path: root/51902-0.txt

*** START OF THE PROJECT GUTENBERG EBOOK 51902 ***

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                   W. REEVES

                      AND

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HOW TO MEMORIZE MUSIC: With numerous Musical Examples. By C. F.
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TREATISE ON THE TRAINING OF BOY'S VOICES: With Examples and Exercises
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=HONE (William), Ancient Mysteries described=, especially the English
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Ecclesiastical Shows and Festivals of Fools and Asses, the English Boy
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       *       *       *       *       *

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=HONE (William), The Apocryphal New Testament=, being all the Gospels,
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       *       *       *       *       *

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        Essays & Letters of MONTAIGNE.

       Edited by WILLIAM CAREW HAZLITT.
           _NEW AND ENLARGED INDEX_

AN ENTIRELY NEW EDITION formed from a Collation of the Foreign
Quotations; a fresh English rendering and a careful revision of the
text throughout. Some account of the Life of Montaigne, Notes to which
are added, a Translation of all the Letters known to be extant.


MR. HAZLITT'S MONTAIGNE,--An entirely new Edition text of Montaigne's
Essays and Letters (founded on the now extremely scarce one published
in 1877 in three volumes octavo) has now been brought to completion
(Publisher, Messrs. Reeves and Turner) and will, partly by reason of
enlarged introductory matter and partly by additional notes, extend to
four volumes. The Edition of 1877 was superintended by Mr. Hazlitt's
father, though bearing his own name on the title, and he merely
contributed the Preface. The book has now at length been adapted to
the last French /Variorum/ so far as possible, and innumerable errors
of the former English versions have been rectified. The Biographical
account of the essayist has been considerably amplified and =instead
of the sixteen Letters= given in 1877 =there are thirty-five=, many of
which are of interest and importance towards understanding the Life of
the Author. A salient feature in the present undertaking is to have
substituted for the English colloquial equivalents, or rather supposed
equivalents of the great Frenchman's language, the words which he
actually uses or the sense, which he actually intends to convey; and
the difference is often curious and sometimes immense between him and
his English renderers.--/The Athenæum./

       *       *       *       *       *

In the Press.


         Modern Orchestral Instruments

      Their Origin, Construction, and Use.

    /BEING A PRACTICAL ILLUSTRATED HANDBOOK/
                /For the use of/
             /AMATEURS OR STUDENTS./

With many additional Illustrations, Tables, an Appendix, and an
Explanatory Index.

                       BY
                K. SCHLESINGER.

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MUSICAL ANALYSIS. A Handbook for Students, with Musical Illustrations,
by H. C. Banister, crown 8vo, folio, cloth, 2s.

ELEMENTARY MUSIC. A book for Beginners, by Dr. Westbrook, with
Questions and Vocal Exercises, Thirteenth Edition, 1s., (cloth, 1s.
6d.)

PURITY IN MUSIC, by A. F. Thibaut. Translated by J. Broadhouse.
Schumann says: "A fine book about music, read it frequently." Crown
8vo., cloth, 2s. 6d.

EXERCISES ON GENERAL ELEMENTARY MUSIC. A Book for Beginners, by K.
Paige, 4th Edition, Part I. price 9d., Part II. price 1s. (2 parts
complete in cloth, 2/4)

The /Musical Times/ speaks in the highest terms of above work.

DR. AHN'S FIRST FRENCH COURSE. Edited by S. Bartlett (Head Master
Mercers' and Stationers' School), Post 8vo., cloth, 1s. 6d.

HARMONISING OF MELODIES, A Text-Book for Students and Beginners, by H.
C. Banister, cr. 8vo, cloth, 2s.

MUSICAL SHORTHAND for Composers, Students of Harmony, Counterpoint,
etc., can be written very rapidly and is more legible than printed
music, with Specimens from Bach, Handel, Chopin, Wagner, Mendelssohn,
Spohr, Mozart, etc., by Francis Taylor, 14 pages, 12mo, 6d.

"Composers and Students of Music expend a vast amount of time in mere
painful mechanism." We have only six totally unlike signs. These from
their simplicity can be written with great rapidity, one dip of the
pen sufficing for an entire page, and the writing being as legible as
possible.--/Preface/.

       *       *       *       *       *

          WORKS ON THE PIANOFORTE, &c.

PIANO TEACHING. Advice to Pupils and Young Teachers, by F. Le Couppey
(Prof. in the Conservatory of Paris, etc.), Translated from the 3rd
French Edition by M. A. Bierstadt, post 8vo, cloth, 2s.

GREATER WORKS OF CHOPIN, (Polonaises, Mazurkas, Nocturnes, etc.), and
how they should be played, by J. Kleczynski, translated by Miss N.
Janotha and edited by Sutherland Edwards, with Portrait, Facsimile,
etc., cr. 8vo, cloth, 5s.

PIANOFORTE TEACHER'S GUIDE, by L. Plaidy, translated by Fanny Raymond
Ritter, cr. 8vo, boards, 1s.

MUSIC AND MUSICIANS, Essays and Criticisms, by Robert Schumann,
translated, edited and annotated by F. R. Ritter, Portrait of Robert
Schumann, photographed from a Crayon by Bendemann, First Series,
/Sixth Edition/, thick cr. 8vo, cloth, 8s. 6d.

/Ditto/, 2nd Series, 2nd Edition, thick cr. 8vo, cloth, 10s. 6d.

EHRENFECHTER (C. A.), Technical Study in the art of Pianoforte Playing
(Deppe's principles), with numerous illustrations, fourth edition, cr.
8vo, bevelled cl., 2s. 6d.

AN ESSAY ON THE THEORY AND PRACTICE OF TUNING IN GENERAL, and on
Schiebler's Invention of Tuning Pianofortes and Organs by the
Metronome in Particular. Trans. by A. Wehrhan, sewed, 1s.

THE ART OF MODULATION, A Hand-book Showing at a Glance the Modulations
from one Key to any other on the Octave, etc., Edited by Carli
Zoeller, 2nd Edition, roy. 8vo, paper, 2s. 6d. or (cloth, 4s.)

EHRENFECHTER (C. A.), Delivery in the Art of Pianoforte Playing, on
Rhythm, Measure, Phrasing, Tempo, cr. 8vo, cloth, 2s.

BEETHOVEN'S PIANOFORTE SONATAS Explained by Ernst von Elterlein trans.
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edition (the Fifth), with Portrait, Facsimile and View of House, cr.
8vo, cloth, 3s. 6d.

BEETHOVEN'S SYMPHONIES in their Ideal Significance, explained by Ernst
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facts relating to Beethoven's 10th Symphony, by L. Nohl, /Second
Edition/, with Portrait, cr. 8vo, cloth, 3s. 6d.

PIANOFORTE SCALES in Thirds and Sixths for Each Hand in all the Major
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BEETHOVEN'S SYMPHONIES Critically discussed by A. T. Teetgen. /Second
Edition/, cloth, 3s. 6d.

THE DEPPE FINGER EXERCISES for rapidly developing an Artistic Touch in
Pianoforte Playing, carefully arranged, classified and explained by
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6d.)

HOW TO PLAY CHOPIN. The Works of Chopin and their proper
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SCHUMANN'S RULES MAXIMS for young Musicians, 4d.

PRACTICE REGISTER for Pupil's Daily Practice. A specimen, 1d., or 1s.
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REEVES' VAMPING TUTOR, Art of Extemporaneous Accompaniment or Playing
by ear on the Pianoforte, rapidly enabling anyone having an ear for
music (with or without any knowledge of musical notation) to accompany
Waltzes, Polkas, Songs, and with equal facility in any key, with
practical examples, including Ma Normandi (in C), Lilla's a Lady, The
Swiss Boy, Home Sweet Home, Blue Bells of Scotland, Nancy Dawson, Ma
Normandi (in A), The Miller of the Dee by Francis Taylor, folio, 2s.

MOZART'S Don Giovanni, a Commentary, from the 3rd French Edition of
Charles Gounod, by W. Clark and J. T. Hutchinson, cr. 8vo, cloth, 3s.
6d.

TUNING THE PIANOFORTE.--SMITH (Hermann), The Art of Tuning the
Pianoforte, a New and Comprehensive Treatise to enable the musician to
Tune his Pf. upon the system founded on the Theory of Equal
Temperament, cr. 8vo, limp cloth, /New Edition Thoroughly Revised/,
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A HISTORY OF PIANOFORTE MUSIC, With Critical Estimates of its Greatest
Masters and Sketches of their Lives by John C. Fillmore, cr. 8vo,
cloth, 3s. 6d.

TRANSPOSITION AT SIGHT, For Students of the Organ and Pianoforte, by
H. Ernst Nichol, 2nd Edition, cr. 8vo, sewed, 1s. cloth, 1s. 6d.

       *       *       *       *       *

                  THE VIOLIN.

HOW TO REPAIR VIOLINS AND OTHER MUSICAL INSTRUMENTS With Diagrams, by
Alfred F. Common, cr. 8vo, boards, 1s.

INFORMATION FOR PLAYERS, OWNERS, DEALERS AND MAKERS OF BOW
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Experiences, Studies and Observations by William Hepworth, with
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2s. 6d.

NOTICE OF ANTHONY STRADIVARI, the celebrated Violin Maker known by the
name of Stradivarius, preceded by Historical and Critical Researches
on the origin and Transformations of Bow Instruments, and followed by
a Theoretical Analysis of the Bow etc., by F. J. Fetis, translated by
J. Bishop, Facsimile, 8vo, cloth, 5s.

BIOGRAPHICAL DICTIONARY OF FIDDLERS, including Performers on the
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their Artistic Career, together with Notes of their Compositions, by
A. Mason Clarke, 9 /Portraits/, post 8vo, cloth, 5s.

HOW TO MAKE A VIOLIN, Practically Treated, 2 Folding Plates and many
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VIOLIN MANUFACTURE IN ITALY AND ITS GERMAN ORIGIN, by Dr. E. Schebek,
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SKETCHES OF GREAT VIOLINISTS AND GREAT PIANISTS. Biographical and
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FACTS ABOUT FIDDLES, Violins Old and New. By J. Broadhouse, 3rd
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TECHNICS OF VIOLIN PLAYING. BY KARL COURVOISIER. /With Illustrations/,
8th Edition, paper 1s. (or cloth, thick paper, 2s. 6d.) /Highly
commended by Joachim./

HOW TO PLAY THE FIDDLE, for Beginners on the Violin. By H. W. and G.
Gresswell. 7th edition, 1s. (cloth, 2s.)

AUTOBIOGRAPHY OF LOUIS SPOHR. 2 vols in 1, thick 8vo, cloth, 7s. 6d.
(pub. 15s.)

TREATISE ON THE STRUCTURE AND PRESERVATION OF THE VIOLIN AND ALL OTHER
BOW INSTRUMENTS, together with an account of the most celebrated
makers and of the genuine characteristics of their Instruments, by J.
A. Otto, with additions by J. Bishop, cr. 8vo, cloth, 3s.

       *       *       *       *       *

                  ORGAN WORKS.

MODERN ORGAN TUNING, the How and Why, clearly explaining the Nature of
the Organ Pipe and the System of Equal Temperament together with an
Historic Record of the Evolution of the Diatonic Scale from the Greek
Tetrachord by Hermann Smith, crown 8vo, cloth, 3s. 6d.

ANALYSIS OF MENDELSSOHN'S ORGAN WORKS, a Study of their Structural
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facsimiles, cr. 8vo, bevelled cloth, 4s. 6d.

ORGANIST'S QUARTERLY JOURNAL of Original Compositions. Edited by Dr.
W. Spark, 5s. per part. /For Contents see end of Catalogue./

New Series Volume, 160 large pages, oblong folio, bound in cloth, 18s.

RINK'S PRACTICAL ORGAN SCHOOL: A New Edition, Carefully Revised. The
Pedal Part printed on a separate Staff, and the Preface, Remarks and
Technical Terms translated from the German, expressly for this edition
by John Hiles. The Six Books Complete, handsomely bound in red cloth,
gilt edges, ob. folio, 10s. 6d. (issued at 20s.), or the six parts 7s.
6d. (issued at 6s. each.)

ORGANS AND ORGANISTS IN PARISH CHURCHES, A Handbook of the Law
relating to the Custody, Control and Use of Organs, and to the
Position, Lights, and Disabilities of Organists, to which is Added a
Chapter on the Hiring of Pianos, and on "The Three Years System," by
William C. A. Blow, M.A., Oxon., of the Inner Temple, Esq.,
Barrister-at-Law, cr. 8vo, cloth, 2s. 6d.

A SHORT HISTORY OF THE ORGAN, Organists, and Services of the Chapel of
Alleyn's College, Dulwich, with Extracts from the Diary of the
Founder, by W. H. Stocks, cr. 8vo, sewed, 1s.

THE INFLUENCE OF THE ORGAN IN HISTORY. By Dudley Buck, 1s.

HENRY SMART'S ORGAN COMPOSITIONS Analysed. By J. Broadhouse, cr. 8vo,
cloth, 2s. 6d.

REFORM IN ORGAN BUILDING, by Thomas Casson, 6d.

THE ORGAN, Its Compass, Tablature, and Short and Incomplete Octaves,
by John W. Warman, A.C.O., imp. 8vo, sewed, 3s. 6d. or boards, cloth
back, 4s. 6d.

CATECHISM for the Harmonium and American Organ, by John Hiles, post
8vo, sewed, 1s.

RIMBAULT (Dr. E. F.), The Early English Organ Builders and their
Works, from the 15th Century to the Period of the Great Rebellion, an
unwritten chapter on the History of the Organ, Well printed, with
woodcuts, post 8vo, cloth, 3s. 6d.

       *       *       *       *       *

               VOICE AND SINGING.

TWELVE LESSONS ON BREATHING AND BREATH CONTROL, for Singers, Speakers
and Teachers, by Geo. E. Thorp, crown 8vo, limp cloth, 1s.

TWENTY LESSONS ON THE DEVELOPMENT OF THE VOICE, or Singers, Speakers
and Teachers, by Geo. E. Thorp, crown 8vo, limp cloth, 1s.

50 MUSICAL HINTS TO CLERGYMEN, Management of Breath, Classification of
Male Voices, Management of the Voice, The Service, with twenty
specially written Exercises by Geo. F. Grover, 1s.

CATECHISM OF PART SINGING AND THE CHORAL SERVICES. By John Hiles, 3rd
Edition, thick post 8vo, price 1s.

/Advice to Singers on every point of interest in reference to the
Vocal Organs/.

HOW TO SING AN ENGLISH BALLAD. By E. Philp, 7th Edition, 6d.

VOCAL EXERCISES FOR CHOIRS AND SCHOOLS. By Dr. Westbrook, 2d.

RUDIMENTS OF VOCAL MUSIC. With 42 Preparatory Exercises, Rounds and
Songs in the Treble Clef, by T. Mee Pattison, 2nd Ed., 4d.

SOME FAMOUS SONGS, an Art Historical Sketch. By F. R. Ritter, 1s.

VOICE PRODUCTION AND VOWEL ENUNCIATION, by F. F. Mewburn Levien,
Diagrams by Arthur C. Behrend, post 8vo, 6d.

POSITION AND ACTION IN SINGING, a Study of the True Conditions of
Tone, a Solution of Automatic (Artistic) Breath Control, by Edmund J.
Myer, cr. 8vo, 4s. 6d.

NATIONAL SCHOOL OF OPERA IN ENGLAND; being The Substance of a Paper
read before the Licentiates of Trinity College, March, 1882, by Frank
Austin, post 8vo, sewed, 6d.

HOW TO UNDERSTAND WAGNER'S "RING OF THE NIBELUNG," being the Story and
a Descriptive Analysis of the "Rheingold," the "Valkyr," "Siegfried"
and the "Dusk of the Gods," with a number of Musical Examples by
Gustave Kobbé, Sixth Edition, post 8vo, cloth, 3s. 6d.

"To be appreciated in the smallest way Wagner must be studied in
advance."--/Illustrated London News./

RATIONAL ACCOMPANIMENT TO THE PSALMS by F. Gilbert Webb, post 8vo, 6d.

HOW TO PLAY FROM SCORE.--Treatise on Accompaniment from Score on the
Organ or Pianoforte by F. Fetis, trans. by A. Whittingham, cr. 8vo,
cloth, 3s. 6d.

       *       *       *       *       *

CHOIR LISTS FOR SUNDAY SERVICES.

 No. 1. Morning and Evening, printed in red, 1s. 4d. per 100.
 No. 2. Morning, Afternoon, and Evening, printed in red, 1s. 6d. per
        100.
 No. 3. Morning and Evening, printed in red and black, 1s. 8d. per 100.
 No. 4. Morning and Even., printed in red, 1s. 6d. per 100.
 No. 5. Quarto Size, Matins, Litany, Holy Communion, First Evensong,
        Second Evensong, Gothic Letter, printed in red, 6d. per dozen,
        3s. per 100.

       *       *       *       *       *

CHOIR ATTENDANCE REGISTER, 8vo, cloth.

 No. 1. Ruled for a Choir of 20 or less, for one year, beginning at
        any date, 1s. 6d.
 No. 2. Ruled for a Choir of 40 or less, for one year, beginning at
        any date, 2s.
 No. 3. Ruled for a choir of 60 or less, for one year, beginning at
        any date, 2s. 6d.

       *       *       *       *       *

             /Performing Edition./

THE CREATION, A Sacred Oratorio composed by Joseph Haydn, Vocal Score,
The Pianoforte Accompaniment arranged and the whole edited by G. A.
Macfarren, 8vo, paper covers, 2s., boards, 2s. 6d., scarlet cloth, 4s.

       *       *       *       *       *

FROM LYRE TO MUSE, A History of the Aboriginal Union of Music and
Poetry, By J. Donovan, cr. 8vo, cloth, 2s. 6d.

       *       *       *       *       *

POPULAR PART SONGS.

 1. Merrily goes the Mill, by T. B. Southgate, 1d.
 2. Take, O Take those Lips away, Part Song for S.A.T.B. by Claude E.
    Cover, A.R.C.O., 1-1/2d.
 3. Pack Clouds Away, for S.A.T.B., by Claude E. Cover, A.R.C.O., 2d.
 4. Summer Roses, for S.A.T.B., by G. Rayleigh Vicars, 2d.
 5. Erin, Dear Erin, for T.A.T.B., by Churchill Sibley, 2d.
 6. Caledonia! Land o' the Rocky Dell, for S.A.T.B., by Churchill
    Sibley, 3d.

       *       *       *       *       *

     =_TO ALL MUSICIANS._=              --Here is something worth
                                          reading and when you
 =[Special price see below.]=             have read it send for
                                          a copy without delay.

The Publisher of The Musical Standard has secured the whole of the
copies left unsold at =14=/-net by Messrs. S. Low, Marston and
Company, Ltd., of the work entitled


                      THE
           NATIONAL PORTRAIT GALLERY
                      OF
               BRITISH MUSICIANS.

           BY JOHN WARRINER, MUS.D.,
            TRINITY COLLEGE, DUBLIN.

        INTRODUCTION BY JOSEPH BENNETT.

          =Over 500 Photo Portraits=

Of well-known and eminent living Musicians of Great Britain and
Ireland, with short Biographical notice of each.

The Whole Bound in One Handsome oblong folio Volume, cloth lettered.
Offered for 7/6 post free (or 8/-post free abroad).

       *       *       *       *       *


       KING'S ROYAL ALBUMS, Nos. 1 and 2.

       NATIONAL AND PATRIOTIC SONG ALBUM.

With Pianoforte Accompaniment. In 2 Bks., 1s. each.

 BOOK 1.                              BOOK 2.
 God Save the King                    Hearts of Oak
 God Bless the Prince of Wales        Stand United
 There's a Land (Dear England)        The Cause of England's Greatness
 Victoria                             The Last Rose of Summer
 God Bless our Sailor Prince          The Leather Bottle
 Here's a Health unto His Majesty     Home, Sweet Home
 Lord of the Sea                      Three Cheers for the Red, White
 Roast Beef of Old England                  and Blue
 The Blue Bells of Scotland           The Minstrel Boy
 Tom Bowling                          The British Grenadiers
 Come Lassies and Lads                Auld Lang Syne
 Ye Mariners of England               Rule Britannia
 The Bay of Biscay

       *       *       *       *       *

      King's Royal Albums, No. 3. Price 1/-

    10 MARCHES FOR THE PIANO. BY J. P. SOUSA.

  1. The Washington Post.     6. The Corcoran Cadets.
  2. Manhatton Beach.         7. Our Flirtation.
  3. The Liberty Bell.        8. March past of the Rifle Regiment.
  4. High School Cadets.      9. March past of the National Fencibles.
  5. The Belle of Chicago.   10. Semper Fidelis.

       *       *       *       *       *

      King's Royal Album, No. 4. Price 1/-

        SIX ORGAN PIECES FOR CHURCH USE.

          EDITED BY WILLIAM SMALLWOOD.

 With Ped. Obb., Selections from rarely known works.
  1. Moderato con moto        4. Andante Religioso
  2. Adagio Expressivo        5. Andante con moto
  3. Andante Moderato         6. Lento Cantabile

       *       *       *       *       *

      King's Royal Album, No. 5. Price 1/-

 SMALLWOOD'S ESMERALDA ALBUM FOR PIANO.
  Belgium (Galop).                      Esmeralda (Transcription on
  Belle of Madrid (Tempi di Polka).       Levey's Popular Song).
  Emmeline (Galop).                     Placid Stream (Morceau).
                                        The Seasons (Galop).

       *       *       *       *       *

      King's Royal Album, No. 6. Price 6d.

BALFE'S ROSE OF CASTILLE, 6 FAVOURITE MELODIES, easily arranged for
the Pianoforte by E. F. Rimbault.

 1. Convent Cell (The).
 2. 'Twas Rank and Fame.
 3. Tho' fortune darkly o'er me frown.
 4. I am a simple Muleteer.
 5. I'm not the Queen.
 6. List to the Gay Castanet.

       *       *       *       *       *

      King's Royal Album, No. 7. Price 1s.

          10 MARCHES. By J. P. SOUSA.

       Arranged for Mandoline and Piano.

 1. The Washington Post.    6. The Corcoran Cadets.
 2. Manhatton Beach.        7. Our Flirtation.
 3. The Liberty Bell.       8. March past of the Rifle Regiment.
 4. High School Cadets.     9. March past of the National Fencibles.
 5. The Bell of Chicago.   10. Semper Fidelis.

       *       *       *       *       *

      King's Royal Album, No. 8. Price 1s.

          10 MARCHES. By J. P. SOUSA.

Arranged for Banjo and Piano. (Contents as No. 7.)

       *       *       *       *       *

      King's Royal Album, No. 9. Price 1s.

          10 MARCHES. By J. P. SOUSA.

Arranged for Violin and Piano. (Contents as No. 7.)

       *       *       *       *       *

     King's Royal Album, No. 10. Price 1s.

          10 MARCHES. By J. P. SOUSA.

Arranged for American Organ. (Contents as No. 7.)

       *       *       *       *       *

          King's Royal Album, No. XI.

 GRIEG'S "PEER GYNT" SUITE.
  1. Dance of the Gnomes.  4. Amitrass' Dance.
  2. Ases Death.           5. Solvejags Song.
  3. Morning.

       *       *       *       *       *

          King's Royal Album, No. 12.

 GRIEG'S LYRISCHE STUCKE AND NORWEGIAN BRIDAL PROCESSION.
  1. Arietta.                   5. Popular Melody.
  2. Waltzer.                   6. Norwegian Melody.
  3. Watchman's Song.           7. National Song.
  4. Fairy Dance.               8. Norwegian Bridal March.

       *       *       *       *       *

          King's Royal Album, No. 13.

GRIEG'S FOUR HUMOURESKES, MINUETS AND FUNERAL MARCH.

       *       *       *       *       *

          King's Royal Album, No. 14.

           HIAWATHA MANDOLINE ALBUM.

          ARRANGED BY SYDNEY OSBORNE.

 1. Hiawatha Cake Walk      5. Over the Waves Waltz
 2. Minnehaha Cake Walk     6. Donau Wellen Waltz
 3. Alice Where Art Thou    7. Blue Danube Waltz
 4. Kathleen Mavourneen

       *       *       *       *       *

          King's Royal Album, No. 15.

ORIGINAL VOLUNTARIES FOR AMERICAN ORGAN OR HARMONIUM.

              BY EDWIN M. FLAVELL.

 1. Andante con Moto      6. Prayer
 2. Evensong              7. Canzonetta
 3. March in F            8. A Call to Battle
 4. Chorale               9. Souvenir
 5. A Plaintive Song     10. Allegro

       *       *       *       *       *

          King's Royal Album, No. 16.

12 VOLUNTARIES FOR THE AMERICAN ORGAN OR HARMONIUM.

                BY J. E. NEWELL.

 1. Postludium              7. Offertoire
 2. Communion               8. Andante Piacevole
 3. Andante con Moto        9. Morning Prayer
 4. Prelude                10. Loud Voluntary
 5. Diapason Movement      11. Sketch
 6. Faith "Melody"         12. Recessional March

       *       *       *       *       *

MODERN CHURCH MUSIC.

  1. Easter Anthem, "Jesus Lives!" by Rev. T. Herbert Spinney, price
     2d.
  2. Anthem for Whitsuntide and General Use, "Come Holy Ghost our
     Souls Inspire," by Thomas Adams, F.R.C.O., price 2d.
  3. Story of the Ascension, by Rev. John Napleton, price 1-1/2d.
  4. Anthem, "God so Loved the World," by J. Jamouneau, price 2d.
  5. Magnificat in B flat, by Thomas Adams, F.R.C.O., Price 3d.
  6. Nunc Dimittis in B flat, by Thomas Adams, F.R.C.O., Price 2d.
  7. Four Kyries, by Charles Steggall, Berthold Tours, E. J. Hopkins,
     J. M. W. Young, price 1-1/2d.
  8. Te Deum, by T. E. Spinney, 1-1/2d.
  9. Anthem, "I am the Good Shepherd," by G. Rayleigh Vicars, 2d.
 10. Story of the Cross, Music by H. Clifton Bowker, 2d.
 12. Story of the Cross, Music by Dr. Geo. Prior, 2d.
 13. The Lord's Prayer, Music by Ernest Austin, 2d.

       *       *       *       *       *

AMERICAN ORGAN, Folio, Edited by Alfred Whittingham, in Six Books, 1s.
each, complete paper covers, 3s., cloth bound, 5s.

       *       *       *       *       *

PIANOFORTE (SOLO).

Coon Band Contest, Cake Walk, by Arthur Pryor, 2s.

Lefebure-Wely's St. Sulpice. Reminiscence by W. SMALLWOOD, 1s. 6d.

Album Leaves: Pianoforte Sketches, without Octaves, by F. W.
Davenport, 1s. 6d. each Number.

 No. 1. Waltz in F
        Dance in G
 No. 2. A Little Fugue in F minor
        Caprice in C
 No. 3. Prelude in G
        Melody in G
 No. 4. Sonatina in C

Tschaikowsky's 1812 Overture, arr. by E. Evans, 2s.

Amarylliss, Morceaux de Salon, by Leonard Gautier, 1s. 6d.

Tschaikowsky's Casse Noisette Suite, arr. by E. Evans, 2s.

Grand Festival March, "Illogan," by H. C. Tonking, 2s.

       *       *       *       *       *

PIANOFORTE (4 HANDS.)

Tschaikowsky's 1812 Overture, arr. from the Full Score by E. Evans,
3s.

Tschaikovsky's Casse Noisette Suite, arr. by E. Evans, 3s.

       *       *       *       *       *

VIOLIN.

A Selection of Favourite Airs arranged for the Violin by Henry Farmer,
complete 1s. 6d., Piano Acc. /ad lib./ 2s. 6d.

                   CONTENTS.
 1. Theme. Variations (Mozart).
 2. With Verdure Clad (Haydn).
 3. German Shepherd's Song and Rataplain (Figlia del Reggimento).
 4. Da Qual di (Anna Bolena), Souave Immagine (Mercadante).
 5. Mecco tu Vieni (La Straniera).

       *       *       *       *       *

VIOLIN AND PIANO.

Grand Festival March, "Illogan," by H. C. Tonking, 2s.

       *       *       *       *       *

            MANUSCRIPT MUSIC PAPER.

 /(a)/ 12 Staves, roy. 8vo (10 by 6-1/2) ruled plain in quires (120
       sheets), the lot 2/6.

This is pre-eminently the Musical Students' Paper, as it is light,
portable, smooth and easy to write upon; each sheet, too, will hold a
large quantity of matter. There is no paper better suited for
Exercises on Counterpoint and Harmony.

 /(b)/ 12 Staves, oblong, folio (14 by 10), ruled in groups of 3
       staves or Organ Music, 5 quires (120 sheets), the lot, 5/-

The paper is of the same size as ordianry oblong folio, Organ Music,
/e.g./, English Organ Music, Best's Arrangements, etc.

 /(c)/ 12 Staves, folio, music size (10 by 14), 5 quires (120
       sheets), the lot 5/-

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       THE ORGANIST'S QUARTERLY JOURNAL.
           Of Original Compositions.

Founded by DR. Wm. SPARK, Late Organist, Town Hall, Leeds.

Price 5/-each, or Subscription, 10/6 for 4 issues.

New Series, Volume, containing 160 large pages, all with /ped. obb./,
bound in cloth, 18/s./


             =Part 12, New Series.=

 1. IN MEMORIAM            REV. GEOF. C. RYLY, M.A., Mus. Bac. Oxon.
 2. TOCCATA                                           G. B. POLLERI.
 3. OVERTURE from Epiphany                         ALFRED KING, M.D.


             =Part XI., New Series.=

 1. PRELUDE AND FUGUE WITH POSTLUDE              E. A. CHAMBERLAYNE.
 2. PRELUDE AND FUGUE                                      F. YOUNG.
 3. FUGUE                                          ARCHIBALD DONALD.
 4. FUGUE                                              WILLIAM HOPE.


             =Part 10, New Series.=

 1. FUGUE                                          ARCHIBALD DONALD.
 2. PRELUDE AND FUGUE WITH POSTLUDE              E. A. CHAMBERLAYNE.
 3. PRELUDE AND FUGUE                                      F. YOUNG.


             =Part 9, New Series.=

 1. ANDANTE CON MOTO                      W. A. MONTGOMERY, L.T.C.L.
 2. FANTASIA in E minor                     CUTHBERT HARRIS, Mus. B.
 3. POSTLUDE at Ephes. V. v. 19. Si tibi placeat, Mihi con displicet
    W. CONRADI,(Y. of B. 1816), Paul's Org. St. Church, Schwerin i/m
                                                            Germany.
 4. HARVEST MARCH                                    HENRY J. POOLE.


             =Part 8, New Series.=

 1. SCHERZO MINUET W. MULLINEUX, Organist of the Town Hall, Bolton.
 2. INTRODUCTION to the Hymn on the Passion, "O Haupt Voll Blut und
    Wunden"   W. CONRADI. Organist Paul's Church, Schwerin, Germany.
 3. THESIS AND ANTITHESIS, or DISPUTE, APPEASEMENT, CONCILIATION.
              W. CONRADI, Organist Paul's Church, Schwerin, Germany.
 4. CARILLON in E             CUTHBERT HARRIS, Mus.B., F.R.C.O., &c.
 5. ANDANTE "Hope"                                    INGLIS BERVON.
 6. ORCHESTRAL MARCH in C
   JAMES CRAPPER, L.Mus., Organist of the Parish Ch., Kirkcudbright.


             =Part 7, New Series.=

 1. ANDANTE GRAZIOSO in G                CHAS. E. MELVILLE, F.R.C.O.
 2. POLISH SONG, Arranged for the organ by PERCIVAL GARRETT. CHOPIN.
 3. INTRODUCTION, VARIATIONS, AND FINALE on the Hymn Tune
    "Rockingham."                             CH. R. FISHER, Mus. B.
 4. TWO SOFT MOVEMENTS                           W. C. FILEY, I.S.M.
              1. "Espérance."         2. "Tendrerse."
 5. ANDANTE in A flat
   W. GRIFFITHS, Mus. B., Org. of St. Sepulchre Church, Northampton.
 6. FUGUE, 4 Voice, 3 Subjects                      DR. J. C. TILLY.


             =Part 6, New Series.=

 1. CON MOTO MODERATO IN C    ORLANDO A. MANSFIELD, Mus.B., F.R.C.O.
 2. TEMPO DI MENUETTO                                   GEO. H. ELY.
 3. DIRGE IN MEMORIAM, REGINALD ADKINS        J. E. ADKINS, F.R.C.O.
 4. ANDANTE in F                                        R. H. HEATH.
 5. ABERYSTWYTH OFFERTOIRE                          J. G. MOUNTFORD.
 6. ANDANTE in D (Prière)                     E. Evelyn BARRON, M.A.


             =Part 5, New Series.=

 1. ALLEGRETTO SCHERZANDO in A flat                   W. E. ASHMALL.
 2. ANDANTE RELIGIOSO in G                          DR. J. BRADFORD.
 3. MARCH POMPOSO in E flat                         CHARLES DARNTON.
 4. ANDANTE CON MOTO "Twilight"                CH. R. FISHER, Mus.B.
 5. MINUET In F                              W. E. BELCHER, F.R.C.O.


             =Part 4, New Series.=

 1. ANDANTE MODERATO                                        F. READ.
 2. PRELUDE AND FUGUE in D minor                 E. A. CHAMBERLAYNE.
 3. SKETCH                                      ARTHUR GEO. COLBORN.
 4. FUGUE                                              JAMES TURPIN.
 5. ALLEGRO                                       CHARLES H. FISHER.
 6. MARCHE MYSTIQUE
              THEME BY ROLAND, DE LASSUS.--A Relic of Ancient Times.


             =Part 3, New Series.=

 1. MINUET AND TRIO in F             ED. J. BELLERBY, Mus. B., Oxon.
 2. "DUNDEE" ("or French")                         JOHN P. ATTWATER.
 3. ADAGIO. An Elegy in G minor             CHAS. R. FISHER, Mus. B.
 4. ANDANTE, A major                                        F. HONE.
 5. ALLEGRO, D minor                               GEO. MINNS (Ely).


             =Part 2, New Series.=

 1. TOCCATA FANTASIA (/Study in C minor/)            E. T. DRIFFIEL.
 2. ANDANTE GRAZIOSO                                     W. FAULKES.
 3. MARCHE FUNEBRE                                  ARTHUR WANDERER.
 4. ANDANTE SEMPLICE                             E. A. CHAMBERLAYNE.
 5. FESTAL MARCH                                     A. W. KETELBEY.


             =Part 1, New Series.=

 1. OFFERTOIRE in A minor                    FRED. W. DAL (Leipzig).
 2. SECOND FANTASIA on SCOTCH AIRS                    WILLIAM SPARK.
 3. ADESTE FIDELES (with Variations and Fugue)         CHARLES HUNT.
 4. INTERMEZZO                               G. TOWNSHEND DRIFFIELD.


            =Part 103 (Old Series).=

 1. POSTLUDE in G                      FREDERICK W. HOLLOWAY, F.C.O.
 2. SUITE: NO. 1, PRELUDE; NO. 2, BERCEUSE; NO. 3, TOCCATA
                                             LAURENT PARODI (Genoa).
 3. NOCTURNE                                        WILLIAM LOCKETT.
 4. ANDANTE PASTORALE in B minor      JACOB BRADFORD, Mus. D., Oxon.
 5. INTRODUCTORY VOLUNTARY                       ALBERT W. KETELBEY.
 6. FUGUE                                       R. J. ROWE, L.R.A.M.


LONDON: WILLIAM REEVES, 83, CHARING CROSS ROAD, W.

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 2^D (Postage 1/2d. each.)             (Postage 1/2d. each.) 2^D


                     VOCAL.

 273. Alice where art thou?                        /J. Ascher/
 396. Always do as I do                            /Tinney/
 174. Angels at the Casement, A flat               /W. M. Hutchison/
 105. Banner of the King                           /H. Fortesque/
 172. Barney O'Hea                                 /S. Lover/
 224. Bay of Biscay                                /J. Davey/
 181. Border Lands (Sacred)                        /Miss Lindsay/
 180. Borderer's Challenge                         /H. J. Stark/
 390. Cat in the Chimney                           /L. Kingsmill/
 392. Child's Good Morning                         /O. Barri/
 391. Child's Good Night                           /O. Barri/
 383. Come into the Garden Maud                    /Balfe/
 184. Crossing the Brook                           /Edith Cooke/
 389. Dawn of Heaven                               /Buonetti/
 188. Diver, The                                   /E. J. Loder/
 384. God Save the King                            /Dr. Jno. Bull/
 226. Hearts of Oak                                /Dr. W. Boyce/
 100. Honey Are You True to Me (Coon Song)         /Lindsay Lennox/
 266. Kathleen Mavourneen                          /Crouch/
 213. Lady Clara Vere de Vere                      /Miss Lindsay/
 404. Last Good Bye to Mother                      /C. Dargan/
 227. Last Rose of Summer                          /Thos. Moore/
 215. Listen                                       /A. H. Behrend/
 249. Maggie's Promise                             /W. Gordon/
 115. Sharing the Burden                           /J. E. Webster/
 225. Tom Bowling                                  /C. Dibdin/
 236. When other Lips (Then you'll remember me)    /Balfe/


                  VOCAL DUETS.

 190. Flow on thou Shining River                   /Sir J. Stevenson/
 116. Gipsy Countess                               /Glover/


                  PIANOFORTE.

 118. A la Valse                                   /Roeckel/
 275. Alice where art thou? (easily arr. by)       /Percy E. Douglas/
 278. Army and Navy March                          /Henzell/
 457. Au Village                                   /Tschaikowsky/
 268. Battle March (Delhi)                         /Pridham/
 373. Belgium Galop                                /Smallwood/
 437. Belle of Chicago March                       /J. P. Sousa/
 122. Berceuse                                     /Roeckel/
 376. Blumenlied                                   /Gustav Lange/
 379. Bridal Chorus and Wedding March              /Wagner/
 453. Cadet Two Step (easily arranged)             /Alard/
 142. Charming Mazurka                             /Gungl/
 456. Chanson Triste                               /Tschaikowsky/
 456. Chant sans Paroles                           /Tschaikowsky/
 393. Chinese Patrol March                         /D. Pecorini/
 243. Cloches du Monastere                         /Lefebure-Wely/
 458. Coon Band Contest                            /A. Pryor/
 438. Corcoran Cadets March                        /J. P. Sousa/
 125. Corricolo Galop (Easily arranged)            /L. Mullen/
 377. Edelweiss                                    /Gustav Lange/
 374. Emmeline Galop                               /Smallwood/
 308. Fille du Regiment                            /Oesten/
 167. Flying Dutchman (La Vaisseau Fantome)        /Wagner/
 244. Forward March                                /E. H. Sugg/
      Four Humoresques:
 206.     Valse in D, No. 1                        /Grieg/
 207.     Minuetto in A minor, No. 2               /Grieg/
 208.     Allegretto, No. 3                        /Grieg/
 209.     Allegro Alla Burla, No. 4                /Grieg/
 210. Funeral March                                /Grieg/
 305. French Air (Marseillaise)                    /Eric Stapleton/
 306. German Air (Watch on Rhine)                  /Eric Stapleton/
 264. Gipsies' March                               /C. Heins/
 252. Grand March (arr. by P. E. Douglas)          /Blake/
 151. Grand March of the Warriors                  /H. V. Lewis/
 276. Hiawatha Cake Walk, (arr. by P. E. Douglas)  /Moret/
 436. High School Cadets March                     /J. P. Sousa/
 304. Irish Air (Last Rose of Summer)              /Eric Stapleton/
 303. Italian Air (Ah che la Morte)                /Eric Stapleton/
 288. Japanese National Hymn, Harmonized by Sydney Osborne.
 133. Kassala Gavotte                              /H. Wilcock/
 270. Kathleen Mavourneen                          /P. E. Douglas/
 171. Khartoum Quick March                         /F. P. Rabottini/
 286. King's Own March                             /Warwick Williams/
 246. Liberty Bell March                           /Sousa/
 135. Little Dear Gavotte                          /F. Astrella/
 162. Lohengrin                                    /Wagner/
 136. Maiden's Prayer                              /Badarazewska/
 435. Manhattan Beach March                        /J. P. Sousa/
 137. March in E flat                              /J. B. Mallett/
 441. March Past of the National Fencibles         /J. P. Sousa/
 440. March Past of the Rifle Regiment             /J. P. Sousa/
 140. May-Day Galopade                             /J. Gungl/
 141. Mazurka                                      /Badarazewska/
 143. Melodie                                      /Roeckel/
 247. Melody in F                                  /Rubinstein/
 211. Minuetto (from E minor Sonata)               /Grieg/
 163. Mountain Echo March                          /G. Gariboldi/
 385. Narcissus                                    /Nevin/
 439. Our Flirtation March                         /J. P. Sousa/
 147. Placid Stream                                /Smallwood/
 103. Queenie (Intermezzo)                         /P. D'Orsay/
 165. Rienzi                                       /Wagner/
 253. Robin's Return (arr. by P. E. Douglas)       /Fischer/
 148. Scherzino                                    /Roeckel/
 301. Scotch Air (Blue Bells of Scotland)          /Eric Stapleton/
 375. Seasons Galop                                /Smallwood/
 442. Semper Fidelis                               /J. P. Sousa/
 196. Silvery Echoes                               /Blake/
 394. Soldiers' Chorus (Faust)                     /Gounod/
 381. Sonatina in F                                /Beethoven/
 380. Sonatina in G                                /Beethoven/
 302. Spanish Air (Dance)                          /Eric Stapleton/
 378. Stephanie Gavotte                            /A. Czibulka/
 166. Tannhauser                                   /Wagner/
 150. Tarantella                                   /L. B. Mallett/
 290. Washington Post March (easy)                 /J. P. Sousa/
 454. White Wings (Transcription)                  /Smallwood/
 291. Woodland Echoes                              /Wyman/


                  PIANO DUETS.

 367. Come o'er the Stream Charlie                 /A. Mullen/
 371. From Greenland's Icy Mountains               /A. Mullen/
 372. I'd Choose to be a Daisy                     /A. Mullen/
 154. Maiden's Prayer                              /Badarazewka/
 156. March of the Cameron Men                     /A. Mullen/
 155. Marche des Croates                           /A. Mullen/
 159. Minnie, or Lilly Dale                        /A. Mullen/
 353. Silvery Waves (Wyman)                        /Andre/


                    DANCE.

 388. Amorosa Mazurka                              /A. H. Oswald/
 387. Blue Bells Schottische                       /S. Leslie/
 262. Blue Danube Waltz                            /Strauss/
 382. British Army Polka                           /Alec Carlton/
 285. City Polka                                   /J. D. Wimpenny/
 161. Cosmopolitan Quadrille                       /L. Gautier/
 127. Cyprus Polka                                 /Scotson Clark/
 402. Donau Wellen Waltz (Easily arr. by)          /Percy E. Douglas/
 101. Electric Waltz                               /H. Klein/
 397. Esmeralda Waltz (easily arranged)            /S. Osborne/
 395. Fancy Dress Ball Quadrille                   /Rosenberg/
 413. Faust Waltz (arr. by P. E. Douglas)          /Gouno/
 250. Flora Waltz                                  /W. Gordon/
 386. Horse Guards Schottische                     /S. Leslie/
 102. Lucifer Polka                                /H. Klein/
 251. Niagara Waltz                                /Vorzanger/
 144. Munich Polka                                 /Jos. Gungl/
 403. Olympia Schottische                          /Sydney J. Smith/
 254. Over the Waves (Sobra las Olas)              /Rosas/
 366. Roseland Waltz                               /Marietta Lena/
 415. Sweetheart Polka                             /Gounod/
 265. Vinolia Schottische                          /P. Lester/
 268. Woodland Whispers Waltz                      /Stanley/


               VIOLIN AND PIANO.

 256. Campbells are Coming                         /A. Mullen/
 257. British Grenadiers                           /A. Mullen/
 258. A Life on the Ocean Wave                     /A. Mullen/
 259. Hearts of Oak                                /A. Mullen/
 260. Ivy Green                                    /A. Mullen/
 261. Red, White and Blue                          /A. Mullen/
 317. Ben Bolt                                     /A. Mullen/
 312. Low Back'd Car                               /A. Mullen/
 313. Sprig of Shillelagh                          /A. Mullen/
 314. March from Norma                             /A. Mullen/
 315. March, Guillaume Tell                        /A. Mullen/
 316. Lass O'Gowrie                                /A. Mullen/
 284. Réverie (E min.)                             /W. Vinnicombe/


                    VIOLIN.

 170. March St. Olave                              /F. James/


              MANDOLINE AND PIANO.

 274. Alice where art Thou?
 407. Belle of Chicago March                       /J. P. Sousa/
 406. Blue Danube Waltz                            /Strauss/
 416. Cadet Two Step (arranged)                    /Alard/
 408. Corcoran Cadets March                        /J. P. Sousa/
 272. Donau Wellen Waltz                           /Ivanovici/
 414. Faust Waltz and Flower Song                  /Gounod/
 277. Hiawatha Popular Cake Walk                   /Neil Moret/
 401. High School Cadets March                     /J. P. Sousa/
 289. Honey are you true                           /Sydney Osborne/
 267. Kathleen Mavourneen                          /Crouch/
 399. Liberty Bell March                           /J. P. Sousa/
 400. Manhattan Beach March                        /J. P. Sousa/
 411. March Past of the National Fencibles         /J. P. Sousa/
 410. March Past of the Rifle Regiment             /J. P. Sousa/
 255. Oceana Schottische                           /W. H. Stevens/
 279. Over the Waves                               /Rosas/
 409. Our Flirtation March                         /J. P. Sousa/
 412. Semper Fidelis March                         /J. P. Sousa/
 398. Washington Post March                        /J. P. Sousa/


              BANJO AND PIANO.

 429. Belle of Chicago March                       /J. P. Sousa/
 406. Cadet Two Step (arranged)                    /Alard/
 430. Corcoran Cadets March                        /J. P. Sousa/
 428. High School Cadets March                     /J. P. Sousa/
 419. Liberty Belle March                          /J. P. Sousa/
 418. Manhattan Beach March                        /J. P. Sousa/
 433. March Past of the National Fencibles         /J. P. Sousa/
 432. March Past of the Rifle Regiment             /J. P. Sousa/
 431. Our Flirtation March                         /J. P. Sousa/
 434. Semper Fidelis March                         /J. P. Sousa/
 417. Washington Post March                        /J. P. Sousa/

       *       *       *       *       *


         THE VIOLIN TIMES,                   Monthly, 2d.,
                                                (by post 2-1/2d,)
     /Edited by E. POLONASKI/.                   /=Abroad, 3s.=/

 /=Subscription, 2s, 6d., per Year=/           Covers for binding
                                                   2s. each.
 VOLS. 1 TO 8, BOUND, PRICE 6/-EACH.            Index 2d. each.

/Illustrated Supplements have appeared Including the following/
(/2-1/2d. each./)

 PORTRAITS.

 VOL. 8.
 Prof. and Mrs. Holloway and Family
 Eugene Polonaski
 Hugo Kupferschmidt
 Dr. Joachim
 Anton Schumacher
 William Christ Basle
 M. Coward-Klee
 Dettmar Dressel
 The Joachim Quartet
 Kubelik
 C. M. Hawcroft

 VOL. 7.
 W. A. Mozart
 Miss Kate Lee
 R. Peckotsch
 Gordon Tanner
 Eugene Meier
 W. V. Fisher
 Paganini
 T. B. Parsons
 Joseph Guarnerius del Gesu Violin, 1733

 VOL. 6.
 Pierre Baillot
 C. A. de Beriot
 J. R. Bingley
 Ole Bull
 Arcangelo Corelli
 Ferdinand David
 Elderhorst Quartette
 H. Wilhelm Ernst
 Miss Muriel Handley
 Miska Hauser
 M. Paganini
 Louis Spohr
 A. Stradivarius
 H. Vieuxtemps
 G. Viotti

 VOL. 5.
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 Cologne Gurzenich Quartette
 Wm. Henley
 Miss Leonora Jackson
 J. Koh-Alblas
 A. Oppenheim (violinist)
 A. Oppenheim (pianist)
 Mdlle. Jeanette Orloff
 Dr. H. Pudor
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 W. E. Whitehouse
 Miss Gladys May Hooley
 J. Harold Henry
 Adolphe Pollitzer
 Mdlle. Edith Smith
 John Dunn
 Heinrich Maria Hain
 Edina Bligh
 I. B. Poznanski
 Rene Ortmans
 A. Simonetti
 W. Ten Have
 Mdlle. Wietrowitz
 Miss Hildegard Werner
 Fred Furnace
 Miss Kathleen Thomas
 M. Césare Thomson
 F. Whiteley
 H. Lyell Tayler
 Stanley W. G. Barfoot
 G. de Angelis
 Marcello Rossi

 FACSIMILES AND PICTURES.

 Paganini on his Death-bed
 Letter of Ch. de Bériot
 Letter of Camillo Sivori
 Defeasance of a bond by Roger Wade Crowder
 Viola di Gamba by Carlo Bergonzi, 1713
 Facsimile Labels in Nos. 32, 34, 35, 37, 505, 58
 Lira da Gamba, by Linarolo, reproduction of Painting by Tintoretto
 David Techler's Viola
 Stradivari's Scroll
 Jacob Stainer's House

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No. 6.--Ten Tunes to "=JERUSALEM THE GOLDEN=," including Three Prize
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No. 7.--Six Tunes to the Hymn "=NEARER MY GOD TO THEE=," including the
Three Prize Tunes.

No. 8.--Eleven Tunes to the Hymn, "=HARK, HARK, MY SOUL=," including
Three Prize Tunes.

No. 9.--Six Tunes to the Hymn "=LEAD KINDLY LIGHT=," including the
Three Prize Tunes.

No. 10.--Four Tunes to the Hymn, "=JESUS, LOVER OF MY SOUL=,"
including the Three Prize Tunes.

No. 11.--Five Tunes to the Hymn, "=LO! HE COMES WITH CLOUDS
DESCENDING=," including the Three Prize Tunes.

No. 12.--Five Tunes to the Hymn, "=I HEARD THE VOICE OF JESUS SAY=,"
including the Three Prize Tunes.

No. 13.--Six Tunes to the Hymn, "=FOR THEE, O DEAR, DEAR COUNTRY=,"
including the Three Prize Tunes.

No. 14.--Four Tunes to the Hymn, "=O LOVE WHO FORMEDST ME TO WEAR=."

No. 15.--Six Tunes to the Hymn, "=THE KING OF LOVE=," including Three
Prize Tunes.

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End of the Project Gutenberg EBook of Catalogue of Works Literary Art and
Music, by W. Reeves

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