summaryrefslogtreecommitdiff
path: root/old/51701-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/51701-0.txt')
-rw-r--r--old/51701-0.txt2627
1 files changed, 0 insertions, 2627 deletions
diff --git a/old/51701-0.txt b/old/51701-0.txt
deleted file mode 100644
index d68292b..0000000
--- a/old/51701-0.txt
+++ /dev/null
@@ -1,2627 +0,0 @@
-The Project Gutenberg EBook of Grandmother, by Laura E. Richards
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Grandmother
- The Story of a Life That Never Was lived
-
-Author: Laura E. Richards
-
-Release Date: April 8, 2016 [EBook #51701]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK GRANDMOTHER ***
-
-
-
-
-Produced by Giovanni Fini, Suzanne Shell and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-
-
-
-
-
-
- TRANSCRIBER’S NOTE:
-
-—Obvious print and punctuation errors were corrected.
-
-
-
-
- GRANDMOTHER
-
-
-
-
- Handy Volume Editions
- of Copyrighted Fiction
-
- BY
- LAURA E.
- RICHARDS
-
-
- MRS. TREE’S WILL $ .75
-
- MRS. TREE .75
-
- GEOFFREY STRONG .75
-
- FOR TOMMY .75
-
- LOVE AND ROCKS .75
-
- CAPTAIN JANUARY .75
-
- _Tall 16mos, Individual Cover
- Designs. Illustrated._
-
- DANA ESTES & CO., PUBLISHERS
- ESTES PRESS, BOSTON, MASS.
-
-[Illustration: “GRANDMOTHER KNELT DOWN BESIDE HIM, AND TOOK HIS HAND.”
-(_See page 62_)]
-
-[Illustration:
-
- GRANDMOTHER
-
-The Story of a Life That Never
-Was Lived
-
-By
-
-Laura E. Richards
-
-_Author of_
-“Captain January,” “Melody,” “Marie,” “Mrs. Tree’s
-Will,” etc.
-
-Boston
-DANA ESTES & COMPANY
-Publishers]
-
- _Copyright_, 1907
- BY DANA ESTES & COMPANY
-
- _All rights reserved_
-
- GRANDMOTHER
-
- _COLONIAL PRESS
- Electrotyped and Printed by C. H. Simonds & Co.
- Boston, U. S. A._
-
-
-
-
- TO
- MY DAUGHTER
- Elizabeth
-
- I heard an angel singing
- When the day was springing,
- “Mercy, pity and peace
- Are the world’s release!”
-
- —WILLIAM BLAKE.
-
-
-
-
- CONTENTS
-
-
- CHAPTER PAGE
-
- I. HOW SHE CAME TO THE VILLAGE 1
-
- II. HOW THE FIRST LINE CAME IN HER FACE 15
-
- III. HOW SHE PLAYED WITH THE CHILDREN 30
-
- IV. HOW SHE SANG GRANDFATHER TO SLEEP 50
-
- V. HOW THE SECOND LINE CAME IN HER FOREHEAD 65
-
- VI. HOW SHE WENT VISITING 81
-
- VII. HOW THE LIGHT CAME TO HER 99
-
- VIII. HOW HER HAIR TURNED WHITE 116
-
- IX. HOW SHE FOUND PEACE 132
-
-
-
-
- LIST OF ILLUSTRATIONS
-
-
- PAGE
-
- “GRANDMOTHER KNELT DOWN BESIDE HIM, AND
- TOOK HIS HAND”(_Page 62_) _Frontispiece_
-
- “THE LONG WHITE LILY—PUTTING IT DELICATELY TO HER CHEEK” 20
-
- “GRANDMOTHER HAD FORGOTTEN ALL THE WORLD EXCEPT THE CHILD” 102
-
- “SHE LAY LIKE AN IVORY STATUE” 145
-
-
-
-
- GRANDMOTHER
-
-
-
-
-CHAPTER I
-
-HOW SHE CAME TO THE VILLAGE
-
-
-SHE was a slip of a girl when first she came to the village; slender
-and delicate, with soft brown hair blowing about her soft face. Those
-who saw her coming down the street beside Grandfather Merion thought he
-had brought back one of his grandnieces with him from the west for a
-visit; it was known that he had been out there, and he had been away
-all summer.
-
-Anne Peace and her mother looked up from their sewing as the pair went
-by; Grandfather Merion walking slow and stately with his ivory-headed
-stick and his great three-cornered hat, the last one left in the
-village, his kind wise smile greeting the neighbors as he met them; and
-beside him this tall slender maiden in her light print gown that the
-wind was tossing about, as it tossed the brown cloud of hair about her
-cheeks.
-
-“Look, mother!” said Anne Peace. “She is for all the world like a
-windflower, so pretty and slim. Who is it, think?”
-
-“Some of his western kin, I s’pose,” said Widow Peace. “She is a
-pretty piece. See if she’s got the new back, Anne; I was wishful some
-stranger would come to town to show us how it looked.”
-
-“Land, Mother,” said Anne; “her gown’s nothing but calico, and might
-have come out of the Ark, looks ’s though; not but what ’tis pretty on
-her. Real graceful! There! see her look up at him, just as sweet! I
-expect she is his grandniece, likely. There they go in ’t the gate, and
-he’s left it open, and the hens’ll get out. Rachel won’t like that! She
-keeps her hens real careful.”
-
-“She fusses ’em most to death!” said Mrs. Peace. “If I was a hen I
-should go raving distracted if Rachel Merion had the rearin’ of me.
-Why, Anne! why, look at Rachel this minute, runnin’ down the garden
-path. She looks as if something was after her. My sakes! she’s comin’
-in here. What in the—”
-
-Rachel Merion, a tall handsome young woman with a general effect of
-black and red about her, came out of her door and down the path like
-an arrow shot from a bow. At one dash she reached the gate and paused
-to flash a furious look back at the house; with a second dash she was
-across the road, and in another instant she stood in Mrs. Peace’s
-sitting-room, quivering like a bowstring.
-
-“Mis’ Peace!” she cried. “Anne! he’s done it! he has! he has, I tell
-you! I’ll go crazy or drown myself; I will! I will!”
-
-She began beating the air with her hands and screaming in short
-breathless gasps. Mrs. Peace looked calmly at her over her spectacles.
-
-“There, Rachel!” she said. “You are in a takin’, aren’t you? Set down a
-spell, till you feel quieter, and then tell us about it.”
-
-Anne, seeing the girl past speech, rose quietly, and taking her hand,
-forced her to sit down; then taking a bowl of water from the table, wet
-her brow and head repeatedly, speaking low and soothingly the while:
-“There, Rachel! there! You’re better now, aren’t you? Take a long
-breath, and count ten slowly; there! there!”
-
-The angry girl took a deep breath and then another; soon the power of
-speech returned, and broke out in a torrent.
-
-“I always knew he would!” she cried. “I’ve looked for it ever since
-Mother was cold in her grave and before, you know I have, Anne Peace. I
-looked for it with Aunt ’Melia till I routed her out of the house, and
-I looked for it with Mis’ Wiley till I sent _her_ flying. I wish’t now
-I’d let ’em alone, both of ’em. I’d sooner he’d married ’em both, and
-been a Turk and done with it, instead of this.”
-
-Mrs. Peace looked over her spectacles with mild severity.
-
-“Rachel Merion,” she said, “what are you talking about? If it’s your
-grandfather, why then I tell you plain, that is no proper way for you
-to talk. What has happened? speak out plain!”
-
-“He’s married!” Rachel fairly shrieked. “Married to a girl of eighteen,
-and brought her back to sit over me and order me about in my own house.
-I’ll teach ’em! I’ll let ’em see if I’m going to be bossed round by a
-brown calico rag doll. They’ll find me dead on the threshold first.”
-
-“_Married!_” cried Mrs. Peace and Anne. “Oh, Rachel! it can’t be. You
-can’t have understood him. It’s one of his grandnieces, I expect, your
-Aunt Sophia’s daughter. She settled out west, I’ve always heard.”
-
-“I tell you he’s married!” cried Rachel. “Didn’t he tell me so? didn’t
-he lead her in by the hand (she was scared, I’ll say that for her;
-she’d better be!) and say ‘Rachel, here’s my wife! here’s your little
-grandmother that’s come to be a playmate for you.’ Little grandmother!
-that’s what I’ll call her, I guess. Let her _be_ a grandmother, and sit
-in the chimney corner and smoke a cob pipe and wear a cap tied under
-her chin. But if ever she dares to sit in my chair, I’ll kill her and
-myself too. Oh, Mis’ Peace, I wish I was dead! I wish everybody was
-dead.”
-
-So that was how Grandmother came by her name. It seems strange that it
-should have been first given as a taunt.
-
-And while Rachel was raving and weeping, and the good Peaces, who
-tried to live up to their name, were soothing her with quiet and
-comfortable words, Grandmother was standing in the middle of the
-great Merion kitchen, with her hands folded before her in the light
-pretty way she had, listening to Grandfather; and while she listened
-she looked to and fro with shy startled glances, and seemed to sway
-lightly from side to side, as if a breath would move her; she was like
-a windflower, as Anne Peace said.
-
-“You mustn’t mind Rachel,” Grandfather was saying, as he filled his
-long pipe and settled himself in his great chair. “She is like the
-wind that bloweth where it listeth; where it listeth. She has grown
-up motherless—like yourself, my dear, but with a difference; with a
-difference; neither your grandmother—I would say, neither my wife nor
-I have ever governed her enough. She has rather governed me, being of
-that disposition; of that disposition. Yes! But she is a fine girl, and
-I hope you will be good friends. This is the kitchen, where we mostly
-sit in summer, for coolness, you see; Rachel cooks mostly in the back
-kitchen in summer. That is the sitting-room beyond, which you will find
-pleasant in cooler weather. That is the pantry door, and that one opens
-on the cellar stairs. Comfortable, all very comfortable. I hope you
-will be happy, my dear. Do you think you will be happy?”
-
-He looked at her with a shade of anxiety in his cheerful eyes, and
-waited for her reply.
-
-“Oh—yes!” said Grandmother, with a flutter in her voice that told of
-a sob somewhere near. “Yes, sir, if—if she will not always be angry.
-Will she always, do you think?”
-
-“No! No!” said Grandfather; “very soon, very soon, we’ll all be
-comfortable, all be comfortable. Just don’t mind her, my dear. Let her
-be, and she’ll come round.”
-
-He nodded wisely with his kind grave smile. By and by he bade her go
-out in the garden and gather a posy for herself; and then he took his
-hat and stepped across the road to Widow Peace’s.
-
-Grandmother started obediently, but when she came to the garden door
-she stopped and looked out with wide startled eyes. Rachel in her
-scarlet dress was down on her knees in the poppy bed, the pride of her
-heart, and was plucking up the poppies in furious haste, dragging them
-up by the roots and trampling them under her feet.
-
- * * * * *
-
-“It seemed the only thing to do!” said Grandfather Merion, absently.
-“Wild parts, Susan; wild parts, ma’am! Her parents dead, as I told
-you, and the child left with the innkeeper’s wife, who was not—not
-a person fitted to bring up a young girl; no other woman—at least
-none of suitable character near. It seemed clearly my duty to bring
-the child away. Then—my search led me into mining camps, and often I
-had to be off alone among the mountains, as a rumor came from here or
-there—the marriage bond was a protection, you see; yes, I was clear as
-to my duty. But I confess I forgot about Rachel, Susan, and Rachel is
-so ungoverned! I fear she will not—a—not be subject to my wife—whose
-name is Pity, by the way, Susan; a quaint name; she is a very good
-child. I am sure you and little Annie will be good to her.”
-
-Good Widow Peace promised, and so did Anne, her soft brown eyes shining
-with good-will; but when he was gone back, the old woman shook her
-head. “No good can come of it!” she said. “I hadn’t the heart to say
-so, Anne, for poor Grandfather must have a hard time, searching them
-cruel mountains for his graceless son; but no good can come of it.”
-
-“But we can try!” said Anne.
-
-
-
-
-CHAPTER II
-
-HOW THE FIRST LINE CAME IN HER FACE
-
-
-RACHEL did not kill herself, nor go crazy; nor did she even go away, as
-she threatened to do when she wearied of announcing her imminent death.
-She stayed and made things unpleasant for Grandmother. She was barely
-civil to her in Grandfather’s presence, for she dared not be otherwise;
-but the moment his back was turned she was grimacing and threatening
-behind it, and when he left the room she would break out into open
-taunt and menace. There was no name too hateful for her to call the
-pale girl who never reviled her in turn; but Grandmother’s very silence
-was turned against her.
-
-“You needn’t think that I don’t know why you’re dumb as a fish!” raved
-the frantic girl. “You know what I say is true, and you darsn’t speak!
-you darsn’t! you darsn’t!—” She stopped short; for Grandmother had
-come and taken her by both wrists, and stood gazing at her.
-
-“Stop!” she said quietly. “That is enough. Stop!”
-
-They stood for some minutes, looking into each other’s eyes; then
-Rachel turned her head away with a sullen gesture. “Let me go!” she
-said. “I don’t want to say anything more. I’ve said enough. Let me go!”
-
-These were bad hours, but there were good ones too for little
-Grandmother. She loved her housework, and did it with a pretty grace
-and quickness; she loved to sit by Grandfather with her sewing, or read
-the paper to him. She could not be doing enough for the old man. She
-told Anne Peace that he had saved her life. “I should not have gone on
-living out there,” she said, “it was not good to live after my father
-died. I had one friend, but he left me, and there were only strangers
-when Grandfather came and saved me. It is a little thing to let her
-scold”—it was after one of Rachel’s tantrums—“if only she will be
-quiet before him, and not make him grieve.”
-
-But her happiest hours were in the garden. It was a lovely place, the
-Merion garden; not large, only a hundred feet from the house to the
-street; but this space was so set and packed with flowers that from a
-little distance it looked like a gay carpet stretched before the old
-red brick house. Small lozenge-shaped beds, each a mass of brilliant
-color; sweet-william, iris, pansies, poppies, forget-me-nots, and
-twenty other lovely things. Between the beds, round and round like a
-slender green ribbon, ran a little grassy path, just wide enough for
-one person. Grandmother would spend her best hours following this
-path; pacing slowly along, stopping here to look and there to smell,
-and everywhere to love. She was like a flower herself, as she drifted
-softly along in her light dress, her soft hair blowing about her sweet
-pale face; a windflower, as Anne Peace said.
-
-One day she had followed the path till she came to where it ran along
-by the old vine-covered brick wall that stood between the garden and
-the road. You could hardly see the wall for the grapevines that were
-piled thick upon it; and inside the vines tumbled about, overrunning
-the long bed of yellow iris that was the rearguard of the garden.
-
-Grandmother was talking as she drifted slowly along; it was a way
-she had, bred by her lonely life in the western cabin; talking half
-to herself, half to the long white lily that she held, putting it
-delicately to her cheek now and then, as if to feel which was the
-smoother.
-
-“But Manuel never came back!” she was saying. “I never knew, white
-lily, I never knew whether he was alive or dead. That made it hard to
-come away, do you see, dear? Whether he was lost in the great snow up
-on the mountains, or whether the Indians caught him,—I can never know
-now, lily dear; and he was my only friend till Grandfather came, and I
-loved him—I loved Manuel, white lily! Ah! what is that?”
-
-[Illustration: “THE LONG WHITE LILY—PUTTING IT DELICATELY TO HER
-CHEEK.”]
-
-There was a smothered exclamation; a rustle on the other side of the
-wall. The next moment a figure that had been lying under the wall rose
-up and confronted Grandmother; the figure of a young man, tall and
-graceful, with the look of a foreigner.
-
-“Pitia!” cried the young man. “It is you? You call me?—see, I come! I
-am here, Manuel Santos.”
-
-Yes, things happen so, sometimes, more strangely than in stories.
-
-He stretched out his arms across the wall in greeting.
-
-“Are you alive, Manuel?” asked Grandmother, making the sign of the
-cross, as her Spanish nurse had taught her. “Are you alive, or a
-spirit? Either way I am glad, oh, glad to see you, Manuel!”
-
-She drew near timidly, and timidly reached out her hand and touched
-his; he grasped it with a cry, and then with one motion had leaped
-the wall and caught her in his arms. “Pitia!” he cried. “To me! mine,
-forever!”
-
-He lifted her face to his, but in breathless haste little Grandmother
-put him from her and leaned back against the wall, with hands
-outstretched keeping him off.
-
-“Manuel,” she said. “I have a great deal to tell you. I thought—you
-did not come back. I thought you were dead.”
-
-“Yes,” said the boy. “No wonder! The Apaches got me and kept me all
-winter with a broken leg. What matter? I got away. I found you had come
-east. I found the man’s name who brought you—found where he lived. I
-followed. I come here an hour ago, and lie down, I think by chance,
-beneath the wall to rest. That chance was the finger of Heaven. You
-see, Pitia, it leads me to you. I take you, you are mine, you go back
-with me, as my wife.”
-
-The little windflower was very white as she leaned against the wall,
-still with outstretched pleading hands; whiter than the lily that lay
-at her feet.
-
-“Manuel,” she said; “listen! I was alone. Father died. There was no
-woman save old Emilia—” the lad uttered an oath, but she hurried on.
-“I could not—I could not stay. I meant to die; I thought you dead,
-and I—I was going up into the great snow to end it, when—a good old
-man came. Old, old, white as winter, but good as Heaven. He saved me,
-Manuel; he brought me here to his home, and it is mine too. I am his
-wife, Manuel.”
-
-“His wife!” The young man stared incredulous, his dark eyes full of
-pain and trouble. “His wife—an old man! You, my Pitia?” Suddenly his
-face broke into laughter.
-
-“I see!” he cried. “You punish me, you try me—good! I take it all!
-Go on, Pitia! more penance, I desire it, because at the last I have
-you—so!”
-
-Once more he sprang towards her with a passionate gesture; but the
-slender white arms never wavered.
-
-“I am his wife,” she repeated; “the good old man’s wife. See—the ring
-on my finger. They—they call me Grandmother, Manuel dear.”
-
-She tried to smile. “And you are alive!” she said. “Manuel, that is all
-I will think of; my friend is alive, my only friend till Grandfather
-came.”
-
-Alas! poor little Grandmother, poor little windflower; for now burst
-forth a storm beside which Rachel’s rages seemed the babble of a
-child. Cruel names the boy called her, in his wild passion of love and
-disappointment; cruel, cruel words he said; and she stood there white
-and quiet, looking at him with patient pleading eyes, but not trying to
-excuse or defend.
-
-“Ah!” he cried at last. “You are not alive at all, I believe. You have
-never lived, you do not know what life is.”
-
-That was the first time she heard it, poor little Grandmother. She
-was to hear it so many times. Now she put her hand to her heart as if
-something had pierced it; a spasm crossed her smooth forehead, and when
-it passed a line remained, a little line of pain.
-
-But she only nodded and tried to smile, and said, “Yes, sure, Manuel!
-yes, sure!”
-
-Then they heard Grandfather’s voice behind them, and there was the
-good old man standing, leaning on his stick and looking at them with
-wonder.
-
-“What is this?” said Grandfather. “I heard loud and angry words. Who is
-this, my dear?”
-
-“This is Manuel, Grandfather; my friend of whom I told you. He is angry
-because I am married to you!” said Grandmother simply; “but I am always
-so thankful to you, Grandfather dear!”
-
-Grandfather looked kindly at the boy. “I see!” he said. “Yes, yes; I
-see! I see! But come into the house with us, sir, and let us try to be
-friends. Sorrow in youth is hard to bear, yet it can be borne, it can
-be borne, and we will help you if we may.”
-
-And Grandmother said, “Yes, sure, Manuel dear; come in and eat with
-us; you must be hungry.”
-
-A great sob burst from the boy’s throat, and turning away he flung his
-arm upon the vine-covered wall and wept there.
-
-“Go you into the house, my dear,” said Grandfather; “and be getting
-supper. We will come presently.”
-
-Grandmother looked at him for a moment; then she took his hand and put
-it to her heart, with a pretty gesture, looking into his face with
-clear patient eyes; he laid his other hand on her head, and they stood
-so for a moment quietly, with no words; then she went into the house.
-
-And by and by Grandfather brought Manuel in to supper, and Rachel was
-wonderfully civil, and they were all quite cheerful together.
-
-Manuel stayed, as we all know, and worked for Grandfather on the farm,
-and boarded with the Widow Peace across the way; and he and Grandfather
-were great friends, and he and Rachel quarrelled and made up and
-quarrelled again, over and over; and always from that time there was a
-little line on Grandmother’s smooth forehead.
-
-
-
-
-CHAPTER III
-
-HOW SHE PLAYED WITH THE CHILDREN
-
-
-I ASKED Anne Peace once, when we were talking about Grandmother (it was
-not till the next year that we came to the village), how soon it was
-that the children found her out. Very soon, Anne said. It began with
-their trying to tease her by shouting “Grandmother!” over the wall and
-running away. She caught one of them and carried him into the garden
-screaming and kicking (she was strong, for all her slenderness), and
-soon she had him down in the grass listening to a story, eyes and
-mouth wide open, and all the rest of them hanging over the wall among
-the grapevines, “trying so hard to hear you could ’most see their ears
-grow!” said Anne, laughing.
-
-“It was wonderful the way she had with them. I used to wish she would
-keep a school, after she was left alone, but I don’t know; maybe she
-couldn’t have taught them so much in the book way; but where she
-learned all the things she did tell ’em—it passes me. I used to ask
-her: ’Grandmother,’ I’d say, ’where do you get it all?’ And she’d laugh
-her pretty way, and say:
-
- “‘Eye and ear,
- See and hear;
- Look and listen well, my dear!’
-
-That was all there was to it, she’d say, but we knew better.”
-
-I can remember her stories now. Perhaps they were not so wonderful as
-we thought; perhaps it was the way she had with her that made them so
-enchanting. I never shall forget the story of the little Prince who
-would go a-wooing. His mother, the old Queen, said to him:
-
- “Look she sweet or speak she fair,
- Mark what she does when they curl her hair!”
-
-“So the little Prince started off on his travels, and soon he met a
-beautiful Princess with lovely curls as white as flax. She looked
-sweet, and she spoke fair, and the little Prince thought ‘Here is the
-bride for me!’ But he minded him of what his mother said, and when the
-Princess went to have her hair curled he stood under the window and
-listened.
-
-“And what did he hear, children? He heard the voice that had spoken him
-sweet as honey, but now it was sharp and thin as vinegar. ‘Careless
-slut!’ it said. ‘If you pull my hair again I will have you beaten.’
-
-“Then the little Prince shook his head and sighed, and started again
-on his travels. By and by he met another Princess, and she was red as
-a rose, with black curls shining like jet, and her eyes so bright and
-merry that the Prince thought, ‘Sure, this is the bride for me!’
-
-“The Princess thought so too, and she looked sweet and spoke fair;
-but the Prince minded him of what his mother had said, and when the
-Princess went to have her hair curled he listened again beneath the
-window. But oh, children, what did he hear? Angry words and stamping
-feet, and then a sharp stinging sound; and out came the maid flying and
-crying, with her hand to her cheek that had been slapped till it was
-red as fire. So when the Prince saw that he sighed again and shook his
-head, and started off on his travels.
-
-“Before long he met a third Princess, and she was fair as a star, and
-her curls like brown gold, and falling to her knees. She looked so
-sweet that the Prince’s heart went out to her more than to either of
-the others; but he was afraid after what had passed, and waited for
-the hour of the hair-curling. When that came, he was going toward the
-window, when there passed him a young maiden running, with her face all
-in a glow of happiness.
-
-“‘Whither away so fast, pretty maid?’ asked the Prince.
-
-“‘Do not stay me!’ said the maid. ‘I go to curl the Princess’s hair,
-and I must not be late, for it is the happiest hour of my day.’
-
-“‘Is it so?’ said the Prince. ‘Then will you tell the Princess that
-when her hair is curled I pray that she will marry me?’
-
-“And so she did, children, of course, and they had a happy day for
-every thread of her brown-gold hair, so I am told, and there were so
-many threads, I think they must be alive to this day.”
-
-And the bird stories! and the story of how the butterfly’s wings were
-spotted! and the flower stories! I don’t suppose there was a child in
-the village in those days who did not believe that at night all the
-flowers in Grandfather Merion’s garden were dancing round the fairy
-ring in the home pasture.
-
-“And Sweet William said to Clove Pink, ‘How sweet the fringe on your
-gown is! Will you dance with me, pretty lady?’ So they danced away
-and away, and they met Bachelor’s Button waltzing with Cowslip, and
-young Larkspur kicking up his heels with Poppy Gay, and Prince’s
-Feather bowing low before sweet white Lily in her satin gown, and
-Crown Imperial leading out Queen Rose—oh! but she was a queen indeed!
-And the music played—such music! the locust went tweedle, tweedle,
-tweedle, and the cricket went chirp, chirp, chirp, and the big green
-frog that played the bass viol said ‘glum! glum! glum!’ And they
-danced—oh, they danced!
-
-“Whirl about, twirl about, hop, hop, hop! till—hush! something
-happened. Oh! children, come close while I whisper. The green turf
-of the Ring trembled and shook—and opened—and—oh! off go the
-flowers scampering back to bed as fast as they can go; and in their
-places—oh! hush! oh, hush! I must not tell.
-
- “Green jacket, red cap, and white owl’s feather!
-
-Little lights that twinkle, little bells that jingle, little feet that
-trip, trip—
-
-“Hush, children! we must not look. Home again, we too, after the
-flowers!”
-
-And she would catch their hands and run with them round and round the
-field till all were out of breath with running and laughter.
-
-The Saturday feasts were begun, Anne Peace reminded me, for the little
-lame girl who lived a mile beyond the village. The poor little soul
-had heard of all the merry play that went on at Merion Farm, and had
-begged her father to bring her in. So one day a long lean tattered man
-came to the gate and looked wistfully in at Grandmother, who was making
-daisy chains against the children’s coming.
-
-“Mornin’!” he said. “Mis’ Merion to home?”
-
-“Yes,” said Grandmother; “at least I am here. Would you like something?”
-
-“I swow!” said the man. He looked helplessly at the girlish figure a
-moment. Then—“My little gal heard tell how that you told yarns to
-young ’uns, and nothin’ to it but I must fetch her in. She—she ain’t
-very well—” his rough voice faltered, and he looked back to his wagon.
-
-“Is she there?” cried Grandmother. “Oh, but bring her in! bring her in
-quickly! why, you darling, I am so glad you have come.”
-
-A poor little huddle of humanity; hunchbacked, with the strange
-steadfast eyes of her kind,—wise with their own knowledge, which
-is apart from all knowledge revealed to those whose backs are
-straight,—lame, too, drawn and twisted this way and that, as if Nature
-had been a naughty child playing with a doll, tormenting it in sheer
-wantonness.
-
-A piteous sight; and still more piteous the shrinking look of her and
-of the poor gaunt wistful father, watchful for a rebuff, a smile, some
-one of the devilishly cruel tricks that humanity startles into when it
-touches the unusual.
-
-But Grandmother’s arms were out, and Grandmother’s face was shining
-with clear light, like an alabaster lamp. Oh, one would know that her
-name was Pity, even though none used the name now, even Manuel, even
-Grandfather himself calling her Grandmother.
-
-“Darling!” she said, and she hugged the child close to her, as if she
-would shield it from all the world. “Here is a daisy chain for you.
-See! I will put it round your neck. Now you are mine for the whole
-afternoon. Good father will go—” she nodded to the man; “go and do
-the errands, and see to all his business, and then when it gets
-toward supper-time he will come back and pick you up and carry you
-off. And now we’ll go and make some posies for the others; my name is
-Grandmother; what is yours, darling? whisper now!”
-
-The man turned away, and brushed his hand across his eyes. “Gosh!” he
-said simply. “I guess you’re a good woman.”
-
-“I’m just Grandmother,” said the girl; “that’s all, isn’t it, Nelly?
-Good-bye, father!”
-
-“Good-bye, father!” echoed the child, clinging round Grandmother’s neck
-as though she feared she might vanish suddenly into thin air.
-
-“Sure she won’t pester ye?” said the man, timidly. “She’s real clever!”
-
-“You won’t pester me, will you, Nelly?” said Grandmother.
-
- “Nelly Nell, Nelly Nell,
- Come and hear the flowers tell
- How they heed you,
- Why they need you,
- How they mean to love you well.”
-
-And off they went together, little Nelly nodding and waving her hand,
-with a wholly new smile on her pale shrivelled face.
-
-“Gosh!” said the father again; he had not many words, and only one to
-express emotion.
-
-When the other children came, they found a little girl with a radiant
-face, crowned with a forget-me-not wreath, and with the prettiest pale
-blue scarf over her shoulders, all embroidered with butterflies. She
-was sitting in a low round chair with cushioned back, and chair and
-cushion and child were all heaped and garlanded with flowers, daisies
-and lilies, pink hawthorn and great drifts of snowballs.
-
-Grandmother called to them, “Come children, come! here is the Queen of
-the May. Her name is Nelly, and she has come to stay to tea, and you
-shall all stay too.”
-
-The children came up half shy, half bold.
-
-“What makes her sit so funny?” asked a very little boy.
-
-“You be still or I’ll bat your head off!” muttered his elder brother
-savagely. No one else made any mistake, and most of them were careful
-not to look too much at Nelly; children are gentlefolk, if you take
-them the right way.
-
-Then they listened to the story of the princess in the brown dress; how
-she came into the town, and no one knew she was a princess at all, but
-every one said, “See the poor woman in the tattered brown gown!” But
-the princess did not mind. She went hither and thither, up and down,
-and whenever she met any one who was in need, she put her hand inside
-the folds of her gown, and brought out a piece of gold or a shining
-jewel, and gave it to the poor person. So when this had gone on for
-some time, people began to talk one to another. One said, “Where does
-this beggar woman get the gold and the gems that she gives?”
-
-“She must have begged them!” said another.
-
-“Or stolen them!” said a third.
-
-Then all the people cried out, “She is a thief! let her be stripped and
-beaten!”
-
-So they brought the princess to the market-place; and cruel men seized
-her and pulled off her tattered brown gown; and oh! and oh! children,
-what do you think? there stood the most radiant princess that ever was
-seen upon earth; her dress was of pure woven gold, and set from top to
-hem with precious stones so bright that the sun laughed in every one
-of them, and her hair (for they had pulled off her cap too) was as
-fair gold as the dress, and fell around her like a golden cloak. So she
-stood for a minute like heaven come to earth; and then all in a moment
-she vanished away, and only the tattered brown dress was left for them
-to do what they would with.
-
-“So, darlings, be very careful to be nice to everybody, especially to
-anyone in a shabby brown dress, for there may always be a princess
-inside it.”
-
-“Did you ever see a princess, Grandmother?” asked a child.
-
-“Oh, I so seldom see any other kind of person,” said Grandmother,
-“except princes. You have no idea how many I know. No, I can’t tell you
-their names; you’ll have to find them out for yourselves; and now it
-is time for a game.”
-
-They were quiet games that they played that afternoon; but as the
-children said afterwards, some of the best games are quiet. And then
-came the Feast; a wonderful feast, with a great jug of creamy milk, and
-all the bread and honey that any one could eat, and little round tarts
-besides.
-
-“Look at that!” said Rachel to Manuel. They had been for a walk, and
-came back through the orchard, where the feast was held. “We were going
-to have those tarts for tea, and she has given every last one to those
-brats. That’s all she cares for, just childishness. She’s nothing but a
-child herself.”
-
-“Nothing but a child!” echoed Manuel, and he added, “She has never
-lived; sometimes I think she never will.”
-
-
-
-
-CHAPTER IV
-
-HOW SHE SANG GRANDFATHER TO SLEEP
-
-
-GRANDFATHER began to fail. He complained of no pain or distress; but
-his stately figure seemed to shrink, and his head that he used to hold
-so high was now bowed on his breast, and he began to creep and shuffle
-in his walk. Widow Peace said the change had begun when he came back
-from the vain search for his graceless son, and I think it was true.
-“He won’t more than last out the winter,” said Mrs. Peace, “if he does
-that. The Merions don’t run much above seventy.”
-
-“Don’t, mother!” said Anne.
-
-“Don’ting won’t stop the course of nature,” said her mother, “nor yet
-is it proper you should say ‘Don’t’ to me, Anne Peace.”
-
-“I beg your pardon, mother; I meant no harm.”
-
-“No more you did, daughter. You may hand me the tape measure. Anne, if
-you can tell me how to cut this dress so as to make Mis’ Broadback look
-like anything besides Behemoth in the Bible I shall be obliged to you.”
-
-“You’re real funny, mother!” said Anne, who never quite understood her
-parent.
-
-“Fun keeps the fiddle going!” said Mrs. Peace. “You may cut them gores
-if you’re a mind to, Anne. There’s Rachel and Manuel goin’ off again.
-S’pose they’re goin’ to make a match of it?”
-
-“Oh, mother!” said little Anne.
-
- “‘Oh,’ said the owl, and set up a hootin’,
- But Jabez kept still when he done the shootin’.”
-
-What does Grandmother do these days? I haven’t seen her go out of the
-gate for a week and more. You were over this morning, wasn’t you?”
-
-“Yes,” said Anne. “Oh, mother, she just sits by Grandfather all the
-time—when her work is done, that’s to say; Grandmother never slights
-anything; sits by him all day, reading to him when he’s awake, or
-talking, or singing those little songs he likes; and when he drops off
-asleep she just reaches for her sewing and sits and waits till he wakes
-up. And she’s growing so white and thin—there! it just makes me ache
-to see her. I said to her ‘Grandmother,’ I said, ‘when he drops off
-asleep that way, you’d ought to slip out into the garden for a mouthful
-of air, even if you don’t go no further. Rachel can stay round,’ I
-said, ‘case he should want anything,’ I said. But she just shook her
-head. ‘No, Anne!’ she says. ‘I must be here,’ she says. ‘He has been so
-good to me; so good to me; he must always find me here when he wants
-me.’
-
-“And sure enough, mother, directly he woke up, before he opened his
-eyes he says ‘You here, Grandmother?’ kinder restless like, and she
-says ‘Yes, Grandfather, right here!’ and laid her hand on his and began
-to sing, and he smiled real happy and contented, said he didn’t want
-anything except just to know that she was there. But, mother, ’tis a
-sweet pretty sight now, to see them two together. Of course he’s an
-old man and she’s a young girl, but yet—well, they aren’t like other
-folks, neither one of them. What makes you look like that, mother?”
-
-“Nobody ever was like other folks that ever I heard of,” said Widow
-Peace rather grimly. “Now you be quiet, Anne Peace. Here comes Rachel.”
-
-Rachel Merion came flying in, splendid in her scarlet dress. “How do,
-Mis’ Peace?” she said. “Anne, will you lend me that mantilla pattern?
-I want to make one out of some of that black lace Grandmother Willard
-had. Will you, Anne? hurry up, I can’t wait.”
-
-Mrs. Peace looked at her with mild severity. “Rachel,” she said; “sit
-down a spell. I want to speak to you.”
-
-“Oh, I can’t, Mis’ Peace!” said Rachel. “Manuel’s waiting for me
-outside.”
-
-“Manuel _can_ wait,” said Mrs. Peace. “It’ll do him good. Sit down,
-Rachel!”
-
-“I’d full as lives stand, thank you,” said Rachel sullenly.
-
-“I asked you to sit down,” said Mrs. Peace quietly; and Rachel sat down
-with a flounce on the edge of a chair, and listened with lowering brows.
-
-“I want to speak to you about Grandmother,” said the little widow. “She
-isn’t well; Anne sees it, and I see it. She’s outdoing her strength,
-caring for Grandfather all day long, and I think you’d ought to help
-her more than what you do.”
-
-Rachel’s eyes flashed under their black brows.
-
-“She wanted him,” she said, “and she got him; now let her see to him. I
-don’t feel no call to take care of Grandfather; he isn’t my husband.”
-
-Anne’s soft eyes glowed with indignation. She was about to speak, her
-mother motioned her to silence. “Rachel Merion,” she said. “You’d ought
-to be slapped, and I’ve a good part of a mind to do it. You’re careless
-and shiftless, and heathen; and you’ll neither do good nor get it in
-this world till you get a human heart in your bosom. Grandmother is
-worth twenty of you, and I pay her no compliment either in saying it;
-it shows what she is, that she has put up with your actions so long.
-I wouldn’t have, not a single week. I’d have drove you out with a
-broomstick, Rachel, and give you time to learn manners before I let you
-in again. There! now I’ve said my say, and you can go.”
-
-As Anne said, it was a pretty sight there, in the Merion kitchen. The
-good old man sat in his great armchair, dozing or dreaming the hours
-away, less and less inclined to stir as the weeks went on; and always
-beside him was the slight figure in the clear print dress, watching,
-waiting, tending; yes, it was pretty enough.
-
-“Sing, Grandmother!” he would say now and then; and Grandmother would
-sing in her low sweet voice, like a flute:
-
- “Sweet sleep to fold me,
- Sweet dreams to hold me;
- Listen, oh! listen!
- This the angels told me.
- Fair grow the trees there,
- Soft blows the breeze there,
- Golden ways, golden days,
- When will ye enfold me?”
-
-Or that quaint little old song that he specially liked:
-
- “As I went walking, walking,
- I heard St. Michael talking,
- He spoke to sweet St. Gabriel,
- The one who loves my soul so well,
- ‘Oh, brother, tell me here,
- Why hold that soul so dear?’
- ‘Because, alas, since e’er ‘twas born,
- I feel the piercing of its thorn.’”
-
-Or it would be the song of the river, and that she loved to sing,
-because Grandfather would fall asleep to the soft lulling time of it:
-
- “Flow, flow, flow down river,
- Carry me down to the sea!
- Ropes of silk and a cedar paddle,
- For to set my spirit free.
- Roll, roll, rolling billow;
- Smooth, smooth my sleepy pillow:
- Silver sails and a cedar paddle,
- For to set my spirit free!
-
- “Long, long work and weeping,
- Trying for to do my best:
- Soon, soon, time for sleeping;
- Cover me up to rest!
- Roll, roll, rolling billow,
- Smooth, smooth my sleepy pillow,
- Golden masts and a cedar paddle,
- For to set my spirit free!”
-
-One day she was singing this, softer and softer, till she thought
-Grandfather was fast asleep. Lower and lower sank the lulling voice,
-till at length it died away in a sigh. Then she sat silent, looking
-at him; at the good white head, the broad forehead, with its strong
-lines of toil and thought, all the kind face that she knew and loved
-well now. She sighed again, not knowing that she did; and at that
-Grandfather opened his eyes without stirring and looked at her—oh, so
-kindly!
-
-“Little Grandmother,” he said. “You know I am going soon?”
-
-“Yes, Grandfather!” said she.
-
-“You have been a good, good child,” said Grandfather; “a good and
-faithful child, and when I go my blessing stays with you. You are
-young, and I want you to be happy. Perhaps you will like to marry
-Manuel, my dear?”
-
-Grandmother lifted her clear eyes to his.
-
-“Yes, Grandfather!” she said.
-
-“He is not good enough for you,” said Grandfather, “but—well! well!
-you are both young, both young, and youth is a great thing. I was young
-myself—a long, long time ago, my dear.” He was silent.
-
-Grandmother knelt down beside him, and took his hand in her own two,
-stroking it and singing softly.
-
- “Silver sails and a cedar paddle,
- For to set my spirit free.”
-
-Presently he looked up, and spoke hurriedly, in a strange, confused
-voice.
-
-“Mary!” he said. “Are you there?”
-
-Now Mary was the name of the wife of his youth. Grandmother was silent.
-
-“Are you there, Mary?” asked the old man impatiently. “‘Tis so dark I
-can’t see you.”
-
-“Yes, I am here!” said Grandmother.
-
-“‘Tis time to light up!” said Grandfather. “We mustn’t sit here in the
-dark like old folks, Mary. Let me get up and light the lamps.”
-
-The afternoon light fell clear on his face with its open sightless
-eyes, and on the angel face turned up to it in faithful love.
-
-“Wait just a little, John,” said Grandmother. “I—I love the twilight;
-’tis restful. Let—let me rest a bit before we light up, won’t you?”
-
-“Surely, Mary; surely, my dear. We’ll rest together then; I—I am tired
-too, I—think.”
-
-There was a long silence. The light was growing softer, fainter; the
-old clock ticked steadily; a coal tinkled from the fire.
-
-“Mary—you are there?”
-
-“Yes, dear!”
-
-“Song—the sleepy song; I think I shall sleep.”
-
-Hush! rest, dear white head, on my breast; close, poor eyes that cannot
-see the light. Rest, rest, in the quiet twilight!
-
- “Roll, roll, rolling billow,
- Smooth, smooth my sleepy pillow,
- Golden mast and a cedar paddle,
- For to set my spirit free!”
-
-
-
-
-CHAPTER V
-
-HOW THE SECOND LINE CAME IN HER FOREHEAD
-
-
-IT was when Grandfather died that the second line came across
-Grandmother’s clear forehead. Sometimes—when she was playing with the
-children, for example—it was so faint one hardly noticed it; but again
-it would be deep, a line of thought—or was it pain?—drawn straight as
-by a ruler. Manuel noticed it one day, and spoke of it.
-
-“You look troubled, Grandmother. What is it?”
-
-“I have lost my best friend, Manuel,” said Grandmother. “I may well
-look troubled; yet it is not trouble either, only sorrow, for missing
-him, and for wishing I had done more for him.”
-
-“No one could have done more,” said Manuel; “you were an angel to him.”
-He was silent a moment; then he said, “You used to call me your best
-friend—once. Shall I call you Pitia again, Grandmother?”
-
-Something in his tone—or was it something _not_ there?—drew the line
-deeper across the white forehead. She waited a moment before she spoke,
-and then answered carefully, keeping an even tone:
-
-“Perhaps ‘Grandmother’ is better, Manuel; we are all used to it, you
-know. Why should we change?”
-
-“As you please!” said Manuel; and whether there was more regret or
-relief in his voice, who shall say? He lingered a moment, hesitating,
-with words on his lips which seemed to hang, unready for utterance; and
-Grandmother stood very still, only her breath fluttering a little; but
-he need not see that, and did not.
-
-Suddenly from the garden came a voice, clear, shrill, imperious;
-Rachel’s voice. “Manuel, where are you? I want you! come, quick.”
-
-Manuel gave one glance at the still face; hesitated a moment; then
-muttering something about “Back soon!” he went out.
-
-Little Grandmother stood very still. Sounds crept through her
-ears,—the clock ticking, the old cat purring on the hearth, the
-song-sparrow singing loud and clear in the apple-tree outside the
-sitting-room window,—but she did not heed them. Her eyes were wide
-open, fixed on the door through which Manuel had gone. It formed a
-lovely picture, blossoming trees, waving grass (winter had come and
-gone since Grandfather died), gay flower-beds; but she did not see
-them. Only when two figures crossed the space, a girl in a scarlet
-dress, a man at her side, looking down as she laughed up in his face,
-Grandmother shivered a little, and went over to where the great
-work-basket stood, and caught up her sewing with a kind of passion. “I
-have you!” she said. “You are mine, good little stitches dear, kind,
-good little stitches!”
-
-If I have not said much about Manuel, it is because there is not very
-much to say. He was a handsome lad, and a merry one. His laziness did
-not show much till after Grandfather’s death, for he feared and loved
-the old man, and did his best to please him. How he should have made
-the effort to cross the Continent in search of Grandmother was one of
-the things that could not be understood. It was like a fire of straw,
-as Mrs. Peace said; it burned up bright, but there were no coals left.
-
-Mrs. Peace had little patience with Manuel. He had been boarding with
-her now for two years, and had never once, so she said, wiped his
-feet as they should be wiped when he came into the house. Also she
-pronounced him lazy, shiftless, careless, and selfish.
-
-“If he marries Rachel,” she said, “there’ll be a pair of ’em, and a
-precious pair, too. I’m going to give him a piece of my mind before I
-sleep to-night.”
-
-“That’s a real pretty skirt of Rachel’s, mother,” said Anne. “Don’t you
-want I should stroke the gathers?”
-
-“You may stroke the gathers, Anne, but you can’t stroke me,” said her
-mother gently. “I tell you I am going to give that fellow a piece of my
-mind. Yes, it is a pretty dress, and it’s the third Rachel Merion has
-had this spring, and if you’ll tell me when Grandmother has had a new
-dress, I’ll give you the next ninepence that’s coined.”
-
-“Grandmother always looks like a picture, I’m sure,” said Anne.
-
-“I’ve no special patience with Grandmother,” said Mrs. Peace, “nor yet
-with you, Anne Peace. If the Lord had meant for us to be angels here,
-it’s likely he would have provided us with wings and robes, ’cordin’
-to. When I see an angel in a calico dress goin’ round askin’ folks
-won’t they please wipe their feet on her and save their carpets, I want
-to shake her.”
-
-“Shake Grandmother?” said Anne, opening great eyes of reproach.
-
-“There’s Manuel now!” said Widow Peace. “You might take this waist home
-to Mis’ Wyman, if you’ve a mind to, Anne.”
-
-It is not known precisely what Mrs. Peace said to Manuel Santos. Anne,
-on her return from Mrs. Wyman’s, met him coming out, in a white flame
-of rage. He glared at her, and muttered something under his breath, but
-made no articulate reply.
-
-“Chatterin’ mad, he was!” Mrs. Peace said calmly, in answer to Anne’s
-anxious questions. “Fairly chatterin’ mad. I don’t know, Anne, whether
-I’ve done harm or good, but something had to be done, and there’s times
-when harm is better than nothing.”
-
-“Why, Mother Peace!” exclaimed Anne, aghast. “How you talk!”
-
-“It don’t sound pretty, does it?” said the widow; “but I believe it’s a
-fact. Something will happen now, you see if it don’t.”
-
-Something did happen. Manuel, still white and inarticulate with rage,
-met Rachel in the garden, on his way to the house; Rachel in her red
-dress, with scarlet poppies in her hair and hands. She was waiting for
-him, perhaps; certainly, at sight of him, the color and light flashed
-into her face in a way that might have moved a stronger man than Manuel.
-
-“Manuel!” she cried. “What’s the matter? what makes you look so queer?
-are you sick, Manuel?”
-
-“Yes!” cried the man roughly. “I am sick! sick of this place, sick of
-these people. I am going away, back to the west, where a man can live
-without being watched and spied upon and stung by ants and wasps.”
-
-“Going away! Manuel!” the poppies dropped from the girl’s hands, the
-rich color fled from her cheeks. “If you go,” she said simply, “I shall
-die.” Rachel had never learned to govern herself.
-
-Well, after that there was only one way out of it—at least for a man
-like Manuel. Among all these cold, thin-blooded Eastern folk, here was
-one whose blood ran warm and swift and red like his own. No satin lily
-that a man dared not touch, but a bright poppy like those in her hair,
-fit and ready to be gathered. Yet when he passed the white lilies, with
-his arm round the girl, his promised wife—even while he looked down at
-the rapture of her face and thrilled at the thrill in her voice—the
-fragrance of the lilies seemed a tangible thing, like a thorn that
-pierced him.
-
-At the garden door they parted. He had to see to the stock, he said;
-would Rachel tell Grandmother?
-
-Rachel ran into the house, calling Grandmother. There was no answer;
-but listening she heard the sound of the wheel in the big empty chamber
-overhead. She ran up-stairs, still calling. Grandmother was spinning
-wool—she loved to spin—at the great wool-wheel, stepping lightly
-back and forward; but at the first sound of Rachel’s voice below she
-stopped, and put her hand to her heart. She was standing so when the
-girl rushed in, panting and radiant.
-
-“Grandmother! why didn’t you answer? didn’t you hear me?” She never
-waited for an answer but ran on in a torrent of speech. “Grandmother,
-I’ve been hateful to you, and I’m sorry. Do you hear? I’m sorry,
-sorry; I’m so happy now, I mean to be good, good all the time. Do you
-know what’s going to happen, Grandmother? guess! I’ll give you three
-guesses—no, I won’t, I won’t give you one! I must tell you. I am going
-to marry Manuel. Grandmother, are you glad? You are so good, I suppose
-you’ll be glad. I should hate you, I should kill you, if it were you
-who were going to marry Manuel. Do you know”—she caught her breath a
-moment, then laughed on, the laugh rippling through her speech—“do you
-know, Grandmother, I have been jealous of you. I’ve always been jealous
-I guess; first because of Grandfather—poor old Grandfather, what a
-pity he isn’t alive to know!—and then—and lately—oh, Grandmother,
-I didn’t know—I didn’t know but he might care about you. Are you
-laughing? it is funny, isn’t it?” But Grandmother was not laughing.
-
-“I might have known!” the girl went on, “I needn’t have been afraid,
-need I, Grandmother? You aren’t like other folks, you’ve never lived;
-you don’t know what life is, do you, Grandmother? I’d be sorry for you
-if I wasn’t so glad for myself, so glad, so glad! Do you think I’m
-crazy? I want to kiss you, little Grandmother! What’s the matter? did
-my pin scratch you?”
-
-Grandmother had given a cry as the girl flung her arms round her; a
-little low cry, instantly silent.
-
-“Yes—dear,” she said quietly, but with that little flutter in her
-voice that one who loved her might have noticed; “I think it must have
-been the pin. Oh, Rachel,” she said, “I hope you will be so happy, so
-happy! I hope there will never be anything but happiness for you and
-Manuel, my dear.”
-
-Rachel opened her dark eyes wide. “Why, of course there won’t!” she
-said.
-
-“Grandmother’s all right!” she said an hour later, when she had run to
-meet her lover in the dewy orchard, and they were coming home together
-in the sunset light; “she’s all right. She didn’t say much—I don’t
-know as I gave her a chance, Manuel. I had so much to say myself; but
-she was real pleased, and wished me joy. She’s good, Grandmother is. I
-mean never to be hateful to her again if I can help it. How sweet those
-lilies smell, Manuel!”
-
-“Is she happy, do you think?” said Manuel; it seemed to say itself,
-without will of his.
-
-“Who? Grandmother? of course she is! You don’t expect her to cry all
-her life for an old man, do you? She’s as happy as a person can be who
-has never lived. Hush! hear her singing this minute!”
-
-Yes! hear her singing, in the quiet twilight garden where she walks
-alone.
-
- “‘Oh! brother, tell me here
- Why hold that soul so dear?’
- ‘Because, alas! since e’er ’twas born,
- I feel the piercing of its thorn.’”
-
-
-
-
-CHAPTER VI
-
-HOW SHE WENT VISITING
-
-
-IT was after Rachel’s marriage that Grandmother first began to go about
-in the village. Till then she had always kept pretty much within the
-four walls of the Merion garden, and people thought she was proud,
-until they came to know her. But now a restlessness seemed to come
-over her, and she was away from home a good deal. She did not go to
-“circles” and meetings—one would as soon have expected to see a white
-birch walk into the vestry—nor did she make what we loved to call
-“society calls;” but she found out the people who were sick or sad
-or lonely—the Peaces always knew—and she went to them, sometimes
-with Anne to introduce her, oftener alone, making some errand, taking
-a flower, or a pot of jelly or the like. Old Aunt Betsy Taggart was
-living then, the white old woman who had taken to her bed so long ago
-that none of us young folks ever knew why she had done it. Indeed,
-I think Anne and I rather supposed she had always been there—grew
-there, perhaps, like some strange old white flower. She was the most
-independent old soul, Aunt Betsy. It seemed terrible for her to live
-there alone, but it was the only way she would live. Her niece, Hepsy
-Babbage, came in morning and evening, and “did for” the old lady,
-but she was not allowed to stay more than an hour at a time. “My soul
-is my own,” Aunt Betsy used to say, “and I like to be able to call it
-so, my dear!” Hepsy was a great talker, certainly; and Aunt Betsy did
-her own cooking over a lamp that stood on the table by her bed, and
-actually made her own butter in a little churn that Wilbur Babbage made
-for her the winter before he died. (Anne Peace never would let me say
-that Wilbur was talked to death, but she could not prevent her mother’s
-saying so.)
-
-Well, Grandmother and Aunt Betsy took to each other from the first
-moment, and never a week passed that Grandmother did not spend an
-afternoon with the old lady and take tea. Aunt Betsy seemed to know all
-about her at once, which Anne and I never did, though we adored her.
-
-“Come here, child!” she said when she came in with Anne, the first
-time. “I’ve heard of you, and I’m glad to see you. Come and let me have
-a look at you!” She took Grandmother’s hand in hers, and the two looked
-at each other, a long quiet look. “Ah!” said Aunt Betsy at last. “Yes,
-I see. The upper and the nether millstone, my child!”
-
-Grandmother nodded simply; then in a moment she began to talk about the
-flowers she had brought, and how Anne had helped her pick them, and
-what a comfort Anne and her mother were to her.
-
-“Such good neighbors!” she said. “Such dear, good, kind, neighbors!
-This place is so full of good people, Miss Taggart.”
-
-“They call me Aunt Betsy,” said the old lady, “and they call you
-Grandmother, I’m told.”
-
-“Yes,” said Grandmother laughing; “that is my name, isn’t it, Anne?”
-
-Anne says that she had really forgotten that she had ever had any other
-name.
-
-“We shall be friends, you and I!” said Aunt Betsy; “and you will find
-good people wherever you look for them, my dear.”
-
-“Oh, yes, surely!” said Grandmother; and they looked at each other
-again, that quiet understanding look.
-
-I don’t suppose Anne was very much younger than Grandmother, but she
-felt a whole lifetime between them, and worshipped the older girl with
-a very real worship. Grandmother took it sweetly and quietly, as she
-took everything. When Anne brought some offering, the first bride-rose
-from her bush, or a delicate cake, or a sunset-colored jelly in a glass
-bowl, Grandmother would thank her affectionately, and admire the gift,
-and then would say, “But it is too pretty for any well person, my dear.
-Let us take it quickly to little Kitty who is so suffering with her
-measles! or to poor old Mr. Peavy, whose rheumatism is bad this week.”
-
-Anne confessed to me that she sometimes wanted to say, “But I made it
-for you, Grandmother, not for Mr. Peavy!” but I have often thought that
-Anne was in a manner serving an apprenticeship to Grandmother, and
-making ready, all unawares, for the life of love and sacrifice that she
-too was to lead.
-
-Another of Grandmother’s friends was Parker Patton. He was bedridden,
-too—I think we were rather proud of our two stationary (I cannot say
-helpless) people; he had fallen from a haystack—a strong man he was,
-in the prime and pride of life—and injured his spine so that he could
-never walk again.
-
-He was not a pleasant man, most people thought; he had a crabbed,
-knotty disposition, and who can wonder at it? The first time
-Grandmother went to see him he snapped at her, like some strong surly
-old dog.
-
-“Who are you?” he said, bending his bushy eyebrows over his bright dark
-eyes. “Who is it?” to his wife, who was hovering with anxious civility.
-“Gran’ther Merion’s widder? humph! you don’t look like a fool, but no
-more did he. What ye want, hey?”
-
-“Oh, father!” said poor Mrs. Patton. “Don’t talk so! Mis’ Merion’s come
-to visit with you a spell. I’m sure she’s real—”
-
-“Get out!” said Parker. “Get out of the room, d’ye hear?”
-
-The poor timid soul backed out, murmuring some apology to the visitor,
-whom she expected to follow her; but Grandmother stood still, looking
-at him with her quiet sweet eyes.
-
-“You can follow her!” said Parker. “She likes to see company; I don’t!
-I speak plain, and say what I mean.”
-
-“I’ll go very soon!” said Grandmother. “I’d like to stay a few minutes;
-may I?”
-
-“If I’m to be made a show of,” growled the cross old man, “I shall
-charge admission same as any other show. Think it’s worth a quarter to
-see a man with a broken back? If you do you can stay.”
-
-“I haven’t a quarter,” said Grandmother, “but it’s worth something to
-sit down in this comfortable chair. Were you ever at sea, Mr. Patton?”
-
-“Ya-a-ow!” snarled Mr. Patton. It sounded almost as much like “no” as
-“yes,” but Grandmother did not heed it much. She had dropped lightly
-into the chair, and was looking at a picture that hung opposite the
-bed; a colored lithograph of a ship under full sail. The workmanship
-was rough and poor, but the waves were alive, and the ship moved.
-
-“I like that!” said Grandmother softly. “I never saw the sea, but I
-knew a sailor once.” She began to sing very softly, hardly above her
-breath.
-
- “There were two gallant ships
- Put out to sea.
- Sing high, sing low, and so sailed we.
- The one was Prince of Luther and the other Prince of Wales;
- Sailing down along the coast of the high Barbarie;
- Sailing down along the coast of the high Barbarie.”
-
-“Who taught you that?” growled Parker Patton.
-
-“A sailor; his name was Neddard, Neddard Prowst. He came—” The sick
-man started up on his elbows.
-
-“Neddard Prowst! he was a shipmate of mine; we sailed together three
-years, and if I hadn’t come ashore like a grass-fool we might be
-sailing yet. Where did you see Neddard, young woman?”
-
-“In the mountains. He came ashore; he thought he would like mining, but
-he didn’t. He was always longing for the sea.”
-
-“Ah! I’ll lay my cargo he was. All seamen have their foolish times. I
-thought I was tired of the sea; all I wanted in the world was to lay
-under a tree and eat apples, day after day. Well—here I lay, and serve
-me right. What about Neddard, young woman?”
-
-“He was very good to me,” she said. “He liked me to sit with him when
-he was sick; he died a little before I came here. He taught me all the
-songs. Do you remember, now, this one?
-
- “Hilo, heylo,
- Tom was a merry boy,
- Hilo, heylo,
- Run before the wind!
- Heave to, my jolly Jacky,
- Pipe all for grog and baccy,
- Hilo, heylo,
- Run before the wind!”
-
-“Ay! many’s the time! did he learn you ‘Madagascar’? hey, what?”
-Grandmother, for all reply, sang again:
-
- “Up anchor, ’bout ship, and off to Madagascar!
- Cheerily, oh, cheerily, you hear the boat-swain call.
- Don’t you ship a Portagee, nor don’t you ship a Lascar,
- Nor don’t you ship a Chinaman, the worst of them all!
-
- “Up foresail, out jib, and off to Madagascar,
- Call to Mother Carey for to keep her chicks at home.
- Ship me next to Martinique, or ship me to Alaska,
- But Polly’s got my heart at anchor, ne’er to roam.”
-
-By and by when poor Mrs. Patton ventured to put her timid head inside
-the door, she kept it there, too astonished to move.
-
-Parker lay back on his pillows with a look such as she had not seen for
-many a long day. His thin hands were beating time on the coverlet, and
-he and Grandmother were singing together:
-
- “Silver and gold in the Lowlands, Lowlands,
- Silver and gold in the Lowlands low;
- On the quay so shady
- I met a pretty lady,
- She stole away my heart in the Lowlands low.
-
- “Di’monds and pearls in the Lowlands, Lowlands,
- Di’monds and pearls in the Lowlands low;
- Daddy was a tailor,
- But I will die a sailor,
- And bury me my heart in the Low lands low!”
-
-When the song was finished the old sailor looked up and saw his wife
-gaping in the doorway.
-
-“Great bobstays! ‘Liza,” he said, “Ain’t you got a drop of cider for
-Mis’ Merion to wet her throat with? You’d let her sing herself dry as
-pop-corn, I believe, and never stir a finger.”
-
-“Oh, _Mr._ Patton!” said the poor woman, and went to fetch the cider, a
-great content shining in her face. It was a good day when her husband
-said “Great bobstays!”
-
-Meantime Grandmother was not much missed at the Farm. Manuel indeed
-seemed more at ease when she was not there; he did not look at her much
-in these days, nor speak to her except when need was. She never seemed
-to notice, but was quiet and cheerful as she always had been.
-
-As for Rachel, she saw nothing, heard nothing, but Manuel. She seemed
-all day in a kind of breathless dream of joy. But she meant to be good
-to Grandmother. She was glad that Grandmother had given up her room
-to them, and taken the little back one; she gloried in sitting at the
-head of the table once more, and ruling all like a queen. Manuel said
-she was a queen; “Queen Poppy” he used to call her; and Rachel thought
-it quite true; if only she had had the luck to be born a princess, and
-Manuel a prince! Yes, she meant to be good to Grandmother.
-
-“Why, Grandmother,” she said one day at table, “your hair is beginning
-to turn! Look, Manuel! see the white hairs!”
-
-Manuel looked, and his face darkened, but he said nothing.
-
-“I declare,” said Rachel, “that’s queer enough. I’d like to know what
-care you have, Grandmother, to turn your hair gray. I expect it’s not
-having any that’s done it.”
-
-“Yes, Rachel,” said Grandmother; “perhaps that is it.”
-
-
-
-
-CHAPTER VII
-
-HOW THE LIGHT CAME TO HER
-
-
-ALL this was before the child came. With the coming of that little
-creature the world changed once more for Grandmother. It was in the
-early autumn; the cardinal flowers were past, but the St.-John’s-wort
-was in its bloom of tarnished gold, and the fringed gentian, too, was
-beginning to open its blue eyes. Anne Peace remembered this, because
-she had just been out gathering gentians, and was coming home with her
-hands full of the lovely things, when she saw her mother come to the
-door of Merion House and wave a white apron. Anne dropped the flowers.
-“Oh! Rachel!” she said; and came running over. The white apron meant
-that it was a girl; if it were a boy the blue tablecloth was to be
-waved.
-
-“Doing well!” said Mother Peace. “Grandmother has the baby in the back
-chamber; you can see it, if you like, Anne, only go quiet.”
-
-As if Anne were ever anything but quiet! Noiselessly she sped up the
-back stairs, and opened the door of the little bedchamber. There she
-saw—Madonna!
-
-Grandmother was sitting in a low rocking-chair, with the baby in her
-arms, bending over it with eyes of worship.
-
-“Hush, Annie!” she said softly. “Come and see a piece of heaven!”
-
-Anne thought the heaven was in Grandmother’s face; she never saw, she
-said, such an angel look. She came nearer, and looked at the tiny
-creature nestling in its blankets. One little pink fist was waving
-feebly. Grandmother lifted it and laid it against her cheek.
-
-“Little velvet rose-leaf!” she murmured. “Look, Anne! see the
-perfectness of this! The little pink pearls of nails, the tiny precious
-thumbkin. Oh, wonderful, wonderful! How good God is, to let us begin in
-this heavenly way. How can we ever be anything but good and lovely,
-when we begin like this?”
-
-“Some of us can’t,” said little Anne shyly. “She is a darling,
-Grandmother. Has Rachel seen her?”
-
-A shade passed over Grandmother’s rapt face. “Not yet!” she said. “She
-ought to. If you see your mother, Anne, you might tell her that baby
-is washed and dressed. Darling, your gown should be made of white
-rose-leaves, shouldn’t it? and you the little blush-rose heart? Oh,
-little piece of heaven, how could they let you go?”
-
-Anne stole away; looking back at the door, she saw that Grandmother had
-forgotten her and all the world except the child; again it seemed Mary
-that she was looking at; Mary in adoration, as she had seen her in an
-old engraving.
-
-[Illustration: “GRANDMOTHER HAD FORGOTTEN ALL THE WORLD EXCEPT THE
-CHILD.”]
-
-With the awe and wonder of this still on her, she crept along the
-passage, past the door of Rachel’s room, which stood ajar. A fretful
-voice was speaking. “No, I don’t want to see it. I never wanted any
-at all, but if I had to have one I wanted a boy; I don’t want a girl.
-I won’t bother with it. It’s hard enough to have to be one, and go
-through what I’ve been through—and then to have a girl! it ain’t fair;
-it’s real mean!” An angry sob followed, and Mother Peace’s calm voice
-was heard.
-
-“You want to be quiet now, Rachel, and try to get a nap. You’ll feel
-different when you’ve seen your baby. Shut your eyes now and mebbe
-you’ll drop off, while I go and get you some gruel.”
-
-“I hate gruel!” said Rachel; “I won’t touch it, Mis’ Peace, I tell you!”
-
-Mother Peace came out quietly and drew the door to. Seeing Anne she
-nodded, and beckoned her to follow down-stairs, but did not speak till
-she had gained the kitchen.
-
-“Anne,” she said. “You needn’t tell me. There’s mistakes made up yonder
-sometimes same as other places; maybe some of the angels is young and
-careless. But that baby’ll soon find out who its real mother is, you
-see if it don’t.”
-
-“Why, Mother Peace,” said Anne, “how you talk!”
-
-“Some one has to talk!” said her mother kindly. “You are little better
-than a dumb image, Anne, when a person wants to free her mind. You
-might stir this gruel if you’ve a mind to, while I go up and take a
-look at those two lambs, and I don’t mean Rachel Merion by neither one
-of ‘em.”
-
-Strange and terrible as it seems, Rachel did not grow fond of her baby.
-She had made up her mouth, she said, for a boy; she had never liked
-girl babies, and she wasn’t going to pretend that she did.
-
-“You needn’t look like that, Grandmother, as if you expected the sky to
-fall on me. I’m one that isn’t afraid to say what I think, and I think
-it’s real mean, so now, and I never shall think anything else.”
-
-Manuel too was greatly disappointed. Rachel had been so absolutely
-sure, that he too had counted on the promised boy, feeling somehow
-that she must know. They had named the child—Orlando Harold was to be
-his name. He was to have Manuel’s eyes and Rachel’s hair, and was to
-be President or Major-General; this was the only point that was not
-settled. And now—still Manuel felt a stirring at his heart, when he
-saw the little fair creature in Grandmother’s arms. “After all, there
-have to be girls!” he said.
-
-“I didn’t have to have one,” said Rachel, flouncing away from him.
-
-Mother Peace, while she nursed Rachel faithfully and sturdily, grew
-more and more rigid with indignation.
-
-“Take this broth!” she would say. “Yes, you will; take every sup of it;
-there! If ’twasn’t for my living duty I’d put whole peppercorns into
-it, Rachel Merion. Such actions! what the Lord was thinking of I don’t
-know.” For Rachel was not nursing the baby; said she could not, she
-should die.
-
-“I want a free foot,” she said; “and they do just as well on a bottle,
-Mis’ Peace.”
-
-“They do not!” said Mrs. Peace. “I’ll trouble you not to teach me to
-suck eggs, Rachel. Now you are going to take a nap, and much good may
-it do you!”
-
-“I’m not!” said Rachel.
-
-“You are!” said Mrs. Peace, and drew down the shades and went out
-closing the door after her.
-
-Mrs. Peace’s indignation even extended to Grandmother. “I believe she
-don’t care, either!” she said. “Grandmother, I really believe you don’t
-care that Rachel is a heathen and a publican, and had ought to be
-slapped instead of fed and cockered up.”
-
-Grandmother looked up with a face so radiant, it seemed to startle the
-whole room into sudden light.
-
-“Oh, but she will!” she said. “She will care, dear Mrs. Peace. She
-can’t possibly help it, you know, when she comes to get about and hold
-the little darling angel, and feel its little blessedness all warm in
-her arms. She can’t help it then, my Precious Precious, can she? Oh,
-Mrs. Peace, she is smiling. Anne, Anne, come quick, she is smiling.”
-
-“Wind!” said Mrs. Peace calmly.
-
-Grandmother flushed and looked almost angry. “How can you, Mrs. Peace?”
-she said. “But I know better, I know! I almost heard them whisper; I
-almost heard the rustle—”
-
-“What rustle?” asked Anne under her breath.
-
-But Grandmother only smiled down at baby. “Rachel says I may name her!”
-she said. “Isn’t that kind of her?”
-
-Mrs. Peace sniffed.
-
-“What shall you call her?” asked Anne.
-
-“Faith!” said Grandmother. “Sweet little Faith, God bless her! and God
-bless us, and give us wisdom to rear His heavenly flower fit for His
-garden.”
-
-Anne and I always said that the most beautiful sight we had ever seen
-was Baby Faith’s christening. It was in October, a bright glorious
-day. Grandmother hung great branches of maple everywhere, making the
-sitting-room a royal chamber with scarlet and gold. Rachel had come
-down for the first time and was on the sofa in a scarlet wrapper, and
-Grandmother had crowned her with golden leaves, and told her she was
-the queen, and had come to the christening feast of the princess.
-Rachel was all ready to be crowned and petted. She kept Manuel close
-by her side, or sent him now and then on some little errand across the
-room, never further—and snatched him back again jealously. She did not
-want him even to look at the baby, though she liked well enough now to
-look at it herself, had even grown a little vain of it because people
-admired it so.
-
-“I think it’s real good of me to let you name her, Grandmother!” she
-said jealously. “And giving her such a mean, poor-sounding name too:
-so old-fashioned. Ruby Emerald is the name I should have picked out,
-and after all she’s my baby and not yours; but I’m not going back on
-what I said. I never would do that, though if I was in your place I
-shouldn’t want she should have a name her own mother despised.”
-
-I don’t think Grandmother always listened to Rachel; she certainly did
-not seem to hear her now, for now the minister came in, dear old Parson
-Truegood. He stopped a moment in the doorway, looking at Grandmother,
-standing there in her white dress with the baby in her arms. I think
-the same thought was in his mind that had come to Anne—the thought of
-Mary and the Child—for he bowed his head as if in prayer, just for a
-minute. Then he came in, with his cheery smile, and had just the right
-word for Rachel and Manuel, and all the time it was at the other two he
-looked.
-
-Little Faith was one of those babies that are beautiful from the very
-first. Some people will tell you there are none such, but do not
-believe them. Even the first day there was no mottled depth of redness,
-only a kind of velvet rose color. That soon faded away and left the
-white rose instead that Grandmother always called her. She was not
-pasty white, nor waxen white; it was a clear rosy whiteness; you see, I
-have only the same word to say over again. White Rose; that is what she
-was. And every little feature perfect, as if carved with a fairy-fine
-tool; and her eyes like stars in blue water. Except Grandmother
-herself, she was the most beautiful thing I ever saw.
-
-She was asleep when the service began; but when the water touched her
-forehead she woke, and looked up and smiled, a heavenly smile.
-
-Grandmother looked up too, as if she saw some one, or thought to see;
-and I saw a listening look come over her face, as if she heard some
-sound, or hoped to hear. And when, a moment later, she knelt down to
-pray, she moved her dress a little aside, as if making room for some
-one. Anne knew what it meant. Grandmother had told her. “I believe,”
-she said, “that a baby’s angel stays by till after it is christened. I
-can’t tell you just how I know, but I hear—sometimes—I hear sounds
-that aren’t this-world sounds. And some one speaks to me—without
-words, yet I understand—oh, yes, I understand.”
-
-It was a pretty fancy; she was full of pretty fancies, many of them
-coming, I suppose, from her lonely childhood.
-
-And so Baby Faith was christened, and became the light of Grandmother’s
-life.
-
-
-
-
-CHAPTER VIII
-
-HOW HER HAIR TURNED WHITE
-
-
-NOW followed the golden time of Grandmother’s life. I hardly know how
-to describe the change that came over her with the coming of little
-Faith. She seemed to grow taller, straighter, fuller. The windflower
-was gone, and instead there was a tall white lily, growing firm and
-strong, sending its roots deep down, spreading its broad green leaves
-and silver petals abroad to the sun.
-
-She took all the care of the baby. Rachel was not strong, and could not
-bear to lose sleep, and Grandmother joyfully declared that she slept
-the better for having the cradle beside her bed. Rachel slept late,
-and Grandmother would take Baby down and tuck her up in Grandfather’s
-great chair while she got breakfast for Manuel and herself, and then
-made ready the pretty tray for Rachel. Then out she would run into the
-garden with the child in her arms, to get the morning dew.
-
- “The morning dew to make you fair,
- The morning sun to curl your hair;
- The birds to sing to you,
- Fly to you, bring to you
- Everything sweet from everywhere.”
-
-We realized now that many of Grandmother’s little songs were her own;
-we could see them making; they came bubbling up like bird-songs, and
-she would try one word and another, one note and another, till all was
-to her mind.
-
-“How do you do it, Grandmother?” Anne Peace would say. And Grandmother
-would laugh and say, “I don’t, Anne. There isn’t any making about it;
-they just come.”
-
-She never used to laugh, except with the children, but now she was full
-of laughter and singing. How could she help it? she would say. Who
-could help singing with a baby in the house, and such a baby as Faith?
-
-The children were inclined to be jealous at first, all except
-“Saturday Nelly,” as they called the little lame girl. She simply
-fell down and worshipped with Grandmother. The others—well, it seemed
-strange to some of them, especially the boys, to have such a fuss
-made over a baby. They had babies at home, that looked (they thought
-in their ignorance) very like this one; but no one ever called them
-rose-leaf princesses or lily-bell angels. To be sure, they often
-cried—squalled, the boys called it—and this one never seemed to, just
-smiled and cooed.
-
-“Why should she cry,” said Grandmother, “when she is well and happy?
-If she cries, children, it is our fault, and we must be whipped round
-the garden with bramble whips all over thorns. So dance now, and make
-her laugh!” Then they all would dance, and Baby Faith would leap in
-Grandmother’s arms, and crow, and wave her little arms.
-
-“Where did she come from?” asked a little girl.
-
-“Oh, I was just singing about that before you came,” said Grandmother.
-“Listen now, and you shall hear.
-
- “Down from the sky came
- Little White Rose;
- How they could spare her
- Nobody knows.
- Through the gate slipping,
- Down the air tripping,
- What she could tell us,
- If she but chose!
-
- Down to the earth came
- Little White Rose,
- Sadly the gold gates
- After her close;
- Left them all sighing,
- Sobbing and crying;
- Will they come after her,
- Do you suppose?”
-
-“Will who come?” asked Benny Mack.
-
-“Angels!” said Grandmother. “Troops of them, all shining with great
-white wings spread, and white lily-dresses; look up there, Benny! what
-do you see in the blue?”
-
-“Clouds!” said Benny.
-
-“Yes,” said Grandmother. “But I see something else, Benny; a
-white-lily lady sitting in a cloudy chair. Don’t you see her, Nelly?
-Stay up there, lily-lady; don’t come down here! Baby Faith is very
-well, you cannot have her back.”
-
-“Do you know, children,” she said, lowering her voice, “do you know all
-the things that happened the day Baby came? You don’t? come and sit
-round here, all of you! Nelly-Nell, you shall—oh, Nelly, you are so
-good and dear and patient, you shall hold her a little, while I tell.
-Listen now!
-
- “The lily-bells rang at the sight of her,
- The sunflower turned to the light of her,
- The little black mole
- Crept out of his hole,
- Just to peep at the darling delight of her.
-
- “The daisies all danced ’neath the feet of her,
- The roses turned faint at the sweet of her;
- The firefly’s spark
- Came and lit up the dark,
- Just to show us the picture complete of her!”
-
-Two years; two golden, beautiful, heavenly years. Then—it will not be
-easy to tell this part, yet it must be told.
-
-Anne Peace thinks I am hard upon Rachel; her mother used to think I was
-just the reverse. She always seemed to me the one wholly selfish person
-I ever knew. She loved Manuel passionately; but so jealously that she
-did not even like to see him caress the baby, but would call him to her
-side, or make some excuse to give the child to Grandmother. And yet
-she was so jealous of Grandmother too! I do not think she ever cared
-much for the baby, yet she would have fits of jealous rage now and then.
-
-“I’d like to know whose baby that is, Grandmother!” she would say.
-Grandmother would look up with the rapt smile she always wore when
-little Faith was in her arms.
-
-“Whose baby? why, Rachel, don’t you know? White Rose, look at mother!
-throw a kiss to mother!”
-
-“I don’t know as I do!” Rachel would go on. “I thought ’twas mine; I
-didn’t know as you’d had one, Grandmother, but maybe I was mistaken;
-maybe I just thought I had a baby, and she was yours all along.”
-
-Then suddenly stamping her foot, she would flash out in the old way.
-
-“I want you should understand that that child belongs to me and Manuel,
-and to no one else. I won’t have my own child taken away from me; I
-tell you I won’t! Give me my baby this minute!” And she would snatch
-the child from Grandmother’s arms. Of course then the poor little thing
-would begin to cry, frightened by her wild looks and angry voice, and
-this only enraged Rachel more. “You’ve turned her against me!” she
-shrieked. “You’ve stole her away from me, you wicked, wicked—” here
-she would break into a passion of furious sobs; and Grandmother would
-take the baby out of her arms and go away without a word, leaving her
-to storm and rave till Manuel came in to pet and caress her into good
-humor again.
-
-But again, it would be Manuel at whom she would storm, accusing him of
-abetting Grandmother in her designs upon the baby; or still again, if
-she had her wish of the moment, and the baby was left with her for a
-few minutes, she would find herself ill-used and neglected, and left
-with all the care of the child on her hands. Well! poor Rachel!
-
-One day—it was a bright fair day, like any other summer day—Manuel
-had promised to take Rachel for a drive. “We might take Faith!” he
-said; he had grown very fond of the little one since she began to talk.
-
-“I don’t know as I want to!” said Rachel, who was in a bad mood. “I’d
-like to have a chance to talk to you once in awhile myself, Manuel.”
-
-“I’ll take Baby out in her carriage,” said Grandmother happily. “We’ll
-go to the woods, won’t we, White Rose?”
-
-That was enough. “No, you won’t!” said Rachel. “If she’s going out she
-can come with us. You put on her things, Grandmother, while I get mine.”
-
-Grandmother carried little Faith out to the wagon, and put her into her
-mother’s arms, and waited to see them start. It was surely a pretty
-sight, Anne Peace said; she was watching from her window. Rachel had a
-gipsy hat full of scarlet poppies tied with scarlet ribbons under her
-chin. Manuel was bare-headed, his crisp black curls framing his brown
-handsome face; and between the two dark beauties the little White Rose
-with her silver curls and apple-blossom face. She was dancing up and
-down on Rachel’s lap, clapping her hands at the horse. A little piece
-of quicksilver she was.
-
-“Hold her tight, won’t you, Rachel?” said Grandmother; “she does jump
-about so, bless her!”
-
-“I guess I know how to hold my own child!” said Rachel.
-
-So—they started, and Grandmother waved good-bye, and then went back
-to the house with a still look; peaceful and serene, but the radiant
-light gone out of her face.
-
-No one was ever to see that light again.
-
-They were gone about an hour. Grandmother was in the garden watching
-for them, when they came back. It did not need her eyes to see that
-something was terribly, terribly wrong. Manuel was driving furiously,
-lashing the horse, who galloped his best. Rachel was in a heap on the
-floor of the wagon moaning and crying; what was that little white drift
-on her knees, with the red stain creeping—
-
-No! no! I cannot tell that part.
-
-Next moment Grandmother had the child in her arms. She towered like an
-avenging angel over the wretched parents, who cowered at her feet.
-
-“She isn’t dead!” shrieked Rachel. “Grandmother, Grandmother, say she
-isn’t dead. She’s only stunned a little, I tell you. She—lost her
-balance—”
-
-But Manuel cried out hoarsely: “No lies now! we were quarrelling, and
-we forgot her. She sprang out—” he choked, and no more words came.
-
-“_Only one hour!_” said Grandmother. Three words; her terrible eyes
-said the rest.
-
-Grandmother fought for the child’s life, silently, desperately. The
-doctor came, a kind, quiet man, and they worked together. He said a few
-cheering words; but meeting Mrs. Peace’s eyes, he shook his head sadly.
-
-It lasted an hour or more; the spirit nestled wonderingly in the little
-broken body, lately all light and strength and answering joy. The sweet
-eyes opened once or twice, seeking the face that had been their sun. It
-was there, bending close; it smiled, and White Rose smiled back. The
-last time, the baby arms moved, fluttered up toward Grandmother, then
-dropped; the eyes closed.
-
-Presently the doctor rose and went out, with bowed head; he was a
-father of children. The elder woman, weeping silently, went to the
-window and opened it wide; and the sunset light, rosy and clear,
-streamed in on Grandmother, sitting motionless, with the dead child in
-her arms.
-
-
-
-
-CHAPTER IX
-
-HOW SHE FOUND PEACE
-
-
-NEXT day her hair was quite white, as if it had been snowed on in the
-night. But she was herself again, and went quietly about the house,
-doing all that had to be done, and waiting on Rachel, who lay moaning
-and crying in her darkened room, exhausted after a night of hysterical
-passion. Grandmother brought the breakfast tray, and bathed her face
-and hands and brushed her hair, in silence; she seemed unconscious of
-her sobs and tears.
-
-“I think you might say something, Grandmother!” Rachel whimpered.
-“It’s dreadful enough, without your going about looking like a stone
-image. It isn’t your baby that—oh, dear! and just as I was getting so
-fond of her. She was just getting to the interesting age. Oh, it’s too
-awful; isn’t it, Grandmother?”
-
-Grandmother did not heed her, but went on brushing the heavy black hair
-mechanically.
-
-“I know you were fond of her,” said Rachel, “and I sha’n’t say a word
-about your keeping her away from me so much. But of course you can’t
-pretend to feel what I do, Grandmother. You’ve never had a child, you
-don’t know what a mother feels. You’ve never had anything to feel,
-really, all your life. Oh, dear! oh, dear! and Manuel takes it so hard;
-I’m sure I don’t know what is going to become of us. Grandmother, if
-you are going to be like a wooden stick, I wish you’d go away and send
-Manuel to me.”
-
-Grandmother went without a word. At the door she met the kind old
-minister, the same who christened Baby Faith—ah, how long ago? She
-led him aside to the hall window, and with one hand on his arm pointed
-upward with the other.
-
-“He let it happen. He sent the little life, and then let it be crushed
-out like the life of a fly or a worm. Why?”
-
-Her eyes looked through and through him, but the wise old eyes looked
-back steadily and kindly.
-
-“Daughter,” he said. “His great laws are not made to be broken. When
-we transgress them, it is ourselves we break, against their divine and
-unchangeable order.”
-
-Grandmother’s head dropped on her bosom. “I see!” she said.
-
-She stood there quietly for awhile after he had gone in to see Rachel;
-then she went to find Manuel.
-
-Manuel was sitting in the kitchen, his head in his hands, staring
-moodily before him. He looked up as Grandmother came in, looked at her
-with haggard eyes, then dropped his head again.
-
-“Go away!” he said hoarsely. “Go away, you white thing! What have you
-to do with murderers?”
-
-“I never saw one,” said Grandmother simply. “Poor Manuel, come out into
-the garden. It isn’t good for you to sit here and brood.”
-
-“One place is as good as another,” said Manuel. “Leave me alone in the
-hell we have made, she and I.”
-
-Grandmother did not speak for a time; then she said, “Manuel, God’s
-will must be done in hell as much as anywhere else.”
-
-“God!” said Manuel; and he laughed, an ugly laugh. “Do you still
-believe in God after yesterday?”
-
-“Oh, so much more!” said Grandmother; and she added softly as if she
-were saying over a lesson that she had learned by heart, “His great
-laws may not be broken. When we transgress them, it is ourselves we
-break—Come, Manuel, come out into the sunshine.”
-
-She spoke as to a child, and like a child he obeyed, and followed her
-out into the blossoming garden, all life and color and fragrance. As
-the glory shone upon him, the young man staggered on the threshold and
-uttered a groan; then he glanced at Grandmother. “Your hair is as white
-as snow!” he said.
-
-“Is it?” said Grandmother. “It doesn’t matter. We must gather flowers,
-all the brightest flowers, Manuel, for Little One. She liked the gay
-ones best, and there is nothing else to do—now.”
-
-She moved away slowly, among her flowers; she had grown heavy-footed
-since yesterday; and the man followed her with hanging head.
-
- * * * * *
-
-The thing that was between them, instead of drawing Rachel and her
-husband together, seemed to turn them against each other. There were
-bitter words, words that pierced and stung like poisoned arrows; and
-every quarrel left Rachel more hysterical, Manuel more gloomy and
-silent, brooding over that sweet past that had been flung into the dust.
-
-Grandmother would come out of her dream and try hard to make peace,
-and she could always quiet Manuel, but that often exasperated Rachel
-the more. When the bitter tongue was turned against her she did not
-seem to hear, but lapsed again into the listless half-dreaming state
-in which she lived now, moving softly, doing with exquisite care
-everything that was to be done, but seeming little conscious of what
-was going on around her.
-
-Then came the day when Rachel rushed wild-eyed into her room, as she
-sat sewing by the empty cradle.
-
-“Grandmother,” she cried; “something is the matter with Manuel.
-He’s—sick; he won’t speak to me. Go and see what is the matter, quick!”
-
-Grandmother went into the kitchen. Manuel was sitting by the table
-as he was that other day, his head in his hands. He looked up and
-smiled at her, a dull, foolish smile. “Grandmother,” he said thickly,
-“I’m glad—see you. I sent the other one away. She’s no good; I’ve
-had enough of her. No good! but you, Grandmother—you weren’t always
-Grandmother; what’s your other name? I know—Pitia! give me a kiss,
-Pitia! I always liked you best, you know.”
-
-He rose and staggered toward her. She recoiled, her arms stretched out,
-her face alight with anguish. “Don’t come a step nearer!” she cried.
-“Manuel—not a step!”
-
-He stopped and stared at her stupidly. Suddenly, swiftly, her face
-changed, softened into pity and tenderness “Poor Manuel!” she said.
-“Poor boy! come out into the air; come with me!” Again the quiet hand
-rested on his arm, compelling him, again he stumbled out into the good
-clear blessed sunshine. Poor Manuel!
-
-Grandmother brought water and bathed his aching head, and made him lie
-down under the great russet-apple tree where the shade was thick and
-cool, and bade him sleep till the headache was over. Then she came back
-to Rachel, who watched half-jealous, half-terrified, from the hall
-window.
-
-What need to dwell on the time that followed? Manuel had found the
-thing that—for the moment—deadened the pain at his heart and dulled
-his ears to Rachel’s reproaches and complaints.
-
-Some latent poison in the blood—who can read these mysteries?—made
-the drink a fire that consumed him. He wasted away, and hugged his
-destroyer ever closer to him. Grandmother battled for his life, as she
-had for that other sweet life which was the light of her own; Rachel
-looked on terrified and helpless.
-
-Then came the winter night when he fell down senseless by the garden
-gate and lay there all night, while the women watched and waited in the
-house. It was Grandmother who found him. She had persuaded Rachel to
-lie down, and then thrown a cloak over her wrapper and crept out in the
-gray iron-bound dawn to look down the road for one who might be coming
-stumbling along, and might need help to gain the house; and she saw the
-frozen face glimmering up from the snow-bank where he lay.
-
-There was one cry; a long low cry that shivered through the still
-frosty air; but no one heard.
-
-How could she carry him in? We never knew; she never spoke of it;
-but no one else saw him till he was laid decently in his bed and the
-staring eyes closed. Then she called his wife.
-
-The doctor came again, and good Mrs. Peace, and all was done that might
-be; but it was a bitter night, and all was over, as Grandmother knew at
-the first sight of that glimmering face. Poor Manuel! A fire of straw,
-as Mother Peace said.
-
-It was after this that Grandmother had the long illness; when she lay
-for weeks speechless and motionless, with barely strength enough to
-move her little finger for “Yes” or “No” when we asked her a question.
-I helped Mrs. Peace and Anne with the nursing. Rachel had gone away
-to her mother’s people. Sometimes, indeed many times, we thought she
-was gone; she lay so still; and we could not catch even the slightest
-flutter of breath. I remember those nights so well; one moonlight night
-in particular. We knew how she loved the moonlight, and opened the
-shutters wide. It was a cold still night, the snow silver white under
-the moon. The light poured in full and strong on the bed where she lay
-like an ivory statue, and turned the ivory to silver. I thought she
-was dying then, and thought what a beautiful way to die, the heavenly
-spirit mounting along the moon-path, leaving that perfect image there
-at rest.
-
-[Illustration: “SHE LAY LIKE AN IVORY STATUE.”]
-
-That was in February. April found her still lying there, just
-breathing, no more. The doctor gave a little hope, now; she might slip
-away any time, he said, but still it had lasted so long, there must be
-a reserve of strength; it was possible that she might come through it.
-
-One bright warm April day we had opened the windows, and the air came
-in sweet and fresh, and the robins were singing loud and merry in the
-budding apple-trees.
-
-Suddenly from the road outside came a child’s laugh; sweet and clear it
-rang out like a silver bell, and at the sound the ivory figure in the
-bed moved. A slight shiver rippled through it from head to foot. The
-eyes opened and looked at us, clear and calm.
-
-Dear Anne Peace knelt down beside the bed and took the slender
-transparent hands in hers, the tears running down her face.
-“Grandmother,” she said, “you are going to get well now—for the
-children! Spring has come, Grandmother dear, and the children need you!”
-
-She did get well. Slowly but surely life and strength returned; by
-June she was in the garden again with the children around her. Not
-the same, not the light-foot girl who frolicked and ran with the other
-children, but as you all remember her; serene, clear-eyed, cheerful,
-full of wisdom, grace, tenderness. Grandmother! who in this village
-does not remember her? To you young people she seemed an old woman,
-with her snow-white hair and ivory face, drawn into deep patient lines.
-She was not fifty when she died.
-
-During the twenty years she had yet to live, what a benediction her
-days were to old and young!
-
-People came to her with their joys and their sorrows. Strangers came,
-from outlying places, and brought their troubles to her; they had
-heard, no one knows how, that she had power and wisdom beyond that
-of other women. I met one of these strangers once. I was going in to
-see Grandmother, and I met a lady coming away; a handsome lady, richly
-dressed. She had been weeping, but her face was full of light.
-
-She looked at me. “Young woman,” she said, “do you live near here?”
-
-“Yes, madam,” I said; “close by, in that brown cottage.”
-
-“Yours is a high privilege,” she said, “to dwell so near to heaven.”
-
-She looked back to the house and kissed her hand to it; then beckoned,
-and a fine carriage came up and she drove away. I never knew who she
-was.
-
-I found Grandmother sitting quietly with her knitting, by the empty
-cradle.
-
-“What did you say to that lady, Grandmother?” I asked, though I knew
-next moment I should not have done it.
-
-“I told her an old lesson, my dear,” said Grandmother; “a lesson I
-learned long ago.”
-
-Once it was Saturday Nelly who came; Nelly, now grown a woman—if it
-could be called growing.
-
-“Grandmother,” she said, “look at me, and tell me what you see.”
-
-Grandmother looked into the pale drawn face with its strange eyes.
-
-“Nelly dear,” she said, “I see a face that I love, a face full of truth
-and goodness.”
-
-“You see a monster!” said the poor girl. She made a passionate gesture
-toward a mirror that hung opposite them; indeed, the glass showed a
-strange contrast.
-
-“Look!” she said. “Look, Grandmother, and tell me! When one is shut up
-in a prison like that, full of pain and horror—hasn’t one a right to
-get out if one can?”
-
-Seeing the wonder in Grandmother’s face she hurried on. “Father’s dead;
-poor father! I would not let myself think of it while he was living.
-He is dead, and there is no one else—except you, Angel, and you would
-understand, wouldn’t you? If I put this thing to sleep”—she struck her
-heart fiercely—“and slipped out of prison—Grandmother, what harm
-would it do? what harm _could_ it do?”
-
-“Nelly! Nelly dear,” said Grandmother, “you couldn’t—could you—go
-with your lesson half-learned? Such a strange, wonderful lesson,
-Nelly, and you have been learning so well. To go there, and when they
-asked you, have to say ‘I didn’t finish, I left it half-done, because
-I didn’t like it;’ _could_ you do that, do you think, Nelly dear?
-because—it wouldn’t be ready at the other end either, don’t you see,
-darling? It wouldn’t fit in. You haven’t thought of that, have you,
-Nelly?”
-
-Nelly hid her face in her hands, and there was a long silence.
-Presently she spoke, low and trembling.
-
-“Grandmother—suppose there wasn’t any other end! Suppose I couldn’t
-see—suppose I didn’t believe there was—anything more—when this
-hateful thing”—she plucked at her poor twisted body as if she would
-have torn it—“is buried out of sight with the other worms! what then?”
-
-“Oh, Nelly!” said Grandmother softly. “Nelly dear! if it were so; if
-this were the only lesson, mustn’t we try all the harder to learn it
-well? if this should be our only chance to help and love and tend and
-cheer, would we give up one minute of the time? Oh, no! Nelly, no!
-Think a little, my dear! think a little!”
-
-We all remember Saturday Nelly, in the little shop that Grandmother
-set up for her, selling sweeties to the children, selling thread and
-needles and tape, tending her birds and flowers, the cheeriest, gayest
-little soul in the village. Her shop was a kind of centre of merry
-innocent chatter for young and old; it was full from morning to night.
-We never thought much about Nelly’s looks except when we spoke of
-Grandmother; then her face grew beautiful.
-
-I think the children loved Grandmother better even than in her
-girl-days.
-
-The Saturday feasts were quieter, but still full of light and joy, and
-the stories—well, they were like no other stories that ever were told.
-
- “And oh! the words that fell from her mouth,
- Were words of wisdom and of truth.”
-
-So she lived, blessing and blessed, twenty more heavenly years; and so,
-when God called her, she died. We found her one morning sitting by the
-little cradle, her head resting on it, and a white rose in her quiet
-hand. When we raised her face and looked at it, there was no need to
-ask whither the spirit had gone.
-
- * * * * *
-
-And Rachel? A year after Manuel died, she married a man from a
-neighboring village, a masterful man who broke her over his knee like a
-willow switch, and whom she adored for the rest of her life. She bore
-him sons and daughters, and grew—comparatively—cheerful and placid.
-
-She came to see Grandmother now and then, and marvelled at her.
-
-“How you do age, Grandmother!” she would say. “And you without a care
-in the world. I wonder what would have happened if you had really
-lived, as I have!”
-
-
- THE END.
-
-
-
-
-
-End of the Project Gutenberg EBook of Grandmother, by Laura E. Richards
-
-*** END OF THIS PROJECT GUTENBERG EBOOK GRANDMOTHER ***
-
-***** This file should be named 51701-0.txt or 51701-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/1/7/0/51701/
-
-Produced by Giovanni Fini, Suzanne Shell and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive/American Libraries.)
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-