diff options
| author | nfenwick <nfenwick@pglaf.org> | 2025-02-05 10:55:28 -0800 |
|---|---|---|
| committer | nfenwick <nfenwick@pglaf.org> | 2025-02-05 10:55:28 -0800 |
| commit | cfa876286fb7db7b2fbec5a75c8c91a66b758781 (patch) | |
| tree | 83a8841c13f787e415cfa28bff3d7e9f46ab732b /old/51508.txt | |
| parent | f74d76e61f0cc03ed45fcb1eebcdf0bb25ba8b79 (diff) | |
Diffstat (limited to 'old/51508.txt')
| -rw-r--r-- | old/51508.txt | 1076 |
1 files changed, 0 insertions, 1076 deletions
diff --git a/old/51508.txt b/old/51508.txt deleted file mode 100644 index cb0ebdb..0000000 --- a/old/51508.txt +++ /dev/null @@ -1,1076 +0,0 @@ -The Project Gutenberg EBook of The Chasers, by Daniel F. Galouye - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - - -Title: The Chasers - -Author: Daniel F. Galouye - -Release Date: March 20, 2016 [EBook #51508] - -Language: English - -Character set encoding: ASCII - -*** START OF THIS PROJECT GUTENBERG EBOOK THE CHASERS *** - - - - -Produced by Greg Weeks, Mary Meehan and the Online -Distributed Proofreading Team at http://www.pgdp.net - - - - - - - - - - THE CHASERS - - By DANIEL F. GALOUYE - - Illustrated by Harrington - - [Transcriber's Note: This etext was produced from - Galaxy Magazine February 1961. - Extensive research did not uncover any evidence that - the U.S. copyright on this publication was renewed.] - - - - - Civilizations must make sense somehow. But - was this one the gaudy, impossible exception? - - -As the dust drifted clear of the ship's landing skids, at least two -things became obvious: - -One--although they had missed the city (if that's what it was) by -miles, they had nevertheless managed to slam down near one of the -numerous rural estates. - -Two--the landscape would be crawling with Zaortian Fuzzy Tails for a -long while to come. They were still pouring out of hatches sprung open -by the crunching impact. - -Kent Cassidy untangled himself from the control column and plucked -one of the Fuzzy Tails from his neck. The creature scampered around -until it found the ruptured hatch, then scurried through to join the -squealing zoological exodus. - -"There goes ten thousand credits' worth of cargo," groaned Gene Mason. -His stout form was slumped in dejection before the view port. - -Cassidy sniffed the refreshing air that was drifting into the ship. -"Any idea where we are?" - -"After the directional stabilizer blew, we made three blind jumps, all -in the direction of Galactic Center. We could be _anywhere_ between -Zaort Seven and the Far Rim." - -"Hey, look," said Cassidy. - -From the hatchway, the sumptuous estate sprawled nearby, its many -gabled manor closed off behind a high wire fence. Cassidy squinted, but -failed to recognize the bold, flowing architectural style. - -A small, bent figure clung to the wire netting of the fence. He was -shouting at the ship, but his excited words were no match for the -decompression hisses of the auxiliary drive. - -"Humanoid?" Mason suggested. - -"Human, I'd say." Cassidy gestured toward the gear locker. "Better -break out the translator." - -In baggy trousers and sagging blouse, the man raced back and forth -behind the fence--the picture of frustrated anger. However, large, -doleful eyes, complemented by a bald head and huge, pendulous ear -lobes, belied his furious actions. - -Presently the squeals of the Fuzzy Tails trailed off in the distance -and the auxiliary drive quieted with a final sigh. And now the native's -shouts rang out distinct and loud: - -"Quick! From here get you! Shoo! Scram! Or out there I'll come and -apart tear you!" - -"It's English!" Mason exclaimed. - -"Of a sort. Archaic, but understandable. And not at all friendly." - -Mason scratched his blunt chin. "Guess we're not too far off the beaten -star paths, eh?" - -Cassidy could find no grounds for challenging this observation as they -started down the ladder--not until he looked overhead and saw three -suns shining in the same sky. As far as he knew, there were no settled -trinary systems. - -Beyond the fence the native, a wisp of a man was still fuming. "The -hell away from here get! You I'm warning--no closer come!" - -Mason displayed a half frown. "He's sure a sour cuss." - -"You stay with the ship," said Cassidy. "I'll see what's fouling his -tubes." - - * * * * * - -Before Cassidy reached the fence, his pet Fuzzy Tail came scampering -from behind a bush. It clambered up his trousers and wrapped itself -around his neck. This encouraged the speculation that perhaps the -shipment of Tails could be bartered for repairs to the stabilizer--_if_ -there was a local space technology, and _if_ they could corral the -animals. - -The native grew even more frenzied now as Cassidy drew up before him. - -"Trespasser! Back get! _My_ property this be! Scram! You I'll kill!" - -The Fuzzy Tail uncoiled itself from around Cassidy's neck. Perching on -his shoulder, it fussed back at the native in chirping, excited tones. -It not only acted at times as though it owned Cassidy, but it also -exercised a personal responsibility for his welfare. - -"Quiet!" Cassidy snapped out. - -It caught both the Fuzzy Tail and the old man by surprise. The animal -bounded for cover while the native rocked back on his heels. - -"Be you not just a--_little bit_ afraid?" His eyebrows mounted the -wrinkled expanse of his forehead. - -The nearby hedge rustled and parted to let through a dark-haired -girl whose tanned skin suggested accustomed exposure to the multiple -sunlight. Wearing a belted tunic that lacked inches of reaching her -knees, she confronted the old man calmly. - -"It's all about what, Papa?" she asked, with a trace of an amused smile. - -"Trespassers! On _our_ property, Riva! The alarm sound! Scat! To the -woods take! Or a dead duck you be!" - -"Now, Papa," she chided. Then, through the fence, "Him you musn't mind. -It's only his duty he's attending to." - -From the distance, Cassidy had suspected the man was of Terran descent. -Now, with Riva in the picture, he was certain this world was stocked -either by intent or accident with true humans. - -"We're from Terra," he said. - -She frowned. "Ter-ra?" - -"Earth. The original world--" - -Incomprehension flooded her even features. But her confusion was only -temporary. "Let's play." - -It seemed like an altogether acceptable suggestion, Cassidy thought, -eying the attractive girl. But he went on, "This is our ship and--" - -"Ship?" Then she chased away her puzzlement with a sudden smile. "Some -nice games I know." - -There was no space technology on this planet, Cassidy decided. They'd -be strictly on their own as far as repairing the directional stabilizer -was concerned. - -By this time Papa, his eyes focused afar, had exploded again. -"Charge!" he roared. "After him! Wa-hoo! Away don't let him get!" He -was gripping the fence and straining toward the field. - -Cassidy turned and saw, in the distance, a skimmer vehicle floating -along several feet off the ground. In full pursuit was a shouting youth -who paused occasionally to seize a rock and hurl it at the craft. - -The old man turned toward his daughter. "A good chase that be. Bet he -wins." - -"Not a chance." The girl frowned. "That be Nedal. Not so swift is he. -Loses interest too quick, he does." - -She surveyed Cassidy. "Be you a chaser?" - -"No, but I could do with a couple of stiff shots." - -This drew Papa's attention back to the matter at hand. "Trespassers! -The road hit! Scat! Some dust kick up!" - -"Quiet!" Cassidy shouted. "Will you listen a minute? I--" - -Two loyal Fuzzy Tails came charging up to the fence and added their -raucous chatter to Papa's screeching diatribe, which had continued -unchecked despite Cassidy's loud, desperate plea. - -In the next instant, though, it seemed that a dam had burst overhead. -Materializing from nowhere, at least a ton of water poured down on the -agile-tongued native, the two Fuzzy Tails, Riva and Cassidy himself, -bringing an abrupt end to all the commotion. - -The animals streaked for the safety of the bushes while Papa and the -girl dived back through the hedge. Bedraggled, Cassidy headed for the -ship, wondering what sort of meteorological quirk he had encountered. - - * * * * * - -"No, sir," he said some time later as he attacked the directional -selector with pliers and a screwdriver, "I don't like the setup. I -don't like it worth a damn." - -Mason traced the power lead to the junction box beside the hatch. -"Maybe they aren't _all_ like that." - -"In this sort of place, chances are that the first people you run into -are typical. I'm afraid--" - -"Say!" Mason interrupted, staring outside. "Look at this!" - -Cassidy went over to the hatch and watched a dozen or so men sprinting -across the field, their voices rising in excited waves. A lithe young -woman was in full flight before them. But she was screaming in delight -as she turned now and then to beckon them on. One overtook her and -brought her down with a waist tackle. She rebounded to her feet, -however, and took off again. - -Two of the pursuers collided and sprawled on the ground. They sprang -up and tore into each other. Unconcerned with the personal dispute, -the chase struck off in a new direction, heading toward the ship as it -paralleled one of the nearby fenced-in estates. - -Behind the wire mesh, a burly young man came charging down the main -steps of the manor and raced along with the others. - -"That be the way!" he yelled encouragement. "Her go get! It's gaining -you are! Hurry!" - -He drew up in time to avoid crashing into the side fence, then stood -there watching the chase recede in the distance. - -Within a hundred feet of the ship, one of the men fell out of the -group, panting. He squinted at the vessel, then crept forward, circling -to the right. Within arm's reach, he walked back and forth alongside -the hull, giving it a close inspection. Finally he paused and fumbled -with his clothes. - -Cassidy started. "Look what he's doing!" - -"Against the side of the ship, too!" said Mason. - -Hearing them, the native jerked his head up toward the hatch, then -backed off for a better view. - -"Stinkers!" he yelled, shaking his fist. "Out here come and fight! Take -you both on I can!" - -When they only gaped, he whirled and sped off to rejoin the chase. - -"You see?" said Cassidy. "Now what do you think?" - -"I think we'd better get that directional stabilizer working." - - * * * * * - -It took more than an hour to locate the trouble. "The rectifier -circuit's shot," Cassidy said finally. "But maybe we can patch -it up. Some of the amplifiers I suppose we can do without. But a -hyper-oscillator we've got to have." - -"Say, you're doing it too," said Mason. - -"What?" - -"Talking like the natives." - -Cassidy looked up. "Guess it's something that grows on you. Well, what -do we do now?" - -"Maybe the natives can help us." - -"If they don't even know where they're from, they probably left their -volts and amps behind too. But that's only an assumption." - -"In that case," Mason said with a sigh, "there's only one thing left to -do--take Riva up on her invitation to, ah, play." - -"Funny," Cassidy grunted, heading for the hatch. - -"I was only joking." - -"I'm not. If we can get in that house, we'll know for sure whether or -not they've developed electronic devices." - -Halfway across the field, they were almost run down by the laughing -girl and her retinue of galloping suitors, if that's what they were. -She was a well-proportioned blonde whose wind-frothed tresses suggested -a nymph in flight. - -At the fence, they were confronted by Riva, who smiled up at Cassidy -and said, "You I was just going to come and get. Ready to play yet you -are?" - -He looked away and cleared his throat. "Not quite, Riva. We'd like to -visit your house." - -"It's some interesting games I know. Enjoying them you'd surely be." -Her smile, revealing even teeth that contrasted ruddy cheeks, was as -persistent as her intent on playing. - -Staring at the girl, Cassidy wrestled with a pang of wistful envy over -the Olympian life he had witnessed thus far on this world. Maybe they -were all irresponsible and childlike. But was that bad? - - * * * * * - -Mason pointed in alarm toward the meadow in front of the next estate. -An ominous-looking, furry thing, supported on six or eight spindly -legs, was racing across their field of vision. - -"Hurt you he won't," the girl assured them, noticing their -apprehension. "Nothing to be afraid of there is." - -"_What_ is it?" Cassidy was still trying to determine whether it was an -overgrown spider or a dry-land octopus. - -"Look!" Mason exclaimed. "It's on a leash!" - -And Cassidy noticed the thong that extended from the creature to the -human who was running along behind it. - -"To Wolruf he belongs," the girl explained. "One of them I can get for -you too--if you want." - -Her slender hand reached out through the fence and tugged at Cassidy's -sleeve. "To chase me wouldn't you like?" she asked, pouting. - -Glancing behind her, Cassidy spotted the girl's father bearing down on -them in a sprint that was nothing short of phenomenal for his age. He -began shouting with the last few strides and was in full lung when he -hurled himself at the fence. "Git! Out! Away! I'll--" - -Riva moved back and glanced overhead and Papa, seeing some hidden -significance in her gesture, lowered his voice. - -"You I'll tear into and apart I'll rip!" he went on in a menacing -whisper. "Your limbs I'll scatter like--" - -"Papa, it's not afraid of you they are." - -"They're _not_?" He was disappointed. - -"The house they want to come in and see." - -He began working up a rage again, but caught himself and looked up into -his daughter's face. "Mean you--_my_ house they want to see?" - -When she nodded Papa seized the lowest strand of wire and lifted the -fence high enough for Cassidy and Mason to crawl under. "Why, arranged -it can be, I think." - -Its architectural prominences rendered shadowless in the tri-solar -light, the manor was even more imposing close at hand. Of stone -construction, it flaunted millwork and beams whose rich carvings would -have been welcome on any mansion in the known Galaxy. - -Mounting the steps, Mason observed, "Nice little layout they've got -here." - -Riva moved closer to Cassidy. "Inside is cozy," she said behind a coy -smile. "Play we can _really_ in there." - -Papa had been at the door for some time, fumbling with the lock. In a -burst of impatience, he drew off and gave it a solid kick. Then he went -back and tried rattling the handle. After a while there was a click and -it swung open. - -Cassidy followed him into a blaze of iridescent color and unfamiliar -form. The huge, circular room was like a vast diorama and it was -impossible to tell exactly where the solid objects blended in with the -jumbled geometric pattern of the wall. - -He walked across a carpet of undulant fibers that reached well above -his ankles. And he tripped across a padded, Z-shaped slab that -protruded from the wall but slithered into a U and retracted as soon as -it received the burden of his weight. - -Laughing, Riva helped him up and he paused for a closer visual -inspection of his outlandish surroundings. Objects of weird shapes and -unguessable purposes hung from the ceiling, some changing form and -size as he watched. Scattered about were articles of furniture (he -guessed) that resembled giant starfish supported at their centers and -extremities by coiled springs. Only, each arm was shaped like a trough -that ran into the bowl-like central depression of the piece. - - * * * * * - -A gleeful scream sounded behind them and Papa went tearing by. With -a running leap, he landed on an arm of one of the starfish. Its -supporting spring contracted under the weight, then catapulted him -ceilingward. When he came down again, it was on an arm of another -starfish, then another. - -The fourth collapsed, depositing him on the floor, and its spring -went twanging across the room. Struggling to his feet, he staggered -into something resembling a clothes tree, knocked it over and sprawled -beside it. - -He roared with delight as he snapped the stem of the thing across his -knee and hurled the pieces at the ceiling. They scored direct hits on -one of the bulky objects suspended overhead and it came crashing down -with a twinkling roar amid a shower of sparks. - -"Yow-ee!" he exuberated. "So much fun I never had!" - -Riva helped him up. "Papa, it's control yourself you must. The last -time--remember?" - -But he only shook her off and went bounding through an archway. His -hectic progress through the house was punctuated by sounds of crashing -destruction. - -"Honestly," Riva said, spreading her hands, "what to do with him I -don't know." - -Cassidy continued staring in the direction the old man had gone. "He's -wrecking the place!" - -"That he is," she admitted sighing. "And such a nice joint it be, too." - -"He's just plain nuts!" said Mason. - -Riva smiled. "But it's _so_ much fun he has." - -Cassidy moved away to get a better view of a silvery gray screen set -in the wall and flanked by twin rows of dials and knobs. - -"You got stereovision, Riva?" he asked. - -Mason went over and twisted several of the controls until a soft light -began suffusing the screen. - -"Ster-eo-what?" the girl asked. - -"Video, television--pictures with sound." - -Her face brightened. "Pictures we got--sounds too. Right in that little -window." - -Just then Papa, uninhibited as ever, came storming back into the room -with a lusty "Ya-hoo!" He lost his footing and crashed against the -screen. Sparks shot out and the picture that was beginning to take -shape faded into obscurity. - -"It that settles, Papa!" Riva said, exasperated. "Outside I'm going and -for what happens to you I'm not responsible!" - -At the door, she paused and smiled at Cassidy. "It'll have to be out -there that we play, but no less fun will we have. Put on my best -cavorting clothes I'm going to." - -Mason turned the knobs again, but produced nothing more than the smell -of burning insulation and a few snickers from Papa. - -"At least," Cassidy observed, "they evidently do know something about -electronics. All we have to do now is run down one of the technicians -and we might get the parts we need for the stabilizer." - - * * * * * - -Outside Mason dropped down on the steps and sat with his shoulders -slumping. "Damnedest thing I've ever seen," he mumbled. - -Cassidy paced to the edge of the porch and stared out over the field. A -monstrous skimmer craft appeared in the distance, floating over toward -what seemed to be a pile of trash in front of one of the estates. Twin -beams of crimson light darted from the nose of the vehicle and played -over the mound. In seconds, the heap had melted away and the skimmer -floated on. - -Wolruf was still walking his octopus-spider pet. There were now two -packs of youths out chasing girls. And another skimmer car was having -no difficulty surviving the stone-throwing assault of not one, but two -dedicated pursuers. Outside of that, Cassidy noted, things appeared -quite normal. - -Mason slapped his thighs and rose. "You go see if Riva knows how we can -contact the authorities. I'm going back and stay with the ship." - -Cassidy watched him crawl under the fence, then went around the side of -the house. When he caught sight of the girl, she was just disappearing -into a smaller structure that might have been a guest house or garage. - -Following, he knocked on the door and called out her name anxiously. - -"To play are you ready?" There was an eager note in her voice as it -came through the panel. "In come on. It's all set I'll be in a jiffy." - -He turned the knob, stepped half into the room, lurched back outside -and slammed the door behind him. "_Riva!_" - -The door started to open, then closed again as the girl laughed. "Oh, -all right. Funny you be. It's to play you want, don't you?" - -He assured her that he did and added, "But there's something we have to -talk about now, Riva." - -"Talk, talk, talk. And it gets you where? Only wastes time, it does." - -A moment later the door opened and she stood there smiling, with legs -apart and hands on her hips. But he hardly had time to react to the -skimpiness of her halter and skirt. - -"Now," she urged as she sprang up on her toes and kissed him full on -the lips, "like a chaser make! To the races we're off!" - -With that, she whirled and went streaking through the next room. - - * * * * * - -He surveyed his surroundings. It was an ordinary bedroom with -conventional furnishings--perhaps a bit crude even for a -culture without any space technology. But, then, it didn't seem -uncharacteristic, considering the circumstances. - -Recognizing the contrast between this guest house and the manor, he -frowned as he started off in search of the girl. A worrisome suspicion -dogged his thoughts--there had to be sense to Riva and her father and -this sumptuous estate, natives who made sport of chasing skimmer craft -and voluptuous women when they weren't otherwise indiscreetly occupied. -But what? - -In the kitchen, he discovered Riva's shapely leg protruding from behind -a cabinet. He suspected the exposure was not as accidental as she -wanted him to believe. He was certain of that when, as he seized her -ankle, she crawled out laughing. - -Now she stood before him, unsmiling and impatient, and her slender arms -reached out for his shoulders. - -"Riva, this is serious!" He forced her hands down again. "I'm in -trouble. I need help." - -"It's to help you I've been trying all along." - -"I've got to get in touch with the authorities--your government." - -She looked blank. - -He simplified it, "Your leaders." - -"Oh, it's easy that is. There be Aline and Clio and Leah and--but that -Leah! It's the cake she takes! Thirty chasers she led on the best -drag-out of all. Two whole days it lasted!" - -"No, Riva! Not _that_ kind of leader. I mean--well, someone who gets -things done. The kind who gets behind things and--" - -"That be Leanc. Behind those floating cars he's getting all the time. -And how he can throw so many rocks I'll never know!" - -He mussed his hair in frustration, then composed himself. "How do I get -to the city?" - -"That crowded place with all the big houses?" When he nodded, she went -on, "It's never been there I have. _Now_ we play?" - -He drew in a hopeless breath. "All right. Now we play. You go hide." - -She radiated a warm eagerness as she initiated the game all over again -with a kiss and then went sprinting toward the front of the house. He -watched her disappear through the next room, then went out the nearest -door, heading for the fence and his ship beyond. It had required no -small degree of restraint not to go racing off after her. - -At the corner of the manor he was bowled over by a shouting Papa who -was in full flight as he shot out around a hedge, heading for the guest -house. - -"All your fault it is!" he cried, recovering his balance and plunging -on. "You it be who caused this! that I'll remember!" - -Cassidy sat up, arms resting on his updrawn knees, and stared after the -old man. - -"Ow! Riva! Ouch!" Papa clutched his rear as he neared the cottage. -"Help! Oh, my aching back!" - - * * * * * - -Cassidy found Mason frozen in the shadow of the ship, fascinated by -another girl chase that was in progress nearby. - -The swirl of action swerved toward him and Mason tensed, shifting from -one foot to the other. With the wind pressing her clothes in revealing -tightness about her, the flaxen-haired sprite swept past and he lunged -for her. - -"Mason!" Cassidy shouted. - -"Seemed like a good idea," Mason explained, checking himself. "Wonder -what it takes to get in on that chase." - -Cassidy forced a fetching thought of Riva out of his mind. "What we -ought to be wondering is how soon we can blast off." - -"But if we get spaceborne before the stabilizer's working, we'll only -be floundering around again." - -Cassidy started for the ladder. "There's one thing we _can_ do--patch -up the hatches and jump over to another spot on this planet. Maybe -we'll find somebody who's normal, at least." - -But Mason caught his arm and pointed toward Riva's estate where a -skimmer car was now parked on the side of the manor opposite the guest -house. - -"Anybody who can drive one of those things," he suggested, "must know -something about the city and how to get there. Maybe he'll even give us -a lift." - - * * * * * - -Mason circled the skimmer craft. "It's a fine piece of workmanship," he -said in admiration. - -"I'll say," Cassidy agreed. "If we can find out where that was made, -I'm sure we'll--" - -His vision was suddenly cut off by a pair of hands that came around his -head from behind and clamped themselves over his eyes. If he had any -doubt as to the identity of their owner, it was soon cleared up by a -soft voice next to his ear: - -"Not right this is. It's chasing _me_ you're supposed to be." - -"Riva," he said, facing her, "we'd like to meet the person who came -here in that skimmer." - -"Excuses, excuses," she complained. "Always something more important -than a chase it is." - -"Take us to the driver of that thing," Mason prompted. "We--" - -But he tensed and stared up in alarm toward the field. Cassidy followed -his gaze to the skimmer vehicle that had earlier reduced a pile of -trash to nothing. The craft was just now floating up to their ship. - -Its two beams of sizzling red light swept over the hull from stem to -stern, again and again--until there was nothing left of their ship but -incandescent molten metal. - -Mason displayed a sickened, then resigned expression, thrust his hands -in his pockets and shuffled off toward the field. - -"Getting in on one of those chases I think I'll be," he said. - -But he paused outside the fence, turned to say something, then lurched -back. "Cassidy! Watch out! There's one of those things!" - -The spider-octopus came into view from around the rear of the manor -and crawled leisurely toward the guest house. Its body, covered with a -multitude of eyes and an unkempt mat of fuzz, was like a coal-black -knob perched atop hairy stilts. - -Evidently, Cassidy guessed as he dived behind a hedge and pulled the -girl with him, the thing had gotten away from its master, for it was -trailing its leash in the dust. - -"It's hurt you he won't," Riva assured, quite puzzled over his -apprehension. "He belongs to--" - -But Cassidy clamped a hand over her mouth. - -The thing reached the guest house and made a queer noise in front of -the door. - -Papa came outside on the double. - -The spider-octopus picked up the other end of the thong and clamped its -braceletlike device around the old man's wrist. - -Grinning, Papa pulled toward the gate, straining at the leash. - -Eventually, Cassidy was aware of Riva's smiling, inquisitive face in -front of his. - -"Play?" she invited. - -And, glancing back at the charred remains of his ship, he didn't see -why not. - - - - - -End of the Project Gutenberg EBook of The Chasers, by Daniel F. Galouye - -*** END OF THIS PROJECT GUTENBERG EBOOK THE CHASERS *** - -***** This file should be named 51508.txt or 51508.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/5/1/5/0/51508/ - -Produced by Greg Weeks, Mary Meehan and the Online -Distributed Proofreading Team at http://www.pgdp.net - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. Special rules, -set forth in the General Terms of Use part of this license, apply to -copying and distributing Project Gutenberg-tm electronic works to -protect the PROJECT GUTENBERG-tm concept and trademark. Project -Gutenberg is a registered trademark, and may not be used if you -charge for the eBooks, unless you receive specific permission. If you -do not charge anything for copies of this eBook, complying with the -rules is very easy. You may use this eBook for nearly any purpose -such as creation of derivative works, reports, performances and -research. They may be modified and printed and given away--you may do -practically ANYTHING with public domain eBooks. Redistribution is -subject to the trademark license, especially commercial -redistribution. - - - -*** START: FULL LICENSE *** - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full Project -Gutenberg-tm License (available with this file or online at -http://gutenberg.org/license). - - -Section 1. General Terms of Use and Redistributing Project Gutenberg-tm -electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or destroy -all copies of Project Gutenberg-tm electronic works in your possession. -If you paid a fee for obtaining a copy of or access to a Project -Gutenberg-tm electronic work and you do not agree to be bound by the -terms of this agreement, you may obtain a refund from the person or -entity to whom you paid the fee as set forth in paragraph 1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this agreement -and help preserve free future access to Project Gutenberg-tm electronic -works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" -or PGLAF), owns a compilation copyright in the collection of Project -Gutenberg-tm electronic works. Nearly all the individual works in the -collection are in the public domain in the United States. If an -individual work is in the public domain in the United States and you are -located in the United States, we do not claim a right to prevent you from -copying, distributing, performing, displaying or creating derivative -works based on the work as long as all references to Project Gutenberg -are removed. Of course, we hope that you will support the Project -Gutenberg-tm mission of promoting free access to electronic works by -freely sharing Project Gutenberg-tm works in compliance with the terms of -this agreement for keeping the Project Gutenberg-tm name associated with -the work. You can easily comply with the terms of this agreement by -keeping this work in the same format with its attached full Project -Gutenberg-tm License when you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are in -a constant state of change. If you are outside the United States, check -the laws of your country in addition to the terms of this agreement -before downloading, copying, displaying, performing, distributing or -creating derivative works based on this work or any other Project -Gutenberg-tm work. The Foundation makes no representations concerning -the copyright status of any work in any country outside the United -States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other immediate -access to, the full Project Gutenberg-tm License must appear prominently -whenever any copy of a Project Gutenberg-tm work (any work on which the -phrase "Project Gutenberg" appears, or with which the phrase "Project -Gutenberg" is associated) is accessed, displayed, performed, viewed, -copied or distributed: - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - -1.E.2. If an individual Project Gutenberg-tm electronic work is derived -from the public domain (does not contain a notice indicating that it is -posted with permission of the copyright holder), the work can be copied -and distributed to anyone in the United States without paying any fees -or charges. If you are redistributing or providing access to a work -with the phrase "Project Gutenberg" associated with or appearing on the -work, you must comply either with the requirements of paragraphs 1.E.1 -through 1.E.7 or obtain permission for the use of the work and the -Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or -1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any additional -terms imposed by the copyright holder. Additional terms will be linked -to the Project Gutenberg-tm License for all works posted with the -permission of the copyright holder found at the beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including any -word processing or hypertext form. However, if you provide access to or -distribute copies of a Project Gutenberg-tm work in a format other than -"Plain Vanilla ASCII" or other format used in the official version -posted on the official Project Gutenberg-tm web site (www.gutenberg.org), -you must, at no additional cost, fee or expense to the user, provide a -copy, a means of exporting a copy, or a means of obtaining a copy upon -request, of the work in its original "Plain Vanilla ASCII" or other -form. Any alternate format must include the full Project Gutenberg-tm -License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works provided -that - -- You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is - owed to the owner of the Project Gutenberg-tm trademark, but he - has agreed to donate royalties under this paragraph to the - Project Gutenberg Literary Archive Foundation. Royalty payments - must be paid within 60 days following each date on which you - prepare (or are legally required to prepare) your periodic tax - returns. Royalty payments should be clearly marked as such and - sent to the Project Gutenberg Literary Archive Foundation at the - address specified in Section 4, "Information about donations to - the Project Gutenberg Literary Archive Foundation." - -- You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or - destroy all copies of the works possessed in a physical medium - and discontinue all use of and all access to other copies of - Project Gutenberg-tm works. - -- You provide, in accordance with paragraph 1.F.3, a full refund of any - money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days - of receipt of the work. - -- You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm -electronic work or group of works on different terms than are set -forth in this agreement, you must obtain permission in writing from -both the Project Gutenberg Literary Archive Foundation and Michael -Hart, the owner of the Project Gutenberg-tm trademark. Contact the -Foundation as set forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -public domain works in creating the Project Gutenberg-tm -collection. Despite these efforts, Project Gutenberg-tm electronic -works, and the medium on which they may be stored, may contain -"Defects," such as, but not limited to, incomplete, inaccurate or -corrupt data, transcription errors, a copyright or other intellectual -property infringement, a defective or damaged disk or other medium, a -computer virus, or computer codes that damage or cannot be read by -your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium with -your written explanation. The person or entity that provided you with -the defective work may elect to provide a replacement copy in lieu of a -refund. If you received the work electronically, the person or entity -providing it to you may choose to give you a second opportunity to -receive the work electronically in lieu of a refund. If the second copy -is also defective, you may demand a refund in writing without further -opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER -WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO -WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of damages. -If any disclaimer or limitation set forth in this agreement violates the -law of the state applicable to this agreement, the agreement shall be -interpreted to make the maximum disclaimer or limitation permitted by -the applicable state law. The invalidity or unenforceability of any -provision of this agreement shall not void the remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in accordance -with this agreement, and any volunteers associated with the production, -promotion and distribution of Project Gutenberg-tm electronic works, -harmless from all liability, costs and expenses, including legal fees, -that arise directly or indirectly from any of the following which you do -or cause to occur: (a) distribution of this or any Project Gutenberg-tm -work, (b) alteration, modification, or additions or deletions to any -Project Gutenberg-tm work, and (c) any Defect you cause. - - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of computers -including obsolete, old, middle-aged and new computers. It exists -because of the efforts of hundreds of volunteers and donations from -people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need, are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future generations. -To learn more about the Project Gutenberg Literary Archive Foundation -and how your efforts and donations can help, see Sections 3 and 4 -and the Foundation web page at http://www.pglaf.org. - - -Section 3. Information about the Project Gutenberg Literary Archive -Foundation - -The Project Gutenberg Literary Archive Foundation is a non profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Its 501(c)(3) letter is posted at -http://pglaf.org/fundraising. Contributions to the Project Gutenberg -Literary Archive Foundation are tax deductible to the full extent -permitted by U.S. federal laws and your state's laws. - -The Foundation's principal office is located at 4557 Melan Dr. S. -Fairbanks, AK, 99712., but its volunteers and employees are scattered -throughout numerous locations. Its business office is located at -809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email -business@pglaf.org. Email contact links and up to date contact -information can be found at the Foundation's web site and official -page at http://pglaf.org - -For additional contact information: - Dr. Gregory B. Newby - Chief Executive and Director - gbnewby@pglaf.org - - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without wide -spread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To -SEND DONATIONS or determine the status of compliance for any -particular state visit http://pglaf.org - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg Web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. -To donate, please visit: http://pglaf.org/donate - - -Section 5. General Information About Project Gutenberg-tm electronic -works. - -Professor Michael S. Hart is the originator of the Project Gutenberg-tm -concept of a library of electronic works that could be freely shared -with anyone. For thirty years, he produced and distributed Project -Gutenberg-tm eBooks with only a loose network of volunteer support. - - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as Public Domain in the U.S. -unless a copyright notice is included. Thus, we do not necessarily -keep eBooks in compliance with any particular paper edition. - - -Most people start at our Web site which has the main PG search facility: - - http://www.gutenberg.org - -This Web site includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. |
