summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/52362-0.txt14029
-rw-r--r--old/52362-0.zipbin326264 -> 0 bytes
-rw-r--r--old/52362-h.zipbin3607574 -> 0 bytes
-rw-r--r--old/52362-h/52362-h.htm18834
-rw-r--r--old/52362-h/images/cover.jpgbin150068 -> 0 bytes
-rw-r--r--old/52362-h/images/i_000.jpgbin96599 -> 0 bytes
-rw-r--r--old/52362-h/images/i_001.jpgbin14905 -> 0 bytes
-rw-r--r--old/52362-h/images/i_005.jpgbin29749 -> 0 bytes
-rw-r--r--old/52362-h/images/i_005b.jpgbin4279 -> 0 bytes
-rw-r--r--old/52362-h/images/i_006.jpgbin10104 -> 0 bytes
-rw-r--r--old/52362-h/images/i_007.jpgbin26131 -> 0 bytes
-rw-r--r--old/52362-h/images/i_008.jpgbin11462 -> 0 bytes
-rw-r--r--old/52362-h/images/i_009.jpgbin26506 -> 0 bytes
-rw-r--r--old/52362-h/images/i_012.jpgbin54878 -> 0 bytes
-rw-r--r--old/52362-h/images/i_012b.jpgbin79804 -> 0 bytes
-rw-r--r--old/52362-h/images/i_014.jpgbin77428 -> 0 bytes
-rw-r--r--old/52362-h/images/i_014b.jpgbin75542 -> 0 bytes
-rw-r--r--old/52362-h/images/i_016.jpgbin60070 -> 0 bytes
-rw-r--r--old/52362-h/images/i_016b.jpgbin75470 -> 0 bytes
-rw-r--r--old/52362-h/images/i_020.jpgbin38270 -> 0 bytes
-rw-r--r--old/52362-h/images/i_020b.jpgbin52247 -> 0 bytes
-rw-r--r--old/52362-h/images/i_022.jpgbin56702 -> 0 bytes
-rw-r--r--old/52362-h/images/i_022b.jpgbin11329 -> 0 bytes
-rw-r--r--old/52362-h/images/i_022c.jpgbin52490 -> 0 bytes
-rw-r--r--old/52362-h/images/i_024.jpgbin102050 -> 0 bytes
-rw-r--r--old/52362-h/images/i_028.jpgbin50759 -> 0 bytes
-rw-r--r--old/52362-h/images/i_028b.jpgbin95962 -> 0 bytes
-rw-r--r--old/52362-h/images/i_048.jpgbin77906 -> 0 bytes
-rw-r--r--old/52362-h/images/i_048b.jpgbin95781 -> 0 bytes
-rw-r--r--old/52362-h/images/i_056.jpgbin99526 -> 0 bytes
-rw-r--r--old/52362-h/images/i_058.jpgbin100056 -> 0 bytes
-rw-r--r--old/52362-h/images/i_058b.jpgbin93025 -> 0 bytes
-rw-r--r--old/52362-h/images/i_066.jpgbin98431 -> 0 bytes
-rw-r--r--old/52362-h/images/i_072.jpgbin100372 -> 0 bytes
-rw-r--r--old/52362-h/images/i_076.jpgbin87064 -> 0 bytes
-rw-r--r--old/52362-h/images/i_076b.jpgbin95557 -> 0 bytes
-rw-r--r--old/52362-h/images/i_079.jpgbin26506 -> 0 bytes
-rw-r--r--old/52362-h/images/i_088.jpgbin93040 -> 0 bytes
-rw-r--r--old/52362-h/images/i_109.jpgbin14611 -> 0 bytes
-rw-r--r--old/52362-h/images/i_110.jpgbin29177 -> 0 bytes
-rw-r--r--old/52362-h/images/i_112.jpgbin100908 -> 0 bytes
-rw-r--r--old/52362-h/images/i_158.jpgbin16217 -> 0 bytes
-rw-r--r--old/52362-h/images/i_159.jpgbin24393 -> 0 bytes
-rw-r--r--old/52362-h/images/i_166.jpgbin89114 -> 0 bytes
-rw-r--r--old/52362-h/images/i_199.jpgbin23865 -> 0 bytes
-rw-r--r--old/52362-h/images/i_233.jpgbin12840 -> 0 bytes
-rw-r--r--old/52362-h/images/i_234.jpgbin25578 -> 0 bytes
-rw-r--r--old/52362-h/images/i_236.jpgbin97409 -> 0 bytes
-rw-r--r--old/52362-h/images/i_252.jpgbin102336 -> 0 bytes
-rw-r--r--old/52362-h/images/i_278.jpgbin14450 -> 0 bytes
-rw-r--r--old/52362-h/images/i_279.jpgbin26102 -> 0 bytes
-rw-r--r--old/52362-h/images/i_295.jpgbin12260 -> 0 bytes
-rw-r--r--old/52362-h/images/i_296.jpgbin29471 -> 0 bytes
-rw-r--r--old/52362-h/images/i_332.jpgbin16242 -> 0 bytes
-rw-r--r--old/52362-h/images/i_333.jpgbin27233 -> 0 bytes
-rw-r--r--old/52362-h/images/i_346.jpgbin11911 -> 0 bytes
-rw-r--r--old/52362-h/images/i_347.jpgbin24120 -> 0 bytes
-rw-r--r--old/52362-h/images/i_363.jpgbin25272 -> 0 bytes
-rw-r--r--old/52362-h/images/i_378.jpgbin14459 -> 0 bytes
-rw-r--r--old/52362-h/images/i_379.jpgbin24266 -> 0 bytes
-rw-r--r--old/52362-h/images/i_398.jpgbin12391 -> 0 bytes
-rw-r--r--old/52362-h/images/i_399.jpgbin23035 -> 0 bytes
-rw-r--r--old/52362-h/images/i_412.jpgbin26236 -> 0 bytes
-rw-r--r--old/52362-h/images/i_420.jpgbin8675 -> 0 bytes
-rw-r--r--old/52362-h/images/i_421.jpgbin24559 -> 0 bytes
-rw-r--r--old/52362-h/images/i_424.jpgbin102386 -> 0 bytes
-rw-r--r--old/52362-h/images/i_432.jpgbin6216 -> 0 bytes
-rw-r--r--old/52362-h/images/i_433.jpgbin24596 -> 0 bytes
-rw-r--r--old/52362-h/images/i_440.jpgbin9559 -> 0 bytes
-rw-r--r--old/52362-h/images/i_441.jpgbin26035 -> 0 bytes
-rw-r--r--old/52362-h/images/i_483.jpgbin9287 -> 0 bytes
74 files changed, 17 insertions, 32863 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..24bd42c
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #52362 (https://www.gutenberg.org/ebooks/52362)
diff --git a/old/52362-0.txt b/old/52362-0.txt
deleted file mode 100644
index 084cc12..0000000
--- a/old/52362-0.txt
+++ /dev/null
@@ -1,14029 +0,0 @@
-The Project Gutenberg EBook of A History of Booksellers, the Old and the
-New, by Henry Curwen
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: A History of Booksellers, the Old and the New
-
-Author: Henry Curwen
-
-Release Date: June 18, 2016 [EBook #52362]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK HISTORY OF BOOKSELLERS, OLD AND NEW ***
-
-
-
-
-Produced by MWS, Charlie Howard, and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by The
-Internet Archive/American Libraries.)
-
-
-
-
-
-
-
-[Illustration]
-
-
-
-
- A
- HISTORY OF BOOKSELLERS,
-
- _THE OLD AND THE NEW_.
-
-
- BY HENRY CURWEN.
-
-
- [Illustration]
-
-
- “In these days, ten ordinary histories of kings and courtiers were
- well exchanged against the tenth part of one good History of
- Booksellers.”--THOMAS CARLYLE.
-
-
- WITH PORTRAITS AND ILLUSTRATIONS.
-
-
- London:
- CHATTO AND WINDUS, PICCADILLY.
-
-
-
-
-[Illustration]
-
-
-
-
-PREFACE.
-
-
-“History” has been aptly termed the “essence of innumerable
-biographies;” and this surely justifies us in the selection of our
-title; but in inditing a volume to be issued in a cheap and popular
-form, it was manifestly impossible to trace the careers of all the
-eminent members, ancient and modern, of a Trade so widely extended;
-had we, indeed, possessed all possible leisure for research, every
-available material, and a space thoroughly unlimited, it is most
-probable that the result would have been distinguished chiefly for
-its bulk, tediousness, and monotony. It was resolved, therefore, in
-the first planning of the volume, to primarily trace the origin and
-growth of the Bookselling and Publishing Trades up to a comparatively
-modern period; and then to select, for fuller treatment, the most
-typical English representatives of each one of the various branches
-into which a natural division of labour had subdivided the whole.
-And, by this plan, it is believed that, while some firms at present
-growing into eminence may have been omitted, or have received but
-scant acknowledgment, no one Publisher or Bookseller, whose spirit
-and labours have as yet had time to justify a claim to a niche in the
-“HISTORY OF BOOKSELLERS,” has been altogether passed over. In the
-course of our “HISTORY,” too, we have been necessarily concerned with
-the manner of the “equipping and furnishing” of nearly every great
-work in our literature. So that, while on the one hand we have related
-the lives of a body of men singularly thrifty, able, industrious, and
-persevering--in some few cases singularly venturesome, liberal, and
-kindly-hearted--we have on the other, by our comparative view, tried to
-throw a fresh, at all events a concentrated, light upon the interesting
-story of literary struggle.
-
-No work of the kind has ever previously been attempted, and this fact
-must be an apology for some, at least, of our shortcomings.
-
- H. C.
-
- _November, 1873._
-
-[Illustration]
-
-
-
-
-[Illustration]
-
-
-
-
-CONTENTS.
-
-
- PAGE
- THE BOOKSELLERS OF OLDEN TIMES 9
-
- THE LONGMAN FAMILY 79
- _Classical and Educational Literature._
-
- CONSTABLE, CADELL, AND BLACK 110
- _The “Edinburgh Review,” “Waverley Novels,” and
- “Encyclopædia Britannica.”_
-
- JOHN MURRAY 159
- _Belles-Lettres and Travels._
-
- WILLIAM BLACKWOOD 199
- “_Blackwood’s Edinburgh Magazine._”
-
- CHAMBERS, KNIGHT, AND CASSELL 234
- _Literature for the People._
-
- HENRY COLBURN 279
- _Three-Volume Novels and Light Literature._
-
- THE RIVINGTONS, THE PARKERS, AND JAMES NISBET 296
- _Religious Literature._
-
- BUTTERWORTH AND CHURCHILL 333
- _Technical Literature._
-
- EDWARD MOXON 347
- _Poetical Literature._
-
- KELLY AND VIRTUE 363
- _The “Number” Trade._
-
- THOMAS TEGG 379
- _Book-Auctioneering and the “Remainder Trade.”_
-
- THOMAS NELSON 399
- _Children’s Literature and “Book-Manufacturing.”_
-
- SIMPKIN, MARSHALL, AND CO. 412
- _Collecting for the Country Trade._
-
- CHARLES EDWARD MUDIE 421
- _The Lending Library._
-
- W. H. SMITH AND SON 433
- _Railway Literature._
-
- PROVINCIAL BOOKSELLERS 441
- _York: Gent and Burdekin. Newcastle: Goading, Bryson,
- Bewick, and Charnley. Glasgow: Fowlis and Collins.
- Liverpool: Johnson. Dublin: Duffy. Derby: Mozley,
- Richardson, and Bemrose. Manchester: Harrop, Barker,
- Timperley, and the Heywoods. Birmingham: Hutton,
- Baskerville, and “The Educational Trading Co.” Exeter:
- Brice. Bristol: Cottle._
-
-[Illustration]
-
-
-
-
-
-[Illustration]
-
-
-
-
-_THE BOOKSELLERS OF OLDEN TIMES._
-
-
-Long ages before the European invention of the art of printing, long
-even before the encroaching masses of Huns and Visigoths rolled the
-wave of civilization backward for a thousand years, the honourable
-trades, of which we aim to be in some degree the chroniclers, had their
-representatives and their patrons. Without going back to the libraries
-of Egypt--a subject fertile enough in the pages of mythical history--or
-to the manuscript-engrossers and sellers of Ancient Greece--though by
-their labours much of the world’s best poetry, philosophy, and wit was
-garnered for a dozen centuries, like wheat ears in a mummy’s tomb, to
-be scattered to the four winds of heaven, when the Mahometans seized
-upon Constantinople, thenceforth to fructify afresh, and, in connection
-with the art of printing, as if the old world and the new clasped
-hands upon promise of a better time, to be mainly instrumental in the
-“revival of letters”--it will be sufficient for our present purpose
-to know that there were in Rome, at the time of the Empire, many
-publishing firms, who, if they could not altogether rival the magnates
-of Albemarle Street and the “Row,” issued books at least as good,
-and, paradoxical as it may seem, at least as cheaply as their modern
-brethren.
-
-To the sauntering Roman of the Augustan age literature was an
-essential; never, probably, till quite modern times was education--the
-education, at all events, that supplies a capability to read and
-write--so widely spread. The taste thus created was gratified in many
-ways. If the Romans had no Mudie, they possessed public libraries,
-thrown freely open to all. They had public recitations, at which
-unpublished and ambitious writers could find an audience; over which,
-too, sometimes great emperors presided, while poets, with a world-wide
-reputation, read aloud their favourite verses. They had newspapers, the
-subject-matter of which was wonderfully like our own. The principal
-journal, entitled _Acta Diurna_, was compiled under the sanction of
-the government, and hung up in some place of frequent resort for the
-benefit of the multitude, and was probably copied for the private
-accommodation of the wealthy. All public events of importance were
-chronicled here; the reporters, termed _actuarii_, furnished abstracts
-of the proceedings in the law courts and at public assemblies; there
-was a list of births, deaths, and marriages; and we are informed
-that the one article of news in which the _Acta Diurna_ particularly
-abounded was that of reports of trials for divorce. Juvenal tells
-us that the women were all agog for deluges, earthquakes, and other
-horrors, and that the wine-merchants and traders used to invent false
-news in order to affect their various markets. But, in addition to
-all these means for gratifying the Roman taste for reading, every
-respectable house possessed a library, and among the better classes the
-slave-readers (_anagnostæ_) and the slave-transcribers (_librarii_)
-were almost as indispensable as cooks and scullions. At first we
-find that these slaves were employed in making copies of celebrated
-books for their masters; but gradually the natural division of labour
-produced a separate class of publishers. Atticus, the Moxon of the
-period, and an author of similar calibre, saw an opening for his
-energies in the production of copies of favourite authors upon a
-large scale. He employed a number of slaves to copy from dictation
-simultaneously, and was thus able to multiply books as quickly as they
-were demanded. His success speedily finding imitators, among whom were
-Tryphon and Dorus, publishing became a recognized trade. The public
-they appealed to was not a small one. Martial, Ovid, and Propertius
-speak of their works as being known all the world over; that young and
-old, women and girls, in Rome and in the provinces, in Britain and in
-Gaul, read their verses. “Every one,” says Martial, “has me in his
-pocket, every one has me in his hands.”
-
- “Laudat, amat, cantat nostros mea Roma libellos:
- Meque sinus omnis, me manus omnis habet.”
-
-Horace speaks of the repugnance he felt at seeing his works in the
-hands of the vulgar. And Pliny writes that Regulus is mourning
-ostentatiously for the loss of his son, and no one weeps like
-him--_luget ut nemo_. “He composes an oration which he is not content
-with publicly reciting in Rome, but must needs enrich the provinces
-with a thousand copies of it.”
-
-School-books, too, an important item in publishing eyes, were in demand
-at Rome: Juvenal says that “the verses which the boy has just _conned
-over_ at his desk he stands up to repeat,” and Persius tells us that
-poets were ambitious to be read in the schools; while Nero, in his
-vanity, gave special command that his verses should be placed in the
-hands of the students.
-
-Thus, altogether, there must have been a large book-buying public, and
-this fact is still further strengthened by the cheapness of the books
-produced. M. Geraud[1] concludes that the prices were lower than in our
-own day. According to Martial the first book of his Epigrams was to be
-bought, neatly bound, for five denarii (nearly three shillings), but
-in a cheaper binding for the people it cost six to ten sestertii (a
-shilling to eighteenpence); his thirteenth book of Epigrams was sold
-for four sestertii (about eightpence), and half that price would, he
-says, have left a fair profit (Epig. xiii. 3). He tells us, moreover,
-that it would only require one hour to copy the whole of the second
-book,
-
- “Hæc una peragit librarius hora.”
-
-This book contains five hundred and forty verses, and though he may
-be speaking with poetical licence, the system of abbreviations did
-undoubtedly considerably lessen the labour of transcribing, and
-it would be quite possible, by employing a number of transcribers
-simultaneously, to produce an edition of such a work in one day.
-
-In Rome, therefore, we see that from the employment of slave
-labour--and some thousands of slaves were engaged in this work of
-transcribing--books were both plentiful and cheap.[2]
-
-[Illustration: William Caxton. The first printer at Westminster.
-
-1410-1491.]
-
-[Illustration: Caxton’s Monogram.
-
-(_Facsimile from his Works._)]
-
-In the Middle Ages this state of things was entirely altered. Men
-were too busy in giving and receiving blows, in oppressing and being
-oppressed, to have the slightest leisure for book-learning. Slaves,
-such as then existed, were valued for far different things than
-reading and writing; and even their masters’ kings, princes, lords,
-and other fighting dignitaries, would have regarded a quill-pen, in
-their mail-gloved hands, as a very foolish and unmanly weapon. There
-was absolutely no public to which bookmakers could have appealed, and
-the art of transcribing was confined entirely to a few monks, whose
-time hung heavily upon their hands; and, as a natural result, writers
-became, as Odofredi says, “no longer writers but painters,” and books
-were changed into elaborate works of art. Nor was this luxurious
-illumination confined to Bibles and Missals; the very law-books were
-resplendent, and a writer in the twelfth century complains that in
-Paris the Professor of Jurisprudence required two or three desks to
-support his copy of Ulpian, gorgeous with golden letters. No wonder
-that Erasmus says of the _Secunda Secundea_ that “no man can carry it
-about, much less get it into his head.”
-
-At first there was no trade whatever in books, but gradually a system
-of barter sprung up between the monks of various monasteries; and with
-the foundation of the Universities a regular class of copyists was
-established to supply the wants of scholars and professors, and this
-improvement was greatly fostered by the invention of paper.
-
-The booksellers of this period were called _Stationarii_, either from
-the practice of stationing themselves at booths or stalls in the
-streets (in contradistinction to the itinerant vendors) or from the
-other meaning of the Latin term _statio_, which is, Crevier tells us,
-_entrepôt_ or depository, and he adds that the booksellers did little
-else than furnish a place of deposit, where private persons could send
-their manuscripts for sale. In addition to this, indeed as their chief
-trade, they sent out books to be read, at exorbitant prices, not in
-volumes, but in detached parts, according to the estimation in which
-the authors were held.
-
-In Paris, where the trade of these _stationarii_ was best developed,
-a statute regarding them was published in 1275, by which they were
-compelled to take the oath of allegiance once a year, or, at most, once
-every two years. They were forbidden by this same statute to purchase
-the books placed in their hands until they had been publicly exposed
-for sale for at least a month; the purchase money was to be handed over
-direct to the proprietor, and the bookseller’s commission was not to
-exceed one or two per cent. In addition to the _stationarii_, there
-were in Paris several pedlars or stall-keepers, also under University
-control, who were only permitted to exhibit their wares under the free
-heavens, or beneath the porches of churches where the schools were
-occasionally kept. The portal at the north end of the cross aisle in
-Rouen Cathedral is still called _le Portail des Libraires_.
-
-[Illustration: Wynkyn de Worde. 1493-1534. The second printer at
-Westminster.
-
-(_From a drawing by Fathorne._)]
-
-[Illustration: Headpiece of William Caxton.]
-
-In England the first stationers were probably themselves the engrossers
-of what they sold, when the learning and literature of the country
-demanded as the chief food A B C’s and Paternosters, Aves and Creeds,
-Graces and Amens. Such was the employment of our earliest stationers,
-as the names of their favourite haunts--Paternoster Row, Amen
-Corner, and Ave Maria Lane--bear ample witness; while the term
-stationer soon became synonymous with bookseller, and, in connection
-with the Stationers’ Company, of no little importance, as we shall soon
-see, in our own bookselling annals.
-
-In 1292, the bookselling corporation of Paris consisted of twenty-four
-copyists, seventeen bookbinders, nineteen parchment makers, thirteen
-illuminators, and eight simple dealers in manuscripts. But at the time
-when printing was first introduced upwards of six thousand people are
-said to have subsisted by copying and illuminating manuscripts--a fact
-that, even if exaggerated, says something for the gradual advancement
-of learning.
-
-The European invention of printing, which here can only be mentioned;
-the diffusion of Greek manuscripts and the ancient wisdom contained
-therein, consequent upon the capture of Constantinople by the Turks;
-the discovery of America; and, finally, the German and English
-religious Reformations, were so many rapid and connected strides in
-favour of knowledge and progress. All properly-constituted conservative
-minds were shocked that so many new lights should be allowed to stream
-in upon the world, and every conceivable let and hindrance was called
-up in opposition. Royal prerogatives were exercised, Papal bulls were
-issued, and satirists (_soi-disant_) were bitter. A French poet of this
-period, sneering at the invention of printing, and the discovery of the
-New World by Columbus, says of the press, in language conveyed by the
-following doggerel:--
-
- “I’ve seen a mighty throng
- Of printed books and long,
- To draw to studious ways
- The poor men of our days;
- By which new-fangled practice,
- We soon shall see the fact is,
- Our streets will swarm with scholars
- Without clean shirts or collars,
- With Bibles, books, and codices
- As cheap as tape for bodices.”
-
-In spite of this feeling against the popularization of learning and the
-spread of education--a feeling not quite dead yet, if we may trust the
-evidence of a few good old Tory speakers on the evil effects (forgery,
-larceny, and all possible violation of the ten commandments) of popular
-education--a feeling perhaps subsiding, for a country gentleman of
-the old school told us recently that he “would wish every working man
-to read the Bible--the Bible only--and _that_ with difficulty”--a
-progressive sign--the world was too well aware of the good to be
-gathered from the furtherance of these novelties to willingly let them
-die, and though the battle was from the first a hard one, it has been,
-from first to last, a winning battle.
-
-[Illustration: Richard Pynson. Died about 1530.]
-
-[Illustration: Monogram used by Richard Pynson.]
-
-It will be essential throughout this chapter, and indeed throughout the
-whole work, to bear in mind that it was not till quite modern times
-that a separate class was formed to buy copyrights, to employ printers,
-and to sell the books wholesale, to which their names were affixed
-on the title-pages--to be in fact, in the modern acceptation of the
-word, Publishers. There was no such class among the old booksellers;
-but they had to do everything for themselves, to construct the types,
-presses, and other essentials for printing, to bind the sheets when
-printed, and finally, when the books were manufactured, to sell them
-to the general public. For long, many of the booksellers had printing
-offices; they all, of course, kept shops, at which not only printed
-books but stationery was retailed; bookbinders were not unfrequent
-among them; and, to very recent times, they were the chief proprietors
-of newspapers, a branch of the trade that appears, from some modern
-instances, to be again falling in their direction.
-
-In England the printing press found a sure asylum, but at first the
-books printed were very few in number and the issue of each book small.
-The works produced by Caxton consisted almost entirely of translations.
-“Divers famous clerks and learned men,” says one of the early printers,
-“translated and made many noble works into our English tongue. Whereby
-there was much more plenty and abundance of English used than there
-was in times past.” Wynkyn de Worde followed closely in his master’s
-footsteps; but soon a new source of employment for the press was
-discovered, and De Worde turned his attention to the production of
-_Accidences_, _Lucidaries_, _Orchards of Words_, _Promptuaries for
-Little Children_, and the like. With the Reformation came of course a
-great demand for Bibles, and, between the years 1526 and 1600, so great
-was the rush for this new supply of hitherto forbidden knowledge that
-we have no less than three hundred and twenty-six editions, or parts of
-editions, of the English Bible.
-
-In the “Typographical Antiquities” of Ames and Herbert are recorded
-the names of three hundred and fifty printers in England and Scotland,
-who flourished between 1474 and 1600. Though these “printers” were
-also booksellers, their history belongs more properly to the annals
-of printing. We will, therefore, confine ourselves to a preliminary
-account of the Stationers’ Company, and then enter forthwith upon such
-biographical sketches as our space will allow, of the men who may be
-regarded, if not uniformly in the modern sense as publishers, at any
-rate as the representative booksellers of old London.
-
-The “Stationers or Text-writers who wrote and sold all sorts of books
-then in use” were first formed into a guild in the year 1403, by the
-authority of the Lord Mayor and Court of Aldermen, and possessed
-ordinances made for the good government of their fellowship; and thus
-constituted they assembled regularly in their first hall in Milk Street
-under the government of a master and two wardens; but no privilege or
-charter has ever been discovered, under which, at that period, they
-acted as a corporate body. The Company had, however, no control over
-printed books until they received their first charter from Mary and
-Philip on 4th May 1557. The object of the charter is thus set forth in
-the preamble: “Know ye that we, considering and manifestly perceiving
-that several seditious and heretical books, both in verse and prose,
-are daily published, stamped and printed, by divers scandalous,
-schismatical, and heretical persons, not only exciting our subjects
-and liege-men to sedition and disobedience against us, our crown
-and dignity; but also to the renewal and propagating very great and
-detestable heresies against the faith and sound Catholic doctrine of
-Holy Mother the Church; and being willing to provide a proper remedy
-in this case,” &c. The powers granted to the Company by this charter
-were, verbally, absolute. Not only were they to search out, seize, and
-destroy books printed in contravention of the monopoly, or against the
-faith and sound Catholic doctrine of Holy Mother Church; but they might
-seize, take away, have, burn, or convert to their own use, whatever
-they should _think_ was printed contrary to the form of any statute,
-act, or proclamation, made or _to be_ made. And this charter renewed
-by Elizabeth in 1588, amplified by Charles II. in 1684, and confirmed
-by William and Mary in 1690, is still virtually in existence. It is
-scarcely strange that such enormous powers as these were but little
-respected; indeed Queen Elizabeth herself was one of the first to
-invade their privileges, and she granted the following, among other
-monopolies, away from the Stationers’ Company:--
-
- To Byrde, the printing of music books.
- To Serres, psalters, primers, and prayer books.
- To Flower, grammars.
- To Tothill, law books.
- To Judge (the Queen’s Printer), Bibles and Testaments.
- To Watkin and Roberts, almanacs and prognostications.
- To Vautrollier, Latin Testaments and other Latin books.
- To Marsh, school-books.
- To Day, A B C’s and catechisms.
-
-(This last had his printing office in Moorgate Street, ornamented with
-the motto, “Arise, for it is Day!”)
-
-The Stationers’ Company, sorely damaged in trade by the sudden
-and almost entire loss of their privileges, petitioned the Queen,
-representing that they were subject to certain levies, that they
-supplied when called upon a number of armed men, and that they expected
-to derive some benefit when they underwent these liabilities. As a
-reply they were severely reprimanded for daring to question the Queen’s
-prerogative, upon which they petitioned again, but more humbly, that
-they might at least be placed on an equal footing with the interlopers,
-and be permitted to print something or other. Her Majesty was shortly
-pleased to sanction an arrangement by which they were to possess the
-exclusive right of printing and selling psalters, primers, almanacs,
-and books tending to the same purpose--the _A B C_’s, the _Little
-Catechism_, Nowell’s _English_ and _Latin Catechisms_, &c.
-
-Ward, and Wolf a fishmonger, however, disputed the power of the
-Company, declaring it to be lawful, according to the written law of
-the land, for any printer to print all books; and when the Master and
-Wardens of the Company went to search Ward’s house, preparatory to
-seizing, burning, or conveying away his books, they were ignominiously
-defeated by his wife. The Lord Treasurer likewise sent commissioners
-thither, “but they, too, could bring him to nothing.”
-
-Learning from this how useless the tremendous powers conferred upon
-them by their charter really were, the Stationers’ Company took a wiser
-course and subscribed £15,000 to print the books in which they had the
-exclusive property.
-
-[Illustration: Richard Grafton, English Printer and Historian. Died
-after 1572. The first printer of the Common Prayer.]
-
-[Illustration: John Wight or Wyghte. Was living in 1551. A printer of
-law books.]
-
-The “entry” of copies at Stationers’ Hall was commenced in 1558, but
-without the delivery of any books, and these entries seem originally to
-have been intended by the booksellers of the Company to make known to
-each other their respective copyrights, and to act as advertisements
-of the works thus entered. Half a century later, Sir Thomas Bodley
-was appointed librarian at Oxford, and so great was his zeal for
-obtaining books that he persuaded the Company of Stationers in London
-to give him a copy of every book that was printed, and this voluntary
-offering was rendered compulsory by the celebrated Licensing Act of
-1663, which prohibited the publication of any book unless licensed
-by the Lord Chamberlain, and entered in the Stationers’ Registers,
-and which fixed the number of copies to be presented gratis at
-three. In the reign of William and Mary the liberty of the press was
-restored, but in the new Act the door was unfortunately thrown open
-to infractions of literary property by clandestine editions of books,
-and in the following reign the property of copyright was secured for
-fourteen years, though the perpetuity of copyright was still vulgarly
-believed in, and, by the better class of booksellers, still respected.
-The number of compulsory presentation copies was gradually increased
-to eleven, forming a very heavy tax upon expensive books, and was only
-in our own times reduced to five. At present the registration of books
-at Stationers’ Hall is quite independent of the presentations, which
-are still compulsory. The fee for the registration or assignment of a
-copyright is five shillings.
-
-By the end of the last century all the privileges and monopolies of
-the Company had been shredded away till they had nothing left but
-the right to publish a common Latin primer and almanacs. In 1775 J.
-Carnan,[3] an enterprizing tradesman, questioning the legality of
-the latter monopoly, published an almanac on his own account, and
-defended himself against an action brought by the Company in which the
-monopoly was declared worthless. As, however, the Company still paid
-the Universities for the lease of the sole right to publish almanacs,
-they endeavoured to recover their privilege by Act of Parliament, but
-were defeated by Erskine in a memorable speech, who showed that, while
-supposed to be protectors of the order and the decencies of the press,
-the Company had not only entirely omitted to exercise their duties,
-but that, even in using their privileges, they had, to increase their
-revenue, printed, in the “Poor Robin’s” and other almanacs, the most
-revolting indecencies; and the question was decided against them.
-
-[Illustration:
-
- Rayne Wolfe.
- Paul’s Churchyard.
-
- King Henry VIII.’s
- printer.
-]
-
-[Illustration: 1547.]
-
-[Illustration: John Day or Daye. “A famous printer. He lived over
-Aldgate.”
-
-1522-1584.]
-
-The “earliest men of letters”--if we accept the word in its modern
-meaning of those who earn their bread by their pens--were the
-dramatists; but the publication of their plays was a mere appendix
-to the acting thereof, and Shakespeare never drew a penny from the
-printing of his works. The Elizabethan dramatists--the Greenes and
-Marlowes--led a life of wretchedness only paralleled later on by the
-annals of Grub Street. As the use of the printing press expanded,
-however, a race of authors by profession sprang into existence. At
-the time of the Commonwealth James Howell, author of the “Epistolæ
-Ho-elianæ,” who was thrown into the Fleet prison, appears to have made
-his bread by scribbling for the booksellers; Thomas Fuller, also, was
-among the first, as well as the quaintest, hack-writers; he observes,
-in the preface to his “Worthies,” that no stationers have hitherto
-lost by him. His “Holy State” was reprinted four times before the
-Restoration, but the publisher continued to describe the last two
-impressions, on the title-page, as only the third edition, as if he
-were unwilling that the extent of the popularity should be known--a
-fact probably unprecedented. But still the great writers had either
-private means, or lived on the patronage of rank and wealth; for the
-reward of a successful book in those days did not lie in so much hard
-cash from one’s publisher, but in hopes of favour and places from
-the great. The famous agreement between Milton and Samuel Simmons, a
-printer, is one of the earliest authenticated agreements of copy money
-being given for an original work; it was executed on April 27th, 1667,
-and disposes of the copyright of “Paradise Lost” for the present sum
-of five pounds, and five pounds more when 1300 copies of the first
-impression should be sold in retail, and the like sum at the end of
-the second and third editions, _to be accounted as aforesaid; and
-that_ (each of) _the said first three impressions shall not exceed
-fifteen books or volumes of the said manuscript_. The price of the
-small quarto edition was three shillings in a plain binding. Probably,
-as Sir Walter Scott remarks, the trade had no very good bargain of it,
-for the first impression of the poem does not seem to have been sold
-off before the expiration of seven years, nor till the bookseller (in
-accordance with a practice nor confined solely to that age) had given
-it five new title-pages. The second five pounds was received by Milton,
-and in 1680, for the present sum of eight pounds, his widow resigned
-all further right in the copyright, and thus the poem was sold for
-eighteen pounds instead of the stipulated twenty. The whole transaction
-must be regarded rather as an entire novelty, than as an example of a
-bookseller’s meanness--a view too often unjustly taken.
-
-The first “eminent man of letters” was Dryden, who serves us as a
-connecting link between those who earned their livelihood by writing
-for the stage and those who earned it by working for the booksellers,
-and the first “eminent publisher” was Jacob Tonson, his bookseller.
-Dryden, like his predecessors, commenced life as a dramatist, but
-in his times plays acquired a marketable value elsewhere than on
-the stage. Before Tonson started, Dryden’s works--almost entirely
-plays--were sold by Herringman, the chief bookseller in London, says
-Mr. Peter Cunningham, before Tonson’s time; but now only remembered
-because Dryden lodged at his house, taking his money out in kind, as
-authors then often did.
-
-[Illustration: Jacob Tonson.
-
-1656-1736.
-
-(_From the Portrait by Kneller._)]
-
-Jacob Tonson, born in 1656, was the son of a barber-surgeon in Holborn,
-who died when his two sons were both very young, leaving them each a
-hundred pounds to be paid them on their coming of age. The two lads
-resolved to become printers and booksellers, and, at fourteen, Jacob
-was apprenticed to Thomas Barnet. After serving the usual term of seven
-years he was admitted to the freedom of the Stationers’ Company, and
-immediately commenced business with his small capital at the Judge’s
-House, in Chancery Lane, close to the corner of Fleet Street. Like
-many other publishers he began trade by selling second-hand books and
-those produced by other firms, but he soon issued plays on his own
-account; finding, however, that the works of Otway and Tate, which
-were among his first attempts, had no very extensive sale, he boldly
-made a bid for Dryden’s next play, but the twenty pounds required by
-the author was too great a venture for his small capital, so “Troilus
-and Cressida; or Truth found too Late,” was published conjointly by
-Tonson and Levalle in 1679. This connection with Dryden, which lasted
-till the poet’s death, was of only less importance to the furtherance
-of Tonson’s fortune than a bargain concluded four years later with
-Brabazon Aylmer for one-half of his interest in the “Paradise Lost,”
-which Dryden told him was one of the greatest poems England had ever
-produced. Still he waited four years before he ventured to publish, and
-then only by the safe method of subscription, and in 1788 the folio
-edition came out, and by the sale of this and future editions Tonson
-was, according to Disraeli, enabled to keep his carriage. The other
-moiety of the copyright was subsequently purchased. There is a pleasant
-description of Tonson, in these early days, in a short poem by Rowe:--
-
- “While in your early days of reputation
- You for blue garter had not such a passion,
- While yet you did not live, as now your trade is,
- To drink with noble lords and toast their ladies,
- Thou Jacob Tonson, wert, to my conceiving,
- The cheerfullest, best honest fellow living.”
-
-From John Dunton, the bookseller, we get the following
-description:--“He was bookseller to the famous Dryden, and is himself
-a very good judge of persons and authors; and, as there is nobody more
-competently qualified to give their opinion upon another, so there is
-none who does it with a more severe exactness, or with less partiality;
-for, to do Mr. Tonson justice, he speaks his mind upon all occasions,
-and will flatter nobody.”
-
-Not only did Tonson first make “Paradise Lost” popular, but some years
-afterwards he was the first bookseller to throw Shakespeare open to a
-reading public.
-
-Then, as now, however, the works in most urgent demand were
-“novelties,” and with these Dryden supplied his publisher as fast
-almost as pen could drive upon paper. From the correspondence between
-Dryden and Tonson, printed in Scott’s edition of the poet’s works,
-they seem to have been privately on very friendly terms, falling
-out only when agreements were to be signed or payments to be made.
-Tonson was at this time publishing what are sometimes known as
-_Tonson’s_, sometimes as _Dryden’s_, _Miscellany Poems_, written, so
-the title-pages averred, by the “most eminent hands.” _Apropos_ of
-this, Pope writes, “Jacob creates poets as kings create knights, not
-for their honour, but for their money. I can be satisfied with a bare
-saving gain without being thought an eminent hand.” The first volume of
-the “Miscellany” was published in 1684, and the second in the following
-year, and of this second, Dryden writes, after thanking the bookseller
-for two melons--“since we are to have nothing but new, I am resolved
-we shall have nothing but good, whomever we disoblige.” The third
-“Miscellany” was published in 1693, and Tonson sends an earnest letter
-of remonstrance anent the amount of “copy” received of the translation
-of Ovid:--“You may please, sir, to remember that upon my first proposal
-about the third ‘Miscellany,’ I offered fifty pounds, and talked of
-several authors without naming Ovid. You asked if it should not be
-guineas, and said I should not repent it; upon which I immediately
-complied, and left it wholly to you what, and for the quantity too;
-and I declare it was the furthest in the world from my thoughts that
-by leaving it to you I should have the less.” He proceeds to show that
-Dryden had sold a previous, though recent translation to another
-bookseller at the rate of 1518 lines for forty guineas, while he adds,
-“all that I have for fifty guineas are but 1446; so that if I have no
-more, I pay ten guineas above forty, and have 72 lines less for fifty
-in proportion. I own, if you don’t think fit to add something more, I
-must submit; ’tis wholly at your choice, for I left it entirely to you;
-but I believe you cannot imagine I expected so little; for you were
-pleased to use me much kindlier in Juvenal, which is not reckoned so
-easy to translate as Ovid. Sir, I humbly beg your pardon for this long
-letter, and, upon my word, I had rather have your good will than any
-man’s alive.”
-
-These were hard times for Dryden, for through the change of government
-he had been deprived of the laureateship, and it is little likely that
-Tonson ever received his additional lines or recovered his money.
-Frequent at this period were the bickerings between them. On one
-occasion, the bookseller having refused to advance a sum of money, the
-poet forwarded the following triplet with the significant message,
-“Tell the dog that he who wrote these lines can write more:”--
-
- “With leering looks, bull-faced and freckled fair,
- With two left legs, with Judas-coloured hair,
- And frowsy pores that taint the ambient air.”
-
-The descriptive hint is said to have been successful. On another
-occasion, when Bolingbroke was visiting Dryden, they heard a footstep.
-“This,” said Dryden, “is Tonson; you will take care not to depart
-before he goes away; for I have not completed the sheet which I
-promised him; and, if you leave me unprotected, I shall suffer all the
-rudeness to which resentment can prompt his tongue.” And yet, almost
-at this period, we find Dryden writing, “I am much ashamed of myself
-that I am so much behindhand with you in kindness.”
-
-[Illustration: Richard Jones, Jhones, or Johnes, English Printer. Was
-living in 1571.]
-
-[Illustration: John Dunton.
-
-1659-1733.]
-
-Dryden’s translations of the classics had been most successful in
-selling off the “Miscellanies” very rapidly, and Tonson now induced the
-author, by the offer of very liberal terms, to commence a translation
-of Virgil. As usual, the preliminary terms were to be settled in a
-tavern--a custom between authors and booksellers that seems to have
-been universal. “Be ready,” writes Dryden, “with the price of paper,
-and of the books. No matter for any dinner; for that is a charge to
-you, and I care not for it. Mr. Congreve may be with us as a common
-friend.” There were two classes of subscribers, the first of whom paid
-five guineas each, and were individually honoured with the dedication
-of a plate, with their arms engraved underneath; the second class paid
-two guineas only. The first class numbered 101, and the second 250,
-and the money thus received, minus the expense of the engravings, was
-handed over to Dryden, who received in addition from Tonson fifty
-guineas a book for the _Georgics_ and _Æneid_, and probably the same
-for the _Pastorals_ collectively. But the price actually charged to
-the subscribers of the second class appears to have been exorbitant,
-and reduced the amount of Dryden’s profits to about twelve or thirteen
-hundred pounds--still a very large sum in those days. Frequent,
-however, were the disputes between them during the progress of the
-work. The currency at this time was terribly deteriorated. In October,
-1695, the poet writes, “I expect fifty pounds in good silver: not such
-as I have had formerly. I am not obliged to take gold, neither
-will I; nor stay for it beyond four-and-twenty hours after it is
-due.” Good silver, however, was very scarce, and was at a premium of
-forty per cent; so after a year’s wrangling he had to put up with the
-fate of all who then sold labour for money. “The Notes and Queries,”
-continues Dryden, perhaps as a gibe at Jacob’s parsimony, “shall be
-short; because you shall get the more by saving paper.” Again he
-attacks him, this time half playfully:--“Upon trial I find all of your
-trade are sharpers, and you not more than others; therefore I have
-not wholly left you.” Tonson all along wished to dedicate the work to
-King William, but Dryden, a staunch Tory, would not yield a tittle of
-his political principles, so the bookseller consoled himself by slyly
-ordering all the pictures of Æneas in the engravings to be drawn with
-William’s characteristic hooked nose; a manœuvre that gave rise to the
-following:--
-
- “Old Jacob, by deep judgments swayed,
- To please the wise beholders,
- Has placed old Nassau’s hook-nosed head
- On young Æneas’ shoulders.
-
- “To make the parallel hold tack,
- Methinks there’s little lacking;
- One took his father pick-a-back,
- And t’other sent his packing.”
-
-In December, 1699, Dryden finished his last work, the “Fables,” for
-which “ten thousand verses” he was paid the sum of two hundred and
-fifty guineas, with fifty more to be added at the beginning of the
-second impression. In this volume was included his Ode to St. Cecilia,
-which had first been performed at the Music Feast kept in Stationers’
-Hall, on the 22nd of November, 1697.
-
-In 1700 the poet died, but Tonson was by this time in affluent
-circumstances.
-
-About the date of Dryden’s death, probably before it, as his portrait
-was included among the other members, the famous Kit-Cat Club was
-founded by Tonson. Various are the derivations of the club. The most
-circumstantial account of its origin is given by the scurrilous writer,
-Ned Ward, in his “Secret History of Clubs.” It was established, he
-says, “by an amphibious mortal, chief merchant to the Muses, to
-inveigle new profitable chaps, who, having more wit than experience,
-put but a slender value as yet upon their maiden performances.”
-(Tonson must have been a rare publisher if he found “new chaps” to be
-in any way profitable.) With the usual custom of the times, Tonson
-was always ready to give his author, especially upon concluding a
-bargain, wherewithal to drink, but he now proposed to add pastry in
-the shape of mutton pies, and, according to Ward, promises to make the
-meeting weekly, provided his clients would give him the first refusal
-of their productions. This generous proposal was very readily agreed
-to by the whole poetic class, and the cook’s name being Christopher,
-called for brevity Kit, and his sign the Cat and Fiddle, they very
-merrily derived a quaint denomination from puss and her master, and
-from thence called themselves the Kit-Cat Club. According to Arbuthnot,
-their toasting-glasses had verses upon them in honour of “old cats and
-young kits,” and many of these toasts were printed in Tonson’s fifth
-“Miscellany.” At first they met in Shire Lane, (Ward says Gray’s Inn
-Lane), and subsequently at the Fountain Tavern in the Strand. In a
-short time the chief men of letters having joined the club, “many
-of the quality grew fond of sharing the everlasting honour that was
-likely to crown the poetical society.” Sir Godfrey Kneller, himself
-a member, painted portraits of all the members, commencing with the
-Duke of Somerset, and these were hung round the club-room at Tonson’s
-country house at Water Oakeley, where the members of the club were in
-after-times wont to meet. The tone of the club-room became decidedly
-political, and interesting as it is, our space forbids us to do more
-than give the following lines from “Faction Displayed” (1705), which,
-by-the-way, quotes Dryden’s threatening triplet, already alluded to:--
-
- “I am the Touchstone of all modern wit;
- Without my stump, in vain you poets writ.
- Those only purchase everlasting fame
- That in my ‘Miscellany’ plant their name.
- I am the founder of your loved Kit-Kat,
- A Club that gave direction to the state.
- ’Twas here we first instructed all our youth
- To talk profane and laugh at sacred truth;
- We taught them how to toast and rhyme and bite,
- To sleep away the day, and drink away the night.”
-
-By this time Tonson had taken his nephew into partnership, had left his
-old shop in Chancery Lane, and changed his sign from the “Judge’s Head”
-to the “Shakespeare’s Head;” and he and his descendants had certainly a
-right to the latter symbol, for the editions of Rowe, Pope, Theobald,
-Warburton, Johnson, and Capell, were all associated with their name.
-The following schedule of the prices paid to the various editors
-possesses some bibliographical interest:--
-
- £ _s._ _d._
-
- Rowe 36 10 0
- Hughes 28 7 0
- Pope 217 12 0
- Fenton 30 14 0
- Gay 35 17 6
- Whalley 12 0 0
- Theobald 652 10 0
- Warburton 500 0 0
- Capell 300 0 0
- Dr. Johnson, for 1st edition. 375 0 0
- ” for 2nd edition. 100 0 0
-
-Upon Dryden’s death Tonson had looked round anxiously for a likely
-successor, and had made humble overtures to Pope, and in his later
-“Miscellanies” appeared some of Pope’s earliest writings; but Pope soon
-deserted to Tonson’s only rival--Bernard Lintot, who also opposed him
-in an offer to publish a work of Dr. Young’s. The poet answered both
-letters the same morning, but unfortunately cross-directed them: in the
-one intended for Tonson he said that Lintot was so great a scoundrel
-that printing with him was out of the question, and in Lintot’s that
-Tonson was an old rascal.
-
-Jacob Tonson died in 1736, and is reported on his death-bed to have
-said--“I wish I had the world to begin again, because then I should
-have died worth a hundred thousand pounds, whereas now I die worth only
-eighty thousand;”--a very improbable story, for, in spite of Dryden’s
-complaints, Tonson seems to have been a generous man for the times,
-and to have fully earned his title of the “prince of booksellers.” His
-nephew died a few months before this, and was succeeded by his son,
-Jacob Tonson the third, who carried on the business in the same shop
-opposite Catherine Street in the Strand, until his removal across the
-road, only a short time before his death. He died in 1767, when the
-time-honoured name was erased from the list of booksellers.
-
-Bernard Lintot, or, as he originally wrote his name, Barnaby Lintott,
-was the son of a Sussex yeoman, and commenced business as a bookseller
-at the sign of the Cross Keys, between the Temple Gates, in the year
-1700. He is thus characterized by John Dunton--“He lately published
-a collection of _Tragic Tales_, &c., by which I perceive he is angry
-with the world, and scorns it into the bargain; and I cannot blame him:
-for D’Urfey (his author) both treats and esteems it as it deserves;
-too hard a task for those whom it flatters; or perhaps for Bernard
-himself, should the world ever change its humour and grin upon him.
-However, to do Mr. Lintot justice, he is a man of very good principles,
-and I dare engage will never want an author of _Sol-fa_,[4] so long as
-the play-house will encourage his comedies.” The world, however, did
-grin upon him, for in 1712 he set up a “Miscellany” intended to rival
-Tonson’s, and here appeared the first sketch of the “Rape of the Lock,”
-and this introduction to Pope was to turn out of as much importance in
-his fortunes as the previous connection with Dryden had been to Tonson.
-
-A memorandum-book, preserved by Nichols, contains an exact account of
-the money paid by Lintot to his various authors. Here are the receipts
-for Pope’s entire works:--
-
- £ _s._ _d._
- 1712, Feb. 19. Statius, first book; Vertumnus and
- Pomona 16 2 6
- 1712, March 21. First edition of the Rape 7 0 0
- 1712, April 9. To a Lady presenting Voiture upon
- Silence to the author of a Poem called
- Successio 3 16 6
- 1712-13, Feb. 23. Windsor Forest 32 5 0
- 1713, July 22. Ode on St. Cecilia’s Day 15 0 0
- 1714, Feb. 20. Additions to the Rape 15 0 0
- 1715, Feb. 1. Temple of Fame 32 5 0
- 1715, April 31. Key to the Lock 10 15 0
- 1716, July 17. Essay on Criticism 15 0 0
- -------------
-
-In 1712 Pope, mindful of Dryden’s success, commenced his translation
-of Homer, and in 1714 Lintot, equally mindful probably of the
-profits Tonson had derived from Virgil, made a splendid offer for
-its publication. He agreed to provide at his own expense all the
-subscription and presentation copies, and in addition to pay the author
-two hundred pounds per volume. The Homer was to consist of six quarto
-volumes, to be delivered to subscribers, as completed, at a guinea a
-volume, and through the unremitting labours of the poet’s literary and
-political friends, six hundred and fifty-four copies were delivered at
-the original rate, and Pope realized altogether the munificent sum of
-five thousand, three hundred and twenty pounds, four shillings.
-
-It was probably just after the publication of the first volume, in
-August, 1714, that Pope wrote his exquisitely humorous letter to the
-Earl of Burlington, describing a journey to Oxford, made in company
-with Lintot. “My lord, if your mare could speak, she would give an
-account of what extraordinary company she had on the road; which since
-she cannot do, I will.” Lintot had heard that Pope was “designed for
-Oxford, the seat of the Muses, and would, as my bookseller, by all
-means accompany me thither.... Mr. Lintot began in this manner: ‘Now,
-damn them, what if they should put it in the newspapers, how you and I
-went together to Oxford? What would I care? If I should go down into
-Sussex, they would say I was gone to the Speaker. But what of that?
-If my son were but big enough to go on with the business, by God! I
-would keep as good company as old Jacob.’... As Mr. Lintot was talking
-I observed he sat uneasy on his saddle, for which I expressed some
-solicitude. ‘’Tis nothing,’ says he; ‘I can bear it well enough, but
-since we have the day before us, methinks it would be very pleasant for
-you to rest awhile under the woods.’ When we alighted, ‘See here, what
-a mighty pretty Horace I have in my pocket! what if you amused yourself
-by turning an ode, till we mount again? Lord, if you pleased, what a
-clever Miscellany might you make at leisure hours.’ ‘Perhaps I may,’
-said I, ‘if we ride on; the motion is an aid to my fancy, a round trot
-very much awakens my spirits; then jog on apace, and I’ll think as hard
-as I can.’
-
-“Silence ensued for a full hour, after which Mr. Lintot tugged the
-reins, stopped short and broke out, ‘Well, sir, how far have you gone?’
-I answered, ‘Seven miles.’ ‘Zounds, sir,’ said Lintot, ‘I thought you
-had done seven stanzas. Oldworth, in a ramble round Wimbleton hill,
-would translate a whole ode in half this time. I’ll say that for
-Oldworth (though I lost by his Sir Timothy’s), he translates an ode of
-Horace the quickest of any man in England. I remember Dr. King would
-write verses in a tavern three hours after he could not speak; and
-there’s Sir Richard, in that rambling old chariot of his, between Fleet
-ditch and St. Giles’s pound shall make half a job.’ ‘Pray, Mr. Lintot,’
-said I, ‘now you talk of translators, what is your method of managing
-them?’ ‘Sir,’ replied he, ‘those are the saddest pack of rogues in the
-world; in a hungry fit, they’ll swear they understand all the languages
-in the universe. I have known one of them take down a Greek book upon
-my counter and cry, Ay, this is Hebrew. I must read it from the latter
-end. My God! I can never be sure of those fellows, for I neither
-understand Greek, Latin, French nor Italian myself.’ ‘Pray tell me next
-how you deal with the critics.’ ‘Sir’, said he, ‘nothing more easy.
-I can silence the most formidable of them; the rich ones for a sheet
-a-piece of the blotted manuscript, which costs me nothing; they’ll go
-about to their acquaintance and pretend they had it from the author,
-who submitted to their correction: this has given some of them such
-an air, that in time they come to be consulted with, and dictated to
-as the top critic of the town. As for the poor critics, I’ll give you
-one instance of my management, by which you may guess at the rest. A
-lean man, that looks like a very good scholar, came to me t’other day;
-he turned over your Homer, shook his head, shrugged up his shoulders,
-and pished at every line of it. One would wonder, says he, at the
-strange presumption of some men; Homer is no such easy task, that every
-stripling, every versifier--He was going on, when my wife called to
-dinner. ‘Sir,’ said I, ‘will you please to eat a piece of beef with
-me?’ ‘Mr. Lintot,’ said he, ‘I am sorry you should be at the expense
-of this great book; I am really concerned on your account.’ ‘Sir, I am
-much obliged to you; if you can dine upon a piece of beef, together
-with a slice of pudding.’ ‘Mr. Lintot, I do not say but Mr. Pope, if he
-would condescend to advise with men of learning--’ ‘Sir, the pudding
-is on the table, if you please to go in.’ My critic complies, he comes
-to a taste of your poetry, and tells me in the same breath that the
-book is commendable and the pudding excellent. These, my lord, are a
-few traits by which you may discern the genius of Mr. Lintot, which I
-have chosen for the subject of a letter. I dropt him as soon as I got
-to Oxford.”
-
-Pope’s _Iliad_ took longer in coming out than was expected. Gay writes
-facetiously, “Mr. Pope’s _Homer_ is retarded by the great rains that
-have fallen of late, which causes the sheets to be long a-drying.”
-However, in 1718, the six volumes had been completely delivered to the
-subscribers, and three days afterwards Tonson announced, as a rival,
-the first book of Homer’s _Iliad_, translated by Mr. Tickell. “I send
-the book,” writes Lintot to Pope, “to divert an hour, it is already
-condemned here; and the malice and juggle at Button’s (for Addison had
-assisted Tickell in the attempted rivalry) is the conversation of those
-who have spare moments from politics.”
-
-Lintot intended to reimburse his expenses by a cheap edition, but here
-he was anticipated by the piratical dealers, who caused a cheap edition
-to be published in Holland; a nefarious proceeding that Lintot met by
-bringing out a duodecimo edition at half-a-crown a volume, “finely
-printed from an Elzevir letter.”
-
-The _Odyssey_ was published in 1725, likewise by subscription, and
-Pope gained nearly three thousand pounds by the transaction, avowing,
-however, that he had only “undertaken” the translation, and had been
-assisted by friends; and “undertaker Pope” became a favourite byword
-among his many unfriendly contemporaries. Lintot was, however,
-disappointed with his share of the profits, and, pretending to have
-found something invalid in the agreement, threatened a suit in
-Chancery. Pope denied this, quarrelled, and finally left him, and
-turned his rancour to good account in the pages of the _Dunciad_.
-
-By this time Lintot’s fortunes were firmly assured. Pope was, says Mr.
-Singer, “at first apprehensive that the contract (for the _Iliad_)
-might ruin Lintot, and endeavoured to dissuade him from thinking any
-more of it. The event, however, proved quite the reverse. The success
-of the work was so unparalleled as to at once enrich the bookseller,
-and prove a productive estate to his family,” and he must have
-certainly been progressing when Humphrey Walden, custodian of the Earl
-of Oxford’s heraldic manuscripts, made, in 1726, the following entry
-in his diary: “Young Mr. Lintot, the bookseller, came inquiring after
-_arms_, as belonging to his father, mother and other relations, who
-now, it seems, want to turn gentlefolks. I could find none of their
-names.” “Young Mr. Lintot” was Bernard’s son and successor--Henry.
-
-There was scarcely a writer of eminence in the “Augustan Era,” whose
-name is not to be found in Lintot’s little account book of moneys paid.
-In 1730, however, he appears to have relinquished his business and
-retired to Horsham in Sussex, for which county he was nominated High
-Sheriff, in November, 1735, an honour which he did not live to enjoy,
-and which was consequently transferred to his son. Henry Lintot died in
-1758, leaving £45,000 to his only daughter, Catherine.
-
-Edmund Curll is, perhaps, as a name, better known to casual readers
-than any other bookseller of this period, and it is not a little
-comforting to find that the obloquy with which he has ever been
-associated was richly merited. He was born in the west of England, and
-after passing through several menial capacities, became a bookseller’s
-assistant, and then kept a stall in the purlieus of Covent Garden. The
-year of his birth is unknown, and the writer of a contemporary memoir,
-_The Life and Writings of E. C--l_, who prophesied that “if he go on
-in the paths of glory he has hitherto trod,” his name would appear in
-the _Newgate Calendar_, has unluckily been deceived. He appears to
-have first commenced publishing in the year 1708, and to have combined
-that honourable task with the vending of quack pills and powders for
-the afflicted. The first book he published was _An Explication of
-a Famous Passage in the Dialogue of St. Justin Martyr with Typhon,
-concerning the Immortality of Human Souls_, bearing the date of 1708;
-and, curiously enough, religious books formed in aftertime a very large
-portion of his stock, side by side, of course, with the most filthy and
-ribald works that have ever been issued.
-
-In 1716 began his quarrel with Pope, originating as far as we know
-in the publication of the _Court Poems_, the advertisement of which
-said that the coffee-house critics assigned them either to a Lady
-of Quality, Mr. Gay, or the translator of _Homer_. It is not clear
-now whether Pope was really annoyed by the appearance of the volume,
-or whether he had first secretly promoted it, and then endeavoured
-to divert suspicion. At all events, he had a meeting with Curll at
-the “Swan Tavern,” in Fleet Street, where, writes the bookseller,
-“My brother, Lintot, drank his half-pint of old hock, Mr. Pope his
-half-pint of sack, and I the same quantity of an emetic powder; but
-no threatenings past. Mr. Pope, indeed, said that no satire should
-be printed (tho’ he has now changed his mind). I answered that they
-should not be wrote, for if they were they would be printed.” Curll,
-on entering the tavern, declared he had been poisoned, and for months
-the town was amused with broadsides and pamphlets relative to the
-affair. Pope afterwards published his version of the story in his
-_Miscellanies_; the “Full and True Account” is, however, as gross and
-unquotable as Curll’s own worst publication.
-
-Later on in the same year the bookseller fell into a fresh scrape. A
-Latin discourse had been pronounced at the funeral of Robert South by
-the captain of Westminster School, and Curll, thinking it would be
-readily purchased by the public,
-
- “did th’ oration print,
- Imperfect, with false Latin in’t,”
-
-and thereby aroused the anger of the Westminster scholars, who enticed
-him into Dean’s Yard on the pretence of giving him a more perfect copy;
-there, he met with a college salutation, for he was first presented
-with the ceremony of the blanket, in which, “when the skeleton had
-been well shook, he was carried in triumph to the school, and, after
-receiving a mathematical construction for his false concords, he was
-re-conducted to Dean’s Yard, and on his knees asking pardon of the
-aforesaid Mr. Barber (the captain whose Latin he had murdered) for his
-offence, he was kicked out of the yard, and left to the huzzas of the
-rabble.”
-
-No sooner was Curll out of one scrape than he fell into another; for,
-still in this same year, he was summoned to the bar of the House of
-Lords for printing and publishing a paper entitled _An Account of the
-Trial of the Earl of Winton_, a breach of the standing orders of the
-House. However, having received kneeling a reprimand from the Lord
-Chancellor, he was dismissed upon payment of the fees.
-
-While the authorities were quick enough to punish any violation of
-their own peculiar privileges, they were graciously pleased to wink
-at the perpetual offences Curll was committing against public morals,
-for Curll was a strong politician on the safe party side, and in his
-political publications had in view the interests of the government.
-However, he was attacked on all sides by public opinion and the press.
-_Mist’s Weekly Journal_ for April 5, 1718, contained a very strong
-article on the “Sin of Curllicism.” “There is indeed but one bookseller
-eminent among us for this abomination, and from him the crime takes
-its just denomination of Curllicism. The fellow is a contemptible
-wretch a thousand ways; he is odious in his person, scandalous in his
-fame; ... more beastly, insufferable books have been published by this
-one offender than in thirty years before by all the nation.” Curll,
-“the Dauntless,” did not long remain in silence, and his reply is
-characteristically outspoken, for the writer was never a coward. “Your
-superannuated letter-writer was never more out than when he asserted
-that Curllicism was but of four years’ standing. Poor wretch! he is but
-a novice in chronology;” and then, after threatening the journalist
-with the terrors of an outraged government, he concludes “in the words
-of a late eminent controvertist, the Dean of Chichester.”
-
-Curll was fond of the dignitaries of the Church, and endeavoured
-to play a shrewd trick upon one of them; he sent a copy of Lord
-Rochester’s _Poems_ (certainly not the most innocent book he published)
-to Dr. Robinson, Bishop of London, with a tender of his duty, and a
-request that his lordship would please to revise the interleaved volume
-as he thought fit; but the bishop, not to be caught, “smiled” and said,
-“I am told that Mr. Curll is a shrewd man, and should I revise the book
-you have brought me, he would publish it as approved by me.”[5]
-
-Public dissatisfaction seems to have been expressed more forcibly
-against Curll than heretofore, and to have taken the form of a
-remonstrance to government, for he published _The Humble Representation
-of Edmund Curll, Bookseller and Citizen of London, containing Five
-Books complained of to the Secretary_. As the books were eminently of a
-nature requiring an apology, we cannot do more than give their titles:
-1. _The Translation of Meibomius and Tractatus de Hermaphroditis_; 2.
-_Venus in the Cloister_; 3. _Ebrietatis Encomium_; 4. _Three New Poems,
-viz. Family Duty, The Curious Wife, and Buckingham House_; and 5. _De
-Secretis Mulierum_. At last the government did interfere, as we learn
-from a notice in _Boyer’s Political State_, Nov. 1725:--
-
-“On Nov. 30, 1725, Curll, a bookseller in the Strand, was tried at the
-King’s Bench Bar, Westminster, and convicted of printing and publishing
-several obscene and immodest books, greatly tending to the corruption
-and depravation of manners, particularly one translated from a Latin
-treatise entitled _De Usu Flagrorum in Re Venereâ_; and another from
-a French book called _La Religieuse en Chemise_.” In the indictment
-Curll is thus accurately summed up: _homo iniquus et sceleratus ac
-nequiter machinans et intendens bonos mores subditorum hujus regni
-corrumpere et eos ad nequitiam inducere_; and in the _State Trials_ we
-read the following report of the sentence:--
-
-“This Edmund Curll stood in the pillory at Charing Cross, but was
-not pelted or used ill; for being an artful, cunning (though wicked)
-fellow, he had contrived to have printed papers dispersed all about
-Charing Cross, telling the people how he stood there for vindicating
-the memory of Queen Anne.”
-
-It does, in fact, appear that he received three sentences at once, and
-that not until Feb. 12, 1728. For publishing the _Nun in her Smock_,
-and the treatise _De Usu Flagrorum_, he was sentenced to pay a fine of
-twenty-five marks each, and to enter into recognizances of £100 for
-his good behaviour for one year; but for publishing the _Memoirs of
-John Ker of Kersland, Esq._ (a political offence), he was fined twenty
-marks, and ordered to stand in the pillory for the space of one hour.[6]
-
-In 1729 Curll was again pilloried--this time by Pope in the _Dunciad_,
-in connection with Tonson and Lintot:
-
- “With authors, stationers obey’d the call
- (The field of glory is a field for all);
- Glory and gain th’ industrious tribe provoke,
- And gentle Dulness ever loves a joke;
- A poet’s form she placed before their eyes,
- And bade the nimblest racer seize the prize.
-
- * * * * *
-
- ----Lofty Lintot in the circle rose:
- ‘The Prize is mine, who ‘tempts it are my foes;
- With me began this genius, and shall end.’
- He spoke, and who with Lintot shall contend?
-
- “Fear held them mute. Alone untaught to fear,
- Stood dauntless Curll: ‘Behold that rival here!
- The race by vigour, not by vaunts, is won:
- So take the hindmost, hell,’ he said, ‘and run.’
- Swift as a bard the bailiff leaves behind
- He left huge Lintot, and outstript the wind.
- As when a dab-chick waddles through the copse
- On feet and wings, and flies, and wades, and hops,
- So labouring on with shoulders, hands, and head,
- Wide as a windmill all his figure spread,
- With arms expanded Bernard views his state,
- And left-legged Jacob seems to emulate.”
-
-And finally Curll stumbles into an unsavoury pool:--
-
- “Obscene with filth the miscreant lies bewrayed,
- Fallen in the plash his wickedness had laid;
- Then first (if poets aught of truth declare)
- The caitiff vaticide conceived a prayer.”
-
-In reference to Curll there is a note to this passage, “He carried the
-trade many lengths beyond what it ever before had arrived at; he was
-the envy and admiration of all his profession. He possessed himself
-of a command over all authors whatever; he caused them to write what
-he pleased; they could not call their very names their own. He was
-not only famous among them; he was taken notice of by the state, the
-church, and the law, and received particular marks of distinction from
-each.”
-
-We have no space to discuss the vexed question as to how the letters
-of Pope published by Curll came into his hands--the discussion would
-occupy a volume and remain a moot question after all. But we are
-disposed to believe with Johnson and Disraeli that “being inclined
-to print his own letters, and not knowing how to do so without the
-imputation of vanity, what in this country has been done very rarely,
-he contrives an appearance of compulsion; that when he could complain
-that his letters were surreptitiously published, he might decently
-and defensively publish them himself.” The letters at all events were
-genuine, and Pope in a feigned or real indignation caused Curll to
-be brought for a third time (the second had been for publishing the
-Duke of Buckingham’s words) before the bar of the House of Lords for
-disobeying its standard rules; but on examination the book was not
-found to contain any letters from a _peer_, and Curll was dismissed,
-and boldly continued the publication till five volumes had been issued.
-
-In spite, or perhaps on account of the unblushing effrontery with
-which he run amuck at everything and everybody, Curll was a successful
-man, as his repeated removals to better and better premises plainly
-testifies. Over his best shop in Covent Garden he erected the Bible as
-a sign. He has had many apologists, among others worthy John Nichols,
-as deserving commendation for his industry in preserving our national
-remains, but the scavenger, when he gathers his daily filth, lays
-little claim to doing a meritorious action, he only works unpleasantly
-for his daily bread; and it has been the repeated cry of publishers,
-even in our own times, in reproducing an immoral book, that they were
-wishing only for the preservation of something rare and curious. It
-were not well that any book once written should ever die,--that any one
-link in the vast chain of human thought should ever be irrecoverably
-lost, but the publisher of such a book must, at least, bear the same
-penalty of stigma as the author, for he has not even the author’s
-self-vanity as an excuse, but only the still more wretched plea of
-mercenary motive. We will conclude our notice of Curll by an extract
-from “John Buncle,” by Thomas Amory, who knew him personally and
-well. “Curll was in person very tall and thin--an ungainly, awkward,
-white-faced man. His eyes were a light gray--large, projecting,
-goggle, and purblind. He was splay-footed and baker-kneed.... He was
-a debauchee to the last degree, and so injurious to society, that by
-filling his translations with wretched notes, forged letters, and bad
-pictures, he raised the price of a four-shilling book to ten. Thus, in
-particular, he managed Burnet’s ‘Archæology.’ And when I told him he
-was very culpable in this and other articles he sold, his answer was,
-‘What would I have him do? He was a bookseller;--his translators, in
-pay, lay three in a bed at the Pewter Platter Inn, in Holborn, and he
-and they were for ever at work deceiving the public.’ He, likewise,
-printed the lewdest things. He lost his ears for the ‘Nun in her Smock’
-and another thing. As to drink, he was too fond of money to spend any
-in making himself happy that way; but, at another’s expense, he would
-drink every day till he was quite blind and as incapable of self-motion
-as a block. This was Edmund Curll. But he died at last as great a
-penitent, I think, in the year 1748 (it was 1747), as ever expired. I
-mention this to his honour.”[7]
-
-Thomas Guy, more eminent certainly as a very successful money-maker,
-and a generous benefactor to charitable institutions, than as a
-bookseller, was born in Horsley-down, the son of a coal-heaver and
-lighterman. The year of his birth is uncertain, but in 1660, he
-was bound apprentice to John Clarke, bookseller, in the porch of
-Mercers’ Chapel, and, in 1668, having been admitted a liveryman of the
-Stationers’ Company, he opened a small shop in “Stock Market” (the site
-of the present Mansion House, then a fruit and flower market, where,
-also, offenders against the law were punished) with a stock-in-trade
-worth above £200. From the first, Guy’s chief business seems to have
-been in Bibles, for Maitland, his biographer relates, “The English
-Bibles, printed in this kingdom, being very bad, both in the letter
-and the paper, occasioned divers of the booksellers in this city to
-encourage the printing thereof in Holland, with curious types and
-fine paper, and imported vast numbers of the same to their no small
-advantage. Mr. Guy, soon becoming acquainted with this profitable
-commerce, became a large dealer therein.” As early as Queen Elizabeth’s
-time, the privilege of printing Bibles had been conferred on the
-Queen’s (or King’s) printer, conjointly, of course, with the two
-Universities, and the effect of this prolonged monopoly resulted, not
-only in exorbitant prices, but in great typographical carelessness,
-and, says Thomas Fuller, under the quaint heading of “Fye for Shame,”
-“what is but carelessness in other books is impiety in setting forth
-of the Bible.” Many of the errors were curious;--the printers in
-Charles I.’s reign had been heavily fined for issuing an edition in
-which, the word “not” being omitted, the seventh, commandment had been
-rendered a positive, instead of a negative injunction. The _Spectator_
-wickedly suggests that, judging from the morals of the day, very many
-copies must have got abroad into continuous use. In the Bible of 1653,
-moreover, the printers allowed “know ye not that the _un_righteous
-shall inherit the kingdom of God” to stand uncorrected. However, the
-Universities and the King’s printer still possessed the monopoly, and
-this new trade of good cheap Bibles “proving not only very detrimental
-to the public revenues, but likewise to the King’s printer, all ways
-and means were devised to quash the same, which, being vigorously put
-in execution, the booksellers, by frequent seizures and prosecutions,
-became so great sufferers, that they judged a further pursuit thereof
-inconsistent with their interests.” Defeated in this manner, Guy
-cautiously induced the University of Oxford to contract with him for an
-assignment of their privilege, and not only obtained type from Holland,
-and printed the Bible in London, but was, later on, in 1681, according
-to Dunton, a partner with Parker in printing the Bible, at Oxford
-(Parker could have been no connection of the famous publishing family).
-
-[Illustration: Thomas Guy, founder of Guy’s Hospital. 1644-1724.
-
-(_From the statue by J. Bacon, R.A._)]
-
-[Illustration: Guy’s Hospital.
-
-(_Bird’s-eye view from a Print, 1738._)]
-
-Guy seems to have contracted in his early days very frugal and
-personally pernicious habits. According to Nichols, he is said to have
-dined every day at his counter, “with no other table-cloth than an old
-newspaper,” and if the “Intelligence” or the “Newes” of that period
-really served him for a cloth, the dish that contained his meat must
-have been uncommonly small. “He was also,” it is added, “as little
-nice in his apparel.” It was probably, too, in the commencement of his
-career, that, looking round for a tidy and inexpensive helpmate,
-he asked his servant-maid to become his wife. The girl, of course,
-was delighted, but, alas! presumed too much upon her influence over
-her careful lover; seeing that the paviours who were repairing the
-street, in front of the house (an order was issued, in 1671, to every
-householder to pave the street in front of his dwelling, “for the
-breadth of six feet at least from the foundation”) had neglected a
-broken place, she called their attention to it, but they told her that
-Guy had carefully marked a particular stone, beyond which they were not
-to go. “Well,” said the girl, “do you mend it; tell him I bade you,
-and I know he will not be angry.” When Guy saw the extra charge in the
-bill, however, he at once renounced his matrimonial scheme.
-
-The Bible trade proved prosperous, and Guy, ready for any lucrative and
-safe investment for his money, speculated in Government securities,
-and, according to Nichols and Maitland, acquired the “bulk of his
-fortune” by purchasing seaman’s tickets; but the practice of paying the
-royal sailors by ticket does not seem to have existed later than the
-year 1684; so that if he dealt in them at all it must have been a very
-early period in his career, when it appears unlikely that he would have
-had much spare cash to invest. Maitland adds “_as well as in Government
-securities_, and this was probably the manner in which the ‘bulk of his
-fortune’ was really acquired.”
-
-That his finances were in a healthy condition, is apparent, from his
-appearance in Parliament as member for Tamworth, from 1695 to 1707.
-According to Maitland, “as he was a man of unbounded charity, and
-universal benevolence, so he was likewise a good patron of liberty,
-and the rights of his fellow-subjects; which, to his great honour,
-he strenuously asserted in divers parliaments.” An honourable
-testimony to his character, supported also by Dunton: “Thomas Guy, of
-Lombard-street, makes an eminent figure in the Company of Stationers,
-having been chosen sheriff of London, and paid the fine.... He is a man
-of strong reason, and can talk very much to the purpose on any subject
-you can propose. He is truly charitable.”
-
-Throughout his life, he was very kind to his relatives, lending money
-when needed to help some, and pensioning others. To charities, whose
-purpose was pure benevolence, apart from sectarian motive, his purse
-was ever open, and St. Thomas’s Hospital and the Stationers’ Company
-were largely indebted to his generosity.
-
-In his latter days, Guy was able to multiply his fortune many fold.
-The South Sea Company was a good investment for a wary, cool-headed
-business man, and he became an original holder in the stock. “It no
-sooner received,” says Maitland, “the sanction of Parliament, than the
-national creditors from all parts came crowding to subscribe into the
-said company the several sums due to them from the government, by which
-great run, £100 of the Company’s stock, that before was sold at £120
-(at which time, Mr. Guy was possessed of £45,500 of the said stock)
-gradually arose to above £1,050. Mr. Guy wisely considering that the
-great use of the stock was owing to the iniquitous management of a few,
-prudently began to sell out his stock at about £300 (for that which
-probably at first did not cost him about £50 or £60) and continued
-selling till it arose to about £600 when he disposed of the last of his
-property in the said company,” and then the terrible panic came.
-
-He was between seventy and eighty years of age when he determined to
-devote his fortune to building and endowing a hospital which should
-bear his name, and, dying in 1724, he lived just long enough to see
-the walls roofed in. The cost of building “Guy’s Hospital” amounted to
-£18,793, and he left £219,499 as endowment. At Tamworth, his mother’s
-birthplace, which he represented in Parliament for many years, he
-erected alms-houses and a library. Christ’s Hospital received £400 a
-year for ever, and, after many gifts to public charities, he directed
-that the balance of his fortune, amounting to about £80,000, should
-be divided among all who could prove themselves in any degree related
-to him. Guy’s noble philanthropy would be unequalled in bookselling
-annals, but that Edinburgh, happily boasting of a Donaldson, can rival
-London in the generosity of a bookseller.
-
-We have had occasion to quote several times from “Dunton’s Characters;”
-and, as the author was himself a bookseller, and was, moreover, the
-only contemporary writer who thought it worth his while to preserve any
-continuous record of the bookselling fraternity, we must give him a
-passing notice here. John Dunton, the son of a clergyman, was born in
-1689, and, after passing through a disorderly apprenticeship, commenced
-bookselling “in half a shop, a warehouse, and a fashionable chamber.”
-“Printing,” he says, “was the uppermost in my thoughts, and hackney
-authors began to ply me with specimens as earnestly and with as much
-passion and concern as the waterman do passengers with oars and sculls.”
-
-Having some private capital he went ahead merrily, printing six
-hundred books, of which he repented only of seven, and these he
-recommends all who possess to burn forthwith. Somewhat erratic in his
-habits he went to America to recover a debt of £500, consoling his
-wife, “dear Iris,” through whom he became connected with Wesley’s
-father, by sending her sixty letters in one ship. Here he stayed for
-nearly a twelvemonth, pleasantly viewing the country at his leisure,
-and cultivating a platonic friendship with maids and widows. At his
-return he found his business disordered, and sought to make amends by
-another voyage to Holland. By this time he had pretty nearly dissipated
-his capital, but luckily came “into possession of a considerable
-estate” through the death of a cousin. “The world,” he says, “now
-smiled on me, and I have humble servants enough among the stationers,
-booksellers, printers, and binders.”
-
-Of all his publications, the only one that attained any fame was the
-“Athenian Mercury,” which reached twenty volumes. His three literary
-associates in this work were Samuel Wesley, Richard Sault, and Dr. John
-Norris, and with his aid they resolved all “nice and curious questions
-in prose and verse,” concerning physic, philosophy, love, &c. They were
-afterwards reprinted in four volumes, under the title of the _Athenian
-Oracle_, and form a curious picture of the wants, manners, and opinions
-of the age; but the work is, perhaps, chiefly to be remembered as one
-of the earliest periodicals not professing to contain “news.”
-
-Dunton now, finding that he did not make much money by bookselling in
-London, went over to Dublin for six months with a cargo of books and
-started as auctioneer, naturally falling foul of the Irish booksellers,
-whom he dressed off in a tract entitled “The Dublin Scuffle.” He
-returned to England complacently believing that he had done more
-service to learning by his auctions “than any single man that had come
-into Ireland these hundred years.”
-
-In London, however, he was by this time so involved in commercial
-difficulties, that he was fain to give up bookselling altogether, and
-take to bookmaking instead; and his pen was so indefatigable that he
-soon bid fair to be the author of as many volumes as he had published.
-The book that concerns us most here is the “Life and Errors of John
-Dunton, written by himself in Solitude,” in which is included the
-“Lives and Characters of a Thousand Persons now living in London.” In
-this latter part he was obliged, “out of mere gratitude,” “to draw
-the characters of the most eminent of the profession in the three
-kingdoms;” consequently we find some half-dozen lines of “character”
-given to every bookseller of his time in London, “gratitude” compelling
-him, however, to be almost invariably laudatory; the other parts of the
-“three kingdoms” are thus summarily and easily dealt with, “Of three
-hundred booksellers now trading in country towns, I know not of one
-knave or a blockhead amongst them all.” The book, however rambling and
-incoherent, contains much worth preservation, and is not unpleasant
-desultory reading.
-
-Dunton’s own “character” has been preserved elsewhere than in his _Life
-and Confessions_. Warburton describes him as “an auction bookseller
-and an abusive scribbler;” Disraeli, “as a crack-brain, scribbling
-bookseller, who boasted that he had a thousand projects, fancied he had
-methodised six hundred, and was ruined by the fifty he executed.” His
-greatest project, by the way, was intended “to extirpate lewdness from
-London.” “Armed with a constable’s staff, and accompanied by a clerical
-companion, he sallied forth in the evening, and followed the wretched
-prostitutes home to a tavern, where every effort was used to win the
-erring fair to the paths of virtue; but these he observes were perilous
-adventures, as the cyprians exerted every art to lead him astray in the
-height of his spiritual exhortations.”
-
-There is something so Quixotic about his schemes, so complacent about
-his marvellous self-vanity, that we are really grieved when we find him
-ending his life, as most “projectors” do, with _Dying Groans from the
-Fleet Prison; or, a Last Shift for Life_. Shortly after this, in 1733,
-his teeming brain and his eager pen were at rest for ever.
-
-Another bookseller, also a “man of letters,” but of very different
-calibre from poor John Dunton, must have a niche here, not because he
-was eminent as a publisher, but because he was, taken altogether, the
-most famous man who has ever stood behind a bookseller’s counter. One
-of our greatest novelists, his general life is so well known, that we
-will only treat here of his bookselling career. Samuel Richardson,
-born in 1689, was the son of a joiner in Derbyshire; a quiet shy boy,
-he became the confident and love-letter writer of the girls in his
-neighbourhood, gaining thereby his wonderful knowledge of womankind.
-Fond of books, and longing for opportunities of study, he was, at the
-age of sixteen, apprenticed to John Wilde, of Stationers’ Hall, but
-his master, though styling him the “pillar of his house,” grudged him,
-he says, “every hour that tended not to his profit.” So Richardson
-used to sit up half the night over his books, careful at that time to
-burn only his own candles. On the termination of his apprenticeship,
-he became a journeyman and corrector of the press, and six years later
-commenced business in an obscure court in Fleet-street, where he filled
-up his leisure hours by compiling indices, and writing prefaces and
-what he terms “honest dedications” for the booksellers.
-
-Through his industry and perseverance his business became much
-extended, and he was selected by Wharton to print the _True Briton_;
-but, after the publication of the sixth number, he would not allow his
-name to appear, and consequently escaped the results of the ensuing
-prosecution. Through the friendly interest of Mr. Speaker Onslow he
-printed the first edition of the _Journal of the House of Commons_,
-completed in twenty-six folio volumes, for which, after long and
-vexatious delays, he received upwards of £3000. He also printed from
-1736 to 1737 the _Daily Journal_, and in 1738 the _Daily Gazette_.
-
-In 1740 Mr. Rivington and Mr. Osborne proposed that he should write
-for them a little volume of letters, which resulted in his first novel
-_Pamela_, the publication of which will be treated in our account of
-the Rivingtons. This was followed by _Clarissa_, one of the few books
-from which it is absolutely impossible to steal away, when once the
-dread of its size has been overcome. Though famous now as the first
-great _novelist_ who had written in the English tongue, Richardson was
-not then above his daily work. He writes to his friend Mr. Defreval,
-“You know how my business engages me. You know by what snatches of time
-I write, that I may not neglect that, and that I may preserve that
-independency which is the comfort of my life. I never sought out of
-myself for patrons. My own industry and God’s providence have been my
-sole reliance.” In 1754, he was, to the great honour of the members,
-chosen master of the Stationers’ Company, the only fear of his friends
-being that he would not play the _gourmand_ well. “I cannot,” writes
-Edwards, “but figure to myself the miserable example you will set at
-the head of their loaded tables, unless you have two stout jaw-workers
-for your wardens, and a good hungry court of assistants.”
-
-[Illustration: Samuel Richardson, Bookseller and Novelist. 1689-1761.
-
-(_From a Picture by Chamberlin._)]
-
-The honourable post he occupied shows his position in the trade at this
-time. This was improved in 1760, by the purchase of a moiety of the
-patent of law-printer, which he carried on in partnership with Miss
-Lintot, grand-daughter of Bernard Lintot. He died in the following
-year, leaving funeral-rings to thirty-four of his acquaintances, and
-adding in his will, “Had I given rings to all the ladies who have
-honoured me with their correspondence, and whom I sincerely venerate
-for their amiable qualities, it would, even in this last solemn act,
-appear like ostentation.” It is impossible in treating of Richardson
-not to refer to his vanity; but the love of praise was his only fault,
-and it has grown to us, like the foible of a loved friend, dearer than
-all his virtues. It is not unpleasant to think that the ladies of
-that time, by the way in which they petted, coaxed, and humoured him,
-conferred an innocent pleasure upon the truest of all the delineators
-of their sex, except perhaps Balzac, who, if he knows it better, is
-more unfortunate in his knowledge. With all Richardson’s vanity, he
-drew a portrait of himself that is not far removed from caricature.
-“Short, rather plump than emaciated, notwithstanding his complaints;
-about five feet five inches; fair wig; lightish cloth coat, all black
-besides; one hand generally in his bosom, the other a cane in it,
-which he leans upon under the skirts of his coat usually, that it may
-imperceptibly serve him as a support, when attacked by sudden tremors
-or startlings, and dizziness which too frequently attacks him, but,
-thank God, not so often as formerly; looking directly foreright as
-passers-by would imagine, but observing all that stirs on either side
-of him without moving his short neck; hardly ever turning back; of a
-light brown complexion; teeth not yet failing him; smoothish face and
-ruddy cheeked; at some times looking to be about sixty-five, at other
-times much younger; regular even pace, stealing away ground rather than
-seeming to rid it; a gray eye, too often over-clouded by mistiness from
-the head; by chance lively--very lively it will be, if he have hope of
-seeing a young lady whom he loves and honours; his eye always on the
-ladies; if they have very large hoops, he looks down supercilious, and
-as if he would be thought wise, but, perhaps, the sillier for that; as
-he approaches a lady, his eyes are never set upon her face but upon her
-feet, and thence he raises it pretty quickly for a dull eye; and one
-would think (if one thought him at all worthy of observation) that from
-her air and (the last beheld) her face, he sets her down in his mind as
-so and so, and then passes on to the next object he meets.”
-
-Among other letters to Richardson we come across an affecting one
-from Dr. Johnson: “I am obliged to entreat your assistance, I am under
-arrest for five pounds eighteen shillings.” As round Pope and Dryden
-formerly, so it is now round Johnson that the booksellers of the next
-decade cluster; and from the moment when first he rolled into a London
-bookseller’s shop, his huge unwieldy body clad in coarse country
-garments, worn and travel-stained, his face scarred and seamed with
-small-pox--to ask for literary employment, and to be told he had better
-rather purchase a porter’s knot, the future of the trade was very much
-wrapt up in his own. Forced by hunger to work for the most niggardly
-pay, he was yet not to be insulted with impunity. “Lie there, thou
-lump of lead,” he exclaims as he knocked down Osborne of Gray’s Inn
-Gate, with a folio. “Sir,” he explains to Boswell afterwards, “he was
-impertinent to me, and I beat him.”
-
-[Illustration: Edward Cave, founder of the “Gentleman’s Magazine.”
-1691-1754.]
-
-[Illustration: The King’s Printing House, Blackfriars.
-
-(_From a drawing made about 1750._)]
-
-Among the earliest of Johnson’s employers was Edward Cave. The son
-of a shoemaker at Rugby, he contrived, in spite of the contumely
-excited by his low estate, to pick up much learning at the Grammar
-School, and after narrowly escaping an university training, and for a
-while obtaining his livelihood as clerk to a collector of excise and
-apprentice to a timber merchant, he found more congenial employment
-in a printing office, and conducted a weekly newspaper at Norwich.
-Returning to London, he contrived by multifarious work--correcting for
-the press, contributing to _Mist’s Journal_, writing news letters, and
-filling a situation in the Post Office simultaneously--to save a small
-sum of money sufficient to start a petty printing office at St. John’s
-Gate. He was now able to realize a project he had before offered
-to half the booksellers in London, of establishing the _Gentleman’s
-Magazine_, and to Cave must be conceded the honour of inventing that
-popular species of periodical literature. The first number was printed
-in 1731, and its success induced several rivals to enter the field,
-but only one--_The London Magazine_--and that a joint concern of the
-leading publishers, was at all able to hold any opposition to it; and
-the _London Magazine_ ceased to exist in 1785, while the _Gentleman’s
-Magazine_ has only quite recently displayed a sudden rejuvenation. In
-its early days Johnson was the chief contributor to its pages. He had
-a room set apart for him at St. John’s Gate, where he wrote as fast as
-he could drive his pen, throwing the sheets off, when completed, to the
-“copy” boy. The _Life of Savage_ was written anonymously, in 1744, and
-Mr. Harte spoke in high terms of the book, while dining with Cave. The
-publisher told him afterwards: “Harte, you made a man very happy the
-other day at my house by your praise of _Savage’s Life_.” “How so? none
-were present but you and I.” Cave replied, “You might observe I sent a
-plate of victuals behind the screen; there lurked one whose dress was
-too shabby for him to appear; your praise pleased him much.”
-
-In 1736, Cave began to carry out his scheme of publishing the reports
-of the debates in Parliament in the monthly pages of his magazine. With
-a friend or two he used to lurk about the lobby and gallery, taking sly
-notes in dark corners, remembering what they could of the drift of the
-argument, and then retiring to a neighbouring tavern to compare and
-adjust their notes. This rough material was placed in the hands of an
-experienced writer, and thus dressed up, presented to the readers of
-the magazine. In 1738, the House complained of the breach of privilege
-committed by Cave, and, among other debaters, Sir William Younge
-earnestly implored the House to put a summary check to these reports,
-prophesying that otherwise “you will have the speeches of the House
-every day printed, even during your session, and we shall be looked
-upon as the most contemptible assembly on the face of the earth.”
-After this check some expedient was necessary, and the proceedings in
-Parliament were given as _Debates in the Senate of Great Lilliput_, and
-were entrusted to Johnson’s pen. On one occasion a large company were
-praising a speech of Pitt’s; Johnson sat silent for a while, then said,
-“That speech I wrote in a yard in Exeter Street.” It had been reprinted
-_verbatim_ from the magazine, and had been drawn up entirely from
-rough notes and hints supplied by the messengers. When congratulated
-on his uniform political impartiality, Johnson replied: “That is not
-quite true, sir; I saved appearances well enough, but I took care that
-the Whig dogs should not have the best of it.” Cave’s attention to
-the magazine was unremitting to the day of his death; “he scarce ever
-looked out of the window,” says Johnson, “but for its improvement.”
-
-In 1749, the first popular review was started, by Ralph Griffiths; but
-before the time of the _Monthly Review_ there had been various journals
-professing to deal only with literature. In 1683, had been published
-a _Weekly Memento for the Ingenius, or an Account of Books_, and,
-in 1714, the first really critical journal, under the quaint title,
-_The Waies of Literature_, and these had been succeeded by others.
-Still, the _Monthly Review_ was a very great improvement. Among the
-chief early contributors was Goldsmith, who escaped the miseries of
-ushership, and the weariness of a diplomaless doctor, waiting for
-patients who never came, or, at all events, never paid, to live as a
-hack writer in Griffiths’ house. Here, induced by want, or kindliness
-to a fellow-starver, he got into trouble by borrowing money from his
-master to pay for clothes, and appropriating it to other purposes.
-Termed villain and sharper, and threatened with the Roundhouse, he
-writes: “No, sir; had I been a sharper, had I been possessed of less
-good nature and native generosity, I might surely now have been in
-better circumstances; I am guilty I own of meanness, which poverty
-unavoidably brings with it.”
-
-As to the payment for periodical writing in that day, we are told
-by an author who recollected the _Monthly Review_ for fifty years,
-that in its most palmy days only four guineas a sheet were given to
-the most distinguished writers, and as late as 1783, when it was
-reported that Doctor Shebbeare received as much as six guineas, Johnson
-replied, “Sir, he might get six guineas for a particular sheet, but not
-_communibus sheetibus_;” and yet he afterwards explains the fact of so
-much good writing appearing anonymously, without hope of personal fame,
-“those who write in them write well in order to be paid well.”
-
-Of all the booksellers of the Johnsonian era, Robert Dodsley, however,
-was _facile princeps_. Born in the year 1703, he commenced life as a
-footman, but a poem entitled _The Muse in Livery_, so interested his
-mistress, the Hon. Mrs. Lowther, that she procured its publication
-by subscription. After this he entered the service of Dartineuf, a
-celebrated voluptuary, the reputed son of Charles II., and one of the
-most intimate friends of Pope. Here he wrote a dramatic satire, _The
-Toy Shop_, with which Pope was so pleased, that he interested himself
-in procuring its acceptance at Covent Garden. The piece was successful,
-and Pope, adding a substantial present on his own account of one
-hundred pounds, Dodsley was enabled to open a small bookseller’s shop
-in Pall Mall, then far from enjoying its present fashionable repute.
-In this new situation, without any apprenticeship whatever, he soon
-attracted the attention not only of celebrated literary men, but his
-shop became a favourite lounge for noble and wealthy _dilettanti_.
-In 1738, began his first acquaintance with Johnson, who offered him
-the manuscript of _London, a Satire_. “Paul Whitehead had a little
-before got ten guineas for a poem, and I would not take less than Paul
-Whitehead,” and without any haggling, the bargain was concluded. Busy
-as he soon began to be in his shop, Dodsley did not neglect original
-composition. He produced several successful farces, and in 1744,
-edited and published the work by which his name is best known now, _A
-Collection of Plays by Old Authors_, which did much to revive the study
-of Elizabethan literature, and was most fruitful in its influence on
-later generations.
-
-In about the following year Dodsley proposed to Johnson that he should
-write a dictionary of the English language, and after some hesitation
-on the author’s part, the proposal was accepted. The dictionary was
-to be the joint property--as was then beginning to be the case with
-all works of importance--of several booksellers, viz.: Robert Dodsley,
-Charles Hitch, Andrew Millar, Messrs. Longman, and Messrs. Knapton; the
-management of it during publication being confided to Andrew Millar.
-The work took eight years, instead of the three on which Johnson
-had calculated, of very severe study and labour, and the £1575 which
-was then considered a very handsome _honorarium_, was all drawn out
-in drafts, for at the dinner given in honour of the completion of
-the great work, when the receipts were produced it was found that he
-had nothing more to receive. Johnson, after sending his last “copy”
-to Millar, inquired of the messenger what the bookseller said. “He
-said, ‘Thank God I have done with him.’” “I am glad,” said the Doctor
-smiling, “that he thanks God for anything.”
-
-Andrew Millar was by this time the proprietor of Tonson’s shop in
-Fleet Street, and was a man of great enterprise. He was the publisher,
-among other authors, of Thomson, Fielding, and Hume, and Johnson
-invariably speaks well of him. “I respect Millar, sir; he has raised
-the price of literature:” “and,” writes John Nichols, “Jacob Tonson and
-Andrew Millar were the best _patrons_ of literature, a fact rendered
-unquestionable by the valuable works produced under their fostering
-and genial hands.” Literature now was rapidly changing its condition.
-Johnson had discovered that the subscription system was essentially a
-rotten one, and that the real reading public, the author’s legitimate
-patrons, were reached of course through the medium of the booksellers:
-“He that asks for subscriptions soon finds that he has enemies. All
-who do not encourage him defame him:” and then again--“Now learning
-is a trade; a man goes to a bookseller and gets what he can. We have
-done with patronage. In the infancy of learning we find some great men
-praised for it. This diffused it among others. When it becomes general
-an author leaves the great and applies to the multitude.” As to what
-the booksellers of the eighteenth century were, and as to how they
-compare with the publishers of the nineteenth century, we will quote
-from an unedited letter of Mr. Thomas Carlyle, dated 3rd May, 1852,
-addressed to Mr. John Chapman, bookseller (Emerson’s first English
-publisher, we believe), now Dr. Chapman:--
-
-“The duties of society towards literature in this new condition of
-the world are becoming great, vital, inextricably intricate, little
-capable of being done or understood at present, yet all important to
-be understood and done if society will continue to exist along with
-it, or it along with society. For the highest provinces of spiritual
-culture and most sacred interests of men down to the lowest economic
-and ephemeral concerns, where ‘free press’ rules supreme, society was
-itself with all its sovereignties and parliaments depending on the
-thing it calls literature; and bound by incalculable penalties in many
-duties in regard to that. Of which duties I perceive finance alone,
-and free trade alone will by no means be found to be the sum....
-What alone concerns us here is to remark that the present system of
-book-publishing discharges none of these duties--less and less makes
-even the appearance of discharging them--and, indeed, as I believe,
-is, by the nature of the case, incapable of ever, in any perceptible
-degree, discharging any of them in the times that now are. A century
-ago, there was in the bookselling guild if never any royalty of
-spirit, as how could such a thing be looked for there? yet a spirit
-of merchanthood, which had its value in regard to the prosaic parts
-of literature, and is even to be thankfully remembered. By this solid
-merchant spirit, if we take the victualling and furnishing of such an
-enterprise as Samuel Johnson’s _English Dictionary_ for its highest
-feat (as perhaps we justly may); and many a _Petitor’s Memories_,
-_Encyclopædia Britannica_, &c., in this country and others, for its
-lower, we must gratefully admit the real usefulness, respectability,
-and merit to the world. But in later times owing to many causes, which
-have been active, not on the book guild alone, such spirit has long
-been diminished, and has now ‘as good as disappeared without hope of
-reinstation in this quarter.’”
-
-To return to Dodsley, we find that in 1753 he commenced the _World_, a
-weekly essay ridiculing “with novelty and good humour, the fashions,
-follies, vices, and absurdities of that part of the human species
-which calls itself the World”. Three guineas was allowed as literary
-remuneration for each number, but Moore, the editor, a receiver
-of this allowance, obtained much gratuitous assistance from Lord
-Chesterfield, Horace Walpole, and other men of wit and fashion. Another
-periodical, but a bi-weekly, the _Rambler_, all the work of Samuel
-Johnson, appeared without intermission for the space of two years,
-and in its gravity, its high morality, and its sententious language
-presents a curious contrast to its livelier companion. Dodsley, after
-having published Burke’s earliest productions, entrusted to his care
-the management of a very important venture, the _Annual Register_,
-which was to carry Dodsley’s name up to our own times. In the same
-year, 1758, his last play _Cleone_, in which he ventured to rise to
-tragedy, after having been declined by Garrick was acted at Covent
-Garden amidst the greatest applause, and for a number of nights, that,
-in those times, constituted a wonderful “run.” And the author, fond
-to distraction of his last child, “went every night to the stage side
-and cried at the distress of poor Cleone;” yet when it was reported
-that Johnson had remarked that if Otway had written it, no other of his
-pieces would have been remembered, Dodsley had the good sense to say
-“it was too much.”
-
-A long and prosperous career enabled Dodsley to retire some years
-before his death, which occurred at Durham, in 1764.
-
-Thomas Cadell, who had served his apprenticeship to Andrew Millar, was
-now taken into partnership, and in a few years he and the Strahans
-quite filled the place that Dodsley and Millar had previously occupied.
-Together they became the proprietors of the copyright of works by the
-great historical and philosophical writers who shed a lustre round
-the close of the eighteenth century, and among their clients we find
-the names of Robertson, Gibbon, Adam Smith and Blackstone. For the
-_History of Charles V._ Robertson received £4500, then supposed to be
-the largest sum ever paid for the copyright of a single work, and out
-of Gibbon’s _Decline and Fall of the Roman Empire_ the booksellers are
-said to have cleared £60,000. Cadell retired with an enormous fortune,
-and was honoured by being elected Sheriff of London at a very critical
-and important time. Alexander Strahan, became King’s printer, and left
-a fortune of upwards of a million. His business was eventually carried
-on by the Spottiswoodes.
-
-[Illustration: Thomas Cadell.
-
-1742-1802.]
-
-The practice, we have already referred to, of booksellers fraternising
-pleasantly together for the purpose of bringing out expensive editions
-at a lessened risk, led to many famous associations, the earliest
-of which, the “Congers,” will be dealt with hereafter in connection
-with the history of families still represented in the trade, but the
-“Chapter Coffee House” is too important to be passed over altogether.
-
-There is an amusing account of the Chapter Coffee House in the first
-number of the _Connoisseur_. It “is frequented by those encouragers of
-learning, the booksellers.... Their criticisms are somewhat singular.
-When they say a good book, they do not mean to praise the style or
-sentiment, but the quick and extensive sale of it.... A few nights ago
-I saw one of these gentlemen take up a sermon, and after seeming to
-peruse it for some time, with great attention, he declared it was ‘very
-good English.’ The reader will judge whether I was most surprised or
-diverted, when I discovered that he was not commending the purity or
-elegance of the diction, but the beauty of the type, which, it seems,
-is known among the printers by that appellation.... The character of
-the bookseller is generally formed on the writers in his service. Thus
-one is a politician or a deist; another affects humour, or aims at
-turns of wit or repartee; while a third perhaps is grave, moral, and
-sententious.”
-
-In this Coffee House the associated booksellers met to talk over their
-plans, and many a germ of most valuable projects was originated here;
-the books so published coming in time to be called “Chapter Books.”
-Among the chief members of the association were John Rivington, John
-Murray, and Thomas Longman, James Dodson, Alderman Cadell, Tom Davies,
-Robert Baldwin (whose name, if not family, figured in bookselling
-annals for a century and a half), Peter Elmsley, and Joseph Johnson.
-Johnson was Cowper’s publisher; the first volumes of the poems fell
-dead, and he begged the author to think nothing further of the loss,
-which they had agreed to share. In gratitude Cowper sent him the _Task_
-as a present; it was a wonderful success, and altogether Johnson is
-said to have made £10,000 out of Cowper’s poems. He assisted in the
-publication of the _Homer_ without any compensation at all. The most
-important “Chapter books” were Johnson’s _English Poets_, including his
-_Lives of the English Poets_, for which latter he received two hundred
-guineas, and a present of another hundred, and, on their re-publication
-in a separate edition, a fourth hundred. “Sir,” observed the Doctor to
-a friend, “I have always said the booksellers were a generous set of
-men. Nor in the present instance have I reason to complain. The fact
-is, not that they paid me too little, but that I have written too much.”
-
-Of course when the booksellers met, the literary men were not far
-absent. “I am quite familiar” (writes poor Chatterton in his sad,
-boastful letters, meant to cheer up the hearts of the dear ones at
-home, while his own heart was breaking in London) “at the Chapter
-Coffee House, and know all the geniuses there. A character is now quite
-unnecessary; an author carries his character in his pen.”
-
-Later on, the Chapter Coffee House became the place of call for poor
-parsons, who stood there ready for hire, on Sunday mornings, at sums
-varying from five shillings to a guinea. Sermons, too, were kept in
-stock here for purchase, or could be written, there and then, to order.
-
-At the very close of the last century a fresh band of “Associated
-Booksellers” was formed, consisting of the following: Thomas Hood
-(father of the poet), John Cuthel, James Nunn, J. Lea, Lackington,
-Allen and Co., and others. The vignette which ornamented their books
-was a Beehive, with the inscription of “Associated,” and thus they got
-the title of the “Associated Busy Bees.”
-
-Two of the principal booksellers towards the end of the last century,
-require, from the magnitude of their business, a somewhat lengthier
-notice.
-
-George Robinson, born at Dalston near Carlisle, received his business
-training under John Rivington. In 1764 he started as a wholesale
-bookseller in Paternoster Row, and, by 1780, he could boast of the
-largest wholesale trade in London. Nor were the higher branches of his
-calling neglected, and in the purchase of copyrights he rivalled the
-oldest established firms. Among his publications we may mention the
-_Critical Review_, the _Town and Country Magazine_, and the _New Annual
-Register_; the _Modern Universal History_ (in sixty volumes), the
-_Biographica Britannica_, and Russell’s _Ancient and Modern Europe_;
-_Bruce’s Travels_ and the _Travels of Anacharsis_; the illustrated
-works of Hogarth, Bewick, and Heath; and the lighter productions of
-Macklin, Murphy, Godwin, Mrs. Inchbald, Mrs. Radcliffe, Dr. Moore, and
-Dr. Wolcot.
-
-For the _Mysteries of Udolpho_ Mrs. Radcliffe received five hundred
-guineas, the largest sum that had at that time been given for a
-novel, and Peter Pindar (Dr. Wolcot) made a still better bargain for
-his poems. They had already acquired a prodigious popularity, and in
-selling the copyright a question arose, as to whether they should be
-purchased for a lump sum or an annuity. While the treaty was pending
-Wolcot was seized with a violent and rather ostentatious attack of
-asthma, which sadly interrupted him in discussing the arrangements, and
-he was eagerly offered an annuity of £250. The arrangement was made by
-Walker, a partner with Robinson in this transaction. Walker soon called
-to inquire after his friend’s illness, “Thank you, much better,” said
-Wolcot, “I have taken measure of my asthma, the fellow is troublesome,
-but I know his strength and am his master.” Walker’s face grew longer,
-and when he rejoined his wife in the next room, the doctor heard a
-shrill, feminine expostulation, “There, you’ve done it, I told you he
-wouldn’t die!” He outlived all the parties concerned, and was in his
-own case, perhaps, scarcely justified in originating the famous saying,
-“that publishers quaff champagne out of the skulls of authors.”
-
-This over-eager parsimony was not in any way due to Robinson; his
-generosity to his authors was well known, and his house became a
-general rendezvous for the literary men of the day, who were heartily
-welcome whenever they chose to turn up, provided always that they did
-not come late for dinner. After Robinson’s death in 1801, his son and
-brother carried on the business, but met with reverses, principally
-through loss of stock at a fire; but the wonderful prices that were
-realized at the auction, consequent on their declared bankruptcy,
-fairly set them afloat again. One bookseller, alone, is said to
-have invested £40,000 at the sale, and even the copyright of Vyse’s
-_Shilling Spelling Book_ was sold for £2,500, with an annuity of fifty
-guineas a year to the old schoolmaster Vyse.
-
-James Lackington, in his _Memoirs and Confessions_ has left plenty of
-material, had we space, for an amusing and instructive biography. He
-was born at Wellington in 1746, and his father, a drunken cobbler,
-would not even pay the requisite twopence a week for his son’s
-education. Loafing about the streets all day as a child, he thought he
-might turn his wanderings to account by crying pies, and as a pie-boy
-he acquired such a pre-eminence that he was soon engaged to vend
-almanacs. At fourteen he left this vagrant life to be apprenticed to a
-shoemaker, and his master’s family becoming strong adherents to the new
-sect of Methodists, he too was converted, and would trudge, he says,
-through frost and snow at midnight to hear “an inspired husbandman,
-shoemaker, blacksmith, or a woolcomber” preach to ten or a dozen
-people, when he might have quietly stopped at home to listen to “the
-sensible and learned ministers at Taunton.”
-
-However, what he heard “made me think they knew many matters of which I
-was totally ignorant,” and he set to work arduously at night to learn
-his letters, and when he was able to read, he bought Hobbe’s _Homer_ at
-a bookstall, and found that his letters did but little in assisting his
-comprehension; however, in his zeal for knowledge he allowed himself
-“but three hours’ sleep in the twenty-four.” The art of writing was
-acquired in a similar manner, and then he started on a working tour,
-making shoes on the road for sustenance, but suffering many hardships
-and miseries. To make matters worse, at Bristol he married a young
-girl of his own class, whose ill-health, though he was passionately
-fond of her, added no little to his troubles. Accordingly he went
-to London, that for her sake he might earn higher wages, and not
-altogether unhopeful of the fortunes he had heard were to be gained
-there by dogged hard work and endurance. They arrived with the typical
-half-crown in their pockets, and then Lackington, anxious to obtain
-the small legacy of £10 he had left at home, went for it personally;
-“it being such a prodigious sum that the greatest caution was used
-on both sides, so that it cost me about half the money in going down
-for it, and in returning to town again.” After working some time as a
-journeyman bookseller he opened a little cobbler’s shop; and, thinking
-he knew as much about books as the keeper of an old bookstall in the
-neighbourhood, wishing also to have opportunity for study, he invested
-a guinea in a bagful of old books. To increase his stock he borrowed £5
-from a fund “Mr. Wesley’s people kept to lend out, for three months,
-without interest, to such of their society whose characters were good,
-and who wanted a temporary relief.... In our new situation we lived in
-a very frugal manner, often dining on potatoes and quenching our thirst
-with water; being absolutely determined, if possible, to make some
-provision for such dismal times as sickness, shortness of work, &c.,
-which we had frequently been involved in before, and could scarcely
-help expecting not to be our fate again.” He soon found customers,
-and “as ‘soon laid out the money’ in other old trash which was daily
-brought for sale.”
-
-[Illustration: James Lackington, Bookseller.
-
-1746-1816.]
-
-In a short time he had realized £25, and was able to take a book-shop
-in Chiswell Street; and here he almost immediately lost his wife, which
-for a time involved him in the deepest distress, but in the following
-year he married again, and then resolved to quit his Wesleyan friends,
-a sect he thought incompatible with the dignity of a bookseller;
-indeed “Mr. Wesley often told his society in Broadment, Bristol, in
-my hearing, that he could never keep a bookseller six months in his
-flock.” From this time success uniformly attended his undertakings,
-and was due, he says, primarily to his invariable principle of selling
-at very low figures and only for ready-money. When he began to attend
-the trade sales he created consternation among his brethren. “I was
-very much surprised to learn that it was common for such as purchased
-remainders to destroy or burn one-half or three-fourths of such books,
-and to charge the full publication price, or nearly that, for such as
-they kept on hand.” With this rule he complied for a short time; but
-afterwards resolved to keep the whole stock. The trade endeavoured to
-hinder his appearance at the sale-rooms, but in time they were forced
-to yield, and he continued to sell off remainders at half or a quarter
-the published price.[8] “By selling them in this cheap manner, I have
-disposed of many hundred thousand volumes, many thousand of which
-have been intrinsically worth their original prices.” Such a method
-attracted a crowd of customers, and he soon began to buy manuscripts
-from authors. As to how his circumstances were improving we read, “I
-discovered that lodgings in the country were very healthy. The year
-after, my country lodging was transformed into a country house, and in
-another year the inconveniences attending a stage coach were remedied
-by a chariot,” on the doors of which “I have put a motto to remind me
-to what I am indebted to my prosperity, viz.:--Small Profits do Great
-Things.” Again, he was very fond of repeating, “I found all I possess
-in small _profits_, bound by _industry_ and clasped with _economy_.”
-
-The shop in Chiswell Street was now changed into a huge building at the
-corner of Finsbury Square, grandly styled the “Temple of the Muses;”
-above it floated a flag, over the door was the inscription “Cheapest
-bookshop in the world,” and inside appeared the notice that “the lowest
-price is marked on every Book, and no abatement made on any article.”
-“Half-a-million of volumes” were said, according to his catalogue,
-“to be constantly on sale,” and these were arranged in galleries and
-rooms, rising in tiers--the more expensive books at the bottom, and
-the prices diminishing with every floor, but all numbered according to
-a catalogue, which Lackington compiled himself, and even the first he
-issued contained 12,000 volumes. During his first year at the “Temple
-of the Muses” he cleared £5000. In 1798, he was able to retire with
-a large fortune, and he again joined the Methodists, building and
-endowing three chapels for them, in contrition for having maligned them
-in his rambling _Memoirs_. Latterly he was fond of travelling, and made
-a tour of bookselling inspection through England and Scotland, seeing
-discouraging signs in every town but Edinburgh, “where indeed a few
-capital articles are kept.” “At York and Leeds there were a few (and
-but very few) good books; but in all the other towns between London and
-Edinburgh nothing but trash was to be found.” In Scotland, he looked
-forward with great curiosity to seeing the women washing soiled linen
-in the rivers, standing bare-legged the while, and indeed this incident
-seems to have afforded him more gratification than any in his travels
-except the following: “In Bristol, Uxbridge, Bridgewater, Taunton,
-Wellington, and other places, I amused myself in calling on some of
-my masters, with whom I had, about twenty years before, worked as a
-journeyman shoemaker. I addressed each with ‘Pray, sir, have you got
-any occasion?’ which is the term made use of by journeymen in that
-useful occupation, when seeking employment. Most of these honest men
-had quite forgotten my person, as many of them had not seen me since I
-worked for them; so that it is not easy for you to conceive with what
-surprize and astonishment they gazed on me. For you must know that I
-had the vanity (I call it humour) to do this in my chariot, attended
-by my servants; and on telling them who I was all appeared to be very
-happy to see me.”
-
-James Lackington died in his country house in Budleigh Lutterton, in
-Devonshire, in 1815. His life is an eminent example how a man of no
-attainments or advantages can conquer success by sheer hard work and
-perseverance.
-
-Lackington was not the only man of his time who perceived that the
-conditions of literature were displaying at least a chance of change;
-that the circle of the book-buying public was incessantly enlarging,
-and that, by supplying the best books at the cheapest remunerative
-rates, not only would the progress of education be accelerated, but
-that the very speculation would bring fortune as well as honour to
-the innovators in the Trade. One of the first booksellers to adopt
-this principle was John Bell, whose name is still preserved in
-_Bell’s Weekly Messenger_. His _British Poets_, _British Theatre_ and
-_Shakespeare_, published in small pocket volumes, carried consternation
-into the trade, but scattered the English classics broadcast among
-the people. He was the first to discard the long s. He was soon
-rivalled by Cook and Harrison, and all three were distinguished, not
-only by publishing in little pocket volumes, exquisitely printed, and
-embellished by the best artists for the many, what had before been
-produced in folios and quartos for the few, but as the inventors of the
-“number trade,” by which even expensive works were sold in small weekly
-portions to those to whom literature had hitherto been an unknown
-luxury. Such were the _Lives of Christ_, _The Histories of England_,
-_Foxe’s Book of Martyrs_, _Family Bibles with Notes_, and _The Works
-of Flavius Josephus_. Many of these “number books,” though of no
-great literary merit, exhibited every possible attraction on their
-copious title-pages, and were announced with the then novel terms of
-“beautiful,” “elegant,” “superb,” and “magnificent.”
-
-[Illustration: Andrew Donaldson.
-
-(_From an Etching by Kay. 1789._)]
-
-[Illustration: Stationers’ Hall, near Paternoster Row.
-
-(_From an Etching by R. Cole. 1750._)]
-
-But the pioneer to whom the cheap book-buying public is most indebted
-was Alexander Donaldson, who, though an Edinburgh man, fought out his
-chief battles among his London brethren. Donaldson’s contemporaries in
-Edinburgh in the middle of the eighteenth century were Bell, Ellis,
-and Creech, the only bookseller worth recording before that date being
-Alexander Ramsay, the poet. Donaldson having struck out the idea of
-publishing cheap reprints of popular works, extended his business by
-starting a bookshop in the Strand, London--a step that brought him into
-collision with the London publishers--and authors, for Johnson calls
-him “a fellow who takes advantage of the state of the law to injure
-his brethren ... and supposing he did reduce the price of books is no
-better than Robin Hood who robbed the rich in order to give to the
-poor.” In 1771, Donaldson reprinted Thomson’s _Seasons_, and an action
-at law was brought against him by certain booksellers. He proved that
-the work in question had first been printed in 1729, that its author
-died in 1748, and that the copyright consequently expired in 1757; and
-the Lords decided in his favour, thereby settling finally the vulgar
-and traditional theory that copyright was the interminable possession
-of the purchaser. To follow this interesting question for a moment. In
-Anne’s reign it was decided that copyright was to last for fourteen
-years, with an additional term of fourteen years, provided that the
-author was alive at the expiry of the first. In 1773-4, following upon
-Donaldson’s prosecution, a bill to render copyright perpetual passed
-through the Commons, but was thrown out in the Lords, and in 1814 the
-term of fourteen years and a conditional fourteen was extended to
-a definite and invariable period of twenty-eight years. Finally in
-1842, the present law was passed, by which the term was prolonged to
-forty-two years, but the copyright was not to expire in any case before
-seven years after the author’s death.
-
-Donaldson left a very large fortune, which was greatly augmented by his
-son, who bequeathed the total amount, a quarter of a million, to found
-an educational hospital for poor children in Edinburgh, under the title
-of “Donaldson’s Hospital.”
-
-During the period under review the localities affected by the
-bookselling and publishing trade had greatly changed and altered. The
-stalls of the “Chap. Book” venders had disappeared from London Bridge
-and the Exchange, and even Little Britain had been entirely vacated.
-Little Britain, from the time of the first Charles to Mary and
-William, was as famous for books as Paternoster Row afterwards became.
-But, even in 1731, a writer in the _Gentleman’s Magazine_ says, “The
-race of booksellers in Little Britain is now almost extinct; honest
-Ballard, well known for his curious divinity catalogues (he was said
-to have been the first to print a catalogue), being then the only
-genuine representative ... it was, in the middle of the last century, a
-plentiful and learned emporium of learned authors, and men went thither
-as to a market. This drew to the place a mighty trade, the rather
-because the shops were spacious and the learned gladly resorted to
-them, where they seldom failed to meet with agreeable conversations.”
-The son of this Ballard died in 1796, and was by far the best of the
-Little Britain booksellers. When the “trade” deserted Little Britain,
-about the reign of Queen Anne, they took up their abode in Paternoster
-Row, then principally in the hands of mercers, haberdashers, and
-lace-men--a periodical in 1705 mentioning even the “semptresses of
-Paternoster Row;” for the old manuscript venders, who had christened
-the whole neighbourhood, had died out centuries before. It now became
-the headquarters of publishers and more especially of old booksellers,
-but with the introduction of magazines and “copy” books, that latter
-portion of the trade migrated elsewhere, and the street assumed its
-present appearance of wholesale warehouses, and general and periodical
-publishing houses. It was not long indeed before the tide of fashion
-carried many of the eminent firms westward, and the movement in that
-direction is still apparent.
-
-
-
-
-[Illustration]
-
-
-
-
-_THE LONGMAN FAMILY._
-
-CLASSICAL AND EDUCATIONAL LITERATURE.
-
-
-The family of Longman can trace a publishing pedigree back to a date
-anterior to that of any other house still represented amongst us--the
-Rivingtons only excepted. As in the previous chapter, we shall select
-one member--necessarily that one to whom most public interest is
-attached--as the typical representative of the firm, touching lightly,
-however, upon all. And, in accordance with the scheme of the present
-volume, our remarks will primarily be devoted to a narrative of their
-business connections with that branch of literature--classical and
-educational works--with which the name of Longman is more immediately
-associated.
-
-For the whole of the seventeenth century the Longman family occupied
-the position of thriving citizens in the busy seaport town of Bristol,
-then the Liverpool of the day, and acquired some considerable wealth
-in the manufacture of soap and sugar, achieving in many instances the
-highest honours in civic authority. Ezekiel Longman, who is described
-as “of Bristol, gentleman,” died in the year 1708, leaving, by a second
-marriage, a little boy only nine years of age, who, as Thomas Longman,
-is afterwards to be the founder of the great Paternoster Row firm.
-
-By a provision of his father’s will, Thomas was to be “well and
-handsomely bred and educated according to his fortune;” this, we
-presume, was duly accomplished, and in June, 1716, we find that he was
-bound apprentice for seven years to Mr. John Osborn, bookseller, of
-Lombard Street, London--a man in a good, substantial way of business,
-but not to be confused with the other Osbornes of the time. Unlike
-Jacob, Longman served his seven years, and reaped a due reward in the
-person of his master’s daughter; and, as at the expiry of his time, the
-house of William Taylor (known to fame as the publisher of _Robinson
-Crusoe_) had lost its chief, Osborn being appointed executor for the
-family, we find that in August, 1824 “all the household goods and books
-bound in sheets” according to valuation were purchased by Longman for
-£2,282 9_s._ 6_d._--a very considerable sum in those days, and, towards
-the end of the month, £230 18_s._ was further paid for part shares in
-several profitable copyrights.
-
-In acquiring this business Longman took possession of two houses, both
-ancient in the trade, the _Black Swan_ and the _Ship_, which, through
-the profitable returns of _Robinson Crusoe_, Taylor had amalgamated
-into one; and here on the self-same freehold ground, the immense
-publishing establishment of the modern Longmans is still standing.
-
-The first trade mention we find of his name occurs in a prospectus
-dated Oct., 1724, of a proposal to publish, by subscription, _The Works
-of the Honourable Robert Boyle, Esq._ (the father of chemistry, and
-brother of the Earl of Cork), “to be printed for W. and J. Innes, at
-the West End of St. Paul’s Churchyard, J. Osborn, at the _Oxford Arms_,
-in Lombard Street, and T. Longman, at the _Ship_ and _Black Swan_,
-in Paternoster Row.” In a few months after this Osborn followed his
-daughter to the Row, and, adding his capital to that of his son-in-law,
-remained in partnership with him until the end of his days.
-
-In 1726, we find their names conjointly prefixed to the first edition
-of Sherlock’s _Voyages_, and between that date and 1730 to a great
-variety of school books.
-
-All the works of importance, many even of the minor books, were, at
-that time, published not only by subscription in the first instance,
-but the remaining risk, and the trouble of a pretty certain venture,
-were divided amongst a number of booksellers: and the share system was
-so general that in the books of the Stationers’ Company there is a
-column ruled off, before the entries of the titles of works and marked
-“Shares,” and subdivided into halves, eight-twelfths, sixteenths,
-twenty-fourths, and even sixty-fourths. Much of the speculative portion
-of a bookseller’s business in those days consisted, therefore, not in
-the original publication of books, but in the purchase and sale of
-their shares, and to this business we find that Thomas Longman was
-especially addicted. As early as November, 1724, he bought one-third of
-the _Delphin Virgil_ from Jacob Tonson, junior; in 1728 a twentieth of
-Ainsworth’s _Latin Dictionary_, one of the most profitable books of the
-last century, for forty pounds, and, much later on, one-fourth part of
-the _Arabian Nights’ Entertainment_ for the small sum of twelve pounds.
-
-The chief interest of the career of the house at this period lies in
-their connection with the _Cyclopædia_ of Ephraim Chambers, which was
-not only the parent of all our English encyclopædias, but also the
-direct cause of the famous _Encyclopédie_ of the French philosophers.
-Longman’s share in this work, first published in 1728, cost but fifty
-pounds, and consisted, probably, only of one sixty-fourth portion; as,
-however, the proprietors died off, Longman steadily purchased all the
-shares that were thrown on the book-market, until, in the year 1740,
-the Stationers’ book assigns him eleven out of the sixty-four--a larger
-number than was ever held by any other proprietor.
-
-One of the few direct allusions to Longman’s personal character relates
-to his kindness to Ephraim Chambers. A contemporary writes in the
-_Gentleman’s Magazine_:--“Mr. Longman used him with the liberality of
-a prince, and the kindness of a father; even his natural absence of
-mind was consulted, and during his illness jellies and other proper
-refreshments were industriously left for him at those places where
-it was least likely that he should avoid seeing them.” Chambers had
-received £500 over and above the stipulated price for this great work,
-and towards the latter end of his life was never absolutely in want of
-money; yet from forgetfulness, perhaps from custom, he was parsimonious
-in the extreme. A friend called one day at his chambers in Gray’s Inn,
-and was pressed to stay dinner. “And what will you give me, Ephraim?”
-asked the guest; “I dare engage you have nothing for dinner!” To which
-Mr. Chambers calmly replied, “Yes, I have a fritter, and if you’ll stay
-with me I’ll have two.”
-
-After the death of his partner and father-in-law, who bequeathed him
-all his books and property, Thomas Longman seems to have prospered
-amazingly. In 1746 he took into partnership one Thomas Shenrell; but,
-except for the fact that this name figures in conjunction with his
-for the two following years, then to disappear for ever, little more
-is known. In 1754, however, he took a nephew into partnership, after
-which the title-pages of their works ran:--“Printed for T. and T.
-Longman at the _Ship_ in Pater-Noster-Row.” Before this, however, he
-is to be found acting in unison with Dodsley, Millar, and other great
-publishers of the day, in the issue of such important works as Dr.
-Samuel Johnson’s _Dictionary of the English Language_. On the 10th of
-June, 1855, only _two_ months after the publication of the dictionary,
-he died, and Johnson is obliged to put off his well-earned holiday-trip
-to Oxford. “Since my promise two of our partners are dead (Paul
-Knapton was the second) and I was solicited to suspend my excursion
-till we could recover from our confusion. Thomas Longman the first had
-no children, and left half the partnership stock to his nephew and
-namesake, the rest of the property going to his widow.”
-
-Thomas Longman, the nephew, was born in 1731, and, at the age of
-fifteen, entered the publishing firm as an apprentice, and at the date
-of his uncle’s death was only five-and-twenty.
-
-Under his management the old traditions were kept up--more copyrights
-of standard books were purchased, the country trade extended, and
-more than this the business relations of the house were very vastly
-increased in the American colonies. One of Osborn’s earliest books,
-by-the-way, had been entered at Stationers’ Hall in 1712 as _Psalms,
-Hymns, and Spiritual Songs of the Old and New Testament. For the
-edification and comfort of the Saints in Public and Private, more
-especially in New England_. The nephew probably followed up the
-colonial trade of his uncle and master, for at the first commencement
-of hostilities in that country he had a very large sum engaged in that
-particular business, and, to the honour of the succeeding colonists,
-several of his correspondents behaved very handsomely in liquidating
-their debts in full, even subsequent to amicable arrangements and to
-the peace of 1783.
-
-As in the case of the founder of the house, the folio _Cyclopædia_,
-still the only one in the field, occupied the chief attention of
-the firm. Already in 1746 it had reached a fifth edition; “and
-whilst,” adds Alexander Chalmers, “a sixth edition was in question
-the proprietors thought that the work might admit of a supplement in
-two additional folio volumes. This supplement, which was published
-in the joint names of Mr. Scott and Dr. Hill, though containing a
-number of valuable articles, was far from being uniformly conspicuous
-for its exact judgment and due selection, a small part of it only
-being executed by Mr. Scott, Dr. Hill’s task having been discharged
-with his usual rapidity.” There the matter stood for some years,
-when the proprietors determined to convert the whole into one work.
-Several editions were tried and found wanting, and finally Dr. John
-Calder, the friend of Dr. Percy, was engaged, but provisionally only,
-for the duty. He drew up an elaborate programme, containing no less
-than twenty-six propositions. The agreement, as it illustrates, in
-some degree, the relative positions of authors and publishers, may
-be quoted. Dr. Calder agreed to prepare a new edition of _Chambers’s
-Cyclopædia_ to be completed in two years. He received £50 as a
-retaining fee upon signing the agreement, and £50 a quarter until
-the work was finally out of the printer’s hands. In spite of this
-retaining fee the proprietors appear to have been smitten with fear,
-perhaps dreading a repetition of Dr. Hill’s inaccuracies, and sent
-round a specimen sheet to the eminent _literati_ of the day, asking
-their opinions upon the matter and the style. All the verdicts were
-unfavourable, one contemptuous critic complaining that the author had
-twice referred favourably to the _Encyclopædia Britannica_, “a Scots
-rival publication in little esteem.” Dr. Johnson cut away a large
-portion of his sheet as worthless; but, at poor Calder’s request, who
-began to be perplexedly alarmed by all these adverse reviews, explained
-this superfluity as arising simply from _trôp de zèle_. “I consider
-the residuum which I lopped away, not as the consequence of negligence
-or inability, but as the result of superfluous business, naturally
-exerted in the first article. He that does too much soon learns to do
-less.” Then apologizing for Calder’s turbulence and impatience, the
-kindly doctor prays “that he may stand where he stood before, and be
-permitted to proceed with the work with which he is engaged. Do not
-refuse this request, sir, to your most humble servant, Samuel Johnson.”
-Again and again the doctor interposed his influence, but in vain, and
-Abraham Rees, a young professor in a dissenting college near town,
-was engaged, and a new issue of the _Cyclopædia_ (still Chambers’s),
-in weekly parts, was commenced in 1778, running on till 1786,
-attaining a circulation of four or five thousand, then a large one,
-for each number; and Longman, as chief proprietor, must have profited
-exceedingly by the work.
-
-In the books of the Stationers’ Company we find repeated entry of
-Longman as publisher or shareholder in such miscellaneous works as
-_Gil Blas_, _Humphrey Clinker_, and _Rasselas_; and, true to the old
-traditions of the firm, educational works were by no means neglected.
-Among others we note a record of _Cocker’s Arithmetic_, since
-proverbially and bibliographically famous.
-
-Cocker was an unruly master of St. Paul’s School, twice deposed for
-his extreme opinions, but twice restored for his marvellous talents of
-teaching. “He was the first to reduce arithmetic to a purely mechanical
-art.” The first edition, however, was published only after his death
-by his friend “John Hawkins, writing master”--a copy sold by Puttick
-and Simpson, in 1851, realized £8 10_s._ The fifty-second edition was
-published in 1748, and the last reprint, though at that time the work
-was in Longman’s hands, bears “Glasgow, 1777,” on the title-page.
-
- “Ingenious Cocker now to rest thou’rt gone,
- No art can show thee fully, but thy own,
- Thy rare arithmetic alone can show
- The vast _sums_ of thanks we for thy labour owe.”
-
-In those days the publishers clave together in a manner undreamt of
-in these latter times of keener competition. Nichols, in speaking
-of James Robson (a Bond-street bookseller), and a literary club of
-booksellers, observes that Mr. Longman, with the late Alderman Cadell,
-James Dodsley, Lockyer, Davies, Peter Elmsley, Honest Tom Payne of
-the Mew’s Gate, and Thomas Evans of the Strand, were all members of
-this society. They met first at the “Devil’s Tavern,” Temple-bar, then
-moved to the “Grecian,” and finally from a weekly gathering, became a
-monthly meeting at the “Shakspeare.” Here was originated the germ of
-many a valuable production. Under their auspices Davies (in whose shop
-Boswell first met Johnson) produced his only valuable work, the _Life
-of Garrick_. Poor Davies had been an actor till Churchill’s satire
-drove him off the stage--
-
- “He mouths a sentence as curs mouth a bone.”
-
-From this he fled to the refuge of a bookselling shop in
-Russell-street, Covent-garden. He is described variously as “not a
-bookseller, but a gentleman dealing in books,” and as “learned enough
-for a clergyman.” Here he strived indifferently well till we come upon
-his epitaph--
-
- “Here lies the author, actor Thomas Davies,
- Living he shone a very _rara avis_;
- The scenes he played life’s audience must commend--
- He honour’d Garrick, Johnson was his friend.”
-
-At this club meeting, too, Johnson’s _Lives of the Poets_ were first
-resolved on, and by the club clique the work was ultimately produced.
-
-William West, a bookseller’s assistant, who died at a great age at the
-Charter House, in 1855, has left in his _Fifty Years’ Reminiscences_,
-and in the pages of the _Aldine Magazine_, a number of garrulous,
-amusing, but sometimes incoherent stories of the old booksellers.
-West says he knew all the members of the club, and bears witness
-that “Longman was a man of the most exemplary character both in his
-profession and in his private life, and as universally esteemed for his
-benevolence as for his integrity.” He mentions in particular Longman’s
-generosity in offering George Robinson any sum he wished on credit,
-when his business was in a critical condition.
-
-West adds, “I was in the habit of going to Mr. Longman’s almost daily
-from the years 1785 to 1787 or 1788, for various books for country
-orders, being what is termed in all wholesale booksellers’ shops ‘a
-collector.’ Mr. Norton Longman had been caused by his father wisely
-to go through this same wholesome routine of his profession; and I am
-informed that the present Mr. L. (Thomas Norton Longman), although at
-the very head of the book trade, has pursued a similar course with his
-sons.”
-
-Longman--and this brings us to the subject--had married a sister of
-Harris, the patentee, and long the manager of Covent Garden Theatre.
-By her he had three sons, and of these Thomas Norton Longman, born in
-1771, about 1792 began to take his father’s place in the publishing
-establishment; and about this time Thomas Brown entered the office as
-an apprentice. In 1794, Mr. Owen Rees was admitted a member, and the
-firm’s title was altered to “Longman and Co.;” and at this time, too,
-the younger Evans, “rating,” we are told, “only as third wholesale
-bookseller in England,” became bankrupt, and the whole of his picked
-stock was transferred to 39, Paternoster Row. The stock was further
-increased by a legacy from the elder Evans to Brown’s father in 1803.
-This elder Evans, as the publisher of the _Morning Chronicle_, had
-incurred the displeasure of Goldsmith, who, mindful of Johnson’s former
-valour, “went to the shop,” says Nichols, “cane in hand, and fell upon
-him in a most unmerciful manner. This Mr. Evans resented in a truly
-pugilistic method, and in a few moments the author of the _Vicar of
-Wakefield_ was disarmed and stretched on the floor, to the no small
-diversion of the bystanders.”
-
-[Illustration: Thomas Longman.
-
-1771-1842.]
-
-Seven years, however, before this, Thomas Longman the second died, on
-the 5th February, 1797. Of the position to which he had attained it is
-sufficient to mention that when the Government were about to impose
-an additional duty on paper, subsequent to that of 1794, the firm of
-Longman urged such strong and unanswerable arguments against it and its
-impolicy that the idea was relinquished; and at this time the house had
-nearly £100,000 embarked in various publications.
-
-Longman left his business to his eldest son, and to his second son,
-George, he bequeathed a handsome fortune, which enabled him to become a
-very extensive paper manufacturer at Maidstone, in Kent, and for some
-years he represented that borough in Parliament. As a further honour,
-he was drawn for Sheriff of London, but did not serve the office.
-
-Edward Longman, the third son, was drowned at an early age in a voyage
-to India, whither he was proceeding to a naval station in the East
-India Company’s service.
-
-At the time of Thomas Norton Longman’s accession to the chiefdom of
-the Paternoster Row firm, the literary world was undergoing a seething
-revolution. Genius was again let loose upon the earth to charm all men
-by her beauty, and to scare them for a while by her utter contempt for
-precedent. The torpor in which England had been wrapped during the
-whole of the foregone Hanoverian dynasty was changing into an eager
-feeling of unrest, and, later on, to a burning desire to do something,
-no matter what, and to do it thoroughly in one’s own best manner, and
-at one’s own truest promptings. No man saw the coming change more
-clearly than Longman; and anxious to profit by the first-fruits of
-the future, yet careful not to cast away in his hurry that ponderous
-ballast of dictionary and compilation, he soon gathered all the young
-writers of the day within the precincts of his publishing fold.
-
-Down at Bristol, the ancestral town of both Longman and Rees, Joseph
-Cottle had been doing honest service--without, we fear, much profit--in
-issuing the earliest works of young men who were to take the highest
-rank among their fellows. Cottle had published Southey’s _Joan of
-Arc_ in 1796, and in 1798 had issued the _Lyrical Ballads_, the joint
-composition of Coleridge and Wordsworth. When, in 1800, Longman
-purchased the entire copyrights of the Bristol firm, at a fair and
-individual valuation, the _Lyrical Ballads_ were set down in the bill
-at exactly nothing, and Cottle obtained leave to present the copyright
-to the authors. In connection with Cottle and Longman, we must here
-mention a story that does infinite credit to both. At the very close
-of the eighteenth century, Southey and Cottle in conjunction prepared
-an edition of Chatterton’s works, to be published by subscription for
-the benefit of his sister, whose sight was now beginning to fail her.
-Hitherto, though much money had been made from the works of the “boy
-poet,” they had been printed only for the emolument of speculators.
-
-The edition unfortunately proved a failure, but Longman and Rees
-entered into a friendly arrangement with Southey, and he was able to
-report in 1804 that Mrs. Newton lived to receive £184 15_s._ from the
-profits, when, as she expressed it, she would otherwise have wanted
-bread. Ultimately, Mary Ann Newton, the poet’s niece, received about
-£600, the fruits of the generous exertion of a brother poet, and of
-the good feeling of a kind-hearted publisher.
-
-The first edition of the _Lyrical Ballads_ did eventually sell out, and
-then Wordsworth, detaching his own poems from the others, and adding
-several new ones thereto, obtained £100 from Longman for the use of two
-editions, but the sale was so very slow that the bargain was probably
-unprofitable.
-
-In this same year 1800 the house of Longman also published Coleridge’s
-translation of Schiller’s _Wallenstein_, written in the short space of
-six weeks. Very few copies were sold, but after remaining on hand for
-sixteen years, the remainder was sold off rapidly at a double price.
-
-Southey (a Bristol man himself) met, too, with much kindness from the
-firm, but after his first poem with but little, as a poet, from the
-public. We have seen before that “the profits” on _Madoc_ “amounted
-to exactly three pounds seventeen shillings and a penny.” No wonder
-that he writes to a friend, “Books are now so dear that they are
-becoming articles of fashionable furniture more than anything else;
-they who do buy them do not read, and they who read them do not buy
-them. I have seen a Wiltshire clothier who gives his bookseller no
-other instructions than the dimensions of his shelves; and have just
-heard of a Liverpool merchant who is fitting up a library, and has
-told his bibliopole to send him Shakespeare, Milton, and Pope, and
-if any of those fellows should publish anything new to let him have
-it immediately. If _Madoc_ obtains any celebrity, its size and cost
-will recommend it to those gentry _libros consumere nati_, born to
-buy octavos and help the revenue.” Southey’s prose, however, proved
-infinitely more profitable, and for some years he was the chief
-contributor to Longman’s _Annual Review_ started in 1802, the same
-year as the _Edinburgh Review_. About this time Longman first went to
-Scotland, paid a visit to Walter Scott, and purchased the copyright
-of the _Minstrelsy_ then publishing; and in the following year Rees
-crossed the borders, and returned with an arrangement to publish the
-_Lay of the Last Minstrel_ on the half-profit system, Constable having,
-however, a very small share in it. Scott’s moiety of profits was £169
-6_s._, and success being then ensured, Longman offered £500 for the
-copyright, which was at once accepted. They afterwards added £100,
-“handsomely given to supply the loss of a fine horse which broke down
-suddenly while the author was riding with one of the worthy publishers”
-(Owen Rees).
-
-Already in the first few years of the century we find the house
-connected with Wordsworth, Southey, Coleridge, and Scott, but it was
-by no means entirely to poetry that Longman and Rees trusted. In 1799
-they purchased the copyright of Lindley Murray’s _English Grammar_, one
-of the most profitable school books ever issued from the press--for
-many years the annual sale of the _Abridgment_ in England alone was
-from 48,000 to 50,000 copies. Chambers’ _Cyclopædia_ was entirely
-re-written, re-cast, and re-christened, and again, under the management
-of Abraham Rees, after whom it was named, came out in quarto form in
-parts, but at a total cost of £85. The ablest scientific and technical
-writers of the day were retained, and among them we find the names
-of Humphry Davy, John Abernethy, Sharon Turner, John Flaxman, and
-Henry Brougham. For the first twenty years of this century Rees’ _New
-Cyclopædia_ filled the place that the _Encyclopædia Britannica_--“a
-Scots rival in little esteem”--was afterwards to occupy.
-
-In 1803, we find the trade catalogue has extended so much in bulk and
-character that it is divided into no less than twenty-two classes.
-Among their books we note Paley’s _Natural Theology_ (ten editions
-published in seven years), Sharon Turner’s _Anglo-Saxon History_,
-Pinkerton’s _Geography_, Cowper’s _Homer_, and Gifford’s _Juvenal_.
-
-About this time too, they engaged very extensively in the old book
-trade, a branch of the business discarded about the year 1840. In
-a catalogue of the year 1811 we find some very curious books. Here
-are the celebrated _Roxburgh Ballads_, now in the British Museum; a
-Pennant’s _London_, marked £300; a Granger’s _Biographical Dictionary_,
-£750; Pilkington’s _Dictionary of Painters_, £420; two volumes of
-_Cromwelliana_, £250; an extraordinary assemblage of Caxtons, Wynkyn de
-Wordes, and other early printed books, one supposed to date from 1446;
-a unique assemblage of _Garrickiana_, and many other articles of a
-matchless character.[9]
-
-Longman was himself indefatigable in business, for fifty years
-unremittingly he came from and returned to Hampstead on horseback; but
-as the rious branches of the trade clearly prove, the superintendence
-of so vast a business was altogether beyond the power of any single
-man; and perhaps nothing tended more to raise the firm to the eminent
-position it soon attained than the plan of introducing fresh blood
-from time to time;--the new members being often chosen on account of
-the zeal and talent they had displayed as servants of the house. In
-1804 Thomas Hurst, with the whole of his trade and connection, and
-Cosmo Orme (the founder of the hospital for decayed booksellers) were
-admitted. In 1811, Thomas Brown, whom we have already noticed as an
-apprentice, became a member of the firm, and until his retirement
-in 1859, took the sole management of the cash department, with so
-regular and just a system that an author could always learn what was
-coming to him, and when he was to receive it--a plan _not_ invariably
-adopted in a publisher’s counting-house. The firm was in 1824 further
-strengthened by the admission of Bevis Green, who had been apprenticed
-to Hurst in 1807. The title of the firm at this, its best known, period
-was, therefore, “Longman, Hurst, Rees, Orme, Brown, and Green.” When,
-however, Thomas Roberts entered, the title was changed to “Longman,
-Green, Longman, Roberts, and Green;” but we are anticipating, for
-Roberts died as recently as 1865, having acquired some distinction in
-private life as a Numismatist. For the sake of convenience, and for the
-sequence of the story, it will, perhaps, be as well to consider the
-firm as represented, as in fact from his leading position it was by
-Thomas Norton Longman, touching only upon the others individually when
-some directly personal interest arises. Before all these partnerships,
-however, were accomplished facts Longman had taken a much more
-precious, and even more zealous partner in the person of Miss Mary
-Slater of Horsham, Sussex, whom he had married as far back as the 2nd
-July, 1799.
-
-Wordsworth of course continued his connection with the firm, though his
-profits were absolutely _nil_. Though a poetic philosopher he was not
-quite proof against the indifference of the public. In the edition
-of the _Lyrical Ballads_ published in 1805 we find the significant
-epigraph, _Quam nihil ad genium, Papinique tuum_. In 1807, he published
-two new volumes, in which appeared many of his choicest pieces, and
-among them his first sonnets. Jeffrey, however, maintained that they
-were miserably inferior, and his article put an absolute stop to
-the sale. Wordsworth had, perhaps deprived himself of all right to
-complain, for his harshest reviewer did him far more justice than
-he was wont to deal out to his greatest contemporaries. In 1814, we
-find Longman announcing, “Just published, the _Excursion_, being a
-portion of the _Recluse_, by William Wordsworth, in 4to., price £2
-2_s._, boards.” Jeffrey used the famous expression--“This will never
-do;” and Hogg wrote to Southey that Jeffrey had _crushed_ the poem.
-“What!” retorted Southey, “Jeffrey _crush_ the _Excursion_! Tell him he
-might as easily crush Skiddaw!” Wordsworth, who had invariably a high
-value of his own works, even of his weakest ones, writes also,--“I am
-delighted to learn that the Edinburgh Aristarch has declared against
-the _Excursion_, as he will have the mortification of seeing a book
-enjoy a high reputation to which he has not contributed.” For a while,
-however, Jeffrey’s curse was potent, and it took six years to exhaust
-an edition of only 500 copies. We need scarcely follow Wordsworth’s
-various publications (do their dates not lie on every table of every
-drawing-room in the land?), but the whole returns from his literary
-labours up to 1819 had not amounted to £140; and even in 1829 he
-remarks that he had worked hard through a long life for less pecuniary
-emolument than a public performer earns for two or three songs.
-
-Longman had at one time an opportunity of becoming Byron’s publisher,
-but declined the _English Bards and Scotch Reviewers_ on account of
-the violent attacks it contained upon his own poets--those of the Lake
-school. With Scott we have seen that he had had dealings, and in these,
-at all events, Sir Walter’s joke, that _Longmanum est errare_, did not
-hold good. Before the collective edition of 1830, 44,000 copies of the
-_Lay of the Last Minstrel_ were sold. Though Longman was inclined to
-believe that Scott was not the author of _Waverley_, he was equally
-anxious to secure the publication of some of that extraordinary series
-of romances; and at a time when the Ballantynes were in trouble,
-purchased _Guy Mannering_ by granting bills in advance for £1500, and
-taking a portion of their stock, to the extent of about £600 more. The
-_Monastery_ was also published by him in 1820, and he is said, though
-the authority is more than dubious, to have paid Scott upwards of
-£20,000 in about fifteen years.
-
-What Scott was to Constable, and Byron to Murray, that was Moore
-to Longman. “Anacreon Moore,” as he loved to be called, had gained
-a naughty reputation from _Mr. Thomas Little’s Poems_, and, in
-1811, we find him writing to Longman--“I am at last come to a
-determination to bind myself to your service, if you hold the same
-favourable disposition towards me as at our last conversation upon
-business. To-morrow I shall be very glad to be allowed half-an-hour’s
-conversation with you, and as I dare say I shall be _up all night
-at Carlton House_, I do not think I could reach your house before
-four o’clock. I told you before that I never could work without a
-retainer. It will not, however, be of that exorbitant nature which
-your liberality placed at my disposal the first time.” Soon after
-this the Prince Regent threw over his old Whig friend, but Moore was
-so successful in his political warfare that he more than gained as a
-poet what he lost as a courtier, and his _Two-penny Post Bag_ went
-through fourteen editions. He was, however, anxious to apply his genius
-to the creation of some work more likely to raise his reputation than
-the singing of lascivious songs, or the jerking off of political
-squibs. Accordingly Perry, the editor of the _Morning Chronicle_, was
-sent to discuss preliminary matters with Longman. “I am of opinion,”
-said Perry, “that Mr. Moore ought to receive for his poem the largest
-price that has been given in our day for such a work.” “That,” replied
-Longman promptly, “was £3000.” “Exactly so,” rejoined the editor, “and
-no smaller a sum ought he to receive.” Longman insisted upon a perusal
-beforehand:--
-
-“Longman has communicated his readiness to terms, on the basis of the
-three thousand guineas, but requires a perusal beforehand; this I have
-refused. I shall have no ifs.”
-
-Again Moore writes, “To the honour and glory of romance, as well on
-the publisher’s side as on the poet’s, this very generous view of the
-transaction was without any difficulty acceded to;” and again, “There
-has seldom occurred any transaction in which trade and poetry have
-shone so satisfactorily in each other’s eyes.” So Moore left London
-to find a quiet resting-place “in a lone cottage among the fields in
-Derbyshire,” and there _Lalla Rookh_ was written; the snows of two
-or three Derbyshire winters aiding, he avers, his imagination, by
-contrast, to paint the everlasting summers and glowing scenery of the
-East. The arrangement had hitherto been verbal, but on going up to
-town, in the winter of 1814, he received the following agreement from
-Longman.
-
- “COPY OF TERMS WRITTEN TO MR. MOORE.
-
- “That upon your giving into our hands a poem of yours of the
- length of _Rokeby_, you shall receive from us the sum of £3000.
- We also agree to the stipulation that the few songs which you
- may introduce into the work shall be considered as reserved for
- your own setting.”
-
-Soon Moore writes to say that about 4000 lines are perfectly finished,
-but he is unwilling to show any portion of the work until the 6000 are
-completed, for fear of disheartenment. He requests Longman, however,
-“to tell our friends that they are done, a poetic licence to prevent
-the teasing wonderment of the literary quidnuncs at my being so long
-about it.” Longman replies that “we are certainly impatient for the
-perusal of your poem, but solely for our gratification. Your sentiments
-are always honourable.” At length, after very considerable delays on
-the part of the author, the poem appeared, and its wonderful success
-fully justified the publisher’s extraordinary liberality. Moore drew a
-thousand pounds for the discharge of his debts, and left, temporarily
-only, we fear, £2000 in Longman’s hands, the interest of which was to
-be paid quarterly to his father.
-
-This was Moore’s greatest effort; nor did he attempt to surpass it. One
-substantial proof of admiration of the poet’s performance should not
-be overlooked: “The young Bristol lady,” says Moore in his diary, Dec.
-23rd, 1818, “who inclosed me three pounds after reading _Lalla Rookh_
-had very laudable ideas on the subject; and if every reader of _Lalla
-Rookh_ had done the same I need never have written again.”
-
-As it was, however, he was soon obliged to set to work once more--this
-time as a biographer. The lives of Sheridan, Fitzgerald, and many
-others, bear testimony to his industry; but in spite, perhaps because,
-of their pleasant gossiping tone, they are far from accurate. At one
-time he had so many lives upon his hands together, that he suggested
-the feasibility of publishing a work to be called the _Cat_, which
-should contain nine of them. His _Life of Byron_ we have already
-alluded to, but we must again call attention to Longman’s generosity in
-allowing him to transfer the work to Murray. Longman was not less eager
-in his kindness to his clients in private than in business relations.
-His Saturday “Weekly Literary Meetings” were about the pleasantest and
-most sociable in London. As early as 1804 we find Southey writing to
-Coleridge: “I wish you had called on Longman; that man has a kind heart
-of his own, and I wish you to think so; the letter he sent me was a
-proof of it. Go to one of his Saturday evenings, you will see a coxcomb
-or two, and a dull fellow or two; but you will, perhaps, meet Turner
-and Duppa, and Duppa is worth knowing.” Throughout the day the new
-publications were displayed in a separate department for the use of the
-literary men, and house dinners were of frequent occurrence; the whole
-of the “Lake School” were steady recipients of Longman’s hospitality
-whenever they came to town.
-
-As, perhaps, the strongest proof of a man’s kindliness of heart,
-Longman is invariably represented as being “almost adored by his
-domestics, from his uniform attention to the comforts of those who have
-grown gray in his service.” He was a liberal patron of the “Association
-for the Relief of Decayed Booksellers,” and was also one of the
-“Court of Assistants of the Company of Stationers,” but, with the
-characteristic modesty of his disposition, paid the customary fine to
-be allowed to decline the offices of warden and master of the company.
-
-For many years the “House” had been London agents and part proprietors
-of the _Edinburgh Review_, and when the commercial crash of 1826
-destroyed Constable’s huge establishment, the property was virtually
-in their own hands, and the number for December, 1826, is printed
-for “Longman, Rees, Orme, Browne, and Green, London, and Adam Black,
-Edinburgh;” and if we “read between the lines” of the new designation
-we learn that Hurst had been concerned in some bill transactions,
-and had been this year compelled to retire (he died an inmate of the
-Charter House, in 1847), and we may also gather something of the strong
-connection that was to be formed with the house of Adam Black.
-
-Jeffrey retired from the editorial chair in 1829, but Macney Napier,
-the editor of the _Encyclopædia Britannica_ was appointed in his
-stead, and the literary management of the journal was still continued
-in Edinburgh. Sydney Smith ceased to write for the _Review_ in 1827;
-but in 1825 an article was contributed on Milton, by a young man of
-five-and-twenty; and Mr. Thomas Babington Macaulay, who, as Moore said,
-could do any mortal thing but forget, was destined to be, not only the
-most brilliant of the daring and talented band of Edinburgh Reviewers,
-but eventually, one of the most powerful contributors to Longman’s
-fortune and reputation.[10]
-
-To return again to educational works, we find that in Mangnall’s
-_Questions_ a property had been acquired that fully rivalled Murray’s
-_Mrs. Markham_. A type now of a hideously painful and parrot-like
-system of teaching (what negations of talent our sisters and mothers
-owe to this encyclopædic volume we shudder to sum up!) it was imitated
-and printed in every direction. Poor Miss Mangnall! who recollects
-now-a-days that in 1806 she commenced her literary life with a volume
-of poems? A very similar book, but on scientific questions, was _Mrs.
-Marcet’s Conversations_, which was not only profitable to Longman,
-but American booksellers, up to the year 1853, had reaped an abundant
-harvest from the sale of 160,000 copies.
-
-The attempts already made by Constable and Murray to promote the
-sale of cheap and yet excellent books, led Longman to establish his
-_Cabinet Encyclopædia_. The management was given to Dr. Lardner,
-then a professor at the London University, and all, or nearly all,
-Longman’s literary connections were pressed into service on his staff
-of contributors. In the prospectus we see the names of Scott, Moore,
-Mackintosh, Coleridge, Miss Edgeworth, Herschell, Long, Brewster, De
-Morgan, Thirlwall, and, of course, Southey. The _Times_ gave more
-than a broad hint that some of the names were put forward as lures,
-and nothing else. Southey was anxious that this “insinuation” should
-be brought before a court of law, where the writer may be “taught
-that not every kind of slander may be published with impunity.” The
-proprietors, however, contented themselves with publishing books, most
-indubitably written by the authors whose names they bore. The first
-volume was published in 1829, and at the close of the series, in 1846,
-one hundred and thirty-three volumes had been issued, the whole of
-which were eminently successful, and some few of them, such as Sir John
-Herschell’s _Astronomy_, in particular, have since been expanded into
-recognised and standard works.
-
-Another valuable work which has been a constant source of wealth to
-the firm, somewhat similar in scope to the preceding, was McCulloch’s
-_Commercial Dictionary_, first published in 1832; in which year the
-present Mr. Thomas Longman was admitted a partner, being joined by his
-brother, Mr. William Longman, in 1839. With young Mr. Thomas Longman,
-Moore appears to have been particularly friendly, addressing him always
-as “Dear Tom.” As far back as 1829, we see the poet requesting that
-some one might be sent over to have “poor Barbara’s” grave made tidy,
-for fear that his wife Bessy, who was about to make a loving pilgrimage
-thither, might be shocked, and we read afterwards that “young Longman
-kindly rode over twice to Hornsey for the purpose.” In Moore’s diary,
-too, for 1837, we find many regrets for the loss of Rees--a man “who
-may be classed among those solemn business-ties, the breaking of which
-by death cannot but be felt solemnly, if not deeply.” And again, later
-on, in 1840: “Indeed, I will venture to say that there are few tributes
-from authors to publishers more honourable (or I will fairly say more
-deserved) than those which will be found among my papers relative to
-the transactions for many years between myself and my friends of the
-‘Row.’”
-
-Thomas Longman the third was now an old man, but still constantly
-attentive to business. In his time he had seen many changes, but none
-more striking than those that occupied his latter days. _Madoc_ was
-still lying on his shelves, but Southey was poet-laureate. Scott and
-Byron had in succession entranced the world. They had now withdrawn,
-and no third king arose to demand recognition. It was in the calm that
-followed that Wordsworth obtained a hearing. In 1839, the University
-of Oxford conferred upon him the degree of Doctor of Laws, amid the
-enthusiastic applause of a crowded theatre. Younger men were coming
-to the fore, and though his contemporaries were fast dying off, still
-Longman was as eager for business as ever, and as ready, when it was
-over, for his chief pleasure--the enjoyments of domestic life; for his
-favourite pursuits--the love of music and the culture of fruits and
-flowers. As far as health and activity went, though in his 72nd year,
-he was still in the prime of life, when, on his usual ride to town, his
-horse fell, near the Small-pox Hospital, St. Pancras, and he was thrown
-over the animal’s head and struck the ground with such violence as to
-fracture his skull and injure his spine; and in a few days afterwards
-he died at his residence, Greenhill House, Hampstead, on 28th August,
-1842--leaving a blank, not only in his own family circle, but in the
-hearts of all who had known him as a master, or had reaped a benefit
-from the uniform generosity of his business dealings.
-
-Mr. McCulloch and many of his literary clients erected a monument, the
-bust of which, by Mr. Moore, is said to be a good likeness, to his
-memory--an affectionate tribute seldom paid by men-of-letters to a
-publisher--now standing in Hampstead church.
-
-His personalty was sworn under £200,000, and was principally left to
-his widow and family. The former, however, did not long survive her
-sorrow, but died some ten weeks after her husband.
-
-Their second son, Mr. Charles Longman, of Two Waters, joined Mr.
-Dickenson, in the trade of wholesale stationers and paper-makers,
-in which they have since then attained a pre-eminence. Their eldest
-daughter married Mr. Spottiswoode, the Queen’s printer, and the third
-daughter is the wife of Reginald Bray, Esq., of Shere.
-
-The succession of a Thomas Longman to the chiefdom of the house is,
-Mr. Knight says somewhere, as certain as the accession of a George was
-in the Hanoverian dynasty: and the present Mr. Longman, aided by his
-brother William, took command of the gigantic firm in Paternoster Row.
-The very year of their father’s death was a year to be long remembered
-in the annals of the firm for an unusually successful “hit,” in the
-production of the _Lays of Ancient Rome_. Not even in the palmy days
-of Scott and Byron was such an immediate and enormous circulation
-attained. In 1844, Macaulay ceased to contribute to the _Edinburgh
-Review_--nearly twenty years from the date of his first contributions;
-receiving latterly, we believe, £100 as a minimum price for an article.
-A collective edition of these essays was published in America; and
-within five years sixty thousand volumes were sold, and, as many of
-these were imported into England, Macaulay authorised the proprietors
-of the _Review_ to issue an English edition, which certainly proved
-the most remunerative collection of essays ever published in this or
-any other country. The English edition contains twenty-seven essays,
-in some editions twenty-six. The Philadelphia edition contains eleven
-additional essays.[11]
-
-These essays were all very excellent, but Macaulay’s admirers regretted
-with Tom Moore, “that his great powers should not be concentrated
-upon one great work, instead of being scattered in Sibyl’s leaves,”
-and great was the satisfaction in 1841, when it was known that he was
-engaged upon a History of England, and the publication of the work was
-looked forward to with the greatest eagerness; and in 1849 the first
-two volumes appeared. Success was immediate--“Within six months,”
-says the _Edinburgh Review_, “the book has run through five editions,
-involving an issue of above 18,000 copies.” By 1856, the sale of
-these two volumes had reached nearly 40,000 copies, and in the United
-States 125,000 copies were sold in five years. For the privilege of
-publication for ten years, it is said that Mr. Longman allowed the
-author £600 per annum; the copyright remaining in Macaulay’s possession.
-
-This success, however, was nothing to that achieved by the third and
-fourth volumes; and the day of their publication, 17th Dec., 1855, will
-be long remembered in the annals of Paternoster Row. It was presumed
-that 25,000 copies would be quite sufficient to meet the first public
-demand; but this enormous pile of books, weighing fifty-six tons, was
-exhausted the first day, and eleven thousand applicants were still
-unsatisfied. In New York one house sold 73,000 volumes (three different
-styles and prices) in ten days, and 25,000 more were immediately issued
-in Philadelphia--10,000 were stereotyped, printed, and in the hands
-of the publishers within fifty working hours. The aggregate sale in
-England and America, within four weeks of publication, is said to have
-exceeded 150,000 copies. Macaulay is also stated to have received
-£16,000 from Mr. Longman for the copyright of the third and fourth
-volumes.[12]
-
-Upon the death of Mr. Macney Napier, the editorship of the _Review_ was
-transferred to Mr. Empson, Jeffrey’s son-in-law; while he in turn was
-succeeded by Sir George Cornewall Lewis, who finally gave place to Mr.
-H. Reeve.
-
-In the way of cheap literature the “Travellers’ Library,” commenced
-in 1851, is deservedly worthy of notice. In this year occurred the
-unusual phenomenon of a pamphlet, bearing on its title-page the joint
-names of Mr. Longman and Mr. Murray. This was a reprint of some
-correspondence with Earl Russell, in his official capacity, as to the
-injustice of the State undertaking the publication of school-books
-at the national expense, and compelling the government schools to
-adopt them--thus creating a perfect monopoly and interfering with
-private enterprise. The books in question were published by the Irish
-Educational Commissioners, but more than three-quarters of them were
-eventually sold in England--many of them, especially the collection of
-poetry, were, it was further urged, pirated from copyright works. The
-correspondence was long and protracted on the side of the publishers;
-and as is often the case in an important public question, Earl
-Russell’s replies consisted of the merest acknowledgment. Mr. Longman
-had, however, an opportunity of a pleasant revenge. Tom Moore had
-left all his papers, letters, and journals to the care of his friend,
-Earl Russell--a man who, as Sydney Smith said, thought he could do
-anything--“build St. Paul’s, cut for the stone, or command the Channel
-Fleet.” The one thing apparently he could not do was the editorship
-or composition of a Poet’s Life. The material, indeed, was ample, and
-seems to have been printed pretty much as it came to hand. However, the
-sum which Mr. Longman gave for the papers appeared, together with the
-pension, an ample provision for the devoted “Bessy.”
-
-Among the later efforts of the firm we may here mention the issue of
-many finely illustrated works, and we must also chronicle the fact
-that in 1863--the business connections and stock of the Parkers were
-added to the enormous trade of the leviathan firm. Giving a glance
-at the changes that have taken place in the members of the firm, we
-have merely space to note that at Cosmo Orme’s death in 1859 Mr. Brown
-retired, and at his decease on the 24th of March, 1869, left an immense
-fortune, more than £100,000 going in various legacies, of which the
-Booksellers’ Provident Retreat and Institution each received £10,000,
-the Royal Literary Fund £3000, and the Stationers’ Company in all
-£10,000, the balance after the various legacies, and there were no
-less than sixty-eight legatees, going to the grandchildren of Thomas
-Norton Longman. The personalty of Mr. B. E. Green, who died about the
-same date, was sworn under £200,000. Two of the former assistants, Mr.
-Dyer and Mr. Reader, have, on the good old system, been admitted to
-the firm, which now stands “Longmans, Green, Reader, and Dyer.” Mr.
-Roberts, as before stated, died in 1865.
-
-Both the Messrs. Longman are well known for their literary talents--Mr.
-Thomas Longman as editor of a magnificent edition of the New Testament;
-and Mr. William as an historical author. The first of his works was, we
-believe, privately printed, _A Tour in the Alps, by W. L._ Mr. William
-Longman has always been an enthusiastic Alpine traveller. He has,
-however, more recently published a _History of the Life and Times of
-Edward III._, in two volumes, and at our present writing a new work has
-just appeared in which he says playfully, “I trust authors will forgive
-me, and not revenge themselves by turning publishers;” and he adds
-heartily and generously, “There is, nevertheless, some advantage in a
-publisher dabbling in literature, for it shows him the difficulties
-with which an author has to contend--the labour which is indispensable
-to produce a work which may be relied on--and it increases the sympathy
-which should, and which in these days does, exist between author and
-publisher.” These latter lines surely form a very fitting sentence with
-which to conclude our short history of the house of Longman.
-
-[Illustration]
-
-
-
-
-[Illustration]
-
-
-
-
-_CONSTABLE, CADELL, AND BLACK._
-
-THE “EDINBURGH REVIEW,” “WAVERLEY NOVELS,” AND “ENCYCLOPÆDIA
-BRITANNICA.”
-
-
-From 1790 to 1820 Edinburgh richly deserved the honourable title of
-“Modern Athens.” Her University and her High School, directed by men
-pre-eminently fitted for their duties, capable of firing their pupils’
-minds with a noble purpose, endowed with a lofty ideal of a master’s
-responsibilities--in fact, possessed of all the qualities that Dr.
-Arnold afterwards displayed elsewhere--attracted and educated a set
-of young men, unrivalled, perhaps, in modern times for genius and
-energy, for wit and learning. Nothing, then, was wanting to their due
-encouragement but a liberal patron, and this position was speedily
-occupied by a publisher, who, in his munificence and venturous spirit,
-soon outstripped his boldest English rival--whose one fault was, in
-fact, that of always being a Mæcenas, never a tradesman.
-
-Archibald Constable was born on the 24th of February, 1776, at Kellie,
-in the parish of Carnbee in Fifeshire. He was the son of Thomas
-Constable, who, through his sagacity in rural matters, had risen
-to the position of land steward or baillie to the Earl of Kellie.
-The first thirteen or fourteen years of Archibald’s life were passed
-beneath his father’s roof, and his education, such as the parish school
-of Carnbee then afforded, consisted of a course of reading in the
-vernacular tongue, writing, arithmetic, and some elementary lessons
-in trigonometry, and beyond this humble curriculum, we believe his
-subsequent acquisitions did not much extend. Still, though he never
-attained any proficiency in academical studies, his native talents and
-address generally enabled him to both surmount and conceal it.
-
-From an early age Archibald was possessed of a desire to enter upon a
-bookseller’s useful career--a desire in his case not altogether unmixed
-with the hope of acquiring literary distinction. In 1788 therefore,
-he became apprenticed to Mr. Peter Hill, bookseller of Edinburgh, the
-old friend and correspondent of Burns. While a lad in Hill’s shop he
-seems to have devoted his leisure hours to the acquisition of that
-knowledge of the early and rare productions of the Scottish press, and
-of all publications relating generally to the history, antiquities,
-and literature of Scotland, for which, throughout his subsequent
-career, he continued to exhibit a strong predilection. About the time
-of the expiration of his apprenticeship he married the daughter of
-David Willison, a printer, who, though previously very averse to the
-match, was subsequently of some service in enabling him to start for
-himself. Having hired a small shop in the High Street, afterwards
-rendered conspicuous by his celebrity as a publisher, he issued, in
-November, 1795, the first of his Sale Catalogues of rare and curious
-books, which soon drew to his shop all the bibliographers and lovers
-of learning in the city. In this line of trade he speedily acquired
-considerable eminence, not so much by the extensiveness of his stock,
-for his capital was of the smallest, as by his personal activity, his
-congenial curiosity, and his quick intelligence. Here it was that
-Heber, in the course of his bibliomaniacal prowlings, came across
-Leyden, perched perpetually on a ladder reading some venerable folio,
-which his purse forbade him to purchase, but which through Constable’s
-kindness was placed in this manner at his disposal. Heber soon brought
-him under Scott’s notice, and thus had the pleasure of introducing
-the two most promising young men of the day to each other. Constable
-had, however, an ambition too strong to be satisfied with the routine
-business of a second-hand book-shop. Even before his shop in the High
-Street was fairly opened, he had himself offered a book to the trade--a
-reprint of Bishop Beveridge’s _Private Thoughts on Religion_, struck
-off coarsely upon a whitey-brown sort of “tea-paper;” but still it was
-his first, and, as Archibald proudly said, “it was a pretty enough
-little bookie!”
-
-[Illustration: Archibald Constable.
-
-1775-1827.]
-
-Among other publications in which from his first outset he had
-been engaged, and which at the time he esteemed as by no means
-inconsiderable, were Campbell’s “History of Scottish Poetry,” Dalzell’s
-“Fragments of Scottish History,” and Leyden’s edition of the “Complaint
-of Scotland.” In 1801 he acquired the property of the _Scots Magazine_,
-a miscellany which had commenced in 1739, and which was still esteemed
-as a repository of curious facts. This congenial publication engaged
-at first a considerable share of his personal attention, and, aided
-by the talents of Leyden, Murray, and Macneil, its reputation as a
-critical journal was raised into some importance.
-
-Of all the extraordinary geniuses with whom Constable came into
-contact, none were more conspicuous to those near enough to judge than
-Leyden, his first editor of the periodical. A poet, an antiquarian,
-an Orientalist, he will long be distinguished among those whom the
-elasticity and ardour of genius have raised to distinction from an
-obscure and humble origin. The son of a day labourer at Denholm,
-he had, by sheer force of will, worked his way to the college of
-Edinburgh, where he at once obtained the friendship of many eminent
-literary men. His acquaintance with Scott soon introduced him into the
-best society in Edinburgh--which was then the most intellectual society
-in Europe--and here his wild uncouthness of demeanour did not at all
-interfere with the general appreciation of his genius, his gigantic
-endowments, and his really amiable virtues. Fixing his ambition on the
-East, where he hoped to rival the achievements of Sir William Jones, he
-obtained in 1802 the promise of some literary appointment in the East
-India Company’s service; but when the time drew near it was discovered
-that the patronage of the season had been exhausted, with the exception
-of one surgeon-assistant’s commission, and he was informed that if he
-wished to accept it he must qualify within six months. He grappled
-at once with the task, and accomplished what takes other men three
-or four years in attainment within the incredibly short space of six
-months. He sailed for India in 1803, and died in 1811, at the early age
-of thirty-six, having in the seven years of his sojourn achieved the
-reputation of the most marvellous of Orientalists. His poetical remains
-were collected and given to the public in 1821, and exhibit in some
-instances a power of numbers which for mere melody of sound has seldom
-been surpassed in the English language.
-
-In 1802, Constable commenced the _Farmer’s Magazine_, under the
-management of an able East Lothian agriculturist, Mr. R. Brown, then
-of Markle. This work enjoyed a reputation contemporary with the whole
-of his business life. Altogether, Constable was making fair way as a
-publisher, when, in 1802, the _Edinburgh Review_ burst like a bombshell
-upon an astonished world, and gave him just reason to believe that his
-professional fortune was thoroughly ensured in the most glorious manner.
-
-The origin of the _Review_, like the beginnings of all things, is
-wrapped in doubt and mystery. Hitherto in the critical department of
-English literature, a review had been little more than a peg upon which
-to hang books for advertisement, and in which the general bearings
-of science, literature, and politics were left almost untouched. In
-Scotland, criticism was at a still lower ebb, for the country had
-possessed no regular review at all since the old _Edinburgh Review_ had
-expired in 1756, after a flickering existence of a twelvemonth.
-
-“One day,” writes Sydney Smith, “we happened to meet in the eighth
-or ninth storey (it was the third) of a flat in Buccleuch-place, the
-elevated residence of the then Mr. Jeffrey. I proposed that we should
-get up a review. This was acceded to with acclamations. I was appointed
-editor, and remained long enough in Edinburgh to edit the first number
-of the _Edinburgh Review_. The motto I proposed was--
-
- ‘Tenui musam meditamur avenâ.’
-
- ‘We cultivate literature upon a little oatmeal.’
-
-But this was too near the truth to be admitted, and so we took our
-present grave motto from Publius Lyrus, of whom none of us had, I am
-sure, read a single line; and so began what has since turned out to be
-a very important and able journal. When I left Edinburgh it fell into
-the stronger hands of Lord Jeffrey and Lord Brougham, and reached the
-highest point of popularity and success.”
-
-It was resolved to bring out the first number of the work in June,
-1802; but its outset was surrounded with many difficulties, arising
-from want of experience in its chief conductors. The meetings of the
-conspirators were held in a little room off Willison’s (Constable’s
-father-in-law’s) office in Craig’s-court, to which each man was
-requested to steal singly, by whichever way would be least suspicious;
-and there they examined and criticised each other’s productions, and
-corrected the proof sheets as they were thrown off. Here it was that
-Jeffrey once rushed down excitedly into Willison’s printing-office,
-crying, “Where is your pepper-box, man--your pepper-box?” In vain the
-printer declared he had no such useful article on the premises; Jeffrey
-persisted that the proof sheets must have been dusted with commas from
-a pepper-box, so lavish had the printer been with his points. Through
-various delays, typographical and otherwise, the first number, as we
-have seen, did not appear until the following November.
-
-Lord Brougham, in the first volume of his recently-published
-autobiography, flatly contradicts this account. “Nothing,” he says,
-“can be more imaginary than nearly the whole of it.” Still, when
-Sydney Smith published his version of the history, neither Lord
-Brougham nor any other person interested took the trouble to contradict
-it; and we are inclined to accept rather an account written within a
-short time of the foundation of the _Review_ than to receive another
-version written by an octogenarian at an interval of more than half a
-century. A letter, moreover, of Sydney Smith’s, first published in the
-_Athenæum_ of April 1st, 1871, shows clearly that the proprietors of
-the journal presented him “with books to the value of £100 (corrected
-to £114) as a memorial of their respect for having planned and
-contributed to a work which to them has been a source of reputation as
-well as of emolument.” On the other hand, Sydney Smith’s editorship
-certainly did not extend beyond the first number, and was probably even
-in that subject to the direction of Jeffrey.
-
-The list of contributions to the first four numbers may, however, be
-accepted as indisputable evidence of Brougham’s enormous powers of
-work. To these four numbers he contributed twenty-one articles, besides
-portions of four others. Smith contributed eighteen, Jeffrey sixteen,
-and Horner seven. Brougham, too, kept up this rate of contribution more
-steadily than any of his colleagues. To the first twenty numbers he
-contributed no less than eighty articles, Jeffrey seventy-five, Smith
-twenty-three, and Horner fourteen. By this time the new periodical was
-fairly launched, and the additional services of such men as Playfair,
-Thomas Brown, Walter Scott, Hallam, Murray, and Stodhart, had been
-secured.
-
-The extensive circulation and reputation of the _Edinburgh Review_
-was, Scott himself says, due to two circumstances; first that it
-was entirely uninfluenced by the booksellers; and, secondly, the
-regular payment of editor and contributors: Jeffrey receiving, from
-the commencement of his labours, £300 per annum (afterwards increased
-to £800), whilst every contributor was compelled, even if wealthy, to
-accept a minimum bonus of £10 (afterwards raised to £16) per sheet.
-
-Never before had the enterprise of young and almost unknown men started
-so ambitious a scheme, and never since have pluck and learning,
-talent and genius been so amply rewarded. They found the world of
-English society, English literature, and English politics warped and
-dwarfed--scared by the French Revolution and the American Republic
-into a dormant state of Toryism--they found matters thus, and in
-an incredibly short time they almost changed the current of the
-national thought. Jeffrey, with his clear, legal mind, his startling
-and brilliant manner of expression, his sarcasm cold and sharp-edged
-as a Toledo blade, unfortunately only too capable of wounding too
-deeply--won the position of the greatest English critic of all time,
-and of the most eminent Scottish lawyer of the day--achieving the
-highest honours open to the advocates of Edinburgh. Brougham, with his
-ponderous learning, his marvellous versatility, his immense powers of
-work, became not only the first English lawyer, but one of the first
-English statesmen of his time. Sydney Smith, the wittiest man certainly
-of his century, might have attained the highest honours open to his
-calling, had he not preferred the more humble and more praiseworthy
-career of being a liberal clergyman at a time when the wearers of his
-cloth were one and all rank Tories to the backbone.
-
-Constable, who had at first been rather startled and alarmed at the
-design of the _Edinburgh Review_, was not prepared, any more than
-the projectors themselves, for its immediate and splendid success.
-Without a publisher of his cast of mind the work, however, might
-have encountered some difficulties, and he was not slow to perceive,
-nor backward to follow, that line of conduct towards its conductors,
-without the observance of which the new relations between them could
-not long have been sustained harmoniously. The present proprietors of
-the work became, some years after its commencement, sharers of the
-property, but the publishing department remained, we believe, under his
-direction for many years.
-
-In 1804 Constable assumed as partner Alexander Gibson Hunter, of
-Blackness, and from that time the business was carried on under the
-title of Archibald Constable and Co. In the following year, 1805,
-he added to the list of his periodicals the _Medical and Surgical
-Journal_, a work projected in concert with Dr. Andrew Duncan, and
-which existed till 1855, when it was united to the _Medical Journal of
-Science_. It was in this year, also, that the firm published a poem,
-which was eventually to do more for the enlargement of their business
-and the honour of their name than even the famous _Review_ itself.
-
-Walter Scott, as we have seen, while still unknown to fame, had been a
-frequent visitor at Constable’s old book-shop. The publishers of the
-first edition of the _Lay of the Last Minstrel_ were Longman and Co. of
-London, and Archibald Constable and Co. of Edinburgh; the latter firm
-taking but a small venture in the risk. The profit was to be divided
-equally between the author and the publishers, and Scott’s portion
-amounted to £169 6_s._ Longman, when a second edition was called for,
-offered £500 for the copyright, which was immediately accepted, but
-they afterwards added, as the Introduction says, “£100 in their own
-unsolicited kindness.” In the history of British poetry nothing had
-ever equalled the demand for the _Lay of the Last Minstrel_. 44,000
-copies were disposed of before Scott superintended the edition of 1830,
-to which the biographical introductions were prefixed.
-
-In the ensuing year Constable issued a beautiful edition of what
-he termed _Works of Walter Scott, Esq._, comprising the poem just
-mentioned, the “Minstrelsy of the Scottish Border,” “Sir Tristram,” and
-a series of “Lyrical Ballads.”
-
-In 1806 it was rumoured that Scott had a new poem in hand. Longman
-at once opened negotiation as to its purchase, but in vain; and in a
-short time the London publishers heard with a feeling of jealousy, not
-unmixed with honest amazement, that Constable had offered one thousand
-guineas for a poem which had not yet been completed, and of which he
-had not even seen the scheme.
-
-It may be gathered from the Introduction of 1830 that private
-circumstances of a delicate nature rendered it desirable for Scott to
-obtain the immediate command of such a sum; the price was actually paid
-long before the poem was published; and it suited well with Constable’s
-character to imagine that his readiness to advance the money may have
-outstripped the calculations of more experienced dealers.
-
-The bargain having, however, been concluded he was too wary to keep the
-venture entirely to himself, and he consequently tendered one-fourth of
-the copyright to Mr. Miller of Albemarle Street, and to Mr. Murray,
-then of Fleet Street, London, and in both cases the offer was eagerly
-accepted.
-
-_Marmion_, the poem in question, which had been announced by an
-advertisement in 1857, as _Six Epistles from Ettrick Forest_, met with
-an immense success, and 2000 copies, at a guinea and a half each, were
-disposed of in less than a month.
-
-As an instance of the freedom Constable left to Jeffrey in the
-conduct of the _Review_, we are not a little astonished to read that
-the venture, in which he had risked so much, was attacked in a most
-slashing manner in his own journal. Jeffrey, thinking nothing of so
-ordinary a circumstance, sent the article to Scott with a note stating
-that he would come to dinner on the following Tuesday. Scott, though
-wounded by the tone of the _Review_, did his best to conceal it. Mrs.
-Scott, however, was very cool in her manner, and, as Jeffrey was
-taking leave, could no longer restrain her pique, and in her broken
-English--“Well, guid night, Mr. Jeffrey; dey tell me you have abused
-Scott in the _Review_; and I hope Mr. Constable has paid you well for
-writing it.” This anecdote, insignificant in itself, prepares us to
-some extent for the coldness between them, which led Scott to originate
-the _Quarterly Review_.
-
-Emboldened still further by the success of _Marmion_, Constable now
-engaged Scott to edit the works of Swift, and as Scott had several like
-engagements on hand--he held, in fact, five separate agreements at the
-same time, for the London publishers--offered him £1500 for his new
-undertaking.
-
-Constable was at this time in an apparently assured line of success.
-Though of a very sanguine nature--a quality without which no projector
-could possibly succeed--he was one of the most sagacious persons who
-ever followed his profession. A brother poet of Scott says of him: “Our
-butteracious friend turns up a deep draw-well;” and another eminent
-writer still more intimately connected had already christened him “the
-Crafty”--a title which, of all the flying burrs, was the one that
-stuck the firmest. His fair and handsome physiognomy was marked by an
-unmistakable and bland astuteness of expression. He generally avoided
-criticism as well as authorship, both being out of his “proper line.”
-
-But of this “proper line,” and his own qualification for it, his esteem
-was ample. The one flaw, and the fatal flaw, in his character as a
-business man was his hatred of accounts, for he systematically refused
-during the most vigorous years of his life to examine or sign a balance
-sheet. Scott, in describing his appearance, says, “Ay, Constable is
-indeed a grand-looking chield. He puts me in mind of Fielding’s apology
-for Lady Booby--to wit that Joseph Andrews had an air which to those
-who had not seen many noblemen, would give an idea of nobility.” His
-conversation was manly and vigorous, abounding in Scotch anecdotes
-of the old times, and he could, when he had a mind, control the
-extravagant vanity which at times made him ridiculous. His advice was
-often useful to Scott, and more than one of the subjects of the novels,
-and many of the titles, were due to his recommendations. Cadell, his
-partner, says that in his high moods he used to stalk up and down the
-room exclaiming, “By God! I am all but the author of the Waverley
-novels!”
-
-Of course, as a successful publisher, Constable was overwhelmed
-with the manuscripts of embryo genius. One or two stories are worth
-repeating of the men who applied to him, but in vain. Hogg, the Ettrick
-Shepherd, had already sold a volume of minor poems to Constable, when
-setting to work in earnest he went to him again; but “the Crafty” was
-too wise to buy a pig in a poke, and refused to have anything to do
-with the matter until he had seen the MS. This reasonable request the
-poet refused with, “What skill have you about the merit of a book?” “It
-may be so, Hogg,” replied the Jupiter Tonans of Scottish publishers;
-“but I know as well how to sell a book as any man, which should be some
-consequence of yours, and I know too how to buy one.” Hogg, however,
-easily found another publisher, and the _Queen’s Wake_ was soon as
-widely popular as its great merits deserved.
-
-The other refusal, unfortunately, did not end in the same happy manner.
-Robert Tannahill, a Scotch weaver, whose songs in their artless
-sweetness, their simplicity of diction, their tenderness of sentiment,
-have long since won distinction, came up to Edinburgh very poor in
-purse, but rich in the future that poetic aspirations imaged forth.
-He put his manuscripts into Constable’s hands, offering the whole of
-them at a very small price. Day after day he waited for an answer,
-with a mind alternating between hope and fear. Constable, who always
-distrusted his own judgment in such matters, and who, perhaps, at the
-moment had no one else to consult, eventually returned the poems.
-Tannahill in a madness of despair put a period to his existence, adding
-one to those “young shadows” who hover round the shrine of genius, as
-if to warn all but the boldest from attempting to approach it.
-
-The business of Constable’s house was now so large and extensive
-that he thought it a hardship that so much of his wares should pass
-through the hands of English agents, who not only absorbed a large
-share of his profits, but who could not be expected to serve him with
-the same zeal as his own immediate followers. He and his Edinburgh
-partner, therefore, in 1808, joined with Charles Hunter and John Park
-in commencing a general bookselling establishment in London, under the
-designation of Constable, Hunter, Park, and Hunter.
-
-Shortly after this a breach that had been created between Scott and
-Constable widened until at last they parted. Scott always maintained
-that the quarrel was directly caused by the intemperate language of
-Hunter, Constable’s original partner; but the severance was probably in
-reality due to the influence of a third person--James Ballantyne--and
-was, perhaps to a certain extent, influenced by a feeling of pique
-at Jeffrey’s recent conduct. In 1808 he took a part, perhaps as a
-suggester, certainly as a zealous promoter, in the establishment of
-the _Quarterly Review_, as a political and literary counterpoise to
-the _Edinburgh Review_. Already, in 1805, he had become a partner in
-the printing house of James Ballantyne and Company, though the fact
-remained for the public, and for all his friends but one, a profound
-secret. “The forming of this connection,” says Lockhart, “was one of
-the most important steps in Scott’s life. He continued bound by it
-during twenty years, and its influence on his literary exertions and
-his worldly fortunes was productive of much good and not a little
-evil. Its effects were in truth so mixed and balanced during the
-vicissitudes of a long and vigorous career, that I at this moment
-doubt whether it ought, on the whole, to be considered with more
-of satisfaction or regret.” Scott’s wish, openly expressed in his
-correspondence, of thwarting Constable in his attempts to obtain a
-monopoly of Scottish literature, resulted in the establishment of a
-new and rival bookselling firm, under the title of John Ballantyne
-and Co., to which he appears to have supplied the whole capital--at
-any rate he subscribed his own half, with one-fourth, the portion of
-James Ballantyne, and not improbably also the other fourth for John
-Ballantyne.
-
-John and James Ballantyne were the sons of a merchant at Kelso, and
-here it was they went to school with Walter Scott, and thus commenced
-an acquaintance so fraught with interest to all three. Early in life
-James Ballantyne, though not bred to the trade, nor “to the manner
-born,” opened a printing house at Kelso and started the _Kelso Mail_
-newspaper, in which his brother John soon joined him. Having made some
-improvements in the art of printing, which rendered their provincial
-printing famous, they were persuaded to move to Edinburgh, and here
-they founded a press which, rivalling in its productions the works of
-a Baskerville or a Bensley, is at this present time as famous as ever.
-From their first start their old connection with Scott was serviceable,
-and in 1800 they printed his first important work, the _Minstrelsy of
-the Scottish Border_, and from the time, 1805, when he first became
-commercially interested in their business, they were firm friends and
-faithful allies. Scott, to his dying day, certainly reciprocated their
-kindly feelings, though Lockhart, his biographer, has since his death
-said very harsh things of the evil resulting from the connection. It
-is only fair to the Ballantynes to remember that both before and
-after the period of partnership with him, their house was eminently
-successful. In the meantime, Constable was busy publishing the works of
-Dugald Stewart, who at this time occupied the same place in metaphysics
-as Sir Walter did in poetry. The _Philosophical Essays_, published
-in 1810, excited great, and even popular, attention. He also became
-the proprietor of the _Encyclopædia Britannica_, for which he paid an
-enormous price, and to which he published an excellent supplement. We
-shall, however, treat more fully of the _Encyclopædia_ in connection
-with Mr. Adam Black. We may here mention, as among Constable’s other
-successful publications, Wood’s excellent edition of Douglas’s
-_Scottish Peerage_, and Chalmers’ _Caledonia_.
-
-The London branch was found to be unattended with the expected
-advantages, and was given up in 1811. In the early part of this same
-year Hunter retired from the Edinburgh house, upon which Constable,
-acting upon the liberal view he always entertained as to the value
-of his stock, and being, perhaps, not unwilling to impress the world
-with an exalted idea of his property, allowed his partner a greater
-amount of actual cash (£17,000 is understood to be the sum) than
-was really his due. Robert Cathcart, of Drum, writer-to-the-signet,
-and Robert Cadell, then a clerk in his employ, were admitted as
-partners. Cathcart, however, dying the following year, Cadell remained
-Constable’s sole partner.
-
-Constable had, of course, felt considerably hurt at Scott’s desertion.
-Sometimes it is related he would pace up and down the room, as was
-his wont, raving grandiloquently of those who kick down the ladder by
-which they have risen. But now that Hunter had left the firm, and now
-that it was found that the new _Quarterly_ did not in the least damage
-the value of the old one, a reconciliation could not but take place
-between men who had formerly been so friendly, and on the publication
-of the _Lady of the Lake_, Constable willingly gave the Ballantynes the
-value of his experience and trade knowledge, though he was not directly
-interested in the work.
-
-The new poem was published just before the season for excursions, and
-thousands rushed off at once to view the scenery of Loch Katrine; and
-it is a well-ascertained fact that from the date of the appearance of
-this volume, assisted by subsequent of his publications, the post-horse
-duty in Scotland rose in an extraordinary degree.
-
-Scott now found out that his move to the Ballantynes had not been
-attended with the success he expected. John Ballantyne proved but an
-irregular hand at book-keeping, and James was too much addicted to good
-cheer (or Lockhart sadly belies him) to be really serviceable as a
-business man. In vain did Scott write amusing letters of remonstrance;
-the publisher’s business was neglected, and the firm, as booksellers,
-fell into difficulties. Constable was appealed to, and, finally, for
-£2000 consented to purchase most of the stock, and a complete business
-reconciliation was effected between him and Scott. The Ballantynes,
-however, still maintained their printing house, in which Scott was
-secretly the principal proprietor, and at which he insisted that all
-his own works should at all times, no matter who the publisher, be
-printed.
-
-About the year 1805 Scott had written a third part of a novel, which
-was advertised by John Ballantyne, under the title of _Waverley_,
-but he was unwilling to risk the loss of his poetical reputation by
-attempting a new style of composition. He, therefore, threw aside the
-work, and stumbling upon it in 1811, when his poetical reputation
-was beginning to wane, and soon after he had threatened, half in fun
-and half in earnest, “If I fail now I will write prose for life,”
-he at once completed the story. The current rumour of the new novel
-having been rejected by several London publishers, is entirely untrue.
-The work was printed by the Ballantynes, and through the whole
-series the greatest secrecy as to the author’s name was preserved.
-James Ballantyne himself transcribed the “copy,” and copied Scott’s
-corrections on to a duplicate proof sheet; nor was there a single
-instance of treachery throughout the whole time of the secret.
-
-When the printed volumes of _Waverley_ were put into Constable’s hands,
-he did not for a moment doubt its authorship, but at once offered £700
-for the copyright: this, we must remember, for a work to be published
-anonymously, at a time when Miss Edgeworth, the most popular novelist
-of her day, had never realized a like sum. The offer was, however,
-declined, and ultimately an arrangement was come to by which author and
-publisher were to share the profits.
-
-_Waverley_ took two or three months to win public favour, and then a
-perfect _furore_ set in. Sloop-load after sloop-load was sent off to
-the London market, and on the rumoured loss of one of these vessels,
-half London was in despair. The interest, too, excited by public
-curiosity as to the author’s name, was carefully fostered, and in a
-short time 12,000 copies were disposed of.
-
-Scott employed part of his literary gain in purchasing a property
-within three miles of Melrose, and gradually enlarged the
-dwelling-house until it became a castellated mansion of considerable
-size. The desire of becoming an extensive landed proprietor, became
-with him a far stronger passion than any craving for literary fame.
-It was more his desire, according to James Ballantyne himself, to
-“add as much as possible to the little realm of Abbotsford, in order
-that he might take his place, not among the great literary names
-which posterity is to revere, but among the country gentlemen of
-Roxburghshire.”
-
-Under the influence of this infatuation, Scott produced a series of
-novels, of which it will suffice to state the names and dates.
-
-To _Waverley_ succeeded, in 1815, _Guy Mannering_; in 1816, _The
-Antiquary_, and the first series of the _Tales of My Landlord_,
-containing _The Black Dwarf_ and _Old Mortality_; in 1818, _Rob Roy_
-and the second series of the _Tales of My Landlord_, containing the
-_Heart of Mid Lothian_; and, in 1819, the third series, containing the
-_Bride of Lammermoor_ and a _Legend of Montrose_. _Ivanhoe_ was to
-have been issued as a separate work, by another anonymous author, so
-as to spur the interest of a public that might possibly be flagging;
-but the publication of a novel in London, pretending to be a fourth
-series of the _Tales of My Landlord_, determined him to produce it as
-the veritable production of the author of _Waverley_. This was followed
-in quick succession by _The Monastery_ and _The Abbot_, in 1820;
-_Kenilworth_ and _The Pirate_, in 1821; _The Fortunes of Nigel_ and
-_Hallidan Hill_, a dramatic poem, for the copyright of which Constable
-gave £1000, in 1822; _Peveril of the Peak_, _Quentin Durward_, and
-_St. Ronan’s Well_, in 1823; _Red Gauntlet_, in 1824; and _Woodstock_,
-in 1825.
-
-The vast amount of business arising from these publications, produced
-in Constable’s mind a conviction that he was a wealthy and prosperous
-man. Though never possessed of much free capital, he saw around him
-every day such proofs of an enlarging amount of stock, that nothing
-less than the demonstration of figures--a demonstration he cordially
-hated--could have given him greater assurance of his affluent
-condition. Like Scott, he, too, was intoxicated with success. He had
-a magnificent way of transacting all business, and living rather like
-a princely father of letters, than a tradesman aiming at making them
-subservient to his use, he was led into an expenditure beyond his means.
-
-Another error lay in his yielding to Scott’s desire for money, and
-the means of raising money by pre-payment for literary work yet to be
-accomplished. Of Scott’s profits on his works, Lockhart makes the
-following statements: “Before Sir Walter went to London, in November,
-1821, he concluded another negotiation of importance with the house of
-Constable and Co. They agreed to give, for the remaining copyright of
-the four novels published between December, 1819, and January, 1821--to
-wit _Ivanhoe_, _The Monastery_, _The Abbot_, and _Kenilworth_--the
-sum of five thousand guineas. The stipulation about not revealing
-the author’s name under a penalty of £2000, was repeated. By these
-four novels, the fruits of scarcely more than a twelve months’
-labour, he had already cleared at least £10,000 before this bargain
-was completed.... I cannot pretend to guess what the actual state of
-Scott’s pecuniary affairs was at the time when John Ballantyne’s death
-relieved them from one great source of complication and difficulty....
-He must (in his improvements at Abbotsford) have reckoned on clearing
-£30,000, at least, in the course of two years, by the novels written
-within the period, and the publishers, as we have seen, were willing
-to give him £6000, within the space of two years, for works of a less
-serious sort, likely to be despatched at leisure hours, without at all
-interfering with the main manufacture. But, alas! even this was not
-all.... Before _The Fortunes of Nigel_ issued from the press, Scott
-had exchanged instruments, and received his bookseller’s bills for no
-less than “four works of fiction,” not one of them otherwise described
-in the deeds of agreement. And within two years all this anticipation
-had been wiped off by _Peveril of the Peak_, _Quentin Durward_, _St.
-Ronan’s Well_, and _Red Gauntlet_; and the new castle was at that time
-complete, and overflowing with all its splendour; but by that time the
-end was also approaching!”
-
-To return for a moment to Constable’s life as apart from the author of
-_Waverley_; he had, as we have seen, entertained in early years strong
-literary aspirations, and he repeatedly expressed a touching regret at
-the nonfulfilment of his hopes. The only literary efforts that have
-been distinctly traced to his pen consist of an edition of _Lamont’s
-Diary_, in 1810; a compilation of the poetry contained in the Waverley
-Novels, and the composition of a small volume which appeared in 1822,
-under the title of _Memoirs of George Heriot_, jeweller to King James,
-containing an account of the hospital founded by him at Edinburgh. In
-1816 he lost his wife, and in 1818 he married Miss Charlotte Neale,
-who survived him. In the early part of 1822 his health suffered so
-severely that he was obliged to sojourn in the south for a while. In
-1823, though professedly a Whig in politics, he was included by the
-liberal policy of the Government in a list of new magistrates for the
-city of Edinburgh; and in the same year he moved from the warehouse,
-which he had occupied for twenty years in the High Street, to an
-elegant mansion in the New Town, adjacent to the Register House, which
-had become his own through his second wife.
-
-Constable had at this time all the personal and outward appearance of
-a successful man. He was stout and portly in body, and rather defiant
-and imperious in his manner. Among the trade he was known as the “Czar
-of Muscovy;” of the London potentates, John Murray had earned the
-_sobriquet_ of the “Emperor of the West,” and Longman and his string
-of partners as the “Divan.” Constable had christened John Ballantyne
-the “Dey of Algiers,” but, as John complained, had subsequently deposed
-him. The “Czar,” however, was too fond of these nicknames. Longman was
-one day dining with him: “What fine swans you have on your pond there,”
-quoth the Londoner. “Swans,” cried Constable, “they are only geese,
-man! There are just five of them, if you please to observe, and their
-names are Longman, Hurst, Rees, Orme, and Brown.” This skit cost “the
-Crafty” a good bargain.
-
-About the year 1825, Constable devised a scheme greater than any he
-had yet floated, and the adoption of which was eventually destined
-to effect an entire revolution in the bookselling trade. After long
-study of the annual schedule of tax-payers, he established his
-premises clearly enough. There was undoubtedly an immense majority
-of respectable British families who never thought of buying a book.
-“Look,” he cried to Scott, “at the small class of people who pay the
-powder tax, what a trifle it is to each, and yet what a fortune it
-would bring to a bookseller! If I live for half-a-dozen years,” he
-continued, “I shall make it as impossible that there should not be
-a good library in every decent house in Great Britain, as that the
-shepherd’s ingle nook should want the ‘saut poke.’”
-
-“Troth,” said Scott, “if you live you are indeed likely to be
-
- ‘The great Napoleon of the realms of _print_.’”
-
-“If you outlive me,” retorted Constable, “I bespeak that line for my
-tombstone.... At three shillings or half-a-crown a volume every month,
-which must and shall sell, not by thousands, and tens of thousands, but
-by hundreds of thousands, and, ay, by millions! Twelve volumes in the
-year, a halfpenny of profit on every copy of which will make me richer
-than all the copyrights of all the quartos that ever were, or ever will
-be, hot-pressed! Twelve volumes so good that millions must wish to
-possess them, and so cheap that every butcher callant may have them if
-he pleases to let me tax him sixpence a week!”
-
-Scott saw the feasibility of the scheme, and it was decided to start at
-once with a life of the “other Napoleon,” and a portion of one of the
-“Waverley Novels.”
-
-But, alas! before the plan could be carried into execution, the crisis
-came. Lockhart received a letter from London stating that Constable’s
-London banker had thrown up his book, and he galloped over at once to
-Sir Walter’s, who smiled, re-lit his cigar, took the news coolly, and
-declined to believe it, and for the moment he was right.
-
-Lockhart’s account of the terrible failure in which Scott was involved
-is this: Whenever Constable signed a bill for the purpose of raising
-money among the bankers, for fear of accident, or any neglect in taking
-the bill up before it fell due, he deposited a counter-bill, signed
-by Ballantyne, on which, if need were, Constable might raise a sum of
-money equivalent to that for which he had pledged his word; but these
-counter-bills were allowed to lie in Constable’s desk till they assumed
-the size of a “sheaf of stamps;” and when the hour of distress came,
-Constable rushed with these bills to the money-changers, and thus the
-Ballantynes who were liable to Constable for, say £25,000, were legally
-liable for £50,000. Constable, in his turn, carried on the same game
-with the London house of Hurst, Robinson, and Co., his agents--and upon
-a much larger scale. They neglected their own business of bookselling
-and entered heavily into speculation in hops, and in the panic of the
-close of 1825, availed themselves of Constable’s credit, and he of the
-Ballantynes, and the loss descended upon their principal partner, Scott.
-
-This account has been contradicted by the representatives of John
-Ballantyne, in two pamphlets, refuting Lockhart’s history of the
-affair, and proving their side of the question by reference to the old
-account books; Cadell, Constable’s quondam partner, and certainly not
-biassed in his favour, throws his vote in with the Ballantynes. The
-responsibilities they undertook were solely at the bidding of Scott,
-and for his benefit; and in proof of this, they quote a clause from
-the last deed of partnership, dated 1st April, 1822.
-
-“The said Sir Walter Scott shall remain liable for such bills and debts
-as there shall be due and current.”
-
-When the persons most interested differ vitally, it is hard to decide;
-however, the result of it all was, that when Hurst, Robinson, and Co.
-stopped payment in London, Constable failed for upwards of a quarter
-of a million, and the Ballantynes were also bankrupt to the extent
-of £88,607 19_s._ 9_d._ It was in the middle of January, 1826, that
-the actual crash came. Splendid and magnificent to the very last,
-Constable rushed off to town as fast as post-horses could carry him.
-He drove straight to Lockhart’s house, “and asked me,” says that
-gentleman, “to accompany him as soon as he could get into his carriage
-to the Bank of England, and support him (as a confidential friend of
-the author of the ‘Waverley Novels’) in his application for a loan
-of £100,000 to £200,000 on the security of the copyrights in his
-possession”--a proposal that would have rather startled the old lady
-of Threadneedle-street, who was, at that time of unparalleled panic,
-according to Mr. Huskisson’s subsequent confession in the House, on the
-very verge of suspending payment herself. When Lockhart refused--and,
-of course, without direct instructions from Sir Walter, he could not
-hazard such a step--Constable became livid with rage, stamped on the
-ground, and swore that he could and would go alone.
-
-How Scott bore the blow, and, what he dreaded infinitely more than the
-mere loss of money--the exposure it entailed of his connection with the
-printing house, we all know; how he declined to accept any compromise;
-how he sold off his Abbotsford estate, which he had devoted all the
-efforts of his genius to acquire, and which he loved so well; how he
-slaved and toiled until the incredible sum was repaid--but, alas! at
-the expense of a life more precious than all the lucre of creditors;
-and how his last words on his death-bed were his best epitaph:--“My
-dear, be a good man, be virtuous, be religious--be a good man! Nothing
-else will give you any comfort when you come to lie here.”
-
-Our matter, however, is with Constable. He saw his fortunes--the strong
-up-buildings of a gloriously successful lifetime--dashed to the ground
-at one blow. With a young family growing up around him, sick in body
-and weary in soul, he too had to begin life afresh. All his “sunshine”
-friends fell off, Scott was alienated, and his stock, which he had been
-wont to contemplate as a mine of wealth, was sequestered, and sold
-for a tithe of its value.[13] Cadell, his late partner, purchased the
-copyrights of the “Waverley Novels” for £8,500, and, securing Scott’s
-countenance, set up as a fortunate rival.
-
-Constable, however, went manfully to work at his proposed Miscellany.
-Captain Basil Hall, in kindly consideration, made him a present of his
-_Voyages_, and this was brought out in 1827, for the small sum of one
-shilling, and proved fairly successful. This same year, by-the-by,
-was commenced the _Library of Useful Knowledge_, by the Society for
-the Diffusion of Useful Knowledge, who, following Constable, had the
-“honour of leading the way in that fearful inroad upon dearness of
-the good old times of publishing, which first developed itself in the
-wicked birth of what the literary exclusives called the _Sixpenny
-Sciences_.”
-
-Constable’s prospects were brightening; he had now gathered round him
-all the younger literary men of the day, when, in the midst of his
-struggles, his old disease of dropsy again attacked him, and he died on
-the 21st July, 1827.
-
-His widow and family were left in sorry circumstances, but his son
-Thomas eventually attained the position of an eminent and well-known
-printer in Edinburgh. The Ballantynes, with whom he had been so
-intimately connected, disproved many of Lockhart’s assertions, by
-showing that, by dint of hard work and good business habits, they were
-capable of success, unaided by the help of Sir Walter Scott.
-
-Constable, if not the most successful, was certainly the most eminent
-of the Scotch publishers. It is pleasant where the two lives have
-been so curiously blended to be able to quote Scott’s estimate of his
-character:--
-
-“His vigorous intellect and vigorous ideas have not only rendered
-his native country the merit of her own literature, but established
-there a court of letters which commanded respect even from those most
-inclined to dissent from many of its canons. The effect of these
-changes operated, in a great measure, by the strong sense and sagacious
-calculation of an individual who knew how to avail himself, to an
-unhoped-for extent, of the various kinds of talents which his country
-produced, will probably appear much clearer to the generation which
-shall follow the present.”
-
-The remaining portion of this chapter will in itself bear ample
-testimony to the truth of this prediction; for we shall have to touch
-upon two distinct lives, and two long and very successful lives, to
-trace the progress of the chief works which passed out of Constable’s
-hands so shortly before his death.
-
-Robert Cadell had been admitted a partner in the house upon his
-marriage with Constable’s daughter, but she died childless long before
-the failure, and Cadell was soon married again to a Miss Mylne. Thus
-the family ties were severed, and, when the crash came, Cadell felt no
-hesitation in entering the field as a rival to his late partner.
-
-The stock of the Waverley Novels was sold off, far below the market
-value, and the London publishers, judging from this that the intrinsic
-worth of the copyright had irretrievably declined, allowed Cadell, as
-we have seen, in conjunction with Scott, to become the purchaser at the
-low price of £8500. The success of the republication was astounding,
-and showed what real life and vivacity was still left in the copyright.
-By this scheme the whole of the novels were reprinted in five-shilling
-volumes with excellent illustrations, giving for ten shillings in two
-volumes what had been originally published in three at a guinea and a
-half.
-
-After Scott’s death the debt still amounted to £54,000; his life was
-insured for £22,000, there was £2000 in hand, and now Cadell most
-handsomely advanced £30,000 in order that the remaining debt might be
-liquidated, taking as his only security the right to the profit that
-might accrue from the copyright property. The family, dreading that
-the term of copyright might expire before the sum could be returned,
-endeavoured to obtain a special additional term, and on more than one
-occasion Serjeant Talfourd introduced a bill into the House of Commons
-to this effect, but without success. Fortunately, however, the event
-showed that Cadell was commercially fully justified in his generosity,
-for before his death not only had he been reimbursed his £30,000, but a
-handsome profit had been earned “for the benefit of all whom it might
-concern.”
-
-According to Mr. James Mylne, one of Cadell’s executors, the following
-is the total sale of Scott’s works from the time they came into
-Cadell’s hands until his death:--
-
- _Circulation._
-
- Waverley Novels 78,270 sets
-
- Poetical Works 41,340 ”
-
- Prose Works 8,260 ”
-
- _Life_ by Lockhart 26,060 ”
-
- _Tales of a Grandfather_
- (as a separate work) 22,190 ”
-
- Selections 7,550 ”
-
-and, as a test of the popularity of the _People’s Edition_ of the
-writings and _Life_, he states that the following numbers originally
-printed in weekly sheets were issued:
-
- Novels 7,115,197
- Poetry 674,955
- Prose 269,406
- Life 459,291
- ----------
- Total Sheets 8,518,849
-
-Robert Cadell died on January 21st, 1849, after a long career rendered
-prosperous by this splendid property, and on March 26th, 1851, the
-novels, poems, prose works, and the “Life” by Lockhart were put up to
-auction at the London Coffee House by Mr. Hodgson. The sale brought
-together the largest “trade” gathering that has ever been witnessed;
-there were publishers from the “Row” and Albemarle Street, booksellers
-from Ave Maria and Ivy Lanes, and speculators from every corner of
-the kingdom. The stock had been valued at £10,193 3_s._, a very low
-figure, and it was announced that this would be sold only with the
-copyrights, and that the trustees retained the right of bidding. After
-much disputing as to these restrictions £5000 was offered, and quickly
-rose by leaps of £500 to £10,500, when Mr. Bohn and the “Row” retired,
-and the struggle lay between Mr. Virtue and some imaginary bidder,
-visible only to the eyes of the auctioneer. At £13,500 the copyright
-was “bought in” making the price, including the stock, £23,693 3_s._
-
-This afforded a wonderful contrast to the former sale at £8500, more
-especially when we consider that the copyright of the earlier novels
-had only five or six years more to run.
-
-In a few weeks after this it was announced in the _Scotsman_ that
-the whole of the copyrights were transferred to the hands of another
-eminent publishing firm in Edinburgh--Messrs. A. and C. Black, who, in
-conjunction with their friends, Messrs. Richardson Brothers, became the
-possessors at the price of £27,000.
-
-Leaving the Waverley Novels for a time, it will be necessary to bring
-up the narrative of the career of Mr. Adam Black to the period when he
-was able to become the owner of the most valuable literary property
-that has ever existed.
-
-Adam Black, the son of Charles Black, a builder of Edinburgh, was born
-in that town in the year 1784, and was educated primarily at the High
-School, on his entrance as a pupil at which, tradition says, he was
-accompanied by his father, who, having just left his employment for
-the purpose, appeared in full working garb, the mason’s white leathern
-apron included. At the University his talents speedily procured him
-admittance into that clique of young Liberals who were afterwards to
-effect such a change in Edinburgh, indeed in cosmopolitan politics.
-After serving his apprenticeship to the book trade, in partnership
-with his nephew, the bookselling business of Adam and Charles Black
-was founded. In 1817 he married Isabella, only daughter of James Tait,
-architect (sister of William Tait, the well-known originator of _Tait’s
-Magazine_), and at the time of Constable’s failure was in a steady and
-prosperous way of business. This disaster was the means of making many
-fortunes, and in 1826 the _Edinburgh Review_ appeared under the joint
-proprietorship of Thomas Norton Longman and Adam and Charles Black.
-As we have followed the career of the _Review_ in our history of the
-Longman family, it will be unnecessary to enter fully into the changes
-of management and the success of later numbers.
-
-Another work, however, afterwards thrown on the market, which also
-became the property of Messrs. A. and C. Black, is of such literary
-importance that we must again for a moment retrace our steps, in order
-to keep up the proper sequence of our narrative.
-
-The idea of a compilation that should embrace all human knowledge is of
-very great antiquity. Pliny, in fact claims the name of “Encyclopædia”
-for his _Natural History_; but it was not till the sixteenth century
-that any attempt was made at arranging the matter in a systematic
-manner, though the Arabians are said to have had a true _Encyclopædia_
-centuries before that date. It was long, however, before the idea
-occurred of employing the lexographic plan as a basis of a universal
-_répertoire_ of learning, and the first great step in advance was
-the _Lexicon Technicum_ of Dr. Harris, completed and published at
-London in the year 1710. The _Cyclopædia_ of Ephraim Chambers, with
-which we have previously dealt, appeared in 1728, and for a long time
-was the supreme authority; through its success at home and abroad a
-new impulse was given to the desire for such publications. In France
-the _Encyclopédie_ was projected by the Abbé de Gua, and was based
-originally on an unpublished translation of Chambers’s _Cyclopædia_,
-made by an Englishman named Mills. In consequence of a quarrel with the
-publishers, De Gua threw it up, and it was then transferred to Diderot
-and D’Alembert; to become the text-book of the French philosophers.
-The publication of the seventeen volumes extended from 1751 to 1765,
-and six years after the latter date appeared the first volume of the
-_Encyclopædia Britannica_.
-
-The plan and all the principal articles of this now important work were
-in this first edition devised and written by William Smellie.
-
-Smellie began life as a compositor, and he used to lay down his
-composing-stick for an hour or two daily to attend the classes of the
-Edinburgh University. At the age of nineteen he was engaged by Murray
-and Cochrane as corrector of their press in general and conductor and
-compiler of the _Scots Magazine_ at a salary of sixteen shillings a
-week. If the saying that “Edinburgh never had a Grub Street” is true,
-it must have arisen rather from the perseverance of the writers than
-from the uniform generosity of the publishers.
-
-The agreement upon which the _Encyclopædia_ was undertaken was still in
-existence when Kerr wrote Smellie’s _Life_; as a literary curiosity we
-quote it:--
-
- “Mr. Andrew Bell to Mr. William Smellie.
-
- “SIR,--As we are engaged in publishing a ‘Dictionary of the
- Arts and Sciences,’ and as you have informed us that there
- are fifteen capital sciences, which you will undertake for,
- and write up the sub-divisions and detached parts of them,
- conforming to your plan, and likewise to prepare the whole work
- for the press, &c., &c. We hereby agree to allow you £200 for
- your trouble.”
-
-The first proprietors were Andrew Bell, engraver, and Colin
-Macfarquhar, printer. The publication was commenced in weekly numbers
-in 1771, and completed in 1773, by which time the bulk in all consisted
-only of three small quarto volumes. A second edition was called for in
-1776, and Smellie was offered a share in the property, but he declined
-to have anything more to do with it, as upon the recommendation of “a
-very distinguished nobleman” it was resolved to introduce a complete
-system of biography. The proprietors engaged, instead, James Tytler, a
-laborious miscellaneous writer, and a man of extraordinary knowledge.
-A large proportion of the additional matter, by which the work was
-extended from three to ten volumes, was due to his pen, but the payment
-for this labour is said to have been very small, and the unfortunate
-author was not able to support his family in a style superior to that
-of a common labourer. At one time, during the progress of the work, he
-lived at the village of Duddingston, in the house of a washerwoman,
-whose tub inverted formed the only desk at his disposal, and one of his
-children was frequently despatched with a parcel of “copy” upon which
-their next meal depended.
-
-This second edition consisted of 1500 copies, and extended to ten
-volumes quarto. The third edition, to which Tytler also contributed,
-was commenced in 1789. Till then it had been considered in the south as
-“a Scots rival of little repute” (to Chambers’s _Cyclopædia_), but in
-this edition, beside the method and comprehensiveness of the plan, it
-rose greatly above its former level in its practical and speculative
-departments. It was completed in 1797, in eighteen volumes, to which
-Professor Robison supplied two supplementary volumes to complete the
-series he had commenced when the principal work was far advanced.
-The sale of this edition extended to ten thousand copies, and the
-proprietors are said to have netted £42,000 of clear profit, besides
-being paid for their respective work--the one as printer, the other as
-engraver. Much of this, of course, was due to poor Tytler’s labours,
-who was still living in the utmost penury. He was, however, perfectly
-regardless about poverty, having no desire to conceal it from the
-world. He would finish his frugal meal of a cold potato before the eyes
-of a stranger with as much nonchalance as if it had been a sumptuous
-repast. He had that contentment with poverty which is so apt to make
-it permanent, and this, in addition to his imprudent and intemperate
-habits, cut off all chance of a higher social position. As a proof of
-his extraordinary stock of general knowledge, his biographer relates a
-characteristic anecdote.
-
-“A gentleman in this city of Edinburgh once told me he wanted as much
-matter as would form a junction between a certain history and its
-continuation to a later period. He found Tytler lodged in one of those
-elevated apartments called _garrets_, and was informed by the old woman
-with whom he resided, that he could not see him, as he had gone to
-bed rather the worse for liquor. Determined, however, not to depart
-without his errand, he was shown into Mr. Tytler’s apartment by the
-light of a lamp, where he found him in the situation described by the
-landlady. The gentleman having acquainted him with the nature of the
-business which brought him at so late an hour, Mr. Tytler called for
-pen and ink, and in a short time produced about a page and a half of
-letterpress, which answered the end as completely as if it had been the
-result of the most mature deliberation, previous notice, and a mind
-undisturbed by any liquid capable of deranging its ideas.”
-
-On the death of Macfarquhar the whole work became the property of
-Andrew Bell.
-
-The fourth edition, augmented to twenty volumes, was completed in 1810,
-under the able superintendence of Dr. James Millar; but the editor
-was prevented from availing himself of Professor Robison’s excellent
-supplementary articles by a temporary separation of that property from
-that of the principal work. This issue consisted of three thousand five
-hundred copies.
-
-With the completion of this edition the progress of improvement was
-for a time suspended; but in 1814 the copyright of the work was
-purchased by Archibald Constable, who, with the enterprise that always
-distinguished him, at once projected a supplement, which extended to
-six volumes. It was placed under the skilful management of Professor
-Macney Napier, and the publication lasted from 1815 to 1824. Many
-very distinguished authors were engaged as contributors, among whom
-we may specially mention Arago, Biot, and Dugald Stewart; and all the
-resources of the proprietors were devoted to this favourite undertaking.
-
-In 1829 the whole of the copyrights (including that of Professor
-Robison’s supplementary articles) passed into the hands of Messrs. A.
-and C. Black, assisted by their friends; and we are now able to resume
-our narrative at the point we left it.
-
-The property was at first a joint stock concern, resembling the
-original proprietorship, and was, we believe, owned in equal shares
-by Mr. Abraham Thomson, as the binder; Mr. Thomas Allan, as the
-printer; and Messrs. A. and C. Black, as publishers. Mr. Thomson died
-shortly afterwards, and the Messrs. Black became the possessors of his
-interest in the work. Some years afterwards, the share held by Mr.
-Allan, who was a banker in Edinburgh, and also printer and proprietor
-of the _Caledonian Mercury_, also fell into the hands of the Messrs.
-Black. At this time the new edition was in midway progress, and the
-enormous expense necessary to complete the work rendered the venture
-single-handed something more than hazardous. But the ability, tact,
-immense energy, and unceasing labour of Mr. Adam Black, then in the
-prime of life, proved equal to the task he had undertaken, and in
-this case it may truly be said that for years he went on literally
-scattering bread upon the waters, and most deservedly did he obtain his
-reward. Previously, we believe, to the completion of this edition, Mr.
-Charles Black, who had long been in delicate health, died.
-
-Upon Jeffrey’s retirement in 1829, Macney Napier, Professor of
-Conveyancing in the University of Edinburgh, was promoted to the
-editorship of the _Edinburgh Review_, and Mr. Black also secured
-his services for the management of the seventh edition of the
-_Encyclopædia_. Napier was assisted by James Brown, LL.D., as
-sub-editor, and on his shoulders most of the hard work fell. Brown,
-who was trained as an advocate at the Scottish bar, relinquished this
-for literature. His thorough scholarship enabled him to undertake
-almost any department of literary work, and rendered him invaluable
-for the revisal of such a work as the _Encyclopædia_. He was also a
-ready and slashing political writer, at a time when political feeling
-was rampant. Remarkable alike for his mental activity and his personal
-irascibility, the one great difficulty lay in managing the Doctor. As
-an instance of this, the article “Alphabet” was entrusted to Brown for
-the new edition of the _Encyclopædia_. He was at the same time editor
-of the _Caledonian Mercury_, and on the appearance of something in that
-paper which led to a quarrel with Mr. Allan, the proprietor, who was
-also a shareholder in the _Encyclopædia_, Brown declined to go on with
-“Alphabet.” The part in which this was to appear was due, and Brown
-was inflexible. The subject was a difficult one, peculiarly suited to
-Brown’s abilities, and it was not easy elsewhere to find so competent
-a writer. In these circumstances, Mr. Black adopted the experiment
-of passing over that part and bringing out the succeeding one. Thus
-circumvented, Brown came to terms, and things again went on smoothly.
-But, notwithstanding his proverbial kindliness of disposition, he
-was hasty in coming to conclusions, and was always getting into
-scrapes of one kind or another; and a duel, in which he and Charles
-Maclaren, editor of the _Scotsman_, figured as principals, furnished
-the Edinburgh _gamins_ with a popular street song. He escaped all
-duellistic dangers, however, but his unremitting labours brought on a
-stroke of apoplexy, of which he died in 1841.
-
-The great feature of the new edition was the preliminary
-“Dissertations,” which were commenced by Professors Stewart and
-Playfair, who were both carried off in the midst of their labours. Sir
-James Mackintosh, who undertook to complete his friend’s “History of
-Ethical and Political Philosophy” (the Metaphysical portion had been
-completed by Stewart) was also summoned from his labours before the
-Political division was commenced; and the “History of the Physical
-Sciences” was brought down by Professor Leslie to the commencement of
-this century.
-
-“The ‘Dissertations’ produced by these four extraordinary men are still
-regarded with peculiar pride in Scotland; indeed, few nations can boast
-of such an intellectual group living at the same time, and adorning the
-same society; and yet, with powers of mind not far from equality, how
-various were their gifts, and how diversified their genius!”[14]
-
-The seventh edition was commenced in monthly parts in March, 1830, and
-finished in January, 1842. Of its success it is almost unnecessary to
-speak; with confidence reposed in the proprietors sufficient to command
-the services of such writers as Young, Malthus, Macculloch, Mill,
-Roget, Wilson, Empson, De Quincey, and Tytler, while the editor can
-count on the aid of friends like Scott, Playfair, Stewart, Leslie, Lord
-Jeffrey, Sir William Hamilton, and Sir John Barrow, it is not difficult
-to anticipate the result. The mere cost of presentation copies
-amounted to £416 16_s._, and the amount of duty on the paper employed
-exceeded £6000; while, to go into heavier matters, the total expense
-of the twenty-one quarto volumes was, in a trial in the Jury Court of
-Scotland, proved to have been no less a sum than £125,667 9_s._ 3_d._
-This amount, of course, includes every item of expenditure, among which
-the following are the most important:--
-
- £ _s._ _d._
-
- Contributions and Editing 22,590 2 11
- Printing 18,610 1 4
- Stereotyping 3,317 5 8
- Paper 27,854 15 7
- Bookbinding 12,739 12 2
- Engraving and Plate-printing 11,777 18 1
-
-The literary contributions to the first volume of “Dissertations” alone
-cost upwards of £3450.
-
-The work was eminently successful, and this immense expenditure shows
-us something of what “success” means in this instance. The commercial
-management of an undertaking like this was sufficient to occupy the
-attention of a man of extraordinary diligence; but Mr. Black found
-time, not only to contribute several articles to his _Encyclopædia_,
-but to take a very warm and prominent interest in the government of his
-native city; and from 1843 to 1848 he occupied the highest position to
-which a citizen of Edinburgh can aspire--that of Lord Provost.
-
-Enterprise and success, more especially when they are mingled with
-real desert, and caused by honest service, are qualities of which the
-Scotch, perhaps more than any other nation, are peculiarly proud; and
-when the representation of Edinburgh became vacant in 1856, a large and
-influential party at once nominated Mr. Adam Black to fill the post.
-Mr. Adam Black was a thorough-going Liberal and a Nonconformist, and
-a party of the electors received his nomination in a spirit of the
-greatest bitterness, and an opposition candidate was brought forward.
-The election came off on the 8th February, 1856, and Mr. Black, the
-friend of political freedom when friends were few, the champion of
-religious charity and goodwill when enemies were many, was rewarded for
-his consistency and his many services by a larger number of votes than
-had been polled for twenty years--no weak test of popular approbation.
-As a contemporary opinion, we may quote the _Scotsman_ of that
-date:--“Honour to the candidate! Sincerely reluctant to compete for the
-honour, no sooner was he embarked, and saw that the great principles
-and the reputation of the city were concerned and imperilled in his
-person, than he threw himself into the work with a vigour that made
-even the youngest and most energetic of his supporters stand aside. We
-don’t care who knows it: Mr. Black was the most effective member of his
-own committee--in word and in act, by day and by night, the veteran was
-ready with guidance and warning and incentive. In all his many battles
-in the public cause, he never made a better fight than when achieving
-this victory which so gloriously crowns his career.”
-
-In the House Mr. Black distinguished himself by his assiduity to
-business, and in 1864 he introduced his Copyright Bill, which, though
-it contained much that was good, was ultimately thrown out.
-
-Upon completion of the seventh edition, a number of cheap reprints were
-issued of the most famous articles of the “Encyclopædia,” and met with
-a very favourable reception.
-
-We have seen that in 1851 the Messrs. Black, in conjunction with
-Messrs. Richardson Brothers, became possessed of the Waverley Novels.
-Ultimately, the Messrs. Black purchased, it is said, the Messrs.
-Richardsons’ share, and are now believed to be the sole proprietors of
-Sir Walter Scott’s works. In the management of this property Mr. Adam
-Black exhibited the same rare sagacity, and reaped the same successful
-reward as in the former important work. In the middle of 1852, he
-announced that 120,000 complete sets of the Waverley Novels had been
-sold in this country alone since their first publication; and in 1858
-an ingenious mathematician computed that the weight of the paper used
-for them was upwards of 3500 tons.
-
-Among the most important editions issued by Messrs. Black we may
-instance the following:--
-
- £ _s._ _d._
-
- A Re-issue of the “Cabinet Edition” in 1853-54 at 3 15 0
-
- ” ” ” 1860 ” 3 10 0
-
- The “People’s Edition” in 5 vols. ” 1855 ” 2 2 0
-
- “Railway Edition” in 25 vols. ” 1858-60 ” 1 17 6
-
- New Illustrated Edition in 48 vols. founded on
- “Author’s Favourite” ” 1859-61 ” 10 13 0
-
- “Shilling Edition” in 25 vols. ” 1862-63 ” 1 5 0
-
-At our present writing a beautiful new edition, the “Centenary,” is
-being published.
-
-The moment that the copyrights of the earlier novels expired the market
-was flooded with cheap reprints; but the Messrs. Black were equal
-to the occasion. They issued a trade reminder to the public that the
-edition of 1829 was thoroughly revised by the author, was altered in
-almost every page and largely augmented by notes, and that it still was
-copyright, and as a death-blow to the reprints by rival houses they
-brought out the “sixpenny edition” in monthly volumes, each volume
-containing a complete tale with all the matter that had appeared in
-the more expensive editions. Thanks to former stereotypes they were
-thus enabled to present a series of the cheapest and most valuable
-books that any house in the country has yet been able to produce.
-The publication lasted from November, 1866, to November, 1868, and
-the complete issue consisted of twenty-five volumes, and thus the
-public were able to purchase for twelve shillings and sixpence what
-had originally cost upwards of forty pounds. Constable himself in his
-wildest dreams of cheap publishing never imagined such a marvellous
-feature as this.
-
-As a proof of their popularity we quote from a contemporary writer
-in the _Illustrated Times_, 25th of September, 1867. The writer was
-travelling down to Wales, and, at the London station, he said, “‘Boy,
-where are the Scott novels?’ ‘Don’t keep them,’ he replied. ‘Don’t keep
-them! Why not?’ ‘Because, if we did, we should not sell anything else.’
-Here then, to begin with, is a small fact worth reflection. Some of
-the novels were first published fifty years ago. Can you point out any
-other series of books, or even any single book, a sixpenny edition of
-which Mr. Smith would be afraid to lay upon his bookstalls for fear the
-public might refuse to buy anything else?” At every station the writer
-made the same inquiry and met with the same result.
-
-As through the business talents of the publishers, the printed works
-of Sir Walter Scott were reduced in price, so through the fame of the
-author did the autograph remains rise to a very wonderful fictitious
-value. Mr. Cadell made a remarkable collection of all the manuscripts
-he could purchase, and on the 9th of July, 1868, his collection was
-sold for £1073; while even a corrected proof of “Peveril of the Peak”
-realized £25.
-
-The seventh edition of the “Encyclopædia Britannica” was finished,
-as we have previously stated, in 1842, and met with, not only an
-immediate, but also a continuous sale, but human knowledge refuses
-to be stereotyped, and at the close of 1852 the eighth edition was
-commenced, occupying nine years in the publication. The proprietors
-justly claim for it the proud title of “the largest literary enterprise
-ever undertaken by any single house in Great Britain.” The editorial
-charge was entrusted to Dr. Thomas Stewart Trail, professor of
-medical jurisprudence in the University of Edinburgh; and, among the
-more important new contributors, we may mention Archbishop Whately,
-Professor Blackie, and Dr. Forbes, the latter of whom contributed
-a new “Dissertation” to the introductory volume. Lord Macaulay
-contributed five of the leading biographies “as a token of friendship
-to the senior proprietor.” “Any article of any value in any preceding
-edition,” says the editor, “has been reprinted in this--in all cases
-with corrections, and frequently with considerable additions. Besides
-these, it has received so great an accession of original contributions,
-that nine-tenths of its contents may be said to be absolutely new,”
-and this will probably apply with the same force to the ninth edition,
-which is to be commenced next year.
-
-Long before this date Mr. Adam Black was assisted in his business by
-his sons. He retired from the house in 1865, and now laden with honours
-in public, and successes in business, life, he may fairly claim to
-be the Nestor of publishers. He must have seen many changes in the
-literary world, and marked many vicissitudes in the “realms of print;”
-but the changes as far as they operated for him were for the better,
-and vicissitudes seem invariably to have kept outside his charmed
-circle.
-
-In the year 1861, a very valuable work--the “Collected Writings of the
-late Thomas De Quincey”--came into the hands of Messrs. Black; but,
-as the public are almost entirely indebted to the laborious care and
-patient perseverance of another publisher, Mr. James Hogg, then of
-Edinburgh, for the production of this collection, which then consisted
-of fourteen volumes, we have thought it better that this account should
-form a kind of supplement to our present chapter.
-
-For a period of about forty years De Quincey had been an extensive
-contributor to periodical literature, and it is scarcely surprising
-that, during such a length of time, the sources even where many of his
-contributions originally appeared had been forgotten, and that the very
-existence of a few had altogether escaped the author’s recollection.
-Various attempts had been made to induce De Quincey to draw together
-and revise a selection from the more important of his scattered
-writings, but from his varying state of health and, consequent on this,
-his inveterate habit of procrastination, the work was always postponed;
-and from his advanced years, all hope was given up of the collected
-works ever appearing under the superintendence of the author.
-
-In the year 1845, the well-known periodical, _Hogg’s Instructor_, was
-started under the management and sole responsibility of Mr. Hogg.
-Sixteen volumes of the _Instructor_ as a weekly serial were published,
-and among many other contributors of note was the “Opium-Eater,” and
-from the commencement of their intercourse De Quincey and Mr. Hogg
-became firm friends.
-
-About this time several volumes of De Quincey’s writings had been
-collected and published by Messrs. Ticknor and Fields, of Boston, U.S.,
-without, of course, the advantage of the author’s own revisal; and, as
-the papers had been originally hurriedly written for magazines, and
-as, during the lapse of time, many changes had become unavoidable,
-the author felt that, in justice to himself, extensive additions
-and, in some cases, suppressions were necessary. Arrangements were
-accordingly entered into for bringing out the collected works at home
-in a thoroughly revised and amended form, Mr. Hogg undertaking all the
-responsibility, and engaging to give his aid both in collecting the
-materials, and in generally seeing the volumes through the press. On
-the announcement of the publication it was confidently predicted by
-some of those who had been engaged in the previous attempts that not
-a single volume would ever appear. In order to afford ample time for
-the thorough revision of the work it was arranged that the publication
-should be spread over three years. The first volume appeared in 1853;
-but, instead of three years bringing the series to a close, eight
-years had elapsed before the thirteenth volume was completed, and
-then De Quincey died--the remainder of the thirteenth, and the whole
-of the fourteenth, being due to Mr. Hogg. During these eight years
-almost daily interviews or correspondence occurred between De Quincey
-and Mr. Hogg. To use the author’s words, “the joint labour and patient
-perseverance spent in the preparation of these volumes was something
-perfectly astounding.” In addition to the frequent and protracted
-interviews, the correspondence which passed during the progress of the
-work would fill a goodly volume.
-
-In order to account for the delays which so frequently occurred, De
-Quincey remarks upon one occasion:--“I suffer from a most afflicting
-derangement of the nervous system, which at times makes it difficult
-for me to write at all, and always makes me impatient, in a degree not
-easily understood, of recasting what may seem insufficiently or even
-incoherently expressed.” But, while suffering under this cause, he
-laboured under a daily and more formidable bar to progress, as annoying
-and perplexing to himself as to others. For many years he had been in
-the habit of correcting manuscript or of jotting down on loose sheets,
-more frequently on small scraps of paper, any stray thoughts that
-occurred to him, intending to use them as occasion might afterwards
-offer. These papers, however, instead of being methodically arranged
-and preserved, were carelessly laid aside, and were soon mixed up with
-letters, proofs, old and new copy, newspapers, periodicals, and other
-confusing litter, and the numerous volumes he received from literary
-friends and admirers, all huddled together on chairs, tables, or
-wherever they at the moment might be stowed. Placing a high value on
-many things in this heterogeneous mass, and feeling assured in his own
-mind that strange hands would only render confusion worse confounded,
-he would allow no one to endeavour to put the things in order. Indeed,
-if anything could have ruffled his gentle nature into the use of an
-angry word it would have been the attempt to meddle with these papers.
-They very rapidly increased, and every search after missing copy or
-proofs made matters worse. When a dead block occurred his invariable
-practice was to build them up, as they lay, against the wall of the
-room, and, as a consequence, everything went astray. A few extracts
-from notes to Mr. Hogg will show the labour, suffering, and worry
-which this state of chaos entailed:--“My dear Sir,--It is useless to
-trouble you with the _ins_ and _outs_ of the process--the result is,
-that, working through most part of the night, I have not yet come to
-the missing copy. I am going on with the search, yet being walled up
-in so narrow an area (not larger than a postchaise as regards the free
-space), I work with difficulty, and the _stooping_ kills me. I greatly
-fear that the entire day will be spent in the search.”
-
-“Yesterday, suddenly, I missed the interleaved volume. I have been
-unrolling an immense heap of newspapers, &c., ever since six a.m. How
-so thick a vol. _can_ have hidden itself, I am unable to explain.”
-
-“The act of _stooping_ has for many years caused me so much illness,
-that in this search, all applied to papers lying on the floor,
-entangled with innumerable newspapers, I have repeatedly been forced
-to pause. I fear that the seventeen or eighteen missing pages may have
-been burned suddenly lighting candles; and I am more surprised at
-finding so many than at missing so few.”
-
-“I am utterly in the dark as to where this paper is--whether _chez
-moi_, or _chez la presse_ (I use French simply as being the briefest
-way of conveying my doubts). Now mark the difference to me, according
-to the answer. 1. On the assumption that the paper is in _my_
-possession, then, of course, I will seek till I find it, and no labour
-will be thrown away. But 2. On the counter assumption that the paper
-is all the while in the possession of the press, the difference to me
-would be this: That I should be searching for perhaps half a day, and,
-as it is manifestly not on my table, I should proceed on the postulate
-that it must have been transferred to the floor, consequently the work
-would all be unavoidably a process of stooping, and all labour lost,
-from which I should hardly recover for a fortnight. This explains to
-you my earnestness in the matter. Exactly the same doubt applies (and
-therefore exactly the same dilemma or alternative of stoop or stoop
-not) to some other papers.”
-
-How keenly De Quincey felt in consequence of these continually
-recurring delays, the following sentences will show:--“It distracts
-me to find that I have been constantly working at the wrong part. It
-is most unfortunate, nor am I able to guess the cause, that I who am
-rendered seriously unhappy whenever I find or suppose myself to have
-caused any loss of time to a compositor, whose time is generally his
-main estate, am yet continually doing so unintentionally and in most
-cases unconsciously. It seems as if to the very last my destiny were to
-cause delays.”
-
-The frequency of the communications and personal interviews which
-occurred during the eight years in which the works were in progress
-may be inferred from the following:--“My dear Sir,--I have been in
-great anxiety through yesterday and to-day as to the cause of a
-mysterious interruption of the press intercourse with me. Now, it
-has happened once before that we were at cross purposes, each side
-supposing itself stopped by the other. As the easiest way, therefore,
-of creeping out of the mystery I repeat it to you.”
-
-Notwithstanding the continual interruptions and the difficulty of
-dragging the volumes through the press, the cordial and friendly
-feeling which existed between De Quincey and Mr. Hogg was never
-interrupted by a single jarring word.
-
-Since the fourteen volumes passed into the hands of Messrs. Black, they
-have added other two volumes, made up of biographies contributed by De
-Quincey to the “Encyclopædia Britannica,” and a number of papers which
-remained in Mr. Hogg’s hands.
-
-[Illustration]
-
-
-
-
-[Illustration]
-
-
-
-
-_JOHN MURRAY_:
-
-BELLES-LETTRES AND TRAVELS.
-
-
-The foundation of the great publishing houses of London is co-temporary
-in date with the origin of the private banks and famous breweries; for,
-as in the case of these establishments, the connections requisite were
-so extensive, and the needful capital, to render venture a success,
-so large, that in many instances the present great publishing firms
-have been the work of three, in some cases even of five, generations.
-There have, of course, been isolated exceptions, as in the instance
-of Archibald Constable, of Edinburgh; but these rare cases, though
-often beneficial to the world at large, have seldom been individually
-successful.
-
-John McMurray, the founder of the great London house of Murray, was
-born in Edinburgh about the year 1795, of very respectable parents,
-who not only gave him a good education, but enlisted for him the
-sympathies of Sir George Yonge, then an official in high favour.
-Through Sir George’s influence a commission was obtained in the Royal
-Marines, and in 1762, we find from the Navy List, that John McMurray
-joins his frigate full, probably, of hopeful anticipations of the
-promotion that sometimes came so speedily in the days of the old French
-wars. The Peace of Paris, however, was signed in the following year,
-and, spite of patronage and merit, McMurray was, in 1768, still a
-second lieutenant, and, in point of seniority, thirty-fourth on the
-list. Disgusted with a profession from which he could hope so little,
-and eager for a more useful career in life, in this same year he
-embraced an opportunity that seemed to give him a chance of exchanging
-the lounging idleness of Chatham barracks for the busy activity of
-London business, in a trade very congenial to his tastes, and not
-unaccompanied with hopes of solid emolument.
-
-Among the friends he had made either afloat or at his Chatham quarters
-was William Falconer, who, a sailor boy “before the mast,” had in
-the very year of McMurray’s first entry into the service, published
-the beautiful poem of the “Shipwreck.” This poem attracted great
-attention, and the author was promoted to the more honourable than
-lucrative position of midshipman. Fellow-townsmen--and in those days
-blood was thicker than water--and in some degree fellow-students, for
-both were lovers of books, they became firm friends; and McMurray’s
-first thought, when the offer of a bookseller’s business was put before
-him, was to secure the aid of his literary friend in his new venture;
-and an interesting letter, still preserved, gives the history of his
-commencement as a bookseller. Addressed to “Mr. William Falconer, at
-Dover,” it runs as follows:--
-
- “Brompton, Kent, 16th Oct., 1768.
-
- “DEAR WILL,--Since I saw you, I have had the intention of
- embarking in a scheme that I think will prove successful,
- and in the progress of which I had an eye towards your
- participating. Mr. Sandby, bookseller, opposite St. Dunstan’s
- church, has entered into company with Snow and Denne, bankers.
- I was introduced to this gentleman about a month ago, upon
- an advantageous offer of succeeding him in his old business,
- which, by the advice of my friends, I propose to accept. Now,
- although I have little reason to fear success by myself in this
- undertaking, yet I think so many additional advantages would
- accrue to us both, were your forces and mine joined, that I
- cannot help mentioning it to you, and making you the offer
- of entering into company. He resigns to me the lease of the
- house; the goodwill ----; and I only take his bound stock, and
- fixtures, at a fair appraisement, which will not amount to more
- than £400, and which, if I ever mean to part with, cannot fail
- to bring in nearly the same sum. The shop has long continued
- in the trade; it retains a good many old customers; and I am
- to be ushered immediately into public notice by the sale of a
- new edition of Lord Lyttelton’s ‘Dialogues;’ and afterwards
- by a like edition of his ‘History.’ These works I shall sell
- by commission, upon a certain profit without risque; and Mr.
- Sandby has promised to continue to me, always, his good offices
- and recommendations. These are the general outlines; and if you
- entertain a notion that the conjunction would suit you, advise
- me, and you shall be assumed upon equal terms.
-
- “Many blockheads in the trade are making fortunes; and did we
- not succeed as well as they, I think it must be imputed only to
- ourselves.... Consider what I have proposed, and send me your
- answer soon. Be assured in the meantime that I remain, dear Sir,
-
- “Your affectionate and humble Servant,
- “JOHN MCMURRAY.
-
- “P.S.--My advisers and directors in this affair have been
- Thomas Cumming, Esq., Mr. Archibald Paxton, Mr. Samuel
- Paterson, of Essex House, and Messrs. J. and W. Richardson,
- printers. These, after deliberate reflection, have unanimously
- thought that I should accept of Mr. Sandby’s offer.”
-
-From some reason or other the offer was declined; perhaps, as
-Falconer’s biographer asserts, he was at this time (though absent for
-a while at Dover) living with his pretty little wife in an attic in
-Grub Street, toiling at his “Marine Dictionary,” and with no prospect
-of raising the money requisite for the partnership proposed; perhaps
-he had already accepted the pursership of the “Aurora” frigate. At
-all events, immediately after the publication of the third edition of
-his “Shipwreck,” which was to have contained some lines addressed to
-McMurray, which, in the hurry of departure were omitted, he sailed in
-the “Aurora” for India. The Cape was safely reached, but after leaving
-it the “Aurora” was never heard of again. Ship, crew, and passengers
-were all lost, and, through the untimely death of the author, the
-“Shipwreck” acquired a melancholy and almost prophetic interest, which
-speedily exhausted the third and many future editions.
-
-In the meantime John McMurray had commenced bookselling in earnest. It
-was at a time when, through Wilkes and Bute, national feeling seems to
-have run very high, and to be a Scotchman was hardly a recommendation
-to a beginner, and we find that, though McMurray headed all his trade
-bills with a ship, as a proud testimony to his naval antecedents, he
-found it convenient to drop the Scotch prefix of Mc. The following copy
-of a trade card issued at the time is the first record we have of this
-alteration of title.
-
- JOHN MURRAY (successor to Mr. SANDBY),
- Bookseller and Stationer,
- At No. 32, over-against St. Dunstan’s Church,
- in Fleet Street,
- London.
-
- Sells all new Books and Publications. Fitts up Public or
- Private Libraries in the neatest manner with Books of the
- choicest editions, the best Print, and the richest Bindings.
-
- Also,
-
- Executes East India or Foreign Commissions by an assortment of
- Books and Stationary suited to the Market or Purpose for which
- it is destined; all at the most reasonable rates.
-
-Murray found that Sandby’s connection at Fleet Street was a good
-one--Mr. William Sandby, indeed, could have been no ordinary
-bookseller, for his father was a prebendary of Gloucester, and his
-brother a master of Magdalen College, while he was accepted as partner
-in a wealthy banking firm--the trade were inclined to “back him
-up,” and he was able to extend his business considerably in India
-and Edinburgh, where he had many friends. The new edition of Lord
-Lyttelton’s “History” was brought out in stately quarto volumes, as
-befitted the rank of the author, and was completely issued in 1771-2,
-and, published “with a certain profit, without risque,” must have
-proved much more remunerative than the original “Henry II.” was to
-Sandby, who generously offered to pay for the author’s corrections, and
-who found to his cost that not a single line was left as originally
-printed.
-
-Murray seems to have kept up his connection with Edinburgh, for in 1773
-we find him London agent for the _Edinburgh Magazine and Review_, and
-in the following year, when it was proposed to separate the _Magazine_
-from the _Review_, Stuart writes to Smellie:--“Murray seems fully
-apprised of the pains and attentions that are necessary, has literary
-connections, and is fond of the employment; let him, therefore, be the
-London proprietor.” Murray consented to “take a share,” if his advice
-were attended to; but the scheme of a review came to nothing, and
-even the existing _Edinburgh Magazine and Review_ died, in 1776, of a
-violent attack on Lord Monboddo’s “Origin of Language.” Murray offered
-his condolence in the following laconic note:--
-
- “DEAR SMELLIE,--I am sorry for the defeat you have met with.
- Had you praised Lord Monboddo instead of damning him, it would
- not have happened.
-
- “Yours, &c.
- “JOHN MURRAY.”
-
-Murray, now that the Edinburgh scheme had come to nothing, commenced in
-1780 a volume of annual intelligence of his own under the title of the
-_London Mercury_; and in January, 1783, with the assistance of a staff
-of able writers, among whom were Dr. Whittaker and Gilbert Stuart, who
-had lately come from Scotland, he started the _English Review_.
-
-A great portion of Murray’s retail stock was medical books, and for
-many years the house had a reputation in the medical world. Of the
-books, however, which he published, those more latterly issued proved
-by far the most successful, such as Langhorne’s “Plutarch’s Lives,”
-Mitford’s “Greece,” and, in 1791, a thin octavo in which the elder
-Disraeli first gave the public his “Curiosities of Literature”--all of
-them works which have since been annual sources of revenue to the firm.
-
-Murray found time, however, amidst all this business, to indulge
-his own literary tastes and aspirations, which had at one time been
-strong. Some of his pamphlets--such as the “Letter to Mr. Mason on his
-Edition of Gray’s Poems, and the Practice of Booksellers” (1777); his
-“Considerations on the Freight and Shipping of the East India Company”
-(1786), and “An Author’s Conduct to the Public, stated in the Behaviour
-of Dr. William Cullen” (1784)--acquired much transient reputation.
-
-After a career, as successful we imagine as his wishes could desire,
-John Murray died on the 6th November, 1793, leaving behind him a
-widow, two daughters, and an only son, and bequeathing to the latter a
-business which was destined to carry the name of John Murray wherever
-the English language was spoken, and wherever English books were read,
-as the most venturesome and yet the most successful publisher who has
-ever, in London at all events, encouraged the struggles of authorship
-and gratified the tastes of half a world of readers.
-
-John Murray, the son, the more immediate object of our memoir, was
-born in 1778, and was consequently only fifteen at the time of his
-father’s death. He had been educated primarily at the High School of
-Edinburgh, doubtless with a view of keeping up the Scotch connection,
-and had afterwards been removed to “various English seminaries”--among
-others to Dr. Burney’s academy at Gosport, where, through the
-carelessness of a writing-master, while making a pen with a penknife,
-he lost the sight of one of his eyes. The founder of the house not
-only left the business to his son, but left also a council of regency
-to manage affairs until he came to the natural years of discretion. By
-a last will, dated about one month before his death, the elder John
-Murray appointed four executors--among them his widow, Hester Murray,
-and Archibald Paxton, who in his letter to Falconer he had named as one
-of his principal advisers in adopting the bookselling trade. For a year
-or two after 1793 the name of “H. Murray” figures at the top of the
-bills and trade circulars, and then disappears from them, Mrs. Murray
-having, it seems, in 1795, married “Henry Paget, Lieutenant in the
-West Norfolk Militia,” and retired entirely from the management of the
-business. Murray was still too young to carry on the shop unaided, so
-his guardians admitted Mr. Highley, for a long time chief factotum in
-the shop and manager of the medical department, to a partnership with
-him. By the agreement the title of the new firm was to be “Murray and
-Highley;” the latter was solely to conduct the business, and to receive
-half the profits until young John came of age, after which they were to
-enjoy equal powers and “share and share” alike.
-
-[Illustration: John Murray--reading a newspaper.
-
-1778-1843.]
-
-Mr. Highley, who seems to have been a steady, plodding man with
-much latent exertion against all speculative venture, did little to
-increase the standing of the firm; probably he imagined that the trade
-in medical books, as it was attended with the least risk, was the most
-remunerative portion of the business. His worthy soul was vexed at the
-anger excited by Whitaker’s slashing articles in the _English Review_.
-“Enraged authors,” it appears, took to sending huge parcels of defiant,
-contemptuous, and, worse still, unpaid MSS. to the publisher of the
-_Review_, complaining of the treatment which their books suffered at
-the hands of his critics, and “enraged authors” seem at this time to
-have been about the only readers of the savage periodical in question.
-One of the last numbers contains a notice that all unpaid post parcels
-may be inquired for again at the General Post Office; and soon after
-Mr. Highley eased his shoulders of this burden by merging the _English
-Review_ in the _Analytical_.
-
-Young Murray was at this time of a very different temperament to his
-partner--full of youth, fire, and energy, and uncommonly gifted with
-that speculative spirit which must have caused the elder man many a
-time to shake his head sagely, and to lift his gravely deprecating
-eyebrows. In fact, youth and age can never see matters with the same
-eyes;--the one looks as through a telescope magnifying all things
-within vision some hundred-fold; the other peers cautiously through
-spectacles, misty and begrimed, more used in guiding immediate
-footsteps than in gazing far ahead. Murray had attained his majority
-in 1799, and in four years the two partners resolved to sever their
-connection in a pleasant and friendly manner. By the formal deed of
-separation, dated 25th March, 1803, Highley retained all the medical
-business. But the principal act of parting was of anything but a formal
-nature. They drew lots for the old house and Murray was fortunate
-enough to secure the winning prize. Highley moved to No. 24, Fleet
-Street, but was able afterwards, in 1812, when Murray migrated to
-Albemarle Street, to move back again, and here he increased his medical
-connection, leaving a thriving business to his son.
-
-In this very year of separation the _Edinburgh Review_ was started, and
-Murray was probably reminded of the scheme in which his father had once
-been concerned with Smellie to produce a periodical under a similar
-title, but the time was not yet ripe for his own projects.
-
-In 1806, at the age of twenty-four, he married Miss Elliot of
-Edinburgh, a young lady descended from one of the best-known publishers
-in the Modern Athens, and this, perhaps, drawing his attention to
-household matters, led to the publication of Mrs. Rundell’s “Domestic
-Cookery Book.” It is said that the receipts came from the note-book
-of the mother of the late Admiral Burney, with whose family, be it
-remembered, he had been at school at Gosport. This was the first and
-one of the most lucrative “hits” that Murray made, and perhaps in the
-important items of £ _s._ _d._ rivalled “Childe Harold” itself. Byron
-sings of it in playful jealousy:--
-
- “Along thy sprucest book-shelves shine
- The works thou deemest most divine,
- The Art of Cookery and mine,
- My Murray!”
-
-Murray’s ambition however was not to be satisfied with the sop of
-a successful cookery book. His marriage may be supposed to have
-strengthened his interests in the Scotch metropolis, for in the
-following year we find Constable offering him a fourth share in Scott’s
-forthcoming poem of “Marmion.” “I am,” writes Murray on the 6th Feb.,
-1807, “truly sensible of the kind remembrance of me in your liberal
-purchase. You have rendered Mr. Miller no less happy by your admission
-of him; and we both view it as honourable, profitable, and glorious to
-be concerned in the publication of a new poem by Walter Scott.” For an
-account of the success of “Marmion” we must refer the reader to the
-life of Archibald Constable; it is enough for our present purpose to
-know that Murray afterwards said that this fourth share, for which he
-paid £250, brought him in a return of fifty-fold.
-
-The publication of “Marmion” was followed by a connection with Scott,
-who in the succeeding year edited for him Strutt’s “Queen Hoo Hall.”
-
-Scott had before this been concerned with Campbell in a projected
-series of “Biographies of the Poets,” which had however come to
-nothing. Murray now thought that Scott’s talents, and more especially
-perhaps his name, would bestow certain success upon the project; and we
-find Campbell, who had just made a “poet’s marriage”--with love enough
-in his heart and genius enough in his brain, but “with only fifty
-pounds in his writing desk”--inditing to Scott as follows:--
-
- “MY DEAR SCOTT,--A very excellent and gentlemanly man--albeit
- a bookseller--Murray of Fleet Street, is willing to give for
- our joint ‘Lives of the Poets,’ on the plan we proposed to the
- trade a twelvemonth ago, a thousand pounds.... Murray is the
- only gentleman in the trade except Constable.... I may perhaps
- also except Hood. I have seldom seen a pleasanter man to deal
- with. Our names are what he principally wants, especially
- _yours_.... I do not wish even in confidence to say anything
- ill of the London booksellers beyond their deserts; but I can
- assure you that to compare this offer of Murray’s with their
- usual offers is magnanimous indeed. Longman and Rees and a
- few of the great booksellers have literally monopolized the
- trade, and the business of literature is getting a dreadful
- one indeed. The Row folks have done nothing for me yet; I know
- not what they intend. The fallen prices of literature--which
- is getting worse by the horrible complexion of the times--make
- me often rather gloomy at the life I am likely to lead. You
- may guess, therefore, my anxiety to close with this proposal;
- and you may think me charitable indeed to retain myself from
- wishing that you were as poor as myself, that you might have
- motives to lend your aid.”
-
-Scott, however, was too busy on higher paid work and was obliged to
-decline the offer, and for the present Campbell went back to his
-“hack-work.” Poor Campbell had suffered much from the publishers. His
-“Pleasures of Hope” had been rejected by every bookseller in Glasgow
-and Edinburgh; not one of them would even risk paper and printing
-upon the chance of its success. At last Messrs. Mundell and Son,
-printers to the University of Glasgow, with much reluctance undertook
-its publication, upon the liberal condition of allowing the author
-fifty copies at trade price, and, in the event of its reaching a
-second edition, a gratuity of ten pounds. A few years afterwards, when
-Campbell was present at a literary dinner party, he was asked to give
-a toast, and without a moment’s hesitation he proposed “Bonaparte.”
-Glasses were put down untouched, and shouts of “The Ogre!” resounded.
-“Yes, gentlemen,” said Campbell gravely, “here is to Bonaparte; he has
-just shot a bookseller!” Amid shouts of applause, for the dinner was in
-“Bohemia,” the glasses were jangled and the toast was drank, for the
-news had but just arrived that Palm, a bookseller of Nuremburg, had
-been shot by the Emperor’s orders.
-
-Constable scarcely thought, when he offered the fourth share of
-“Marmion” to Murray, that he was fostering a dangerous rival. Yet in
-the very year after the publication of “Marmion” he was projecting a
-rival quarterly, and the following letter to Canning, first printed in
-“Barrow’s Autobiography,” shows that Murray is entitled to the whole
-credit of the new scheme.
-
- “September 25th, 1807.
-
- “SIR,--I venture to address you upon a subject that is perhaps
- not undeserving of one moment of your attention.
-
- “There is a work entitled the _Edinburgh Review_, written with
- such unquestionable talent that it has already attained an
- extent of circulation not equalled by any similar publication.
- The principles of this work are, however, so radically bad,
- that I have been led to consider the effect which such
- sentiments, so generally diffused, are likely to produce, and
- to think that some means equally popular ought to be adopted
- to counteract their dangerous tendency. But the publication in
- question is conducted with so much ability, and is sanctioned
- and circulated with such high and decisive authority by the
- party of whose opinions it is the organ, that there is little
- hope of producing against it any effectual opposition, unless
- it arise from you, sir, and from your friends. Should you, sir,
- think the idea worthy of encouragement I should, with equal
- pride and willingness, engage my arduous exertions to promote
- its success; but as my object is nothing short of producing a
- work of the greatest talent and importance, I shall entertain
- it no longer, if it be not so fortunate as to obtain the high
- patronage which I have thus, sir, taken the liberty to solicit.
-
- “Permit me to add, sir, that the person who thus addresses
- you is no adventurer, but a man of some property, including a
- business that has been established for nearly half a century. I
- therefore trust that my application will be attributed to its
- proper motives, and that your goodness will at least pardon its
- intrusion.
-
- “I have the honour to be, Sir, &c., &c.,
- “JOHN MURRAY.”
-
-Canning read the letter, and though for the present it was put away
-in his desk unanswered, the contents were not forgotten, for a few
-years before this he had heard Murray’s name mentioned in a very
-honourable way. Some Etonians, among them Canning’s nephew, had started
-a periodical called the _Miniature_, which brought them some fame,
-but left them under a pecuniary loss. Murray, with his usual good
-nature, and with something of the tact which afterwards made him so
-many powerful friends, took all copies off their hands, paid all their
-expenses, and though he found little demand for the work, offered
-to print a new edition. This was a trait of character that, with a
-clear-headed, far-seeing man like Canning, would probably go far. As
-yet, however, the Principal Secretary for Foreign Affairs, though he
-gave the matter careful consideration, did not care to commit himself
-upon paper.
-
-Two months, however, before this letter Scott and Southey had been
-corresponding about the _Edinburgh Review_, Southey stating that he
-felt himself unable to contribute to a periodical of such political
-views, and Scott heartily agreeing in deprecating the general tone of
-the _Review_.
-
-Early in 1808, a very severe article came out in the _Review_ anent
-“Marmion.” Murray pricked up his ears, and, as he afterwards told
-Lockhart, “When I read the article on ‘Marmion,’ and another on general
-politics in the same number of the _Review_ I said to myself, ‘Walter
-Scott has feelings both as a gentleman and as a Tory, which those
-people must now have wounded. The alliance between him and the whole
-clique of the _Edinburgh Review_, the proprietor included, is shaken,’”
-“and,” adds Lockhart, “as far at least as the political part of the
-affair was concerned, John Murray’s sagacity was not at fault.”
-
-Murray saw that the right way to approach Scott was through the
-Ballantynes’ printing press, in which Scott at this time was a
-secret partner, and in which he always expressed openly the greatest
-interest. So urgent did Murray’s tenders of work become that a meeting
-at Ferrybridge, in Yorkshire, was arranged; and here Murray received
-from Ballantyne the gratifying news that Scott had quarrelled with
-Constable, and that it was resolved to establish a rival firm. Murray,
-who never wasted an opportunity from lack of decision, posted on to
-Ashestiel and had an interview with Scott himself, and the proposal of
-a new quarterly Tory periodical was eagerly snatched at. Strangely
-enough Murray arrived just as Scott, after reading an article on
-Spanish matters, had written to have his name erased from the list
-of subscribers to the _Edinburgh_. Murray was able to announce, too,
-that Gifford, the editor of the late _Anti-Jacobin_, had promised
-co-operation, and in a letter to Gifford we see Scott’s satisfaction
-clearly enough:--
-
-“John Murray of Fleet Street, a young bookseller of capital and
-enterprize, and with more good sense and propriety of sentiment than
-fall to the share of most of the trade, made me a visit at Ashestiel a
-few weeks ago, and as I found he had had some communication with you on
-the subject, I did not hesitate to communicate my sentiments to him on
-these and some other points of the plan, and I thought his ideas were
-most liberal and satisfactory.”
-
-Soon after Canning wrote to the Lord Advocate on the subject, and
-the Lord Advocate communicated with Scott, who recommended that in
-all things save politics the _Edinburgh_ should be taken as a model,
-especially in the liberal payment of _all_ contributors, and in the
-unfettered judgment of the editor. Gifford was unanimously fixed on as
-fitted for the editorial chair. That he possessed vigour was apparent
-from his success--a plough-boy, a sailor, a cobbler, then a classical
-scholar, the translator of “Juvenal,” the biting satirist of the
-“Baviad and Mæviad,” the brilliant editor of the _Anti-Jacobin_, who so
-well suited to out-rival Jeffrey?
-
-All the talent available was secured. Scott came to town to be present
-at the birth of the expected prodigy, and well he might, for three
-of the articles in the first number were his own. Rose, and young
-Disraeli, and Hookham Frere, and Robert Southey--the future back-bone
-of the _Review_--were all represented, and on 1st February, 1809, the
-first number of the _Quarterly Review_ was published. According to
-tradition there were high jinks at Murray’s shop in Fleet Street when
-the first numbers arrived from the binders; a triumphal column of the
-books “was raised aloft in solemn joy in the counting-house, the best
-wine in the cellar was uncorked, and glasses in hand John Murray and
-assistants danced jubilant round the pile.” The pile, however, did not
-long remain, as so many famous columns have done to mock the hope of
-its builders, but the whole issue was sold almost immediately, and a
-second edition was called for.
-
-To the second number Canning himself contributed, and received his
-payment of ten guineas per sheet. Barrow, too, was introduced, who
-contributed, in all, no less than one hundred and ninety-five articles,
-“on every subject, from ‘China’ to ‘Life Assurance.’” After Barrow and
-Croker, Southey was, perhaps, the most prolific; to the first hundred
-and twenty-six numbers he contributed ninety-four articles--many of
-them of great permanent value--and to him Murray uniformly exhibited
-a generosity almost without parallel. For an article on the “Lives
-of Nelson,” he received twenty guineas a sheet, double what Southey
-himself acknowledged to be ample, and he was offered £100 to enlarge
-the article into a volume, and having exceeded the estimated quantity
-of print, Murray paid him double the amount stipulated, adding another
-200 guineas when the book was revised for the “Family Library.” For the
-review of the “Life of Wellington,” Southey got £100, and he thought
-the sum so large that he himself calls it “a ridiculous price;” yet
-this ridiculous price he continued to receive, and he was in the habit
-of saying that he was as much overpaid for his articles by Murray,
-as he was underpaid for the rest of his work for other publishers.
-“Madoc,” of which he had great hopes, brought him £3 19_s._ 1_d._ for
-the first twelvemonth, and the three volumes of the “History of the
-Brazils,” scarcely paid their expenses of publication.
-
-Of the other contributors it is unnecessary to speak fully here; but
-the _Review_, now that it was established, gave Murray at once a
-pre-eminence in the London trade, by bringing him into connection with
-the chief Conservative statesmen, and with the principal literary men
-in England.
-
-The alliance that Murray had formed with the Ballantynes was soon
-dissolved, for Murray, though venturous enough, was a man of business,
-and their loose, slip-shod way of general dealings, did not at
-all satisfy his requirements. William Blackwood, then a dealer in
-antiquarian books, was chosen instead as Edinburgh agent, and, in
-conjunction with him, Murray purchased the first series of the “Tales
-of My Landlord.” This was in 1816, and some payments for _Quarterly
-Review_ articles was well-nigh the last business communication between
-Scott and Murray.
-
-Now that Murray had so completely rivalled Constable in one line--that
-of the _Review_--he wished to rival him in another. Constable had
-made an apparent fortune out of Scott’s poetry, in which Murray had
-in one case, to the extent of one quarter, participated. Scott had,
-it is true, left Constable, but was for the present unalienable from
-the Ballantynes, who at this moment enjoyed the dubious services of a
-London branch.
-
-Looking round among the young and rising writers of the day, for one
-who was likely to enhance the fame and increase the wealth of his
-house, Murray mentally selected Lord Byron, then known, not only as
-the noble poetaster of the “Hours of Idleness,” but as the bitterest
-satirist who had dipped pen in gall since Pope had lashed the
-hack-writers of his time in the “Dunciad.” Murray made no secret of his
-wish to secure Byron as a client, and the rumour of this desire reached
-the ears of Mr. Dallas, the novelist, who happened at that very moment
-to be seeking a publisher for a new poem in two cantos, by his distant
-cousin and dear college chum, Lord Byron. Byron had just arrived from
-the East, bringing with him a satire, entitled “Hints from Horace,” of
-which he was not a little hopeful, and also, as he casually mentions,
-a “new attempt in the Spenserian stanza.” Dallas read the “new
-attempt,” and, enthralled by its beauty, forthwith undertook securing
-its publication. But, even in those days of venturous publishers and
-successful poems, the matter looked easier than it proved. Longman
-declined to publish a poem by a writer who had so recently lashed his
-own favourite authors. Miller, of Abermarle Street, a notable man in
-his day, and generous withal (had he not given the widow of the late
-Charles James Fox £1500 for her defunct husband’s historical fragments,
-and did he not eagerly snatch at one-fourth share of “Marmion?”) would
-have none of it, his noble patron, Lord Elgin, being abused in the very
-first canto. Dallas then appears to have heard a rumour of Murray’s
-willingness; the manuscript was taken to him, and £600 was offered,
-there and then, for the copyright. Byron was at that time unwilling to
-receive money for work done solely for love and fame; he had lately
-attacked Scott in a directly personal manner, as “Apollo’s venal son:”--
-
- “Though Murray with his Miller may combine
- To yield thy Muse just half-a-crown per line!”
-
-and generously made a present of the copyright to Dallas--a brother
-author, less gifted in purse and brain--and thus the bargain was
-concluded. This was the commencement of a friendship between author
-and publisher which has, perhaps, only one parallel in literary
-annals--that of Scott and Constable. From the letters between Byron
-and Murray we can discern clearly that the connection, tinged as it
-was with much generous feeling on both sides, was far from being of a
-purely commercial nature.
-
-“Childe Harold,” for this, of course, is the poem referred to, was
-“put in hand” at once. Quartos were then in vogue for all books
-likely to attract attention, and Murray insisted that profit as well
-as portliness was to be found therein. Byron was for octavos and
-popularity; but as he said wofully at the end of one of his letters,
-“one must obey one’s bookseller.” During the progress of the printing,
-Byron would lounge into the shop in Fleet Street, fresh from Angelo’s
-and Jackson’s. “His great amusement,” says Murray, “was in making
-thrusts with his stick, in fencer’s fashion, at the ‘sprucebooks,’ as
-he called them, which I had arranged upon my shelves. He disordered a
-row for me in a short time, always hitting the volume he had singled
-out for the exercise of his skill. I was sometimes, as you will guess,
-glad to get rid of him.” As for correction, Byron was willing enough to
-defer at any time to Murray’s advice, upon all questions but politics,
-though only to a limited extent: “If you don’t like it, say so, and
-I’ll alter it, but _don’t_ suggest anything instead.” In one letter we
-find a strange absence of a young writer’s anxiety anent the importance
-of typography. “The printer may place the notes in his _own way_,
-or in any _way_, so that they are out of my way.” In another: “_You
-have looked at it?_ to much purpose, to allow so stupid a blunder to
-stand; it is not ‘courage,’ but ‘carnage,’ and if you don’t want to
-see me cut my own throat see it altered!” Again, but later, “If every
-syllable were a rattlesnake, or every letter a pestilence, they should
-not be expunged.” “I do believe the Devil never created or perverted
-such a fiend as the fool of a printer.” “For God’s sake,” he writes in
-another place, “instruct Mr. Murray not to allow his shopman to call
-the work ‘Child of Harrow’s Pilgrimage!!!’ as he has done to some of
-my astonished friends, who wrote to inquire after my sanity on the
-occasion, as well they might!” To John Murray we imagine Lord Byron
-must have appeared as much of a contradiction as he did to the world
-outside.
-
-Byron was extremely anxious that no underhand means should be used
-to foster the success of “Childe Harold.” “Has Murray,” he writes to
-Dallas, “shown the work to any one? He may--but I will have no traps
-for applause.” On receipt of a rumour from Dallas, he indites a stormy
-letter to Murray, absolutely forbidding that Gifford should be allowed
-to look at the book before publication. Before the letter arrived,
-however, Gifford had expressed a very strong opinion, indeed, as to the
-merit of the poem, which he declared to “be equal to anything of the
-present day.” Byron wrote again to Murray, “as never publisher was
-written to before by author:”--“It is bad enough to be a scribbler,
-without having recourse to such shifts to escape from or deprecate
-censure. It is anticipating, begging, kneeling, adulating--the devil!
-the devil! the devil! and all without my wish, and contrary to my
-desire.”
-
-In the early spring of 1812, “Childe Harold” was ready, and three
-days before its appearance, Byron made his maiden speech in the House
-of Lords; a speech which was received with attention and hailed with
-applause, from those whose applause was in itself fame. It is needless
-here to recapitulate the success of “Childe Harold,” how, on the day
-after publication, Lord Byron awoke, and, as he himself phrased it,
-found himself famous.
-
-The publication of “Childe Harold,” was not the only important event
-of this year, 1812, to the subject of our memoir. In this same year,
-Murray purchased the stock-in-trade of worthy Mr. Miller, of 50,
-Albemarle Street, and migrated thither, leaving the old shop, east of
-Temple Bar, to be re-occupied by-and-by (in 1832) by the Highley family.
-
-Here it was, at Albemarle Street, that Murray attained the highest
-pinnacle of fame on which ever publisher stood. His drawing-room,
-at four o’clock, became the favourite resort of all the talent in
-literature and in art that London then possessed, and there _were_
-giants in those days. There it was his “custom of an afternoon,” to
-gather together such men as Byron, Scott, Moore, Campbell, Southey,
-Gifford, Hallam, Lockhart, Washington Irving, and Mrs. Somerville; and,
-more than this, he invited such artists as Laurence, Wilkie, Phillips,
-Newton, and Pickersgill to meet them and to paint them, that they
-might hang for ever on his walls. Famous tales, too, are told of the
-“publisher’s dinners;” of tables surrounded as never any king’s table
-but that of the “Emperor of the West’s” had ever been. As Byron makes
-Murray say, in his mock epistle to Dr. Palidori--
-
- “The room’s so full of wits and bards,
- Crabbes, Campbells, Crokers, Freres, and Wards,
- And others, neither bards nor wits,
- My humble tenement admits
- All persons in the dress of gent,
- From Mr. Hammond to Dog Dent.
- A party dines with me to-day,
- All clever men who make their way;
- Crabbe, Malcolm, Hamilton, and Chantrey
- Are all partakers of my pantry.
-
- * * * * *
-
- My room’s so full--we’ve Gifford here,
- Reading MS. with Hookham Frere,
- Pronouncing on the nouns and particles
- Of some of our forthcoming articles.”
-
-Mr. Planché, in his recently-published “Recollections,” gives us an
-amusing account of one of these literary réunions; this time, however,
-at the house of Horace Twiss. Murray, James Smith, and others remained
-in the dining-room very late, and the party grew noisy and merry, for
-Hook was giving some of his wonderful extempore songs. Pressed for
-another, he declared that the subject should be “John Murray;” but the
-“Emperor of the West” objected most vehemently, and vainly chased Hook
-round the table in furtive endeavours to stop a recitative, of which
-Planché only remembers the beginning:--
-
- “My friend, John Murray, I see, has arrived at the head of the table,
- And the wonder is, at this time of night, that John Murray should be
- able.
- He’s an excellent hand at supper, and not a bad hand at lunch,
- But the devil of John Murray is, that he never will pass the punch!”
-
-Among the many instances of Murray’s munificence was the offer of £3000
-to Crabbe for his “Tales of the Hall,” and the copyright of his prior
-works. Some zealous friends, however, thought this too small a sum,
-and opened negotiations with another firm, but the other firm offered
-considerably less; and Crabbe, fearing that Murray might consider the
-bargain as out of his hands entirely now, went straightway to Albemarle
-Street with Rogers and Moore as mediators. Murray, however, assured
-them that he had from the first considered the matter as entirely
-settled.
-
-Lord Byron’s personal connection with the Albemarle Street clique
-was of comparatively short existence, for, in 1816, he left England
-for the last time; but to the time of his death he kept up a regular
-correspondence with Murray of the frankest and most cordial kind. Now,
-Murray hearing that Lord Byron was in difficulties, sends him a draft
-for £1500, promising another for the same amount in the course of a few
-months, and offering to sell the copyright of his works for his use,
-if that were not sufficient. Then, again, in a freak, Byron presents
-Murray with “Parisina” and the “Siege of Corinth,” and returns the
-cheque for £1000 which the publisher had forwarded.
-
-“Your offer is liberal in the extreme, and much more than the two poems
-can possibly be worth; but I cannot accept it, nor will not. You are
-most welcome to them as an addition to the collected volumes, without
-any demand or expectation on my part whatever.
-
-“P.S.--I have enclosed your draft, _torn_, for fear of accidents by the
-way. I wish you would not throw temptation in mine; it is not from a
-disdain of the universal idol, nor from a present superfluity of his
-treasures, I can assure you, that I refuse to worship him; but what is
-right is right, and must not yield to circumstances.”
-
-The following is in a somewhat different tone:--
-
-“You offer 1500 guineas for the new canto of (”Don Juan“). I won’t take
-it. I ask 2500 guineas for it, which you will either give or not, as
-you think proper. If Mr. Moore is to have 3000 for “Lalla,” &c., if Mr.
-Crabbe is to have 3000 for his prose or poetry, I ask the aforesaid
-price for mine.” (“Beppo” was eventually thrown into the bargain.)
-“You are an excellent fellow, _mio caro_ Murray, but there is still
-a little leaven of Fleet Street about you now and then--a crumb of
-the old loaf.... I have a great respect for your good and gentlemanly
-qualities, and return your friendship towards me; and although I think
-you are a little spoiled by ‘villanous company,’ with persons of
-honour about town, authors, and fashionables, together with your ‘I
-am just going to call at Carlton House, are you walking that way?’--I
-say, notwithstanding ‘pictures, taste, Shakespeare, and the musical
-glasses,’ you deserve the esteem of those whose esteem is worth having.”
-
-Now, like a spoiled child, Byron wishes back all his copyrights, and
-intends to suppress all that he has ever written, and Murray has to
-chide him and coax him, with much disinterestedness, urging him to
-labour steadily for a few years upon some work worthy of his talents,
-and fit to be a true monument of his fame.
-
-Some of Byron’s letters are in an earnest, many in a playful, mood,
-most in prose, but sometimes the poet breaks into a charming doggerel
-of delicious “chaff.” Here is one specimen:--
-
-“TO MR. MURRAY.
-
- “Strahan, Tonson, Lintot of the times,
- Patron and publisher of rhymes,
- For thee the bard of Pindus climbs,
- My Murray.
-
- “To thee, with hope and terror dumb,
- The unfledged MS. authors come;
- Thou printest all--and sellest some--
- My Murray.
-
- “Upon thy tables’ baize so green,
- The last new _Quarterly_ is seen,--
- But where is thy new magazine,
- My Murray?
-
- “Along thy sprucest bookshelves shine
- The works thou deemest most divine,--
- The ‘Art of Cookery,’ and mine,
- My Murray.
-
- “Tours, Travels, Essays, too, I wist,
- And Sermons to thy mill bring grist;
- And then thou hast the ‘Army List,’
- My Murray.
-
- “And Heaven forbid I should conclude
- Without the ‘Board of Longitude,’
- Although this narrow paper would,
- My Murray!”
-
- VENICE, March 25, 1818.
-
-There was no end to Byron’s wit and playfulness. Sometimes Murray would
-act as a mentor and adviser in more serious matters, but his advice
-would be pleasantly turned off with a jest. At the time when Byron was
-most calumniated, when there were cruel stories afloat about the life
-he led and the opinions he held (though none so cruel as have since
-been promulgated by a well-known American authoress), Murray’s soul was
-comforted by the present of a Bible--a gift from the illustrious poet.
-“Could this man,” he asked, “be a deist, an atheist, or worse, when he
-sent Bibles about to his publishers?” Turning it over in wonderment,
-however, some inquisitive member of his four-o’clock clique found a
-marginal correction--“Now Barabbas was a robber,” altered into “Now
-Barabbas was a _publisher_.” A cruel stab, a “palpable hit,” maybe,
-at some publishers, but, as regards Murray, an uproarious joke to be
-gleefully repeated to every comer. As a refutation of this playful
-libel, and as the clearest and most succinct way of showing what
-amounts of money Byron really did receive, we append the following
-account:--
-
- £
- 1807 _Hours of Idleness_
- 1809 _English Bards and Scotch Reviewers_
- 1812 _Childe Harold_, I. II.[A] 600
- 1813 _The Gaiour_ 525
- ” _Bride of Abydos_ 525
- 1814 _Corsair_[15] 525
- ” _Lara_ 700
- 1815 _Hebrew Melodies_[16]
- 1816 _Childe Harold_, III. 1,575
- ” _Siege of Corinth_ 525
- ” _Parisina_ 525
- ” _Prisoner of Chillon_ 525
- 1817 _Manfred_ 315
- ” _Lament of Tasso_ 315
- 1818 _Beppo_ 525
- ” _Childe Harold_, IV. 2,100
- 1819 _Mazeppa_ 525
- ” _Don Juan_, I. II. 1,525
- 1820 _Don Juan_, III. IV. V. 1,525
- ” _Marino Faliero_
- ” _Doge of Venice_ 1,050
- 1821 _Sardanapalus_, _Cain_, and _Foscari_ 1,100
- ” _Vision of Judgment_[17]
- 1822 _Werner_; _Deformed Transformed_; _Heaven
- and Earth_, to which were added _Hours
- of Idleness_, _English Bards_, _Hints
- from Horace_, &c. 3,885
- Sundries 450
- 1822 _Don Juan_, VI. VII. VIII. IX. X. XI.
- 1823 _Age of Bronze_, _The Island_, and more
- cantos of _Don Juan_
- ------
- Total £19,340
- _Life_, by Thomas Moore 4,200
- ------
- £23,540
-
-Murray’s kindness to Byron may be said to have displayed itself
-even after his death. In 1821, Byron had given his friend Moore his
-autobiography, partly as a means of justifying his character, partly to
-enrich his friend. Moore, pressed as usual for money, made over the MS.
-to Murray for the sum of 2000 guineas, undertaking to edit it in case
-of survivorship. He subsequently intended to modify the transaction by
-a clause to be inserted in the deed, by which he, Moore, should have
-the option of redeeming it within three months after Byron’s death.
-When Byron did die, in 1824, the MS. was given to Gifford to read, and
-found to be far too gross for publication, and, spite of Moore’s wish
-to modify it, Sir John Hobhouse and Mrs. Leigh insisted upon its being
-destroyed. Murray offered to give it up upon repayment of the 2000
-guineas; and after an unpleasant scene in Murray’s shop, the MS. was
-destroyed by Wilmot Horton and Colonel Doyle, with the full consent of
-Moore, who repaid Murray the sum advanced by a draft on Rogers.
-
-No sooner had it been burnt than it was found that, through the want of
-the clause above named, Moore’s interest in the MS. had entirely ceased
-at Byron’s death; and though Moore, nobly and firmly, refused to
-receive the money back from Byron’s friends, he chose to consider for a
-time that Murray had wronged him.
-
-He took a proposal to Longman of a “Life of Byron,” and the matter
-was partially arranged, when Moore, urged on both by his feelings
-and his friends, seeing Murray in the street, started after him.
-“Mr. Murray, some friends of yours and mine seem to think that we
-should no longer continue on these terms. I therefore proffer you
-my hand, and most heartily forgive and forget all that has passed.”
-Murray’s face brightened into smiles, and on parting he said, “God
-bless you, sir, God bless you!” Longman agreed, upon this, that Murray
-was the publisher to whom a life of Byron most properly belonged,
-and Murray eventually gave £4200 for one of the most delightful and
-entertaining biographies in our literature--a companion volume, in
-every way, to Boswell’s “Johnson” and Lockhart’s “Scott.” Murray, in
-this transaction, seems to have behaved with generous firmness. Now
-that Byron was dead, the autobiography would certainly have proved
-the most remunerative of all his works; and Moore himself, in his
-Diary, ultimately confessed that “Murray’s conduct” had been admirable
-throughout.
-
-In this year, 1824, not only did Murray lose the services and the
-friendship of his best client, Lord Byron, who died at Missolonghi on
-the 19th of April, but Gifford, the able editor of the _Quarterly_,
-was incapacitated for further work, and resigned his post. Mr. John
-Coleridge, then a young barrister, succeeded, but though accomplished,
-clever, and able, he was “scarcely strong enough for the place;”
-Southey found out his incapacity for saying “no,” and under his
-auspicious reign began to make the _Review_ a quarterly issue of
-his own miscellaneous works. Strangely enough in the mourning coach
-that followed Gifford to his grave Murray drove with the man who was
-destined as an editor to rival the powers of the upbuilder of the
-_Quarterly’s_ reputation--this of course was John Gibson Lockhart,
-a young Edinburgh advocate, the son-in-law of Scott, and more than
-that, the author of “Peter’s Letters,” of “Valerius,” of “Reginald
-Dalton,” the translator of “Frederick Schlegel,” and the “Ancient
-Spanish Ballads,” and the noted contributor to _Blackwood_. Moore
-first heard of the arrangement down at Abbotsford, when Scott, after
-dinner, hopeful of his daughter’s interests, and proud, may be, of
-his son-in-law, grew confidential. “Lockhart was about to undertake
-the _Quarterly_, has agreed for five years; salary £1200 a year, and
-if he writes a certain number of articles it will be £1500 a year.”
-In this year, though the prospects of the _Quarterly_ were ably
-secured, Murray met with the only really adverse turn of fortune, to
-which through a long career, and a bold one, he was ever subject. The
-terrible commercial crisis which had been so long overhanging, burst
-at last into a deluge of ruin--Constable’s house was swept away, the
-Ballantynes were for the moment overthrown, and Scott had to give up
-his lordly estates of Abbotsford, and generously work his life out
-to redeem a name on which he deemed a commercial slur had been cast.
-Murray, though he suffered by the panic, as all must suffer in the
-time of a general epidemic, was not severely hurt. Still, looking back
-now with the wisdom of wiseacres, who think we could have prophesied
-easily the actual events that did occur, the time does seem a strange
-one in which to start a new venture. This was nothing less than the
-establishment of a new Conservative journal, which was to rival the
-_Times_ as the _Quarterly_ rivalled the _Edinburgh_. According to
-the current rumour, it was young Disraeli (now the wily and veteran
-leader of the Conservative party) who first proposed the scheme;
-and, according to current rumour still, it was under his editorship,
-and with Dr. Maginn as chief foreign correspondent, that the
-_Representative_ (price sevenpence daily) was started on the 26th of
-January, 1826. The journal was able, well-informed, and well-written,
-but the _Times_ had a monopoly, and the Conservative party were not
-strong enough to support a first-rate organ of their own, and after
-a brief existence of six months, the _Representative_ gave up the
-struggle. Murray was wont in future days, when rash young speculators
-urged the necessity of embracing some opening for a new daily paper, to
-point to a ledger on his book-shelves and say grimly, “Twenty thousand
-pounds lie buried there!”
-
-The question as to who was the actual editor of the _Representative_
-has never been definitely settled. Mr. Disraeli, until the last year,
-never disclaimed the supposed connection, and silence was considered
-as proverbially affirmative. Lockhart, too, has been put forward
-as a claimant. The nearest approach to any opinion that might have
-been final was given by the late James Hannay in the pages of the
-_Edinburgh Courant_. “We had the best authority for what we said--nay,
-the only authority--since even to Mr. Murray the question of the
-_Representative’s_ editorship is not a personal one. We now add that
-Mr. Disraeli’s long silence in the matter admits of an explanation
-which will gratify his admirers of all parties. He hesitated to come
-forward with any eagerness to make a denial, which might have been
-interpreted as springing from a wish to disclaim newspaper association,
-but when the story was passing into literature in such a book as the
-biography of an eminent British writer, it was time to protest against
-any further propagation of the story, once and for all.” But this “best
-and only authority” did nothing to render the question less intricate,
-for when Mr. Grant published the first instalment of his “History
-of the Newspaper Press,” he thoroughly outdid Hannay, and with that
-ingenuous facility of arbitrating over moot points, and that mysterious
-power of catching rumours, as boys catch moths, and pinning them down
-in his collection under the general label of “facts,” gave full details
-of Mr. Disraeli’s connection with the _Representative_, the amount of
-his salary, together with a luxurious description of the splendours of
-his editorial offices! Mr. Disraeli roused at last, replied curtly that
-the whole narrative was entirely imaginary, and utterly devoid of fact
-or foundation in any one point. He has since then in a letter, upon
-a similar question, written by his solicitor to the _Leisure Hour_,
-declared that:--
-
-“Mr. Disraeli never in his life required or received any remuneration
-for anything he ever wrote, except for books bearing his name.
-
-“Mr. Disraeli never was editor of the _Star Chamber_, or any other
-newspaper, journal, review, or magazine, or anything else.”
-
-To return, however, to legitimate book-publishing. About this time
-Campbell’s old scheme of “Biographies of the Poets” was revived,
-re-appearing under the title of “Specimens of the British Poets;” and
-Murray was so pleased with the work that he made the stipulated sum of
-£500 into double that amount. To Allen Cunningham, too, he gave £50 per
-volume additional for his “Lives of the British Artists,” and made the
-payment retrospective.
-
-We could repeat five hundred anecdotes of his liberal and kindly
-generosity, but our space only permits us to record another, which it
-is very pleasant to read about.
-
-It was twenty-two years since the obscure Fleet Street bookseller had
-embraced the “glorious and profitable” opportunity of taking a fourth
-share in “Marmion,” and since then Sir Walter Scott had achieved an
-unparalleled position in the world of English letters, had written
-innumerable works, and had earned unheard-of sums--and had been
-completely ruined. With the aid of his creditors, Scott was now seeking
-to recover all his copyrights for a final edition of his collected
-works. All had been bought back save this fourth share of “Marmion.”
-Lockhart was commissioned by his father-in-law to inquire on what
-terms the share might be re-purchased, and this was Murray’s immediate
-reply:--
-
- “Albemarle Street, June 8th, 1829.
-
- “MY DEAR SIR,--Mr. Lockhart has this moment communicated
- your letter respecting my fourth share of the copyright of
- ‘Marmion.’ I have already been applied to by Messrs. Constable
- and Messrs. Longman to know what sum I would sell this share
- for; but so highly do I estimate the honour of being, even in
- so small a degree, the publisher of the author of this poem,
- that no pecuniary consideration whatever can induce me to part
- with it.
-
- “But there is a consideration of another kind, which until now
- I was not aware of, which would make it painful to me if I were
- to retain it longer. I mean the knowledge of its being required
- by the author, into whose hands it was spontaneously resigned
- in the same instant that I read his request.
-
- “The share has been profitable to me fifty-fold beyond what
- either publisher or author could have anticipated, and,
- therefore, my returning it on such an occasion, you will, I
- trust, do me the favour to consider in no other light than as
- a mere act of grateful acknowledgment, for benefits already
- received by
-
- “My dear Sir,
- “Your obliged and faithful Servant,
- “JOHN MURRAY.”
-
-This noble act, we must remember, was performed at a time when the
-future was anything but bright, or at all events when the present
-was dismally gloomy. “Lydia Whyte,” writes Tom Moore, “told me that
-Murray was very unsuccessful of late. Besides the failure of his
-_Representative_, the _Quarterly_ did not look very promising, and he
-was about to give up the fine house he had taken in Whitehall, and
-return to live in Albemarle-street.”
-
-Constable had, some years previous, hit upon the idea of appealing to
-a public that should be numbered, not by tens of thousands, but by
-hundreds of thousands, ay, and by millions! and had just commenced his
-“Miscellany.” Murray, quick to receive a good idea, started at once
-into competition with his “Family Library,” Lockhart commencing the
-series with a “Life of Napoleon” and the “Court and Camp of Bonaparte.”
-Cunningham followed with his “Lives of the British Painters,” and
-Southey revised his “Life of Nelson,” and expanded another review
-article into a “Life of Wellington,” on terms equally munificent with
-the other.
-
-Cheap editions of Byron were multiplied by the score; Landor received
-a thousand guineas for his “Journals of African Travel,” and Napier
-another thousand for his first volume of the “History of the Peninsular
-War.” If Murray neglected opportunities, he generally managed to
-retrieve them. He might have had the “Bridgewater Treatises;” and he
-says, “The ‘Rejected Addresses’ were offered me for ten pounds, and
-I let them go by as the kite of the moment. See the result! I was
-determined to pay for my neglect, and I bought the remainder of the
-copyright for 150 guineas.” Murray might have added that he generously
-gave the Smiths a handsome share in the ultimate profits.
-
-Sometimes, too, he had the sagacity to buy the _failures_ as well as
-the successes of other publishers. Constable produced a little “History
-of England,” in one small volume, which fell still-born from the press.
-Murray purchased it for a trifle, re-christened it with his usual
-happiness, and as “Mrs. Markham’s History of England” the work has been
-an annual source of revenue to the house, as the present Mr. Murray’s
-last trade sale list would tell us.
-
-Murray was never dazzled by the fame of his Byrons, his Moores, his
-Campbells, and his Crabbes, but always recollected that “taste” is
-flitting, while works that only aid the necessities of mankind are
-always saleable. The “Army and Navy List” and the “Nautical Almanack”
-are every whit as profitable to-day as in the first year of their
-publication. Moore tells a story that shows he could still occupy his
-mind as well as fill his purse with “Mrs. Rundell’s Cookery Book.”
-“Called at Murray’s,” he writes in his “Diary,” for 1831: “mentioned to
-him Lady Morgan’s wish to contribute something to his ‘Family Library,’
-and that she has materials ready for the lives of five or six Dutch
-painters. ‘Pray, isn’t Lady Morgan a very good cook?’ I answered I
-didn’t know; but why did he ask? ‘Because,’ said he, ‘if she would do
-something in that line--’ ‘Why, you don’t mean,’ said I, ‘that she
-should write a cookery book for you?’ ‘No,’ answered John, coolly, ‘not
-so much as that; but that she should re-edit mine’ (Mrs. Rundell’s, by
-which he had made heaps of money). Oh, that she could have heard this
-with her own ears! Here ended my negotiations for her Ladyship.”
-
-It was not merely to Englishmen that Murray extended a helping and a
-generous hand. When the first volume of the “Sketch Book,” originally
-published in America, made its appearance in London, it was declined
-by Murray, and Irving was about to publish it on his own account; but
-after all arrangements had been made the printer failed. Lockhart had
-praised the book in _Blackwood_; and Scott, seeing at once its sterling
-worth, with his usual kindliness, pressed its merits upon Murray, who
-gave Irving £200 for it, afterwards more than doubling the amount.
-Murray’s transactions with Irving exhibit a singular phase of the
-international copyright law. This is how their account stands--
-
- £
- “Sketch Book” 467
- “Bracebridge Hall” 1050
- “Tales of a Traveller” 1575
- “Life of Columbus” 3150
- “Companions of Columbus” 525
- “Conquest of Grenada” 2100
- “Tour on the Prairies” 400
- “Abbotsford and Newstead” 400
- “Legends of Spain” 100
- ----
- Total £9767
-
-These sums of money having been paid, Mr. Bohn reprinted the volumes in
-a cheap edition. A law suit was of course the result, in which Murray’s
-expenses ran up to £850, and Mr. Bohn’s were probably as heavy. The
-question, however, was settled amicably, without being fought to the
-bitter end, and Irving received no more money from this side the
-Atlantic.
-
-Most of the famous men with whom Murray had been connected had by this
-time disappeared, many of them having shed their rays meteor-like, and
-having done the duty unto which they were created in a momentary flash.
-The seething excitement called into being by the throes of the first
-French Revolution had subsided, and there were neither readers left
-to appreciate true poetry, nor true poets remaining, with strength of
-voice left in them to bring back memories in passion-laden melodies of
-the troublous times they sprung from. All, on the contrary, was quiet
-and easeful--a happy time for commerce, but a barren hour for art.
-
-Murray, skilled as any pilot in watching the direction of the wind,
-turned his attention to the publication of travels and expeditions--the
-very books for a fireside afternoon, when the wind is howling outside,
-and the snow-storm beating on the windows--and very soon Albemarle
-Street was as famous for its “Travels” as it had previously been for
-its “Belles-Lettres.” Among the most valuable and successful of these
-were the expeditions of Mungo Park, Belzoni, Parry, Franklin, Denham,
-and Clapperton.
-
-Murray had just launched his “Classical Handbooks,” under the
-editorship of his son--had just made, in trade parlance, “another great
-hit” in Lady Sale’s “Journal in Afghanistan”--when an attack of general
-debility and exhaustion compelled him to leave business and success
-alone--and for ever. He rallied so often that no serious results were
-anticipated by his family or physician; but after a very short illness
-he died suddenly on the 27th June, 1843, in the fifty-sixth year of his
-age, leaving three daughters and one only son. To his widow, in a will
-dated only seven days before his death, he bequeathed the whole of his
-estate.
-
-A gentleman by manners and education; generous and open-handed, not for
-purposes of display, often not from mere trade motives, but from a true
-desire to return to genius and industry something of what he derived
-from them; an excellent man of business, with more powers of work than
-most men, understanding better than any how to measure the calibre
-of an author’s genius, and to gauge the duration of his popularity;
-skilful in timing a publication, so as to ensure a favourable
-reception, and yet honestly abhorring any recourse to the low art of
-puffing--such was John Murray as a publisher; the best representative
-of an honourable calling, and one who by his own influence tended
-not a little to make the years of his own working life the best
-representative period of English literature.
-
-Mr. John Murray, who succeeded at once to his father’s business, was
-born in the year 1808, and was consequently, in 1843, admirably
-fitted, by years and professional training, to take the management
-of so important a concern. He was educated at the Charterhouse and
-at Edinburgh University, and had had, moreover, all the advantages
-that foreign travel could bestow. As early as 1831, we hear of “Mr.
-John Murray, Jun.,” at Weimar, presenting Goethe with the dedication
-of Byron’s “Marino Faliero,” and being received, together with that
-mocking and yet reverent tribute, in a gracious, kindly manner.
-
-Mr. Murray thoroughly followed his father’s idea, that the age had now
-come for the cheap publication of useful and practical books, and in
-the first year of his accession, issued the prospectus of his “Home
-and Colonial Library,” which, being published at half the price of the
-“Family Library,” was at least twice as successful, and was continued
-for upwards of six years. During these early years Mr. Murray made one
-mistake, and achieved one great success. The mistake was, however, in
-common with every publisher in London, for “Eöthen” went the rounds
-of the metropolitan book market, and was eventually published by a
-personal friend of Mr. Kinglake’s. Mindful of his father’s precedents,
-Murray soon secured the copyright. The success, on the contrary,
-consisted in accepting what other publishers had refused, and issued
-from Albemarle Street, Campbell’s “Lives of the Lord Chancellors” has
-proved one of the most successful biographical works of the time. In
-travel, biography, history, and science, the present Mr. Murray has
-fully sustained the name of the old house, and it is sufficient here
-to mention only the names of Hallam, Barrow, Wilkinson, Lyell, Gordon
-Cumming, Layard, Murchison, and Sir Robert Peel, to see how much we owe
-him.
-
-On Lockhart’s death, in 1854, the Reverend Whitwell Elwin was selected
-to fill the editorial chair of the _Quarterly_, and since that date
-the political opinions of the periodical have been considerably
-modified; at any rate, men of all parties have been allowed to write
-conscientiously in its pages, and it is even rumoured, that before
-this, its old opponent, Lord Brougham, contributed at least one article
-(that on _Chesterfield_, in vol. lxxvi.).
-
-Among the most successful library books that Mr. Murray has recently
-published, we must instance those by Mr. Smiles and Dr. Livingstone,
-and, more especially, those by Mr. Darwin.
-
-Mr. Murray’s name is, however, most familiar to us now as the publisher
-of the famous _Handbooks_ for travellers, the series now extending, not
-only through the outer world, but embracing our English counties; these
-latter, it is said, owing much to Mr. Murray’s personal editorship.
-
-In closing our short sketch of the “House of Murray,” we cannot refrain
-from re-echoing a wish that has been often uttered before, that the
-present representative may find time amidst his professional labours,
-to edit the letters and to write a worthy life of the great John
-Murray. No book that has ever been issued from Albemarle Street could
-be more popular or more welcome.
-
-
-
-
-[Illustration]
-
-
-
-
-_WILLIAM BLACKWOOD_:
-
-“BLACKWOOD’S EDINBURGH MAGAZINE.”
-
-
-We have already, in our account of Archibald Constable, shown how
-deeply the brilliant writers--who for a while gave a bold literary
-supremacy to the northern capital--were indebted to the daring spirit
-and the generous purse of one Scottish publisher; we have here to
-follow the narrative of a rival’s life--a life at outset very similar,
-but soon diverging widely, and which, actuated by very different
-principles, and aiming at very different results, was destined to open
-the arena of literary struggle to those whom honest political feeling
-had for a moment rendered dumb and inactive.
-
-William Blackwood was born at Edinburgh, on the 20th Nov., 1776, of
-parents in an humble position in life, who, however, with the honest
-endeavour of most of their class in the north, contrived to give him a
-very excellent elementary education. From his earliest days, William
-had exhibited a strong love for books, and at the age of fourteen he
-was apprenticed to Bell and Bradfute, of his native city; nor, indeed,
-did his education suffer from this premature removal from school;
-there is much leisure in a bookseller’s shop, even for an industrious
-boy, and opportunity of more various reading than comes within the
-reach of many sixth-form scholars and university undergraduates. “It
-was here,” says an obituary notice, “that he had so largely stored
-his mind with reading of all sorts, but more especially with Scottish
-history and antiquities, that on establishing himself in business, his
-accomplishments attracted the notice of persons whose good opinion
-was distinction.” Before the expiry of his time, in 1797, he must
-also have displayed a talent for business life, for we find that
-he was immediately engaged by Messrs. Mundell & Co., then largely
-employed in the book trade at Edinburgh, to take the sole management
-of a branch house at Glasgow; and being thus, at the early age of
-twenty years, thrown almost entirely upon his own resources, and with
-his own judgment for his only guidance, he acquired that decision of
-character which distinguished him throughout after-life, and which
-was so instrumental in the fortunes of his house. In spite, however,
-of all his efforts, the firm of Mundell & Co. did not prosper at
-Glasgow--it was they, the reader may, perhaps, remember, who purchased
-the “Pleasures of Hope,” for only fifty printed copies of the work,
-from Campbell--and after his year’s service was over, he returned to
-Edinburgh, and re-entered the employment of Bell and Bradfute, with
-whom he remained for another year. In 1800, he entered into partnership
-with Mr. Ross, bookseller and bookseller’s auctioneer; but the
-auctioneering part of the business proved distasteful to him, and the
-old book trade presented a much more suitable field for his talents.
-With the energy of youth he started for London, and was initiated into
-the mysteries of bibliography by Mr. Cuthell, “famous,” as Nichols
-says, “for his catalogues.” Here he stayed for three years, and then,
-in 1804, came back to Edinburgh and opened an old-book shop, in South
-Bridge Street. For several years he almost confined his attention to
-the sale of rare and curious books, more especially those relating to
-the antiquities and early history of Scotland. His shop, like that
-of Constable, soon became a regular literary haunt, and he speedily
-acquired a reputation second to none of his own line in Edinburgh, and
-in the matter of catalogues, he rivalled Cuthell, his master; that one
-published in 1812 being the first in which the books were regularly
-classified, and “continues,” says Mr. Chambers, “to be an authority
-to the present day.” The old-book trade was at that time in its most
-flourishing condition, Dibdin was firing the minds of curiosity-seekers
-with a love for rare quartos and folios; Heber, and many more after
-his kind, were spending the main portion of their time, and the vast
-bulk of their fortunes, in the acquisition of immense libraries; and
-the old-booksellers of the day were making large incomes. Blackwood’s
-success by no means satisfied his ambition, but enabled him to enter
-the field of publishing as a rival to Constable, who was now at the
-height of his glory. As early as 1811, we find him bringing out “Kerr’s
-Voyages,” a work of considerable importance and expense, and which was
-shortly succeeded by Macrie’s “Life of Knox.”
-
-Blackwood’s sojourn in London, and the credit attracted by his
-enterprising book-catalogues, led the way to his being appointed agent
-to several of the London booksellers, among others, to John Murray,
-and to them, conjointly, the tale of the “Black Dwarf” was offered
-when Scott considered it desirable to bring it out in other hands, and
-with a title-page apparently by another author. Blackwood wrote to say
-that, in his opinion, the unravelling of the end of the story might be
-improved, and offered to pay for cancelling the proofs. Gifford, too,
-to whom Murray had shown it, was of a like opinion. Scott differed most
-essentially; witness his letter to Ballantyne:--
-
- “DEAR JAMES,
-
- “I have received Blackwood’s impudent letter. G---- d---- his
- soul, tell him and his coadjutor that I belong to the Black
- Hussars of Literature, who neither give nor receive criticism.
- I’ll be cursed but this is the most impudent proposal that ever
- was made.”
-
-This, of course, brought the proposal to a close for the time, though,
-as Lockhart says, “Scott did both know and appreciate Blackwood better
-in after times.”
-
-Blackwood was now, from the profits of the old-book trade and the
-success of his own publishing ventures, in a fair way to success, and
-in 1816 he took the bold step of selling off all his old stock and
-migrating to Prince’s Street. “He took possession,” says Lockhart, in
-“Peter’s Letters,” “of a large and airy suite of rooms in Prince’s
-Street, which had formerly been occupied by a notable confectioner, and
-whose threshold was, therefore, familiar enough to all the frequenters
-of this superb promenade.... Stimulated, I suppose, by the example and
-success of John Murray, whose agent he is, he determined to make, if
-possible, Prince’s Street to the High Street, what the other had made
-Albemarle Street to the Row.” It was not without much forethought,
-we may be sure, that this step was undertaken, and the speedy
-establishment of the famous magazine clearly shows us what was the
-chief motive to such a venturous change.
-
-The magazine literature of the day was wofully weak. The vitality with
-which Cave had endowed the _Gentleman’s Magazine_, had long since died
-away. No more such “hack-writers” as Johnson and Goldsmith came forward
-to enliven its pages, at the meagre payment of four guineas a sheet,
-and now it only--
-
- “Hopped its pleasant way from church to church,
- And nursed its little bald biography.”
-
-Such was the type of English periodical literature, and the Scotch
-were certainly no better off. The _Scots Magazine_ stood Constable,
-it is true, in good stead, but only as a nursery ground, from which
-writers might be trained for transplantation to a stronger soil. Vastly
-different was the condition of the rival quarterlies; but still, in
-Scotland at all events, the _Edinburgh_ carried everything after its
-own desire. Wit the writers had in plenty--learning, too, and the gift
-of open-speaking; but to fairness, biassed as they were by party ties,
-they never laid the least claim, and yet all Edinburgh was enthralled
-by the opinions of the _Edinburgh Review_, for intellectual attainments
-at that time commanded for their possessors the leading place in the
-society of the Modern Athens, and, as the principles advocated in its
-pages were decidedly opposed to those of the existing administration,
-the success it indubitably had attained, the vast following it was
-gathering, not only irritated but alarmed the Scotch Tory party.
-
-Of course, the actual inventorship of the new project is a disputed
-point, but the evidence seems to tell us that, however the idea of
-a new Conservative organ had been talked over in literary coteries
-(and what scheme has not been planned a thousand times before
-execution whenever literary men meet together?), the plan had long
-been entertained and spoken of by Blackwood; and, as he proceeded to
-carry it into execution, the scheme may to all intents and purposes be
-regarded as his own.
-
-Two gentlemen were engaged--Pringle and Cleghorn--who had received
-their training in the enemy’s camp, as editors in chief, and with the
-assistance of Hogg, and the promised support of Scott and many other
-men of talent, the first number of the _Edinburgh Monthly Magazine_
-was issued on All-Fools’ Day, 1817--an ominous day for Blackwood, for
-he soon discovered that the prophets he had summoned to curse, heaped
-blessings on the heads of his opponents. This first number differed
-but little from other periodicals of its class. Only half the space
-was devoted to original matter, and the very opening pages contained a
-panegyric upon Horner, then lately deceased, an _Edinburgh Reviewer_--a
-Whig, and not much else. “You can’t say too much about Sydney Smith and
-Brougham,” said Scott to Jeffrey; “but I will not admire your Horner.
-He always puts me in mind of Obadiah’s bull, who, although, as Father
-Shandy observed, he never produced a calf, went through his business
-with such a grave demeanour that he always maintained his credit in
-the parish.” Nor was this the worst. In No. 3 a violent defence of the
-_Edinburgh_ was undertaken warmly. This was too much for Blackwood; he
-gave his editors notice of a coming change, and after much chaffering
-he was glad to pay £125 down, and get rid at once of them and the
-magazine; and--somewhat, doubtless, to his chagrin--they immediately
-returned to Constable and took charge of the _Scots Magazine_, which,
-under the title of _Constable’s Edinburgh Magazine_, made a futile
-effort to re-juvenate itself.
-
-With the sixth number of the _Edinburgh Monthly Magazine_ had appeared
-a notice stating that “this work is now discontinued, this being the
-last number of it;” but in the following month, with an alteration in
-the title, it arose, Phœnix-like, from the ashes, and, as _Blackwood’s
-Edinburgh Magazine_, No. 7, created a sensation which has never
-perhaps been equalled. There was, to commence with, a monstrous list
-of all possible and impossible articles, chiefly threatened attacks
-upon the _Edinburgh_, then a violent attack upon their former defence
-of the _Edinburgh Reviewer’s_ onslaught upon Burns and Wordsworth;
-but the great feature in No. 7 (No. 1 in reality of _Blackwood_) was
-the “Translation from an Ancient Caldee Manuscript,” in which the
-circumstances of the late feud, and Constable’s endeavours to repair
-the fortunes of his old magazine, and the resuscitation of “Maga”--the
-birth, that is, of the genuine “Maga”--are thrown into an allegorical
-burlesque.
-
-“The two beasts (the two late editors), the lamb and the bear, came
-unto the man who was clothed in plain apparel, and stood in the door
-of his house; and his name was as if it had been the colour of ebony
-(_Blackwood_), and his number was the number of a maiden when the days
-of her virginity have expired (_No. 17, Prince’s Street_), ... and they
-said unto him, Give us of thy wealth, that we may eat and live, and
-thou shalt enjoy the fruits of our labour for a time, times or half a
-time.
-
-“And he answered and said unto them, What will ye unto me whereunto I
-may employ you?
-
-“And they proffered unto him a Book, and they said unto him, Take thou
-this, and give us a piece of money, that we may eat and drink and our
-souls may live.
-
-“And we will put words into thy Book that shall astonish the children
-of thy people. And it shall be a light unto thy feet and a lamp unto
-thy path; it shall also bring bread to thy household, and a portion to
-thy maidens.
-
-“And the man hearkened unto their voice, and he took their Book, and he
-gave them a piece of money, and they went away rejoicing in heart. And
-I heard a great noise, as if it had been the noise of many chariots,
-and of horsemen prancing upon their horses.
-
-“But after many days they put no words in the Book, and the man was
-astonied, and waxed wroth, and said unto them, What is this that ye
-have done unto me, and how shall I answer those to whom I am engaged?
-And they said, What is that to us? see thou to that.
-
-“And the man wist not what for to do; and he called together the
-friends of his youth, and all those whose heart was as his heart,
-and he entreated them, and they put words into the Book; and it went
-abroad, and all the world wondered after the Book, and after the two
-beasts that had put such amazing words into the Book.
-
-“Then the man who was crafty in counsel and cunning in all manner of
-work (_Constable_), when this man saw the Book, and beheld the things
-which were in the Book, he was troubled in spirit and much cast down.
-
-“And he hated the Book and the two beasts that put words into the Book,
-for he judged according to the reports of men; nevertheless, the man
-was crafty in counsel, and more cunning than his fellows.
-
-“And he said unto the two beasts, Come ye and put your trust under the
-shadow of my wings, and we will destroy the man whose name is as ebony
-and his Book.
-
-“And the two beasts gave ear unto him, and they came over to him, and
-bowed down before him with their faces to the earth....
-
-“Then was the man whose name is as ebony ‘sore dismayed,’ and appealed
-to the great magician who dwelleth by the old fastness hard by the
-river Jordan which is by the Border (_to Walter Scott_), and the
-magician opened his mouth and said, Lo! my heart wisheth thy good, and
-let the thing prosper which is in thy hands to do it.
-
-“But thou seest that my hands are full of working, and my labour is
-great. For, lo! I have to feed all the people of my land, and none
-knoweth whence his food cometh, but each man openeth his mouth and my
-hand filleth it with pleasant things. (_This is more than a shrewd
-guess of the authorship of the Waverley Novels._)
-
-“Moreover, thine adversary also is of my familiars (_Constable, his
-publisher_).
-
-“Yet be thou silent, peradventure will I help thee some little.”
-
-Chapter II. shows us Blackwood gazing despondently from his inner
-chamber, when a veiled figure appears, who
-
-“Gave unto the man in plain apparel a tablet containing the names of
-those upon whom he should call; and when he called they came, and
-whomsoever he asked he came....
-
-“And the first which came was after the likeness of the beautiful
-leopard, from the valley of the palm-trees, whose going forth was
-comely as the greyhound, and his eyes like the lightning of fiery flame
-(_Professor Wilson, author of the ‘Isle of Palms.’_)...
-
-“There came also from a far country, the scorpion which delighteth to
-sting the faces of men, that he might sting sorely the countenance of
-the man which is crafty, and of the two beasts (_Lockhart_).
-
-“Also the great wild boar from the forest of Lebanon, and he roused up
-his spirit; and I saw him whetting his dreadful tusks for the battle”
-(_James Hogg_).
-
-Then come Dr. Macrie, Sir William Hamilton, Arthur Mower, “and the
-hyæna that escheweth the light, and cometh forth at eventide to raise
-up and gnaw the bones of the dead, and it is as a riddle unto a vain
-man (_Riddell, the legal antiquarian_).
-
-“And the beagle and the slowhound after their kind, and all the beasts
-of the field, more than could be numbered, they were so many.”
-
-In Chapter III., Constable finds that the “bear” and the “lamb” are
-unprofitable servants, and he, too, calls for aid, but Jeffrey--“the
-familiar spirit unto whom he had sold himself”--Leslie, and
-Playfair--contributors to the _Edinburgh_--refuse to come. In Chapter
-IV., Constable does get aid from Macney Napier, and others.
-
-“And when I saw them all gathered together, I said unto myself, Of a
-truth the man which is crafty hath many in his host, yet, think I,
-that scarcely will these be found sufficient against them which are in
-the gates of the man who is clothed in plain apparel....
-
-“Verily the man which is crafty shall be defeated, and there shall not
-escape one to tell of his overthrow.
-
-“And while I was yet speaking, the hosts drew near, and the city was
-moved; and my spirit failed within me, and I was sore afraid, and I
-turned to escape away.
-
-“And he that was like unto the messenger of a king, said unto me, Cry:
-and I said, What shall I cry? for the day of vengeance is come upon all
-those that ruled the nation with a rod of iron.
-
-“And I fled into an inner chamber to hide myself, and I heard a great
-tumult, but I wist not what it was.”
-
-It is very hard for us now to duly appreciate the crushing effect of
-this Caldee manuscript.
-
-It is certainly humorous, after a fashion now so prevalent in America,
-and undoubtedly witty.
-
-Among the Edinburgh people of that time, when every man knew his
-neighbour, the effect was absolutely prodigious. A yell of despairing
-pain arose from one portion of the Whig party, who, if they had no
-administrative power in their hands, had hitherto held a patent of all
-literary ability; and from the other portion came an equally discordant
-cry, which eventually culminated in a fierce accusation of blasphemy
-and irreligion. Perhaps, however, the strongest test we can apply to
-the power of this galling squib is the fact that every title bestowed
-in its pages has “stuck” to the individual against whom it was directed.
-
-Blackwood was alarmed at the commotion he had caused, withdrew the
-obnoxious article from the second edition, suppressed it in what he
-could of the first, and in the second number inserted the following
-announcement:--“The editor has learnt with regret that an article in
-the first edition of last number, which was intended merely as a _jeu
-d’esprit_, has been construed so as to give offence to individuals
-justly entitled to respect and regard; he has, on that account,
-withdrawn it in the second edition, and can only add that, if what has
-happened could have been anticipated, the article in question certainly
-never would have appeared.” It was, however, too late, war had been
-declared to the knife, and Blackwood was nothing loath to continue the
-struggle.
-
-“The conception of the Caldee MS.,” says Wilson’s son-in-law, Professor
-Ferrier, “and the first thirty-seven verses of Chapter I., are to be
-ascribed to the Ettrick Shepherd; the rest of the composition falls to
-be divided between Professor Wilson and Mr. Lockhart, in proportions
-which cannot now be determined.” Again, Mrs. Gordon tells us that this
-audacious squib was composed in her grandmother’s house, 23, Queen
-Street, where Wilson lived, “amid such shouts of laughter as made the
-ladies in the room above send to inquire and wonder what the gentlemen
-below were about;” and yet she adds, as if to protect her father from
-suspicion of a share in it, that she “cannot trace to her father’s hand
-any instance of unmanly attack, or one shade of real malignity.” Very
-probably not; but at the same time the fun of the squib is decidedly in
-Wilson’s favourite manner. “An old contributor to _Blackwood_,” who,
-in 1860, furnished a most interesting and full account of Maga and
-Blackwoodiana to the columns of the _Bookseller_, asserts, in reference
-to Hogg’s claim, “on the best authority (that of the man who did write
-it), that there is no foundation whatever for any such pretext. The
-hare was started by Wilson at one of those _symposia_ which preceded
-and perhaps suggested the _Noctes_. The idea was caught up with avidity
-by Hogg, and some half-dozen verses were suggested by him on the
-ensuing day; but we are, we believe, correct in affirming that no part
-of his _ébauche_ appeared in the original or any other draft of the
-article.” It is to be wished that this writer, whose article evidently
-exhibits personal knowledge, and, apart from a running attack upon
-Hogg, due impartiality, had, in putting forward a new version of the
-story, in contradiction to those already given, been enabled to give us
-the name of the writer, apparently, from the wording of the context, a
-new claimant.
-
-Not only were Blackwood’s “enemies” discomforted, but even his friends
-were sore dismayed. The first number of _Blackwood_ bore the imprint
-of John Murray, but the “Caldee MS.” caused him to withdraw his name,
-but after passing through the hands of three different London agents,
-the sixth again appeared under his countenance. This number, however,
-contained some unpalatable strictures on Gifford and the _Quarterly
-Reviewers_, and the Albemarle Street patronage was again withdrawn,
-only to be renewed in the eleventh number; but by the time it reached
-the seventeenth he washed his hands of it entirely, and in future it
-appeared without the ornamental appendage of any London bookseller’s
-name; the agency, distinctly one of sale only, was given to Cadell and
-Davies, who found it profitable enough to occupy the greater part of
-their attention. Cadell, naturally as nervous as Murray of giving, or
-being in any way instrumental in giving, offence, kept a stereotyped
-reply in readiness for any angry victim who rushed into his shop for
-redress--“I know nothing of the contents of the magazine; I am merely
-the carrier of a certain portion of its circulation to its English
-readers.”
-
-From the commencement of the new series--from the foundation that is
-of _Blackwood’s Edinburgh Magazine_--Blackwood’s fortunes and even the
-story of his life are inextricably bound up in the progress of the
-periodical; for he did not again, once he had got rid of Pringle and
-Cleghorne, entrust its charge and conduct to the care of any editor.
-For a long time Wilson was supposed to occupy the editorial chair.
-This supposition is treated in a letter, printed by his daughter: “Of
-_Blackwood_ I am not the editor, although I believe I very generally
-got both the credit and discredit of being Christopher North. I am one
-of the chief writers, perhaps the chief writer, but never received one
-shilling from the proprietor, except for my own compositions. Being
-generally on the spot, I am always willing to give him my advice, and
-to supply such articles as are most wanted, when I have leisure.” “From
-an early period of its progress,” says Lockhart, speaking of Blackwood
-and the magazine, “it engrossed a very large share of his time; and
-though he scarcely ever wrote for its pages himself (three articles,
-we believe, he did contribute), the general management and arrangement
-of it, with the very extensive literary correspondence which this
-involved, and the constant superintendence of the press, would have
-been more than enough to occupy entirely any man but one of his
-first-rate energies.”
-
-Before we follow up the chronicle of the life of _Blackwood_ and its
-proprietor, it will be necessary to take a retrospective glance at
-the causes which rendered it possible to convert the snug, orthodox,
-and more than slightly Whiggish _Edinburgh Monthly Magazine_ into
-the slashing, defiant, jovial, dare-devil of _Blackwood’s Edinburgh
-Magazine_. This change was chiefly due to the influence of two men,
-Wilson and Lockhart, who, together with Hogg, had, under the old
-régime, contributed all there was of wit and sparkle. With these three
-writers, and the promise of further support, Blackwood had changed his
-mind as to putting his ill-fated periodical to the untimely end he had
-announced; and we have seen something, and shall see more, as to how
-far this determination was justified by success. In the meantime, it is
-essential to know a little of these two men, to whom primarily all the
-success was due.
-
-John Wilson, the great Tory champion, was descended, not from a county
-family, but from a wealthy Paisley manufacturer; and, after taking all
-possible prizes at Glasgow University, went to conquer fresh worlds at
-Oxford, where he not only won the Newdigate prize of £50 by one of the
-best prize poems extant, in fifty lines, but excelled in all sports, to
-which a magnificent frame, a temper universally good, a wild exuberance
-of animal spirits, and a thirsty love of adventure could contribute.
-
-Strange tales are told of his Oxford escapades; of recess rambles
-with strolling players; of wanderings, when smitten by the charms of
-a gipsy-girl, for weeks together with her tribe; of sojournings as a
-waiter at a country inn, to be close to one of the fair waitresses.
-
-However, his dreams of adventure were surrendered only after having
-planned an expedition to Timbuctoo, and he purchased an estate at
-Windermere, to be near the Lake school of poets, with whom he soon
-threw in his fortune. After the publication of the “Isle of Palms,”
-and the “City of the Plague,” he joined the Scotch Bar, and in the
-Parliament House struck up an acquaintance with another briefless
-barrister--Lockhart, seven years younger than himself.
-
-John Gibbon Lockhart was also educated at Glasgow University, where
-gaining the “Snell” foundation, he was sent, at sixteen, to Balliol;
-after taking a first-class degree he travelled on the Continent,
-returning only when it was necessary to enter at Edinburgh as an
-advocate. Silent in private life, he found he could not speak at all in
-public; and many years afterwards, when making a speech at a farewell
-dinner, given in honour of his departure to undertake the editorship of
-the _Quarterly_, he broke down, as usual, and stuttered, “Gentlemen,
-you know I can’t make a speech; if I could, we shouldn’t be here.”
-
-Briefless both, and both endowed with strong literary tastes, they
-became sworn friends, though Wilson, with his splendid physique, his
-loose-flowing yellow hair, his deep-blue eyes, his glowing imagination,
-his eloquent tongue, and his defiance of all precedent, was as opposite
-a being as well could be imagined to Lockhart, who, to borrow Wilson’s
-own words, had “an e’e like an eagle’s, and a sort of lauch about the
-screwed-up mouth o’ him that fules ca’d nae canny, for they couldna
-tholl the meaning o’t; and either set dumb-foundered, or pretended to
-be engaged to sooper, and slunk out o’ the room.”
-
-With two such men as these it was little wonder that Blackwood resolved
-to continue the battle. The weapon, however, which had been so
-successfully used in the onslaught upon the _Edinburgh Review_ became
-in the hands of young writers flushed with victory, instruments of
-aggression against those who had never offended; and, as it happened
-that the writers who were most personal in their attacks upon friend
-and foe alike were also the cleverest and most brilliant, Blackwood’s
-position became one of difficulty. Lockhart “who stung the faces
-of men”--and sometimes their hearts--cared little as to who his
-shafts were directed against so long as they were sharp and biting.
-Cameleon-like he appeared in a thousand different forms. Now as the
-“veiled editor” himself, now the Dr. Morris of “Peter’s Letters,”
-and now as Baron Lauerwinkel, stabbing his contemporaries under the
-guise of a German commentator. Against all the members of the “Cockney
-School,” a personal invective was habitually employed by him, at which
-in these calmer days of drier criticism we can only stand aghast. He
-says of Leigh Hunt, “The very concubine of so impure a wretch would be
-to be pitied; but, alas, for the wife of such a husband!”--and so forth.
-
-In the February number of _Maga_ a new contributor, Billy Maginn, made
-his first bow to the public as Mr. Ensign O’Doherty. Maginn was at this
-time a rollicking young Irishman of marvellous classical and literary
-acquirements, who at four-and-twenty had achieved the difficult honour
-of taking a degree of Doctor of Laws at Dublin, never before earned
-by one so young. He had a wonderful gift of improvising in either
-verse or prose, and his talents were so versatile, his reading, though
-desultory, so universal, that he could immediately treat any subject,
-no matter what, in a sparkling and dashing manner. When, however,
-under the influence of liquor, he was perfectly unmanageable; and his
-writings bore every stamp of his own character. One of his first
-squibs in _Blackwood_ was a Latin version of “Chevy-chase,” which, in a
-foot-note expressed more than a doubt as to the Hebraical knowledge of
-Professor Leslie--an Edinburgh Reviewer who had recently been appointed
-to the University Chair of Philosophy. The enraged professor summoned
-the aid of the law. Blackwood accepted the challenge and inserted
-another article by Maginn, which stated that the professor “did not
-even know the alphabet of the tongue which he had the imprudence to
-pretend to criticise,” and charged him, in addition, of stealing his
-pet theories respecting heat, from an old volume of the “Philosophical
-Transactions.” The damages awarded amounted to £100, but as all the
-legal talent in Edinburgh was engaged in what was regarded as a party
-trial, the costs were unusually heavy. Nothing scared, however,
-Blackwood welcomed the writer to Edinburgh when he chose to cast off
-his incognita.
-
-The magazine was thriving now, and circulated throughout the kingdom.
-Blackwood, busy as he was with its management, found time to push his
-general publishing business steadily forward. The issue of Brewster’s
-“Edinburgh Encyclopædia” was continued, and Lockhart’s talents were
-utilized beyond the pale of _Maga_. In 1818 Schlegel’s “History of
-Literature,” translated by Lockhart, was published; and in 1819
-appeared Lockhart’s “Peter’s Letters to his Kinsfolk, by Dr. Peter
-Morris”--a series of sketches of all things Scotch, from which we
-extract an account of Blackwood and his shop:--
-
-“First there is as usual a spacious place set apart for retail
-business, and a numerous detachment of young clerks and apprentices,
-to whose management this important department of the concern is
-entrusted. Then you have an elegant oval saloon, lighted from the roof,
-where various groups of loungers and literary dilettanti are engaged
-in looking at, or criticising among themselves, the publications just
-arrived by that day’s coach from town. In such critical colloquies,
-the voice of the bookseller himself may ever and anon be heard
-mingling the broad and unadulterated notes of its Auld Reekie’s
-music; for, unless occupied in the recesses of the premises with some
-other business, it is here that he has his usual station. He is a
-nimble, active-looking man of middle age, and moves from one corner
-to another with great alacrity, and apparently under the influence of
-high animal spirits. His complexion is very sanguinous, but nothing
-can be more intelligent, keen, and sagacious than the expression of
-the physiognomy; above all the gray eyes and eye-brows, as full of
-locomotion as those of Catalani’s. The remarks he makes are in general
-extremely acute--much more so indeed than any other member of the trade
-I ever heard speak upon such topics. The shrewdness and decision of the
-man can, however, stand in need of no testimony beyond what his own
-conduct has afforded--above all in the establishment of his magazine
-(the conception of which I am assured was entirely his own)--and the
-subsequent energy with which he has supported it through every variety
-of good and evil fortune. It would be unfair to lay upon his shoulders
-any portion of the blame which any part of his book may have deserved;
-but it is impossible to deny that he is well entitled to whatever merit
-may be supposed to be due to the erection of a work founded in the main
-upon good principles, both political and religious, in a city where a
-work upon such principles must have been more wanted, and, at the same
-time, more difficult than in any other with which I am acquainted.”
-
-On leaving the shop, Dr. Peter is taken to dine at “a house in the
-immediate neighbourhood, frequently alluded to in the magazine as
-the great haunt of his wits.” This was Ambrose’s, mentioned in the
-“Caldee MS.”--“as thou lookest to the road of Gabriel and the land of
-_Ambrose_.” At this favourite tavern, at the _noctes cœnæque deum_,
-was foreshadowed what was destined to be by far the most interesting
-portion of the earlier series of _Blackwood_.
-
-The first trace we can find in the magazine of these famous _réunions_
-is in the number for August, 1819, where a work on military matter
-is reviewed by two different critics while enjoying their evening
-glasses at Ambrose’s. This was followed up next month by a paper which
-occupied the whole of the number, entitled “Christopher in the Tent”--a
-sketch, suppositious, of course, of a country expedition of the whole
-staff--full of rollicking humour and uproarious fun, with etchings by
-Lockhart and jokes by all.
-
-In the following year, 1820, the first of Blackwood’s really classic
-novels appeared in the magazine. This was the “Ayrshire Legatees,” by
-John Galt; and the editor, quick to perceive talent and eager to retain
-it, published in rapid succession a series of tales and sketches by the
-modern Smollet.
-
-This year, too, was an important one for both of the chief
-contributors. Lockhart, whose rising merits had long since attracted
-the attention of Scott, married the “Great Magician’s favourite
-daughter;” and Wilson, to the terror of half Edinburgh, became a
-candidate for the chair of Moral Philosophy at the University.
-Curious reports were spread of half true tales of youthful adventure,
-of bull-hunts by the shores of Windermere; of cock-fights in his own
-drawing-room; of a thousand escapades of one kind or another; and these
-were capped by a rumour that he was not very sound in either religion
-or morals; and even Tory counsellors shrunk from supporting a man who
-was said to be a fast liver and a free thinker. The Whigs started
-an excellent rival, Sir William Hamilton, and the contest was very
-keen. “I wad like to gie ye ma vote, Mr. Wulson,” said an Edinburgh
-magistrate, “but I’m feared. They say ye dunna expect to be saved by
-grace.” “I don’t know much about that, baillie; but if I am not saved
-by grace I am sure my works won’t save me.” “That’ll do, that’ll do;
-I’ll gie you my vote.” Others were of a like mind, for Wilson was a man
-whom to know was to love, and the election was secured.
-
-Immediately after the election Wilson returned to Elleray to
-recruit; and here an event happened which not only shows his natural
-impetuosity, but which might have been of very serious consequence,
-and, as a version of the story has recently appeared in “Barham’s
-Life,” it may not be altogether out of place to give the correct
-version here.
-
-Lord M----r and three Oxford friends, one of whom had just been
-ordained, had started in their own coach upon a rollicking tour
-homewards; their journey, even in those free-and-easy times, was marked
-by a blackguardism of conduct almost unparalleled.
-
-At York they halted for a few days--few because the inhabitants would
-stand their presence no longer, and, after paying £150 for their hotel
-bills, and for the Vandalism they had committed in the town, they
-drove on to Windermere, and put up at the Ferry Hotel. Here they stayed
-for nearly four days, disporting themselves like Yahoos. Wilson, as is
-well known, was “Admiral of the Windermere Fleet,” and chanced, while
-they were in the neighbourhood, to hold a regatta, giving his friends
-a tea at Ullock’s Hotel, Bowness, when the amusements of the day were
-over.
-
-Hither the travelling adventurers came by water; at the landing stage,
-however, one of the number, seeing a fisherman washing his nets in
-the lake, crept behind him, and with a shove and a hoarse laugh sent
-him into the water. Westmoreland blood is not easily cooled, and the
-peasant, seizing his attacker, ducked him within an inch of his life.
-Nothing daunted the other three proceeded to the hotel, and entered a
-room where tea was laid out for a large party; to knock the tray over,
-to pull the cloth off, to dance upon the tea-pot till it was flattened,
-and the crockery till it was smashed into a thousand smithereens, was,
-of course, only the work of an instant. Hearing the clatter, Mrs.
-Wilson hurried downstairs, and Lord M----r, mistaking her for the
-landlady, seized her by the neck, and tried to ravish a kiss. At this
-critical moment the Professor entered--one blow “from the shoulder”
-laid the noble lord at his feet; then, like a genuine old heathen
-warrior, placing one foot upon the neck of the prostrate wretch--“if
-you other two scoundrels are not out of this room in an instant, I’ll
-squeeze the man’s breath out of his body.” They heard--and fled.
-Wilson, in a fury of excitement, took boat to Belle Isle, and urged Mr.
-Curwen to act as his friend. Mr. Curwen represented that Lord M----r
-was utterly beneath contempt--that no professor of moral philosophy
-had ever been engaged in a cause of honour; that all his friends had
-been representing him as a quiet, orderly man--in fact, brought forward
-a thousand arguments which might have been of the utmost weight to a
-reasonable being--but not just at present to Wilson; he flung out of
-the room, crossed the lake, and sought a gallant naval officer, Captain
-Br----, who, a true Sir Lucius O’Trigger, said the matter was in good
-hands, and looked up his pistols. They adjourned to Elleray to wait the
-expected challenge: but on the evening of the following day, getting
-tired of inaction, they set out on a drive to see why the storm did
-not commence. Further search was endless. Lord M----r and his friends
-had taken to their coach and fled; they could not, however, get their
-horses out of the stables until they had paid an hotel bill of £120
-and £20 to the landlord of Ullock’s Hotel for damages. Thus the affair
-ended happily, and Wilson was able to return peaceably to Edinburgh to
-fulfil his new duties.
-
-Few men ever undertook so important a charge with so little
-preparation. “But there was,” says one who listened to him, “a genius
-in Wilson; there was grandeur in his conceptions, and true nobility
-in the tone and spirit of his lectures. I can compare them to nothing
-save the braying of the trumpet that sent a body of high-bred cavalry
-against the foe. ‘Charge! and charge home!’ Wilson’s action upon the
-better and more pure-minded of his pupils was pre-eminently beneficial.
-His lectures deeply influenced their characters for humanity, for
-unselfishness, for high and honourable resolve to fight the battle of
-life; like the old Danish hero ‘to dare nobly, to will strongly, and
-never to falter in the path of duty.’ Such was Wilson’s creed; and,
-till 1850, when he was found stricken down in his private room, ten
-minutes after the class hour, he astonished and delighted all that was
-intellectual in Edinburgh by these, aptly termed, ‘volcanic lectures on
-ethics.’”
-
-Much work, however, had to be gone through before that date; his
-private fortune had been lost some years back by the failure of a house
-of business, and he was one of those men whom, the more work is thrown
-on them the more they are able to go through with.
-
-In 1822 appeared the first specimen of his power as a novelist in the
-“Lights and Shadows of Scottish Life,” which went rapidly through
-edition after edition; and in the March of this year appeared also the
-first number of the _Noctes Ambrosianæ_--a curt dialogue between the
-editor and Ensign O’Doherty; it was not for seventeen numbers that
-Wilson, almost sorry, commenced that wonderful series that became
-one of the literary wonders of the day; and for thirteen years as
-Christopher North he continued to delight the world, and it is as
-Christopher North, in his shooting-jacket, with gun or fishing-rod,
-by the lochs or by the moors, amid the scenery which he has so
-marvellously limned, and the emotions to which he has given utterance,
-that he will be remembered to all time.
-
-In 1824 we see that Carlyle gets his first pleasant encouragement
-in _Maga_, and Moir’s most famous production, the “Autobiography of
-Mansie Wauch,” appears. Moir--a young surgeon of only nineteen when
-he first appeared in the pages of the original _Edinburgh Monthly
-Magazine_--had at once attracted the attention of William Blackwood--“a
-man,” says Moir’s biographer, “of rare sagacity, courage, and
-persevering energy.” As “Delta,” in the pages of _Maga_, the popularity
-of Moir’s softer and sweeter pieces was very great; and when “Mansie”
-appeared, “there were districts,” says Aird again, “where country
-clubs, waiting impatiently for the magazine, met monthly as soon as it
-was issued, and had ‘Mansie’ read aloud by one of their number, amid
-explosions of congregated laughter.”
-
-Lockhart, too, had since his marriage been wielding his pen as freely
-as ever. “Valerius” and “Adam Blair” had both been successful ventures
-for Blackwood; and were succeeded in 1822 by the “Spanish Ballads,”
-which have so much of the true ring of original poetry about them, that
-Lockhart’s friends always regretted that he did not devote his time
-more exclusively to the composition of some original poetical work. In
-1825 the editorship of the _Quarterly_ was offered him, and Blackwood
-lost one of his earliest and strongest supporters. Shortly after this
-the other satirical spirit of the periodical--Billy Maginn--also moved
-southward.
-
-But Blackwood was too firmly established now to dread the loss of any
-single contributor save one. The famous _Noctes_ were, in reality,
-only just commencing; and there it is that the character of the
-Ettrick Shepherd most shines--vicariously, however, for his popularity
-is chiefly due to the piquancy and vitality with which the genius
-of Wilson endowed him. Whatever is best in the national genius of
-Scotland, in humour, poetry, imagination, and fervour, are poured forth
-in the quaint and broad language of the Shepherd. But enough of the
-_Noctes_; are they not still familiar volumes upon the tables of all
-who read?
-
-This year (1826), in which Blackwood was at the height of his success,
-was fatal, as we have before seen, to Constable; and with his failure
-disappeared for ever that rival to _Maga_, Constable’s _Edinburgh
-Monthly Magazine_.
-
-In being thus minute in the history of the magazine, we can scarcely
-be said to be neglecting the history of its proprietor, for their
-careers were inextricably bound up together, and Blackwood looked upon
-it as a father might upon a darling son. In the exulting vanity of his
-success, he was induced, about 1825, to print for private circulation,
-an alphabetical list of contributors, and sent Wilson a proof, who,
-by way of remonstrance, dashed in the names of such celebrities as
-Omai the Otaheitan, and Pius VII., with the names of some of the most
-egregious fools and mountebanks he had ever met with, and returned it
-to the printer, who duly furnished Blackwood with a revise; and the
-absurd incongruity of the names showed him the incautious impropriety
-of which he had been guilty. Two impressions only were reserved, one
-for Blackwood and one for the professor.
-
-As an editor, the punctuality and alacrity with which he acknowledged
-the communications of his contributors was wonderful; “and,” says the
-“Old Contributor,” “along with the mail coach copy of the magazine,
-or by an early post after its publication, came a letter to each
-contributor, full of shrewd hints for his future guidance, and often,
-not merely suggesting the subject for a future paper, but indicating
-with delicate hesitation the mode in which he fancied it might be
-discussed with the best advantage.... The ‘pudding’ was invariably
-associated with praise. At the head or foot of the welcome missive
-was a cheque for your article, the amount of which was not carved and
-patted like a pound of butter, into exact weight, but measured with no
-penurious hand.... He hated a cockney as Johnson hated a Scotsman, and
-considered all writers on this side the border, who did not contribute
-to _Maga_, as falling within this category.”
-
-In 1827, Blackwood brought out two books, which were alike only in
-achieving, each of them, a vast popularity. One was “The Youth and
-Manhood of Cyril Thornton,” by Captain Hamilton, and the other “The
-Course of Time,” by Pollok, a Scottish, if not a British, classic. The
-_Edinburgh Encyclopædia_ was continued till its final completion in
-eighteen quarto volumes, and not the least important of his publishing
-successes was the reproduction of the chief distinct works of Wilson,
-Lockhart, Hogg, Moir, Galt, and other writers connected with the
-magazine. He also continued to the close of his career, to carry on an
-extensive trade in retail bookselling.
-
-In addition to these heavy labours, he still found opportunity during
-some of the best years of his life to take a prominent part in the
-affairs of the city of Edinburgh, for which he was twice a magistrate,
-“and in that capacity,” says Lockhart, “distinguished himself by an
-intrepid zeal in the reform of burgh management, singularly in contrast
-with his avowed sentiments respecting constitutional reform.” Here he
-often exhibited in the conduct of debate and the management of less
-vigorous minds, a very rare degree of tact and sagacity.
-
-To return to the magazine. After Lockhart and Maginn left Edinburgh,
-the bitterly personal tone by which it had been so frequently
-disfigured, was almost entirely dropped; and this negative fact, aided
-by the positive one of the great popularity of the _Noctes_, raised the
-circulation immensely.
-
-In 1826, an early Elleray friend of Wilson’s, De Quincey, “the
-opium-eater,” began to discourse of things German in the pages of
-_Maga_; and in 1830, the “Diary of a Late Physician” was commenced.
-This, one of the most successful works of modern fiction, had, Warren
-tells us, “been offered successively to the conductors of three leading
-magazines in London, and rejected as ‘unsuitable for their pages,’
-and ‘not likely to interest the public.’... I have this morning been
-referring to nearly fifty letters which he (Blackwood) wrote to me
-during the publication of the first fifteen chapters of his ‘Diary.’
-The perusal of them occasioned me lively emotion. All of them evidence
-the remarkable tact and energy with which he conducted his magazine....
-He was a man of strong intellect, of great personal sagacity, of
-unrivalled energy and industry, of high and inflexible honour in every
-transaction, great or small, that I ever heard of his being concerned
-in.”
-
-Contemporary with the publication of the “Diary,” was that of the
-successful books “Tom Cringle’s Log” and “Sir Frizzle Pumpkin’s Nights
-at Mess,” the first by Michael Scott, and the second by the Reverend
-Mr. White. In May, 1832, appeared Wilson’s review of Mr. Tennyson’s
-first volume; in which the affectations of Mr. Tennyson’s earlier
-writings were ridiculed, but his more worthy pieces were praised in
-no niggardly terms. At the moment Mr. Tennyson was irritated, but
-his anger soon evaporated in some not very pungent lines to “Rusty,
-Crusty Christopher,” which he has long since seen fit to suppress; and,
-eventually, he exhibited a due acknowledgment of the truth of Wilson’s
-criticism, by removing several pieces and altering others. “Stoddart
-and Aytoun,” writes Wilson in this same review, “he of the ‘Death Wake’
-and he of ‘Poland,’ are graciously regarded by old Christopher; and
-their volume--presentation copies--have been placed among the essays of
-those gifted youths, of whom, in riper years, much may be confidently
-predicted of fair and good”--a sentence worth quoting, when it is
-remembered that Aytoun afterwards married Wilson’s daughter, and in a
-few years occupied his position in the pages of _Maga_ itself.
-
-In 1833, Blackwood was still full of schemes and enterprises; he
-commenced the publication of Alison’s “History of Europe.” Only the
-first two volumes were published, and then not altogether successfully,
-when Blackwood was stricken down by a mortal disease, a tumour in the
-groin, which, in a weary illness of four months, exhausted his physical
-energies, but left his temper calm and unruffled, and his intellect
-vigorous to the last. He was attended by Moir--the sweet-toned “Delta”
-of his magazine--who had another dying patient scarce a hundred yards
-off. This was Galt, who had been personally estranged from Blackwood
-by rough advice and strictures as to one of his stories. Now, however,
-that they lay dying so near each to each, the old friendliness
-returned, and Moir bore pleasant messages and hopeful wishes from one
-bedside to another. They never met again. Galt lingered on for years,
-but Blackwood died on the 10th of September, 1834, in the fifty-seventh
-year of his age.
-
-We have already given his character as described by those who knew him
-best, and it were idle to add any weaker testimony.
-
-He left a widow and a family of seven sons and two daughters, many of
-them very young; and the management of the business devolved upon the
-two elder, Robert and Alexander, who had for some years been associated
-with their father.
-
-Until 1845, these gentlemen were at the head of the flourishing
-business, and with such a start they could not fail to succeed.
-The magazine, in spite of all rivals, continued to be as great a
-favourite as ever, though in a year or so after the death of the
-elder Blackwood, Wilson withdrew almost entirely from its pages, and
-his position was eventually occupied by his son-in-law, Professor
-Aytoun. Many new contributors, without distinction of sect or party,
-were added to the staff; and even Douglas Jerrold and Walter Savage
-Landor--ultra-radicals, both--were made free of its pages. John
-Sterling, “our new contributor,” as Wilson fondly called him, fully
-retained the old reputation for deliciously sparkling poems and essays;
-and Lord Lytton, in the “Poems and Ballads of Schiller,” kept alive
-the cosmopolitan spirit of poetry inaugurated by Lockhart. In 1845,
-Alexander Blackwood died, and was shortly afterwards followed by his
-brother, when John, the third son, the present proprietor of the
-business and the present editor of _Blackwood_, who was born in 1818,
-succeeded. So popular had _Maga_ become in the colonies, and more
-especially in the United States, that a reprint of it was regularly
-published there every month. Mr. John Blackwood took counsel with the
-American lawyers, obtained an American contributor, and then threatened
-the Yankee publisher with all the terrors of the law, if the number
-were pirated as usual--a successful step, for ever since that date a
-tribute tithe has been regularly paid for the right of republication. A
-branch house was started in London; the firm was also increased by the
-return from India of William Blackwood, who was a major in the Indian
-army.
-
-In 1848 Lord Lytton commenced the “Caxtons,” and novel after novel from
-his pen appeared in _Maga_ to be anonymously successful even to the day
-of his death. For a period of twenty-five years, some of the finest
-novels and life-pictures in the language have made their first way to
-public favour through the medium of the magazine; and Mrs. Oliphant
-and George Eliot owed their first encouragement to the discernment
-of Mr. John Blackwood. That _Maga_ is still _facile princeps_ of the
-monthly literature is evident enough even from a bare mention of latest
-ventures, from the talent of “Earl’s Dene” and the wit of the “Battle
-of Dorking.”
-
-Alison’s “History of Europe” very soon proved its worth in the eyes of
-the public; and among other more recent successes of the house we may
-mention the novels of George Eliot, particularly “Middlemarsh,” which
-came out in an altogether novel form.
-
-As we shall not have another chance of returning to modern magazine
-literature, we may not inappropriately close the chapter with a
-short account of one or two of the most successful of the high-class
-publications.
-
-It was not to be expected that the marvellous success of _Blackwood’s
-Edinburgh Magazine_ would be allowed to pass unchallenged. The honour
-as well as the fortunes of the Southron publishers forbade it. In
-1820, the _London Magazine_, a name borrowed from an old and defunct
-periodical, was established by Baldwin, Craddock, and Joy, under the
-editorship of John Scott, formerly of the _Champion_ newspaper. Many
-men of talent joined the staff, but Scott’s old colleague, Wainwright,
-afterwards infamous as the insurance murderer, aided and abetted his
-chief in a series of very offensive personal articles. In two or three
-of them a fierce attack was made upon Sir Walter Scott, as being a mere
-pretender to the authorship of the Waverley Novels (which, as Scott was
-doing his utmost to hide his light under a bushel, was scarcely called
-for); and in addition to this the writers made an onslaught on all who
-were supposed to be connected with Blackwood or his magazine. Lockhart,
-with all the sensitiveness of your true satirist, called immediately
-for an apology, and was evaded by a demand that he should first disavow
-his connection with Blackwood. This was out of the question, and Mr.
-Christie, to whom Lockhart had entrusted negotiations, feeling that
-Scott was shuffling, and that he himself was being trifled with, let
-drop some expressions on his own account calculated to give offence.
-A meeting was arranged. Christie fired down the field, but Scott, not
-perceiving this, aimed deliberately at his opponent, but missed his
-mark. Christie, seeing his adversary again prepare to fire in his
-direction, did not a second time waste his powder, and the result was
-that Scott was mortally wounded.
-
-Dreadful as was the catastrophe, and the sensation it made at the time,
-it tended to soften the asperities of the press, and was instrumental
-in bringing a better spirit to critical discussion.
-
-After Mr. Scott’s death, the proprietorship of the _London Magazine_
-was transferred to Taylor and Hessay, the poetical publishers. The
-first of these gentlemen was the original proclaimer of Francis as the
-author of the “Letters of Junius;” the second will ever be remembered
-for his kindliness to John Keats. Mindful of the success of Blackwood,
-they retained the editorship in their own hands, and, again like him,
-were most liberal in their payments--a pound a page for prose, and
-two pounds for verse, was the _honarium_ of ordinary contributors;
-Charles Lamb receiving, very fitly, two or three times that amount. It
-is Charles Lamb’s name that is now most intimately connected with the
-_London Magazine_, for here it was that the famous “Essays of Elia”
-first appeared. Among the other contributors we find many celebrated
-names; Hazlitt furnished all the articles upon the drama, Mr. Carlyle
-contributed the “Life and Writings of Schiller” to the last three
-volumes, and here De Quincey first published his “Confessions of
-an English Opium-Eater,” filled with the weirdest fancies and the
-loveliest word-pictures in our literature. Here, too, Tom Hood fleshed
-his maiden sword; and among the other writers we find the names of
-Keats, Landor, Hartley Coleridge, Barry Cornwall, and Bowring. Such
-an array of talent did not, however, avail, without steady editorial
-skill, to win a wide popularity, and in 1825 the publication was
-suspended.
-
-We have seen that Maginn had accompanied Lockhart to the south. In
-1827 the _Standard_ newspaper was founded, and he was installed in the
-editorial chair, where for some seven or eight years he drew £500 a
-year. His unrivalled facility in dashing off slashing articles upon any
-subject, quickly raised his income to eighteen or nineteen hundred;
-but his ever-increasing habits of intemperance rendered regularity of
-work impossible. Together with Lockhart and other writers, he planned
-a London monthly rival to _Blackwood_, and in 1829 an East India
-merchant of the name of Fraser was found willing to make the necessary
-advances, and _Fraser’s Magazine_ was started. An editor was kept to
-correct the proofs, and to go to prison, as occasion might require;
-but Maginn contributed a large proportion of the first three numbers,
-and was virtually the manager. Hogg, who, as Wilson said, had made a
-perfect stye of every magazine in the kingdom, was invited up to town.
-Its rollicking tone, untempered by any genuine humour, was wofully
-overdone, and smacked of the reeking laughter of the pothouse. Maginn,
-having no one to direct his shafts, attacked every one right and left,
-and selected a series of literary and political butts for continuous
-practice, among whom were Professor Wilson, Tom Campbell, and Lord
-Ellesmere, who were insulted in the most audacious manner; and language
-and criticism like this gave constant rise to cudgellings, law-suits,
-and duels. Maginn, however, had plenty of courage--was as reckless with
-his pistol as his pen. Captain Berkeley having called at the office,
-seen Fraser, and horsewhipped him for a libel, was challenged by the
-writer of it--Maginn--who, sobered down for the moment, stood his fire
-for three rounds with the utmost nonchalance. In spite of the humour of
-Thackeray and the philosophy of Carlyle, lately admitted to its pages,
-_Fraser’s Magazine_ was commercially not successful until Maginn and
-Hogg were banished from the staff. When, however, it got into better
-hands, and led a cleanlier life, an ample field was found for its
-circulation.
-
-Thackeray, whom we mentioned above, was instrumental in effecting a
-thorough change in periodical literature. When under his direction,
-the _Cornhill_ was started, to give for a shilling all that had before
-been given for two shillings and sixpence, the bookselling world was
-incredulous of success, and the book-buying world scarcely hopeful.
-More than 100,000 copies of the first number were sold, and as soon as
-it was seen that a vastly wide-spread circulation is infinitely more
-valuable than a narrower sphere at a much higher rate, a crowd of other
-shilling magazines were produced, among which it is enough to mention
-_Temple Bar_, _London Society_, _Macmillan’s_, _Belgravia_, and a score
-of others, some of which were doubtless successful, but many more or
-less ephemeral. One detrimental fact has of course arisen from such a
-multiplicity of organs; the available talent of the day, such as it
-is, cannot now be concentrated. The same curse haunts the theatre; at
-present one “star” is as much as the greediest can expect on one stage.
-
-[Illustration]
-
-
-
-
-[Illustration]
-
-
-
-
-_CHAMBERS, KNIGHT, AND CASSELL_:
-
-“LITERATURE FOR THE PEOPLE.”
-
-
-We have already seen, in our short sketches of the Bells, the Cookes,
-the Donaldsons, and the Constables, some endeavour--neither faint
-nor altogether unsuccessful, yet not more than a trial venture, for
-education was still a monopoly of rank and riches--to render books the
-property and the birthright of the people. In our present chapter,
-however, we come to a new phase in the history of bookselling. The
-schoolmaster, as Brougham said, was abroad; the repressive taxes on
-knowledge either were, or were about to be, removed; learning, or a
-smattering of learning, was within the reach of most. The battle of
-future progress was to be fought out with the pen, just as the triumphs
-of early civilization had been achieved with the lance and with the
-sword. The public writer henceforth was to occupy the preacher’s
-pulpit, and his congregation, far above the limits of any St. Peter’s
-or St. Paul’s, was to be told only by millions. Books were to be no
-longer the curious luxuries of the rich man’s library, or the hoarded
-and hardly-earned treasures of the student’s closet, but were to be
-fairly placed at the disposal of the many.
-
-Talent certainly, if not genius, is only the product of the
-requirements of the time and place; and as soon, therefore, as cheap
-books were in real request, men thoroughly competent and thoroughly
-earnest came forward to supply the want--fighting bravely, with all the
-strong energy of their wills, to do the work that each had chosen, and
-yet each as certainly acted upon invisibly, insensibly, and inevitably,
-by the true, if word-worn, laws of supply and demand.
-
-The means by which this end was to be attained were many, and the
-labourers in the new fields of cheap literature numerous; but in our
-present chapter, as elsewhere, we have selected the representative
-men and the typical means. The names of Chambers, Knight, and Cassell
-(the latter certainly in a less degree) are inextricably woven into
-the movement, of which at present we have only seen the commencement;
-and the plan by which the most expensive treasures of literature, the
-choicest garnerings of our knowledge, were placed at the disposal of
-the meagrest purse, was almost universally that of distribution into
-small weekly or monthly parts, at an infinitesimal cost--a method that
-may with justice be styled the people’s intellectual savings bank; and
-it is to the early history of the people’s intellectual savings bank
-that we now address ourselves.[18]
-
-Robert Chambers was born at Peebles, on the banks of the Tweed,
-on 10th July, 1802, two years later than his brother William, with
-whom his whole career is intimately connected. They were the sons of
-James Chambers, at one time a prosperous muslin weaver, employing
-some hundred looms. Their father is described as “a lover of books, a
-keen politician, and an open-hearted friend;” but having already been
-generous beyond his means to the poor French prisoners in Scotland, he
-was completely ruined by the introduction of machine-weaving looms,
-and was compelled to sell his modest patrimony, and remove with his
-family to Edinburgh, with only a few shillings in his pocket on which
-to start life afresh. But before this the young lads’ education had
-commenced. At Peebles there were certainly no newspapers; but their
-old nurse sung ballads and told them legendary stories of the former
-exploits of the warriors of the country side; and then there was old
-Tam Fleck, a host in himself, who had struck out a wandering profession
-of his own, a “flichty chield,” who went about with a translation of
-Josephus (Lestrange, 1720) from house to house. “Weel, Tam, what’s
-the news the nicht?” would one of the neighbours say, as Tam entered
-with the ponderous volume under his arm. “Bad news, bad news,” replied
-Tam. “Titus has begun to besiege Jerusalem--it’s gaun to be a terrible
-business.” At the little village school, too, William was introduced
-to Latin for the fee of five shillings a quarter, and Robert was well
-grounded by Mr. Gray in English for two shillings and twopence. Robert
-was a quiet, self-contained boy, unable from a painful weakness in his
-feet to join heartily in the usual games of his schoolfellows. “Books,”
-he writes in the preface to his collected works, “not playthings,
-filled my hands in childhood. At twelve I was deep, not only in poetry
-and fiction, but in encyclopædias.” Receiving his first education at
-the Burgh Grammar School, he acquired afterwards, at the Edinburgh High
-School, under the tuition of Mr. Benjamin Mackay, the usual elements of
-a classical education, embracing, indeed, as much Latin as enabled him
-in after-life to read Horace with ease and pleasure.
-
-[Illustration: Dr. Robert Chambers.
-
-1802-1871.]
-
-After months of pence-scraping and book-hoarding, Robert succeeded in
-collecting a stock worth about forty shillings; and with nothing but
-these, his yearning for independence, and his determination to write
-books by-and-by, and at present to sell them, the young boy of sixteen
-opened a little shop or stall in Leith Street. His brother William,
-after serving an apprenticeship to a Mr. Sutherland, also started as a
-bookseller and printer in the immediate neighbourhood; and from this
-time forward--a time when most boys were cursing the master’s ferule
-and the Latin syntax--they were both independent. Of this period Robert
-gives the following graphic and almost painfully accurate account in a
-letter to Hugh Miller, written in 1854:--
-
- “Your autobiography has set me a thinking of my own youthful
- days, which were like yours in point of hardship and
- humiliation, though different in many important circumstances.
- My being of the same age with you, to exactly a quarter of a
- year, brings the idea of a certain parity more forcibly upon
- me. The differences are as curious to me as the resemblances.
- Notwithstanding your wonderful success as a writer, I think my
- literary tendency must have been a deeper and more absorbing
- peculiarity than yours, seeing that I took to Latin and to
- books both keenly and exclusively, while you broke down in
- your classical course, and had fully as great a passion for
- rough sport and enterprise as for reading, that being again a
- passion of which I never had one particle. This has, however,
- resulted in making you, what I never was inclined to be, a
- close observer of external nature--an immense advantage in
- your case. Still I think I could present against your hardy
- field observations by frith and fell, and cave and cliff,
- some striking analogies in the finding out and devouring of
- books, making my way, for instance, through a whole chestful
- of the “Encyclopædia Britannica,” which I found in a lumber
- garret. I must also say that an unfortunate tenderness of feet,
- scarcely yet got over, had much to do in making me mainly a
- fireside student. As to domestic connections and conditions,
- mine being of the middle classes were superior to yours for the
- first twelve years. After that, my father being unfortunate
- in business, we were reduced to poverty, and came down to
- even humbler things than you experienced. I passed through
- some years of the direst hardship, not the least evil being a
- state of feeling quite unnatural in youth, a stern and burning
- defiance of a social world in which we were harshly and coldly
- treated by former friends, differing only in external respects
- from ourselves. In your life there is one crisis where I think
- your experiences must have been somewhat like mine; it is the
- brief period at Inverness. Some of your expressions there bring
- all my own early feelings again to life. A disparity between
- the internal consciousness of powers and accomplishments and
- the external ostensible aspect led in me to the very same wrong
- methods of setting myself forward as in you. There, of course,
- I meet you in warm sympathy. I have sometimes thought of
- describing my bitter painful youth to the world, as something
- in which it might read a lesson; but the retrospect is still
- too distressing. I screen it from the mental eye. The one grand
- fact it has impressed is the very small amount of brotherly
- assistance there is for the unfortunate in this world....
- Till I proved that I could help myself, no friend came to
- me. Uncles, cousins, &c., in good positions in life--some of
- them stoops of kirks, by-the-by--not one offered, nor seemed
- inclined to give, the smallest assistance. The consequent
- defying, self-relying spirit in which, at sixteen, I set out
- as a bookseller with only my own small collection of books as
- a stock--not worth more than two pounds, I believe--led to my
- being quickly independent of all aid; but it has not been all a
- gain, for I am now sensible that my spirit of self-reliance too
- often manifested itself in an unsocial, unamiable light, while
- my recollections of ‘honest poverty’ may have made me too eager
- to attain and secure worldly prosperity.”
-
-This period of struggle, however, opened his heart in after-life to
-all who were battling in like circumstances, for those who knew him
-well say that “many young literary men owed much to his help, for he
-was ever ready with kindly counsel as well as in more solid assistance
-when needed.” It is pleasant to think that his little ciphering book,
-still in existence (the handwriting of which is extremely neat, so neat
-indeed that the young penman was employed by the civic authorities to
-engross on vellum the address presented to George IV. on his visit to
-Edinburgh in 1822), containing his first year’s account of profit and
-loss, shows a balance small, certainly, but amply sufficient for his
-modest wants, for their united daily household expenses did not exceed
-one shilling.
-
-Once a bookseller, Robert speedily found opportunity to become an
-author, and he undertook the editorship of a small weekly periodical
-called the _Kaleidoscope_; while his brother William, in order to
-do all the manual work connected with it, taught himself the art of
-printing, and with an old fount of type, and a clumsy wooden press,
-which he had purchased for three pounds, composed and worked off all
-the impressions; his own contributions, some of them poetical, “finding
-their way into the stick without the intervention of copy.” Here he was
-often seen, “a slim, light-eyed boy in his shirt-sleeves, tugging away
-with desperate energy at his old creaking press.” When his very small
-and imperfect fount was inadequate to the demand for larger letters, he
-would sit up, after his long day’s labour for half the night, carving
-the requisite capitals out of a piece of wood with his penknife. This
-first venture was necessarily short-lived, and died in the January of
-the year 1822--at which date they both gave up their bookstalls and
-took regular shops.
-
-Nothing daunted by the untimely fate of his first effort, Robert
-entered the field again, and from his connection with the Tweed, and
-with the assistance of friends from that quarter, who aided him in the
-identification of some of Scott’s characters, he produced a book that
-seemed likely to be popular--“Illustrations of the Author of Waverley,”
-consisting of descriptive sketches of the supposed originals of the
-great novelist. The book was a success, not so much from a pecuniary
-point of view, but as introducing the author to the kindly notice of
-several literary men, and gaining him the friendship of Scott, still
-the anonymous “Wizard of the North,” who mentions him in his diary as
-“a clever young fellow, but spoils himself by too much haste.”
-
-In the following year, when he was still only twenty years of age, he
-produced the “Traditions of Edinburgh”--a book that is, of his many
-contributions to the social and antiquarian history of his native land,
-still, perhaps, the most popular. Every type of it was set up, every
-sheet of it pulled at press, by his brother, and the first edition,
-dated 1823, presents a curious contrast to the handsome copy published
-in 1869. The _Traditions_ was a book the immediate popularity of which
-raised the author in public esteem, though its value is greater still
-at the present day, when many of the interesting associations connected
-with scenes and places are rapidly changing their character, or have
-been swept away altogether. Others than Scott even then expressed their
-wonder “where the boy got all his information.” In a sketch of Robert
-Chambers, by the son of one of his earliest friends, that appeared in
-_Lippincott’s Magazine_ for July, 1871, an amusingly frank letter is
-quoted, which shows that the young writer was already getting into the
-“swim” of authorship:--“You may depend upon a copy of the ‘Traditions
-of Edinburgh,’ and a review of them as soon as they are ready. I am
-busy just now in writing reviews of them myself, for the various works
-I can get them put into, being now come to a resolution that an author
-always undertakes his own business best, and is indeed the only person
-capable of doing his work justice. I stood too much upon punctilio
-in my maiden work, the ‘Illustrations,’ and left the review of it
-to fellows who knew nothing about the subject, at least had not yet
-thought of it half so much as I had, who was quite _au fait_ with the
-whole matter.”
-
-From this period Robert Chambers’ books were marketable productions,
-and publishers began to seek out the young author. On the occasion of
-the great fires in November, 1824, when hundreds of poor families were
-rendered destitute, having no money wherewith to aid the victims, he
-wrote an account of the historical “Fires in Edinburgh,” and assigned
-the profits, which were considerable, to the fund collected for the
-benefit of the sufferers; and from this time books flowed from his
-pen in rapid succession. In 1825, he composed, for a bookseller, his
-“Popular Walks in Edinburgh,” partly the result of rambles in the
-nooks and corners of the quaint old city, in company with Sir Walter
-Scott. In 1826, he published his “Popular Rhymes of Scotland,” and
-then started on foot, as if to cure his ailment by pedestrianism, on
-a rambling journey through the country, and published the result of
-his explorations in his “Pictures of Scotland,” which passed through
-several editions, and is still a lively companion to the tourist. In
-this same year, 1827, he contributed to Constable’s _Miscellany_ the
-five volumes containing his “Histories of the Scottish Rebellion”--of
-which, that concerning the affairs of 1845, while true to facts, had
-all the glowing charms of a romance--and a “Life of James I.,” in two
-volumes. Next appeared three volumes of “Scottish Ballads and Songs,”
-followed by a “Biographical Dictionary of Eminent Scotsmen”--the four
-volumes being commenced in 1832 and concluded in 1835--one of the most
-trustworthy and most entertaining books of reference in existence. A
-supplementary and fifth volume was afterwards added by the Reverend
-Thomas Thomson. Besides writing these various works, and giving some
-attention to his ordinary business, he found time to act as editor of
-the _Edinburgh Advertiser_.
-
-In 1829, Robert Chambers married Miss Anne Kirkwood, of Edinburgh, a
-lady of very congenial qualities and attainments, and whose musical
-accomplishments constantly supplied him--after his heavy daily
-labours--with the recreation essential to one so passionately fond of
-music.
-
-William Chambers was toiling away busily in his little shop in the
-Broughton suburb--writing, printing, and selling books. After some
-minor efforts at authorship, he wrote the “Book of Scotland,” giving
-an account of the legal constitution and customs of his native
-country. This was followed by the “Gazetteer of Scotland,” written
-in conjunction with his brother, which, from the then scanty printed
-material at their disposal, must have cost them an immensity of labour.
-
-In 1832 came the turning point of the cause of the two brothers. The
-struggle for parliamentary reform had awakened a necessity for the
-spread of education. The Society for the Diffusion of Useful Knowledge
-had already been doing good service to the cause, with Lord Brougham
-as its president, and Charles Knight as its manager. And on the 4th
-of February, 1832, appeared the first number of Chambers’ _Edinburgh
-Journal_. Mr. William Chambers has himself, in a letter to the
-editor of the _Athenæum_ (April 1st, 1871), replied to a statement
-in a former number, that upon seeing a copy of the prospectus of the
-_Penny Magazine_, he put forward several suggestions to one of the
-chief promoters, and that his self-love being wounded by receiving no
-reply to his letter, he determined to realize his unappreciated ideas
-himself. The following, in his own letter, is, of course, the accurate
-history of the origin of the periodical.
-
-“In the beginning of January, 1832, I conceived the idea of a cheap
-weekly periodical devoted to wholesome popular instruction, blended
-with original amusing matter, without any knowledge whatever of the
-prospectus of the _Penny Magazine_, or even hearing that such a thing
-was in contemplation. My periodical was to be entitled Chambers’
-_Edinburgh Journal_, and the first number was to appear on the 4th
-of February. In compliment to Lord Brougham as an educationist, I
-forwarded to him a copy of my prospectus, with a note explaining the
-nature of my attempt to aid as far as I was able in the great cause
-with which his name was identified. To this communication I received no
-acknowledgment, but no self-love was wounded. My work was successful,
-and I was too busy to give any consideration as to what his lordship
-thought of it, if he thought of it at all. The first time I heard of
-the projected _Penny Magazine_ was about a month after the _Journal_
-was set on foot and in general circulation.”
-
-The success of the new _Journal_ was unprecedented; it immediately
-obtained a circulation of 50,000, and by 1845, when the folio, after a
-trial of the quarto, was exchanged for the octavo form, 90,000 copies
-were required to supply the demand. Started six weeks before the _Penny
-Magazine_, it is still the most successful and the most instructive of
-the cheap hebdomadal periodicals. At the very first flush of success,
-Robert Chambers’ assistance was called in as editor, and in a short
-time the brothers finally entered into partnership as publishers;
-and their triumphs were henceforth achieved conjointly--“both of
-them,” says an able writer in an old number of the _Dublin University
-Magazine_, “trained to habits of business and punctuality; both of them
-upheld in all their dealings by strict prudence and conscientiousness;
-and both of them practised, according to their different aims and
-tendencies, in literary labour.”
-
-Seldom, if ever, have two members of a publishing firm been so
-admirably fitted for their business.
-
-From the very outset the brothers were thrown entirely on their own
-resources; they had no literary jealousy, and eagerly enlisted on their
-staff most of the young aspirants in Scotland, who have since achieved
-a world-wide reputation. It was, however, to Mr. Robert Chambers’
-contributions that the _Journal_ was primarily indebted for success,
-his delightful essays, æsthetic and humorous, permanently fixing the
-work in public esteem. Gifted with a keenly-accurate observation,
-with a grave yet kindly humour, his vignettes of life and character,
-under the _nom de plume_ of Mr. Baldestone, were so truthful and
-so “telling,” that they met with a very favourable reception, when
-republished separately, in seven volumes, in 1844. “It was my design,”
-he says in the preface, “from the first, to be the essayist of the
-middle class--that in which I was born and to which I continue to
-belong. I, therefore, do not treat their manners and habits as one
-looking _de haut en bas_, which is the usual style of essayists, but
-as one looking round among the firesides of my friends.” This was,
-doubtless, the primary secret of their success.
-
-When Leigh Hunt, in 1834, established his _London Journal_, he
-announced that he intended to follow the plan of Chambers’ _Edinburgh
-Journal_, “with a more southern element” added. This compliment, from
-a veteran so famous and so experienced, led to an interchange of
-editorial courtesies, in the course of which Robert Chambers claimed
-the distinction for his brother William--which had been somewhere
-awarded to Leigh Hunt--of having been the first to introduce cheap
-periodical literature of a superior class. Leigh Hunt, in reply, while
-upholding his own title to priority by the indubitable evidence of the
-dates of his _Indicator_, _Tatler_, &c., cordially admitted that his
-young rivals had more wisely achieved the desired end by interesting a
-wider and less educated public.
-
-In a few years all Edinburgh proved to be equal only to produce the
-Scotch edition of the _Journal_, a branch house was established in the
-English metropolis, the command of which was entrusted to a younger
-brother, Mr. David Chambers, who was born in the year 1820, and who
-was afterwards taken into partnership. Unlike his brothers, he had
-little taste for literature. In connection with the subsequent conduct
-of the _Journal_, we may mention the names of T. Smibert and Leich
-Ritchie (both deceased), and Mr. W. H. Wills, and Mr. James Payn, the
-sensational novelist, who for many years has had the leading conduct.
-
-In 1844, Robert Chambers published a work written in conjunction with
-Dr. Carruthers, afterwards greatly enlarged, which takes a far higher
-rank than any preceding compilation of a similar character. This was
-Chambers’ “Cyclopædia of English Literature,” in which no less than
-832 authors are treated critically and biographically, specimens of
-their most characteristic writings being quoted in addition. From the
-intrinsic value of the contents, and the marvellous cheapness of the
-price, a great popularity was attained, and in a few years 130,000
-copies were sold in England alone, while in America it was at least as
-popular.
-
-Among his other works at this period we may mention a labour of love--a
-chronological edition of Burns’ poems, so arranged with a connecting
-narrative as to serve also as a biography. The proceeds of the sale
-went towards securing a comfortable fortune for the poet’s sister. We
-must mention, also, in passing, “The Domestic Annals of Scotland,” and
-a dainty little volume of verse, printed for private circulation only,
-in 1835.
-
-A book appeared about this time entitled, “Vestiges of the Natural
-History of Creation,” which was written to prove that the Divine
-Governor of this world conducts its passing affairs by a fixed rule,
-termed natural law. The orthodox party professed to be alarmed at the
-temerity of the writer, and by them the book was hailed with contumely.
-It was known that the proof sheets had passed through the hands of
-Mr. Robert Chambers, and on no better authority than this, not only
-did the public believe the story, but the “Vestiges” was entered in
-the catalogue of the British Museum under his name. A writer in the
-_Critic_ boldly stated, “on eminent authority,” that George Combe was
-the author, and though this was contradicted, and though the authorship
-is still a mystery, it would appear that Combe had, at all events,
-something to do with the work. In 1848, Robert Chambers was selected to
-be Lord Provost of Edinburgh; he was requested to deny the authorship,
-but his refusal to plead, and his consequent retirement, were probably
-due to his contempt for people who could make the authorship of a book
-a barrier to civic honours. His brother William, however, afterwards
-filled the office with such satisfaction to his fellow-citizens, that
-he was re-elected, after serving the prescribed term of three years.
-
-Many of Robert Chambers’s earliest essays in his _Journal_ had been
-upon geology, and to this branch of science he became more and more
-addicted, and as a geologist and antiquarian he turned to good account
-a somewhat extensive course of foreign travel. In 1848 he visited
-Switzerland; in 1849 Sweden and Norway; and in later years Iceland and
-the Faroe Isles, Canada, and the United States. One of the results of
-these travels was a volume on “Ancient Sea Margins”--containing a new
-theory, that had previously been propounded by him in a paper read
-before the “British Association,” and had attracted no little attention.
-
-To supplement what their _Journal_ could not supply to the reading
-public, he and his brother also wrote, with not very much assistance,
-and, of course published, “Information for the People,” “Papers for the
-People,” and a series of miscellaneous tracts: 200,000 of the first
-named are said to have been sold.
-
-During all this hard work Robert Chambers helped to conduct one of
-the largest printing and publishing concerns in Scotland. One of the
-chiefest triumphs of the brothers was “Chambers’s Educational Course,”
-an educational project so complete that few men could have ever hoped
-to realize it. This series begins with a three-halfpenny infant primer,
-and goes onward through a whole library of grammars, dictionaries,
-histories, scientific, and all primary class books, and cheap editions
-of standard foreign and classical authors, till it culminates in a
-popular “Encyclopædia” in ten thick volumes. This “Encyclopædia” was
-originally founded on the “German Conversations’ Lexicon,” but the
-articles were in all cases either re-written or thoroughly revised.
-It admirably supplies the wants of those readers for whom the “Penny
-Encyclopædia” was in the first instance devised, before its expansion
-into the present more expensive form.
-
-Literary honours fell fast upon Robert Chambers. He enjoyed the rare
-distinction of being nominated into the Athenæum Club by its committee
-of management, and was elected a member of many scientific societies;
-and finally the University of St. Andrews conferred on him the degree
-of Doctor of Laws.
-
-In 1864 appeared his first real work, the “Book of Days,” but the
-success that attended it was dearly bought. He had found it necessary
-to reside for some years in London, in order to avail himself of the
-inexhaustible treasures of the British Museum, but on his return to
-Scotland he was often heard to say “that book is my death-blow.” His
-nervous system was shattered, and literary labour was at an end.
-After the completion of seventy volumes, and innumerable articles,
-compelling almost incessant mental effort for five-and-forty years, the
-overworked brain at last demanded repose. The descendants of Smollett,
-the novelist, offered him the use of some hitherto untouched family
-documents, and he was tempted once more to essay the long-loved task
-of composition; the volume was printed in 1867, and is said to bear
-painful marks of the undue strain from which his mind had suffered.
-
-The very last years of his life were spent at St. Andrews, where
-on March 17th, 1871, he died, saying, “Quite comfortable--quite
-happy--nothing more!” leaving a family of nine children, one of whom,
-Mr. Robert Chambers, has for some time been a partner in the firm. His
-second wife (his first had died in 1863) did not survive him.
-
-Few men have worked so hard as Robert Chambers; his life, busy in its
-threefold capacity of author, editor, and publisher, can scarcely have
-known an unprofitable hour; few men have worked so well, for not a line
-that he has written, not a book that he has published, but has tended
-in some way to the education and social improvement of the people; and
-few men have reaped such an honourable and profitable reward for their
-labours.
-
-Dr. Carruthers, his colleague in the “Cyclopædia of English
-Literature,” says, “His worldly prosperity kept pace with his
-acquirements and his labours; he was enabled to practise a liberal
-hospitality and a generous citizenship; strangers of any mark in
-literature or science were cordially welcomed, and a forenoon
-antiquarian ramble with Robert Chambers in the old town of Edinburgh,
-or a social evening with him in Doune Terrace, were luxuries highly
-prized and long remembered. Thus we have an instance of a life
-meritorious, harmonious in all its parts, happy, and benefiting society
-equally by its direct operation and its example.”
-
-The news of Robert Chambers’s death so affected his brother, Mr. David
-Chambers, who was at that time confined to his home through illness,
-that it caused the rupture of a blood-vessel in the liver, and three
-days after this he followed his elder brother; like him he had been an
-earnest friend of press reform, and had devoted much of his time to
-promoting the repeal of the fiscal restrictions upon newspapers.
-
-Mr. William Chambers, who undertook from the first the largest share in
-the mercantile concerns of the firm, has still found time to accomplish
-a large amount of literary work. In addition to the book previously
-mentioned, he has published, among others, “Travels in Italy,” and a
-“History of Peebleshire,” and the “Memoir of Robert Chambers,” besides
-contributing freely to the _Journal_, and other of their serial
-publications.
-
- * * * * *
-
-Charles Knight was born at Windsor in the year 1791, and was the only
-child of his father, a bookseller and printer of some importance
-in that town, who, by his connection with the _Microcosm_, a paper
-conducted by Canning, and written by Hookham Frere, “Bobus” Smith, and
-other Etonians, had made many influential friends. The last number of
-this schoolboy journal appeared, however, four years before the birth
-of his son.
-
-Charles was educated at the school of a Dr. Nicholas at Ealing, and
-his early avidity for reading had, he himself thinks, much to do with
-rendering his constitution weak and feeble. At the age of fourteen he
-signed indentures of apprenticeship to his father, and in 1812, when
-he attained his majority, he was sent up for a few weeks to London
-to undergo a short term of training in the office of the _Globe_
-newspaper, so as to give him practical experience in reporting and
-other journalistic work; for from early boyhood he had determined to
-possess a paper of his own. On Aug. 1st of the same year his desire was
-realized, and, in conjunction with his father, he started the _Windsor
-and Eton Express_, the editorship of which he continued up to the year
-1827, finding time, however, in the midst of his busy life, to devote
-to the cultivation of more general literature. In 1813 appeared the
-first original work from his pen, “Arminius,” a tragedy--which had
-been offered to the manager of Drury Lane Theatre, and had of course
-been rejected, but very courteously. During his residence at Windsor
-he was co-editor, with H. E. Locker, of the _Plain Englishman_, a
-miscellaneous journal, which only lasted from 1820 to 1822.
-
-His first venture into the dimly descried regions of popular literature
-appeared, he says, in the _Windsor Express_ for Dec. 11, 1819, in a
-paper called “Cheap Publications,” and was followed by others, till, in
-one of the last numbers of the _Plain Englishman_, we come across an
-article entitled “Diffusion of Useful Knowledge”--a straw which shows
-which way his mind was turning.
-
-[Illustration: Charles Knight.
-
-1791-1873.]
-
-Among Mr. Knight’s other literary labours at this time, in 1820, he
-undertook the editorship of the _Guardian_, again in partnership
-with a colleague; and his life, divided between Windsor and London,
-became one of very pleasurable excitement. His connection, too, with a
-literary journal, served to render him familiar with the aspects of the
-publishing trade in London, and at the end of 1822 he sold his share of
-the _Guardian_, and took up his position in Pall Mall East, and started
-as a publisher.
-
-One day, shortly after this, coming back jaded and weary from
-his London office he found two Eton lads--W. M. Praed and Walter
-Blunt--waiting at his cottage with an eager proposal that he should
-publish an Eton miscellany. Generously and sympathetically did Mr.
-Knight enter into the schemes of the schoolboys; and the plan of
-the _Etonian_ was forthwith drawn up. Knight found much pleasure in
-watching and assisting the young periodical, which was a kind of
-pleasant nursery ground for the growth and display of the youthful
-talent of which Eton then proudly and unwontedly boasted. “It was
-refreshing,” he writes, “after the dry labours of his day in town,
-to watch the bright, earnest, happy face of Mr. Blunt, who took a
-manifest delight in doing the editorial drudgery; the worst proofs (for
-in the haste unavoidable in periodical literature he would sometimes
-catch hold of a proof _un_read) never disturbed the serenity of his
-temper. To him it seemed a real happiness to stand at a desk in the
-composing-room.” But Praed it was, with his sparkling wit, his elegant
-aptness of expression, and his boyish gallantry that yet smacked of the
-wise experience of age, who was the life and soul of the project, and
-his contributions eventually occupied fully one-fourth of the whole
-miscellany, and when he went to Cambridge it was thought advisable,
-perhaps found necessary, to terminate the _Etonian_ altogether. Still
-Mr. Knight’s chief hopes as a publisher were centred in the promise of
-his young Eton friends, and during a week passed with them at Cambridge
-the general plan of _Knight’s Quarterly Magazine_ was settled, and he
-was introduced to Derwent, Coleridge, Malden, and Macaulay, afterwards
-his chief contributors.
-
-Mr. Knight was his own editor, and with the assistance of such writers,
-his periodical could not fail to be a success. Even Christopher
-North, in Edinburgh, was moved to write of them as a hopeful class
-of “young scholars,” and Knight retorted to this stale accusation of
-youth by declaring that he had read and rejected seventy-eight prose
-articles, and one hundred and twenty copies of occasional verses, “all
-the property of the old periodical press,” while Praed wrote saucily
-enough, that “Christopher North is a barn from his wig to his slippers.”
-
-After the first two numbers, Macaulay felt constrained to retire, as
-his father objected to the political opinions of the magazine, but
-he was luckily induced to alter his mind, and to the future numbers
-he contributed the best of his early poems--notably, “Moncontoria”
-and “Ivry” and the “Songs of the Civil Wars.” Here, too, were printed
-Praed’s most charming _jeux d’esprits_, so called, though depth of
-feeling and nobleness of sentiment often lay beneath their airy
-bantering tone. De Quincey, then almost starving in the streets of
-London, was made lovingly free of its pages, and the _Quarterly
-Magazine_ attained a great celebrity as the most classical, and yet the
-lightest, gayest, and most pleasing periodical of the day.
-
-Unfortunately a division occurred among the contributors
-themselves--their opinions, and the opinions they expressed, were
-as widely divergent as the four winds of heaven--their supply of
-matter was quite irregular, varying with the individual amusements of
-the hour--reaching, Knight tells us, to “wanton neglect;” and after
-many dissensions, the publisher felt “that he had to choose between
-surrendering the responsibility which his duties to society had
-compelled him to retain, or to lose much of the assistance which had
-given to the _Quarterly Magazine_ its peculiar character.” He could
-not hesitate in his choice, and with the sixth number the work ceased,
-being, however, continued under the editorship of Malden, and in the
-hands of another publisher for a quarter longer, but the panic that
-ruined Scott and Constable, and shook so many publishing houses, made
-small work of the transplanted _Quarterly_.
-
-This period of Knight’s life may be regarded as the time when he sowed
-his publishing wild oats; henceforth sterner work awaited him. Among,
-however, the earliest of his distinct publications may be mentioned
-Milton’s “Treatises on Christian Doctrine,” then first discovered among
-the documents at the State Paper Office.
-
-Knight had fortunately no bills afloat at the time of the panic which,
-in connection with his endeavour to assist the Windsor bank, he so
-graphically describes--“In the Albany we found the partners of one
-firm deliberating by candle light--a few words showed how unavailing
-was the hope of help from them: ‘We shall ourselves stop at nine
-o’clock.’ The dark December morning gradually grew lighter; the gas
-lamps died out; but long before it was perfect day we found Lombard
-Street blocked up by eager crowds, each man struggling to be foremost
-at the bank where he kept his accounts, if its doors should be opened.”
-Still, Mr. Knight, though not directly involved, found, like many
-other publishers, that the schemes of 1825 would not sell in 1826,
-and that the booksellers must, spite of themselves, “hold on” as best
-they could. Colburn, indeed, was the only one who still continued his
-ventures, and from the light and soothing nature of his publications,
-chiefly fictions calculated to allay the torture of reality, he was
-able to reap a reward for his temerity.
-
-Every day found Mr. Knight more sick of his prospects than the last.
-The _Brazen Head_, a weekly satirical and humorous journal of his just
-started, lightened though it was by the rippling wit of Praed, fell
-upon the public like a leaden lump.
-
-Mr. Knight’s brain had long been filled with a scheme of popular and
-cheap literature, and he now made up his mind to start afresh--to
-tempt the world and bless it with a real “National Library,” so good
-that all should desire, so cheap that all would buy. Lord Brougham,
-who was at that moment organizing the “Society for the Diffusion of
-Useful Knowledge,” heard of this plan and obtained an introduction to
-the schemer. The idea of the National Library was at first taken up
-by the Society, but was finally adopted by John Murray. Differences
-of opinion as to the editorial responsibilities, and the arrangements
-as to the transfer of his stock to Albemarle Street, presented new
-difficulties, and thoroughly sick of the whole matter, Mr. Knight
-suddenly abandoned it. The germ of his idea, however, bore fruit in
-the “Treatises” published by the Society in March, and in the “Cabinet
-Encyclopædia,” issued a few years afterwards by Longman. “My boat,”
-writes Mr. Knight, “was stranded. Happily for me there were no wreckers
-at hand ready for the plunder of my damaged cargo.” Anyhow, for the
-time being, publishing was over. To a man of indomitable pluck, and
-blessed with the pen of a ready writer, journalism presents a tolerably
-open field, and to newspaper work Mr. Knight again addressed himself;
-but in a few weeks a document, which Mr. Knight values, he says, as a
-soldier values his first commission, reached him containing an offer
-of the superintendence of the Society’s publications, an offer that
-was forthwith accepted. As a first step, the “Library of Entertaining
-Knowledge” was commenced, and, in 1828, he started the _British
-Almanac_, and the _Companion to the Almanac_--a wonderful change for
-the better after the “Poor Robins” and “Old Moores” of the past.
-
-In 1832, Mr. Knight was offered an official position at the Board of
-Trade, but fortunately for the education and interests of the people he
-had the courage to refuse it, having the pleasure, however, of being
-asked to recommend some one else to the post. In the March of this year
-appeared the first number of the _Penny Magazine_, subsequent by only a
-very few weeks to _Chambers’s Edinburgh Journal_.
-
-The new periodical had been suggested by Mr. Hill in a conversation
-about the wretched character of the cheap prints of the period. “Let
-us,” he exclaimed, “see what something cheap and good can accomplish!
-Let us have a penny magazine!” “And what shall be the title?” asked
-Knight. “The _Penny Magazine_.” At once they went to the Lord
-Chancellor, who entered cordially into the project, and though a few
-old Whig gentlemen on the committee urged that the proposed price was
-below the dignity of the Society, and muttered, “It is very awkward,
-very awkward,” Mr. Knight undertook the risk, and was immediately
-appointed editor.
-
-The success of the magazine was amazing even to the sanguine editor; at
-the close of 1832 it reached a sale of 200,000 in weekly and monthly
-parts--representing probably a million readers, and Burke had only
-forty years previous estimated the number of readers in this country
-at 80,000! Among the contributors it will be sufficient to mention
-Long, De Morgan, Creswick, Allan Cunningham, and Thomas Pringle, whilom
-editor of the Whiggish _Blackwood_. One writer, however, stands out
-from the rest, both by his misfortunes and his attainments--coming
-not only under the “curse of poverty’s unconquerable ban,” but being
-completely deaf and almost dumb. Recommended to Mr. Knight as an
-extraordinary, though unknown genius, who had been brought up in a
-charity school, stricken with a sudden and melancholy affliction, who
-had worked his way to St. Petersburg, and thence through Russia to
-Moscow, and on to Persia and the Desert; who knew French and Italian
-perfectly; the kind-hearted publisher, from the very first, took a
-liking to Kitto--soon to be known as an eminent traveller, Orientalist,
-and Biblical commentator. After the first trial article of “The Deaf
-Traveller,” Kitto was regularly engaged to assist Mr. Knight personally
-in his own room; and here in his spare time he managed to acquire
-German.
-
-In spite of the somewhat scurrilous attacks made upon the _Penny
-Magazine_ by Colburn in his _New Monthly_ it was a continuous success,
-and ultimately paved the way to a work infinitely more important--the
-“Penny Encyclopædia.”
-
-It will be essential here to understand the position of the Society for
-the Diffusion of Useful Knowledge.
-
-This Society was founded in 1826 by Lord Brougham and other gentlemen,
-described by Mr. Knight as the leading statesmen, lawyers, and
-philanthropists of the day. “It was a blow aimed at the monopoly of
-literature--the opening of the flood-gates of knowledge.” At first
-the Society possessed no charter, but obtained one in May, 1832, not
-probably a very useful or essential gift, nominating Brougham as
-president, Lord John Russell as vice-president, and William Tooke,
-Esq., treasurer. No subscriptions were called for, or rather these
-means had been at once abandoned, and the “arrangements made with
-the publisher since the beginning of the Society have gone upon the
-principle of leaving the committee as far as possible free from risk,
-and unencumbered with commercial responsibility; but at the same time
-deriving a fair proportion of pecuniary advantage from the ultimate
-success of the undertaking.” The publisher in the first instance
-paid down a certain sum for the copyright, sufficient to cover the
-disbursements to the authors by the committee, who, after a limit of
-sale, received a royalty of so much per thousand copies. At first the
-Society’s publications abounded in almanacs; “The British Almanack,”
-“The British 4_d._ Almanack,” “The Penny Sheet Almanack,” and “The
-British Working-man’s Almanack.” Then came the _Penny Magazine_, the
-_British Quarterly Journal of Education_, and the “Penny Encyclopædia,”
-the first number of which was issued in July, 1833. It was originally
-projected to form a moderate-sized book of eight volumes, and every
-article was to be written expressly for the work. This limited size was
-found to be incompatible with original work by the best writers, and
-after a year the price and quantity were doubled; after three years
-more, quadrupled. In the present form, and according to the original
-scheme, the issue would have taken thirty-seven years. But this
-increase of matter, while it largely enhanced the intrinsic value of
-the work, was utterly fatal to its commercial success. The committee
-got, says Mr. Knight, the credit of the work, without incurring any
-of the risk; and the expenditure on literary matter alone amounted to
-£40,000. The sale, owing to the increase of matter and price, rapidly
-declined: at first consisting of 75,000 copies, it fell at the increase
-to twopence to 55,000, in the second year to 44,000, and at the close
-of the fourpenny period it was actually reduced to 20,000; and this
-chronic loss entailed upon Mr. Knight for the duration of eleven years
-absorbed every other source of profit in his extensive business. This
-loss was still further augmented by the enormously heavy paper duty of
-threepence per pound, but which was reduced in 1836 to half that price.
-
-Mr. Knight was originally associated with Mr. Long in the editorial
-duties, but soon wisely gave up the management of the literary
-department.
-
-Mr. George Long, who is now leaving a Professorship at Brighton College
-for Chichester,[19] had been bracketed with Macaulay and Professor
-Malden for the Craven Scholarship--a fact that says something, were it
-necessary, for his attainments--and was able to gather together the
-most able men of the day on his staff, all of whom, whether belonging
-to the Society or otherwise, were handsomely remunerated for their
-labour. Upon De Morgan rested, perhaps, after the editor, the heaviest
-labour, for he undertook the whole department of Mathematical Science.
-The Biographical portion was chiefly due to G. C. Lewis, G. Long
-himself, P. and W. Smith, and Donaldson. It is impossible, necessarily,
-to mention many out of the 200 contributors, and it will suffice for
-our purpose to enumerate the names of Professors Craik, Forbes, and
-Donaldson, and Messrs. Ellis, Lewis, and Kitto, as writers on all
-general subjects; and Mr. W. J. Broderip as taking the Natural History
-department. Quite a new feature in the composition of the staff was the
-introduction of foreign writers of eminence, who composed either in
-their own language or in ours, all the articles being revised by the
-editor and his assistants, and rendered into perfectly good English.
-
-We must follow Mr. Knight’s own publications, remembering that their
-issue was contemporary with the “Encyclopædia.” Next to that in
-costliness was the “Gallery of Portraits,” issued in monthly parts at
-half-a-crown each, to which, among other authors, Hallam and De Quincey
-contributed.
-
-The connection between Mr. Knight and Kitto was still very strong and
-affectionate. In January, 1834, we find him detailing pleasantly the
-amount of work he had to do for £16 a month--“a most comfortable sum
-for me”--and later on we come across him asking Mr. Knight’s advice in
-regard to his proposed marriage. “I have felt it prudent and proper to
-postpone it for awhile until I should have consulted with you.... I
-have hitherto been so connected in my employments with those who took a
-strong personal interest in my affairs, and to whom I am accustomed to
-talk freely about them, that I am led to trouble you more about myself
-and my circumstances than is warranted by my existing relations. If so,
-I doubt not your kindness will readily excuse the absence in a dumb man
-of those little proprieties with which he has not had much opportunity
-of becoming acquainted.” A curious subject on which to consult one’s
-publisher, but then Mr. Knight was something more, and immediately
-promised such remuneration and regular employment as would free Kitto’s
-entrance into wedded life from the charge of imprudence.
-
-The “Bilder Bibel,” then publishing in Germany, suggested to Mr. Knight
-his “Pictorial Bible;” and Kitto, after having tested his own fitness
-for the work thoroughly, boldly undertook to execute the whole task,
-giving up, of course, all other work, and receiving £250 a year during
-the progress of the book, and on completion such a sum of money as
-seemed a small fortune. This completed--and it was one of the most
-remunerative works upon which Mr. Knight was ever engaged--he commenced
-his “Palestine,” and in such subjects Kitto found at last his true
-vocation.
-
-The “Pictorial History” occupied seven years in coming out, in parts,
-of course. Mr. Craik wrote the social, religious, and commercial
-portions, and Mr. C. Macfarlane undertook the larger department of
-civil and military history; many other gentlemen also contributed. The
-same fault occurred here as in the “Penny Encyclopædia”--it was too
-long for serial publication. By an error of judgment on the part of the
-editors, four of the eight volumes were devoted to the reign of George
-III.; the subscribers became weary, and the project turned out to be a
-commercial failure.
-
-This was followed in 1843 by the “Illustrated London,” certainly the
-best and most trustworthy history we yet have _in extenso_ of the great
-metropolis.
-
-The issue of the “weekly volumes” was also in progress, commencing with
-a “Life of Caxton,” by Mr. Knight himself; but the series soon became
-the “shilling volumes.”
-
-The _Penny Magazine_ terminated on the 27th Dec., 1845, and its
-continuation, _Knight’s Penny Magazine_, proving but barely
-remunerative, the hint was taken, Mr. Knight declaring that it should
-never be said of him, “Superfluous lags the veteran on the stage.”
-
-The “Penny Encyclopædia” terminated in December, 1843, and though a
-ruinous loss to Mr. Charles Knight, was at the same time, as regards
-the general public, perhaps the greatest publishing triumph that
-had yet been accomplished. The banquet given in his honour by the
-contributors was, Mr. Knight tells us, the proudest moment in his life,
-and was certainly a tribute as well earned as it was unique.
-
-Into the next and grandest venture of the Society for the Diffusion of
-Useful Knowledge Mr. Knight could not afford to take part--fortunately,
-indeed, for the scheme, magnificent but futile, proved a deathblow to
-the Society. The “New Biographical Dictionary” was intended to assume
-proportions beyond anything of the kind hitherto attempted; but to
-the astonishment of the committee it was found that when the letter A
-was completed seven half volumes had been filled, and a loss of £5000
-had been incurred. This was bad enough, but when contributors were
-requested to send in suggestions as to the letter B, one man alone
-forwarded more than 2000 names. By this time the Society had exhausted
-its available funds, and, frightened by the prospect, thought itself
-quite justified in retiring from the public scene. “Its work is done,
-for its greatest object is achieved--fully, fairly, and permanently.
-The public is supplied with cheap and good literature to an extent
-which the most sanguine friends of improvement could not in 1826 have
-hoped to witness in twenty years.”
-
-In 1843, Mr. Knight had published his “Life of Shakespeare,” a work
-by which, as a valuable history of Elizabethan times, and a charming,
-though necessarily an imaginary, sketch of our greatest poet, the
-author will, we think, though multitudinous in his writings, be most
-distinctly remembered. His edition of Shakespeare, which for reverent
-love and editorial labour is almost unrivalled, has appeared in various
-guises, as the “Popular,” the “Library,” the “National,” the “Cabinet”
-(three editions), the “Medium” (three editions), and the “Stratford”
-(three editions).
-
-By far the most remarkable of Mr. Knight’s labours, and perhaps the
-most useful, was his “Shilling Volumes for all Readers” (1844-1849),
-186 volumes, 16mo., in all; for though his editorial labours were
-terminated when about two-thirds of the work was completed, he still
-considered himself responsible as regards the general character of the
-works. “I may confidently state,” he says, “that in this extensive
-series, no single work, and no portion of a work, can be found that
-may not safely be put into the hands of the young and uninformed,
-with the security that it will neither mislead nor corrupt.” In a
-postscript to the last volume he adds: “I now venture to believe that
-I have accomplished what I proposed to do. First, I have endeavoured
-to produce a series of books which comprehends something like the
-range of literature which all well-educated persons desire to have at
-their command.” Without attempting any very exact classification of
-the various subjects of the volumes, they may be thus distributed into
-large departments of knowledge:--
-
- Analytical Accounts of Great Writers, English and Foreign 13
- Biography 33
- General History 5
- English History 26
- Geography, Travel, and Topography 33
- Natural History 17
- Fine Arts and Antiquities 8
- Arts and Sciences, Political Philosophy, &c. 14
- Natural Theology and Philosophy 15
- General Literature 16
- Original Fiction 6
- ----
- 186
-
-After this noble endeavour in a good cause, it is literally
-heartrending to read Mr. Knight’s candid confession that not twenty
-volumes of the series achieved a circulation of 10,000 copies.
-
-As soon as the Poor Law Board was established, Mr. Knight became
-officially connected with it as an authorized publisher, and from that
-time he almost entirely gave up general publishing, and his works were
-entrusted to the care of other firms.
-
-The copyright of the “Encyclopædia” remained in his possession, and was
-turned to good account in the “National Encyclopædia,” and later on in
-the “English Encyclopædia,” in which, however, nothing was reprinted
-without thorough revision, many of the articles being entirely new.
-
-Several of Mr. Knight’s productions, such as “The Land we Live in,”
-commenced in 1847, turned out, in the hands of the “copy publisher,” to
-be perfect mines of wealth.
-
-In 1854 appeared the “Popular History of England;” it was completed in
-1862.
-
-In 1851 we find Mr. Knight going about as joint manager with Mr. Payne
-Collier, of that band of illustrious amateur actors who have become so
-famous. Among them we find Charles Dickens, Mark Lemon, G. Cruikshank,
-Wilkie Collins, and R. H. Horne. “A joyous time, this,” writes Mr.
-Knight, who had played the part of “One Tonson, a bookseller,”
-“left-legged Jacob” having, he adds, “but a paltry representative.”
-
-Among Mr. Knight’s chief literary labours, we must instance his
-“Half-Hours with the Best Authors”--a book that has achieved a
-world-wide popularity; “Once upon a Time;” and “Passages of a Working
-Life for Half a Century” (in 3 volumes), a charming and interesting
-autobiography, to which we are indebted for most of the facts in this
-short notice of his life.
-
-Full of years and of honours, Mr. Knight died at Addlestone, in Surrey,
-on the 9th of March, 1873, aged eighty-one; and five days afterwards
-was buried in the family vault at Windsor. The funeral was very large,
-from the number of literary men attending, who wished to show their
-feeling of affection and respect for the deceased. In the newspaper
-notices, too, the tribute of praise was unanimous and hearty; and it
-was resolved that the gratitude of writers and readers should not stop
-here. A committee has been formed to erect some kind of memorial, and
-many of the leading men of letters, as well as some of the leading
-publishers, are taking part in it. It has been hoped that this memorial
-may assume the shape of a free public library for London, and thus
-initiate a movement that, to our shame, has made such successful way
-in our great provincial towns. Nothing else could so appropriately
-perpetuate the memory of a life so earnest in its purpose of spreading
-cheap literature far and wide, so brave in difficulty, so utterly
-unmindful of self-gain in the work planned out and done; that none who
-know its story can gainsay Douglas Jerrold’s most happy epitaph, “Good
-Knight.”
-
- * * * * *
-
-JOHN CASSELL, though of a family originally Kentish, was born at
-Manchester on 23rd January, 1817. The child of poor parents, his school
-education was very simple and elementary, and at an early age he
-adopted the trade of carpentry. In most lads of that class, education,
-such as it is, is totally ended when once they leave the school-house
-to follow some manual calling; but from the day that Cassell took
-his first serious step in life he determined to educate himself, to
-break down the trammels of class ignorance, first of all in his own
-case, and, that once accomplished, to assist with all the energy he
-possessed, his brother workmen to do the same. At first he found
-his evening studies, after a hard day’s work at the bench, somewhat
-irksome and painful; but by degrees his reading became less and less
-elementary, and eventually he acquired, not only a considerable
-knowledge of English literature, but a fund of general information
-which, on the platform, as well as in private life, stood him in
-good stead; and he also attained sufficient proficiency in French to
-be afterwards essentially serviceable in his repeated visits to the
-Continent.
-
-But, after all, his most valuable knowledge was acquired in the
-carpenter’s shop, and among his fellow-workmen; for here he gained an
-insight into the inner life--the struggles, privations, and miseries,
-as well as the hopes and ambitions--of the working classes; and this
-knowledge was carefully stored up until he should, at a future time,
-see some way of firing their minds and ameliorating their condition.
-
-In 1833 the total abstinence movement was commenced in Lancashire,
-under the active leadership of Mr. Joseph Livesey, of Preston, and
-known as “The Temperance Movement,” went through the length and
-breadth of the land. About two years later, Livesey first met young
-Cassell in a lecture-room or chapel in Manchester. “I remember quite
-well,” he writes, “his standing on the right, just below or on the
-steps of the platform, in his working attire, with a fustian jacket and
-a white apron on”--a young man of eighteen, in the honestest and best
-of uniforms--his industrial regimentals.
-
-Into the temperance movement John Cassell threw himself heart and soul;
-and thinking that London would afford a wider field for temperance
-missionary labours, and that his daily bread, as an artizan, might
-there be more easily earned, he left Manchester and arrived in the
-Metropolis in October, 1836, and in a few days he found his way to
-the New Jerusalem school-rooms in the Westminster Bridge Road, and
-made his first public speech. He is described by one who was present,
-as “a gaunt stripling, poorly clad, and travel-stained; plain,
-straightforward in speech, but broad in provincialism.” Shortly
-afterwards, he is again to be traced to Milton Street, Barbican. But
-his appearance here marked an episode in his life; for his energy, his
-evident thoroughness, and his frank confession that he carried all
-his worldly goods in his little wallet, and that the few pence in his
-pocket were his only fortune, at once gained him friends. A gentleman
-present took him to his own home, and shortly afterwards presented him
-to Mr. Meredith, who enrolled the young enthusiast forthwith among the
-paid band of temperance agents he was generously supporting at his
-own cost. With characteristic energy Cassell started on a temperance
-tour--a journey fraught with difficulty and hardship; and a few months
-after we find a notice of him in the _Preston Temperance Advocate_:
-“John Cassell, the Manchester carpenter, has been labouring with
-great success in the county of Norfolk. He is passing through Essex
-on his way to London. He carries his watchman’s rattle--an excellent
-accompaniment of temperance labours.” A strange life that gaunt young
-prophet must have led; trudging about from town to village, sounding
-an alarum ever as he went with his rattle, seeking by all means in his
-power to rivet a momentary attention, and then from barrel-head or
-tree-stump preaching in his broad Lancashire idiom a “New Crusade”--not
-against such puny foes and nations as Turk or Saracen--not of mere
-battles to be fought out by the exertion of so much or so little
-physical strength--but of hideous vices to be conquered--vices that sat
-like skeletons beside half the hearths in England then--and of noble
-mental victories to be achieved. The women heard his rude eloquence,
-and tears rushed to their eyes, as they prayed that their brothers and
-sons might hearken and be convinced. The men paused on their way to the
-pot-house, and heard how homes now desolate might be made happy, how
-the weeping wife and the starving children might be rendered contented
-and cheerful, how their own sodden lives might be again cleansed and
-brightened;--then independence rose again from the hideous thrall that
-bound them, and many paused for ever. Even those who knew the proper
-use of alcohol listened with respectful attention to one who sought so
-earnestly to provide a safeguard for other men weaker than themselves.
-And thus Cassell trudged on, meeting often with scoffs and sneers,
-suffering much weariness and many privations, but still hopeful,
-eager, and earnest. In Lincolnshire his eloquent zeal won him not
-only a convert but a wife, and from this time he found that temperance
-lecturing was but a sorry provision for a family.[20]
-
-Supported by his friends he now determined to aid the movement in
-another manner--and he started a temperance publishing office and
-bookshop at the very house in the Strand now occupied by Mr. Tweedie,
-the present temperance publisher. For some time his trade went on
-successfully, but he endeavoured to add to his resources by the
-congenial management of a large tea and coffee business in Fenchurch
-Street, and the liabilities he thus incurred overreached his capital.
-
-Now, however, Cassell had many influential friends, and one of these
-had sufficient faith in his capacity to start him afresh in life--this
-time on a much larger scale. In his new business in La Belle Sauvage
-Yard, he was associated with Messrs. Petter and Galpin, who before
-then were not very considerable printers in the neighbourhood--and
-they determined to devote themselves to the broader work of producing
-cheap and popular books, then commencing to be in great demand--not
-from policy only, though as the life of Robert Chambers shows it was a
-moment when the tide of fortune might be advantageously made use of by
-those brave enough and wise enough to see it--but also because it had
-by this time been discovered that before the masses could be in any
-signal way really raised in social condition they must be educated.
-
-Being widely known as a man sprung from the people--as still one of
-themselves--the working classes had faith in Cassell, and readily
-purchased his books when they were not so readily tempted to try the
-publications of the various societies. His knowledge of their real
-conditions and their wants was very useful, and while his opinion
-in every matter was most carefully adopted, the business department
-remained rather in the hands of his junior partners, especially in
-later years.
-
-In 1850 the _Working Man’s Friend_ appeared, the precursor of
-many similar works, and was followed, immediately after the Great
-Exhibition, by the _Illustrated Exhibitor_--a comprehensive and
-well-executed scheme intended to preserve a permanent reflection of the
-World’s Great Fair. This same idea was successfully repeated in 1862.
-
-Among all the works published by the firm perhaps the most useful was,
-and indeed is, the _Popular Educator_; in this, for the weekly sum of
-one penny, the vast store-house of human knowledge was thrown open;
-the matter, carefully systematised and arranged so as to encourage
-self-tuition, aided many a struggler in the path of progress. This was
-ably followed by the _Technical Educator_. In the former of these works
-Lord Brougham took an immense interest, and his opinion of John Cassell
-was as pleasing as it was often repeated.
-
-Of the illustrated works issued in the same cheap method many were
-English, or rather European, classics, such as the “Pilgrim’s
-Progress,” “Don Quixote,” “Foxe’s Book of Martyrs,” “Shakespeare,”
-“Robinson Crusoe,” “Gulliver’s Travels,” &c. Like Tegg or Lackington,
-Cassell must be looked upon rather as an encourager of the reading
-than of the writing world; but among the works claiming originality as
-well as cheapness, the _History of England_ is perhaps the best; the
-_Natural History_ is well printed, well illustrated, and, as far as
-regards the more legitimate department of the publisher’s trade, worthy
-of praise; the “letter-press,” or literary portion, has, however,
-been much criticised. The _Family Paper_ and the _Quiver_ attained a
-very wide circulation, and while the latter is still one of the most
-favourite distinctly religious serials of the day, the former, until it
-was changed into the _Magazine_, held faithfully to its promise of pure
-and wholesome literature.
-
-In furtherance of his various schemes, Cassell often travelled,
-particularly to France, where he was well known, and where he was thus
-enabled to effect a very considerable business in the exchange and
-purchase of illustrations for his various works. In 1859 he visited
-America, and, with the reputation that preceded him, met with a very
-flattering reception. On his return, with the energy that distinguished
-his character he started a company for the manufacture of petroleum,
-which was the first in England to recognise the value of the new
-discovery. He also published a series of articles entitled “America
-as it is,” in which the contest between North and South was discussed
-with a keenness of vision that results proved to be correct and almost
-prophetic.
-
-Among the important items of his business, and according to popular
-repute one of the most profitable, was the issue of weekly papers,
-which, the outer pages being left blank for local news, were circulated
-under various titles throughout the United Kingdom. But the greatest
-venture of the firm was undoubtedly the _Family Bible_, which was
-commenced in 1859. The cost of production is said to have amounted to
-£100,000; in six years upwards of 350,000 copies were sold, and it is
-at present calculated that half a million have been disposed of. Of the
-influence of this and other kindred works in displacing the infamous
-prints and penny serial horrors, the _Bookseller_ says--“We recently
-took a survey of the shop-windows in the notorious locality known as
-the Seven Dials. Here in one street, were three shops, the windows of
-which were filled with really respectable publications. In one shop
-scarcely anything was displayed but _Cassell’s Family Bible_. In every
-one, of at least twenty-four, figured some event of sacred history. On
-making inquiries we found that a very large number in the very poorest
-neighbourhood was taking in the work every week, and expressed their
-delight to possess a long coveted article of furniture in the shape of
-a _family Bible_.”
-
-Up to his death Cassell was true to his early resolutions of fostering
-the progress of temperance and education, and on these subjects he was
-a frequent and popular lecturer. He took also a lively interest in
-the business of the firm, but latterly the management was virtually
-in the hands of his partners. The “History of Julius Cæsar,” by the
-ex-emperor, was, however, entrusted to his care, and was the last
-publication in which he took an active interest. On the 1st of April,
-1865, he died at his residence in Regent’s Park. He is described as
-having “a fine, massive, muscular frame, active and temperate habits
-of life, a cheerful disposition, a well-regulated mind, and troops
-of friends.” Rising from the ranks, he was by his industry able to
-leave his wife a shareholder in one of our largest book-manufacturing
-firms to the extent of, it is said, forty-two thousand pounds. The
-main interest of his life must, however, be considered to lie in the
-earnestness with which he laboured in causes he felt worthy of all
-labour, rather than in his career as a publisher, for the books he
-issued were little other than reprints of books whose popularity had
-been previously tested.
-
-At the time of Cassell’s death it is said that upwards of 500 men were
-employed at the works; that 855,000 sheets were printed off weekly,
-requiring a consumption of 1310 reams of paper. Latterly Messrs.
-Petter and Galpin have launched out into a vastly superior style of
-book-publishing, and in placing the works of Gustave Doré before the
-English public have taken very high rank as Fine Art publishers.
-In other ways, too, they have shown a disposition to combine the
-production of valuable original works with the cheaper serials with
-which the name of their firm has been so long and successfully
-associated.
-
- * * * * *
-
-It is impossible to close this chapter without referring to the
-productions of Mr. Bohn. Our limited space and the value of his
-publications--all the more valuable, doubtless, from being mainly
-reproductions of standard works--alone prevent us from according him a
-separate chapter.
-
-Mr. Henry George Bohn, born in the year 1796, was the son of a
-London bookseller, who came, however, of a German family. At an
-early age he entered into his father’s business, but throughout
-life, engrossed as deeply as any of his compeers in bookselling and
-publishing transactions, he ever found time and opportunity for
-literary labour, and, in all, twelve important works are due to
-his pen, either as author, translator, or editor. The first of his
-labours, the “Bibliotheca Parriana,” was published in 1827. Very soon
-after, starting on his own account, he acquired a high reputation as
-a dealer in rare and curious books, and for the spirit with which he
-entered into the “remainder trade;” in this latter branch even Tegg
-was compelled to confess that Mr. Bohn eventually surpassed him. The
-merest reference to his monster “Guinea Catalogue” will give an idea of
-the magnitude of his transactions at this period. Far, however, from
-being a mere trade guide, this catalogue is an invaluable literary
-work--the most useful, as it certainly is the largest, that has come
-from Mr. Bohn’s pen. It is quaintly described by Allibone as “an
-enormously thick _nondescripto_; Teutonic shape, best model; ... an
-invaluable lexicon to any literary man, and ten guineas would be a
-cheap price for a work calculated to save time by its convenience for
-reference, and money by its stores of information as to the literary
-and pecuniary value of countless tomes.” The _Literary Gazette_, in an
-appreciative and well-earned compliment, says: “Mr. Bohn has outdone
-all former doings in the same line, and given us a literary curiosity
-of remarkable character. The volume is the squattest and the fattest
-we ever saw. It is an alderman among books, not a very tall one; and
-then, alderman-like, its inside is richly stuffed with a multitude of
-good things. Why, there is a list of more than 23,000 articles, and
-the pages reach to 1948!... This catalogue has cost him an outlay of
-more than £2000, and it describes 300,000 volumes, a stock which could
-hardly be realized at much less a ‘plum.’”
-
-In 1846, Mr. Registrar Hazlitt suggested the idea of a cheap uniform
-library of world-known books to David Bogue, the bookseller, who
-consequently commenced his European Library. In 1846-7, fifteen works
-were published, edited for the most part by Mr. W. Hazlitt. Mr. Bohn,
-however, discovered that in many of these works copyrights, of which
-he was the owner, were infringed, notably in Roscoe’s “Lorenzo de’
-Medici” and “Leo X.” An injunction was obtained against the further
-issue of one of Bogue’s volumes, and in defence, if not retaliation,
-Mr. Bohn determined to enter the field as a publisher of a similar
-series. In 1846 he produced the first volume of his Standard Library,
-which, running on for 150 volumes, was sold at the then astoundingly
-small price--considering their size, their quality, and the care with
-which they were edited and printed--of 3_s_. 6_d_. each. In 1847,
-the Scientific Library was commenced, and was rapidly followed by
-the Antiquarian Library, the Classical, Illustrated, and Historical
-Libraries, the British Classics, &c. Bogue’s small venture stood a poor
-chance against enterprise of this gargantuan scale, and in a short time
-his fifteen volumes came into Mr. Bohn’s possession. Without counting
-the Shilling Library, or the more expensive works which were from time
-to time issued, Mr. Bohn continued the various libraries which are so
-immediately associated with his name, until the total number of 602
-volumes afforded the student a collection of such books as he might
-otherwise have spent a lifetime and a fortune in acquiring. To few
-publishers, if to any, is the cheapening of the highest and rarest
-classes of English and foreign literature more deeply indebted than to
-Mr. Bohn. Strangely enough, however, Mr. Bohn was the only member of
-the trade who endeavoured in 1860 to exert his influence against the
-abolition of the paper duty.
-
-Among the best known of Mr. Bohn’s own productions are his editions
-of Lowndes’ “Manual,” Addison’s works, his “Polyglot of French
-Proverbs,” his translation of Schiller’s “Robbers,” and his “Guide to
-the Knowledge of Pottery and Porcelain,” which, though published in
-1849, is still the standard work on the subject. His position as an
-antiquarian is widely acknowledged, and he is a Vice-President of the
-Society of Arts.
-
-At an early period of his life Mr. Bohn married a daughter of the
-senior partner in the firm of Simpkin, Marshall, and Co., an alliance
-that doubtless strengthened his business connections. His trade sales
-were for many years among the most important in London, lasting for
-three or four days, and were conducted after the manner of the good old
-school of booksellers--now, alas! almost extinct--with the pleasing
-accompaniments of singing and supper. Though Mr. Bohn, a few years
-since, transferred his “Libraries” and his premises in York Street to
-Messrs. Bell and Daldy, he has not yet entirely severed his connection
-with the bookselling world, though as the “father of the trade” he
-has long since earned the right to leisure and retirement--a right
-acknowledged not alone in England, for in June, 1869, the _New York
-Round Table_ devoted an interesting article to Mr. Bohn’s retirement
-from the publishing world, and observed that many of his articles
-in “Lowndes” were unsurpassed in bibliography, especially those on
-Shakespeare and Junius. “Indeed,” adds the writer, “if we may believe
-report, such has been the unceasing devotion of Mr. Bohn to work that
-for years he has subjected himself to a weekly examination by his
-surgeon to warn him of the first symptoms of the collapse that such an
-unintermitted strain upon his mind might be supposed to produce.”
-
-[Illustration]
-
-
-
-
-[Illustration]
-
-
-
-
-_HENRY COLBURN_:
-
-THREE VOLUME NOVELS AND LIGHT LITERATURE.
-
-
-Round Henry Colburn clusters a body of writers, lighter and gayer,
-and consequently more ephemeral than any we have yet noticed--men and
-women, too, for the matter of that, who purchased immediate success too
-often with a disregard of future reputation.
-
-As a lad, Henry Colburn was placed in the establishment of William
-Earle, bookseller, of Albemarle Street, and after this preliminary
-training obtained the situation of assistant to a Mr. Morgan, the
-principal of a large circulating library in Conduit Street. Here he
-had, of course, ample opportunity of gauging the reading taste of the
-general public, and it is probably from this early connection with
-the library-subscribing world that he determined henceforth to devote
-himself almost exclusively to the production of the light novelties
-which he saw were so eagerly and so incessantly demanded. In 1816
-he succeeded to the proprietorship of the library, and conducted
-the business with great spirit and success until, removing to New
-Burlington Street, he resigned the Conduit Street Library to the hands
-of Messrs. Saunders and Ottley, who, until their recent dissolution,
-were famous, not only for their circulating library, but for the
-tender care they bestowed upon the works of suckling poets and
-poetasters.
-
-Before this change of residence, however, Colburn had already made
-several serious ventures on his own account. All through his long
-career we shall find that he speculated in journalistic venture with as
-much spirit as he showed in any of his daring schemes to win popular
-credit and applause. In 1814, with the assistance of Mr. Frederick
-Shoberl, he originated the _New Monthly Magazine and Universal
-Register_, on “the principles of general patriotism and loyalty,”
-founded, as its name implied, in direct opposition to Sir Richard
-Philips’ _Old Monthly_. Among the early editors were Dr. Watkins
-and Alaric Watts, but in 1820 a new series was commenced under the
-title of the _New Monthly Magazine and Literary Journal_, and Thomas
-Campbell, the poet, was appointed editor. The agreement still exists in
-Beattie’s “Life of Campbell,” and was unusually liberal. He agreed to
-edit the periodical for three years, to supply in all twelve articles,
-six in verse, six in prose; and for these and his editorial services
-he received five hundred pounds per annum, to be increased if the
-circulation of the magazine materially improved. He was, of course,
-assisted by a sub-editor, and allowed a liberal sum for the payment of
-contributors. The magazine prospered, and passed successively through
-the editorial hands of Bulwer Lytton (1832) and Theodore Hook. In
-1836 a third series appeared under Mr. Harrison Ainsworth, and though
-Colburn parted with the proprietorship to Messrs. Chapman and Hall, and
-they in their turn to Messrs. Adams and Francis, Mr. Harrison Ainsworth
-was till yesterday at his editorial post, delighting our children with
-precisely the same kind of enthralling romances with which he beguiled
-our fathers.
-
-In 1817 Colburn determined to introduce a paper upon the plan of a
-popular German prototype, and on the 26th January the first number of
-the _Literary Gazette_ appeared, price one shilling. H. E. Lloyd, a
-clerk in the Foreign Department of the Post-Office, a good linguist,
-and a well-known translator from the German, was the chief contributor,
-and appears to have shared the editorial duties with Miss Ross, a lady
-afterwards pensioned by the Government. The reputation achieved was
-great, especially in reference to the Fine Arts, which were skilfully
-handled by William Carey, and at the twenty-sixth number Mr. Jerdan,
-formerly editor of the _Sun_, purchased a third of the property, and
-became the regular editor. Messrs. Longman eagerly embraced the offer
-of a third share, and with a staff of contributors, who varied from
-Canning to Maginn, the _Literary Gazette_ obtained a wide popularity,
-and was recognized as an authority upon other matters than literature.
-At present, however, the _Gazette_ is most gratefully remembered as
-having encouraged in its poetical columns (fairly and impartially
-opened to merit, however obscure), the earliest writings of Mrs.
-Hemans, Bowles, Hood, Swain, James Smith, Howitt, and even Tupper.
-In 1842 Jerdan bought out Colburn and the Messrs. Longman, and from
-his hands the editorship passed to L. Phillips, L. Beeve, and J. L.
-Jephson. In 1858 a new series was commenced, under, successively, S.
-Brooks, H. Christmas, W. R. Workman, F. Arnold, John Morley, and C. W.
-Goodwin. In 1862 it was finally incorporated with the _Parthenon_.
-
-In 1816, the year before the foundation of the _Literary Gazette_,
-Colburn had, as we have seen, migrated to New Burlington Street, and
-soon rendered his shop famous as the chief emporium for the purchase
-and sale of novels and other light literature. The first book issued
-from the new establishment was Lady Morgan’s “Zana”--a work certainly
-not worth much, but scarcely meriting an attack in the _Quarterly_,
-which Talfourd stigmatises as “one of the coarsest insults ever offered
-in print by man to woman;” however, through the power of her ladyship’s
-name, and with the aid of skilful advertising--in which Colburn was
-perhaps the greatest expert in a time when the art had not reached its
-present high state of development--“Zana” proved eminently successful.
-Talented in a manner Lady Morgan certainly was, and, as a proof, is
-said to have made more than twenty-five thousand pounds by her pen.
-She had published a volume of verses at the unfortunately early age of
-fourteen, and this idea of precocity seems to us to accompany all her
-works.
-
-At the suggestion of his friend Mr. Upcott, Colburn undertook, in
-1818, the publication of “Evelyn’s Diary,” and its success would have
-been almost unparalleled had it not been followed in 1825 by the
-“Diary of Pepys.” For more than 150 years this work reposed unread and
-unknown, until Mr. John Smith succeeded in deciphering the stenographic
-characters which had concealed so much amusement from the world. The
-work, edited by Lord Braybrooke, was published in two volumes at six
-guineas, and though this and the two succeeding editions, at five
-guineas, were almost worthless from the editorial excisions they had
-undergone from the too-modest fingers of the noble editor, the issues
-went off very rapidly, and Colburn obtained a very handsome profit on
-the £2200 he had paid for the copyright. In the fourth edition of 1848
-Lord Braybrooke was urged to restore those characteristic passages
-which he had before condemned, and the full value of the work, as a
-photographic picture of an amusing, though dissolute, time was firmly
-established. Evelyn had before given us the history of Charles the
-Second’s Court, with a gravity and openly-expressed reprobation which
-finely suited his character of a worthy and dignified old English
-country gentleman; but still it is now to the pages of Pepys that all
-the world turns for an account of the royal domestic life of certainly
-the most infamous period of our annals. He is so charmingly garrulous,
-jotting down each night such quaint thoughts on what he had seen during
-the day, writing them by his fireside, with the same nonchalance with
-which he put on his night-cap, and with as little suspicion of ever
-being surprised in the one act as the other, that his truthfulness, his
-openness, and his scarcely-concealed partiality for as much vagabonding
-and frolicsome society as Mrs. Pepys would permit, carry the reader
-irresistibly along with him.
-
-It is, however, when we come to the novels that Colburn ushered into
-the world, that we strike upon the one vein of profitable ore that he
-made so peculiarly his own; and _facile princeps_ of all his novelistic
-clients, stands Theodore Hook. To understand the genius of all Hook’s
-works, it is essential to take a short retrospective view of his life
-and character. Two things, above all else, strike us in regarding
-him--that he possessed the greatest love of joke and frolic, and the
-most marvellous memory with which ever man was gifted. As a boy of
-seventeen, he dashed off an amusing comedy; this, he tells us in the
-really autobiographical sketch of “Gilbert Gurney,” was the process.
-“To work I went, bought three or four French vaudevilles, and filching
-an incident from each, made up my very effective drama, the ‘Soldier’s
-Return.’” And for this bantling he received the handsome first-earnings
-of fifty pounds. Living, at a time when other boys were at school,
-in the gayest of all society in London, a welcome guest behind the
-curtain at every theatre, and hailed as a good fellow in every literary
-coterie, young Hook led a rollicking, devil-may-care life, giving the
-world back with interest the rich amusement he gathered from it. Now,
-making a random bet that a corner house in Berners Street should,
-within a week, be the most famous house in London; and within the time
-taking his opponent to a commanding window, that he might acknowledge
-that the wager had been fairly won; and the strange scene in the
-thoroughfare must have soon convinced him. The Duke of York, drawn by
-six grey horses, the Archbishop of Canterbury and the Lord Mayor in
-formal state, every woman of notorious virtue, every man of any fame
-or notoriety, porters bustling up with wine-casks and beer-barrels,
-milliners with bonnet-boxes crushed and battered, pastry-cooks with
-dainty dishes that the street gamins soon picked out of the gutters,
-undertakers with rival coffins, variously made to exact measurement,
-hackney-coaches, and vans, and waggons by the hundred--in fact, half
-the world of London was there by invitations especially adapted to
-move each individual case, and the other half soon came as spectators.
-The impotent “Charleys” of the day found their efforts useless to
-dispel the block and crush, and long before the crowd was cleared away,
-the next day’s papers were ringing with the “Berners Street Hoax.”
-Again, we find him donning a scarlet coat, and, as the Prince Regent’s
-messenger, delivering a letter to an obnoxious actor, eagerly inviting
-him to dine with that august personage; and then joining in the crush
-outside Holland House, to see his enemy come away discomfited as an
-impostor. No occasion was sacred from his jests, and his exuberant
-spirits were scarcely in accordance with the tranquillity of academic
-life. At his very matriculation the Vice-chancellor, struck by his
-youthful appearance, asked him if he was fully prepared to sign the
-thirty-nine articles. “Oh, certainly, sir,” replied Hook with cool
-assiduity, “forty, if you please.” Indignantly he was told to withdraw,
-and it took weeks of friendly interposition to appease the outraged
-dignitary. At the age of twenty he wrote his first novel, but it was
-a failure, and he shortly afterwards received the appointment of
-accountant-general and treasurer at the Mauritius. Here he stayed
-for some years, leading a life of pleasure, and going to the office
-only five times in the whole period, when suddenly a commission was
-appointed to inquire into the accounts, and he was dragged off from
-a supper, given in his honour, to prison, charged with a theft of
-£20,000, and sent under arrest to England. This “complaint of the
-chest,” as he observed to a friend who was astonished to see him back
-so soon, was afterwards reduced to £12,000, and for this he was judged
-to be accountable, and put into the debtors’ prison. Here, from his
-diary, he seems to have enjoyed himself as much as ever, drinking as a
-loyal subject should, to the “health of my august detainer, the king.”
-However, political influence was brought to bear upon the Government,
-and he was set at liberty with the burden of the debt hanging very
-lightly round his neck.
-
-In 1820 he founded the _John Bull_ newspaper, strongly in favour of the
-king’s interests, scurrilous as it was witty; everybody read it, and
-for some years it yielded him £2000 per annum. His life we see had been
-sufficiently various, and not an incident of it was ever forgotten, for
-his memory was probably unrivalled. He made a bet that he would repeat
-in order the names of all the shops on one side of Oxford Street, and
-he only misplaced one; and he gained another wager by saying from
-memory a whole column of _Times_ advertisement, which he had only once
-conned over; and on another occasion he utterly discomfited a universal
-critic, by engaging him in a conversation anent lunar eclipses, and
-then discharging three columns of the “Encyclopædia Britannica” at
-him, without pause or hesitation. He had, too, the gift of improvising
-verse in our stubborn English tongue, and was known on one occasion to
-introduce the names of fifty guests at a supper-table, in a song of
-fifty verses--each verse a rhymed epigram.
-
-With attainments and experiences like these, Colburn may be considered
-as a wise rather than a venturous man when he offered Hook £600 to
-write a novel. The idea of the “Sayings and Doings” was struck out at
-a _John Bull_ gathering, and the book when published in 1824, was so
-successful that 6000 copies of the three volumes were soon disposed
-of,[21] and the generous publisher made the author a present of
-£350. For the _second series_ (published in 1825), and the _third
-series_ (published in 1828), he received a thousand guineas each. In
-1830 appeared “Maxwell,” perhaps the best of his novels, and this was
-followed by the “Parson’s Daughter” (1833), “Jack Brag” (1837), and
-numerous others, for all of which he was very handsomely paid. But
-though he was earning at this period, upwards of £3000 a year by his
-pen, he was spending more than £6000, and was obliged, not only to make
-fresh engagements with his publishers, but to fore-draw to a very large
-extent, and to change his plans considerably with each instalment of
-indebtedness. Colburn and Bentley seem to have treated him with marked
-esteem and consideration, and his letters perpetually show this: “I
-have been so liberally treated by your house, that it seems almost
-presuming upon kindnesses” (1831). Again, in 1837: “I assure you I
-would not press the matter in a quarter where I am proud and happy to
-say--as I do to everybody--I have met with the greatest liberality.”
-
-In 1834 he took the management of the _New Monthly_, and to its pages
-he contributed what may be considered an autobiographical sketch.
-“Gilbert Gurney” and the sequel “Gilbert Married,” the second of which
-unfortunately was not autobiographical; for he had formed ties with a
-woman who had not only sacrificed everything to him, but during the
-period of his imprisonment and his many troubles had behaved with
-exemplary faithfulness and unremitting attention; and these ties he had
-not the courage to legally strengthen. At his death the crown seized
-what little property he possessed, in the shape of household chattels
-and newspaper shares, to liquidate his unfortunate debt, and his
-children were left penniless. A subscription was raised--if literary
-men are improvident (though many have more excuses for improvidence
-than Theodore Hook), they are at least kindly-hearted--and a sum of
-£3000 was collected, to which the King of Hanover contributed £500.
-As a strange test of Hook’s joviality it is stated that the receipts
-of the dining-room of the Athenæum Club fell off by £300 when his
-well-known seat in “Temperance Corner” became vacant.
-
-Another of the novelists with whom Colburn had long and intimate
-dealings was G. P. R. James, one of the most indefatigable writers that
-ever drove pen over paper. We give for the sake of clearness, a tabular
-statement of his extraordinary labours:--
-
- 51 Novels in 3 Volumes 153 Volumes.
- 2 ” 4 ” 8 ”
- 6 ” 2 ” 12 ”
- 16 ” 1 ” 16 ”
- Edited Works 14 ”
- Miscellaneous Contributions would fill say 10 ”
- ---
- 223 Volumes.
-
-Truly a gargantuan labour! Some of James’s early writings had
-attracted the attention of Washington Irving, who strongly advised
-the undertaking of some more important work, and as a consequence
-“Richelieu” was commenced. After it had received Scott’s approval it
-was submitted to Colburn, and published in 1828 with a success that
-determined the young author’s future career. We cannot, of course,
-follow the progress of the 223 volumes as they issued from the press.
-It would be absurd to look for originality in a book-manufacturer
-of this calibre, and, as Whipple says, James “was a maker of books
-without being a maker of thought.” Still they served their purpose of
-enriching the author and publishers, and at a time when the public
-appetite was less jaded than at present, his works were eagerly looked
-for, and even now many readers agree with Leigh Hunt:--“I hail every
-fresh publication of James, though I hardly know what he is going to do
-with his lady, and his gentleman, and his landscape, and his scenery,
-and his mystery, and his orthodoxy, and his criminal trial.”
-
-In 1826 Colburn published Banim’s “Tales of the O’Hara Family,” a book
-that excited a very strong interest in the public mind, and in the same
-year he issued “Vivian Grey,” by a young author whose life was to be
-as romantic as his story. Mr. Disraeli’s first book contains a curious
-confession of his youthful aspirations, and even a curiously exact
-prototype of his future life. This was followed in 1831 by the “Young
-Duke.” “Bless me!” the elder Disraeli exclaimed when he read this
-eloquent account of aristocratic circles, “why the boy has never sat in
-the same room as a duke in his life.” Mr. Disraeli’s novels soon became
-famous for the portraits or caricatures of distinguished living people,
-scarcely disguised under the slightest of all possible pseudonyms; to
-those living in the metropolis the likenesses were evident enough, and
-a regular key was published to each for the benefit of our country
-cousins.
-
-In 1829 Colburn published “Frank Mildmay,” a novel full of false
-morality and falser style, but delineating sea life with such a flavour
-of fun and frolic, adventures and brine, that Marryat was at once
-hailed as a true successor to Smollett. This was followed by a rapid
-succession of sea stories, among the best of which undoubtedly are
-“Peter Simple” and “Midshipman Easy.” The perusal of these works has
-probably done more to turn youthful aspiration and energies to the
-choice of a profession than any series of formal injunctions ever
-penned. Old King William, the Sailor-King, was so entranced with “Peter
-Simple” that he begged to be introduced to the author, and promised
-to bestow some honourable distinction upon him for his services; but
-afterwards recollecting suddenly that he “had written a book against
-the impressment of seamen,” he refused to fulfil his pledge. When,
-later on, Colburn published Marryat’s “Diary in America,” the Yankees
-felt terribly outraged, and the severe criticism that followed speedily
-emptied his shelves of a large edition.
-
-This was emphatically the period of fashionable novels, and the great
-outside world was perpetually calling out for more and more romantic
-accounts of that attractive region to which middle-class thought
-could only aspire in reverent fancy. And though these novels seemed
-written primarily to illustrate the moral lesson of Touchstone to
-the Shepherd--“Shepherd, wert thou ever at court?” “No.” “Then thou
-art damned”--the public received the oracle, not only with humility,
-but thankfulness. For a time Mr. Bulwer Lytton was a disciple of
-this fashionable school, but even “Pelham” has an interest greater
-than any other specimen of its class, for though, in some degree, an
-illustration of the maxim that “manners make the man,” the threads
-of a darker and more tragic interest are interwoven with the tale.
-As an artistic worker, as a true delineator of our subtler and
-deeper passions, Lord Lytton was far above any other of Colburn’s
-writers--above, indeed, any other writer of the day; while his
-sophistry, immense as it undoubtedly is, only lends a more forcible and
-enthralling interest to his plots. None of Colburn’s novelists--and
-their name was legion--brought in more grist to the publishing mill
-than Lord Lytton; and, when the meal had been baked several times,
-Messrs. Routledge paid the author £20,000 for all future use of these
-works--as popular now perhaps in their cheap editions as they have ever
-been before.
-
-To return for a moment more immediately to Colburn’s life, we find him
-still speculating in periodical literature, and with the same success
-as ever. In 1828 he commenced the _Court Journal_, and in the following
-year started the _United Service Magazine_, while for many years he
-possessed a considerable interest in the _Sunday Times_ newspaper; and
-all these periodicals are still held in popular esteem.
-
-The printing expenses of his enormous business had been very
-considerable, and in 1830 he resolved to take his principal printer,
-Mr. Richard Bentley, into partnership; but the alliance did not last
-long, and in August, 1832, the connection was dissolved, and Colburn
-relinquished the business in New Burlington Street to Mr. Bentley,
-giving him a guarantee in bond that he would not recommence publishing
-again within twenty miles of London.
-
-However, his heart was so intuitively set upon the profitable risks of
-a publisher’s career, that he could not quietly retire in the prime
-of life, and, accordingly, he started a house at Windsor, so as to
-be within the letter of the law, but the garrison town was sadly
-quiet after the literary circles of London, and to London he again
-returned, paying the forfeiture in full. This time he opened a house in
-Great Marlborough Street, as his old establishment in New Burlington
-Street was, of course, in possession of Mr. Bentley, whose business
-had already assumed formidable proportions. At Great Marlborough
-Street, Colburn succeeded in rallying round him all his old authors,
-and, perhaps, the greatest triumphs that date from thence, are Miss
-Strickland’s “Lives of the Kings and Queens of England and Scotland,”
-for the copyright of the first of which he paid £2000. Burke’s
-“Peerage,” “Baronetage,” and “Landed Gentry” were also among his most
-profitable possessions.
-
-Throughout the whole of his business life, Colburn had a very keen
-perception as to what the public required, and of the market value of
-the productions offered him; and yet he was almost uniformly liberal in
-his dealings. His judgment of copyrights was occasionally assisted by
-Mr. Forbes and Mr. Charles Ollier.
-
-Of course, among the multitude of books he produced, many were utterly
-worthless, beyond affording a passing recreation to the library
-subscribers, and many even were pecuniary failures. The most ludicrous
-of these failures was a scheme originated by John Galt, a constant
-contributor to the _New Monthly_. This was a periodical, which, under
-the title of the _New British Theatre_, published the best of those
-dramatic productions, which the managers of the great playhouses had
-previously rejected. The audacity of the scheme carried it through for
-a short time, but soon the unfortunate editor was smothered amid such
-a heap of dramatic rubbish, coming at every fresh post, to the table of
-the benevolent encourager of youthful aspirations, that he was fain to
-acknowledge the justice of the managers’ previous decisions.
-
-Although Colburn was throughout his career chiefly successful as a
-caterer for the libraries, supplying them with novels, which, by some
-mysterious law, were required to consist of three volumes of about
-three hundred pages each, the cost of the whole fixed immutably at
-one guinea and a half, his “Modern Novelists,” containing his best
-copyright works, in a cheap octavo form, attained the number of
-nineteen, being published at intervals between 1835 and 1841, and
-formed a valuable addition to the popular literature of the time.
-
-Finally, Colburn, having acquired an ample competence, retired from
-business, in favour of Messrs. Hurst and Blackett, still, however,
-retaining his name to some favourite copyrights. He had been twice
-married, the second time, in 1841, to the daughter of Captain Crosbie,
-R.N.
-
-After a period of well-earned leisure, rendered pleasingly genial by
-the constant society of his literary friends, Henry Colburn died, on
-the 16th of August, 1855, at his house in Bryanston Square.
-
-The whole of his property was sworn to be under £35,000, and went to
-his wife and her family. Two years later, the seven copyrights he had
-reserved were sold by auction, and realised the large sum of £14,000,
-to which Miss Strickland’s “Lives of the Queens of England” alone
-contributed £6900.
-
-As publisher of three volume novels, Colburn was succeeded by two
-principal rival houses, with the foundation of each of which he was in
-some way concerned. As Mr. Bentley’s establishment in New Burlington
-Street was only a further development of Colburn’s old house, a few
-words may not be out of place concerning it. In 1837, Mr. Bentley
-proposed to start a periodical to rival the _New Monthly_, and at the
-preliminary meeting it was proposed to call it the _Wit’s Miscellany_,
-but James Smith objected to this as being too pretentious, upon which
-Mr. Bentley proposed the title of _Bentley’s Miscellany_. “Don’t you
-think,” interposed Smith, “that that would be going too far the other
-way?” However, the name was adopted (Mr. Bentley denies the accuracy of
-this anecdote--but _se non è vero, è ben trovato_). One of the chief
-contributors to the new _Miscellany_ was Barham, who had been a school
-chum of Mr. Bentley’s at St. Paul’s, and, until 1843, the “Ingoldsby
-Legends” delighted the public in the pages of the _Miscellany_. The
-last poem of the “Legends” was published in Colburn’s _New Monthly_,
-but by Barham’s express wish, the song he wrote on his death-bed, “As I
-Lay Athynkynge,” appeared, as fitly closing his career, in _Bentley_.
-The first editor of _Bentley’s Miscellany_, was no less a man than
-Charles Dickens, who had previously contributed the “Sketches by Boz”
-to the _Morning Chronicle_, and who soon, as the author of _Pickwick_,
-became the most popular writer of the day. Mr. Bentley was one of the
-first publishers to secure Dickens’s services, and in his magazine
-“Oliver Twist” appeared. The editorship afterwards passed into the
-hands of Mr. Harrison Ainsworth and Mr. A. Smith. For the magazine, as
-for his ordinary business, Mr. Bentley secured the aid of most of the
-writers who had graduated first under Colburn; and to enumerate them
-would, with the exception of “Father Prout,” be merely a repetition
-of names already mentioned, and those who have won popularity since
-then have scarcely yet had time to lose it. An amusing story, however,
-worth repeating, has been recently told by the _Athenæum_, anent
-“Eustace Conway,” a novel by the late Mr. Maurice. “We believe,” says
-that journal, “we are not going too far in telling the following story
-about it. Mr. Maurice sold the novel to the late Mr. Bentley somewhere
-about the year 1830; but the excitement caused by the Reform Bill
-being unfavourable to light literature, Mr. Bentley did not issue it
-till 1834, when he had quite lost sight of its author, then a curate
-in Warwickshire. The villain of the novel was called Captain Marryat;
-and Mr. Maurice, who first learned of the publication of his book
-from a review in our columns, had soon the pleasure of receiving a
-challenge from the celebrated Captain Marryat. Great was the latter’s
-astonishment on learning that the anonymous author of ‘Eustace Conway’
-had never heard of the biographer of ‘Peter Simple,’ and, being in Holy
-Orders, was obliged to decline to indulge in a duel.” Mr. Bentley died
-in September, 1871, and was succeeded in the business by his son, who
-for many years had been associated with him.
-
-[Illustration]
-
-
-
-
-[Illustration]
-
-
-
-
-_THE RIVINGTONS, THE PARKERS, AND JAMES NISBET_:
-
-RELIGIOUS LITERATURE.
-
-
-Not only is the Rivington family the oldest still existing in
-bookselling annals, but even in itself it succeeded, a century and a
-half ago, to a business already remarkable for antiquity. In 1711,
-on the death of Richard Chiswell, styled by Dunton “the Metropolitan
-of booksellers,” his premises and his trade passed into the hands
-of Charles Rivington, and the sign of the “Bible and the Crown” was
-then first erected over the doorway of the house in Paternoster Row;
-and from that time to this the “Bible and the Crown” might have been
-fairly stamped upon the cover of nearly every book issued from the
-establishment, as a seal and token of its contents.
-
-Charles Rivington was born at Chesterfield, in Derbyshire, towards
-the close of the seventeenth century, and from a very early age he
-evinced such a taste for religious books that his friends determined
-to send him to London, that he might become a theological bookseller.
-Having served his apprenticeship with a Mr. Matthews, he was, in
-1711, made free of the city, preparatory to entering into business
-on his own account, and, bearing the date of that year, billheads
-are still existing to which his name is affixed. In 1718 we find
-him, in conjunction with other firms, issuing proposals to print by
-subscription Mason’s “Vindication of the Church of England, and the
-Ministry thereof,” a principle that the family has steadily adhered
-to ever since; for though Rivington published one of Whitfield’s very
-earliest works, “The Nature and Necessity of a New Birth in Christ,”
-preached at Bristol in September, 1737, the author was then a young
-Oxford student, who had been but just ordained; and Wesley, too, the
-other great religious mover of the day, was still a fellow of Lincoln
-College, Oxford, when Rivington brought out his edition of Thomas à
-Kempis’ “Imitation of Christ,” a book that has, after the Bible, gone
-through more editions than any other.
-
-About 1719, an association of some half-a-dozen respectable booksellers
-entered into partnership for the purpose of printing expensive books,
-and styled themselves the printing _Conger_,[22] and, in 1736, another
-similar company was started by Rivington and Bettesworth, who termed
-themselves the “New Conger.”
-
-Much of Rivington’s business consisted in the publication of sermons,
-which, as a simple commission trade, was profitable without risk. An
-amusing story is told, which proves that the ponderous nature of his
-trade stock did not prevent Charles Rivington from being a man of
-kindly humour. A poor vicar, in a remote country diocese, had preached
-a sermon so acceptable to his parishioners, that they begged him to
-have it printed, and, full of the honour conferred and the greater
-honours about to come, the clergyman at once started for London, was
-recommended to Rivington, to whom he triumphantly related the object
-of his journey. Rivington agreed to his proposals, and asked how many
-copies he would like struck off. “Why, sir,” replied the clergyman, “I
-have calculated that there are in the kingdom ten thousand parishes,
-and that each parish will, at least, take one and others more, so that
-I think we may venture to print thirty-five or thirty-six thousand
-copies.”
-
-Rivington remonstrated, the author insisted, and the matter was
-settled. With great self-denial, the clergyman waited at home for
-nearly two months in silence, but at length the hope of fame and riches
-so tormented him that he could hold out no longer, and he wrote to
-Rivington desiring him to send in the debtor and creditor account at
-once, but adding liberally that the remittance might be forwarded at
-his own convenience. What, then, was his astonishment, anguish, and
-tribulation, when the following account was received:--
-
- The Revd. Dr. * * *
-
- To C. Rivington, Dr.
-
- £ _s._ _d._
- To Printing and Paper, 35,000 Copies of Sermons 785 5 6
- By sale of 17 Copies of said Sermon 1 5 6
- --------------
- Balance due to C. Rivington £784 0 0
- --------------
-
-In a day or two he received a letter from Rivington to the following
-purport:--
-
-“REV. SIR,--I beg pardon for innocently amusing myself at your
-expense, but you need not give yourself any uneasiness. I knew better
-than you could do the extent of the sale of single sermons, and
-accordingly printed one hundred copies, to the expense of which you are
-heartily welcome.”[23]
-
-In 1736 Rivington became an active member of a society for promoting
-the encouragement of learning, but as he and his colleagues sustained
-much injury through it, this was in the following year abandoned.
-
-In 1737 we find him venturing in a very different path. “Two
-booksellers,” writes Richardson, “my particular friends (Rivington and
-Osborne), entreated me to write for them a little volume of letters, in
-a common style, on such subjects as might be of use to those country
-readers who were unable to indite for themselves. ‘Would it be any
-harm,’ said I, ‘in a piece you want to be written so low, if one should
-instruct them how they should think and act in common cases, as well as
-indite?’ They were the more urgent for me to begin the little volume
-for the hint. I set about it, and in the progress of writing two or
-three letters to instruct handsome girls who were obliged to go out
-to service, as we phrase it, how to avoid the snares that might be
-laid against their virtue, the above story occurred to me, and hence
-sprang ‘Pamela.’” The first two volumes of the story were written in
-three months, and never was a book of this kind more generally or more
-quickly admired. Pope asserted that it would do more good than twenty
-sermons, mindful, perhaps, of its publisher; Slocock and many other
-eminent divines recommended it from the pulpit; a critic declared that
-if all books were burnt, the Bible and ‘Pamela’ ought to be preserved;
-and even at fashionable Ranelagh, where the former was in but little
-request, “it was usual for the ladies to hold up the volume (the
-latter) to one another, to show that they had got the book that every
-one was talking of.” What, however, was more to Rivington’s purpose,
-the volume went through five editions in the year of publication, 1741.
-
-This success closed Charles Rivington’s business life, for he died on
-the 25th of February, 1742.
-
-By Ellen Pease, his wife, a native of Durham, he had six children, to
-whom his friend Samuel Richardson, the executor also of his will, acted
-as guardian.
-
-Charles, the founder, was succeeded by John and James, who carried on
-the publishing business conjointly for several years, after which James
-joined a Mr. Fletcher, in St. Paul’s Churchyard, with whom he brought
-out Smollett’s “History of England,” by which £10,000 was cleared--the
-largest profit that had yet been made on any single book. This success,
-however, encouraged James to neglect his affairs, and he took to
-frequenting Newmarket; racing and gambling soon ended in a failure,
-and in 1760 he thought it advisable to start for the New World. Here,
-in Philadelphia, he commenced his celebrated _Gazette_, and, as he
-advocated the British interests and took the loyal side, his premises
-were destroyed by the rebels, and his type cast into republican
-bullets. James Rivington then came back to London, where he obtained
-the appointment of “King’s printer to America,” and furnished afresh
-with types and presses he returned to recommence his _Royal Gazette_,
-which he carried on boldly up to the withdrawal of the British troops;
-and as he had contrived somehow, it is said by forwarding early
-intelligence, to propitiate the enemy, he was allowed to continue his
-paper, which soon died for want of subscribers; but until 1802 he lived
-in New York, leaving many descendants there. Even in those early and
-unsophisticated days, Yankee gentlemen had contracted the habit of
-“cowhiding” obnoxious or impertinent editors, and the wit of the _Royal
-Gazette_ was in its time sufficiently stinging and personal to involve
-its proprietor in many of these little difficulties. James Rivington
-relates rather an amusing story of an interview with Ethan Allen,
-one of the republican heroes, who came for the express purpose of
-administering chastisement. He says:--
-
-“I was sitting down, after a good dinner, with a bottle of Madeira
-before me, when I heard an unusual noise in the street, and a huzza
-from the boys. I was on the second story, and, stepping to the window,
-saw a tall figure in tarnished regimentals, with a large cocked hat and
-an enormously long sword, followed by a crowd of boys, who occasionally
-cheered him with huzzas, of which he seemed quite unaware. He came
-up to my door and stopped. I could see no more--my heart told me it
-was Ethan Allen. I shut my window, and retired behind my table and my
-bottle. I was certain the hour of reckoning had come--there was no
-retreat. Mr. Staples, my clerk, came in, paler than ever, clasping
-his hands--‘Master, he has come!’ ‘I know it.’ I made up my mind,
-looked at the Madeira, possibly took a glass. ‘Show him up, and if
-such Madeira cannot mollify him, he must be harder than adamant.’
-There was a fearful moment of suspense; I heard him on the stairs,
-his long sword clanking at every step. In he stalked. ‘Is your name
-James Rivington?’ ‘It is, sir, and no man can be more delighted to
-see Colonel Ethan Allen.’ ‘Sir, I have come----’ ‘Not another word, my
-dear Colonel, until you have taken a seat and a glass of old Madeira.’
-‘But, sir, I don’t think it proper--’ ‘Not another word, Colonel, but
-taste this wine; I have had it in glass ten years.’ He took the glass,
-swallowed the wine, smacked his lips, and shook his head approvingly.
-‘Sir, I come----’ ‘Not another word until you have taken another glass,
-and then, my dear Colonel, we will talk of old officers, and I have
-some queer events to detail.’ In short, we finished three bottles of
-Madeira, and parted as good friends as if we never had cause to be
-otherwise.”
-
-In England, to return there, John Rivington was still successfully
-fostering his father’s business. A quiet and sedate man, with nothing
-of James’ rashness and venture about him, he is described by West
-as being stout and well formed, particularly neat in his person,
-of dignified and gentlemanly address, going with gold-headed cane
-and nosegay twice a day to service at St. Paul’s--as befitted the
-great religious publisher of the day, and living generally upon the
-most friendly terms with the members of the Episcopal Bench, and
-breakfasting every alternate Monday with Bishop Seeker at Lambeth. A
-kind master, too, for coming back on the 30th of January, from service,
-and finding his sons and clerks plodding at the desk--“Tous, sous, how
-is this?--I always put my shutters up on this day.”
-
-In May, 1743, he married a sister of Sir Francis Gosling, Alderman,
-afterwards Lord Mayor, and as she brought him a fortune and fifteen
-children, the match may probably be considered a prosperous one.
-
-Orthodox in his views, and true in business to the professions he
-held out privately, Wesley and Whitfield had to go elsewhere for a
-publisher, although there must have been plenty of temptation to
-incline the trade to patronise Methodism, for Coote, in a comedy of
-his, published in 1757, makes a bookseller say:--“I don’t deal in the
-sermon way now; I lost money by the last I printed, for all ’twas by a
-Methodist.” But John Rivington would have none of them, and in 1752 we
-find him publishing “The Mischiefs of Enthusiasm and Bigotry: an Assize
-Sermon by the Rev. R. Hurd;” and about 1760 he was appointed publisher
-to the venerable “Society for the Promotion of Christian Knowledge”--an
-office that remained in the family for upwards of seventy years.
-Dissent in itself was injurious enough to his interests, but when
-Wilberforce and Hannah More succeeded in making a portion of the Church
-“Evangelical,” upwards of half his customers deserted to a rival shop
-in Piccadilly.
-
-Some time before this he had admitted his sons, Francis and Charles,
-into partnership, and he was then appointed manager in general of the
-works published by his _clique_;--that is, of standard editions of
-Shakespeare, Milton, Locke, and other British classics, and of such
-religious works as were produced in an expensive and bulky form; and
-of these works, two especially, Dr. Dodd’s “Commentary,” and Cruden’s
-“Concordance” stand out so prominently that some slight account of
-their authors may not be unacceptable.
-
-William Dodd was a man of great learning, and a very popular preacher
-in the metropolis, and in 1776, when he was appointed chaplain to
-the King, took his degree of LL.D. Ambitious and fond of display he
-found himself in debt, and determined to make a bold effort to secure
-the Rectory of St. George’s, Hanover Square. To her great surprise
-the wife of Lord Chancellor Apsley received an anonymous letter
-offering her £3000 if she would procure Dr. Dodd’s presentation to
-the parish. This insulting proposal was traced to Dodd, and the King
-ordered that he should be deprived of his chaplaincy. This disgrace,
-of course, involved him still further, and to extricate himself from
-these difficulties he was tempted to forge the name of his pupil, Lord
-Chesterfield, to a bond for £4200. On the discovery of the forgery, Mr.
-Manley, a solicitor, called upon the doctor with the bill, leaving it
-on the table in a room where a fire was burning, when he went out for
-the obvious purpose of refreshment. Dr. Dodd appears to have been too
-honest to destroy the fatal document, and he was afterwards tried and
-condemned for forgery, and, spite of all the strenuous efforts of his
-friends, was executed on 27th of June, 1777.
-
-Alexander Cruden, one of the most useful men who have ever followed
-the painstaking and praiseworthy profession of index-making, was born
-in Aberdeen in 1701. An unfortunate passion, which was treated by its
-unworthy object with great contumely, weakened his senses, and on the
-discovery that the girl he worshipped was pregnant by her own brother,
-he went for a short time entirely out of his mind. On his recovery,
-he was sent to London in the hopes that the difficulty of obtaining
-position and livelihood might act tonically. At one of the first houses
-at which he called, the door was opened by the wretched girl herself,
-and poor Cruden rushed off wildly and vacantly into the streets.
-For many years he was a bookseller, doubly entitled, therefore, to
-a notice here, and upon the counter of his shop, under the Royal
-Exchange, his famous and laborious “Concordance” was compiled. Queen
-Caroline, to whom it was dedicated, unluckily died before publication,
-and the downfall of the expectations he had formed from her patronage
-was too much for the author, and his friends were compelled to place
-him in a lunatic asylum. Having made his escape, he brought an action
-against his relatives for false imprisonment--offering his sister
-the choice of Newgate, Reading and Aylesbury jails, and the prison
-at Windsor Castle. He was never insane in the eyes of his employers,
-and as a corrector of the press, especially in the finer editions of
-the classics, his services were invaluable. Henceforth he adopted the
-name of “Alexander the Corrector,” as expressive of his character of
-censor general to the public morals. Armed with a large sponge, his
-favourite and incessant weapon, he perambulated the town, wiping out
-all obnoxious signs, more especially “Number 45,” then rendered famous
-by Wilkes. Giving out, too, that he had a commission from above to
-preach a general reformation of manners, he made the attempt first
-among the gownsmen at Oxford, and then among the prisoners at Newgate;
-but in neither case did he meet with much encouragement. He asked for
-knighthood from the King, and a vacant ward from his fellow-citizens;
-and on refusal said that he possessed the hearts if not the hands of
-his friends. He was found dead on his knees, apparently in a posture of
-prayer, at his lodgings in Islington on November 1st, 1770.
-
-Samuel Richardson appears to have entertained grateful remembrance of
-the commission to write the “Familiar Letters to and from several
-Persons upon Business and other Subjects,” for on his death he left a
-mourning ring to James Rivington.
-
-During Dodsley’s illness, Rivington and his sons managed the _Annual
-Register_, and when on his death it was sold to Orridge and others,
-they started an annual of their own, which lasted till 1812, and
-then till 1820 was in abeyance, resumed again till 1823, and in the
-following year the two were merged into one, and after being published
-for a few years by the Baldwins, its management returned again to their
-own hands. Through the _Register_ they were brought into connection
-with Burke, and were subsequently publishers of his more important
-works.
-
-At all times the Rivingtons took a very great interest in the
-Stationers’ Company; this was especially the case with James, who
-served as master, and at the same time he, his two brothers, and
-his four sons were all members of the livery. He held many public
-appointments, was in commission of the peace, a governor of most of the
-Royal hospitals, and a director of the “Amicable Society,” and of the
-Union Fire Office.
-
-He died, universally regretted, on the 16th of February, 1792, in his
-seventy-second year, and was followed by his widow in the succeeding
-October.
-
-Owing to the split we have referred to in his business, and to
-his uniform generosity, the fortune he left behind him was not
-large--indeed, money hoarding has been an attribute of none of the
-Rivington family.
-
-His two elder sons, Francis and Charles, carried on the business
-vigorously. Another son, Robert, captain of the “Kent”--East
-Indiaman--fell, gallantly defending his ship in the Bay of Bengal, and
-was thus celebrated in the _Gentleman’s Magazine_:--
-
- * * * * *
-
- “His manly virtue mark’d the generous source,
- And naval toil confirm’d the naval force;
- In fortune’s adverse trial undismay’d,
- A seaman’s zeal and courage he display’d;
- For honour firmly stood, at honour’s post,
- And gain’d new glory when his life he lost!”
-
-A fourth son John, a printer in St. John’s Square, had died previously
-in 1785.
-
-The first important event in the new publishing house was the
-establishment of the _British Critic_, in which Nares and Beloe were
-conjoint partners with Francis and Charles Rivington. The _British
-Critic_ was started in January, 1793, in monthly numbers of two
-shillings each, and by the end of the century attained a circulation of
-3500. The editorship was entrusted to Nares, and with the assistance of
-Beloe it was conducted down to the forty-second volume in 1813. William
-Beloe was some time librarian of the British Museum, but a stranger
-who had been admitted to the print-room, having abused his confidence,
-and stolen some of the pictures, the librarian was somewhat unjustly
-asked to resign. Among the other contributors to the _British Critic_
-were Dr. Parr--of whom Christopher North says, not unfairly, “in his
-character of a wit and an author one of the most genuine feather-beds
-of humbug that ever filled up a corner of the world”--and Whittaker,
-author of the “History of Manchester.” In 1813, the second series of
-the _Critic_ was commenced, under the editorship of the Rev. W. R.
-Lyall, afterwards Dean of Canterbury; in 1825 the publication was made
-quarterly, and a third series began, which, however, only reached
-three volumes.
-
-Of all the literary men connected with the Rivingtons of this era,
-none were more useful, and few deserve more grateful remembrance
-from posterity, than George Ayrscough---_facile princeps_ of index
-makers. Originally a miller’s labourer, he obtained a situation in
-the Rivingtons’ shop, and was afterwards promoted to a clerkship in
-the British Museum; soon after his further rise to the position of
-assistant librarian he took orders; but it is as a maker of catalogues
-and indexes that he is still known; and how great the labour and
-patient skill needful in compiling the indexes to the _Gentleman’s
-Magazine_, the _Monthly Review_, and the _British Critic_ must have
-been, all students can approximately guess from the immensity of labour
-saved individually by their use.
-
-John, the eldest son of Francis, was admitted a partner in 1810, and
-in 1819 they took a lease of No. 3, Waterloo Place; and so popular
-were they at the time that it is said Sir James Allen Park, one of the
-judges, came down to the new house before nine o’clock on New-year’s
-Day, that he might enrol himself as their first customer. In 1820
-they determined to start a branch house for the sale of second-hand
-books and general literature, and John Cochrane was placed at the head
-of this establishment. He collected one of the finest stocks ever
-gathered, and published the best and most carefully compiled catalogue
-that had then been issued, extending to 815 pages, and enumerating
-17,328 articles, many of the rarest kind. The business, however,
-entailed considerable losses, and was abandoned in 1827.
-
-On October 18, 1822, Francis Rivington, the senior partner, died,
-earning a character for high probity and sincere and unaffected piety.
-Like his father he had been a governor in many charitable institutions.
-“Such a man,” says the author of his obituary notice, “cannot go
-unwept to the grave; and the writer of this article, after a friendly
-intercourse of sixty years, is not ashamed to say that at this moment
-his eyes are moister than his pen”--a quaint but sincere tribute. He
-had married Miss M. Elhill, sister of an eminent lead merchant, and
-four of his sons survived him.
-
-In 1827 George and Francis, sons of Charles, joined the firm; and in
-1831, Charles, the younger of the two original brothers, was found dead
-on the floor of his dressing-room. In social life he was distinguished
-by the mildness and complacence of his temper; and his conversation was
-invariably enlivened with anecdotes and memories of the literary men
-and clergymen with whom he had come in contact.
-
-The firm now, therefore, consisted of John, the son of the elder, and
-Francis and George, two sons of the younger brother.
-
-We shall see, in the following memoirs of the Parkers, how marvellously
-religious life was quickened at Oxford by the publication of Keble’s
-“Christian Year.” This feeling, intense in its inner nature as any
-of the revivals, culminated or fulminated in the publication of the
-“Tracts for the Times”--the most important work, perhaps, with which
-the Rivingtons have ever been connected; and worthy, therefore, of
-the scanty notice for which we can afford space here. The “Tracts
-for the Times” were commenced in 1833, at a time, according to the
-writers, “when irreligious principles and false doctrines had just
-been admitted into public measures on a large scale ... when the Irish
-sees had been suppressed by the state against the Church’s wish....
-They were written with the hope of rousing members of the Church to
-comprehend her alarming position--of helping them to realize the
-fact of the gradual growth, allowance, and establishment of unsound
-principles in her internal concerns; and, having this object, they
-used spontaneously the language of alarm and complaint. They were
-written as a man might give notice of a fire or inundation, so as to
-startle all who heard him” (vol. iii. p. 3). As far as fulfilment of
-intention went in startling, the writers were perfectly successful.
-Exhibiting great talents, depth of thought, logical power, acuteness
-of reasoning, and an undoubted religious feeling, their effect was
-spontaneous. By one party, and an increasing one, the writers were
-welcomed with a reverend love that almost forbade criticism, and
-by the other with the greatest uneasiness and suspicion. The chief
-writers in the series, for the “Tracts” continued to appear during the
-space of several years, were Newman, Pusey, Keble, and Williams. In
-Ireland the clergy were anxious to come over in a body, and greet them
-collectively. In Scotland, Pusey and Newman were denounced at a public
-dinner as enemies to the established religion; and at Oxford, where
-they were personally loved and respected, they were looked upon by a
-large portion of the members with peculiar distrust. Parties in the
-Church were formed, and claimed, or were christened after, the names
-of the writers--such were originally the _Puseyites_ and _Newmaniacs_.
-At length the famous “Number 90” appeared, and was thus greeted by the
-University:--“Modes of interpretation such as are suggested in this
-tract, evading rather than explaining the sense of the 39 articles, and
-reconciling subscription to them with the adoption of errors which they
-were destined to counteract, defeat the object, and are inconsistent
-with the due observance of the above-mentioned statement.” The Bishop
-of Oxford forbade their further publication, and shortly afterwards
-Newman, the author of “Number 90,” showed his honesty by going over to
-the Roman Catholic Church.
-
-The publication of these “Tracts” still further strengthened the
-Rivingtons in their position of High Church publishers, and their
-business benefited considerably by the great increase of the High
-Church party.
-
-In 1827 a fourth series of the _British Critic_ was commenced,
-incorporated with the _Theological Review_. In 1843, however, in
-consequence of the extreme views that had been expressed in its pages,
-the publication was discontinued, to the very great regret of the
-clergy; the _English Review_, which started from its ashes, met with
-but little support, and lasted only till 1853.
-
-To complete our personal account of the firm:--John Rivington, who
-married Anne, daughter of the Rev. John Blackburn, canon of York, died
-21st November, 1841, at the age of 62. His son John was admitted a
-partner in 1836, and is the present head of the firm. George Rivington
-died in 1842, having retired on account of ill health in 1857, and in
-1859 Mr. Francis Rivington retired from active partnership. The present
-representatives of the firm consist, therefore, of Mr. John Rivington,
-fifth in descent from the founder, and Mr. Francis Hansard Rivington,
-who is the sixth.
-
-In 1853 the firm removed their place of business from the ancient house
-in St. Paul’s Churchyard, and consolidated it at 3, Waterloo Place,
-retaining nothing but some warehouses in Paternoster Row. In 1862,
-after an interval of thirty years, they re-acquired the agency of the
-Cambridge “Press”--a famous manufactory of Bibles, Prayer Books, and
-Church Services; and in the next year, 1863, they opened branch houses
-at both Oxford and Cambridge--an extension of business that, after a
-long life of 160 years, says something for the vitality of the firm.
-
- * * * * *
-
-In treating of the Parkers, it will be necessary to bear in mind the
-essential fact that there were two distinct families of that name, both
-engaged in the publication of religious books, and both interested in
-the “Bible Press”--the one at Oxford and the other at Cambridge; and
-though its chief interest, as regards later years, will be centred in
-the younger (publishing) family, who began life in London, it will be
-necessary, according to our general plan, to give a preliminary glance
-at the elder family, whose name is more intimately connected with the
-University of Oxford.
-
-The first of the Parkers with whom we need concern ourselves was Dr.
-Samuel Parker, sometime Bishop of Oxford. The product of a changeable
-age, he was a very Vicar of Bray. While at the University of Oxford,
-he affected to lead a strictly religious life, and entered a weekly
-society then called the “Gruellers,” because their chief diet was
-water gruel; and it was observed “that he put more graves into his
-porridge than all the rest.” Formerly a nonconformist, having once
-taken orders, he became chaplain to a nobleman in London, whom he
-amused with his humorous sallies at the expense of his old comrades
-the Puritans. During Charles’s reign, his writings were distinguished
-by the bitterness of his attacks upon the dissenting party; and on the
-accession of James he was installed in the bishopric of Oxford, upon
-the death of Dr. Fell--the famous subject of inexplicable dislike. He
-now embraced the Romish religion, “though,” writes Father Peter, a
-Jesuit, “he hath not yet declared himself openly; the great obstacle
-is his wife, whom he cannot rid himself of.” Finding the cause growing
-desperate, he sent a discourse to James, urging him to embrace the
-Protestant religion. His authority in the diocese became contemptible,
-and he died unlamented in 1687. He left, however, a son of his own
-name, an excellent scholar and a man of singular modesty, who married
-a bookseller’s daughter, of Oxford, and had a numerous family, to
-support whom he not only wrote, but published, and himself sold, books
-of a learned class--the most important of which was the “Bibliotheca
-Biblica.” He died in 1730, and his son, Sackville Parker, was an
-eminent bookseller in the Turl, his shop being chiefly frequented
-by the High Church and non-juring clergy. He was one of the four
-octogenarian Oxford booksellers who all died between 1795 and 1796, and
-whose united years amounted to 342. He was succeeded by Joseph Parker,
-his nephew.
-
-About the year 1790, Joseph Parker was apprenticed to Daniel Prince,
-whose successor, Joshua Cooke, was agent to the University Press,
-and thus he was able to become acquainted with the management of its
-publications. The Bible Press was at this period in debt, and was an
-annual expense to the University, but Parker saw the feasibility of
-making it a profitable concern, and, by dint of strenuous persuasion,
-was, in 1805, allowed to enter into partnership with the University
-Press, jointly with Cooke and Samuel Collingwood, the latter of whom
-attended to the printing, while the publishing business was left
-entirely in Joseph Parker’s hands. Great difficulty was felt at first
-in borrowing money to meet that advanced by the University. In a few
-years, however, the debts were paid off, and large profits began to
-come in, and during his lifetime he was able to pay over upwards of
-£100,000 into the University chest, building in addition the new
-printing-office, at a cost of £40,000, investing large sums in “plant,”
-and leaving a concern that was worth £10,000 a year to the partnership.
-
-For the seven years previous to 1815 the number of Bibles printed at
-Oxford was 460,500; Testaments, 386,000; of prayer-books, 400,000; of
-catechisms, psalters, &c., 200,000; and the money received as drawback
-for paper duty amounted to £18,658 2_s._ 6_d._ For the same period
-at Cambridge the Bibles numbered 392,000; the Testaments, 423,000;
-the Prayer-books, 194,000; while the drawback was only upwards of
-£1087 7_s._ 6_d._ In addition to his interest in the Bible Press,
-which yielded him about £1000 a year, Joseph Parker, on the death of
-his regular trade partner, Hanwell, became sole proprietor of the
-old-established bookselling business of Fletcher and Hanwell, in the
-Fleet, and, on the retirement of Cooke, succeeded to the office of
-“Warehouse-keeper,” and also to the appointment of agent for the sale
-of books published on the “Learned” side of the press; the value of
-the books sold on this side amounted to from £3000 to £5000 annually,
-while on the Bible side under his management the sales were something
-like £100,000 worth.
-
-By far the most important work, however, with which Joseph Parker’s
-name is concerned, is Keble’s “Christian Year.” We believe that the
-first risk of publishing was insured by Sir John Coleridge. Nothing
-could be more unassuming than its first appearance in 1827, in two
-little volumes, without even the authority of an author’s name. None
-of the regular literary journals noticed its publication, excepting a
-friendly greeting in a footnote to an article on another subject in the
-_Quarterly Review_. Appealing to no enthusiastic feelings, deprecating
-excitement, and courting no parties, silently and imperceptibly at
-first, but with increasing rapidity, it found its way among all
-sections of churchmen, and was the real commencement of that movement
-in the Church with which afterwards the “Tracts for the Times” were
-associated. At Oxford, when once its popularity was attained, its
-effects were marvellous; young men dropped the slang talk of horses
-and women and wine, and went about with hymns upon their lips; instead
-of the riotous joviality of “wines,” the evening meetings became
-austere; and even the most careless made some little temporary effort
-to be better and purer. Partaking of the nature of a revival--among
-a better-educated and less-impressionable class than that usually
-affected by such movements--its strongest outward symptoms were of
-longer than ordinary duration, and its inner effects much deeper.
-
-The most popular volume of poems of recent times, it is said in the
-number of its editions to have out-rivalled Mr. Tupper’s works (we
-state a fact merely, with an apology for mentioning the two names
-together); in less than twenty years, twenty-seven editions had been
-exhausted.[24]
-
-The author’s profits, as well as the publisher’s, were large, and the
-Rev. J. Keble devoted his portion of them to the entire reconstruction
-of his own church, that of Hursley, in Hampshire.
-
-In 1832 Joseph Parker retired from business, retaining, however, his
-share in the Bible Press until his death in 1850.
-
-Mr. John Henry Parker, his nephew, was the son of John Parker,
-merchant, of the City of London, and was born in the year 1806. After
-receiving a good education at Dr. Harris’s school at Chiswick, he
-entered the bookselling trade in 1821, and was consequently fully
-prepared, eleven years later, to occupy the position just vacated by
-his uncle.
-
-Mr. John Henry Parker is known almost as well as an antiquarian, and
-as a writer on architecture, as a publisher. He continued his uncle’s
-business at Oxford, and extended it to London, where for many years
-it was under the management of Mr. Whitaker. The University, however,
-bought in again the share held by his uncle, in 1850, and declined
-admitting Mr. J. H. Parker as a partner unless he undertook to give up
-general business, as by a clause in the deed of partnership none of
-the temporary proprietors are allowed to follow any other calling. Mr.
-Parker’s business was in such a profitable condition as to render such
-a step totally out of the question. He acted, however, as agent for the
-Oxford Press for many years.
-
-In 1856 the Gentleman’s Magazine was transferred to his house, and
-for some time he was, with two other gentlemen, conjoint editor; and
-in 1863 he retired in favour of his son James, devoting his time
-exclusively to the study of architecture. Among his best-known writings
-are “The Glossary of Architecture,” and “An Introduction to the Study
-of Architecture,” both of which are considered standard works on the
-subject.
-
-In 1863, the year of his retirement, the agency of the works published
-by the delegates of the Oxford University Press was transferred to
-Messrs. Macmillan and Co., and the ancient connection was altogether
-broken. Mr. James Parker, however, still continues the Oxford
-book-trade, though we believe the London house does the more important
-business.
-
-Having dealt thus cursorily with the firm of John Henry and Joseph
-Parker, of London and Oxford, we come to the somewhat similar title of
-John William Parker and Son, of the West Strand, London.
-
-John William Parker,[25] whose father was in the navy, was born in the
-year 1793, and at an early age entered the service of the late Mr.
-Clowes, printer, then only commencing business, and, at the age of
-14, was bound apprentice to him. Here he took a strong dislike to the
-irksomeness of case, and it was found more profitable to employ him
-in the counting-house generally, where his retentive memory and his
-habits of close observation were quickly turned to good account. When,
-indeed, most of the records were destroyed by the outbreak of a fire,
-young Parker’s memory was found most essential as a substitute for the
-current business documents.
-
-Messrs. Clowes commenced their printing establishment in a very small
-way, but soon progressed, and were among the first to use the steam
-press; but as they were then in Northumberland Court, Strand, their
-neighbour, the Duke of Northumberland, brought an action against
-them for causing a nuisance, and eventually bought them out of their
-tenement, and Parker induced Clowes to purchase the lease and plant
-of a factory in Duke Street, Stamford Street, which had been started
-unsuccessfully by Applegarth, the inventor of the steam press. Here,
-undisturbed by neighbouring aristocrats, Parker became the manager
-of the business, and it prospered so exceedingly that he established
-a printing-press of his own in the immediate vicinity, and found it
-necessary to live in Stamford Street, where he made the acquaintance
-of Dr. D’Oyley, Rector of Lambeth, Dr. Mant, and a number of other
-influential clergymen, whose connection with the venerable “Society
-for the Promotion of Christian Knowledge” eventually stood him in good
-stead.
-
-About the year 1828, the University of Cambridge found that the
-receipts from its Press were barely sufficient to cover the expenses,
-while at the sister University, under the management of Collingwood
-and Mr. Joseph Parker, the annual returns were not only large, but
-increasing yearly. In this strait the Syndics applied to Mr. Clowes,
-who sent Mr. Parker down to inspect. The sensible manner in which
-he at once detected the faults of the establishment, and suggested
-improvements, led to his immediate engagement as advising printer at
-a salary of £200; and he soon proved his worth by turning to account
-the apparently useless stereotype plates; from one set alone, in one
-year, he cleared £1500 by cutting out the heads of chapters, &c., and
-re-setting them in new type. He re-opened the account with the “Bible
-Society,” and in dealing with the “Christian Knowledge Society,”
-abolished the tax of middlemen.
-
-Parker had hoped, by his energy and perseverance, to become a partner
-with Mr. Clowes, but finding this precluded by family arrangements,
-he established himself at 445, West Strand, and at once received the
-appointment of “publisher of the books issued under the direction of
-the Committee of General Literature and Education, appointed by the
-Society for Promoting Christian Knowledge.” This “Committee” had been
-established to sanction and recommend books of a wholesome character,
-but which, not dealing chiefly with religious matters, were believed to
-be out of the legitimate sphere of the original Society’s operations.
-
-In July the first number of the _Saturday Magazine_ appeared. Mr.
-Parker was his own editor, and many of the illustrations were from
-the pencil of his son, Mr. Frederick Parker, who died very young. The
-_Saturday Magazine_--one of the three parents of our cheap periodical
-literature--was published weekly at the low price of a penny, and, a
-_répertoire_ of useful and entertaining facts, and not much else, was
-intended to counteract the effects of the licentious publications of
-the day, then the only ones within reach of the poorer classes. It was
-continued successfully for thirty-five volumes; but is more interesting
-now as the foreshadowing of a better time than for any intrinsic value
-of its own. It was eventually merged in _Parker’s London Magazine_.
-
-445, West Strand became, of course, the Cambridge Depository for
-Bibles, Testaments, and Common Prayer-books printed at the University
-Press, and, at the death of Smith, Parker was appointed printer to
-the University at a salary of £400 a year, and visited Cambridge once
-or twice a fortnight. For many years, in spite of all his strenuous
-efforts and his repeated advice, the Bible Society set their faces
-resolutely against steam-printing. On one occasion he prepared a large
-edition of the nonpareil Bible at two-thirds of the price then charged,
-and took a dozen copies to the manager, Mr. Cockle, hoping that the
-Bible Society would encourage so laudable an improvement. The manager
-hummed and hawed, sent for the binder, told him in confidence that
-the Cambridge people had kindly prepared some cheap Bibles printed
-by machinery, but he thought “from the smallness of the margins they
-_might_ not fold evenly, and was not sure that, as a cheaper ink had
-been used, they _might_ not set off when pressed,” and all these
-predictions were verified, and the Committee would not sanction the
-purchase of such rubbish. Strangely enough, two or three years later,
-when cheap Bibles were eagerly called for, the whole of the rejected
-set were purchased by the Society, and no difficulty was experienced in
-their manipulation.
-
-William IV. having expressed his royal wish for a Bible, Mr. Parker
-determined to print one specially, and on the occasion of the
-installation prepared a dozen sheets, which were pulled by the Duke
-of Wellington and other magnates; this is the first book ever printed
-with red rules round, and, as the “King’s Bible,” attained in various
-forms and sizes a great success. A committee was appointed to read and
-revise it, and it was purposed to make it the standard edition. One
-copy upon vellum was intended for the King, but as he died before its
-completion, her present Majesty Queen Victoria was graciously pleased
-to accept it. After some years Parker’s interest in the Bible Press
-flagged, and much dissatisfaction was caused, and about 1853 he retired
-altogether from the management.
-
-Parker had from a very early date thought of printing his own books,
-and started an office that was afterwards removed to St. Martin’s Lane,
-but ultimately relinquished the management to Mr. Harrison, whom he
-took into partnership. When the Council of Education was formed Parker
-was appointed publisher, and gave every assistance in the way of funds
-and encouragement, and Mr. Hullah, in particular, found in him a warm
-supporter.
-
-Parker was twice married; by his first wife he had two sons, Frederick
-and John William, and this latter, born in 1820, after receiving a good
-education at King’s College, was admitted into the house in 1843, and
-in a few years took the chief management of the general business.
-
-Under Mr. John William Parker, Jun., the house became identified with
-the Liberal and Broad Church party, and till his death he held the
-reins of _Fraser’s Magazine_ entirely in his own hands. Strangely had
-that periodical altered since the days of Maginn and Fraser. Now it was
-the centre, in connection with 445, West Strand, from which issued the
-teachings of Maurice, Kingsley, and Tom Brown--the nursery of muscular
-Christianity--in one sense the cradle of Christian Socialism.
-
-Mr. Parker, Jun., in his capacity of publisher and editor felt an
-immense responsibility, and really believed that the bishops of the
-Church of England held but sinecure offices, while he, and the heads
-of other publishing firms, were our virtual spiritual fathers and
-directors. He made himself no partizan in the religious and political
-questions of the day, and no prospect of pecuniary advantage would
-induce him to publish a book until he was first assured that it was the
-expression of honest conviction, or the result of honest labour. “One
-day,” says the writer of an obituary notice, “going into Mr. Parker’s
-room, we found his pale face paler than usual with anger. ‘Look at
-these,’ he said, putting a bundle of letters into our hands, ‘or rather
-do not look at them.’ A lady, eminent in certain circles as a spiritual
-teacher, wanted him to publish a devotional book for her. She had sent
-him the private correspondence of some thirty different ladies, who had
-trusted her with the innermost secrets of their souls and consciences,
-as an advertisement of herself, her abilities, and her popularity. Mr.
-Parker was perhaps never seen more indignant. He declined the book on
-the spot. He returned the letters with a regret that the lady should
-have sent him what had been intended for no eye but her own. A few
-days after he showed us the lady’s reply. Stung by the rebuke, she had
-dropped the mask for the moment, and had told him she did not require
-to be lectured on her duty by an insolent tradesman.”
-
-Of the success with which Mr. Parker’s publications met it is
-sufficient to mention the names of Maurice, Kingsley, Mill, Buckle,
-and Lewis. Fruitful of discussion as were the works of the writers
-mentioned, they were all thrown into a temporary shade by the cry that
-arose on the publication, in 1860, of “Essays and Reviews,” to which
-only the first named contributed. Shortly after the appearance of the
-volume a document was issued, bearing the signature of every bishop of
-the united Church, condemning many of the propositions of the book as
-inconsistent with an honest subscription to her formularies. This was
-succeeded by an address to the Archbishop of Canterbury, signed by more
-than 10,000 clergymen, condemning in the strongest terms the teaching
-of the essayists. As we all remember, the case was tried in the Court
-of Arches, and led to the temporary suspension of Dr. Williams and Mr.
-Wilson; a suspension that was afterwards reversed by the Privy Council.
-But this case, interesting as it may be for the student in the future,
-though one of too many _causes célèbres_ of church persecution, is too
-well known to detain us longer at present.
-
-Mr. Parker, who took a deep interest in all religious questions, held
-weekly gatherings at his house, and was loved and respected by his
-clients, who regarded him as a friend rather than a business aid. He
-died in 1861, and for the moment the knot of earnest men who were
-clustered round _Fraser’s Magazine_ were dispersed. But in the year
-1863 the agency of the works published by the delegates of the Oxford
-University Press was transferred from the other Parkers to Messrs.
-Macmillan, and henceforth _Macmillan’s Magazine_ and its contributors
-may be considered as an offshoot from 445, West Strand.
-
-After the death of his son, Mr. Parker, who had for some years taken
-little active part in the management of the business, took his old
-assistant, Mr. William Butler Bown, into partnership; but the
-connection did not last long, and in 1863 the stock and copyrights were
-disposed of to Messrs. Longman, who agreed to allow Mr. Bown an annuity
-of £750 a year, which he only lived a year and a half to enjoy.
-
-On May 18th, 1870, Mr. John William Parker died at his country house
-near Farnham. By his first wife he left two daughters living, and by
-his second (the daughter of Dr. Mantell, the well-known geologist)
-one son and two daughters. He was seventy-eight years of age at the
-time of his death; and, though his life presents us with little that
-is striking or historically strange, he had played an honest part
-manfully, and may be remembered as one of the few instances in which a
-publisher, successful as an architect of his own fortune, has been wise
-enough to transfer his business at the very zenith of its success to
-the keeping of other hands, when he had ascertained that his own were
-too aged for its proper maintenance and management. The Broad Church,
-so called, and the liberal thought of the country, owe much to the now
-defunct firm of John William Parker and Son.
-
- * * * * *
-
-JAMES NISBET, the son of a poor Scotch farmer, who afterwards became
-a cavalry serjeant, was born on Feb. 3rd, 1785. After receiving the
-ordinary rudiments of education he was apprenticed to Mr. Wilson of
-Kelso for three years, but having obtained the offer of a situation in
-London he was permitted to leave before his indentures had expired. He
-left Scotland with only four guineas in his purse, and being delayed on
-the road, was obliged to sell his violin. On reaching town he became
-clerk to a Mr. Hugh Usher, a West India merchant in Moorfields, and his
-salary commencing at £54 12_s._ per annum took some years before it
-increased to £120.
-
-James Nisbet’s career has been to a certain extent chronicled by his
-son-in-law, the Rev. J. A. Wallace, in a volume entitled, “Lessons from
-the Life of James Nisbet, the Publisher”--not, says the author, “a
-mere biography”--would that it were!--but a series of forty chapters
-or lessons, each commencing with a text and ending with a hymn. To its
-rambling and incoherent pages we are indebted, however, to many of the
-facts in the following notice.
-
-On the evening of Nisbet’s arrival in London a young Scottish friend
-took him about sight-seeing. The walk terminated in a blind alley and a
-strange looking house--which instinct at once told him was “the house
-of the destroyer.” He gave up intercourse with his companion, and fled
-away hastily, and not till some few days afterwards, when he found a
-refuge in the Swallow Street Chapel, did he recover his equanimity.
-
-From his earliest boyhood he had a great liking for “the courts of the
-Lord;” a pocket-book dated 1805, contains a list of places at which
-the gospel was reported to be purely preached. It seems, too, that
-his favourite books at this time were Henry’s “Commentary,” Cruden’s
-“Concordance,” Hall’s “Contemplations,” and Baxter’s “Saints’ Rest.” At
-the Swallow Street Chapel he met his future wife.
-
-As befitted a persevering and energetic man he was an early riser, yet
-he found that not only did his business require it, but he discovered
-“our Lord when on earth rising a great while before day that He might
-spend some time in secret prayer, and David says, ‘Early will I seek
-Thee.’” So good a habit scarcely needed so lofty an apology.
-
-His father appears to have remonstrated with him as to his excess of
-zeal: “Concerning the meetings you attend, God Almighty never designed
-man to spend all his time in godliness; He designed such as you and me
-to work for our bread”--advice that had not much effect, for we find
-Nisbet writing when down home in Scotland in 1808, “I have lost much
-time in coming here--no Thursday night sermons, no companion with whom
-I would wish to be on intimate friendship, and no Sabbath schools; and
-the Sabbath is a very poor Sabbath, very unlike our dear Sabbath in
-London.”
-
-Having, however, returned to London in 1809, he commenced business
-for himself on a very limited scale as a bookseller in Castle Street,
-and characteristically the first books sold were copies of Streeter’s
-“Catechism.” In due course of time he prospered, was admitted to the
-freedom of the City of London, and elected to the office of Renter
-Warden in the Stationers’ Company.
-
-As soon as his reputation as a religious publisher was established, he
-purchased a house in Berners Street--“the great object of his ambition
-being, not to amass a large fortune for aggrandisement, but to be the
-pious proprietor of a comfortable dwelling, which he could throw open
-for the hospitable entertainment of godly men.”
-
-He firmly adhered to his principles of publishing books of one peculiar
-class, and rigidly excluded everything that was not of a moral or
-religious character; and not satisfied with purchasing the copyright
-of his authors upon highly advantageous terms, often added a liberal
-bonus when the work proved profitable. “To such a degree,” says his
-biographer, “did his generosity overflow, that one estimable man,
-‘whose praise is in all the churches,’ felt constrained to put the
-curb on his publisher’s largesse. ‘I shall agree to accept one hundred
-pounds, and no more,’ commences one of his legal agreements.”
-
-Such conduct had its reward, for, says Mr. Wallace, “notwithstanding
-the humble position which James Nisbet occupied as a mere shopkeeper,
-so high was the estimation in which he was held as a philanthropist and
-a churchman that he was occasionally honoured by pressing invitations
-from families in the higher ranks of life, to visit them at their
-country seats”--the lesson drawn from such amazing condescension by the
-biographer being, “Him that honoureth I will honour”--and accordingly
-Nisbet went for a whole week to Tollymore Park, and naturally writes
-from there: “What a blessed thing it is to be a Christian.” The curious
-chapter in which this visit is recorded is headed, “Yea, brother, let
-me have joy of thee in the Lord.”
-
-Among the numerous authors with whom Nisbet was connected was Edward
-Irving, for whom he published “Discourses on Daniel’s Vision of the
-Four Beasts,” and other books. Irving, by far the greatest orator and
-most eloquent speaker of our later times, “was for long enshrined
-in the warm recesses of Nisbet’s heart, and Nisbet not only sat
-under him, but contributed £21,000 to the Regent’s Square Church.
-But the love of truth was in Nisbet stronger than earthly affection,
-and soon the gift of speaking with unknown tongues was discovered.”
-“Last Sabbath,” writes Nisbet, “a most tumultuous scene took place,
-the lives of many people being in jeopardy, so that even Mr. Irving
-himself was terrified, and said that he would not allow the spirits
-to speak again in public.” He was then accused of heresy, and Nisbet,
-like most conscientious men, felt constrained to side against him. An
-ecclesiastical assize was holden for his trial, in March, 1833, at
-which a strange scene occurred. His answer to the charge was rather an
-authoritative command than an apology, perorating thus:--
-
-“I stand here not by constraint, but willingly. Do what you like. I ask
-not judgment of you; my judgment is with my God; and as to the General
-Assembly, the spirit of judgment is departed from it. Oh, know ye not
-how near ye are to the brink of destruction. Ye need not expedite your
-fall. All are dead carrion. The Church is struggling with many enemies,
-but her word is within herself--I mean this wicked assembly.”
-
-Then after the trial he was found guilty, and the sentence of
-deposition was about to be prefaced with prayer, when a loud voice was
-heard from behind a pew where Irving stood:--“Arise, depart! arise,
-depart! flee ye out, flee ye out of here! ye cannot pray! How can ye
-pray? How can ye pray to Christ whom ye deny? Ye cannot pray. Depart,
-depart! flee, flee!” The church was at this moment wrapped in silent
-darkness, and when this strange voice ceased, the 2000 sprang trembling
-to their feet as though the judgment day had come. On lighting a
-candle, however, it was ascertained that the speaker was a Mr. Dow, who
-had been lately ousted from the church for similar views. Irving rose
-grandly to obey the call, and pressing through the crowd that thronged
-the doorway and the aisles he thundered: “Stand forth! stand forth!
-what, will ye not obey the voice of the Holy Ghost? As many as will
-obey the voice of the Holy Ghost, let them depart!” Onward he went to
-the door, and then came to the last words:--“Prayer, indeed, oh!” and
-thus he left his church for ever.
-
-Thousands and almost millions of tracts and small books did Nisbet
-scatter broadcast, freely to those who could not pay, with small charge
-to those who could. And at the period of the “Disruption” he circulated
-at his own expense, not only in Scotland and Ireland, but all over
-England, great multitudes of Dr. James Hamilton’s “Farewell.” But even
-in the midst of these labours the ungodly were busy, and a rumour was
-circulated that James Nisbet had gone over to the Church of Rome; and
-this, in spite of his well-known antipathies, gained considerable
-credence. The following is from a letter from Mr. Wolff:--“I, a few
-days ago, read in the _Morning Post_ that an eminent and successful
-bookseller had entered the Church of Rome. I thought that this
-bookseller must be one of the Tractarian party (the Rivingtons), but
-to my utter astonishment I heard it whispered that the bookseller was
-nobody else than Mr. James Nisbet, his whole family, and my old friend
-Mr. Murray, with the observation that ‘one extreme leads to the other
-extreme.’... My dear Nisbet and Murray, what could induce you to do
-such a spite to your John Knox, Chalmers, and Gordon, and join with
-a rotten church? Nobody is more impatient in acknowledging the good
-things to be found in the Church of Rome than myself, yet I would
-rather see the Pope and all his cardinals fly to the moon than become
-a Papist again. In fact I never was one.” (A curious way of putting it.)
-
-This was not the only hoax by which James Nisbet was a sufferer. Later
-on, a practical joke was played upon him by some wag, who sent the
-following to a large number of country papers:--
-
- “Nearly Ready, in Three Handsome Octavo Volumes,
- “LITERARY PYROTECHNICS; or, Squibs, Pasquins, Lampoons, and other
- Sparkling Pleasantries, by the best English Writers, from the
- Reign of Elizabeth to the Present Day, with Philological Notes
- by the Hon. the Vice-Chancellor Sir William Page Wood, Knt.
- “James Nisbet and Co., Berners-street, London.”
-
-This very advertisement was directed to be inserted in the next issue,
-and a copy of the paper containing the advertisement was to be sent to
-the publisher with the price of inserting it four or six times. About
-one hundred papers fell into the snare, to James Nisbet’s horror and
-amazement.
-
-Nisbet was a very charitable man to all of his way of thinking. The
-“Saints” were freely welcomed to his hospitable house, which was used
-as a free hotel by travelling missionaries and preachers, who often
-said a grateful “grace for all the rich mercies of his table.” He was
-one of the chief supporters of the Fitzroy Schools, and one of the most
-zealous founders of the Sunday School Union. Nor was he wanting in
-generosity to general and more publicly useful charities; and, during
-a period of thirty years, his books show that he collected for more
-than five hundred institutions, and that the total amount that passed
-through his hands was £114,339 16_s._ 4_d._
-
-It is pleasant, amid the farrago of religious cant and trash with which
-the “Lessons from his Life” are surrounded, to find some glimmering
-of the real man--the enterprising and successful bookseller. “From his
-energy of character, and from habit, he was more accustomed to lead
-others than to be led himself; therefore, any attempt to alter or set
-aside arrangements which he had himself devised ... was almost sure to
-meet with, on his part, a strenuous and determined resistance.”
-
-In 1854, when the cholera was raging in London, his brave conduct was
-far above any party praise. The position of chairman of the Middlesex
-Hospital devolved temporarily upon him, and fearlessly he set about his
-difficult duty. Day after day he was at his post, directing all things,
-and alleviating, with every means in his power, the physical sufferings
-of the patients; and still, while adopting all that was proper to
-check the progress of the disease, not unmindful of administering the
-consolations of religion.
-
-He died on the 8th November, 1854, having been seized with a violent
-illness on his return from a before-breakfast visit to the Orphan
-Working School at Haverstock Hill.
-
-In a funeral sermon, preached by Dr. Hamilton at Regent’s Square
-church, his character is thus summed up, both sides of it being
-cautiously exhibited:--“With a sanguine temperament, he had strong
-convictions and an eager spirit; and, whilst he sometimes magnified
-into an affair of principle a matter of secondary importance, he was
-impatient of opposition, and did not always concede to an opponent the
-sincerity he so justly claimed for himself. Then, again, his openness
-was almost excessive, and his determination to flatter nobody sometimes
-led him to say things more plain than pleasant.... Those only could
-appreciate his excellence who either knew his entire mode of life, or
-whose casual acquaintance was confined to the walks of his habitual
-benevolence.”
-
-As a publisher, he was eminently successful, and reaped a due reward
-for his honest industry; never had he a bad debt but once, and, on
-recovering that unexpectedly, he presented the amount of it, in a
-silver service, to a church. The books he issued were chiefly of an
-ephemeral religious class, and literature is certainly less indebted to
-his success than were the charitable institutions of the day.
-
-Mr. James Murray, who had been Nisbet’s partner in business for many
-years, succeeded to the command of the firm; and, after his death at
-Richmond in June, 1862, Mr. Watson, the present manager, was appointed
-by the family to superintend the whole concern.
-
-[Illustration]
-
-
-
-
-[Illustration]
-
-
-
-
-_BUTTERWORTH AND CHURCHILL_:
-
-TECHNICAL LITERATURE.
-
-
-In treating of “technical literature,” we shall encounter many works
-which were rightly described by Charles Lamb as “books which are
-not books;” and the present chapter will be interesting rather as
-containing biographical notices of men who thoroughly deserved, and
-thoroughly achieved, success, than for any bibliographical anecdotes we
-can lay before the reader.
-
-The value of technical literature, in a publishing point of view, had
-been correctly estimated in the very earliest times of bookselling
-annals, and Richard Tottell (or Tothill), an original member of the
-Stationers’ Company, and eventually their chairman, had in Edward the
-Sixth’s reign, and subsequently in Queen Elizabeth’s, succeeded in
-obtaining a patent for law-books; and when, through the petition of the
-Stationers’ Company, he was compelled to forego some of the works which
-he had thus monopolised, he warily “kept his law-books to himself,
-and yielded ‘Dr. Wilson upon Usurie,’ and ‘The Sonnets of th’ Earle
-of Surrey.’” Tothill, however, did still publish other books than
-those relating to the very remunerative branch of law; for, in 1562,
-he produced “Stow’s Abridgment of the Chronicles of England;” and,
-in 1590, “Tusser’s Five Hundred Points of Good Husbandry.” His name
-would, probably, have been unknown, at all events forgotten, had he not
-occupied the _Hands and Star_ in Temple Bar, the very same shop which,
-two-and-a-half centuries afterwards, Henry Butterworth again rendered
-famous as the great emporium of legal books.
-
-Tothill was succeeded by John More (he had been previously represented,
-but only for awhile, by Barker and others), and we have already seen
-that Samuel Richardson, and Lintott’s granddaughter, had obtained the
-patent of King’s Printers for legal books; this brings us up in date
-to, at all events, the uncle of the subject of our present memoir.
-
-Henry Butterworth, the most famous of all our law-publishers, was born
-on 28th February, 1786, in the city of Coventry. His father was a
-wealthy timber-merchant, and his ancestors fairly claimed alliance with
-the great county families, though Butterworth Hall, in the township of
-Butterworth, near Rochdale, in their possession since Stephen’s reign,
-had already fallen into alien hands. The Rev. John Butterworth, his
-grandfather, had removed from Rochdale to Coventry; he was well known
-as the author of a “Concordance to the Holy Scriptures,” which passed
-through several editions, and was the received work upon the subject
-until the appearance of Cruden’s more famous “Concordance.”
-
-Young Henry Butterworth was educated at the Public Grammar School,
-in Coventry, and afterwards placed under the tutorial care of Dr.
-Johnson, of Bristol; but at the early age of fourteen, his education
-(inasmuch as book-learning was concerned) was considered at an end,
-and he entered the large sugar-refinery of Mr. Stock, of Bristol. But
-the hot atmosphere, and the incessant and laborious toil, proved too
-much for young Butterworth’s health, though the work had otherwise
-been rendered pleasant enough through his master’s kindness. As he had
-already shown much business talent and ability, Stock urged Mr. Joseph
-Butterworth, his own relation by marriage, and Henry Butterworth’s
-uncle, to do something for the lad. Joseph Butterworth accordingly made
-overtures to Henry’s family, and though they were loath to send their
-son to the distant trials and temptations of the metropolis, the offer
-was a tempting one, as it contained a tacit promise of admitting him,
-at some future time, to a partnership in the enormous business. Young
-Butterworth at once determined to accept the proposal; and on the 5th
-December, 1801, he arrived in London by the Bristol coach, having left
-Bristol straightway, without even having had an opportunity of bidding
-his relatives farewell.
-
-The business carried on at No. 43, Fleet Street, was on a very
-extensive scale, and Joseph Butterworth was not only a well-known
-member of Parliament, but was an exceedingly wealthy and zealous
-philanthropist; and at his uncle’s dinner table young Henry Butterworth
-met many eminent and good men who were associated together to fight
-in a common cause--among others we may particularize Wilberforce,
-Teignmouth, Liverpool, Bexley, Zachary Macaulay, and Robert and Charles
-Grant--and from the time of his first introduction he enrolled his name
-among these ardent religious and social reformers.
-
-Young Butterworth entered very heartily into the conduct of his
-uncle’s business, and, owing to his efforts, its relations were very
-vastly extended.
-
-In 1813 he was in a position to marry a lady of birth and fortune, the
-daughter of Captain Whitehead, of the Fourth Irish Dragoon Guards, who
-not only afterwards entered fully into all his philanthropic projects,
-but possessed a refined and cultivated intellect, which found utterance
-in a volume of “Songs and Poems,” by E. H. B., published by Pickering
-in 1848, which are evidently, as the authoress says of another gift--
-
- “An offering from a heart sincere.
- Tho’ small and worthless, what I send,
- ’Tis hallowed by affection’s tear.”
-
-In 1818, Butterworth found that there was little likelihood of his
-admission, as had been previously agreed upon, to a satisfactory share
-of his uncle’s business; and having now to consider not only his own
-interests, but the welfare of a wife and family, he determined, with
-a sense of disappointment, to seek an independent roof, and there to
-carry out, on his own account, the art and mystery of law printing.
-
-Before we follow him to his new abode, we will devote a few words
-to his uncle’s successful career. Joseph Butterworth, who had, in
-connection with Whieldon, founded a very large law-publishing business,
-realized, it is said, the largest fortune ever made by law publishing,
-and was one of the original founders of the British and Foreign Bible
-Society, its earliest meetings being held at his house in Fleet Street.
-His son died before him, and his business was sold to Messrs. Saunders
-and Benning; and after various fortunes, the shop became the Bible
-warehouse of Messrs. Spottiswoode.
-
-Henry Butterworth, supported by his father’s capital, took a lease
-of No. 7, Fleet Street, a house which had been, as we have seen
-previously, occupied by Tothill and other ancient law publishers. And
-from this shop were issued the vellum-bound volumes whose contents
-are sacred to all but those assiduously apprenticed to the law.
-Butterworth’s position was still further improved by his appointment to
-the profitable post of Queen’s law publisher. To the general student
-the law-books of the period are as little known as they were to that
-worthy country justice who, wishing to learn something definite about
-the law he so zealously administered, told his bookseller to send
-him forthwith the “Mirror for Magistrates;” and the vastly popular
-law-books did not, of course, come within the province of the technical
-publisher. Butterworth, however, saw the decline of two works which
-had been regarded as time-honoured text-books on the subject--Burn’s
-“Justice” and Blackstone’s “Commentaries.” Many booksellers had made
-large fortunes out of Burn since the time when the author, wearied
-out with carrying his manuscript from shop to shop, had accepted
-a nominal fee to get it off his hands; and now Butterworth, by
-publishing Serjeant Stephen’s celebrated “Commentaries on the Laws
-of England”--the most successful law-work of modern times--erased
-Blackstone from the category of legal text-books.
-
-Butterworth, however, though energetic as a publisher, found time
-to take part in the government of the city. In 1823 he was elected
-as representative of the ward of Farringdon Street Without, but he
-afterwards declined to be nominated to the office of sheriff. However,
-his connection with the city was still further strengthened by his
-appointment as Commissioner of Income and Property Tax, and Land and
-Assessed Taxes for London, and also as Commissioner of Roads. On his
-first arrival in town he had served in a light volunteer regiment,
-recruited to resist the aggression of the great Napoleon; and on his
-retirement from the corporation, about the year 1841, he received a
-captain’s commission in the Royal London Militia.
-
-We gather something of Butterworth’s general kindness and consideration
-to those beneath him in station from the following anecdote:--Shortly
-after the passing of the new Poor Law Act in 1834, the guardians of
-the West Surrey Union ordered that the annual Christmas dinner for
-the workhouse inmates should consist, as wont, of roast beef and
-plum-pudding. The Poor Law Board--a new broom--was horrified at this
-munificence, and sent down their inspector, Dr. Kay, to inquire into
-the proposed extravagance. He offered a compromise by substituting
-boiled beef for roast, not that it would be in any degree cheaper,
-but that (a satisfactory object, we suppose, to the Board) it would
-not be quite so palatable. Butterworth, who was one of the guardians,
-was inflexible, and finally sent in his resignation; but as he was
-too useful a local authority to be spared, the Board sent back the
-resignation, and permitted the paupers to feast upon the disputed beef,
-roast.
-
-In his later years Butterworth took much interest in church-building,
-and at Tooting, St. Dunstan’s-in-the-West, and his native city of
-Coventry, he subscribed large sums for that purpose.
-
-After the death of his wife, which occurred in 1853, he gradually
-withdrew from general society, though he still attended the
-congenial meetings of the Stationers’ Company. The day of his death
-was, curiously enough, the most important day in the law publishing
-year--the first day of term--2nd November, 1860. On the previous
-evening he had given his annual admonition to those around him in
-business to awake up from the lethargy of the long vacation, and on the
-following morning it was found that he had passed away, as if in sleep.
-
-For nearly sixty years Butterworth had occupied a leading position
-as a publisher and as a citizen, and during that period had won the
-friendship and respect of all who came in contact with him. The alms
-which his industry enabled him to make were conscientiously, quietly,
-and discriminatingly bestowed: and the painted glass memorial window
-erected to him in the choir of the Cathedral of St. Paul’s was a
-fitting tribute from a very large number of friends and admirers, many
-of whom had experienced the kindly assistance of his friendship and
-advice.
-
- * * * * *
-
-As we have previously seen, divinity and education were among the
-first subjects to attract a special attention, and works relating to
-them would otherwise have come within our category of technical books.
-No sooner, however, were the lawyers fairly supplied with special
-text-books than the doctors began to clamour for the like, and the
-publisher who has of all others most zealously administered to their
-wants is still happily amongst us.
-
-John Churchill was born about the commencement of the century, and
-was apprenticed in the year 1816 to Messrs. Cox and Son, medical
-booksellers in Southwark. “The house of business was,” he says,
-“immediately adjoining Guy’s and St. Thomas’s Hospitals, and became
-the daily resort of the lecturers and numerous students of the schools;
-I thus early in life became known to the celebrated men of the day,
-little anticipating that eventually I should become the publisher of
-Guy’s and St. Thomas’s Hospital Reports, and of so large a proportion
-of the works that issued from the medical press.”
-
-At the time when young Churchill entered the profession of medical
-publishing, the periodicals, and, of course, the standard technical
-works, presented a striking contrast to those at present in existence,
-for now the medical profession assert, with the greatest truth, that
-their special organs are of far higher intrinsic worth, and of far
-better “tone” of thought and expression, than those relating to any
-other purely technical subject. For years, however, after Churchill
-became a bookseller’s assistant the medical press was only on a par
-with the papers relating to the other professions, and was chiefly
-represented by the _Medico-Chirurgical Review_, founded by J.
-Johnson in 1820, and the _Edinburgh Medical and Surgical Journal_, a
-work we have already come across in our notice of Constable. These
-reviews contained no original reports, no strictures on the hospital
-appointments then jobbed, like everything else, to men of wealth,
-family, and interest. In fact, they consisted of little besides long
-and elaborate abstracts of new books.
-
-On Sunday, 2nd October, 1823, the first number of a journal that was
-to cause a great revolution in medical literature, and to affect in
-no slight degree the whole medical profession, was issued from a
-small publishing shop in the Strand. The journal was, of course, the
-_Lancet_, and the publisher young Thomas Wakley. Wakley had walked the
-united hospitals of Guy’s and St. Thomas’s, and had taken his degree
-in 1817. He does not appear to have practised regularly till, about
-1822, he took a small shop in the Strand, and with the assistance, in
-a pecuniary point of view, of Collard (now the senior partner of the
-famous piano factory) determined to start a thoroughly independent
-medical journal. The first number contained a report of a lecture
-by Sir A. Cooper, printed from memory. The professors and hospital
-officers fired up, and for long Wakley had to encounter the same
-difficulties and almost the same penalties which Cave had previously
-undergone in commencing his reports of Parliamentary proceedings. As a
-former student, Wakley attended the lectures, and, like other students,
-was seen to take occasional notes. Cooper could not, however, bring
-the charge home till he hit upon the device of calling at midnight
-at his lodgings, and asking to see the “doctor” upon urgent medical
-business, when he surprised him red-handed correcting a proof-sheet of
-a lecture. The discovery was so sudden and so undeniable that neither
-could refrain from laughter; and eventually Cooper, not ill-humouredly,
-offered to allow his lectures to appear if the proofs were first sent
-him for revision. Consequently, Cooper, though often criticised in the
-_Lancet_, never received a nickname, as did most of the other medical
-celebrities of the day. For instance, Brodie was known as the “little
-eminent;” Earle, the “cock sparrow;” Mayo, the “owl;” and Halford, the
-“eel-backed.”
-
-The _Lancet_, for many years, was hated by that part of the profession
-interested in vested rights, and eagerly patronised by general surgeons
-and students. The language of the _Lancet_ was as violent as the
-many abuses it attacked could justify; and Cobbett, who was a friend
-and adviser of Wakley’s, was adopted as a model, while a barrister,
-named Keen, used to join the party on printing nights to see that the
-free strictures were not legally liable as libels. An active, though
-unpaid, member of the staff, was Lawrence, who, however, forsook his
-reforming principles when once he became a placeman, and was succeeded
-by Wardrop, whose scurrility, wit, and venom did much in giving the
-_Lancet_ a lasting reputation for raciness of style and satirical
-power. They were shortly afterwards joined by Mr. J. F. Clarke, who
-edited the periodical for upwards of forty years, and to whose amusing
-and graphic autobiography we are indebted for much of the preceding
-details. The success of the _Lancet_ soon enabled Wakley to enter
-Parliament as a representative of Finsbury, and he actually combined
-together the work of the legislator, the coroner, and the editor, often
-toiling unremittingly for eighteen consecutive hours.
-
-By the time the _Lancet_ was thus firmly established, Churchill, long
-out of his apprenticeship, had commenced medical publishing on his own
-account; and from his famous shop, in New Burlington Street, issued
-most of the standard works upon the subject; and, encouraged by the
-success of the _Lancet_, he determined to make his establishment the
-centre of periodical, as well as more permanent, medical literature. In
-1836, was started therefrom the _British and Foreign Medical Review_,
-conducted first by J. Forbes, and afterwards by J. C. Conolly. In 1848,
-it was merged into the _Medico-Chirurgical Review_, which, from 1824
-to 1847, had been under the editorship of H. J. Johnson. These two
-were now amalgamated into the _British and Foreign Medico-Chirurgical
-Review_, which, dating from Churchill’s establishment, has acquired a
-professional standing equal to that of the _Edinburgh_ and _Quarterly
-Reviews_ in more general criticism. In 1839, appeared the first number
-of the _Medical Times and Gazette_, which, under the editorial care of
-T. P. Healey, and subsequently of J. L. Bushman, has found a very large
-and influential _clientèle_.
-
-The medical writers have at present something in common with the early
-authors. Their works bring them in more remuneration through eventual
-patronage than from habitual sale, but their patronage is that of all
-the great public, who are waiting to have their ailments cured. As an
-instance of the way in which literature may improve the position of a
-medical man, it is stated by Mr. W. Clarke that, through Elliotson’s
-clinical reports in the _Lancet_, his income was raised, in one year,
-from £500 to £5000. And yet, on the other hand, when he openly gave in
-his adherence to the newly-imported doctrine of mesmerism, his large
-public and private practice almost entirely deserted him; and as the
-legitimate organs were closed to one so abandoned as even to experiment
-in “the unknown,” he started a medico-mesmeric journal of his own, the
-_Zoist_, which was, of course, not published by Mr. Churchill.
-
-There is necessarily the same want of general interest in medical as in
-legal bibliography; and, as in the latter case, works more popularly
-known were almost invariably published by the usual popular publishers.
-For instance, Dr. Buchan’s “Domestic Medicine”--probably the most
-profitable medical book ever written (but not to the author, as he sold
-the copyright for five pounds), after being re-written by Smellie--was
-issued in 1770, by the ordinary booksellers. During the author’s
-lifetime, nineteen editions, each of five thousand, were published, and
-the volume was translated into all the modern languages.
-
-If Mr. Churchill’s catalogue can show no book with a popularity like
-this, it displays many which, appealing only to a class audience, and
-necessarily obliged to keep pace with the discoveries of the day,
-have at once retained their high price and yet reached the honour of
-numerous editions.
-
-It is probably owing chiefly to this fact of an incessant demand by a
-large section of, at all events, one branch of students, that technical
-publishing has proved so remunerative, and has escaped, in a great
-degree, the risk attached to other departments of the trade.
-
-At the close of the year 1870, Mr. Churchill resolved to give up the
-active management of his large business, and issued a farewell circular
-to the trade: “After fifty-five years’ active and immediate association
-with your profession, I see it my duty to retire into private life.
-Be my future days few or many, I shall ever retain a lively sense of
-the many friendships I have formed, and of the unvarying proofs of
-confidence and regard shown to me through so long a series of years.
-My pathway of life has been a happy one, bringing me into daily
-correspondence with the _élite_ of the profession, and united with them
-in promoting the interests of science and literature, while the success
-of my many publications has both gratified and amply rewarded my
-exertions. My sons, John and Augustus Churchill, have been eight years
-associated with me. I may be influenced by a father’s feelings, but I
-believe I can honestly state that, by education, earnest purpose in the
-fulfilment of duty, a high sense of integrity guiding and regulating
-their transactions, they will be found worthy of your confidence, and
-thus maintain the character of the house whose reputation and business
-transactions have extended to all parts of the world.” To this honest
-expression of well-earned business contentment, we can only add our
-wishes that Mr. Churchill’s years of retirement may be as happy as his
-years of toil have been useful and beneficial.
-
-Among other technical publishers, Mr. Henry Laurie, whose house dates
-from the commencement of English hydrography, and whose numerous
-publications are known wherever English navigation has extended,
-requires at least a mention here. The oldest existing house of
-this nature, but one, in Europe (Gerard Hulst Van Keulen & Co., of
-Amsterdam, being the exception), it was founded by R. Sayer, at the
-“Golden Busk” (53, Fleet Street), in conjunction with John Senex, the
-well-known cosmographer. Here Cook’s original charts were issued; and
-it says something for his accuracy that his “Survey of the South Coast
-of Newfoundland” has not yet been superseded. On Sayer’s death, the
-business was relinquished to Robert Laurie and James Whittle, and, in
-1812, the former was succeeded by his son, R. H. Laurie, who, on the
-death of Whittle, became sole proprietor. In a short time, the business
-extended to the production of illustrations of all descriptions, whilst
-the maps produced, under the care of De la Rochette, John Purdy, and
-Mr. Findlay, still retained their pre-eminence; the business was,
-however, again restricted to hydrography. R. H. Laurie died as recently
-as January 19, 1858, leaving two daughters, and the establishment was
-continued under the direction of his sole executor, Mr. Findlay.
-
-[Illustration]
-
-
-
-
-[Illustration]
-
-
-
-
-_EDWARD MOXON_:
-
-POETICAL LITERATURE.
-
-
-After Dodsley’s death, though poetry was at times far from being
-an unprofitable speculation, the publishers seem to have shunned
-it as a speciality; and, accordingly, a Constable, a Murray, and a
-Longman, though gathering large incomes from the sale of the works
-of some one or two great poets, placed their main reliance upon the
-prose compositions that administered to either the pleasure or the
-necessities of their public.
-
-For a time, Taylor and Hessey almost adopted poetical publications as
-the mainstay of their business; and in their generous encouragement of
-Keats, and others of lesser note, including Clare, are to be gratefully
-remembered; but their trade-life as poetical publishers was brief, and
-it remained for Edward Moxon to identify his name with all the best
-poetry of the period in which he lived, to a greater extent than any
-previous bookseller at any time whatsoever.
-
-Edward Moxon, not unlike some others of his craft, began life with
-strong literary aspirations. His warm admiration for genius, his
-hearty good-fellowship, and his longings for a literary career,
-brought him into contact with some of the greatest writers of the
-day, and attracted their support and friendship. As early as 1824 he
-was made a welcome member of the brilliant circle that owned Charles
-Lamb as its chief, and to be a _protégé_ of Lamb’s was a passport
-into all literary society. In 1826, he published his first volume,
-“The Prospect; and other Poems;” and his friends received it with all
-possible kindness, as, perhaps, containing germs of something better.
-Even Wordsworth, usually very niggard of praise, wrote him a letter of
-encouragement--and warning:--“Fix your eye upon acquiring independence
-by an honourable business, and let the Muse come after rather than go
-before.” But advice of this nature, even when given with the practical
-illustrations that Wordsworth’s own career might have furnished,
-had little likelihood of being accepted by a young and impetuous
-poetaster; and in 1829 we find Moxon launching another venture on the
-world--“Christmas, a poem”--to be as coldly received by the “general
-public” as the former. What, however, the advice of a veteran poet
-could not effect, a stronger power was able to accomplish.
-
-During Lamb’s residence at Enfield, their acquaintance ripened into
-a very frequent intercourse, and eventually resulted in Moxon’s
-engagement to a young lady who spent most of her time under the
-protection of Lamb and his sister. Lamb had met Miss Isola some years
-before at Cambridge, and had taken so much interest in the little
-orphan girl, who was then living with her grandfather--an Italian
-refugee, and a teacher of languages--that by degrees he came to be
-looked upon as almost a natural guardian. Marriage, however, was out
-of the question until her lover had some more substantial manner of
-livelihood than the cultivation of the Muse seemed ever likely to
-afford him. In this strait, Rogers came forward and generously offered
-to start him in life as a publisher, and, with the goal of matrimony in
-view, the offer was eagerly accepted.
-
-Accordingly, in 1830, Moxon opened a small publishing shop at 34, New
-Bond Street. The first volume he issued was “Charles Lamb’s Album
-Verses,” and the dedication sufficiently explains its purpose:--
-
- “DEAR MOXON,--I do not know to whom a Dedication of these
- trifles is more properly due than to yourself: you suggested
- the printing of them--you were desirous of exhibiting a
- specimen of the _manner_ in which the publications entrusted to
- your future care would appear. With more propriety, perhaps,
- the ‘Christmas,’ or some of your own simple, unpretending
- compositions, might have served this purpose. But I forget--you
- have bid a long adieu to the Muse ... it is not for me nor you
- to allude in public to the kindness of our honoured friend,
- under whose auspices you are becoming a bookseller. May this
- fine-minded veteran in verse enjoy life long enough to see his
- patronage justified. I venture to predict that your habits of
- industry, and your cheerful spirit, will carry you through the
- world.
-
- “ENFIELD, 1st June, 1830.”
-
-An unfavourable notice of these “Album Verses” appeared in the
-_Literary Gazette_; but Lamb was too well loved to lack defenders, and
-some verses in reply, by Southey, were soon afterwards inserted in the
-_Times_.
-
-In the following year the _Englishman’s Magazine_ came into Moxon’s
-hands, and to its pages Elia lent the charm of his pen. Although it
-only lasted from April till October, its columns still present us with
-matter of literary interest. In the same number we find a sonnet signed
-“A. Tennyson,” and a very long review upon “Poems, chiefly Lyrical,
-by Alfred Tennyson,” written by his friend Arthur H. Hallam. This was
-almost Mr. Tennyson’s first avowed appearance in public; and as Mr.
-Moxon’s name was so intimately associated with the poet’s future works,
-we may be allowed to go back for a moment. In 1827 a little duodecimo
-volume of 240 pages, entitled “Poems, by Two Brothers,” was published
-by J. and J. Jackson, Market Place, Louth; and the “two brothers” were
-Charles and Alfred Tennyson, the latter being only seventeen years
-of age. In 1829 Mr. Tennyson gained the Chancellor’s gold medal at
-Cambridge for a prize poem on “Timbuctoo,” his friend Hallam being also
-one of the competitors. The prize poem was printed with his name, and,
-a thing quite unprecedented, was noticed at length in the _Athenæum_,
-as indicating “really first-rate poetical genius, and which would have
-done honour to any man that ever wrote.... How many men have lived for
-a century who could equal this?” In the following year, 1830, appeared
-the “Poems, chiefly Lyrical, by Alfred Tennyson;” London: Effingham
-Wilson, Royal Exchange, 1830 (pp. 154); and it was these, of course,
-which were reviewed by Hallam in the _Englishman’s Magazine_. In the
-course of a very long notice, the writer says:--“The features of
-original genius are clearly and strongly marked. The author imitates
-nobody; we recognise the spirit of the age, but not the individual
-pen of this or that writer.... In presenting the young poet to the
-public as one not studious of instant popularity, and unlikely to
-attain it ... we have spoken in good faith, commending the volume to
-feeling hearts and imaginative tempers.” Even before this review,
-deeply interesting when we remember what a loving and loved friend he
-was who wrote it, the little volume was noticed in the _Westminster
-Review_ by, it is believed, Mr. John Stuart Mill, as demonstrating “the
-possession of powers, to the future direction of which we look with
-some anxiety. He has shown, in the lines from which we quote, his own
-just conception of the grandeur of a poet’s calling; and we look to him
-for its fulfilment.” Encouragement such as this led Moxon to publish
-a further volume of Mr. Tennyson’s poems in 1833, and the connection
-thus commenced lasted throughout his lifetime. In a letter addressed
-to him by Wordsworth, as a northern correspondent in the book-market,
-there is intelligence, neither pleasant for a veteran poet to indite,
-nor for a young publisher to receive:--“There does not seem to be much
-genuine relish for poetical publications in Cumberland, if I may judge
-from the fact of not a copy of my poems having been sold there by one
-of the leading booksellers, though Cumberland is my native county.” In
-this same year, too, Moxon published, for the first time, a collected
-edition of the “Last Essays of Elia;” but before this time he proved,
-by his attention to his business, that he was worthy of Miss Isola’s
-hand. Lamb’s letters to Moxon, in the few weeks preceding the marriage,
-are in his happiest, most delicately-bantering style--for instance:
-“For God’s sake give Emma no more watches--_one_ has turned her head.
-She is arrogant and insulting. She said something very unpleasant to
-our old clock in the passage, as if he did not keep time, and yet he
-had made her no appointment. She takes it out every moment to look at
-the minute hand. She lugs us out into the field, because there the
-bird-boys cry out--‘You, pray, sir, can you tell us the time?’ and she
-answers them punctually. She loses all her time looking to see what the
-time is! I heard her whispering just now--‘so many hours, minutes, &c.,
-to Tuesday; I think St. George’s goes too slow.’... She has spoilt some
-of the movements. Between ourselves, she has kissed away the ‘half-past
-twelve,’ which I suppose to be the canonical hour in Hanover Square.”
-On the 30th July they were married. Lamb, as long as he lived, regarded
-them with almost paternal affection, and, at his death, left Moxon his
-treasured collection of books.
-
-Meanwhile the illustrated edition of Rogers’s “Italy” was in
-preparation, and with a view to its publication Moxon moved to Dover
-Street, Piccadilly.
-
-Rogers spared no cost in the production of what was intended to be
-the most beautifully illustrated volume that had ever been published.
-£10,000 was spent on the illustrations and the engraving of them.
-There were fifty-six engravings in all by Turner, Stothard, and other
-eminent artists. Turner was to have received fifty pounds apiece for
-his drawings, but at one time the whole speculation threatened to turn
-out a failure, and he then offered the bard the use of them for five
-pounds each instead. To match this luxurious volume the illustrated
-edition of Rogers’s “Poems” was brought out, at a further cost of
-£5000, with seventy-two engravings by Turner, Stothard, Landseer,
-Eastlake, &c., and, in spite of the enormous outlay on the two works,
-their increasing popularity must have recouped the poet, for upwards
-of 50,000 copies are said to have been sold before the year 1847.
-Moxon was always proud of the share he had taken in the production of
-these works. All the volumes he issued were indeed remarkable for the
-beautiful manner in which they were “got up,” and in 1835 he published
-such an exquisite edition of his own sonnets that the beauty of this
-dandy of a book enraged and alarmed a writer in the _Quarterly_:--“Its
-typographical splendours led us to fear that this style of writing was
-getting into fashion,” but fortunately for the reviewer’s peace of mind
-he discovered “that Mr. Moxon the bookseller is his own poet, and that
-Mr. Moxon the poet is his own bookseller.... The necessity of obtaining
-an imprimatur of a publisher is a very wholesome restraint, from which
-Mr. Moxon--unluckily for himself and for us--found himself relieved.”
-Surely after a notice like this--indeed we have only quoted the
-kindlier portion, for often as publishers din the unsaleable nature of
-the drug poetry into the ears of young writers, the charm of retorting
-upon a bookseller seldom falls so temptingly before an author.--Moxon
-must have regretted that he did not cleave to a promise, held out in
-his first essay in 1826:--
-
- “You’ll hear no more from me,
- If critics prove unkind;
- My next in simple prose must be;
- Unless I favour find.”
-
-This will perhaps suffice as a specimen of the productions of
-Moxon’s muse, though the first lines in the volume, a “Sonnet to a
-Nightingale,” are inviting. They had been the cause of much pleasantry
-among the author’s friends, as having been penned by one who had
-never heard the song of the bird to which they were addressed, and
-the internal evidence upon this point is indubitably strong; the
-sonnet perhaps, to state it in proportion, is to Keats’s “Ode to the
-Nightingale,” as the owl’s screeching “too-whit” to “Sweet quired
-Philomela.”
-
-By this time, however, Moxon, in spite of his bad poetry, had made a
-wide reputation as a poetical publisher, and from his establishment was
-issued, not only all that was most valuable of contemporary poetical
-literature, but with true catholic taste, the works of our older
-dramatic poets, edited for the most part by the Rev. Alexander Dyce. By
-degrees, too, Moxon was enabled to add to his catalogue the works of
-many of the poets who had shed a lustre upon the two first decades of
-this century, especially the works of Keats, Shelley, and Leigh Hunt.
-
-In 1839 he brought out Mrs. Shelley’s edition of her husband’s
-poems--the first “complete edition” that had been published. In the
-following year a bookseller in the Strand named Hetherington was
-indicted for selling a work entitled “Haslam’s Letters to the Clergy
-of all Denominations,” and was sentenced to four months’ imprisonment,
-as having published in this volume sundry “libels” against the Old
-Testament. While the trial was pending, Hetherington commissioned a
-servant of his, named Holt, to purchase copies of “Shelley’s Poems”
-from the publisher, and from the retail dealers, and then obtained
-a similar indictment against Moxon. The celebrated trial the “Queen
-_v._ Moxon” was of course the result. The prosecution relied chiefly
-upon certain passages in “Queen Mab,” more especially in the notes,
-and these were read in order to prove the charge of blasphemy. Mr.
-Serjeant Talfourd was engaged for the defence. “I am called,” he
-commenced, “from the bar in which I usually practise, to defend from
-the odious charge of blasphemy one with whom I have been acquainted for
-many years--one whom I have always believed incapable of wilful offence
-towards God or towards man--one who was introduced to me in early
-days, by the dearest of my friends who has gone before--by Charles
-Lamb--to whom the wife of the defendant was an adopted daughter.” After
-a magnificent oration in which he asked, with a fitting indignation,
-“if the publisher of any penny blasphemy is to have the right of
-prescribing to us legally that such and such pages are to be torn from
-the treasured volumes of our choicest literature,” he left in the
-hands of the jury “the cause of genius--the cause of learning--the
-cause of history--the cause of thought,” and concluded by a tribute to
-Moxon’s character--“beginning his career under the auspices of Rogers,
-the eldest of a great age of poets, and blessed with the continued
-support of that excellent person, who never broke by one unworthy
-line the charm of moral grace which pervades his works, he has been
-associated with Lamb, whose kindness ennobled all sects, all parties,
-all classes, and whose genius shed new and pleasant lights on daily
-life; with Southey, the pure and childlike in heart; with Coleridge,
-in the light of whose Christian philosophy the indicted poems would
-assume their true character, as mournful, yet salutary, specimens of
-powers developed imperfectly in this world; and with Wordsworth, whose
-works, so long neglected and scorned, but so long silently nurturing
-tastes for the lofty and the pure, it has been Mr. Moxon’s privilege
-to diffuse largely throughout this and other lands, and with them
-the sympathies which link the human heart to nature and to God, and
-all classes of mankind to each other.” Lord Denman, before whom the
-case was tried, instructed the jury, in his summing up, to administer
-the law as it undoubtedly stood, though he himself was of opinion
-that the best and most effectual method of acting in regard to such
-doctrines was to refute them by argument and reasoning rather than
-by persecution. The jury accordingly returned a verdict of guilty,
-unaccompanied by any observation whatsoever. The illegal passages were
-eliminated for a time; and thus the matter ended. The trial took place
-in June, 1841, at a time when Moxon was in great sorrow for the loss of
-his eldest son, and much sympathy was exhibited towards him.
-
-Shelley’s name, however, was designed to be associated with further
-publishing vexations. In 1852, Moxon issued a volume entitled “Letters
-of P. B. Shelley,” with an introductory essay by Mr. Robert Browning.
-The usual presentation copies were sent to the papers, the “Letters”
-were generally noticed as being essentially characteristic, but the
-discretion shown in printing them was much questioned. Naturally
-Mr. Browning’s essay attracted a large share of attention, though
-consisting of but forty-four pages, for it is his only acknowledged
-prose work (why, by the way, has it never been reprinted?). He
-describes Shelley as a man “true, simple-hearted, and brave; and
-because what he acted corresponded to what he knew, so I call him a
-man of religious mind, because every audacious negative cast up by
-him against the Divinity was interpreted with a mood of reverence and
-adoration.” An early copy of the volume was sent to Mr. Tennyson, and
-Mr. Palgrave, who was then paying him a visit, turned over its pages
-until he came to a passage in a letter which he at once recognised
-(with a most dutiful and filial remembrance), as a portion of an
-article upon “Florence,” which Sir Francis Palgrave had contributed to
-the _Quarterly Review_. He immediately communicated with his father,
-who, after comparing the printed letter with the printed article,
-wrote to Moxon and informed him that this letter was cribbed bodily
-from the _Quarterly Review_. Moxon replied that the original was in
-Shelley’s handwriting and that it bore, moreover, the proper dated
-postmark. Even the experts pronounced the letters genuine, and the
-detectives were then set to work--the book having, of course, been
-immediately withdrawn from publication. The MSS., which had been bought
-at public auction, were traced to Mr. White, a bookseller in Pall
-Mall. He alleged that in 1848, two women began to bring him letters
-of Byron’s for sale, at first in driblets and impelled by poverty,
-they then offered him other letters by Shelley, and books with Byron’s
-autograph and MS. notes. His suspicions were aroused, he followed them
-home, and insisted upon seeing the real owner of the letters. This
-person was introduced to him as Mr. G. Byron, a son of the poet, and
-thus he thought the mystery satisfactorily explained. He then sold the
-letters relating more purely to family matters to Shelley’s relatives;
-Murray became the eventual purchaser of Byron’s, and Moxon of Shelley’s
-letters--and Murray, who only had his volume in the press, at once
-stopped it. The letters are now believed to have been the forgeries by
-G. Byron, and are indeed indexed under his name in the British Museum
-Catalogue. The system upon which he had obtained money for them appears
-to have been very extensive and well organised, and as some few were
-probably genuine, and others based upon a substratum of truth, the
-difficulty of judging those which in various ways have got into print,
-was extreme. Altogether, this is one of the most notable literary
-forgeries of modern times.
-
-To return, however, to Moxon, we find that in 1835, conjointly with
-Longman, he published Wordsworth’s “Yarrow Revisited,” and shortly
-after this the poet transferred all his works from the Messrs. Longman,
-and we believe that Moxon purchased the copyrights of the past poems
-for the sum of one thousand pounds.
-
-Mr. Browning’s earlier volumes, like Mr. Tennyson’s “Lyrical Poems,”
-had been published by Effingham Wilson, but in 1840 Moxon issued
-“Sordello.” This was followed by “Bells and Pomegranates,” published in
-numbers between 1842 and 1845, and by a “Blot in the Scutcheon,” (acted
-at Drury Lane in 1843), and which, though unsuccessful on the stage,
-was in the opinion of Charles Dickens “the finest poem of the century.”
-In 1848, however, Mr. Browning removed his works to the care of Messrs.
-Chapman and Hall.
-
-Among the other authors whose productions were issued by Moxon
-somewhere at this period, and whom we cannot do more than mention, were
-Talfourd, Monkton Milnes (Lord Houghton), Tom Hood, Barry Cornwall
-(Proctor), Sheridan Knowles (who was by turn an usher, a journalist,
-a dramatic poet, and a dissenting minister), Quillinan (whose works
-Landor wittily, though unjustly, described as Quillinanities), Mr.
-Browning (for a brief period only), Haydn, and Dana.
-
-Mr. Tennyson had been silent for ten years, had been maturing his
-talents, been mourning for the death of his friend Hallam, and probably
-during the whole of this time not a thousand copies of his poems had
-been sold. But he was already acknowledged as one of our greatest
-living poets by a small and ardent band of admirers, and in 1842 he
-was induced to break his long silence and publish an edition of his
-poems in two volumes, of which the second was composed entirely of new
-pieces, and in the first some were new, and many had been re-written.
-By this time his success was publicly and generally acknowledged, and
-fresh editions were called for in 1843, 1845, 1847, and from that
-date in still more rapid succession. The beauty and purity of his
-poems attracted royal favour, and in 1846 he received a pension from
-the crown, and this unfortunately gave offence to some rivals in the
-divine art, and Lord Lytton in the “New Timon” attacked “Schoolmiss
-Alfred.” To this Mr. Tennyson replied by a poem published in _Punch_
-(February, 1846), which may be summed up in the two words, “Thou
-bandbox.” In 1843, Wordsworth, in a letter to Reed, says, “I saw
-Tennyson when I was in London several times. He is decidedly the first
-of our living poets (_sic_), and I hope will live to give the world
-still better things. You will be pleased to hear that he expressed, in
-the strongest terms, his gratitude to my writings. To this I was far
-from indifferent, though persuaded that he is not much in sympathy with
-what I should myself most value in my attempts, viz., the spirituality
-with which I have endeavoured to invest the material universe, and the
-moral relations under which I have wished to exhibit its most ordinary
-appearances.” Again, in 1848, Mr. Emerson, in describing a visit to
-Wordsworth, says, “Tennyson, he thinks, a right poetic genius, though
-with some affectation. He had thought an elder brother of Tennyson at
-first the better poet, but must now reckon Alfred the true one.”
-
-When Wordsworth died in 1850, the laureateship was offered to Mr.
-Rogers, and the letter conveying the offer was written by Prince
-Albert. The poet, however, was now eighty-seven years of age, and he
-felt that his years and his wealth should prevent him from interfering
-with the claims of younger and poorer men, and he generously felt
-impelled to decline the honour, which was then conferred upon Mr.
-Tennyson, who received, as he says so beautifully, in reference to
-Wordsworth, the
-
- “Laurel, greener from the brows
- Of him who uttered nothing base.”
-
-Before this, however, the “Princess” and “In Memoriam” had appeared.
-For a time Mr. Tennyson was again silent, breaking his silence only
-by four poems contributed to the _Examiner_, and by the “Ode on the
-Death of the Duke of Wellington” (Moxon, 1852). One of the four poems
-in the _Examiner_, however, was “The Charge of the Light Brigade,” and
-of this Moxon published a quarto sheet of four pages.--“Having heard
-that the brave soldiers before Sebastopol, whom I am proud to call my
-countrymen, have a liking for my ballad on the ‘Charge of the Light
-Brigade’ at Balaclava, I have ordered a thousand copies of it to be
-printed for them.--ALFRED TENNYSON.”[26]
-
-In 1855 appeared another poem resulting from the war--“Maud,” one
-of the most beautiful and least understood of all Mr. Tennyson’s
-compositions.
-
-On the 3rd of June, 1858, Edward Moxon died, having, as a publisher,
-earned the esteem of all his clients and the gratitude of all the
-public. What his services to literature have been the names comprised
-in his catalogues bear ample witness. Truly Lamb’s dedicatory prophecy
-had been amply fulfilled! On his death the immediate management of
-the firm devolved upon Mr. J. Bertrand Payne, and under his rule the
-business was distinguished rather for the energy with which the already
-published works were pushed forward than for any encouragement held out
-to acknowledged genius. Mr. Payne himself undertook the superintendence
-of the “Moxon’s Miniature Series,” and, as soon as the “Idylls of the
-King” had been published, of the luxurious edition of them illustrated
-by that extraordinary genius, M. Gustave Doré. There was one exception
-to his lack of enterprise. In 1861 Mr. Pickering published the “Queen
-Mother” and “Rosamond,” two plays by Mr. Swinburne, then a young
-man of eighteen. Except in the case of a condemnatory notice in the
-_Athenæum_ these poems attracted little or no attention; but in 1865
-“Moxon and Son” published the “Atalanta in Calydon,” which at once
-marked out the author as the most musical, and one of the greatest, of
-our living singers. It was at all events pretty generally acknowledged
-that for true poetic inspiration, momentary if it were, no poet of our
-generation could rival Mr. Swinburne. This opinion was still further
-strengthened by the publication of “Chastelard,” in 1866. When, however
-the “Poems and Ballads” appeared, they were met by such a whirlwind
-of abuse from critics, whose professional morality was supposed to
-have been shame-stricken, that the publishers explained that they
-were unaware of the nature of the poems they had laid before the
-public, and suppressed the edition before it got into circulation. As
-a consequence the few copies that had been sold were eagerly sought
-at a price of five guineas, and the volume was speedily republished
-in America. In this strait, Mr. J. Camden Hotten came forward, and to
-him Mr. Swinburne confided all his hitherto published poems, including
-the much-abused and also much-praised “Poems and Ballads.” His latest
-works, however, “The Ode to the French Republic,” and the “Songs before
-Sunrise,” have been issued by Mr. Ellis, who as the publisher of Mr.
-Morris, Mr. Swinburne, and Mr. Rossetti, bids fair to occupy the
-position so long and so honourably occupied by Moxon as a distinctively
-poetical publisher.
-
-Before this Mr. Tennyson had removed his copyrights to the care of Mr.
-Strahan, and though in 1869 Mr. Arthur Moxon was admitted a member of
-the firm, the old glory had departed from them; and in the summer of
-the year 1871 the whole business was transferred to Messrs. Ward, Lock,
-and Tyler, and Mr. Beeton was appointed manager; the house in Dover
-Street was no longer retained, though Mr. Arthur Moxon’s services have
-been secured to superintend the business department. The first volume
-issued under the new régime--the “Sonnets” of Edward Moxon--is a timely
-tribute to the founder of the famous house. We could not, perhaps, give
-him higher praise than in saying that he was as good as a publisher as
-he was indifferent as a poet.
-
-
-
-
-[Illustration]
-
-
-
-
-_KELLY AND VIRTUE_:
-
-THE “NUMBER” TRADE.
-
-
-The “Number Publishers” may be looked upon as the modern pioneers of
-literature; their books are circulated by a peculiar method, among
-a peculiar public, almost entirely through the agency of their own
-canvassers, without the intervention of any other bookseller, and
-the works thus sold are scarcely known to the ordinary members of
-the publishing world. As the business is conducted by house to house
-visitation, a substratum of the public is reached which is entirely
-out of the stretch of the regular bookselling arm, though, when once
-a taste for reading has been developed, the regular bookseller cannot
-fail to benefit, as he will from every onward step in education and
-progress.
-
-The _Canvassing Trade_ is conducted by only a few houses in London,
-Edinburgh, and Glasgow. In our introductory chapter we caught a glimpse
-of some of the earlier members, but in modern times two names--Kelly,
-and, in a much broader sense, Virtue--stand forward prominently, and to
-these two we shall address ourselves.
-
-Thomas Kelly[27] was born at Chevening, in Kent, on the 7th of January,
-1777. His father was a shepherd, who, having received a jointure of
-£200 with his wife, risked the capital first in a little country
-inn, and afterwards in leasing a small farm of about thirty acres of
-cold, wet land, where he led a starving, struggling life during the
-remainder of his days. When only twelve years old, barely able to read
-and write, young Kelly was taken from school, and put to the hard work
-of the farm, leading the team or keeping the flock, but he was not
-strong enough to handle the plough. The fatigue of this life, and its
-misery, were so vividly impressed upon his memory, that he could never
-be persuaded to revisit the neighbourhood in after-life; and though
-at the time he endeavoured to conceal his feelings from his family,
-the bitterness of his reflections involuntarily betrayed his wishes.
-He fretted in the daytime until he could not lie quietly in his bed
-at night, and early one morning he was discovered in a somnambulant
-state in the chimney of an empty bedroom, “on,” as he said, “his road
-to London.” After this his parents readily consented that he should
-try to make his way elsewhere, and a situation was obtained for him
-in the counting-house of a Lambeth brewer. After about three years’
-service here, the business failed, and he was recommended to Alexander
-Hogg, bookseller of Paternoster Row. The terms of his engagement were
-those of an ordinary domestic servant; he was to board and lodge on the
-premises, and to receive ten pounds yearly, but his lodging, or, at all
-events, his bed, was under the shop counter.
-
-Alexander Hogg, of 16, Paternoster Row, had been a journeyman to Cooke,
-and had very successfully followed the publication of “Number” books.
-In the trade he was looked upon as an unequalled “puffer,” and when the
-sale of a book began to slacken, he was wont to employ some ingenious
-scribe to draw up a taking title, and the work, though otherwise
-unaltered, was brought out in a “new edition,” as, according to a
-formula, the “Production of a Society of Gentlemen: the whole revised,
-corrected, and improved by Walter Thornton, Esq., A.M., and other
-gentlemen.”
-
-Kelly’s duties were to make up parcels of books for the retail
-booksellers, and his zeal displayed itself even in somnambulism, and
-one night when in a comatose state, he actually arranged in order
-the eighty numbers of “Foxe’s Martyrs,” taken from as many different
-compartments. He spent all his leisure in study, and soon was able
-to read French with fluency, gaining the proper accent by attending
-the French Protestant church in Threadneedle Street. The good old
-housekeeper, at this time his only friend, was a partaker of his
-studies; at all events, he gave her the benefit of all the more amusing
-and interesting matter he came across. His activity, though it rendered
-the head-shopman jealous, attracted Hogg’s favourable attention,
-and the clever discovery of a batch of stolen works, still further
-strengthened the interest he felt in his serving boy. The thieves,
-owing to the lad’s ingenuity, were apprehended and convicted, and Kelly
-had to come forward as a witness. “This was my first appearance at the
-Old Bailey, and as I was fearful I might give incorrect evidence, I
-trembled over the third commandment. How could I think, while shaking
-in the witness-box, that I should ever be raised to act as Her
-Majesty’s First Commissioner at the Central Criminal Court of England!”
-
-Half of his scanty pittance of ten pounds was sent home to aid his
-parents, and as his wages increased, so did this dutiful allowance. In
-this situation Kelly remained for twenty years and two months, and at
-no time did he receive more than eighty pounds per annum, and it is
-believed that when his stipend reached that petty maximum, he defrayed
-the whole of his father’s farm rent. That he was not entirely satisfied
-with his prospects, is evident from the fact that about ten years after
-he joined Hogg he accepted a clerkship in Sir Francis Baring’s office,
-but so necessary had he become to the establishment he was about to
-leave, that his late master prevailed upon him to accept board and
-residence in exchange for what assistance he might please to render
-over hours. After six weeks of this double work, poor Kelly’s health
-began to suffer, and it was plain that he must confine his labours to
-one single branch of trade. “Thomas,” said his master, sagaciously
-enough, though probably with a view to his own interests, “you never
-can be a merchant, but you _may_ be a bookseller.” This advice chimed
-in with his inclination, if not with his immediate prospects, and Kelly
-devoted himself to bookselling.
-
-At length Hogg, falling into bad health, and desiring to be relieved
-from business, proposed to Kelly that he should unite in partnership
-with his son; but the conscientious assistant felt constrained to
-decline the tempting offer, by reason of the young man’s character,
-and resolved rather to attempt business on his own account. In 1809,
-therefore, he started in a little room in Paternoster Row, sub-rented
-from the landlord--a friendly barber. On his small front room he wrote
-his name, “Thomas Kelly,” and by way of advertising his change of
-position, he generally stood downstairs in the common doorway. To all
-the “Row” Hogg’s able assistant had been known simply as “Thomas,” and
-one old acquaintance actually asked him, “Well, Thomas, who is this
-Kelly that you have taken up with?”
-
-For the first two years his operations were confined solely to the
-purchase and sale of miscellaneous books on a small scale, and the
-limited experiment proved successful. Of “Buchan’s Domestic Medicine”
-he bought one thousand copies in sheets at a low price, and, having
-prefixed a short memoir of the author, and divided them into numbers
-or parts, he went out himself in quest of subscribers; and a thousand
-copies of the “New Week’s Preparation” were treated in a like manner
-and with similar success. Henceforth he resolved to print at his own
-risk, always adopting the sectional method, and working his books, from
-first to last, entirely through the hands of his own agents, and the
-profit he found in this scheme depended almost entirely upon the happy
-knowledge he possessed of human character, and the cautious foresight
-with which he was able to select his canvassers. One of the first works
-he published in this manner was a large Family Bible, edited by J.
-Mallam, Rector of Hilton, afterwards known as “Kelly’s Family Bible.”
-To each of his canvassers he gave stock on credit, worth from twenty
-to one hundred pounds, ready money was insisted on, and this plan
-insured a speedy return of capital. The Bible extended to one hundred
-and seventy-three numbers, and the entire work cost the subscribers
-£5 15_s._, paid, of course, in weekly or monthly driblets; and, as
-80,000 copies were soon sold, the gross receipts must have reached
-£460,000. Nearly half this sum, however, went in the agents’ allowances
-for canvassing and delivery. The paper duty alone on this one work was
-estimated at upwards of £20,000. To this Bible succeeded “The Life of
-Christ,” “Foxe’s Martyrs,” and the “History of England,” all in folio,
-with copper-plate embellishments; and “Hervey’s Meditations,” “Bunyan’s
-Pilgrim’s Progress,” and various other popular works, in octavo.
-
-Six months after he had left his former situation, Hogg died, and the
-son soon fell into difficulties, and was obliged to relinquish the
-business, which Kelly immediately purchased, speedily adding to it the
-trade of Cooke, the owner of No. 17, and thus uniting the two concerns
-into one.
-
-About the year 1814 the system of printing books from stereotype plates
-began to be very generally adopted for large editions, and Kelly at
-once saw its advantages, but, of course, as in all improvements, the
-trade set themselves against the innovation, and he had to purchase
-land at Merton, and erect a foundry of his own, and then, and not till
-then, the printers relinquished their opposition, and the building was
-abandoned. It was about this time, in March, 1815, that he very nearly
-lost a moiety of his fortune through fire. Luckily, upon the outbreak
-of a fire in the neighbourhood a few days before, he had been alarmed,
-and had gone straightway to the office of the Phœnix Company, and paid
-a deposit on the insurance. Before the policy was made out, the whole
-of his stock was destroyed, but the Phœnix Company paid up without an
-hour’s delay, and, in return, he never cancelled a single policy with
-them until this sum had been reimbursed. How largely Kelly traded may
-be gathered from the fact that from one of his agents alone he often
-received from £4000 to £5000 per annum.
-
-To revert for a moment to his private life; his father had died in
-1810, when the bookseller was still a struggling man, but, in spite of
-his difficulties, he paid at once the amount of his father’s debts;
-and brought his mother up to Wimbledon, where she lived to see her son
-a wealthy and prosperous man. To his old master’s widow he generously
-allowed an annuity, and even aided young Hogg, who had pursued him with
-inveterate hatred, with the loan of £600. He never married. When little
-known he saved a member of the Court of Aldermen from bankruptcy by
-an advance of £4000, and he was always ready to lend out his money to
-those in trouble. But once, when asked to give his acceptance to ten
-or twelve thousand pounds worth of bills--in these terms, “Will you,
-for once in your life, do a good action, and oblige me?”--he thought
-himself perfectly justified in refusing, and soon after the acceptor of
-these bills failed. In 1823 he was elected into the Common Council of
-his ward; in 1825 he served as Sheriff with Mr. Alderman Crowder, on
-whose death he succeeded to the Alderman’s gown of Farringdon Without.
-He always lamented his want of a systematic education, and late in life
-he endeavoured, in some way, to supply the place of it by experience
-gathered from foreign travel.
-
-Notwithstanding his immense issues of costly books, he exercised the
-most watchful prudence. “Books,” he says, “generally, printed in the
-ordinary way, only sell 500 or 1000 copies, and periodical publications
-would be ruinous. Nothing but a vast sale will prove remunerative,”
-and this “vast sale” he certainly effected in almost every instance.
-He published twelve separate issues of the Bible, and disposed of,
-probably, not less than 250,000 copies. The following is a list of
-his more important works:--“History of the French Revolution,” 20,000
-copies at £4; “Hume’s England,” 5,000, at £4 18_s._; “The Gazetteer,”
-4,000, at £4 10_s._; “The Oxford Encyclopædia,” 4,000 at £6 (and the
-£24,000 only barely covered the original outlay); “The Geography,”
-30,000 at £4 4_s._; and the “Architectural Works,” 50,000, at an
-average of £1 13_s._ To these may be added “The Life of Christ,”
-of which, in folio and quarto, not fewer than 100,000 copies were
-distributed, at prices varying from £1 1_s._ to £2. No wonder, with
-figures like these (for which we are indebted to Mr. Fell’s volume),
-that the trade objected to this method of transacting business, but the
-difference was confined merely to business relations, for every one of
-the numerous booksellers in the Ward signed the request asking him to
-stand as Alderman.
-
-In 1836 he received the highest honour to which a citizen of London
-can aspire, for he was elected Lord Mayor. His year of office was a
-memorable one, and the first entertainment of Queen Victoria occurred
-on the very day of his retirement from office, and thus he narrowly
-escaped the honour of a baronetcy, for he had the good sense to decline
-the requisition to stand a second time.
-
-His appearance in his robes of office is thus described by M. Titus
-Perondi, a French traveller:--“The new Lord Mayor appeared in a gilded
-chariot, almost as grand as the King’s, drawn by six bay horses,
-richly caparisoned.... He does not seem to be more than sixty-two years
-of age, and his figure, slight as it is, is still imposing--for the
-flowing wig and ermine mantle, which encircled all his person, added
-not a little to the dignity of his presence.... A thriving bookseller,
-yet a perfectly honest man, and very charitable.” The last sentence is
-an admirable summary of his character.
-
-The attainment of this honour terminated his commercial and public
-life, for after this date he relinquished, in a great degree, his
-business cares; but to an extreme old age he retained his faculties,
-and he retained also his habits of quiet and discriminating charity,
-doing good by stealth, and blushing to find it known. On the 20th
-October, 1854, he paid his last visit to his parent’s grave, and was
-there heard to murmur, “How very happy I am.” His failing health
-compelled him to visit Margate, and here, on the 7th of September,
-1855, he died in a ripe old age. A letter, written just before his
-death, evidently betrays a lingering fondness for early childish
-days:--“We are surrounded by fields of fully-ripening corn--some cut,
-some cutting,” babbling, like Falstaff, of green fields, till the sixty
-years of town life were forgotten.
-
-Thomas Kelly was one of those men of whom the London citizens are
-so proud--men who come to the mighty centre of commerce utterly
-friendless, and worse still, penniless, and whom industry, labour, and
-good fortune exalt to the very pinnacle of a good citizen’s fondest
-dreams. But he was more than a Lord Mayor--he was a true friend; he was
-a loving, dutiful, and tender son--qualities not always insured even by
-commercial success.
-
-Mr. George Virtue was another of those men of whom, in this history, we
-have had not a few examples, who, beginning life without any fictitious
-advantages, have made success their goal, and, in attaining it, have
-not only amassed princely fortunes for themselves and their families,
-but have opened up new branches of industry, and have afforded
-employment to hundreds whose bread depends upon their daily labours.
-
-His father was a native of Fogo, in Berwickshire, who first at
-Coldstream, and afterwards at Wooler, in Northumberland, let out for
-hire carts and carters to the neighbouring farmers. In the year 1793,
-his second son, George, was born at Coldstream, and there and at
-Wooler, he passed the early years of his boyhood. In 1810, his father
-met with an accident, which caused him to relinquish the business he
-had hitherto been engaged in. His eldest son, James, who had a good
-engagement in London, gave up his employment and hastened home, and
-removing with the family to Coldstream, commenced business there as a
-mason, taking his brother George as an apprentice.
-
-Mrs. Somerton, their married sister, had a large house, near the Houses
-of Parliament, in London, which she let out, much on the plan of the
-club-chambers of the present day. George had come up to London, partly
-on business, partly on a visit to his sister, and not wishing to return
-to the North, he made an arrangement to remain with Mrs. Somerton.
-
-The house was chiefly frequented by members of Parliament and men in
-the higher grades of life; and one of the former, who had taken a
-fancy to George Virtue, asked him what he would like to be. George at
-once replied, “A bookseller,” and his patron assisted him in stocking
-a shop in the neighbourhood. This was about the year 1820. At first
-his trade consisted entirely in the retail business, but by degrees
-he was able to purchase entire remainders of that distinct class of
-religious publications which were then sold chiefly in numbers. These
-he re-issued; and as he did his own canvassing, no zeal was wanting
-in the service, and his success was by no means indifferent. Once
-established, he was able to canvass for the books of other publishers;
-and on the 15th July, 1821, the first number of a work was published,
-which took the town by storm. Whether Mr. Virtue’s canvassing powers
-were acknowledged by the trade at this early period, or whether his
-peculiar class of customers was considered as most amenable to the work
-in question, we know not, but he was given an interest of one kind
-or another, either as part proprietor or as a purchaser on unusually
-liberal terms in the famous “Life in London; or, the Adventures of Tom
-and Jerry,” issued by Sherwood, Neeley, and Jones, of Paternoster Row.
-The book was written by Pierce Egan, afterwards the founder of _Bell’s
-Life_.
-
-Works describing country sports and pastimes had proved so acceptable
-that it was imagined that a volume issued in numbers, setting forth
-the humours of town life would be equally taking. The illustrations
-by J. R. and George Cruikshank proved irresistible. The work was so
-successful that innumerable imitations appeared, one of which (“Shade
-of Lackington!”) was published by Jones and Co., who occupied his
-former place of business, the “Temple of the Muses” in Finsbury Square.
-There was absolutely a _furore_ for the work. Dibdin, Barryman, Farell,
-Douglas Jerrold, Moncrieff, and others adapted it for the stage. It was
-on the boards of ten theatres at one time; and at the Adelphi, where
-Moncrieff’s adaptation was produced, it enjoyed the then unparalleled
-run of three hundred nights. At last, Pierce Egan, declaring that no
-less than sixty-five separate publications had been derived from his
-work, brought forward his own characteristic version, which, however,
-proved a failure.
-
-All the world bought “Tom and Jerry,” and having roared over the
-plates, tossed them not unnaturally aside; so that a work, which, in
-popularity, had been the “Pickwick” of its day, became so wonderfully
-scarce that when Mr. Thackeray, with whom it had been an early
-favourite, wanted a copy for a review he was writing upon Mr. George
-Cruikshank’s works, he applied at all the libraries, including the
-British Museum, in vain. The work was advertised for in the _Times_
-with like result, and he had to depend upon his memory for his
-description. However, twenty years after, when he wished to make it
-the subject of one of the most charming of the “Roundabout Papers,” he
-found that it had been added to the Museum Library.
-
-It was, however, with the contemporary popularity that Mr. Virtue was
-concerned, and by it his business was largely increased.
-
-In 1831, his affairs warranted an important move to the vicinity of
-Paternoster Row, and about this time he married a Miss Sprent, a
-lady from Manchester. From his new abode the works which he at first
-issued were of much the same stamp as those which Messrs. Kelly, Hogg,
-and Cooke had previously spread abroad; but he soon struck out into
-a higher class of literature. His first very successful book was “A
-Guide to Family Devotion,” by Dr. Alexander Fletcher. The work was
-undertaken by Mr. Virtue, as Dr. Fletcher says, “at great expense
-and some hazard, during the years 1833-1834.” The volume contained
-730 prayers, 730 hymns, and 730 selected passages of Scripture,
-suitable for Morning and Evening Service, throughout the year, and
-was illustrated by engravings by the best artists. The popularity it
-achieved was enormous: thirty editions of a thousand each were soon
-issued, and, as the _Times_ said, “30,000 copies of a book of Common
-Prayer, recommended by twenty-five distinguished ministers, cannot be
-dispersed throughout England without effecting some change in the minds
-of probably 200,000 persons.”
-
-In America, the “Guide to Family Devotion” was as successful as at
-home, and upwards of one hundred ministers there sent in testimonials
-to its worth. By 1850, the sale is said to have exceeded 50,000 copies.
-
-Mr. Virtue, about this time, entered into an engagement with W. Henry
-Bartlett, who, pencil in hand, travelled over the four quarters of the
-globe, making sketches, which that enterprising publisher issued in
-volumes, illustrated with beautiful steel engravings and descriptive
-letterpress. The first of these was “Switzerland,” published in 1835,
-in two quarto volumes. This was followed by Scotland, Palestine, the
-Nile, and America. Of the Switzerland, 20,000 copies were sold; and in
-the production of the two volumes on Scotland, upwards of one thousand
-persons were employed at a cost of £40,000. The number of engraved
-plates in these volumes amounted to a thousand.
-
-When Mr. Virtue commenced these illustrated volumes, the Fine Art
-tastes of the public were in a very uneducated condition; but,
-selecting the best artists and employing the best engravers, he set a
-good example, which was speedily followed by others. In 1839, Messrs.
-Hodgson and Graves had started a cheap periodical devoted to Art, under
-the title of the _Art Union_, intended chiefly as an organ of the
-print trade; but it was not till the year 1849 that this publication
-passed into the hands of Mr. Virtue, who changed the title to the _Art
-Journal_, and devoted it to the development of Fine Art and Industrial
-Art, with illustrations on steel and wood by the first artists of the
-day. The _Art Journal_, it is admitted, has done more than any private
-venture or corporate body to disseminate true ideas of Art in England.
-The _Art Journal_, though among the very earliest of those periodicals
-in which Art was brought to the aid of Literature, still towers proudly
-above all. Since its foundation, the _Art Journal_ has presented the
-public with between eight and nine hundred steel engravings and above
-30,000 engravings on wood.
-
-No less than one hundred illustrated volumes were issued from Mr.
-Virtue’s establishment, and for their production it was found necessary
-to erect a large establishment in the City Road. Almost every engraver
-of any reputation in this country has been employed on one or other of
-Mr. Virtue’s illustrated works. Indeed, had it not been for the field
-of labour opened by the _Art Union_, in their yearly distribution
-of engravings, and for the encouragement held out by Mr. Virtue in
-the production of his illustrated works and the _Art Journal_, it
-is said that the art of line engraving would have quite died out in
-England; and for his services to the public, and, through them, to the
-profession, he is certainly entitled to be regarded as the first Art
-publisher of his time.
-
-To go to a very different branch of his business, Mr. Virtue was not
-idle in the production of any book likely to win the favour of the
-public. In 1847, Dr. Cumming, then widely known as a preacher only,
-delivered a series of lectures at Exeter Hall upon the Apocalypse,
-which riveted public attention. He was urged by his friends to publish
-the lectures upon their completion, and said that he would be willing
-to do so, if he was sure that the proceeds would suffice to pay for
-putting up stained glass windows in his church. Mr. Virtue heard this,
-ascertained the value of the windows, and offered their outside cost
-down in hard cash in exchange for the copyright. Dr. Cumming eagerly
-accepted the offer, and by the “Apocalyptic Sketches” the publisher
-realized the handsome sum of four thousand pounds. He afterwards made
-the author a present of a hundred pounds, and engaged him to write a
-continuation, at an honorarium of five pounds per sheet of thirty-two
-pages, which eventually proved to be equally successful.
-
-Many years before his death, Mr. George Virtue parted with the business
-to his son, Mr. James Sprent Virtue, the present head of the firm.
-
-On the 8th December, 1868, George Virtue, senior, died in his
-seventy-sixth year, having earned the respect of all the hundreds
-to whom he afforded employment, and of the outside world; for all
-recognised that integrity and strict justice to his _employés_ was
-a main cause of his success, while his prosperity had been aided by
-thorough business habits and intense application to his duties.
-
-He had been one of the representatives of the ward of Farringdon
-Without in the Common Council of the City of London for many years, and
-was held in the highest esteem by his fellow-citizens. It was in his
-civic capacity that he was invited by the Viceroy of Egypt, with other
-members of the Corporation, to pay a visit to that country, an honour
-which his constant attention to his public duties had fully merited in
-selecting him as one of the representatives of the City of London on
-that occasion.
-
-[Illustration]
-
-
-
-
-[Illustration]
-
-
-
-
-_THOMAS TEGG_:
-
-BOOK-AUCTIONEERING AND THE “REMAINDER TRADE.”
-
-
-Thomas Tegg[28] was born at Wimbledon, in Surrey, on the 4th of
-March, 1776. His father was a grocer, who not only was successful in
-business, but “wore a large wig,” was a Latin scholar, and something
-of a mathematician; he died, however, when his son was only five years
-old, and was speedily followed by his wife, and the poor little lad
-“found it to be a dreadful thing when sorrow first takes hold of an
-orphan’s heart.” For the sake of economy, he was sent to Galashiels, in
-Selkirkshire, where he was boarded, lodged, clothed, and educated for
-ten guineas per annum. This severance from all home ties was at first
-more than the little orphan could bear, and many a time, he tells us,
-did he steal off to the quiet banks of the Tweed, and cry himself to
-sleep in his loneliness. A scrap of paper, which had been given him
-before leaving home, bearing the magic word “London,” was carefully
-treasured in all his wanderings, and in the associations it called
-up, in the hopes it excited in all his wondering, childish dreams,
-proved a soothing solace to his troubles. His schoolmaster, too, was a
-kind-hearted man, who made a point of studying each boy’s individual
-character, and of educating each for his individual calling. Ruling by
-“kindness rather than by flagellation,” he frequently took his pupils
-for country rambles, and taught them lessons out of the great book
-of Nature. Nor was he wholly forgotten by his relatives, for we read
-that he was sent a parcel of tea--then a wonderful luxury. After much
-consultation as to the best method of cooking the delicacy, one-half
-of it was boiled in the “big pot,” the liquor strained off and the
-leaves served up as greens; “but,” he adds, “it was not eaten.” After
-staying at Galashiels for four years, he was given the choice of being
-apprenticed either to a saddler or a bookseller; and his fondness for
-books, and the desire already formed of being at some time a bookseller
-in the London he pictured to himself every night in his dreams, led him
-at once to select the latter alternative. His dominie at parting, gave
-him a copy of “Dr. Franklin’s Life and Essays,” a book he treasured in
-all times of prosperity and adversity, and kept to the day of his death.
-
-On a cold, raw morning in September, he started on foot for Dalkeith,
-with only sixpence in his pocket; some friendly farmers on the road
-gave him a lift in their cart, and in his gratitude he confided to them
-his boyish hopes of being by-and-by a great book-merchant in London. At
-Dalkeith he was bound apprentice to Alexander Meggett, a bookseller,
-and “from this humble origin,” says Tegg, proudly, “I, who am now one
-of the chief booksellers in London, have risen.” His master, kindness
-itself before the indentures were signed, turned out to be “a tyrant as
-well as an infidel.” “Every market-day he got drunk and came home and
-beat the whole of us. Once I said, ‘I have done nothing to deserve a
-beating.’ ‘Young English rascal,’ said he, ‘you may want it when I am
-too busy, so I will give it to you now.’” Tegg’s fellow-apprentice had,
-like him, an ambition, but it was to become the first whistler in the
-kingdom.
-
-Tegg’s apprenticeship had by this time become intolerable, and, as he
-had been latterly engaged in reading “Robinson Crusoe” and “Roderick
-Random,” he resolved to run away and lead an adventurous life himself.
-Though it was in the depth of winter, he travelled along on foot,
-sleeping sometimes under hedges laden with hoar-frost. But soon his
-little hoarding of ten shillings was exhausted; at Berwick, therefore,
-he tried to make a livelihood by selling chap-books, but was recognised
-for a runaway apprentice and had again to fly. At this period he tells
-us he found out the utility of pawnbrokers’ shops, and discovered,
-also, the value of small sums. “He who has felt the want of a penny is
-never likely to dissipate a pound.” Another lesson, too, he gathered
-from his wanderings, which was always when in trouble to apply to a
-woman. “Never,” he says, “did I plead to a woman in vain.” At Newcastle
-he made the acquaintance of Bewick, the engraver; there he might have
-remained, but his heart was set upon reaching London. At Sheffield he
-was seized by the parish officer for travelling on Sunday, but when
-he told his story the severity of Bumbledom itself relented, and the
-beadle found him a home, and even paid the requisite eighteenpence a
-week which defrayed the cost of lodging, bread-making, and a weekly
-clean shirt. Here he was engaged by Mr. Gale, the proprietor of the
-_Sheffield Register_, at seven shillings a week, a wretched pittance,
-but sufficient for his small wants, even enabling him to purchase
-new clothes. At the _Register_ office he met some men of note, among
-others, Tom Paine and Dibdin. Paine was “a tall, thin, ill-looking
-man. He had a fiend-like countenance, and frequently indulged in oaths
-and blasphemy.” After a nine months’ sojourn, Tegg left Sheffield, and
-having visited Ireland and North Wales, entered the service of a Mr.
-Marshall, at Lynn, where he remained for three or four years.
-
-Early in 1796, however, he mounted the London and Cambridge coach, and,
-with a few shillings in his pockets, with a light heart in his breast,
-he bade good-bye to friends, telling them that he would never come back
-till he could drive down in his carriage.
-
-On the coach he met some other young men, who, like himself, were going
-up to London in search of employment, but who intended to spend the
-first few days in sight-seeing, and asked him to join their party.
-But Tegg resisted the temptation, and when London, the London of his
-dreams--but how black, smoke-filled, and inhospitable!--was really
-reached, he alighted at the Green Dragon in Bishopsgate Street, and,
-struggling through the busy stream of men who filled the city streets,
-he went straightway in search of employment, to the first book-shop
-that met his eyes. This happened to be Mr. Lane’s “Minerva Library,” in
-Leadenhall Street. “What can you do?” asked Lane. “My best,” rejoined
-Tegg. “Do you wear an apron?” Tegg produced one and tied it on. “Go
-to work,” said Lane, and thus, “in less than half-an-hour from my
-arrival, I was at work in one of the best houses in London.” Early next
-morning, map in hand, he took an exploring walk, and was astonished
-and delighted with all he saw, for to the young bookseller, with his
-mind wrapt up entirely in his projects of success, the perpetual rush
-of unknown faces--that he had never seen before, would never see
-again--the jostling eagerness of crowds, going incessantly this way
-and that, the noisy din of carts and carriages, the vastness of the
-buildings, and the vagueness of the never-ending streets, did not
-bring that feeling of utter loneliness which so many of us remember in
-our first solitary entry into London. Nor was the country lad to be
-beguiled by any of the myriad temptations that were ready on all sides
-to divide his attention from his business. “I resolved,” he writes, “to
-visit a place of worship every Sunday, and to read no loose or infidel
-books; that I would frequent no public-houses, that I would devote
-my leisure to profitable studies, that I would form no friendships
-till I knew the parties well, and that I would not go to any theatre
-till my reason fortified me against my passions.” This perseverance
-did not immediately meet with its deserved reward, for having been
-sent, with the other shopmen, to make an affidavit as to the numbers
-of an election bill that had been struck off, before the Lord Mayor,
-he said boldly, that he did not even know that they had been printed;
-the Lord Mayor was pleased with the answer, and censured Lane severely
-for tempting the boy to commit a perjury; and Lane, in his rage,
-dismissed him forthwith. Tegg walked out of the shop, down-hearted for
-the moment, perhaps, but self-possessed and reliant, and entering the
-shop of John and Arthur Arch, at the corner of Gracechurch Street,
-the kindly Quakers took him at once into their employ, and here he
-stayed until entering into business on his own account. His new masters
-were strict but affectionate. He soon asks for a holiday, “We have no
-objection, but where art thou going, Thomas?” “To Greenwich fair, sir.”
-“Then we think thou hadst better not go. Thou wilt lose half a day’s
-wages. Thou wilt spend at least the amount of two days’ wages more, and
-thou wilt get into bad company.” At two, however, he was told he might
-go; but as soon as he reached London Bridge his heart smote him, and
-he returned. “Why, Thomas, is this thee? Thou art a prudent lad.” And
-when Saturday came, his masters added a guinea to his weekly wages as
-a present. From this, Tegg says, he himself learnt to be a kind though
-strict master, and during his fifty years of business life, he never
-used a harsh word to a servant, and dismissed but three.
-
-Having received £200 from the wreck of the family prospects, Tegg
-took a shop, in partnership with a Mr. Dewick, in Aldersgate Street,
-and became a “bookmaker” as well as a bookseller; and his first book,
-the “Complete Confectioner,” though it contained only one hundred
-lines of original matter, reached a second edition. After a short
-time he indulged in a tour to Scotland, where he found that his old
-schoolmaster had died from the effects of an amputation; and in
-this same journey he honestly bought up the unlapsed time of his
-apprenticeship. On returning to London he re-entered the service of
-the Messrs. Arch, and took unto himself a wife. The story of his
-courtship is pleasantly and naïvely told. Coming down the stairs
-of his new lodgings, “I was met by a good-looking, fresh-coloured,
-sweet-countenanced country girl; and without thinking of the
-impropriety I ventured to wink as she passed. On looking up the stairs,
-I saw my fair one peeping through the balusters at me. I was soon on
-speaking terms with her, and told her I wanted a wife, and bade her
-look out for one for me; but if she failed in the search she must take
-the office herself. After waiting a short time, no return being made, I
-acted on this agreement. Young and foolish both, we were married at St.
-Bride’s church, April 20, 1800.... I was most happy in my choice, and
-cannot write in adequate terms of my dear partner, who possesses four
-qualities seldom found in one woman--good nature, sound sense, beauty,
-and prudence.”
-
-After his marriage, he again opened a shop in St. John’s Street,
-Clerkenwell, and here he “wrote all night and worked all day,” while
-his partner was drinking himself to death. His wife was ill, two of the
-children died, and the future looked terribly gloomy; for a “supposed
-friend” prevailed upon him to discount a bill for £172 14_s._ 9_d._ out
-of his little capital of two hundred pounds, and the bill, of course,
-turned out to be utterly worthless. In this strait he acted with much
-energy, dissolved his partnership, called a meeting of his creditors,
-and found a friend who nobly came forward as a security; and he left
-his home, declaring he would never return until he could pay the
-uttermost farthing. “God,” he writes solemnly, “never forsook me. A man
-may lose his property and yet not be ruined; peace and pride of heart
-may be more than equivalents.”
-
-Tegg now took out a country auction licence, and determined to try his
-fortune in the provinces.
-
-A few words on the book-auction trade may have a passing interest here.
-According to Dibdin, the first book auction of which we have any record
-in England occurred in 1676, when Cooper, the bookseller, prefixed the
-following address to his catalogue:--“Reader, it hath not been usual
-here in England to make sale of books by way of auction, or who will
-give most for them; but it having been practised in other countries,
-to the great advantage of both buyers and sellers, it was therefore
-conceived (for the encouragement of learning) to publish the sale of
-those books in this manner of way.” The innovation was successful.
-Cooper established a reputation as a book-auctioneer, and in London
-such sales became common. In a few years we read of the practice being
-extended to Scotland, and to the larger towns in England, such as Leeds
-and York. John Dunton, with his usual versatility, took over a cargo of
-books to sell at Dublin, and after that date attendance at the country
-fairs with books to sell by auction became quite a distinct branch
-among the London booksellers. The leading auctioneer in Dunton’s time
-was Edward Millington. “He had a quick wit and a wonderful fluency
-of speech. There was usually as much wit in his ‘One, two, three!’
-as can be met with in a modern play. ‘Where,’ said Millington, ‘is
-your generous flame for learning? Who but a sot or a blockhead would
-have money in his pocket, and starve his brains?’” At this time it
-appears that bids of one penny were very commonly offered and accepted.
-Book-auctioneering soon became a distinct trade altogether, and
-required not only much fluency of speech and power of persuasion,
-but a very exact knowledge of the science of bibliography. For this
-latter speciality Samuel Paterson, of King Street, Covent Garden, was
-particularly famous. Perhaps no bookseller ever lived who knew so
-much about the contents of the books he sold. When, in compiling his
-catalogues, he met with an unknown book he would sit perusing it for
-hours, utterly unmindful of the time of sale, and oblivious of the
-efforts of his clerk to call his attention to the lateness of the time.
-Baker, Leigh, and Sotheby, all of York Street, Covent Garden, were also
-eminent in this branch of the trade; but the prince of book-auctioneers
-was James Christie, whose powers of persuasion were rendered doubly
-effective by a quiet, easy flow of conversation, and a gentle
-refinement of manners. At the close of the century, the booksellers’
-trade sales were held at the Horn Tavern, in Doctors’ Commons, and were
-preceded by a luxurious dinner, when the bottle and the jest went round
-merrily, and the competition was heightened by wine and laughter.
-
-Tegg, to retake the thread of our story after this digression, started
-with a very poor stock, consisting of shilling political pamphlets,
-and some thousands of the _Monthly Visitor_. At Worcester, however, he
-purchased a parcel of books from a clergyman for ten pounds, but when
-the time for payment arrived the good man refused to accept anything.
-At Worcester, too, it was that he held his first auction. “With a
-beating heart I mounted the rostrum. The room was crowded. I took £30
-that first night, and in a few days a knife and fork was provided for
-me at many of the houses of my customers. God helps those, I thought,
-who help themselves.” With his wife acting as clerk, he travelled
-through the country, buying up the duplicates at all the gentlemen’s
-libraries he could hear of, and rapidly paying off his debts. This
-led him to return to his shop in Cheapside, but his ardent desire
-for advancement involved him again in difficulties. “One day I was
-called from the shop three times by the sheriff’s officers (a few
-years afterwards I paid a fine of £400 to be excused serving sheriff
-myself). Bailiffs are not always iron-hearted. I have met with very
-kind officers; some have taken my word for debt and costs, and one lent
-me the money to pay both” (O rare bum-bailiff! why is not thy name
-recorded?).
-
-Still Tegg was making gradual way, in spite of occasional difficulties
-which again led him to the pawnshops, but with more precious pledges
-than when at Berwick he asked a rosy-cheeked Irish girl how he might
-best raise money on a silk handkerchief, for now his watch and spoons
-could accommodate him, when needful, with fifty pounds. About this
-time one of the most interesting episodes of his life was commenced.
-He had purchased a hundred pounds’ worth of books from Mr. Hunt, who,
-hearing of his struggles, bade him to pay for them when he pleased.
-Tegg, in the fulness of his gratitude, told him that should he, in
-his turn, ever need aid he should have it; but the wealthy bookseller
-smiled at the young struggler’s evident simplicity. We will tell the
-rest of the story in Tegg’s own words. “Thirty years after, I was in
-my counting-house, when Mr. Hunt, with a queer-looking companion, came
-in and reminded me of my promise. He was under arrest, and must go to
-prison unless I would be his bail. I acknowledged the obligation, but
-I would first take my wife’s opinion. ‘Yes, my dear, by all means
-help Mr. Hunt,’ was her answer. ‘He aided us in trouble; you can do no
-less for him.’ Next morning I found I had become his surety for thirty
-thousand pounds. I was sharply questioned in court as to my means, and,
-rubbing his hands together, Mr. Barrister remarked that Book-selling
-must be a fine trade, and wished he had been brought up to it. I
-answered, ‘The result did not depend on the trade, but on the man;
-for instance, if I had been a lawyer I would not have remained half
-this time in your situation--I would have occupied a seat with their
-lordships.’ There was a laugh in court, and the judge said, ‘You may
-stand down.’”
-
-When success first really dawned, Tegg began to feel poignantly the
-want of a more complete education; however, he determined to employ
-the powers he possessed as best he could. His earliest publications
-consisted of a series of pamphlets, printed in duodecimo, with
-frontispieces, containing abridgments of popular works; and the series
-extended to two hundred, many of them circulating to the extent of
-4000 copies. As an instance of his business energy, we may cite the
-following:--Tegg heard one morning from a friend that Nelson had been
-shot at Trafalgar. He set an engraver to work instantly on a portrait
-of the hero, purchased the _Naval Chronicle_, found ample material for
-a biography; and, in a few hours, “The Whole Life of Nelson” was ready
-for the press. Such timely assiduity was rewarded by a sale of 5000
-sixpenny copies. On another occasion, when on a summer jaunt to Windsor
-with a friend, it was jocularly resolved that, as they had come to
-see the king, they ought to make his Majesty pay the expenses of the
-trip. Tegg suggested a Life of Mrs. Mary Anne Clarke, with a coloured
-portrait. 13,000 copies were sold at seven-and-sixpence each; and, as
-he observes, the “bill was probably liquidated.”
-
-Among his other cheap books were--“Tegg’s Chronology,” “Philip Quail,”
-and--perhaps the most successful and useful of all--a diamond edition
-of “Johnson’s Dictionary,” published when the original edition was
-selling at five guineas.
-
-In 1824 he purchased the copyright of Hone’s “Every-Day Book” and
-“Table Book;” republished the whole in weekly parts, and cleared a very
-large profit.
-
- “I like you and your book, ingenious Hone!
- In whose capacious, all-embracing leaves
- The very marrow of traditions shown,
- And all that History, much that Fiction weaves.”
-
-So sang Charles Lamb; and Southey says of these two delightful
-works:--“The ‘Every-Day Book’ and ‘Table Book’ will be a fortune a
-hundred years hence, but they have failed to make Hone’s fortunes.”
-However, Tegg gave him five hundred pounds to compile the “Year Book,”
-which proved much less successful than the others.
-
-Hone had been a bookseller in the Strand, where he probably acquired
-his miscellaneous stock of quaint knowledge about old English customs,
-and all that appertained to a race fast dying out. After the famous
-trial, in which his “Parodies” were charged as being “blasphemy,” he
-immediately stopped the sale of them; and, though at that time in
-urgent need of money, he resolutely refused tempting offers for copies.
-“The story of my three-days’ trial at Guildhall,” he writes, “may be
-dug out from the journals of the period; the history of my mind, my
-heart, my scepticism, and my atheism remain to be written.” It is
-said that he was first awakened to a better way of thinking, in the
-following manner:--One day, walking in the country, he saw a little
-girl standing at a doorway, and stopped to ask her for a drink of milk;
-and, observing a book in her hand, he inquired what it was. She said it
-was a Bible; and, in reply to some depreciatory remark of his, added,
-in her simple wonder--“I thought everybody loved their Bible, sir!”
-
-By this time Tegg was thriving;--he bought his first great-coat, and
-the first silk pelisse for his wife, and was able to make a rule
-of paying in cash, which he found an immense advantage. The book
-auctions, continued nightly at 111, Cheapside, formed the immediate
-stepping-stone to his wealth. He visited all the trade sales, and
-bought up the “remainders,” _i.e._, surplus copies of works in which
-the original publishers had no faith;--“I was,” he writes, “the
-broom that swept the booksellers’ warehouses.” At one of the dinners
-preceding these trade sales, he heard Alderman Cadell give the then
-famous toast--“The Bookseller’s four B’s”--Burns, Blair, Buchan, and
-Blackstone. In the auctioneer’s rostrum he was very lively and amusing,
-and the room became well known all over London. At one of the last
-sales, a gentleman who purchased a book asked if “he ever left off
-selling for a single night?” Fifteen years before, on his road to the
-dock to embark for Calcutta, he found Tegg busy, and as busy still on
-his return. “If ever man was devoted to his profession, I am that man,”
-says Tegg; and again--“I feel that my moral courage is sufficient to
-carry out anything I resolve to accomplish.”
-
-Now that his own publications were proving very lucrative, Tegg
-resolved to abandon the auctioneering portion of the business, and
-confine himself to the more legitimate trade; and, at his last sale,
-he took upwards of eighty pounds. The purchase and sale of remainders,
-however, still formed a very important branch of his traffic.
-
-About this time he took another journey to Scotland, and had an
-interview with Sir Walter Scott, who had, he says, “nothing in his
-manner or conversation to impress a visitor with his greatness.”
-Immediately on his return he made his final remove to the Mansion
-House, Cheapside--once the residence of the Lord Mayor--and the annual
-current of sales rose in the proportion of from eighteen to twenty-two.
-Now a popular as well as a wealthy man, he was elected a Common
-Councillor of the Ward of Cheap, took a country house at Norwood, with
-a beautiful garden attached--“though I scarcely knew a rose from a
-rhododendron”--and set up a carriage.
-
-It was, of course, from the Mansion House that his well-known
-publications were dated. In 1825, the year after the purchase of the
-“Table Book,” he published the “London Encyclopædia;” it was a time of
-great financial difficulty (as we have, indeed, seen in almost all our
-lives of contemporary publishers); his bills were dishonoured to the
-extent of twenty thousand pounds; and the work was began solely to give
-employment to those who had been faithful in more prosperous years. The
-public, however, supported the undertaking, and Tegg was rewarded for
-his courage.
-
-The time of the panic, in 1826, was a season of severe trial, in
-domestic as well as pecuniary matters; and Tegg, though he maintained
-that few men were ever insolvent through mere misfortune, began to
-fear that despondency would deprive him of his reason. And now it was
-that he appreciated more than ever the brave qualities of his wife,
-who roused and manned him again to the struggle; till, in the end, he
-became a gainer rather than a loser by the crisis, for the best books
-were then sold as almost worthless; and at Hurst and Robinson’s sale he
-purchased the most popular of Scott’s novels at fourpence a volume.
-
-Among his other great “remainder” bargains we may mention the purchase
-of the remainder and copyright of “Murray’s Family Library” in 1834.
-He bought 100,000 volumes at one shilling, and reissued them at more
-than double the price. His greatest triumph of all was, however, the
-acquisition of “Valpy’s Delphin Classics,” in one hundred and sixty-two
-large octavo volumes, the stock amounting to nearly fifty thousand
-copies, the whole of which were sold off in two years.
-
-To return to his own publications, we find that, up to the close of
-1840, he had issued four thousand works on his own account, and “not
-more than twenty were failures.”
-
-Tegg’s reputation as a bookseller chiefly rests upon his cheap reprints
-and abridgments of popular works; and, in connection with these, his
-name is mentioned in Mr. Carlyle’s famous petition on the Copyright
-Bill. Though we have failed to ascertain to what general or particular
-works Mr. Carlyle refers, the petition is of such curious interest
-to all concerned in the writing and selling of books, that we do not
-hesitate to quote it in extenso[29]:--
-
- “To the honourable the Commons of England, in Parliament
- assembled, the Petition of Thomas Carlyle, a Writer of Books,
-
- “Humbly sheweth,
-
- “That your petitioner has written certain books, being incited
- thereto by various innocent or laudable considerations, chiefly
- by the thought that the said books might in the end be found to
- be worth something.
-
- “That your petitioner had not the happiness to receive from
- Mr. Tegg, or any Publisher, Re-publisher, Printer, Book-buyer,
- or other the like men, or body of men, any encouragement or
- countenance in the writing of said books, or to discern any
- chance of receiving such; but wrote them by effort of his own
- will, and the favour of Heaven.
-
- “That all useful labour is worthy of recompense; that all
- honest labour is worthy of the chance of recompense; that the
- giving and assuring to each man what recompense his labour
- has actually merited, may be said to be the business of
- all Legislation, Polity, Government and social arrangement
- whatsoever among men;--a business indispensable to attempt,
- impossible to accomplish accurately, difficult to accomplish
- without inaccuracies that become enormous, insupportable, and
- the Parent of Social Confusion which never altogether end.
-
- “That your petitioner does not undertake to say what recompense
- in money this labour of his may deserve; whether it deserves
- any recompense in money, or whether money in any quantity could
- hire him to do the like.
-
- “That this labour has found hitherto in money, or money’s
- worth, small recompense or none; but thinks that, if so,
- it will be at a distant time, when he, the labourer, will
- probably be no longer in need of money, and those dear to him
- will still be in need of it.
-
- “That the law does, at least, protect all persons in selling
- the productions of their labour at what they can get for it, in
- all market-places, to all lengths of time. Much more than this
- the law does to many, but so much it does to all, and less than
- this to none.
-
- “That your petitioner cannot discover himself to have done
- unlawfully in this his said labour of writing books, or to have
- become criminal, or to have forfeited the law’s protection
- thereby. Contrariwise, your petitioner believes firmly that he
- is innocent in said labour; that if he be found in the long-run
- to have written a genuine, enduring book, his merit therein,
- and desert towards England and English and other men will be
- considerable, not easily estimated in money; that, on the other
- hand, if his book prove false and ephemeral, he and it will be
- abolished and forgotten, and no harm done.
-
- “That in this manner your petitioner plays no unfair game
- against the world: his stake being life itself, (for the
- penalty is death by starvation), and the world’s stake nothing,
- till it see the die thrown; so that in every case the world
- cannot lose.
-
- “That in the happy and long-doubtful event of the game’s going
- in his favour, your petitioner submits that the small winnings
- thereof do belong to him or his, and that no other man has
- justly either part or lot in them at all, now, henceforth, or
- for ever.
-
- “May it, therefore, please your Honourable House to protect him
- in said happy and long-doubtful event, and (by passing your
- Copyright Bill), forbid all Thomas Teggs, and other extraneous
- persons entirely unconcerned in this adventure of his, to steal
- from him his small winnings, for a space of sixty years, at
- shortest. After sixty years, unless your Honourable House
- provide otherwise, they may begin to steal.
-
- “And your petitioner will ever pray.
- “THOMAS CARLYLE.”
-
-Tegg did not confine his business to these cheap reprints, but issued
-many books which were altogether beyond the popular taste and purse,
-such as “Blackstone,” edited by Price; Smith’s “Wealth of Nations,”
-Burton’s “Anatomy of Melancholy,” Locke’s Works, (in ten volumes),
-Bishop Butler’s Works, and Hooker’s “Ecclesiastical Polity,” &c. Out
-of Dr. Adam Clarke’s “Family Bible” he is said to have made a small
-fortune; the work was stereotyped, and re-issue after re-issue was
-published.
-
-In 1835 he was nominated Alderman of his Ward, but was not elected; in
-the following year he was chosen Sheriff, and paid the fine to escape
-serving, having resolved to forego any further civic distinctions. To
-the usual fine of £400 he added another hundred, and the whole went
-to found a “Tegg Scholarship” at the City of London School, and he
-still further increased the value of the gift by adding thereto a very
-valuable collection of books.
-
-On 21st April, 1845, Thomas Tegg died, after a long and painful
-illness, brought on by over-exertion, mental and physical. His third
-son, Alfred Byron Tegg, a youth of twenty, then studying at Pembroke
-College, Oxford, was so affected by the shock of his father’s death
-that he died almost on receipt of the news, and was buried the same day
-as his father at Wimbledon--Thomas Tegg’s native village.
-
-At the commencement of his autobiography, Tegg says, and the narrative
-bears the veracity of the statement upon every page:--“In sitting down
-to write some account of my past life, I feel as if I were occupied
-in making my will. I feel at a loss to express fully my emotions. I
-write in a grateful spirit. What I have acquired has been acquired by
-industry, patience, and privation,” and he adds elsewhere, “I can say
-in passing through life, whether rich or poor, my spirit never forsook
-me so as to prevent me from rallying again. I have seen and associated
-with all ranks and stations in society. I have lodged with beggars, and
-had the honour of presentation to Royalty. I have been so reduced as to
-plead for assistance, and, by the goodness of Providence, I have been
-able to render it to others.”
-
-He was generally believed to have been the original of Twigg in Hood’s
-“Tylney Hall.”
-
-From the commencement of his career, Tegg made commercial success
-his one aim in life; and with much patience, much endurance, and
-much labour, he achieved it thoroughly, and, in the achieving of it
-honestly, he conferred a great and lasting benefit upon the world;
-for the book merchant holds in his hands the power to do good, or
-to do evil, far beyond any other merchant whatsoever. Rising from a
-humble position in life, he never forgot his early friends, never left
-unrewarded, when possible, his early encouragers and assistants. And
-if he was proud in having thus been the architect of his own fortune
-and position, this pride surely was a less ignoble one than that which
-leads one-half the world to go through life exultantly, with no other
-self-conscious merit than having, by a simple accident, been born in
-wealthier circumstances than the other half.
-
-Tegg left behind him a large family who inherited something of their
-father’s energy and vigour. With his friendly aid and encouragement
-they, many of them, went elsewhere to seek their fortunes--two to
-Australia and two to Dublin; and with native perseverance, with a name
-that was known wherever books were sold and bought, with their father’s
-connection to support them, and their father’s stock to fill their
-shops, they have not failed to reap something of their father’s success.
-
-Thomas Tegg was succeeded in London by his son and late partner, Mr.
-William Tegg, and under his management the business of the house has
-assumed a graver and more staid appearance. In the preface to the
-twelfth edition of Parley’s “Tales about Animals,” Mr. William Tegg
-claims the authorship of the whole series published by him under the
-pseudonyme of “Peter Parley,”[30] a _nom de plume_, we believe, that
-has covered more names than any other ever adopted by English writers.
-
-[Illustration]
-
-
-
-
-[Illustration]
-
-
-
-
-_THOMAS NELSON_:
-
-CHILDREN’S LITERATURE AND “BOOK-MANUFACTURING.”
-
-
-Had we space--we have all the will--to be garrulous, we should
-infallibly have commenced this chapter by a long account of John
-Newberry, the celebrated publisher of children’s literature. His
-books were distinguished by the originality and the homeliness of
-their style, and were wonderfully adapted to the capacities of the
-little readers to whom, in one instance, at all events, “The History
-of Little Goody Two Shoes,” they were specially dedicated: “To all
-young gentlemen and ladies who are good, or intend to be good, this
-book is inscribed, by their old friend, Mr. John Newberry, in St.
-Paul’s Churchyard.” Mr. John Newberry was himself, in many cases, the
-author of these volumes, “price 2_d._, gilt,” which he produced; but
-he was assisted by men who were distinguished in other walks of life,
-especially by Mr. Griffith Jones, editor of the _London Chronicle_, the
-_Daily Advertiser_, and the _Public Ledger_, and by Oliver Goldsmith,
-who makes Dr. Primrose, when sick and penniless at an inn, pay a
-hearty tribute to a traveller who had succoured him. “This person was
-no other than the philanthropic bookseller in St. Paul’s Churchyard,
-who had written so many little books for children: he called himself
-their friend, but he was the friend of all mankind. He was no sooner
-alighted but he was in haste to be gone, for he was ever on business
-of the utmost importance, and was at that time actually compiling
-materials for the history of one, Mr. Thomas Trip.” Newberry purchased
-the copyright of the “Traveller” for twenty guineas, and eventually
-offered a hundred guineas for the “Deserted Village,” which Goldsmith
-wished to return when he found that he was receiving payment at the
-rate of five shillings a line.
-
-However historically interesting and bibliographically curious,
-Newberry’s business, measured in bulk, was as a molehill to a mountain
-when compared to the enormous trade carried on by the largest of our
-modern publishers of juvenile literature--perhaps, also the largest
-book-manufacturer in the world.
-
-Thomas Nelson was born at Throsk, a few miles east of Stirling, in the
-year 1780, and was brought up in the very bosom of that strong, stern,
-unwavering religious faith, which has so often seemed the fitting
-complement to the ruggedness of the Scotch character; and which, among
-the other worldly advantages of its system of training, has often
-prepared its votaries for a successful career in business. His father
-led a quiet, retired life upon a small farm, not far from the famous
-field of Bannockburn, and was so satisfied with the content of his
-humble lot, that he repeatedly refused to take advantage of offered
-opportunities of making money, by permitting a pottery to be erected
-on his land. In those days, great gatherings of those known as the
-Covenanters took place in many parts of Scotland, at the sacramental
-seasons, and Nelson’s father thought but little of travelling forty
-miles in order that he might enjoy the privilege of the communion
-service. Upon the mind of the young lad, who often accompanied his
-father, these meetings, all probably that varied the monotony of a
-rustic life, made an indelible impression. When, like many youths
-of his time who had their own paths to clear in the world’s jungle,
-he resolved to leave Scotland and to seek his fortunes in the West
-Indies, his father accompanied him on the road to Alloa, the place of
-embarkation, and during the journey asked him, “Have you ever thought
-that in the country to which you are going, you will be far away from
-the means of grace?” “No, father,” replied the son, “I never thought of
-that; and I won’t go.” And immediately the scheme was abandoned, and
-they retraced their steps homewards.
-
-When, however, he was about twenty years of age, young Nelson tore
-himself from the parental roof, and went to London, and after passing
-through all the difficulties that are so familiar to young lads who
-have to fight their own battles unaided, he entered the service of a
-publishing house--an event that determined, doubtless, the course of
-his after-life. One of his early associates in business was Thomas
-Kelly, and, like his friend, Nelson, while diligent and conscientious
-in his daily duties, still found time for intellectual and religious
-culture. With a few young Scotchmen, he established a weekly-fellowship
-meeting, which was held every Sunday. One of the association was
-employed at the dockyard, during Lord Melville’s administration at
-the Admiralty, and lost his situation through his refusal to work
-on Sundays. Lord Melville, however, who had often seen him in the
-dockyard, enquired the cause of his absence, and on learning the
-fact of his dismissal, severely rebuked the officials, and shortly
-afterwards advanced him to a higher post.
-
-In the latter years of Nelson’s residence in London, he was engaged in
-obtaining orders for the Stratford Edition of “Henry’s Bible,” a work
-issued in shilling parts, to be bound up in six large folio volumes,
-which was held in high repute, and attained a large circulation. Nelson
-secured the names of a great number of subscribers, chiefly in the
-northern district of London.
-
-After having thus received the necessary business training, and
-acquired the necessary commercial experience, Nelson determined to
-make a start upon his own account, and left London for Edinburgh.
-Here at first he rented a small apartment, which he occupied as a
-book-warehouse, stocked chiefly with second-hand books, and from this
-little establishment he issued the “Scots Worthies,” and one or two
-other works, in monthly parts. In a few years afterwards he removed
-to the well-known small shop at the corner of the West Bow. Here he
-commenced his cheap issues in 24mo., of such works as Baxter’s “Saints’
-Rest,” Booth’s “Reign of Grace,” “Mac Ewan on the Types,” and some of
-Willison’s works. Indeed, we have been told, epigrammatically, that
-Nelson, in this little corner shop of the West Bow, commencing with a
-humble reprint of “The Vicar of Wakefield,” arrived in time at the more
-ponderous honour of “Josephus.” In his early publishing career, he and
-Peter Brown, another bookseller engaged in the same line of business in
-Edinburgh, were of considerable service to each other, for though they
-were not in partnership, they contributed jointly to defray the cost
-of composing and stereotyping a considerable number of octavo volumes,
-comprising the works of Paley, Leighton, Romaine, Newton, and others.
-Thus, half the cost of production was saved to each, while the stock
-of each was doubled. These books were not at first sold through the
-booksellers, but vacant shops were opened in the evenings in the large
-towns, where single copies were sold by auction, and the same practice
-was extended to smaller places, chiefly on the periodical recurrence
-of the Scotch fairs. This innovation, of course, excited a strong
-feeling of animosity among the trade, who, for some years, did their
-best to thwart the sale of Nelson’s publications. Indeed, in 1829, when
-Nelson, encouraged by the success of his auction sales, engaged Mr.
-James Macdonald to travel Scotland regularly, his mission, owing to the
-stigma attached to the auction business, was a failure. At Aberdeen the
-booksellers rose up in arms, and only one bookseller, Mr. George King,
-had the courage to give Macdonald an order.
-
-Though opposed in the country, and though for many years he did not
-accumulate much capital, yet, from his well-known and strict integrity,
-Nelson never wanted funds to carry out his plans. At the very time that
-Macdonald was suffering defeat in each country town, Nelson was enabled
-to purchase from a printer, at a comparatively low price, “Macknight on
-the Epistles,” in four volumes, octavo; and the popularity of that work
-forced a quick sale throughout the trade, and gave his business a very
-considerable impulse.
-
-Nelson was still convinced that the only method of extending his
-business to any considerable importance, was by means of a regular
-system of travelling, and Macdonald was succeeded by Mr. Peters, whose
-success was considerably greater; but it was not until Mr. William
-Nelson, the eldest son of the founder, took to the road, that the trade
-business was really consolidated, not only in Scotland, but also in
-London and the chief towns of the united kingdom. In fact, it may be
-said, that Mr. William Nelson was the real builder of the business,
-working upwards from a foundation that was certainly narrow and
-circumscribed. Mr. Thomas Nelson, the younger brother, was soon after
-this admitted to the firm, and undertook the energetic superintendence
-of the manufacturing department, and was the originator of the
-extensive series of school-books.
-
-Johnson of Liverpool used to narrate that he remembered young Nelson on
-his first (English) journey, and that he gave him what Nelson called
-a “braw order.” Shortly after this he was, according to the same
-authority, joined by Mr. James Campbell, who left the carpenter’s bench
-to become a “bagman,” and was soon the chief assistant in the firm’s
-employ.[31]
-
-Before this, however, the energy displayed by Mr. William Nelson had
-thoroughly consolidated the business, and had entirely dissipated the
-previous prejudice excited by the auction sales, the more especially
-as the lowest prices were at once fixed to the trade upon every book
-issued by the establishment. Mr. Campbell’s success as a commercial
-man was considerable, and by his subsequent energy and integrity as an
-agent, at home and in the colonies, the demand for Messrs. Nelson and
-Sons’ books began to assume a considerable magnitude.
-
-In 1843, the firm removed their place of business to Hope Park; we
-shall refer to this establishment subsequently--and upon the death of
-Peter Brown (he had for some years ceased to co-operate actively with
-them), the stereotype plates which had been the joint property of both
-firms, became by purchase the exclusive possessions of Messrs. Nelson,
-and this gave them an advantage in the market they did not formerly
-possess.
-
-Even while in London, Nelson had collected the works of his favourite
-divines for his private use, and he now carried out more thoroughly the
-scheme, commenced in conjunction with Peter Brown, of publishing cheap
-editions of such books that they might be brought within the easy reach
-of thousands. Such cheap issues are now a common feature of the trade,
-but he was one of the first Edinburgh booksellers to introduce the
-new order of things. The series was very popular, but still it was by
-the publication of juvenile literature that Nelson’s great commercial
-success was achieved. The works of this special, and apparently
-inexhaustible class were distinguished by a good moral tendency, purity
-of diction, and elegance of production, and were laudably free from
-sectarian bias, and extreme opinion. It will, perhaps, suffice our
-present purpose to instance, among his many authors, R. M. Ballantyne,
-as a favourite with his boyish, and A. L. O. E. with her girlish,
-readers. One of Nelson’s periodicals attained a large circulation; this
-was the _Family Treasury_, edited by Dr. Andrew Cameron, and numbering
-among its contributors such writers as Dr. Guthrie, Dr. Vaughan, Dean
-Trench, and Brownlow North; in its columns the charming “Chronicles of
-the Schönberg Cotta Family” first appeared.
-
-Among the greatest of the more recent triumphs of the firm in the way
-of books for children, was the introduction of coloured illustrations
-upon a black background--a striking and emphatic method of throwing the
-coloured pictures into strong relief; the books illustrated upon this
-principle proved so successful that a host of imitators adopted the
-same method. The firm are also well known as extensive publishers of
-a greatly improved series of schoolbooks, of maps, embracing new and
-ingenious features, and of gift and prize books. Latterly, however,
-they have entered into a wider and more liberal field, and their
-current catalogue embraces works in most departments of literature.
-
-For the last five-and-twenty years of his life, Nelson was more or less
-of an invalid; though from 1843 to 1850 he enjoyed a kind of respite;
-but during this whole period his sons were associated with him in
-the business, and during the latter and greater portion of it, the
-management devolved entirely upon them. Thomas Nelson, the founder,
-died on March 23rd, 1861, and showed upon his death-bed the effects of
-that strong piety to which, since a child, he had accustomed his mind.
-When it was thought proper to announce to him that his end was near, he
-received the intelligence with the calmest equanimity:--“I thought so;
-my days are wholly in God’s hands. He doeth all things well. His will
-be done!” and then he took up his Testament again, saying, “Now I must
-finish my chapter.” He was buried in the Grange Cemetery, among many
-Scottish worthies, and lies side by side with Hugh Miller.
-
-Thomas Nelson was distinguished not only by his energy and strict
-integrity, but by a generous hospitality of the genuine Scottish type.
-Even when his business was of very small dimensions, his old-fashioned
-dining-room was generally filled by the Scottish clergy, when any
-general meeting brought them to the metropolis.
-
-Messrs. William and Thomas Nelson, of course, continued the business,
-and we cannot, perhaps, convey a better idea of the magnitude to which
-the trade has in their hands extended than by giving a description of
-their establishment in all its branches, and for this description we
-are indebted chiefly to Mr. Bremner’s “Industries of Scotland.”
-
-Taking printing, publishing, and bookbinding together, Thomas Nelson
-and Sons, of Hope Park, are the most extensive house in Scotland. They
-removed to their present establishment a quarter of a century ago, and
-were compelled, after a lapse of ten years, to build a new range of
-offices far exceeding anything of the kind in the city of Edinburgh,
-and probably unparalleled out of it. The main part of the building
-consists of three conjoined blocks, forming three sides of a square.
-Part of the surrounding ground is laid out as an ornamental grass-plot,
-and a new machine-room has been recently erected upon another portion.
-
-In the main building there are three floors apportioned to the various
-branches of the trade. Machinery is used wherever it is possible, and
-by its aid, and by a well-organized system of division of labour,
-the number of books manufactured is enormous. Everything, from the
-compilation of a book to the lettering of its binding, is done upon
-the premises, and for the founts of type and the paper alone are the
-proprietors indebted to outside help.
-
-The letterpress department consists of a spacious composing-room,
-a splendidly fitted machine-room, a press-room, and a stereotype
-foundry. As very large numbers of the works are issued, they are almost
-invariably printed from stereotype plates--a process said to have been
-invented by William Ged, a goldsmith in Edinburgh at the beginning of
-the last century; the Dutch, however, with some justice, claim the
-discovery for one of their countrymen, a very long time before this
-date; at all events, the process was still almost a novelty when, as
-we have seen, Kelly first utilized it in London. In the machine-room
-and the press-room there are nineteen machines and seventeen presses
-constantly at work. Here large numbers of children’s books are
-produced, and a number of machines are devoted to colour printing.
-
-From the machine-room the sheets are taken to the drying-room, where
-they are hung up in layers upon screens, which, when filled, are run
-into a hot-air chamber, where the ink is thoroughly dried in six or
-eight hours.
-
-The bookbinding department occupies several large rooms, and
-employs two-thirds of all the work-people engaged. Although machines
-are provided for a great variety of operations, a large amount of
-hand-labour is found to be indispensable. As soon as the sheets
-have been thoroughly dried, they are folded by young women, as the
-machine-folding is only suitable for the coarser kinds of work. After
-this process, the sheets are arranged by another staff of girls in the
-proper order for binding, compressed in a powerful press, and notches
-for the binding cords are cut by a machine. They are then passed on to
-the sewers, who sit upon long benches plying their deft needles.
-
-The case-makers have by this time prepared the cases, and in connection
-with this department there is a cloth-dyeing and embossing branch,
-where the cloths are prepared; the coloured and enamelled papers for
-the insides are also made upon the premises. The case-makers are
-divided into half-a-dozen different sections, each of which performs a
-certain and distinct portion of the work. The pasteboard and cloth are
-first cut to the required size, and then one girl spreads the glue upon
-the cloth, a second lays the board upon its proper place, a third tucks
-the cloth in all round, a fourth smoothes off the work, and the covers
-are now taken to the embosser, who puts on the ornamental additions,
-and finally the books are fixed in the cases, and sent down to their
-warehouse, whence they are despatched to all corners of the world,
-principally, of course, to the London and New York branches.
-
-The lithographic establishment comprises a number of rooms. Sixteen
-machines and presses are constantly engaged, principally in the
-production of maps, book illustrations, coloured pictures, and the
-beautifully-tinted lithographic views, which Messrs. Nelson were mainly
-instrumental in introducing to the notice of the public. Among the
-artists employed here in executing preliminary work are photographers,
-draughtsmen, steel, copper, and wood engravers, and electrotypers.
-By a process patented by Messrs. Nelson, in conjunction with Mr.
-Ramage (to whose services they owe much of the superiority of their
-illustrations), a drawing or print may be converted into an engraving
-suitable for printing from by the simple action of light, and these
-engravings, either for copper-plate or letter-press printing, may be
-multiplied and made larger or smaller at will. The storerooms are said
-to contain upwards of fifty thousand wood-cuts and electrotypes.
-
-Even the inks and varnishes are manufactured upon the premises.
-
-Messrs. Thomas Nelson and Sons employ some four hundred and fifty
-work-people in their establishment, about one-half of whom are young
-women.
-
-The whole of Scotland is of course supplied from the head-quarters in
-Hope Park; but they have also large branches in London and New York.
-The former--situated in, or rather forming, Warwick Buildings, at the
-corner of Paternoster Row--is, though a branch, as large a bookselling
-warehouse as any in London, and in its interior arrangements is
-unrivalled. The basement storey is devoted to the stowage of wholesale
-stock and the execution of export and country orders, and over the shop
-there are four lofty floors.
-
-The Scotch have during the century especially cultivated the trade of
-printing and bookselling. In the former branch alone, ten thousand
-persons are employed in Scotland, five thousand of whom are engaged in
-the capital. In 1860 there were in Edinburgh no less than thirty firms,
-who combine the united business of publishing and bookselling, besides
-ninety who confine themselves to bookselling alone. The eight or nine
-leading houses, with one exception, print themselves the books they
-sell; a practice which is almost indigenous to Edinburgh, or, at all
-events, does not obtain in London. The advantage of cheap labour, which
-includes, of course, cheap paper, are here so great, especially in the
-issue of large editions, as to more than counteract the drawback in the
-shape of transit cost to, and agents’ commission in, London. We have
-already entered into the history of several of these leading Edinburgh
-houses, and as our space is growing scanty, we can scarcely now do more
-than mention the firm of Oliver and Boyd; and though, from their long
-standing and importance, the career of the house would afford material
-for an interesting chapter, we must hope to have an opportunity of
-recurring to the subject at a not very distant time. Formerly Oliver
-and Boyd enjoyed a very large share of the Scotch country business, and
-occupied indeed much the same position in the northern, as is held by
-Simpkin, Marshall, and Co., in the southern, capital. Of later years,
-however, their attention has been more exclusively fixed upon the
-publication of educational works, and among the writers whose books
-have been issued by them, the names of Spalding, Reid, Morell, White,
-and McCulloch, are known to every schoolboy. “The Edinburgh Academy
-Class-Books” have also attained a very wide circulation far beyond the
-walls of the Edinburgh Academy; and “Oliver and Boyd’s Catechisms,”
-published at the low price of ninepence each, are used in nearly all
-elementary classes where science, in any form, is taught. As a book
-of reference for students of every grade, of a larger growth, _Oliver
-and Boyd’s Edinburgh Almanac_ is, perhaps, unrivalled for the fulness
-and yet conciseness of every branch of official information, at all
-essential to the inhabitants of Scotland.
-
-
-
-
-[Illustration]
-
-
-
-
-_SIMPKIN, MARSHALL, AND CO._:
-
-COLLECTING FOR THE COUNTRY TRADE.
-
-
-We have, by this time, given historico-biographical notices of
-publishers and booksellers, representing very various phases of the
-“trade;” but we have still to show how, in the economy of publishing,
-and through an ingenious division of labour, the smaller booksellers in
-town, and all the booksellers in the country and the colonies, are kept
-constantly supplied with books and periodicals.
-
-Before a new book is published, the work is taken round to the larger
-houses in the “Row,” and other parts of London, and “subscribed,” that
-is the first price to the trade, and the actual selling price to the
-public are quoted, and orders at the former price are given, according
-to the purchaser’s faith in the expected popularity of the work in
-question.
-
-The wholesale houses, in their turn, supply all the country, colonial,
-and smaller London orders, reaping, of course, a due advantage from
-having the volumes demanded already stowed in their warehouses.
-
-By far the largest business in this branch of the trade is executed
-by the old-established firm of Simpkin, Marshall, and Company,
-and though they by no means confine their attention solely to the
-commission-paying business of middlemen--for they are themselves
-publishers of educational and other widely-circulating works--yet their
-name has long, throughout the length and breadth of the land, been held
-synonymous with this wholesale supply of the requirements of other
-houses.
-
-The real founder of this enormous traffic was, Benjamin Crosby. The
-son of a Yorkshire grazier, he came to London to seek his fortunes,
-and was apprenticed to James Nunn, a bookseller in Great Queen Street.
-As soon as his indentures had expired, he obtained a situation under
-George Robinson--the “King of the Booksellers”--and, in a few years
-after this, succeeded to the business of Mr. Stalker, of Stationers’
-Hall Court. Crosby was one of the first London booksellers who
-travelled regularly through the country, soliciting orders for the
-purpose of effecting sales and extending his connections. In a short
-time he acquired a pre-eminence as a supplier of the country houses,
-and also as one of the largest purchasers at trade sales, especially
-when publishers’ stocks were sold off. The extension of the business
-had been very materially assisted by the unremitting exertions of two
-assistants--Simpkin and Marshall--and when, in 1814, he was stricken
-by a sudden attack of paralysis, he made over a certain portion of
-his stock and the whole of his country connection to Robert Baldwin,
-and Cradock and Joy, he left the remainder, with the premises and the
-London connection, to Simpkin and Marshall. Soon after this, a second
-attack deprived him of his speech, and for a time of his reason, and
-he died in the following year, 1815.
-
-Under Simpkin and Marshall, which was now, of course, the new title
-of the firm, the business soon began again to expand, for they
-retained most of their London connections, and following Crosby’s
-example, attracted the attention of many country clients, whom
-they not only supplied with books, but for whose publications they
-became the London agents--a business without speculative risk, and
-consequently profitable. For instance, in 1827, an unpretentious little
-volume--“Poems by Two Brothers,” having the modest motto, _Hæc nos
-novimus esse nihil_, published by J. and J. Jackson, Louth, was also
-stamped with the imprimatur of Simpkin and Marshall, and thus they had
-the signal honour of being Mr. Tennyson’s first London publishers,
-though very probably the honour in this case was greater than the
-profit.
-
-In 1828, Simpkin retired, or rather was bought out of the business by
-Mr. Miles, who immediately took the financial management of the whole
-concern, and the firm adopted the new title of “Simpkin, Marshall and
-Co.” Simpkin, however, did not die until the 25th of December, 1854,
-and thus enjoyed a long period of peaceful superannuation.
-
-The practice of lending their names to the works published by their
-country clients, though free from business venture, was not unattended
-by legal risk, for in 1834 they had an action brought against them for
-libel, which at the time attracted a very general and lively interest;
-though they were indicted solely as the London agents of _Tait’s
-Edinburgh Magazine_, in which a series of articles had appeared,
-reflecting on the conduct of Richmond, a man notorious as a spy, and
-who, as an instrument of the Government, had procured the execution of
-Hardie and his companion at Glasgow in the winter of 1819-20. Richmond
-laid the damages that his character had sustained at the absurd figure
-of five thousand pounds, but Mr. Serjeant Talfourd, to whom the defence
-was entrusted, so thoroughly exposed the antecedents and present means
-of livelihood of the plaintiff that before the trial was over he was
-absolutely fain to withdraw his action and elect to be non-suited.
-
-In 1837 Baldwin and Cradock failed, and handed over the country
-connection they had derived from Crosby, to Simpkin, Marshall and
-Company. This occurred on the October “Magazine day” of that year; for
-three days and three nights the partners and their assistants never
-left the establishment at Stationers’ Hall Court, and Baldwin’s country
-clients were so pleased that they had been spared so much expected
-delay and annoyance that one and all resolved to keep their business
-in the hands of their new agents; and with this addition to their
-trade, the business relations of Simpkin, Marshall and Company were now
-infinitely beyond anything that even Crosby had before experienced.
-
-In 1855, Richard Marshall retired from the business, and consequently,
-the management of the concern remained almost entirely in the hands of
-Mr. Miles’s two sons. Marshall died at the ripe age of seventy-five, on
-the 17th of November, 1863.
-
-In 1859 the premises were rebuilt and enlarged, and every possible
-improvement, to save trouble and economise time, was introduced into
-the new establishment. Among the gentlemen who had been employed in the
-old warehouse was Mr. F. Laurie, a barrister-at-law, who afterwards
-served in the printed-book department of the British Museum, and who
-was widely known as the author of a “Life of Henry Fielding,” and
-as a frequent contributor to periodical literature. As none of the
-country booksellers have more than one London agent, by him they are
-supplied with the books and periodicals of all the London publishers,
-an arrangement that saves an infinity of trouble, expense and delay.
-A century ago, in the days of small things, the agent made himself
-useful to the provincial bookseller in many other ways than in the mere
-supplying of publications. In many cases he was expected to forward
-the newspapers, but other and stranger commissions often fell to his
-lot. A great wholesale house in London at the present day would be
-rather surprised to receive the following orders, which, however, all
-occur in a bookseller’s records late in the eighteenth century:--“1
-sliding Gunter from some of the instrument makers;” “two-eighth share
-of lottery-tickets;” “1 oz. of Maker’s Cobalt, as advertized on the
-cover of the _Gentleman’s Magazine_;” or a direction “to please and
-send on Saturday, and pay Mr. Barratt, Parliament Place, Palace Yard,
-Westminster, £1 0_s._ 6_d._, King’s Rent, due 10th of October last, for
-the Vicarage of Holy Cross, Shrewsbury.”
-
-We cannot, perhaps, convey a better idea of the manner in which
-business is conducted by these wholesale houses in the “Row,” than by
-giving a description of “Magazine day,”--by far the busiest time in
-each month. Very quiet is Paternoster Row generally, and its solitude
-is broken only by the fitful and fleeting appearance of publishers,
-their agents, and literary men--the latter, as a rule, in clerical
-costume, with white neckties which betray their avocation as lying
-in “the religious publication line of business;” while its silence
-is broken by some venturous barrel-organ player, or by an old blind
-fiddler, whose music is appreciated and encouraged by the young
-shop-boys, lurking behind each alley corner to enjoy the furtive
-pipe. But on “Magazine day” all this is changed, the street is now
-a struggling scene of bustle and confusion; now every house is in
-a thrill of agitation from the garret to the cellar, and now every
-business nerve is strained. Owing to the inconvenient innovation of
-magazine proprietors, in publishing their periodicals on different
-days, “Magazine day” has lost much of its pristine glory, but even now
-the work commences on the eve of the chief day of publication, which is
-known consequently as “late night,” for the assistants are generally
-kept busily engaged till twelve or one o’clock. By the morning’s post
-of this preceding day the country orders arrive, and the invoices have
-to be made out from the lists received. Every regular customer has
-his allotted pigeon-hole, into which the invoices are put as soon as
-copied, together with such of the books he has ordered as are on the
-premises; for the majority of the smaller country booksellers take
-advantage of their monthly parcels, and to save expense of frequent
-railway carriage, include also in their orders such recent books as
-they may require. Early in the morning, or sometimes on the night
-before, the magazines arrive, and it is on this morning that the real
-work begins, for though as large a stock of current literature is kept
-in each warehouse as is possible, there are still many publishers to
-be sent to. While the assistants are busily engaged sorting out the
-books, and supplying each order with the works they have in hand,
-the “collectors” are furnished with lists of the books required from
-other houses. The “collector” is by no means an unimportant person in
-a publisher’s establishment; though “seedy” in attire and suspicious
-in general appearance, he is entrusted with large sums of money, for
-the cheaper publications are all paid for in ready cash. Bag in hand he
-rushes in hot haste all over London, and with an impudent tongue and
-a pair of brawny shoulders, thrusts himself to the front place before
-each publisher’s counter. As we listen for a moment to the reply he
-receives as to the price of a cheap periodical, we may gain an insight
-into the middleman’s system of profit. “Sixes are fours and twelves
-are thirteens!” yells the shop-boy, the which being interpreted means
-that the wholesale price of the sixpenny periodical in question is
-fourpence, and that thirteen copies go to the dozen.
-
-The bustle at each establishment is, of course, greatly increased by
-the fact that each house has to supply the wants of others, as well
-as to satisfy its own--all the counters of the wholesale booksellers
-being filled with screeching collectors, with greedily-gaping bags.
-Early in the afternoon, however, the collectors return, and now the
-books, magazines, and invoices are carried into the packing department,
-and such works as could not be obtained are written off as “out of
-print,” &c. Packing is an art not easily acquired, and necessitates the
-patient and skilful use of much brown paper, and, in many houses, of
-paper-pulp stereo-moulds, by way of stiffening. The smaller parcels are
-finished first, and as soon as all are ready for removal the carriers’
-carts and vans arrive; all entering the Row in regular order from the
-Ludgate Hill end, and leaving it in the direction of Cheapside. By
-the time that peace and quietude are restored to the neighbourhood,
-some two and a half millions of volumes and periodicals (Simpkin,
-Marshall and Company alone having probably despatched from six to eight
-hundred different parcels) are flying from London to all parts of the
-kingdom--to be greedily devoured and depreciatingly criticised on the
-morrow.
-
-Not the least profitable portion of the business done by Simpkin,
-Marshall and Company lies in their Colonial trade, for in this branch,
-in common with other houses, they insist upon ready money payments, and
-consequently all bad and doubtful debts are avoided.
-
-Besides holding many valuable copyrights in educational works, and
-publishing to a large extent upon commission, they, as we have
-previously shown, are the London agents for all works published by
-their country clients. Nothing, perhaps, is more curious among modern
-“literary curiosities” than the sudden and unparalleled popularity of
-a small pamphlet entitled “Dame Europa’s School,” written in a style
-and manner not unfamiliar to us in Swift’s inimitable “Tale of a Tub;”
-witty, certainly, and undeniably apropos to the times, this clever
-skit was taken by its author, Mr. Pullen, a minor canon of Salisbury
-Cathedral, through the usual round of the London publishers, and,
-as usual with pamphlets, they one and all declined even to read the
-manuscript. Mr. Pullen, in despair, gave it to Mr. Brown, a bookseller
-of Salisbury, to publish on commission--that is, the author undertook
-all the risk, and the publisher charged merely a certain percentage on
-the sales--and limited the amount that was to be spent in advertising
-to two or three pounds. As Simpkin, Marshall and Company were Mr.
-Brown’s London agents, the metropolitan sale was entrusted to their
-care. Without any further trouble or expenditure, the little venture
-was launched, and in something like a week had created such a _furore_
-that the printing had to be transferred to London, and Mr. Pullen is
-stated to have cleared a handsome sum from the extraordinary sale
-of his pamphlet, and the commissions gathered by the London and the
-country publishers were certainly unprecedented in connection with a
-little venture of this description. The London booksellers to whom it
-had been offered now began to bestir themselves, and in a few weeks
-there were no less than seven-and-thirty imitations of “Dame Europa’s
-School” in the field, more than one of which are said to have been
-written by very high dignitaries of the Church. All of these have,
-however, already disappeared from circulation, though it seems probable
-that the marvellously clever illustrations to the original “Dame
-Europa’s School,” by Mr. Nast, one of the few really humorous artists
-that America has produced, will preserve it for a time from the usual
-fate of ephemeral literature.
-
-[Illustration]
-
-
-
-
-[Illustration]
-
-
-
-
-_CHARLES EDWARD MUDIE_:
-
-THE LENDING LIBRARY.
-
-
-Leaving for a while the publishers and vendors of books, we come
-now to the truest disseminators of literature among those who would
-otherwise have formed a non-reading, non-thinking, untaught class
-in the community--a class who, originally at all events, were shut
-out from the inheritance of the precious garnerings bequeathed by
-long generations of writers having aught of genius, wit, or industry
-to leave behind--for they were debarred from all enjoyment of such
-heritage through their sheer inability to pay the literary legacy duty
-demanded by the appointed tax-gatherers, the booksellers.
-
-In former times, of course, the very capability to read was confined
-to the student, and to the poor student especially were the early
-circulating libraries addressed. The first circulating library of
-which we have any authentic history--for most history is much other
-than authentic--was, according to Dr. Adam Clarke and other eminent
-antiquarians, founded at Cæsarea about the year 309 A.D., by St.
-Pamphilus, who united in his character the best attributes of the
-Christian and the philosopher. In a few years the library contained
-upwards of 30,000 volumes, an enormous number, considering the age
-at which it existed. The collection was, however, intended only for
-religious purposes, and the loan of the books was distinctly confined
-to “religiously disposed persons.” At Paris and elsewhere traces of
-this collection are still said to exist.
-
-In the middle ages, the practice of lending out books, or exchanging
-them between monastery and monastery, was not uncommon, and by the
-early stationers of Paris the manuscripts were cut up into small
-portions (much as the present librarian’s novel requires to be divided
-into three volumes), to the greater profit of the lenders; but we come
-to very modern times before we find that circulating libraries, in the
-modern acceptation of the term, were established.
-
-The first circulating library in London was founded by Wright, a
-bookseller of 132, Strand, about the year 1730. Franklin, writing of a
-time some five years previous to this, says:--“While I lodged in Little
-Britain, I formed an acquaintance with a bookseller of the name of
-Wilcox, whose shop was next door to me. _Circulating libraries were not
-then in use._ We agreed that for a reasonable retribution, of which I
-have forgotten the price, I should have free access to his library, and
-take what books I pleased, which I was to return when I had read them.”
-Among Wright’s earliest rivals were the Nobles, John Bell (the cheap
-publisher), Thomas Lowndes, and notably Samuel Bathoe, who died in
-1768, and to whom, erroneously, the credit of the innovation has been
-very generally attributed. As late, however, as 1770, there were only
-four real circulating libraries in the capital.
-
-The practice soon spread through the country. Shortly after Wright’s
-death, Hatton established a circulating library at Birmingham. In 1745,
-Watts introduced a circulating library into Cambridge, greatly extended
-afterwards by John Nicholson, known by the _sobriquet_ of “Maps,”
-who used to carry a sack of books to each undergraduate’s rooms, in
-case they felt a sudden inclination for reading something newer than
-Homer, Xenophon, or Euclid. By the year 1755 we find that circulating
-libraries had extended to the extreme north of England, for Newcastle
-then boasted the possession of two.
-
-Though the custom was rapidly obtaining in town and country, the books
-lent out to read were generally very similar in title to those in
-the famous list in the “Rivals,” which caused Sir Anthony Absolute’s
-condemnation--“A circulating library in a town is an evergreen tree of
-diabolical knowledge; it blossoms throughout the year. And depend on
-it, that they who are so fond of handling the leaves will long for the
-fruit at last.” We have still only to go to our little country towns
-and petty watering-places--few now, fortunately, still beyond the arm
-of “Smith” or “Mudie”--to see the circulating library in its pristine
-form.
-
-At first the benefits that must inevitably accrue from the movement to
-the publishers as well as to the public were by no means recognized.
-Lackington tells us that “when the circulating libraries were first
-opened the booksellers were most alarmed, but experience has proved
-that the sale of books, so far from being diminished thereby, has been
-most greatly increased.”
-
-Under the care of Hookham and Eber, these circulating libraries did
-undoubtedly improve, for the proprietors now began to consider the
-wants of students as well as the idle pleasure of loungers who thought
-with Gray that the acmé of human happiness consisted in lying upon a
-sofa reading the latest licentious novelties of Crébillon _fils_ and
-his genus. The movement was further accelerated by the foundation of
-book-clubs, the first of which is said to have sprung out of Burn’s
-“Bachelor’s Club.” For forty or fifty years these book-clubs did good
-service in the cause of education and progress, especially under
-the fostering care of Mr. Charles Knight and the Society for the
-Diffusion of Useful Knowledge; but soon an organizing genius arose
-who was not only to render book-clubs, save those affiliated to his
-own, unnecessary, but was to develop the full power of co-operation
-in the circulating library itself. And his advent was favoured by a
-wonderfully extended system of transport through the agency of the
-railways.
-
-Charles Edward Mudie was born in the year 1818, in Cheyne Walk,
-Chelsea, where his father kept a little newspaper shop, at which
-stationery and other articles were retailed, and where books of the
-fugitive fiction class could be borrowed at the usual suburban charge
-of a penny the volume.
-
-[Illustration: Charles Edward Mudie, founder of Mudie’s Library.]
-
-Mr. Mudie’s education was, as he says, “properly cared for,” and
-he stayed at home assisting in his father’s business until he was
-twenty-two years of age; and even in his early days he made it
-his great ambition to possess a circulating library of his own,
-declaring that when once he was started he would be second to none.
-
-In the year 1840, he opened a little shop in Upper King Street,
-Bloomsbury, and he carried on precisely the same trade as his father
-did in Cheyne Walk. By degrees, however, he neglected the newspaper
-and general stationery business, and devoted himself more exclusively
-to the circulating library, which he increased at such a rapid rate
-that the father became alarmed at the speculative spirit of his son. In
-1842, Mr. Mudie commenced his system of lending out one exchangeable
-volume to subscribers at the rate of a guinea per annum; and as he made
-the addition of every new work, immediately upon its publication, a
-feature in his establishment, he produced an entire revolution in the
-circulating library movement, and was rewarded by a rapidly increasing
-number of subscribers. Nor did he at this early period confine his
-dealings solely to circulating the books of other publishers. He was
-himself in some instances a publisher, and from his establishment
-issued the first English edition of James R. Lowell’s “Poems,” and Mr.
-George Dawson’s first “Orations.”
-
-In 1852 the library had grown too large for the house in Upper King
-Street, and he removed his business to two houses which form part of
-his present establishment--the penultimate house in New Oxford Street,
-and the penultimate house in Museum Street; and though the corner
-house intervened, the two were connected by a passage. Gradually, as
-the business grew, the houses on either side were absorbed. In 1860
-the large hall was opened, and inaugurated by a festive gathering of
-literary men and publishers; and the entire block of building, as it
-stands at present, occupies the sites of eight houses, and even now
-great additions are being made to the rear of the premises. As the
-popularity of the library increased, branch houses were opened in the
-city, in Birmingham and Manchester, and arrangements were made with
-literary institutions, provincial libraries, book-clubs, and societies.
-
-The magnitude of the business had, however, now grown beyond the limit
-of individual capital, and, in 1864, Mr. Mudie found it desirable to
-form his library into a limited liability company. The value of the
-property was estimated at £100,000; of this he reserved £50,000, and
-the remaining £50,000 was immediately subscribed by Mr. Murray, Mr.
-Bentley, and other publishers; Mr. Mudie’s services being, naturally,
-retained at a salary of £1,000 per annum, in addition to his half
-interest in the business.
-
-This change, and the increase of capital, proved in every way
-beneficial to the expansion of the library; and since penning this
-account we have received a circular announcing an enormous increase of
-business. From the 18th August, 1871, the Directors of Mudie’s Select
-Library (Limited) became possessors of the English and Foreign Library
-and its large connection. This library, which was originally known as
-“Hookham’s,” at one time possessed one of the finest collections of
-rare and valuable standard works in London.
-
-On entering Mudie’s Select Library, from New Oxford Street, we pass
-through the show-rooms devoted to the sale of bound books; for
-though the directors do not enter into the usual speculations of the
-bookselling trade, the clean copies of popular works are put into
-ornamental bindings, and in this manner a very extensive business is
-done in works adapted for presents and prizes. Behind these show-rooms
-stands the Great Hall, a large room, on the wall of which 16,000
-of the current works most in vogue are shelved. What most strikes
-us here is the great order and method that everywhere obtains. The
-volumes are arranged in alphabetical order, and every attendant goes
-straight to the required book, without hesitation or delay. For each
-London customer a card is reserved bearing his name, and these cards
-are kept, like the books, in an alphabetical system. The books taken
-out are entered on the card, the books brought back ticked off, and
-the method is found to be as successful as it certainly is simple.
-The longer lists of large and country subscribers are still, however,
-entered in the ledgers. Proceeding upstairs to the first floor, we
-find books, still current, but not quite so incessantly called for.
-On the first floor, too, we have the private offices for clerks, and
-the foreign department. Mudie’s collection of German works is the
-best of any of the London circulating libraries, and the German books
-are said to be much more earnestly read than the French, occasional
-and popular novels, of course, excepted. On the higher floors the
-standard catalogued works are stowed, their popularity diminishing as
-the altitude of their resting place increases. As soon as a book is
-published in a shilling or other cheap edition, it ceases to be much
-demanded here. For instance, Lord Lytton’s novels are in very little
-request. On the contrary, we were told that no sets of books are so
-rapidly “worn out” as the works of Charles Dickens.
-
-The stock of books is so incessantly varying through the sale of
-old and the purchase of new volumes, that we were told that it was
-impossible to give anything like an estimate of the numbers. Some idea
-of the magnitude of the library may, however, be gathered from the
-following:--
-
-Of the last two volumes of Macaulay’s “History of England,” 2400 copies
-were taken, and the public demand for them was so extraordinary that a
-whole shop, now the large room on the left as one enters, was devoted
-to their stowage and exchange. There were taken, of Dr. Livingstone’s
-first African Travels, 2000 copies; and of Mr. Tennyson’s “Enoch
-Arden,” 2500 (the largest number required of any poetical work); of
-Mr. Disraeli’s “Lothair” 1500 copies were at first subscribed, but it
-was soon found necessary to increase the number to 3000. The demand
-was, however, as brief as it was eager, and the monumental pile of
-“remainders” in Mr. Mudie’s cellar is the largest that has ever been
-erected there to the hydra of ephemeral admiration. About 600 copies
-of each of the two great reviews--the _Edinburgh_ and _Quarterly_--are
-required as a first instalment; but should any article prove more
-than usually attractive to the public, a large addition is made--this
-was notably the case with that number of the _Quarterly_ containing
-the famous article on the “Talmud;” 100 copies of the _Revue des Deux
-Mondes_ are required fortnightly to satisfy foreign students; and
-we believe that, of all novels which are likely to prove ordinarily
-popular, as many as 400 are at once ordered. The onus of selecting
-the books rests entirely in Mr. Mudie’s own hands, and it has often
-been objected that his decisions are somewhat arbitrary;--for instance
-Mr. Swinburne is tabooed, while M. Paul de Koch is made free of the
-establishment--that, in short, the subscribers should be considered as
-responsible judges of what books they do, and do not, desire to read.
-However, as it is, Mr. Mudie’s principles of selection are broad enough
-to satisfy very various classes of readers. Of course the largest class
-of all are the novel-devourers, and it is said that, as the coarser
-novels of the day are almost exclusively written by women, so it is
-by women that they are chiefly patronised. The large field opened to
-female labour in the manufacture of library fiction is worth a moment’s
-consideration, for the road has been cleared towards it, not by
-platform gatherings of stentorian amazons, but simply by the ordinary
-laws of supply and demand.
-
-On analysing Mudie’s clearance catalogue for August, 1871 (and this
-catalogue is one of the best guides to the popular novel literature
-of the last few years), we find that there are 441 works of fiction
-written by authors under their own names, or by authors whose
-pseudonymes are perfectly well known. Of these 441 distinct works,
-212 are written by men, and 229 by women; so that, by what seems to
-us a not unfair test, actually more than half the novels of the day
-are written by female authors. To another large class of readers (the
-good people who go to Mr. and Mrs. German Reed’s entertainments, and
-not to the theatre), the ordinary novels are _caviare_; and they
-require their fiction seasoned, not by sensation, but by religious
-precept. Scientific books, once asked for only by students, are vastly
-increasing in popularity; and the “fairy tales of science,” as narrated
-by a Huxley or a Darwin, are beginning to be as eagerly demanded as the
-latest productions of Miss Braddon or Mr. Wilkie Collins.
-
-In the basement cellars, extending under the whole building, the
-“remainders” are stowed in huge bales, ready for sale or export. These
-are principally purchased by the country circulating libraries, and by
-shippers to the colonies and British possessions; and thus the name
-of Mudie--and the well-known yellow label, familiar in every English
-household--is carried wherever the English tongue is spoken.
-
-About eighty assistants are employed in the central house alone,
-without reckoning those engaged in the city and the country branches.
-The system of leaving books at the subscribers’ own homes, recently
-introduced, is becoming more and more popular: five vans go out daily
-on their respective rounds, and 8000 calls are generally made in the
-course of the week.
-
-Mr. Mudie’s services as a public benefactor in the cause of extended
-education, were some years since publicly recognized by the ratepayers
-of Westminster, in his election to the London School Board; and it
-is to be hoped that his knowledge of the practical use of the boon
-conferred upon the higher classes by the increased facilities of
-book-hiring, may lead him to urge upon his colleagues the advisability
-of establishing free circulating libraries for the use of those whose
-educational guardians they have recently become. The gift of tools is
-of very little moment to any one, if there is to be no occasion for
-their use; and in many instances it will be an absolute cruelty to
-teach children to read, and then to hurl them back on the atrocious
-literature of slum shops. At present, the fact that London is still
-without any pretence to a free circulating library, or indeed to an
-absolutely free library of any kind, is doubly disgraceful to our
-pachydermatous local authorities, because several provincial towns have
-shamed us by a good example. When the schoolmaster first began to
-bestir himself abroad in England, a taste for reading was encouraged,
-which soon spread in every direction, and by degrees a loud demand,
-satisfied at present only in a very limited degree, began to make
-itself heard for the establishment of free libraries.
-
-In 1845, Mr. William Ewart succeeded in passing a bill through the
-House to encourage the establishment of museums, and, legally intended,
-to include also libraries. By this act the local authorities, in towns
-with a population exceeding 10,000, possessed the power of levying a
-halfpenny rate for this purpose; and the sum so raised was to be spent
-in providing buildings, and in paying the expenses of conservation,
-not of accumulation. At this time, an official inquiry shows us that
-Manchester, with a population of 360,000 persons, was the only town
-in the kingdom which possessed a perfectly free library--this was the
-Chetham _Endowed_ Library (said to be the oldest in Europe), which
-consisted of only 19,000 volumes. A further act was passed in 1850,
-distinctly referring to libraries, under the title of the “Public
-Library and Museum Act,” by the provisions of which a majority of the
-ratepayers, at any properly summoned meeting, can levy a halfpenny in
-the pound for the establishment of free libraries.
-
-In 1852, chiefly owing to the exertions of the late Sir John Potter,
-the Manchester Free Library was opened, and is supported by the
-ratepayers. Since that time, four additional free lending libraries,
-with newspaper-rooms attached, have been affiliated to it. In 1869 the
-main library contained upwards of 84,000 volumes. A guarantee from any
-householder is all that is required by those wishing to partake of the
-benefits of the Manchester libraries.
-
-The Liverpool Library, the best used of all these institutions, was
-founded chiefly through the munificence of Mr. William Brown, who, at
-its opening in 1860, was created a baronet. It consists of a reference
-and two lending libraries, and in 1867, though there were only 45,668
-volumes in the reference library, the daily issue of books actually
-averaged 2041.
-
-At Bebbington, a suburb of Liverpool, or, more justly, of Birkenhead,
-a very excellent free circulating library has been established by Mr.
-Meyer, the eminent goldsmith and antiquarian, and its advantages are
-duly appreciated by the residents for miles around.
-
-At Birmingham there are five different libraries and reading-rooms,
-containing, in all, 52,269 volumes. In 1869, 300,031 volumes were
-borrowed by 9688 persons, of whom no fewer than 5607 were under twenty
-years of age.
-
-The “lending library” at all these towns appears to be of a more
-popular character than the “reference library,” though both are
-essential.
-
-After this short survey, it does indeed seem disgraceful to the London
-authorities that now, when the State is absolutely preparing its
-weapons to battle with Ignorance, when Education is to be made possible
-to all, patent to all, Mr. Mudie should be allowed, unrivalled, to
-supply so admirably the literary wants of the wealthy, and that the
-poor should be refused the cheapest and most remunerative of all
-boons--a free opportunity of gaining knowledge.
-
-[Illustration]
-
-
-
-
-[Illustration]
-
-
-
-
-_W. H. SMITH AND SON_:
-
-RAILWAY LITERATURE.
-
-
-W. H. Smith, the originator of the enormous traffic in the sale and
-loan of books, and in the sale of newspapers and periodicals, in
-connection with our extended railway system, was born on the 7th
-of July, 1792. As he was, from early years, intended for entirely
-different pursuits from that which he eventually followed, he cannot
-be said to have received a special business training. While still a
-boy, family circumstances rendered it desirable that he should take the
-control of a small newspaper establishment at the West End of London,
-and though his inclinations were decidedly opposed to a petty trade
-of this nature, he made duty paramount to likings or dislikings, and
-gave all his attention to his business. In a short time he was able
-to move to a larger shop in the Strand, and here he added the sale
-of stationery to the newspaper traffic. At that time the mails were
-conveyed from London by coaches leaving at night only, so that the
-morning papers could not be received in Liverpool or Manchester until
-forty-eight hours after publication. Smith now conceived the idea of
-forwarding the newspapers by express parcels by the coaches leaving
-London in the morning, and as these coaches generally left before the
-delivery of the morning papers, he kept a relay of swift, long-legged
-horses, which started as soon as the papers came to hand, and caught
-up the coaches where they could. By this means he actually secured the
-delivery of the news in the large Northern towns four-and-twenty hours
-in advance of the mail. For some years the returns from this business
-were altogether inadequate to the cost and trouble incurred, and many
-men would have abandoned so desperate an enterprise, but Smith had
-faith in the scheme, and his perseverance was rewarded by the largest
-newspaper business in Europe. His attention was almost entirely given
-to the newspaper branch of his trade, and after a time everything else
-gave way to it.
-
-When railways first began to supersede coaches, Smith at once availed
-himself of the new facilities thus afforded in the transit of his
-newspapers. Up to 1848 no systematic arrangements had been made to
-supply passengers at the stations with either papers or books. The
-privilege of satisfying public requirements had not been regarded as
-possessing any value, and the only idea those who had the right of
-selling books there put into actual execution was to avoid all risk
-whatsoever in providing for their possible customers. The result was,
-of course, very far from satisfactory, and it occurred to Smith, in
-1848, to tender for the exclusive right of vending books and papers on
-the Birmingham Railway. The general satisfaction which this innovation
-afforded, induced the Directors of other companies to open the way to
-similar arrangements, and thus the newspaper trade of W. H. Smith
-and Son (for he had by this time taken his son into partnership), was
-established at almost every station of importance in the kingdom; but
-the original cost of organization was enormous, and two or three years
-elapsed before any actual profit was realised.
-
-Soon, of course, at the railway stalls, books as well as papers were
-vended, and the special requirements of passengers called into being
-several cheap series of light works of fiction, calculated to while
-away the tedium of a railway journey. By degrees, too, a circulating
-library was formed and extended, and, as Smith and Son possessed
-unparalleled advantages in the way of cheap transit of goods, and in
-their already-established branches, extending throughout the kingdom
-wherever the iron horse had previously cleared the way, they were able
-to supplement Mudie’s Library most efficiently.
-
-In 1852 W. H. Smith, senior, first felt the symptoms of a diseased
-heart, and in 1854 he retired from business altogether, spending the
-remainder of his days at his country residence at Bournemouth, and here
-he died on the 28th of July, 1855.
-
-Upon Mr. W. H. Smith, son of the founder, the business now devolved,
-and, while extending its ramifications in all directions, he found time
-and opportunity to embrace a career of more general utility. Elected by
-the householders of Westminster as a member of the House of Commons, to
-the exclusion of Mr. J. S. Mill, he has won the good opinions of all
-parties by the active part he has always taken in Metropolitan matters,
-and by the staunchness with which he has defended the privileges of
-London citizens. The confidence of the public was again expressed in
-his favour when he was chosen a member of the School Board for London.
-It is understood that of late years a great part of the management of
-the business establishment has devolved upon Mr. Lethbridge, the junior
-member of the firm.
-
-As we have already, in our chapter on Mr. Mudie, devoted ourselves
-especially to the circulating library, we will endeavour here to give
-only a short account of the newspaper business of W. H. Smith and Son.
-
-If we walk down the Strand at four o’clock in the morning, we find
-the whole street deserted and dull until we reach a row of red carts,
-bearing the name of the firm. When, however, we enter the establishment
-by which they are waiting, all is business and bustle. The interior
-of the large building is, in shape, not unlike a bee-hive; the
-ground-floor forms, as it were, the pit, and the two galleries the
-boxes, of a theatre. In these galleries nearly two hundred men and boys
-are already busy folding papers.
-
-At five o’clock the “dailies” begin to arrive, and the advent of the
-_Times_ is hailed with a consternation of enthusiasm. The huge bundles
-are fiercely attacked, and folded off in a shorter time than one
-could imagine possible; and then the _Telegraph_, _Daily News_, and
-_Standard_ are assaulted. As soon as the folding has been partially
-completed, a portion of the assistants are told off to make the proper
-assortment for each country place, and each packer has now a boy to
-wait upon him, who shouts out his individual wants.
-
-At the door the carts are waiting ready to drive off with the parcels
-to the different railway termini, and by about a quarter to six all the
-first trains out of London are supplied, and in less than two hours the
-whole kingdom has been fed with morning newspapers, including between
-20,000 and 30,000 copies of the _Times_.
-
-This scene occurs every week-day morning, but on Friday afternoon,
-on the arrival of the weekly papers, the bustle of business is even
-greater, and the parcels (those for the post only) are removed by
-fourteen vans sent from the General Post Office.
-
-In connection with the “Railway Libraries,” it may be interesting to
-learn something of the publisher who has identified them with his
-business. Mr. George Routledge is a native of Cumberland--a county,
-perhaps, as much as any other, famous for the commercial success of its
-natives--who, after serving his apprenticeship at Carlisle, came up to
-London, and obtained employment in the house of Baldwin and Craddock.
-Soon, however, he opened a little shop of his own in Ryder’s Court,
-Leicester Square, for the sale of cheap and second-hand books. Here,
-however, at first he had much spare time on his hands, and he managed
-to procure a subordinate position in the Tithe Office. The work was
-not heavy, and the extra salary enabled him to increase his legitimate
-business. During the holiday time granted him by the Office, he made
-two or three journeys of exploration into the country, and found that
-a wide field existed there for a venturous and indomitable bookseller.
-Accordingly, he set to work to buy remainders, and having by degrees
-established agencies in the country, the young and almost unknown
-bookseller of Ryder’s Court was able to compete in the auction-rooms,
-and generally with success, against Mr. Bohn and other influential
-members of the trade--much to their astonishment, and not a little to
-their consternation. It was now time to give up the aid of the Tithe
-Office, and in 1845 Mr. Routledge moved to larger premises in Soho
-Square, and in 1848 Mr. William Warne, his brother-in-law, and for
-long his assistant, was admitted into partnership, being joined by Mr.
-F. Warne, three years later, when the firm moved again to Farringdon
-Street.
-
-While at Soho Square, the publications of Messrs. Routledge and Warne
-had consisted chiefly of reprints, and here the remainder trade had
-been vastly extended, but now they began to enter into direct dealings
-with noted authors on a scale that fully equalled the transactions of
-the first publishing firms. Perhaps the boldest of their early ventures
-was the offer of £20,000 to Sir E. Bulwer Lytton for the right of
-issuing a cheap series of his works for the term of ten years, from
-1853-1863. In spite of the enormous outlay they were very willing, on
-the expiry of the time, to take a fresh lease of the popular volumes;
-so that an offer originally deemed by the trade to be Quixotic, if not
-ruinous, must have reaped the success that its liberality and boldness
-deserved; and by their association with Sir E. Bulwer Lytton, a great
-_prestige_ was at once acquired. Similar arrangements were made with
-other distinguished novelists, nearly all of whom we have met before
-in our previous article on Colburn--Mr. G. P. R. James, Mr. Disraeli,
-Mr. Harrison Ainsworth, and Mr. Howard Russell; while these successful
-re-issues were quickly followed by the publication of original works by
-Mayne Reed, Grant, and others, and by the first English edition of many
-of Prescott’s and Longfellow’s productions.
-
-The various popular series known as the “Railway Library,” the “Popular
-Library,” &c., comprising many hundred volumes of standard works,
-afforded the chief business at Smith’s bookstalls, and were, through
-Mr. Routledge’s complete network of agents and connections, scattered
-broadcast over the country. Among the first books they brought out at a
-shilling were the works of Fenimore Cooper, Captain Marryat, Washington
-Irving, and Mrs. Stowe. Of “Uncle Tom’s Cabin” half-a-million copies
-are said to have been sold. Of Russell’s “Narrative of the Crimean
-War,” 20,000; of Soyer’s “Shilling Cookery,” 250,000; and of “Rarey on
-Horse Training,” 150,000 copies were disposed of in a very few weeks.
-As an example of the energy and enterprise of the firm, it is stated
-that when the copy of “Queechy” was received upon one Monday morning,
-it was at once placed in the printer’s hands; on Thursday the sheets
-were at the binder’s, and on the Monday following 20,000 copies had
-been disposed of to the trade.
-
-Besides these cheap works, Mr. Routledge has issued a multitude of more
-expensive volumes, illustrated by the best artists, and “got up” in the
-most luxurious styles. Among these it will be enough here to mention
-his numerous Shakespeares, Wood’s “Natural History” and Wood’s “Natural
-History of Man,” and Routledge’s “English Poets.” How extensive the
-Fine Art business of the firm must have been may be gathered from the
-fact that before 1855 they had paid one engraving house--the Messrs.
-Dalziel Brothers--upwards of £50,000.
-
-In 1854, Mr. Routledge established a branch house at New York, and
-in 1865, Mr. F. Warne--his brother had previously died--on the
-termination of the partnership, established a fresh business in Bedford
-Street, Covent Garden. With his two sons--Mr. Robert and Mr. Edmund
-Routledge--the founder now carries on the business at Broadway, Ludgate
-Hill, having removed thither when the railway improvements took place
-in Farringdon Street.
-
- NOTE.--For these statistics and much of our sketch we are
- indebted to a writer in the _Bookseller_, who “obtained the
- information from trustworthy sources.”
-
-[Illustration]
-
-
-
-
-[Illustration]
-
-
-
-
-_PROVINCIAL BOOKSELLERS._
-
- _York_: _Gent and Burdekin._
-
- _Newcastle_: _Goading, Bryson, Bewick, and Charnley._
-
- _Glasgow_: _Fowlis and Collins._
-
- _Liverpool_: _Johnson._
-
- _Dublin_: _Duffy._
-
- _Derby_: _Mozley, Richardson, and Bemrose._
-
- _Manchester_: _Harrop, Barker, Timperley, and the Heywoods._
-
- _Birmingham_: _Hutton, Baskerville, and “The Educational
- Trading Co.”_
-
- _Exeter_: _Brice._
-
- _Bristol_: _Cottle._
-
-
-In this short chapter on provincial bookselling, we shall be
-necessarily obliged to confine our notice to those representatives
-of the trade in the larger country towns who were characteristically
-as well as bibliopolically famous--who, with their native talent,
-determination, and endurance, would have succeeded in any walk of life,
-had they not, fortunately for the interest of our history, embraced the
-profession of bookselling.
-
-In old days, York was the natural capital of the North of England; a
-position acquired, of course, in times of ecclesiastical supremacy,
-but still retained for centuries after the Reformation. When the cost
-and difficulty of transit were great, the country folk looked to their
-own capital cities to supply them with literary food, and the annals
-of bookselling at York go back to nearly as ancient a date as those of
-London; and, indeed, Thomas Gent, whom we select as our representative
-of the York booksellers, might have figured in the earlier portion of
-our introductory chapter, had he not been reserved for a more fitting
-place here.
-
-Thomas Gent, though of a Staffordshire family, was born in Dublin, and
-was apprenticed by his parents, poor though industrious people, to a
-printer in that city. In 1710, after three years’ brutal treatment from
-his employers, he ran away to London, where, as he was not a freeman of
-the city, he lived upon what he calls “smouting work” for four years,
-and then accepted a situation with Mr. White of York, who, as a reward
-for printing the Prince of Orange’s declaration when all the London
-printers were afraid, had been created King’s printer for York and
-five other counties. White must have enjoyed plenty of business, there
-being few printers out of London at that time--“None,” says Gent, “I am
-sure at Chester, Liverpool, Whitehaven, Preston, Manchester, Kendal,
-and Leeds.” When Gent, terminating his long walk from London, arrived
-at York, the door was opened by “Mistress White’s head maiden, who is
-now my dear spouse,” but he had to wait nearly as long a time as Jacob
-served for Rachel before he could claim “my dearest.”
-
-Gent was as happy in York as he could well be, was earning money and
-respected by all, when his parents bade him come back to Dublin, and
-what made his departure grievous?--“I scarce knew, however, through
-respect of Mrs. Alice Guy.... Indeed I was not very forward in love
-or desire of matrimony till I knew the world better, and consequently
-should be more able to provide such a handsome maintenance as I confess
-I had ambition enough to desire.... However, I told her (because my
-irresolution should not anticipate her advancement) that I should
-respect her as one of the dearest of friends; and receiving a little
-dog from her, as a companion on the road, I had the honour to be
-accompanied as far as Bramham Moor by my rival” (his master’s grandson).
-
-At Dublin he was soon threatened with seizure for having broken his
-apprenticeship, and though his friends offered to buy his freedom, he
-had received a letter from his dearest at York, saying he was expected
-there, and he could not resist the opportunity of meeting her again.
-His friends were much concerned at parting with him so soon, “but
-my unlucky whelp that had torn my new hat to pieces seemed no wise
-affected by my taking boat; so I let the rascal stay with my dear
-parents, who were fond of him for my sake, as he was of them for his
-own.”
-
-After a stay of a few months at York, he came to London, resolved to
-scrape and save money enough to warrant him offering a home to “Mrs.
-Alice Guy,” and in 1817 he became free of the City of London, and set
-to work in grim earnest, “many times from five in the morning till
-twelve at night, and frequently without food from breakfast till five
-or six in the evening, through hurry with hawkers;” for at times he
-was in a ballad-house, now toiling at case, now writing “last words
-and confessions,” now reporting sermons “for a crown piece and a
-pair of breeches”--(profitable penny-a-lining that!)--again printing
-treasonable papers, for which he was seized by the authorities;
-and pirating and abridging “Robinson Crusoe,” the first part of
-which appeared in 1717, for which greater crime he went scot free.
-Occasionally he went home, but scarcely found it worth his while to
-stay in Dublin, and his parents’ “melting tears caused mine to flow,
-and bedewed my pillow every night after that I lodged with them. ‘What,
-Tommy,’ my mother would sometimes say, ‘this English damsel of yours,
-I suppose, is the chiefest reason why you slight us and your native
-country! Well,’ added she, ‘the ways of Providence are unsearchable.’”
-
-Gent, however, “provident overmuch,” made the heart of his English
-damsel sick with hope deferred--and “yet” he writes, “I could not well
-help it. I had a little money, it is very true, but no certain home
-wherein to invite her. I knew she was well fixed; and it pierced me
-to the very heart to think if through any miscarriage or misfortune I
-should alter her condition for the worse instead of the better. Upon
-this account my letters to her at this time were not so amorously
-obliging as they ought to have been from a sincere lover; by which she
-had reason, however she might have been mistaken, to think that I had
-failed in my part of those tender engagements which had passed between
-us.”
-
-After serving some time with Watts, Tonson’s printing partner, and
-also with Henry Woodfall, founder of a long line of famous printers,
-he purchased a quantity of old type from Mist, the proprietor of the
-well-known journal, and just as he was conning over his matrimonial
-prospects, “one Sunday morning as my shoes were japanning by a little
-boy at the end of the lane, there came Mr. John Hoyle. ‘Mr. Gent,’ said
-he, ‘I have been at York to see my parents, and am but just as it were
-returned to London. I am heartily glad to see you, but sorry to tell
-you that you have lost your old sweetheart; for I assure you that she
-is really married to your rival, Mr. Bourne.’ I was so thunderstruck
-that I could scarcely return an answer.”
-
-In this grief he betook himself to the Muse, and as he had formerly
-earned the title of the Bellman’s Poet, he indicted the “Forsaken
-Lover’s Letter to his Former Sweetheart,” to a tune “much in request,
-and proper for the flute;” and not caring that his master should know
-of his great disappointment, he gave the copy to Mr. Dodd, “who,
-printing the same, sold thousands of them, for which he offered me a
-price; but as it was on my own proper concern, I scorned to accept of
-anything except a glass of comfort or so.” “Proper concerns” in the
-shape of heartaches, disappointments, and miseries, have been traded
-in to better purpose by less modest singers, but Gent’s mental anguish
-seems sincere; he “was then worn down to a shadow,” and weary of his
-endless and now purposeless struggle. Work, however, a palliative if
-not a cure, was again eagerly resorted to, and Gent found employment
-first with Mr. Samuel Richardson, and afterwards, and more permanently,
-with Mrs. Dodd. Here he continued till on another “Sunday morning
-Mr. Philip Wood, a quondam partner of Mr. Midwinter’s, entering my
-chambers--‘Tommy,’ said he, ‘all these fine material of yours must be
-moved to York,’ at which, wondering, ‘What mean you?’ said I. ‘Ay,’
-said he,’ ‘and you must go to, without it’s your own fault; for your
-first sweetheart is now at liberty, and left in good circumstances by
-her dear spouse, deceased but of late.’ ‘I pray heaven,’ answered I,
-‘that his precious soul may be happy; and for aught I know it may be
-as you say, for indeed I think I may not trifle with a widow, as I
-have formerly done with a maid.’” So he paid forthwith his coach fare
-down to York, and found his dearest much altered, for he had not seen
-her these ten years. There was no need of new courtship, “but decency
-suspended the ceremony of marriage for some time, till my dearest,
-considering the ill-consequence of delay in her business, as well as
-the former ties of love that passed innocently between us, by word and
-writing, gave full consent to have the nuptials celebrated.”
-
-But, alas! when he became a master instead of a servant, and she a
-mistress instead of a maid, he found her “temper much altered from
-that sweet natural softness and most tender affection that rendered
-her so amiable to me while I was more juvenile and she a widow. My
-dear’s uncle, White, as he calls himself, who, as the only printer
-in Newcastle, had heaped up riches,” was angry that he had not been
-chosen to manage his niece’s shop, and actually came to York to found
-a rival establishment. Gent started a paper, and, though he persevered
-in its publication for many years, he was at length out-rivalled by
-White. In the publication of books he was much more successful. In
-1726 he printed some books “learnedly translated into English by John
-Clarke, a schoolmaster in Hull,” as well as two editions of Erasmus.
-But the works by which he acquired most money and reputation were
-written as well as published by himself--“The Famous History of the
-City of York,” “History of the Loyal Town of Ripon,” and the “History
-of the Royal and Beautiful Town of Kingstown-upon-Hill.” At this time
-his business is thus described by a card still existing:--“Within his
-well-contrived office aforesaid printing is performed in a curious and
-judicious manner, having sets of fine characters for the Greek, Latin,
-English, Mathematics, &c. He sells the histories of Rome, France,
-England, particularly of this ancient City, Aynsty, and extensive
-County, in five volumes; likewise a book of the holy life of St.
-Winnifred, and her wonderful Cambrian fountain. He has stimulated an
-ingenious founder to cast such musical types, for the common press, as
-never yet were exhibited; and has prepared a new edition of his York
-History against the time when the few remaining copies of that first
-and large impression are disposed off.” He died, however, at York in
-1778, in his eighty-seventh year, in somewhat reduced circumstances,
-solely, he alleges, through the animosity of his uncle White. The
-manuscript of his interesting autobiography was discovered casually
-in Ireland, and was published only in 1832. From its quaintness and
-simplicity, above all from its minuteness of detail, it is evident
-enough where the abridger of “Robinson Crusoe” borrowed his manner and
-style; and the reader will probably not quarrel with us for having
-given as much of the narrative as possible in the author’s own words.
-
-Chief among the more recent York booksellers was Richard Burdekin, who
-died only twelve years since. In his younger days he was a traveller to
-the local firm of Wilson & Sons, who at the beginning of the century
-were well known as publishers of the works of Lindley Murray, which
-are said at that time to have achieved an annual sale of 100,000
-copies. What Burdekin’s efforts in his masters’ service were, we can
-gather from the fact that he rode his favourite horse 30,000 miles
-in search of orders, which in a short time doubled the receipts of
-his employers. Soon he joined Spence in an old-established business,
-and eventually became senior partner of the firm. His trade extended
-to forty miles round York, and for fifty-five years he continued to
-sell, and in a lesser degree to publish, such books as might suit the
-inhabitants of the three ridings.
-
-We have seen that Gent describes his dear’s uncle White as having
-heaped up riches as the only Newcastle printer. He could, however,
-scarcely have been the only printer there, for we find that even when
-Charles I. made Newcastle his headquarters he brought with him Robert
-Barker, who had, as we have elsewhere noticed, enjoyed certain patents
-under the two preceding monarchs. If there were no previous printers
-at Newcastle in Barker’s time, one, at least, must have started very
-shortly afterwards, for in 1656 we find the death of “James Chantler,
-bookseller,” recorded, and in those times the booksellers were mainly
-supplied from local sources.
-
-From Chantler’s time we find that books and stationery were the staple
-commodities of Tyne Bridge, and for nearly a couple of centuries the
-“brigg” has been a favourite resort of the trade. We find the names of
-Randell, Maplisden, Linn, and Akenhead occurring in the list of the
-Newcastle Stationers’ Company; and at the close of 1746 John Goading
-printed the first number of the _Newcastle General Magazine_. “For too
-long,” said the preface, “had the northern climes been deprived of a
-repository of learning; too long had those geniuses that now began to
-shine been consealed in darkness for want of a proper channel to convey
-their productions into light;” but in 1760 the northern geniuses were
-again “consealed in darkness,” for the magazine came to an end. Four
-years later, however, Thomas Slack founded the _Newcastle Chronicle_,
-which has gone on continuously to the present day, being now one of the
-very best daily papers out of London. To its columns we are indebted
-for much of the preceding.
-
-Goading had continued his general publishing business with some energy,
-and in 1751 he issued Blenerhasset’s “History of England”--from the
-landing of the Phœnicians to the death of George I.--and in his list of
-subscribers we find no less than eight Newcastle booksellers, one of
-whom was Martin Bryson, the friend and correspondent of Allan Ramsay,
-the Scotch poet and Edinburgh bookseller, who addressed a letter to him
-in rhyme--
-
- “To Martin Bryson, on Tyne Brigg,
- An upright, downright, honest Whig.”
-
-Bryson’s name occurs on a title-page as early as 1722. His house and
-stock were destroyed by the great Newcastle fire of 1750, and after
-this occurrence he took, William Charnley, the son of a Penrith
-haberdasher and one of his many apprentices, into partnership.
-
-To diverge for a moment from this pedigree of bibliopoles, we come to
-by far the greatest name connected in any way with the production of
-books at Newcastle--that, of course, of Thomas Bewick; and though his
-life belongs more properly to the history of engraving, for many years
-the books that were illustrated by his pencil gave the northern town
-such a world-wide reputation that we feel justified in devoting a page
-or two to his memory.
-
-Thomas Bewick was born at Cherryburn, twelve miles to the west of
-Newcastle, in 1753, receiving a limited, but as far as it went a
-thorough education; his genius displayed itself in early childish
-days by such chalk drawings on barn-walls and stable-doors as have
-almost invariably discovered the bent of youthful artistic genius. At
-the age of fifteen he was apprenticed to Mr. Beilby, of Newcastle, an
-engraver in copper-plate, and though Beilby’s business lay rather in
-the production of brass door-plates, and the emblazoning of spoons and
-watches, than in Fine Art illustrations, the master soon appreciated
-and encouraged his pupil’s wonderful talents. During the period of
-his apprenticeship, young Bewick paid only ninepence a week for his
-lodging, and brought back a coarse brown loaf in every weekly visit to
-his home at Cherryburn. As soon as his term of seven years had expired,
-he still continued in Beilby’s service, but devoted himself henceforth
-to wood-engraving. Shortly afterwards he received a premium from the
-Society of Arts for a woodcut of the “Huntsman and the Old Hound,”
-and this induced him in the following year to go to London in quest
-of labour and fortune, but he found the metropolis so little to his
-liking that he writes home: “I would rather be herding sheep on Mickley
-Bank-top than remain in London, although for doing so I was to be made
-the premier of England.” With his distaste for town life and his strong
-love for the country--for its scenery changing with every season, for
-its living forms of animal and plant life, for all, in short, that
-incessantly appealed to a wonderful artistic instinct, Bewick was
-easily persuaded by his old master, Beilby, to return to Newcastle, and
-enter into partnership with him--his brother John becoming their joint
-apprentice. The publication of the illustrations to “Gay’s Fables,” and
-the “Select Fables,” by the brothers, spread their reputation far and
-wide, and placed them far above competition in the art. In 1785, Thomas
-Bewick began the cuts for his “History of Quadrupeds,” though the work
-was not completed and published until 1790. The “text,” or literary
-matter, was contributed by his partner, Beilby, but it was of course on
-account of the illustrations that three large editions were called for
-within three years. In this successful venture, the two partners were
-associated with a printer of the name of Hodgson, and unfortunately,
-after his death, the arrangement was made the grounds of dispute by
-his widow, and Bewick was compelled to remove the printing of the work
-to another establishment. In 1797 appeared the first volume of the
-“History of British Birds,” and almost immediately afterwards, Beilby
-retired from the partnership, leaving Bewick to produce and compile
-the work alone. The tail-pieces in the first edition of the Birds
-are considered Bewick’s _chefs d’œuvres_--as Professor Wilson says,
-“There is a moral in every tail-piece--a sermon in every vignette....
-His books lie on our parlour, bed-room, dining-room, drawing-room and
-study tables, and are never out of place or time. Happy old man! The
-delight of childhood, manhood, decaying age!” After founding a famous
-school for wood-engravers at Newcastle--William Harvey was among his
-pupils--Bewick died in 1828, leaving the business to his son, Mr. R. E.
-Bewick.
-
-Charnley left Bryson in 1755, and started a circulating library of 2000
-volumes, the subscription being twelve shillings a year, and though
-this method of disseminating books had only been practised in London
-within the previous twenty years, we find that one Barba, who dabbled
-likewise in prints and tea, had already been for some years in the
-field. When Bryson died, Charnley succeeded to his business on the
-bridge, and after having been washed out by an overflow of the river,
-he removed to safer premises in the Great Market in 1777. Charnley died
-in 1803. An anecdote connected with him is still gleefully told by the
-Newcastle pitmen, and is worth repeating. He was deaf and obliged to
-use an ear-trumpet; and on being accosted by a collier, he clapped, as
-usual, his instrument to his ear, in order to catch the words. “Nay,
-man,” cried the pitman, not to be imposed upon; “thou’s not gaun to mak
-me believe thou can play that trumpet wi’ thy lug!”
-
-Emerson Charnley succeeded his father, and was styled by Dibdin
-“the veteran emperor of Northumbrian booksellers;” till 1860 this
-old established business remained in the family, when it became the
-property of Mr. William Dodd, for many years its manager.
-
-We have already referred so often to the Scotch publishers, that we can
-only find room for Glasgow as representing the Scotch provincial trade.
-Printing was introduced there in the year 1630 by George Anderson,
-who was succeeded in 1661 by Robert Saunders, and the whole printing
-business of the West of Scotland (except one newspaper) was carried on
-by Saunders and his son until 1730, when the art was further improved
-by R. Uric. Five years later it appears from Morrison’s “Dictionary
-of Decisions of the Court of Sessions” that a new comer “was debarred
-from any concern in bookselling within the city of Glasgow, because
-the place was judged too narrow for two booksellers at a time.” In the
-teeth of this arbitrary decision Robert Fowlis, who as a young barber
-had attracted the notice of some of the university professors, and had
-been encouraged to attend the lectures, opened a book-shop in 1739. In
-1743 he was appointed printer to the university, and in the following
-year he produced his celebrated immaculate edition of “Horace,” which
-was hung up on the college walls with a reward appended for every
-mistake discovered. In the course of thirty years they produced as many
-well printed classics as Bodoni of Parma, or Barbon of Paris, and their
-books, in exactness and beauty of type, almost rival the Aldine series.
-They endeavoured to devote the money which their success brought them
-in to the establishment of an academy for the cultivation of the Fine
-Arts, but this grand, and then novel, project produced their ruin,
-without in any way affecting the artistic taste of Scotland. After
-the death of his younger brother, Robert was compelled to send the
-collection of pictures to London for sale, and as he was in immediate
-want of money he insisted upon the auction taking place at a time when
-the picture market was glutted. The sale catalogue forms three volumes,
-and yet after all expenses were defrayed the balance in his favour
-amounted only to fifteen shillings. He died on his way back to Glasgow
-in 1776.
-
-The bookselling and book-manufacturing trades have changed strangely
-in Glasgow, since the time when the city was judged “too narrow” for
-two booksellers. At present these branches of industry are only
-surpassed in Edinburgh, and one Glasgow establishment at least is
-without a parallel in London. Messrs. Collins, Son, and Co., actually
-give employment to about seven hundred hands. The ground-floor of
-their immense building is devoted to the warehousing of paper,
-account-books, copy-books and general stationery. On the main floor of
-the establishment one hundred binders are constantly at work, and on
-the floor above the folding and sewing of the sheets is executed by
-two hundred girls and women. In the rear stands the engine-house and
-printing office where sixteen platten and cylinder typographic machines
-are kept working at full steam, upon dictionaries, school-books,
-Bibles, prayer-books, devotional, and other publications. Seven
-lithographic machines are constantly employed upon atlases and
-their celebrated copy-books, and it has been found that the finest
-lithographic work can be better executed by the machine than, as till
-very recently, at press. Everything is done on the premises, which
-extend from Stirling’s Road to Heriot Hill, except making the paper and
-casting the type.[32]
-
-As further proof of the magnitude of the business, we may quote a
-recent statement of Mr. Henderson, one of the partners. In 1869 there
-were “issued from the letter-press section of the establishment, no
-fewer than 1,352,421 printed and bound works--equal to about 4500 per
-day, or 450 passing through the hands of the workers every working
-hour.”
-
-Little more than a hundred years ago the great seaport town of
-Liverpool was a little fishing village, and, consequently, the
-bookselling trade there is of a very recent growth. Among the first
-important members of the fraternity were Darton and Freer; but perhaps
-the most famous Liverpool bibliopole of his day was Thomas Johnson.
-He started in Dale Street, in 1829, with a stock of books only large
-enough to fill the bottom shelves of his window; and at the back of his
-shop, scarce hidden, he kept his bed and household utensils. However,
-he had the happy knack of making friends in all quarters; and when at
-a large trade sale, offered on unusually advantageous terms, he had
-speedily emptied his meagre purse, and was looking wistfully at the
-bargains falling to all his neighbours, a Liverpool merchant bade him
-go on purchasing to the extent of £100 or £150, adding that he himself
-would take the risk. This timely aid set Johnson up in a comparatively
-princely manner, and after he had been in business a few years his
-periodical catalogue extended to 300 pages. At this time the country
-booksellers were chiefly dependent for their stocks upon the sales of
-private libraries, but the Liverpool booksellers possessed another
-large means of supplying their wants. The Bible Society in Dublin was
-very busy in distributing new Bibles in all directions, which the good
-Catholics at once carried to the pawnshops. These were purchased again
-by Mr. Duffy, who brought them over to Liverpool in huge sacks, and
-exchanged them for books more agreeable to the Irish taste.
-
-By degrees Johnson combined publishing and auctioneering with the
-more legitimate business. His first venture in the former capacity
-was Abbot’s collected works; but by far his most successful were the
-Lectures on “Revivals,” and on “Professing Christians,” by Mr. Finney,
-of which he sold 150,000 copies. As an auctioneer, he was a lesser, or
-Liverpool edition, of Tegg, and his rooms under the Liver theatre were
-crowded nightly. On one occasion Johnson is said to have purchased the
-entire contents of Baldwin’s Bible room, and he was well known to have
-been the largest consumer of Bibles out of London; and when Arnold left
-the Bagsters, and commenced Bible printing on his own account, Johnson
-was his favourite customer. Arnold’s puffing hand-bills vie with the
-choicest pill-mongering productions. After a violent tirade against
-Puseyism he continues thus, _re_ his “Domestic Bible,” and “Bible
-Commentary:”--
-
-“He has provided you the seed; He will help you to sow it, He will
-help you to reap it. Sow it then, sow freely--sow largely--sow
-bountifully--sow perseveringly. It may be bought cheaply--may be had
-in any quantity--has never been known to fail in its effects. There
-are agents for its sale in every town in Great Britain, you may obtain
-it from any bookseller in penny and threepenny packages. Sow it, men
-of Britain--sow it in schools--in families--in every town--in every
-village--in every hamlet of England, Wales, and Scotland. Sow it beyond
-the sea--for it will grow on foreign shores. Send it to Ireland, to
-the Colonies, to India, to China, and sow it there. Send it to the
-continent and to Africa and sow it there.” And so on _ad nauseam_.
-The seed, however, proved very unprofitable to Arnold; and shortly
-after his failure Johnson was also obliged to give up business, having
-signed some unfortunate bills. He afterwards rejoined his father in
-Manchester.
-
-Another well-known Liverpool bookseller was “Dandy” Cruikshank, of
-Castle Street, who maintained that he was the handsomest man in
-England, and whose vanity extended to his trade, for his specialities
-were books bound in pink and orange.
-
-At the present time there are about sixty booksellers in Liverpool;
-and Mr. Edward Howell, an apprentice of Johnson’s, possesses the
-largest stock, consisting of 100,000 volumes, and is known also as a
-religious publisher. Mr. Philip, another leading bookseller, has two
-establishments in Liverpool, and a branch house in London, while Mr.
-Cornish, of Holborn, has an establishment in Liverpool, as well as in
-Dublin.
-
-Crossing the Channel for a moment, we have an opportunity of saying
-something of the Dublin booksellers; but we shall not be detained long,
-as, in this branch of industry, the Irish capital presents a striking
-contrast to the Scottish. In the interval between the cessation of
-the licensing system and the Copyright Act of the 8th Anne, there
-was no legal protection for literary property, and book-pirates
-consequently abounded. One of the tribe has been celebrated by Dunton:
-“Mr. Lee, in Lombard Street--such a pirate, such a cormorant never was
-before--copies, books, men, ships, all was one; he held no propriety,
-right or wrong, good or bad, till at last he began to be known; and
-the booksellers, not enduring so ill a man among them, to disgrace
-them, spewed him out, and off he marched for Ireland, where he acted as
-felonious Lee (!) as he did in London.” There, however, till the Act of
-Union, in 1801, book-pirates abounded, greatly to the discouragement
-of native talent, and even of native industry, for Gent tells us
-repeatedly that it was almost impossible for a journeyman printer to
-earn wherewithall to exist on in the Dublin printing offices. In 1753
-we find Samuel Richardson publishing a pamphlet--“The History of Sir
-Charles Grandison before Publication by certain Booksellers in Dublin.”
-It appears that sheets had been stolen from Richardson’s warehouse, and
-that three Irish booksellers each produced cheap editions of nearly
-half the entire novel, before a single volume had appeared in England.
-There was no legal remedy; but “what,” asks the _Gray’s Inn Journal_
-indignantly, “what then should be said of Exshaw, Wilson, and Saunders,
-booksellers in Dublin, and perpetrators of this vile act of piracy?
-They should be expelled from the Republic of Letters as literary Goths
-and Vandals, who are ready to invade the property of every man of
-genius.” With the Act of Union, however, the Dublin booksellers were
-made amenable to English law, and a dolorous cry arose that their trade
-was ruined, and that the “vested right” they had inherited, to prey
-upon the Saxon, had been abolished by the cruel conquerors. From this
-moment, of course, Irish bookselling was obliged to take a higher tone.
-In a few years the _Dublin Review_ and the _Dublin University Magazine_
-vindicated the intellectual powers of the natives, and for a long time
-were widely circulated in Ireland, and were then mainly indebted to
-the enterprise of Irish authors and booksellers. When the Commission
-of National Education was appointed in Ireland, Mr. Thom was selected
-as a publisher, and, through their pecuniary aid, was enabled to bring
-out a series of “Irish National School Books,” that for cheapness
-and excellence are probably still unrivalled. These led, as we have
-previously seen, to petitions from the English publishers, complaining
-of state interference with the ordinary and commercial laws of
-bookselling, and to trials for infringement of copyright. However, in
-the long-run the Irish Commissioners were successful, and Mr. Longman,
-one of the complainants, eventually accepted their English agency.
-Besides his connection with the Commission, Mr. Thom has acquired a
-reputation in the Bookselling world by his excellent “Irish Almanac,”
-which, till recently, was unrivalled by the English almanacs of any
-London firms.
-
-Latterly, however, Irish bookselling, as far as individual enterprize
-goes, has been commonly associated with the name of James Duffy. He was
-born in 1809, and after being apprenticed to a draper in the country,
-found employment in Dublin, and here, like Robert Chambers, he invested
-his spare coppers in picking up old books. At last he found trade so
-bad that he determined to emigrate, and accordingly, as he possessed
-no funds, he took his books to an auctioneer; at the sale, to his
-surprise, he found that the books he had purchased for pence, now
-produced as many shillings. Upon this he determined to drop the scheme
-of emigration, and to turn bookseller. As we have before mentioned, he
-collected the Bibles which the Catholics received from the Church of
-England propagandists only to turn into money, and took them over to
-Liverpool, where he exchanged them for books less unlawful in Papist
-eyes. At first he hawked these about the country, but eventually took
-a place of business in Anglesea Street, Dublin, and there began to
-publish the “Bruton Series” of thrilling tales of robbers, battles,
-adventures, and the like, at the low price of twopence each. In 1842 he
-was appointed bookseller to the Repeal Agitators, and produced, under
-their auspices, the “Library of Ireland,” consisting of patriotic and
-national collections of poems, &c., edited or written by some of the
-most brilliant of the National party. However, the movement for Repeal
-collapsed, and before this Duffy had discerningly turned his attention
-to less ephemeral publications, and produced editions of Carleton,
-Banin, and other native celebrities. The famine of 1846 affected every
-trade, and as the people had no money to buy bread, the sale of books
-was, of course, utterly hopeless, and Duffy found that he could not
-meet his engagements. His creditors granted him time, and the money was
-to be paid in instalments. He sold his copyrights in England, and paid
-the first instalment promptly. But when the time was due for the second
-he saw no prospect of meeting it. A neighbour, however, called John
-Donnegan, hearing that he was ruined, carried him a stocking full of
-money, his lifetime’s hoardings, threw it down before him, with “Just
-take that, and see if it is any use to you! Pay me when you can,” and
-refusing to take any receipt, rushed out again. The stocking contained
-nearly £1200, and Duffy was able not only to pay his creditors, but to
-turn his attention to the publication of more important works than he
-had hitherto attempted, such as the Douay Bible, Missals, Prayer-books,
-and many historical works, and it was not long before he was in a
-position to repay the kindly loan. About 1860 he opened a branch house
-in London, and at that period the success of his publishing career may
-be said to have culminated, for after the death of his wife he confined
-himself almost entirely to disposing of his old stock. He died on the
-4th of July of the year 1871, regretted by his fellow-citizens in
-Dublin, and by his brother bibliopoles throughout the kingdom.[33]
-
- * * * * *
-
-If it were not for want of space there are several towns in the Midland
-Counties which deserve notice here on account of their bibliopolical
-fame--none more so, perhaps, than Derby, which at present possesses
-no less than three large bookselling firms, which have also branch
-businesses in London, Messrs. Richardson and Son having in addition
-another establishment at Dublin. As Roman Catholic publishers some
-of their productions have achieved an enormous circulation, notably
-“The Crown of Jesus,” which, honoured with the approval of the Pope,
-and of all the English dignitaries of the Roman Catholic Church, long
-since attained an issue of 100,000 copies. The works of Frederick
-William Faber, D.D., late of the Oratory of St. Philip Neri, have
-also been among the most popular of Messrs. Richardson and Son’s
-publications. The Mozleys, of Derby, have long been in the trade, and
-are represented both in the country and in London; one of the family
-was well known in connection with the editorial staff of the _Times_
-newspaper. The Mozleys publish the _Monthly Packet_, edited by Miss
-Younge, and also the majority of that lady’s separate works. A third
-firm, Messrs. Bemrose and Sons, have gained a considerable reputation
-as archæological publishers, and as the proprietors of Mrs. Warren’s
-“Household Manuals.”
-
-At Halifax, where the book trade is of a more recent date, Messrs.
-Milner and Sowerby, by their services in the cause of cheap
-publications of really good and standard works, have done much to
-counteract the effects of cheap and pernicious literature. “The Cottage
-Library” has long been known all over England, and was one of the first
-shilling series of really good books published--certainly the first in
-a neat form and with a neat binding, issued at this low price, and is
-still, in its extent and scope, unrivalled.
-
-Manchester was one of the first provincial towns in England to which
-the printer and bookseller came, for it must be remembered that the
-trades were for centuries almost synonymous. The art of printing is
-said to have been introduced here in 1588, when Penny went through
-the kingdom with an itinerant press, but his plant was seized and
-destroyed by the fifth Earl of Derby. However, the innovation was
-effected, and the new art was firmly lodged. Manchester, nevertheless,
-in these early days was a place of such importance that a mere
-catalogue of the members of the trade would more than fill the few
-pages at our command. Among the booksellers of the last century we
-can only mention Haslingden, who published “Tim Bobbin”--a book
-still famous; the Sowlers, one of the descendants of whom started
-the _Courier_, under the editorship of Alaric A. Watts, in 1825,
-and the journal still enjoys a wide popularity; Joseph Harrop, who
-originated the _Manchester Mercury_ in 1752, published the “History
-of Man” in sixpenny numbers, but Harrop’s well-known folio Bible was
-issued by his son and successor; the firm of Clarke Brothers amassed
-a large fortune in school books and stationery; and about the same
-time Banks and Co. were also doing an immense trade upon a thoroughly
-reprehensible system. Hayward, who was their managing partner, opened
-shops in various places, placed his own servants in possession, and
-made them accept bills to a very large amount. These bills were
-discounted at the Manchester Bank, and when the crash came the bank
-was a creditor upon the estate to the amount of £120,000, while the
-London publishers were indebted to the extent of £100,000. Among the
-shopmen in charge under Hayward’s system was Timperley, a printer, and
-a man of considerable literary ability. To pay the debts contracted
-through this wholesale acceptance of bills, he consigned his stock to
-an auctioneer, who, after disposing of it by auction, ran off with the
-proceeds of the sale. Timperley, heart-broken by misfortune, accepted
-a literary engagement with Fisher and Jackson, of London, and in
-their service he died. In early days he had been a soldier, had gone
-through many campaigns, had served at Waterloo, and had well earned
-his pension of a shilling per diem. He is now known chiefly as the
-author of the “Manchester Historical Recorder,” and of “Timperley’s
-Typographical Dictionary”--one of the most accurate, laborious, and
-voluminous compilations ever made, and one to be gratefully remembered
-by all students of the history of the printing press in this country.
-Another worthy of typographical fame was Bent, who, after doing a large
-bookselling business among the Manchester Unitarians, then, at all
-events, the most cultivated portion of the inhabitants, started “Bent’s
-Literary Advertiser,” the first bookseller’s organ, and which latterly
-has been incorporated in the _Bookseller_. The _Bookseller_ was started
-in 1857 by Mr. Whitaker, and among its earliest contributors were many
-men of some note, especially Alaric Watts. From the first it filled an
-acknowledged void, and, as a trade journal, has never been surpassed.
-From the interest of the notes and trade gossip contained in its pages,
-as well as from the more solid information in its lists of works and
-announcements, it has secured a wide popularity here and abroad, and
-has been the precursor of similar journals in America and elsewhere.
-
- * * * * *
-
-Among other important Manchester publishers were R. & W. Dean, who
-introduced stereotyping into the city, and issued a large series of
-popular and useful books. From some cause or another, they failed, and
-their stereos came into the possession of Samuel Johnson, the father
-of the Liverpool bookseller. Johnson now became a publisher on a very
-extensive scale, and is said to have been the originator of the royal
-32mo. literature, which is now chiefly identified with Halifax.
-
-In our own times, Manchester bookselling has been principally
-represented by the brothers Abel and John Heywood--a name almost as
-widely known as that of any London firm. The brothers were born at
-Prestwich, of very humble parentage; their father, indeed, is said at
-one time to have been in receipt of parish relief. Abel began life as
-a warehouse boy, on the scanty pittance of eighteenpence a week; but
-at the age of twenty he was summarily dismissed by his master in a fit
-of passion. He now obtained the wholesale agency for the _Poor Man’s
-Guardian_, and was very shortly afterwards fined £54 for selling it
-without a stamp. He could not pay the fine, and was sent to prison for
-four months; but his family managed the shop during his incarceration,
-still selling the _Guardian_ as before, but in a quieter manner. In
-1834 and in 1836 he was again fined, but now he could afford to pay.
-The Government next tried to seize the papers while in the hands of the
-carriers, and they were obliged consequently to be sent through the
-country carefully concealed--embedded in a chest of tea or a hamper
-of shoes. As soon, however, as the duty was reduced from fourpence to
-a penny, the poorer classes were able to pay for stamped papers. Abel
-Heywood was, nevertheless, again the subject of a legal prosecution for
-the publication of a penny pamphlet by Haslam. Acting with vigorous
-promptness, he caused three or four copies of Shelley’s works to be
-purchased from the chief Manchester booksellers, and then contended
-that the poems were more blasphemous than his pamphlet. The Government
-did not care to excite the ill-feelings of the reading public by
-sending booksellers of position to prison, and as the cases were
-precisely similar, they relinquished the prosecution. Probably this
-decisive conduct suggested the same course to Hetherington, who was
-afterwards the cause of that famous trial, the Queen _v._ Moxon.
-
-In 1838, Fergus O’Connor started the _Northern Star_, and for four
-years its prosperity at the time was unexampled. Heywood sold 18,000
-copies weekly. By degrees his periodical trade increased enormously.
-In 1847 he joined some paper-stainers, and the firm soon became one
-of the largest in the world. In the year 1860 the paper duty paid by
-them amounted to more than £20,000. Among the most successful of his
-recent publications have been “Abel Heywood’s Penny Guide Books.” The
-series now embraces upwards of seventy-five numbers, referring to every
-place of importance or interest in the kingdom. He has also issued the
-whole of the popular tale, “The Gates Ajar,” for the same price--one
-penny--giving in a pamphlet form what usually occupies a goodly volume.
-
-Abel Heywood, however, was as well known as a distinguished public man
-as a successful bookseller. In 1835 he was appointed a Commissioner
-of Police, and during the Manchester riots in 1842 and 1849 he took
-a conspicuous part in quelling the disturbances. Elected to the
-corporation, he became an alderman in 1853, and in 1859 he was third in
-the list of candidates at the general Parliamentary elections. In 1862
-he was elected Mayor of Manchester; in 1864 he took his son, Abel, into
-partnership.
-
-John Heywood commenced life in the same lowly circumstances as his
-brother, and at the age of fourteen found employment as a handloom
-weaver. Within ten years his wages rose from half-a-crown to thirty
-shillings a week; and when in receipt of this latter sum he regularly
-allowed his mother a pound a week. At the age of four-and-twenty he
-married, and to improve his worldly position, accepted the management
-of a small factory at Altrincham, in Cheshire; but as the speculation
-proved a failure, he returned to his former occupation of “dressing”
-for power-loom weavers, at which he remained until his thirty-fifth
-year. Desirous of rendering even his spare time profitable, he had
-bought a paper-ruling machine, upon which he worked in the evenings;
-and Abel, who was now a successful bookseller in Oldham Street, offered
-him a situation in his establishment as paper-ruler, with a salary of
-two pounds a week: and in his brother’s employ he remained for seven
-years. In 1842, however, determined to make a start for himself, he
-took a little shop in Deansgate, and, assisted by his son John, a lad
-of thirteen, the business, originally infinitesimal, increased rapidly
-and vastly. At first they confined their efforts almost entirely to the
-sale of weekly or Sunday papers, and they were able to carry abroad
-conveniently under their arms all the newspapers they could dispose
-of. In a few months, however, the aid of a wheelbarrow was required,
-and this, in turn, was discarded for a pony and trap. After adding
-every possible enlargement to the old premises, they were obliged in
-1859 to take a shop on the opposite side of the street; and year after
-year, as the business expanded, addition after addition was made to the
-premises, until three buildings were rolled into one, and at the end
-of another seven years a huge six-storey manufactory was built in the
-rear of the triangular shop. The increase of the working staff kept
-pace with the growth of the establishment, and now, instead of the
-armful or the barrow-load, a special railway truck, with a freightage
-of about two tons, comes down from London five times a week; some
-hundred and fifty assistants supply the place of the lad of thirteen,
-and nine spring-carts have been introduced in lieu of the little pony
-trap. A thousand parcels are made up each day, and between three and
-four hundred orders are received by every morning’s post; for, besides
-being the largest newsvendors and booksellers out of London, the firm
-are the largest copybook makers in the kingdom. Fifteen hundred gross
-of copybooks are despatched from the warehouses every month; and it
-is stated that the weekly issue of newspapers, magazines, and other
-periodicals amounts to the almost incredible number of a quarter of a
-million.
-
-In 1864, John Heywood, senior, died, and the business devolved upon his
-son, who had inherited all his father’s energy and industry. In 1867
-he introduced a platten printing machine, adapted to take impressions
-from the stereo-plates of his school-books--known as “John Heywood’s
-Code,” “John Heywood’s Manchester Reader,” &c.--and before long he
-resolved to become a regular printer as well as a publisher, and the
-“Excelsior Printing Works” were erected about a mile from Deansgate,
-where 355 people are constantly employed in the manufacture of books,
-in a manner very similar to that previously described in our accounts
-of the Messrs. Nelson and Collins, of Scotland. Among the books
-published by Mr. John Heywood are dialectic works, many of which are
-regarded, justly, as Lancashire classics. One of his latest triumphs
-has been the issue of the “Science Lectures for the People,” delivered
-at the Hulme Town Hall, and sold separately at a penny each--a fact
-that says something as to the good taste of the factory lads. Four
-monthly and three weekly periodicals are published by Mr. John Heywood.
-Of the former the _Railway Guide_ is the most widely circulated, while
-the _Lithographer_ is indispensable to the many decorative artists of
-the neighbourhood; and _Ben Brierley’s Journal_, with its vernacular
-contributions, finds its way to every Lancashire fireside. Of the
-latter, the _Sphinx_, a satirical journal, is the most popular.
-
-The career of the two Heywoods is a striking example of the labour,
-energy, and success which Lancashire folk are apt to think the true
-attributes of the typical “Manchester man;” and if they have not been
-instrumental in adding much to the higher literature of the world,
-their publications have very widely extended the taste for knowledge
-among the lower orders in the north of England.
-
- * * * * *
-
-Even in Birmingham the trade of bookselling was introduced at a
-comparatively recent date. Dr. Johnson tells us that his father used
-to open a bookstall here on market days; and Boswell adds, in a note,
-that there was not then a single regular bookshop in the whole town.
-Elsewhere he tells us that “Mr Warren was the first established
-bookseller in Birmingham, and was very attentive to Johnson, who
-he soon found could be of much service to him in his trade by his
-knowledge of literature; and he even obtained the assistance of his
-pen in furnishing some numbers of a periodical essay, printed in
-the newspaper of which Warren was proprietor.” Mr Warren, however,
-though Johnson’s first encourager, has long since been forgotten, and
-Birmingham bookselling is now universally identified with the name of
-William Hutton; and from his autobiography, published in 1816--perhaps
-the most interesting record of a self-made life that has ever been
-personally indited--we give a short sketch of his career.
-
-William Hutton was born at Derby, in 1723. His father, a drunken
-wool-comber, scarcely brought home wherewithal to keep the wretched
-family from starvation, and “consultations were held (when the child
-was six years old) about fixing me in some employment for the benefit
-of the family. Winding quills for the weaver was mentioned, but
-died away. Stripping tobacco for the grocer, by which I was to earn
-fourpence a week, was proposed, but it was at last concluded that I
-was too young for any employment.” Next year, however, the result of
-the consultation was otherwise, and he was placed in a silk-mill;
-the youngest, and by far the smallest, of the 300 persons employed,
-a lofty pair of pattens were tied on to his feet so that he might be
-able to reach the engine; and he continues:--“I had now to rise at
-five every morning, summer and winter, for seven years; to submit
-to the cane whenever convenient to the master; to be the constant
-companion of the most rude and vulgar of the human race; never taught
-by nature, nor ever wishing to be taught.” Brutally treated, so that
-the scars of his chastisements remained on his body through life, he
-left the mill as soon as ever his apprenticeship expired; “a place,”
-he says, “most curious and pleasing to the eye,” but which had given
-him a seven years’ heart-ache. He was now bound for another term to
-an uncle--a stocking-maker at Nottingham. “My task was to earn for my
-uncle 5_s._ 10_d._ a week. The first week I could reach this sum I was
-to be gratified with sixpence, but ever after, should I fall short or
-go beyond it, the loss or profit was to be my own.” In this situation,
-he was not only thrashed by his master, but starved by his aunt;
-and, goaded by the taunts of the neighbours, he fled away, but was
-reluctantly compelled to return. In 1744 his apprenticeship expired,
-and for two years longer he remained as a journeyman in the same
-employment, but he now made the melancholy discovery--for all trade
-was in a very wretched condition at the time--that he had served two
-separate terms of seven years, to two separate trades, and yet could
-subsist upon neither.
-
-A gradually acquired taste for reading led him to purchase a few
-books, and their tattered condition prompted him to try his hand at
-binding; and, as he could get no employment in his own avocations,
-he determined to start afresh as a bookbinder. His friends sneered at
-his ambitious hopes, but his sister supported him firmly. There were
-no binding tools to be purchased then in the country, so his sister
-“raised three guineas, sewed them in my shirt-collar, for there was no
-doubt but I should be robbed,” and put eleven shillings in his pocket
-as a sop to the expected highwayman, and off he started for London,
-walking fifty-one miles the first day and reaching it on the third.
-Here he invested his three guineas in tools, and stayed three days,
-seeing all that could be seen for nothing, his only paid entertainment
-being a visit to Bedlam, which cost a penny. Three days more, and
-he was back at Nottingham, terribly worn-out and footsore, but with
-fourpence still remaining out of his little travelling fund.
-
-He now took a small shop, fourteen miles from Nottingham, at an annual
-rent of twenty shillings, and “in one day became the most eminent
-bookseller in Southwell,” but he still lived at Nottingham. “During the
-rainy winter months,” he says, “I set out from Nottingham at five every
-Saturday morning, carried a burthen of from three to thirty pounds’
-weight to Southwell, opened shop at ten, starved it all day upon bread,
-cheese, and half a pint of ale; took from 1_s._ to 6_s._, shut up at
-four, and by trudging through the solitary night and the deep roads
-five hours more, I arrived at Nottingham by nine, where I always found
-a mess of milk-porridge by the fire, prepared by my valuable sister.
-But nothing short of resolution and rigid economy could have carried me
-through this scene.”
-
-There was little profit, however, in such a life, laborious as it was,
-and in 1750 he made an exploring journey to Birmingham, where he found
-there were only three booksellers--Warren, Aris, and Wollaston, and
-here he resolved to settle, hoping that he might escape the envy of
-“the three great men.”
-
-He obtained the use of half a little shop for the moderate premium of
-one shilling per week, but he had as yet to find wherewith to stock
-it. On a visit to Nottingham, he met a friendly minister, who asked,
-for the weather was inclement, why he had ventured so far without a
-great-coat, and who on receiving no reply, shrewdly guessed Hutton’s
-impoverished condition, from his draggled, thread-bare garments, and
-offered him a couple of hundred-weight of books at his own price, and
-that price to be postponed to the future, and by way of receipt the
-young bookseller gave him the following: “I promise to pay to Ambrose
-Rudsall £1 7_s._, when I am able.” The debt was speedily cancelled.
-
-His period of probation was sufficiently severe: “Five shillings a
-week covered all my expenses, as food, washing, lodging, &c.,” but
-by degrees the better-informed and wealthier of the young clerks and
-apprentices began to frequent his shop, and were attracted by his
-zeal, and his evident love for the books he sold. With his skill in
-binding, he could furbish up the shabbiest tomes, and greatly increase
-their marketable value. By the end of his first year he found that he
-had, by the most rigid economy, saved up twenty pounds. Things were
-brightening, but the overseers, who at that time possessed a terrible
-power over the poorest classes, ostensibly dreading lest he should
-become chargeable to the parish, refused his payment of the rates,
-and bade him remove elsewhere. In this strait he exhibited much
-worldly wisdom, and invested half his little hoarding in a fine suit
-of clothes, purchased from one of the overseers, who happened to be a
-draper.
-
-In the following year, 1751, he took a better shop, next door to a
-Mr. Grace, a hosier, and in a quiet, undemonstrative manner, fell in
-love with his neighbour’s niece. “Time gave us,” he says, “numberless
-opportunities of observing each other’s actions, and trying the tenour
-of conduct by the touchstone of prudence. Courtship was often a
-disguise. We had seen each other when disguise was useless. Besides,
-nature had given to few women a less portion of deceit.” The uncle at
-length consented to the match, and, with Sarah, Hutton received a dowry
-of £100; and, as he had already amassed £200 of his own, from this
-happy moment his fortunes ran smoothly upwards.
-
-He now increased an otherwise profitable trade by starting a
-circulating library--perhaps the first that was attempted in the
-provinces; and about this same time, 1753, he acquired a very useful
-friend in the person of Robert Bage, the paper-maker, and undertook the
-retail portion of the paper business. “From this small hint,” he says,
-“I followed the stroke forty years, and acquired an ample fortune.” And
-yet, though waxing yearly richer and richer, he adds, “I never could
-bear the thought of living to the extent of my income. I never omitted
-to take stock or regulate my annual expenses, so as to meet casualties
-and misfortunes.” By degrees he became invested with civic dignities,
-and little by little he acquired the standing of a landed proprietor.
-Without neglecting his business he now found leisure for literary
-composition; and in his last work--“A Trip to Coatham”--he tells us, “I
-took up my pen, and that with fear and trembling, at the advanced age
-of fifty-six, a period when most would lay it down. I drove the quill
-thirty years, during which time I wrote and published thirty books.”
-
-His first work, the “History of Birmingham,” appeared, and these thirty
-tomes of verse and prose followed in quick succession.
-
-In 1802 he published his best-known work, the “History of the Roman
-Wall.” Antiquarians had, before this, described the famous line of
-defence, but hitherto no one had attempted a personal inspection.
-Seventy-five years old, still hale and hearty, with an enthusiasm akin
-to that of youth, he started on foot for Northumberland, accompanied
-by his daughter on horse-back. Intent upon reaching the scene of his
-antiquarian desires, “he turned,” writes his daughter, “neither to the
-right nor the left, except to gratify me with a sight of Liverpool.
-Windermere he saw, and Ullswater he saw, because they lay under his
-feet, but nothing could detain him from his grand object.” On his
-return journey, after every hollow of the ground, every stone of the
-Wall, between Carlisle and Newcastle, had been examined, he was bitten
-in the leg by a dog, but even this did not restrain him. Within four
-days of home “he made forced journeys, and if we had had a little
-further to go the foot would have knocked up the horse! The pace he
-went did not even fatigue his shoes. He walked the whole 600 miles in
-one pair, and scarcely made a hole in his stockings.”
-
-Almost to the last he preserved his physical powers comparatively
-intact. When he was eighty-eight, he writes--“At the age of eighty-two
-I considered myself a young man. I could, without fatigue, walk forty
-miles a day. But during the last few years I have felt a sensible
-decay, and, like a stone rolling downhill, its velocity increases with
-its progress. The strings of the instrument are one after another
-giving way, never to be brought into tune.” Yet he did not die till
-1815, at the ripe old age of ninety-two.
-
- * * * * *
-
-At the close of the last century Hutton lost a valuable collection of
-books, and other valuable property, through the lawless riots that
-took place in his native city; of these disturbances the author of the
-_Press_ says:--
-
- “When Birmingham, for riots and for crimes,
- Shall meet the keen reproach of future times,
- Then shall she find, amongst our honoured race,
- One name to save her from entire disgrace.”
-
-This “one name” was that of John Baskerville, a printer, a contemporary
-of Hutton, and one of the most famous English type-founders. Commencing
-life as a schoolmaster, his inclination for books turned his attention
-to type-founding, but he spent £600 before he produced one letter that
-thoroughly satisfied his exquisitely critical taste, and probably some
-thousands before his business began to prove remunerative; and, after
-all, his printing speculations yielded more honour than profit. Upon
-paying a heavy royalty to the University of Cambridge, he was allowed
-to print a Bible in royal folio, which, for beauty of type, is still
-unrivalled; but the slender and delicate form of his letters were, as
-Dr. Dibdin remarks, better suited to smaller books, and show to the
-greatest advantage in his 12mo. “Virgil” and “Horace.” His strenuous
-endeavours, and his large outlay, met with but little return; and
-he writes of the “business of printing” as one “which I am heartily
-tired of, and repent I ever attempted.” He died in 1775, and appears
-to have printed nothing during the last ten years of his life. By the
-direction left in his will, he was buried under a windmill in his own
-garden, with the following epitaph on his tomb-stone: “Stranger! beneath
-this cone, in unconsecrated ground, a friend to the liberties of
-mankind directed his body to be inurned. May the example contribute to
-emancipate thy mind from the idle fears of superstition, and the wicked
-arts of priesthood.” His fount of type was unluckily allowed to leave
-the country, and was purchased by Beaumarchais, of Paris, who produced
-some exquisite editions, particularly of Voltaire’s works, but who lost
-upwards of one million livres in his speculations.
-
- * * * * *
-
-A successful modern bookselling venture in this city resulted from the
-establishment of the “Educational Trading Company (Limited)”--a novel
-phase in the trade--of which the chief proprietor and chairman was
-Mr. Josiah Mason. The business management was placed in the hands of
-Mr. Kempster, and, by a thorough system of travellers, who personally
-canvassed the proprietors of schools and colleges, offering them very
-liberal terms, a large connection was almost immediately established.
-The company’s operations were, of course, confined to the publication
-of cheap educational works; and some of these, such as Gill’s and
-Moffat’s series, attained a wide popularity, and necessitated, in 1870,
-the opening of a London branch at St. Bride’s Avenue, and another
-branch house at Bristol.
-
-One of the most famous booksellers and printers of the West of
-England was Andrew Brice, who was born in Exeter in the year 1690.
-He was educated in early life with a view to the ministry, but
-family misfortunes obliged him to become apprentice to Bliss, a
-printer in that city. Long before the expiry of his apprenticeship
-the improvident young printer married, and, being unable to support
-a wife and two children upon the pittance he received, he enlisted
-as a soldier in order to break his indentures, and, by the interest
-of his friends, soon procured a discharge. He commenced business on
-his own account, and started a newspaper, but, possessing only one
-kind of type, he carved in wood the title and such capitals as he
-stood in need of. Becoming embarrassed through a law suit, in which
-heavy damages were cast against him, he was obliged to bar himself
-in his own house to escape the debtor’s gaol. He spent seven long
-years in this domestic confinement, but still continued to conduct
-his business with assiduity, and, as a solace, to compose a poem,
-“On Liberty,” the profits of which enabled him to compound with the
-keepers of the city prison. After regaining his freedom his business
-largely increased, and, in 1740, he set up a printing-press at Truro,
-the first introduced into Cornwall; the miners were, however, at that
-time in little need of literature, and he soon removed the types to
-Exeter. Among his chief publications were the “Agreeable Gallimanfly;
-or, Matchless Medley,” a collection of verses chiefly the production
-of his own pen; the “Mob-aid,” so full of newly-coined words that, in
-Devonshire, “Bricisms” were for long synonymous with quaint novelty of
-expression; and the folio “Geographical Dictionary,” which occupied
-ten years in publication and is still far from complete. Brice was at
-all times a shielder of the oppressed; and when the Exeter play-actors
-were purchased out of their theatre by the Methodists, who converted it
-into a chapel, and indicted them as vagrants, he published a poem--“The
-Playhouse Church; or, new Actors of Devotion,” which so stirred up
-popular feeling that the Methodists were fain to restore the place to
-its former possessors, who, under Brice’s patronage, opened their house
-for some time gratis to all comers. In gratitude the players brought
-his characteristics of speech and dress into their dramas, and even
-Garrick eventually introduced him, under, of course, a pseudonyme, in
-the “Clandestine Marriage.” At the time of his death, in 1773, he was
-the oldest master-printer in England. His corpse lay for some days
-in state at the Apollo Inn; every person admitted to view it paid a
-shilling, and the money so received went towards defraying the expense
-of his funeral, which was attended by three hundred freemasons, for he
-had not only been a zealous member of the fraternity, but at the period
-of his decease he was looked upon as the father of the craft.
-
- * * * * *
-
-Another West of England worthy, though he was only a bookseller for
-the short space of seven years, has perhaps higher claim upon our
-attention than any other provincial bibliopole. Joseph Cottle was born
-at Bristol in the year 1770, and at the age of twenty-one he became a
-bookseller in his native city. In 1795 he published a volume of his own
-“Poems”--and himself an author he was generously able to appreciate
-the work of better men. Through extraordinary circumstances he became
-acquainted with Coleridge, Southey, Wordsworth, and Lamb, when they
-were still unknown to fame, and with a rare perception of genius he was
-able to assist them materially towards the goal of success. From his
-interesting “Early Recollections,” we gather that one evening Coleridge
-told him despondently that he had been the round of London booksellers
-with a volume of poems, and that all but one had refused to even look
-over the manuscript, and that this one proffered him six guineas for
-the copyright, which sum, poor as he was, he felt constrained to
-decline. Cottle at once offered the young author thirty guineas, and
-actually paid the money before the completion of the volume, which
-appeared in 1796.
-
-To Southey he made the same bid for his first volume, and the offer
-was eagerly accepted. Cottle at once, however, added, “You have read
-me some books of your ‘Joan of Arc,’ which poem I perceive to have
-great merit. If it meet with your concurrence I will give you fifty
-guineas for this work, and publish it in quarto, when I will give you
-in addition fifty copies to dispose of among your friends.” Southey
-corroborates this account, and further says, “It can rarely happen that
-a young author should meet with a bookseller as inexperienced and as
-ardent as himself; and it would be still more extraordinary if such
-mutual indiscretion did not bring with it cause for regret to both.
-But this transaction was the commencement of an intimacy which has
-continued without the slightest shade of displeasure at any time on
-either side to the present day.” Cottle ordered a new fount of type
-“for what was intended to be the handsomest book that Bristol had ever
-yet sent forth,” and owing, perhaps, more to the party feelings of the
-periodical press, and the subject of the poem, than to any intrinsic
-merit, other than as holding out vague hope of future promise, the
-young author acquired a sudden reputation, which was afterwards fully
-sustained by his prose if not by his poetry.
-
-Later on Cottle was introduced to Wordsworth, who read him portions of
-his “Lyrical Ballads.” The venturous bookseller made him the same offer
-of thirty guineas for the first-fruits of his genius, saying that it
-would be a gratifying circumstance to issue the first volumes of three
-such poets, and (a veritable prophecy) “a distinction that might never
-again occur to a provincial bookseller.” After mature consideration,
-Wordsworth accepted the offer; but the “Lyrical Ballads,” in which
-also Coleridge’s “Ancient Mariner” first appeared, went off so slowly
-that he was compelled to part with the greater part of the five
-hundred copies to Arch, a London bookseller. We have already related
-how Cottle, and after him, Longman, rendered material assistance to
-Chatterton’s sister, by an edition of the poems of the Sleepless Boy
-who perished in his Pride, and how in 1798 Cottle disposed of all his
-copyrights to Longman, and obtained his consent to return the copyright
-of the “Lyrical Ballads” to the author.
-
-Though Cottle henceforth gave up bookselling, he did not forego
-book-making. In 1798 he published his “Malvern Hills,” in 1801 his
-“Alfred,” and in 1809 the “Fall of Cambria.” These last effusions
-attracted the venom of Lord Byron’s pen, who writes in bitter prose,
-“Mr. Cottle, Amos, Joseph, I know not which, but one or both, once
-sellers of books they did not write, now writers of books that do not
-sell, have published a pair of epics,” and in bitterer verse:
-
- “Bœotian Cottle, rich Bristowa’s boast,
- Imports old stories from the Cambrian coast,
- And sends his goods to market, all alive,
- Lines forty thousand, cantos twenty-five.
-
- * * * * *
-
- Oh, Amos Cottle!--Phœbus! what a name
- To fill the speaking trump of future fame!--
- Oh, Amos Cottle! for a moment think
- What meagre profits spring from pen and ink!
- When thus devoted to poetic dreams
- Who will peruse thy prostituted reams?
- Oh, pen perverted, paper misapplied!
- Had Cottle still adorned the counter’s side,
- Bent o’er the desk, or, born to useful toils,
- Been taught to make the paper which he soils,
- Plough’d, delved, or plied the oar with lusty limb,
- He had not sung of Wales, nor I of him.”
-
-Of course, this confusion of the names of the two brothers was
-intentionally meant to strengthen the gibe. Though Cottle was at best
-an indifferent poet his name would have survived as a generous friend
-even if Lord Byron had not honoured him with his satire.
-
-After having personally encouraged the youthful genius of such authors
-as Coleridge, Southey, and Wordsworth, and after having enjoyed their
-friendship and esteem, it was natural that Cottle, when their names
-had become familiar words in every household in England, should wish
-to preserve what he could of the history of their early days. In 1837
-he published his “Early Recollections,” but as he had felt compelled
-to decline to contribute them in any mutilated form to the authorised,
-and insufferably dull, life of Coleridge, the work was greeted by the
-_Quarterly Review_ with a howl of contemptuous abuse, as consisting of
-the “refuse of advertisements and handbills, the sweepings of a shop,
-the shreds of a ledger, and the rank residuum of a life of gossip.”
-This is certainly “slashing criticism” with a vengeance: Cottle based
-the value of his book upon the ground of his having been a bookseller,
-and to taunt him with the fact is as unmanly as the whole description
-of the work is false. He lays the slightest possible stress upon
-the assistance he had been able to render the illustrious authors
-pecuniarily, and only brings it forward at all as furnishing matter
-for literary history; and to most students the literary history of the
-early struggles of genius does possess the highest interest. Cottle
-was certainly unskilled in the art of composition, and was undoubtedly
-garrulous, but the gossip anent such writers, when prompted, as in this
-case, by truth and affection, is worth tomes of disquisitions upon
-their virtues or their faults. Joseph Cottle died as recently as 1854,
-and his memory is already half-forgotten, and yet had we wished to
-close our annals of the “trade” by tributes paid by illustrious writers
-to the worth and integrity of its members, we could find none more
-fitting than the letters of two famous poets to an obscure provincial
-bookseller.
-
- “DEAR COTTLE,--On the blank leaf of my poems I can most
- appropriately write my acknowledgments to you, for your too
- disinterested conduct in the purchase of them.... Had it not
- been for you none, perhaps, of them would have been published,
- and some not written.
-
- “Your obliged and affectionate friend,
- S. T. COLERIDGE.”
-
-Again:--
-
- “Do you suppose, Cottle, that I have forgotten those true and
- most essential acts of friendship which you showed me when I
- stood most in need of them? Your house was my house when I had
- no other.... Sure I am that there never was a more generous or
- kinder heart than yours, and you will believe me when I add
- that there does not live that man upon earth whom I remember
- with more gratitude and affection.... Good-night, my dear old
- friend and benefactor.
-
- “ROBERT SOUTHEY.”
-
-
-[Illustration: THE END.]
-
-
- BILLING, PRINTER, GUILDFORD, SURREY.
-
-
-
-
-FOOTNOTES
-
-
-[1] “Essai sur les Livres dans l’Antiquité.”
-
-[2] For a very interesting article on this subject, see _Cornhill
-Magazine_, vol. ix.
-
-[3] Carnan is said, by Mr. Knight, to have been so frequently
-prosecuted that he invariably kept a clean shirt in his pocket, that
-he might lessen the inconvenience of being carried off unexpectedly to
-Newgate.
-
-[4] D’Urfey was a music-master.
-
-[5] This anecdote is often incorrectly related of Wilkes and the _Essay
-on Woman_.
-
-[6] The _Daily Post_, Feb. 13, 1728.
-
-[7] A most interesting and voluminous collection of “notes” in
-reference to Curll was contributed to “Notes and Queries” (2nd series,
-vols. ii., iii., and x.) by M.N.S. Many of our facts in relation to him
-have been taken from that source, and for a far fuller account, in the
-rough material, we refer the reader thither.
-
-[8] West says he sat next Lackington at a sale when he spent upwards of
-£12,000 in an afternoon.
-
-[9] _Bookseller_, June, 1865.
-
-[10] As we shall have no other opportunity of referring to the third
-in rank of the leading quarterlies, we must, perforce, compress its
-history in a foot-note. The _Westminster Review_ was started more than
-fifty years ago, by Jeremy Bentham, who was succeeded in editorship
-by Sir John Browning, in conjunction with General Perronet Thompson,
-whose labours in the cause of radical reform gave him considerable
-notoriety at the time. They made way for the accomplished statesman
-Sir William Molesworth, the editor of _Hobbes_. A profounder thinker
-still, Mr. John Stuart Mill, followed. Most of his philosophical essays
-appeared in its pages, at a time when Grote and Mr. Carlyle were both
-contributing. For more than twenty years now the _Review_ has been
-in the hands of Dr. Chapman, who, beginning life as a bookseller in
-Newgate Street, was the first English publisher to recognise the
-value of Emerson’s writings. Under Dr. Chapman, what is now the
-great feature--the Quarterly Summary of Contemporary Literature--was
-introduced. The _Review_ has lately attracted much attention by the
-bold manner in which the “Social Evil” and the “Contagious Diseases
-Acts” have been discussed in its columns, and these articles are
-generally attributed to the able pen of the editor himself.
-
-[11]
- I. “On Dryden.” (_E. R._, 1828.)
- II. “History.” (_E. R._, 1828.)
- III. “Mirabeau.” (_E. R._, 1832.)
- IV. “Cowley and Milton.”
- V. “Mitford’s Greece.”
- VI. “Athenian Orator.”
- VII. “Barère’s Memoirs.”
- VIII. “Mill’s Essay on Government.” (_E. R._, 1829.)
- IX. “Bentham’s Defence of Mill.” (_E. R._, 1829.)
- X. “Utilitarian Theory of Government.” (_E. R._, 1829.)
- XI. “Charles Churchill.”
-
-Many of these may be found in the volume of _Miscellanies_ published by
-Longmans. It has been denied that No. XI. is by Macaulay at all.
-
-[12] For a further account of these extraordinary sales, see Allibone’s
-_Dictionary of English Literature_, vol. ii., from which many of the
-above facts have been drawn.
-
-[13] Among the sufferers by this failure was the family of Robert
-Watt, M.D., author of “Bibliotheca Britannica,” for which £2000 had
-been given in bills, all of which were dishonoured. He was a ploughboy
-until his seventeenth year, wrote many medical treatises, and occupied
-his concluding years with a work precious and indispensable to
-every student. The whole plan of the “Bibliotheca” is new, and few
-compilations of similar magnitude and variety ever presented, in a
-first edition, a more complete design and execution.
-
-[14] _Quarterly Review_, vol. lxx.
-
-[15] Given to Dallas.
-
-[16] Published by James Power, music seller.
-
-[17] Written at Geneva, and published by John Hunt, London.
-
-[18] This sketch was written before the publication of Mr. W.
-Chambers’s life of his brother, but has been revised in accordance with
-that interesting memoir.
-
-[19] Mr. Long has deposited in the Public Library at Brighton his
-private copy of the “Encyclopædia,” interleaved with the names of the
-contributors, and other interesting information as to the progress of
-the work.
-
-[20] Mr. G. W. M. Reynolds, of the “Mysteries of London” notoriety,
-commenced life also as a temperance lecturer, and was at one time
-editor of the _Teetotaller_ Newspaper.
-
-[21] Lockhart, in his article in the _Quarterly_, says that Hook’s
-diary shows a clear profit of £2000 on the _first series_. This must be
-incorrect.
-
-[22] The term _Conger_ is ingeniously said to be derived from the eel,
-meaning that the association, collectively, would swallow all smaller
-fry.
-
-[23] _Aldine Magazine_, p. 50.
-
-[24] It was from the intricacy of thought of some few of the poems of
-the “Christian Year,” that Sydney Smith christened it by the name of
-“The Sunday Puzzle.”
-
-[25] For the facts in the earlier portion of this memoir we are
-indebted to an interesting obituary notice in the _Bookseller_.
-
-[26] For a very interesting bibliographical account of Mr. Tennyson’s
-works, showing the various changes which the poems have undergone, see
-“Tennysoniana,” by R. H. Shepherd (1856).
-
-[27] For a full account of this interesting and successful bookseller
-_see_ “Life of Alderman Kelly,” by the Rev. R. C. Fell (1856).
-
-[28] Tegg left a manuscript autobiography, which was published twenty
-years after his death, in the _City Press_; to this interesting
-memorial we are indebted for the facts in our present narrative.
-
-[29] This “Petition” was first printed in the _Examiner_, 7th April,
-1839, and afterwards republished.
-
-[30] The _Bookseller_, June, 1864.
-
-[31] The _Bookseller_, 1861.
-
-[32] The above account is abridged from the _Bookseller_ of November,
-1869.
-
-[33] To a timely notice in a recent number of the _Bookseller_ we are
-indebted for the main facts in Duffy’s life.
-
-
-
-
-Transcriber’s Notes
-
-
-Punctuation, hyphenation, and spelling were made consistent when a
-predominant preference was found in this book; otherwise they were not
-changed.
-
-Simple typographical errors were corrected; occasional unbalanced
-quotation marks retained.
-
-Ambiguous hyphens at the ends of lines were retained.
-
-Arithmetic and date-sequence errors have not been corrected.
-
-Page 22: The second illustration (“1547”) may be part of the
-illustration just above it.
-
-Page 93: “as the rious” was printed that way; may be a typgraphical
-error for “as the various”.
-
-Page 152: “Dr. Thomas Stewart Trail” may be a misspelling of “Traill”.
-
-Page 221: “looked up his pistols” may be a misprint for “locked”.
-
-
-
-
-
-End of the Project Gutenberg EBook of A History of Booksellers, the Old and
-the New, by Henry Curwen
-
-*** END OF THIS PROJECT GUTENBERG EBOOK HISTORY OF BOOKSELLERS, OLD AND NEW ***
-
-***** This file should be named 52362-0.txt or 52362-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/2/3/6/52362/
-
-Produced by MWS, Charlie Howard, and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by The
-Internet Archive/American Libraries.)
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/52362-0.zip b/old/52362-0.zip
deleted file mode 100644
index f7bb3f9..0000000
--- a/old/52362-0.zip
+++ /dev/null
Binary files differ
diff --git a/old/52362-h.zip b/old/52362-h.zip
deleted file mode 100644
index 8b7633a..0000000
--- a/old/52362-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/52362-h.htm b/old/52362-h/52362-h.htm
deleted file mode 100644
index 7311672..0000000
--- a/old/52362-h/52362-h.htm
+++ /dev/null
@@ -1,18834 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- The Project Gutenberg eBook of A History of Booksellers, by Henry Curwen.
- </title>
- <link rel="coverpage" href="images/cover.jpg" />
- <style type="text/css">
-
-body {
- margin-left: 2.5em;
- margin-right: 2.5em;
-}
-
-h1, h2 {
- text-align: center;
- clear: both;
- margin-top: 2.5em;
- margin-bottom: 1em;
-}
-
-h1 {line-height: 1;}
-
-h2+p {margin-top: 1.5em;}
-h2 .subhead {display: block; margin-top: 1em; margin-bottom: 1em;}
-
-.transnote h2 {
- margin-top: .5em;
- margin-bottom: 1em;
-}
-
-.subhead {
- text-indent: 0;
- text-align: center;
- font-size: 80%;
-}
-
-p {
- text-indent: 1.75em;
- margin-top: .51em;
- margin-bottom: .24em;
- text-align: justify;
-}
-.caption p {text-align: center; text-indent: 0; margin-top: 0;}
-p.center {text-indent: 0;}
-
-.p0 {margin-top: 0em;}
-.p1 {margin-top: 1em;}
-.p2 {margin-top: 2em;}
-.p4 {margin-top: 4em;}
-.b0 {margin-bottom: 0;}
-.up2 {margin-top: -2.5em;}
-.vspace {line-height: 1.5;}
-.vspace2 {line-height: 2.5;}
-
-.in0 {text-indent: 0;}
-.in1 {padding-left: 1em;}
-.in2 {padding-left: 2em;}
-.in4 {padding-left: 4em;}
-.l1 {padding-right: 1em;}
-.l2 {padding-right: 2em;}
-.l4 {padding-right: 4em;}
-.lm2 {margin-left: -2em; padding-bottom: 1em;}
-
-.small {font-size: 70%;}
-.smaller {font-size: 85%;}
-.larger {font-size: 125%;}
-.large {font-size: 150%;}
-
-p.drop-cap {text-indent: 0; margin-bottom: 1.1em;}
-p.drop-cap:first-letter {
- float: left;
- margin: .07em .4em 0 0;
- font-size: 300%;
- line-height:0.7em;
- text-indent: 0;
- clear: both;
-}
-p.drop-cap .smcap1 {margin-left: -1.2em;}
-p.drop-cap.b .smcap1 {margin-left: -1.4em;}
-p.drop-cap.al .smcap1 {margin-left: -1.8em;}
-p .smcap1 {font-size: 125%;}
-.smcap1 {text-transform: uppercase;}
-
-img.drop-cap {
- float: left;
- margin: -1em .75em 0 0;
-}
-
-span.dc {visibility: hidden; display: none;}
-p.dcl2 {text-indent: -.6em;}
-
-.center {text-align: center;}
-
-.smcap {font-variant: small-caps;}
-.smcap.smaller {font-size: 75%;}
-
-hr {
- width: 33%;
- margin-top: 6em;
- margin-bottom: 6em;
- margin-left: 33%;
- margin-right: auto;
- clear: both;
-}
-
-.tb {
- text-align: center;
- padding-top: .76em;
- padding-bottom: .24em;
-}
-
-table {
- margin: 1.5em auto 1.5em auto;
- max-width: 80%;
- min-width: 30%;
- border-collapse: collapse;
-}
-table.notpad {margin-top: 0;}
-
-.tdl {
- text-align: left;
- vertical-align: top;
- padding-right: 1em;
- padding-left: 1.5em;
- text-indent: -1.5em;
-}
-.tdl.in10 {padding-left: 10em;}
-
-.tdc {text-align: center;}
-.tdc.rpad1 {padding-right: 1em;}
-.tdr {
- text-align: right;
- vertical-align: bottom;
- padding-left: .3em;
- white-space: nowrap;
-}
-table#macaulay {margin-left: 2em;}
-#macaulay .tdr {padding-right: .75em;}
-
-#toc .tdl, #toc .tdr {padding-bottom: .75em;}
-#toc .tdr.nobotpad {padding-bottom: 0;}
-#toc .tdr {vertical-align: top;}
-.bt {border-top: thin solid black;}
-.bb {border-bottom: thin solid black;}
-.tdl.figspace {padding-left: .5em; text-indent: 0;}
-table#receipts .tdl {padding-left: 3.5em; text-indent: -3.5em;}
-
-.pagenum {
- position: absolute;
- right: 4px;
- text-indent: 0em;
- text-align: right;
- font-size: 70%;
- font-weight: normal;
- font-variant: normal;
- font-style: normal;
- letter-spacing: normal;
- line-height: normal;
- color: #acacac;
- border: 1px solid #acacac;
- background: #ffffff;
- padding: 1px 2px;
-}
-
-.figcenter {
- margin: 2em auto 2em auto;
- text-align: center;
- page-break-inside: avoid;
- max-width: 100%;
-}
-
-img {
- padding: 1em 0 0 0;
- max-width: 100%;
- height: auto;
-}
-
-.caption {
- font-weight: bold;
- text-align: center;
- margin-top: .5em;
-}
-
-.captionl {
- text-align: left;
- font-size: smaller;
-}
-.captionr {
- text-align: right;
- font-size: smaller;
-}
-
-ul {margin-left: 3em; padding-left: 0;}
-li {list-style-type: none; padding-left: 2em; text-indent: -2.5em; text-align: left;}
-li.figspace {padding-left: 2.5em; text-indent: -2.5em;}
-
-.footnotes {
- border: thin dashed black;
- margin: 4em 5% 1em 5%;
- padding: .5em 1em .5em 1.5em;
-}
-
-.footnote {font-size: .95em;}
-.footnote p {text-indent: 1em;}
-.footnote p.in0 {text-indent: 0;}
-.footnote p.fn1 {text-indent: -.7em;}
-.footnote p.fn2 {text-indent: -1.1em;}
-
-.fnanchor {
- vertical-align: 80%;
- line-height: .7;
- font-size: .75em;
- text-decoration: none;
-}
-.footnote .fnanchor {font-size: .8em;}
-.fnanchor.smaller {font-size: .5em; vertical-align: text-top;}
-
-blockquote {
- margin-left: 5%;
- margin-right: 5%;
- font-size: 95%;
-}
-
-blockquote.narrow {margin: auto; max-width: 35em;}
-
-.poem-container {
- text-align: center;
- font-size: 98%;
-}
-
-.poem, .ilb {
- display: inline-block;
- text-align: left;
- margin-left: 0;
-}
-
-.poem br {display: none;}
-
-.poem .stanza{padding: 0.5em 0;}
-
-.poem .tb {margin: .3em 0 0 0; padding: 0;}
-
-.poem span.iq {display: block; margin-left: -.5em; padding-left: 3em; text-indent: -3em;}
-.poem span.i0 {display: block; margin-left: 0em; padding-left: 3em; text-indent: -3em;}
-.poem span.i2 {display: block; margin-left: 1em; padding-left: 3em; text-indent: -3em;}
-.poem span.i18 {display: block; margin-left: 7.5em; padding-left: 3em; text-indent: -3em;}
-.poem span.i22 {display: block; margin-left: 8.5em; padding-left: 3em; text-indent: -3em;}
-
-.transnote {
- background-color: #EEE;
- border: thin dotted;
- font-family: sans-serif, serif;
- color: #000;
- margin-left: 5%;
- margin-right: 5%;
- margin-top: 4em;
- margin-bottom: 2em;
- padding: 1em;
-}
-.covernote {visibility: hidden; display: none;}
-
-.sigright {
- margin-right: 2em;
- text-align: right;}
-
-.wspace {word-spacing: .3em;}
-
-span.locked {white-space:nowrap;}
-
-.uppercase {text-transform: uppercase;}
-
-.sans {font-family: sans-serif;}
-.bbox {border: thin solid black; padding: 1em; margin: 1.5em auto; max-width: 30em;}
-
-@media print, handheld
-{
- h1, .chapter, .newpage {page-break-before: always;}
- h2 {page-break-before: avoid;}
- h1.nobreak, h2.nobreak, .nobreak {page-break-before: avoid; padding-top: 0;}
- .intact {page-break-inside: avoid;}
-
- p {
- margin-top: .5em;
- text-align: justify;
- margin-bottom: .25em;
- }
-
- table {width: 100%; max-width: 100%;}
-
- .tdl {
- padding-left: .5em;
- text-indent: -.5em;
- padding-right: 0;
- }
-
- p.drop-cap {text-indent: 1.75em; margin-bottom: .24em;}
- p.drop-cap:first-letter {
- float: none;
- font-size: 100%;
- margin-left: 0;
- margin-right: 0;
- text-indent: 1.75em;
- }
-
- p.drop-cap.i .smcap1, p.drop-cap.a .smcap1, p.drop-cap .smcap1,
- p.drop-cap.b .smcap1, p.drop-cap.al .smcap1 {margin-left: 0;}
- p .smcap1 {font-size: 100%;}
- .smcap1 {font-variant: normal;}
-
- img.drop-cap {visibility: hidden; display: none;
- float: none;
- margin: 0;
-}
-
- span.dc {visibility: visible; display: inline;}
- p.dcl2 {text-indent: 1.75em;}
-
-}
-
-@media handheld
-{
- body {margin: 0;}
- h2 {page-break-before: avoid;}
-
- hr {
- margin-top: .1em;
- margin-bottom: .1em;
- visibility: hidden;
- color: white;
- width: .01em;
- display: none;
- }
-
- ul {margin-left: 1em; padding-left: 0;}
- li {list-style-type: none; padding-left: 1em; text-indent: -1.5em;}
- li.figspace {padding-left: 1.5em; text-indent: -1.5em;}
-
- blockquote {margin: 1.5em 3% 1.5em 3%;}
-
- .poem-container {text-align: left; margin-left: 5%;}
- .poem, .ilb {display: block; margin-left: 10%;}
- .poem .tb {text-align: left; padding-left: 2em;}
- .poem .stanza {page-break-inside: avoid;}
-
- .transnote {
- page-break-inside: avoid;
- margin-left: 2%;
- margin-right: 2%;
- margin-top: 1em;
- margin-bottom: 1em;
- padding: .5em;
- }
- .covernote {visibility: visible; display: block; text-align: center;}
-}
- </style>
- </head>
-
-<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of A History of Booksellers, the Old and the
-New, by Henry Curwen
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: A History of Booksellers, the Old and the New
-
-Author: Henry Curwen
-
-Release Date: June 18, 2016 [EBook #52362]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK HISTORY OF BOOKSELLERS, OLD AND NEW ***
-
-
-
-
-Produced by MWS, Charlie Howard, and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by The
-Internet Archive/American Libraries.)
-
-
-
-
-
-
-</pre>
-
-
-<div class="transnote covernote">
-<p class="center">Transcriber’s Note<br />
-Text on cover added by Transcriber and placed in the Public Domain.</p>
-</div>
-
-<div id="if_i_000" class="newpage figcenter" style="width: 600px;">
- <img src="images/i_000.jpg" width="600" height="374" alt="" /></div>
-
-<h1 class="vspace2 wspace"><span class="small">A</span><br />
-HISTORY OF BOOKSELLERS,<br />
-
-<span class="subhead"><i>THE OLD AND THE NEW</i>.</span></h1>
-
-<p class="p2 center large"><span class="smcap">By</span> HENRY CURWEN.</p>
-
-<div id="if_i_001" class="figcenter" style="width: 148px;">
- <img src="images/i_001.jpg" width="148" height="144" alt="" /></div>
-
-<div class="p1 center"><div class="ilb smaller">
-<p>“In these days, ten ordinary histories of kings and courtiers were well exchanged<br />
-against the tenth part of one good History of Booksellers.”&mdash;<span class="smcap">Thomas Carlyle.</span>
-</p>
-</div></div>
-
-<p class="p2 smaller sans center">WITH PORTRAITS AND ILLUSTRATIONS.</p>
-
-<p class="p2 center vspace">London:<br />
-<span class="larger wspace">CHATTO AND WINDUS, PICCADILLY.</span></p>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_v">v</a></span></p>
-
-<div class="chapter">
-<div id="if_i_005" class="figcenter" style="width: 380px;">
- <img id="PREFACE" src="images/i_005.jpg" width="380" height="82" alt="" /></div>
-
-<h2 class="nobreak">PREFACE.</h2>
-</div>
-
-<div>
- <img class="drop-cap" src="images/i_005b.jpg" width="62" height="63" alt="H" /></div>
-
-<p class="in0 dcl2"><span class="uppercase"><span class="dc">“H</span>istory”</span> has been aptly termed the
-“essence of innumerable biographies;” and
-this surely justifies us in the selection of
-our title; but in inditing a volume to be issued in a
-cheap and popular form, it was manifestly impossible
-to trace the careers of all the eminent members,
-ancient and modern, of a Trade so widely extended;
-had we, indeed, possessed all possible leisure for
-research, every available material, and a space
-thoroughly unlimited, it is most probable that the
-result would have been distinguished chiefly for its
-bulk, tediousness, and monotony. It was resolved,
-therefore, in the first planning of the volume, to
-primarily trace the origin and growth of the Bookselling
-and Publishing Trades up to a comparatively
-modern period; and then to select, for fuller treatment,
-the most typical English representatives of each
-one of the various branches into which a natural
-division of labour had subdivided the whole. And,
-by this plan, it is believed that, while some firms at
-present growing into eminence may have been
-omitted, or have received but scant acknowledgment,<span class="pagenum"><a id="Page_vi">vi</a></span>
-no one Publisher or Bookseller, whose spirit and labours
-have as yet had time to justify a claim to a niche in
-the “<span class="smcap">History of Booksellers</span>,” has been altogether
-passed over. In the course of our “<span class="smcap">History</span>,”
-too, we have been necessarily concerned with the
-manner of the “equipping and furnishing” of nearly
-every great work in our literature. So that, while on
-the one hand we have related the lives of a body of
-men singularly thrifty, able, industrious, and persevering&mdash;in
-some few cases singularly venturesome,
-liberal, and kindly-hearted&mdash;we have on the other, by
-our comparative view, tried to throw a fresh, at all
-events a concentrated, light upon the interesting story
-of literary struggle.</p>
-
-<p>No work of the kind has ever previously been
-attempted, and this fact must be an apology for
-some, at least, of our shortcomings.</p>
-
-<p class="sigright">H. C.</p>
-
-<p class="in0 in1"><i>November, 1873.</i></p>
-
-<div id="if_i_006" class="figcenter" style="width: 183px;">
- <img src="images/i_006.jpg" width="183" height="100" alt="" /></div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_vii">vii</a></span></p>
-
-<div class="chapter">
-<div id="if_i_007" class="figcenter" style="width: 358px;">
- <img src="images/i_007.jpg" width="358" height="76" alt="" /></div>
-
-<h2 class="nobreak"><a id="CONTENTS"></a>CONTENTS.</h2>
-</div>
-
-<table id="toc" summary="Contents">
- <tr class="small">
- <td> </td>
- <td class="tdr nobotpad">PAGE</td></tr>
- <tr>
- <td class="tdl">THE BOOKSELLERS OF OLDEN TIMES</td>
- <td class="tdr"><a href="#hdr_1">9</a></td></tr>
- <tr>
- <td class="tdl">THE LONGMAN FAMILY<br /><i>Classical and Educational Literature.</i></td>
- <td class="tdr"><a href="#hdr_2">79</a></td></tr>
- <tr>
- <td class="tdl">CONSTABLE, CADELL, AND BLACK<br /><i>The “<cite>Edinburgh Review</cite>,” “<cite>Waverley Novels</cite>,” and “<cite>Encyclopædia Britannica</cite>.”</i></td>
- <td class="tdr"><a href="#hdr_3">110</a></td></tr>
- <tr>
- <td class="tdl">JOHN MURRAY<br /><i>Belles-Lettres and Travels.</i></td>
- <td class="tdr"><a href="#hdr_4">159</a></td></tr>
- <tr>
- <td class="tdl">WILLIAM BLACKWOOD<br />“<i><cite>Blackwood’s Edinburgh Magazine</cite>.</i>”</td>
- <td class="tdr"><a href="#hdr_5">199</a></td></tr>
- <tr>
- <td class="tdl">CHAMBERS, KNIGHT, AND CASSELL<br /><i>Literature for the People.</i></td>
- <td class="tdr"><a href="#hdr_6">234</a></td></tr>
- <tr>
- <td class="tdl">HENRY COLBURN<br /><i>Three-Volume Novels and Light Literature.</i></td>
- <td class="tdr"><a href="#hdr_7">279</a></td></tr>
- <tr>
- <td class="tdl">THE RIVINGTONS, THE PARKERS, AND JAMES NISBET<br /><i>Religious Literature.</i></td>
- <td class="tdr"><a href="#hdr_8">296</a></td></tr>
- <tr>
- <td class="tdl">BUTTERWORTH AND CHURCHILL<br /><i>Technical Literature.</i></td>
- <td class="tdr"><a href="#hdr_9">333</a></td></tr>
- <tr>
- <td class="tdl">EDWARD MOXON<br /><i>Poetical Literature.</i></td>
- <td class="tdr"><a href="#hdr_10">347</a></td></tr>
- <tr>
- <td class="tdl">KELLY AND VIRTUE<br /><i>The “Number” Trade.</i></td>
- <td class="tdr"><a href="#hdr_11">363</a><span class="pagenum"><a id="Page_viii">viii</a></span></td></tr>
- <tr>
- <td class="tdl">THOMAS TEGG<br /><i>Book-Auctioneering and the “Remainder Trade.”</i></td>
- <td class="tdr"><a href="#hdr_12">379</a></td></tr>
- <tr>
- <td class="tdl">THOMAS NELSON<br /><i>Children’s Literature and “Book-Manufacturing.”</i></td>
- <td class="tdr"><a href="#hdr_13">399</a></td></tr>
- <tr>
- <td class="tdl">SIMPKIN, MARSHALL, AND CO.<br /><i>Collecting for the Country Trade.</i></td>
- <td class="tdr"><a href="#hdr_14">412</a></td></tr>
- <tr>
- <td class="tdl">CHARLES EDWARD MUDIE<br /><i>The Lending Library.</i></td>
- <td class="tdr"><a href="#hdr_15">421</a></td></tr>
- <tr>
- <td class="tdl">W. H. SMITH AND SON<br /><i>Railway Literature.</i></td>
- <td class="tdr"><a href="#hdr_16">433</a></td></tr>
- <tr>
- <td class="tdl">PROVINCIAL BOOKSELLERS<br /><i>York: Gent and Burdekin. Newcastle: Goading, Bryson, Bewick, and Charnley. Glasgow: Fowlis and Collins. Liverpool: Johnson. Dublin: Duffy. Derby: Mozley, Richardson, and Bemrose. Manchester: Harrop, Barker, Timperley, and the Heywoods. Birmingham: Hutton, Baskerville, and “The Educational Trading Co.” Exeter: Brice. Bristol: Cottle.</i></td>
- <td class="tdr"><a href="#hdr_17">441</a></td></tr>
-</table>
-
-<div id="if_i_008" class="figcenter" style="width: 167px;">
- <img src="images/i_008.jpg" width="167" height="98" alt="" /></div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_9">9</a></span></p>
-
-<div class="chapter">
-<div id="if_i_009" class="figcenter" style="width: 373px;">
- <img id="hdr_1" src="images/i_009.jpg" width="373" height="79" alt="" />
-</div>
-<h2 class="nobreak"><i>THE BOOKSELLERS OF OLDEN TIMES.</i></h2>
-</div>
-
-<p class="drop-cap al"><span class="smcap1">Long</span> ages before the European invention of the art
-of printing, long even before the encroaching masses
-of Huns and Visigoths rolled the wave of civilization
-backward for a thousand years, the honourable trades,
-of which we aim to be in some degree the chroniclers,
-had their representatives and their patrons. Without
-going back to the libraries of Egypt&mdash;a subject fertile
-enough in the pages of mythical history&mdash;or to the
-manuscript-engrossers and sellers of Ancient Greece&mdash;though
-by their labours much of the world’s best poetry,
-philosophy, and wit was garnered for a dozen centuries,
-like wheat ears in a mummy’s tomb, to be scattered to
-the four winds of heaven, when the Mahometans seized
-upon Constantinople, thenceforth to fructify afresh,
-and, in connection with the art of printing, as if the
-old world and the new clasped hands upon promise of
-a better time, to be mainly instrumental in the “revival
-of letters”&mdash;it will be sufficient for our present purpose
-to know that there were in Rome, at the time of the
-Empire, many publishing firms, who, if they could not
-altogether rival the magnates of Albemarle Street and
-the “Row,” issued books at least as good, and, paradoxical<span class="pagenum"><a id="Page_10">10</a></span>
-as it may seem, at least as cheaply as their
-modern brethren.</p>
-
-<p>To the sauntering Roman of the Augustan age literature
-was an essential; never, probably, till quite modern
-times was education&mdash;the education, at all events, that
-supplies a capability to read and write&mdash;so widely spread.
-The taste thus created was gratified in many ways. If
-the Romans had no Mudie, they possessed public
-libraries, thrown freely open to all. They had public
-recitations, at which unpublished and ambitious writers
-could find an audience; over which, too, sometimes
-great emperors presided, while poets, with a world-wide
-reputation, read aloud their favourite verses.
-They had newspapers, the subject-matter of which
-was wonderfully like our own. The principal journal,
-entitled <cite xml:lang="la" lang="la">Acta Diurna</cite>, was compiled under the sanction
-of the government, and hung up in some place of
-frequent resort for the benefit of the multitude, and
-was probably copied for the private accommodation
-of the wealthy. All public events of importance were
-chronicled here; the reporters, termed <i xml:lang="la" lang="la">actuarii</i>, furnished
-abstracts of the proceedings in the law courts
-and at public assemblies; there was a list of births,
-deaths, and marriages; and we are informed that the
-one article of news in which the <cite xml:lang="la" lang="la">Acta Diurna</cite> particularly
-abounded was that of reports of trials for divorce.
-Juvenal tells us that the women were all agog for
-deluges, earthquakes, and other horrors, and that the
-wine-merchants and traders used to invent false news
-in order to affect their various markets. But, in
-addition to all these means for gratifying the Roman
-taste for reading, every respectable house possessed a
-library, and among the better classes the slave-readers
-(<i xml:lang="la" lang="la">anagnostæ</i>) and the slave-transcribers (<i xml:lang="la" lang="la">librarii</i>) were<span class="pagenum"><a id="Page_11">11</a></span>
-almost as indispensable as cooks and scullions. At
-first we find that these slaves were employed in
-making copies of celebrated books for their masters;
-but gradually the natural division of labour produced
-a separate class of publishers. Atticus, the Moxon of
-the period, and an author of similar calibre, saw an
-opening for his energies in the production of copies of
-favourite authors upon a large scale. He employed a
-number of slaves to copy from dictation simultaneously,
-and was thus able to multiply books as
-quickly as they were demanded. His success speedily
-finding imitators, among whom were Tryphon and
-Dorus, publishing became a recognized trade. The
-public they appealed to was not a small one. Martial,
-Ovid, and Propertius speak of their works as
-being known all the world over; that young and old,
-women and girls, in Rome and in the provinces, in
-Britain and in Gaul, read their verses. “Every one,”
-says Martial, “has me in his pocket, every one has
-me in his hands.”</p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“Laudat, amat, cantat nostros mea Roma libellos:<br /></span>
-<span class="i0">Meque sinus omnis, me manus omnis habet.”<br /></span>
-</div></div>
-</div>
-
-<p class="in0">Horace speaks of the repugnance he felt at seeing his
-works in the hands of the vulgar. And Pliny writes
-that Regulus is mourning ostentatiously for the loss
-of his son, and no one weeps like him&mdash;<i xml:lang="la" lang="la">luget ut nemo</i>.
-“He composes an oration which he is not content
-with publicly reciting in Rome, but must needs enrich
-the provinces with a thousand copies of it.”</p>
-
-<p>School-books, too, an important item in publishing
-eyes, were in demand at Rome: Juvenal says that “the
-verses which the boy has just <em>conned over</em> at his desk<span class="pagenum"><a id="Page_12">12</a></span>
-he stands up to repeat,” and Persius tells us that poets
-were ambitious to be read in the schools; while Nero,
-in his vanity, gave special command that his verses
-should be placed in the hands of the students.</p>
-
-<p>Thus, altogether, there must have been a large
-book-buying public, and this fact is still further
-strengthened by the cheapness of the books produced.
-M. Geraud<a id="FNanchor_1" href="#Footnote_1" class="fnanchor">1</a> concludes that the prices were lower
-than in our own day. According to Martial the first
-book of his Epigrams was to be bought, neatly bound,
-for five denarii (nearly three shillings), but in a
-cheaper binding for the people it cost six to ten sestertii
-(a shilling to eighteenpence); his thirteenth
-book of Epigrams was sold for four sestertii (about
-eightpence), and half that price would, he says, have
-left a fair profit (Epig. xiii. 3). He tells us, moreover,
-that it would only require one hour to copy the
-whole of the second book,</p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“Hæc una peragit librarius hora.”<br /></span>
-</div></div>
-</div>
-
-<p class="in0">This book contains five hundred and forty verses,
-and though he may be speaking with poetical licence,
-the system of abbreviations did undoubtedly considerably
-lessen the labour of transcribing, and it would be
-quite possible, by employing a number of transcribers
-simultaneously, to produce an edition of such a work
-in one day.</p>
-
-<p>In Rome, therefore, we see that from the employment
-of slave labour&mdash;and some thousands of slaves
-were engaged in this work of transcribing&mdash;books were
-both plentiful and cheap.<a id="FNanchor_2" href="#Footnote_2" class="fnanchor">2</a></p>
-
-<div id="if_i_012" class="figcenter" style="width: 245px;">
- <img src="images/i_012.jpg" width="245" height="338" alt="" />
- <div class="caption"><p>William Caxton. The first printer at Westminster.</p>
-
-<p>1410&ndash;1491.</p></div></div>
-
-<div id="if_i_012b" class="figcenter" style="width: 407px;">
- <img src="images/i_012b.jpg" width="407" height="309" alt="" />
-
- <div class="caption"><p>Caxton’s Monogram.</p>
-
-<p>(<i>Facsimile from his Works.</i>)</p></div></div>
-
-<p><span class="pagenum"><a id="Page_13">13</a></span>
-In the Middle Ages this state of things was entirely
-altered. Men were too busy in giving and receiving
-blows, in oppressing and being oppressed, to have the
-slightest leisure for book-learning. Slaves, such as
-then existed, were valued for far different things than
-reading and writing; and even their masters’ kings,
-princes, lords, and other fighting dignitaries, would
-have regarded a quill-pen, in their mail-gloved hands,
-as a very foolish and unmanly weapon. There was
-absolutely no public to which bookmakers could
-have appealed, and the art of transcribing was confined
-entirely to a few monks, whose time hung
-heavily upon their hands; and, as a natural result,
-writers became, as Odofredi says, “no longer writers
-but painters,” and books were changed into elaborate
-works of art. Nor was this luxurious illumination
-confined to Bibles and Missals; the very law-books
-were resplendent, and a writer in the twelfth century
-complains that in Paris the Professor of Jurisprudence
-required two or three desks to support his copy of
-Ulpian, gorgeous with golden letters. No wonder
-that Erasmus says of the <cite xml:lang="la" lang="la">Secunda Secundea</cite> that “no
-man can carry it about, much less get it into his
-head.”</p>
-
-<p>At first there was no trade whatever in books, but
-gradually a system of barter sprung up between the
-monks of various monasteries; and with the foundation
-of the Universities a regular class of copyists was
-established to supply the wants of scholars and professors,
-and this improvement was greatly fostered by
-the invention of paper.</p>
-
-<p>The booksellers of this period were called <i xml:lang="la" lang="la">Stationarii</i>,
-either from the practice of stationing themselves
-at booths or stalls in the streets (in contradistinction<span class="pagenum"><a id="Page_14">14</a></span>
-to the itinerant vendors) or from the other
-meaning of the Latin term <i xml:lang="la" lang="la">statio</i>, which is, Crevier
-tells us, <i xml:lang="fr" lang="fr">entrepôt</i> or depository, and he adds that the
-booksellers did little else than furnish a place of
-deposit, where private persons could send their manuscripts
-for sale. In addition to this, indeed as their
-chief trade, they sent out books to be read, at exorbitant
-prices, not in volumes, but in detached parts,
-according to the estimation in which the authors were
-held.</p>
-
-<p>In Paris, where the trade of these <i xml:lang="la" lang="la">stationarii</i> was
-best developed, a statute regarding them was published
-in 1275, by which they were compelled to take
-the oath of allegiance once a year, or, at most,
-once every two years. They were forbidden by this
-same statute to purchase the books placed in their
-hands until they had been publicly exposed for sale
-for at least a month; the purchase money was to
-be handed over direct to the proprietor, and the bookseller’s
-commission was not to exceed one or two per
-cent. In addition to the <i xml:lang="la" lang="la">stationarii</i>, there were in
-Paris several pedlars or stall-keepers, also under
-University control, who were only permitted to exhibit
-their wares under the free heavens, or beneath the
-porches of churches where the schools were occasionally
-kept. The portal at the north end of the
-cross aisle in Rouen Cathedral is still called <i xml:lang="fr" lang="fr">le Portail
-des Libraires</i>.</p>
-
-<div id="if_i_014" class="figcenter" style="width: 322px;">
- <img src="images/i_014.jpg" width="322" height="441" alt="" />
- <div class="caption"><p>Wynkyn de Worde. 1493&ndash;1534. The second printer at Westminster.</p>
-<p>(<i>From a drawing by Fathorne.</i>)</p></div></div>
-
-<div id="if_i_014b" class="figcenter" style="width: 411px;">
- <img src="images/i_014b.jpg" width="411" height="185" alt="" />
- <div class="caption">Headpiece of William Caxton.</div></div>
-
-<p>In England the first stationers were probably themselves
-the engrossers of what they sold, when the
-learning and literature of the country demanded as
-the chief food A B C’s and Paternosters, Aves and
-Creeds, Graces and Amens. Such was the employment
-of our earliest stationers, as the names of their<span class="pagenum"><a id="Page_15">15</a></span>
-favourite haunts&mdash;Paternoster Row, Amen Corner,
-and Ave Maria Lane&mdash;bear ample witness; while
-the term stationer soon became synonymous with
-bookseller, and, in connection with the Stationers’
-Company, of no little importance, as we shall soon
-see, in our own bookselling annals.</p>
-
-<p>In 1292, the bookselling corporation of Paris consisted
-of twenty-four copyists, seventeen bookbinders,
-nineteen parchment makers, thirteen illuminators, and
-eight simple dealers in manuscripts. But at the time
-when printing was first introduced upwards of six
-thousand people are said to have subsisted by
-copying and illuminating manuscripts&mdash;a fact that,
-even if exaggerated, says something for the gradual
-advancement of learning.</p>
-
-<p>The European invention of printing, which here
-can only be mentioned; the diffusion of Greek manuscripts
-and the ancient wisdom contained therein,
-consequent upon the capture of Constantinople by
-the Turks; the discovery of America; and, finally,
-the German and English religious Reformations, were
-so many rapid and connected strides in favour of
-knowledge and progress. All properly-constituted
-conservative minds were shocked that so many new
-lights should be allowed to stream in upon the
-world, and every conceivable let and hindrance was
-called up in opposition. Royal prerogatives were
-exercised, Papal bulls were issued, and satirists (<i xml:lang="fr" lang="fr">soi-disant</i>)
-were bitter. A French poet of this period,
-sneering at the invention of printing, and the discovery
-of the New World by Columbus, says of the
-press, in language conveyed by the following <span class="locked">doggerel:&mdash;</span></p>
-
-<p><span class="pagenum"><a id="Page_16">16</a></span></p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“I’ve seen a mighty throng<br /></span>
-<span class="i0">Of printed books and long,<br /></span>
-<span class="i0">To draw to studious ways<br /></span>
-<span class="i0">The poor men of our days;<br /></span>
-<span class="i0">By which new-fangled practice,<br /></span>
-<span class="i0">We soon shall see the fact is,<br /></span>
-<span class="i0">Our streets will swarm with scholars<br /></span>
-<span class="i0">Without clean shirts or collars,<br /></span>
-<span class="i0">With Bibles, books, and codices<br /></span>
-<span class="i0">As cheap as tape for bodices.”<br /></span>
-</div></div>
-</div>
-
-<p class="in0">In spite of this feeling against the popularization of
-learning and the spread of education&mdash;a feeling not
-quite dead yet, if we may trust the evidence of a few
-good old Tory speakers on the evil effects (forgery,
-larceny, and all possible violation of the ten commandments)
-of popular education&mdash;a feeling perhaps subsiding,
-for a country gentleman of the old school
-told us recently that he “would wish every working
-man to read the Bible&mdash;the Bible only&mdash;and <em>that</em> with
-difficulty”&mdash;a progressive sign&mdash;the world was too well
-aware of the good to be gathered from the furtherance
-of these novelties to willingly let them die, and
-though the battle was from the first a hard one, it has
-been, from first to last, a winning battle.</p>
-
-<div id="if_i_016" class="figcenter" style="width: 283px;">
- <img src="images/i_016.jpg" width="283" height="348" alt="" />
- <div class="caption">Richard Pynson. Died about 1530.</div></div>
-
-<div id="if_i_016b" class="figcenter" style="width: 262px;">
- <img src="images/i_016b.jpg" width="262" height="313" alt="" />
- <div class="caption">Monogram used by Richard Pynson.</div></div>
-
-<p>It will be essential throughout this chapter, and
-indeed throughout the whole work, to bear in mind
-that it was not till quite modern times that a separate
-class was formed to buy copyrights, to employ printers,
-and to sell the books wholesale, to which their
-names were affixed on the title-pages&mdash;to be in fact, in
-the modern acceptation of the word, Publishers.
-There was no such class among the old booksellers; but
-they had to do everything for themselves, to construct
-the types, presses, and other essentials for printing, to
-bind the sheets when printed, and finally, when the<span class="pagenum"><a id="Page_17">17</a></span>
-books were manufactured, to sell them to the general
-public. For long, many of the booksellers had printing
-offices; they all, of course, kept shops, at which
-not only printed books but stationery was retailed;
-bookbinders were not unfrequent among them; and,
-to very recent times, they were the chief proprietors
-of newspapers, a branch of the trade that appears,
-from some modern instances, to be again falling in
-their direction.</p>
-
-<p>In England the printing press found a sure asylum,
-but at first the books printed were very few in number
-and the issue of each book small. The works
-produced by Caxton consisted almost entirely of
-translations. “Divers famous clerks and learned
-men,” says one of the early printers, “translated and
-made many noble works into our English tongue.
-Whereby there was much more plenty and abundance
-of English used than there was in times past.”
-Wynkyn de Worde followed closely in his master’s
-footsteps; but soon a new source of employment for
-the press was discovered, and De Worde turned his
-attention to the production of <cite>Accidences</cite>, <cite>Lucidaries</cite>,
-<cite>Orchards of Words</cite>, <cite>Promptuaries for Little Children</cite>,
-and the like. With the Reformation came of course
-a great demand for Bibles, and, between the years
-1526 and 1600, so great was the rush for this new
-supply of hitherto forbidden knowledge that we have
-no less than three hundred and twenty-six editions,
-or parts of editions, of the English Bible.</p>
-
-<p>In the “Typographical Antiquities” of Ames and
-Herbert are recorded the names of three hundred and
-fifty printers in England and Scotland, who flourished
-between 1474 and 1600. Though these “printers”
-were also booksellers, their history belongs more<span class="pagenum"><a id="Page_18">18</a></span>
-properly to the annals of printing. We will, therefore,
-confine ourselves to a preliminary account of the
-Stationers’ Company, and then enter forthwith upon
-such biographical sketches as our space will allow, of
-the men who may be regarded, if not uniformly in
-the modern sense as publishers, at any rate as the
-representative booksellers of old London.</p>
-
-<p>The “Stationers or Text-writers who wrote and
-sold all sorts of books then in use” were first formed
-into a guild in the year 1403, by the authority of the
-Lord Mayor and Court of Aldermen, and possessed
-ordinances made for the good government of their
-fellowship; and thus constituted they assembled
-regularly in their first hall in Milk Street under the
-government of a master and two wardens; but no
-privilege or charter has ever been discovered, under
-which, at that period, they acted as a corporate body.
-The Company had, however, no control over printed
-books until they received their first charter from
-Mary and Philip on 4th May 1557. The object of
-the charter is thus set forth in the preamble: “Know
-ye that we, considering and manifestly perceiving that
-several seditious and heretical books, both in verse
-and prose, are daily published, stamped and printed,
-by divers scandalous, schismatical, and heretical
-persons, not only exciting our subjects and liege-men
-to sedition and disobedience against us, our crown
-and dignity; but also to the renewal and propagating
-very great and detestable heresies against the faith
-and sound Catholic doctrine of Holy Mother the
-Church; and being willing to provide a proper remedy
-in this case,” &amp;c. The powers granted to the Company
-by this charter were, verbally, absolute. Not
-only were they to search out, seize, and destroy books<span class="pagenum"><a id="Page_19">19</a></span>
-printed in contravention of the monopoly, or against
-the faith and sound Catholic doctrine of Holy Mother
-Church; but they might seize, take away, have, burn,
-or convert to their own use, whatever they should
-<em>think</em> was printed contrary to the form of any statute,
-act, or proclamation, made or <em>to be</em> made. And this
-charter renewed by Elizabeth in 1588, amplified by
-Charles II. in 1684, and confirmed by William and
-Mary in 1690, is still virtually in existence. It is
-scarcely strange that such enormous powers as these
-were but little respected; indeed Queen Elizabeth
-herself was one of the first to invade their privileges,
-and she granted the following, among other monopolies,
-away from the Stationers’ <span class="locked">Company:&mdash;</span></p>
-
-<ul><li>To Byrde, the printing of music books.</li>
-<li>To Serres, psalters, primers, and prayer books.</li>
-<li>To Flower, grammars.</li>
-<li>To Tothill, law books.</li>
-<li>To Judge (the Queen’s Printer), Bibles and Testaments.</li>
-<li>To Watkin and Roberts, almanacs and prognostications.</li>
-<li>To Vautrollier, Latin Testaments and other Latin books.</li>
-<li>To Marsh, school-books.</li>
-<li>To Day, A B C’s and catechisms.</li>
-</ul>
-
-<p>(This last had his printing office in Moorgate Street,
-ornamented with the motto, “Arise, for it is Day!”)</p>
-
-<p>The Stationers’ Company, sorely damaged in trade
-by the sudden and almost entire loss of their privileges,
-petitioned the Queen, representing that they
-were subject to certain levies, that they supplied
-when called upon a number of armed men, and that
-they expected to derive some benefit when they<span class="pagenum"><a id="Page_20">20</a></span>
-underwent these liabilities. As a reply they were
-severely reprimanded for daring to question the
-Queen’s prerogative, upon which they petitioned again,
-but more humbly, that they might at least be placed
-on an equal footing with the interlopers, and be permitted
-to print something or other. Her Majesty
-was shortly pleased to sanction an arrangement by
-which they were to possess the exclusive right of
-printing and selling psalters, primers, almanacs, and
-books tending to the same purpose&mdash;the <em>A B C</em>’s, the
-<cite>Little Catechism</cite>, Nowell’s <cite>English</cite> and <cite>Latin Catechisms</cite>,
-&amp;c.</p>
-
-<p>Ward, and Wolf a fishmonger, however, disputed
-the power of the Company, declaring it to be lawful,
-according to the written law of the land, for any
-printer to print all books; and when the Master and
-Wardens of the Company went to search Ward’s
-house, preparatory to seizing, burning, or conveying
-away his books, they were ignominiously defeated by
-his wife. The Lord Treasurer likewise sent commissioners
-thither, “but they, too, could bring him to
-nothing.”</p>
-
-<p>Learning from this how useless the tremendous
-powers conferred upon them by their charter really
-were, the Stationers’ Company took a wiser course
-and subscribed £15,000 to print the books in which
-they had the exclusive property.</p>
-
-<div id="if_i_020" class="figcenter" style="width: 500px;">
- <img src="images/i_020.jpg" width="209" height="339" alt="" />
- <div class="caption">Richard Grafton, English Printer and Historian. Died after 1572.
- The first printer of the Common Prayer.</div></div>
-
-<div id="if_i_020b" class="figcenter" style="width: 500px;">
- <img src="images/i_020b.jpg" width="247" height="295" alt="" />
- <div class="caption">John Wight or Wyghte. Was living in 1551. A printer of law books.</div></div>
-
-<p>The “entry” of copies at Stationers’ Hall was
-commenced in 1558, but without the delivery of any
-books, and these entries seem originally to have been
-intended by the booksellers of the Company to make
-known to each other their respective copyrights, and
-to act as advertisements of the works thus entered.
-Half a century later, Sir Thomas Bodley was appointed<span class="pagenum"><a id="Page_21">21</a></span>
-librarian at Oxford, and so great was his zeal for
-obtaining books that he persuaded the Company of
-Stationers in London to give him a copy of every
-book that was printed, and this voluntary offering
-was rendered compulsory by the celebrated Licensing
-Act of 1663, which prohibited the publication of any
-book unless licensed by the Lord Chamberlain, and
-entered in the Stationers’ Registers, and which fixed
-the number of copies to be presented gratis at three.
-In the reign of William and Mary the liberty of the
-press was restored, but in the new Act the door was
-unfortunately thrown open to infractions of literary
-property by clandestine editions of books, and in the
-following reign the property of copyright was secured
-for fourteen years, though the perpetuity of copyright
-was still vulgarly believed in, and, by the better class
-of booksellers, still respected. The number of compulsory
-presentation copies was gradually increased
-to eleven, forming a very heavy tax upon expensive
-books, and was only in our own times reduced to five.
-At present the registration of books at Stationers’
-Hall is quite independent of the presentations, which
-are still compulsory. The fee for the registration or
-assignment of a copyright is five shillings.</p>
-
-<p>By the end of the last century all the privileges
-and monopolies of the Company had been shredded
-away till they had nothing left but the right to publish
-a common Latin primer and almanacs. In 1775
-J. Carnan,<a id="FNanchor_3" href="#Footnote_3" class="fnanchor">3</a> an enterprizing tradesman, questioning
-the legality of the latter monopoly, published an<span class="pagenum"><a id="Page_22">22</a></span>
-almanac on his own account, and defended himself
-against an action brought by the Company in which
-the monopoly was declared worthless. As, however,
-the Company still paid the Universities for the lease
-of the sole right to publish almanacs, they endeavoured
-to recover their privilege by Act of Parliament, but
-were defeated by Erskine in a memorable speech,
-who showed that, while supposed to be protectors of
-the order and the decencies of the press, the Company
-had not only entirely omitted to exercise their duties,
-but that, even in using their privileges, they had, to
-increase their revenue, printed, in the “Poor Robin’s”
-and other almanacs, the most revolting indecencies;
-and the question was decided against them.</p>
-
-<div id="if_i_022" class="figcenter" style="width: 286px;">
- <img src="images/i_022.jpg" width="286" height="348" alt="" />
- <div class="captionl">
-<span class="in1">Rayne Wolfe.</span><br />
-Paul’s Churchyard.</div>
-
-<div class="captionr up2">
-King Henry VIII.’s<br />
-<span class="l2">printer.</span></div></div>
-
-<div id="if_i_022b" class="figcenter" style="width: 275px;">
- <img src="images/i_022b.jpg" width="275" height="128" alt="" />
- <div class="caption">1547.</div></div>
-
-<div id="if_i_022c" class="figcenter" style="width: 500px;">
- <img src="images/i_022c.jpg" width="254" height="312" alt="" />
- <div class="caption"><p>John Day or Daye. “A famous printer. He lived over Aldgate.”</p>
-
-<p>1522&ndash;1584.</p></div></div>
-
-<p>The “earliest men of letters”&mdash;if we accept the
-word in its modern meaning of those who earn their
-bread by their pens&mdash;were the dramatists; but the
-publication of their plays was a mere appendix to the
-acting thereof, and Shakespeare never drew a penny
-from the printing of his works. The Elizabethan
-dramatists&mdash;the Greenes and Marlowes&mdash;led a life of
-wretchedness only paralleled later on by the annals of
-Grub Street. As the use of the printing press expanded,
-however, a race of authors by profession sprang
-into existence. At the time of the Commonwealth
-James Howell, author of the “Epistolæ Ho-elianæ,”
-who was thrown into the Fleet prison, appears to
-have made his bread by scribbling for the booksellers;
-Thomas Fuller, also, was among the first, as well as
-the quaintest, hack-writers; he observes, in the preface
-to his “Worthies,” that no stationers have hitherto
-lost by him. His “Holy State” was reprinted four
-times before the Restoration, but the publisher continued
-to describe the last two impressions, on the<span class="pagenum"><a id="Page_23">23</a></span>
-title-page, as only the third edition, as if he were
-unwilling that the extent of the popularity should be
-known&mdash;a fact probably unprecedented. But still
-the great writers had either private means, or lived
-on the patronage of rank and wealth; for the reward
-of a successful book in those days did not lie in so
-much hard cash from one’s publisher, but in hopes of
-favour and places from the great. The famous agreement
-between Milton and Samuel Simmons, a printer,
-is one of the earliest authenticated agreements of
-copy money being given for an original work; it was
-executed on April 27th, 1667, and disposes of the
-copyright of “Paradise Lost” for the present sum
-of five pounds, and five pounds more when 1300
-copies of the first impression should be sold in retail,
-and the like sum at the end of the second and third
-editions, <em>to be accounted as aforesaid; and that</em> (each
-of) <em>the said first three impressions shall not exceed
-fifteen books or volumes of the said manuscript</em>. The
-price of the small quarto edition was three shillings
-in a plain binding. Probably, as Sir Walter Scott
-remarks, the trade had no very good bargain of it, for
-the first impression of the poem does not seem to
-have been sold off before the expiration of seven
-years, nor till the bookseller (in accordance with a
-practice nor confined solely to that age) had given it
-five new title-pages. The second five pounds was
-received by Milton, and in 1680, for the present sum
-of eight pounds, his widow resigned all further right
-in the copyright, and thus the poem was sold for
-eighteen pounds instead of the stipulated twenty.
-The whole transaction must be regarded rather as an
-entire novelty, than as an example of a bookseller’s
-meanness&mdash;a view too often unjustly taken.</p>
-
-<p><span class="pagenum"><a id="Page_24">24</a></span>
-The first “eminent man of letters” was Dryden,
-who serves us as a connecting link between those who
-earned their livelihood by writing for the stage and
-those who earned it by working for the booksellers,
-and the first “eminent publisher” was Jacob Tonson,
-his bookseller. Dryden, like his predecessors,
-commenced life as a dramatist, but in his times plays
-acquired a marketable value elsewhere than on the
-stage. Before Tonson started, Dryden’s works&mdash;almost
-entirely plays&mdash;were sold by Herringman, the chief
-bookseller in London, says Mr. Peter Cunningham,
-before Tonson’s time; but now only remembered
-because Dryden lodged at his house, taking his money
-out in kind, as authors then often did.</p>
-
-<div id="if_i_024" class="figcenter" style="width: 398px;">
- <img src="images/i_024.jpg" width="398" height="526" alt="" />
- <div class="caption"><p>Jacob Tonson.</p>
-
-<p>1656&ndash;1736.</p>
-
-<p>(<i>From the Portrait by Kneller.</i>)</p></div></div>
-
-<p>Jacob Tonson, born in 1656, was the son of a barber-surgeon
-in Holborn, who died when his two sons
-were both very young, leaving them each a hundred
-pounds to be paid them on their coming of age. The
-two lads resolved to become printers and booksellers,
-and, at fourteen, Jacob was apprenticed to Thomas
-Barnet. After serving the usual term of seven
-years he was admitted to the freedom of the Stationers’
-Company, and immediately commenced business
-with his small capital at the Judge’s House, in
-Chancery Lane, close to the corner of Fleet Street.
-Like many other publishers he began trade by selling
-second-hand books and those produced by other firms,
-but he soon issued plays on his own account; finding,
-however, that the works of Otway and Tate, which were
-among his first attempts, had no very extensive sale,
-he boldly made a bid for Dryden’s next play, but the
-twenty pounds required by the author was too great a
-venture for his small capital, so “Troilus and Cressida;
-or Truth found too Late,” was published conjointly by<span class="pagenum"><a id="Page_25">25</a></span>
-Tonson and Levalle in 1679. This connection with
-Dryden, which lasted till the poet’s death, was of
-only less importance to the furtherance of Tonson’s
-fortune than a bargain concluded four years later
-with Brabazon Aylmer for one-half of his interest in
-the “Paradise Lost,” which Dryden told him was one
-of the greatest poems England had ever produced.
-Still he waited four years before he ventured to publish,
-and then only by the safe method of subscription,
-and in 1788 the folio edition came out, and by the
-sale of this and future editions Tonson was, according
-to Disraeli, enabled to keep his carriage. The other
-moiety of the copyright was subsequently purchased.
-There is a pleasant description of Tonson, in these
-early days, in a short poem by <span class="locked">Rowe:&mdash;</span></p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“While in your early days of reputation<br /></span>
-<span class="i0">You for blue garter had not such a passion,<br /></span>
-<span class="i0">While yet you did not live, as now your trade is,<br /></span>
-<span class="i0">To drink with noble lords and toast their ladies,<br /></span>
-<span class="i0">Thou Jacob Tonson, wert, to my conceiving,<br /></span>
-<span class="i0">The cheerfullest, best honest fellow living.”<br /></span>
-</div></div>
-</div>
-
-<p>From John Dunton, the bookseller, we get the
-following description:&mdash;“He was bookseller to the
-famous Dryden, and is himself a very good judge of
-persons and authors; and, as there is nobody more
-competently qualified to give their opinion upon
-another, so there is none who does it with a more
-severe exactness, or with less partiality; for, to do
-Mr. Tonson justice, he speaks his mind upon all
-occasions, and will flatter nobody.”</p>
-
-<p>Not only did Tonson first make “Paradise Lost”
-popular, but some years afterwards he was the first
-bookseller to throw Shakespeare open to a reading
-public.</p>
-
-<p><span class="pagenum"><a id="Page_26">26</a></span>
-Then, as now, however, the works in most urgent demand
-were “novelties,” and with these Dryden supplied
-his publisher as fast almost as pen could drive upon
-paper. From the correspondence between Dryden
-and Tonson, printed in Scott’s edition of the poet’s
-works, they seem to have been privately on very
-friendly terms, falling out only when agreements were
-to be signed or payments to be made. Tonson was
-at this time publishing what are sometimes known as
-<em>Tonson’s</em>, sometimes as <em>Dryden’s</em>, <cite>Miscellany Poems</cite>,
-written, so the title-pages averred, by the “most
-eminent hands.” <i xml:lang="fr" lang="fr">Apropos</i> of this, Pope writes,
-“Jacob creates poets as kings create knights, not for
-their honour, but for their money. I can be satisfied
-with a bare saving gain without being thought an
-eminent hand.” The first volume of the “Miscellany”
-was published in 1684, and the second in the following
-year, and of this second, Dryden writes, after
-thanking the bookseller for two melons&mdash;“since we
-are to have nothing but new, I am resolved we shall
-have nothing but good, whomever we disoblige.”
-The third “Miscellany” was published in 1693, and
-Tonson sends an earnest letter of remonstrance anent
-the amount of “copy” received of the translation of
-Ovid:&mdash;“You may please, sir, to remember that upon
-my first proposal about the third ‘Miscellany,’ I offered
-fifty pounds, and talked of several authors without
-naming Ovid. You asked if it should not be guineas,
-and said I should not repent it; upon which I immediately
-complied, and left it wholly to you what, and
-for the quantity too; and I declare it was the furthest
-in the world from my thoughts that by leaving it to
-you I should have the less.” He proceeds to show
-that Dryden had sold a previous, though recent translation<span class="pagenum"><a id="Page_27">27</a></span>
-to another bookseller at the rate of 1518 lines
-for forty guineas, while he adds, “all that I have for
-fifty guineas are but 1446; so that if I have no more,
-I pay ten guineas above forty, and have 72 lines less
-for fifty in proportion. I own, if you don’t think fit
-to add something more, I must submit; ’tis wholly at
-your choice, for I left it entirely to you; but I believe
-you cannot imagine I expected so little; for you were
-pleased to use me much kindlier in Juvenal, which is
-not reckoned so easy to translate as Ovid. Sir, I
-humbly beg your pardon for this long letter, and,
-upon my word, I had rather have your good will than
-any man’s alive.”</p>
-
-<p>These were hard times for Dryden, for through the
-change of government he had been deprived of the
-laureateship, and it is little likely that Tonson ever
-received his additional lines or recovered his money.
-Frequent at this period were the bickerings between
-them. On one occasion, the bookseller having refused
-to advance a sum of money, the poet forwarded
-the following triplet with the significant message,
-“Tell the dog that he who wrote these lines can write
-<span class="locked">more:”&mdash;</span></p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“With leering looks, bull-faced and freckled fair,<br /></span>
-<span class="i0">With two left legs, with Judas-coloured hair,<br /></span>
-<span class="i0">And frowsy pores that taint the ambient air.”<br /></span>
-</div></div>
-</div>
-
-<p>The descriptive hint is said to have been successful.
-On another occasion, when Bolingbroke was visiting
-Dryden, they heard a footstep. “This,” said Dryden,
-“is Tonson; you will take care not to depart before
-he goes away; for I have not completed the sheet
-which I promised him; and, if you leave me unprotected,
-I shall suffer all the rudeness to which resentment<span class="pagenum"><a id="Page_28">28</a></span>
-can prompt his tongue.” And yet, almost at
-this period, we find Dryden writing, “I am much
-ashamed of myself that I am so much behindhand
-with you in kindness.”</p>
-
-<div id="if_i_028" class="figcenter" style="width: 500px;">
- <img src="images/i_028.jpg" width="264" height="314" alt="" />
- <div class="caption">Richard Jones, Jhones, or Johnes, English Printer. Was living in 1571.</div></div>
-
-<div id="if_i_028b" class="figcenter" style="width: 374px;">
- <img src="images/i_028b.jpg" width="374" height="380" alt="" />
- <div class="caption"><p>John Dunton.</p>
-
-<p>1659&ndash;1733.</p></div></div>
-
-<p>Dryden’s translations of the classics had been most
-successful in selling off the “Miscellanies” very
-rapidly, and Tonson now induced the author, by the
-offer of very liberal terms, to commence a translation
-of Virgil. As usual, the preliminary terms were to
-be settled in a tavern&mdash;a custom between authors and
-booksellers that seems to have been universal. “Be
-ready,” writes Dryden, “with the price of paper, and
-of the books. No matter for any dinner; for that is
-a charge to you, and I care not for it. Mr. Congreve
-may be with us as a common friend.” There were two
-classes of subscribers, the first of whom paid five
-guineas each, and were individually honoured with
-the dedication of a plate, with their arms engraved
-underneath; the second class paid two guineas only.
-The first class numbered 101, and the second 250,
-and the money thus received, minus the expense of
-the engravings, was handed over to Dryden, who received
-in addition from Tonson fifty guineas a book
-for the <cite>Georgics</cite> and <cite>Æneid</cite>, and probably the same
-for the <cite>Pastorals</cite> collectively. But the price actually
-charged to the subscribers of the second class appears
-to have been exorbitant, and reduced the amount of
-Dryden’s profits to about twelve or thirteen hundred
-pounds&mdash;still a very large sum in those days.
-Frequent, however, were the disputes between them
-during the progress of the work. The currency at
-this time was terribly deteriorated. In October,
-1695, the poet writes, “I expect fifty pounds in good
-silver: not such as I have had formerly. I am not<span class="pagenum"><a id="Page_29">29</a></span>
-obliged to take gold, neither will I; nor stay for it
-beyond four-and-twenty hours after it is due.” Good
-silver, however, was very scarce, and was at a premium
-of forty per cent; so after a year’s wrangling
-he had to put up with the fate of all who then sold
-labour for money. “The Notes and Queries,” continues
-Dryden, perhaps as a gibe at Jacob’s parsimony,
-“shall be short; because you shall get the
-more by saving paper.” Again he attacks him, this
-time half playfully:&mdash;“Upon trial I find all of your
-trade are sharpers, and you not more than others;
-therefore I have not wholly left you.” Tonson all
-along wished to dedicate the work to King William,
-but Dryden, a staunch Tory, would not yield a tittle
-of his political principles, so the bookseller consoled
-himself by slyly ordering all the pictures of Æneas in
-the engravings to be drawn with William’s characteristic
-hooked nose; a manœuvre that gave rise to
-the <span class="locked">following:&mdash;</span></p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“Old Jacob, by deep judgments swayed,<br /></span>
-<span class="i2">To please the wise beholders,<br /></span>
-<span class="i0">Has placed old Nassau’s hook-nosed head<br /></span>
-<span class="i2">On young Æneas’ shoulders.<br /></span>
-</div><div class="stanza">
-<span class="iq">“To make the parallel hold tack,<br /></span>
-<span class="i2">Methinks there’s little lacking;<br /></span>
-<span class="i0">One took his father pick-a-back,<br /></span>
-<span class="i2">And t’other sent his packing.”<br /></span>
-</div></div>
-</div>
-
-<p>In December, 1699, Dryden finished his last work,
-the “Fables,” for which “ten thousand verses” he was
-paid the sum of two hundred and fifty guineas, with
-fifty more to be added at the beginning of the second
-impression. In this volume was included his Ode to
-St. Cecilia, which had first been performed at the
-Music Feast kept in Stationers’ Hall, on the 22nd of
-November, 1697.</p>
-
-<p><span class="pagenum"><a id="Page_30">30</a></span>
-In 1700 the poet died, but Tonson was by this time
-in affluent circumstances.</p>
-
-<p>About the date of Dryden’s death, probably before
-it, as his portrait was included among the other members,
-the famous Kit-Cat Club was founded by Tonson.
-Various are the derivations of the club. The
-most circumstantial account of its origin is given by
-the scurrilous writer, Ned Ward, in his “Secret History
-of Clubs.” It was established, he says, “by an
-amphibious mortal, chief merchant to the Muses, to
-inveigle new profitable chaps, who, having more wit
-than experience, put but a slender value as yet upon
-their maiden performances.” (Tonson must have
-been a rare publisher if he found “new chaps” to be
-in any way profitable.) With the usual custom of the
-times, Tonson was always ready to give his author,
-especially upon concluding a bargain, wherewithal to
-drink, but he now proposed to add pastry in the shape
-of mutton pies, and, according to Ward, promises to
-make the meeting weekly, provided his clients would
-give him the first refusal of their productions. This
-generous proposal was very readily agreed to by
-the whole poetic class, and the cook’s name being
-Christopher, called for brevity Kit, and his sign the
-Cat and Fiddle, they very merrily derived a quaint
-denomination from puss and her master, and from
-thence called themselves the Kit-Cat Club. According
-to Arbuthnot, their toasting-glasses had verses
-upon them in honour of “old cats and young kits,”
-and many of these toasts were printed in Tonson’s
-fifth “Miscellany.” At first they met in Shire Lane,
-(Ward says Gray’s Inn Lane), and subsequently at
-the Fountain Tavern in the Strand. In a short time
-the chief men of letters having joined the club,<span class="pagenum"><a id="Page_31">31</a></span>
-“many of the quality grew fond of sharing the everlasting
-honour that was likely to crown the poetical
-society.” Sir Godfrey Kneller, himself a member,
-painted portraits of all the members, commencing
-with the Duke of Somerset, and these were hung
-round the club-room at Tonson’s country house at
-Water Oakeley, where the members of the club were
-in after-times wont to meet. The tone of the club-room
-became decidedly political, and interesting as
-it is, our space forbids us to do more than give the
-following lines from “Faction Displayed” (1705),
-which, by-the-way, quotes Dryden’s threatening triplet,
-already alluded <span class="locked">to:&mdash;</span></p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“I am the Touchstone of all modern wit;<br /></span>
-<span class="i0">Without my stump, in vain you poets writ.<br /></span>
-<span class="i0">Those only purchase everlasting fame<br /></span>
-<span class="i0">That in my ‘Miscellany’ plant their name.<br /></span>
-<span class="i0">I am the founder of your loved Kit-Kat,<br /></span>
-<span class="i0">A Club that gave direction to the state.<br /></span>
-<span class="i0">’Twas here we first instructed all our youth<br /></span>
-<span class="i0">To talk profane and laugh at sacred truth;<br /></span>
-<span class="i0">We taught them how to toast and rhyme and bite,<br /></span>
-<span class="i0">To sleep away the day, and drink away the night.”<br /></span>
-</div></div>
-</div>
-
-<p>By this time Tonson had taken his nephew into
-partnership, had left his old shop in Chancery Lane,
-and changed his sign from the “Judge’s Head” to the
-“Shakespeare’s Head;” and he and his descendants
-had certainly a right to the latter symbol, for the
-editions of Rowe, Pope, Theobald, Warburton, Johnson,
-and Capell, were all associated with their name.
-The following schedule of the prices paid to the
-various editors possesses some bibliographical <span class="locked">interest:&mdash;</span></p>
-
-<p><span class="pagenum"><a id="Page_32">32</a></span></p>
-
-<table summary="prices paid">
- <tr>
- <td> </td>
- <td class="tdc">£</td>
- <td class="tdc"><i>s.</i></td>
- <td class="tdc"><i>d.</i></td></tr>
- <tr>
- <td class="tdl">Rowe</td>
- <td class="tdr">36</td>
- <td class="tdr">10</td>
- <td class="tdr">0</td></tr>
- <tr>
- <td class="tdl">Hughes</td>
- <td class="tdr">28</td>
- <td class="tdr">7</td>
- <td class="tdr">0</td></tr>
- <tr>
- <td class="tdl">Pope</td>
- <td class="tdr">217</td>
- <td class="tdr">12</td>
- <td class="tdr">0</td></tr>
- <tr>
- <td class="tdl">Fenton</td>
- <td class="tdr">30</td>
- <td class="tdr">14</td>
- <td class="tdr">0</td></tr>
- <tr>
- <td class="tdl">Gay</td>
- <td class="tdr">35</td>
- <td class="tdr">17</td>
- <td class="tdr">6</td></tr>
- <tr>
- <td class="tdl">Whalley</td>
- <td class="tdr">12</td>
- <td class="tdr">0</td>
- <td class="tdr">0</td></tr>
- <tr>
- <td class="tdl">Theobald</td>
- <td class="tdr">652</td>
- <td class="tdr">10</td>
- <td class="tdr">0</td></tr>
- <tr>
- <td class="tdl">Warburton</td>
- <td class="tdr">500</td>
- <td class="tdr">0</td>
- <td class="tdr">0</td></tr>
- <tr>
- <td class="tdl">Capell</td>
- <td class="tdr">300</td>
- <td class="tdr">0</td>
- <td class="tdr">0</td></tr>
- <tr>
- <td class="tdl">Dr. Johnson, for 1st edition.</td>
- <td class="tdr">375</td>
- <td class="tdr">0</td>
- <td class="tdr">0</td></tr>
- <tr>
- <td class="tdl"><span class="in2">”</span> <span style="padding-left: 2.66em;">for 2nd edition.</span></td>
- <td class="tdr">100</td>
- <td class="tdr">0</td>
- <td class="tdr">0</td></tr>
-</table>
-
-<p>Upon Dryden’s death Tonson had looked round
-anxiously for a likely successor, and had made
-humble overtures to Pope, and in his later “Miscellanies”
-appeared some of Pope’s earliest writings; but
-Pope soon deserted to Tonson’s only rival&mdash;Bernard
-Lintot, who also opposed him in an offer to publish
-a work of Dr. Young’s. The poet answered both
-letters the same morning, but unfortunately cross-directed
-them: in the one intended for Tonson he
-said that Lintot was so great a scoundrel that printing
-with him was out of the question, and in Lintot’s that
-Tonson was an old rascal.</p>
-
-<p>Jacob Tonson died in 1736, and is reported on his
-death-bed to have said&mdash;“I wish I had the world to
-begin again, because then I should have died worth a
-hundred thousand pounds, whereas now I die worth
-only eighty thousand;”&mdash;a very improbable story, for,
-in spite of Dryden’s complaints, Tonson seems to
-have been a generous man for the times, and to have
-fully earned his title of the “prince of booksellers.”
-His nephew died a few months before this, and was
-succeeded by his son, Jacob Tonson the third, who
-carried on the business in the same shop opposite
-Catherine Street in the Strand, until his removal<span class="pagenum"><a id="Page_33">33</a></span>
-across the road, only a short time before his death.
-He died in 1767, when the time-honoured name was
-erased from the list of booksellers.</p>
-
-<p>Bernard Lintot, or, as he originally wrote his name,
-Barnaby Lintott, was the son of a Sussex yeoman,
-and commenced business as a bookseller at the sign of
-the Cross Keys, between the Temple Gates, in the year
-1700. He is thus characterized by John Dunton&mdash;“He
-lately published a collection of <cite>Tragic Tales</cite>, &amp;c., by
-which I perceive he is angry with the world, and scorns
-it into the bargain; and I cannot blame him: for
-D’Urfey (his author) both treats and esteems it as it
-deserves; too hard a task for those whom it flatters;
-or perhaps for Bernard himself, should the world ever
-change its humour and grin upon him. However, to
-do Mr. Lintot justice, he is a man of very good principles,
-and I dare engage will never want an author of
-<cite>Sol-fa</cite>,<a id="FNanchor_4" href="#Footnote_4" class="fnanchor">4</a> so long as the play-house will encourage his
-comedies.” The world, however, did grin upon him,
-for in 1712 he set up a “Miscellany” intended to rival
-Tonson’s, and here appeared the first sketch of the
-“Rape of the Lock,” and this introduction to Pope
-was to turn out of as much importance in his fortunes
-as the previous connection with Dryden had been to
-Tonson.</p>
-
-<p>A memorandum-book, preserved by Nichols, contains
-an exact account of the money paid by Lintot
-to his various authors. Here are the receipts for
-Pope’s entire <span class="locked">works:&mdash;</span></p>
-
-<p><span class="pagenum"><a id="Page_34">34</a></span></p>
-
-<table id="receipts" summary="receipts">
- <tr>
- <td> </td>
- <td class="tdc">£</td>
- <td class="tdc"><i>s.</i></td>
- <td class="tdc"><i>d.</i></td></tr>
- <tr>
- <td class="tdl">1712, Feb. 19.  Statius, first book; Vertumnus and Pomona</td>
- <td class="tdr">16</td>
- <td class="tdr">2</td>
- <td class="tdr">6</td></tr>
- <tr>
- <td class="tdl">1712, March 21.  First edition of the Rape</td>
- <td class="tdr">7</td>
- <td class="tdr">0</td>
- <td class="tdr">0</td></tr>
- <tr>
- <td class="tdl">1712, April 9.  To a Lady presenting Voiture upon Silence to the author of a Poem called Successio</td>
- <td class="tdr">3</td>
- <td class="tdr">16</td>
- <td class="tdr">6</td></tr>
- <tr>
- <td class="tdl">1712&ndash;13, Feb. 23.  Windsor Forest</td>
- <td class="tdr">32</td>
- <td class="tdr">5</td>
- <td class="tdr">0</td></tr>
- <tr>
- <td class="tdl">1713, July 22.  Ode on St. Cecilia’s Day</td>
- <td class="tdr">15</td>
- <td class="tdr">0</td>
- <td class="tdr">0</td></tr>
- <tr>
- <td class="tdl">1714, Feb. 20.  Additions to the Rape</td>
- <td class="tdr">15</td>
- <td class="tdr">0</td>
- <td class="tdr">0</td></tr>
- <tr>
- <td class="tdl">1715, Feb. 1.  Temple of Fame</td>
- <td class="tdr">32</td>
- <td class="tdr">5</td>
- <td class="tdr">0</td></tr>
- <tr>
- <td class="tdl">1715, April 31.  Key to the Lock</td>
- <td class="tdr">10</td>
- <td class="tdr">15</td>
- <td class="tdr">0</td></tr>
- <tr>
- <td class="tdl">1716, July 17.  Essay on Criticism</td>
- <td class="tdr">15</td>
- <td class="tdr">0</td>
- <td class="tdr">0</td></tr>
-</table>
-
-<p>In 1712 Pope, mindful of Dryden’s success, commenced
-his translation of Homer, and in 1714 Lintot,
-equally mindful probably of the profits Tonson
-had derived from Virgil, made a splendid offer for its
-publication. He agreed to provide at his own expense
-all the subscription and presentation copies,
-and in addition to pay the author two hundred pounds
-per volume. The Homer was to consist of six quarto
-volumes, to be delivered to subscribers, as completed,
-at a guinea a volume, and through the unremitting
-labours of the poet’s literary and political friends, six
-hundred and fifty-four copies were delivered at the
-original rate, and Pope realized altogether the munificent
-sum of five thousand, three hundred and twenty
-pounds, four shillings.</p>
-
-<p>It was probably just after the publication of the
-first volume, in August, 1714, that Pope wrote his
-exquisitely humorous letter to the Earl of Burlington,
-describing a journey to Oxford, made in company
-with Lintot. “My lord, if your mare could
-speak, she would give an account of what extraordinary
-company she had on the road; which since she
-cannot do, I will.” Lintot had heard that Pope was
-“designed for Oxford, the seat of the Muses, and
-would, as my bookseller, by all means accompany me
-thither.... Mr. Lintot began in this manner: ‘Now,<span class="pagenum"><a id="Page_35">35</a></span>
-damn them, what if they should put it in the newspapers,
-how you and I went together to Oxford?
-What would I care? If I should go down into Sussex,
-they would say I was gone to the Speaker. But
-what of that? If my son were but big enough to go
-on with the business, by God! I would keep as good
-company as old Jacob.’... As Mr. Lintot was talking
-I observed he sat uneasy on his saddle, for which I expressed
-some solicitude. ‘’Tis nothing,’ says he; ‘I
-can bear it well enough, but since we have the day
-before us, methinks it would be very pleasant for you
-to rest awhile under the woods.’ When we alighted,
-‘See here, what a mighty pretty Horace I have in
-my pocket! what if you amused yourself by turning
-an ode, till we mount again? Lord, if you pleased,
-what a clever Miscellany might you make at leisure
-hours.’ ‘Perhaps I may,’ said I, ‘if we ride on;
-the motion is an aid to my fancy, a round trot very
-much awakens my spirits; then jog on apace, and I’ll
-think as hard as I can.’</p>
-
-<p>“Silence ensued for a full hour, after which Mr.
-Lintot tugged the reins, stopped short and broke out,
-‘Well, sir, how far have you gone?’ I answered,
-‘Seven miles.’ ‘Zounds, sir,’ said Lintot, ‘I thought
-you had done seven stanzas. Oldworth, in a ramble
-round Wimbleton hill, would translate a whole ode in
-half this time. I’ll say that for Oldworth (though I
-lost by his Sir Timothy’s), he translates an ode of
-Horace the quickest of any man in England. I
-remember Dr. King would write verses in a tavern
-three hours after he could not speak; and there’s Sir
-Richard, in that rambling old chariot of his, between
-Fleet ditch and St. Giles’s pound shall make half a
-job.’ ‘Pray, Mr. Lintot,’ said I, ‘now you talk of<span class="pagenum"><a id="Page_36">36</a></span>
-translators, what is your method of managing them?’
-‘Sir,’ replied he, ‘those are the saddest pack of rogues
-in the world; in a hungry fit, they’ll swear they
-understand all the languages in the universe. I have
-known one of them take down a Greek book upon my
-counter and cry, Ay, this is Hebrew. I must read
-it from the latter end. My God! I can never be
-sure of those fellows, for I neither understand Greek,
-Latin, French nor Italian myself.’ ‘Pray tell me
-next how you deal with the critics.’ ‘Sir’, said he,
-‘nothing more easy. I can silence the most formidable
-of them; the rich ones for a sheet a-piece of the
-blotted manuscript, which costs me nothing; they’ll
-go about to their acquaintance and pretend they had
-it from the author, who submitted to their correction:
-this has given some of them such an air, that in time
-they come to be consulted with, and dictated to as
-the top critic of the town. As for the poor critics, I’ll
-give you one instance of my management, by which
-you may guess at the rest. A lean man, that looks
-like a very good scholar, came to me t’other day; he
-turned over your Homer, shook his head, shrugged
-up his shoulders, and pished at every line of it. One
-would wonder, says he, at the strange presumption
-of some men; Homer is no such easy task, that every
-stripling, every versifier&mdash;He was going on, when my
-wife called to dinner. ‘Sir,’ said I, ‘will you please
-to eat a piece of beef with me?’ ‘Mr. Lintot,’ said
-he, ‘I am sorry you should be at the expense of this
-great book; I am really concerned on your account.’
-‘Sir, I am much obliged to you; if you can dine
-upon a piece of beef, together with a slice of pudding.’
-‘Mr. Lintot, I do not say but Mr. Pope, if he would
-condescend to advise with men of learning&mdash;’ ‘Sir, the<span class="pagenum"><a id="Page_37">37</a></span>
-pudding is on the table, if you please to go in.’ My
-critic complies, he comes to a taste of your poetry,
-and tells me in the same breath that the book is commendable
-and the pudding excellent. These, my
-lord, are a few traits by which you may discern the
-genius of Mr. Lintot, which I have chosen for the
-subject of a letter. I dropt him as soon as I got to
-Oxford.”</p>
-
-<p>Pope’s <cite>Iliad</cite> took longer in coming out than was
-expected. Gay writes facetiously, “Mr. Pope’s <cite>Homer</cite>
-is retarded by the great rains that have fallen of late,
-which causes the sheets to be long a-drying.” However,
-in 1718, the six volumes had been completely
-delivered to the subscribers, and three days afterwards
-Tonson announced, as a rival, the first book of
-Homer’s <cite>Iliad</cite>, translated by Mr. Tickell. “I send
-the book,” writes Lintot to Pope, “to divert an hour,
-it is already condemned here; and the malice and
-juggle at Button’s (for Addison had assisted Tickell
-in the attempted rivalry) is the conversation of those
-who have spare moments from politics.”</p>
-
-<p>Lintot intended to reimburse his expenses by a
-cheap edition, but here he was anticipated by the
-piratical dealers, who caused a cheap edition to be
-published in Holland; a nefarious proceeding that
-Lintot met by bringing out a duodecimo edition at
-half-a-crown a volume, “finely printed from an Elzevir
-letter.”</p>
-
-<p>The <cite>Odyssey</cite> was published in 1725, likewise by
-subscription, and Pope gained nearly three thousand
-pounds by the transaction, avowing, however, that he
-had only “undertaken” the translation, and had
-been assisted by friends; and “undertaker Pope”
-became a favourite byword among his many unfriendly<span class="pagenum"><a id="Page_38">38</a></span>
-contemporaries. Lintot was, however, disappointed
-with his share of the profits, and, pretending to have
-found something invalid in the agreement, threatened
-a suit in Chancery. Pope denied this, quarrelled, and
-finally left him, and turned his rancour to good
-account in the pages of the <cite>Dunciad</cite>.</p>
-
-<p>By this time Lintot’s fortunes were firmly assured.
-Pope was, says Mr. Singer, “at first apprehensive that
-the contract (for the <cite>Iliad</cite>) might ruin Lintot, and
-endeavoured to dissuade him from thinking any more
-of it. The event, however, proved quite the reverse.
-The success of the work was so unparalleled as to at
-once enrich the bookseller, and prove a productive
-estate to his family,” and he must have certainly been
-progressing when Humphrey Walden, custodian of
-the Earl of Oxford’s heraldic manuscripts, made, in
-1726, the following entry in his diary: “Young Mr.
-Lintot, the bookseller, came inquiring after <em>arms</em>, as
-belonging to his father, mother and other relations,
-who now, it seems, want to turn gentlefolks. I could
-find none of their names.” “Young Mr. Lintot” was
-Bernard’s son and successor&mdash;Henry.</p>
-
-<p>There was scarcely a writer of eminence in the
-“Augustan Era,” whose name is not to be found in
-Lintot’s little account book of moneys paid. In 1730,
-however, he appears to have relinquished his business
-and retired to Horsham in Sussex, for which county
-he was nominated High Sheriff, in November, 1735,
-an honour which he did not live to enjoy, and which
-was consequently transferred to his son. Henry
-Lintot died in 1758, leaving £45,000 to his only
-daughter, Catherine.</p>
-
-<p>Edmund Curll is, perhaps, as a name, better known
-to casual readers than any other bookseller of this<span class="pagenum"><a id="Page_39">39</a></span>
-period, and it is not a little comforting to find that
-the obloquy with which he has ever been associated
-was richly merited. He was born in the west of
-England, and after passing through several menial
-capacities, became a bookseller’s assistant, and then
-kept a stall in the purlieus of Covent Garden. The
-year of his birth is unknown, and the writer of a contemporary
-memoir, <cite>The Life and Writings of E. C&mdash;l</cite>,
-who prophesied that “if he go on in the paths of glory
-he has hitherto trod,” his name would appear in the
-<cite>Newgate Calendar</cite>, has unluckily been deceived. He
-appears to have first commenced publishing in the
-year 1708, and to have combined that honourable
-task with the vending of quack pills and powders for
-the afflicted. The first book he published was <em>An
-Explication of a Famous Passage in the Dialogue of
-St. Justin Martyr with Typhon, concerning the Immortality
-of Human Souls</em>, bearing the date of 1708; and,
-curiously enough, religious books formed in aftertime
-a very large portion of his stock, side by side, of
-course, with the most filthy and ribald works that
-have ever been issued.</p>
-
-<p>In 1716 began his quarrel with Pope, originating as
-far as we know in the publication of the <cite>Court Poems</cite>,
-the advertisement of which said that the coffee-house
-critics assigned them either to a Lady of Quality, Mr.
-Gay, or the translator of <cite>Homer</cite>. It is not clear now
-whether Pope was really annoyed by the appearance
-of the volume, or whether he had first secretly promoted
-it, and then endeavoured to divert suspicion.
-At all events, he had a meeting with Curll at the
-“Swan Tavern,” in Fleet Street, where, writes the
-bookseller, “My brother, Lintot, drank his half-pint
-of old hock, Mr. Pope his half-pint of sack, and I the<span class="pagenum"><a id="Page_40">40</a></span>
-same quantity of an emetic powder; but no threatenings
-past. Mr. Pope, indeed, said that no satire
-should be printed (tho’ he has now changed his mind).
-I answered that they should not be wrote, for if they
-were they would be printed.” Curll, on entering the
-tavern, declared he had been poisoned, and for months
-the town was amused with broadsides and pamphlets
-relative to the affair. Pope afterwards published his
-version of the story in his <cite>Miscellanies</cite>; the “Full and
-True Account” is, however, as gross and unquotable
-as Curll’s own worst publication.</p>
-
-<p>Later on in the same year the bookseller fell into a
-fresh scrape. A Latin discourse had been pronounced
-at the funeral of Robert South by the captain of
-Westminster School, and Curll, thinking it would be
-readily purchased by the public,</p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="i22">“did th’ oration print,<br /></span>
-<span class="i0">Imperfect, with false Latin in’t,”<br /></span>
-</div></div>
-</div>
-
-<p class="in0">and thereby aroused the anger of the Westminster
-scholars, who enticed him into Dean’s Yard on the
-pretence of giving him a more perfect copy; there, he
-met with a college salutation, for he was first presented
-with the ceremony of the blanket, in which,
-“when the skeleton had been well shook, he was carried
-in triumph to the school, and, after receiving a
-mathematical construction for his false concords, he
-was re-conducted to Dean’s Yard, and on his knees
-asking pardon of the aforesaid Mr. Barber (the captain
-whose Latin he had murdered) for his offence,
-he was kicked out of the yard, and left to the huzzas
-of the rabble.”</p>
-
-<p>No sooner was Curll out of one scrape than he fell
-into another; for, still in this same year, he was summoned<span class="pagenum"><a id="Page_41">41</a></span>
-to the bar of the House of Lords for printing
-and publishing a paper entitled <cite>An Account of the
-Trial of the Earl of Winton</cite>, a breach of the standing
-orders of the House. However, having received
-kneeling a reprimand from the Lord Chancellor, he
-was dismissed upon payment of the fees.</p>
-
-<p>While the authorities were quick enough to punish
-any violation of their own peculiar privileges, they
-were graciously pleased to wink at the perpetual
-offences Curll was committing against public morals,
-for Curll was a strong politician on the safe party
-side, and in his political publications had in view the
-interests of the government. However, he was attacked
-on all sides by public opinion and the press.
-<cite>Mist’s Weekly Journal</cite> for April 5, 1718, contained
-a very strong article on the “Sin of Curllicism.”
-“There is indeed but one bookseller eminent among
-us for this abomination, and from him the crime
-takes its just denomination of Curllicism. The fellow
-is a contemptible wretch a thousand ways; he is
-odious in his person, scandalous in his fame; ...
-more beastly, insufferable books have been published
-by this one offender than in thirty years before by all
-the nation.” Curll, “the Dauntless,” did not long
-remain in silence, and his reply is characteristically
-outspoken, for the writer was never a coward. “Your
-superannuated letter-writer was never more out than
-when he asserted that Curllicism was but of four
-years’ standing. Poor wretch! he is but a novice in
-chronology;” and then, after threatening the journalist
-with the terrors of an outraged government, he concludes
-“in the words of a late eminent controvertist,
-the Dean of Chichester.”</p>
-
-<p>Curll was fond of the dignitaries of the Church, and<span class="pagenum"><a id="Page_42">42</a></span>
-endeavoured to play a shrewd trick upon one of
-them; he sent a copy of Lord Rochester’s <cite>Poems</cite>
-(certainly not the most innocent book he published)
-to Dr. Robinson, Bishop of London, with a tender of
-his duty, and a request that his lordship would please
-to revise the interleaved volume as he thought fit;
-but the bishop, not to be caught, “smiled” and said,
-“I am told that Mr. Curll is a shrewd man, and
-should I revise the book you have brought me, he
-would publish it as approved by me.”<a id="FNanchor_5" href="#Footnote_5" class="fnanchor">5</a></p>
-
-<p>Public dissatisfaction seems to have been expressed
-more forcibly against Curll than heretofore, and to
-have taken the form of a remonstrance to government,
-for he published <cite>The Humble Representation
-of Edmund Curll, Bookseller and Citizen of London,
-containing Five Books complained of to the Secretary</cite>.
-As the books were eminently of a nature requiring
-an apology, we cannot do more than give their titles:
-1. <cite>The Translation of Meibomius and Tractatus de
-Hermaphroditis</cite>; 2. <cite>Venus in the Cloister</cite>; 3. <cite>Ebrietatis
-Encomium</cite>; 4. <cite>Three New Poems, viz. Family
-Duty, The Curious Wife, and Buckingham House</cite>;
-and 5. <cite xml:lang="la" lang="la">De Secretis Mulierum</cite>. At last the government
-did interfere, as we learn from a notice in <cite>Boyer’s
-Political State</cite>, Nov. 1725:&mdash;</p>
-
-<p>“On Nov. 30, 1725, Curll, a bookseller in the Strand,
-was tried at the King’s Bench Bar, Westminster, and
-convicted of printing and publishing several obscene
-and immodest books, greatly tending to the corruption
-and depravation of manners, particularly one translated
-from a Latin treatise entitled <cite xml:lang="la" lang="la">De Usu Flagrorum
-in Re Venereâ</cite>; and another from a French<span class="pagenum"><a id="Page_43">43</a></span>
-book called <cite xml:lang="fr" lang="fr">La Religieuse en Chemise</cite>.” In the indictment
-Curll is thus accurately summed up: <i xml:lang="la" lang="la">homo
-iniquus et sceleratus ac nequiter machinans et intendens
-bonos mores subditorum hujus regni corrumpere et eos
-ad nequitiam inducere</i>; and in the <cite>State Trials</cite> we
-read the following report of the <span class="locked">sentence:&mdash;</span></p>
-
-<p>“This Edmund Curll stood in the pillory at Charing
-Cross, but was not pelted or used ill; for being an
-artful, cunning (though wicked) fellow, he had contrived
-to have printed papers dispersed all about
-Charing Cross, telling the people how he stood there
-for vindicating the memory of Queen Anne.”</p>
-
-<p>It does, in fact, appear that he received three sentences
-at once, and that not until Feb. 12, 1728.
-For publishing the <cite>Nun in her Smock</cite>, and the treatise
-<cite xml:lang="la" lang="la">De Usu Flagrorum</cite>, he was sentenced to pay a fine of
-twenty-five marks each, and to enter into recognizances
-of £100 for his good behaviour for one year;
-but for publishing the <cite>Memoirs of John Ker of
-Kersland, Esq.</cite> (a political offence), he was fined
-twenty marks, and ordered to stand in the pillory for
-the space of one hour.<a id="FNanchor_6" href="#Footnote_6" class="fnanchor">6</a></p>
-
-<p>In 1729 Curll was again pilloried&mdash;this time by
-Pope in the <cite>Dunciad</cite>, in connection with Tonson and
-Lintot:</p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“With authors, stationers obey’d the call<br /></span>
-<span class="i0">(The field of glory is a field for all);<br /></span>
-<span class="i0">Glory and gain th’ industrious tribe provoke,<br /></span>
-<span class="i0">And gentle Dulness ever loves a joke;<br /></span>
-<span class="i0">A poet’s form she placed before their eyes,<br /></span>
-<span class="i0">And bade the nimblest racer seize the prize.<br /></span>
-</div>
-
-<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
-
-<div class="stanza"><span class="pagenum"><a id="Page_44">44</a></span>
-<span class="i0">&mdash;&mdash;Lofty Lintot in the circle rose:<br /></span>
-<span class="i0">‘The Prize is mine, who ‘tempts it are my foes;<br /></span>
-<span class="i0">With me began this genius, and shall end.’<br /></span>
-<span class="i0">He spoke, and who with Lintot shall contend?<br /></span>
-</div><div class="stanza">
-<span class="i2">“Fear held them mute. Alone untaught to fear,<br /></span>
-<span class="i0">Stood dauntless Curll: ‘Behold that rival here!<br /></span>
-<span class="i0">The race by vigour, not by vaunts, is won:<br /></span>
-<span class="i0">So take the hindmost, hell,’ he said, ‘and run.’<br /></span>
-<span class="i0">Swift as a bard the bailiff leaves behind<br /></span>
-<span class="i0">He left huge Lintot, and outstript the wind.<br /></span>
-<span class="i0">As when a dab-chick waddles through the copse<br /></span>
-<span class="i0">On feet and wings, and flies, and wades, and hops,<br /></span>
-<span class="i0">So labouring on with shoulders, hands, and head,<br /></span>
-<span class="i0">Wide as a windmill all his figure spread,<br /></span>
-<span class="i0">With arms expanded Bernard views his state,<br /></span>
-<span class="i0">And left-legged Jacob seems to emulate.”<br /></span>
-</div></div>
-</div>
-
-<p class="in0">And finally Curll stumbles into an unsavoury <span class="locked">pool:&mdash;</span></p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“Obscene with filth the miscreant lies bewrayed,<br /></span>
-<span class="i0">Fallen in the plash his wickedness had laid;<br /></span>
-<span class="i0">Then first (if poets aught of truth declare)<br /></span>
-<span class="i0">The caitiff vaticide conceived a prayer.”<br /></span>
-</div></div>
-</div>
-
-<p>In reference to Curll there is a note to this passage,
-“He carried the trade many lengths beyond what it
-ever before had arrived at; he was the envy and
-admiration of all his profession. He possessed himself
-of a command over all authors whatever; he
-caused them to write what he pleased; they could not
-call their very names their own. He was not only
-famous among them; he was taken notice of by the
-state, the church, and the law, and received particular
-marks of distinction from each.”</p>
-
-<p>We have no space to discuss the vexed question as
-to how the letters of Pope published by Curll came
-into his hands&mdash;the discussion would occupy a volume
-and remain a moot question after all. But we are
-disposed to believe with Johnson and Disraeli that
-“being inclined to print his own letters, and not<span class="pagenum"><a id="Page_45">45</a></span>
-knowing how to do so without the imputation of
-vanity, what in this country has been done very rarely,
-he contrives an appearance of compulsion; that when
-he could complain that his letters were surreptitiously
-published, he might decently and defensively publish
-them himself.” The letters at all events were genuine,
-and Pope in a feigned or real indignation caused Curll
-to be brought for a third time (the second had been
-for publishing the Duke of Buckingham’s words) before
-the bar of the House of Lords for disobeying its
-standard rules; but on examination the book was
-not found to contain any letters from a <em>peer</em>, and Curll
-was dismissed, and boldly continued the publication
-till five volumes had been issued.</p>
-
-<p>In spite, or perhaps on account of the unblushing
-effrontery with which he run amuck at everything
-and everybody, Curll was a successful man, as his
-repeated removals to better and better premises
-plainly testifies. Over his best shop in Covent
-Garden he erected the Bible as a sign. He has had
-many apologists, among others worthy John Nichols,
-as deserving commendation for his industry in preserving
-our national remains, but the scavenger, when
-he gathers his daily filth, lays little claim to doing
-a meritorious action, he only works unpleasantly for
-his daily bread; and it has been the repeated cry of
-publishers, even in our own times, in reproducing an
-immoral book, that they were wishing only for the
-preservation of something rare and curious. It were
-not well that any book once written should ever
-die,&mdash;that any one link in the vast chain of human
-thought should ever be irrecoverably lost, but the
-publisher of such a book must, at least, bear the
-same penalty of stigma as the author, for he has not<span class="pagenum"><a id="Page_46">46</a></span>
-even the author’s self-vanity as an excuse, but only
-the still more wretched plea of mercenary motive.
-We will conclude our notice of Curll by an extract
-from “John Buncle,” by Thomas Amory, who knew
-him personally and well. “Curll was in person very
-tall and thin&mdash;an ungainly, awkward, white-faced
-man. His eyes were a light gray&mdash;large, projecting,
-goggle, and purblind. He was splay-footed and
-baker-kneed.... He was a debauchee to the
-last degree, and so injurious to society, that by filling
-his translations with wretched notes, forged letters,
-and bad pictures, he raised the price of a four-shilling
-book to ten. Thus, in particular, he managed Burnet’s
-‘Archæology.’ And when I told him he was
-very culpable in this and other articles he sold, his
-answer was, ‘What would I have him do? He was
-a bookseller;&mdash;his translators, in pay, lay three in a
-bed at the Pewter Platter Inn, in Holborn, and he
-and they were for ever at work deceiving the public.’
-He, likewise, printed the lewdest things. He lost his
-ears for the ‘Nun in her Smock’ and another
-thing. As to drink, he was too fond of money to
-spend any in making himself happy that way; but,
-at another’s expense, he would drink every day till
-he was quite blind and as incapable of self-motion as
-a block. This was Edmund Curll. But he died at last
-as great a penitent, I think, in the year 1748 (it was
-1747), as ever expired. I mention this to his
-honour.”<a id="FNanchor_7" href="#Footnote_7" class="fnanchor">7</a></p>
-
-<p><span class="pagenum"><a id="Page_47">47</a></span>
-Thomas Guy, more eminent certainly as a very successful
-money-maker, and a generous benefactor to
-charitable institutions, than as a bookseller, was born
-in Horsley-down, the son of a coal-heaver and
-lighterman. The year of his birth is uncertain, but
-in 1660, he was bound apprentice to John Clarke,
-bookseller, in the porch of Mercers’ Chapel, and, in
-1668, having been admitted a liveryman of the
-Stationers’ Company, he opened a small shop in
-“Stock Market” (the site of the present Mansion
-House, then a fruit and flower market, where, also,
-offenders against the law were punished) with a stock-in-trade
-worth above £200. From the first, Guy’s
-chief business seems to have been in Bibles, for
-Maitland, his biographer relates, “The English Bibles,
-printed in this kingdom, being very bad, both in
-the letter and the paper, occasioned divers of the
-booksellers in this city to encourage the printing
-thereof in Holland, with curious types and fine paper,
-and imported vast numbers of the same to their no
-small advantage. Mr. Guy, soon becoming acquainted
-with this profitable commerce, became a large dealer
-therein.” As early as Queen Elizabeth’s time, the
-privilege of printing Bibles had been conferred on
-the Queen’s (or King’s) printer, conjointly, of course,
-with the two Universities, and the effect of this prolonged
-monopoly resulted, not only in exorbitant
-prices, but in great typographical carelessness, and,
-says Thomas Fuller, under the quaint heading of “Fye
-for Shame,” “what is but carelessness in other books
-is impiety in setting forth of the Bible.” Many of
-the errors were curious;&mdash;the printers in Charles I.’s
-reign had been heavily fined for issuing an edition in
-which, the word “not” being omitted, the seventh,<span class="pagenum"><a id="Page_48">48</a></span>
-commandment had been rendered a positive, instead
-of a negative injunction. The <cite>Spectator</cite> wickedly suggests
-that, judging from the morals of the day, very
-many copies must have got abroad into continuous
-use. In the Bible of 1653, moreover, the printers
-allowed “know ye not that the <em>un</em>righteous shall
-inherit the kingdom of God” to stand uncorrected.
-However, the Universities and the King’s printer still
-possessed the monopoly, and this new trade of good
-cheap Bibles “proving not only very detrimental to
-the public revenues, but likewise to the King’s printer,
-all ways and means were devised to quash the same,
-which, being vigorously put in execution, the booksellers,
-by frequent seizures and prosecutions, became
-so great sufferers, that they judged a further pursuit
-thereof inconsistent with their interests.” Defeated
-in this manner, Guy cautiously induced the University
-of Oxford to contract with him for an assignment of
-their privilege, and not only obtained type from
-Holland, and printed the Bible in London, but was,
-later on, in 1681, according to Dunton, a partner with
-Parker in printing the Bible, at Oxford (Parker could
-have been no connection of the famous publishing
-family).</p>
-
-<div id="if_i_048" class="figcenter" style="width: 500px;">
- <img src="images/i_048.jpg" width="286" height="351" alt="" />
- <div class="caption"><p>Thomas Guy, founder of Guy’s Hospital. 1644&ndash;1724.</p>
-
-<p>(<i>From the statue by J. Bacon, R.A.</i>)</p></div></div>
-
-<div id="if_i_048b" class="figcenter" style="width: 429px;">
- <img src="images/i_048b.jpg" width="429" height="310" alt="" />
- <div class="caption"><p>Guy’s Hospital.</p>
-
-<p>(<i>Bird’s-eye view from a Print, 1738.</i>)</p></div></div>
-
-<p>Guy seems to have contracted in his early days
-very frugal and personally pernicious habits. According
-to Nichols, he is said to have dined every day at
-his counter, “with no other table-cloth than an old
-newspaper,” and if the “Intelligence” or the “Newes”
-of that period really served him for a cloth, the dish
-that contained his meat must have been uncommonly
-small. “He was also,” it is added, “as little nice in
-his apparel.” It was probably, too, in the commencement
-of his career, that, looking round for a tidy and<span class="pagenum"><a id="Page_49">49</a></span>
-inexpensive helpmate, he asked his servant-maid to
-become his wife. The girl, of course, was delighted,
-but, alas! presumed too much upon her influence over
-her careful lover; seeing that the paviours who were repairing
-the street, in front of the house (an order was
-issued, in 1671, to every householder to pave the
-street in front of his dwelling, “for the breadth of six
-feet at least from the foundation”) had neglected a
-broken place, she called their attention to it, but they
-told her that Guy had carefully marked a particular
-stone, beyond which they were not to go. “Well,”
-said the girl, “do you mend it; tell him I bade you,
-and I know he will not be angry.” When Guy saw
-the extra charge in the bill, however, he at once
-renounced his matrimonial scheme.</p>
-
-<p>The Bible trade proved prosperous, and Guy, ready
-for any lucrative and safe investment for his money,
-speculated in Government securities, and, according
-to Nichols and Maitland, acquired the “bulk of his
-fortune” by purchasing seaman’s tickets; but the
-practice of paying the royal sailors by ticket does not
-seem to have existed later than the year 1684; so
-that if he dealt in them at all it must have been a
-very early period in his career, when it appears unlikely
-that he would have had much spare cash to invest.
-Maitland adds “<em>as well as in Government securities</em>,
-and this was probably the manner in which the ‘bulk
-of his fortune’ was really acquired.”</p>
-
-<p>That his finances were in a healthy condition, is apparent,
-from his appearance in Parliament as member
-for Tamworth, from 1695 to 1707. According to
-Maitland, “as he was a man of unbounded charity,
-and universal benevolence, so he was likewise a good
-patron of liberty, and the rights of his fellow-subjects;<span class="pagenum"><a id="Page_50">50</a></span>
-which, to his great honour, he strenuously asserted
-in divers parliaments.” An honourable testimony
-to his character, supported also by Dunton:
-“Thomas Guy, of Lombard-street, makes an eminent
-figure in the Company of Stationers, having been
-chosen sheriff of London, and paid the fine....
-He is a man of strong reason, and can talk very
-much to the purpose on any subject you can propose.
-He is truly charitable.”</p>
-
-<p>Throughout his life, he was very kind to his relatives,
-lending money when needed to help some,
-and pensioning others. To charities, whose purpose
-was pure benevolence, apart from sectarian motive,
-his purse was ever open, and St. Thomas’s Hospital
-and the Stationers’ Company were largely indebted
-to his generosity.</p>
-
-<p>In his latter days, Guy was able to multiply his
-fortune many fold. The South Sea Company was a
-good investment for a wary, cool-headed business
-man, and he became an original holder in the stock.
-“It no sooner received,” says Maitland, “the sanction
-of Parliament, than the national creditors from all
-parts came crowding to subscribe into the said company
-the several sums due to them from the government,
-by which great run, £100 of the Company’s
-stock, that before was sold at £120 (at which time,
-Mr. Guy was possessed of £45,500 of the said stock)
-gradually arose to above £1,050. Mr. Guy wisely
-considering that the great use of the stock was owing
-to the iniquitous management of a few, prudently
-began to sell out his stock at about £300 (for that
-which probably at first did not cost him about £50
-or £60) and continued selling till it arose to about
-£600 when he disposed of the last of his property<span class="pagenum"><a id="Page_51">51</a></span>
-in the said company,” and then the terrible panic
-came.</p>
-
-<p>He was between seventy and eighty years of age
-when he determined to devote his fortune to building
-and endowing a hospital which should bear his name,
-and, dying in 1724, he lived just long enough to see
-the walls roofed in. The cost of building “Guy’s
-Hospital” amounted to £18,793, and he left £219,499
-as endowment. At Tamworth, his mother’s birthplace,
-which he represented in Parliament for many years,
-he erected alms-houses and a library. Christ’s Hospital
-received £400 a year for ever, and, after many
-gifts to public charities, he directed that the balance
-of his fortune, amounting to about £80,000, should
-be divided among all who could prove themselves in
-any degree related to him. Guy’s noble philanthropy
-would be unequalled in bookselling annals, but that
-Edinburgh, happily boasting of a Donaldson, can
-rival London in the generosity of a bookseller.</p>
-
-<p>We have had occasion to quote several times
-from “Dunton’s Characters;” and, as the author was
-himself a bookseller, and was, moreover, the only contemporary
-writer who thought it worth his while to
-preserve any continuous record of the bookselling
-fraternity, we must give him a passing notice here.
-John Dunton, the son of a clergyman, was born in
-1689, and, after passing through a disorderly apprenticeship,
-commenced bookselling “in half a shop,
-a warehouse, and a fashionable chamber.” “Printing,”
-he says, “was the uppermost in my thoughts, and
-hackney authors began to ply me with specimens as
-earnestly and with as much passion and concern as
-the waterman do passengers with oars and sculls.”</p>
-
-<p>Having some private capital he went ahead merrily,<span class="pagenum"><a id="Page_52">52</a></span>
-printing six hundred books, of which he repented only
-of seven, and these he recommends all who possess to
-burn forthwith. Somewhat erratic in his habits he
-went to America to recover a debt of £500, consoling
-his wife, “dear Iris,” through whom he became connected
-with Wesley’s father, by sending her sixty
-letters in one ship. Here he stayed for nearly a
-twelvemonth, pleasantly viewing the country at his
-leisure, and cultivating a platonic friendship with
-maids and widows. At his return he found his
-business disordered, and sought to make amends by
-another voyage to Holland. By this time he had
-pretty nearly dissipated his capital, but luckily came
-“into possession of a considerable estate” through the
-death of a cousin. “The world,” he says, “now
-smiled on me, and I have humble servants enough
-among the stationers, booksellers, printers, and
-binders.”</p>
-
-<p>Of all his publications, the only one that attained
-any fame was the “Athenian Mercury,” which reached
-twenty volumes. His three literary associates in this
-work were Samuel Wesley, Richard Sault, and Dr.
-John Norris, and with his aid they resolved all “nice
-and curious questions in prose and verse,” concerning
-physic, philosophy, love, &amp;c. They were afterwards
-reprinted in four volumes, under the title of the
-<cite>Athenian Oracle</cite>, and form a curious picture of the
-wants, manners, and opinions of the age; but the
-work is, perhaps, chiefly to be remembered as one of
-the earliest periodicals not professing to contain
-“news.”</p>
-
-<p>Dunton now, finding that he did not make much
-money by bookselling in London, went over to
-Dublin for six months with a cargo of books and<span class="pagenum"><a id="Page_53">53</a></span>
-started as auctioneer, naturally falling foul of the
-Irish booksellers, whom he dressed off in a tract
-entitled “The Dublin Scuffle.” He returned to
-England complacently believing that he had done
-more service to learning by his auctions “than any
-single man that had come into Ireland these hundred
-years.”</p>
-
-<p>In London, however, he was by this time so involved
-in commercial difficulties, that he was fain to give up
-bookselling altogether, and take to bookmaking
-instead; and his pen was so indefatigable that he
-soon bid fair to be the author of as many volumes as
-he had published. The book that concerns us most
-here is the “Life and Errors of John Dunton, written
-by himself in Solitude,” in which is included the
-“Lives and Characters of a Thousand Persons now
-living in London.” In this latter part he was obliged,
-“out of mere gratitude,” “to draw the characters of
-the most eminent of the profession in the three
-kingdoms;” consequently we find some half-dozen
-lines of “character” given to every bookseller of his
-time in London, “gratitude” compelling him, however,
-to be almost invariably laudatory; the other
-parts of the “three kingdoms” are thus summarily
-and easily dealt with, “Of three hundred booksellers
-now trading in country towns, I know not of one
-knave or a blockhead amongst them all.” The book,
-however rambling and incoherent, contains much
-worth preservation, and is not unpleasant desultory
-reading.</p>
-
-<p>Dunton’s own “character” has been preserved elsewhere
-than in his <cite>Life and Confessions</cite>. Warburton
-describes him as “an auction bookseller and an
-abusive scribbler;” Disraeli, “as a crack-brain,<span class="pagenum"><a id="Page_54">54</a></span>
-scribbling bookseller, who boasted that he had a
-thousand projects, fancied he had methodised six
-hundred, and was ruined by the fifty he executed.”
-His greatest project, by the way, was intended “to
-extirpate lewdness from London.” “Armed with a
-constable’s staff, and accompanied by a clerical companion,
-he sallied forth in the evening, and followed
-the wretched prostitutes home to a tavern, where
-every effort was used to win the erring fair to the
-paths of virtue; but these he observes were perilous
-adventures, as the cyprians exerted every art to lead
-him astray in the height of his spiritual exhortations.”</p>
-
-<p>There is something so Quixotic about his schemes,
-so complacent about his marvellous self-vanity, that
-we are really grieved when we find him ending his
-life, as most “projectors” do, with <cite>Dying Groans
-from the Fleet Prison; or, a Last Shift for Life</cite>.
-Shortly after this, in 1733, his teeming brain and his
-eager pen were at rest for ever.</p>
-
-<p>Another bookseller, also a “man of letters,” but of
-very different calibre from poor John Dunton, must
-have a niche here, not because he was eminent as a
-publisher, but because he was, taken altogether, the
-most famous man who has ever stood behind a bookseller’s
-counter. One of our greatest novelists, his
-general life is so well known, that we will only treat
-here of his bookselling career. Samuel Richardson,
-born in 1689, was the son of a joiner in Derbyshire; a
-quiet shy boy, he became the confident and love-letter
-writer of the girls in his neighbourhood, gaining
-thereby his wonderful knowledge of womankind.
-Fond of books, and longing for opportunities of study,
-he was, at the age of sixteen, apprenticed to John<span class="pagenum"><a id="Page_55">55</a></span>
-Wilde, of Stationers’ Hall, but his master, though
-styling him the “pillar of his house,” grudged him, he
-says, “every hour that tended not to his profit.” So
-Richardson used to sit up half the night over his
-books, careful at that time to burn only his own
-candles. On the termination of his apprenticeship, he
-became a journeyman and corrector of the press, and
-six years later commenced business in an obscure
-court in Fleet-street, where he filled up his leisure
-hours by compiling indices, and writing prefaces and
-what he terms “honest dedications” for the booksellers.</p>
-
-<p>Through his industry and perseverance his business
-became much extended, and he was selected by
-Wharton to print the <cite>True Briton</cite>; but, after the
-publication of the sixth number, he would not allow
-his name to appear, and consequently escaped the
-results of the ensuing prosecution. Through the
-friendly interest of Mr. Speaker Onslow he printed
-the first edition of the <cite>Journal of the House of Commons</cite>,
-completed in twenty-six folio volumes, for
-which, after long and vexatious delays, he received
-upwards of £3000. He also printed from 1736 to
-1737 the <cite>Daily Journal</cite>, and in 1738 the <cite>Daily
-Gazette</cite>.</p>
-
-<p>In 1740 Mr. Rivington and Mr. Osborne proposed
-that he should write for them a little volume of letters,
-which resulted in his first novel <cite>Pamela</cite>, the publication
-of which will be treated in our account of the
-Rivingtons. This was followed by <cite>Clarissa</cite>, one of
-the few books from which it is absolutely impossible
-to steal away, when once the dread of its size has
-been overcome. Though famous now as the first great
-<em>novelist</em> who had written in the English tongue,<span class="pagenum"><a id="Page_56">56</a></span>
-Richardson was not then above his daily work. He
-writes to his friend Mr. Defreval, “You know how my
-business engages me. You know by what snatches of
-time I write, that I may not neglect that, and that I
-may preserve that independency which is the comfort
-of my life. I never sought out of myself for patrons.
-My own industry and God’s providence have been my
-sole reliance.” In 1754, he was, to the great honour
-of the members, chosen master of the Stationers’
-Company, the only fear of his friends being that he
-would not play the <em>gourmand</em> well. “I cannot,”
-writes Edwards, “but figure to myself the miserable
-example you will set at the head of their loaded
-tables, unless you have two stout jaw-workers for your
-wardens, and a good hungry court of assistants.”</p>
-
-<div id="if_i_056" class="figcenter" style="width: 404px;">
- <img src="images/i_056.jpg" width="404" height="532" alt="" />
- <div class="caption"><p>Samuel Richardson, Bookseller and Novelist. 1689&ndash;1761.</p>
-
-<p>(<i>From a Picture by Chamberlin.</i>)</p></div></div>
-
-<p>The honourable post he occupied shows his position
-in the trade at this time. This was improved in 1760,
-by the purchase of a moiety of the patent of law-printer,
-which he carried on in partnership with Miss
-Lintot, grand-daughter of Bernard Lintot. He died
-in the following year, leaving funeral-rings to thirty-four
-of his acquaintances, and adding in his will,
-“Had I given rings to all the ladies who have
-honoured me with their correspondence, and whom I
-sincerely venerate for their amiable qualities, it would,
-even in this last solemn act, appear like ostentation.”
-It is impossible in treating of Richardson not to refer
-to his vanity; but the love of praise was his only
-fault, and it has grown to us, like the foible of a loved
-friend, dearer than all his virtues. It is not unpleasant
-to think that the ladies of that time, by
-the way in which they petted, coaxed, and humoured
-him, conferred an innocent pleasure upon the truest
-of all the delineators of their sex, except perhaps<span class="pagenum"><a id="Page_57">57</a></span>
-Balzac, who, if he knows it better, is more unfortunate
-in his knowledge. With all Richardson’s vanity, he
-drew a portrait of himself that is not far removed
-from caricature. “Short, rather plump than emaciated,
-notwithstanding his complaints; about five feet
-five inches; fair wig; lightish cloth coat, all black
-besides; one hand generally in his bosom, the other
-a cane in it, which he leans upon under the skirts of
-his coat usually, that it may imperceptibly serve him
-as a support, when attacked by sudden tremors or
-startlings, and dizziness which too frequently attacks
-him, but, thank God, not so often as formerly; looking
-directly foreright as passers-by would imagine,
-but observing all that stirs on either side of him without
-moving his short neck; hardly ever turning back;
-of a light brown complexion; teeth not yet failing
-him; smoothish face and ruddy cheeked; at some
-times looking to be about sixty-five, at other times
-much younger; regular even pace, stealing away
-ground rather than seeming to rid it; a gray eye, too
-often over-clouded by mistiness from the head; by
-chance lively&mdash;very lively it will be, if he have hope
-of seeing a young lady whom he loves and honours;
-his eye always on the ladies; if they have very large
-hoops, he looks down supercilious, and as if he would
-be thought wise, but, perhaps, the sillier for that; as
-he approaches a lady, his eyes are never set upon her
-face but upon her feet, and thence he raises it pretty
-quickly for a dull eye; and one would think (if one
-thought him at all worthy of observation) that from
-her air and (the last beheld) her face, he sets her
-down in his mind as so and so, and then passes on to
-the next object he meets.”</p>
-
-<p>Among other letters to Richardson we come across<span class="pagenum"><a id="Page_58">58</a></span>
-an affecting one from Dr. Johnson: “I am obliged to
-entreat your assistance, I am under arrest for five
-pounds eighteen shillings.” As round Pope and
-Dryden formerly, so it is now round Johnson that the
-booksellers of the next decade cluster; and from the
-moment when first he rolled into a London bookseller’s
-shop, his huge unwieldy body clad in coarse
-country garments, worn and travel-stained, his face
-scarred and seamed with small-pox&mdash;to ask for literary
-employment, and to be told he had better rather
-purchase a porter’s knot, the future of the trade was
-very much wrapt up in his own. Forced by hunger
-to work for the most niggardly pay, he was yet not
-to be insulted with impunity. “Lie there, thou lump
-of lead,” he exclaims as he knocked down Osborne of
-Gray’s Inn Gate, with a folio. “Sir,” he explains to
-Boswell afterwards, “he was impertinent to me, and I
-beat him.”</p>
-
-<div id="if_i_058" class="figcenter" style="width: 500px;">
- <img src="images/i_058.jpg" width="319" height="442" alt="" />
- <div class="caption">Edward Cave, founder of the “Gentleman’s Magazine.” 1691&ndash;1754.</div></div>
-
-<div id="if_i_058b" class="figcenter" style="width: 404px;">
- <img src="images/i_058b.jpg" width="404" height="311" alt="" />
- <div class="caption"><p>The King’s Printing House, Blackfriars.</p>
-
-<p>(<i>From a drawing made about 1750.</i>)</p></div></div>
-
-<p>Among the earliest of Johnson’s employers was
-Edward Cave. The son of a shoemaker at Rugby, he
-contrived, in spite of the contumely excited by his
-low estate, to pick up much learning at the Grammar
-School, and after narrowly escaping an university
-training, and for a while obtaining his livelihood as
-clerk to a collector of excise and apprentice to a
-timber merchant, he found more congenial employment
-in a printing office, and conducted a weekly
-newspaper at Norwich. Returning to London, he
-contrived by multifarious work&mdash;correcting for the
-press, contributing to <cite>Mist’s Journal</cite>, writing news
-letters, and filling a situation in the Post Office simultaneously&mdash;to
-save a small sum of money sufficient to
-start a petty printing office at St. John’s Gate. He
-was now able to realize a project he had before offered<span class="pagenum"><a id="Page_59">59</a></span>
-to half the booksellers in London, of establishing the
-<cite>Gentleman’s Magazine</cite>, and to Cave must be conceded
-the honour of inventing that popular species of periodical
-literature. The first number was printed in
-1731, and its success induced several rivals to enter
-the field, but only one&mdash;<cite>The London Magazine</cite>&mdash;and
-that a joint concern of the leading publishers, was at
-all able to hold any opposition to it; and the <cite>London
-Magazine</cite> ceased to exist in 1785, while the <cite>Gentleman’s
-Magazine</cite> has only quite recently displayed a
-sudden rejuvenation. In its early days Johnson was
-the chief contributor to its pages. He had a room
-set apart for him at St. John’s Gate, where he wrote
-as fast as he could drive his pen, throwing the sheets
-off, when completed, to the “copy” boy. The <cite>Life of
-Savage</cite> was written anonymously, in 1744, and Mr.
-Harte spoke in high terms of the book, while dining
-with Cave. The publisher told him afterwards:
-“Harte, you made a man very happy the other day
-at my house by your praise of <cite>Savage’s Life</cite>.” “How
-so? none were present but you and I.” Cave replied,
-“You might observe I sent a plate of victuals behind
-the screen; there lurked one whose dress was too
-shabby for him to appear; your praise pleased him
-much.”</p>
-
-<p>In 1736, Cave began to carry out his scheme of
-publishing the reports of the debates in Parliament in
-the monthly pages of his magazine. With a friend or
-two he used to lurk about the lobby and gallery,
-taking sly notes in dark corners, remembering what
-they could of the drift of the argument, and then
-retiring to a neighbouring tavern to compare and
-adjust their notes. This rough material was placed
-in the hands of an experienced writer, and thus<span class="pagenum"><a id="Page_60">60</a></span>
-dressed up, presented to the readers of the magazine.
-In 1738, the House complained of the breach of privilege
-committed by Cave, and, among other debaters,
-Sir William Younge earnestly implored the House to
-put a summary check to these reports, prophesying
-that otherwise “you will have the speeches of the
-House every day printed, even during your session,
-and we shall be looked upon as the most contemptible
-assembly on the face of the earth.” After this check
-some expedient was necessary, and the proceedings in
-Parliament were given as <cite>Debates in the Senate of
-Great Lilliput</cite>, and were entrusted to Johnson’s pen.
-On one occasion a large company were praising a
-speech of Pitt’s; Johnson sat silent for a while, then
-said, “That speech I wrote in a yard in Exeter
-Street.” It had been reprinted <i xml:lang="la" lang="la">verbatim</i> from the
-magazine, and had been drawn up entirely from rough
-notes and hints supplied by the messengers. When
-congratulated on his uniform political impartiality,
-Johnson replied: “That is not quite true, sir; I saved
-appearances well enough, but I took care that the
-Whig dogs should not have the best of it.” Cave’s
-attention to the magazine was unremitting to the day
-of his death; “he scarce ever looked out of the
-window,” says Johnson, “but for its improvement.”</p>
-
-<p>In 1749, the first popular review was started, by
-Ralph Griffiths; but before the time of the <cite>Monthly
-Review</cite> there had been various journals professing to
-deal only with literature. In 1683, had been published
-a <cite>Weekly Memento for the Ingenius, or an
-Account of Books</cite>, and, in 1714, the first really critical
-journal, under the quaint title, <cite>The Waies of Literature</cite>,
-and these had been succeeded by others. Still,
-the <cite>Monthly Review</cite> was a very great improvement.<span class="pagenum"><a id="Page_61">61</a></span>
-Among the chief early contributors was Goldsmith,
-who escaped the miseries of ushership, and the weariness
-of a diplomaless doctor, waiting for patients who
-never came, or, at all events, never paid, to live as a
-hack writer in Griffiths’ house. Here, induced by
-want, or kindliness to a fellow-starver, he got into
-trouble by borrowing money from his master to pay
-for clothes, and appropriating it to other purposes.
-Termed villain and sharper, and threatened with the
-Roundhouse, he writes: “No, sir; had I been a
-sharper, had I been possessed of less good nature
-and native generosity, I might surely now have been
-in better circumstances; I am guilty I own of meanness,
-which poverty unavoidably brings with it.”</p>
-
-<p>As to the payment for periodical writing in that
-day, we are told by an author who recollected the
-<cite>Monthly Review</cite> for fifty years, that in its most palmy
-days only four guineas a sheet were given to the most
-distinguished writers, and as late as 1783, when it
-was reported that Doctor Shebbeare received as much
-as six guineas, Johnson replied, “Sir, he might get six
-guineas for a particular sheet, but not <i xml:lang="la" lang="la">communibus
-sheetibus</i>;” and yet he afterwards explains the fact of
-so much good writing appearing anonymously, without
-hope of personal fame, “those who write in them
-write well in order to be paid well.”</p>
-
-<p>Of all the booksellers of the Johnsonian era, Robert
-Dodsley, however, was <i xml:lang="fr" lang="fr">facile princeps</i>. Born in the
-year 1703, he commenced life as a footman, but a
-poem entitled <cite>The Muse in Livery</cite>, so interested his
-mistress, the Hon. Mrs. Lowther, that she procured
-its publication by subscription. After this he entered
-the service of Dartineuf, a celebrated voluptuary, the
-reputed son of Charles II., and one of the most intimate<span class="pagenum"><a id="Page_62">62</a></span>
-friends of Pope. Here he wrote a dramatic
-satire, <cite>The Toy Shop</cite>, with which Pope was so pleased,
-that he interested himself in procuring its acceptance
-at Covent Garden. The piece was successful, and
-Pope, adding a substantial present on his own account
-of one hundred pounds, Dodsley was enabled to open
-a small bookseller’s shop in Pall Mall, then far from
-enjoying its present fashionable repute. In this new
-situation, without any apprenticeship whatever, he
-soon attracted the attention not only of celebrated
-literary men, but his shop became a favourite lounge
-for noble and wealthy <i xml:lang="fr" lang="fr">dilettanti</i>. In 1738, began his
-first acquaintance with Johnson, who offered him the
-manuscript of <cite>London, a Satire</cite>. “Paul Whitehead
-had a little before got ten guineas for a poem, and I
-would not take less than Paul Whitehead,” and without
-any haggling, the bargain was concluded. Busy
-as he soon began to be in his shop, Dodsley did not
-neglect original composition. He produced several
-successful farces, and in 1744, edited and published
-the work by which his name is best known now,
-<cite>A Collection of Plays by Old Authors</cite>, which did much
-to revive the study of Elizabethan literature, and was
-most fruitful in its influence on later generations.</p>
-
-<p>In about the following year Dodsley proposed to
-Johnson that he should write a dictionary of the
-English language, and after some hesitation on the
-author’s part, the proposal was accepted. The dictionary
-was to be the joint property&mdash;as was then
-beginning to be the case with all works of importance&mdash;of
-several booksellers, viz.: Robert Dodsley,
-Charles Hitch, Andrew Millar, Messrs. Longman, and
-Messrs. Knapton; the management of it during
-publication being confided to Andrew Millar. The<span class="pagenum"><a id="Page_63">63</a></span>
-work took eight years, instead of the three on which
-Johnson had calculated, of very severe study and
-labour, and the £1575 which was then considered a
-very handsome <i xml:lang="la" lang="la">honorarium</i>, was all drawn out in drafts,
-for at the dinner given in honour of the completion
-of the great work, when the receipts were produced it
-was found that he had nothing more to receive.
-Johnson, after sending his last “copy” to Millar,
-inquired of the messenger what the bookseller said.
-“He said, ‘Thank God I have done with him.’” “I
-am glad,” said the Doctor smiling, “that he thanks
-God for anything.”</p>
-
-<p>Andrew Millar was by this time the proprietor of
-Tonson’s shop in Fleet Street, and was a man of
-great enterprise. He was the publisher, among other
-authors, of Thomson, Fielding, and Hume, and
-Johnson invariably speaks well of him. “I respect
-Millar, sir; he has raised the price of literature:” “and,”
-writes John Nichols, “Jacob Tonson and Andrew
-Millar were the best <em>patrons</em> of literature, a fact
-rendered unquestionable by the valuable works
-produced under their fostering and genial hands.”
-Literature now was rapidly changing its condition.
-Johnson had discovered that the subscription system
-was essentially a rotten one, and that the real reading
-public, the author’s legitimate patrons, were reached
-of course through the medium of the booksellers:
-“He that asks for subscriptions soon finds that he
-has enemies. All who do not encourage him defame
-him:” and then again&mdash;“Now learning is a trade;
-a man goes to a bookseller and gets what he can.
-We have done with patronage. In the infancy of
-learning we find some great men praised for it. This
-diffused it among others. When it becomes general<span class="pagenum"><a id="Page_64">64</a></span>
-an author leaves the great and applies to the multitude.”
-As to what the booksellers of the eighteenth
-century were, and as to how they compare with the
-publishers of the nineteenth century, we will quote
-from an unedited letter of Mr. Thomas Carlyle, dated
-3rd May, 1852, addressed to Mr. John Chapman,
-bookseller (Emerson’s first English publisher, we
-believe), now Dr. <span class="locked">Chapman:&mdash;</span></p>
-
-<p>“The duties of society towards literature in this
-new condition of the world are becoming great, vital,
-inextricably intricate, little capable of being done or
-understood at present, yet all important to be understood
-and done if society will continue to exist along
-with it, or it along with society. For the highest
-provinces of spiritual culture and most sacred interests
-of men down to the lowest economic and ephemeral
-concerns, where ‘free press’ rules supreme, society was
-itself with all its sovereignties and parliaments depending
-on the thing it calls literature; and bound
-by incalculable penalties in many duties in regard to
-that. Of which duties I perceive finance alone, and
-free trade alone will by no means be found to be the
-sum.... What alone concerns us here is to remark
-that the present system of book-publishing discharges
-none of these duties&mdash;less and less makes even the
-appearance of discharging them&mdash;and, indeed, as I
-believe, is, by the nature of the case, incapable of
-ever, in any perceptible degree, discharging any of
-them in the times that now are. A century ago, there
-was in the bookselling guild if never any royalty of
-spirit, as how could such a thing be looked for there?
-yet a spirit of merchanthood, which had its value in
-regard to the prosaic parts of literature, and is even
-to be thankfully remembered. By this solid merchant<span class="pagenum"><a id="Page_65">65</a></span>
-spirit, if we take the victualling and furnishing of such
-an enterprise as Samuel Johnson’s <cite>English Dictionary</cite>
-for its highest feat (as perhaps we justly
-may); and many a <cite>Petitor’s Memories</cite>, <cite>Encyclopædia
-Britannica</cite>, &amp;c., in this country and others,
-for its lower, we must gratefully admit the real usefulness,
-respectability, and merit to the world. But in
-later times owing to many causes, which have been
-active, not on the book guild alone, such spirit has
-long been diminished, and has now ‘as good as disappeared
-without hope of reinstation in this quarter.’”</p>
-
-<p>To return to Dodsley, we find that in 1753 he
-commenced the <cite>World</cite>, a weekly essay ridiculing
-“with novelty and good humour, the fashions, follies,
-vices, and absurdities of that part of the human species
-which calls itself the World”. Three guineas was
-allowed as literary remuneration for each number,
-but Moore, the editor, a receiver of this allowance,
-obtained much gratuitous assistance from Lord Chesterfield,
-Horace Walpole, and other men of wit and
-fashion. Another periodical, but a bi-weekly, the
-<cite>Rambler</cite>, all the work of Samuel Johnson, appeared
-without intermission for the space of two years, and
-in its gravity, its high morality, and its sententious
-language presents a curious contrast to its livelier
-companion. Dodsley, after having published Burke’s
-earliest productions, entrusted to his care the management
-of a very important venture, the <cite>Annual
-Register</cite>, which was to carry Dodsley’s name up to our
-own times. In the same year, 1758, his last play
-<cite>Cleone</cite>, in which he ventured to rise to tragedy,
-after having been declined by Garrick was acted at
-Covent Garden amidst the greatest applause, and for
-a number of nights, that, in those times, constituted a<span class="pagenum"><a id="Page_66">66</a></span>
-wonderful “run.” And the author, fond to distraction
-of his last child, “went every night to the stage side
-and cried at the distress of poor Cleone;” yet when it
-was reported that Johnson had remarked that if
-Otway had written it, no other of his pieces would
-have been remembered, Dodsley had the good sense
-to say “it was too much.”</p>
-
-<p>A long and prosperous career enabled Dodsley to
-retire some years before his death, which occurred at
-Durham, in 1764.</p>
-
-<p>Thomas Cadell, who had served his apprenticeship
-to Andrew Millar, was now taken into partnership,
-and in a few years he and the Strahans quite filled
-the place that Dodsley and Millar had previously
-occupied. Together they became the proprietors of
-the copyright of works by the great historical and
-philosophical writers who shed a lustre round the close
-of the eighteenth century, and among their clients we
-find the names of Robertson, Gibbon, Adam Smith
-and Blackstone. For the <cite>History of Charles V.</cite>
-Robertson received £4500, then supposed to be the
-largest sum ever paid for the copyright of a single
-work, and out of Gibbon’s <cite>Decline and Fall of the
-Roman Empire</cite> the booksellers are said to have
-cleared £60,000. Cadell retired with an enormous
-fortune, and was honoured by being elected Sheriff of
-London at a very critical and important time. Alexander
-Strahan, became King’s printer, and left a
-fortune of upwards of a million. His business was
-eventually carried on by the Spottiswoodes.</p>
-
-<div id="if_i_066" class="figcenter" style="width: 394px;">
- <img src="images/i_066.jpg" width="394" height="459" alt="" />
- <div class="caption"><p>Thomas Cadell.</p>
-
-<p>1742&ndash;1802.</p></div></div>
-
-<p>The practice, we have already referred to, of booksellers
-fraternising pleasantly together for the purpose
-of bringing out expensive editions at a lessened risk,
-led to many famous associations, the earliest of<span class="pagenum"><a id="Page_67">67</a></span>
-which, the “Congers,” will be dealt with hereafter in
-connection with the history of families still represented
-in the trade, but the “Chapter Coffee House” is too
-important to be passed over altogether.</p>
-
-<p>There is an amusing account of the Chapter Coffee
-House in the first number of the <cite>Connoisseur</cite>. It “is frequented
-by those encouragers of learning, the booksellers....
-Their criticisms are somewhat singular.
-When they say a good book, they do not mean to
-praise the style or sentiment, but the quick and extensive
-sale of it.... A few nights ago I saw one of these
-gentlemen take up a sermon, and after seeming to peruse
-it for some time, with great attention, he declared
-it was ‘very good English.’ The reader will judge
-whether I was most surprised or diverted, when I discovered
-that he was not commending the purity or
-elegance of the diction, but the beauty of the type,
-which, it seems, is known among the printers by that
-appellation.... The character of the bookseller is
-generally formed on the writers in his service. Thus
-one is a politician or a deist; another affects humour,
-or aims at turns of wit or repartee; while a third perhaps
-is grave, moral, and sententious.”</p>
-
-<p>In this Coffee House the associated booksellers
-met to talk over their plans, and many a germ of most
-valuable projects was originated here; the books so
-published coming in time to be called “Chapter
-Books.” Among the chief members of the association
-were John Rivington, John Murray, and Thomas
-Longman, James Dodson, Alderman Cadell, Tom
-Davies, Robert Baldwin (whose name, if not family,
-figured in bookselling annals for a century and a half),
-Peter Elmsley, and Joseph Johnson. Johnson was
-Cowper’s publisher; the first volumes of the poems<span class="pagenum"><a id="Page_68">68</a></span>
-fell dead, and he begged the author to think nothing
-further of the loss, which they had agreed to share.
-In gratitude Cowper sent him the <cite>Task</cite> as a present;
-it was a wonderful success, and altogether Johnson
-is said to have made £10,000 out of Cowper’s
-poems. He assisted in the publication of the <cite>Homer</cite>
-without any compensation at all. The most important
-“Chapter books” were Johnson’s <cite>English
-Poets</cite>, including his <cite>Lives of the English Poets</cite>,
-for which latter he received two hundred guineas, and
-a present of another hundred, and, on their re-publication
-in a separate edition, a fourth hundred. “Sir,”
-observed the Doctor to a friend, “I have always said
-the booksellers were a generous set of men. Nor in
-the present instance have I reason to complain. The
-fact is, not that they paid me too little, but that I
-have written too much.”</p>
-
-<p>Of course when the booksellers met, the literary
-men were not far absent. “I am quite familiar”
-(writes poor Chatterton in his sad, boastful letters,
-meant to cheer up the hearts of the dear ones at
-home, while his own heart was breaking in London)
-“at the Chapter Coffee House, and know all the
-geniuses there. A character is now quite unnecessary;
-an author carries his character in his pen.”</p>
-
-<p>Later on, the Chapter Coffee House became the
-place of call for poor parsons, who stood there ready
-for hire, on Sunday mornings, at sums varying from
-five shillings to a guinea. Sermons, too, were kept
-in stock here for purchase, or could be written, there
-and then, to order.</p>
-
-<p>At the very close of the last century a fresh band
-of “Associated Booksellers” was formed, consisting
-of the following: Thomas Hood (father of the poet),<span class="pagenum"><a id="Page_69">69</a></span>
-John Cuthel, James Nunn, J. Lea, Lackington, Allen
-and Co., and others. The vignette which ornamented
-their books was a Beehive, with the inscription of
-“Associated,” and thus they got the title of the “Associated
-Busy Bees.”</p>
-
-<p>Two of the principal booksellers towards the end
-of the last century, require, from the magnitude of
-their business, a somewhat lengthier notice.</p>
-
-<p>George Robinson, born at Dalston near Carlisle,
-received his business training under John Rivington.
-In 1764 he started as a wholesale bookseller in Paternoster
-Row, and, by 1780, he could boast of the
-largest wholesale trade in London. Nor were the
-higher branches of his calling neglected, and in the
-purchase of copyrights he rivalled the oldest established
-firms. Among his publications we may mention
-the <cite>Critical Review</cite>, the <cite>Town and Country Magazine</cite>,
-and the <cite>New Annual Register</cite>; the <cite>Modern
-Universal History</cite> (in sixty volumes), the <cite>Biographica
-Britannica</cite>, and Russell’s <cite>Ancient and Modern Europe</cite>;
-<cite>Bruce’s Travels</cite> and the <cite>Travels of Anacharsis</cite>; the
-illustrated works of Hogarth, Bewick, and Heath;
-and the lighter productions of Macklin, Murphy,
-Godwin, Mrs. Inchbald, Mrs. Radcliffe, Dr. Moore,
-and Dr. Wolcot.</p>
-
-<p>For the <cite>Mysteries of Udolpho</cite> Mrs. Radcliffe
-received five hundred guineas, the largest sum that
-had at that time been given for a novel, and Peter
-Pindar (Dr. Wolcot) made a still better bargain for
-his poems. They had already acquired a prodigious
-popularity, and in selling the copyright a question
-arose, as to whether they should be purchased for a
-lump sum or an annuity. While the treaty was pending
-Wolcot was seized with a violent and rather ostentatious<span class="pagenum"><a id="Page_70">70</a></span>
-attack of asthma, which sadly interrupted him in
-discussing the arrangements, and he was eagerly
-offered an annuity of £250. The arrangement was
-made by Walker, a partner with Robinson in this
-transaction. Walker soon called to inquire after his
-friend’s illness, “Thank you, much better,” said Wolcot,
-“I have taken measure of my asthma, the fellow
-is troublesome, but I know his strength and am his
-master.” Walker’s face grew longer, and when he
-rejoined his wife in the next room, the doctor heard
-a shrill, feminine expostulation, “There, you’ve done
-it, I told you he wouldn’t die!” He outlived all the
-parties concerned, and was in his own case, perhaps,
-scarcely justified in originating the famous saying,
-“that publishers quaff champagne out of the skulls of
-authors.”</p>
-
-<p>This over-eager parsimony was not in any way
-due to Robinson; his generosity to his authors
-was well known, and his house became a general
-rendezvous for the literary men of the day, who
-were heartily welcome whenever they chose to turn
-up, provided always that they did not come late
-for dinner. After Robinson’s death in 1801, his son
-and brother carried on the business, but met with
-reverses, principally through loss of stock at a fire;
-but the wonderful prices that were realized at the
-auction, consequent on their declared bankruptcy,
-fairly set them afloat again. One bookseller, alone,
-is said to have invested £40,000 at the sale, and even
-the copyright of Vyse’s <cite>Shilling Spelling Book</cite> was
-sold for £2,500, with an annuity of fifty guineas a
-year to the old schoolmaster Vyse.</p>
-
-<p>James Lackington, in his <cite>Memoirs and Confessions</cite>
-has left plenty of material, had we space, for an<span class="pagenum"><a id="Page_71">71</a></span>
-amusing and instructive biography. He was born at
-Wellington in 1746, and his father, a drunken cobbler,
-would not even pay the requisite twopence a week
-for his son’s education. Loafing about the streets
-all day as a child, he thought he might turn his
-wanderings to account by crying pies, and as a pie-boy
-he acquired such a pre-eminence that he was
-soon engaged to vend almanacs. At fourteen he
-left this vagrant life to be apprenticed to a shoemaker,
-and his master’s family becoming strong adherents to
-the new sect of Methodists, he too was converted,
-and would trudge, he says, through frost and snow at
-midnight to hear “an inspired husbandman, shoemaker,
-blacksmith, or a woolcomber” preach to ten
-or a dozen people, when he might have quietly stopped
-at home to listen to “the sensible and learned ministers
-at Taunton.”</p>
-
-<p>However, what he heard “made me think they
-knew many matters of which I was totally ignorant,”
-and he set to work arduously at night to learn his
-letters, and when he was able to read, he bought
-Hobbe’s <cite>Homer</cite> at a bookstall, and found that his letters
-did but little in assisting his comprehension;
-however, in his zeal for knowledge he allowed himself
-“but three hours’ sleep in the twenty-four.” The art
-of writing was acquired in a similar manner, and then
-he started on a working tour, making shoes on the
-road for sustenance, but suffering many hardships
-and miseries. To make matters worse, at Bristol he
-married a young girl of his own class, whose ill-health,
-though he was passionately fond of her, added
-no little to his troubles. Accordingly he went to
-London, that for her sake he might earn higher
-wages, and not altogether unhopeful of the fortunes he<span class="pagenum"><a id="Page_72">72</a></span>
-had heard were to be gained there by dogged hard
-work and endurance. They arrived with the typical
-half-crown in their pockets, and then Lackington,
-anxious to obtain the small legacy of £10 he had
-left at home, went for it personally; “it being such a
-prodigious sum that the greatest caution was used on
-both sides, so that it cost me about half the money in
-going down for it, and in returning to town again.”
-After working some time as a journeyman bookseller
-he opened a little cobbler’s shop; and, thinking he
-knew as much about books as the keeper of an old
-bookstall in the neighbourhood, wishing also to have
-opportunity for study, he invested a guinea in a bagful
-of old books. To increase his stock he borrowed
-£5 from a fund “Mr. Wesley’s people kept to lend
-out, for three months, without interest, to such of
-their society whose characters were good, and who
-wanted a temporary relief.... In our new situation
-we lived in a very frugal manner, often dining on
-potatoes and quenching our thirst with water; being
-absolutely determined, if possible, to make some provision
-for such dismal times as sickness, shortness of
-work, &amp;c., which we had frequently been involved in
-before, and could scarcely help expecting not to be
-our fate again.” He soon found customers, and “as
-‘soon laid out the money’ in other old trash which
-was daily brought for sale.”</p>
-
-<div id="if_i_072" class="figcenter" style="width: 376px;">
- <img src="images/i_072.jpg" width="376" height="440" alt="" />
- <div class="caption"><p>James Lackington, Bookseller.</p>
-
-<p>1746&ndash;1816.</p></div></div>
-
-<p>In a short time he had realized £25, and was able
-to take a book-shop in Chiswell Street; and here he
-almost immediately lost his wife, which for a time involved
-him in the deepest distress, but in the following
-year he married again, and then resolved to quit his
-Wesleyan friends, a sect he thought incompatible with
-the dignity of a bookseller; indeed “Mr. Wesley often<span class="pagenum"><a id="Page_73">73</a></span>
-told his society in Broadment, Bristol, in my hearing,
-that he could never keep a bookseller six months in
-his flock.” From this time success uniformly attended
-his undertakings, and was due, he says, primarily to his
-invariable principle of selling at very low figures and
-only for ready-money. When he began to attend the
-trade sales he created consternation among his brethren.
-“I was very much surprised to learn that it
-was common for such as purchased remainders to
-destroy or burn one-half or three-fourths of such books,
-and to charge the full publication price, or nearly that,
-for such as they kept on hand.” With this rule he
-complied for a short time; but afterwards resolved to
-keep the whole stock. The trade endeavoured to
-hinder his appearance at the sale-rooms, but in time
-they were forced to yield, and he continued to sell off
-remainders at half or a quarter the published price.<a id="FNanchor_8" href="#Footnote_8" class="fnanchor">8</a>
-“By selling them in this cheap manner, I have disposed
-of many hundred thousand volumes, many
-thousand of which have been intrinsically worth their
-original prices.” Such a method attracted a crowd of
-customers, and he soon began to buy manuscripts from
-authors. As to how his circumstances were improving
-we read, “I discovered that lodgings in the country
-were very healthy. The year after, my country
-lodging was transformed into a country house, and in
-another year the inconveniences attending a stage
-coach were remedied by a chariot,” on the doors of
-which “I have put a motto to remind me to what I
-am indebted to my prosperity, viz.:&mdash;Small Profits do
-Great Things.” Again, he was very fond of repeating,<span class="pagenum"><a id="Page_74">74</a></span>
-“I found all I possess in small <em>profits</em>, bound by <em>industry</em>
-and clasped with <em>economy</em>.”</p>
-
-<p>The shop in Chiswell Street was now changed into
-a huge building at the corner of Finsbury Square,
-grandly styled the “Temple of the Muses;” above it
-floated a flag, over the door was the inscription
-“Cheapest bookshop in the world,” and inside appeared
-the notice that “the lowest price is marked on
-every Book, and no abatement made on any article.”
-“Half-a-million of volumes” were said, according to
-his catalogue, “to be constantly on sale,” and these
-were arranged in galleries and rooms, rising in tiers&mdash;the
-more expensive books at the bottom, and the
-prices diminishing with every floor, but all numbered
-according to a catalogue, which Lackington compiled
-himself, and even the first he issued contained 12,000
-volumes. During his first year at the “Temple of the
-Muses” he cleared £5000. In 1798, he was able to
-retire with a large fortune, and he again joined the
-Methodists, building and endowing three chapels for
-them, in contrition for having maligned them in his
-rambling <cite>Memoirs</cite>. Latterly he was fond of travelling,
-and made a tour of bookselling inspection through
-England and Scotland, seeing discouraging signs in
-every town but Edinburgh, “where indeed a few
-capital articles are kept.” “At York and Leeds there
-were a few (and but very few) good books; but in
-all the other towns between London and Edinburgh
-nothing but trash was to be found.” In Scotland, he
-looked forward with great curiosity to seeing the
-women washing soiled linen in the rivers, standing
-bare-legged the while, and indeed this incident seems
-to have afforded him more gratification than any in
-his travels except the following: “In Bristol, Uxbridge,<span class="pagenum"><a id="Page_75">75</a></span>
-Bridgewater, Taunton, Wellington, and other places, I
-amused myself in calling on some of my masters,
-with whom I had, about twenty years before, worked
-as a journeyman shoemaker. I addressed each with
-‘Pray, sir, have you got any occasion?’ which is the
-term made use of by journeymen in that useful occupation,
-when seeking employment. Most of these
-honest men had quite forgotten my person, as many
-of them had not seen me since I worked for them; so
-that it is not easy for you to conceive with what surprize
-and astonishment they gazed on me. For you
-must know that I had the vanity (I call it humour) to
-do this in my chariot, attended by my servants; and
-on telling them who I was all appeared to be very
-happy to see me.”</p>
-
-<p>James Lackington died in his country house in
-Budleigh Lutterton, in Devonshire, in 1815. His life
-is an eminent example how a man of no attainments
-or advantages can conquer success by sheer hard work
-and perseverance.</p>
-
-<p>Lackington was not the only man of his time who
-perceived that the conditions of literature were displaying
-at least a chance of change; that the circle of
-the book-buying public was incessantly enlarging,
-and that, by supplying the best books at the cheapest
-remunerative rates, not only would the progress of
-education be accelerated, but that the very speculation
-would bring fortune as well as honour to the innovators
-in the Trade. One of the first booksellers to
-adopt this principle was John Bell, whose name is
-still preserved in <cite>Bell’s Weekly Messenger</cite>. His
-<cite>British Poets</cite>, <cite>British Theatre</cite> and <cite>Shakespeare</cite>,
-published in small pocket volumes, carried consternation
-into the trade, but scattered the English<span class="pagenum"><a id="Page_76">76</a></span>
-classics broadcast among the people. He was the
-first to discard the long s. He was soon rivalled by
-Cook and Harrison, and all three were distinguished,
-not only by publishing in little pocket volumes, exquisitely
-printed, and embellished by the best artists
-for the many, what had before been produced in folios
-and quartos for the few, but as the inventors of the
-“number trade,” by which even expensive works were
-sold in small weekly portions to those to whom literature
-had hitherto been an unknown luxury. Such
-were the <cite>Lives of Christ</cite>, <cite>The Histories of England</cite>,
-<cite>Foxe’s Book of Martyrs</cite>, <cite>Family Bibles with Notes</cite>,
-and <cite>The Works of Flavius Josephus</cite>. Many of these
-“number books,” though of no great literary merit,
-exhibited every possible attraction on their copious
-title-pages, and were announced with the then novel
-terms of “beautiful,” “elegant,” “superb,” and “magnificent.”</p>
-
-<div id="if_i_076" class="figcenter" style="width: 289px;">
- <img src="images/i_076.jpg" width="289" height="351" alt="" />
- <div class="caption"><p>Andrew Donaldson.</p>
-
-<p>(<i>From an Etching by Kay. 1789.</i>)</p></div></div>
-
-<div id="if_i_076b" class="figcenter" style="width: 406px;">
- <img src="images/i_076b.jpg" width="406" height="316" alt="" />
- <div class="caption"><p>Stationers’ Hall, near Paternoster Row.</p>
-
-<p>(<i>From an Etching by R. Cole. 1750.</i>)</p></div></div>
-
-<p>But the pioneer to whom the cheap book-buying
-public is most indebted was Alexander Donaldson,
-who, though an Edinburgh man, fought out his chief
-battles among his London brethren. Donaldson’s
-contemporaries in Edinburgh in the middle of the
-eighteenth century were Bell, Ellis, and Creech, the
-only bookseller worth recording before that date being
-Alexander Ramsay, the poet. Donaldson having
-struck out the idea of publishing cheap reprints of
-popular works, extended his business by starting a
-bookshop in the Strand, London&mdash;a step that brought
-him into collision with the London publishers&mdash;and
-authors, for Johnson calls him “a fellow who takes
-advantage of the state of the law to injure his
-brethren ... and supposing he did reduce the price
-of books is no better than Robin Hood who robbed<span class="pagenum"><a id="Page_77">77</a></span>
-the rich in order to give to the poor.” In 1771,
-Donaldson reprinted Thomson’s <cite>Seasons</cite>, and an action
-at law was brought against him by certain booksellers.
-He proved that the work in question had first been
-printed in 1729, that its author died in 1748, and that
-the copyright consequently expired in 1757; and the
-Lords decided in his favour, thereby settling finally
-the vulgar and traditional theory that copyright was
-the interminable possession of the purchaser. To follow
-this interesting question for a moment. In Anne’s
-reign it was decided that copyright was to last for
-fourteen years, with an additional term of fourteen
-years, provided that the author was alive at the expiry
-of the first. In 1773&ndash;4, following upon Donaldson’s
-prosecution, a bill to render copyright perpetual
-passed through the Commons, but was thrown out in
-the Lords, and in 1814 the term of fourteen years
-and a conditional fourteen was extended to a definite
-and invariable period of twenty-eight years. Finally
-in 1842, the present law was passed, by which the
-term was prolonged to forty-two years, but the copyright
-was not to expire in any case before seven years
-after the author’s death.</p>
-
-<p>Donaldson left a very large fortune, which was
-greatly augmented by his son, who bequeathed the
-total amount, a quarter of a million, to found an
-educational hospital for poor children in Edinburgh,
-under the title of “Donaldson’s Hospital.”</p>
-
-<p>During the period under review the localities affected
-by the bookselling and publishing trade had
-greatly changed and altered. The stalls of the “Chap.
-Book” venders had disappeared from London Bridge
-and the Exchange, and even Little Britain had been
-entirely vacated. Little Britain, from the time of the<span class="pagenum"><a id="Page_78">78</a></span>
-first Charles to Mary and William, was as famous for
-books as Paternoster Row afterwards became. But,
-even in 1731, a writer in the <cite>Gentleman’s Magazine</cite>
-says, “The race of booksellers in Little Britain is now
-almost extinct; honest Ballard, well known for his curious
-divinity catalogues (he was said to have been the
-first to print a catalogue), being then the only genuine
-representative ... it was, in the middle of the last
-century, a plentiful and learned emporium of learned
-authors, and men went thither as to a market. This
-drew to the place a mighty trade, the rather because
-the shops were spacious and the learned gladly resorted
-to them, where they seldom failed to meet with
-agreeable conversations.” The son of this Ballard
-died in 1796, and was by far the best of the Little
-Britain booksellers. When the “trade” deserted
-Little Britain, about the reign of Queen Anne, they
-took up their abode in Paternoster Row, then principally
-in the hands of mercers, haberdashers, and lace-men&mdash;a
-periodical in 1705 mentioning even the
-“semptresses of Paternoster Row;” for the old manuscript
-venders, who had christened the whole neighbourhood,
-had died out centuries before. It now became
-the headquarters of publishers and more
-especially of old booksellers, but with the introduction
-of magazines and “copy” books, that latter portion
-of the trade migrated elsewhere, and the street assumed
-its present appearance of wholesale warehouses,
-and general and periodical publishing houses. It was
-not long indeed before the tide of fashion carried
-many of the eminent firms westward, and the movement
-in that direction is still apparent.</p>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_79">79</a></span></p>
-
-<div class="chapter">
-<div id="if_i_079" class="figcenter" style="width: 373px;">
- <img id="hdr_2" src="images/i_079.jpg" width="373" height="79" alt="" />
-</div>
-
-<h2 class="nobreak"><i>THE LONGMAN FAMILY.</i><br />
-
-<span class="subhead">CLASSICAL AND EDUCATIONAL LITERATURE.</span></h2>
-</div>
-
-<p class="drop-cap"><span class="smcap1">The</span> family of Longman can trace a publishing
-pedigree back to a date anterior to that of any
-other house still represented amongst us&mdash;the Rivingtons
-only excepted. As in the previous chapter, we
-shall select one member&mdash;necessarily that one to whom
-most public interest is attached&mdash;as the typical representative
-of the firm, touching lightly, however, upon
-all. And, in accordance with the scheme of the
-present volume, our remarks will primarily be devoted
-to a narrative of their business connections with that
-branch of literature&mdash;classical and educational works&mdash;with
-which the name of Longman is more immediately
-associated.</p>
-
-<p>For the whole of the seventeenth century the
-Longman family occupied the position of thriving
-citizens in the busy seaport town of Bristol, then the
-Liverpool of the day, and acquired some considerable
-wealth in the manufacture of soap and sugar, achieving
-in many instances the highest honours in civic authority.
-Ezekiel Longman, who is described as “of
-Bristol, gentleman,” died in the year 1708, leaving, by
-a second marriage, a little boy only nine years of<span class="pagenum"><a id="Page_80">80</a></span>
-age, who, as Thomas Longman, is afterwards to be
-the founder of the great Paternoster Row firm.</p>
-
-<p>By a provision of his father’s will, Thomas was to
-be “well and handsomely bred and educated according
-to his fortune;” this, we presume, was duly
-accomplished, and in June, 1716, we find that he was
-bound apprentice for seven years to Mr. John Osborn,
-bookseller, of Lombard Street, London&mdash;a man in a
-good, substantial way of business, but not to be confused
-with the other Osbornes of the time. Unlike
-Jacob, Longman served his seven years, and reaped a
-due reward in the person of his master’s daughter;
-and, as at the expiry of his time, the house of William
-Taylor (known to fame as the publisher of
-<cite>Robinson Crusoe</cite>) had lost its chief, Osborn being
-appointed executor for the family, we find that in
-August, 1824 “all the household goods and books
-bound in sheets” according to valuation were purchased
-by Longman for £2,282 9<i>s.</i> 6<i>d.</i>&mdash;a very considerable
-sum in those days, and, towards the end of
-the month, £230 18<i>s.</i> was further paid for part shares
-in several profitable copyrights.</p>
-
-<p>In acquiring this business Longman took possession
-of two houses, both ancient in the trade, the
-<cite>Black Swan</cite> and the <cite>Ship</cite>, which, through the profitable
-returns of <cite>Robinson Crusoe</cite>, Taylor had amalgamated
-into one; and here on the self-same freehold
-ground, the immense publishing establishment of the
-modern Longmans is still standing.</p>
-
-<p>The first trade mention we find of his name occurs
-in a prospectus dated Oct., 1724, of a proposal to publish,
-by subscription, <cite>The Works of the Honourable
-Robert Boyle, Esq.</cite> (the father of chemistry, and
-brother of the Earl of Cork), “to be printed for W.<span class="pagenum"><a id="Page_81">81</a></span>
-and J. Innes, at the West End of St. Paul’s Churchyard,
-J. Osborn, at the <cite>Oxford Arms</cite>, in Lombard
-Street, and T. Longman, at the <cite>Ship</cite> and <cite>Black
-Swan</cite>, in Paternoster Row.” In a few months after
-this Osborn followed his daughter to the Row, and,
-adding his capital to that of his son-in-law, remained
-in partnership with him until the end of his days.</p>
-
-<p>In 1726, we find their names conjointly prefixed to
-the first edition of Sherlock’s <cite>Voyages</cite>, and between
-that date and 1730 to a great variety of school books.</p>
-
-<p>All the works of importance, many even of the
-minor books, were, at that time, published not only
-by subscription in the first instance, but the remaining
-risk, and the trouble of a pretty certain venture,
-were divided amongst a number of booksellers: and
-the share system was so general that in the books of
-the Stationers’ Company there is a column ruled off,
-before the entries of the titles of works and marked
-“Shares,” and subdivided into halves, eight-twelfths,
-sixteenths, twenty-fourths, and even sixty-fourths.
-Much of the speculative portion of a bookseller’s
-business in those days consisted, therefore, not in the
-original publication of books, but in the purchase and
-sale of their shares, and to this business we find that
-Thomas Longman was especially addicted. As early
-as November, 1724, he bought one-third of the <cite>Delphin
-Virgil</cite> from Jacob Tonson, junior; in 1728 a twentieth
-of Ainsworth’s <cite>Latin Dictionary</cite>, one of the most
-profitable books of the last century, for forty pounds,
-and, much later on, one-fourth part of the <cite>Arabian
-Nights’ Entertainment</cite> for the small sum of twelve
-pounds.</p>
-
-<p>The chief interest of the career of the house at this
-period lies in their connection with the <cite>Cyclopædia</cite> of<span class="pagenum"><a id="Page_82">82</a></span>
-Ephraim Chambers, which was not only the parent of
-all our English encyclopædias, but also the direct
-cause of the famous <cite>Encyclopédie</cite> of the French philosophers.
-Longman’s share in this work, first published
-in 1728, cost but fifty pounds, and consisted,
-probably, only of one sixty-fourth portion; as, however,
-the proprietors died off, Longman steadily purchased
-all the shares that were thrown on the book-market,
-until, in the year 1740, the Stationers’ book
-assigns him eleven out of the sixty-four&mdash;a larger
-number than was ever held by any other proprietor.</p>
-
-<p>One of the few direct allusions to Longman’s personal
-character relates to his kindness to Ephraim
-Chambers. A contemporary writes in the <cite>Gentleman’s
-Magazine</cite>:&mdash;“Mr. Longman used him with the
-liberality of a prince, and the kindness of a father;
-even his natural absence of mind was consulted, and
-during his illness jellies and other proper refreshments
-were industriously left for him at those places where it
-was least likely that he should avoid seeing them.”
-Chambers had received £500 over and above the
-stipulated price for this great work, and towards the
-latter end of his life was never absolutely in want of
-money; yet from forgetfulness, perhaps from custom,
-he was parsimonious in the extreme. A friend called
-one day at his chambers in Gray’s Inn, and was
-pressed to stay dinner. “And what will you give me,
-Ephraim?” asked the guest; “I dare engage you have
-nothing for dinner!” To which Mr. Chambers calmly
-replied, “Yes, I have a fritter, and if you’ll stay with
-me I’ll have two.”</p>
-
-<p>After the death of his partner and father-in-law,
-who bequeathed him all his books and property,
-Thomas Longman seems to have prospered amazingly.<span class="pagenum"><a id="Page_83">83</a></span>
-In 1746 he took into partnership one Thomas Shenrell;
-but, except for the fact that this name figures in conjunction
-with his for the two following years, then
-to disappear for ever, little more is known. In
-1754, however, he took a nephew into partnership,
-after which the title-pages of their works ran:&mdash;“Printed
-for T. and T. Longman at the <cite>Ship</cite> in
-Pater-Noster-Row.” Before this, however, he is to be
-found acting in unison with Dodsley, Millar, and
-other great publishers of the day, in the issue of such
-important works as Dr. Samuel Johnson’s <cite>Dictionary
-of the English Language</cite>. On the 10th of June, 1855,
-only <em>two</em> months after the publication of the dictionary,
-he died, and Johnson is obliged to put off his well-earned
-holiday-trip to Oxford. “Since my promise
-two of our partners are dead (Paul Knapton was the
-second) and I was solicited to suspend my excursion
-till we could recover from our confusion. Thomas
-Longman the first had no children, and left half the
-partnership stock to his nephew and namesake, the
-rest of the property going to his widow.”</p>
-
-<p>Thomas Longman, the nephew, was born in 1731,
-and, at the age of fifteen, entered the publishing firm
-as an apprentice, and at the date of his uncle’s death
-was only five-and-twenty.</p>
-
-<p>Under his management the old traditions were
-kept up&mdash;more copyrights of standard books were
-purchased, the country trade extended, and more
-than this the business relations of the house were very
-vastly increased in the American colonies. One of
-Osborn’s earliest books, by-the-way, had been entered
-at Stationers’ Hall in 1712 as <cite>Psalms, Hymns, and
-Spiritual Songs of the Old and New Testament. For
-the edification and comfort of the Saints in Public and<span class="pagenum"><a id="Page_84">84</a></span>
-Private, more especially in New England</cite>. The
-nephew probably followed up the colonial trade of his
-uncle and master, for at the first commencement of
-hostilities in that country he had a very large sum
-engaged in that particular business, and, to the honour
-of the succeeding colonists, several of his correspondents
-behaved very handsomely in liquidating their
-debts in full, even subsequent to amicable arrangements
-and to the peace of 1783.</p>
-
-<p>As in the case of the founder of the house, the folio
-<cite>Cyclopædia</cite>, still the only one in the field, occupied
-the chief attention of the firm. Already in 1746 it
-had reached a fifth edition; “and whilst,” adds
-Alexander Chalmers, “a sixth edition was in question
-the proprietors thought that the work might admit of
-a supplement in two additional folio volumes. This
-supplement, which was published in the joint names
-of Mr. Scott and Dr. Hill, though containing a number
-of valuable articles, was far from being uniformly
-conspicuous for its exact judgment and due selection,
-a small part of it only being executed by Mr. Scott,
-Dr. Hill’s task having been discharged with his usual
-rapidity.” There the matter stood for some years,
-when the proprietors determined to convert the whole
-into one work. Several editions were tried and found
-wanting, and finally Dr. John Calder, the friend of
-Dr. Percy, was engaged, but provisionally only, for
-the duty. He drew up an elaborate programme, containing
-no less than twenty-six propositions. The
-agreement, as it illustrates, in some degree, the relative
-positions of authors and publishers, may be quoted.
-Dr. Calder agreed to prepare a new edition of
-<cite>Chambers’s Cyclopædia</cite> to be completed in two years.
-He received £50 as a retaining fee upon signing the<span class="pagenum"><a id="Page_85">85</a></span>
-agreement, and £50 a quarter until the work was
-finally out of the printer’s hands. In spite of this
-retaining fee the proprietors appear to have been
-smitten with fear, perhaps dreading a repetition of
-Dr. Hill’s inaccuracies, and sent round a specimen
-sheet to the eminent <i xml:lang="la" lang="la">literati</i> of the day, asking their
-opinions upon the matter and the style. All the
-verdicts were unfavourable, one contemptuous critic
-complaining that the author had twice referred
-favourably to the <cite>Encyclopædia Britannica</cite>, “a Scots
-rival publication in little esteem.” Dr. Johnson cut
-away a large portion of his sheet as worthless; but,
-at poor Calder’s request, who began to be perplexedly
-alarmed by all these adverse reviews, explained this
-superfluity as arising simply from <i xml:lang="fr" lang="fr">trôp de zèle</i>. “I
-consider the residuum which I lopped away, not as
-the consequence of negligence or inability, but as the
-result of superfluous business, naturally exerted in the
-first article. He that does too much soon learns to
-do less.” Then apologizing for Calder’s turbulence
-and impatience, the kindly doctor prays “that he may
-stand where he stood before, and be permitted to
-proceed with the work with which he is engaged. Do
-not refuse this request, sir, to your most humble
-servant, Samuel Johnson.” Again and again the
-doctor interposed his influence, but in vain, and
-Abraham Rees, a young professor in a dissenting
-college near town, was engaged, and a new issue of
-the <cite>Cyclopædia</cite> (still Chambers’s), in weekly parts, was
-commenced in 1778, running on till 1786, attaining a
-circulation of four or five thousand, then a large one,
-for each number; and Longman, as chief proprietor,
-must have profited exceedingly by the work.</p>
-
-<p>In the books of the Stationers’ Company we find<span class="pagenum"><a id="Page_86">86</a></span>
-repeated entry of Longman as publisher or shareholder
-in such miscellaneous works as <cite>Gil Blas</cite>,
-<cite>Humphrey Clinker</cite>, and <cite>Rasselas</cite>; and, true to the old
-traditions of the firm, educational works were by no
-means neglected. Among others we note a record of
-<cite>Cocker’s Arithmetic</cite>, since proverbially and bibliographically
-famous.</p>
-
-<p>Cocker was an unruly master of St. Paul’s School,
-twice deposed for his extreme opinions, but twice
-restored for his marvellous talents of teaching. “He
-was the first to reduce arithmetic to a purely
-mechanical art.” The first edition, however, was
-published only after his death by his friend “John
-Hawkins, writing master”&mdash;a copy sold by Puttick
-and Simpson, in 1851, realized £8 10<i>s.</i> The fifty-second
-edition was published in 1748, and the last
-reprint, though at that time the work was in Longman’s
-hands, bears “Glasgow, 1777,” on the title-page.</p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“Ingenious Cocker now to rest thou’rt gone,<br /></span>
-<span class="i0">No art can show thee fully, but thy own,<br /></span>
-<span class="i0">Thy rare arithmetic alone can show<br /></span>
-<span class="i0">The vast <em>sums</em> of thanks we for thy labour owe.”<br /></span>
-</div></div>
-</div>
-
-<p>In those days the publishers clave together in a
-manner undreamt of in these latter times of keener
-competition. Nichols, in speaking of James Robson
-(a Bond-street bookseller), and a literary club of booksellers,
-observes that Mr. Longman, with the late
-Alderman Cadell, James Dodsley, Lockyer, Davies,
-Peter Elmsley, Honest Tom Payne of the Mew’s
-Gate, and Thomas Evans of the Strand, were all
-members of this society. They met first at the
-“Devil’s Tavern,” Temple-bar, then moved to the
-“Grecian,” and finally from a weekly gathering, became<span class="pagenum"><a id="Page_87">87</a></span>
-a monthly meeting at the “Shakspeare.” Here was
-originated the germ of many a valuable production.
-Under their auspices Davies (in whose shop Boswell
-first met Johnson) produced his only valuable work,
-the <cite>Life of Garrick</cite>. Poor Davies had been an actor
-till Churchill’s satire drove him off the <span class="locked">stage&mdash;</span></p>
-
-<p class="center">
-“He mouths a sentence as curs mouth a bone.”
-</p>
-
-<p>From this he fled to the refuge of a bookselling shop
-in Russell-street, Covent-garden. He is described
-variously as “not a bookseller, but a gentleman
-dealing in books,” and as “learned enough for a
-clergyman.” Here he strived indifferently well till
-we come upon his <span class="locked">epitaph&mdash;</span></p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“Here lies the author, actor Thomas Davies,<br /></span>
-<span class="i0">Living he shone a very <i xml:lang="la" lang="la">rara avis</i>;<br /></span>
-<span class="i0">The scenes he played life’s audience must commend&mdash;<br /></span>
-<span class="i0">He honour’d Garrick, Johnson was his friend.”<br /></span>
-</div></div>
-</div>
-
-<p class="in0">At this club meeting, too, Johnson’s <cite>Lives of the Poets</cite>
-were first resolved on, and by the club clique the
-work was ultimately produced.</p>
-
-<p>William West, a bookseller’s assistant, who died at
-a great age at the Charter House, in 1855, has left in
-his <cite>Fifty Years’ Reminiscences</cite>, and in the pages of the
-<cite>Aldine Magazine</cite>, a number of garrulous, amusing,
-but sometimes incoherent stories of the old booksellers.
-West says he knew all the members of the
-club, and bears witness that “Longman was a man
-of the most exemplary character both in his profession
-and in his private life, and as universally esteemed for
-his benevolence as for his integrity.” He mentions in
-particular Longman’s generosity in offering George
-Robinson any sum he wished on credit, when his
-business was in a critical condition.</p>
-
-<p><span class="pagenum"><a id="Page_88">88</a></span>
-West adds, “I was in the habit of going to Mr.
-Longman’s almost daily from the years 1785 to 1787
-or 1788, for various books for country orders, being
-what is termed in all wholesale booksellers’ shops ‘a
-collector.’ Mr. Norton Longman had been caused by
-his father wisely to go through this same wholesome
-routine of his profession; and I am informed that the
-present Mr. L. (Thomas Norton Longman), although
-at the very head of the book trade, has pursued a
-similar course with his sons.”</p>
-
-<p>Longman&mdash;and this brings us to the subject&mdash;had
-married a sister of Harris, the patentee, and long the
-manager of Covent Garden Theatre. By her he had
-three sons, and of these Thomas Norton Longman,
-born in 1771, about 1792 began to take his father’s
-place in the publishing establishment; and about this
-time Thomas Brown entered the office as an apprentice.
-In 1794, Mr. Owen Rees was admitted a
-member, and the firm’s title was altered to “Longman
-and Co.;” and at this time, too, the younger Evans,
-“rating,” we are told, “only as third wholesale bookseller
-in England,” became bankrupt, and the whole
-of his picked stock was transferred to 39, Paternoster Row.
-The stock was further increased by a legacy
-from the elder Evans to Brown’s father in 1803. This
-elder Evans, as the publisher of the <cite>Morning Chronicle</cite>,
-had incurred the displeasure of Goldsmith, who, mindful
-of Johnson’s former valour, “went to the shop,”
-says Nichols, “cane in hand, and fell upon him in a
-most unmerciful manner. This Mr. Evans resented in
-a truly pugilistic method, and in a few moments the
-author of the <cite>Vicar of Wakefield</cite> was disarmed and
-stretched on the floor, to the no small diversion of the
-bystanders.”</p>
-
-<div id="if_i_088" class="figcenter" style="width: 367px;">
- <img src="images/i_088.jpg" width="367" height="463" alt="" />
- <div class="caption"><p>Thomas Longman.</p>
-
-<p>1771&ndash;1842.</p></div></div>
-
-<p><span class="pagenum"><a id="Page_89">89</a></span>
-Seven years, however, before this, Thomas Longman
-the second died, on the 5th February, 1797. Of the
-position to which he had attained it is sufficient to
-mention that when the Government were about to
-impose an additional duty on paper, subsequent to
-that of 1794, the firm of Longman urged such strong
-and unanswerable arguments against it and its impolicy
-that the idea was relinquished; and at this time the
-house had nearly £100,000 embarked in various
-publications.</p>
-
-<p>Longman left his business to his eldest son, and to
-his second son, George, he bequeathed a handsome
-fortune, which enabled him to become a very extensive
-paper manufacturer at Maidstone, in Kent, and for
-some years he represented that borough in Parliament.
-As a further honour, he was drawn for Sheriff of
-London, but did not serve the office.</p>
-
-<p>Edward Longman, the third son, was drowned at an
-early age in a voyage to India, whither he was proceeding
-to a naval station in the East India Company’s
-service.</p>
-
-<p>At the time of Thomas Norton Longman’s accession
-to the chiefdom of the Paternoster Row firm, the
-literary world was undergoing a seething revolution.
-Genius was again let loose upon the earth to charm
-all men by her beauty, and to scare them for a while
-by her utter contempt for precedent. The torpor in
-which England had been wrapped during the whole of
-the foregone Hanoverian dynasty was changing into
-an eager feeling of unrest, and, later on, to a burning
-desire to do something, no matter what, and to do it
-thoroughly in one’s own best manner, and at one’s own
-truest promptings. No man saw the coming change
-more clearly than Longman; and anxious to profit by<span class="pagenum"><a id="Page_90">90</a></span>
-the first-fruits of the future, yet careful not to cast
-away in his hurry that ponderous ballast of dictionary
-and compilation, he soon gathered all the young
-writers of the day within the precincts of his publishing
-fold.</p>
-
-<p>Down at Bristol, the ancestral town of both Longman
-and Rees, Joseph Cottle had been doing honest
-service&mdash;without, we fear, much profit&mdash;in issuing the
-earliest works of young men who were to take the
-highest rank among their fellows. Cottle had published
-Southey’s <cite>Joan of Arc</cite> in 1796, and in 1798
-had issued the <cite>Lyrical Ballads</cite>, the joint composition
-of Coleridge and Wordsworth. When, in 1800,
-Longman purchased the entire copyrights of the
-Bristol firm, at a fair and individual valuation, the
-<cite>Lyrical Ballads</cite> were set down in the bill at exactly
-nothing, and Cottle obtained leave to present the copyright
-to the authors. In connection with Cottle and
-Longman, we must here mention a story that does
-infinite credit to both. At the very close of the
-eighteenth century, Southey and Cottle in conjunction
-prepared an edition of Chatterton’s works, to be published
-by subscription for the benefit of his sister,
-whose sight was now beginning to fail her. Hitherto,
-though much money had been made from the works
-of the “boy poet,” they had been printed only for the
-emolument of speculators.</p>
-
-<p>The edition unfortunately proved a failure, but
-Longman and Rees entered into a friendly arrangement
-with Southey, and he was able to report in 1804
-that Mrs. Newton lived to receive £184 15<i>s.</i> from the
-profits, when, as she expressed it, she would otherwise
-have wanted bread. Ultimately, Mary Ann Newton,
-the poet’s niece, received about £600, the fruits of the<span class="pagenum"><a id="Page_91">91</a></span>
-generous exertion of a brother poet, and of the good
-feeling of a kind-hearted publisher.</p>
-
-<p>The first edition of the <cite>Lyrical Ballads</cite> did
-eventually sell out, and then Wordsworth, detaching
-his own poems from the others, and adding several
-new ones thereto, obtained £100 from Longman for
-the use of two editions, but the sale was so very slow
-that the bargain was probably unprofitable.</p>
-
-<p>In this same year 1800 the house of Longman also
-published Coleridge’s translation of Schiller’s <cite>Wallenstein</cite>,
-written in the short space of six weeks.
-Very few copies were sold, but after remaining on
-hand for sixteen years, the remainder was sold off
-rapidly at a double price.</p>
-
-<p>Southey (a Bristol man himself) met, too, with much
-kindness from the firm, but after his first poem with
-but little, as a poet, from the public. We have seen
-before that “the profits” on <cite>Madoc</cite> “amounted to
-exactly three pounds seventeen shillings and a penny.”
-No wonder that he writes to a friend, “Books are now
-so dear that they are becoming articles of fashionable
-furniture more than anything else; they who do buy
-them do not read, and they who read them do not buy
-them. I have seen a Wiltshire clothier who gives his
-bookseller no other instructions than the dimensions
-of his shelves; and have just heard of a Liverpool
-merchant who is fitting up a library, and has told his
-bibliopole to send him Shakespeare, Milton, and Pope,
-and if any of those fellows should publish anything
-new to let him have it immediately. If <cite>Madoc</cite>
-obtains any celebrity, its size and cost will recommend
-it to those gentry <i xml:lang="la" lang="la">libros consumere nati</i>, born to buy
-octavos and help the revenue.” Southey’s prose,
-however, proved infinitely more profitable, and for<span class="pagenum"><a id="Page_92">92</a></span>
-some years he was the chief contributor to Longman’s
-<cite>Annual Review</cite> started in 1802, the same year as
-the <cite>Edinburgh Review</cite>. About this time Longman
-first went to Scotland, paid a visit to Walter Scott,
-and purchased the copyright of the <cite>Minstrelsy</cite> then
-publishing; and in the following year Rees crossed
-the borders, and returned with an arrangement to
-publish the <cite>Lay of the Last Minstrel</cite> on the half-profit
-system, Constable having, however, a very small
-share in it. Scott’s moiety of profits was £169 6<i>s.</i>,
-and success being then ensured, Longman offered £500
-for the copyright, which was at once accepted. They
-afterwards added £100, “handsomely given to supply
-the loss of a fine horse which broke down suddenly
-while the author was riding with one of the worthy
-publishers” (Owen Rees).</p>
-
-<p>Already in the first few years of the century we
-find the house connected with Wordsworth, Southey,
-Coleridge, and Scott, but it was by no means entirely
-to poetry that Longman and Rees trusted. In 1799
-they purchased the copyright of Lindley Murray’s
-<cite>English Grammar</cite>, one of the most profitable school
-books ever issued from the press&mdash;for many years the
-annual sale of the <cite>Abridgment</cite> in England alone was
-from 48,000 to 50,000 copies. Chambers’ <cite>Cyclopædia</cite>
-was entirely re-written, re-cast, and re-christened, and
-again, under the management of Abraham Rees, after
-whom it was named, came out in quarto form in parts,
-but at a total cost of £85. The ablest scientific and
-technical writers of the day were retained, and among
-them we find the names of Humphry Davy, John
-Abernethy, Sharon Turner, John Flaxman, and Henry
-Brougham. For the first twenty years of this century
-Rees’ <cite>New Cyclopædia</cite> filled the place that the <cite>Encyclopædia<span class="pagenum"><a id="Page_93">93</a></span>
-Britannica</cite>&mdash;“a Scots rival in little esteem”&mdash;was
-afterwards to occupy.</p>
-
-<p>In 1803, we find the trade catalogue has extended
-so much in bulk and character that it is divided into
-no less than twenty-two classes. Among their books
-we note Paley’s <cite>Natural Theology</cite> (ten editions
-published in seven years), Sharon Turner’s <cite>Anglo-Saxon
-History</cite>, Pinkerton’s <cite>Geography</cite>, Cowper’s <cite>Homer</cite>,
-and Gifford’s <cite>Juvenal</cite>.</p>
-
-<p>About this time too, they engaged very extensively
-in the old book trade, a branch of the business discarded
-about the year 1840. In a catalogue of the
-year 1811 we find some very curious books. Here
-are the celebrated <cite>Roxburgh Ballads</cite>, now in the
-British Museum; a Pennant’s <cite>London</cite>, marked
-£300; a Granger’s <cite>Biographical Dictionary</cite>, £750;
-Pilkington’s <cite>Dictionary of Painters</cite>, £420; two
-volumes of <cite>Cromwelliana</cite>, £250; an extraordinary
-assemblage of Caxtons, Wynkyn de Wordes, and
-other early printed books, one supposed to date from
-1446; a unique assemblage of <cite>Garrickiana</cite>, and
-many other articles of a matchless character.<a id="FNanchor_9" href="#Footnote_9" class="fnanchor">9</a></p>
-
-<p>Longman was himself indefatigable in business, for
-fifty years unremittingly he came from and returned
-to Hampstead on horseback; but as the rious
-branches of the trade clearly prove, the superintendence
-of so vast a business was altogether beyond
-the power of any single man; and perhaps nothing
-tended more to raise the firm to the eminent position
-it soon attained than the plan of introducing fresh
-blood from time to time;&mdash;the new members being
-often chosen on account of the zeal and talent they
-had displayed as servants of the house. In 1804<span class="pagenum"><a id="Page_94">94</a></span>
-Thomas Hurst, with the whole of his trade and connection,
-and Cosmo Orme (the founder of the hospital
-for decayed booksellers) were admitted. In 1811,
-Thomas Brown, whom we have already noticed as an
-apprentice, became a member of the firm, and until
-his retirement in 1859, took the sole management of
-the cash department, with so regular and just a system
-that an author could always learn what was coming
-to him, and when he was to receive it&mdash;a plan <em>not</em>
-invariably adopted in a publisher’s counting-house.
-The firm was in 1824 further strengthened by the
-admission of Bevis Green, who had been apprenticed
-to Hurst in 1807. The title of the firm at this, its
-best known, period was, therefore, “Longman, Hurst,
-Rees, Orme, Brown, and Green.” When, however,
-Thomas Roberts entered, the title was changed to
-“Longman, Green, Longman, Roberts, and Green;”
-but we are anticipating, for Roberts died as recently
-as 1865, having acquired some distinction in private
-life as a Numismatist. For the sake of convenience,
-and for the sequence of the story, it will, perhaps, be
-as well to consider the firm as represented, as in fact
-from his leading position it was by Thomas Norton
-Longman, touching only upon the others individually
-when some directly personal interest arises. Before
-all these partnerships, however, were accomplished
-facts Longman had taken a much more precious, and
-even more zealous partner in the person of Miss Mary
-Slater of Horsham, Sussex, whom he had married as
-far back as the 2nd July, 1799.</p>
-
-<p>Wordsworth of course continued his connection
-with the firm, though his profits were absolutely <em>nil</em>.
-Though a poetic philosopher he was not quite proof
-against the indifference of the public. In the edition<span class="pagenum"><a id="Page_95">95</a></span>
-of the <cite>Lyrical Ballads</cite> published in 1805 we find the
-significant epigraph, <cite xml:lang="la" lang="la">Quam nihil ad genium, Papinique
-tuum</cite>. In 1807, he published two new volumes, in
-which appeared many of his choicest pieces, and
-among them his first sonnets. Jeffrey, however,
-maintained that they were miserably inferior, and his
-article put an absolute stop to the sale. Wordsworth
-had, perhaps deprived himself of all right to complain,
-for his harshest reviewer did him far more justice than
-he was wont to deal out to his greatest contemporaries.
-In 1814, we find Longman announcing, “Just published,
-the <cite>Excursion</cite>, being a portion of the <cite>Recluse</cite>, by
-William Wordsworth, in 4to., price £2 2<i>s.</i>, boards.”
-Jeffrey used the famous expression&mdash;“This will never
-do;” and Hogg wrote to Southey that Jeffrey had
-<em>crushed</em> the poem. “What!” retorted Southey,
-“Jeffrey <em>crush</em> the <cite>Excursion</cite>! Tell him he might as
-easily crush Skiddaw!” Wordsworth, who had invariably
-a high value of his own works, even of his
-weakest ones, writes also,&mdash;“I am delighted to learn
-that the Edinburgh Aristarch has declared against the
-<cite>Excursion</cite>, as he will have the mortification of seeing
-a book enjoy a high reputation to which he has not
-contributed.” For a while, however, Jeffrey’s curse
-was potent, and it took six years to exhaust an edition
-of only 500 copies. We need scarcely follow Wordsworth’s
-various publications (do their dates not lie on
-every table of every drawing-room in the land?),
-but the whole returns from his literary labours up to
-1819 had not amounted to £140; and even in 1829
-he remarks that he had worked hard through a long
-life for less pecuniary emolument than a public performer
-earns for two or three songs.</p>
-
-<p>Longman had at one time an opportunity of<span class="pagenum"><a id="Page_96">96</a></span>
-becoming Byron’s publisher, but declined the <cite>English
-Bards and Scotch Reviewers</cite> on account of the violent
-attacks it contained upon his own poets&mdash;those of the
-Lake school. With Scott we have seen that he had
-had dealings, and in these, at all events, Sir Walter’s
-joke, that <i xml:lang="fr" lang="fr">Longmanum est errare</i>, did not hold good.
-Before the collective edition of 1830, 44,000 copies
-of the <cite>Lay of the Last Minstrel</cite> were sold. Though
-Longman was inclined to believe that Scott was not the
-author of <cite>Waverley</cite>, he was equally anxious to secure
-the publication of some of that extraordinary series of
-romances; and at a time when the Ballantynes were
-in trouble, purchased <cite>Guy Mannering</cite> by granting bills
-in advance for £1500, and taking a portion of their
-stock, to the extent of about £600 more. The
-<cite>Monastery</cite> was also published by him in 1820, and he
-is said, though the authority is more than dubious, to
-have paid Scott upwards of £20,000 in about fifteen
-years.</p>
-
-<p>What Scott was to Constable, and Byron to Murray,
-that was Moore to Longman. “Anacreon Moore,” as
-he loved to be called, had gained a naughty reputation
-from <cite>Mr. Thomas Little’s Poems</cite>, and, in 1811, we find
-him writing to Longman&mdash;“I am at last come to a
-determination to bind myself to your service, if you
-hold the same favourable disposition towards me as
-at our last conversation upon business. To-morrow I
-shall be very glad to be allowed half-an-hour’s conversation
-with you, and as I dare say I shall be <em>up all
-night at Carlton House</em>, I do not think I could reach
-your house before four o’clock. I told you before
-that I never could work without a retainer. It will
-not, however, be of that exorbitant nature which your
-liberality placed at my disposal the first time.” Soon<span class="pagenum"><a id="Page_97">97</a></span>
-after this the Prince Regent threw over his old Whig
-friend, but Moore was so successful in his political
-warfare that he more than gained as a poet what he
-lost as a courtier, and his <cite>Two-penny Post Bag</cite> went
-through fourteen editions. He was, however, anxious to
-apply his genius to the creation of some work more
-likely to raise his reputation than the singing of lascivious
-songs, or the jerking off of political squibs.
-Accordingly Perry, the editor of the <cite>Morning Chronicle</cite>,
-was sent to discuss preliminary matters with Longman.
-“I am of opinion,” said Perry, “that Mr.
-Moore ought to receive for his poem the largest price
-that has been given in our day for such a work.”
-“That,” replied Longman promptly, “was £3000.”
-“Exactly so,” rejoined the editor, “and no smaller a
-sum ought he to receive.” Longman insisted upon a
-perusal <span class="locked">beforehand:&mdash;</span></p>
-
-<p>“Longman has communicated his readiness to
-terms, on the basis of the three thousand guineas, but
-requires a perusal beforehand; this I have refused.
-I shall have no ifs.”</p>
-
-<p>Again Moore writes, “To the honour and glory of
-romance, as well on the publisher’s side as on the
-poet’s, this very generous view of the transaction was
-without any difficulty acceded to;” and again, “There
-has seldom occurred any transaction in which trade
-and poetry have shone so satisfactorily in each other’s
-eyes.” So Moore left London to find a quiet resting-place
-“in a lone cottage among the fields in Derbyshire,”
-and there <cite>Lalla Rookh</cite> was written; the
-snows of two or three Derbyshire winters aiding, he
-avers, his imagination, by contrast, to paint the everlasting
-summers and glowing scenery of the East.
-The arrangement had hitherto been verbal, but on<span class="pagenum"><a id="Page_98">98</a></span>
-going up to town, in the winter of 1814, he received
-the following agreement from Longman.</p>
-
-<blockquote>
-
-<p class="center larger">“COPY OF TERMS WRITTEN TO MR. MOORE.</p>
-
-<p>“That upon your giving into our hands a poem of yours of the length
-of <cite>Rokeby</cite>, you shall receive from us the sum of £3000. We also
-agree to the stipulation that the few songs which you may introduce
-into the work shall be considered as reserved for your own setting.”</p></blockquote>
-
-<p>Soon Moore writes to say that about 4000 lines are
-perfectly finished, but he is unwilling to show any
-portion of the work until the 6000 are completed, for
-fear of disheartenment. He requests Longman, however,
-“to tell our friends that they are done, a poetic
-licence to prevent the teasing wonderment of the
-literary quidnuncs at my being so long about it.” Longman
-replies that “we are certainly impatient for the
-perusal of your poem, but solely for our gratification.
-Your sentiments are always honourable.” At length,
-after very considerable delays on the part of the
-author, the poem appeared, and its wonderful success
-fully justified the publisher’s extraordinary liberality.
-Moore drew a thousand pounds for the discharge of
-his debts, and left, temporarily only, we fear, £2000
-in Longman’s hands, the interest of which was to be
-paid quarterly to his father.</p>
-
-<p>This was Moore’s greatest effort; nor did he attempt
-to surpass it. One substantial proof of admiration of
-the poet’s performance should not be overlooked:
-“The young Bristol lady,” says Moore in his diary,
-Dec. 23rd, 1818, “who inclosed me three pounds after
-reading <cite>Lalla Rookh</cite> had very laudable ideas on the
-subject; and if every reader of <cite>Lalla Rookh</cite> had
-done the same I need never have written again.”</p>
-
-<p>As it was, however, he was soon obliged to set to<span class="pagenum"><a id="Page_99">99</a></span>
-work once more&mdash;this time as a biographer. The lives
-of Sheridan, Fitzgerald, and many others, bear testimony
-to his industry; but in spite, perhaps because,
-of their pleasant gossiping tone, they are far from
-accurate. At one time he had so many lives upon his
-hands together, that he suggested the feasibility of
-publishing a work to be called the <cite>Cat</cite>, which should
-contain nine of them. His <cite>Life of Byron</cite> we have
-already alluded to, but we must again call attention
-to Longman’s generosity in allowing him to transfer
-the work to Murray. Longman was not less eager in
-his kindness to his clients in private than in business
-relations. His Saturday “Weekly Literary Meetings”
-were about the pleasantest and most sociable in
-London. As early as 1804 we find Southey writing
-to Coleridge: “I wish you had called on Longman;
-that man has a kind heart of his own, and I wish you
-to think so; the letter he sent me was a proof of it.
-Go to one of his Saturday evenings, you will see a
-coxcomb or two, and a dull fellow or two; but you
-will, perhaps, meet Turner and Duppa, and Duppa is
-worth knowing.” Throughout the day the new publications
-were displayed in a separate department for
-the use of the literary men, and house dinners were of
-frequent occurrence; the whole of the “Lake School”
-were steady recipients of Longman’s hospitality whenever
-they came to town.</p>
-
-<p>As, perhaps, the strongest proof of a man’s kindliness
-of heart, Longman is invariably represented as
-being “almost adored by his domestics, from his
-uniform attention to the comforts of those who have
-grown gray in his service.” He was a liberal patron
-of the “Association for the Relief of Decayed Booksellers,”
-and was also one of the “Court of Assistants<span class="pagenum"><a id="Page_100">100</a></span>
-of the Company of Stationers,” but, with the characteristic
-modesty of his disposition, paid the customary
-fine to be allowed to decline the offices of warden and
-master of the company.</p>
-
-<p>For many years the “House” had been London
-agents and part proprietors of the <cite>Edinburgh Review</cite>,
-and when the commercial crash of 1826 destroyed
-Constable’s huge establishment, the property was
-virtually in their own hands, and the number for
-December, 1826, is printed for “Longman, Rees,
-Orme, Browne, and Green, London, and Adam Black,
-Edinburgh;” and if we “read between the lines” of the
-new designation we learn that Hurst had been concerned
-in some bill transactions, and had been this
-year compelled to retire (he died an inmate of the
-Charter House, in 1847), and we may also gather
-something of the strong connection that was to be
-formed with the house of Adam Black.</p>
-
-<p>Jeffrey retired from the editorial chair in 1829, but
-Macney Napier, the editor of the <cite>Encyclopædia
-Britannica</cite> was appointed in his stead, and the literary
-management of the journal was still continued in
-Edinburgh. Sydney Smith ceased to write for the
-<cite>Review</cite> in 1827; but in 1825 an article was contributed
-on Milton, by a young man of five-and-twenty; and
-Mr. Thomas Babington Macaulay, who, as Moore
-said, could do any mortal thing but forget, was destined
-to be, not only the most brilliant of the daring
-and talented band of Edinburgh Reviewers, but eventually,
-one of the most powerful contributors to Longman’s
-fortune and reputation.<a id="FNanchor_10" href="#Footnote_10" class="fnanchor">10</a></p>
-
-<p><span class="pagenum"><a id="Page_101">101</a></span>
-To return again to educational works, we find that
-in Mangnall’s <cite>Questions</cite> a property had been acquired
-that fully rivalled Murray’s <cite>Mrs. Markham</cite>. A type
-now of a hideously painful and parrot-like system of
-teaching (what negations of talent our sisters and
-mothers owe to this encyclopædic volume we shudder
-to sum up!) it was imitated and printed in every
-direction. Poor Miss Mangnall! who recollects now-a-days
-that in 1806 she commenced her literary life
-with a volume of poems? A very similar book, but
-on scientific questions, was <cite>Mrs. Marcet’s Conversations</cite>,
-which was not only profitable to Longman, but
-American booksellers, up to the year 1853, had
-reaped an abundant harvest from the sale of 160,000
-copies.</p>
-
-<p>The attempts already made by Constable and
-Murray to promote the sale of cheap and yet excellent
-books, led Longman to establish his <cite>Cabinet
-Encyclopædia</cite>. The management was given to Dr.
-Lardner, then a professor at the London University,<span class="pagenum"><a id="Page_102">102</a></span>
-and all, or nearly all, Longman’s literary connections
-were pressed into service on his staff of contributors.
-In the prospectus we see the names of Scott, Moore,
-Mackintosh, Coleridge, Miss Edgeworth, Herschell,
-Long, Brewster, De Morgan, Thirlwall, and, of course,
-Southey. The <cite>Times</cite> gave more than a broad hint
-that some of the names were put forward as lures,
-and nothing else. Southey was anxious that this
-“insinuation” should be brought before a court of
-law, where the writer may be “taught that not every
-kind of slander may be published with impunity.”
-The proprietors, however, contented themselves with
-publishing books, most indubitably written by the
-authors whose names they bore. The first volume
-was published in 1829, and at the close of the series,
-in 1846, one hundred and thirty-three volumes had
-been issued, the whole of which were eminently successful,
-and some few of them, such as Sir John
-Herschell’s <cite>Astronomy</cite>, in particular, have since been
-expanded into recognised and standard works.</p>
-
-<p>Another valuable work which has been a constant
-source of wealth to the firm, somewhat similar in scope to
-the preceding, was McCulloch’s <cite>Commercial Dictionary</cite>,
-first published in 1832; in which year the present Mr.
-Thomas Longman was admitted a partner, being
-joined by his brother, Mr. William Longman, in 1839.
-With young Mr. Thomas Longman, Moore appears to
-have been particularly friendly, addressing him always
-as “Dear Tom.” As far back as 1829, we see the poet
-requesting that some one might be sent over to have
-“poor Barbara’s” grave made tidy, for fear that his
-wife Bessy, who was about to make a loving pilgrimage
-thither, might be shocked, and we read afterwards that
-“young Longman kindly rode over twice to Hornsey<span class="pagenum"><a id="Page_103">103</a></span>
-for the purpose.” In Moore’s diary, too, for 1837, we
-find many regrets for the loss of Rees&mdash;a man “who
-may be classed among those solemn business-ties, the
-breaking of which by death cannot but be felt
-solemnly, if not deeply.” And again, later on, in
-1840: “Indeed, I will venture to say that there are
-few tributes from authors to publishers more honourable
-(or I will fairly say more deserved) than those
-which will be found among my papers relative to the
-transactions for many years between myself and my
-friends of the ‘Row.’”</p>
-
-<p>Thomas Longman the third was now an old man,
-but still constantly attentive to business. In his time
-he had seen many changes, but none more striking
-than those that occupied his latter days. <cite>Madoc</cite> was
-still lying on his shelves, but Southey was poet-laureate.
-Scott and Byron had in succession entranced
-the world. They had now withdrawn, and no third
-king arose to demand recognition. It was in the calm
-that followed that Wordsworth obtained a hearing.
-In 1839, the University of Oxford conferred upon him
-the degree of Doctor of Laws, amid the enthusiastic
-applause of a crowded theatre. Younger men were
-coming to the fore, and though his contemporaries
-were fast dying off, still Longman was as eager for
-business as ever, and as ready, when it was over, for his
-chief pleasure&mdash;the enjoyments of domestic life; for
-his favourite pursuits&mdash;the love of music and the culture
-of fruits and flowers. As far as health and activity
-went, though in his 72nd year, he was still in the prime
-of life, when, on his usual ride to town, his horse fell,
-near the Small-pox Hospital, St. Pancras, and he was
-thrown over the animal’s head and struck the ground
-with such violence as to fracture his skull and injure<span class="pagenum"><a id="Page_104">104</a></span>
-his spine; and in a few days afterwards he died at
-his residence, Greenhill House, Hampstead, on 28th
-August, 1842&mdash;leaving a blank, not only in his own
-family circle, but in the hearts of all who had known
-him as a master, or had reaped a benefit from the uniform
-generosity of his business dealings.</p>
-
-<p>Mr. McCulloch and many of his literary clients
-erected a monument, the bust of which, by Mr.
-Moore, is said to be a good likeness, to his memory&mdash;an
-affectionate tribute seldom paid by men-of-letters
-to a publisher&mdash;now standing in Hampstead church.</p>
-
-<p>His personalty was sworn under £200,000, and was
-principally left to his widow and family. The former,
-however, did not long survive her sorrow, but died
-some ten weeks after her husband.</p>
-
-<p>Their second son, Mr. Charles Longman, of Two
-Waters, joined Mr. Dickenson, in the trade of wholesale
-stationers and paper-makers, in which they have
-since then attained a pre-eminence. Their eldest
-daughter married Mr. Spottiswoode, the Queen’s
-printer, and the third daughter is the wife of Reginald
-Bray, Esq., of Shere.</p>
-
-<p>The succession of a Thomas Longman to the chiefdom
-of the house is, Mr. Knight says somewhere, as
-certain as the accession of a George was in the Hanoverian
-dynasty: and the present Mr. Longman, aided
-by his brother William, took command of the gigantic
-firm in Paternoster Row. The very year of their
-father’s death was a year to be long remembered in
-the annals of the firm for an unusually successful “hit,”
-in the production of the <cite>Lays of Ancient Rome</cite>. Not
-even in the palmy days of Scott and Byron was such
-an immediate and enormous circulation attained. In
-1844, Macaulay ceased to contribute to the <cite>Edinburgh<span class="pagenum"><a id="Page_105">105</a></span>
-Review</cite>&mdash;nearly twenty years from the date of his first
-contributions; receiving latterly, we believe, £100 as a
-minimum price for an article. A collective edition of
-these essays was published in America; and within five
-years sixty thousand volumes were sold, and, as many
-of these were imported into England, Macaulay authorised
-the proprietors of the <cite>Review</cite> to issue an English
-edition, which certainly proved the most remunerative
-collection of essays ever published in this or any
-other country. The English edition contains twenty-seven
-essays, in some editions twenty-six. The Philadelphia
-edition contains eleven additional essays.<a id="FNanchor_11" href="#Footnote_11" class="fnanchor">11</a></p>
-
-<p>These essays were all very excellent, but Macaulay’s
-admirers regretted with Tom Moore, “that his great
-powers should not be concentrated upon one great
-work, instead of being scattered in Sibyl’s leaves,” and
-great was the satisfaction in 1841, when it was known
-that he was engaged upon a History of England, and
-the publication of the work was looked forward to
-with the greatest eagerness; and in 1849 the first two
-volumes appeared. Success was immediate&mdash;“Within
-six months,” says the <cite>Edinburgh Review</cite>, “the book
-has run through five editions, involving an issue of<span class="pagenum"><a id="Page_106">106</a></span>
-above 18,000 copies.” By 1856, the sale of these two
-volumes had reached nearly 40,000 copies, and in the
-United States 125,000 copies were sold in five years.
-For the privilege of publication for ten years, it is said
-that Mr. Longman allowed the author £600 per
-annum; the copyright remaining in Macaulay’s possession.</p>
-
-<p>This success, however, was nothing to that achieved
-by the third and fourth volumes; and the day of their
-publication, 17th Dec., 1855, will be long remembered
-in the annals of Paternoster Row. It was presumed
-that 25,000 copies would be quite sufficient to meet
-the first public demand; but this enormous pile of
-books, weighing fifty-six tons, was exhausted the first
-day, and eleven thousand applicants were still unsatisfied.
-In New York one house sold 73,000 volumes
-(three different styles and prices) in ten days, and
-25,000 more were immediately issued in Philadelphia&mdash;10,000
-were stereotyped, printed, and in the
-hands of the publishers within fifty working hours.
-The aggregate sale in England and America, within
-four weeks of publication, is said to have exceeded
-150,000 copies. Macaulay is also stated to have received
-£16,000 from Mr. Longman for the copyright
-of the third and fourth volumes.<a id="FNanchor_12" href="#Footnote_12" class="fnanchor">12</a></p>
-
-<p>Upon the death of Mr. Macney Napier, the editorship
-of the <cite>Review</cite> was transferred to Mr. Empson,
-Jeffrey’s son-in-law; while he in turn was succeeded
-by Sir George Cornewall Lewis, who finally gave place
-to Mr. H. Reeve.</p>
-
-<p>In the way of cheap literature the “Travellers’<span class="pagenum"><a id="Page_107">107</a></span>
-Library,” commenced in 1851, is deservedly worthy
-of notice. In this year occurred the unusual phenomenon
-of a pamphlet, bearing on its title-page the
-joint names of Mr. Longman and Mr. Murray. This
-was a reprint of some correspondence with Earl
-Russell, in his official capacity, as to the injustice of
-the State undertaking the publication of school-books
-at the national expense, and compelling the government
-schools to adopt them&mdash;thus creating a perfect
-monopoly and interfering with private enterprise. The
-books in question were published by the Irish Educational
-Commissioners, but more than three-quarters of
-them were eventually sold in England&mdash;many of
-them, especially the collection of poetry, were, it was
-further urged, pirated from copyright works. The
-correspondence was long and protracted on the
-side of the publishers; and as is often the case in an
-important public question, Earl Russell’s replies consisted
-of the merest acknowledgment. Mr. Longman
-had, however, an opportunity of a pleasant revenge.
-Tom Moore had left all his papers, letters,
-and journals to the care of his friend, Earl Russell&mdash;a
-man who, as Sydney Smith said, thought he could do
-anything&mdash;“build St. Paul’s, cut for the stone, or command
-the Channel Fleet.” The one thing apparently
-he could not do was the editorship or composition of
-a Poet’s Life. The material, indeed, was ample, and
-seems to have been printed pretty much as it came to
-hand. However, the sum which Mr. Longman gave
-for the papers appeared, together with the pension, an
-ample provision for the devoted “Bessy.”</p>
-
-<p>Among the later efforts of the firm we may here
-mention the issue of many finely illustrated works,
-and we must also chronicle the fact that in 1863&mdash;<span class="pagenum"><a id="Page_108">108</a></span>the
-business connections and stock of the Parkers
-were added to the enormous trade of the leviathan
-firm. Giving a glance at the changes that have taken
-place in the members of the firm, we have merely
-space to note that at Cosmo Orme’s death in 1859
-Mr. Brown retired, and at his decease on the 24th of
-March, 1869, left an immense fortune, more than
-£100,000 going in various legacies, of which the Booksellers’
-Provident Retreat and Institution each received
-£10,000, the Royal Literary Fund £3000, and
-the Stationers’ Company in all £10,000, the balance
-after the various legacies, and there were no less than
-sixty-eight legatees, going to the grandchildren of
-Thomas Norton Longman. The personalty of Mr.
-B.&nbsp;E. Green, who died about the same date, was
-sworn under £200,000. Two of the former assistants,
-Mr. Dyer and Mr. Reader, have, on the good old
-system, been admitted to the firm, which now stands
-“Longmans, Green, Reader, and Dyer.” Mr. Roberts,
-as before stated, died in 1865.</p>
-
-<p>Both the Messrs. Longman are well known for their
-literary talents&mdash;Mr. Thomas Longman as editor of
-a magnificent edition of the New Testament; and
-Mr. William as an historical author. The first of his
-works was, we believe, privately printed, <cite>A Tour in the
-Alps, by W.&nbsp;L.</cite> Mr. William Longman has always
-been an enthusiastic Alpine traveller. He has, however,
-more recently published a <cite>History of the Life and
-Times of Edward III.</cite>, in two volumes, and at our
-present writing a new work has just appeared in which
-he says playfully, “I trust authors will forgive me,
-and not revenge themselves by turning publishers;”
-and he adds heartily and generously, “There is,
-nevertheless, some advantage in a publisher dabbling<span class="pagenum"><a id="Page_109">109</a></span>
-in literature, for it shows him the difficulties with
-which an author has to contend&mdash;the labour which is
-indispensable to produce a work which may be relied
-on&mdash;and it increases the sympathy which should, and
-which in these days does, exist between author and
-publisher.” These latter lines surely form a very
-fitting sentence with which to conclude our short
-history of the house of Longman.</p>
-
-<div id="if_i_109" class="figcenter" style="width: 141px;">
- <img src="images/i_109.jpg" width="141" height="154" alt="" /></div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_110">110</a></span></p>
-
-<div class="chapter">
-<div id="if_i_110" class="figcenter" style="width: 378px;">
- <img id="hdr_3" src="images/i_110.jpg" width="378" height="80" alt="" /></div>
-
-<h2 class="nobreak"><i>CONSTABLE, CADELL, AND BLACK.</i><br />
-
-<span class="subhead">THE “EDINBURGH REVIEW,” “WAVERLEY NOVELS,”
-AND “ENCYCLOPÆDIA BRITANNICA.”</span></h2>
-</div>
-
-<p class="drop-cap"><span class="smcap1">From</span> 1790 to 1820 Edinburgh richly deserved the
-honourable title of “Modern Athens.” Her University
-and her High School, directed by men pre-eminently
-fitted for their duties, capable of firing their
-pupils’ minds with a noble purpose, endowed with a lofty
-ideal of a master’s responsibilities&mdash;in fact, possessed
-of all the qualities that Dr. Arnold afterwards displayed
-elsewhere&mdash;attracted and educated a set of
-young men, unrivalled, perhaps, in modern times for
-genius and energy, for wit and learning. Nothing,
-then, was wanting to their due encouragement but a
-liberal patron, and this position was speedily occupied
-by a publisher, who, in his munificence and venturous
-spirit, soon outstripped his boldest English rival&mdash;whose
-one fault was, in fact, that of always being a
-Mæcenas, never a tradesman.</p>
-
-<p>Archibald Constable was born on the 24th of February,
-1776, at Kellie, in the parish of Carnbee in
-Fifeshire. He was the son of Thomas Constable,<span class="pagenum"><a id="Page_111">111</a></span>
-who, through his sagacity in rural matters, had risen
-to the position of land steward or baillie to the Earl
-of Kellie. The first thirteen or fourteen years of
-Archibald’s life were passed beneath his father’s roof,
-and his education, such as the parish school of Carnbee
-then afforded, consisted of a course of reading in the
-vernacular tongue, writing, arithmetic, and some elementary
-lessons in trigonometry, and beyond this
-humble curriculum, we believe his subsequent acquisitions
-did not much extend. Still, though he never
-attained any proficiency in academical studies, his
-native talents and address generally enabled him to
-both surmount and conceal it.</p>
-
-<p>From an early age Archibald was possessed of a
-desire to enter upon a bookseller’s useful career&mdash;a
-desire in his case not altogether unmixed with the
-hope of acquiring literary distinction. In 1788 therefore,
-he became apprenticed to Mr. Peter Hill, bookseller
-of Edinburgh, the old friend and correspondent
-of Burns. While a lad in Hill’s shop he seems to
-have devoted his leisure hours to the acquisition of
-that knowledge of the early and rare productions of
-the Scottish press, and of all publications relating
-generally to the history, antiquities, and literature of
-Scotland, for which, throughout his subsequent career,
-he continued to exhibit a strong predilection. About
-the time of the expiration of his apprenticeship he
-married the daughter of David Willison, a printer,
-who, though previously very averse to the match, was
-subsequently of some service in enabling him to start
-for himself. Having hired a small shop in the High
-Street, afterwards rendered conspicuous by his celebrity
-as a publisher, he issued, in November, 1795, the
-first of his Sale Catalogues of rare and curious books,<span class="pagenum"><a id="Page_112">112</a></span>
-which soon drew to his shop all the bibliographers
-and lovers of learning in the city. In this line of
-trade he speedily acquired considerable eminence, not
-so much by the extensiveness of his stock, for his
-capital was of the smallest, as by his personal activity,
-his congenial curiosity, and his quick intelligence.
-Here it was that Heber, in the course of his bibliomaniacal
-prowlings, came across Leyden, perched perpetually
-on a ladder reading some venerable folio,
-which his purse forbade him to purchase, but which
-through Constable’s kindness was placed in this
-manner at his disposal. Heber soon brought him
-under Scott’s notice, and thus had the pleasure of
-introducing the two most promising young men of
-the day to each other. Constable had, however, an
-ambition too strong to be satisfied with the routine
-business of a second-hand book-shop. Even before
-his shop in the High Street was fairly opened, he had
-himself offered a book to the trade&mdash;a reprint of
-Bishop Beveridge’s <cite>Private Thoughts on Religion</cite>,
-struck off coarsely upon a whitey-brown sort of “tea-paper;”
-but still it was his first, and, as Archibald
-proudly said, “it was a pretty enough little bookie!”</p>
-
-<div id="if_i_112" class="figcenter" style="width: 389px;">
- <img src="images/i_112.jpg" width="389" height="487" alt="" />
- <div class="caption"><p>Archibald Constable.</p>
-
-<p>1775&ndash;1827.</p></div></div>
-
-<p>Among other publications in which from his first
-outset he had been engaged, and which at the time he
-esteemed as by no means inconsiderable, were Campbell’s
-“History of Scottish Poetry,” Dalzell’s “Fragments
-of Scottish History,” and Leyden’s edition of
-the “Complaint of Scotland.” In 1801 he acquired
-the property of the <cite>Scots Magazine</cite>, a miscellany
-which had commenced in 1739, and which was still
-esteemed as a repository of curious facts. This
-congenial publication engaged at first a considerable
-share of his personal attention, and, aided by the<span class="pagenum"><a id="Page_113">113</a></span>
-talents of Leyden, Murray, and Macneil, its reputation
-as a critical journal was raised into some importance.</p>
-
-<p>Of all the extraordinary geniuses with whom Constable
-came into contact, none were more conspicuous
-to those near enough to judge than Leyden, his first
-editor of the periodical. A poet, an antiquarian, an
-Orientalist, he will long be distinguished among those
-whom the elasticity and ardour of genius have raised
-to distinction from an obscure and humble origin.
-The son of a day labourer at Denholm, he had, by
-sheer force of will, worked his way to the college of
-Edinburgh, where he at once obtained the friendship
-of many eminent literary men. His acquaintance
-with Scott soon introduced him into the best society
-in Edinburgh&mdash;which was then the most intellectual
-society in Europe&mdash;and here his wild uncouthness of
-demeanour did not at all interfere with the general
-appreciation of his genius, his gigantic endowments,
-and his really amiable virtues. Fixing his ambition
-on the East, where he hoped to rival the achievements
-of Sir William Jones, he obtained in 1802 the promise
-of some literary appointment in the East India Company’s
-service; but when the time drew near it was
-discovered that the patronage of the season had been
-exhausted, with the exception of one surgeon-assistant’s
-commission, and he was informed that if he
-wished to accept it he must qualify within six months.
-He grappled at once with the task, and accomplished
-what takes other men three or four years in attainment
-within the incredibly short space of six months.
-He sailed for India in 1803, and died in 1811, at the
-early age of thirty-six, having in the seven years of
-his sojourn achieved the reputation of the most marvellous
-of Orientalists. His poetical remains were<span class="pagenum"><a id="Page_114">114</a></span>
-collected and given to the public in 1821, and exhibit
-in some instances a power of numbers which for mere
-melody of sound has seldom been surpassed in the
-English language.</p>
-
-<p>In 1802, Constable commenced the <cite>Farmer’s
-Magazine</cite>, under the management of an able East
-Lothian agriculturist, Mr. R. Brown, then of Markle.
-This work enjoyed a reputation contemporary with
-the whole of his business life. Altogether, Constable
-was making fair way as a publisher, when, in 1802, the
-<cite>Edinburgh Review</cite> burst like a bombshell upon an
-astonished world, and gave him just reason to believe
-that his professional fortune was thoroughly ensured
-in the most glorious manner.</p>
-
-<p>The origin of the <cite>Review</cite>, like the beginnings of all
-things, is wrapped in doubt and mystery. Hitherto
-in the critical department of English literature, a
-review had been little more than a peg upon which to
-hang books for advertisement, and in which the
-general bearings of science, literature, and politics
-were left almost untouched. In Scotland, criticism
-was at a still lower ebb, for the country had possessed
-no regular review at all since the old <cite>Edinburgh
-Review</cite> had expired in 1756, after a flickering existence
-of a twelvemonth.</p>
-
-<p>“One day,” writes Sydney Smith, “we happened
-to meet in the eighth or ninth storey (it was the third)
-of a flat in Buccleuch-place, the elevated residence of
-the then Mr. Jeffrey. I proposed that we should get
-up a review. This was acceded to with acclamations.
-I was appointed editor, and remained long enough in
-Edinburgh to edit the first number of the <cite>Edinburgh
-Review</cite>. The motto I proposed <span class="locked">was&mdash;</span></p>
-
-<p><span class="pagenum"><a id="Page_115">115</a></span></p>
-
-<p class="p1 center">‘Tenui musam meditamur avenâ.’<br />
-‘We cultivate literature upon a little oatmeal.’</p>
-
-<p>But this was too near the truth to be admitted, and
-so we took our present grave motto from Publius
-Lyrus, of whom none of us had, I am sure, read a
-single line; and so began what has since turned out
-to be a very important and able journal. When I left
-Edinburgh it fell into the stronger hands of Lord
-Jeffrey and Lord Brougham, and reached the
-highest point of popularity and success.”</p>
-
-<p>It was resolved to bring out the first number of the
-work in June, 1802; but its outset was surrounded
-with many difficulties, arising from want of experience
-in its chief conductors. The meetings of the conspirators
-were held in a little room off Willison’s (Constable’s
-father-in-law’s) office in Craig’s-court, to which
-each man was requested to steal singly, by whichever
-way would be least suspicious; and there they
-examined and criticised each other’s productions,
-and corrected the proof sheets as they were thrown
-off. Here it was that Jeffrey once rushed down
-excitedly into Willison’s printing-office, crying,
-“Where is your pepper-box, man&mdash;your pepper-box?”
-In vain the printer declared he had no
-such useful article on the premises; Jeffrey persisted
-that the proof sheets must have been dusted with
-commas from a pepper-box, so lavish had the printer
-been with his points. Through various delays, typographical
-and otherwise, the first number, as we have
-seen, did not appear until the following November.</p>
-
-<p>Lord Brougham, in the first volume of his recently-published
-autobiography, flatly contradicts this account.
-“Nothing,” he says, “can be more imaginary
-than nearly the whole of it.” Still, when Sydney<span class="pagenum"><a id="Page_116">116</a></span>
-Smith published his version of the history, neither
-Lord Brougham nor any other person interested took
-the trouble to contradict it; and we are inclined
-to accept rather an account written within a short
-time of the foundation of the <cite>Review</cite> than to receive
-another version written by an octogenarian at an
-interval of more than half a century. A letter, moreover,
-of Sydney Smith’s, first published in the
-<cite>Athenæum</cite> of April 1st, 1871, shows clearly that the
-proprietors of the journal presented him “with books
-to the value of £100 (corrected to £114) as a memorial
-of their respect for having planned and contributed
-to a work which to them has been a source of
-reputation as well as of emolument.” On the other
-hand, Sydney Smith’s editorship certainly did not
-extend beyond the first number, and was probably
-even in that subject to the direction of Jeffrey.</p>
-
-<p>The list of contributions to the first four numbers
-may, however, be accepted as indisputable evidence
-of Brougham’s enormous powers of work. To these
-four numbers he contributed twenty-one articles, besides
-portions of four others. Smith contributed eighteen,
-Jeffrey sixteen, and Horner seven. Brougham,
-too, kept up this rate of contribution more
-steadily than any of his colleagues. To the first
-twenty numbers he contributed no less than eighty
-articles, Jeffrey seventy-five, Smith twenty-three, and
-Horner fourteen. By this time the new periodical
-was fairly launched, and the additional services of
-such men as Playfair, Thomas Brown, Walter Scott,
-Hallam, Murray, and Stodhart, had been secured.</p>
-
-<p>The extensive circulation and reputation of the
-<cite>Edinburgh Review</cite> was, Scott himself says, due to
-two circumstances; first that it was entirely uninfluenced<span class="pagenum"><a id="Page_117">117</a></span>
-by the booksellers; and, secondly, the regular
-payment of editor and contributors: Jeffrey receiving,
-from the commencement of his labours, £300 per
-annum (afterwards increased to £800), whilst every
-contributor was compelled, even if wealthy, to accept
-a minimum bonus of £10 (afterwards raised to £16)
-per sheet.</p>
-
-<p>Never before had the enterprise of young and
-almost unknown men started so ambitious a scheme,
-and never since have pluck and learning, talent and
-genius been so amply rewarded. They found the
-world of English society, English literature, and
-English politics warped and dwarfed&mdash;scared by the
-French Revolution and the American Republic into a
-dormant state of Toryism&mdash;they found matters thus,
-and in an incredibly short time they almost changed
-the current of the national thought. Jeffrey, with his
-clear, legal mind, his startling and brilliant manner of
-expression, his sarcasm cold and sharp-edged as a
-Toledo blade, unfortunately only too capable of
-wounding too deeply&mdash;won the position of the greatest
-English critic of all time, and of the most eminent Scottish
-lawyer of the day&mdash;achieving the highest honours
-open to the advocates of Edinburgh. Brougham,
-with his ponderous learning, his marvellous versatility,
-his immense powers of work, became not only the first
-English lawyer, but one of the first English statesmen
-of his time. Sydney Smith, the wittiest man
-certainly of his century, might have attained the
-highest honours open to his calling, had he not preferred
-the more humble and more praiseworthy career
-of being a liberal clergyman at a time when the
-wearers of his cloth were one and all rank Tories to
-the backbone.</p>
-
-<p><span class="pagenum"><a id="Page_118">118</a></span>
-Constable, who had at first been rather startled and
-alarmed at the design of the <cite>Edinburgh Review</cite>, was
-not prepared, any more than the projectors themselves,
-for its immediate and splendid success. Without a
-publisher of his cast of mind the work, however, might
-have encountered some difficulties, and he was not
-slow to perceive, nor backward to follow, that line of
-conduct towards its conductors, without the observance
-of which the new relations between them
-could not long have been sustained harmoniously.
-The present proprietors of the work became, some
-years after its commencement, sharers of the property,
-but the publishing department remained, we believe,
-under his direction for many years.</p>
-
-<p>In 1804 Constable assumed as partner Alexander
-Gibson Hunter, of Blackness, and from that time the
-business was carried on under the title of Archibald
-Constable and Co. In the following year, 1805, he
-added to the list of his periodicals the <cite>Medical and
-Surgical Journal</cite>, a work projected in concert with
-Dr. Andrew Duncan, and which existed till 1855,
-when it was united to the <cite>Medical Journal of Science</cite>.
-It was in this year, also, that the firm published a
-poem, which was eventually to do more for the enlargement
-of their business and the honour of their
-name than even the famous <cite>Review</cite> itself.</p>
-
-<p>Walter Scott, as we have seen, while still unknown
-to fame, had been a frequent visitor at Constable’s
-old book-shop. The publishers of the first
-edition of the <cite>Lay of the Last Minstrel</cite> were Longman
-and Co. of London, and Archibald Constable
-and Co. of Edinburgh; the latter firm taking but a
-small venture in the risk. The profit was to be divided
-equally between the author and the publishers,<span class="pagenum"><a id="Page_119">119</a></span>
-and Scott’s portion amounted to £169 6<i>s.</i> Longman,
-when a second edition was called for, offered £500 for
-the copyright, which was immediately accepted, but
-they afterwards added, as the Introduction says, “£100
-in their own unsolicited kindness.” In the history of
-British poetry nothing had ever equalled the demand
-for the <em>Lay of the Last Minstrel</em>. 44,000 copies were
-disposed of before Scott superintended the edition of
-1830, to which the biographical introductions were
-prefixed.</p>
-
-<p>In the ensuing year Constable issued a beautiful
-edition of what he termed <em>Works of Walter Scott,
-Esq.</em>, comprising the poem just mentioned, the “Minstrelsy
-of the Scottish Border,” “Sir Tristram,” and a
-series of “Lyrical Ballads.”</p>
-
-<p>In 1806 it was rumoured that Scott had a new poem
-in hand. Longman at once opened negotiation as to
-its purchase, but in vain; and in a short time the
-London publishers heard with a feeling of jealousy,
-not unmixed with honest amazement, that Constable
-had offered one thousand guineas for a poem which
-had not yet been completed, and of which he had not
-even seen the scheme.</p>
-
-<p>It may be gathered from the Introduction of 1830
-that private circumstances of a delicate nature rendered
-it desirable for Scott to obtain the immediate
-command of such a sum; the price was actually paid
-long before the poem was published; and it suited
-well with Constable’s character to imagine that his
-readiness to advance the money may have outstripped
-the calculations of more experienced dealers.</p>
-
-<p>The bargain having, however, been concluded he was
-too wary to keep the venture entirely to himself, and he
-consequently tendered one-fourth of the copyright to<span class="pagenum"><a id="Page_120">120</a></span>
-Mr. Miller of Albemarle Street, and to Mr. Murray,
-then of Fleet Street, London, and in both cases the
-offer was eagerly accepted.</p>
-
-<p><em>Marmion</em>, the poem in question, which had been
-announced by an advertisement in 1857, as <em>Six
-Epistles from Ettrick Forest</em>, met with an immense success,
-and 2000 copies, at a guinea and a half each, were
-disposed of in less than a month.</p>
-
-<p>As an instance of the freedom Constable left to
-Jeffrey in the conduct of the <em>Review</em>, we are not a little
-astonished to read that the venture, in which he had
-risked so much, was attacked in a most slashing manner
-in his own journal. Jeffrey, thinking nothing of
-so ordinary a circumstance, sent the article to Scott
-with a note stating that he would come to dinner on
-the following Tuesday. Scott, though wounded by
-the tone of the <em>Review</em>, did his best to conceal it. Mrs.
-Scott, however, was very cool in her manner, and, as
-Jeffrey was taking leave, could no longer restrain her
-pique, and in her broken English&mdash;“Well, guid night,
-Mr. Jeffrey; dey tell me you have abused Scott in the
-<em>Review</em>; and I hope Mr. Constable has paid you well
-for writing it.” This anecdote, insignificant in itself,
-prepares us to some extent for the coldness between
-them, which led Scott to originate the <em>Quarterly Review</em>.</p>
-
-<p>Emboldened still further by the success of <em>Marmion</em>,
-Constable now engaged Scott to edit the works
-of Swift, and as Scott had several like engagements
-on hand&mdash;he held, in fact, five separate agreements
-at the same time, for the London publishers&mdash;offered
-him £1500 for his new undertaking.</p>
-
-<p>Constable was at this time in an apparently assured
-line of success. Though of a very sanguine nature&mdash;a<span class="pagenum"><a id="Page_121">121</a></span>
-quality without which no projector could possibly
-succeed&mdash;he was one of the most sagacious persons
-who ever followed his profession. A brother poet of
-Scott says of him: “Our butteracious friend turns
-up a deep draw-well;” and another eminent writer
-still more intimately connected had already christened
-him “the Crafty”&mdash;a title which, of all the flying
-burrs, was the one that stuck the firmest. His fair
-and handsome physiognomy was marked by an unmistakable
-and bland astuteness of expression. He
-generally avoided criticism as well as authorship, both
-being out of his “proper line.”</p>
-
-<p>But of this “proper line,” and his own qualification
-for it, his esteem was ample. The one flaw, and the
-fatal flaw, in his character as a business man was his
-hatred of accounts, for he systematically refused during
-the most vigorous years of his life to examine or sign
-a balance sheet. Scott, in describing his appearance,
-says, “Ay, Constable is indeed a grand-looking chield.
-He puts me in mind of Fielding’s apology for Lady
-Booby&mdash;to wit that Joseph Andrews had an air which
-to those who had not seen many noblemen, would
-give an idea of nobility.” His conversation was
-manly and vigorous, abounding in Scotch anecdotes
-of the old times, and he could, when he had a mind,
-control the extravagant vanity which at times made
-him ridiculous. His advice was often useful to Scott,
-and more than one of the subjects of the novels,
-and many of the titles, were due to his recommendations.
-Cadell, his partner, says that in his high moods
-he used to stalk up and down the room exclaiming,
-“By God! I am all but the author of the Waverley
-novels!”</p>
-
-<p>Of course, as a successful publisher, Constable was<span class="pagenum"><a id="Page_122">122</a></span>
-overwhelmed with the manuscripts of embryo genius.
-One or two stories are worth repeating of the men
-who applied to him, but in vain. Hogg, the Ettrick
-Shepherd, had already sold a volume of minor poems
-to Constable, when setting to work in earnest he went
-to him again; but “the Crafty” was too wise to buy a
-pig in a poke, and refused to have anything to do with
-the matter until he had seen the MS. This reasonable
-request the poet refused with, “What skill have you
-about the merit of a book?” “It may be so, Hogg,”
-replied the Jupiter Tonans of Scottish publishers;
-“but I know as well how to sell a book as any man,
-which should be some consequence of yours, and I
-know too how to buy one.” Hogg, however, easily
-found another publisher, and the <em>Queen’s Wake</em> was
-soon as widely popular as its great merits deserved.</p>
-
-<p>The other refusal, unfortunately, did not end in the
-same happy manner. Robert Tannahill, a Scotch
-weaver, whose songs in their artless sweetness, their
-simplicity of diction, their tenderness of sentiment,
-have long since won distinction, came up to Edinburgh
-very poor in purse, but rich in the future that poetic
-aspirations imaged forth. He put his manuscripts
-into Constable’s hands, offering the whole of them at
-a very small price. Day after day he waited for an
-answer, with a mind alternating between hope and
-fear. Constable, who always distrusted his own judgment
-in such matters, and who, perhaps, at the
-moment had no one else to consult, eventually returned
-the poems. Tannahill in a madness of despair put a
-period to his existence, adding one to those “young
-shadows” who hover round the shrine of genius, as if
-to warn all but the boldest from attempting to approach
-it.</p>
-
-<p><span class="pagenum"><a id="Page_123">123</a></span>
-The business of Constable’s house was now so large
-and extensive that he thought it a hardship that so
-much of his wares should pass through the hands of
-English agents, who not only absorbed a large share
-of his profits, but who could not be expected to serve
-him with the same zeal as his own immediate followers.
-He and his Edinburgh partner, therefore, in 1808,
-joined with Charles Hunter and John Park in commencing
-a general bookselling establishment in
-London, under the designation of Constable, Hunter,
-Park, and Hunter.</p>
-
-<p>Shortly after this a breach that had been created
-between Scott and Constable widened until at last
-they parted. Scott always maintained that the
-quarrel was directly caused by the intemperate
-language of Hunter, Constable’s original partner; but
-the severance was probably in reality due to the
-influence of a third person&mdash;James Ballantyne&mdash;and
-was, perhaps to a certain extent, influenced by a
-feeling of pique at Jeffrey’s recent conduct. In 1808
-he took a part, perhaps as a suggester, certainly as a
-zealous promoter, in the establishment of the <em>Quarterly
-Review</em>, as a political and literary counterpoise to the
-<em>Edinburgh Review</em>. Already, in 1805, he had become
-a partner in the printing house of James Ballantyne
-and Company, though the fact remained for the public,
-and for all his friends but one, a profound secret.
-“The forming of this connection,” says Lockhart,
-“was one of the most important steps in Scott’s life.
-He continued bound by it during twenty years, and
-its influence on his literary exertions and his worldly
-fortunes was productive of much good and not a little
-evil. Its effects were in truth so mixed and balanced
-during the vicissitudes of a long and vigorous career,<span class="pagenum"><a id="Page_124">124</a></span>
-that I at this moment doubt whether it ought, on the
-whole, to be considered with more of satisfaction or
-regret.” Scott’s wish, openly expressed in his correspondence,
-of thwarting Constable in his attempts to
-obtain a monopoly of Scottish literature, resulted in
-the establishment of a new and rival bookselling firm,
-under the title of John Ballantyne and Co., to which
-he appears to have supplied the whole capital&mdash;at any
-rate he subscribed his own half, with one-fourth, the
-portion of James Ballantyne, and not improbably also
-the other fourth for John Ballantyne.</p>
-
-<p>John and James Ballantyne were the sons of a
-merchant at Kelso, and here it was they went to
-school with Walter Scott, and thus commenced
-an acquaintance so fraught with interest to all three.
-Early in life James Ballantyne, though not bred to
-the trade, nor “to the manner born,” opened a printing
-house at Kelso and started the <em>Kelso Mail</em> newspaper,
-in which his brother John soon joined him.
-Having made some improvements in the art of printing,
-which rendered their provincial printing famous,
-they were persuaded to move to Edinburgh, and here
-they founded a press which, rivalling in its productions
-the works of a Baskerville or a Bensley, is at this
-present time as famous as ever. From their first
-start their old connection with Scott was serviceable,
-and in 1800 they printed his first important work, the
-<em>Minstrelsy of the Scottish Border</em>, and from the time,
-1805, when he first became commercially interested in
-their business, they were firm friends and faithful
-allies. Scott, to his dying day, certainly reciprocated
-their kindly feelings, though Lockhart, his biographer,
-has since his death said very harsh things of the evil
-resulting from the connection. It is only fair to the<span class="pagenum"><a id="Page_125">125</a></span>
-Ballantynes to remember that both before and after
-the period of partnership with him, their house was
-eminently successful. In the meantime, Constable
-was busy publishing the works of Dugald Stewart,
-who at this time occupied the same place in metaphysics
-as Sir Walter did in poetry. The <cite>Philosophical
-Essays</cite>, published in 1810, excited great, and even
-popular, attention. He also became the proprietor of
-the <cite>Encyclopædia Britannica</cite>, for which he paid an
-enormous price, and to which he published an excellent
-supplement. We shall, however, treat more fully of
-the <cite>Encyclopædia</cite> in connection with Mr. Adam Black.
-We may here mention, as among Constable’s other
-successful publications, Wood’s excellent edition of
-Douglas’s <cite>Scottish Peerage</cite>, and Chalmers’ <cite>Caledonia</cite>.</p>
-
-<p>The London branch was found to be unattended
-with the expected advantages, and was given up in
-1811. In the early part of this same year Hunter
-retired from the Edinburgh house, upon which
-Constable, acting upon the liberal view he always
-entertained as to the value of his stock, and being,
-perhaps, not unwilling to impress the world with an
-exalted idea of his property, allowed his partner a
-greater amount of actual cash (£17,000 is understood
-to be the sum) than was really his due. Robert Cathcart,
-of Drum, writer-to-the-signet, and Robert
-Cadell, then a clerk in his employ, were admitted as
-partners. Cathcart, however, dying the following
-year, Cadell remained Constable’s sole partner.</p>
-
-<p>Constable had, of course, felt considerably hurt at
-Scott’s desertion. Sometimes it is related he would
-pace up and down the room, as was his wont, raving
-grandiloquently of those who kick down the ladder by
-which they have risen. But now that Hunter had<span class="pagenum"><a id="Page_126">126</a></span>
-left the firm, and now that it was found that the new
-<cite>Quarterly</cite> did not in the least damage the value of
-the old one, a reconciliation could not but take place
-between men who had formerly been so friendly, and
-on the publication of the <cite>Lady of the Lake</cite>, Constable
-willingly gave the Ballantynes the value of his
-experience and trade knowledge, though he was not
-directly interested in the work.</p>
-
-<p>The new poem was published just before the season
-for excursions, and thousands rushed off at once to
-view the scenery of Loch Katrine; and it is a well-ascertained
-fact that from the date of the appearance
-of this volume, assisted by subsequent of his publications,
-the post-horse duty in Scotland rose in an
-extraordinary degree.</p>
-
-<p>Scott now found out that his move to the Ballantynes
-had not been attended with the success he
-expected. John Ballantyne proved but an irregular
-hand at book-keeping, and James was too much
-addicted to good cheer (or Lockhart sadly belies him)
-to be really serviceable as a business man. In vain
-did Scott write amusing letters of remonstrance; the
-publisher’s business was neglected, and the firm, as
-booksellers, fell into difficulties. Constable was appealed
-to, and, finally, for £2000 consented to purchase
-most of the stock, and a complete business
-reconciliation was effected between him and Scott.
-The Ballantynes, however, still maintained their
-printing house, in which Scott was secretly the principal
-proprietor, and at which he insisted that all his
-own works should at all times, no matter who the
-publisher, be printed.</p>
-
-<p>About the year 1805 Scott had written a third part
-of a novel, which was advertised by John Ballantyne,<span class="pagenum"><a id="Page_127">127</a></span>
-under the title of <cite>Waverley</cite>, but he was unwilling to
-risk the loss of his poetical reputation by attempting
-a new style of composition. He, therefore, threw
-aside the work, and stumbling upon it in 1811, when
-his poetical reputation was beginning to wane, and
-soon after he had threatened, half in fun and half in
-earnest, “If I fail now I will write prose for life,” he
-at once completed the story. The current rumour of
-the new novel having been rejected by several London
-publishers, is entirely untrue. The work was printed
-by the Ballantynes, and through the whole series the
-greatest secrecy as to the author’s name was preserved.
-James Ballantyne himself transcribed the “copy,” and
-copied Scott’s corrections on to a duplicate proof
-sheet; nor was there a single instance of treachery
-throughout the whole time of the secret.</p>
-
-<p>When the printed volumes of <cite>Waverley</cite> were put
-into Constable’s hands, he did not for a moment doubt
-its authorship, but at once offered £700 for the copyright:
-this, we must remember, for a work to be published
-anonymously, at a time when Miss Edgeworth,
-the most popular novelist of her day, had never
-realized a like sum. The offer was, however, declined,
-and ultimately an arrangement was come to
-by which author and publisher were to share the
-profits.</p>
-
-<p><cite>Waverley</cite> took two or three months to win public
-favour, and then a perfect <em>furore</em> set in. Sloop-load
-after sloop-load was sent off to the London market,
-and on the rumoured loss of one of these vessels, half
-London was in despair. The interest, too, excited by
-public curiosity as to the author’s name, was carefully
-fostered, and in a short time 12,000 copies were disposed
-of.</p>
-
-<p><span class="pagenum"><a id="Page_128">128</a></span>
-Scott employed part of his literary gain in purchasing
-a property within three miles of Melrose,
-and gradually enlarged the dwelling-house until it
-became a castellated mansion of considerable size.
-The desire of becoming an extensive landed proprietor,
-became with him a far stronger passion than
-any craving for literary fame. It was more his desire,
-according to James Ballantyne himself, to “add as
-much as possible to the little realm of Abbotsford, in
-order that he might take his place, not among the great
-literary names which posterity is to revere, but among
-the country gentlemen of Roxburghshire.”</p>
-
-<p>Under the influence of this infatuation, Scott produced
-a series of novels, of which it will suffice to
-state the names and dates.</p>
-
-<p>To <cite>Waverley</cite> succeeded, in 1815, <cite>Guy Mannering</cite>;
-in 1816, <cite>The Antiquary</cite>, and the first series of the
-<cite>Tales of My Landlord</cite>, containing <cite>The Black Dwarf</cite>
-and <cite>Old Mortality</cite>; in 1818, <cite>Rob Roy</cite> and the second
-series of the <cite>Tales of My Landlord</cite>, containing the
-<cite>Heart of Mid Lothian</cite>; and, in 1819, the third series,
-containing the <cite>Bride of Lammermoor</cite> and a <cite>Legend of
-Montrose</cite>. <cite>Ivanhoe</cite> was to have been issued as a separate
-work, by another anonymous author, so as to
-spur the interest of a public that might possibly be
-flagging; but the publication of a novel in London,
-pretending to be a fourth series of the <cite>Tales of My
-Landlord</cite>, determined him to produce it as the veritable
-production of the author of <cite>Waverley</cite>. This was
-followed in quick succession by <cite>The Monastery</cite> and
-<cite>The Abbot</cite>, in 1820; <cite>Kenilworth</cite> and <cite>The Pirate</cite>, in
-1821; <cite>The Fortunes of Nigel</cite> and <cite>Hallidan Hill</cite>, a dramatic
-poem, for the copyright of which Constable
-gave £1000, in 1822; <cite>Peveril of the Peak</cite>, <cite>Quentin<span class="pagenum"><a id="Page_129">129</a></span>
-Durward</cite>, and <cite>St. Ronan’s Well</cite>, in 1823; <cite>Red Gauntlet</cite>,
-in 1824; and <cite>Woodstock</cite>, in 1825.</p>
-
-<p>The vast amount of business arising from these
-publications, produced in Constable’s mind a conviction
-that he was a wealthy and prosperous man.
-Though never possessed of much free capital, he saw
-around him every day such proofs of an enlarging
-amount of stock, that nothing less than the demonstration
-of figures&mdash;a demonstration he cordially
-hated&mdash;could have given him greater assurance of his
-affluent condition. Like Scott, he, too, was intoxicated
-with success. He had a magnificent way of
-transacting all business, and living rather like a
-princely father of letters, than a tradesman aiming at
-making them subservient to his use, he was led into
-an expenditure beyond his means.</p>
-
-<p>Another error lay in his yielding to Scott’s desire
-for money, and the means of raising money by pre-payment
-for literary work yet to be accomplished.
-Of Scott’s profits on his works, Lockhart makes the
-following statements: “Before Sir Walter went to
-London, in November, 1821, he concluded another
-negotiation of importance with the house of Constable
-and Co. They agreed to give, for the remaining copyright
-of the four novels published between December,
-1819, and January, 1821&mdash;to wit <cite>Ivanhoe</cite>, <cite>The Monastery</cite>,
-<cite>The Abbot</cite>, and <cite>Kenilworth</cite>&mdash;the sum of five thousand
-guineas. The stipulation about not revealing the
-author’s name under a penalty of £2000, was repeated.
-By these four novels, the fruits of scarcely more than
-a twelve months’ labour, he had already cleared at
-least £10,000 before this bargain was completed....
-I cannot pretend to guess what the actual state of
-Scott’s pecuniary affairs was at the time when John<span class="pagenum"><a id="Page_130">130</a></span>
-Ballantyne’s death relieved them from one great
-source of complication and difficulty.... He must
-(in his improvements at Abbotsford) have reckoned on
-clearing £30,000, at least, in the course of two years, by
-the novels written within the period, and the publishers,
-as we have seen, were willing to give him
-£6000, within the space of two years, for works of a
-less serious sort, likely to be despatched at leisure
-hours, without at all interfering with the main manufacture.
-But, alas! even this was not all.... Before
-<cite>The Fortunes of Nigel</cite> issued from the press, Scott had
-exchanged instruments, and received his bookseller’s
-bills for no less than “four works of fiction,” not one
-of them otherwise described in the deeds of agreement.
-And within two years all this anticipation
-had been wiped off by <cite>Peveril of the Peak</cite>, <cite>Quentin
-Durward</cite>, <cite>St. Ronan’s Well</cite>, and <cite>Red Gauntlet</cite>; and
-the new castle was at that time complete, and overflowing
-with all its splendour; but by that time the
-end was also approaching!”</p>
-
-<p>To return for a moment to Constable’s life as apart
-from the author of <cite>Waverley</cite>; he had, as we have
-seen, entertained in early years strong literary aspirations,
-and he repeatedly expressed a touching regret
-at the nonfulfilment of his hopes. The only literary
-efforts that have been distinctly traced to his pen
-consist of an edition of <cite>Lamont’s Diary</cite>, in 1810; a
-compilation of the poetry contained in the Waverley
-Novels, and the composition of a small volume which
-appeared in 1822, under the title of <cite>Memoirs of George
-Heriot</cite>, jeweller to King James, containing an account
-of the hospital founded by him at Edinburgh. In
-1816 he lost his wife, and in 1818 he married Miss
-Charlotte Neale, who survived him. In the early<span class="pagenum"><a id="Page_131">131</a></span>
-part of 1822 his health suffered so severely that he
-was obliged to sojourn in the south for a while. In
-1823, though professedly a Whig in politics, he was
-included by the liberal policy of the Government in a
-list of new magistrates for the city of Edinburgh;
-and in the same year he moved from the warehouse,
-which he had occupied for twenty years in the High
-Street, to an elegant mansion in the New Town,
-adjacent to the Register House, which had become
-his own through his second wife.</p>
-
-<p>Constable had at this time all the personal and
-outward appearance of a successful man. He was
-stout and portly in body, and rather defiant and
-imperious in his manner. Among the trade he was
-known as the “Czar of Muscovy;” of the London
-potentates, John Murray had earned the <i xml:lang="fr" lang="fr">sobriquet</i> of
-the “Emperor of the West,” and Longman and his
-string of partners as the “Divan.” Constable had
-christened John Ballantyne the “Dey of Algiers,” but,
-as John complained, had subsequently deposed him.
-The “Czar,” however, was too fond of these nicknames.
-Longman was one day dining with him:
-“What fine swans you have on your pond there,” quoth
-the Londoner. “Swans,” cried Constable, “they are
-only geese, man! There are just five of them, if
-you please to observe, and their names are Longman,
-Hurst, Rees, Orme, and Brown.” This skit cost “the
-Crafty” a good bargain.</p>
-
-<p>About the year 1825, Constable devised a scheme
-greater than any he had yet floated, and the adoption
-of which was eventually destined to effect an entire
-revolution in the bookselling trade. After long study
-of the annual schedule of tax-payers, he established
-his premises clearly enough. There was undoubtedly<span class="pagenum"><a id="Page_132">132</a></span>
-an immense majority of respectable British families
-who never thought of buying a book. “Look,” he
-cried to Scott, “at the small class of people who pay
-the powder tax, what a trifle it is to each, and yet
-what a fortune it would bring to a bookseller! If I
-live for half-a-dozen years,” he continued, “I shall
-make it as impossible that there should not be a good
-library in every decent house in Great Britain, as that
-the shepherd’s ingle nook should want the ‘saut
-poke.’”</p>
-
-<p>“Troth,” said Scott, “if you live you are indeed
-likely to be</p>
-
-<p class="center smaller">
-‘The great Napoleon of the realms of <em>print</em>.’”
-</p>
-
-<p>“If you outlive me,” retorted Constable, “I bespeak
-that line for my tombstone.... At three shillings or
-half-a-crown a volume every month, which must and
-shall sell, not by thousands, and tens of thousands, but
-by hundreds of thousands, and, ay, by millions!
-Twelve volumes in the year, a halfpenny of profit on
-every copy of which will make me richer than all the
-copyrights of all the quartos that ever were, or ever
-will be, hot-pressed! Twelve volumes so good that
-millions must wish to possess them, and so cheap that
-every butcher callant may have them if he pleases to
-let me tax him sixpence a week!”</p>
-
-<p>Scott saw the feasibility of the scheme, and it was
-decided to start at once with a life of the “other
-Napoleon,” and a portion of one of the “Waverley
-Novels.”</p>
-
-<p>But, alas! before the plan could be carried into
-execution, the crisis came. Lockhart received a
-letter from London stating that Constable’s London
-banker had thrown up his book, and he galloped over<span class="pagenum"><a id="Page_133">133</a></span>
-at once to Sir Walter’s, who smiled, re-lit his cigar,
-took the news coolly, and declined to believe it, and
-for the moment he was right.</p>
-
-<p>Lockhart’s account of the terrible failure in which
-Scott was involved is this: Whenever Constable
-signed a bill for the purpose of raising money among
-the bankers, for fear of accident, or any neglect in
-taking the bill up before it fell due, he deposited a
-counter-bill, signed by Ballantyne, on which, if need
-were, Constable might raise a sum of money equivalent
-to that for which he had pledged his word; but
-these counter-bills were allowed to lie in Constable’s
-desk till they assumed the size of a “sheaf of stamps;”
-and when the hour of distress came, Constable rushed
-with these bills to the money-changers, and thus the Ballantynes
-who were liable to Constable for, say £25,000,
-were legally liable for £50,000. Constable, in his turn,
-carried on the same game with the London house of
-Hurst, Robinson, and Co., his agents&mdash;and upon a
-much larger scale. They neglected their own business
-of bookselling and entered heavily into speculation in
-hops, and in the panic of the close of 1825, availed
-themselves of Constable’s credit, and he of the Ballantynes,
-and the loss descended upon their principal
-partner, Scott.</p>
-
-<p>This account has been contradicted by the representatives
-of John Ballantyne, in two pamphlets, refuting
-Lockhart’s history of the affair, and proving
-their side of the question by reference to the old account
-books; Cadell, Constable’s quondam partner,
-and certainly not biassed in his favour, throws his vote
-in with the Ballantynes. The responsibilities they
-undertook were solely at the bidding of Scott, and for
-his benefit; and in proof of this, they quote a clause<span class="pagenum"><a id="Page_134">134</a></span>
-from the last deed of partnership, dated 1st April,
-1822.</p>
-
-<p>“The said Sir Walter Scott shall remain liable for
-such bills and debts as there shall be due and current.”</p>
-
-<p>When the persons most interested differ vitally, it is
-hard to decide; however, the result of it all was, that
-when Hurst, Robinson, and Co. stopped payment in
-London, Constable failed for upwards of a quarter of a
-million, and the Ballantynes were also bankrupt to the
-extent of £88,607 19<i>s.</i> 9<i>d.</i> It was in the middle of
-January, 1826, that the actual crash came. Splendid
-and magnificent to the very last, Constable rushed off
-to town as fast as post-horses could carry him. He
-drove straight to Lockhart’s house, “and asked me,”
-says that gentleman, “to accompany him as soon as
-he could get into his carriage to the Bank of England,
-and support him (as a confidential friend of the author
-of the ‘Waverley Novels’) in his application for a loan
-of £100,000 to £200,000 on the security of the copyrights
-in his possession”&mdash;a proposal that would have
-rather startled the old lady of Threadneedle-street,
-who was, at that time of unparalleled panic, according
-to Mr. Huskisson’s subsequent confession in the
-House, on the very verge of suspending payment herself.
-When Lockhart refused&mdash;and, of course, without
-direct instructions from Sir Walter, he could not
-hazard such a step&mdash;Constable became livid with rage,
-stamped on the ground, and swore that he could and
-would go alone.</p>
-
-<p>How Scott bore the blow, and, what he dreaded infinitely
-more than the mere loss of money&mdash;the exposure
-it entailed of his connection with the printing
-house, we all know; how he declined to accept any
-compromise; how he sold off his Abbotsford estate,<span class="pagenum"><a id="Page_135">135</a></span>
-which he had devoted all the efforts of his genius to
-acquire, and which he loved so well; how he slaved
-and toiled until the incredible sum was repaid&mdash;but,
-alas! at the expense of a life more precious than all
-the lucre of creditors; and how his last words on his
-death-bed were his best epitaph:&mdash;“My dear, be a
-good man, be virtuous, be religious&mdash;be a good man!
-Nothing else will give you any comfort when you come
-to lie here.”</p>
-
-<p>Our matter, however, is with Constable. He saw
-his fortunes&mdash;the strong up-buildings of a gloriously
-successful lifetime&mdash;dashed to the ground at one blow.
-With a young family growing up around him, sick in
-body and weary in soul, he too had to begin life afresh.
-All his “sunshine” friends fell off, Scott was alienated,
-and his stock, which he had been wont to contemplate
-as a mine of wealth, was sequestered, and sold for a
-tithe of its value.<a id="FNanchor_13" href="#Footnote_13" class="fnanchor">13</a> Cadell, his late partner, purchased
-the copyrights of the “Waverley Novels” for £8,500,
-and, securing Scott’s countenance, set up as a fortunate
-rival.</p>
-
-<p>Constable, however, went manfully to work at his
-proposed Miscellany. Captain Basil Hall, in kindly
-consideration, made him a present of his <cite>Voyages</cite>, and
-this was brought out in 1827, for the small sum of one
-shilling, and proved fairly successful. This same year,
-by-the-by, was commenced the <cite>Library of Useful<span class="pagenum"><a id="Page_136">136</a></span>
-Knowledge</cite>, by the Society for the Diffusion of Useful
-Knowledge, who, following Constable, had the “honour
-of leading the way in that fearful inroad upon dearness
-of the good old times of publishing, which first developed
-itself in the wicked birth of what the literary
-exclusives called the <cite>Sixpenny Sciences</cite>.”</p>
-
-<p>Constable’s prospects were brightening; he had now
-gathered round him all the younger literary men of
-the day, when, in the midst of his struggles, his old
-disease of dropsy again attacked him, and he died on
-the 21st July, 1827.</p>
-
-<p>His widow and family were left in sorry circumstances,
-but his son Thomas eventually attained the
-position of an eminent and well-known printer in
-Edinburgh. The Ballantynes, with whom he had
-been so intimately connected, disproved many of
-Lockhart’s assertions, by showing that, by dint of
-hard work and good business habits, they were capable
-of success, unaided by the help of Sir Walter Scott.</p>
-
-<p>Constable, if not the most successful, was certainly
-the most eminent of the Scotch publishers. It is
-pleasant where the two lives have been so curiously
-blended to be able to quote Scott’s estimate of his
-<span class="locked">character:&mdash;</span></p>
-
-<p>“His vigorous intellect and vigorous ideas have not
-only rendered his native country the merit of her own
-literature, but established there a court of letters which
-commanded respect even from those most inclined to
-dissent from many of its canons. The effect of these
-changes operated, in a great measure, by the strong
-sense and sagacious calculation of an individual who
-knew how to avail himself, to an unhoped-for extent,
-of the various kinds of talents which his country produced,<span class="pagenum"><a id="Page_137">137</a></span>
-will probably appear much clearer to the generation
-which shall follow the present.”</p>
-
-<p>The remaining portion of this chapter will in itself
-bear ample testimony to the truth of this prediction;
-for we shall have to touch upon two distinct lives, and
-two long and very successful lives, to trace the progress
-of the chief works which passed out of Constable’s
-hands so shortly before his death.</p>
-
-<p>Robert Cadell had been admitted a partner in the
-house upon his marriage with Constable’s daughter,
-but she died childless long before the failure, and
-Cadell was soon married again to a Miss Mylne.
-Thus the family ties were severed, and, when the
-crash came, Cadell felt no hesitation in entering the
-field as a rival to his late partner.</p>
-
-<p>The stock of the Waverley Novels was sold off, far
-below the market value, and the London publishers,
-judging from this that the intrinsic worth of the copyright
-had irretrievably declined, allowed Cadell, as we
-have seen, in conjunction with Scott, to become the
-purchaser at the low price of £8500. The success of
-the republication was astounding, and showed what
-real life and vivacity was still left in the copyright.
-By this scheme the whole of the novels were reprinted
-in five-shilling volumes with excellent illustrations,
-giving for ten shillings in two volumes what had been
-originally published in three at a guinea and a half.</p>
-
-<p>After Scott’s death the debt still amounted to
-£54,000; his life was insured for £22,000, there was
-£2000 in hand, and now Cadell most handsomely advanced
-£30,000 in order that the remaining debt might
-be liquidated, taking as his only security the right to
-the profit that might accrue from the copyright property.
-The family, dreading that the term of copyright<span class="pagenum"><a id="Page_138">138</a></span>
-might expire before the sum could be returned,
-endeavoured to obtain a special additional term, and
-on more than one occasion Serjeant Talfourd introduced
-a bill into the House of Commons to this
-effect, but without success. Fortunately, however, the
-event showed that Cadell was commercially fully justified
-in his generosity, for before his death not only
-had he been reimbursed his £30,000, but a handsome
-profit had been earned “for the benefit of all whom it
-might concern.”</p>
-
-<p>According to Mr. James Mylne, one of Cadell’s
-executors, the following is the total sale of Scott’s
-works from the time they came into Cadell’s hands
-until his <span class="locked">death:&mdash;</span></p>
-
-<table summary="Scott sales">
- <tr>
- <td> </td>
- <td class="tdc" colspan="2"><i>Circulation.</i></td></tr>
- <tr>
- <td class="tdl">Waverley Novels</td>
- <td class="tdr">78,270</td>
- <td class="tdc">sets</td></tr>
- <tr>
- <td class="tdl">Poetical Works</td>
- <td class="tdr">41,340</td>
- <td class="tdc">”</td></tr>
- <tr>
- <td class="tdl">Prose Works</td>
- <td class="tdr">8,260</td>
- <td class="tdc">”</td></tr>
- <tr>
- <td class="tdl"><cite>Life</cite> by Lockhart</td>
- <td class="tdr">26,060</td>
- <td class="tdc">”</td></tr>
- <tr>
- <td class="tdl"><cite>Tales of a Grandfather</cite><br />(as a separate work)</td>
- <td class="tdr">22,190</td>
- <td class="tdc">”</td></tr>
- <tr>
- <td class="tdl">Selections</td>
- <td class="tdr">7,550</td>
- <td class="tdc">”</td></tr>
-</table>
-
-<p class="in0">and, as a test of the popularity of the <cite>People’s Edition</cite>
-of the writings and <cite>Life</cite>, he states that the following
-numbers originally printed in weekly sheets were
-issued:</p>
-
-<table summary="numbers printed in weekly sheets">
- <tr>
- <td class="tdl">Novels</td>
- <td class="tdr">7,115,197</td></tr>
- <tr>
- <td class="tdl">Poetry</td>
- <td class="tdr">674,955</td></tr>
- <tr>
- <td class="tdl">Prose</td>
- <td class="tdr">269,406</td></tr>
- <tr>
- <td class="tdl">Life</td>
- <td class="tdr">459,291</td></tr>
- <tr>
- <td class="tdl">Total Sheets</td>
- <td class="tdr">8,518,849</td></tr>
-</table>
-
-<p>Robert Cadell died on January 21st, 1849, after a
-long career rendered prosperous by this splendid property,
-and on March 26th, 1851, the novels, poems,
-prose works, and the “Life” by Lockhart were put up to<span class="pagenum"><a id="Page_139">139</a></span>
-auction at the London Coffee House by Mr. Hodgson.
-The sale brought together the largest “trade” gathering
-that has ever been witnessed; there were publishers
-from the “Row” and Albemarle Street, booksellers
-from Ave Maria and Ivy Lanes, and speculators
-from every corner of the kingdom. The stock
-had been valued at £10,193 3<i>s.</i>, a very low figure,
-and it was announced that this would be sold only
-with the copyrights, and that the trustees retained
-the right of bidding. After much disputing as to
-these restrictions £5000 was offered, and quickly rose
-by leaps of £500 to £10,500, when Mr. Bohn and
-the “Row” retired, and the struggle lay between Mr.
-Virtue and some imaginary bidder, visible only to the
-eyes of the auctioneer. At £13,500 the copyright
-was “bought in” making the price, including the
-stock, £23,693 3<i>s.</i></p>
-
-<p>This afforded a wonderful contrast to the former
-sale at £8500, more especially when we consider that
-the copyright of the earlier novels had only five or six
-years more to run.</p>
-
-<p>In a few weeks after this it was announced in the
-<cite>Scotsman</cite> that the whole of the copyrights were transferred
-to the hands of another eminent publishing
-firm in Edinburgh&mdash;Messrs. A. and C. Black, who, in
-conjunction with their friends, Messrs. Richardson
-Brothers, became the possessors at the price of
-£27,000.</p>
-
-<p>Leaving the Waverley Novels for a time, it will be
-necessary to bring up the narrative of the career of
-Mr. Adam Black to the period when he was able to
-become the owner of the most valuable literary property
-that has ever existed.</p>
-
-<p>Adam Black, the son of Charles Black, a builder of<span class="pagenum"><a id="Page_140">140</a></span>
-Edinburgh, was born in that town in the year 1784,
-and was educated primarily at the High School, on
-his entrance as a pupil at which, tradition says, he
-was accompanied by his father, who, having just left
-his employment for the purpose, appeared in full
-working garb, the mason’s white leathern apron included.
-At the University his talents speedily procured
-him admittance into that clique of young
-Liberals who were afterwards to effect such a change
-in Edinburgh, indeed in cosmopolitan politics. After
-serving his apprenticeship to the book trade, in partnership
-with his nephew, the bookselling business of
-Adam and Charles Black was founded. In 1817 he
-married Isabella, only daughter of James Tait, architect
-(sister of William Tait, the well-known originator
-of <cite>Tait’s Magazine</cite>), and at the time of Constable’s
-failure was in a steady and prosperous way of business.
-This disaster was the means of making many
-fortunes, and in 1826 the <cite>Edinburgh Review</cite> appeared
-under the joint proprietorship of Thomas Norton
-Longman and Adam and Charles Black. As we
-have followed the career of the <cite>Review</cite> in our history
-of the Longman family, it will be unnecessary to
-enter fully into the changes of management and the
-success of later numbers.</p>
-
-<p>Another work, however, afterwards thrown on the
-market, which also became the property of Messrs.
-A. and C. Black, is of such literary importance that
-we must again for a moment retrace our steps, in order
-to keep up the proper sequence of our narrative.</p>
-
-<p>The idea of a compilation that should embrace all
-human knowledge is of very great antiquity. Pliny,
-in fact claims the name of “Encyclopædia” for his
-<cite>Natural History</cite>; but it was not till the sixteenth<span class="pagenum"><a id="Page_141">141</a></span>
-century that any attempt was made at arranging the
-matter in a systematic manner, though the Arabians
-are said to have had a true <cite>Encyclopædia</cite> centuries
-before that date. It was long, however, before the
-idea occurred of employing the lexographic plan as a
-basis of a universal <i xml:lang="fr" lang="fr">répertoire</i> of learning, and the first
-great step in advance was the <cite>Lexicon Technicum</cite> of
-Dr. Harris, completed and published at London in the
-year 1710. The <cite>Cyclopædia</cite> of Ephraim Chambers,
-with which we have previously dealt, appeared in
-1728, and for a long time was the supreme authority;
-through its success at home and abroad a new impulse
-was given to the desire for such publications. In
-France the <cite>Encyclopédie</cite> was projected by the Abbé
-de Gua, and was based originally on an unpublished
-translation of Chambers’s <cite>Cyclopædia</cite>, made by an
-Englishman named Mills. In consequence of a
-quarrel with the publishers, De Gua threw it up, and
-it was then transferred to Diderot and D’Alembert;
-to become the text-book of the French philosophers.
-The publication of the seventeen volumes extended
-from 1751 to 1765, and six years after the latter date
-appeared the first volume of the <cite>Encyclopædia Britannica</cite>.</p>
-
-<p>The plan and all the principal articles of this now
-important work were in this first edition devised and
-written by William Smellie.</p>
-
-<p>Smellie began life as a compositor, and he used to
-lay down his composing-stick for an hour or two
-daily to attend the classes of the Edinburgh University.
-At the age of nineteen he was engaged by
-Murray and Cochrane as corrector of their press in
-general and conductor and compiler of the <cite>Scots
-Magazine</cite> at a salary of sixteen shillings a week. If<span class="pagenum"><a id="Page_142">142</a></span>
-the saying that “Edinburgh never had a Grub Street”
-is true, it must have arisen rather from the perseverance
-of the writers than from the uniform generosity
-of the publishers.</p>
-
-<p>The agreement upon which the <cite>Encyclopædia</cite> was
-undertaken was still in existence when Kerr wrote
-Smellie’s <cite>Life</cite>; as a literary curiosity we quote <span class="locked">it:&mdash;</span></p>
-
-<blockquote>
-<p class="in2">
-“Mr. Andrew Bell to Mr. William Smellie.
-</p>
-
-<p>“<span class="smcap">Sir</span>,&mdash;As we are engaged in publishing a ‘Dictionary
-of the Arts and Sciences,’ and as you have informed
-us that there are fifteen capital sciences, which you
-will undertake for, and write up the sub-divisions and
-detached parts of them, conforming to your plan, and
-likewise to prepare the whole work for the press, &amp;c.,
-&amp;c. We hereby agree to allow you £200 for your
-trouble.”</p></blockquote>
-
-<p>The first proprietors were Andrew Bell, engraver,
-and Colin Macfarquhar, printer. The publication
-was commenced in weekly numbers in 1771, and
-completed in 1773, by which time the bulk in all consisted
-only of three small quarto volumes. A second
-edition was called for in 1776, and Smellie was offered
-a share in the property, but he declined to have anything
-more to do with it, as upon the recommendation
-of “a very distinguished nobleman” it was resolved
-to introduce a complete system of biography. The
-proprietors engaged, instead, James Tytler, a laborious
-miscellaneous writer, and a man of extraordinary
-knowledge. A large proportion of the additional
-matter, by which the work was extended from three
-to ten volumes, was due to his pen, but the payment
-for this labour is said to have been very small, and
-the unfortunate author was not able to support his<span class="pagenum"><a id="Page_143">143</a></span>
-family in a style superior to that of a common labourer.
-At one time, during the progress of the work, he lived
-at the village of Duddingston, in the house of a washerwoman,
-whose tub inverted formed the only desk at
-his disposal, and one of his children was frequently
-despatched with a parcel of “copy” upon which their
-next meal depended.</p>
-
-<p>This second edition consisted of 1500 copies, and
-extended to ten volumes quarto. The third edition,
-to which Tytler also contributed, was commenced in
-1789. Till then it had been considered in the south
-as “a Scots rival of little repute” (to Chambers’s
-<cite>Cyclopædia</cite>), but in this edition, beside the method
-and comprehensiveness of the plan, it rose greatly
-above its former level in its practical and speculative
-departments. It was completed in 1797, in eighteen
-volumes, to which Professor Robison supplied two
-supplementary volumes to complete the series he had
-commenced when the principal work was far advanced.
-The sale of this edition extended to ten
-thousand copies, and the proprietors are said to have
-netted £42,000 of clear profit, besides being paid for
-their respective work&mdash;the one as printer, the other as
-engraver. Much of this, of course, was due to poor
-Tytler’s labours, who was still living in the utmost
-penury. He was, however, perfectly regardless about
-poverty, having no desire to conceal it from the
-world. He would finish his frugal meal of a cold
-potato before the eyes of a stranger with as much
-nonchalance as if it had been a sumptuous repast.
-He had that contentment with poverty which is so
-apt to make it permanent, and this, in addition to his
-imprudent and intemperate habits, cut off all chance
-of a higher social position. As a proof of his extraordinary<span class="pagenum"><a id="Page_144">144</a></span>
-stock of general knowledge, his biographer
-relates a characteristic anecdote.</p>
-
-<p>“A gentleman in this city of Edinburgh once told
-me he wanted as much matter as would form a
-junction between a certain history and its continuation
-to a later period. He found Tytler lodged in one of
-those elevated apartments called <em>garrets</em>, and was informed
-by the old woman with whom he resided, that
-he could not see him, as he had gone to bed rather
-the worse for liquor. Determined, however, not to
-depart without his errand, he was shown into Mr.
-Tytler’s apartment by the light of a lamp, where he
-found him in the situation described by the landlady.
-The gentleman having acquainted him with the nature
-of the business which brought him at so late an hour,
-Mr. Tytler called for pen and ink, and in a short time
-produced about a page and a half of letterpress,
-which answered the end as completely as if it had
-been the result of the most mature deliberation, previous
-notice, and a mind undisturbed by any liquid
-capable of deranging its ideas.”</p>
-
-<p>On the death of Macfarquhar the whole work became
-the property of Andrew Bell.</p>
-
-<p>The fourth edition, augmented to twenty volumes,
-was completed in 1810, under the able superintendence
-of Dr. James Millar; but the editor was prevented
-from availing himself of Professor Robison’s
-excellent supplementary articles by a temporary
-separation of that property from that of the principal
-work. This issue consisted of three thousand five
-hundred copies.</p>
-
-<p>With the completion of this edition the progress of
-improvement was for a time suspended; but in 1814
-the copyright of the work was purchased by Archibald<span class="pagenum"><a id="Page_145">145</a></span>
-Constable, who, with the enterprise that always distinguished
-him, at once projected a supplement, which
-extended to six volumes. It was placed under the
-skilful management of Professor Macney Napier, and
-the publication lasted from 1815 to 1824. Many very
-distinguished authors were engaged as contributors,
-among whom we may specially mention Arago, Biot,
-and Dugald Stewart; and all the resources of the proprietors
-were devoted to this favourite undertaking.</p>
-
-<p>In 1829 the whole of the copyrights (including that
-of Professor Robison’s supplementary articles) passed
-into the hands of Messrs. A. and C. Black, assisted by
-their friends; and we are now able to resume our narrative
-at the point we left it.</p>
-
-<p>The property was at first a joint stock concern,
-resembling the original proprietorship, and was, we
-believe, owned in equal shares by Mr. Abraham
-Thomson, as the binder; Mr. Thomas Allan, as the
-printer; and Messrs. A. and C. Black, as publishers.
-Mr. Thomson died shortly afterwards, and the Messrs.
-Black became the possessors of his interest in the work.
-Some years afterwards, the share held by Mr. Allan,
-who was a banker in Edinburgh, and also printer and
-proprietor of the <cite>Caledonian Mercury</cite>, also fell into the
-hands of the Messrs. Black. At this time the new
-edition was in midway progress, and the enormous
-expense necessary to complete the work rendered the
-venture single-handed something more than hazardous.
-But the ability, tact, immense energy, and unceasing
-labour of Mr. Adam Black, then in the prime of life,
-proved equal to the task he had undertaken, and in
-this case it may truly be said that for years he went
-on literally scattering bread upon the waters, and most
-deservedly did he obtain his reward. Previously, we<span class="pagenum"><a id="Page_146">146</a></span>
-believe, to the completion of this edition, Mr. Charles
-Black, who had long been in delicate health, died.</p>
-
-<p>Upon Jeffrey’s retirement in 1829, Macney Napier,
-Professor of Conveyancing in the University of Edinburgh,
-was promoted to the editorship of the <cite>Edinburgh
-Review</cite>, and Mr. Black also secured his services
-for the management of the seventh edition of the
-<cite>Encyclopædia</cite>. Napier was assisted by James Brown,
-LL.D., as sub-editor, and on his shoulders most of the
-hard work fell. Brown, who was trained as an advocate
-at the Scottish bar, relinquished this for literature.
-His thorough scholarship enabled him to undertake
-almost any department of literary work, and rendered
-him invaluable for the revisal of such a work as the
-<cite>Encyclopædia</cite>. He was also a ready and slashing
-political writer, at a time when political feeling was
-rampant. Remarkable alike for his mental activity
-and his personal irascibility, the one great difficulty
-lay in managing the Doctor. As an instance of this,
-the article “Alphabet” was entrusted to Brown for the
-new edition of the <cite>Encyclopædia</cite>. He was at the same
-time editor of the <cite>Caledonian Mercury</cite>, and on the
-appearance of something in that paper which led to a
-quarrel with Mr. Allan, the proprietor, who was also
-a shareholder in the <cite>Encyclopædia</cite>, Brown declined to
-go on with “Alphabet.” The part in which this was
-to appear was due, and Brown was inflexible. The
-subject was a difficult one, peculiarly suited to Brown’s
-abilities, and it was not easy elsewhere to find so competent
-a writer. In these circumstances, Mr. Black
-adopted the experiment of passing over that part and
-bringing out the succeeding one. Thus circumvented,
-Brown came to terms, and things again went on
-smoothly. But, notwithstanding his proverbial kindliness<span class="pagenum"><a id="Page_147">147</a></span>
-of disposition, he was hasty in coming to conclusions,
-and was always getting into scrapes of one
-kind or another; and a duel, in which he and Charles
-Maclaren, editor of the <cite>Scotsman</cite>, figured as principals,
-furnished the Edinburgh <em>gamins</em> with a popular street
-song. He escaped all duellistic dangers, however, but
-his unremitting labours brought on a stroke of
-apoplexy, of which he died in 1841.</p>
-
-<p>The great feature of the new edition was the preliminary
-“Dissertations,” which were commenced by
-Professors Stewart and Playfair, who were both
-carried off in the midst of their labours. Sir James
-Mackintosh, who undertook to complete his friend’s
-“History of Ethical and Political Philosophy” (the
-Metaphysical portion had been completed by Stewart)
-was also summoned from his labours before the
-Political division was commenced; and the “History
-of the Physical Sciences” was brought down by Professor
-Leslie to the commencement of this century.</p>
-
-<p>“The ‘Dissertations’ produced by these four extraordinary
-men are still regarded with peculiar pride in
-Scotland; indeed, few nations can boast of such an
-intellectual group living at the same time, and adorning
-the same society; and yet, with powers of mind
-not far from equality, how various were their gifts, and
-how diversified their genius!”<a id="FNanchor_14" href="#Footnote_14" class="fnanchor">14</a></p>
-
-<p>The seventh edition was commenced in monthly
-parts in March, 1830, and finished in January, 1842.
-Of its success it is almost unnecessary to speak; with
-confidence reposed in the proprietors sufficient to command
-the services of such writers as Young, Malthus,
-Macculloch, Mill, Roget, Wilson, Empson, De<span class="pagenum"><a id="Page_148">148</a></span>
-Quincey, and Tytler, while the editor can count on
-the aid of friends like Scott, Playfair, Stewart, Leslie,
-Lord Jeffrey, Sir William Hamilton, and Sir John
-Barrow, it is not difficult to anticipate the result. The
-mere cost of presentation copies amounted to £416
-16<i>s.</i>, and the amount of duty on the paper employed
-exceeded £6000; while, to go into heavier matters,
-the total expense of the twenty-one quarto volumes
-was, in a trial in the Jury Court of Scotland, proved
-to have been no less a sum than £125,667 9<i>s.</i> 3<i>d.</i>
-This amount, of course, includes every item of expenditure,
-among which the following are the most <span class="locked">important:&mdash;</span></p>
-
-<table summary="presentation copy costs">
- <tr>
- <td > </td>
- <td class="tdc">£</td>
- <td class="tdc"><i>s.</i></td>
- <td class="tdc"><i>d.</i></td></tr>
- <tr>
- <td class="tdl">Contributions and Editing</td>
- <td class="tdr">22,590</td>
- <td class="tdr">2</td>
- <td class="tdr">11</td></tr>
- <tr>
- <td class="tdl">Printing</td>
- <td class="tdr">18,610</td>
- <td class="tdr">1</td>
- <td class="tdr">4</td></tr>
- <tr>
- <td class="tdl">Stereotyping</td>
- <td class="tdr">3,317</td>
- <td class="tdr">5</td>
- <td class="tdr">8</td></tr>
- <tr>
- <td class="tdl">Paper</td>
- <td class="tdr">27,854</td>
- <td class="tdr">15</td>
- <td class="tdr">7</td></tr>
- <tr>
- <td class="tdl">Bookbinding</td>
- <td class="tdr">12,739</td>
- <td class="tdr">12</td>
- <td class="tdr">2</td></tr>
- <tr>
- <td class="tdl">Engraving and Plate-printing</td>
- <td class="tdr">11,777</td>
- <td class="tdr">18</td>
- <td class="tdr">1</td></tr>
-</table>
-
-<p class="in0">The literary contributions to the first volume of
-“Dissertations” alone cost upwards of £3450.</p>
-
-<p>The work was eminently successful, and this immense
-expenditure shows us something of what
-“success” means in this instance. The commercial
-management of an undertaking like this was sufficient
-to occupy the attention of a man of extraordinary
-diligence; but Mr. Black found time, not only to
-contribute several articles to his <cite>Encyclopædia</cite>, but to
-take a very warm and prominent interest in the
-government of his native city; and from 1843 to 1848
-he occupied the highest position to which a citizen of
-Edinburgh can aspire&mdash;that of Lord Provost.</p>
-
-<p>Enterprise and success, more especially when they<span class="pagenum"><a id="Page_149">149</a></span>
-are mingled with real desert, and caused by honest
-service, are qualities of which the Scotch, perhaps
-more than any other nation, are peculiarly proud;
-and when the representation of Edinburgh became
-vacant in 1856, a large and influential party at
-once nominated Mr. Adam Black to fill the post. Mr.
-Adam Black was a thorough-going Liberal and a
-Nonconformist, and a party of the electors received
-his nomination in a spirit of the greatest bitterness,
-and an opposition candidate was brought forward.
-The election came off on the 8th February, 1856, and
-Mr. Black, the friend of political freedom when friends
-were few, the champion of religious charity and goodwill
-when enemies were many, was rewarded for his
-consistency and his many services by a larger number
-of votes than had been polled for twenty years&mdash;no
-weak test of popular approbation. As a contemporary
-opinion, we may quote the <cite>Scotsman</cite> of that
-date:&mdash;“Honour to the candidate! Sincerely reluctant
-to compete for the honour, no sooner was he
-embarked, and saw that the great principles and the
-reputation of the city were concerned and imperilled
-in his person, than he threw himself into the work
-with a vigour that made even the youngest and most
-energetic of his supporters stand aside. We don’t
-care who knows it: Mr. Black was the most effective
-member of his own committee&mdash;in word and in act,
-by day and by night, the veteran was ready with
-guidance and warning and incentive. In all his many
-battles in the public cause, he never made a better
-fight than when achieving this victory which so
-gloriously crowns his career.”</p>
-
-<p>In the House Mr. Black distinguished himself by
-his assiduity to business, and in 1864 he introduced<span class="pagenum"><a id="Page_150">150</a></span>
-his Copyright Bill, which, though it contained much
-that was good, was ultimately thrown out.</p>
-
-<p>Upon completion of the seventh edition, a number
-of cheap reprints were issued of the most famous
-articles of the “Encyclopædia,” and met with a very
-favourable reception.</p>
-
-<p>We have seen that in 1851 the Messrs. Black, in
-conjunction with Messrs. Richardson Brothers, became
-possessed of the Waverley Novels. Ultimately, the
-Messrs. Black purchased, it is said, the Messrs. Richardsons’
-share, and are now believed to be the sole proprietors
-of Sir Walter Scott’s works. In the management of
-this property Mr. Adam Black exhibited the same rare
-sagacity, and reaped the same successful reward as in
-the former important work. In the middle of 1852,
-he announced that 120,000 complete sets of the
-Waverley Novels had been sold in this country alone
-since their first publication; and in 1858 an ingenious
-mathematician computed that the weight of the paper
-used for them was upwards of 3500 tons.</p>
-
-<p>Among the most important editions issued by
-Messrs. Black we may instance the <span class="locked">following:&mdash;</span></p>
-
-<table summary="editions issued by M. Black">
- <tr>
- <td colspan="4"> </td>
- <td class="tdc">£</td>
- <td class="tdc"><i>s.</i></td>
- <td class="tdc"><i>d.</i></td></tr>
- <tr>
- <td class="tdl">A Re-issue of the “Cabinet Edition”</td>
- <td class="tdc">in </td>
- <td class="tdl">1853&ndash;54</td>
- <td class="tdc">at</td>
- <td class="tdr">3</td>
- <td class="tdr">15</td>
- <td class="tdr">0</td></tr>
- <tr>
- <td class="tdc l2">”<span class="in4">”</span></td>
- <td class="tdc">”</td>
- <td class="tdl">1860</td>
- <td class="tdc">”</td>
- <td class="tdr">3</td>
- <td class="tdr">10</td>
- <td class="tdr">0</td></tr>
- <tr>
- <td class="tdl">The “People’s Edition” in 5 vols.</td>
- <td class="tdc">”</td>
- <td class="tdl">1855</td>
- <td class="tdc">”</td>
- <td class="tdr">2</td>
- <td class="tdr">2</td>
- <td class="tdr">0</td></tr>
- <tr>
- <td class="tdl">“Railway Edition” in 25 vols.</td>
- <td class="tdc">”</td>
- <td class="tdl">1858&ndash;60</td>
- <td class="tdc">”</td>
- <td class="tdr">1</td>
- <td class="tdr">17</td>
- <td class="tdr">6</td></tr>
- <tr>
- <td class="tdl">New Illustrated Edition in 48 vols. founded on<br />“Author’s Favourite”</td>
- <td class="tdc">”</td>
- <td class="tdl">1859&ndash;61</td>
- <td class="tdc">”</td>
- <td class="tdr">10</td>
- <td class="tdr">13</td>
- <td class="tdr">0</td></tr>
- <tr>
- <td class="tdl">“Shilling Edition” in 25 vols.</td>
- <td class="tdc">”</td>
- <td class="tdl">1862&ndash;63</td>
- <td class="tdc">”</td>
- <td class="tdr">1</td>
- <td class="tdr">5</td>
- <td class="tdr">0</td></tr>
-</table>
-
-<p>At our present writing a beautiful new edition, the
-“Centenary,” is being published.</p>
-
-<p>The moment that the copyrights of the earlier
-novels expired the market was flooded with cheap<span class="pagenum"><a id="Page_151">151</a></span>
-reprints; but the Messrs. Black were equal to the
-occasion. They issued a trade reminder to the
-public that the edition of 1829 was thoroughly revised
-by the author, was altered in almost every page and
-largely augmented by notes, and that it still was
-copyright, and as a death-blow to the reprints by
-rival houses they brought out the “sixpenny edition”
-in monthly volumes, each volume containing a complete
-tale with all the matter that had appeared in
-the more expensive editions. Thanks to former
-stereotypes they were thus enabled to present a series
-of the cheapest and most valuable books that any
-house in the country has yet been able to produce.
-The publication lasted from November, 1866, to
-November, 1868, and the complete issue consisted of
-twenty-five volumes, and thus the public were able
-to purchase for twelve shillings and sixpence what
-had originally cost upwards of forty pounds. Constable
-himself in his wildest dreams of cheap
-publishing never imagined such a marvellous feature
-as this.</p>
-
-<p>As a proof of their popularity we quote from a
-contemporary writer in the <cite>Illustrated Times</cite>, 25th of
-September, 1867. The writer was travelling down to
-Wales, and, at the London station, he said, “‘Boy,
-where are the Scott novels?’ ‘Don’t keep them,’ he
-replied. ‘Don’t keep them! Why not?’ ‘Because,
-if we did, we should not sell anything else.’ Here
-then, to begin with, is a small fact worth reflection.
-Some of the novels were first published fifty years
-ago. Can you point out any other series of books, or
-even any single book, a sixpenny edition of which
-Mr. Smith would be afraid to lay upon his bookstalls
-for fear the public might refuse to buy anything<span class="pagenum"><a id="Page_152">152</a></span>
-else?” At every station the writer made the same
-inquiry and met with the same result.</p>
-
-<p>As through the business talents of the publishers,
-the printed works of Sir Walter Scott were reduced
-in price, so through the fame of the author did the autograph
-remains rise to a very wonderful fictitious value.
-Mr. Cadell made a remarkable collection of all the
-manuscripts he could purchase, and on the 9th of
-July, 1868, his collection was sold for £1073; while
-even a corrected proof of “Peveril of the Peak” realized
-£25.</p>
-
-<p>The seventh edition of the “Encyclopædia Britannica”
-was finished, as we have previously stated, in 1842,
-and met with, not only an immediate, but also a continuous
-sale, but human knowledge refuses to be
-stereotyped, and at the close of 1852 the eighth edition
-was commenced, occupying nine years in the publication.
-The proprietors justly claim for it the proud
-title of “the largest literary enterprise ever undertaken
-by any single house in Great Britain.” The
-editorial charge was entrusted to Dr. Thomas Stewart
-Trail, professor of medical jurisprudence in the
-University of Edinburgh; and, among the more important
-new contributors, we may mention Archbishop
-Whately, Professor Blackie, and Dr. Forbes,
-the latter of whom contributed a new “Dissertation”
-to the introductory volume. Lord Macaulay contributed
-five of the leading biographies “as a token
-of friendship to the senior proprietor.” “Any article
-of any value in any preceding edition,” says the
-editor, “has been reprinted in this&mdash;in all cases with
-corrections, and frequently with considerable additions.
-Besides these, it has received so great an accession of
-original contributions, that nine-tenths of its contents<span class="pagenum"><a id="Page_153">153</a></span>
-may be said to be absolutely new,” and this will probably
-apply with the same force to the ninth edition,
-which is to be commenced next year.</p>
-
-<p>Long before this date Mr. Adam Black was assisted
-in his business by his sons. He retired from the
-house in 1865, and now laden with honours in public,
-and successes in business, life, he may fairly claim to be
-the Nestor of publishers. He must have seen many
-changes in the literary world, and marked many
-vicissitudes in the “realms of print;” but the changes
-as far as they operated for him were for the better,
-and vicissitudes seem invariably to have kept outside
-his charmed circle.</p>
-
-<p>In the year 1861, a very valuable work&mdash;the “Collected
-Writings of the late Thomas De Quincey”&mdash;came
-into the hands of Messrs. Black; but, as the public
-are almost entirely indebted to the laborious care and
-patient perseverance of another publisher, Mr. James
-Hogg, then of Edinburgh, for the production of this
-collection, which then consisted of fourteen volumes,
-we have thought it better that this account should
-form a kind of supplement to our present chapter.</p>
-
-<p>For a period of about forty years De Quincey had
-been an extensive contributor to periodical literature,
-and it is scarcely surprising that, during such a length
-of time, the sources even where many of his contributions
-originally appeared had been forgotten, and that
-the very existence of a few had altogether escaped
-the author’s recollection. Various attempts had been
-made to induce De Quincey to draw together and
-revise a selection from the more important of his
-scattered writings, but from his varying state of health
-and, consequent on this, his inveterate habit of procrastination,
-the work was always postponed; and<span class="pagenum"><a id="Page_154">154</a></span>
-from his advanced years, all hope was given up of
-the collected works ever appearing under the superintendence
-of the author.</p>
-
-<p>In the year 1845, the well-known periodical,
-<cite>Hogg’s Instructor</cite>, was started under the management
-and sole responsibility of Mr. Hogg. Sixteen
-volumes of the <cite>Instructor</cite> as a weekly serial were
-published, and among many other contributors of note
-was the “Opium-Eater,” and from the commencement
-of their intercourse De Quincey and Mr. Hogg
-became firm friends.</p>
-
-<p>About this time several volumes of De Quincey’s
-writings had been collected and published by Messrs.
-Ticknor and Fields, of Boston, U.S., without, of
-course, the advantage of the author’s own revisal;
-and, as the papers had been originally hurriedly
-written for magazines, and as, during the lapse of
-time, many changes had become unavoidable, the
-author felt that, in justice to himself, extensive additions
-and, in some cases, suppressions were necessary.
-Arrangements were accordingly entered into for
-bringing out the collected works at home in a
-thoroughly revised and amended form, Mr. Hogg
-undertaking all the responsibility, and engaging to
-give his aid both in collecting the materials, and in
-generally seeing the volumes through the press. On
-the announcement of the publication it was confidently
-predicted by some of those who had been engaged in
-the previous attempts that not a single volume would
-ever appear. In order to afford ample time for the
-thorough revision of the work it was arranged that
-the publication should be spread over three years.
-The first volume appeared in 1853; but, instead of
-three years bringing the series to a close, eight years<span class="pagenum"><a id="Page_155">155</a></span>
-had elapsed before the thirteenth volume was completed,
-and then De Quincey died&mdash;the remainder
-of the thirteenth, and the whole of the fourteenth,
-being due to Mr. Hogg. During these eight years
-almost daily interviews or correspondence occurred
-between De Quincey and Mr. Hogg. To use the
-author’s words, “the joint labour and patient perseverance
-spent in the preparation of these volumes
-was something perfectly astounding.” In addition to
-the frequent and protracted interviews, the correspondence
-which passed during the progress of the
-work would fill a goodly volume.</p>
-
-<p>In order to account for the delays which so
-frequently occurred, De Quincey remarks upon
-one occasion:&mdash;“I suffer from a most afflicting
-derangement of the nervous system, which at times
-makes it difficult for me to write at all, and always
-makes me impatient, in a degree not easily understood,
-of recasting what may seem insufficiently or
-even incoherently expressed.” But, while suffering
-under this cause, he laboured under a daily and more
-formidable bar to progress, as annoying and perplexing
-to himself as to others. For many years he had
-been in the habit of correcting manuscript or of
-jotting down on loose sheets, more frequently on
-small scraps of paper, any stray thoughts that
-occurred to him, intending to use them as occasion
-might afterwards offer. These papers, however,
-instead of being methodically arranged and preserved,
-were carelessly laid aside, and were soon mixed up
-with letters, proofs, old and new copy, newspapers,
-periodicals, and other confusing litter, and the
-numerous volumes he received from literary friends
-and admirers, all huddled together on chairs, tables,<span class="pagenum"><a id="Page_156">156</a></span>
-or wherever they at the moment might be stowed.
-Placing a high value on many things in this heterogeneous
-mass, and feeling assured in his own mind
-that strange hands would only render confusion worse
-confounded, he would allow no one to endeavour to
-put the things in order. Indeed, if anything could
-have ruffled his gentle nature into the use of an angry
-word it would have been the attempt to meddle with
-these papers. They very rapidly increased, and every
-search after missing copy or proofs made matters
-worse. When a dead block occurred his invariable
-practice was to build them up, as they lay, against
-the wall of the room, and, as a consequence, everything
-went astray. A few extracts from notes to Mr.
-Hogg will show the labour, suffering, and worry which
-this state of chaos entailed:&mdash;“My dear Sir,&mdash;It is
-useless to trouble you with the <em>ins</em> and <em>outs</em> of the
-process&mdash;the result is, that, working through most part
-of the night, I have not yet come to the missing copy.
-I am going on with the search, yet being walled up
-in so narrow an area (not larger than a postchaise as
-regards the free space), I work with difficulty, and the
-<em>stooping</em> kills me. I greatly fear that the entire day
-will be spent in the search.”</p>
-
-<p>“Yesterday, suddenly, I missed the interleaved
-volume. I have been unrolling an immense heap of
-newspapers, &amp;c., ever since six a.m. How so thick a
-vol. <em>can</em> have hidden itself, I am unable to explain.”</p>
-
-<p>“The act of <em>stooping</em> has for many years caused me
-so much illness, that in this search, all applied to
-papers lying on the floor, entangled with innumerable
-newspapers, I have repeatedly been forced to pause.
-I fear that the seventeen or eighteen missing pages
-may have been burned suddenly lighting candles;<span class="pagenum"><a id="Page_157">157</a></span>
-and I am more surprised at finding so many than at
-missing so few.”</p>
-
-<p>“I am utterly in the dark as to where this paper is&mdash;whether
-<i xml:lang="fr" lang="fr">chez moi</i>, or <i xml:lang="fr" lang="fr">chez la presse</i> (I use French
-simply as being the briefest way of conveying my
-doubts). Now mark the difference to me, according
-to the answer. 1. On the assumption that the paper
-is in <em>my</em> possession, then, of course, I will seek till I
-find it, and no labour will be thrown away. But 2.
-On the counter assumption that the paper is all the
-while in the possession of the press, the difference to
-me would be this: That I should be searching for
-perhaps half a day, and, as it is manifestly not on my
-table, I should proceed on the postulate that it must
-have been transferred to the floor, consequently the
-work would all be unavoidably a process of stooping,
-and all labour lost, from which I should hardly recover
-for a fortnight. This explains to you my earnestness
-in the matter. Exactly the same doubt applies
-(and therefore exactly the same dilemma or alternative
-of stoop or stoop not) to some other papers.”</p>
-
-<p>How keenly De Quincey felt in consequence of
-these continually recurring delays, the following
-sentences will show:&mdash;“It distracts me to find that I
-have been constantly working at the wrong part. It
-is most unfortunate, nor am I able to guess the cause,
-that I who am rendered seriously unhappy whenever I
-find or suppose myself to have caused any loss of time
-to a compositor, whose time is generally his main
-estate, am yet continually doing so unintentionally
-and in most cases unconsciously. It seems as if to the
-very last my destiny were to cause delays.”</p>
-
-<p>The frequency of the communications and personal
-interviews which occurred during the eight years in<span class="pagenum"><a id="Page_158">158</a></span>
-which the works were in progress may be inferred
-from the following:&mdash;“My dear Sir,&mdash;I have been in
-great anxiety through yesterday and to-day as to the
-cause of a mysterious interruption of the press intercourse
-with me. Now, it has happened once before
-that we were at cross purposes, each side supposing
-itself stopped by the other. As the easiest way,
-therefore, of creeping out of the mystery I repeat it to
-you.”</p>
-
-<p>Notwithstanding the continual interruptions and the
-difficulty of dragging the volumes through the press,
-the cordial and friendly feeling which existed between
-De Quincey and Mr. Hogg was never interrupted by
-a single jarring word.</p>
-
-<p>Since the fourteen volumes passed into the hands of
-Messrs. Black, they have added other two volumes,
-made up of biographies contributed by De Quincey
-to the “Encyclopædia Britannica,” and a number of
-papers which remained in Mr. Hogg’s hands.</p>
-
-<div id="if_i_158" class="figcenter" style="width: 136px;">
- <img src="images/i_158.jpg" width="136" height="142" alt="" /></div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_159">159</a></span></p>
-
-<div class="chapter">
-<div id="if_i_159" class="figcenter" style="width: 359px;">
- <img id="hdr_4" src="images/i_159.jpg" width="359" height="84" alt="" /></div>
-
-<h2 class="nobreak"><i>JOHN MURRAY</i>:<br />
-
-<span class="subhead">BELLES-LETTRES AND TRAVELS.</span></h2>
-</div>
-
-<p class="drop-cap"><span class="smcap1">The</span> foundation of the great publishing houses of
-London is co-temporary in date with the origin
-of the private banks and famous breweries; for, as in
-the case of these establishments, the connections
-requisite were so extensive, and the needful capital, to
-render venture a success, so large, that in many
-instances the present great publishing firms have been
-the work of three, in some cases even of five, generations.
-There have, of course, been isolated exceptions,
-as in the instance of Archibald Constable, of
-Edinburgh; but these rare cases, though often beneficial
-to the world at large, have seldom been individually
-successful.</p>
-
-<p>John McMurray, the founder of the great London
-house of Murray, was born in Edinburgh about the
-year 1795, of very respectable parents, who not only
-gave him a good education, but enlisted for him the
-sympathies of Sir George Yonge, then an official in
-high favour. Through Sir George’s influence a commission
-was obtained in the Royal Marines, and in<span class="pagenum"><a id="Page_160">160</a></span>
-1762, we find from the Navy List, that John
-McMurray joins his frigate full, probably, of hopeful
-anticipations of the promotion that sometimes came
-so speedily in the days of the old French wars. The
-Peace of Paris, however, was signed in the following
-year, and, spite of patronage and merit, McMurray
-was, in 1768, still a second lieutenant, and, in point
-of seniority, thirty-fourth on the list. Disgusted with
-a profession from which he could hope so little, and
-eager for a more useful career in life, in this same
-year he embraced an opportunity that seemed to give
-him a chance of exchanging the lounging idleness of
-Chatham barracks for the busy activity of London
-business, in a trade very congenial to his tastes, and
-not unaccompanied with hopes of solid emolument.</p>
-
-<p>Among the friends he had made either afloat or
-at his Chatham quarters was William Falconer, who,
-a sailor boy “before the mast,” had in the very year
-of McMurray’s first entry into the service, published
-the beautiful poem of the “Shipwreck.” This poem
-attracted great attention, and the author was promoted
-to the more honourable than lucrative position
-of midshipman. Fellow-townsmen&mdash;and in those
-days blood was thicker than water&mdash;and in some
-degree fellow-students, for both were lovers of books,
-they became firm friends; and McMurray’s first
-thought, when the offer of a bookseller’s business was
-put before him, was to secure the aid of his literary
-friend in his new venture; and an interesting letter,
-still preserved, gives the history of his commencement
-as a bookseller. Addressed to “Mr. William Falconer,
-at Dover,” it runs as <span class="locked">follows:&mdash;</span></p>
-
-<p><span class="pagenum"><a id="Page_161">161</a></span></p>
-
-<blockquote>
-<p class="sigright">
-“Brompton, Kent, 16th Oct., 1768.
-</p>
-
-<p>“<span class="smcap">Dear Will</span>,&mdash;Since I saw you, I have had the
-intention of embarking in a scheme that I think will
-prove successful, and in the progress of which I had
-an eye towards your participating. Mr. Sandby,
-bookseller, opposite St. Dunstan’s church, has entered
-into company with Snow and Denne, bankers.
-I was introduced to this gentleman about a month
-ago, upon an advantageous offer of succeeding him
-in his old business, which, by the advice of my
-friends, I propose to accept. Now, although I have
-little reason to fear success by myself in this undertaking,
-yet I think so many additional advantages
-would accrue to us both, were your forces and mine
-joined, that I cannot help mentioning it to you, and
-making you the offer of entering into company. He
-resigns to me the lease of the house; the goodwill &mdash;&mdash;;
-and I only take his bound stock, and fixtures,
-at a fair appraisement, which will not amount
-to more than £400, and which, if I ever mean to part
-with, cannot fail to bring in nearly the same sum.
-The shop has long continued in the trade; it retains
-a good many old customers; and I am to be ushered
-immediately into public notice by the sale of a new
-edition of Lord Lyttelton’s ‘Dialogues;’ and afterwards
-by a like edition of his ‘History.’ These
-works I shall sell by commission, upon a certain
-profit without risque; and Mr. Sandby has promised to
-continue to me, always, his good offices and recommendations.
-These are the general outlines; and if
-you entertain a notion that the conjunction would suit
-you, advise me, and you shall be assumed upon equal
-terms.</p>
-
-<p>“Many blockheads in the trade are making fortunes;<span class="pagenum"><a id="Page_162">162</a></span>
-and did we not succeed as well as they, I
-think it must be imputed only to ourselves....
-Consider what I have proposed, and send me your
-answer soon. Be assured in the meantime that I remain,
-dear Sir,</p>
-
-<p class="sigright">
-<span class="l1">“Your affectionate and humble Servant,</span><br />
-“<span class="smcap">John McMurray</span>.
-</p>
-
-<p>“P.S.&mdash;My advisers and directors in this affair have
-been Thomas Cumming, Esq., Mr. Archibald Paxton,
-Mr. Samuel Paterson, of Essex House, and Messrs. J.
-and W. Richardson, printers. These, after deliberate
-reflection, have unanimously thought that I should accept
-of Mr. Sandby’s offer.”</p></blockquote>
-
-<p>From some reason or other the offer was declined;
-perhaps, as Falconer’s biographer asserts, he was at
-this time (though absent for a while at Dover) living
-with his pretty little wife in an attic in Grub Street,
-toiling at his “Marine Dictionary,” and with no prospect
-of raising the money requisite for the partnership
-proposed; perhaps he had already accepted the
-pursership of the “Aurora” frigate. At all events,
-immediately after the publication of the third edition
-of his “Shipwreck,” which was to have contained
-some lines addressed to McMurray, which, in the
-hurry of departure were omitted, he sailed in the
-“Aurora” for India. The Cape was safely reached,
-but after leaving it the “Aurora” was never heard of
-again. Ship, crew, and passengers were all lost, and,
-through the untimely death of the author, the “Shipwreck”
-acquired a melancholy and almost prophetic
-interest, which speedily exhausted the third and
-many future editions.</p>
-
-<p>In the meantime John McMurray had commenced<span class="pagenum"><a id="Page_163">163</a></span>
-bookselling in earnest. It was at a time when,
-through Wilkes and Bute, national feeling seems to
-have run very high, and to be a Scotchman was
-hardly a recommendation to a beginner, and we find
-that, though McMurray headed all his trade bills with
-a ship, as a proud testimony to his naval antecedents,
-he found it convenient to drop the Scotch prefix of
-Mc. The following copy of a trade card issued at
-the time is the first record we have of this alteration
-of title.</p>
-
-<blockquote class="bbox">
-<p class="center">
-JOHN MURRAY (successor to Mr. <span class="smcap">Sandby</span>),<br />
-Bookseller and Stationer,<br />
-At No. 32, over-against St. Dunstan’s Church,<br />
-in Fleet Street,<br />
-London.
-</p>
-
-<p class="in0">Sells all new Books and Publications. Fitts up Public or Private
-Libraries in the neatest manner with Books of the choicest
-editions, the best Print, and the richest Bindings.</p>
-
-<p class="center">Also,</p>
-
-<p class="in0">Executes East India or Foreign Commissions by an assortment of
-Books and Stationary suited to the Market or Purpose for which
-it is destined; all at the most reasonable rates.</p></blockquote>
-
-<p>Murray found that Sandby’s connection at Fleet
-Street was a good one&mdash;Mr. William Sandby, indeed,
-could have been no ordinary bookseller, for his father
-was a prebendary of Gloucester, and his brother a
-master of Magdalen College, while he was accepted
-as partner in a wealthy banking firm&mdash;the trade were
-inclined to “back him up,” and he was able to extend
-his business considerably in India and Edinburgh,
-where he had many friends. The new edition of
-Lord Lyttelton’s “History” was brought out in
-stately quarto volumes, as befitted the rank of the<span class="pagenum"><a id="Page_164">164</a></span>
-author, and was completely issued in 1771&ndash;2, and,
-published “with a certain profit, without risque,” must
-have proved much more remunerative than the
-original “Henry II.” was to Sandby, who generously
-offered to pay for the author’s corrections, and who
-found to his cost that not a single line was left as
-originally printed.</p>
-
-<p>Murray seems to have kept up his connection with
-Edinburgh, for in 1773 we find him London agent for
-the <cite>Edinburgh Magazine and Review</cite>, and in the following
-year, when it was proposed to separate the
-<cite>Magazine</cite> from the <cite>Review</cite>, Stuart writes to Smellie:&mdash;“Murray
-seems fully apprised of the pains and attentions
-that are necessary, has literary connections,
-and is fond of the employment; let him, therefore, be
-the London proprietor.” Murray consented to “take
-a share,” if his advice were attended to; but the
-scheme of a review came to nothing, and even the
-existing <cite>Edinburgh Magazine and Review</cite> died, in
-1776, of a violent attack on Lord Monboddo’s “Origin
-of Language.” Murray offered his condolence in
-the following laconic <span class="locked">note:&mdash;</span></p>
-
-<blockquote>
-
-<p>“<span class="smcap">Dear Smellie</span>,&mdash;I am sorry for the defeat you
-have met with. Had you praised Lord Monboddo
-instead of damning him, it would not have happened.</p>
-
-<p class="sigright">
-<span class="l4">“Yours, &amp;c.</span><br />
-“<span class="smcap">John Murray</span>.”
-</p></blockquote>
-
-<p>Murray, now that the Edinburgh scheme had come
-to nothing, commenced in 1780 a volume of annual
-intelligence of his own under the title of the <cite>London
-Mercury</cite>; and in January, 1783, with the assistance
-of a staff of able writers, among whom were Dr. Whittaker<span class="pagenum"><a id="Page_165">165</a></span>
-and Gilbert Stuart, who had lately come from
-Scotland, he started the <cite>English Review</cite>.</p>
-
-<p>A great portion of Murray’s retail stock was medical
-books, and for many years the house had a reputation
-in the medical world. Of the books, however,
-which he published, those more latterly issued proved
-by far the most successful, such as Langhorne’s
-“Plutarch’s Lives,” Mitford’s “Greece,” and, in 1791,
-a thin octavo in which the elder Disraeli first gave
-the public his “Curiosities of Literature”&mdash;all of
-them works which have since been annual sources of
-revenue to the firm.</p>
-
-<p>Murray found time, however, amidst all this business,
-to indulge his own literary tastes and aspirations,
-which had at one time been strong. Some of his
-pamphlets&mdash;such as the “Letter to Mr. Mason on his
-Edition of Gray’s Poems, and the Practice of Booksellers”
-(1777); his “Considerations on the Freight
-and Shipping of the East India Company” (1786),
-and “An Author’s Conduct to the Public, stated in the
-Behaviour of Dr. William Cullen” (1784)&mdash;acquired
-much transient reputation.</p>
-
-<p>After a career, as successful we imagine as his
-wishes could desire, John Murray died on the 6th
-November, 1793, leaving behind him a widow, two
-daughters, and an only son, and bequeathing to the
-latter a business which was destined to carry the
-name of John Murray wherever the English language
-was spoken, and wherever English books were read,
-as the most venturesome and yet the most successful
-publisher who has ever, in London at all events,
-encouraged the struggles of authorship and gratified
-the tastes of half a world of readers.</p>
-
-<p>John Murray, the son, the more immediate object<span class="pagenum"><a id="Page_166">166</a></span>
-of our memoir, was born in 1778, and was consequently
-only fifteen at the time of his father’s death. He had
-been educated primarily at the High School of Edinburgh,
-doubtless with a view of keeping up the Scotch
-connection, and had afterwards been removed to
-“various English seminaries”&mdash;among others to Dr.
-Burney’s academy at Gosport, where, through the carelessness
-of a writing-master, while making a pen with
-a penknife, he lost the sight of one of his eyes. The
-founder of the house not only left the business to his
-son, but left also a council of regency to manage
-affairs until he came to the natural years of discretion.
-By a last will, dated about one month before his
-death, the elder John Murray appointed four executors&mdash;among
-them his widow, Hester Murray, and
-Archibald Paxton, who in his letter to Falconer he
-had named as one of his principal advisers in adopting
-the bookselling trade. For a year or two after 1793
-the name of “H. Murray” figures at the top of the
-bills and trade circulars, and then disappears from
-them, Mrs. Murray having, it seems, in 1795, married
-“Henry Paget, Lieutenant in the West Norfolk
-Militia,” and retired entirely from the management
-of the business. Murray was still too young to carry
-on the shop unaided, so his guardians admitted Mr.
-Highley, for a long time chief factotum in the shop
-and manager of the medical department, to a partnership
-with him. By the agreement the title of the new
-firm was to be “Murray and Highley;” the latter was
-solely to conduct the business, and to receive half the
-profits until young John came of age, after which they
-were to enjoy equal powers and “share and share”
-alike.</p>
-
-<div id="if_i_166" class="figcenter" style="width: 370px;">
- <img src="images/i_166.jpg" width="370" height="447" alt="" />
- <div class="caption"><p>John Murray&mdash;reading a newspaper.</p>
-
-<p>1778&ndash;1843.</p></div></div>
-
-<p>Mr. Highley, who seems to have been a steady,<span class="pagenum"><a id="Page_167">167</a></span>
-plodding man with much latent exertion against all
-speculative venture, did little to increase the standing
-of the firm; probably he imagined that the trade in
-medical books, as it was attended with the least risk,
-was the most remunerative portion of the business.
-His worthy soul was vexed at the anger excited by
-Whitaker’s slashing articles in the <cite>English Review</cite>.
-“Enraged authors,” it appears, took to sending huge
-parcels of defiant, contemptuous, and, worse still,
-unpaid MSS. to the publisher of the <cite>Review</cite>, complaining
-of the treatment which their books suffered
-at the hands of his critics, and “enraged authors”
-seem at this time to have been about the only
-readers of the savage periodical in question. One of
-the last numbers contains a notice that all unpaid
-post parcels may be inquired for again at the General
-Post Office; and soon after Mr. Highley eased his
-shoulders of this burden by merging the <cite>English
-Review</cite> in the <cite>Analytical</cite>.</p>
-
-<p>Young Murray was at this time of a very different
-temperament to his partner&mdash;full of youth, fire, and
-energy, and uncommonly gifted with that speculative
-spirit which must have caused the elder man many a
-time to shake his head sagely, and to lift his gravely
-deprecating eyebrows. In fact, youth and age can
-never see matters with the same eyes;&mdash;the one looks
-as through a telescope magnifying all things within
-vision some hundred-fold; the other peers cautiously
-through spectacles, misty and begrimed, more used in
-guiding immediate footsteps than in gazing far ahead.
-Murray had attained his majority in 1799, and in four
-years the two partners resolved to sever their connection
-in a pleasant and friendly manner. By the
-formal deed of separation, dated 25th March, 1803,<span class="pagenum"><a id="Page_168">168</a></span>
-Highley retained all the medical business. But the
-principal act of parting was of anything but a formal
-nature. They drew lots for the old house and Murray
-was fortunate enough to secure the winning prize.
-Highley moved to No. 24, Fleet Street, but was able
-afterwards, in 1812, when Murray migrated to Albemarle Street,
-to move back again, and here he increased
-his medical connection, leaving a thriving
-business to his son.</p>
-
-<p>In this very year of separation the <cite>Edinburgh
-Review</cite> was started, and Murray was probably
-reminded of the scheme in which his father had once
-been concerned with Smellie to produce a periodical
-under a similar title, but the time was not yet ripe
-for his own projects.</p>
-
-<p>In 1806, at the age of twenty-four, he married Miss
-Elliot of Edinburgh, a young lady descended from
-one of the best-known publishers in the Modern
-Athens, and this, perhaps, drawing his attention to
-household matters, led to the publication of Mrs.
-Rundell’s “Domestic Cookery Book.” It is said that
-the receipts came from the note-book of the mother of
-the late Admiral Burney, with whose family, be it
-remembered, he had been at school at Gosport. This
-was the first and one of the most lucrative “hits”
-that Murray made, and perhaps in the important
-items of £ <i>s.</i> <i>d.</i> rivalled “Childe Harold” itself. Byron
-sings of it in playful <span class="locked">jealousy:&mdash;</span></p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“Along thy sprucest book-shelves shine<br /></span>
-<span class="i0">The works thou deemest most divine,<br /></span>
-<span class="i0">The Art of Cookery and mine,<br /></span>
-<span class="i18">My Murray!”<br /></span>
-</div></div>
-</div>
-
-<p>Murray’s ambition however was not to be satisfied
-with the sop of a successful cookery book. His<span class="pagenum"><a id="Page_169">169</a></span>
-marriage may be supposed to have strengthened his
-interests in the Scotch metropolis, for in the following
-year we find Constable offering him a fourth share in
-Scott’s forthcoming poem of “Marmion.” “I am,”
-writes Murray on the 6th Feb., 1807, “truly sensible
-of the kind remembrance of me in your liberal purchase.
-You have rendered Mr. Miller no less happy
-by your admission of him; and we both view it as
-honourable, profitable, and glorious to be concerned
-in the publication of a new poem by Walter Scott.”
-For an account of the success of “Marmion” we must
-refer the reader to the life of Archibald Constable; it
-is enough for our present purpose to know that
-Murray afterwards said that this fourth share, for which
-he paid £250, brought him in a return of fifty-fold.</p>
-
-<p>The publication of “Marmion” was followed by a
-connection with Scott, who in the succeeding year
-edited for him Strutt’s “Queen Hoo Hall.”</p>
-
-<p>Scott had before this been concerned with Campbell
-in a projected series of “Biographies of the Poets,” which
-had however come to nothing. Murray now thought
-that Scott’s talents, and more especially perhaps his
-name, would bestow certain success upon the project;
-and we find Campbell, who had just made a “poet’s
-marriage”&mdash;with love enough in his heart and genius
-enough in his brain, but “with only fifty pounds in
-his writing desk”&mdash;inditing to Scott as <span class="locked">follows:&mdash;</span></p>
-
-<blockquote>
-
-<p>“<span class="smcap">My dear Scott</span>,&mdash;A very excellent and gentlemanly
-man&mdash;albeit a bookseller&mdash;Murray of Fleet
-Street, is willing to give for our joint ‘Lives of the Poets,’
-on the plan we proposed to the trade a twelvemonth
-ago, a thousand pounds.... Murray is the only gentleman
-in the trade except Constable.... I may perhaps<span class="pagenum"><a id="Page_170">170</a></span>
-also except Hood. I have seldom seen a pleasanter
-man to deal with. Our names are what he principally
-wants, especially <em>yours</em>.... I do not wish even in
-confidence to say anything ill of the London booksellers
-beyond their deserts; but I can assure you
-that to compare this offer of Murray’s with their usual
-offers is magnanimous indeed. Longman and Rees
-and a few of the great booksellers have literally
-monopolized the trade, and the business of literature
-is getting a dreadful one indeed. The Row folks have
-done nothing for me yet; I know not what they intend.
-The fallen prices of literature&mdash;which is getting
-worse by the horrible complexion of the times&mdash;make
-me often rather gloomy at the life I am likely to lead.
-You may guess, therefore, my anxiety to close with
-this proposal; and you may think me charitable indeed
-to retain myself from wishing that you were as poor as
-myself, that you might have motives to lend your aid.”</p></blockquote>
-
-<p>Scott, however, was too busy on higher paid
-work and was obliged to decline the offer, and
-for the present Campbell went back to his “hack-work.”
-Poor Campbell had suffered much from the
-publishers. His “Pleasures of Hope” had been rejected
-by every bookseller in Glasgow and Edinburgh;
-not one of them would even risk paper and printing
-upon the chance of its success. At last Messrs. Mundell
-and Son, printers to the University of Glasgow,
-with much reluctance undertook its publication, upon
-the liberal condition of allowing the author fifty copies
-at trade price, and, in the event of its reaching a
-second edition, a gratuity of ten pounds. A few years
-afterwards, when Campbell was present at a literary
-dinner party, he was asked to give a toast, and without
-a moment’s hesitation he proposed “Bonaparte.”<span class="pagenum"><a id="Page_171">171</a></span>
-Glasses were put down untouched, and shouts of “The
-Ogre!” resounded. “Yes, gentlemen,” said Campbell
-gravely, “here is to Bonaparte; he has just shot a
-bookseller!” Amid shouts of applause, for the dinner
-was in “Bohemia,” the glasses were jangled and the
-toast was drank, for the news had but just arrived
-that Palm, a bookseller of Nuremburg, had been shot
-by the Emperor’s orders.</p>
-
-<p>Constable scarcely thought, when he offered the
-fourth share of “Marmion” to Murray, that he was
-fostering a dangerous rival. Yet in the very year
-after the publication of “Marmion” he was projecting
-a rival quarterly, and the following letter to Canning,
-first printed in “Barrow’s Autobiography,” shows that
-Murray is entitled to the whole credit of the new
-scheme.</p>
-
-<blockquote>
-<p class="sigright">
-“September 25th, 1807.
-</p>
-
-<p>“<span class="smcap">Sir</span>,&mdash;I venture to address you upon a subject
-that is perhaps not undeserving of one moment of
-your attention.</p>
-
-<p>“There is a work entitled the <cite>Edinburgh Review</cite>,
-written with such unquestionable talent that it has
-already attained an extent of circulation not equalled
-by any similar publication. The principles of this
-work are, however, so radically bad, that I have been
-led to consider the effect which such sentiments, so
-generally diffused, are likely to produce, and to think
-that some means equally popular ought to be adopted
-to counteract their dangerous tendency. But the
-publication in question is conducted with so much
-ability, and is sanctioned and circulated with such
-high and decisive authority by the party of whose
-opinions it is the organ, that there is little hope of<span class="pagenum"><a id="Page_172">172</a></span>
-producing against it any effectual opposition, unless it
-arise from you, sir, and from your friends. Should you,
-sir, think the idea worthy of encouragement I should,
-with equal pride and willingness, engage my arduous
-exertions to promote its success; but as my object
-is nothing short of producing a work of the greatest
-talent and importance, I shall entertain it no longer,
-if it be not so fortunate as to obtain the high patronage
-which I have thus, sir, taken the liberty to solicit.</p>
-
-<p>“Permit me to add, sir, that the person who thus
-addresses you is no adventurer, but a man of some
-property, including a business that has been established
-for nearly half a century. I therefore trust
-that my application will be attributed to its proper
-motives, and that your goodness will at least pardon
-its intrusion.</p>
-
-<p class="sigright">
-<span class="l2">“I have the honour to be, Sir, &amp;c., &amp;c.,</span><br />
-“<span class="smcap">John Murray</span>.”
-</p></blockquote>
-
-<p>Canning read the letter, and though for the present
-it was put away in his desk unanswered, the contents
-were not forgotten, for a few years before this he had
-heard Murray’s name mentioned in a very honourable
-way. Some Etonians, among them Canning’s nephew,
-had started a periodical called the <cite>Miniature</cite>, which
-brought them some fame, but left them under a pecuniary
-loss. Murray, with his usual good nature, and
-with something of the tact which afterwards made
-him so many powerful friends, took all copies off their
-hands, paid all their expenses, and though he found
-little demand for the work, offered to print a new
-edition. This was a trait of character that, with a
-clear-headed, far-seeing man like Canning, would probably
-go far. As yet, however, the Principal Secretary<span class="pagenum"><a id="Page_173">173</a></span>
-for Foreign Affairs, though he gave the matter
-careful consideration, did not care to commit himself
-upon paper.</p>
-
-<p>Two months, however, before this letter Scott and
-Southey had been corresponding about the <cite>Edinburgh
-Review</cite>, Southey stating that he felt himself unable to
-contribute to a periodical of such political views, and
-Scott heartily agreeing in deprecating the general
-tone of the <cite>Review</cite>.</p>
-
-<p>Early in 1808, a very severe article came out in
-the <cite>Review</cite> anent “Marmion.” Murray pricked up
-his ears, and, as he afterwards told Lockhart, “When
-I read the article on ‘Marmion,’ and another on
-general politics in the same number of the <cite>Review</cite> I
-said to myself, ‘Walter Scott has feelings both as a
-gentleman and as a Tory, which those people must
-now have wounded. The alliance between him and
-the whole clique of the <cite>Edinburgh Review</cite>, the proprietor
-included, is shaken,’” “and,” adds Lockhart,
-“as far at least as the political part of the affair was
-concerned, John Murray’s sagacity was not at fault.”</p>
-
-<p>Murray saw that the right way to approach Scott
-was through the Ballantynes’ printing press, in which
-Scott at this time was a secret partner, and in which
-he always expressed openly the greatest interest. So
-urgent did Murray’s tenders of work become that a
-meeting at Ferrybridge, in Yorkshire, was arranged;
-and here Murray received from Ballantyne the gratifying
-news that Scott had quarrelled with Constable,
-and that it was resolved to establish a rival firm.
-Murray, who never wasted an opportunity from lack
-of decision, posted on to Ashestiel and had an interview
-with Scott himself, and the proposal of a new
-quarterly Tory periodical was eagerly snatched at.<span class="pagenum"><a id="Page_174">174</a></span>
-Strangely enough Murray arrived just as Scott, after
-reading an article on Spanish matters, had written to
-have his name erased from the list of subscribers to
-the <cite>Edinburgh</cite>. Murray was able to announce, too,
-that Gifford, the editor of the late <cite>Anti-Jacobin</cite>, had
-promised co-operation, and in a letter to Gifford we
-see Scott’s satisfaction clearly <span class="locked">enough:&mdash;</span></p>
-
-<p>“John Murray of Fleet Street, a young bookseller
-of capital and enterprize, and with more good sense
-and propriety of sentiment than fall to the share of
-most of the trade, made me a visit at Ashestiel a few
-weeks ago, and as I found he had had some communication
-with you on the subject, I did not hesitate to
-communicate my sentiments to him on these and some
-other points of the plan, and I thought his ideas were
-most liberal and satisfactory.”</p>
-
-<p>Soon after Canning wrote to the Lord Advocate
-on the subject, and the Lord Advocate communicated
-with Scott, who recommended that in all things save
-politics the <cite>Edinburgh</cite> should be taken as a model,
-especially in the liberal payment of <em>all</em> contributors,
-and in the unfettered judgment of the editor. Gifford
-was unanimously fixed on as fitted for the editorial
-chair. That he possessed vigour was apparent from
-his success&mdash;a plough-boy, a sailor, a cobbler, then a
-classical scholar, the translator of “Juvenal,” the
-biting satirist of the “Baviad and Mæviad,” the brilliant
-editor of the <cite>Anti-Jacobin</cite>, who so well suited to out-rival
-Jeffrey?</p>
-
-<p>All the talent available was secured. Scott came
-to town to be present at the birth of the expected
-prodigy, and well he might, for three of the articles
-in the first number were his own. Rose, and young
-Disraeli, and Hookham Frere, and Robert Southey&mdash;<span class="pagenum"><a id="Page_175">175</a></span>the
-future back-bone of the <cite>Review</cite>&mdash;were all represented,
-and on 1st February, 1809, the first number
-of the <cite>Quarterly Review</cite> was published. According
-to tradition there were high jinks at Murray’s shop
-in Fleet Street when the first numbers arrived from
-the binders; a triumphal column of the books “was
-raised aloft in solemn joy in the counting-house, the
-best wine in the cellar was uncorked, and glasses in
-hand John Murray and assistants danced jubilant
-round the pile.” The pile, however, did not long remain,
-as so many famous columns have done to mock
-the hope of its builders, but the whole issue was sold
-almost immediately, and a second edition was called
-for.</p>
-
-<p>To the second number Canning himself contributed,
-and received his payment of ten guineas per sheet.
-Barrow, too, was introduced, who contributed, in all,
-no less than one hundred and ninety-five articles, “on
-every subject, from ‘China’ to ‘Life Assurance.’”
-After Barrow and Croker, Southey was, perhaps, the
-most prolific; to the first hundred and twenty-six
-numbers he contributed ninety-four articles&mdash;many of
-them of great permanent value&mdash;and to him Murray
-uniformly exhibited a generosity almost without
-parallel. For an article on the “Lives of Nelson,” he
-received twenty guineas a sheet, double what Southey
-himself acknowledged to be ample, and he was offered
-£100 to enlarge the article into a volume, and having
-exceeded the estimated quantity of print, Murray
-paid him double the amount stipulated, adding
-another 200 guineas when the book was revised for
-the “Family Library.” For the review of the “Life
-of Wellington,” Southey got £100, and he thought the
-sum so large that he himself calls it “a ridiculous<span class="pagenum"><a id="Page_176">176</a></span>
-price;” yet this ridiculous price he continued to
-receive, and he was in the habit of saying that he
-was as much overpaid for his articles by Murray, as
-he was underpaid for the rest of his work for other
-publishers. “Madoc,” of which he had great hopes,
-brought him £3 19<i>s.</i> 1<i>d.</i> for the first twelvemonth,
-and the three volumes of the “History of the Brazils,”
-scarcely paid their expenses of publication.</p>
-
-<p>Of the other contributors it is unnecessary to speak
-fully here; but the <cite>Review</cite>, now that it was established,
-gave Murray at once a pre-eminence in the
-London trade, by bringing him into connection with
-the chief Conservative statesmen, and with the principal
-literary men in England.</p>
-
-<p>The alliance that Murray had formed with the
-Ballantynes was soon dissolved, for Murray, though
-venturous enough, was a man of business, and their
-loose, slip-shod way of general dealings, did not at all
-satisfy his requirements. William Blackwood, then a
-dealer in antiquarian books, was chosen instead as
-Edinburgh agent, and, in conjunction with him, Murray
-purchased the first series of the “Tales of My Landlord.”
-This was in 1816, and some payments for
-<cite>Quarterly Review</cite> articles was well-nigh the last business
-communication between Scott and Murray.</p>
-
-<p>Now that Murray had so completely rivalled Constable
-in one line&mdash;that of the <cite>Review</cite>&mdash;he wished to
-rival him in another. Constable had made an apparent
-fortune out of Scott’s poetry, in which Murray
-had in one case, to the extent of one quarter, participated.
-Scott had, it is true, left Constable, but was
-for the present unalienable from the Ballantynes, who
-at this moment enjoyed the dubious services of a
-London branch.</p>
-
-<p><span class="pagenum"><a id="Page_177">177</a></span>
-Looking round among the young and rising writers
-of the day, for one who was likely to enhance the
-fame and increase the wealth of his house, Murray
-mentally selected Lord Byron, then known, not only
-as the noble poetaster of the “Hours of Idleness,” but as
-the bitterest satirist who had dipped pen in gall since
-Pope had lashed the hack-writers of his time in the
-“Dunciad.” Murray made no secret of his wish to
-secure Byron as a client, and the rumour of this desire
-reached the ears of Mr. Dallas, the novelist, who
-happened at that very moment to be seeking a publisher
-for a new poem in two cantos, by his distant
-cousin and dear college chum, Lord Byron. Byron
-had just arrived from the East, bringing with him a
-satire, entitled “Hints from Horace,” of which he was
-not a little hopeful, and also, as he casually mentions,
-a “new attempt in the Spenserian stanza.” Dallas
-read the “new attempt,” and, enthralled by its beauty,
-forthwith undertook securing its publication. But,
-even in those days of venturous publishers and successful
-poems, the matter looked easier than it proved.
-Longman declined to publish a poem by a writer who
-had so recently lashed his own favourite authors.
-Miller, of Abermarle Street, a notable man in his day,
-and generous withal (had he not given the widow of
-the late Charles James Fox £1500 for her defunct
-husband’s historical fragments, and did he not eagerly
-snatch at one-fourth share of “Marmion?”) would
-have none of it, his noble patron, Lord Elgin, being
-abused in the very first canto. Dallas then appears
-to have heard a rumour of Murray’s willingness; the
-manuscript was taken to him, and £600 was offered,
-there and then, for the copyright. Byron was at that
-time unwilling to receive money for work done solely<span class="pagenum"><a id="Page_178">178</a></span>
-for love and fame; he had lately attacked Scott in a
-directly personal manner, as “Apollo’s venal <span class="locked">son:”&mdash;</span></p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“Though Murray with his Miller may combine<br /></span>
-<span class="i0">To yield thy Muse just half-a-crown per line!”<br /></span>
-</div></div>
-</div>
-
-<p class="in0">and generously made a present of the copyright to
-Dallas&mdash;a brother author, less gifted in purse and
-brain&mdash;and thus the bargain was concluded. This
-was the commencement of a friendship between author
-and publisher which has, perhaps, only one parallel in
-literary annals&mdash;that of Scott and Constable. From
-the letters between Byron and Murray we can discern
-clearly that the connection, tinged as it was with
-much generous feeling on both sides, was far from
-being of a purely commercial nature.</p>
-
-<p>“Childe Harold,” for this, of course, is the poem
-referred to, was “put in hand” at once. Quartos
-were then in vogue for all books likely to attract
-attention, and Murray insisted that profit as well as
-portliness was to be found therein. Byron was for
-octavos and popularity; but as he said wofully at
-the end of one of his letters, “one must obey one’s
-bookseller.” During the progress of the printing,
-Byron would lounge into the shop in Fleet Street,
-fresh from Angelo’s and Jackson’s. “His great
-amusement,” says Murray, “was in making thrusts
-with his stick, in fencer’s fashion, at the ‘sprucebooks,’
-as he called them, which I had arranged upon my
-shelves. He disordered a row for me in a short time,
-always hitting the volume he had singled out for the
-exercise of his skill. I was sometimes, as you will
-guess, glad to get rid of him.” As for correction,
-Byron was willing enough to defer at any time to
-Murray’s advice, upon all questions but politics,<span class="pagenum"><a id="Page_179">179</a></span>
-though only to a limited extent: “If you don’t like
-it, say so, and I’ll alter it, but <em>don’t</em> suggest anything
-instead.” In one letter we find a strange absence of a
-young writer’s anxiety anent the importance of typography.
-“The printer may place the notes in his
-<em>own way</em>, or in any <em>way</em>, so that they are out of my
-way.” In another: “<em>You have looked at it?</em> to much
-purpose, to allow so stupid a blunder to stand; it is
-not ‘courage,’ but ‘carnage,’ and if you don’t want
-to see me cut my own throat see it altered!” Again,
-but later, “If every syllable were a rattlesnake, or
-every letter a pestilence, they should not be expunged.”
-“I do believe the Devil never created or
-perverted such a fiend as the fool of a printer.” “For
-God’s sake,” he writes in another place, “instruct
-Mr. Murray not to allow his shopman to call the work
-‘Child of Harrow’s Pilgrimage!!!’ as he has done to
-some of my astonished friends, who wrote to inquire
-after my sanity on the occasion, as well they might!”
-To John Murray we imagine Lord Byron must have
-appeared as much of a contradiction as he did to the
-world outside.</p>
-
-<p>Byron was extremely anxious that no underhand
-means should be used to foster the success of “Childe
-Harold.” “Has Murray,” he writes to Dallas, “shown
-the work to any one? He may&mdash;but I will have no
-traps for applause.” On receipt of a rumour from
-Dallas, he indites a stormy letter to Murray, absolutely
-forbidding that Gifford should be allowed to
-look at the book before publication. Before the letter
-arrived, however, Gifford had expressed a very strong
-opinion, indeed, as to the merit of the poem, which he
-declared to “be equal to anything of the present day.”
-Byron wrote again to Murray, “as never publisher<span class="pagenum"><a id="Page_180">180</a></span>
-was written to before by author:”&mdash;“It is bad enough
-to be a scribbler, without having recourse to such
-shifts to escape from or deprecate censure. It is
-anticipating, begging, kneeling, adulating&mdash;the devil!
-the devil! the devil! and all without my wish, and
-contrary to my desire.”</p>
-
-<p>In the early spring of 1812, “Childe Harold” was
-ready, and three days before its appearance, Byron
-made his maiden speech in the House of Lords; a
-speech which was received with attention and hailed
-with applause, from those whose applause was in itself
-fame. It is needless here to recapitulate the success
-of “Childe Harold,” how, on the day after publication,
-Lord Byron awoke, and, as he himself phrased it,
-found himself famous.</p>
-
-<p>The publication of “Childe Harold,” was not the
-only important event of this year, 1812, to the subject
-of our memoir. In this same year, Murray purchased
-the stock-in-trade of worthy Mr. Miller, of 50, Albemarle
-Street, and migrated thither, leaving the old
-shop, east of Temple Bar, to be re-occupied by-and-by
-(in 1832) by the Highley family.</p>
-
-<p>Here it was, at Albemarle Street, that Murray attained
-the highest pinnacle of fame on which ever
-publisher stood. His drawing-room, at four o’clock,
-became the favourite resort of all the talent in literature
-and in art that London then possessed, and there
-<em>were</em> giants in those days. There it was his “custom
-of an afternoon,” to gather together such men as Byron,
-Scott, Moore, Campbell, Southey, Gifford, Hallam,
-Lockhart, Washington Irving, and Mrs. Somerville;
-and, more than this, he invited such artists as Laurence,
-Wilkie, Phillips, Newton, and Pickersgill to meet
-them and to paint them, that they might hang for<span class="pagenum"><a id="Page_181">181</a></span>
-ever on his walls. Famous tales, too, are told of the
-“publisher’s dinners;” of tables surrounded as never
-any king’s table but that of the “Emperor of the
-West’s” had ever been. As Byron makes Murray say,
-in his mock epistle to Dr. <span class="locked">Palidori&mdash;</span></p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“The room’s so full of wits and bards,<br /></span>
-<span class="i0">Crabbes, Campbells, Crokers, Freres, and Wards,<br /></span>
-<span class="i0">And others, neither bards nor wits,<br /></span>
-<span class="i0">My humble tenement admits<br /></span>
-<span class="i0">All persons in the dress of gent,<br /></span>
-<span class="i0">From Mr. Hammond to Dog Dent.<br /></span>
-<span class="i0">A party dines with me to-day,<br /></span>
-<span class="i0">All clever men who make their way;<br /></span>
-<span class="i0">Crabbe, Malcolm, Hamilton, and Chantrey<br /></span>
-<span class="i0">Are all partakers of my pantry.<br /></span>
-</div>
-
-<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
-
-<div class="stanza">
-<span class="i0">My room’s so full&mdash;we’ve Gifford here,<br /></span>
-<span class="i0">Reading MS. with Hookham Frere,<br /></span>
-<span class="i0">Pronouncing on the nouns and particles<br /></span>
-<span class="i0">Of some of our forthcoming articles.”<br /></span>
-</div></div>
-</div>
-
-<p>Mr. Planché, in his recently-published “Recollections,”
-gives us an amusing account of one of these
-literary réunions; this time, however, at the house of
-Horace Twiss. Murray, James Smith, and others remained
-in the dining-room very late, and the party
-grew noisy and merry, for Hook was giving some of
-his wonderful extempore songs. Pressed for another,
-he declared that the subject should be “John Murray;”
-but the “Emperor of the West” objected most vehemently,
-and vainly chased Hook round the table in furtive
-endeavours to stop a recitative, of which Planché
-only remembers the <span class="locked">beginning:&mdash;</span></p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“My friend, John Murray, I see, has arrived at the head of the table,<br /></span>
-<span class="i0">And the wonder is, at this time of night, that John Murray should be able.<br /></span>
-<span class="i0">He’s an excellent hand at supper, and not a bad hand at lunch,<br /></span>
-<span class="i0">But the devil of John Murray is, that he never will pass the punch!”<br /></span>
-</div></div>
-</div>
-<p><span class="pagenum"><a id="Page_182">182</a></span>
-Among the many instances of Murray’s munificence
-was the offer of £3000 to Crabbe for his “Tales of the
-Hall,” and the copyright of his prior works. Some
-zealous friends, however, thought this too small a sum,
-and opened negotiations with another firm, but the
-other firm offered considerably less; and Crabbe,
-fearing that Murray might consider the bargain as out
-of his hands entirely now, went straightway to Albemarle
-Street with Rogers and Moore as mediators.
-Murray, however, assured them that he had from the
-first considered the matter as entirely settled.</p>
-
-<p>Lord Byron’s personal connection with the Albemarle
-Street clique was of comparatively short existence, for,
-in 1816, he left England for the last time; but to the
-time of his death he kept up a regular correspondence
-with Murray of the frankest and most cordial kind.
-Now, Murray hearing that Lord Byron was in difficulties,
-sends him a draft for £1500, promising another
-for the same amount in the course of a few months,
-and offering to sell the copyright of his works for his
-use, if that were not sufficient. Then, again, in a
-freak, Byron presents Murray with “Parisina” and
-the “Siege of Corinth,” and returns the cheque for
-£1000 which the publisher had forwarded.</p>
-
-<p>“Your offer is liberal in the extreme, and much
-more than the two poems can possibly be worth; but
-I cannot accept it, nor will not. You are most welcome
-to them as an addition to the collected volumes,
-without any demand or expectation on my part whatever.</p>
-
-<p>“P.S.&mdash;I have enclosed your draft, <em>torn</em>, for fear of
-accidents by the way. I wish you would not throw
-temptation in mine; it is not from a disdain of the
-universal idol, nor from a present superfluity of his<span class="pagenum"><a id="Page_183">183</a></span>
-treasures, I can assure you, that I refuse to worship
-him; but what is right is right, and must not yield
-to circumstances.”</p>
-
-<p>The following is in a somewhat different <span class="locked">tone:&mdash;</span></p>
-
-<p>“You offer 1500 guineas for the new canto of (”Don
-Juan“). I won’t take it. I ask 2500 guineas for it,
-which you will either give or not, as you think proper.
-If Mr. Moore is to have 3000 for “Lalla,” &amp;c., if Mr.
-Crabbe is to have 3000 for his prose or poetry, I ask
-the aforesaid price for mine.” (“Beppo” was eventually
-thrown into the bargain.) “You are an excellent
-fellow, <i xml:lang="it" lang="it">mio caro</i> Murray, but there is still a little leaven
-of Fleet Street about you now and then&mdash;a crumb of
-the old loaf.... I have a great respect for your good
-and gentlemanly qualities, and return your friendship
-towards me; and although I think you are a little
-spoiled by ‘villanous company,’ with persons of honour
-about town, authors, and fashionables, together with
-your ‘I am just going to call at Carlton House, are
-you walking that way?’&mdash;I say, notwithstanding
-‘pictures, taste, Shakespeare, and the musical glasses,’
-you deserve the esteem of those whose esteem is worth
-having.”</p>
-
-<p>Now, like a spoiled child, Byron wishes back all his
-copyrights, and intends to suppress all that he has
-ever written, and Murray has to chide him and coax
-him, with much disinterestedness, urging him to
-labour steadily for a few years upon some work
-worthy of his talents, and fit to be a true monument
-of his fame.</p>
-
-<p>Some of Byron’s letters are in an earnest, many in a
-playful, mood, most in prose, but sometimes the poet
-breaks into a charming doggerel of delicious “chaff.”
-Here is one <span class="locked">specimen:&mdash;</span></p>
-
-<p><span class="pagenum"><a id="Page_184">184</a></span></p>
-
-<p class="p1 center">“TO MR. MURRAY.</p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“Strahan, Tonson, Lintot of the times,<br /></span>
-<span class="i0">Patron and publisher of rhymes,<br /></span>
-<span class="i0">For thee the bard of Pindus climbs,<br /></span>
-<span class="i22">My Murray.<br /></span>
-</div><div class="stanza">
-<span class="iq">“To thee, with hope and terror dumb,<br /></span>
-<span class="i0">The unfledged MS. authors come;<br /></span>
-<span class="i0">Thou printest all&mdash;and sellest some&mdash;<br /></span>
-<span class="i22">My Murray.<br /></span>
-</div><div class="stanza">
-<span class="iq">“Upon thy tables’ baize so green,<br /></span>
-<span class="i0">The last new <cite>Quarterly</cite> is seen,&mdash;<br /></span>
-<span class="i0">But where is thy new magazine,<br /></span>
-<span class="i22">My Murray?<br /></span>
-</div><div class="stanza">
-<span class="iq">“Along thy sprucest bookshelves shine<br /></span>
-<span class="i0">The works thou deemest most divine,&mdash;<br /></span>
-<span class="i0">The ‘Art of Cookery,’ and mine,<br /></span>
-<span class="i22">My Murray.<br /></span>
-</div><div class="stanza">
-<span class="iq">“Tours, Travels, Essays, too, I wist,<br /></span>
-<span class="i0">And Sermons to thy mill bring grist;<br /></span>
-<span class="i0">And then thou hast the ‘Army List,’<br /></span>
-<span class="i22">My Murray.<br /></span>
-</div><div class="stanza">
-<span class="iq">“And Heaven forbid I should conclude<br /></span>
-<span class="i0">Without the ‘Board of Longitude,’<br /></span>
-<span class="i0">Although this narrow paper would,<br /></span>
-<span class="i22">My Murray!”<br /></span>
-</div>
-
-<div class="lm2"><span class="smcap">Venice</span>, March 25, 1818.
-</div></div>
-</div>
-
-<p>There was no end to Byron’s wit and playfulness.
-Sometimes Murray would act as a mentor and adviser
-in more serious matters, but his advice would be
-pleasantly turned off with a jest. At the time when
-Byron was most calumniated, when there were cruel
-stories afloat about the life he led and the opinions he
-held (though none so cruel as have since been promulgated
-by a well-known American authoress), Murray’s
-soul was comforted by the present of a Bible&mdash;a gift
-from the illustrious poet. “Could this man,” he asked,
-“be a deist, an atheist, or worse, when he sent Bibles<span class="pagenum"><a id="Page_185">185</a></span>
-about to his publishers?” Turning it over in wonderment,
-however, some inquisitive member of his four-o’clock
-clique found a marginal correction&mdash;“Now
-Barabbas was a robber,” altered into “Now Barabbas
-was a <em>publisher</em>.” A cruel stab, a “palpable hit,”
-maybe, at some publishers, but, as regards Murray, an
-uproarious joke to be gleefully repeated to every
-comer. As a refutation of this playful libel, and as
-the clearest and most succinct way of showing what
-amounts of money Byron really did receive, we append
-the following <span class="locked">account:&mdash;</span></p>
-
-<p><span class="pagenum"><a id="Page_186">186</a></span></p>
-
-<table summary="payments to Byron">
- <tr>
- <td colspan="2"> </td>
- <td class="tdc in1">£</td></tr>
- <tr>
- <td class="tdl">1807</td>
- <td class="tdl"><cite>Hours of Idleness</cite></td></tr>
- <tr>
- <td class="tdl">1809</td>
- <td class="tdl"><cite>English Bards and Scotch Reviewers</cite></td></tr>
- <tr>
- <td class="tdl">1812</td>
- <td class="tdl"><cite>Childe Harold</cite>, I. II.[A]</td>
- <td class="tdr">600</td></tr>
- <tr>
- <td class="tdl">1813</td>
- <td class="tdl"><cite>The Gaiour</cite></td>
- <td class="tdr">525</td></tr>
- <tr>
- <td class="tdc rpad1">”</td>
- <td class="tdl"><cite>Bride of Abydos</cite></td>
- <td class="tdr">525</td></tr>
- <tr>
- <td class="tdl">1814</td>
- <td class="tdl"><cite>Corsair</cite><a id="FNanchor_15" href="#Footnote_15" class="fnanchor">15</a></td>
- <td class="tdr">525</td></tr>
- <tr>
- <td class="tdc rpad1">”</td>
- <td class="tdl"><cite>Lara</cite></td>
- <td class="tdr">700</td></tr>
- <tr>
- <td class="tdl">1815</td>
- <td class="tdl"><cite>Hebrew Melodies</cite><a id="FNanchor_16" href="#Footnote_16" class="fnanchor">16</a></td></tr>
- <tr>
- <td class="tdl">1816</td>
- <td class="tdl"><cite>Childe Harold</cite>, III.</td>
- <td class="tdr">1,575</td></tr>
- <tr>
- <td class="tdc rpad1">”</td>
- <td class="tdl"><cite>Siege of Corinth</cite></td>
- <td class="tdr">525</td></tr>
- <tr>
- <td class="tdc rpad1">”</td>
- <td class="tdl"><cite>Parisina</cite></td>
- <td class="tdr">525</td></tr>
- <tr>
- <td class="tdc rpad1">”</td>
- <td class="tdl"><cite>Prisoner of Chillon</cite></td>
- <td class="tdr">525</td></tr>
- <tr>
- <td class="tdl">1817</td>
- <td class="tdl"><cite>Manfred</cite></td>
- <td class="tdr">315</td></tr>
- <tr>
- <td class="tdc rpad1">”</td>
- <td class="tdl"><cite>Lament of Tasso</cite></td>
- <td class="tdr">315</td></tr>
- <tr>
- <td class="tdl">1818</td>
- <td class="tdl"><cite>Beppo</cite></td>
- <td class="tdr">525</td></tr>
- <tr>
- <td class="tdc rpad1">”</td>
- <td class="tdl"><cite>Childe Harold</cite>, IV.</td>
- <td class="tdr">2,100</td></tr>
- <tr>
- <td class="tdl">1819</td>
- <td class="tdl"><cite>Mazeppa</cite></td>
- <td class="tdr">525</td></tr>
- <tr>
- <td class="tdc rpad1">”</td>
- <td class="tdl"><cite>Don Juan</cite>, I. II.</td>
- <td class="tdr">1,525</td></tr>
- <tr>
- <td class="tdl">1820</td>
- <td class="tdl"><cite>Don Juan</cite>, III. IV. V.</td>
- <td class="tdr">1,525</td></tr>
- <tr>
- <td class="tdc rpad1">”</td>
- <td class="tdl"><cite>Marino Faliero</cite></td></tr>
- <tr>
- <td class="tdc rpad1">”</td>
- <td class="tdl"><cite>Doge of Venice</cite></td>
- <td class="tdr">1,050</td></tr>
- <tr>
- <td class="tdl">1821</td>
- <td class="tdl"><cite>Sardanapalus</cite>, <cite>Cain</cite>, and <cite>Foscari</cite></td>
- <td class="tdr">1,100</td></tr>
- <tr>
- <td class="tdc rpad1">”</td>
- <td class="tdl"><cite>Vision of Judgment</cite><a id="FNanchor_17" href="#Footnote_17" class="fnanchor">17</a></td></tr>
- <tr>
- <td class="tdl">1822</td>
- <td class="tdl"><cite>Werner</cite>; <cite>Deformed Transformed</cite>; <cite>Heaven and Earth</cite>,<br />to which were added <cite>Hours of Idleness</cite>,<br /><cite>English Bards</cite>, <cite>Hints from Horace</cite>, &amp;c.</td>
- <td class="tdr">3,885</td></tr>
- <tr>
- <td> </td>
- <td class="tdl">Sundries</td>
- <td class="tdr">450</td></tr>
- <tr>
- <td class="tdl">1822</td>
- <td class="tdl"><cite>Don Juan</cite>, VI. VII. VIII. IX. X. XI.</td></tr>
- <tr>
- <td class="tdl">1823</td>
- <td class="tdl"><cite>Age of Bronze</cite>, <cite>The Island</cite>, and more cantos of<br /><cite>Don Juan</cite></td></tr>
- <tr>
- <td> </td>
- <td class="tdl in10">Total</td>
- <td class="tdr bt">£19,340</td></tr>
- <tr>
- <td> </td>
- <td class="tdl"><cite>Life</cite>, by Thomas Moore</td>
- <td class="tdr">4,200</td></tr>
- <tr>
- <td> </td>
- <td> </td>
- <td class="tdr bt">£23,540</td></tr>
-</table>
-
-<p>Murray’s kindness to Byron may be said to have
-displayed itself even after his death. In 1821, Byron
-had given his friend Moore his autobiography, partly
-as a means of justifying his character, partly to enrich
-his friend. Moore, pressed as usual for money, made
-over the MS. to Murray for the sum of 2000 guineas,
-undertaking to edit it in case of survivorship. He
-subsequently intended to modify the transaction by a
-clause to be inserted in the deed, by which he, Moore,
-should have the option of redeeming it within three
-months after Byron’s death. When Byron did die, in
-1824, the MS. was given to Gifford to read, and found
-to be far too gross for publication, and, spite of Moore’s
-wish to modify it, Sir John Hobhouse and Mrs. Leigh
-insisted upon its being destroyed. Murray offered to
-give it up upon repayment of the 2000 guineas; and
-after an unpleasant scene in Murray’s shop, the MS.
-was destroyed by Wilmot Horton and Colonel Doyle,
-with the full consent of Moore, who repaid Murray the
-sum advanced by a draft on Rogers.</p>
-
-<p>No sooner had it been burnt than it was found that,
-through the want of the clause above named, Moore’s
-interest in the MS. had entirely ceased at Byron’s<span class="pagenum"><a id="Page_187">187</a></span>
-death; and though Moore, nobly and firmly, refused to
-receive the money back from Byron’s friends, he chose
-to consider for a time that Murray had wronged him.</p>
-
-<p>He took a proposal to Longman of a “Life of
-Byron,” and the matter was partially arranged, when
-Moore, urged on both by his feelings and his friends,
-seeing Murray in the street, started after him. “Mr.
-Murray, some friends of yours and mine seem to think
-that we should no longer continue on these terms. I
-therefore proffer you my hand, and most heartily forgive
-and forget all that has passed.” Murray’s face
-brightened into smiles, and on parting he said, “God
-bless you, sir, God bless you!” Longman agreed,
-upon this, that Murray was the publisher to whom a
-life of Byron most properly belonged, and Murray
-eventually gave £4200 for one of the most delightful
-and entertaining biographies in our literature&mdash;a companion
-volume, in every way, to Boswell’s “Johnson”
-and Lockhart’s “Scott.” Murray, in this transaction,
-seems to have behaved with generous firmness. Now
-that Byron was dead, the autobiography would certainly
-have proved the most remunerative of all his
-works; and Moore himself, in his Diary, ultimately
-confessed that “Murray’s conduct” had been admirable
-throughout.</p>
-
-<p>In this year, 1824, not only did Murray lose the
-services and the friendship of his best client, Lord
-Byron, who died at Missolonghi on the 19th of April,
-but Gifford, the able editor of the <cite>Quarterly</cite>, was
-incapacitated for further work, and resigned his post.
-Mr. John Coleridge, then a young barrister, succeeded,
-but though accomplished, clever, and able, he was
-“scarcely strong enough for the place;” Southey
-found out his incapacity for saying “no,” and under<span class="pagenum"><a id="Page_188">188</a></span>
-his auspicious reign began to make the <cite>Review</cite> a
-quarterly issue of his own miscellaneous works.
-Strangely enough in the mourning coach that followed
-Gifford to his grave Murray drove with the man who
-was destined as an editor to rival the powers of the
-upbuilder of the <cite>Quarterly’s</cite> reputation&mdash;this of course
-was John Gibson Lockhart, a young Edinburgh
-advocate, the son-in-law of Scott, and more than that,
-the author of “Peter’s Letters,” of “Valerius,” of
-“Reginald Dalton,” the translator of “Frederick
-Schlegel,” and the “Ancient Spanish Ballads,” and
-the noted contributor to <cite>Blackwood</cite>. Moore first
-heard of the arrangement down at Abbotsford, when
-Scott, after dinner, hopeful of his daughter’s interests,
-and proud, may be, of his son-in-law, grew confidential.
-“Lockhart was about to undertake the <cite>Quarterly</cite>, has
-agreed for five years; salary £1200 a year, and if he
-writes a certain number of articles it will be £1500
-a year.” In this year, though the prospects of the
-<cite>Quarterly</cite> were ably secured, Murray met with the
-only really adverse turn of fortune, to which through
-a long career, and a bold one, he was ever subject.
-The terrible commercial crisis which had been so long
-overhanging, burst at last into a deluge of ruin&mdash;Constable’s
-house was swept away, the Ballantynes were for
-the moment overthrown, and Scott had to give up his
-lordly estates of Abbotsford, and generously work his
-life out to redeem a name on which he deemed a
-commercial slur had been cast. Murray, though he
-suffered by the panic, as all must suffer in the time of
-a general epidemic, was not severely hurt. Still,
-looking back now with the wisdom of wiseacres, who
-think we could have prophesied easily the actual events
-that did occur, the time does seem a strange one in<span class="pagenum"><a id="Page_189">189</a></span>
-which to start a new venture. This was nothing less
-than the establishment of a new Conservative journal,
-which was to rival the <cite>Times</cite> as the <cite>Quarterly</cite> rivalled
-the <cite>Edinburgh</cite>. According to the current rumour, it
-was young Disraeli (now the wily and veteran leader
-of the Conservative party) who first proposed the
-scheme; and, according to current rumour still, it
-was under his editorship, and with Dr. Maginn as
-chief foreign correspondent, that the <cite>Representative</cite>
-(price sevenpence daily) was started on the 26th of
-January, 1826. The journal was able, well-informed,
-and well-written, but the <cite>Times</cite> had a monopoly, and
-the Conservative party were not strong enough to
-support a first-rate organ of their own, and after a
-brief existence of six months, the <cite>Representative</cite> gave
-up the struggle. Murray was wont in future days,
-when rash young speculators urged the necessity of
-embracing some opening for a new daily paper, to
-point to a ledger on his book-shelves and say grimly,
-“Twenty thousand pounds lie buried there!”</p>
-
-<p>The question as to who was the actual editor of the
-<cite>Representative</cite> has never been definitely settled. Mr.
-Disraeli, until the last year, never disclaimed the supposed
-connection, and silence was considered as proverbially
-affirmative. Lockhart, too, has been put forward
-as a claimant. The nearest approach to any
-opinion that might have been final was given by the
-late James Hannay in the pages of the <cite>Edinburgh
-Courant</cite>. “We had the best authority for what we
-said&mdash;nay, the only authority&mdash;since even to Mr.
-Murray the question of the <cite>Representative’s</cite> editorship
-is not a personal one. We now add that Mr. Disraeli’s
-long silence in the matter admits of an explanation
-which will gratify his admirers of all parties. He hesitated<span class="pagenum"><a id="Page_190">190</a></span>
-to come forward with any eagerness to make a
-denial, which might have been interpreted as springing
-from a wish to disclaim newspaper association, but
-when the story was passing into literature in such a book
-as the biography of an eminent British writer, it was
-time to protest against any further propagation of the
-story, once and for all.” But this “best and only authority”
-did nothing to render the question less intricate,
-for when Mr. Grant published the first instalment of
-his “History of the Newspaper Press,” he thoroughly
-outdid Hannay, and with that ingenuous facility of
-arbitrating over moot points, and that mysterious
-power of catching rumours, as boys catch moths, and
-pinning them down in his collection under the general
-label of “facts,” gave full details of Mr. Disraeli’s connection
-with the <cite>Representative</cite>, the amount of his
-salary, together with a luxurious description of the
-splendours of his editorial offices! Mr. Disraeli roused
-at last, replied curtly that the whole narrative was entirely
-imaginary, and utterly devoid of fact or foundation
-in any one point. He has since then in a letter,
-upon a similar question, written by his solicitor to the
-<cite>Leisure Hour</cite>, declared <span class="locked">that:&mdash;</span></p>
-
-<p>“Mr. Disraeli never in his life required or received
-any remuneration for anything he ever wrote, except
-for books bearing his name.</p>
-
-<p>“Mr. Disraeli never was editor of the <cite>Star Chamber</cite>,
-or any other newspaper, journal, review, or
-magazine, or anything else.”</p>
-
-<p>To return, however, to legitimate book-publishing.
-About this time Campbell’s old scheme of “Biographies
-of the Poets” was revived, re-appearing under the
-title of “Specimens of the British Poets;” and Murray
-was so pleased with the work that he made the<span class="pagenum"><a id="Page_191">191</a></span>
-stipulated sum of £500 into double that amount. To
-Allen Cunningham, too, he gave £50 per volume
-additional for his “Lives of the British Artists,” and
-made the payment retrospective.</p>
-
-<p>We could repeat five hundred anecdotes of his
-liberal and kindly generosity, but our space only permits
-us to record another, which it is very pleasant to
-read about.</p>
-
-<p>It was twenty-two years since the obscure Fleet
-Street bookseller had embraced the “glorious and profitable”
-opportunity of taking a fourth share in “Marmion,”
-and since then Sir Walter Scott had achieved
-an unparalleled position in the world of English
-letters, had written innumerable works, and had
-earned unheard-of sums&mdash;and had been completely
-ruined. With the aid of his creditors, Scott was now
-seeking to recover all his copyrights for a final edition
-of his collected works. All had been bought back
-save this fourth share of “Marmion.” Lockhart was
-commissioned by his father-in-law to inquire on what
-terms the share might be re-purchased, and this was
-Murray’s immediate <span class="locked">reply:&mdash;</span></p>
-
-<blockquote>
-<p class="sigright">
-“Albemarle Street, June 8th, 1829.
-</p>
-
-<p>“<span class="smcap">My dear Sir</span>,&mdash;Mr. Lockhart has this moment
-communicated your letter respecting my fourth share
-of the copyright of ‘Marmion.’ I have already been
-applied to by Messrs. Constable and Messrs. Longman
-to know what sum I would sell this share for;
-but so highly do I estimate the honour of being,
-even in so small a degree, the publisher of the author
-of this poem, that no pecuniary consideration whatever
-can induce me to part with it.</p>
-
-<p>“But there is a consideration of another kind,<span class="pagenum"><a id="Page_192">192</a></span>
-which until now I was not aware of, which would
-make it painful to me if I were to retain it longer.
-I mean the knowledge of its being required by the
-author, into whose hands it was spontaneously resigned
-in the same instant that I read his request.</p>
-
-<p>“The share has been profitable to me fifty-fold
-beyond what either publisher or author could have
-anticipated, and, therefore, my returning it on such
-an occasion, you will, I trust, do me the favour to
-consider in no other light than as a mere act of grateful
-acknowledgment, for benefits already received by</p>
-
-<p class="sigright">
-<span class="l4">“My dear Sir,</span><br />
-<span class="l1">“Your obliged and faithful Servant,</span><br />
-“<span class="smcap">John Murray</span>.”
-</p></blockquote>
-
-<p>This noble act, we must remember, was performed
-at a time when the future was anything but bright, or
-at all events when the present was dismally gloomy.
-“Lydia Whyte,” writes Tom Moore, “told me that
-Murray was very unsuccessful of late. Besides the
-failure of his <cite>Representative</cite>, the <cite>Quarterly</cite> did not
-look very promising, and he was about to give up the
-fine house he had taken in Whitehall, and return to
-live in Albemarle-street.”</p>
-
-<p>Constable had, some years previous, hit upon the
-idea of appealing to a public that should be numbered,
-not by tens of thousands, but by hundreds of
-thousands, ay, and by millions! and had just commenced
-his “Miscellany.” Murray, quick to receive
-a good idea, started at once into competition with his
-“Family Library,” Lockhart commencing the series
-with a “Life of Napoleon” and the “Court and Camp
-of Bonaparte.” Cunningham followed with his “Lives
-of the British Painters,” and Southey revised his “Life<span class="pagenum"><a id="Page_193">193</a></span>
-of Nelson,” and expanded another review article into
-a “Life of Wellington,” on terms equally munificent
-with the other.</p>
-
-<p>Cheap editions of Byron were multiplied by the
-score; Landor received a thousand guineas for his
-“Journals of African Travel,” and Napier another
-thousand for his first volume of the “History of the
-Peninsular War.” If Murray neglected opportunities,
-he generally managed to retrieve them. He might
-have had the “Bridgewater Treatises;” and he says,
-“The ‘Rejected Addresses’ were offered me for ten
-pounds, and I let them go by as the kite of the
-moment. See the result! I was determined to pay
-for my neglect, and I bought the remainder of the
-copyright for 150 guineas.” Murray might have added
-that he generously gave the Smiths a handsome share
-in the ultimate profits.</p>
-
-<p>Sometimes, too, he had the sagacity to buy the
-<em>failures</em> as well as the successes of other publishers.
-Constable produced a little “History of England,” in
-one small volume, which fell still-born from the press.
-Murray purchased it for a trifle, re-christened it with
-his usual happiness, and as “Mrs. Markham’s History
-of England” the work has been an annual source of
-revenue to the house, as the present Mr. Murray’s last
-trade sale list would tell us.</p>
-
-<p>Murray was never dazzled by the fame of his Byrons,
-his Moores, his Campbells, and his Crabbes, but
-always recollected that “taste” is flitting, while works
-that only aid the necessities of mankind are always
-saleable. The “Army and Navy List” and the
-“Nautical Almanack” are every whit as profitable
-to-day as in the first year of their publication. Moore
-tells a story that shows he could still occupy his mind<span class="pagenum"><a id="Page_194">194</a></span>
-as well as fill his purse with “Mrs. Rundell’s Cookery
-Book.” “Called at Murray’s,” he writes in his
-“Diary,” for 1831: “mentioned to him Lady
-Morgan’s wish to contribute something to his
-‘Family Library,’ and that she has materials ready
-for the lives of five or six Dutch painters. ‘Pray,
-isn’t Lady Morgan a very good cook?’ I answered
-I didn’t know; but why did he ask? ‘Because,’ said
-he, ‘if she would do something in that line&mdash;’ ‘Why,
-you don’t mean,’ said I, ‘that she should write a
-cookery book for you?’ ‘No,’ answered John, coolly,
-‘not so much as that; but that she should re-edit
-mine’ (Mrs. Rundell’s, by which he had made heaps
-of money). Oh, that she could have heard this with
-her own ears! Here ended my negotiations for her
-Ladyship.”</p>
-
-<p>It was not merely to Englishmen that Murray extended
-a helping and a generous hand. When the
-first volume of the “Sketch Book,” originally
-published in America, made its appearance in London,
-it was declined by Murray, and Irving was about
-to publish it on his own account; but after all
-arrangements had been made the printer failed.
-Lockhart had praised the book in <cite>Blackwood</cite>; and
-Scott, seeing at once its sterling worth, with his usual
-kindliness, pressed its merits upon Murray, who gave
-Irving £200 for it, afterwards more than doubling the
-amount. Murray’s transactions with Irving exhibit a
-singular phase of the international copyright law.
-This is how their account <span class="locked">stands&mdash;</span></p>
-
-<p><span class="pagenum"><a id="Page_195">195</a></span></p>
-
-<table summary="Murray-Irving account">
- <tr>
- <td> </td>
- <td class="tdc in1">£</td></tr>
- <tr>
- <td class="tdl">“Sketch Book”</td>
- <td class="tdr">467</td></tr>
- <tr>
- <td class="tdl">“Bracebridge Hall”</td>
- <td class="tdr">1050</td></tr>
- <tr>
- <td class="tdl">“Tales of a Traveller”</td>
- <td class="tdr">1575</td></tr>
- <tr>
- <td class="tdl">“Life of Columbus”</td>
- <td class="tdr">3150</td></tr>
- <tr>
- <td class="tdl">“Companions of Columbus”</td>
- <td class="tdr">525</td></tr>
- <tr>
- <td class="tdl">“Conquest of Grenada”</td>
- <td class="tdr">2100</td></tr>
- <tr>
- <td class="tdl">“Tour on the Prairies”</td>
- <td class="tdr">400</td></tr>
- <tr>
- <td class="tdl">“Abbotsford and Newstead”</td>
- <td class="tdr">400</td></tr>
- <tr>
- <td class="tdl">“Legends of Spain”</td>
- <td class="tdr">100</td></tr>
- <tr>
- <td class="tdr l2">Total</td>
- <td class="tdr bt">£9767</td></tr>
-</table>
-
-<p class="in0">These sums of money having been paid, Mr. Bohn
-reprinted the volumes in a cheap edition. A law suit
-was of course the result, in which Murray’s expenses
-ran up to £850, and Mr. Bohn’s were probably as
-heavy. The question, however, was settled amicably,
-without being fought to the bitter end, and Irving
-received no more money from this side the Atlantic.</p>
-
-<p>Most of the famous men with whom Murray had
-been connected had by this time disappeared, many
-of them having shed their rays meteor-like, and having
-done the duty unto which they were created in a
-momentary flash. The seething excitement called
-into being by the throes of the first French Revolution
-had subsided, and there were neither readers left to
-appreciate true poetry, nor true poets remaining, with
-strength of voice left in them to bring back memories
-in passion-laden melodies of the troublous times they
-sprung from. All, on the contrary, was quiet and
-easeful&mdash;a happy time for commerce, but a barren
-hour for art.</p>
-
-<p>Murray, skilled as any pilot in watching the direction
-of the wind, turned his attention to the publication
-of travels and expeditions&mdash;the very books for a
-fireside afternoon, when the wind is howling outside,
-and the snow-storm beating on the windows&mdash;and
-very soon Albemarle Street was as famous for its
-“Travels” as it had previously been for its “Belles-<span class="pagenum"><a id="Page_196">196</a></span>Lettres.”
-Among the most valuable and successful
-of these were the expeditions of Mungo Park, Belzoni,
-Parry, Franklin, Denham, and Clapperton.</p>
-
-<p>Murray had just launched his “Classical Handbooks,”
-under the editorship of his son&mdash;had just
-made, in trade parlance, “another great hit” in Lady
-Sale’s “Journal in Afghanistan”&mdash;when an attack of
-general debility and exhaustion compelled him to
-leave business and success alone&mdash;and for ever. He
-rallied so often that no serious results were anticipated
-by his family or physician; but after a very short illness
-he died suddenly on the 27th June, 1843, in the
-fifty-sixth year of his age, leaving three daughters and
-one only son. To his widow, in a will dated only
-seven days before his death, he bequeathed the whole
-of his estate.</p>
-
-<p>A gentleman by manners and education; generous
-and open-handed, not for purposes of display, often
-not from mere trade motives, but from a true desire
-to return to genius and industry something of what
-he derived from them; an excellent man of business,
-with more powers of work than most men, understanding
-better than any how to measure the calibre
-of an author’s genius, and to gauge the duration of his
-popularity; skilful in timing a publication, so as to
-ensure a favourable reception, and yet honestly abhorring
-any recourse to the low art of puffing&mdash;such was
-John Murray as a publisher; the best representative
-of an honourable calling, and one who by his own
-influence tended not a little to make the years of his
-own working life the best representative period of
-English literature.</p>
-
-<p>Mr. John Murray, who succeeded at once to his
-father’s business, was born in the year 1808, and was<span class="pagenum"><a id="Page_197">197</a></span>
-consequently, in 1843, admirably fitted, by years and
-professional training, to take the management of so
-important a concern. He was educated at the Charterhouse
-and at Edinburgh University, and had had,
-moreover, all the advantages that foreign travel could
-bestow. As early as 1831, we hear of “Mr. John
-Murray, Jun.,” at Weimar, presenting Goethe with the
-dedication of Byron’s “Marino Faliero,” and being
-received, together with that mocking and yet reverent
-tribute, in a gracious, kindly manner.</p>
-
-<p>Mr. Murray thoroughly followed his father’s idea,
-that the age had now come for the cheap publication
-of useful and practical books, and in the first year of
-his accession, issued the prospectus of his “Home
-and Colonial Library,” which, being published at half
-the price of the “Family Library,” was at least twice
-as successful, and was continued for upwards of six
-years. During these early years Mr. Murray made
-one mistake, and achieved one great success. The
-mistake was, however, in common with every publisher
-in London, for “Eöthen” went the rounds of
-the metropolitan book market, and was eventually
-published by a personal friend of Mr. Kinglake’s.
-Mindful of his father’s precedents, Murray soon secured
-the copyright. The success, on the contrary, consisted
-in accepting what other publishers had refused,
-and issued from Albemarle Street, Campbell’s “Lives
-of the Lord Chancellors” has proved one of the
-most successful biographical works of the time.
-In travel, biography, history, and science, the present
-Mr. Murray has fully sustained the name of the old
-house, and it is sufficient here to mention only the
-names of Hallam, Barrow, Wilkinson, Lyell, Gordon<span class="pagenum"><a id="Page_198">198</a></span>
-Cumming, Layard, Murchison, and Sir Robert Peel,
-to see how much we owe him.</p>
-
-<p>On Lockhart’s death, in 1854, the Reverend Whitwell
-Elwin was selected to fill the editorial chair of
-the <cite>Quarterly</cite>, and since that date the political opinions
-of the periodical have been considerably modified;
-at any rate, men of all parties have been allowed to
-write conscientiously in its pages, and it is even
-rumoured, that before this, its old opponent, Lord
-Brougham, contributed at least one article (that on
-<cite>Chesterfield</cite>, in vol. lxxvi.).</p>
-
-<p>Among the most successful library books that Mr.
-Murray has recently published, we must instance
-those by Mr. Smiles and Dr. Livingstone, and, more
-especially, those by Mr. Darwin.</p>
-
-<p>Mr. Murray’s name is, however, most familiar to us
-now as the publisher of the famous <cite>Handbooks</cite> for
-travellers, the series now extending, not only through
-the outer world, but embracing our English counties;
-these latter, it is said, owing much to Mr. Murray’s
-personal editorship.</p>
-
-<p>In closing our short sketch of the “House of Murray,”
-we cannot refrain from re-echoing a wish that
-has been often uttered before, that the present representative
-may find time amidst his professional
-labours, to edit the letters and to write a worthy life
-of the great John Murray. No book that has ever
-been issued from Albemarle Street could be more
-popular or more welcome.</p>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_199">199</a></span></p>
-
-<div class="chapter">
-<div id="if_i_199" class="figcenter" style="width: 354px;">
- <img id="hdr_5" src="images/i_199.jpg" width="354" height="83" alt="" /></div>
-
-<h2 class="nobreak"><i>WILLIAM BLACKWOOD</i>:<br />
-
-<span class="subhead">“BLACKWOOD’S EDINBURGH MAGAZINE.”</span></h2>
-</div>
-
-<p class="drop-cap"><span class="smcap1">We</span> have already, in our account of Archibald
-Constable, shown how deeply the brilliant
-writers&mdash;who for a while gave a bold literary supremacy
-to the northern capital&mdash;were indebted to the
-daring spirit and the generous purse of one Scottish
-publisher; we have here to follow the narrative of a
-rival’s life&mdash;a life at outset very similar, but soon
-diverging widely, and which, actuated by very different
-principles, and aiming at very different results, was
-destined to open the arena of literary struggle to
-those whom honest political feeling had for a moment
-rendered dumb and inactive.</p>
-
-<p>William Blackwood was born at Edinburgh, on the
-20th Nov., 1776, of parents in an humble position in
-life, who, however, with the honest endeavour of most
-of their class in the north, contrived to give him a
-very excellent elementary education. From his
-earliest days, William had exhibited a strong love for
-books, and at the age of fourteen he was apprenticed
-to Bell and Bradfute, of his native city; nor, indeed, did
-his education suffer from this premature removal from
-school; there is much leisure in a bookseller’s shop,<span class="pagenum"><a id="Page_200">200</a></span>
-even for an industrious boy, and opportunity of more
-various reading than comes within the reach of many
-sixth-form scholars and university undergraduates.
-“It was here,” says an obituary notice, “that he had so
-largely stored his mind with reading of all sorts, but
-more especially with Scottish history and antiquities,
-that on establishing himself in business, his accomplishments
-attracted the notice of persons whose
-good opinion was distinction.” Before the expiry
-of his time, in 1797, he must also have displayed a
-talent for business life, for we find that he was immediately
-engaged by Messrs. Mundell &amp; Co., then
-largely employed in the book trade at Edinburgh, to
-take the sole management of a branch house at Glasgow;
-and being thus, at the early age of twenty
-years, thrown almost entirely upon his own resources,
-and with his own judgment for his only guidance, he
-acquired that decision of character which distinguished
-him throughout after-life, and which was so instrumental
-in the fortunes of his house. In spite, however, of all
-his efforts, the firm of Mundell &amp; Co. did not prosper
-at Glasgow&mdash;it was they, the reader may, perhaps,
-remember, who purchased the “Pleasures of Hope,”
-for only fifty printed copies of the work, from
-Campbell&mdash;and after his year’s service was over, he
-returned to Edinburgh, and re-entered the employment
-of Bell and Bradfute, with whom he remained for
-another year. In 1800, he entered into partnership
-with Mr. Ross, bookseller and bookseller’s auctioneer;
-but the auctioneering part of the business proved distasteful
-to him, and the old book trade presented a
-much more suitable field for his talents. With the
-energy of youth he started for London, and was
-initiated into the mysteries of bibliography by Mr.<span class="pagenum"><a id="Page_201">201</a></span>
-Cuthell, “famous,” as Nichols says, “for his catalogues.”
-Here he stayed for three years, and then, in
-1804, came back to Edinburgh and opened an old-book
-shop, in South Bridge Street. For several years
-he almost confined his attention to the sale of rare
-and curious books, more especially those relating to
-the antiquities and early history of Scotland. His
-shop, like that of Constable, soon became a regular
-literary haunt, and he speedily acquired a reputation
-second to none of his own line in Edinburgh, and in the
-matter of catalogues, he rivalled Cuthell, his master;
-that one published in 1812 being the first in which
-the books were regularly classified, and “continues,”
-says Mr. Chambers, “to be an authority to the
-present day.” The old-book trade was at that time
-in its most flourishing condition, Dibdin was firing the
-minds of curiosity-seekers with a love for rare quartos
-and folios; Heber, and many more after his kind,
-were spending the main portion of their time, and the
-vast bulk of their fortunes, in the acquisition of
-immense libraries; and the old-booksellers of the day
-were making large incomes. Blackwood’s success by
-no means satisfied his ambition, but enabled him to
-enter the field of publishing as a rival to Constable,
-who was now at the height of his glory. As early as
-1811, we find him bringing out “Kerr’s Voyages,” a
-work of considerable importance and expense, and
-which was shortly succeeded by Macrie’s “Life of
-Knox.”</p>
-
-<p>Blackwood’s sojourn in London, and the credit
-attracted by his enterprising book-catalogues, led the
-way to his being appointed agent to several of the
-London booksellers, among others, to John Murray,
-and to them, conjointly, the tale of the “Black<span class="pagenum"><a id="Page_202">202</a></span>
-Dwarf” was offered when Scott considered it desirable
-to bring it out in other hands, and with a title-page
-apparently by another author. Blackwood wrote
-to say that, in his opinion, the unravelling of the end
-of the story might be improved, and offered to pay
-for cancelling the proofs. Gifford, too, to whom
-Murray had shown it, was of a like opinion. Scott
-differed most essentially; witness his letter to <span class="locked">Ballantyne:&mdash;</span></p>
-
-<blockquote>
-<p>
-“<span class="smcap">Dear James</span>,
-</p>
-
-<p>“I have received Blackwood’s impudent letter.
-G&mdash;&mdash; d&mdash;&mdash; his soul, tell him and his coadjutor that I
-belong to the Black Hussars of Literature, who
-neither give nor receive criticism. I’ll be cursed but
-this is the most impudent proposal that ever was
-made.”</p></blockquote>
-
-<p>This, of course, brought the proposal to a close for
-the time, though, as Lockhart says, “Scott did both
-know and appreciate Blackwood better in after times.”</p>
-
-<p>Blackwood was now, from the profits of the old-book
-trade and the success of his own publishing
-ventures, in a fair way to success, and in 1816 he took
-the bold step of selling off all his old stock and
-migrating to Prince’s Street. “He took possession,”
-says Lockhart, in “Peter’s Letters,” “of a large and
-airy suite of rooms in Prince’s Street, which had
-formerly been occupied by a notable confectioner,
-and whose threshold was, therefore, familiar enough
-to all the frequenters of this superb promenade....
-Stimulated, I suppose, by the example and success of
-John Murray, whose agent he is, he determined to
-make, if possible, Prince’s Street to the High Street,
-what the other had made Albemarle Street to the<span class="pagenum"><a id="Page_203">203</a></span>
-Row.” It was not without much forethought, we
-may be sure, that this step was undertaken, and the
-speedy establishment of the famous magazine clearly
-shows us what was the chief motive to such a venturous
-change.</p>
-
-<p>The magazine literature of the day was wofully
-weak. The vitality with which Cave had endowed
-the <cite>Gentleman’s Magazine</cite>, had long since died away.
-No more such “hack-writers” as Johnson and Goldsmith
-came forward to enliven its pages, at the meagre
-payment of four guineas a sheet, and now it <span class="locked">only&mdash;</span></p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“Hopped its pleasant way from church to church,<br /></span>
-<span class="i0">And nursed its little bald biography.”<br /></span>
-</div></div>
-</div>
-
-<p>Such was the type of English periodical literature,
-and the Scotch were certainly no better off. The
-<cite>Scots Magazine</cite> stood Constable, it is true, in good
-stead, but only as a nursery ground, from which
-writers might be trained for transplantation to a
-stronger soil. Vastly different was the condition of
-the rival quarterlies; but still, in Scotland at all
-events, the <cite>Edinburgh</cite> carried everything after its own
-desire. Wit the writers had in plenty&mdash;learning, too,
-and the gift of open-speaking; but to fairness, biassed
-as they were by party ties, they never laid the least
-claim, and yet all Edinburgh was enthralled by the
-opinions of the <cite>Edinburgh Review</cite>, for intellectual
-attainments at that time commanded for their possessors
-the leading place in the society of the Modern
-Athens, and, as the principles advocated in its pages
-were decidedly opposed to those of the existing
-administration, the success it indubitably had attained,
-the vast following it was gathering, not only
-irritated but alarmed the Scotch Tory party.</p>
-
-<p><span class="pagenum"><a id="Page_204">204</a></span>
-Of course, the actual inventorship of the new project
-is a disputed point, but the evidence seems to tell
-us that, however the idea of a new Conservative organ
-had been talked over in literary coteries (and what
-scheme has not been planned a thousand times before
-execution whenever literary men meet together?), the
-plan had long been entertained and spoken of by
-Blackwood; and, as he proceeded to carry it into
-execution, the scheme may to all intents and purposes
-be regarded as his own.</p>
-
-<p>Two gentlemen were engaged&mdash;Pringle and Cleghorn&mdash;who
-had received their training in the enemy’s
-camp, as editors in chief, and with the assistance of
-Hogg, and the promised support of Scott and many
-other men of talent, the first number of the <cite>Edinburgh
-Monthly Magazine</cite> was issued on All-Fools’ Day,
-1817&mdash;an ominous day for Blackwood, for he soon
-discovered that the prophets he had summoned to
-curse, heaped blessings on the heads of his opponents.
-This first number differed but little from other periodicals
-of its class. Only half the space was devoted to
-original matter, and the very opening pages contained
-a panegyric upon Horner, then lately deceased, an
-<cite>Edinburgh Reviewer</cite>&mdash;a Whig, and not much else.
-“You can’t say too much about Sydney Smith and
-Brougham,” said Scott to Jeffrey; “but I will not
-admire your Horner. He always puts me in mind of
-Obadiah’s bull, who, although, as Father Shandy observed,
-he never produced a calf, went through his
-business with such a grave demeanour that he always
-maintained his credit in the parish.” Nor was this
-the worst. In No. 3 a violent defence of the
-<cite>Edinburgh</cite> was undertaken warmly. This was too
-much for Blackwood; he gave his editors notice of a<span class="pagenum"><a id="Page_205">205</a></span>
-coming change, and after much chaffering he was
-glad to pay £125 down, and get rid at once of them
-and the magazine; and&mdash;somewhat, doubtless, to his
-chagrin&mdash;they immediately returned to Constable and
-took charge of the <cite>Scots Magazine</cite>, which, under the
-title of <cite>Constable’s Edinburgh Magazine</cite>, made a futile
-effort to re-juvenate itself.</p>
-
-<p>With the sixth number of the <cite>Edinburgh Monthly
-Magazine</cite> had appeared a notice stating that “this
-work is now discontinued, this being the last number
-of it;” but in the following month, with an alteration
-in the title, it arose, Phœnix-like, from the ashes, and,
-as <cite>Blackwood’s Edinburgh Magazine</cite>, No. 7, created
-a sensation which has never perhaps been equalled.
-There was, to commence with, a monstrous list of all
-possible and impossible articles, chiefly threatened
-attacks upon the <cite>Edinburgh</cite>, then a violent attack
-upon their former defence of the <cite>Edinburgh Reviewer’s</cite>
-onslaught upon Burns and Wordsworth; but
-the great feature in No. 7 (No. 1 in reality of <cite>Blackwood</cite>)
-was the “Translation from an Ancient Caldee
-Manuscript,” in which the circumstances of the late
-feud, and Constable’s endeavours to repair the fortunes
-of his old magazine, and the resuscitation of
-“Maga”&mdash;the birth, that is, of the genuine “Maga”&mdash;are
-thrown into an allegorical burlesque.</p>
-
-<p>“The two beasts (the two late editors), the lamb
-and the bear, came unto the man who was clothed in
-plain apparel, and stood in the door of his house; and
-his name was as if it had been the colour of ebony
-(<cite>Blackwood</cite>), and his number was the number of a
-maiden when the days of her virginity have expired
-(<cite>No. 17, Prince’s Street</cite>), ... and they said unto
-him, Give us of thy wealth, that we may eat and live,<span class="pagenum"><a id="Page_206">206</a></span>
-and thou shalt enjoy the fruits of our labour for a time,
-times or half a time.</p>
-
-<p>“And he answered and said unto them, What will
-ye unto me whereunto I may employ you?</p>
-
-<p>“And they proffered unto him a Book, and they
-said unto him, Take thou this, and give us a piece of
-money, that we may eat and drink and our souls may
-live.</p>
-
-<p>“And we will put words into thy Book that shall
-astonish the children of thy people. And it shall be
-a light unto thy feet and a lamp unto thy path; it
-shall also bring bread to thy household, and a portion
-to thy maidens.</p>
-
-<p>“And the man hearkened unto their voice, and he
-took their Book, and he gave them a piece of money,
-and they went away rejoicing in heart. And I heard
-a great noise, as if it had been the noise of many
-chariots, and of horsemen prancing upon their horses.</p>
-
-<p>“But after many days they put no words in the
-Book, and the man was astonied, and waxed wroth,
-and said unto them, What is this that ye have done
-unto me, and how shall I answer those to whom I am
-engaged? And they said, What is that to us? see
-thou to that.</p>
-
-<p>“And the man wist not what for to do; and he
-called together the friends of his youth, and all those
-whose heart was as his heart, and he entreated them,
-and they put words into the Book; and it went abroad,
-and all the world wondered after the Book, and after
-the two beasts that had put such amazing words into
-the Book.</p>
-
-<p>“Then the man who was crafty in counsel and
-cunning in all manner of work (<cite>Constable</cite>), when this
-man saw the Book, and beheld the things which were<span class="pagenum"><a id="Page_207">207</a></span>
-in the Book, he was troubled in spirit and much cast
-down.</p>
-
-<p>“And he hated the Book and the two beasts that
-put words into the Book, for he judged according to
-the reports of men; nevertheless, the man was crafty
-in counsel, and more cunning than his fellows.</p>
-
-<p>“And he said unto the two beasts, Come ye and
-put your trust under the shadow of my wings, and we
-will destroy the man whose name is as ebony and his
-Book.</p>
-
-<p>“And the two beasts gave ear unto him, and they
-came over to him, and bowed down before him with
-their faces to the earth....</p>
-
-<p>“Then was the man whose name is as ebony ‘sore
-dismayed,’ and appealed to the great magician who
-dwelleth by the old fastness hard by the river Jordan
-which is by the Border (<em>to Walter Scott</em>), and the
-magician opened his mouth and said, Lo! my heart
-wisheth thy good, and let the thing prosper which is
-in thy hands to do it.</p>
-
-<p>“But thou seest that my hands are full of working,
-and my labour is great. For, lo! I have to feed all
-the people of my land, and none knoweth whence his
-food cometh, but each man openeth his mouth and
-my hand filleth it with pleasant things. (<em>This is more
-than a shrewd guess of the authorship of the Waverley
-Novels.</em>)</p>
-
-<p>“Moreover, thine adversary also is of my familiars
-(<cite>Constable, his publisher</cite>).</p>
-
-<p>“Yet be thou silent, peradventure will I help thee
-some little.”</p>
-
-<p>Chapter II. shows us Blackwood gazing despondently
-from his inner chamber, when a veiled figure
-appears, who</p>
-
-<p><span class="pagenum"><a id="Page_208">208</a></span>
-“Gave unto the man in plain apparel a tablet containing
-the names of those upon whom he should call;
-and when he called they came, and whomsoever he
-asked he came....</p>
-
-<p>“And the first which came was after the likeness of
-the beautiful leopard, from the valley of the palm-trees,
-whose going forth was comely as the greyhound,
-and his eyes like the lightning of fiery flame (<em>Professor
-Wilson, author of the ‘Isle of Palms.’</em>)...</p>
-
-<p>“There came also from a far country, the scorpion
-which delighteth to sting the faces of men, that he
-might sting sorely the countenance of the man which
-is crafty, and of the two beasts (<cite>Lockhart</cite>).</p>
-
-<p>“Also the great wild boar from the forest of Lebanon,
-and he roused up his spirit; and I saw him
-whetting his dreadful tusks for the battle” (<cite>James
-Hogg</cite>).</p>
-
-<p>Then come Dr. Macrie, Sir William Hamilton,
-Arthur Mower, “and the hyæna that escheweth the
-light, and cometh forth at eventide to raise up and
-gnaw the bones of the dead, and it is as a riddle unto
-a vain man (<cite>Riddell, the legal antiquarian</cite>).</p>
-
-<p>“And the beagle and the slowhound after their
-kind, and all the beasts of the field, more than could
-be numbered, they were so many.”</p>
-
-<p>In Chapter III., Constable finds that the “bear”
-and the “lamb” are unprofitable servants, and he,
-too, calls for aid, but Jeffrey&mdash;“the familiar spirit unto
-whom he had sold himself”&mdash;Leslie, and Playfair&mdash;contributors
-to the <cite>Edinburgh</cite>&mdash;refuse to come. In
-Chapter IV., Constable does get aid from Macney
-Napier, and others.</p>
-
-<p>“And when I saw them all gathered together, I
-said unto myself, Of a truth the man which is crafty<span class="pagenum"><a id="Page_209">209</a></span>
-hath many in his host, yet, think I, that scarcely will
-these be found sufficient against them which are in the
-gates of the man who is clothed in plain apparel....</p>
-
-<p>“Verily the man which is crafty shall be defeated,
-and there shall not escape one to tell of his overthrow.</p>
-
-<p>“And while I was yet speaking, the hosts drew
-near, and the city was moved; and my spirit failed
-within me, and I was sore afraid, and I turned to
-escape away.</p>
-
-<p>“And he that was like unto the messenger of a
-king, said unto me, Cry: and I said, What shall I
-cry? for the day of vengeance is come upon all those
-that ruled the nation with a rod of iron.</p>
-
-<p>“And I fled into an inner chamber to hide myself,
-and I heard a great tumult, but I wist not what it was.”</p>
-
-<p>It is very hard for us now to duly appreciate the
-crushing effect of this Caldee manuscript.</p>
-
-<p>It is certainly humorous, after a fashion now so
-prevalent in America, and undoubtedly witty.</p>
-
-<p>Among the Edinburgh people of that time, when
-every man knew his neighbour, the effect was absolutely
-prodigious. A yell of despairing pain arose
-from one portion of the Whig party, who, if they had
-no administrative power in their hands, had hitherto
-held a patent of all literary ability; and from the
-other portion came an equally discordant cry, which
-eventually culminated in a fierce accusation of blasphemy
-and irreligion. Perhaps, however, the strongest
-test we can apply to the power of this galling squib is
-the fact that every title bestowed in its pages has
-“stuck” to the individual against whom it was directed.</p>
-
-<p>Blackwood was alarmed at the commotion he had<span class="pagenum"><a id="Page_210">210</a></span>
-caused, withdrew the obnoxious article from the
-second edition, suppressed it in what he could of the
-first, and in the second number inserted the following
-announcement:&mdash;“The editor has learnt with regret
-that an article in the first edition of last number,
-which was intended merely as a <i xml:lang="fr" lang="fr">jeu d’esprit</i>, has been
-construed so as to give offence to individuals justly
-entitled to respect and regard; he has, on that account,
-withdrawn it in the second edition, and can
-only add that, if what has happened could have been
-anticipated, the article in question certainly never
-would have appeared.” It was, however, too late,
-war had been declared to the knife, and Blackwood
-was nothing loath to continue the struggle.</p>
-
-<p>“The conception of the Caldee MS.,” says Wilson’s
-son-in-law, Professor Ferrier, “and the first thirty-seven
-verses of Chapter I., are to be ascribed to the
-Ettrick Shepherd; the rest of the composition falls to
-be divided between Professor Wilson and Mr. Lockhart,
-in proportions which cannot now be determined.”
-Again, Mrs. Gordon tells us that this audacious squib
-was composed in her grandmother’s house, 23, Queen
-Street, where Wilson lived, “amid such shouts of
-laughter as made the ladies in the room above send to
-inquire and wonder what the gentlemen below were
-about;” and yet she adds, as if to protect her father
-from suspicion of a share in it, that she “cannot trace
-to her father’s hand any instance of unmanly attack,
-or one shade of real malignity.” Very probably not;
-but at the same time the fun of the squib is decidedly
-in Wilson’s favourite manner. “An old contributor to
-<cite>Blackwood</cite>,” who, in 1860, furnished a most interesting
-and full account of Maga and Blackwoodiana to
-the columns of the <cite>Bookseller</cite>, asserts, in reference to<span class="pagenum"><a id="Page_211">211</a></span>
-Hogg’s claim, “on the best authority (that of the man
-who did write it), that there is no foundation whatever
-for any such pretext. The hare was started by
-Wilson at one of those <i xml:lang="la" lang="la">symposia</i> which preceded and
-perhaps suggested the <cite>Noctes</cite>. The idea was caught
-up with avidity by Hogg, and some half-dozen verses
-were suggested by him on the ensuing day; but we
-are, we believe, correct in affirming that no part of his
-<i xml:lang="fr" lang="fr">ébauche</i> appeared in the original or any other draft of
-the article.” It is to be wished that this writer, whose
-article evidently exhibits personal knowledge, and,
-apart from a running attack upon Hogg, due impartiality,
-had, in putting forward a new version of the
-story, in contradiction to those already given, been enabled
-to give us the name of the writer, apparently,
-from the wording of the context, a new claimant.</p>
-
-<p>Not only were Blackwood’s “enemies” discomforted,
-but even his friends were sore dismayed. The first number
-of <cite>Blackwood</cite> bore the imprint of John Murray, but
-the “Caldee MS.” caused him to withdraw his name,
-but after passing through the hands of three different
-London agents, the sixth again appeared under his
-countenance. This number, however, contained some
-unpalatable strictures on Gifford and the <cite>Quarterly
-Reviewers</cite>, and the Albemarle Street patronage was
-again withdrawn, only to be renewed in the eleventh
-number; but by the time it reached the seventeenth
-he washed his hands of it entirely, and in future it appeared
-without the ornamental appendage of any London
-bookseller’s name; the agency, distinctly one of
-sale only, was given to Cadell and Davies, who found
-it profitable enough to occupy the greater part of their
-attention. Cadell, naturally as nervous as Murray of
-giving, or being in any way instrumental in giving,<span class="pagenum"><a id="Page_212">212</a></span>
-offence, kept a stereotyped reply in readiness for any
-angry victim who rushed into his shop for redress&mdash;“I
-know nothing of the contents of the magazine; I
-am merely the carrier of a certain portion of its circulation
-to its English readers.”</p>
-
-<p>From the commencement of the new series&mdash;from
-the foundation that is of <cite>Blackwood’s Edinburgh
-Magazine</cite>&mdash;Blackwood’s fortunes and even the story of
-his life are inextricably bound up in the progress of
-the periodical; for he did not again, once he had got
-rid of Pringle and Cleghorne, entrust its charge and
-conduct to the care of any editor. For a long time
-Wilson was supposed to occupy the editorial chair.
-This supposition is treated in a letter, printed by his
-daughter: “Of <cite>Blackwood</cite> I am not the editor, although
-I believe I very generally got both the credit
-and discredit of being Christopher North. I am one
-of the chief writers, perhaps the chief writer, but never
-received one shilling from the proprietor, except for
-my own compositions. Being generally on the spot,
-I am always willing to give him my advice, and to
-supply such articles as are most wanted, when I have
-leisure.” “From an early period of its progress,” says
-Lockhart, speaking of Blackwood and the magazine,
-“it engrossed a very large share of his time; and
-though he scarcely ever wrote for its pages himself
-(three articles, we believe, he did contribute), the
-general management and arrangement of it, with the
-very extensive literary correspondence which this involved,
-and the constant superintendence of the press,
-would have been more than enough to occupy entirely
-any man but one of his first-rate energies.”</p>
-
-<p>Before we follow up the chronicle of the life of
-<cite>Blackwood</cite> and its proprietor, it will be necessary to<span class="pagenum"><a id="Page_213">213</a></span>
-take a retrospective glance at the causes which rendered
-it possible to convert the snug, orthodox, and
-more than slightly Whiggish <cite>Edinburgh Monthly
-Magazine</cite> into the slashing, defiant, jovial, dare-devil
-of <cite>Blackwood’s Edinburgh Magazine</cite>. This change
-was chiefly due to the influence of two men, Wilson
-and Lockhart, who, together with Hogg, had, under
-the old régime, contributed all there was of wit and
-sparkle. With these three writers, and the promise of
-further support, Blackwood had changed his mind as
-to putting his ill-fated periodical to the untimely end
-he had announced; and we have seen something, and
-shall see more, as to how far this determination was
-justified by success. In the meantime, it is essential
-to know a little of these two men, to whom primarily
-all the success was due.</p>
-
-<p>John Wilson, the great Tory champion, was descended,
-not from a county family, but from a
-wealthy Paisley manufacturer; and, after taking all
-possible prizes at Glasgow University, went to conquer
-fresh worlds at Oxford, where he not only won the
-Newdigate prize of £50 by one of the best prize
-poems extant, in fifty lines, but excelled in all sports,
-to which a magnificent frame, a temper universally
-good, a wild exuberance of animal spirits, and a
-thirsty love of adventure could contribute.</p>
-
-<p>Strange tales are told of his Oxford escapades; of
-recess rambles with strolling players; of wanderings,
-when smitten by the charms of a gipsy-girl, for weeks
-together with her tribe; of sojournings as a waiter at
-a country inn, to be close to one of the fair waitresses.</p>
-
-<p>However, his dreams of adventure were surrendered
-only after having planned an expedition to Timbuctoo,
-and he purchased an estate at Windermere, to be near<span class="pagenum"><a id="Page_214">214</a></span>
-the Lake school of poets, with whom he soon threw in
-his fortune. After the publication of the “Isle of
-Palms,” and the “City of the Plague,” he joined the
-Scotch Bar, and in the Parliament House struck up an
-acquaintance with another briefless barrister&mdash;Lockhart,
-seven years younger than himself.</p>
-
-<p>John Gibbon Lockhart was also educated at Glasgow
-University, where gaining the “Snell” foundation,
-he was sent, at sixteen, to Balliol; after taking a
-first-class degree he travelled on the Continent, returning
-only when it was necessary to enter at Edinburgh
-as an advocate. Silent in private life, he found
-he could not speak at all in public; and many years
-afterwards, when making a speech at a farewell dinner,
-given in honour of his departure to undertake the
-editorship of the <cite>Quarterly</cite>, he broke down, as usual,
-and stuttered, “Gentlemen, you know I can’t make a
-speech; if I could, we shouldn’t be here.”</p>
-
-<p>Briefless both, and both endowed with strong literary
-tastes, they became sworn friends, though Wilson,
-with his splendid physique, his loose-flowing yellow
-hair, his deep-blue eyes, his glowing imagination, his
-eloquent tongue, and his defiance of all precedent,
-was as opposite a being as well could be imagined to
-Lockhart, who, to borrow Wilson’s own words, had
-“an e’e like an eagle’s, and a sort of lauch about the
-screwed-up mouth o’ him that fules ca’d nae canny, for
-they couldna tholl the meaning o’t; and either set
-dumb-foundered, or pretended to be engaged to
-sooper, and slunk out o’ the room.”</p>
-
-<p>With two such men as these it was little wonder
-that Blackwood resolved to continue the battle. The
-weapon, however, which had been so successfully used
-in the onslaught upon the <cite>Edinburgh Review</cite> became<span class="pagenum"><a id="Page_215">215</a></span>
-in the hands of young writers flushed with victory,
-instruments of aggression against those who had never
-offended; and, as it happened that the writers who
-were most personal in their attacks upon friend and
-foe alike were also the cleverest and most brilliant,
-Blackwood’s position became one of difficulty. Lockhart
-“who stung the faces of men”&mdash;and sometimes
-their hearts&mdash;cared little as to who his shafts were
-directed against so long as they were sharp and
-biting. Cameleon-like he appeared in a thousand
-different forms. Now as the “veiled editor” himself,
-now the Dr. Morris of “Peter’s Letters,” and now as
-Baron Lauerwinkel, stabbing his contemporaries
-under the guise of a German commentator. Against
-all the members of the “Cockney School,” a personal
-invective was habitually employed by him, at which
-in these calmer days of drier criticism we can only stand
-aghast. He says of Leigh Hunt, “The very concubine
-of so impure a wretch would be to be pitied; but, alas,
-for the wife of such a husband!”&mdash;and so forth.</p>
-
-<p>In the February number of <cite>Maga</cite> a new contributor,
-Billy Maginn, made his first bow to the public
-as Mr. Ensign O’Doherty. Maginn was at this time
-a rollicking young Irishman of marvellous classical
-and literary acquirements, who at four-and-twenty
-had achieved the difficult honour of taking a degree
-of Doctor of Laws at Dublin, never before earned by
-one so young. He had a wonderful gift of improvising
-in either verse or prose, and his talents were so
-versatile, his reading, though desultory, so universal,
-that he could immediately treat any subject, no matter
-what, in a sparkling and dashing manner. When,
-however, under the influence of liquor, he was perfectly
-unmanageable; and his writings bore every<span class="pagenum"><a id="Page_216">216</a></span>
-stamp of his own character. One of his first squibs
-in <cite>Blackwood</cite> was a Latin version of “Chevy-chase,”
-which, in a foot-note expressed more than a doubt as
-to the Hebraical knowledge of Professor Leslie&mdash;an
-Edinburgh Reviewer who had recently been appointed
-to the University Chair of Philosophy. The enraged
-professor summoned the aid of the law. Blackwood
-accepted the challenge and inserted another article
-by Maginn, which stated that the professor “did not
-even know the alphabet of the tongue which he had
-the imprudence to pretend to criticise,” and charged
-him, in addition, of stealing his pet theories respecting
-heat, from an old volume of the “Philosophical
-Transactions.” The damages awarded amounted to
-£100, but as all the legal talent in Edinburgh was
-engaged in what was regarded as a party trial, the
-costs were unusually heavy. Nothing scared, however,
-Blackwood welcomed the writer to Edinburgh
-when he chose to cast off his incognita.</p>
-
-<p>The magazine was thriving now, and circulated
-throughout the kingdom. Blackwood, busy as he
-was with its management, found time to push his
-general publishing business steadily forward. The
-issue of Brewster’s “Edinburgh Encyclopædia” was
-continued, and Lockhart’s talents were utilized beyond
-the pale of <cite>Maga</cite>. In 1818 Schlegel’s “History of
-Literature,” translated by Lockhart, was published;
-and in 1819 appeared Lockhart’s “Peter’s Letters to
-his Kinsfolk, by Dr. Peter Morris”&mdash;a series of
-sketches of all things Scotch, from which we extract an
-account of Blackwood and his <span class="locked">shop:&mdash;</span></p>
-
-<p>“First there is as usual a spacious place set apart
-for retail business, and a numerous detachment of
-young clerks and apprentices, to whose management<span class="pagenum"><a id="Page_217">217</a></span>
-this important department of the concern is entrusted.
-Then you have an elegant oval saloon, lighted from the
-roof, where various groups of loungers and literary dilettanti
-are engaged in looking at, or criticising among
-themselves, the publications just arrived by that day’s
-coach from town. In such critical colloquies, the
-voice of the bookseller himself may ever and anon be
-heard mingling the broad and unadulterated notes of
-its Auld Reekie’s music; for, unless occupied in the
-recesses of the premises with some other business, it
-is here that he has his usual station. He is a nimble,
-active-looking man of middle age, and moves from
-one corner to another with great alacrity, and apparently
-under the influence of high animal spirits. His
-complexion is very sanguinous, but nothing can be
-more intelligent, keen, and sagacious than the expression
-of the physiognomy; above all the gray eyes and
-eye-brows, as full of locomotion as those of Catalani’s.
-The remarks he makes are in general extremely acute&mdash;much
-more so indeed than any other member of
-the trade I ever heard speak upon such topics. The
-shrewdness and decision of the man can, however,
-stand in need of no testimony beyond what his own
-conduct has afforded&mdash;above all in the establishment
-of his magazine (the conception of which I am assured
-was entirely his own)&mdash;and the subsequent
-energy with which he has supported it through every
-variety of good and evil fortune. It would be unfair
-to lay upon his shoulders any portion of the blame
-which any part of his book may have deserved; but
-it is impossible to deny that he is well entitled to
-whatever merit may be supposed to be due to the
-erection of a work founded in the main upon good
-principles, both political and religious, in a city where<span class="pagenum"><a id="Page_218">218</a></span>
-a work upon such principles must have been more
-wanted, and, at the same time, more difficult than in
-any other with which I am acquainted.”</p>
-
-<p>On leaving the shop, Dr. Peter is taken to dine at
-“a house in the immediate neighbourhood, frequently
-alluded to in the magazine as the great haunt of his
-wits.” This was Ambrose’s, mentioned in the “Caldee
-MS.”&mdash;“as thou lookest to the road of Gabriel and the
-land of <cite>Ambrose</cite>.” At this favourite tavern, at the
-<i xml:lang="la" lang="la">noctes cœnæque deum</i>, was foreshadowed what was
-destined to be by far the most interesting portion of
-the earlier series of <cite>Blackwood</cite>.</p>
-
-<p>The first trace we can find in the magazine of these
-famous <i xml:lang="fr" lang="fr">réunions</i> is in the number for August, 1819,
-where a work on military matter is reviewed by two
-different critics while enjoying their evening glasses
-at Ambrose’s. This was followed up next month by
-a paper which occupied the whole of the number,
-entitled “Christopher in the Tent”&mdash;a sketch, suppositious,
-of course, of a country expedition of the whole
-staff&mdash;full of rollicking humour and uproarious fun,
-with etchings by Lockhart and jokes by all.</p>
-
-<p>In the following year, 1820, the first of Blackwood’s
-really classic novels appeared in the magazine. This
-was the “Ayrshire Legatees,” by John Galt; and the
-editor, quick to perceive talent and eager to retain it,
-published in rapid succession a series of tales and
-sketches by the modern Smollet.</p>
-
-<p>This year, too, was an important one for both of
-the chief contributors. Lockhart, whose rising merits
-had long since attracted the attention of Scott, married
-the “Great Magician’s favourite daughter;” and Wilson,
-to the terror of half Edinburgh, became a candidate
-for the chair of Moral Philosophy at the<span class="pagenum"><a id="Page_219">219</a></span>
-University. Curious reports were spread of half true
-tales of youthful adventure, of bull-hunts by the
-shores of Windermere; of cock-fights in his own
-drawing-room; of a thousand escapades of one kind
-or another; and these were capped by a rumour that
-he was not very sound in either religion or morals;
-and even Tory counsellors shrunk from supporting a
-man who was said to be a fast liver and a free thinker.
-The Whigs started an excellent rival, Sir William
-Hamilton, and the contest was very keen. “I wad
-like to gie ye ma vote, Mr. Wulson,” said an Edinburgh
-magistrate, “but I’m feared. They say ye
-dunna expect to be saved by grace.” “I don’t know
-much about that, baillie; but if I am not saved by
-grace I am sure my works won’t save me.” “That’ll
-do, that’ll do; I’ll gie you my vote.” Others were
-of a like mind, for Wilson was a man whom to know
-was to love, and the election was secured.</p>
-
-<p>Immediately after the election Wilson returned
-to Elleray to recruit; and here an event happened
-which not only shows his natural impetuosity, but
-which might have been of very serious consequence,
-and, as a version of the story has recently appeared in
-“Barham’s Life,” it may not be altogether out of place
-to give the correct version here.</p>
-
-<p>Lord M&mdash;&mdash;r and three Oxford friends, one of
-whom had just been ordained, had started in their
-own coach upon a rollicking tour homewards; their
-journey, even in those free-and-easy times, was
-marked by a blackguardism of conduct almost unparalleled.</p>
-
-<p>At York they halted for a few days&mdash;few because
-the inhabitants would stand their presence no longer,
-and, after paying £150 for their hotel bills, and for<span class="pagenum"><a id="Page_220">220</a></span>
-the Vandalism they had committed in the town, they
-drove on to Windermere, and put up at the Ferry
-Hotel. Here they stayed for nearly four days, disporting
-themselves like Yahoos. Wilson, as is well
-known, was “Admiral of the Windermere Fleet,”
-and chanced, while they were in the neighbourhood,
-to hold a regatta, giving his friends a tea at Ullock’s
-Hotel, Bowness, when the amusements of the day
-were over.</p>
-
-<p>Hither the travelling adventurers came by water;
-at the landing stage, however, one of the number,
-seeing a fisherman washing his nets in the lake, crept
-behind him, and with a shove and a hoarse laugh sent
-him into the water. Westmoreland blood is not easily
-cooled, and the peasant, seizing his attacker, ducked
-him within an inch of his life. Nothing daunted the
-other three proceeded to the hotel, and entered a
-room where tea was laid out for a large party; to
-knock the tray over, to pull the cloth off, to dance
-upon the tea-pot till it was flattened, and the crockery
-till it was smashed into a thousand smithereens, was,
-of course, only the work of an instant. Hearing the
-clatter, Mrs. Wilson hurried downstairs, and Lord
-M&mdash;&mdash;r, mistaking her for the landlady, seized her
-by the neck, and tried to ravish a kiss. At this critical
-moment the Professor entered&mdash;one blow
-“from the shoulder” laid the noble lord at his feet;
-then, like a genuine old heathen warrior, placing one
-foot upon the neck of the prostrate wretch&mdash;“if you
-other two scoundrels are not out of this room in an
-instant, I’ll squeeze the man’s breath out of his body.”
-They heard&mdash;and fled. Wilson, in a fury of excitement,
-took boat to Belle Isle, and urged Mr. Curwen
-to act as his friend. Mr. Curwen represented that<span class="pagenum"><a id="Page_221">221</a></span>
-Lord M&mdash;&mdash;r was utterly beneath contempt&mdash;that no
-professor of moral philosophy had ever been engaged
-in a cause of honour; that all his friends had been
-representing him as a quiet, orderly man&mdash;in fact,
-brought forward a thousand arguments which might
-have been of the utmost weight to a reasonable being&mdash;but
-not just at present to Wilson; he flung out of
-the room, crossed the lake, and sought a gallant
-naval officer, Captain Br&mdash;&mdash;, who, a true Sir Lucius
-O’Trigger, said the matter was in good hands, and
-looked up his pistols. They adjourned to Elleray to
-wait the expected challenge: but on the evening of
-the following day, getting tired of inaction, they set
-out on a drive to see why the storm did not commence.
-Further search was endless. Lord M&mdash;&mdash;r
-and his friends had taken to their coach and fled;
-they could not, however, get their horses out of the
-stables until they had paid an hotel bill of £120 and
-£20 to the landlord of Ullock’s Hotel for damages.
-Thus the affair ended happily, and Wilson was able
-to return peaceably to Edinburgh to fulfil his new
-duties.</p>
-
-<p>Few men ever undertook so important a charge
-with so little preparation. “But there was,” says one
-who listened to him, “a genius in Wilson; there was
-grandeur in his conceptions, and true nobility in the
-tone and spirit of his lectures. I can compare them
-to nothing save the braying of the trumpet that sent
-a body of high-bred cavalry against the foe. ‘Charge!
-and charge home!’ Wilson’s action upon the better
-and more pure-minded of his pupils was pre-eminently
-beneficial. His lectures deeply influenced
-their characters for humanity, for unselfishness, for
-high and honourable resolve to fight the battle of<span class="pagenum"><a id="Page_222">222</a></span>
-life; like the old Danish hero ‘to dare nobly, to will
-strongly, and never to falter in the path of duty.’
-Such was Wilson’s creed; and, till 1850, when he
-was found stricken down in his private room, ten
-minutes after the class hour, he astonished and delighted
-all that was intellectual in Edinburgh by
-these, aptly termed, ‘volcanic lectures on ethics.’”</p>
-
-<p>Much work, however, had to be gone through before
-that date; his private fortune had been lost some
-years back by the failure of a house of business, and
-he was one of those men whom, the more work is
-thrown on them the more they are able to go through
-with.</p>
-
-<p>In 1822 appeared the first specimen of his power as
-a novelist in the “Lights and Shadows of Scottish
-Life,” which went rapidly through edition after edition;
-and in the March of this year appeared also the first
-number of the <cite xml:lang="la" lang="la">Noctes Ambrosianæ</cite>&mdash;a curt dialogue
-between the editor and Ensign O’Doherty; it was
-not for seventeen numbers that Wilson, almost sorry,
-commenced that wonderful series that became one of
-the literary wonders of the day; and for thirteen
-years as Christopher North he continued to delight
-the world, and it is as Christopher North, in his
-shooting-jacket, with gun or fishing-rod, by the lochs
-or by the moors, amid the scenery which he has so
-marvellously limned, and the emotions to which he
-has given utterance, that he will be remembered to
-all time.</p>
-
-<p>In 1824 we see that Carlyle gets his first pleasant
-encouragement in <cite>Maga</cite>, and Moir’s most famous
-production, the “Autobiography of Mansie Wauch,”
-appears. Moir&mdash;a young surgeon of only nineteen
-when he first appeared in the pages of the original<span class="pagenum"><a id="Page_223">223</a></span>
-<cite>Edinburgh Monthly Magazine</cite>&mdash;had at once attracted
-the attention of William Blackwood&mdash;“a man,” says
-Moir’s biographer, “of rare sagacity, courage, and
-persevering energy.” As “Delta,” in the pages of
-<cite>Maga</cite>, the popularity of Moir’s softer and sweeter
-pieces was very great; and when “Mansie” appeared,
-“there were districts,” says Aird again, “where
-country clubs, waiting impatiently for the magazine,
-met monthly as soon as it was issued, and had ‘Mansie’
-read aloud by one of their number, amid explosions
-of congregated laughter.”</p>
-
-<p>Lockhart, too, had since his marriage been wielding
-his pen as freely as ever. “Valerius” and “Adam
-Blair” had both been successful ventures for Blackwood;
-and were succeeded in 1822 by the “Spanish
-Ballads,” which have so much of the true ring of
-original poetry about them, that Lockhart’s friends
-always regretted that he did not devote his time more
-exclusively to the composition of some original poetical
-work. In 1825 the editorship of the <cite>Quarterly</cite>
-was offered him, and Blackwood lost one of his
-earliest and strongest supporters. Shortly after this
-the other satirical spirit of the periodical&mdash;Billy
-Maginn&mdash;also moved southward.</p>
-
-<p>But Blackwood was too firmly established now to
-dread the loss of any single contributor save one.
-The famous <cite>Noctes</cite> were, in reality, only just commencing;
-and there it is that the character of the
-Ettrick Shepherd most shines&mdash;vicariously, however,
-for his popularity is chiefly due to the piquancy and
-vitality with which the genius of Wilson endowed
-him. Whatever is best in the national genius of
-Scotland, in humour, poetry, imagination, and fervour,
-are poured forth in the quaint and broad language of<span class="pagenum"><a id="Page_224">224</a></span>
-the Shepherd. But enough of the <cite>Noctes</cite>; are they
-not still familiar volumes upon the tables of all who
-read?</p>
-
-<p>This year (1826), in which Blackwood was at the
-height of his success, was fatal, as we have before
-seen, to Constable; and with his failure disappeared
-for ever that rival to <cite>Maga</cite>, Constable’s <cite>Edinburgh
-Monthly Magazine</cite>.</p>
-
-<p>In being thus minute in the history of the magazine,
-we can scarcely be said to be neglecting the
-history of its proprietor, for their careers were inextricably
-bound up together, and Blackwood looked
-upon it as a father might upon a darling son. In the
-exulting vanity of his success, he was induced, about
-1825, to print for private circulation, an alphabetical
-list of contributors, and sent Wilson a proof, who, by
-way of remonstrance, dashed in the names of such
-celebrities as Omai the Otaheitan, and Pius VII.,
-with the names of some of the most egregious fools
-and mountebanks he had ever met with, and returned
-it to the printer, who duly furnished Blackwood with
-a revise; and the absurd incongruity of the names
-showed him the incautious impropriety of which
-he had been guilty. Two impressions only were
-reserved, one for Blackwood and one for the professor.</p>
-
-<p>As an editor, the punctuality and alacrity with
-which he acknowledged the communications of his
-contributors was wonderful; “and,” says the “Old
-Contributor,” “along with the mail coach copy of the
-magazine, or by an early post after its publication,
-came a letter to each contributor, full of shrewd hints
-for his future guidance, and often, not merely suggesting
-the subject for a future paper, but indicating with<span class="pagenum"><a id="Page_225">225</a></span>
-delicate hesitation the mode in which he fancied it
-might be discussed with the best advantage.... The
-‘pudding’ was invariably associated with praise. At
-the head or foot of the welcome missive was a cheque
-for your article, the amount of which was not carved
-and patted like a pound of butter, into exact weight,
-but measured with no penurious hand.... He hated
-a cockney as Johnson hated a Scotsman, and considered
-all writers on this side the border, who did
-not contribute to <cite>Maga</cite>, as falling within this category.”</p>
-
-<p>In 1827, Blackwood brought out two books, which
-were alike only in achieving, each of them, a vast
-popularity. One was “The Youth and Manhood of
-Cyril Thornton,” by Captain Hamilton, and the
-other “The Course of Time,” by Pollok, a Scottish,
-if not a British, classic. The <cite>Edinburgh Encyclopædia</cite>
-was continued till its final completion in eighteen
-quarto volumes, and not the least important of his
-publishing successes was the reproduction of the
-chief distinct works of Wilson, Lockhart, Hogg,
-Moir, Galt, and other writers connected with the
-magazine. He also continued to the close of his
-career, to carry on an extensive trade in retail bookselling.</p>
-
-<p>In addition to these heavy labours, he still found
-opportunity during some of the best years of his life
-to take a prominent part in the affairs of the city of
-Edinburgh, for which he was twice a magistrate,
-“and in that capacity,” says Lockhart, “distinguished
-himself by an intrepid zeal in the reform of burgh
-management, singularly in contrast with his avowed
-sentiments respecting constitutional reform.” Here
-he often exhibited in the conduct of debate and the<span class="pagenum"><a id="Page_226">226</a></span>
-management of less vigorous minds, a very rare
-degree of tact and sagacity.</p>
-
-<p>To return to the magazine. After Lockhart and
-Maginn left Edinburgh, the bitterly personal tone by
-which it had been so frequently disfigured, was almost
-entirely dropped; and this negative fact, aided by
-the positive one of the great popularity of the <cite>Noctes</cite>,
-raised the circulation immensely.</p>
-
-<p>In 1826, an early Elleray friend of Wilson’s, De
-Quincey, “the opium-eater,” began to discourse of
-things German in the pages of <cite>Maga</cite>; and in 1830,
-the “Diary of a Late Physician” was commenced.
-This, one of the most successful works of modern
-fiction, had, Warren tells us, “been offered successively
-to the conductors of three leading magazines in
-London, and rejected as ‘unsuitable for their pages,’
-and ‘not likely to interest the public.’... I have
-this morning been referring to nearly fifty letters
-which he (Blackwood) wrote to me during the publication
-of the first fifteen chapters of his ‘Diary.’ The
-perusal of them occasioned me lively emotion. All
-of them evidence the remarkable tact and energy
-with which he conducted his magazine.... He was
-a man of strong intellect, of great personal sagacity,
-of unrivalled energy and industry, of high and inflexible
-honour in every transaction, great or small,
-that I ever heard of his being concerned in.”</p>
-
-<p>Contemporary with the publication of the “Diary,”
-was that of the successful books “Tom Cringle’s
-Log” and “Sir Frizzle Pumpkin’s Nights at Mess,”
-the first by Michael Scott, and the second by the
-Reverend Mr. White. In May, 1832, appeared Wilson’s
-review of Mr. Tennyson’s first volume; in which
-the affectations of Mr. Tennyson’s earlier writings<span class="pagenum"><a id="Page_227">227</a></span>
-were ridiculed, but his more worthy pieces were
-praised in no niggardly terms. At the moment Mr.
-Tennyson was irritated, but his anger soon evaporated
-in some not very pungent lines to “Rusty, Crusty
-Christopher,” which he has long since seen fit to suppress;
-and, eventually, he exhibited a due acknowledgment
-of the truth of Wilson’s criticism, by removing
-several pieces and altering others. “Stoddart
-and Aytoun,” writes Wilson in this same review, “he
-of the ‘Death Wake’ and he of ‘Poland,’ are graciously
-regarded by old Christopher; and their
-volume&mdash;presentation copies&mdash;have been placed
-among the essays of those gifted youths, of whom, in
-riper years, much may be confidently predicted of
-fair and good”&mdash;a sentence worth quoting, when it is
-remembered that Aytoun afterwards married Wilson’s
-daughter, and in a few years occupied his position in
-the pages of <cite>Maga</cite> itself.</p>
-
-<p>In 1833, Blackwood was still full of schemes and
-enterprises; he commenced the publication of Alison’s
-“History of Europe.” Only the first two volumes
-were published, and then not altogether successfully,
-when Blackwood was stricken down by a mortal
-disease, a tumour in the groin, which, in a weary illness
-of four months, exhausted his physical energies,
-but left his temper calm and unruffled, and his intellect
-vigorous to the last. He was attended by Moir&mdash;the
-sweet-toned “Delta” of his magazine&mdash;who had another
-dying patient scarce a hundred yards off. This was
-Galt, who had been personally estranged from Blackwood
-by rough advice and strictures as to one of his
-stories. Now, however, that they lay dying so near
-each to each, the old friendliness returned, and Moir
-bore pleasant messages and hopeful wishes from one<span class="pagenum"><a id="Page_228">228</a></span>
-bedside to another. They never met again. Galt
-lingered on for years, but Blackwood died on the 10th
-of September, 1834, in the fifty-seventh year of his
-age.</p>
-
-<p>We have already given his character as described
-by those who knew him best, and it were idle to add
-any weaker testimony.</p>
-
-<p>He left a widow and a family of seven sons and two
-daughters, many of them very young; and the
-management of the business devolved upon the two
-elder, Robert and Alexander, who had for some
-years been associated with their father.</p>
-
-<p>Until 1845, these gentlemen were at the head of
-the flourishing business, and with such a start they
-could not fail to succeed. The magazine, in spite of
-all rivals, continued to be as great a favourite as ever,
-though in a year or so after the death of the elder
-Blackwood, Wilson withdrew almost entirely from its
-pages, and his position was eventually occupied by
-his son-in-law, Professor Aytoun. Many new contributors,
-without distinction of sect or party, were
-added to the staff; and even Douglas Jerrold and
-Walter Savage Landor&mdash;ultra-radicals, both&mdash;were
-made free of its pages. John Sterling, “our new contributor,”
-as Wilson fondly called him, fully retained
-the old reputation for deliciously sparkling poems and
-essays; and Lord Lytton, in the “Poems and Ballads
-of Schiller,” kept alive the cosmopolitan spirit of
-poetry inaugurated by Lockhart. In 1845, Alexander
-Blackwood died, and was shortly afterwards
-followed by his brother, when John, the third son, the
-present proprietor of the business and the present
-editor of <cite>Blackwood</cite>, who was born in 1818, succeeded.
-So popular had <cite>Maga</cite> become in the colonies, and<span class="pagenum"><a id="Page_229">229</a></span>
-more especially in the United States, that a reprint
-of it was regularly published there every month. Mr.
-John Blackwood took counsel with the American
-lawyers, obtained an American contributor, and then
-threatened the Yankee publisher with all the terrors
-of the law, if the number were pirated as usual&mdash;a
-successful step, for ever since that date a tribute tithe
-has been regularly paid for the right of republication.
-A branch house was started in London; the firm was
-also increased by the return from India of William
-Blackwood, who was a major in the Indian army.</p>
-
-<p>In 1848 Lord Lytton commenced the “Caxtons,”
-and novel after novel from his pen appeared in
-<cite>Maga</cite> to be anonymously successful even to the
-day of his death. For a period of twenty-five
-years, some of the finest novels and life-pictures in
-the language have made their first way to public
-favour through the medium of the magazine; and
-Mrs. Oliphant and George Eliot owed their first
-encouragement to the discernment of Mr. John
-Blackwood. That <cite>Maga</cite> is still <i xml:lang="fr" lang="fr">facile princeps</i> of
-the monthly literature is evident enough even from a
-bare mention of latest ventures, from the talent of
-“Earl’s Dene” and the wit of the “Battle of Dorking.”</p>
-
-<p>Alison’s “History of Europe” very soon proved its
-worth in the eyes of the public; and among other
-more recent successes of the house we may mention
-the novels of George Eliot, particularly “Middlemarsh,”
-which came out in an altogether novel form.</p>
-
-<p>As we shall not have another chance of returning to
-modern magazine literature, we may not inappropriately
-close the chapter with a short account of one or two
-of the most successful of the high-class publications.</p>
-
-<p>It was not to be expected that the marvellous success<span class="pagenum"><a id="Page_230">230</a></span>
-of <cite>Blackwood’s Edinburgh Magazine</cite> would be
-allowed to pass unchallenged. The honour as well
-as the fortunes of the Southron publishers forbade it.
-In 1820, the <cite>London Magazine</cite>, a name borrowed from
-an old and defunct periodical, was established by
-Baldwin, Craddock, and Joy, under the editorship of
-John Scott, formerly of the <cite>Champion</cite> newspaper.
-Many men of talent joined the staff, but Scott’s old
-colleague, Wainwright, afterwards infamous as the
-insurance murderer, aided and abetted his chief in a
-series of very offensive personal articles. In two or
-three of them a fierce attack was made upon Sir
-Walter Scott, as being a mere pretender to the authorship
-of the Waverley Novels (which, as Scott was
-doing his utmost to hide his light under a bushel, was
-scarcely called for); and in addition to this the writers
-made an onslaught on all who were supposed to be
-connected with Blackwood or his magazine. Lockhart,
-with all the sensitiveness of your true satirist,
-called immediately for an apology, and was evaded by
-a demand that he should first disavow his connection
-with Blackwood. This was out of the question, and
-Mr. Christie, to whom Lockhart had entrusted
-negotiations, feeling that Scott was shuffling, and that
-he himself was being trifled with, let drop some expressions
-on his own account calculated to give
-offence. A meeting was arranged. Christie fired
-down the field, but Scott, not perceiving this, aimed
-deliberately at his opponent, but missed his mark.
-Christie, seeing his adversary again prepare to fire in
-his direction, did not a second time waste his powder,
-and the result was that Scott was mortally wounded.</p>
-
-<p>Dreadful as was the catastrophe, and the sensation
-it made at the time, it tended to soften the asperities<span class="pagenum"><a id="Page_231">231</a></span>
-of the press, and was instrumental in bringing a better
-spirit to critical discussion.</p>
-
-<p>After Mr. Scott’s death, the proprietorship of the
-<cite>London Magazine</cite> was transferred to Taylor and
-Hessay, the poetical publishers. The first of these
-gentlemen was the original proclaimer of Francis as
-the author of the “Letters of Junius;” the second
-will ever be remembered for his kindliness to John
-Keats. Mindful of the success of Blackwood, they
-retained the editorship in their own hands, and, again
-like him, were most liberal in their payments&mdash;a
-pound a page for prose, and two pounds for verse,
-was the <i xml:lang="la" lang="la">honarium</i> of ordinary contributors; Charles
-Lamb receiving, very fitly, two or three times that
-amount. It is Charles Lamb’s name that is now most
-intimately connected with the <cite>London Magazine</cite>, for
-here it was that the famous “Essays of Elia” first
-appeared. Among the other contributors we find
-many celebrated names; Hazlitt furnished all the
-articles upon the drama, Mr. Carlyle contributed the
-“Life and Writings of Schiller” to the last three
-volumes, and here De Quincey first published his
-“Confessions of an English Opium-Eater,” filled with
-the weirdest fancies and the loveliest word-pictures in
-our literature. Here, too, Tom Hood fleshed his
-maiden sword; and among the other writers we find
-the names of Keats, Landor, Hartley Coleridge, Barry
-Cornwall, and Bowring. Such an array of talent did
-not, however, avail, without steady editorial skill, to
-win a wide popularity, and in 1825 the publication
-was suspended.</p>
-
-<p>We have seen that Maginn had accompanied Lockhart
-to the south. In 1827 the <cite>Standard</cite> newspaper
-was founded, and he was installed in the editorial<span class="pagenum"><a id="Page_232">232</a></span>
-chair, where for some seven or eight years he drew
-£500 a year. His unrivalled facility in dashing off
-slashing articles upon any subject, quickly raised his
-income to eighteen or nineteen hundred; but his
-ever-increasing habits of intemperance rendered regularity
-of work impossible. Together with Lockhart
-and other writers, he planned a London monthly rival
-to <cite>Blackwood</cite>, and in 1829 an East India merchant of
-the name of Fraser was found willing to make the
-necessary advances, and <cite>Fraser’s Magazine</cite> was
-started. An editor was kept to correct the proofs,
-and to go to prison, as occasion might require; but
-Maginn contributed a large proportion of the first
-three numbers, and was virtually the manager. Hogg,
-who, as Wilson said, had made a perfect stye of
-every magazine in the kingdom, was invited up to
-town. Its rollicking tone, untempered by any genuine
-humour, was wofully overdone, and smacked of the
-reeking laughter of the pothouse. Maginn, having no
-one to direct his shafts, attacked every one right and
-left, and selected a series of literary and political butts
-for continuous practice, among whom were Professor
-Wilson, Tom Campbell, and Lord Ellesmere, who
-were insulted in the most audacious manner; and
-language and criticism like this gave constant rise to
-cudgellings, law-suits, and duels. Maginn, however,
-had plenty of courage&mdash;was as reckless with his pistol
-as his pen. Captain Berkeley having called at the
-office, seen Fraser, and horsewhipped him for a libel,
-was challenged by the writer of it&mdash;Maginn&mdash;who,
-sobered down for the moment, stood his fire for three
-rounds with the utmost nonchalance. In spite of the
-humour of Thackeray and the philosophy of Carlyle,
-lately admitted to its pages, <cite>Fraser’s Magazine</cite> was<span class="pagenum"><a id="Page_233">233</a></span>
-commercially not successful until Maginn and Hogg
-were banished from the staff. When, however, it got
-into better hands, and led a cleanlier life, an ample
-field was found for its circulation.</p>
-
-<p>Thackeray, whom we mentioned above, was instrumental
-in effecting a thorough change in periodical
-literature. When under his direction, the <cite>Cornhill</cite>
-was started, to give for a shilling all that had before
-been given for two shillings and sixpence, the bookselling
-world was incredulous of success, and the book-buying
-world scarcely hopeful. More than 100,000
-copies of the first number were sold, and as soon as it
-was seen that a vastly wide-spread circulation is
-infinitely more valuable than a narrower sphere at a
-much higher rate, a crowd of other shilling magazines
-were produced, among which it is enough to mention
-<cite>Temple Bar</cite>, <cite>London Society</cite>, <cite>Macmillan’s</cite>, <cite>Belgravia</cite>,
-and a score of others, some of which were doubtless
-successful, but many more or less ephemeral. One
-detrimental fact has of course arisen from such a
-multiplicity of organs; the available talent of the day,
-such as it is, cannot now be concentrated. The same
-curse haunts the theatre; at present one “star” is as
-much as the greediest can expect on one stage.</p>
-
-<div id="if_i_233" class="figcenter" style="width: 190px;">
- <img src="images/i_233.jpg" width="190" height="118" alt="" /></div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_234">234</a></span></p>
-
-<div class="chapter">
-<div id="if_i_234" class="figcenter" style="width: 360px;">
- <img id="hdr_6" src="images/i_234.jpg" width="360" height="75" alt="" /></div>
-
-<h2 class="nobreak"><i>CHAMBERS, KNIGHT, AND CASSELL</i>:<br />
-
-<span class="subhead">“LITERATURE FOR THE PEOPLE.”</span></h2>
-</div>
-
-<p class="drop-cap"><span class="smcap1">We</span> have already seen, in our short sketches of the
-Bells, the Cookes, the Donaldsons, and the
-Constables, some endeavour&mdash;neither faint nor altogether
-unsuccessful, yet not more than a trial venture,
-for education was still a monopoly of rank and riches&mdash;to
-render books the property and the birthright of
-the people. In our present chapter, however, we come
-to a new phase in the history of bookselling. The
-schoolmaster, as Brougham said, was abroad; the
-repressive taxes on knowledge either were, or were
-about to be, removed; learning, or a smattering of
-learning, was within the reach of most. The battle of
-future progress was to be fought out with the pen,
-just as the triumphs of early civilization had been
-achieved with the lance and with the sword. The
-public writer henceforth was to occupy the preacher’s
-pulpit, and his congregation, far above the limits of
-any St. Peter’s or St. Paul’s, was to be told only by
-millions. Books were to be no longer the curious
-luxuries of the rich man’s library, or the hoarded and<span class="pagenum"><a id="Page_235">235</a></span>
-hardly-earned treasures of the student’s closet, but
-were to be fairly placed at the disposal of the many.</p>
-
-<p>Talent certainly, if not genius, is only the product
-of the requirements of the time and place; and as
-soon, therefore, as cheap books were in real request,
-men thoroughly competent and thoroughly earnest
-came forward to supply the want&mdash;fighting bravely,
-with all the strong energy of their wills, to do the
-work that each had chosen, and yet each as certainly
-acted upon invisibly, insensibly, and inevitably,
-by the true, if word-worn, laws of supply and demand.</p>
-
-<p>The means by which this end was to be attained
-were many, and the labourers in the new fields of
-cheap literature numerous; but in our present chapter,
-as elsewhere, we have selected the representative men
-and the typical means. The names of Chambers,
-Knight, and Cassell (the latter certainly in a less
-degree) are inextricably woven into the movement, of
-which at present we have only seen the commencement;
-and the plan by which the most expensive
-treasures of literature, the choicest garnerings of our
-knowledge, were placed at the disposal of the meagrest
-purse, was almost universally that of distribution into
-small weekly or monthly parts, at an infinitesimal
-cost&mdash;a method that may with justice be styled the
-people’s intellectual savings bank; and it is to the
-early history of the people’s intellectual savings bank
-that we now address ourselves.<a id="FNanchor_18" href="#Footnote_18" class="fnanchor">18</a></p>
-
-<p>Robert Chambers was born at Peebles, on the banks<span class="pagenum"><a id="Page_236">236</a></span>
-of the Tweed, on 10th July, 1802, two years later
-than his brother William, with whom his whole career
-is intimately connected. They were the sons of
-James Chambers, at one time a prosperous muslin
-weaver, employing some hundred looms. Their
-father is described as “a lover of books, a keen politician,
-and an open-hearted friend;” but having
-already been generous beyond his means to the poor
-French prisoners in Scotland, he was completely
-ruined by the introduction of machine-weaving looms,
-and was compelled to sell his modest patrimony, and
-remove with his family to Edinburgh, with only a
-few shillings in his pocket on which to start life afresh.
-But before this the young lads’ education had commenced.
-At Peebles there were certainly no newspapers;
-but their old nurse sung ballads and told
-them legendary stories of the former exploits of the
-warriors of the country side; and then there was old
-Tam Fleck, a host in himself, who had struck out a
-wandering profession of his own, a “flichty chield,”
-who went about with a translation of Josephus
-(Lestrange, 1720) from house to house. “Weel, Tam,
-what’s the news the nicht?” would one of the neighbours
-say, as Tam entered with the ponderous volume
-under his arm. “Bad news, bad news,” replied Tam.
-“Titus has begun to besiege Jerusalem&mdash;it’s gaun to
-be a terrible business.” At the little village school,
-too, William was introduced to Latin for the fee of
-five shillings a quarter, and Robert was well grounded
-by Mr. Gray in English for two shillings and twopence.
-Robert was a quiet, self-contained boy, unable from a
-painful weakness in his feet to join heartily in the
-usual games of his schoolfellows. “Books,” he writes
-in the preface to his collected works, “not playthings,<span class="pagenum"><a id="Page_237">237</a></span>
-filled my hands in childhood. At twelve I was deep,
-not only in poetry and fiction, but in encyclopædias.”
-Receiving his first education at the Burgh Grammar
-School, he acquired afterwards, at the Edinburgh
-High School, under the tuition of Mr. Benjamin
-Mackay, the usual elements of a classical education,
-embracing, indeed, as much Latin as enabled him in
-after-life to read Horace with ease and pleasure.</p>
-
-<div id="if_i_236" class="figcenter" style="width: 385px;">
- <img src="images/i_236.jpg" width="385" height="493" alt="" />
- <div class="caption"><p>Dr. Robert Chambers.</p>
-
-<p>1802&ndash;1871.</p></div></div>
-
-<p>After months of pence-scraping and book-hoarding,
-Robert succeeded in collecting a stock worth about
-forty shillings; and with nothing but these, his yearning
-for independence, and his determination to write
-books by-and-by, and at present to sell them, the
-young boy of sixteen opened a little shop or stall in
-Leith Street. His brother William, after serving an
-apprenticeship to a Mr. Sutherland, also started as a
-bookseller and printer in the immediate neighbourhood;
-and from this time forward&mdash;a time when most
-boys were cursing the master’s ferule and the Latin
-syntax&mdash;they were both independent. Of this period
-Robert gives the following graphic and almost painfully
-accurate account in a letter to Hugh Miller,
-written in 1854:&mdash;</p>
-
-<blockquote>
-
-<p>“Your autobiography has set me a thinking of my
-own youthful days, which were like yours in point of
-hardship and humiliation, though different in many
-important circumstances. My being of the same age
-with you, to exactly a quarter of a year, brings the
-idea of a certain parity more forcibly upon me. The
-differences are as curious to me as the resemblances.
-Notwithstanding your wonderful success as a writer,
-I think my literary tendency must have been a deeper
-and more absorbing peculiarity than yours, seeing<span class="pagenum"><a id="Page_238">238</a></span>
-that I took to Latin and to books both keenly and
-exclusively, while you broke down in your classical
-course, and had fully as great a passion for rough
-sport and enterprise as for reading, that being again
-a passion of which I never had one particle. This
-has, however, resulted in making you, what I never
-was inclined to be, a close observer of external nature&mdash;an
-immense advantage in your case. Still I think
-I could present against your hardy field observations
-by frith and fell, and cave and cliff, some striking
-analogies in the finding out and devouring of books,
-making my way, for instance, through a whole chestful
-of the “Encyclopædia Britannica,” which I found in a
-lumber garret. I must also say that an unfortunate
-tenderness of feet, scarcely yet got over, had much to
-do in making me mainly a fireside student. As to
-domestic connections and conditions, mine being of
-the middle classes were superior to yours for the first
-twelve years. After that, my father being unfortunate
-in business, we were reduced to poverty, and
-came down to even humbler things than you experienced.
-I passed through some years of the direst
-hardship, not the least evil being a state of feeling
-quite unnatural in youth, a stern and burning defiance
-of a social world in which we were harshly and coldly
-treated by former friends, differing only in external
-respects from ourselves. In your life there is one
-crisis where I think your experiences must have been
-somewhat like mine; it is the brief period at Inverness.
-Some of your expressions there bring all my
-own early feelings again to life. A disparity between
-the internal consciousness of powers and accomplishments
-and the external ostensible aspect led in me
-to the very same wrong methods of setting myself<span class="pagenum"><a id="Page_239">239</a></span>
-forward as in you. There, of course, I meet you in
-warm sympathy. I have sometimes thought of describing
-my bitter painful youth to the world, as
-something in which it might read a lesson; but the
-retrospect is still too distressing. I screen it from the
-mental eye. The one grand fact it has impressed is
-the very small amount of brotherly assistance there
-is for the unfortunate in this world.... Till I proved
-that I could help myself, no friend came to me.
-Uncles, cousins, &amp;c., in good positions in life&mdash;some
-of them stoops of kirks, by-the-by&mdash;not one offered,
-nor seemed inclined to give, the smallest assistance.
-The consequent defying, self-relying spirit in which,
-at sixteen, I set out as a bookseller with only my own
-small collection of books as a stock&mdash;not worth more
-than two pounds, I believe&mdash;led to my being quickly
-independent of all aid; but it has not been all a gain,
-for I am now sensible that my spirit of self-reliance
-too often manifested itself in an unsocial, unamiable
-light, while my recollections of ‘honest poverty’ may
-have made me too eager to attain and secure worldly
-prosperity.”</p></blockquote>
-
-<p>This period of struggle, however, opened his heart
-in after-life to all who were battling in like circumstances,
-for those who knew him well say that “many
-young literary men owed much to his help, for he
-was ever ready with kindly counsel as well as in more
-solid assistance when needed.” It is pleasant to
-think that his little ciphering book, still in existence
-(the handwriting of which is extremely neat, so neat
-indeed that the young penman was employed by the
-civic authorities to engross on vellum the address
-presented to George IV. on his visit to Edinburgh in
-1822), containing his first year’s account of profit and<span class="pagenum"><a id="Page_240">240</a></span>
-loss, shows a balance small, certainly, but amply
-sufficient for his modest wants, for their united daily
-household expenses did not exceed one shilling.</p>
-
-<p>Once a bookseller, Robert speedily found opportunity
-to become an author, and he undertook the
-editorship of a small weekly periodical called the
-<cite>Kaleidoscope</cite>; while his brother William, in order to
-do all the manual work connected with it, taught himself
-the art of printing, and with an old fount of type,
-and a clumsy wooden press, which he had purchased
-for three pounds, composed and worked off all the
-impressions; his own contributions, some of them
-poetical, “finding their way into the stick without
-the intervention of copy.” Here he was often seen,
-“a slim, light-eyed boy in his shirt-sleeves, tugging
-away with desperate energy at his old creaking press.”
-When his very small and imperfect fount was inadequate
-to the demand for larger letters, he would sit
-up, after his long day’s labour for half the night,
-carving the requisite capitals out of a piece of wood
-with his penknife. This first venture was necessarily
-short-lived, and died in the January of the year 1822&mdash;at
-which date they both gave up their bookstalls
-and took regular shops.</p>
-
-<p>Nothing daunted by the untimely fate of his first
-effort, Robert entered the field again, and from his
-connection with the Tweed, and with the assistance
-of friends from that quarter, who aided him in the
-identification of some of Scott’s characters, he produced
-a book that seemed likely to be popular&mdash;“Illustrations
-of the Author of Waverley,” consisting of descriptive
-sketches of the supposed originals of the
-great novelist. The book was a success, not so much
-from a pecuniary point of view, but as introducing<span class="pagenum"><a id="Page_241">241</a></span>
-the author to the kindly notice of several literary men,
-and gaining him the friendship of Scott, still the
-anonymous “Wizard of the North,” who mentions
-him in his diary as “a clever young fellow, but spoils
-himself by too much haste.”</p>
-
-<p>In the following year, when he was still only twenty
-years of age, he produced the “Traditions of Edinburgh”&mdash;a
-book that is, of his many contributions to
-the social and antiquarian history of his native land,
-still, perhaps, the most popular. Every type of it
-was set up, every sheet of it pulled at press, by his
-brother, and the first edition, dated 1823, presents a
-curious contrast to the handsome copy published in
-1869. The <cite>Traditions</cite> was a book the immediate
-popularity of which raised the author in public esteem,
-though its value is greater still at the present day,
-when many of the interesting associations connected
-with scenes and places are rapidly changing their
-character, or have been swept away altogether. Others
-than Scott even then expressed their wonder “where
-the boy got all his information.” In a sketch of
-Robert Chambers, by the son of one of his earliest
-friends, that appeared in <cite>Lippincott’s Magazine</cite> for
-July, 1871, an amusingly frank letter is quoted, which
-shows that the young writer was already getting into
-the “swim” of authorship:&mdash;“You may depend upon
-a copy of the ‘Traditions of Edinburgh,’ and a review
-of them as soon as they are ready. I am busy just
-now in writing reviews of them myself, for the various
-works I can get them put into, being now come to a
-resolution that an author always undertakes his own
-business best, and is indeed the only person capable
-of doing his work justice. I stood too much upon
-punctilio in my maiden work, the ‘Illustrations,’ and<span class="pagenum"><a id="Page_242">242</a></span>
-left the review of it to fellows who knew nothing
-about the subject, at least had not yet thought of it
-half so much as I had, who was quite <i xml:lang="fr" lang="fr">au fait</i> with the
-whole matter.”</p>
-
-<p>From this period Robert Chambers’ books were
-marketable productions, and publishers began to seek
-out the young author. On the occasion of the great
-fires in November, 1824, when hundreds of poor
-families were rendered destitute, having no money
-wherewith to aid the victims, he wrote an account of
-the historical “Fires in Edinburgh,” and assigned the
-profits, which were considerable, to the fund collected
-for the benefit of the sufferers; and from this time
-books flowed from his pen in rapid succession. In
-1825, he composed, for a bookseller, his “Popular
-Walks in Edinburgh,” partly the result of rambles in
-the nooks and corners of the quaint old city, in company
-with Sir Walter Scott. In 1826, he published
-his “Popular Rhymes of Scotland,” and then started
-on foot, as if to cure his ailment by pedestrianism, on
-a rambling journey through the country, and published
-the result of his explorations in his “Pictures
-of Scotland,” which passed through several editions,
-and is still a lively companion to the tourist. In this
-same year, 1827, he contributed to Constable’s <cite>Miscellany</cite>
-the five volumes containing his “Histories of
-the Scottish Rebellion”&mdash;of which, that concerning
-the affairs of 1845, while true to facts, had all the
-glowing charms of a romance&mdash;and a “Life of James
-I.,” in two volumes. Next appeared three volumes of
-“Scottish Ballads and Songs,” followed by a “Biographical
-Dictionary of Eminent Scotsmen”&mdash;the four
-volumes being commenced in 1832 and concluded in
-1835&mdash;one of the most trustworthy and most entertaining<span class="pagenum"><a id="Page_243">243</a></span>
-books of reference in existence. A supplementary
-and fifth volume was afterwards added by
-the Reverend Thomas Thomson. Besides writing
-these various works, and giving some attention to his
-ordinary business, he found time to act as editor of
-the <cite>Edinburgh Advertiser</cite>.</p>
-
-<p>In 1829, Robert Chambers married Miss Anne
-Kirkwood, of Edinburgh, a lady of very congenial
-qualities and attainments, and whose musical accomplishments
-constantly supplied him&mdash;after his heavy
-daily labours&mdash;with the recreation essential to one so
-passionately fond of music.</p>
-
-<p>William Chambers was toiling away busily in his
-little shop in the Broughton suburb&mdash;writing, printing,
-and selling books. After some minor efforts at
-authorship, he wrote the “Book of Scotland,” giving
-an account of the legal constitution and customs
-of his native country. This was followed by the
-“Gazetteer of Scotland,” written in conjunction with his
-brother, which, from the then scanty printed material
-at their disposal, must have cost them an immensity
-of labour.</p>
-
-<p>In 1832 came the turning point of the cause of the
-two brothers. The struggle for parliamentary reform
-had awakened a necessity for the spread of education.
-The Society for the Diffusion of Useful Knowledge
-had already been doing good service to the cause,
-with Lord Brougham as its president, and Charles
-Knight as its manager. And on the 4th of February,
-1832, appeared the first number of Chambers’ <cite>Edinburgh
-Journal</cite>. Mr. William Chambers has himself,
-in a letter to the editor of the <cite>Athenæum</cite> (April 1st,
-1871), replied to a statement in a former number, that
-upon seeing a copy of the prospectus of the <cite>Penny<span class="pagenum"><a id="Page_244">244</a></span>
-Magazine</cite>, he put forward several suggestions to one of
-the chief promoters, and that his self-love being
-wounded by receiving no reply to his letter, he determined
-to realize his unappreciated ideas himself.
-The following, in his own letter, is, of course, the
-accurate history of the origin of the periodical.</p>
-
-<p>“In the beginning of January, 1832, I conceived
-the idea of a cheap weekly periodical devoted to
-wholesome popular instruction, blended with original
-amusing matter, without any knowledge whatever of
-the prospectus of the <cite>Penny Magazine</cite>, or even hearing
-that such a thing was in contemplation. My
-periodical was to be entitled Chambers’ <cite>Edinburgh
-Journal</cite>, and the first number was to appear on the
-4th of February. In compliment to Lord Brougham
-as an educationist, I forwarded to him a copy of my
-prospectus, with a note explaining the nature of my
-attempt to aid as far as I was able in the great cause
-with which his name was identified. To this communication
-I received no acknowledgment, but no
-self-love was wounded. My work was successful, and
-I was too busy to give any consideration as to what
-his lordship thought of it, if he thought of it at all.
-The first time I heard of the projected <cite>Penny Magazine</cite>
-was about a month after the <cite>Journal</cite> was set on
-foot and in general circulation.”</p>
-
-<p>The success of the new <cite>Journal</cite> was unprecedented;
-it immediately obtained a circulation of 50,000, and
-by 1845, when the folio, after a trial of the quarto,
-was exchanged for the octavo form, 90,000 copies
-were required to supply the demand. Started six
-weeks before the <cite>Penny Magazine</cite>, it is still the most
-successful and the most instructive of the cheap
-hebdomadal periodicals. At the very first flush of<span class="pagenum"><a id="Page_245">245</a></span>
-success, Robert Chambers’ assistance was called in as
-editor, and in a short time the brothers finally entered
-into partnership as publishers; and their triumphs
-were henceforth achieved conjointly&mdash;“both of them,”
-says an able writer in an old number of the <cite>Dublin
-University Magazine</cite>, “trained to habits of business
-and punctuality; both of them upheld in all their
-dealings by strict prudence and conscientiousness;
-and both of them practised, according to their different
-aims and tendencies, in literary labour.”</p>
-
-<p>Seldom, if ever, have two members of a publishing
-firm been so admirably fitted for their business.</p>
-
-<p>From the very outset the brothers were thrown
-entirely on their own resources; they had no literary
-jealousy, and eagerly enlisted on their staff most of
-the young aspirants in Scotland, who have since
-achieved a world-wide reputation. It was, however,
-to Mr. Robert Chambers’ contributions that the
-<cite>Journal</cite> was primarily indebted for success, his delightful
-essays, æsthetic and humorous, permanently
-fixing the work in public esteem. Gifted with a
-keenly-accurate observation, with a grave yet kindly
-humour, his vignettes of life and character, under the
-<i xml:lang="fr" lang="fr">nom de plume</i> of Mr. Baldestone, were so truthful
-and so “telling,” that they met with a very favourable
-reception, when republished separately, in seven
-volumes, in 1844. “It was my design,” he says in
-the preface, “from the first, to be the essayist of the
-middle class&mdash;that in which I was born and to which
-I continue to belong. I, therefore, do not treat their
-manners and habits as one looking <i xml:lang="fr" lang="fr">de haut en bas</i>,
-which is the usual style of essayists, but as one looking
-round among the firesides of my friends.” This
-was, doubtless, the primary secret of their success.</p>
-
-<p><span class="pagenum"><a id="Page_246">246</a></span>
-When Leigh Hunt, in 1834, established his <cite>London
-Journal</cite>, he announced that he intended to follow the
-plan of Chambers’ <cite>Edinburgh Journal</cite>, “with a more
-southern element” added. This compliment, from a
-veteran so famous and so experienced, led to an
-interchange of editorial courtesies, in the course of
-which Robert Chambers claimed the distinction for
-his brother William&mdash;which had been somewhere
-awarded to Leigh Hunt&mdash;of having been the first to
-introduce cheap periodical literature of a superior
-class. Leigh Hunt, in reply, while upholding his own
-title to priority by the indubitable evidence of the
-dates of his <cite>Indicator</cite>, <cite>Tatler</cite>, &amp;c., cordially admitted
-that his young rivals had more wisely achieved the
-desired end by interesting a wider and less educated
-public.</p>
-
-<p>In a few years all Edinburgh proved to be equal
-only to produce the Scotch edition of the <cite>Journal</cite>, a
-branch house was established in the English metropolis,
-the command of which was entrusted to a
-younger brother, Mr. David Chambers, who was born
-in the year 1820, and who was afterwards taken into
-partnership. Unlike his brothers, he had little taste
-for literature. In connection with the subsequent
-conduct of the <cite>Journal</cite>, we may mention the names
-of T. Smibert and Leich Ritchie (both deceased), and
-Mr. W.&nbsp;H. Wills, and Mr. James Payn, the sensational
-novelist, who for many years has had the leading
-conduct.</p>
-
-<p>In 1844, Robert Chambers published a work written
-in conjunction with Dr. Carruthers, afterwards greatly
-enlarged, which takes a far higher rank than any preceding
-compilation of a similar character. This was
-Chambers’ “Cyclopædia of English Literature,” in<span class="pagenum"><a id="Page_247">247</a></span>
-which no less than 832 authors are treated critically
-and biographically, specimens of their most characteristic
-writings being quoted in addition. From the
-intrinsic value of the contents, and the marvellous
-cheapness of the price, a great popularity was attained,
-and in a few years 130,000 copies were sold in England
-alone, while in America it was at least as popular.</p>
-
-<p>Among his other works at this period we may
-mention a labour of love&mdash;a chronological edition of
-Burns’ poems, so arranged with a connecting narrative
-as to serve also as a biography. The proceeds of the
-sale went towards securing a comfortable fortune for
-the poet’s sister. We must mention, also, in passing,
-“The Domestic Annals of Scotland,” and a dainty
-little volume of verse, printed for private circulation
-only, in 1835.</p>
-
-<p>A book appeared about this time entitled, “Vestiges
-of the Natural History of Creation,” which was
-written to prove that the Divine Governor of this
-world conducts its passing affairs by a fixed rule,
-termed natural law. The orthodox party professed
-to be alarmed at the temerity of the writer, and by
-them the book was hailed with contumely. It was
-known that the proof sheets had passed through the
-hands of Mr. Robert Chambers, and on no better
-authority than this, not only did the public believe the
-story, but the “Vestiges” was entered in the catalogue
-of the British Museum under his name. A writer in
-the <cite>Critic</cite> boldly stated, “on eminent authority,” that
-George Combe was the author, and though this was
-contradicted, and though the authorship is still a
-mystery, it would appear that Combe had, at all
-events, something to do with the work. In 1848,
-Robert Chambers was selected to be Lord Provost of<span class="pagenum"><a id="Page_248">248</a></span>
-Edinburgh; he was requested to deny the authorship,
-but his refusal to plead, and his consequent retirement,
-were probably due to his contempt for people
-who could make the authorship of a book a barrier
-to civic honours. His brother William, however,
-afterwards filled the office with such satisfaction to his
-fellow-citizens, that he was re-elected, after serving
-the prescribed term of three years.</p>
-
-<p>Many of Robert Chambers’s earliest essays in his
-<cite>Journal</cite> had been upon geology, and to this branch
-of science he became more and more addicted, and as
-a geologist and antiquarian he turned to good account
-a somewhat extensive course of foreign travel. In
-1848 he visited Switzerland; in 1849 Sweden and
-Norway; and in later years Iceland and the Faroe
-Isles, Canada, and the United States. One of the
-results of these travels was a volume on “Ancient
-Sea Margins”&mdash;containing a new theory, that had previously
-been propounded by him in a paper read before
-the “British Association,” and had attracted no
-little attention.</p>
-
-<p>To supplement what their <cite>Journal</cite> could not supply
-to the reading public, he and his brother also wrote,
-with not very much assistance, and, of course published,
-“Information for the People,” “Papers for the
-People,” and a series of miscellaneous tracts: 200,000
-of the first named are said to have been sold.</p>
-
-<p>During all this hard work Robert Chambers helped
-to conduct one of the largest printing and publishing
-concerns in Scotland. One of the chiefest triumphs
-of the brothers was “Chambers’s Educational Course,”
-an educational project so complete that few men
-could have ever hoped to realize it. This series begins
-with a three-halfpenny infant primer, and goes<span class="pagenum"><a id="Page_249">249</a></span>
-onward through a whole library of grammars, dictionaries,
-histories, scientific, and all primary class
-books, and cheap editions of standard foreign and
-classical authors, till it culminates in a popular “Encyclopædia”
-in ten thick volumes. This “Encyclopædia”
-was originally founded on the “German Conversations’
-Lexicon,” but the articles were in all cases
-either re-written or thoroughly revised. It admirably
-supplies the wants of those readers for whom the
-“Penny Encyclopædia” was in the first instance
-devised, before its expansion into the present more
-expensive form.</p>
-
-<p>Literary honours fell fast upon Robert Chambers.
-He enjoyed the rare distinction of being nominated
-into the Athenæum Club by its committee of management,
-and was elected a member of many
-scientific societies; and finally the University of St.
-Andrews conferred on him the degree of Doctor of
-Laws.</p>
-
-<p>In 1864 appeared his first real work, the “Book
-of Days,” but the success that attended it was dearly
-bought. He had found it necessary to reside for
-some years in London, in order to avail himself of
-the inexhaustible treasures of the British Museum,
-but on his return to Scotland he was often heard to
-say “that book is my death-blow.” His nervous
-system was shattered, and literary labour was at an
-end. After the completion of seventy volumes, and
-innumerable articles, compelling almost incessant
-mental effort for five-and-forty years, the overworked
-brain at last demanded repose. The descendants
-of Smollett, the novelist, offered him the
-use of some hitherto untouched family documents,
-and he was tempted once more to essay the long-<span class="pagenum"><a id="Page_250">250</a></span>loved
-task of composition; the volume was printed
-in 1867, and is said to bear painful marks of the undue
-strain from which his mind had suffered.</p>
-
-<p>The very last years of his life were spent at St.
-Andrews, where on March 17th, 1871, he died, saying,
-“Quite comfortable&mdash;quite happy&mdash;nothing more!”
-leaving a family of nine children, one of whom, Mr.
-Robert Chambers, has for some time been a partner
-in the firm. His second wife (his first had died in
-1863) did not survive him.</p>
-
-<p>Few men have worked so hard as Robert Chambers;
-his life, busy in its threefold capacity of author,
-editor, and publisher, can scarcely have known an
-unprofitable hour; few men have worked so well, for
-not a line that he has written, not a book that he has
-published, but has tended in some way to the education
-and social improvement of the people; and few
-men have reaped such an honourable and profitable
-reward for their labours.</p>
-
-<p>Dr. Carruthers, his colleague in the “Cyclopædia
-of English Literature,” says, “His worldly prosperity
-kept pace with his acquirements and his labours; he
-was enabled to practise a liberal hospitality and a
-generous citizenship; strangers of any mark in literature
-or science were cordially welcomed, and a forenoon
-antiquarian ramble with Robert Chambers in
-the old town of Edinburgh, or a social evening with
-him in Doune Terrace, were luxuries highly prized
-and long remembered. Thus we have an instance of
-a life meritorious, harmonious in all its parts, happy,
-and benefiting society equally by its direct operation
-and its example.”</p>
-
-<p>The news of Robert Chambers’s death so affected
-his brother, Mr. David Chambers, who was at that<span class="pagenum"><a id="Page_251">251</a></span>
-time confined to his home through illness, that it
-caused the rupture of a blood-vessel in the liver, and
-three days after this he followed his elder brother;
-like him he had been an earnest friend of press reform,
-and had devoted much of his time to promoting
-the repeal of the fiscal restrictions upon
-newspapers.</p>
-
-<p>Mr. William Chambers, who undertook from the
-first the largest share in the mercantile concerns of
-the firm, has still found time to accomplish a large
-amount of literary work. In addition to the book
-previously mentioned, he has published, among
-others, “Travels in Italy,” and a “History of Peebleshire,”
-and the “Memoir of Robert Chambers,” besides
-contributing freely to the <cite>Journal</cite>, and other of
-their serial publications.</p>
-
-<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
-
-<p>Charles Knight was born at Windsor in the year
-1791, and was the only child of his father, a bookseller
-and printer of some importance in that town,
-who, by his connection with the <cite>Microcosm</cite>, a paper
-conducted by Canning, and written by Hookham
-Frere, “Bobus” Smith, and other Etonians, had
-made many influential friends. The last number of
-this schoolboy journal appeared, however, four years
-before the birth of his son.</p>
-
-<p>Charles was educated at the school of a Dr.
-Nicholas at Ealing, and his early avidity for reading
-had, he himself thinks, much to do with rendering his
-constitution weak and feeble. At the age of fourteen
-he signed indentures of apprenticeship to his father,
-and in 1812, when he attained his majority, he was
-sent up for a few weeks to London to undergo a
-short term of training in the office of the <cite>Globe</cite> newspaper,<span class="pagenum"><a id="Page_252">252</a></span>
-so as to give him practical experience in reporting
-and other journalistic work; for from early
-boyhood he had determined to possess a paper of his
-own. On Aug. 1st of the same year his desire was
-realized, and, in conjunction with his father, he
-started the <cite>Windsor and Eton Express</cite>, the editorship
-of which he continued up to the year 1827, finding
-time, however, in the midst of his busy life, to
-devote to the cultivation of more general literature.
-In 1813 appeared the first original work from his pen,
-“Arminius,” a tragedy&mdash;which had been offered to
-the manager of Drury Lane Theatre, and had of
-course been rejected, but very courteously. During
-his residence at Windsor he was co-editor, with H.
-E. Locker, of the <cite>Plain Englishman</cite>, a miscellaneous
-journal, which only lasted from 1820 to 1822.</p>
-
-<p>His first venture into the dimly descried regions of
-popular literature appeared, he says, in the <cite>Windsor
-Express</cite> for Dec. 11, 1819, in a paper called “Cheap
-Publications,” and was followed by others, till, in one
-of the last numbers of the <cite>Plain Englishman</cite>, we
-come across an article entitled “Diffusion of Useful
-Knowledge”&mdash;a straw which shows which way his
-mind was turning.</p>
-
-<div id="if_i_252" class="figcenter" style="width: 378px;">
- <img src="images/i_252.jpg" width="378" height="445" alt="" />
- <div class="caption"><p>Charles Knight.</p>
-
-<p>1791&ndash;1873.</p></div></div>
-
-<p>Among Mr. Knight’s other literary labours at this
-time, in 1820, he undertook the editorship of the
-<cite>Guardian</cite>, again in partnership with a colleague; and
-his life, divided between Windsor and London, became
-one of very pleasurable excitement. His connection,
-too, with a literary journal, served to render
-him familiar with the aspects of the publishing trade
-in London, and at the end of 1822 he sold his share
-of the <cite>Guardian</cite>, and took up his position in Pall
-Mall East, and started as a publisher.</p>
-
-<p><span class="pagenum"><a id="Page_253">253</a></span>
-One day, shortly after this, coming back jaded and
-weary from his London office he found two Eton
-lads&mdash;W.&nbsp;M. Praed and Walter Blunt&mdash;waiting at his
-cottage with an eager proposal that he should publish
-an Eton miscellany. Generously and sympathetically
-did Mr. Knight enter into the schemes of the
-schoolboys; and the plan of the <cite>Etonian</cite> was forthwith
-drawn up. Knight found much pleasure in
-watching and assisting the young periodical, which
-was a kind of pleasant nursery ground for the growth
-and display of the youthful talent of which Eton then
-proudly and unwontedly boasted. “It was refreshing,”
-he writes, “after the dry labours of his day in
-town, to watch the bright, earnest, happy face of Mr.
-Blunt, who took a manifest delight in doing the
-editorial drudgery; the worst proofs (for in the haste
-unavoidable in periodical literature he would sometimes
-catch hold of a proof <em>un</em>read) never disturbed
-the serenity of his temper. To him it seemed a real
-happiness to stand at a desk in the composing-room.”
-But Praed it was, with his sparkling wit, his elegant
-aptness of expression, and his boyish gallantry that
-yet smacked of the wise experience of age, who was
-the life and soul of the project, and his contributions
-eventually occupied fully one-fourth of the whole
-miscellany, and when he went to Cambridge it was
-thought advisable, perhaps found necessary, to terminate
-the <cite>Etonian</cite> altogether. Still Mr. Knight’s
-chief hopes as a publisher were centred in the promise
-of his young Eton friends, and during a week
-passed with them at Cambridge the general plan of
-<cite>Knight’s Quarterly Magazine</cite> was settled, and he
-was introduced to Derwent, Coleridge, Malden, and
-Macaulay, afterwards his chief contributors.</p>
-
-<p><span class="pagenum"><a id="Page_254">254</a></span>
-Mr. Knight was his own editor, and with the assistance
-of such writers, his periodical could not fail to
-be a success. Even Christopher North, in Edinburgh,
-was moved to write of them as a hopeful class of
-“young scholars,” and Knight retorted to this stale
-accusation of youth by declaring that he had read
-and rejected seventy-eight prose articles, and one
-hundred and twenty copies of occasional verses, “all
-the property of the old periodical press,” while Praed
-wrote saucily enough, that “Christopher North is a
-barn from his wig to his slippers.”</p>
-
-<p>After the first two numbers, Macaulay felt constrained
-to retire, as his father objected to the political
-opinions of the magazine, but he was luckily induced
-to alter his mind, and to the future numbers he contributed
-the best of his early poems&mdash;notably, “Moncontoria”
-and “Ivry” and the “Songs of the Civil Wars.”
-Here, too, were printed Praed’s most charming <i xml:lang="fr" lang="fr">jeux
-d’esprits</i>, so called, though depth of feeling and nobleness
-of sentiment often lay beneath their airy bantering
-tone. De Quincey, then almost starving in the
-streets of London, was made lovingly free of its pages,
-and the <cite>Quarterly Magazine</cite> attained a great celebrity
-as the most classical, and yet the lightest, gayest, and
-most pleasing periodical of the day.</p>
-
-<p>Unfortunately a division occurred among the contributors
-themselves&mdash;their opinions, and the opinions
-they expressed, were as widely divergent as the four
-winds of heaven&mdash;their supply of matter was quite
-irregular, varying with the individual amusements of
-the hour&mdash;reaching, Knight tells us, to “wanton neglect;”
-and after many dissensions, the publisher felt
-“that he had to choose between surrendering the
-responsibility which his duties to society had compelled<span class="pagenum"><a id="Page_255">255</a></span>
-him to retain, or to lose much of the assistance
-which had given to the <cite>Quarterly Magazine</cite> its peculiar
-character.” He could not hesitate in his choice, and
-with the sixth number the work ceased, being, however,
-continued under the editorship of Malden, and
-in the hands of another publisher for a quarter longer,
-but the panic that ruined Scott and Constable, and
-shook so many publishing houses, made small work of
-the transplanted <cite>Quarterly</cite>.</p>
-
-<p>This period of Knight’s life may be regarded as the
-time when he sowed his publishing wild oats; henceforth
-sterner work awaited him. Among, however,
-the earliest of his distinct publications may be mentioned
-Milton’s “Treatises on Christian Doctrine,”
-then first discovered among the documents at the
-State Paper Office.</p>
-
-<p>Knight had fortunately no bills afloat at the time
-of the panic which, in connection with his endeavour
-to assist the Windsor bank, he so graphically describes&mdash;“In
-the Albany we found the partners of one firm
-deliberating by candle light&mdash;a few words showed how
-unavailing was the hope of help from them: ‘We shall
-ourselves stop at nine o’clock.’ The dark December
-morning gradually grew lighter; the gas lamps died
-out; but long before it was perfect day we found
-Lombard Street blocked up by eager crowds, each
-man struggling to be foremost at the bank where he
-kept his accounts, if its doors should be opened.”
-Still, Mr. Knight, though not directly involved, found,
-like many other publishers, that the schemes of 1825
-would not sell in 1826, and that the booksellers must,
-spite of themselves, “hold on” as best they could.
-Colburn, indeed, was the only one who still continued
-his ventures, and from the light and soothing nature<span class="pagenum"><a id="Page_256">256</a></span>
-of his publications, chiefly fictions calculated to allay
-the torture of reality, he was able to reap a reward for
-his temerity.</p>
-
-<p>Every day found Mr. Knight more sick of his prospects
-than the last. The <cite>Brazen Head</cite>, a weekly
-satirical and humorous journal of his just started,
-lightened though it was by the rippling wit of Praed,
-fell upon the public like a leaden lump.</p>
-
-<p>Mr. Knight’s brain had long been filled with a
-scheme of popular and cheap literature, and he now
-made up his mind to start afresh&mdash;to tempt the world
-and bless it with a real “National Library,” so good
-that all should desire, so cheap that all would buy.
-Lord Brougham, who was at that moment organizing
-the “Society for the Diffusion of Useful Knowledge,”
-heard of this plan and obtained an introduction to the
-schemer. The idea of the National Library was at
-first taken up by the Society, but was finally adopted
-by John Murray. Differences of opinion as to
-the editorial responsibilities, and the arrangements as
-to the transfer of his stock to Albemarle Street, presented
-new difficulties, and thoroughly sick of the
-whole matter, Mr. Knight suddenly abandoned it.
-The germ of his idea, however, bore fruit in the
-“Treatises” published by the Society in March, and in
-the “Cabinet Encyclopædia,” issued a few years afterwards
-by Longman. “My boat,” writes Mr. Knight,
-“was stranded. Happily for me there were no
-wreckers at hand ready for the plunder of my
-damaged cargo.” Anyhow, for the time being, publishing
-was over. To a man of indomitable pluck, and blessed
-with the pen of a ready writer, journalism presents a
-tolerably open field, and to newspaper work Mr.
-Knight again addressed himself; but in a few weeks<span class="pagenum"><a id="Page_257">257</a></span>
-a document, which Mr. Knight values, he says, as a
-soldier values his first commission, reached him containing
-an offer of the superintendence of the Society’s
-publications, an offer that was forthwith accepted. As
-a first step, the “Library of Entertaining Knowledge”
-was commenced, and, in 1828, he started the <cite>British
-Almanac</cite>, and the <cite>Companion to the Almanac</cite>&mdash;a
-wonderful change for the better after the “Poor
-Robins” and “Old Moores” of the past.</p>
-
-<p>In 1832, Mr. Knight was offered an official position
-at the Board of Trade, but fortunately for the education
-and interests of the people he had the courage to
-refuse it, having the pleasure, however, of being asked
-to recommend some one else to the post. In the
-March of this year appeared the first number of the
-<cite>Penny Magazine</cite>, subsequent by only a very few weeks
-to <cite>Chambers’s Edinburgh Journal</cite>.</p>
-
-<p>The new periodical had been suggested by Mr. Hill
-in a conversation about the wretched character of the
-cheap prints of the period. “Let us,” he exclaimed,
-“see what something cheap and good can accomplish!
-Let us have a penny magazine!” “And what shall
-be the title?” asked Knight. “The <cite>Penny Magazine</cite>.”
-At once they went to the Lord Chancellor, who
-entered cordially into the project, and though a few
-old Whig gentlemen on the committee urged that the
-proposed price was below the dignity of the Society,
-and muttered, “It is very awkward, very awkward,”
-Mr. Knight undertook the risk, and was immediately
-appointed editor.</p>
-
-<p>The success of the magazine was amazing even to
-the sanguine editor; at the close of 1832 it reached a
-sale of 200,000 in weekly and monthly parts&mdash;representing
-probably a million readers, and Burke had<span class="pagenum"><a id="Page_258">258</a></span>
-only forty years previous estimated the number of
-readers in this country at 80,000! Among the contributors
-it will be sufficient to mention Long, De
-Morgan, Creswick, Allan Cunningham, and Thomas
-Pringle, whilom editor of the Whiggish <cite>Blackwood</cite>.
-One writer, however, stands out from the rest, both
-by his misfortunes and his attainments&mdash;coming not
-only under the “curse of poverty’s unconquerable
-ban,” but being completely deaf and almost dumb.
-Recommended to Mr. Knight as an extraordinary,
-though unknown genius, who had been brought up in
-a charity school, stricken with a sudden and melancholy
-affliction, who had worked his way to St. Petersburg,
-and thence through Russia to Moscow, and on
-to Persia and the Desert; who knew French and
-Italian perfectly; the kind-hearted publisher, from
-the very first, took a liking to Kitto&mdash;soon to be
-known as an eminent traveller, Orientalist, and Biblical
-commentator. After the first trial article of “The
-Deaf Traveller,” Kitto was regularly engaged to assist
-Mr. Knight personally in his own room; and here in
-his spare time he managed to acquire German.</p>
-
-<p>In spite of the somewhat scurrilous attacks made
-upon the <cite>Penny Magazine</cite> by Colburn in his <cite>New
-Monthly</cite> it was a continuous success, and ultimately
-paved the way to a work infinitely more important&mdash;the
-“Penny Encyclopædia.”</p>
-
-<p>It will be essential here to understand the position
-of the Society for the Diffusion of Useful Knowledge.</p>
-
-<p>This Society was founded in 1826 by Lord
-Brougham and other gentlemen, described by Mr.
-Knight as the leading statesmen, lawyers, and philanthropists
-of the day. “It was a blow aimed at the
-monopoly of literature&mdash;the opening of the flood-gates<span class="pagenum"><a id="Page_259">259</a></span>
-of knowledge.” At first the Society possessed no
-charter, but obtained one in May, 1832, not probably
-a very useful or essential gift, nominating Brougham
-as president, Lord John Russell as vice-president,
-and William Tooke, Esq., treasurer. No subscriptions
-were called for, or rather these means had been at once
-abandoned, and the “arrangements made with the
-publisher since the beginning of the Society have gone
-upon the principle of leaving the committee as far as
-possible free from risk, and unencumbered with commercial
-responsibility; but at the same time deriving
-a fair proportion of pecuniary advantage from the
-ultimate success of the undertaking.” The publisher
-in the first instance paid down a certain sum for the
-copyright, sufficient to cover the disbursements to the
-authors by the committee, who, after a limit of sale,
-received a royalty of so much per thousand copies.
-At first the Society’s publications abounded in
-almanacs; “The British Almanack,” “The British
-4<i>d.</i> Almanack,” “The Penny Sheet Almanack,” and
-“The British Working-man’s Almanack.” Then came
-the <cite>Penny Magazine</cite>, the <cite>British Quarterly Journal of
-Education</cite>, and the “Penny Encyclopædia,” the first
-number of which was issued in July, 1833. It was
-originally projected to form a moderate-sized book of
-eight volumes, and every article was to be written
-expressly for the work. This limited size was found
-to be incompatible with original work by the best
-writers, and after a year the price and quantity were
-doubled; after three years more, quadrupled. In the
-present form, and according to the original scheme,
-the issue would have taken thirty-seven years. But
-this increase of matter, while it largely enhanced the
-intrinsic value of the work, was utterly fatal to its<span class="pagenum"><a id="Page_260">260</a></span>
-commercial success. The committee got, says Mr.
-Knight, the credit of the work, without incurring any
-of the risk; and the expenditure on literary matter
-alone amounted to £40,000. The sale, owing to the
-increase of matter and price, rapidly declined: at first
-consisting of 75,000 copies, it fell at the increase to
-twopence to 55,000, in the second year to 44,000, and
-at the close of the fourpenny period it was actually
-reduced to 20,000; and this chronic loss entailed upon
-Mr. Knight for the duration of eleven years absorbed
-every other source of profit in his extensive business.
-This loss was still further augmented by the enormously
-heavy paper duty of threepence per pound,
-but which was reduced in 1836 to half that price.</p>
-
-<p>Mr. Knight was originally associated with Mr. Long
-in the editorial duties, but soon wisely gave up the
-management of the literary department.</p>
-
-<p>Mr. George Long, who is now leaving a Professorship
-at Brighton College for Chichester,<a id="FNanchor_19" href="#Footnote_19" class="fnanchor">19</a> had been
-bracketed with Macaulay and Professor Malden for
-the Craven Scholarship&mdash;a fact that says something,
-were it necessary, for his attainments&mdash;and was able
-to gather together the most able men of the day on
-his staff, all of whom, whether belonging to the Society
-or otherwise, were handsomely remunerated for their
-labour. Upon De Morgan rested, perhaps, after the
-editor, the heaviest labour, for he undertook the whole
-department of Mathematical Science. The Biographical
-portion was chiefly due to G.&nbsp;C. Lewis,
-G. Long himself, P. and W. Smith, and Donaldson.
-It is impossible, necessarily, to mention many out of the<span class="pagenum"><a id="Page_261">261</a></span>
-200 contributors, and it will suffice for our purpose to
-enumerate the names of Professors Craik, Forbes, and
-Donaldson, and Messrs. Ellis, Lewis, and Kitto, as
-writers on all general subjects; and Mr. W.&nbsp;J.
-Broderip as taking the Natural History department.
-Quite a new feature in the composition of the staff
-was the introduction of foreign writers of eminence,
-who composed either in their own language or in
-ours, all the articles being revised by the editor and
-his assistants, and rendered into perfectly good
-English.</p>
-
-<p>We must follow Mr. Knight’s own publications,
-remembering that their issue was contemporary with
-the “Encyclopædia.” Next to that in costliness was
-the “Gallery of Portraits,” issued in monthly parts at
-half-a-crown each, to which, among other authors,
-Hallam and De Quincey contributed.</p>
-
-<p>The connection between Mr. Knight and Kitto was
-still very strong and affectionate. In January, 1834,
-we find him detailing pleasantly the amount of work
-he had to do for £16 a month&mdash;“a most comfortable
-sum for me”&mdash;and later on we come across him
-asking Mr. Knight’s advice in regard to his proposed
-marriage. “I have felt it prudent and proper to
-postpone it for awhile until I should have consulted
-with you.... I have hitherto been so connected in
-my employments with those who took a strong personal
-interest in my affairs, and to whom I am
-accustomed to talk freely about them, that I am
-led to trouble you more about myself and my circumstances
-than is warranted by my existing relations.
-If so, I doubt not your kindness will readily excuse
-the absence in a dumb man of those little proprieties
-with which he has not had much opportunity of<span class="pagenum"><a id="Page_262">262</a></span>
-becoming acquainted.” A curious subject on which
-to consult one’s publisher, but then Mr. Knight was
-something more, and immediately promised such
-remuneration and regular employment as would free
-Kitto’s entrance into wedded life from the charge of
-imprudence.</p>
-
-<p>The “Bilder Bibel,” then publishing in Germany,
-suggested to Mr. Knight his “Pictorial Bible;” and
-Kitto, after having tested his own fitness for the work
-thoroughly, boldly undertook to execute the whole
-task, giving up, of course, all other work, and receiving
-£250 a year during the progress of the book, and on
-completion such a sum of money as seemed a small
-fortune. This completed&mdash;and it was one of the most
-remunerative works upon which Mr. Knight was ever
-engaged&mdash;he commenced his “Palestine,” and in such
-subjects Kitto found at last his true vocation.</p>
-
-<p>The “Pictorial History” occupied seven years in
-coming out, in parts, of course. Mr. Craik wrote the
-social, religious, and commercial portions, and Mr. C.
-Macfarlane undertook the larger department of civil
-and military history; many other gentlemen also
-contributed. The same fault occurred here as in the
-“Penny Encyclopædia”&mdash;it was too long for serial publication.
-By an error of judgment on the part of the
-editors, four of the eight volumes were devoted to the
-reign of George III.; the subscribers became weary,
-and the project turned out to be a commercial
-failure.</p>
-
-<p>This was followed in 1843 by the “Illustrated
-London,” certainly the best and most trustworthy
-history we yet have <i xml:lang="la" lang="la">in extenso</i> of the great metropolis.</p>
-
-<p>The issue of the “weekly volumes” was also in
-progress, commencing with a “Life of Caxton,” by<span class="pagenum"><a id="Page_263">263</a></span>
-Mr. Knight himself; but the series soon became the
-“shilling volumes.”</p>
-
-<p>The <cite>Penny Magazine</cite> terminated on the 27th Dec.,
-1845, and its continuation, <cite>Knight’s Penny Magazine</cite>,
-proving but barely remunerative, the hint was taken,
-Mr. Knight declaring that it should never be said of
-him, “Superfluous lags the veteran on the stage.”</p>
-
-<p>The “Penny Encyclopædia” terminated in December,
-1843, and though a ruinous loss to Mr. Charles Knight,
-was at the same time, as regards the general public,
-perhaps the greatest publishing triumph that had yet
-been accomplished. The banquet given in his honour
-by the contributors was, Mr. Knight tells us, the
-proudest moment in his life, and was certainly a
-tribute as well earned as it was unique.</p>
-
-<p>Into the next and grandest venture of the Society
-for the Diffusion of Useful Knowledge Mr. Knight
-could not afford to take part&mdash;fortunately, indeed, for
-the scheme, magnificent but futile, proved a deathblow
-to the Society. The “New Biographical Dictionary”
-was intended to assume proportions beyond
-anything of the kind hitherto attempted; but to the
-astonishment of the committee it was found that when
-the letter A was completed seven half volumes had
-been filled, and a loss of £5000 had been incurred.
-This was bad enough, but when contributors were
-requested to send in suggestions as to the letter B,
-one man alone forwarded more than 2000 names. By
-this time the Society had exhausted its available
-funds, and, frightened by the prospect, thought itself
-quite justified in retiring from the public scene. “Its
-work is done, for its greatest object is achieved&mdash;fully,
-fairly, and permanently. The public is supplied with
-cheap and good literature to an extent which the most<span class="pagenum"><a id="Page_264">264</a></span>
-sanguine friends of improvement could not in 1826
-have hoped to witness in twenty years.”</p>
-
-<p>In 1843, Mr. Knight had published his “Life of
-Shakespeare,” a work by which, as a valuable history
-of Elizabethan times, and a charming, though necessarily
-an imaginary, sketch of our greatest poet, the
-author will, we think, though multitudinous in his
-writings, be most distinctly remembered. His edition
-of Shakespeare, which for reverent love and editorial
-labour is almost unrivalled, has appeared in various
-guises, as the “Popular,” the “Library,” the
-“National,” the “Cabinet” (three editions), the
-“Medium” (three editions), and the “Stratford”
-(three editions).</p>
-
-<p>By far the most remarkable of Mr. Knight’s labours,
-and perhaps the most useful, was his “Shilling Volumes
-for all Readers” (1844&ndash;1849), 186 volumes, 16mo., in all;
-for though his editorial labours were terminated when
-about two-thirds of the work was completed, he still
-considered himself responsible as regards the general
-character of the works. “I may confidently state,”
-he says, “that in this extensive series, no single work,
-and no portion of a work, can be found that may not
-safely be put into the hands of the young and uninformed,
-with the security that it will neither mislead
-nor corrupt.” In a postscript to the last volume he
-adds: “I now venture to believe that I have accomplished
-what I proposed to do. First, I have endeavoured
-to produce a series of books which comprehends something
-like the range of literature which all well-educated
-persons desire to have at their command.” Without
-attempting any very exact classification of the various
-subjects of the volumes, they may be thus distributed
-into large departments of <span class="locked">knowledge:&mdash;</span></p>
-
-<p><span class="pagenum"><a id="Page_265">265</a></span></p>
-
-<table summary="Knight's range of works">
- <tr>
- <td class="tdl">Analytical Accounts of Great Writers, English and Foreign</td>
- <td class="tdr">13</td></tr>
- <tr>
- <td class="tdl">Biography</td>
- <td class="tdr">33</td></tr>
- <tr>
- <td class="tdl">General History</td>
- <td class="tdr">5</td></tr>
- <tr>
- <td class="tdl">English History</td>
- <td class="tdr">26</td></tr>
- <tr>
- <td class="tdl">Geography, Travel, and Topography</td>
- <td class="tdr">33</td></tr>
- <tr>
- <td class="tdl">Natural History</td>
- <td class="tdr">17</td></tr>
- <tr>
- <td class="tdl">Fine Arts and Antiquities</td>
- <td class="tdr">8</td></tr>
- <tr>
- <td class="tdl">Arts and Sciences, Political Philosophy, &amp;c.</td>
- <td class="tdr">14</td></tr>
- <tr>
- <td class="tdl">Natural Theology and Philosophy</td>
- <td class="tdr">15</td></tr>
- <tr>
- <td class="tdl">General Literature</td>
- <td class="tdr">16</td></tr>
- <tr>
- <td class="tdl">Original Fiction</td>
- <td class="tdr">6</td></tr>
- <tr>
- <td> </td>
- <td class="tdr bt">186</td></tr>
-</table>
-
-<p class="in0">After this noble endeavour in a good cause, it is
-literally heartrending to read Mr. Knight’s candid
-confession that not twenty volumes of the series
-achieved a circulation of 10,000 copies.</p>
-
-<p>As soon as the Poor Law Board was established,
-Mr. Knight became officially connected with it as an
-authorized publisher, and from that time he almost
-entirely gave up general publishing, and his works
-were entrusted to the care of other firms.</p>
-
-<p>The copyright of the “Encyclopædia” remained in
-his possession, and was turned to good account in
-the “National Encyclopædia,” and later on in the
-“English Encyclopædia,” in which, however, nothing
-was reprinted without thorough revision, many of the
-articles being entirely new.</p>
-
-<p>Several of Mr. Knight’s productions, such as “The
-Land we Live in,” commenced in 1847, turned out, in
-the hands of the “copy publisher,” to be perfect mines
-of wealth.</p>
-
-<p>In 1854 appeared the “Popular History of England;”
-it was completed in 1862.</p>
-
-<p>In 1851 we find Mr. Knight going about as joint
-manager with Mr. Payne Collier, of that band of
-illustrious amateur actors who have become so famous.<span class="pagenum"><a id="Page_266">266</a></span>
-Among them we find Charles Dickens, Mark Lemon,
-G. Cruikshank, Wilkie Collins, and R.&nbsp;H. Horne. “A
-joyous time, this,” writes Mr. Knight, who had played
-the part of “One Tonson, a bookseller,” “left-legged
-Jacob” having, he adds, “but a paltry representative.”</p>
-
-<p>Among Mr. Knight’s chief literary labours, we must
-instance his “Half-Hours with the Best Authors”&mdash;a
-book that has achieved a world-wide popularity;
-“Once upon a Time;” and “Passages of a Working
-Life for Half a Century” (in 3 volumes), a charming
-and interesting autobiography, to which we are indebted
-for most of the facts in this short notice of his life.</p>
-
-<p>Full of years and of honours, Mr. Knight died at
-Addlestone, in Surrey, on the 9th of March, 1873,
-aged eighty-one; and five days afterwards was buried
-in the family vault at Windsor. The funeral was very
-large, from the number of literary men attending, who
-wished to show their feeling of affection and respect
-for the deceased. In the newspaper notices, too, the
-tribute of praise was unanimous and hearty; and it
-was resolved that the gratitude of writers and readers
-should not stop here. A committee has been formed
-to erect some kind of memorial, and many of the
-leading men of letters, as well as some of the leading
-publishers, are taking part in it. It has been hoped
-that this memorial may assume the shape of a free
-public library for London, and thus initiate a movement
-that, to our shame, has made such successful
-way in our great provincial towns. Nothing else
-could so appropriately perpetuate the memory of
-a life so earnest in its purpose of spreading cheap
-literature far and wide, so brave in difficulty, so utterly
-unmindful of self-gain in the work planned out and
-done; that none who know its story can gainsay
-Douglas Jerrold’s most happy epitaph, “Good Knight.”</p>
-
-<p><span class="pagenum"><a id="Page_267">267</a></span></p>
-
-<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
-
-<p><span class="smcap">John Cassell</span>, though of a family originally Kentish,
-was born at Manchester on 23rd January, 1817. The
-child of poor parents, his school education was very
-simple and elementary, and at an early age he adopted
-the trade of carpentry. In most lads of that class,
-education, such as it is, is totally ended when once
-they leave the school-house to follow some manual
-calling; but from the day that Cassell took his first
-serious step in life he determined to educate himself,
-to break down the trammels of class ignorance, first of
-all in his own case, and, that once accomplished, to assist
-with all the energy he possessed, his brother workmen
-to do the same. At first he found his evening studies,
-after a hard day’s work at the bench, somewhat
-irksome and painful; but by degrees his reading
-became less and less elementary, and eventually he
-acquired, not only a considerable knowledge of English
-literature, but a fund of general information which,
-on the platform, as well as in private life, stood him
-in good stead; and he also attained sufficient proficiency
-in French to be afterwards essentially serviceable
-in his repeated visits to the Continent.</p>
-
-<p>But, after all, his most valuable knowledge was
-acquired in the carpenter’s shop, and among his fellow-workmen;
-for here he gained an insight into the
-inner life&mdash;the struggles, privations, and miseries, as
-well as the hopes and ambitions&mdash;of the working
-classes; and this knowledge was carefully stored up
-until he should, at a future time, see some way of
-firing their minds and ameliorating their condition.</p>
-
-<p>In 1833 the total abstinence movement was commenced
-in Lancashire, under the active leadership of
-Mr. Joseph Livesey, of Preston, and known as “The
-Temperance Movement,” went through the length and<span class="pagenum"><a id="Page_268">268</a></span>
-breadth of the land. About two years later, Livesey
-first met young Cassell in a lecture-room or chapel
-in Manchester. “I remember quite well,” he writes,
-“his standing on the right, just below or on the steps
-of the platform, in his working attire, with a fustian
-jacket and a white apron on”&mdash;a young man of
-eighteen, in the honestest and best of uniforms&mdash;his
-industrial regimentals.</p>
-
-<p>Into the temperance movement John Cassell threw
-himself heart and soul; and thinking that London
-would afford a wider field for temperance missionary
-labours, and that his daily bread, as an artizan, might
-there be more easily earned, he left Manchester and
-arrived in the Metropolis in October, 1836, and in a
-few days he found his way to the New Jerusalem
-school-rooms in the Westminster Bridge Road, and
-made his first public speech. He is described by one
-who was present, as “a gaunt stripling, poorly clad,
-and travel-stained; plain, straightforward in speech,
-but broad in provincialism.” Shortly afterwards, he
-is again to be traced to Milton Street, Barbican. But
-his appearance here marked an episode in his life; for
-his energy, his evident thoroughness, and his frank
-confession that he carried all his worldly goods in his
-little wallet, and that the few pence in his pocket
-were his only fortune, at once gained him friends. A
-gentleman present took him to his own home, and
-shortly afterwards presented him to Mr. Meredith,
-who enrolled the young enthusiast forthwith among
-the paid band of temperance agents he was generously
-supporting at his own cost. With characteristic
-energy Cassell started on a temperance tour&mdash;a
-journey fraught with difficulty and hardship; and
-a few months after we find a notice of him in<span class="pagenum"><a id="Page_269">269</a></span>
-the <cite>Preston Temperance Advocate</cite>: “John Cassell, the
-Manchester carpenter, has been labouring with great
-success in the county of Norfolk. He is passing
-through Essex on his way to London. He carries his
-watchman’s rattle&mdash;an excellent accompaniment of
-temperance labours.” A strange life that gaunt young
-prophet must have led; trudging about from town to
-village, sounding an alarum ever as he went with his
-rattle, seeking by all means in his power to rivet a
-momentary attention, and then from barrel-head or
-tree-stump preaching in his broad Lancashire idiom
-a “New Crusade”&mdash;not against such puny foes and
-nations as Turk or Saracen&mdash;not of mere battles to be
-fought out by the exertion of so much or so little
-physical strength&mdash;but of hideous vices to be conquered&mdash;vices
-that sat like skeletons beside half the
-hearths in England then&mdash;and of noble mental victories
-to be achieved. The women heard his rude
-eloquence, and tears rushed to their eyes, as they
-prayed that their brothers and sons might hearken
-and be convinced. The men paused on their way to
-the pot-house, and heard how homes now desolate
-might be made happy, how the weeping wife and the
-starving children might be rendered contented and
-cheerful, how their own sodden lives might be again
-cleansed and brightened;&mdash;then independence rose
-again from the hideous thrall that bound them, and
-many paused for ever. Even those who knew the
-proper use of alcohol listened with respectful attention
-to one who sought so earnestly to provide a safeguard
-for other men weaker than themselves. And thus
-Cassell trudged on, meeting often with scoffs and
-sneers, suffering much weariness and many privations,
-but still hopeful, eager, and earnest. In<span class="pagenum"><a id="Page_270">270</a></span>
-Lincolnshire his eloquent zeal won him not only a
-convert but a wife, and from this time he found that
-temperance lecturing was but a sorry provision for a
-family.<a id="FNanchor_20" href="#Footnote_20" class="fnanchor">20</a></p>
-
-<p>Supported by his friends he now determined to aid
-the movement in another manner&mdash;and he started a
-temperance publishing office and bookshop at the
-very house in the Strand now occupied by Mr.
-Tweedie, the present temperance publisher. For
-some time his trade went on successfully, but he endeavoured
-to add to his resources by the congenial
-management of a large tea and coffee business in
-Fenchurch Street, and the liabilities he thus incurred
-overreached his capital.</p>
-
-<p>Now, however, Cassell had many influential friends,
-and one of these had sufficient faith in his capacity
-to start him afresh in life&mdash;this time on a much
-larger scale. In his new business in La Belle Sauvage
-Yard, he was associated with Messrs. Petter and
-Galpin, who before then were not very considerable
-printers in the neighbourhood&mdash;and they determined
-to devote themselves to the broader work of producing
-cheap and popular books, then commencing to
-be in great demand&mdash;not from policy only, though as
-the life of Robert Chambers shows it was a moment
-when the tide of fortune might be advantageously
-made use of by those brave enough and wise enough
-to see it&mdash;but also because it had by this time been
-discovered that before the masses could be in any
-signal way really raised in social condition they must
-be educated.</p>
-
-<p><span class="pagenum"><a id="Page_271">271</a></span>
-Being widely known as a man sprung from the
-people&mdash;as still one of themselves&mdash;the working classes
-had faith in Cassell, and readily purchased his books
-when they were not so readily tempted to try the
-publications of the various societies. His knowledge
-of their real conditions and their wants was very useful,
-and while his opinion in every matter was most
-carefully adopted, the business department remained
-rather in the hands of his junior partners, especially in
-later years.</p>
-
-<p>In 1850 the <cite>Working Man’s Friend</cite> appeared, the
-precursor of many similar works, and was followed,
-immediately after the Great Exhibition, by the
-<cite>Illustrated Exhibitor</cite>&mdash;a comprehensive and well-executed
-scheme intended to preserve a permanent
-reflection of the World’s Great Fair. This same idea
-was successfully repeated in 1862.</p>
-
-<p>Among all the works published by the firm perhaps
-the most useful was, and indeed is, the <cite>Popular Educator</cite>;
-in this, for the weekly sum of one penny, the
-vast store-house of human knowledge was thrown
-open; the matter, carefully systematised and arranged
-so as to encourage self-tuition, aided many a struggler
-in the path of progress. This was ably followed by
-the <cite>Technical Educator</cite>. In the former of these works
-Lord Brougham took an immense interest, and his
-opinion of John Cassell was as pleasing as it was
-often repeated.</p>
-
-<p>Of the illustrated works issued in the same cheap
-method many were English, or rather European, classics,
-such as the “Pilgrim’s Progress,” “Don Quixote,”
-“Foxe’s Book of Martyrs,” “Shakespeare,” “Robinson
-Crusoe,” “Gulliver’s Travels,” &amp;c. Like Tegg or
-Lackington, Cassell must be looked upon rather as an<span class="pagenum"><a id="Page_272">272</a></span>
-encourager of the reading than of the writing world;
-but among the works claiming originality as well as
-cheapness, the <cite>History of England</cite> is perhaps the best;
-the <cite>Natural History</cite> is well printed, well illustrated,
-and, as far as regards the more legitimate department
-of the publisher’s trade, worthy of praise; the
-“letter-press,” or literary portion, has, however, been
-much criticised. The <cite>Family Paper</cite> and the <cite>Quiver</cite>
-attained a very wide circulation, and while the latter
-is still one of the most favourite distinctly religious
-serials of the day, the former, until it was changed
-into the <cite>Magazine</cite>, held faithfully to its promise of
-pure and wholesome literature.</p>
-
-<p>In furtherance of his various schemes, Cassell often
-travelled, particularly to France, where he was well
-known, and where he was thus enabled to effect a
-very considerable business in the exchange and purchase
-of illustrations for his various works. In 1859
-he visited America, and, with the reputation that preceded
-him, met with a very flattering reception. On
-his return, with the energy that distinguished his
-character he started a company for the manufacture
-of petroleum, which was the first in England to
-recognise the value of the new discovery. He also
-published a series of articles entitled “America as it
-is,” in which the contest between North and South
-was discussed with a keenness of vision that results
-proved to be correct and almost prophetic.</p>
-
-<p>Among the important items of his business, and
-according to popular repute one of the most profitable,
-was the issue of weekly papers, which, the outer
-pages being left blank for local news, were circulated
-under various titles throughout the United Kingdom.
-But the greatest venture of the firm was undoubtedly<span class="pagenum"><a id="Page_273">273</a></span>
-the <cite>Family Bible</cite>, which was commenced in 1859.
-The cost of production is said to have amounted to
-£100,000; in six years upwards of 350,000 copies
-were sold, and it is at present calculated that half
-a million have been disposed of. Of the influence
-of this and other kindred works in displacing the
-infamous prints and penny serial horrors, the <cite>Bookseller</cite>
-says&mdash;“We recently took a survey of the
-shop-windows in the notorious locality known as
-the Seven Dials. Here in one street, were three
-shops, the windows of which were filled with really
-respectable publications. In one shop scarcely anything
-was displayed but <cite>Cassell’s Family Bible</cite>. In
-every one, of at least twenty-four, figured some event
-of sacred history. On making inquiries we found
-that a very large number in the very poorest neighbourhood
-was taking in the work every week, and
-expressed their delight to possess a long coveted
-article of furniture in the shape of a <cite>family Bible</cite>.”</p>
-
-<p>Up to his death Cassell was true to his early resolutions
-of fostering the progress of temperance and
-education, and on these subjects he was a frequent
-and popular lecturer. He took also a lively interest
-in the business of the firm, but latterly the management
-was virtually in the hands of his partners. The
-“History of Julius Cæsar,” by the ex-emperor, was,
-however, entrusted to his care, and was the last publication
-in which he took an active interest. On the
-1st of April, 1865, he died at his residence in Regent’s
-Park. He is described as having “a fine, massive,
-muscular frame, active and temperate habits of life, a
-cheerful disposition, a well-regulated mind, and troops
-of friends.” Rising from the ranks, he was by his
-industry able to leave his wife a shareholder in one<span class="pagenum"><a id="Page_274">274</a></span>
-of our largest book-manufacturing firms to the extent
-of, it is said, forty-two thousand pounds. The main
-interest of his life must, however, be considered to lie
-in the earnestness with which he laboured in causes
-he felt worthy of all labour, rather than in his career
-as a publisher, for the books he issued were little
-other than reprints of books whose popularity had
-been previously tested.</p>
-
-<p>At the time of Cassell’s death it is said that
-upwards of 500 men were employed at the works;
-that 855,000 sheets were printed off weekly, requiring
-a consumption of 1310 reams of paper. Latterly
-Messrs. Petter and Galpin have launched out into a
-vastly superior style of book-publishing, and in placing
-the works of Gustave Doré before the English public
-have taken very high rank as Fine Art publishers. In
-other ways, too, they have shown a disposition to
-combine the production of valuable original works
-with the cheaper serials with which the name of their
-firm has been so long and successfully associated.</p>
-
-<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
-
-<p>It is impossible to close this chapter without referring
-to the productions of Mr. Bohn. Our limited
-space and the value of his publications&mdash;all the
-more valuable, doubtless, from being mainly reproductions
-of standard works&mdash;alone prevent us from
-according him a separate chapter.</p>
-
-<p>Mr. Henry George Bohn, born in the year 1796, was
-the son of a London bookseller, who came, however,
-of a German family. At an early age he entered into
-his father’s business, but throughout life, engrossed
-as deeply as any of his compeers in bookselling and
-publishing transactions, he ever found time and opportunity
-for literary labour, and, in all, twelve important<span class="pagenum"><a id="Page_275">275</a></span>
-works are due to his pen, either as author,
-translator, or editor. The first of his labours, the
-“Bibliotheca Parriana,” was published in 1827. Very
-soon after, starting on his own account, he acquired a
-high reputation as a dealer in rare and curious books,
-and for the spirit with which he entered into the
-“remainder trade;” in this latter branch even Tegg
-was compelled to confess that Mr. Bohn eventually
-surpassed him. The merest reference to his monster
-“Guinea Catalogue” will give an idea of the magnitude
-of his transactions at this period. Far, however,
-from being a mere trade guide, this catalogue is an
-invaluable literary work&mdash;the most useful, as it certainly
-is the largest, that has come from Mr. Bohn’s
-pen. It is quaintly described by Allibone as “an
-enormously thick <i xml:lang="la" lang="la">nondescripto</i>; Teutonic shape, best
-model; ... an invaluable lexicon to any literary
-man, and ten guineas would be a cheap price for a
-work calculated to save time by its convenience for
-reference, and money by its stores of information as
-to the literary and pecuniary value of countless
-tomes.” The <cite>Literary Gazette</cite>, in an appreciative and
-well-earned compliment, says: “Mr. Bohn has outdone
-all former doings in the same line, and given us
-a literary curiosity of remarkable character. The
-volume is the squattest and the fattest we ever saw.
-It is an alderman among books, not a very tall one;
-and then, alderman-like, its inside is richly stuffed
-with a multitude of good things. Why, there is a list
-of more than 23,000 articles, and the pages reach to
-1948!... This catalogue has cost him an outlay of
-more than £2000, and it describes 300,000 volumes, a
-stock which could hardly be realized at much less a
-‘plum.’”</p>
-
-<p><span class="pagenum"><a id="Page_276">276</a></span>
-In 1846, Mr. Registrar Hazlitt suggested the idea
-of a cheap uniform library of world-known books to
-David Bogue, the bookseller, who consequently commenced
-his European Library. In 1846&ndash;7, fifteen
-works were published, edited for the most part by Mr.
-W. Hazlitt. Mr. Bohn, however, discovered that in
-many of these works copyrights, of which he was the
-owner, were infringed, notably in Roscoe’s “Lorenzo
-de’ Medici” and “Leo X.” An injunction was obtained
-against the further issue of one of Bogue’s
-volumes, and in defence, if not retaliation, Mr. Bohn
-determined to enter the field as a publisher of a
-similar series. In 1846 he produced the first volume
-of his Standard Library, which, running on for 150
-volumes, was sold at the then astoundingly small
-price&mdash;considering their size, their quality, and the
-care with which they were edited and printed&mdash;of
-3<i>s</i>. 6<i>d</i>. each. In 1847, the Scientific Library was
-commenced, and was rapidly followed by the Antiquarian
-Library, the Classical, Illustrated, and Historical
-Libraries, the British Classics, &amp;c. Bogue’s
-small venture stood a poor chance against enterprise
-of this gargantuan scale, and in a short time his fifteen
-volumes came into Mr. Bohn’s possession. Without
-counting the Shilling Library, or the more expensive
-works which were from time to time issued, Mr. Bohn
-continued the various libraries which are so immediately
-associated with his name, until the total number
-of 602 volumes afforded the student a collection
-of such books as he might otherwise have spent a lifetime
-and a fortune in acquiring. To few publishers,
-if to any, is the cheapening of the highest and rarest
-classes of English and foreign literature more deeply
-indebted than to Mr. Bohn. Strangely enough, however,<span class="pagenum"><a id="Page_277">277</a></span>
-Mr. Bohn was the only member of the trade who
-endeavoured in 1860 to exert his influence against the
-abolition of the paper duty.</p>
-
-<p>Among the best known of Mr. Bohn’s own productions
-are his editions of Lowndes’ “Manual,”
-Addison’s works, his “Polyglot of French Proverbs,”
-his translation of Schiller’s “Robbers,” and his
-“Guide to the Knowledge of Pottery and Porcelain,”
-which, though published in 1849, is still the standard
-work on the subject. His position as an antiquarian
-is widely acknowledged, and he is a Vice-President of
-the Society of Arts.</p>
-
-<p>At an early period of his life Mr. Bohn married a
-daughter of the senior partner in the firm of Simpkin,
-Marshall, and Co., an alliance that doubtless strengthened
-his business connections. His trade sales were
-for many years among the most important in London,
-lasting for three or four days, and were conducted
-after the manner of the good old school of booksellers&mdash;now,
-alas! almost extinct&mdash;with the pleasing
-accompaniments of singing and supper. Though Mr.
-Bohn, a few years since, transferred his “Libraries”
-and his premises in York Street to Messrs. Bell and
-Daldy, he has not yet entirely severed his connection
-with the bookselling world, though as the “father of
-the trade” he has long since earned the right to
-leisure and retirement&mdash;a right acknowledged not
-alone in England, for in June, 1869, the <cite>New York
-Round Table</cite> devoted an interesting article to Mr.
-Bohn’s retirement from the publishing world, and observed
-that many of his articles in “Lowndes” were unsurpassed
-in bibliography, especially those on Shakespeare
-and Junius. “Indeed,” adds the writer, “if
-we may believe report, such has been the unceasing<span class="pagenum"><a id="Page_278">278</a></span>
-devotion of Mr. Bohn to work that for years he has
-subjected himself to a weekly examination by his
-surgeon to warn him of the first symptoms of the
-collapse that such an unintermitted strain upon his
-mind might be supposed to produce.”</p>
-
-<div id="if_i_278" class="figcenter" style="width: 141px;">
- <img src="images/i_278.jpg" width="141" height="154" alt="" /></div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_279">279</a></span></p>
-
-<div class="chapter">
-<div id="if_i_279" class="figcenter" style="width: 357px;">
- <img id="hdr_7" src="images/i_279.jpg" width="357" height="76" alt="" /></div>
-
-<h2 class="nobreak"><i>HENRY COLBURN</i>:<br />
-
-<span class="subhead">THREE VOLUME NOVELS AND LIGHT LITERATURE.</span></h2>
-</div>
-
-<p class="drop-cap b"><span class="smcap1">Round</span> Henry Colburn clusters a body of writers,
-lighter and gayer, and consequently more ephemeral
-than any we have yet noticed&mdash;men and women,
-too, for the matter of that, who purchased immediate
-success too often with a disregard of future reputation.</p>
-
-<p>As a lad, Henry Colburn was placed in the establishment
-of William Earle, bookseller, of Albemarle
-Street, and after this preliminary training obtained the
-situation of assistant to a Mr. Morgan, the principal of
-a large circulating library in Conduit Street. Here
-he had, of course, ample opportunity of gauging the
-reading taste of the general public, and it is probably
-from this early connection with the library-subscribing
-world that he determined henceforth to
-devote himself almost exclusively to the production
-of the light novelties which he saw were so eagerly and
-so incessantly demanded. In 1816 he succeeded to
-the proprietorship of the library, and conducted the
-business with great spirit and success until, removing
-to New Burlington Street, he resigned the Conduit
-Street Library to the hands of Messrs. Saunders and
-Ottley, who, until their recent dissolution, were famous,<span class="pagenum"><a id="Page_280">280</a></span>
-not only for their circulating library, but for the tender
-care they bestowed upon the works of suckling
-poets and poetasters.</p>
-
-<p>Before this change of residence, however, Colburn had
-already made several serious ventures on his own account.
-All through his long career we shall find that he
-speculated in journalistic venture with as much spirit
-as he showed in any of his daring schemes to win
-popular credit and applause. In 1814, with the assistance
-of Mr. Frederick Shoberl, he originated the
-<cite>New Monthly Magazine and Universal Register</cite>,
-on “the principles of general patriotism and loyalty,”
-founded, as its name implied, in direct opposition to
-Sir Richard Philips’ <cite>Old Monthly</cite>. Among the early
-editors were Dr. Watkins and Alaric Watts, but in 1820
-a new series was commenced under the title of the
-<cite>New Monthly Magazine and Literary Journal</cite>, and
-Thomas Campbell, the poet, was appointed editor.
-The agreement still exists in Beattie’s “Life of Campbell,”
-and was unusually liberal. He agreed to edit the
-periodical for three years, to supply in all twelve
-articles, six in verse, six in prose; and for these and
-his editorial services he received five hundred pounds
-per annum, to be increased if the circulation of the
-magazine materially improved. He was, of course,
-assisted by a sub-editor, and allowed a liberal sum for
-the payment of contributors. The magazine prospered,
-and passed successively through the editorial hands
-of Bulwer Lytton (1832) and Theodore Hook. In
-1836 a third series appeared under Mr. Harrison
-Ainsworth, and though Colburn parted with the proprietorship
-to Messrs. Chapman and Hall, and they
-in their turn to Messrs. Adams and Francis, Mr. Harrison
-Ainsworth was till yesterday at his editorial post,<span class="pagenum"><a id="Page_281">281</a></span>
-delighting our children with precisely the same kind
-of enthralling romances with which he beguiled our
-fathers.</p>
-
-<p>In 1817 Colburn determined to introduce a paper
-upon the plan of a popular German prototype, and on
-the 26th January the first number of the <cite>Literary
-Gazette</cite> appeared, price one shilling. H.&nbsp;E. Lloyd, a
-clerk in the Foreign Department of the Post-Office, a
-good linguist, and a well-known translator from the
-German, was the chief contributor, and appears to
-have shared the editorial duties with Miss Ross, a lady
-afterwards pensioned by the Government. The reputation
-achieved was great, especially in reference to
-the Fine Arts, which were skilfully handled by William
-Carey, and at the twenty-sixth number Mr. Jerdan,
-formerly editor of the <cite>Sun</cite>, purchased a third of the
-property, and became the regular editor. Messrs.
-Longman eagerly embraced the offer of a third share,
-and with a staff of contributors, who varied from
-Canning to Maginn, the <cite>Literary Gazette</cite> obtained a
-wide popularity, and was recognized as an authority
-upon other matters than literature. At present, however,
-the <cite>Gazette</cite> is most gratefully remembered as
-having encouraged in its poetical columns (fairly and
-impartially opened to merit, however obscure), the
-earliest writings of Mrs. Hemans, Bowles, Hood,
-Swain, James Smith, Howitt, and even Tupper. In
-1842 Jerdan bought out Colburn and the Messrs.
-Longman, and from his hands the editorship passed
-to L. Phillips, L. Beeve, and J.&nbsp;L. Jephson. In 1858
-a new series was commenced, under, successively,
-S. Brooks, H. Christmas, W.&nbsp;R. Workman, F. Arnold,
-John Morley, and C.&nbsp;W. Goodwin. In 1862 it was
-finally incorporated with the <cite>Parthenon</cite>.</p>
-
-<p><span class="pagenum"><a id="Page_282">282</a></span>
-In 1816, the year before the foundation of the
-<cite>Literary Gazette</cite>, Colburn had, as we have seen,
-migrated to New Burlington Street, and soon rendered
-his shop famous as the chief emporium for the purchase
-and sale of novels and other light literature.
-The first book issued from the new establishment was
-Lady Morgan’s “Zana”&mdash;a work certainly not worth
-much, but scarcely meriting an attack in the <cite>Quarterly</cite>,
-which Talfourd stigmatises as “one of the coarsest
-insults ever offered in print by man to woman;”
-however, through the power of her ladyship’s name,
-and with the aid of skilful advertising&mdash;in which
-Colburn was perhaps the greatest expert in a time
-when the art had not reached its present high state of
-development&mdash;“Zana” proved eminently successful.
-Talented in a manner Lady Morgan certainly was,
-and, as a proof, is said to have made more than twenty-five
-thousand pounds by her pen. She had published
-a volume of verses at the unfortunately early age of
-fourteen, and this idea of precocity seems to us to
-accompany all her works.</p>
-
-<p>At the suggestion of his friend Mr. Upcott, Colburn
-undertook, in 1818, the publication of “Evelyn’s Diary,”
-and its success would have been almost unparalleled
-had it not been followed in 1825 by the “Diary of
-Pepys.” For more than 150 years this work reposed
-unread and unknown, until Mr. John Smith succeeded
-in deciphering the stenographic characters which had
-concealed so much amusement from the world. The
-work, edited by Lord Braybrooke, was published in
-two volumes at six guineas, and though this and the
-two succeeding editions, at five guineas, were almost
-worthless from the editorial excisions they had undergone
-from the too-modest fingers of the noble editor,<span class="pagenum"><a id="Page_283">283</a></span>
-the issues went off very rapidly, and Colburn obtained
-a very handsome profit on the £2200 he had paid for
-the copyright. In the fourth edition of 1848 Lord
-Braybrooke was urged to restore those characteristic
-passages which he had before condemned, and the full
-value of the work, as a photographic picture of an
-amusing, though dissolute, time was firmly established.
-Evelyn had before given us the history of Charles the
-Second’s Court, with a gravity and openly-expressed
-reprobation which finely suited his character of a
-worthy and dignified old English country gentleman;
-but still it is now to the pages of Pepys that all the
-world turns for an account of the royal domestic life
-of certainly the most infamous period of our annals.
-He is so charmingly garrulous, jotting down each
-night such quaint thoughts on what he had seen during
-the day, writing them by his fireside, with the same
-nonchalance with which he put on his night-cap, and
-with as little suspicion of ever being surprised in the
-one act as the other, that his truthfulness, his openness,
-and his scarcely-concealed partiality for as much
-vagabonding and frolicsome society as Mrs. Pepys
-would permit, carry the reader irresistibly along with
-him.</p>
-
-<p>It is, however, when we come to the novels that
-Colburn ushered into the world, that we strike upon
-the one vein of profitable ore that he made so peculiarly
-his own; and <i xml:lang="fr" lang="fr">facile princeps</i> of all his novelistic
-clients, stands Theodore Hook. To understand the
-genius of all Hook’s works, it is essential to take a
-short retrospective view of his life and character.
-Two things, above all else, strike us in regarding
-him&mdash;that he possessed the greatest love of joke and
-frolic, and the most marvellous memory with which<span class="pagenum"><a id="Page_284">284</a></span>
-ever man was gifted. As a boy of seventeen, he
-dashed off an amusing comedy; this, he tells us in
-the really autobiographical sketch of “Gilbert Gurney,”
-was the process. “To work I went, bought
-three or four French vaudevilles, and filching an incident
-from each, made up my very effective drama,
-the ‘Soldier’s Return.’” And for this bantling he
-received the handsome first-earnings of fifty pounds.
-Living, at a time when other boys were at school, in
-the gayest of all society in London, a welcome guest
-behind the curtain at every theatre, and hailed as a
-good fellow in every literary coterie, young Hook led
-a rollicking, devil-may-care life, giving the world back
-with interest the rich amusement he gathered from it.
-Now, making a random bet that a corner house in
-Berners Street should, within a week, be the most
-famous house in London; and within the time taking
-his opponent to a commanding window, that he might
-acknowledge that the wager had been fairly won;
-and the strange scene in the thoroughfare must have
-soon convinced him. The Duke of York, drawn by
-six grey horses, the Archbishop of Canterbury and
-the Lord Mayor in formal state, every woman of
-notorious virtue, every man of any fame or notoriety,
-porters bustling up with wine-casks and beer-barrels,
-milliners with bonnet-boxes crushed and battered,
-pastry-cooks with dainty dishes that the street gamins
-soon picked out of the gutters, undertakers with rival
-coffins, variously made to exact measurement, hackney-coaches,
-and vans, and waggons by the hundred&mdash;in
-fact, half the world of London was there by invitations
-especially adapted to move each individual case,
-and the other half soon came as spectators. The
-impotent “Charleys” of the day found their efforts<span class="pagenum"><a id="Page_285">285</a></span>
-useless to dispel the block and crush, and long before
-the crowd was cleared away, the next day’s papers
-were ringing with the “Berners Street Hoax.” Again,
-we find him donning a scarlet coat, and, as the Prince
-Regent’s messenger, delivering a letter to an obnoxious
-actor, eagerly inviting him to dine with that august
-personage; and then joining in the crush outside
-Holland House, to see his enemy come away discomfited
-as an impostor. No occasion was sacred from
-his jests, and his exuberant spirits were scarcely in
-accordance with the tranquillity of academic life. At
-his very matriculation the Vice-chancellor, struck by
-his youthful appearance, asked him if he was fully
-prepared to sign the thirty-nine articles. “Oh, certainly,
-sir,” replied Hook with cool assiduity, “forty,
-if you please.” Indignantly he was told to withdraw,
-and it took weeks of friendly interposition to
-appease the outraged dignitary. At the age of
-twenty he wrote his first novel, but it was a failure,
-and he shortly afterwards received the appointment
-of accountant-general and treasurer at the Mauritius.
-Here he stayed for some years, leading a life of pleasure,
-and going to the office only five times in the
-whole period, when suddenly a commission was appointed
-to inquire into the accounts, and he was
-dragged off from a supper, given in his honour, to
-prison, charged with a theft of £20,000, and sent
-under arrest to England. This “complaint of the
-chest,” as he observed to a friend who was astonished
-to see him back so soon, was afterwards reduced to
-£12,000, and for this he was judged to be accountable,
-and put into the debtors’ prison. Here, from his
-diary, he seems to have enjoyed himself as much as
-ever, drinking as a loyal subject should, to the “health<span class="pagenum"><a id="Page_286">286</a></span>
-of my august detainer, the king.” However, political
-influence was brought to bear upon the Government,
-and he was set at liberty with the burden of the debt
-hanging very lightly round his neck.</p>
-
-<p>In 1820 he founded the <cite>John Bull</cite> newspaper,
-strongly in favour of the king’s interests, scurrilous as
-it was witty; everybody read it, and for some years
-it yielded him £2000 per annum. His life we see
-had been sufficiently various, and not an incident of it
-was ever forgotten, for his memory was probably
-unrivalled. He made a bet that he would repeat in
-order the names of all the shops on one side of Oxford
-Street, and he only misplaced one; and he gained
-another wager by saying from memory a whole
-column of <cite>Times</cite> advertisement, which he had only
-once conned over; and on another occasion he utterly
-discomfited a universal critic, by engaging him in a
-conversation anent lunar eclipses, and then discharging
-three columns of the “Encyclopædia Britannica”
-at him, without pause or hesitation. He had, too, the
-gift of improvising verse in our stubborn English
-tongue, and was known on one occasion to introduce
-the names of fifty guests at a supper-table, in a song
-of fifty verses&mdash;each verse a rhymed epigram.</p>
-
-<p>With attainments and experiences like these, Colburn
-may be considered as a wise rather than a
-venturous man when he offered Hook £600 to write
-a novel. The idea of the “Sayings and Doings” was
-struck out at a <cite>John Bull</cite> gathering, and the book
-when published in 1824, was so successful that 6000
-copies of the three volumes were soon disposed of,<a id="FNanchor_21" href="#Footnote_21" class="fnanchor">21</a><span class="pagenum"><a id="Page_287">287</a></span>
-and the generous publisher made the author a present
-of £350. For the <cite>second series</cite> (published in 1825),
-and the <cite>third series</cite> (published in 1828), he received
-a thousand guineas each. In 1830 appeared
-“Maxwell,” perhaps the best of his novels, and this
-was followed by the “Parson’s Daughter” (1833),
-“Jack Brag” (1837), and numerous others, for all of
-which he was very handsomely paid. But though he
-was earning at this period, upwards of £3000 a year
-by his pen, he was spending more than £6000, and was
-obliged, not only to make fresh engagements with his
-publishers, but to fore-draw to a very large extent,
-and to change his plans considerably with each instalment
-of indebtedness. Colburn and Bentley seem to
-have treated him with marked esteem and consideration,
-and his letters perpetually show this: “I have
-been so liberally treated by your house, that it seems
-almost presuming upon kindnesses” (1831). Again, in
-1837: “I assure you I would not press the matter in
-a quarter where I am proud and happy to say&mdash;as I
-do to everybody&mdash;I have met with the greatest
-liberality.”</p>
-
-<p>In 1834 he took the management of the <cite>New
-Monthly</cite>, and to its pages he contributed what may
-be considered an autobiographical sketch. “Gilbert
-Gurney” and the sequel “Gilbert Married,” the
-second of which unfortunately was not autobiographical;
-for he had formed ties with a woman who had
-not only sacrificed everything to him, but during the
-period of his imprisonment and his many troubles
-had behaved with exemplary faithfulness and unremitting
-attention; and these ties he had not the
-courage to legally strengthen. At his death the
-crown seized what little property he possessed, in the<span class="pagenum"><a id="Page_288">288</a></span>
-shape of household chattels and newspaper shares, to
-liquidate his unfortunate debt, and his children were
-left penniless. A subscription was raised&mdash;if literary
-men are improvident (though many have more excuses
-for improvidence than Theodore Hook), they are at
-least kindly-hearted&mdash;and a sum of £3000 was collected,
-to which the King of Hanover contributed
-£500. As a strange test of Hook’s joviality it is
-stated that the receipts of the dining-room of the
-Athenæum Club fell off by £300 when his well-known
-seat in “Temperance Corner” became vacant.</p>
-
-<p>Another of the novelists with whom Colburn had
-long and intimate dealings was G.&nbsp;P.&nbsp;R. James, one
-of the most indefatigable writers that ever drove pen
-over paper. We give for the sake of clearness, a
-tabular statement of his extraordinary <span class="locked">labours:&mdash;</span></p>
-
-<table summary="James' works">
- <tr>
- <td class="tdl">51</td>
- <td class="tdc">Novels in</td>
- <td class="tdr">3</td>
- <td class="tdc">Volumes</td>
- <td class="tdr">153</td>
- <td class="tdc">Volumes.</td></tr>
- <tr>
- <td class="tdl figspace">2</td>
- <td class="tdc">”</td>
- <td class="tdr">4</td>
- <td class="tdc">”</td>
- <td class="tdr">8</td>
- <td class="tdc">”</td></tr>
- <tr>
- <td class="tdl figspace">6</td>
- <td class="tdc">”</td>
- <td class="tdr">2</td>
- <td class="tdc">”</td>
- <td class="tdr">12</td>
- <td class="tdc">”</td></tr>
- <tr>
- <td class="tdl">16</td>
- <td class="tdc">”</td>
- <td class="tdr">1</td>
- <td class="tdc">”</td>
- <td class="tdr">16</td>
- <td class="tdc">”</td></tr>
- <tr>
- <td class="tdl" colspan="4">Edited Works</td>
- <td class="tdr">14</td>
- <td class="tdc">”</td></tr>
- <tr>
- <td class="tdl" colspan="4">Miscellaneous Contributions<br />would fill say</td>
- <td class="tdr">10</td>
- <td class="tdc">”</td></tr>
- <tr>
- <td colspan="4"> </td>
- <td class="tdr bt">223</td>
- <td class="tdc">Volumes.</td></tr>
-</table>
-
-<p>Truly a gargantuan labour! Some of James’s
-early writings had attracted the attention of Washington
-Irving, who strongly advised the undertaking
-of some more important work, and as a consequence
-“Richelieu” was commenced. After it had received
-Scott’s approval it was submitted to Colburn, and
-published in 1828 with a success that determined the
-young author’s future career. We cannot, of course,
-follow the progress of the 223 volumes as they issued
-from the press. It would be absurd to look for
-originality in a book-manufacturer of this calibre,<span class="pagenum"><a id="Page_289">289</a></span>
-and, as Whipple says, James “was a maker of books
-without being a maker of thought.” Still they served
-their purpose of enriching the author and publishers,
-and at a time when the public appetite was less
-jaded than at present, his works were eagerly looked
-for, and even now many readers agree with Leigh
-Hunt:&mdash;“I hail every fresh publication of James,
-though I hardly know what he is going to do with
-his lady, and his gentleman, and his landscape, and
-his scenery, and his mystery, and his orthodoxy, and
-his criminal trial.”</p>
-
-<p>In 1826 Colburn published Banim’s “Tales of
-the O’Hara Family,” a book that excited a very
-strong interest in the public mind, and in the same
-year he issued “Vivian Grey,” by a young author
-whose life was to be as romantic as his story. Mr.
-Disraeli’s first book contains a curious confession of
-his youthful aspirations, and even a curiously exact
-prototype of his future life. This was followed in
-1831 by the “Young Duke.” “Bless me!” the elder
-Disraeli exclaimed when he read this eloquent account
-of aristocratic circles, “why the boy has
-never sat in the same room as a duke in his life.”
-Mr. Disraeli’s novels soon became famous for the
-portraits or caricatures of distinguished living people,
-scarcely disguised under the slightest of all possible
-pseudonyms; to those living in the metropolis the
-likenesses were evident enough, and a regular key was
-published to each for the benefit of our country
-cousins.</p>
-
-<p>In 1829 Colburn published “Frank Mildmay,” a
-novel full of false morality and falser style, but delineating
-sea life with such a flavour of fun and frolic,
-adventures and brine, that Marryat was at once<span class="pagenum"><a id="Page_290">290</a></span>
-hailed as a true successor to Smollett. This was
-followed by a rapid succession of sea stories, among
-the best of which undoubtedly are “Peter Simple”
-and “Midshipman Easy.” The perusal of these
-works has probably done more to turn youthful aspiration
-and energies to the choice of a profession
-than any series of formal injunctions ever penned.
-Old King William, the Sailor-King, was so entranced
-with “Peter Simple” that he begged to be introduced
-to the author, and promised to bestow some honourable
-distinction upon him for his services; but afterwards
-recollecting suddenly that he “had written a
-book against the impressment of seamen,” he refused
-to fulfil his pledge. When, later on, Colburn published
-Marryat’s “Diary in America,” the Yankees
-felt terribly outraged, and the severe criticism that
-followed speedily emptied his shelves of a large
-edition.</p>
-
-<p>This was emphatically the period of fashionable
-novels, and the great outside world was perpetually
-calling out for more and more romantic accounts of
-that attractive region to which middle-class thought
-could only aspire in reverent fancy. And though
-these novels seemed written primarily to illustrate
-the moral lesson of Touchstone to the Shepherd&mdash;“Shepherd,
-wert thou ever at court?” “No.” “Then
-thou art damned”&mdash;the public received the oracle, not
-only with humility, but thankfulness. For a time
-Mr. Bulwer Lytton was a disciple of this fashionable
-school, but even “Pelham” has an interest greater
-than any other specimen of its class, for though, in
-some degree, an illustration of the maxim that “manners
-make the man,” the threads of a darker and more
-tragic interest are interwoven with the tale. As an<span class="pagenum"><a id="Page_291">291</a></span>
-artistic worker, as a true delineator of our subtler
-and deeper passions, Lord Lytton was far above any
-other of Colburn’s writers&mdash;above, indeed, any other
-writer of the day; while his sophistry, immense as it
-undoubtedly is, only lends a more forcible and enthralling
-interest to his plots. None of Colburn’s
-novelists&mdash;and their name was legion&mdash;brought in
-more grist to the publishing mill than Lord Lytton;
-and, when the meal had been baked several times,
-Messrs. Routledge paid the author £20,000 for all
-future use of these works&mdash;as popular now perhaps in
-their cheap editions as they have ever been before.</p>
-
-<p>To return for a moment more immediately to Colburn’s
-life, we find him still speculating in periodical
-literature, and with the same success as ever. In
-1828 he commenced the <cite>Court Journal</cite>, and in the
-following year started the <cite>United Service Magazine</cite>,
-while for many years he possessed a considerable interest
-in the <cite>Sunday Times</cite> newspaper; and all these
-periodicals are still held in popular esteem.</p>
-
-<p>The printing expenses of his enormous business
-had been very considerable, and in 1830 he resolved
-to take his principal printer, Mr. Richard Bentley,
-into partnership; but the alliance did not last long,
-and in August, 1832, the connection was dissolved,
-and Colburn relinquished the business in New Burlington
-Street to Mr. Bentley, giving him a guarantee
-in bond that he would not recommence publishing
-again within twenty miles of London.</p>
-
-<p>However, his heart was so intuitively set upon the
-profitable risks of a publisher’s career, that he could
-not quietly retire in the prime of life, and, accordingly,
-he started a house at Windsor, so as to be within the
-letter of the law, but the garrison town was sadly<span class="pagenum"><a id="Page_292">292</a></span>
-quiet after the literary circles of London, and to
-London he again returned, paying the forfeiture in
-full. This time he opened a house in Great Marlborough
-Street, as his old establishment in New
-Burlington Street was, of course, in possession of Mr.
-Bentley, whose business had already assumed formidable
-proportions. At Great Marlborough Street,
-Colburn succeeded in rallying round him all his old
-authors, and, perhaps, the greatest triumphs that date
-from thence, are Miss Strickland’s “Lives of the
-Kings and Queens of England and Scotland,” for the
-copyright of the first of which he paid £2000.
-Burke’s “Peerage,” “Baronetage,” and “Landed
-Gentry” were also among his most profitable possessions.</p>
-
-<p>Throughout the whole of his business life, Colburn
-had a very keen perception as to what the public
-required, and of the market value of the productions
-offered him; and yet he was almost uniformly liberal
-in his dealings. His judgment of copyrights was
-occasionally assisted by Mr. Forbes and Mr. Charles
-Ollier.</p>
-
-<p>Of course, among the multitude of books he produced,
-many were utterly worthless, beyond affording
-a passing recreation to the library subscribers, and
-many even were pecuniary failures. The most
-ludicrous of these failures was a scheme originated by
-John Galt, a constant contributor to the <cite>New Monthly</cite>.
-This was a periodical, which, under the title of the
-<cite>New British Theatre</cite>, published the best of those
-dramatic productions, which the managers of the great
-playhouses had previously rejected. The audacity of
-the scheme carried it through for a short time, but
-soon the unfortunate editor was smothered amid such<span class="pagenum"><a id="Page_293">293</a></span>
-a heap of dramatic rubbish, coming at every fresh post,
-to the table of the benevolent encourager of youthful
-aspirations, that he was fain to acknowledge the
-justice of the managers’ previous decisions.</p>
-
-<p>Although Colburn was throughout his career chiefly
-successful as a caterer for the libraries, supplying them
-with novels, which, by some mysterious law, were
-required to consist of three volumes of about three
-hundred pages each, the cost of the whole fixed immutably
-at one guinea and a half, his “Modern
-Novelists,” containing his best copyright works, in a
-cheap octavo form, attained the number of nineteen,
-being published at intervals between 1835 and 1841,
-and formed a valuable addition to the popular literature
-of the time.</p>
-
-<p>Finally, Colburn, having acquired an ample competence,
-retired from business, in favour of Messrs.
-Hurst and Blackett, still, however, retaining his name
-to some favourite copyrights. He had been twice
-married, the second time, in 1841, to the daughter of
-Captain Crosbie, R.N.</p>
-
-<p>After a period of well-earned leisure, rendered
-pleasingly genial by the constant society of his literary
-friends, Henry Colburn died, on the 16th of August,
-1855, at his house in Bryanston Square.</p>
-
-<p>The whole of his property was sworn to be under
-£35,000, and went to his wife and her family. Two
-years later, the seven copyrights he had reserved were
-sold by auction, and realised the large sum of £14,000,
-to which Miss Strickland’s “Lives of the Queens of
-England” alone contributed £6900.</p>
-
-<p>As publisher of three volume novels, Colburn
-was succeeded by two principal rival houses, with the
-foundation of each of which he was in some way concerned.<span class="pagenum"><a id="Page_294">294</a></span>
-As Mr. Bentley’s establishment in New Burlington
-Street was only a further development of
-Colburn’s old house, a few words may not be out of
-place concerning it. In 1837, Mr. Bentley proposed
-to start a periodical to rival the <cite>New Monthly</cite>, and at
-the preliminary meeting it was proposed to call it the
-<cite>Wit’s Miscellany</cite>, but James Smith objected to this as
-being too pretentious, upon which Mr. Bentley proposed
-the title of <cite>Bentley’s Miscellany</cite>. “Don’t you
-think,” interposed Smith, “that that would be going
-too far the other way?” However, the name was
-adopted (Mr. Bentley denies the accuracy of this
-anecdote&mdash;but <i xml:lang="it" lang="it">se non è vero, è ben trovato</i>). One of the
-chief contributors to the new <cite>Miscellany</cite> was Barham,
-who had been a school chum of Mr. Bentley’s at St.
-Paul’s, and, until 1843, the “Ingoldsby Legends”
-delighted the public in the pages of the <cite>Miscellany</cite>.
-The last poem of the “Legends” was published in
-Colburn’s <cite>New Monthly</cite>, but by Barham’s express
-wish, the song he wrote on his death-bed, “As I Lay
-Athynkynge,” appeared, as fitly closing his career, in
-<cite>Bentley</cite>. The first editor of <cite>Bentley’s Miscellany</cite>,
-was no less a man than Charles Dickens, who had
-previously contributed the “Sketches by Boz” to the
-<cite>Morning Chronicle</cite>, and who soon, as the author of
-<cite>Pickwick</cite>, became the most popular writer of the day.
-Mr. Bentley was one of the first publishers to secure
-Dickens’s services, and in his magazine “Oliver Twist”
-appeared. The editorship afterwards passed into the
-hands of Mr. Harrison Ainsworth and Mr. A. Smith.
-For the magazine, as for his ordinary business, Mr.
-Bentley secured the aid of most of the writers who
-had graduated first under Colburn; and to enumerate
-them would, with the exception of “Father Prout,” be<span class="pagenum"><a id="Page_295">295</a></span>
-merely a repetition of names already mentioned, and
-those who have won popularity since then have
-scarcely yet had time to lose it. An amusing story,
-however, worth repeating, has been recently told by
-the <cite>Athenæum</cite>, anent “Eustace Conway,” a novel by
-the late Mr. Maurice. “We believe,” says that
-journal, “we are not going too far in telling the
-following story about it. Mr. Maurice sold the novel
-to the late Mr. Bentley somewhere about the year
-1830; but the excitement caused by the Reform Bill
-being unfavourable to light literature, Mr. Bentley did
-not issue it till 1834, when he had quite lost sight of
-its author, then a curate in Warwickshire. The villain
-of the novel was called Captain Marryat; and Mr.
-Maurice, who first learned of the publication of his
-book from a review in our columns, had soon the
-pleasure of receiving a challenge from the celebrated
-Captain Marryat. Great was the latter’s astonishment
-on learning that the anonymous author of ‘Eustace
-Conway’ had never heard of the biographer of
-‘Peter Simple,’ and, being in Holy Orders, was
-obliged to decline to indulge in a duel.” Mr. Bentley
-died in September, 1871, and was succeeded in the
-business by his son, who for many years had been
-associated with him.</p>
-
-<div id="if_i_295" class="figcenter" style="width: 141px;">
- <img src="images/i_295.jpg" width="141" height="107" alt="" /></div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_296">296</a></span></p>
-
-<div class="chapter">
-<div id="if_i_296" class="figcenter" style="width: 380px;">
- <img id="hdr_8" src="images/i_296.jpg" width="380" height="80" alt="" /></div>
-
-<h2 class="nobreak"><i>THE RIVINGTONS, THE PARKERS,
-AND JAMES NISBET</i>:<br />
-
-<span class="subhead">RELIGIOUS LITERATURE.</span></h2>
-</div>
-
-<p class="drop-cap"><span class="smcap1">Not</span> only is the Rivington family the oldest still
-existing in bookselling annals, but even in itself
-it succeeded, a century and a half ago, to a business
-already remarkable for antiquity. In 1711, on the
-death of Richard Chiswell, styled by Dunton “the
-Metropolitan of booksellers,” his premises and his
-trade passed into the hands of Charles Rivington, and
-the sign of the “Bible and the Crown” was then first
-erected over the doorway of the house in Paternoster
-Row; and from that time to this the “Bible and the
-Crown” might have been fairly stamped upon the
-cover of nearly every book issued from the establishment,
-as a seal and token of its contents.</p>
-
-<p>Charles Rivington was born at Chesterfield, in
-Derbyshire, towards the close of the seventeenth century,
-and from a very early age he evinced such a
-taste for religious books that his friends determined
-to send him to London, that he might become a theological
-bookseller. Having served his apprenticeship<span class="pagenum"><a id="Page_297">297</a></span>
-with a Mr. Matthews, he was, in 1711, made free of
-the city, preparatory to entering into business on his
-own account, and, bearing the date of that year, billheads
-are still existing to which his name is affixed.
-In 1718 we find him, in conjunction with other firms,
-issuing proposals to print by subscription Mason’s
-“Vindication of the Church of England, and the
-Ministry thereof,” a principle that the family has
-steadily adhered to ever since; for though Rivington
-published one of Whitfield’s very earliest works, “The
-Nature and Necessity of a New Birth in Christ,”
-preached at Bristol in September, 1737, the author
-was then a young Oxford student, who had been but
-just ordained; and Wesley, too, the other great
-religious mover of the day, was still a fellow of Lincoln
-College, Oxford, when Rivington brought out his
-edition of Thomas à Kempis’ “Imitation of Christ,” a
-book that has, after the Bible, gone through more
-editions than any other.</p>
-
-<p>About 1719, an association of some half-a-dozen
-respectable booksellers entered into partnership for
-the purpose of printing expensive books, and styled
-themselves the printing <cite>Conger</cite>,<a id="FNanchor_22" href="#Footnote_22" class="fnanchor">22</a> and, in 1736, another
-similar company was started by Rivington and Bettesworth,
-who termed themselves the “New Conger.”</p>
-
-<p>Much of Rivington’s business consisted in the publication
-of sermons, which, as a simple commission
-trade, was profitable without risk. An amusing story
-is told, which proves that the ponderous nature of his
-trade stock did not prevent Charles Rivington from
-being a man of kindly humour. A poor vicar, in a<span class="pagenum"><a id="Page_298">298</a></span>
-remote country diocese, had preached a sermon so
-acceptable to his parishioners, that they begged him
-to have it printed, and, full of the honour conferred
-and the greater honours about to come, the clergyman
-at once started for London, was recommended to
-Rivington, to whom he triumphantly related the
-object of his journey. Rivington agreed to his proposals,
-and asked how many copies he would like
-struck off. “Why, sir,” replied the clergyman, “I
-have calculated that there are in the kingdom ten
-thousand parishes, and that each parish will, at least,
-take one and others more, so that I think we may venture
-to print thirty-five or thirty-six thousand copies.”</p>
-
-<p>Rivington remonstrated, the author insisted, and the
-matter was settled. With great self-denial, the
-clergyman waited at home for nearly two months in
-silence, but at length the hope of fame and riches so
-tormented him that he could hold out no longer, and
-he wrote to Rivington desiring him to send in the
-debtor and creditor account at once, but adding
-liberally that the remittance might be forwarded at
-his own convenience. What, then, was his astonishment,
-anguish, and tribulation, when the following
-account was <span class="locked">received:&mdash;</span></p>
-
-<div class="intact">
-<p class="p1 in0 in4">The Revd. Dr. * * *</p>
-<p class="center in2">To C. Rivington, Dr.</p>
-
-<table class="notpad" summary="Rivington's bill">
- <tr>
- <td> </td>
- <td class="tdc">£</td>
- <td class="tdc"><i>s.</i></td>
- <td class="tdc"><i>d.</i></td></tr>
- <tr>
- <td class="tdl">To Printing and Paper, 35,000 Copies of Sermons</td>
- <td class="tdr">785</td>
- <td class="tdr">5</td>
- <td class="tdr">6</td></tr>
- <tr>
- <td class="tdl">By sale of 17 Copies of said Sermon</td>
- <td class="tdr">1</td>
- <td class="tdr">5</td>
- <td class="tdr">6</td></tr>
- <tr>
- <td class="tdl in2">Balance due to C. Rivington</td>
- <td class="tdr bt bb">£784</td>
- <td class="tdr bt bb">0</td>
- <td class="tdr bt bb">0</td></tr>
-</table>
-</div>
-
-<p>In a day or two he received a letter from Rivington
-to the following <span class="locked">purport:&mdash;</span></p>
-
-<p>“<span class="smcap">Rev. Sir</span>,&mdash;I beg pardon for innocently amusing<span class="pagenum"><a id="Page_299">299</a></span>
-myself at your expense, but you need not give yourself
-any uneasiness. I knew better than you could do
-the extent of the sale of single sermons, and accordingly
-printed one hundred copies, to the expense of
-which you are heartily welcome.”<a id="FNanchor_23" href="#Footnote_23" class="fnanchor">23</a></p>
-
-<p>In 1736 Rivington became an active member of a
-society for promoting the encouragement of learning,
-but as he and his colleagues sustained much injury
-through it, this was in the following year abandoned.</p>
-
-<p>In 1737 we find him venturing in a very different
-path. “Two booksellers,” writes Richardson, “my
-particular friends (Rivington and Osborne), entreated
-me to write for them a little volume of letters, in a
-common style, on such subjects as might be of use to
-those country readers who were unable to indite for
-themselves. ‘Would it be any harm,’ said I, ‘in a
-piece you want to be written so low, if one should
-instruct them how they should think and act in
-common cases, as well as indite?’ They were the
-more urgent for me to begin the little volume for the
-hint. I set about it, and in the progress of writing
-two or three letters to instruct handsome girls who
-were obliged to go out to service, as we phrase it, how
-to avoid the snares that might be laid against their
-virtue, the above story occurred to me, and hence
-sprang ‘Pamela.’” The first two volumes of the story
-were written in three months, and never was a book of
-this kind more generally or more quickly admired.
-Pope asserted that it would do more good than twenty
-sermons, mindful, perhaps, of its publisher; Slocock
-and many other eminent divines recommended it from
-the pulpit; a critic declared that if all books were<span class="pagenum"><a id="Page_300">300</a></span>
-burnt, the Bible and ‘Pamela’ ought to be preserved;
-and even at fashionable Ranelagh, where the former
-was in but little request, “it was usual for the ladies
-to hold up the volume (the latter) to one another, to
-show that they had got the book that every one was
-talking of.” What, however, was more to Rivington’s
-purpose, the volume went through five editions in the
-year of publication, 1741.</p>
-
-<p>This success closed Charles Rivington’s business
-life, for he died on the 25th of February, 1742.</p>
-
-<p>By Ellen Pease, his wife, a native of Durham, he
-had six children, to whom his friend Samuel Richardson,
-the executor also of his will, acted as guardian.</p>
-
-<p>Charles, the founder, was succeeded by John and
-James, who carried on the publishing business conjointly
-for several years, after which James joined a
-Mr. Fletcher, in St. Paul’s Churchyard, with whom he
-brought out Smollett’s “History of England,” by
-which £10,000 was cleared&mdash;the largest profit that had
-yet been made on any single book. This success,
-however, encouraged James to neglect his affairs, and
-he took to frequenting Newmarket; racing and
-gambling soon ended in a failure, and in 1760 he
-thought it advisable to start for the New World.
-Here, in Philadelphia, he commenced his celebrated
-<cite>Gazette</cite>, and, as he advocated the British interests and
-took the loyal side, his premises were destroyed by
-the rebels, and his type cast into republican bullets.
-James Rivington then came back to London, where
-he obtained the appointment of “King’s printer to
-America,” and furnished afresh with types and presses
-he returned to recommence his <cite>Royal Gazette</cite>, which
-he carried on boldly up to the withdrawal of the
-British troops; and as he had contrived somehow, it<span class="pagenum"><a id="Page_301">301</a></span>
-is said by forwarding early intelligence, to propitiate the
-enemy, he was allowed to continue his paper, which
-soon died for want of subscribers; but until 1802 he
-lived in New York, leaving many descendants there.
-Even in those early and unsophisticated days, Yankee
-gentlemen had contracted the habit of “cowhiding”
-obnoxious or impertinent editors, and the wit of the
-<cite>Royal Gazette</cite> was in its time sufficiently stinging and
-personal to involve its proprietor in many of these
-little difficulties. James Rivington relates rather an
-amusing story of an interview with Ethan Allen,
-one of the republican heroes, who came for the express
-purpose of administering chastisement. He <span class="locked">says:&mdash;</span></p>
-
-<p>“I was sitting down, after a good dinner, with a
-bottle of Madeira before me, when I heard an unusual
-noise in the street, and a huzza from the boys. I was
-on the second story, and, stepping to the window, saw
-a tall figure in tarnished regimentals, with a large
-cocked hat and an enormously long sword, followed
-by a crowd of boys, who occasionally cheered him
-with huzzas, of which he seemed quite unaware. He
-came up to my door and stopped. I could see no
-more&mdash;my heart told me it was Ethan Allen. I shut
-my window, and retired behind my table and my
-bottle. I was certain the hour of reckoning had come&mdash;there
-was no retreat. Mr. Staples, my clerk, came
-in, paler than ever, clasping his hands&mdash;‘Master, he
-has come!’ ‘I know it.’ I made up my mind, looked
-at the Madeira, possibly took a glass. ‘Show him
-up, and if such Madeira cannot mollify him, he must
-be harder than adamant.’ There was a fearful moment
-of suspense; I heard him on the stairs, his long sword
-clanking at every step. In he stalked. ‘Is your
-name James Rivington?’ ‘It is, sir, and no man can<span class="pagenum"><a id="Page_302">302</a></span>
-be more delighted to see Colonel Ethan Allen.’ ‘Sir,
-I have come&mdash;&mdash;’ ‘Not another word, my dear Colonel,
-until you have taken a seat and a glass of old
-Madeira.’ ‘But, sir, I don’t think it proper&mdash;’ ‘Not
-another word, Colonel, but taste this wine; I have had
-it in glass ten years.’ He took the glass, swallowed
-the wine, smacked his lips, and shook his head
-approvingly. ‘Sir, I come&mdash;&mdash;’ ‘Not another word
-until you have taken another glass, and then, my dear
-Colonel, we will talk of old officers, and I have some
-queer events to detail.’ In short, we finished three
-bottles of Madeira, and parted as good friends as if
-we never had cause to be otherwise.”</p>
-
-<p>In England, to return there, John Rivington was still
-successfully fostering his father’s business. A quiet
-and sedate man, with nothing of James’ rashness and
-venture about him, he is described by West as being
-stout and well formed, particularly neat in his person,
-of dignified and gentlemanly address, going with gold-headed
-cane and nosegay twice a day to service at St.
-Paul’s&mdash;as befitted the great religious publisher of the
-day, and living generally upon the most friendly terms
-with the members of the Episcopal Bench, and
-breakfasting every alternate Monday with Bishop
-Seeker at Lambeth. A kind master, too, for coming
-back on the 30th of January, from service, and finding
-his sons and clerks plodding at the desk&mdash;“Tous, sous,
-how is this?&mdash;I always put my shutters up on this
-day.”</p>
-
-<p>In May, 1743, he married a sister of Sir Francis
-Gosling, Alderman, afterwards Lord Mayor, and as
-she brought him a fortune and fifteen children, the
-match may probably be considered a prosperous one.</p>
-
-<p>Orthodox in his views, and true in business to the<span class="pagenum"><a id="Page_303">303</a></span>
-professions he held out privately, Wesley and Whitfield
-had to go elsewhere for a publisher, although
-there must have been plenty of temptation to incline
-the trade to patronise Methodism, for Coote, in a
-comedy of his, published in 1757, makes a bookseller
-say:&mdash;“I don’t deal in the sermon way now; I lost
-money by the last I printed, for all ’twas by a Methodist.”
-But John Rivington would have none of them,
-and in 1752 we find him publishing “The Mischiefs
-of Enthusiasm and Bigotry: an Assize Sermon by
-the Rev. R. Hurd;” and about 1760 he was appointed
-publisher to the venerable “Society for the Promotion
-of Christian Knowledge”&mdash;an office that remained in
-the family for upwards of seventy years. Dissent in
-itself was injurious enough to his interests, but when
-Wilberforce and Hannah More succeeded in making
-a portion of the Church “Evangelical,” upwards of
-half his customers deserted to a rival shop in
-Piccadilly.</p>
-
-<p>Some time before this he had admitted his sons,
-Francis and Charles, into partnership, and he was
-then appointed manager in general of the works published
-by his <em>clique</em>;&mdash;that is, of standard editions of
-Shakespeare, Milton, Locke, and other British classics,
-and of such religious works as were produced in an
-expensive and bulky form; and of these works, two
-especially, Dr. Dodd’s “Commentary,” and Cruden’s
-“Concordance” stand out so prominently that some
-slight account of their authors may not be unacceptable.</p>
-
-<p>William Dodd was a man of great learning, and a
-very popular preacher in the metropolis, and in 1776,
-when he was appointed chaplain to the King, took
-his degree of LL.D. Ambitious and fond of display<span class="pagenum"><a id="Page_304">304</a></span>
-he found himself in debt, and determined to make a
-bold effort to secure the Rectory of St. George’s,
-Hanover Square. To her great surprise the wife of
-Lord Chancellor Apsley received an anonymous letter
-offering her £3000 if she would procure Dr. Dodd’s
-presentation to the parish. This insulting proposal
-was traced to Dodd, and the King ordered that he
-should be deprived of his chaplaincy. This disgrace,
-of course, involved him still further, and to extricate
-himself from these difficulties he was tempted to forge
-the name of his pupil, Lord Chesterfield, to a bond
-for £4200. On the discovery of the forgery, Mr.
-Manley, a solicitor, called upon the doctor with the
-bill, leaving it on the table in a room where a fire
-was burning, when he went out for the obvious purpose
-of refreshment. Dr. Dodd appears to have been
-too honest to destroy the fatal document, and he was
-afterwards tried and condemned for forgery, and, spite
-of all the strenuous efforts of his friends, was executed
-on 27th of June, 1777.</p>
-
-<p>Alexander Cruden, one of the most useful men
-who have ever followed the painstaking and praiseworthy
-profession of index-making, was born in Aberdeen
-in 1701. An unfortunate passion, which was
-treated by its unworthy object with great contumely,
-weakened his senses, and on the discovery that the
-girl he worshipped was pregnant by her own brother,
-he went for a short time entirely out of his mind. On
-his recovery, he was sent to London in the hopes
-that the difficulty of obtaining position and livelihood
-might act tonically. At one of the first houses
-at which he called, the door was opened by the
-wretched girl herself, and poor Cruden rushed off
-wildly and vacantly into the streets. For many<span class="pagenum"><a id="Page_305">305</a></span>
-years he was a bookseller, doubly entitled, therefore,
-to a notice here, and upon the counter of his shop,
-under the Royal Exchange, his famous and laborious
-“Concordance” was compiled. Queen Caroline, to whom
-it was dedicated, unluckily died before publication,
-and the downfall of the expectations he had formed
-from her patronage was too much for the author, and
-his friends were compelled to place him in a lunatic
-asylum. Having made his escape, he brought an
-action against his relatives for false imprisonment&mdash;offering
-his sister the choice of Newgate, Reading and
-Aylesbury jails, and the prison at Windsor Castle.
-He was never insane in the eyes of his employers,
-and as a corrector of the press, especially in the
-finer editions of the classics, his services were invaluable.
-Henceforth he adopted the name of “Alexander
-the Corrector,” as expressive of his character
-of censor general to the public morals. Armed with a
-large sponge, his favourite and incessant weapon, he
-perambulated the town, wiping out all obnoxious
-signs, more especially “Number 45,” then rendered
-famous by Wilkes. Giving out, too, that he had a
-commission from above to preach a general reformation
-of manners, he made the attempt first among the
-gownsmen at Oxford, and then among the prisoners
-at Newgate; but in neither case did he meet with
-much encouragement. He asked for knighthood from
-the King, and a vacant ward from his fellow-citizens;
-and on refusal said that he possessed the hearts if not
-the hands of his friends. He was found dead on his
-knees, apparently in a posture of prayer, at his lodgings
-in Islington on November 1st, 1770.</p>
-
-<p>Samuel Richardson appears to have entertained
-grateful remembrance of the commission to write the<span class="pagenum"><a id="Page_306">306</a></span>
-“Familiar Letters to and from several Persons upon
-Business and other Subjects,” for on his death he left
-a mourning ring to James Rivington.</p>
-
-<p>During Dodsley’s illness, Rivington and his sons
-managed the <cite>Annual Register</cite>, and when on his death
-it was sold to Orridge and others, they started an
-annual of their own, which lasted till 1812, and then
-till 1820 was in abeyance, resumed again till 1823,
-and in the following year the two were merged into
-one, and after being published for a few years by the
-Baldwins, its management returned again to their
-own hands. Through the <cite>Register</cite> they were brought
-into connection with Burke, and were subsequently
-publishers of his more important works.</p>
-
-<p>At all times the Rivingtons took a very great interest
-in the Stationers’ Company; this was especially
-the case with James, who served as master, and at the
-same time he, his two brothers, and his four sons
-were all members of the livery. He held many
-public appointments, was in commission of the peace,
-a governor of most of the Royal hospitals, and a
-director of the “Amicable Society,” and of the Union
-Fire Office.</p>
-
-<p>He died, universally regretted, on the 16th of February,
-1792, in his seventy-second year, and was
-followed by his widow in the succeeding October.</p>
-
-<p>Owing to the split we have referred to in his
-business, and to his uniform generosity, the fortune
-he left behind him was not large&mdash;indeed, money
-hoarding has been an attribute of none of the Rivington
-family.</p>
-
-<p>His two elder sons, Francis and Charles, carried on
-the business vigorously. Another son, Robert, captain
-of the “Kent”&mdash;East Indiaman&mdash;fell, gallantly<span class="pagenum"><a id="Page_307">307</a></span>
-defending his ship in the Bay of Bengal, and was
-thus celebrated in the <cite>Gentleman’s Magazine</cite>:&mdash;</p>
-
-<div class="poem-container">
-<div class="poem">
-
-<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
-
-<div class="stanza">
-<span class="iq">“His manly virtue mark’d the generous source,<br /></span>
-<span class="i0">And naval toil confirm’d the naval force;<br /></span>
-<span class="i0">In fortune’s adverse trial undismay’d,<br /></span>
-<span class="i0">A seaman’s zeal and courage he display’d;<br /></span>
-<span class="i0">For honour firmly stood, at honour’s post,<br /></span>
-<span class="i0">And gain’d new glory when his life he lost!”<br /></span>
-</div></div>
-</div>
-
-<p>A fourth son John, a printer in St. John’s Square,
-had died previously in 1785.</p>
-
-<p>The first important event in the new publishing
-house was the establishment of the <cite>British Critic</cite>, in
-which Nares and Beloe were conjoint partners with
-Francis and Charles Rivington. The <cite>British Critic</cite>
-was started in January, 1793, in monthly numbers of
-two shillings each, and by the end of the century
-attained a circulation of 3500. The editorship was
-entrusted to Nares, and with the assistance of Beloe
-it was conducted down to the forty-second volume in
-1813. William Beloe was some time librarian of the
-British Museum, but a stranger who had been admitted
-to the print-room, having abused his confidence,
-and stolen some of the pictures, the librarian was
-somewhat unjustly asked to resign. Among the
-other contributors to the <cite>British Critic</cite> were Dr. Parr&mdash;of
-whom Christopher North says, not unfairly, “in
-his character of a wit and an author one of the most
-genuine feather-beds of humbug that ever filled up a
-corner of the world”&mdash;and Whittaker, author of the
-“History of Manchester.” In 1813, the second series
-of the <cite>Critic</cite> was commenced, under the editorship of
-the Rev. W.&nbsp;R. Lyall, afterwards Dean of Canterbury;
-in 1825 the publication was made quarterly,<span class="pagenum"><a id="Page_308">308</a></span>
-and a third series began, which, however, only reached
-three volumes.</p>
-
-<p>Of all the literary men connected with the Rivingtons
-of this era, none were more useful, and few
-deserve more grateful remembrance from posterity,
-than George Ayrscough&mdash;-<i xml:lang="fr" lang="fr">facile princeps</i> of index
-makers. Originally a miller’s labourer, he obtained a
-situation in the Rivingtons’ shop, and was afterwards
-promoted to a clerkship in the British Museum; soon
-after his further rise to the position of assistant
-librarian he took orders; but it is as a maker of
-catalogues and indexes that he is still known; and
-how great the labour and patient skill needful in compiling
-the indexes to the <cite>Gentleman’s Magazine</cite>, the
-<cite>Monthly Review</cite>, and the <cite>British Critic</cite> must have
-been, all students can approximately guess from the
-immensity of labour saved individually by their use.</p>
-
-<p>John, the eldest son of Francis, was admitted a
-partner in 1810, and in 1819 they took a lease of No.
-3, Waterloo Place; and so popular were they at the
-time that it is said Sir James Allen Park, one of
-the judges, came down to the new house before nine
-o’clock on New-year’s Day, that he might enrol himself
-as their first customer. In 1820 they determined
-to start a branch house for the sale of second-hand
-books and general literature, and John Cochrane was
-placed at the head of this establishment. He collected
-one of the finest stocks ever gathered, and published
-the best and most carefully compiled catalogue that
-had then been issued, extending to 815 pages, and
-enumerating 17,328 articles, many of the rarest kind.
-The business, however, entailed considerable losses,
-and was abandoned in 1827.</p>
-
-<p>On October 18, 1822, Francis Rivington, the senior<span class="pagenum"><a id="Page_309">309</a></span>
-partner, died, earning a character for high probity and
-sincere and unaffected piety. Like his father he had
-been a governor in many charitable institutions.
-“Such a man,” says the author of his obituary notice,
-“cannot go unwept to the grave; and the writer of
-this article, after a friendly intercourse of sixty years,
-is not ashamed to say that at this moment his eyes
-are moister than his pen”&mdash;a quaint but sincere
-tribute. He had married Miss M. Elhill, sister of
-an eminent lead merchant, and four of his sons survived
-him.</p>
-
-<p>In 1827 George and Francis, sons of Charles,
-joined the firm; and in 1831, Charles, the younger of
-the two original brothers, was found dead on the floor
-of his dressing-room. In social life he was distinguished
-by the mildness and complacence of his
-temper; and his conversation was invariably enlivened
-with anecdotes and memories of the literary men and
-clergymen with whom he had come in contact.</p>
-
-<p>The firm now, therefore, consisted of John, the son
-of the elder, and Francis and George, two sons of the
-younger brother.</p>
-
-<p>We shall see, in the following memoirs of the
-Parkers, how marvellously religious life was quickened
-at Oxford by the publication of Keble’s
-“Christian Year.” This feeling, intense in its inner
-nature as any of the revivals, culminated or fulminated
-in the publication of the “Tracts for the Times”&mdash;the
-most important work, perhaps, with which the
-Rivingtons have ever been connected; and worthy,
-therefore, of the scanty notice for which we can afford
-space here. The “Tracts for the Times” were commenced
-in 1833, at a time, according to the writers,
-“when irreligious principles and false doctrines had<span class="pagenum"><a id="Page_310">310</a></span>
-just been admitted into public measures on a large scale
-... when the Irish sees had been suppressed by the
-state against the Church’s wish.... They were
-written with the hope of rousing members of the
-Church to comprehend her alarming position&mdash;of
-helping them to realize the fact of the gradual growth,
-allowance, and establishment of unsound principles
-in her internal concerns; and, having this object, they
-used spontaneously the language of alarm and complaint.
-They were written as a man might give notice
-of a fire or inundation, so as to startle all who heard
-him” (vol. iii. p. 3). As far as fulfilment of intention
-went in startling, the writers were perfectly successful.
-Exhibiting great talents, depth of thought, logical
-power, acuteness of reasoning, and an undoubted
-religious feeling, their effect was spontaneous. By one
-party, and an increasing one, the writers were welcomed
-with a reverend love that almost forbade
-criticism, and by the other with the greatest uneasiness
-and suspicion. The chief writers in the series, for the
-“Tracts” continued to appear during the space of
-several years, were Newman, Pusey, Keble, and
-Williams. In Ireland the clergy were anxious to come
-over in a body, and greet them collectively. In Scotland,
-Pusey and Newman were denounced at a public
-dinner as enemies to the established religion; and at
-Oxford, where they were personally loved and respected,
-they were looked upon by a large portion of
-the members with peculiar distrust. Parties in the
-Church were formed, and claimed, or were christened
-after, the names of the writers&mdash;such were originally
-the <cite>Puseyites</cite> and <cite>Newmaniacs</cite>. At length the famous
-“Number 90” appeared, and was thus greeted by the
-University:&mdash;“Modes of interpretation such as are<span class="pagenum"><a id="Page_311">311</a></span>
-suggested in this tract, evading rather than explaining
-the sense of the 39 articles, and reconciling subscription
-to them with the adoption of errors which they were
-destined to counteract, defeat the object, and are inconsistent
-with the due observance of the above-mentioned
-statement.” The Bishop of Oxford forbade
-their further publication, and shortly afterwards
-Newman, the author of “Number 90,” showed his
-honesty by going over to the Roman Catholic Church.</p>
-
-<p>The publication of these “Tracts” still further
-strengthened the Rivingtons in their position of
-High Church publishers, and their business benefited
-considerably by the great increase of the High
-Church party.</p>
-
-<p>In 1827 a fourth series of the <cite>British Critic</cite> was
-commenced, incorporated with the <cite>Theological Review</cite>.
-In 1843, however, in consequence of the extreme views
-that had been expressed in its pages, the publication
-was discontinued, to the very great regret of the
-clergy; the <cite>English Review</cite>, which started from its
-ashes, met with but little support, and lasted only till
-1853.</p>
-
-<p>To complete our personal account of the firm:&mdash;John
-Rivington, who married Anne, daughter of the
-Rev. John Blackburn, canon of York, died 21st November,
-1841, at the age of 62. His son John
-was admitted a partner in 1836, and is the present
-head of the firm. George Rivington died in 1842,
-having retired on account of ill health in 1857, and in
-1859 Mr. Francis Rivington retired from active partnership.
-The present representatives of the firm
-consist, therefore, of Mr. John Rivington, fifth in
-descent from the founder, and Mr. Francis Hansard
-Rivington, who is the sixth.</p>
-
-<p><span class="pagenum"><a id="Page_312">312</a></span>
-In 1853 the firm removed their place of business
-from the ancient house in St. Paul’s Churchyard, and
-consolidated it at 3, Waterloo Place, retaining nothing
-but some warehouses in Paternoster Row. In 1862,
-after an interval of thirty years, they re-acquired the
-agency of the Cambridge “Press”&mdash;a famous manufactory
-of Bibles, Prayer Books, and Church Services;
-and in the next year, 1863, they opened branch houses
-at both Oxford and Cambridge&mdash;an extension of
-business that, after a long life of 160 years, says
-something for the vitality of the firm.</p>
-
-<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
-
-<p>In treating of the Parkers, it will be necessary to
-bear in mind the essential fact that there were two
-distinct families of that name, both engaged in the
-publication of religious books, and both interested
-in the “Bible Press”&mdash;the one at Oxford and the
-other at Cambridge; and though its chief interest,
-as regards later years, will be centred in the younger
-(publishing) family, who began life in London, it will
-be necessary, according to our general plan, to give a
-preliminary glance at the elder family, whose name
-is more intimately connected with the University of
-Oxford.</p>
-
-<p>The first of the Parkers with whom we need concern
-ourselves was Dr. Samuel Parker, sometime
-Bishop of Oxford. The product of a changeable age,
-he was a very Vicar of Bray. While at the University
-of Oxford, he affected to lead a strictly religious life,
-and entered a weekly society then called the “Gruellers,”
-because their chief diet was water gruel; and it
-was observed “that he put more graves into his
-porridge than all the rest.” Formerly a nonconformist,
-having once taken orders, he became chaplain<span class="pagenum"><a id="Page_313">313</a></span>
-to a nobleman in London, whom he amused with his
-humorous sallies at the expense of his old comrades
-the Puritans. During Charles’s reign, his writings
-were distinguished by the bitterness of his attacks
-upon the dissenting party; and on the accession of
-James he was installed in the bishopric of Oxford,
-upon the death of Dr. Fell&mdash;the famous subject of
-inexplicable dislike. He now embraced the Romish
-religion, “though,” writes Father Peter, a Jesuit, “he
-hath not yet declared himself openly; the great
-obstacle is his wife, whom he cannot rid himself of.”
-Finding the cause growing desperate, he sent a discourse
-to James, urging him to embrace the Protestant
-religion. His authority in the diocese became contemptible,
-and he died unlamented in 1687. He left,
-however, a son of his own name, an excellent scholar
-and a man of singular modesty, who married a bookseller’s
-daughter, of Oxford, and had a numerous
-family, to support whom he not only wrote, but
-published, and himself sold, books of a learned class&mdash;the
-most important of which was the “Bibliotheca
-Biblica.” He died in 1730, and his son, Sackville
-Parker, was an eminent bookseller in the Turl, his
-shop being chiefly frequented by the High Church
-and non-juring clergy. He was one of the four
-octogenarian Oxford booksellers who all died between
-1795 and 1796, and whose united years amounted
-to 342. He was succeeded by Joseph Parker, his
-nephew.</p>
-
-<p>About the year 1790, Joseph Parker was apprenticed
-to Daniel Prince, whose successor, Joshua Cooke, was
-agent to the University Press, and thus he was able to
-become acquainted with the management of its publications.
-The Bible Press was at this period in debt,<span class="pagenum"><a id="Page_314">314</a></span>
-and was an annual expense to the University, but
-Parker saw the feasibility of making it a profitable
-concern, and, by dint of strenuous persuasion, was, in
-1805, allowed to enter into partnership with the
-University Press, jointly with Cooke and Samuel
-Collingwood, the latter of whom attended to the
-printing, while the publishing business was left entirely
-in Joseph Parker’s hands. Great difficulty was felt
-at first in borrowing money to meet that advanced by
-the University. In a few years, however, the debts
-were paid off, and large profits began to come in, and
-during his lifetime he was able to pay over upwards
-of £100,000 into the University chest, building in
-addition the new printing-office, at a cost of £40,000,
-investing large sums in “plant,” and leaving a concern
-that was worth £10,000 a year to the partnership.</p>
-
-<p>For the seven years previous to 1815 the number of
-Bibles printed at Oxford was 460,500; Testaments,
-386,000; of prayer-books, 400,000; of catechisms,
-psalters, &amp;c., 200,000; and the money received as
-drawback for paper duty amounted to £18,658 2<i>s.</i> 6<i>d.</i>
-For the same period at Cambridge the Bibles numbered
-392,000; the Testaments, 423,000; the Prayer-books,
-194,000; while the drawback was only upwards of
-£1087 7<i>s.</i> 6<i>d.</i> In addition to his interest in the Bible
-Press, which yielded him about £1000 a year, Joseph
-Parker, on the death of his regular trade partner, Hanwell,
-became sole proprietor of the old-established bookselling
-business of Fletcher and Hanwell, in the Fleet,
-and, on the retirement of Cooke, succeeded to the
-office of “Warehouse-keeper,” and also to the appointment
-of agent for the sale of books published on the
-“Learned” side of the press; the value of the books
-sold on this side amounted to from £3000 to £5000<span class="pagenum"><a id="Page_315">315</a></span>
-annually, while on the Bible side under his management
-the sales were something like £100,000 worth.</p>
-
-<p>By far the most important work, however, with
-which Joseph Parker’s name is concerned, is Keble’s
-“Christian Year.” We believe that the first risk of
-publishing was insured by Sir John Coleridge.
-Nothing could be more unassuming than its first
-appearance in 1827, in two little volumes, without
-even the authority of an author’s name. None of the
-regular literary journals noticed its publication,
-excepting a friendly greeting in a footnote to an
-article on another subject in the <cite>Quarterly Review</cite>.
-Appealing to no enthusiastic feelings, deprecating
-excitement, and courting no parties, silently and
-imperceptibly at first, but with increasing rapidity, it
-found its way among all sections of churchmen, and
-was the real commencement of that movement in the
-Church with which afterwards the “Tracts for the
-Times” were associated. At Oxford, when once its
-popularity was attained, its effects were marvellous;
-young men dropped the slang talk of horses and
-women and wine, and went about with hymns upon
-their lips; instead of the riotous joviality of “wines,”
-the evening meetings became austere; and even the
-most careless made some little temporary effort to be
-better and purer. Partaking of the nature of a revival&mdash;among
-a better-educated and less-impressionable
-class than that usually affected by such movements&mdash;its
-strongest outward symptoms were of longer than
-ordinary duration, and its inner effects much deeper.</p>
-
-<p>The most popular volume of poems of recent times,
-it is said in the number of its editions to have out-rivalled
-Mr. Tupper’s works (we state a fact merely,
-with an apology for mentioning the two names<span class="pagenum"><a id="Page_316">316</a></span>
-together); in less than twenty years, twenty-seven
-editions had been exhausted.<a id="FNanchor_24" href="#Footnote_24" class="fnanchor">24</a></p>
-
-<p>The author’s profits, as well as the publisher’s, were
-large, and the Rev. J. Keble devoted his portion of
-them to the entire reconstruction of his own church,
-that of Hursley, in Hampshire.</p>
-
-<p>In 1832 Joseph Parker retired from business, retaining,
-however, his share in the Bible Press until his
-death in 1850.</p>
-
-<p>Mr. John Henry Parker, his nephew, was the son of
-John Parker, merchant, of the City of London, and was
-born in the year 1806. After receiving a good education
-at Dr. Harris’s school at Chiswick, he entered the
-bookselling trade in 1821, and was consequently fully
-prepared, eleven years later, to occupy the position
-just vacated by his uncle.</p>
-
-<p>Mr. John Henry Parker is known almost as well as
-an antiquarian, and as a writer on architecture, as a
-publisher. He continued his uncle’s business at
-Oxford, and extended it to London, where for many
-years it was under the management of Mr. Whitaker.
-The University, however, bought in again the share
-held by his uncle, in 1850, and declined admitting
-Mr. J.&nbsp;H. Parker as a partner unless he undertook to
-give up general business, as by a clause in the deed of
-partnership none of the temporary proprietors are
-allowed to follow any other calling. Mr. Parker’s
-business was in such a profitable condition as to
-render such a step totally out of the question. He
-acted, however, as agent for the Oxford Press for
-many years.</p>
-
-<p><span class="pagenum"><a id="Page_317">317</a></span>
-In 1856 the Gentleman’s Magazine was transferred
-to his house, and for some time he was, with two
-other gentlemen, conjoint editor; and in 1863 he
-retired in favour of his son James, devoting his time
-exclusively to the study of architecture. Among his
-best-known writings are “The Glossary of Architecture,”
-and “An Introduction to the Study of Architecture,”
-both of which are considered standard works
-on the subject.</p>
-
-<p>In 1863, the year of his retirement, the agency of the
-works published by the delegates of the Oxford
-University Press was transferred to Messrs. Macmillan
-and Co., and the ancient connection was altogether
-broken. Mr. James Parker, however, still
-continues the Oxford book-trade, though we believe
-the London house does the more important business.</p>
-
-<p>Having dealt thus cursorily with the firm of John
-Henry and Joseph Parker, of London and Oxford, we
-come to the somewhat similar title of John William
-Parker and Son, of the West Strand, London.</p>
-
-<p>John William Parker,<a id="FNanchor_25" href="#Footnote_25" class="fnanchor">25</a> whose father was in the
-navy, was born in the year 1793, and at an early age
-entered the service of the late Mr. Clowes, printer,
-then only commencing business, and, at the age of 14,
-was bound apprentice to him. Here he took a strong
-dislike to the irksomeness of case, and it was found
-more profitable to employ him in the counting-house
-generally, where his retentive memory and his habits
-of close observation were quickly turned to good
-account. When, indeed, most of the records were
-destroyed by the outbreak of a fire, young Parker’s<span class="pagenum"><a id="Page_318">318</a></span>
-memory was found most essential as a substitute for
-the current business documents.</p>
-
-<p>Messrs. Clowes commenced their printing establishment
-in a very small way, but soon progressed, and
-were among the first to use the steam press; but as
-they were then in Northumberland Court, Strand,
-their neighbour, the Duke of Northumberland, brought
-an action against them for causing a nuisance, and
-eventually bought them out of their tenement, and
-Parker induced Clowes to purchase the lease and
-plant of a factory in Duke Street, Stamford Street,
-which had been started unsuccessfully by Applegarth,
-the inventor of the steam press. Here, undisturbed
-by neighbouring aristocrats, Parker became the
-manager of the business, and it prospered so exceedingly
-that he established a printing-press of his own in
-the immediate vicinity, and found it necessary to live
-in Stamford Street, where he made the acquaintance of
-Dr. D’Oyley, Rector of Lambeth, Dr. Mant, and a
-number of other influential clergymen, whose connection
-with the venerable “Society for the Promotion of
-Christian Knowledge” eventually stood him in good
-stead.</p>
-
-<p>About the year 1828, the University of Cambridge
-found that the receipts from its Press were barely sufficient
-to cover the expenses, while at the sister
-University, under the management of Collingwood
-and Mr. Joseph Parker, the annual returns were not
-only large, but increasing yearly. In this strait the
-Syndics applied to Mr. Clowes, who sent Mr. Parker
-down to inspect. The sensible manner in which he
-at once detected the faults of the establishment, and
-suggested improvements, led to his immediate engagement
-as advising printer at a salary of £200; and he<span class="pagenum"><a id="Page_319">319</a></span>
-soon proved his worth by turning to account the
-apparently useless stereotype plates; from one set
-alone, in one year, he cleared £1500 by cutting out the
-heads of chapters, &amp;c., and re-setting them in new
-type. He re-opened the account with the “Bible
-Society,” and in dealing with the “Christian Knowledge
-Society,” abolished the tax of middlemen.</p>
-
-<p>Parker had hoped, by his energy and perseverance,
-to become a partner with Mr. Clowes, but finding this
-precluded by family arrangements, he established
-himself at 445, West Strand, and at once received the
-appointment of “publisher of the books issued under
-the direction of the Committee of General Literature
-and Education, appointed by the Society for Promoting
-Christian Knowledge.” This “Committee”
-had been established to sanction and recommend
-books of a wholesome character, but which, not dealing
-chiefly with religious matters, were believed to be out
-of the legitimate sphere of the original Society’s
-operations.</p>
-
-<p>In July the first number of the <cite>Saturday Magazine</cite>
-appeared. Mr. Parker was his own editor, and many
-of the illustrations were from the pencil of his son,
-Mr. Frederick Parker, who died very young. The
-<cite>Saturday Magazine</cite>&mdash;one of the three parents of our
-cheap periodical literature&mdash;was published weekly at
-the low price of a penny, and, a <i xml:lang="fr" lang="fr">répertoire</i> of useful and
-entertaining facts, and not much else, was intended to
-counteract the effects of the licentious publications of
-the day, then the only ones within reach of the
-poorer classes. It was continued successfully for
-thirty-five volumes; but is more interesting now as
-the foreshadowing of a better time than for any
-intrinsic value of its own. It was eventually merged
-in <cite>Parker’s London Magazine</cite>.</p>
-
-<p><span class="pagenum"><a id="Page_320">320</a></span>
-445, West Strand became, of course, the Cambridge
-Depository for Bibles, Testaments, and Common
-Prayer-books printed at the University Press, and, at
-the death of Smith, Parker was appointed printer to
-the University at a salary of £400 a year, and visited
-Cambridge once or twice a fortnight. For many
-years, in spite of all his strenuous efforts and his
-repeated advice, the Bible Society set their faces
-resolutely against steam-printing. On one occasion he
-prepared a large edition of the nonpareil Bible at two-thirds
-of the price then charged, and took a dozen
-copies to the manager, Mr. Cockle, hoping that the
-Bible Society would encourage so laudable an improvement.
-The manager hummed and hawed, sent
-for the binder, told him in confidence that the Cambridge
-people had kindly prepared some cheap Bibles
-printed by machinery, but he thought “from the
-smallness of the margins they <em>might</em> not fold evenly,
-and was not sure that, as a cheaper ink had been
-used, they <em>might</em> not set off when pressed,” and all
-these predictions were verified, and the Committee
-would not sanction the purchase of such rubbish.
-Strangely enough, two or three years later, when
-cheap Bibles were eagerly called for, the whole of the
-rejected set were purchased by the Society, and no
-difficulty was experienced in their manipulation.</p>
-
-<p>William IV. having expressed his royal wish for a
-Bible, Mr. Parker determined to print one specially,
-and on the occasion of the installation prepared a
-dozen sheets, which were pulled by the Duke of
-Wellington and other magnates; this is the first book
-ever printed with red rules round, and, as the “King’s
-Bible,” attained in various forms and sizes a great
-success. A committee was appointed to read and<span class="pagenum"><a id="Page_321">321</a></span>
-revise it, and it was purposed to make it the standard
-edition. One copy upon vellum was intended for the
-King, but as he died before its completion, her present
-Majesty Queen Victoria was graciously pleased to
-accept it. After some years Parker’s interest in the
-Bible Press flagged, and much dissatisfaction was
-caused, and about 1853 he retired altogether from the
-management.</p>
-
-<p>Parker had from a very early date thought of
-printing his own books, and started an office that was
-afterwards removed to St. Martin’s Lane, but ultimately
-relinquished the management to Mr. Harrison,
-whom he took into partnership. When the
-Council of Education was formed Parker was appointed
-publisher, and gave every assistance in the
-way of funds and encouragement, and Mr. Hullah,
-in particular, found in him a warm supporter.</p>
-
-<p>Parker was twice married; by his first wife he had
-two sons, Frederick and John William, and this latter,
-born in 1820, after receiving a good education at
-King’s College, was admitted into the house in 1843,
-and in a few years took the chief management of the
-general business.</p>
-
-<p>Under Mr. John William Parker, Jun., the house became
-identified with the Liberal and Broad Church
-party, and till his death he held the reins of <cite>Fraser’s
-Magazine</cite> entirely in his own hands. Strangely had
-that periodical altered since the days of Maginn and
-Fraser. Now it was the centre, in connection with
-445, West Strand, from which issued the teachings of
-Maurice, Kingsley, and Tom Brown&mdash;the nursery of
-muscular Christianity&mdash;in one sense the cradle of
-Christian Socialism.</p>
-
-<p>Mr. Parker, Jun., in his capacity of publisher and<span class="pagenum"><a id="Page_322">322</a></span>
-editor felt an immense responsibility, and really believed
-that the bishops of the Church of England
-held but sinecure offices, while he, and the heads of
-other publishing firms, were our virtual spiritual fathers
-and directors. He made himself no partizan in
-the religious and political questions of the day, and
-no prospect of pecuniary advantage would induce him
-to publish a book until he was first assured that it
-was the expression of honest conviction, or the result
-of honest labour. “One day,” says the writer of an
-obituary notice, “going into Mr. Parker’s room, we
-found his pale face paler than usual with anger.
-‘Look at these,’ he said, putting a bundle of letters
-into our hands, ‘or rather do not look at them.’ A
-lady, eminent in certain circles as a spiritual teacher,
-wanted him to publish a devotional book for her.
-She had sent him the private correspondence of some
-thirty different ladies, who had trusted her with the
-innermost secrets of their souls and consciences, as an
-advertisement of herself, her abilities, and her popularity.
-Mr. Parker was perhaps never seen more indignant.
-He declined the book on the spot. He
-returned the letters with a regret that the lady
-should have sent him what had been intended for no
-eye but her own. A few days after he showed us
-the lady’s reply. Stung by the rebuke, she had
-dropped the mask for the moment, and had told
-him she did not require to be lectured on her duty
-by an insolent tradesman.”</p>
-
-<p>Of the success with which Mr. Parker’s publications
-met it is sufficient to mention the names of Maurice,
-Kingsley, Mill, Buckle, and Lewis. Fruitful of discussion
-as were the works of the writers mentioned,<span class="pagenum"><a id="Page_323">323</a></span>
-they were all thrown into a temporary shade by the
-cry that arose on the publication, in 1860, of “Essays
-and Reviews,” to which only the first named contributed.
-Shortly after the appearance of the volume a
-document was issued, bearing the signature of every
-bishop of the united Church, condemning many of
-the propositions of the book as inconsistent with an
-honest subscription to her formularies. This was
-succeeded by an address to the Archbishop of Canterbury,
-signed by more than 10,000 clergymen, condemning
-in the strongest terms the teaching of the
-essayists. As we all remember, the case was tried in
-the Court of Arches, and led to the temporary suspension
-of Dr. Williams and Mr. Wilson; a suspension
-that was afterwards reversed by the Privy
-Council. But this case, interesting as it may be for
-the student in the future, though one of too many
-<i xml:lang="fr" lang="fr">causes célèbres</i> of church persecution, is too well
-known to detain us longer at present.</p>
-
-<p>Mr. Parker, who took a deep interest in all religious
-questions, held weekly gatherings at his house, and
-was loved and respected by his clients, who regarded
-him as a friend rather than a business aid. He died
-in 1861, and for the moment the knot of earnest men
-who were clustered round <cite>Fraser’s Magazine</cite> were
-dispersed. But in the year 1863 the agency of the
-works published by the delegates of the Oxford
-University Press was transferred from the other
-Parkers to Messrs. Macmillan, and henceforth <cite>Macmillan’s
-Magazine</cite> and its contributors may be considered
-as an offshoot from 445, West Strand.</p>
-
-<p>After the death of his son, Mr. Parker, who had
-for some years taken little active part in the management
-of the business, took his old assistant, Mr. William<span class="pagenum"><a id="Page_324">324</a></span>
-Butler Bown, into partnership; but the connection
-did not last long, and in 1863 the stock and
-copyrights were disposed of to Messrs. Longman,
-who agreed to allow Mr. Bown an annuity of £750
-a year, which he only lived a year and a half to
-enjoy.</p>
-
-<p>On May 18th, 1870, Mr. John William Parker died
-at his country house near Farnham. By his first
-wife he left two daughters living, and by his second
-(the daughter of Dr. Mantell, the well-known geologist)
-one son and two daughters. He was seventy-eight
-years of age at the time of his death; and,
-though his life presents us with little that is striking
-or historically strange, he had played an honest part
-manfully, and may be remembered as one of the few
-instances in which a publisher, successful as an architect
-of his own fortune, has been wise enough to
-transfer his business at the very zenith of its success
-to the keeping of other hands, when he had ascertained
-that his own were too aged for its proper
-maintenance and management. The Broad Church,
-so called, and the liberal thought of the country, owe
-much to the now defunct firm of John William Parker
-and Son.</p>
-
-<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
-
-<p><span class="smcap">James Nisbet</span>, the son of a poor Scotch farmer,
-who afterwards became a cavalry serjeant, was born
-on Feb. 3rd, 1785. After receiving the ordinary
-rudiments of education he was apprenticed to Mr.
-Wilson of Kelso for three years, but having obtained
-the offer of a situation in London he was permitted to
-leave before his indentures had expired. He left
-Scotland with only four guineas in his purse, and
-being delayed on the road, was obliged to sell his<span class="pagenum"><a id="Page_325">325</a></span>
-violin. On reaching town he became clerk to a Mr.
-Hugh Usher, a West India merchant in Moorfields,
-and his salary commencing at £54 12<i>s.</i> per annum
-took some years before it increased to £120.</p>
-
-<p>James Nisbet’s career has been to a certain extent
-chronicled by his son-in-law, the Rev. J.&nbsp;A. Wallace,
-in a volume entitled, “Lessons from the Life of James
-Nisbet, the Publisher”&mdash;not, says the author, “a mere
-biography”&mdash;would that it were!&mdash;but a series of forty
-chapters or lessons, each commencing with a text and
-ending with a hymn. To its rambling and incoherent
-pages we are indebted, however, to many of the facts
-in the following notice.</p>
-
-<p>On the evening of Nisbet’s arrival in London a
-young Scottish friend took him about sight-seeing.
-The walk terminated in a blind alley and a strange
-looking house&mdash;which instinct at once told him was
-“the house of the destroyer.” He gave up intercourse
-with his companion, and fled away hastily, and not
-till some few days afterwards, when he found a refuge
-in the Swallow Street Chapel, did he recover his
-equanimity.</p>
-
-<p>From his earliest boyhood he had a great liking
-for “the courts of the Lord;” a pocket-book dated
-1805, contains a list of places at which the gospel
-was reported to be purely preached. It seems, too,
-that his favourite books at this time were Henry’s
-“Commentary,” Cruden’s “Concordance,” Hall’s
-“Contemplations,” and Baxter’s “Saints’ Rest.” At
-the Swallow Street Chapel he met his future wife.</p>
-
-<p>As befitted a persevering and energetic man he
-was an early riser, yet he found that not only did his
-business require it, but he discovered “our Lord
-when on earth rising a great while before day that<span class="pagenum"><a id="Page_326">326</a></span>
-He might spend some time in secret prayer, and
-David says, ‘Early will I seek Thee.’” So good a
-habit scarcely needed so lofty an apology.</p>
-
-<p>His father appears to have remonstrated with him
-as to his excess of zeal: “Concerning the meetings
-you attend, God Almighty never designed man to
-spend all his time in godliness; He designed such as
-you and me to work for our bread”&mdash;advice that
-had not much effect, for we find Nisbet writing when
-down home in Scotland in 1808, “I have lost much
-time in coming here&mdash;no Thursday night sermons, no
-companion with whom I would wish to be on intimate
-friendship, and no Sabbath schools; and the Sabbath
-is a very poor Sabbath, very unlike our dear Sabbath
-in London.”</p>
-
-<p>Having, however, returned to London in 1809, he
-commenced business for himself on a very limited
-scale as a bookseller in Castle Street, and characteristically
-the first books sold were copies of Streeter’s
-“Catechism.” In due course of time he prospered, was
-admitted to the freedom of the City of London, and
-elected to the office of Renter Warden in the
-Stationers’ Company.</p>
-
-<p>As soon as his reputation as a religious publisher
-was established, he purchased a house in Berners
-Street&mdash;“the great object of his ambition being, not
-to amass a large fortune for aggrandisement, but to
-be the pious proprietor of a comfortable dwelling,
-which he could throw open for the hospitable entertainment
-of godly men.”</p>
-
-<p>He firmly adhered to his principles of publishing
-books of one peculiar class, and rigidly excluded
-everything that was not of a moral or religious
-character; and not satisfied with purchasing the<span class="pagenum"><a id="Page_327">327</a></span>
-copyright of his authors upon highly advantageous
-terms, often added a liberal bonus when the work
-proved profitable. “To such a degree,” says his biographer,
-“did his generosity overflow, that one estimable
-man, ‘whose praise is in all the churches,’ felt
-constrained to put the curb on his publisher’s largesse.
-‘I shall agree to accept one hundred pounds, and no
-more,’ commences one of his legal agreements.”</p>
-
-<p>Such conduct had its reward, for, says Mr. Wallace,
-“notwithstanding the humble position which James
-Nisbet occupied as a mere shopkeeper, so high was
-the estimation in which he was held as a philanthropist
-and a churchman that he was occasionally honoured
-by pressing invitations from families in the higher
-ranks of life, to visit them at their country seats”&mdash;the
-lesson drawn from such amazing condescension
-by the biographer being, “Him that honoureth I will
-honour”&mdash;and accordingly Nisbet went for a whole
-week to Tollymore Park, and naturally writes from
-there: “What a blessed thing it is to be a Christian.”
-The curious chapter in which this visit is recorded is
-headed, “Yea, brother, let me have joy of thee in the
-Lord.”</p>
-
-<p>Among the numerous authors with whom Nisbet
-was connected was Edward Irving, for whom he published
-“Discourses on Daniel’s Vision of the Four
-Beasts,” and other books. Irving, by far the greatest
-orator and most eloquent speaker of our later times,
-“was for long enshrined in the warm recesses of
-Nisbet’s heart, and Nisbet not only sat under him, but
-contributed £21,000 to the Regent’s Square Church.
-But the love of truth was in Nisbet stronger than
-earthly affection, and soon the gift of speaking with
-unknown tongues was discovered.” “Last Sabbath,”<span class="pagenum"><a id="Page_328">328</a></span>
-writes Nisbet, “a most tumultuous scene took place,
-the lives of many people being in jeopardy, so
-that even Mr. Irving himself was terrified, and said
-that he would not allow the spirits to speak again in
-public.” He was then accused of heresy, and Nisbet,
-like most conscientious men, felt constrained to side
-against him. An ecclesiastical assize was holden for
-his trial, in March, 1833, at which a strange scene
-occurred. His answer to the charge was rather an
-authoritative command than an apology, perorating
-<span class="locked">thus:&mdash;</span></p>
-
-<p>“I stand here not by constraint, but willingly. Do
-what you like. I ask not judgment of you; my
-judgment is with my God; and as to the General
-Assembly, the spirit of judgment is departed from it.
-Oh, know ye not how near ye are to the brink of
-destruction. Ye need not expedite your fall. All are
-dead carrion. The Church is struggling with many
-enemies, but her word is within herself&mdash;I mean this
-wicked assembly.”</p>
-
-<p>Then after the trial he was found guilty, and the
-sentence of deposition was about to be prefaced with
-prayer, when a loud voice was heard from behind a
-pew where Irving stood:&mdash;“Arise, depart! arise,
-depart! flee ye out, flee ye out of here! ye cannot
-pray! How can ye pray? How can ye pray to
-Christ whom ye deny? Ye cannot pray. Depart, depart!
-flee, flee!” The church was at this moment
-wrapped in silent darkness, and when this strange
-voice ceased, the 2000 sprang trembling to their feet
-as though the judgment day had come. On lighting
-a candle, however, it was ascertained that the speaker
-was a Mr. Dow, who had been lately ousted from the
-church for similar views. Irving rose grandly to obey<span class="pagenum"><a id="Page_329">329</a></span>
-the call, and pressing through the crowd that thronged
-the doorway and the aisles he thundered: “Stand
-forth! stand forth! what, will ye not obey the voice
-of the Holy Ghost? As many as will obey the voice
-of the Holy Ghost, let them depart!” Onward he
-went to the door, and then came to the last words:&mdash;“Prayer,
-indeed, oh!” and thus he left his church for
-ever.</p>
-
-<p>Thousands and almost millions of tracts and small
-books did Nisbet scatter broadcast, freely to those
-who could not pay, with small charge to those who
-could. And at the period of the “Disruption” he
-circulated at his own expense, not only in Scotland
-and Ireland, but all over England, great multitudes
-of Dr. James Hamilton’s “Farewell.” But even in the
-midst of these labours the ungodly were busy, and a
-rumour was circulated that James Nisbet had gone
-over to the Church of Rome; and this, in spite of his
-well-known antipathies, gained considerable credence.
-The following is from a letter from Mr. Wolff:&mdash;“I, a
-few days ago, read in the <cite>Morning Post</cite> that an eminent
-and successful bookseller had entered the Church
-of Rome. I thought that this bookseller must be one
-of the Tractarian party (the Rivingtons), but to my
-utter astonishment I heard it whispered that the
-bookseller was nobody else than Mr. James Nisbet, his
-whole family, and my old friend Mr. Murray, with the
-observation that ‘one extreme leads to the other extreme.’...
-My dear Nisbet and Murray, what could
-induce you to do such a spite to your John Knox,
-Chalmers, and Gordon, and join with a rotten church?
-Nobody is more impatient in acknowledging the good
-things to be found in the Church of Rome than myself,
-yet I would rather see the Pope and all his<span class="pagenum"><a id="Page_330">330</a></span>
-cardinals fly to the moon than become a Papist again.
-In fact I never was one.” (A curious way of putting
-it.)</p>
-
-<p>This was not the only hoax by which James Nisbet
-was a sufferer. Later on, a practical joke was played
-upon him by some wag, who sent the following to a
-large number of country <span class="locked">papers:&mdash;</span></p>
-
-<blockquote class="narrow">
-
-<p class="center b0">“Nearly Ready, in Three Handsome Octavo Volumes,</p>
-
-<p class="p0 b0">“LITERARY PYROTECHNICS; or, Squibs, Pasquins, Lampoons,
-and other Sparkling Pleasantries, by the best English Writers, from
-the Reign of Elizabeth to the Present Day, with Philological Notes by
-the Hon. the Vice-Chancellor Sir William Page Wood, Knt.</p>
-
-<p class="p0 center">
-“James Nisbet and Co., Berners-street, London.”
-</p></blockquote>
-
-<p>This very advertisement was directed to be inserted
-in the next issue, and a copy of the paper containing
-the advertisement was to be sent to the publisher with
-the price of inserting it four or six times. About one
-hundred papers fell into the snare, to James Nisbet’s
-horror and amazement.</p>
-
-<p>Nisbet was a very charitable man to all of his way
-of thinking. The “Saints” were freely welcomed to
-his hospitable house, which was used as a free hotel
-by travelling missionaries and preachers, who often
-said a grateful “grace for all the rich mercies of his
-table.” He was one of the chief supporters of the
-Fitzroy Schools, and one of the most zealous founders
-of the Sunday School Union. Nor was he wanting
-in generosity to general and more publicly useful
-charities; and, during a period of thirty years, his
-books show that he collected for more than five
-hundred institutions, and that the total amount that
-passed through his hands was £114,339 16<i>s.</i> 4<i>d.</i></p>
-
-<p>It is pleasant, amid the farrago of religious cant and
-trash with which the “Lessons from his Life” are<span class="pagenum"><a id="Page_331">331</a></span>
-surrounded, to find some glimmering of the real man&mdash;the
-enterprising and successful bookseller. “From
-his energy of character, and from habit, he was more
-accustomed to lead others than to be led himself;
-therefore, any attempt to alter or set aside arrangements
-which he had himself devised ... was almost
-sure to meet with, on his part, a strenuous and determined
-resistance.”</p>
-
-<p>In 1854, when the cholera was raging in London,
-his brave conduct was far above any party praise.
-The position of chairman of the Middlesex Hospital
-devolved temporarily upon him, and fearlessly he
-set about his difficult duty. Day after day he was at
-his post, directing all things, and alleviating, with
-every means in his power, the physical sufferings of the
-patients; and still, while adopting all that was proper
-to check the progress of the disease, not unmindful of
-administering the consolations of religion.</p>
-
-<p>He died on the 8th November, 1854, having been
-seized with a violent illness on his return from a
-before-breakfast visit to the Orphan Working School
-at Haverstock Hill.</p>
-
-<p>In a funeral sermon, preached by Dr. Hamilton at
-Regent’s Square church, his character is thus summed
-up, both sides of it being cautiously exhibited:&mdash;“With
-a sanguine temperament, he had strong convictions
-and an eager spirit; and, whilst he sometimes
-magnified into an affair of principle a matter of
-secondary importance, he was impatient of opposition,
-and did not always concede to an opponent the
-sincerity he so justly claimed for himself. Then,
-again, his openness was almost excessive, and his
-determination to flatter nobody sometimes led him to
-say things more plain than pleasant.... Those only<span class="pagenum"><a id="Page_332">332</a></span>
-could appreciate his excellence who either knew his
-entire mode of life, or whose casual acquaintance was
-confined to the walks of his habitual benevolence.”</p>
-
-<p>As a publisher, he was eminently successful, and
-reaped a due reward for his honest industry; never
-had he a bad debt but once, and, on recovering that
-unexpectedly, he presented the amount of it, in a
-silver service, to a church. The books he issued were
-chiefly of an ephemeral religious class, and literature
-is certainly less indebted to his success than were the
-charitable institutions of the day.</p>
-
-<p>Mr. James Murray, who had been Nisbet’s partner
-in business for many years, succeeded to the command
-of the firm; and, after his death at Richmond in June,
-1862, Mr. Watson, the present manager, was appointed
-by the family to superintend the whole concern.</p>
-
-<div id="if_i_332" class="figcenter" style="width: 137px;">
- <img src="images/i_332.jpg" width="137" height="140" alt="" /></div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_333">333</a></span></p>
-
-<div class="chapter">
-<div id="if_i_333" class="figcenter" style="width: 373px;">
- <img id="hdr_9" src="images/i_333.jpg" width="373" height="76" alt="" /></div>
-
-<h2 class="nobreak"><i>BUTTERWORTH AND CHURCHILL</i>:<br />
-
-<span class="subhead">TECHNICAL LITERATURE.</span></h2>
-</div>
-
-<p class="drop-cap"><span class="smcap1">In</span> treating of “technical literature,” we shall
-encounter many works which were rightly described
-by Charles Lamb as “books which are not
-books;” and the present chapter will be interesting
-rather as containing biographical notices of men who
-thoroughly deserved, and thoroughly achieved, success,
-than for any bibliographical anecdotes we can lay
-before the reader.</p>
-
-<p>The value of technical literature, in a publishing
-point of view, had been correctly estimated in the
-very earliest times of bookselling annals, and Richard
-Tottell (or Tothill), an original member of the Stationers’
-Company, and eventually their chairman, had
-in Edward the Sixth’s reign, and subsequently in
-Queen Elizabeth’s, succeeded in obtaining a patent
-for law-books; and when, through the petition of the
-Stationers’ Company, he was compelled to forego some
-of the works which he had thus monopolised, he warily
-“kept his law-books to himself, and yielded ‘Dr.
-Wilson upon Usurie,’ and ‘The Sonnets of th’ Earle of<span class="pagenum"><a id="Page_334">334</a></span>
-Surrey.’” Tothill, however, did still publish other
-books than those relating to the very remunerative
-branch of law; for, in 1562, he produced “Stow’s
-Abridgment of the Chronicles of England;” and, in
-1590, “Tusser’s Five Hundred Points of Good Husbandry.”
-His name would, probably, have been
-unknown, at all events forgotten, had he not occupied
-the <em>Hands and Star</em> in Temple Bar, the very same
-shop which, two-and-a-half centuries afterwards,
-Henry Butterworth again rendered famous as the
-great emporium of legal books.</p>
-
-<p>Tothill was succeeded by John More (he had been
-previously represented, but only for awhile, by Barker
-and others), and we have already seen that Samuel
-Richardson, and Lintott’s granddaughter, had obtained
-the patent of King’s Printers for legal books; this
-brings us up in date to, at all events, the uncle of the
-subject of our present memoir.</p>
-
-<p>Henry Butterworth, the most famous of all our law-publishers,
-was born on 28th February, 1786, in the
-city of Coventry. His father was a wealthy timber-merchant,
-and his ancestors fairly claimed alliance
-with the great county families, though Butterworth
-Hall, in the township of Butterworth, near Rochdale,
-in their possession since Stephen’s reign, had already
-fallen into alien hands. The Rev. John Butterworth,
-his grandfather, had removed from Rochdale to
-Coventry; he was well known as the author of a
-“Concordance to the Holy Scriptures,” which passed
-through several editions, and was the received work
-upon the subject until the appearance of Cruden’s
-more famous “Concordance.”</p>
-
-<p>Young Henry Butterworth was educated at the
-Public Grammar School, in Coventry, and afterwards
-placed under the tutorial care of Dr. Johnson, of<span class="pagenum"><a id="Page_335">335</a></span>
-Bristol; but at the early age of fourteen, his education
-(inasmuch as book-learning was concerned) was considered
-at an end, and he entered the large sugar-refinery
-of Mr. Stock, of Bristol. But the hot atmosphere,
-and the incessant and laborious toil, proved
-too much for young Butterworth’s health, though the
-work had otherwise been rendered pleasant enough
-through his master’s kindness. As he had already
-shown much business talent and ability, Stock urged
-Mr. Joseph Butterworth, his own relation by marriage,
-and Henry Butterworth’s uncle, to do something for
-the lad. Joseph Butterworth accordingly made overtures
-to Henry’s family, and though they were loath to
-send their son to the distant trials and temptations of
-the metropolis, the offer was a tempting one, as it
-contained a tacit promise of admitting him, at some
-future time, to a partnership in the enormous business.
-Young Butterworth at once determined to accept the
-proposal; and on the 5th December, 1801, he arrived
-in London by the Bristol coach, having left Bristol
-straightway, without even having had an opportunity
-of bidding his relatives farewell.</p>
-
-<p>The business carried on at No. 43, Fleet Street, was
-on a very extensive scale, and Joseph Butterworth was
-not only a well-known member of Parliament, but was
-an exceedingly wealthy and zealous philanthropist;
-and at his uncle’s dinner table young Henry Butterworth
-met many eminent and good men who were
-associated together to fight in a common cause&mdash;among
-others we may particularize Wilberforce, Teignmouth,
-Liverpool, Bexley, Zachary Macaulay, and Robert
-and Charles Grant&mdash;and from the time of his first
-introduction he enrolled his name among these ardent
-religious and social reformers.</p>
-
-<p>Young Butterworth entered very heartily into the<span class="pagenum"><a id="Page_336">336</a></span>
-conduct of his uncle’s business, and, owing to his
-efforts, its relations were very vastly extended.</p>
-
-<p>In 1813 he was in a position to marry a lady of
-birth and fortune, the daughter of Captain Whitehead,
-of the Fourth Irish Dragoon Guards, who not only
-afterwards entered fully into all his philanthropic
-projects, but possessed a refined and cultivated intellect,
-which found utterance in a volume of “Songs and
-Poems,” by E.&nbsp;H.&nbsp;B., published by Pickering in 1848,
-which are evidently, as the authoress says of another
-<span class="locked">gift&mdash;</span></p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“An offering from a heart sincere.<br /></span>
-<span class="i0">Tho’ small and worthless, what I send,<br /></span>
-<span class="i0">’Tis hallowed by affection’s tear.”<br /></span>
-</div></div>
-</div>
-
-<p>In 1818, Butterworth found that there was little
-likelihood of his admission, as had been previously
-agreed upon, to a satisfactory share of his uncle’s
-business; and having now to consider not only his
-own interests, but the welfare of a wife and family, he
-determined, with a sense of disappointment, to seek
-an independent roof, and there to carry out, on his own
-account, the art and mystery of law printing.</p>
-
-<p>Before we follow him to his new abode, we will
-devote a few words to his uncle’s successful career.
-Joseph Butterworth, who had, in connection with
-Whieldon, founded a very large law-publishing business,
-realized, it is said, the largest fortune ever made
-by law publishing, and was one of the original founders
-of the British and Foreign Bible Society, its earliest
-meetings being held at his house in Fleet Street. His
-son died before him, and his business was sold to
-Messrs. Saunders and Benning; and after various fortunes,
-the shop became the Bible warehouse of Messrs.
-Spottiswoode.</p>
-
-<p><span class="pagenum"><a id="Page_337">337</a></span>
-Henry Butterworth, supported by his father’s
-capital, took a lease of No. 7, Fleet Street, a house
-which had been, as we have seen previously, occupied
-by Tothill and other ancient law publishers. And
-from this shop were issued the vellum-bound volumes
-whose contents are sacred to all but those assiduously
-apprenticed to the law. Butterworth’s position was
-still further improved by his appointment to the
-profitable post of Queen’s law publisher. To the
-general student the law-books of the period are as
-little known as they were to that worthy country
-justice who, wishing to learn something definite about
-the law he so zealously administered, told his bookseller
-to send him forthwith the “Mirror for
-Magistrates;” and the vastly popular law-books did
-not, of course, come within the province of the
-technical publisher. Butterworth, however, saw the
-decline of two works which had been regarded as
-time-honoured text-books on the subject&mdash;Burn’s
-“Justice” and Blackstone’s “Commentaries.” Many
-booksellers had made large fortunes out of Burn since
-the time when the author, wearied out with carrying
-his manuscript from shop to shop, had accepted a
-nominal fee to get it off his hands; and now Butterworth,
-by publishing Serjeant Stephen’s celebrated
-“Commentaries on the Laws of England”&mdash;the most
-successful law-work of modern times&mdash;erased Blackstone
-from the category of legal text-books.</p>
-
-<p>Butterworth, however, though energetic as a publisher,
-found time to take part in the government of
-the city. In 1823 he was elected as representative of
-the ward of Farringdon Street Without, but he afterwards
-declined to be nominated to the office of sheriff.
-However, his connection with the city was still further<span class="pagenum"><a id="Page_338">338</a></span>
-strengthened by his appointment as Commissioner of
-Income and Property Tax, and Land and Assessed
-Taxes for London, and also as Commissioner of
-Roads. On his first arrival in town he had served in
-a light volunteer regiment, recruited to resist the
-aggression of the great Napoleon; and on his retirement
-from the corporation, about the year 1841, he
-received a captain’s commission in the Royal London
-Militia.</p>
-
-<p>We gather something of Butterworth’s general
-kindness and consideration to those beneath him in
-station from the following anecdote:&mdash;Shortly after
-the passing of the new Poor Law Act in 1834, the
-guardians of the West Surrey Union ordered that the
-annual Christmas dinner for the workhouse inmates
-should consist, as wont, of roast beef and plum-pudding.
-The Poor Law Board&mdash;a new broom&mdash;was horrified
-at this munificence, and sent down their inspector,
-Dr. Kay, to inquire into the proposed extravagance.
-He offered a compromise by substituting boiled beef
-for roast, not that it would be in any degree cheaper,
-but that (a satisfactory object, we suppose, to the
-Board) it would not be quite so palatable. Butterworth,
-who was one of the guardians, was inflexible,
-and finally sent in his resignation; but as he was too
-useful a local authority to be spared, the Board sent
-back the resignation, and permitted the paupers to
-feast upon the disputed beef, roast.</p>
-
-<p>In his later years Butterworth took much interest in
-church-building, and at Tooting, St. Dunstan’s-in-the-West,
-and his native city of Coventry, he subscribed
-large sums for that purpose.</p>
-
-<p>After the death of his wife, which occurred in 1853,
-he gradually withdrew from general society, though he<span class="pagenum"><a id="Page_339">339</a></span>
-still attended the congenial meetings of the Stationers’
-Company. The day of his death was, curiously
-enough, the most important day in the law publishing
-year&mdash;the first day of term&mdash;2nd November, 1860.
-On the previous evening he had given his annual
-admonition to those around him in business to awake
-up from the lethargy of the long vacation, and on the
-following morning it was found that he had passed
-away, as if in sleep.</p>
-
-<p>For nearly sixty years Butterworth had occupied a
-leading position as a publisher and as a citizen, and
-during that period had won the friendship and respect
-of all who came in contact with him. The alms
-which his industry enabled him to make were conscientiously,
-quietly, and discriminatingly bestowed:
-and the painted glass memorial window erected to
-him in the choir of the Cathedral of St. Paul’s was a
-fitting tribute from a very large number of friends
-and admirers, many of whom had experienced the
-kindly assistance of his friendship and advice.</p>
-
-<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
-
-<p>As we have previously seen, divinity and education
-were among the first subjects to attract a special
-attention, and works relating to them would otherwise
-have come within our category of technical books.
-No sooner, however, were the lawyers fairly supplied
-with special text-books than the doctors began to
-clamour for the like, and the publisher who has of all
-others most zealously administered to their wants is
-still happily amongst us.</p>
-
-<p>John Churchill was born about the commencement
-of the century, and was apprenticed in the year 1816
-to Messrs. Cox and Son, medical booksellers in Southwark.
-“The house of business was,” he says, “immediately<span class="pagenum"><a id="Page_340">340</a></span>
-adjoining Guy’s and St. Thomas’s Hospitals,
-and became the daily resort of the lecturers and
-numerous students of the schools; I thus early in life
-became known to the celebrated men of the day, little
-anticipating that eventually I should become the
-publisher of Guy’s and St. Thomas’s Hospital Reports,
-and of so large a proportion of the works that issued
-from the medical press.”</p>
-
-<p>At the time when young Churchill entered the profession
-of medical publishing, the periodicals, and, of
-course, the standard technical works, presented a
-striking contrast to those at present in existence, for
-now the medical profession assert, with the greatest
-truth, that their special organs are of far higher
-intrinsic worth, and of far better “tone” of thought
-and expression, than those relating to any other purely
-technical subject. For years, however, after Churchill
-became a bookseller’s assistant the medical press was
-only on a par with the papers relating to the other
-professions, and was chiefly represented by the <cite>Medico-Chirurgical
-Review</cite>, founded by J. Johnson in 1820,
-and the <cite>Edinburgh Medical and Surgical Journal</cite>,
-a work we have already come across in our notice of
-Constable. These reviews contained no original
-reports, no strictures on the hospital appointments
-then jobbed, like everything else, to men of wealth,
-family, and interest. In fact, they consisted of little
-besides long and elaborate abstracts of new books.</p>
-
-<p>On Sunday, 2nd October, 1823, the first number of
-a journal that was to cause a great revolution in
-medical literature, and to affect in no slight degree
-the whole medical profession, was issued from a small
-publishing shop in the Strand. The journal was, of
-course, the <cite>Lancet</cite>, and the publisher young Thomas<span class="pagenum"><a id="Page_341">341</a></span>
-Wakley. Wakley had walked the united hospitals of
-Guy’s and St. Thomas’s, and had taken his degree in
-1817. He does not appear to have practised regularly
-till, about 1822, he took a small shop in the Strand,
-and with the assistance, in a pecuniary point of view,
-of Collard (now the senior partner of the famous piano
-factory) determined to start a thoroughly independent
-medical journal. The first number contained a report
-of a lecture by Sir A. Cooper, printed from memory.
-The professors and hospital officers fired up, and for
-long Wakley had to encounter the same difficulties
-and almost the same penalties which Cave had previously
-undergone in commencing his reports of
-Parliamentary proceedings. As a former student,
-Wakley attended the lectures, and, like other students,
-was seen to take occasional notes. Cooper could not,
-however, bring the charge home till he hit upon the
-device of calling at midnight at his lodgings, and
-asking to see the “doctor” upon urgent medical
-business, when he surprised him red-handed correcting
-a proof-sheet of a lecture. The discovery was so
-sudden and so undeniable that neither could refrain
-from laughter; and eventually Cooper, not ill-humouredly,
-offered to allow his lectures to appear if
-the proofs were first sent him for revision. Consequently,
-Cooper, though often criticised in the <cite>Lancet</cite>,
-never received a nickname, as did most of the other
-medical celebrities of the day. For instance, Brodie
-was known as the “little eminent;” Earle, the “cock
-sparrow;” Mayo, the “owl;” and Halford, the “eel-backed.”</p>
-
-<p>The <cite>Lancet</cite>, for many years, was hated by that
-part of the profession interested in vested rights, and
-eagerly patronised by general surgeons and students.<span class="pagenum"><a id="Page_342">342</a></span>
-The language of the <cite>Lancet</cite> was as violent as the many
-abuses it attacked could justify; and Cobbett, who
-was a friend and adviser of Wakley’s, was adopted as
-a model, while a barrister, named Keen, used to join
-the party on printing nights to see that the free
-strictures were not legally liable as libels. An active,
-though unpaid, member of the staff, was Lawrence,
-who, however, forsook his reforming principles when
-once he became a placeman, and was succeeded by
-Wardrop, whose scurrility, wit, and venom did much
-in giving the <cite>Lancet</cite> a lasting reputation for raciness of
-style and satirical power. They were shortly afterwards
-joined by Mr. J.&nbsp;F. Clarke, who edited the
-periodical for upwards of forty years, and to whose
-amusing and graphic autobiography we are indebted
-for much of the preceding details. The success of the
-<cite>Lancet</cite> soon enabled Wakley to enter Parliament as a
-representative of Finsbury, and he actually combined
-together the work of the legislator, the coroner, and the
-editor, often toiling unremittingly for eighteen consecutive
-hours.</p>
-
-<p>By the time the <cite>Lancet</cite> was thus firmly established,
-Churchill, long out of his apprenticeship, had commenced
-medical publishing on his own account; and
-from his famous shop, in New Burlington Street, issued
-most of the standard works upon the subject; and, encouraged
-by the success of the <cite>Lancet</cite>, he determined
-to make his establishment the centre of periodical, as
-well as more permanent, medical literature. In 1836,
-was started therefrom the <cite>British and Foreign Medical
-Review</cite>, conducted first by J. Forbes, and afterwards
-by J.&nbsp;C. Conolly. In 1848, it was merged into the
-<cite>Medico-Chirurgical Review</cite>, which, from 1824 to 1847,<span class="pagenum"><a id="Page_343">343</a></span>
-had been under the editorship of H.&nbsp;J. Johnson. These
-two were now amalgamated into the <cite>British and
-Foreign Medico-Chirurgical Review</cite>, which, dating from
-Churchill’s establishment, has acquired a professional
-standing equal to that of the <cite>Edinburgh</cite> and <cite>Quarterly
-Reviews</cite> in more general criticism. In 1839, appeared
-the first number of the <cite>Medical Times and Gazette</cite>,
-which, under the editorial care of T.&nbsp;P. Healey, and
-subsequently of J.&nbsp;L. Bushman, has found a very large
-and influential <i xml:lang="fr" lang="fr">clientèle</i>.</p>
-
-<p>The medical writers have at present something in
-common with the early authors. Their works bring
-them in more remuneration through eventual patronage
-than from habitual sale, but their patronage is
-that of all the great public, who are waiting to have
-their ailments cured. As an instance of the way in
-which literature may improve the position of a medical
-man, it is stated by Mr. W. Clarke that, through
-Elliotson’s clinical reports in the <cite>Lancet</cite>, his income
-was raised, in one year, from £500 to £5000. And
-yet, on the other hand, when he openly gave in his adherence
-to the newly-imported doctrine of mesmerism,
-his large public and private practice almost entirely
-deserted him; and as the legitimate organs were closed
-to one so abandoned as even to experiment in “the
-unknown,” he started a medico-mesmeric journal of
-his own, the <cite>Zoist</cite>, which was, of course, not published
-by Mr. Churchill.</p>
-
-<p>There is necessarily the same want of general interest
-in medical as in legal bibliography; and, as in the
-latter case, works more popularly known were almost
-invariably published by the usual popular publishers.
-For instance, Dr. Buchan’s “Domestic Medicine”&mdash;probably<span class="pagenum"><a id="Page_344">344</a></span>
-the most profitable medical book ever written
-(but not to the author, as he sold the copyright for
-five pounds), after being re-written by Smellie&mdash;was
-issued in 1770, by the ordinary booksellers. During
-the author’s lifetime, nineteen editions, each of five
-thousand, were published, and the volume was translated
-into all the modern languages.</p>
-
-<p>If Mr. Churchill’s catalogue can show no book with
-a popularity like this, it displays many which, appealing
-only to a class audience, and necessarily obliged to
-keep pace with the discoveries of the day, have at once
-retained their high price and yet reached the honour of
-numerous editions.</p>
-
-<p>It is probably owing chiefly to this fact of an incessant
-demand by a large section of, at all events, one
-branch of students, that technical publishing has
-proved so remunerative, and has escaped, in a great
-degree, the risk attached to other departments of the
-trade.</p>
-
-<p>At the close of the year 1870, Mr. Churchill resolved
-to give up the active management of his large business,
-and issued a farewell circular to the trade:
-“After fifty-five years’ active and immediate association
-with your profession, I see it my duty to retire
-into private life. Be my future days few or many, I
-shall ever retain a lively sense of the many friendships
-I have formed, and of the unvarying proofs of confidence
-and regard shown to me through so long a series
-of years. My pathway of life has been a happy one,
-bringing me into daily correspondence with the <i xml:lang="fr" lang="fr">élite</i> of
-the profession, and united with them in promoting the
-interests of science and literature, while the success of
-my many publications has both gratified and amply<span class="pagenum"><a id="Page_345">345</a></span>
-rewarded my exertions. My sons, John and Augustus
-Churchill, have been eight years associated with me. I
-may be influenced by a father’s feelings, but I believe
-I can honestly state that, by education, earnest purpose
-in the fulfilment of duty, a high sense of integrity
-guiding and regulating their transactions, they will be
-found worthy of your confidence, and thus maintain
-the character of the house whose reputation and business
-transactions have extended to all parts of the
-world.” To this honest expression of well-earned business
-contentment, we can only add our wishes that Mr.
-Churchill’s years of retirement may be as happy as his
-years of toil have been useful and beneficial.</p>
-
-<p>Among other technical publishers, Mr. Henry
-Laurie, whose house dates from the commencement of
-English hydrography, and whose numerous publications
-are known wherever English navigation has extended,
-requires at least a mention here. The oldest
-existing house of this nature, but one, in Europe
-(Gerard Hulst Van Keulen &amp; Co., of Amsterdam,
-being the exception), it was founded by R. Sayer, at
-the “Golden Busk” (53, Fleet Street), in conjunction
-with John Senex, the well-known cosmographer. Here
-Cook’s original charts were issued; and it says something
-for his accuracy that his “Survey of the South
-Coast of Newfoundland” has not yet been superseded.
-On Sayer’s death, the business was relinquished to
-Robert Laurie and James Whittle, and, in 1812, the
-former was succeeded by his son, R.&nbsp;H. Laurie, who,
-on the death of Whittle, became sole proprietor. In
-a short time, the business extended to the production
-of illustrations of all descriptions, whilst the maps produced,
-under the care of De la Rochette, John Purdy,<span class="pagenum"><a id="Page_346">346</a></span>
-and Mr. Findlay, still retained their pre-eminence;
-the business was, however, again restricted to hydrography.
-R.&nbsp;H. Laurie died as recently as January
-19, 1858, leaving two daughters, and the establishment
-was continued under the direction of his sole executor,
-Mr. Findlay.</p>
-
-<div id="if_i_346" class="figcenter" style="width: 189px;">
- <img src="images/i_346.jpg" width="189" height="117" alt="" /></div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_347">347</a></span></p>
-
-<div class="chapter">
-<div id="if_i_347" class="figcenter" style="width: 354px;">
- <img id="hdr_10" src="images/i_347.jpg" width="354" height="83" alt="" /></div>
-
-<h2 class="nobreak"><i>EDWARD MOXON</i>:<br />
-
-<span class="subhead">POETICAL LITERATURE.</span></h2>
-</div>
-
-<p class="drop-cap al"><span class="smcap1">After</span> Dodsley’s death, though poetry was at
-times far from being an unprofitable speculation,
-the publishers seem to have shunned it as a speciality;
-and, accordingly, a Constable, a Murray, and a
-Longman, though gathering large incomes from the
-sale of the works of some one or two great poets, placed
-their main reliance upon the prose compositions that
-administered to either the pleasure or the necessities
-of their public.</p>
-
-<p>For a time, Taylor and Hessey almost adopted
-poetical publications as the mainstay of their business;
-and in their generous encouragement of Keats, and
-others of lesser note, including Clare, are to be gratefully
-remembered; but their trade-life as poetical
-publishers was brief, and it remained for Edward
-Moxon to identify his name with all the best poetry
-of the period in which he lived, to a greater extent
-than any previous bookseller at any time whatsoever.</p>
-
-<p>Edward Moxon, not unlike some others of his craft,
-began life with strong literary aspirations. His warm
-admiration for genius, his hearty good-fellowship, and<span class="pagenum"><a id="Page_348">348</a></span>
-his longings for a literary career, brought him into
-contact with some of the greatest writers of the day,
-and attracted their support and friendship. As early
-as 1824 he was made a welcome member of the
-brilliant circle that owned Charles Lamb as its chief,
-and to be a <i xml:lang="fr" lang="fr">protégé</i> of Lamb’s was a passport
-into all literary society. In 1826, he published his
-first volume, “The Prospect; and other Poems;” and
-his friends received it with all possible kindness, as,
-perhaps, containing germs of something better. Even
-Wordsworth, usually very niggard of praise, wrote
-him a letter of encouragement&mdash;and warning:&mdash;“Fix
-your eye upon acquiring independence by an honourable
-business, and let the Muse come after rather than
-go before.” But advice of this nature, even when
-given with the practical illustrations that Wordsworth’s
-own career might have furnished, had little likelihood
-of being accepted by a young and impetuous poetaster;
-and in 1829 we find Moxon launching another venture
-on the world&mdash;“Christmas, a poem”&mdash;to be as coldly
-received by the “general public” as the former.
-What, however, the advice of a veteran poet could
-not effect, a stronger power was able to accomplish.</p>
-
-<p>During Lamb’s residence at Enfield, their acquaintance
-ripened into a very frequent intercourse, and
-eventually resulted in Moxon’s engagement to a young
-lady who spent most of her time under the protection
-of Lamb and his sister. Lamb had met Miss Isola
-some years before at Cambridge, and had taken so
-much interest in the little orphan girl, who was then
-living with her grandfather&mdash;an Italian refugee, and a
-teacher of languages&mdash;that by degrees he came to be
-looked upon as almost a natural guardian. Marriage,
-however, was out of the question until her lover had<span class="pagenum"><a id="Page_349">349</a></span>
-some more substantial manner of livelihood than the
-cultivation of the Muse seemed ever likely to afford
-him. In this strait, Rogers came forward and generously
-offered to start him in life as a publisher, and,
-with the goal of matrimony in view, the offer was
-eagerly accepted.</p>
-
-<p>Accordingly, in 1830, Moxon opened a small publishing
-shop at 34, New Bond Street. The first
-volume he issued was “Charles Lamb’s Album Verses,”
-and the dedication sufficiently explains its <span class="locked">purpose:&mdash;</span></p>
-
-<blockquote>
-
-<p>“<span class="smcap">Dear Moxon</span>,&mdash;I do not know to whom a Dedication
-of these trifles is more properly due than to
-yourself: you suggested the printing of them&mdash;you
-were desirous of exhibiting a specimen of the <em>manner</em>
-in which the publications entrusted to your future
-care would appear. With more propriety, perhaps,
-the ‘Christmas,’ or some of your own simple, unpretending
-compositions, might have served this purpose.
-But I forget&mdash;you have bid a long adieu to the Muse
-... it is not for me nor you to allude in public to the
-kindness of our honoured friend, under whose auspices
-you are becoming a bookseller. May this fine-minded
-veteran in verse enjoy life long enough to see his
-patronage justified. I venture to predict that your
-habits of industry, and your cheerful spirit, will carry
-you through the world.</p>
-
-<p>“<span class="smcap">Enfield</span>, 1st June, 1830.”</p></blockquote>
-
-<p>An unfavourable notice of these “Album Verses”
-appeared in the <cite>Literary Gazette</cite>; but Lamb was too
-well loved to lack defenders, and some verses in
-reply, by Southey, were soon afterwards inserted in
-the <cite>Times</cite>.</p>
-
-<p>In the following year the <cite>Englishman’s Magazine</cite><span class="pagenum"><a id="Page_350">350</a></span>
-came into Moxon’s hands, and to its pages Elia lent
-the charm of his pen. Although it only lasted from
-April till October, its columns still present us with
-matter of literary interest. In the same number we
-find a sonnet signed “A. Tennyson,” and a very
-long review upon “Poems, chiefly Lyrical, by Alfred
-Tennyson,” written by his friend Arthur H. Hallam.
-This was almost Mr. Tennyson’s first avowed appearance
-in public; and as Mr. Moxon’s name was so
-intimately associated with the poet’s future works, we
-may be allowed to go back for a moment. In 1827
-a little duodecimo volume of 240 pages, entitled
-“Poems, by Two Brothers,” was published by J. and
-J. Jackson, Market Place, Louth; and the “two
-brothers” were Charles and Alfred Tennyson, the
-latter being only seventeen years of age. In 1829
-Mr. Tennyson gained the Chancellor’s gold medal
-at Cambridge for a prize poem on “Timbuctoo,” his
-friend Hallam being also one of the competitors.
-The prize poem was printed with his name, and, a
-thing quite unprecedented, was noticed at length in
-the <cite>Athenæum</cite>, as indicating “really first-rate poetical
-genius, and which would have done honour to any
-man that ever wrote.... How many men have lived
-for a century who could equal this?” In the following
-year, 1830, appeared the “Poems, chiefly Lyrical, by
-Alfred Tennyson;” London: Effingham Wilson,
-Royal Exchange, 1830 (pp. 154); and it was these,
-of course, which were reviewed by Hallam in the
-<cite>Englishman’s Magazine</cite>. In the course of a very long
-notice, the writer says:&mdash;“The features of original
-genius are clearly and strongly marked. The author
-imitates nobody; we recognise the spirit of the age,
-but not the individual pen of this or that writer....<span class="pagenum"><a id="Page_351">351</a></span>
-In presenting the young poet to the public as one not
-studious of instant popularity, and unlikely to attain it
-... we have spoken in good faith, commending the
-volume to feeling hearts and imaginative tempers.”
-Even before this review, deeply interesting when we
-remember what a loving and loved friend he was who
-wrote it, the little volume was noticed in the <cite>Westminster
-Review</cite> by, it is believed, Mr. John Stuart
-Mill, as demonstrating “the possession of powers,
-to the future direction of which we look with some
-anxiety. He has shown, in the lines from which we
-quote, his own just conception of the grandeur of a
-poet’s calling; and we look to him for its fulfilment.”
-Encouragement such as this led Moxon to publish a
-further volume of Mr. Tennyson’s poems in 1833, and
-the connection thus commenced lasted throughout his
-lifetime. In a letter addressed to him by Wordsworth,
-as a northern correspondent in the book-market,
-there is intelligence, neither pleasant for a veteran
-poet to indite, nor for a young publisher to receive:&mdash;“There
-does not seem to be much genuine relish for
-poetical publications in Cumberland, if I may judge
-from the fact of not a copy of my poems having been
-sold there by one of the leading booksellers, though
-Cumberland is my native county.” In this same year,
-too, Moxon published, for the first time, a collected
-edition of the “Last Essays of Elia;” but before this
-time he proved, by his attention to his business, that he
-was worthy of Miss Isola’s hand. Lamb’s letters to
-Moxon, in the few weeks preceding the marriage, are
-in his happiest, most delicately-bantering style&mdash;for
-instance: “For God’s sake give Emma no more
-watches&mdash;<em>one</em> has turned her head. She is arrogant
-and insulting. She said something very unpleasant<span class="pagenum"><a id="Page_352">352</a></span>
-to our old clock in the passage, as if he did not keep
-time, and yet he had made her no appointment. She
-takes it out every moment to look at the minute hand.
-She lugs us out into the field, because there the bird-boys
-cry out&mdash;‘You, pray, sir, can you tell us the
-time?’ and she answers them punctually. She loses
-all her time looking to see what the time is! I heard
-her whispering just now&mdash;‘so many hours, minutes,
-&amp;c., to Tuesday; I think St. George’s goes too slow.’...
-She has spoilt some of the movements. Between
-ourselves, she has kissed away the ‘half-past twelve,’
-which I suppose to be the canonical hour in Hanover
-Square.” On the 30th July they were married.
-Lamb, as long as he lived, regarded them with almost
-paternal affection, and, at his death, left Moxon his
-treasured collection of books.</p>
-
-<p>Meanwhile the illustrated edition of Rogers’s
-“Italy” was in preparation, and with a view to its
-publication Moxon moved to Dover Street, Piccadilly.</p>
-
-<p>Rogers spared no cost in the production of what
-was intended to be the most beautifully illustrated
-volume that had ever been published. £10,000 was
-spent on the illustrations and the engraving of them.
-There were fifty-six engravings in all by Turner,
-Stothard, and other eminent artists. Turner was to
-have received fifty pounds apiece for his drawings,
-but at one time the whole speculation threatened to
-turn out a failure, and he then offered the bard the
-use of them for five pounds each instead. To match
-this luxurious volume the illustrated edition of Rogers’s
-“Poems” was brought out, at a further cost of £5000,
-with seventy-two engravings by Turner, Stothard,
-Landseer, Eastlake, &amp;c., and, in spite of the enormous
-outlay on the two works, their increasing popularity<span class="pagenum"><a id="Page_353">353</a></span>
-must have recouped the poet, for upwards of 50,000
-copies are said to have been sold before the year
-1847. Moxon was always proud of the share he had
-taken in the production of these works. All the
-volumes he issued were indeed remarkable for the
-beautiful manner in which they were “got up,” and
-in 1835 he published such an exquisite edition of his
-own sonnets that the beauty of this dandy of a book
-enraged and alarmed a writer in the <cite>Quarterly</cite>:&mdash;“Its
-typographical splendours led us to fear that this
-style of writing was getting into fashion,” but fortunately
-for the reviewer’s peace of mind he discovered
-“that Mr. Moxon the bookseller is his own poet, and
-that Mr. Moxon the poet is his own bookseller....
-The necessity of obtaining an imprimatur of a publisher
-is a very wholesome restraint, from which Mr.
-Moxon&mdash;unluckily for himself and for us&mdash;found
-himself relieved.” Surely after a notice like this&mdash;indeed
-we have only quoted the kindlier portion, for
-often as publishers din the unsaleable nature of the
-drug poetry into the ears of young writers, the charm
-of retorting upon a bookseller seldom falls so temptingly
-before an author.&mdash;Moxon must have regretted
-that he did not cleave to a promise, held out in his
-first essay in 1826:&mdash;</p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“You’ll hear no more from me,<br /></span>
-<span class="i2">If critics prove unkind;<br /></span>
-<span class="i0">My next in simple prose must be;<br /></span>
-<span class="i2">Unless I favour find.”<br /></span>
-</div></div>
-</div>
-
-<p>This will perhaps suffice as a specimen of the
-productions of Moxon’s muse, though the first lines
-in the volume, a “Sonnet to a Nightingale,” are inviting.
-They had been the cause of much pleasantry
-among the author’s friends, as having been penned<span class="pagenum"><a id="Page_354">354</a></span>
-by one who had never heard the song of the bird to
-which they were addressed, and the internal evidence
-upon this point is indubitably strong; the sonnet perhaps,
-to state it in proportion, is to Keats’s “Ode to
-the Nightingale,” as the owl’s screeching “too-whit” to
-“Sweet quired Philomela.”</p>
-
-<p>By this time, however, Moxon, in spite of his bad
-poetry, had made a wide reputation as a poetical
-publisher, and from his establishment was issued, not
-only all that was most valuable of contemporary
-poetical literature, but with true catholic taste, the
-works of our older dramatic poets, edited for the most
-part by the Rev. Alexander Dyce. By degrees, too,
-Moxon was enabled to add to his catalogue the
-works of many of the poets who had shed a lustre
-upon the two first decades of this century, especially
-the works of Keats, Shelley, and Leigh Hunt.</p>
-
-<p>In 1839 he brought out Mrs. Shelley’s edition of
-her husband’s poems&mdash;the first “complete edition”
-that had been published. In the following year a
-bookseller in the Strand named Hetherington was
-indicted for selling a work entitled “Haslam’s Letters
-to the Clergy of all Denominations,” and was
-sentenced to four months’ imprisonment, as having
-published in this volume sundry “libels” against the
-Old Testament. While the trial was pending,
-Hetherington commissioned a servant of his, named
-Holt, to purchase copies of “Shelley’s Poems” from
-the publisher, and from the retail dealers, and then
-obtained a similar indictment against Moxon. The
-celebrated trial the “Queen <i>v.</i> Moxon” was of course
-the result. The prosecution relied chiefly upon certain
-passages in “Queen Mab,” more especially in
-the notes, and these were read in order to prove the<span class="pagenum"><a id="Page_355">355</a></span>
-charge of blasphemy. Mr. Serjeant Talfourd was
-engaged for the defence. “I am called,” he commenced,
-“from the bar in which I usually practise, to
-defend from the odious charge of blasphemy one with
-whom I have been acquainted for many years&mdash;one
-whom I have always believed incapable of wilful
-offence towards God or towards man&mdash;one who was
-introduced to me in early days, by the dearest of my
-friends who has gone before&mdash;by Charles Lamb&mdash;to
-whom the wife of the defendant was an adopted
-daughter.” After a magnificent oration in which he
-asked, with a fitting indignation, “if the publisher of
-any penny blasphemy is to have the right of prescribing
-to us legally that such and such pages are to
-be torn from the treasured volumes of our choicest
-literature,” he left in the hands of the jury “the
-cause of genius&mdash;the cause of learning&mdash;the cause of
-history&mdash;the cause of thought,” and concluded by a
-tribute to Moxon’s character&mdash;“beginning his career
-under the auspices of Rogers, the eldest of a great
-age of poets, and blessed with the continued support
-of that excellent person, who never broke by one unworthy
-line the charm of moral grace which pervades
-his works, he has been associated with Lamb, whose
-kindness ennobled all sects, all parties, all classes,
-and whose genius shed new and pleasant lights on
-daily life; with Southey, the pure and childlike in
-heart; with Coleridge, in the light of whose Christian
-philosophy the indicted poems would assume their
-true character, as mournful, yet salutary, specimens of
-powers developed imperfectly in this world; and with
-Wordsworth, whose works, so long neglected and
-scorned, but so long silently nurturing tastes for the
-lofty and the pure, it has been Mr. Moxon’s privilege<span class="pagenum"><a id="Page_356">356</a></span>
-to diffuse largely throughout this and other lands,
-and with them the sympathies which link the human
-heart to nature and to God, and all classes of mankind
-to each other.” Lord Denman, before whom
-the case was tried, instructed the jury, in his summing
-up, to administer the law as it undoubtedly stood,
-though he himself was of opinion that the best and
-most effectual method of acting in regard to such
-doctrines was to refute them by argument and reasoning
-rather than by persecution. The jury accordingly
-returned a verdict of guilty, unaccompanied by
-any observation whatsoever. The illegal passages
-were eliminated for a time; and thus the matter
-ended. The trial took place in June, 1841, at a
-time when Moxon was in great sorrow for the loss of
-his eldest son, and much sympathy was exhibited
-towards him.</p>
-
-<p>Shelley’s name, however, was designed to be associated
-with further publishing vexations. In 1852,
-Moxon issued a volume entitled “Letters of P.&nbsp;B.
-Shelley,” with an introductory essay by Mr. Robert
-Browning. The usual presentation copies were sent
-to the papers, the “Letters” were generally noticed as
-being essentially characteristic, but the discretion
-shown in printing them was much questioned. Naturally
-Mr. Browning’s essay attracted a large share of
-attention, though consisting of but forty-four pages, for it
-is his only acknowledged prose work (why, by the way,
-has it never been reprinted?). He describes Shelley
-as a man “true, simple-hearted, and brave; and because
-what he acted corresponded to what he knew,
-so I call him a man of religious mind, because every
-audacious negative cast up by him against the Divinity
-was interpreted with a mood of reverence and adoration.”<span class="pagenum"><a id="Page_357">357</a></span>
-An early copy of the volume was sent to Mr.
-Tennyson, and Mr. Palgrave, who was then paying
-him a visit, turned over its pages until he came to a
-passage in a letter which he at once recognised (with
-a most dutiful and filial remembrance), as a portion of
-an article upon “Florence,” which Sir Francis Palgrave
-had contributed to the <cite>Quarterly Review</cite>. He
-immediately communicated with his father, who, after
-comparing the printed letter with the printed article,
-wrote to Moxon and informed him that this letter
-was cribbed bodily from the <cite>Quarterly Review</cite>.
-Moxon replied that the original was in Shelley’s
-handwriting and that it bore, moreover, the proper
-dated postmark. Even the experts pronounced the
-letters genuine, and the detectives were then set to work&mdash;the
-book having, of course, been immediately withdrawn
-from publication. The MSS., which had been
-bought at public auction, were traced to Mr. White, a
-bookseller in Pall Mall. He alleged that in 1848, two
-women began to bring him letters of Byron’s for sale,
-at first in driblets and impelled by poverty, they then
-offered him other letters by Shelley, and books with
-Byron’s autograph and MS. notes. His suspicions
-were aroused, he followed them home, and insisted
-upon seeing the real owner of the letters. This person
-was introduced to him as Mr. G. Byron, a son of the
-poet, and thus he thought the mystery satisfactorily
-explained. He then sold the letters relating more
-purely to family matters to Shelley’s relatives; Murray
-became the eventual purchaser of Byron’s, and Moxon
-of Shelley’s letters&mdash;and Murray, who only had his
-volume in the press, at once stopped it. The letters
-are now believed to have been the forgeries by G.
-Byron, and are indeed indexed under his name in the<span class="pagenum"><a id="Page_358">358</a></span>
-British Museum Catalogue. The system upon which
-he had obtained money for them appears to have
-been very extensive and well organised, and as some
-few were probably genuine, and others based upon a
-substratum of truth, the difficulty of judging those
-which in various ways have got into print, was extreme.
-Altogether, this is one of the most notable literary
-forgeries of modern times.</p>
-
-<p>To return, however, to Moxon, we find that in 1835,
-conjointly with Longman, he published Wordsworth’s
-“Yarrow Revisited,” and shortly after this the poet
-transferred all his works from the Messrs. Longman,
-and we believe that Moxon purchased the copyrights
-of the past poems for the sum of one thousand pounds.</p>
-
-<p>Mr. Browning’s earlier volumes, like Mr. Tennyson’s
-“Lyrical Poems,” had been published by Effingham
-Wilson, but in 1840 Moxon issued “Sordello.” This
-was followed by “Bells and Pomegranates,” published
-in numbers between 1842 and 1845, and by a “Blot
-in the Scutcheon,” (acted at Drury Lane in 1843),
-and which, though unsuccessful on the stage, was in
-the opinion of Charles Dickens “the finest poem of
-the century.” In 1848, however, Mr. Browning removed
-his works to the care of Messrs. Chapman
-and Hall.</p>
-
-<p>Among the other authors whose productions were
-issued by Moxon somewhere at this period, and whom
-we cannot do more than mention, were Talfourd, Monkton
-Milnes (Lord Houghton), Tom Hood, Barry Cornwall
-(Proctor), Sheridan Knowles (who was by turn
-an usher, a journalist, a dramatic poet, and a dissenting
-minister), Quillinan (whose works Landor wittily,
-though unjustly, described as Quillinanities), Mr.
-Browning (for a brief period only), Haydn, and Dana.</p>
-
-<p><span class="pagenum"><a id="Page_359">359</a></span>
-Mr. Tennyson had been silent for ten years, had been
-maturing his talents, been mourning for the death of
-his friend Hallam, and probably during the whole of
-this time not a thousand copies of his poems had been
-sold. But he was already acknowledged as one of
-our greatest living poets by a small and ardent band
-of admirers, and in 1842 he was induced to break his
-long silence and publish an edition of his poems in
-two volumes, of which the second was composed entirely
-of new pieces, and in the first some were new,
-and many had been re-written. By this time his
-success was publicly and generally acknowledged, and
-fresh editions were called for in 1843, 1845, 1847, and
-from that date in still more rapid succession. The beauty
-and purity of his poems attracted royal favour, and in
-1846 he received a pension from the crown, and this
-unfortunately gave offence to some rivals in the divine
-art, and Lord Lytton in the “New Timon” attacked
-“Schoolmiss Alfred.” To this Mr. Tennyson replied
-by a poem published in <cite>Punch</cite> (February,
-1846), which may be summed up in the two words,
-“Thou bandbox.” In 1843, Wordsworth, in a letter
-to Reed, says, “I saw Tennyson when I was in
-London several times. He is decidedly the first of
-our living poets (<i xml:lang="la" lang="la">sic</i>), and I hope will live to give the
-world still better things. You will be pleased to hear
-that he expressed, in the strongest terms, his gratitude
-to my writings. To this I was far from indifferent,
-though persuaded that he is not much in sympathy
-with what I should myself most value in my attempts,
-viz., the spirituality with which I have endeavoured
-to invest the material universe, and the moral relations
-under which I have wished to exhibit its most
-ordinary appearances.” Again, in 1848, Mr. Emerson,<span class="pagenum"><a id="Page_360">360</a></span>
-in describing a visit to Wordsworth, says, “Tennyson,
-he thinks, a right poetic genius, though with some
-affectation. He had thought an elder brother of
-Tennyson at first the better poet, but must now
-reckon Alfred the true one.”</p>
-
-<p>When Wordsworth died in 1850, the laureateship was
-offered to Mr. Rogers, and the letter conveying the
-offer was written by Prince Albert. The poet, however,
-was now eighty-seven years of age, and he felt
-that his years and his wealth should prevent him
-from interfering with the claims of younger and poorer
-men, and he generously felt impelled to decline the
-honour, which was then conferred upon Mr. Tennyson,
-who received, as he says so beautifully, in reference to
-Wordsworth, the</p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“Laurel, greener from the brows<br /></span>
-<span class="i0">Of him who uttered nothing base.”<br /></span>
-</div></div>
-</div>
-
-<p class="in0">Before this, however, the “Princess” and “In Memoriam”
-had appeared. For a time Mr. Tennyson was again
-silent, breaking his silence only by four poems contributed
-to the <cite>Examiner</cite>, and by the “Ode on the
-Death of the Duke of Wellington” (Moxon, 1852).
-One of the four poems in the <cite>Examiner</cite>, however, was
-“The Charge of the Light Brigade,” and of this
-Moxon published a quarto sheet of four pages.&mdash;“Having
-heard that the brave soldiers before
-Sebastopol, whom I am proud to call my countrymen,
-have a liking for my ballad on the ‘Charge of
-the Light Brigade’ at Balaclava, I have ordered a
-thousand copies of it to be printed for them.&mdash;<span class="smcap">Alfred
-Tennyson.</span>”<a id="FNanchor_26" href="#Footnote_26" class="fnanchor">26</a></p>
-
-<p><span class="pagenum"><a id="Page_361">361</a></span>
-In 1855 appeared another poem resulting from the
-war&mdash;“Maud,” one of the most beautiful and least
-understood of all Mr. Tennyson’s compositions.</p>
-
-<p>On the 3rd of June, 1858, Edward Moxon died,
-having, as a publisher, earned the esteem of all his
-clients and the gratitude of all the public. What his
-services to literature have been the names comprised
-in his catalogues bear ample witness. Truly Lamb’s
-dedicatory prophecy had been amply fulfilled! On
-his death the immediate management of the firm
-devolved upon Mr. J. Bertrand Payne, and under his
-rule the business was distinguished rather for the
-energy with which the already published works were
-pushed forward than for any encouragement held out
-to acknowledged genius. Mr. Payne himself undertook
-the superintendence of the “Moxon’s Miniature
-Series,” and, as soon as the “Idylls of the King” had
-been published, of the luxurious edition of them illustrated
-by that extraordinary genius, M. Gustave Doré.
-There was one exception to his lack of enterprise.
-In 1861 Mr. Pickering published the “Queen Mother”
-and “Rosamond,” two plays by Mr. Swinburne, then
-a young man of eighteen. Except in the case of a
-condemnatory notice in the <cite>Athenæum</cite> these poems
-attracted little or no attention; but in 1865 “Moxon
-and Son” published the “Atalanta in Calydon,”
-which at once marked out the author as the most
-musical, and one of the greatest, of our living singers.
-It was at all events pretty generally acknowledged
-that for true poetic inspiration, momentary if it were,
-no poet of our generation could rival Mr. Swinburne.
-This opinion was still further strengthened by the
-publication of “Chastelard,” in 1866. When, however
-the “Poems and Ballads” appeared, they were<span class="pagenum"><a id="Page_362">362</a></span>
-met by such a whirlwind of abuse from critics, whose
-professional morality was supposed to have been
-shame-stricken, that the publishers explained that
-they were unaware of the nature of the poems they
-had laid before the public, and suppressed the edition
-before it got into circulation. As a consequence the
-few copies that had been sold were eagerly sought at
-a price of five guineas, and the volume was speedily
-republished in America. In this strait, Mr. J. Camden
-Hotten came forward, and to him Mr. Swinburne confided
-all his hitherto published poems, including the
-much-abused and also much-praised “Poems and
-Ballads.” His latest works, however, “The Ode to
-the French Republic,” and the “Songs before Sunrise,”
-have been issued by Mr. Ellis, who as the publisher
-of Mr. Morris, Mr. Swinburne, and Mr. Rossetti, bids
-fair to occupy the position so long and so honourably
-occupied by Moxon as a distinctively poetical publisher.</p>
-
-<p>Before this Mr. Tennyson had removed his copyrights
-to the care of Mr. Strahan, and though in 1869
-Mr. Arthur Moxon was admitted a member of the
-firm, the old glory had departed from them; and in
-the summer of the year 1871 the whole business was
-transferred to Messrs. Ward, Lock, and Tyler, and
-Mr. Beeton was appointed manager; the house in
-Dover Street was no longer retained, though Mr. Arthur
-Moxon’s services have been secured to superintend
-the business department. The first volume issued
-under the new régime&mdash;the “Sonnets” of Edward
-Moxon&mdash;is a timely tribute to the founder of the
-famous house. We could not, perhaps, give him
-higher praise than in saying that he was as good as a
-publisher as he was indifferent as a poet.</p>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_363">363</a></span></p>
-
-<div class="chapter">
-<div id="if_i_363" class="figcenter" style="width: 356px;">
- <img id="hdr_11" src="images/i_363.jpg" width="356" height="85" alt="" /></div>
-
-<h2 class="nobreak"><i>KELLY AND VIRTUE</i>:<br />
-
-<span class="subhead">THE “NUMBER” TRADE.</span></h2>
-</div>
-
-<p class="drop-cap"><span class="smcap1">The</span> “Number Publishers” may be looked upon
-as the modern pioneers of literature; their
-books are circulated by a peculiar method, among a
-peculiar public, almost entirely through the agency of
-their own canvassers, without the intervention of any
-other bookseller, and the works thus sold are scarcely
-known to the ordinary members of the publishing
-world. As the business is conducted by house to
-house visitation, a substratum of the public is reached
-which is entirely out of the stretch of the regular
-bookselling arm, though, when once a taste for reading
-has been developed, the regular bookseller cannot fail
-to benefit, as he will from every onward step in education
-and progress.</p>
-
-<p>The <cite>Canvassing Trade</cite> is conducted by only a few
-houses in London, Edinburgh, and Glasgow. In our
-introductory chapter we caught a glimpse of some of
-the earlier members, but in modern times two names&mdash;Kelly,
-and, in a much broader sense, Virtue&mdash;stand
-forward prominently, and to these two we shall
-address ourselves.</p>
-
-<p><span class="pagenum"><a id="Page_364">364</a></span>
-Thomas Kelly<a id="FNanchor_27" href="#Footnote_27" class="fnanchor">27</a> was born at Chevening, in Kent, on
-the 7th of January, 1777. His father was a shepherd,
-who, having received a jointure of £200 with his wife,
-risked the capital first in a little country inn, and
-afterwards in leasing a small farm of about thirty
-acres of cold, wet land, where he led a starving,
-struggling life during the remainder of his days.
-When only twelve years old, barely able to read and
-write, young Kelly was taken from school, and put to
-the hard work of the farm, leading the team or keeping
-the flock, but he was not strong enough to handle
-the plough. The fatigue of this life, and its misery,
-were so vividly impressed upon his memory, that he
-could never be persuaded to revisit the neighbourhood
-in after-life; and though at the time he endeavoured
-to conceal his feelings from his family, the bitterness
-of his reflections involuntarily betrayed his wishes.
-He fretted in the daytime until he could not lie
-quietly in his bed at night, and early one morning he
-was discovered in a somnambulant state in the chimney
-of an empty bedroom, “on,” as he said, “his road to
-London.” After this his parents readily consented
-that he should try to make his way elsewhere, and a
-situation was obtained for him in the counting-house
-of a Lambeth brewer. After about three years’ service
-here, the business failed, and he was recommended to
-Alexander Hogg, bookseller of Paternoster Row. The
-terms of his engagement were those of an ordinary
-domestic servant; he was to board and lodge on the
-premises, and to receive ten pounds yearly, but his
-lodging, or, at all events, his bed, was under the shop
-counter.</p>
-
-<p><span class="pagenum"><a id="Page_365">365</a></span>
-Alexander Hogg, of 16, Paternoster Row, had been
-a journeyman to Cooke, and had very successfully
-followed the publication of “Number” books. In the
-trade he was looked upon as an unequalled “puffer,”
-and when the sale of a book began to slacken, he was
-wont to employ some ingenious scribe to draw up a
-taking title, and the work, though otherwise unaltered,
-was brought out in a “new edition,” as, according to
-a formula, the “Production of a Society of Gentlemen:
-the whole revised, corrected, and improved by Walter
-Thornton, Esq., A.M., and other gentlemen.”</p>
-
-<p>Kelly’s duties were to make up parcels of books for
-the retail booksellers, and his zeal displayed itself
-even in somnambulism, and one night when in a
-comatose state, he actually arranged in order the
-eighty numbers of “Foxe’s Martyrs,” taken from as
-many different compartments. He spent all his
-leisure in study, and soon was able to read French
-with fluency, gaining the proper accent by attending
-the French Protestant church in Threadneedle Street.
-The good old housekeeper, at this time his only friend,
-was a partaker of his studies; at all events, he gave
-her the benefit of all the more amusing and interesting
-matter he came across. His activity, though it
-rendered the head-shopman jealous, attracted Hogg’s
-favourable attention, and the clever discovery of a
-batch of stolen works, still further strengthened the
-interest he felt in his serving boy. The thieves,
-owing to the lad’s ingenuity, were apprehended and
-convicted, and Kelly had to come forward as a witness.
-“This was my first appearance at the Old Bailey, and
-as I was fearful I might give incorrect evidence, I
-trembled over the third commandment. How could
-I think, while shaking in the witness-box, that I<span class="pagenum"><a id="Page_366">366</a></span>
-should ever be raised to act as Her Majesty’s First
-Commissioner at the Central Criminal Court of England!”</p>
-
-<p>Half of his scanty pittance of ten pounds was sent
-home to aid his parents, and as his wages increased,
-so did this dutiful allowance. In this situation Kelly
-remained for twenty years and two months, and at no
-time did he receive more than eighty pounds per
-annum, and it is believed that when his stipend
-reached that petty maximum, he defrayed the whole
-of his father’s farm rent. That he was not entirely
-satisfied with his prospects, is evident from the fact
-that about ten years after he joined Hogg he accepted
-a clerkship in Sir Francis Baring’s office, but so necessary
-had he become to the establishment he was
-about to leave, that his late master prevailed upon him
-to accept board and residence in exchange for what
-assistance he might please to render over hours.
-After six weeks of this double work, poor Kelly’s
-health began to suffer, and it was plain that he must
-confine his labours to one single branch of trade.
-“Thomas,” said his master, sagaciously enough,
-though probably with a view to his own interests,
-“you never can be a merchant, but you <em>may</em> be a
-bookseller.” This advice chimed in with his inclination,
-if not with his immediate prospects, and Kelly
-devoted himself to bookselling.</p>
-
-<p>At length Hogg, falling into bad health, and desiring
-to be relieved from business, proposed to Kelly
-that he should unite in partnership with his son; but
-the conscientious assistant felt constrained to decline
-the tempting offer, by reason of the young man’s
-character, and resolved rather to attempt business on
-his own account. In 1809, therefore, he started in a<span class="pagenum"><a id="Page_367">367</a></span>
-little room in Paternoster Row, sub-rented from the
-landlord&mdash;a friendly barber. On his small front room
-he wrote his name, “Thomas Kelly,” and by way of
-advertising his change of position, he generally stood
-downstairs in the common doorway. To all the “Row”
-Hogg’s able assistant had been known simply as
-“Thomas,” and one old acquaintance actually asked
-him, “Well, Thomas, who is this Kelly that you have
-taken up with?”</p>
-
-<p>For the first two years his operations were confined
-solely to the purchase and sale of miscellaneous books
-on a small scale, and the limited experiment proved
-successful. Of “Buchan’s Domestic Medicine” he
-bought one thousand copies in sheets at a low price,
-and, having prefixed a short memoir of the author,
-and divided them into numbers or parts, he went out
-himself in quest of subscribers; and a thousand copies
-of the “New Week’s Preparation” were treated in a
-like manner and with similar success. Henceforth he
-resolved to print at his own risk, always adopting the
-sectional method, and working his books, from first to
-last, entirely through the hands of his own agents,
-and the profit he found in this scheme depended
-almost entirely upon the happy knowledge he possessed
-of human character, and the cautious foresight with
-which he was able to select his canvassers. One of
-the first works he published in this manner was a large
-Family Bible, edited by J. Mallam, Rector of Hilton,
-afterwards known as “Kelly’s Family Bible.” To
-each of his canvassers he gave stock on credit, worth
-from twenty to one hundred pounds, ready money
-was insisted on, and this plan insured a speedy
-return of capital. The Bible extended to one hundred
-and seventy-three numbers, and the entire work cost<span class="pagenum"><a id="Page_368">368</a></span>
-the subscribers £5 15<i>s.</i>, paid, of course, in weekly or
-monthly driblets; and, as 80,000 copies were soon
-sold, the gross receipts must have reached £460,000.
-Nearly half this sum, however, went in the agents’
-allowances for canvassing and delivery. The paper
-duty alone on this one work was estimated at upwards
-of £20,000. To this Bible succeeded “The Life of
-Christ,” “Foxe’s Martyrs,” and the “History of
-England,” all in folio, with copper-plate embellishments;
-and “Hervey’s Meditations,” “Bunyan’s
-Pilgrim’s Progress,” and various other popular works,
-in octavo.</p>
-
-<p>Six months after he had left his former situation,
-Hogg died, and the son soon fell into difficulties,
-and was obliged to relinquish the business, which
-Kelly immediately purchased, speedily adding to it the
-trade of Cooke, the owner of No. 17, and thus uniting
-the two concerns into one.</p>
-
-<p>About the year 1814 the system of printing books
-from stereotype plates began to be very generally
-adopted for large editions, and Kelly at once saw its
-advantages, but, of course, as in all improvements, the
-trade set themselves against the innovation, and he
-had to purchase land at Merton, and erect a foundry
-of his own, and then, and not till then, the printers
-relinquished their opposition, and the building was
-abandoned. It was about this time, in March, 1815,
-that he very nearly lost a moiety of his fortune through
-fire. Luckily, upon the outbreak of a fire in the neighbourhood
-a few days before, he had been alarmed, and
-had gone straightway to the office of the Phœnix
-Company, and paid a deposit on the insurance.
-Before the policy was made out, the whole of his
-stock was destroyed, but the Phœnix Company paid<span class="pagenum"><a id="Page_369">369</a></span>
-up without an hour’s delay, and, in return, he never
-cancelled a single policy with them until this sum had
-been reimbursed. How largely Kelly traded may be
-gathered from the fact that from one of his agents
-alone he often received from £4000 to £5000 per
-annum.</p>
-
-<p>To revert for a moment to his private life; his father
-had died in 1810, when the bookseller was still a
-struggling man, but, in spite of his difficulties, he paid
-at once the amount of his father’s debts; and brought
-his mother up to Wimbledon, where she lived to see
-her son a wealthy and prosperous man. To his old
-master’s widow he generously allowed an annuity,
-and even aided young Hogg, who had pursued him
-with inveterate hatred, with the loan of £600. He
-never married. When little known he saved a
-member of the Court of Aldermen from bankruptcy
-by an advance of £4000, and he was always ready to
-lend out his money to those in trouble. But once,
-when asked to give his acceptance to ten or twelve
-thousand pounds worth of bills&mdash;in these terms,
-“Will you, for once in your life, do a good action, and
-oblige me?”&mdash;he thought himself perfectly justified in
-refusing, and soon after the acceptor of these bills
-failed. In 1823 he was elected into the Common
-Council of his ward; in 1825 he served as Sheriff with
-Mr. Alderman Crowder, on whose death he succeeded
-to the Alderman’s gown of Farringdon Without. He
-always lamented his want of a systematic education,
-and late in life he endeavoured, in some way, to supply
-the place of it by experience gathered from foreign
-travel.</p>
-
-<p>Notwithstanding his immense issues of costly books,
-he exercised the most watchful prudence. “Books,”<span class="pagenum"><a id="Page_370">370</a></span>
-he says, “generally, printed in the ordinary way, only
-sell 500 or 1000 copies, and periodical publications
-would be ruinous. Nothing but a vast sale will prove
-remunerative,” and this “vast sale” he certainly effected
-in almost every instance. He published twelve separate
-issues of the Bible, and disposed of, probably, not less
-than 250,000 copies. The following is a list of his
-more important works:&mdash;“History of the French
-Revolution,” 20,000 copies at £4; “Hume’s England,”
-5,000, at £4 18<i>s.</i>; “The Gazetteer,” 4,000, at £4 10<i>s.</i>;
-“The Oxford Encyclopædia,” 4,000 at £6 (and the
-£24,000 only barely covered the original outlay);
-“The Geography,” 30,000 at £4 4<i>s.</i>; and the “Architectural
-Works,” 50,000, at an average of £1 13<i>s.</i> To
-these may be added “The Life of Christ,” of which, in
-folio and quarto, not fewer than 100,000 copies were
-distributed, at prices varying from £1 1<i>s.</i> to £2. No
-wonder, with figures like these (for which we are
-indebted to Mr. Fell’s volume), that the trade objected
-to this method of transacting business, but the difference
-was confined merely to business relations, for
-every one of the numerous booksellers in the Ward
-signed the request asking him to stand as Alderman.</p>
-
-<p>In 1836 he received the highest honour to which a
-citizen of London can aspire, for he was elected Lord
-Mayor. His year of office was a memorable one, and
-the first entertainment of Queen Victoria occurred on
-the very day of his retirement from office, and thus
-he narrowly escaped the honour of a baronetcy, for
-he had the good sense to decline the requisition to
-stand a second time.</p>
-
-<p>His appearance in his robes of office is thus described
-by M. Titus Perondi, a French traveller:&mdash;“The
-new Lord Mayor appeared in a gilded chariot, almost<span class="pagenum"><a id="Page_371">371</a></span>
-as grand as the King’s, drawn by six bay horses,
-richly caparisoned.... He does not seem to be
-more than sixty-two years of age, and his figure, slight
-as it is, is still imposing&mdash;for the flowing wig and
-ermine mantle, which encircled all his person, added
-not a little to the dignity of his presence.... A
-thriving bookseller, yet a perfectly honest man, and
-very charitable.” The last sentence is an admirable
-summary of his character.</p>
-
-<p>The attainment of this honour terminated his commercial
-and public life, for after this date he relinquished,
-in a great degree, his business cares; but to
-an extreme old age he retained his faculties, and he
-retained also his habits of quiet and discriminating
-charity, doing good by stealth, and blushing to find it
-known. On the 20th October, 1854, he paid his last
-visit to his parent’s grave, and was there heard to murmur,
-“How very happy I am.” His failing health compelled
-him to visit Margate, and here, on the 7th of
-September, 1855, he died in a ripe old age. A letter,
-written just before his death, evidently betrays a
-lingering fondness for early childish days:&mdash;“We are
-surrounded by fields of fully-ripening corn&mdash;some cut,
-some cutting,” babbling, like Falstaff, of green fields,
-till the sixty years of town life were forgotten.</p>
-
-<p>Thomas Kelly was one of those men of whom the
-London citizens are so proud&mdash;men who come to
-the mighty centre of commerce utterly friendless, and
-worse still, penniless, and whom industry, labour, and
-good fortune exalt to the very pinnacle of a good
-citizen’s fondest dreams. But he was more than a
-Lord Mayor&mdash;he was a true friend; he was a loving,
-dutiful, and tender son&mdash;qualities not always insured
-even by commercial success.</p>
-
-<p><span class="pagenum"><a id="Page_372">372</a></span>
-Mr. George Virtue was another of those men of
-whom, in this history, we have had not a few examples,
-who, beginning life without any fictitious advantages,
-have made success their goal, and, in attaining it, have
-not only amassed princely fortunes for themselves and
-their families, but have opened up new branches of industry,
-and have afforded employment to hundreds
-whose bread depends upon their daily labours.</p>
-
-<p>His father was a native of Fogo, in Berwickshire,
-who first at Coldstream, and afterwards at Wooler, in
-Northumberland, let out for hire carts and carters to
-the neighbouring farmers. In the year 1793, his
-second son, George, was born at Coldstream, and
-there and at Wooler, he passed the early years of his
-boyhood. In 1810, his father met with an accident,
-which caused him to relinquish the business he had
-hitherto been engaged in. His eldest son, James, who
-had a good engagement in London, gave up his employment
-and hastened home, and removing with the
-family to Coldstream, commenced business there as a
-mason, taking his brother George as an apprentice.</p>
-
-<p>Mrs. Somerton, their married sister, had a large
-house, near the Houses of Parliament, in London, which
-she let out, much on the plan of the club-chambers
-of the present day. George had come up to London,
-partly on business, partly on a visit to his sister, and
-not wishing to return to the North, he made an
-arrangement to remain with Mrs. Somerton.</p>
-
-<p>The house was chiefly frequented by members of
-Parliament and men in the higher grades of life; and
-one of the former, who had taken a fancy to George
-Virtue, asked him what he would like to be. George
-at once replied, “A bookseller,” and his patron assisted
-him in stocking a shop in the neighbourhood. This was<span class="pagenum"><a id="Page_373">373</a></span>
-about the year 1820. At first his trade consisted entirely
-in the retail business, but by degrees he was able
-to purchase entire remainders of that distinct class of
-religious publications which were then sold chiefly in
-numbers. These he re-issued; and as he did his own
-canvassing, no zeal was wanting in the service, and his
-success was by no means indifferent. Once established,
-he was able to canvass for the books of other publishers;
-and on the 15th July, 1821, the first number
-of a work was published, which took the town by
-storm. Whether Mr. Virtue’s canvassing powers were
-acknowledged by the trade at this early period, or
-whether his peculiar class of customers was considered
-as most amenable to the work in question, we know
-not, but he was given an interest of one kind or
-another, either as part proprietor or as a purchaser on
-unusually liberal terms in the famous “Life in London;
-or, the Adventures of Tom and Jerry,” issued by
-Sherwood, Neeley, and Jones, of Paternoster Row. The
-book was written by Pierce Egan, afterwards the
-founder of <cite>Bell’s Life</cite>.</p>
-
-<p>Works describing country sports and pastimes had
-proved so acceptable that it was imagined that a
-volume issued in numbers, setting forth the humours
-of town life would be equally taking. The illustrations
-by J.&nbsp;R. and George Cruikshank proved irresistible.
-The work was so successful that innumerable
-imitations appeared, one of which (“Shade of Lackington!”)
-was published by Jones and Co., who occupied
-his former place of business, the “Temple of the
-Muses” in Finsbury Square. There was absolutely a
-<em>furore</em> for the work. Dibdin, Barryman, Farell, Douglas
-Jerrold, Moncrieff, and others adapted it for the
-stage. It was on the boards of ten theatres at one<span class="pagenum"><a id="Page_374">374</a></span>
-time; and at the Adelphi, where Moncrieff’s adaptation
-was produced, it enjoyed the then unparalleled
-run of three hundred nights. At last, Pierce Egan,
-declaring that no less than sixty-five separate publications
-had been derived from his work, brought forward
-his own characteristic version, which, however, proved
-a failure.</p>
-
-<p>All the world bought “Tom and Jerry,” and having
-roared over the plates, tossed them not unnaturally
-aside; so that a work, which, in popularity, had been
-the “Pickwick” of its day, became so wonderfully
-scarce that when Mr. Thackeray, with whom it had
-been an early favourite, wanted a copy for a review he
-was writing upon Mr. George Cruikshank’s works, he
-applied at all the libraries, including the British
-Museum, in vain. The work was advertised for in
-the <cite>Times</cite> with like result, and he had to depend upon
-his memory for his description. However, twenty
-years after, when he wished to make it the subject of
-one of the most charming of the “Roundabout Papers,”
-he found that it had been added to the Museum
-Library.</p>
-
-<p>It was, however, with the contemporary popularity
-that Mr. Virtue was concerned, and by it his business
-was largely increased.</p>
-
-<p>In 1831, his affairs warranted an important move to
-the vicinity of Paternoster Row, and about this time
-he married a Miss Sprent, a lady from Manchester.
-From his new abode the works which he at first issued
-were of much the same stamp as those which Messrs.
-Kelly, Hogg, and Cooke had previously spread
-abroad; but he soon struck out into a higher class of
-literature. His first very successful book was “A
-Guide to Family Devotion,” by Dr. Alexander<span class="pagenum"><a id="Page_375">375</a></span>
-Fletcher. The work was undertaken by Mr. Virtue,
-as Dr. Fletcher says, “at great expense and some
-hazard, during the years 1833&ndash;1834.” The volume
-contained 730 prayers, 730 hymns, and 730 selected
-passages of Scripture, suitable for Morning and Evening
-Service, throughout the year, and was illustrated
-by engravings by the best artists. The popularity it
-achieved was enormous: thirty editions of a thousand
-each were soon issued, and, as the <cite>Times</cite> said, “30,000
-copies of a book of Common Prayer, recommended
-by twenty-five distinguished ministers, cannot be
-dispersed throughout England without effecting some
-change in the minds of probably 200,000 persons.”</p>
-
-<p>In America, the “Guide to Family Devotion” was
-as successful as at home, and upwards of one hundred
-ministers there sent in testimonials to its worth. By
-1850, the sale is said to have exceeded 50,000 copies.</p>
-
-<p>Mr. Virtue, about this time, entered into an engagement
-with W. Henry Bartlett, who, pencil in hand,
-travelled over the four quarters of the globe, making
-sketches, which that enterprising publisher issued in
-volumes, illustrated with beautiful steel engravings
-and descriptive letterpress. The first of these was
-“Switzerland,” published in 1835, in two quarto
-volumes. This was followed by Scotland, Palestine,
-the Nile, and America. Of the Switzerland, 20,000
-copies were sold; and in the production of the two
-volumes on Scotland, upwards of one thousand persons
-were employed at a cost of £40,000. The number of
-engraved plates in these volumes amounted to a
-thousand.</p>
-
-<p>When Mr. Virtue commenced these illustrated
-volumes, the Fine Art tastes of the public were in a
-very uneducated condition; but, selecting the best<span class="pagenum"><a id="Page_376">376</a></span>
-artists and employing the best engravers, he set a good
-example, which was speedily followed by others. In
-1839, Messrs. Hodgson and Graves had started a
-cheap periodical devoted to Art, under the title of
-the <cite>Art Union</cite>, intended chiefly as an organ of the
-print trade; but it was not till the year 1849 that this
-publication passed into the hands of Mr. Virtue, who
-changed the title to the <cite>Art Journal</cite>, and devoted it
-to the development of Fine Art and Industrial Art,
-with illustrations on steel and wood by the first artists
-of the day. The <cite>Art Journal</cite>, it is admitted, has done
-more than any private venture or corporate body to
-disseminate true ideas of Art in England. The <cite>Art
-Journal</cite>, though among the very earliest of those
-periodicals in which Art was brought to the aid of
-Literature, still towers proudly above all. Since its
-foundation, the <cite>Art Journal</cite> has presented the public
-with between eight and nine hundred steel engravings
-and above 30,000 engravings on wood.</p>
-
-<p>No less than one hundred illustrated volumes were
-issued from Mr. Virtue’s establishment, and for their
-production it was found necessary to erect a large
-establishment in the City Road. Almost every engraver
-of any reputation in this country has been employed
-on one or other of Mr. Virtue’s illustrated works.
-Indeed, had it not been for the field of labour opened
-by the <cite>Art Union</cite>, in their yearly distribution of engravings,
-and for the encouragement held out by Mr.
-Virtue in the production of his illustrated works and
-the <cite>Art Journal</cite>, it is said that the art of line engraving
-would have quite died out in England; and for
-his services to the public, and, through them, to the
-profession, he is certainly entitled to be regarded as
-the first Art publisher of his time.</p>
-
-<p><span class="pagenum"><a id="Page_377">377</a></span>
-To go to a very different branch of his business, Mr.
-Virtue was not idle in the production of any book
-likely to win the favour of the public. In 1847, Dr.
-Cumming, then widely known as a preacher only, delivered
-a series of lectures at Exeter Hall upon the
-Apocalypse, which riveted public attention. He was
-urged by his friends to publish the lectures upon their
-completion, and said that he would be willing to do so,
-if he was sure that the proceeds would suffice to pay
-for putting up stained glass windows in his church.
-Mr. Virtue heard this, ascertained the value of the
-windows, and offered their outside cost down in hard
-cash in exchange for the copyright. Dr. Cumming
-eagerly accepted the offer, and by the “Apocalyptic
-Sketches” the publisher realized the handsome sum of
-four thousand pounds. He afterwards made the
-author a present of a hundred pounds, and engaged
-him to write a continuation, at an honorarium of five
-pounds per sheet of thirty-two pages, which eventually
-proved to be equally successful.</p>
-
-<p>Many years before his death, Mr. George Virtue
-parted with the business to his son, Mr. James Sprent
-Virtue, the present head of the firm.</p>
-
-<p>On the 8th December, 1868, George Virtue, senior,
-died in his seventy-sixth year, having earned the respect
-of all the hundreds to whom he afforded employment,
-and of the outside world; for all recognised
-that integrity and strict justice to his <i xml:lang="fr" lang="fr">employés</i> was a
-main cause of his success, while his prosperity had
-been aided by thorough business habits and intense
-application to his duties.</p>
-
-<p>He had been one of the representatives of the ward
-of Farringdon Without in the Common Council of the
-City of London for many years, and was held in the<span class="pagenum"><a id="Page_378">378</a></span>
-highest esteem by his fellow-citizens. It was in his
-civic capacity that he was invited by the Viceroy of
-Egypt, with other members of the Corporation, to
-pay a visit to that country, an honour which his
-constant attention to his public duties had fully
-merited in selecting him as one of the representatives
-of the City of London on that occasion.</p>
-
-<div id="if_i_378" class="figcenter" style="width: 142px;">
- <img src="images/i_378.jpg" width="142" height="153" alt="" /></div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_379">379</a></span></p>
-
-<div class="chapter">
-<div id="if_i_379" class="figcenter" style="width: 354px;">
- <img id="hdr_12" src="images/i_379.jpg" width="354" height="84" alt="" /></div>
-
-<h2 class="nobreak"><i>THOMAS TEGG</i>:<br />
-
-<span class="subhead">BOOK-AUCTIONEERING AND THE “REMAINDER
-TRADE.”</span></h2>
-</div>
-
-<p class="drop-cap"><span class="smcap1">Thomas Tegg<a id="FNanchor_28" href="#Footnote_28" class="fnanchor smaller">28</a></span> was born at Wimbledon, in
-Surrey, on the 4th of March, 1776. His father
-was a grocer, who not only was successful in business,
-but “wore a large wig,” was a Latin scholar, and something
-of a mathematician; he died, however, when his
-son was only five years old, and was speedily followed
-by his wife, and the poor little lad “found it to be a
-dreadful thing when sorrow first takes hold of an
-orphan’s heart.” For the sake of economy, he was
-sent to Galashiels, in Selkirkshire, where he was
-boarded, lodged, clothed, and educated for ten guineas
-per annum. This severance from all home ties was at
-first more than the little orphan could bear, and many
-a time, he tells us, did he steal off to the quiet banks
-of the Tweed, and cry himself to sleep in his loneliness.
-A scrap of paper, which had been given him
-before leaving home, bearing the magic word “London,”<span class="pagenum"><a id="Page_380">380</a></span>
-was carefully treasured in all his wanderings,
-and in the associations it called up, in the hopes it
-excited in all his wondering, childish dreams, proved a
-soothing solace to his troubles. His schoolmaster, too,
-was a kind-hearted man, who made a point of studying
-each boy’s individual character, and of educating
-each for his individual calling. Ruling by “kindness
-rather than by flagellation,” he frequently took his
-pupils for country rambles, and taught them lessons
-out of the great book of Nature. Nor was he wholly
-forgotten by his relatives, for we read that he was sent
-a parcel of tea&mdash;then a wonderful luxury. After
-much consultation as to the best method of cooking
-the delicacy, one-half of it was boiled in the “big pot,”
-the liquor strained off and the leaves served up as
-greens; “but,” he adds, “it was not eaten.” After
-staying at Galashiels for four years, he was given the
-choice of being apprenticed either to a saddler or a
-bookseller; and his fondness for books, and the desire
-already formed of being at some time a bookseller in
-the London he pictured to himself every night in his
-dreams, led him at once to select the latter alternative.
-His dominie at parting, gave him a copy of
-“Dr. Franklin’s Life and Essays,” a book he treasured
-in all times of prosperity and adversity, and kept to
-the day of his death.</p>
-
-<p>On a cold, raw morning in September, he started
-on foot for Dalkeith, with only sixpence in his pocket;
-some friendly farmers on the road gave him a lift in
-their cart, and in his gratitude he confided to them
-his boyish hopes of being by-and-by a great book-merchant
-in London. At Dalkeith he was bound
-apprentice to Alexander Meggett, a bookseller, and
-“from this humble origin,” says Tegg, proudly, “I,<span class="pagenum"><a id="Page_381">381</a></span>
-who am now one of the chief booksellers in London,
-have risen.” His master, kindness itself before the
-indentures were signed, turned out to be “a tyrant as
-well as an infidel.” “Every market-day he got drunk
-and came home and beat the whole of us. Once I
-said, ‘I have done nothing to deserve a beating.’
-‘Young English rascal,’ said he, ‘you may want it
-when I am too busy, so I will give it to you now.’”
-Tegg’s fellow-apprentice had, like him, an ambition,
-but it was to become the first whistler in the kingdom.</p>
-
-<p>Tegg’s apprenticeship had by this time become
-intolerable, and, as he had been latterly engaged in
-reading “Robinson Crusoe” and “Roderick Random,”
-he resolved to run away and lead an adventurous
-life himself. Though it was in the depth of winter,
-he travelled along on foot, sleeping sometimes under
-hedges laden with hoar-frost. But soon his little hoarding
-of ten shillings was exhausted; at Berwick,
-therefore, he tried to make a livelihood by selling
-chap-books, but was recognised for a runaway apprentice
-and had again to fly. At this period he tells
-us he found out the utility of pawnbrokers’ shops,
-and discovered, also, the value of small sums. “He
-who has felt the want of a penny is never likely to
-dissipate a pound.” Another lesson, too, he gathered
-from his wanderings, which was always when in
-trouble to apply to a woman. “Never,” he says, “did
-I plead to a woman in vain.” At Newcastle he made
-the acquaintance of Bewick, the engraver; there he
-might have remained, but his heart was set upon
-reaching London. At Sheffield he was seized by the
-parish officer for travelling on Sunday, but when he
-told his story the severity of Bumbledom itself relented,
-and the beadle found him a home, and even<span class="pagenum"><a id="Page_382">382</a></span>
-paid the requisite eighteenpence a week which defrayed
-the cost of lodging, bread-making, and a weekly
-clean shirt. Here he was engaged by Mr. Gale, the
-proprietor of the <cite>Sheffield Register</cite>, at seven shillings
-a week, a wretched pittance, but sufficient for his
-small wants, even enabling him to purchase new
-clothes. At the <cite>Register</cite> office he met some men of
-note, among others, Tom Paine and Dibdin. Paine
-was “a tall, thin, ill-looking man. He had a fiend-like
-countenance, and frequently indulged in oaths and
-blasphemy.” After a nine months’ sojourn, Tegg left
-Sheffield, and having visited Ireland and North Wales,
-entered the service of a Mr. Marshall, at Lynn, where
-he remained for three or four years.</p>
-
-<p>Early in 1796, however, he mounted the London
-and Cambridge coach, and, with a few shillings in his
-pockets, with a light heart in his breast, he bade good-bye
-to friends, telling them that he would never come
-back till he could drive down in his carriage.</p>
-
-<p>On the coach he met some other young men, who,
-like himself, were going up to London in search of
-employment, but who intended to spend the first
-few days in sight-seeing, and asked him to join their
-party. But Tegg resisted the temptation, and when
-London, the London of his dreams&mdash;but how black,
-smoke-filled, and inhospitable!&mdash;was really reached,
-he alighted at the Green Dragon in Bishopsgate
-Street, and, struggling through the busy stream of
-men who filled the city streets, he went straightway
-in search of employment, to the first book-shop that
-met his eyes. This happened to be Mr. Lane’s
-“Minerva Library,” in Leadenhall Street. “What
-can you do?” asked Lane. “My best,” rejoined
-Tegg. “Do you wear an apron?” Tegg produced<span class="pagenum"><a id="Page_383">383</a></span>
-one and tied it on. “Go to work,” said Lane, and
-thus, “in less than half-an-hour from my arrival, I
-was at work in one of the best houses in London.”
-Early next morning, map in hand, he took an exploring
-walk, and was astonished and delighted with all
-he saw, for to the young bookseller, with his mind
-wrapt up entirely in his projects of success, the perpetual
-rush of unknown faces&mdash;that he had never
-seen before, would never see again&mdash;the jostling
-eagerness of crowds, going incessantly this way and
-that, the noisy din of carts and carriages, the vastness
-of the buildings, and the vagueness of the never-ending
-streets, did not bring that feeling of utter
-loneliness which so many of us remember in our first
-solitary entry into London. Nor was the country lad
-to be beguiled by any of the myriad temptations that
-were ready on all sides to divide his attention from
-his business. “I resolved,” he writes, “to visit a place
-of worship every Sunday, and to read no loose or
-infidel books; that I would frequent no public-houses,
-that I would devote my leisure to profitable studies,
-that I would form no friendships till I knew the parties
-well, and that I would not go to any theatre till my
-reason fortified me against my passions.” This perseverance
-did not immediately meet with its deserved reward,
-for having been sent, with the other shopmen, to make
-an affidavit as to the numbers of an election bill that
-had been struck off, before the Lord Mayor, he said
-boldly, that he did not even know that they had been
-printed; the Lord Mayor was pleased with the
-answer, and censured Lane severely for tempting the
-boy to commit a perjury; and Lane, in his rage, dismissed
-him forthwith. Tegg walked out of the shop,
-down-hearted for the moment, perhaps, but self-possessed<span class="pagenum"><a id="Page_384">384</a></span>
-and reliant, and entering the shop of John and
-Arthur Arch, at the corner of Gracechurch Street, the
-kindly Quakers took him at once into their employ,
-and here he stayed until entering into business on his
-own account. His new masters were strict but affectionate.
-He soon asks for a holiday, “We have no
-objection, but where art thou going, Thomas?” “To
-Greenwich fair, sir.” “Then we think thou hadst
-better not go. Thou wilt lose half a day’s wages.
-Thou wilt spend at least the amount of two days’
-wages more, and thou wilt get into bad company.”
-At two, however, he was told he might go; but as
-soon as he reached London Bridge his heart smote
-him, and he returned. “Why, Thomas, is this thee?
-Thou art a prudent lad.” And when Saturday came,
-his masters added a guinea to his weekly wages as a
-present. From this, Tegg says, he himself learnt to
-be a kind though strict master, and during his fifty
-years of business life, he never used a harsh word to a
-servant, and dismissed but three.</p>
-
-<p>Having received £200 from the wreck of the family
-prospects, Tegg took a shop, in partnership with a
-Mr. Dewick, in Aldersgate Street, and became a
-“bookmaker” as well as a bookseller; and his first
-book, the “Complete Confectioner,” though it contained
-only one hundred lines of original matter,
-reached a second edition. After a short time he
-indulged in a tour to Scotland, where he found that
-his old schoolmaster had died from the effects of an
-amputation; and in this same journey he honestly
-bought up the unlapsed time of his apprenticeship.
-On returning to London he re-entered the service of
-the Messrs. Arch, and took unto himself a wife. The
-story of his courtship is pleasantly and naïvely told.<span class="pagenum"><a id="Page_385">385</a></span>
-Coming down the stairs of his new lodgings, “I was
-met by a good-looking, fresh-coloured, sweet-countenanced
-country girl; and without thinking of the
-impropriety I ventured to wink as she passed. On
-looking up the stairs, I saw my fair one peeping
-through the balusters at me. I was soon on speaking
-terms with her, and told her I wanted a wife, and bade
-her look out for one for me; but if she failed in the
-search she must take the office herself. After waiting
-a short time, no return being made, I acted on this
-agreement. Young and foolish both, we were married
-at St. Bride’s church, April 20, 1800.... I was
-most happy in my choice, and cannot write in
-adequate terms of my dear partner, who possesses
-four qualities seldom found in one woman&mdash;good
-nature, sound sense, beauty, and prudence.”</p>
-
-<p>After his marriage, he again opened a shop in St.
-John’s Street, Clerkenwell, and here he “wrote all
-night and worked all day,” while his partner was
-drinking himself to death. His wife was ill, two of
-the children died, and the future looked terribly
-gloomy; for a “supposed friend” prevailed upon him
-to discount a bill for £172 14<i>s.</i> 9<i>d.</i> out of his little
-capital of two hundred pounds, and the bill, of course,
-turned out to be utterly worthless. In this strait he
-acted with much energy, dissolved his partnership,
-called a meeting of his creditors, and found a friend
-who nobly came forward as a security; and he left
-his home, declaring he would never return until he
-could pay the uttermost farthing. “God,” he writes
-solemnly, “never forsook me. A man may lose his
-property and yet not be ruined; peace and pride of
-heart may be more than equivalents.”</p>
-
-<p>Tegg now took out a country auction licence,<span class="pagenum"><a id="Page_386">386</a></span>
-and determined to try his fortune in the provinces.</p>
-
-<p>A few words on the book-auction trade may have
-a passing interest here. According to Dibdin, the
-first book auction of which we have any record in
-England occurred in 1676, when Cooper, the bookseller,
-prefixed the following address to his catalogue:&mdash;“Reader,
-it hath not been usual here in England to
-make sale of books by way of auction, or who will give
-most for them; but it having been practised in other
-countries, to the great advantage of both buyers and
-sellers, it was therefore conceived (for the encouragement
-of learning) to publish the sale of those books
-in this manner of way.” The innovation was successful.
-Cooper established a reputation as a book-auctioneer,
-and in London such sales became
-common. In a few years we read of the practice
-being extended to Scotland, and to the larger towns in
-England, such as Leeds and York. John Dunton,
-with his usual versatility, took over a cargo of books
-to sell at Dublin, and after that date attendance at
-the country fairs with books to sell by auction became
-quite a distinct branch among the London booksellers.
-The leading auctioneer in Dunton’s time was Edward
-Millington. “He had a quick wit and a wonderful
-fluency of speech. There was usually as much wit in
-his ‘One, two, three!’ as can be met with in a modern
-play. ‘Where,’ said Millington, ‘is your generous
-flame for learning? Who but a sot or a blockhead
-would have money in his pocket, and starve his
-brains?’” At this time it appears that bids of one penny
-were very commonly offered and accepted. Book-auctioneering
-soon became a distinct trade altogether,
-and required not only much fluency of speech and<span class="pagenum"><a id="Page_387">387</a></span>
-power of persuasion, but a very exact knowledge of
-the science of bibliography. For this latter speciality
-Samuel Paterson, of King Street, Covent Garden, was
-particularly famous. Perhaps no bookseller ever lived
-who knew so much about the contents of the books
-he sold. When, in compiling his catalogues, he met
-with an unknown book he would sit perusing it for
-hours, utterly unmindful of the time of sale, and
-oblivious of the efforts of his clerk to call his attention
-to the lateness of the time. Baker, Leigh, and
-Sotheby, all of York Street, Covent Garden, were
-also eminent in this branch of the trade; but the
-prince of book-auctioneers was James Christie, whose
-powers of persuasion were rendered doubly effective
-by a quiet, easy flow of conversation, and a gentle
-refinement of manners. At the close of the century,
-the booksellers’ trade sales were held at the Horn
-Tavern, in Doctors’ Commons, and were preceded by
-a luxurious dinner, when the bottle and the jest went
-round merrily, and the competition was heightened
-by wine and laughter.</p>
-
-<p>Tegg, to retake the thread of our story after this
-digression, started with a very poor stock, consisting
-of shilling political pamphlets, and some thousands of
-the <cite>Monthly Visitor</cite>. At Worcester, however, he
-purchased a parcel of books from a clergyman for ten
-pounds, but when the time for payment arrived the
-good man refused to accept anything. At Worcester,
-too, it was that he held his first auction. “With a
-beating heart I mounted the rostrum. The room
-was crowded. I took £30 that first night, and in a
-few days a knife and fork was provided for me at
-many of the houses of my customers. God helps
-those, I thought, who help themselves.” With his<span class="pagenum"><a id="Page_388">388</a></span>
-wife acting as clerk, he travelled through the country,
-buying up the duplicates at all the gentlemen’s
-libraries he could hear of, and rapidly paying off his
-debts. This led him to return to his shop in Cheapside,
-but his ardent desire for advancement involved
-him again in difficulties. “One day I was called from
-the shop three times by the sheriff’s officers (a few
-years afterwards I paid a fine of £400 to be excused
-serving sheriff myself). Bailiffs are not always iron-hearted.
-I have met with very kind officers; some
-have taken my word for debt and costs, and one lent
-me the money to pay both” (O rare bum-bailiff! why
-is not thy name recorded?).</p>
-
-<p>Still Tegg was making gradual way, in spite of
-occasional difficulties which again led him to the
-pawnshops, but with more precious pledges than when
-at Berwick he asked a rosy-cheeked Irish girl how he
-might best raise money on a silk handkerchief, for now
-his watch and spoons could accommodate him, when
-needful, with fifty pounds. About this time one of
-the most interesting episodes of his life was commenced.
-He had purchased a hundred pounds’ worth
-of books from Mr. Hunt, who, hearing of his struggles,
-bade him to pay for them when he pleased. Tegg, in
-the fulness of his gratitude, told him that should he,
-in his turn, ever need aid he should have it; but the
-wealthy bookseller smiled at the young struggler’s
-evident simplicity. We will tell the rest of the story
-in Tegg’s own words. “Thirty years after, I was in
-my counting-house, when Mr. Hunt, with a queer-looking
-companion, came in and reminded me of my
-promise. He was under arrest, and must go to prison
-unless I would be his bail. I acknowledged the
-obligation, but I would first take my wife’s opinion.<span class="pagenum"><a id="Page_389">389</a></span>
-‘Yes, my dear, by all means help Mr. Hunt,’ was her
-answer. ‘He aided us in trouble; you can do no less
-for him.’ Next morning I found I had become his
-surety for thirty thousand pounds. I was sharply
-questioned in court as to my means, and, rubbing his
-hands together, Mr. Barrister remarked that Book-selling
-must be a fine trade, and wished he had been
-brought up to it. I answered, ‘The result did not
-depend on the trade, but on the man; for instance, if
-I had been a lawyer I would not have remained half
-this time in your situation&mdash;I would have occupied a
-seat with their lordships.’ There was a laugh in court,
-and the judge said, ‘You may stand down.’”</p>
-
-<p>When success first really dawned, Tegg began to
-feel poignantly the want of a more complete education;
-however, he determined to employ the powers he
-possessed as best he could. His earliest publications
-consisted of a series of pamphlets, printed in duodecimo,
-with frontispieces, containing abridgments of
-popular works; and the series extended to two
-hundred, many of them circulating to the extent of
-4000 copies. As an instance of his business energy,
-we may cite the following:&mdash;Tegg heard one morning
-from a friend that Nelson had been shot at Trafalgar.
-He set an engraver to work instantly on a portrait of
-the hero, purchased the <cite>Naval Chronicle</cite>, found ample
-material for a biography; and, in a few hours, “The
-Whole Life of Nelson” was ready for the press. Such
-timely assiduity was rewarded by a sale of 5000
-sixpenny copies. On another occasion, when on a
-summer jaunt to Windsor with a friend, it was jocularly
-resolved that, as they had come to see the king,
-they ought to make his Majesty pay the expenses of
-the trip. Tegg suggested a Life of Mrs. Mary Anne<span class="pagenum"><a id="Page_390">390</a></span>
-Clarke, with a coloured portrait. 13,000 copies were
-sold at seven-and-sixpence each; and, as he observes,
-the “bill was probably liquidated.”</p>
-
-<p>Among his other cheap books were&mdash;“Tegg’s
-Chronology,” “Philip Quail,” and&mdash;perhaps the most
-successful and useful of all&mdash;a diamond edition of
-“Johnson’s Dictionary,” published when the original
-edition was selling at five guineas.</p>
-
-<p>In 1824 he purchased the copyright of Hone’s
-“Every-Day Book” and “Table Book;” republished
-the whole in weekly parts, and cleared a very large
-profit.</p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“I like you and your book, ingenious Hone!<br /></span>
-<span class="i2">In whose capacious, all-embracing leaves<br /></span>
-<span class="i0">The very marrow of traditions shown,<br /></span>
-<span class="i2">And all that History, much that Fiction weaves.”<br /></span>
-</div></div>
-</div>
-
-<p class="in0">So sang Charles Lamb; and Southey says of these
-two delightful works:&mdash;“The ‘Every-Day Book’ and
-‘Table Book’ will be a fortune a hundred years
-hence, but they have failed to make Hone’s fortunes.”
-However, Tegg gave him five hundred pounds to
-compile the “Year Book,” which proved much less
-successful than the others.</p>
-
-<p>Hone had been a bookseller in the Strand, where
-he probably acquired his miscellaneous stock of
-quaint knowledge about old English customs, and
-all that appertained to a race fast dying out. After
-the famous trial, in which his “Parodies” were charged
-as being “blasphemy,” he immediately stopped the
-sale of them; and, though at that time in urgent need
-of money, he resolutely refused tempting offers for
-copies. “The story of my three-days’ trial at Guildhall,”
-he writes, “may be dug out from the journals
-of the period; the history of my mind, my heart, my<span class="pagenum"><a id="Page_391">391</a></span>
-scepticism, and my atheism remain to be written.” It
-is said that he was first awakened to a better way of
-thinking, in the following manner:&mdash;One day, walking
-in the country, he saw a little girl standing at a doorway,
-and stopped to ask her for a drink of milk; and,
-observing a book in her hand, he inquired what it
-was. She said it was a Bible; and, in reply to some
-depreciatory remark of his, added, in her simple
-wonder&mdash;“I thought everybody loved their Bible, sir!”</p>
-
-<p>By this time Tegg was thriving;&mdash;he bought his
-first great-coat, and the first silk pelisse for his wife,
-and was able to make a rule of paying in cash, which
-he found an immense advantage. The book auctions,
-continued nightly at 111, Cheapside, formed the
-immediate stepping-stone to his wealth. He visited
-all the trade sales, and bought up the “remainders,”
-<i xml:lang="la" lang="la">i.e.</i>, surplus copies of works in which the original
-publishers had no faith;&mdash;“I was,” he writes, “the
-broom that swept the booksellers’ warehouses.” At
-one of the dinners preceding these trade sales, he
-heard Alderman Cadell give the then famous toast&mdash;“The
-Bookseller’s four B’s”&mdash;Burns, Blair, Buchan,
-and Blackstone. In the auctioneer’s rostrum he was
-very lively and amusing, and the room became well
-known all over London. At one of the last sales, a
-gentleman who purchased a book asked if “he ever
-left off selling for a single night?” Fifteen years
-before, on his road to the dock to embark for Calcutta,
-he found Tegg busy, and as busy still on his return.
-“If ever man was devoted to his profession, I am that
-man,” says Tegg; and again&mdash;“I feel that my moral
-courage is sufficient to carry out anything I resolve to
-accomplish.”</p>
-
-<p>Now that his own publications were proving very<span class="pagenum"><a id="Page_392">392</a></span>
-lucrative, Tegg resolved to abandon the auctioneering
-portion of the business, and confine himself to the
-more legitimate trade; and, at his last sale, he took
-upwards of eighty pounds. The purchase and sale of
-remainders, however, still formed a very important
-branch of his traffic.</p>
-
-<p>About this time he took another journey to Scotland,
-and had an interview with Sir Walter Scott, who
-had, he says, “nothing in his manner or conversation
-to impress a visitor with his greatness.” Immediately
-on his return he made his final remove to the Mansion
-House, Cheapside&mdash;once the residence of the Lord
-Mayor&mdash;and the annual current of sales rose in the
-proportion of from eighteen to twenty-two. Now a
-popular as well as a wealthy man, he was elected a
-Common Councillor of the Ward of Cheap, took a
-country house at Norwood, with a beautiful garden
-attached&mdash;“though I scarcely knew a rose from a
-rhododendron”&mdash;and set up a carriage.</p>
-
-<p>It was, of course, from the Mansion House that his
-well-known publications were dated. In 1825, the
-year after the purchase of the “Table Book,” he
-published the “London Encyclopædia;” it was a time
-of great financial difficulty (as we have, indeed, seen in
-almost all our lives of contemporary publishers); his
-bills were dishonoured to the extent of twenty
-thousand pounds; and the work was began solely to
-give employment to those who had been faithful in
-more prosperous years. The public, however, supported
-the undertaking, and Tegg was rewarded for
-his courage.</p>
-
-<p>The time of the panic, in 1826, was a season of
-severe trial, in domestic as well as pecuniary matters;
-and Tegg, though he maintained that few men were<span class="pagenum"><a id="Page_393">393</a></span>
-ever insolvent through mere misfortune, began to fear
-that despondency would deprive him of his reason.
-And now it was that he appreciated more than ever
-the brave qualities of his wife, who roused and manned
-him again to the struggle; till, in the end, he became
-a gainer rather than a loser by the crisis, for the best
-books were then sold as almost worthless; and at
-Hurst and Robinson’s sale he purchased the most
-popular of Scott’s novels at fourpence a volume.</p>
-
-<p>Among his other great “remainder” bargains we
-may mention the purchase of the remainder and
-copyright of “Murray’s Family Library” in 1834.
-He bought 100,000 volumes at one shilling, and reissued
-them at more than double the price. His
-greatest triumph of all was, however, the acquisition
-of “Valpy’s Delphin Classics,” in one hundred and
-sixty-two large octavo volumes, the stock amounting
-to nearly fifty thousand copies, the whole of which
-were sold off in two years.</p>
-
-<p>To return to his own publications, we find that, up
-to the close of 1840, he had issued four thousand
-works on his own account, and “not more than twenty
-were failures.”</p>
-
-<p>Tegg’s reputation as a bookseller chiefly rests upon
-his cheap reprints and abridgments of popular works;
-and, in connection with these, his name is mentioned
-in Mr. Carlyle’s famous petition on the Copyright Bill.
-Though we have failed to ascertain to what general
-or particular works Mr. Carlyle refers, the petition is
-of such curious interest to all concerned in the writing
-and selling of books, that we do not hesitate to quote
-it in extenso<a id="FNanchor_29" href="#Footnote_29" class="fnanchor">29</a>:&mdash;</p>
-
-<p><span class="pagenum"><a id="Page_394">394</a></span></p>
-
-<blockquote>
-
-<p>“To the honourable the Commons of England, in
-Parliament assembled, the Petition of Thomas Carlyle,
-a Writer of Books,</p>
-
-<p class="in4">
-“Humbly sheweth,
-</p>
-
-<p>“That your petitioner has written certain books,
-being incited thereto by various innocent or laudable
-considerations, chiefly by the thought that the said
-books might in the end be found to be worth something.</p>
-
-<p>“That your petitioner had not the happiness to
-receive from Mr. Tegg, or any Publisher, Re-publisher,
-Printer, Book-buyer, or other the like men, or body of
-men, any encouragement or countenance in the writing
-of said books, or to discern any chance of receiving
-such; but wrote them by effort of his own will, and
-the favour of Heaven.</p>
-
-<p>“That all useful labour is worthy of recompense;
-that all honest labour is worthy of the chance of
-recompense; that the giving and assuring to each
-man what recompense his labour has actually merited,
-may be said to be the business of all Legislation,
-Polity, Government and social arrangement whatsoever
-among men;&mdash;a business indispensable to
-attempt, impossible to accomplish accurately, difficult
-to accomplish without inaccuracies that become
-enormous, insupportable, and the Parent of Social
-Confusion which never altogether end.</p>
-
-<p>“That your petitioner does not undertake to say
-what recompense in money this labour of his may
-deserve; whether it deserves any recompense in
-money, or whether money in any quantity could hire
-him to do the like.</p>
-
-<p>“That this labour has found hitherto in money, or
-money’s worth, small recompense or none; but thinks
-that, if so, it will be at a distant time, when he, the<span class="pagenum"><a id="Page_395">395</a></span>
-labourer, will probably be no longer in need of money,
-and those dear to him will still be in need of it.</p>
-
-<p>“That the law does, at least, protect all persons in
-selling the productions of their labour at what they
-can get for it, in all market-places, to all lengths of
-time. Much more than this the law does to many,
-but so much it does to all, and less than this to none.</p>
-
-<p>“That your petitioner cannot discover himself to
-have done unlawfully in this his said labour of writing
-books, or to have become criminal, or to have forfeited
-the law’s protection thereby. Contrariwise,
-your petitioner believes firmly that he is innocent in
-said labour; that if he be found in the long-run to
-have written a genuine, enduring book, his merit
-therein, and desert towards England and English and
-other men will be considerable, not easily estimated in
-money; that, on the other hand, if his book prove
-false and ephemeral, he and it will be abolished and
-forgotten, and no harm done.</p>
-
-<p>“That in this manner your petitioner plays no unfair
-game against the world: his stake being life itself,
-(for the penalty is death by starvation), and the
-world’s stake nothing, till it see the die thrown; so
-that in every case the world cannot lose.</p>
-
-<p>“That in the happy and long-doubtful event of
-the game’s going in his favour, your petitioner submits
-that the small winnings thereof do belong to him
-or his, and that no other man has justly either part or
-lot in them at all, now, henceforth, or for ever.</p>
-
-<p>“May it, therefore, please your Honourable House
-to protect him in said happy and long-doubtful event,
-and (by passing your Copyright Bill), forbid all
-Thomas Teggs, and other extraneous persons entirely
-unconcerned in this adventure of his, to steal from<span class="pagenum"><a id="Page_396">396</a></span>
-him his small winnings, for a space of sixty years, at
-shortest. After sixty years, unless your Honourable
-House provide otherwise, they may begin to steal.</p>
-
-<p class="sigright">
-<span class="l4">“And your petitioner will ever pray.</span><br />
-“THOMAS CARLYLE.”
-</p></blockquote>
-
-<p>Tegg did not confine his business to these cheap
-reprints, but issued many books which were altogether
-beyond the popular taste and purse, such as “Blackstone,”
-edited by Price; Smith’s “Wealth of Nations,”
-Burton’s “Anatomy of Melancholy,” Locke’s Works,
-(in ten volumes), Bishop Butler’s Works, and Hooker’s
-“Ecclesiastical Polity,” &amp;c. Out of Dr. Adam
-Clarke’s “Family Bible” he is said to have made a
-small fortune; the work was stereotyped, and re-issue
-after re-issue was published.</p>
-
-<p>In 1835 he was nominated Alderman of his Ward,
-but was not elected; in the following year he was
-chosen Sheriff, and paid the fine to escape serving,
-having resolved to forego any further civic distinctions.
-To the usual fine of £400 he added another
-hundred, and the whole went to found a “Tegg
-Scholarship” at the City of London School, and he
-still further increased the value of the gift by adding
-thereto a very valuable collection of books.</p>
-
-<p>On 21st April, 1845, Thomas Tegg died, after a
-long and painful illness, brought on by over-exertion,
-mental and physical. His third son, Alfred Byron
-Tegg, a youth of twenty, then studying at Pembroke
-College, Oxford, was so affected by the shock of his
-father’s death that he died almost on receipt of the
-news, and was buried the same day as his father at
-Wimbledon&mdash;Thomas Tegg’s native village.</p>
-
-<p>At the commencement of his autobiography, Tegg
-says, and the narrative bears the veracity of the<span class="pagenum"><a id="Page_397">397</a></span>
-statement upon every page:&mdash;“In sitting down to write
-some account of my past life, I feel as if I were occupied
-in making my will. I feel at a loss to express
-fully my emotions. I write in a grateful spirit. What
-I have acquired has been acquired by industry,
-patience, and privation,” and he adds elsewhere, “I
-can say in passing through life, whether rich or poor,
-my spirit never forsook me so as to prevent me
-from rallying again. I have seen and associated with
-all ranks and stations in society. I have lodged with
-beggars, and had the honour of presentation to
-Royalty. I have been so reduced as to plead for
-assistance, and, by the goodness of Providence, I have
-been able to render it to others.”</p>
-
-<p>He was generally believed to have been the original
-of Twigg in Hood’s “Tylney Hall.”</p>
-
-<p>From the commencement of his career, Tegg made
-commercial success his one aim in life; and with
-much patience, much endurance, and much labour, he
-achieved it thoroughly, and, in the achieving of it
-honestly, he conferred a great and lasting benefit
-upon the world; for the book merchant holds in his
-hands the power to do good, or to do evil, far beyond
-any other merchant whatsoever. Rising from a
-humble position in life, he never forgot his early
-friends, never left unrewarded, when possible, his
-early encouragers and assistants. And if he was
-proud in having thus been the architect of his own
-fortune and position, this pride surely was a less
-ignoble one than that which leads one-half the world
-to go through life exultantly, with no other self-conscious
-merit than having, by a simple accident, been
-born in wealthier circumstances than the other half.</p>
-
-<p>Tegg left behind him a large family who inherited<span class="pagenum"><a id="Page_398">398</a></span>
-something of their father’s energy and vigour. With
-his friendly aid and encouragement they, many of
-them, went elsewhere to seek their fortunes&mdash;two to
-Australia and two to Dublin; and with native perseverance,
-with a name that was known wherever books
-were sold and bought, with their father’s connection to
-support them, and their father’s stock to fill their shops,
-they have not failed to reap something of their
-father’s success.</p>
-
-<p>Thomas Tegg was succeeded in London by his son
-and late partner, Mr. William Tegg, and under his
-management the business of the house has assumed a
-graver and more staid appearance. In the preface to
-the twelfth edition of Parley’s “Tales about Animals,”
-Mr. William Tegg claims the authorship of the whole
-series published by him under the pseudonyme of
-“Peter Parley,”<a id="FNanchor_30" href="#Footnote_30" class="fnanchor">30</a> a <i xml:lang="fr" lang="fr">nom de plume</i>, we believe, that has
-covered more names than any other ever adopted by
-English writers.</p>
-
-<div id="if_i_398" class="figcenter" style="width: 119px;">
- <img src="images/i_398.jpg" width="119" height="130" alt="" /></div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_399">399</a></span></p>
-
-<div class="chapter">
-<div id="if_i_399" class="figcenter" style="width: 358px;">
- <img id="hdr_13" src="images/i_399.jpg" width="358" height="94" alt="" /></div>
-
-<h2 class="nobreak"><i>THOMAS NELSON</i>:<br />
-
-<span class="subhead">CHILDREN’S LITERATURE AND “BOOK-MANUFACTURING.”</span></h2>
-</div>
-
-<p class="drop-cap"><span class="smcap1">Had</span> we space&mdash;we have all the will&mdash;to be garrulous,
-we should infallibly have commenced this
-chapter by a long account of John Newberry, the celebrated
-publisher of children’s literature. His books
-were distinguished by the originality and the homeliness
-of their style, and were wonderfully adapted to
-the capacities of the little readers to whom, in one
-instance, at all events, “The History of Little Goody
-Two Shoes,” they were specially dedicated: “To all
-young gentlemen and ladies who are good, or intend
-to be good, this book is inscribed, by their old friend,
-Mr. John Newberry, in St. Paul’s Churchyard.” Mr.
-John Newberry was himself, in many cases, the author
-of these volumes, “price 2<i>d.</i>, gilt,” which he produced;
-but he was assisted by men who were distinguished in
-other walks of life, especially by Mr. Griffith Jones,
-editor of the <cite>London Chronicle</cite>, the <cite>Daily Advertiser</cite>,
-and the <cite>Public Ledger</cite>, and by Oliver Goldsmith, who
-makes Dr. Primrose, when sick and penniless at an<span class="pagenum"><a id="Page_400">400</a></span>
-inn, pay a hearty tribute to a traveller who had
-succoured him. “This person was no other than the
-philanthropic bookseller in St. Paul’s Churchyard,
-who had written so many little books for children: he
-called himself their friend, but he was the friend of all
-mankind. He was no sooner alighted but he was in
-haste to be gone, for he was ever on business of the
-utmost importance, and was at that time actually
-compiling materials for the history of one, Mr. Thomas
-Trip.” Newberry purchased the copyright of the
-“Traveller” for twenty guineas, and eventually offered
-a hundred guineas for the “Deserted Village,” which
-Goldsmith wished to return when he found that he was
-receiving payment at the rate of five shillings a line.</p>
-
-<p>However historically interesting and bibliographically
-curious, Newberry’s business, measured in bulk,
-was as a molehill to a mountain when compared to
-the enormous trade carried on by the largest of our
-modern publishers of juvenile literature&mdash;perhaps, also
-the largest book-manufacturer in the world.</p>
-
-<p>Thomas Nelson was born at Throsk, a few miles
-east of Stirling, in the year 1780, and was brought up
-in the very bosom of that strong, stern, unwavering
-religious faith, which has so often seemed the fitting
-complement to the ruggedness of the Scotch character;
-and which, among the other worldly advantages of its
-system of training, has often prepared its votaries for
-a successful career in business. His father led a quiet,
-retired life upon a small farm, not far from the famous
-field of Bannockburn, and was so satisfied with the
-content of his humble lot, that he repeatedly refused
-to take advantage of offered opportunities of making
-money, by permitting a pottery to be erected on his
-land. In those days, great gatherings of those known<span class="pagenum"><a id="Page_401">401</a></span>
-as the Covenanters took place in many parts of Scotland,
-at the sacramental seasons, and Nelson’s father
-thought but little of travelling forty miles in order
-that he might enjoy the privilege of the communion
-service. Upon the mind of the young lad, who often
-accompanied his father, these meetings, all probably
-that varied the monotony of a rustic life, made an
-indelible impression. When, like many youths of his
-time who had their own paths to clear in the world’s
-jungle, he resolved to leave Scotland and to seek his
-fortunes in the West Indies, his father accompanied
-him on the road to Alloa, the place of embarkation,
-and during the journey asked him, “Have you ever
-thought that in the country to which you are going,
-you will be far away from the means of grace?”
-“No, father,” replied the son, “I never thought of
-that; and I won’t go.” And immediately the scheme
-was abandoned, and they retraced their steps homewards.</p>
-
-<p>When, however, he was about twenty years of age,
-young Nelson tore himself from the parental roof, and
-went to London, and after passing through all the
-difficulties that are so familiar to young lads who have
-to fight their own battles unaided, he entered the service
-of a publishing house&mdash;an event that determined,
-doubtless, the course of his after-life. One of his early
-associates in business was Thomas Kelly, and, like his
-friend, Nelson, while diligent and conscientious in his
-daily duties, still found time for intellectual and
-religious culture. With a few young Scotchmen, he
-established a weekly-fellowship meeting, which was
-held every Sunday. One of the association was employed
-at the dockyard, during Lord Melville’s administration
-at the Admiralty, and lost his situation through<span class="pagenum"><a id="Page_402">402</a></span>
-his refusal to work on Sundays. Lord Melville, however,
-who had often seen him in the dockyard, enquired
-the cause of his absence, and on learning the
-fact of his dismissal, severely rebuked the officials,
-and shortly afterwards advanced him to a higher post.</p>
-
-<p>In the latter years of Nelson’s residence in London, he
-was engaged in obtaining orders for the Stratford Edition
-of “Henry’s Bible,” a work issued in shilling parts, to
-be bound up in six large folio volumes, which was
-held in high repute, and attained a large circulation.
-Nelson secured the names of a great number of subscribers,
-chiefly in the northern district of London.</p>
-
-<p>After having thus received the necessary business
-training, and acquired the necessary commercial experience,
-Nelson determined to make a start upon his
-own account, and left London for Edinburgh. Here
-at first he rented a small apartment, which he occupied
-as a book-warehouse, stocked chiefly with second-hand
-books, and from this little establishment he
-issued the “Scots Worthies,” and one or two other
-works, in monthly parts. In a few years afterwards
-he removed to the well-known small shop at the
-corner of the West Bow. Here he commenced his
-cheap issues in 24mo., of such works as Baxter’s
-“Saints’ Rest,” Booth’s “Reign of Grace,” “Mac Ewan
-on the Types,” and some of Willison’s works. Indeed,
-we have been told, epigrammatically, that Nelson, in
-this little corner shop of the West Bow, commencing
-with a humble reprint of “The Vicar of Wakefield,”
-arrived in time at the more ponderous honour of
-“Josephus.” In his early publishing career, he and
-Peter Brown, another bookseller engaged in the same
-line of business in Edinburgh, were of considerable
-service to each other, for though they were not in<span class="pagenum"><a id="Page_403">403</a></span>
-partnership, they contributed jointly to defray the
-cost of composing and stereotyping a considerable
-number of octavo volumes, comprising the works of
-Paley, Leighton, Romaine, Newton, and others. Thus,
-half the cost of production was saved to each, while
-the stock of each was doubled. These books were
-not at first sold through the booksellers, but vacant
-shops were opened in the evenings in the large towns,
-where single copies were sold by auction, and the
-same practice was extended to smaller places, chiefly
-on the periodical recurrence of the Scotch fairs. This
-innovation, of course, excited a strong feeling of
-animosity among the trade, who, for some years, did
-their best to thwart the sale of Nelson’s publications.
-Indeed, in 1829, when Nelson, encouraged by the success
-of his auction sales, engaged Mr. James Macdonald
-to travel Scotland regularly, his mission, owing to the
-stigma attached to the auction business, was a failure.
-At Aberdeen the booksellers rose up in arms, and
-only one bookseller, Mr. George King, had the courage
-to give Macdonald an order.</p>
-
-<p>Though opposed in the country, and though for
-many years he did not accumulate much capital, yet,
-from his well-known and strict integrity, Nelson never
-wanted funds to carry out his plans. At the very
-time that Macdonald was suffering defeat in each
-country town, Nelson was enabled to purchase from a
-printer, at a comparatively low price, “Macknight on
-the Epistles,” in four volumes, octavo; and the popularity
-of that work forced a quick sale throughout the
-trade, and gave his business a very considerable
-impulse.</p>
-
-<p>Nelson was still convinced that the only method of
-extending his business to any considerable importance,<span class="pagenum"><a id="Page_404">404</a></span>
-was by means of a regular system of travelling, and
-Macdonald was succeeded by Mr. Peters, whose success
-was considerably greater; but it was not until Mr.
-William Nelson, the eldest son of the founder, took to
-the road, that the trade business was really consolidated,
-not only in Scotland, but also in London and
-the chief towns of the united kingdom. In fact, it
-may be said, that Mr. William Nelson was the real
-builder of the business, working upwards from a
-foundation that was certainly narrow and circumscribed.
-Mr. Thomas Nelson, the younger brother,
-was soon after this admitted to the firm, and undertook
-the energetic superintendence of the manufacturing
-department, and was the originator of the
-extensive series of school-books.</p>
-
-<p>Johnson of Liverpool used to narrate that he remembered
-young Nelson on his first (English)
-journey, and that he gave him what Nelson called a
-“braw order.” Shortly after this he was, according
-to the same authority, joined by Mr. James Campbell,
-who left the carpenter’s bench to become a
-“bagman,” and was soon the chief assistant in the
-firm’s employ.<a id="FNanchor_31" href="#Footnote_31" class="fnanchor">31</a></p>
-
-<p>Before this, however, the energy displayed by Mr.
-William Nelson had thoroughly consolidated the
-business, and had entirely dissipated the previous
-prejudice excited by the auction sales, the more especially
-as the lowest prices were at once fixed to the
-trade upon every book issued by the establishment.
-Mr. Campbell’s success as a commercial man was
-considerable, and by his subsequent energy and integrity
-as an agent, at home and in the colonies, the<span class="pagenum"><a id="Page_405">405</a></span>
-demand for Messrs. Nelson and Sons’ books began to
-assume a considerable magnitude.</p>
-
-<p>In 1843, the firm removed their place of business to
-Hope Park; we shall refer to this establishment subsequently&mdash;and
-upon the death of Peter Brown (he
-had for some years ceased to co-operate actively with
-them), the stereotype plates which had been the joint
-property of both firms, became by purchase the
-exclusive possessions of Messrs. Nelson, and this gave
-them an advantage in the market they did not
-formerly possess.</p>
-
-<p>Even while in London, Nelson had collected the
-works of his favourite divines for his private use, and
-he now carried out more thoroughly the scheme,
-commenced in conjunction with Peter Brown, of publishing
-cheap editions of such books that they might
-be brought within the easy reach of thousands. Such
-cheap issues are now a common feature of the trade,
-but he was one of the first Edinburgh booksellers to
-introduce the new order of things. The series was very
-popular, but still it was by the publication of juvenile
-literature that Nelson’s great commercial success was
-achieved. The works of this special, and apparently
-inexhaustible class were distinguished by a good
-moral tendency, purity of diction, and elegance of
-production, and were laudably free from sectarian
-bias, and extreme opinion. It will, perhaps, suffice
-our present purpose to instance, among his many authors,
-R.&nbsp;M. Ballantyne, as a favourite with his boyish,
-and A.&nbsp;L.&nbsp;O.&nbsp;E. with her girlish, readers. One of
-Nelson’s periodicals attained a large circulation; this
-was the <cite>Family Treasury</cite>, edited by Dr. Andrew
-Cameron, and numbering among its contributors such
-writers as Dr. Guthrie, Dr. Vaughan, Dean Trench,<span class="pagenum"><a id="Page_406">406</a></span>
-and Brownlow North; in its columns the charming
-“Chronicles of the Schönberg Cotta Family” first
-appeared.</p>
-
-<p>Among the greatest of the more recent triumphs of
-the firm in the way of books for children, was the introduction
-of coloured illustrations upon a black
-background&mdash;a striking and emphatic method of
-throwing the coloured pictures into strong relief; the
-books illustrated upon this principle proved so successful
-that a host of imitators adopted the same
-method. The firm are also well known as extensive
-publishers of a greatly improved series of schoolbooks,
-of maps, embracing new and ingenious features,
-and of gift and prize books. Latterly, however, they
-have entered into a wider and more liberal field, and
-their current catalogue embraces works in most departments
-of literature.</p>
-
-<p>For the last five-and-twenty years of his life, Nelson
-was more or less of an invalid; though from
-1843 to 1850 he enjoyed a kind of respite; but
-during this whole period his sons were associated
-with him in the business, and during the latter and
-greater portion of it, the management devolved entirely
-upon them. Thomas Nelson, the founder, died
-on March 23rd, 1861, and showed upon his death-bed
-the effects of that strong piety to which, since a
-child, he had accustomed his mind. When it was
-thought proper to announce to him that his end was
-near, he received the intelligence with the calmest
-equanimity:&mdash;“I thought so; my days are wholly in
-God’s hands. He doeth all things well. His will be
-done!” and then he took up his Testament again,
-saying, “Now I must finish my chapter.” He was
-buried in the Grange Cemetery, among many Scottish<span class="pagenum"><a id="Page_407">407</a></span>
-worthies, and lies side by side with Hugh
-Miller.</p>
-
-<p>Thomas Nelson was distinguished not only by his
-energy and strict integrity, but by a generous hospitality
-of the genuine Scottish type. Even when his
-business was of very small dimensions, his old-fashioned
-dining-room was generally filled by the
-Scottish clergy, when any general meeting brought
-them to the metropolis.</p>
-
-<p>Messrs. William and Thomas Nelson, of course,
-continued the business, and we cannot, perhaps, convey
-a better idea of the magnitude to which the trade
-has in their hands extended than by giving a description
-of their establishment in all its branches, and for
-this description we are indebted chiefly to Mr. Bremner’s
-“Industries of Scotland.”</p>
-
-<p>Taking printing, publishing, and bookbinding
-together, Thomas Nelson and Sons, of Hope Park,
-are the most extensive house in Scotland. They
-removed to their present establishment a quarter of a
-century ago, and were compelled, after a lapse of ten
-years, to build a new range of offices far exceeding
-anything of the kind in the city of Edinburgh, and
-probably unparalleled out of it. The main part of
-the building consists of three conjoined blocks, forming
-three sides of a square. Part of the surrounding
-ground is laid out as an ornamental grass-plot, and
-a new machine-room has been recently erected upon
-another portion.</p>
-
-<p>In the main building there are three floors apportioned
-to the various branches of the trade.
-Machinery is used wherever it is possible, and by its
-aid, and by a well-organized system of division of
-labour, the number of books manufactured is enormous.<span class="pagenum"><a id="Page_408">408</a></span>
-Everything, from the compilation of a book
-to the lettering of its binding, is done upon the premises,
-and for the founts of type and the paper alone
-are the proprietors indebted to outside help.</p>
-
-<p>The letterpress department consists of a spacious
-composing-room, a splendidly fitted machine-room, a
-press-room, and a stereotype foundry. As very large
-numbers of the works are issued, they are almost
-invariably printed from stereotype plates&mdash;a process
-said to have been invented by William Ged, a goldsmith
-in Edinburgh at the beginning of the last
-century; the Dutch, however, with some justice,
-claim the discovery for one of their countrymen, a
-very long time before this date; at all events, the
-process was still almost a novelty when, as we have
-seen, Kelly first utilized it in London. In the
-machine-room and the press-room there are nineteen
-machines and seventeen presses constantly at work.
-Here large numbers of children’s books are produced,
-and a number of machines are devoted to colour
-printing.</p>
-
-<p>From the machine-room the sheets are taken to the
-drying-room, where they are hung up in layers upon
-screens, which, when filled, are run into a hot-air
-chamber, where the ink is thoroughly dried in six or
-eight hours.</p>
-
-<p>The bookbinding department occupies several
-large rooms, and employs two-thirds of all the work-people
-engaged. Although machines are provided
-for a great variety of operations, a large amount of
-hand-labour is found to be indispensable. As soon
-as the sheets have been thoroughly dried, they are
-folded by young women, as the machine-folding is
-only suitable for the coarser kinds of work. After<span class="pagenum"><a id="Page_409">409</a></span>
-this process, the sheets are arranged by another staff
-of girls in the proper order for binding, compressed
-in a powerful press, and notches for the binding cords
-are cut by a machine. They are then passed on to
-the sewers, who sit upon long benches plying their
-deft needles.</p>
-
-<p>The case-makers have by this time prepared the
-cases, and in connection with this department there is
-a cloth-dyeing and embossing branch, where the cloths
-are prepared; the coloured and enamelled papers for
-the insides are also made upon the premises. The
-case-makers are divided into half-a-dozen different
-sections, each of which performs a certain and distinct
-portion of the work. The pasteboard and cloth are
-first cut to the required size, and then one girl spreads
-the glue upon the cloth, a second lays the board upon
-its proper place, a third tucks the cloth in all round, a
-fourth smoothes off the work, and the covers are now
-taken to the embosser, who puts on the ornamental
-additions, and finally the books are fixed in the cases,
-and sent down to their warehouse, whence they are
-despatched to all corners of the world, principally, of
-course, to the London and New York branches.</p>
-
-<p>The lithographic establishment comprises a number
-of rooms. Sixteen machines and presses are constantly
-engaged, principally in the production of maps,
-book illustrations, coloured pictures, and the beautifully-tinted
-lithographic views, which Messrs. Nelson
-were mainly instrumental in introducing to the notice
-of the public. Among the artists employed here in
-executing preliminary work are photographers,
-draughtsmen, steel, copper, and wood engravers, and
-electrotypers. By a process patented by Messrs.
-Nelson, in conjunction with Mr. Ramage (to whose<span class="pagenum"><a id="Page_410">410</a></span>
-services they owe much of the superiority of their
-illustrations), a drawing or print may be converted
-into an engraving suitable for printing from by the
-simple action of light, and these engravings, either for
-copper-plate or letter-press printing, may be multiplied
-and made larger or smaller at will. The storerooms
-are said to contain upwards of fifty thousand
-wood-cuts and electrotypes.</p>
-
-<p>Even the inks and varnishes are manufactured upon
-the premises.</p>
-
-<p>Messrs. Thomas Nelson and Sons employ some
-four hundred and fifty work-people in their establishment,
-about one-half of whom are young women.</p>
-
-<p>The whole of Scotland is of course supplied from
-the head-quarters in Hope Park; but they have also
-large branches in London and New York. The
-former&mdash;situated in, or rather forming, Warwick Buildings,
-at the corner of Paternoster Row&mdash;is, though a
-branch, as large a bookselling warehouse as any in
-London, and in its interior arrangements is unrivalled.
-The basement storey is devoted to the stowage of
-wholesale stock and the execution of export and
-country orders, and over the shop there are four lofty
-floors.</p>
-
-<p>The Scotch have during the century especially cultivated
-the trade of printing and bookselling. In the
-former branch alone, ten thousand persons are employed
-in Scotland, five thousand of whom are engaged
-in the capital. In 1860 there were in Edinburgh no
-less than thirty firms, who combine the united business
-of publishing and bookselling, besides ninety who confine
-themselves to bookselling alone. The eight or
-nine leading houses, with one exception, print themselves
-the books they sell; a practice which is almost<span class="pagenum"><a id="Page_411">411</a></span>
-indigenous to Edinburgh, or, at all events, does not
-obtain in London. The advantage of cheap labour,
-which includes, of course, cheap paper, are here so
-great, especially in the issue of large editions, as to
-more than counteract the drawback in the shape of
-transit cost to, and agents’ commission in, London.
-We have already entered into the history of several
-of these leading Edinburgh houses, and as our space is
-growing scanty, we can scarcely now do more than
-mention the firm of Oliver and Boyd; and though,
-from their long standing and importance, the career
-of the house would afford material for an interesting
-chapter, we must hope to have an opportunity of recurring
-to the subject at a not very distant time.
-Formerly Oliver and Boyd enjoyed a very large share
-of the Scotch country business, and occupied indeed
-much the same position in the northern, as is held by
-Simpkin, Marshall, and Co., in the southern, capital.
-Of later years, however, their attention has been more
-exclusively fixed upon the publication of educational
-works, and among the writers whose books have been
-issued by them, the names of Spalding, Reid, Morell,
-White, and McCulloch, are known to every schoolboy.
-“The Edinburgh Academy Class-Books” have
-also attained a very wide circulation far beyond the
-walls of the Edinburgh Academy; and “Oliver and
-Boyd’s Catechisms,” published at the low price of
-ninepence each, are used in nearly all elementary
-classes where science, in any form, is taught. As a
-book of reference for students of every grade, of a
-larger growth, <cite>Oliver and Boyd’s Edinburgh Almanac</cite>
-is, perhaps, unrivalled for the fulness and yet conciseness
-of every branch of official information, at all
-essential to the inhabitants of Scotland.</p>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_412">412</a></span></p>
-
-<div class="chapter">
-<div id="if_i_412" class="figcenter" style="width: 373px;">
- <img id="hdr_14" src="images/i_412.jpg" width="373" height="79" alt="" /></div>
-
-<h2 class="nobreak"><i>SIMPKIN, MARSHALL, AND CO.</i>:<br />
-
-<span class="subhead">COLLECTING FOR THE COUNTRY TRADE.</span></h2>
-</div>
-
-<p class="drop-cap"><span class="smcap1">We</span> have, by this time, given historico-biographical
-notices of publishers and booksellers, representing
-very various phases of the “trade;” but we
-have still to show how, in the economy of publishing,
-and through an ingenious division of labour, the
-smaller booksellers in town, and all the booksellers in
-the country and the colonies, are kept constantly supplied
-with books and periodicals.</p>
-
-<p>Before a new book is published, the work is taken
-round to the larger houses in the “Row,” and other
-parts of London, and “subscribed,” that is the first
-price to the trade, and the actual selling price to the
-public are quoted, and orders at the former price are
-given, according to the purchaser’s faith in the expected
-popularity of the work in question.</p>
-
-<p>The wholesale houses, in their turn, supply all the
-country, colonial, and smaller London orders, reaping,
-of course, a due advantage from having the volumes
-demanded already stowed in their warehouses.</p>
-
-<p>By far the largest business in this branch of the<span class="pagenum"><a id="Page_413">413</a></span>
-trade is executed by the old-established firm of
-Simpkin, Marshall, and Company, and though they
-by no means confine their attention solely to the commission-paying
-business of middlemen&mdash;for they are
-themselves publishers of educational and other widely-circulating
-works&mdash;yet their name has long, throughout
-the length and breadth of the land, been held
-synonymous with this wholesale supply of the requirements
-of other houses.</p>
-
-<p>The real founder of this enormous traffic was,
-Benjamin Crosby. The son of a Yorkshire grazier,
-he came to London to seek his fortunes, and was
-apprenticed to James Nunn, a bookseller in Great
-Queen Street. As soon as his indentures had expired,
-he obtained a situation under George Robinson&mdash;the
-“King of the Booksellers”&mdash;and, in a few years
-after this, succeeded to the business of Mr. Stalker, of
-Stationers’ Hall Court. Crosby was one of the first
-London booksellers who travelled regularly through
-the country, soliciting orders for the purpose of effecting
-sales and extending his connections. In a short
-time he acquired a pre-eminence as a supplier of the
-country houses, and also as one of the largest purchasers
-at trade sales, especially when publishers’
-stocks were sold off. The extension of the business
-had been very materially assisted by the unremitting
-exertions of two assistants&mdash;Simpkin and Marshall&mdash;and
-when, in 1814, he was stricken by a sudden attack
-of paralysis, he made over a certain portion of his
-stock and the whole of his country connection to
-Robert Baldwin, and Cradock and Joy, he left the
-remainder, with the premises and the London connection,
-to Simpkin and Marshall. Soon after this, a
-second attack deprived him of his speech, and for a<span class="pagenum"><a id="Page_414">414</a></span>
-time of his reason, and he died in the following year,
-1815.</p>
-
-<p>Under Simpkin and Marshall, which was now, of
-course, the new title of the firm, the business soon
-began again to expand, for they retained most of their
-London connections, and following Crosby’s example,
-attracted the attention of many country clients, whom
-they not only supplied with books, but for whose
-publications they became the London agents&mdash;a business
-without speculative risk, and consequently profitable.
-For instance, in 1827, an unpretentious little
-volume&mdash;“Poems by Two Brothers,” having the
-modest motto, <i xml:lang="la" lang="la">Hæc nos novimus esse nihil</i>, published
-by J. and J. Jackson, Louth, was also stamped with
-the imprimatur of Simpkin and Marshall, and thus
-they had the signal honour of being Mr. Tennyson’s
-first London publishers, though very probably the
-honour in this case was greater than the profit.</p>
-
-<p>In 1828, Simpkin retired, or rather was bought out
-of the business by Mr. Miles, who immediately took
-the financial management of the whole concern, and
-the firm adopted the new title of “Simpkin, Marshall
-and Co.” Simpkin, however, did not die until the
-25th of December, 1854, and thus enjoyed a long
-period of peaceful superannuation.</p>
-
-<p>The practice of lending their names to the works
-published by their country clients, though free from
-business venture, was not unattended by legal risk,
-for in 1834 they had an action brought against them for
-libel, which at the time attracted a very general and
-lively interest; though they were indicted solely as
-the London agents of <cite>Tait’s Edinburgh Magazine</cite>, in
-which a series of articles had appeared, reflecting on
-the conduct of Richmond, a man notorious as a spy,<span class="pagenum"><a id="Page_415">415</a></span>
-and who, as an instrument of the Government, had
-procured the execution of Hardie and his companion
-at Glasgow in the winter of 1819&ndash;20. Richmond
-laid the damages that his character had sustained at
-the absurd figure of five thousand pounds, but Mr.
-Serjeant Talfourd, to whom the defence was entrusted,
-so thoroughly exposed the antecedents and present
-means of livelihood of the plaintiff that before the
-trial was over he was absolutely fain to withdraw his
-action and elect to be non-suited.</p>
-
-<p>In 1837 Baldwin and Cradock failed, and handed
-over the country connection they had derived from
-Crosby, to Simpkin, Marshall and Company. This
-occurred on the October “Magazine day” of that year;
-for three days and three nights the partners and their
-assistants never left the establishment at Stationers’
-Hall Court, and Baldwin’s country clients were so
-pleased that they had been spared so much expected
-delay and annoyance that one and all resolved to
-keep their business in the hands of their new agents;
-and with this addition to their trade, the business
-relations of Simpkin, Marshall and Company were
-now infinitely beyond anything that even Crosby had
-before experienced.</p>
-
-<p>In 1855, Richard Marshall retired from the
-business, and consequently, the management of the
-concern remained almost entirely in the hands of Mr.
-Miles’s two sons. Marshall died at the ripe age of
-seventy-five, on the 17th of November, 1863.</p>
-
-<p>In 1859 the premises were rebuilt and enlarged,
-and every possible improvement, to save trouble and
-economise time, was introduced into the new establishment.
-Among the gentlemen who had been employed
-in the old warehouse was Mr. F. Laurie, a barrister-at-<span class="pagenum"><a id="Page_416">416</a></span>law,
-who afterwards served in the printed-book
-department of the British Museum, and who was
-widely known as the author of a “Life of Henry
-Fielding,” and as a frequent contributor to periodical
-literature. As none of the country booksellers have
-more than one London agent, by him they are
-supplied with the books and periodicals of all the
-London publishers, an arrangement that saves an
-infinity of trouble, expense and delay. A century
-ago, in the days of small things, the agent made himself
-useful to the provincial bookseller in many other
-ways than in the mere supplying of publications. In
-many cases he was expected to forward the newspapers,
-but other and stranger commissions often fell
-to his lot. A great wholesale house in London at
-the present day would be rather surprised to receive
-the following orders, which, however, all occur in a
-bookseller’s records late in the eighteenth century:&mdash;“1
-sliding Gunter from some of the instrument
-makers;” “two-eighth share of lottery-tickets;” “1 oz.
-of Maker’s Cobalt, as advertized on the cover of the
-<cite>Gentleman’s Magazine</cite>;” or a direction “to please
-and send on Saturday, and pay Mr. Barratt, Parliament
-Place, Palace Yard, Westminster, £1 0<i>s.</i> 6<i>d.</i>,
-King’s Rent, due 10th of October last, for the
-Vicarage of Holy Cross, Shrewsbury.”</p>
-
-<p>We cannot, perhaps, convey a better idea of the
-manner in which business is conducted by these
-wholesale houses in the “Row,” than by giving a
-description of “Magazine day,”&mdash;by far the busiest
-time in each month. Very quiet is Paternoster Row
-generally, and its solitude is broken only by the
-fitful and fleeting appearance of publishers, their
-agents, and literary men&mdash;the latter, as a rule, in<span class="pagenum"><a id="Page_417">417</a></span>
-clerical costume, with white neckties which betray
-their avocation as lying in “the religious publication
-line of business;” while its silence is broken by some
-venturous barrel-organ player, or by an old blind
-fiddler, whose music is appreciated and encouraged
-by the young shop-boys, lurking behind each alley
-corner to enjoy the furtive pipe. But on “Magazine
-day” all this is changed, the street is now a struggling
-scene of bustle and confusion; now every house is in
-a thrill of agitation from the garret to the cellar, and
-now every business nerve is strained. Owing to the inconvenient
-innovation of magazine proprietors, in publishing
-their periodicals on different days, “Magazine
-day” has lost much of its pristine glory, but even now
-the work commences on the eve of the chief day of publication,
-which is known consequently as “late night,”
-for the assistants are generally kept busily engaged
-till twelve or one o’clock. By the morning’s post of
-this preceding day the country orders arrive, and the
-invoices have to be made out from the lists received.
-Every regular customer has his allotted pigeon-hole,
-into which the invoices are put as soon as copied,
-together with such of the books he has ordered as are
-on the premises; for the majority of the smaller
-country booksellers take advantage of their monthly
-parcels, and to save expense of frequent railway
-carriage, include also in their orders such recent
-books as they may require. Early in the morning, or
-sometimes on the night before, the magazines arrive,
-and it is on this morning that the real work begins,
-for though as large a stock of current literature is
-kept in each warehouse as is possible, there are still
-many publishers to be sent to. While the assistants
-are busily engaged sorting out the books, and supplying<span class="pagenum"><a id="Page_418">418</a></span>
-each order with the works they have in hand, the
-“collectors” are furnished with lists of the books
-required from other houses. The “collector” is by
-no means an unimportant person in a publisher’s
-establishment; though “seedy” in attire and suspicious
-in general appearance, he is entrusted with large
-sums of money, for the cheaper publications are all
-paid for in ready cash. Bag in hand he rushes in hot
-haste all over London, and with an impudent tongue
-and a pair of brawny shoulders, thrusts himself to
-the front place before each publisher’s counter. As
-we listen for a moment to the reply he receives as to
-the price of a cheap periodical, we may gain an insight
-into the middleman’s system of profit. “Sixes are
-fours and twelves are thirteens!” yells the shop-boy,
-the which being interpreted means that the wholesale
-price of the sixpenny periodical in question is
-fourpence, and that thirteen copies go to the dozen.</p>
-
-<p>The bustle at each establishment is, of course,
-greatly increased by the fact that each house has to
-supply the wants of others, as well as to satisfy its
-own&mdash;all the counters of the wholesale booksellers
-being filled with screeching collectors, with greedily-gaping
-bags. Early in the afternoon, however, the
-collectors return, and now the books, magazines, and
-invoices are carried into the packing department, and
-such works as could not be obtained are written off
-as “out of print,” &amp;c. Packing is an art not easily
-acquired, and necessitates the patient and skilful use
-of much brown paper, and, in many houses, of paper-pulp
-stereo-moulds, by way of stiffening. The
-smaller parcels are finished first, and as soon as all
-are ready for removal the carriers’ carts and vans
-arrive; all entering the Row in regular order from<span class="pagenum"><a id="Page_419">419</a></span>
-the Ludgate Hill end, and leaving it in the direction
-of Cheapside. By the time that peace and quietude
-are restored to the neighbourhood, some two and a
-half millions of volumes and periodicals (Simpkin,
-Marshall and Company alone having probably
-despatched from six to eight hundred different
-parcels) are flying from London to all parts of the
-kingdom&mdash;to be greedily devoured and depreciatingly
-criticised on the morrow.</p>
-
-<p>Not the least profitable portion of the business
-done by Simpkin, Marshall and Company lies in their
-Colonial trade, for in this branch, in common with
-other houses, they insist upon ready money payments,
-and consequently all bad and doubtful debts are
-avoided.</p>
-
-<p>Besides holding many valuable copyrights in educational
-works, and publishing to a large extent upon
-commission, they, as we have previously shown, are
-the London agents for all works published by their
-country clients. Nothing, perhaps, is more curious
-among modern “literary curiosities” than the sudden
-and unparalleled popularity of a small pamphlet
-entitled “Dame Europa’s School,” written in a style
-and manner not unfamiliar to us in Swift’s inimitable
-“Tale of a Tub;” witty, certainly, and undeniably
-apropos to the times, this clever skit was taken by
-its author, Mr. Pullen, a minor canon of Salisbury
-Cathedral, through the usual round of the London
-publishers, and, as usual with pamphlets, they one
-and all declined even to read the manuscript. Mr.
-Pullen, in despair, gave it to Mr. Brown, a bookseller
-of Salisbury, to publish on commission&mdash;that is, the
-author undertook all the risk, and the publisher
-charged merely a certain percentage on the sales&mdash;and<span class="pagenum"><a id="Page_420">420</a></span>
-limited the amount that was to be spent in advertising
-to two or three pounds. As Simpkin, Marshall
-and Company were Mr. Brown’s London agents, the
-metropolitan sale was entrusted to their care. Without
-any further trouble or expenditure, the little
-venture was launched, and in something like a week
-had created such a <i xml:lang="fr" lang="fr">furore</i> that the printing had to be
-transferred to London, and Mr. Pullen is stated to
-have cleared a handsome sum from the extraordinary
-sale of his pamphlet, and the commissions gathered by
-the London and the country publishers were certainly
-unprecedented in connection with a little venture of this
-description. The London booksellers to whom it had
-been offered now began to bestir themselves, and in a
-few weeks there were no less than seven-and-thirty
-imitations of “Dame Europa’s School” in the field,
-more than one of which are said to have been written
-by very high dignitaries of the Church. All of these
-have, however, already disappeared from circulation,
-though it seems probable that the marvellously clever
-illustrations to the original “Dame Europa’s School,”
-by Mr. Nast, one of the few really humorous artists
-that America has produced, will preserve it for a time
-from the usual fate of ephemeral literature.</p>
-
-<div id="if_i_420" class="figcenter" style="width: 93px;">
- <img src="images/i_420.jpg" width="93" height="115" alt="" /></div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_421">421</a></span></p>
-
-<div class="chapter">
-<div id="if_i_421" class="figcenter" style="width: 358px;">
- <img id="hdr_15" src="images/i_421.jpg" width="358" height="83" alt="" /></div>
-
-<h2 class="nobreak"><i>CHARLES EDWARD MUDIE</i>:<br />
-
-<span class="subhead">THE LENDING LIBRARY.</span></h2>
-</div>
-
-<p class="drop-cap al"><span class="smcap1">Leaving</span> for a while the publishers and vendors
-of books, we come now to the truest disseminators
-of literature among those who would otherwise
-have formed a non-reading, non-thinking, untaught
-class in the community&mdash;a class who, originally at all
-events, were shut out from the inheritance of the
-precious garnerings bequeathed by long generations
-of writers having aught of genius, wit, or industry to
-leave behind&mdash;for they were debarred from all enjoyment
-of such heritage through their sheer inability to
-pay the literary legacy duty demanded by the appointed
-tax-gatherers, the booksellers.</p>
-
-<p>In former times, of course, the very capability to
-read was confined to the student, and to the poor
-student especially were the early circulating libraries
-addressed. The first circulating library of which we
-have any authentic history&mdash;for most history is much
-other than authentic&mdash;was, according to Dr. Adam
-Clarke and other eminent antiquarians, founded at<span class="pagenum"><a id="Page_422">422</a></span>
-Cæsarea about the year 309 <span class="smcap smaller">A.D.</span>, by St. Pamphilus,
-who united in his character the best attributes of the
-Christian and the philosopher. In a few years the
-library contained upwards of 30,000 volumes, an
-enormous number, considering the age at which it
-existed. The collection was, however, intended only
-for religious purposes, and the loan of the books was
-distinctly confined to “religiously disposed persons.”
-At Paris and elsewhere traces of this collection are
-still said to exist.</p>
-
-<p>In the middle ages, the practice of lending out
-books, or exchanging them between monastery and
-monastery, was not uncommon, and by the early
-stationers of Paris the manuscripts were cut up into
-small portions (much as the present librarian’s novel
-requires to be divided into three volumes), to the
-greater profit of the lenders; but we come to very
-modern times before we find that circulating libraries,
-in the modern acceptation of the term, were established.</p>
-
-<p>The first circulating library in London was founded
-by Wright, a bookseller of 132, Strand, about the year
-1730. Franklin, writing of a time some five years
-previous to this, says:&mdash;“While I lodged in Little
-Britain, I formed an acquaintance with a bookseller of
-the name of Wilcox, whose shop was next door to
-me. <em>Circulating libraries were not then in use.</em> We
-agreed that for a reasonable retribution, of which I
-have forgotten the price, I should have free access to
-his library, and take what books I pleased, which I
-was to return when I had read them.” Among
-Wright’s earliest rivals were the Nobles, John Bell
-(the cheap publisher), Thomas Lowndes, and notably
-Samuel Bathoe, who died in 1768, and to whom,<span class="pagenum"><a id="Page_423">423</a></span>
-erroneously, the credit of the innovation has been
-very generally attributed. As late, however, as 1770,
-there were only four real circulating libraries in the
-capital.</p>
-
-<p>The practice soon spread through the country.
-Shortly after Wright’s death, Hatton established a
-circulating library at Birmingham. In 1745, Watts
-introduced a circulating library into Cambridge,
-greatly extended afterwards by John Nicholson,
-known by the <i xml:lang="fr" lang="fr">sobriquet</i> of “Maps,” who used to
-carry a sack of books to each undergraduate’s rooms,
-in case they felt a sudden inclination for reading
-something newer than Homer, Xenophon, or Euclid.
-By the year 1755 we find that circulating libraries had
-extended to the extreme north of England, for Newcastle
-then boasted the possession of two.</p>
-
-<p>Though the custom was rapidly obtaining in town
-and country, the books lent out to read were generally
-very similar in title to those in the famous list in the
-“Rivals,” which caused Sir Anthony Absolute’s condemnation&mdash;“A
-circulating library in a town is an
-evergreen tree of diabolical knowledge; it blossoms
-throughout the year. And depend on it, that they
-who are so fond of handling the leaves will long for
-the fruit at last.” We have still only to go to our
-little country towns and petty watering-places&mdash;few
-now, fortunately, still beyond the arm of “Smith”
-or “Mudie”&mdash;to see the circulating library in its
-pristine form.</p>
-
-<p>At first the benefits that must inevitably accrue
-from the movement to the publishers as well as to the
-public were by no means recognized. Lackington
-tells us that “when the circulating libraries were first
-opened the booksellers were most alarmed, but<span class="pagenum"><a id="Page_424">424</a></span>
-experience has proved that the sale of books, so far
-from being diminished thereby, has been most greatly
-increased.”</p>
-
-<p>Under the care of Hookham and Eber, these circulating
-libraries did undoubtedly improve, for the
-proprietors now began to consider the wants of
-students as well as the idle pleasure of loungers who
-thought with Gray that the acmé of human happiness
-consisted in lying upon a sofa reading the latest
-licentious novelties of Crébillon <i xml:lang="fr" lang="fr">fils</i> and his genus.
-The movement was further accelerated by the foundation
-of book-clubs, the first of which is said to have
-sprung out of Burn’s “Bachelor’s Club.” For forty
-or fifty years these book-clubs did good service in the
-cause of education and progress, especially under the
-fostering care of Mr. Charles Knight and the Society
-for the Diffusion of Useful Knowledge; but soon an
-organizing genius arose who was not only to render
-book-clubs, save those affiliated to his own, unnecessary,
-but was to develop the full power of co-operation
-in the circulating library itself. And his advent
-was favoured by a wonderfully extended system of
-transport through the agency of the railways.</p>
-
-<p>Charles Edward Mudie was born in the year 1818,
-in Cheyne Walk, Chelsea, where his father kept a
-little newspaper shop, at which stationery and other
-articles were retailed, and where books of the fugitive
-fiction class could be borrowed at the usual suburban
-charge of a penny the volume.</p>
-
-<div id="if_i_424" class="figcenter" style="width: 406px;">
- <img src="images/i_424.jpg" width="406" height="528" alt="" />
- <div class="caption">Charles Edward Mudie, founder of Mudie’s Library.</div></div>
-
-<p>Mr. Mudie’s education was, as he says, “properly
-cared for,” and he stayed at home assisting in his
-father’s business until he was twenty-two years of age;
-and even in his early days he made it his great ambition
-to possess a circulating library of his own, declaring<span class="pagenum"><a id="Page_425">425</a></span>
-that when once he was started he would be second
-to none.</p>
-
-<p>In the year 1840, he opened a little shop in Upper
-King Street, Bloomsbury, and he carried on precisely
-the same trade as his father did in Cheyne Walk.
-By degrees, however, he neglected the newspaper and
-general stationery business, and devoted himself more
-exclusively to the circulating library, which he increased
-at such a rapid rate that the father became
-alarmed at the speculative spirit of his son. In 1842,
-Mr. Mudie commenced his system of lending out one
-exchangeable volume to subscribers at the rate of
-a guinea per annum; and as he made the addition of
-every new work, immediately upon its publication, a
-feature in his establishment, he produced an entire
-revolution in the circulating library movement, and
-was rewarded by a rapidly increasing number of subscribers.
-Nor did he at this early period confine his
-dealings solely to circulating the books of other publishers.
-He was himself in some instances a publisher,
-and from his establishment issued the first English
-edition of James R. Lowell’s “Poems,” and Mr. George
-Dawson’s first “Orations.”</p>
-
-<p>In 1852 the library had grown too large for the
-house in Upper King Street, and he removed his
-business to two houses which form part of his present
-establishment&mdash;the penultimate house in New Oxford
-Street, and the penultimate house in Museum Street;
-and though the corner house intervened, the two were
-connected by a passage. Gradually, as the business
-grew, the houses on either side were absorbed. In
-1860 the large hall was opened, and inaugurated by a
-festive gathering of literary men and publishers; and
-the entire block of building, as it stands at present,<span class="pagenum"><a id="Page_426">426</a></span>
-occupies the sites of eight houses, and even now great
-additions are being made to the rear of the premises.
-As the popularity of the library increased, branch
-houses were opened in the city, in Birmingham and
-Manchester, and arrangements were made with literary
-institutions, provincial libraries, book-clubs, and societies.</p>
-
-<p>The magnitude of the business had, however, now
-grown beyond the limit of individual capital, and, in
-1864, Mr. Mudie found it desirable to form his library
-into a limited liability company. The value of
-the property was estimated at £100,000; of this he
-reserved £50,000, and the remaining £50,000 was
-immediately subscribed by Mr. Murray, Mr. Bentley,
-and other publishers; Mr. Mudie’s services being,
-naturally, retained at a salary of £1,000 per annum,
-in addition to his half interest in the business.</p>
-
-<p>This change, and the increase of capital, proved in
-every way beneficial to the expansion of the library;
-and since penning this account we have received a
-circular announcing an enormous increase of business.
-From the 18th August, 1871, the Directors of
-Mudie’s Select Library (Limited) became possessors
-of the English and Foreign Library and its large
-connection. This library, which was originally known
-as “Hookham’s,” at one time possessed one of the
-finest collections of rare and valuable standard works
-in London.</p>
-
-<p>On entering Mudie’s Select Library, from New
-Oxford Street, we pass through the show-rooms devoted
-to the sale of bound books; for though the directors do
-not enter into the usual speculations of the bookselling
-trade, the clean copies of popular works are put into
-ornamental bindings, and in this manner a very<span class="pagenum"><a id="Page_427">427</a></span>
-extensive business is done in works adapted for
-presents and prizes. Behind these show-rooms stands
-the Great Hall, a large room, on the wall of which
-16,000 of the current works most in vogue are
-shelved. What most strikes us here is the great
-order and method that everywhere obtains. The
-volumes are arranged in alphabetical order, and every
-attendant goes straight to the required book, without
-hesitation or delay. For each London customer a
-card is reserved bearing his name, and these cards
-are kept, like the books, in an alphabetical system.
-The books taken out are entered on the card, the
-books brought back ticked off, and the method is
-found to be as successful as it certainly is simple.
-The longer lists of large and country subscribers are
-still, however, entered in the ledgers. Proceeding
-upstairs to the first floor, we find books, still current,
-but not quite so incessantly called for. On the first
-floor, too, we have the private offices for clerks, and
-the foreign department. Mudie’s collection of German
-works is the best of any of the London circulating
-libraries, and the German books are said to be much
-more earnestly read than the French, occasional and
-popular novels, of course, excepted. On the higher
-floors the standard catalogued works are stowed, their
-popularity diminishing as the altitude of their resting
-place increases. As soon as a book is published in a
-shilling or other cheap edition, it ceases to be much
-demanded here. For instance, Lord Lytton’s novels
-are in very little request. On the contrary, we were
-told that no sets of books are so rapidly “worn out”
-as the works of Charles Dickens.</p>
-
-<p>The stock of books is so incessantly varying
-through the sale of old and the purchase of new<span class="pagenum"><a id="Page_428">428</a></span>
-volumes, that we were told that it was impossible to
-give anything like an estimate of the numbers. Some
-idea of the magnitude of the library may, however, be
-gathered from the <span class="locked">following:&mdash;</span></p>
-
-<p>Of the last two volumes of Macaulay’s “History of
-England,” 2400 copies were taken, and the public
-demand for them was so extraordinary that a whole
-shop, now the large room on the left as one enters,
-was devoted to their stowage and exchange. There
-were taken, of Dr. Livingstone’s first African Travels,
-2000 copies; and of Mr. Tennyson’s “Enoch Arden,”
-2500 (the largest number required of any poetical
-work); of Mr. Disraeli’s “Lothair” 1500 copies were
-at first subscribed, but it was soon found necessary to
-increase the number to 3000. The demand was,
-however, as brief as it was eager, and the monumental
-pile of “remainders” in Mr. Mudie’s cellar is the
-largest that has ever been erected there to the hydra
-of ephemeral admiration. About 600 copies of each
-of the two great reviews&mdash;the <cite>Edinburgh</cite> and <cite>Quarterly</cite>&mdash;are
-required as a first instalment; but should any
-article prove more than usually attractive to the
-public, a large addition is made&mdash;this was notably
-the case with that number of the <cite>Quarterly</cite> containing
-the famous article on the “Talmud;” 100 copies of
-the <cite xml:lang="fr" lang="fr">Revue des Deux Mondes</cite> are required fortnightly
-to satisfy foreign students; and we believe that, of all
-novels which are likely to prove ordinarily popular,
-as many as 400 are at once ordered. The onus of
-selecting the books rests entirely in Mr. Mudie’s own
-hands, and it has often been objected that his decisions
-are somewhat arbitrary;&mdash;for instance Mr.
-Swinburne is tabooed, while M. Paul de Koch is made
-free of the establishment&mdash;that, in short, the subscribers<span class="pagenum"><a id="Page_429">429</a></span>
-should be considered as responsible judges of what
-books they do, and do not, desire to read. However,
-as it is, Mr. Mudie’s principles of selection are broad
-enough to satisfy very various classes of readers. Of
-course the largest class of all are the novel-devourers,
-and it is said that, as the coarser novels of the day
-are almost exclusively written by women, so it is by
-women that they are chiefly patronised. The large
-field opened to female labour in the manufacture of
-library fiction is worth a moment’s consideration, for
-the road has been cleared towards it, not by platform
-gatherings of stentorian amazons, but simply by the
-ordinary laws of supply and demand.</p>
-
-<p>On analysing Mudie’s clearance catalogue for
-August, 1871 (and this catalogue is one of the best
-guides to the popular novel literature of the last few
-years), we find that there are 441 works of fiction
-written by authors under their own names, or by
-authors whose pseudonymes are perfectly well known.
-Of these 441 distinct works, 212 are written by men,
-and 229 by women; so that, by what seems to us a
-not unfair test, actually more than half the novels of
-the day are written by female authors. To another
-large class of readers (the good people who go to Mr.
-and Mrs. German Reed’s entertainments, and not to
-the theatre), the ordinary novels are <i xml:lang="fr" lang="fr">caviare</i>; and
-they require their fiction seasoned, not by sensation,
-but by religious precept. Scientific books, once
-asked for only by students, are vastly increasing in
-popularity; and the “fairy tales of science,” as
-narrated by a Huxley or a Darwin, are beginning
-to be as eagerly demanded as the latest productions
-of Miss Braddon or Mr. Wilkie Collins.</p>
-
-<p>In the basement cellars, extending under the whole<span class="pagenum"><a id="Page_430">430</a></span>
-building, the “remainders” are stowed in huge bales,
-ready for sale or export. These are principally purchased
-by the country circulating libraries, and by
-shippers to the colonies and British possessions; and
-thus the name of Mudie&mdash;and the well-known yellow
-label, familiar in every English household&mdash;is carried
-wherever the English tongue is spoken.</p>
-
-<p>About eighty assistants are employed in the central
-house alone, without reckoning those engaged in the
-city and the country branches. The system of leaving
-books at the subscribers’ own homes, recently introduced,
-is becoming more and more popular: five vans
-go out daily on their respective rounds, and 8000 calls
-are generally made in the course of the week.</p>
-
-<p>Mr. Mudie’s services as a public benefactor in the
-cause of extended education, were some years since
-publicly recognized by the ratepayers of Westminster,
-in his election to the London School Board; and it is
-to be hoped that his knowledge of the practical use of
-the boon conferred upon the higher classes by the increased
-facilities of book-hiring, may lead him to urge
-upon his colleagues the advisability of establishing
-free circulating libraries for the use of those whose
-educational guardians they have recently become.
-The gift of tools is of very little moment to any one,
-if there is to be no occasion for their use; and in many
-instances it will be an absolute cruelty to teach children
-to read, and then to hurl them back on the atrocious
-literature of slum shops. At present, the fact that
-London is still without any pretence to a free circulating
-library, or indeed to an absolutely free library
-of any kind, is doubly disgraceful to our pachydermatous
-local authorities, because several provincial towns
-have shamed us by a good example. When the<span class="pagenum"><a id="Page_431">431</a></span>
-schoolmaster first began to bestir himself abroad in
-England, a taste for reading was encouraged, which
-soon spread in every direction, and by degrees a loud
-demand, satisfied at present only in a very limited
-degree, began to make itself heard for the establishment
-of free libraries.</p>
-
-<p>In 1845, Mr. William Ewart succeeded in passing a
-bill through the House to encourage the establishment
-of museums, and, legally intended, to include also
-libraries. By this act the local authorities, in towns
-with a population exceeding 10,000, possessed the
-power of levying a halfpenny rate for this purpose;
-and the sum so raised was to be spent in providing
-buildings, and in paying the expenses of conservation,
-not of accumulation. At this time, an official inquiry
-shows us that Manchester, with a population of
-360,000 persons, was the only town in the kingdom
-which possessed a perfectly free library&mdash;this was the
-Chetham <em>Endowed</em> Library (said to be the oldest in
-Europe), which consisted of only 19,000 volumes.
-A further act was passed in 1850, distinctly referring
-to libraries, under the title of the “Public Library and
-Museum Act,” by the provisions of which a majority
-of the ratepayers, at any properly summoned meeting,
-can levy a halfpenny in the pound for the establishment
-of free libraries.</p>
-
-<p>In 1852, chiefly owing to the exertions of the late
-Sir John Potter, the Manchester Free Library was
-opened, and is supported by the ratepayers. Since
-that time, four additional free lending libraries, with
-newspaper-rooms attached, have been affiliated to it.
-In 1869 the main library contained upwards of 84,000
-volumes. A guarantee from any householder is all that
-is required by those wishing to partake of the benefits
-of the Manchester libraries.</p>
-
-<p><span class="pagenum"><a id="Page_432">432</a></span>
-The Liverpool Library, the best used of all these
-institutions, was founded chiefly through the munificence
-of Mr. William Brown, who, at its opening in
-1860, was created a baronet. It consists of a reference
-and two lending libraries, and in 1867, though there
-were only 45,668 volumes in the reference library, the
-daily issue of books actually averaged 2041.</p>
-
-<p>At Bebbington, a suburb of Liverpool, or, more
-justly, of Birkenhead, a very excellent free circulating
-library has been established by Mr. Meyer, the eminent
-goldsmith and antiquarian, and its advantages
-are duly appreciated by the residents for miles around.</p>
-
-<p>At Birmingham there are five different libraries
-and reading-rooms, containing, in all, 52,269 volumes.
-In 1869, 300,031 volumes were borrowed by 9688
-persons, of whom no fewer than 5607 were under
-twenty years of age.</p>
-
-<p>The “lending library” at all these towns appears
-to be of a more popular character than the “reference
-library,” though both are essential.</p>
-
-<p>After this short survey, it does indeed seem disgraceful
-to the London authorities that now, when
-the State is absolutely preparing its weapons to battle
-with Ignorance, when Education is to be made possible
-to all, patent to all, Mr. Mudie should be allowed,
-unrivalled, to supply so admirably the literary wants
-of the wealthy, and that the poor should be refused
-the cheapest and most remunerative of all boons&mdash;a
-free opportunity of gaining knowledge.</p>
-
-<div id="if_i_432" class="figcenter" style="width: 143px;">
- <img src="images/i_432.jpg" width="143" height="52" alt="" /></div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_433">433</a></span></p>
-
-<div class="chapter">
-<div id="if_i_433" class="figcenter" style="width: 358px;">
- <img id="hdr_16" src="images/i_433.jpg" width="358" height="83" alt="" /></div>
-
-<h2 class="nobreak"><i>W. H. SMITH AND SON</i>:<br />
-
-<span class="subhead">RAILWAY LITERATURE.</span></h2>
-</div>
-
-<p class="drop-cap"><span class="smcap1">W. H. Smith</span>, the originator of the enormous
-traffic in the sale and loan of books, and in
-the sale of newspapers and periodicals, in connection
-with our extended railway system, was born on the
-7th of July, 1792. As he was, from early years, intended
-for entirely different pursuits from that which
-he eventually followed, he cannot be said to have
-received a special business training. While still a
-boy, family circumstances rendered it desirable that
-he should take the control of a small newspaper
-establishment at the West End of London, and though
-his inclinations were decidedly opposed to a petty
-trade of this nature, he made duty paramount to
-likings or dislikings, and gave all his attention to his
-business. In a short time he was able to move to a
-larger shop in the Strand, and here he added the sale
-of stationery to the newspaper traffic. At that time
-the mails were conveyed from London by coaches
-leaving at night only, so that the morning papers
-could not be received in Liverpool or Manchester
-until forty-eight hours after publication. Smith now<span class="pagenum"><a id="Page_434">434</a></span>
-conceived the idea of forwarding the newspapers by
-express parcels by the coaches leaving London in the
-morning, and as these coaches generally left before
-the delivery of the morning papers, he kept a relay of
-swift, long-legged horses, which started as soon as the
-papers came to hand, and caught up the coaches
-where they could. By this means he actually secured
-the delivery of the news in the large Northern towns
-four-and-twenty hours in advance of the mail. For some
-years the returns from this business were altogether inadequate
-to the cost and trouble incurred, and many men
-would have abandoned so desperate an enterprise, but
-Smith had faith in the scheme, and his perseverance
-was rewarded by the largest newspaper business in
-Europe. His attention was almost entirely given to
-the newspaper branch of his trade, and after a time
-everything else gave way to it.</p>
-
-<p>When railways first began to supersede coaches,
-Smith at once availed himself of the new facilities thus
-afforded in the transit of his newspapers. Up to 1848
-no systematic arrangements had been made to supply
-passengers at the stations with either papers or books.
-The privilege of satisfying public requirements had
-not been regarded as possessing any value, and the
-only idea those who had the right of selling books
-there put into actual execution was to avoid all risk
-whatsoever in providing for their possible customers.
-The result was, of course, very far from satisfactory,
-and it occurred to Smith, in 1848, to tender for the
-exclusive right of vending books and papers on the
-Birmingham Railway. The general satisfaction which
-this innovation afforded, induced the Directors of
-other companies to open the way to similar arrangements,
-and thus the newspaper trade of W.&nbsp;H. Smith<span class="pagenum"><a id="Page_435">435</a></span>
-and Son (for he had by this time taken his son into
-partnership), was established at almost every station
-of importance in the kingdom; but the original cost
-of organization was enormous, and two or three years
-elapsed before any actual profit was realised.</p>
-
-<p>Soon, of course, at the railway stalls, books as well
-as papers were vended, and the special requirements
-of passengers called into being several cheap series of
-light works of fiction, calculated to while away the
-tedium of a railway journey. By degrees, too, a
-circulating library was formed and extended, and, as
-Smith and Son possessed unparalleled advantages in
-the way of cheap transit of goods, and in their
-already-established branches, extending throughout
-the kingdom wherever the iron horse had previously
-cleared the way, they were able to supplement
-Mudie’s Library most efficiently.</p>
-
-<p>In 1852 W.&nbsp;H. Smith, senior, first felt the symptoms
-of a diseased heart, and in 1854 he retired from business
-altogether, spending the remainder of his days at
-his country residence at Bournemouth, and here he
-died on the 28th of July, 1855.</p>
-
-<p>Upon Mr. W.&nbsp;H. Smith, son of the founder, the
-business now devolved, and, while extending its ramifications
-in all directions, he found time and opportunity
-to embrace a career of more general utility.
-Elected by the householders of Westminster as a
-member of the House of Commons, to the exclusion
-of Mr. J.&nbsp;S. Mill, he has won the good opinions of all
-parties by the active part he has always taken in
-Metropolitan matters, and by the staunchness with
-which he has defended the privileges of London
-citizens. The confidence of the public was again
-expressed in his favour when he was chosen a member<span class="pagenum"><a id="Page_436">436</a></span>
-of the School Board for London. It is understood
-that of late years a great part of the management of
-the business establishment has devolved upon Mr.
-Lethbridge, the junior member of the firm.</p>
-
-<p>As we have already, in our chapter on Mr. Mudie,
-devoted ourselves especially to the circulating library,
-we will endeavour here to give only a short account
-of the newspaper business of W.&nbsp;H. Smith and Son.</p>
-
-<p>If we walk down the Strand at four o’clock in the
-morning, we find the whole street deserted and dull
-until we reach a row of red carts, bearing the name
-of the firm. When, however, we enter the establishment
-by which they are waiting, all is business and
-bustle. The interior of the large building is, in shape,
-not unlike a bee-hive; the ground-floor forms, as it
-were, the pit, and the two galleries the boxes, of a
-theatre. In these galleries nearly two hundred men
-and boys are already busy folding papers.</p>
-
-<p>At five o’clock the “dailies” begin to arrive, and the
-advent of the <cite>Times</cite> is hailed with a consternation of
-enthusiasm. The huge bundles are fiercely attacked,
-and folded off in a shorter time than one could
-imagine possible; and then the <cite>Telegraph</cite>, <cite>Daily
-News</cite>, and <cite>Standard</cite> are assaulted. As soon as the
-folding has been partially completed, a portion of the
-assistants are told off to make the proper assortment
-for each country place, and each packer has now a
-boy to wait upon him, who shouts out his individual
-wants.</p>
-
-<p>At the door the carts are waiting ready to drive off
-with the parcels to the different railway termini, and
-by about a quarter to six all the first trains out of
-London are supplied, and in less than two hours the
-whole kingdom has been fed with morning newspapers,<span class="pagenum"><a id="Page_437">437</a></span>
-including between 20,000 and 30,000 copies
-of the <cite>Times</cite>.</p>
-
-<p>This scene occurs every week-day morning, but on
-Friday afternoon, on the arrival of the weekly papers,
-the bustle of business is even greater, and the parcels
-(those for the post only) are removed by fourteen
-vans sent from the General Post Office.</p>
-
-<p>In connection with the “Railway Libraries,” it may
-be interesting to learn something of the publisher who
-has identified them with his business. Mr. George
-Routledge is a native of Cumberland&mdash;a county,
-perhaps, as much as any other, famous for the commercial
-success of its natives&mdash;who, after serving his
-apprenticeship at Carlisle, came up to London, and
-obtained employment in the house of Baldwin and
-Craddock. Soon, however, he opened a little shop of
-his own in Ryder’s Court, Leicester Square, for the
-sale of cheap and second-hand books. Here, however,
-at first he had much spare time on his hands,
-and he managed to procure a subordinate position in
-the Tithe Office. The work was not heavy, and the
-extra salary enabled him to increase his legitimate
-business. During the holiday time granted him by
-the Office, he made two or three journeys of exploration
-into the country, and found that a wide field
-existed there for a venturous and indomitable bookseller.
-Accordingly, he set to work to buy remainders,
-and having by degrees established agencies in the
-country, the young and almost unknown bookseller of
-Ryder’s Court was able to compete in the auction-rooms,
-and generally with success, against Mr. Bohn
-and other influential members of the trade&mdash;much to
-their astonishment, and not a little to their consternation.
-It was now time to give up the aid of the Tithe Office,<span class="pagenum"><a id="Page_438">438</a></span>
-and in 1845 Mr. Routledge moved to larger premises
-in Soho Square, and in 1848 Mr. William Warne, his
-brother-in-law, and for long his assistant, was admitted
-into partnership, being joined by Mr. F. Warne, three
-years later, when the firm moved again to Farringdon
-Street.</p>
-
-<p>While at Soho Square, the publications of Messrs.
-Routledge and Warne had consisted chiefly of reprints,
-and here the remainder trade had been vastly extended,
-but now they began to enter into direct
-dealings with noted authors on a scale that fully
-equalled the transactions of the first publishing
-firms. Perhaps the boldest of their early ventures
-was the offer of £20,000 to Sir E. Bulwer Lytton for
-the right of issuing a cheap series of his works for the
-term of ten years, from 1853&ndash;1863. In spite of the
-enormous outlay they were very willing, on the expiry
-of the time, to take a fresh lease of the popular
-volumes; so that an offer originally deemed by the
-trade to be Quixotic, if not ruinous, must have reaped
-the success that its liberality and boldness deserved;
-and by their association with Sir E. Bulwer Lytton, a
-great <em>prestige</em> was at once acquired. Similar arrangements
-were made with other distinguished novelists,
-nearly all of whom we have met before in our previous
-article on Colburn&mdash;Mr. G.&nbsp;P.&nbsp;R. James, Mr.
-Disraeli, Mr. Harrison Ainsworth, and Mr. Howard
-Russell; while these successful re-issues were quickly
-followed by the publication of original works by
-Mayne Reed, Grant, and others, and by the first
-English edition of many of Prescott’s and Longfellow’s
-productions.</p>
-
-<p>The various popular series known as the “Railway
-Library,” the “Popular Library,” &amp;c., comprising<span class="pagenum"><a id="Page_439">439</a></span>
-many hundred volumes of standard works, afforded
-the chief business at Smith’s bookstalls, and were,
-through Mr. Routledge’s complete network of agents
-and connections, scattered broadcast over the country.
-Among the first books they brought out at a shilling
-were the works of Fenimore Cooper, Captain
-Marryat, Washington Irving, and Mrs. Stowe. Of
-“Uncle Tom’s Cabin” half-a-million copies are said
-to have been sold. Of Russell’s “Narrative of the
-Crimean War,” 20,000; of Soyer’s “Shilling Cookery,”
-250,000; and of “Rarey on Horse Training,” 150,000
-copies were disposed of in a very few weeks. As
-an example of the energy and enterprise of the firm,
-it is stated that when the copy of “Queechy” was
-received upon one Monday morning, it was at once
-placed in the printer’s hands; on Thursday the sheets
-were at the binder’s, and on the Monday following
-20,000 copies had been disposed of to the trade.</p>
-
-<p>Besides these cheap works, Mr. Routledge has issued
-a multitude of more expensive volumes, illustrated by
-the best artists, and “got up” in the most luxurious
-styles. Among these it will be enough here to mention
-his numerous Shakespeares, Wood’s “Natural History”
-and Wood’s “Natural History of Man,” and
-Routledge’s “English Poets.” How extensive the
-Fine Art business of the firm must have been may be
-gathered from the fact that before 1855 they had
-paid one engraving house&mdash;the Messrs. Dalziel
-Brothers&mdash;upwards of £50,000.</p>
-
-<p>In 1854, Mr. Routledge established a branch house
-at New York, and in 1865, Mr. F. Warne&mdash;his brother
-had previously died&mdash;on the termination of the partnership,
-established a fresh business in Bedford Street,
-Covent Garden. With his two sons&mdash;Mr. Robert and<span class="pagenum"><a id="Page_440">440</a></span>
-Mr. Edmund Routledge&mdash;the founder now carries on
-the business at Broadway, Ludgate Hill, having
-removed thither when the railway improvements took
-place in Farringdon Street.</p>
-
-<blockquote>
-
-<p><span class="smcap">Note.</span>&mdash;For these statistics and much of our sketch we are indebted
-to a writer in the <cite>Bookseller</cite>, who “obtained the information from trustworthy
-sources.”</p></blockquote>
-
-<div id="if_i_440" class="figcenter" style="width: 129px;">
- <img src="images/i_440.jpg" width="129" height="143" alt="" /></div>
-
-<hr />
-
-<p><span class="pagenum"><a id="Page_441">441</a></span></p>
-
-<div class="chapter">
-<div id="if_i_441" class="figcenter" style="width: 357px;">
- <img id="hdr_17" src="images/i_441.jpg" width="357" height="75" alt="" /></div>
-
-<h2 class="nobreak"><i>PROVINCIAL BOOKSELLERS.</i></h2>
-</div>
-
-<blockquote>
-
-<p><i>York</i>: <i>Gent and Burdekin.</i></p>
-
-<p><i>Newcastle</i>: <i>Goading, Bryson, Bewick, and Charnley.</i></p>
-
-<p><i>Glasgow</i>: <i>Fowlis and Collins.</i></p>
-
-<p><i>Liverpool</i>: <i>Johnson.</i></p>
-
-<p><i>Dublin</i>: <i>Duffy.</i></p>
-
-<p><i>Derby</i>: <i>Mozley, Richardson, and Bemrose.</i></p>
-
-<p><i>Manchester</i>: <i>Harrop, Barker, Timperley, and the
-Heywoods.</i></p>
-
-<p><i>Birmingham</i>: <i>Hutton, Baskerville, and “The Educational
-Trading Co.”</i></p>
-
-<p><i>Exeter</i>: <i>Brice.</i></p>
-
-<p><i>Bristol</i>: <i>Cottle.</i></p></blockquote>
-
-<p class="drop-cap"><span class="smcap1">In</span> this short chapter on provincial bookselling, we
-shall be necessarily obliged to confine our notice
-to those representatives of the trade in the larger
-country towns who were characteristically as well as
-bibliopolically famous&mdash;who, with their native talent,
-determination, and endurance, would have succeeded
-in any walk of life, had they not, fortunately for the
-interest of our history, embraced the profession of
-bookselling.</p>
-
-<p>In old days, York was the natural capital of the<span class="pagenum"><a id="Page_442">442</a></span>
-North of England; a position acquired, of course, in
-times of ecclesiastical supremacy, but still retained for
-centuries after the Reformation. When the cost and
-difficulty of transit were great, the country folk looked
-to their own capital cities to supply them with literary
-food, and the annals of bookselling at York go back to
-nearly as ancient a date as those of London; and, indeed,
-Thomas Gent, whom we select as our representative
-of the York booksellers, might have figured in
-the earlier portion of our introductory chapter, had he
-not been reserved for a more fitting place here.</p>
-
-<p>Thomas Gent, though of a Staffordshire family, was
-born in Dublin, and was apprenticed by his parents,
-poor though industrious people, to a printer in that
-city. In 1710, after three years’ brutal treatment
-from his employers, he ran away to London, where,
-as he was not a freeman of the city, he lived upon
-what he calls “smouting work” for four years, and
-then accepted a situation with Mr. White of York,
-who, as a reward for printing the Prince of Orange’s
-declaration when all the London printers were afraid,
-had been created King’s printer for York and five
-other counties. White must have enjoyed plenty of
-business, there being few printers out of London at
-that time&mdash;“None,” says Gent, “I am sure at Chester,
-Liverpool, Whitehaven, Preston, Manchester, Kendal,
-and Leeds.” When Gent, terminating his long walk
-from London, arrived at York, the door was opened
-by “Mistress White’s head maiden, who is now my
-dear spouse,” but he had to wait nearly as long a
-time as Jacob served for Rachel before he could
-claim “my dearest.”</p>
-
-<p>Gent was as happy in York as he could well be,
-was earning money and respected by all, when his<span class="pagenum"><a id="Page_443">443</a></span>
-parents bade him come back to Dublin, and what
-made his departure grievous?&mdash;“I scarce knew, however,
-through respect of Mrs. Alice Guy.... Indeed
-I was not very forward in love or desire of matrimony
-till I knew the world better, and consequently should
-be more able to provide such a handsome maintenance
-as I confess I had ambition enough to desire....
-However, I told her (because my irresolution
-should not anticipate her advancement) that I should
-respect her as one of the dearest of friends; and receiving
-a little dog from her, as a companion on the
-road, I had the honour to be accompanied as far as
-Bramham Moor by my rival” (his master’s grandson).</p>
-
-<p>At Dublin he was soon threatened with seizure for
-having broken his apprenticeship, and though his
-friends offered to buy his freedom, he had received a
-letter from his dearest at York, saying he was expected
-there, and he could not resist the opportunity
-of meeting her again. His friends were much concerned
-at parting with him so soon, “but my unlucky
-whelp that had torn my new hat to pieces seemed no
-wise affected by my taking boat; so I let the rascal
-stay with my dear parents, who were fond of him for
-my sake, as he was of them for his own.”</p>
-
-<p>After a stay of a few months at York, he came to
-London, resolved to scrape and save money enough
-to warrant him offering a home to “Mrs. Alice Guy,”
-and in 1817 he became free of the City of London,
-and set to work in grim earnest, “many times from
-five in the morning till twelve at night, and frequently
-without food from breakfast till five or six in the
-evening, through hurry with hawkers;” for at times he
-was in a ballad-house, now toiling at case, now
-writing “last words and confessions,” now reporting<span class="pagenum"><a id="Page_444">444</a></span>
-sermons “for a crown piece and a pair of breeches”&mdash;(profitable
-penny-a-lining that!)&mdash;again printing
-treasonable papers, for which he was seized by the
-authorities; and pirating and abridging “Robinson
-Crusoe,” the first part of which appeared in 1717, for
-which greater crime he went scot free. Occasionally
-he went home, but scarcely found it worth his while
-to stay in Dublin, and his parents’ “melting tears
-caused mine to flow, and bedewed my pillow every
-night after that I lodged with them. ‘What, Tommy,’
-my mother would sometimes say, ‘this English damsel
-of yours, I suppose, is the chiefest reason why you
-slight us and your native country! Well,’ added she,
-‘the ways of Providence are unsearchable.’”</p>
-
-<p>Gent, however, “provident overmuch,” made the
-heart of his English damsel sick with hope deferred&mdash;and
-“yet” he writes, “I could not well help it. I
-had a little money, it is very true, but no certain
-home wherein to invite her. I knew she was well
-fixed; and it pierced me to the very heart to think
-if through any miscarriage or misfortune I should
-alter her condition for the worse instead of the better.
-Upon this account my letters to her at this time were
-not so amorously obliging as they ought to have been
-from a sincere lover; by which she had reason, however
-she might have been mistaken, to think that I
-had failed in my part of those tender engagements
-which had passed between us.”</p>
-
-<p>After serving some time with Watts, Tonson’s
-printing partner, and also with Henry Woodfall,
-founder of a long line of famous printers, he purchased
-a quantity of old type from Mist, the proprietor
-of the well-known journal, and just as he was
-conning over his matrimonial prospects, “one Sunday<span class="pagenum"><a id="Page_445">445</a></span>
-morning as my shoes were japanning by a little boy
-at the end of the lane, there came Mr. John Hoyle.
-‘Mr. Gent,’ said he, ‘I have been at York to see my
-parents, and am but just as it were returned to London.
-I am heartily glad to see you, but sorry to tell
-you that you have lost your old sweetheart; for I assure
-you that she is really married to your rival, Mr.
-Bourne.’ I was so thunderstruck that I could scarcely
-return an answer.”</p>
-
-<p>In this grief he betook himself to the Muse,
-and as he had formerly earned the title of the Bellman’s
-Poet, he indicted the “Forsaken Lover’s
-Letter to his Former Sweetheart,” to a tune “much in
-request, and proper for the flute;” and not caring that
-his master should know of his great disappointment,
-he gave the copy to Mr. Dodd, “who, printing the
-same, sold thousands of them, for which he offered
-me a price; but as it was on my own proper concern,
-I scorned to accept of anything except a glass of
-comfort or so.” “Proper concerns” in the shape of
-heartaches, disappointments, and miseries, have been
-traded in to better purpose by less modest singers, but
-Gent’s mental anguish seems sincere; he “was then
-worn down to a shadow,” and weary of his endless and
-now purposeless struggle. Work, however, a palliative
-if not a cure, was again eagerly resorted to, and
-Gent found employment first with Mr. Samuel Richardson,
-and afterwards, and more permanently, with
-Mrs. Dodd. Here he continued till on another
-“Sunday morning Mr. Philip Wood, a quondam partner
-of Mr. Midwinter’s, entering my chambers&mdash;‘Tommy,’
-said he, ‘all these fine material of yours
-must be moved to York,’ at which, wondering, ‘What
-mean you?’ said I. ‘Ay,’ said he,’ ‘and you must<span class="pagenum"><a id="Page_446">446</a></span>
-go to, without it’s your own fault; for your first
-sweetheart is now at liberty, and left in good circumstances
-by her dear spouse, deceased but of late.’ ‘I
-pray heaven,’ answered I, ‘that his precious soul may
-be happy; and for aught I know it may be as you
-say, for indeed I think I may not trifle with a widow,
-as I have formerly done with a maid.’” So he paid
-forthwith his coach fare down to York, and found his
-dearest much altered, for he had not seen her these
-ten years. There was no need of new courtship,
-“but decency suspended the ceremony of marriage
-for some time, till my dearest, considering the ill-consequence
-of delay in her business, as well as the
-former ties of love that passed innocently between us,
-by word and writing, gave full consent to have the
-nuptials celebrated.”</p>
-
-<p>But, alas! when he became a master instead of a servant,
-and she a mistress instead of a maid, he found her
-“temper much altered from that sweet natural softness
-and most tender affection that rendered her so amiable
-to me while I was more juvenile and she a widow.
-My dear’s uncle, White, as he calls himself, who, as
-the only printer in Newcastle, had heaped up riches,”
-was angry that he had not been chosen to manage
-his niece’s shop, and actually came to York to found
-a rival establishment. Gent started a paper, and,
-though he persevered in its publication for many
-years, he was at length out-rivalled by White. In
-the publication of books he was much more successful.
-In 1726 he printed some books “learnedly
-translated into English by John Clarke, a schoolmaster
-in Hull,” as well as two editions of Erasmus.
-But the works by which he acquired most money and
-reputation were written as well as published by himself&mdash;“The<span class="pagenum"><a id="Page_447">447</a></span>
-Famous History of the City of York,”
-“History of the Loyal Town of Ripon,” and the
-“History of the Royal and Beautiful Town of Kingstown-upon-Hill.”
-At this time his business is thus
-described by a card still existing:&mdash;“Within his well-contrived
-office aforesaid printing is performed in a
-curious and judicious manner, having sets of fine
-characters for the Greek, Latin, English, Mathematics,
-&amp;c. He sells the histories of Rome, France, England,
-particularly of this ancient City, Aynsty, and extensive
-County, in five volumes; likewise a book of the
-holy life of St. Winnifred, and her wonderful Cambrian
-fountain. He has stimulated an ingenious founder to
-cast such musical types, for the common press, as
-never yet were exhibited; and has prepared a new
-edition of his York History against the time when the
-few remaining copies of that first and large impression
-are disposed off.” He died, however, at York in
-1778, in his eighty-seventh year, in somewhat reduced
-circumstances, solely, he alleges, through the animosity
-of his uncle White. The manuscript of his interesting
-autobiography was discovered casually in Ireland, and
-was published only in 1832. From its quaintness and
-simplicity, above all from its minuteness of detail, it is
-evident enough where the abridger of “Robinson
-Crusoe” borrowed his manner and style; and the
-reader will probably not quarrel with us for having
-given as much of the narrative as possible in the
-author’s own words.</p>
-
-<p>Chief among the more recent York booksellers was
-Richard Burdekin, who died only twelve years since.
-In his younger days he was a traveller to the local firm
-of Wilson &amp; Sons, who at the beginning of the century
-were well known as publishers of the works of Lindley<span class="pagenum"><a id="Page_448">448</a></span>
-Murray, which are said at that time to have achieved
-an annual sale of 100,000 copies. What Burdekin’s
-efforts in his masters’ service were, we can gather from
-the fact that he rode his favourite horse 30,000 miles
-in search of orders, which in a short time doubled the
-receipts of his employers. Soon he joined Spence in
-an old-established business, and eventually became
-senior partner of the firm. His trade extended to forty
-miles round York, and for fifty-five years he continued
-to sell, and in a lesser degree to publish, such books as
-might suit the inhabitants of the three ridings.</p>
-
-<p>We have seen that Gent describes his dear’s uncle
-White as having heaped up riches as the only Newcastle
-printer. He could, however, scarcely have been
-the only printer there, for we find that even when
-Charles I. made Newcastle his headquarters he
-brought with him Robert Barker, who had, as we have
-elsewhere noticed, enjoyed certain patents under the
-two preceding monarchs. If there were no previous
-printers at Newcastle in Barker’s time, one, at least,
-must have started very shortly afterwards, for in 1656
-we find the death of “James Chantler, bookseller,”
-recorded, and in those times the booksellers were
-mainly supplied from local sources.</p>
-
-<p>From Chantler’s time we find that books and
-stationery were the staple commodities of Tyne
-Bridge, and for nearly a couple of centuries the
-“brigg” has been a favourite resort of the trade. We
-find the names of Randell, Maplisden, Linn, and
-Akenhead occurring in the list of the Newcastle
-Stationers’ Company; and at the close of 1746 John
-Goading printed the first number of the <cite>Newcastle
-General Magazine</cite>. “For too long,” said the preface,
-“had the northern climes been deprived of a repository<span class="pagenum"><a id="Page_449">449</a></span>
-of learning; too long had those geniuses that now
-began to shine been consealed in darkness for want of
-a proper channel to convey their productions into
-light;” but in 1760 the northern geniuses were again
-“consealed in darkness,” for the magazine came to an
-end. Four years later, however, Thomas Slack
-founded the <cite>Newcastle Chronicle</cite>, which has gone on
-continuously to the present day, being now one of the
-very best daily papers out of London. To its columns
-we are indebted for much of the preceding.</p>
-
-<p>Goading had continued his general publishing business
-with some energy, and in 1751 he issued Blenerhasset’s
-“History of England”&mdash;from the landing of
-the Phœnicians to the death of George I.&mdash;and in his
-list of subscribers we find no less than eight Newcastle
-booksellers, one of whom was Martin Bryson, the friend
-and correspondent of Allan Ramsay, the Scotch poet
-and Edinburgh bookseller, who addressed a letter to
-him in <span class="locked">rhyme&mdash;</span></p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“To Martin Bryson, on Tyne Brigg,<br /></span>
-<span class="i0">An upright, downright, honest Whig.”<br /></span>
-</div></div>
-</div>
-
-<p class="in0">Bryson’s name occurs on a title-page as early as 1722.
-His house and stock were destroyed by the great Newcastle
-fire of 1750, and after this occurrence he took,
-William Charnley, the son of a Penrith haberdasher
-and one of his many apprentices, into partnership.</p>
-
-<p>To diverge for a moment from this pedigree of
-bibliopoles, we come to by far the greatest name connected
-in any way with the production of books at
-Newcastle&mdash;that, of course, of Thomas Bewick; and
-though his life belongs more properly to the history of
-engraving, for many years the books that were illustrated
-by his pencil gave the northern town such a<span class="pagenum"><a id="Page_450">450</a></span>
-world-wide reputation that we feel justified in devoting
-a page or two to his memory.</p>
-
-<p>Thomas Bewick was born at Cherryburn, twelve
-miles to the west of Newcastle, in 1753, receiving a
-limited, but as far as it went a thorough education;
-his genius displayed itself in early childish days by
-such chalk drawings on barn-walls and stable-doors
-as have almost invariably discovered the bent of
-youthful artistic genius. At the age of fifteen he was
-apprenticed to Mr. Beilby, of Newcastle, an engraver
-in copper-plate, and though Beilby’s business lay
-rather in the production of brass door-plates, and the
-emblazoning of spoons and watches, than in Fine
-Art illustrations, the master soon appreciated and
-encouraged his pupil’s wonderful talents. During the
-period of his apprenticeship, young Bewick paid only
-ninepence a week for his lodging, and brought back a
-coarse brown loaf in every weekly visit to his home
-at Cherryburn. As soon as his term of seven years
-had expired, he still continued in Beilby’s service,
-but devoted himself henceforth to wood-engraving.
-Shortly afterwards he received a premium from the
-Society of Arts for a woodcut of the “Huntsman and
-the Old Hound,” and this induced him in the following
-year to go to London in quest of labour and
-fortune, but he found the metropolis so little to his
-liking that he writes home: “I would rather be
-herding sheep on Mickley Bank-top than remain in
-London, although for doing so I was to be made the
-premier of England.” With his distaste for town life
-and his strong love for the country&mdash;for its scenery
-changing with every season, for its living forms of
-animal and plant life, for all, in short, that incessantly
-appealed to a wonderful artistic instinct, Bewick was<span class="pagenum"><a id="Page_451">451</a></span>
-easily persuaded by his old master, Beilby, to return
-to Newcastle, and enter into partnership with him&mdash;his
-brother John becoming their joint apprentice.
-The publication of the illustrations to “Gay’s Fables,”
-and the “Select Fables,” by the brothers, spread
-their reputation far and wide, and placed them far
-above competition in the art. In 1785, Thomas
-Bewick began the cuts for his “History of Quadrupeds,”
-though the work was not completed and published
-until 1790. The “text,” or literary matter,
-was contributed by his partner, Beilby, but it was of
-course on account of the illustrations that three large
-editions were called for within three years. In this
-successful venture, the two partners were associated
-with a printer of the name of Hodgson, and unfortunately,
-after his death, the arrangement was made the
-grounds of dispute by his widow, and Bewick was
-compelled to remove the printing of the work to
-another establishment. In 1797 appeared the first
-volume of the “History of British Birds,” and almost
-immediately afterwards, Beilby retired from the
-partnership, leaving Bewick to produce and compile
-the work alone. The tail-pieces in the first edition
-of the Birds are considered Bewick’s <i xml:lang="fr" lang="fr">chefs d’œuvres</i>&mdash;as
-Professor Wilson says, “There is a moral in every
-tail-piece&mdash;a sermon in every vignette.... His
-books lie on our parlour, bed-room, dining-room,
-drawing-room and study tables, and are never out of
-place or time. Happy old man! The delight of
-childhood, manhood, decaying age!” After founding
-a famous school for wood-engravers at Newcastle&mdash;William
-Harvey was among his pupils&mdash;Bewick died
-in 1828, leaving the business to his son, Mr. R.&nbsp;E.
-Bewick.</p>
-
-<p><span class="pagenum"><a id="Page_452">452</a></span>
-Charnley left Bryson in 1755, and started a circulating
-library of 2000 volumes, the subscription being
-twelve shillings a year, and though this method of
-disseminating books had only been practised in
-London within the previous twenty years, we find
-that one Barba, who dabbled likewise in prints and
-tea, had already been for some years in the field.
-When Bryson died, Charnley succeeded to his business
-on the bridge, and after having been washed out by
-an overflow of the river, he removed to safer premises
-in the Great Market in 1777. Charnley died in 1803.
-An anecdote connected with him is still gleefully told
-by the Newcastle pitmen, and is worth repeating.
-He was deaf and obliged to use an ear-trumpet; and
-on being accosted by a collier, he clapped, as usual,
-his instrument to his ear, in order to catch the words.
-“Nay, man,” cried the pitman, not to be imposed
-upon; “thou’s not gaun to mak me believe thou can
-play that trumpet wi’ thy lug!”</p>
-
-<p>Emerson Charnley succeeded his father, and was
-styled by Dibdin “the veteran emperor of Northumbrian
-booksellers;” till 1860 this old established
-business remained in the family, when it became the
-property of Mr. William Dodd, for many years its
-manager.</p>
-
-<p>We have already referred so often to the Scotch
-publishers, that we can only find room for Glasgow
-as representing the Scotch provincial trade. Printing
-was introduced there in the year 1630 by George
-Anderson, who was succeeded in 1661 by Robert
-Saunders, and the whole printing business of the
-West of Scotland (except one newspaper) was carried
-on by Saunders and his son until 1730, when the art
-was further improved by R. Uric. Five years later it<span class="pagenum"><a id="Page_453">453</a></span>
-appears from Morrison’s “Dictionary of Decisions of
-the Court of Sessions” that a new comer “was
-debarred from any concern in bookselling within the
-city of Glasgow, because the place was judged too
-narrow for two booksellers at a time.” In the teeth
-of this arbitrary decision Robert Fowlis, who as a young
-barber had attracted the notice of some of the
-university professors, and had been encouraged to
-attend the lectures, opened a book-shop in 1739. In
-1743 he was appointed printer to the university, and
-in the following year he produced his celebrated immaculate
-edition of “Horace,” which was hung up on
-the college walls with a reward appended for every
-mistake discovered. In the course of thirty years
-they produced as many well printed classics as
-Bodoni of Parma, or Barbon of Paris, and their books,
-in exactness and beauty of type, almost rival the
-Aldine series. They endeavoured to devote the
-money which their success brought them in to the
-establishment of an academy for the cultivation of
-the Fine Arts, but this grand, and then novel, project
-produced their ruin, without in any way affecting the
-artistic taste of Scotland. After the death of his
-younger brother, Robert was compelled to send the
-collection of pictures to London for sale, and as he
-was in immediate want of money he insisted upon the
-auction taking place at a time when the picture
-market was glutted. The sale catalogue forms three
-volumes, and yet after all expenses were defrayed the
-balance in his favour amounted only to fifteen shillings.
-He died on his way back to Glasgow in 1776.</p>
-
-<p>The bookselling and book-manufacturing trades
-have changed strangely in Glasgow, since the time
-when the city was judged “too narrow” for two<span class="pagenum"><a id="Page_454">454</a></span>
-booksellers. At present these branches of industry
-are only surpassed in Edinburgh, and one Glasgow
-establishment at least is without a parallel in London.
-Messrs. Collins, Son, and Co., actually give employment
-to about seven hundred hands. The ground-floor
-of their immense building is devoted to the
-warehousing of paper, account-books, copy-books and
-general stationery. On the main floor of the establishment
-one hundred binders are constantly at work,
-and on the floor above the folding and sewing of the
-sheets is executed by two hundred girls and women.
-In the rear stands the engine-house and printing
-office where sixteen platten and cylinder typographic
-machines are kept working at full steam, upon
-dictionaries, school-books, Bibles, prayer-books, devotional,
-and other publications. Seven lithographic
-machines are constantly employed upon atlases and
-their celebrated copy-books, and it has been found
-that the finest lithographic work can be better
-executed by the machine than, as till very recently,
-at press. Everything is done on the premises, which
-extend from Stirling’s Road to Heriot Hill, except
-making the paper and casting the type.<a id="FNanchor_32" href="#Footnote_32" class="fnanchor">32</a></p>
-
-<p>As further proof of the magnitude of the business,
-we may quote a recent statement of Mr. Henderson,
-one of the partners. In 1869 there were “issued from
-the letter-press section of the establishment, no fewer
-than 1,352,421 printed and bound works&mdash;equal to
-about 4500 per day, or 450 passing through the hands
-of the workers every working hour.”</p>
-
-<p>Little more than a hundred years ago the great
-seaport town of Liverpool was a little fishing village,<span class="pagenum"><a id="Page_455">455</a></span>
-and, consequently, the bookselling trade there is of a
-very recent growth. Among the first important
-members of the fraternity were Darton and Freer;
-but perhaps the most famous Liverpool bibliopole of
-his day was Thomas Johnson. He started in Dale
-Street, in 1829, with a stock of books only large
-enough to fill the bottom shelves of his window; and
-at the back of his shop, scarce hidden, he kept his
-bed and household utensils. However, he had the
-happy knack of making friends in all quarters; and
-when at a large trade sale, offered on unusually
-advantageous terms, he had speedily emptied his
-meagre purse, and was looking wistfully at the bargains
-falling to all his neighbours, a Liverpool
-merchant bade him go on purchasing to the extent
-of £100 or £150, adding that he himself would take
-the risk. This timely aid set Johnson up in a comparatively
-princely manner, and after he had been in
-business a few years his periodical catalogue extended
-to 300 pages. At this time the country booksellers
-were chiefly dependent for their stocks upon the sales
-of private libraries, but the Liverpool booksellers
-possessed another large means of supplying their
-wants. The Bible Society in Dublin was very busy
-in distributing new Bibles in all directions, which the
-good Catholics at once carried to the pawnshops.
-These were purchased again by Mr. Duffy, who
-brought them over to Liverpool in huge sacks, and
-exchanged them for books more agreeable to the
-Irish taste.</p>
-
-<p>By degrees Johnson combined publishing and
-auctioneering with the more legitimate business. His
-first venture in the former capacity was Abbot’s
-collected works; but by far his most successful were<span class="pagenum"><a id="Page_456">456</a></span>
-the Lectures on “Revivals,” and on “Professing
-Christians,” by Mr. Finney, of which he sold 150,000
-copies. As an auctioneer, he was a lesser, or Liverpool
-edition, of Tegg, and his rooms under the
-Liver theatre were crowded nightly. On one occasion
-Johnson is said to have purchased the entire
-contents of Baldwin’s Bible room, and he was well
-known to have been the largest consumer of Bibles
-out of London; and when Arnold left the Bagsters,
-and commenced Bible printing on his own account,
-Johnson was his favourite customer. Arnold’s puffing
-hand-bills vie with the choicest pill-mongering productions.
-After a violent tirade against Puseyism he
-continues thus, <em>re</em> his “Domestic Bible,” and “Bible
-<span class="locked">Commentary:”&mdash;</span></p>
-
-<p>“He has provided you the seed; He will help you
-to sow it, He will help you to reap it. Sow it then,
-sow freely&mdash;sow largely&mdash;sow bountifully&mdash;sow perseveringly.
-It may be bought cheaply&mdash;may be had
-in any quantity&mdash;has never been known to fail in its
-effects. There are agents for its sale in every town in
-Great Britain, you may obtain it from any bookseller
-in penny and threepenny packages. Sow it, men of
-Britain&mdash;sow it in schools&mdash;in families&mdash;in every
-town&mdash;in every village&mdash;in every hamlet of England,
-Wales, and Scotland. Sow it beyond the sea&mdash;for it
-will grow on foreign shores. Send it to Ireland, to
-the Colonies, to India, to China, and sow it there.
-Send it to the continent and to Africa and sow it there.”
-And so on <i xml:lang="la" lang="la">ad nauseam</i>. The seed, however, proved
-very unprofitable to Arnold; and shortly after his
-failure Johnson was also obliged to give up business,
-having signed some unfortunate bills. He afterwards
-rejoined his father in Manchester.</p>
-
-<p><span class="pagenum"><a id="Page_457">457</a></span>
-Another well-known Liverpool bookseller was
-“Dandy” Cruikshank, of Castle Street, who maintained
-that he was the handsomest man in England,
-and whose vanity extended to his trade, for his
-specialities were books bound in pink and orange.</p>
-
-<p>At the present time there are about sixty booksellers
-in Liverpool; and Mr. Edward Howell, an apprentice
-of Johnson’s, possesses the largest stock, consisting
-of 100,000 volumes, and is known also as a religious
-publisher. Mr. Philip, another leading bookseller,
-has two establishments in Liverpool, and a branch
-house in London, while Mr. Cornish, of Holborn, has
-an establishment in Liverpool, as well as in Dublin.</p>
-
-<p>Crossing the Channel for a moment, we have an
-opportunity of saying something of the Dublin booksellers;
-but we shall not be detained long, as, in this
-branch of industry, the Irish capital presents a striking
-contrast to the Scottish. In the interval between the
-cessation of the licensing system and the Copyright
-Act of the 8th Anne, there was no legal protection
-for literary property, and book-pirates consequently
-abounded. One of the tribe has been celebrated by
-Dunton: “Mr. Lee, in Lombard Street&mdash;such a
-pirate, such a cormorant never was before&mdash;copies,
-books, men, ships, all was one; he held no propriety,
-right or wrong, good or bad, till at last he began to
-be known; and the booksellers, not enduring so ill a
-man among them, to disgrace them, spewed him out,
-and off he marched for Ireland, where he acted as
-felonious Lee (!) as he did in London.” There,
-however, till the Act of Union, in 1801, book-pirates
-abounded, greatly to the discouragement of native
-talent, and even of native industry, for Gent tells us
-repeatedly that it was almost impossible for a journeyman<span class="pagenum"><a id="Page_458">458</a></span>
-printer to earn wherewithall to exist on in the
-Dublin printing offices. In 1753 we find Samuel
-Richardson publishing a pamphlet&mdash;“The History of
-Sir Charles Grandison before Publication by certain
-Booksellers in Dublin.” It appears that sheets had
-been stolen from Richardson’s warehouse, and that
-three Irish booksellers each produced cheap editions
-of nearly half the entire novel, before a single volume
-had appeared in England. There was no legal remedy;
-but “what,” asks the <cite>Gray’s Inn Journal</cite> indignantly,
-“what then should be said of Exshaw, Wilson, and Saunders,
-booksellers in Dublin, and perpetrators of this
-vile act of piracy? They should be expelled from the
-Republic of Letters as literary Goths and Vandals,
-who are ready to invade the property of every man
-of genius.” With the Act of Union, however, the
-Dublin booksellers were made amenable to English
-law, and a dolorous cry arose that their trade
-was ruined, and that the “vested right” they had
-inherited, to prey upon the Saxon, had been abolished
-by the cruel conquerors. From this moment, of
-course, Irish bookselling was obliged to take a higher
-tone. In a few years the <cite>Dublin Review</cite> and the
-<cite>Dublin University Magazine</cite> vindicated the intellectual
-powers of the natives, and for a long time were
-widely circulated in Ireland, and were then mainly
-indebted to the enterprise of Irish authors and booksellers.
-When the Commission of National Education
-was appointed in Ireland, Mr. Thom was selected as
-a publisher, and, through their pecuniary aid, was
-enabled to bring out a series of “Irish National
-School Books,” that for cheapness and excellence
-are probably still unrivalled. These led, as we have
-previously seen, to petitions from the English publishers,<span class="pagenum"><a id="Page_459">459</a></span>
-complaining of state interference with the
-ordinary and commercial laws of bookselling, and to
-trials for infringement of copyright. However, in the
-long-run the Irish Commissioners were successful, and
-Mr. Longman, one of the complainants, eventually
-accepted their English agency. Besides his connection
-with the Commission, Mr. Thom has acquired a
-reputation in the Bookselling world by his excellent
-“Irish Almanac,” which, till recently, was unrivalled
-by the English almanacs of any London firms.</p>
-
-<p>Latterly, however, Irish bookselling, as far as
-individual enterprize goes, has been commonly associated
-with the name of James Duffy. He was born
-in 1809, and after being apprenticed to a draper in the
-country, found employment in Dublin, and here, like
-Robert Chambers, he invested his spare coppers in
-picking up old books. At last he found trade so bad
-that he determined to emigrate, and accordingly, as
-he possessed no funds, he took his books to an
-auctioneer; at the sale, to his surprise, he found that
-the books he had purchased for pence, now produced
-as many shillings. Upon this he determined to drop
-the scheme of emigration, and to turn bookseller. As
-we have before mentioned, he collected the Bibles
-which the Catholics received from the Church of
-England propagandists only to turn into money, and
-took them over to Liverpool, where he exchanged
-them for books less unlawful in Papist eyes. At first
-he hawked these about the country, but eventually
-took a place of business in Anglesea Street, Dublin,
-and there began to publish the “Bruton Series” of
-thrilling tales of robbers, battles, adventures, and the
-like, at the low price of twopence each. In 1842 he
-was appointed bookseller to the Repeal Agitators,<span class="pagenum"><a id="Page_460">460</a></span>
-and produced, under their auspices, the “Library of
-Ireland,” consisting of patriotic and national collections
-of poems, &amp;c., edited or written by some of the
-most brilliant of the National party. However, the
-movement for Repeal collapsed, and before this Duffy
-had discerningly turned his attention to less ephemeral
-publications, and produced editions of Carleton,
-Banin, and other native celebrities. The famine of
-1846 affected every trade, and as the people had no
-money to buy bread, the sale of books was, of course,
-utterly hopeless, and Duffy found that he could not
-meet his engagements. His creditors granted him
-time, and the money was to be paid in instalments.
-He sold his copyrights in England, and paid the first
-instalment promptly. But when the time was due for
-the second he saw no prospect of meeting it. A
-neighbour, however, called John Donnegan, hearing
-that he was ruined, carried him a stocking full
-of money, his lifetime’s hoardings, threw it down
-before him, with “Just take that, and see if it is any
-use to you! Pay me when you can,” and refusing to
-take any receipt, rushed out again. The stocking contained
-nearly £1200, and Duffy was able not only to pay
-his creditors, but to turn his attention to the publication
-of more important works than he had hitherto
-attempted, such as the Douay Bible, Missals, Prayer-books,
-and many historical works, and it was not long
-before he was in a position to repay the kindly loan.
-About 1860 he opened a branch house in London, and
-at that period the success of his publishing career
-may be said to have culminated, for after the death
-of his wife he confined himself almost entirely to disposing
-of his old stock. He died on the 4th of July
-of the year 1871, regretted by his fellow-citizens in<span class="pagenum"><a id="Page_461">461</a></span>
-Dublin, and by his brother bibliopoles throughout the
-kingdom.<a id="FNanchor_33" href="#Footnote_33" class="fnanchor">33</a></p>
-
-<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
-
-<p>If it were not for want of space there are several
-towns in the Midland Counties which deserve notice
-here on account of their bibliopolical fame&mdash;none
-more so, perhaps, than Derby, which at present
-possesses no less than three large bookselling firms,
-which have also branch businesses in London,
-Messrs. Richardson and Son having in addition
-another establishment at Dublin. As Roman Catholic
-publishers some of their productions have achieved an
-enormous circulation, notably “The Crown of Jesus,”
-which, honoured with the approval of the Pope, and of
-all the English dignitaries of the Roman Catholic
-Church, long since attained an issue of 100,000 copies.
-The works of Frederick William Faber, D.D., late of
-the Oratory of St. Philip Neri, have also been among
-the most popular of Messrs. Richardson and Son’s
-publications. The Mozleys, of Derby, have long been
-in the trade, and are represented both in the country
-and in London; one of the family was well known in
-connection with the editorial staff of the <cite>Times</cite> newspaper.
-The Mozleys publish the <cite>Monthly Packet</cite>,
-edited by Miss Younge, and also the majority of that
-lady’s separate works. A third firm, Messrs. Bemrose
-and Sons, have gained a considerable reputation as
-archæological publishers, and as the proprietors of Mrs.
-Warren’s “Household Manuals.”</p>
-
-<p>At Halifax, where the book trade is of a more
-recent date, Messrs. Milner and Sowerby, by their<span class="pagenum"><a id="Page_462">462</a></span>
-services in the cause of cheap publications of really
-good and standard works, have done much to counteract
-the effects of cheap and pernicious literature.
-“The Cottage Library” has long been known all over
-England, and was one of the first shilling series of
-really good books published&mdash;certainly the first in a
-neat form and with a neat binding, issued at this low
-price, and is still, in its extent and scope, unrivalled.</p>
-
-<p>Manchester was one of the first provincial towns in England
-to which the printer and bookseller came, for it
-must be remembered that the trades were for centuries
-almost synonymous. The art of printing is said to have
-been introduced here in 1588, when Penny went through
-the kingdom with an itinerant press, but his plant was
-seized and destroyed by the fifth Earl of Derby.
-However, the innovation was effected, and the new
-art was firmly lodged. Manchester, nevertheless, in
-these early days was a place of such importance that
-a mere catalogue of the members of the trade would
-more than fill the few pages at our command.
-Among the booksellers of the last century we can
-only mention Haslingden, who published “Tim
-Bobbin”&mdash;a book still famous; the Sowlers, one of
-the descendants of whom started the <cite>Courier</cite>, under
-the editorship of Alaric A. Watts, in 1825, and the
-journal still enjoys a wide popularity; Joseph Harrop,
-who originated the <cite>Manchester Mercury</cite> in 1752,
-published the “History of Man” in sixpenny numbers,
-but Harrop’s well-known folio Bible was issued by his
-son and successor; the firm of Clarke Brothers
-amassed a large fortune in school books and stationery;
-and about the same time Banks and Co.
-were also doing an immense trade upon a thoroughly
-reprehensible system. Hayward, who was their<span class="pagenum"><a id="Page_463">463</a></span>
-managing partner, opened shops in various places,
-placed his own servants in possession, and made them
-accept bills to a very large amount. These bills were
-discounted at the Manchester Bank, and when the
-crash came the bank was a creditor upon the estate
-to the amount of £120,000, while the London publishers
-were indebted to the extent of £100,000.
-Among the shopmen in charge under Hayward’s
-system was Timperley, a printer, and a man of considerable
-literary ability. To pay the debts contracted
-through this wholesale acceptance of bills, he
-consigned his stock to an auctioneer, who, after disposing
-of it by auction, ran off with the proceeds of
-the sale. Timperley, heart-broken by misfortune,
-accepted a literary engagement with Fisher and
-Jackson, of London, and in their service he died. In
-early days he had been a soldier, had gone through
-many campaigns, had served at Waterloo, and had
-well earned his pension of a shilling per diem. He is
-now known chiefly as the author of the “Manchester
-Historical Recorder,” and of “Timperley’s Typographical
-Dictionary”&mdash;one of the most accurate,
-laborious, and voluminous compilations ever made,
-and one to be gratefully remembered by all students
-of the history of the printing press in this country.
-Another worthy of typographical fame was Bent, who,
-after doing a large bookselling business among the
-Manchester Unitarians, then, at all events, the most
-cultivated portion of the inhabitants, started “Bent’s
-Literary Advertiser,” the first bookseller’s organ, and
-which latterly has been incorporated in the <cite>Bookseller</cite>.
-The <cite>Bookseller</cite> was started in 1857 by Mr. Whitaker,
-and among its earliest contributors were many men of
-some note, especially Alaric Watts. From the first it<span class="pagenum"><a id="Page_464">464</a></span>
-filled an acknowledged void, and, as a trade journal,
-has never been surpassed. From the interest of the
-notes and trade gossip contained in its pages, as well
-as from the more solid information in its lists of works
-and announcements, it has secured a wide popularity
-here and abroad, and has been the precursor of similar
-journals in America and elsewhere.</p>
-
-<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
-
-<p>Among other important Manchester publishers were
-R. &amp; W. Dean, who introduced stereotyping into the
-city, and issued a large series of popular and useful
-books. From some cause or another, they failed, and
-their stereos came into the possession of Samuel
-Johnson, the father of the Liverpool bookseller.
-Johnson now became a publisher on a very extensive
-scale, and is said to have been the originator of the
-royal 32mo. literature, which is now chiefly identified
-with Halifax.</p>
-
-<p>In our own times, Manchester bookselling has been
-principally represented by the brothers Abel and John
-Heywood&mdash;a name almost as widely known as that of
-any London firm. The brothers were born at Prestwich,
-of very humble parentage; their father, indeed,
-is said at one time to have been in receipt of parish
-relief. Abel began life as a warehouse boy, on the
-scanty pittance of eighteenpence a week; but at the
-age of twenty he was summarily dismissed by his
-master in a fit of passion. He now obtained the
-wholesale agency for the <cite>Poor Man’s Guardian</cite>, and
-was very shortly afterwards fined £54 for selling it
-without a stamp. He could not pay the fine, and was
-sent to prison for four months; but his family
-managed the shop during his incarceration, still selling
-the <cite>Guardian</cite> as before, but in a quieter manner.<span class="pagenum"><a id="Page_465">465</a></span>
-In 1834 and in 1836 he was again fined, but now he
-could afford to pay. The Government next tried to
-seize the papers while in the hands of the carriers, and
-they were obliged consequently to be sent through the
-country carefully concealed&mdash;embedded in a chest of
-tea or a hamper of shoes. As soon, however, as the
-duty was reduced from fourpence to a penny, the
-poorer classes were able to pay for stamped papers.
-Abel Heywood was, nevertheless, again the subject
-of a legal prosecution for the publication of a penny
-pamphlet by Haslam. Acting with vigorous promptness,
-he caused three or four copies of Shelley’s
-works to be purchased from the chief Manchester
-booksellers, and then contended that the poems were
-more blasphemous than his pamphlet. The Government
-did not care to excite the ill-feelings of the reading
-public by sending booksellers of position to prison,
-and as the cases were precisely similar, they relinquished
-the prosecution. Probably this decisive conduct
-suggested the same course to Hetherington, who
-was afterwards the cause of that famous trial, the
-Queen <i>v.</i> Moxon.</p>
-
-<p>In 1838, Fergus O’Connor started the <cite>Northern
-Star</cite>, and for four years its prosperity at the time was
-unexampled. Heywood sold 18,000 copies weekly.
-By degrees his periodical trade increased enormously.
-In 1847 he joined some paper-stainers, and the firm
-soon became one of the largest in the world. In the
-year 1860 the paper duty paid by them amounted to
-more than £20,000. Among the most successful of
-his recent publications have been “Abel Heywood’s
-Penny Guide Books.” The series now embraces
-upwards of seventy-five numbers, referring to every
-place of importance or interest in the kingdom. He<span class="pagenum"><a id="Page_466">466</a></span>
-has also issued the whole of the popular tale, “The
-Gates Ajar,” for the same price&mdash;one penny&mdash;giving
-in a pamphlet form what usually occupies a goodly
-volume.</p>
-
-<p>Abel Heywood, however, was as well known as a
-distinguished public man as a successful bookseller.
-In 1835 he was appointed a Commissioner of Police,
-and during the Manchester riots in 1842 and 1849 he
-took a conspicuous part in quelling the disturbances.
-Elected to the corporation, he became an alderman
-in 1853, and in 1859 he was third in the list of candidates
-at the general Parliamentary elections. In 1862
-he was elected Mayor of Manchester; in 1864 he took
-his son, Abel, into partnership.</p>
-
-<p>John Heywood commenced life in the same lowly
-circumstances as his brother, and at the age of fourteen
-found employment as a handloom weaver.
-Within ten years his wages rose from half-a-crown to
-thirty shillings a week; and when in receipt of this
-latter sum he regularly allowed his mother a pound a
-week. At the age of four-and-twenty he married, and
-to improve his worldly position, accepted the management
-of a small factory at Altrincham, in Cheshire;
-but as the speculation proved a failure, he returned to
-his former occupation of “dressing” for power-loom
-weavers, at which he remained until his thirty-fifth
-year. Desirous of rendering even his spare time profitable,
-he had bought a paper-ruling machine, upon
-which he worked in the evenings; and Abel, who was
-now a successful bookseller in Oldham Street, offered
-him a situation in his establishment as paper-ruler,
-with a salary of two pounds a week: and in his
-brother’s employ he remained for seven years. In
-1842, however, determined to make a start for himself,<span class="pagenum"><a id="Page_467">467</a></span>
-he took a little shop in Deansgate, and, assisted by
-his son John, a lad of thirteen, the business, originally
-infinitesimal, increased rapidly and vastly. At first
-they confined their efforts almost entirely to the sale
-of weekly or Sunday papers, and they were able to
-carry abroad conveniently under their arms all the
-newspapers they could dispose of. In a few months,
-however, the aid of a wheelbarrow was required, and
-this, in turn, was discarded for a pony and trap.
-After adding every possible enlargement to the old
-premises, they were obliged in 1859 to take a shop on
-the opposite side of the street; and year after year, as
-the business expanded, addition after addition was
-made to the premises, until three buildings were rolled
-into one, and at the end of another seven years a huge
-six-storey manufactory was built in the rear of the
-triangular shop. The increase of the working staff
-kept pace with the growth of the establishment, and
-now, instead of the armful or the barrow-load, a
-special railway truck, with a freightage of about two
-tons, comes down from London five times a week;
-some hundred and fifty assistants supply the place of
-the lad of thirteen, and nine spring-carts have been
-introduced in lieu of the little pony trap. A thousand
-parcels are made up each day, and between three and
-four hundred orders are received by every morning’s
-post; for, besides being the largest newsvendors and
-booksellers out of London, the firm are the largest
-copybook makers in the kingdom. Fifteen hundred
-gross of copybooks are despatched from the warehouses
-every month; and it is stated that the weekly
-issue of newspapers, magazines, and other periodicals
-amounts to the almost incredible number of a quarter
-of a million.</p>
-
-<p><span class="pagenum"><a id="Page_468">468</a></span>
-In 1864, John Heywood, senior, died, and the business
-devolved upon his son, who had inherited all his
-father’s energy and industry. In 1867 he introduced
-a platten printing machine, adapted to take impressions
-from the stereo-plates of his school-books&mdash;known
-as “John Heywood’s Code,” “John Heywood’s
-Manchester Reader,” &amp;c.&mdash;and before long he resolved
-to become a regular printer as well as a publisher, and
-the “Excelsior Printing Works” were erected about
-a mile from Deansgate, where 355 people are constantly
-employed in the manufacture of books, in a
-manner very similar to that previously described in
-our accounts of the Messrs. Nelson and Collins, of
-Scotland. Among the books published by Mr. John
-Heywood are dialectic works, many of which are
-regarded, justly, as Lancashire classics. One of his
-latest triumphs has been the issue of the “Science
-Lectures for the People,” delivered at the Hulme
-Town Hall, and sold separately at a penny each&mdash;a
-fact that says something as to the good taste of the
-factory lads. Four monthly and three weekly periodicals
-are published by Mr. John Heywood. Of the former
-the <cite>Railway Guide</cite> is the most widely circulated, while
-the <cite>Lithographer</cite> is indispensable to the many decorative
-artists of the neighbourhood; and <cite>Ben Brierley’s
-Journal</cite>, with its vernacular contributions, finds its
-way to every Lancashire fireside. Of the latter, the
-<cite>Sphinx</cite>, a satirical journal, is the most popular.</p>
-
-<p>The career of the two Heywoods is a striking example
-of the labour, energy, and success which Lancashire
-folk are apt to think the true attributes of the typical
-“Manchester man;” and if they have not been instrumental
-in adding much to the higher literature of the
-world, their publications have very widely extended<span class="pagenum"><a id="Page_469">469</a></span>
-the taste for knowledge among the lower orders in the
-north of England.</p>
-
-<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
-
-<p>Even in Birmingham the trade of bookselling was
-introduced at a comparatively recent date. Dr.
-Johnson tells us that his father used to open a bookstall
-here on market days; and Boswell adds, in a
-note, that there was not then a single regular bookshop
-in the whole town. Elsewhere he tells us that
-“Mr Warren was the first established bookseller in
-Birmingham, and was very attentive to Johnson, who
-he soon found could be of much service to him in his
-trade by his knowledge of literature; and he even
-obtained the assistance of his pen in furnishing some
-numbers of a periodical essay, printed in the newspaper
-of which Warren was proprietor.” Mr Warren,
-however, though Johnson’s first encourager, has long
-since been forgotten, and Birmingham bookselling is
-now universally identified with the name of William
-Hutton; and from his autobiography, published in
-1816&mdash;perhaps the most interesting record of a self-made
-life that has ever been personally indited&mdash;we
-give a short sketch of his career.</p>
-
-<p>William Hutton was born at Derby, in 1723. His
-father, a drunken wool-comber, scarcely brought home
-wherewithal to keep the wretched family from starvation,
-and “consultations were held (when the child
-was six years old) about fixing me in some employment
-for the benefit of the family. Winding quills
-for the weaver was mentioned, but died away. Stripping
-tobacco for the grocer, by which I was to earn
-fourpence a week, was proposed, but it was at last
-concluded that I was too young for any employment.”
-Next year, however, the result of the consultation was<span class="pagenum"><a id="Page_470">470</a></span>
-otherwise, and he was placed in a silk-mill; the
-youngest, and by far the smallest, of the 300 persons
-employed, a lofty pair of pattens were tied on to his
-feet so that he might be able to reach the engine; and
-he continues:&mdash;“I had now to rise at five every morning,
-summer and winter, for seven years; to submit
-to the cane whenever convenient to the master; to be
-the constant companion of the most rude and vulgar
-of the human race; never taught by nature, nor ever
-wishing to be taught.” Brutally treated, so that the
-scars of his chastisements remained on his body
-through life, he left the mill as soon as ever his
-apprenticeship expired; “a place,” he says, “most
-curious and pleasing to the eye,” but which had given
-him a seven years’ heart-ache. He was now bound
-for another term to an uncle&mdash;a stocking-maker at
-Nottingham. “My task was to earn for my uncle
-5<i>s.</i> 10<i>d.</i> a week. The first week I could reach this
-sum I was to be gratified with sixpence, but ever after,
-should I fall short or go beyond it, the loss or profit
-was to be my own.” In this situation, he was not
-only thrashed by his master, but starved by his aunt;
-and, goaded by the taunts of the neighbours, he fled
-away, but was reluctantly compelled to return. In
-1744 his apprenticeship expired, and for two years
-longer he remained as a journeyman in the same
-employment, but he now made the melancholy discovery&mdash;for
-all trade was in a very wretched condition
-at the time&mdash;that he had served two separate terms of
-seven years, to two separate trades, and yet could
-subsist upon neither.</p>
-
-<p>A gradually acquired taste for reading led him to
-purchase a few books, and their tattered condition
-prompted him to try his hand at binding; and, as he<span class="pagenum"><a id="Page_471">471</a></span>
-could get no employment in his own avocations, he
-determined to start afresh as a bookbinder. His
-friends sneered at his ambitious hopes, but his sister
-supported him firmly. There were no binding tools
-to be purchased then in the country, so his sister
-“raised three guineas, sewed them in my shirt-collar,
-for there was no doubt but I should be robbed,” and
-put eleven shillings in his pocket as a sop to the expected
-highwayman, and off he started for London,
-walking fifty-one miles the first day and reaching it
-on the third. Here he invested his three guineas in
-tools, and stayed three days, seeing all that could be
-seen for nothing, his only paid entertainment being a
-visit to Bedlam, which cost a penny. Three days
-more, and he was back at Nottingham, terribly worn-out
-and footsore, but with fourpence still remaining
-out of his little travelling fund.</p>
-
-<p>He now took a small shop, fourteen miles from
-Nottingham, at an annual rent of twenty shillings,
-and “in one day became the most eminent bookseller
-in Southwell,” but he still lived at Nottingham.
-“During the rainy winter months,” he says, “I set
-out from Nottingham at five every Saturday morning,
-carried a burthen of from three to thirty pounds’
-weight to Southwell, opened shop at ten, starved it all
-day upon bread, cheese, and half a pint of ale; took
-from 1<i>s.</i> to 6<i>s.</i>, shut up at four, and by trudging
-through the solitary night and the deep roads five
-hours more, I arrived at Nottingham by nine, where I
-always found a mess of milk-porridge by the fire,
-prepared by my valuable sister. But nothing short of
-resolution and rigid economy could have carried me
-through this scene.”</p>
-
-<p>There was little profit, however, in such a life,<span class="pagenum"><a id="Page_472">472</a></span>
-laborious as it was, and in 1750 he made an exploring
-journey to Birmingham, where he found there were
-only three booksellers&mdash;Warren, Aris, and Wollaston,
-and here he resolved to settle, hoping that he might
-escape the envy of “the three great men.”</p>
-
-<p>He obtained the use of half a little shop for the
-moderate premium of one shilling per week, but he
-had as yet to find wherewith to stock it. On a
-visit to Nottingham, he met a friendly minister, who
-asked, for the weather was inclement, why he had
-ventured so far without a great-coat, and who on
-receiving no reply, shrewdly guessed Hutton’s impoverished
-condition, from his draggled, thread-bare
-garments, and offered him a couple of hundred-weight
-of books at his own price, and that price to be postponed
-to the future, and by way of receipt the young
-bookseller gave him the following: “I promise to pay
-to Ambrose Rudsall £1 7<i>s.</i>, when I am able.” The
-debt was speedily cancelled.</p>
-
-<p>His period of probation was sufficiently severe:
-“Five shillings a week covered all my expenses, as
-food, washing, lodging, &amp;c.,” but by degrees the better-informed
-and wealthier of the young clerks and
-apprentices began to frequent his shop, and were
-attracted by his zeal, and his evident love for the
-books he sold. With his skill in binding, he could
-furbish up the shabbiest tomes, and greatly increase
-their marketable value. By the end of his first year
-he found that he had, by the most rigid economy,
-saved up twenty pounds. Things were brightening,
-but the overseers, who at that time possessed a terrible
-power over the poorest classes, ostensibly dreading
-lest he should become chargeable to the parish, refused
-his payment of the rates, and bade him remove<span class="pagenum"><a id="Page_473">473</a></span>
-elsewhere. In this strait he exhibited much worldly
-wisdom, and invested half his little hoarding in a fine
-suit of clothes, purchased from one of the overseers,
-who happened to be a draper.</p>
-
-<p>In the following year, 1751, he took a better shop,
-next door to a Mr. Grace, a hosier, and in a quiet,
-undemonstrative manner, fell in love with his neighbour’s
-niece. “Time gave us,” he says, “numberless
-opportunities of observing each other’s actions, and
-trying the tenour of conduct by the touchstone of
-prudence. Courtship was often a disguise. We had
-seen each other when disguise was useless. Besides,
-nature had given to few women a less portion of
-deceit.” The uncle at length consented to the match,
-and, with Sarah, Hutton received a dowry of £100;
-and, as he had already amassed £200 of his own,
-from this happy moment his fortunes ran smoothly
-upwards.</p>
-
-<p>He now increased an otherwise profitable trade
-by starting a circulating library&mdash;perhaps the first
-that was attempted in the provinces; and about this
-same time, 1753, he acquired a very useful friend in
-the person of Robert Bage, the paper-maker, and
-undertook the retail portion of the paper business.
-“From this small hint,” he says, “I followed the
-stroke forty years, and acquired an ample fortune.”
-And yet, though waxing yearly richer and richer, he
-adds, “I never could bear the thought of living to the
-extent of my income. I never omitted to take stock
-or regulate my annual expenses, so as to meet casualties
-and misfortunes.” By degrees he became invested
-with civic dignities, and little by little he acquired
-the standing of a landed proprietor. Without neglecting
-his business he now found leisure for literary<span class="pagenum"><a id="Page_474">474</a></span>
-composition; and in his last work&mdash;“A Trip to
-Coatham”&mdash;he tells us, “I took up my pen, and that
-with fear and trembling, at the advanced age of fifty-six,
-a period when most would lay it down. I drove the
-quill thirty years, during which time I wrote and
-published thirty books.”</p>
-
-<p>His first work, the “History of Birmingham,”
-appeared, and these thirty tomes of verse and prose
-followed in quick succession.</p>
-
-<p>In 1802 he published his best-known work, the
-“History of the Roman Wall.” Antiquarians had,
-before this, described the famous line of defence, but
-hitherto no one had attempted a personal inspection.
-Seventy-five years old, still hale and hearty, with an
-enthusiasm akin to that of youth, he started on foot
-for Northumberland, accompanied by his daughter on
-horse-back. Intent upon reaching the scene of his
-antiquarian desires, “he turned,” writes his daughter,
-“neither to the right nor the left, except to gratify me
-with a sight of Liverpool. Windermere he saw, and
-Ullswater he saw, because they lay under his feet, but
-nothing could detain him from his grand object.” On
-his return journey, after every hollow of the ground,
-every stone of the Wall, between Carlisle and Newcastle,
-had been examined, he was bitten in the leg by
-a dog, but even this did not restrain him. Within
-four days of home “he made forced journeys, and if
-we had had a little further to go the foot would have
-knocked up the horse! The pace he went did not
-even fatigue his shoes. He walked the whole 600
-miles in one pair, and scarcely made a hole in his
-stockings.”</p>
-
-<p>Almost to the last he preserved his physical powers
-comparatively intact. When he was eighty-eight, he<span class="pagenum"><a id="Page_475">475</a></span>
-writes&mdash;“At the age of eighty-two I considered myself
-a young man. I could, without fatigue, walk forty
-miles a day. But during the last few years I have
-felt a sensible decay, and, like a stone rolling downhill,
-its velocity increases with its progress. The strings
-of the instrument are one after another giving way,
-never to be brought into tune.” Yet he did not die
-till 1815, at the ripe old age of ninety-two.</p>
-
-<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
-
-<p>At the close of the last century Hutton lost a
-valuable collection of books, and other valuable
-property, through the lawless riots that took place in
-his native city; of these disturbances the author of
-the <cite>Press</cite> <span class="locked">says:&mdash;</span></p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“When Birmingham, for riots and for crimes,<br /></span>
-<span class="i0">Shall meet the keen reproach of future times,<br /></span>
-<span class="i0">Then shall she find, amongst our honoured race,<br /></span>
-<span class="i0">One name to save her from entire disgrace.”<br /></span>
-</div></div>
-</div>
-
-<p class="in0">This “one name” was that of John Baskerville, a
-printer, a contemporary of Hutton, and one of the
-most famous English type-founders. Commencing
-life as a schoolmaster, his inclination for books turned
-his attention to type-founding, but he spent £600
-before he produced one letter that thoroughly satisfied
-his exquisitely critical taste, and probably some
-thousands before his business began to prove remunerative;
-and, after all, his printing speculations yielded
-more honour than profit. Upon paying a heavy
-royalty to the University of Cambridge, he was
-allowed to print a Bible in royal folio, which, for
-beauty of type, is still unrivalled; but the slender
-and delicate form of his letters were, as Dr. Dibdin
-remarks, better suited to smaller books, and show to
-the greatest advantage in his 12mo. “Virgil” and<span class="pagenum"><a id="Page_476">476</a></span>
-“Horace.” His strenuous endeavours, and his large
-outlay, met with but little return; and he writes of
-the “business of printing” as one “which I am heartily
-tired of, and repent I ever attempted.” He died in
-1775, and appears to have printed nothing during the
-last ten years of his life. By the direction left in his
-will, he was buried under a windmill in his own
-garden, with the following epitaph on his tomb-stone:
-“Stranger! beneath this cone, in unconsecrated
-ground, a friend to the liberties of mankind directed
-his body to be inurned. May the example contribute
-to emancipate thy mind from the idle fears of superstition,
-and the wicked arts of priesthood.” His fount
-of type was unluckily allowed to leave the country,
-and was purchased by Beaumarchais, of Paris, who
-produced some exquisite editions, particularly of
-Voltaire’s works, but who lost upwards of one million
-livres in his speculations.</p>
-
-<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
-
-<p>A successful modern bookselling venture in this
-city resulted from the establishment of the “Educational
-Trading Company (Limited)”&mdash;a novel phase
-in the trade&mdash;of which the chief proprietor and chairman
-was Mr. Josiah Mason. The business management
-was placed in the hands of Mr. Kempster, and, by a
-thorough system of travellers, who personally canvassed
-the proprietors of schools and colleges, offering
-them very liberal terms, a large connection was almost
-immediately established. The company’s operations
-were, of course, confined to the publication of cheap
-educational works; and some of these, such as Gill’s
-and Moffat’s series, attained a wide popularity, and
-necessitated, in 1870, the opening of a London branch
-at St. Bride’s Avenue, and another branch house at
-Bristol.</p>
-
-<p><span class="pagenum"><a id="Page_477">477</a></span>
-One of the most famous booksellers and printers of
-the West of England was Andrew Brice, who was
-born in Exeter in the year 1690. He was educated
-in early life with a view to the ministry, but family
-misfortunes obliged him to become apprentice to
-Bliss, a printer in that city. Long before the expiry
-of his apprenticeship the improvident young
-printer married, and, being unable to support a wife
-and two children upon the pittance he received, he
-enlisted as a soldier in order to break his indentures,
-and, by the interest of his friends, soon procured a
-discharge. He commenced business on his own
-account, and started a newspaper, but, possessing
-only one kind of type, he carved in wood the title
-and such capitals as he stood in need of. Becoming
-embarrassed through a law suit, in which heavy
-damages were cast against him, he was obliged to
-bar himself in his own house to escape the debtor’s
-gaol. He spent seven long years in this domestic
-confinement, but still continued to conduct his business
-with assiduity, and, as a solace, to compose a
-poem, “On Liberty,” the profits of which enabled him
-to compound with the keepers of the city prison.
-After regaining his freedom his business largely
-increased, and, in 1740, he set up a printing-press at
-Truro, the first introduced into Cornwall; the miners
-were, however, at that time in little need of literature,
-and he soon removed the types to Exeter. Among
-his chief publications were the “Agreeable Gallimanfly;
-or, Matchless Medley,” a collection of verses
-chiefly the production of his own pen; the “Mob-aid,”
-so full of newly-coined words that, in Devonshire,
-“Bricisms” were for long synonymous with quaint
-novelty of expression; and the folio “Geographical<span class="pagenum"><a id="Page_478">478</a></span>
-Dictionary,” which occupied ten years in publication
-and is still far from complete. Brice was at all times
-a shielder of the oppressed; and when the Exeter
-play-actors were purchased out of their theatre by the
-Methodists, who converted it into a chapel, and
-indicted them as vagrants, he published a poem&mdash;“The
-Playhouse Church; or, new Actors of Devotion,”
-which so stirred up popular feeling that the Methodists
-were fain to restore the place to its former
-possessors, who, under Brice’s patronage, opened their
-house for some time gratis to all comers. In gratitude
-the players brought his characteristics of speech
-and dress into their dramas, and even Garrick eventually
-introduced him, under, of course, a pseudonyme, in
-the “Clandestine Marriage.” At the time of his death,
-in 1773, he was the oldest master-printer in England.
-His corpse lay for some days in state at the Apollo
-Inn; every person admitted to view it paid a shilling,
-and the money so received went towards defraying the
-expense of his funeral, which was attended by three
-hundred freemasons, for he had not only been a zealous
-member of the fraternity, but at the period of his decease
-he was looked upon as the father of the craft.</p>
-
-<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
-
-<p>Another West of England worthy, though he was
-only a bookseller for the short space of seven years,
-has perhaps higher claim upon our attention than
-any other provincial bibliopole. Joseph Cottle was
-born at Bristol in the year 1770, and at the age of
-twenty-one he became a bookseller in his native
-city. In 1795 he published a volume of his own
-“Poems”&mdash;and himself an author he was generously
-able to appreciate the work of better men. Through
-extraordinary circumstances he became acquainted<span class="pagenum"><a id="Page_479">479</a></span>
-with Coleridge, Southey, Wordsworth, and Lamb, when
-they were still unknown to fame, and with a rare perception
-of genius he was able to assist them materially
-towards the goal of success. From his interesting
-“Early Recollections,” we gather that one evening
-Coleridge told him despondently that he had been
-the round of London booksellers with a volume of
-poems, and that all but one had refused to even look
-over the manuscript, and that this one proffered him
-six guineas for the copyright, which sum, poor as he
-was, he felt constrained to decline. Cottle at once
-offered the young author thirty guineas, and actually
-paid the money before the completion of the volume,
-which appeared in 1796.</p>
-
-<p>To Southey he made the same bid for his first
-volume, and the offer was eagerly accepted. Cottle
-at once, however, added, “You have read me some
-books of your ‘Joan of Arc,’ which poem I perceive
-to have great merit. If it meet with your concurrence
-I will give you fifty guineas for this work, and publish
-it in quarto, when I will give you in addition fifty
-copies to dispose of among your friends.” Southey
-corroborates this account, and further says, “It can
-rarely happen that a young author should meet with a
-bookseller as inexperienced and as ardent as himself;
-and it would be still more extraordinary if such
-mutual indiscretion did not bring with it cause for
-regret to both. But this transaction was the commencement
-of an intimacy which has continued without
-the slightest shade of displeasure at any time on
-either side to the present day.” Cottle ordered a new
-fount of type “for what was intended to be the handsomest
-book that Bristol had ever yet sent forth,”
-and owing, perhaps, more to the party feelings of the<span class="pagenum"><a id="Page_480">480</a></span>
-periodical press, and the subject of the poem, than to
-any intrinsic merit, other than as holding out vague
-hope of future promise, the young author acquired a
-sudden reputation, which was afterwards fully sustained
-by his prose if not by his poetry.</p>
-
-<p>Later on Cottle was introduced to Wordsworth,
-who read him portions of his “Lyrical Ballads.” The
-venturous bookseller made him the same offer of
-thirty guineas for the first-fruits of his genius, saying
-that it would be a gratifying circumstance to issue the
-first volumes of three such poets, and (a veritable
-prophecy) “a distinction that might never again
-occur to a provincial bookseller.” After mature consideration,
-Wordsworth accepted the offer; but the
-“Lyrical Ballads,” in which also Coleridge’s “Ancient
-Mariner” first appeared, went off so slowly that he
-was compelled to part with the greater part of the
-five hundred copies to Arch, a London bookseller.
-We have already related how Cottle, and after him,
-Longman, rendered material assistance to Chatterton’s
-sister, by an edition of the poems of the Sleepless
-Boy who perished in his Pride, and how in 1798 Cottle
-disposed of all his copyrights to Longman, and obtained
-his consent to return the copyright of the
-“Lyrical Ballads” to the author.</p>
-
-<p>Though Cottle henceforth gave up bookselling, he
-did not forego book-making. In 1798 he published
-his “Malvern Hills,” in 1801 his “Alfred,” and in
-1809 the “Fall of Cambria.” These last effusions
-attracted the venom of Lord Byron’s pen, who writes
-in bitter prose, “Mr. Cottle, Amos, Joseph, I know
-not which, but one or both, once sellers of books they
-did not write, now writers of books that do not sell,
-have published a pair of epics,” and in bitterer verse:</p>
-
-<p><span class="pagenum"><a id="Page_481">481</a></span></p>
-
-<div class="poem-container">
-<div class="poem"><div class="stanza">
-<span class="iq">“Bœotian Cottle, rich Bristowa’s boast,<br /></span>
-<span class="i0">Imports old stories from the Cambrian coast,<br /></span>
-<span class="i0">And sends his goods to market, all alive,<br /></span>
-<span class="i0">Lines forty thousand, cantos twenty-five.<br /></span>
-</div>
-
-<div class="tb">* <span class="in2">* </span><span class="in2">* </span><span class="in2">* </span><span class="in2">*</span></div>
-
-<div class="stanza">
-<span class="i0">Oh, Amos Cottle!&mdash;Phœbus! what a name<br /></span>
-<span class="i0">To fill the speaking trump of future fame!&mdash;<br /></span>
-<span class="i0">Oh, Amos Cottle! for a moment think<br /></span>
-<span class="i0">What meagre profits spring from pen and ink!<br /></span>
-<span class="i0">When thus devoted to poetic dreams<br /></span>
-<span class="i0">Who will peruse thy prostituted reams?<br /></span>
-<span class="i0">Oh, pen perverted, paper misapplied!<br /></span>
-<span class="i0">Had Cottle still adorned the counter’s side,<br /></span>
-<span class="i0">Bent o’er the desk, or, born to useful toils,<br /></span>
-<span class="i0">Been taught to make the paper which he soils,<br /></span>
-<span class="i0">Plough’d, delved, or plied the oar with lusty limb,<br /></span>
-<span class="i0">He had not sung of Wales, nor I of him.”<br /></span>
-</div></div>
-</div>
-
-<p>Of course, this confusion of the names of the two
-brothers was intentionally meant to strengthen the
-gibe. Though Cottle was at best an indifferent poet
-his name would have survived as a generous friend
-even if Lord Byron had not honoured him with his
-satire.</p>
-
-<p>After having personally encouraged the youthful
-genius of such authors as Coleridge, Southey, and
-Wordsworth, and after having enjoyed their friendship
-and esteem, it was natural that Cottle, when their
-names had become familiar words in every household
-in England, should wish to preserve what he
-could of the history of their early days. In 1837 he
-published his “Early Recollections,” but as he had
-felt compelled to decline to contribute them in any
-mutilated form to the authorised, and insufferably
-dull, life of Coleridge, the work was greeted by the
-<cite>Quarterly Review</cite> with a howl of contemptuous abuse,
-as consisting of the “refuse of advertisements and
-handbills, the sweepings of a shop, the shreds of a<span class="pagenum"><a id="Page_482">482</a></span>
-ledger, and the rank residuum of a life of gossip.”
-This is certainly “slashing criticism” with a vengeance:
-Cottle based the value of his book upon the ground
-of his having been a bookseller, and to taunt him with
-the fact is as unmanly as the whole description of the
-work is false. He lays the slightest possible stress
-upon the assistance he had been able to render the
-illustrious authors pecuniarily, and only brings it forward
-at all as furnishing matter for literary history;
-and to most students the literary history of the early
-struggles of genius does possess the highest interest.
-Cottle was certainly unskilled in the art of composition,
-and was undoubtedly garrulous, but the gossip anent
-such writers, when prompted, as in this case, by truth
-and affection, is worth tomes of disquisitions upon their
-virtues or their faults. Joseph Cottle died as recently
-as 1854, and his memory is already half-forgotten, and
-yet had we wished to close our annals of the “trade”
-by tributes paid by illustrious writers to the worth and
-integrity of its members, we could find none more
-fitting than the letters of two famous poets to an
-obscure provincial bookseller.</p>
-
-<blockquote>
-
-<p>“<span class="smcap">Dear Cottle</span>,&mdash;On the blank leaf of my poems
-I can most appropriately write my acknowledgments
-to you, for your too disinterested conduct in
-the purchase of them.... Had it not been for you
-none, perhaps, of them would have been published,
-and some not written.</p>
-
-<p class="sigright">
-<span class="l2">“Your obliged and affectionate friend,</span><br />
-<span class="smcap">S.&nbsp;T. Coleridge</span>.”
-</p></blockquote>
-
-<p>Again:&mdash;</p>
-
-<blockquote>
-
-<p>“Do you suppose, Cottle, that I have forgotten
-those true and most essential acts of friendship<span class="pagenum"><a id="Page_483">483</a></span>
-which you showed me when I stood most in need of
-them? Your house was my house when I had no
-other.... Sure I am that there never was a more
-generous or kinder heart than yours, and you will
-believe me when I add that there does not live that
-man upon earth whom I remember with more gratitude
-and affection.... Good-night, my dear old friend
-and benefactor.</p>
-
-<p class="sigright">
-“<span class="smcap">Robert Southey.</span>”
-</p></blockquote>
-
-<div id="if_i_483" class="figcenter" style="width: 175px;">
- <img src="images/i_483.jpg" width="175" height="84" alt="" />
- <div class="caption">THE END.</div></div>
-
-<p class="p4 center">
-<span class="small bt">BILLING, PRINTER, GUILDFORD, SURREY.</span>
-</p>
-
-<div class="chapter"><div class="footnotes">
-<h2 class="nobreak p1"><a id="FOOTNOTES"></a>FOOTNOTES</h2>
-
-<div class="footnote">
-
-<p class="fn1"><a id="Footnote_1" href="#FNanchor_1" class="fnanchor">1</a> “Essai sur les Livres dans l’Antiquité.”</p></div>
-
-<div class="footnote">
-
-<p class="fn1"><a id="Footnote_2" href="#FNanchor_2" class="fnanchor">2</a> For a very interesting article on this subject, see <cite>Cornhill Magazine</cite>,
-vol. ix.</p></div>
-
-<div class="footnote">
-
-<p class="fn1"><a id="Footnote_3" href="#FNanchor_3" class="fnanchor">3</a> Carnan is said, by Mr. Knight, to have been so frequently prosecuted
-that he invariably kept a clean shirt in his pocket, that he
-might lessen the inconvenience of being carried off unexpectedly to
-Newgate.</p></div>
-
-<div class="footnote">
-
-<p class="fn1"><a id="Footnote_4" href="#FNanchor_4" class="fnanchor">4</a> D’Urfey was a music-master.</p></div>
-
-<div class="footnote">
-
-<p class="fn1"><a id="Footnote_5" href="#FNanchor_5" class="fnanchor">5</a> This anecdote is often incorrectly related of Wilkes and the <cite>Essay
-on Woman</cite>.</p></div>
-
-<div class="footnote">
-
-<p class="fn1"><a id="Footnote_6" href="#FNanchor_6" class="fnanchor">6</a> The <cite>Daily Post</cite>, Feb. 13, 1728.</p></div>
-
-<div class="footnote">
-
-<p class="fn1"><a id="Footnote_7" href="#FNanchor_7" class="fnanchor">7</a> A most interesting and voluminous collection of “notes” in reference
-to Curll was contributed to “Notes and Queries” (2nd series, vols.
-ii., iii., and x.) by M.N.S. Many of our facts in relation to him have
-been taken from that source, and for a far fuller account, in the
-rough material, we refer the reader thither.</p></div>
-
-<div class="footnote">
-
-<p class="fn1"><a id="Footnote_8" href="#FNanchor_8" class="fnanchor">8</a> West says he sat next Lackington at a sale when he spent upwards
-of £12,000 in an afternoon.</p></div>
-
-<div class="footnote">
-
-<p class="fn1"><a id="Footnote_9" href="#FNanchor_9" class="fnanchor">9</a> <cite>Bookseller</cite>, June, 1865.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_10" href="#FNanchor_10" class="fnanchor">10</a> As we shall have no other opportunity of referring to the third in
-rank of the leading quarterlies, we must, perforce, compress its history
-in a foot-note. The <cite>Westminster Review</cite> was started more than fifty
-years ago, by Jeremy Bentham, who was succeeded in editorship by Sir
-John Browning, in conjunction with General Perronet Thompson, whose
-labours in the cause of radical reform gave him considerable notoriety
-at the time. They made way for the accomplished statesman Sir
-William Molesworth, the editor of <cite>Hobbes</cite>. A profounder thinker still,
-Mr. John Stuart Mill, followed. Most of his philosophical essays
-appeared in its pages, at a time when Grote and Mr. Carlyle were both
-contributing. For more than twenty years now the <cite>Review</cite> has been in
-the hands of Dr. Chapman, who, beginning life as a bookseller in Newgate
-Street, was the first English publisher to recognise the value of
-Emerson’s writings. Under Dr. Chapman, what is now the great
-feature&mdash;the Quarterly Summary of Contemporary Literature&mdash;was introduced.
-The <cite>Review</cite> has lately attracted much attention by the bold
-manner in which the “Social Evil” and the “Contagious Diseases
-Acts” have been discussed in its columns, and these articles are generally
-attributed to the able pen of the editor himself.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_11" href="#FNanchor_11" class="fnanchor">11</a>
-</p>
-
-<table id="macaulay" summary="Macaulay essays in Philadelphia edition of the Edinburgh Review">
- <tr>
- <td class="tdr">I.</td>
- <td class="tdl">“On Dryden.” (<i>E.&nbsp;R.</i>, 1828.)</td></tr>
- <tr>
- <td class="tdr">II.</td>
- <td class="tdl">“History.” (<i>E.&nbsp;R.</i>, 1828.)</td></tr>
- <tr>
- <td class="tdr">III.</td>
- <td class="tdl">“Mirabeau.” (<i>E.&nbsp;R.</i>, 1832.)</td></tr>
- <tr>
- <td class="tdr">IV.</td>
- <td class="tdl">“Cowley and Milton.”</td></tr>
- <tr>
- <td class="tdr">V.</td>
- <td class="tdl">“Mitford’s Greece.”</td></tr>
- <tr>
- <td class="tdr">VI.</td>
- <td class="tdl">“Athenian Orator.”</td></tr>
- <tr>
- <td class="tdr">VII.</td>
- <td class="tdl">“Barère’s Memoirs.”</td></tr>
- <tr>
- <td class="tdr">VIII.</td>
- <td class="tdl">“Mill’s Essay on Government.” (<i>E.&nbsp;R.</i>, 1829.)</td></tr>
- <tr>
- <td class="tdr">IX.</td>
- <td class="tdl">“Bentham’s Defence of Mill.” (<i>E.&nbsp;R.</i>, 1829.)</td></tr>
- <tr>
- <td class="tdr">X.</td>
- <td class="tdl">“Utilitarian Theory of Government.” (<i>E.&nbsp;R.</i>, 1829.)</td></tr>
- <tr>
- <td class="tdr">XI.</td>
- <td class="tdl">“Charles Churchill.”</td></tr>
-</table>
-<p>
-Many of these may be found in the volume of <cite>Miscellanies</cite> published
-by Longmans. It has been denied that No. XI. is by Macaulay at all.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_12" href="#FNanchor_12" class="fnanchor">12</a> For a further account of these extraordinary sales, see Allibone’s
-<cite>Dictionary of English Literature</cite>, vol. ii., from which many of the above
-facts have been drawn.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_13" href="#FNanchor_13" class="fnanchor">13</a> Among the sufferers by this failure was the family of Robert Watt,
-M.D., author of “Bibliotheca Britannica,” for which £2000 had been
-given in bills, all of which were dishonoured. He was a ploughboy
-until his seventeenth year, wrote many medical treatises, and occupied
-his concluding years with a work precious and indispensable to every
-student. The whole plan of the “Bibliotheca” is new, and few compilations
-of similar magnitude and variety ever presented, in a first edition,
-a more complete design and execution.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_14" href="#FNanchor_14" class="fnanchor">14</a> <cite>Quarterly Review</cite>, vol. lxx.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_15" href="#FNanchor_15" class="fnanchor">15</a> Given to Dallas.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_16" href="#FNanchor_16" class="fnanchor">16</a> Published by James Power, music seller.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_17" href="#FNanchor_17" class="fnanchor">17</a> Written at Geneva, and published by John Hunt, London.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_18" href="#FNanchor_18" class="fnanchor">18</a> This sketch was written before the publication of Mr. W.
-Chambers’s life of his brother, but has been revised in accordance with
-that interesting memoir.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_19" href="#FNanchor_19" class="fnanchor">19</a> Mr. Long has deposited in the Public Library at Brighton his private
-copy of the “Encyclopædia,” interleaved with the names of the contributors,
-and other interesting information as to the progress of the work.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_20" href="#FNanchor_20" class="fnanchor">20</a> Mr. G.&nbsp;W.&nbsp;M. Reynolds, of the “Mysteries of London” notoriety,
-commenced life also as a temperance lecturer, and was at one time editor
-of the <cite>Teetotaller</cite> Newspaper.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_21" href="#FNanchor_21" class="fnanchor">21</a> Lockhart, in his article in the <cite>Quarterly</cite>, says that Hook’s diary
-shows a clear profit of £2000 on the <cite>first series</cite>. This must be incorrect.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_22" href="#FNanchor_22" class="fnanchor">22</a> The term <cite>Conger</cite> is ingeniously said to be derived from the eel,
-meaning that the association, collectively, would swallow all smaller
-fry.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_23" href="#FNanchor_23" class="fnanchor">23</a> <cite>Aldine Magazine</cite>, p. 50.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_24" href="#FNanchor_24" class="fnanchor">24</a> It was from the intricacy of thought of some few of the poems of
-the “Christian Year,” that Sydney Smith christened it by the name of
-“The Sunday Puzzle.”</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_25" href="#FNanchor_25" class="fnanchor">25</a> For the facts in the earlier portion of this memoir we are indebted to
-an interesting obituary notice in the <cite>Bookseller</cite>.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_26" href="#FNanchor_26" class="fnanchor">26</a> For a very interesting bibliographical account of Mr. Tennyson’s
-works, showing the various changes which the poems have undergone,
-see “Tennysoniana,” by R.&nbsp;H. Shepherd (1856).</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_27" href="#FNanchor_27" class="fnanchor">27</a> For a full account of this interesting and successful bookseller <i>see</i>
-“Life of Alderman Kelly,” by the Rev. R.&nbsp;C. Fell (1856).</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_28" href="#FNanchor_28" class="fnanchor">28</a> Tegg left a manuscript autobiography, which was published twenty
-years after his death, in the <cite>City Press</cite>; to this interesting memorial we
-are indebted for the facts in our present narrative.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_29" href="#FNanchor_29" class="fnanchor">29</a> This “Petition” was first printed in the <cite>Examiner</cite>, 7th April,
-1839, and afterwards republished.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_30" href="#FNanchor_30" class="fnanchor">30</a> The <cite>Bookseller</cite>, June, 1864.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_31" href="#FNanchor_31" class="fnanchor">31</a> The <cite>Bookseller</cite>, 1861.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_32" href="#FNanchor_32" class="fnanchor">32</a> The above account is abridged from the <cite>Bookseller</cite> of November,
-1869.</p></div>
-
-<div class="footnote">
-
-<p class="fn2"><a id="Footnote_33" href="#FNanchor_33" class="fnanchor">33</a> To a timely notice in a recent number of the <cite>Bookseller</cite> we are
-indebted for the main facts in Duffy’s life.</p></div>
-</div></div>
-
-<div class="chapter"><div class="transnote">
-<h2 class="nobreak p1"><a id="Transcribers_Notes"></a>Transcriber’s Notes</h2>
-
-<p>Punctuation, hyphenation, and spelling were made consistent when a predominant
-preference was found in this book; otherwise they were not changed.</p>
-
-<p>Simple typographical errors were corrected; occasional unbalanced
-quotation marks retained.</p>
-
-<p>Ambiguous hyphens at the ends of lines were retained.</p>
-
-<p>Arithmetic and date-sequence errors have not been corrected.</p>
-
-<p>Page <a href="#Page_22">22</a>: The second illustration (“1547”) may be part of
-the illustration just above it.</p>
-
-<p>Page <a href="#Page_93">93</a>: “as the rious” was printed that way; may be a typgraphical
-error for “as the various”.</p>
-
-<p>Page <a href="#Page_152">152</a>: “Dr. Thomas Stewart Trail” may be a misspelling of “Traill”.</p>
-
-<p>Page <a href="#Page_221">221</a>: “looked up his pistols” may be a misprint for “locked”.</p>
-</div></div>
-
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of A History of Booksellers, the Old and
-the New, by Henry Curwen
-
-*** END OF THIS PROJECT GUTENBERG EBOOK HISTORY OF BOOKSELLERS, OLD AND NEW ***
-
-***** This file should be named 52362-h.htm or 52362-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/2/3/6/52362/
-
-Produced by MWS, Charlie Howard, and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by The
-Internet Archive/American Libraries.)
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
-
-</body>
-</html>
diff --git a/old/52362-h/images/cover.jpg b/old/52362-h/images/cover.jpg
deleted file mode 100644
index 02495a0..0000000
--- a/old/52362-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_000.jpg b/old/52362-h/images/i_000.jpg
deleted file mode 100644
index 0469cc1..0000000
--- a/old/52362-h/images/i_000.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_001.jpg b/old/52362-h/images/i_001.jpg
deleted file mode 100644
index 49d98c4..0000000
--- a/old/52362-h/images/i_001.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_005.jpg b/old/52362-h/images/i_005.jpg
deleted file mode 100644
index f60880e..0000000
--- a/old/52362-h/images/i_005.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_005b.jpg b/old/52362-h/images/i_005b.jpg
deleted file mode 100644
index 5b2f9e4..0000000
--- a/old/52362-h/images/i_005b.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_006.jpg b/old/52362-h/images/i_006.jpg
deleted file mode 100644
index 1ccb671..0000000
--- a/old/52362-h/images/i_006.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_007.jpg b/old/52362-h/images/i_007.jpg
deleted file mode 100644
index 5662271..0000000
--- a/old/52362-h/images/i_007.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_008.jpg b/old/52362-h/images/i_008.jpg
deleted file mode 100644
index 74dfa05..0000000
--- a/old/52362-h/images/i_008.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_009.jpg b/old/52362-h/images/i_009.jpg
deleted file mode 100644
index c559fc5..0000000
--- a/old/52362-h/images/i_009.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_012.jpg b/old/52362-h/images/i_012.jpg
deleted file mode 100644
index 9623853..0000000
--- a/old/52362-h/images/i_012.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_012b.jpg b/old/52362-h/images/i_012b.jpg
deleted file mode 100644
index 7e38873..0000000
--- a/old/52362-h/images/i_012b.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_014.jpg b/old/52362-h/images/i_014.jpg
deleted file mode 100644
index fb472dd..0000000
--- a/old/52362-h/images/i_014.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_014b.jpg b/old/52362-h/images/i_014b.jpg
deleted file mode 100644
index 57a3bc4..0000000
--- a/old/52362-h/images/i_014b.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_016.jpg b/old/52362-h/images/i_016.jpg
deleted file mode 100644
index d8ac310..0000000
--- a/old/52362-h/images/i_016.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_016b.jpg b/old/52362-h/images/i_016b.jpg
deleted file mode 100644
index b2c05ff..0000000
--- a/old/52362-h/images/i_016b.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_020.jpg b/old/52362-h/images/i_020.jpg
deleted file mode 100644
index f8b4838..0000000
--- a/old/52362-h/images/i_020.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_020b.jpg b/old/52362-h/images/i_020b.jpg
deleted file mode 100644
index f74a896..0000000
--- a/old/52362-h/images/i_020b.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_022.jpg b/old/52362-h/images/i_022.jpg
deleted file mode 100644
index 51afd4f..0000000
--- a/old/52362-h/images/i_022.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_022b.jpg b/old/52362-h/images/i_022b.jpg
deleted file mode 100644
index f21caee..0000000
--- a/old/52362-h/images/i_022b.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_022c.jpg b/old/52362-h/images/i_022c.jpg
deleted file mode 100644
index 319831f..0000000
--- a/old/52362-h/images/i_022c.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_024.jpg b/old/52362-h/images/i_024.jpg
deleted file mode 100644
index 3422df7..0000000
--- a/old/52362-h/images/i_024.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_028.jpg b/old/52362-h/images/i_028.jpg
deleted file mode 100644
index 6a22cd4..0000000
--- a/old/52362-h/images/i_028.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_028b.jpg b/old/52362-h/images/i_028b.jpg
deleted file mode 100644
index 6a09500..0000000
--- a/old/52362-h/images/i_028b.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_048.jpg b/old/52362-h/images/i_048.jpg
deleted file mode 100644
index 871fa5e..0000000
--- a/old/52362-h/images/i_048.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_048b.jpg b/old/52362-h/images/i_048b.jpg
deleted file mode 100644
index 0fdbbac..0000000
--- a/old/52362-h/images/i_048b.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_056.jpg b/old/52362-h/images/i_056.jpg
deleted file mode 100644
index d9a2b59..0000000
--- a/old/52362-h/images/i_056.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_058.jpg b/old/52362-h/images/i_058.jpg
deleted file mode 100644
index fd8e57a..0000000
--- a/old/52362-h/images/i_058.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_058b.jpg b/old/52362-h/images/i_058b.jpg
deleted file mode 100644
index 864fcf7..0000000
--- a/old/52362-h/images/i_058b.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_066.jpg b/old/52362-h/images/i_066.jpg
deleted file mode 100644
index 3b98ba8..0000000
--- a/old/52362-h/images/i_066.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_072.jpg b/old/52362-h/images/i_072.jpg
deleted file mode 100644
index 28df5a0..0000000
--- a/old/52362-h/images/i_072.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_076.jpg b/old/52362-h/images/i_076.jpg
deleted file mode 100644
index 6473fca..0000000
--- a/old/52362-h/images/i_076.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_076b.jpg b/old/52362-h/images/i_076b.jpg
deleted file mode 100644
index 12111dd..0000000
--- a/old/52362-h/images/i_076b.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_079.jpg b/old/52362-h/images/i_079.jpg
deleted file mode 100644
index c559fc5..0000000
--- a/old/52362-h/images/i_079.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_088.jpg b/old/52362-h/images/i_088.jpg
deleted file mode 100644
index a6c901e..0000000
--- a/old/52362-h/images/i_088.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_109.jpg b/old/52362-h/images/i_109.jpg
deleted file mode 100644
index 1787c59..0000000
--- a/old/52362-h/images/i_109.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_110.jpg b/old/52362-h/images/i_110.jpg
deleted file mode 100644
index aa40731..0000000
--- a/old/52362-h/images/i_110.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_112.jpg b/old/52362-h/images/i_112.jpg
deleted file mode 100644
index 955aee4..0000000
--- a/old/52362-h/images/i_112.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_158.jpg b/old/52362-h/images/i_158.jpg
deleted file mode 100644
index c08fece..0000000
--- a/old/52362-h/images/i_158.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_159.jpg b/old/52362-h/images/i_159.jpg
deleted file mode 100644
index 758d3bf..0000000
--- a/old/52362-h/images/i_159.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_166.jpg b/old/52362-h/images/i_166.jpg
deleted file mode 100644
index 386e915..0000000
--- a/old/52362-h/images/i_166.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_199.jpg b/old/52362-h/images/i_199.jpg
deleted file mode 100644
index c4e0bb7..0000000
--- a/old/52362-h/images/i_199.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_233.jpg b/old/52362-h/images/i_233.jpg
deleted file mode 100644
index 6d61bf2..0000000
--- a/old/52362-h/images/i_233.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_234.jpg b/old/52362-h/images/i_234.jpg
deleted file mode 100644
index e284b6e..0000000
--- a/old/52362-h/images/i_234.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_236.jpg b/old/52362-h/images/i_236.jpg
deleted file mode 100644
index 23472f0..0000000
--- a/old/52362-h/images/i_236.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_252.jpg b/old/52362-h/images/i_252.jpg
deleted file mode 100644
index cfe285c..0000000
--- a/old/52362-h/images/i_252.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_278.jpg b/old/52362-h/images/i_278.jpg
deleted file mode 100644
index 82a93f8..0000000
--- a/old/52362-h/images/i_278.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_279.jpg b/old/52362-h/images/i_279.jpg
deleted file mode 100644
index dcc9930..0000000
--- a/old/52362-h/images/i_279.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_295.jpg b/old/52362-h/images/i_295.jpg
deleted file mode 100644
index 3ad558f..0000000
--- a/old/52362-h/images/i_295.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_296.jpg b/old/52362-h/images/i_296.jpg
deleted file mode 100644
index c555048..0000000
--- a/old/52362-h/images/i_296.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_332.jpg b/old/52362-h/images/i_332.jpg
deleted file mode 100644
index e76bedc..0000000
--- a/old/52362-h/images/i_332.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_333.jpg b/old/52362-h/images/i_333.jpg
deleted file mode 100644
index c931694..0000000
--- a/old/52362-h/images/i_333.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_346.jpg b/old/52362-h/images/i_346.jpg
deleted file mode 100644
index e7821de..0000000
--- a/old/52362-h/images/i_346.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_347.jpg b/old/52362-h/images/i_347.jpg
deleted file mode 100644
index c2d879b..0000000
--- a/old/52362-h/images/i_347.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_363.jpg b/old/52362-h/images/i_363.jpg
deleted file mode 100644
index 642f65e..0000000
--- a/old/52362-h/images/i_363.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_378.jpg b/old/52362-h/images/i_378.jpg
deleted file mode 100644
index 082afb1..0000000
--- a/old/52362-h/images/i_378.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_379.jpg b/old/52362-h/images/i_379.jpg
deleted file mode 100644
index b5b6ddb..0000000
--- a/old/52362-h/images/i_379.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_398.jpg b/old/52362-h/images/i_398.jpg
deleted file mode 100644
index 1913621..0000000
--- a/old/52362-h/images/i_398.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_399.jpg b/old/52362-h/images/i_399.jpg
deleted file mode 100644
index 443d0d6..0000000
--- a/old/52362-h/images/i_399.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_412.jpg b/old/52362-h/images/i_412.jpg
deleted file mode 100644
index ba7276e..0000000
--- a/old/52362-h/images/i_412.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_420.jpg b/old/52362-h/images/i_420.jpg
deleted file mode 100644
index e3df6c1..0000000
--- a/old/52362-h/images/i_420.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_421.jpg b/old/52362-h/images/i_421.jpg
deleted file mode 100644
index d28bcb1..0000000
--- a/old/52362-h/images/i_421.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_424.jpg b/old/52362-h/images/i_424.jpg
deleted file mode 100644
index d97e3c7..0000000
--- a/old/52362-h/images/i_424.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_432.jpg b/old/52362-h/images/i_432.jpg
deleted file mode 100644
index 3f1f4e9..0000000
--- a/old/52362-h/images/i_432.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_433.jpg b/old/52362-h/images/i_433.jpg
deleted file mode 100644
index 41246e5..0000000
--- a/old/52362-h/images/i_433.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_440.jpg b/old/52362-h/images/i_440.jpg
deleted file mode 100644
index 13b7c98..0000000
--- a/old/52362-h/images/i_440.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_441.jpg b/old/52362-h/images/i_441.jpg
deleted file mode 100644
index 0e5153e..0000000
--- a/old/52362-h/images/i_441.jpg
+++ /dev/null
Binary files differ
diff --git a/old/52362-h/images/i_483.jpg b/old/52362-h/images/i_483.jpg
deleted file mode 100644
index e33fba2..0000000
--- a/old/52362-h/images/i_483.jpg
+++ /dev/null
Binary files differ