger.</p> +<p>‘It is the truth,’ she cried.</p> +<p>‘It is right that you should think so,’ the other +answered, with the same irritating laugh.</p> +<p>‘You must have known him very slightly if you +can’t see that it is the truth.’</p> +<p>‘Then I must have known him very slightly.’</p> +<p>Maude was very angry indeed. She began to find sides to +her own nature the very existence of which she had never +suspected. She tapped her little shoe upon the ground, and +she sat with a pale face, and compressed lips, and bright eyes, +quite prepared to be very rude indeed to this eccentric woman who +ventured to criticise her Frank in so free and easy a +style. Her visitor watched her, and a change had come over +her expression. Maude’s evident anger seemed to amuse +and interest her. Her eyes lost their critical coldness, +and softened into approval. She suddenly put her hand upon +the other’s shoulder with so natural and yet masterful a +gesture, that Maude found it impossible to resent it.</p> +<p>‘He is a lucky man to have such a warm little +champion,’ said she.</p> +<p>Her strong character and greater knowledge of the world gave +her an ascendency over the girlish wife such as age has over +youth. There were not ten years between them, and yet Maude +felt that for some reason the conversation between them could not +quite be upon equal terms. The quiet assurance of her +visitor, whatever its cause, made resentment or remonstrance +difficult. Besides, they were a pair of very kindly as well +as of very shrewd eyes which now looked down into hers.</p> +<p>‘You love him very much, then?’</p> +<p>‘Of course I love him. He is my +husband.’</p> +<p>‘Does it always follow?’</p> +<p>‘You are married yourself. Don’t you love +yours?’</p> +<p>‘Oh, never mind mine. <i>He’s</i> all +right. Did you ever love any one else?’</p> +<p>‘No, not really.’</p> +<p>Maude was astonished at herself, and yet the questions were so +frankly put that a frank answer came naturally to them. It +pleased her to lose that cold chill of dislike, and to feel that +for some reason her strange visitor had become more friendly to +her.</p> +<p>‘You lucky girl, you actually married the one love of +your life!’</p> +<p>Maude smiled and nodded.</p> +<p>‘What a splendid thing to do! I thought it only +happened in books. How happy you must be!’</p> +<p>‘I <i>am</i> very, very happy.’</p> +<p>‘Well, I dare say you deserve to be. Besides, you +really are very pretty. If ever you had a rival, I should +think that it must be some consolation to her to know that it was +so charming a person who cut her out.’</p> +<p>Maude laughed at the thought.</p> +<p>‘I never had a rival,’ said she. ‘My +husband never <i>really</i> loved until he met me.’</p> +<p>‘Did he—oh yes, quite so! That is so nice +that you should both start with a clean sheet! I thought +you were very handsome just now when you were angry with me, but +you are quite delightful with that little flush upon your +cheeks. If I had been a man, your husband would certainly +have had one rival in his wooing. And so he really never +loved any one but you? I thought that also only happened in +books.’</p> +<p>There was a hard and ironic tone in the last sentences which +jarred upon Maude’s sensitive nature. She glanced up +quickly and was surprised at the look of pain which had come upon +her companion’s face. It relaxed into a serious +serenity.</p> +<p>‘That fits in beautifully,’ said she. +‘But there’s one bit of advice which I should like to +give you, if you won’t think it a liberty. +Don’t be selfish in your married life.’</p> +<p>‘Selfish!’</p> +<p>‘Yes, there is a kind of family selfishness which is +every bit as bad—I am not sure that it is not +worse—than personal selfishness. People love each +other, and they shut out the world, and have no thought for any +one else, and the whole universe can slide to perdition so long +as their love is not disturbed. That is what I call family +selfishness. It’s a sin and a shame.’</p> +<p>Maude looked at this strange woman in amazement. She was +speaking fast and hotly, like one whose bitter thoughts have been +long penned up for want of a suitable listener.</p> +<p>‘Remember the women who have been less fortunate than +you. Remember the thousands who are starving, dying, for +want of love, and no love comes their way; whose hearts yearn and +faint for that which Nature owes them, but Nature never pays her +debt. Remember the plain women. Remember the lonely +women. Above all, remember your unfortunate sisters; they, +the most womanly of all, who have been ruined by their own +kindliness and trust and loving weakness. It is that family +selfishness which turns every house in the land into a fort to be +held against these poor wanderers. They make them evil, and +then they revile the very evil which they have made. When I +look back—’</p> +<p>She stopped with a sudden sob. Her forearm fell upon the +mantelpiece, and her forehead upon her forearm. In an +instant Maude was by her side, the tears running down her cheeks, +for the sight of grief was always grief to her, and her nerves +were weakened by this singular interview.</p> +<p>‘Dear Mrs. Wright, don’t cry!’ she +whispered, and her little white hand passed in a soothing, +hesitating gesture over the coil of rich chestnut hair. +‘Don’t cry! I am afraid you have +suffered. Oh, how I wish I could help you! Do tell me +how I can help you.’</p> +<p>But Violet’s occasional fits of weakness were never of a +very long duration. She dashed her hand impatiently across +her eyes, straightened her tall figure, and laughed as she +glanced at herself in the mirror.</p> +<p>‘Madame Celandine would be surprised if she could see +how I have treated one of her masterpieces,’ said she, as +she straightened her crushed hat, and arranged her hair with +those quick little deft pats of the palm with which women can +accomplish so much in so short a time. Rumpled finery sets +the hands of every woman within sight of it fidgeting, so Maude +joined in at the patting and curling and forgot all about her +tears.</p> +<p>‘There, that will have to do,’ said Violet at +last. ‘I am so sorry to have made such a fool of +myself. I don’t err upon the sentimental side as a +rule. I suppose it is about time that I thought of catching +my train for town. I have a theatre engagement which I must +not miss.’</p> +<p>‘How strange it is!’ said Maude, looking at her +own pretty tear-marked face in the mirror. ‘You have +only been here a few minutes, as time goes, and yet I feel that +in some things I am more intimate with you than with any woman I +have ever met. How can it be? What bond can there be +to draw us together like this? And it is the more +extraordinary, because I felt that you disliked me when you +entered the room, and I am sure that you won’t be offended +if I say that when you had been here a little I thought that I +disliked you. But I don’t. On the contrary, I +wish you could come every day. And I want to come and see +you also when I am in town.’</p> +<p>Maude, for all her amiability, was not gushing by nature, and +this long speech caused her great astonishment when she looked +back upon it. But at the moment it came so naturally from +her heart that she never paused to think of its oddity. Her +enthusiasm was a little chilled, however, by the way in which her +advances were received. Violet Wright’s eyes were +more kindly than ever, but she shook her head.</p> +<p>‘No, I don’t suppose we shall ever meet +again. I don’t think I could ask you to visit me in +London. I wanted to see you, and I have seen you, but that, +I fear, must be the end of it.’</p> +<p>Maude’s lip trembled in a way which it had when she was +hurt.</p> +<p>‘Why did you wish to see me, then?’ she asked.</p> +<p>‘On account of that slight acquaintance with your +husband. I thought it would be interesting to see what sort +of wife he had chosen.’</p> +<p>‘I hope you are not disappointed,’ said Maude, +making a roguish face.</p> +<p>‘He has done very well—better than I +expected.’</p> +<p>‘You had not much respect for his taste, +then?’</p> +<p>‘Oh yes, I always thought highly of his +taste.’</p> +<p>‘You have such a pretty way of putting things. You +know my husband very slightly, but still I can see that you know +the world very well. I often wonder if I am really the best +kind of woman that he could have married. Do you think I +am, Mrs. Wright?’</p> +<p>Her visitor looked in silence for a little at the gentle grace +and dainty sympathetic charm of the woman before her.</p> +<p>‘Yes,’ she said slowly, as one who weighs her +words. ‘I think you are. You are a lady with a +lady’s soul in you. A woman can draw a man down very +low, or she can make him live at his very highest. +Don’t be soft with him. Don’t give way when you +know that your way is the higher way. Pull him up, +don’t let him ever pull you down. Then his respect +for you will strengthen his love for you, and the two together +are so much greater than either one apart. Your instinct +would be to do this, and therefore you are the best sort of woman +for him.’</p> +<p>Her opinion was given with so much thought, and yet so much +decision, that Maude glowed with pride and with pleasure. +There was knowledge and authority behind the words of this +unaccountable woman.</p> +<p>‘How sweet you are!’ she cried. ‘I +feel that what you say is true. I feel that that is what a +wife should be to her husband. Please God, I will be so to +Frank!’</p> +<p>‘And one other piece of advice before I leave +you,’ said Violet Wright. ‘Don’t ever +take your husband for granted. Don’t ever accept his +kiss or caress as a routine thing. Don’t ever relax +those little attentions which you showed him in the earliest +days. Don’t let the freshness go out of love, for the +love may soon follow it, even when duty keeps the man true. +It is the commonest mistake which married women make. It +has caused more unhappiness than any other. They do not +realise it until it is too late. Be keenly watchful for +your husband’s wants and comforts. It is not the +comfort but the attention which he values. If it is not +there he will say nothing, if he is a good fellow, but he notices +it all the same. She has changed, he thinks. And from +that moment he will begin to change also. Be on your guard +against that. It is very unselfish of me to give you all +this wise counsel.’</p> +<p>‘It is very good of you, and I feel that it is all so +true. But why is it unselfish of you?’</p> +<p>‘I only meant that I had no interest in the +matter. What does it matter to me whether you keep his love +or not. And yet I don’t know.’ She +suddenly put her arms round Maude, and kissed her upon the +cheek. ‘You are a good little sort, and I hope you +will be happy.’</p> + +<div class="gapspace"> </div> +<p>Frank Crosse had disentangled himself from the rush of City +men emerging from the Woking station, and he was walking swiftly +through the gathering gloom along the vile, deeply-rutted road, +which formed a short cut to The Lindens. Suddenly, with a +sinking heart, he was aware of a tall graceful figure which was +sweeping towards him. There could not be two women of that +height, who carried themselves in that fashion.</p> +<p>‘Violet!’</p> +<p>‘Hullo, Frankie! I thought it might be you, but +those tall hats and black overcoats make every one alike. +Your wife will be glad to see you.’</p> +<p>‘Violet! You have ruined our happiness. How +could you have the heart to do it! It is not for myself I +speak, God knows. But to think of her feelings being so +abused, her confidence so shaken—’</p> +<p>‘All right, Frankie, there is nothing to be tragic +about.’</p> +<p>‘Haven’t you been to my house?’</p> +<p>‘Yes, I have.’</p> +<p>‘And seen her?’</p> +<p>‘Yes.’</p> +<p>‘Well then—’</p> +<p>‘I didn’t give you away, my boy. I was a +model of discretion. I give you my word that it is all +right. And she’s a dear little soul, Frankie. +You’re not worthy to varnish those pretty patent leathers +of hers. You know you’re not. And by Jove, +Frankie, if you had stayed with me yesterday I should never have +forgiven you—no, never! I’ll resign in her +favour. I will. But in no one else’s, and if +ever I hear of your going wrong, my boy, or doing anything but +the best with that sweet trusting woman, I’ll make you +curse the day that ever you knew me—I will, by the living +Jingo.’</p> +<p>‘Do, Violet—you have my leave.’</p> +<p>‘All right. The least said the soonest +mended. Give me a kiss before we part.’</p> +<p>She raised her veil, and he kissed her. He was wearing +some withered flower in his overcoat, and she took it from +him.</p> +<p>‘It’s a souvenir of our friendship, Frankie, and +rather a good emblem of it also. So-long!’ said she, +as she turned down the weary road which leads to the +station. A young golfer, getting in at Byfleet, was +surprised to see a handsome woman weeping bitterly in the corner +of a second-class carriage. ‘Comm’ up from +roastin’ somebody at that damned crematory place,’ +was his explanation to his companion.</p> +<p>Frank had a long and animated account from Maude of the +extraordinary visitor whom she had entertained. +‘It’s such a pity, dear, that you don’t know +her well, for I should really like to hear every detail about +her. At first I thought she was mad, and then I thought she +was odious, and then finally she seemed to be the very wisest and +kindest woman that I had ever known. She made me angry, and +frightened, and grieved, and grateful, and affectionate, one +after the other, and I never in my life was so taken out of +myself by any one. She <i>is</i> so sensible!’</p> +<p>‘Sensible, is she?’</p> +<p>‘And she said that I was—oh! I can’t +repeat it—everything that is nice.’</p> +<p>‘Then she <i>is</i> sensible.’</p> +<p>‘And such a high opinion of your taste.’</p> +<p>‘Had she indeed.’</p> +<p>‘Do you know, Frank, I really believe that in a quiet, +secret, retiring sort of way she has been fond of you +herself.’</p> +<p>‘O Maude, what funny ideas you get sometimes! I +say, if we are going out for dinner, it is high time that we +began to dress.’</p> +<h2><a name="page290"></a><span class="pagenum">p. +290</span><span class="smcap">No</span>. 5 CHEYNE ROW</h2> +<p><span class="smcap">Frank</span> had brought home the <i>Life +of Carlyle</i>, and Maude had been dipping into it in the few +spare half-hours which the many duties of a young housekeeper +left her. At first it struck her as dry, but from the +moment that she understood that this was, among other things, an +account of the inner life of a husband and a wife, she became +keenly interested, and a passionate and unreasonable +partisan. For Frederick and Cromwell and the other great +issues her feelings were tolerant but lukewarm. But the +great sex-questions of ‘How did he treat her?’ and of +‘How did she stand it?’ filled her with that eternal +and personal interest with which they affect every woman. +Her gentle nature seldom disliked any one, but certainly amongst +those whom she liked least, the gaunt figure of the Chelsea sage +began to bulk largely. One night, as Frank sat reading in +front of the fire, he suddenly found his wife on her knees upon +the rug, and a pair of beseeching eyes upon his face.</p> +<p>‘Frank, dear, I want you to make me a +promise.’</p> +<p>‘Well, what is it?’</p> +<p>‘Will you grant it?’</p> +<p>‘How can I tell you when I have not heard it?’</p> +<p>‘How horrid you are, Frank! A year ago you would +have promised first and asked afterwards.’</p> +<p>‘But I am a shrewd old married man now. Well, let +me hear it.’</p> +<p>‘I want you to promise me that you will never be a +Carlyle.’</p> +<p>‘No, no, never.’</p> +<p>‘Really?’</p> +<p>‘Really and truly.’</p> +<p>‘You swear it?’</p> +<p>‘Yes, I do.’</p> +<p>‘O Frank, you can’t think what a relief that is to +me. That dear, good, helpful, little lady—it really +made me cry this morning when I thought how she had been +used.’</p> +<p>‘How, then?’</p> +<p>‘I have been reading that green-covered book of yours, +and he seemed so cold and so sarcastic and so +unsympathetic. He never seemed to appreciate all that she +did for him. He had no thought for her. He lived in +his books and never in her—such a harsh, cruel +man!’</p> +<p>Frank went upstairs, and returned with a volume in his +hand.</p> +<p>‘When you have finished the ‘Life,’ you must +read this, dear.’</p> +<p>‘What is it?’</p> +<p>‘It is her letters. They were arranged for +publication after her death, while her husband was still +alive. You know that—’</p> +<p>‘Please take it for granted, darling, that I know +nothing. It is so jolly to have some one before whom it is +not necessary to keep up appearances. Now, begin at the +beginning and go ahead.’ She pillowed her head +luxuriously against his knees.</p> +<p>‘There’s nothing to tell—or very +little. As you say, they had their troubles in life. +The lady could take particularly good care of herself, I +believe. She had a tongue like a lancet when she chose to +use it. He, poor chap, was all liver and nerves, +porridge-poisoned in his youth. No children to take the +angles off them. Half a dozen little buffer states would +have kept them at peace. However, to hark back to what I +was about to say, he outlived her by fifteen years or so. +During that time he collected these letters, and he has annotated +them. You can read those notes here, and the man who wrote +those notes loved his wife and cherished her memory, if ever a +man did upon earth.’</p> +<p>The graceful head beside his knee shook impatiently.</p> +<p>‘What is the use of that to the poor dead woman? +Why could not he show his love by kindness and thought for her +while she was alive?’</p> +<p>‘I tell you, Maude, there were two sides to that. +Don’t be so prejudiced! And remember that no one has +ever blamed Carlyle as bitterly as he has blamed himself. I +could read you bits of these notes—’</p> +<p>‘Well, do.’</p> +<p>‘Here’s the first letter, in which she is talking +about how they first moved into the house at Cheyne Row. +They spent their early years in Scotland, you know, and he was a +man going on to the forties when he came to London. The +success of <i>Sartor Resartus</i> encouraged them to the +step. Her letter describes all the incoming. Here is +his comment, written after her death: “In about a week all +was swept and garnished, fairly habitable; and continued +incessantly to get itself polished, civilised, and beautified to +a degree that surprised one. I have elsewhere alluded to +all that, and to my little Jeannie’s conduct of it; heroic, +lovely, pathetic, mournfully beautiful as in the light of +Eternity that little scene of time now looks to me. From +birth upwards she had lived in opulence, and now became poor for +me—so nobly poor. No such house for beautiful thrift, +quiet, spontaneous, nay, as it were, unconscious minimum of money +reconciled to human comfort and human dignity, have I anywhere +looked upon where I have been.” Now, Maude, did that +man appreciate his wife?’</p> +<p>But the obstinate head still shook.</p> +<p>‘Words, words,’ said she.</p> +<p>‘Yes, but words with the ring of truth in them. +Can’t you tell real feeling from sham? I don’t +believe women can, or they would not be so often taken in. +Here’s the heading of the next letter: “Mournfully +beautiful is this letter to me, a clear little household light +shining pure and brilliant in the dark obstructive places of the +past”—a little later comes the note: “Oh my +poor little woman—become poor for me.”’</p> +<p>‘I like to hear him talk like that. Yes, I do like +him better after what you have said, Frank.’</p> +<p>‘You must remember two things about him, Maude. +The first, that he was a Scotchman, who are of all men the least +likely to wear their hearts upon their sleeves; the other, that +his mind was always grappling with some far-away subject which +made him forget the smaller things close by him.’</p> +<p>‘But the smaller things are everything to a +woman,’ said Maude. ‘If ever you forget those +smaller things, sir, to be as courteous to your wife as you would +be to any other lady, to be loving and thoughtful and +sympathetic, it will be no consolation to me to know that you +have written the grandest book that ever was. I should just +hate that book, and I believe that in her inmost heart this poor +lady hated all the books that had taken her husband away from +her. I wonder if their house is still standing.’</p> +<p>‘Certainly it is. Would you like to visit +it?’</p> +<p>‘I don’t think there is anything I should like +more.’</p> +<p>‘Why, Maude, we are getting quite a distinguished circle +of acquaintances. Mr. Pepys last month—and now the +Carlyles. Well, we could not spend a Saturday afternoon +better, so if you will meet me to-morrow at Charing Cross, we +shall have a cosy little lunch together at Gatti’s, and +then go down to Chelsea.’</p> + +<div class="gapspace"> </div> +<p>Maude was a rigid economist, and so was Frank in his way, for +with the grand self-respect of the middle classes the thought of +debt was unendurable to them. A cab in preference to a +’bus gave both of them a feeling of dissipation, but none +the less they treated themselves to one on the occasion of this, +their little holiday. It is a delightful thing to snuggle +up in, is a hansom; but in order to be really trim and +comfortable one has to put one’s arm round one’s +companion’s waist. No one can observe it there, for +the vehicle is built upon intelligent principles. The +cabman, it is true, can overlook you through a hole in the +roof. This cabman did so, and chuckled in his cravat. +‘If that cove’s wife could see him—huddup, +then!’ said the cabman.</p> +<p>He was an intelligent cabman too, for having heard Frank say +‘Thomas Carlyle’s house’ after giving the +address 5 Cheyne Row, he pulled up on the Thames +Embankment. Right ahead of them was Chelsea Bridge, seen +through a dim, soft London haze—monstrous, Cyclopean, giant +arches springing over a vague river of molten metal, the whole +daintily blurred, as though out of focus. The glamour of +the London haze, what is there upon earth so beautiful? But +it was not to admire it that the cabman had halted.</p> +<p>‘I beg your pardin’, sir,’ said he, in the +softly insinuating way of the Cockney, ‘but I thought that +maybe the lidy would like to see Mr. Carlyle’s +statue. That’s ’im, sir, a-sittin’ in the +overcoat with the book in ’is ’and.’</p> +<p>Frank and Maude got out and entered the small railed garden, +in the centre of which the pedestal rose. It was very +simple and plain—an old man in a dressing-gown, with homely +wornout boots, a book upon his knee, his eyes and thoughts far +away. No more simple statue in all London, but human to a +surprising degree. They stood for five minutes and stared +at it.</p> +<p>‘Well,’ said Frank at last, ‘small as it is, +I think it is worthy of the man.’</p> +<p>‘It is so natural.’</p> +<p>‘You can see him think. By Jove, it is +splendid!’ Frank had enough of the true artist to be +able to feel that rush of enthusiasm which adequate work should +cause. That old man, with his head shamefully defiled by +birds, was a positive joy to him. Among the soulless, +pompous, unspeakable London statues, here at last there was one +over which it is pleasant to linger.</p> +<p>‘What other one is there?’</p> +<p>‘Gordon in Trafalgar Square.’</p> +<p>‘Well, Gordon, perhaps. But our Nelsons and +Napiers and Havelocks—to think that we could do no better +than that for them! Now, dear, we have seen the +man—let us look at the house!’</p> +<p>It had evidently been an old-fashioned building when first +they came to it. 1708 was the date at the corner of the +street. Six or seven drab-coloured, flat-chested, +dim-windowed houses stood in a line—theirs wedged in the +middle of them. A poor medallion with a profile head of him +had been clumsily let into the wall. Several worn steps led +to the thin high door with an old-fashioned fanlight above +it. Frank rang the bell, and a buxom cheerful matron came +at the call.</p> +<p>‘Names in this book, sir—<i>and</i> address, if +you please,’ said the cheery matron. ‘One +shilling each—thank you, sir. First door to the left, +sir! This was the dining-room, sir—’</p> +<p>But Frank had come to a dead stop in the dim, dull, +wood-panelled hall. In front of them rose the stairs with +old-fashioned banisters, cracked, warped, and dusty.</p> +<p>‘It’s awful to think of, Maude—awful! +To think that she ran up those stairs as a youngish +woman—that he took them two at a time as an active man, and +then that they hobbled and limped down them, old and weary and +broken, and now both dead and gone for ever, and the stairs +standing, the very rails, the very treads—I don’t +know that I ever felt so strongly what bubbles of the air we are, +so fragile, so utterly dissolved when the prick comes.’</p> +<p>‘How <i>could</i> they be happy in such a house?’ +said Maude. ‘I can feel that there have been sorrow +and trouble here. There is an atmosphere of +gloom.’</p> +<p>The matron-attendant approved of emotion, but in its due +order. One should be affected in the dining-room first, and +then in the hall. And so at her summons they followed her +into the long, low, quaint room in which this curious couple had +lived their everyday life. Little of the furniture was +left, and the walls were lined with collected pictures bearing +upon the life of the Carlyles.</p> +<p>‘There’s the fireplace that he smoked his pipe +up,’ said Frank.</p> +<p>‘Why up the fireplace?’</p> +<p>‘She did not like the smell in the room. He often +at night took his friends down into the kitchen.’</p> +<p>‘Fancy my driving you into the kitchen.’</p> +<p>‘Well, the habit of smoking was looked upon much less +charitably at that time.’</p> +<p>‘And besides, he smoked clay pipes,’ said the +matron. ‘This is considered a good print of Mrs. +Carlyle.’</p> +<p>It was a peaky eager face, with a great spirit looking out of +it, and possibilities of passion both for good and evil in the +keen, alert features. Just beside her was the dour, grim +outline of her husband. Their life-histories were in those +two portraits.</p> +<p>‘Poor dear!’ said Maude.</p> +<p>‘Ay, you may say so,’ said the matron, whose +accent showed that she was from the north of the Tweed. +‘He was gey ill to live wi’. His own mither +said so. Now, what think you that room was for?’</p> +<p>It was little larger than a cupboard, without window or +skylight, opening out of the end of the dining-room.</p> +<p>‘I can’t imagine.’</p> +<p>‘Well, sir, it was the powdering-room in the days when +folk wore wigs. The powder made such a mess that they just +had a room for nothing else. There was a hole in the door, +and the man put his head through the hole, and the barber on the +other side powdered him out of the flour-dredger.’</p> +<p>It was curious to be brought back in this fashion to those +far-off days, and to suddenly realise how many other people had +played their tragi-comedies within these walls. Wigs! +Only the dressy people wore wigs. So people of fashion in +the days of the early Georges trod these same rooms where Carlyle +grumbled and his wife fretted. And they too had grumbled +and fretted—or worse perhaps. It was a ghostly old +house.</p> +<p>‘This,’ said the matron, when they had passed up +the stair, ‘used to be the drawing-room. That’s +their sofa.’</p> +<p>‘Not <i>the</i> sofa,’ said Frank.</p> +<p>‘Yes, sir, the sofa that is mentioned in the +letters.’</p> +<p>‘She was so proud of it, Maude. Gave eighteen +shillings for it, and covered and stuffed it herself. And +that, I suppose, is <i>the</i> screen. She was a great +housekeeper—brought up a spoiled child, according to her +own account, but a great housekeeper all the same. +What’s that writing in the case?’</p> +<p>‘It is the history that he was at work on when he +died—something about the kings of Norway, sir. Those +are his corrections in blue.’</p> +<p>‘I can’t read them.’</p> +<p>‘No more could any one else, sir. Perhaps +that’s why the book has never been published. Those +are the portraits of the kings of Prussia, about whom he wrote a +book.’</p> +<p>Frank looked with interest at the old engravings, one of the +schoolmaster face of the great Frederick, the other of the +frog-like features of Frederick William, the half-mad recruiter +of the big Potsdam grenadiers. When he had finished, the +matron had gone down to open the door, and they were alone. +Maude’s hand grasped his.</p> +<p>‘Is it not strange, dear?’ she said. +‘Here they lived, the most talented couple in the world, +and yet with all their wisdom they missed what we have +got—what perhaps that good woman who showed us round has +got—the only thing, as it seems to me, that is really worth +living for. What are all the wit and all the learning and +all the insight into things compared to love.’</p> +<p>‘By Jove, little woman, in all this house of wise +sayings, no wiser or deeper saying has been said than that. +Well, thank God, we have that anyhow!’ And he kissed +his wife, while six grand electors of Brandenburg and kings of +Prussia looked fiercely out upon them from the wall.</p> +<p>They sat down together in two old chairs in the window, and +they looked out into the dingy street, and Frank tried to recount +all the great men—‘the other great men, as Maude +said, half chaffing and half earnest—who had looked through +those panes. Tennyson, Ruskin, Emerson, Mill, Froude, +Mazzini, Leigh Hunt—he had got so far when the matron +returned.</p> +<p>There was a case in the corner with some of the wreckage from +those vanished vessels. Notes from old Goethe in a +singularly neat boyish writing inscribed upon little ornamented +cards. Here, too, were small inscriptions which had lain +upon presents from Carlyle to his wife. It was pleasant +among all that jangling of the past to think of the love which +had written them, and that other love which had so carefully +preserved them. On one was written: ‘All good attend +my darling through this gulf of time and through the long ocean +it is leading to. Amen. Amen. T. +C.’ On another, dated 1850, and attached evidently to +some birthday present, was: ‘Many years to my poor little +Jeannie, and may the worst of them be past. No good that is +in me to give her shall ever be wanting while I live. May +God bless her.’ How strange that this apostle of +reticence should have such privacies as these laid open before +the curious public within so few years of his death!</p> +<p>‘This is her bedroom,’ said the matron.</p> +<p>‘And here is the old red bed,’ cried Frank. +It looked bare and gaunt and dreary with its uncurtained +posts.</p> +<p>‘The bed belonged to Mrs. Carlyle’s mother,’ +the matron explained. ‘It’s the same bed that +Mrs. Carlyle talks about in her letters when she says how she +pulled it to pieces.’</p> +<p>‘Why did she pull it to pieces?’ asked Maude.</p> +<p>‘Better not inquire, dear.’</p> +<p>‘Indeed you’re right, sir. If you get them +into these old houses, it is very hard to get them out. A +cleaner woman than Mrs. Carlyle never came out of Scotland. +This little room behind was his dressing-room. +There’s his stick in the corner. Look what’s +written upon the window!’</p> +<p>Decidedly it was a ghostly house. Scratched upon one of +the panes with a diamond was the following piece of +information—</p> +<blockquote><p>‘John Harbel Knowles cleaned all the windows +in this house, and painted part, in the eighteenth year of +age.</p> +<p style="text-align: right"><i>March</i> 7<i>th</i>, +1794.’</p> +</blockquote> +<p>‘Who was <i>he</i>?’ asked Maude.</p> +<p>‘Nobody knows, miss!’ It was characteristic +of Maude that she was so gentle in her bearing that every one +always took it for granted that she was Miss. Frank +examined the writing carefully.</p> +<p>‘He was the son of the house and a young aristocrat who +had never done a stroke of work before in his life,’ said +he.</p> +<p>The matron was surprised.</p> +<p>‘What makes you say that, sir?’</p> +<p>‘What would a workman do with such a name as John Harbel +Knowles, or with a diamond ring for that matter? And who +would dare to disfigure a window so, if he were not of the +family? And why should he be so proud of his work, unless +work was a new and wondrous thing to him. To paint +<i>part</i> of the windows also sounds like the amateur and not +the workman. So I repeat that it was the first achievement +of the son of the house.’</p> +<p>‘Well, indeed, I dare say you are right, though I never +thought of it before,’ said the matron. ‘Now +this, up here, is Carlyle’s own room, in which he slept for +forty-seven years. In the case is a cast of his head taken +after death.’</p> +<p>It was strange and rather ghastly to see a plaster head in +this room where the head of flesh had so often lain. Maude +and Frank stood beside it, and gazed long and silently while the +matron, half-bored and half-sympathetic, waited for them to move +on. It was an aquiline face, very different from any +picture which they had seen, sunken cheeks, an old man’s +toothless mouth, a hawk nose, a hollow eye—the gaunt +timbers of what had once been a goodly house. There was +repose, and something of surprise also, in the +features—also a very subtle serenity and dignity.</p> +<p>‘The distance from the ear to the forehead is said to be +only equalled by Napoleon and by Gladstone. That’s +what they <i>say</i>,’ said the matron, with Scotch +caution.</p> +<p>‘It’s the face of a noble man when all is said and +done,’ said Frank. ‘I believe that the true +Thomas Carlyle without the dyspepsia, and the true Jane Welsh +without the nerves, are knowing and loving each other in some +further life.’</p> +<p>‘It is sweet to think so,’ cried Maude. +‘Oh, I do hope that it is so! How dear death would be +if we could only be certain of that!’</p> +<p>The matron smiled complacently in the superior wisdom of the +Shorter Catechism. ‘There is neither marriage nor +giving in marriage,’ said she, shaking her head. +‘This is the spare bedroom, sir, where Mr. Emerson slept +when he was here. And now if you will step this way I will +show you the study.’</p> +<p>It was the singular room which Carlyle had constructed in the +hopes that he could shut out all the noises of the universe, the +crowing of cocks, and the jingling of a young lady’s +five-finger exercise in particular. It had cost him a +hundred odd pounds, and had ended in being unendurably hot in +summer, impossibly cold in winter, and so constructed +acoustically that it reverberated every sound in the +neighbourhood. For once even his wild and whirling words +could hardly match the occasion—not all his <i>kraft +sprachen</i> would be too much. For the rest it was at +least a roomy and lofty apartment, with space for many books, and +for an irritable man to wander to and fro. Prints there +were of many historical notables, and slips of letters and of +memoranda in a long glass case.</p> +<p>‘That is one of his clay pipes,’ said the +matron. ‘He had them all sent through to him from +Glasgow. And that is the pen with which he wrote +<i>Frederick</i>.’</p> +<p>It was a worn, stubby old quill, much the worse for its +monstrous task. It at least of all quill pens might rest +content with having done its work in the world. Some +charred paper beside it caught Frank’s eye.</p> +<p>‘Oh look, Maude,’ he cried. ‘This is a +little bit of the burned <i>French Revolution</i>.’</p> +<p>‘Oh, I remember. He lent the only copy to a +friend, and it was burned by mistake.’</p> +<p>‘What a blow! What a frightful blow! And to +think that his first comment to his wife was, “Well, Mill, +poor fellow, is very much cut up about this.” There +is Carlyle at his best. And here is actually a shred of the +old manuscript. How beautifully he wrote in those +days!’</p> +<p>‘Read this, sir,’ said the matron.</p> +<p>It was part of a letter from Carlyle to his publisher about +his ruined work. ‘Do not pity me,’ said he; +‘forward me rather as a runner that is tripped but will not +lie there, but run and run again.’</p> +<p>‘See what positive misfortune can do for a man,’ +said Frank. ‘It raised him to a hero. And yet +he could not stand the test of a crowing cock. How +infinitely complex is the human soul—how illimitably great +and how pitiably small! Now, if ever I have a study of my +own, this is what I want engraved upon the wall. This alone +is well worth our pilgrimage to Chelsea.’</p> +<p>It was a short exclamation which had caught his eye.</p> +<p>‘Rest! Rest! Shall I not have all eternity +to rest in!’ That serene plaster face down yonder +gave force to the brave words. Frank copied them down onto +the back of one of Maude’s cards.</p> +<p>And now they had finished the rooms, but the matron, catching +a glow from these enthusiastic pilgrims, had yet other things to +show them. There was the back garden. Here was the +green pottery seat upon which the unphilosophic philosopher had +smoked his pipe—a singularly cold and uncomfortable +perch. And here was where Mrs. Carlyle had tried to build a +tent and to imagine herself in the country. And here was +the famous walnut tree—or at least the stumpy bole +thereof. And here was where the dog Nero was buried, best +known of small white mongrels.</p> +<p>And last of all there was the subterranean and gloomy kitchen, +in which there had lived that long succession of serving-maids of +whom we gain shadowy glimpses in the <i>Letters</i> and in the +<i>Journal</i>. Poor souls, dwellers in the gloom, working +so hard for others, so bitterly reviled when by chance some +weakness of humanity comes to break, for an instant, the routine +of their constant labour, so limited in their hopes and in their +pleasures, they are of all folk upon this planet those for whom a +man’s heart may most justly soften. So said Frank as +he gazed around him in the dark-cornered room. ‘And +never one word of sympathy for them, or of anything save scorn in +all his letters. His pen upholding human dignity, but where +was the dignity of these poor girls for whom he has usually one +bitter line of biography in his notes to his wife’s +letters? It’s the worst thing I have against +him.’</p> +<p>‘Jemima wouldn’t have stood it,’ said +Maude.</p> +<p>It was pleasant to be out in the open air once more, but they +were in the pine groves of Woking before Maude had quite shaken +off the gloom of that dark, ghost-haunted house. +‘After all, you are only twenty-seven,’ she remarked +as they walked up from the station. She had a way of +occasionally taking a subject by the middle in that way.</p> +<p>‘What then, dear?’</p> +<p>‘When Carlyle was only twenty-seven I don’t +suppose he knew he was going to do all this.’</p> +<p>‘No, I don’t suppose so.’</p> +<p>‘And his wife—if he were married then—would +feel as I do to you.’</p> +<p>‘No doubt.’</p> +<p>‘Then what guarantee have I that you won’t do it +after all?’</p> +<p>‘Do what?’</p> +<p>‘Why, turn out a second Carlyle.’</p> +<p>‘Hear me swear!’ cried Frank, and they turned +laughing into their own little gateway at the Lindens.</p> +<h2><a name="page311"></a><span class="pagenum">p. 311</span>THE +LAST NOTE OF THE DUET</h2> +<p><span class="smcap">Our</span> young married couples may feel +that two is company and three is none, but there comes a little +noisy intruder to break into their sweet intimacy. The +coming of the third is the beginning of a new life for them as +well as for it—a life which is more useful and more +permanent, but never so concentrated as before. That little +pink thing with the blinking eyes will divert some of the love +and some of the attention, and the very trouble which its coming +has caused will set its mother’s heart yearning over +it. Not so the man. Some vague resentment mixes with +his pride of paternity, and his wife’s sufferings rankle in +his memory when she has herself forgotten them. His pity, +his fears, his helplessness, and his discomfort, give him a share +in the domestic tragedy. It is not without cause that in +some societies it is the man and not the woman who receives the +condolence and the sympathy.</p> +<p>There came a time when Maude was bad, and there came months +when she was better, and then there were indications that a day +was approaching, the very thought of which was a shadow upon her +husband’s life. For her part, with the steadfast, +gentle courage of a woman, she faced the future with a sweet +serenity. But to him it was a nightmare—an actual +nightmare which brought him up damp and quivering in those gray +hours of the dawn, when dark shadows fall upon the spirit of +man. He had a steady nerve for that which affected himself, +a nerve which would keep him quiet and motionless in a +dentist’s chair, but what philosophy or hardihood can steel +one against the pain which those whom we love have to +endure. He fretted and chafed, and always with the absurd +delusion that his fretting and chafing were successfully +concealed. A hundred failures never convince a man how +impossible it is to deceive a woman who loves him. Maude +watched him demurely, and made her plans.</p> +<p>‘Do you know, dear,’ said she, one evening, +‘if you can get a week of your holidays now, I think it +would be a very good thing for you to accept that invitation of +Mr. Mildmay’s, and spend a few days in golfing at +Norwich.’</p> +<p>Frank stared at her open-eyed.</p> +<p>‘What! Now!’</p> +<p>‘Yes, dear, now—at once.’</p> +<p>‘But <i>now</i> of all times.’</p> +<p>Maude looked at him with that glance of absolute obvious +candour which a woman never uses unless she has intent to +deceive.</p> +<p>‘Yes, dear—but only next week. I thought it +would brace you up for—well, for the week +afterwards.’</p> +<p>‘You think the week afterwards?’</p> +<p>‘Yes, dear. It would help me so, if I knew that +you were in your best form.’</p> +<p>‘<i>I</i>! What can it matter what form <i>I</i> +am in. But in any case, it is out of the +question.’</p> +<p>‘But you could get leave.’</p> +<p>‘Oh yes, easily enough.’</p> +<p>‘Then do go.’</p> +<p>‘And leave you at such a time!’</p> +<p>‘No, no, you would be back.’</p> +<p>‘You can’t be so sure of that. No, Maude, I +should never forgive myself. Such an idea would never enter +my head.’</p> +<p>‘But for my sake—!’</p> +<p>‘That’s enough, Maude. It is +settled.’</p> +<p>Master Frank had a heavy foot when he did bring it down, and +his wife recognised a decisive thud this time. With a +curious double current of feeling, she was pleased and +disappointed at the same time, but more pleased than +disappointed, so she kissed the marrer of her plots.</p> +<p>‘What an obstinate old boy it is! But of course +you know best, and I should much rather have you at home. +As you say, one can never be certain.’</p> +<p>In a conflict of wits the woman may lose a battle, but the +odds are that she will win the campaign. The man dissipates +over many things, while she concentrates upon the one. +Maude had made up her mind absolutely upon one point, and she +meant to attain it. She tried here, she tried there, +through a friend, through her mother, but Frank was still +immovable. The ordeal coming upon herself never disturbed +her for an instant. But the thought that Frank would suffer +was unendurable. She put herself in his place, and realised +what it would be to him if he were in the house at such a +time. With many cunning devices she tried to lure him off, +but still, in his stubborn way, he refused to be misled. +And then suddenly she realised that it was too late.</p> +<p>It was early one morning that the conviction came home to her, +but he, at her side, knew nothing of it. He came up to her +before he left for the City.</p> +<p>‘You have not eaten anything, dear.’</p> +<p>‘No, Frank, I am not hungry.’</p> +<p>‘Perhaps, after you get up—’</p> +<p>‘Well, dear, I thought of staying in bed.’</p> +<p>‘You are not—?’</p> +<p>‘What nonsense, dear! I want to keep very quiet +until next week, when I may need all my strength.’</p> +<p>‘Dear girl, I would gladly give ten years of my life to +have next week past.’</p> +<p>‘Silly old boy! But I do think it would be wiser +if I were to keep in bed.’</p> +<p>‘Yes, yes, do.’</p> +<p>‘I have a little headache. Nothing to speak of, +but just a little.’</p> +<p>‘Don’t you think Dr. Jordan had better give you +something for it.’</p> +<p>‘Do you think so? Well, just as you like. +You might call as you pass, and tell him to step up.’</p> +<p>And so, upon a false mission, the doctor was summoned to her +side, but found a very real mission waiting for him when he got +there. She had written a note for Frank the moment that he +had left the house, and he found both it and a conspiracy of +silence waiting for him when he returned in the late +afternoon. The note was upon the hall-table, and he eagerly +tore it open.</p> +<p>‘My dear boy,’ said this mendacious epistle, +‘my head is still rather bad, and Dr. Jordan thought that +it would be wiser if I were to have an undisturbed rest, but I +will send down to you when I feel better. Until then I had +best, perhaps, remain alone. Mr. Harrison sent round to say +that he would come to help you to pot the bulbs, so that will +give you something to do. Don’t bother about me, for +I only want a little rest.—<span +class="smcap">Maude</span>.’</p> +<p>It seemed very unnatural to him to come back and not to hear +the swift rustle of the dress which followed always so quickly +upon the creak of his latch-key that they might have been the +same sound. The hall and dining-room seemed unhomely +without the bright welcoming face. He wandered about in a +discontented fashion upon his tiptoes, and then, looking through +the window, he saw Harrison his neighbour coming up the path with +a straw basket in his hand. He opened the door for him with +his finger upon his lips.</p> +<p>‘Don’t make a row, Harrison,’ said he, +‘my wife’s bad.’</p> +<p>Harrison whistled softly.</p> +<p>‘Not—?’</p> +<p>‘No, no, not that. Only a headache, but she is not +to be disturbed. We expect <i>that</i> next week. +Come in here and smoke a pipe with me. It was very kind of +you to bring the bulbs.’</p> +<p>‘I am going back for some more.’</p> +<p>‘Wait a little. You can go back presently. +Sit down and light your pipe. There is some one moving +about upstairs. It must be that heavy-footed Jemima. +I hope she won’t wake Maude up. I suppose one must +expect such attacks at such a time.’</p> +<p>‘Yes, my wife was just the same. No, thank you, +I’ve just had some tea. You look worried, +Crosse. Don’t take things too hard.’</p> +<p>‘I can’t get the thought of next week out of my +head. If anything goes wrong—well there, what can I +do? I never knew how a man’s nerves may be harrowed +before. And she is such a saint, Harrison—such an +absolutely unselfish saint! You’ll never guess what +she tried to do.’</p> +<p>‘What, then?’</p> +<p>‘She knew what it would mean to me—what it will +mean to me—to sit here in impotence while she goes through +this horrible business. She guessed in some extraordinary +way what my secret feelings were about it. And she actually +tried to deceive me as to when it was to occur—tried to get +me out of the house on one pretext or another until it was all +over. That was her plot, and, by Jove, she tried it so +cleverly that she would have managed it if something had not put +me on my guard. She was a little too eager, unnaturally so, +and I saw through her game. But think of it, the absolute +unselfishness of it. To consider <i>me</i> at such a time, +and to face her trouble alone and unsupported in order to make it +easier for me. She wanted me to go to Norwich and play +golf.’</p> +<p>‘She must have thought you pretty guileless, Crosse, to +be led away so easily.’</p> +<p>‘Yes, it was a hopeless attempt to deceive me on such a +point, or to dream for an instant that my instincts would not +tell me when she had need of me. But none the less it was +beautiful and characteristic. You don’t mind my +talking of these things, Harrison?’</p> +<p>‘My dear chap, it is just what you need. You have +been bottling things up too much. Your health will break +down under it. After all, it is not so serious as all +that. The danger is very much exaggerated.’</p> +<p>‘You think so.’</p> +<p>‘I’ve had the experience twice now. +You’ll go to the City some fine morning, and when you come +back the whole thing will be over.’</p> +<p>‘Indeed it won’t. I have made arrangements +at the office, and from the hour that she first seems bad I will +never stir from the house. For all she may say, I know very +well that it gives her strength and courage to feel that I am +there.’</p> +<p>‘You may not know that it is coming on?’</p> +<p>Frank laughed incredulously.</p> +<p>‘We’ll see about that,’ said he. +‘And you think from your experience, Harrison, that it is +not so very bad after all?’</p> +<p>‘Oh no. It soon passes.’</p> +<p>‘Soon! What do you mean by soon?’</p> +<p>‘Jordan was there six hours the first time.’</p> +<p>‘Good God! Six hours!’ Frank wiped his +forehead. ‘They must have seemed six +years.’</p> +<p>‘They <i>were</i> rather long. I kept on working +in the garden. That’s the tip. Keep on doing +something and it helps you along wonderfully.’</p> +<p>‘That’s a good suggestion, Harrison. What a +curious smell there is in the air! Do you notice a sort of +low, sweetish, spirity kind of scent? Well, perhaps +it’s my imagination. I dare say that my nerves are a +bit strung up these days. But that is a capital idea of +yours about having some work to do. I should like to work +madly for those hours. Have everything up out of the back +garden and plant it all again in the front.’</p> +<p>Harrison laughed.</p> +<p>‘I’ll tell you something less heroic,’ said +he; ‘you could keep all these bulbs, and pot them +then. By the way, I’ll go round and get the +others. Don’t bother about the door. I shall +leave it open, for I won’t be five minutes.’</p> +<p>‘And I’ll put these in the greenhouse,’ said +Frank. He took the basket of bulbs and he laid them all out +on the wooden shelf of the tiny conservatory which leaned against +the back of the house. When he came out there was a kitten +making a noise somewhere. It was a low sound, but +persistent, coming in burst after burst. He took the rake +and jabbed with the handle amongst the laurel bushes under their +bedroom window. The beast might waken Maude, and so it was +worth some trouble to dislodge it. He could not see it, but +when he had poked among the bushes and cried ‘Skat!’ +several times, the crying died away, and he carried his empty +basket into the dining-room. There he lit his pipe again, +and waited for Harrison’s return.</p> +<p>There was that bothersome kitten again. He could hear it +mewing away somewhere. It did not sound so loud as in the +garden, so perhaps it would not matter. He felt very much +inclined to steal upstairs upon tiptoe and see if Maude were +stirring yet. After all, if Jemima, or whoever it was, +could go clumping about in heavy boots over his head, there was +no fear that he could do any harm. And yet she had said +that she would ring or send word the moment she could see him, +and so perhaps he had better wait where he was. He put his +head out of the window and cried ‘Shoo!’ into the +laurel bushes several times. Then he sat in the armchair +with his back to the door. Steps came heavily along the +hall, and he saw dimly with the back corner of his eye that some +one was in the doorway carrying something. He thought that +really Harrison might have brought the bulbs in more quietly, and +so he treated him with some coldness, and did not turn round to +him.</p> +<p>‘Put it in the out-house,’ said he.</p> +<p>‘Why the out-house?’</p> +<p>‘We keep them there. But you can put it under the +sideboard, or in the coal-scuttle, or where you like as long as +you don’t make any more noise.’</p> +<p>‘Why, surely, Crosse—’ But Frank +suddenly sprang out of his chair.</p> +<p>‘I’m blessed if that infernal kitten isn’t +somewhere in the room!’</p> +<p>And there when he turned was the grim, kindly face of old +Doctor Jordan facing him. He carried in the crook of his +arm a brown shawl with something round and small muffled up in +it. There was one slit in front, and through this came a +fist about the size of a marble, the thumb doubled under the tiny +fingers, and the whole limb giving circular waves, as if the +owner were cheering lustily at his own successful arrival. +‘Here am I, good people, hurrah! hurrah! hurrah!’ +cried the waving hand. Then as the slit in the shawl +widened Frank saw that behind the energetic fist there was a huge +open mouth, a little button of a nose, and two eyes which were so +resolutely screwed up that it seemed as if the owner had made a +resolution never under any circumstances to take the least notice +of this new world into which it had been transported. Frank +dropped his pipe and stood staring at this apparition.</p> +<p>‘What! What’s that?’</p> +<p>‘The baby!’</p> +<p>‘Baby? Whose baby?’</p> +<p>‘Your baby, of course.’</p> +<p>‘My baby! Where—where did you get +it?’</p> +<p>Doctor Jordan burst out laughing.</p> +<p>‘You are like a man who has just been wakened out of his +sleep,’ said he. ‘Why, Crosse, your wife has +been bad all day, but she’s all right now, and here’s +your son and heir—a finer lad of the age I never +saw—fighting weight about seven pounds.’</p> +<p>Frank was a very proud man at the roots of his nature. +He did not readily give himself away. Perhaps if he had +been quite alone he might at that moment, as the great wave of +joy washed through his soul, bearing all his fears and +forebodings away upon its crest, have dropped upon his knees in +prayer. But prayer comes not from the knee but from the +heart, and the whole strength of his nature breathed itself out +in silent thanks to that great Fate which goes its way regardless +either of thanks or reproaches. The doctor saw a pale +self-contained young man before him, and thought him strangely +wanting in emotion.</p> +<p>‘Well!’ said he, impatiently. ‘Is she +all right?’</p> +<p>‘Yes. Won’t you take your son?’</p> +<p>‘Could she see me?’</p> +<p>‘I don’t suppose five minutes would do any +harm.’</p> +<p>Dr. Jordan said afterwards that it was three steps which took +Frank up the fifteen stairs. The nurse who met him at the +corner looks back on it as the escape of her lifetime. +Maude lay in bed with a face as pale as the pillow which framed +it. Her lips were bloodless but smiling.</p> +<p>‘Frank!’</p> +<p>‘My own dear sweet girlie!’</p> +<p>‘You never knew. Did you, Frank? Tell me +that you never knew.’</p> +<p>And at that anxious question the foolish pride which keeps the +emotions of the strong man buried down in his soul as though they +were the least honourable part of his nature, fell suddenly to +nothing, and Frank dropped with his head beside the white face +upon the pillow, and lay with his arm across the woman whom he +loved, and sobbed as he had not sobbed since his childhood. +Her cheek was wet with his tears. He never saw the doctor +until he came beside him and touched him on the shoulder.</p> +<p>‘I think you had better go now,’ said he.</p> +<p>‘Sorry to be a fool, doctor,’ said Frank, blushing +hotly in his clumsy English fashion. ‘It’s just +more than I can stand.’</p> +<p>‘Sir,’ the doctor answered, ‘I owe you an +apology, for I had done you an injustice. Meanwhile your +son is about to be dressed, and there is hardly room for three +men in one bedroom.’</p> +<p>So Frank went down into the darkening room below, and +mechanically lighting his pipe, he sat with his elbows upon his +knees and stared out into the gathering gloom where one bright +evening star twinkled in a violet sky. The gentle hush of +the gloaming was around him, and some late bird was calling +outside amongst the laurels. Above he heard the shuffling +of feet, the murmur of voices, and then amid it all those thin +glutinous cries, <i>his</i> voice, the voice of this new man with +all a man’s possibilities for good and for evil, who had +taken up his dwelling with them. And as he listened to +those cries, a gentle sadness was mixed with his joy, for he felt +that things were now for ever changed—that whatever sweet +harmonies of life might still be awaiting him, from this hour +onwards, they might form themselves into the subtlest and +loveliest of chords, but it must always be as a trio, and never +as the dear duet of the past.</p> +<h2><a name="page326"></a><span class="pagenum">p. 326</span>THE +TRIO</h2> +<p style="text-align: center">(<i>Extract from a letter to the +Author from Mrs. Frank Crosse</i>.)</p> +<p>‘<span class="smcap">It</span> is very singular that you +should say with such confidence that you know that our baby is a +splendid one, and further on you say that in some ways it differs +from any other baby. It is so true, but neither Frank nor I +can imagine how you knew. We both think it so <i>clever</i> +of you to have found it out. When you write to us, do +please tell us how you discovered it.</p> +<p>‘I want to tell you something about baby, since you so +kindly ask me, but Frank says there is no use my beginning as +there is only one quire of paper in the house. As a matter +of fact, I shall be quite short, which is not because I have not +plenty to say—you cannot think what a <i>dear</i> he +is—but because he may wake up at any moment. After +that happens I can only write with one hand, while I wave a +feather fan with the other, and it is so difficult then to say +exactly what you mean. In any case you know that I have not +the habit of collecting and writing down my ideas, so please +forgive me if this seems a stupid letter. Frank could have +done it splendidly. But he has so many sweet and quite +<i>remarkable</i> ways, that I ought to be able to put some of +them down for you.</p> +<p>‘It will be easier perhaps if I imagine a day of +him—and one of his days is very much like another. No +one could ever say that he was irregular in his habits. +First thing in the morning I go over to his cot to see if he is +awake yet—though, of course, I know that he can’t be, +for he always lets us know—the darling! However, I go +over all the same, and I find everything quiet and nothing +visible of baby, but a tiny, turned-up nose. It is so +exactly Frank’s nose, only that his is curved the other +way. Then, as I bend over his cot, there is a small sigh, +such a soft, comfortable sound! Then a sort of earthquake +takes place under the eider down, and a tightly clenched fist +appears and is waved in the air. He has such a pleasant, +cheerful way of waving his fists. Then one eye is half +opened, as if he were looking round to see if it were safe to +open the other one, and then he gives a long, sorrowful wail as +he realises that his bottle is not where he left it when he went +to sleep. In a moment he is in my arms and quite happy +again, playing with the lace round the neck of my pink +dressing-gown. When he finds that his nice warm bath is all +ready for him, he becomes quite jovial, and laughs and chuckles +to himself. Something awfully funny must have happened to +him before ever he came into this world at all, for nothing that +has occurred since could account for the intense expression of +amusement that one can often see in his eyes. When he +laughs, Frank says that he looks like some jolly old clean-shaven +toothless friar—so chubby and good-humoured. He takes +the greatest interest in everything in the room, watches the +nurse moving about, looks out of the window, and examines my hair +and my dress very critically. He loves to see untidy hair +and a bright tie, or a brooch will often catch his eye, and make +him smile. His smile is the most wonderful thing! As +he lies gazing with his great serious blue eyes, his whole face +suddenly lights up, his mouth turns up at one corner in the most +irresistible way, and his cheeks all go off into dimples. +He looks so sweet and innocent, and at the same time so humorous +and wicked, that his foolish mother wants to laugh at him and to +weep over him at the same time.</p> +<p>‘Then comes his bath, and there is a sad display of want +of faith upon his part. He enjoys the process, but he is +convinced that only his own exertions keep him from drowning, so +his little fists are desperately clenched, his legs kick up and +down the whole time, and he watches every movement of mother and +nurse with suspicion. He enjoys being dressed, and smiles +at first, and then he suddenly remembers that he has not had his +breakfast. Then the smiles vanish, the small round face +grows so red and angry, and all covered with little wrinkles, and +there is a dismal wailing—poor darling! If the bottle +is not instantly forthcoming he will howl loudly, and beat the +air with his fists until he gets it. He <i>does</i> remind +me so of his father sometimes. He is always hunting for his +bottle, and will seize my finger, or a bit of my dress, or +anything, and carry it to his mouth, and when he finds it +isn’t what he wants, he throws it away very angrily. +When finally he does get the bottle, he becomes at once the most +contented being in the whole world, and sucks away with such +great long pulls, and such dear little grunts in between. +Then afterwards, a well-washed, well-fed atom, he is ready to +look about him and observe things. I am sure that he has +his father’s brains, and that he is storing up all sorts of +impressions and observations for future use, for he notices +<i>everything</i>. I used to think that babies were stupid +and indifferent—and perhaps other babies are—but +<i>he</i> is never indifferent. Sometimes he is pleased and +amused, and sometimes angry, and sometimes gravely interested, +but he is always wide awake and taking things in. When I go +into his room, he always looks at my head, and if I have my +garden hat with the flowers, he is so pleased. He much +prefers chiffon to silk.</p> +<p>‘Almost the first thing that struck me when I saw him, +and it strikes me more and more, was, how could any one have got +the idea of original sin? The people who believe in it can +never have looked into a baby’s eyes. I love to watch +them, and sometimes fancy I can see a faint shade of reminiscence +in them, as if he had still some memories of another life, and +could tell me things if he could only speak. One day as I +sat beside his cot—Oh dear! I hear his Majesty +calling. So sorry! Good-bye.—Yours very +truly,</p> +<p style="text-align: right"><span class="smcap">Maude +Crosse</span>.’</p> +<p><i>P.S.</i>—I have not time to read this over, but I may +say, in case I omitted it before, that he really is a very +remarkable baby.’</p> + +<div class="gapspace"> </div> + +<div class="gapshortline"> </div> +<p style="text-align: center">Printed by T. and A. <span +class="smcap">Constable</span>, Printers to Her Majesty<br /> +at the Edinburgh University Press</p> +<p>***END OF THE PROJECT GUTENBERG EBOOK A DUET***</p> +<pre> + + +***** This file should be named 5260-h.htm or 5260-h.zip****** + + +This and all associated files of various formats will be found in: +http://www.gutenberg.org/dirs/5/2/6/5260 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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Do not change or edit the +header without written permission. + +Please read the "legal small print," and other information about the +eBook and Project Gutenberg at the bottom of this file. Included is +important information about your specific rights and restrictions in +how the file may be used. You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**eBooks Readable By Both Humans and By Computers, Since 1971** + +*****These eBooks Were Prepared By Thousands of Volunteers!***** + + +Title: A Duet + +Author: A. Conan Doyle + +Release Date: March, 2004 [EBook #5260] +[Yes, we are more than one year ahead of schedule] +[This file was first posted on June 18, 2002] +[Most recently updated: June 18, 2002] + +Edition: 10 + +Language: English + +Character set encoding: ASCII + +*** START OF THE PROJECT GUTENBERG EBOOK, A DUET *** + + + + +Transcribed from the 1899 Grant Richards edition by David Price, +email ccx074@coventry.ac.uk + + + + + +A DUET +WITH AN OCCASIONAL CHORUS + + + + +TO MRS. MAUDE CROSSE + + + +Dear Maude,--All the little two-oared boats which put out into the +great ocean have need of some chart which will show them how to lay +their course. Each starts full of happiness and confidence, and yet +we know how many founder, for it is no easy voyage, and there are +rocks and sandbanks upon the way. So I give a few pages of your own +private log, which tell of days of peace, and days of storm--such +storms as seem very petty from the deck of a high ship, but are +serious for the two-oared boats. If your peace should help another +to peace, or your storm console another who is storm-tossed, then I +know that you will feel repaid for this intrusion upon your privacy. +May all your voyage be like the outset, and when at last the oars +fall from your hands, and those of Frank, may other loving ones be +ready to take their turn of toil--and so, bon voyage! + +Ever your friend, +THE AUTHOR. +Jan. 20, 1899. + + + + +CHAPTER I--THE OVERTURE--ABOUT THAT DATE + + + +These are the beginnings of some of the letters which they wrote +about that time. + +Woking, May 20th. + +My Dearest Maude,--You know that your mother suggested, and we +agreed, that we should be married about the beginning of September. +Don't you think that we might say the 3rd of August? It is a +Wednesday, and in every sense suitable. Do try to change the date, +for it would in many ways be preferable to the other. I shall be +eager to hear from you about it. And now, dearest Maude . . . (The +rest is irrelevant.) + +St. Albans, May 22nd. + +My Dearest Frank,--Mother sees no objection to the 3rd of August, and +I am ready to do anything which will please you and her. Of course +there are the guests to be considered, and the dressmakers and other +arrangements, but I have no doubt that we shall be able to change the +date all right. O Frank . . . (What follows is beside the point.) + +Woking, May 25th. + +My Dearest Maude,--I have been thinking over that change of date, and +I see one objection which had not occurred to me when I suggested it. +August the 1st is Bank holiday, and travelling is not very pleasant +about that time. My idea now is that we should bring it off before +that date. Fancy, for example, how unpleasant it would be for your +Uncle Joseph if he had to travel all the way from Edinburgh with a +Bank-holiday crowd. It would be selfish of us if we did not fit in +our plans so as to save our relatives from inconvenience. I think +therefore, taking everything into consideration, that the 20th of +July, a Wednesday, would be the very best day that we could select. +I do hope that you will strain every nerve, my darling, to get your +mother to consent to this change. When I think . . . (A digression +follows.) + +St. Albans, May 27th. + +My Dearest Frank,--I think that what you say about the date is very +reasonable, and it is so sweet and unselfish of you to think about +Uncle Joseph. Of course it would be very unpleasant for him to have +to travel at such a time, and we must strain every nerve to prevent +it. There is only one serious objection which my mother can see. +Uncle Percival (that is my mother's second brother) comes back from +Rangoon about the end of July, and will miss the wedding (O Frank, +think of its being OUR wedding!) unless we delay it. He has always +been very fond of me, and he might be hurt if we were married so +immediately before his arrival. Don't you think it would be as well +to wait? Mother leaves it all in your hands, and we shall do exactly +as you advise. O Frank . . . (The rest is confidential.) + +Woking, May 29th. + +My Own Dearest,--I think that it would be unreasonable upon the part +of your Uncle Percival to think that we ought to have changed the +date of a matter so important to ourselves, simply in order that he +should be present. I am sure that on second thoughts your mother and +yourself will see the thing in this light. I must say, however, that +in one point I think you both show great judgment. It would +certainly be invidious to be married IMMEDIATELY before his arrival. +I really think that he would have some cause for complaint if we did +that. To prevent any chance of hurting his feelings, I think that it +would be far best, if your mother and you agree with me, that we +should be married upon July 7th. I see that it is a Thursday, and in +every way suitable. When I read your last letter . . . (The +remainder is unimportant.) + +St. Albans, June 1st. + +Dearest Frank,--I am sure that you are right in thinking that it +would be as well not to have the ceremony too near the date of Uncle +Percival's arrival in England. We should be so sorry to hurt his +feelings in any way. Mother has been down to Madame Mortimer's about +the dresses, and she thinks that everything could be hurried up so as +to be ready by July 7th. She is so obliging, and her skirts DO hang +so beautifully. O Frank, it is only a few weeks' time, and then . . +. + +Woking, June 3rd. + +My Own Darling Maude,--How good you are--and your mother also--in +falling in with my suggestions! Please, please don't bother your +dear self about dresses. You only want the one travelling-dress to +be married in, and the rest we can pick up as we go. I am sure that +white dress with the black stripe--the one you were playing tennis +with at the Arlingtons'--would do splendidly. You looked simply +splendid that day. I am inclined to think that it is my favourite of +all your dresses, with the exception of the dark one with the light- +green front. That shows off your figure so splendidly. I am very +fond also of the grey Quaker-like alpaca dress. What a little dove +you do look in it! I think those dresses, and of course your satin +evening-dress, are my favourites. On second thoughts, they are the +only dresses I have ever seen you in. But I like the grey best, +because you wore it the first time I ever--you remember! You must +NEVER get rid of those dresses. They are too full of associations. +I want to see you in them for years, and years, and years. + +What I wanted to say was that you have so many charming dresses, that +we may consider ourselves independent of Madame Mortimer. If her +things should be late, they will come in very usefully afterwards. I +don't want to be selfish or inconsiderate, my own dearest girlie, but +it would be rather too much if we allowed my tailor or your +dressmaker to be obstacles to our union. I just want you--your +dainty little self--if you had only your 'wee coatie,' as Burns says. +Now look here! I want you to bring your influence to bear upon your +mother, and so make a small change in our plans. The earlier we can +have our honeymoon, the more pleasant the hotels will be. I do want +your first experiences with me to be without a shadow of discomfort. +In July half the world starts for its holiday. If we could get away +at the end of this mouth, we should just be ahead of them. This +month, this very month! Oh, do try to manage this, my own dearest +girl. The 30th of June is a Tuesday, and in every way suitable. +They could spare me from the office most excellently. This would +just give us time to have the banns three times, beginning with next +Sunday. I leave it in your hands, dear. Do try to work it. + + +St. Albans, June 4th. + +My Dearest Frank,--We nearly called in the doctor after your dear old +preposterous letter. My mother gasped upon the sofa while I read her +some extracts. That I, the daughter of the house, should be married +in my old black and white tennis-dress, which I wore at the +Arlingtons' to save my nice one! Oh, you are simply splendid +sometimes! And the learned way in which you alluded to my alpaca. +As a matter of fact, it's a merino, but that doesn't matter. Fancy +your remembering my wardrobe like that! And wanting me to wear them +all for years! So I shall, dear, secretly, when we are quite quite +alone. But they are all out of date already, and if in a year or so +you saw your poor dowdy wife with tight sleeves among a roomful of +puff-shouldered young ladies, you would not be consoled even by the +memory that it was in that dress that you first . . . you know! + +As a matter of fact, I MUST have my dress to be married in. I don't +think mother would regard it as a legal marriage if I hadn't, and if +you knew how nice it will be, you would not have the heart to +interfere with it. Try to picture it, silver-grey--I know how fond +you are of greys--a little white chiffon at neck and wrists, and the +prettiest pearl trimming. Then the hat en suite, pale-grey lisse, +white feather and brilliant buckle. All these details are wasted +upon you, sir, but you will like it when you see it. It fulfils your +ideal of tasteful simplicity, which men always imagine to be an +economical method of dressing, until they have wives and milliners' +bills of their own. + +And now I have kept the biggest news to the last. Mother has been to +Madame, and she says that if she works all night, she will have +everything ready for the 30th. O Frank, does it not seem incredible! +Next Tuesday three weeks. And the banns! Oh my goodness, I am +frightened when I think about it! Dear old boy, you won't tire of +me, will you? Whatever should I do if I thought you had tired of me! +And the worst of it is, that you don't know me a bit. I have a +hundred thousand faults, and you arc blinded by your love and cannot +see them. But then some day the scales will fall from your eyes, and +you will perceive the whole hundred thousand at once. Oh, what a +reaction there will be! You will see me as I am, frivolous, wilful, +idle, petulant, and altogether horrid. But I do love you, Frank, +with all my heart, and soul, and mind, and strength, and you'll count +that on the other side, won't you? Now I am so glad I have said all +this, because it is best that you should know what you should expect. +It will be nice for you to look back and to say, 'She gave me fair +warning, and she is no worse than she said.' O Frank, think of the +30th. + +P.S.--I forgot to say that I had a grey silk cape, lined with cream, +to go with the dress. It is just sweet! + +So that is how they arranged about the date. + + + +CHAPTER II--THE OVERTURE CONTINUED--IN A MINOR KEY + + + +Woking, June 7th. + +My Own Dearest Maude,--How I wish you were here, for I have been +down, down, down, in the deepest state of despondency all day. I +have longed to hear the sound of your voice, or to feel the touch of +your hand! How can I be despondent, when in three weeks I shall be +the husband of the dearest girl in England? That is what I ask +myself, and then the answer comes that it is just exactly on that +account that my wretched conscience is gnawing at me. I feel that I +have not used you well; I owe you reparation, and I don't know what +to do. + +In your last dear letter you talk about being frivolous. YOU have +never been frivolous. But I have been frivolous--for ever since I +have learned to love you, I have been so wrapped up in my love, with +my happiness gilding everything about me, that I have never really +faced the prosaic facts of life or discussed with you what our +marriage will really necessitate. And now, at this eleventh hour, I +realise that I have led you on in ignorance to an act which will +perhaps take a great deal of the sunshine out of your life. What +have I to offer you in exchange for the sacrifice which you will make +for me? Myself, my love, and all that I have--but how little it all +amounts to! You are a girl in a thousand, in ten thousand--bright, +beautiful, sweet, the dearest lady in all the land. And I an average +man--or perhaps hardly that--with little to boast of in the past, and +vague ambitions for the future. It is a poor bargain for you, a most +miserable bargain. You have still time. Count the cost, and if it +be too great, then draw back even now without fear of one word or +inmost thought of reproach from me. Your whole life is at stake. +How can I hold you to a decision which was taken before you realised +what it meant? Now I shall place the facts before you, and then, +come what may, my conscience will be at rest, and I shall be sure +that you are acting with your eyes open. + +You have to compare your life as it is, and as it will be. Your +father is rich, or at least comfortably off, and you have been +accustomed all your life to have whatever you desired. From what I +know of your mother's kindness, I should imagine that no wish of +yours has ever remained ungratified. You have lived well, dressed +well, a sweet home, a lovely garden, your collie, your canary, your +maid. Above all, you have never had anxiety, never had to worry +about the morrow. I can see all your past life so well. In the +mornings, your music, your singing, your gardening, your reading. In +the afternoons, your social duties, the visit and the visitor. In +the evening, tennis, a walk, music again, your father's return from +the City, the happy family-circle, with occasionally the dinner, the +dance, and the theatre. And so smoothly on, month after month, and +year after year, your own sweet, kindly, joyous nature, and your +bright face, making every one round you happy, and so reacting upon +your own happiness. Why should you bother about money? That was +your father's business. Why should you trouble about housekeeping? +That was your mother's duty. You lived like the birds and the +flowers, and had no need to take heed for the future. Everything +which life could offer was yours. + +And now you must turn to what is in store for you, if you are still +content to face the future with me. Position I have none to offer. +What is the exact position of the wife of the assistant-accountant of +the Co-operative Insurance Office? It is indefinable. What are my +prospects? I may become head-accountant. If Dinton died--and I hope +he won't, for he is an excellent fellow--I should probably get his +berth. Beyond that I have no career. I have some aspirations after +literature--a few critical articles in the monthlies--but I don't +suppose they will ever lead to anything of consequence. + +And my income, 400 pounds a year with a commission on business I +introduce. But that amounts to hardly anything. You have 50 pounds. +Our total, then, is certainly under 500 pounds. Have you considered +what it will mean to leave that charming house at St. Albans--the +breakfast-room, the billiard-room, the lawn--and to live in the +little 50 pounds a year house at Woking, with its two sitting-rooms +and pokey garden? Have I a right to ask you to do such a thing? And +then the housekeeping, the planning, the arranging, the curtailing, +the keeping up appearances upon a limited income. I have made myself +miserable, because I feel that you are marrying me without a +suspicion of the long weary uphill struggle which lies before you. O +Maude, my darling Maude, I feel that you sacrifice too much for me! +If I were a man I should say to you, 'Forget me--forget it all! Let +our relations be a closed chapter in your life. You can do better. +I and my cares come like a great cloud-bank to keep the sunshine from +your young life. You who are so tender and dainty! How can I bear +to see you exposed to the drudgery and sordid everlasting cares of +such a household! I think of your graces, your pretty little ways, +the elegancies of your life, and how charmingly you carry them off. +You are born and bred for just such an atmosphere as the one which +you breathe. And I take advantage of my good-fortune in winning your +love to drag you down, to take the beauty and charm from your life, +to fill it with small and vulgar cares, never-ending and soul- +killing. Selfish beast that I am, why should I allow you to come +down into the stress and worry of life, when I found you so high +above it? And what can I offer you in exchange?' These are the +thoughts which come back and back all day, and leave me in the +blackest fit of despondency. I confessed to you that I had dark +humours, but never one so hopeless as this. I do not wish my worst +enemy to be as unhappy as I have been to-day. + +Write to me, my own darling Maude, and tell me all you think, your +very inmost soul, in this matter. Am I right? Have I asked too much +of you? Does the change frighten you? You will have this in the +morning, and I should have my answer by the evening post. I shall +meet the postman. How hard I shall try not to snatch the letter from +him, or to give myself away. Wilson has been in worrying me with +foolish talk, while my thoughts were all of our affairs. He worked +me up into a perfectly homicidal frame of mind, but I hope that I +kept on smiling and was not discourteous to him. I wonder which is +right, to be polite but hypocritical, or to be inhospitable but +honest. + +Good-bye, my own dearest sweetheart--all the dearer when I feel that +I may lose you.--Ever your devoted + +FRANK. + +St. Albans, June 8th. + +Frank, tell me for Heaven's sake what your letter means! You use +words of love, and yet you talk of parting. You speak as if our love +were a thing which we might change or suppress. O Frank, you cannot +take my love away from me. You don't know what you are to me, my +heart, my life, my all. I would give my life for you willingly, +gladly--every beat of my heart is for you. You don't know what you +have become to me. My every thought is yours, and has been ever +since that night at the Arlingtons'. My love is so deep and strong, +it rules my whole life, my every action from morning to night. It is +the very breath and heart of my life--unchangeable. I could not +alter my love any more than I could stop my heart from beating. How +could you, could you suggest such a thing! I know that you really +love me just as much as I love you, or I should not open my heart +like this. I should be too proud to give myself away. But I feel +that pride is out of place when any mistake or misunderstanding may +mean lifelong misery to both of us. I would only say good-bye if I +thought your love had changed or grown less. But I know that it has +not. O my darling, if you only knew what terrible agony the very +thought of parting is, you would never have let such an idea even for +an instant, on any pretext, enter your mind. The very possibility is +too awful to think of. When I read your letter just now up in my +room, I nearly fainted. I can't write. O Frank, don't take my love +away from me. I can't bear it. Oh no, it is my everything. If I +could only see you now, I know that you would kiss these heart- +burning tears away. I feel so lonely and tired. I cannot follow all +your letter. I only know that you talked of parting, and that I am +weary and miserable. + +MAUDE. + +(COPY OF TELEGRAM) +From Frank Crosse, to Miss Maude Selby, +The Laurels, St. Albans +Coming up eight-fifteen, arrive midnight. + +June 10th. + +How good of you, dear old boy, to come racing across two counties at +a minute's notice, simply in order to console me and clear away my +misunderstandings. Of course it was most ridiculous of me to take +your letter so much to heart, but when I read any suggestion about +our parting, it upset me so dreadfully, that I was really incapable +of reasoning about anything else. Just that one word PART seemed to +be written in letters of fire right across the page, to the exclusion +of everything else. So then I wrote an absurd letter to my boy, and +the dear came scampering right across the South of England, and +arrived at midnight in the most demoralised state. It was just sweet +of you to come, dear, and I shall never forget it. + +I am so sorry that I have been so foolish, but you must confess, sir, +that you have been just a little bit foolish also. The idea of +supposing that when I love a man my love can be affected by the size +of his house or the amount of his income. It makes me smile to think +of it. Do you suppose a woman's happiness is affected by whether she +has a breakfast-room, or a billiard-board, or a collie dog, or any of +the other luxuries which you enumerated? But these things are all +the merest trimmings of life. They are not the essentials. YOU and +your love are the essentials. Some one who will love me with all his +heart. Some one whom I can love with all my heart. Oh the +difference it makes in life! How it changes everything! It +glorifies and beautifies everything. I always felt that I was +capable of a great love--and now I have it. + +Fancy your imagining that you had come into my life in order to +darken it. Why, you ARE my life. If you went out of it, what would +be left? You talk about my happiness before I met you--but oh, how +empty it all was! I read, and played, and sang as you say, but what +a void there was! I did it to please mother, but there really seemed +no very clear reason why I should continue to do it. Then you came, +and everything was changed. I read because you are fond of reading +and because I wanted to talk about books with you. I played because +you are fond of music. I sang in the hope that it might please you. +Whatever I did, you were always in my mind. I tried and tried to +become a better and nobler woman, because I wanted to be worthy of +the love you bore me. I have changed, and developed, and improved +more in the last three months than in all my life before. And then +you come and tell me that you have darkened my life. You know better +now. My life has become full and rich, for Love fills my life. It +is the keynote of my nature, the foundation, the motive power. It +inspires me to make the most of any gift or talent that I have. How +could I tell you all this if I did not know that your own feeling was +as deep. I could not have given the one, great, and only love of my +life in exchange for a half-hearted affection from you. But you will +never again make the mistake of supposing that any material +consideration can affect our love. + +And now we won't be serious any longer. Dear mother was very much +astounded by your tumultuous midnight arrival, and equally +precipitate departure next morning. Dear old boy, it was so nice of +you! But you won't ever have horrid black humours and think +miserable things any more, will you? But if you must have dark days, +now is your time, for I can't possibly permit any after the 30th.-- +Ever your own + +MAUDE. + +Woking, June 11th. + +My Own Dearest Girlie,--How perfectly sweet you are! I read and re- +read your letter, and I understand more and more how infinitely your +nature is above mine. And your conception of love--how lofty and +unselfish it is! How could I lower it by thinking that any worldly +thing could be weighed for an instant against it! And yet it was +just my jealous love for you, and my keenness that you should never +be the worse through me, which led me to write in that way, so I will +not blame myself too much. I am really glad that the cloud came, for +the sunshine is so much brighter afterwards. And I seem to know you +so much better, and to see so much more deeply into your nature. I +knew that my own passion for you was the very essence of my soul--oh, +how hard it is to put the extreme of emotion into the terms of human +speech!--but I did not dare to hope that your feelings were as deep. +I hardly ventured to tell even you how I really felt. Somehow, in +these days of lawn-tennis and afternoon tea, a strong strong passion, +such a passion as one reads of in books and poems, seems out of +place. I thought that it would surprise, even frighten you, perhaps, +if I were to tell you all that I felt. And now you have written me +two letters, which contain all that I should have said if I had +spoken from my heart. It is all my own inmost thought, and there is +not a feeling that I do not share. O Maude, I may write lightly and +speak lightly, perhaps, sometimes, but there never was a woman, +never, never in all the story of the world, who was loved more +passionately than you are loved by me. Come what may, while the +world lasts and the breath of life is between my lips, you are the +one woman to me. If we are together, I care nothing for what the +future may bring. If we are not together, all the world cannot fill +the void. + +You say that I have given an impulse to your life: that you read +more, study more, take a keener interest in everything. You could +not possibly have said a thing which could have given me more +pleasure than that. It is splendid! It justifies me in aspiring to +you. It satisfies my conscience over everything which I have done. +It must be right if that is the effect. I have felt so happy and +light-hearted ever since you said it. It is rather absurd to think +that _I_ should improve you, but if you in your sweet frankness say +that it is so, why, I can only marvel and rejoice. + +But you must not study and work too hard. You say that you do it to +please me, but that would not please me. I'll tell you an anecdote +as a dreadful example. I had a friend who was a great lover of +Eastern literature, Sanskrit, and so on. He loved a lady. The lady +to please him worked hard at these subjects also. In a month she had +shattered her nervous system, and will perhaps never be the same +again. It was impossible. She was not meant for it, and yet she +made herself a martyr over it. I don't mean by this parable that it +will be a strain upon your intellect to keep up with mine. But I do +mean that a woman's mind is DIFFERENT from a man's. A dainty rapier +is a finer thing than a hatchet, but it is not adapted for cutting +down trees all the same. + +Rupton Hale, the architect, one of the few friends I have down here, +has some most deplorable views about women. I played a round of the +Byfleet Golf Links with him upon Wednesday afternoon, and we +discussed the question of women's intellects. He would have it that +they have never a light of their own, but are always the reflectors +of some other light which you cannot see. He would allow that they +were extraordinarily quick in assimilating another person's views, +but that was all. I quoted some very shrewd remarks which a lady had +made to me at dinner. 'Those are the traces of the last man,' said +he. According to his preposterous theory, you could in conversation +with a woman reconstruct the last man who had made an impression to +her. 'She will reflect you upon the next person she talks to,' said +he. It was ungallant, but it was ingenious. + +Dearest sweetheart, before I stop, let me tell you that if I have +brought any happiness into your life, you have brought far, far more +into mine. My soul seemed to come into full being upon the day when +I loved you. It was so small, and cramped, and selfish, before--and +life was so hard, and stupid, and purposeless. To live, to sleep, to +eat, for some years, and then to die--it was so trivial and so +material. But now the narrow walls seem in an instant to have +fallen, and a boundless horizon stretches around me. And everything +appears beautiful. London Bridge, King William Street, Abchurch +Lane, the narrow stair, the office with the almanacs and the shining +desks, it has all become glorified, tinged with a golden haze. I am +stronger: I step out briskly and breathe more deeply. And I am a +better man too. God knows there was room for it. But I do try to +make an ideal, and to live up to it. I feel such a fraud when I +think of being put upon a pedestal by you, when some little hole +where I am out of sight is my true place. I am like the man in +Browning who mourned over the spots upon his 'speckled hide,' but +rejoiced in the swansdown of his lady. And so, my own dear sweet +little swansdown lady, good-night to you, with my heart's love now +and for ever from your true lover, + +FRANK. + +Saturday! Saturday! Saturday! oh, how I am longing for Saturday, +when I shall see you again! We will go on Sunday and hear the banns +together. + + + +CHAPTER III--THE OVERTURE CONCLUDED + + + +St. Albans, June 14th. + +Dearest Frank,--What a dreadful thing it is to have your name shouted +out in public! And what a voice the man had! He simply bellowed +'Maude Selby of this parish' as if he meant all this parish to know +about it. And then he let you off so easily. I suppose he thought +that there was no local interest in Frank Crosse of Woking. But when +he looked round expectantly, after asking whether there was any known +cause or just impediment why we should not be joined together, it +gave me quite a thrill. I felt as if some one would jump up like a +Jack-in-the-box and make a scene in the church. How relieved I was +when he changed the subject! I sank my face in my hands, but I know +that I was blushing all down my neck. Then I looked at you between +my fingers, and there you were sitting quite cool and cheerful, as if +you rather liked it. I think that we shall go to evening-service +next week. Papa has given up going altogether since the new organist +came. He says he cannot face the music. + +What a sweet time we had together. I shall never, never forget it! +O Frank, how good you are to me! And how I hope you won't regret +what you are doing. It is all very well just now, when I am young +and you think that I am pretty. I love that you should think so, but +I am compelled to tell you that it is not really so. I can't imagine +how you came to think it! I suppose it was from seeing me so often +beside papa. If you saw me near Nelly Sheridan, or any other REALLY +pretty girl, you would at once see the difference. It just happens +that you like grey eyes and brown hair, and the other things, but +that does not mean that I am really pretty. I should be so sorry if +there were any misunderstanding about this, and you only found out +when too late. You ought to keep this letter for reference, as papa +always says, and then it will be interesting to you afterwards. + +I should like you to see me now--or rather I wouldn't have you see me +for the world. I am so flushed and untidy, for I have been cooking. +Is it not absurd, if you come to think of it, that we girls should be +taught the irregular French verbs, and the geography of China, and +never to cook the simplest thing? It really does seem ridiculous. + +But it is never too late to mend, so I went into the kitchen this +morning and made a tart. You can't imagine what a lot of things one +needs even for such a simple thing as that. I thought cook was +joking when she put them all down in front of me. It was like a +conjurer giving his performance. There was an empty bowl, and a bowl +full of sliced apples, and a big board, and a rolling-pin, and eggs, +and butter, and sugar, and cloves, and of course flour. We broke +eggs and put them into a bowl--you can't think what a mess an egg +makes when it misses the bowl. Then we stirred them up with flour +and butter and things. I stirred until I was perfectly exhausted. +No wonder a cook has usually a great thick arm. Then when it had +formed a paste, we rolled it out, and put the apples in the dish, and +roofed it in, and trimmed the edges, and stuck flat leaves made of +paste all over it, and the dearest little crown in the middle. Then +we put it into the oven until it was brown. It looked a very nice +tart, and mamma said that I had made it very solidly. It certainly +did feel very heavy for its size. Mamma would not taste it, because +she said that she thought Dr. Tristram would not approve of her doing +so, but I had a piece, and really it was not so bad. Mamma said the +servants might have it at dinner, but the servants said that the poor +window-cleaner had a large family, and so we gave it to him. It is +so sweet to feel that one is of any use to any one. + +What do you think happened this morning? Two wedding-presents +arrived. The first was a very nice fish slice and fork in a case. +It was from dear old Mrs. Jones Beyrick, on whom we really had no +claim whatever. We all think it so kind of her, and such a nice +fish-slice. The other was a beautiful travelling-bag from Uncle +Arthur. Stamped in gold upon it were the letters M.C., I said, 'Oh, +what a pity! They have put the wrong initials.' That made mamma +laugh. I suppose one soon gets used to it. Fancy how you would feel +if it were the other way about, and you changed your name to mine. +They might call you Selby, but you would continue to feel Crosse. I +didn't mean that for a joke, but women make jokes without intending +it. The other day the curate drove up in his donkey-cart, and mother +said, 'Oh, what a nice tandem!' I think that she meant to say 'turn- +out'; but papa said it was the neatest thing he had heard for a long +time, so mamma is very pleased, but I am sure that she does not know +even now why it should be so funny. + +What stupid letters I write! Doesn't it frighten you when you read +them and think that is the person with whom I have to spend my life. +Yet you never seem alarmed about it. I think it is so BRAVE of you. +That reminds me that I never finished what I wanted to say at the +beginning of this letter. Even supposing that I am pretty (and my +complexion sometimes is simply awful), you must bear in mind how +quickly the years slip by, and how soon a woman alters. Why, we +shall hardly be married before you will find me full of wrinkles, and +without a tooth in my head. Poor boy, how dreadful for you! Men +seem to change so little and so slowly. Besides, it does not matter +for them, for nobody marries a man because he is pretty. But you +must marry me, Frank, not for what I look but for what I am--for my +inmost, inmost self, so that if I had no body at all, you would love +me just the same. That is how I love you, but I do prefer you with +your body on all the same. I don't know how I love you, dear. I +only know that I am in a dream when you are near me--just a beautiful +dream. I live for those moments.--Ever your own little + +MAUDE. + +P.S.--Papa gave us such a fright, for he came in just now and said +that the window-cleaner and all his family were very ill. This was a +joke, because the coachman had told him about my tart. Wasn't it +horrid of him? + + +Woking, June 17th. + +My own sweetest Maude,--I do want you to come up to town on Saturday +morning. Then I will see you home to St. Albans in the evening, and +we shall have another dear delightful week end. I think of nothing +else, and I count the hours. Now please to manage it, and don't let +anything stop you. You know that you can always get your way. Oh +yes, you can, miss! I know. + +We shall meet at the bookstall at Charing Cross railway station at +one o'clock, but if anything should go wrong, send me a wire to the +Club. Then we can do some shopping together, and have some fun also. +Tell your mother that we shall be back in plenty of time for dinner. +Make another tart, and I shall eat it. Things are slack at the +office just now, and I could be spared for a few days. + +So you have had a fish-slice. It is so strange, because on that very +day I had my first present, and it was a fish-slice also. We shall +have fish at each end when we give a dinner. If we get another fish- +slice, then we shall give a fish-dinner--or keep one of the slices to +give to your friend Nelly Sheridan when SHE gets married. They will +always come in useful. And I have had two more presents. One is a +Tantalus spirit-stand from my friends in the office. The other is a +pair of bronzes from the cricket club. They got it up without my +knowing anything about it, and I was amazed when a deputation came up +to my rooms with them last night. 'May your innings be long and your +partnership unbroken until you each make a hundred not out.' That +was the inscription upon a card. + +I have something very grave to tell you. I've been going over my +bills and things, and I owe ever so much more than I thought. I have +always been so careless, and never known exactly how I stood. It did +not matter when one was a bachelor, for one always felt that one +could live quite simply for a few months, and so set matters +straight. But now it is more serious. The bills come to more than a +hundred pounds; the biggest one is forty-two pounds to Snell and +Walker, the Conduit Street tailors. However, I am ordering my +marriage-suit from them, and that will keep them quiet. I have +enough on hand to pay most of the others. But we must not run short +upon our honeymoon--what an awful idea! Perhaps there may be some +cheques among our presents. We will hope for the best. + +But there is a more serious thing upon which I want to consult you. +You asked me never to have any secrets from you, or else I should not +bother you about such things. I should have kept it for Saturday +when we meet, but I want you to have time to think about it, so that +we may come to some decision then. + +I am surety to a man for an indefinite sum of money. It sounds +rather dreadful, does it not? But it is not so bad as it sounds, for +there is no harm done yet. But the question is what we should do in +the future about it, and the answer is not a very easy one. He is a +very pleasant fellow, an insurance agent, and he got into some +trouble about his accounts last year. The office would have +dismissed him, but as I knew his wife and his family, I became surety +that he should not go wrong again, and so I saved him from losing his +situation. His name is Farintosh. He is one of those amiable, weak, +good fellows whom you cannot help loving, although you never can +trust them. Of course we could give notice that we should not be +responsible any longer, but it would be a thunderbolt to this poor +family, and the man would certainly be ruined. We don't want to +begin our own happiness by making any one else unhappy, do we? But +we shall talk it over, and I shall do what you advise. You +understand that we are only liable in case he defaults, and surely it +is very unlikely that he will do so after the lesson that he has +already had. + +I think the house will do splendidly. The Lindens is the name, and +it is on the Maybury Road, not more than a quarter of a mile from the +station. If your mother and you could come down on Tuesday or +Wednesday, I should get a half-day off, and you would be able to +inspect it. Such a nice little lawn in front, and garden behind. A +conservatory, if you please, dining-room and drawing-room. You can +never assemble more than four or five guests. On your at-home days, +we shall put up little placards as they do outside the theatres, +'Drawing-room full,' 'Dining-room full,' 'Room in the Conservatory.' +There are two good bedrooms, one large maid's room, and a lumber- +room. One cook and one housemaid could run it beautifully. Rent 50 +pounds on a three years' lease--with taxes, about 62 pounds. I think +it was just built for us. Rupton Hale says that we must be careful +not to brush against the walls, and that it would be safer to go +outside to sneeze--but that is only his fun. + +What a dull, stupid letter! I do hope that I shall be in good form +on Saturday. I am a man of moods--worse luck! and they come quite +regardless of how I wish to be, or even of how I have cause to be. I +do hope that I shall make your day bright for you--the last day that +we shall have together before THE day. There have been times when I +have been such bad company to you, just when I wished to be at my +best. But you are always so sweet and patient and soothing. Until +Saturday, then, my own darling.--Ever your lover, FRANK. + +P.S.--I open this to tell you that such a gorgeous fish-knife, with +our monograms upon it, has just arrived from Mrs. Preston, my +father's old friend. I went to the Goldsmith's Company in Regent +Street yesterday afternoon, and I bought--what do you think? It +looks so beautiful upon its snow-white cotton wadding. I like them +very broad and rather flat. I do hope you will think it all right. +It fills me with the strangest feelings when I look at it. Come what +may, foul weather or fair, sorrow or joy, that little strip of gold +will still be with us--we shall see it until we can see no more. + +P.P.S.--Saturday! Saturday!! Saturday!!! + + + +CHAPTER IV--THE TWO SOLOS + + + +Their tryst was at the Charing Cross bookstall at one o'clock, and so +Mr. Frank Crosse was there at quarter-past twelve, striding +impatiently up and down, and stopping dead whenever a woman emerged +from the entrance, like a pointer dog before a partridge. Before he +came he had been haunted by the idea that possibly Maude might have +an impulse to come early--and what if she were to arrive and not find +him there! Every second of her company was so dear to him, that when +driving to meet her he had sometimes changed from one cab to another +upon the way, because the second seemed to have the faster horse. +But now that he was on the ground he realised that she was very exact +to her word, and that she would neither be early nor late. And yet, +in the illogical fashion of a lover, he soon forgot that it was he +who was too soon, and he chafed and chafed as the minutes passed, +until at about quarter to one he was striding gloomily about with +despondent features and melancholy forebodings, imagining a thousand +miserable reasons for her inexplicable delay. A good many people +stared at him as they passed, and we may do so among the number. + +In person Frank Crosse was neither tall nor short, five feet eight +and a half to be exact, with the well-knit frame and springy step of +a young man who had been an athlete from his boyhood. He was slim, +but wiry, and carried his head with a half-defiant backward slant +which told of pluck and breed. His face was tanned brown, in spite +of his City hours, but his hair and slight moustache were flaxen, and +his eyes, which were his best features, were of a delicate blue, and +could vary in expression from something very tender to something +particularly hard. He was an orphan, and had inherited nothing from +his parents save a dash of the artist from his mother. It was not +enough to help him to earn a living, but it transformed itself into a +keen appreciation and some ambitions in literature, and it gave a +light and shade to his character which made him rather complex, and +therefore interesting. His best friends could not deny the shade, +and yet it was but the shadow thrown by the light. Strength, +virility, emotional force, power of deep feeling--these are traits +which have to be paid for. There was sometimes just a touch of the +savage, or at least there were indications of the possibility of a +touch of the savage, in Frank Crosse. His intense love of the open +air and of physical exercise was a sign of it. He left upon women +the impression, not altogether unwelcome, that there were unexplored +recesses of his nature to which the most intimate of them had never +penetrated. In those dark corners of the spirit either a saint or a +sinner might be lurking, and there was a pleasurable excitement in +peering into them, and wondering which it was. No woman ever found +him dull. Perhaps it would have been better for him if they had, for +his impulsive nature had never been long content with a chilly +friendship. He was, as we may see, a man with a past, but it WAS a +past, now that Maude Selby had come like an angel of light across the +shadowed path of his life. In age he was nearly twenty-seven. + +There are one or two things which might be said for him which he +would not have said for himself. He was an only child and an orphan, +but he had adopted his grandparents, who had been left penniless +through his father's death, and through all his struggles he had +managed to keep them happy and comfortable in a little cottage in +Worcestershire. Nor did he ever tell them that he had a struggle-- +fearing lest it should make their position painful; and so when their +quarterly cheque arrived, they took it as a kindly but not remarkable +act of duty upon the part of their wealthy grandson in the City, with +no suspicion as to the difference which their allowance was making to +him. Nor did he himself look upon his action as a virtuous one, but +simply as a thing which must obviously be done. In the meantime, he +had stuck closely to his work, had won rapid promotion in the +Insurance Office in which he had started as junior clerk, had gained +the goodwill of his superiors through his frank, unaffected ways, and +had been asked to play for the second Surrey eleven at cricket. So +without going the length of saying that he was worthy of Maude Selby, +one might perhaps claim--if it could be done without endangering that +natural modesty which was one of his charms--that he was as worthy as +any other young man who was available. + +That unfortunate artistic soul of his, which had been in the tropics +of expectation, and was now in the arctic of reaction, had just +finally settled down to black despair, with a grim recognition of the +fact that Maude had certainly and absolutely given him up, when one +boomed from the station clock, and on the very stroke she hurried on +to the platform. How could he have strained his eyes after other +women, as if a second glance were ever needed when it was really she! +The perfectly graceful figure, the trimness and neatness of it, the +beautiful womanly poise of the head, the quick elastic step, he could +have sworn to her among ten thousand. His heart gave a bound at the +sight of her, but he had the English aversion to giving himself away, +and so he walked quickly forward to meet her with an impassive face, +but with a look in his eyes which was all that she wanted. + +'How are you?' + +'How do you do?' + +He stood for a few moments looking at her in silence. She had on the +dress which he loved so much, a silver-grey merino skirt and jacket, +with a blouse of white pongee silk showing in front. Some lighter +coloured trimming fringed the cloth. She wore a grey toque, with a +dash of white at the side, and a white veil which softened without +concealing the dark brown curls and fresh girlish face beneath it. +Her gloves were of grey suede, and the two little pointed tan shoes +peeping from the edge of her skirt were the only touches of a darker +tint in her attire. Crosse had the hereditary artist's eye, and he +could only stand and stare and enjoy it. He was filled with +admiration, with reverence, and with wonder that this perfect thing +should really proclaim itself to be all his own. Whatever had he +done, or could he do, to deserve it? + +She looked up at him in a roguish sidelong way, with the bright +mischievous smile which was one of her charms. + +'Well, sir, do you approve?' + +'By Jove, it is splendid--beautiful!' + +'So glad! I hoped you would, since you are so fond of greys. +Besides, it is cooler in this weather. I hope you have not been +waiting.' + +'Oh no, that's all right.' + +'You looked so solemn when first I saw you.' + +'Did I?' + +'And then you just jumped.' + +'Did I? I'm sorry.' + +'Why?' + +'I don't know. I like our feelings to be our very very own, and +never to show them to any one else at all. I dare say it is absurd, +but that is my instinct.' + +'Never mind, dear, it wasn't such a big jump as all that. Where are +we going?' + +'Come here, Maude, into the waiting-room.' + +She followed him into the gloomy, smoky, dingy room. Bare yellow +benches framed an empty square of brown linoleum. A labouring man +with his wife and a child sat waiting with the stolid patience of the +poor in one corner. They were starting on some Saturday afternoon +excursion, and had mistimed their train. Maude Selby and Frank +Crosse took the other corner. He drew a jeweller's box from his +pocket and removed the lid. Something sparkled among the wadding. + +'O Frank! Is that really it?' + +'Do you like it?' + +'What a broad one it is! Mother's is quite thin.' + +'They wear thin in time.' + +'It is beautiful. Shall I try it on?' + +'No, don't. There is some superstition about it.' + +'But suppose it won't fit?' + +'That is quite safe. I measured it with your sapphire ring.' + +'I haven't half scolded you enough about that sapphire ring. How +could you go and give twenty-two guineas for a ring?--oh yes, sir, +that was the price, for I saw a duplicate yesterday in the +Goldsmith's Company. You dear extravagant old boy!' + +'I had saved the money.' + +'But not for that!' + +'For nothing half or quarter as important. But I had the other to +the same size, so it is sure to fit.' + +Maude had pushed up her veil, and sat with the little golden circlet +in her hand, looking down at it, while the dim watery London sunlight +poured through the window, and tagged all her wandering curls with a +coppery gleam. It was a face beautiful in itself, but more beautiful +for its expression--sensitive, refined, womanly, full of innocent +archness and girlish mischief, but with a depth of expression in the +eyes, and a tender delicacy about the mouth, which spoke of a great +spirit with all its capacities for suffering and devotion within. +The gross admirer of merely physical charms might have passed her +over unnoticed. So might the man who is attracted only by outward +and obvious signs of character. But to the man who could see, to the +man whose own soul had enough of spirituality to respond to hers, and +whose eye could appreciate the subtlety of a beauty which is of the +mind as well as of the body, there was not in all wide London upon +that midsummer day a sweeter girl than Maude Selby, as she sat in her +grey merino dress with the London sun tagging her brown curls with +that coppery glimmer. + +She handed back the ring, and a graver expression passed over her +mobile face. + +'I feel as you said in your letter, Frank. There IS something tragic +in it. It will be with me for ever. All the future will arrange +itself round that little ring.' + +'Are you afraid of it?' + +'Afraid!' her grey glove rested for an instant upon the back of his +hand. 'I COULDN'T be afraid of anything if you were with me. It is +really extraordinary, for by nature I am so easily frightened. But +if I were with you in a railway accident or anywhere, it would be +just the same. You see I become for the time part of you, as it +were, and you are brave enough for two.' + +'I don't profess to be so brave as all that,' said Frank. 'I expect +I have as many nerves as my neighbours.' + +Maude's grey toque nodded up and down. 'I know all about that,' said +she. + +'You have such a false idea of me. It makes me happy at the time and +miserable afterwards, for I feel such a rank impostor. You imagine +me to be a hero, and a genius, and all sorts of things, while I KNOW +that I am about as ordinary a young fellow as walks the streets of +London, and no more worthy of you than--well, than any one else is.' + +She laughed with shining eyes. + +'I like to hear you talk like that,' said she. 'That is just what is +so beautiful about you.' + +It is hopeless to prove that you are not a hero when your disclaimers +are themselves taken as a proof of heroism. Frank shrugged his +shoulders. + +'I only hope you'll find me out gradually and not suddenly,' said he. +'Now, Maude, we have all day and all London before us. What shall we +do? I want you to choose.' + +'I am quite happy whatever we do. I am content to sit here with you +until evening.' + +Her idea of a happy holiday set them both laughing. + +'Come along,' said he, 'we shall discuss it as we go.' + +The workman's family was still waiting, and Maude handed the child a +shilling as she went out. She was so happy herself that she wanted +every one else to be happy also. The people turned to look at her as +she passed. With the slight flush upon her cheeks and the light in +her eyes, she seemed the personification of youth, and life, and +love. One tall old gentleman started as he looked, and watched her +with a rapt face until she disappeared. Some cheek had flushed and +some eye had brightened at his words once, and sweet old days had for +an instant lived again. + +'Shall we have a cab?' + +'O Frank, we must learn to be economical. Let us walk.' + +'I can't and won't be economical to-day.' + +'There now! See what a bad influence I have upon you.' + +'Most demoralising! But we have not settled yet where we are to go +to.' + +'What DOES it matter, if we are together?' + +'There is a good match at the Oval, the Australians against Surrey. +Would you care to see that?' + +'Yes, dear, if you would.' + +'And there are matinees at all the theatres.' + +'You would rather be in the open air.' + +'All I want is that you should enjoy yourself.' + +'Never fear. I shall do that.' + +'Well, then, first of all I vote that we go and have some lunch.' + +They started across the station yard, and passed the beautiful old +stone cross. Among the hansoms and the four-wheelers, the hurrying +travellers, and the lounging cabmen, there rose that lovely +reconstruction of mediaevalism, the pious memorial of a great +Plantagenet king to his beloved wife. + +'Six hundred years ago,' said Frank, as they paused and looked up, +'that old stone cross was completed, with heralds and armoured +knights around it to honour her whose memory was honoured by the +king. Now the corduroyed porters stand where the knights stood, and +the engines whistle where the heralds trumpeted, but the old cross is +the same as ever in the same old place. It is a little thing of that +sort which makes one realise the unbroken history of our country.' + +Maude insisted upon hearing about Queen Eleanor, and Frank imparted +the little that he knew as they walked out into the crowded Strand. + +'She was Edward the First's wife, and a splendid woman. It was she, +you remember, who sucked the wound when he was stabbed with a +poisoned dagger. She died somewhere in the north, and he had the +body carried south to bury it in Westminster Abbey. Wherever it +rested for a night he built a cross, and so you have a line of +crosses all down England to show where that sad journey was broken.' + +They had turned down Whitehall, and passed the big cuirassiers upon +their black chargers at the gate of the Horse Guards. Frank pointed +to one of the windows of the old banqueting-hall. + +'You've seen a memorial of a queen of England,' said he. 'That +window is the memorial of a king.' + +'Why so, Frank?' + +'I believe that it was through that window that Charles the First +passed out to the scaffold when his head was cut off. It was the +first time that the people had ever shown that they claimed authority +over their king.' + +'Poor fellow!' said Maude. 'He was so handsome, and such a good +husband and father.' + +'It is the good kings who may be the dangerous ones.' + +'O Frank!' + +'If a king thinks only of pleasure, then he does not interfere with +matters of state. But if he is conscientious, he tries to do what he +imagines to be his duty, and so he causes trouble. Look at Charles, +for example. He was a very good man, and yet he caused a civil war. +George the Third was a most exemplary character, but his stupidity +lost us America, and nearly lost us Ireland. They were each +succeeded by thoroughly bad men, who did far less harm.' + +They had reached the end of Whitehall, and the splendid panorama of +Westminster Abbey and the Houses of Parliament lay before them. The +most stately of ancient English buildings was contrasted with the +most beautiful of modern ones. How anything so graceful came to be +built by this tasteless and utilitarian nation must remain a marvel +to the traveller. The sun was shining upon the gold-work of the +roof, and the grand towers sprang up amid the light London haze, like +some gorgeous palace in a dream. It was a fit centre for the rule to +whose mild sway one-fifth of the human race acquiesces--a rule upheld +by so small a force that only the consent of the governed can sustain +it. + +Frank and Maude stood together looking up at it. + +'How beautiful it is!' she cried. 'How the gilding lights up the +whole building!' + +'And how absurd it is not to employ it more in our gloomy London +architecture!' said Frank. 'Imagine how grand a gilded dome of St. +Paul's would look, hanging like a rising sun over the City. But here +is our restaurant, Maude, and Big Ben says that it is a quarter to +two. + + + +CHAPTER V--IN BRITAIN'S VALHALLA + + + +They had discussed the rooms in their new house, and the bridesmaids' +dresses, and Maude's cooking, and marriage-presents, and the merits +of Brighton, and the nature of love, and volleying at tennis (Maude +was the lady-champion of a tennis club), and season tickets, and the +destiny of the universe--to say nothing of a small bottle of Perrier +Jouet. It was reprehensibly extravagant, but this would be their +last unmarried excursion, and so they drank to the dear days of the +past, and the dearer ones of the future. Good comrades as well as +lovers, they talked freely, and with pleasure. Frank never made the +common mistake of talking down, and Maude justified his confidence by +eagerly keeping up. To both of them silence was preferable to +conventional small talk. + +'We'll just get down there after lunch,' said Frank, as he paid his +bill. 'You have not seen the Australians, have you?' + +'Yes, dear, I saw them at Clifton four years ago.' + +'But this is a new lot. There are nine of the present team who have +never played in England before.' + +'They are very good, are they not?' + +'Very good indeed. And the dry summer has helped them. It is the +sticky English wickets which put them off. The wickets are very fast +over there. Giffen is their best all-round man, but Darling and +Iredale and young Hill are good enough for anything. Well, then--O +Lord, what a pity!' + +He had turned towards the window as he rose, and saw one of those +little surprises by which Nature relieves the monotony of life in +these islands. The sun had gone, a ragged slate-coloured cloud was +drifting up from over the river, and the rain was falling with a soft +persistency which is more fatal than the most boisterous shower. +There would be no more cricket that day. + +'Two coffees and two benedictines,' cried Frank, and they relapsed +into their chairs. But a half-hour passed and the grey cloud was +thicker and the rain more heavy. The cheerless leaden river flowed +slowly under drifting skies. Beyond an expanse of shining pavement +the great black Abbey towered amidst the storm. + +'Have you ever done the Abbey, Maude?' + +'No, Frank; I should love to.' + +'I have only been once--more shame to me to say so! Is it not a sin +that we young Englishmen should be familiar with every music-hall in +London and should know so little of this which is the centre of the +British race, the most august and tremendous monument that ever a +nation owned. Six hundred years ago the English looked upon it as +their holiest and most national shrine, and since then our kings and +our warriors and our thinkers and our poets have all been laid there, +until there is such an accumulation that the huge Abbey has hardly +space for another monument. Let us spend an hour inside it.' + +They made for Solomon's porch, since it was the nearest and they had +but the one umbrella. Under its shelter they brushed themselves dry +before they entered. + +'Whom does the Abbey belong to, Frank?' + +'To you and me!' + +'Now you are joking!' + +'Not at all. It belongs in the long-run to the British taxpayer. +You have heard the story of the Scotch visitor who came on board one +of our battleships and asked to see the captain. "Who shall I say?" +said the sentry. "One of the proprietors," said the Scotchman. +That's OUR position towards the Abbey. Let us inspect our property.' + +They were smiling as they entered, but the smile faded from their +lips as the door closed behind them. In this holy of holies, this +inner sanctuary of the race, there was a sense of serene and +dignified solemnity which would have imposed itself upon the most +thoughtless. Frank and Maude stood in mute reverence. The high +arches shot up in long rows upon either side of them, straight and +slim as beautiful trees, until they curved off far up near the +clerestory and joined their sister curves to form the lightest, most +delicate tracery of stone. In front of them a great rose-window of +stained glass, splendid with rich purples and crimsons, shone through +a subdued and reverent gloom. Here and there in the aisles a few +spectators moved among the shadows, but all round along the walls two +and three deep were ranged the illustrious dead, the perishable body +within, the lasting marble without, and the more lasting name +beneath. It was very silent in the home of the great dead--only a +distant footfall or a subdued murmur here and there. Maude knelt +down and sank her face in her hands. Frank prayed also with that +prayer which is a feeling rather than an utterance. + +Then they began to move round the short transept in which they found +themselves--a part of the Abbey reserved for the great statesmen. +Frank tried to quote the passage in which Macaulay talks about the +men worn out by the stress and struggle of the neighbouring +parliament-hall, and coming hither for peace and rest. Here were the +men who had been strong enough to grasp the helm, and who, sometimes +wisely, sometimes foolishly, but always honestly, had tried to keep +the old ship before the wind. Canning and Peel were there, with +Pitt, Fox, Grattan and Beaconsfield. Governments and oppositions +moulder behind the walls. Beaconsfield alone among all the statues +showed the hard-lined face of the self-made man. These others look +so plump and smooth one can hardly realise how strong they were, but +they sprang from those ruling castes to whom strength came by easy +inheritance. Frank told Maude the little which he knew of each of +them--of Grattan, the noblest Irishman of them all, of Castlereagh, +whose coffin was pursued to the gates of the Abbey by a raging mob +who wished to tear out his corpse, of Fox the libertine philosopher, +of Palmerston the gallant sportsman, who rode long after he could +walk. They marvelled together at the realism of the sculptor who had +pitted Admiral Warren with the smallpox, and at the absurdity of that +other one who had clad Robert Peel in a Roman toga. + +Then turning to the right at the end of the Statesmen's Transept, +they wandered aimlessly down the huge nave. It was overwhelming, the +grandeur of the roof above and of the contents below. Any one of +hundreds of these tombs was worth a devout pilgrimage, but how could +one raise his soul to the appreciation of them all. Here was Darwin +who revolutionised zoology, and here was Isaac Newton who gave a new +direction to astronomy. Here were old Ben Jonson, and Stephenson the +father of railways, and Livingstone of Africa, and Wordsworth, and +Kingsley, and Arnold. Here were the soldiers of the mutiny--Clyde +and Outram and Lawrence,--and painters, and authors, and surgeons, +and all the good sons who in their several degrees had done loyal +service to the old mother. And when their service was done the old +mother had stretched out that long arm of hers and had brought them +home, and always for every good son brought home she had sent another +forth, and her loins were ever fruitful, and her children loving and +true. Go into the Abbey and think, and as the nation's past is borne +in upon you, you will have no fear for its future. + +Frank was delighted with some of the monuments and horrified by +others, and he communicated both his joy and his anger to Maude. +They noticed together how the moderns and the Elizabethans had much +in common in their types of face, their way of wearing the hair, and +their taste in monuments, while between them lie the intolerable +affectations--which culminated towards the end of last century. + +'It all rings false--statue, inscription, everything,' said Frank. +'These insufferable allegorical groups sprawling round a dead hero +are of the same class as the pompous and turgid prose of Doctor +Johnson. The greatest effects are the simplest effects, and so it +always was and so it always will be. But that little bit of Latin is +effective, I confess.' + +It was a very much defaced inscription underneath a battered +Elizabethan effigy, whose feet had been knocked off, and whose +features were blurred into nothing. Two words of the inscription had +caught Frank's eye. + +'Moestissima uxor! It was his "most sad wife" who erected it! Look +at it now! The poor battered monument of a woman's love. Now, +Maude, come with me, and we shall visit the famous Poets' Corner.' + +What an assembly it would be if at some supreme day each man might +stand forth from the portals of his tomb. Tennyson, the last and +almost the greatest of that illustrious line, lay under the white +slab upon the floor. Maude and Frank stood reverently beside it. + + +'"Sunset and evening Star +And one clear call for me."' + + +Frank quoted. 'What lines for a very old man to write! I should put +him second only to Shakespeare had I the marshalling of them.' + +'I have read so little,' said Maude. + +'We will read it all together after next week. But it makes your +reading so much more real and intimate when you have stood at the +grave of the man who wrote. That's Chaucer, the big tomb there. He +is the father of British poetry. Here is Browning beside Tennyson-- +united in life and in death. He was the more profound thinker, but +music and form are essential also.' + +'What a splendid face!' cried Maude. + +'It is a bust to Longfellow, the American.' They read the +inscription. 'This bust was placed among the memorials of the poets +of England by English admirers of an American poet.' + +'I am so glad to have seen that. I know his poems so well,' said +Maude. + +'I believe he is more read than any poet in England.' + +'Who is that standing figure?' + +'It is Dryden. What a clever face, and what a modern type. Here is +Walter Scott beside the door. How kindly and humorous his expression +was! And see how high his head was from the ear to the crown. It +was a great brain. There is Burns, the other famous Scot. Don't you +think there is a resemblance between the faces? And here are +Dickens, and Thackeray, and Macaulay. I wonder whether, when +Macaulay was writing his essays, he had a premonition that he would +be buried in Westminster Abbey. He is continually alluding to the +Abbey and its graves. I always think that we have a vague intuition +as to what will occur to us in life.' + +'We can guess what is probable.' + +'It amounts to more than that. I had an intuition that I should +marry you from the first day that I saw you, and yet it did not seem +probable. But deep down in my soul I knew that I should marry you.' + +'I knew that I should marry you, Frank, or else that I should never +marry at all.' + +'There now! We both had it. Well, that IS really wonderful!' + +They stood among the memorials of all those great people, marvelling +at the mysteries of their own small lives. A voice at their elbows +brought them back to the present. + +'This way, if you please, for the kings,' said the voice. 'They are +now starting for the kings.' + +'They' proved to be a curiously mixed little group of people who were +waiting at the entrance through the enclosure for the arrival of the +official guide. There were a tall red-bearded man with a very Scotch +accent and a small gentle wife, also an American father with his two +bright and enthusiastic daughters, a petty-officer of the navy in his +uniform, two young men whose attention was cruelly distracted from +the monuments by the American girls, and a dozen other travellers of +various sexes and ages. Just as Maude and Frank joined them the +guide, a young fresh-faced fellow, came striding up, and they passed +through the opening into the royal burying-ground. + +'This way, ladies and gentlemen,' cried the hurrying guide, and they +all clattered over the stone pavement. He stopped beside a tomb upon +which a lady with a sad worn face was lying. 'Mary, Queen of Scots,' +said he, 'the greatest beauty of her day. This monument was erected +by her son, James the First.' + +'Isn't she just perfectly sweet?' said one of the American girls. + +'Well, I don't know. I expected more of her than that,' the other +answered. + +'I reckon,' remarked the father, 'that if any one went through as +much as that lady did, it would not tend to improve her beauty. Now +what age might the lady be, sir?' + +'Forty-four years of age at the time of her execution,' said the +guide. + +'Ah weel, she's young for her years,' muttered the Scotchman, and the +party moved on. Frank and Maude lingered to have a further look at +the unfortunate princess, the bright French butterfly, who wandered +from the light and warmth into that grim country, a land of blood and +of psalms. + +'She was as hard as nails under all her gentle grace,' said Frank. +'She rode eighty miles and hardly drew rein after the battle of +Langside.' + +'She looks as if she were tired, poor dear!' said Maude; 'I don't +think that she was sorry to be at rest.' + +The guide was narrating the names of the owners of the tombs at the +further end of the chapel. 'Queen Anne is here, and Mary the wife of +William the Third is beside her. And here is William himself. The +king was very short and the queen very tall, so in the sculptures the +king is depicted standing upon a stool so as to bring their heads +level. In the vaults beyond there are thirty-eight Stuarts.' + +Thirty-eight Stuarts! Princes, bishops, generals, once the salt of +the earth, the mightiest of men, and now lumped carelessly together +as thirty-eight Stuarts. So Death the Republican and Time the +Radical can drag down the highest from his throne. + +They had followed the guide into another small chapel, which bore the +name of Henry VII. upon the door. Surely they were great builders +and great designers in those days! Had stone been as pliable as wax +it could not have been twisted and curved into more exquisite spirals +and curls, so light, so delicate, so beautiful, twining and turning +along the walls, and drooping from the ceiling. Never did the hand +of man construct anything more elaborately ornate, nor the brain of +man think out a design more absolutely harmonious and lovely. In the +centre, with all the pomp of mediaeval heraldry, starred and spangled +with the Tudor badges, the two bronze figures of Henry and his wife +lay side by side upon their tomb. The guide read out the quaint +directions in the king's will, by which they were to be buried 'with +some respect to their Royal dignity, but avoiding damnable pomp and +outrageous superfluities!' There was, as Frank remarked, a fine +touch of the hot Tudor blood in the adjectives. One could guess +where Henry the Eighth got his masterful temper. Yet it was an +ascetic and priest-like face which looked upwards from the tomb. + +They passed the rifled tombs of Cromwell, Blake, and Ireton--the +despicable revenge of the men who did not dare to face them in the +field,--and they marked the grave of James the First, who erected no +monument to himself, and so justified in death the reputation for +philosophy which he had aimed at in his life. Then they inspected +the great tomb of Villiers, Duke of Buckingham, as surprising and as +magnificent as his history, cast a glance at the covering of plucky +little George the Second, the last English king to lead his own army +into battle, and so onwards to see the corner of the Innocents, where +rest the slender bones of the poor children murdered in the Tower. + +But now the guide had collected his little flock around him again, +with the air of one who has something which is not to be missed. +'You will stand upon the step to see the profile,' said he, as he +indicated a female figure upon a tomb. 'It is the great Queen +Elizabeth.' + +It was a profile and a face worth seeing--the face of a queen who was +worthy of her Shakespeares upon the land and her Drakes upon the sea. +Had the Spanish king seen her, he would have understood that she was +not safe to attack--this grim old lady with the eagle nose and the +iron lips. You could understand her grip upon her cash-box, you +could explain her harshness to her lovers, you could realise the +confidence of her people, you could read it all in that wonderful +face. + +'She's splendid,' said Frank. + +'She's terrible,' said Maude. + +'Did I understand you to say, sir,' asked the American, 'that it was +this lady who beheaded the other lady, Queen of Scotland, whom we saw +'way back in the other compartment?' + +'Yes, sir, she did.' + +'Well, I guess if there was any beheading to be done, this was the +lady to see that it was put through with promptness and despatch. +Not a married lady, I gather?' + +'No, sir.' + +'And a fortunate thing for somebody. That woman's husband would have +a mean time of it, sir, in my opinion.' + +'Hush, poppa,' said the two daughters, and the procession moved on. +They were entering the inner chapel of all, the oldest and the +holiest, in which, amid the ancient Plantagenet kings, there lies +that one old Saxon monarch, confessor and saint, the holy Edward, +round whose honoured body the whole of this great shrine has +gradually risen. A singular erection once covered with mosaic work, +but now bare and gaunt, stood in the centre. + +'The body of Edward the Confessor is in a case up at the top,' said +the guide. 'This hollow place below was filled with precious relics, +and the pilgrims used to kneel in these niches, which are just large +enough to hold a man upon his knees. The mosaic work has been picked +out by the pilgrims.' + +'What is the date of the shrine?' asked Frank. + +'About 1250, sir. The early kings were all buried as near to it as +they could get, for it was their belief in those days that the devil +might carry off the body, and so the nearer they got to the shrine +the safer they felt. Henry the Fifth, who won the battle of +Agincourt, is there. Those are the actual helmet, shield, and saddle +which he used in the battle upon the crossbeam yonder. That king +with the grave face and the beard is Edward the Third, the father of +the Black Prince. The Black Prince never lived to ascend the throne, +but he was the father of the unfortunate Richard the Second, who lies +here--this clean-shaven king with the sharp features. Now, ladies +and gentlemen, if you will turn this way, I will show you one of the +most remarkable objects in the Abbey.' + +The object in question proved to be nothing more singular than a +square block of stone placed under an old chair. And yet as the +guide continued to speak, they felt that he had justified his words. + +'This is the sacred stone of Scone upon which the kings of Scotland +have been crowned from time immemorial. When Edward the First +overran Scotland 600 years ago, he had it brought here, and since +then every monarch of England has also sat upon it when crowned.' + +'The present Queen?' asked some one. + +'Yes, she also. The legend was that it was the stone upon which +Jacob rested his head when he dreamed, but the geologists have proved +that it is red sandstone of Scotland.' + +'Then I understand, sir, that this other throne is the Scottish +throne,' said the American gentleman. + +'No, sir, the Scottish throne and the English throne are the same +throne. But at the time of William and Mary it was necessary to +crown her as well as him, and so a second throne was needed. But +that of course was modern.' + +'Only a couple of hundred years ago. I wonder they let it in. But I +guess they might have taken better care of it. Some one has carved +his name upon it.' + +'A Westminster boy bet his schoolfellows that he would sleep among +the tombs, and to prove that he had done it, he carved his name upon +the throne.' + +'You don't say!' cried the American. 'Well, I guess that boy ended +pretty high up.' + +'As high as the gallows, perhaps,' said Frank, and every one +tittered, but the guide hurried on with a grave face, for the dignity +of the Abbey was in his keeping. + +'This tomb is that of Queen Eleanor,' said he. + +Frank twitched Maude by the sleeve. 'Eleanor of Charing Cross,' said +he. 'See how one little bit of knowledge links on with another.' + +'And here is the tomb of her husband, Edward the First. It was he +who brought the stone from Scone. At the time of his death the +conquest of Scotland was nearly done, and he gave orders that his +burial should be merely temporary until Scotland was thoroughly +subdued. He is still, as you perceive, in his temporary tomb.' + +The big Scotchman laughed loudly and derisively. All the others +looked sadly at him with the pitying gaze which the English use +towards the more excitable races when their emotion gets the better +of them. A stream from a garden hose could not have damped him more. + +'They opened the grave last century,' said the guide. 'Inside was an +inscription, which said, "Here lies the hammer of the Scots." He was +a fine man, six feet two inches from crown to sole.' + +They wandered out of the old shrine where the great Plantagenet kings +lie like a bodyguard round the Saxon saint. Abbots lay on one side +of them as they passed, and dead crusaders with their legs crossed, +upon the other. And then, in an instant, they were back in +comparatively modern times again. + +'This is the tomb of Wolfe, who died upon the Heights of Abraham,' +said the guide. 'It was due to him and to his soldiers that all +America belongs to the English-speaking races. There is a picture of +his Highlanders going up to the battle along the winding path which +leads from Wolfe's Cove. He died in the moment of victory.' + +It was bewildering, the way in which they skipped from age to age. +The history of England appeared to be not merely continuous, but +simultaneous, as they turned in an instant from the Georgian to the +Elizabethan, the one monument as well preserved as the other. They +passed the stately de Vere, his armour all laid out in fragments upon +a marble slab, as a proof that he died at peace with all men; and +they saw the terrible statue of the onslaught of Death, which, viewed +in the moonlight, made a midnight robber drop his booty and fly +panic-stricken out of the Abbey. So awful and yet so fascinating is +it, that the shuffling feet of the party of sightseers had passed out +of hearing before Maude and Frank could force themselves away from +it. + +In the base of the statue is an iron door, which has been thrown +open, and the sculptor's art has succeeded wonderfully in convincing +you that it has been thrown open violently. The two leaves of it +seem still to quiver with the shock, and one could imagine that one +heard the harsh clang of the metal. Out of the black opening had +sprung a dreadful thing, something muffled in a winding-sheet, one +bony hand clutching the edge of the pedestal, the other upraised to +hurl a dart at the woman above him. She, a young bride of twenty- +seven, has fallen fainting, while her husband, with horror in his +face, is springing forward, his hand outstretched, to get between his +wife and her loathsome assailant. + +'I shall dream of this,' said Maude. She had turned pale, as many a +woman has before this monument. + +'It is awful!' Frank walked backwards, unable to take his eyes from +it. 'What pluck that sculptor had! It is an effect which must be +either ludicrous or great, and he has made it great.' + +'Roubillac is his name,' said Maude, reading it from the pedestal. + +'A Frenchman, or a man of French descent. Isn't that characteristic! +In the whole great Abbey the one monument which has impressed us with +its genius and imagination is by a foreigner. We haven't got it in +us. We are too much afraid of letting ourselves go and of giving +ourselves away. We are heavy-handed and heavy-minded.' + +'If we can't produce the monuments, we can produce the men who +deserve them,' said Maude, and Frank wrote the aphorism down upon his +shirt-cuff. + +'We are too severe both in sculpture and architecture,' said he. +'More fancy and vigour in our sculptors, more use of gold and more +ornament in our architects--that is what we want. But I think it is +past praying for. It would be better to subdivide the work of the +world, according to the capacity of the different nations. Let Italy +and France embellish us. We might do something in exchange--organise +the French colonies, perhaps, or the Italian exchequer. That is our +legitimate work, but we will never do anything at the other.' + +The guide had already reached the end of his round, an iron gate +corresponding to that by which they had entered, and they found him +waiting impatiently and swinging his keys. But Maude's smile and +word of thanks as she passed him brought content into his face once +more. A ray of living sunshine is welcome to the man who spends his +days among the tombs. + +They walked down the North Transept and out through Solomon's Porch. +The rain-cloud had swept over, and the summer sun was shining upon +the wet streets, turning them all to gold. This might have been that +fabled London of which young Whittington dreamed. In front of them +lay the lawns of vivid green, with the sunlit raindrops gleaming upon +the grass. The air was full of the chirping of the sparrows. Across +their vision, from the end of Whitehall to Victoria Street, the black +ribbon of traffic whirled and circled, one of the great driving-belts +of the huge city. Over it all, to their right, towered those +glorious Houses of Parliament, the very sight of which made Frank +repent his bitter words about English architecture. They stood in +the old porch gazing at the scene. It was so wonderful to come back +at one stride from the great country of the past to the greater +country of the present. Here was the very thing which these dead men +lived and died to build. + +'It's not much past three,' said Frank. 'What a gloomy place to take +you to! Good heavens, we have one day together, and I take you to a +cemetery! Shall we go to a matinee to counteract it?' + +But Maude laid her hand upon his arm. + +'I don't think, Frank, that I was ever more impressed, or learned +more in so short a time, in my life. It was a grand hour--an hour +never to be forgotten. And you must not think that I am ever with +you to be amused. I am with you to accompany you in whatever seems +to you to be highest and best. Now before we leave the dear old +Abbey, promise me that you will always live your own highest and +never come down to me.' + +'I can very safely promise that I will never come down to you,' said +Frank. 'I may climb all my life, and yet there are parts of your +soul which will be like snow-peaks in the clouds to me. But you will +be now and always my own dear comrade as well as my sweetest wife. +And now, Maude, what shall it be, the theatre or the Australians?' + +'Do you wish to go to either very much?' + +'Not unless you do.' + +'Well, then, I feel as if either would be a profanation. Let us walk +together down to the Embankment, and sit on one of the benches there, +and watch the river flowing in the sunshine, and talk and think of +all that we have seen.' + + + +CHAPTER VI--TWO SOLOS AND A DUET + + + +The night before the wedding, Frank Crosse and his best man, Rupton +Hale, dined at the Raleigh Club with Maude's brother, Jack Selby, who +was a young lieutenant in a Hussar regiment. Jack was a horsy, +slangy young sportsman who cared nothing about Frank's worldly +prospects, but had given the match his absolute approval from the +moment that he realised that his future brother had played for the +Surrey Second. 'What more can you want?' said he. 'You won't +exactly be a Mrs. W. G., but you will be on the edge of first-class +cricket.' And Maude, who rejoiced in his approval, without quite +understanding the grounds for it, kissed him, and called him the best +of brothers. + +The marriage was to be at eleven o'clock at St. Monica's Church, and +the Selbys were putting up at the Langham. Frank stayed at the +Metropole, and so did Rupton Hale. They were up early, their heads +and nerves none the better for Jack Selby's hospitality of the night +before. + +Frank could eat no breakfast, and he shunned publicity in his +wedding-garments, so they remained in the upstairs sitting-room. He +stood by the window, drumming his fingers upon the pane, and looking +down into Northumberland Avenue. He had often pictured this day, and +associated it with sunshine and flowers and every emblem of joy. But +Nature had not risen to the occasion. A thick vapour, half smoke +half cloud, drifted along the street, and a thin persistent rain was +falling steadily. It pit-patted upon the windows, splashed upon the +sills, and gurgled in the water-pipes. Far down beneath him on the +drab-coloured slimy road stood the lines of wet cabs, looking like +beetles with glistening backs. Round black umbrellas hurried along +the shining pavements. A horse had fallen at the door of the +Constitutional Club, and an oil-skinned policeman was helping the +cabman to raise it. Frank watched it until the harness had been +refastened, and it had vanished into Trafalgar Square. Then he +turned and examined himself in the mirror. His trim black frock-coat +and pearl grey trousers set off his alert athletic figure to +advantage. His glossy hat, too, his lavender gloves, and dark-blue +tie, were all absolutely irreproachable. And yet he was not +satisfied with himself. Maude ought to have something better than +that. What a fool he had been to take so much wine last night! On +this day of all days in their lives she surely had a right to find +him at his best. He was restless, and his nerves were all quivering. +He would have given anything for a cigarette, but he did not wish to +scent himself with tobacco. He had cut himself in shaving, and his +nose was peeling from a hot day on the cricket-field. What a silly +thing to expose his nose to the sun before his wedding! Perhaps when +Maude saw it she would--well, she could hardly break it off, but at +least she might be ashamed of him. He worked himself into a fever +over that unfortunate nose. + +'You are off colour, Crosse,' said his best man. + +'I was just thinking that my nose was. It's very kind of you to come +and stand by me.' + +'That's all right. We shall see it through together.' + +Hale was a despondent man, though the most loyal of friends, and he +spoke in a despondent way. His gloomy manner, the London drizzle, +and the nervousness proper to the occasion, were all combining to +make Frank more and more wretched. Fortunately Jack Selby burst like +a gleam of sunshine into the room. The sight of his fresh-coloured +smiling face--or it may have been some reminder of Maude which he +found in it--brought consolation to the bridegroom. + +'How are you, Crosse? How do, Hale? Excuse my country manners! The +old Christmas-tree in the hall wanted to send for you, but I knew +your number. You're looking rather green about the gills, old chap.' + +'I feel a little chippy to-day.' + +'That's the worst of these cheap champagnes. Late hours are bad for +the young. Have a whisky and soda with me. No? Hale, you must buck +him up, for they'll all be down on you if you don't bring your man up +to time in the pink of condition. We certainly did ourselves up to +the top hole last night. Couldn't face your breakfast, eh? Neither +could I. A strawberry and a bucket of soda-water.' + +'How are they all at the Langham?' asked Frank eagerly. + +'Oh, splendid! At least I haven't seen Maude. She's been getting +into parade order. But mother is full of beans. We had to take her +up one link in the curb, or there would have been no holding her.' + +Frank's eyes kept turning to the slow-moving minute-hand. It was not +ten o'clock yet. + +'Don't you think that I might go round to the Langham and see them?' + +'Good Lord, no! Clean against regulations. Stand by his head, Hale! +Wo, boy, steady!' + +'It won't do, Crosse, it really won't!' said Hale solemnly. + +'What rot it is! Here am I doing nothing, and I might be of some use +or encouragement to her. Let's get a cab!' + +'Wo, laddie, wo then, boy! Keep him in hand, Hale! Get to his +head.' + +Frank flung himself down into an armchair, and muttered about absurd +conventions. + +'It can't be helped, my boy. It is correct.' + +'Buck up, Crosse, buck up! We'll make the thing go with a buzz when +we do begin. Two of our Johnnies are coming, regular fizzers, and +full of blood both of them. We'll paint the Langham a fine bright +solferino, when the church parade is over.' + +Frank sat rather sulkily watching the slow minute-hand, and listening +to the light-hearted chatter of the boy-lieutenant, and the more +deliberate answers of his best man. At last he jumped up and seized +his hat and gloves. + +'Half-past,' said he. 'Come on. I can't wait any longer. I must do +SOMETHING. It is time we went to the church.' + +'Fall in for the church!' cried Jack. 'Wait a bit! I know this +game, for I was best man myself last month. Inspect his kit, Hale. +See that he's according to regulations. Ring? All right. Parson's +money? Right oh! Small change? Good! By the right, quick march!' + +Frank soon recovered his spirits now that he had something to do. +Even that drive through the streaming streets, with the rain +pattering upon the top of their four-wheeler, could not depress him +any longer. He rose to the level of Jack Selby, and they chattered +gaily together. + +'Ain't we bringing him up fighting fit?' cried Jack exultingly. +'Shows that all the care we have taken of him in the last twenty-four +hours has not been wasted. That's the sort I like--game as a pebble! +You can't buy 'em, you have to breed 'em. A regular fizzer HE is, +and full of blood. And here we are on the ground.' + +It was a low, old-fashioned, grey church, with a Gothic entrance and +two niches on either side, which spoke of pre-Lutheran days. Cheap +modern shops, which banked it in, showed up the quaint dignity of the +ancient front. The side-door was open, and they passed into its dim- +lit interior, with high carved pews, and rich, old, stained glass. +Huge black oak beams curved over their heads, and dim inscriptions of +mediaeval Latin curled and writhed upon the walls. A single step +seemed to have taken them from the atmosphere of the nineteenth to +that of the fifteenth century. + +'What a ripping old church!' Jack whispered. + +'You can't buy 'em. But it's as festive as an ice-house. There's a +friendly native coming down the aisle. He's your man, Hale, if you +want the news.' + +The verger was not in the best of tempers. 'It's at a quarter to +four,' said he, as Hale met him. + +'No, no, at eleven.' + +'Quarter to four, I tell you. The vicar says so.' + +'Why, it's not possible.' + +'We have them at all hours.' + +'Have what?' + +'Buryin's.' + +'But this is a marriage.' + +'I'm sure I beg your pardon, sir. I thought when I looked at you as +you was the party about the child's funeral.' + +'Good heavens, no.' + +'It was something in your expression, sir, but now that I can see the +colour of your clothes, why of course I know better. There's three +marriages--which was it?' + +'Crosse and Selby are the names.' + +The verger consulted an old crumpled notebook. + +'Yes, sir, I have it here. Mr. or Miss Crosse to Mr. or Miss Selby. +Eleven o'clock, sir, SHARP. The vicar's a terrible punctual man, and +I should advise you to take your places.' + +'Any hitch?' asked Frank nervously, as Hale returned. + +'No, no.' + +'What was he talking about?' + +'Oh, nothing. Some little confusion of ideas.' + +'Shall we go up?' + +'Yes, I think that we had better.' + +Their steps clattered and reverberated through the empty church as +they passed up the aisle. They stood in an aimless way before the +altar rails. Frank fidgeted about, and made sure that the ring was +in his ticket-pocket. He also took a five-pound note and placed it +where he knew he could lay his hands upon it easily. Then he sprang +round with a flush upon his cheeks, for one of the side-doors had +been flung open with a great bustle and clanging. A stout charwoman +entered with a tin pail and a mop. + +'Put up the wrong bird that time,' whispered Jack, and sniggered at +Frank's change of expression. + +But almost at the same instant, the Selbys entered the church at the +further end. Mr. Selby, with his red face and fluffy side-whiskers, +had Maude upon his arm. She looked very pale and very sweet, with +downcast eyes and solemn mouth, while behind her walked her younger +sister Mary and her pretty friend Nelly Sheridan, both in pink +dresses with broad pink hats and white curling feathers. The bride +was herself in the grey travelling-dress with which Frank was already +familiar by its description in her letter. Its gentle tint and her +tenderly grave expression made a charming effect. Behind them was +the mother, still young and elegant, with something of Maude's grace +in her figure and carriage. As the party came up the aisle, Frank +was to be restrained no longer. 'Get to his head!' cried Jack to +Hale in an excited whisper, but their man was already hurrying to +shake hands with Maude. He walked up on her right, and they took +their position in two little groups, the happy couple in the centre. +At the same moment the clang of the church-clock sounded above them, +and the vicar, shrugging his shoulders to get his white surplice into +position, came bustling out of the vestry. To him it was all the +most usual, commonplace, and unimportant thing in the world, and both +Frank and Maude were filled with amazement at the nonchalant way in +which he whipped out a prayer-book, and began to rapidly perform the +ceremony. It was all so new and solemn and all-important to them, +that they had expected something mystic and overpowering in the +function, and yet here was this brisk little man, with an obvious +cold in his head, tying them up in as business-like a fashion as a +grocer uniting two parcels. After all, he had to do it a thousand +times a year, and so he could not be extravagant in his emotions. + +The singular service was read out to them, the exhortations, and the +explanations, sometimes stately, sometimes beautiful, sometimes +odious. Then the little vicar turned upon Frank--'Wilt thou have +this woman to thy wedded wife, to live together after God's ordinance +in the holy estate of matrimony? Wilt thou love her, comfort her, +honour her, in sickness and in health, and forsaking all other, keep +thee only unto her as long as ye both shall live?' + +'I will,' cried Frank, with conviction. + +'And wilt thou have this man to thy wedded husband, to live together +after God's ordinance in the holy estate of matrimony? Wilt thou +obey him, and serve him, love, honour, and keep him, in sickness and +in health, and forsaking all other, keep thee only unto him so long +as ye both shall live?' + +'I will,' said Maude, from her heart. + +'Who giveth this woman to be married to this man?' + +'I do. Mr. John Selby--her father, you know.' + +And then in turn they repeated the fateful words--'I take thee to +have and to hold from this day forward, for better, for worse, for +richer, for poorer, in sickness and in health, to love, cherish, and +obey, till death us do part, according to God's holy ordinance, and +thereto I give thee my troth.' + +'Ring! Ring!' said Hale. + +'Ring, you Juggins!' whispered Jack Selby. + +Frank thrust his hands frantically into all his pockets. The ring +was in the last one which he attempted. But the bank-note was not to +be found. He remembered that he had put it in some safe place. +Where could it have been? Was it in his boot, or in the lining of +his hat? No, surely he could not have done anything so infatuated. +Again he took his pockets two at a time, while a dreadful pause came +in the ceremony. + +'Vestry--afterwards,' whispered the clergyman. + +'Here you are!' gasped Frank. He had come upon it in a last +desperate dive into his watch-pocket, in which he never by any chance +kept anything. Of course it was for that very reason, that it might +be alone and accessible, that he had placed it there. Ring and note +were handed to the vicar, who deftly concealed the one and returned +the other. Then Maude's little white hand was outstretched, and over +the third finger Frank slipped the circlet of gold. + +'With this ring I thee wed,' said Frank, 'and with my body I thee +worship (he paused, and made a mental emendation of 'with my soul +also'), and with all my worldly goods I thee endow.' + +There was a prayer, and then the vicar joined the two hands, the +muscular sunburned one and the dainty white one, with the new ring +gleaming upon it. + +'Those whom God hath joined together, let no man put asunder,' said +he. 'Forasmuch as Francis Crosse and Maude Selby have consented +together in holy wedlock, and have witnessed the same before God and +this company, and thereto have given and pledged their troth, either +to other, and have declared the same by giving and receiving of a +ring, and by joining of hands; I pronounce that they be man and wife +together.' + +There now, it was done! They were one, never more to part until the +coffin-lid closed over one or the other. They were kneeling together +now, and the vicar was rapidly repeating some psalms and prayers. +But Frank's mind was not with the ritual. He looked slantwise at the +graceful, girlish figure by his side. Her hair hung beautifully over +her white neck, and the reverent droop of her head was lovely to his +eyes. So gentle, so humble, so good, so beautiful, and all his, his +sworn life-companion for ever! A gush of tenderness flowed through +his heart for her. His love had always been passionate, but, for the +instant, it was heroic, tremendous in its unselfishness. Might he +bring her happiness, the highest which woman could wish for! God +grant that he might do so! But if he were to make her unhappy, or to +take anything from her beauty and her goodness, then he prayed that +he might die now, at this supreme moment, kneeling at her side before +the altar rails. So intense was his prayer that he looked up +expectantly at the altar, as if in the presence of an imminent +catastrophe. But every one had risen to their feet, and the service +was at an end. The vicar led the way, and they all followed him, +into the vestry. There was a general murmur all round them of +congratulation and approval. + +'Heartiest congratulations, Crosse!' said Hale. + +'Bravo, Maude, you looked ripping!' cried Jack, kissing his sister. +'By Jove, it simply went with a buzz from the word "go."' + +'You sign it here and here,' said the vicar, 'and the witnesses here +and here. Thank you very much. I am sure that I wish you every +happiness. I need not detain you by any further formality.' + +And so, with a curious dream-like feeling, Frank Crosse and Maude +found themselves walking down the aisle, he very proud and erect, she +very gentle and shy, while the organ thundered the wedding-march. +Carriages were waiting: he handed in his wife, stepped in after her, +and they drove off, amidst a murmur of sympathy from a little knot of +idlers who had gathered in the porch, partly from curiosity, and +partly to escape the rain. + +Maude had often driven alone with Frank before, but now she felt +suddenly constrained and shy. The marriage-service, with all its +half-understood allusions and exhortations, had depressed and +frightened her. She hardly dared to glance at her husband. But he +soon led her out of her graver humour. + +'Name, please?' said he. + +'O Frank!' + +'Name, if YOU please?' + +'Why, you know.' + +'Say it.' + +'Maude.' + +'That all?' + +'Maude Crosse--O Frank!' + +'You blessing! How grand it sounds! O Maude, what a jolly old world +it is! Isn't it pretty to see the rain falling? And aren't the +shining pavements lovely? And isn't everything splendid, and am I +not the luckiest--the most incredibly lucky of men. Dear girlie, +give me your hand! I can feel IT under the glove. Now, sweetheart, +you are not frightened, are you?' + +'Not now.' + +'You were?' + +'Yes, I was a little. O Frank, you won't tire of me, will you? I +should break my heart if you did.' + +'Tire of you! Good heavens! Now you'll never guess what I was doing +while the parson was telling us about what Saint Paul said to the +Colossians, and all the rest of it.' + +'I know perfectly well what you were doing. And you shouldn't have +done it.' + +'What was I doing, then?' + +'You were staring at me.' + +'Oh, you saw that, did you?' + +'I felt it.' + +'Well, I was. But I was praying also.' + +'Were you, Frank?' + +'When I saw you kneeling there, so sweet and pure and good, I seemed +to realise how you had been given into my keeping for life, and I +prayed with all my heart that if I should ever injure you in thought, +or word, or deed, I might drop dead now before I had time to do it.' + +'O Frank, what a dreadful prayer!' + +'But I felt it and I wished it, and I could not help it. My own +darling, there you are just a living angel, the gentlest, most +sensitive, and beautiful living creature that walks the earth, and +please God I shall keep you so, and ever higher and higher if such a +thing is possible, and if ever I say a word or do a deed that seems +to lower you, then remind me of this moment, and send me back to try +to live up to our highest ideal again. And I for my part will try to +improve myself and to live up to you, and to bridge more and more the +gap that is between us, that I may feel myself not altogether +unworthy of our love. And so we shall act and re-act upon each +other, ever growing better and wiser, and dating what is best and +brightest in our minds and souls from the day that we were married. +And that's MY idea of a marriage-service, and here endeth the first +lesson, and the windows are blurred with rain, and hang the coachman, +and it's hard lines if a man may not kiss his own wife--you +blessing!' + +A broad-brimmed hat with a curling feather is not a good shape for +driving with an ardent young bridegroom in a discreetly rain-blurred +carriage. Frank demonstrated the fact, and it took them all the way +to the Langham to get those pins driven home again. And then after +an abnormal meal, which was either a very late breakfast or a very +early lunch, they drove on to Victoria Station, from which they were +to start for Brighton. Jack Selby and the two regimental fizzers, +who had secured immortality for the young couple, if the deep and +constant drinking of healths could have done it, had provided +themselves with packages of rice, old slippers, and other time- +honoured missiles. On a hint from Maude, however, that she would +prefer a quiet departure, Frank coaxed the three back into the +luncheon-room with a perfectly guileless face, and then locking the +door on the outside, handed the key and a half-sovereign to the head- +waiter, with instructions to release the prisoners when the carriage +had gone--an incident which in itself would cause the judicious +observer to think that, given the opportunity, Mister Frank Crosse +had it in him to go pretty far in life. And so, quietly and soberly, +they rolled away upon their first journey--the journey which was the +opening of that life's journey, the goal of which no man may see. + + + +CHAPTER VII--KEEPING UP APPEARANCES + + + +It was in the roomy dining-room of the Hotel Metropole at Brighton. +Maude and Frank were seated at the favourite small round table near +the window, where they always lunched. Their immediate view was a +snowy-white tablecloth with a shining centre dish of foppish little +cutlets, each with a wisp of ornamental paper, and a surrounding bank +of mashed potatoes. Beyond, from the very base of the window, as it +seemed, there stretched the huge expanse of the deep blue sea, its +soothing mass of colour broken only by a few white leaning sails upon +the furthest horizon. Along the sky-line the white clouds lay in +carelessly piled cumuli, like snow thrown up from a clearing. It was +restful and beautiful, that distant view, but just at the moment it +was the near one which interested them most. Though they lose from +this moment onwards the sympathy of every sentimental reader, the +truth must be told that they were thoroughly enjoying their lunch. + +With the wonderful adaptability of women--a hereditary faculty, which +depends upon the fact that from the beginning of time the sex has +been continually employed in making the best of situations which were +not of their own choosing--Maude carried off her new character easily +and gracefully. In her trim blue serge dress and sailor hat, with +the warm tint of yesterday's sun upon her cheeks, she was the very +picture of happy and healthy womanhood. Frank was also in a blue +serge boating-suit, which was appropriate enough, for they spent most +of their time upon the water, as a glance at his hands would tell. +Their conversation was unhappily upon a very much lower plane than +when we overheard them last. + +'I've got such an appetite!' + +'So have I, Frank.' + +'Capital. Have another cutlet.' + +'Thank you, dear.' + +'Potatoes?' + +'Please.' + +'I always thought that people on their honeymoon lived on love.' + +'Yes, isn't it dreadful, Frank? We must be so material.' + +'Good old mother Nature! Cling on to her skirt and you never lose +your way. One wants a healthy physical basis for a healthy spiritual +emotion. Might I trouble you for the pickles?' + +'Are you happy, Frank?' + +'Absolutely and completely.' + +'Quite, QUITE sure?' + +'I never was quite so sure of anything.' + +'It makes me so happy to hear you say so.' + +'And you?' + +'O Frank, I am just floating upon golden clouds in a dream. But your +poor hands! Oh, how they must pain you!' + +'Not a bit.' + +'It was that heavy oar.' + +'I get no practice at rowing. There is no place to row in at Woking, +unless one used the canal. But it was worth a blister or two. By +Jove, wasn't it splendid, coming back in the moonlight with that +silver lane flickering on the water in front of us? We were so +completely alone. We might have been up in the interstellar spaces, +you and I, travelling from Sirius to Arcturus in one of those +profound gulfs of the void which Hardy talks about. It was +overpowering.' + +'I can never forget it.' + +'We'll go again to-night.' + +'But the blisters!' + +'Hang the blisters! And we'll take some bait with us and try to +catch something.' + +'What fun!' + +'And we'll drive to Rottingdean this afternoon, if you feel inclined. +Have this last cutlet, dear!' + +'No, thank you.' + +'Well, it seems a pity to waste it. Here goes! By the way, Maude, I +must speak very severely to you. I can't if you look at me like +that. But really, joking apart, you must be more careful before the +waiters.' + +'Why, dear?' + +'Well, we have carried it off splendidly so far. No one has found us +out yet, and no one will if we are reasonably careful. The fat +waiter is convinced that we are veterans. But last night at dinner +you very nearly gave the thing away.' + +'Did I, Frank?' + +'Don't look so sweetly penitent, you blessing. The fact is that you +make a shocking bad conspirator. Now I have a kind of talent for +that, as I have for every other sort of depravity, so it will be +pretty safe in my hands. You are as straight as a line by nature, +and you can't be crooked when you try.' + +'But what did I say? Oh, I AM so sorry! I tried to be so careful.' + +'Well, about the curry, you know. It was an error of judgment to ask +if I took chutnee. And then . . . ' + +'Something else?' + +'About the boots. Did I get them in London or Woking.' + +'Oh dear, dear!' + +'And then . . . ' + +'Not another! O Frank!' + +'Well, the use of the word "my." You must give that word up. It +should be "our."' + +'I know, I know. It was when I said that the salt water had taken +the curl out of the feather in my--no, in our--well, in THE hat.' + +'That was all right. But it is OUR luggage, you know, and OUR room, +and so on.' + +'Of course it is. How foolish I am! Then the waiter knows! O +Frank, what shall we do?' + +'Not he. He knows nothing. I am sure of it. He is a dull sort of +person. I had my eye on him all the time. Besides, I threw in a few +remarks just to set the thing right.' + +'That was when you spoke about our travels in the Tyrol?' + +'Yes.' + +'O Frank, how COULD you? And you said how lonely it was when we were +the only visitors at the Swiss hotel.' + +'That was an inspiration. That finished him.' + +'And about the closeness of the Atlantic staterooms. I blushed to +hear you.' + +'But he listened eagerly to it all. I could see it.' + +'I wonder if he really believed it. I have noticed that the maids +and the waiters seem to look at us with a certain interest.' + +'My dear girlie, you will find as you go through life that every man +will always look at you with a certain interest.' + +Maude smiled, but was unconvinced. + +'Cheese, dear?' + +'A little butter, please.' + +'Some butter, waiter, and the Stilton. You know the real fact is, +that we make the mistake of being much too nice to each other in +public. Veterans don't do that. They take the small courtesies for +granted--which is all wrong, but it shows that they ARE veterans. +That is where we give ourselves away.' + +'That never occurred to me.' + +'If you want to settle that waiter for ever, and remove the last +lingering doubt from his mind, the thing is for you to be rude to +me.' + +'Or you to me, Frank.' + +'Sure you won't mind?' + +'Not a bit.' + +'Oh, hang it, I can't--not even for so good an object.' + +'Well, then, I can't either.' + +'But this is absurd. It is only acting.' + +'Quite so. It is only fun.' + +'Then why won't you do it?' + +'Why won't you?' + +'He'll be back before we settle it. Look here! I've a shilling +under my hand. Heads or tails, and the loser has to be rude. Do you +agree?' + +'Very well.' + +'Your call.' + +'Heads.' + +'It's tails.' + +'Oh goodness!' + +'You've got to be rude. Now mind you are. Here he comes.' + +The waiter had come up the room bearing the pride of the hotel, the +grand green Stilton with the beautiful autumn leaf heart shading away +to rich plum-coloured cavities. He placed it on the table with a +solemn air. + +'It's a beautiful Stilton,' Frank remarked. + +Maude tried desperately to be rude. + +'Well, dear, I don't think it is so very beautiful,' was the best +that she could do. + +It was not much, but it had a surprising effect upon the waiter. He +turned and hurried away. + +'There now, you've shocked him?' cried Frank. + +'Where HAS he gone, Frank?' + +'To complain to the management about your language.' + +'No, Frank. Please tell me! Oh, I wish I hadn't been so rude. Here +he is again.' + +'All right. Sit tight,' said Frank. + +A sort of procession was streaming up the hall. There was their fat +waiter in front with a large covered cheese-dish. Behind him was +another with two smaller ones, and a third with some yellow powder +upon a plate was bringing up the rear. + +'This is Gorgonzola, main,' said the waiter, with a severe manner. +'And there's Camembert and Gruyere behind, and powdered Parmesan as +well. I'm sorry that the Stilton don't give satisfaction.' + +Maude helped herself to Gorgonzola and looked very guilty and +uncomfortable. Frank began to laugh. + +'I meant you to be rude to ME, not to the cheese,' said he, when the +procession had withdrawn. + +'I did my best, Frank. I contradicted you.' + +'Oh, it was a shocking display of temper.' + +'And I hurt the poor waiter's feelings.' + +'Yes, you'll have to apologise to his Stilton before he will forgive +you.' + +'And I don't believe he is a bit more convinced that we are veterans +than he was before.' + +'All right, dear; leave him to me. Those reminiscences of mine must +have settled him. If they didn't, then I feel it is hopeless.' + +It was as well for his peace of mind that Frank could not hear the +conversation between the fat waiter and their chambermaid, for whom +he nourished a plethoric attachment. They had half an hour off in +the afternoon, and were comparing notes. + +'Nice-lookin' couple, ain't they, John?' said the maid, with the air +of an expert. 'I don't know as we've 'ad a better since the spring +weddin's.' + +'I don't know as I'd go as far as that,' said the fat waiter +critically. ''E'd pass all right. 'E's an upstandin' young man with +a good sperrit in 'im.' + +'What's wrong with 'er, then?' + +'It's a matter of opinion,' said the waiter. 'I likes 'em a bit more +full-flavoured myself. And as to 'er taste, why there, if you 'ad +seen 'er turn up 'er nose at the Stilton at lunch.' + +'Turn up 'er nose, did she? Well, she seemed to me a very soft- +spoken, obligin' young lady.' + +'So she may be, but they're a queer couple, I tell you. It's as well +they are married at last.' + +'Why?' + +'Because they 'ave been goin' on most owdacious before'and. I 'ave +it from their own lips, and it fairly made me blush to listen to it. +Awful, it was, AWFUL!' + +'You don't say that, John!' + +'I tell you, Jane, I couldn't 'ardly believe my ears. They was +married on Tuesday last, as we know well, and to-day's Times to prove +it, and yet if you'll believe me, they was talkin' about 'ow they 'ad +travelled alone abroad--' + +'Never, John!' + +'And alone in a Swiss 'otel!' + +'My goodness!' + +'And a steamer too.' + +'Well, there! I'll never trust any one again.' + +'Oh, a perfec' pair of scorchers. But I'll let 'im see as I knows +it. I'll put that Times before 'im to-night at dinner as sure as my +name's John.' + +'And a good lesson to them, too! If you didn't say you'd 'eard it +from their own lips, John, I never could 'ave believed it. It's +things like that as shakes your trust in 'uman nature.' + +Maude and Frank were lingering at the table d'hote over their walnuts +and a glass of port wine, when their waiter came softly behind them. + +'Beg pardon, sir, but did you see it in the Times?' + +'See what?' + +'THAT, sir. I thought that it might be of interest to you and to +your good lady to see it.' + +He had laid one page of the paper before them, with his forefinger +upon an item in the left-hand top corner. Then he discreetly +withdrew. Frank stared at it in horror. + +'Maude, your people have gone and put it in.' + +'Our marriage!' + +'Here it is! Listen! "Crosse--Selby. 30th June, at St. Monica's +Church, by the Rev. John Tudwell, M.A., Vicar of St. Monica's, Frank +Crosse, of Maybury Road, Woking, to Maude Selby, eldest daughter of +Robert Selby, Esq., of St. Albans." Great Scot, Maude! what shall we +do?' + +'Well, dear, does it matter?' + +'Matter! It's simply awful!' + +'I don't mind much if they do know.' + +'But my reminiscences, Maude! The travels in the Tyrol! The Swiss +Hotel! The Stateroom! Great goodness, how I have put my foot into +it.' + +Maude burst out laughing. + +'You old dear!' she cried, 'I don't believe you are a bit better as a +conspirator than I am. There's only one thing you can do. Give the +waiter half a crown, tell him the truth, and don't conspire any +more.' + +And so ignominiously ended the attempt which so many have made, and +at which so many have failed. Take warning, gentle reader, and you +also, gentler reader still, when your own turn comes. + + + +CHAPTER VIII--THE HOME-COMING + + + +The days of holiday were over, and for each of them the duties of +life were waiting. For him it was his work, and for her, her +housekeeping. They both welcomed the change, for there was a rush +and a want of privacy about the hotel life which had been amusing at +first, but was now becoming irksome. It was pleasant, as they rolled +out of Waterloo Station that summer night, to know that their cosy +little home was awaiting them just five-and-twenty miles down the +line. They had a first-class carriage to themselves--it is +astonishing how easy it is for two people to fit into one of those +armchair partitions,--and they talked all the way down about their +plans for the future. Golden visions of youth, how they can glorify +even a suburban villa and four hundred a year! They exulted together +over the endless vista of happy days which stretched before them. + +Mrs. Watson, Frank's trusty housekeeper, had been left in charge of +The Lindens, and he had sent her a telegram the evening before to +tell her that they were coming. She had already engaged the two +servants, so everything would be ready for them. They pictured her +waiting at the door, the neat little rooms with all their useful +marriage-presents in their proper places, the lamplight and the snowy +cloth laid for supper in the dining-room. It would be ten o'clock +before they got there, and that supper would be a welcome sight. It +was all delightful to look forward to, and this last journey was the +happiest of all their wanderings. Maude wanted to see her kitchen. +Frank wanted to see his books. Both were eager for the fight. + +But they found a small annoyance waiting for them at Woking. A +crowded train had preceded them, and there was not a single cab left +at the station. Some would be back soon, but nobody could tell when. + +'You don't mind walking, Maude?' + +'I should prefer it.' + +So a friendly porter took charge of their trunks, and promised to +send them up when a conveyance had arrived. In the meantime they +started off together down an ill-lit and ill-kept road, which opened +into that more important thoroughfare in which their own villa was +situated. They walked quickly, full of eager anticipations. + +'It's just past the third lamp-post on the right,' said Frank. 'Now +it's only the second lamp-post. You see it will not be far from the +station. Those windows among the trees are where Hale lives--my best +man, you know! Now it is only one lamp-post!' They quickened their +pace almost to a run, and so arrived at the gate of The Lindens. + +It was a white gate leading into a short path--'carriage sweep' the +house-agent called it,--and so to a low but comfortable-looking +little house. The night was so dark that one could only see its +outline. To their surprise, there was no sign of a light either +above the door or at any of the windows. + +'Well, I'm blessed!' cried Frank. + +'Never mind, dear. They live at the back, no doubt.' + +'But I gave them the hour. This is too bad. I am so sorry.' + +'It will be all the more cosy inside. What a dear little gate this +is! The whole place is perfectly charming.' + +But in spite of her brave attempts at making the best of it, it could +not be denied that this black house was not what they had pictured in +their dreams. Frank strode angrily up the path and pulled at the +bell. There was no answer, so he knocked violently. Then he knocked +with one hand while he rang with the other, but no sound save that of +the clanging bell came from the gloomy house. As they stood +forlornly in front of their own hall-door, a soft rain began to +rustle amidst the bushes. At this climax of their troubles Maude +burst into such a quiet, hearty, irresistible fit of laughter, that +the angry Frank was forced to laugh also. + +'My word, it will be no laughing matter for Mrs. Watson if she cannot +give a good reason for it,' said he. + +'Perhaps the poor woman is ill.' + +'But there should be two other people, the cook and the housemaid. +It is just as well that we did not bring up our trunks, or we should +have had to dump them down in the front garden. You wait here, dear, +under the shelter of the porch, and I will walk round and see if I +can burgle it.' + +He tried the back, but it was as dark as the front, and the kitchen- +door was locked. Then he prowled unhappily in the rain from window +to window. They were all fastened. He came back to the kitchen- +door, poked his stick through the glass which formed the upper panel, +and then putting his hand through the hole, he turned the key, and so +stumbled into the obscurity of his own hall. He passed through it, +unlocked the front door, and received Maude into his open arms. + +'Welcome to your home, my own darling girl. May you never have one +sad hour under this roof! What a dismal home-coming! What can I do +to make amends? But good comes out of evil, you see, for in no other +possible way could I have been inside to welcome you when you +entered.' + +They stayed in the hall in the dark some time, these wet and foolish +young people. Then Frank struck a match, and tried to light the +hall-lamp. There was no oil in it. He muttered something vigorous, +and carried his burning vesta into the dining-room. Two candles were +standing on the sideboard. He lit them both, and things began to +look a little more cheerful. They took a candle each and began to +explore their own deserted house. + +The dining-room was excellent--small, but very snug. The Tantalus +spirit-stand--stood upon the walnut sideboard, and the bronzes from +the cricket-club looked splendid upon each side of the mantelpiece. +Beside the clock in the centre lay an open telegram. Frank seized it +eagerly. + +'There now!' he cried. 'Listen to this. "Expect us on Thursday +evening about ten." It was TUESDAY evening, I said. That's the +telegraphic clerk. We've come two days before our time.' + +It was good to have any sort of explanation, although it left a great +deal unexplained. They passed through the hall with its shining +linoleum, and into the drawing-room. It was not a very good room, +too square for elegance, but they were in no humour for criticism, +and it was charming to see all the old knick-knacks, and the +photographs of friends in their frames. A big wrought-iron and +brass-work standing lamp towered up near the fireplace, but again +there was no oil. + +'I think that Mrs. Watson has arranged it all splendidly,' said +Maude, whose active fingers were already beginning to reconstruct. +'But where can she be?' + +'She must be out, for, of course, she lives in the house. But it is +the absence of the servants which amazes me, for I understood that +they had arrived. What would you like to do?' + +'Aren't you hungry, Frank?' + +'Simply starving.' + +'So am I.' + +'Well, then, let us forage and see if we cannot find something to +eat.' + +So hand in hand, and each with a candle in the other hand, like a +pair of young penitents, they continued their explorations with more +purpose than before. The kitchen, into which they penetrated, had +clearly been much used of late, for there were dirty dishes scattered +about, and the fire had been lighted, though it was now out. In one +corner was what seemed to be a pile of drab-coloured curtains. In +the other, an armchair lay upon its side with legs projecting. A +singular disorder, very alien to Mrs. Watson's habits, pervaded the +apartment. A dresser with a cupboard over it claimed the first +attention of the hungry pair. With a cheer from Frank and hand- +clapping from Maude, they brought out a new loaf of bread, some +butter, some cheese, a tin of cocoa, and a bowl full of eggs. Maude +tied an apron over her pretty russet dress, seized some sticks and +paper, and had a fire crackling in a very few minutes. + +'Put some water in the kettle, Frank.' + +'Here you are! Anything else?' + +'Some in the small saucepan for the eggs.' + +'I believe they are "cookers,"' said he, sniffing at them +suspiciously. + +'Hold them up to the light, sir. There, they are quite bright and +nice. In with them! Now, if you will cut some bread and butter it, +we shall soon have our supper ready.' + +'It's too new to cut,' cried Frank, sawing away upon the kitchen +table. 'Besides, new bread is better in chunks. Here are some +cloths and knives and forks in the dresser drawer. I will go and lay +the table.' + +'And leave me here alone. No please, Frank, if I am cook, you must +be scullery-maid. Get the cups down and put the cocoa in them. What +fun it all is! I think it is simply SPLENDID to be mistress of a +house.' + +'With one scullery-maid.' + +'And she perfectly incompetent, and much given to embracing her +mistress. I must take my hat off. Get the sugar for the cocoa out +of the cupboard. The kettle is singing, so it won't be long. Do you +know, Frank'--she paused, listening, with the egg-saucepan in her +hands. 'There's a dog or something in the room.' + +They had both become aware of a sort of sibilant breathing, and they +looked round them in bewilderment. + +'Where is it?' asked Maude. 'Frank, I believe it's a mouse.' + +'Hope for the best. Don't frighten yourself unnecessarily. I fancy +it comes from under these curtains.' He approached them with his +candle, and was suddenly aware of a boot which was projecting from +them. 'Great Scot!' he cried, 'there's a woman here asleep.' + +Reassured as to the mouse, Maude approached with her saucepan still +clutched in her hand. There could be no doubt either as to the woman +or the sleep. She lay in an untidy heap, her head under the table, +and her figure sprawling. She appeared to be a very large woman. + +'Hullo!' cried Frank, shaking her by the shoulder. 'Hullo, you +there!' + +But the woman slumbered peacefully on. + +'Heh, wake up, wake up!' he shouted, and pulled her up into a sitting +position. But she slept as soundly sitting as lying. + +'The poor thing must be ill,' said Maude. 'O Frank, shall I run for +a doctor?' + +'Wake up, woman, wake up!' Frank yelled, and danced her up and down. +She flopped about like a sawdust doll, with her arms swinging in +front of her. He panted with his exertions, but she was serenely +unconscious. At last he had to lower her on to the floor again, +putting a footstool under her head. + +'It's no go,' said he. 'I can make nothing of her. She will sleep +it off.' + +'You don't mean to say, Frank, that she is--' + +'Indeed I do.' + +'How horrible!' + +'That kettle is boiling now. Suppose we have our supper.' + +'Dear Frank, I could not enjoy my supper with that unfortunate woman +lying there. O Frank, I know that you could not either.' + +'Bless her!' said Frank bitterly, as he gazed at the inert lump. 'I +really don't see why we should put ourselves out for her. She is +quite comfortable.' + +'Oh I couldn't, Frank. It would seem inhuman.' + +'What are we to do, then?' + +'We must put her to bed.' + +'Great heavens!' + +'Yes, dear, it is our duty to put her to bed.' + +'But look here, my dear girl, we must be practical. The woman weighs +half a ton, and the bedrooms are at the top of the house. It's +simply impossible.' + +'Don't you think, Frank, that if you took her head and I took her +feet, we might get her up?' + +'Not up the stair, dear. She is enormous.' + +'Well, then, on to the drawing-room sofa,' said Maude. 'I could have +my supper, if I knew that she was safe upon the sofa.' + +So Frank, seeing that there was no help for it, seized her under the +arms, and Maude took her ankles, and they bore her, bulging but +serene, down the passage. They staggered exhausted into the drawing- +room, and the new sofa groaned beneath the weight. It was a curious +and unsavoury inaugural ceremony. Maude put a rug over the prostrate +form, and they returned to their boiling kettle and their uncooked +eggs. Then they laid the table, and served the supper, and enjoyed +this picnic meal of their own creating as no conventional meal could +ever have been enjoyed. Everything seemed beautiful to the young +wife--the wall-paper, the pictures, the carpet, the rug; but to him, +she was so beautiful in mind, and soul, and body, that her presence +turned the little room into an enchanted chamber. They sat long +together, and marvelled at their own happiness--that pure serene +happiness of mere companionship, which is so much more intimate and +deeper than all the transports of passion. + +But suddenly he sprang from his chair. There was the sound of steps, +of several steps, outside upon the gravel path. Then a key clicked, +and a burst of cold air told them that the door was open. + +'It's agin' the law for me to enter,' said a gruff voice. + +'I tell you she's very strong and violent,' said a second voice, +which Frank recognised as that of Mrs. Watson. 'She chased the maid +out of the house, and I can do nothing with her.' + +'Very sorry, mum, but it's clean agin' the law of England. Give me a +warrant, and in I come. If you will bring her to the doorstep, I +will be answerable for her removal.' + +'She's in the dining-room. I can see the lights,' said Mrs. Watson; +and then, 'Good Lord, Mr. Crosse, what a fright you gave me! Oh dear +me, that you should have come when I was out, and I not expecting you +for another two days yet. Well, now, I shall never forgive myself +for this.' + +But all the mistakes and misfortunes were very quickly explained. +The telegram was the root of the evil. And then the new cook had +proved to be a violent, intermittent drunkard. She had chased the +other maid out of the house, and then, while Mrs. Watson rushed for +the police, she had drunk herself into the stupor in which she had +been found. But now, in the nick of time, the station cab came up +with the luggage, and so the still placidly slumbering culprit was +carried out to it, and sent off in the charge of the policeman. Such +was the first entry of Mr. and Mrs. Crosse into their home at The +Lindens. + + + +CHAPTER IX--LAYING A COURSE + + + +Frank Crosse was a methodical young man--his enemies might sometimes +have called him pedantic,--and he loved to reduce his life to rule +and order. It was one of his peculiarities. But how about this new +life into which he was entering? It took two to draw up the rules +for that. The little two-oared craft who put out upon that voyage +have to lay their own course, each for itself; and all round them, as +they go, they see the floating timbers and broken keels of other +little boats, which had once started out full of hope and confidence. +There are currents and eddies, low sand-banks and sunken reefs, and +happy the crews who see them ahead, and trim their course to avoid +them. Frank brooded over it all. He had seen something of life, for +his years. He was observant and reflective. He had watched his +friends who were happy, and he had watched his friends who were not. +And now, as a result of all this wise cogitation, he sat down at a +table one evening, with a solemn face, and a sheet of foolscap. + +'Now, Maude,' said he, 'I want to have a serious talk.' + +Maude looked up in surprise from the linen which she was marking. + +'Oh dear!' she cried. + +'Why "oh dear"?' + +'There's something wrong?' + +'Nothing in the world.' + +'You looked so solemn, Frank. I thought you had been looking at the +tradesman's books. What is it, dear?' + +'Well, Maude, I have been thinking of married life in general. Don't +you think it would be a good thing if we were to make some +resolutions as to how it should be conducted--some fundamental +principles, as it were?' + +'Oh do, dear, do! What fun it will be!' + +'But it's serious, Maude.' + +'Yes, dear, I am quite serious.' + +'It seemed to me, that if we could reduce it to certain rules, then, +whatever came upon us in the future, we should always know exactly +how to act.' + +'What are the rules, dear?' + +'Well, we can only arrive at them by talking it over between +ourselves. I could not draw up a set of rules, and ask you to submit +to them. That is not my idea of a partnership. But if we found that +we were agreed upon certain points, then we could both adopt them by +mutual consent.' + +'How charming, Frank! Do please tell me some of the points.' + +'I have a few in my mind, and I should like to hear any which you may +have--any ideas, you know, how to get the very highest and best out +of our life. Now, first of all, there is the subject of +quarrelling.' + +'O Frank, how horrid!' + +'Dear girl, we must look into the future. We are going to live all +our lives together. We must foresee and prepare for all the chances +of life.' + +'But that is absurd.' + +'You can't live all your life and never be in a bad temper!' + +'But not with YOU, Frank.' + +'Oh, I can be very aggravating sometimes. Now, my idea is this. +Ill-humour passes and hurts nobody. But if two people are ill- +humoured, then each excites the other, and they say ever so much more +than they mean. Let us make a compact never both to be ill-humoured +at the same time. If YOU are cross, then it is your turn, and I +stand clear. If _I_ am cross, you let me work it off. When either +hoists the danger-signal, the other is on guard. What do you think +of that?' + +'I think you are the funniest old boy--' + +'Do you agree?' + +'Yes, dear, of course I agree.' + +'Article number one,' said Frank, and scribbled upon his paper. + +'Your turn, now.' + +'No, dear, I have not thought of anything.' + +'Well, then, here is another point. Never take each other for +granted.' + +'What do you mean by that?' + +'Never relax those attentions which one lover shows to another. Some +husbands seem to forget that their wives are ladies. Some wives +speak to their husbands with less courtesy and consideration than to +any casual male visitor. They mean no harm, but they get into a +slack way. We must not do that.' + +'I don't think we are likely to.' + +'People get into it unconsciously. Pull me up sharply at the first +sign.' + +'Yes, sir, I will.' + +'The next point that I have noted is an extension of the last. Let +each strive to be worthy of the love of the other. People get +slovenly and slipshoddy, as if it didn't matter now that they were +married. If each were very keen to please the other, that would not +be so. How many women neglect their music after marriage.' + +'My goodness, I haven't practised for a week!' cried Maude. + +'And their dress and their hair'--Maude's hand flew up to her curls. +'My darling, yours is just perfect. But you know how often a woman +grows careless. "He will love me anyhow," she says to herself, and +perhaps she is right, but still it is not as it should be.' + +'Why, Frank, I had no idea you knew so much.' + +'I have heard my friends' experiences.--And the man too: he should +consider his wife's feelings as much as he did his sweetheart's. If +she dislikes smoke, he should not smoke. He should not yawn in her +presence. He should keep himself well-groomed and attractive. Look +at that dirty cuff! I have no business to have it.' + +'As if it could make any difference to me.' + +'There now! That is what is so demoralising. You should stand out +for the highest. When I came to you at St Albans, I had not dirty +cuffs.' + +'You forgive me the music, Frank, and I'll forgive you the cuff. But +I agree to all you say. I think it is so wise and good. Now I've +got something to add.' + +'Good. What is it?' + +'Each should take an interest in the other's department.' + +'Why, of course they should.' + +'But it is not done.' + +'Why naturally, dear, you take an interest in my City work.' + +'Yes, sir, but do you take as keen an interest in my housekeeping?' + +'Perhaps I have been a little thoughtless.' + +'No, no, dear, you haven't. You are always full of consideration. +But I have noticed it with mother, and with others also. The husband +pulls out his cheque-book at the end of the week or month, and he +says, "Well, this is rather more than we can afford," or "This is +less than I expected," but he never really takes any interest in his +wife's efforts to keep things nice on a little. He does not see it +with her eyes and try to realise her difficulties. Oh, I wish I +could express myself better, but I know that the interest is one- +sided.' + +'I think what you say is quite right. I'll try to remember that. +How shall we enter it upon our list?' + +'That Interests should be mutual.' + +'Quite right. I have it down. Well, any more points?' + +'It is your turn.' + +'Well, there is this, and I feel that it is just the holiest thing in +matrimony, and its greatest justification--that love should never +degenerate into softness, that each should consciously stimulate the +better part of the other and discourage the worse, that there should +be a discipline in our life, and that we should brace each other up +to a higher ideal. The love that says, "I know it is wrong, but I +love him or her so much that I can't refuse," is a poor sort of love +for the permanent use of married life. The self-respect which +refuses to let the most lofty ideal of love down by an inch is a far +nobler thing, and it wears better too.' + +'How will you express all that?' + +'Mutual respect is necessary for mutual love.' + +'Yes, I am sure that that is right.' + +'It sounds obvious, but the very intensity of love makes love soft +and blind. Now I have another, which I am convinced that you will +not agree with.' + +'Let me hear it.' + +'I have put it in this way, "The tight cord is the easiest to snap."' + +'What do you mean?' + +'Well, I mean that married couples should give each other a certain +latitude and freedom. If they don't, one or other will sooner or +later chafe at the restriction. It is only human nature, which is an +older and more venerable thing than marriage.' + +'I don't like that at all, Frank.' + +'I feared you wouldn't, dear, but I believe you'll see it with me +when I explain what I mean. If you don't, then I must try to see it +with you. When one talks of freedom in married life, it means, as a +rule, freedom only for the man. He does what he likes, but still +claims to be a strict critic of his wife. That, I am sure, is wrong. +To take an obvious example of what I mean, has a husband a right to +read his wife's letters? Certainly not, any more than she has a +right to read his without his permission. To read them as a matter +of course would be stretching the chain too tight.' + +'Chain is a horrid word, Frank.' + +'Well, it is only a metaphor. Or take the subject of friendships. +Is a married man to be debarred from all friendship and intimacy with +another woman?' + +Maude looked doubtful. + +'I should like to see the woman first,' she said. + +'Or is a married woman to form no friendship with another man who +might interest or improve her? There is such a want of mutual +confidence in such a view. People who are sure of each other should +give each other every freedom in that. If they don't, they are again +stretching it tight.' + +'If they do, it may become so slack that it might as well not be +there at all.' + +'I felt sure that we should have an argument over this. But I have +seen examples. Look at the Wardrops. THERE were a couple who were +never apart. It was their boast that everything was in common with +them. If he was not in, she opened his letters, and he hers. And +then there came a most almighty smash. The tight cord had snapped. +Now, I believe that for some people, it is a most excellent thing +that they should take their holidays at different times.' + +'O Frank!' + +'Yes, I do. No, not for us, by Jove! I am generalising now. But +for some couples, I am sure that it is right. They reconsider each +other from a distance, and they like each other the better.' + +'Yes, but these rules are for our guidance, not for that of other +people.' + +'Quite right, dear. I was off the rails. "As you were," as your +brother Jack would say. But I am afraid that I am not going to +convince you over this point.' + +Maude looked charmingly mutinous. + +'No, Frank, you are not. I don't think marriage can be too close. I +believe that every hope, and thought, and aspiration should be in +common. I could never get as near to your heart and soul as I should +wish to do. I want every year to draw me closer and closer, until we +really are as nearly the same person as it is possible to be upon +earth.' + +When you have to surrender, it is well to do so gracefully. Frank +stooped down and kissed his wife's hand, and apologised. 'The wisdom +of the heart is greater than the wisdom of the brain,' said he. But +the love of man comes from the brain, far more than the love of +woman, and so it is that there will always be some points upon which +they will never quite see alike. + +'Then we scratch out that item.' + +'No, dear. 'Put "The cord which is held tight is the easiest to +snap." That will be all right. The cord of which I speak is never +held at all. The moment it is necessary to hold it, it is of no +value. It must be voluntary, natural, unavoidable.' + +So Frank amended his aphorism. + +'Anything more, dear?' + +'Yes, I have thought of one other,' said she. 'It is that if ever +you had to find fault with me about anything, it should be when we +are alone.' + +'And the same in your case with me. That is excellent. What can be +more vulgar and degrading than a public difference of opinion? +People do it half in fun sometimes, but it is wrong all the same. +Duly entered upon the minutes. Anything else?' + +'Only material things.' + +'Yes, but they count also. Now, in the matter of money, I feel that +every husband should allow his wife a yearly sum of her own, to be +paid over to her, and kept by her, so that she may make her own +arrangements for herself. It is degrading to a woman to have to +apply to her husband every time she wants a sovereign. On the other +hand, if the wife has any money, she should have the spending of it. +If she chooses to spend part of it in helping the establishment, that +is all right, but I am sure that she should have her own separate +account, and her own control of it.' + +'If a woman really loves a man, Frank, how can she grudge him +everything she has? If my little income would take one worry from +your mind, what a joy it would be to me to feel that you were using +it!' + +'Yes, but the man has his self-respect to think of. In a great +crisis one might fall back upon one's wife--since our interests are +the same, but only that could justify it. So much for the wife's +money. Now for the question of housekeeping.' + +'That terrible question!' + +'It is only hard because people try to do so much upon a little. Why +should they try to do so much? The best pleasures of life are +absolutely inexpensive. Books, music, pleasant intimate evenings, +the walk among the heather, the delightful routine of domestic life, +my cricket and my golf--these things cost very little.' + +'But you must eat and drink, Frank. And as to Jemima and the cook, +it is really extraordinary the amount which they consume.' + +'But the tendency is for meals to become much too elaborate. Why +that second vegetable?' + +'There now! I knew that you were going to say something against that +poor vegetable. It costs so little.' + +'On an average, I have no doubt that it costs threepence a day. Come +now, confess that it does. Do you know what threepence a day comes +to in a year? There is no use in having an accountant for a husband, +if you can't get at figures easily. It is four pounds eleven +shillings and threepence.' + +'It does not seem very much.' + +'But for that money, and less, one could become a member of the +London Library, with the right to take out fifteen books at a time, +and all the world's literature to draw from. Now just picture it: +on one side, all the books in the world, all the words of the wise, +and great, and witty; on the other side, a lot of cauliflowers and +vegetable-marrows and French beans. Which is the better bargain?' + +'Good gracious, we shall never have a second vegetable again!' + +'And pudding?' + +'My dear, you always eat the pudding.' + +'I know I do. It seems an obvious thing to do when the pudding is +there in front of me. But if it were not there, I should neither eat +it nor miss it, and I know that you care nothing about it. There +would be another five or six pounds a year.' + +'We'll have a compromise, dear. Second vegetable one day, pudding +the next.' + +'Very good.' + +'I notice that it is always after you have had a substantial meal +that you discuss economy in food. I wonder if you will feel the same +when you come back starving from the City to-morrow? Now, sir, any +other economy?' + +'I don't think money causes happiness. But debt causes unhappiness. +And so we must cut down every expense until we have a reserve fund to +meet any unexpected call. If you see any way in which I could save, +or any money I spend which you think is unjustifiable, I do wish that +you would tell me. I got into careless ways in my bachelor days.' + +'That red golfing-coat.' + +'I know. It was idiotic of me.' + +'Never mind, dear. You look very nice in it. After all, it was only +thirty shillings. Can you show me any extravagance of mine?' + +'Well, dear, I looked at that dressmaker's bill yesterday.' + +'O Frank, it is such a pretty dress, and you said you liked it, and +you have to pay for a good cut, and you said yourself that a wife +must not become dowdy after marriage, and it would have cost double +as much in Regent Street.' + +'I didn't think the dress dear.' + +'What was it, then?' + +'The silk lining of the skirt.' + +'You funny boy!' + +'It cost thirty shillings extra. Now, what can it matter if it is +lined with silk or not?' + +'Oh, doesn't it? Just you try one and see.' + +'But no one can know that it is lined with silk.' + +'When I rustle into a room, dear, every woman in it knows that my +skirt is lined with silk.' + +Frank felt that he had ventured out of his depth, so he struck out +for land again. + +'There's only one economy which I don't think is justifiable,' said +he, 'and that is, to cut down your subscriptions to charities. It is +such a very cheap way of doing things. Not that I do much in that +line--too little, perhaps. But to say that because WE want to +economise, therefore some poor people are to suffer, is a very poor +argument. We must save at our own expense.' + +So now Frank, in his methodical fashion, had all his results +tabulated upon his sheet of foolscap. It was not a very brilliant +production, but it might serve as a chart for the little two-oared +boats until a better one is forthcoming. It ran in this way - + + +Maxims for the Married + +1. Since you ARE married, you may as well make the best of it. + +2. So make some maxims and try to live up to them. + +3. And don't be discouraged if you fail. You WILL fail, but perhaps +you won't always fail. + +4. Never both be cross at the same time. Wait your turn. + +5. Never cease to be lovers. If you cease, some one else may begin. + +6. You were gentleman and lady before you were husband and wife. +Don't forget it. + +7. Keep yourself at your best. It is a compliment to your partner. + +8. Keep your ideal high. You may miss it, but it is better to miss +a high one than to hit a low one. + +9. A blind love is a foolish love. Encourage the best in each +other's nature. + +10. Permanent mutual respect is necessary for a permanent mutual +love. A woman can love without respect, but a man cannot. + +11. The tight cord is the easiest to snap. + +12. Let there be one law for both. + +13. There is only one thing worse than quarrels in public. That is +caresses. + +14. Money is not essential to happiness, but happy people usually +have enough. + +15. So save some. + +16. The easiest way of saving is to do without things. + +17. If you can't, then you had better do without a wife. + +18. The man who respects his wife does not turn her into a +mendicant. Give her a purse of her own. + +19. If you save, save at your own expense. + +20. In all matters of money, prepare always for the worst and hope +for the best. + + +Such was their course as far as this ambitious young couple could lay +it. They may correct it by experience, and improve it by use, but it +is good enough to guide them safely out to sea. + + + +CHAPTER X--CONFESSIONS + + + +'Tell me, Frank, did you ever love any one before me?' + +'How badly trimmed the lamp is to-night!' said he. It was so bad +that he went off instantly into the dining-room to get another. It +was some time before he returned. + +She waited inexorably until he had settled down again. + +'Did you, Frank?' she asked. + +'Did I what?' + +'Ever love any one else?' + +'My dear Maude, what IS the use of asking questions like that?' + +'You said that there were no secrets between us.' + +'No, but there are some things better left alone.' + +'That is what I should call a secret.' + +'Of course, if you make a point of it--' + +'I do.' + +'Well, then, I am ready to answer anything that you ask. But you +must not blame me if you do not like my answers.' + +'Who was she, Frank?' + +'Which?' + +'O Frank, more than one!' + +'I told you that you would not like it.' + +'Oh, I wish I had not asked you!' + +'Then do let us drop it.' + +'No, I can't drop it now, Frank. You have gone too far. You must +tell me everything.' + +'Everything?' + +'Yes, everything, Frank.' + +'I am not sure that I can.' + +'Is it so dreadful as that?' + +'No, there is another reason.' + +'Do tell me, Frank.' + +'There is a good deal of it. You know how a modern poet excused +himself to his wife for all his pre-matrimonial experiences. He said +that he was looking for her.' + +'Well, I do like that!' she cried indignantly. + +'I was looking for you.' + +'You seem to have looked a good deal.' + +'But I found you at last.' + +'I had rather you had found me at first, Frank.' He said something +about supper, but she was not to be turned. + +'How many did you really love?' she asked. 'Please don't joke about +it, Frank. I really want to know.' + +'If I choose to tell you a lie--' + +'But you won't!' + +'No, I won't. I could never feel the same again.' + +'Well, then, how many did you love?' + +'Don't exaggerate what I say, Maude, or take it to heart. You see it +depends upon what you mean by love. There are all sorts and degrees +of love, some just the whim of a moment, and others the passion of a +lifetime; some are founded on mere physical passion, and some on +intellectual sympathy, and some on spiritual affinity.' + +'Which do you love me with?' + +'All three.' + +'Sure?' + +'Perfectly sure.' + +She came over and the cross-examination was interrupted. But in a +few minutes she had settled down to it again. + +'Well, now--the first?' said she. + +'Oh, I can't, Maude--don't.' + +'Come, sir--her name?' + +'No, no, Maude, that is going a little too far. Even to you, I +should never mention another woman's name.' + +'Who was she, then?' + +'Please don't let us go into details. It is perfectly HORRIBLE. Let +me tell things in my own way.' + +She made a little grimace. + +'You are wriggling, sir. But I won't be hard upon you. Tell it your +own way.' + +'Well, in a word, Maude, I was always in love with some one.' + +Her face clouded over. + +'Your love must be very cheap,' said she. + +'It's almost a necessity of existence for a healthy young man who has +imagination and a warm heart. It was all--or nearly all--quite +superficial.' + +'I should think all your love was superficial, if it can come so +easily.' + +'Don't be cross, Maude. I had never seen you at the time. I owed no +duty to you.' + +'You owed a duty to your own self-respect.' + +'There, I knew we should have trouble over it. What do you want to +ask such questions for? I dare say I am a fool to be so frank.' + +She sat for a little with her face quite cold and set. In his inmost +heart Frank was glad that she should be jealous, and he watched her +out of the corner of his eye. + +'Well!' said she at last. + +'Must I go on?' + +'Yes, I may as well hear it.' + +'You'll only be cross.' + +'We've gone too far to stop. And I'm not cross, Frank. Only pained +a little. But I do appreciate your frankness. I had no idea you +were such a--such a Mormon.' She began to laugh. + +'I used to take an interest in every woman.' + +'"Take an interest" is good.' + +'That was how it began. And then if circumstances were favourable +the interest deepened, until at last, naturally--well, you can +understand.' + +'How many did you take an interest in?' + +'Well, in pretty nearly all of them.' + +'And how many deepened?' + +'Oh, I don't know.' + +'Twenty?' + +'Well--rather more than that, I think.' + +'Thirty?' + +'Quite thirty.' + +'Forty?' + +'Not more than forty, I think.' + +Maude sat aghast at the depths of his depravity. + +'Let me see: you are twenty-seven now, so you have loved four women +a year since you were seventeen.' + +'If you reckon it that way,' said Frank, 'I am afraid that it must +have been more than forty.' + +'It's dreadful,' said Maude, and began to cry. + +Frank knelt down in front of her and kissed her hands. She had sweet +little plump hands, very soft and velvety. + +'You make me feel such a brute,' said he. 'Anyhow, I love you now +with all my heart and mind and soul.' + +'Forty-firstly and lastly,' she sobbed, half laughing and half +crying. Then she pulled his hair to reassure him. + +'I can't be angry with you,' said she. 'Besides, it would be +ungenerous to be angry when you tell me things of your own free will. +You are not forced to tell me. It is very honourable of you. But I +do wish you had taken an interest in me first.' + +'Well, it was not so fated. I suppose there are some men who are +quite good when they are bachelors. But I don't believe they are the +best men. They are either archangels upon earth--young Gladstones +and Newmans--or else they are cold, calculating, timid, un-virile +creatures, who will never do any good. The first class must be +splendid. I never met one except in memoirs. The others I don't +want to meet.' + +Women are not interested in generalities. + +'Were they nicer than me?' she asked. + +'Who?' + +'Those forty women.' + +'No, dear, of course not. Why are you laughing?' + +'Well, it came into my head how funny it would be, if the forty were +all gathered into one room, and you were turned loose in the middle +of them.' + +'Funny!' Frank ejaculated. Women have such extraordinary ideas of +humour. Maude laughed until she was quite tired. + +'It doesn't strike you as comic?' she cried at last. + +'No, it doesn't,' he answered coldly. + +'Of course it wouldn't,' said she, and went off into another ripple +of pretty contralto laughter. There is a soft, deep, rich laugh, +which some women have, that is the sweetest sound in Nature. + +'When you have quite finished,' said he huffily. Her jealousy was +much more complimentary than her ridicule. + +'All right now. Don't be cross. If I didn't laugh I should cry. +I'm so sorry if I have annoyed you.' He had gone back to his chair, +so she paid him a flying visit. 'Satisfied?' + +'Not quite.' + +'Now?' + +'All right. I forgive you.' + +'That's funny too. Fancy YOU forgiving ME after all these +confessions. But you never loved one of them all as you love me.' + +'Never.' + +'Swear it.' + +'I do swear it.' + +'Morally, and what do you call it, and the other?' + +'Not one of them.' + +'And never will again?' + +'Never.' + +'Good boy for ever and ever?' + +'For ever and ever.' + +'And the forty were horrid?' + +'No, hang it, Maude, I can't say that.' + +She pouted and hung her head. + +'You do like them better, then?' + +'How absurd you are, Maude! If I had liked one better, I should have +married her.' + +'Well, yes, I suppose you would. You must have taken a deeper +interest in me than in the others, since you married me. I hadn't +thought of that.' + +'Silly old girl! Of course I liked you best. Let us drop the thing, +and never talk about it any more.' + +'Have you their photographs?' + +'No.' + +'None of them?' + +'No.' + +'What did you do with them?' + +'I never had most of them.' + +'And the others?' + +'I destroyed some when I married.' + +'That was nice of you. Aren't you sorry?' + +'No, I thought it was only right.' + +'Were you fondest of dark women or fair?' + +'Oh, I don't know. _I_ was never pernickety in MY tastes. You know +those lines I read you from Henley: "Handsome, ugly--all are women." +That's a bachelor's sentiment.' + +'But do you mean to say, sir--now, you are speaking on your honour, +that out of all these forty, there was not one who was prettier than +I am?' + +'Do let us talk of something else.' + +'And not one as clever?' + +'How absurd you are to-night, Maude!' + +'Come, answer me.' + +'I've answered you already.' + +'I did not hear you.' + +'Oh yes, you did. I said that I had married you, and that shows that +I liked you best. I don't compare you quality for quality against +every one in the world. That would be absurd. What I say is that +your combination of qualities is the one which is most dear to me.' + +'Oh, I see,' said Maude dubiously. 'How nice and frank you are!' + +'Now I've hurt you!' + +'Oh no, not in the least. I like you to be frank. I should hate to +think that there was anything you did not dare to tell me.' + +'And you, Maude--would you be equally frank with me?' + +'Yes, dear, I will. I feel that I owe it to you after your +confidence in me. I have had my little experiences too.' + +'You!' + +'Perhaps you would rather that I said nothing about them. What good +can there be in raking up these old stories?' + +'No, I had rather you told me.' + +'You won't be hurt?' + +'No, no--certainly not.' + +'You may take it from me, Frank, that if any married woman ever tells +her husband that until she saw him she never felt any emotion at the +sight of another man, it is simple nonsense. There may be women of +that sort about, but I never met them. I don't think I should like +them, for they must be dry, cold, unsympathetic, unemotional, +unwomanly creatures.' + +'Maude, you have loved some one else!' + +'I won't deny that I have been interested deeply interested in +several men.' + +'Several!' + +'It was before I had met you, dear. I owed you no duty.' + +'You have loved several men.' + +'The feeling was for the most part quite superficial. There are many +different sorts and degrees of love.' + +'Good God, Maude! How many men inspired this feeling in you?' + +'The truth is, Frank, that a healthy young woman who has imagination +and a warm heart is attracted by every young man. I know that you +wish me to be frank and to return your confidence. But there is a +certain kind of young man with whom I always felt my interest +deepen.' + +'Oh, you did discriminate?' + +'Now you are getting bitter. I will say no more.' + +'You have said too much. You must go on now.' + +'Well, I was only going to say that dark men always had a peculiar +fascination for me. I don't know what it is, but the feeling is +quite overpowering.' + +'Is that why you married a man with flaxen hair?' + +'Well, I couldn't expect to find every quality in my husband, could +I? It would not be reasonable. I assure you, dear, that taking your +tout ensemble, I like you far the best of all. You may not be the +handsomest, and you may not be the cleverest--one cannot expect one's +absolute ideal,--but I love you far, far the best of any. I do hope +I haven't hurt you by anything I have said.' + +'I am sorry I am not your ideal, Maude. It would be absurd to +suppose myself anybody's ideal, but I hoped always that the eyes of +love transfigured an object and made it seem all right. My hair is +past praying for, but if you can point out anything that I can mend-- +' + +'No, no, I want you just as you are. If I hadn't liked you best, I +shouldn't have married you, Frank, should I?' + +'But those other experiences?' + +'Oh, we had better drop them. What good can it possibly do to +discuss my old experiences? It will only annoy you.' + +'Not at all. I honour you for your frankness in speaking out, +although I acknowledge that it is a little unexpected. Go on.' + +'I forget where I was.' + +'You had just remarked that before your marriage you had love-affairs +with a number of men.' + +'How horrid it sounds, doesn't it?' + +'Well, it did strike me in that way.' + +'But that's because you exaggerate what I said. I said that I had +been attracted by several men.' + +'And that dark men thrilled you.' + +'Exactly.' + +'I had hoped that I was the first.' + +'It was not fated to be so. I could easily tell you a lie, Frank, +and say that you were, but I should never forgive myself if I were to +do such a thing. You see I left school at seventeen, and I was +twenty-three when I became engaged to you. There are six years. +Imagine all the dances, picnics, parties, visitings of six years. I +could not help meeting young men continually. A good many were +interested in me, and I--' + +'You were interested in them.' + +'It was natural, Frank.' + +'Oh yes, perfectly natural. And then I understand that the interest +deepened.' + +'Sometimes. When you met a young man who was interested several +times running, at a dance, then in the street, then in the garden, +then a walk home at night--of course your interest began to deepen.' + +'Yes.' + +'And then--' + +'Well, what was the next stage?' + +'Sure you're not angry?' + +'No, no, not at all. Why don't you keep the key in the spirit- +stand?' + +'It might tempt Jemima. Shall I get it?' + +'No, no, go on! The next stage was?' + +'Well, when you have been deeply interested some time, then you begin +to have experiences.' + +'Ah!' + +'Don't shout, Frank.' + +'Did I shout? Never mind. Go on! You had experiences.' + +'Why go into details?' + +'You must go on. You have said too much to stop. I insist upon +hearing the experiences.' + +'Not if you ask for them in that way, Frank.' Maude had a fine +dignity of her own when she liked. + +'Well, I don't insist. I beg you to have confidence in me, and tell +me some of your experiences.' + +She leaned back in her armchair with her eyes half closed, and a +quiet retrospective smile upon her face. + +'Well, if you would really like to hear, Frank, as a proof of my +confidence and trust, I will tell you. You will remember that I had +not seen you at the time.' + +'I will make every excuse.' + +'I will tell you a single experience. It was my first of the sort, +and stands out very clearly in my memory. It all came through my +being left alone with a gentleman who was visiting my mother.' + +'Yes!' + +'Well, we were alone in the room, you understand.' + +'Yes, yes, go on!' + +'And he paid me many little compliments: kept saying how pretty I +was, and that he had never seen a sweeter girl, and so on. You know +what gentlemen would say?' + +'And you?' + +'Oh, I hardly answered him, but of course I was young and +inexperienced, and I could not help being flattered and pleased at +his words. I may have shown him what I felt, for he suddenly--' + +'Kissed you!' + +'Exactly. He kissed me. Don't walk up and down the room, dear. It +fidgets me.' + +'All right. Go on. Don't stop. After this outrage what happened +next?' + +'You really want to know?' + +'I must know. What did you do?' + +'I am so sorry that I ever began, for I can see that it is exciting +you. Light your pipe, dear, and let us talk of something else. It +will only make you cross if I tell you the truth.' + +'I won't be cross. Go on. What did you do?' + +'Well, Frank, since you insist--I kissed him back.' + +'You--you kissed him back!' + +'You'll have Jemima up if you go on like that.' + +'You kissed him back!' + +'Yes, dear; it may be wrong, but I did.' + +'Good God! why did you do that?' + +'Well, I liked him.' + +'A dark man?' + +'Yes, he was dark.' + +'O Maude! Maude! Well, don't stop. What then?' + +'Then he kissed me several times.' + +'Of course he would, if you kissed him. What else could you expect? +And then?' + +'O Frank, I can't.' + +'Go on. I am ready for anything!' + +'Well, do sit down, and don't run about the room. I am only +agitating you.' + +'There, I am sitting. You can see that I am not agitated. For +Heaven's sake, go on!' + +'He asked me if I would sit upon his knee.' + +'Yek!' + +Maude began to laugh. + +'Why, Frank, you are croaking like a frog.' + +'I am glad you think it a laughing matter. Go on! Go on! You +yielded to his very moderate and natural request. You sat upon his +knee.' + +'Well, Frank, I did.' + +'Good heavens!' + +'Don't be so excitable, dear. It was long before I ever saw you.' + +'You mean to sit there and tell me in cold blood that you sat upon +this ruffian's knee!' + +'What else could I do?' + +'What could you do? You could have screamed, you could have rung the +bell, you could have struck him--you could have risen in the dignity +of your insulted womanhood and walked out of the room.' + +'It was not so easy for me to walk out of the room.' + +'He held you?' + +'Yes, he held me.' + +'Oh, if I had been there!' + +'And there was another reason.' + +'What was that?' + +'Well, I wasn't very good at walking at that time. You see, I was +only three years old.' + +Frank sat for a few minutes absorbing it. + +'You little wretch!' he said at last. + +'Oh you dear old goose! I feel so much better.' + +'You horror!' + +'I had to get level with you over my forty predecessors. You old +Bluebeard! But I did harrow you a little--didn't I?' + +'Harrow me! I'm raw all over. It's a nightmare. O Maude, how could +you have the heart?' + +'Oh, it was lovely--beautiful!' + +'It was dreadful.' + +'And how jealous you were! Oh, I AM so glad!' + +'I don't think,' said Frank, as he put his arms round her, 'that I +ever quite realised before--' + +And just then Jemima came in with the tray. + + + +CHAPTER XI--CONCERNING MRS. BEETON + + + +Frank Crosse had only been married some months when he first had +occasion to suspect that his wife had some secret sorrow. There was +a sadness and depression about her at times, for which he was unable +to account. One Saturday afternoon he happened to come home earlier +than he was expected, and entering her bedroom suddenly, he found her +seated in the basket-chair in the window, with a large book upon her +knees. Her face, as she looked up at him with a mixed expression of +joy and of confusion, was stained by recent tears. She put the book +hastily down upon the dressing-stand. + +'Maude, you've been crying.' + +'No, Frank, no!' + +'O Maude, you fibber! Remove those tears instantly.' He knelt down +beside her and helped. 'Better now?' + +'Yes, dearest, I am quite happy.' + +'Tears all gone?' + +'Quite gone.' + +'Well, then, explain!' + +'I didn't mean to tell you, Frank!' She gave the prettiest, most +provocative little wriggles as her secret was drawn from her. 'I +wanted to do it without your knowing. I thought it would be a +surprise for you. But I begin to understand now that my ambition was +much too high. I am not clever enough for it. But it is +disappointing all the same.' + +Frank took the bulky book off the table. It was Mrs. Beeton's Book +of Household Management. The open page was headed, 'General +Observations on the Common Hog,' and underneath was a single large +tear-drop. It had fallen upon a woodcut of the Common Hog, in spite +of which Frank solemnly kissed it, and turned Maude's trouble into +laughter. + +'Now you are all right again. I do hate to see you crying, though +you never look more pretty. But tell me, dear, what was your +ambition?' + +'To know as much as any woman in England about housekeeping. To know +as much as Mrs. Beeton. I wanted to master every page of it, from +the first to the last.' + +'There are 1641 of them,' said Frank, turning them over. + +'I know. I felt that I should be quite old before I had finished. +But the last part, you see, is all about wills, and bequests, and +homeopathy, and things of that kind. We could do it later. It is +the early part that I want to learn now--but it IS so hard.' + +'But why do you wish to do it, Maude?' + +'Because I want you to be as happy as Mr. Beeton.' + +'I'll bet I am.' + +'No, no, you can't be, Frank. It says somewhere here that the +happiness and comfort of the husband depend upon the housekeeping of +the wife. Mrs. Beeton must have been the finest housekeeper in the +world. Therefore, Mr. Beeton must have been the happiest and most +comfortable man. But why should Mr. Beeton be happier and more +comfortable than my Frank? From the hour I read that I determined +that he shouldn't be--and he won't be.' + +'And he isn't.' + +'Oh, you think so. But then you know nothing about it. You think it +right because I do it. But if you were visiting Mrs. Beeton, you +would soon see the difference.' + +'What an awkward trick you have of always sitting in a window,' said +Frank, after an interval. 'I'll swear that the wise Mrs. Beeton +never advocates that--with half a dozen other windows within point- +blank range.' + +'Well, then, you shouldn't do it.' + +'Well, then, you shouldn't be so nice.' + +'You really still think that I am nice?' + +'Fishing!' + +'After all these months?' + +'Nicer and nicer every day.' + +'Not a bit tired?' + +'You blessing! When I am tired of you, I shall be tired of life.' + +'How wonderful it all seems!' + +'Does it not?' + +'To think of that first day at the tennis-party. "I hope you are not +a very good player, Mr. Crosse!"--"No, Miss Selby, but I shall be +happy to make one in a set." That's how we began. And now!' + +'Yes, it is wonderful.' + +'And at dinner afterwards. "Do you like Irving's acting?"--"Yes, I +think that he is a great genius." How formal and precise we were! +And now I sit curling your hair in a bedroom window.' + +'It DOES seem funny. But I suppose, if you come to think of it, +something of the same kind must have happened to one or two people +before.' + +'But never quite like us.' + +'Oh no, never quite like us. But with a kind of family resemblance, +you know. Married people do usually end by knowing each other a +little better than on the first day they met.' + +'What DID you think of me, Frank?' + +'I've told you often.' + +'Well, tell me again.' + +'What's the use when you know?' + +'But I like to hear.' + +'Well, it's just spoiling you.' + +'I love to be spoiled.' + +'Well, then, I thought to myself--If I can only have that woman for +my own, I believe I will do something in life yet. And I also +thought--If I don't get that woman for my own, I will never, never be +the same man again.' + +'Really, Frank, the very first day you saw me?' + +'Yes, the very first day.' + +'And then?' + +'And then, day by day, and week by week, that feeling grew deeper and +stronger, until at last you swallowed up all my other hopes, and +ambitions, and interests. I hardly dare think, Maude, what would +have happened to me if you had refused me.' + +She laughed aloud with delight. + +'How sweet it is to hear you say so! And the wonderful thing is that +you have never seemed disappointed. I always expected that some day +after marriage--not immediately, perhaps, but at the end of a week or +so--you would suddenly give a start, like those poor people who are +hypnotised, and you would say, "Why, I used to think that she was +pretty! I used to think that she was sweet! How could I be so +infatuated over a little, insignificant, ignorant, selfish, +uninteresting--" O Frank, the neighbours will see you?' + +'Well, then, you mustn't provoke me.' + +'What WILL Mrs. Potter think?' + +'You should pull down the blinds before you make speeches of that +sort.' + +'Now do sit quiet and be a good boy.' + +'Well, then, tell me what you thought.' + +'I thought you were a very good tennis-player.' + +'Anything else?' + +'And you talked nicely.' + +'Did I? I never felt such a stick in my life. I was as nervous as a +cat.' + +'That was so delightful. I do hate people who are very cool and +assured. I saw that you were disturbed, and I even thought--' + +'Yes?' + +'Well, I thought that perhaps it was I who disturbed you.' + +'And you liked me?' + +'I was very interested in you.' + +'Well, that is the blessed miracle which I can never get over. You, +with your beauty, and your grace, and your rich father, and every +young man at your feet, and I, a fellow with neither good looks, nor +learning, nor prospects, nor--' + +'Be quiet, sir! Yes, you shall! Now?' + +'By Jove, there IS old Mrs. Potter at the window! We've done it this +time. Let us get back to serious conversation again.' + +'How did we leave it?' + +'It was that hog, I believe. And then Mr. Beeton. But where does +the hog come in? Why should you weep over him? And what are the +Lady's Observations on the Common Hog?' + +'Read them for yourself.' + +Frank read out aloud: '"The hog belongs to the order Mammalia, the +genus sus scrofa, and the species pachydermata, or thick-skinned. +Its generic characters are a long, flexible snout, forty-two teeth, +cloven feet, furnished with four toes, and a tail, which is small, +short, and twisted, while, in some varieties, this appendage is +altogether wanting." --But what on earth has all this to do with +housekeeping?' + +'That's what _I_ want to know. It is so disheartening to have to +remember such things. What does it matter if the hog HAS forty-two +toes. And yet, if Mrs. Beeton knew it, one feels that one ought to +know it also. If once I began to skip, there would be no end to it. +But it really is such a splendid book in other ways. It doesn't +matter what you want, you will find it here. Take the index +anywhere. Cream. If you want cream, it's all there. Croup. If you +want--I mean, if you don't want croup, it will teach you how not to +get it. Crumpets--all about them. Crullers--I'm sure you don't know +what a cruller is, Frank.' + +'No, I don't.' + +'Neither do I. But I could look it up and learn. Here it is-- +paragraph 2847. It is a sort of pancake, you see. That's how you +learn things.' + +Frank Crosse took the book and dropped it. It fell with a sulky thud +upon the floor. + +'Nothing that it can teach you, dear, can ever make up to me if it +makes you cry, and bothers you.--You bloated, pedantic thing!' he +cried, in sudden fury, aiming a kick at the squat volume. 'It is to +you I owe all those sad, tired looks which I have seen upon my wife's +face. I know my enemy now. You pompous, fussy old humbug, I'll kick +the red cover off you!' + +But Maude snatched it up, and gathered it to her bosom. 'No, no, +Frank, I don't know what I should do without it. You have no idea +what a wise old book it is. Now, sit there on the footstool at my +feet, and I will read to you.' + +'Do, dear; it's delightful.' + +'Sit quiet, then, and be good. Now listen to this pearl of wisdom: +"As with the commander of an army, so it is with the mistress of a +house. Her spirit will be seen through the whole establishment, and, +just in proportion as she performs her duties thoroughly, so will her +domestics follow in her path."' + +'From which it follows,' said her husband, 'that Jemima must be a +perfect paragon.' + +'On the contrary, it explains all Jemima's shortcomings. Listen to +this: "Early rising is one of the most essential qualities. When a +mistress is an early riser, it is almost certain that her house will +be orderly and well managed."' + +'Well, you are down at nine--what more do you want?' + +'At nine! I am sure that Mrs. Beeton was always up at six.' + +'I have my doubts about Mrs. B. Methinks the lady doth protest too +much. I should not be very much surprised to learn that she had +breakfast in bed every morning.' + +'O Frank! You have no reverence for anything.' + +'Let us have some more wisdom.' + +'"Frugality and Economy are home virtues without which no household +can prosper. Dr. Johnson says, 'Frugality may be termed--'" + +'Oh, bother Dr. Johnson! Who cares for a man's opinion. Now, if it +had been Mrs. Johnson--!' + +'Johnson kept house for himself for years--and a queer job he made of +it.' + +'So I should think.' Maude tossed her pretty curls. 'Mrs. Beeton is +all right, but I will not be lectured by Dr. Johnson. Where was I? +Oh yes--"'We must always remember that to manage a little well, is a +great merit in housekeeping."' + +'Hurrah! Down with the second vegetable! No pudding on fish days. +Vive la biere de Pilsen!' + +'What a noisy boy you are!' + +'This book excites me. Anything more?' + +"Friendships should not be hastily formed, nor the heart given at +once to every newcomer--"' + +'Well, I should hope not! Don't let me catch you at it! You don't +mind my cigarette? Has Mrs. Beeton a paragraph about smoking in +bedrooms?' + +'Such an enormity never occurred to her as a remote possibility. If +she had known you, dear, she would have had to write an appendix to +her book to meet all the new problems which you would suggest. Shall +I go on?' + +'Please do!' + +'She next treats conversation. "In conversation, trifling +occurrences such as small disappointments, petty annoyances, and +other everyday incidents, should never be mentioned to friends. If +the mistress be a wife, never let a word in connection with her +husband's failings pass her lips--"' + +'By Jove, this book has more wisdom to the square inch than any work +of man,' cried Frank, in enthusiasm. + +'I thought that would please you. "Good temper should be cultivated +by every mistress, as upon it the welfare of the household may be +said to turn."' + +'Excellent!' + +'"In starting a household, it is always best in the long-run to get +the very best articles of their kind."' + +'That is why I got you, Maude.' + +'Thank you, sir. We have a dissertation then upon dress and fashion, +another upon engaging domestics, another about daily duties, another +about visiting, another about fresh air and exercise--' + +'The most essential of any,' cried Frank, jumping up, and pulling his +wife by the arms out of her low wicker-chair. 'There is just time +for nine holes at golf before it is dark, if you wilt come exactly as +you are. But listen to this, young lady. If ever again I see you +fretting or troubling yourself about your household affairs--' + +'No, no, Frank, I won't!' + +'Well, if you do, Mrs. Beeton goes into the kitchen-fire. Now +remember?' + +'You are sure you don't envy Mr. Beeton?' + +'I don't envy a man upon earth.' + +'Then why should I try to be Mrs. Beeton?' + +'Why indeed?' + +'O Frank, what a load off my mind! Those sixteen hundred pages have +just lain upon it for months. Dear old boy! come on!' + +And they clattered downstairs for their golf-clubs. + + + +CHAPTER XII--MR. SAMUEL PEPYS + + + +There were few things which Maude liked so much as a long winter +evening when Frank and she dined together, and then sat beside the +fire and made good cheer. It would be an exaggeration to say that +she preferred it to a dance, but next to that supreme joy, and higher +even than the theatre in her scale of pleasures, were those serene +and intimate evenings when they talked at their will, and were silent +at their will, within their home brightened by those little jokes and +endearments and allusions which make up that inner domestic masonry +which is close-tiled for ever to the outsider. Five or six evenings +a week, she with her sewing and Frank with his book, settled down to +such enjoyment as men go to the ends of the earth to seek, while it +awaits them, if they will but atune their souls to sympathy, beside +their own hearthstones. Now and again their sweet calm would be +broken by a ring at the bell, when some friend of Frank's would come +round to pay them an evening visit. At the sound Maude would say +'bother,' and Frank something shorter and stronger, but, as the +intruder appeared, they would both break into, 'Well, really now it +WAS good of you to drop in upon us in this homely way.' Without such +hypocrisy, the world would be a hard place to live in. + +I may have mentioned somewhere that Frank had a catholic taste in +literature. Upon a shelf in their bedroom--a relic of his bachelor +days--there stood a small line of his intimate books, the books which +filled all the chinks of his life when no new books were forthcoming. +They were all volumes which he had read in his youth, and many times +since, until they had become the very tie-beams of his mind. His +tastes were healthy and obvious without being fine. Macaulay's +Essays, Holmes' Autocrat, Gibbons' History, Jefferies' Story of my +Heart, Carlyle's Life, Pepys' Diary, and Borrow's Lavengro were among +his inner circle of literary friends. The sturdy East Anglian, half +prize-fighter, half missionary, was a particular favourite of his, +and so was the garrulous Secretary of the Navy. One day it struck +him that it would be a pleasant thing to induce his wife to share his +enthusiasms, and he suggested that the evenings should be spent in +reading selections from these old friends of his. Maude was +delighted. If he had proposed to read the rig-vedas in the original +Sanskrit, Maude would have listened with a smiling face. It is in +such trifles that a woman's love is more than a man's. + +That night Frank came downstairs with a thick well-thumbed volume in +his hand. + +'This is Mr. Pepys,' said he solemnly. + +'What a funny name!' cried Maude. 'It makes me think of indigestion. +Why? Oh yes, pepsine, of course.' + +'We shall take a dose of him every night after dinner to complete the +resemblance. But seriously, dear, I think that now that we have +taken up a course of reading, we should try to approach it in a grave +spirit, and endeavour to realise--Oh, I say, don't!' + +'I AM so sorry, dear! I do hope I didn't hurt, you!' + +'You did--considerably.' + +'It all came from my having the needle in my hand at the time--and +you looked so solemn--and--well, I couldn't help it.' + +'Little wretch--!' + +'No, dear; Jemima may come in any moment with the coffee. Now, do +sit down and read about Mr Pepys to me. And first of all, would you +mind explaining all about the gentleman, from the beginning, and +taking nothing for granted, just as if I had never heard of him +before.' + +'I don't believe--' + +'Never mind, sir! Be a good boy and do exactly what you are told. +Now begin!' + +'Well, Maude, Mr. Pepys was born--' + +'What was his first name?' + +'Samuel.' + +'Oh dear, I'm sure I should not have liked him.' + +'Well, it's too late to change that. He was born--I could see by +looking, but it really doesn't matter, does it? He was born +somewhere in sixteen hundred and something or other, and I forget +what his father was.' + +'I must try to remember what you tell me.' + +'Well, it all amounts to this, that he got on very well in the world, +that he became at last a high official of the navy in the time of +Charles the Second, and that he died in fairly good circumstances, +and left his library, which was a fine one, to one of the +universities, I can't remember which.' + +'There is an accuracy about your information, Frank--' + +'I know, dear, but it really does not matter. All this has nothing +to do with the main question.' + +'Go on, then!' + +'Well, this library was left as a kind of dust-catcher, as such +libraries are, until one day, more than a hundred years after the old +boy's death, some enterprising person seems to have examined his +books, and he found a number of volumes of writing which were all in +cipher, so that no one could make head or tail of them.' + +'Dear me, how very interesting!' + +'Yes, it naturally excited curiosity. Why should a man write volumes +of cipher? Imagine the labour of it! So some one set to work to +solve the cipher. This was about the year 1820. After three years +they succeeded.' + +'How in the world did they do it?' + +'Well, they say that human ingenuity never yet invented a cipher +which human ingenuity could not also solve. Anyhow, they did +succeed. And when they had done so, and copied it all out clean, +they found they had got hold of such a book as was never heard of +before in the whole history of literature.' + +Maude laid her sewing on her lap, and looked across with her lips +parted and her eyebrows raised. + +'They found that it was an inner Diary of the life of this man, with +all his impressions, and all his doings, and all his thoughts--not +his ought-to-be thoughts, but his real, real thoughts, just as he +thought then at the back of his soul. You see this man, and you know +him very much better than his own wife knew him. It is not only that +he tells of his daily doings, and gives us such an intimate picture +of life in those days, as could by no other means have been conveyed, +but it is as a piece of psychology that the thing is so valuable. +Remember the dignity of the man, a high government official, an +orator, a writer, a patron of learning, and here you have the other +side, the little thoughts, the mean ideas which may lurk under a +bewigged head, and behind a solemn countenance. Not that he is worse +than any of us. Not a bit. But he is frank. And that is why the +book is really a consoling one, for every sinner who reads it can say +to himself, "Well, if this man who did so well, and was so esteemed, +felt like this, it is no very great wonder that I do."' + +Maude looked at the fat brown book with curiosity. 'Is it really all +there?' she asked. + +'No, dear, it will never all be published. A good deal of it is, I +believe, quite impossible. And when he came to the impossible +places, he doubled and trebled his cipher, so as to make sure that it +should never be made out. But all that is usually published is +here.' Frank turned over the leaves, which were marked here and +there with pencilings. + +'Why are you smiling, Frank?' + +'Only at his way of referring to his wife.' + +'Oh, he was married?' + +'Yes, to a very charming girl. She must have been a sweet creature. +He married her at fifteen on account of her beauty. He had a keen +eye for beauty had old Pepys.' + +'Were they happy?' + +'Oh yes, fairly so. She was only twenty-nine when she died!' + +'Poor girl!' + +'She was happy in her life--though he DID blacken her eye once.' + +'Not really?' + +'Yes, he did. And kicked the housemaid.' + +'Oh, the brute!' + +'But on the whole he was a good husband. He had a few very good +points about him.' + +'But how does he allude to his wife?' + +'He has a trick of saying, "my wife, poor wretch!"' + +'Impertinent! Frank, you said to-night that other men think what +this odious Mr. Pepys says. Yes, you did! Don't deny it! Does that +mean that you always think of me as "poor wretch"?' + +'We have come along a little since then. But how these passages take +you back to the homely life of those days!' + +'Do read some.' + +'Well, listen to this, "And then to bed without prayers, to-morrow +being washing-day." Fancy such a detail coming down to us through +two centuries.' + +'Why no prayers?' + +'I don't know. I suppose they had to get up early on washing-days, +and so they wanted to go to sleep soon.' + +'I'm afraid, dear, you do the same without as good an excuse. Read +another!' + +'He goes to dine with some one--his uncle, I think. He says, "An +excellent dinner, but the venison pasty was palpable beef, which was +not handsome."' + +'How beautiful! Mrs. Hunt Mortimer's sole last week was palpable +plaice. Mr. Pepys is right. It was not handsome.' + +'Here's another grand entry: "Talked with my wife of the poorness +and meanness of all that the people about us do, compared with what +we do." I dare say he was right, for they did things very well. +When he dined out, he says that his host gave him "the meanest dinner +of beef, shoulder and umbles of venison, and a few pigeons, and all +in the meanest manner that ever I did see, to the basest degree." + +'What are umbles, dear?' + +'I have no idea.' + +'Well, whatever they are, it sounds to me a very good dinner. People +must have lived very well in those days.' + +'They habitually over-ate and over-drank themselves. But Pepys gives +us the menu of one of his own entertainments. I've marked it +somewhere. Yes, here it is. "Fricassee of rabbits and chickens, a +leg of mutton boiled, three carps in a dish, a great dish of a side +of lamb, a dish of roasted pigeons, a dish of four lobsters, three +tarts, a lamprey pie (a most rare pie!), a dish of anchovies, good +wine of several sorts, and all things mighty noble and to my great +content."' + +'Good gracious! I told you that I associated him with indigestion.' + +'He did them pretty well that time.' + +'Who cooked all this?' + +'The wife helped in those days.' + +'No wonder she died at twenty-nine. Poor dear! What a splendid +kitchen-range they must have had! I never understood before why they +had such enormous grates in the old days. Naturally, if you have six +pigeons, and a lamprey, and a lobster, and a side of lamb, and a leg +of mutton, and all these other things cooking at the same time, you +would need a huge fire.' + +'The wonderful thing about Pepys,' said Frank, looking thoughtfully +over the pages, 'is that he is capable of noting down the mean little +impulses of human nature, which most men would be so ashamed of, that +they would hasten to put them out of their mind. His occasional +shabbiness in money matters, his jealousies, his envies, all his +petty faults, which are despicable on account of their pettiness. +Fancy any man writing this. He is describing how he visited a friend +and was reading a book from his library. "A very good book," says +he, "especially one letter of advice to a courtier, most true and +good, which made me once resolve to tear out the two leaves that it +was writ in, but I forbore it." Imagine recording such a vile +thought.' + +'But what you have never explained to me yet, dear, or if you did, I +didn't understand--you don't mind my being a little stupid, do you?-- +is, what object Mr. Pepys had in putting down all this in such a form +that no one could read it.' + +'Well, you must bear in mind, dear, that he could read it himself. +Besides he was a fellow with a singularly methodical side to his +mind. He was, for example, continually adding up how much money he +had, or cataloguing and indexing his library, and so on. He liked to +have everything shipshape. And so with his life, it pleased him to +have an exact record which he could turn to. And yet, after all, I +don't know that that is a sufficient explanation.' + +'No, indeed, it is not. My experience of man--' + +'YOUR experience, indeed!' + +'Yes, sir, my experience of men--how rude you are, Frank!--tells me +that they have funny little tricks and vanities which take the +queerest shapes.' + +'Indeed! Have I any?' + +'You--you are compounded of them. Not vanity--no, I don't mean that. +But pride--you are as proud as Lucifer, and much too proud to show +it. That is the most subtle form of pride. Oh yes, I know perfectly +well what I mean. But in this man's case, it took the form of +wishing to make a sensation after his death. He could not publish +such a thing when he lived, could he?' + +'Rather not.' + +'Well, then, he had to do it after his death. He had to write it in +cipher, or else some one would have found him out during his +lifetime. But, very likely, he left a key to the cipher, so that +every one might read it when he was gone, but the key and his +directions were in some way lost.' + +'Well, it is very probable.' + +The fire had died down, so Maude shipped off her chair, and sat on +the black fur rug, with her back against Frank's knees. 'Now, dear, +read away!' said she. + +But the lamp shone down upon her dainty head, and it gleamed upon her +white neck, and upon the fluffy, capricious, untidy, adorable, little +curlets, which broke out along the edges of the gathered strands of +her chestnut hair. And so, after the fashion of men, his thoughts +flew away from Mr. Pepys and the seventeenth century, and all that is +lofty and instructive, and could fix upon nothing except those dear +little wandering tendrils, and the white column on which they twined. +Alas, that so small a thing can bring the human mind from its +empyrean flights! Alas, that vague emotions can drag down the +sovereign intellect! Alas, that even for an hour, a man should +prefer the material to the spiritual! + +But the man who doesn't misses a good deal. + + + +CHAPTER XIII--A VISIT TO MR. SAMUEL PEPYS + + + +There are several unjustifiable extravagances which every normal man +commits. There are also several unjustifiable economies. Among +others, there is that absurd eagerness to save the striking of a +second match, which occasions so many burned fingers, and such +picturesque language. And again, there is the desire to compress a +telegraphic message into the minimum sixpennyworth, and so send an +ambiguous and cryptic sentence, when sevenpence would have made it as +clear as light. We all tend to be stylists in our telegrams. + +A week after the conversation about Mr. Pepys, when some progress had +been made with the reading of the Diary, Maude received the following +wire from Frank - + + +'Mrs. Crosse. Woking.--Pepys buttered toast suede gloves four +Monument wait late.' + +As a sixpennyworth it was a success, but as a message it seemed to +leave something to be desired. Maude puzzled over it, and tried +every possible combination of the words. The nearest approach to +sense was when it was divided in this way--Pepys--buttered toast-- +suede gloves--four--Monument, wait late. + +She wrote it out in this form, and took it section by section. +'Pepys,' that was unintelligible. 'Buttered toast,' no sense in +that. 'Suede gloves,' yes, she had told Frank that when she came to +town, she would buy some suede gloves at a certain shop in the City, +where she could get for three and threepence a pair which would cost +her three and ninepence in Woking. Maude was so conscientiously +economical, that she was always prepared to spend two shillings in +railway fares to reach a spot where a sixpence was to be saved, and +to lavish her nerve and energy freely in the venture. Here, then, in +the suede gloves, was a central point of light. And then her heart +bounded with joy, as she realised that the last part could only mean +that she was to meet Frank at the Monument at four, and that she was +to wait for him if he were late. + +So, now, returning to the opening of the message, with the light +which shone from the ending, she realised that buttered toast might +refer to a queer little City hostel, remarkable for that luxury, +where Frank had already taken her twice to tea. And so leaving Mr. +Pepys to explain himself later, Maude gave hurried orders to Jemima +and the cook, and dashed upstairs to put on her new fawn-coloured +walking-dress--a garment which filled her with an extraordinary +mixture of delight and remorse, for it was very smart, cost seven +guineas, and had not yet been paid for. + +The rendezvous was evidently a sudden thought upon the part of Frank, +for he had left very little time for her to reach the trysting-place. +However, she was fortunate in catching a train to Waterloo, and +another thence to the City, and so reached the Monument at five +minutes to four. The hour was just striking when Frank, with his +well-brushed top-hat and immaculate business frock-coat, came rushing +from the direction of King William Street. Maude held out her hand +and he shook it, and then they both laughed at the formality. + +'I am so glad you were able to come, dearest. How you do brighten up +the old City!' + +'Do I? I felt quite lonely until you came. Nothing but droves of +men--and all staring.' + +'It's your dress.' + +'Oh, thank you, sir!' + +'Entirely that pretty brown--' + +'Brown! Fawn colour.' + +'Well, that's brown. Anyhow, it looks charming. And so do you--by +Jove you do, Maude! Come this way!' + +'Where are we going?' + +'By underground. Here we are.--Two second singles, Mark Lane, +please!--No, that's for the west-end trains. Down here! Next train, +the man says.' + +They were in the mephitic cellar, with the two long wooden platforms +where the subterranean trains land or load their freights. A +strangling gas tickled their throats and set them coughing. It was +all dank and dark and gloomy. But little youth and love care for +that! They were bubbling over with the happiness of this abnormal +meeting. Both talked together in their delight, and Maude patted +Frank's sleeve with every remark. They could even illuminate all +that was around them, by the beauty and brightness of their own love. +It went the length of open praise for their abominable surroundings. + +'Isn't it grand and solemn?' said Maude. 'Look at the black +shadows.' + +'When they come to excavate all this some thousands of years hence, +they will think it was constructed by a race of giants,' Frank +answered. + +'The modern works for the benefit of the community are really far +greater than those which sprang from the caprice of kings. The +London and North-Western Railway is an infinitely grander thing than +the pyramids. Look at the two headlights in the dark!' + +Two sullen crimson discs glowed in the black arch of the tunnel. +With a menacing and sinister speed, they grew and grew until roaring +they sprang out of the darkness, and the long, dingy train, with a +whining of brakes, drew up at the platform. + +'Here's one nearly empty,' said Frank, with his hand on the handle. + +'Don't you think--' said Maude. + +'Yes, I do,' cried Frank. + +And they got into one which was quite empty. For the underground +railway is blessed as regards privacy above all other lines, and +where could a loving couple be more happy, who have been torn apart +by cruel fate for seven long hours or so? It was with a groan that +Frank remarked that they had reached Mark Lane. + +'Bother!' said Maude, and wondered if there were any shop near where +she could buy hairpins. As every lady knows, or will know, there is +a very intimate connection between hairpins and a loving husband. + +'Now, Frank, about your telegram.' + +'All right, dear. Come along where I lead you, and you will +understand all about it.' + +They passed out of Mark Lane Station and down a steep and narrow +street to the right. At the bottom lay an old smoke-stained church +with a square tower, and a small open churchyard beside it. + +'That's the church of Saint Olave,' said Frank. 'We are going into +it.' + +He pushed open a folding oaken door, and they found themselves inside +it. Rows of modern seats filled the body of it, but the walls and +windows gave an impression of great antiquity. The stained glass-- +especially that which surmounted the altar--contained those rich +satisfying purples and deep deep crimsons which only go with age. It +was a bright and yet a mellow light, falling in patches of vivid +colour upon the brown woodwork and the grey floors. Here and there +upon the walls were marble inscriptions in the Latin tongue, with +pompous allegorical figures with trumpets, for our ancestors blew +them in stone as well as in epitaphs over their tombs. They loved to +die, as they had lived, with dignity and with affectation. White +statues glimmered in the shadows of the corners. As Frank and his +wife passed down the side-aisle, their steps clanged through the +empty and silent church. + +'Here he is!' said Frank, and faced to the wall. + +He was looking up at the modern representation of a gentleman in a +full and curly wig. It was a well-rounded and comely face, with +shrewd eyes and a sensitive mouth. The face of a man of affairs, and +a good fellow, with just that saving touch of sensuality about it +which makes an expression human and lovable. Underneath was printed +- + + +SAMUEL PEPYS +Erected by public subscription +1883. + + +'Oh, isn't he nice?' said Maude. + +'He's not a bad-looking chap, is he?' + +'I don't believe that man ever could have struck his wife or kicked +the maid.' + +'That's calling him a liar.' + +'Oh dear, I forgot that he said so himself. Then I suppose he must +have done it. What a pity it seems.' + +'Cheer up! We must say what the old heathen lady said when they read +the gospels to her.' + +'What did she say?' + +'She said, "Well, it was a long time ago, and we'll hope that it +wasn't true!"' + +'O Frank, how can you tell such stories in a church. Do you really +suppose that Mr. Pepys is in that wall?' + +'I presume that the monument marks the grave.' + +'There's a little bit of plaster loose. Do you think I might take +it?' + +'It isn't quite the thing.' + +'But it can't matter, and it isn't wrong, and we are quite alone.' +She picked off the little flake of plaster, and her heart sprang into +her mouth as she did so, for there came an indignant snort from her +very elbow, and there was a queer little smoke-dried, black-dressed +person who seemed to have risen, like the Eastern genii or a modern +genius, in a single instant. A pair of black list slippers explained +the silence of his approach. + +'Put that back, young lady,' said he severely. + +Poor Maude held out her guilty relic on the palm of her hand. 'I am +so sorry,' said she. 'I am afraid I cannot put it back.' + +'We'll 'ave the 'ole church picked to pieces at this rate,' said the +clerk. 'You shouldn't 'ave done it, and it was very wrong.' He +snorted and shook his head. + +'It's of no consequence,' said Frank. 'The plaster was hanging, and +must have fallen in any case. Don't make a fuss about a trifle.' + +The clerk looked at the young gentleman and saw defiance in one of +his eyes and half a crown in the other. + +'Well, well!' he grumbled. 'It shows as the young lady takes an +interest, and that's more than most. Why, sir, if you'll believe me, +there's not one in a hundred that comes to this church that ever +'eard of Pepys. "Pepys!" says they. "'Oo's Pepys?" "The Diarist," +says I. "Diarist!" says they, "wot's a Diarist?" I could sit down +sometimes an' cry. But maybe, miss, you thought as you were picking +that plaster off 'is grave?' + +'Yes, I thought so.' + +The clerk chuckled. + +'Well, it ain't so. I'll tell you where 'e really lies, if you'll +promise you won't pick another chunk off that. Well, then, it's +there--beside the communion. I saw 'im lyin' there with these very +eyes, and 'is wife in the coffin beneath 'im.' + +'You saw him?' + +'Yes, sir, I saw 'im, an' that's more than any livin' man could say, +for there were only four of us, and the other three are as dead as +Pepys by now.' + +'Oh do tell us about it!' cried Maude. + +'Well, it was like this, miss. We 'ad to examine to see 'ow much +room there was down there, and so we came upon them.' + +'And what did you see?' + +'Well, miss, 'is coffin lay above, and 'is wife's below, as might be +expected, seeing that she died thirty years or so before 'im. The +coffins was very much broken, an' we could see 'im as clear us I can +see you. When we first looked in I saw 'im lying quite plain--a +short thick figure of a man--with 'is 'ands across 'is chest. And +then, just as we looked at 'im, 'e crumbled in, as you might say, +across 'is breast bone, an' just quietly settled down into a 'uddle +of dust. It's a way they 'as when the fresh air strikes 'em. An' +she the same, an' 'is dust just fell through the chinks o' the wood +and mixed itself with 'ers.' + +'O Frank!' Maude's ready tears sprang to her eyes. She put her hand +upon her husband's and was surprised to find how cold it was. Women +never realise that the male sex is the more sensitive. He had not +said, 'O Maude!' because he could not. + +'They used some powder like pepper for embalmin' in those days,' said +the clerk. 'And the vicar--it was in old Bellamy's time--'e took a +sniff into the grave, an' 'e sneezed an' sneezed till we thought we +should 'ave to fetch a doctor. 'Ave you seen Mrs. Pepys' tomb?' + +'No, we have only just come.' + +'That's it on the left of the common.' + +'With the woman leaning forward?' + +'Yes, sir. That's Mrs. Pepys herself.' + +It was an arch laughing face, the face of a quite young woman; the +sculptor had depicted her as leaning forward in an animated and +natural attitude. Below was engraved - + + +Obiit +Xo Novembris +AEtatis 29 +Conjugii 15 +Anno Domini 1669. + + +'Poor dear!' whispered Maude. + +'It was hard that she should die just as her husband was becoming +famous and successful,' said Frank. 'She who had washed his shirts, +and made up the coal fires, when they lived in a garret together. +What a pity that she could not have a good time!' + +'Ah well, if she loved him, dear, she had a good time in the garret.' + +Maude was leaning forward with her face raised to look at the bust of +the dead woman, which also leaned forward as if to look down upon +her. A pair of marble skulls flanked the lady's grave. A red glow +from the evening sun struck through a side-window and bathed the +whole group in its ruddy light. As Frank, standing back in the +shadow, ran his eyes from the face of the dead young wife to that of +his own sweet, girlish bride, with those sinister skulls between, +there came over him like a wave, a realisation of the horror which +lies in things, the grim close of the passing pageant, the black +gloom, which swallows up the never-ending stream of life. Will the +spirit wear better than the body; and if not, what infernal practical +joke is this to which we are subjected! + +'It will. It must,' he said. + +'WHY, Frank--Frank dear, what is the matter? You are quite pale.' + +'Come out into the air, Maude. I have had enough of this stuffy old +church.' + +'Stuffy!' said the clerk. 'Well, we've 'ad the Lord Mayor 'ere at +least once a year, an' 'e never found it stuffy. A cleaner, fresher +church you won't find in the city of London. It's 'ad its day, I'll +allow. There was a time--and I can remember it--when folk used to +spend their money where they made it, and the plate would be full of +paper and gold, where now we find it 'ard enough to get coppers. +That was fifty year ago, when I was a young clerk. You might not +think it, but I've seen a Lord Mayor, a past Lord Mayor, and a Lord +Mayor elect of the city of London, all sitting on one bench in this +very church. And YOU call it stuffy!' + +Frank soothed the wounded feelings of the old clerk, and explained +that by stuffy he meant interesting. He also shook hands with him in +a peculiar way as he held his palm upturned in the small of his back. +Then Maude and he retraced their steps up the narrow street which is +called Seething Lane. + +'Poor old boy! What was it, then?' asked Maude, looking up with her +sympathetic eyes. It is at such moments that a man realises what the +companionship of women means. The clouds melted before the sun. + +'What an ass I was! I began to think of all sorts of horrible +things. Never mind, Maude! We are out for a holiday. Hang the +future! Let us live in the present.' + +'I always do,' said Maude, and she spoke for her sex. + +'Well, what now? Buttered toast or suede gloves?' + +'Business first!' said Maude primly, and so proceeded to save her +sixpence on the gloves. As she was tempted, however ('such a civil +obliging shopman, Frank!'), to buy four yards of so-called Astrakhan +trimming, a frill of torchon lace, six dear little festooned +handkerchiefs, and four pairs of open-work stockings--none of which +were contemplated when she entered the shop--her sixpenny saving was +not as brilliant a piece of finance as she imagined. + +And then they finished their excursion in the dark, wainscotted, low- +ceilinged coffee-room of an old-fashioned inn, once the mother of +many coaches, and now barren and deserted, but with a strange cunning +in the matter of buttered toast which had come down from more +prosperous days. It was a new waiter who served them, and he +imagined them to be lovers and scented an intrigue; but when they +called for a second plate of toast and a jug of boiling water, he +recognised the healthy appetite of the married. And then, instead of +going home like a good little couple, Maude suddenly got it into her +head that it would cheer away the last traces of Frank's gloom if +they went to see 'Charley's Aunt' at the Globe. So they loitered and +shopped for a couple of hours, and then squeezed into the back of the +pit; and wedged in among honest, hearty folk who were not ashamed to +show their emotions, they laughed until they were tired. And so +home, as their friend Pepys would have said, after such a day as +comes into the memory, shining golden among the drab, when old folk +look back, and think of the dear dead past. May you and I, reader, +if ever we also come to sit in our final armchairs in the chimney +corners, have many such to which our minds may turn, sweet and +innocent and fragrant, to cheer us in those darksome hours to come. + + + +CHAPTER XIV--TROUBLE + + + +One evening Frank came home with a clouded face. His wife said +nothing, but after dinner she sat on a footstool beside his chair and +waited. She knew that if it were for the best, he would tell her +everything, and she had confidence enough in his judgment to +acquiesce in his silence if he thought it best to be silent. As a +matter of fact, it was just this telling her which made his trouble +hard to bear. And yet he thought it wiser to tell. + +'I've had something to worry me, dear.' + +'Poor old boy, I know you have. What was it?' + +'Why should I bother you with it?' + +'A nice wife I should be, if I shared all your joys and none of your +sorrows! Anyhow, I had rather share sorrow with you than joy within +any one else.' She snuggled her head up against his knee. 'Tell me +about it, Frank.' + +'You remember my telling you just before our marriage that I was +surety for a man?' + +'I remember perfectly well.' + +'His name was Farintosh. He was an insurance-agent, and I became +surety for him in order to save his situation.' + +'Yes, dear, it was so noble of you.' + +'Well, Maude, he was on the platform this morning, and when he saw +me, he turned on his heel and hurried out of the station. I read +guilt in his eyes. I am sure that his accounts are wrong again.' + +'Oh, what an ungrateful wretch!' + +'Poor devil, I dare say he has had a bad time. But I was a fool not +to draw out of that. It was all very well when I was a bachelor. +But here I am as a married man faced with an indefinite liability and +nothing to meet it with. I don't know what is to become of us, +Maude.' + +'How much is it, dearest?' + +'I don't know. That is the worst of it.' + +'But surely your own office would not be so hard upon you?' + +'It is not my own office. It is another office--the Hotspur.' + +'Oh dear! What have you done about it, Frank?' + +'I called at their office in my lunch-hour, and I requested them to +send down an accountant to examine Farintosh's books. He will be +here to-morrow morning, and I have leave of absence for the day.' + +And so they were to spend an evening and a night without knowing +whether they were merely crippled or absolutely ruined. Frank's +nature was really a very proud one, and the thought of failing in his +engagements wounded his self-respect most deeply. His nerves winced +and quivered before it. But her sweet, strong soul rose high above +all fear, and bore him up with her, into the serenity of love and +trust and confidence. The really precious things, the things of the +spirit, were permanent, and could not be lost. What matter if they +lived in an eight-roomed villa, or in a tent out on the heath? What +matter if they had two servants, or if she worked for him herself? +All this was the merest trifle, the outside of life. But the +intimate things, their love, their trust, their pleasures of mind and +soul, these could not be taken away from them while they had life to +enjoy them. And so she soothed Frank with sweet caresses and gentle +words, until this night of gloom had turned to the most beautiful of +all his life, and he had learned to bless the misfortune which had +taught him to know the serene courage and the wholehearted devotion +which can only be felt, like the scent of a fragrant leaf, when Fate +gives us a crush between its iron fingers. + +Shortly after breakfast Mr. Wingfield, the accountant from London, +arrived--a tall, gentlemanly man, with a formal manner. + +'I'm sorry about this business, Mr. Crosse,' said he. + +Frank made a grimace. 'It can't be helped.' + +'We will hope that the amount is not very serious. We have warned +Mr. Farintosh that his books will be inspected to-day. When you are +ready we shall go round.' + +The agent lived in a side-street not far off. A brass plate, outside +a small brick house, marked it out from the line of other small brick +houses. A sad-faced woman opened the door, and Farintosh himself, +haggard and white, was seated among his ledgers in the little front +room. A glance at the man's helpless face turned all Frank's +resentment to pity. + +They sat down at the table, the accountant in the centre, Farintosh +on the right, and Frank on the left. There was no talk save an +occasional abrupt question and answer. For two hours the swish and +rustle of the great blue pages of the ledgers were the chief sound, +with the scratching of Mr. Wingfield's pen as he totalled up long +columns of figures. Frank's heart turned to water as he saw the huge +sums which had passed through this man's hands. How much had +remained there? His whole future depended upon the answer to that +question. How prosaic and undramatic are the moments in which a +modern career is made or marred! In this obscure battlefield, the +squire no longer receives his accolade in public for his work well +done, nor do we see the butcher's cleaver as it hacks off the +knightly spurs, but failure and success come strangely and +stealthily, determined by trifles, and devoid of dignity. Here was +the crisis of Frank's young life, in this mean front room, amongst +the almanacs and the account-books. + +'Can I rely upon these figures?' asked Wingfield at last. + +'You can, sir.' + +'In that case I congratulate you, Mr. Crosse. I can only find a +deficiency of fifty pounds.' + +Only enough to swallow the whole of their little savings, which they +had carefully invested! However, it was good news, and Frank shook +the proffered hand of the accountant. + +'I will stay for another hour to check these figures,' said +Wingfield. 'But there is no need to detain you.' + +'You will come round and lunch with us?' + +'With pleasure.' + +'Au revoir, then.' Frank ran all the way home, and burst in upon his +wife. 'It is not so very bad, dear--only fifty pounds.' They danced +about in their joy like two children. + +But Wingfield came to his lunch within a solemn face. + +'I am very sorry to disappoint you,' he said, 'but the matter is more +serious than I thought. We have entered some sums as unpaid which he +has really received, but the receipts for which he has held back. +They amount to another hundred pounds.' + +Maude felt inclined to cry as she glanced at Frank, and saw his +resolute effort to look unconcerned. + +'Then it's a hundred and fifty.' + +'Certainly not less. I have marked the items down upon this paper +for your inspection.' + +Frank glanced his practised eyes over the results of the accountant's +morning's work. + +'You have credited him within a hundred and twenty pounds in the +bank, I see.' + +'Yes, his bank-book shows a balance of that amount.' + +'When was it made out?' + +'Last Saturday.' + +'He may have drawn it since them.' + +'It is certainly possible.' + +'We might go round after lunch and make sure.' + +'Very good.' + +'And in any case, as it is the Company's money, don't you think we +had better take it out of his hands?' + +'Yes, I think you are right.' + +It was a miserable meal, and they were all glad when it was finished. +Maude drew Frank into the other room before he started. + +'I could not let you go without THAT, dearest. Keep a brave heart, +my own laddie, for I know so well that we shall come through it all +right.' + +So Frank set out with a higher courage, and they both returned to the +agent's house. His white face turned a shade whiter when he +understood their errand. + +'Is this necessary, Mr. Wingfield?' he pleaded. 'Won't you take my +word for this money?' + +'I am sorry to have to say it, sir, but we have trusted in your word +too often.' + +'But the money is there, I swear it.' + +'It is the Company's money, and we must have it.' + +'It will ruin my credit locally if I draw out my whole account under +compulsion.' + +'Then let him keep ten pounds in,' said Frank. Farintosh agreed with +an ill grace to the compromise, and they all started off for the +bank. When they reached the door the agent turned upon them with an +appealing face. + +'Don't come in with me, gentlemen. I could never hold up my head +again.' + +'It is for Mr. Crosse to decide.' + +'I don't want to be unreasonable, Farintosh. Go in alone and draw +the money.' + +They could never understand why he begged for that extra five +minutes. Perhaps it was that he had some mad hope of persuading the +bank manager to allow him to overdraw to that amount. If so, the +refusal was a curt one, for he reappeared with a ghastly face and +walked up to Frank. + +'I may as well confess to you, Mr. Crosse, I have nothing in the +bank.' + +Frank whistled and turned upon his heel. He could not by reproaches +add to the wretched man's humiliation. After all, he had himself to +blame. He had incurred a risk with his eyes open, and he was not the +man to whine now that the thing had gone against him. Wingfield +walked home with him and murmured some words of sympathy. At the +gate the accountant left him and went on to the station. + +So their liability had risen from fifty to two hundred and seventy +pounds. Even Maude was for an instant daunted by the sum. The sale +of their furniture would hardly meet it. It was the blackest hour of +their lives, and yet, always a strange sweet undercurrent of joy was +running through it, for it is only sorrow, fairly shared and bravely +borne, which can weld two human souls together. + +Dinner was over when there came a ring at the bell. + +'If you please, sir, Mr. Farintosh would like to see you,' said the +maid Jemima. + +'Show him in here.' + +'Don't you think, Frank, that I had better go?' + +'No, I don't. I never asked him to come. If he comes, let him face +us both. I have not made much of my dealings with him alone.' + +He was shown in, downcast, shifty-eyed, and ill at ease. He laid his +hat upon the floor, and crept humbly towards the chair which Frank +pushed towards him. + +'Well, Farintosh?' + +'Well, Mr. Crosse, I have come round to tell you, and you too, +missus, the sorrow I feel that I have brought this trouble upon you. +I hoped all would have gone right after that last time, but I've had +to pay up back debts, and that's what has put me wrong. I've never +had what one may call a fair chance. But I'm really sorry, sir, that +you who have, as one might say, befriended me, should have to suffer +for it in this way.' + +'Words won't mend it, Farintosh. I only blame you for not coming to +me when first things began to go wrong.' + +'Well, sir, I was always hoping that I could turn them right again, +so as you wouldn't need to be troubled at all. And so it went from +bad to worse until we find ourselves here. But what I wanted to ask +you, Mr. Crosse, was what you meant to do about it?' + +Frank writhed before this home question. + +'Well, I suppose I am responsible,' said he. + +'You mean to pay the money, sir?' + +'Well, somebody must pay it.' + +'Do you remember the wording of the bond, Mr. Crosse?' + +'Not the exact wording.' + +'Well, sir, I should advise you to get your lawyer to read it. In my +opinion, sir, you are not liable at all.' + +'Not liable!' Frank felt as if his heart had turned suddenly from a +round-shot to an air-balloon. 'Why not liable?' + +'You were a little slapdashy, if one might say so, in matters of +business, sir, and perhaps you read that bond less carefully than I +did. There was a clause in it by which the Company agreed frequently +and periodically to audit my accounts, so as to prevent your +liability being at any time a very high one.' + +'So there was!' cried Frank. 'Well, didn't they?' + +'No, sir, they didn't.' + +'By Jove--Maude, do you hear that?--if that is right, they brought +their own misfortunes upon themselves. Do you mean to say they never +audited you?' + +'Yes, sir, they did so four times.' + +'In how long?' + +'In fourteen months.' + +The air-balloon was gone and the cannon-ball back in its place once +more. + +'That will be held to exonerate them.' + +'No, sir, I think not. "Frequently and periodically" does not mean +four times in fourteen months.' + +'A jury might take it so.' + +'Consider, sir, that the object was that your liability should be +limited. Thousands of pounds were passing through my hands in that +time, and therefore these four audits were, as one might say, +insufficient for the object of the bond.' + +'So I think,' cried Maude, with conviction. 'Frank, we'll have the +best advice upon the subject to-morrow.' + +'And meanwhile, Mr. Crosse,' said Farintosh, rising from his chair, +'I am your witness, whether the Company prosecutes me or not. And I +hope that this will be some humble atonement for the trouble that I +have brought you.' + +And so a first rift of light began to shine in the dark place. But +it was not broadened by the letter which he found waiting upon his +breakfast-table - + + +Re Farintosh's Accounts. + +HOTSPUR INSURANCE OFFICE. + +Dear Sir,--On arriving in London I came here at once, and checked +Farintosh's accounts from the books of the head office. I am sorry +to say that I find a further discrepancy of seventy pounds. I am +able, however, to assure you that we have now touched bottom. The +total amount is three hundred and forty pounds, and a cheque for that +sum at your early convenience would oblige us, as we are anxious to +bring so unpleasant a business to a conclusion.--Yours truly, + +JAMES WINGFIELD. + + +To which Frank and Maude in collaboration - + + +Dear Sir,--I note your claim for 340 pounds on account of the affairs +of your agent Farintosh. I am advised, however, that there have been +certain irregularities in the matter, about which I must make some +investigation before paying the claim.--Yours truly, + +Frank Crosse. + + +To which the Hotspur Insurance Office - + + +Sir,--Had your letter been a plea for more time to fulfil your +engagement, we should have been content to wait; but since you appear +disposed to dispute your liability, we have no alternative but to +take immediate steps to enforce payment. - + +Yours truly, JOHN WATERS, Secretary. + + +To which Frank and Maude - + + +Sir,--My solicitor, A. C. R. Owen, of 14 Shirley Lane, E.C., will be +happy to accept service. + + +Which is the correct legal English for 'You may go to the devil!' + +But this is an anticipation. In the meantime, having received the +original letter and answered it, Frank went up to town as usual, +while Maude played the more difficult part of waiting quietly at +home. In his lunch-hour Frank went to see his friend and solicitor, +who in turn obtained leave to see the bond, and came back with a +grave face. + +'You have a case,' said he, 'but by no means a certainty. It all +depends upon how the judge might read the document. I think that it +would strengthen our case very materially if we had counsel's +opinion. I'll copy the bond and show it to Manners, and have his +opinion before you go back to-night.' + +So Frank went round again after office-hours, and found Owen waiting +in very low spirits, for their relations were closer than those of +mere solicitor and client. + +'Very sorry,' said he. + +'Opinion against us.' + +'Dead against us.' + +Frank tried to look as if he didn't mind. + +'Let me see it.' + +It was a long blue document with the heading, 'The Hotspur Insurance +Company, Limited, v. Frank Crosse.' + +'I have perused the case submitted to me, and the papers accompanying +the same,' said the learned counsel, 'and in my opinion the Hotspur +Insurance Company, Limited, are entitled to recover from Mr. Crosse +under his guarantee, the sum of 340 pounds, being monies received by +Mr. Farintosh, and not paid over by him to the said Company.' There +was a great deal more, but it was anticlimax. + +'Well, what shall we do?' asked Frank helplessly. The British law +makes one feel so. + +'Well, I should stand out, if I were you. There is certainly a +chance.' + +'Look here, old chap,' said Frank, 'I may as well be honest with you. +If this thing goes against me, I am stony broke. I don't know where +your costs are coming from.' + +'Don't bother about that,' said Owen kindly. 'After all, Manners is +not infallible. Let us have Holland, and see what he can make of +it.' + +So twenty-four hours later Frank found Owen radiant with another +opinion in his hand. + +'Dead for us this time. Look here!' + +And he read out, 'I have carefully considered the case submitted to +me for my opinion, and the documents sent therewith. In my opinion +the Hotspur Insurance Company, Limited, are not entitled to recover +against Mr. Crosse the sum claimed by them or any part thereof, as +there has been a breach on their part of an essential condition of +the guarantee.' 'He reads "frequently and periodically" as we do,' +continued Owen, glancing over the long document, 'and he is very +clear as to our case.' + +'Suppose we have another, and try the best of three,' said Frank. + +'It's too expensive a game. No, Holland is a sound man, and his +opinion would weigh with any judge. I think we have enough to go on +with.' + +'And you think it is safe?' + +'No, no, nothing is ever safe in the law. But we can make a fight of +it now.' + +And now Frank was to learn what it meant to be entangled in an +intricate clumsy old machine, incredibly cumbrous and at the same +time incredibly powerful, jolting along with its absurd forms and +abominable English towards an end which might or might not be just, +but was most certainly ruinously expensive. The game began by a +direct letter from the Queen, of all people, an honour which Frank +had never aspired to before, and certainly never did again. + +Victoria, by the grace of God, of the United Kingdom of Great Britain +and Ireland, Queen, Defender of the Faith, remarked abruptly to Frank +Crosse of Woking, in the county of Surrey, 'We command you that +within eight days of the service of this writ on you, inclusive of +the day of such service, you cause an appearance to be entered for +you in an action at the suit of the Hotspur Insurance Company, +Limited.' If he didn't do so, Her Majesty remarked that several very +unpleasant things might occur, and Hardinge Stanley, Earl of +Halsbury, corroborated Her Majesty. Maude was frightened to death +when she saw the document, and felt as if unawares they must have +butted up against the British Constitution, but Owen explained that +it was only a little legal firework, which meant that there might be +some trouble later. + +'Well, at any rate,' said Frank, 'it means that in eight days it will +all be over.' + +Owen laughed heartily at the remark. + +'It means,' said he, 'that in eight days we must promise that at some +future date we will begin to make preparations for something to +happen in the future. That is about the meaning of it. All you can +do now is to be perfectly philosophic, and leave the rest to me.' + +But how is a man with a capital of fifty pounds going to be +philosophic when he is fighting an opponent whose assets, as a +certain hoarding near Clapham Junction told him every morning, +exceeded three millions of pounds. He treated it lightly to Maude, +and she to him, but each suffered horribly, and each was well aware +of the other's real feelings. Sometimes there was a lull, and they +could almost believe that the whole thing was over. And then the old +machine gave a creak, and the rusty cog-wheels took one more turn, +and they both felt the horrid thing which held them. + +First of all, they had to enter appearances, which meant that they +would dispute the action. Then the other side had to make an +affidavit verifying their claim. Then a Master had to pronounce +whether the action should be treated offhand, or whether he would +listen to what they had to say about it. He decided to listen to +what was to be said. Then each side claimed to see the other's +documents, 'discovery' they called it, as if the documents were +concealed, and they had to hunt for them stealthily with lanterns. +Then each made remarks about the other's documents, and claimed to +see the remarks so made. Then the lawyers of the Company made a +statement of their claim, and when she read it Maude burst into +tears, and said that it was all over, and they must make the best of +it, and she should never forgive herself for that new dress in the +spring. And then Frank's lawyer drew up a defence, and when Frank +heard it, he said, 'Why, what a silly business it seems! They have +not got a leg to stand upon.' And so, after all these flourishes and +prancings, the two parties did actually begin to show signs of coming +to a hearing after all, and a day was fixed for the trial. By a +coincidence it was Frank's birthday. 'There's a good omen!' cried +Maude. + +The first herald of the approaching conflict was a seedy person, who +thrust a paper into Frank's hand as he emerged from The Lindens in +the morning. It was another letter from Her Majesty, in which sub +poena (Her Majesty has not a gracious way of putting things in these +documents), Mr. Frank Crosse had 'to attend at the Royal Courts of +Justice, Strand, at the sittings of the Queen's Bench Division of our +High Court of Justice, to give evidence on behalf of the Hotspur +Company.' + +This seemed to Frank to be a most unexpected and fearsome stroke, but +Owen simply laughed. + +'That is mere bluff,' said he. 'It makes me think that they are +weakening. They want to frighten you.' + +'They did,' said Frank. + +'Two can play at that game. We must keep a bold front.' + +'What do you mean to do?' + +'To subpoena all their crowd.' + +'Capital!' cried Frank. So a clerk was sent across to the Hotspur +office with a whole bundle of subpoenas, and served them liberally +out. And in two days' time was the day of battle. + + + +CHAPTER XV--A RESCUE + + + +As the day fixed for the hearing drew near, Ruin lived with them by +day and slept with them by night. Its dark shadow covered their +lives, and they moved in the gloom of its presence. If the trial +went against them, and Owen in his most hopeful moods did not +disguise from them that it might, they would have to pay the double +costs as well as the original claim. All that they possessed would +not cover it. On the other hand, if they won, this rich Company +might carry the matter to a higher Appeal Court, and so involve them +in a fresh succession of anxieties and expenses. Do what they would, +there was always danger. Frank said little, and he slept little +also. + +One night, just before the trial, Wingfield, the accountant of the +Society, came down to Woking. He had managed the case all through +for the directors. His visit was a sort of ultimatum. + +'We are still ready to pay our own law-costs,' said he, 'if you will +allow the original claim.' + +'I can't do that,' said Frank doggedly. + +'The costs are piling up at a furious rate, and some one will have to +pay them.' + +'I hope that it will be you.' + +'Well, don't say afterwards that I did not warn you. My dear Crosse, +I assure you that you are being misled, and that you have not really +got a leg to stand upon.' + +'That's what the trial is about,' said Frank. + +He kept a bold face to the enemy, but after Wingfield's departure, +Maude saw that his confidence was greatly shaken. + +'He seemed very sure of their case,' said he. 'He would not speak +like that if he did not know.' + +But Maude took quite another view. + +'If they know that they can recover their money in court, why should +they send Mr. Wingfield down in this way.' + +'He is such a good chap--he wants to save us expense.' + +Maude was less trusting. + +'He is doing the best for his own side,' said she. 'It is his duty, +and we can't blame him. But if he thought it best to get behind his +own lawyers and come down here, then he must have some doubts about +going into court. Perhaps he would be willing to consider some +compromise.' + +But Frank only shook his head. + +'We have drawn the cork, and we must drink the wine,' said he. 'We +have gone too far to stop. Any compromise which they would accept +would be as much out of our power to pay as the whole sum would be, +and so we may just as well see it through.' But for once Maude did +not take his opinion as final, but lay awake all night and thought it +over. She had determined to begin acting upon her own account, and +she was so eager to try what she could do that she lay longing for +the morning to break. When she came down to breakfast, her plan of +campaign was formed. + +'I am coming up to town with you, Frank.' + +'Delighted to hear it, dear.' When she had shopping to do, she +frequently went up with him, so it did not surprise him. What would +have surprised him was to know that she had despatched three +telegrams, by means of Jemima, before he was up. + + +'To John Selby, 53 Fenchurch Street, E.C. Will call eleven o'clock. +Important business. - +MAUDE.' + +'To Lieutenant Selby, the Depot, Canterbury. Please come up next +train, meet me Fenchurch Street, eleven thirty. Important. - +MAUDE.' + +'To Owen, 14 Shirley Lane, E.C. Will call twelve o'clock. +Important.--MRS. CROSSE.' + + +So she had opened her campaign. + +'By the way, Frank,' said she, as they travelled up together, 'to- +morrow is your birthday.' + +'Yes, dear, it is,' he answered lugubriously. + +'Dear me! What shall I give my boy for a birthday present? Nothing +you particularly want?' + +'I have all I want,' said he, looking at her. + +'Oh, but I think I could find something. I must look round when I am +in town.' + +She began her looking round by a visit to her father in Fenchurch +Street. It was something new for him to get telegrams from Maude +upon business, and he was very much surprised. + +'Looking remarkably well, my dear. Your appearance is a certificate +of character to your husband. Well, and how is all at Woking? I +hope the second cook proved to be a success.' + +But Maude was not there for small talk. 'Dear dad,' said she, 'I +want you to stand by me, for I am in trouble. Now, my dear good dad, +please see things from my point of view, and don't make objections, +and do exactly what I ask you.' She threw her arms round his neck +and gave him a hearty squeeze. + +'Now I call that exerting undue pressure,' said he, extricating his +white head. 'If this sort of thing is allowed in the city of London, +there is an end of all business.' However, his eyes twinkled and +looked as if he liked it. 'Now madame, what can I do for you?' + +'I'm going to be perfectly business-like,' said she, and gave him +another squeeze before sitting down. 'Look here, dad. You give me +an income of fifty pounds a year, don't you?' + +'My dear girl, I can't raise it. Jack's expenses in the Hussars--' + +'I don't want you to raise it.' + +'What do you want?' + +'I seem to remember, dad, that you told me that this fifty pounds was +the interest on a thousand pounds which was invested for me.' + +'So it is--five per cent. debentures.' + +'Well, dad, if I were content with an income of twenty-five pounds a +year instead of fifty pounds, then I could take five hundred pounds +out of my money, and nobody would be the worse.' + +'Except yourself.' + +Maude laughed at that. + +'I want the use of the money just for one day. I certainly won't +need it all. I just want to feel that I have as much as that in case +I need it. Now, my dear old daddy, do please not ask any questions, +but be very nice and good, and tell me how I can get these five +hundred pounds.' + +'And you won't tell me why you want them?' + +'I had rather not--but I will if you insist.' + +Old Selby looked into the brave, clear eyes of his daughter, and he +did not insist. + +'Look here! You've got your own little banking account, have you +not?' + +'Yes, dad.' + +'That's right. Never mix it up with your husband's.' He scribbled a +cheque. 'Pay that in! It is for five hundred pounds. I will sell +half your debentures and charge you with brokerage. I believe in +strict business between relatives. When you pay back the five +hundred pounds, your allowance will be fifty a year once more.' + +Maude then and there endorsed the cheque and posted it to her bank. +Then with a final embrace to her father, she hastened out to further +victories. Jack Selby was smoking a cigarette upon the doorstep. + +'Hullo, Maude! Calling up the reserves? What's the matter? Jolly +lucky it wasn't my day on duty. You girls think a soldier has +nothing to do. It was so once, but we are all scientific blokes now. +No, thank you, I won't see the dad! He'd think I had come for money, +and it would upset him for the day.' + +Maude took her brother in the cab with her, and told him the whole +story of Frank's misfortune, with some account of her own intentions. +Jack was vastly interested. + +'What did dad say about it?' + +'I didn't tell him. I thought Frank would rather not.' + +'Quite right. He won't mind me. He knows I'm a bit of a business +man myself. Only signed a paper once in my life, and quite a small +paper too, and I haven't heard the last of it yet. The thing wasn't +much bigger than a postcard, but the fuss those people made +afterwards! I suppose they've been worrying Frank.' + +'We have had no peace for months.' + +'Worry is bad for the young. But he should not mind. He should go +on fizzing like I did. Now we'll put this thing through together, +Maude. I see your line, and I'll ride it with you.' + +They found Mr. Owen at home, and Maude did the talking. + +'I am convinced, Mr. Owen, that they don't want to go into court. +Mr. Wingfield coming down like that proves it. My husband is too +proud to bargain with them, but I have no scruples. Don't you think +that I might go to Mr. Wingfield myself, and pay the three hundred +and forty pounds, and so have done with the worry for ever?' + +'Speaking as a lawyer,' said Owen, 'I think that it is very +irregular. Speaking as a man, I think no harm could come of it. But +I should not like you to offer the whole sum. Simply say that you +are prepared for a reasonable compromise, and ask them to suggest +what is the lowest sum which the office would accept to close the +business.' + +'You leave it with me,' said Jack, winking at the lawyer. 'I am +seeing her through. I'll keep her on the rails. I am Number 1, +Class A, at business. We'll take 'em up one link in the curb if they +try any games with us! Come on, Maude, and get it over.' + +He was an excellent companion for her, for his buoyancy turned the +whole thing into fun. She could not take it too seriously in his +company. They called at the Hotspur office and asked to see Mr. +Wingfield. He was engaged, but Mr. Waters, the secretary, a very +fat, pompous man, came in to them. + +'I am very sorry,' said he, 'very sorry, indeed, Mrs. Crosse, but it +is too late for any compromise of the sort. We have our costs to +consider, and there is no alternative but for the case to go into +court.' + +Poor Maude nearly burst into tears. + +'But suppose that we were to offer--' + +'To give you an hour to think it over,' cried Jack. + +Mr. Waters shook, his head despondently. + +'I do not think that we should alter our decision. However, Mr. +Wingfield will be here presently, and he will, of course, listen to +any representations which you may have to make. In the meantime you +must excuse me, as I have matters of importance to attend to.' + +'Why, Maude, you little Juggins,' cried Jack, when the door was shut, +'you were just going to offer to pay their costs. I only just headed +you off in time.' + +'Well, I was going to inquire about it.' + +'Great Scot, it's lucky you've got a business man at your elbow. I +couldn't stand that chap at any price. A bit too hairy in the +fetlocks for my taste. Couldn't you see that he was only bluffing?' + +'How do you know, Jack?' + +'It was shining all over him. Do you suppose a man has bought as +many hairies as I have, and can't tell when a dealer is bluffing? He +was piling it on so that when the next Christmas-tree comes along, he +may find a soft job waiting for him. I tell you you want a friendly +native, like me, when you get into this kind of country. Now ride +this one on the curb, and don't let him have his head for a moment.' + +Mr. Wingfield had entered, and his manner was very different to that +of the secretary. He had great sympathy with the Crosses, and no +desire to wash the Company's dirty linen in public. He was, +therefore, more anxious than he dared to show to come to some +arrangement. + +'It is rather irregular for me to see you. I should refer you to our +solicitors,' said he. + +'Well, we saw you when you came to Woking,' said Maude. 'I believe +that we are much more likely to come to an arrangement if we talk it +over ourselves.' + +'I am sure I earnestly hope so,' Wingfield answered. 'I shall be +delighted to listen to anything which you may suggest. Do you, in +the first place, admit your liability?' + +'To some extent,' said Maude, 'if the Company will admit that they +are in the wrong also.' + +'Well, we may go so far as to say that we wish the books had been +inspected more often, and that we regret our misplaced confidence in +our agent. That should satisfy you, Mrs. Crosse. And now that you +admit SOME liability, that is a great step in advance. We have no +desire to be unreasonable, but as long as no liability was admitted, +we had no course open to us but litigation. We now come to the +crucial point, which is, how much liability should fall upon you. My +own idea is, that each should pay their own costs, and that you +should, in addition, pay over to the Company--' + +'Forty pounds,' said Jack firmly. + +Maude expected Mr. Wingfield to rise up and leave the room. As he +did not do so, nor show any signs of violence, she said, 'Yes, forty +pounds.' + +He shook his head. + +'Dear me, Mrs. Crosse, this is a very small sum.' + +'Forty pounds is our offer,' said Jack. + +'But on what is this offer based?' + +'We have worked it out,' said Jack, 'and we find that forty pounds is +right.' + +Mr. Wingfield rose from his chair. + +'Well,' said he, 'of course any offer is better than no offer. I +cannot say what view the directors may take of this proposal, but +they will hold a board meeting this afternoon, and I will lay it +before them.' + +'And when shall we know?' + +'I could send you round a line by hand to your solicitor.' + +'No hurry about it! Quite at your own convenience!' said Jack. When +he got outside, in the privacy of their hansom, he was convulsed with +the sense of his own achievements. + +'Class A, Number 1, and mentioned at the Agricultural Hall,' he +cried, hugging himself in his delight. His sister hugged him also, +so he was a much-embraced young man. 'Am I not a man of business, +Maude? You can't buy 'em--you must breed 'em. One shilling with the +basket. I shook him in the first round, and he never rallied after.' + +'You are a dear good boy. You did splendidly.' + +'That's the way to handle 'em. He saw that I was a real fizzer and +full of blood. One business man can tell another at a glance.' + +Maude laughed, for Jack, with his cavalry swagger and a white weal +all round his sunburned face to show where his chin-strap hung, +looked the most unbusiness-like of mortals. + +'Why did you offer forty pounds?' she asked. + +'Well, you have to begin somewhere.' + +'But why forty?' + +'Because it is what we offer when we are buying the hairies-- +trooper's chargers, you know. It's a great thing to have a fixed +rule in business. I never go higher than forty--rule one, section +one, and no exceptions in the margin.' + +They lunched together at the Holborn, and Jack took Maude afterwards +to what he called 'a real instructive show,' which proved to be a +horse-sale at Tattersall's. They then drove back to the lawyer's, +and there they found a letter waiting addressed to Mrs. Crosse. +Maude tore it open. + +'Dear Mrs. Crosse,' said this delightful note, 'I am happy to be able +to inform you that the directors have decided to stop the legal +proceedings, and to accept your offer of forty pounds in full +satisfaction of all claims due against your husband.' + +Maude, Jack, and the good Owen performed a triumphant pas de trois. + +'You have done splendidly, Mrs. Crosse, splendidly!' cried Owen. 'I +never heard a better day's work in my life. Now, if you will give me +your cheque and wait here, I will go over and settle everything.' + +'And please bring the bond back with you,' said Maude. + + +So it was that Frank, coming down upon the morning of his birthday, +perceived a pretty silver cigarette-box laid in front of his plate. + +'Is this for me, my darling?' + +'Yes, Frank, a wee present from your wife.' + +'How sweet of you! I never saw such a lovely case. Why, there's +something inside it.' + +'Cigarettes, I suppose. + +'No, it is a paper of some kind. "Hotspur Insurance Company." Good +Lord, I never seem for one instant to be able to shake that infernal +thing off! How on earth did it get in there? What's this?--"I +hereby guarantee to you--" What's this? Maude, Maude, what have you +been doing?' + +'Dear old boy,' she cried, as she put her arms round him. 'Dear old +boy! Oh, I DO feel so happy!' + + + +CHAPTER XVI--THE BROWNING SOCIETY + + + +It all began by Mrs. Hunt Mortimer, the smart little up-to-date wife +of the solicitor, saying to Mrs. Beecher, the young bride of the +banker, that in a place like Woking it was very hard to get any +mental friction, or to escape from the same eternal grooves of +thought and conversation. The same idea, it seemed, had occurred to +Mrs. Beecher, fortified by a remark from the Lady's Journal that an +internal intellectual life was the surest method by which a woman +could preserve her youth. She turned up the article--for the +conversation occurred in her drawing-room--and she read extracts from +it. 'Shakespeare as a Cosmetic' was the title. Maude was very much +struck, and before they separated they had formed themselves into a +Literary Society which should meet and discuss classical authors +every Wednesday afternoon at each other's houses. That one hour of +concentrated thought and lofty impulse should give a dignity and a +tone to the whole dull provincial week. + +What should they read? It was well that they should decide it before +they separated, so as to start fair upon the next Wednesday. Maude +suggested Shakespeare, but Mrs. Hunt Mortimer thought that a good +deal of it was improper. + +'Does it matter?' said Mrs. Beecher. 'We are all married.' + +'Still I don't think it would be quite nice,' said Mrs. Hunt +Mortimer. She belonged to the extreme right on matters of propriety. + +'But surely Mr. Bowdler made Shakespeare quite respectable,' Mrs. +Beecher argued. + +'He did his work very carelessly. He left in much that might be +dispensed with, and he omitted a good deal which was quite innocent.' + +'How do you know?' + +'Because I once got two copies and read all the omissions.' + +'Why did you do that?' asked Maude mischievously. + +'Because I wanted to make sure that they HAD been omitted,' said Mrs. +Hunt Mortimer severely. + +Mrs. Beecher stooped and picked an invisible hairpin out of the rug. +Mrs. Hunt Mortimer continued. + +'There is Byron, of course. But he is so very suggestive. There are +passages in his works--' + +'I could never see any harm in them,' said Mrs. Beecher. + +'That is because you did not know where to look,' said Mrs. Hunt +Mortimer. 'If you have a copy in the house, Mrs. Beecher, I will +undertake to make it abundantly clear to you that he is to be +eschewed by those who wish to keep their thoughts unsullied. Not? I +fancy that even quoting from memory I could convince you that it is +better to avoid him.' + +'Pass Byron,' said Mrs. Beecher, who was a very pretty little +kittenish person, with no apparent need of any cosmetics, literary or +otherwise. 'How about Shelley?' + +'Frank raves about Shelley,' observed Maude. + +Mrs. Hunt Mortimer shook her head. + +'His work has some dreadful tendencies. He was, I am informed, +either a theist or an atheist, I cannot for the moment recall which-- +I think that we should make our little course as improving as +possible.' + +'Tennyson,' Maude suggested. + +'I have been told that his meaning is too clear to entitle him to +rank among the great thinkers of our race. The lofty thought is +necessarily obscure. There is no merit in following a poem which is +perfectly intelligible. Which leads us to--' + +'Browning!' cried the other ladies. + +'Exactly. We might form a little Browning Society of our own.' + +'Charming! Charming!' + +And so it was agreed. + +There was only one other point to be settled at this their inaugural +meeting, which was, to choose the other ladies who should be admitted +into their literary circle. There were to be no men. + +'They do distract one so,' said Mrs. Hunt Mortimer. + +The great thing was to admit no one save those earnest spirits who +would aspire to get the full benefit from their studies. Mrs. +Fortescue could not be thought of, she was much too talkative. And +Mrs. Jones had such a frivolous mind. Mrs. Charles could think and +talk of nothing but her servants. And Mrs. Patt-Beatson always +wanted to lay down the law. Perhaps on the whole it would be better +to start the society quietly among themselves, and then gradually to +increase it. The first meeting should be next Wednesday, at Mrs. +Crosse's house, and Mrs. Hunt Mortimer would bring her complete two- +volume edition with her. Mrs. Beecher thought that one volume would +be enough just at first, but Mrs. Hunt Mortimer said that it was +better to have a wide choice. Maude went home and told Frank in the +evening. He was pleased, but rather sceptical. + +'You must begin with the simpler things first,' said he. 'I should +recommend Herve Riel and Gold Hair.' + +But Maude put on the charming air of displeasure which became her so +well. + +'We are serious students, sir,' said she. 'We want the very hardest +poem in the book. I assure you, Frank, that one of your little +faults is that you always underrate a woman's intelligence. Mrs. +Hunt Mortimer says that though we may be less original than men, we +are more assim--more assmun--' + +'Assimulative.' + +'That's what I say--assimulative. Now, you always talk as if--oh +yes, you do! No, you mustn't! How absurd you are, Frank! Whenever +I try to speak seriously to you, you always do that and spoil +everything. How would you like to discuss Browning if at the end of +every sentence somebody came and kissed you? You wouldn't mind! No, +I dare say not. But you would feel that you were not being taken +seriously. Wait till the next time YOU are in earnest about +anything--you'll see!' + + +The meeting was to be at three o'clock, and at ten minutes to the +hour Mrs. Hunt Mortimer arrived with two large brown volumes under +her arm. She had come early, she said, because there was to be a +rehearsal of the amateur theatricals at the Dixons' at a quarter-past +four. Mrs. Beecher did not appear until five minutes after the hour. +Her cook had quarrelled with the housemaid, and given instantaneous +notice, with five people coming to dinner on Saturday. It had upset +the lady very much, and she explained that she would not have come if +she had not promised. It was so difficult to follow poetry when you +were thinking about the entree all the time. + +'Why the entree?' asked Mrs. Hunt Mortimer, looking up from the book +which she held open in front of her. + +'My dear,' said Mrs. Beecher, who had the art of saying the most +simple things as if they were profoundly confidential secrets,--'My +dear, my parlourmaid is really an excellent cook, and I shall rely +upon her if Martha really goes. But she is limited, very limited, +and entrees and savouries are the two things in which I cannot +entirely trust her. I must, therefore, find some dish which is well +within her capacity.' + +Mrs. Hunt Mortimer prided herself upon her housekeeping, so the +problem interested her. Maude also began to feel the meeting less +dull than she had expected. + +'Of course there are many things to be considered,' said Mrs. Hunt +Mortimer, with the air of a Q.C. giving an opinion. 'Oyster patties +or oyster vol-au-vents--' + +'Oysters are out of season,' said Maude. + +'I was about to say,' Mrs. Hunt Mortimer continued, with admirable +presence of mind, 'that these entrees of oysters are inadmissible +because they are out of season. Now curried prawns--' + +'My husband loathes them.' + +'Well, well! What do you say to sweetbreads en caisse? All you want +are chopped mushrooms, shalots, parsley, nutmeg, pepper, salt, +breadcrumb, bacon fat--' + +'No, no,' cried Mrs. Beecher despairingly. 'Anne would never +remember all that.' + +'Cutlets a la Constance,' said Mrs. Hunt Mortimer. 'I am sure that +they are simple enough. Cutlets, butter, fowls' livers, cocks' +combs, mushrooms--' + +'My dear, my dear, remember that she is only a parlourmaid. It is +unreasonable.' + +'Ragout of fowl, chicken patties, croquettes of veal with a little +browning--' + +'We've got back to Browning after all,' cried Maude. + +'Dear me,' said Mrs. Beecher, 'it is all my fault, and I am so sorry. +Now, Mrs. Hunt Mortimer, do please read us a little of that +delightful poetry.' + +'You can always get small entrees sent down from the Stores,' cried +Maude, as a happy thought. + +'You dear, good girl, how sweet of you to think of it. Of course one +can. That is really an admirable idea. There now, we may consider +the entree as being removed, so we proceed to--' + +'The piece de resistance,' said Mrs. Hunt Mortimer solemnly, glancing +down the index of the first volume. 'I confess that my acquaintance +with the poet has up to now been rather superficial. Our ambition +must be to so master him that he becomes from this time forward part +and parcel of ourselves. I fancy that the difficulties in +understanding him have been very much exaggerated, and that with +goodwill and perseverance we shall manage to overcome them.' + +It was a relief to Mrs. Beecher and to Maude to realise that Mrs. +Hunt Mortimer knew no more about the matter than themselves. They +both ventured upon a less diffident air now that it was clear that it +might be done in safety. Maude frowned thoughtfully, and Mrs. +Beecher cast up her pretty brown eyes at the curtain-rod, as if she +were running over in her memory the whole long catalogue of the +poet's works. + +'I will tell you what we should do,' said she. 'We must make a vow +that we shall never pass a line until we understand it. We will go +over it again and again until we grasp its meaning.' + +'What an excellent idea!' cried Maude, with one of her little bursts +of enthusiasm. 'Now that is really splendid, Mrs. Beecher.' + +'My friends always call me Nellie,' said the little brunette. + +'How nice of you to say so! I should love to call you so, if you +don't mind. It is such a pretty name too. Only you must call me +Maude.' + +'You look like a Maude,' said Mrs. Beecher. 'I always picture a +Maude as bright and pretty and blonde. Isn't it strange how names +associate themselves with characters. Mary is always domestic, and +Rose is a flirt, and Elizabeth is dutiful, and Evelyn is dashing, and +Alice is colourless, and Helen is masterful--' + +'And Matilda is impatient,' said Mrs. Hunt Mortimer, laughing. +'Matilda has reason to be, seated here with an index in front of her +while you two are exchanging compliments.' + +'Why, we were waiting for you to begin,' said Mrs. Beecher +reproachfully. 'Do let us have something, for really the time is +slipping away.' + +'It would be a pity to begin at the beginning, because that +represents his immature genius,' remarked Mrs. Hunt Mortimer. 'I +think that on this the opening day of the Society, we should have the +poet at his best.' + +'How are we to know which IS his best?' Maude asked. + +'I should be inclined to choose something with a title which suggests +profundity--"A Pretty Woman," "Love in a Life," "Any Wife to any +Husband"--' + +'Oh, what DID she say to him?' cried Maude. + +'Well, I was about to say that all these subjects rather suggested +frivolity.' + +'Besides, it really is a very absurd title,' remarked Mrs. Beecher, +who was fond of generalising from her six months' experience of +matrimony. '_A_ husband to _A_ wife' would be intelligible, but how +can you know what ANY husband would say to ANY wife? No one can +really foretell what a man will do. They really are such +extraordinary creatures.' + +But Mrs. Hunt Mortimer had been married for five years, and felt as +competent to lay down the law about husbands as about entrees. + +'When you have had a larger experience of them, dear, you will find +that there is usually a reason, or at least a primitive instinct of +some sort, at the root of their actions. But, seriously, we must +really concentrate our attention upon the poet, for my other +engagement will call me away at four, which only leaves me ten +minutes to reach Maybury.' + +Mrs. Beecher and Maude settled down with anxious attention upon their +faces. + +'Do please go on!' they cried. + +'Here is "The Pied Piper of Hamelin."' + +'Now that interests me more than I can tell,' cried Maude, with her +eyes shining with pleasure. 'Do please read us everything there is +about that dear piper.' + +'Why so?' asked her two companions. + +'Well, the fact is,' said Maude, 'Frank--my husband, you know--came +to a fancy-dress at St. Albans as the Pied Piper. I had no idea that +it came from Browning.' + +'How did he dress for it?' asked Mrs. Beecher. 'We are invited to +the Aston's dress ball, and I want something suitable for George.' + +'It was a most charming dress. Red and black all over, something +like Mephistopheles, you know, and a peaked hat with a bell at the +top. Then he had a flute, of course, and a thin wire from his waist +with a stuffed rat at the end of it.' + +'A rat! How horrid!' + +'Well, that was the story, you know. The rats all followed the Pied +Piper, and so this rat followed Frank. He put it in his pocket when +he danced, but once he forgot, and so it got stood upon, and the +sawdust came out all over the floor.' + +Mrs. Hunt Mortimer was also invited to the dress ball, and her +thoughts flew away from the book in front of her. + +'How did you go, Mrs. Crosse?' she asked. + +'I went as "Night."' + +'What! you with your brown hair!' + +'Well, father said that I was not a very dark night. I was in black, +you know, just my ordinary black silk dinner-dress. Then I had a +silver half-moon over my head, and black veils round my hair, and +stars all over my bodice and skirt, with a long comet right across +the front. Father upset a cup of milk over me at supper, and said +afterwards that it was the milky way.' + +'It is simply maddening how men WILL make jokes about the most +important subjects,' said Mrs. Hunt Mortimer. 'But I have no doubt, +dear, that your dress was an exceedingly effective one. Now, for my +own part, I had some idea of going as the "Duchess of Devonshire."' + +'Charming!' cried Mrs. Beecher and Maude. + +'It is not a very difficult costume, you know. I have some old Point +d'Alencon lace which has been in the family for a century. I make it +the starting-point of my costume. The gown need not be very +elaborate--' + +'Silk?' asked Mrs. Beecher. + +'Well, I thought that perhaps a white-flowered brocade--' + +'Oh yes, with pearl trimming.' + +'No, no, dear, with my lace for trimming.' + +'Of course. You said so.' + +'And then a muslin fichu coming over here.' + +'How perfectly sweet!' cried Maude. + +'And the waist cut high, and ruffles at the sleeves. And, of course, +a picture hat--you know what I mean--with a curling ostrich feather.' + +'Powdered hair, of course?' said Mrs. Beecher. + +'Powdered in ringlets.' + +'It will suit you admirably--beautifully. You are tall enough to +carry it off, and you have the figure also. How I wish I was equally +certain about my own!' + +'What had you thought of, dear?' + +'Well, I had some idea about "Ophelia." Do you think that it would +do?' + +'Certainly. Had you worked it out at all?' + +'Well, my dear,' said Mrs. Beecher, relapsing into her pleasant +confidential manner. 'I had some views, but, of course, I should be +so glad to have your opinion about it. I only saw Hamlet once, and +the lady was dressed in white, with a gauzy light nun's-veiling over +it. I thought that with white pongee silk as an under-dress, and +then some sort of delicate--' + +'Crepe de Chine,' Maude suggested. + +'But in Ophelia's day such a thing had never been heard of,' said +Mrs. Hunt Mortimer. 'A net of silver thread--' + +'Exactly,' cried Mrs. Beecher, 'with some sort of jewelling upon it. +That was just what I had imagined. Of course it should be cut +classically and draped--my dressmaker is such a treasure--and I +should have a gold embroidery upon the white silk.' + +'Crewel work,' said Maude. + +'Or a plain cross-stitch pattern. Then a tiara of pearls on the +head. Shakespeare--' + +At the name of the poet their three consciences pricked +simultaneously. They looked at each other and then at the clock with +dismay. + +'We must--we really MUST go on with our reading,' cried Mrs. Hunt +Mortimer. 'How did we get talking about these dresses?' + +'It was my fault,' said Mrs. Beecher, looking contrite. + +'No, dear, it was mine,' said Maude. 'You remember it all came from +my saying that Frank had gone to the ball as the Pied Piper.' + +'I am going to read the very first poem that I open,' said Mrs. Hunt +Mortimer remorselessly. 'I am afraid that it is almost time that I +started, but we may still be able to skim over a few pages. Now +then! There! Setebos! What a funny name!' + +'What DOES it mean?' asked Maude. + +'We shall find out, no doubt, as we proceed,' said Mrs. Hunt +Mortimer. 'We shall take it line by line and draw the full meaning +from it. The first line is - + + +'Will sprawl now that the heat of day is best--' + + +'Who will?' asked Mrs. Beecher. + +'I don't know. That's what it says.' + +'The next line will explain, no doubt.' + + +'Flat on his--' + + +'Dear me, I had no idea that Browning was like this!' + +'Do read it, dear.' + +'I couldn't possibly think of doing so. With your permission we will +pass on to the next paragraph.' + +'But we vowed not to skip.' + +'But why read what cannot instruct or elevate us. Let us begin this +next stanza, and hope for something better. The first line is--I +wonder if it really can be as it is written.' + +'Do please read it!' + + +'Setebos and Setebos and Setebos.' + + +The three students looked sadly at each other. 'This is worse than +anything I could have imagined,' said the reader. + +'We mast skip that line.' + +'But we are skipping everything.' + +'It's a person's name,' said Mrs. Beecher. + +'Or three persons.' + +'No, only one, I think.' + +'But why should he repeat it three times?' + +'For emphasis!' + +'Perhaps,' said Mrs. Beecher, 'it was Mr. Setebos, and Mrs. Setebos, +and a little Setebos.' + +'Now, if you are going to make fun, I won't read. But I think we +were wrong to say that we would take it line by line. It would be +easier sentence by sentence.' + +'Quite so.' + +'Then we will include the next line, which finishes the sentence. It +is, "thinketh he dwelleth in the cold of the moon."' + +'Then it WAS only one Setebos!' cried Maude. + +'So it appears. It is easy to understand if one will only put it +into ordinary language. This person Setebos was under the impression +that his life was spent in the moonlight.' + +'But what nonsense it is!' cried Mrs. Beecher. Mrs. Hunt Mortimer +looked at her reproachfully. 'It is very easy to call everything +which we do not understand "nonsense,"' said she. 'I have no doubt +that Browning had a profound meaning in this.' + +'What was it, then?' + +Mrs. Hunt Mortimer looked at the clock. + +'I am very sorry to have to go,' said she, 'but really I have no +choice in the matter. Just as we were getting on so nicely--it is +really most vexatious. You'll come to my house next Wednesday, Mrs. +Crosse, won't you? And you also, Mrs. Beecher. Good-bye, and thanks +for SUCH a pleasant afternoon!' + +But her skirts had hardly ceased to rustle in the passage before the +Browning Society had been dissolved by a two-thirds' vote of the +total membership. + +'What is the use?' cried Mrs. Beecher. 'Two lines have positively +made my head ache, and there are two volumes.' + +'We must change our poet.' + +'His verbosity!' cried Mrs. Beecher. + +'His Setebosity!' cried Maude. + +'And dear Mrs. Hunt Mortimer pretending to like him! Shall we +propose Tennyson next week?' + +'It would be far better.' + +'But Tennyson is quite simple, is he not?' + +'Perfectly.' + +'Then why should we meet to discuss him if there is nothing to +discuss?' + +'You mean that we might as well each read him for herself.' + +'I think it would be easier.' + +'Why, of course it would.' + +And so after one hour of precarious life, Mrs. Hunt Mortimer's Mutual +Improvement Society for the elucidation of Browning came to an +untimely end. + + + +CHAPTER XVII--AN INVESTMENT + + + +'I want your advice, Maude.' + +She was looking very sweet and fresh in the morning sunlight. She +wore a flowered, French print blouse--little sprigs of roses on a +white background--and a lace frill round her pretty, white, smooth +throat. The buckle of her brown leather belt just gleamed over the +edge of the table-cloth. In front of her were a litter of +correspondence, a white cup of coffee, and two empty eggshells--for +she was a perfectly healthy young animal with an excellent appetite. + +'Well, dear, what is it?' + +'I shall take the later train. Then I need not hurry, and can walk +down at my ease.' + +'How nice of you!' + +'I am not sure that Dinton will think so.' + +'Only one little hour of difference--what can it matter?' + +'They don't run offices on those lines. An hour means a good deal in +the City of London.' + +'Oh, I do hate the City of London! It is the only thing which ever +comes between us.' + +'I suppose that it separates a good many loving couples every +morning.' + +He had come across and an egg-cup had been upset. Then he had been +scolded, and they sat together laughing upon the sofa. When he had +finished admiring her little, shining, patent-leather, Louis shoes +and the two charming curves of open-work black stocking, she reminded +him that he had asked for her advice. + +'Yes, dear, what was it?' She knitted her brows and tried to look as +her father did when he considered a matter of business. But then her +father was not hampered by having a young man's arm round his neck. +It is so hard to be business-like when any one is curling one's hair +round his finger. + +'I have some money to invest.' + +'O Frank, how clever of you!' + +'It is only fifty pounds.' + +'Never mind, dear, it is a beginning.' + +'That is what I feel. It is the foundation-stone of our fortunes. +And so I want Her Majesty to lay it--mustn't wrinkle your brow +though--that is not allowed.' + +'But it is a great responsibility, Frank.' + +'Yes, we must not lose it.' + +'No, dear, we must not lose it. Suppose we invest it in one of those +modern fifty-guinea pianos. Our dear old Broadwood was an excellent +piano when I was a girl, but it is getting so squeaky in the upper +notes. Perhaps they would allow us something for it.' + +He shook his head. + +'I know that we want one very badly, dear. And such a musician as +you are should have the best instrument that money can buy. I +promise you that when we have a little to turn round on, you shall +have a beauty. But in the meantime we must not buy anything with +this money--I mean nothing for ourselves--we must invest it. We +cannot tell what might happen. I might fall ill. I might die.' + +'O Frank, how horrid you are this morning!' + +'Well, we have to be ready for anything. So I want to put this where +we can get it on an emergency, and where in the meantime it will +bring us some interest. Now what shall we buy?' + +'Papa always bought a house.' + +'But we have not enough.' + +'Not a little house?' + +'No, not the smallest.' + +'A mortgage, then?' + +'The sum is too small.' + +'Government stock, Frank--if you think it is safe.' + +'Oh, it is safe enough. But the interest is so low.' + +'How much should we get?' + +'Well, I suppose the fifty pounds would bring us in about thirty +shillings a year.' + +'Thirty shillings! O Frank!' + +'Rather less than more.' + +'Fancy a great rich nation like ours taking our fifty pounds and +treating us like that. How MEAN of them! Don't let them have it, +Frank.' + +'No, I won't.' + +'If they want it, they can make us a fair offer for it.' + +'I think we'll try something else.' + +'Well, they have only themselves to thank. But you have some plan in +your head, Frank. What is it?' + +He brought the morning paper over from the table. Then he folded it +so as to bring the financial columns to the top. + +'I saw a fellow in the City yesterday who knows a great deal about +gold-mining. I only had a few minutes' talk, but he strongly advised +me to have some shares in the El Dorado Proprietary Gold Mine.' + +'What a nice name! I wonder if they would let us have any?' + +'Oh yes, they are to be bought in the open market. It is like this, +Maude. The mine was a very good one, and paid handsome dividends. +Then it had some misfortunes. First, there was no water, and then +there was too much water, and the workings were flooded. So, of +course, the price of the shares fell. Now they are getting the mine +all right again, but the shares are still low. It certainly seems a +very good chance to pick a few of them up.' + +'Are they very dear, Frank?' + +'I looked them up in the Mining Register before I came home +yesterday. The original price of each share was ten shillings, but +as they have had these misfortunes, one would expect to find them +rather lower.' + +'Ten shillings! It does not seem much to pay for a share in a thing +with a name like that.' + +'Here it is,' said he, pointing with a pencil to one name in a long +printed list. 'This one, between the Royal Bonanza and the Alabaster +Consols. You see--El Dorado Proprietary! Then after it you have +printed, 4.75--4.875. I don't profess to know much about these +things, but that of course means the price.' + +'Yes, dear, it is printed at the top of the column--"Yesterday's +prices."' + +'Quito so. Well, we know that the original price of each share was +ten shillings, and of course they must have dropped with a flood in +the mine, so that these figures must mean that the price yesterday +was four shillings and nine-pence, or thereabouts.' + +'What a clear head for business you have, dear!' + +'I think we can't do wrong in buying at that price. You see, with +our fifty pounds we could buy two hundred of them, and then if they +went up again we could sell, and take our profit.' + +'How delightful! But suppose they don't go up.' + +'Well, they can't go down. I should not think that a share at four +shillings and ninepence COULD go down very much. There is no room. +But it may go up to any extent.' + +'Besides, your friend said that they would go up.' + +'Yes, he seemed quite confident about it. Well, what do you think, +Maude? Is it good enough or not?' + +'O Frank, I hardly dare advise you. Just imagine if we were to lose +it all. Do you think it would be wiser to get a hundred shares, and +then we could buy twenty-five pounds' worth of Royal Bonanza as well. +It would be impossible for them both to go wrong.' + +'The Royal Bonanza shares are dear, and then we have had no +information about it. I think we had better back our own opinion.' + +'All right, Frank.' + +'Then that is settled. I have a telegraph-form here.' + +'Could you not buy them yourself when you are in town?' + +'No, you can't buy things yourself. You have to do it through a +broker.' + +'I always thought a broker was a horrid man, who came and took your +furniture away.' + +'Ah, that's another kind of broker. He comes afterwards. I promised +Harrison that he should have any business which I could put in his +way, so here goes. How is that?' - + + +'Harrison, 13a Throgmorton Street, E.C.--Buy two hundred El Dorado +Proprietaries. + +'CROSSE, Woking.' + + +'Doesn't it sound rather peremptory, Frank?' + +'No, no, that is mere business.' + +'I hope he won't be offended.' + +'I think I can answer for that.' + +'You have not said the price.' + +'One cannot say the price because one does not know it. You see, it +is always going up and down. By this time it may be a little higher +or a little lower than yesterday. There cannot be much change, that +is certain. Great Scot, Maude, it is ten-fifteen. Three and a half +minutes for a quarter of a mile. Good-bye, darling! I just love you +in that bodice. O Lord--good-bye!' + + +'Well, has anything happened?' + +'Yes, you have come back. Oh I am so glad to see you, you dear old +boy!' + +'Take care of that window, darling!' + +'Oh, my goodness, I hope he didn't see. No, it's all right. He was +looking the other way. We have the gold shares all right.' + +'Harrison has telegraphed?' + +'Yes, here it is.' - + + +'Crosse, The Lindens, Woking.--Bought two hundred El Dorados at 4.75. + +HARRISON.' + + +'That is capital. I rather expected to see Harrison in the train. I +shouldn't be surprised if he calls on his way from the station. He +has to pass our door, you know, on his way to Maybury.' + +'He is sure to call.' + +'What are you holding there?' + +'It's a paper.' + +'What paper?' + +'Who is it who talks about woman's curiosity?' + +'Let me see it.' + +'Well, sir, if you must know, it is the Financial Whisper.' + +'Where in the world did you get it?' + +'I knew that the Montresors took a financial paper. I remember Mrs. +Montresor saying once how dreadfully dry it was. So when you were +gone I sent Jemima round and borrowed it, and I have read it right +through to see if there was anything about our mine in it--OUR mine, +Frank; does it not sound splendid?' + +'Well, is there anything?' + +She clapped her hands with delight. + +'Yes, there is. "This prosperous mine--" that is what it says. Look +here, it is under the heading of Australian Notes,' she held out the +paper and pointed, but his face fell as he looked. + +'O Maude, it's preposterous.' + +'What is preposterous?' + +'The word is preposterous and not prosperous--"this preposterous +mine."' + +'Frank!' She turned her face away. + +'Never mind, dear! What's the odds?' + +'O Frank, our first investment--our fifty pounds! And to think that +I should have kept the paper as a surprise for you!' + +'Well, the print is a little slurred, and it was a very natural +mistake. After all, the paper may be wrong. Oh don't, Maude, please +don't! It's not worth it--all the gold on the earth is not worth it. +There's a sweet girlie! Now, are you better? Oh, damn those open +curtains!' + +A tall and brisk young man with a glossy hat was coming through the +garden. An instant later Jemima had ushered him in. + +'Hullo, Harrison!' + +'How do you do, Crosse? How are you, Mrs. Crosse?' + +'How do you do? I'll just order tea if you will excuse me.' + +Ordering tea seemed to involve a good deal of splashing water. Maude +came back with a merrier face. + +'Is this a good paper, Mr. Harrison?' + +'What is it? Financial Whisper! No, the most venal rag in the +city.' + +'Oh, I am so glad!' + +'Why?' + +'Well, you know, we bought some shares to-day, and it calls our mine +a preposterous one.' + +'Oh, is that all. Who cares what the Financial Whisper says! It +would call the Bank of England a preposterous institution if it +thought it could bear Consols by doing so. Its opinion is not worth +a halfpenny. By the way, Crosse, it was about those shares that I +called.' + +'I thought you might. I have only just got back myself, and I saw by +your wire that you had bought them all right.' + +'Yes, I thought I had better let you have your contract at once. +Settling day is on Monday, you know.' + +'All right. Thank you. I will let you have a cheque. What--what's +this?' + +The contract had been laid face upwards upon the table. Frank +Crosse's face grew whiter and his eyes larger as he stared at it. It +ran in this way - + + +13a THROGMORTON STREET. + +Bought for Francis Crosse, Esq. + +(Subject to the Specific Rules and Regulations of the Stock +Exchange.) Pounds +200 El Dorado Proprietaries at 4.75 950 0 0 +Stamps and Fees 4 17 6 +Commission 7 10 0 + 962 7 6 + +For the 7th inst. + + +'I fancy there is some mistake here, Harrison,' said he, speaking +with a very dry pair of lips. + +'A mistake!' + +'Yes, this is not at all what I expected.' + +'O Frank! Nearly a thousand pounds!' gasped Maude. + +Harrison glanced from one of them to the other. He saw that the +matter was serious. + +'I am very sorry if there has been any mistake. I tried to obey your +instructions. You wanted two hundred El Dorados, did you not?' + +'Yes, at four and ninepence.' + +'Four and ninepence! They are four pound fifteen each.' + +'But I read that they were only ten shillings originally, and that +they had been falling.' + +'Yes, they have been falling for months. But they were as high as +ten pounds once. They are down at four pound fifteen now.' + +'Why on earth could the paper not say so?' + +'When a fraction is used, it always means a fraction of a pound.' + +'Good heavens! And I have to find this sum before Monday.' + +'Monday is settling day.' + +'I can't do it, Harrison. It is impossible.' + +'Then there is the obvious alternative.' + +'No, I had rather die. I will never go bankrupt--never!' + +Harrison began to laugh, and then turned stonily solemn as he met a +pair of reproachful grey eyes. + +'It strikes me that you have not done much at this game, Crosse.' + +'Never before--and by Heaven, never again!' + +'You take it much too hard. When I spoke of an alternative, I never +dreamed of bankruptcy. All you have to do is to sell your stock to- +morrow morning, and pay the difference.' + +'Can I do that?' + +'Rather. Why not?' + +'What would the difference be?' + +Harrison took an evening paper from his pocket. 'We deal in rails +chiefly, and I don't profess to keep in touch with the mining market. +We'll find the quotation here. By Jove!' He whistled between his +teeth. + +'Well!' said Frank, and felt his wife's little warm palm fall upon +his hand under the table. + +'The difference is in your favour.' + +'In my favour?' + +'Yes, listen to this. "The mining markets, both the South African +and the Australian, opened dull, but grew more animated as the day +proceeded, prices closing at the best. Out crops upon the Rand mark +a general advance of one-sixteenth to one-eighth. The chief feature +in the Australian section was a sharp advance of five-eighths in El +Dorados, upon a telegram that the workings had been pumped dry." +Crosse, I congratulate you.' + +'I can really sell them for more than I gave?' + +'I should think so. You have two hundred of them, and a profit of +ten shillings on each.' + +'Maude, we'll have the whisky and the soda. Harrison, you must have +a drink. Why, that's a hundred pounds.' + +'More than a hundred.' + +'Without my paying anything?' + +'Not a penny.' + +'When does the Exchange open to-morrow?' + +'The rattle goes at eleven.' + +'Well, be there at eleven, Harrison. Sell them at once.' + +'You won't hold on and watch the market?' + +'No, no--I won't have an easy moment until they are sold.' + +'All right, my boy. You can rely upon me. You will get a cheque for +your balance on Tuesday or Wednesday. Good evening! I am so glad +that it has all ended well.' + +'And the joke of it is, Maude,' said her husband, after they had +talked over the whole adventure from the beginning. 'The joke of it +is that we have still to find an investment for our original fifty +pounds. I am inclined to put it into Consols after all.' + +'Well,' said Maude, 'perhaps it would be the patriotic thing to do.' + +Two days later the poor old Broadwood with the squeaky treble and the +wheezy bass was banished for ever from The Lindens, and there arrived +in its place a ninety-five-guinea cottage grand, all dark walnut and +gilding, with notes in it so deep and rich and resonant that Maude +could sit before it by the hour and find music enough in simply +touching one here and one there, and listening to the soft, sweet, +reverberant tones which came swelling from its depths. Her El Dorado +piano, she called it, and tried to explain to lady visitors how her +husband had been so clever at business that he had earned it in a +single day. As she was never very clear in her own mind how the +thing had occurred, she never succeeded in explaining it to any one +else, but a vague and solemn impression became gradually diffused +abroad that young Mr. Frank Crosse was a very remarkable man, and +that he had done something exceedingly clever in the matter of an +Australian mine. + + + +CHAPTER XVIII--A THUNDERCLOUD + + + +Blue skies and shining sun, but far down on the horizon one dark +cloud gathers and drifts slowly upwards unobserved. Frank Crosse was +aware of its shadow when coming down to breakfast he saw an envelope +with a well-remembered handwriting beside his plate. How he had +loved that writing once, how his heart had warmed and quickened at +the sight of it, how eagerly he had read it--and now a viper coiled +upon the white table-cloth would hardly have given him a greater +shock. Contradictory, incalculable, whimsical life! A year ago how +scornfully he would have laughed, what contemptuous unbelief would +have filled his soul, if he had been told that any letter of hers +could have struck him cold with the vague apprehension of coming +misfortune. He tore off the envelope and threw it into the fire. +But before he could glance at the letter there was the quick patter +of his wife's feet upon the stair, and she burst, full of girlish +health and high spirits, into the little room. She wore a pink +crepon dressing-gown, with cream guipure lace at the neck and wrists. +Pink ribbon outlined her trim waist. The morning sun shone upon her, +and she seemed to him to be the daintiest, sweetest tiling upon +earth. He had thrust his letter into his pocket as she entered. + +'You will excuse the dressing-gown, Frank.' + +'I just love you in it. No, you mustn't pass. Now you can go.' + +'I was so afraid that you would breakfast without me that I had no +time to dress. I shall have the whole day to finish in when you are +gone. There now--Jemima has forgotten to warm the plates again! And +your coffee is cold. I wish you had not waited.' + +'Better cold coffee with Maude's society.' + +'I always thought men gave up complimenting their wives after they +married them. I am so glad you don't. I think on the whole that +women's ideas of men are unfair and severe. The reason is that the +women who have met unpleasant men run about and make a noise, but the +women who are happy just keep quiet and enjoy themselves. For +example, I have not time to write a book explaining to every one how +nice Frank Crosse is; but if he were nasty my life would be empty, +and so of course I should write my book.' + +'I feel such a fraud when you talk like that.' + +'That is part of your niceness.' + +'Oh don't, Maude! It really hurts me.' + +'Why, Frank, what is the matter with you to-day?' + +'Nothing, dear.' + +'Oh yes, there is. I can tell easily.' + +'Perhaps I am not quite myself.' + +'No, I am sure that you are not. I believe that you have a cold +coming on. O Frank, do take some ammoniated quinine.' + +'Good heavens, no!' + +'Please! Please!' + +'My dear girlie, there is nothing the matter with me.' + +'But it is such splendid stuff.' + +'Yes, I know. But really I don't want it.' + +'Have you had any letters, Frank?' + +'Yes, one.' + +'Anything important?' + +'I have hardly glanced at it yet.' + +'Glance at it now.' + +'Oh, I will keep it for the train. Good-bye, dearest. It is time +that I was off.' + +'If you would only take the ammoniated quinine. You men are so proud +and obstinate. Good-bye, darling. Eight hours, and then I shall +begin to live again.' + +He had a quiet corner of a carriage to himself, so he unfolded his +letter and read it. Then he read it again with frowning brows and +compressed lips. It ran in this way - + + +My Dearest Frankie,--I suppose that I should not address you like +this now that you are a good little married man, but the force of +custom is strong, and, after all, I knew you long before she did. I +don't suppose you were aware of it, but there was a time when I could +very easily have made you marry me, in spite of all you may know +about my trivial life and adventures, but I thought it all over very +carefully, and I came to the conclusion that it was not good enough. +You were always a dear good chap yourself, but your prospects were +not quite dashing enough for your festive Violet. I believe in a +merry time even if it is a short one. But if I had really wanted to +settle down in a humdrum sort of way, you are the man whom I should +have chosen out of the whole batch of them. I hope what I say won't +make you conceited, for one of your best points used to be your +modesty. + +But for all that, my dear Frankie, I by no means give you up +altogether, and don't you make any mistake about that. It was only +yesterday that I saw Charlie Scott, and he told me all about you, and +gave me your address. Don't you bless him? And yet I don't know. +Perhaps you have still a kindly thought of your old friend, and would +like to see her. + +But you are going to see her whether you like or not, my dear boy, so +make up your mind to that. You know how you used to chaff me about +my whims. Well, I've got a whim now, and I'll have my way as usual. +I am going to see you to-morrow, and if you won't see me under my +conditions in London, I shall call at Woking in the evening. Oh my +goodness, what a bombshell! But you know that I am always as good as +my word. So look out! + +Now I'll give you your orders for the day, and don't you forget them. +To-morrow (Thursday, 14th, no excuses about the date) you will leave +your office at 3.30. I know that you can when you like. You will +drive to Mariani's, and you will find me at the door. We shall go up +to our old private room, and we shall have tea together, and a dear +old chat about all sorts of things. So come! But if you don't, +there is a train which leaves Waterloo at 6.10 and reaches Woking at +7. I will come by it and be just in time for dinner. What a joke it +will be! + +Good-bye, old boy! I hope your wife does not read your letters, or +this will rather give her fits. + +- Yours as ever, VIOLET WRIGHT. + + +At the first reading this letter filled him with anger. To be wooed +by a very pretty woman is pleasant even to the most austere of +married men (and never again trust the one who denies it), but to be +wooed with a very dangerous threat mixed up with the wooing is no +such pleasant experience. And it was no empty threat. Violet was a +woman who prided herself upon being as good as her word. She had +laughingly said with her accustomed frankness upon one occasion that +it was her sole remaining virtue. If he did not go to Mariani's, she +would certainly come to Woking. He shuddered to think of Maude being +annoyed by her. It was one thing to speak in a general way to his +wife of prematrimonial experiences, and it was another to have this +woman forcing herself upon her and making a scene. The idea was so +vulgar. The sweet, pure atmosphere of The Lindens would never be the +same again. + +No, there was no getting out of it. He must go to Mariani's. He was +sufficiently master of himself to know that no harm could come of +that. His absolute love for his wife shielded him from all danger. +The very thought of infidelity nauseated him. And then, as the idea +became more familiar to him, other emotions succeeded that of anger. +There was an audacity about his old flame, a spirit and devilment, +which appealed to his sporting instincts. Besides, it was +complimentary to him, and flattering to his masculine vanity, that +she should not give him up without a struggle. Merely as a friend it +would not be disagreeable to see her again. Before he had reached +Clapham Junction his anger had departed, and by the time that he +arrived at Waterloo he was surprised to find himself looking forward +to the interview. + +Mariani's is a quiet restaurant, famous for its lachryma christi +spumante, and situated in the network of sombre streets between Drury +Lane and Covent Garden. The fact of its being in a by-street was not +unfavourable to its particular class of business. Its customers were +very free from the modern vice of self-advertisement, and would even +take some trouble to avoid publicity. Nor were they gregarious or +luxurious in their tastes. A small, simple apartment was usually +more to their taste than a crowded salon, and they were even prepared +to pay a higher sum for it. + +It was five minutes to four when Frank arrived, and the lady had not +yet appeared. He stood near the door and waited. Presently a hansom +rattled into the narrow street, and there she sat framed in its +concavity. A pretty woman never looks prettier than in a hansom, +with the shadows behind to give their Rembrandt effect to the face in +front. She raised a yellow kid hand, and flashed a smile at him. + +'Just the same as ever,' said she, as he handed her down. + +'So are you.' + +'So glad you think so. I am afraid I can't quite agree with you. +Thirty-four yesterday. It's simply awful. Thank you, I have some +change. All right, cabby. Well, have you got a room?' + +'No.' + +'But you'll come?' + +'Oh yes, I should like to have a chat.' + +The clean-shaven, round-faced manager, a man of suave voice and +diplomatic manner, was standing in the passage. His strange life was +spent in standing in the passage. He remembered the pair at once, +and smiled paternally. + +'Not seen you for some time, sir!' + +'No, I have been engaged.' + +'Married,' said the lady. + +'Dear me!' said the proprietor. 'Tea, sir?' + +'And muffins. You used to like the muffins.' + +'Oh yes, muffins by all means.' + +'Number ten,' said the proprietor, and a waiter showed them upstairs. +'All meals nine shillings each,' he whispered, as Frank passed him at +the door. He was a new waiter, and so mistook every one for a new +customer, which is an error which runs through life. + +It was a dingy little room with a round table covered by a soiled +cloth in the middle. Two windows, discreetly blinded, let in a dim +London light. An armchair stood at each side of the empty fireplace, +and an uncomfortable, old-fashioned, horsehair sofa lined the +opposite wall. There were pink vases upon the mantelpiece, and a +portrait of Garibaldi above it. + +The lady sat down and took off her gloves. Frank stood by the window +and smoked a cigarette. The waiter rattled and banged and jingled +with the final effect of producing a tea-tray and a hot-water dish. +'You'll ring if you want me, sir,' said he, and shut the door with +ostentatious completeness. + +'Now we can talk,' said Frank, throwing his cigarette into the +fireplace. 'That waiter was getting on my nerves.' + +'I say, I hope you're not angry.' + +'What at?' + +'Well, my saying I should come down to Woking, and all that.' + +'I should have been angry if I thought you had meant it.' + +'Oh, I meant it right enough.' + +'But with what object?' + +'Just to get level with you, Frankie, if you threw me over too +completely. Hang it all, she has three hundred and sixty-five days +in the year! Am I to be grudged a single hour?' + +'Well, Violet, we won't quarrel about it. You see I came all right. +Pull up your chair and have some tea.' + +'You haven't even looked at me yet. I won't take any tea until you +do.' + +She stood up in front of him, and pushed up her veil. It was a face +and a figure worth looking at. Hazel eyes, dark chestnut hair, a +warm flush of pink in her cheeks, the features and outline of an old +Grecian goddess, but with more of Juno than of Venus, for she might +perhaps err a little upon the side of opulence. There was a +challenge and defiance dancing in those dark devil-may-care eyes of +hers which might have roused a more cold-blooded man than her +companion. Her dress was simple and dark, but admirably cut. She +was clever enough to know that a pretty woman should concentrate +attention upon herself, and a plain one divert it to her adornments. + +'Well?' + +'By Jove, Violet, you look splendid.' + +'Well?' + +'The muffins are getting cold.' + +'Frankie, what IS the matter with you?' + +'Nothing is the matter.' + +'Well?' + +She put out her two hands and took hold of his. That well-remembered +sweet, subtle scent of hers rose to his nostrils. There is nothing +more insidious than a scent which carries suggestions and +associations. 'Frankie, you have not kissed me yet.' + +She turned her smiling face upwards and sideways, and for an instant +he leaned forward towards it. But he had himself in hand again in a +moment. It gave him confidence to find how quickly and completely he +could do it. With a laugh, still holding her two hands, he pushed +her back into the chair by the table. + +'There's a good girl!' said he. 'Now we'll have some tea, and I'll +give you a small lecture while we do so.' + +'You are a nice one to give lectures.' + +'Oh, there's no such preacher as a converted sinner.' + +'You really are converted then?' + +'Rather. Two lumps, if I remember right. You ought to do this, not +I. No milk, and very strong--how you keep your complexion I can't +imagine. But you do keep it; my word, you do! Now please don't look +so crossly at me.' + +Her flushed cheeks and resentful eyes had drawn forth the +remonstrance. + +'You ARE changed,' she said, with surprise as well as anger in her +voice. + +'Why, of course I am. I am married.' + +'For that matter Charlie Scott is married.' + +'Don't give Charlie Scott away.' + +'I think I give myself away. So you have lost all your love for me. +I thought it was to last for ever.' + +'Now, do be sensible, Violet.' + +'Sensible! How I loathe that word! A man only uses it when he is +going to do something cold-blooded and mean. It is always the +beginning of the end.' + +'What do you want me to do?' + +'I want you to be my own Frankie--just the same as before. Ah do, +Franck--don't leave me! You know I would give any of them up for +you. And you have a good influence over me--you have really! You +call't think how hard I am with other people. Ask Charlie Scott. He +will tell you. I've been so different since I have lost sight of +you. Now, Frankie, don't be horrid to me! Kiss and be nice!' Again +her soft warm hand was upon his, and the faint sweet smell of violets +went to his blood like wine. He jumped up, lit another cigarette, +and paced about the room. + +'You shan't have a cigarette, Frankie.' + +'Why not?' + +'Because you said once it helped you to control yourself. I don't +want you to control yourself. I want you to feel as I feel.' + +'Do sit down, like a good girl!' + +'Cigarette out!' + +'Don't be absurd, Violet!' + +'Come, out with it, sir.' + +'No, no, leave it alone!' + +She had snatched it from his lips and thrown it into the grate. + +'What is the use of that? I have a case full.' + +'They shall all follow the first.' + +'Well, then, I won't smoke.' + +'I'll see that you don't.' + +'Well, what the better are you for that?' + +'Now, be nice.' + +'Go back to your chair and have some more tea.' + +'Oh, bother the tea!' + +'Well, I won't speak to you unless you sit down and behave yourself.' + +'There now! Speak away.' + +'Look here, dear Violet, you must not talk about this any more. Some +things are possible and some are impossible. This is absolutely, +finally impossible. We can never go back upon the past. It is +finished and done with.' + +'Then what did you come here for?' + +'To bid you good-bye.' + +'A Platonic good-bye.' + +'Of course.' + +'In a private room at Mariani's.' + +'Why not?' + +She laughed bitterly. + +'You were always a little mad, Frankie.' + +He leaned earnestly over the table. + +'Look here, Violet, the chances are that we shall never meet again.' + +'It takes two to say that.' + +'Well, I mean that after to-day I should not meet you again. If you +were not quite what you are it would be easier. But as it is I find +it a little too much of a test. No, don't mistake me or think that I +am weakening. That is impossible. But all the same I don't want to +go through it again.' + +'So sorry if I have upset you.' + +He disregarded her irony. + +'We have been very good friends, Violet. Why should we part as +enemies?' + +'Why should we part at all?' + +'We won't go back over that. Now do please look facts in the face +and help me to do the right thing, for it would be so much easier if +you would help me. If you were a very good and kind girl you would +shake my hand, like any other old pal, and wish me joy of my +marriage. You know that I should do so if I knew that you were going +to be married.' + +But the lady was not to be so easily appeased. She took her tea in +silence or answered his remarks with monosyllables, while the +occasional flash of her dark eyes as she raised them was like the +distant lightning which heralds the storm. Suddenly, with a swift +rustle of skirts, she was between the door and his chair. + +'Now, Frankie, we have had about enough of this nonsense,' said she. +'Don't imagine that you are going to get out of this thing so easily. +I've got you, and I'll keep you.' + +He faced round in his chair and looked helplessly at her with a hand +upon each knee. + +'O Lord! Don't begin it all over again,' said he. + +'No, I won't,' she answered with an angry laugh. 'I'll try another +line this time, Master Frank. I'm not the sort of woman who lets a +thing go easily when once I have set my heart upon it. I won't try +coaxing any longer--' + +'So glad,' he murmured. + +'You may say what you like, but you can't do it, my boy. I knew you +before she did, and I'll keep you, or else I'll make such a row that +you will be sorry that you ever put my back up. It's all very fine +to sit there and preach, but it won't do, Frankie. You can't slip +out of things as easily as all that.' + +'Why should you turn nasty like this, Violet? What do you think you +will gain by it?' + +'I mean to gain YOU. I like you, Frankie. I'm not sure that I don't +really love you--real, real love, you know. Any way, I don't intend +to let you go, and if you go against my will I give you my word that +I shall make it pretty sultry for you down at Woking.' + +He stared moodily into his teacup. + +'Besides, what rot it all is!' she continued, laying her hand upon +his shoulder. 'When did you begin to ride the high moral horse? You +were just as cheerful as the rest of them when last I saw you. You +speak as if a man ceased to live just because he is married. What +has changed you?' + +'I'll tell you what has changed me,' said he, looking up. 'My wife +has changed me.' + +'Oh, bother your wife!' + +A look which was new to her came over his face. + +'Stop that!' said he sharply. + +'Oh, no harm! How has your wife made this wonderful change?' + +His mood softened as his thoughts flew back to Woking. + +'By her own goodness--the atmosphere that she makes round her. If +you knew how wholesome she was, how delicate in her most intimate +thoughts, how fresh and how sweet and how pure, you would understand +that the thought of being false to her is horrible. When I think of +her as she sat at breakfast this morning, so loving and so innocent-- +' + +He would have been more discreet if he had been less eloquent. The +lady's temper suddenly overflowed. + +'Innocent!' she cried. 'As innocent as I am.' + +He sprang to his feet with eyes which were more angry than her own. + +'Hold your tongue! How dare you talk against my wife! You are not +fit to mention her name.' + +'I'll go to Woking,' she gasped. + +'You can go to the devil!' said he, and rang the bell for his bill. +She stared at him with a surprise which had eclipsed her anger, while +she pulled on her gloves with little sharp twitches. This was a new +Frank Crosse to her. As long as a woman gets on very well with a +man, she is apt, at the back of her soul, to suspect him of weakness. +It is only when she differs from him that she can see the other side, +and it always comes as a surprise. She liked him better than ever +for the revelation. + +'I'm not joking,' she whispered, as they went down the stair. 'I'll +go, as sure as fate.' + +He took no notice, but passed on down the street without a word of +farewell. When he came to the turning he looked back. She was +standing by the curb, with her proud head high in the air, while the +manager screamed loudly upon a whistle. A cab swung round a distant +corner. Crosse reached her before it did. + +'I hope I haven't hurt your feelings,' said he. 'I spoke too +roughly.' + +'Trying to coax me away from Woking,' she sneered. 'I'm coming all +the same.' + +'That's your affair,' said he, as he handed her into the cab. + + + +CHAPTER XIX--DANGER + + + +Again the bright little dining-room, with the morning sun gleaming +upon the high silver coffee pot and the electro-plated toast-rack-- +everything the same, down to the plates which Jemima had once again +forgotten to warm. Maude, with the golden light playing upon the +fringes of her curls, and throwing two little epaulettes of the +daintiest pink across her shoulders, sat in silence, glancing across +from time to time with interrogative eyes at her husband. He ate his +breakfast moodily, for he was very ill at ease. There was a struggle +within him, for his conscience was pulling him one way and his +instincts the other. Instincts are a fine old conservative force, +while conscience is a thing of yesterday, so it is usually safe to +prophesy which will sway the other. + +The matter at issue was whether he should tell Maude about Violet +Wright. If she were going to carry out her threat, then certainly it +would be better to prepare her. But after all, his arguments of +yesterday might prevail with her when her first impetuous fit of +passion was over. Why should he go half-way to meet danger? If it +came, nothing which he could say would ward it off. If it did not +come, there was no need for saying anything. Conscience told him +that it would be better to be perfectly straight with his wife. +Instinct told him that though she would probably be sweet and +sympathetic over it, yet it would rankle in her mind and poison her +thoughts. And perhaps for once, Instinct may have been better than +Conscience. Do not ask too many questions, you young wife! Do not +be too free with your reminiscences, you young husband. There are +things which can be forgiven, but never, never, can they be +forgotten. That highest thing on earth, the heart of a loving woman, +is too tender, too sacred, to be bruised by a wanton confidence. You +are hers. She is yours. The future lies with both of you. It is +wiser to leave the past alone. The couples who boast that they have +never had a secret are sometimes happy because the boast is sometimes +untrue. + +'You won't be late to-day, Frank,' said Maude at last, peeping round +the tall coffee-pot. + +'No, dear, I won't.' + +'You were yesterday, you know.' + +'Yes, I know I was.' + +'Were you kept at the office?' + +'No, I had tea with a friend.' + +'At his house?' + +'No, no, at a restaurant. Where has Jemima put my boots? I wonder +if she has cleaned them. I can never tell by looking. Here they +are. And my coat? Anything I can get you in town? Well, good-bye, +dear, good-bye!' Maude had never seen him make so hurried an exit. + +It is always a mystery to the City man how his wife puts in the seven +hours a day of loneliness while the E.C. has claimed him for its own. +She cannot explain it to him, for she can hardly explain it to +herself. It is frittered away in a thousand little tasks, each +trivial in itself, and yet making in their sum the difference between +a well-ordered and a neglected household. Under the illustrious +guidance of the omniscient Mrs. Beeton there is the usual routine to +be gone through. The cook has to be seen, the larder examined, the +remains cunningly transformed into new and attractive shapes, the +dinner to be ordered (anything will do for lunch), and the new +supplies to be got in. The husband accepts the excellent little +dinner, the fried sole, the ris de veau en caisse, the lemon pudding, +as if they had grown automatically out of the table-cloth. He knows +nothing of the care, the judgment, the prevision which ring the +changes with every season, which never relax and never mistake. He +enjoys the fruits, but he ignores the work which raised them. And +yet the work goes cheerfully and uncomplainingly on. + +Then when every preparation has been made for the dinner--that solemn +climax of the British day, there is plenty for Maude to do. There is +the white chiffon to be taken out of the neck of that dress, and the +pink to be put in. Amateur dressmaking is always going on at The +Lindens, and Frank has become more careful in his caresses since he +found one evening that his wife had a row of pins between her lips-- +which is not a pleasant discovery to make with your own. Then there +are drawers to be tidied, and silver to be cleaned, and the leaves of +the gutta-percha plant to be washed, and the feather which was damped +yesterday to be re-curled before the fire. That leaves just time +before lunch to begin the new novel by glancing at the last two pages +to see what DID happen, and then the three minutes lunch of a lonely +woman. So much for business, now for the more trying social duties. +The pink dressing-gown is shed and a trim little walking dress-- +French grey cloth with white lisse in front and a grey zouave jacket- +-takes its place. Visiting strangers is not nearly so hard when you +are pleased with your dress, and even entertaining becomes more easy +when your costumiere lives in Regent Street. On Tuesdays Maude is at +home. Every other day she hunts through her plate of cards, and is +overwhelmed by the sense of her rudeness towards her neighbours. But +her task is never finished, though day after day she comes back jaded +with her exertions. Strangers still call upon her--'hope it is not +too late to do the right thing, and to welcome,' etc., etc.--and they +have to be re-visited. While she is visiting them, other cards +appear upon her hall table, and so the foolish and tiresome +convention continues to exhaust the time and the energies of its +victim. + +Those original receptions were really very difficult. Jemima +announced a name which might or might not bear some relation to the +visitor's. The lady entered. Her name might perhaps be Mrs. Baker. +Maude had no means of knowing who Mrs. Baker might be. The visitor +seldom descended to an explanation. Ten minutes of desultory and +forced conversation about pinewoods and golf and cremation. A cup of +tea and a departure. Then Maude would rush to the card-tray to try +to find out whom it was that she had been talking to, and what it was +all about. + +Maude did not intend to go visiting that particular day, and she had +hoped that no one might visit her. The hours of danger were almost +past, and it was close upon four o'clock, when there came a brisk +pull at the bell. + +'Mrs. White,' said Jemima, opening the drawing-room door. + +'Wright,' said the visitor, as she walked in--'Mrs. Violet Wright.' + +Maude rose with her pleasant smile. It was a peculiarly sweet and +kindly smile, for it was inspired by a gentle womanly desire to make +things pleasant for all who were around her. Amiability was never +artificial with her, for she had the true instincts of a lady--those +instincts so often spoken of, so seldom, so very seldom seen. Like a +gentleman, or a Christian, or any other ideal, it is but a poor +approximation which is commonly attained. + +But the visitor did not respond to the pretty gesture of welcome, nor +did her handsome face return that sympathetic smile. They stood for +an instant looking at each other, the one tall, masterful, mature, +the other sweet, girlish, and self-distrustful, but each beautiful +and engaging in her own way. Lucky Master Frank, whose past and +present could take such a form; but luckier still if he could have +closed the past when the present opened. The visitor was silent, but +her dark eyes looked critically and fixedly at her rival. Maude, +setting the silence down to the shyness of a first visit, tried to +make matters easier. + +'Please try this armchair. No doubt you have had a tiring walk. It +is still very warm in the afternoons. I think it was so kind of you +to call.' + +A faint smile flickered upon the dark face. + +'Kind of me to call!' said she. + +'Yes; for in a rising place like Woking, with so many new arrivals, +it must be quite a task for the older inhabitants to welcome them. I +have been so surprised by the kindness which every one has shown.' + +'Oh, I see,' said her visitor, 'you think that I live here. I have +really just come down from London.' + +'Indeed,' said Maude, and awaited an explanation. As none was +forthcoming, she added, 'You will find Woking a very nice place.' + +'A nice place to be buried in, alive or dead,' said her visitor. + +There was something peculiarly ungracious in her tone and manner. It +seemed to Maude that she had never before been alone with so singular +a person. There was, in the first place, her striking and yet rather +sinister and voluptuous beauty. + +Then there was the absolute carelessness of her manner, the quiet +assumption that she was outside the usual conventionalities of life. +It is a manner only to be met in English life, among some of the +highest of the high world, and some of the highest of the half world. +It was new to Maude, and it made her uncomfortable, while mingled +with it there was something else which made her feel for the first +time in her life that she had incurred the hostility of a fellow- +mortal. It chilled her, and made her unhappy. + +The visitor made no effort to sustain the conversation, but leaned +back in her chair and stared at her hostess with a very critical and +searching glance. Those two questioning dark eyes played eagerly +over her from her brown curls down to the little shining shoe-tips +which peeped from under the grey skirt. Especially they dwelt upon +her face, reading it and rereading it. Never had Maude been so +inspected, and her instinct told her that the inspection was not +altogether a friendly one. + +Violet Wright having examined her rival, proceeded now with the same +cool attention to take in her surroundings. She looked round +deliberately at the furniture of the room, and reconstructed in her +own mind the life of the people who owned it. Maude ventured upon +one or two conventional remarks, but her visitor was not to be +diverted to the weather or to the slowness of the South-Western train +service. She continued her quiet and silent inspection. Suddenly +she rose and swept across to the side-table. A photograph of Frank +in his volunteer uniform stood upon it. + +'This is your husband, Mr. Frank Crosse?' + +'Yes, do you know him?' + +'Slightly. We have mutual friends.' An ambiguous smile played +across her face as she spoke. 'This must have been taken after I saw +him.' + +'It was taken just after our marriage.' + +'Quite so. He looks like a good little married man. The photograph +is flattering.' + +'Oh, you think so!' said Maude coldly. 'My own impression is that it +fails to do him justice.' + +Her visitor laughed. 'Of course that WOULD be your impression,' said +she. + +Maude's gentle soul began to rise in anger. + +'It is the truth,' she cried. + +'It is right that you should think so,' the other answered, with the +same irritating laugh. + +'You must have known him very slightly if you can't see that it is +the truth.' + +'Then I must have known him very slightly.' + +Maude was very angry indeed. She began to find sides to her own +nature the very existence of which she had never suspected. She +tapped her little shoe upon the ground, and she sat with a pale face, +and compressed lips, and bright eyes, quite prepared to be very rude +indeed to this eccentric woman who ventured to criticise her Frank in +so free and easy a style. Her visitor watched her, and a change had +come over her expression. Maude's evident anger seemed to amuse and +interest her. Her eyes lost their critical coldness, and softened +into approval. She suddenly put her hand upon the other's shoulder +with so natural and yet masterful a gesture, that Maude found it +impossible to resent it. + +'He is a lucky man to have such a warm little champion,' said she. + +Her strong character and greater knowledge of the world gave her an +ascendency over the girlish wife such as age has over youth. There +were not ten years between them, and yet Maude felt that for some +reason the conversation between them could not quite be upon equal +terms. The quiet assurance of her visitor, whatever its cause, made +resentment or remonstrance difficult. Besides, they were a pair of +very kindly as well as of very shrewd eyes which now looked down into +hers. + +'You love him very much, then?' + +'Of course I love him. He is my husband.' + +'Does it always follow?' + +'You are married yourself. Don't you love yours?' + +'Oh, never mind mine. HE'S all right. Did you ever love any one +else?' + +'No, not really.' + +Maude was astonished at herself, and yet the questions were so +frankly put that a frank answer came naturally to them. It pleased +her to lose that cold chill of dislike, and to feel that for some +reason her strange visitor had become more friendly to her. + +'You lucky girl, you actually married the one love of your life!' + +Maude smiled and nodded. + +'What a splendid thing to do! I thought it only happened in books. +How happy you must be!' + +'I AM very, very happy.' + +'Well, I dare say you deserve to be. Besides, you really are very +pretty. If ever you had a rival, I should think that it must be some +consolation to her to know that it was so charming a person who cut +her out.' + +Maude laughed at the thought. + +'I never had a rival,' said she. 'My husband never REALLY loved +until he met me.' + +'Did he--oh yes, quite so! That is so nice that you should both +start with a clean sheet! I thought you were very handsome just now +when you were angry with me, but you are quite delightful with that +little flush upon your cheeks. If I had been a man, your husband +would certainly have had one rival in his wooing. And so he really +never loved any one but you? I thought that also only happened in +books.' + +There was a hard and ironic tone in the last sentences which jarred +upon Maude's sensitive nature. She glanced up quickly and was +surprised at the look of pain which had come upon her companion's +face. It relaxed into a serious serenity. + +'That fits in beautifully,' said she. 'But there's one bit of advice +which I should like to give you, if you won't think it a liberty. +Don't be selfish in your married life.' + +'Selfish!' + +'Yes, there is a kind of family selfishness which is every bit as +bad--I am not sure that it is not worse--than personal selfishness. +People love each other, and they shut out the world, and have no +thought for any one else, and the whole universe can slide to +perdition so long as their love is not disturbed. That is what I +call family selfishness. It's a sin and a shame.' + +Maude looked at this strange woman in amazement. She was speaking +fast and hotly, like one whose bitter thoughts have been long penned +up for want of a suitable listener. + +'Remember the women who have been less fortunate than you. Remember +the thousands who are starving, dying, for want of love, and no love +comes their way; whose hearts yearn and faint for that which Nature +owes them, but Nature never pays her debt. Remember the plain women. +Remember the lonely women. Above all, remember your unfortunate +sisters; they, the most womanly of all, who have been ruined by their +own kindliness and trust and loving weakness. It is that family +selfishness which turns every house in the land into a fort to be +held against these poor wanderers. They make them evil, and then +they revile the very evil which they have made. When I look back--' + +She stopped with a sudden sob. Her forearm fell upon the +mantelpiece, and her forehead upon her forearm. In an instant Maude +was by her side, the tears running down her cheeks, for the sight of +grief was always grief to her, and her nerves were weakened by this +singular interview. + +'Dear Mrs. Wright, don't cry!' she whispered, and her little white +hand passed in a soothing, hesitating gesture over the coil of rich +chestnut hair. 'Don't cry! I am afraid you have suffered. Oh, how +I wish I could help you! Do tell me how I can help you.' + +But Violet's occasional fits of weakness were never of a very long +duration. She dashed her hand impatiently across her eyes, +straightened her tall figure, and laughed as she glanced at herself +in the mirror. + +'Madame Celandine would be surprised if she could see how I have +treated one of her masterpieces,' said she, as she straightened her +crushed hat, and arranged her hair with those quick little deft pats +of the palm with which women can accomplish so much in so short a +time. Rumpled finery sets the hands of every woman within sight of +it fidgeting, so Maude joined in at the patting and curling and +forgot all about her tears. + +'There, that will have to do,' said Violet at last. 'I am so sorry +to have made such a fool of myself. I don't err upon the sentimental +side as a rule. I suppose it is about time that I thought of +catching my train for town. I have a theatre engagement which I must +not miss.' + +'How strange it is!' said Maude, looking at her own pretty tear- +marked face in the mirror. 'You have only been here a few minutes, +as time goes, and yet I feel that in some things I am more intimate +with you than with any woman I have ever met. How can it be? What +bond can there be to draw us together like this? And it is the more +extraordinary, because I felt that you disliked me when you entered +the room, and I am sure that you won't be offended if I say that when +you had been here a little I thought that I disliked you. But I +don't. On the contrary, I wish you could come every day. And I want +to come and see you also when I am in town.' + +Maude, for all her amiability, was not gushing by nature, and this +long speech caused her great astonishment when she looked back upon +it. But at the moment it came so naturally from her heart that she +never paused to think of its oddity. Her enthusiasm was a little +chilled, however, by the way in which her advances were received. +Violet Wright's eyes were more kindly than ever, but she shook her +head. + +'No, I don't suppose we shall ever meet again. I don't think I could +ask you to visit me in London. I wanted to see you, and I have seen +you, but that, I fear, must be the end of it.' + +Maude's lip trembled in a way which it had when she was hurt. + +'Why did you wish to see me, then?' she asked. + +'On account of that slight acquaintance with your husband. I thought +it would be interesting to see what sort of wife he had chosen.' + +'I hope you are not disappointed,' said Maude, making a roguish face. + +'He has done very well--better than I expected.' + +'You had not much respect for his taste, then?' + +'Oh yes, I always thought highly of his taste.' + +'You have such a pretty way of putting things. You know my husband +very slightly, but still I can see that you know the world very well. +I often wonder if I am really the best kind of woman that he could +have married. Do you think I am, Mrs. Wright?' + +Her visitor looked in silence for a little at the gentle grace and +dainty sympathetic charm of the woman before her. + +'Yes,' she said slowly, as one who weighs her words. 'I think you +are. You are a lady with a lady's soul in you. A woman can draw a +man down very low, or she can make him live at his very highest. +Don't be soft with him. Don't give way when you know that your way +is the higher way. Pull him up, don't let him ever pull you down. +Then his respect for you will strengthen his love for you, and the +two together are so much greater than either one apart. Your +instinct would be to do this, and therefore you are the best sort of +woman for him.' + +Her opinion was given with so much thought, and yet so much decision, +that Maude glowed with pride and with pleasure. There was knowledge +and authority behind the words of this unaccountable woman. + +'How sweet you are!' she cried. 'I feel that what you say is true. +I feel that that is what a wife should be to her husband. Please +God, I will be so to Frank!' + +'And one other piece of advice before I leave you,' said Violet +Wright. 'Don't ever take your husband for granted. Don't ever +accept his kiss or caress as a routine thing. Don't ever relax those +little attentions which you showed him in the earliest days. Don't +let the freshness go out of love, for the love may soon follow it, +even when duty keeps the man true. It is the commonest mistake which +married women make. It has caused more unhappiness than any other. +They do not realise it until it is too late. Be keenly watchful for +your husband's wants and comforts. It is not the comfort but the +attention which he values. If it is not there he will say nothing, +if he is a good fellow, but he notices it all the same. She has +changed, he thinks. And from that moment he will begin to change +also. Be on your guard against that. It is very unselfish of me to +give you all this wise counsel.' + +'It is very good of you, and I feel that it is all so true. But why +is it unselfish of you?' + +'I only meant that I had no interest in the matter. What does it +matter to me whether you keep his love or not. And yet I don't +know.' She suddenly put her arms round Maude, and kissed her upon +the cheek. 'You are a good little sort, and I hope you will be +happy.' + + +Frank Crosse had disentangled himself from the rush of City men +emerging from the Woking station, and he was walking swiftly through +the gathering gloom along the vile, deeply-rutted road, which formed +a short cut to The Lindens. Suddenly, with a sinking heart, he was +aware of a tall graceful figure which was sweeping towards him. +There could not be two women of that height, who carried themselves +in that fashion. + +'Violet!' + +'Hullo, Frankie! I thought it might be you, but those tall hats and +black overcoats make every one alike. Your wife will be glad to see +you.' + +'Violet! You have ruined our happiness. How could you have the +heart to do it! It is not for myself I speak, God knows. But to +think of her feelings being so abused, her confidence so shaken--' + +'All right, Frankie, there is nothing to be tragic about.' + +'Haven't you been to my house?' + +'Yes, I have.' + +'And seen her?' + +'Yes.' + +'Well then--' + +'I didn't give you away, my boy. I was a model of discretion. I +give you my word that it is all right. And she's a dear little soul, +Frankie. You're not worthy to varnish those pretty patent leathers +of hers. You know you're not. And by Jove, Frankie, if you had +stayed with me yesterday I should never have forgiven you--no, never! +I'll resign in her favour. I will. But in no one else's, and if +ever I hear of your going wrong, my boy, or doing anything but the +best with that sweet trusting woman, I'll make you curse the day that +ever you knew me--I will, by the living Jingo.' + +'Do, Violet--you have my leave.' + +'All right. The least said the soonest mended. Give me a kiss +before we part.' + +She raised her veil, and he kissed her. He was wearing some withered +flower in his overcoat, and she took it from him. + +'It's a souvenir of our friendship, Frankie, and rather a good emblem +of it also. So-long!' said she, as she turned down the weary road +which leads to the station. A young golfer, getting in at Byfleet, +was surprised to see a handsome woman weeping bitterly in the corner +of a second-class carriage. 'Comm' up from roastin' somebody at that +damned crematory place,' was his explanation to his companion. + +Frank had a long and animated account from Maude of the extraordinary +visitor whom she had entertained. 'It's such a pity, dear, that you +don't know her well, for I should really like to hear every detail +about her. At first I thought she was mad, and then I thought she +was odious, and then finally she seemed to be the very wisest and +kindest woman that I had ever known. She made me angry, and +frightened, and grieved, and grateful, and affectionate, one after +the other, and I never in my life was so taken out of myself by any +one. She IS so sensible!' + +'Sensible, is she?' + +'And she said that I was--oh! I can't repeat it--everything that is +nice.' + +'Then she IS sensible.' + +'And such a high opinion of your taste.' + +'Had she indeed.' + +'Do you know, Frank, I really believe that in a quiet, secret, +retiring sort of way she has been fond of you herself.' + +'O Maude, what funny ideas you get sometimes! I say, if we are going +out for dinner, it is high time that we began to dress.' + + + +CHAPTER XX--NO. 5 CHEYNE ROW + + + +Frank had brought home the Life of Carlyle, and Maude had been +dipping into it in the few spare half-hours which the many duties of +a young housekeeper left her. At first it struck her as dry, but +from the moment that she understood that this was, among other +things, an account of the inner life of a husband and a wife, she +became keenly interested, and a passionate and unreasonable partisan. +For Frederick and Cromwell and the other great issues her feelings +were tolerant but lukewarm. But the great sex-questions of 'How did +he treat her?' and of 'How did she stand it?' filled her with that +eternal and personal interest with which they affect every woman. +Her gentle nature seldom disliked any one, but certainly amongst +those whom she liked least, the gaunt figure of the Chelsea sage +began to bulk largely. One night, as Frank sat reading in front of +the fire, he suddenly found his wife on her knees upon the rug, and a +pair of beseeching eyes upon his face. + +'Frank, dear, I want you to make me a promise.' + +'Well, what is it?' + +'Will you grant it?' + +'How can I tell you when I have not heard it?' + +'How horrid you are, Frank! A year ago you would have promised first +and asked afterwards.' + +'But I am a shrewd old married man now. Well, let me hear it.' + +'I want you to promise me that you will never be a Carlyle.' + +'No, no, never.' + +'Really?' + +'Really and truly.' + +'You swear it?' + +'Yes, I do.' + +'O Frank, you can't think what a relief that is to me. That dear, +good, helpful, little lady--it really made me cry this morning when I +thought how she had been used.' + +'How, then?' + +'I have been reading that green-covered book of yours, and he seemed +so cold and so sarcastic and so unsympathetic. He never seemed to +appreciate all that she did for him. He had no thought for her. He +lived in his books and never in her--such a harsh, cruel man!' + +Frank went upstairs, and returned with a volume in his hand. + +'When you have finished the 'Life,' you must read this, dear.' + +'What is it?' + +'It is her letters. They were arranged for publication after her +death, while her husband was still alive. You know that--' + +'Please take it for granted, darling, that I know nothing. It is so +jolly to have some one before whom it is not necessary to keep up +appearances. Now, begin at the beginning and go ahead.' She +pillowed her head luxuriously against his knees. + +'There's nothing to tell--or very little. As you say, they had their +troubles in life. The lady could take particularly good care of +herself, I believe. She had a tongue like a lancet when she chose to +use it. He, poor chap, was all liver and nerves, porridge-poisoned +in his youth. No children to take the angles off them. Half a dozen +little buffer states would have kept them at peace. However, to hark +back to what I was about to say, he outlived her by fifteen years or +so. During that time he collected these letters, and he has +annotated them. You can read those notes here, and the man who wrote +those notes loved his wife and cherished her memory, if ever a man +did upon earth.' + +The graceful head beside his knee shook impatiently. + +'What is the use of that to the poor dead woman? Why could not he +show his love by kindness and thought for her while she was alive?' + +'I tell you, Maude, there were two sides to that. Don't be so +prejudiced! And remember that no one has ever blamed Carlyle as +bitterly as he has blamed himself. I could read you bits of these +notes--' + +'Well, do.' + +'Here's the first letter, in which she is talking about how they +first moved into the house at Cheyne Row. They spent their early +years in Scotland, you know, and he was a man going on to the forties +when he came to London. The success of Sartor Resartus encouraged +them to the step. Her letter describes all the incoming. Here is +his comment, written after her death: "In about a week all was swept +and garnished, fairly habitable; and continued incessantly to get +itself polished, civilised, and beautified to a degree that surprised +one. I have elsewhere alluded to all that, and to my little +Jeannie's conduct of it; heroic, lovely, pathetic, mournfully +beautiful as in the light of Eternity that little scene of time now +looks to me. From birth upwards she had lived in opulence, and now +became poor for me--so nobly poor. No such house for beautiful +thrift, quiet, spontaneous, nay, as it were, unconscious minimum of +money reconciled to human comfort and human dignity, have I anywhere +looked upon where I have been." Now, Maude, did that man appreciate +his wife?' + +But the obstinate head still shook. + +'Words, words,' said she. + +'Yes, but words with the ring of truth in them. Can't you tell real +feeling from sham? I don't believe women can, or they would not be +so often taken in. Here's the heading of the next letter: +"Mournfully beautiful is this letter to me, a clear little household +light shining pure and brilliant in the dark obstructive places of +the past"--a little later comes the note: "Oh my poor little woman-- +become poor for me."' + +'I like to hear him talk like that. Yes, I do like him better after +what you have said, Frank.' + +'You must remember two things about him, Maude. The first, that he +was a Scotchman, who are of all men the least likely to wear their +hearts upon their sleeves; the other, that his mind was always +grappling with some far-away subject which made him forget the +smaller things close by him.' + +'But the smaller things are everything to a woman,' said Maude. 'If +ever you forget those smaller things, sir, to be as courteous to your +wife as you would be to any other lady, to be loving and thoughtful +and sympathetic, it will be no consolation to me to know that you +have written the grandest book that ever was. I should just hate +that book, and I believe that in her inmost heart this poor lady +hated all the books that had taken her husband away from her. I +wonder if their house is still standing.' + +'Certainly it is. Would you like to visit it?' + +'I don't think there is anything I should like more.' + +'Why, Maude, we are getting quite a distinguished circle of +acquaintances. Mr. Pepys last month--and now the Carlyles. Well, we +could not spend a Saturday afternoon better, so if you will meet me +to-morrow at Charing Cross, we shall have a cosy little lunch +together at Gatti's, and then go down to Chelsea.' + + +Maude was a rigid economist, and so was Frank in his way, for with +the grand self-respect of the middle classes the thought of debt was +unendurable to them. A cab in preference to a 'bus gave both of them +a feeling of dissipation, but none the less they treated themselves +to one on the occasion of this, their little holiday. It is a +delightful thing to snuggle up in, is a hansom; but in order to be +really trim and comfortable one has to put one's arm round one's +companion's waist. No one can observe it there, for the vehicle is +built upon intelligent principles. The cabman, it is true, can +overlook you through a hole in the roof. This cabman did so, and +chuckled in his cravat. 'If that cove's wife could see him--huddup, +then!' said the cabman. + +He was an intelligent cabman too, for having heard Frank say 'Thomas +Carlyle's house' after giving the address 5 Cheyne Row, he pulled up +on the Thames Embankment. Right ahead of them was Chelsea Bridge, +seen through a dim, soft London haze--monstrous, Cyclopean, giant +arches springing over a vague river of molten metal, the whole +daintily blurred, as though out of focus. The glamour of the London +haze, what is there upon earth so beautiful? But it was not to +admire it that the cabman had halted. + +'I beg your pardin', sir,' said he, in the softly insinuating way of +the Cockney, 'but I thought that maybe the lidy would like to see Mr. +Carlyle's statue. That's 'im, sir, a-sittin' in the overcoat with +the book in 'is 'and.' + +Frank and Maude got out and entered the small railed garden, in the +centre of which the pedestal rose. It was very simple and plain--an +old man in a dressing-gown, with homely wornout boots, a book upon +his knee, his eyes and thoughts far away. No more simple statue in +all London, but human to a surprising degree. They stood for five +minutes and stared at it. + +'Well,' said Frank at last, 'small as it is, I think it is worthy of +the man.' + +'It is so natural.' + +'You can see him think. By Jove, it is splendid!' Frank had enough +of the true artist to be able to feel that rush of enthusiasm which +adequate work should cause. That old man, with his head shamefully +defiled by birds, was a positive joy to him. Among the soulless, +pompous, unspeakable London statues, here at last there was one over +which it is pleasant to linger. + +'What other one is there?' + +'Gordon in Trafalgar Square.' + +'Well, Gordon, perhaps. But our Nelsons and Napiers and Havelocks-- +to think that we could do no better than that for them! Now, dear, +we have seen the man--let us look at the house!' + +It had evidently been an old-fashioned building when first they came +to it. 1708 was the date at the corner of the street. Six or seven +drab-coloured, flat-chested, dim-windowed houses stood in a line-- +theirs wedged in the middle of them. A poor medallion with a profile +head of him had been clumsily let into the wall. Several worn steps +led to the thin high door with an old-fashioned fanlight above it. +Frank rang the bell, and a buxom cheerful matron came at the call. + +'Names in this book, sir--AND address, if you please,' said the +cheery matron. 'One shilling each--thank you, sir. First door to +the left, sir! This was the dining-room, sir--' + +But Frank had come to a dead stop in the dim, dull, wood-panelled +hall. In front of them rose the stairs with old-fashioned banisters, +cracked, warped, and dusty. + +'It's awful to think of, Maude--awful! To think that she ran up +those stairs as a youngish woman--that he took them two at a time as +an active man, and then that they hobbled and limped down them, old +and weary and broken, and now both dead and gone for ever, and the +stairs standing, the very rails, the very treads--I don't know that I +ever felt so strongly what bubbles of the air we are, so fragile, so +utterly dissolved when the prick comes.' + +'How COULD they be happy in such a house?' said Maude. 'I can feel +that there have been sorrow and trouble here. There is an atmosphere +of gloom.' + +The matron-attendant approved of emotion, but in its due order. One +should be affected in the dining-room first, and then in the hall. +And so at her summons they followed her into the long, low, quaint +room in which this curious couple had lived their everyday life. +Little of the furniture was left, and the walls were lined with +collected pictures bearing upon the life of the Carlyles. + +'There's the fireplace that he smoked his pipe up,' said Frank. + +'Why up the fireplace?' + +'She did not like the smell in the room. He often at night took his +friends down into the kitchen.' + +'Fancy my driving you into the kitchen.' + +'Well, the habit of smoking was looked upon much less charitably at +that time.' + +'And besides, he smoked clay pipes,' said the matron. 'This is +considered a good print of Mrs. Carlyle.' + +It was a peaky eager face, with a great spirit looking out of it, and +possibilities of passion both for good and evil in the keen, alert +features. Just beside her was the dour, grim outline of her husband. +Their life-histories were in those two portraits. + +'Poor dear!' said Maude. + +'Ay, you may say so,' said the matron, whose accent showed that she +was from the north of the Tweed. 'He was gey ill to live wi'. His +own mither said so. Now, what think you that room was for?' + +It was little larger than a cupboard, without window or skylight, +opening out of the end of the dining-room. + +'I can't imagine.' + +'Well, sir, it was the powdering-room in the days when folk wore +wigs. The powder made such a mess that they just had a room for +nothing else. There was a hole in the door, and the man put his head +through the hole, and the barber on the other side powdered him out +of the flour-dredger.' + +It was curious to be brought back in this fashion to those far-off +days, and to suddenly realise how many other people had played their +tragi-comedies within these walls. Wigs! Only the dressy people +wore wigs. So people of fashion in the days of the early Georges +trod these same rooms where Carlyle grumbled and his wife fretted. +And they too had grumbled and fretted--or worse perhaps. It was a +ghostly old house. + +'This,' said the matron, when they had passed up the stair, 'used to +be the drawing-room. That's their sofa.' + +'Not THE sofa,' said Frank. + +'Yes, sir, the sofa that is mentioned in the letters.' + +'She was so proud of it, Maude. Gave eighteen shillings for it, and +covered and stuffed it herself. And that, I suppose, is THE screen. +She was a great housekeeper--brought up a spoiled child, according to +her own account, but a great housekeeper all the same. What's that +writing in the case?' + +'It is the history that he was at work on when he died--something +about the kings of Norway, sir. Those are his corrections in blue.' + +'I can't read them.' + +'No more could any one else, sir. Perhaps that's why the book has +never been published. Those are the portraits of the kings of +Prussia, about whom he wrote a book.' + +Frank looked with interest at the old engravings, one of the +schoolmaster face of the great Frederick, the other of the frog-like +features of Frederick William, the half-mad recruiter of the big +Potsdam grenadiers. When he had finished, the matron had gone down +to open the door, and they were alone. Maude's hand grasped his. + +'Is it not strange, dear?' she said. 'Here they lived, the most +talented couple in the world, and yet with all their wisdom they +missed what we have got--what perhaps that good woman who showed us +round has got--the only thing, as it seems to me, that is really +worth living for. What are all the wit and all the learning and all +the insight into things compared to love.' + +'By Jove, little woman, in all this house of wise sayings, no wiser +or deeper saying has been said than that. Well, thank God, we have +that anyhow!' And he kissed his wife, while six grand electors of +Brandenburg and kings of Prussia looked fiercely out upon them from +the wall. + +They sat down together in two old chairs in the window, and they +looked out into the dingy street, and Frank tried to recount all the +great men--'the other great men, as Maude said, half chaffing and +half earnest--who had looked through those panes. Tennyson, Ruskin, +Emerson, Mill, Froude, Mazzini, Leigh Hunt--he had got so far when +the matron returned. + +There was a case in the corner with some of the wreckage from those +vanished vessels. Notes from old Goethe in a singularly neat boyish +writing inscribed upon little ornamented cards. Here, too, were +small inscriptions which had lain upon presents from Carlyle to his +wife. It was pleasant among all that jangling of the past to think +of the love which had written them, and that other love which had so +carefully preserved them. On one was written: 'All good attend my +darling through this gulf of time and through the long ocean it is +leading to. Amen. Amen. T. C.' On another, dated 1850, and +attached evidently to some birthday present, was: 'Many years to my +poor little Jeannie, and may the worst of them be past. No good that +is in me to give her shall ever be wanting while I live. May God +bless her.' How strange that this apostle of reticence should have +such privacies as these laid open before the curious public within so +few years of his death! + +'This is her bedroom,' said the matron. + +'And here is the old red bed,' cried Frank. It looked bare and gaunt +and dreary with its uncurtained posts. + +'The bed belonged to Mrs. Carlyle's mother,' the matron explained. +'It's the same bed that Mrs. Carlyle talks about in her letters when +she says how she pulled it to pieces.' + +'Why did she pull it to pieces?' asked Maude. + +'Better not inquire, dear.' + +'Indeed you're right, sir. If you get them into these old houses, it +is very hard to get them out. A cleaner woman than Mrs. Carlyle +never came out of Scotland. This little room behind was his +dressing-room. There's his stick in the corner. Look what's written +upon the window!' + + +Decidedly it was a ghostly house. Scratched upon one of the panes +with a diamond was the following piece of information--'John Harbel +Knowles cleaned all the windows in this house, and painted part, in +the eighteenth year of age. March 7th, 1794.' + + +'Who was HE?' asked Maude. + +'Nobody knows, miss!' It was characteristic of Maude that she was so +gentle in her bearing that every one always took it for granted that +she was Miss. Frank examined the writing carefully. + +'He was the son of the house and a young aristocrat who had never +done a stroke of work before in his life,' said he. + +The matron was surprised. + +'What makes you say that, sir?' + +'What would a workman do with such a name as John Harbel Knowles, or +with a diamond ring for that matter? And who would dare to disfigure +a window so, if he were not of the family? And why should he be so +proud of his work, unless work was a new and wondrous thing to him. +To paint PART of the windows also sounds like the amateur and not the +workman. So I repeat that it was the first achievement of the son of +the house.' + +'Well, indeed, I dare say you are right, though I never thought of it +before,' said the matron. 'Now this, up here, is Carlyle's own room, +in which he slept for forty-seven years. In the case is a cast of +his head taken after death.' + +It was strange and rather ghastly to see a plaster head in this room +where the head of flesh had so often lain. Maude and Frank stood +beside it, and gazed long and silently while the matron, half-bored +and half-sympathetic, waited for them to move on. It was an aquiline +face, very different from any picture which they had seen, sunken +cheeks, an old man's toothless mouth, a hawk nose, a hollow eye--the +gaunt timbers of what had once been a goodly house. There was +repose, and something of surprise also, in the features--also a very +subtle serenity and dignity. + +'The distance from the ear to the forehead is said to be only +equalled by Napoleon and by Gladstone. That's what they SAY,' said +the matron, with Scotch caution. + +'It's the face of a noble man when all is said and done,' said Frank. +'I believe that the true Thomas Carlyle without the dyspepsia, and +the true Jane Welsh without the nerves, are knowing and loving each +other in some further life.' + +'It is sweet to think so,' cried Maude. 'Oh, I do hope that it is +so! How dear death would be if we could only be certain of that!' + +The matron smiled complacently in the superior wisdom of the Shorter +Catechism. 'There is neither marriage nor giving in marriage,' said +she, shaking her head. 'This is the spare bedroom, sir, where Mr. +Emerson slept when he was here. And now if you will step this way I +will show you the study.' + +It was the singular room which Carlyle had constructed in the hopes +that he could shut out all the noises of the universe, the crowing of +cocks, and the jingling of a young lady's five-finger exercise in +particular. It had cost him a hundred odd pounds, and had ended in +being unendurably hot in summer, impossibly cold in winter, and so +constructed acoustically that it reverberated every sound in the +neighbourhood. For once even his wild and whirling words could +hardly match the occasion--not all his kraft sprachen would be too +much. For the rest it was at least a roomy and lofty apartment, with +space for many books, and for an irritable man to wander to and fro. +Prints there were of many historical notables, and slips of letters +and of memoranda in a long glass case. + +'That is one of his clay pipes,' said the matron. 'He had them all +sent through to him from Glasgow. And that is the pen with which he +wrote Frederick.' + +It was a worn, stubby old quill, much the worse for its monstrous +task. It at least of all quill pens might rest content with having +done its work in the world. Some charred paper beside it caught +Frank's eye. + +'Oh look, Maude,' he cried. 'This is a little bit of the burned +French Revolution.' + +'Oh, I remember. He lent the only copy to a friend, and it was +burned by mistake.' + +'What a blow! What a frightful blow! And to think that his first +comment to his wife was, "Well, Mill, poor fellow, is very much cut +up about this." There is Carlyle at his best. And here is actually +a shred of the old manuscript. How beautifully he wrote in those +days!' + +'Read this, sir,' said the matron. + +It was part of a letter from Carlyle to his publisher about his +ruined work. 'Do not pity me,' said he; 'forward me rather as a +runner that is tripped but will not lie there, but run and run +again.' + +'See what positive misfortune can do for a man,' said Frank. 'It +raised him to a hero. And yet he could not stand the test of a +crowing cock. How infinitely complex is the human soul--how +illimitably great and how pitiably small! Now, if ever I have a +study of my own, this is what I want engraved upon the wall. This +alone is well worth our pilgrimage to Chelsea.' + +It was a short exclamation which had caught his eye. + +'Rest! Rest! Shall I not have all eternity to rest in!' That +serene plaster face down yonder gave force to the brave words. Frank +copied them down onto the back of one of Maude's cards. + +And now they had finished the rooms, but the matron, catching a glow +from these enthusiastic pilgrims, had yet other things to show them. +There was the back garden. Here was the green pottery seat upon +which the unphilosophic philosopher had smoked his pipe--a singularly +cold and uncomfortable perch. And here was where Mrs. Carlyle had +tried to build a tent and to imagine herself in the country. And +here was the famous walnut tree--or at least the stumpy bole thereof. +And here was where the dog Nero was buried, best known of small white +mongrels. + +And last of all there was the subterranean and gloomy kitchen, in +which there had lived that long succession of serving-maids of whom +we gain shadowy glimpses in the Letters and in the Journal. Poor +souls, dwellers in the gloom, working so hard for others, so bitterly +reviled when by chance some weakness of humanity comes to break, for +an instant, the routine of their constant labour, so limited in their +hopes and in their pleasures, they are of all folk upon this planet +those for whom a man's heart may most justly soften. So said Frank +as he gazed around him in the dark-cornered room. 'And never one +word of sympathy for them, or of anything save scorn in all his +letters. His pen upholding human dignity, but where was the dignity +of these poor girls for whom he has usually one bitter line of +biography in his notes to his wife's letters? It's the worst thing I +have against him.' + +'Jemima wouldn't have stood it,' said Maude. + +It was pleasant to be out in the open air once more, but they were in +the pine groves of Woking before Maude had quite shaken off the gloom +of that dark, ghost-haunted house. 'After all, you are only twenty- +seven,' she remarked as they walked up from the station. She had a +way of occasionally taking a subject by the middle in that way. + +'What then, dear?' + +'When Carlyle was only twenty-seven I don't suppose he knew he was +going to do all this.' + +'No, I don't suppose so.' + +'And his wife--if he were married then--would feel as I do to you.' + +'No doubt.' + +'Then what guarantee have I that you won't do it after all?' + +'Do what?' + +'Why, turn out a second Carlyle.' + +'Hear me swear!' cried Frank, and they turned laughing into their own +little gateway at the Lindens. + + + +CHAPTER XXI--THE LAST NOTE OF THE DUET + + + +Our young married couples may feel that two is company and three is +none, but there comes a little noisy intruder to break into their +sweet intimacy. The coming of the third is the beginning of a new +life for them as well as for it--a life which is more useful and more +permanent, but never so concentrated as before. That little pink +thing with the blinking eyes will divert some of the love and some of +the attention, and the very trouble which its coming has caused will +set its mother's heart yearning over it. Not so the man. Some vague +resentment mixes with his pride of paternity, and his wife's +sufferings rankle in his memory when she has herself forgotten them. +His pity, his fears, his helplessness, and his discomfort, give him a +share in the domestic tragedy. It is not without cause that in some +societies it is the man and not the woman who receives the condolence +and the sympathy. + +There came a time when Maude was bad, and there came months when she +was better, and then there were indications that a day was +approaching, the very thought of which was a shadow upon her +husband's life. For her part, with the steadfast, gentle courage of +a woman, she faced the future with a sweet serenity. But to him it +was a nightmare--an actual nightmare which brought him up damp and +quivering in those gray hours of the dawn, when dark shadows fall +upon the spirit of man. He had a steady nerve for that which +affected himself, a nerve which would keep him quiet and motionless +in a dentist's chair, but what philosophy or hardihood can steel one +against the pain which those whom we love have to endure. He fretted +and chafed, and always with the absurd delusion that his fretting and +chafing were successfully concealed. A hundred failures never +convince a man how impossible it is to deceive a woman who loves him. +Maude watched him demurely, and made her plans. + +'Do you know, dear,' said she, one evening, 'if you can get a week of +your holidays now, I think it would be a very good thing for you to +accept that invitation of Mr. Mildmay's, and spend a few days in +golfing at Norwich.' + +Frank stared at her open-eyed. + +'What! Now!' + +'Yes, dear, now--at once.' + +'But NOW of all times.' + +Maude looked at him with that glance of absolute obvious candour +which a woman never uses unless she has intent to deceive. + +'Yes, dear--but only next week. I thought it would brace you up for- +-well, for the week afterwards.' + +'You think the week afterwards?' + +'Yes, dear. It would help me so, if I knew that you were in your +best form.' + +'_I_! What can it matter what form _I_ am in. But in any case, it +is out of the question.' + +'But you could get leave.' + +'Oh yes, easily enough.' + +'Then do go.' + +'And leave you at such a time!' + +'No, no, you would be back.' + +'You can't be so sure of that. No, Maude, I should never forgive +myself. Such an idea would never enter my head.' + +'But for my sake--!' + +'That's enough, Maude. It is settled.' + +Master Frank had a heavy foot when he did bring it down, and his wife +recognised a decisive thud this time. With a curious double current +of feeling, she was pleased and disappointed at the same time, but +more pleased than disappointed, so she kissed the marrer of her +plots. + +'What an obstinate old boy it is! But of course you know best, and I +should much rather have you at home. As you say, one can never be +certain.' + +In a conflict of wits the woman may lose a battle, but the odds are +that she will win the campaign. The man dissipates over many things, +while she concentrates upon the one. Maude had made up her mind +absolutely upon one point, and she meant to attain it. She tried +here, she tried there, through a friend, through her mother, but +Frank was still immovable. The ordeal coming upon herself never +disturbed her for an instant. But the thought that Frank would +suffer was unendurable. She put herself in his place, and realised +what it would be to him if he were in the house at such a time. With +many cunning devices she tried to lure him off, but still, in his +stubborn way, he refused to be misled. And then suddenly she +realised that it was too late. + +It was early one morning that the conviction came home to her, but +he, at her side, knew nothing of it. He came up to her before he +left for the City. + +'You have not eaten anything, dear.' + +'No, Frank, I am not hungry.' + +'Perhaps, after you get up--' + +'Well, dear, I thought of staying in bed.' + +'You are not--?' + +'What nonsense, dear! I want to keep very quiet until next week, +when I may need all my strength.' + +'Dear girl, I would gladly give ten years of my life to have next +week past.' + +'Silly old boy! But I do think it would be wiser if I were to keep +in bed.' + +'Yes, yes, do.' + +'I have a little headache. Nothing to speak of, but just a little.' + +'Don't you think Dr. Jordan had better give you something for it.' + +'Do you think so? Well, just as you like. You might call as you +pass, and tell him to step up.' + +And so, upon a false mission, the doctor was summoned to her side, +but found a very real mission waiting for him when he got there. She +had written a note for Frank the moment that he had left the house, +and he found both it and a conspiracy of silence waiting for him when +he returned in the late afternoon. The note was upon the hall-table, +and he eagerly tore it open. + +'My dear boy,' said this mendacious epistle, 'my head is still rather +bad, and Dr. Jordan thought that it would be wiser if I were to have +an undisturbed rest, but I will send down to you when I feel better. +Until then I had best, perhaps, remain alone. Mr. Harrison sent +round to say that he would come to help you to pot the bulbs, so that +will give you something to do. Don't bother about me, for I only +want a little rest.--MAUDE.' + +It seemed very unnatural to him to come back and not to hear the +swift rustle of the dress which followed always so quickly upon the +creak of his latch-key that they might have been the same sound. The +hall and dining-room seemed unhomely without the bright welcoming +face. He wandered about in a discontented fashion upon his tiptoes, +and then, looking through the window, he saw Harrison his neighbour +coming up the path with a straw basket in his hand. He opened the +door for him with his finger upon his lips. + +'Don't make a row, Harrison,' said he, 'my wife's bad.' + +Harrison whistled softly. + +'Not--?' + +'No, no, not that. Only a headache, but she is not to be disturbed. +We expect THAT next week. Come in here and smoke a pipe with me. It +was very kind of you to bring the bulbs.' + +'I am going back for some more.' + +'Wait a little. You can go back presently. Sit down and light your +pipe. There is some one moving about upstairs. It must be that +heavy-footed Jemima. I hope she won't wake Maude up. I suppose one +must expect such attacks at such a time.' + +'Yes, my wife was just the same. No, thank you, I've just had some +tea. You look worried, Crosse. Don't take things too hard.' + +'I can't get the thought of next week out of my head. If anything +goes wrong--well there, what can I do? I never knew how a man's +nerves may be harrowed before. And she is such a saint, Harrison-- +such an absolutely unselfish saint! You'll never guess what she +tried to do.' + +'What, then?' + +'She knew what it would mean to me--what it will mean to me--to sit +here in impotence while she goes through this horrible business. She +guessed in some extraordinary way what my secret feelings were about +it. And she actually tried to deceive me as to when it was to occur- +-tried to get me out of the house on one pretext or another until it +was all over. That was her plot, and, by Jove, she tried it so +cleverly that she would have managed it if something had not put me +on my guard. She was a little too eager, unnaturally so, and I saw +through her game. But think of it, the absolute unselfishness of it. +To consider ME at such a time, and to face her trouble alone and +unsupported in order to make it easier for me. She wanted me to go +to Norwich and play golf.' + +'She must have thought you pretty guileless, Crosse, to be led away +so easily.' + +'Yes, it was a hopeless attempt to deceive me on such a point, or to +dream for an instant that my instincts would not tell me when she had +need of me. But none the less it was beautiful and characteristic. +You don't mind my talking of these things, Harrison?' + +'My dear chap, it is just what you need. You have been bottling +things up too much. Your health will break down under it. After +all, it is not so serious as all that. The danger is very much +exaggerated.' + +'You think so.' + +'I've had the experience twice now. You'll go to the City some fine +morning, and when you come back the whole thing will be over.' + +'Indeed it won't. I have made arrangements at the office, and from +the hour that she first seems bad I will never stir from the house. +For all she may say, I know very well that it gives her strength and +courage to feel that I am there.' + +'You may not know that it is coming on?' + +Frank laughed incredulously. + +'We'll see about that,' said he. 'And you think from your +experience, Harrison, that it is not so very bad after all?' + +'Oh no. It soon passes.' + +'Soon! What do you mean by soon?' + +'Jordan was there six hours the first time.' + +'Good God! Six hours!' Frank wiped his forehead. 'They must have +seemed six years.' + +'They WERE rather long. I kept on working in the garden. That's the +tip. Keep on doing something and it helps you along wonderfully.' + +'That's a good suggestion, Harrison. What a curious smell there is +in the air! Do you notice a sort of low, sweetish, spirity kind of +scent? Well, perhaps it's my imagination. I dare say that my nerves +are a bit strung up these days. But that is a capital idea of yours +about having some work to do. I should like to work madly for those +hours. Have everything up out of the back garden and plant it all +again in the front.' + +Harrison laughed. + +'I'll tell you something less heroic,' said he; 'you could keep all +these bulbs, and pot them then. By the way, I'll go round and get +the others. Don't bother about the door. I shall leave it open, for +I won't be five minutes.' + +'And I'll put these in the greenhouse,' said Frank. He took the +basket of bulbs and he laid them all out on the wooden shelf of the +tiny conservatory which leaned against the back of the house. When +he came out there was a kitten making a noise somewhere. It was a +low sound, but persistent, coming in burst after burst. He took the +rake and jabbed with the handle amongst the laurel bushes under their +bedroom window. The beast might waken Maude, and so it was worth +some trouble to dislodge it. He could not see it, but when he had +poked among the bushes and cried 'Skat!' several times, the crying +died away, and he carried his empty basket into the dining-room. +There he lit his pipe again, and waited for Harrison's return. + +There was that bothersome kitten again. He could hear it mewing away +somewhere. It did not sound so loud as in the garden, so perhaps it +would not matter. He felt very much inclined to steal upstairs upon +tiptoe and see if Maude were stirring yet. After all, if Jemima, or +whoever it was, could go clumping about in heavy boots over his head, +there was no fear that he could do any harm. And yet she had said +that she would ring or send word the moment she could see him, and so +perhaps he had better wait where he was. He put his head out of the +window and cried 'Shoo!' into the laurel bushes several times. Then +he sat in the armchair with his back to the door. Steps came heavily +along the hall, and he saw dimly with the back corner of his eye that +some one was in the doorway carrying something. He thought that +really Harrison might have brought the bulbs in more quietly, and so +he treated him with some coldness, and did not turn round to him. + +'Put it in the out-house,' said he. + +'Why the out-house?' + +'We keep them there. But you can put it under the sideboard, or in +the coal-scuttle, or where you like as long as you don't make any +more noise.' + +'Why, surely, Crosse--' But Frank suddenly sprang out of his chair. + +'I'm blessed if that infernal kitten isn't somewhere in the room!' + +And there when he turned was the grim, kindly face of old Doctor +Jordan facing him. He carried in the crook of his arm a brown shawl +with something round and small muffled up in it. There was one slit +in front, and through this came a fist about the size of a marble, +the thumb doubled under the tiny fingers, and the whole limb giving +circular waves, as if the owner were cheering lustily at his own +successful arrival. 'Here am I, good people, hurrah! hurrah! +hurrah!' cried the waving hand. Then as the slit in the shawl +widened Frank saw that behind the energetic fist there was a huge +open mouth, a little button of a nose, and two eyes which were so +resolutely screwed up that it seemed as if the owner had made a +resolution never under any circumstances to take the least notice of +this new world into which it had been transported. Frank dropped his +pipe and stood staring at this apparition. + +'What! What's that?' + +'The baby!' + +'Baby? Whose baby?' + +'Your baby, of course.' + +'My baby! Where--where did you get it?' + +Doctor Jordan burst out laughing. + +'You are like a man who has just been wakened out of his sleep,' said +he. 'Why, Crosse, your wife has been bad all day, but she's all +right now, and here's your son and heir--a finer lad of the age I +never saw--fighting weight about seven pounds.' + +Frank was a very proud man at the roots of his nature. He did not +readily give himself away. Perhaps if he had been quite alone he +might at that moment, as the great wave of joy washed through his +soul, bearing all his fears and forebodings away upon its crest, have +dropped upon his knees in prayer. But prayer comes not from the knee +but from the heart, and the whole strength of his nature breathed +itself out in silent thanks to that great Fate which goes its way +regardless either of thanks or reproaches. The doctor saw a pale +self-contained young man before him, and thought him strangely +wanting in emotion. + +'Well!' said he, impatiently. 'Is she all right?' + +'Yes. Won't you take your son?' + +'Could she see me?' + +'I don't suppose five minutes would do any harm.' + +Dr. Jordan said afterwards that it was three steps which took Frank +up the fifteen stairs. The nurse who met him at the corner looks +back on it as the escape of her lifetime. Maude lay in bed with a +face as pale as the pillow which framed it. Her lips were bloodless +but smiling. + +'Frank!' + +'My own dear sweet girlie!' + +'You never knew. Did you, Frank? Tell me that you never knew.' + +And at that anxious question the foolish pride which keeps the +emotions of the strong man buried down in his soul as though they +were the least honourable part of his nature, fell suddenly to +nothing, and Frank dropped with his head beside the white face upon +the pillow, and lay with his arm across the woman whom he loved, and +sobbed as he had not sobbed since his childhood. Her cheek was wet +with his tears. He never saw the doctor until he came beside him and +touched him on the shoulder. + +'I think you had better go now,' said he. + +'Sorry to be a fool, doctor,' said Frank, blushing hotly in his +clumsy English fashion. 'It's just more than I can stand.' + +'Sir,' the doctor answered, 'I owe you an apology, for I had done you +an injustice. Meanwhile your son is about to be dressed, and there +is hardly room for three men in one bedroom.' + +So Frank went down into the darkening room below, and mechanically +lighting his pipe, he sat with his elbows upon his knees and stared +out into the gathering gloom where one bright evening star twinkled +in a violet sky. The gentle hush of the gloaming was around him, and +some late bird was calling outside amongst the laurels. Above he +heard the shuffling of feet, the murmur of voices, and then amid it +all those thin glutinous cries, HIS voice, the voice of this new man +with all a man's possibilities for good and for evil, who had taken +up his dwelling with them. And as he listened to those cries, a +gentle sadness was mixed with his joy, for he felt that things were +now for ever changed--that whatever sweet harmonies of life might +still be awaiting him, from this hour onwards, they might form +themselves into the subtlest and loveliest of chords, but it must +always be as a trio, and never as the dear duet of the past. + + + +CHAPTER XXII--THE TRIO + + + +(Extract from a letter to the Author from Mrs. Frank Crosse.) + +'It is very singular that you should say with such confidence that +you know that our baby is a splendid one, and further on you say that +in some ways it differs from any other baby. It is so true, but +neither Frank nor I can imagine how you knew. We both think it so +CLEVER of you to have found it out. When you write to us, do please +tell us how you discovered it. + +'I want to tell you something about baby, since you so kindly ask me, +but Frank says there is no use my beginning as there is only one +quire of paper in the house. As a matter of fact, I shall be quite +short, which is not because I have not plenty to say--you cannot +think what a DEAR he is--but because he may wake up at any moment. +After that happens I can only write with one hand, while I wave a +feather fan with the other, and it is so difficult then to say +exactly what you mean. In any case you know that I have not the +habit of collecting and writing down my ideas, so please forgive me +if this seems a stupid letter. Frank could have done it splendidly. +But he has so many sweet and quite REMARKABLE ways, that I ought to +be able to put some of them down for you. + +'It will be easier perhaps if I imagine a day of him--and one of his +days is very much like another. No one could ever say that he was +irregular in his habits. First thing in the morning I go over to his +cot to see if he is awake yet--though, of course, I know that he +can't be, for he always lets us know--the darling! However, I go +over all the same, and I find everything quiet and nothing visible of +baby, but a tiny, turned-up nose. It is so exactly Frank's nose, +only that his is curved the other way. Then, as I bend over his cot, +there is a small sigh, such a soft, comfortable sound! Then a sort +of earthquake takes place under the eider down, and a tightly +clenched fist appears and is waved in the air. He has such a +pleasant, cheerful way of waving his fists. Then one eye is half +opened, as if he were looking round to see if it were safe to open +the other one, and then he gives a long, sorrowful wail as he +realises that his bottle is not where he left it when he went to +sleep. In a moment he is in my arms and quite happy again, playing +with the lace round the neck of my pink dressing-gown. When he finds +that his nice warm bath is all ready for him, he becomes quite +jovial, and laughs and chuckles to himself. Something awfully funny +must have happened to him before ever he came into this world at all, +for nothing that has occurred since could account for the intense +expression of amusement that one can often see in his eyes. When he +laughs, Frank says that he looks like some jolly old clean-shaven +toothless friar--so chubby and good-humoured. He takes the greatest +interest in everything in the room, watches the nurse moving about, +looks out of the window, and examines my hair and my dress very +critically. He loves to see untidy hair and a bright tie, or a +brooch will often catch his eye, and make him smile. His smile is +the most wonderful thing! As he lies gazing with his great serious +blue eyes, his whole face suddenly lights up, his mouth turns up at +one corner in the most irresistible way, and his cheeks all go off +into dimples. He looks so sweet and innocent, and at the same time +so humorous and wicked, that his foolish mother wants to laugh at him +and to weep over him at the same time. + +'Then comes his bath, and there is a sad display of want of faith +upon his part. He enjoys the process, but he is convinced that only +his own exertions keep him from drowning, so his little fists are +desperately clenched, his legs kick up and down the whole time, and +he watches every movement of mother and nurse with suspicion. He +enjoys being dressed, and smiles at first, and then he suddenly +remembers that he has not had his breakfast. Then the smiles vanish, +the small round face grows so red and angry, and all covered with +little wrinkles, and there is a dismal wailing--poor darling! If the +bottle is not instantly forthcoming he will howl loudly, and beat the +air with his fists until he gets it. He DOES remind me so of his +father sometimes. He is always hunting for his bottle, and will +seize my finger, or a bit of my dress, or anything, and carry it to +his mouth, and when he finds it isn't what he wants, he throws it +away very angrily. When finally he does get the bottle, he becomes +at once the most contented being in the whole world, and sucks away +with such great long pulls, and such dear little grunts in between. +Then afterwards, a well-washed, well-fed atom, he is ready to look +about him and observe things. I am sure that he has his father's +brains, and that he is storing up all sorts of impressions and +observations for future use, for he notices EVERYTHING. I used to +think that babies were stupid and indifferent--and perhaps other +babies are--but HE is never indifferent. Sometimes he is pleased and +amused, and sometimes angry, and sometimes gravely interested, but he +is always wide awake and taking things in. When I go into his room, +he always looks at my head, and if I have my garden hat with the +flowers, he is so pleased. He much prefers chiffon to silk. + +'Almost the first thing that struck me when I saw him, and it strikes +me more and more, was, how could any one have got the idea of +original sin? The people who believe in it can never have looked +into a baby's eyes. I love to watch them, and sometimes fancy I can +see a faint shade of reminiscence in them, as if he had still some +memories of another life, and could tell me things if he could only +speak. One day as I sat beside his cot--Oh dear! I hear his Majesty +calling. So sorry! Good-bye.--Yours very truly, + +MAUDE CROSSE.' + +P.S.--I have not time to read this over, but I may say, in case I +omitted it before, that he really is a very remarkable baby.' + + + + +*** END OF THE PROJECT GUTENBERG EBOOK, A DUET *** + +This file should be named duet10.txt or duet10.zip +Corrected EDITIONS of our eBooks get a new NUMBER, duet11.txt +VERSIONS based on separate sources get new LETTER, duet10a.txt + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. 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Conan Doyle + +Release Date: March, 2004 [EBook #5260] +[Yes, we are more than one year ahead of schedule] +[This file was first posted on June 18, 2002] +[Most recently updated: June 18, 2002] + +Edition: 10 + +Language: English + +Character set encoding: ASCII +</pre> +<p> +<a name="startoftext"></a> +Transcribed from the 1899 Grant Richards edition by David Price, email +ccx074@coventry.ac.uk<br> +<br> +<br> +<br> +<br> +A DUET<br> +WITH AN OCCASIONAL CHORUS<br> +<br> +<br> +<br> +<br> +TO MRS. MAUDE CROSSE<br> +<br> +<br> +<br> +Dear Maude, - All the little two-oared boats which put out into the +great ocean have need of some chart which will show them how to lay +their course. Each starts full of happiness and confidence, and +yet we know how many founder, for it is no easy voyage, and there are +rocks and sandbanks upon the way. So I give a few pages of your +own private log, which tell of days of peace, and days of storm - such +storms as seem very petty from the deck of a high ship, but are serious +for the two-oared boats. If your peace should help another to +peace, or your storm console another who is storm-tossed, then I know +that you will feel repaid for this intrusion upon your privacy. +May all your voyage be like the outset, and when at last the oars fall +from your hands, and those of Frank, may other loving ones be ready +to take their turn of toil - and so, <i>bon voyage</i>!<br> +<br> +Ever your friend,<br> +THE AUTHOR.<br> +<i>Jan. </i>20, 1899.<br> +<br> +<br> +<br> +<br> +CHAPTER I - THE OVERTURE - ABOUT THAT DATE<br> +<br> +<br> +<br> +These are the beginnings of some of the letters which they wrote about +that time.<br> +<br> +<i>Woking, May 20th.<br> +<br> +</i>My Dearest Maude, - You know that your mother suggested, and we +agreed, that we should be married about the beginning of September. +Don’t you think that we might say the 3rd of August? It +is a Wednesday, and in every sense suitable. Do try to change +the date, for it would in many ways be preferable to the other. +I shall be eager to hear from you about it. And now, dearest Maude +. . . (The rest is irrelevant.)<br> +<br> +<i>St. Albans, May 22nd.<br> +<br> +</i>My Dearest Frank, - Mother sees no objection to the 3rd of August, +and I am ready to do anything which will please you and her. Of +course there are the guests to be considered, and the dressmakers and +other arrangements, but I have no doubt that we shall be able to change +the date all right. O Frank . . . (What follows is beside the +point.)<br> +<br> +<i>Woking, May 25th.<br> +<br> +</i>My Dearest Maude, - I have been thinking over that change of date, +and I see one objection which had not occurred to me when I suggested +it. August the 1st is Bank holiday, and travelling is not very +pleasant about that time. My idea now is that we should bring +it off before that date. Fancy, for example, how unpleasant it +would be for your Uncle Joseph if he had to travel all the way from +Edinburgh with a Bank-holiday crowd. It would be selfish of us +if we did not fit in our plans so as to save our relatives from inconvenience. +I think therefore, taking everything into consideration, that the 20th +of July, a Wednesday, would be the very best day that we could select. +I do hope that you will strain every nerve, my darling, to get your +mother to consent to this change. When I think . . . (A digression +follows.)<br> +<br> +<i>St. Albans, May 27th.<br> +<br> +</i>My Dearest Frank, - I think that what you say about the date is +very reasonable, and it is so sweet and unselfish of you to think about +Uncle Joseph. Of course it would be very unpleasant for him to +have to travel at such a time, and we must strain every nerve to prevent +it. There is only one serious objection which my mother can see. +Uncle Percival (that is my mother’s second brother) comes back +from Rangoon about the end of July, and will miss the wedding (O Frank, +think of its being <i>our</i> wedding!) unless we delay it. He +has always been very fond of me, and he might be hurt if we were married +so immediately before his arrival. Don’t you think it would +be as well to wait? Mother leaves it all in your hands, and we +shall do exactly as you advise. O Frank . . . (The rest is confidential.)<br> +<br> +<i>Woking, May 29th.<br> +<br> +</i>My Own Dearest, - I think that it would be unreasonable upon the +part of your Uncle Percival to think that we ought to have changed the +date of a matter so important to ourselves, simply in order that he +should be present. I am sure that on second thoughts your mother +and yourself will see the thing in this light. I must say, however, +that in one point I think you both show great judgment. It would +certainly be invidious to be married <i>immediately</i> before his arrival. +I really think that he would have some cause for complaint if we did +that. To prevent any chance of hurting his feelings, I think that +it would be far best, if your mother and you agree with me, that we +should be married upon July 7th. I see that it is a Thursday, +and in every way suitable. When I read your last letter . . . +(The remainder is unimportant.)<br> +<br> +<i>St. Albans, June 1st</i>.<br> +<br> +Dearest Frank, - I am sure that you are right in thinking that it would +be as well not to have the ceremony too near the date of Uncle Percival’s +arrival in England. We should be so sorry to hurt his feelings +in any way. Mother has been down to Madame Mortimer’s about +the dresses, and she thinks that everything could be hurried up so as +to be ready by July 7th. She is so obliging, and her skirts <i>do</i> +hang so beautifully. O Frank, it is only a few weeks’ time, +and then . . .<br> +<br> +<i>Woking, June 3rd.<br> +<br> +</i>My Own Darling Maude, - How good you are - and your mother also +- in falling in with my suggestions! Please, please don’t +bother your dear self about dresses. You only want the one travelling-dress +to be married in, and the rest we can pick up as we go. I am sure +that white dress with the black stripe - the one you were playing tennis +with at the Arlingtons’ - would do splendidly. You looked +simply splendid that day. I am inclined to think that it is my +favourite of all your dresses, with the exception of the dark one with +the light-green front. That shows off your figure so splendidly. +I am very fond also of the grey Quaker-like alpaca dress. What +a little dove you do look in it! I think those dresses, and of +course your satin evening-dress, are my favourites. On second +thoughts, they are the only dresses I have ever seen you in. But +I like the grey best, because you wore it the first time I ever - you +remember! You must <i>never </i>get rid of those dresses. +They are too full of associations. I want to see you in them for +years, and years, and years.<br> +<br> +What I wanted to say was that you have so many charming dresses, that +we may consider ourselves independent of Madame Mortimer. If her +things should be late, they will come in very usefully afterwards. +I don’t want to be selfish or inconsiderate, my own dearest girlie, +but it would be rather too much if we allowed my tailor or your dressmaker +to be obstacles to our union. I just want you - your dainty little +self - if you had only your ‘wee coatie,’ as Burns says. +Now look here! I want you to bring your influence to bear upon +your mother, and so make a small change in our plans. The earlier +we can have our honeymoon, the more pleasant the hotels will be. +I do want your first experiences with me to be without a shadow of discomfort. +In July half the world starts for its holiday. If we could get +away at the end of this mouth, we should just be ahead of them. +This month, this very month! Oh, do try to manage this, my own +dearest girl. The 30th of June is a Tuesday, and in every way +suitable. They could spare me from the office most excellently. +This would just give us time to have the banns three times, beginning +with next Sunday. I leave it in your hands, dear. Do try +to work it.<br> +<br> +<br> +<i>St. Albans, June 4th.<br> +<br> +</i>My Dearest Frank, - We nearly called in the doctor after your dear +old preposterous letter. My mother gasped upon the sofa while +I read her some extracts. That I, the daughter of the house, should +be married in my old black and white tennis-dress, which I wore at the +Arlingtons’ to save my nice one! Oh, you are simply splendid +sometimes! And the learned way in which you alluded to my alpaca. +As a matter of fact, it’s a merino, but that doesn’t matter. +Fancy your remembering my wardrobe like that! And wanting me to +wear them all for years! So I shall, dear, secretly, when we are +quite quite alone. But they are all out of date already, and if +in a year or so you saw your poor dowdy wife with tight sleeves among +a roomful of puff-shouldered young ladies, you would not be consoled +even by the memory that it was in that dress that you first . . . you +know!<br> +<br> +As a matter of fact, I <i>must </i>have my dress to be married in. +I don’t think mother would regard it as a legal marriage if I +hadn’t, and if you knew how nice it will be, you would not have +the heart to interfere with it. Try to picture it, silver-grey +- I know how fond you are of greys - a little white chiffon at neck +and wrists, and the prettiest pearl trimming. Then the hat <i>en +suite, </i>pale-grey lisse, white feather and brilliant buckle. +All these details are wasted upon you, sir, but you will like it when +you see it. It fulfils your ideal of tasteful simplicity, which +men always imagine to be an economical method of dressing, until they +have wives and milliners’ bills of their own.<br> +<br> +And now I have kept the biggest news to the last. Mother has been +to Madame, and she says that if she works all night, she will have everything +ready for the 30th. O Frank, does it not seem incredible! +Next Tuesday three weeks. And the banns! Oh my goodness, +I am frightened when I think about it! Dear old boy, you won’t +tire of me, will you? Whatever should I do if I thought you had +tired of me! And the worst of it is, that you don’t know +me a bit. I have a hundred thousand faults, and you arc blinded +by your love and cannot see them. But then some day the scales +will fall from your eyes, and you will perceive the whole hundred thousand +at once. Oh, what a reaction there will be! You will see +me as I am, frivolous, wilful, idle, petulant, and altogether horrid. +But I do love you, Frank, with all my heart, and soul, and mind, and +strength, and you’ll count that on the other side, won’t +you? Now I am so glad I have said all this, because it is best +that you should know what you should expect. It will be nice for +you to look back and to say, ‘She gave me fair warning, and she +is no worse than she said.’ O Frank, think of the 30th.<br> +<br> +<i>P.S</i>. - I forgot to say that I had a grey silk cape, lined with +cream, to go with the dress. It is just sweet!<br> +<br> +So that is how they arranged about the date.<br> +<br> +<br> +<br> +CHAPTER II - THE OVERTURE CONTINUED - IN A MINOR KEY<br> +<br> +<br> +<br> +<i>Woking, June 7th.<br> +<br> +</i>My Own Dearest Maude, - How I wish you were here, for I have been +down, down, down, in the deepest state of despondency all day. +I have longed to hear the sound of your voice, or to feel the touch +of your hand! How can I be despondent, when in three weeks I shall +be the husband of the dearest girl in England? That is what I +ask myself, and then the answer comes that it is just exactly on that +account that my wretched conscience is gnawing at me. I feel that +I have not used you well; I owe you reparation, and I don’t know +what to do.<br> +<br> +In your last dear letter you talk about being frivolous. <i>You</i> +have never been frivolous. But I have been frivolous - for ever +since I have learned to love you, I have been so wrapped up in my love, +with my happiness gilding everything about me, that I have never really +faced the prosaic facts of life or discussed with you what our marriage +will really necessitate. And now, at this eleventh hour, I realise +that I have led you on in ignorance to an act which will perhaps take +a great deal of the sunshine out of your life. What have I to +offer you in exchange for the sacrifice which you will make for me? +Myself, my love, and all that I have - but how little it all amounts +to! You are a girl in a thousand, in ten thousand - bright, beautiful, +sweet, the dearest lady in all the land. And I an average man +- or perhaps hardly that - with little to boast of in the past, and +vague ambitions for the future. It is a poor bargain for you, +a most miserable bargain. You have still time. Count the +cost, and if it be too great, then draw back even now without fear of +one word or inmost thought of reproach from me. Your whole life +is at stake. How can I hold you to a decision which was taken +before you realised what it meant? Now I shall place the facts +before you, and then, come what may, my conscience will be at rest, +and I shall be sure that you are acting with your eyes open.<br> +<br> +You have to compare your life as it is, and as it will be. Your +father is rich, or at least comfortably off, and you have been accustomed +all your life to have whatever you desired. From what I know of +your mother’s kindness, I should imagine that no wish of yours +has ever remained ungratified. You have lived well, dressed well, +a sweet home, a lovely garden, your collie, your canary, your maid. +Above all, you have never had anxiety, never had to worry about the +morrow. I can see all your past life so well. In the mornings, +your music, your singing, your gardening, your reading. In the +afternoons, your social duties, the visit and the visitor. In +the evening, tennis, a walk, music again, your father’s return +from the City, the happy family-circle, with occasionally the dinner, +the dance, and the theatre. And so smoothly on, month after month, +and year after year, your own sweet, kindly, joyous nature, and your +bright face, making every one round you happy, and so reacting upon +your own happiness. Why should you bother about money? That +was your father’s business. Why should you trouble about +housekeeping? That was your mother’s duty. You lived +like the birds and the flowers, and had no need to take heed for the +future. Everything which life could offer was yours.<br> +<br> +And now you must turn to what is in store for you, if you are still +content to face the future with me. Position I have none to offer. +What is the exact position of the wife of the assistant-accountant of +the Co-operative Insurance Office? It is indefinable. What +are my prospects? I may become head-accountant. If Dinton +died - and I hope he won’t, for he is an excellent fellow - I +should probably get his berth. Beyond that I have no career. +I have some aspirations after literature - a few critical articles in +the monthlies - but I don’t suppose they will ever lead to anything +of consequence.<br> +<br> +And my income, £400 a year with a commission on business I introduce. +But that amounts to hardly anything. You have £50. +Our total, then, is certainly under £500. Have you considered +what it will mean to leave that charming house at St. Albans - the breakfast-room, +the billiard-room, the lawn - and to live in the little £50 a +year house at Woking, with its two sitting-rooms and pokey garden? +Have I a right to ask you to do such a thing? And then the housekeeping, +the planning, the arranging, the curtailing, the keeping up appearances +upon a limited income. I have made myself miserable, because I +feel that you are marrying me without a suspicion of the long weary +uphill struggle which lies before you. O Maude, my darling Maude, +I feel that you sacrifice too much for me! If I were a man I should +say to you, ‘Forget me - forget it all! Let our relations +be a closed chapter in your life. You can do better. I and +my cares come like a great cloud-bank to keep the sunshine from your +young life. You who are so tender and dainty! How can I +bear to see you exposed to the drudgery and sordid everlasting cares +of such a household! I think of your graces, your pretty little +ways, the elegancies of your life, and how charmingly you carry them +off. You are born and bred for just such an atmosphere as the +one which you breathe. And I take advantage of my good-fortune +in winning your love to drag you down, to take the beauty and charm +from your life, to fill it with small and vulgar cares, never-ending +and soul-killing. Selfish beast that I am, why should I allow +you to come down into the stress and worry of life, when I found you +so high above it? And what can I offer you in exchange?’ +These are the thoughts which come back and back all day, and leave me +in the blackest fit of despondency. I confessed to you that I +had dark humours, but never one so hopeless as this. I do not +wish my worst enemy to be as unhappy as I have been to-day.<br> +<br> +Write to me, my own darling Maude, and tell me all you think, your very +inmost soul, in this matter. Am I right? Have I asked too +much of you? Does the change frighten you? You will have +this in the morning, and I should have my answer by the evening post. +I shall meet the postman. How hard I shall try not to snatch the +letter from him, or to give myself away. Wilson has been in worrying +me with foolish talk, while my thoughts were all of our affairs. +He worked me up into a perfectly homicidal frame of mind, but I hope +that I kept on smiling and was not discourteous to him. I wonder +which is right, to be polite but hypocritical, or to be inhospitable +but honest.<br> +<br> +Good-bye, my own dearest sweetheart - all the dearer when I feel that +I may lose you. - Ever your devoted<br> +<br> +FRANK.<br> +<br> +<i>St. Albans, June 8th.<br> +<br> +</i>Frank, tell me for Heaven’s sake what your letter means! +You use words of love, and yet you talk of parting. You speak +as if our love were a thing which we might change or suppress. +O Frank, you cannot take my love away from me. You don’t +know what you are to me, my heart, my life, my all. I would give +my life for you willingly, gladly - every beat of my heart is for you. +You don’t know what you have become to me. My every thought +is yours, and has been ever since that night at the Arlingtons’. +My love is so deep and strong, it rules my whole life, my every action +from morning to night. It is the very breath and heart of my life +- unchangeable. I could not alter my love any more than I could +stop my heart from beating. How could you, could you suggest such +a thing! I know that you really love me just as much as I love +you, or I should not open my heart like this. I should be too +proud to give myself away. But I feel that pride is out of place +when any mistake or misunderstanding may mean lifelong misery to both +of us. I would only say good-bye if I thought your love had changed +or grown less. But I know that it has not. O my darling, +if you only knew what terrible agony the very thought of parting is, +you would never have let such an idea even for an instant, on any pretext, +enter your mind. The very possibility is too awful to think of. +When I read your letter just now up in my room, I nearly fainted. +I can’t write. O Frank, don’t take my love away from +me. I can’t bear it. Oh no, it is my everything. +If I could only see you now, I know that you would kiss these heart-burning +tears away. I feel so lonely and tired. I cannot follow +all your letter. I only know that you talked of parting, and that +I am weary and miserable.<br> +<br> +MAUDE.<br> +<br> +(COPY OF TELEGRAM)<br> +<i>From Frank Crosse, </i>to <i>Miss Maude Selby,<br> +The Laurels, St. Albans<br> +</i>Coming up eight-fifteen, arrive midnight.<br> +<br> +<i>June 10th.<br> +<br> +</i>How good of you, dear old boy, to come racing across two counties +at a minute’s notice, simply in order to console me and clear +away my misunderstandings. Of course it was most ridiculous of +me to take your letter so much to heart, but when I read any suggestion +about our parting, it upset me so dreadfully, that I was really incapable +of reasoning about anything else. Just that one word PART seemed +to be written in letters of fire right across the page, to the exclusion +of everything else. So then I wrote an absurd letter to my boy, +and the dear came scampering right across the South of England, and +arrived at midnight in the most demoralised state. It was just +sweet of you to come, dear, and I shall never forget it.<br> +<br> +I am so sorry that I have been so foolish, but you must confess, sir, +that you have been just a little bit foolish also. The idea of +supposing that when I love a man my love can be affected by the size +of his house or the amount of his income. It makes me smile to +think of it. Do you suppose a woman’s happiness is affected +by whether she has a breakfast-room, or a billiard-board, or a collie +dog, or any of the other luxuries which you enumerated? But these +things are all the merest trimmings of life. They are not the +essentials. <i>You </i>and your love are the essentials. +Some one who will love me with all his heart. Some one whom I +can love with all my heart. Oh the difference it makes in life! +How it changes everything! It glorifies and beautifies everything. +I always felt that I was capable of a great love - and now I have it.<br> +<br> +Fancy your imagining that you had come into my life in order to darken +it. Why, you <i>are </i>my life. If you went out of it, +what would be left? You talk about my happiness before I met you +- but oh, how empty it all was! I read, and played, and sang as +you say, but what a void there was! I did it to please mother, +but there really seemed no very clear reason why I should continue to +do it. Then you came, and everything was changed. I read +because you are fond of reading and because I wanted to talk about books +with you. I played because you are fond of music. I sang +in the hope that it might please you. Whatever I did, you were +always in my mind. I tried and tried to become a better and nobler +woman, because I wanted to be worthy of the love you bore me. +I have changed, and developed, and improved more in the last three months +than in all my life before. And then you come and tell me that +you have darkened my life. You know better now. My life +has become full and rich, for Love fills my life. It is the keynote +of my nature, the foundation, the motive power. It inspires me +to make the most of any gift or talent that I have. How could +I tell you all this if I did not know that your own feeling was as deep. +I could not have given the one, great, and only love of my life in exchange +for a half-hearted affection from you. But you will never again +make the mistake of supposing that any material consideration can affect +our love.<br> +<br> +And now we won’t be serious any longer. Dear mother was +very much astounded by your tumultuous midnight arrival, and equally +precipitate departure next morning. Dear old boy, it was so nice +of you! But you won’t ever have horrid black humours and +think miserable things any more, will you? But if you must have +dark days, now is your time, for I can’t possibly permit any after +the 30th. - Ever your own<br> +<br> +MAUDE.<br> +<br> +<i>Woking, June 11th</i>.<br> +<br> +My Own Dearest Girlie, - How perfectly sweet you are! I read and +re-read your letter, and I understand more and more how infinitely your +nature is above mine. And your conception of love - how lofty +and unselfish it is! How could I lower it by thinking that any +worldly thing could be weighed for an instant against it! And +yet it was just my jealous love for you, and my keenness that you should +never be the worse through me, which led me to write in that way, so +I will not blame myself too much. I am really glad that the cloud +came, for the sunshine is so much brighter afterwards. And I seem +to know you so much better, and to see so much more deeply into your +nature. I knew that my own passion for you was the very essence +of my soul - oh, how hard it is to put the extreme of emotion into the +terms of human speech! - but I did not dare to hope that your feelings +were as deep. I hardly ventured to tell even you how I really +felt. Somehow, in these days of lawn-tennis and afternoon tea, +a strong strong passion, such a passion as one reads of in books and +poems, seems out of place. I thought that it would surprise, even +frighten you, perhaps, if I were to tell you all that I felt. +And now you have written me two letters, which contain all that I should +have said if I had spoken from my heart. It is all my own inmost +thought, and there is not a feeling that I do not share. O Maude, +I may write lightly and speak lightly, perhaps, sometimes, but there +never was a woman, never, never in all the story of the world, who was +loved more passionately than you are loved by me. Come what may, +while the world lasts and the breath of life is between my lips, you +are the one woman to me. If we are together, I care nothing for +what the future may bring. If we are not together, all the world +cannot fill the void.<br> +<br> +You say that I have given an impulse to your life: that you read more, +study more, take a keener interest in everything. You could not +possibly have said a thing which could have given me more pleasure than +that. It is splendid! It justifies me in aspiring to you. +It satisfies my conscience over everything which I have done. +It must be right if that is the effect. I have felt so happy and +light-hearted ever since you said it. It is rather absurd to think +that <i>I </i>should improve you, but if you in your sweet frankness +say that it is so, why, I can only marvel and rejoice.<br> +<br> +But you must not study and work too hard. You say that you do +it to please me, but that would not please me. I’ll tell +you an anecdote as a dreadful example. I had a friend who was +a great lover of Eastern literature, Sanskrit, and so on. He loved +a lady. The lady to please him worked hard at these subjects also. +In a month she had shattered her nervous system, and will perhaps never +be the same again. It was impossible. She was not meant +for it, and yet she made herself a martyr over it. I don’t +mean by this parable that it will be a strain upon your intellect to +keep up with mine. But I do mean that a woman’s mind is +<i>different </i>from a man’s. A dainty rapier is a finer +thing than a hatchet, but it is not adapted for cutting down trees all +the same.<br> +<br> +Rupton Hale, the architect, one of the few friends I have down here, +has some most deplorable views about women. I played a round of +the Byfleet Golf Links with him upon Wednesday afternoon, and we discussed +the question of women’s intellects. He would have it that +they have never a light of their own, but are always the reflectors +of some other light which you cannot see. He would allow that +they were extraordinarily quick in assimilating another person’s +views, but that was all. I quoted some very shrewd remarks which +a lady had made to me at dinner. ‘Those are the traces of +the last man,’ said he. According to his preposterous theory, +you could in conversation with a woman reconstruct the last man who +had made an impression to her. ‘She will reflect you upon +the next person she talks to,’ said he. It was ungallant, +but it was ingenious.<br> +<br> +Dearest sweetheart, before I stop, let me tell you that if I have brought +any happiness into your life, you have brought far, far more into mine. +My soul seemed to come into full being upon the day when I loved you. +It was so small, and cramped, and selfish, before - and life was so +hard, and stupid, and purposeless. To live, to sleep, to eat, +for some years, and then to die - it was so trivial and so material. +But now the narrow walls seem in an instant to have fallen, and a boundless +horizon stretches around me. And everything appears beautiful. +London Bridge, King William Street, Abchurch Lane, the narrow stair, +the office with the almanacs and the shining desks, it has all become +glorified, tinged with a golden haze. I am stronger: I step out +briskly and breathe more deeply. And I am a better man too. +God knows there was room for it. But I do try to make an ideal, +and to live up to it. I feel such a fraud when I think of being +put upon a pedestal by you, when some little hole where I am out of +sight is my true place. I am like the man in Browning who mourned +over the spots upon his ‘speckled hide,’ but rejoiced in +the swansdown of his lady. And so, my own dear sweet little swansdown +lady, good-night to you, with my heart’s love now and for ever +from your true lover,<br> +<br> +FRANK.<br> +<br> +Saturday! Saturday! Saturday! oh, how I am longing for Saturday, +when I shall see you again! We will go on Sunday and hear the +banns together.<br> +<br> +<br> +<br> +CHAPTER III - THE OVERTURE CONCLUDED<br> +<br> +<br> +<br> +<i>St. Albans, June </i>14th.<br> +<br> +Dearest Frank, - What a dreadful thing it is to have your name shouted +out in public! And what a voice the man had! He simply bellowed +‘Maude Selby of this parish’ as if he meant all this parish +to know about it. And then he let you off so easily. I suppose +he thought that there was no local interest in Frank Crosse of Woking. +But when he looked round expectantly, after asking whether there was +any known cause or just impediment why we should not be joined together, +it gave me quite a thrill. I felt as if some one would jump up +like a Jack-in-the-box and make a scene in the church. How relieved +I was when he changed the subject! I sank my face in my hands, +but I know that I was blushing all down my neck. Then I looked +at you between my fingers, and there you were sitting quite cool and +cheerful, as if you rather liked it. I think that we shall go +to evening-service next week. Papa has given up going altogether +since the new organist came. He says he cannot face the music.<br> +<br> +What a sweet time we had together. I shall never, never forget +it! O Frank, how good you are to me! And how I hope you +won’t regret what you are doing. It is all very well just +now, when I am young and you think that I am pretty. I love that +you should think so, but I am compelled to tell you that it is not really +so. I can’t imagine how you came to think it! I suppose +it was from seeing me so often beside papa. If you saw me near +Nelly Sheridan, or any other <i>really </i>pretty girl, you would at +once see the difference. It just happens that you like grey eyes +and brown hair, and the other things, but that does not mean that I +am really pretty. I should be so sorry if there were any misunderstanding +about this, and you only found out when too late. You ought to +keep this letter for reference, as papa always says, and then it will +be interesting to you afterwards.<br> +<br> +I should like you to see me now - or rather I wouldn’t have you +see me for the world. I am so flushed and untidy, for I have been +cooking. Is it not absurd, if you come to think of it, that we +girls should be taught the irregular French verbs, and the geography +of China, and never to cook the simplest thing? It really does +seem ridiculous.<br> +<br> +But it is never too late to mend, so I went into the kitchen this morning +and made a tart. You can’t imagine what a lot of things +one needs even for such a simple thing as that. I thought cook +was joking when she put them all down in front of me. It was like +a conjurer giving his performance. There was an empty bowl, and +a bowl full of sliced apples, and a big board, and a rolling-pin, and +eggs, and butter, and sugar, and cloves, and of course flour. +We broke eggs and put them into a bowl - you can’t think what +a mess an egg makes when it misses the bowl. Then we stirred them +up with flour and butter and things. I stirred until I was perfectly +exhausted. No wonder a cook has usually a great thick arm. +Then when it had formed a paste, we rolled it out, and put the apples +in the dish, and roofed it in, and trimmed the edges, and stuck flat +leaves made of paste all over it, and the dearest little crown in the +middle. Then we put it into the oven until it was brown. +It looked a very nice tart, and mamma said that I had made it very solidly. +It certainly did feel very heavy for its size. Mamma would not +taste it, because she said that she thought Dr. Tristram would not approve +of her doing so, but I had a piece, and really it was not so bad. +Mamma said the servants might have it at dinner, but the servants said +that the poor window-cleaner had a large family, and so we gave it to +him. It is so sweet to feel that one is of any use to any one.<br> +<br> +What do you think happened this morning? Two wedding-presents +arrived. The first was a very nice fish slice and fork in a case. +It was from dear old Mrs. Jones Beyrick, on whom we really had no claim +whatever. We all think it so kind of her, and such a nice fish-slice. +The other was a beautiful travelling-bag from Uncle Arthur. Stamped +in gold upon it were the letters M.C., I said, ‘Oh, what a pity! +They have put the wrong initials.’ That made mamma laugh. +I suppose one soon gets used to it. Fancy how you would feel if +it were the other way about, and you changed your name to mine. +They might call you Selby, but you would continue to feel Crosse. +I didn’t mean that for a joke, but women make jokes without intending +it. The other day the curate drove up in his donkey-cart, and +mother said, ‘Oh, what a nice tandem!’ I think that +she meant to say ‘turn-out’; but papa said it was the neatest +thing he had heard for a long time, so mamma is very pleased, but I +am sure that she does not know even now why it should be so funny.<br> +<br> +What stupid letters I write! Doesn’t it frighten you when +you read them and think that is the person with whom I have to spend +my life. Yet you never seem alarmed about it. I think it +is so <i>brave </i>of you. That reminds me that I never finished +what I wanted to say at the beginning of this letter. Even supposing +that I am pretty (and my complexion sometimes is simply awful), you +must bear in mind how quickly the years slip by, and how soon a woman +alters. Why, we shall hardly be married before you will find me +full of wrinkles, and without a tooth in my head. Poor boy, how +dreadful for you! Men seem to change so little and so slowly. +Besides, it does not matter for them, for nobody marries a man because +he is pretty. But you must marry me, Frank, not for what I look +but for what I am - for my inmost, inmost self, so that if I had no +body at all, you would love me just the same. That is how I love +you, but I do prefer you with your body on all the same. I don’t +know how I love you, dear. I only know that I am in a dream when +you are near me - just a beautiful dream. I live for those moments. +- Ever your own little<br> +<br> +MAUDE.<br> +<br> +<i>P.S</i>. - Papa gave us such a fright, for he came in just now and +said that the window-cleaner and all his family were very ill. +This was a joke, because the coachman had told him about my tart. +Wasn’t it horrid of him?<br> +<br> +<br> +<i>Woking, June </i>17<i>th.<br> +<br> +</i>My own sweetest Maude, - I do want you to come up to town on Saturday +morning. Then I will see you home to St. Albans in the evening, +and we shall have another dear delightful week end. I think of +nothing else, and I count the hours. Now please to manage it, +and don’t let anything stop you. You know that you can always +get your way. Oh yes, you can, miss! I know.<br> +<br> +We shall meet at the bookstall at Charing Cross railway station at one +o’clock, but if anything should go wrong, send me a wire to the +Club. Then we can do some shopping together, and have some fun +also. Tell your mother that we shall be back in plenty of time +for dinner. Make another tart, and I shall eat it. Things +are slack at the office just now, and I could be spared for a few days.<br> +<br> +So you have had a fish-slice. It is so strange, because on that +very day I had my first present, and it was a fish-slice also. +We shall have fish at each end when we give a dinner. If we get +another fish-slice, then we shall give a fish-dinner - or keep one of +the slices to give to your friend Nelly Sheridan when <i>she </i>gets +married. They will always come in useful. And I have had +two more presents. One is a Tantalus spirit-stand from my friends +in the office. The other is a pair of bronzes from the cricket +club. They got it up without my knowing anything about it, and +I was amazed when a deputation came up to my rooms with them last night. +‘May your innings be long and your partnership unbroken until +you each make a hundred not out.’ That was the inscription +upon a card.<br> +<br> +I have something very grave to tell you. I’ve been going +over my bills and things, and I owe ever so much more than I thought. +I have always been so careless, and never known exactly how I stood. +It did not matter when one was a bachelor, for one always felt that +one could live quite simply for a few months, and so set matters straight. +But now it is more serious. The bills come to more than a hundred +pounds; the biggest one is forty-two pounds to Snell and Walker, the +Conduit Street tailors. However, I am ordering my marriage-suit +from them, and that will keep them quiet. I have enough on hand +to pay most of the others. But we must not run short upon our +honeymoon - what an awful idea! Perhaps there may be some cheques +among our presents. We will hope for the best.<br> +<br> +But there is a more serious thing upon which I want to consult you. +You asked me never to have any secrets from you, or else I should not +bother you about such things. I should have kept it for Saturday +when we meet, but I want you to have time to think about it, so that +we may come to some decision then.<br> +<br> +I am surety to a man for an indefinite sum of money. It sounds +rather dreadful, does it not? But it is not so bad as it sounds, +for there is no harm done yet. But the question is what we should +do in the future about it, and the answer is not a very easy one. +He is a very pleasant fellow, an insurance agent, and he got into some +trouble about his accounts last year. The office would have dismissed +him, but as I knew his wife and his family, I became surety that he +should not go wrong again, and so I saved him from losing his situation. +His name is Farintosh. He is one of those amiable, weak, good +fellows whom you cannot help loving, although you never can trust them. +Of course we could give notice that we should not be responsible any +longer, but it would be a thunderbolt to this poor family, and the man +would certainly be ruined. We don’t want to begin our own +happiness by making any one else unhappy, do we? But we shall +talk it over, and I shall do what you advise. You understand that +we are only liable in case he defaults, and surely it is very unlikely +that he will do so after the lesson that he has already had.<br> +<br> +I think the house will do splendidly. The Lindens is the name, +and it is on the Maybury Road, not more than a quarter of a mile from +the station. If your mother and you could come down on Tuesday +or Wednesday, I should get a half-day off, and you would be able to +inspect it. Such a nice little lawn in front, and garden behind. +A conservatory, if you please, dining-room and drawing-room. You +can never assemble more than four or five guests. On your at-home +days, we shall put up little placards as they do outside the theatres, +‘Drawing-room full,’ ‘Dining-room full,’ ‘Room +in the Conservatory.’ There are two good bedrooms, one large +maid’s room, and a lumber-room. One cook and one housemaid +could run it beautifully. Rent £50 on a three years’ +lease - with taxes, about £62. I think it was just built +for us. Rupton Hale says that we must be careful not to brush +against the walls, and that it would be safer to go outside to sneeze +- but that is only his fun.<br> +<br> +What a dull, stupid letter! I do hope that I shall be in good +form on Saturday. I am a man of moods - worse luck! and they come +quite regardless of how I wish to be, or even of how I have cause to +be. I do hope that I shall make your day bright for you - the +last day that we shall have together before <i>the </i>day. There +have been times when I have been such bad company to you, just when +I wished to be at my best. But you are always so sweet and patient +and soothing. Until Saturday, then, my own darling. - Ever your +lover, FRANK.<br> +<br> +<i>P.S</i>. - I open this to tell you that such a gorgeous fish-knife, +with our monograms upon it, has just arrived from Mrs. Preston, my father’s +old friend. I went to the Goldsmith’s Company in Regent +Street yesterday afternoon, and I bought - what do you think? +It looks so beautiful upon its snow-white cotton wadding. I like +them very broad and rather flat. I do hope you will think it all +right. It fills me with the strangest feelings when I look at +it. Come what may, foul weather or fair, sorrow or joy, that little +strip of gold will still be with us - we shall see it until we can see +no more.<br> +<br> +<i>P.P.S</i>. - Saturday! Saturday!! Saturday!!!<br> +<br> +<br> +<br> +CHAPTER IV - THE TWO SOLOS<br> +<br> +<br> +<br> +Their tryst was at the Charing Cross bookstall at one o’clock, +and so Mr. Frank Crosse was there at quarter-past twelve, striding impatiently +up and down, and stopping dead whenever a woman emerged from the entrance, +like a pointer dog before a partridge. Before he came he had been +haunted by the idea that possibly Maude might have an impulse to come +early - and what if she were to arrive and not find him there! +Every second of her company was so dear to him, that when driving to +meet her he had sometimes changed from one cab to another upon the way, +because the second seemed to have the faster horse. But now that +he was on the ground he realised that she was very exact to her word, +and that she would neither be early nor late. And yet, in the +illogical fashion of a lover, he soon forgot that it was he who was +too soon, and he chafed and chafed as the minutes passed, until at about +quarter to one he was striding gloomily about with despondent features +and melancholy forebodings, imagining a thousand miserable reasons for +her inexplicable delay. A good many people stared at him as they +passed, and we may do so among the number.<br> +<br> +In person Frank Crosse was neither tall nor short, five feet eight and +a half to be exact, with the well-knit frame and springy step of a young +man who had been an athlete from his boyhood. He was slim, but +wiry, and carried his head with a half-defiant backward slant which +told of pluck and breed. His face was tanned brown, in spite of +his City hours, but his hair and slight moustache were flaxen, and his +eyes, which were his best features, were of a delicate blue, and could +vary in expression from something very tender to something particularly +hard. He was an orphan, and had inherited nothing from his parents +save a dash of the artist from his mother. It was not enough to +help him to earn a living, but it transformed itself into a keen appreciation +and some ambitions in literature, and it gave a light and shade to his +character which made him rather complex, and therefore interesting. +His best friends could not deny the shade, and yet it was but the shadow +thrown by the light. Strength, virility, emotional force, power +of deep feeling - these are traits which have to be paid for. +There was sometimes just a touch of the savage, or at least there were +indications of the possibility of a touch of the savage, in Frank Crosse. +His intense love of the open air and of physical exercise was a sign +of it. He left upon women the impression, not altogether unwelcome, +that there were unexplored recesses of his nature to which the most +intimate of them had never penetrated. In those dark corners of +the spirit either a saint or a sinner might be lurking, and there was +a pleasurable excitement in peering into them, and wondering which it +was. No woman ever found him dull. Perhaps it would have +been better for him if they had, for his impulsive nature had never +been long content with a chilly friendship. He was, as we may +see, a man with a past, but it <i>was </i>a past, now that Maude Selby +had come like an angel of light across the shadowed path of his life. +In age he was nearly twenty-seven.<br> +<br> +There are one or two things which might be said for him which he would +not have said for himself. He was an only child and an orphan, +but he had adopted his grandparents, who had been left penniless through +his father’s death, and through all his struggles he had managed +to keep them happy and comfortable in a little cottage in Worcestershire. +Nor did he ever tell them that he had a struggle - fearing lest it should +make their position painful; and so when their quarterly cheque arrived, +they took it as a kindly but not remarkable act of duty upon the part +of their wealthy grandson in the City, with no suspicion as to the difference +which their allowance was making to him. Nor did he himself look +upon his action as a virtuous one, but simply as a thing which must +obviously be done. In the meantime, he had stuck closely to his +work, had won rapid promotion in the Insurance Office in which he had +started as junior clerk, had gained the goodwill of his superiors through +his frank, unaffected ways, and had been asked to play for the second +Surrey eleven at cricket. So without going the length of saying +that he was worthy of Maude Selby, one might perhaps claim - if it could +be done without endangering that natural modesty which was one of his +charms - that he was as worthy as any other young man who was available.<br> +<br> +That unfortunate artistic soul of his, which had been in the tropics +of expectation, and was now in the arctic of reaction, had just finally +settled down to black despair, with a grim recognition of the fact that +Maude had certainly and absolutely given him up, when one boomed from +the station clock, and on the very stroke she hurried on to the platform. +How could he have strained his eyes after other women, as if a second +glance were ever needed when it was really she! The perfectly +graceful figure, the trimness and neatness of it, the beautiful womanly +poise of the head, the quick elastic step, he could have sworn to her +among ten thousand. His heart gave a bound at the sight of her, +but he had the English aversion to giving himself away, and so he walked +quickly forward to meet her with an impassive face, but with a look +in his eyes which was all that she wanted.<br> +<br> +‘How are you?’<br> +<br> +‘How do you do?’<br> +<br> +He stood for a few moments looking at her in silence. She had +on the dress which he loved so much, a silver-grey merino skirt and +jacket, with a blouse of white pongee silk showing in front. Some +lighter coloured trimming fringed the cloth. She wore a grey toque, +with a dash of white at the side, and a white veil which softened without +concealing the dark brown curls and fresh girlish face beneath it. +Her gloves were of grey suède, and the two little pointed tan +shoes peeping from the edge of her skirt were the only touches of a +darker tint in her attire. Crosse had the hereditary artist’s +eye, and he could only stand and stare and enjoy it. He was filled +with admiration, with reverence, and with wonder that this perfect thing +should really proclaim itself to be all his own. Whatever had +he done, or could he do, to deserve it?<br> +<br> +She looked up at him in a roguish sidelong way, with the bright mischievous +smile which was one of her charms.<br> +<br> +‘Well, sir, do you approve?’<br> +<br> +‘By Jove, it is splendid - beautiful!’<br> +<br> +‘So glad! I hoped you would, since you are so fond of greys. +Besides, it is cooler in this weather. I hope you have not been +waiting.’<br> +<br> +‘Oh no, that’s all right.’<br> +<br> +‘You looked so solemn when first I saw you.’<br> +<br> +‘Did I?’<br> +<br> +‘And then you just jumped.’<br> +<br> +‘Did I? I’m sorry.’<br> +<br> +‘Why?’<br> +<br> +‘I don’t know. I like our feelings to be our very +very own, and never to show them to any one else at all. I dare +say it is absurd, but that is my instinct.’<br> +<br> +‘Never mind, dear, it wasn’t such a big jump as all that. +Where are we going?’<br> +<br> +‘Come here, Maude, into the waiting-room.’<br> +<br> +She followed him into the gloomy, smoky, dingy room. Bare yellow +benches framed an empty square of brown linoleum. A labouring +man with his wife and a child sat waiting with the stolid patience of +the poor in one corner. They were starting on some Saturday afternoon +excursion, and had mistimed their train. Maude Selby and Frank +Crosse took the other corner. He drew a jeweller’s box from +his pocket and removed the lid. Something sparkled among the wadding.<br> +<br> +‘O Frank! Is that really it?’<br> +<br> +‘Do you like it?’<br> +<br> +‘What a broad one it is! Mother’s is quite thin.’<br> +<br> +‘They wear thin in time.’<br> +<br> +‘It is beautiful. Shall I try it on?’<br> +<br> +‘No, don’t. There is some superstition about it.’<br> +<br> +‘But suppose it won’t fit?’<br> +<br> +‘That is quite safe. I measured it with your sapphire ring.’<br> +<br> +‘I haven’t half scolded you enough about that sapphire ring. +How could you go and give twenty-two guineas for a ring? - oh yes, sir, +that was the price, for I saw a duplicate yesterday in the Goldsmith’s +Company. You dear extravagant old boy!’<br> +<br> +‘I had saved the money.’<br> +<br> +‘But not for that!’<br> +<br> +‘For nothing half or quarter as important. But I had the +other to the same size, so it is sure to fit.’<br> +<br> +Maude had pushed up her veil, and sat with the little golden circlet +in her hand, looking down at it, while the dim watery London sunlight +poured through the window, and tagged all her wandering curls with a +coppery gleam. It was a face beautiful in itself, but more beautiful +for its expression - sensitive, refined, womanly, full of innocent archness +and girlish mischief, but with a depth of expression in the eyes, and +a tender delicacy about the mouth, which spoke of a great spirit with +all its capacities for suffering and devotion within. The gross +admirer of merely physical charms might have passed her over unnoticed. +So might the man who is attracted only by outward and obvious signs +of character. But to the man who could see, to the man whose own +soul had enough of spirituality to respond to hers, and whose eye could +appreciate the subtlety of a beauty which is of the mind as well as +of the body, there was not in all wide London upon that midsummer day +a sweeter girl than Maude Selby, as she sat in her grey merino dress +with the London sun tagging her brown curls with that coppery glimmer.<br> +<br> +She handed back the ring, and a graver expression passed over her mobile +face.<br> +<br> +‘I feel as you said in your letter, Frank. There <i>is </i>something +tragic in it. It will be with me for ever. All the future +will arrange itself round that little ring.’<br> +<br> +‘Are you afraid of it?’<br> +<br> +‘Afraid!’ her grey glove rested for an instant upon the +back of his hand. ‘I <i>couldn’t </i>be afraid of +anything if you were with me. It is really extraordinary, for +by nature I am so easily frightened. But if I were with you in +a railway accident or anywhere, it would be just the same. You +see I become for the time part of you, as it were, and you are brave +enough for two.’<br> +<br> +‘I don’t profess to be so brave as all that,’ said +Frank. ‘I expect I have as many nerves as my neighbours.’<br> +<br> +Maude’s grey toque nodded up and down. ‘I know all +about that,’ said she.<br> +<br> +‘You have such a false idea of me. It makes me happy at +the time and miserable afterwards, for I feel such a rank impostor. +You imagine me to be a hero, and a genius, and all sorts of things, +while I <i>know </i>that I am about as ordinary a young fellow as walks +the streets of London, and no more worthy of you than - well, than any +one else is.’<br> +<br> +She laughed with shining eyes.<br> +<br> +‘I like to hear you talk like that,’ said she. ‘That +is just what is so beautiful about you.’<br> +<br> +It is hopeless to prove that you are not a hero when your disclaimers +are themselves taken as a proof of heroism. Frank shrugged his +shoulders.<br> +<br> +‘I only hope you’ll find me out gradually and not suddenly,’ +said he. ‘Now, Maude, we have all day and all London before +us. What shall we do? I want you to choose.’<br> +<br> +‘I am quite happy whatever we do. I am content to sit here +with you until evening.’<br> +<br> +Her idea of a happy holiday set them both laughing.<br> +<br> +‘Come along,’ said he, ‘we shall discuss it as we +go.’<br> +<br> +The workman’s family was still waiting, and Maude handed the child +a shilling as she went out. She was so happy herself that she +wanted every one else to be happy also. The people turned to look +at her as she passed. With the slight flush upon her cheeks and +the light in her eyes, she seemed the personification of youth, and +life, and love. One tall old gentleman started as he looked, and +watched her with a rapt face until she disappeared. Some cheek +had flushed and some eye had brightened at his words once, and sweet +old days had for an instant lived again.<br> +<br> +‘Shall we have a cab?’<br> +<br> +‘O Frank, we must learn to be economical. Let us walk.’<br> +<br> +‘I can’t and won’t be economical to-day.’<br> +<br> +‘There now! See what a bad influence I have upon you.’<br> +<br> +‘Most demoralising! But we have not settled yet where we +are to go to.’<br> +<br> +‘What <i>does </i>it matter, if we are together?’<br> +<br> +‘There is a good match at the Oval, the Australians against Surrey. +Would you care to see that?’<br> +<br> +‘Yes, dear, if you would.’<br> +<br> +‘And there are matinées at all the theatres.’<br> +<br> +‘You would rather be in the open air.’<br> +<br> +‘All I want is that you should enjoy yourself.’<br> +<br> +‘Never fear. I shall do that.’<br> +<br> +‘Well, then, first of all I vote that we go and have some lunch.’<br> +<br> +They started across the station yard, and passed the beautiful old stone +cross. Among the hansoms and the four-wheelers, the hurrying travellers, +and the lounging cabmen, there rose that lovely reconstruction of mediævalism, +the pious memorial of a great Plantagenet king to his beloved wife.<br> +<br> +‘Six hundred years ago,’ said Frank, as they paused and +looked up, ‘that old stone cross was completed, with heralds and +armoured knights around it to honour her whose memory was honoured by +the king. Now the corduroyed porters stand where the knights stood, +and the engines whistle where the heralds trumpeted, but the old cross +is the same as ever in the same old place. It is a little thing +of that sort which makes one realise the unbroken history of our country.’<br> +<br> +Maude insisted upon hearing about Queen Eleanor, and Frank imparted +the little that he knew as they walked out into the crowded Strand.<br> +<br> +‘She was Edward the First’s wife, and a splendid woman. +It was she, you remember, who sucked the wound when he was stabbed with +a poisoned dagger. She died somewhere in the north, and he had +the body carried south to bury it in Westminster Abbey. Wherever +it rested for a night he built a cross, and so you have a line of crosses +all down England to show where that sad journey was broken.’<br> +<br> +They had turned down Whitehall, and passed the big cuirassiers upon +their black chargers at the gate of the Horse Guards. Frank pointed +to one of the windows of the old banqueting-hall.<br> +<br> +‘You’ve seen a memorial of a queen of England,’ said +he. ‘That window is the memorial of a king.’<br> +<br> +‘Why so, Frank?’<br> +<br> +‘I believe that it was through that window that Charles the First +passed out to the scaffold when his head was cut off. It was the +first time that the people had ever shown that they claimed authority +over their king.’<br> +<br> +‘Poor fellow!’ said Maude. ‘He was so handsome, +and such a good husband and father.’<br> +<br> +‘It is the good kings who may be the dangerous ones.’<br> +<br> +‘O Frank!’<br> +<br> +‘If a king thinks only of pleasure, then he does not interfere +with matters of state. But if he is conscientious, he tries to +do what he imagines to be his duty, and so he causes trouble. +Look at Charles, for example. He was a very good man, and yet +he caused a civil war. George the Third was a most exemplary character, +but his stupidity lost us America, and nearly lost us Ireland. +They were each succeeded by thoroughly bad men, who did far less harm.’<br> +<br> +They had reached the end of Whitehall, and the splendid panorama of +Westminster Abbey and the Houses of Parliament lay before them. +The most stately of ancient English buildings was contrasted with the +most beautiful of modern ones. How anything so graceful came to +be built by this tasteless and utilitarian nation must remain a marvel +to the traveller. The sun was shining upon the gold-work of the +roof, and the grand towers sprang up amid the light London haze, like +some gorgeous palace in a dream. It was a fit centre for the rule +to whose mild sway one-fifth of the human race acquiesces - a rule upheld +by so small a force that only the consent of the governed can sustain +it.<br> +<br> +Frank and Maude stood together looking up at it.<br> +<br> +‘How beautiful it is!’ she cried. ‘How the gilding +lights up the whole building!’<br> +<br> +‘And how absurd it is not to employ it more in our gloomy London +architecture!’ said Frank. ‘Imagine how grand a gilded +dome of St. Paul’s would look, hanging like a rising sun over +the City. But here is our restaurant, Maude, and Big Ben says +that it is a quarter to two.<br> +<br> +<br> +<br> +CHAPTER V - IN BRITAIN’S VALHALLA<br> +<br> +<br> +<br> +They had discussed the rooms in their new house, and the bridesmaids’ +dresses, and Maude’s cooking, and marriage-presents, and the merits +of Brighton, and the nature of love, and volleying at tennis (Maude +was the lady-champion of a tennis club), and season tickets, and the +destiny of the universe - to say nothing of a small bottle of Perrier +Jouet. It was reprehensibly extravagant, but this would be their +last unmarried excursion, and so they drank to the dear days of the +past, and the dearer ones of the future. Good comrades as well +as lovers, they talked freely, and with pleasure. Frank never +made the common mistake of talking down, and Maude justified his confidence +by eagerly keeping up. To both of them silence was preferable +to conventional small talk.<br> +<br> +‘We’ll just get down there after lunch,’ said Frank, +as he paid his bill. ‘You have not seen the Australians, +have you?’<br> +<br> +‘Yes, dear, I saw them at Clifton four years ago.’<br> +<br> +‘But this is a new lot. There are nine of the present team +who have never played in England before.’<br> +<br> +‘They are very good, are they not?’<br> +<br> +‘Very good indeed. And the dry summer has helped them. +It is the sticky English wickets which put them off. The wickets +are very fast over there. Giffen is their best all-round man, +but Darling and Iredale and young Hill are good enough for anything. +Well, then - O Lord, what a pity!’<br> +<br> +He had turned towards the window as he rose, and saw one of those little +surprises by which Nature relieves the monotony of life in these islands. +The sun had gone, a ragged slate-coloured cloud was drifting up from +over the river, and the rain was falling with a soft persistency which +is more fatal than the most boisterous shower. There would be +no more cricket that day.<br> +<br> +‘Two coffees and two benedictines,’ cried Frank, and they +relapsed into their chairs. But a half-hour passed and the grey +cloud was thicker and the rain more heavy. The cheerless leaden +river flowed slowly under drifting skies. Beyond an expanse of +shining pavement the great black Abbey towered amidst the storm.<br> +<br> +‘Have you ever done the Abbey, Maude?’<br> +<br> +‘No, Frank; I should love to.’<br> +<br> +‘I have only been once - more shame to me to say so! Is +it not a sin that we young Englishmen should be familiar with every +music-hall in London and should know so little of this which is the +centre of the British race, the most august and tremendous monument +that ever a nation owned. Six hundred years ago the English looked +upon it as their holiest and most national shrine, and since then our +kings and our warriors and our thinkers and our poets have all been +laid there, until there is such an accumulation that the huge Abbey +has hardly space for another monument. Let us spend an hour inside +it.’<br> +<br> +They made for Solomon’s porch, since it was the nearest and they +had but the one umbrella. Under its shelter they brushed themselves +dry before they entered.<br> +<br> +‘Whom does the Abbey belong to, Frank?’<br> +<br> +‘To you and me!’<br> +<br> +‘Now you are joking!’<br> +<br> +‘Not at all. It belongs in the long-run to the British taxpayer. +You have heard the story of the Scotch visitor who came on board one +of our battleships and asked to see the captain. “Who shall +I say?” said the sentry. “One of the proprietors,” +said the Scotchman. That’s <i>our </i>position towards the +Abbey. Let us inspect our property.’<br> +<br> +They were smiling as they entered, but the smile faded from their lips +as the door closed behind them. In this holy of holies, this inner +sanctuary of the race, there was a sense of serene and dignified solemnity +which would have imposed itself upon the most thoughtless. Frank +and Maude stood in mute reverence. The high arches shot up in +long rows upon either side of them, straight and slim as beautiful trees, +until they curved off far up near the clerestory and joined their sister +curves to form the lightest, most delicate tracery of stone. In +front of them a great rose-window of stained glass, splendid with rich +purples and crimsons, shone through a subdued and reverent gloom. +Here and there in the aisles a few spectators moved among the shadows, +but all round along the walls two and three deep were ranged the illustrious +dead, the perishable body within, the lasting marble without, and the +more lasting name beneath. It was very silent in the home of the +great dead - only a distant footfall or a subdued murmur here and there. +Maude knelt down and sank her face in her hands. Frank prayed +also with that prayer which is a feeling rather than an utterance.<br> +<br> +Then they began to move round the short transept in which they found +themselves - a part of the Abbey reserved for the great statesmen. +Frank tried to quote the passage in which Macaulay talks about the men +worn out by the stress and struggle of the neighbouring parliament-hall, +and coming hither for peace and rest. Here were the men who had +been strong enough to grasp the helm, and who, sometimes wisely, sometimes +foolishly, but always honestly, had tried to keep the old ship before +the wind. Canning and Peel were there, with Pitt, Fox, Grattan +and Beaconsfield. Governments and oppositions moulder behind the +walls. Beaconsfield alone among all the statues showed the hard-lined +face of the self-made man. These others look so plump and smooth +one can hardly realise how strong they were, but they sprang from those +ruling castes to whom strength came by easy inheritance. Frank +told Maude the little which he knew of each of them - of Grattan, the +noblest Irishman of them all, of Castlereagh, whose coffin was pursued +to the gates of the Abbey by a raging mob who wished to tear out his +corpse, of Fox the libertine philosopher, of Palmerston the gallant +sportsman, who rode long after he could walk. They marvelled together +at the realism of the sculptor who had pitted Admiral Warren with the +smallpox, and at the absurdity of that other one who had clad Robert +Peel in a Roman toga.<br> +<br> +Then turning to the right at the end of the Statesmen’s Transept, +they wandered aimlessly down the huge nave. It was overwhelming, +the grandeur of the roof above and of the contents below. Any +one of hundreds of these tombs was worth a devout pilgrimage, but how +could one raise his soul to the appreciation of them all. Here +was Darwin who revolutionised zoology, and here was Isaac Newton who +gave a new direction to astronomy. Here were old Ben Jonson, and +Stephenson the father of railways, and Livingstone of Africa, and Wordsworth, +and Kingsley, and Arnold. Here were the soldiers of the mutiny +- Clyde and Outram and Lawrence, - and painters, and authors, and surgeons, +and all the good sons who in their several degrees had done loyal service +to the old mother. And when their service was done the old mother +had stretched out that long arm of hers and had brought them home, and +always for every good son brought home she had sent another forth, and +her loins were ever fruitful, and her children loving and true. +Go into the Abbey and think, and as the nation’s past is borne +in upon you, you will have no fear for its future.<br> +<br> +Frank was delighted with some of the monuments and horrified by others, +and he communicated both his joy and his anger to Maude. They +noticed together how the moderns and the Elizabethans had much in common +in their types of face, their way of wearing the hair, and their taste +in monuments, while between them lie the intolerable affectations - +which culminated towards the end of last century.<br> +<br> +‘It all rings false - statue, inscription, everything,’ +said Frank. ‘These insufferable allegorical groups sprawling +round a dead hero are of the same class as the pompous and turgid prose +of Doctor Johnson. The greatest effects are the simplest effects, +and so it always was and so it always will be. But that little +bit of Latin is effective, I confess.’<br> +<br> +It was a very much defaced inscription underneath a battered Elizabethan +effigy, whose feet had been knocked off, and whose features were blurred +into nothing. Two words of the inscription had caught Frank’s +eye.<br> +<br> +<i>‘Moestissima uxor</i>! It was his “most sad wife” +who erected it! Look at it now! The poor battered monument +of a woman’s love. Now, Maude, come with me, and we shall +visit the famous Poets’ Corner.’<br> +<br> +What an assembly it would be if at some supreme day each man might stand +forth from the portals of his tomb. Tennyson, the last and almost +the greatest of that illustrious line, lay under the white slab upon +the floor. Maude and Frank stood reverently beside it.<br> +<br> +<br> +‘“Sunset and evening Star<br> +And one clear call for me.”’<br> +<br> +<br> +Frank quoted. ‘What lines for a very old man to write! +I should put him second only to Shakespeare had I the marshalling of +them.’<br> +<br> +‘I have read so little,’ said Maude.<br> +<br> +‘We will read it all together after next week. But it makes +your reading so much more real and intimate when you have stood at the +grave of the man who wrote. That’s Chaucer, the big tomb +there. He is the father of British poetry. Here is Browning +beside Tennyson - united in life and in death. He was the more +profound thinker, but music and form are essential also.’<br> +<br> +‘What a splendid face!’ cried Maude.<br> +<br> +‘It is a bust to Longfellow, the American.’ They read +the inscription. ‘This bust was placed among the memorials +of the poets of England by English admirers of an American poet.’<br> +<br> +‘I am so glad to have seen that. I know his poems so well,’ +said Maude.<br> +<br> +‘I believe he is more read than any poet in England.’<br> +<br> +‘Who is that standing figure?’<br> +<br> +‘It is Dryden. What a clever face, and what a modern type. +Here is Walter Scott beside the door. How kindly and humorous +his expression was! And see how high his head was from the ear +to the crown. It was a great brain. There is Burns, the +other famous Scot. Don’t you think there is a resemblance +between the faces? And here are Dickens, and Thackeray, and Macaulay. +I wonder whether, when Macaulay was writing his essays, he had a premonition +that he would be buried in Westminster Abbey. He is continually +alluding to the Abbey and its graves. I always think that we have +a vague intuition as to what will occur to us in life.’<br> +<br> +‘We can guess what is probable.’<br> +<br> +‘It amounts to more than that. I had an intuition that I +should marry you from the first day that I saw you, and yet it did not +seem probable. But deep down in my soul I knew that I should marry +you.’<br> +<br> +‘I knew that I should marry you, Frank, or else that I should +never marry at all.’<br> +<br> +‘There now! We both had it. Well, that <i>is </i>really +wonderful!’<br> +<br> +They stood among the memorials of all those great people, marvelling +at the mysteries of their own small lives. A voice at their elbows +brought them back to the present.<br> +<br> +‘This way, if you please, for the kings,’ said the voice. +‘They are now starting for the kings.’<br> +<br> +‘They’ proved to be a curiously mixed little group of people +who were waiting at the entrance through the enclosure for the arrival +of the official guide. There were a tall red-bearded man with +a very Scotch accent and a small gentle wife, also an American father +with his two bright and enthusiastic daughters, a petty-officer of the +navy in his uniform, two young men whose attention was cruelly distracted +from the monuments by the American girls, and a dozen other travellers +of various sexes and ages. Just as Maude and Frank joined them +the guide, a young fresh-faced fellow, came striding up, and they passed +through the opening into the royal burying-ground.<br> +<br> +‘This way, ladies and gentlemen,’ cried the hurrying guide, +and they all clattered over the stone pavement. He stopped beside +a tomb upon which a lady with a sad worn face was lying. ‘Mary, +Queen of Scots,’ said he, ‘the greatest beauty of her day. +This monument was erected by her son, James the First.’<br> +<br> +‘Isn’t she just perfectly sweet?’ said one of the +American girls.<br> +<br> +‘Well, I don’t know. I expected more of her than that,’ +the other answered.<br> +<br> +‘I reckon,’ remarked the father, ‘that if any one +went through as much as that lady did, it would not tend to improve +her beauty. Now what age might the lady be, sir?’<br> +<br> +‘Forty-four years of age at the time of her execution,’ +said the guide.<br> +<br> +‘Ah weel, she’s young for her years,’ muttered the +Scotchman, and the party moved on. Frank and Maude lingered to +have a further look at the unfortunate princess, the bright French butterfly, +who wandered from the light and warmth into that grim country, a land +of blood and of psalms.<br> +<br> +‘She was as hard as nails under all her gentle grace,’ said +Frank. ‘She rode eighty miles and hardly drew rein after +the battle of Langside.’<br> +<br> +‘She looks as if she were tired, poor dear!’ said Maude; +‘I don’t think that she was sorry to be at rest.’<br> +<br> +The guide was narrating the names of the owners of the tombs at the +further end of the chapel. ‘Queen Anne is here, and Mary +the wife of William the Third is beside her. And here is William +himself. The king was very short and the queen very tall, so in +the sculptures the king is depicted standing upon a stool so as to bring +their heads level. In the vaults beyond there are thirty-eight +Stuarts.’<br> +<br> +Thirty-eight Stuarts! Princes, bishops, generals, once the salt +of the earth, the mightiest of men, and now lumped carelessly together +as thirty-eight Stuarts. So Death the Republican and Time the +Radical can drag down the highest from his throne.<br> +<br> +They had followed the guide into another small chapel, which bore the +name of Henry VII. upon the door. Surely they were great builders +and great designers in those days! Had stone been as pliable as +wax it could not have been twisted and curved into more exquisite spirals +and curls, so light, so delicate, so beautiful, twining and turning +along the walls, and drooping from the ceiling. Never did the +hand of man construct anything more elaborately ornate, nor the brain +of man think out a design more absolutely harmonious and lovely. +In the centre, with all the pomp of mediæval heraldry, starred +and spangled with the Tudor badges, the two bronze figures of Henry +and his wife lay side by side upon their tomb. The guide read +out the quaint directions in the king’s will, by which they were +to be buried ‘with some respect to their Royal dignity, but avoiding +damnable pomp and outrageous superfluities!’ There was, +as Frank remarked, a fine touch of the hot Tudor blood in the adjectives. +One could guess where Henry the Eighth got his masterful temper. +Yet it was an ascetic and priest-like face which looked upwards from +the tomb.<br> +<br> +They passed the rifled tombs of Cromwell, Blake, and Ireton - the despicable +revenge of the men who did not dare to face them in the field, - and +they marked the grave of James the First, who erected no monument to +himself, and so justified in death the reputation for philosophy which +he had aimed at in his life. Then they inspected the great tomb +of Villiers, Duke of Buckingham, as surprising and as magnificent as +his history, cast a glance at the covering of plucky little George the +Second, the last English king to lead his own army into battle, and +so onwards to see the corner of the Innocents, where rest the slender +bones of the poor children murdered in the Tower.<br> +<br> +But now the guide had collected his little flock around him again, with +the air of one who has something which is not to be missed. ‘You +will stand upon the step to see the profile,’ said he, as he indicated +a female figure upon a tomb. ‘It is the great Queen Elizabeth.’<br> +<br> +It was a profile and a face worth seeing - the face of a queen who was +worthy of her Shakespeares upon the land and her Drakes upon the sea. +Had the Spanish king seen her, he would have understood that she was +not safe to attack - this grim old lady with the eagle nose and the +iron lips. You could understand her grip upon her cash-box, you +could explain her harshness to her lovers, you could realise the confidence +of her people, you could read it all in that wonderful face.<br> +<br> +‘She’s splendid,’ said Frank.<br> +<br> +‘She’s terrible,’ said Maude.<br> +<br> +‘Did I understand you to say, sir,’ asked the American, +‘that it was this lady who beheaded the other lady, Queen of Scotland, +whom we saw ’way back in the other compartment?’<br> +<br> +‘Yes, sir, she did.’<br> +<br> +‘Well, I guess if there was any beheading to be done, this was +the lady to see that it was put through with promptness and despatch. +Not a married lady, I gather?’<br> +<br> +‘No, sir.’<br> +<br> +‘And a fortunate thing for somebody. That woman’s +husband would have a mean time of it, sir, in my opinion.’<br> +<br> +‘Hush, poppa,’ said the two daughters, and the procession +moved on. They were entering the inner chapel of all, the oldest +and the holiest, in which, amid the ancient Plantagenet kings, there +lies that one old Saxon monarch, confessor and saint, the holy Edward, +round whose honoured body the whole of this great shrine has gradually +risen. A singular erection once covered with mosaic work, but +now bare and gaunt, stood in the centre.<br> +<br> +‘The body of Edward the Confessor is in a case up at the top,’ +said the guide. ‘This hollow place below was filled with +precious relics, and the pilgrims used to kneel in these niches, which +are just large enough to hold a man upon his knees. The mosaic +work has been picked out by the pilgrims.’<br> +<br> +‘What is the date of the shrine?’ asked Frank.<br> +<br> +‘About 1250, sir. The early kings were all buried as near +to it as they could get, for it was their belief in those days that +the devil might carry off the body, and so the nearer they got to the +shrine the safer they felt. Henry the Fifth, who won the battle +of Agincourt, is there. Those are the actual helmet, shield, and +saddle which he used in the battle upon the crossbeam yonder. +That king with the grave face and the beard is Edward the Third, the +father of the Black Prince. The Black Prince never lived to ascend +the throne, but he was the father of the unfortunate Richard the Second, +who lies here - this clean-shaven king with the sharp features. +Now, ladies and gentlemen, if you will turn this way, I will show you +one of the most remarkable objects in the Abbey.’<br> +<br> +The object in question proved to be nothing more singular than a square +block of stone placed under an old chair. And yet as the guide +continued to speak, they felt that he had justified his words.<br> +<br> +‘This is the sacred stone of Scone upon which the kings of Scotland +have been crowned from time immemorial. When Edward the First +overran Scotland 600 years ago, he had it brought here, and since then +every monarch of England has also sat upon it when crowned.’<br> +<br> +‘The present Queen?’ asked some one.<br> +<br> +‘Yes, she also. The legend was that it was the stone upon +which Jacob rested his head when he dreamed, but the geologists have +proved that it is red sandstone of Scotland.’<br> +<br> +‘Then I understand, sir, that this other throne is the Scottish +throne,’ said the American gentleman.<br> +<br> +‘No, sir, the Scottish throne and the English throne are the same +throne. But at the time of William and Mary it was necessary to +crown her as well as him, and so a second throne was needed. But +that of course was modern.’<br> +<br> +‘Only a couple of hundred years ago. I wonder they let it +in. But I guess they might have taken better care of it. +Some one has carved his name upon it.’<br> +<br> +‘A Westminster boy bet his schoolfellows that he would sleep among +the tombs, and to prove that he had done it, he carved his name upon +the throne.’<br> +<br> +‘You don’t say!’ cried the American. ‘Well, +I guess that boy ended pretty high up.’<br> +<br> +‘As high as the gallows, perhaps,’ said Frank, and every +one tittered, but the guide hurried on with a grave face, for the dignity +of the Abbey was in his keeping.<br> +<br> +‘This tomb is that of Queen Eleanor,’ said he.<br> +<br> +Frank twitched Maude by the sleeve. ‘Eleanor of Charing +Cross,’ said he. ‘See how one little bit of knowledge +links on with another.’<br> +<br> +‘And here is the tomb of her husband, Edward the First. +It was he who brought the stone from Scone. At the time of his +death the conquest of Scotland was nearly done, and he gave orders that +his burial should be merely temporary until Scotland was thoroughly +subdued. He is still, as you perceive, in his temporary tomb.’<br> +<br> +The big Scotchman laughed loudly and derisively. All the others +looked sadly at him with the pitying gaze which the English use towards +the more excitable races when their emotion gets the better of them. +A stream from a garden hose could not have damped him more.<br> +<br> +‘They opened the grave last century,’ said the guide. +‘Inside was an inscription, which said, “Here lies the hammer +of the Scots.” He was a fine man, six feet two inches from +crown to sole.’<br> +<br> +They wandered out of the old shrine where the great Plantagenet kings +lie like a bodyguard round the Saxon saint. Abbots lay on one +side of them as they passed, and dead crusaders with their legs crossed, +upon the other. And then, in an instant, they were back in comparatively +modern times again.<br> +<br> +‘This is the tomb of Wolfe, who died upon the Heights of Abraham,’ +said the guide. ‘It was due to him and to his soldiers that +all America belongs to the English-speaking races. There is a +picture of his Highlanders going up to the battle along the winding +path which leads from Wolfe’s Cove. He died in the moment +of victory.’<br> +<br> +It was bewildering, the way in which they skipped from age to age. +The history of England appeared to be not merely continuous, but simultaneous, +as they turned in an instant from the Georgian to the Elizabethan, the +one monument as well preserved as the other. They passed the stately +de Vere, his armour all laid out in fragments upon a marble slab, as +a proof that he died at peace with all men; and they saw the terrible +statue of the onslaught of Death, which, viewed in the moonlight, made +a midnight robber drop his booty and fly panic-stricken out of the Abbey. +So awful and yet so fascinating is it, that the shuffling feet of the +party of sightseers had passed out of hearing before Maude and Frank +could force themselves away from it.<br> +<br> +In the base of the statue is an iron door, which has been thrown open, +and the sculptor’s art has succeeded wonderfully in convincing +you that it has been thrown open violently. The two leaves of +it seem still to quiver with the shock, and one could imagine that one +heard the harsh clang of the metal. Out of the black opening had +sprung a dreadful thing, something muffled in a winding-sheet, one bony +hand clutching the edge of the pedestal, the other upraised to hurl +a dart at the woman above him. She, a young bride of twenty-seven, +has fallen fainting, while her husband, with horror in his face, is +springing forward, his hand outstretched, to get between his wife and +her loathsome assailant.<br> +<br> +‘I shall dream of this,’ said Maude. She had turned +pale, as many a woman has before this monument.<br> +<br> +‘It is awful!’ Frank walked backwards, unable to take +his eyes from it. ‘What pluck that sculptor had! It +is an effect which must be either ludicrous or great, and he has made +it great.’<br> +<br> +‘Roubillac is his name,’ said Maude, reading it from the +pedestal.<br> +<br> +‘A Frenchman, or a man of French descent. Isn’t that +characteristic! In the whole great Abbey the one monument which +has impressed us with its genius and imagination is by a foreigner. +We haven’t got it in us. We are too much afraid of letting +ourselves go and of giving ourselves away. We are heavy-handed +and heavy-minded.’<br> +<br> +‘If we can’t produce the monuments, we can produce the men +who deserve them,’ said Maude, and Frank wrote the aphorism down +upon his shirt-cuff.<br> +<br> +‘We are too severe both in sculpture and architecture,’ +said he. ‘More fancy and vigour in our sculptors, more use +of gold and more ornament in our architects - that is what we want. +But I think it is past praying for. It would be better to subdivide +the work of the world, according to the capacity of the different nations. +Let Italy and France embellish us. We might do something in exchange +- organise the French colonies, perhaps, or the Italian exchequer. +That is our legitimate work, but we will never do anything at the other.’<br> +<br> +The guide had already reached the end of his round, an iron gate corresponding +to that by which they had entered, and they found him waiting impatiently +and swinging his keys. But Maude’s smile and word of thanks +as she passed him brought content into his face once more. A ray +of living sunshine is welcome to the man who spends his days among the +tombs.<br> +<br> +They walked down the North Transept and out through Solomon’s +Porch. The rain-cloud had swept over, and the summer sun was shining +upon the wet streets, turning them all to gold. This might have +been that fabled London of which young Whittington dreamed. In +front of them lay the lawns of vivid green, with the sunlit raindrops +gleaming upon the grass. The air was full of the chirping of the +sparrows. Across their vision, from the end of Whitehall to Victoria +Street, the black ribbon of traffic whirled and circled, one of the +great driving-belts of the huge city. Over it all, to their right, +towered those glorious Houses of Parliament, the very sight of which +made Frank repent his bitter words about English architecture. +They stood in the old porch gazing at the scene. It was so wonderful +to come back at one stride from the great country of the past to the +greater country of the present. Here was the very thing which +these dead men lived and died to build.<br> +<br> +‘It’s not much past three,’ said Frank. ‘What +a gloomy place to take you to! Good heavens, we have one day together, +and I take you to a cemetery! Shall we go to a matinée +to counteract it?’<br> +<br> +But Maude laid her hand upon his arm.<br> +<br> +‘I don’t think, Frank, that I was ever more impressed, or +learned more in so short a time, in my life. It was a grand hour +- an hour never to be forgotten. And you must not think that I +am ever with you to be amused. I am with you to accompany you +in whatever seems to you to be highest and best. Now before we +leave the dear old Abbey, promise me that you will always live your +own highest and never come down to me.’<br> +<br> +‘I can very safely promise that I will never come down to you,’ +said Frank. ‘I may climb all my life, and yet there are +parts of your soul which will be like snow-peaks in the clouds to me. +But you will be now and always my own dear comrade as well as my sweetest +wife. And now, Maude, what shall it be, the theatre or the Australians?’<br> +<br> +‘Do you wish to go to either very much?’<br> +<br> +‘Not unless you do.’<br> +<br> +‘Well, then, I feel as if either would be a profanation. +Let us walk together down to the Embankment, and sit on one of the benches +there, and watch the river flowing in the sunshine, and talk and think +of all that we have seen.’<br> +<br> +<br> +<br> +CHAPTER VI - TWO SOLOS AND A DUET<br> +<br> +<br> +<br> +The night before the wedding, Frank Crosse and his best man, Rupton +Hale, dined at the Raleigh Club with Maude’s brother, Jack Selby, +who was a young lieutenant in a Hussar regiment. Jack was a horsy, +slangy young sportsman who cared nothing about Frank’s worldly +prospects, but had given the match his absolute approval from the moment +that he realised that his future brother had played for the Surrey Second. +‘What more can you want?’ said he. ‘You won’t +exactly be a Mrs. W. G., but you will be on the edge of first-class +cricket.’ And Maude, who rejoiced in his approval, without +quite understanding the grounds for it, kissed him, and called him the +best of brothers.<br> +<br> +The marriage was to be at eleven o’clock at St. Monica’s +Church, and the Selbys were putting up at the Langham. Frank stayed +at the Metropole, and so did Rupton Hale. They were up early, +their heads and nerves none the better for Jack Selby’s hospitality +of the night before.<br> +<br> +Frank could eat no breakfast, and he shunned publicity in his wedding-garments, +so they remained in the upstairs sitting-room. He stood by the +window, drumming his fingers upon the pane, and looking down into Northumberland +Avenue. He had often pictured this day, and associated it with +sunshine and flowers and every emblem of joy. But Nature had not +risen to the occasion. A thick vapour, half smoke half cloud, +drifted along the street, and a thin persistent rain was falling steadily. +It pit-patted upon the windows, splashed upon the sills, and gurgled +in the water-pipes. Far down beneath him on the drab-coloured +slimy road stood the lines of wet cabs, looking like beetles with glistening +backs. Round black umbrellas hurried along the shining pavements. +A horse had fallen at the door of the Constitutional Club, and an oil-skinned +policeman was helping the cabman to raise it. Frank watched it +until the harness had been refastened, and it had vanished into Trafalgar +Square. Then he turned and examined himself in the mirror. +His trim black frock-coat and pearl grey trousers set off his alert +athletic figure to advantage. His glossy hat, too, his lavender +gloves, and dark-blue tie, were all absolutely irreproachable. +And yet he was not satisfied with himself. Maude ought to have +something better than that. What a fool he had been to take so +much wine last night! On this day of all days in their lives she +surely had a right to find him at his best. He was restless, and +his nerves were all quivering. He would have given anything for +a cigarette, but he did not wish to scent himself with tobacco. +He had cut himself in shaving, and his nose was peeling from a hot day +on the cricket-field. What a silly thing to expose his nose to +the sun before his wedding! Perhaps when Maude saw it she would +- well, she could hardly break it off, but at least she might be ashamed +of him. He worked himself into a fever over that unfortunate nose.<br> +<br> +‘You are off colour, Crosse,’ said his best man.<br> +<br> +‘I was just thinking that my nose was. It’s very kind +of you to come and stand by me.’<br> +<br> +‘That’s all right. We shall see it through together.’<br> +<br> +Hale was a despondent man, though the most loyal of friends, and he +spoke in a despondent way. His gloomy manner, the London drizzle, +and the nervousness proper to the occasion, were all combining to make +Frank more and more wretched. Fortunately Jack Selby burst like +a gleam of sunshine into the room. The sight of his fresh-coloured +smiling face - or it may have been some reminder of Maude which he found +in it - brought consolation to the bridegroom.<br> +<br> +‘How are you, Crosse? How do, Hale? Excuse my country +manners! The old Christmas-tree in the hall wanted to send for +you, but I knew your number. You’re looking rather green +about the gills, old chap.’<br> +<br> +‘I feel a little chippy to-day.’<br> +<br> +‘That’s the worst of these cheap champagnes. Late +hours are bad for the young. Have a whisky and soda with me. +No? Hale, you must buck him up, for they’ll all be down +on you if you don’t bring your man up to time in the pink of condition. +We certainly did ourselves up to the top hole last night. Couldn’t +face your breakfast, eh? Neither could I. A strawberry and +a bucket of soda-water.’<br> +<br> +‘How are they all at the Langham?’ asked Frank eagerly.<br> +<br> +‘Oh, splendid! At least I haven’t seen Maude. +She’s been getting into parade order. But mother is full +of beans. We had to take her up one link in the curb, or there +would have been no holding her.’<br> +<br> +Frank’s eyes kept turning to the slow-moving minute-hand. +It was not ten o’clock yet.<br> +<br> +‘Don’t you think that I might go round to the Langham and +see them?’<br> +<br> +‘Good Lord, no! Clean against regulations. Stand by +his head, Hale! Wo, boy, steady!’<br> +<br> +‘It won’t do, Crosse, it really won’t!’ said +Hale solemnly.<br> +<br> +‘What rot it is! Here am I doing nothing, and I might be +of some use or encouragement to her. Let’s get a cab!’<br> +<br> +‘Wo, laddie, wo then, boy! Keep him in hand, Hale! +Get to his head.’<br> +<br> +Frank flung himself down into an armchair, and muttered about absurd +conventions.<br> +<br> +‘It can’t be helped, my boy. It is correct.’<br> +<br> +‘Buck up, Crosse, buck up! We’ll make the thing go +with a buzz when we do begin. Two of our Johnnies are coming, +regular fizzers, and full of blood both of them. We’ll paint +the Langham a fine bright solferino, when the church parade is over.’<br> +<br> +Frank sat rather sulkily watching the slow minute-hand, and listening +to the light-hearted chatter of the boy-lieutenant, and the more deliberate +answers of his best man. At last he jumped up and seized his hat +and gloves.<br> +<br> +‘Half-past,’ said he. ‘Come on. I can’t +wait any longer. I must do <i>something</i>. It is time +we went to the church.’<br> +<br> +‘Fall in for the church!’ cried Jack. ‘Wait +a bit! I know this game, for I was best man myself last month. +Inspect his kit, Hale. See that he’s according to regulations. +Ring? All right. Parson’s money? Right oh! +Small change? Good! By the right, quick march!’<br> +<br> +Frank soon recovered his spirits now that he had something to do. +Even that drive through the streaming streets, with the rain pattering +upon the top of their four-wheeler, could not depress him any longer. +He rose to the level of Jack Selby, and they chattered gaily together.<br> +<br> +‘Ain’t we bringing him up fighting fit?’ cried Jack +exultingly. ‘Shows that all the care we have taken of him +in the last twenty-four hours has not been wasted. That’s +the sort I like - game as a pebble! You can’t buy ’em, +you have to breed ’em. A regular fizzer <i>he </i>is, and +full of blood. And here we are on the ground.’<br> +<br> +It was a low, old-fashioned, grey church, with a Gothic entrance and +two niches on either side, which spoke of pre-Lutheran days. Cheap +modern shops, which banked it in, showed up the quaint dignity of the +ancient front. The side-door was open, and they passed into its +dim-lit interior, with high carved pews, and rich, old, stained glass. +Huge black oak beams curved over their heads, and dim inscriptions of +mediæval Latin curled and writhed upon the walls. A single +step seemed to have taken them from the atmosphere of the nineteenth +to that of the fifteenth century.<br> +<br> +‘What a ripping old church!’ Jack whispered.<br> +<br> +‘You can’t buy ’em. But it’s as festive +as an ice-house. There’s a friendly native coming down the +aisle. He’s your man, Hale, if you want the news.’<br> +<br> +The verger was not in the best of tempers. ‘It’s at +a quarter to four,’ said he, as Hale met him.<br> +<br> +‘No, no, at eleven.’<br> +<br> +‘Quarter to four, I tell you. The vicar says so.’<br> +<br> +‘Why, it’s not possible.’<br> +<br> +‘We have them at all hours.’<br> +<br> +‘Have what?’<br> +<br> +‘Buryin’s.’<br> +<br> +‘But this is a marriage.’<br> +<br> +‘I’m sure I beg your pardon, sir. I thought when I +looked at you as you was the party about the child’s funeral.’<br> +<br> +‘Good heavens, no.’<br> +<br> +‘It was something in your expression, sir, but now that I can +see the colour of your clothes, why of course I know better. There’s +three marriages - which was it?’<br> +<br> +‘Crosse and Selby are the names.’<br> +<br> +The verger consulted an old crumpled notebook.<br> +<br> +‘Yes, sir, I have it here. Mr. or Miss Crosse to Mr. or +Miss Selby. Eleven o’clock, sir, <i>sharp. </i>The +vicar’s a terrible punctual man, and I should advise you to take +your places.’<br> +<br> +‘Any hitch?’ asked Frank nervously, as Hale returned.<br> +<br> +‘No, no.’<br> +<br> +‘What was he talking about?’<br> +<br> +‘Oh, nothing. Some little confusion of ideas.’<br> +<br> +‘Shall we go up?’<br> +<br> +‘Yes, I think that we had better.’<br> +<br> +Their steps clattered and reverberated through the empty church as they +passed up the aisle. They stood in an aimless way before the altar +rails. Frank fidgeted about, and made sure that the ring was in +his ticket-pocket. He also took a five-pound note and placed it +where he knew he could lay his hands upon it easily. Then he sprang +round with a flush upon his cheeks, for one of the side-doors had been +flung open with a great bustle and clanging. A stout charwoman +entered with a tin pail and a mop.<br> +<br> +‘Put up the wrong bird that time,’ whispered Jack, and sniggered +at Frank’s change of expression.<br> +<br> +But almost at the same instant, the Selbys entered the church at the +further end. Mr. Selby, with his red face and fluffy side-whiskers, +had Maude upon his arm. She looked very pale and very sweet, with +downcast eyes and solemn mouth, while behind her walked her younger +sister Mary and her pretty friend Nelly Sheridan, both in pink dresses +with broad pink hats and white curling feathers. The bride was +herself in the grey travelling-dress with which Frank was already familiar +by its description in her letter. Its gentle tint and her tenderly +grave expression made a charming effect. Behind them was the mother, +still young and elegant, with something of Maude’s grace in her +figure and carriage. As the party came up the aisle, Frank was +to be restrained no longer. ‘Get to his head!’ cried +Jack to Hale in an excited whisper, but their man was already hurrying +to shake hands with Maude. He walked up on her right, and they +took their position in two little groups, the happy couple in the centre. +At the same moment the clang of the church-clock sounded above them, +and the vicar, shrugging his shoulders to get his white surplice into +position, came bustling out of the vestry. To him it was all the +most usual, commonplace, and unimportant thing in the world, and both +Frank and Maude were filled with amazement at the nonchalant way in +which he whipped out a prayer-book, and began to rapidly perform the +ceremony. It was all so new and solemn and all-important to them, +that they had expected something mystic and overpowering in the function, +and yet here was this brisk little man, with an obvious cold in his +head, tying them up in as business-like a fashion as a grocer uniting +two parcels. After all, he had to do it a thousand times a year, +and so he could not be extravagant in his emotions.<br> +<br> +The singular service was read out to them, the exhortations, and the +explanations, sometimes stately, sometimes beautiful, sometimes odious. +Then the little vicar turned upon Frank - <i>‘Wilt thou have this +woman to thy wedded wife, to live together after God’s ordinance +in the holy estate of matrimony? Wilt thou love her, comfort her, +honour her, in sickness and in health, and forsaking all other, keep +thee only unto her as long as ye both shall live</i>?’<br> +<br> +‘<i>I will</i>,’ cried Frank, with conviction.<br> +<br> +‘<i>And wilt thou have this man to thy wedded husband, to live +together after God’s ordinance in the holy estate of matrimony? +Wilt thou obey him, and serve him, love, honour, and keep him, in sickness +and in health, and forsaking all other, keep thee only unto him so long +as ye both shall live</i>?’<br> +<br> +‘<i>I will</i>,’ said Maude, from her heart.<br> +<br> +‘<i>Who giveth this woman to be married to this man</i>?’<br> +<br> +‘<i>I do</i>. Mr. John Selby - her father, you know.’<br> +<br> +And then in turn they repeated the fateful words - ‘<i>I take +thee to have and to hold from this day forward, for better, for worse, +for richer, for poorer, in sickness and in health, to love, cherish, +and obey, till death us do part, according to God’s holy ordinance, +and thereto I give thee my troth</i>.’<br> +<br> +‘Ring! Ring!’ said Hale.<br> +<br> +‘Ring, you Juggins!’ whispered Jack Selby.<br> +<br> +Frank thrust his hands frantically into all his pockets. The ring +was in the last one which he attempted. But the bank-note was +not to be found. He remembered that he had put it in some safe +place. Where could it have been? Was it in his boot, or +in the lining of his hat? No, surely he could not have done anything +so infatuated. Again he took his pockets two at a time, while +a dreadful pause came in the ceremony.<br> +<br> +‘Vestry - afterwards,’ whispered the clergyman.<br> +<br> +‘Here you are!’ gasped Frank. He had come upon it +in a last desperate dive into his watch-pocket, in which he never by +any chance kept anything. Of course it was for that very reason, +that it might be alone and accessible, that he had placed it there. +Ring and note were handed to the vicar, who deftly concealed the one +and returned the other. Then Maude’s little white hand was +outstretched, and over the third finger Frank slipped the circlet of +gold.<br> +<br> +‘<i>With this ring I thee wed</i>,’ said Frank, ‘<i>and +with my body I thee worship </i>(he paused, and made a mental emendation +of ‘with my soul also’), <i>and with all my worldly goods +I thee endow</i>.’<br> +<br> +There was a prayer, and then the vicar joined the two hands, the muscular +sunburned one and the dainty white one, with the new ring gleaming upon +it.<br> +<br> +‘<i>Those whom God hath joined together, let no man put asunder</i>,’ +said he. ‘<i>Forasmuch as Francis Crosse and Maude Selby +have consented together in holy wedlock, and have witnessed the same +before God and this company, and thereto have given and pledged their +troth, either to other, and have declared the same by giving and receiving +of a ring, and by joining of hands; I pronounce that they be man and +wife together</i>.’<br> +<br> +There now, it was done! They were one, never more to part until +the coffin-lid closed over one or the other. They were kneeling +together now, and the vicar was rapidly repeating some psalms and prayers. +But Frank’s mind was not with the ritual. He looked slantwise +at the graceful, girlish figure by his side. Her hair hung beautifully +over her white neck, and the reverent droop of her head was lovely to +his eyes. So gentle, so humble, so good, so beautiful, and all +his, his sworn life-companion for ever! A gush of tenderness flowed +through his heart for her. His love had always been passionate, +but, for the instant, it was heroic, tremendous in its unselfishness. +Might he bring her happiness, the highest which woman could wish for! +God grant that he might do so! But if he were to make her unhappy, +or to take anything from her beauty and her goodness, then he prayed +that he might die now, at this supreme moment, kneeling at her side +before the altar rails. So intense was his prayer that he looked +up expectantly at the altar, as if in the presence of an imminent catastrophe. +But every one had risen to their feet, and the service was at an end. +The vicar led the way, and they all followed him, into the vestry. +There was a general murmur all round them of congratulation and approval.<br> +<br> +‘Heartiest congratulations, Crosse!’ said Hale.<br> +<br> +‘Bravo, Maude, you looked ripping!’ cried Jack, kissing +his sister. ‘By Jove, it simply went with a buzz from the +word “go.”’<br> +<br> +‘You sign it here and here,’ said the vicar, ‘and +the witnesses here and here. Thank you very much. I am sure +that I wish you every happiness. I need not detain you by any +further formality.’<br> +<br> +And so, with a curious dream-like feeling, Frank Crosse and Maude found +themselves walking down the aisle, he very proud and erect, she very +gentle and shy, while the organ thundered the wedding-march. Carriages +were waiting: he handed in his wife, stepped in after her, and they +drove off, amidst a murmur of sympathy from a little knot of idlers +who had gathered in the porch, partly from curiosity, and partly to +escape the rain.<br> +<br> +Maude had often driven alone with Frank before, but now she felt suddenly +constrained and shy. The marriage-service, with all its half-understood +allusions and exhortations, had depressed and frightened her. +She hardly dared to glance at her husband. But he soon led her +out of her graver humour.<br> +<br> +‘Name, please?’ said he.<br> +<br> +‘O Frank!’<br> +<br> +‘Name, if <i>you </i>please?’<br> +<br> +‘Why, you know.’<br> +<br> +‘Say it.’<br> +<br> +‘Maude.’<br> +<br> +‘That all?’<br> +<br> +‘Maude Crosse - O Frank!’<br> +<br> +‘You blessing! How grand it sounds! O Maude, what +a jolly old world it is! Isn’t it pretty to see the rain +falling? And aren’t the shining pavements lovely? +And isn’t everything splendid, and am I not the luckiest - the +most incredibly lucky of men. Dear girlie, give me your hand! +I can feel <i>it </i>under the glove. Now, sweetheart, you are +not frightened, are you?’<br> +<br> +‘Not now.’<br> +<br> +‘You were?’<br> +<br> +‘Yes, I was a little. O Frank, you won’t tire of me, +will you? I should break my heart if you did.’<br> +<br> +‘Tire of you! Good heavens! Now you’ll never +guess what I was doing while the parson was telling us about what Saint +Paul said to the Colossians, and all the rest of it.’<br> +<br> +‘I know perfectly well what you were doing. And you shouldn’t +have done it.’<br> +<br> +‘What was I doing, then?’<br> +<br> +‘You were staring at me.’<br> +<br> +‘Oh, you saw that, did you?’<br> +<br> +‘I felt it.’<br> +<br> +‘Well, I was. But I was praying also.’<br> +<br> +‘Were you, Frank?’<br> +<br> +‘When I saw you kneeling there, so sweet and pure and good, I +seemed to realise how you had been given into my keeping for life, and +I prayed with all my heart that if I should ever injure you in thought, +or word, or deed, I might drop dead now before I had time to do it.’<br> +<br> +‘O Frank, what a dreadful prayer!’<br> +<br> +‘But I felt it and I wished it, and I could not help it. +My own darling, there you are just a living angel, the gentlest, most +sensitive, and beautiful living creature that walks the earth, and please +God I shall keep you so, and ever higher and higher if such a thing +is possible, and if ever I say a word or do a deed that seems to lower +you, then remind me of this moment, and send me back to try to live +up to our highest ideal again. And I for my part will try to improve +myself and to live up to you, and to bridge more and more the gap that +is between us, that I may feel myself not altogether unworthy of our +love. And so we shall act and re-act upon each other, ever growing +better and wiser, and dating what is best and brightest in our minds +and souls from the day that we were married. And that’s +<i>my </i>idea of a marriage-service, and here endeth the first lesson, +and the windows are blurred with rain, and hang the coachman, and it’s +hard lines if a man may not kiss his own wife - you blessing!’<br> +<br> +A broad-brimmed hat with a curling feather is not a good shape for driving +with an ardent young bridegroom in a discreetly rain-blurred carriage. +Frank demonstrated the fact, and it took them all the way to the Langham +to get those pins driven home again. And then after an abnormal +meal, which was either a very late breakfast or a very early lunch, +they drove on to Victoria Station, from which they were to start for +Brighton. Jack Selby and the two regimental fizzers, who had secured +immortality for the young couple, if the deep and constant drinking +of healths could have done it, had provided themselves with packages +of rice, old slippers, and other time-honoured missiles. On a +hint from Maude, however, that she would prefer a quiet departure, Frank +coaxed the three back into the luncheon-room with a perfectly guileless +face, and then locking the door on the outside, handed the key and a +half-sovereign to the head-waiter, with instructions to release the +prisoners when the carriage had gone - an incident which in itself would +cause the judicious observer to think that, given the opportunity, Mister +Frank Crosse had it in him to go pretty far in life. And so, quietly +and soberly, they rolled away upon their first journey - the journey +which was the opening of that life’s journey, the goal of which +no man may see.<br> +<br> +<br> +<br> +CHAPTER VII - KEEPING UP APPEARANCES<br> +<br> +<br> +<br> +It was in the roomy dining-room of the Hotel Metropole at Brighton. +Maude and Frank were seated at the favourite small round table near +the window, where they always lunched. Their immediate view was +a snowy-white tablecloth with a shining centre dish of foppish little +cutlets, each with a wisp of ornamental paper, and a surrounding bank +of mashed potatoes. Beyond, from the very base of the window, +as it seemed, there stretched the huge expanse of the deep blue sea, +its soothing mass of colour broken only by a few white leaning sails +upon the furthest horizon. Along the sky-line the white clouds +lay in carelessly piled cumuli, like snow thrown up from a clearing. +It was restful and beautiful, that distant view, but just at the moment +it was the near one which interested them most. Though they lose +from this moment onwards the sympathy of every sentimental reader, the +truth must be told that they were thoroughly enjoying their lunch.<br> +<br> +With the wonderful adaptability of women - a hereditary faculty, which +depends upon the fact that from the beginning of time the sex has been +continually employed in making the best of situations which were not +of their own choosing - Maude carried off her new character easily and +gracefully. In her trim blue serge dress and sailor hat, with +the warm tint of yesterday’s sun upon her cheeks, she was the +very picture of happy and healthy womanhood. Frank was also in +a blue serge boating-suit, which was appropriate enough, for they spent +most of their time upon the water, as a glance at his hands would tell. +Their conversation was unhappily upon a very much lower plane than when +we overheard them last.<br> +<br> +‘I’ve got such an appetite!’<br> +<br> +‘So have I, Frank.’<br> +<br> +‘Capital. Have another cutlet.’<br> +<br> +‘Thank you, dear.’<br> +<br> +‘Potatoes?’<br> +<br> +‘Please.’<br> +<br> +‘I always thought that people on their honeymoon lived on love.’<br> +<br> +‘Yes, isn’t it dreadful, Frank? We must be so material.’<br> +<br> +‘Good old mother Nature! Cling on to her skirt and you never +lose your way. One wants a healthy physical basis for a healthy +spiritual emotion. Might I trouble you for the pickles?’<br> +<br> +‘Are you happy, Frank?’<br> +<br> +‘Absolutely and completely.’<br> +<br> +‘Quite, <i>quite </i>sure?’<br> +<br> +‘I never was quite so sure of anything.’<br> +<br> +‘It makes me so happy to hear you say so.’<br> +<br> +‘And you?’<br> +<br> +‘O Frank, I am just floating upon golden clouds in a dream. +But your poor hands! Oh, how they must pain you!’<br> +<br> +‘Not a bit.’<br> +<br> +‘It was that heavy oar.’<br> +<br> +‘I get no practice at rowing. There is no place to row in +at Woking, unless one used the canal. But it was worth a blister +or two. By Jove, wasn’t it splendid, coming back in the +moonlight with that silver lane flickering on the water in front of +us? We were so completely alone. We might have been up in +the interstellar spaces, you and I, travelling from Sirius to Arcturus +in one of those profound gulfs of the void which Hardy talks about. +It was overpowering.’<br> +<br> +‘I can never forget it.’<br> +<br> +‘We’ll go again to-night.’<br> +<br> +‘But the blisters!’<br> +<br> +‘Hang the blisters! And we’ll take some bait with +us and try to catch something.’<br> +<br> +‘What fun!’<br> +<br> +‘And we’ll drive to Rottingdean this afternoon, if you feel +inclined. Have this last cutlet, dear!’<br> +<br> +‘No, thank you.’<br> +<br> +‘Well, it seems a pity to waste it. Here goes! By +the way, Maude, I must speak very severely to you. I can’t +if you look at me like that. But really, joking apart, you must +be more careful before the waiters.’<br> +<br> +‘Why, dear?’<br> +<br> +‘Well, we have carried it off splendidly so far. No one +has found us out yet, and no one will if we are reasonably careful. +The fat waiter is convinced that we are veterans. But last night +at dinner you very nearly gave the thing away.’<br> +<br> +‘Did I, Frank?’<br> +<br> +‘Don’t look so sweetly penitent, you blessing. The +fact is that you make a shocking bad conspirator. Now I have a +kind of talent for that, as I have for every other sort of depravity, +so it will be pretty safe in my hands. You are as straight as +a line by nature, and you can’t be crooked when you try.’<br> +<br> +‘But what did I say? Oh, I <i>am </i>so sorry! I tried +to be so careful.’<br> +<br> +‘Well, about the curry, you know. It was an error of judgment +to ask if I took chutnee. And then . . . ’<br> +<br> +‘Something else?’<br> +<br> +‘About the boots. Did I get them in London or Woking.’<br> +<br> +‘Oh dear, dear!’<br> +<br> +‘And then . . . ’<br> +<br> +‘Not another! O Frank!’<br> +<br> +‘Well, the use of the word “my.” You must give +that word up. It should be “our.”’<br> +<br> +‘I know, I know. It was when I said that the salt water +had taken the curl out of the feather in my - no, in our - well, in +<i>the </i>hat.’<br> +<br> +‘That was all right. But it is <i>our </i>luggage, you know, +and <i>our </i>room, and so on.’<br> +<br> +‘Of course it is. How foolish I am! Then the waiter +knows! O Frank, what shall we do?’<br> +<br> +‘Not he. He knows nothing. I am sure of it. +He is a dull sort of person. I had my eye on him all the time. +Besides, I threw in a few remarks just to set the thing right.’<br> +<br> +‘That was when you spoke about our travels in the Tyrol?’<br> +<br> +‘Yes.’<br> +<br> +‘O Frank, how <i>could </i>you? And you said how lonely +it was when we were the only visitors at the Swiss hotel.’<br> +<br> +‘That was an inspiration. That finished him.’<br> +<br> +‘And about the closeness of the Atlantic staterooms. I blushed +to hear you.’<br> +<br> +‘But he listened eagerly to it all. I could see it.’<br> +<br> +‘I wonder if he really believed it. I have noticed that +the maids and the waiters seem to look at us with a certain interest.’<br> +<br> +‘My dear girlie, you will find as you go through life that every +man will always look at you with a certain interest.’<br> +<br> +Maude smiled, but was unconvinced.<br> +<br> +‘Cheese, dear?’<br> +<br> +‘A little butter, please.’<br> +<br> +‘Some butter, waiter, and the Stilton. You know the real +fact is, that we make the mistake of being much too nice to each other +in public. Veterans don’t do that. They take the small +courtesies for granted - which is all wrong, but it shows that they +<i>are </i>veterans. That is where we give ourselves away.’<br> +<br> +‘That never occurred to me.’<br> +<br> +‘If you want to settle that waiter for ever, and remove the last +lingering doubt from his mind, the thing is for you to be rude to me.’<br> +<br> +‘Or you to me, Frank.’<br> +<br> +‘Sure you won’t mind?’<br> +<br> +‘Not a bit.’<br> +<br> +‘Oh, hang it, I can’t - not even for so good an object.’<br> +<br> +‘Well, then, I can’t either.’<br> +<br> +‘But this is absurd. It is only acting.’<br> +<br> +‘Quite so. It is only fun.’<br> +<br> +‘Then why won’t you do it?’<br> +<br> +‘Why won’t you?’<br> +<br> +‘He’ll be back before we settle it. Look here! +I’ve a shilling under my hand. Heads or tails, and the loser +has to be rude. Do you agree?’<br> +<br> +‘Very well.’<br> +<br> +‘Your call.’<br> +<br> +‘Heads.’<br> +<br> +‘It’s tails.’<br> +<br> +‘Oh goodness!’<br> +<br> +‘You’ve got to be rude. Now mind you are. Here +he comes.’<br> +<br> +The waiter had come up the room bearing the pride of the hotel, the +grand green Stilton with the beautiful autumn leaf heart shading away +to rich plum-coloured cavities. He placed it on the table with +a solemn air.<br> +<br> +‘It’s a beautiful Stilton,’ Frank remarked.<br> +<br> +Maude tried desperately to be rude.<br> +<br> +‘Well, dear, I don’t think it is so very beautiful,’ +was the best that she could do.<br> +<br> +It was not much, but it had a surprising effect upon the waiter. +He turned and hurried away.<br> +<br> +‘There now, you’ve shocked him?’ cried Frank.<br> +<br> +‘Where <i>has </i>he gone, Frank?’<br> +<br> +‘To complain to the management about your language.’<br> +<br> +‘No, Frank. Please tell me! Oh, I wish I hadn’t +been so rude. Here he is again.’<br> +<br> +‘All right. Sit tight,’ said Frank.<br> +<br> +A sort of procession was streaming up the hall. There was their +fat waiter in front with a large covered cheese-dish. Behind him +was another with two smaller ones, and a third with some yellow powder +upon a plate was bringing up the rear.<br> +<br> +‘This is Gorgonzola, main,’ said the waiter, with a severe +manner. ‘And there’s Camembert and Gruyère +behind, and powdered Parmesan as well. I’m sorry that the +Stilton don’t give satisfaction.’<br> +<br> +Maude helped herself to Gorgonzola and looked very guilty and uncomfortable. +Frank began to laugh.<br> +<br> +‘I meant you to be rude to <i>me, </i>not to the cheese,’ +said he, when the procession had withdrawn.<br> +<br> +‘I did my best, Frank. I contradicted you.’<br> +<br> +‘Oh, it was a shocking display of temper.’<br> +<br> +‘And I hurt the poor waiter’s feelings.’<br> +<br> +‘Yes, you’ll have to apologise to his Stilton before he +will forgive you.’<br> +<br> +‘And I don’t believe he is a bit more convinced that we +are veterans than he was before.’<br> +<br> +‘All right, dear; leave him to me. Those reminiscences of +mine must have settled him. If they didn’t, then I feel +it is hopeless.’<br> +<br> +It was as well for his peace of mind that Frank could not hear the conversation +between the fat waiter and their chambermaid, for whom he nourished +a plethoric attachment. They had half an hour off in the afternoon, +and were comparing notes.<br> +<br> +‘Nice-lookin’ couple, ain’t they, John?’ said +the maid, with the air of an expert. ‘I don’t know +as we’ve ‘ad a better since the spring weddin’s.’<br> +<br> +‘I don’t know as I’d go as far as that,’ said +the fat waiter critically. ‘’E’d pass all right. +’E’s an upstandin’ young man with a good sperrit in +’im.’<br> +<br> +‘What’s wrong with ’er, then?’<br> +<br> +‘It’s a matter of opinion,’ said the waiter. +‘I likes ’em a bit more full-flavoured myself. And +as to ’er taste, why there, if you ’ad seen ’er turn +up ’er nose at the Stilton at lunch.’<br> +<br> +‘Turn up ’er nose, did she? Well, she seemed to me +a very soft-spoken, obligin’ young lady.’<br> +<br> +‘So she may be, but they’re a queer couple, I tell you. +It’s as well they are married at last.’<br> +<br> +‘Why?’<br> +<br> +‘Because they ’ave been goin’ on most owdacious before’and. +I ’ave it from their own lips, and it fairly made me blush to +listen to it. Awful, it was, <i>awful</i>!’<br> +<br> +‘You don’t say that, John!’<br> +<br> +‘I tell you, Jane, I couldn’t ’ardly believe my ears. +They was married on Tuesday last, as we know well, and to-day’s +<i>Times </i>to prove it, and yet if you’ll believe me, they was +talkin’ about ’ow they ’ad travelled alone abroad +- ’<br> +<br> +‘Never, John!’<br> +<br> +‘And alone in a Swiss ’otel!’<br> +<br> +‘My goodness!’<br> +<br> +‘And a steamer too.’<br> +<br> +‘Well, there! I’ll never trust any one again.’<br> +<br> +‘Oh, a perfec’ pair of scorchers. But I’ll let +’im see as I knows it. I’ll put that <i>Times </i>before +’im to-night at dinner as sure as my name’s John.’<br> +<br> +‘And a good lesson to them, too! If you didn’t say +you’d ’eard it from their own lips, John, I never could +’ave believed it. It’s things like that as shakes +your trust in ’uman nature.’<br> +<br> +Maude and Frank were lingering at the <i>table d’hôte </i>over +their walnuts and a glass of port wine, when their waiter came softly +behind them.<br> +<br> +‘Beg pardon, sir, but did you see it in the <i>Times</i>?’<br> +<br> +‘See what?’<br> +<br> +‘<i>That, </i>sir. I thought that it might be of interest +to you and to your good lady to see it.’<br> +<br> +He had laid one page of the paper before them, with his forefinger upon +an item in the left-hand top corner. Then he discreetly withdrew. +Frank stared at it in horror.<br> +<br> +‘Maude, your people have gone and put it in.’<br> +<br> +‘Our marriage!’<br> +<br> +‘Here it is! Listen! “Crosse - Selby. +30th June, at St. Monica’s Church, by the Rev. John Tudwell, M.A., +Vicar of St. Monica’s, Frank Crosse, of Maybury Road, Woking, +to Maude Selby, eldest daughter of Robert Selby, Esq., of St. Albans.” +Great Scot, Maude! what shall we do?’<br> +<br> +‘Well, dear, does it matter?’<br> +<br> +‘Matter! It’s simply awful!’<br> +<br> +‘I don’t mind much if they do know.’<br> +<br> +‘But my reminiscences, Maude! The travels in the Tyrol! +The Swiss Hotel! The Stateroom! Great goodness, how I have +put my foot into it.’<br> +<br> +Maude burst out laughing.<br> +<br> +‘You old dear!’ she cried, ‘I don’t believe +you are a bit better as a conspirator than I am. There’s +only one thing you can do. Give the waiter half a crown, tell +him the truth, and don’t conspire any more.’<br> +<br> +And so ignominiously ended the attempt which so many have made, and +at which so many have failed. Take warning, gentle reader, and +you also, gentler reader still, when your own turn comes.<br> +<br> +<br> +<br> +CHAPTER VIII - THE HOME-COMING<br> +<br> +<br> +<br> +The days of holiday were over, and for each of them the duties of life +were waiting. For him it was his work, and for her, her housekeeping. +They both welcomed the change, for there was a rush and a want of privacy +about the hotel life which had been amusing at first, but was now becoming +irksome. It was pleasant, as they rolled out of Waterloo Station +that summer night, to know that their cosy little home was awaiting +them just five-and-twenty miles down the line. They had a first-class +carriage to themselves - it is astonishing how easy it is for two people +to fit into one of those armchair partitions, - and they talked all +the way down about their plans for the future. Golden visions +of youth, how they can glorify even a suburban villa and four hundred +a year! They exulted together over the endless vista of happy +days which stretched before them.<br> +<br> +Mrs. Watson, Frank’s trusty housekeeper, had been left in charge +of The Lindens, and he had sent her a telegram the evening before to +tell her that they were coming. She had already engaged the two +servants, so everything would be ready for them. They pictured +her waiting at the door, the neat little rooms with all their useful +marriage-presents in their proper places, the lamplight and the snowy +cloth laid for supper in the dining-room. It would be ten o’clock +before they got there, and that supper would be a welcome sight. +It was all delightful to look forward to, and this last journey was +the happiest of all their wanderings. Maude wanted to see her +kitchen. Frank wanted to see his books. Both were eager +for the fight.<br> +<br> +But they found a small annoyance waiting for them at Woking. A +crowded train had preceded them, and there was not a single cab left +at the station. Some would be back soon, but nobody could tell +when.<br> +<br> +‘You don’t mind walking, Maude?’<br> +<br> +‘I should prefer it.’<br> +<br> +So a friendly porter took charge of their trunks, and promised to send +them up when a conveyance had arrived. In the meantime they started +off together down an ill-lit and ill-kept road, which opened into that +more important thoroughfare in which their own villa was situated. +They walked quickly, full of eager anticipations.<br> +<br> +‘It’s just past the third lamp-post on the right,’ +said Frank. ‘Now it’s only the second lamp-post. +You see it will not be far from the station. Those windows among +the trees are where Hale lives - my best man, you know! Now it +is only one lamp-post!’ They quickened their pace almost +to a run, and so arrived at the gate of The Lindens.<br> +<br> +It was a white gate leading into a short path - ‘carriage sweep’ +the house-agent called it, - and so to a low but comfortable-looking +little house. The night was so dark that one could only see its +outline. To their surprise, there was no sign of a light either +above the door or at any of the windows.<br> +<br> +‘Well, I’m blessed!’ cried Frank.<br> +<br> +‘Never mind, dear. They live at the back, no doubt.’<br> +<br> +‘But I gave them the hour. This is too bad. I am so +sorry.’<br> +<br> +‘It will be all the more cosy inside. What a dear little +gate this is! The whole place is perfectly charming.’<br> +<br> +But in spite of her brave attempts at making the best of it, it could +not be denied that this black house was not what they had pictured in +their dreams. Frank strode angrily up the path and pulled at the +bell. There was no answer, so he knocked violently. Then +he knocked with one hand while he rang with the other, but no sound +save that of the clanging bell came from the gloomy house. As +they stood forlornly in front of their own hall-door, a soft rain began +to rustle amidst the bushes. At this climax of their troubles +Maude burst into such a quiet, hearty, irresistible fit of laughter, +that the angry Frank was forced to laugh also.<br> +<br> +‘My word, it will be no laughing matter for Mrs. Watson if she +cannot give a good reason for it,’ said he.<br> +<br> +‘Perhaps the poor woman is ill.’<br> +<br> +‘But there should be two other people, the cook and the housemaid. +It is just as well that we did not bring up our trunks, or we should +have had to dump them down in the front garden. You wait here, +dear, under the shelter of the porch, and I will walk round and see +if I can burgle it.’<br> +<br> +He tried the back, but it was as dark as the front, and the kitchen-door +was locked. Then he prowled unhappily in the rain from window +to window. They were all fastened. He came back to the kitchen-door, +poked his stick through the glass which formed the upper panel, and +then putting his hand through the hole, he turned the key, and so stumbled +into the obscurity of his own hall. He passed through it, unlocked +the front door, and received Maude into his open arms.<br> +<br> +‘Welcome to your home, my own darling girl. May you never +have one sad hour under this roof! What a dismal home-coming! +What can I do to make amends? But good comes out of evil, you +see, for in no other possible way could I have been inside to welcome +you when you entered.’<br> +<br> +They stayed in the hall in the dark some time, these wet and foolish +young people. Then Frank struck a match, and tried to light the +hall-lamp. There was no oil in it. He muttered something +vigorous, and carried his burning vesta into the dining-room. +Two candles were standing on the sideboard. He lit them both, +and things began to look a little more cheerful. They took a candle +each and began to explore their own deserted house.<br> +<br> +The dining-room was excellent - small, but very snug. The Tantalus +spirit-stand - stood upon the walnut sideboard, and the bronzes from +the cricket-club looked splendid upon each side of the mantelpiece. +Beside the clock in the centre lay an open telegram. Frank seized +it eagerly.<br> +<br> +‘There now!’ he cried. ‘Listen to this. +“Expect us on Thursday evening about ten.” It was +<i>Tuesday </i>evening, I said. That’s the telegraphic clerk. +We’ve come two days before our time.’<br> +<br> +It was good to have any sort of explanation, although it left a great +deal unexplained. They passed through the hall with its shining +linoleum, and into the drawing-room. It was not a very good room, +too square for elegance, but they were in no humour for criticism, and +it was charming to see all the old knick-knacks, and the photographs +of friends in their frames. A big wrought-iron and brass-work +standing lamp towered up near the fireplace, but again there was no +oil.<br> +<br> +‘I think that Mrs. Watson has arranged it all splendidly,’ +said Maude, whose active fingers were already beginning to reconstruct. +‘But where can she be?’<br> +<br> +‘She must be out, for, of course, she lives in the house. +But it is the absence of the servants which amazes me, for I understood +that they had arrived. What would you like to do?’<br> +<br> +‘Aren’t you hungry, Frank?’<br> +<br> +‘Simply starving.’<br> +<br> +‘So am I.’<br> +<br> +‘Well, then, let us forage and see if we cannot find something +to eat.’<br> +<br> +So hand in hand, and each with a candle in the other hand, like a pair +of young penitents, they continued their explorations with more purpose +than before. The kitchen, into which they penetrated, had clearly +been much used of late, for there were dirty dishes scattered about, +and the fire had been lighted, though it was now out. In one corner +was what seemed to be a pile of drab-coloured curtains. In the +other, an armchair lay upon its side with legs projecting. A singular +disorder, very alien to Mrs. Watson’s habits, pervaded the apartment. +A dresser with a cupboard over it claimed the first attention of the +hungry pair. With a cheer from Frank and hand-clapping from Maude, +they brought out a new loaf of bread, some butter, some cheese, a tin +of cocoa, and a bowl full of eggs. Maude tied an apron over her +pretty russet dress, seized some sticks and paper, and had a fire crackling +in a very few minutes.<br> +<br> +‘Put some water in the kettle, Frank.’<br> +<br> +‘Here you are! Anything else?’<br> +<br> +‘Some in the small saucepan for the eggs.’<br> +<br> +‘I believe they are “cookers,”’ said he, sniffing +at them suspiciously.<br> +<br> +‘Hold them up to the light, sir. There, they are quite bright +and nice. In with them! Now, if you will cut some bread +and butter it, we shall soon have our supper ready.’<br> +<br> +‘It’s too new to cut,’ cried Frank, sawing away upon +the kitchen table. ‘Besides, new bread is better in chunks. +Here are some cloths and knives and forks in the dresser drawer. +I will go and lay the table.’<br> +<br> +‘And leave me here alone. No please, Frank, if I am cook, +you must be scullery-maid. Get the cups down and put the cocoa +in them. What fun it all is! I think it is simply <i>splendid +</i>to be mistress of a house.’<br> +<br> +‘With one scullery-maid.’<br> +<br> +‘And she perfectly incompetent, and much given to embracing her +mistress. I must take my hat off. Get the sugar for the +cocoa out of the cupboard. The kettle is singing, so it won’t +be long. Do you know, Frank’ - she paused, listening, with +the egg-saucepan in her hands. ‘There’s a dog or something +in the room.’<br> +<br> +They had both become aware of a sort of sibilant breathing, and they +looked round them in bewilderment.<br> +<br> +‘Where is it?’ asked Maude. ‘Frank, I believe +it’s a mouse.’<br> +<br> +‘Hope for the best. Don’t frighten yourself unnecessarily. +I fancy it comes from under these curtains.’ He approached +them with his candle, and was suddenly aware of a boot which was projecting +from them. ‘Great Scot!’ he cried, ‘there’s +a woman here asleep.’<br> +<br> +Reassured as to the mouse, Maude approached with her saucepan still +clutched in her hand. There could be no doubt either as to the +woman or the sleep. She lay in an untidy heap, her head under +the table, and her figure sprawling. She appeared to be a very +large woman.<br> +<br> +‘Hullo!’ cried Frank, shaking her by the shoulder. +‘Hullo, you there!’<br> +<br> +But the woman slumbered peacefully on.<br> +<br> +‘Heh, wake up, wake up!’ he shouted, and pulled her up into +a sitting position. But she slept as soundly sitting as lying.<br> +<br> +‘The poor thing must be ill,’ said Maude. ‘O +Frank, shall I run for a doctor?’<br> +<br> +‘Wake up, woman, wake up!’ Frank yelled, and danced her +up and down. She flopped about like a sawdust doll, with her arms +swinging in front of her. He panted with his exertions, but she +was serenely unconscious. At last he had to lower her on to the +floor again, putting a footstool under her head.<br> +<br> +‘It’s no go,’ said he. ‘I can make nothing +of her. She will sleep it off.’<br> +<br> +‘You don’t mean to say, Frank, that she is - ’<br> +<br> +‘Indeed I do.’<br> +<br> +‘How horrible!’<br> +<br> +‘That kettle is boiling now. Suppose we have our supper.’<br> +<br> +‘Dear Frank, I could not enjoy my supper with that unfortunate +woman lying there. O Frank, I know that you could not either.’<br> +<br> +‘Bless her!’ said Frank bitterly, as he gazed at the inert +lump. ‘I really don’t see why we should put ourselves +out for her. She is quite comfortable.’<br> +<br> +‘Oh I couldn’t, Frank. It would seem inhuman.’<br> +<br> +‘What are we to do, then?’<br> +<br> +‘We must put her to bed.’<br> +<br> +‘Great heavens!’<br> +<br> +‘Yes, dear, it is our duty to put her to bed.’<br> +<br> +‘But look here, my dear girl, we must be practical. The +woman weighs half a ton, and the bedrooms are at the top of the house. +It’s simply impossible.’<br> +<br> +‘Don’t you think, Frank, that if you took her head and I +took her feet, we might get her up?’<br> +<br> +‘Not up the stair, dear. She is enormous.’<br> +<br> +‘Well, then, on to the drawing-room sofa,’ said Maude. +‘I could have my supper, if I knew that she was safe upon the +sofa.’<br> +<br> +So Frank, seeing that there was no help for it, seized her under the +arms, and Maude took her ankles, and they bore her, bulging but serene, +down the passage. They staggered exhausted into the drawing-room, +and the new sofa groaned beneath the weight. It was a curious +and unsavoury inaugural ceremony. Maude put a rug over the prostrate +form, and they returned to their boiling kettle and their uncooked eggs. +Then they laid the table, and served the supper, and enjoyed this picnic +meal of their own creating as no conventional meal could ever have been +enjoyed. Everything seemed beautiful to the young wife - the wall-paper, +the pictures, the carpet, the rug; but to him, she was so beautiful +in mind, and soul, and body, that her presence turned the little room +into an enchanted chamber. They sat long together, and marvelled +at their own happiness - that pure serene happiness of mere companionship, +which is so much more intimate and deeper than all the transports of +passion.<br> +<br> +But suddenly he sprang from his chair. There was the sound of +steps, of several steps, outside upon the gravel path. Then a +key clicked, and a burst of cold air told them that the door was open.<br> +<br> +‘It’s agin’ the law for me to enter,’ said a +gruff voice.<br> +<br> +‘I tell you she’s very strong and violent,’ said a +second voice, which Frank recognised as that of Mrs. Watson. ‘She +chased the maid out of the house, and I can do nothing with her.’<br> +<br> +‘Very sorry, mum, but it’s clean agin’ the law of +England. Give me a warrant, and in I come. If you will bring +her to the doorstep, I will be answerable for her removal.’<br> +<br> +‘She’s in the dining-room. I can see the lights,’ +said Mrs. Watson; and then, ‘Good Lord, Mr. Crosse, what a fright +you gave me! Oh dear me, that you should have come when I was +out, and I not expecting you for another two days yet. Well, now, +I shall never forgive myself for this.’<br> +<br> +But all the mistakes and misfortunes were very quickly explained. +The telegram was the root of the evil. And then the new cook had +proved to be a violent, intermittent drunkard. She had chased +the other maid out of the house, and then, while Mrs. Watson rushed +for the police, she had drunk herself into the stupor in which she had +been found. But now, in the nick of time, the station cab came +up with the luggage, and so the still placidly slumbering culprit was +carried out to it, and sent off in the charge of the policeman. +Such was the first entry of Mr. and Mrs. Crosse into their home at The +Lindens.<br> +<br> +<br> +<br> +CHAPTER IX - LAYING A COURSE<br> +<br> +<br> +<br> +Frank Crosse was a methodical young man - his enemies might sometimes +have called him pedantic, - and he loved to reduce his life to rule +and order. It was one of his peculiarities. But how about +this new life into which he was entering? It took two to draw +up the rules for that. The little two-oared craft who put out +upon that voyage have to lay their own course, each for itself; and +all round them, as they go, they see the floating timbers and broken +keels of other little boats, which had once started out full of hope +and confidence. There are currents and eddies, low sand-banks +and sunken reefs, and happy the crews who see them ahead, and trim their +course to avoid them. Frank brooded over it all. He had +seen something of life, for his years. He was observant and reflective. +He had watched his friends who were happy, and he had watched his friends +who were not. And now, as a result of all this wise cogitation, +he sat down at a table one evening, with a solemn face, and a sheet +of foolscap.<br> +<br> +‘Now, Maude,’ said he, ‘I want to have a serious talk.’<br> +<br> +Maude looked up in surprise from the linen which she was marking.<br> +<br> +‘Oh dear!’ she cried.<br> +<br> +‘Why “oh dear”?’<br> +<br> +‘There’s something wrong?’<br> +<br> +‘Nothing in the world.’<br> +<br> +‘You looked so solemn, Frank. I thought you had been looking +at the tradesman’s books. What is it, dear?’<br> +<br> +‘Well, Maude, I have been thinking of married life in general. +Don’t you think it would be a good thing if we were to make some +resolutions as to how it should be conducted - some fundamental principles, +as it were?’<br> +<br> +‘Oh do, dear, do! What fun it will be!’<br> +<br> +‘But it’s serious, Maude.’<br> +<br> +‘Yes, dear, I am quite serious.’<br> +<br> +‘It seemed to me, that if we could reduce it to certain rules, +then, whatever came upon us in the future, we should always know exactly +how to act.’<br> +<br> +‘What are the rules, dear?’<br> +<br> +‘Well, we can only arrive at them by talking it over between ourselves. +I could not draw up a set of rules, and ask you to submit to them. +That is not my idea of a partnership. But if we found that we +were agreed upon certain points, then we could both adopt them by mutual +consent.’<br> +<br> +‘How charming, Frank! Do please tell me some of the points.’<br> +<br> +‘I have a few in my mind, and I should like to hear any which +you may have - any ideas, you know, how to get the very highest and +best out of our life. Now, first of all, there is the subject +of quarrelling.’<br> +<br> +‘O Frank, how horrid!’<br> +<br> +‘Dear girl, we must look into the future. We are going to +live all our lives together. We must foresee and prepare for all +the chances of life.’<br> +<br> +‘But that is absurd.’<br> +<br> +‘You can’t live all your life and never be in a bad temper!’<br> +<br> +‘But not with <i>you, </i>Frank.’<br> +<br> +‘Oh, I can be very aggravating sometimes. Now, my idea is +this. Ill-humour passes and hurts nobody. But if two people +are ill-humoured, then each excites the other, and they say ever so +much more than they mean. Let us make a compact never both to +be ill-humoured at the same time. If <i>you </i>are cross, then +it is your turn, and I stand clear. If <i>I </i>am cross, you +let me work it off. When either hoists the danger-signal, the +other is on guard. What do you think of that?’<br> +<br> +‘I think you are the funniest old boy - ’<br> +<br> +‘Do you agree?’<br> +<br> +‘Yes, dear, of course I agree.’<br> +<br> +‘Article number one,’ said Frank, and scribbled upon his +paper.<br> +<br> +‘Your turn, now.’<br> +<br> +‘No, dear, I have not thought of anything.’<br> +<br> +‘Well, then, here is another point. Never take each other +for granted.’<br> +<br> +‘What do you mean by that?’<br> +<br> +‘Never relax those attentions which one lover shows to another. +Some husbands seem to forget that their wives are ladies. Some +wives speak to their husbands with less courtesy and consideration than +to any casual male visitor. They mean no harm, but they get into +a slack way. We must not do that.’<br> +<br> +‘I don’t think we are likely to.’<br> +<br> +‘People get into it unconsciously. Pull me up sharply at +the first sign.’<br> +<br> +‘Yes, sir, I will.’<br> +<br> +‘The next point that I have noted is an extension of the last. +Let each strive to be worthy of the love of the other. People +get slovenly and slipshoddy, as if it didn’t matter now that they +were married. If each were very keen to please the other, that +would not be so. How many women neglect their music after marriage.’<br> +<br> +‘My goodness, I haven’t practised for a week!’ cried +Maude.<br> +<br> +‘And their dress and their hair’ - Maude’s hand flew +up to her curls. ‘My darling, yours is just perfect. +But you know how often a woman grows careless. “He will +love me anyhow,” she says to herself, and perhaps she is right, +but still it is not as it should be.’<br> +<br> +‘Why, Frank, I had no idea you knew so much.’<br> +<br> +‘I have heard my friends’ experiences. - And the man too: +he should consider his wife’s feelings as much as he did his sweetheart’s. +If she dislikes smoke, he should not smoke. He should not yawn +in her presence. He should keep himself well-groomed and attractive. +Look at that dirty cuff! I have no business to have it.’<br> +<br> +‘As if it could make any difference to me.’<br> +<br> +‘There now! That is what is so demoralising. You should +stand out for the highest. When I came to you at St Albans, I +had not dirty cuffs.’<br> +<br> +‘You forgive me the music, Frank, and I’ll forgive you the +cuff. But I agree to all you say. I think it is so wise +and good. Now I’ve got something to add.’<br> +<br> +‘Good. What is it?’<br> +<br> +‘Each should take an interest in the other’s department.’<br> +<br> +‘Why, of course they should.’<br> +<br> +‘But it is not done.’<br> +<br> +‘Why naturally, dear, you take an interest in my City work.’<br> +<br> +‘Yes, sir, but do you take as keen an interest in my housekeeping?’<br> +<br> +‘Perhaps I have been a little thoughtless.’<br> +<br> +‘No, no, dear, you haven’t. You are always full of +consideration. But I have noticed it with mother, and with others +also. The husband pulls out his cheque-book at the end of the +week or month, and he says, “Well, this is rather more than we +can afford,” or “This is less than I expected,” but +he never really takes any interest in his wife’s efforts to keep +things nice on a little. He does not see it with her eyes and +try to realise her difficulties. Oh, I wish I could express myself +better, but I know that the interest is one-sided.’<br> +<br> +‘I think what you say is quite right. I’ll try to +remember that. How shall we enter it upon our list?’<br> +<br> +‘That Interests should be mutual.’<br> +<br> +‘Quite right. I have it down. Well, any more points?’<br> +<br> +‘It is your turn.’<br> +<br> +‘Well, there is this, and I feel that it is just the holiest thing +in matrimony, and its greatest justification - that love should never +degenerate into softness, that each should consciously stimulate the +better part of the other and discourage the worse, that there should +be a discipline in our life, and that we should brace each other up +to a higher ideal. The love that says, “I know it is wrong, +but I love him or her so much that I can’t refuse,” is a +poor sort of love for the permanent use of married life. The self-respect +which refuses to let the most lofty ideal of love down by an inch is +a far nobler thing, and it wears better too.’<br> +<br> +‘How will you express all that?’<br> +<br> +‘Mutual respect is necessary for mutual love.’<br> +<br> +‘Yes, I am sure that that is right.’<br> +<br> +‘It sounds obvious, but the very intensity of love makes love +soft and blind. Now I have another, which I am convinced that +you will not agree with.’<br> +<br> +‘Let me hear it.’<br> +<br> +‘I have put it in this way, “The tight cord is the easiest +to snap.”’<br> +<br> +‘What do you mean?’<br> +<br> +‘Well, I mean that married couples should give each other a certain +latitude and freedom. If they don’t, one or other will sooner +or later chafe at the restriction. It is only human nature, which +is an older and more venerable thing than marriage.’<br> +<br> +‘I don’t like that at all, Frank.’<br> +<br> +‘I feared you wouldn’t, dear, but I believe you’ll +see it with me when I explain what I mean. If you don’t, +then I must try to see it with you. When one talks of freedom +in married life, it means, as a rule, freedom only for the man. +He does what he likes, but still claims to be a strict critic of his +wife. That, I am sure, is wrong. To take an obvious example +of what I mean, has a husband a right to read his wife’s letters? +Certainly not, any more than she has a right to read his without his +permission. To read them as a matter of course would be stretching +the chain too tight.’<br> +<br> +‘Chain is a horrid word, Frank.’<br> +<br> +‘Well, it is only a metaphor. Or take the subject of friendships. +Is a married man to be debarred from all friendship and intimacy with +another woman?’<br> +<br> +Maude looked doubtful.<br> +<br> +‘I should like to see the woman first,’ she said.<br> +<br> +‘Or is a married woman to form no friendship with another man +who might interest or improve her? There is such a want of mutual +confidence in such a view. People who are sure of each other should +give each other every freedom in that. If they don’t, they +are again stretching it tight.’<br> +<br> +‘If they do, it may become so slack that it might as well not +be there at all.’<br> +<br> +‘I felt sure that we should have an argument over this. +But I have seen examples. Look at the Wardrops. <i>There +</i>were a couple who were never apart. It was their boast that +everything was in common with them. If he was not in, she opened +his letters, and he hers. And then there came a most almighty +smash. The tight cord had snapped. Now, I believe that for +some people, it is a most excellent thing that they should take their +holidays at different times.’<br> +<br> +‘O Frank!’<br> +<br> +‘Yes, I do. No, not for us, by Jove! I am generalising +now. But for some couples, I am sure that it is right. They +reconsider each other from a distance, and they like each other the +better.’<br> +<br> +‘Yes, but these rules are for our guidance, not for that of other +people.’<br> +<br> +‘Quite right, dear. I was off the rails. “As +you were,” as your brother Jack would say. But I am afraid +that I am not going to convince you over this point.’<br> +<br> +Maude looked charmingly mutinous.<br> +<br> +‘No, Frank, you are not. I don’t think marriage can +be too close. I believe that every hope, and thought, and aspiration +should be in common. I could never get as near to your heart and +soul as I should wish to do. I want every year to draw me closer +and closer, until we really are as nearly the same person as it is possible +to be upon earth.’<br> +<br> +When you have to surrender, it is well to do so gracefully. Frank +stooped down and kissed his wife’s hand, and apologised. +‘The wisdom of the heart is greater than the wisdom of the brain,’ +said he. But the love of man comes from the brain, far more than +the love of woman, and so it is that there will always be some points +upon which they will never quite see alike.<br> +<br> +‘Then we scratch out that item.’<br> +<br> +‘No, dear. ‘Put “The cord which is held tight +is the easiest to snap.” That will be all right. The +cord of which I speak is never held at all. The moment it is necessary +to hold it, it is of no value. It must be voluntary, natural, +unavoidable.’<br> +<br> +So Frank amended his aphorism.<br> +<br> +‘Anything more, dear?’<br> +<br> +‘Yes, I have thought of one other,’ said she. ‘It +is that if ever you had to find fault with me about anything, it should +be when we are alone.’<br> +<br> +‘And the same in your case with me. That is excellent. +What can be more vulgar and degrading than a public difference of opinion? +People do it half in fun sometimes, but it is wrong all the same. +Duly entered upon the minutes. Anything else?’<br> +<br> +‘Only material things.’<br> +<br> +‘Yes, but they count also. Now, in the matter of money, +I feel that every husband should allow his wife a yearly sum of her +own, to be paid over to her, and kept by her, so that she may make her +own arrangements for herself. It is degrading to a woman to have +to apply to her husband every time she wants a sovereign. On the +other hand, if the wife has any money, she should have the spending +of it. If she chooses to spend part of it in helping the establishment, +that is all right, but I am sure that she should have her own separate +account, and her own control of it.’<br> +<br> +‘If a woman really loves a man, Frank, how can she grudge him +everything she has? If my little income would take one worry from +your mind, what a joy it would be to me to feel that you were using +it!’<br> +<br> +‘Yes, but the man has his self-respect to think of. In a +great crisis one might fall back upon one’s wife - since our interests +are the same, but only that could justify it. So much for the +wife’s money. Now for the question of housekeeping.’<br> +<br> +‘That terrible question!’<br> +<br> +‘It is only hard because people try to do so much upon a little. +Why should they try to do so much? The best pleasures of life +are absolutely inexpensive. Books, music, pleasant intimate evenings, +the walk among the heather, the delightful routine of domestic life, +my cricket and my golf - these things cost very little.’<br> +<br> +‘But you must eat and drink, Frank. And as to Jemima and +the cook, it is really extraordinary the amount which they consume.’<br> +<br> +‘But the tendency is for meals to become much too elaborate. +Why that second vegetable?’<br> +<br> +‘There now! I knew that you were going to say something +against that poor vegetable. It costs so little.’<br> +<br> +‘On an average, I have no doubt that it costs threepence a day. +Come now, confess that it does. Do you know what threepence a +day comes to in a year? There is no use in having an accountant +for a husband, if you can’t get at figures easily. It is +four pounds eleven shillings and threepence.’<br> +<br> +‘It does not seem very much.’<br> +<br> +‘But for that money, and less, one could become a member of the +London Library, with the right to take out fifteen books at a time, +and all the world’s literature to draw from. Now just picture +it: on one side, all the books in the world, all the words of the wise, +and great, and witty; on the other side, a lot of cauliflowers and vegetable-marrows +and French beans. Which is the better bargain?’<br> +<br> +‘Good gracious, we shall never have a second vegetable again!’<br> +<br> +‘And pudding?’<br> +<br> +‘My dear, you always eat the pudding.’<br> +<br> +‘I know I do. It seems an obvious thing to do when the pudding +is there in front of me. But if it were not there, I should neither +eat it nor miss it, and I know that you care nothing about it. +There would be another five or six pounds a year.’<br> +<br> +‘We’ll have a compromise, dear. Second vegetable one +day, pudding the next.’<br> +<br> +‘Very good.’<br> +<br> +‘I notice that it is always after you have had a substantial meal +that you discuss economy in food. I wonder if you will feel the +same when you come back starving from the City to-morrow? Now, +sir, any other economy?’<br> +<br> +‘I don’t think money causes happiness. But debt causes +unhappiness. And so we must cut down every expense until we have +a reserve fund to meet any unexpected call. If you see any way +in which I could save, or any money I spend which you think is unjustifiable, +I do wish that you would tell me. I got into careless ways in +my bachelor days.’<br> +<br> +‘That red golfing-coat.’<br> +<br> +‘I know. It was idiotic of me.’<br> +<br> +‘Never mind, dear. You look very nice in it. After +all, it was only thirty shillings. Can you show me any extravagance +of mine?’<br> +<br> +‘Well, dear, I looked at that dressmaker’s bill yesterday.’<br> +<br> +‘O Frank, it is such a pretty dress, and you said you liked it, +and you have to pay for a good cut, and you said yourself that a wife +must not become dowdy after marriage, and it would have cost double +as much in Regent Street.’<br> +<br> +‘I didn’t think the dress dear.’<br> +<br> +‘What was it, then?’<br> +<br> +‘The silk lining of the skirt.’<br> +<br> +‘You funny boy!’<br> +<br> +‘It cost thirty shillings extra. Now, what can it matter +if it is lined with silk or not?’<br> +<br> +‘Oh, doesn’t it? Just you try one and see.’<br> +<br> +‘But no one can know that it is lined with silk.’<br> +<br> +‘When I rustle into a room, dear, every woman in it knows that +my skirt is lined with silk.’<br> +<br> +Frank felt that he had ventured out of his depth, so he struck out for +land again.<br> +<br> +‘There’s only one economy which I don’t think is justifiable,’ +said he, ‘and that is, to cut down your subscriptions to charities. +It is such a very cheap way of doing things. Not that I do much +in that line - too little, perhaps. But to say that because <i>we +</i>want to economise, therefore some poor people are to suffer, is +a very poor argument. We must save at our own expense.’<br> +<br> +So now Frank, in his methodical fashion, had all his results tabulated +upon his sheet of foolscap. It was not a very brilliant production, +but it might serve as a chart for the little two-oared boats until a +better one is forthcoming. It ran in this way -<br> +<br> +<br> +<i>Maxims for the Married<br> +<br> +</i>1. Since you <i>are </i>married, you may as well make the +best of it.<br> +<br> +2. So make some maxims and try to live up to them.<br> +<br> +3. And don’t be discouraged if you fail. You <i>will +</i>fail, but perhaps you won’t always fail.<br> +<br> +4. Never both be cross at the same time. Wait your turn.<br> +<br> +5. Never cease to be lovers. If you cease, some one else +may begin.<br> +<br> +6. You were gentleman and lady before you were husband and wife. +Don’t forget it.<br> +<br> +7. Keep yourself at your best. It is a compliment to your +partner.<br> +<br> +8. Keep your ideal high. You may miss it, but it is better +to miss a high one than to hit a low one.<br> +<br> +9. A blind love is a foolish love. Encourage the best in +each other’s nature.<br> +<br> +10. Permanent mutual respect is necessary for a permanent mutual +love. A woman can love without respect, but a man cannot.<br> +<br> +11. The tight cord is the easiest to snap.<br> +<br> +12. Let there be one law for both.<br> +<br> +13. There is only one thing worse than quarrels in public. +That is caresses.<br> +<br> +14. Money is not essential to happiness, but happy people usually +have enough.<br> +<br> +15. So save some.<br> +<br> +16. The easiest way of saving is to do without things.<br> +<br> +17. If you can’t, then you had better do without a wife.<br> +<br> +18. The man who respects his wife does not turn her into a mendicant. +Give her a purse of her own.<br> +<br> +19. If you save, save at your own expense.<br> +<br> +20. In all matters of money, prepare always for the worst and +hope for the best.<br> +<br> +<br> +Such was their course as far as this ambitious young couple could lay +it. They may correct it by experience, and improve it by use, +but it is good enough to guide them safely out to sea.<br> +<br> +<br> +<br> +CHAPTER X - CONFESSIONS<br> +<br> +<br> +<br> +‘Tell me, Frank, did you ever love any one before me?’<br> +<br> +‘How badly trimmed the lamp is to-night!’ said he. +It was so bad that he went off instantly into the dining-room to get +another. It was some time before he returned.<br> +<br> +She waited inexorably until he had settled down again.<br> +<br> +‘Did you, Frank?’ she asked.<br> +<br> +‘Did I what?’<br> +<br> +‘Ever love any one else?’<br> +<br> +‘My dear Maude, what <i>is </i>the use of asking questions like +that?’<br> +<br> +‘You said that there were no secrets between us.’<br> +<br> +‘No, but there are some things better left alone.’<br> +<br> +‘That is what I should call a secret.’<br> +<br> +‘Of course, if you make a point of it - ’<br> +<br> +‘I do.’<br> +<br> +‘Well, then, I am ready to answer anything that you ask. +But you must not blame me if you do not like my answers.’<br> +<br> +‘Who was she, Frank?’<br> +<br> +‘Which?’<br> +<br> +‘O Frank, more than one!’<br> +<br> +‘I told you that you would not like it.’<br> +<br> +‘Oh, I wish I had not asked you!’<br> +<br> +‘Then do let us drop it.’<br> +<br> +‘No, I can’t drop it now, Frank. You have gone too +far. You must tell me everything.’<br> +<br> +‘Everything?’<br> +<br> +‘Yes, everything, Frank.’<br> +<br> +‘I am not sure that I can.’<br> +<br> +‘Is it so dreadful as that?’<br> +<br> +‘No, there is another reason.’<br> +<br> +‘Do tell me, Frank.’<br> +<br> +‘There is a good deal of it. You know how a modern poet +excused himself to his wife for all his pre-matrimonial experiences. +He said that he was looking for her.’<br> +<br> +‘Well, I do like that!’ she cried indignantly.<br> +<br> +‘I was looking for you.’<br> +<br> +‘You seem to have looked a good deal.’<br> +<br> +‘But I found you at last.’<br> +<br> +‘I had rather you had found me at first, Frank.’ He +said something about supper, but she was not to be turned.<br> +<br> +‘How many did you really love?’ she asked. ‘Please +don’t joke about it, Frank. I really want to know.’<br> +<br> +‘If I choose to tell you a lie - ’<br> +<br> +‘But you won’t!’<br> +<br> +‘No, I won’t. I could never feel the same again.’<br> +<br> +‘Well, then, how many did you love?’<br> +<br> +‘Don’t exaggerate what I say, Maude, or take it to heart. +You see it depends upon what you mean by love. There are all sorts +and degrees of love, some just the whim of a moment, and others the +passion of a lifetime; some are founded on mere physical passion, and +some on intellectual sympathy, and some on spiritual affinity.’<br> +<br> +‘Which do you love me with?’<br> +<br> +‘All three.’<br> +<br> +‘Sure?’<br> +<br> +‘Perfectly sure.’<br> +<br> +She came over and the cross-examination was interrupted. But in +a few minutes she had settled down to it again.<br> +<br> +‘Well, now - the first?’ said she.<br> +<br> +‘Oh, I can’t, Maude - don’t.’<br> +<br> +‘Come, sir - her name?’<br> +<br> +‘No, no, Maude, that is going a little too far. Even to +you, I should never mention another woman’s name.’<br> +<br> +‘Who was she, then?’<br> +<br> +‘Please don’t let us go into details. It is perfectly +<i>horrible</i>. Let me tell things in my own way.’<br> +<br> +She made a little grimace.<br> +<br> +‘You are wriggling, sir. But I won’t be hard upon +you. Tell it your own way.’<br> +<br> +‘Well, in a word, Maude, I was always in love with some one.’<br> +<br> +Her face clouded over.<br> +<br> +‘Your love must be very cheap,’ said she.<br> +<br> +‘It’s almost a necessity of existence for a healthy young +man who has imagination and a warm heart. It was all - or nearly +all - quite superficial.’<br> +<br> +‘I should think all your love was superficial, if it can come +so easily.’<br> +<br> +‘Don’t be cross, Maude. I had never seen you at the +time. I owed no duty to you.’<br> +<br> +‘You owed a duty to your own self-respect.’<br> +<br> +‘There, I knew we should have trouble over it. What do you +want to ask such questions for? I dare say I am a fool to be so +frank.’<br> +<br> +She sat for a little with her face quite cold and set. In his +inmost heart Frank was glad that she should be jealous, and he watched +her out of the corner of his eye.<br> +<br> +‘Well!’ said she at last.<br> +<br> +‘Must I go on?’<br> +<br> +‘Yes, I may as well hear it.’<br> +<br> +‘You’ll only be cross.’<br> +<br> +‘We’ve gone too far to stop. And I’m not cross, +Frank. Only pained a little. But I do appreciate your frankness. +I had no idea you were such a - such a Mormon.’ She began +to laugh.<br> +<br> +‘I used to take an interest in every woman.’<br> +<br> +‘“Take an interest” is good.’<br> +<br> +‘That was how it began. And then if circumstances were favourable +the interest deepened, until at last, naturally - well, you can understand.’<br> +<br> +‘How many did you take an interest in?’<br> +<br> +‘Well, in pretty nearly all of them.’<br> +<br> +‘And how many deepened?’<br> +<br> +‘Oh, I don’t know.’<br> +<br> +‘Twenty?’<br> +<br> +‘Well - rather more than that, I think.’<br> +<br> +‘Thirty?’<br> +<br> +‘Quite thirty.’<br> +<br> +‘Forty?’<br> +<br> +‘Not more than forty, I think.’<br> +<br> +Maude sat aghast at the depths of his depravity.<br> +<br> +‘Let me see: you are twenty-seven now, so you have loved four +women a year since you were seventeen.’<br> +<br> +‘If you reckon it that way,’ said Frank, ‘I am afraid +that it must have been more than forty.’<br> +<br> +‘It’s dreadful,’ said Maude, and began to cry.<br> +<br> +Frank knelt down in front of her and kissed her hands. She had +sweet little plump hands, very soft and velvety.<br> +<br> +‘You make me feel such a brute,’ said he. ‘Anyhow, +I love you now with all my heart and mind and soul.’<br> +<br> +‘Forty-firstly and lastly,’ she sobbed, half laughing and +half crying. Then she pulled his hair to reassure him.<br> +<br> +‘I can’t be angry with you,’ said she. ‘Besides, +it would be ungenerous to be angry when you tell me things of your own +free will. You are not forced to tell me. It is very honourable +of you. But I do wish you had taken an interest in me first.’<br> +<br> +‘Well, it was not so fated. I suppose there are some men +who are quite good when they are bachelors. But I don’t +believe they are the best men. They are either archangels upon +earth - young Gladstones and Newmans - or else they are cold, calculating, +timid, un-virile creatures, who will never do any good. The first +class must be splendid. I never met one except in memoirs. +The others I don’t want to meet.’<br> +<br> +Women are not interested in generalities.<br> +<br> +‘Were they nicer than me?’ she asked.<br> +<br> +‘Who?’<br> +<br> +‘Those forty women.’<br> +<br> +‘No, dear, of course not. Why are you laughing?’<br> +<br> +‘Well, it came into my head how funny it would be, if the forty +were all gathered into one room, and you were turned loose in the middle +of them.’<br> +<br> +‘Funny!’ Frank ejaculated. Women have such extraordinary +ideas of humour. Maude laughed until she was quite tired.<br> +<br> +‘It doesn’t strike you as comic?’ she cried at last.<br> +<br> +‘No, it doesn’t,’ he answered coldly.<br> +<br> +‘Of course it wouldn’t,’ said she, and went off into +another ripple of pretty contralto laughter. There is a soft, +deep, rich laugh, which some women have, that is the sweetest sound +in Nature.<br> +<br> +‘When you have quite finished,’ said he huffily. Her +jealousy was much more complimentary than her ridicule.<br> +<br> +‘All right now. Don’t be cross. If I didn’t +laugh I should cry. I’m so sorry if I have annoyed you.’ +He had gone back to his chair, so she paid him a flying visit. +‘Satisfied?’<br> +<br> +‘Not quite.’<br> +<br> +‘Now?’<br> +<br> +‘All right. I forgive you.’<br> +<br> +‘That’s funny too. Fancy <i>you </i>forgiving <i>me +</i>after all these confessions. But you never loved one of them +all as you love me.’<br> +<br> +‘Never.’<br> +<br> +‘Swear it.’<br> +<br> +‘I do swear it.’<br> +<br> +‘Morally, and what do you call it, and the other?’<br> +<br> +‘Not one of them.’<br> +<br> +‘And never will again?’<br> +<br> +‘Never.’<br> +<br> +‘Good boy for ever and ever?’<br> +<br> +‘For ever and ever.’<br> +<br> +‘And the forty were horrid?’<br> +<br> +‘No, hang it, Maude, I can’t say that.’<br> +<br> +She pouted and hung her head.<br> +<br> +‘You do like them better, then?’<br> +<br> +‘How absurd you are, Maude! If I had liked one better, I +should have married her.’<br> +<br> +‘Well, yes, I suppose you would. You must have taken a deeper +interest in me than in the others, since you married me. I hadn’t +thought of that.’<br> +<br> +‘Silly old girl! Of course I liked you best. Let us +drop the thing, and never talk about it any more.’<br> +<br> +‘Have you their photographs?’<br> +<br> +‘No.’<br> +<br> +‘None of them?’<br> +<br> +‘No.’<br> +<br> +‘What did you do with them?’<br> +<br> +‘I never had most of them.’<br> +<br> +‘And the others?’<br> +<br> +‘I destroyed some when I married.’<br> +<br> +‘That was nice of you. Aren’t you sorry?’<br> +<br> +‘No, I thought it was only right.’<br> +<br> +‘Were you fondest of dark women or fair?’<br> +<br> +‘Oh, I don’t know<i>. I</i> was never pernickety in +<i>my </i>tastes. You know those lines I read you from Henley: +“Handsome, ugly - all are women.” That’s a bachelor’s +sentiment.’<br> +<br> +‘But do you mean to say, sir - now, you are speaking on your honour, +that out of all these forty, there was not one who was prettier than +I am?’<br> +<br> +‘Do let us talk of something else.’<br> +<br> +‘And not one as clever?’<br> +<br> +‘How absurd you are to-night, Maude!’<br> +<br> +‘Come, answer me.’<br> +<br> +‘I’ve answered you already.’<br> +<br> +‘I did not hear you.’<br> +<br> +‘Oh yes, you did. I said that I had married you, and that +shows that I liked you best. I don’t compare you quality +for quality against every one in the world. That would be absurd. +What I say is that your combination of qualities is the one which is +most dear to me.’<br> +<br> +‘Oh, I see,’ said Maude dubiously. ‘How nice +and frank you are!’<br> +<br> +‘Now I’ve hurt you!’<br> +<br> +‘Oh no, not in the least. I like you to be frank. +I should hate to think that there was anything you did not dare to tell +me.’<br> +<br> +‘And you, Maude - would you be equally frank with me?’<br> +<br> +‘Yes, dear, I will. I feel that I owe it to you after your +confidence in me. I have had my little experiences too.’<br> +<br> +‘You!’<br> +<br> +‘Perhaps you would rather that I said nothing about them. +What good can there be in raking up these old stories?’<br> +<br> +‘No, I had rather you told me.’<br> +<br> +‘You won’t be hurt?’<br> +<br> +‘No, no - certainly not.’<br> +<br> +‘You may take it from me, Frank, that if any married woman ever +tells her husband that until she saw him she never felt any emotion +at the sight of another man, it is simple nonsense. There may +be women of that sort about, but I never met them. I don’t +think I should like them, for they must be dry, cold, unsympathetic, +unemotional, unwomanly creatures.’<br> +<br> +‘Maude, you have loved some one else!’<br> +<br> +‘I won’t deny that I have been interested deeply interested +in several men.’<br> +<br> +‘Several!’<br> +<br> +‘It was before I had met you, dear. I owed you no duty.’<br> +<br> +‘You have loved several men.’<br> +<br> +‘The feeling was for the most part quite superficial. There +are many different sorts and degrees of love.’<br> +<br> +‘Good God, Maude! How many men inspired this feeling in +you?’<br> +<br> +‘The truth is, Frank, that a healthy young woman who has imagination +and a warm heart is attracted by every young man. I know that +you wish me to be frank and to return your confidence. But there +is a certain kind of young man with whom I always felt my interest deepen.’<br> +<br> +‘Oh, you did discriminate?’<br> +<br> +‘Now you are getting bitter. I will say no more.’<br> +<br> +‘You have said too much. You must go on now.’<br> +<br> +‘Well, I was only going to say that dark men always had a peculiar +fascination for me. I don’t know what it is, but the feeling +is quite overpowering.’<br> +<br> +‘Is that why you married a man with flaxen hair?’<br> +<br> +‘Well, I couldn’t expect to find every quality in my husband, +could I? It would not be reasonable. I assure you, dear, +that taking your <i>tout</i> <i>ensemble</i>, I like you far the best +of all. You may not be the handsomest, and you may not be the +cleverest - one cannot expect one’s absolute ideal, - but I love +you far, far the best of any. I do hope I haven’t hurt you +by anything I have said.’<br> +<br> +‘I am sorry I am not your ideal, Maude. It would be absurd +to suppose myself anybody’s ideal, but I hoped always that the +eyes of love transfigured an object and made it seem all right. +My hair is past praying for, but if you can point out anything that +I can mend - ’<br> +<br> +‘No, no, I want you just as you are. If I hadn’t liked +you best, I shouldn’t have married you, Frank, should I?’<br> +<br> +‘But those other experiences?’<br> +<br> +‘Oh, we had better drop them. What good can it possibly +do to discuss my old experiences? It will only annoy you.’<br> +<br> +‘Not at all. I honour you for your frankness in speaking +out, although I acknowledge that it is a little unexpected. Go +on.’<br> +<br> +‘I forget where I was.’<br> +<br> +‘You had just remarked that before your marriage you had love-affairs +with a number of men.’<br> +<br> +‘How horrid it sounds, doesn’t it?’<br> +<br> +‘Well, it did strike me in that way.’<br> +<br> +‘But that’s because you exaggerate what I said. I +said that I had been attracted by several men.’<br> +<br> +‘And that dark men thrilled you.’<br> +<br> +‘Exactly.’<br> +<br> +‘I had hoped that I was the first.’<br> +<br> +‘It was not fated to be so. I could easily tell you a lie, +Frank, and say that you were, but I should never forgive myself if I +were to do such a thing. You see I left school at seventeen, and +I was twenty-three when I became engaged to you. There are six +years. Imagine all the dances, picnics, parties, visitings of +six years. I could not help meeting young men continually. +A good many were interested in me, and I - ’<br> +<br> +‘You were interested in them.’<br> +<br> +‘It was natural, Frank.’<br> +<br> +‘Oh yes, perfectly natural. And then I understand that the +interest deepened.’<br> +<br> +‘Sometimes. When you met a young man who was interested +several times running, at a dance, then in the street, then in the garden, +then a walk home at night - of course your interest began to deepen.’<br> +<br> +‘Yes.’<br> +<br> +‘And then - ’<br> +<br> +‘Well, what was the next stage?’<br> +<br> +‘Sure you’re not angry?’<br> +<br> +‘No, no, not at all. Why don’t you keep the key in +the spirit-stand?’<br> +<br> +‘It might tempt Jemima. Shall I get it?’<br> +<br> +‘No, no, go on! The next stage was?’<br> +<br> +‘Well, when you have been deeply interested some time, then you +begin to have experiences.’<br> +<br> +‘Ah!’<br> +<br> +‘Don’t shout, Frank.’<br> +<br> +‘Did I shout? Never mind. Go on! You had experiences.’<br> +<br> +‘Why go into details?’<br> +<br> +‘You must go on. You have said too much to stop. I +insist upon hearing the experiences.’<br> +<br> +‘Not if you ask for them in that way, Frank.’ Maude +had a fine dignity of her own when she liked.<br> +<br> +‘Well, I don’t insist. I beg you to have confidence +in me, and tell me some of your experiences.’<br> +<br> +She leaned back in her armchair with her eyes half closed, and a quiet +retrospective smile upon her face.<br> +<br> +‘Well, if you would really like to hear, Frank, as a proof of +my confidence and trust, I will tell you. You will remember that +I had not seen you at the time.’<br> +<br> +‘I will make every excuse.’<br> +<br> +‘I will tell you a single experience. It was my first of +the sort, and stands out very clearly in my memory. It all came +through my being left alone with a gentleman who was visiting my mother.’<br> +<br> +‘Yes!’<br> +<br> +‘Well, we were alone in the room, you understand.’<br> +<br> +‘Yes, yes, go on!’<br> +<br> +‘And he paid me many little compliments: kept saying how pretty +I was, and that he had never seen a sweeter girl, and so on. You +know what gentlemen would say?’<br> +<br> +‘And you?’<br> +<br> +‘Oh, I hardly answered him, but of course I was young and inexperienced, +and I could not help being flattered and pleased at his words. +I may have shown him what I felt, for he suddenly - ’<br> +<br> +‘Kissed you!’<br> +<br> +‘Exactly. He kissed me. Don’t walk up and down +the room, dear. It fidgets me.’<br> +<br> +‘All right. Go on. Don’t stop. After this +outrage what happened next?’<br> +<br> +‘You really want to know?’<br> +<br> +‘I must know. What did you do?’<br> +<br> +‘I am so sorry that I ever began, for I can see that it is exciting +you. Light your pipe, dear, and let us talk of something else. +It will only make you cross if I tell you the truth.’<br> +<br> +‘I won’t be cross. Go on. What did you do?’<br> +<br> +‘Well, Frank, since you insist - I kissed him back.’<br> +<br> +‘You - you kissed him back!’<br> +<br> +‘You’ll have Jemima up if you go on like that.’<br> +<br> +‘You kissed him back!’<br> +<br> +‘Yes, dear; it may be wrong, but I did.’<br> +<br> +‘Good God! why did you do that?’<br> +<br> +‘Well, I liked him.’<br> +<br> +‘A dark man?’<br> +<br> +‘Yes, he was dark.’<br> +<br> +‘O Maude! Maude! Well, don’t stop. What +then?’<br> +<br> +‘Then he kissed me several times.’<br> +<br> +‘Of course he would, if you kissed him. What else could +you expect? And then?’<br> +<br> +‘O Frank, I can’t.’<br> +<br> +‘Go on. I am ready for anything!’<br> +<br> +‘Well, do sit down, and don’t run about the room. +I am only agitating you.’<br> +<br> +‘There, I am sitting. You can see that I am not agitated. +For Heaven’s sake, go on!’<br> +<br> +‘He asked me if I would sit upon his knee.’<br> +<br> +‘Yek!’<br> +<br> +Maude began to laugh.<br> +<br> +‘Why, Frank, you are croaking like a frog.’<br> +<br> +‘I am glad you think it a laughing matter. Go on! +Go on! You yielded to his very moderate and natural request. +You sat upon his knee.’<br> +<br> +‘Well, Frank, I did.’<br> +<br> +‘Good heavens!’<br> +<br> +‘Don’t be so excitable, dear. It was long before I +ever saw you.’<br> +<br> +‘You mean to sit there and tell me in cold blood that you sat +upon this ruffian’s knee!’<br> +<br> +‘What else could I do?’<br> +<br> +‘What could you do? You could have screamed, you could have +rung the bell, you could have struck him - you could have risen in the +dignity of your insulted womanhood and walked out of the room.’<br> +<br> +‘It was not so easy for me to walk out of the room.’<br> +<br> +‘He held you?’<br> +<br> +‘Yes, he held me.’<br> +<br> +‘Oh, if I had been there!’<br> +<br> +‘And there was another reason.’<br> +<br> +‘What was that?’<br> +<br> +‘Well, I wasn’t very good at walking at that time. +You see, I was only three years old.’<br> +<br> +Frank sat for a few minutes absorbing it.<br> +<br> +‘You little wretch!’ he said at last.<br> +<br> +‘Oh you dear old goose! I feel so much better.’<br> +<br> +‘You horror!’<br> +<br> +‘I had to get level with you over my forty predecessors. +You old Bluebeard! But I did harrow you a little - didn’t +I?’<br> +<br> +‘Harrow me! I’m raw all over. It’s a nightmare. +O Maude, how could you have the heart?’<br> +<br> +‘Oh, it was lovely - beautiful!’<br> +<br> +‘It was dreadful.’<br> +<br> +‘And how jealous you were! Oh, I <i>am </i>so glad!’<br> +<br> +‘I don’t think,’ said Frank, as he put his arms round +her, ‘that I ever quite realised before - ’<br> +<br> +And just then Jemima came in with the tray.<br> +<br> +<br> +<br> +CHAPTER XI - CONCERNING MRS. BEETON<br> +<br> +<br> +<br> +Frank Crosse had only been married some months when he first had occasion +to suspect that his wife had some secret sorrow. There was a sadness +and depression about her at times, for which he was unable to account. +One Saturday afternoon he happened to come home earlier than he was +expected, and entering her bedroom suddenly, he found her seated in +the basket-chair in the window, with a large book upon her knees. +Her face, as she looked up at him with a mixed expression of joy and +of confusion, was stained by recent tears. She put the book hastily +down upon the dressing-stand.<br> +<br> +‘Maude, you’ve been crying.’<br> +<br> +‘No, Frank, no!’<br> +<br> +‘O Maude, you fibber! Remove those tears instantly.’ +He knelt down beside her and helped. ‘Better now?’<br> +<br> +‘Yes, dearest, I am quite happy.’<br> +<br> +‘Tears all gone?’<br> +<br> +‘Quite gone.’<br> +<br> +‘Well, then, explain!’<br> +<br> +‘I didn’t mean to tell you, Frank!’ She gave +the prettiest, most provocative little wriggles as her secret was drawn +from her. ‘I wanted to do it without your knowing. +I thought it would be a surprise for you. But I begin to understand +now that my ambition was much too high. I am not clever enough +for it. But it is disappointing all the same.’<br> +<br> +Frank took the bulky book off the table. It was Mrs. Beeton’s +<i>Book of Household Management</i>. The open page was headed, +‘General Observations on the Common Hog,’ and underneath +was a single large tear-drop. It had fallen upon a woodcut of +the Common Hog, in spite of which Frank solemnly kissed it, and turned +Maude’s trouble into laughter.<br> +<br> +‘Now you are all right again. I do hate to see you crying, +though you never look more pretty. But tell me, dear, what was +your ambition?’<br> +<br> +‘To know as much as any woman in England about housekeeping. +To know as much as Mrs. Beeton. I wanted to master every page +of it, from the first to the last.’<br> +<br> +‘There are 1641 of them,’ said Frank, turning them over.<br> +<br> +‘I know. I felt that I should be quite old before I had +finished. But the last part, you see, is all about wills, and +bequests, and homeopathy, and things of that kind. We could do +it later. It is the early part that I want to learn now - but +it <i>is </i>so hard.’<br> +<br> +‘But why do you wish to do it, Maude?’<br> +<br> +‘Because I want you to be as happy as Mr. Beeton.’<br> +<br> +‘I’ll bet I am.’<br> +<br> +‘No, no, you can’t be, Frank. It says somewhere here +that the happiness and comfort of the husband depend upon the housekeeping +of the wife. Mrs. Beeton must have been the finest housekeeper +in the world. Therefore, Mr. Beeton must have been the happiest +and most comfortable man. But why should Mr. Beeton be happier +and more comfortable than my Frank? From the hour I read that +I determined that he shouldn’t be - and he won’t be.’<br> +<br> +‘And he isn’t.’<br> +<br> +‘Oh, you think so. But then you know nothing about it. +You think it right because I do it. But if you were visiting Mrs. +Beeton, you would soon see the difference.’<br> +<br> +‘What an awkward trick you have of always sitting in a window,’ +said Frank, after an interval. ‘I’ll swear that the +wise Mrs. Beeton never advocates that - with half a dozen other windows +within point-blank range.’<br> +<br> +‘Well, then, you shouldn’t do it.’<br> +<br> +‘Well, then, you shouldn’t be so nice.’<br> +<br> +‘You really still think that I am nice?’<br> +<br> +‘Fishing!’<br> +<br> +‘After all these months?’<br> +<br> +‘Nicer and nicer every day.’<br> +<br> +‘Not a bit tired?’<br> +<br> +‘You blessing! When I am tired of you, I shall be tired +of life.’<br> +<br> +‘How wonderful it all seems!’<br> +<br> +‘Does it not?’<br> +<br> +‘To think of that first day at the tennis-party. “I +hope you are not a very good player, Mr. Crosse!” - “No, +Miss Selby, but I shall be happy to make one in a set.” +That’s how we began. And now!’<br> +<br> +‘Yes, it is wonderful.’<br> +<br> +‘And at dinner afterwards. “Do you like Irving’s +acting?” - “Yes, I think that he is a great genius.” +How formal and precise we were! And now I sit curling your hair +in a bedroom window.’<br> +<br> +‘It <i>does </i>seem funny. But I suppose, if you come to +think of it, something of the same kind must have happened to one or +two people before.’<br> +<br> +‘But never quite like us.’<br> +<br> +‘Oh no, never quite like us. But with a kind of family resemblance, +you know. Married people do usually end by knowing each other +a little better than on the first day they met.’<br> +<br> +‘What <i>did </i>you think of me, Frank?’<br> +<br> +‘I’ve told you often.’<br> +<br> +‘Well, tell me again.’<br> +<br> +‘What’s the use when you know?’<br> +<br> +‘But I like to hear.’<br> +<br> +‘Well, it’s just spoiling you.’<br> +<br> +‘I love to be spoiled.’<br> +<br> +‘Well, then, I thought to myself - If I can only have that woman +for my own, I believe I will do something in life yet. And I also +thought - If I don’t get that woman for my own, I will never, +never be the same man again.’<br> +<br> +‘Really, Frank, the very first day you saw me?’<br> +<br> +‘Yes, the very first day.’<br> +<br> +‘And then?’<br> +<br> +‘And then, day by day, and week by week, that feeling grew deeper +and stronger, until at last you swallowed up all my other hopes, and +ambitions, and interests. I hardly dare think, Maude, what would +have happened to me if you had refused me.’<br> +<br> +She laughed aloud with delight.<br> +<br> +‘How sweet it is to hear you say so! And the wonderful thing +is that you have never seemed disappointed. I always expected +that some day after marriage - not immediately, perhaps, but at the +end of a week or so - you would suddenly give a start, like those poor +people who are hypnotised, and you would say, “Why, I used to +think that she was pretty! I used to think that she was sweet! +How could I be so infatuated over a little, insignificant, ignorant, +selfish, uninteresting - ” O Frank, the neighbours will +see you?’<br> +<br> +‘Well, then, you mustn’t provoke me.’<br> +<br> +‘What <i>will </i>Mrs. Potter think?’<br> +<br> +‘You should pull down the blinds before you make speeches of that +sort.’<br> +<br> +‘Now do sit quiet and be a good boy.’<br> +<br> +‘Well, then, tell me what you thought.’<br> +<br> +‘I thought you were a very good tennis-player.’<br> +<br> +‘Anything else?’<br> +<br> +‘And you talked nicely.’<br> +<br> +‘Did I? I never felt such a stick in my life. I was +as nervous as a cat.’<br> +<br> +‘That was so delightful. I do hate people who are very cool +and assured. I saw that you were disturbed, and I even thought +- ’<br> +<br> +‘Yes?’<br> +<br> +‘Well, I thought that perhaps it was I who disturbed you.’<br> +<br> +‘And you liked me?’<br> +<br> +‘I was very interested in you.’<br> +<br> +‘Well, that is the blessed miracle which I can never get over. +You, with your beauty, and your grace, and your rich father, and every +young man at your feet, and I, a fellow with neither good looks, nor +learning, nor prospects, nor - ’<br> +<br> +‘Be quiet, sir! Yes, you shall! Now?’<br> +<br> +‘By Jove, there <i>is </i>old Mrs. Potter at the window! +We’ve done it this time. Let us get back to serious conversation +again.’<br> +<br> +‘How did we leave it?’<br> +<br> +‘It was that hog, I believe. And then Mr. Beeton. +But where does the hog come in? Why should you weep over him? +And what are the Lady’s Observations on the Common Hog?’<br> +<br> +‘Read them for yourself.’<br> +<br> +Frank read out aloud: ‘“The hog belongs to the order Mammalia, +the genus <i>sus scrofa, </i>and the species <i>pachydermata, </i>or +thick-skinned. Its generic characters are a long, flexible snout, +forty-two teeth, cloven feet, furnished with four toes, and a tail, +which is small, short, and twisted, while, in some varieties, this appendage +is altogether wanting.” - But what on earth has all this +to do with housekeeping?’<br> +<br> +‘That’s what <i>I </i>want to know. It is so disheartening +to have to remember such things. What does it matter if the hog +<i>has </i>forty-two toes. And yet, if Mrs. Beeton knew it, one +feels that one ought to know it also. If once I began to skip, +there would be no end to it. But it really is such a splendid +book in other ways. It doesn’t matter what you want, you +will find it here. Take the index anywhere. Cream. +If you want cream, it’s all there. Croup. If you want +- I mean, if you don’t want croup, it will teach you how not to +get it. Crumpets - all about them. Crullers - I’m +sure you don’t know what a cruller is, Frank.’<br> +<br> +‘No, I don’t.’<br> +<br> +‘Neither do I. But I could look it up and learn. Here +it is - paragraph 2847. It is a sort of pancake, you see. +That’s how you learn things.’<br> +<br> +Frank Crosse took the book and dropped it. It fell with a sulky +thud upon the floor.<br> +<br> +‘Nothing that it can teach you, dear, can ever make up to me if +it makes you cry, and bothers you. - You bloated, pedantic thing!’ +he cried, in sudden fury, aiming a kick at the squat volume. ‘It +is to you I owe all those sad, tired looks which I have seen upon my +wife’s face. I know my enemy now. You pompous, fussy +old humbug, I’ll kick the red cover off you!’<br> +<br> +But Maude snatched it up, and gathered it to her bosom. ‘No, +no, Frank, I don’t know what I should do without it. You +have no idea what a wise old book it is. Now, sit there on the +footstool at my feet, and I will read to you.’<br> +<br> +‘Do, dear; it’s delightful.’<br> +<br> +‘Sit quiet, then, and be good. Now listen to this pearl +of wisdom: “As with the commander of an army, so it is with the +mistress of a house. Her spirit will be seen through the whole +establishment, and, just in proportion as she performs her duties thoroughly, +so will her domestics follow in her path.”’<br> +<br> +‘From which it follows,’ said her husband, ‘that Jemima +must be a perfect paragon.’<br> +<br> +‘On the contrary, it explains all Jemima’s shortcomings. +Listen to this: “Early rising is one of the most essential qualities. +When a mistress is an early riser, it is almost certain that her house +will be orderly and well managed.”’<br> +<br> +‘Well, you are down at nine - what more do you want?’<br> +<br> +‘At nine! I am sure that Mrs. Beeton was always up at six.’<br> +<br> +‘I have my doubts about Mrs. B. Methinks the lady doth protest +too much. I should not be very much surprised to learn that she +had breakfast in bed every morning.’<br> +<br> +‘O Frank! You have no reverence for anything.’<br> +<br> +‘Let us have some more wisdom.’<br> +<br> +‘“Frugality and Economy are home virtues without which no +household can prosper. Dr. Johnson says, ‘Frugality may +be termed - ’”<br> +<br> +‘Oh, bother Dr. Johnson! Who cares for a man’s opinion. +Now, if it had been Mrs. Johnson - !’<br> +<br> +‘Johnson kept house for himself for years - and a queer job he +made of it.’<br> +<br> +‘So I should think.’ Maude tossed her pretty curls. +‘Mrs. Beeton is all right, but I will not be lectured by Dr. Johnson. +Where was I? Oh yes - “‘We must always remember that +to manage a little well, is a great merit in housekeeping.”’<br> +<br> +‘Hurrah! Down with the second vegetable! No pudding +on fish days. <i>Vive la bière de Pilsen</i>!’<br> +<br> +‘What a noisy boy you are!’<br> +<br> +‘This book excites me. Anything more?’<br> +<br> +“Friendships should not be hastily formed, nor the heart given +at once to every newcomer - ”’<br> +<br> +‘Well, I should hope not! Don’t let me catch you at +it! You don’t mind my cigarette? Has Mrs. Beeton a +paragraph about smoking in bedrooms?’<br> +<br> +‘Such an enormity never occurred to her as a remote possibility. +If she had known you, dear, she would have had to write an appendix +to her book to meet all the new problems which you would suggest. +Shall I go on?’<br> +<br> +‘Please do!’<br> +<br> +‘She next treats conversation. “In conversation, trifling +occurrences such as small disappointments, petty annoyances, and other +everyday incidents, should never be mentioned to friends. If the +mistress be a wife, never let a word in connection with her husband’s +failings pass her lips - ”’<br> +<br> +‘By Jove, this book has more wisdom to the square inch than any +work of man,’ cried Frank, in enthusiasm.<br> +<br> +‘I thought that would please you. “Good temper should +be cultivated by every mistress, as upon it the welfare of the household +may be said to turn.”’<br> +<br> +‘Excellent!’<br> +<br> +‘“In starting a household, it is always best in the long-run +to get the very best articles of their kind.”’<br> +<br> +‘That is why I got you, Maude.’<br> +<br> +‘Thank you, sir. We have a dissertation then upon dress +and fashion, another upon engaging domestics, another about daily duties, +another about visiting, another about fresh air and exercise - ’<br> +<br> +‘The most essential of any,’ cried Frank, jumping up, and +pulling his wife by the arms out of her low wicker-chair. ‘There +is just time for nine holes at golf before it is dark, if you wilt come +exactly as you are. But listen to this, young lady. If ever +again I see you fretting or troubling yourself about your household +affairs - ’<br> +<br> +‘No, no, Frank, I won’t!’<br> +<br> +‘Well, if you do, Mrs. Beeton goes into the kitchen-fire. +Now remember?’<br> +<br> +‘You are sure you don’t envy Mr. Beeton?’<br> +<br> +‘I don’t envy a man upon earth.’<br> +<br> +‘Then why should I try to be Mrs. Beeton?’<br> +<br> +‘Why indeed?’<br> +<br> +‘O Frank, what a load off my mind! Those sixteen hundred +pages have just lain upon it for months. Dear old boy! come on!’<br> +<br> +And they clattered downstairs for their golf-clubs.<br> +<br> +<br> +<br> +CHAPTER XII - MR. SAMUEL PEPYS<br> +<br> +<br> +<br> +There were few things which Maude liked so much as a long winter evening +when Frank and she dined together, and then sat beside the fire and +made good cheer. It would be an exaggeration to say that she preferred +it to a dance, but next to that supreme joy, and higher even than the +theatre in her scale of pleasures, were those serene and intimate evenings +when they talked at their will, and were silent at their will, within +their home brightened by those little jokes and endearments and allusions +which make up that inner domestic masonry which is close-tiled for ever +to the outsider. Five or six evenings a week, she with her sewing +and Frank with his book, settled down to such enjoyment as men go to +the ends of the earth to seek, while it awaits them, if they will but +atune their souls to sympathy, beside their own hearthstones. +Now and again their sweet calm would be broken by a ring at the bell, +when some friend of Frank’s would come round to pay them an evening +visit. At the sound Maude would say ‘bother,’ and +Frank something shorter and stronger, but, as the intruder appeared, +they would both break into, ‘Well, really now it <i>was </i>good +of you to drop in upon us in this homely way.’ Without such +hypocrisy, the world would be a hard place to live in.<br> +<br> +I may have mentioned somewhere that Frank had a catholic taste in literature. +Upon a shelf in their bedroom - a relic of his bachelor days - there +stood a small line of his intimate books, the books which filled all +the chinks of his life when no new books were forthcoming. They +were all volumes which he had read in his youth, and many times since, +until they had become the very tie-beams of his mind. His tastes +were healthy and obvious without being fine. Macaulay’s +<i>Essays, </i>Holmes’ <i>Autocrat, </i>Gibbons’ <i>History, +</i>Jefferies’ <i>Story of my Heart, </i>Carlyle’s Life, +Pepys’ <i>Diary, </i>and Borrow’s <i>Lavengro </i>were among +his inner circle of literary friends. The sturdy East Anglian, +half prize-fighter, half missionary, was a particular favourite of his, +and so was the garrulous Secretary of the Navy. One day it struck +him that it would be a pleasant thing to induce his wife to share his +enthusiasms, and he suggested that the evenings should be spent in reading +selections from these old friends of his. Maude was delighted. +If he had proposed to read the rig-vedas in the original Sanskrit, Maude +would have listened with a smiling face. It is in such trifles +that a woman’s love is more than a man’s.<br> +<br> +That night Frank came downstairs with a thick well-thumbed volume in +his hand.<br> +<br> +‘This is Mr. Pepys,’ said he solemnly.<br> +<br> +‘What a funny name!’ cried Maude. ‘It makes +me think of indigestion. Why? Oh yes, pepsine, of course.’<br> +<br> +‘We shall take a dose of him every night after dinner to complete +the resemblance. But seriously, dear, I think that now that we +have taken up a course of reading, we should try to approach it in a +grave spirit, and endeavour to realise - Oh, I say, don’t!’<br> +<br> +‘I <i>am </i>so sorry, dear! I do hope I didn’t hurt, +you!’<br> +<br> +‘You did - considerably.’<br> +<br> +‘It all came from my having the needle in my hand at the time +- and you looked so solemn - and - well, I couldn’t help it.’<br> +<br> +‘Little wretch - !’<br> +<br> +‘No, dear; Jemima may come in any moment with the coffee. +Now, do sit down and read about Mr Pepys to me. And first of all, +would you mind explaining all about the gentleman, from the beginning, +and taking nothing for granted, just as if I had never heard of him +before.’<br> +<br> +‘I don’t believe - ’<br> +<br> +‘Never mind, sir! Be a good boy and do exactly what you +are told. Now begin!’<br> +<br> +‘Well, Maude, Mr. Pepys was born - ’<br> +<br> +‘What was his first name?’<br> +<br> +‘Samuel.’<br> +<br> +‘Oh dear, I’m sure I should not have liked him.’<br> +<br> +‘Well, it’s too late to change that. He was born - +I could see by looking, but it really doesn’t matter, does it? +He was born somewhere in sixteen hundred and something or other, and +I forget what his father was.’<br> +<br> +‘I must try to remember what you tell me.’<br> +<br> +‘Well, it all amounts to this, that he got on very well in the +world, that he became at last a high official of the navy in the time +of Charles the Second, and that he died in fairly good circumstances, +and left his library, which was a fine one, to one of the universities, +I can’t remember which.’<br> +<br> +‘There is an accuracy about your information, Frank - ’<br> +<br> +‘I know, dear, but it really does not matter. All this has +nothing to do with the main question.’<br> +<br> +‘Go on, then!’<br> +<br> +‘Well, this library was left as a kind of dust-catcher, as such +libraries are, until one day, more than a hundred years after the old +boy’s death, some enterprising person seems to have examined his +books, and he found a number of volumes of writing which were all in +cipher, so that no one could make head or tail of them.’<br> +<br> +‘Dear me, how very interesting!’<br> +<br> +‘Yes, it naturally excited curiosity. Why should a man write +volumes of cipher? Imagine the labour of it! So some one +set to work to solve the cipher. This was about the year 1820. +After three years they succeeded.’<br> +<br> +‘How in the world did they do it?’<br> +<br> +‘Well, they say that human ingenuity never yet invented a cipher +which human ingenuity could not also solve. Anyhow, they did succeed. +And when they had done so, and copied it all out clean, they found they +had got hold of such a book as was never heard of before in the whole +history of literature.’<br> +<br> +Maude laid her sewing on her lap, and looked across with her lips parted +and her eyebrows raised.<br> +<br> +‘They found that it was an inner Diary of the life of this man, +with all his impressions, and all his doings, and all his thoughts - +not his ought-to-be thoughts, but his real, real thoughts, just as he +thought then at the back of his soul. You see this man, and you +know him very much better than his own wife knew him. It is not +only that he tells of his daily doings, and gives us such an intimate +picture of life in those days, as could by no other means have been +conveyed, but it is as a piece of psychology that the thing is so valuable. +Remember the dignity of the man, a high government official, an orator, +a writer, a patron of learning, and here you have the other side, the +little thoughts, the mean ideas which may lurk under a bewigged head, +and behind a solemn countenance. Not that he is worse than any +of us. Not a bit. But he is frank. And that is why +the book is really a consoling one, for every sinner who reads it can +say to himself, “Well, if this man who did so well, and was so +esteemed, felt like this, it is no very great wonder that I do.”’<br> +<br> +Maude looked at the fat brown book with curiosity. ‘Is it +really all there?’ she asked.<br> +<br> +‘No, dear, it will never all be published. A good deal of +it is, I believe, quite impossible. And when he came to the impossible +places, he doubled and trebled his cipher, so as to make sure that it +should never be made out. But all that is usually published is +here.’ Frank turned over the leaves, which were marked here +and there with pencilings.<br> +<br> +‘Why are you smiling, Frank?’<br> +<br> +‘Only at his way of referring to his wife.’<br> +<br> +‘Oh, he was married?’<br> +<br> +‘Yes, to a very charming girl. She must have been a sweet +creature. He married her at fifteen on account of her beauty. +He had a keen eye for beauty had old Pepys.’<br> +<br> +‘Were they happy?’<br> +<br> +‘Oh yes, fairly so. She was only twenty-nine when she died!’<br> +<br> +‘Poor girl!’<br> +<br> +‘She was happy in her life - though he <i>did </i>blacken her +eye once.’<br> +<br> +‘Not really?’<br> +<br> +‘Yes, he did. And kicked the housemaid.’<br> +<br> +‘Oh, the brute!’<br> +<br> +‘But on the whole he was a good husband. He had a few very +good points about him.’<br> +<br> +‘But how does he allude to his wife?’<br> +<br> +‘He has a trick of saying, “my wife, poor wretch!”’<br> +<br> +‘Impertinent! Frank, you said to-night that other men think +what this odious Mr. Pepys says. Yes, you did! Don’t +deny it! Does that mean that you always think of me as “poor +wretch”?’<br> +<br> +‘We have come along a little since then. But how these passages +take you back to the homely life of those days!’<br> +<br> +‘Do read some.’<br> +<br> +‘Well, listen to this, “And then to bed without prayers, +to-morrow being washing-day.” Fancy such a detail coming +down to us through two centuries.’<br> +<br> +‘Why no prayers?’<br> +<br> +‘I don’t know. I suppose they had to get up early +on washing-days, and so they wanted to go to sleep soon.’<br> +<br> +‘I’m afraid, dear, you do the same without as good an excuse. +Read another!’<br> +<br> +‘He goes to dine with some one - his uncle, I think. He +says, “An excellent dinner, but the venison pasty was palpable +beef, which was not handsome.”’<br> +<br> +‘How beautiful! Mrs. Hunt Mortimer’s sole last week +was palpable plaice. Mr. Pepys is right. It was not handsome.’<br> +<br> +‘Here’s another grand entry: “Talked with my wife +of the poorness and meanness of all that the people about us do, compared +with what we do.” I dare say he was right, for they did +things very well. When he dined out, he says that his host gave +him “the meanest dinner of beef, shoulder and umbles of venison, +and a few pigeons, and all in the meanest manner that ever I did see, +to the basest degree.”<br> +<br> +‘What are umbles, dear?’<br> +<br> +‘I have no idea.’<br> +<br> +‘Well, whatever they are, it sounds to me a very good dinner. +People must have lived very well in those days.’<br> +<br> +‘They habitually over-ate and over-drank themselves. But +Pepys gives us the menu of one of his own entertainments. I’ve +marked it somewhere. Yes, here it is. “Fricassee of +rabbits and chickens, a leg of mutton boiled, three carps in a dish, +a great dish of a side of lamb, a dish of roasted pigeons, a dish of +four lobsters, three tarts, a lamprey pie (a most rare pie!), a dish +of anchovies, good wine of several sorts, and all things mighty noble +and to my great content.”’<br> +<br> +‘Good gracious! I told you that I associated him with indigestion.’<br> +<br> +‘He did them pretty well that time.’<br> +<br> +‘Who cooked all this?’<br> +<br> +‘The wife helped in those days.’<br> +<br> +‘No wonder she died at twenty-nine. Poor dear! What +a splendid kitchen-range they must have had! I never understood +before why they had such enormous grates in the old days. Naturally, +if you have six pigeons, and a lamprey, and a lobster, and a side of +lamb, and a leg of mutton, and all these other things cooking at the +same time, you would need a huge fire.’<br> +<br> +‘The wonderful thing about Pepys,’ said Frank, looking thoughtfully +over the pages, ‘is that he is capable of noting down the mean +little impulses of human nature, which most men would be so ashamed +of, that they would hasten to put them out of their mind. His +occasional shabbiness in money matters, his jealousies, his envies, +all his petty faults, which are despicable on account of their pettiness. +Fancy any man writing this. He is describing how he visited a +friend and was reading a book from his library. “A very +good book,” says he, “especially one letter of advice to +a courtier, most true and good, which made me once resolve to tear out +the two leaves that it was writ in, but I forbore it.” Imagine +recording such a vile thought.’<br> +<br> +‘But what you have never explained to me yet, dear, or if you +did, I didn’t understand - you don’t mind my being a little +stupid, do you? - is, what object Mr. Pepys had in putting down all +this in such a form that no one could read it.’<br> +<br> +‘Well, you must bear in mind, dear, that he could read it himself. +Besides he was a fellow with a singularly methodical side to his mind. +He was, for example, continually adding up how much money he had, or +cataloguing and indexing his library, and so on. He liked to have +everything shipshape. And so with his life, it pleased him to +have an exact record which he could turn to. And yet, after all, +I don’t know that that is a sufficient explanation.’<br> +<br> +‘No, indeed, it is not. My experience of man - ’<br> +<br> +‘<i>Your </i>experience, indeed!’<br> +<br> +‘Yes, sir, my experience of men - how rude you are, Frank! - tells +me that they have funny little tricks and vanities which take the queerest +shapes.’<br> +<br> +‘Indeed! Have I any?’<br> +<br> +‘You - you are compounded of them. Not vanity - no, I don’t +mean that. But pride - you are as proud as Lucifer, and much too +proud to show it. That is the most subtle form of pride. +Oh yes, I know perfectly well what I mean. But in this man’s +case, it took the form of wishing to make a sensation after his death. +He could not publish such a thing when he lived, could he?’<br> +<br> +‘Rather not.’<br> +<br> +‘Well, then, he had to do it after his death. He had to +write it in cipher, or else some one would have found him out during +his lifetime. But, very likely, he left a key to the cipher, so +that every one might read it when he was gone, but the key and his directions +were in some way lost.’<br> +<br> +‘Well, it is very probable.’<br> +<br> +The fire had died down, so Maude shipped off her chair, and sat on the +black fur rug, with her back against Frank’s knees. ‘Now, +dear, read away!’ said she.<br> +<br> +But the lamp shone down upon her dainty head, and it gleamed upon her +white neck, and upon the fluffy, capricious, untidy, adorable, little +curlets, which broke out along the edges of the gathered strands of +her chestnut hair. And so, after the fashion of men, his thoughts +flew away from Mr. Pepys and the seventeenth century, and all that is +lofty and instructive, and could fix upon nothing except those dear +little wandering tendrils, and the white column on which they twined. +Alas, that so small a thing can bring the human mind from its empyrean +flights! Alas, that vague emotions can drag down the sovereign +intellect! Alas, that even for an hour, a man should prefer the +material to the spiritual!<br> +<br> +But the man who doesn’t misses a good deal.<br> +<br> +<br> +<br> +CHAPTER XIII - A VISIT TO MR. SAMUEL PEPYS<br> +<br> +<br> +<br> +There are several unjustifiable extravagances which every normal man +commits. There are also several unjustifiable economies. +Among others, there is that absurd eagerness to save the striking of +a second match, which occasions so many burned fingers, and such picturesque +language. And again, there is the desire to compress a telegraphic +message into the minimum sixpennyworth, and so send an ambiguous and +cryptic sentence, when sevenpence would have made it as clear as light. +We all tend to be stylists in our telegrams.<br> +<br> +A week after the conversation about Mr. Pepys, when some progress had +been made with the reading of the <i>Diary</i>, Maude received the following +wire from Frank -<br> +<br> +<br> +‘Mrs. Crosse. Woking. - Pepys buttered toast suède +gloves four Monument wait late.’<br> +<br> +As a sixpennyworth it was a success, but as a message it seemed to leave +something to be desired. Maude puzzled over it, and tried every +possible combination of the words. The nearest approach to sense +was when it was divided in this way - Pepys - buttered toast - suède +gloves - four - Monument, wait late.<br> +<br> +She wrote it out in this form, and took it section by section. +‘Pepys,’ that was unintelligible. ‘Buttered +toast,’ no sense in that. ‘Suède gloves,’ +yes, she had told Frank that when she came to town, she would buy some +suède gloves at a certain shop in the City, where she could get +for three and threepence a pair which would cost her three and ninepence +in Woking. Maude was so conscientiously economical, that she was +always prepared to spend two shillings in railway fares to reach a spot +where a sixpence was to be saved, and to lavish her nerve and energy +freely in the venture. Here, then, in the suède gloves, +was a central point of light. And then her heart bounded with +joy, as she realised that the last part could only mean that she was +to meet Frank at the Monument at four, and that she was to wait for +him if he were late.<br> +<br> +So, now, returning to the opening of the message, with the light which +shone from the ending, she realised that buttered toast might refer +to a queer little City hostel, remarkable for that luxury, where Frank +had already taken her twice to tea. And so leaving Mr. Pepys to +explain himself later, Maude gave hurried orders to Jemima and the cook, +and dashed upstairs to put on her new fawn-coloured walking-dress - +a garment which filled her with an extraordinary mixture of delight +and remorse, for it was very smart, cost seven guineas, and had not +yet been paid for.<br> +<br> +The rendezvous was evidently a sudden thought upon the part of Frank, +for he had left very little time for her to reach the trysting-place. +However, she was fortunate in catching a train to Waterloo, and another +thence to the City, and so reached the Monument at five minutes to four. +The hour was just striking when Frank, with his well-brushed top-hat +and immaculate business frock-coat, came rushing from the direction +of King William Street. Maude held out her hand and he shook it, +and then they both laughed at the formality.<br> +<br> +‘I am so glad you were able to come, dearest. How you do +brighten up the old City!’<br> +<br> +‘Do I? I felt quite lonely until you came. Nothing +but droves of men - and all staring.’<br> +<br> +‘It’s your dress.’<br> +<br> +‘Oh, thank you, sir!’<br> +<br> +‘Entirely that pretty brown - ’<br> +<br> +‘Brown! Fawn colour.’<br> +<br> +‘Well, that’s brown. Anyhow, it looks charming. +And so do you - by Jove you do, Maude! Come this way!’<br> +<br> +‘Where are we going?’<br> +<br> +‘By underground. Here we are. - Two second singles, Mark +Lane, please! - No, that’s for the west-end trains. Down +here! Next train, the man says.’<br> +<br> +They were in the mephitic cellar, with the two long wooden platforms +where the subterranean trains land or load their freights. A strangling +gas tickled their throats and set them coughing. It was all dank +and dark and gloomy. But little youth and love care for that! +They were bubbling over with the happiness of this abnormal meeting. +Both talked together in their delight, and Maude patted Frank’s +sleeve with every remark. They could even illuminate all that +was around them, by the beauty and brightness of their own love. +It went the length of open praise for their abominable surroundings.<br> +<br> +‘Isn’t it grand and solemn?’ said Maude. ‘Look +at the black shadows.’<br> +<br> +‘When they come to excavate all this some thousands of years hence, +they will think it was constructed by a race of giants,’ Frank +answered.<br> +<br> +‘The modern works for the benefit of the community are really +far greater than those which sprang from the caprice of kings. +The London and North-Western Railway is an infinitely grander thing +than the pyramids. Look at the two headlights in the dark!’<br> +<br> +Two sullen crimson discs glowed in the black arch of the tunnel. +With a menacing and sinister speed, they grew and grew until roaring +they sprang out of the darkness, and the long, dingy train, with a whining +of brakes, drew up at the platform.<br> +<br> +‘Here’s one nearly empty,’ said Frank, with his hand +on the handle.<br> +<br> +‘Don’t you think - ’ said Maude.<br> +<br> +‘Yes, I do,’ cried Frank.<br> +<br> +And they got into one which was quite empty. For the underground +railway is blessed as regards privacy above all other lines, and where +could a loving couple be more happy, who have been torn apart by cruel +fate for seven long hours or so? It was with a groan that Frank +remarked that they had reached Mark Lane.<br> +<br> +‘Bother!’ said Maude, and wondered if there were any shop +near where she could buy hairpins. As every lady knows, or will +know, there is a very intimate connection between hairpins and a loving +husband.<br> +<br> +‘Now, Frank, about your telegram.’<br> +<br> +‘All right, dear. Come along where I lead you, and you will +understand all about it.’<br> +<br> +They passed out of Mark Lane Station and down a steep and narrow street +to the right. At the bottom lay an old smoke-stained church with +a square tower, and a small open churchyard beside it.<br> +<br> +‘That’s the church of Saint Olave,’ said Frank. +‘We are going into it.’<br> +<br> +He pushed open a folding oaken door, and they found themselves inside +it. Rows of modern seats filled the body of it, but the walls +and windows gave an impression of great antiquity. The stained +glass - especially that which surmounted the altar - contained those +rich satisfying purples and deep deep crimsons which only go with age. +It was a bright and yet a mellow light, falling in patches of vivid +colour upon the brown woodwork and the grey floors. Here and there +upon the walls were marble inscriptions in the Latin tongue, with pompous +allegorical figures with trumpets, for our ancestors blew them in stone +as well as in epitaphs over their tombs. They loved to die, as +they had lived, with dignity and with affectation. White statues +glimmered in the shadows of the corners. As Frank and his wife +passed down the side-aisle, their steps clanged through the empty and +silent church.<br> +<br> +‘Here he is!’ said Frank, and faced to the wall.<br> +<br> +He was looking up at the modern representation of a gentleman in a full +and curly wig. It was a well-rounded and comely face, with shrewd +eyes and a sensitive mouth. The face of a man of affairs, and +a good fellow, with just that saving touch of sensuality about it which +makes an expression human and lovable. Underneath was printed +-<br> +<br> +<br> +SAMUEL PEPYS<br> +Erected by public subscription<br> +1883.<br> +<br> +<br> +‘Oh, isn’t he nice?’ said Maude.<br> +<br> +‘He’s not a bad-looking chap, is he?’<br> +<br> +‘I don’t believe that man ever could have struck his wife +or kicked the maid.’<br> +<br> +‘That’s calling him a liar.’<br> +<br> +‘Oh dear, I forgot that he said so himself. Then I suppose +he must have done it. What a pity it seems.’<br> +<br> +‘Cheer up! We must say what the old heathen lady said when +they read the gospels to her.’<br> +<br> +‘What did she say?’<br> +<br> +‘She said, “Well, it was a long time ago, and we’ll +hope that it wasn’t true!”’<br> +<br> +‘O Frank, how can you tell such stories in a church. Do +you really suppose that Mr. Pepys is in that wall?’<br> +<br> +‘I presume that the monument marks the grave.’<br> +<br> +‘There’s a little bit of plaster loose. Do you think +I might take it?’<br> +<br> +‘It isn’t quite the thing.’<br> +<br> +‘But it can’t matter, and it isn’t wrong, and we are +quite alone.’ She picked off the little flake of plaster, +and her heart sprang into her mouth as she did so, for there came an +indignant snort from her very elbow, and there was a queer little smoke-dried, +black-dressed person who seemed to have risen, like the Eastern genii +or a modern genius, in a single instant. A pair of black list +slippers explained the silence of his approach.<br> +<br> +‘Put that back, young lady,’ said he severely.<br> +<br> +Poor Maude held out her guilty relic on the palm of her hand. +‘I am so sorry,’ said she. ‘I am afraid I cannot +put it back.’<br> +<br> +‘We’ll ’ave the ’ole church picked to pieces +at this rate,’ said the clerk. ‘You shouldn’t +’ave done it, and it was very wrong.’ He snorted and +shook his head.<br> +<br> +‘It’s of no consequence,’ said Frank. ‘The +plaster was hanging, and must have fallen in any case. Don’t +make a fuss about a trifle.’<br> +<br> +The clerk looked at the young gentleman and saw defiance in one of his +eyes and half a crown in the other.<br> +<br> +‘Well, well!’ he grumbled. ‘It shows as the +young lady takes an interest, and that’s more than most. +Why, sir, if you’ll believe me, there’s not one in a hundred +that comes to this church that ever ’eard of Pepys. “Pepys!” +says they. “’Oo’s Pepys?” “The +Diarist,” says I. “Diarist!” says they, “wot’s +a Diarist?” I could sit down sometimes an’ cry. +But maybe, miss, you thought as you were picking that plaster off ’is +grave?’<br> +<br> +‘Yes, I thought so.’<br> +<br> +The clerk chuckled.<br> +<br> +‘Well, it ain’t so. I’ll tell you where ’e +really lies, if you’ll promise you won’t pick another chunk +off that. Well, then, it’s there - beside the communion. +I saw ’im lyin’ there with these very eyes, and ’is +wife in the coffin beneath ’im.’<br> +<br> +‘You saw him?’<br> +<br> +‘Yes, sir, I saw ’im, an’ that’s more than any +livin’ man could say, for there were only four of us, and the +other three are as dead as Pepys by now.’<br> +<br> +‘Oh do tell us about it!’ cried Maude.<br> +<br> +‘Well, it was like this, miss. We ’ad to examine to +see ’ow much room there was down there, and so we came upon them.’<br> +<br> +‘And what did you see?’<br> +<br> +‘Well, miss, ’is coffin lay above, and ’is wife’s +below, as might be expected, seeing that she died thirty years or so +before ’im. The coffins was very much broken, an’ +we could see ’im as clear us I can see you. When we first +looked in I saw ’im lying quite plain - a short thick figure of +a man - with ’is ’ands across ’is chest. And +then, just as we looked at ’im, ’e crumbled in, as you might +say, across ’is breast bone, an’ just quietly settled down +into a ’uddle of dust. It’s a way they ’as when +the fresh air strikes ’em. An’ she the same, an’ +‘is dust just fell through the chinks o’ the wood and mixed +itself with ’ers.’<br> +<br> +‘O Frank!’ Maude’s ready tears sprang to her +eyes. She put her hand upon her husband’s and was surprised +to find how cold it was. Women never realise that the male sex +is the more sensitive. He had not said, ‘O Maude!’ +because he could not.<br> +<br> +‘They used some powder like pepper for embalmin’ in those +days,’ said the clerk. ‘And the vicar - it was in +old Bellamy’s time - ’e took a sniff into the grave, an’ +’e sneezed an’ sneezed till we thought we should ’ave +to fetch a doctor. ’Ave you seen Mrs. Pepys’ tomb?’<br> +<br> +‘No, we have only just come.’<br> +<br> +‘That’s it on the left of the common.’<br> +<br> +‘With the woman leaning forward?’<br> +<br> +‘Yes, sir. That’s Mrs. Pepys herself.’<br> +<br> +It was an arch laughing face, the face of a quite young woman; the sculptor +had depicted her as leaning forward in an animated and natural attitude. +Below was engraved -<br> +<br> +<br> +Obiit<br> +Xo Novembris<br> +Ætatis 29<br> +Conjugii 15<br> +Anno Domini 1669.<br> +<br> +<br> +‘Poor dear!’ whispered Maude.<br> +<br> +‘It was hard that she should die just as her husband was becoming +famous and successful,’ said Frank. ‘She who had washed +his shirts, and made up the coal fires, when they lived in a garret +together. What a pity that she could not have a good time!’<br> +<br> +‘Ah well, if she loved him, dear, she had a good time in the garret.’<br> +<br> +Maude was leaning forward with her face raised to look at the bust of +the dead woman, which also leaned forward as if to look down upon her. +A pair of marble skulls flanked the lady’s grave. A red +glow from the evening sun struck through a side-window and bathed the +whole group in its ruddy light. As Frank, standing back in the +shadow, ran his eyes from the face of the dead young wife to that of +his own sweet, girlish bride, with those sinister skulls between, there +came over him like a wave, a realisation of the horror which lies in +things, the grim close of the passing pageant, the black gloom, which +swallows up the never-ending stream of life. Will the spirit wear +better than the body; and if not, what infernal practical joke is this +to which we are subjected!<br> +<br> +‘It will. It must,’ he said.<br> +<br> +‘<i>Why</i>, Frank - Frank dear, what is the matter? You +are quite pale.’<br> +<br> +‘Come out into the air, Maude. I have had enough of this +stuffy old church.’<br> +<br> +‘Stuffy!’ said the clerk. ‘Well, we’ve +’ad the Lord Mayor ’ere at least once a year, an’ +’e never found it stuffy. A cleaner, fresher church you +won’t find in the city of London. It’s ’ad its +day, I’ll allow. There was a time - and I can remember it +- when folk used to spend their money where they made it, and the plate +would be full of paper and gold, where now we find it ’ard enough +to get coppers. That was fifty year ago, when I was a young clerk. +You might not think it, but I’ve seen a Lord Mayor, a past Lord +Mayor, and a Lord Mayor elect of the city of London, all sitting on +one bench in this very church. And <i>you</i> call it stuffy!’<br> +<br> +Frank soothed the wounded feelings of the old clerk, and explained that +by stuffy he meant interesting. He also shook hands with him in +a peculiar way as he held his palm upturned in the small of his back. +Then Maude and he retraced their steps up the narrow street which is +called Seething Lane.<br> +<br> +‘Poor old boy! What was it, then?’ asked Maude, looking +up with her sympathetic eyes. It is at such moments that a man +realises what the companionship of women means. The clouds melted +before the sun.<br> +<br> +‘What an ass I was! I began to think of all sorts of horrible +things. Never mind, Maude! We are out for a holiday. +Hang the future! Let us live in the present.’<br> +<br> +‘I always do,’ said Maude, and she spoke for her sex.<br> +<br> +‘Well, what now? Buttered toast or suède gloves?’<br> +<br> +‘Business first!’ said Maude primly, and so proceeded to +save her sixpence on the gloves. As she was tempted, however (‘such +a civil obliging shopman, Frank!’), to buy four yards of so-called +Astrakhan trimming, a frill of torchon lace, six dear little festooned +handkerchiefs, and four pairs of open-work stockings - none of which +were contemplated when she entered the shop - her sixpenny saving was +not as brilliant a piece of finance as she imagined.<br> +<br> +And then they finished their excursion in the dark, wainscotted, low-ceilinged +coffee-room of an old-fashioned inn, once the mother of many coaches, +and now barren and deserted, but with a strange cunning in the matter +of buttered toast which had come down from more prosperous days. +It was a new waiter who served them, and he imagined them to be lovers +and scented an intrigue; but when they called for a second plate of +toast and a jug of boiling water, he recognised the healthy appetite +of the married. And then, instead of going home like a good little +couple, Maude suddenly got it into her head that it would cheer away +the last traces of Frank’s gloom if they went to see ‘Charley’s +Aunt’ at the Globe. So they loitered and shopped for a couple +of hours, and then squeezed into the back of the pit; and wedged in +among honest, hearty folk who were not ashamed to show their emotions, +they laughed until they were tired. And so home, as their friend +Pepys would have said, after such a day as comes into the memory, shining +golden among the drab, when old folk look back, and think of the dear +dead past. May you and I, reader, if ever we also come to sit +in our final armchairs in the chimney corners, have many such to which +our minds may turn, sweet and innocent and fragrant, to cheer us in +those darksome hours to come.<br> +<br> +<br> +<br> +CHAPTER XIV - TROUBLE<br> +<br> +<br> +<br> +One evening Frank came home with a clouded face. His wife said +nothing, but after dinner she sat on a footstool beside his chair and +waited. She knew that if it were for the best, he would tell her +everything, and she had confidence enough in his judgment to acquiesce +in his silence if he thought it best to be silent. As a matter +of fact, it was just this telling her which made his trouble hard to +bear. And yet he thought it wiser to tell.<br> +<br> +‘I’ve had something to worry me, dear.’<br> +<br> +‘Poor old boy, I know you have. What was it?’<br> +<br> +‘Why should I bother you with it?’<br> +<br> +‘A nice wife I should be, if I shared all your joys and none of +your sorrows! Anyhow, I had rather share sorrow with you than +joy within any one else.’ She snuggled her head up against +his knee. ‘Tell me about it, Frank.’<br> +<br> +‘You remember my telling you just before our marriage that I was +surety for a man?’<br> +<br> +‘I remember perfectly well.’<br> +<br> +‘His name was Farintosh. He was an insurance-agent, and +I became surety for him in order to save his situation.’<br> +<br> +‘Yes, dear, it was so noble of you.’<br> +<br> +‘Well, Maude, he was on the platform this morning, and when he +saw me, he turned on his heel and hurried out of the station. +I read guilt in his eyes. I am sure that his accounts are wrong +again.’<br> +<br> +‘Oh, what an ungrateful wretch!’<br> +<br> +‘Poor devil, I dare say he has had a bad time. But I was +a fool not to draw out of that. It was all very well when I was +a bachelor. But here I am as a married man faced with an indefinite +liability and nothing to meet it with. I don’t know what +is to become of us, Maude.’<br> +<br> +‘How much is it, dearest?’<br> +<br> +‘I don’t know. That is the worst of it.’<br> +<br> +‘But surely your own office would not be so hard upon you?’<br> +<br> +‘It is not my own office. It is another office - the Hotspur.’<br> +<br> +‘Oh dear! What have you done about it, Frank?’<br> +<br> +‘I called at their office in my lunch-hour, and I requested them +to send down an accountant to examine Farintosh’s books. +He will be here to-morrow morning, and I have leave of absence for the +day.’<br> +<br> +And so they were to spend an evening and a night without knowing whether +they were merely crippled or absolutely ruined. Frank’s +nature was really a very proud one, and the thought of failing in his +engagements wounded his self-respect most deeply. His nerves winced +and quivered before it. But her sweet, strong soul rose high above +all fear, and bore him up with her, into the serenity of love and trust +and confidence. The really precious things, the things of the +spirit, were permanent, and could not be lost. What matter if +they lived in an eight-roomed villa, or in a tent out on the heath? +What matter if they had two servants, or if she worked for him herself? +All this was the merest trifle, the outside of life. But the intimate +things, their love, their trust, their pleasures of mind and soul, these +could not be taken away from them while they had life to enjoy them. +And so she soothed Frank with sweet caresses and gentle words, until +this night of gloom had turned to the most beautiful of all his life, +and he had learned to bless the misfortune which had taught him to know +the serene courage and the wholehearted devotion which can only be felt, +like the scent of a fragrant leaf, when Fate gives us a crush between +its iron fingers.<br> +<br> +Shortly after breakfast Mr. Wingfield, the accountant from London, arrived +- a tall, gentlemanly man, with a formal manner.<br> +<br> +‘I’m sorry about this business, Mr. Crosse,’ said +he.<br> +<br> +Frank made a grimace. ‘It can’t be helped.’<br> +<br> +‘We will hope that the amount is not very serious. We have +warned Mr. Farintosh that his books will be inspected to-day. +When you are ready we shall go round.’<br> +<br> +The agent lived in a side-street not far off. A brass plate, outside +a small brick house, marked it out from the line of other small brick +houses. A sad-faced woman opened the door, and Farintosh himself, +haggard and white, was seated among his ledgers in the little front +room. A glance at the man’s helpless face turned all Frank’s +resentment to pity.<br> +<br> +They sat down at the table, the accountant in the centre, Farintosh +on the right, and Frank on the left. There was no talk save an +occasional abrupt question and answer. For two hours the swish +and rustle of the great blue pages of the ledgers were the chief sound, +with the scratching of Mr. Wingfield’s pen as he totalled up long +columns of figures. Frank’s heart turned to water as he +saw the huge sums which had passed through this man’s hands. +How much had remained there? His whole future depended upon the +answer to that question. How prosaic and undramatic are the moments +in which a modern career is made or marred! In this obscure battlefield, +the squire no longer receives his accolade in public for his work well +done, nor do we see the butcher’s cleaver as it hacks off the +knightly spurs, but failure and success come strangely and stealthily, +determined by trifles, and devoid of dignity. Here was the crisis +of Frank’s young life, in this mean front room, amongst the almanacs +and the account-books.<br> +<br> +‘Can I rely upon these figures?’ asked Wingfield at last.<br> +<br> +‘You can, sir.’<br> +<br> +‘In that case I congratulate you, Mr. Crosse. I can only +find a deficiency of fifty pounds.’<br> +<br> +Only enough to swallow the whole of their little savings, which they +had carefully invested! However, it was good news, and Frank shook +the proffered hand of the accountant.<br> +<br> +‘I will stay for another hour to check these figures,’ said +Wingfield. ‘But there is no need to detain you.’<br> +<br> +‘You will come round and lunch with us?’<br> +<br> +‘With pleasure.’<br> +<br> +‘<i>Au revoir</i>, then.’ Frank ran all the way home, +and burst in upon his wife. ‘It is not so very bad, dear +- only fifty pounds.’ They danced about in their joy like +two children.<br> +<br> +But Wingfield came to his lunch within a solemn face.<br> +<br> +‘I am very sorry to disappoint you,’ he said, ‘but +the matter is more serious than I thought. We have entered some +sums as unpaid which he has really received, but the receipts for which +he has held back. They amount to another hundred pounds.’<br> +<br> +Maude felt inclined to cry as she glanced at Frank, and saw his resolute +effort to look unconcerned.<br> +<br> +‘Then it’s a hundred and fifty.’<br> +<br> +‘Certainly not less. I have marked the items down upon this +paper for your inspection.’<br> +<br> +Frank glanced his practised eyes over the results of the accountant’s +morning’s work.<br> +<br> +‘You have credited him within a hundred and twenty pounds in the +bank, I see.’<br> +<br> +‘Yes, his bank-book shows a balance of that amount.’<br> +<br> +‘When was it made out?’<br> +<br> +‘Last Saturday.’<br> +<br> +‘He may have drawn it since them.’<br> +<br> +‘It is certainly possible.’<br> +<br> +‘We might go round after lunch and make sure.’<br> +<br> +‘Very good.’<br> +<br> +‘And in any case, as it is the Company’s money, don’t +you think we had better take it out of his hands?’<br> +<br> +‘Yes, I think you are right.’<br> +<br> +It was a miserable meal, and they were all glad when it was finished. +Maude drew Frank into the other room before he started.<br> +<br> +‘I could not let you go without <i>that, </i>dearest. Keep +a brave heart, my own laddie, for I know so well that we shall come +through it all right.’<br> +<br> +So Frank set out with a higher courage, and they both returned to the +agent’s house. His white face turned a shade whiter when +he understood their errand.<br> +<br> +‘Is this necessary, Mr. Wingfield?’ he pleaded. ‘Won’t +you take my word for this money?’<br> +<br> +‘I am sorry to have to say it, sir, but we have trusted in your +word too often.’<br> +<br> +‘But the money is there, I swear it.’<br> +<br> +‘It is the Company’s money, and we must have it.’<br> +<br> +‘It will ruin my credit locally if I draw out my whole account +under compulsion.’<br> +<br> +‘Then let him keep ten pounds in,’ said Frank. Farintosh +agreed with an ill grace to the compromise, and they all started off +for the bank. When they reached the door the agent turned upon +them with an appealing face.<br> +<br> +‘Don’t come in with me, gentlemen. I could never hold +up my head again.’<br> +<br> +‘It is for Mr. Crosse to decide.’<br> +<br> +‘I don’t want to be unreasonable, Farintosh. Go in +alone and draw the money.’<br> +<br> +They could never understand why he begged for that extra five minutes. +Perhaps it was that he had some mad hope of persuading the bank manager +to allow him to overdraw to that amount. If so, the refusal was +a curt one, for he reappeared with a ghastly face and walked up to Frank.<br> +<br> +‘I may as well confess to you, Mr. Crosse, I have nothing in the +bank.’<br> +<br> +Frank whistled and turned upon his heel. He could not by reproaches +add to the wretched man’s humiliation. After all, he had +himself to blame. He had incurred a risk with his eyes open, and +he was not the man to whine now that the thing had gone against him. +Wingfield walked home with him and murmured some words of sympathy. +At the gate the accountant left him and went on to the station.<br> +<br> +So their liability had risen from fifty to two hundred and seventy pounds. +Even Maude was for an instant daunted by the sum. The sale of +their furniture would hardly meet it. It was the blackest hour +of their lives, and yet, always a strange sweet undercurrent of joy +was running through it, for it is only sorrow, fairly shared and bravely +borne, which can weld two human souls together.<br> +<br> +Dinner was over when there came a ring at the bell.<br> +<br> +‘If you please, sir, Mr. Farintosh would like to see you,’ +said the maid Jemima.<br> +<br> +‘Show him in here.’<br> +<br> +‘Don’t you think, Frank, that I had better go?’<br> +<br> +‘No, I don’t. I never asked him to come. If +he comes, let him face us both. I have not made much of my dealings +with him alone.’<br> +<br> +He was shown in, downcast, shifty-eyed, and ill at ease. He laid +his hat upon the floor, and crept humbly towards the chair which Frank +pushed towards him.<br> +<br> +‘Well, Farintosh?’<br> +<br> +‘Well, Mr. Crosse, I have come round to tell you, and you too, +missus, the sorrow I feel that I have brought this trouble upon you. +I hoped all would have gone right after that last time, but I’ve +had to pay up back debts, and that’s what has put me wrong. +I’ve never had what one may call a fair chance. But I’m +really sorry, sir, that you who have, as one might say, befriended me, +should have to suffer for it in this way.’<br> +<br> +‘Words won’t mend it, Farintosh. I only blame you +for not coming to me when first things began to go wrong.’<br> +<br> +‘Well, sir, I was always hoping that I could turn them right again, +so as you wouldn’t need to be troubled at all. And so it +went from bad to worse until we find ourselves here. But what +I wanted to ask you, Mr. Crosse, was what you meant to do about it?’<br> +<br> +Frank writhed before this home question.<br> +<br> +‘Well, I suppose I am responsible,’ said he.<br> +<br> +‘You mean to pay the money, sir?’<br> +<br> +‘Well, somebody must pay it.’<br> +<br> +‘Do you remember the wording of the bond, Mr. Crosse?’<br> +<br> +‘Not the exact wording.’<br> +<br> +‘Well, sir, I should advise you to get your lawyer to read it. +In my opinion, sir, you are not liable at all.’<br> +<br> +‘Not liable!’ Frank felt as if his heart had turned +suddenly from a round-shot to an air-balloon. ‘Why not liable?’<br> +<br> +‘You were a little slapdashy, if one might say so, in matters +of business, sir, and perhaps you read that bond less carefully than +I did. There was a clause in it by which the Company agreed frequently +and periodically to audit my accounts, so as to prevent your liability +being at any time a very high one.’<br> +<br> +‘So there was!’ cried Frank. ‘Well, didn’t +they?’<br> +<br> +‘No, sir, they didn’t.’<br> +<br> +‘By Jove - Maude, do you hear that? - if that is right, they brought +their own misfortunes upon themselves. Do you mean to say they +never audited you?’<br> +<br> +‘Yes, sir, they did so four times.’<br> +<br> +‘In how long?’<br> +<br> +‘In fourteen months.’<br> +<br> +The air-balloon was gone and the cannon-ball back in its place once +more.<br> +<br> +‘That will be held to exonerate them.’<br> +<br> +‘No, sir, I think not. “Frequently and periodically” +does not mean four times in fourteen months.’<br> +<br> +‘A jury might take it so.’<br> +<br> +‘Consider, sir, that the object was that your liability should +be limited. Thousands of pounds were passing through my hands +in that time, and therefore these four audits were, as one might say, +insufficient for the object of the bond.’<br> +<br> +‘So I think,’ cried Maude, with conviction. ‘Frank, +we’ll have the best advice upon the subject to-morrow.’<br> +<br> +‘And meanwhile, Mr. Crosse,’ said Farintosh, rising from +his chair, ‘I am your witness, whether the Company prosecutes +me or not. And I hope that this will be some humble atonement +for the trouble that I have brought you.’<br> +<br> +And so a first rift of light began to shine in the dark place. +But it was not broadened by the letter which he found waiting upon his +breakfast-table -<br> +<br> +<br> +<i>Re </i>Farintosh’s Accounts.<br> +<br> +HOTSPUR INSURANCE OFFICE.<br> +<br> +Dear Sir, - On arriving in London I came here at once, and checked Farintosh’s +accounts from the books of the head office. I am sorry to say +that I find a further discrepancy of seventy pounds. I am able, +however, to assure you that we have now touched bottom. The total +amount is three hundred and forty pounds, and a cheque for that sum +at your early convenience would oblige us, as we are anxious to bring +so unpleasant a business to a conclusion. - Yours truly,<br> +<br> +JAMES WINGFIELD.<br> +<br> +<br> +To which Frank and Maude in collaboration -<br> +<br> +<br> +Dear Sir, - I note your claim for £340 on account of the affairs +of your agent Farintosh. I am advised, however, that there have +been certain irregularities in the matter, about which I must make some +investigation before paying the claim. - Yours truly,<br> +<br> +Frank Crosse.<br> +<br> +<br> +To which the Hotspur Insurance Office -<br> +<br> +<br> +Sir, - Had your letter been a plea for more time to fulfil your engagement, +we should have been content to wait; but since you appear disposed to +dispute your liability, we have no alternative but to take immediate +steps to enforce payment. -<br> +<br> +Yours truly, JOHN WATERS, <i>Secretary.<br> +<br> +<br> +</i>To which Frank and Maude -<br> +<br> +<br> +Sir, - My solicitor, A. C. R. Owen, of 14 Shirley Lane, E.C., will be +happy to accept service.<br> +<br> +<br> +Which is the correct legal English for ‘You may go to the devil!’<br> +<br> +But this is an anticipation. In the meantime, having received +the original letter and answered it, Frank went up to town as usual, +while Maude played the more difficult part of waiting quietly at home. +In his lunch-hour Frank went to see his friend and solicitor, who in +turn obtained leave to see the bond, and came back with a grave face.<br> +<br> +‘You have a case,’ said he, ‘but by no means a certainty. +It all depends upon how the judge might read the document. I think +that it would strengthen our case very materially if we had counsel’s +opinion. I’ll copy the bond and show it to Manners, and +have his opinion before you go back to-night.’<br> +<br> +So Frank went round again after office-hours, and found Owen waiting +in very low spirits, for their relations were closer than those of mere +solicitor and client.<br> +<br> +‘Very sorry,’ said he.<br> +<br> +‘Opinion against us.’<br> +<br> +‘Dead against us.’<br> +<br> +Frank tried to look as if he didn’t mind.<br> +<br> +‘Let me see it.’<br> +<br> +It was a long blue document with the heading, ‘The Hotspur Insurance +Company, Limited, <i>v</i>. Frank Crosse.’<br> +<br> +‘I have perused the case submitted to me, and the papers accompanying +the same,’ said the learned counsel, ‘and in my opinion +the Hotspur Insurance Company, Limited, are entitled to recover from +Mr. Crosse under his guarantee, the sum of £340, being monies +received by Mr. Farintosh, and not paid over by him to the said Company.’ +There was a great deal more, but it was anticlimax.<br> +<br> +‘Well, what shall we do?’ asked Frank helplessly. +The British law makes one feel so.<br> +<br> +‘Well, I should stand out, if I were you. There is certainly +a chance.’<br> +<br> +‘Look here, old chap,’ said Frank, ‘I may as well +be honest with you. If this thing goes against me, I am stony +broke. I don’t know where your costs are coming from.’<br> +<br> +‘Don’t bother about that,’ said Owen kindly. +‘After all, Manners is not infallible. Let us have Holland, +and see what he can make of it.’<br> +<br> +So twenty-four hours later Frank found Owen radiant with another opinion +in his hand.<br> +<br> +‘Dead for us this time. Look here!’<br> +<br> +And he read out, ‘I have carefully considered the case submitted +to me for my opinion, and the documents sent therewith. In my +opinion the Hotspur Insurance Company, Limited, are not entitled to +recover against Mr. Crosse the sum claimed by them or any part thereof, +as there has been a breach on their part of an essential condition of +the guarantee.’ ‘He reads “frequently and periodically” +as we do,’ continued Owen, glancing over the long document, ‘and +he is very clear as to our case.’<br> +<br> +‘Suppose we have another, and try the best of three,’ said +Frank.<br> +<br> +‘It’s too expensive a game. No, Holland is a sound +man, and his opinion would weigh with any judge. I think we have +enough to go on with.’<br> +<br> +‘And you think it is safe?’<br> +<br> +‘No, no, nothing is ever safe in the law. But we can make +a fight of it now.’<br> +<br> +And now Frank was to learn what it meant to be entangled in an intricate +clumsy old machine, incredibly cumbrous and at the same time incredibly +powerful, jolting along with its absurd forms and abominable English +towards an end which might or might not be just, but was most certainly +ruinously expensive. The game began by a direct letter from the +Queen, of all people, an honour which Frank had never aspired to before, +and certainly never did again.<br> +<br> +Victoria, by the grace of God, of the United Kingdom of Great Britain +and Ireland, Queen, Defender of the Faith, remarked abruptly to Frank +Crosse of Woking, in the county of Surrey, ‘We command you that +within eight days of the service of this writ on you, inclusive of the +day of such service, you cause an appearance to be entered for you in +an action at the suit of the Hotspur Insurance Company, Limited.’ +If he didn’t do so, Her Majesty remarked that several very unpleasant +things might occur, and Hardinge Stanley, Earl of Halsbury, corroborated +Her Majesty. Maude was frightened to death when she saw the document, +and felt as if unawares they must have butted up against the British +Constitution, but Owen explained that it was only a little legal firework, +which meant that there might be some trouble later.<br> +<br> +‘Well, at any rate,’ said Frank, ‘it means that in +eight days it will all be over.’<br> +<br> +Owen laughed heartily at the remark.<br> +<br> +‘It means,’ said he, ‘that in eight days we must promise +that at some future date we will begin to make preparations for something +to happen in the future. That is about the meaning of it. +All you can do now is to be perfectly philosophic, and leave the rest +to me.’<br> +<br> +But how is a man with a capital of fifty pounds going to be philosophic +when he is fighting an opponent whose assets, as a certain hoarding +near Clapham Junction told him every morning, exceeded three millions +of pounds. He treated it lightly to Maude, and she to him, but +each suffered horribly, and each was well aware of the other’s +real feelings. Sometimes there was a lull, and they could almost +believe that the whole thing was over. And then the old machine +gave a creak, and the rusty cog-wheels took one more turn, and they +both felt the horrid thing which held them.<br> +<br> +First of all, they had to enter appearances, which meant that they would +dispute the action. Then the other side had to make an affidavit +verifying their claim. Then a Master had to pronounce whether +the action should be treated offhand, or whether he would listen to +what they had to say about it. He decided to listen to what was +to be said. Then each side claimed to see the other’s documents, +‘discovery’ they called it, as if the documents were concealed, +and they had to hunt for them stealthily with lanterns. Then each +made remarks about the other’s documents, and claimed to see the +remarks so made. Then the lawyers of the Company made a statement +of their claim, and when she read it Maude burst into tears, and said +that it was all over, and they must make the best of it, and she should +never forgive herself for that new dress in the spring. And then +Frank’s lawyer drew up a defence, and when Frank heard it, he +said, ‘Why, what a silly business it seems! They have not +got a leg to stand upon.’ And so, after all these flourishes +and prancings, the two parties did actually begin to show signs of coming +to a hearing after all, and a day was fixed for the trial. By +a coincidence it was Frank’s birthday. ‘There’s +a good omen!’ cried Maude.<br> +<br> +The first herald of the approaching conflict was a seedy person, who +thrust a paper into Frank’s hand as he emerged from The Lindens +in the morning. It was another letter from Her Majesty, in which +sub pœnâ (Her Majesty has not a gracious way of putting +things in these documents), Mr. Frank Crosse had ‘to attend at +the Royal Courts of Justice, Strand, at the sittings of the Queen’s +Bench Division of our High Court of Justice, to give evidence on behalf +of the Hotspur Company.’<br> +<br> +This seemed to Frank to be a most unexpected and fearsome stroke, but +Owen simply laughed.<br> +<br> +‘That is mere bluff,’ said he. ‘It makes me +think that they are weakening. They want to frighten you.’<br> +<br> +‘They did,’ said Frank.<br> +<br> +‘Two can play at that game. We must keep a bold front.’<br> +<br> +‘What do you mean to do?’<br> +<br> +‘To subpœna all their crowd.’<br> +<br> +‘Capital!’ cried Frank. So a clerk was sent across +to the Hotspur office with a whole bundle of subpœnas, and served +them liberally out. And in two days’ time was the day of +battle.<br> +<br> +<br> +<br> +CHAPTER XV - A RESCUE<br> +<br> +<br> +<br> +As the day fixed for the hearing drew near, Ruin lived with them by +day and slept with them by night. Its dark shadow covered their +lives, and they moved in the gloom of its presence. If the trial +went against them, and Owen in his most hopeful moods did not disguise +from them that it might, they would have to pay the double costs as +well as the original claim. All that they possessed would not +cover it. On the other hand, if they won, this rich Company might +carry the matter to a higher Appeal Court, and so involve them in a +fresh succession of anxieties and expenses. Do what they would, +there was always danger. Frank said little, and he slept little +also.<br> +<br> +One night, just before the trial, Wingfield, the accountant of the Society, +came down to Woking. He had managed the case all through for the +directors. His visit was a sort of ultimatum.<br> +<br> +‘We are still ready to pay our own law-costs,’ said he, +‘if you will allow the original claim.’<br> +<br> +‘I can’t do that,’ said Frank doggedly.<br> +<br> +‘The costs are piling up at a furious rate, and some one will +have to pay them.’<br> +<br> +‘I hope that it will be you.’<br> +<br> +‘Well, don’t say afterwards that I did not warn you. +My dear Crosse, I assure you that you are being misled, and that you +have not really got a leg to stand upon.’<br> +<br> +‘That’s what the trial is about,’ said Frank.<br> +<br> +He kept a bold face to the enemy, but after Wingfield’s departure, +Maude saw that his confidence was greatly shaken.<br> +<br> +‘He seemed very sure of their case,’ said he. ‘He +would not speak like that if he did not know.’<br> +<br> +But Maude took quite another view.<br> +<br> +‘If they know that they can recover their money in court, why +should they send Mr. Wingfield down in this way.’<br> +<br> +‘He is such a good chap - he wants to save us expense.’<br> +<br> +Maude was less trusting.<br> +<br> +‘He is doing the best for his own side,’ said she. +‘It is his duty, and we can’t blame him. But if he +thought it best to get behind his own lawyers and come down here, then +he must have some doubts about going into court. Perhaps he would +be willing to consider some compromise.’<br> +<br> +But Frank only shook his head.<br> +<br> +‘We have drawn the cork, and we must drink the wine,’ said +he. ‘We have gone too far to stop. Any compromise +which they would accept would be as much out of our power to pay as +the whole sum would be, and so we may just as well see it through.’ +But for once Maude did not take his opinion as final, but lay awake +all night and thought it over. She had determined to begin acting +upon her own account, and she was so eager to try what she could do +that she lay longing for the morning to break. When she came down +to breakfast, her plan of campaign was formed.<br> +<br> +‘I am coming up to town with you, Frank.’<br> +<br> +‘Delighted to hear it, dear.’ When she had shopping +to do, she frequently went up with him, so it did not surprise him. +What would have surprised him was to know that she had despatched three +telegrams, by means of Jemima, before he was up.<br> +<br> +<br> +‘To John Selby, 53 Fenchurch Street, E.C. Will call eleven +o’clock. Important business. -<br> +MAUDE.’<br> +<br> +‘To Lieutenant Selby, the Depôt, Canterbury. Please +come up next train, meet me Fenchurch Street, eleven thirty. Important. +-<br> +MAUDE.’<br> +<br> +‘To Owen, 14 Shirley Lane, E.C. Will call twelve o’clock. +Important. - MRS. CROSSE.’<br> +<br> +<br> +So she had opened her campaign.<br> +<br> +‘By the way, Frank,’ said she, as they travelled up together, +‘to-morrow is your birthday.’<br> +<br> +‘Yes, dear, it is,’ he answered lugubriously.<br> +<br> +‘Dear me! What shall I give my boy for a birthday present? +Nothing you particularly want?’<br> +<br> +‘I have all I want,’ said he, looking at her.<br> +<br> +‘Oh, but I think I could find something. I must look round +when I am in town.’<br> +<br> +She began her looking round by a visit to her father in Fenchurch Street. +It was something new for him to get telegrams from Maude upon business, +and he was very much surprised.<br> +<br> +‘Looking remarkably well, my dear. Your appearance is a +certificate of character to your husband. Well, and how is all +at Woking? I hope the second cook proved to be a success.’<br> +<br> +But Maude was not there for small talk. ‘Dear dad,’ +said she, ‘I want you to stand by me, for I am in trouble. +Now, my dear good dad, please see things from my point of view, and +don’t make objections, and do exactly what I ask you.’ +She threw her arms round his neck and gave him a hearty squeeze.<br> +<br> +‘Now I call that exerting undue pressure,’ said he, extricating +his white head. ‘If this sort of thing is allowed in the +city of London, there is an end of all business.’ However, +his eyes twinkled and looked as if he liked it. ‘Now madame, +what can I do for you?’<br> +<br> +‘I’m going to be perfectly business-like,’ said she, +and gave him another squeeze before sitting down. ‘Look +here, dad. You give me an income of fifty pounds a year, don’t +you?’<br> +<br> +‘My dear girl, I can’t raise it. Jack’s expenses +in the Hussars - ’<br> +<br> +‘I don’t want you to raise it.’<br> +<br> +‘What do you want?’<br> +<br> +‘I seem to remember, dad, that you told me that this fifty pounds +was the interest on a thousand pounds which was invested for me.’<br> +<br> +‘So it is - five per cent. debentures.’<br> +<br> +‘Well, dad, if I were content with an income of twenty-five pounds +a year instead of fifty pounds, then I could take five hundred pounds +out of my money, and nobody would be the worse.’<br> +<br> +‘Except yourself.’<br> +<br> +Maude laughed at that.<br> +<br> +‘I want the use of the money just for one day. I certainly +won’t need it all. I just want to feel that I have as much +as that in case I need it. Now, my dear old daddy, do please not +ask any questions, but be very nice and good, and tell me how I can +get these five hundred pounds.’<br> +<br> +‘And you won’t tell me why you want them?’<br> +<br> +‘I had rather not - but I will if you insist.’<br> +<br> +Old Selby looked into the brave, clear eyes of his daughter, and he +did not insist.<br> +<br> +‘Look here! You’ve got your own little banking account, +have you not?’<br> +<br> +‘Yes, dad.’<br> +<br> +‘That’s right. Never mix it up with your husband’s.’ +He scribbled a cheque. ‘Pay that in! It is for five +hundred pounds. I will sell half your debentures and charge you +with brokerage. I believe in strict business between relatives. +When you pay back the five hundred pounds, your allowance will be fifty +a year once more.’<br> +<br> +Maude then and there endorsed the cheque and posted it to her bank. +Then with a final embrace to her father, she hastened out to further +victories. Jack Selby was smoking a cigarette upon the doorstep.<br> +<br> +‘Hullo, Maude! Calling up the reserves? What’s +the matter? Jolly lucky it wasn’t my day on duty. +You girls think a soldier has nothing to do. It was so once, but +we are all scientific blokes now. No, thank you, I won’t +see the dad! He’d think I had come for money, and it would +upset him for the day.’<br> +<br> +Maude took her brother in the cab with her, and told him the whole story +of Frank’s misfortune, with some account of her own intentions. +Jack was vastly interested.<br> +<br> +‘What did dad say about it?’<br> +<br> +‘I didn’t tell him. I thought Frank would rather not.’<br> +<br> +‘Quite right. He won’t mind me. He knows I’m +a bit of a business man myself. Only signed a paper once in my +life, and quite a small paper too, and I haven’t heard the last +of it yet. The thing wasn’t much bigger than a postcard, +but the fuss those people made afterwards! I suppose they’ve +been worrying Frank.’<br> +<br> +‘We have had no peace for months.’<br> +<br> +‘Worry is bad for the young. But he should not mind. +He should go on fizzing like I did. Now we’ll put this thing +through together, Maude. I see your line, and I’ll ride +it with you.’<br> +<br> +They found Mr. Owen at home, and Maude did the talking.<br> +<br> +‘I am convinced, Mr. Owen, that they don’t want to go into +court. Mr. Wingfield coming down like that proves it. My +husband is too proud to bargain with them, but I have no scruples. +Don’t you think that I might go to Mr. Wingfield myself, and pay +the three hundred and forty pounds, and so have done with the worry +for ever?’<br> +<br> +‘Speaking as a lawyer,’ said Owen, ‘I think that it +is very irregular. Speaking as a man, I think no harm could come +of it. But I should not like you to offer the whole sum. +Simply say that you are prepared for a reasonable compromise, and ask +them to suggest what is the lowest sum which the office would accept +to close the business.’<br> +<br> +‘You leave it with me,’ said Jack, winking at the lawyer. +‘I am seeing her through. I’ll keep her on the rails. +I am Number 1, Class A, at business. We’ll take ’em +up one link in the curb if they try any games with us! Come on, +Maude, and get it over.’<br> +<br> +He was an excellent companion for her, for his buoyancy turned the whole +thing into fun. She could not take it too seriously in his company. +They called at the Hotspur office and asked to see Mr. Wingfield. +He was engaged, but Mr. Waters, the secretary, a very fat, pompous man, +came in to them.<br> +<br> +‘I am very sorry,’ said he, ‘very sorry, indeed, Mrs. +Crosse, but it is too late for any compromise of the sort. We +have our costs to consider, and there is no alternative but for the +case to go into court.’<br> +<br> +Poor Maude nearly burst into tears.<br> +<br> +‘But suppose that we were to offer - ’<br> +<br> +‘To give you an hour to think it over,’ cried Jack.<br> +<br> +Mr. Waters shook, his head despondently.<br> +<br> +‘I do not think that we should alter our decision. However, +Mr. Wingfield will be here presently, and he will, of course, listen +to any representations which you may have to make. In the meantime +you must excuse me, as I have matters of importance to attend to.’<br> +<br> +‘Why, Maude, you little Juggins,’ cried Jack, when the door +was shut, ‘you were just going to offer to pay their costs. +I only just headed you off in time.’<br> +<br> +‘Well, I was going to inquire about it.’<br> +<br> +‘Great Scot, it’s lucky you’ve got a business man +at your elbow. I couldn’t stand that chap at any price. +A bit too hairy in the fetlocks for my taste. Couldn’t you +see that he was only bluffing?’<br> +<br> +‘How do you know, Jack?’<br> +<br> +‘It was shining all over him. Do you suppose a man has bought +as many hairies as I have, and can’t tell when a dealer is bluffing? +He was piling it on so that when the next Christmas-tree comes along, +he may find a soft job waiting for him. I tell you you want a +friendly native, like me, when you get into this kind of country. +Now ride this one on the curb, and don’t let him have his head +for a moment.’<br> +<br> +Mr. Wingfield had entered, and his manner was very different to that +of the secretary. He had great sympathy with the Crosses, and +no desire to wash the Company’s dirty linen in public. He +was, therefore, more anxious than he dared to show to come to some arrangement.<br> +<br> +‘It is rather irregular for me to see you. I should refer +you to our solicitors,’ said he.<br> +<br> +‘Well, we saw you when you came to Woking,’ said Maude. +‘I believe that we are much more likely to come to an arrangement +if we talk it over ourselves.’<br> +<br> +‘I am sure I earnestly hope so,’ Wingfield answered. +‘I shall be delighted to listen to anything which you may suggest. +Do you, in the first place, admit your liability?’<br> +<br> +‘To some extent,’ said Maude, ‘if the Company will +admit that they are in the wrong also.’<br> +<br> +‘Well, we may go so far as to say that we wish the books had been +inspected more often, and that we regret our misplaced confidence in +our agent. That should satisfy you, Mrs. Crosse. And now +that you admit <i>some </i>liability, that is a great step in advance. +We have no desire to be unreasonable, but as long as no liability was +admitted, we had no course open to us but litigation. We now come +to the crucial point, which is, how much liability should fall upon +you. My own idea is, that each should pay their own costs, and +that you should, in addition, pay over to the Company - ’<br> +<br> +‘Forty pounds,’ said Jack firmly.<br> +<br> +Maude expected Mr. Wingfield to rise up and leave the room. As +he did not do so, nor show any signs of violence, she said, ‘Yes, +forty pounds.’<br> +<br> +He shook his head.<br> +<br> +‘Dear me, Mrs. Crosse, this is a very small sum.’<br> +<br> +‘Forty pounds is our offer,’ said Jack.<br> +<br> +‘But on what is this offer based?’<br> +<br> +‘We have worked it out,’ said Jack, ‘and we find that +forty pounds is right.’<br> +<br> +Mr. Wingfield rose from his chair.<br> +<br> +‘Well,’ said he, ‘of course any offer is better than +no offer. I cannot say what view the directors may take of this +proposal, but they will hold a board meeting this afternoon, and I will +lay it before them.’<br> +<br> +‘And when shall we know?’<br> +<br> +‘I could send you round a line by hand to your solicitor.’<br> +<br> +‘No hurry about it! Quite at your own convenience!’ +said Jack. When he got outside, in the privacy of their hansom, +he was convulsed with the sense of his own achievements.<br> +<br> +‘Class A, Number 1, and mentioned at the Agricultural Hall,’ +he cried, hugging himself in his delight. His sister hugged him +also, so he was a much-embraced young man. ‘Am I not a man +of business, Maude? You can’t buy ’em - you must breed +’em. One shilling with the basket. I shook him in +the first round, and he never rallied after.’<br> +<br> +‘You are a dear good boy. You did splendidly.’<br> +<br> +‘That’s the way to handle ’em. He saw that I +was a real fizzer and full of blood. One business man can tell +another at a glance.’<br> +<br> +Maude laughed, for Jack, with his cavalry swagger and a white weal all +round his sunburned face to show where his chin-strap hung, looked the +most unbusiness-like of mortals.<br> +<br> +‘Why did you offer forty pounds?’ she asked.<br> +<br> +‘Well, you have to begin somewhere.’<br> +<br> +‘But why forty?’<br> +<br> +‘Because it is what we offer when we are buying the hairies - +trooper’s chargers, you know. It’s a great thing to +have a fixed rule in business. I never go higher than forty - +rule one, section one, and no exceptions in the margin.’<br> +<br> +They lunched together at the Holborn, and Jack took Maude afterwards +to what he called ‘a real instructive show,’ which proved +to be a horse-sale at Tattersall’s. They then drove back +to the lawyer’s, and there they found a letter waiting addressed +to Mrs. Crosse. Maude tore it open.<br> +<br> +‘Dear Mrs. Crosse,’ said this delightful note, ‘I +am happy to be able to inform you that the directors have decided to +stop the legal proceedings, and to accept your offer of forty pounds +in full satisfaction of all claims due against your husband.’<br> +<br> +Maude, Jack, and the good Owen performed a triumphant <i>pas de trois.<br> +<br> +</i>‘You have done splendidly, Mrs. Crosse, splendidly!’ +cried Owen. ‘I never heard a better day’s work in +my life. Now, if you will give me your cheque and wait here, I +will go over and settle everything.’<br> +<br> +‘And please bring the bond back with you,’ said Maude.<br> +<br> +<br> +So it was that Frank, coming down upon the morning of his birthday, +perceived a pretty silver cigarette-box laid in front of his plate.<br> +<br> +‘Is this for me, my darling?’<br> +<br> +‘Yes, Frank, a wee present from your wife.’<br> +<br> +‘How sweet of you! I never saw such a lovely case. +Why, there’s something inside it.’<br> +<br> +‘Cigarettes, I suppose.<br> +<br> +‘No, it is a paper of some kind. “Hotspur Insurance +Company.” Good Lord, I never seem for one instant to be +able to shake that infernal thing off! How on earth did it get +in there? What’s this? - “I hereby guarantee to you +- ” What’s this? Maude, Maude, what have you +been doing?’<br> +<br> +‘Dear old boy,’ she cried, as she put her arms round him. +‘Dear old boy! Oh, I <i>do</i> feel so happy!’<br> +<br> +<br> +<br> +CHAPTER XVI - THE BROWNING SOCIETY<br> +<br> +<br> +<br> +It all began by Mrs. Hunt Mortimer, the smart little up-to-date wife +of the solicitor, saying to Mrs. Beecher, the young bride of the banker, +that in a place like Woking it was very hard to get any mental friction, +or to escape from the same eternal grooves of thought and conversation. +The same idea, it seemed, had occurred to Mrs. Beecher, fortified by +a remark from the <i>Lady’s Journal </i>that an internal intellectual +life was the surest method by which a woman could preserve her youth. +She turned up the article - for the conversation occurred in her drawing-room +- and she read extracts from it. ‘Shakespeare as a Cosmetic’ +was the title. Maude was very much struck, and before they separated +they had formed themselves into a Literary Society which should meet +and discuss classical authors every Wednesday afternoon at each other’s +houses. That one hour of concentrated thought and lofty impulse +should give a dignity and a tone to the whole dull provincial week.<br> +<br> +What should they read? It was well that they should decide it +before they separated, so as to start fair upon the next Wednesday. +Maude suggested Shakespeare, but Mrs. Hunt Mortimer thought that a good +deal of it was improper.<br> +<br> +‘Does it matter?’ said Mrs. Beecher. ‘We are +all married.’<br> +<br> +‘Still I don’t think it would be quite nice,’ said +Mrs. Hunt Mortimer. She belonged to the extreme right on matters +of propriety.<br> +<br> +‘But surely Mr. Bowdler made Shakespeare quite respectable,’ +Mrs. Beecher argued.<br> +<br> +‘He did his work very carelessly. He left in much that might +be dispensed with, and he omitted a good deal which was quite innocent.’<br> +<br> +‘How do you know?’<br> +<br> +‘Because I once got two copies and read all the omissions.’<br> +<br> +‘Why did you do that?’ asked Maude mischievously.<br> +<br> +‘Because I wanted to make sure that they <i>had </i>been omitted,’ +said Mrs. Hunt Mortimer severely.<br> +<br> +Mrs. Beecher stooped and picked an invisible hairpin out of the rug. +Mrs. Hunt Mortimer continued.<br> +<br> +‘There is Byron, of course. But he is so very suggestive. +There are passages in his works - ’<br> +<br> +‘I could never see any harm in them,’ said Mrs. Beecher.<br> +<br> +‘That is because you did not know where to look,’ said Mrs. +Hunt Mortimer. ‘If you have a copy in the house, Mrs. Beecher, +I will undertake to make it abundantly clear to you that he is to be +eschewed by those who wish to keep their thoughts unsullied. Not? +I fancy that even quoting from memory I could convince you that it is +better to avoid him.’<br> +<br> +‘Pass Byron,’ said Mrs. Beecher, who was a very pretty little +kittenish person, with no apparent need of any cosmetics, literary or +otherwise. ‘How about Shelley?’<br> +<br> +‘Frank raves about Shelley,’ observed Maude.<br> +<br> +Mrs. Hunt Mortimer shook her head.<br> +<br> +‘His work has some dreadful tendencies. He was, I am informed, +either a theist or an atheist, I cannot for the moment recall which +- I think that we should make our little course as improving as possible.’<br> +<br> +‘Tennyson,’ Maude suggested.<br> +<br> +‘I have been told that his meaning is too clear to entitle him +to rank among the great thinkers of our race. The lofty thought +is necessarily obscure. There is no merit in following a poem +which is perfectly intelligible. Which leads us to - ’<br> +<br> +‘Browning!’ cried the other ladies.<br> +<br> +‘Exactly. We might form a little Browning Society of our +own.’<br> +<br> +‘Charming! Charming!’<br> +<br> +And so it was agreed.<br> +<br> +There was only one other point to be settled at this their inaugural +meeting, which was, to choose the other ladies who should be admitted +into their literary circle. There were to be no men.<br> +<br> +‘They do distract one so,’ said Mrs. Hunt Mortimer.<br> +<br> +The great thing was to admit no one save those earnest spirits who would +aspire to get the full benefit from their studies. Mrs. Fortescue +could not be thought of, she was much too talkative. And Mrs. +Jones had such a frivolous mind. Mrs. Charles could think and +talk of nothing but her servants. And Mrs. Patt-Beatson always +wanted to lay down the law. Perhaps on the whole it would be better +to start the society quietly among themselves, and then gradually to +increase it. The first meeting should be next Wednesday, at Mrs. +Crosse’s house, and Mrs. Hunt Mortimer would bring her complete +two-volume edition with her. Mrs. Beecher thought that one volume +would be enough just at first, but Mrs. Hunt Mortimer said that it was +better to have a wide choice. Maude went home and told Frank in +the evening. He was pleased, but rather sceptical.<br> +<br> +‘You must begin with the simpler things first,’ said he. +‘I should recommend <i>Hervé Riel </i>and <i>Gold</i> <i>Hair</i>.’<br> +<br> +But Maude put on the charming air of displeasure which became her so +well.<br> +<br> +‘We are serious students, sir,’ said she. ‘We +want the very hardest poem in the book. I assure you, Frank, that +one of your little faults is that you always underrate a woman’s +intelligence. Mrs. Hunt Mortimer says that though we may be less +original than men, we are more assim - more assmun - ’<br> +<br> +‘Assimulative.’<br> +<br> +‘That’s what I say - assimulative. Now, you always +talk as if - oh yes, you do! No, you mustn’t! How +absurd you are, Frank! Whenever I try to speak seriously to you, +you always do that and spoil everything. How would you like to +discuss Browning if at the end of every sentence somebody came and kissed +you? You wouldn’t mind! No, I dare say not. +But you would feel that you were not being taken seriously. Wait +till the next time <i>you </i>are in earnest about anything - you’ll +see!’<br> +<br> +<br> +The meeting was to be at three o’clock, and at ten minutes to +the hour Mrs. Hunt Mortimer arrived with two large brown volumes under +her arm. She had come early, she said, because there was to be +a rehearsal of the amateur theatricals at the Dixons’ at a quarter-past +four. Mrs. Beecher did not appear until five minutes after the +hour. Her cook had quarrelled with the housemaid, and given instantaneous +notice, with five people coming to dinner on Saturday. It had +upset the lady very much, and she explained that she would not have +come if she had not promised. It was so difficult to follow poetry +when you were thinking about the entrée all the time.<br> +<br> +‘Why the entrée?’ asked Mrs. Hunt Mortimer, looking +up from the book which she held open in front of her.<br> +<br> +‘My dear,’ said Mrs. Beecher, who had the art of saying +the most simple things as if they were profoundly confidential secrets, +- ‘My dear, my parlourmaid is really an excellent cook, and I +shall rely upon her if Martha really goes. But she is limited, +very limited, and entrées and savouries are the two things in +which I cannot entirely trust her. I must, therefore, find some +dish which is well within her capacity.’<br> +<br> +Mrs. Hunt Mortimer prided herself upon her housekeeping, so the problem +interested her. Maude also began to feel the meeting less dull +than she had expected.<br> +<br> +‘Of course there are many things to be considered,’ said +Mrs. Hunt Mortimer, with the air of a Q.C. giving an opinion. +‘Oyster patties or oyster vol-au-vents - ’<br> +<br> +‘Oysters are out of season,’ said Maude.<br> +<br> +‘I was about to say,’ Mrs. Hunt Mortimer continued, with +admirable presence of mind, ‘that these entrées of oysters +are inadmissible because they are out of season. Now curried prawns +- ’<br> +<br> +‘My husband loathes them.’<br> +<br> +‘Well, well! What do you say to sweetbreads en caisse? +All you want are chopped mushrooms, shalots, parsley, nutmeg, pepper, +salt, breadcrumb, bacon fat - ’<br> +<br> +‘No, no,’ cried Mrs. Beecher despairingly. ‘Anne +would never remember all that.’<br> +<br> +‘Cutlets à la Constance,’ said Mrs. Hunt Mortimer. +‘I am sure that they are simple enough. Cutlets, butter, +fowls’ livers, cocks’ combs, mushrooms - ’<br> +<br> +‘My dear, my dear, remember that she is only a parlourmaid. +It is unreasonable.’<br> +<br> +‘Ragout of fowl, chicken patties, croquettes of veal with a little +browning - ’<br> +<br> +‘We’ve got back to Browning after all,’ cried Maude.<br> +<br> +‘Dear me,’ said Mrs. Beecher, ‘it is all my fault, +and I am so sorry. Now, Mrs. Hunt Mortimer, do please read us +a little of that delightful poetry.’<br> +<br> +‘You can always get small entrées sent down from the Stores,’ +cried Maude, as a happy thought.<br> +<br> +‘You dear, good girl, how sweet of you to think of it. Of +course one can. That is really an admirable idea. There +now, we may consider the entrée as being removed, so we proceed +to - ’<br> +<br> +‘The <i>pièce de résistance</i>,’ said Mrs. +Hunt Mortimer solemnly, glancing down the index of the first volume. +‘I confess that my acquaintance with the poet has up to now been +rather superficial. Our ambition must be to so master him that +he becomes from this time forward part and parcel of ourselves. +I fancy that the difficulties in understanding him have been very much +exaggerated, and that with goodwill and perseverance we shall manage +to overcome them.’<br> +<br> +It was a relief to Mrs. Beecher and to Maude to realise that Mrs. Hunt +Mortimer knew no more about the matter than themselves. They both +ventured upon a less diffident air now that it was clear that it might +be done in safety. Maude frowned thoughtfully, and Mrs. Beecher +cast up her pretty brown eyes at the curtain-rod, as if she were running +over in her memory the whole long catalogue of the poet’s works.<br> +<br> +‘I will tell you what we should do,’ said she. ‘We +must make a vow that we shall never pass a line until we understand +it. We will go over it again and again until we grasp its meaning.’<br> +<br> +‘What an excellent idea!’ cried Maude, with one of her little +bursts of enthusiasm. ‘Now that is really splendid, Mrs. +Beecher.’<br> +<br> +‘My friends always call me Nellie,’ said the little brunette.<br> +<br> +‘How nice of you to say so! I should love to call you so, +if you don’t mind. It is such a pretty name too. Only +you must call me Maude.’<br> +<br> +‘You look like a Maude,’ said Mrs. Beecher. ‘I +always picture a Maude as bright and pretty and blonde. Isn’t +it strange how names associate themselves with characters. Mary +is always domestic, and Rose is a flirt, and Elizabeth is dutiful, and +Evelyn is dashing, and Alice is colourless, and Helen is masterful - +’<br> +<br> +‘And Matilda is impatient,’ said Mrs. Hunt Mortimer, laughing. +‘Matilda has reason to be, seated here with an index in front +of her while you two are exchanging compliments.’<br> +<br> +‘Why, we were waiting for you to begin,’ said Mrs. Beecher +reproachfully. ‘Do let us have something, for really the +time is slipping away.’<br> +<br> +‘It would be a pity to begin at the beginning, because that represents +his immature genius,’ remarked Mrs. Hunt Mortimer. ‘I +think that on this the opening day of the Society, we should have the +poet at his best.’<br> +<br> +‘How are we to know which <i>is </i>his best?’ Maude asked.<br> +<br> +‘I should be inclined to choose something with a title which suggests +profundity - “A Pretty Woman,” “Love in a Life,” +“Any Wife to any Husband” - ’<br> +<br> +‘Oh, what <i>did </i>she say to him?’ cried Maude.<br> +<br> +‘Well, I was about to say that all these subjects rather suggested +frivolity.’<br> +<br> +‘Besides, it really is a very absurd title,’ remarked Mrs. +Beecher, who was fond of generalising from her six months’ experience +of matrimony. ‘<i>A</i> husband to <i>a</i> wife’ +would be intelligible, but how can you know what <i>any </i>husband +would say to <i>any </i>wife? No one can really foretell what +a man will do. They really are such extraordinary creatures.’<br> +<br> +But Mrs. Hunt Mortimer had been married for five years, and felt as +competent to lay down the law about husbands as about entrées.<br> +<br> +‘When you have had a larger experience of them, dear, you will +find that there is usually a reason, or at least a primitive instinct +of some sort, at the root of their actions. But, seriously, we +must really concentrate our attention upon the poet, for my other engagement +will call me away at four, which only leaves me ten minutes to reach +Maybury.’<br> +<br> +Mrs. Beecher and Maude settled down with anxious attention upon their +faces.<br> +<br> +‘Do please go on!’ they cried.<br> +<br> +‘Here is “The Pied Piper of Hamelin.”’<br> +<br> +‘Now that interests me more than I can tell,’ cried Maude, +with her eyes shining with pleasure. ‘Do please read us +everything there is about that dear piper.’<br> +<br> +‘Why so?’ asked her two companions.<br> +<br> +‘Well, the fact is,’ said Maude, ‘Frank - my husband, +you know - came to a fancy-dress at St. Albans as the Pied Piper. +I had no idea that it came from Browning.’<br> +<br> +‘How did he dress for it?’ asked Mrs. Beecher. ‘We +are invited to the Aston’s dress ball, and I want something suitable +for George.’<br> +<br> +‘It was a most charming dress. Red and black all over, something +like Mephistopheles, you know, and a peaked hat with a bell at the top. +Then he had a flute, of course, and a thin wire from his waist with +a stuffed rat at the end of it.’<br> +<br> +‘A rat! How horrid!’<br> +<br> +‘Well, that was the story, you know. The rats all followed +the Pied Piper, and so this rat followed Frank. He put it in his +pocket when he danced, but once he forgot, and so it got stood upon, +and the sawdust came out all over the floor.’<br> +<br> +Mrs. Hunt Mortimer was also invited to the dress ball, and her thoughts +flew away from the book in front of her.<br> +<br> +‘How did you go, Mrs. Crosse?’ she asked.<br> +<br> +‘I went as “Night.”’<br> +<br> +‘What! you with your brown hair!’<br> +<br> +‘Well, father said that I was not a very dark night. I was +in black, you know, just my ordinary black silk dinner-dress. +Then I had a silver half-moon over my head, and black veils round my +hair, and stars all over my bodice and skirt, with a long comet right +across the front. Father upset a cup of milk over me at supper, +and said afterwards that it was the milky way.’<br> +<br> +‘It is simply maddening how men <i>will </i>make jokes about the +most important subjects,’ said Mrs. Hunt Mortimer. ‘But +I have no doubt, dear, that your dress was an exceedingly effective +one. Now, for my own part, I had some idea of going as the “Duchess +of Devonshire.”’<br> +<br> +‘Charming!’ cried Mrs. Beecher and Maude.<br> +<br> +‘It is not a very difficult costume, you know. I have some +old Point d’Alençon lace which has been in the family for +a century. I make it the starting-point of my costume. The +gown need not be very elaborate - ’<br> +<br> +‘Silk?’ asked Mrs. Beecher.<br> +<br> +‘Well, I thought that perhaps a white-flowered brocade - ’<br> +<br> +‘Oh yes, with pearl trimming.’<br> +<br> +‘No, no, dear, with my lace for trimming.’<br> +<br> +‘Of course. You said so.’<br> +<br> +‘And then a muslin fichu coming over here.’<br> +<br> +‘How perfectly sweet!’ cried Maude.<br> +<br> +‘And the waist cut high, and ruffles at the sleeves. And, +of course, a picture hat - you know what I mean - with a curling ostrich +feather.’<br> +<br> +‘Powdered hair, of course?’ said Mrs. Beecher.<br> +<br> +‘Powdered in ringlets.’<br> +<br> +‘It will suit you admirably - beautifully. You are tall +enough to carry it off, and you have the figure also. How I wish +I was equally certain about my own!’<br> +<br> +‘What had you thought of, dear?’<br> +<br> +‘Well, I had some idea about “Ophelia.” Do you +think that it would do?’<br> +<br> +‘Certainly. Had you worked it out at all?’<br> +<br> +‘Well, my dear,’ said Mrs. Beecher, relapsing into her pleasant +confidential manner. ‘I had some views, but, of course, +I should be so glad to have your opinion about it. I only saw +<i>Hamlet </i>once, and the lady was dressed in white, with a gauzy +light nun’s-veiling over it. I thought that with white pongee +silk as an under-dress, and then some sort of delicate - ’<br> +<br> +‘Crepe de Chine,’ Maude suggested.<br> +<br> +‘But in Ophelia’s day such a thing had never been heard +of,’ said Mrs. Hunt Mortimer. ‘A net of silver thread +- ’<br> +<br> +‘Exactly,’ cried Mrs. Beecher, ‘with some sort of +jewelling upon it. That was just what I had imagined. Of +course it should be cut classically and draped - my dressmaker is such +a treasure - and I should have a gold embroidery upon the white silk.’<br> +<br> +‘Crewel work,’ said Maude.<br> +<br> +‘Or a plain cross-stitch pattern. Then a tiara of pearls +on the head. Shakespeare - ’<br> +<br> +At the name of the poet their three consciences pricked simultaneously. +They looked at each other and then at the clock with dismay.<br> +<br> +‘We must - we really <i>must </i>go on with our reading,’ +cried Mrs. Hunt Mortimer. ‘How did we get talking about +these dresses?’<br> +<br> +‘It was my fault,’ said Mrs. Beecher, looking contrite.<br> +<br> +‘No, dear, it was mine,’ said Maude. ‘You remember +it all came from my saying that Frank had gone to the ball as the Pied +Piper.’<br> +<br> +‘I am going to read the very first poem that I open,’ said +Mrs. Hunt Mortimer remorselessly. ‘I am afraid that it is +almost time that I started, but we may still be able to skim over a +few pages. Now then! There! <i>Setebos</i>! +What a funny name!’<br> +<br> +‘What <i>does </i>it mean?’ asked Maude.<br> +<br> +‘We shall find out, no doubt, as we proceed,’ said Mrs. +Hunt Mortimer. ‘We shall take it line by line and draw the +full meaning from it. The first line is -<br> +<br> +<br> +‘Will sprawl now that the heat of day is best - ’<br> +<br> +<br> +‘Who will?’ asked Mrs. Beecher.<br> +<br> +‘I don’t know. That’s what it says.’<br> +<br> +‘The next line will explain, no doubt.’<br> +<br> +<br> +‘Flat on his - ’<br> +<br> +<br> +‘Dear me, I had no idea that Browning was like this!’<br> +<br> +‘Do read it, dear.’<br> +<br> +‘I couldn’t possibly think of doing so. With your +permission we will pass on to the next paragraph.’<br> +<br> +‘But we vowed not to skip.’<br> +<br> +‘But why read what cannot instruct or elevate us. Let us +begin this next stanza, and hope for something better. The first +line is - I wonder if it really can be as it is written.’<br> +<br> +‘Do please read it!’<br> +<br> +<br> +‘Setebos and Setebos and Setebos.’<br> +<br> +<br> +The three students looked sadly at each other. ‘This is +worse than anything I could have imagined,’ said the reader.<br> +<br> +‘We mast skip that line.’<br> +<br> +‘But we are skipping everything.’<br> +<br> +‘It’s a person’s name,’ said Mrs. Beecher.<br> +<br> +‘Or three persons.’<br> +<br> +‘No, only one, I think.’<br> +<br> +‘But why should he repeat it three times?’<br> +<br> +‘For emphasis!’<br> +<br> +‘Perhaps,’ said Mrs. Beecher, ‘it was Mr. Setebos, +and Mrs. Setebos, and a little Setebos.’<br> +<br> +‘Now, if you are going to make fun, I won’t read. +But I think we were wrong to say that we would take it line by line. +It would be easier sentence by sentence.’<br> +<br> +‘Quite so.’<br> +<br> +‘Then we will include the next line, which finishes the sentence. +It is, “thinketh he dwelleth in the cold of the moon.”’<br> +<br> +‘Then it <i>was </i>only one Setebos!’ cried Maude.<br> +<br> +‘So it appears. It is easy to understand if one will only +put it into ordinary language. This person Setebos was under the +impression that his life was spent in the moonlight.’<br> +<br> +‘But what nonsense it is!’ cried Mrs. Beecher. Mrs. +Hunt Mortimer looked at her reproachfully. ‘It is very easy +to call everything which we do not understand “nonsense,”’ +said she. ‘I have no doubt that Browning had a profound +meaning in this.’<br> +<br> +‘What was it, then?’<br> +<br> +Mrs. Hunt Mortimer looked at the clock.<br> +<br> +‘I am very sorry to have to go,’ said she, ‘but really +I have no choice in the matter. Just as we were getting on so +nicely - it is really most vexatious. You’ll come to my +house next Wednesday, Mrs. Crosse, won’t you? And you also, +Mrs. Beecher. Good-bye, and thanks for <i>such </i>a pleasant +afternoon!’<br> +<br> +But her skirts had hardly ceased to rustle in the passage before the +Browning Society had been dissolved by a two-thirds’ vote of the +total membership.<br> +<br> +‘What is the use?’ cried Mrs. Beecher. ‘Two +lines have positively made my head ache, and there are two volumes.’<br> +<br> +‘We must change our poet.’<br> +<br> +‘His verbosity!’ cried Mrs. Beecher.<br> +<br> +‘His Setebosity!’ cried Maude.<br> +<br> +‘And dear Mrs. Hunt Mortimer pretending to like him! Shall +we propose Tennyson next week?’<br> +<br> +‘It would be far better.’<br> +<br> +‘But Tennyson is quite simple, is he not?’<br> +<br> +‘Perfectly.’<br> +<br> +‘Then why should we meet to discuss him if there is nothing to +discuss?’<br> +<br> +‘You mean that we might as well each read him for herself.’<br> +<br> +‘I think it would be easier.’<br> +<br> +‘Why, of course it would.’<br> +<br> +And so after one hour of precarious life, Mrs. Hunt Mortimer’s +Mutual Improvement Society for the elucidation of Browning came to an +untimely end.<br> +<br> +<br> +<br> +CHAPTER XVII - AN INVESTMENT<br> +<br> +<br> +<br> +‘I want your advice, Maude.’<br> +<br> +She was looking very sweet and fresh in the morning sunlight. +She wore a flowered, French print blouse - little sprigs of roses on +a white background - and a lace frill round her pretty, white, smooth +throat. The buckle of her brown leather belt just gleamed over +the edge of the table-cloth. In front of her were a litter of +correspondence, a white cup of coffee, and two empty eggshells - for +she was a perfectly healthy young animal with an excellent appetite.<br> +<br> +‘Well, dear, what is it?’<br> +<br> +‘I shall take the later train. Then I need not hurry, and +can walk down at my ease.’<br> +<br> +‘How nice of you!’<br> +<br> +‘I am not sure that Dinton will think so.’<br> +<br> +‘Only one little hour of difference - what can it matter?’<br> +<br> +‘They don’t run offices on those lines. An hour means +a good deal in the City of London.’<br> +<br> +‘Oh, I do hate the City of London! It is the only thing +which ever comes between us.’<br> +<br> +‘I suppose that it separates a good many loving couples every +morning.’<br> +<br> +He had come across and an egg-cup had been upset. Then he had +been scolded, and they sat together laughing upon the sofa. When +he had finished admiring her little, shining, patent-leather, Louis +shoes and the two charming curves of open-work black stocking, she reminded +him that he had asked for her advice.<br> +<br> +‘Yes, dear, what was it?’ She knitted her brows and +tried to look as her father did when he considered a matter of business. +But then her father was not hampered by having a young man’s arm +round his neck. It is so hard to be business-like when any one +is curling one’s hair round his finger.<br> +<br> +‘I have some money to invest.’<br> +<br> +‘O Frank, how clever of you!’<br> +<br> +‘It is only fifty pounds.’<br> +<br> +‘Never mind, dear, it is a beginning.’<br> +<br> +‘That is what I feel. It is the foundation-stone of our +fortunes. And so I want Her Majesty to lay it - mustn’t +wrinkle your brow though - that is not allowed.’<br> +<br> +‘But it is a great responsibility, Frank.’<br> +<br> +‘Yes, we must not lose it.’<br> +<br> +‘No, dear, we must not lose it. Suppose we invest it in +one of those modern fifty-guinea pianos. Our dear old Broadwood +was an excellent piano when I was a girl, but it is getting so squeaky +in the upper notes. Perhaps they would allow us something for +it.’<br> +<br> +He shook his head.<br> +<br> +‘I know that we want one very badly, dear. And such a musician +as you are should have the best instrument that money can buy. +I promise you that when we have a little to turn round on, you shall +have a beauty. But in the meantime we must not buy anything with +this money - I mean nothing for ourselves - we must invest it. +We cannot tell what might happen. I might fall ill. I might +die.’<br> +<br> +‘O Frank, how horrid you are this morning!’<br> +<br> +‘Well, we have to be ready for anything. So I want to put +this where we can get it on an emergency, and where in the meantime +it will bring us some interest. Now what shall we buy?’<br> +<br> +‘Papa always bought a house.’<br> +<br> +‘But we have not enough.’<br> +<br> +‘Not a little house?’<br> +<br> +‘No, not the smallest.’<br> +<br> +‘A mortgage, then?’<br> +<br> +‘The sum is too small.’<br> +<br> +‘Government stock, Frank - if you think it is safe.’<br> +<br> +‘Oh, it is safe enough. But the interest is so low.’<br> +<br> +‘How much should we get?’<br> +<br> +‘Well, I suppose the fifty pounds would bring us in about thirty +shillings a year.’<br> +<br> +‘Thirty shillings! O Frank!’<br> +<br> +‘Rather less than more.’<br> +<br> +‘Fancy a great rich nation like ours taking our fifty pounds and +treating us like that. How <i>mean </i>of them! Don’t +let them have it, Frank.’<br> +<br> +‘No, I won’t.’<br> +<br> +‘If they want it, they can make us a fair offer for it.’<br> +<br> +‘I think we’ll try something else.’<br> +<br> +‘Well, they have only themselves to thank. But you have +some plan in your head, Frank. What is it?’<br> +<br> +He brought the morning paper over from the table. Then he folded +it so as to bring the financial columns to the top.<br> +<br> +‘I saw a fellow in the City yesterday who knows a great deal about +gold-mining. I only had a few minutes’ talk, but he strongly +advised me to have some shares in the El Dorado Proprietary Gold Mine.’<br> +<br> +‘What a nice name! I wonder if they would let us have any?’<br> +<br> +‘Oh yes, they are to be bought in the open market. It is +like this, Maude. The mine was a very good one, and paid handsome +dividends. Then it had some misfortunes. First, there was +no water, and then there was too much water, and the workings were flooded. +So, of course, the price of the shares fell. Now they are getting +the mine all right again, but the shares are still low. It certainly +seems a very good chance to pick a few of them up.’<br> +<br> +‘Are they very dear, Frank?’<br> +<br> +‘I looked them up in the <i>Mining Register </i>before I came +home yesterday. The original price of each share was ten shillings, +but as they have had these misfortunes, one would expect to find them +rather lower.’<br> +<br> +‘Ten shillings! It does not seem much to pay for a share +in a thing with a name like that.’<br> +<br> +‘Here it is,’ said he, pointing with a pencil to one name +in a long printed list. ‘This one, between the Royal Bonanza +and the Alabaster Consols. You see - El Dorado Proprietary! +Then after it you have printed, 4¾ - 4.875. I don’t +profess to know much about these things, but that of course means the +price.’<br> +<br> +‘Yes, dear, it is printed at the top of the column - “Yesterday’s +prices.”’<br> +<br> +‘Quito so. Well, we know that the original price of each +share was ten shillings, and of course they must have dropped with a +flood in the mine, so that these figures must mean that the price yesterday +was four shillings and nine-pence, or thereabouts.’<br> +<br> +‘What a clear head for business you have, dear!’<br> +<br> +‘I think we can’t do wrong in buying at that price. +You see, with our fifty pounds we could buy two hundred of them, and +then if they went up again we could sell, and take our profit.’<br> +<br> +‘How delightful! But suppose they don’t go up.’<br> +<br> +‘Well, they can’t go down. I should not think that +a share at four shillings and ninepence <i>could </i>go down very much. +There is no room. But it may go up to any extent.’<br> +<br> +‘Besides, your friend said that they would go up.’<br> +<br> +‘Yes, he seemed quite confident about it. Well, what do +you think, Maude? Is it good enough or not?’<br> +<br> +‘O Frank, I hardly dare advise you. Just imagine if we were +to lose it all. Do you think it would be wiser to get a hundred +shares, and then we could buy twenty-five pounds’ worth of Royal +Bonanza as well. It would be impossible for them both to go wrong.’<br> +<br> +‘The Royal Bonanza shares are dear, and then we have had no information +about it. I think we had better back our own opinion.’<br> +<br> +‘All right, Frank.’<br> +<br> +‘Then that is settled. I have a telegraph-form here.’<br> +<br> +‘Could you not buy them yourself when you are in town?’<br> +<br> +‘No, you can’t buy things yourself. You have to do +it through a broker.’<br> +<br> +‘I always thought a broker was a horrid man, who came and took +your furniture away.’<br> +<br> +‘Ah, that’s another kind of broker. He comes afterwards. +I promised Harrison that he should have any business which I could put +in his way, so here goes. How is that?’ -<br> +<br> +<br> +‘Harrison, 13a Throgmorton Street, E.C. - Buy two hundred El Dorado +Proprietaries.<br> +<br> +‘CROSSE, Woking.’<br> +<br> +<br> +‘Doesn’t it sound rather peremptory, Frank?’<br> +<br> +‘No, no, that is mere business.’<br> +<br> +‘I hope he won’t be offended.’<br> +<br> +‘I think I can answer for that.’<br> +<br> +‘You have not said the price.’<br> +<br> +‘One cannot say the price because one does not know it. +You see, it is always going up and down. By this time it may be +a little higher or a little lower than yesterday. There cannot +be much change, that is certain. Great Scot, Maude, it is ten-fifteen. +Three and a half minutes for a quarter of a mile. Good-bye, darling! +I just love you in that bodice. O Lord - good-bye!’<br> +<br> +<br> +‘Well, has anything happened?’<br> +<br> +‘Yes, you have come back. Oh I am so glad to see you, you +dear old boy!’<br> +<br> +‘Take care of that window, darling!’<br> +<br> +‘Oh, my goodness, I hope he didn’t see. No, it’s +all right. He was looking the other way. We have the gold +shares all right.’<br> +<br> +‘Harrison has telegraphed?’<br> +<br> +‘Yes, here it is.’ -<br> +<br> +<br> +‘Crosse, The Lindens, Woking. - Bought two hundred El Dorados +at 4¾.<br> +<br> +HARRISON.’<br> +<br> +<br> +‘That is capital. I rather expected to see Harrison in the +train. I shouldn’t be surprised if he calls on his way from +the station. He has to pass our door, you know, on his way to +Maybury.’<br> +<br> +‘He is sure to call.’<br> +<br> +‘What are you holding there?’<br> +<br> +‘It’s a paper.’<br> +<br> +‘What paper?’<br> +<br> +‘Who is it who talks about woman’s curiosity?’<br> +<br> +‘Let me see it.’<br> +<br> +‘Well, sir, if you must know, it is the <i>Financial Whisper.’<br> +<br> +</i>‘Where in the world did you get it?’<br> +<br> +‘I knew that the Montresors took a financial paper. I remember +Mrs. Montresor saying once how dreadfully dry it was. So when +you were gone I sent Jemima round and borrowed it, and I have read it +right through to see if there was anything about our mine in it <i>- +our </i>mine, Frank; does it not sound splendid?’<br> +<br> +‘Well, is there anything?’<br> +<br> +She clapped her hands with delight.<br> +<br> +‘Yes, there is. “This prosperous mine - ” that +is what it says. Look here, it is under the heading of Australian +Notes,’ she held out the paper and pointed, but his face fell +as he looked.<br> +<br> +‘O Maude, it’s preposterous.’<br> +<br> +‘What is preposterous?’<br> +<br> +‘The word is preposterous and not prosperous - “this preposterous +mine.”’<br> +<br> +‘Frank!’ She turned her face away.<br> +<br> +‘Never mind, dear! What’s the odds?’<br> +<br> +‘O Frank, our first investment - our fifty pounds! And to +think that I should have kept the paper as a surprise for you!’<br> +<br> +‘Well, the print is a little slurred, and it was a very natural +mistake. After all, the paper may be wrong. Oh don’t, +Maude, please don’t! It’s not worth it - all the gold +on the earth is not worth it. There’s a sweet girlie! +Now, are you better? Oh, damn those open curtains!’<br> +<br> +A tall and brisk young man with a glossy hat was coming through the +garden. An instant later Jemima had ushered him in.<br> +<br> +‘Hullo, Harrison!’<br> +<br> +‘How do you do, Crosse? How are you, Mrs. Crosse?’<br> +<br> +‘How do you do? I’ll just order tea if you will excuse +me.’<br> +<br> +Ordering tea seemed to involve a good deal of splashing water. +Maude came back with a merrier face.<br> +<br> +‘Is this a good paper, Mr. Harrison?’<br> +<br> +‘What is it? <i>Financial Whisper</i>! No, the most +venal rag in the city.’<br> +<br> +‘Oh, I am so glad!’<br> +<br> +‘Why?’<br> +<br> +‘Well, you know, we bought some shares to-day, and it calls our +mine a preposterous one.’<br> +<br> +‘Oh, is that all. Who cares what the <i>Financial Whisper +</i>says! It would call the Bank of England a preposterous institution +if it thought it could bear Consols by doing so. Its opinion is +not worth a halfpenny. By the way, Crosse, it was about those +shares that I called.’<br> +<br> +‘I thought you might. I have only just got back myself, +and I saw by your wire that you had bought them all right.’<br> +<br> +‘Yes, I thought I had better let you have your contract at once. +Settling day is on Monday, you know.’<br> +<br> +‘All right. Thank you. I will let you have a cheque. +What - what’s this?’<br> +<br> +The contract had been laid face upwards upon the table. Frank +Crosse’s face grew whiter and his eyes larger as he stared at +it. It ran in this way -<br> +<br> +<br> +13a THROGMORTON STREET.<br> +<br> +Bought for Francis Crosse, Esq.<br> +<br> +<pre> +(Subject to the Specific Rules and Regulations of the Stock Exchange.)<br> +200 El Dorado Proprietaries at 4¾ £950 + 0 0<br> +Stamps and Fees + 4 17 6<br> +Commission + 7 10 0<br> + £962 + 7 6<br> +<br> +For the 7th inst.<br> +</pre> +<p> +<br> +<br> +‘I fancy there is some mistake here, Harrison,’ said he, +speaking with a very dry pair of lips.<br> +<br> +‘A mistake!’<br> +<br> +‘Yes, this is not at all what I expected.’<br> +<br> +‘O Frank! Nearly a thousand pounds!’ gasped Maude.<br> +<br> +Harrison glanced from one of them to the other. He saw that the +matter was serious.<br> +<br> +‘I am very sorry if there has been any mistake. I tried +to obey your instructions. You wanted two hundred El Dorados, +did you not?’<br> +<br> +‘Yes, at four and ninepence.’<br> +<br> +‘Four and ninepence! They are four pound fifteen each.’<br> +<br> +‘But I read that they were only ten shillings originally, and +that they had been falling.’<br> +<br> +‘Yes, they have been falling for months. But they were as +high as ten pounds once. They are down at four pound fifteen now.’<br> +<br> +‘Why on earth could the paper not say so?’<br> +<br> +‘When a fraction is used, it always means a fraction of a pound.’<br> +<br> +‘Good heavens! And I have to find this sum before Monday.’<br> +<br> +‘Monday is settling day.’<br> +<br> +‘I can’t do it, Harrison. It is impossible.’<br> +<br> +‘Then there is the obvious alternative.’<br> +<br> +‘No, I had rather die. I will never go bankrupt - never!’<br> +<br> +Harrison began to laugh, and then turned stonily solemn as he met a +pair of reproachful grey eyes.<br> +<br> +‘It strikes me that you have not done much at this game, Crosse.’<br> +<br> +‘Never before - and by Heaven, never again!’<br> +<br> +‘You take it much too hard. When I spoke of an alternative, +I never dreamed of bankruptcy. All you have to do is to sell your +stock to-morrow morning, and pay the difference.’<br> +<br> +‘Can I do that?’<br> +<br> +‘Rather. Why not?’<br> +<br> +‘What would the difference be?’<br> +<br> +Harrison took an evening paper from his pocket. ‘We deal +in rails chiefly, and I don’t profess to keep in touch with the +mining market. We’ll find the quotation here. By Jove!’ +He whistled between his teeth.<br> +<br> +‘Well!’ said Frank, and felt his wife’s little warm +palm fall upon his hand under the table.<br> +<br> +‘The difference is in your favour.’<br> +<br> +‘In my favour?’<br> +<br> +‘Yes, listen to this. “The mining markets, both the +South African and the Australian, opened dull, but grew more animated +as the day proceeded, prices closing at the best. Out crops upon +the Rand mark a general advance of one-sixteenth to one-eighth. +The chief feature in the Australian section was a sharp advance of five-eighths +in El Dorados, upon a telegram that the workings had been pumped dry.” +Crosse, I congratulate you.’<br> +<br> +‘I can really sell them for more than I gave?’<br> +<br> +‘I should think so. You have two hundred of them, and a +profit of ten shillings on each.’<br> +<br> +‘Maude, we’ll have the whisky and the soda. Harrison, +you must have a drink. Why, that’s a hundred pounds.’<br> +<br> +‘More than a hundred.’<br> +<br> +‘Without my paying anything?’<br> +<br> +‘Not a penny.’<br> +<br> +‘When does the Exchange open to-morrow?’<br> +<br> +‘The rattle goes at eleven.’<br> +<br> +‘Well, be there at eleven, Harrison. Sell them at once.’<br> +<br> +‘You won’t hold on and watch the market?’<br> +<br> +‘No, no - I won’t have an easy moment until they are sold.’<br> +<br> +‘All right, my boy. You can rely upon me. You will +get a cheque for your balance on Tuesday or Wednesday. Good evening! +I am so glad that it has all ended well.’<br> +<br> +‘And the joke of it is, Maude,’ said her husband, after +they had talked over the whole adventure from the beginning. ‘The +joke of it is that we have still to find an investment for our original +fifty pounds. I am inclined to put it into Consols after all.’<br> +<br> +‘Well,’ said Maude, ‘perhaps it would be the patriotic +thing to do.’<br> +<br> +Two days later the poor old Broadwood with the squeaky treble and the +wheezy bass was banished for ever from The Lindens, and there arrived +in its place a ninety-five-guinea cottage grand, all dark walnut and +gilding, with notes in it so deep and rich and resonant that Maude could +sit before it by the hour and find music enough in simply touching one +here and one there, and listening to the soft, sweet, reverberant tones +which came swelling from its depths. Her El Dorado piano, she +called it, and tried to explain to lady visitors how her husband had +been so clever at business that he had earned it in a single day. +As she was never very clear in her own mind how the thing had occurred, +she never succeeded in explaining it to any one else, but a vague and +solemn impression became gradually diffused abroad that young Mr. Frank +Crosse was a very remarkable man, and that he had done something exceedingly +clever in the matter of an Australian mine.<br> +<br> +<br> +<br> +CHAPTER XVIII - A THUNDERCLOUD<br> +<br> +<br> +<br> +Blue skies and shining sun, but far down on the horizon one dark cloud +gathers and drifts slowly upwards unobserved. Frank Crosse was +aware of its shadow when coming down to breakfast he saw an envelope +with a well-remembered handwriting beside his plate. How he had +loved that writing once, how his heart had warmed and quickened at the +sight of it, how eagerly he had read it - and now a viper coiled upon +the white table-cloth would hardly have given him a greater shock. +Contradictory, incalculable, whimsical life! A year ago how scornfully +he would have laughed, what contemptuous unbelief would have filled +his soul, if he had been told that any letter of hers could have struck +him cold with the vague apprehension of coming misfortune. He +tore off the envelope and threw it into the fire. But before he +could glance at the letter there was the quick patter of his wife’s +feet upon the stair, and she burst, full of girlish health and high +spirits, into the little room. She wore a pink crepon dressing-gown, +with cream guipure lace at the neck and wrists. Pink ribbon outlined +her trim waist. The morning sun shone upon her, and she seemed +to him to be the daintiest, sweetest tiling upon earth. He had +thrust his letter into his pocket as she entered.<br> +<br> +‘You will excuse the dressing-gown, Frank.’<br> +<br> +‘I just love you in it. No, you mustn’t pass. +Now you can go.’<br> +<br> +‘I was so afraid that you would breakfast without me that I had +no time to dress. I shall have the whole day to finish in when +you are gone. There now - Jemima has forgotten to warm the plates +again! And your coffee is cold. I wish you had not waited.’<br> +<br> +‘Better cold coffee with Maude’s society.’<br> +<br> +‘I always thought men gave up complimenting their wives after +they married them. I am so glad you don’t. I think +on the whole that women’s ideas of men are unfair and severe. +The reason is that the women who have met unpleasant men run about and +make a noise, but the women who are happy just keep quiet and enjoy +themselves. For example, I have not time to write a book explaining +to every one how nice Frank Crosse is; but if he were nasty my life +would be empty, and so of course I should write my book.’<br> +<br> +‘I feel such a fraud when you talk like that.’<br> +<br> +‘That is part of your niceness.’<br> +<br> +‘Oh don’t, Maude! It really hurts me.’<br> +<br> +‘Why, Frank, what is the matter with you to-day?’<br> +<br> +‘Nothing, dear.’<br> +<br> +‘Oh yes, there is. I can tell easily.’<br> +<br> +‘Perhaps I am not quite myself.’<br> +<br> +‘No, I am sure that you are not. I believe that you have +a cold coming on. O Frank, do take some ammoniated quinine.’<br> +<br> +‘Good heavens, no!’<br> +<br> +‘Please! Please!’<br> +<br> +‘My dear girlie, there is nothing the matter with me.’<br> +<br> +‘But it is such splendid stuff.’<br> +<br> +‘Yes, I know. But really I don’t want it.’<br> +<br> +‘Have you had any letters, Frank?’<br> +<br> +‘Yes, one.’<br> +<br> +‘Anything important?’<br> +<br> +‘I have hardly glanced at it yet.’<br> +<br> +‘Glance at it now.’<br> +<br> +‘Oh, I will keep it for the train. Good-bye, dearest. +It is time that I was off.’<br> +<br> +‘If you would only take the ammoniated quinine. You men +are so proud and obstinate. Good-bye, darling. Eight hours, +and then I shall begin to live again.’<br> +<br> +He had a quiet corner of a carriage to himself, so he unfolded his letter +and read it. Then he read it again with frowning brows and compressed +lips. It ran in this way -<br> +<br> +<br> +My Dearest Frankie, - I suppose that I should not address you like this +now that you are a good little married man, but the force of custom +is strong, and, after all, I knew you long before she did. I don’t +suppose you were aware of it, but there was a time when I could very +easily have made you marry me, in spite of all you may know about my +trivial life and adventures, but I thought it all over very carefully, +and I came to the conclusion that it was not good enough. You +were always a dear good chap yourself, but your prospects were not quite +dashing enough for your festive Violet. I believe in a merry time +even if it is a short one. But if I had really wanted to settle +down in a humdrum sort of way, you are the man whom I should have chosen +out of the whole batch of them. I hope what I say won’t +make you conceited, for one of your best points used to be your modesty.<br> +<br> +But for all that, my dear Frankie, I by no means give you up altogether, +and don’t you make any mistake about that. It was only yesterday +that I saw Charlie Scott, and he told me all about you, and gave me +your address. Don’t you bless him? And yet I don’t +know. Perhaps you have still a kindly thought of your old friend, +and would like to see her.<br> +<br> +But you are going to see her whether you like or not, my dear boy, so +make up your mind to that. You know how you used to chaff me about +my whims. Well, I’ve got a whim now, and I’ll have +my way as usual. I am going to see you to-morrow, and if you won’t +see me under my conditions in London, I shall call at Woking in the +evening. Oh my goodness, what a bombshell! But you know +that I am always as good as my word. So look out!<br> +<br> +Now I’ll give you your orders for the day, and don’t you +forget them. To-morrow (Thursday, 14th, no excuses about the date) +you will leave your office at 3.30. I know that you can when you +like. You will drive to Mariani’s, and you will find me +at the door. We shall go up to our old private room, and we shall +have tea together, and a dear old chat about all sorts of things. +So come! But if you don’t, there is a train which leaves +Waterloo at 6.10 and reaches Woking at 7. I will come by it and +be just in time for dinner. What a joke it will be!<br> +<br> +Good-bye, old boy! I hope your wife does not read your letters, +or this will rather give her fits.<br> +<br> +- Yours as ever, VIOLET WRIGHT.<br> +<br> +<br> +At the first reading this letter filled him with anger. To be +wooed by a very pretty woman is pleasant even to the most austere of +married men (and never again trust the one who denies it), but to be +wooed with a very dangerous threat mixed up with the wooing is no such +pleasant experience. And it was no empty threat. Violet +was a woman who prided herself upon being as good as her word. +She had laughingly said with her accustomed frankness upon one occasion +that it was her sole remaining virtue. If he did not go to Mariani’s, +she would certainly come to Woking. He shuddered to think of Maude +being annoyed by her. It was one thing to speak in a general way +to his wife of prematrimonial experiences, and it was another to have +this woman forcing herself upon her and making a scene. The idea +was so vulgar. The sweet, pure atmosphere of The Lindens would +never be the same again.<br> +<br> +No, there was no getting out of it. He must go to Mariani’s. +He was sufficiently master of himself to know that no harm could come +of that. His absolute love for his wife shielded him from all +danger. The very thought of infidelity nauseated him. And +then, as the idea became more familiar to him, other emotions succeeded +that of anger. There was an audacity about his old flame, a spirit +and devilment, which appealed to his sporting instincts. Besides, +it was complimentary to him, and flattering to his masculine vanity, +that she should not give him up without a struggle. Merely as +a friend it would not be disagreeable to see her again. Before +he had reached Clapham Junction his anger had departed, and by the time +that he arrived at Waterloo he was surprised to find himself looking +forward to the interview.<br> +<br> +Mariani’s is a quiet restaurant, famous for its <i>lachryma christi +spumante, </i>and situated in the network of sombre streets between +Drury Lane and Covent Garden. The fact of its being in a by-street +was not unfavourable to its particular class of business. Its +customers were very free from the modern vice of self-advertisement, +and would even take some trouble to avoid publicity. Nor were +they gregarious or luxurious in their tastes. A small, simple +apartment was usually more to their taste than a crowded salon, and +they were even prepared to pay a higher sum for it.<br> +<br> +It was five minutes to four when Frank arrived, and the lady had not +yet appeared. He stood near the door and waited. Presently +a hansom rattled into the narrow street, and there she sat framed in +its concavity. A pretty woman never looks prettier than in a hansom, +with the shadows behind to give their Rembrandt effect to the face in +front. She raised a yellow kid hand, and flashed a smile at him.<br> +<br> +‘Just the same as ever,’ said she, as he handed her down.<br> +<br> +‘So are you.’<br> +<br> +‘So glad you think so. I am afraid I can’t quite agree +with you. Thirty-four yesterday. It’s simply awful. +Thank you, I have some change. All right, cabby. Well, have +you got a room?’<br> +<br> +‘No.’<br> +<br> +‘But you’ll come?’<br> +<br> +‘Oh yes, I should like to have a chat.’<br> +<br> +The clean-shaven, round-faced manager, a man of suave voice and diplomatic +manner, was standing in the passage. His strange life was spent +in standing in the passage. He remembered the pair at once, and +smiled paternally.<br> +<br> +‘Not seen you for some time, sir!’<br> +<br> +‘No, I have been engaged.’<br> +<br> +‘Married,’ said the lady.<br> +<br> +‘Dear me!’ said the proprietor. ‘Tea, sir?’<br> +<br> +‘And muffins. You used to like the muffins.’<br> +<br> +‘Oh yes, muffins by all means.’<br> +<br> +‘Number ten,’ said the proprietor, and a waiter showed them +upstairs. ‘All meals nine shillings each,’ he whispered, +as Frank passed him at the door. He was a new waiter, and so mistook +every one for a new customer, which is an error which runs through life.<br> +<br> +It was a dingy little room with a round table covered by a soiled cloth +in the middle. Two windows, discreetly blinded, let in a dim London +light. An armchair stood at each side of the empty fireplace, +and an uncomfortable, old-fashioned, horsehair sofa lined the opposite +wall. There were pink vases upon the mantelpiece, and a portrait +of Garibaldi above it.<br> +<br> +The lady sat down and took off her gloves. Frank stood by the +window and smoked a cigarette. The waiter rattled and banged and +jingled with the final effect of producing a tea-tray and a hot-water +dish. ‘You’ll ring if you want me, sir,’ said +he, and shut the door with ostentatious completeness.<br> +<br> +‘Now we can talk,’ said Frank, throwing his cigarette into +the fireplace. ‘That waiter was getting on my nerves.’<br> +<br> +‘I say, I hope you’re not angry.’<br> +<br> +‘What at?’<br> +<br> +‘Well, my saying I should come down to Woking, and all that.’<br> +<br> +‘I should have been angry if I thought you had meant it.’<br> +<br> +‘Oh, I meant it right enough.’<br> +<br> +‘But with what object?’<br> +<br> +‘Just to get level with you, Frankie, if you threw me over too +completely. Hang it all, she has three hundred and sixty-five +days in the year! Am I to be grudged a single hour?’<br> +<br> +‘Well, Violet, we won’t quarrel about it. You see +I came all right. Pull up your chair and have some tea.’<br> +<br> +‘You haven’t even looked at me yet. I won’t +take any tea until you do.’<br> +<br> +She stood up in front of him, and pushed up her veil. It was a +face and a figure worth looking at. Hazel eyes, dark chestnut +hair, a warm flush of pink in her cheeks, the features and outline of +an old Grecian goddess, but with more of Juno than of Venus, for she +might perhaps err a little upon the side of opulence. There was +a challenge and defiance dancing in those dark devil-may-care eyes of +hers which might have roused a more cold-blooded man than her companion. +Her dress was simple and dark, but admirably cut. She was clever +enough to know that a pretty woman should concentrate attention upon +herself, and a plain one divert it to her adornments.<br> +<br> +‘Well?’<br> +<br> +‘By Jove, Violet, you look splendid.’<br> +<br> +‘Well?’<br> +<br> +‘The muffins are getting cold.’<br> +<br> +‘Frankie, what <i>is </i>the matter with you?’<br> +<br> +‘Nothing is the matter.’<br> +<br> +‘Well?’<br> +<br> +She put out her two hands and took hold of his. That well-remembered +sweet, subtle scent of hers rose to his nostrils. There is nothing +more insidious than a scent which carries suggestions and associations. +‘Frankie, you have not kissed me yet.’<br> +<br> +She turned her smiling face upwards and sideways, and for an instant +he leaned forward towards it. But he had himself in hand again +in a moment. It gave him confidence to find how quickly and completely +he could do it. With a laugh, still holding her two hands, he +pushed her back into the chair by the table.<br> +<br> +‘There’s a good girl!’ said he. ‘Now we’ll +have some tea, and I’ll give you a small lecture while we do so.’<br> +<br> +‘You are a nice one to give lectures.’<br> +<br> +‘Oh, there’s no such preacher as a converted sinner.’<br> +<br> +‘You really are converted then?’<br> +<br> +‘Rather. Two lumps, if I remember right. You ought +to do this, not I. No milk, and very strong - how you keep your +complexion I can’t imagine. But you do keep it; my word, +you do! Now please don’t look so crossly at me.’<br> +<br> +Her flushed cheeks and resentful eyes had drawn forth the remonstrance.<br> +<br> +‘You <i>are </i>changed,’ she said, with surprise as well +as anger in her voice.<br> +<br> +‘Why, of course I am. I am married.’<br> +<br> +‘For that matter Charlie Scott is married.’<br> +<br> +‘Don’t give Charlie Scott away.’<br> +<br> +‘I think I give myself away. So you have lost all your love +for me. I thought it was to last for ever.’<br> +<br> +‘Now, do be sensible, Violet.’<br> +<br> +‘Sensible! How I loathe that word! A man only uses +it when he is going to do something cold-blooded and mean. It +is always the beginning of the end.’<br> +<br> +‘What do you want me to do?’<br> +<br> +‘I want you to be my own Frankie - just the same as before. +Ah do, Franck - don’t leave me! You know I would give any +of them up for you. And you have a good influence over me - you +have really! You call’t think how hard I am with other people. +Ask Charlie Scott. He will tell you. I’ve been so +different since I have lost sight of you. Now, Frankie, don’t +be horrid to me! Kiss and be nice!’ Again her soft +warm hand was upon his, and the faint sweet smell of violets went to +his blood like wine. He jumped up, lit another cigarette, and +paced about the room.<br> +<br> +‘You shan’t have a cigarette, Frankie.’<br> +<br> +‘Why not?’<br> +<br> +‘Because you said once it helped you to control yourself. +I don’t want you to control yourself. I want you to feel +as I feel.’<br> +<br> +‘Do sit down, like a good girl!’<br> +<br> +‘Cigarette out!’<br> +<br> +‘Don’t be absurd, Violet!’<br> +<br> +‘Come, out with it, sir.’<br> +<br> +‘No, no, leave it alone!’<br> +<br> +She had snatched it from his lips and thrown it into the grate.<br> +<br> +‘What is the use of that? I have a case full.’<br> +<br> +‘They shall all follow the first.’<br> +<br> +‘Well, then, I won’t smoke.’<br> +<br> +‘I’ll see that you don’t.’<br> +<br> +‘Well, what the better are you for that?’<br> +<br> +‘Now, be nice.’<br> +<br> +‘Go back to your chair and have some more tea.’<br> +<br> +‘Oh, bother the tea!’<br> +<br> +‘Well, I won’t speak to you unless you sit down and behave +yourself.’<br> +<br> +‘There now! Speak away.’<br> +<br> +‘Look here, dear Violet, you must not talk about this any more. +Some things are possible and some are impossible. This is absolutely, +finally impossible. We can never go back upon the past. +It is finished and done with.’<br> +<br> +‘Then what did you come here for?’<br> +<br> +‘To bid you good-bye.’<br> +<br> +‘A Platonic good-bye.’<br> +<br> +‘Of course.’<br> +<br> +‘In a private room at Mariani’s.’<br> +<br> +‘Why not?’<br> +<br> +She laughed bitterly.<br> +<br> +‘You were always a little mad, Frankie.’<br> +<br> +He leaned earnestly over the table.<br> +<br> +‘Look here, Violet, the chances are that we shall never meet again.’<br> +<br> +‘It takes two to say that.’<br> +<br> +‘Well, I mean that after to-day I should not meet you again. +If you were not quite what you are it would be easier. But as +it is I find it a little too much of a test. No, don’t mistake +me or think that I am weakening. That is impossible. But +all the same I don’t want to go through it again.’<br> +<br> +‘So sorry if I have upset you.’<br> +<br> +He disregarded her irony.<br> +<br> +‘We have been very good friends, Violet. Why should we part +as enemies?’<br> +<br> +‘Why should we part at all?’<br> +<br> +‘We won’t go back over that. Now do please look facts +in the face and help me to do the right thing, for it would be so much +easier if you would help me. If you were a very good and kind +girl you would shake my hand, like any other old pal, and wish me joy +of my marriage. You know that I should do so if I knew that you +were going to be married.’<br> +<br> +But the lady was not to be so easily appeased. She took her tea +in silence or answered his remarks with monosyllables, while the occasional +flash of her dark eyes as she raised them was like the distant lightning +which heralds the storm. Suddenly, with a swift rustle of skirts, +she was between the door and his chair.<br> +<br> +‘Now, Frankie, we have had about enough of this nonsense,’ +said she. ‘Don’t imagine that you are going to get +out of this thing so easily. I’ve got you, and I’ll +keep you.’<br> +<br> +He faced round in his chair and looked helplessly at her with a hand +upon each knee.<br> +<br> +‘O Lord! Don’t begin it all over again,’ said +he.<br> +<br> +‘No, I won’t,’ she answered with an angry laugh. +‘I’ll try another line this time, Master Frank. I’m +not the sort of woman who lets a thing go easily when once I have set +my heart upon it. I won’t try coaxing any longer - ’<br> +<br> +‘So glad,’ he murmured.<br> +<br> +‘You may say what you like, but you can’t do it, my boy. +I knew you before she did, and I’ll keep you, or else I’ll +make such a row that you will be sorry that you ever put my back up. +It’s all very fine to sit there and preach, but it won’t +do, Frankie. You can’t slip out of things as easily as all +that.’<br> +<br> +‘Why should you turn nasty like this, Violet? What do you +think you will gain by it?’<br> +<br> +‘I mean to gain <i>you</i>. I like you, Frankie. I’m +not sure that I don’t really love you - real, real love, you know. +Any way, I don’t intend to let you go, and if you go against my +will I give you my word that I shall make it pretty sultry for you down +at Woking.’<br> +<br> +He stared moodily into his teacup.<br> +<br> +‘Besides, what rot it all is!’ she continued, laying her +hand upon his shoulder. ‘When did you begin to ride the +high moral horse? You were just as cheerful as the rest of them +when last I saw you. You speak as if a man ceased to live just +because he is married. What has changed you?’<br> +<br> +‘I’ll tell you what has changed me,’ said he, looking +up. ‘My wife has changed me.’<br> +<br> +‘Oh, bother your wife!’<br> +<br> +A look which was new to her came over his face.<br> +<br> +‘Stop that!’ said he sharply.<br> +<br> +‘Oh, no harm! How has your wife made this wonderful change?’<br> +<br> +His mood softened as his thoughts flew back to Woking.<br> +<br> +‘By her own goodness - the atmosphere that she makes round her. +If you knew how wholesome she was, how delicate in her most intimate +thoughts, how fresh and how sweet and how pure, you would understand +that the thought of being false to her is horrible. When I think +of her as she sat at breakfast this morning, so loving and so innocent +- ’<br> +<br> +He would have been more discreet if he had been less eloquent. +The lady’s temper suddenly overflowed.<br> +<br> +‘Innocent!’ she cried. ‘As innocent as I am.’<br> +<br> +He sprang to his feet with eyes which were more angry than her own.<br> +<br> +‘Hold your tongue! How dare you talk against my wife! +You are not fit to mention her name.’<br> +<br> +‘I’ll go to Woking,’ she gasped.<br> +<br> +‘You can go to the devil!’ said he, and rang the bell for +his bill. She stared at him with a surprise which had eclipsed +her anger, while she pulled on her gloves with little sharp twitches. +This was a new Frank Crosse to her. As long as a woman gets on +very well with a man, she is apt, at the back of her soul, to suspect +him of weakness. It is only when she differs from him that she +can see the other side, and it always comes as a surprise. She +liked him better than ever for the revelation.<br> +<br> +‘I’m not joking,’ she whispered, as they went down +the stair. ‘I’ll go, as sure as fate.’<br> +<br> +He took no notice, but passed on down the street without a word of farewell. +When he came to the turning he looked back. She was standing by +the curb, with her proud head high in the air, while the manager screamed +loudly upon a whistle. A cab swung round a distant corner. +Crosse reached her before it did.<br> +<br> +‘I hope I haven’t hurt your feelings,’ said he. +‘I spoke too roughly.’<br> +<br> +‘Trying to coax me away from Woking,’ she sneered. +‘I’m coming all the same.’<br> +<br> +‘That’s your affair,’ said he, as he handed her into +the cab.<br> +<br> +<br> +<br> +CHAPTER XIX - DANGER<br> +<br> +<br> +<br> +Again the bright little dining-room, with the morning sun gleaming upon +the high silver coffee pot and the electro-plated toast-rack - everything +the same, down to the plates which Jemima had once again forgotten to +warm. Maude, with the golden light playing upon the fringes of +her curls, and throwing two little epaulettes of the daintiest pink +across her shoulders, sat in silence, glancing across from time to time +with interrogative eyes at her husband. He ate his breakfast moodily, +for he was very ill at ease. There was a struggle within him, +for his conscience was pulling him one way and his instincts the other. +Instincts are a fine old conservative force, while conscience is a thing +of yesterday, so it is usually safe to prophesy which will sway the +other.<br> +<br> +The matter at issue was whether he should tell Maude about Violet Wright. +If she were going to carry out her threat, then certainly it would be +better to prepare her. But after all, his arguments of yesterday +might prevail with her when her first impetuous fit of passion was over. +Why should he go half-way to meet danger? If it came, nothing +which he could say would ward it off. If it did not come, there +was no need for saying anything. Conscience told him that it would +be better to be perfectly straight with his wife. Instinct told +him that though she would probably be sweet and sympathetic over it, +yet it would rankle in her mind and poison her thoughts. And perhaps +for once, Instinct may have been better than Conscience. Do not +ask too many questions, you young wife! Do not be too free with +your reminiscences, you young husband. There are things which +can be forgiven, but never, never, can they be forgotten. That +highest thing on earth, the heart of a loving woman, is too tender, +too sacred, to be bruised by a wanton confidence. You are hers. +She is yours. The future lies with both of you. It is wiser +to leave the past alone. The couples who boast that they have +never had a secret are sometimes happy because the boast is sometimes +untrue.<br> +<br> +‘You won’t be late to-day, Frank,’ said Maude at last, +peeping round the tall coffee-pot.<br> +<br> +‘No, dear, I won’t.’<br> +<br> +‘You were yesterday, you know.’<br> +<br> +‘Yes, I know I was.’<br> +<br> +‘Were you kept at the office?’<br> +<br> +‘No, I had tea with a friend.’<br> +<br> +‘At his house?’<br> +<br> +‘No, no, at a restaurant. Where has Jemima put my boots? +I wonder if she has cleaned them. I can never tell by looking. +Here they are. And my coat? Anything I can get you in town? +Well, good-bye, dear, good-bye!’ Maude had never seen him +make so hurried an exit.<br> +<br> +It is always a mystery to the City man how his wife puts in the seven +hours a day of loneliness while the E.C. has claimed him for its own. +She cannot explain it to him, for she can hardly explain it to herself. +It is frittered away in a thousand little tasks, each trivial in itself, +and yet making in their sum the difference between a well-ordered and +a neglected household. Under the illustrious guidance of the omniscient +Mrs. Beeton there is the usual routine to be gone through. The +cook has to be seen, the larder examined, the remains cunningly transformed +into new and attractive shapes, the dinner to be ordered (anything will +do for lunch), and the new supplies to be got in. The husband +accepts the excellent little dinner, the fried sole, the <i>ris de veau +en caisse</i>, the lemon pudding, as if they had grown automatically +out of the table-cloth. He knows nothing of the care, the judgment, +the prevision which ring the changes with every season, which never +relax and never mistake. He enjoys the fruits, but he ignores +the work which raised them. And yet the work goes cheerfully and +uncomplainingly on.<br> +<br> +Then when every preparation has been made for the dinner - that solemn +climax of the British day, there is plenty for Maude to do. There +is the white chiffon to be taken out of the neck of that dress, and +the pink to be put in. Amateur dressmaking is always going on +at The Lindens, and Frank has become more careful in his caresses since +he found one evening that his wife had a row of pins between her lips +- which is not a pleasant discovery to make with your own. Then +there are drawers to be tidied, and silver to be cleaned, and the leaves +of the gutta-percha plant to be washed, and the feather which was damped +yesterday to be re-curled before the fire. That leaves just time +before lunch to begin the new novel by glancing at the last two pages +to see what <i>did </i>happen, and then the three minutes lunch of a +lonely woman. So much for business, now for the more trying social +duties. The pink dressing-gown is shed and a trim little walking +dress - French grey cloth with white lisse in front and a grey zouave +jacket - takes its place. Visiting strangers is not nearly so +hard when you are pleased with your dress, and even entertaining becomes +more easy when your costumière lives in Regent Street. +On Tuesdays Maude is at home. Every other day she hunts through +her plate of cards, and is overwhelmed by the sense of her rudeness +towards her neighbours. But her task is never finished, though +day after day she comes back jaded with her exertions. Strangers +still call upon her - ‘hope it is not too late to do the right +thing, and to welcome,’ etc., etc. - and they have to be re-visited. +While she is visiting them, other cards appear upon her hall table, +and so the foolish and tiresome convention continues to exhaust the +time and the energies of its victim.<br> +<br> +Those original receptions were really very difficult. Jemima announced +a name which might or might not bear some relation to the visitor’s. +The lady entered. Her name might perhaps be Mrs. Baker. +Maude had no means of knowing who Mrs. Baker might be. The visitor +seldom descended to an explanation. Ten minutes of desultory and +forced conversation about pinewoods and golf and cremation. A +cup of tea and a departure. Then Maude would rush to the card-tray +to try to find out whom it was that she had been talking to, and what +it was all about.<br> +<br> +Maude did not intend to go visiting that particular day, and she had +hoped that no one might visit her. The hours of danger were almost +past, and it was close upon four o’clock, when there came a brisk +pull at the bell.<br> +<br> +‘Mrs. White,’ said Jemima, opening the drawing-room door.<br> +<br> +‘Wright,’ said the visitor, as she walked in - ‘Mrs. +Violet Wright.’<br> +<br> +Maude rose with her pleasant smile. It was a peculiarly sweet +and kindly smile, for it was inspired by a gentle womanly desire to +make things pleasant for all who were around her. Amiability was +never artificial with her, for she had the true instincts of a lady +- those instincts so often spoken of, so seldom, so very seldom seen. +Like a gentleman, or a Christian, or any other ideal, it is but a poor +approximation which is commonly attained.<br> +<br> +But the visitor did not respond to the pretty gesture of welcome, nor +did her handsome face return that sympathetic smile. They stood +for an instant looking at each other, the one tall, masterful, mature, +the other sweet, girlish, and self-distrustful, but each beautiful and +engaging in her own way. Lucky Master Frank, whose past and present +could take such a form; but luckier still if he could have closed the +past when the present opened. The visitor was silent, but her +dark eyes looked critically and fixedly at her rival. Maude, setting +the silence down to the shyness of a first visit, tried to make matters +easier.<br> +<br> +‘Please try this armchair. No doubt you have had a tiring +walk. It is still very warm in the afternoons. I think it +was so kind of you to call.’<br> +<br> +A faint smile flickered upon the dark face.<br> +<br> +‘Kind of me to call!’ said she.<br> +<br> +‘Yes; for in a rising place like Woking, with so many new arrivals, +it must be quite a task for the older inhabitants to welcome them. +I have been so surprised by the kindness which every one has shown.’<br> +<br> +‘Oh, I see,’ said her visitor, ‘you think that I live +here. I have really just come down from London.’<br> +<br> +‘Indeed,’ said Maude, and awaited an explanation. +As none was forthcoming, she added, ‘You will find Woking a very +nice place.’<br> +<br> +‘A nice place to be buried in, alive or dead,’ said her +visitor.<br> +<br> +There was something peculiarly ungracious in her tone and manner. +It seemed to Maude that she had never before been alone with so singular +a person. There was, in the first place, her striking and yet +rather sinister and voluptuous beauty.<br> +<br> +Then there was the absolute carelessness of her manner, the quiet assumption +that she was outside the usual conventionalities of life. It is +a manner only to be met in English life, among some of the highest of +the high world, and some of the highest of the half world. It +was new to Maude, and it made her uncomfortable, while mingled with +it there was something else which made her feel for the first time in +her life that she had incurred the hostility of a fellow-mortal. +It chilled her, and made her unhappy.<br> +<br> +The visitor made no effort to sustain the conversation, but leaned back +in her chair and stared at her hostess with a very critical and searching +glance. Those two questioning dark eyes played eagerly over her +from her brown curls down to the little shining shoe-tips which peeped +from under the grey skirt. Especially they dwelt upon her face, +reading it and rereading it. Never had Maude been so inspected, +and her instinct told her that the inspection was not altogether a friendly +one.<br> +<br> +Violet Wright having examined her rival, proceeded now with the same +cool attention to take in her surroundings. She looked round deliberately +at the furniture of the room, and reconstructed in her own mind the +life of the people who owned it. Maude ventured upon one or two +conventional remarks, but her visitor was not to be diverted to the +weather or to the slowness of the South-Western train service. +She continued her quiet and silent inspection. Suddenly she rose +and swept across to the side-table. A photograph of Frank in his +volunteer uniform stood upon it.<br> +<br> +‘This is your husband, Mr. Frank Crosse?’<br> +<br> +‘Yes, do you know him?’<br> +<br> +‘Slightly. We have mutual friends.’ An ambiguous +smile played across her face as she spoke. ‘This must have +been taken after I saw him.’<br> +<br> +‘It was taken just after our marriage.’<br> +<br> +‘Quite so. He looks like a good little married man. +The photograph is flattering.’<br> +<br> +‘Oh, you think so!’ said Maude coldly. ‘My own +impression is that it fails to do him justice.’<br> +<br> +Her visitor laughed. ‘Of course that <i>would </i>be your +impression,’ said she.<br> +<br> +Maude’s gentle soul began to rise in anger.<br> +<br> +‘It is the truth,’ she cried.<br> +<br> +‘It is right that you should think so,’ the other answered, +with the same irritating laugh.<br> +<br> +‘You must have known him very slightly if you can’t see +that it is the truth.’<br> +<br> +‘Then I must have known him very slightly.’<br> +<br> +Maude was very angry indeed. She began to find sides to her own +nature the very existence of which she had never suspected. She +tapped her little shoe upon the ground, and she sat with a pale face, +and compressed lips, and bright eyes, quite prepared to be very rude +indeed to this eccentric woman who ventured to criticise her Frank in +so free and easy a style. Her visitor watched her, and a change +had come over her expression. Maude’s evident anger seemed +to amuse and interest her. Her eyes lost their critical coldness, +and softened into approval. She suddenly put her hand upon the +other’s shoulder with so natural and yet masterful a gesture, +that Maude found it impossible to resent it.<br> +<br> +‘He is a lucky man to have such a warm little champion,’ +said she.<br> +<br> +Her strong character and greater knowledge of the world gave her an +ascendency over the girlish wife such as age has over youth. There +were not ten years between them, and yet Maude felt that for some reason +the conversation between them could not quite be upon equal terms. +The quiet assurance of her visitor, whatever its cause, made resentment +or remonstrance difficult. Besides, they were a pair of very kindly +as well as of very shrewd eyes which now looked down into hers.<br> +<br> +‘You love him very much, then?’<br> +<br> +‘Of course I love him. He is my husband.’<br> +<br> +‘Does it always follow?’<br> +<br> +‘You are married yourself. Don’t you love yours?’<br> +<br> +‘Oh, never mind mine. <i>He’s</i> all right. +Did you ever love any one else?’<br> +<br> +‘No, not really.’<br> +<br> +Maude was astonished at herself, and yet the questions were so frankly +put that a frank answer came naturally to them. It pleased her +to lose that cold chill of dislike, and to feel that for some reason +her strange visitor had become more friendly to her.<br> +<br> +‘You lucky girl, you actually married the one love of your life!’<br> +<br> +Maude smiled and nodded.<br> +<br> +‘What a splendid thing to do! I thought it only happened +in books. How happy you must be!’<br> +<br> +‘I <i>am </i>very, very happy.’<br> +<br> +‘Well, I dare say you deserve to be. Besides, you really +are very pretty. If ever you had a rival, I should think that +it must be some consolation to her to know that it was so charming a +person who cut her out.’<br> +<br> +Maude laughed at the thought.<br> +<br> +‘I never had a rival,’ said she. ‘My husband +never <i>really </i>loved until he met me.’<br> +<br> +‘Did he - oh yes, quite so! That is so nice that you should +both start with a clean sheet! I thought you were very handsome +just now when you were angry with me, but you are quite delightful with +that little flush upon your cheeks. If I had been a man, your +husband would certainly have had one rival in his wooing. And +so he really never loved any one but you? I thought that also +only happened in books.’<br> +<br> +There was a hard and ironic tone in the last sentences which jarred +upon Maude’s sensitive nature. She glanced up quickly and +was surprised at the look of pain which had come upon her companion’s +face. It relaxed into a serious serenity.<br> +<br> +‘That fits in beautifully,’ said she. ‘But there’s +one bit of advice which I should like to give you, if you won’t +think it a liberty. Don’t be selfish in your married life.’<br> +<br> +‘Selfish!’<br> +<br> +‘Yes, there is a kind of family selfishness which is every bit +as bad - I am not sure that it is not worse - than personal selfishness. +People love each other, and they shut out the world, and have no thought +for any one else, and the whole universe can slide to perdition so long +as their love is not disturbed. That is what I call family selfishness. +It’s a sin and a shame.’<br> +<br> +Maude looked at this strange woman in amazement. She was speaking +fast and hotly, like one whose bitter thoughts have been long penned +up for want of a suitable listener.<br> +<br> +‘Remember the women who have been less fortunate than you. +Remember the thousands who are starving, dying, for want of love, and +no love comes their way; whose hearts yearn and faint for that which +Nature owes them, but Nature never pays her debt. Remember the +plain women. Remember the lonely women. Above all, remember +your unfortunate sisters; they, the most womanly of all, who have been +ruined by their own kindliness and trust and loving weakness. +It is that family selfishness which turns every house in the land into +a fort to be held against these poor wanderers. They make them +evil, and then they revile the very evil which they have made. +When I look back - ’<br> +<br> +She stopped with a sudden sob. Her forearm fell upon the mantelpiece, +and her forehead upon her forearm. In an instant Maude was by +her side, the tears running down her cheeks, for the sight of grief +was always grief to her, and her nerves were weakened by this singular +interview.<br> +<br> +‘Dear Mrs. Wright, don’t cry!’ she whispered, and +her little white hand passed in a soothing, hesitating gesture over +the coil of rich chestnut hair. ‘Don’t cry! +I am afraid you have suffered. Oh, how I wish I could help you! +Do tell me how I can help you.’<br> +<br> +But Violet’s occasional fits of weakness were never of a very +long duration. She dashed her hand impatiently across her eyes, +straightened her tall figure, and laughed as she glanced at herself +in the mirror.<br> +<br> +‘Madame Celandine would be surprised if she could see how I have +treated one of her masterpieces,’ said she, as she straightened +her crushed hat, and arranged her hair with those quick little deft +pats of the palm with which women can accomplish so much in so short +a time. Rumpled finery sets the hands of every woman within sight +of it fidgeting, so Maude joined in at the patting and curling and forgot +all about her tears.<br> +<br> +‘There, that will have to do,’ said Violet at last. +‘I am so sorry to have made such a fool of myself. I don’t +err upon the sentimental side as a rule. I suppose it is about +time that I thought of catching my train for town. I have a theatre +engagement which I must not miss.’<br> +<br> +‘How strange it is!’ said Maude, looking at her own pretty +tear-marked face in the mirror. ‘You have only been here +a few minutes, as time goes, and yet I feel that in some things I am +more intimate with you than with any woman I have ever met. How +can it be? What bond can there be to draw us together like this? +And it is the more extraordinary, because I felt that you disliked me +when you entered the room, and I am sure that you won’t be offended +if I say that when you had been here a little I thought that I disliked +you. But I don’t. On the contrary, I wish you could +come every day. And I want to come and see you also when I am +in town.’<br> +<br> +Maude, for all her amiability, was not gushing by nature, and this long +speech caused her great astonishment when she looked back upon it. +But at the moment it came so naturally from her heart that she never +paused to think of its oddity. Her enthusiasm was a little chilled, +however, by the way in which her advances were received. Violet +Wright’s eyes were more kindly than ever, but she shook her head.<br> +<br> +‘No, I don’t suppose we shall ever meet again. I don’t +think I could ask you to visit me in London. I wanted to see you, +and I have seen you, but that, I fear, must be the end of it.’<br> +<br> +Maude’s lip trembled in a way which it had when she was hurt.<br> +<br> +‘Why did you wish to see me, then?’ she asked.<br> +<br> +‘On account of that slight acquaintance with your husband. +I thought it would be interesting to see what sort of wife he had chosen.’<br> +<br> +‘I hope you are not disappointed,’ said Maude, making a +roguish face.<br> +<br> +‘He has done very well - better than I expected.’<br> +<br> +‘You had not much respect for his taste, then?’<br> +<br> +‘Oh yes, I always thought highly of his taste.’<br> +<br> +‘You have such a pretty way of putting things. You know +my husband very slightly, but still I can see that you know the world +very well. I often wonder if I am really the best kind of woman +that he could have married. Do you think I am, Mrs. Wright?’<br> +<br> +Her visitor looked in silence for a little at the gentle grace and dainty +sympathetic charm of the woman before her.<br> +<br> +‘Yes,’ she said slowly, as one who weighs her words. +‘I think you are. You are a lady with a lady’s soul +in you. A woman can draw a man down very low, or she can make +him live at his very highest. Don’t be soft with him. +Don’t give way when you know that your way is the higher way. +Pull him up, don’t let him ever pull you down. Then his +respect for you will strengthen his love for you, and the two together +are so much greater than either one apart. Your instinct would +be to do this, and therefore you are the best sort of woman for him.’<br> +<br> +Her opinion was given with so much thought, and yet so much decision, +that Maude glowed with pride and with pleasure. There was knowledge +and authority behind the words of this unaccountable woman.<br> +<br> +‘How sweet you are!’ she cried. ‘I feel that +what you say is true. I feel that that is what a wife should be +to her husband. Please God, I will be so to Frank!’<br> +<br> +‘And one other piece of advice before I leave you,’ said +Violet Wright. ‘Don’t ever take your husband for granted. +Don’t ever accept his kiss or caress as a routine thing. +Don’t ever relax those little attentions which you showed him +in the earliest days. Don’t let the freshness go out of +love, for the love may soon follow it, even when duty keeps the man +true. It is the commonest mistake which married women make. +It has caused more unhappiness than any other. They do not realise +it until it is too late. Be keenly watchful for your husband’s +wants and comforts. It is not the comfort but the attention which +he values. If it is not there he will say nothing, if he is a +good fellow, but he notices it all the same. She has changed, +he thinks. And from that moment he will begin to change also. +Be on your guard against that. It is very unselfish of me to give +you all this wise counsel.’<br> +<br> +‘It is very good of you, and I feel that it is all so true. +But why is it unselfish of you?’<br> +<br> +‘I only meant that I had no interest in the matter. What +does it matter to me whether you keep his love or not. And yet +I don’t know.’ She suddenly put her arms round Maude, +and kissed her upon the cheek. ‘You are a good little sort, +and I hope you will be happy.’<br> +<br> +<br> +Frank Crosse had disentangled himself from the rush of City men emerging +from the Woking station, and he was walking swiftly through the gathering +gloom along the vile, deeply-rutted road, which formed a short cut to +The Lindens. Suddenly, with a sinking heart, he was aware of a +tall graceful figure which was sweeping towards him. There could +not be two women of that height, who carried themselves in that fashion.<br> +<br> +‘Violet!’<br> +<br> +‘Hullo, Frankie! I thought it might be you, but those tall +hats and black overcoats make every one alike. Your wife will +be glad to see you.’<br> +<br> +‘Violet! You have ruined our happiness. How could +you have the heart to do it! It is not for myself I speak, God +knows. But to think of her feelings being so abused, her confidence +so shaken - ’<br> +<br> +‘All right, Frankie, there is nothing to be tragic about.’<br> +<br> +‘Haven’t you been to my house?’<br> +<br> +‘Yes, I have.’<br> +<br> +‘And seen her?’<br> +<br> +‘Yes.’<br> +<br> +‘Well then - ’<br> +<br> +‘I didn’t give you away, my boy. I was a model of +discretion. I give you my word that it is all right. And +she’s a dear little soul, Frankie. You’re not worthy +to varnish those pretty patent leathers of hers. You know you’re +not. And by Jove, Frankie, if you had stayed with me yesterday +I should never have forgiven you - no, never! I’ll resign +in her favour. I will. But in no one else’s, and if +ever I hear of your going wrong, my boy, or doing anything but the best +with that sweet trusting woman, I’ll make you curse the day that +ever you knew me - I will, by the living Jingo.’<br> +<br> +‘Do, Violet - you have my leave.’<br> +<br> +‘All right. The least said the soonest mended. Give +me a kiss before we part.’<br> +<br> +She raised her veil, and he kissed her. He was wearing some withered +flower in his overcoat, and she took it from him.<br> +<br> +‘It’s a souvenir of our friendship, Frankie, and rather +a good emblem of it also. So-long!’ said she, as she turned +down the weary road which leads to the station. A young golfer, +getting in at Byfleet, was surprised to see a handsome woman weeping +bitterly in the corner of a second-class carriage. ‘Comm’ +up from roastin’ somebody at that damned crematory place,’ +was his explanation to his companion.<br> +<br> +Frank had a long and animated account from Maude of the extraordinary +visitor whom she had entertained. ‘It’s such a pity, +dear, that you don’t know her well, for I should really like to +hear every detail about her. At first I thought she was mad, and +then I thought she was odious, and then finally she seemed to be the +very wisest and kindest woman that I had ever known. She made +me angry, and frightened, and grieved, and grateful, and affectionate, +one after the other, and I never in my life was so taken out of myself +by any one. She <i>is </i>so sensible!’<br> +<br> +‘Sensible, is she?’<br> +<br> +‘And she said that I was - oh! I can’t repeat it - +everything that is nice.’<br> +<br> +‘Then she <i>is </i>sensible.’<br> +<br> +‘And such a high opinion of your taste.’<br> +<br> +‘Had she indeed.’<br> +<br> +‘Do you know, Frank, I really believe that in a quiet, secret, +retiring sort of way she has been fond of you herself.’<br> +<br> +‘O Maude, what funny ideas you get sometimes! I say, if +we are going out for dinner, it is high time that we began to dress.’<br> +<br> +<br> +<br> +CHAPTER XX - NO. 5 CHEYNE ROW<br> +<br> +<br> +<br> +Frank had brought home the <i>Life of Carlyle, </i>and Maude had been +dipping into it in the few spare half-hours which the many duties of +a young housekeeper left her. At first it struck her as dry, but +from the moment that she understood that this was, among other things, +an account of the inner life of a husband and a wife, she became keenly +interested, and a passionate and unreasonable partisan. For Frederick +and Cromwell and the other great issues her feelings were tolerant but +lukewarm. But the great sex-questions of ‘How did he treat +her?’ and of ‘How did she stand it?’ filled her with +that eternal and personal interest with which they affect every woman. +Her gentle nature seldom disliked any one, but certainly amongst those +whom she liked least, the gaunt figure of the Chelsea sage began to +bulk largely. One night, as Frank sat reading in front of the +fire, he suddenly found his wife on her knees upon the rug, and a pair +of beseeching eyes upon his face.<br> +<br> +‘Frank, dear, I want you to make me a promise.’<br> +<br> +‘Well, what is it?’<br> +<br> +‘Will you grant it?’<br> +<br> +‘How can I tell you when I have not heard it?’<br> +<br> +‘How horrid you are, Frank! A year ago you would have promised +first and asked afterwards.’<br> +<br> +‘But I am a shrewd old married man now. Well, let me hear +it.’<br> +<br> +‘I want you to promise me that you will never be a Carlyle.’<br> +<br> +‘No, no, never.’<br> +<br> +‘Really?’<br> +<br> +‘Really and truly.’<br> +<br> +‘You swear it?’<br> +<br> +‘Yes, I do.’<br> +<br> +‘O Frank, you can’t think what a relief that is to me. +That dear, good, helpful, little lady - it really made me cry this morning +when I thought how she had been used.’<br> +<br> +‘How, then?’<br> +<br> +‘I have been reading that green-covered book of yours, and he +seemed so cold and so sarcastic and so unsympathetic. He never +seemed to appreciate all that she did for him. He had no thought +for her. He lived in his books and never in her - such a harsh, +cruel man!’<br> +<br> +Frank went upstairs, and returned with a volume in his hand.<br> +<br> +‘When you have finished the ‘Life,’ you must read +this, dear.’<br> +<br> +‘What is it?’<br> +<br> +‘It is her letters. They were arranged for publication after +her death, while her husband was still alive. You know that - +’<br> +<br> +‘Please take it for granted, darling, that I know nothing. +It is so jolly to have some one before whom it is not necessary to keep +up appearances. Now, begin at the beginning and go ahead.’ +She pillowed her head luxuriously against his knees.<br> +<br> +‘There’s nothing to tell - or very little. As you +say, they had their troubles in life. The lady could take particularly +good care of herself, I believe. She had a tongue like a lancet +when she chose to use it. He, poor chap, was all liver and nerves, +porridge-poisoned in his youth. No children to take the angles +off them. Half a dozen little buffer states would have kept them +at peace. However, to hark back to what I was about to say, he +outlived her by fifteen years or so. During that time he collected +these letters, and he has annotated them. You can read those notes +here, and the man who wrote those notes loved his wife and cherished +her memory, if ever a man did upon earth.’<br> +<br> +The graceful head beside his knee shook impatiently.<br> +<br> +‘What is the use of that to the poor dead woman? Why could +not he show his love by kindness and thought for her while she was alive?’<br> +<br> +‘I tell you, Maude, there were two sides to that. Don’t +be so prejudiced! And remember that no one has ever blamed Carlyle +as bitterly as he has blamed himself. I could read you bits of +these notes - ’<br> +<br> +‘Well, do.’<br> +<br> +‘Here’s the first letter, in which she is talking about +how they first moved into the house at Cheyne Row. They spent +their early years in Scotland, you know, and he was a man going on to +the forties when he came to London. The success of <i>Sartor Resartus +</i>encouraged them to the step. Her letter describes all the +incoming. Here is his comment, written after her death: “In +about a week all was swept and garnished, fairly habitable; and continued +incessantly to get itself polished, civilised, and beautified to a degree +that surprised one. I have elsewhere alluded to all that, and +to my little Jeannie’s conduct of it; heroic, lovely, pathetic, +mournfully beautiful as in the light of Eternity that little scene of +time now looks to me. From birth upwards she had lived in opulence, +and now became poor for me - so nobly poor. No such house for +beautiful thrift, quiet, spontaneous, nay, as it were, unconscious minimum +of money reconciled to human comfort and human dignity, have I anywhere +looked upon where I have been.” Now, Maude, did that man +appreciate his wife?’<br> +<br> +But the obstinate head still shook.<br> +<br> +‘Words, words,’ said she.<br> +<br> +‘Yes, but words with the ring of truth in them. Can’t +you tell real feeling from sham? I don’t believe women can, +or they would not be so often taken in. Here’s the heading +of the next letter: “Mournfully beautiful is this letter to me, +a clear little household light shining pure and brilliant in the dark +obstructive places of the past” - a little later comes the note: +“Oh my poor little woman - become poor for me.”’<br> +<br> +‘I like to hear him talk like that. Yes, I do like him better +after what you have said, Frank.’<br> +<br> +‘You must remember two things about him, Maude. The first, +that he was a Scotchman, who are of all men the least likely to wear +their hearts upon their sleeves; the other, that his mind was always +grappling with some far-away subject which made him forget the smaller +things close by him.’<br> +<br> +‘But the smaller things are everything to a woman,’ said +Maude. ‘If ever you forget those smaller things, sir, to +be as courteous to your wife as you would be to any other lady, to be +loving and thoughtful and sympathetic, it will be no consolation to +me to know that you have written the grandest book that ever was. +I should just hate that book, and I believe that in her inmost heart +this poor lady hated all the books that had taken her husband away from +her. I wonder if their house is still standing.’<br> +<br> +‘Certainly it is. Would you like to visit it?’<br> +<br> +‘I don’t think there is anything I should like more.’<br> +<br> +‘Why, Maude, we are getting quite a distinguished circle of acquaintances. +Mr. Pepys last month - and now the Carlyles. Well, we could not +spend a Saturday afternoon better, so if you will meet me to-morrow +at Charing Cross, we shall have a cosy little lunch together at Gatti’s, +and then go down to Chelsea.’<br> +<br> +<br> +Maude was a rigid economist, and so was Frank in his way, for with the +grand self-respect of the middle classes the thought of debt was unendurable +to them. A cab in preference to a ’bus gave both of them +a feeling of dissipation, but none the less they treated themselves +to one on the occasion of this, their little holiday. It is a +delightful thing to snuggle up in, is a hansom; but in order to be really +trim and comfortable one has to put one’s arm round one’s +companion’s waist. No one can observe it there, for the +vehicle is built upon intelligent principles. The cabman, it is +true, can overlook you through a hole in the roof. This cabman +did so, and chuckled in his cravat. ‘If that cove’s +wife could see him - huddup, then!’ said the cabman.<br> +<br> +He was an intelligent cabman too, for having heard Frank say ‘Thomas +Carlyle’s house’ after giving the address 5 Cheyne Row, +he pulled up on the Thames Embankment. Right ahead of them was +Chelsea Bridge, seen through a dim, soft London haze - monstrous, Cyclopean, +giant arches springing over a vague river of molten metal, the whole +daintily blurred, as though out of focus. The glamour of the London +haze, what is there upon earth so beautiful? But it was not to +admire it that the cabman had halted.<br> +<br> +‘I beg your pardin’, sir,’ said he, in the softly +insinuating way of the Cockney, ‘but I thought that maybe the +lidy would like to see Mr. Carlyle’s statue. That’s +’im, sir, a-sittin’ in the overcoat with the book in ’is +’and.’<br> +<br> +Frank and Maude got out and entered the small railed garden, in the +centre of which the pedestal rose. It was very simple and plain +- an old man in a dressing-gown, with homely wornout boots, a book upon +his knee, his eyes and thoughts far away. No more simple statue +in all London, but human to a surprising degree. They stood for +five minutes and stared at it.<br> +<br> +‘Well,’ said Frank at last, ‘small as it is, I think +it is worthy of the man.’<br> +<br> +‘It is so natural.’<br> +<br> +‘You can see him think. By Jove, it is splendid!’ +Frank had enough of the true artist to be able to feel that rush of +enthusiasm which adequate work should cause. That old man, with +his head shamefully defiled by birds, was a positive joy to him. +Among the soulless, pompous, unspeakable London statues, here at last +there was one over which it is pleasant to linger.<br> +<br> +‘What other one is there?’<br> +<br> +‘Gordon in Trafalgar Square.’<br> +<br> +‘Well, Gordon, perhaps. But our Nelsons and Napiers and +Havelocks - to think that we could do no better than that for them! +Now, dear, we have seen the man - let us look at the house!’<br> +<br> +It had evidently been an old-fashioned building when first they came +to it. 1708 was the date at the corner of the street. Six +or seven drab-coloured, flat-chested, dim-windowed houses stood in a +line - theirs wedged in the middle of them. A poor medallion with +a profile head of him had been clumsily let into the wall. Several +worn steps led to the thin high door with an old-fashioned fanlight +above it. Frank rang the bell, and a buxom cheerful matron came +at the call.<br> +<br> +‘Names in this book, sir - <i>and</i> address, if you please,’ +said the cheery matron. ‘One shilling each - thank you, +sir. First door to the left, sir! This was the dining-room, +sir - ’<br> +<br> +But Frank had come to a dead stop in the dim, dull, wood-panelled hall. +In front of them rose the stairs with old-fashioned banisters, cracked, +warped, and dusty.<br> +<br> +‘It’s awful to think of, Maude - awful! To think that +she ran up those stairs as a youngish woman - that he took them two +at a time as an active man, and then that they hobbled and limped down +them, old and weary and broken, and now both dead and gone for ever, +and the stairs standing, the very rails, the very treads - I don’t +know that I ever felt so strongly what bubbles of the air we are, so +fragile, so utterly dissolved when the prick comes.’<br> +<br> +‘How <i>could</i> they be happy in such a house?’ said Maude. +‘I can feel that there have been sorrow and trouble here. +There is an atmosphere of gloom.’<br> +<br> +The matron-attendant approved of emotion, but in its due order. +One should be affected in the dining-room first, and then in the hall. +And so at her summons they followed her into the long, low, quaint room +in which this curious couple had lived their everyday life. Little +of the furniture was left, and the walls were lined with collected pictures +bearing upon the life of the Carlyles.<br> +<br> +‘There’s the fireplace that he smoked his pipe up,’ +said Frank.<br> +<br> +‘Why up the fireplace?’<br> +<br> +‘She did not like the smell in the room. He often at night +took his friends down into the kitchen.’<br> +<br> +‘Fancy my driving you into the kitchen.’<br> +<br> +‘Well, the habit of smoking was looked upon much less charitably +at that time.’<br> +<br> +‘And besides, he smoked clay pipes,’ said the matron. +‘This is considered a good print of Mrs. Carlyle.’<br> +<br> +It was a peaky eager face, with a great spirit looking out of it, and +possibilities of passion both for good and evil in the keen, alert features. +Just beside her was the dour, grim outline of her husband. Their +life-histories were in those two portraits.<br> +<br> +‘Poor dear!’ said Maude.<br> +<br> +‘Ay, you may say so,’ said the matron, whose accent showed +that she was from the north of the Tweed. ‘He was gey ill +to live wi’. His own mither said so. Now, what think +you that room was for?’<br> +<br> +It was little larger than a cupboard, without window or skylight, opening +out of the end of the dining-room.<br> +<br> +‘I can’t imagine.’<br> +<br> +‘Well, sir, it was the powdering-room in the days when folk wore +wigs. The powder made such a mess that they just had a room for +nothing else. There was a hole in the door, and the man put his +head through the hole, and the barber on the other side powdered him +out of the flour-dredger.’<br> +<br> +It was curious to be brought back in this fashion to those far-off days, +and to suddenly realise how many other people had played their tragi-comedies +within these walls. Wigs! Only the dressy people wore wigs. +So people of fashion in the days of the early Georges trod these same +rooms where Carlyle grumbled and his wife fretted. And they too +had grumbled and fretted - or worse perhaps. It was a ghostly +old house.<br> +<br> +‘This,’ said the matron, when they had passed up the stair, +‘used to be the drawing-room. That’s their sofa.’<br> +<br> +‘Not <i>the </i>sofa,’ said Frank.<br> +<br> +‘Yes, sir, the sofa that is mentioned in the letters.’<br> +<br> +‘She was so proud of it, Maude. Gave eighteen shillings +for it, and covered and stuffed it herself. And that, I suppose, +is <i>the </i>screen. She was a great housekeeper - brought up +a spoiled child, according to her own account, but a great housekeeper +all the same. What’s that writing in the case?’<br> +<br> +‘It is the history that he was at work on when he died - something +about the kings of Norway, sir. Those are his corrections in blue.’<br> +<br> +‘I can’t read them.’<br> +<br> +‘No more could any one else, sir. Perhaps that’s why +the book has never been published. Those are the portraits of +the kings of Prussia, about whom he wrote a book.’<br> +<br> +Frank looked with interest at the old engravings, one of the schoolmaster +face of the great Frederick, the other of the frog-like features of +Frederick William, the half-mad recruiter of the big Potsdam grenadiers. +When he had finished, the matron had gone down to open the door, and +they were alone. Maude’s hand grasped his.<br> +<br> +‘Is it not strange, dear?’ she said. ‘Here they +lived, the most talented couple in the world, and yet with all their +wisdom they missed what we have got - what perhaps that good woman who +showed us round has got - the only thing, as it seems to me, that is +really worth living for. What are all the wit and all the learning +and all the insight into things compared to love.’<br> +<br> +‘By Jove, little woman, in all this house of wise sayings, no +wiser or deeper saying has been said than that. Well, thank God, +we have that anyhow!’ And he kissed his wife, while six +grand electors of Brandenburg and kings of Prussia looked fiercely out +upon them from the wall.<br> +<br> +They sat down together in two old chairs in the window, and they looked +out into the dingy street, and Frank tried to recount all the great +men - ‘the other great men, as Maude said, half chaffing and half +earnest - who had looked through those panes. Tennyson, Ruskin, +Emerson, Mill, Froude, Mazzini, Leigh Hunt - he had got so far when +the matron returned.<br> +<br> +There was a case in the corner with some of the wreckage from those +vanished vessels. Notes from old Goethe in a singularly neat boyish +writing inscribed upon little ornamented cards. Here, too, were +small inscriptions which had lain upon presents from Carlyle to his +wife. It was pleasant among all that jangling of the past to think +of the love which had written them, and that other love which had so +carefully preserved them. On one was written: ‘All good +attend my darling through this gulf of time and through the long ocean +it is leading to. Amen. Amen. T. C.’ On +another, dated 1850, and attached evidently to some birthday present, +was: ‘Many years to my poor little Jeannie, and may the worst +of them be past. No good that is in me to give her shall ever +be wanting while I live. May God bless her.’ How strange +that this apostle of reticence should have such privacies as these laid +open before the curious public within so few years of his death!<br> +<br> +‘This is her bedroom,’ said the matron.<br> +<br> +‘And here is the old red bed,’ cried Frank. It looked +bare and gaunt and dreary with its uncurtained posts.<br> +<br> +‘The bed belonged to Mrs. Carlyle’s mother,’ the matron +explained. ‘It’s the same bed that Mrs. Carlyle talks +about in her letters when she says how she pulled it to pieces.’<br> +<br> +‘Why did she pull it to pieces?’ asked Maude.<br> +<br> +‘Better not inquire, dear.’<br> +<br> +‘Indeed you’re right, sir. If you get them into these +old houses, it is very hard to get them out. A cleaner woman than +Mrs. Carlyle never came out of Scotland. This little room behind +was his dressing-room. There’s his stick in the corner. +Look what’s written upon the window!’<br> +<br> +<br> +Decidedly it was a ghostly house. Scratched upon one of the panes +with a diamond was the following piece of information - ‘John +Harbel Knowles cleaned all the windows in this house, and painted part, +in the eighteenth year of age. <i>March 7th, </i>1794.’<br> +<br> +<br> +‘Who was <i>he</i>?’ asked Maude.<br> +<br> +‘Nobody knows, miss!’ It was characteristic of Maude +that she was so gentle in her bearing that every one always took it +for granted that she was Miss. Frank examined the writing carefully.<br> +<br> +‘He was the son of the house and a young aristocrat who had never +done a stroke of work before in his life,’ said he.<br> +<br> +The matron was surprised.<br> +<br> +‘What makes you say that, sir?’<br> +<br> +‘What would a workman do with such a name as John Harbel Knowles, +or with a diamond ring for that matter? And who would dare to +disfigure a window so, if he were not of the family? And why should +he be so proud of his work, unless work was a new and wondrous thing +to him. To paint <i>part </i>of the windows also sounds like the +amateur and not the workman. So I repeat that it was the first +achievement of the son of the house.’<br> +<br> +‘Well, indeed, I dare say you are right, though I never thought +of it before,’ said the matron. ‘Now this, up here, +is Carlyle’s own room, in which he slept for forty-seven years. +In the case is a cast of his head taken after death.’<br> +<br> +It was strange and rather ghastly to see a plaster head in this room +where the head of flesh had so often lain. Maude and Frank stood +beside it, and gazed long and silently while the matron, half-bored +and half-sympathetic, waited for them to move on. It was an aquiline +face, very different from any picture which they had seen, sunken cheeks, +an old man’s toothless mouth, a hawk nose, a hollow eye - the +gaunt timbers of what had once been a goodly house. There was +repose, and something of surprise also, in the features - also a very +subtle serenity and dignity.<br> +<br> +‘The distance from the ear to the forehead is said to be only +equalled by Napoleon and by Gladstone. That’s what they +<i>say</i>,’ said the matron, with Scotch caution.<br> +<br> +‘It’s the face of a noble man when all is said and done,’ +said Frank. ‘I believe that the true Thomas Carlyle without +the dyspepsia, and the true Jane Welsh without the nerves, are knowing +and loving each other in some further life.’<br> +<br> +‘It is sweet to think so,’ cried Maude. ‘Oh, +I do hope that it is so! How dear death would be if we could only +be certain of that!’<br> +<br> +The matron smiled complacently in the superior wisdom of the Shorter +Catechism. ‘There is neither marriage nor giving in marriage,’ +said she, shaking her head. ‘This is the spare bedroom, +sir, where Mr. Emerson slept when he was here. And now if you +will step this way I will show you the study.’<br> +<br> +It was the singular room which Carlyle had constructed in the hopes +that he could shut out all the noises of the universe, the crowing of +cocks, and the jingling of a young lady’s five-finger exercise +in particular. It had cost him a hundred odd pounds, and had ended +in being unendurably hot in summer, impossibly cold in winter, and so +constructed acoustically that it reverberated every sound in the neighbourhood. +For once even his wild and whirling words could hardly match the occasion +- not all his <i>kraft sprachen </i>would be too much. For the +rest it was at least a roomy and lofty apartment, with space for many +books, and for an irritable man to wander to and fro. Prints there +were of many historical notables, and slips of letters and of memoranda +in a long glass case.<br> +<br> +‘That is one of his clay pipes,’ said the matron. +‘He had them all sent through to him from Glasgow. And that +is the pen with which he wrote <i>Frederick</i>.’<br> +<br> +It was a worn, stubby old quill, much the worse for its monstrous task. +It at least of all quill pens might rest content with having done its +work in the world. Some charred paper beside it caught Frank’s +eye.<br> +<br> +‘Oh look, Maude,’ he cried. ‘This is a little +bit of the burned <i>French Revolution</i>.’<br> +<br> +‘Oh, I remember. He lent the only copy to a friend, and +it was burned by mistake.’<br> +<br> +‘What a blow! What a frightful blow! And to think +that his first comment to his wife was, “Well, Mill, poor fellow, +is very much cut up about this.” There is Carlyle at his +best. And here is actually a shred of the old manuscript. +How beautifully he wrote in those days!’<br> +<br> +‘Read this, sir,’ said the matron.<br> +<br> +It was part of a letter from Carlyle to his publisher about his ruined +work. ‘Do not pity me,’ said he; ‘forward me +rather as a runner that is tripped but will not lie there, but run and +run again.’<br> +<br> +‘See what positive misfortune can do for a man,’ said Frank. +‘It raised him to a hero. And yet he could not stand the +test of a crowing cock. How infinitely complex is the human soul +- how illimitably great and how pitiably small! Now, if ever I +have a study of my own, this is what I want engraved upon the wall. +This alone is well worth our pilgrimage to Chelsea.’<br> +<br> +It was a short exclamation which had caught his eye.<br> +<br> +‘Rest! Rest! Shall I not have all eternity to rest +in!’ That serene plaster face down yonder gave force to +the brave words. Frank copied them down onto the back of one of +Maude’s cards.<br> +<br> +And now they had finished the rooms, but the matron, catching a glow +from these enthusiastic pilgrims, had yet other things to show them. +There was the back garden. Here was the green pottery seat upon +which the unphilosophic philosopher had smoked his pipe - a singularly +cold and uncomfortable perch. And here was where Mrs. Carlyle +had tried to build a tent and to imagine herself in the country. +And here was the famous walnut tree - or at least the stumpy bole thereof. +And here was where the dog Nero was buried, best known of small white +mongrels.<br> +<br> +And last of all there was the subterranean and gloomy kitchen, in which +there had lived that long succession of serving-maids of whom we gain +shadowy glimpses in the <i>Letters </i>and in the <i>Journal</i>. +Poor souls, dwellers in the gloom, working so hard for others, so bitterly +reviled when by chance some weakness of humanity comes to break, for +an instant, the routine of their constant labour, so limited in their +hopes and in their pleasures, they are of all folk upon this planet +those for whom a man’s heart may most justly soften. So +said Frank as he gazed around him in the dark-cornered room. ‘And +never one word of sympathy for them, or of anything save scorn in all +his letters. His pen upholding human dignity, but where was the +dignity of these poor girls for whom he has usually one bitter line +of biography in his notes to his wife’s letters? It’s +the worst thing I have against him.’<br> +<br> +‘Jemima wouldn’t have stood it,’ said Maude.<br> +<br> +It was pleasant to be out in the open air once more, but they were in +the pine groves of Woking before Maude had quite shaken off the gloom +of that dark, ghost-haunted house. ‘After all, you are only +twenty-seven,’ she remarked as they walked up from the station. +She had a way of occasionally taking a subject by the middle in that +way.<br> +<br> +‘What then, dear?’<br> +<br> +‘When Carlyle was only twenty-seven I don’t suppose he knew +he was going to do all this.’<br> +<br> +‘No, I don’t suppose so.’<br> +<br> +‘And his wife - if he were married then - would feel as I do to +you.’<br> +<br> +‘No doubt.’<br> +<br> +‘Then what guarantee have I that you won’t do it after all?’<br> +<br> +‘Do what?’<br> +<br> +‘Why, turn out a second Carlyle.’<br> +<br> +‘Hear me swear!’ cried Frank, and they turned laughing into +their own little gateway at the Lindens.<br> +<br> +<br> +<br> +CHAPTER XXI - THE LAST NOTE OF THE DUET<br> +<br> +<br> +<br> +Our young married couples may feel that two is company and three is +none, but there comes a little noisy intruder to break into their sweet +intimacy. The coming of the third is the beginning of a new life +for them as well as for it - a life which is more useful and more permanent, +but never so concentrated as before. That little pink thing with +the blinking eyes will divert some of the love and some of the attention, +and the very trouble which its coming has caused will set its mother’s +heart yearning over it. Not so the man. Some vague resentment +mixes with his pride of paternity, and his wife’s sufferings rankle +in his memory when she has herself forgotten them. His pity, his +fears, his helplessness, and his discomfort, give him a share in the +domestic tragedy. It is not without cause that in some societies +it is the man and not the woman who receives the condolence and the +sympathy.<br> +<br> +There came a time when Maude was bad, and there came months when she +was better, and then there were indications that a day was approaching, +the very thought of which was a shadow upon her husband’s life. +For her part, with the steadfast, gentle courage of a woman, she faced +the future with a sweet serenity. But to him it was a nightmare +- an actual nightmare which brought him up damp and quivering in those +gray hours of the dawn, when dark shadows fall upon the spirit of man. +He had a steady nerve for that which affected himself, a nerve which +would keep him quiet and motionless in a dentist’s chair, but +what philosophy or hardihood can steel one against the pain which those +whom we love have to endure. He fretted and chafed, and always +with the absurd delusion that his fretting and chafing were successfully +concealed. A hundred failures never convince a man how impossible +it is to deceive a woman who loves him. Maude watched him demurely, +and made her plans.<br> +<br> +‘Do you know, dear,’ said she, one evening, ‘if you +can get a week of your holidays now, I think it would be a very good +thing for you to accept that invitation of Mr. Mildmay’s, and +spend a few days in golfing at Norwich.’<br> +<br> +Frank stared at her open-eyed.<br> +<br> +‘What! Now!’<br> +<br> +‘Yes, dear, now - at once.’<br> +<br> +‘But <i>now </i>of all times.’<br> +<br> +Maude looked at him with that glance of absolute obvious candour which +a woman never uses unless she has intent to deceive.<br> +<br> +‘Yes, dear - but only next week. I thought it would brace +you up for - well, for the week afterwards.’<br> +<br> +‘You think the week afterwards?’<br> +<br> +‘Yes, dear. It would help me so, if I knew that you were +in your best form.’<br> +<br> +‘<i>I</i>! What can it matter what form <i>I </i>am in. +But in any case, it is out of the question.’<br> +<br> +‘But you could get leave.’<br> +<br> +‘Oh yes, easily enough.’<br> +<br> +‘Then do go.’<br> +<br> +‘And leave you at such a time!’<br> +<br> +‘No, no, you would be back.’<br> +<br> +‘You can’t be so sure of that. No, Maude, I should +never forgive myself. Such an idea would never enter my head.’<br> +<br> +‘But for my sake - !’<br> +<br> +‘That’s enough, Maude. It is settled.’<br> +<br> +Master Frank had a heavy foot when he did bring it down, and his wife +recognised a decisive thud this time. With a curious double current +of feeling, she was pleased and disappointed at the same time, but more +pleased than disappointed, so she kissed the marrer of her plots.<br> +<br> +‘What an obstinate old boy it is! But of course you know +best, and I should much rather have you at home. As you say, one +can never be certain.’<br> +<br> +In a conflict of wits the woman may lose a battle, but the odds are +that she will win the campaign. The man dissipates over many things, +while she concentrates upon the one. Maude had made up her mind +absolutely upon one point, and she meant to attain it. She tried +here, she tried there, through a friend, through her mother, but Frank +was still immovable. The ordeal coming upon herself never disturbed +her for an instant. But the thought that Frank would suffer was +unendurable. She put herself in his place, and realised what it +would be to him if he were in the house at such a time. With many +cunning devices she tried to lure him off, but still, in his stubborn +way, he refused to be misled. And then suddenly she realised that +it was too late.<br> +<br> +It was early one morning that the conviction came home to her, but he, +at her side, knew nothing of it. He came up to her before he left +for the City.<br> +<br> +‘You have not eaten anything, dear.’<br> +<br> +‘No, Frank, I am not hungry.’<br> +<br> +‘Perhaps, after you get up - ’<br> +<br> +‘Well, dear, I thought of staying in bed.’<br> +<br> +‘You are not - ?’<br> +<br> +‘What nonsense, dear! I want to keep very quiet until next +week, when I may need all my strength.’<br> +<br> +‘Dear girl, I would gladly give ten years of my life to have next +week past.’<br> +<br> +‘Silly old boy! But I do think it would be wiser if I were +to keep in bed.’<br> +<br> +‘Yes, yes, do.’<br> +<br> +‘I have a little headache. Nothing to speak of, but just +a little.’<br> +<br> +‘Don’t you think Dr. Jordan had better give you something +for it.’<br> +<br> +‘Do you think so? Well, just as you like. You might +call as you pass, and tell him to step up.’<br> +<br> +And so, upon a false mission, the doctor was summoned to her side, but +found a very real mission waiting for him when he got there. She +had written a note for Frank the moment that he had left the house, +and he found both it and a conspiracy of silence waiting for him when +he returned in the late afternoon. The note was upon the hall-table, +and he eagerly tore it open.<br> +<br> +‘My dear boy,’ said this mendacious epistle, ‘my head +is still rather bad, and Dr. Jordan thought that it would be wiser if +I were to have an undisturbed rest, but I will send down to you when +I feel better. Until then I had best, perhaps, remain alone. +Mr. Harrison sent round to say that he would come to help you to pot +the bulbs, so that will give you something to do. Don’t +bother about me, for I only want a little rest. - MAUDE.’<br> +<br> +It seemed very unnatural to him to come back and not to hear the swift +rustle of the dress which followed always so quickly upon the creak +of his latch-key that they might have been the same sound. The +hall and dining-room seemed unhomely without the bright welcoming face. +He wandered about in a discontented fashion upon his tiptoes, and then, +looking through the window, he saw Harrison his neighbour coming up +the path with a straw basket in his hand. He opened the door for +him with his finger upon his lips.<br> +<br> +‘Don’t make a row, Harrison,’ said he, ‘my wife’s +bad.’<br> +<br> +Harrison whistled softly.<br> +<br> +‘Not - ?’<br> +<br> +‘No, no, not that. Only a headache, but she is not to be +disturbed. We expect <i>that </i>next week. Come in here +and smoke a pipe with me. It was very kind of you to bring the +bulbs.’<br> +<br> +‘I am going back for some more.’<br> +<br> +‘Wait a little. You can go back presently. Sit down +and light your pipe. There is some one moving about upstairs. +It must be that heavy-footed Jemima. I hope she won’t wake +Maude up. I suppose one must expect such attacks at such a time.’<br> +<br> +‘Yes, my wife was just the same. No, thank you, I’ve +just had some tea. You look worried, Crosse. Don’t +take things too hard.’<br> +<br> +‘I can’t get the thought of next week out of my head. +If anything goes wrong - well there, what can I do? I never knew +how a man’s nerves may be harrowed before. And she is such +a saint, Harrison - such an absolutely unselfish saint! You’ll +never guess what she tried to do.’<br> +<br> +‘What, then?’<br> +<br> +‘She knew what it would mean to me - what it will mean to me - +to sit here in impotence while she goes through this horrible business. +She guessed in some extraordinary way what my secret feelings were about +it. And she actually tried to deceive me as to when it was to +occur - tried to get me out of the house on one pretext or another until +it was all over. That was her plot, and, by Jove, she tried it +so cleverly that she would have managed it if something had not put +me on my guard. She was a little too eager, unnaturally so, and +I saw through her game. But think of it, the absolute unselfishness +of it. To consider <i>me </i>at such a time, and to face her trouble +alone and unsupported in order to make it easier for me. She wanted +me to go to Norwich and play golf.’<br> +<br> +‘She must have thought you pretty guileless, Crosse, to be led +away so easily.’<br> +<br> +‘Yes, it was a hopeless attempt to deceive me on such a point, +or to dream for an instant that my instincts would not tell me when +she had need of me. But none the less it was beautiful and characteristic. +You don’t mind my talking of these things, Harrison?’<br> +<br> +‘My dear chap, it is just what you need. You have been bottling +things up too much. Your health will break down under it. +After all, it is not so serious as all that. The danger is very +much exaggerated.’<br> +<br> +‘You think so.’<br> +<br> +‘I’ve had the experience twice now. You’ll go +to the City some fine morning, and when you come back the whole thing +will be over.’<br> +<br> +‘Indeed it won’t. I have made arrangements at the +office, and from the hour that she first seems bad I will never stir +from the house. For all she may say, I know very well that it +gives her strength and courage to feel that I am there.’<br> +<br> +‘You may not know that it is coming on?’<br> +<br> +Frank laughed incredulously.<br> +<br> +‘We’ll see about that,’ said he. ‘And +you think from your experience, Harrison, that it is not so very bad +after all?’<br> +<br> +‘Oh no. It soon passes.’<br> +<br> +‘Soon! What do you mean by soon?’<br> +<br> +‘Jordan was there six hours the first time.’<br> +<br> +‘Good God! Six hours!’ Frank wiped his forehead. +‘They must have seemed six years.’<br> +<br> +‘They <i>were </i>rather long. I kept on working in the +garden. That’s the tip. Keep on doing something and +it helps you along wonderfully.’<br> +<br> +‘That’s a good suggestion, Harrison. What a curious +smell there is in the air! Do you notice a sort of low, sweetish, +spirity kind of scent? Well, perhaps it’s my imagination. +I dare say that my nerves are a bit strung up these days. But +that is a capital idea of yours about having some work to do. +I should like to work madly for those hours. Have everything up +out of the back garden and plant it all again in the front.’<br> +<br> +Harrison laughed.<br> +<br> +‘I’ll tell you something less heroic,’ said he; ‘you +could keep all these bulbs, and pot them then. By the way, I’ll +go round and get the others. Don’t bother about the door. +I shall leave it open, for I won’t be five minutes.’<br> +<br> +‘And I’ll put these in the greenhouse,’ said Frank. +He took the basket of bulbs and he laid them all out on the wooden shelf +of the tiny conservatory which leaned against the back of the house. +When he came out there was a kitten making a noise somewhere. +It was a low sound, but persistent, coming in burst after burst. +He took the rake and jabbed with the handle amongst the laurel bushes +under their bedroom window. The beast might waken Maude, and so +it was worth some trouble to dislodge it. He could not see it, +but when he had poked among the bushes and cried ‘Skat!’ +several times, the crying died away, and he carried his empty basket +into the dining-room. There he lit his pipe again, and waited +for Harrison’s return.<br> +<br> +There was that bothersome kitten again. He could hear it mewing +away somewhere. It did not sound so loud as in the garden, so +perhaps it would not matter. He felt very much inclined to steal +upstairs upon tiptoe and see if Maude were stirring yet. After +all, if Jemima, or whoever it was, could go clumping about in heavy +boots over his head, there was no fear that he could do any harm. +And yet she had said that she would ring or send word the moment she +could see him, and so perhaps he had better wait where he was. +He put his head out of the window and cried ‘Shoo!’ into +the laurel bushes several times. Then he sat in the armchair with +his back to the door. Steps came heavily along the hall, and he +saw dimly with the back corner of his eye that some one was in the doorway +carrying something. He thought that really Harrison might have +brought the bulbs in more quietly, and so he treated him with some coldness, +and did not turn round to him.<br> +<br> +‘Put it in the out-house,’ said he.<br> +<br> +‘Why the out-house?’<br> +<br> +‘We keep them there. But you can put it under the sideboard, +or in the coal-scuttle, or where you like as long as you don’t +make any more noise.’<br> +<br> +‘Why, surely, Crosse - ’ But Frank suddenly sprang +out of his chair.<br> +<br> +‘I’m blessed if that infernal kitten isn’t somewhere +in the room!’<br> +<br> +And there when he turned was the grim, kindly face of old Doctor Jordan +facing him. He carried in the crook of his arm a brown shawl with +something round and small muffled up in it. There was one slit +in front, and through this came a fist about the size of a marble, the +thumb doubled under the tiny fingers, and the whole limb giving circular +waves, as if the owner were cheering lustily at his own successful arrival. +‘Here am I, good people, hurrah! hurrah! hurrah!’ cried +the waving hand. Then as the slit in the shawl widened Frank saw +that behind the energetic fist there was a huge open mouth, a little +button of a nose, and two eyes which were so resolutely screwed up that +it seemed as if the owner had made a resolution never under any circumstances +to take the least notice of this new world into which it had been transported. +Frank dropped his pipe and stood staring at this apparition.<br> +<br> +‘What! What’s that?’<br> +<br> +‘The baby!’<br> +<br> +‘Baby? Whose baby?’<br> +<br> +‘Your baby, of course.’<br> +<br> +‘My baby! Where - where did you get it?’<br> +<br> +Doctor Jordan burst out laughing.<br> +<br> +‘You are like a man who has just been wakened out of his sleep,’ +said he. ‘Why, Crosse, your wife has been bad all day, but +she’s all right now, and here’s your son and heir - a finer +lad of the age I never saw - fighting weight about seven pounds.’<br> +<br> +Frank was a very proud man at the roots of his nature. He did +not readily give himself away. Perhaps if he had been quite alone +he might at that moment, as the great wave of joy washed through his +soul, bearing all his fears and forebodings away upon its crest, have +dropped upon his knees in prayer. But prayer comes not from the +knee but from the heart, and the whole strength of his nature breathed +itself out in silent thanks to that great Fate which goes its way regardless +either of thanks or reproaches. The doctor saw a pale self-contained +young man before him, and thought him strangely wanting in emotion.<br> +<br> +‘Well!’ said he, impatiently. ‘Is she all right?’<br> +<br> +‘Yes. Won’t you take your son?’<br> +<br> +‘Could she see me?’<br> +<br> +‘I don’t suppose five minutes would do any harm.’<br> +<br> +Dr. Jordan said afterwards that it was three steps which took Frank +up the fifteen stairs. The nurse who met him at the corner looks +back on it as the escape of her lifetime. Maude lay in bed with +a face as pale as the pillow which framed it. Her lips were bloodless +but smiling.<br> +<br> +‘Frank!’<br> +<br> +‘My own dear sweet girlie!’<br> +<br> +‘You never knew. Did you, Frank? Tell me that you +never knew.’<br> +<br> +And at that anxious question the foolish pride which keeps the emotions +of the strong man buried down in his soul as though they were the least +honourable part of his nature, fell suddenly to nothing, and Frank dropped +with his head beside the white face upon the pillow, and lay with his +arm across the woman whom he loved, and sobbed as he had not sobbed +since his childhood. Her cheek was wet with his tears. He +never saw the doctor until he came beside him and touched him on the +shoulder.<br> +<br> +‘I think you had better go now,’ said he.<br> +<br> +‘Sorry to be a fool, doctor,’ said Frank, blushing hotly +in his clumsy English fashion. ‘It’s just more than +I can stand.’<br> +<br> +‘Sir,’ the doctor answered, ‘I owe you an apology, +for I had done you an injustice. Meanwhile your son is about to +be dressed, and there is hardly room for three men in one bedroom.’<br> +<br> +So Frank went down into the darkening room below, and mechanically lighting +his pipe, he sat with his elbows upon his knees and stared out into +the gathering gloom where one bright evening star twinkled in a violet +sky. The gentle hush of the gloaming was around him, and some +late bird was calling outside amongst the laurels. Above he heard +the shuffling of feet, the murmur of voices, and then amid it all those +thin glutinous cries, <i>his </i>voice, the voice of this new man with +all a man’s possibilities for good and for evil, who had taken +up his dwelling with them. And as he listened to those cries, +a gentle sadness was mixed with his joy, for he felt that things were +now for ever changed - that whatever sweet harmonies of life might still +be awaiting him, from this hour onwards, they might form themselves +into the subtlest and loveliest of chords, but it must always be as +a trio, and never as the dear duet of the past.<br> +<br> +<br> +<br> +CHAPTER XXII - THE TRIO<br> +<br> +<br> +<br> +(<i>Extract from a letter to the Author from Mrs. Frank Crosse</i>.)<br> +<br> +‘It is very singular that you should say with such confidence +that you know that our baby is a splendid one, and further on you say +that in some ways it differs from any other baby. It is so true, +but neither Frank nor I can imagine how you knew. We both think +it so <i>clever </i>of you to have found it out. When you write +to us, do please tell us how you discovered it.<br> +<br> +‘I want to tell you something about baby, since you so kindly +ask me, but Frank says there is no use my beginning as there is only +one quire of paper in the house. As a matter of fact, I shall +be quite short, which is not because I have not plenty to say - you +cannot think what a <i>dear </i>he is - but because he may wake up at +any moment. After that happens I can only write with one hand, +while I wave a feather fan with the other, and it is so difficult then +to say exactly what you mean. In any case you know that I have +not the habit of collecting and writing down my ideas, so please forgive +me if this seems a stupid letter. Frank could have done it splendidly. +But he has so many sweet and quite <i>remarkable </i>ways, that I ought +to be able to put some of them down for you.<br> +<br> +‘It will be easier perhaps if I imagine a day of him - and one +of his days is very much like another. No one could ever say that +he was irregular in his habits. First thing in the morning I go +over to his cot to see if he is awake yet - though, of course, I know +that he can’t be, for he always lets us know - the darling! +However, I go over all the same, and I find everything quiet and nothing +visible of baby, but a tiny, turned-up nose. It is so exactly +Frank’s nose, only that his is curved the other way. Then, +as I bend over his cot, there is a small sigh, such a soft, comfortable +sound! Then a sort of earthquake takes place under the eider down, +and a tightly clenched fist appears and is waved in the air. He +has such a pleasant, cheerful way of waving his fists. Then one +eye is half opened, as if he were looking round to see if it were safe +to open the other one, and then he gives a long, sorrowful wail as he +realises that his bottle is not where he left it when he went to sleep. +In a moment he is in my arms and quite happy again, playing with the +lace round the neck of my pink dressing-gown. When he finds that +his nice warm bath is all ready for him, he becomes quite jovial, and +laughs and chuckles to himself. Something awfully funny must have +happened to him before ever he came into this world at all, for nothing +that has occurred since could account for the intense expression of +amusement that one can often see in his eyes. When he laughs, +Frank says that he looks like some jolly old clean-shaven toothless +friar - so chubby and good-humoured. He takes the greatest interest +in everything in the room, watches the nurse moving about, looks out +of the window, and examines my hair and my dress very critically. +He loves to see untidy hair and a bright tie, or a brooch will often +catch his eye, and make him smile. His smile is the most wonderful +thing! As he lies gazing with his great serious blue eyes, his +whole face suddenly lights up, his mouth turns up at one corner in the +most irresistible way, and his cheeks all go off into dimples. +He looks so sweet and innocent, and at the same time so humorous and +wicked, that his foolish mother wants to laugh at him and to weep over +him at the same time.<br> +<br> +‘Then comes his bath, and there is a sad display of want of faith +upon his part. He enjoys the process, but he is convinced that +only his own exertions keep him from drowning, so his little fists are +desperately clenched, his legs kick up and down the whole time, and +he watches every movement of mother and nurse with suspicion. +He enjoys being dressed, and smiles at first, and then he suddenly remembers +that he has not had his breakfast. Then the smiles vanish, the +small round face grows so red and angry, and all covered with little +wrinkles, and there is a dismal wailing - poor darling! If the +bottle is not instantly forthcoming he will howl loudly, and beat the +air with his fists until he gets it. He <i>does </i>remind me +so of his father sometimes. He is always hunting for his bottle, +and will seize my finger, or a bit of my dress, or anything, and carry +it to his mouth, and when he finds it isn’t what he wants, he +throws it away very angrily. When finally he does get the bottle, +he becomes at once the most contented being in the whole world, and +sucks away with such great long pulls, and such dear little grunts in +between. Then afterwards, a well-washed, well-fed atom, he is +ready to look about him and observe things. I am sure that he +has his father’s brains, and that he is storing up all sorts of +impressions and observations for future use, for he notices <i>everything</i>. +I used to think that babies were stupid and indifferent - and perhaps +other babies are - but <i>he </i>is never indifferent. Sometimes +he is pleased and amused, and sometimes angry, and sometimes gravely +interested, but he is always wide awake and taking things in. +When I go into his room, he always looks at my head, and if I have my +garden hat with the flowers, he is so pleased. He much prefers +chiffon to silk.<br> +<br> +‘Almost the first thing that struck me when I saw him, and it +strikes me more and more, was, how could any one have got the idea of +original sin? The people who believe in it can never have looked +into a baby’s eyes. I love to watch them, and sometimes +fancy I can see a faint shade of reminiscence in them, as if he had +still some memories of another life, and could tell me things if he +could only speak. One day as I sat beside his cot - Oh dear! +I hear his Majesty calling. So sorry! Good-bye. - Yours +very truly,<br> +<br> +MAUDE CROSSE.’<br> +<br> +<i>P.S</i>. - I have not time to read this over, but I may say, in case +I omitted it before, that he really is a very remarkable baby.’<br> +<br> +<br> +<br> +<br> +<br> +*** END OF THE PROJECT GUTENBERG EBOOK, A DUET ***<br> +<pre> + +******This file should be named duet10h.htm or duet10h.zip****** +Corrected EDITIONS of our EBooks get a new NUMBER, duet11h.htm +VERSIONS based on separate sources get new LETTER, duet10ah.htm + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. 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