summaryrefslogtreecommitdiff
path: root/old/51907-h/51907-h.htm
diff options
context:
space:
mode:
Diffstat (limited to 'old/51907-h/51907-h.htm')
-rw-r--r--old/51907-h/51907-h.htm1499
1 files changed, 0 insertions, 1499 deletions
diff --git a/old/51907-h/51907-h.htm b/old/51907-h/51907-h.htm
deleted file mode 100644
index 422dab4..0000000
--- a/old/51907-h/51907-h.htm
+++ /dev/null
@@ -1,1499 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
-"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-
-<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en">
- <head> <link rel="coverpage" href="images/cover.jpg" />
-<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
-<title>
- The Project Gutenberg eBook of Poems of a V.A.D, by Vera M. Brittain.
-</title>
-<style type="text/css">
- p {margin-top:.2em;text-align:justify;margin-bottom:.2em;text-indent:4%;}
-
-.c {text-align:center;text-indent:0%;}
-
-.cnar {text-align:center;text-indent:0%;
-margin:auto auto;max-width:60%;}
-
-.cb {text-align:center;text-indent:0%;font-weight:bold;}
-
-.nind {text-indent:0%;}
-
-.ov {text-decoration:overline;}
-
-.r {text-align:right;margin-right: 5%;}
-
-.rt {text-align:right;}
-
-small {font-size: 70%;}
-
-big {font-size: 130%;}
-
- h1 {margin-top:5%;text-align:center;clear:both;}
-
- h2 {margin-top:4%;margin-bottom:2%;text-align:center;clear:both;
- font-size:105%;}
-
- hr {width:90%;margin:2em auto 2em auto;clear:both;color:black;}
-
- hr.full {width: 50%;margin:5% auto 5% auto;border:4px double gray;}
-
- table {margin-top:2%;margin-bottom:2%;margin-left:auto;margin-right:auto;border:none;}
-
- body{margin-left:4%;margin-right:6%;background:#ffffff;color:black;font-family:"Times New Roman", serif;font-size:medium;}
-
-a:link {background-color:#ffffff;color:blue;text-decoration:none;}
-
- link {background-color:#ffffff;color:blue;text-decoration:none;}
-
-a:visited {background-color:#ffffff;color:purple;text-decoration:none;}
-
-a:hover {background-color:#ffffff;color:#FF0000;text-decoration:underline;}
-
-.smcap {font-variant:small-caps;font-size:100%;}
-
- img {border:none;}
-
- sup {font-size:75%;vertical-align:top;}
-
-.figcenter {margin-top:3%;margin-bottom:3%;clear:both;
-margin-left:auto;margin-right:auto;text-align:center;text-indent:0%;}
- @media print, handheld
- {.figcenter
- {page-break-before: avoid;}
- }
-
-.footnote {width:95%;margin:auto 3% 1% auto;font-size:0.9em;position:relative;}
-
-.label {position:relative;left:-.5em;top:0;text-align:left;font-size:.8em;}
-
-.fnanchor {vertical-align:30%;font-size:.8em;}
-
-div.poetry {text-align:center;}
-div.poem {font-size:90%;margin:auto auto;text-indent:0%;
-display: inline-block; text-align: left;}
-.poem .stanza {margin-top: 1em;margin-bottom:1em;}
-.poem span.i0 {display: block; margin-left: 0em; padding-left: 3em; text-indent: -3em;}
-.poem span.i1 {display: block; margin-left: .45em; padding-left: 3em; text-indent: -3em;}
-.poem span.i2 {display: block; margin-left: 1em; padding-left: 3em; text-indent: -3em;}
-.poem span.i3 {display: block; margin-left: 3em; padding-left: 3em; text-indent: -3em;}
-.poem span.i4 {display: block; margin-left: 3em; padding-left: 3em; text-indent: -3em;}
-.poem span.i5 {display: block; margin-left: 4em; padding-left: 3em; text-indent: -3em;}
-.poem span.i6 {display: block; margin-left: 6em; padding-left: 3em; text-indent: -3em;}
-.poem span.i8 {display: block; margin-left: 7em; padding-left: 3em; text-indent: -3em;}
-
-.pagenum {font-style:normal;position:absolute;
-left:95%;font-size:55%;text-align:right;color:gray;
-background-color:#ffffff;font-variant:normal;font-style:normal;font-weight:normal;text-decoration:none;text-indent:0em;}
-@media print, handheld
-{.pagenum
- {display: none;}
- }
-
-</style>
- </head>
-<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of Verses of a V.A.D., by Vera Mary Brittain
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: Verses of a V.A.D.
-
-Author: Vera Mary Brittain
-
-Release Date: May 1, 2016 [EBook #51907]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK VERSES OF A V.A.D. ***
-
-
-
-
-Produced by MWS, Chuck Greif and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by The
-Internet Archive/American Libraries.)
-
-
-
-
-
-
-</pre>
-
-<hr class="full" />
-
-<div class="figcenter">
-<img src="images/cover.jpg" width="314" height="500" alt="" title="" />
-</div>
-
-<p class="cb">VERSES OF A V.A.D.</p>
-
-<p><span class="pagenum"><a name="page_004" id="page_004"></a>{4}</span></p>
-
-<p><span class="pagenum"><a name="page_005" id="page_005"></a>{5}</span></p>
-
-<h1>
-VERSES OF A V.A.D</h1>
-
-<p class="c"><small>BY</small><br />
-VERA &nbsp; M. &nbsp; BRITTAIN
-<br />
-(V.A.D. <span class="smcap">London</span>/268, B.R.C.S.)<br />
-<br /><br />
-<span class="smcap">Foreword by MARIE CONNOR LEIGHTON</span><br />
-<br /><br />
-ERSKINE MACDONALD, LTD.<br />
-
-LONDON, W.C.1<br />
-<span class="pagenum"><a name="page_006" id="page_006"></a>{6}</span><br />
-<i>All Rights Reserved</i><br />
-<i>First published August 1918</i><br />
-</p>
-
-<p><span class="pagenum"><a name="page_007" id="page_007"></a>{7}</span>&nbsp; </p>
-
-<p class="cb">
-DEDICATED<br />
-<br />
-TO THE MEMORY OF<br />
-<br />
-<big>ROLAND &nbsp; AUBREY &nbsp; LEIGHTON</big><br />
-<br />
-<span class="smcap">Lieutenant, Worcestershire Regiment</span><br />
-<br />
-<small>DIED OF WOUNDS NEAR HÉBUTERNE</small><br />
-<br />
-<span class="smcap">December 23rd, 1915</span><br />
-</p>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0">“Good-bye, sweet friend. What matters it that you<br /></span>
-<span class="i1">Have found Love’s death in joy, and I in sorrow?<br /></span>
-<span class="i1">For hand in hand, just as we used to do,<br /></span>
-<span class="i1">We two shall live our passionate poem through<br /></span>
-<span class="i1">On God’s serene to-morrow.”<br /></span>
-<span class="i8">R. A. L.<br /></span>
-</div>
-</div>
-</div>
-
-<p><span class="pagenum"><a name="page_008" id="page_008"></a>{8}</span>&nbsp; </p>
-
-<p><span class="pagenum"><a name="page_009" id="page_009"></a>{9}</span></p>
-
-<h2><a name="FOREWORD" id="FOREWORD"></a>FOREWORD</h2>
-
-<p class="nind"><span class="smcap">These</span> poems, by a writer for whom I have literary hopes, belong very
-clearly to that new and vigorous type of poetry which has sprung from
-the stress of the last few years and has its root in things done and
-suffered rather than in things merely imagined.</p>
-
-<p>Until lately our very belief in the saying that the poet is born and not
-made proved that we had completely accepted poetry as coming only from
-within, spun, as it were, out of our inner consciousness, and either
-quite unhelped, or else only partially helped, by active experiences
-from without. We have always understood, of course, that such an
-experience as, for instance, the sudden flashing upon us of a magnetic
-face as a stranger passes in the street might set aglow a train of
-thought that would quicken and melt into feeling, and the feeling would,
-in turn, need&mdash;and find&mdash;expression in poetry.<span class="pagenum"><a name="page_010" id="page_010"></a>{10}</span></p>
-
-<p>So far as this we have admitted that outward occurrences in the course
-of our quickly flying days can become a source of poetical inspiration.
-But, in spite of the pointing finger of Kipling, most of us clung
-desperately to the verse that had its sole origin in imaginative emotion
-until the blaze of war in the world illumined our souls and showed all
-of us that out of our simplest practical work can be struck sparks of
-real and great and rare divine fire.</p>
-
-<p>All the poems in this little book are the outcome of things very deeply
-felt. It is very difficult for me to write of them because where there
-is pain uttered in them, it has almost always been my pain as well as
-the author’s. One or two of the sonnets condense the expression of
-losses that have meant a life’s upheaval. One or two, again, are
-practically a concrete record of simple human things observed and
-suffered and of duty strenuously done. Here there is no leisured
-dreaming, but sheer experience, solid and stored up, like the honey that
-a bee’s labour has stored.</p>
-
-<p>But this practical quality, while it has so much that makes it rich and
-valuable, has also the one conspicuous disadvantage that the<span class="pagenum"><a name="page_011" id="page_011"></a>{11}</span> work is
-often done under conditions of strain and turmoil that tell against
-perfection of method. Some of these <i>Verses of a V.A.D.</i> were written in
-almost breathless intervals of severe and devoted duty. The poem
-entitled “The German Ward” is especially an example of this. In such
-circumstances, it is difficult to achieve any literary ornamentation and
-least of all that particular kind of simpleness which is the highest
-form of finished art. In the case of several of the poems, both these
-qualities have been achieved; yet, because of the difficulties, I make
-an appeal for considerateness and tender sympathy in judging these first
-shy flowers of the heart and mind of a young girl who has worked
-unceasingly and self-forgettingly for the good of others since the days
-of stress began, and who in her personal destiny has suffered as, I
-hope, very few have suffered.</p>
-
-<p class="r">
-<span class="smcap">Marie Connor Leighton.</span></p>
-
-<p><span class="pagenum"><a name="page_012" id="page_012"></a>{12}</span>&nbsp; </p>
-
-<p><span class="pagenum"><a name="page_013" id="page_013"></a>{13}</span></p>
-
-<h2><a name="CONTENTS" id="CONTENTS"></a>CONTENTS</h2>
-
-<table border="0" cellpadding="0" cellspacing="0" summary="">
-
-<tr><td>&nbsp;</td><td class="rt"><small>PAGE</small></td></tr>
-
-<tr><td><a href="#AUGUST_1914"><span class="smcap">August 1914</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_015">15</a></td></tr>
-
-<tr><td><a href="#ST_PANCRAS_STATION_AUGUST_1915"><span class="smcap">St. Pancras Station, August 1915</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_016">16</a></td></tr>
-
-<tr><td><a href="#TO_A_FALLEN_IDOL"><span class="smcap">To a Fallen Idol</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_017">17</a></td></tr>
-
-<tr><td><a href="#TO_MONSEIGNEUR"><span class="smcap">To Monseigneur</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_018">18</a></td></tr>
-
-<tr><td><a href="#THE_ONLY_SON"><span class="smcap">The Only Son</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_019">19</a></td></tr>
-
-<tr><td><a href="#PERHAPS"><span class="smcap">Perhaps&mdash;&mdash;</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_020">20</a></td></tr>
-
-<tr><td><a href="#A_MILITARY_HOSPITAL"><span class="smcap">A Military Hospital</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_021">21</a></td></tr>
-
-<tr><td><a href="#LOOKING_WESTWARD"><span class="smcap">Looking Westward</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_022">22</a></td></tr>
-
-<tr><td><a href="#THEN_AND_NOW"><span class="smcap">Then and Now</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_024">24</a></td></tr>
-
-<tr><td><a href="#MAY_MORNING"><span class="smcap">May Morning</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_025">25</a></td></tr>
-
-<tr><td><a href="#THE_TWO_TRAVELLERS"><span class="smcap">The Two Travellers</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_027">27</a></td></tr>
-
-<tr><td><a href="#ROUNDEL"><span class="smcap">Roundel</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_028">28</a></td></tr>
-
-<tr><td><a href="#THE_SISTERS_BURIED_AT_LEMNOS"><span class="smcap">The Sisters buried at Lemnos</span></a></td><td><span class="pagenum"><a name="page_014" id="page_014"></a>{14}</span></td><td class="rt" valign="bottom"><a href="#page_029">29</a></td></tr>
-
-<tr><td><a href="#IN_MEMORIAM_GRYT"><span class="smcap">In Memoriam: G.R.Y.T.</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_031">31</a></td></tr>
-
-<tr><td><a href="#A_PARTING_WORD"><span class="smcap">A Parting Word</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_032">32</a></td></tr>
-
-<tr><td><a href="#TO_MY_BROTHER"><span class="smcap">To My Brother</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_033">33</a></td></tr>
-
-<tr><td><a href="#SIC_TRANSIT"><span class="smcap">Sic Transit&mdash;&mdash;</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_034">34</a></td></tr>
-
-<tr><td><a href="#TO_THEM"><span class="smcap">To Them</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_035">35</a></td></tr>
-
-<tr><td><a href="#OXFORD_REVISITED"><span class="smcap">Oxford revisited</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_036">36</a></td></tr>
-
-<tr><td><a href="#THAT_WHICH_REMAINETH"><span class="smcap">That which Remaineth</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_037">37</a></td></tr>
-
-<tr><td><a href="#THE_GERMAN_WARD"><span class="smcap">The German Ward</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_038">38</a></td></tr>
-
-<tr><td><a href="#THE_TROOP-TRAIN"><span class="smcap">The Troop-train</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_040">40</a></td></tr>
-
-<tr><td><a href="#TO_MY_WARD-SISTER"><span class="smcap">To my Ward-sister</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_041">41</a></td></tr>
-
-<tr><td><a href="#TO_ANOTHER_SISTER"><span class="smcap">To another Sister</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_042">42</a></td></tr>
-
-<tr><td><a href="#VENGEANCE_IS_MINE"><span class="smcap">“Vengeance is Mine”</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_043">43</a></td></tr>
-
-<tr><td><a href="#WAR"><span class="smcap">War</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_044">44</a></td></tr>
-
-<tr><td><a href="#THE_LAST_POST"><span class="smcap">The Last Post</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_045">45</a></td></tr>
-
-<tr><td><a href="#THE_ASPIRANT"><span class="smcap">The Aspirant</span></a></td><td></td><td class="rt" valign="bottom"><a href="#page_046">46</a></td></tr>
-</table>
-
-<p>Acknowledgments are due to the Editor of <i>The Oxford Magazine</i>, in which
-“May Morning” and “The Sisters buried at Lemnos” were first published.<span class="pagenum"><a name="page_015" id="page_015"></a>{15}</span></p>
-
-<h2><a name="AUGUST_1914" id="AUGUST_1914"></a>AUGUST 1914</h2>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">God</span> said, “Men have forgotten Me;<br /></span>
-<span class="i2">The souls that sleep shall wake again,<br /></span>
-<span class="i0">And blinded eyes must learn to see.”<br /></span>
-</div><div class="stanza">
-<span class="i0">So since redemption comes through pain<br /></span>
-<span class="i2">He smote the earth with chastening rod,<br /></span>
-<span class="i0">And brought Destruction’s lurid reign;<br /></span>
-</div><div class="stanza">
-<span class="i0">But where His desolation trod<br /></span>
-<span class="i2">The people in their agony<br /></span>
-<span class="i0">Despairing cried, “There is no God.”<br /></span>
-</div><div class="stanza">
-<span class="i0"><span class="smcap">Somerville College</span>,<br /></span>
-<span class="i2"><span class="smcap">Oxford</span>.<br /></span>
-<span class="i0"><span class="pagenum"><a name="page_016" id="page_016"></a>{16}</span><br /></span>
-</div><div class="stanza">
-</div></div>
-</div>
-
-<h2><a name="ST_PANCRAS_STATION_AUGUST_1915" id="ST_PANCRAS_STATION_AUGUST_1915"></a>ST. PANCRAS STATION, AUGUST 1915</h2>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">One</span> long, sweet kiss pressed close upon my lips,<br /></span>
-<span class="i2">One moment’s rest on your swift-beating heart,<br /></span>
-<span class="i0">And all was over, for the hour had come<br /></span>
-<span class="i8">For us to part.<br /></span>
-</div><div class="stanza">
-<span class="i0">A sudden forward motion of the train,<br /></span>
-<span class="i2">The world grown dark although the sun still shone,<br /></span>
-<span class="i0">One last blurred look through aching tear-dimmed eyes&mdash;<br /></span>
-<span class="i8">And you were gone.<br /></span>
-<span class="i0"><span class="pagenum"><a name="page_017" id="page_017"></a>{17}</span><br /></span>
-</div><div class="stanza">
-</div></div>
-</div>
-
-<h2><a name="TO_A_FALLEN_IDOL" id="TO_A_FALLEN_IDOL"></a>TO A FALLEN IDOL</h2>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">O you</span> who sought to rend the stars from Heaven<br /></span>
-<span class="i2">But rent instead your too-ambitious heart,<br /></span>
-<span class="i0">Know that with those to whom Love’s joy is given<br /></span>
-<span class="i2">You have not, nor can ever have, a part.<br /></span>
-</div><div class="stanza">
-<span class="i0">A nation’s loyalty might have been your glory,<br /></span>
-<span class="i2">And men have blessed your name from shore to shore,<br /></span>
-<span class="i0">But you have set the seal upon your story,<br /></span>
-<span class="i2">And must go hence, alone for evermore.<br /></span>
-<span class="i0"><span class="pagenum"><a name="page_018" id="page_018"></a>{18}</span><br /></span>
-</div><div class="stanza">
-</div></div>
-</div>
-
-<h2><a name="TO_MONSEIGNEUR" id="TO_MONSEIGNEUR"></a>TO MONSEIGNEUR</h2>
-<p class="cnar">(<span class="smcap">R.A.L., Lieutenant, Worcesters</span>)</p>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">None</span> shall dispute Your kingship, nor declare<br /></span>
-<span class="i2">Another could have held the place You hold,<br /></span>
-<span class="i2">For though he brought me finer gifts than gold,<br /></span>
-<span class="i0">And laid before my feet his heart made bare<br /></span>
-<span class="i0">Of all but love for me, and sighed despair<br /></span>
-<span class="i2">If I but feigned my favours to withhold,<br /></span>
-<span class="i2">And would repudiate as sadly cold<br /></span>
-<span class="i0">The proud and lofty manner that You wear,<br /></span>
-</div><div class="stanza">
-<span class="i0">He would not be my pure and stainless knight<br /></span>
-<span class="i2">Of heart without reproach or hint of fear,<br /></span>
-<span class="i0">Who walks unscathed amid War’s sordid ways<br /></span>
-<span class="i0">By base desire or bloodshed’s grim delight,<br /></span>
-<span class="i2">But ever holds his hero’s honour dear&mdash;<br /></span>
-<span class="i0">Roland of Roncesvalles in modern days.<br /></span>
-</div><div class="stanza">
-<span class="i0"><span class="smcap">1st London General Hospital</span>,<br /></span>
-<span class="i4"><i>November 1915.</i><br /></span>
-<span class="i0"><span class="pagenum"><a name="page_019" id="page_019"></a>{19}</span><br /></span>
-</div><div class="stanza">
-</div></div>
-</div>
-
-<h2><a name="THE_ONLY_SON" id="THE_ONLY_SON"></a>THE ONLY SON</h2>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">The</span> storm beats loud, and you are far away,<br /></span>
-<span class="i5">The night is wild,<br /></span>
-<span class="i0">On distant fields of battle breaks the day,<br /></span>
-<span class="i5">My little child?<br /></span>
-</div><div class="stanza">
-<span class="i0">I sought to shield you from the least of ills<br /></span>
-<span class="i5">In bygone years,<br /></span>
-<span class="i0">I soothed with dreams of manhood’s far-off hills<br /></span>
-<span class="i5">Your baby fears,<br /></span>
-</div><div class="stanza">
-<span class="i0">But could not save you from the shock of strife;<br /></span>
-<span class="i5">With radiant eyes<br /></span>
-<span class="i0">You seized the sword and in the path of Life<br /></span>
-<span class="i5">You sought your prize.<br /></span>
-</div><div class="stanza">
-<span class="i0">The tempests rage, but you are fast asleep;<br /></span>
-<span class="i5">Though winds be wild<br /></span>
-<span class="i0">They cannot break your endless slumbers deep,<br /></span>
-<span class="i5">My little child.<br /></span>
-<span class="i0"><span class="pagenum"><a name="page_020" id="page_020"></a>{20}</span><br /></span>
-</div><div class="stanza">
-</div></div>
-</div>
-
-<h2><a name="PERHAPS" id="PERHAPS"></a>PERHAPS&mdash;&mdash;</h2>
-<p class="cnar">(<span class="smcap">To R.A.L. Died of Wounds in France, December 23rd, 1915</span>)</p>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">Perhaps</span> some day the sun will shine again,<br /></span>
-<span class="i2">And I shall see that still the skies are blue,<br /></span>
-<span class="i0">And feel once more I do not live in vain,<br /></span>
-<span class="i2">Although bereft of You.<br /></span>
-</div><div class="stanza">
-<span class="i0">Perhaps the golden meadows at my feet<br /></span>
-<span class="i2">Will make the sunny hours of Spring seem gay,<br /></span>
-<span class="i0">And I shall find the white May blossoms sweet,<br /></span>
-<span class="i2">Though You have passed away.<br /></span>
-</div><div class="stanza">
-<span class="i0">Perhaps the summer woods will shimmer bright,<br /></span>
-<span class="i2">And crimson roses once again be fair,<br /></span>
-<span class="i0">And autumn harvest fields a rich delight,<br /></span>
-<span class="i2">Although You are not there.<br /></span>
-</div><div class="stanza">
-<span class="i0">Perhaps some day I shall not shrink in pain<br /></span>
-<span class="i2">To see the passing of the dying year,<br /></span>
-<span class="i0">And listen to the Christmas songs again,<br /></span>
-<span class="i2">Although You cannot hear.<span class="pagenum"><a name="page_021" id="page_021"></a>{21}</span><br /></span>
-</div><div class="stanza">
-<span class="i0">But, though kind Time may many joys renew,<br /></span>
-<span class="i2">There is one greatest joy I shall not know<br /></span>
-<span class="i0">Again, because my heart for loss of You<br /></span>
-<span class="i2">Was broken, long ago.<br /></span>
-</div><div class="stanza">
-<span class="i0"><span class="smcap">1st London General Hospital</span>,<br /></span>
-<span class="i6"><i>February 1916.</i><br /></span>
-</div></div>
-</div>
-
-<h2><a name="A_MILITARY_HOSPITAL" id="A_MILITARY_HOSPITAL"></a>A MILITARY HOSPITAL</h2>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">A mass</span> of human wreckage, drifting in<br /></span>
-<span class="i2">Borne on a blood-red tide,<br /></span>
-<span class="i0">Some never more to brave the stormy sea<br /></span>
-<span class="i2">Laid reverently aside,<br /></span>
-<span class="i0">And some with love restored to sail again<br /></span>
-<span class="i2">For regions far and wide.<br /></span>
-</div><div class="stanza">
-<span class="i0"><span class="smcap">1st London General Hospital</span>, <i>1916</i>.<br /></span>
-<span class="i0"><span class="pagenum"><a name="page_022" id="page_022"></a>{22}</span><br /></span>
-</div><div class="stanza">
-</div></div>
-</div>
-
-<h2><a name="LOOKING_WESTWARD" id="LOOKING_WESTWARD"></a>LOOKING WESTWARD</h2>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0">“For a while the quiet body<br /></span>
-<span class="i1">Lies with feet toward the Morn.”<br /></span>
-<span class="i5"><span class="smcap">Hymn</span> 499, A. &amp; M.<br /></span>
-</div></div>
-</div>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">When</span> I am dead, lay me not looking East,<br /></span>
-<span class="i2">But towards the verge where daylight sinks to rest,<br /></span>
-<span class="i0">For my Beloved, who fell in War’s dark year,<br /></span>
-<span class="i2">Lies in a foreign meadow, facing West.<br /></span>
-</div><div class="stanza">
-<span class="i0">He does not see the Heavens flushed with dawn,<br /></span>
-<span class="i2">But flaming through the sunset’s dying gleam;<br /></span>
-<span class="i0">He is not dazzled by the Morning Star,<br /></span>
-<span class="i2">But Hesper soothes him with her gentle beam.<br /></span>
-</div><div class="stanza">
-<span class="i0">He faces not the guns he thrilled to hear,<br /></span>
-<span class="i2">Nor sees the skyline red with fires of Hell;<br /></span>
-<span class="i0">He looks for ever towards that dear home land<br /></span>
-<span class="i2">He loved, but bade a resolute farewell.<span class="pagenum"><a name="page_023" id="page_023"></a>{23}</span><br /></span>
-</div><div class="stanza">
-<span class="i0">So would I, when my hour has come for sleep,<br /></span>
-<span class="i2">Lie watching where the twilight shades grow grey;<br /></span>
-<span class="i0">Far sooner would I share with him the Night<br /></span>
-<span class="i2">Than pass without him to the Splendid Day.<br /></span>
-<span class="i0"><span class="pagenum"><a name="page_024" id="page_024"></a>{24}</span><br /></span>
-</div><div class="stanza">
-</div></div>
-</div>
-
-<h2><a name="THEN_AND_NOW" id="THEN_AND_NOW"></a>THEN AND NOW</h2>
-<p class="cnar">“πάντα ῤει καἰ ούδένα μένει”</p>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">Once</span> the black pine-trees on the mountain side,<br /></span>
-<span class="i2">The river dancing down the valley blue,<br /></span>
-<span class="i0">And strange brown grasses swaying with the tide,<br /></span>
-<span class="i2">All spoke to me of you.<br /></span>
-</div><div class="stanza">
-<span class="i0">But now the sullen streamlet creeping slow,<br /></span>
-<span class="i2">The moaning tree-tops dark above my head,<br /></span>
-<span class="i0">The weeds where once the grasses used to grow<br /></span>
-<span class="i2">Tell me that you are dead.<br /></span>
-<span class="i0"><span class="pagenum"><a name="page_025" id="page_025"></a>{25}</span><br /></span>
-</div><div class="stanza">
-</div></div>
-</div>
-
-<h2><a name="MAY_MORNING" id="MAY_MORNING"></a>MAY MORNING</h2>
-
-<p class="cnar">(<i>Note.</i>&mdash;At Oxford on May 1st a Latin hymn is sung at sunrise by the
-Magdalen choristers from the top of the tower.)</p>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">The</span> rising sun shone warmly on the tower,<br /></span>
-<span class="i2">Into the clear pure Heaven the hymn aspired<br /></span>
-<span class="i0">Piercingly sweet. This was the morning hour<br /></span>
-<span class="i0">When life awoke with Spring’s creative power,<br /></span>
-<span class="i2">And the old City’s grey to gold was fired.<br /></span>
-</div><div class="stanza">
-<span class="i0">Silently reverent stood the noisy throng;<br /></span>
-<span class="i2">Under the bridge the boats in long array<br /></span>
-<span class="i0">Lay motionless. The choristers’ far song<br /></span>
-<span class="i0">Faded upon the breeze in echoes long.<br /></span>
-<span class="i2">Swiftly I left the bridge and rode away.<br /></span>
-</div><div class="stanza">
-<span class="i0">Straight to a little wood’s green heart I sped,<br /></span>
-<span class="i2">Where cowslips grew, beneath whose gold withdrawn<br /></span>
-<span class="i0">The fragrant earth peeped warm and richly red;<br /></span>
-<span class="i0">All trace of Winter’s chilling touch had fled,<br /></span>
-<span class="i2">And song-birds ushered in the year’s bright morn.<span class="pagenum"><a name="page_026" id="page_026"></a>{26}</span><br /></span>
-</div><div class="stanza">
-<span class="i0">I had met Love not many days before,<br /></span>
-<span class="i2">And as in blissful mood I listening lay<br /></span>
-<span class="i0">None ever had of joy so full a store.<br /></span>
-<span class="i0">I thought that Spring must last for evermore,<br /></span>
-<span class="i2">For I was young and loved, and it was May.<br /></span>
-<span style="margin-left: 6em;">. . . . . . . . . .</span><br />
-<span class="i0">Now it is May again, and sweetly clear<br /></span>
-<span class="i2">Perhaps once more aspires the Latin hymn<br /></span>
-<span class="i0">From Magdalen tower, but not for me to hear.<br /></span>
-<span class="i0">I toil far distant, for a darker year<br /></span>
-<span class="i2">Shadows the century with menace grim.<br /></span>
-</div><div class="stanza">
-<span class="i0">I walk in ways where pain and sorrow dwell,<br /></span>
-<span class="i2">And ruin such as only War can bring,<br /></span>
-<span class="i0">Where each lives through his individual hell,<br /></span>
-<span class="i0">Fraught with remembered horror none can tell,<br /></span>
-<span class="i2">And no more is there glory in the Spring.<br /></span>
-</div><div class="stanza">
-<span class="i0">And I am worn with tears, for he I loved<br /></span>
-<span class="i2">Lies cold beneath the stricken sod of France;<br /></span>
-<span class="i0">Hope has forsaken me, by Death removed,<br /></span>
-<span class="i0">And Love that seemed so strong and gay has proved<br /></span>
-<span class="i2">A poor crushed thing, the toy of cruel Chance.<span class="pagenum"><a name="page_027" id="page_027"></a>{27}</span><br /></span>
-</div><div class="stanza">
-<span class="i0">Often I wonder, as I grieve in vain,<br /></span>
-<span class="i2">If when the long, long future years creep slow,<br /></span>
-<span class="i0">And War and tears alike have ceased to reign,<br /></span>
-<span class="i0">I ever shall recapture, once again,<br /></span>
-<span class="i2">The mood of that May morning, long ago.<br /></span>
-</div><div class="stanza">
-<span class="i0"><span class="smcap">1st London General Hospital</span>,<br /></span>
-<span class="i6"><i>May 1916.</i><br /></span>
-</div></div>
-</div>
-
-<h2><a name="THE_TWO_TRAVELLERS" id="THE_TWO_TRAVELLERS"></a>THE TWO TRAVELLERS</h2>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i4">Beware!<br /></span>
-<span class="i0">You met two travellers in the town<br /></span>
-<span class="i0">Who promised you that they would take you down<br /></span>
-<span class="i0">The valley far away<br /></span>
-<span class="i0">To some strange carnival this Summer’s day.<br /></span>
-<span class="i4">Take care,<br /></span>
-<span class="i0">Lest in the crowded street<br /></span>
-<span class="i0">They hurry past you with forgetting feet,<br /></span>
-<span class="i4">And leave you standing there.<br /></span>
-<span class="pagenum"><a name="page_028" id="page_028"></a>{28}</span>
-</div></div>
-</div>
-
-<h2><a name="ROUNDEL" id="ROUNDEL"></a>ROUNDEL</h2>
-<p class="cnar">(“<span class="smcap">Died of Wounds</span>”)</p>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">Because</span> you died, I shall not rest again,<br /></span>
-<span class="i2">But wander ever through the lone world wide,<br /></span>
-<span class="i0">Seeking the shadow of a dream grown vain<br /></span>
-<span class="i5">Because you died.<br /></span>
-</div><div class="stanza">
-<span class="i0">I shall spend brief and idle hours beside<br /></span>
-<span class="i2">The many lesser loves that still remain,<br /></span>
-<span class="i0">But find in none my triumph and my pride;<br /></span>
-</div><div class="stanza">
-<span class="i0">And Disillusion’s slow corroding stain<br /></span>
-<span class="i2">Will creep upon each quest but newly tried,<br /></span>
-<span class="i0">For every striving now shall nothing gain<br /></span>
-<span class="i5">Because you died.<br /></span>
-</div><div class="stanza">
-<span class="i0"><span class="smcap">France</span>,<br /></span>
-<span class="i4"><i>February 1918.</i><br /></span>
-<span class="i0"><span class="pagenum"><a name="page_029" id="page_029"></a>{29}</span><br /></span>
-</div><div class="stanza">
-</div></div>
-</div>
-
-<h2><a name="THE_SISTERS_BURIED_AT_LEMNOS" id="THE_SISTERS_BURIED_AT_LEMNOS"></a>THE SISTERS BURIED AT LEMNOS</h2>
-<p class="cnar">(“<span class="smcap">Fidelis ad Extremum</span>”)</p>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">O golden</span> Isle set in the deep blue Ocean,<br /></span>
-<span class="i2">With purple shadows flitting o’er thy crest,<br /></span>
-<span class="i0">I kneel to thee in reverent devotion<br /></span>
-<span class="i2">Of some who on thy bosom lie at rest!<br /></span>
-</div><div class="stanza">
-<span class="i0">Seldom they enter into song or story;<br /></span>
-<span class="i2">Poets praise the soldier’s might and deeds of War,<br /></span>
-<span class="i0">But few exalt the Sisters, and the glory<br /></span>
-<span class="i2">Of women dead beneath a distant star.<br /></span>
-</div><div class="stanza">
-<span class="i0">No armies threatened in that lonely station,<br /></span>
-<span class="i2">They fought not fire or steel or ruthless foe,<br /></span>
-<span class="i0">But heat and hunger, sickness and privation,<br /></span>
-<span class="i2">And Winter’s deathly chill and blinding snow.<br /></span>
-</div><div class="stanza">
-<span class="i0">Till mortal frailty could endure no longer<br /></span>
-<span class="i2">Disease’s ravages and climate’s power,<br /></span>
-<span class="i0">In body weak, but spirit ever stronger,<br /></span>
-<span class="i2">Courageously they stayed to meet their hour.<span class="pagenum"><a name="page_030" id="page_030"></a>{30}</span><br /></span>
-</div><div class="stanza">
-<span class="i0">No blazing tribute through the wide world flying,<br /></span>
-<span class="i2">No rich reward of sacrifice they craved,<br /></span>
-<span class="i0">The only meed of their victorious dying<br /></span>
-<span class="i2">Lives in the hearts of humble men they saved.<br /></span>
-</div><div class="stanza">
-<span class="i0">Who when in light the Final Dawn is breaking,<br /></span>
-<span class="i2">Still faithful, though the world’s regard may cease,<br /></span>
-<span class="i0">Will honour, splendid in triumphant waking,<br /></span>
-<span class="i2">The souls of women, lonely here at peace.<br /></span>
-</div><div class="stanza">
-<span class="i0">O golden Isle with purple shadows falling<br /></span>
-<span class="i2">Across thy rocky shore and sapphire sea,<br /></span>
-<span class="i0">I shall not picture these without recalling<br /></span>
-<span class="i2">The Sisters sleeping on the heart of thee!<br /></span>
-</div><div class="stanza">
-<span class="i0">H.M.H.S. “<span class="smcap">Britannic</span>,” <span class="smcap">Mudros</span>,<br /></span>
-<span class="i6"><i>October 1916.</i><br /></span>
-<span class="i0"><span class="pagenum"><a name="page_031" id="page_031"></a>{31}</span><br /></span>
-</div><div class="stanza">
-</div></div>
-</div>
-
-<h2><a name="IN_MEMORIAM_GRYT" id="IN_MEMORIAM_GRYT"></a>IN MEMORIAM: G.R.Y.T.</h2>
-<p class="cnar">(<span class="smcap">Killed in Action, April 23rd, 1917</span>)</p>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">I spoke</span> with you but seldom, yet there lay<br /></span>
-<span class="i2">Some nameless glamour in your written word,<br /></span>
-<span class="i2">And thoughts of you rose often&mdash;longings stirred<br /></span>
-<span class="i0">By dear remembrance of the sad blue-grey<br /></span>
-<span class="i0">That dwelt within your eyes, the even sway<br /></span>
-<span class="i2">Of your young god-like gait, the rarely heard<br /></span>
-<span class="i0">But frank bright laughter, hallowed by a Day<br /></span>
-<span class="i2">That made of Youth Right’s offering to the sword.<br /></span>
-</div><div class="stanza">
-<span class="i0">So now I ponder, since your day is done,<br /></span>
-<span class="i2">Ere dawn was past, on all you meant to me,<br /></span>
-<span class="i2">And all the more you might have come to be,<br /></span>
-<span class="i0">And wonder if some state, beyond the sun<br /></span>
-<span class="i2">And shadows here, may yet completion see<br /></span>
-<span class="i0">Of intimacy sweet though scarce begun.<br /></span>
-</div><div class="stanza">
-<span class="i0"><span class="smcap">Malta</span>,<br /></span>
-<span class="i4"><i>May 1917.</i><br /></span>
-<span class="i0"><span class="pagenum"><a name="page_032" id="page_032"></a>{32}</span><br /></span>
-</div><div class="stanza">
-</div></div>
-</div>
-
-<h2><a name="A_PARTING_WORD" id="A_PARTING_WORD"></a>A PARTING WORD</h2>
-<p class="cnar">(<span class="smcap">To a Fortunate Friend</span>)</p>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">If</span> you should be too happy in your days<br /></span>
-<span class="i2">And never know an hour of vain regret,<br /></span>
-<span class="i4">Do not forget<br /></span>
-<span class="i0">That still the shadows darken all my ways.<br /></span>
-</div><div class="stanza">
-<span class="i0">If sunshine sweeter still should light your years,<br /></span>
-<span class="i2">And you lose nought of all you dearly prize,<br /></span>
-<span class="i4">Turn not your eyes<br /></span>
-<span class="i0">From my steep track of anguish and of tears.<br /></span>
-</div><div class="stanza">
-<span class="i0">And if perhaps your love of me is less<br /></span>
-<span class="i2">Than I with all my need of you would choose,<br /></span>
-<span class="i4">Do not refuse<br /></span>
-<span class="i0">To love enough to lighten my distress.<br /></span>
-</div><div class="stanza">
-<span class="i0">And if the future days should parting see<br /></span>
-<span class="i2">Of our so different paths that lately met,<br /></span>
-<span class="i4">Remember yet<br /></span>
-<span class="i0">Those days of storm you weathered through with me.<br /></span>
-</div><div class="stanza">
-<span class="i0"><span class="smcap">Malta</span>,<br /></span>
-<span class="i3"><i>May 1917.</i><br /></span>
-<span class="pagenum"><a name="page_033" id="page_033"></a>{33}</span>
-</div></div>
-</div>
-
-<h2><a name="TO_MY_BROTHER" id="TO_MY_BROTHER"></a>TO MY BROTHER<a name="FNanchor_A_1" id="FNanchor_A_1"></a><a href="#Footnote_A_1" class="fnanchor">[A]</a></h2>
-<p class="cnar">(<span class="smcap">In memory of July 1st, 1916</span>)</p>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">Your</span> battle-wounds are scars upon my heart,<br /></span>
-<span class="i2">Received when in that grand and tragic “show”<br /></span>
-<span class="i0">You played your part<br /></span>
-<span class="i2">Two years ago,<br /></span>
-</div><div class="stanza">
-<span class="i0">And silver in the summer morning sun<br /></span>
-<span class="i2">I see the symbol of your courage glow&mdash;<br /></span>
-<span class="i0">That Cross you won<br /></span>
-<span class="i2">Two years ago.<br /></span>
-</div><div class="stanza">
-<span class="i0">Though now again you watch the shrapnel fly,<br /></span>
-<span class="i2">And hear the guns that daily louder grow,<br /></span>
-<span class="i0">As in July<br /></span>
-<span class="i2">Two years ago,<br /></span>
-</div><div class="stanza">
-<span class="i0">May you endure to lead the Last Advance<br /></span>
-<span class="i2">And with your men pursue the flying foe<br /></span>
-<span class="i0">As once in France<br /></span>
-<span class="i2">Two years ago.<br /></span>
-</div></div>
-</div>
-
-<div class="footnote"><p><a name="Footnote_A_1" id="Footnote_A_1"></a><a href="#FNanchor_A_1"><span class="label">[A]</span></a> Captain E. H. Brittain, M.C. Written four days before his
-death in action in the Austrian offensive on the Italian Front, June
-15th, 1918.</p></div>
-
-<p><span class="pagenum"><a name="page_034" id="page_034"></a>{34}</span></p>
-
-<h2><a name="SIC_TRANSIT" id="SIC_TRANSIT"></a>SIC TRANSIT&mdash;&mdash;</h2>
-
-<p class="cnar">(<span class="smcap">V.R., Died of Wounds, 2nd London General Hospital, Chelsea, June 9th,
-1917</span>)</p>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">I am</span> so tired.<br /></span>
-<span class="i2">The dying sun incarnadines the West,<br /></span>
-<span class="i0">And every window with its gold is fired,<br /></span>
-<span class="i2">And all I loved the best<br /></span>
-<span class="i0">Is gone, and every good that I desired<br /></span>
-<span class="i2">Passes away, an idle hopeless quest;<br /></span>
-<span class="i0">Even the Highest whereto I aspired<br /></span>
-<span class="i2">Has vanished with the rest.<br /></span>
-<span class="i0">I am so tired.<br /></span>
-</div><div class="stanza">
-<span class="i0"><span class="smcap">London</span>,<br /></span>
-<span class="i2"><i>June 1917.</i><br /></span>
-<span class="i0"><span class="pagenum"><a name="page_035" id="page_035"></a>{35}</span><br /></span>
-</div><div class="stanza">
-</div></div>
-</div>
-
-<h2><a name="TO_THEM" id="TO_THEM"></a>TO THEM</h2>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">I hear</span> your voices in the whispering trees,<br /></span>
-<span class="i2">I see your footprints on each grassy track,<br /></span>
-<span class="i0">Your laughter echoes gaily down the breeze&mdash;<br /></span>
-<span class="i2">But you will not come back.<br /></span>
-</div><div class="stanza">
-<span class="i0">The twilight skies are tender with your smile,<br /></span>
-<span class="i2">The stars look down with eyes for which I yearn,<br /></span>
-<span class="i0">I dream that you are with me all the while&mdash;<br /></span>
-<span class="i2">But you will not return.<br /></span>
-</div><div class="stanza">
-<span class="i0">The flowers are gay in gardens that you knew,<br /></span>
-<span class="i2">The woods you loved are sweet with summer rain,<br /></span>
-<span class="i0">The fields you trod are empty now, but you<br /></span>
-<span class="i2">Will never come again.<br /></span>
-</div><div class="stanza">
-<span class="i2"><i>June 1917.</i><br /></span>
-<span class="i0"><span class="pagenum"><a name="page_036" id="page_036"></a>{36}</span><br /></span>
-</div><div class="stanza">
-</div></div>
-</div>
-
-<h2><a name="OXFORD_REVISITED" id="OXFORD_REVISITED"></a>OXFORD REVISITED</h2>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">There’s</span> a gleam of sun on the grey old street<br /></span>
-<span class="i2">Where we used to walk in the Oxford days,<br /></span>
-<span class="i0">And dream that the world lay beneath our feet<br /></span>
-<span class="i2">In the dawn of a summer morning.<br /></span>
-</div><div class="stanza">
-<span class="i0">Now the years have passed, and it’s we who lie<br /></span>
-<span class="i2">Crushed under the burden of world-wide woe,<br /></span>
-<span class="i0">But the misty magic will never die<br /></span>
-<span class="i2">From the dawn of an Oxford morning.<br /></span>
-</div><div class="stanza">
-<span class="i0">And the end delays, and perhaps no more<br /></span>
-<span class="i2">I shall see the spires of my youth’s delight,<br /></span>
-<span class="i0">But they’ll gladden my eyes as in days of yore<br /></span>
-<span class="i2">At the dawn of Eternal Morning.<br /></span>
-</div><div class="stanza">
-<span class="i2"><i>June 1917.</i><br /></span>
-<span class="i0"><span class="pagenum"><a name="page_037" id="page_037"></a>{37}</span><br /></span>
-</div><div class="stanza">
-</div></div>
-</div>
-
-<h2><a name="THAT_WHICH_REMAINETH" id="THAT_WHICH_REMAINETH"></a>THAT WHICH REMAINETH</h2>
-
-<p class="cnar">(<span class="smcap">In Memory of Captain E. H. Brittain, M.C.</span>)</p>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">Only</span> the thought of a merry smile,<br /></span>
-<span class="i2">The wistful dreaming of sad brown eyes&mdash;<br /></span>
-<span class="i0">A brave young warrior, face aglow<br /></span>
-<span class="i2">With the light of a lofty enterprise.<br /></span>
-</div><div class="stanza">
-<span class="i0">Only the hope of a gallant heart,<br /></span>
-<span class="i2">The steady strife for a deathless crown,<br /></span>
-<span class="i0">In Memory’s treasures, radiant now<br /></span>
-<span class="i2">With the gleam of a goal beyond renown.<br /></span>
-</div><div class="stanza">
-<span class="i0">Only the tale of a dream fulfilled,<br /></span>
-<span class="i2">A strenuous day and a well-fought fight,<br /></span>
-<span class="i0">A fearless leader who laughed at Death,<br /></span>
-<span class="i2">And the fitting end of a gentle knight.<br /></span>
-</div><div class="stanza">
-<span class="i0">Only a Cross on a mountain side,<br /></span>
-<span class="i2">The close of a journey short and rough,<br /></span>
-<span class="i0">A sword laid down and a stainless shield&mdash;<br /></span>
-<span class="i2">No more&mdash;and yet, is it not enough?<br /></span>
-<span class="i0"><span class="pagenum"><a name="page_038" id="page_038"></a>{38}</span><br /></span>
-</div><div class="stanza">
-</div></div>
-</div>
-
-<h2><a name="THE_GERMAN_WARD" id="THE_GERMAN_WARD"></a>THE GERMAN WARD</h2>
-<p class="cnar">(“<span class="smcap">Inter arma caritas</span>”)</p>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">When</span> the years of strife are over and my recollection fades<br /></span>
-<span class="i2">Of the wards wherein I worked the weeks away,<br /></span>
-<span class="i0">I shall still see, as a vision rising ’mid the War-time shades,<br /></span>
-<span class="i2">The ward in France where German wounded lay.<br /></span>
-</div><div class="stanza">
-<span class="i0">I shall see the pallid faces and the half-suspicious eyes,<br /></span>
-<span class="i2">I shall hear the bitter groans and laboured breath,<br /></span>
-<span class="i0">And recall the loud complaining and the weary tedious cries,<br /></span>
-<span class="i2">And sights and smells of blood and wounds and death.<br /></span>
-</div><div class="stanza">
-<span class="i0">I shall see the convoy cases, blanket-covered on the floor,<br /></span>
-<span class="i2">And watch the heavy stretcher-work begin,<span class="pagenum"><a name="page_039" id="page_039"></a>{39}</span><br /></span>
-<span class="i0">And the gleam of knives and bottles through the open theatre door,<br /></span>
-<span class="i2">And the operation patients carried in.<br /></span>
-</div><div class="stanza">
-<span class="i0">I shall see the Sister standing, with her form of youthful grace,<br /></span>
-<span class="i2">And the humour and the wisdom of her smile,<br /></span>
-<span class="i0">And the tale of three years’ warfare on her thin expressive face&mdash;<br /></span>
-<span class="i2">The weariness of many a toil-filled while.<br /></span>
-</div><div class="stanza">
-<span class="i0">I shall think of how I worked for her with nerve and heart and mind,<br /></span>
-<span class="i2">And marvelled at her courage and her skill,<br /></span>
-<span class="i0">And how the dying enemy her tenderness would find<br /></span>
-<span class="i2">Beneath her scornful energy of will.<br /></span>
-</div><div class="stanza">
-<span class="i0">And I learnt that human mercy turns alike to friend or foe<br /></span>
-<span class="i2">When the darkest hour of all is creeping nigh,<br /></span>
-<span class="i0">And those who slew our dearest, when their lamps were burning low,<br /></span>
-<span class="i2">Found help and pity ere they came to die.<br /></span>
-</div><div class="stanza">
-<span class="i0">So, though much will be forgotten when the sound of War’s alarms<br /></span>
-<span class="i2">And the days of death and strife have passed away,<span class="pagenum"><a name="page_040" id="page_040"></a>{40}</span><br /></span>
-<span class="i0">I shall always see the vision of Love working amidst arms<br /></span>
-<span class="i2">In the ward wherein the wounded prisoners lay.<br /></span>
-</div><div class="stanza">
-<span class="i0"><span class="smcap">France</span>,<br /></span>
-<span class="i4"><i>September 1917.</i><br /></span>
-</div></div>
-</div>
-
-<h2><a name="THE_TROOP-TRAIN" id="THE_TROOP-TRAIN"></a>THE TROOP-TRAIN</h2>
-<p class="cnar">(<span class="smcap">France, 1917</span>)</p>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">As</span> we came down from Amiens,<br /></span>
-<span class="i2">And they went up the line,<br /></span>
-<span class="i0">They waved their careless hands to us,<br /></span>
-<span class="i2">And cheered the Red Cross sign.<br /></span>
-</div><div class="stanza">
-<span class="i0">And often I have wondered since,<br /></span>
-<span class="i2">Repicturing that train,<br /></span>
-<span class="i0">How many of those laughing souls<br /></span>
-<span class="i2">Came down the line again.<br /></span>
-<span class="i0"><span class="pagenum"><a name="page_041" id="page_041"></a>{41}</span><br /></span>
-</div><div class="stanza">
-</div></div>
-</div>
-
-<h2><a name="TO_MY_WARD-SISTER" id="TO_MY_WARD-SISTER"></a>TO MY WARD-SISTER</h2>
-<p class="cnar"><span class="smcap">Night Duty, December 1917</span></p>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">Through</span> the night-watches of our House of Sighs<br /></span>
-<span class="i2">In capable serenity of mind<br /></span>
-<span class="i2">You steadily achieve the tasks designed<br /></span>
-<span class="i0">With calm, half-smiling, interested eyes;<br /></span>
-<span class="i0">Though all-unknowing, confidently wise<br /></span>
-<span class="i2">Concerning pain you never felt, you find<br /></span>
-<span class="i0">Content from uneventful years arise<br /></span>
-<span class="i2">As you toil on, mechanically kind.<br /></span>
-</div><div class="stanza">
-<span class="i0">So thus far have your smooth days passed, but when<br /></span>
-<span class="i2">The tempest none escape shall cloud your sky,<br /></span>
-<span class="i0">And Life grow dark around you, through your pain<br /></span>
-<span class="i0">You’ll learn the meaning of your mercy then<br /></span>
-<span class="i2">To those who blessed you as you passed them by,<br /></span>
-<span class="i0">Nor seek to tread the untroubled road again.<br /></span>
-</div><div class="stanza">
-<span class="i0"><span class="smcap">France.</span><br /></span>
-<span class="i0"><span class="pagenum"><a name="page_042" id="page_042"></a>{42}</span><br /></span>
-</div><div class="stanza">
-</div></div>
-</div>
-
-<h2><a name="TO_ANOTHER_SISTER" id="TO_ANOTHER_SISTER"></a>TO ANOTHER SISTER</h2>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">I knew</span> that you had suffered many things,<br /></span>
-<span class="i2">For I could see your eyes would often weep<br /></span>
-<span class="i2">Through bitter midnight hours when others sleep;<br /></span>
-<span class="i0">And in your smile the lurking scorn that springs<br /></span>
-<span class="i2">From cruel knowledge of a love, once deep,<br /></span>
-<span class="i0">Grown gradually cold, until the stings<br /></span>
-<span class="i0">Pierce mercilessly of a past that clings<br /></span>
-<span class="i2">Undying to your lonely path and steep.<br /></span>
-</div><div class="stanza">
-<span class="i0">So, loved and honoured leader, I would pray<br /></span>
-<span class="i2">That hidden future days may hold in store<br /></span>
-<span class="i0">Some solace for your yearning even yet,<br /></span>
-<span class="i0">And in some joy to come you may forget<br /></span>
-<span class="i2">The burdened toil you will not suffer more,<br /></span>
-<span class="i0">And see the War-time shadows fade away.<br /></span>
-</div><div class="stanza">
-<span class="i2"><span class="smcap">France</span>, <i>1918</i>.<br /></span>
-<span class="i0"><span class="pagenum"><a name="page_043" id="page_043"></a>{43}</span><br /></span>
-</div><div class="stanza">
-</div></div>
-</div>
-
-<h2><a name="VENGEANCE_IS_MINE" id="VENGEANCE_IS_MINE"></a>“VENGEANCE IS MINE”</h2>
-
-<p class="cnar">(<span class="smcap">In Memory of the Sisters who died in the Great Air Raid upon
-Hospitals at Étaples</span>)</p>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">Who</span> shall avenge us for anguish unnamable,<br /></span>
-<span class="i2">Rivers of scarlet and crosses of grey,<br /></span>
-<span class="i0">Terror of night-time and blood-lust untamable,<br /></span>
-<span class="i2">Hate without pity where broken we lay?<br /></span>
-</div><div class="stanza">
-<span class="i0">How could we help them, in agony calling us,<br /></span>
-<span class="i2">Those whom we laboured to comfort and save,<br /></span>
-<span class="i0">How still their moaning, whose hour was befalling us,<br /></span>
-<span class="i2">Crushed in a horror more dark than the grave?<br /></span>
-</div><div class="stanza">
-<span class="i0">Burning of canvas and smashing of wood above&mdash;<br /></span>
-<span class="i2">Havoc of Mercy’s toil&mdash;shall He forget<br /></span>
-<span class="i0">Us that have fallen, Who numbers in gracious love<br /></span>
-<span class="i2">Each tiny creature whose life is man’s debt?<span class="pagenum"><a name="page_044" id="page_044"></a>{44}</span><br /></span>
-</div><div class="stanza">
-<span class="i0">Will He not hear us, though speech is now failing us&mdash;<br /></span>
-<span class="i2">Voices too feeble to utter a cry?<br /></span>
-<span class="i0">Shall they not answer, the foemen assailing us,<br /></span>
-<span class="i2">Women who suffer and women who die?<br /></span>
-</div><div class="stanza">
-<span class="i0">Who shall avenge us for anguish unnamable,<br /></span>
-<span class="i2">Rivers of scarlet and crosses of grey,<br /></span>
-<span class="i0">Terror of night-time and blood-lust untamable,<br /></span>
-<span class="i2">Hate without pity where broken we lay?<br /></span>
-</div></div>
-</div>
-
-<h2><a name="WAR" id="WAR"></a>WAR</h2>
-<p class="cnar">(<span class="smcap">The Great German Offensive, March&mdash;May 1918</span>)</p>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">A night</span> of storm and thunder crashing by,<br /></span>
-<span class="i2">A bitter night of tempest and of rain&mdash;<br /></span>
-<span class="i0">Then calm at dawn beneath a wind-swept sky,<br /></span>
-<span class="i2">And broken flowers that will not bloom again.<br /></span>
-</div><div class="stanza">
-<span class="i0">An age of Death and Agony and Tears,<br /></span>
-<span class="i2">A cruel age of woe unguessed before&mdash;<br /></span>
-<span class="i0">Then peace to close the weary storm-wrecked years,<br /></span>
-<span class="i2">And broken hearts that bleed for evermore.<br /></span>
-</div><div class="stanza">
-<span class="i2"><span class="smcap">France.</span><br /></span>
-<span class="i0"><span class="pagenum"><a name="page_045" id="page_045"></a>{45}</span><br /></span>
-</div><div class="stanza">
-</div></div>
-</div>
-
-<h2><a name="THE_LAST_POST" id="THE_LAST_POST"></a>THE LAST POST</h2>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">The</span> stars are shining bright above the camps,<br /></span>
-<span class="i2">The bugle calls float skyward, faintly clear;<br /></span>
-<span class="i0">Over the hill the mist-veiled motor lamps<br /></span>
-<span class="i2">Dwindle and disappear.<br /></span>
-</div><div class="stanza">
-<span class="i0">The notes of day’s good-bye arise and blend<br /></span>
-<span class="i2">With the low murmurous hum from tree and sod,<br /></span>
-<span class="i0">And swell into that question at the end<br /></span>
-<span class="i2">They ask each night of God&mdash;<br /></span>
-</div><div class="stanza">
-<span class="i0">Whether the dead within the burial ground<br /></span>
-<span class="i2">Will ever overthrow their crosses grey,<br /></span>
-<span class="i0">And rise triumphant from each lowly mound<br /></span>
-<span class="i2">To greet the dawning day.<br /></span>
-</div><div class="stanza">
-<span class="i0">Whether the eyes which battle sealed in sleep<br /></span>
-<span class="i2">Will open to reveillé once again,<br /></span>
-<span class="i0">And forms, once mangled, into rapture leap,<br /></span>
-<span class="i2">Forgetful of their pain.<span class="pagenum"><a name="page_046" id="page_046"></a>{46}</span><br /></span>
-</div><div class="stanza">
-<span class="i0">But still the stars above the camp shine on,<br /></span>
-<span class="i2">Giving no answer for our sorrow’s ease,<br /></span>
-<span class="i0">And one more day with the Last Post has gone<br /></span>
-<span class="i2">Dying upon the breeze.<br /></span>
-</div><div class="stanza">
-<span class="i2"><span class="smcap">Étaples</span>, <i>1918</i>.<br /></span>
-</div></div>
-</div>
-
-<h2><a name="THE_ASPIRANT" id="THE_ASPIRANT"></a>THE ASPIRANT</h2>
-<p class="cnar">(<span class="smcap">A Plea</span>)</p>
-
-<div class="poetry">
-<div class="poem"><div class="stanza">
-<span class="i0"><span class="smcap">Because</span> I dare to stand outside the gate<br /></span>
-<span class="i2">Of that high temple wherein Fame abides,<br /></span>
-<span class="i0">And loudly knock, too eager to await<br /></span>
-<span class="i2">Whate’er betides,<br /></span>
-</div><div class="stanza">
-<span class="i0">May God forgive, since He alone can see<br /></span>
-<span class="i2">The joys that others have but I must miss,<br /></span>
-<span class="i0">For how shall Compensation come to me<br /></span>
-<span class="i2">If not through this?<br /></span>
-</div></div>
-</div>
-
-<p>&nbsp;</p>
-
-<p class="c"><small><i>Prin<span class="ov">ted by Hazell, Watson &amp; Viney, Ld., London and Aylesb</span>ury.</i></small></p>
-
-<hr class="full" />
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of Project Gutenberg's Verses of a V.A.D., by Vera Mary Brittain
-
-*** END OF THIS PROJECT GUTENBERG EBOOK VERSES OF A V.A.D. ***
-
-***** This file should be named 51907-h.htm or 51907-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/1/9/0/51907/
-
-Produced by MWS, Chuck Greif and the Online Distributed
-Proofreading Team at http://www.pgdp.net (This file was
-produced from images generously made available by The
-Internet Archive/American Libraries.)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-</pre>
-
-</body>
-</html>