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-Project Gutenberg's Florence On A Certain Night, by Coningsby Dawson
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-Title: Florence On A Certain Night
- And Other Poems
-
-Author: Coningsby Dawson
-
-Release Date: June 30, 2016 [EBook #52455]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK FLORENCE ON A CERTAIN NIGHT ***
-
-
-
-
-Produced by David Widger from page images generously
-provided by the Internet Archive
-
-
-
-
-
-
-
-
-
-FLORENCE ON A CERTAIN NIGHT
-AND OTHER POEMS
-
-By Coningsby Dawson
-
-New York: Henry Holt and Company
-
-1914
-
-
-
-TO
-
-_JOHN KEATS_
-
-WHO, IN EXCUSE FOR A LIKE OCCASION,
-
-WROTE:
-
-_"WERE I DEAD, I SHOULD LIKE A BOOK DEDICATED TO ME."_
-
-
-A WARNING TO THE READER
-
-Here thou shalt find grave thought--the shade of thine Most is of earth,
-some little all divine. By hands God-given, mine, this tower doth
-thrive; Thine are the clouds which round my turrets drive.
-
-
-
-
-FLORENCE ON A CERTAIN NIGHT
-
-
-I
-
-(October, 1504)
-
- _[Someone sings in the street below]_
-
- Fair-fleeting Youth must snatch at happiness,
-
- He knows not if To-morrow curse or bless,
-
- Nor round what bend upon his travel-way
-
- The bandit Death lurks armed--of Yesterday
-
- His palely featured griefs he knows too well;
-
- Therefore with jests To-day, come Heaven, come Hell,
-
- He plucks with either hand what joys he may.
-
-
-
- Joy is a flower
-
- White-leafd or red,
-
- None knows which colour
-
- Till it is dead:
-
- White gives forth fragrance
-
- Pure as God's breath;
-
- Red in its dying
-
- Yields the gatherer death.
-
- _[Leonardo da Vinci speaks]_
-
- So 'tis Lorenzo's song they sing to-night,
-
- That haunting song which long years since he sang
-
- When, with his gallants through the torch-
-
- smirched dusk,
-
- He laughing rode toward the Carnival,
-
- And young girls loosened all abroad their hair
-
- And flung up petals through the cool moonlight,
-
- Some of which falling rested on his face,
-
- Some of which falling covered up his eyes;
-
- And girls there were who kissed his drooping
-
- hands
-
- And clasped his stirrups, begging him to stay,
-
- To halt one little moment, stay with them:
-
- _"Life is so short. Delay with us a while."_
-
- But he rode on, and sang of joy and love.
-
-
-
- Lorenzo il Magnifico is dead;
-
- His lips are silent, and he now could halt
-
- Oh, endlessly, if one of those fair maids
-
- Should come to him imploring him to stay.
-
- For twelve slow years within the sacristy
-
- Of San Lorenzo he has never waked,
-
- But has the rest he could not find in life--
-
- Ungrateful now, because postponed too long.
-
- If one should steal to him from out the past
-
- And bending down should whisper low his name,
-
- He would not hearken. True, she would be old,
-
- As are all maids of that spent gala-night;
-
- So, if he heard her, he would only smile,
-
- For he loved only beauty in his day.
-
-
-II
-
- _[ Someone sings in the street below]_
-
- Fair-fleeting Youth wends ever to the West,
-
- He, like the sun, too soon must sink to rest.
-
- Stars of Remorse, fast-following on his track,
-
- Moon of Old-Age, can nothing turn ye back f
-
- Ah, soon the golden Day'll have spent his breath!
-
- Then comes the drear, eventless Night of Death
-
- When Youth, no longer young, all joys must lack.
-
- _[Leonardo da Vinci speaks]_
-
- "Then comes the drear, eventless Night of Death!"
-
-
- 'Tis true, for who in Tuscany to-day
-
- Dares breathe the Medicean name aloud?
-
- When a man dies, the watchers by the bed
-
- Close down his eye-lids, so is he once dead;
-
- Twice dead is he whose mem'ry men dang down
-
- To dark oblivion when his soul is fled.
-
- Florence forgets her singer, but his song
-
- Still echoes through her streets on autumn nights,
-
- And pausing at the door of some old friend,
-
- Bids him remember all the hope he had
-
- In spacious days, before Lorenzo died . . .
-
-
-
- It seems Lorenzo's soul crept back to earth
-
- Re-seeking Joy he coveted in life,
-
- Seeking the happiness he never found.
-
- Yet, was his labour lost? Did he not find?
-
- He sang one song which lingers in men's hearts
-
- And, having sung, he surely solved his quest.
-
- Who of Joy's seekers finds the flower itself,
-
- And plucking, knows the snow-white from the red?
-
- Not I, for I've been truant in my search;
-
- I've pluck't the mauve of Honour and the green
-
- Of cloistered Knowledge, yellow of Romance,
-
- The blue which feigns a deep Tranquillity,
-
- Scarlet of Boldness, purple of Despair,
-
- Orange of Idleness which flaunts the sun,
-
- And indigo of wizard Heresy--
-
- And gray which gives to Weariness unrest.
-
- Perchance I've clutched within this eager hand
-
- The Death of Joy--the fatal flower of blood.
-
- I know not. This I know, I have not trod
-
- The quiet vale where grows the flower of white.
-
-
-
- Like an unwise distiller of perfume
-
- I've blended each new fragrance as it came,
-
- Made something perfect for a day--two days;
-
- Then ruined all by adding something fresh.
-
- First I would be a scholar, so I learned
-
- Latin and Greek, and Mathematic Law.
-
- Then I would be a poet, so I wrote
-
- "Chi non puô quel che vuol, quel che puo voglia;
-
- Che quel che non si puô folle è volere.
-
- Adunque saggio l'uomo è da tenere,
-
- Che da quel che non puô sua vogler toglia."
-
- I could not live the wisdom which I taught,
-
- So I must be a master of design
-
- And studied sculpture with Verocchio,
-
- Verocchio who had his dusty shop
-
- On Amo's banks in grand Lorenzo's time.
-
- Thither, while yet a boy, I did resort
-
- And out of terra-cotta caused to smile
-
- Women whose beauty ne'er hath been surpassed,
-
- Nor equalled in the flesh for Man's delight.
-
-
-
- Still not content, I'd be an architect
-
- And renovate this battered world for God,
-
- Hurling across steep valleys, mile on mile
-
- Through cloudland, spans of marble aqueduct;
-
- Leading chained rivers from the mountain-heights
-
- Down to the plains where men are wont to toil,
-
- There I would cause these Samsons of the crags,
-
- Scenting the sea, whose waves are unconfined,
-
- To shake themselves as once at other times,
-
- And rush in frenzy forward turning mills.
-
- So would each city echo to the hum
-
- Of loom, and web, and swift-revolving wheels.
-
- Then, when prosperity had reached its height
-
- And merhants cavilled at each other's gains,
-
- I'd frame for them the iron beasts of war
-
- And hound than on to harry and destroy--
-
- And when our world was fallen, who but I,
-
- Da Vinci, should stand forth to raise it up?
-
- These were my dreams; I thought myself divine--
-
- All this was long ago, when I was young.
-
-
-
- Next I would make me wings, and I would fly
-
- As do the morning birds straight t'ward the sun,
-
- Piercing the mists, rise far above the clouds
-
- To seek out where God walks and whom He loves.
-
- I made me wings, but had not strength to fly.
-
- Still discontent and tethered to this world,
-
- I strove to wrench the secret out of Life,
-
- And swept the far horizon of the stars
-
- If there, at least, I might discern some sign
-
- To tell me whence souls come, to where depart.
-
- I, in my overhaste, pursued too far,
-
- Seeking that vague and fabled Paradise
-
- Where Adam and his many sons sing chaunts,
-
- While Eve walks through them pale and deified.
-
- I missed my track in pathless swamps of Time,
-
- I chilled my hands against the cold-dead stars,
-
- And lost my mind in unremembered Past,
-
- Remote from God and out of human sight.
-
- Lastly I took to painting down my thoughts,
-
- And pictured for the King of Portugal
-
- That fatal meadow in the Eden Land,
-
- Where Man's first sweet and deadly sin was
-
- wrought.
-
- I, in this art, all others did excel;
-
- Yet with success I was not satisfied
-
- But hourly craved for the impossible--
-
- To fashion men as real as flesh and blood.
-
- To-day I'd toil with fire in my brain
-
- And paint away the faults of yesterday,
-
- And shadow forth the dreams of yesternight,
-
- And so on through long months and weary years
-
- Till, losing heart, I'd toss my brush aside
-
- Leaving the thing unfinished as it was--
-
- Adding this broken promise to my last.
-
-
-
- There's Raphael with his wide unanxious eyes,
-
- He does his work as though it were his play;
-
- He never talks of fame, but sings the while
-
- He paints the Virgin with Lord Jesus Christ--
-
- Goes to the door, throws kisses to a child,
-
- Goes to the window, smiles to some slim girl,
-
- And so returns and flashes kiss and smile
-
- Into the canvas quaking 'neath his brush,
-
- Creating thus a masterpiece sublime.
-
- And then there's surly Michelangelo
-
- Who chisels _Davids_ through the death-long night,
-
- And paints _Last Judgments_ through the livelong
-
- day,
-
- Pantingly running, pace on pace with Fame,
-
- Racing dean-limbed toward his goal in life.
-
-
-
- But I, poor changeling, wake, and dream, and
-
- wake,
-
- And dream again, retarded by desire.
-
- I was eight years in painting at Milan
-
- A fresco for the monks of Dominic--
-
- And even this I hear's begun to fade;
-
- It was a picture of that sacred feast
-
- Our Saviour gave before he went to die.
-
- Ten years I laboured on the Sforza horse
-
- Which should have been my monument through
-
- Time.
-
- I built it huge and true in every line,
-
- Studied anatomy to make it strong,
-
- And set on top Francesco with his sword;
-
- But, when the time for casting had arrived
-
- And I had done one perfect work at last,
-
- The hungry French across the border came,
-
- Bringing their Gascons, who got drunk and shot
-
- The clay of my poor Titan into space.
-
-
-
- So were ten years of strenuous effort lost;
-
- And now I'm painting Mona Lisa's face . . .
-
-
- _[Someone sings in the street below]_
-
- Seize then thy gladness ere it turns to dust,
-
- Youth can make all acts lovely, all deeds just;
-
- Heed not the tyrant, lean Morality,
-
- But steer thy passion down to the purple sea,
-
- Through winding hills where Beauty hath her home
-
- And calls to travellers, until thou come
-
- Unto the Deep of Lovés Satiety.
-
-
- _[Leonardo da Vinci speaks]_
-
-
-
- Ha-ha, my passion to the purple sea!
-
- And yet, I'd go if Mona Lisa'd come.
-
- We two, close-seated in one crimson boat
-
- Would drift the yellow waters of Romance,
-
- Glide down its stream through hills of mystery
-
- Where Beauty roams, of which the song hath
-
- sung,
-
- Nor ever speak of where that tide should end.
-
- We'd dip no oars, we'd set no hurrying sail,
-
- But swept on the full current of desire
-
- Would steer our course with unimpeded hands,
-
- Watching the pleasure in each other's eyes.
-
- Ah well, 'tis vain to talk! Two-thirds of life
-
- Till now I've spent in spotless purity--
-
- Affection's been retarded by desire
-
- As has my work; my dreams have far excelled
-
- The beauty God moulds into human shape.
-
- The sweet perfection of the womankind
-
- Who haunt my brain, has held me back from love.
-
- This . . . this was so till Mona Lisa came.
-
-
-
- Four years I've painted when it was her day,
-
- A day of mist, of mingled rain and sun;
-
- Four years before me silently she's sat
-
- And smiled to see me strive to catch her smile
-
- In liquid paint, with canvas and with brush,
-
- So that her eyes, searching, inscrutable,
-
- May question her sons' sons when she is dust.
-
- I only just begin to know her face.
-
- To learn its sudden changes I have paid
-
- The skill'dest men in all our Tuscan vales,
-
- Harpists, lute-players, masters of the viol,
-
- To make soft music while on her I gaze.
-
- For her content I ordered to be made
-
- A fountain in the courtyard of my house
-
- Whose waters falling, ere they dash to spray,
-
- Smite on smooth spheres, which thus revolve and
-
- hum
-
- The chaunt the winds toll in our upland pines.
-
- About the fountain's brink I caused to plant
-
- Pale iris roots and dew-blanched narcissi,
-
- Since white's the flower which most of all she loves.
-
- Also about the pillars, where the sun
-
- Lengthens the shadows when the evening fades,
-
- I've sculptured . . .
-
-
- _[Someone sings in the street below]_
-
- Passion's a flower
-
- While-leaf d or red--
-
- None knows which colour
-
- Till it is dead;
-
- Love gives forth fragrance
-
- Pure as God's breath;
-
- Lust in Us dying
-
- Yields the gatherer death.
-
-
- _[Leonardo da Vinci speaks]_
-
-
-
- And had Lorenzo sung those words to me
-
- His voice had had no more familiar sound;
-
- Had he turned back from lordly Paradise
-
- To urge me on in my pursuit of Joy,
-
- Knowing its flower almost within my hand,
-
- He had not said those words more earnestly.
-
- Lo, even now he stands without and I,
-
- By leaning forward, may discerrn his face.
-
-
- _[Rises, goes to the window; looks out]_
-
-
-
- Nothing; the sky is covered with a cloud,
-
- The moon's obscured and all the stars are dead.
-
-
- _[Cries, as though hailing someone]_
-
-
-
- Lorenzo, ho Lorenzo! Are you there?
-
- I heard your singing. I am come, old friend.
-
-
- _[Listens; then to himself]_
-
-
-
- What's over there? I thought a shadow stirred.
-
- There, over there! Beneath Piero's wall.
-
- Hath Pagan Plato triumphed over Christ
-
- And sent his chief apostle back to us?
-
- Or hath Lord Christ in his compassion wrought
-
- That kindness Dives craved of Abraham,
-
- Sending Lorenzo here from off his breast
-
- To bid me snatch my Joy ere Death befalls?
-
- No . . . no, the moon shines through and makes
-
- all plain.
-
- This is some old Florentine Lazarus--
-
- A soldier crippled in our Pisan wars
-
- Who begs upon San Marco's steps by day.
-
- Hi, here's a scudot Catch it in your cap.
-
- D'you hear me fellow?_
-
- Strange, he does not stay,
-
- But hastens on as if he . . . there, he's gone.
-
- Perchance he's mad or deaf, or blind and mad.
-
- And yet methought that, when he turned to go,
-
- His face looked upward, so it caught the light;
-
- And it was like to one . . .
-
-
- _[Comes hack from the window and sits down]_
-
-
-
- Ah well,
-
- I'll think no more of spirits and of ghosts;
-
- Let the dead past go bury up its dead.
-
- I'll think of Mona Lisa's face alone . . .
-
-
-
- _Of Mona Lisa's face.
-
-
-
- Just now I said
-
- One thing I knew, that I had never trod
-
- The quiet vale where grows the flower of white.
-
- 'Twas false. Four years I've lived and wandered
-
- there
-
- And seen my flower, but feared to break its stem.
-
- Dear God, thou knowest how often I have prayed
-
- That this temptation might not make me fall--
-
- Yea, I have asked for death's deliverance.
-
- Is this thy answer, that it is no sin
-
- For men to gather that which most they love?
-
- So be it. Silence answers every prayer;
-
- Thy voice hath spoken--I am satisfied.
-
-
-
- Men say in Florence, while I watched her face,
-
- That I bewitched her, so her very eyes
-
- Grew in expression like unto my own,
-
- So that her hands took on my restless ways,
-
- So that her mouth hath altered in its smile
-
- And, when I paint her face, I paint my own.
-
- Then let that be God's answer to my prayer.
-
-
-
- Ah, she is like me, she is very like!
-
- God made her for the sister of my soul;
-
- He would not have His plans jerked out of joint
-
- By one mistake, because she chanced to wed
-
- Her bankrupt father's sternest creditor
-
- To save his name--and this, some years ago;
-
- Therefore He sent His singer here to-night
-
- That he, in words I loved, might tell me so.
-
- Certainly God is good and very great.
-
-
- 'Tis said her husband hath returned this night,
-
- Passing at sundown through the southern gate
-
- From Naples, where last spring he went to sell
-
- Certain Sicilian cattle which he had.
-
- (He sold, I'll warrant, at the highest price),
-
- So, if the husband's come, then _she_ is home.
-
-
-
- That day she left me, 'twas an April day,
-
- One of her days of mingled mist and sun,
-
- I well remember how she paused and gazed
-
- Full in my eyes, as if forbidden love
-
- Were vainly seeking words which shame denied;
-
- Then suddenly she stooped, and her lips brushed
-
- My forehead. God gave gentle words ; she prayed,
-
- "May the Christ-Mother have you in her care"--
-
- Nothing besides. Passionately I rose up,
-
- Willing for her sake to be crucified;
-
- Stretched forth my arms to snatch her to my
-
- breast,
-
- And found her gone--the courtyard filled with sun.
-
- Six months have passed since then--six tortured
-
- months!
-
- There hangs her portrait, it has felt no brush
-
- Since on that April mom she went away;
-
- And now the empty courtyard's filled with night,
-
- And back to Florence Mona Lisa's come.
-
-
-
- To-morrow I will go to her and say,
-
- "Lisa, here take my life for it is yours.
-
- Do with it as you will; but do not stay
-
- To add, subtract, and reckon up its cost.
-
- Act a brave part and, if your love's like mine,
-
- We need not fear; for what we lose we gain,
-
- And, though we gain much, still to-day's to-day
-
- And, while we tarry, one day's love is lost."
-
-
-
- Ah, would that I might speak those words to-night
-
- For, while I halt, another night is gone--
-
- Crush'd to a mem'ry 'neath the heel of Time.
-
- I'm minded even now to venture forth,
-
- To go to her, although the hour is late;
-
- And through the darkness, when she hears me call,
-
- Only to say to her this one word, "_Come_."
-
- Thus unto men speak Birth, Fate, Love and Death,
-
- The four great captains of this brief campaign;
-
- Casting a shadow at the soul's tent-door,
-
- Each in his turn beckons and whispers, "_Come_."
-
- And I to her am Death, Birth, Love and Fate;
-
- And she to me is Love, and only Love.
-
- I'll go to her. How can I longer wait?
-
- Her nearer presence sets my blood aflame;
-
- I'll seize my flower . . .
-
-
- _[Commences to descend the stairway, then pauses]_
-
-
- Ah, the song again!
-
-
- _[Someone sings in the street below]_
-
- Let naught of fear Youth's laughing steps delay,
-
- Aye, gather gladness; pluck it while ye may--
-
- We burn not if To-morrow curse or Hess.
-
- Who cares--one red bud more, one white bud less?
-
- Only we burn that love was meant to spend,
-
- And this we burn, that each life hath its end;
-
- Therefore, O Youth, snatch all thy happiness.
-
-
- _[Descends slowly; passes out into the street]_
-
-
- _[Leonardo da Vinci speaks]_
-
-
-
- There's truth in every line that song hath sung.
-
- The hand that wrote it's twelve years turned to
-
- dust,
-
- The brain's become a hollow nothingness--
-
- A little grayness lying in a skull;
-
- And yet Lorenzo guides my steps to-night
-
- Unto my love as truly as in life.
-
- Oh wonderful and strange that men should die
-
- And, being buried, still should talk with us!
-
- When _I_ am free, and future ages come
-
- To stand amazed before the girl I loved,
-
- Then I will speak with them, say thus and thus,
-
- And, though departed, never shall be dead.
-
- For this I'll paint her portrait till 'tis done,
-
- Singing, like Raphael, from gray dawn to dusk,
-
- Pausing to kiss her forehead, lips, throat, eyes,
-
- Learning their beauty, where mine own lips touch;
-
- So I, like Angelo, with measured stride
-
- Will race with Fame, until the prize is won.
-
- Yea, men attain most only when they love.
-
- "_But steer thy passion down to the purple sea,_"
-
- (How went the song?) "_Until at length thou come
-
- Unto the Deep of Love's Satiety_."
-
- Truly, that is the way that brave men love:
-
- Reckless of blame, despising consequence,
-
- Not counting on a better day to come,
-
- Seizing with warrior-hands their Joy at once.
-
- And love in life is everything to us,
-
- And I have failed because I have not loved.
-
- But, when her soft arms go about my neck
-
- And I grow pale before her great desire,
-
- A new success will pass into my blood
-
- And I'll be strong . . .
-
-
-
- Ah, someone's coming up!
-
- I'll draw into the shadow of this gate;
-
- Perhaps he'll pass. I seem to know his tread.
-
- No good! He's seen me; I must seek the light.
-
- Is't you Vitelli?
-
-
- _[Vitelli]_
-
- Leonardo?
-
-
- _[Leonardo da Vinci]_
-
- Yes.
-
-
- _[Vitelli speaks]_
-
-
-
- Well, how's the painting? Is her portrait done?
-
- Whose portrait? Why, the one of Lisa's face.
-
- Not finished! What, 'tis only just begun?
-
- Well, that's a pity. Four years seems some time
-
- To gape before a canvas with a brush.
-
- Beg pardon. This is what I meant to say:
-
- That since you could not paint her in her life,
-
- You'll scarce be more successful now she's
-
- dead . . .
-
- You did not know? . . . _Why, she's been dead
-
- three months._
-
-
-
-
-CENTURIES AGO
-
-
-
- In the solemn twilight, centuries ago,
-
- God walked in His Garden, all His stars below;
-
- God was very lonely, so He caused to grow
-
- Man, in some ways like Him, centuries ago.
-
-
-
- Man roamed through the twilight, centuries ago,
-
- Always thinking, thinking--wishing he might know
-
- Who it was that made him; then God caused to
-
- grow
-
- Woman, who was half-God, centuries ago.
-
-
-
- These, within God's Garden, centuries ago,
-
- Stood beneath the twilight calling very low
-
- To some voice to answer, whereby they might
-
- know
-
- Had God really made them--centuries ago.
-
-
-
- Thus whilst they were listening, centuries ago,
-
- Solemn feet drew nigh them, treading very slow;
-
- Solemn hands so touched them that they caused to
-
- grow
-
- Something that was All-God, centuries ago.
-
-
-
- Then they left God's Garden, centuries ago.
-
- Scarcely dared to question, never hoped to know,
-
- Who it was that touched them, causing thus to
-
- grow
-
- That small child, so like them--centuries ago.
-
-
-
-
-HIS MOTHER
-
-
-
- I bore him in my breast--
-
- Yes, it was I.
-
- My mother's hands impressed
-
- Stars of the sky
-
- On to his infant sight,
-
- As we watched night by night,
-
- Jesus and I.
-
-
-
- I taught him how to pray;
-
- Yes, it was I
-
- Gave him the words to say.
-
- God drawing nigh,
-
- We two walked hand-in-hand
-
- Close to God's Hidden Land,
-
- Jesus and I.
-
-
-
- This little son of mine
-
- Fell from the sky;
-
- God made him all divine--
-
- Yet there was I.
-
- I came to bear his loss,
-
- He came to take his cross--
-
- He came to die.
-
-
-
- Thus we went hand-in-hand,
-
- My son and I,
-
- Up to God's Hidden Land--
-
- Went up to die.
-
- He entered in to reign
-
- And came not back again--
-
- Yet there was I.
-
-
-
-
-PERHAPS
-
-
-
- "Perhaps tomorrow, but not today.
-
- I am young and life is long," she said;
-
- And she smiled to herself and tossed her head--
-
- She scarcely cared that he went away.
-
- Perhaps tomorrow, but not today."
-
-
-
- Perhaps tomorrow, perhaps today,"
-
- She laughed; and the green things rose from bed
-
- And lived their moment. But still she said,
-
- Till the sky grew old and the world grew gray,
-
- Perhaps tomorrow, but not today."
-
-
-
- Neither tomorrow, nor yet today."
-
- Night fell. She heard the voice and sped,
-
- And followed his steps, till she found Love dead.
-
- The forest muttered, as it would say,
-
- Neither tomorrow, nor any day."
-
-
-
-
-BELLUM AMORIS
-
-
-
- Oh, the romance of it,
-
- Soul-thrilling trance of it,
-
- Though lives are lost which no love can restore!
-
- Hearts ride a-prance at it,
-
- Taking their chance at it--
-
- Wing-thriven hearts to the seat of Love's War.
-
- Sorrow is theirs in store;
-
- This they know well before,
-
- Yet do they ride from the West and the East
-
- Hoping for this at least,
-
- Out from the West and East,
-
- Glory with death at the end of the war.
-
-
-
- Should they return again,
-
- Life sings the old refrain,
-
- Mystery, madness and mirth at the core:
-
- Patter of falling rain,
-
- Dawnings which wax and wane,
-
- Life which is war at the end of Love's War.
-
- Thunders have ceased to roar,
-
- Terrors they knew before
-
- When they rode out from the East and the West.
-
- Though passions will not rest,
-
- Love, which is always best,
-
- Honours brave lips at the end of the war.
-
-
-
-
-QUEEN MARY OF HEAVEN
-
-
-
- She sits in God's garden,
-
- Queen Mary of Heaven,
-
- Where birds sing their steven
-
- Hid in the cool tree;
-
- And all the gold day-time,
-
- From morning till even,
-
- Earth's little strange children
-
- Play round her knee.
-
-
-
- Earth's lost little children
-
- She binds to her bosom,
-
- Each wind-gathered blossom,
-
- Till mothers are free
-
- To steal to God's Garden
-
- And name them and loose them--
-
- In Eden's green garden,
-
- 'Neath Mary's tree.
-
-
-
-
-A BRAVE LIFE
-
-
-
- The arid loneliness of life he knew,
-
- The doubtful darkness of the starless night,
-
- And fear lest he should never see the sight
-
- Of dawn and God the Father breaking through.
-
- Brave offspring of a disenchanted age
-
- He lived as though illusion were not dead;
-
- His was the pain of faiths discredited
-
- Which with new knowledge civil battles wage.
-
-
-
- In all his deeds for righteous quests he stood
-
- And we, who watched his face and heard his voice,
-
- Dreamed of the Christ; we had not any choice,
-
- In loving him we knew that God was good--
-
-
-
- We knew. And thus, beneath the hooded sky,
-
- Lightly we followed where his pain had made
-
- A path for us; if one should fall, he stayed
-
- To raise him, lest his frailer hope should die.
-
-
-
- Ofttimes when summer's day had ceased to shine
-
- And on our London roofs the moon looked down,
-
- We two would wander through the gas-lit town
-
- Speaking in whispers of the things divine;
-
-
-
- Or in love's stillness, high above the strife,
-
- We found our spirits strangely catching fire,
-
- And told of that "_ unspeakable desire
-
- After the knowledge of the buried life._"
-
-
-
- He knows its secret now; the morning mist
-
- Drifts up the road where his last footprint lies;
-
- And I, as ever when a Christ-man dies,
-
- Stand awe-struck, asking, "Was not this the
-
- Christ?"
-
-
-
- His soul craved God. I think we always knew
-
- He would be with us but a little while.
-
- Night vanished; dawn broke--when he saw God
-
- smile
-
- Back like a homing-bird to God he flew.
-
-
-
-
-THE MOON-MOTHER
-
-
-
- The world is a child who roams all day
-
- Through windswept meadows of gold and gray.
-
-
-
- The gold flowers fade; he foils to sleep,
-
- And night is his cradle wide and deep.
-
-
-
- The moon-mother creeps from behind God's throne
-
- And steals up the skies to protect her own.
-
-
-
- She leans her breast 'gainst his cradle-rim
-
- While her small star-children gaze down on him.
-
-
-
- Stars are his brothers; clouds his dreams;
-
- His mother's arms are the pale moon-beams.
-
-
-
- When meadows again grow gold and gray,
-
- He wakes from sleep and runs forth to play.
-
-
-
- But every night from behind God's throne
-
- The moon-mother steals to protect her own.
-
-
-
-
-TO A YOUNG GIRL WHO SAID SHE WAS NOT BEAUTIFUL
-
-
-
- It's not her hair and it's not her feet,
-
- Nor the way she walks with her head held high;
-
- It's not because her eye-brows meet
-
- Like a bird's wings over a glimpse of sky;
-
- And it isn't her voice like April bloom
-
- Rustling through an orchard's gloom--
-
- It's none of these; not her wide gray eye,
-
- Nor her crumpled mouth like a rose-bud red
-
- Round which the snows of the jasmine spread.
-
-
-
- Though her long white hands
-
- Are like lilies of Lent,
-
- Palely young and purely bent
-
- O'er her breast, where God stands,
-
- It's none of these.
-
-
-
- Flowers and trees
-
- With her to compare
-
- Are too little rare.
-
-
-
- Though the grass yearns up to touch her feet,
-
- She is loved for this--she is sweet, sweet, sweet.
-
-
-
-
-HALLOWE'EN
-
-
-_Hark to the patter of the rain,
-
- Voices of dead things come again:
-
- Feet that rustle the lush wet grass,
-
- Lips that mutter, "Alas! Alas!"
-
- And shadows that grope o'er my window-pane._
-
-
-
- Poor outcast souls, you saw my light
-
- And thought that I, on such a night,
-
- Would pity take and bid you in
-
- To warm your hands, so palely thin,
-
- Before my fire which blazeth bright.
-
-
-
- You come from hells of ice-cold clay
-
- So pent that, striving every way,
-
- You may not stir the coffin-lid;
-
- And well you know that, if you did,
-
- Darkness would come and not the day.
-
-
-
- Darkness! With you 'tis ever dark;
-
- No joy of skyward-mounting lark
-
- Or blue of swallow on the wing
-
- Can penetrate and comfort bring
-
- You, where you lie all cramp'd and stark.
-
-
-
- Deep sunk beneath the secret mould,
-
- You hear the worm his length unfold
-
- And slime across your frail roof-plank,
-
- And tap, and vanish, like the rank
-
- Foul memory of a sin untold.
-
-
-
- And this your penance in the tomb:
-
- To weave upon the mind's swift loom
-
- White robes, to garb remorsefully
-
- A _Better Life_--which may not be
-
- Or, when it comes, may seal your doom.
-
-
-
- Thus, side by side, through all the year,
-
- Yet just apart, you wake and hear,
-
- As men on land the ocean's strum,
-
- Your Dead World's hushed delirium
-
- Which, sounding distant, yet is near.
-
-
-
- So near that, could he lean aside,
-
- The bridegroom well might touch his bride
-
- And reach her flesh, which once was fair,
-
- And, slow across the pale lips where
-
- He kissed her, feel his fingers glide.
-
-
-
- So distant, that he can but weep
-
- Whene'er she moans his name in sleep:
-
- A cold-grown star, with light all spent,
-
- She gropes the abyssmal firmament.
-
- He hears her surging in the Deep.
-
-
-
- Ever throughout the year 'tis thus
-
- Till drones the dream-toned Angelus
-
- Of Hallowe'en; then, underground,
-
- Unto dead ears its voice doth sound
-
- Like Christ's voice, crying, "_Lazarus_."
-
-
-
- Palsied with haste the dead men rise
-
- Groaning, because their unused eyes
-
- Can scarce endure Earth's blackest night;
-
- It wounds them as 'twere furious light
-
- And stars were flame-clouds in the skies.
-
-
-
- What tenderness and sad amaze
-
- Must grieve lost spirits when they gaze
-
- Beneath a withered moon, and view
-
- The ancient happiness they knew--
-
- The live, sweet world and all its ways!
-
-
-
- Ho, Deadmen! for a night you're free
-
- Till Dawn leads back Captivity.
-
- To make your respite seem more dear
-
- Mutter throughout your joy this fear:
-
-
-
- "Who knows, within the coming year,
-
- That God, our gaoler, may not die;
-
- Then, who'll remember where we lief
-
- Who then will come to set us free f
-
- Through all the ages this may be
-
- Our final night of liberty."
-
-
-
- Aye, hoard your moments miserly.
-
-
-
- And yet .... and yet, it is His rain
-
- That drives against my window-pane.
-
- Oh, surely all Earth's dead have rest
-
- And stretch at peace in God's own breast,
-
- And never can return again!
-
-
-
- And yet . . . .
-
-
-
-
-UNSEEN
-
-
-
- Oh mother, why are you weeping
-
- When aLl the world's asleeping?
-
- Rest ye, rest ye, mother,
-
- I am near, dear, near.
-
- Not beneath the moon-drenched grass
-
- Do I turn to hear you pass--
-
- You would see me walk beside you, if your eyes
-
- saw dear.
-
-
-
- Oh mother, why are you crying?
-
- There was no loss in dying.
-
- Rest ye, rest ye, mother,
-
- Have no fear, no fear.
-
- Still long hangs my golden hair,
-
- But the body that I wear
-
- Treads more kindly and more lightly, could you
-
- hear, dear, hear.
-
-
-
- She has stayed her eyes from weeping;
-
- She is sleeping, sweetly sleeping.
-
- Rest ye, weary mother,
-
- I am here, dear, here.
-
-
-
- Now the dawn-wind fans her cheek,
-
- And she knows not that I speak--
-
- But my arms are warm about her, could her eyes
-
- see clear.
-
-
-
-
-WHY THEY LOVED HIM
-
-
-
- So kindly was His love to us,
-
- (We had not heard of love before),
-
- That all our life grew glorious
-
- When He had halted at our door.
-
-
-
- So meekly did He love us men,
-
- Though blind we were with shameful sin,
-
- He touched our eyes with tears, and then
-
- Led God's tall angels flaming in.
-
-
-
- He dwelt with us a little space,
-
- As mothers do in childhood's years;
-
- And still we can discern His face
-
- Wherever Joy or Love appears.
-
-
-
- He made our virtues all His own,
-
- And lent them grace we could not give;
-
- And now our world seems His alone,
-
- And while we live He seems to live.
-
-
-
- He took our sorrows and our pain,
-
- And hid their torture in His breast;
-
- Till we received them back again
-
- To find on each His grief impressed.
-
-
-
- He clasped our children in His arms,
-
- And showed us where their beauty shone;
-
- He took from us our gray alarms,
-
- And put Death's icy armor on.
-
-
-
- So gentle were His ways with us
-
- That crippled souls had ceased to sigh;
-
- On them He laid His hands, and thus
-
- They gloried at His passing by.
-
-
-
- Without reproof or word of blame,
-
- As mothers do in childhood's years,
-
- He kissed our lips, in spite of shame,
-
- And stayed the passage of our tears.
-
-
-
- So tender was His love to us,
-
- (We had not learnt to love before),
-
- That we grew like to Him, and thus
-
- Men sought His grace in us once more.
-
-
-
- April fields and England's flowers,
-
- English friends and April showers,
-
- April voices o'er the sea
-
- Calling, calling unto me:
-
-
-
- Oh, why tarry, why delay!
-
- Hither lies the meadow-way;
-
- No such meadows shalt thou see,
-
- Oh, come back to Arcady."
-
-
-
- Happy English Arcady
-
- Thou art calling, calling me
-
- Through thin flutes as frail as Pan
-
- Fingered, when long since he ran
-
-
-
- Careless as these foreign flowers,
-
- Trailing through these tropic bowers
-
- All their largess of gold leaf,
-
- Piling splendors sheaf on sheaf.
-
-
-
- Some there be who think Pan dead,
-
- Say his nymphs and flutings sped;
-
- I know better, I have seen
-
- Where his racing feet have been.
-
-
-
- Still I hear the dead god's voice--
-
- England's; Had my soul the choice,
-
- It should wade through starry bloom
-
- Knee-deep to the brown-burnt broom.
-
-
-
- April fields and April flowers,
-
- April friends and April showers,
-
- England shouting o'er the sea,
-
- Calling, calling unto me.
-
-
-
-
-CHILDISH TRAVELLING
-
-
-
- Ah, little child, as you lie in my breast,
-
- Leaning your hair of gold close to my face,
-
- Flushed in the gathering glow of the West,
-
- Where shall we travel--to what joyous place?
-
- Shall we refashion our castles in Spain,
-
- Or sail to the Indies with Sinbad again,
-
- Or noiselessly drift to where tired stars wane--
-
- Shall it be Africa, Sinbad or Spain?
-
- Speak, little child, and together we'll go
-
- Back to the musical dreamlands we know.
-
-
-
- Dear little child, you have wandered to rest.
-
- While you are sleeping I wonder and think
-
- Where you will go, and what land will be best
-
- Treading for such baby feet, and I shrink.
-
- Should they be hillsides of laughing and song,
-
- Or gardens of mercy and righting of wrong,
-
- Of weeping, or triumph, or love growing strong,
-
- Journeys of shouting, of sorrow or song?
-
- I can but love you and kiss your gold hair,
-
- Happy in hoping that Christ may be there.
-
-
-
-
-THE IVORY LATCH
-
-
-
- Rattle the Ivory Latch of Love
-
- And who will unbar the gate?
-
- Ask no questions, my dearest love,
-
- But wait--wait--wait.
-
-
-
- Ah, will she be haughty Isabeau,
-
- Pale Isodore, or Kate?
-
- _Hush, dearest dear, some day you'll know,
-
- Be not importunate._
-
-
-
- Perchance I might love Isodore,
-
- I think I could love Kate;
-
- I have no fears for Isabeau
-
- Should she unbar the gate.
-
- _Perchance she may be Isabeau,
-
- Perhaps she will be Kate;
-
- But which, dear heart, you'll never know,
-
- Till you have learned to wait._
-
-
-
-
-THE ONCE SUNG SONG
-
-
-
- Christ along the Road to Fame,
-
- When all birds were singing,
-
- Pluck't white lilies as He came,
-
- Set the blue-bells ringing;
-
- Poppies flared in strident flame
-
- When they heard His singing.
-
-
-
- Further up the Road to Fame
-
- Birds grew still in sorrow;
-
- Though His feet were very lame
-
- Courage did He borrow,
-
- Singing as He onward came,
-
- Dreaming of the morrow.
-
-
-
- Crimsoned by the Road of Fame
-
- Christ passed sick and dying.
-
- Through the hedges, red with shame,
-
- Crippled men there lying,
-
- Seeing how He singing came,
-
- Marvelled at their sighing.
-
-
-
- Distant down the Road to Fame,
-
- When all else ceased singing,
-
- Messengers of music came--
-
- Little echoes winging
-
- Withered hearts with wings of flame--
-
- Fragments of Christ's singing.
-
-
-
-
-SPRING
-
-
- _Sing, sing,
-
- Spring and birth!
-
- A maid shall be mother of all the earth._
-
-
-
- Winter's bones lie bare and bleak,
-
- Scattered white on the mountain peak.
-
-
-
- Through stark woods the Madonna Spring
-
- Glides with her unborn offering.
-
-
-
- Where she treads dead flowers stir
-
- And raise their heads to gaze after her,
-
-
-
- And trees make dense their boughs with green
-
- That her motherhood may not be seen.
-
-
-
- Summer lies hid 'neath her girlish breast;
-
- Till her babe is bom she shall find no rest.
-
-
-
- Yet is she glad in her wandering
-
- And weaves meek songs 'gainst her mothering.
-
- _Birth, birth,
-
- Lave and mirth!
-
- Spring is Madonna of all the earth_.
-
-
-
-
-A LULLABY
-
-
-
- Son of God, thou little child
-
- O'er whose sleep the Virgin smiled,
-
- Guard us, though this night be wild,
-
- From Lilith--Lilith.
-
-
-
- Guard us, though our watch be slack,
-
- Guard us, though the night be black,
-
- Though this night all stars should lack
-
- From Lilith--Lilith.
-
-
-
- Stay her steps from drawing nigh,
-
- Kiss my baby lest he cry,
-
- And she hear him, and he die
-
- From Lilith--Lilith.
-
-
-
- Son of God, thou little child
-
- O'er whose sleep the Virgin smiled,
-
- May his soul be unbeguiled
-
- By Lilith--Lilith.
-
-
-
-
-UNANSWERABLE QUESTIONS
-
-
-
- Is there light of moon or sun
-
- In the land where thou hast gone?
-
-
-
- Does the rush of wind and rain
-
- Smite thy woodlands green again?
-
-
-
- Do dawn-birds rise up and sing,
-
- Sunrise. Sunrise," heralding?
-
-
-
- Dost thou fear, as once, the stark
-
- Hours of panther-footed dark?
-
-
-
- Oh, little maiden, sweetly frail,
-
- Naught can these empty words avail.
-
-
-
- For thee I clasp God's mantle fast,
-
- Praying till night is overpast.
-
-
-
-
-THE HILL-TOWER
-
-
-_A ROMANCE_
-
-
-
- _"Bianca of the yellow hair,
-
- With witch-face white as ivory,
-
- Yield to our might that we may bear
-
- Thy body back to Rimini."_
-
-
-
- And thus the foemen cried all day
-
- And strove to daunt with fierce display
-
- Of armoured strength her maiden heart,
-
- So that with them she might depart
-
- From out that hill-tower where with three
-
- She'd held the pass right fearlessly--
-
- So that with them she might depart
-
- To shameful death in Rimini.
-
-
-
- Bianca, child of Abramo
-
- The despot lord of Reggio,
-
- Had set our country-side on flame
-
- With the binning torch of her beauty's fame,
-
- And a deadman's hate of her deadly name.
-
- For she had gazed with cold gray eyes
-
- On Rufo--he now starkly lies
-
- Deep in a sculptured sepulchre,
-
- Smitten with death through love of her.
-
- Rufo, the heir of Ugo Count
-
- Qf Rimini and vast amount
-
- Of warrior-men and chivalry,
-
- Had come to claim her haughtily;
-
- But had scorched his soul in her golden hair.
-
- As a wounded beast creeps to his lair,
-
- So he vilely died by slow degrees
-
- Of heart-break and a sore disease,
-
- Till his eyes grew glazed and ceased to stir,
-
- And his life gave out for his love of her.
-
-
-
- Then Ugo swore a mighty oath,
-
- By God's own Christ and by Christ's truth,
-
- Though I go unarmed and go alone,
-
- For my son's death she shall atone.
-
- I'll take this witch of Reggio
-
- And through the flames will make her go,
-
- Till her sweet red lips grow cracked and sere,
-
- Till her eyes are scarred and mad with fear,
-
- Till her false young tongue cannot speak love's
-
- name,
-
- Till her tender feet drop off with flame--
-
- Till she hath naught left that men desire
-
- She shall pass and pass through consuming fire."
-
-
-
- This was the oath which he did swear
-
- When he cursed her face in his hate of her.
-
-
-
- So Ugo rode on Reggio
-
- And called on the name of Abramo,
-
- Claiming the body of her who wrought
-
- Love's enchantments and made distraught
-
- The souls of the lovers who came to her,
-
- And told of the oath which he did swear.
-
- They bade him stand without the wall
-
- And bore his tidings to the hall.
-
- From early mom he stood till eve,
-
- And still no message did receive.
-
- When night was falling, dusk and dim,
-
- A city harlot drew nigh to him
-
- And grayly glimmered along the wall,
-
- And stopped where the Count was standing tall.
-
- What news," he cried, "from Abramo,
-
- Must I raze this city of Reggio?"
-
-
-
- He reared his plume to its towering height.
-
- She leaned far out in the waning light.
-
- He clutched with one hand his saddle-bow
-
- And saw her smile when she answered, "No,"
-
- And spat on his face and strained down on
-
- him.
-
-
-
- He rode away 'neath the crescent rim
-
- Of a new-made moon through an olive-grove,
-
- And evil passions within him strove;
-
- In anger he gained the shining sea
-
- Which silvers the shores of Rimini.
-
- There he made great stir and called out his men,
-
- And marshalled their ranks on a level fen,
-
- And clothed them in black and gave beside
-
- His knights black stallions which to ride,
-
- And ordered no singing. "For," said he,
-
- We mourn one dead in Rimini."
-
-
-
- Over the hills he caused to go
-
- His sombre ranks to Reggio;
-
- Through pleasant valleys and dew-drenched woods
-
- His horsemen paced in their sable hoods
-
- With no shrill of bugle or revelry,
-
- Like angels of Death's dread company.
-
- At night they stole to the dty-wall
-
- And clustered beneath the ramparts tall;
-
- And hearkened for noise of warlike din,
-
- And found no breath of strife within;
-
- And watched for lights in the houses' eyes,
-
- And saw but the stars within the skies.
-
- Then as one voice they raised the shout,
-
- The echo eddied their cry about,
-
- We call on you men of Reggio
-
- To give us the daughter of Abramo,
-
- That she pass and pass through consuming fire
-
- Till she hath naught left that men desire.
-
- Give us the daughter of Abramo."
-
-
-
- Swift and dread, dark-robed and dim,
-
- Like thunder about a crater's brim,
-
- They surged round the city at dead of night
-
- And chased their shadows in stately flight,
-
- And swept the circle with beating hoof,
-
- And flashed their blades on high as proof
-
- Of the hate they had; nor ceased to moan
-
- Like men long dead 'neath the charnel-stone,
-
- Give us the daughter of Abramo."
-
-
-
- The dawn was groping up the sky,
-
- An early bird was heard to cry;
-
- Forth from the gate with haunted eyes
-
- Four figures crept in leper's guise,
-
- And two had long and yellow hair
-
- And none had face or body bare.
-
- Swiftly they ran from tree to tree
-
- And wound their way all secretly
-
- Through gloom and grove to the rising sun,
-
- And through that day did onward run
-
- Till evening came, and they drew at length
-
- To the lonely might and granite strength
-
- Of the hill-tower in the narrow pass
-
- Where refuge and a safety was.
-
- Then did they lock and bar the door
-
- And armed themselves, for they knew before
-
- Another moon should flood the sky
-
- They would hear Count Ugo's hunting cry,
-
- Yield to us, daughter of Abramo."
-
-
-
- Two frail maids, two boyish men,
-
- Lovers all in the good days when
-
- Only the sun was in the sky
-
- Nor clouds of grief came trailing by;
-
- Two brave maids and two brave men
-
- Now, in an hour of darkness, when
-
- Only the clouds were in the sky
-
- Loved more dearly than formerly.
-
- Corrado, page of Bianca's court,
-
- Had loved his mistress and long had sought
-
- To speak his heart but feared, for he
-
- Was a love-child owned of no family.
-
- Celia was her half-sister,
-
- Wondrous sweet and like to her,
-
- So like that she had fled lest she
-
- For Bianca's self should mistaken be.
-
-
-
- Ciro, son of a noble name,
-
- Loved this girl, therefore he came
-
- To give his life, if need should be,
-
- He loved her life so utterly.
-
- Oft in the hush of a summer's night
-
- When earth has rest from the savage might
-
- Of flaming suns, and starlight sheds
-
- Kindness of dew on flowers' heads,
-
- And birds have got them away to rest,
-
- These lads had whispered breast to breast
-
- Of the joy they felt and happy thrills
-
- When they heard so much as the shaken frills
-
- Of these they loved in the passing by;
-
- And then, betwixt a sob and sigh,
-
- Had dreamed of a day when they should wed.
-
- Vain dream! Vain dream! now here, instead,
-
- With Bianca fled to the hill-side tower
-
- They should strain and hearken hour by hour,
-
- With clutching hands and bated breath,
-
- For man's last bride--the Woman, Death.
-
-
-
- And thus they sat a lengthy while
-
- Till one face lit with a wandering smile:
-
- Come now, my lords," Bianca said,
-
- Why sit ye heavy-eyed and sad?
-
- Men say ye each have loved a maid;
-
- Surely, I think, I should be glad
-
- To draw so near for an hour or two
-
- The maid I loved, though well I knew
-
- The early mom should find me dead."
-
-
-
- Then he who loved her, laughed and said,
-
- Yea, lady mine, I will be bold
-
- Too long my love hath lain untold;
-
- Yet mine was not an unshared sorrow
-
- But grief for thine and thy sad to-morrow
-
- If my lord, thy father, fail to send
-
- His cavalry."
-
-
-
- 'God will defend
-
- His maid," she said, "God will provide.
-
- But, if to Rimini I ride,
-
- I shall be glad recalling this,
-
- That thou did'st not withhold thy kiss
-
- When all my loves had forsaken me."
-
-
-
- Aye love, brief love, sweet love," sighed he,
-
- Thou art more than life--far more, far more."
-
-
-
- So through that night, by the fast-locked door,
-
- They spake of lové till they drooped to sleep,
-
- Nor heard at dawn the wary creep
-
- Of one who traced the outer-wall,
-
- And found the marks of their foot-fall.
-
-
-
- When mists were lifting off the sky
-
- They sprang from dreams at a sudden cry,
-
- And gazed with startled eyes around:
-
- "'Tis naught," they laughed, "'twas a country
-
- sound--
-
- A late-awakened bird did call,
-
- A wind blew through the water-fall.
-
- 'Tis naught--'tis naught."
-
- But afar they heard
-
- A wail not made by beast or bird;
-
- A hungry moan, long-drawn and low,
-
- "Give us the daughter of Abramo."
-
-
-
- She stretched her arms along the wall
-
- And leant aside as she would fall,
-
- And cowered low 'neath her yellow hair
-
- As though its weight were too much to bear.
-
- And, "Oh, sweet God, dear God," she cried,
-
- Hark how they come! They ride, they ride!
-
- What ill have I ever done to Thee
-
- That men should bum my fair body?
-
- Stoop from Thy skies and succour me."
-
-
-
- "Yea, God hath stooped. Fear not, dear heart,
-
- For I and Ciro will play God's part,
-
- And Celia sweet shall comfort thee
-
- While we brand these dogs of Rimini."
-
-
-
- With hurried feet they clomb the stair
-
- And quickly gained the outer air,
-
- And ghostly saw through the morning haze
-
- The winding funeral arrays
-
- Of Ugo's knights and warrior-men.
-
- Dumbly they watched, and heard often
-
- Their hunting cry borne down the breeze.
-
- Corrado laughed with an ugly ease,
-
- And thus it is he comes with these:
-
- Strong stallions, lances, Genoese--
-
- To take one slim and fragrant girl!
-
- Oh, Ciro mine, our hands shall hurl
-
- These valiant fighters from the wall,
-
- Though we be lads and they be tall.
-
- If God there be above us all,
-
- Then love shall give us strength this day."
-
-
-
- Down on the stones they kneeled to pray
-
- That He who brought their lives to be
-
- Should crown their loves with victory.
-
- They rose and flew their heraldry:
-
- An evening star, a saffron sea,
-
- And on the sea, the star below,
-
- The dry-shod pard of Reggio.
-
-
-
- No answer made the sable foe,
-
- But round the tower, with footsteps slow,
-
- Paced till his journeys numbered three;
-
- Then from the host one silently,
-
- Thrust on a spear for mockery,
-
- And raised the head of Abramo.
-
- Swift round the tower in mirthless rout
-
- They raced and tossed the words about,
-
- _"Bianca of the yellow hair,
-
- With witch-face white as ivory,
-
- Yield to our might that we may bear
-
- Thy body back to Rimini,_"
-
- 'Twas thus the foemen cried all day
-
- And strove to daunt with fierce display
-
- Of armoured strength her maiden heart,
-
- So that with them she might depart
-
- To shameful death in Rimini.
-
-
-
- Bianca, in the vault below,
-
- Crouched at her prayers and did not know
-
- This death, and of her father's shame;
-
- But heard their shouts and heard her name.
-
- Oh, little hands," she softly sighed,
-
- Wherefore should ye be crucified,
-
- What have ye done that men should see
-
- Naught in your grace, save witchery?
-
- Oh, yellow hair, so like the sun,
-
- What is this sin that thou hast done
-
- That men should have such hate of thee?
-
- And sweet grave face of ivory,
-
- So made for love and for desire,
-
- Why should they crave thee for the fire?
-
- Fire of love was meant for thee."
-
-
-
- Her sister bent and kissed the hands
-
- Which hung straight down like two white wands,
-
- And hid her lips in a yellow tress,
-
- And kissed the breasts where they met the dress,
-
- And laid her cheek on the weary face
-
- To wipe away each tear's distress,
-
- To cleanse of grief each grievous place.
-
- And this for thee," she said and kissed.
-
- And this for thee," and held each wrist.
-
- And this for thee," and met the lips.
-
- As priest in sacred water dips
-
- His hand at last confessional
-
- To purge each thoroughfare of sense
-
- And bring again lost innocence,
-
- So she made pure and perfect all.
-
- Shrill through their peace shrieked the battle-
-
- call,
-
- Per Jesum Christum! Reggio!
-
- Have at them Death! They fall, they fall!"
-
- And hoarse, hard-breathed, the wall below,
-
- Surged up the wrath of the hungry foe,
-
- Give USs the daughter of Abramo."
-
-
-
- Fierce through that day the struggle went,
-
- And blood was spilt and swords were bent.
-
- The sun sank bloody in the West;
-
- The day died bitter and unblest.
-
- The mountains strained against the sky
-
- And angrily, as they would try
-
- To wrench from earth their trampled gowns.
-
- An eagle o'er the upland downs
-
- Hung poised, then beat his wings, as he
-
- Refused to share man's cruelty.
-
- At nightfall, when the host withdrew,
-
- A spearman, whom they counted dead,
-
- In dying strength raised up his head
-
- And sped a poisoned dart, which slew
-
- Ciro, who from the tower's height
-
- Leaned out to watch the evening light.
-
- And thus of four there remained but three.
-
-
-
- Celia clomb the winding stair
-
- And thought of how her yellow hair
-
- Could save the three, if she should dare
-
- To yield herself to Rimini.
-
- For I am very like to her,"
-
- She said, "so like that if I were
-
- To feign myself for my sister
-
- By night--this night if I should go,
-
- I think the Count would never know
-
- Till they were safe and I was burned."
-
- The last bend in the stair she turned
-
- And halted as she gained the roof,
-
- And stretched her gaze abroad for proof
-
- Of where her lover might keep guard.
-
- There, where a shafted moonbeam barred
-
- An alcove of gray masonry,
-
- His face shone out, so tranquilly
-
- She thought him sleeping; but his eyes
-
- Were wide, intent on her and wise
-
- Beyond the sight of living men.
-
- Softly she called to him and, when
-
- He answered not, 'twas then she knew. . .
-
- She kissed his forehead, and withdrew
-
- Her tired feet adown the stair.
-
- Bianca kneeled entranced in prayer
-
- And noticed not her passing by,
-
- But counted fast her rosaRy.
-
- Corrado, touched upon the arm,
-
- Reeled as he turned in fierce alarm.
-
- She said, "We change the watch this hour.
-
- I will abide; guard you the tower."
-
- Then, as he set his foot to go,
-
- Kiss me, dear friend, for you must know
-
- We may not ever meet again,
-
- This war has brought us so much pain."
-
- He gazed on her a tender while,
-
- And wondered at the gracious smile
-
- Around her lips. "While we are four,"
-
- He said, "we need not fear this war;
-
- Love is more than life ... far more, far more."
-
- She answered, "Not while we are four."
-
- Ah, have no fear at all," he said;
-
- "She prays for us, see how her head
-
- Is bowed in reverence to God."
-
- He took his sword and clanking trod
-
- The stone-paved vault and winding stair,
-
- Till she could judge him mounting where
-
- Another turn would bring to sight
-
- Her dead love's face in the shafted light
-
- Where the moonbeam washed the turret white.
-
- She bared her feet and crept the floor,
-
- With eager hands wrenched loose the door,
-
- And weeping passed into the night.
-
- The dawn thrust up a wild white face
-
- And stared toward the lonely place,
-
- Where through the vigil, hour by hour,
-
- Corrado guarded well the tower.
-
- It seemed his own reflected face,
-
- So wannish and so wide of eye;
-
- The lips moved and he caught their sigh,
-
- I am thyself and I must die."
-
- Thus did he learn the uttermost,
-
- The live man meeting his own ghost,
-
- And knew that surely he must die.
-
- The sun flashed up; the face was fled.
-
- By night he knew he must be dead.
-
- He leaned beyond the parapet
-
- To scan the rocky pass if yet
-
- Some help might wind around the hill.
-
- The morning air was very still;
-
- He heard the noise of climbing feet,
-
- Of something dragged across the peat,
-
- And saw two knights who, drawing near,
-
- Bore that which clogged his heart with fear--
-
- A white gown, sown with golden threads
-
- Which held the light as do the meads
-
- When dandelions toss their heads
-
- Mid meadow-sweet and field-clover,
-
- Which poppy-leaves drift red over--
-
- A long white gown and smirched with red,
-
- And hands so still, they must be dead.
-
- They laid her on a grass-grown bank
-
- And loosed about her neck the stole,
-
- So that her gold hair round her sank
-
- To frame a burning aureole.-
-
- How now, ye dogs of Rimini,
-
- What crime is this that ye have done
-
- To show to God's new-risen sun,
-
- Which he will tell God secretly?"
-
-
-
- And one in shame drew back a pace,
-
- And one raised up his vizored face,
-
- No crime, Sir Knave. God's work, I trow.
-
- Give us the witch, and we will go--
-
- The match to this, from Reggio."
-
-
-
- We have no witch, as well ye know."
-
- But, as he spake, he heard with pain
-
- Their scornful laugh.
-
-
-
- To make things plain,
-
- The black knight pitched his voice and said
-
- And pointed, "Ho sir, turn your head;
-
- The witch stands by you even now."
-
- The world across his eyes and brow
-
- Streamed scarlet. By his side she stood,
-
- Her eyes bent on a distant wood
-
- Wherein the shadows came and went,
-
- Where horsemen from their stallions leant
-
- All eager for the bugle cry.
-
- We fight in vain," he heard her sigh,
-
- God wills it thus, that I should die."
-
-
-
- Nay, courage, sweetheart, while I stand
-
- With strength to grasp a sword in hand
-
- No harm shall come thee nigh nor by."
-
- But she had seen that on the hill
-
- Which made her moan, so that she still
-
- Kept looking and, "Oh, Christ," she sobbed,
-
- What is that thing so palely robed?"
-
- Her shadow slid throughout the space
-
- Until it reached across the face
-
- Of that dead maid, until their lips
-
- Strained to the kiss, their finger-tips
-
- Met at the touch.
-
-
-
- The enemy
-
- Shouted, "A witch, yea, verily,
-
- See how her shade feeds on the dead."
-
- Oh, I must go to her," she said:
-
- She sleeps alone, alone, alone."
-
- Her thin hands grazed against the stone,
-
- So blindly did she walk, her throat
-
- Stretched back, her hair far out did float
-
- Like sun-clouds following the sun.
-
- He followed her, passed down the stair,
-
- On through the vault and halted where
-
- She paused to swing the iron door;
-
- Then, out upon the trampled moor.
-
- There, where the dead girl lay, she knelt
-
- And made of her fair arms a belt
-
- Around the corse; there, with her hair,
-
- Wiped clean the face of earth and blood;
-
- There, with her mouth, rebuked the stare
-
- Of those strange eyes; last, made all good
-
- By placing in the hands for rood
-
- That which she pluck't from out the breast.
-
- They watched if God should stand the test.
-
- Ah, see," she cried, "God is awake,
-
- The dagger's bloodstains weep and make
-
- Large tears of red: the metal bleeds!"
-
- If Lord God is awake and heeds,
-
- He must heed quickly." So he said,
-
- For wading up the river-bed,
-
- Half-hid between its tree-topped banks,
-
- He caught the gleam of horses' flanks
-
- And, mingled with the water's flow,
-
- The low-breathed panting of the foe.
-
- Yea, God doth heed, and even now
-
- His finger burns across each brow
-
- His final lettering of doom:
-
- Not one of these beyond Hell's gloom
-
- Shall thrive to win a Heavenly home."
-
- The words fell so remote and meek
-
- She seemed not her own self to speak,
-
- But with her eyes to voice the spell
-
- Which should bring true the oracle.
-
-
-
- He caught her hand. "Come quick,"
-
- cried,
-
- Come back, dear heart! See where they ride
-
- With sword in hand across the grass
-
- To thwart us, so we may not pass
-
- Within the tower-gate."
-
-
-
- "Too late,"
-
- She said: "We may not win the gate.
-
- Yet now, true friend, though I must burn
-
- At Rimini, time is to learn
-
- One little lesson more of love:
-
- What would you?"
-
-
- "That I die your knight."
-
- Eh, truly?" So she held above
-
- And touched him with his jagged sword,
-
- And whispered low the crowning word
-
- Which flooded all his face with light.
-
- He said, "I shall not fear to die."
-
- She raised him, smiling wondrously,
-
- Nor I to ride to Rimini,
-
- When you have died my knight."
-
-
-
- Twelve lancers circled into sight.
-
- Count Ugo gallopped through the green
-
- And laughed at that which he had seen.
-
- And yet one lover more?" scoffed he,
-
- God's death, you use them royally;
-
- Maids grow less bold in Rimini."
-
- My only lover and my last,"
-
- She said. He scowled and caught her fast,
-
- Twisting his steel-glove in her hair,
-
- Jerked back her head, her eyes on him,
-
- So that her throat and breasts shone bare
-
- Above her corset's jewelled rim.
-
- Too good for fuel," he hissed, "too fair;
-
- Yet those pale cheeks, this yellow hair,
-
- Were not too good to deal out death.
-
- Eh? Hark to what the vixen saith,
-
- 'She did not sin, nor meant to kill.'
-
- My son lies dead, say what you will;
-
- Lies dead because of you, you witch,
-
- While leprous things in our town's ditch
-
- Crawl, mate, and spawn beneath God's sky;
-
- Therefore. . .
-
-
-
- He raised his hand on high
-
- As he would smite her upturned face.
-
- A sword leapt flashing down through space
-
- And lopt the coward at the joint.
-
- Corrado on his blade's red point
-
- Pricked up the hand, "Tis thus we use
-
- Our dastard knights, whose hands abuse
-
- Our womenfolk in Reggio."
-
-
-
- The thunder rumbled long and low.
-
- Oh hark," she cried, "God is awake;
-
- He walks communing for our sake."
-
-
-
- Yea, He hath sent me here to take
-
- Your wilful body to the fire,
-
- Till all is marred that men desire.
-
- Slay me that boy," Count Ugo said.
-
- One, who stood near, smote off his head.
-
- She hid her eyes so as not to see,
-
- Shuddered, swung round convulsively,
-
- Stooped as a broken lily dips
-
- To kiss the water--kissed his lips;
-
- Then dumbly rode to Rimini.
-
-
-
- And every pace the march along
-
- The hunters sang their hunting song,
-
-
- _" Bianca of the yellow hair,
-
- With witch-face white as ivory,
-
- Thy tender body back we bear
-
- To die the death in Rimini."_
-
- Within the lands of rising night
-
- And fields of departing day,
-
- What hours we wandered, you and I,
-
- How fain were we to stay!
-
- Star-flowers were in your maiden hands--
-
- The stars were white with May.
-
-
-
- Between moon-set and morning sun
-
- Where mist of the Dreamland lies,
-
- What glory there was yours and mine,
-
- What love was in our eyes!
-
- For Sleep and Love walk hand-in-hand,
-
- And Sleep with morning flies.
-
-
-
- Our star-lit land was wholly ours,
-
- No warning of beast or bird
-
- Perturbed the twilight of our peace,
-
- No watchers' tread was heard;
-
- We dwelt alone and loved alone,
-
- Naught save our lips was stirred.
-
-
-
- Would that this holiest mystery
-
- Might come again to me!
-
- The radiance of thy moon-lit face,
-
- The eyes of purity--
-
- The wide gray eyes, the beckoning lips,
-
- The silent cloudland sea.
-
-
-
-
-DAYBREAK
-
-
-
- In frenzied haste, by legioned shadows pressed,
-
- The Chariot of Charity in flight
-
- Glittered along the Parapet of Night,
-
- With wheels of gold fast whirling to the West.
-
-
-
- Bridging with flame the barricaded Deep,
-
- It strove with sparking hoof and spangled heat,
-
- Where those twin rivers, Death and Life, retreat,
-
- And surge across the Agony of Sleep.
-
-
-
- I, to my casement, stark with horror crept;
-
- Day tottered tall, and breathed a shuddering
-
- breath:
-
- Wading, knee-deep, the turgid fords of Death,
-
- He clomb the cloven cliff of Dawn--and leapt.
-
-
-
- A hand of ivory caught up the rein;
-
- The Chariot rolled back superb again.
-
-
-
-
-HOME
-
-
-
- We shall not always dwell as now we dwell,
-
- Together 'neath one home-protecting roof.
-
- For some of us our lives may not go well:
- 'Gainst such small perils courage will be proof,
- 'Gainst stronger ills these memories may be proof;
-
- To some of us this life may say farewell--
-
- We cannot always dwell as now we dwell.
-
-
-
- What though we dwell not then as now we dwell?
-
- Hearts can recover hearts, when hearts are fain;
-
- While love stays with us everything is well;
-
- The roof of love is proof against the rain,
-
- Dead hands will guard our hearts against the rain--
-
- Love will abide when all have said farewell:
-
- Our hearts may ever dwell as now they dwell.
-
-
-
-
-VANISHED LOVE
-
-
-
- When my love was nigh me
-
- Naught had I to say:
-
- Then I feigned a false love--
-
- And turned my lips away.
-
-
-
- When my love lay dying,
-
- Sorrowing I said,
-
- 'Soon shall I wear scarlet,
-
- Because my love is dead.'
-
-
-
- When my love had vanished,
-
- Then was nothing said:
-
- I forgot the scarlet
-
- For tears--and bowed my head.
-
-
-
-
-THALATTA! THALATTA!
-
-
-
- Not with a cry, nor with the stifled sound
-
- Of one who 'neath Death's billows of Despair
-
- Thrusts up blue lips toward the outer air,
-
- Searching if any breathing may be found;
-
- Who plucks with groping finger-tips to rend
-
- The water's edges for a fraction's space,
-
- Through which he may push up his haggard face
-
- For one last look--the last before the end.
-
-
-
- As a broad river, having journeyed far
-
- Constrained by banks--too often fretfully--
-
- 'Neath a full moon goes rocking out to sea
-
- Sombred by night, cheered by a rising star,
-
- So may my days move murmurously to rest,
-
- Throbbed through with Death who knew Life's
-
- sorrows best.
-
-
-
-
-TO ENGLAND'S GREATEST SATIRIST
-
-
-
- Untriend to man and darkly passionate,
-
- Sneering in solitude, wide-winged for flight
-
- Lest one, from all our world, should read thee right
-
- And pity thee thy self-lured madman's fate,
-
- Why did'st thou strive so well to tempt our hate?
-
- Are we not comrades through the self-same night?
-
- The Caravan of Kindness, out of sight,
-
- We also follow--and arrive o'erlate.
-
- Thou, having failed thy Heaven, did'st scoff in
-
- Hell.
-
- Fiercely disguising, too much thou did'st dare;
-
- We caught the jangle of the cap and bell,
-
- And seeking, saw a quivering heart laid bare
-
- When thou wast dead--a sequel which did spell
-
- The pangs of love--"only a woman's hair."
-
-
-[_N. B. "In a note in his biography, Scott says that his friend,
-Doctor Tuke of Dublin, has a lock of Stella's hair, enclosed in
-a paper by Swift, on which are written, in the Dean's hand,
-the words: 'Only a woman's hair.' An instance, says Scott,
-of the Dean's desire to veil his feelings under the mask of
-cynical indifference."--Thackeray in his Essay on Dean Swift._]
-
-
-
- Years hence we two--I who wept yesterday,
-
- You who with death-chilled hands unheeding lay--
-
- Gazing from Heaven adown the sky's wild face,
-
- Seeing this pigmy planet churning space,
-
- Do you remember?" then we two shall say,
-
- Quite in the dear old-fashioned worldly way,
-
- Do you remember, in a former age,
-
- What happened in that girdled finite cage?"
-
-
-
- And you, through joy having forgot your pain,
-
- Laughing will shake your head and rack your brain,
-
- Clasping my hand and thinking all in vain.
-
- No," you will say, "it is a distant way
-
- From grief to God; my memories go astray."
-
-
-
- Then, I, staring athwart the jewelled pit
-
- Which God hath dug between the infinite
-
- And the great little loss of death's decay,
-
- Will tell you all that happened yesterday.
-
- Don't you recall, dear, how the fierce blow came?
-
- Earth was at Spring-tide, all the fields aflame;
-
-
-
- Hope was just freed from Winter's servitude
-
- And songsters through the tree-tops he had strewed,
-
- And promises of greenness in the wood,
-
- While you, dear, grew in grace to womanhood."
-
- Then you: "I would remember if I could,
-
- But all is vague. Faint, like a far off strain,
-
- I catch the rustle of field-flowers again
-
- And hear the muffled skirmish of the rain."
-
-
-
- Don't you recall, dear, anything of pain?"
-
-
-
- Nothing," you whisper.
-
-
-
- Then I tell to you
-
- How in a week from life to death you grew,
-
- Your spirit yearning Godward, as did fail
-
- The strength of your white body, lily-pale;
-
- How through long nights and seven too brief
-
- days
-
- I held you fast, and flattered God with praise,
-
- Calling Him every kind endearing name,
-
- Hoping my love would fill His heart with shame
-
- Of doing that deed which He meant to do.
-
-
-
- What happened?"
-
-
-
- God was wise and He took you."
-
-
-
- Strange!"
-
-
- "Ah yes, dearest, human loves are strange;
-
- Change seems so final in a world of change.
-
-
-
- Through the last night I watched your fluttering
-
- breath,
-
- Desperate lest the unseen hand of Death
-
- Should touch you, still you e'er I was aware,
-
- Leaving me nothing save your golden hair
-
- And the wide doors of an abandoned place,
-
- And the wise smiling of your quiet face--
-
- The perishable chalice of your grace.
-
-
-
- "'In Heaven they all are serious,' so you said
-
- In your delirium. You shake your head,
-
- Denying what I surely heard you say.
-
- Since then you've seen the boys and girls at
-
- play
-
- Climbing the knees of God.
-
-
-
- "Listen again.
-
- Far out across the gulf you see a stain--
-
- Follow my hand--a smudge, a blur of gray;
-
- That is the world. Though you forget the day,
-
- We lived there once, suffered, had joy, laughed,
-
- loved,
-
- And in sweet worship of each other moved.
-
-
-
- Then you fell sick and, while I held your hand,
-
- One took you ....
-
-
- "Ah, you do not understand!
-
- Only field-flowers you remember well.
-
- This seems an idle fable that I tell;
-
- Then never trouble, dear; forget the pain.
-
- See, here comes God; perhaps He will explain."
-
-
-
-
-IN THE GLAD MONTH OF MAY
-
-
-
- In the glad month of May,
-
- When morning was breaking,
-
- She rose from her body
-
- And vanished away.
-
-
-
- From a tree cloaked in gray
-
- A shrill bird kept calling,
-
- "Come quick. God is waiting.
-
- He cannot delay."
-
-
-
- We had no heart to pray,
-
- But, seeing her glory,
-
- Said, "Go, little sister;
-
- God needs you to-day."
-
-
-
- Very stilly she lay:
-
- The bird had ceased calling--
-
- We let in the morning
-
- And kissed her dear clay.
-
-
-
-
-THE LILIES BLOOM
-
-
-
- The lilies bloom above her head
-
- All unaware that she is dead.
-
-
-
- The small brown birds, with folded wing,
-
- Do not one whit less blithely sing.
-
-
-
- The sun goes on his usual round,
-
- Seeking die quiet she has found.
-
-
-
- And God looks down on everything,
-
- And that is why the small birds sing.
-
-
-
-
-HERE, SWEET, WE LAY
-
-
-
- Here, sweet, we lay
-
- Thy sorrow and pain,
-
- Earth will resolve them to gladness again.
-
-
-
- Lily-white hands
-
- To lilies shall grow;
-
- Breath of thy body in breezes shall blow.
-
-
-
- Languor and grief,
-
- These Death could slay;
-
- God took the portion which cannot decay.
-
-
-
- Thou hast thy joy,
-
- We have thy pain;
-
- Flame of a soul I shall know thee again.
-
-
-
-
-OUT OF THE BLACKNESS
-
-
-
- Out of the blackness into the light,
-
- From birth to death--a swallow's flight.
-
-
-
- Stars burning fainter, onward we strive.
-
- Cauldron of dawn! The East's alive.
-
-
-
- Joy in the journey, joy at the last;
-
- Day in its splendour--darkness past!
-
-
-
- In life's beginning clouds to be trod;
-
- At its brave ending, sunrise--God.
-
-
-
- From the veiled Hereafter
-
- Whither you have fled,
-
- Snatches of your laughter
-
- Vaguely wed
-
- With rustling of field-flowers,
-
- Angel-stirred,
-
- Guarded by God's towers,
-
- I have heard.
-
-
-
- God, in His compassion,
-
- Left Death's gate ajar
-
- So our faith might fashion
-
- Where you are;
-
- God's Mother walks beside you,
-
- Hand-in-hand,
-
- And Lord Christ doth guide you,
-
- Through that Land.
-
-
-
-
-IF GOD SHOULD COME
-
-
-
- If God should come to me and say,
-
- Your little maiden, whom I took away
-
- But yesterday,
-
- I will give back to you again,
-
- If so you say, when you have seen the pain
-
- I did refrain
-
- In love from letting her endure.
-
- I knew death's surgery the only cure
-
- For one so pure.
-
- Joy in my breast is sure."
-
-
-
- Then should He show me all the way,
-
- Weary at whiles, her feet must stray,
-
- Had He decreed her death's delay,
-
- How should I choose? What should I say?
-
-
-
-
-A NEW TENANT
-
-
-
- I watched for her in the night,
-
- I watched for her in the day--
-
- But how could I hope to find her
-
- When her body had gone away?
-
-
-
- I spoke to her in the rooms
-
- Where she had been wont to play--
-
- But how could my dearest answer
-
- When her body had gone away?
-
-
-
- I searched for her in my heart,
-
- And when it unfroze to pray,
-
- I knew that we shared one mortal house
-
- Since hers had resolved to clay.
-
-
-
-
-LIFE WITHOUT THEE
-
-
-
- Life without thee would be, dearest,
-
- Eyes without sight;
-
- Death, if thou stood'st not nearest,
-
- Night without light.
-
-
-
- Since thou Death's token wearest,
-
- Freedom from strife,
-
- This I have learnt, my dearest,
-
- Death's name is Life.
-
-
-
-
-ANSWERED PRAYER
-
-
-
- We prayed that unto you, dear,
-
- God's best gifts might be given;
-
- We wished to strew for you, dear,
-
- Earth's paths with Heaven.
-
-
-
- We planned your life a May-day
-
- When young flowers should be bom,
-
- That you might stray the smooth way
-
- Of gold-robed Morn.
-
-
-
- We dared more than we knew, dear;
-
- When half God's gifts were given,
-
- He answered all our prayers, dear--
-
- He gave you Heaven.
-
-
-
- The shepherd is dead men tell me,
-
- He died upon a tree
-
- When Springtide was befalling
-
- Field-flowers in Galilee;
-
- But whenever the wind is blowing
-
- Straight out from the East or West,
-
- I can hear his brave voice calling,
-
- "Come after me. Come after me.
-
- Rise up, rise up and follow me--
-
- I am Christ, thy rest."
-
-
-
- Then, rising I quickly gird me,
-
- For wherever Christ may be,
-
- The land where he is staying
-
- He turns to Galilee;
-
- Through whose vales when the wind is blowing
-
- From meadows his feet have blest,
-
- He aye calls to his loved ones saying,
-
- Come after me. Come after me.
-
- Rise up, rise up and follow me--
-
- Where I am, is rest."
-
-
-
- I seek him in every day,
-
- I travel land and sea
-
- From dawn till dusk is falling
-
- And God hangs lamps for me.
-
- But whenever the wind is blowing,
- 'Tis then that I find him best;
-
- For I hear his brave voice calling,
-
- In seeking me, thou followest me;
-
- Then where thou art is Galilee,
-
- And I am--thy rest."
-
-
-
-
-IN BEDLAM
-
-
-
- Lord, there is music in my world to-day.
-
- For this I thank Thee; once again I hear
-
- The foamy clash of cymbals and the grave
-
- Hoarse-throated shout of brass which is repulsed,
-
- And the clear triumph of unvanquished pipes--
-
- Battles against stringed instruments and fifes
-
- Which angels wage from organ-stops in Heaven.
-
- I, through the hostile grating of my cell,
-
- Can tiptoe just discern where warrior clouds
-
- Chum smoking broken waters in their wakes,
-
- Which unseen challengers, the winds, do chase,
-
- Drowning their anger to a tranquil depth,
-
- Till in blue sky-weed unrevenged they lie
-
- Like gaunt Armada galleons long since sunk.
-
- So all is calm again, and I look out
-
- With prison'd eyes upon Thy travelling world.
-
-
-
- A breath of flowers is in the air to-day,
-
- Spring flowers which have not bloomed for many
-
- months,
-
- Which, for my sake, have come to life this day.
-
- I cannot see them, they grow far from here
-
-
- With feet entangled in the green, gray earth.
-
- They too are prisoners from their earliest birth,
-
- Yet they have flung their fragrance forth to me
-
- That I, a captive mind, may share their joy.
-
-
-
- Now, as I listen, laughter dies away;
-
- In Earth's tall tree-tops, dim and out of sight,
-
- I hear the mining beak of one small bird,
-
- Striving for freedom with its puny strength.
-
- Now the shell breaks; it struggles into life;
-
- Its mother's wings enfold it; it is safe.
-
- Far down beneath the nest the forest sighs,
-
- Swaying its branches, as it too would say,
-
- _"I will protect thee from the driving rain,
-
- My leaves shall cover thee, so have no dread_"
-
- I also in my ruined strength would pray,
-
- "_God grant thee rest, and shelter thee from fear_"
-
- If I should live the seasons round again
-
- And God vouchsafe me one more summer's day
-
- Of utter peace, perchance thy voice I'll hear
-
- Trilling in confidence from some cool glade--
-
- And thus my madman's prayer will be repaid.
-
-
-
- Laughter breaks forth again; the world is glad.
-
- There's music in the very rocks to-day.
-
- Yea, through my sullen bars the red sun peers
-
- And stains my confines with his golden smile;
-
- God shakes His happiness abroad to-day.
-
- See, I will rake this yellow harvest home
-
- And treasure it against a sadder hour,
-
- When Winter's mantled all our stars in night.
-
- When that shall be, I'll paint my walls with gold,
-
- Loosen my breast and let the sun's rays free,
-
- Re-capture them and hoard them up again;
-
- And so will halt the summer at its prime.
-
-
-
- Lord, I am mad; but Thou canst heal my mind.
-
- Once, not long since--long after Thou hadst made
-
- And bastioned with grace my living soul--
-
- Thou, in a careless hour, didst plan my frame,
-
- Moulding my body from the oozy day;
-
- But, just before Thy task was most complete,
-
- Didst nod, and drowse, and waking didst forget
-
- Thy task unfinished--so was I bom mad;
-
- So was my perfect soul a bondsman made
-
- To serve vile lusts of my imperfect brain.
-
- Hast Thou to-day remembered Thy mistake?
-
- This mom I wakened, found that I was sane,
-
- Beheld the East as no unchartered dread
-
- Threat'ning the world with universal fire,
-
- But as Thy kindness held aloft for men;
-
- Then craned I forth my hands to dutch Thy winds,
-
- Nor shrank from them as fore-runners of Death.
-
-
-
- Father, before the Darkness falls again,
-
- Before my soul wends backward to the Night,
-
- Grant unto me Thy earliest gift to Man,
-
- Form me in image godlike to Thyself.
-
-
-
- Is it beyond Thy power to make me well?
-
- Thou weakling God! then send me down Thy
-
- Christ,
-
- He whose strong pity hath dethroned Thy might,
-
- And made a man a worthier god than Thou:
-
- For he in peasant lands of Galilee
-
- Did love, and love, and love till his heart brake;
-
- He took away the anguish of men's pain
-
- By spending all their pain on his own life;
-
- He drove away the shadows from men's minds
-
- By giving them himself, who was the Light.
-
-
-
- Ah Christ, that thou hadst not been crucified!
-
- Wert thou still living by the fishers' lake,
-
- Then thou hadst heard me half across the world;
-
- Though from the Andes, I had cried to thee,
-
- Still hadst thou heard, and come from Palestine
-
- Only to stretch thy cooling hands on me,
-
- Only to rest thy cooling hands in mine--
-
- Those gentle hands, by bleeding feet borne thence.
-
-
-
-
-A SONG OF IGNOBLE EASE
-
-
-
- When Pleasure's found,
-
- Away with the tear;
-
- Grief's a starved hound,
-
- Pursued by lean Fear.
-
-
-
- Life is a round
-
- Of languor and pain;
-
- When Joy is found,
-
- Go forth not again.
-
-
-
- Music's a sound
-
- Which guides men to rest;
-
- Love is the bound
-
- That ends every quest.
-
-
-
- Lie down to rest,
-
- Slay fragile Pain,
-
- Vanquish lean Fear,
-
- Away with the Tear.
-
-
-
- Finish thy quest
-
- And strive not again.
-
-
-
- Sick I had been, and very sore afraid,
-
- Baffled of life, and lost to every hope,
-
- Hounded by dread, pursued and left dismayed
-
- Standing alone, abandoned and afraid.
-
-
-
- Then did I ask, "What now is left to say?
-
- Why should I question? Wherefore should I
-
- strive?
-
- Man was made thus, to fail and creep away;
-
- Thus was Man made, and there is naught to say."
-
-
-
- Oh, I was weak, and blind with too much pain,
-
- Bankrupt and blind, all feeble in my tread;
-
- Would I might touch one friendly hand again--
-
- Find love to rid me of this too much pain."
-
-
-
- I spoke in fear, and knew not what I said,
-
- Thought not of anguish hands of love must share,
-
- Lonely I was, because my hope was dead,
-
- Yearning and sad. I knew not what I said.
-
-
-
- Then did One come who laid His hands in mine,
-
- One who did kiss my poor unseeing eyes,
-
- Tenderly led to where the stars do shine,
-
- Speaking kind words, He placed His hands in mine.
-
-
-
- There did I see the trees go riding by
-
- Moved by the wind, and heard the nightingale
-
- Carol and slur, and sing, and sob, and sigh,
-
- Wing-mounted moths, and angels riding by.
-
-
-
- Then did I seek to see the healing friend;
-
- But He had vanished. I was left alone.
-
- There, where He stood, my body I did bend,
-
- Weeping in prayer, to Him my healing friend.
-
-
-
-
-A WISH FOR HER
-
-
-
- Peace unto thee
-
- Wherever thou art,
-
- Childlike companion,
-
- Friend of my heart.
-
-
-
- Joy unto thee
-
- Dear image of God;
-
- Flowers are blowing
-
- Where thou hast trod.
-
-
-
- Peace unto thee
-
- And respite from pain;
-
- Whiteness of raiment,
-
- Freedom from stain.
-
-
-
- Love unto thee,
-
- Remembrance of Heaven,
-
- Tokens of Jesus
-
- By angels given.
-
-
-
- Peace unto thee
-
- Wherever thou art,
-
- Christlike companion
-
- Made for my heart.
-
-
-
-
-WE MEET
-
-
-
- We meet
-
- In a lamp-lit street,
-
- You and I--
-
- Life is sweet.
-
-
-
- Clouds' tumultuous feet
-
- Shake the sky;
-
- They are all in retreat--
-
- Death draws nigh.
-
- Life is sweet--
-
- With anonymous beat
-
- Crowds surge by.
-
-
-
- Only I
-
- And my sweet
-
- Dare to linger and greet.
-
- Your lips sigh,
- "Time is fleet."
-
- Stars repeat,
-
-
- "Life is sweet--
-
- Kiss her," they cry;
- "In an unlit street
-
- One day you must die."
-
-
-
- Thus we meet.
-
-
-
-
-HEART-BREAK
-
-
-
- Lord God of Cities, how long must we wait
-
- Bound in our Babylons of tawdry sin;
-
- Hast Thou so many other stars to win,
-
- Is greed of conquest so insatiate?
-
-
-
- Or does Omnipotence design to take
-
- Example from the flaws of childhood's years,
-
- And what of folly in Thy work appears
-
- Thou studiest for newer worlds' sweet sake?
-
-
-
- Nay, Thou art shamed of Thy first dwelling-place,
-
- And we are wearied; neither of us know
-
- How we may remedy Thy fault, and so
-
- With slow tired hands Thou coverest Thy face.
-
-
-
- Poor Man! foredoomed to spurn such love as this!
-
- Sad God! what grief to make a world amiss!
-
-
-
-
-UP AGAIN
-
-
-
- Down in the mud again!
-
- Thank God I'm up again,
-
- On through the rife of rain.
-
- Clouds, in their height,
-
- Gleam where some moon shines whit<
-
- Thank God I'm up again!
-
- Stars are in sight,
-
- Or will be in sight
-
- This night or next night.
-
- God be praised for the sight!
-
- It's brave to be up again.
-
-
-
- If I should fall again,
-
- Why, I'll rise up again--
-
- On through the rush of rain
-
- Search out some light.
-
- Somewhere on wings of white--
-
- Praise God I'm up again--
-
- Something's in flight,
-
- Star-flight or dawn-flight,
-
- Hereward through the night.
-
- God be praised for such flight!
-
- It's glad to be up again.
-
-
-
-
-MASTERLESS
-
-
-
- With tattered sail, as ships which driven are
-
- On whatsoever course the winds may list,
-
- Which every peaceful waterway have missed,
-
- And drift on open seas with shattered spar
-
- And gaping seam, which toss and sway and nod,
-
- Remote from sight of land and hope of aid,
-
- So is the canvassed, crude conveyance made
-
- In which Man journeys to the port of God.
-
- No pillow in his vessel rests the head
-
- Of one who, sleeping, has the power to save--
-
- Who, when the clouds fly far, can calm the wave
-
- And send it sobbing to the ocean bed.
-
- Storm follows storm, the waters run more high;
-
- Across the vain and vacant void of death
-
- We lilt with lifeless motion to each breath,
-
- And grope grotesquely on, yet cannot die.
-
- Oh, for a respite from this weary place,
-
- Or else to see but once the Master's face!
-
-
-
-
-FROM THE OTHER SIDE OF THE WORLD
-
-
-
- With you the world's at evening-light,
-
- With me the world's at day;
-
- Yet in my heart I think 'tis night
-
- While you are far away:
-
- While you are far away, dear lad,
-
- While you are far away,
-
- There comes no dawn, nor change of light,
-
- Nor any hope in day.
-
-
-
- With you it nears the hour of sleep;
-
- With me 'tis time to pray,
-
- That God may guide you o'er His deep
-
- Back from the Far-Away;
-
- Home from the Far-Away, dear lad,
-
- Back from the Far-Away,
-
- That God may drift you home in sleep,
-
- And bring me back my day.
-
-
-
- Christ placed his hand in mine and said,
-
- Come, little child, for thou art mine."
-
- I kissed him', raising up my head,
-
- And whispered, "Yea, Lord, I am thine."
-
-
-
- We wandered through white clover-flowers
-
- Beside a murmuring brook all day;
-
- When night led back the dream-tide hours
-
- Within his shepherd arms I lay.
-
-
-
- Older I grew, until at last
-
- Unto a clanging town we came;
-
- Christ wept for me, but in I passed
-
- Alone. It was the town of Fame,
-
-
-
- Wherein are lands of diverse name--
-
- The Saffron East, the Purple West,
-
- Whose walls enclose a Crimson Shame
-
- But hold no Land of Quiet Rest.
-
-
-
- Weary I grew and sad, and lame,
-
- Until in scorn I heard one say,
-
- How to the gate there seeking came
-
- A wounded shepherd yesterday.
-
-
-
- Painfully at the stroke of dawn
-
- I to the open country crept;
-
- And on a distant dewy lawn
-
- I found Christ, while the city slept.
-
-
-
- My crippled hands in his, I said,
-
- O Lord and art thou truly mine?"
-
- Upon his breast he laid my head,
-
- Yea, little child, am I not thine?"
-
-
-
- News, sent from far away,
-
- Came unto me to-day,
-
- Only these words to say,
-
- Lo, he is dead."
-
-
-
- He, who to comfort me,
-
- Laughing right merrily,
-
- Said, "Think, how glad we'll be
-
- When I return."
-
-
-
- He, strumming out Hope's song
-
- Wending lone lands among,
-
- Swept Life's harp overstrong--
-
- Felt the strings break.
-
-
-
- I shall return, you know,"
-
- So he spake long ago;
-
- How brave our love must grow,"
-
- Wrote a week since.
-
-
-
- Then news, from far away,
-
- Came unto me this day,
-
- Only these words to say,
-
- Lo, _he_ is dead."
-
-
-"_The Terror by Night: the Arrow by Day: the Pestilence
-walking in Darkness: the Destruction wasting at Noonday._"
-
-
-
- Thou Demon Fear, Assassin of Delight,
-
- Who makest impotent Man's royal might,
-
- Turning to poverty his wealth of days
-
- With hushed pursuit of him in all his ways,
-
- Whence art thou come, from what dead land of
-
- Night?
-
-
-
- Speak, only speak, occult, accursèd shade,
-
- Who ne'er to human eyes hast yet displayed
-
- Thine awful shape; ah, could we only hear
-
- Thy thin, pale voice! Thy ghastly step draws
-
- near,
-
- But bring not _thee_--therefore we grow afraid.
-
-
-
- What things men fear they do not dare to say
-
- Lest, thus provoked, Fate should no more delay
-
- But run on them and wreak those ills they dread:
-
- To Death we kneel, to God we bow the head;
-
- Yet of our fears we have the most dismay.
-
-
-
- We fear our fears, but thee, Oh Fear, we hate,
-
- For thou with all our sins art intimate
-
- As He who made us; crimes wrought long ago,
-
- Follies and half-faults, each one thou dost know
-
- And dost avenge with rods deliberate.
-
-
-
- Ah, were this all, our lives might yet go well
-
- For, since we suffer here the pains of Hell,
-
- Heav'n should be certain, Death--God's just
-
- reprieve.
-
- But thou with vain forebodings dost conceive
-
- To break our hearts, and turn us infidel.
-
-
-
- Oh for that silence, virgin of all sound,
-
- Vast, uncalamitous which did abound
-
- When Darkness, drooping from Eternity,
-
- Trailed his slow pinions o'er Time's tideless
-
- sea
-
- Before Fear was called forth from underground.
-
-
-
- Then Quiet, from the Nothingness of Space,
-
- Gazed down on Chaos with untroubled face,
-
- Such as babes have who enter Life still-born;
-
- For Evening Strife, nor Hurricane of Morn,
-
- Had then perturbed God's wonted resting-place.
-
-
-
- Now, though through utterest lands we wend our
-
- way,
-
- We hear thy footstep, so we cannot stay;
-
- Yea, though we search out Peace in dreams by
-
- night,
-
- Too soon we know thee following our flight,
-
- And shrieking wake, and clamour for new-day.
-
-
-
- Only Man's bygone days are truly sweet:
-
- _This day_ is darkened by _To-morrow's_ threat,
-
- _To-morrow_ by the menace of _To-day;_
-
- From out the Past is fled away for aye
-
- The grinding doubt of possible defeat.
-
-
-
- Ah, were we wise, our lives 'tis thus we'd spend:
-
- Because the Past glides onward without end,
-
- Engulfing _our _To-day and _our_ Hereafter,
-
- We'd greet This Day, or Next, with careless
-
- laughter
-
-
-
- As 'twere the Past, and so our fortunes mend.
-
-
-
- Too weak are we, too diligent in doubt,
-
- This fiend with sage philosophy to flout;
-
- When all his lawful issue fail his need,
-
- Fear doth with harlot Fancy quickly breed
-
- Frenzy, to put Tranquillity to rout.
-
-
-
- Nightly earth's infants, garret-roofs beneath,
-
- Wake shuddering and hark, with indrawn breath
-
- And small clenched hands and faces woe-begone,
-
- Till through the creaking gloom there mounteth
-
- one
-
- Whom they in ignorance mistake for Death.
-
-
-
- Nor are we braver when we older grow,
-
- For still "'Tis Death!" we sob. "'Tis Death! Ah
-
- woe,
-
- Deep woe, is me!" whene'er thou drawest nigh:
-
- Therefore, Oh Fear, full many times men die
-
- And Dissolution's torments undergo.
-
-
-
- Man, who was made in image like to God,
-
- Whom angels tended wheresoe'er he trod
-
- With glad huzzas and harpings all the way,
-
- So that the untamed beasts allowed his sway,
-
- Cringes a coward 'neath thine up-raised rod.
-
-
-
- Secret Chastiser of our secret heart,
-
- Speak, but this once, to tell us who thou art;
-
- Whether the hound that runs before Death's
-
- feet,
-
- Discrowned Imagination in retreat,
-
- Or Echo, of our own flight the counterpart
-
- Like God, most silent ever thou dost keep.
-
- Thine eyes must be as God's, which never sleep
-
- But watch, aye watch, and know us all in all.
-
- Oh, can it be, that thou art but the call
-
- Of God, the Shepherd, guarding o'er His sheep?
-
-
-
-
-ABANDON
-
-
-
- Just to be true to one grand swift desire
-
- Which shall all other furious faiths outpace;
-
- To run with strength an uncontested race
-
- Till, knowing how the soul is catching fire
-
- And generous flame is clambering through the
-
- heart--
-
- For Self, what though heroic, is not best--
-
- I grasp my life and hurl it with the rest,
-
- Joining myself to God--a puny part.
-
-
-
- One holy thing to fail for--thus to die;
-
- To give men love, who knew before remorse;
-
- Then, meekly seek with Christ some scornful
-
- Cross,
-
- But leave the world more kind in passing by--
-
- In piercing through the covering doth of night
-
- To lodge one star, and vanish strong in flight.
-
-
-
- Kiss me," she said, "for I must die
-
- Ere any star his flight hath ta'en,
-
- And cold and unperturbed shall lie
-
- When Night doth pace our earth again.
-
- And thou, dear love, if thou should'st weep,
-
- And if thy heart with anguish break,
-
- From sweet sad dreams thy solace take
-
- And lose thy pain in painless sleep.
-
- Kiss me, dear love, for I must die
-
- And cold and unperturbed shall lie."
-
-
-
- Kiss me, dear friend, for now I feel
-
- That thou art as a glimpse of God;
-
- More tender passions through me steal
-
- Than when this wayward world I trod.
-
- Lie still, dear heart, and do not speak--
-
- God would not stoop to such as me;
-
- With silent mouth and noiselessly
-
- I would my grave Creator seek.
-
- Kiss me, dear love, for now I feel
-
- More noble passions through me steal."
-
-
-
- Kiss me, this last, for I must flee
-
- From all I loved and cherished here,
-
- And now must go distressfully
-
- Bereft, in solitude and fear.
-
- But, when your eyes are closed in sleep,
-
- I shall descend the starry steeps
-
- Where Leon for her lover weeps
-
- And tired hands have naught to reap.
-
- Kiss me, dear love, alone I flee
-
- To meet unknown Eternity."
-
-
-
-
-MAN'S BEGINNING
-
-
-
- When God was young and wandered through the
-
- skies
-
- Supreme and unadored, content to be
-
- The only vessel on His starry sea,
-
- He had no wish for sight of other eyes.
-
- But, as the years flew by, He older grew,
-
- And held less dear the loneliness He found,
-
- When from some long-since reign He caught the
-
- sound
-
- Of play-mate deities, whom once He knew.
-
- Half-heedlessly He stooped toward a star
-
- And kissed its silver lips, when forth there came
-
- A little god, in speech like to those same
-
- Dear children whom in sleep He heard afar.
-
- The Father God pulsated through His heart,
-
- He cried, "O Child, my little son thou art."
-
-
-
-
-LOVE AT LAST
-
-
-
- When I have looked upon Thy face
-
- I hear a wandering discontent
-
- Wail through my living, and retrace
-
- The leaf-strewn paths my feet frequent.
-
- Folly abode within a glade
-
- And saw my flight and, laughing, bade
-
- Me greet her lips and kiss her hair,
-
- Till I was fain to kiss her there.
-
-
-
- But Thou art sad and dost not speak,
-
- So sad and sorrowful art Thou;
-
- Thine eyes are scarred, my eyes they seek,
-
- And cruel marks have marred Thy brow.
-
- Pleasure laid hands on me and mine,
-
- She crowned my head with tangled vine,
-
- Her arms about my neck lay bare;
-
- I was constrained to kiss her there.
-
-
-
- Yea, Thou hast suffered. This I tell
-
- By those long wound-prints in Thy hands;
-
- Mankind has never used Thee well,
-
- And loves not Thee, nor Thy commands.
-
-
-
- Bitterness found me desolate
-
- And kissed me with the breath of hate;
-
- Since Folly fled, she bade me wear
-
- Her angry scarlet in my hair.
-
-
-
- Now, as I look into Thy face,
-
- Despised and battered though it be,
-
- Visage of scorn in every place,
-
- I know that I belong to Thee.
-
- Worthless these lips to give the kiss--
-
- And yet I dare, recalling this,
-
- When Life's last lovers left me bare
-
- Thy patient face was constant there.
-
-
-
-
-THE MIRROR OF THOUGHT
-
-
-
- When earnest-eyed we conversed through the
-
- night,
-
- Recalled past pleasure, followed up the hour
-
- With plaintive music--sad memorial flower
-
- Of melancholy and of old delight--
-
- Rode bold as Taillefer with tossing brand
-
- Across the hills of fancy, chanting strains
-
- Of ancient chivalry, while loud refrains
-
- Rumbled responsive through our faery band,
-
- Then Courage kindled Courage, making gay
-
- Carnage and conflict, poverty and fear;
-
- The path to glory golden did appear,
-
- And I was brave to wend it any day.
-
- A far-blown cry of love and minstrelsy,
-
- Revealed to me myself as I would be.
-
-
-
-
-I'M SORRY
-
-
-
- I'm sorry, dear--
-
- But I did not know
-
- That behind your eyes,
-
- Where the joy-fields grow
-
- And dance to the joy of dancing skies,
-
- There were forests where graver flowers rise;
-
- Weighted with shadow,
-
- They stand tiptoe:
-
- So I'm sorry, dear--
-
- I did not know.
-
-
-
- I'm sorry, dear.
-
- As we older grow
-
- There will come a day,
-
- May its feet move slow,
-
- When we, where the life-fields fade to gray
-
- And the skies dance not, shall have naught to say,
-
- Met by a Shadow,
-
- In voices low,
-
- But, "I'm sorry, God--
-
- I did not know."
-
-
-
-
-DREAMLAND LOVE
-
-
-
- Here in the Far Land of our own begetting,
-
- Crouched on the haunted cliff begirt by sea,
-
- Hushed in the murmurous swell of dim waves
-
- fretting
-
- Walls and sheer rocks which cradle you and me,
-
- How shall we lisp of older worlds and cities?
-
- How shall we sigh for newer worlds to be?
-
- Naught here is left of moanings or of pities,
-
- Only the whispered silence of the sea.
-
-
-
- We had no stars to shine our curved prows hither,
-
- Nor had we moons to guide us fearlessly,
-
- Only the age-long yearnings of the river
-
- Bruised by steep banks and aching for the sea;
-
- Rivers whose tides grow tired of earthly lilies,
-
- Too full of splendour to last so long as we,
-
- Rivers whose length-long craving and strong will is
-
- Once to see space, and then to cease to be.
-
-
-
- Hither we journeyed sunset-ways by water,
-
- I in my phantom keel of Poesy,
-
- You in Sleep's arms, of whom you are the daughter,
-
- Till in my arms Sleep laid you noiselessly.
-
-
-
- Down through the dusk our dreamland barque
-
- drove gleaming,
-
- Under gray sails, through gradual groves of sea,
-
- Till from your eyes I saw the love-light streaming,
-
- And gave the kiss which set your spirit free.
-
-
-
- All the fair glories of our first beginnings
-
- We did forsake to gain this quiet place;
-
- Passions we left, and fears, and youthful sinnings;
-
- Virtues we left, and early signs of grace.
-
- Dreamings we brought and beauty of the May-
-
- time,
-
- All else we flung to where Time's whirlwinds race.
-
- Timeless are we in this our godlike play-time,
-
- Since Sleep has led us gently face to face.
-
-
-
- Gray glide the mists around our ocean's edges,
-
- Gray grope the tides across the gray-paved sea,
-
- Gray clings the foam about our granite ledges,
-
- Naught, naught remains to safeguard you from
-
- me.
-
- These axe the souls who watch us at our dreaming,
-
- Spirits of mist, of spray-dashed crag and sea;
-
- All, all is hushed, save your gray eyes deep gleaming,
-
- Eyes of veiled flame in caves of mystery.
-
-
-
- Like frozen stars, we watched each other's shining,
-
- Wondered with pain if any time might be,
-
- When we should lean beyond our own divining,
-
- Touching the lips of others such as we,
-
- Till I grew faint within my lonely heaven,
-
- Sank through the cloudland stretched twixt you
-
- and me,
-
- Plunged through the thunder where firmaments
-
- rocked riven,
-
- So gave the kiss which set your spirit free.
-
-
-
- We must go hence, when flames the tyrant morning,
-
- We shall go hence at breaking of new day;
-
- We, like the stars strange midnight lands adorning,
-
- We must go hence, steal separately away.
-
- Yet, like the stars, perchance we may glide burning
-
- When round the earth the skies are growing gray;
-
- We to our haunted cliff may sail returning,
-
- Nearing the crags where yesternight we lay.
-
- Thus from the Far Land of our own begetting
-
-
-
- I must depart across Sleep's sundering sea,
-
- Throughout the Sim Land wander inly fretting,
-
- Till night drifts back restoring you to me;
-
-
-
- Till through the dark I see Love's pennons streaming,
-
- When you will kiss and set my spirit free;
-
- Till through the dusk our dreamland barque drives
-
- gleaming,
-
- Under gray sails, through gradual groves of sea.
-
-
-
-
-
-
-
-
-
-End of Project Gutenberg's Florence On A Certain Night, by Coningsby Dawson
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