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-<body>
-<h1>The Project Gutenberg eBook, A Book of Dartmoor, by S. (Sabine)
-Baring-Gould</h1>
-<p>This eBook is for the use of anyone anywhere in the United States
-and most other parts of the world at no cost and with almost no
-restrictions whatsoever. You may copy it, give it away or re-use it
-under the terms of the Project Gutenberg License included with this
-eBook or online at <a
-href="http://www.gutenberg.org">www.gutenberg.org</a>. If you are not
-located in the United States, you'll have to check the laws of the
-country where you are located before using this ebook.</p>
-<p>Title: A Book of Dartmoor</p>
-<p> Second Edition</p>
-<p>Author: S. (Sabine) Baring-Gould</p>
-<p>Release Date: February 6, 2016 [eBook #51134]</p>
-<p>Language: English</p>
-<p>Character set encoding: UTF-8</p>
-<p>***START OF THE PROJECT GUTENBERG EBOOK A BOOK OF DARTMOOR***</p>
-<p>&nbsp;</p>
-<h4>E-text prepared by Richard Tonsing, David Edwards,<br />
- and the Online Distributed Proofreading Team<br />
- (<a href="http://www.pgdp.net">http://www.pgdp.net</a>)<br />
- from page images generously made available by<br />
- Internet Archive<br />
- (<a href="https://archive.org">https://archive.org</a>)</h4>
-<p>&nbsp;</p>
-<table border="0" style="background-color: #ccccff; margin-left: 20%; margin-right: 20%;" cellpadding="10">
- <tr>
- <td valign="top">
- Note:
- </td>
- <td>
- Images of the original pages are available through
- Internet Archive. See
- <a href="https://archive.org/details/bookofdartmoor00bari">
- https://archive.org/details/bookofdartmoor00bari</a>
- </td>
- </tr>
-</table>
-<p>&nbsp;</p>
-<hr class="full" />
-<p>&nbsp;</p>
-<p>&nbsp;</p>
-
-<p><span class="pagenum"><a name="Page_i" id="Page_i">[Pg i]</a></span></p>
-
-<div id="halftitle">
-
-
-
-
-<p class="ph1">A BOOK OF DARTMOOR</p>
-</div>
-<p><span class="pagenum"><a name="Page_ii" id="Page_ii">[Pg ii]</a></span></p>
-<div class="center">
-<p>BY THE SAME AUTHOR
-</p>
-
-<ul><li>THE LIFE OF NAPOLEON BONAPARTE</li>
-<li>THE TRAGEDY OF THE CÆSARS</li>
-<li>STRANGE SURVIVALS</li>
-<li>SONGS OF THE WEST</li>
-<li>A GARLAND OF COUNTRY SONG</li>
-<li>OLD COUNTRY LIFE</li>
-<li>YORKSHIRE ODDITIES</li>
-<li>OLD ENGLISH FAIRY TALES</li>
-<li>A BOOK OF GHOSTS</li>
-<li>THE VICAR OF MORWENSTOW</li>
-<li>A BOOK OF NURSERY SONGS AND RHYMES</li>
-<li>A BOOK OF FAIRY TALES</li>
-</ul>
-
-<p>UNIFORM WITH THIS VOLUME
-</p>
-
-<ul><li>A BOOK OF BRITTANY</li>
-<li>A BOOK OF CORNWALL</li>
-<li>A BOOK OF DEVON</li>
-<li>A BOOK OF NORTH WALES</li>
-<li>A BOOK OF SOUTH WALES</li>
-<li>A BOOK OF THE RHINE</li>
-<li>A BOOK OF THE RIVIERA</li>
-<li>A BOOK OF THE PYRENEES</li>
-</ul></div>
-<p><span class="pagenum"><a name="Page_iii" id="Page_iii">[Pg iii]</a><br /><a name="Page_iv" id="Page_iv">[Pg iv]</a></span></p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/frontis.jpg" width="700" height="470" alt="" />
-<div class="caption"><p>YES TOR</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_v" id="Page_v">[Pg v]</a></span></p>
-<div id="titlepage">
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h1><span class="xlarge">A</span><br />
-
-BOOK OF DARTMOOR</h1>
-
-
-<p class="large p4">BY S. BARING-GOULD</p>
-
-<p class="small p6">WITH SIXTY ILLUSTRATIONS</p>
-
-<p class="xsmall p6">SECOND EDITION</p>
-
-<p class="p6">METHUEN &amp; CO.<br />
-36 ESSEX STREET W.C.<br />
-LONDON
-</p>
-</div>
-
-<p><span class="pagenum"><a name="Page_vi" id="Page_vi">[Pg vi]</a></span></p>
-
-<p class="center p6"><em>First Published</em> <em>July 1900</em></p>
-
-<p class="center"><em>Second Edition</em> <em>January 1907</em>
-</p>
-
-<p><span class="pagenum"><a name="Page_vii" id="Page_vii">[Pg vii]</a></span></p>
-
-<p class="center p6">TO THE MEMORY OF<br />
-MY UNCLE</p>
-
-<p class="center">THE LATE</p>
-
-<p class="center">THOMAS GEORGE BOND</p>
-
-<p class="center">ONE OF THE PIONEERS OF<br />
-DARTMOOR EXPLORATION
-</p>
-
-<p><span class="pagenum"><a name="Page_viii" id="Page_viii">[Pg viii]</a><br /><a name="Page_ix" id="Page_ix">[Pg ix]</a></span></p>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>PREFACE</h2>
-
-
-<p class="drop-capw"><span class="smcap">At</span> the request of my publishers I have written
-<cite>A Book of Dartmoor</cite>. I had already dealt
-with this upland district in two chapters in my
-<cite>Book of the West</cite>, vol. i., "Devon." But in their
-opinion this wild and wondrous region deserved
-more particular treatment than I had been able to
-accord to it in the limited space at my disposal in
-the above-mentioned book.</p>
-
-<p>I have now entered with some fulness, but by no
-means exhaustively, into the subject; and for those
-who desire a closer acquaintance with, and a more
-precise guide to the several points of interest on
-"the moor," I would indicate three works that have
-preceded this.</p>
-
-<p>1. Mr. J. Brooking Rowe in 1896 republished the
-<cite>Perambulation of Dartmoor</cite>, first issued by his great-uncle,
-Mr. Samuel Rowe, in 1848.</p>
-
-<p>The original work was written by a man whose
-mind was steeped in the crude archæological theories
-of his period. The new editor could not dispense<span class="pagenum"><a name="Page_x" id="Page_x">[Pg x]</a></span>
-with this matter, which pervaded the work, without a
-complete recasting of the book, and this he was reluctant
-to attempt. He limited himself to cautioning
-the reader to put no trust in these exploded theories.
-The result is that the reader is tripping over uncertain
-ground, never knowing what is to be accepted
-and what rejected.</p>
-
-<p>2. Mr. J. H. W. Page's <cite>Exploration of Dartmoor</cite>,
-1889, is admirable as a guide. The author, however,
-was unhappily ignorant of prehistoric archæology,
-and allowed himself to be led astray by the false
-antiquarianism that had marked the early writers.
-Consequently, his book is capital as a guide to what
-is to be seen, but eminently unreliable in its explanation
-of the character and age of the antiquities.</p>
-
-<p>3. A capital book is Mr. W. Crossing's <cite>Amid
-Devonia's Alps</cite>, 1888, which is wholly free from
-pseudo-antiquarianism. It is brief, it is small and
-cheap, and an admirable handbook for pedestrians.</p>
-
-<p>In no way do I desire to supersede these works.
-I have taken pains rather to supplement them than
-to step into the places occupied by their writers.</p>
-
-<p>The plan I have adopted in this gossiping volume
-is to give a general idea of the moor and of its
-antiquities&mdash;the latter as interpreted by up-to-date
-archæologists&mdash;and then to suggest rambles made<span class="pagenum"><a name="Page_xi" id="Page_xi">[Pg xi]</a></span>
-from certain stations on the fringe, or in the heart of
-the region.</p>
-
-<p>Here and there it has been inevitable that I should
-twice mention the same object of interest, once in
-the introductory portion, and again when I have to
-refer to it as coming within the radius of a proposed
-ramble.</p>
-
-<p>As a boy I had an uncle, T. G. Bond, who lived
-near Moreton Hampstead, and who was passionately
-devoted to Dartmoor. He inspired me with the
-same love. In 1848 he presented me, as a birthday
-present, with Rowe's <cite>Perambulation of Dartmoor</cite>.
-It arrested my attention, engaged my imagination,
-and was to me almost as a Bible. When I obtained
-a holiday from my books, I mounted my pony and
-made for the moor. I rode over it, round it, put up
-at little inns, talked with the moormen, listened to
-their tales and songs in the evenings, and during the
-day sketched and planned the relics that I then
-fondly supposed were Druidical.</p>
-
-<p>The child is father to the man. Years have rolled
-away. I have wandered over Europe, have rambled
-to Iceland, climbed the Alps, been for some years
-lodged among the marshes of Essex&mdash;yet nothing
-that I have seen has quenched in me the longing
-after the fresh air, and love of the wild scenery of<span class="pagenum"><a name="Page_xii" id="Page_xii">[Pg xii]</a></span>
-Dartmoor. There is far finer mountain scenery elsewhere,
-but there can be no more bracing air, and the
-lone upland region possesses a something of its own&mdash;a
-charm hard to describe, but very real&mdash;which
-engages for once and for ever the affections of those
-who have made its acquaintance. "After all said,"
-observed my uncle to me one day, when my father
-had dilated on the glories of the Pyrenees, "Dartmoor
-is to itself, and to me&mdash;a passion." And to his
-memory I dedicate this volume.</p>
-
-<p>My grateful thanks are due to Messrs. R. Burnard,
-P. F. S. Amery, J. Shortridge, and C. E. Robinson
-for permission to employ photographs taken by
-them.</p>
-
-<p class="right">S. BARING-GOULD</p>
-
-<p>
-<span class="smcap">Lew Trenchard, Devon</span><br />
-</p>
-
-<p><span class="pagenum"><a name="Page_xiii" id="Page_xiii">[Pg xiii]</a></span></p>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>CONTENTS</h2>
-
-
-<div class="center">
-<table border="0" cellpadding="4" cellspacing="0" summary="CONTENTS">
- <tr>
- <th colspan="2">CHAPTER</th>
- <th>PAGE</th>
- </tr>
- <tr>
- <td class="tdr">I.</td>
- <td><span class="smcap">Bogs</span></td>
- <td class="tdr"><a href="#Page_1">1</a></td>
- </tr>
- <tr>
- <td class="tdr">II.</td>
- <td><span class="smcap">Tors</span></td>
- <td class="tdr"><a href="#Page_14">14</a></td>
- </tr>
- <tr>
- <td class="tdr">III.</td>
- <td><span class="smcap">The Ancient Inhabitants</span></td>
- <td class="tdr"><a href="#Page_29">29</a></td>
- </tr>
- <tr>
- <td class="tdr">IV.</td>
- <td><span class="smcap">The Antiquities</span></td>
- <td class="tdr"><a href="#Page_52">52</a></td>
- </tr>
- <tr>
- <td class="tdr">V.</td>
- <td><span class="smcap">The Freaks</span></td>
- <td class="tdr"><a href="#Page_74">74</a></td>
- </tr>
- <tr>
- <td class="tdr">VI.</td>
- <td><span class="smcap">Dead Men's Dust</span></td>
- <td class="tdr"><a href="#Page_82">82</a></td>
- </tr>
- <tr>
- <td class="tdr">VII.</td>
- <td><span class="smcap">The Camps</span></td>
- <td class="tdr"><a href="#Page_97">97</a></td>
- </tr>
- <tr>
- <td class="tdr">VIII.</td>
- <td><span class="smcap">Tin-streaming</span></td>
- <td class="tdr"><a href="#Page_108">108</a></td>
- </tr>
- <tr>
- <td class="tdr">IX.</td>
- <td><span class="smcap">Lydford</span></td>
- <td class="tdr"><a href="#Page_124">124</a></td>
- </tr>
- <tr>
- <td class="tdr">X.</td>
- <td><span class="smcap">Belstone</span></td>
- <td class="tdr"><a href="#Page_144">144</a></td>
- </tr>
- <tr>
- <td class="tdr">XI.</td>
- <td><span class="smcap">Chagford</span></td>
- <td class="tdr"><a href="#Page_157">157</a></td>
- </tr>
- <tr>
- <td class="tdr">XII.</td>
- <td><span class="smcap">Manaton</span></td>
- <td class="tdr"><a href="#Page_171">171</a></td>
- </tr>
- <tr>
- <td class="tdr">XIII.</td>
- <td><span class="smcap">Holne</span></td>
- <td class="tdr"><a href="#Page_193">193</a></td>
- </tr>
- <tr>
- <td class="tdr">XIV.</td>
- <td><span class="smcap">Ivybridge</span></td>
- <td class="tdr"><a href="#Page_209">209</a></td>
- </tr>
- <tr>
- <td class="tdr">XV.</td>
- <td><span class="smcap">Yelverton</span></td>
- <td class="tdr"><a href="#Page_220">220</a></td>
- </tr>
- <tr>
- <td class="tdr">XVI.</td>
- <td><span class="smcap">Post Bridge</span></td>
- <td class="tdr"><a href="#Page_241">241</a></td>
- </tr>
- <tr>
- <td class="tdr">XVII.</td>
- <td><span class="smcap">Princetown</span></td>
- <td class="tdr"><a href="#Page_259">259</a></td>
- </tr>
-</table></div>
-<div class="chapter"><span class="pagenum"><a name="Page_xiv" id="Page_xiv">[Pg xiv]</a></span></div>
-<hr class="chap" />
-
-
-
-
-<h2>ILLUSTRATIONS</h2>
-
-
-
-<div class="center">
-<table border="0" cellpadding="4" cellspacing="0" summary="ILLUSTRATIONS">
- <caption>FULL-PAGE</caption>
- <tr>
- <td><span class="smcap">Yes Tor</span></td>
- <td colspan="2" class="tdr"><em><a href="#Page_iii">Frontispiece</a></em></td>
- </tr>
- <tr>
- <td class="tdp">From a drawing by E. A. Tozer, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">A Tor, showing Granite Weathering</span></td>
- <td><em>To face page</em> </td>
- <td class="tdr"><a href="#Page_14">14</a></td>
- </tr>
- <tr>
- <td class="tdp">From a photograph by J. Shortridge, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">Vixen Tor</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_18">18</a></td>
- </tr>
- <tr>
- <td class="tdp">From a photograph by J. Shortridge, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">Rocks by Hey Tor</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_24">24</a></td>
- </tr>
- <tr>
- <td class="tdp">From a photograph by J. Amery, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">The Pedigree of a Tomb</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_56">56</a></td>
- </tr>
- <tr>
- <td class="tdp">From a drawing by S. Baring-Gould.</td>
- </tr>
- <tr>
- <td><span class="smcap">Stone Rows, Drizzlecombe</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_60">60</a></td>
- </tr>
- <tr>
- <td class="tdp">From a drawing by S. Baring-Gould.</td>
- </tr>
- <tr>
- <td><span class="smcap">The Pedigree of a Headstone</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_64">64</a></td>
- </tr>
- <tr>
- <td class="tdp">From a drawing by S. Baring-Gould.</td>
- </tr>
- <tr>
- <td><span class="smcap">Bowerman's Nose</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_74">74</a></td>
- </tr>
- <tr>
- <td class="tdp">From a drawing by A. B. Collier, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">Whit Tor Camp</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_97">97</a></td>
- </tr>
- <tr>
- <td class="tdp">Planned by Rev. J. K. Anderson, drawn by S. Baring-Gould.</td>
- </tr>
- <tr>
- <td><span class="smcap">Brent Tor</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_102">102</a></td>
- </tr>
- <tr>
- <td class="tdp">From a drawing by E. A. Tozer, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">Blowing-house under Black Tor</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_108">108</a></td>
- </tr>
- <tr>
- <td class="tdp">From a drawing by A. B. Collier, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">On the Lyd</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_124">124</a></td>
- </tr>
- <tr>
- <td class="tdp">From a drawing by E. A. Tozer, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">Hare Tor</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_141">141</a></td>
- </tr>
- <tr>
- <td class="tdp">From a drawing by E. A. Tozer, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">North Wyke Gate House</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_152">152</a></td>
- </tr>
- <tr>
- <td class="tdp">From a drawing by Mrs. C. L. Weekes.</td>
- </tr>
- <tr>
- <td><span class="smcap">Grimspound</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_165">165</a></td>
- </tr>
- <tr>
- <td class="tdp">From a photograph by C. E. Robinson, Esq.<span class="pagenum"><a name="Page_xv" id="Page_xv">[Pg xv]</a></span></td>
- </tr>
- <tr>
- <td><span class="smcap">Near Manaton</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_171">171</a></td>
- </tr>
- <tr>
- <td class="tdp">From a drawing by A. B. Collier, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">Hound Tor</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_175">175</a></td>
- </tr>
- <tr>
- <td class="tdp">From a drawing by E. A. Tozer, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">Hey Tor Rocks</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_176">176</a></td>
- </tr>
- <tr>
- <td class="tdp">From a drawing by E. A. Tozer, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">Lower Tar</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_190">190</a></td>
- </tr>
- <tr>
- <td class="tdp">From a photograph by J. Amery, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">The Cleft Rock</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_196">196</a></td>
- </tr>
- <tr>
- <td class="tdp">From a photograph by J. Amery, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">Yar Tor</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_199">199</a></td>
- </tr>
- <tr>
- <td class="tdp">From a drawing by E. A. Tozer, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">The Dewerstone</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_220">220</a></td>
- </tr>
- <tr>
- <td class="tdp">From a drawing by E. A. Tozer, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">Sheeps Tor</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_225">225</a></td>
- </tr>
- <tr>
- <td class="tdp">From a drawing by A. B. Collier, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">Portion of Screen, Sheeps Tor</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_228">228</a></td>
- </tr>
- <tr>
- <td class="tdp">Drawn by F. Bligh Bond, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">On the Meavy</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_231">231</a></td>
- </tr>
- <tr>
- <td class="tdp">Drawn by A. B. Collier, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">Lake-head Kistvaen</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_244">244</a></td>
- </tr>
- <tr>
- <td class="tdp">From a photograph by R. Burnard, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">Staple Tor</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_269">269</a></td>
- </tr>
- <tr>
- <td class="tdp">From a photograph by J. Shortridge, Esq.</td>
- </tr>
- <tr>
- <td><span class="smcap">Blowing-house on the Meavy</span></td>
- <td class="tdc">"</td>
- <td class="tdr"><a href="#Page_270">270</a></td>
- </tr>
- <tr>
- <td class="tdp">Drawn by A. B. Collier, Esq.</td>
- </tr>
-</table></div>
-
-<div class="center">
-<table border="0" cellpadding="4" cellspacing="0" summary="IN THE TEXT">
- <caption>IN THE TEXT</caption>
- <tr>
- <th></th>
- <th>PAGE</th>
- </tr>
- <tr>
- <td><span class="smcap">Flint Arrow-heads</span></td>
- <td class="tdr"><a href="#Page_37">37</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Flint Scrapers</span></td>
- <td class="tdr"><a href="#Page_45">45</a></td>
- </tr>
- <tr>
- <td><span class="smcap">A Cooking-pot</span></td>
- <td class="tdr"><a href="#Page_46">46</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Flint Scrapers</span></td>
- <td class="tdr"><a href="#Page_49">49</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Fragment of Cooking-pot</span></td>
- <td class="tdr"><a href="#Page_50">50</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Cross, Whitchurch Down</span></td>
- <td class="tdr"><a href="#Page_65">65</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Plan of Hut, Shapley Common</span></td>
- <td class="tdr"><a href="#Page_67">67</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Hut Circle, Grimspound</span></td>
- <td class="tdr"><a href="#Page_69">69</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Logan Rock. The Rugglestone, Widdecombe</span></td>
- <td class="tdr"><a href="#Page_77">77</a><span class="pagenum"><a name="Page_xvi" id="Page_xvi">[Pg xvi]</a></span></td>
- </tr>
- <tr>
- <td><span class="smcap">Roos Tor Logans</span></td>
- <td class="tdr"><a href="#Page_79">79</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Covered Chamber, Whit Tor</span></td>
- <td class="tdr"><a href="#Page_100">100</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Construction of Stone and Timber Wall</span></td>
- <td class="tdr"><a href="#Page_101">101</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Tin-workings, Nillacombe</span></td>
- <td class="tdr"><a href="#Page_109">109</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Mortar-stone, Okeford</span></td>
- <td class="tdr"><a href="#Page_111">111</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Slag-pounding Hollows, Gobbetts</span></td>
- <td class="tdr"><a href="#Page_113">113</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Smelting in 1556</span></td>
- <td class="tdr"><a href="#Page_114">114</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Plan of Blowing-house, Deep Swincombe</span></td>
- <td class="tdr"><a href="#Page_115">115</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Tin-mould, Deep Swincombe</span></td>
- <td class="tdr"><a href="#Page_117">117</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Smelting Tin in Japan</span></td>
- <td class="tdr"><a href="#Page_119">119</a></td>
- </tr>
- <tr>
- <td><span class="smcap">A Primitive Hinge</span></td>
- <td class="tdr"><a href="#Page_133">133</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Inscription on Sourton Cross</span></td>
- <td class="tdr"><a href="#Page_142">142</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Inscribed Stone, Sticklepath</span></td>
- <td class="tdr"><a href="#Page_150">150</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Plan of Stone Rows near Caistor Rock</span></td>
- <td class="tdr"><a href="#Page_161">161</a></td>
- </tr>
- <tr>
- <td class="tdp">" &nbsp; &nbsp; " &nbsp; <span class="smcap">Grimspound</span></td>
- <td class="tdr"><a href="#Page_166">166</a></td>
- </tr>
- <tr>
- <td class="tdp">" &nbsp; &nbsp; " &nbsp; <span class="smcap">Hut at Grimspound</span></td>
- <td class="tdr"><a href="#Page_169">169</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Fragment of Pottery</span></td>
- <td class="tdr"><a href="#Page_177">177</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Ornamented Pottery</span></td>
- <td class="tdr"><a href="#Page_179">179</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Tom Pearce's Ghostly Mare</span></td>
- <td class="tdr"><a href="#Page_191">191</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Crazing-mill Stone, Upper Gobbetts</span></td>
- <td class="tdr"><a href="#Page_204">204</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Method of using the Mill-stones</span></td>
- <td class="tdr"><a href="#Page_205">205</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Chancel Capital, Meavy</span></td>
- <td class="tdr"><a href="#Page_237">237</a></td>
- </tr>
- <tr>
- <td><span class="smcap">Blowing-house below Black Tor</span></td>
- <td class="tdr"><a href="#Page_271">271</a></td>
- </tr>
-</table></div>
-
-<p class="ph1">DARTMOOR
-</p>
-<div class="chapter"><span class="pagenum"><a name="Page_1" id="Page_1">[Pg 1]</a></span></div>
-<hr class="chap" />
-
-
-
-
-<h2>CHAPTER I.<br />
-
-BOGS</h2>
-
-<div class="hangindent">
-
-<p>The rivers that flow from Dartmoor&mdash;The bogs are their cradles&mdash;A
-tailor lost on the moor&mdash;A man in Aune Mire&mdash;Some of the worst
-bogs&mdash;Cranmere Pool&mdash;How the bogs are formed&mdash;Adventure in
-Redmoor Bog&mdash;Bog plants&mdash;The buckbean&mdash;Sweet gale&mdash;Furze&mdash;Yellow
-broom&mdash;Bee-keeping.</p></div>
-
-
-<p class="drop-capw"><span class="smcap">Dartmoor</span> proper consists of that upland
-region of granite, rising to nearly 2,000 feet
-above the sea, and actually shooting above that
-height at a few points, which is the nursery of many
-of the rivers of Devon.</p>
-
-<p>The Exe, indeed, has its source in Exmoor, and it
-disdains to receive any affluents from Dartmoor; and
-the Torridge takes its rise hard by the sea at Wellcombe,
-within a rifle-shot of the Bristol Channel,
-nevertheless it makes a graceful sweep&mdash;tenders a
-salute&mdash;to Dartmoor, and in return receives the
-liberal flow of the Okement. The Otter and the
-Axe, being in the far east of the county, rise in the
-range of hills that form the natural frontier between
-Devon and Somerset.</p>
-
-<p><span class="pagenum"><a name="Page_2" id="Page_2">[Pg 2]</a></span></p>
-
-<p>But all the other considerable streams look back
-upon Dartmoor as their mother.</p>
-
-<p>And what a mother! She sends them forth limpid
-and pure, full of laughter and leap, of flash and brawl.
-She does not discharge them laden with brown mud,
-as the Exe, nor turned like the waters of Egypt to
-blood, as the Creedy.</p>
-
-<p>A prudent mother, she feeds them regularly, and
-with considerable deliberation. Her vast bogs act as
-sponges, absorbing the winter rains, and only leisurely
-and prudently does she administer the hoarded supply,
-so that the rivers never run dry in the hottest and
-most rainless summers.</p>
-
-<p>Of bogs there are two sorts, the great parental
-peat deposits that cover the highland, where not
-too steep for them to lie, and the swamps in the
-bottoms formed by the oozings from the hills that
-have been arrested from instant discharge into the
-rivers by the growth of moss and water-weeds, or
-are checked by belts of gravel and boulder. To
-see the former, a visit should be made to Cranmere
-Pool, or to Cut Hill, or Fox Tor Mire. To get into
-the latter a stroll of ten minutes up a river-bank will
-suffice.</p>
-
-<p>The existence of the great parent bogs is due
-either to the fact that beneath them lies the impervious
-granite, as a floor, somewhat concave, or to the
-whole rolling upland being covered, as with a quilt,
-with equally impervious china-clay, the fine deposit
-of feldspar washed from the granite in the course
-of ages.</p>
-
-<p>In the depths of the moor the peat may be seen<span class="pagenum"><a name="Page_3" id="Page_3">[Pg 3]</a></span>
-riven like floes of ice, and the rifts are sometimes
-twelve to fourteen feet deep, cut through black vegetable
-matter, the product of decay of plants through
-countless generations. If the bottom be sufficiently
-denuded it is seen to be white and smooth as a girl's
-shoulder&mdash;the kaolin that underlies all.</p>
-
-<p>On the hillsides, and in the bottoms, quaking-bogs
-may be lighted upon or tumbled into. To light upon
-them is easy enough, to get out of one if tumbled into
-is a difficult matter. They are happily small, and
-can be at once recognised by the vivid green pillow
-of moss that overlies them. This pillow is sufficiently
-close in texture and buoyant to support a man's
-weight, but it has a mischievous habit of thinning
-around the edge, and if the water be stepped into
-where this fringe is, it is quite possible for the inexperienced
-to go under, and be enabled at his leisure to
-investigate the lower surface of the covering <em>duvet</em> of
-porous moss. Whether he will be able to give to the
-world the benefit of his observations may be open to
-question.</p>
-
-<p>The thing to be done by anyone who gets into
-such a bog is to spread his arms out&mdash;this will
-prevent his sinking&mdash;and if he cannot struggle out,
-to wait, cooling his toes in bog water, till assistance
-comes. It is a difficult matter to extricate horses
-when they flounder in, as is not infrequently the
-case in hunting; every plunge sends the poor beasts
-in deeper.</p>
-
-<p>One afternoon, in the year 1851, I was in the
-Walkham valley above Merrivale Bridge digging into
-what at the time I fondly believed was a tumulus,<span class="pagenum"><a name="Page_4" id="Page_4">[Pg 4]</a></span>
-but which I subsequently discovered to be a mound
-thrown up for the accommodation of rabbits, when
-a warren was contemplated on the slope of Mis Tor.</p>
-
-<p>Towards evening I was startled to see a most
-extraordinary object approach me&mdash;a man in a
-draggled, dingy, and disconsolate condition, hardly
-able to crawl along. When he came up to me he
-burst into tears, and it was some time before I
-could get his story from him. He was a tailor of
-Plymouth, who had left his home to attend the
-funeral of a cousin at Sampford Spiney or Walkhampton,
-I forget which. At that time there was
-no railway between Tavistock and Launceston;
-communication was by coach.</p>
-
-<p>When the tailor, on the coach, reached Roborough
-Down, "'Ere you are!" said the driver. "You go
-along there, and you can't miss it!" indicating a
-direction with his whip.</p>
-
-<p>So the tailor, in his glossy black suit, and with his
-box-hat set jauntily on his head, descended from
-the coach, leaped into the road, his umbrella, also
-black, under his arm, and with a composed countenance
-started along the road that had been pointed
-out.</p>
-
-<p>Where and how he missed his way he could not
-explain, nor can I guess, but instead of finding
-himself at the house of mourning, and partaking there
-of cake and gin, and dropping a sympathetic tear,
-he got up on to Dartmoor, and got&mdash;with considerable
-dexterity&mdash;away from all roads.</p>
-
-<p>He wandered on and on, becoming hungry, feeling
-the gloss go out of his new black suit, and raws<span class="pagenum"><a name="Page_5" id="Page_5">[Pg 5]</a></span>
-develop upon his top-hat as it got knocked against
-rocks in some of his falls.</p>
-
-<p>Night set in, and, as Homer says, "all the paths
-were darkened"&mdash;but where the tailor found himself
-there were no paths to become obscured. He lay in
-a bog for some time, unable to extricate himself.
-He lost his umbrella, and finally lost his hat. His
-imagination conjured up frightful objects; if he did
-not lose his courage, it was because, as a tailor, he
-had none to lose.</p>
-
-<p>He told me incredible tales of the large, glaring-eyed
-monsters that had stared at him as he lay in
-the bog. They were probably sheep, but as nine
-tailors fled when a snail put out its horns, no wonder
-that this solitary member of the profession was
-scared at a sheep.</p>
-
-<p>The poor wretch had eaten nothing since the
-morning of the preceding day. Happily I had
-half a Cornish pasty with me, and I gave it him.
-He fell on it ravenously.</p>
-
-<p>Then I showed him the way to the little inn at
-Merrivale Bridge, and advised him to hire a trap
-there and get back to Plymouth as quickly as
-might be.</p>
-
-<p>"I solemnly swear to you, sir," said he, "nothing
-will ever induce me to set foot on Dartmoor again.
-If I chance to see it from the Hoe, sir, I'll avert
-my eyes. How can people think to come here
-for pleasure&mdash;for pleasure, sir! But there, Chinamen
-eat birds'-nests. There are depraved appetites among
-human beings, and only unwholesome-minded individuals
-can love Dartmoor."</p>
-
-<p><span class="pagenum"><a name="Page_6" id="Page_6">[Pg 6]</a></span></p>
-
-<p>There is a story told of one of the nastiest of mires
-on Dartmoor, that of Aune Head. A mire, by the
-way, is a peculiarly watery bog, that lies at the head
-of a river. It is its cradle, and a bog is distributed
-indiscriminately anywhere.</p>
-
-<p>A mire cannot always be traversed in safety; much
-depends on the season. After a dry summer it is
-possible to tread where it would be death in winter
-or after a dropping summer.</p>
-
-<p>A man is said to have been making his way
-through Aune Mire when he came on a top-hat
-reposing, brim downwards, on the sedge. He gave
-it a kick, whereupon a voice called out from beneath,
-"What be you a-doin' to my 'at?" The man replied,
-"Be there now a chap under'n?" "Ees, I reckon,"
-was the reply, "and a hoss under me likewise."</p>
-
-<p>There is a track through Aune Head Mire that can
-be taken with safety by one who knows it.</p>
-
-<p>Fox Tor Mire once bore a very bad name. The
-only convict who really got away from Princetown
-and was not recaptured was last seen taking a bee-line
-for Fox Tor Mire. The grappling irons at the
-disposal of the prison authorities were insufficient
-for the search of the whole marshy tract. Since the
-mines were started at Whiteworks much has been
-done to drain Fox Tor Mire, and to render it safe for
-grazing cattle on and about it.</p>
-
-<p>There is a nasty little mire at the head of Redaven
-Lake, between West Mill Tor and Yes Tor, and
-there is a choice collection of them, inviting the
-unwary to their chill embraces, on Cater's Beam,
-about the sources of the Plym and Blacklane Brook,<span class="pagenum"><a name="Page_7" id="Page_7">[Pg 7]</a></span>
-the ugliest of all occupying a pan and having no
-visible outlet. The Redlake mires are also disposed
-to be nasty in a wet season, and should be avoided
-at all times. Anyone having a fancy to study the
-mires and explore them for bog plants will find an
-elegant selection around Wild Tor, to be reached by
-ascending Taw Marsh and mounting Steeperton Tor,
-behind which he will find what he desires.</p>
-
-<div class="blockquot">
-
-<p>"On the high tableland," says Mr. William Collier,
-"above the slopes, even higher than many tors, are the
-great bogs, the sources of the rivers. The great northern
-bog is a vast tract of very high land, nothing but bog and
-sedge, with ravines down which the feeders of the rivers
-pour. Here may be found Cranmere Pool, which is now
-no pool at all, but just a small piece of bare black bog.
-Writers of Dartmoor guide-books have been pleased
-to make much of this Cranmere Pool, greatly to the
-advantage of the living guides, who take tourists there
-to stare at a small bit of black bog, and leave their
-cards in a receptacle provided for them. The large bog
-itself is of interest as the source of many rivers; but
-there is absolutely no interest in Cranmere Pool, which is
-nothing but a delusion and a snare for tourists. It was
-a small pool years ago, where the rain water lodged; but
-at Okement Head hard by a fox was run to ground, a
-terrier was put in, and by digging out the terrier Cranmere
-Pool was tapped, and has never been a pool since. So
-much for Cranmere Pool!</p>
-
-<p>"This great northern bog, divided into two sections by
-Fur Tor and Fur Tor Cut, extends southwards to within
-a short distance of Great Mis Tor, and is a vast receptacle
-of rain, which it safely holds throughout the driest summer.<span class="pagenum"><a name="Page_8" id="Page_8">[Pg 8]</a></span>
-Fur Tor Cut is a passage between the north and south parts
-of this great bog, evidently cut artificially for a pass for
-cattle and men on horseback from Tay Head, or Tavy
-Head, to East Dart Head, forming a pass from west to
-east over the very wildest part of Dartmoor. Anyone can
-walk over the bogs; there is no danger or difficulty to a
-man on foot unless he gets exhausted, as some have done.
-But horses, bullocks, and sheep cannot cross them. A
-man on horseback must take care where he goes, and
-this Fur Tor Cut is for his accommodation."<a name="FNanchor_1_1" id="FNanchor_1_1"></a><a href="#Footnote_1_1" class="fnanchor">[1]</a></p></div>
-
-<p>The Fur Tor Mire is not composed of black but
-of a horrible yellow slime. There is no peat in it,
-and to cross it one must leap from one tuft of coarse
-grass to another. The "mires" are formed in basins
-of the granite, which were originally lakes or tarns,
-and into which no streams fall bringing down detritus.
-They are slowly and surely filling with vegetable
-matter, water-weeds that rot and sink, and as this
-vegetable matter accumulates it contracts the area
-of the water surface. In the rear of the long sedge
-grass or bogbean creeps the heather, and a completely
-choked-up mire eventuates in a peat bog.
-Granite has a tendency to form saucer-like depressions.
-In the Bairischer Wald, the range dividing
-Bavaria from Bohemia, are a number of picturesque
-tarns, that look as though they occupied the craters
-of extinct volcanoes. This, however, is not the case;
-the rock is granite, but in this case the lakes are so
-deep that they have not as yet been filled with<span class="pagenum"><a name="Page_9" id="Page_9">[Pg 9]</a></span>
-vegetable deposit. On the Cornish moors is Dosmare
-Pool. This is a genuine instance of the lake
-in a granitic district. In Redmoor, near Fox Tor, on
-the same moors, we have a similar saucer, with a
-granitic lip, over which it discharges its superfluous
-water, but it is already so much choked with vegetable
-growth as to have become a mire. Ten thousand
-years hence it will be a great peat bog.</p>
-
-<p>I had an adventure in Redmoor, and came nearer
-looking into the world beyond than has happened
-to me before or since. Although it occurred on the
-Cornish moors, it might have chanced on Dartmoor,
-in one of its mires, for the character of both is the
-same, and I was engaged in the same autumn on
-both sets of moors. Having been dissatisfied with
-the Ordnance maps of the Devon and Cornish moors,
-and desiring that certain omissions should be corrected,
-I appealed to Sir Charles Wilson, of the
-Survey, and he very readily sent me one of his
-staff, Mr. Thomas, to go over the ground with me,
-and fill in the particulars that deserved to be added.
-This was in 1891. The summer had been one of
-excessive rain, and the bogs were swollen to bursting.
-Mr. Thomas and I had been engaged, on November
-5th, about Trewartha Marsh, and as the day closed
-in we started for the inhabited land and our lodgings
-at "Five Janes." But in the rapidly closing day we
-went out of our course, and when nearly dark found
-ourselves completely astray, and worst of all in a
-bog. We were forced to separate, and make our
-way as best we could, leaping from one patch of
-rushes or moss to another. All at once I went in<span class="pagenum"><a name="Page_10" id="Page_10">[Pg 10]</a></span>
-over my waist, and felt myself being sucked down
-as though an octopus had hold of me. I cried out,
-but Thomas could neither see me nor assist me had
-he been able to approach. Providentially I had a
-long bamboo, like an alpenstock, in my hand, and I
-laid this horizontally on the surface and struggled
-to raise myself by it. After some time, and with
-desperate effort, I got myself over the bamboo, and
-was finally able to crawl away like a lizard on my
-face. My watch was stopped in my waistcoat pocket,
-one of my gaiters torn off by the suction of the bog,
-and I found that for a moment I had been submerged
-even over one shoulder, as it was wet, and the moss
-clung to it.</p>
-
-<p>On another occasion I went with two of my
-children, on a day when clouds were sweeping across
-the moor, over Langstone Moor. I was going to
-the collection of hut circles opposite Greenaball, on
-the shoulder of Mis Tor. Unhappily, we got into the
-bog at the head of Peter Tavy Brook. This is by no
-means a dangerous morass, but after a rainy season
-it is a nasty one to cross.</p>
-
-<p>Simultaneously down on us came the fog, dense
-as cotton wool. For quite half an hour we were
-entangled in this absurdly insignificant bog. In getting
-about in a mire, the only thing to be done is
-to leap from one spot to another where there seems
-to be sufficient growth of water-plants and moss
-to stay one up. In doing this one loses all idea
-of direction, and we were, I have no doubt, forming
-figures of eight in our endeavours to extricate ourselves.
-I knew that the morass was inconsiderable in<span class="pagenum"><a name="Page_11" id="Page_11">[Pg 11]</a></span>
-extent, and that by taking a straight line it would be
-easy to get out of it, but in a fog it was not possible
-to take a bee-line. Happily, for a moment the
-curtain of mist lifted, and I saw on the horizon,
-standing up boldly, the stones of the great circle
-that is planted on the crest. I at once shouted
-to the children to follow me, and in two minutes
-we were on solid land.</p>
-
-<p>The Dartmoor bogs may be explored for rare
-plants and mosses. The buckbean will be found
-and recognised by its three succulent sea-green
-leaflets, and by its delicately beautiful white flower
-tinged with pink, in June and July. I found it
-in 1861 in abundance in Iceland, where it is
-called <em>Alptar colavr</em>, the swan's clapper. About
-Hamburg it is known as the "flower of liberty,"
-and grows only within the domains of the old
-Hanseatic Republic. In Iceland it serves a double
-purpose. Its thickly interwoven roots are cut and
-employed in square pieces like turf or felt as
-a protection for the backs of horses that are laden
-with packs. Moreover, in crossing a bog, the
-clever native ponies always know that they can
-tread safely where they see the white flower stand
-aloft.</p>
-
-<p>The golden asphodel is common, and remarkably
-lovely, with its shades of yellow from the deep-tinted
-buds to the paler expanded flower. The
-sundew is everywhere that water lodges; the sweet
-gale has foliage of a pale yellowish green sprinkled
-over with dots, which are resinous glands. The
-berries also are sprinkled with the same glands.<span class="pagenum"><a name="Page_12" id="Page_12">[Pg 12]</a></span>
-The plant has a powerful, but fresh and pleasant,
-odour, which insects dislike. Country people were
-wont to use sprigs of it, like lavender, to put with
-their linen, and to hang boughs above their beds.
-The catkins yield a quantity of wax. The sweet
-gale was formerly much more abundant, and was
-largely employed; it went by the name of the
-Devonshire myrtle. When boiled, the wax rises
-to the surface of the water. Tapers were made
-of it, and were so fragrant while burning, that
-they were employed in sick-rooms. In Prussia,
-at one time, they were constantly furnished for
-the royal household.</p>
-
-<p>The marsh helleborine, <i lang="la">Epipactis palustris</i>, may
-be gathered, and the pyramidal orchis, and butterfly
-and frog orchises, occasionally.</p>
-
-<p>The furze&mdash;only out of bloom when Love is out
-of tune&mdash;keeps away from the standing water. It
-is the furze which is the glory of the moor, with
-its dazzling gold and its honey breath, fighting for
-existence against the farmer who fires it every year,
-and envelops Dartmoor in a cloud of smoke from
-March to June. Why should he do this instead of
-employing the young shoots as fodder?</p>
-
-<p>I think that as Scotland has the thistle, Ireland
-the shamrock, and Wales the leek as their emblems,
-we Western men of Devon and Cornwall should
-adopt the furze. If we want a day, there is that of
-our apostle S. Petrock, on June 4th.</p>
-
-<p>By the streams and rivers and on hedge-banks the
-yellow broom blazes, yet it cannot rival in intensity
-of colour and in variety of tint the magnificent furze<span class="pagenum"><a name="Page_13" id="Page_13">[Pg 13]</a></span>
-or gorse. But the latter is not a pleasant plant to
-walk amidst, owing to its prickles, and especial care
-must be observed lest it affix one of these in the
-knee. The spike rapidly works inwards and produces
-intense pain and lameness. The moment it
-is felt to be there, the thing to be done is immediately
-to extract it with a knife. From the blossoms of
-the furze the bees derive their aromatic honey,
-which makes that of Dartmoor supreme. Yet beekeeping
-is a difficulty there, owing to the gales, that
-sweep the busy insects away, so that they fail to
-find their direction home. Only in sheltered combes
-can they be kept.</p>
-
-<p>The much-relished Swiss honey is a manufactured
-product of glycerine and pear-juice; but Dartmoor
-honey is the sublimated essence of ambrosial sweetness
-in taste and savour, drawn from no other source
-than the chalices of the golden furze, and compounded
-with no adventitious matter.</p>
-
-<div class="footnotes"><h3>FOOTNOTES:</h3>
-
-<div class="footnote">
-
-<p><a name="Footnote_1_1" id="Footnote_1_1"></a><a href="#FNanchor_1_1"><span class="label">[1]</span></a> "Dartmoor," in the <cite>Transactions of the Plymouth Institution</cite>,
-1897-8.</p>
-
-<p><span class="pagenum"><a name="Page_14" id="Page_14">[Pg 14]</a></span></p></div></div>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>CHAPTER II.<br />
-
-TORS</h2>
-
-<div class="hangindent">
-
-<p>Dartmoor from a distance&mdash;Elevation&mdash;The tors&mdash;Old lake-beds&mdash;"Clitters"&mdash;The
-boldest tors&mdash;Luminous moss&mdash;The whortleberry&mdash;Composition
-of granite&mdash;Wolfram&mdash;The "forest" and its surrounding
-commons&mdash;Venville parishes&mdash;Encroachment of culture on the
-moor&mdash;The four quarters&mdash;A drift&mdash;Attempts to reclaim the moor&mdash;Flint
-finds&mdash;The inclosing of commons.</p></div>
-
-
-<p class="drop-capw"><span class="smcap">Seen</span> from a distance, as for instance from
-Winkleigh churchyard, or from Exbourne, Dartmoor
-presents a stately appearance, as a ridge of
-blue mountains rising boldly against the sky out of
-rolling, richly wooded under-land.</p>
-
-<p>But it is only from the north and north-west that it
-shows so well. From south and east it has less
-dignity of aspect, as the middle distance is made
-up of hills, as also because the heights of the
-encircling tors are not so considerable, nor is their
-outline so bold.</p>
-
-<p>Indeed, the southern edge of Dartmoor is conspicuously
-tame. It has no abrupt and rugged
-heights, no chasms cleft and yawning in the range,
-such as those of the Okement and the Tavy and Taw.
-And to the east much high ground is found rising in
-stages to the fringe of the heather-clothed tors.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p014.jpg" width="700" height="497" alt="" />
-<div class="caption"><p>A TOR, SHOWING WEATHERING OF GRANITE</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_15" id="Page_15">[Pg 15]</a></span></p>
-
-<p>Dartmoor, consisting mainly of a great upheaved
-mass of granite, and of a margin of strata that have
-been tilted up round it, forms an elevated region some
-thirty-two miles from north to south and twenty from
-east to west. The heated granite has altered the
-slates in contact with it, and is itself broken through
-on the west side by an upward gush of molten matter
-which has formed Whit Tor and Brent Tor.</p>
-
-<p>The greatest elevations are reached on the outskirts,
-and there, also, is the finest scenery. The
-interior consists of rolling upland. It has been
-likened to a sea after a storm suddenly arrested and
-turned to stone; but a still better resemblance, if not
-so romantic, is that of a dust-sheet thrown over the
-dining-room chairs, the backs of which resemble the
-tors divided from one another by easy sweeps of turf.</p>
-
-<p>Most of the heights are crowned with masses of
-rock standing up like old castles; these, and these
-only, are tors.<a name="FNanchor_2_2" id="FNanchor_2_2"></a><a href="#Footnote_2_2" class="fnanchor">[2]</a> Such are the worn-down stumps
-of vast masses of mountain formation that have disappeared.
-There are no lakes on or about the moor,
-but this was not always so. Where is now Bovey
-Heathfield was once a noble sheet of water fifty
-fathoms deep. Here have been found beds of lignite,
-forests that have been overwhelmed by the wash from
-the moor, a canoe rudely hollowed out of an oak,
-and a curious wooden idol was exhumed leaning
-against a trunk of tree that had been swallowed up
-in a freshet. The canoe was nine feet long. Bronze
-spear-heads have also been found in this ancient
-lake, and moulds for casting bronze instruments. A
-<span class="pagenum"><a name="Page_16" id="Page_16">[Pg 16]</a></span>representation of the idol was given in the <cite>Transactions
-of the Devonshire Association</cite> for 1875.</p>
-
-<p>The new Plymouth Reservoir overlies an old lake-bed.
-Taw Marsh was also once a sheet of rippling
-blue water, but the detritus brought down in the
-weathering of what once were real mountains has filled
-them all up. Dartmoor at present bears the same
-relation to Dartmoor in the far past that the gums
-of an old hag bear to the pearly range she wore
-when a fresh girl. The granite of Dartmoor was not
-well stirred before it was turned out, consequently
-it is not homogeneous. Granite is made up of
-many materials: hornblende, feldspar, quartz, mica,
-schorl, etc. Sometimes we find white mica, sometimes
-black. Some granite is red, as at Trowlesworthy,
-and the beautiful band that crosses the Tavy
-at the Cleave; sometimes pink, as at Leather Tor;
-sometimes greenish, as above Okery Bridge; sometimes
-pure white, as at Mill Tor.</p>
-
-<p>The granite is of very various consistency, and
-this has given it an appearance on the tors as if
-it were a sedimentary rock laid in beds. But this
-is its little joke to impose on the ignorant. The
-feature is due to the unequal hardness of the rock
-which causes it to weather in strata.</p>
-
-<p>The fine-grained granite that occurs in dykes is
-called elvan, which, if easiest to work, is most liable to
-decay. In Cornwall the elvan of Pentewan was used
-for the fine church of S. Austell, and as a consequence
-the weather has gnawed it away, and the greater part
-has had to be renewed. On the other hand, the
-splendid elvan of Haute Vienne has supplied the<span class="pagenum"><a name="Page_17" id="Page_17">[Pg 17]</a></span>
-cathedral of Limoges with a fine-grained material that
-has been carved like lace, and lasts well.</p>
-
-<p>The drift that swept over the land would appear to
-have been from west to east, with a trend to the
-south, as no granite has been transported, except in
-the river-beds to the north or west, whereas blocks
-have been conveyed eastward. This is in accordance
-with what is shown by the long ridges of clay on the
-west of Dartmoor, formed of the rubbing down of
-the slaty rocks that lie north and north-west. These
-bands all run north and south on the sides of hills,
-and in draining processes they have to be pierced
-from east to west. This indicates that at some period
-during the Glacial Age there was a wash of water
-from the north-west over Devon, depositing clay and
-transporting granite.</p>
-
-<p>On the sides of the tors are what are locally termed
-"clitters" or "clatters" (Welsh <em>clechr</em>), consisting of
-a vast quantity of stone strewn in streams from the
-tors, spreading out fanlike on the slopes. These are
-the wreckage of the tor when far higher than it is
-now, <em>i.e.</em> of the harder portions that have not been
-dissolved and swept away.</p>
-
-<div class="blockquot">
-
-<p>"The tors&mdash;Nature's towers&mdash;are huge masses of granite
-on the top of the hills, which are not high enough to
-be called mountains, piled one upon another in Nature's
-own fantastic way. There may be a tor, or a group of tors,
-crowning an eminence, but the effect, either near or afar, is
-to give the hilltop a grand and imposing look. These
-large blocks of granite, poised on one another, some
-appearing as if they must fall, others piled with curious
-regularity&mdash;considering they are Nature's work&mdash;are the<span class="pagenum"><a name="Page_18" id="Page_18">[Pg 18]</a></span>
-prominent features in a Dartmoor landscape, and, wild as
-parts of Dartmoor are, the tors add a notable picturesque
-effect to the scene. There are very fine tors on the western
-side of the moor. Those on the east and south are not so
-fine as those on the north and west. In the centre of the
-moor there are also fine tors. They are, in fact, very numerous,
-for nearly every little hill has its granite cap, which is
-a tor, and every tor has its name. Some of the high hills
-that are tor-less are called beacons, and were doubtless used
-as signal beacons in times gone by. As the tors are not
-grouped or built with any design by Nature to attract the
-eye of man, they are the more attractive on that account,
-and one of their consequent peculiarities is that from different
-points of view they never appear the same. There can
-be no sameness in a landscape of tors when every tor
-changes its features according to the point of view from
-which you look at it. Every tor also has its heap of rock
-at its feet, some of them very striking jumbles of blocks of
-granite scattered in great confusion between the tor and the
-foot of the hill. Fur Tor, which is in the very wildest spot
-on Dartmoor, and is one of the leading tors, has a <em>clitter</em> of
-rocks on its western side as remarkable as the tor itself;
-Mis Tor, also on its western side, has a very fine clitter
-of granite; Leather Tor stands on the top of a mass of
-granite rocks on its east and south sides; and Hen Tor, on
-the south quarter, is surrounded with blocks of granite, with
-a hollow like the crater of a volcano, as if they had been
-thrown up by a great convulsion of Nature. Hen Tor is
-remarkable chiefly for this wonderful mass of granite blocks
-strewn around it. All the moor has granite boulders
-scattered about, but they accumulate at the feet of the tors
-as if for their support."<a name="FNanchor_3_3" id="FNanchor_3_3"></a><a href="#Footnote_3_3" class="fnanchor">[3]</a></p></div>
-
-<div class="figcenter" style="width: 531px;">
-<img src="images/p018.jpg" width="531" height="700" alt="" />
-<div class="caption"><p>VIXEN TOR</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_19" id="Page_19">[Pg 19]</a></span></p>
-
-<p>Here among the clitters, where they form caves,
-a search may be made for the beautiful moss
-<i lang="la">Schistostega osmundacea</i>. It has a metallic lustre
-like green gold, and on entering a dark place under
-rocks, the ground seems to be blazing with gold.
-In Germany the Fichtel Gebirge are of granite,
-and the Luchsen Berg is so called because there
-in the hollow under the rocks grew abundance of
-the moss glittering like the eyes of a lynx. The
-authorities of Alexanderbad have had to rail in
-the grottoes to prevent the <em>gold moss</em> from being
-carried off by the curious. Murray says of these
-retreats of the luminous moss:&mdash;</p>
-
-<div class="blockquot">
-
-<p>"The wonder of the place is the beautiful phosphorescence
-which is seen in the crannies of the rocks, and
-which appears and disappears according to the position
-of the spectator. This it is which has given rise to
-the fairy tales of gold and gems with which the gnomes
-and cobolds tantalise the poor peasants. The light
-resembles that of glow-worms; or, if compared to a
-precious stone, it is something between a chrysolite and
-a cat's-eye, but shining with a more metallic lustre. On
-picking up some of it, and bringing it to the light, nothing
-is found but dirt."</p></div>
-
-<p>Professor Lloyd found that the luminous appearance
-was due to the presence of small crystals in the
-structure which reflect the light. Coleridge says:&mdash;</p>
-
-<div class="center">
-<div class="poem"><div class="stanza">
-<span class="i0">"'Tis said in Summer's evening hour,<br /></span>
-<span class="i0">Flashes the golden-coloured flower,<br /></span>
-<span class="i10">A fair electric light."<br /></span>
-</div></div>
-</div>
-<p><span class="pagenum"><a name="Page_20" id="Page_20">[Pg 20]</a></span></p>
-<p>In 1843, when the luminosity of plants was
-recorded in the <cite>Proceedings of the British Association</cite>,
-Mr. Babington mentioned having seen in the
-south of England a peculiar bright appearance
-produced by the presence of the <i lang="la">Schistostega pennata</i>,
-a little moss which inhabited caverns and dark
-places: but this was objected to on the ground
-that the plant reflected light, and did not give it
-off in phosphorescence.<a name="FNanchor_4_4" id="FNanchor_4_4"></a><a href="#Footnote_4_4" class="fnanchor">[4]</a></p>
-
-<p>When lighted on, it has the appearance of a
-handful of emeralds or aqua marine thrown into
-a dark hole, and is frequently associated with the
-bright green liverwort. Parfitt, in his <cite>Moss Flora
-of Devon</cite>, gives it as <em>osmundacea</em>, not as <em>pennata</em>.
-It was first discovered in Britain by a Mr. Newberry,
-on the road from Zeal to South Tawton; it is, however,
-to be found in a good many places, as Hound
-Tor, Widdecombe, Leather Tor, and in the Swincombe
-valley, also in a cave under Lynx Tor. If
-found, please to leave alone. Gathered it is invisible;
-the hand or knife brings away only mud.</p>
-
-<p>But what all are welcome to go after is that which
-is abundant on every moorside&mdash;but nowhere finer
-than on such as have not been subjected to periodical
-"swaling" or burning. I refer to the whortleberry.
-This delicious fruit, eaten with Devonshire cream,
-is indeed a delicacy. A gentleman from London
-was visiting me one day. As he was fond of good
-things, I gave him whortleberry and cream. He
-ate it in dead silence, then leaned back in his chair,<span class="pagenum"><a name="Page_21" id="Page_21">[Pg 21]</a></span>
-looked at me with eyes full of feeling, and said, "I
-am thankful that I have lived to this day."</p>
-
-<p>The whortleberry is a good deal used in the south
-of France for the adulteration and colouring of claret,
-whole truck-loads being imported from Germany.</p>
-
-<p>There is an interesting usage in my parish, and I
-presume the same exists in others. On one day in
-summer, when the "whorts" are ripe, the mothers
-unite to hire waggons of the farmers, or borrow
-them, and go forth with their little ones to the
-moor. They spend the day gathering the berries,
-and light their fires, form their camp, and have their
-meals together, returning late in the evening, very
-sunburnt, with very purple mouths, very tired maybe,
-but vastly happy, and with sufficient fruit to sell
-to pay all expenses and leave something over.</p>
-
-<p>If the reader would know what minerals are found
-on Dartmoor he must go elsewhere.</p>
-
-<p>I have a list before me that begins thus: "Allophane,
-actinolite, achroite, andalusite, <em>apatite</em>"&mdash;but
-I can copy out no more. I have often found
-<em>appetite</em> on Dartmoor, but have not the slightest
-suspicion as to what is apatite. The list winds
-up with wolfram, about which I can say something.
-Wolfram is a mineral very generally found along
-with tin, and that is just the "cussedness" of it,
-for it spoils tin.</p>
-
-<p>When tin ore is melted at a good peat fire, out
-runs a silver streak of metal. This is brittle as
-glass, because of the wolfram in it. To get rid of
-the wolfram the whole has to be roasted, and the
-operation is delicate, and must have bothered our<span class="pagenum"><a name="Page_22" id="Page_22">[Pg 22]</a></span>
-forefathers considerably. By means of this second
-process the wolfram, or tungsten as it is also called,
-is got rid of.</p>
-
-<p>Now, it is a curious fact that the tin of Dartmoor
-is of extraordinary purity; it has little or none of
-this abominable wolfram associated with it, so that
-it is by no means improbable that the value of tin
-as a metal was discovered on Dartmoor, or in some
-as yet unknown region where it is equally unalloyed.</p>
-
-<p>In Cornwall all the tin is mixed with tungsten.
-Now this material has been hitherto regarded as
-worthless; it has been sworn at by successive generations
-of miners since mining first began. But all
-at once it has leaped into importance, for it has
-been discovered to possess a remarkable property
-of hardening iron, and is now largely employed for
-armour-plated vessels. From being worth nothing
-it has risen to a rapidly rising value, as we are
-becoming aware that we shall have to present impenetrable
-sides to our Continental neighbours.</p>
-
-<p>Dartmoor comprises the "forest" and the surrounding
-commons, as extensive together as the forest itself.
-"What have you got on you, little girl?" asked
-a good woman of a shivering child. "Please, mem,
-first there's a jacket, then a gownd, and then comes
-Oi." So with Dartmoor. First come the venville
-parishes, next their extensive commons, and "then
-comes Oi," the forest itself.</p>
-
-<p>The venville parishes are all moorland parishes&mdash;Belstone,
-Throwleigh, Gidleigh, Chagford, North
-Bovey, Manaton, Widdecombe, Holne, Buckfastleigh,
-Dean Prior, South Brent, Shaugh, Meavy,<span class="pagenum"><a name="Page_23" id="Page_23">[Pg 23]</a></span>
-Sheeps Tor, Walkhampton, Sampford Spiney, Whitchurch,
-Peter Tavy, Lydford, Bridestowe, Sourton.
-There are others, standing like the angel of the
-Apocalypse, with one foot on the moorland, the
-other steeped in the green waves of foliage of the
-lowlands; such are South Tawton, Cornwood, and
-Tavistock. Others, again, as Lustleigh, Bridford,
-Moreton, Buckland-in-the-Moor, Ilsington, and Ugborough,
-must surely have been moorland settlements
-at one time, and Okehampton itself is as distinctly
-a moor town as is Moreton, which tells its
-own tale in its name. But all these have their warm
-envelope of arable land, groves and woods, farms
-and hamlets. Such have their commons, over which
-every householder has a right to send cattle, to take
-turf and stone, and, alas! with the connivance of the
-other householders, to inclose. This inclosing has
-been going on at a great rate in some of the parishes.
-For instance, common rights are exercised by the
-householders of South Zeal over an immense tract
-of land on the north side of Cosdon. Of late years
-they have put their heads together and decided, as
-they are few in number, to appropriate it to themselves
-as private property, and inclosures have proceeded
-at a rapid rate.</p>
-
-<p>In Bridestowe there is a tract of open land on
-which the poor cotters have, from time immemorial,
-kept their cows. But they are tenants, and not householders,
-and have consequently no rights. The seven
-or eight owners have combined to inclose and sell or
-let for building purposes all that tract of moor, and
-the cotters have lost their privilege of keeping cows.<span class="pagenum"><a name="Page_24" id="Page_24">[Pg 24]</a></span>
-What we see now going on under our eyes has been
-going on from time immemorial. Parishes have encroached,
-and the genuine forest has shrunk together
-before them. The commons still exist, and are extensive,
-but they are being gradually and surely
-reduced. "Then comes Oi!" Look at the map
-and see of what the forest really consists. It surely
-must have been larger formerly.</p>
-
-<p>On the forest itself are a certain number of
-"ancient tenements," thirty-five in all. These are
-of remote antiquity. On certainly most of them,
-probably on all, the plough and the hoe turn up
-numerous flint tools, weapons, and chips&mdash;sure proof
-that they were settlements in prehistoric times.
-These tenements are at Brimpts, Hexworthy,
-Huccaby, Bellever, Dunnabridge, Baberry, Pizwell,
-Runnage, Sherberton, Riddons, Merripit, Hartland,
-Broom Park, Brown Berry, and Prince Hall. These
-were held&mdash;and some still are&mdash;by copy of the
-Court Roll, and the holders are bound to do suit
-and service at the Court. It is customary for every
-holder on accession to the holding to inclose a tract
-of a hundred acres, and this inclosure constitutes his
-newtake.</p>
-
-<p>The forest belongs to the Prince of Wales, but I
-believe has never been visited by him. Were he to
-do so, he would be surprised, and perhaps not a little
-indignant, to see how his tenants are housed. A
-forest does not necessarily signify a wood. It is a
-place for wild beasts. The origin of the word is not
-very clear. Lindwode says, "A Forest is a place
-where are wild beasts; whereas a Park is a place
-where they are shut in." Ockam says, "A Forest is
-a safe abode for wild beasts," and derives the word
-from <em>feresta</em>, <em>i.e.</em> a place for wild creatures. It was, in
-fact, a tract of uninclosed land reserved for the king
-to hunt in, and a <em>chase</em> was a similar tract reserved by
-the lord of the manor for his own hunting.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p024.jpg" width="700" height="490" alt="" />
-<div class="caption"><p>ROCKS NEAR HEY TOR</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_25" id="Page_25">[Pg 25]</a></span></p>
-
-<p>It is more than doubtful whether Dartmoor was
-ever covered with trees. No doubt there have been
-trees in the bottoms, and indeed oak has been
-taken from some of the bogs; but the charcoal found
-in the fire-pits of the primitive inhabitants of the
-moor in the Bronze Age shows that, even in the prehistoric
-period, the principal wood was alder, and that
-such oak as there was did not grow to a large size,
-and was mainly confined to the valleys that opened
-out of the moor into the lowlands. Up these, doubtless,
-the forest crept. Elsewhere there may have
-been clusters of stunted trees, of which the only
-relics are Piles and Wistman's Wood. There were
-some very fine oaks at Brimpts, and also in Okehampton
-Park, but these were cut down during the
-European war with Napoleon. After the wood at
-Brimpts had fallen under the axe, it was found that
-the cost of carriage would be so great that the timber
-was sold for a mere trifle, only sufficient to pay for
-the labour of cutting it down.</p>
-
-<p>The forest is divided into four quarters, in each of
-which, except the western, is a pound for stray
-cattle. Formerly the Forest Reeve privately communicated
-with the venville men when he had fixed
-a day for a "drift," which was always some time
-about midsummer. Then early in the morning all<span class="pagenum"><a name="Page_26" id="Page_26">[Pg 26]</a></span>
-assembled mounted. A horn was blown through
-a holed stone set up on a height, and the drift began.
-Cattle or horses were driven to a certain point, at
-which stood an officer of the Duchy on a stone, and
-read a proclamation, after which the owners were
-called to claim their cattle or ponies. Venville
-tenants removed them without paying any fine, but
-all others were pounded, and their owners could not
-recover them without payment of a fine.</p>
-
-<p>The Duchy Pound is at Dunnabridge, where is
-a curious old seat within the inclosure for the
-adjudicator of fines and costs. It is apparently a
-cromlech that has been removed or adapted. The
-Duchy now lets the quarters to the moormen, who
-charge a small fee for every sheep, bullock, or
-horse turned out on the moor not belonging to a
-venville man, and for this fee they accord it their
-protection.</p>
-
-<p>A good deal of money has been expended on
-the reclaiming of Dartmoor. Sir Thomas Tyrwhitt,
-Usher of the Black Rod, was Warden of the Stannary
-and Steward of the Forest for George IV. when
-Prince of Wales. He fondly supposed that he had
-discovered an uncultivated land, which needed only
-the plough and some lime to make its virgin soil
-productive. He induced others to embark on the
-venture. Swincombe and Stannon were started to
-become fine farm estates. Great entrance gates were
-erected to where mansions were proposed to be built.
-But those who had leased these lands found that the
-draining of the bogs drained their pockets much
-faster than the mires, and abandoned the attempt<span class="pagenum"><a name="Page_27" id="Page_27">[Pg 27]</a></span>
-which had ruined them. Others followed. Prince's
-Hall was rebuilt with fine farm buildings by a Mr.
-Fowler from the north of England, who expended
-his fortune there and left a disappointed man.
-Before him Sir Francis Buller, who had bought
-Prince's Hall, planted there forty thousand trees&mdash;such
-as are not dead are distorted starvelings. Mr.
-Bennett built Archerton, near Post Bridge, and inclosed
-thousands of acres. He cannot have recovered
-a sum approaching his outlay in the sixty years of
-his tenancy. The fact is that Dartmoor is cut out
-by Nature to be a pasturage for horses, cattle, and
-sheep in the summer months, and for that only.
-In the burning and dry summers of 1893, 1897, and
-1899 tens of thousands of cattle were sent there,
-even from so far off as Kent, where water and
-pasturage were scarce, and on the moor they both
-are ever abundant.</p>
-
-<p>Tenements there must be, but they should be
-in the sheltered valleys, and the wide hillsides and
-sweeps of moor should be left severely alone. As
-it is, encroachments have gone on unchecked, rather
-have been encouraged. Every parish in Devon has
-a right to send cattle to the moor, excepting only
-Barnstaple and Totnes. But the Duchy, by allowing
-and favouring inclosures, is able to turn common
-land into private property, and that it is only too
-willing to do.</p>
-
-<p>Happily there now exists a Dartmoor Preservation
-Society, which is ready to contest every attempt
-made in this direction. But it can do very little to
-protect the commons around the forest&mdash;in fact it<span class="pagenum"><a name="Page_28" id="Page_28">[Pg 28]</a></span>
-can do nothing, if the freeholders in the parishes that
-enjoy common rights agree together to appropriate
-the land to themselves&mdash;and for the poor labourer
-who is able to buy himself a cow it can do nothing
-at all, for his rights have no legal force.</p>
-
-<div class="footnotes"><h3>FOOTNOTES:</h3>
-
-<div class="footnote">
-
-<p><a name="Footnote_2_2" id="Footnote_2_2"></a><a href="#FNanchor_2_2"><span class="label">[2]</span></a> The Welsh <em>twr</em> is a tower; <em>twrr</em>, a heap or pile. From the same
-root as the Latin <em>turris</em>.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_3_3" id="Footnote_3_3"></a><a href="#FNanchor_3_3"><span class="label">[3]</span></a> <span class="smcap">Collier</span>, <i lang="la">op. cit.</i></p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_4_4" id="Footnote_4_4"></a><a href="#FNanchor_4_4"><span class="label">[4]</span></a> <span class="smcap">Hardwicke's</span> <cite>Science Gossip</cite>, 1871, p. 123.</p>
-
-<p><span class="pagenum"><a name="Page_29" id="Page_29">[Pg 29]</a></span></p></div></div>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>CHAPTER III.<br />
-
-THE ANCIENT INHABITANTS</h2>
-
-<div class="hangindent">
-
-<p>Abundance of remains of primeval inhabitants&mdash;No trace of Briton or
-Saxon on Dartmoor&mdash;None of Palæolithic man&mdash;The Neolithic man
-who occupied it&mdash;Account of his migrations&mdash;His presence in
-Ireland, in China, in Algeria&mdash;A pastoral people&mdash;The pottery&mdash;The
-arrival of the Celt in Britain in two waves&mdash;The Gael&mdash;The
-Briton&mdash;Introduction of iron&mdash;Mode of life of the original occupants
-of the moor&mdash;The huts&mdash;Pounds&mdash;Cooking&mdash;Tracklines&mdash;Enormous
-numbers who lived on Dartmoor&mdash;A peaceable people.</p></div>
-
-
-<p class="drop-capw"><span class="smcap">Probably</span> no other tract of land of the same
-extent in England contains such numerous and
-well-preserved remains of prehistoric antiquity as
-Dartmoor.</p>
-
-<p>The curious feature about them is that they all
-belong to one period, that of the Early Bronze, when
-flint was used abundantly, but metal was known,
-and bronze was costly and valued as gold is now.</p>
-
-<p>Not a trace has been found so far of the peoples
-who intervened between these primitive occupants
-and the mediæval tin-miners.</p>
-
-<p>If iron was introduced a couple of centuries before
-the Christian era, how is it that the British inhabitants
-who used iron and had it in abundance have left
-no mark of their occupancy of Dartmoor? It can
-be accounted for only on the supposition that they
-did not value it. The woods had been thinned<span class="pagenum"><a name="Page_30" id="Page_30">[Pg 30]</a></span>
-and they preferred the lowlands, whereas in the
-earlier period the dense forests that clothed the
-country were too close a jungle and too much infested
-by wolves to be suitable for the habitation of a
-pastoral people.</p>
-
-<p>That under the Roman domination the tin was
-worked on the moor there is no evidence to show.
-No Roman coins have been found there except
-a couple brought by French prisoners to Princetown.</p>
-
-<p>It may be said that iron would corrode and
-disappear, whereas flint is imperishable, and bronze
-nearly so. But where is Roman pottery? Where
-is even the pottery of the Celtic period? An era
-is distinguished by its fictile ware. A huge gap in
-historic continuity is apparent. All the earthenware
-found on Dartmoor is either prehistoric or mediæval,
-probably even so late as the reign of Elizabeth.</p>
-
-<p>No indication is found that the Saxons worked the
-tin or even drove their cattle on to the moor. In
-Domesday Book Dartmoor is not even mentioned.
-It is hard to escape the conclusion that from the
-close of the prehistoric period to that of our Plantagenet
-kings, Dartmoor was avoided as a waste,
-inhospitable region.</p>
-
-<p>Of man in the earliest period at which he is known
-to have existed&mdash;the so-called Palæolithic man&mdash;not
-a trace has been found on Dartmoor. Probably when
-he lived in Britain the whole upland was clothed in
-snow. He has left his tools in the Brixham and
-Torquay caves&mdash;none in the bogs of the moor.
-Indeed, when these bogs have been dug into, there
-are not the smallest indications found of man having<span class="pagenum"><a name="Page_31" id="Page_31">[Pg 31]</a></span>
-visited the moor before the advent of what is called
-the Neolithic Age.</p>
-
-<p>About the man of this period I must say something,
-as he in his day lived in countless swarms on
-this elevated land. He may have lived also in the
-valleys of the lowlands, but his traces there have
-been obliterated by the plough. First of all as to
-his personal appearance. He was dark-haired, tall,
-and his head was long, like that of a new-born child,
-or boat-shaped, a form that disappears with civilisation,
-and resolves itself into the long face instead of
-the long head.</p>
-
-<p>At some period, vastly remote, a great migration
-of a long-headed race took place from Central Asia.
-It went forth in many streams. One to the east
-entered Japan; probably the Chinese and Anamese
-represent another. But we are mainly concerned
-with the western outpour. It traversed Syria, and
-Gilead and Moab are strewn with its remains, hut
-circles, dolmens, and menhirs identical with those
-on Dartmoor. Hence one branch passed into Arabia,
-where, to his astonishment, Mr. Palgrave lighted on
-replicas of Stonehenge.<a name="FNanchor_5_5" id="FNanchor_5_5"></a><a href="#Footnote_5_5" class="fnanchor">[5]</a></p>
-
-<p><span class="pagenum"><a name="Page_32" id="Page_32">[Pg 32]</a></span></p>
-
-<p>Another branch threw itself over the Himalayas,
-and covered India with identical monuments. Again
-another turned west; it traversed the Caspian and
-left innumerable traces along the northern slopes of
-the Caucasus. The Kuban valley is crowded with
-their dolmens. They occupied the Crimea, and then
-struck for the Baltic. That a branch had passed
-through Asia Minor and Greece, and constituted
-itself as the Etruscan power in Italy, is probable but
-not established. The northern stream strewed Mecklenburg
-and Hanover with its remains, occupied
-Denmark and Lower Sweden, crossed into Britain,
-and took complete possession of the British Isles.
-Other members of the same swarm skirted the
-Channel and crowded the plateaux and moors of
-Western and Central France with their megalithic
-remains. The same people occupied Spain and
-Portugal, the Balearic Isles, Corsica and Sardinia,
-<span class="pagenum"><a name="Page_33" id="Page_33">[Pg 33]</a></span>and Northern Africa, and are now represented by
-the Koumirs and Kabyles. To this race the name
-of Iberian, Ivernian, or Silurian has been given. It
-contributed its name to Ireland (Erin or <em>Ierne</em>), where
-it maintained itself, but was known to the conquering
-Gaels as the Tuatha da Danann and Firbolgs, two
-branches of the same stock. The name of Damnonia
-given to Devon is probably due to these same
-Danann, who were also found in the south of Scotland.
-When this great people reached Europe, Japan,
-India, Africa, before its branches had begun to ramify
-to east and west, to south and north, its religious
-doctrines and its practices had become stereotyped,
-and almost ineradicably ingrained into the consciousness
-of the entire stock.</p>
-
-<p>If we desire to understand what their peculiar
-views were, what were the dominant ideas which
-directed their conduct, and which led them to erect
-the monuments which are marvels to us, even at the
-present day, we must go to China.</p>
-
-<p>Let us look for a moment into China at the present
-day. At first sight, the Chinese strike us as being
-not only geographically our antipodes, but as being
-our opposites in every particular&mdash;mental, moral,
-social; in language as in ideas.</p>
-
-<p>The Chinese language is without an alphabet and
-without a grammar. It is made up of monosyllables
-that acquire their significance by the position in
-which they are placed in a sentence. In customs
-the Chinese differ from us as much. In mourning
-they wear white; a Chinese dinner begins with the
-dessert and ends with the soup; a scholar, to recite<span class="pagenum"><a name="Page_34" id="Page_34">[Pg 34]</a></span>
-his lessons, turns his back on the teacher. But it
-is chiefly in the way in which the living and the
-dead are regarded as forming an indissoluble
-commonwealth, that the difference of ideas is most
-pronounced. Regard for the dead is the first obligation
-to a Chinese. A man of the people who
-is ennobled, ennobles, not his descendants, but his
-ancestry. The duty of the eldest son of the family
-is to maintain the worship of the ancestors. Denial
-of a sepulchre is the most awful punishment that
-can be inflicted; a Chinese will cheerfully commit
-suicide to gain a suitable tomb and cult after death.
-The most sacred spot on earth is the mausoleum,
-and that is perpetually inviolable. Consequently, if
-this principle could be carried out to the letter, the
-earth would be transformed into one vast necropolis,
-from the occupation of which the living would be
-in time entirely excluded. It is this respect for
-graves which stands in the way of the execution
-of works of public utility, such as canals and
-railroads; and it is the imperious obligation of
-maintaining the worship of ancestors that blocks conversion
-to Christianity. It is resentment against lack
-of respect shown to the dead, neglect of duty to the
-dead, which has provoked the massacres of Christians.
-A Chinese, under certain circumstances, is justified
-in strangling his father, but not in omitting to worship
-him after he has throttled him.</p>
-
-<p>On the great Thibet plateau, geographically contiguous
-to the Chinese, and under the Empire of
-China, the Mongol nomads are so absolutely devoid
-of a grain of respect for their dead, that, without<span class="pagenum"><a name="Page_35" id="Page_35">[Pg 35]</a></span>
-the smallest scruple, they leave the corpses of their
-parents and children on the face of the desert, to be
-devoured by dogs and preyed on by vultures.</p>
-
-<p>If we look at the Nile valley we see that the
-ancient Egyptians were dominated by the same
-ideas as the Chinese. To them the tomb was the
-habitation <i lang="fr">par excellence</i> of the family. Of the
-dwelling-houses of the old Egyptians the remains
-are comparatively mean, but their mausoleums are
-palatial. The house for the living was but as a
-tent, to be removed; but the mansion of the dead
-was a dwelling-place for ever.</p>
-
-<p>Not only so, but just as the ancient Egyptian
-supposed that the <em>Ka</em>, the soul, or one of the souls
-of the deceased, occupied the monument, tablet, or
-obelisk set up in memorial of the dead, so does the
-Chinese now hold that a soul, or emanation from
-the dead, enters into and dwells in the memorial
-set up, apart from the tomb, to his honour.</p>
-
-<p>Now if we desire to discover what was the distinguishing
-motive in life of the long-headed Neolithic
-man, we shall find it in his respect for the dead; and
-he has stamped his mark everywhere where he has
-been by the stupendous tombs he has erected, at
-vast labour, out of unwrought stones. He cannot
-be better described than as the dolmen-builder; that
-is to say, the man who erected the family or tribal
-ossuaries that remain in such numbers wherever he
-has planted his foot.</p>
-
-<p>In China, it is true, there are no dolmens, but for
-this there is a reason. Before the descendants of the
-Hundred Families who entered the Celestial Empire<span class="pagenum"><a name="Page_36" id="Page_36">[Pg 36]</a></span>
-had reached and obtained possession of mountains
-whence stone could be quarried, many centuries
-elapsed, and forced the Chinese to make shift with
-other material than stone, and so formed their habit
-of entombment without stone; but the frame of
-mind which, in a rocky land, would have prompted
-them to set up dolmens remained unchanged, and so
-remains to the present day.</p>
-
-<p>The exploration of dolmens in Europe reveals that
-they were family or tribal burial-places, and were
-used for a long continuance of time. The dead to
-be laid in them were occasionally brought from a
-distance, as the bones show indication of having
-been cleaned of the flesh with flint scrapers, and
-to have been rearranged in an irregular and unscientific
-manner, a left leg being sometimes applied
-to a right thigh; or it may be that on the anniversary
-of an interment the bones of the deceased were
-taken out, scraped and cleaned, and then replaced.</p>
-
-<p>In Algeria, and on the edge of the Sahara, are
-found great trilithons, that is to say, two huge upright
-stones, with one laid across at the top, forming
-doorways leading to nothing, but similar to those
-which are found at Stonehenge.</p>
-
-<p>What was this significance?</p>
-
-<p>We turn to the Chinese for an explanation, and
-find that to this day they erect triumphal gates&mdash;not
-now of stone, but of wood&mdash;in memory of and in
-honour of such widows as commit suicide so as to join
-their dear departed husbands in the world of spirits.
-On the other hand, our widows forget us and remarry.</p>
-
-<p><span class="pagenum"><a name="Page_37" id="Page_37">[Pg 37]</a></span></p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p037.jpg" width="700" height="565" alt="" />
-<div class="caption"><p>FLINT ARROW-HEADS.</p>
-
-<p>(Actual size.)</p></div>
-</div>
-
-<p>The dolmen-builders were people with flocks and
-herds, and who cultivated grain and spun yarn.
-Their characteristic implement is the so-called celt,
-in reality an axe, sometimes perforated for the reception
-of a handle, most commonly not. The
-perforation belongs to the latest stage of Neolithic
-civilisation. Their weapons, or tools, were first
-ground. In about a score of places in France polishing
-rocks exist, marked with the furrows made by
-the axe when worked to and fro upon them, and
-others that are smaller have been removed to
-museums. At Stoney-Kirk, in Wigtownshire, a
-grinding-stone of red sandstone, considerably hollowed
-by use, was found with a small, unfinished
-axe of Silurian schist lying upon it. In the recent<span class="pagenum"><a name="Page_38" id="Page_38">[Pg 38]</a></span>
-exploration of hut circles at Legis Tor a grindstone
-was found in one of the habitations, and on it an
-incomplete tool that was abandoned there before
-it was finished.</p>
-
-<p>After grinding, these implements underwent laborious
-polishing by friction with the hand or with
-leather.</p>
-
-<p>At the same time that these artificially smoothed
-tools were fabricated, flint was used, beautifully
-chipped and flaked, to form arrow and spear heads
-and swords. The arrow-heads are either leaf-shaped
-or tanged.</p>
-
-<p>The pottery of the dolmen-builders is very rude.
-It is made of clay mingled with coarse fragments
-of stone or shell, is very thick and badly tempered;
-it is hand-made, and seems hardly capable of enduring
-exposure to a brisk fire. The vessels have usually
-broad mouths, with an overhanging rim like a turned-back
-glove-cuff, and below this the vessel rapidly
-slopes away. The ornamentation is constant everywhere.
-It consisted of zigzags, chevrons, depressions
-made by twisted cord, and finger-nail marks in rings
-round the bowls or rims. It was not till late in the
-Bronze Age that circles and spirals were adopted.</p>
-
-<p>Celtic ornamentation is altogether different.</p>
-
-<p>Whilst the long-headed dolmen-builder crept along
-the coast of Europe, there was growing up among
-the mountains and lakes of Central Europe a hardy
-round-headed race&mdash;the Aryan, destined to be his
-master. Was it through instinct of what was to be,
-that the Ivernian shrank from penetrating into the
-heart of the Continent, and clung to the seaboard?</p>
-
-<p><span class="pagenum"><a name="Page_39" id="Page_39">[Pg 39]</a></span></p>
-
-<p>When the dolmen-builder arrived in Britain, to
-the best of our knowledge, he found no one there.
-On the Continent, on the other hand, if he went
-far inland, he not only clashed with the Aryan
-round-heads, but also here and there stumbled on
-the lingering remains of the primeval Palæolithic
-people, who have left their remains in England in
-the river-drift, and in Devon in the Brixham caves
-and Kent's Hole.</p>
-
-<p>The dolmen-builder has persisted in asserting
-himself. Though cranial modifications have taken
-place, the dusky skin, and the dark eyes and hair
-and somewhat squat build, have remained in the
-Western Isles, in Western Ireland, in Wales, and in
-Cornwall. It is still represented in Brittany. It is
-predominant in South-Western France, and is typical
-in Portugal.</p>
-
-<p>After a lapse of time, of what duration we know
-not, a great wave of Aryans poured from the
-mountains of Central Europe, and, traversing Britain,
-occupied Ireland. This was the Gael. This people
-subjugated the Ivernian inhabitants, and rapidly
-mixed with them, imposing on them their tongue,
-except in South Wales, where the Silurian was
-found to have retained his individuality when conquered
-by Agricola in <span class="smcap">A.D.</span> 78. But if the Gaelic
-invaders subjugated the Ivernians, they were in turn
-conquered by them, though in a different manner.
-The strongly marked religious ideas of the long-headed
-men, and their deeply rooted habit of
-worship of ancestors, impressed and captured the
-imagination of their masters, and as the races<span class="pagenum"><a name="Page_40" id="Page_40">[Pg 40]</a></span>
-became fused, the mixed race continued to build
-dolmens and erect other megalithic monuments once
-characteristic of the long-heads, often on a larger
-scale than before. Stonehenge and Avebury were
-erections of the Bronze Period, and late in it, and of
-the composite people.</p>
-
-<p>If we look at the physique of the two races, we
-find a great difference between them. The Ivernian
-was short in stature, with a face mild in expression,
-oval, without high cheek-bones, and without strongly
-characterised supraciliary ridges. The women were
-all conspicuously smaller than the men, and of
-markedly inferior development. The conquering
-race was other. The lower jaw was massive and
-square at the chin, the molar bones prominent,
-and the brows heavy. The head was remarkably
-short, and the face expressed vigour, was coarse,
-and the aspect threatening. Moreover, the women
-were as fully developed as the men, so much so that
-where all the bones are not present it is not always
-easy to distinguish the sex of a skeleton of this race.
-What Tacitus says of the German women&mdash;that they
-are almost equal to the men both in strength and in
-size&mdash;applies also to these round-headed invaders of
-Britain; and, indeed, what we are assured of the
-Britons in the time of Boadicea, that it was <i lang="la">solitum
-feminarum ductu bellare</i>, shows us that the same
-masculine character belonged to the women of
-British origin. The average difference in civilised
-races in the stature of men and women at present
-is about four inches, but twice this difference is
-very usually found to exist between the male and<span class="pagenum"><a name="Page_41" id="Page_41">[Pg 41]</a></span>
-female skeletons of the Polished Stone Period in
-the long barrows. The difference is even more
-strikingly shown by a comparison of the male and
-female collar-bones; and we are able to reproduce
-from them in picture the Neolithic woman of the
-Ivernian race, with narrow chest and drooping
-shoulders, utterly unlike the muscular and vigorous
-Gaelic women who were true consorts to their men
-when they came over to conquer the island of Britain.</p>
-
-<p>After a lapse of time the long-head began to reassert
-itself, and the infusion of its blood into the
-veins of the dominant race led to great modification
-of its harshness of feature. When iron was
-introduced into Britain, whether by peaceable means
-or whether by the second Aryan invasion, that of
-the Cymri or Britons, we do not know, but when
-Cæsar landed in Britain, <span class="smcap">B.C.</span> 55, he found that iron
-was in general use.</p>
-
-<p>The second Aryan invasion alluded to was that of
-the true Britons. They also came from the Alps,
-where they had lived on platforms constructed on the
-lakes. They occupied the whole of Britain proper,
-but not Scotland, and made but attempts to effect
-a landing in Ireland.</p>
-
-<p>They were entirely out of sympathy with the
-original race and its ideas, and did not assimilate
-their religion and adopt their practices as had the
-Gaels.</p>
-
-<p>The distinction between the two branches of the
-great Celtic family is mainly linguistic. Where the
-British employed the letter <em>p</em>, the Gael used the
-hard <em>c</em>, pronounced like <em>k</em>. For instance, <em>Pen</em>, a head,<span class="pagenum"><a name="Page_42" id="Page_42">[Pg 42]</a></span>
-in British, is <em>Cen</em> in Gaelic; and we can roughly tell
-where the population was British by noticing the
-place names, such as those beginning with Pen.
-When these were Gaels, the same headlands would
-begin with Cen.</p>
-
-<div class="center">
-<div class="poem"><div class="stanza">
-<span class="i0">"By Tre, Pol, and Pen<br /></span>
-<span class="i0">You know the names of Cornishmen,"<br /></span>
-</div></div>
-</div>
-
-<p>and this at once decides that the inhabitants of the
-western peninsula were not Gaels.</p>
-
-<p>From the lakes of Switzerland the Britons had
-brought with them their great aptitude for wattle-work.
-They built their houses and halls, not of
-stone, but of woven withies. Cæsar says that they
-were wont to erect enormous basket-work figures,
-fill them with human victims, and burn the whole as
-sacrifices to their gods. It is a curious coincidence
-that on some of the old Celtic crosses are found
-carved imitations of men made of wicker-work.
-These represent saints made of the same material
-and in the same manner by the same people, after
-they had embraced Christianity and abandoned
-human sacrifices.<a name="FNanchor_6_6" id="FNanchor_6_6"></a><a href="#Footnote_6_6" class="fnanchor">[6]</a></p>
-
-<p>Let us try to imagine what was the mode of life
-of those people who raised their monuments on
-Dartmoor. They were pastoral, but they also
-certainly had some knowledge of tillage. In certain
-lights, hillsides on the moor show indications of
-having been cultivated in ridges, and this not with
-the plough, but with the spade. We cannot say<span class="pagenum"><a name="Page_43" id="Page_43">[Pg 43]</a></span>
-that these belong to the early population, but as
-they are found near their settlements it is possible
-that they may be traces of original cultivation.
-But we know from the remains of grain found
-in the habitations and tombs of the same people
-in limestone districts that they were acquainted with
-cereals, and their grindstones have been found on
-Dartmoor in their huts.</p>
-
-<p>Still, grain was not the main element of their diet;
-they lived chiefly on milk and flesh. In the huts
-have been found broad vessels that were covered
-with round discs of slate, and it is probable that
-these were receptacles for milk or butter, but the
-milk would mainly be contained in wooden or
-leathern vessels. Elsewhere their spindle-whorls
-have been found in fair abundance; not so on Dartmoor&mdash;as
-yet only two have been recovered. This
-shows that little spinning was done, and no weights
-such as are used by weavers have been found. The
-early occupants were in the main clothed in skins.</p>
-
-<p>Their huts were circular, of stone, with very
-frequently a shelter wall, opposed to the prevailing
-south-west wind, screening the door, which opened
-invariably to the south or south-west. The whole
-was roofed over by poles planted on the walls,
-brought together in the middle, and thatched over
-with rushes or heather. The walls were rarely above
-four feet six inches high. They are lined within
-with large stones, set up on end, their smooth
-surfaces inwards, and the stone walls were backed
-up with turf without, making of the huts green
-mounds. This gave occasion to the fairy legends<span class="pagenum"><a name="Page_44" id="Page_44">[Pg 44]</a></span>
-of the Celts, who represented the earlier population
-as living in mounds, which the Irish called <em>sidi</em>, and
-the people occupying them the Tuatha da Danann.
-As already said, this same name meets us in Damnonii,
-the oldest appellation for the people of Devon. They
-were a sociable people, clustering together for mutual
-protection in <em>pounds</em>.</p>
-
-<p>These pounds are large circular inclosures, the walls
-probably only about four feet high, but above this
-was a breastwork of turf or palisading. Outside the
-pound were huts, perhaps of guards keeping watch.</p>
-
-<p>Many of the huts have paddocks connected with
-them, as though these latter had been kail gardens,
-but some of these paddocks are large enough to
-have been tilled for corn. Their plough, if they used
-one, was no more than a crooked beam, drawn by
-oxen. It is possible that the numerous sharp flakes
-of flint that are found were employed fastened into
-a sort of harrow, as teeth. Their cooking was done
-either in pots sunk in the soil, or in holes lined
-with stones.</p>
-
-<p>Rounded pebbles, water-worn, were amassed, and
-baked hot in the fire, then rolled to the "cooking-hole,"
-in which was the meat, and layers of hot
-stones and meat alternated, till the hollow receptacle
-was full, and the whole was then covered with sods
-till the flesh was cooked.</p>
-
-<p>The following account of the manner in which the
-Fiana, the Irish militia, did their cooking in pre-Christian
-times will illustrate this custom:&mdash;</p>
-
-<div class="blockquot">
-
-<p>"When they had success in hunting, it was their custom
-in the forenoon to send their huntsman, with what they<span class="pagenum"><a name="Page_45" id="Page_45">[Pg 45]</a></span>
-had killed, to a proper place, where there was plenty of
-wood and water; there they kindled great fires, into which,
-their way was, to throw a number of stones, where they
-continued till they were red hot; then they applied themselves
-to dig two great pits in the earth, into one of which,
-upon the bottom, they were wont to lay some of these hot
-stones as a pavement, upon them they would place the
-raw flesh, bound up hard in green sedge or bulrushes;
-over these bundles was fixed another layer of hot stones,
-then a quantity of flesh, and this method was observed till
-the pit was full. In this manner their flesh was sodden or
-stewed till it was fit to eat, and then they uncovered it;
-and, when the hole was emptied, they began their meal."<a name="FNanchor_7_7" id="FNanchor_7_7"></a><a href="#Footnote_7_7" class="fnanchor">[7]</a></p></div>
-
-<div class="figcenter" style="width: 461px;">
-<img src="images/p045.jpg" width="461" height="700" alt="" />
-<div class="caption"><p>FLINT SCRAPERS.
-(Actual size.)</p></div>
-</div>
-<p><span class="pagenum"><a name="Page_46" id="Page_46">[Pg 46]</a></span></p>
-<p>Some of the huts are very large, and in these no
-traces of fires and no cooking-holes have been found.
-Adjoining them, however, are smaller huts that are so
-full of charcoal and peat ash and fragments of pottery
-that no doubt can be entertained that these were the
-kitchens, and the large huts were summer habitations.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p046.jpg" width="700" height="476" alt="" />
-<div class="caption"><p>COOKING-POT.</p></div>
-</div>
-
-<p>Occasionally a small hut has been found with a
-large hole in the centre crammed with ashes and
-round stones, the hole out of all proportion to the
-size of the hut if considered as a habitation. No
-reasonable doubt can be entertained that these were
-bath huts. The Lapps still employ the sweating-houses.
-They pour water over hot stones, and the
-steam makes them perspire profusely, whereupon
-they shampoo themselves or rub each other down
-with birch twigs.</p>
-
-<p>Indeed, men wearing skin dresses are obliged to go
-through some such a process to keep their pores in
-healthy action.</p>
-
-<p><span class="pagenum"><a name="Page_47" id="Page_47">[Pg 47]</a></span></p>
-
-<p>It is very probable that the long tracklines that
-extend over hill and vale on Dartmoor indicate tribal
-boundaries, limits beyond which the cattle of one
-clan might not feed. Some of these lines, certainly
-of the age of the Neolithic men of the hut circles,
-may be traced for miles. There is one that starts
-apparently from the Plym at Trowlesworthy Warren,
-where are clusters of huts and inclosures. It follows
-the contour of the hills to Pen Beacon, where it
-curves around a collection of huts and strikes for
-the source of the Yealm by two pounds containing
-huts. That it went further is probable, but recent
-inclosures have led to its destruction. We cannot be
-sure of the age of these tracklines unless associated
-with habitations, as some very similar have been
-erected in recent times as reeves delimiting mining
-rights.</p>
-
-<p>That the occupants of the moor at this remote
-period loved to play at games is shown by the
-numbers of little round pebbles, carefully selected,
-some for their bright colours, that have been found
-on the floors of their huts. That they used divination
-by the crystal is shown by clear quartz prisms
-having been discovered tolerably frequently. These
-are still employed among the Australian natives for
-seeing spirits and reading the future.</p>
-
-<p>That these early people were monogamists is probable
-from the small size of their huts; they really
-could not have accommodated more than one wife
-and her little family.</p>
-
-<p>That they were a gentle, peaceable people is also
-apparent from the rarity of weapons of war. Plenty of<span class="pagenum"><a name="Page_48" id="Page_48">[Pg 48]</a></span>
-flint scrapers are found for cleaning the hides, plenty
-of rubber-stones for smoothing seams, plenty of small
-knives for cutting up meat, but hardly a spear-head,
-and arrow-heads are comparatively scarce. Their
-most formidable camp is at Whit Tor, the soil of
-which is littered with flint chips. It did not, on
-exploration, yield a single arrow-head. The pounds
-were inclosed to protect the sheep and young cattle
-against wolves, not to save the scalps of their owners
-from the tomahawks of their fellow-men.</p>
-
-<p>With regard to the numbers of people who lived
-on Dartmoor in prehistoric times, it is simply
-amazing to reflect upon. Tens of thousands of
-their habitations have been destroyed; their largest
-and most populous settlements, where are now the
-"ancient tenements," have been obliterated, yet tens
-of thousands remain. At Post Bridge, within a
-radius of half a mile, are fifteen pounds. If we
-give an average of twenty huts to a pound, and
-allow for habitations scattered about, not inclosed
-in a pound, and give six persons to a hut, we have
-at once a population, within a mile, of 2,000 persons.</p>
-
-<p><span class="pagenum"><a name="Page_49" id="Page_49">[Pg 49]</a></span></p>
-
-<div class="figcenter" style="width: 335px;">
-<img src="images/p049.jpg" width="335" height="700" alt="" />
-<div class="caption"><p>FLINT SCRAPERS.</p>
-
-<p>(Actual size.)</p></div>
-</div>
-
-<p>Take Whit Tor Camp. To man the wall it would
-require 500 men. Allow to each man five noncombatants;
-that gives a population of 2,500.
-There are pounds and clusters of hut circles in
-and about Whit Tor that still exist, and would have
-contained that population. Take the Erme valley,
-high up where difficult of access; the number of huts
-there crowded on the hill slopes is incredible. On
-the height is a cairn, surrounded by a ring of stones,
-from which leads a line of upright blocks for a
-distance of 10,840 feet. Allow two feet apart for
-the stones, that gives 5,420 stones. If, as is probable,
-each stone was set up by a male member of a tribe,
-in honour of his chief who was interred in the cairn,
-we are given by this calculation a population of over<span class="pagenum"><a name="Page_50" id="Page_50">[Pg 50]</a></span>
-21,000, allowing three children and a female to each
-male.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p050.jpg" width="700" height="463" alt="" />
-<div class="caption"><p>FRAGMENT OF COOKING-POT.</p></div>
-</div>
-
-<p>But numerous though these occupants of the moor
-must have been, they must have been wretchedly
-poor. The vast majority of their graves yield
-nothing but a handful of burnt ash, not a potsherd,
-not a flint-chip, and the grave of a chief
-only a little blade of bronze as small as a modern
-silver pocket fruit-knife.</p>
-
-<p>That they were a peaceable people I have no
-manner of doubt, for there are absolutely no fortified
-hilltops on the moor, which there assuredly
-would be were the denizens of that upland region
-in strife one with another. What camps there are
-may be found on the fringe, Whit Tor, Dewerstone,
-Hembury, Holne, Cranbrook, Halstock, as against<span class="pagenum"><a name="Page_51" id="Page_51">[Pg 51]</a></span>
-invaders. That they were a happy people I cannot
-doubt. They were uncivilised: and the Tree
-of Knowledge, under high culture, bears bitter
-fruit for the many and drips with tears, but it
-bears nuts&mdash;only for the few.</p>
-
-<div class="footnotes"><h3>FOOTNOTES:</h3>
-
-<div class="footnote">
-
-<p><a name="Footnote_5_5" id="Footnote_5_5"></a><a href="#FNanchor_5_5"><span class="label">[5]</span></a> "Hardly had we descended the narrow path, when we saw before
-us several huge stones, like enormous boulders, placed endways perpendicularly,
-on the soil, while some of them yet upheld similar masses,
-laid transversely over their summit. They were arranged in a curve
-once forming part, it would appear, of a large circle, and many other like
-fragments lay rolled on the ground at a moderate distance; the number
-of those still upright was, to speak by memory, eight or nine. Two,
-at about ten or twelve feet apart one from the other, and resembling
-huge gateposts, yet bore their horizontal lintel, a long block laid
-across them; a few were deprived of their upper traverse, the rest
-supported each its headpiece in defiance of time and the more destructive
-efforts of man. So nicely balanced did one of these cross-bars
-appear, that in hope it might prove a rocking-stone, I guided my
-camel right under it, and then, stretching up my riding-stick at arm's
-length, could just manage to touch and push it; but it did not stir.
-Meanwhile the respective heights of camel, rider, and stick, taken
-together, would place the stone in question full fifteen feet from the
-ground. These blocks seem, by their quality, to have been hewed
-from the neighbouring limestone cliffs and roughly shaped, but present
-no further trace of art, no groove or cavity of sacrificial import, much
-less anything intended for figure or ornament. The people of the
-country attribute their erection to the Dārim, and by his own hands
-too, seeing that he was a giant. Pointing towards Rass, our companions
-affirmed that a second and similar stone circle, also of gigantic
-dimensions, existed there; and, lastly, they mentioned a third towards
-the south-west, that is, in the direction of Henakeeyah."&mdash;<span class="smcap">Palgrave</span>,
-<cite>Narrative of a Year's Journey through Central Arabia</cite>, 1865, vol. i
-p. 251.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_6_6" id="Footnote_6_6"></a><a href="#FNanchor_6_6"><span class="label">[6]</span></a> <cite>Archæologia</cite>, vol. 1. Pl. 2 (1887).</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_7_7" id="Footnote_7_7"></a><a href="#FNanchor_7_7"><span class="label">[7]</span></a> <span class="smcap">Keeting</span> <cite>History of Ireland</cite> (ed. O'Connor, Dublin, 1841), i.
-P. 293.</p>
-
-<p><span class="pagenum"><a name="Page_52" id="Page_52">[Pg 52]</a></span></p></div></div>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>CHAPTER IV.<br />
-
-THE ANTIQUITIES</h2>
-
-<div class="hangindent">
-
-<p>Innumerable relics on Dartmoor&mdash;Small in size&mdash;Great destruction
-of them that has taken place&mdash;Lake-head Hill thus devastated&mdash;Classification
-of the remains&mdash;1. The dolmen, an ossuary&mdash;2. The
-kistvaen&mdash;Great numbers, all rifled&mdash;3. The stone circle&mdash;possibly
-a crematorium&mdash;4. The stone row&mdash;Astonishing numbers still existing&mdash;5.
-The menhir&mdash;In Christian times becomes a cross&mdash;Story
-of S. Cainnech&mdash;Dartmoor crosses&mdash;Altar tombs&mdash;6. Hut
-circles&mdash;All belong to one period&mdash;7. The tracklines&mdash;8. The
-pounds&mdash;9. The cairns&mdash;10. The camps&mdash;11. Rude stone bridges,
-comparatively modern.</p></div>
-
-
-<p class="drop-capw"><span class="smcap">As</span> already intimated, the antiquities found on
-Dartmoor belong almost exclusively to the
-Prehistoric Period. The few exceptions are the
-crosses and the blowing-houses. These shall be
-spoken of in other chapters. In this we will confine
-ourselves to a general review of the relics left
-to show how that the moor was occupied by a large
-population in the early Bronze Period.</p>
-
-<p>Now, although these relics are very numerous,
-they are none of them megalithic, that is to say,
-very huge. And this for two reasons. In the
-first place it is uncertain whether the people occupying
-the moor ever did erect any huge stones,
-like the Stonehenge monsters, or the enormous
-dolmens of Brittany, and above all of the sandstone
-districts of the Loire.</p>
-
-<p><span class="pagenum"><a name="Page_53" id="Page_53">[Pg 53]</a></span></p>
-
-<p>In the second place, in the fifteenth and first
-half of the sixteenth centuries the great bulk of
-the churches round Dartmoor were rebuilt, and in
-the sixteenth and seventeenth centuries the manor
-houses, bartons, and farms were also reconstructed,
-and then for the first time since the sixth century
-was granite employed in ecclesiastical and domestic
-architecture. The builders delighted in selecting
-huge stones. They employed monoliths for their
-pillars; each door and window had a single stone
-on each side as a jamb, and a single stone as a
-base; two stones above were used for the arch of
-every door and window. The amount of granite
-of a large size carried away from the moor is
-really prodigious, and no large monument was
-likely to have been spared.</p>
-
-<p>Then came the eighteenth and nineteenth centuries,
-when granite was in demand for gateposts,
-and every standing stone serviceable was ruthlessly
-carried away. Almost every circle of upright stones
-has lost some of its finest blocks in this way, and all
-that is left to show where they were is the hole cut
-in the "calm" from which they were extracted, and
-the <em>spalls</em> or chips made by the quarrymen as they
-knocked the block into shape. At Sherberton was
-a fine circle: the three largest stones have been employed
-a few yards off as gateposts, and two others
-have been cast down.</p>
-
-<p>Next came the newtake-wall builders. The
-ravage they have wrought is incalculable. In 1848
-S. Rowe published his <cite>Perambulation of Dartmoor</cite>,
-and gave an illustration of double stone rows that<span class="pagenum"><a name="Page_54" id="Page_54">[Pg 54]</a></span>
-ran from the Longstone, near Caistor Rock, for half
-a mile to the Teign. In 1851 I planned them. A few
-years ago a farmer built a newtake wall, and used
-the rows as his quarry; nothing now is left of them
-but a few insignificant stones he did not consider
-worth his while to remove. The stones are in the
-wall, and can be recognised, and the socket-holes can
-all be traced, with a spade.</p>
-
-<p>There was a row or set of rows of stones on a
-common near Leusden. In 1898 the road-menders
-destroyed it and employed the stones for the repair
-of the Ashburton highway.</p>
-
-<p>Now it is quite possible that the old rude stone
-monument builders did not erect really mighty structures
-on Dartmoor, but it is still more likely that all
-such as were of any size have been carried away.
-Lake-head Hill, near Post Bridge, must at one time
-have been a veritable necropolis. The farmer at
-Bellever was given his holding on a rent that was
-to be mainly paid by inclosing new-takes, and repairing
-old walls. For six years he was employed
-in clearing Lake-head Hill of all the stones he could
-find. Thousands of loads were removed, and it is
-only by a lucky chance that one or two kistvaens
-have escaped. Three pounds with their huts, probably
-scores of kistvaens, and certainly several stone
-rows, have been obliterated by this man. In 1851
-I drew the finest moor kistvaen at Merrivale Bridge.
-The covering stone measured 9 feet 3 inches by
-4 feet 9 inches. In 1891 a man at Merrivale Bridge
-wanting a gatepost, cut one out of the capstone and
-left only two scraps <i lang="la">in situ</i>.</p>
-
-<p><span class="pagenum"><a name="Page_55" id="Page_55">[Pg 55]</a></span></p>
-
-<p>Considering the ruthless manner in which these
-monuments of a hoar antiquity have been carried
-away or destroyed, it is a marvel that any remain;
-but then, this devastation explains why those allowed
-to remain are such only as were considered too insignificant
-to offer inducement to the plunderer.
-The late Mr. Bennett, of Archerton, when inclosing
-and planting, utilised a fine pound for a clump of
-beech. The old inclosing ring was used up to make
-a wall for the protection of the young trees, and
-these latter, in growing, threw all the huts that had
-not been despoiled out of shape and into inextricable
-confusion.</p>
-
-<p>Let us now take in their order such monuments
-as remain, and I will say a few words about each
-kind.</p>
-
-<p>1. Of the characteristic <em>dolmen</em>, which we in
-England perhaps improperly call <em>cromlech</em>, we have
-but a single good example, that at Drewsteignton.
-The dolmen was the family mausoleum. It is composed
-of several large slabs set upright in box-form,
-and covered with one or more large stones, flat on
-the under side. These were probably all originally
-covered with earth, but in course of time the earth
-has been washed or trodden away. In some cases
-the dolmen becomes the <i lang="fr">allée couverte</i>, a long chamber
-or hall constructed of uprights and coverers.
-The most magnificent example is that at Saumur,
-on the Loire, which is over 62 feet long and 13 feet
-wide, and high enough for a tall man to walk about
-in it with ease.</p>
-
-<p>In these the dead were interred, not burnt, and<span class="pagenum"><a name="Page_56" id="Page_56">[Pg 56]</a></span>
-their bones seem to have been taken out on
-anniversaries, scraped, and then replaced; and remoter
-ancestors were huddled into the background
-to make room for newcomers.</p>
-
-<p>In time the fashion for carnal interment gave way
-to one for cremation.</p>
-
-<p>Now of the large dolmen or cromlech we have
-only the fine Drewsteignton example, and that
-deserves a visit. Formerly it was but one of a
-number of monuments, lines and circles of upright
-stones. All these have been destroyed in this
-century.</p>
-
-<p>But although this is the sole remaining example,
-we know by place names that anciently there were
-many more. These monuments have everywhere a
-local designation. In France they are <i lang="fr">pierres levées</i>
-or <i lang="fr">cabannes des fées</i>. In Devon they were shelf-stones,
-and wherever we meet with a farm called
-Shilston, there we may confidently assert that a
-dolmen formerly existed. With a little search the
-portions of it may occasionally be recognised in
-pigsties, or worked into the structure of the house.</p>
-
-<p>The parish of Bradstone derives its name from
-the broad coverer of a cromlech, which is now employed
-as a stile. The supporters have disappeared,
-used probably for the church. There is a shilstone
-in Bridestowe, and another in Modbury. In dolmens
-it is usual to have a hole in the end stone, and even
-sometimes closed with a stone plug, or else a small
-stone is employed that could easily be removed, so
-as to enable those who desired it to enter and put
-therein food for the consumption of the dead, or to
-remove the remains for the annual scraping, or again
-for the introduction of a fresh tenant.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p056.jpg" width="700" height="389" alt="" />
-<div class="caption"><p>THE PEDIGREE OF A TOMB</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_57" id="Page_57">[Pg 57]</a></span></p>
-
-<p>2. When carnal interment gave way to incineration,
-at once the need for large mausoleums ceased,
-and mourners saved themselves the labour of erecting
-huge cromlechs, and contented themselves instead
-with the more modest <em>kistvaen</em>, or stone chest. This
-is constructed in precisely the same manner as the
-dolmen, but is much smaller. A beautiful diminutive
-example, from Peter Tavy Common, has been
-transported to the Plymouth Municipal Museum. It
-measures 21 inches long, 13 inches wide, and 14
-inches deep. On Dartmoor there are many hundreds
-of these kistvaens, of various sizes, but most have
-been rifled by treasure-seekers; indeed, all but such
-as were covered with earth and so escaped observation
-have been plundered.</p>
-
-<p>The kistvaens were always buried under cairns,
-and almost invariably a circle of stones surrounded
-the cairn, marking its bounds.</p>
-
-<p>The finest kistvaens are&mdash;one at Merrivale Bridge,
-one adjoining a pound near Post Bridge, one on
-Lake-head Hill, one near Drizzlecombe, one on
-Hound Tor, and two on the slope of Bellever. One
-is near the Powder Mills. There are several, also,
-about the Plym.</p>
-
-<p>3. The <em>stone circle</em> is called by the French a
-cromlech. The name means curved stone. The
-circle, of which Stonehenge is the noblest known
-example in Europe, consists of a number of stones
-set up at intervals in a ring. The purport is purely
-conjectural. Undoubtedly interments have been made<span class="pagenum"><a name="Page_58" id="Page_58">[Pg 58]</a></span>
-within them; but none, so far, have been found in
-those on Dartmoor. In the great circle on Penmaen-mawr
-there were burials at the foot of several of the
-monoliths, and, indeed, one of these served as the
-back-stone of a kistvaen.</p>
-
-<p>Among semi-barbarous tribes it is customary that
-the tribe should have its place of assembly and consultation,
-and this is marked round by either stones
-or posts set up in the ground. Among some of the
-great clan circles, if one of the constituent tribes fails
-to send its representative, the stone set up where he
-would sit is thrown down.</p>
-
-<p>The areas within the circles on Dartmoor, so far
-as they have been examined, show that great fires
-have been lighted in them; the floors are thickly
-bedded in charcoal. It may be that they were the
-crematoria of the tribe, and certainly numerous
-cairns and kistvaens are to be found around them;
-or it may be that great fires were lighted in them
-when the tribe met for its parliament, or its games
-and war-dances. It has been noticed that usually
-these circles of upright stones are placed on the neck
-of land between two rivers.</p>
-
-<p>Some have speculated that they were intended for
-astronomical observation, and for determining the
-solstices; but such fancies may be dismissed till we
-have evidence of their being erected and employed
-for such a purpose by some existing savage race.</p>
-
-<p>The Samoyeds were wont to make circles of stones
-of rude blocks set up, and these are still to be seen
-in the districts they inhabit; and although these
-people are nominally Christians, yet they are secretly<span class="pagenum"><a name="Page_59" id="Page_59">[Pg 59]</a></span>
-addicted to their old paganism. Mr. Jackson, in his
-<cite>Great Frozen Land</cite> (London, 1895), says:&mdash;</p>
-
-<div class="blockquot">
-
-<p>"The rings of stones which I frequently met with in
-Waigatz are the sites of their midnight services, and are
-made, of course, by the Samoyeds. They are called
-yon-pa-ha-pai. It is possible that within these circles
-the human sacrifices with which Samoyeds used to propitiate
-Chaddi were offered up; and, although these are
-things of the past now, it is only a few years ago that
-a Samoyed, living in Novaia Zemlia, sacrificed a young
-girl" (p. 89).</p></div>
-
-<p>A tradition or fancy relative to more than one
-of these circles is that the stones represent maidens
-who insisted on dancing on a Sunday, and were, for
-their profanity, turned into stone when the church
-bells rang for divine service. It is further said that
-on May Day or Midsummer Day they dance in a
-ring.</p>
-
-<p>There are several of these circles on the moor.
-The finest are those of Scaur Hill, near Chagford,
-of the Grey Wethers&mdash;two side by side, but most
-of the stones of one are fallen&mdash;the circle on
-Langstone Moor above Peter Tavy, Trowlesworthy,
-Sherberton, and Fernworthy. The diameters vary
-from thirty-six feet to three hundred and sixty.
-One that must have been very fine was near
-Huccaby, but most of the stones constituting it
-have been removed for the construction of a wall
-hard by.</p>
-
-<p>The number of stones employed varies according
-to the area inclosed.</p>
-
-<p><span class="pagenum"><a name="Page_60" id="Page_60">[Pg 60]</a></span></p>
-
-<p>4. The <em>stone row</em> is almost invariably associated
-with cairns and kistvaens, and clearly had some
-relation to funeral rites. The stone settings are
-often single, sometimes double, or are as many as
-eight. They do not always run parallel; they start
-from a cairn, and end with a blocking-stone set across
-the line. In Scotland they are confined to Caithness.
-The finest known are at Carnac, in Brittany. It is
-probable that just as a Bedouin now erects a stone
-near a fakir's tomb as a token of respect, so each
-of these rude blocks was set up by a member of a
-tribe, or by a household, in honour of the chief buried
-in the cairn at the head of the row.</p>
-
-<p>It is remarkable how greatly the set stones vary in
-size. Some are quite insignificant, and could be
-planted by a boy, while others require the united
-efforts of three, four, or even many men, with modern
-appliances of three legs and block, to lift and place
-them in position. This seems to show that the rows
-are not the result of concerted design, but of individual
-execution as the ability of the man or
-family permitted to set up a stone large or small.
-Usually the largest stones are planted near the cairn,
-and they dwindle to the blocking-stone, which is of
-respectable size.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p060.jpg" width="700" height="431" alt="" />
-<div class="caption"><p>STONE-ROWS, DRIZZLECOMBE</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_61" id="Page_61">[Pg 61]</a></span></p>
-
-<p>There is no district known so rich in stone rows as
-Dartmoor. As many as fifty have been observed. The
-finest are those of Drizzlecombe, where there are
-three double rows, not parallel; Down Tor, a single
-line; Merrivale Bridge, two parallel double rows, but
-the stones constituting them small; Stall Moor, a
-single line that looks like a procession of cricketers
-in flannels stalking over the moor; Challacombe; at
-Glazebrook are thirteen rows; also Staldon Moor.
-Some of these rows which are small are nevertheless
-instructive. On the north slope of Cosdon is a cairn
-that originally contained three kistvaens, one of which
-is perfect, one exists in part, and evidence of the
-existence of the third was found on exploration.
-From this cairn start three rows of stones, one for
-each kistvaen. A remarkably perfect set of stone
-rows is on Watern Hill, behind the Warren Inn, on
-the road from Post Bridge to Moreton. It is actually
-visible from the road, but as the stones are small
-it does not attract attention. It starts from a cairn
-and a tall upright stone set at right angles to the
-rows, which are brought to a termination by blocking-stones.
-Another perfect row is at Assacombe, starting
-from a cairn with two or three big upright stones,
-and running down a rather steep hill to a blocking-stone
-which remains intact.</p>
-
-<p>The longest of all the rows is that on Staldon,
-which springs from a circle of 59 feet 9 inches in
-diameter, inclosing the remains of a cairn, runs with
-a single line for two miles and a quarter, and crosses
-the Erme river. Had a straight line been followed,
-an obstruction in the precipitous bank of the river
-would have been encountered, to avoid which the
-builders of this great monument took a sweep eastward,
-where the bank was more sloping. In the
-Cosdon lines of stones already referred to, the rows
-waver so as to avoid a platform of rock in which the
-constructors were unable to plant their stones.</p>
-
-<p>At Drizzlecombe there is a cairn with which is<span class="pagenum"><a name="Page_62" id="Page_62">[Pg 62]</a></span>
-connected a row 260 feet long, with an upright stone
-17 feet 9 inches high at the end of the row.</p>
-
-<p>All sorts of random guesses have been made
-about these rows. Some have made them out to be
-sacred <em>cursi</em>, where races were run, but then some
-lines are single, some are eightfold. Others have
-supposed that these were the supporting stones to
-cattle sheds, but these stones are often not more than
-2 feet 6 inches high, and the rows often run for over
-600 feet.</p>
-
-<p>We must, as already said, look to present usage
-for their interpretation, and that afforded by the
-practice of the Khassias of the Brahmapootra, and
-by the Bedouin, seems the simplest&mdash;stones set up
-as memorials or tributes of respect to the dead man
-who is buried at the head of the row.</p>
-
-<p>There would seem to have been no feeling attached
-to the direction in which these lines run.</p>
-
-<p>One singular feature is that in several cases a
-second row starts off from a small cairn in or close
-to the main row, and runs away in quite a different
-direction.<a name="FNanchor_8_8" id="FNanchor_8_8"></a><a href="#Footnote_8_8" class="fnanchor">[8]</a></p>
-
-<p>5. The <em>menhir</em>, or tall stone, is a rude, unwrought
-obelisk. In some cases it is nothing other
-than the starting or the blocking stone of a row
-which has been destroyed. This is the case with
-that at Merrivale Bridge. But such is not always
-the case. There were no rows in connection with
-the menhirs on Devil Tor and the Whitmoor
-Stone.</p>
-
-<p>That the upright block is a memorial to the dead<span class="pagenum"><a name="Page_63" id="Page_63">[Pg 63]</a></span>
-can hardly be doubted; it was continued to be
-erected, with an inscription on it, in Romano-British
-times, and its modern representative is in every
-churchyard.</p>
-
-<p>The menhirs, locally termed longstones, or langstones,
-must at one time have been numerous.
-There was a langstone near Sourton, another by
-Tavistock, one at Sheeps Tor, others by Modbury;
-these stones have disappeared and have left but
-their names to tell where they once stood. One
-on Peter Tavy Common gave its title to the moor
-which the Ordnance surveyors have rendered Launceston
-Moor. The stone is at one end of a row, and
-served as a waymark over the down. It had fallen,
-but is re-erected.</p>
-
-<p>But there are still a good many remaining. The
-tallest is one already referred to at Drizzlecombe.
-Bairdown Man (<em>maen</em> = a stone) is by Devil Tor in
-a singularly desolate spot. We have none comparable
-to the Devil's Arrows at Boroughbridge in
-Yorkshire&mdash;but the best have been carried away
-to serve as monolithic church pillars.</p>
-
-<p>The Chinese hold that the spirits of the dead
-inhabit the memorials set up in their honour; and
-the carved monoliths in Abyssinia, erected by the
-race when it passed from Arabia to Africa, have
-carved in their faces little doors, for the ingress and
-egress of the spirits. Holed menhirs are found in
-many places. I know one in France, La Pierre
-Fiche, near Pouancé (Maine-et-Loire), where such a
-little door or window, intended for the popping out
-and in of the spirit, has been utilised to hold an<span class="pagenum"><a name="Page_64" id="Page_64">[Pg 64]</a></span>
-image of the Virgin, and has been barred to prevent
-the statue making off or being made off with.</p>
-
-<p>In Irish post-Christian records there is frequent
-allusion to the early saints carrying about their <em>lechs</em>
-(flat stones) with them, to be set up over them when
-dead, and this explains the fantastic stories afterwards
-told of saints as of having crossed from
-Ireland to Wales, or Cornwall, or Brittany floating
-on stones. In the original record it was related that
-the saint came over with his <em>lech</em>, and a later redactor
-of the story converted this into coming <em>on</em> it, as a
-raft. The <em>lech</em> was cut into a cross when the Celts
-became Christians, or crosses were inscribed on them.
-Some of the most fantastic of the saints, when
-travelling over the country, would not sit down to
-dinner till they had visited and prayed at all the
-crosses set up over tombs anywhere near.</p>
-
-<p>A pretty story is told of S. Cainnech. Bishop
-Aed's sister had been carried off by Colman
-MacDermot, King of the Hy Niall, and he refused
-to surrender her. Aed went to Cainnech with his
-grievance, and Cainnech at once resolved on intervention.
-Colman had retired to an island in the
-Ross Lake, or Marsh, and shrewdly suspecting that
-the saint would administer a lecture, he removed the
-boats to the island fort or crannoge. However, Cainnech
-was not to be deterred, and managed to wade
-or swim across. Subdued by his pertinacity, the
-king surrendered the girl.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p064.jpg" width="700" height="432" alt="" />
-<div class="caption"><p>MENHIR, CROSS AND HEADSTONE</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_65" id="Page_65">[Pg 65]</a></span></p>
-
-<p>Many years after, one winter day, Cainnech was
-traversing a moor, when he noticed a rude stone
-cross, on the head and arms of which the snow lay
-in a crust. He halted to inquire whose cross that
-was, and learned that it had been erected on the spot
-where King Colman had been assassinated some
-years previously. Cainnech at once went to the <em>lech</em>,
-leaned his brow against it, and as he recalled the
-interviews he had had with the king, and thought
-on his good as well as his bad qualities, his outbursts
-of violence, and his accesses of compunction, the old
-man's tears began to flow, and his disciples noticed
-the snow melting and dripping from the arms of the
-cross, thawed by the tears of the venerable abbot.</p>
-
-<div class="figcenter" style="width: 482px;">
-<img src="images/p065.jpg" width="482" height="700" alt="" />
-<div class="caption"><p><span class="smcap">Cross, Whitchurch Down.</span></p></div>
-</div>
-
-<p>Now see how many rugged crosses there are on<span class="pagenum"><a name="Page_66" id="Page_66">[Pg 66]</a></span>
-Dartmoor! Some certainly are waymarks, others
-as surely indicate graves. Would that we knew the
-tales connected with them!</p>
-
-<p>Then go into any churchyard and observe the
-tombstones. We are children of the men who set
-up menhirs, and we do the same thing to this day,
-though the stones we erect are mean and small compared
-with the great standing monoliths they set up
-to their dead.</p>
-
-<p>In many of the churches around the moor are
-monuments that derive from the cromlech and kistvaens
-as certainly as does the modern tombstone
-from the menhir. The graveyard of Sourton was
-rich in these great slabs standing on four supporters.
-A late rector who "restored" Sourton church, and
-supposed he did God service by so doing, threw all
-these down and employed the slabs as pavement to
-the church paths; he placed the supporters outside
-in the village for anyone to carry off as he listed.</p>
-
-<p>The finest menhirs on Dartmoor are&mdash;one at
-Drizzlecombe, the Langstone near Caistor Rock,
-the Whitmoor Stone, the Bairdown Man, the Langstone
-at Merrivale, and that on Langstone Moor,
-Peter Tavy. There must have been numbers more,
-for their former presence is testified to by many
-place names. They have been carried off, and it
-is matter of wonder that any remain.</p>
-
-<p>6. <em>Hut circles.</em> The cairn and kistvaen were
-the places of burial of the dead, but the hut circles
-were the habitations of the living. So many of them
-have been dug out during the last six years, that we
-may safely draw conclusions as to the period to<span class="pagenum"><a name="Page_67" id="Page_67">[Pg 67]</a></span>
-which they belong. They were occupied by the
-Neolithic population that at one time thickly covered
-Dartmoor.</p>
-
-<div class="figcenter" style="width: 643px;">
-<img src="images/p067.jpg" width="643" height="700" alt="" />
-</div>
-
-<p>In the <cite>Archæologia</cite> of 1875 is an account of the
-exploration of a set of hut circles near Bintley,
-Northumberland, and this revealed successive occupation
-by Celts (?) of the Bronze Age; then Romano-British,
-who left fragments of Samian ware and a<span class="pagenum"><a name="Page_68" id="Page_68">[Pg 68]</a></span>
-bronze horse-buckle; lastly by Saxons, who left
-behind an iron sword.</p>
-
-<p>Not a trace of continuous occupation has been
-found in any circle explored on Dartmoor. All
-belong to the early Bronze Period, when flint was
-the principal material of which tools and weapons
-were fabricated.</p>
-
-<p>Some account of these huts has been already
-given. They usually have a raised platform on the
-side that is towards the hill, and the circle bulges
-at this point to give additional space on this platform.
-It was probably used as a bed by night, and
-was sat upon by day. In one hut at Grimspound
-the platform was divided into two compartments.
-In some instances, small upright stones planted in
-the floor show that the platform was made of logs
-and brushwood, held in place by these projections.
-The stone platforms on the other hand were paved.</p>
-
-<p>The doorways into the huts are composed of single
-upright stones as jambs, with a threshold and a
-lintel, this latter always fallen, and often found
-wedged between the uprights. The floor within is
-paved near the door, but there only; the rest consists
-of hard beaten soil. Occasionally a shelter wall
-protects the entrance from the prevailing wind. The
-huts must have been entered on all-fours; the doorways
-are never higher than three feet six inches,
-usually less. The huts have hearthstones much
-burnt or broken, but occasionally hollows lined with
-stones full of ashes. Cooking-holes are sunk in the
-floor near the hearths, and piles of cooking stones
-are found at hand much cracked by fire. Sometimes<span class="pagenum"><a name="Page_69" id="Page_69">[Pg 69]</a></span>
-a flat stone is found bedded in the soil near the centre
-to support a pole that sustained the roof. In some
-instances a hole has been discovered sunk in the
-floor near the middle, with the charred remains of
-the bottom end of the post in it.</p>
-
-<div class="figcenter" style="width: 382px;">
-<img src="images/p069.jpg" width="382" height="700" alt="" />
-<div class="caption"><p>HUT CIRCLE, GRIMSPOUND.</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_70" id="Page_70">[Pg 70]</a></span></p>
-
-<p>In the cooking-holes have been found cooking-pots
-made by hand of the coarsest clay, usually round at
-the bottom; where not round, with transverse ridges
-of thick clay forming a cross to strengthen the
-bottom. These pots were too fragile to stand the
-action of fire on a hearth, and served by having
-meat and red-hot stones placed in them. Consequently
-they do not show signs of exposure to
-strong fire externally, and are black with animal
-matter within, which may be extracted by means
-of a blowpipe.</p>
-
-<p>One found at Legis Tor had been cracked and
-was mended with china-clay. It had a cooking-stone
-in it. There would seem to have been in use as well
-shallower vessels that were covered with round slate
-discs. None of these have been recovered whole.
-Possibly they were employed to hold curd or butter.</p>
-
-<p>Occasionally round stones, flat on one side and
-convex on the other, have been disinterred in the
-huts. They served to protect the apex of the roof,
-where the poles were drawn together, from the action
-of the rain, which would rot them, as well as to
-prevent the rain from entering at this point. An
-example of a stone of the same character employed
-for this very purpose may be seen in actual use
-on a thatched circular pounding-house on Berry
-Down, near Throwleigh.</p>
-
-<p><span class="pagenum"><a name="Page_71" id="Page_71">[Pg 71]</a></span></p>
-
-<p>Not a single quern has been found in a hut, and
-this indicates that the occupants neither grew nor
-ground corn extensively.<a name="FNanchor_9_9" id="FNanchor_9_9"></a><a href="#Footnote_9_9" class="fnanchor">[9]</a> They lived mainly on
-milk and meat. Numerous rubber-stones have been
-unearthed that served for smoothing the seams of
-skin clothing sewn together; and plenty of flint
-scrapers that turn up show that the skins employed
-for garments were previously carefully scraped and
-cleaned. Esquimaux women chew the leather to get
-it flexible, and then rub it with similar smoothers
-of stone.</p>
-
-<p>7. <em>Tracklines</em> in abundance are everywhere found,
-made of stones, but without close investigation it is
-not possible to determine to what period they belong.</p>
-
-<p>8. Paved roads exist; the main road across the
-moor has been traced from Wray Barton in Moreton
-Hampstead, by Berry Pound to Merripit, by Post
-Bridge, and thence on to Mis Tor. From somewhere
-near the Powder Mills a branch struck off in
-the direction of Princetown, aiming probably for
-Tamerton, but it has been obliterated by the prison
-inclosures. A raised paved road leaves the camp
-above Okehampton Station and takes a direction due
-south, but cannot be traced far. That these ways
-were not Roman is tolerably certain. The ancient
-Britons drove chariots with wheels, and where
-wheeled conveyances were in use, there roads are
-postulated.</p>
-
-<p>9. The <em>cairns</em> that are abundant, and were of
-considerable size, have nearly all been ransacked by
-treasure-seekers. Only such as were too small to<span class="pagenum"><a name="Page_72" id="Page_72">[Pg 72]</a></span>
-attract attention have escaped. They are mounds of
-earth and stone over a pit sunk in the original soil, or
-over a kistvaen. Usually they contain a handful of
-ashes only; they rarely yield more. One, however, on
-Hamildon surrendered a bronze knife with amber
-handle and rivets of gold. Others have given up
-small knives of bronze, and urns of the characteristic
-shape and ornamentation of the Bronze Age.
-In one, on Fernworthy Common, was found a thin
-blade of copper, along with a flint knife, a large
-button of horn, and a well-ornamented urn.</p>
-
-<p>A cairn surrounded by a circle of stones, and
-containing a kistvaen, near Princetown, is called
-"The Crock of Gold," a name that may be due
-to a vessel of the precious metal having been found
-in it.</p>
-
-<p>One thing is obvious, the enormous labour of
-exploring the larger cairns would not have been
-undertaken unless previous ransackings had yielded
-valuable results. Some of the cairns must have
-been huge, and have taken many men several days
-in clearing out their interiors. About these cairns
-I shall say a good deal in a chapter apart.</p>
-
-<p>10. Of <em>camps</em> there are two kinds, those constructed
-of stone and those of earth. I reserve what I have
-to say about these to a separate chapter.</p>
-
-<p>11. The old stone <em>bridges</em>, composed of rude slabs
-cast across an opening to a pier, also rudely constructed,
-have been attributed to "the Druids," of
-course. There is nothing to indicate for these a
-great antiquity. They belong to the period of pack-horses,
-and were doubtless often repaired. Those<span class="pagenum"><a name="Page_73" id="Page_73">[Pg 73]</a></span>
-at Dartmeet, and Post Bridge, and Two Bridges&mdash;this
-last has disappeared&mdash;were in the line of
-the pack-horse track, and <em>not</em> in that of the paved
-way across the moor.</p>
-
-<p>The rude bridge at Okery in like manner is in the
-pack-horse line of way, which is indicated between
-Princetown and Merrivale Bridge by rude posts of
-granite set up at intervals.</p>
-
-<div class="footnotes"><h3>FOOTNOTES:</h3>
-
-<div class="footnote">
-
-<p><a name="Footnote_8_8" id="Footnote_8_8"></a><a href="#FNanchor_8_8"><span class="label">[8]</span></a> Merrivale Bridge, Har Tor, and Longstone, near Caistor Rock.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_9_9" id="Footnote_9_9"></a><a href="#FNanchor_9_9"><span class="label">[9]</span></a> Querns have been found, but none in prehistoric habitations.</p>
-
-<p><span class="pagenum"><a name="Page_74" id="Page_74">[Pg 74]</a></span></p></div></div>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>CHAPTER V.<br />
-
-THE FREAKS</h2>
-
-<div class="hangindent">
-
-<p>Lucubrations of antiquaries in past times&mdash;How their imagination led
-them astray&mdash;Rock idols&mdash;Logan stones&mdash;Who originated the idea
-that they were oracular&mdash;Rock basins&mdash;Tolmens&mdash;The difference
-between the modern system of archæological research and that which
-it has supplanted.</p></div>
-
-
-<p class="drop-capw"><span class="smcap">It</span> would be amusing were it not melancholy to
-read the lucubrations of antiquaries of the early
-part of the nineteenth century on the relics of the
-past found in such abundance on the moor. Their
-imagination played a large part in their researches,
-and references to curious customs in the Bible or
-in classic writings were drawn in to explain these
-relics. The antiquaries lacked the faculty of observing
-accurately, and instead of labouring to accumulate
-facts, and recording them with precision,
-employed them as pegs on which to hang their
-theories, and they whittled at what they did observe,
-so as to fit what they saw to elucidate these theories.</p>
-
-<p>In rambling over the moor they discovered rock
-idols, logan stones, rock basins, and tolmens, and
-entered into long dissertations on their employment
-for worship, oracles, lustrations, and ordeals.</p>
-
-<div class="figcenter" style="width: 670px;">
-<img src="images/p074.jpg" width="670" height="700" alt="" />
-<div class="caption"><p>BOWERMAN'S NOSE</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_75" id="Page_75">[Pg 75]</a></span></p>
-
-<p>There are, indeed, to be seen curious piles of rock,
-but none of these are artificial, and there is not a
-particle of evidence that any of them received
-idolatrous worship. Bowerman's Nose is the most
-remarkable, perhaps. Carrington, the poet of Dartmoor,
-thus describes it:&mdash;</p>
-
-<div class="center">
-<div class="poem"><div class="stanza">
-<span class="i14">"On the very edge<br /></span>
-<span class="i0">Of the vast moorland, startling every eye,<br /></span>
-<span class="i0">A shape enormous rises! High it towers<br /></span>
-<span class="i0">Above the hill's bold brow, and seen from far,<br /></span>
-<span class="i0">Assumes the human form; a granite god,&mdash;<br /></span>
-<span class="i0">To whom, in days long flown, the suppliant knee<br /></span>
-<span class="i0">In trembling homage bow'd."<br /></span>
-</div></div>
-</div>
-
-<p>It stands up, a core of hard granite, forty feet high,
-in five layers above a "clitter," the softer masses
-that have fallen off from it. Had it ever been
-venerated as an idol, the worshippers would assuredly
-have done something towards clearing this clitter
-away, so as to give themselves a means of easy
-access to their idol, and some turf on which to
-kneel in adoration.</p>
-
-<p>Another remarkable pile is Vixen Tor, presenting
-from one point a resemblance to the Sphinx.
-Not a single relic of early man is in its immediate
-neighbourhood. We can hardly doubt that prehistoric
-man was not as big a fool as we suppose
-him, and that he was quite able to see that Bowerman's
-Nose and Vixen Tor were natural objects as
-truly as the tors on the hilltops.</p>
-
-<p>The logan stones on the moor are numerous,
-and these, also, are natural formations. The granite
-weathers irregularly; a hard bed alternates with one
-that is soft, and the wind and rain eat into the
-more crumbling layer and gnaw it away, till the<span class="pagenum"><a name="Page_76" id="Page_76">[Pg 76]</a></span>
-harder superincumbent mass rests on one or two
-points. Either it topples over and becomes one
-more block in a clitter, or it remains balanced, and,
-if fairly evenly balanced, can be made to rock like
-a cradle.</p>
-
-<p>Here is a specimen of tall twaddle from the hand
-of Mrs. Bray or the Rev. E. Atkyns Bray, her
-husband:&mdash;</p>
-
-<div class="blockquot">
-
-<p>"There must have been a more than ordinary feeling of
-awe inspired in the mind of the criminal by ascending
-heights covered with a multitude, to whose gaze he was
-exposed, as he drew nigh and looked upon these massive
-rocks, the seat of divine authority and judgment. How
-imposing must have been the sight of the priesthood and
-their numerous trains, surrounded by all the outward pomps
-and insignia of their office; as he listened to the solemn
-hymns of the vates, preparatory to the ceremonial of justice;
-or as he stepped within the sacred inclosure, there to
-receive condemnation or acquittal, to be referred to the
-ordeal of the logan, or the tolmen, according to the will
-of the presiding priest! As he slowly advanced and
-thought upon these things, often must he have shuddered
-and trembled to meet the Druid's eye, when he stood by
-'the stone of his power.'"</p></div>
-
-<p>All this rubbish is based on supposition. There
-is not a particle of evidence to support it. Toland
-was the first to start the theory that logan stones
-were used for ordeal purposes or as oracles. He
-says: "The Druids made the people believe that
-they alone could move these stones, and by a miracle
-only, by which pretended power they condemned or
-acquitted the accused, and often brought criminals to<span class="pagenum"><a name="Page_77" id="Page_77">[Pg 77]</a></span>
-confess what could in no other way be extorted from
-them." Here is a positive statement. Toland died
-in 1722. Whence did Toland derive this? From
-his imagination only. Then Rowe quotes him as his
-authority for attributing to the logan stones this
-function of delivering oracular judgments. Appeal
-was wont to be made to a line in Ossian as a support
-for the theory, but since Ossian has been proved to
-be a fraud antiquaries are chary of referring to
-him.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p077.jpg" width="700" height="399" alt="" />
-<div class="caption"><p>LOGAN ROCK. THE RUGGLESTONE, WIDDECOMBE.</p></div>
-</div>
-
-<p>There are some really fine logan rocks on Dartmoor.
-Perhaps the largest is one above the West
-Okement, which I remember seeing many years ago,
-when a boy, rolling in a strong wind like a boat at
-sea. That on Rippon Tor measures 16½ feet in
-length, and is about 4½ feet in thickness and nearly
-the same in breadth. It still logs, but not so well as
-formerly, owing to mischievous interference with it.<span class="pagenum"><a name="Page_78" id="Page_78">[Pg 78]</a></span>
-There is a large one in the Teign, above Fingle
-Bridge, that can also be made to roll with the
-application of a little strength.</p>
-
-<p>The Rugglestone, near Widdecombe-in-the-Moor,
-measures 22 feet by 14 feet in one part, and 19 feet
-by 17 feet in another, and is 5 feet 6 inches in mean
-thickness. Its computed weight is 110 tons, whereas
-the celebrated logan in Cornwall weighs 90 tons.
-This stone is poised upon two points.</p>
-
-<p>Roos Tor, which the Ordnance surveyors playfully
-render Rolls Tor, possessed two logan stones, but
-quarrymen have destroyed one, together with the
-fine mass of rock on which it stood. Near it
-lay a huge menhir, never removed till these depredators
-broke it up. I give an illustration of the
-head of the tor with its two logans, taken in 1852;
-one alone remains. On Black Tor, near the road
-from Princetown to Plymouth, is a small logan, with
-a rock basin on the top, and with a projection like
-a handle. It can be made to oscillate without
-difficulty. A small logan is near the stone rows on
-Challacombe in the miners' workings. Its existence
-is purely accidental. Another is near a collection
-of hut circles on the slope of Combeshead Tor.</p>
-
-<p>The rock basins are numerous; they are hollow
-pans formed on the surface of granite slabs by the
-action of wind and water, assisted by particles of
-grit set in rotation by the wind. "That this rude
-and primitive species of basin formed part of the
-apparatus of Druidism there can be little doubt,"
-says Mr. Rowe, "but the specific purpose for which
-they were designed is not clear." Fosbroke un<span class="pagenum"><a name="Page_79" id="Page_79">[Pg 79]</a></span>hesitatingly
-pronounces rock basins to be "cavities
-<em>cut</em> in the surface of a rock, supposed for reservoirs,
-to preserve the rain or dew in its original purity, for
-the religious uses of the Druids."</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p079.jpg" width="700" height="274" alt="" />
-<div class="caption"><p>ROOS TOR, WITH ITS LOGANS, PREVIOUS TO DESTRUCTION.</p></div>
-</div>
-
-<p>All this assertion must be put aside. The bowls
-are excavated by natural agencies, and there is not
-a scrap of evidence to show that they were put to
-superstitious or any other use. The largest is on
-Caistor Rock, and this has been railed round, as
-sheep floundered in and got drowned, or could not
-get out again. Mis Tor has a fine basin, called "The
-Devil's Frying-pan."</p>
-
-<p>These basins may be seen in all stages of growth
-on the tops of the tors.</p>
-
-<p>The tolmen is either a holed stone or a rock
-supported in such a manner as to preserve it from
-falling, and supposed to have been used as an
-apparatus of ordeal, by requiring those accused of a
-crime to creep through the orifice.</p>
-
-<p>Holed stones have unquestionably been employed
-for the purpose of taking oaths and sealing com<span class="pagenum"><a name="Page_80" id="Page_80">[Pg 80]</a></span>pacts,
-the hands being passed through an opening
-and clasped. And certainly S. Wilfrid's needle, in
-the crypt under Ripon Minster, was made use of
-as a test to try whether a maiden accused of incontinency
-was guilty or not. There is, however,
-no well-defined tolmen on Dartmoor that can be
-pronounced to be artificial. A holed stone in the
-Teign was pierced by the action of the water, and
-a suspended rock at an incline on Staple Tor, called
-by Mrs. Bray and Mr. Rowe a tolmen, is a natural
-production also. It is, of course, possible that stones
-thus poised may have been employed for the purpose,
-but we have no evidence that those on Dartmoor
-were so used.</p>
-
-<p>Of rocks supported at one end by a small stone
-there are plenty. There is a good one on Yar Tor,
-above Dartmeet.</p>
-
-<p>The old school of antiquaries started with a theory,
-and then sought for illustrations to fit into their
-theories, and took facts and distorted them to serve
-their purpose, or saw proofs where no proofs existed.
-The new school accumulates statistics and piles up
-facts, and then only endeavours to work out a
-plausible theory to account for the facts laboriously
-collected and registered. It never starts with a
-theory, but applies practices in savage life still in
-use to explain the customs of prehistoric men, who
-lived on the same cultural level as the savages of
-the present day.</p>
-
-<p>One word of caution must be given relative to the
-Druids, who are credited with so much. It is true
-that there were Druids in Britain and in Ireland,<span class="pagenum"><a name="Page_81" id="Page_81">[Pg 81]</a></span>
-but they were the schamans, or medicine-men, of the
-earlier Ivernian race, who maintained their repute
-among the conquering Celts, and their representatives
-at the present day are the white witches who practise
-on the credulity of our villagers.</p>
-
-<p><span class="pagenum"><a name="Page_82" id="Page_82">[Pg 82]</a></span></p>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>CHAPTER VI.<br />
-
-DEAD MEN'S DUST</h2>
-
-<div class="hangindent">
-
-<p>Cairns on Dartmoor&mdash;Why mostly in solitary places and on hilltops&mdash;The
-theory of wearing mourning&mdash;Its real origin&mdash;Various modes
-of deceiving the dead or discouraging them from returning&mdash;The
-desire of the ghost to get home&mdash;Is cajoled or scared away&mdash;How
-widows get rid of the ghosts of their first husbands&mdash;Disguising
-the dead.</p></div>
-
-
-<p class="drop-capw"><span class="smcap">One</span> of the most striking experiences of an
-explorer of Dartmoor is the coming upon
-great cairns in the most remote and inaccessible
-parts of that waste. Not a lone hill surrounded by
-bogs is without its great mound of earth or pile of
-stones over some dead man. In the howling wilderness
-about Cranmere Pool, where are no traces of
-human habitation, there lie the dead. On every rise
-above the swamps and fathomless morasses of Fox
-Tor, there they are scattered thick. Almost always
-the dead were conveyed to the tops of hills, or
-placed on the brows of elevations far away from the
-settlements of the living.</p>
-
-<p>Why was this?</p>
-
-<p>Because prehistoric men were in fear of their dead
-people.</p>
-
-<p>I remember, in 1860, riding across the central
-desert of Iceland, and coming about midnight, when<span class="pagenum"><a name="Page_83" id="Page_83">[Pg 83]</a></span>
-the summer sun was just dipped below the polar
-sea, on a solitary cairn among pools of frozen water
-and amidst illimitable tracts of volcanic ash. My
-guide told me it was the grave of one Glamr, who
-had so haunted the farms in the Vatnsdal that the
-people of the valley had combined to dig him up and
-transport the corpse almost a day's journey into the
-central desert, where they cut off his head, and buried
-the body in a sitting posture with his own skull as his
-throne, an indignity which the ghost was likely to so
-resent as never to venture to show again.</p>
-
-<p>The heathen Icelander, on the death of a father
-in the family, was removed by the anxious heir to
-the estate in an ingenious manner. The wall of the
-house behind the bed was broken through, and the
-corpse drawn out of doors by that way, and then the
-opening was hastily repaired. He was then hurried
-off to his grave. The heir was so afraid lest the
-venerable party should saunter home again and reclaim
-his property, that the father was carried forth
-in this peculiar manner in order to bewilder him and
-make him find a difficulty in returning.</p>
-
-<p>A strip of black cloth an inch and a half in width
-stitched round the sleeve&mdash;that is the final, or perhaps
-penultimate relic (for it may dwindle further to
-a black thread) of the usage of wearing mourning on
-the decease of a relative.</p>
-
-<p>The usage is one that commends itself to us as an
-outward and visible sign of the inward sentiment of
-bereavement, and not one in ten thousand who adopt
-mourning has any idea that it ever possessed a
-signification of another sort. And yet the correla<span class="pagenum"><a name="Page_84" id="Page_84">[Pg 84]</a></span>tion
-of general custom&mdash;of mourning fashions&mdash;leads
-us to the inexorable conclusion that in its inception
-the practice had quite a different signification
-from that now attributed to it, nay more, that it is
-solely because its primitive meaning has been absolutely
-forgotten, and an entirely novel significance
-given to it, that mourning is still employed after a
-death.</p>
-
-<p>Look back through the telescope of anthropology
-at our ancestors in their naked savagery after a death,
-and we see them daub themselves with soot mingled
-with tallow. When the savage assumed clothes and
-became a civilised man, he replaced the fat and lampblack
-with black cloth, and this black cloth has
-descended to us in the nineteenth century as the
-customary and intelligible trappings of woe.</p>
-
-<p>The Chinaman when in a condition of bereavement
-assumes white garments, and we may be pretty
-certain that his barbarous ancestor, like the Andaman
-Islander of the present day, pipe-clayed his
-naked body after the decease and funeral of a
-relative. In Egypt yellow was the symbol of sorrow
-for a death, and that points back to the ancestral nude
-Egyptian having smeared himself with yellow ochre.</p>
-
-<p>Black was not the universal hue of mourning in
-Europe. In Castile white obtained on the death of
-its princes. Herrera states that the last time white
-was thus employed was in 1498 on the death of
-Prince John. This use of white indicates chalk or
-pipe-clay as the daub affected by the ancestors of
-the house of Castile in primeval time as a badge
-of bereavement.</p>
-
-<p><span class="pagenum"><a name="Page_85" id="Page_85">[Pg 85]</a></span></p>
-
-<p>Various explanations have been offered to account
-for the variance of colour. White has been supposed
-to denote purity&mdash;and to this day white gloves and
-hatbands and scarves are employed at the funeral
-of a young girl.</p>
-
-<p>Yellow has been supposed to symbolise that death
-is the end of human hopes, because falling leaves are
-sere; black is taken as the privation of light; and
-purple or violet also affected as a blending of joy
-with sorrow. Christian moralists have declaimed
-against black as heathen, as denoting an aspect of
-death devoid of hope, and gradually purple is taking
-its place in the trappings of the hearse, if not of the
-mourners, and the pall is now very generally violet.</p>
-
-<p>But these explanations are after-thoughts, and an
-attempt to give reason for the divergence of usage
-which might satisfy: they are really no explanations
-at all. The usage goes back to a period when there
-were no such refinements of thought. If violet or
-purple has been traditional, it is so merely because
-the ancestral Briton stained himself with woad on the
-death of a relative.</p>
-
-<p>The pipe-clay, lampblack, yellow ochre, and woad
-of the primeval mourners must be brought into
-range with a whole series of other mourning usages,
-and then the result is something of an "eye-opener."
-It reveals a condition of mind and an aspect of death
-that cause not a little surprise and amusement. It
-is one of the most astonishing, and, perhaps, shocking
-traits of barbarous life, that death revolutionises
-completely the feelings of the survivors towards their
-deceased husbands, wives, parents, and other relatives.</p>
-
-<p><span class="pagenum"><a name="Page_86" id="Page_86">[Pg 86]</a></span></p>
-
-<p>A married couple may have been sincerely attached
-to each other so long as the vital spark was twinkling,
-but the moment it is extinguished the dead partner
-becomes, not a sadly sweet reminiscence, but an
-object of the liveliest terror to the survivor. He
-or she does everything that ingenuity can suggest to
-get himself or herself out of all association in body
-and spirit with the late lamented. Death is held to
-be thoroughly demoralising to the deceased. However
-exemplary a person he or she may have been in
-life, after death the ghost is little less than a plaguing,
-spiteful spirit.</p>
-
-<p>There is in the savage no tender clinging to the
-remembrance of the loved one; he is transformed into
-a terrible bugbear, who must be evaded and avoided by
-every contrivance conceivable. This is due, doubtless,
-mainly to the inability of the uncultivated mind to
-discriminate between what is seen waking from what
-presents itself in phantasy to the dreaming head.
-After a funeral it is natural enough for the mourners
-to dream of the dead, and they at once conclude
-that they have been visited by his <em>revenant</em>. After
-a funeral feast&mdash;a great gorging of pork or beef&mdash;it
-is very natural that the sense of oppression and pain
-felt should be associated with the dear departed, and
-should translate itself into the idea that he has come
-from his grave to sit on the chests of those who have
-bewailed him.</p>
-
-<p>Moreover, the savage associates the idea of desolation,
-death, discomfort, with the condition of the soul
-after death, and believes that the ghosts do all they
-can to return to their former haunts and associates<span class="pagenum"><a name="Page_87" id="Page_87">[Pg 87]</a></span>
-for the sake of the warmth and food, the shelter of
-the huts, and the entertainment of the society
-of their fellows. But the living men and women
-are not at all eager to receive the ghosts into the
-family circle, and they accordingly adopt all kinds
-of "dodges," expedients to prevent the departed from
-making these irksome and undesired visits.</p>
-
-<p>The Venerable Bede tells us that Laurence, Archbishop
-of Canterbury, resolved on flying from
-England because he was hopeless of effecting any
-good under the successor of Ethelbert, King of
-Kent. The night before he fled he slept on the
-floor of the church, and dreamed that S. Peter
-cudgelled him soundly for resolving to abandon his
-sacred charge. In the morning he awoke stiff and
-full of aches and pains. Turned into modern
-language we should say that Archbishop Laurence
-was attacked with rheumatism on account of his
-having slept on the cold stones of the church. His
-mind had been troubled before he went to sleep with
-doubts whether he was doing right in abandoning
-his duty, and very naturally this trouble of conscience
-coloured his dream and gave to his rheumatic twinges
-the complexion they assumed in his mind.</p>
-
-<p>Now Archbishop Laurence regarded the Prince of
-the Apostles in precisely the light in which a savage
-views his deceased relatives and ancestors. He
-associates his maladies, his pains, with them, if he
-should happen to dream of them. If, however, when
-in pain, he dreams of a living person, then he holds
-that this living person has cast a magical spell over
-him.</p>
-
-<p><span class="pagenum"><a name="Page_88" id="Page_88">[Pg 88]</a></span></p>
-
-<p>Among Nature's men, before they have gone
-through the mill of civilisation, plenty to eat and to
-drink, and someone to talk to, are the essentials
-of happiness. They see that the dead have none
-of these requisites, they consider that they are
-miserable without them. The writer remembers
-how, when he was a boy, and attended the funeral
-of a relative in November, he could not sleep all
-night&mdash;a bitter frosty night&mdash;with the thought how
-cold it must be to the dead in the vault, without
-blankets, hot bottle, or fire. It was in vain for him
-to reason against the feeling; the feeling was so
-strong in him that he was conscious of an uncomfortable
-expectation of the dead coming to claim
-a share of the blanket, fire, or hot bottle. Now the
-savage never reasons against such a feeling, and he
-assumes that the dead will return, as a matter of
-course, for what he cannot have in the grave.</p>
-
-<p>The ghost is very anxious to assert its former
-rights. A widow has to get rid of the ghost of
-her first husband before she can marry again. In
-Parma a widow about to be remarried is pelted with
-sticks and stones, not in the least because the
-Parmese object to remarriage, but in order to scare
-away the ghost of number one who is hanging about
-his wife, and who will resent his displacement in her
-affections by number two.</p>
-
-<p>To the present day, in some of the villages of the
-ancient Duchy of Teck, in Würtemberg, it is customary
-when a corpse is being conveyed to the cemetery
-for the relatives and friends to surround the dead, and
-in turn talk to it&mdash;assure it what a blessed rest it<span class="pagenum"><a name="Page_89" id="Page_89">[Pg 89]</a></span>
-is going to; how anxious the kinsfolk are that it
-may be comfortable; how handsome will be the cross
-set over the grave; how much all desire that it may
-sleep soundly and not by any means leave the grave
-and come haunting old scenes and friends; how unreasonable
-such conduct as the latter hinted at would
-be&mdash;how it would alter the regard entertained for the
-deceased, how disrespectful to the Almighty who
-gives rest to the good, and how it would be regarded
-as an admission of an uneasy conscience. Lively
-comparisons are drawn between the joys of paradise
-and the vale of tears that has been quitted, so as to
-take away from the deceased all desire to return.</p>
-
-<p>This is a survival of primitive usage and mode
-of thought, and has its analogies in many places and
-among diverse races.</p>
-
-<p>The Dacotah Indians address the ghost of the
-dead in the same "soft solder" to induce it to take
-the road to the world of spirits, and not to come
-sauntering back to its wigwam. In Siam and in
-China it is much the same; persuasion, flattery,
-threats, are employed.</p>
-
-<p>Unhappily, all ghosts are not open to persuasion,
-and see through the designs of the mourners, and
-with them severer measures have to be resorted to.
-Among the Slavs of the Danube and the Czechs,
-the bereaved, after the funeral, on going home, turn
-themselves about after every few steps, and throw
-sticks, stones, mud, even hot coals, in the direction
-of the churchyard, so as to frighten the spirit back
-to the grave so considerately provided for it. A
-Finnish tribe has not even the decency to wait till<span class="pagenum"><a name="Page_90" id="Page_90">[Pg 90]</a></span>
-the corpse is covered with soil; they fire pistols and
-guns after it as it goes to its grave.</p>
-
-<p>In <em>Hamlet</em>, at the funeral of Ophelia, the priest
-says:&mdash;</p>
-
-<div class="center">
-<div class="poem"><div class="stanza">
-<span class="i22">"For charitable prayers,<br /></span>
-<span class="i0">Shards, flints, and pebbles should be thrown on her."<br /></span>
-</div></div>
-</div>
-
-<p>Unquestionably it must have been customary in
-England thus to pelt a ghost that was suspected
-of the intention to wander. The stake driven
-through the suicide's body was a summary way of
-ensuring that his ghost should not be troublesome.</p>
-
-<p>Those Finns who fired guns after a dead man had
-another expedient for holding him fast, if the first
-failed, and that was to nail him down in his coffin.
-The Arabs tie his legs together. The Wallachs drive
-a long nail through his skull; and this usage explains
-the many skulls that have been exhumed in
-Germany thus perforated.</p>
-
-<p>The Californian Indians were wont to break the
-spine of the corpse so as to paralyse his lower limbs
-and make "walking" impossible. Spirit and body,
-to the unreasoning mind, are intimately associated.
-A hurt done to the body wounds the soul. Mrs.
-Crowe, in her <cite>Night Side of Nature</cite>, tells a story
-reversing this. A gentleman in Germany was dying.
-He expressed great desire to see his son, who was
-a ne'er-do-well, and was squandering his money in
-Paris. At that time the young man was sitting on
-a bench in the Bois-de-Boulogne, with a switch in
-his hand. Suddenly, he beheld his old father before
-him. Convinced that he saw a phantom, he raised<span class="pagenum"><a name="Page_91" id="Page_91">[Pg 91]</a></span>
-his switch, and cut the apparition once, twice, and
-thrice across the face, and it vanished. At that
-moment the dying father uttered a scream, and held
-his hands to his face. "My boy! my boy! He is
-striking me again&mdash;again!" and he died. The
-Algonquin Indians beat the walls of the death-chamber
-to drive out the ghost. In Sumatra a priest
-is employed with a broom to sweep the ghost out.
-In Scotland and in North Germany the chairs on
-which a coffin has rested are reversed, lest the dead
-man should take a fancy to sit on them instead of
-going to his grave. In ancient Mexico certain professional
-ghost ejectors were employed, who, after
-a funeral, were invited to visit and thoroughly explore
-the house whence the dead had been removed,
-and if they found the ghost lurking about in corners,
-in cupboards, under beds&mdash;anywhere, to kick it out.
-In Siberia, after forty days' "law" given to the ghost,
-if it be still found loafing about, the Schaman is sent
-for, who drums it out. He extorts brandy, which
-he professes to require, as he has to personally
-conduct the deceased to the land of spirits, where
-he will make it and the other ghosts so fuddled that
-they will forget the way back to earth.</p>
-
-<p>In North Germany a troublesome ghost is bagged,
-and the bag is emptied in some lone spot, or in the
-garden of a neighbour against whom a grudge is
-entertained.</p>
-
-<p>Another mode of getting rid of the spirit of the
-dear departed is to confuse it as to its way home.
-This is done in various ways. Sometimes the road
-by which it has been carried to its resting-place is<span class="pagenum"><a name="Page_92" id="Page_92">[Pg 92]</a></span>
-swept to efface the footprints, and a false track is
-made into a wood or on to a moor so that the ghost
-may take the wrong road. Sometimes ashes are
-strewn on the way to hide the footprints. Sometimes
-the dead is carried rapidly three or four times
-round the house so as to make him giddy and not
-know in which direction he is carried.<a name="FNanchor_10_10" id="FNanchor_10_10"></a><a href="#Footnote_10_10" class="fnanchor">[10]</a> The universal
-practice of closing the eyes of the dead may
-be taken to have originated in the desire that he
-might be prevented from seeing his way.</p>
-
-<p>In places it was, as already said, customary for the
-dead body to be taken out of the house, not through
-the door, but by a hole knocked in the wall for the
-purpose, and backwards. In Corea, blinders made of
-black silk are put on the dead man's eyes, to prevent
-him from finding his way home.</p>
-
-<p>Many savage nations entirely abandon a hut or
-a camp in which a death has occurred for precisely
-the same reason&mdash;of throwing the dead man's spirit
-into confusion as to its way home.</p>
-
-<p>It was a common practice in England till quite
-recently for the room in which a death had occurred
-to be closed for some time, and this is merely a
-survival of the custom of abandoning the place
-where a spirit has left the body. The Esquimaux
-take out their dying relatives to huts constructed
-of blocks of ice or snow, and leave them there to
-expire, for ghosts are as stupid as they are troublesome;<span class="pagenum"><a name="Page_93" id="Page_93">[Pg 93]</a></span>
-they have no more wits than a peacock, they
-can only find their way to the place where they died.</p>
-
-<p>Other usages are to divert a stream and bury the
-corpse in the river-bed, or lay it beyond running
-water, which, according to ghost-lore, it cannot pass.
-Or, again, fires are lighted across its path, and it
-shrinks from passing through flames. As for water,
-ghosts loathe it. Among the Matamba negroes a
-widow is flung into the water and dipped repeatedly
-so as to wash off the ghost of the dead husband,
-which is supposed to be clinging to her. In New
-Zealand, among the Maoris, all who have followed
-the corpse dive into water so as to throw off the
-ghost which is sneaking home after them. In Tahiti,
-all who have assisted at a burial run as hard as they
-can to the sea and take headers into it for the same
-object. It is the same in New Guinea. We see the
-same idea reduced to a mere form in ancient Rome,
-where, in place of the dive through water, a vessel
-of water was carried twice round those who had
-followed the corpse, and they were sprinkled. The
-custom of washing for purification after a funeral
-practised by the Jews is a reminiscence of the usage,
-with a novel explanation given to it.</p>
-
-<p>In the South Pacific, in the Hervey Islands, after a
-death, men turn out to pummel and fight the returning
-spirit, and give it a good drubbing in the air.</p>
-
-<p>Now perhaps the reader may have been brought
-to understand what the sundry mourning costumes
-originally meant. They were disguises whereby to
-deceive the ghosts, so that they might not recognise
-and pester with their undesired attentions the rela<span class="pagenum"><a name="Page_94" id="Page_94">[Pg 94]</a></span>tives
-who live. Indians who are wont to paint themselves
-habitually, go after a funeral totally un-bedecked
-with colour. On the other hand, other savages daub
-themselves fantastically with various colours, making
-themselves as unlike to what they were previously as
-is possible. The Coreans, when in mourning, assume
-hats with low rims that conceal their features.</p>
-
-<p>The Papuans conceal themselves under extinguishers
-made of banana leaves. Elsewhere in New
-Guinea they envelop themselves in a wicker-work
-frame in which they can hardly walk. Among the
-Mpongues of Western Africa, those who on ordinary
-occasions wear garments, when suffering bereavement
-walk in complete nudity. Valerius Maximus tells
-us that among the Lycians it was customary in
-mourning for the men to disguise themselves in
-women's garments.</p>
-
-<p>The custom of cutting the hair short, and of
-scratching and disfiguring the face, and of rending
-the garments, all originated from the same thought&mdash;to
-make the survivors unrecognisable by the ghost
-of the deceased. Plutarch asserts that the Sacæ,
-after a death, went down into pits and hid themselves
-for days from the light of the sun. Australian
-widows near the north-west bend of the Murray
-shave their heads and plaster them with pipe-clay,
-which, when dry, forms a close-fitting skull-cap. The
-spirit of the late lamented, on returning to his better
-half, either does not recognise his spouse, or is so
-disgusted with her appearance that he leaves her for
-ever.</p>
-
-<p>There is almost no end to the expedients adopted<span class="pagenum"><a name="Page_95" id="Page_95">[Pg 95]</a></span>
-for getting rid of the dead. Piles of stones are
-heaped over them, they are buried deep in the earth,
-they are walled up in natural caves, they are inclosed
-in megalithic structures, they are burned, they are
-sunk in the sea. They are threatened, they are
-cajoled, they are hoodwinked. Every sort of trickery
-is had recourse to throw them off the scent of home
-and to displease them with their living relations.</p>
-
-<p>The wives, horses, dogs slain and buried with
-them, the copious supplies of food and drink laid
-on their graves, are bribes to induce them to be
-content with their situation. Nay, further, in very
-many places no food may be eaten in the house of
-mourning for many days after an interment. The
-object, of course, is to disappoint the returning spirit,
-which comes seeking a meal, finds none; comes again
-next day, finds none again; and after a while out of
-sheer disgust desists from returning.</p>
-
-<p>A vast amount of misdirected ingenuity is expended
-in bamboozling and bullying the unhappy
-ghosts; but the feature most striking in these proceedings
-is the unanimous agreement in considering
-these ghosts as such imbeciles. When they put off
-their outward husk, they divest themselves of all
-that cunning which is the form that intelligence
-takes in the savage. Not only so, but, although they
-remember and crave after home comforts, they absolutely
-forget the tricks they had themselves played
-on the souls of the dead in their own lifetime; they
-walk and blunder into the traps which they had
-themselves laid for other ghosts in the days of their
-flesh.</p>
-
-<p><span class="pagenum"><a name="Page_96" id="Page_96">[Pg 96]</a></span></p>
-
-<p>Perhaps the lowest abyss of dunderheadedness
-they have been supposed to reach is when made to
-mistake their own identity. Recently, near Mentone,
-a series of prehistoric interments in caves has been
-exposed. They reveal the dead men as having had
-their heads daubed over with red oxide of iron.
-Still extant races of savages paint, plaster, and disfigure
-their dead. The prehistoric Greeks masked
-them. The Aztecs masked their deceased kings, and
-the Siamese do so still. We cannot say with absolute
-certainty what the object is, but we are probably not
-far out when we conjecture the purpose to be to make
-the dead forget who they are when they look at their
-reflection in the water. There was a favourite song
-sung some sixty years ago relative to a little old
-woman who got "muzzy." Whilst in this condition
-some naughty boys cut her skirts at her knees. When
-she woke up and saw her condition, "Lawk!" said
-the little old woman, "this never is me!" And
-certain ancient peoples treated their dead in something
-the same way; they disguised and disfigured
-them so that each ghost on waking up might exclaim,
-"Lawk! this never is me!" And so, having
-lost its identity, the soul did not consider that it
-had a right to revisit its old home and molest its old
-acquaintances.</p>
-
-<div class="figcenter" style="width: 400px;">
-<a href="images/p097_full.jpg"><img src="images/p097_thumb.jpg" width="400" height="353" alt="" /></a>
-<div class="caption"><p><a href="images/p097_full.jpg">PLAN OF WHITTOR CAMP</a></p></div>
-</div>
-
-<div class="footnotes"><h3>FOOTNOTES:</h3>
-
-<div class="footnote">
-
-<p><a name="Footnote_10_10" id="Footnote_10_10"></a><a href="#FNanchor_10_10"><span class="label">[10]</span></a> This was done at Manaton at every funeral, the only difference
-being that he was carried round and round the cross. A former rector,
-Rev. C. Carwithen, destroyed the cross so as to put a stop to this
-practice.</p>
-
-<p><span class="pagenum"><a name="Page_97" id="Page_97">[Pg 97]</a></span></p></div></div>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>CHAPTER VII.<br />
-
-THE CAMPS</h2>
-
-<div class="hangindent">
-
-<p>No camps in the forest&mdash;All on the confines&mdash;No apprehension of
-attack from the south&mdash;Whit Tor&mdash;The exploration of the camp&mdash;How
-the walls were constructed&mdash;This explains their ruinous
-condition&mdash;Brent Tor formerly a camp&mdash;How a road up it was made&mdash;The
-Dewerstone camp&mdash;Earthen camps&mdash;Hembury&mdash;The Galford
-Down camp&mdash;A Saxon thegn's burrh&mdash;Old Squire Bidlake&mdash;Lydford
-fortifications.</p></div>
-
-
-<p class="drop-capw"><span class="smcap">As</span> I have already said, the inhabitants of Dartmoor
-in prehistoric times seem to have been
-of a peaceable disposition. There are pounds to
-contain cattle and protect them against wolves, but
-no camps on the moor itself. What camps there
-are will be found on its confines, as though the
-natives feared attack from an enemy outside, but
-were not troubled by their neighbours of the same
-blood and pursuits.</p>
-
-<p>Of camps there are two sorts, but we cannot be
-sure that they belong to different races of men.
-The stone-walled fortresses are few&mdash;Brent Tor, Whit
-Tor, Cranbrook, one near Ashburton, and the Dewerstone.
-Of earth, or earth and stone mixed, there
-are more. A small one above Tavistock, an immense
-and very important one at Galford or Burleigh in
-Bridestowe, one above the station at Okehampton,<span class="pagenum"><a name="Page_98" id="Page_98">[Pg 98]</a></span>
-Wooston and Prestonbury on the Teign, Holne and
-Hembury on the Dart. Along the south of the
-moor are none till we reach Boringdon, between
-the Plym and the Tory. But one only of all these
-has been systematically explored, and that is,
-perhaps, the finest, on Whit Tor, above Mary and
-Peter Tavy.</p>
-
-<p>Whit Tor rises to the height of 1,526 feet above
-the sea-level. It is on Cudlipptown Down, and
-commands exceedingly fine views westward as far
-as the distant Cornish hills.</p>
-
-<p>The tor is not of granite, but of gabbro, an eruptive
-igneous rock, very black and hard, and splitting
-along defined planes under the action of the weather.
-The north side near the summit is covered with a
-clitter of broken masses.</p>
-
-<p>The boldest masses of rock rise on the south
-precipitously, but there are fangs of rock that shoot
-up over the small plateau that forms the summit
-of the hill.</p>
-
-<p>The whole of the summit is surrounded by a
-double wall in a very ruinous condition, and this
-is to a considerable extent due to the smallness of
-the stones of which it was composed. The faces
-of the walls were to be traced only by digging,
-and were never more than doubtful.</p>
-
-<p>Both walls appear to have been 10 feet thick,
-perhaps a little more; the outer, when perfect, might
-have had a height of 4 to 4½ feet, whilst the inner,
-judged by the débris, appears to have been 6 to
-7 feet high.</p>
-
-<p>The space between the walls varied, owing to the<span class="pagenum"><a name="Page_99" id="Page_99">[Pg 99]</a></span>
-inequalities of the ground, but was generally 10 feet
-wide.</p>
-
-<p>The area inclosed by the innermost wall amounts
-to close on one and a half acres; the total amount
-included within the outer wall is about two and a
-half acres of ground.</p>
-
-<p>The circumference is very much broken up, as is
-also the inclosed area, by considerable masses of
-protruding rocks. About these, within the camp,
-heaps of small stones had been piled up, forming
-cairns. The largest and most notable of these is at
-the south-west, and consists of a core of rock about
-which an immense accumulation of stones has been
-heaped. All these cairns were thoroughly explored.
-They covered no interments, and although they disclosed
-evidences that fires had been lighted against
-the rocks, and that people had camped there for a
-while, they showed no tokens of structural erection,
-as though they were ruinous huts built against the
-native rock. The huge cairn was removed with great
-labour, and revealed nothing whatever beneath it
-but one flint flake.</p>
-
-<p>These cairns, there can be little doubt, were collections
-of stones for the use of the besieged, to
-serve as missiles, or for the repair of the walls.</p>
-
-<p>Within the area of the camp are a few hut circles.
-One near the centre is double, and contained an
-incredible number of flint chips, a flint scraper, and
-a core from which flakes had been struck. The
-whole area is littered with flint chips that are brought
-up by the moles when making their burrows, and
-curiously enough not a single arrow-head or flake<span class="pagenum"><a name="Page_100" id="Page_100">[Pg 100]</a></span>
-that can be confidently set down as a weapon has
-been disinterred. The pottery found is all of the
-hand-made cooking-vessel type.</p>
-
-<p>To the east is a circle sheltered on one side by
-a mass of rock, that has a second chamber, a sort of
-bedroom made under a slab of rock, with the
-interstices on all sides built up, except only on that
-by which it was entered from the hut. A good deal
-of flint was found there. Outside, on the south, was
-another hut circle, where a piece of clear quartz
-crystal was found, together with a flint knife that
-had one edge serrated by use.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p100.jpg" width="700" height="367" alt="" />
-<div class="caption"><p>COVERED CHAMBER AND COOKING-HOLE.</p></div>
-</div>
-
-<p>Connected with the camp on the north-east is a
-ruined wall that leads to an inclosure with numerous
-hut circles. South-west of the camp further down
-the hill is a pound in good preservation with eight
-hut circles in it. A reeve or bank to the west of
-the camp leads down to other collections of habitations
-of the same description.</p>
-
-<p><span class="pagenum"><a name="Page_101" id="Page_101">[Pg 101]</a></span></p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p101.jpg" width="700" height="363" alt="" />
-<div class="caption"><p>CONSTRUCTION OF STONE AND TIMBER WALL.</p></div>
-</div>
-
-<p>Some ten cairns on the slopes have been investigated,
-but have yielded little beyond the handful
-of ashes sunk in a pit in the centre that represents
-the dead. A ruined kistvaen, much mutilated, lies
-between the camp and the Langstone, a menhir that
-gives its name to the common, and which is the
-starting-point of a stone row of very inconsiderable
-blocks that led to a cairn now demolished, and its
-place occupied by a pool. From Langstone a track
-to the south-east leads by the head of the Peter
-Tavy stream, which rises in a bog, to a fine circle
-of standing stones, and on the slope below that and
-above the Walkham river is a large settlement of
-some thirty or forty habitations. Beyond the Peter
-Tavy brook, moreover, are numerous clusters of
-dwellings. To all the population who lived in these
-huts, Whit Tor had served as a camp of refuge. The
-place deserves a visit, for we have there collected
-within a small radius the houses and hamlets occupied<span class="pagenum"><a name="Page_102" id="Page_102">[Pg 102]</a></span>
-by the primeval race, the tombs of their dead, the
-stone row set up in memory of some chief represented
-by the Longstone towering above the petty
-stones below, the circle in which the dead were
-burned, and finally, the camp to which they flew to
-defend their beloved moor from invasion.</p>
-
-<p>It may cause some surprise that the walls of the
-stone castles should be in such complete ruin. But,
-in all likelihood, they were constructed on the same
-principle as the Gaulish camps described by Cæsar.
-They were built of timber frames packed in with
-stones, and the logs mortised together held the
-stones in place. When, however, the wood rotted,
-this mode of construction ensured and precipitated
-utter ruin. At Murcens, in the department of Lot,
-is one of these stone camps, and sufficiently well
-preserved, owing to the size of the limestone slabs
-employed in the building, to show precisely how
-the whole was constructed. But the walls of Iosolodunum,
-that held out so bravely against Cæsar, being
-built of small stones compacted with timber, are
-now but heaps of ruin, no better than those of Whit
-Tor.</p>
-
-<p>Brent Tor was fortified in a manner very similar to
-Whit Tor; the outer wall remains fairly perfect on
-the north side, but the inner wall has been much
-injured. In this instance it is not the summit, but
-the base of the hill that has been defended. As
-there is a church on the summit, as also a churchyard
-with its wall, these have drawn their supplies
-from the circumvallation. Moreover, it has been
-broken through to form a way up to the church.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p103.jpg" width="700" height="468" alt="" />
-<div class="caption"><p>BRENT TOR</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_103" id="Page_103">[Pg 103]</a></span></p>
-
-<p>A late curate of Tavistock, whose function it was
-to take the service on Brent Tor, and who found it
-often desperate work to scramble to the summit
-in storm and sleet and rain, resolved on forming a
-roadway to the churchyard gate. But he experienced
-some difficulty in persuading men to go out from
-Tavistock to work at this churchway. However, he
-supplied himself with several bottles of whisky, and
-when he saw a sturdy labourer standing idle in the
-market-place he invited him into his lodgings and
-plied him with hot grog, till the man in a moist
-and smiling condition assented to the proposition
-that he should give a day to the Brent Tor path. By
-this means it was made. The curate was wont to
-say: "Hannibal cut his way through the Alps with
-vinegar; I hewed mine over Brent Tor with prime
-usquebaugh." Few traces of this way remain, but
-in making it sad mischief was made with the inner
-wall of the fortress.</p>
-
-<p>On Brent Tor summit it is sometimes impossible to
-stand against the wind. I remember how that on
-one occasion a baptismal party mounted it in driving
-rain. The father carried the child, and he wore for
-the occasion a new blue jersey. When the poor
-babe was presented at the font it was not only
-streaming with water, but its sopped white garments
-had become blue with the stain from the father's
-jersey.</p>
-
-<p>On an occasion of a funeral, when the parson
-emerged from the church door he was all but
-prostrated by the north-west blast, and he and the
-funeral party had to proceed to the grave much like<span class="pagenum"><a name="Page_104" id="Page_104">[Pg 104]</a></span>
-frogs. "Crook'y down, sir!" was the sexton's advice;
-and the whole company had to press forward bent
-double, and to finish the service seated in the "lew"
-of headstones.</p>
-
-<p>According to popular belief the graves, which are
-cut in the volcanic tufa, fill with water, and the
-dead dissolve into a sort of soup. But this is not
-true; the rock is dry and porous. It discharges its
-drainage by a little spring on the north-east that
-in process of ages has worked itself from stage to
-stage lower down the hill.</p>
-
-<p>The Dewerstone Camp consists of two stone walls
-drawn across the headland. No walls were needed
-for the sides that were precipitous. Cranbrook
-Castle is in very good preservation, except on the
-side towards the Teign, where it has been removed
-by road-menders, but not within recent years. It
-richly deserves to be investigated, and the owners
-have recently granted permission to do so to the
-Dartmoor Exploration Committee.</p>
-
-<p>We come next to the earthen-banked camps. Of
-these there is a very fine example at Hembury,
-near Buckfastleigh. But the finest of all is in
-Burleigh Wood, in the parish of Bridestowe. Here
-the side accessible from Galford Down has been cut
-through, with a trench and a bank thrown up on
-the camp side, and this is carried right across the
-neck. The earthen banks were almost certainly
-crested with palisades. Hard by this early camp,
-where a bronze palstave has been found, is another
-of a different character, occupying the extreme point
-of the hill. This consists of a tump or mound, with<span class="pagenum"><a name="Page_105" id="Page_105">[Pg 105]</a></span>
-an earthwork round it as a ring. In this are remains
-of iron-smelting.</p>
-
-<p>There can be little doubt as to the period of this
-latter. It was the <em>burrh</em> of the Anglo-Saxon, and
-was in every point similar to the <em>mottes</em> of the
-Merovingians in France. On the Bayeux tapestry
-three fortified places are represented&mdash;Dinan, Dol,
-and Rennes&mdash;and all are of the same type. A mound
-of earth was either thrown up, or a hilltop was
-artificially shaped like a tumulus. On the top of
-this the <em>thegn</em> erected his fortress of wood. In the
-Bayeux representations the superstructures at Dol
-and Rennes are of timber, and that of Dinan is
-partly of timber and partly of stone. A flying
-bridge of wood led from the gate in the palisading
-of the outer ring, supported on posts, and conducted
-by an incline to the gate of the citadel. An example
-of one of these camps at Bishopston in Gower has
-been explored recently.<a name="FNanchor_11_11" id="FNanchor_11_11"></a><a href="#Footnote_11_11" class="fnanchor">[11]</a> The stumps of the pales
-were there found embedded in the clay of the bank,
-in tolerable preservation.</p>
-
-<p>In the valley below Burleigh Camp, commanding
-the ancient road from Exeter by Okehampton to
-Launceston, was a third camp, that has been for
-the most part obliterated; it occupied a rising knoll
-of limestone, and this latter has been quarried, so
-that the camp earthworks have been either destroyed
-or buried under the accumulations from the quarry.</p>
-
-<p>The locality is of great interest. The ridge goes
-by the name of Galford, and there is reason to think<span class="pagenum"><a name="Page_106" id="Page_106">[Pg 106]</a></span>
-that this was the Gavulford of the Anglo-Saxon
-Chronicle, where, in 823, the Britons made their last
-stand against Egbert and the Saxons of Devon.</p>
-
-<p>The place is by nature very strong, and it dominates
-two roads, that from Exeter to Cornwall, and
-that which branched off from it on Sourton Down
-and struck through Sourton to Lydford. The name
-Gavulford signifies the holdfast on the <em>fordd</em> or road.</p>
-
-<p>Burleigh Camp is on the estate of Bidlake, an
-interesting old manor house, long the residence of
-a family of the same name, and deserving a visit.
-Old Squire Bidlake was a zealous Royalist, and the
-Parliamentary soldiers went to his house to seize
-him. As they entered the avenue they met an
-elderly tramp in rags, and said, "You fellow. Have
-you seen Squire Bidlake?"</p>
-
-<p>"Yes," he replied; "I've just come from the house,
-and when I was there he was in it."</p>
-
-<p>Then he went his way, and not till too late did
-they discover that this tramp was Squire Bidlake
-himself slipping away in disguise.</p>
-
-<p>He fled to Burleigh Wood. There is a little farm
-below it, in which, at the time, lived a tenant of the
-name of Veale. Veale and his wife and daughter
-concealed him in the underwood, and daily conveyed
-to him food, and supplied him with blankets till the
-search for him ceased.</p>
-
-<p>At the Restoration, Squire Bidlake made over the
-farm to the Veales on a nominal rent, to be held by
-them on this rent so long as a male Veale of their
-descent remained to hold it.</p>
-
-<p>Both Bidlakes and Veales are now gone, and the<span class="pagenum"><a name="Page_107" id="Page_107">[Pg 107]</a></span>
-little farmhouse is a ruin. Squire Bidlake is supposed
-still to haunt the wood, and children are
-frightened by their mothers with the threat that
-the old squire will come and fetch them, if naughty.</p>
-
-<p>Lydford was strongly defended. It occupies a
-fringe of land between ravines, and lines of fortification
-were drawn across the neck. These may still
-be traced. The castle stands on a tump artificially
-shaped. Beyond the church is another small camp,
-probably British. The castle itself is a structure of
-stone, replacing the old Saxon <em>burrh</em>.</p>
-
-<p>It was probably from the bridges leading up into
-these citadels, which the Norsemen saw when they
-harried our coasts, that they conceived the idea that
-the rainbow was the great bridge leading up into
-Odin's Valhalla.</p>
-
-<p>"What fools the gods must be," says the inquirer
-in the Edda, "to build their passage of egress and
-ingress of such brittle stuff."</p>
-
-<div class="footnotes"><h3>FOOTNOTES:</h3>
-
-<div class="footnote">
-
-<p><a name="Footnote_11_11" id="Footnote_11_11"></a><a href="#FNanchor_11_11"><span class="label">[11]</span></a> <cite>Archæologia Cambrensis</cite>, July, 1899. The camp was excavated
-by Colonel W. L. Morgan.</p>
-
-<p><span class="pagenum"><a name="Page_108" id="Page_108">[Pg 108]</a></span></p></div></div>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>CHAPTER VIII<br />
-
-TIN-STREAMING</h2>
-
-<div class="hangindent">
-
-<p>Remains of the tin-streamers&mdash;Dartmoor stream tin&mdash;Lode tin&mdash;The
-dweller in the hut circles did not work the tin&mdash;The tin trade
-with Britain&mdash;How tin was extracted&mdash;A furnace&mdash;Deep Swincombe&mdash;Blowing-houses&mdash;The
-wheel introduced in the reign of
-Elizabeth&mdash;Japanese primitive methods&mdash;Numerous blowing-house
-ruins&mdash;The tin-mould stones&mdash;Merrivale Bridge&mdash;King's Oven&mdash;Its
-present condition&mdash;Mining.</p></div>
-
-
-<p class="drop-capw"><span class="smcap">No</span> one who has eyes in his head, and considers
-what he sees, if he has been on Dartmoor, can
-have failed to observe how that every stream-bed
-has been turned over, and how that every hollow
-in a hillside is furrowed.</p>
-
-<p>The tin-streamers who thus scarred the face of the
-moor carried on their works far down below where
-the rivers debouch from the moor on to the lowlands,
-but there the evidences of their toil have been effaced
-by culture.</p>
-
-<p>The tin found in the detritus of streams is the
-oxide, and is far purer than tin found in the lode.
-Mining for tin was pursued on Dartmoor during the
-Middle Ages to a limited extent only, and solely
-when the stream tin was exhausted.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p108.jpg" width="700" height="462" alt="" />
-<div class="caption"><p>BLOWING-HOUSE UNDER BLACK TOR</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_109" id="Page_109">[Pg 109]</a></span></p>
-
-<p>A very interesting excursion may be made from
-Douseland Station up the Meavy valley to Nosworthy
-Bridge, above which several old tin-moulds may be
-seen lying in the track beside the river, and tin-workings
-are passed. But perhaps the most interesting
-portion of the walk is that up the Nillacombe
-that opens on to the Meavy from the right below
-Kingset.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p109.jpg" width="700" height="486" alt="" />
-<div class="caption"><p>TIN-WORKINGS, NILLACOMBE.</p></div>
-</div>
-
-<p>Above this the stream has been turned about and
-its bed torn up, and rubble heaped in huge piles.
-Not only so, but the hill-slope to the south is marked
-as with confluent smallpox, the result of the gropings
-of miners after tin. They followed up every trickle
-from the side and dug <em>costeening</em>, or <em>shoding</em>, pits
-everywhere in search of metal.</p>
-
-<p>The upper waters of the Webburn have in like
-manner been explored, and some idea of the extent
-to which the moor was lacerated by the miners may
-be obtained from the Warren Inn on the road<span class="pagenum"><a name="Page_110" id="Page_110">[Pg 110]</a></span>
-from Post Bridge to Moreton, looking east, when the
-slopes of Headland Warren and Challacombe will be
-seen seamed deeply.</p>
-
-<p>The remains of the tinners have not been subjected
-to as full an exploration as they merit, but certain
-results have nevertheless been reached. One thing
-is abundantly clear, that all the tin-streaming was
-done subsequently to the time when men occupied
-the hut circles. The population living in them
-knew nothing of tin.</p>
-
-<p>Diodorus Siculus, who wrote <span class="smcap">B.C.</span> 8, says that the
-dwellers at Belerium, a cape of Britain, mined and
-smelted tin. "After beating it up into knucklebone
-shapes they carry it to a certain island lying off
-Britain, named Ictis, for at ebb tides, the space
-between drying up, they carry the tin in waggons
-thither ... and thence the merchants buy it from
-the inhabitants and carry it over to Gaul, and lastly,
-travelling by land through Gaul about thirty days,
-they bring down the loads on horses to the mouth
-of the Rhine."</p>
-
-<p>There can exist little doubt that Ictis is the same
-as Vectis, the Isle of Wight. It is held that anciently
-the island was connected with the mainland. The
-Roman station and harbour was at Brading. The
-early workers first pounded the ore with stone
-crushers, and such have been found. They then
-fanned it in the wind, which carried off the fine
-light dust, and left the metal on the shovels on
-which they tossed the ore and grit into the air.
-Beside some of the workings heaps of this dust
-have been detected. The washing of the ore came<span class="pagenum"><a name="Page_111" id="Page_111">[Pg 111]</a></span>
-later. When sufficient had been collected, long
-troughs were sunk in the "calm," or native clay,
-and these were filled with charcoal; then the tin
-ore was laid on this charcoal, and either more of
-this latter was heaped above, or else peat was piled
-up, with layers of ore. Finally the whole was
-kindled. No bellows were used, but a draught
-through the channel kept the whole glowing, and
-the metal ran through the fire into the bottom of
-the hollow, or ran out at the end, as this rude
-furnace was constructed on an incline.</p>
-
-<div class="figcenter" style="width: 500px;">
-<img src="images/p111.jpg" width="500" height="417" alt="" />
-<div class="caption"><p>MORTAR-STONE, OKEFORD.</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_112" id="Page_112">[Pg 112]</a></span></p>
-
-<p>In Staffordshire, at Kinver, and in the neighbourhood
-of Stourbridge, in Worcestershire, I have seen
-banks and hedges made up of what are locally called
-<em>burrs</em>. These consist of masses of sand and iron
-slag, two feet in diameter, round, and concave on one
-side, convex on the other. These burrs were formed
-in the primitive manufacture of iron, which much
-resembled that of tin. Andrew Yarranton, in <cite>England's
-Improvement by Sea and Land</cite>, 1698, says that
-he saw dug up near the walls of Worcester the
-hearth of an old Roman iron-furnace.</p>
-
-<div class="blockquot">
-
-<p>"It was an open hearth upon which was placed alternately
-charcoal and ironstone, to which fire being applied;
-it was urged by men treading upon bellows. The operation
-was very slow and imperfect. Unless the ore was very
-rich, not more than one hundredweight of iron could be
-extracted in a day. The ironstone did not melt, but was
-found at the bottom of the hearth in a large lump or
-bloom, which was afterwards taken out and beaten under
-massive hammers previous to its being worked into the
-required shape or form."</p></div>
-
-<p>The <em>burrs</em> found are the sand and iron mixed that
-encased the <em>bloom</em>, which was taken out by pincers
-and worked on the anvil. The scoria that encased
-the bloom was thrown aside, and yet contains more
-than one-half of iron. The iron reduced in this
-simple manner never ran, but it became soft like
-dough, and could be removed and beaten into
-shape.</p>
-
-<p>The method of dealing with the tin was similar,
-only that in this latter case the metal flowed. That<span class="pagenum"><a name="Page_113" id="Page_113">[Pg 113]</a></span>
-foot bellows were employed before the system of
-working bellows, and producing a continuous blast
-by means of a water-wheel, is most probable. The
-foot bellows are known to most primitive people,
-but in Agricola's illustration of the smelting of tin
-none are shown. On the contrary, Æolus is represented
-in the corner as blowing a natural blast.</p>
-
-<div class="figcenter" style="width: 550px;">
-<img src="images/p113.jpg" width="550" height="427" alt="" />
-<div class="caption"><p>SLAG-POUNDING HOLLOWS, GOBBETTS.</p></div>
-</div>
-
-<p>The book of Agricola, published in 1556, shows
-that this primitive method was still in practice so
-late as the middle of the sixteenth century.</p>
-
-<p>But this clumsy method could not be long practised
-on Dartmoor, where fuel&mdash;except peat&mdash;was<span class="pagenum"><a name="Page_114" id="Page_114">[Pg 114]</a></span>
-scarce; and it gave way to a furnace of better construction,
-where the receiver was circular, and a
-draught-hole was at the bottom. One of these has
-been dug out and carefully examined at Deep Swincombe.</p>
-
-<div class="figcenter" style="width: 638px;">
-<img src="images/p114.jpg" width="638" height="700" alt="" />
-<div class="caption"><p>SMELTING ORE. (<em>After Agricola.</em>)</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_115" id="Page_115">[Pg 115]</a></span></p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p115.jpg" width="700" height="452" alt="" />
-<div class="caption"><p>PLAN OF BLOWING-HOUSE, DEEP SWINCOMBE.</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_116" id="Page_116">[Pg 116]</a></span></p>
-
-<p>It consists of a single chamber, 18 feet by 11 feet,
-rudely constructed of masses of granite resting on
-one another by their own weight and unset in mortar
-or in clay. The entrance was narrow and low. On
-one side was the furnace, constructed of granite, one
-slab set upright to form a side, and the back and
-other side built up rudely. A fragment of the
-receptacle for the molten tin was found, with a
-receiver and channel cut in it. Pottery was also
-found, which was of a very early description. It
-was submitted to the late Sir Wollaston Franks, of
-the British Museum, who said that he would have
-attributed it to the Celtic period but for the bold
-scores made at the starting-point of a handle, which
-are characteristic of Anglo-Saxon pottery.</p>
-
-<p>At the extremity furthest from the door was a
-<em>cache</em> in the thickness of the wall, formed something
-like a kistvaen, as a place in which to store the metal
-and tools. The whole structure was banked up with
-rubble and turf.</p>
-
-<p>Outside to the south still lies a mould-stone, a slab
-of elvan, in which the mould had been cut, measuring
-26 inches long by 12 inches at one end and 15 at the
-other, and 5 inches deep.</p>
-
-<p>That this is the earliest tin-furnace yet discovered
-on Dartmoor admits of no doubt. The curious mould-stone
-is quite different in shape from any others
-found on the moor. No mortar-stones were discovered,
-and this also is a token of antiquity.</p>
-
-<p>The earliest smelting arrangements must have
-been very crude, and much tin was left in the slag.
-Until recently the Malays threw away their slags,
-which contained as much as 40 per cent. of tin. As
-there have been no mortar-stones found at Deep<span class="pagenum"><a name="Page_117" id="Page_117">[Pg 117]</a></span>
-Swincombe, it is to be presumed that the tinners
-disregarded their slags. These have not, moreover,
-been found. The reason was this&mdash;the sets had been
-reworked at a later time by the tinners at Gobbetts,
-further down the river. These later men had stone
-mortars and a crazing mill, and finding these rich
-slags, removed them, pounded them up in the
-hollowed mortar-stones, that may be seen <i lang="la">in situ</i>
-at Gobbetts, and re-smelted them. Deep Swincombe
-has all the appearance of having been much pulled
-about by tinners since the first furnace was erected.</p>
-
-<div class="figcenter" style="width: 550px;">
-<img src="images/p117.jpg" width="550" height="461" alt="" />
-<div class="caption"><p>TIN-MOULD, DEEP SWINCOMBE.</p></div>
-</div>
-
-<p>The tin running out of the furnace was allowed to
-flow into holes in the ground, and thence was ladled<span class="pagenum"><a name="Page_118" id="Page_118">[Pg 118]</a></span>
-whilst in a molten condition and poured into the
-moulds.</p>
-
-<p>Mr. Gowland has given a most interesting account
-of the manner in which the metals are extracted from
-their ores in Japan.<a name="FNanchor_12_12" id="FNanchor_12_12"></a><a href="#Footnote_12_12" class="fnanchor">[12]</a> This shows how that the
-primitive methods are still in practice there. He
-says:&mdash;</p>
-
-<div class="blockquot">
-
-<p>"Although tin ore is found and worked in Japan in
-several localities, there is but one ancient mine in the
-country. It is situated in Taniyama, in the province of
-Satsuma. The excavations of the old miners here are of
-a most extensive character, the hillsides in places being
-literally honeycombed by their burrows, indicating the
-production in past times of large quantities of the metal.
-No remains, however, have been found to give any clue
-to the date of the earliest workings. But whatever may
-have been their date, the processes and appliances of the
-early smelters could not have been more primitive than
-those I found in use when I visited the mines in 1883.</p>
-
-<p>"The ore was roughly broken up by hammers on stone
-anvils, then reduced to a coarse powder with the pounders
-used for decorticating rice, the mortars being large blocks
-of stone with roughly hollowed cavities.</p>
-
-<p>"It was finally ground in stone querns, and washed by
-women in a stream to remove the earthy matter and foreign
-minerals with which it was contaminated. The furnace in
-which the ore was smelted is exactly the same as that used
-for copper ores, excepting that it is somewhat less in
-diameter. The ore was charged into it wet, in alternate
-layers with charcoal, and the process was conducted in
-precisely the same way as in smelting oxidised copper ores.
-The tin obtained was laded out of the furnace into moulds
-of clay."</p></div>
-<p><span class="pagenum"><a name="Page_119" id="Page_119">[Pg 119]</a></span></p>
-<p>The furnace employed for copper is also described
-by Mr. Gowland:&mdash;</p>
-
-<div class="blockquot">
-
-<p>"An excavation, measuring about 4 feet long, 4 feet wide,
-and 2 feet deep, is made, and this is filled with dry clay
-carefully beaten down. In the centre of this bed of clay
-a shallow, conical-shaped hole is scooped out. The hole is
-then lined with a layer, about three inches thick, of damp
-clay mixed with charcoal, and the furnace is complete.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p119.jpg" width="700" height="548" alt="" />
-<div class="caption"><p>SMELTING TIN IN JAPAN.</p></div>
-</div>
-
-<p>"It has no apertures either for the injection of the blast
-or for tapping out the metal. A blast of air is supplied to
-it generally from two bellows, placed behind a wall of wattle
-well coated with clay, by which they and the men working
-them are protected from the heat. The blast is led from
-each bellows by a bamboo tube, terminating in a very long
-nozzle of clay, which rests on the edge of the furnace cavity."</p></div>
-
-<p><span class="pagenum"><a name="Page_120" id="Page_120">[Pg 120]</a></span></p>
-
-<p>At Deep Swincombe no bellows were used; the
-draught probably came in through the hole behind
-the furnace.</p>
-
-<p>But in the reign of Queen Elizabeth a great revolution
-in the smelting of tin was wrought by the
-introduction of German workmen and their improved
-methods. They brought in the water-wheel. The
-ruins that are found in such abundance of "blowing-houses,"
-as they are called&mdash;one at the least beside
-every considerable stream&mdash;belong, for the most part,
-to the Elizabethan period. They have their "leats"
-for carrying water to them, and their pits for tiny
-wheels that worked the bellows.</p>
-
-<p>The situation of these smelting-houses may be
-found usually by the mould-stones that lie near them.
-There is one below the slide or fall of the Yealm,
-with its moulds in and by it, and another just above
-the fall. There is one near the megalithic remains at
-Drizzlecombe, also with its mould-stones. But it
-is unnecessary to particularise when they are so
-numerous. I will, however, quote Mr. R. Burnard's
-description of two in the Walkham valley as typical:</p>
-
-<div class="blockquot">
-
-<p>"The first is about 250 yards above Merrivale Bridge,
-on the left bank of the river. One jamb is erect, and, like
-most of the doorways of Dartmoor blowing-houses, was
-low, and to be entered necessitated an almost all-fours
-posture. Very little of the walls is standing, but what
-remains is composed of large moor-stones, dry laid. Near
-the entrance is a stone, 3 feet long and 2½ feet wide,
-containing a mould, which at the top is 18 inches long,
-13 inches wide, and 6 inches deep. The sides are bevelled,
-so that the bottom length is 12½ inches, with a width of<span class="pagenum"><a name="Page_121" id="Page_121">[Pg 121]</a></span>
-7 inches at one end and 8 inches at the other. One end
-of the mould has a narrow gutter leading from the top to
-halfway down the mould. This was probably used for the
-insertion of a piece of iron prior to the metal being run in,
-thus permitting the easy withdrawal of the block of tin
-when cool from the mould. This stone also contains a
-small bevelled ingot or sample mould, 4 inches long, 2
-inches wide, and 1¼ inches deep.</p>
-
-<p>"A water-wheel probably stood in the eastern recess of
-the house, for there is a covered drain leading from here
-right under the house and out at the western end, where
-the water was discharged into the river. Traces of the
-leat which supplied the motive power to this wheel may
-also be seen.</p>
-
-<p>"What appear to be the remains of the furnace, consisting
-of massive stones placed vertically, and inclosing
-a small rectangular space, are plainly visible. In this
-place, lying askew, as if it had been thrown out of position,
-is a large stone containing a long, shallow cavity, which
-may have been the bottom of the furnace or 'float,' <em>i.e.</em>
-the cavity in which the molten tin collected before being
-ladled into the mould.</p>
-
-<p>"This ruin lies at the nether end of deep, open cuttings,
-which start from near Rundlestone Corner, and are continued
-right down to the Walkham.</p>
-
-<p>"About 1,000 yards up stream is the ruin of the other
-blowing-house, with remains of a wheel-pit and a leat.
-There is also a stone containing a mould 16 inches long
-at the top, 11 inches wide, and 6 inches deep. It is
-bevelled, so that the bottom length is 12½ inches, with a
-width of 8 inches. Like the mould-stone in the ruin below,
-it contains a sample ingot mould 3½ inches long,
-3 inches wide, and 2 inches deep. The remains in these
-ruins are very similar to each other, and these blowing-<span class="pagenum"><a name="Page_122" id="Page_122">[Pg 122]</a></span>houses
-were probably smelting during the same period,
-indicating that a considerable quantity of tin was raised
-in their neighbourhood."<a name="FNanchor_13_13" id="FNanchor_13_13"></a><a href="#Footnote_13_13" class="fnanchor">[13]</a></p></div>
-
-<p>Anciently, before the introduction of the wheel,
-the smelting-place above all others was at King's
-Oven, or Furnum Regis, near the Warren Inn, between
-Post Bridge and Moreton. It is mentioned
-in the <cite>Perambulation of Dartmoor</cite>, made in 1240. It
-consists of a circular inclosure of about seventy-two
-yards in diameter, forming a pound, with the remains
-of a quadrangular building in it. The furnace itself
-was destroyed some years ago. When the inclosure
-was made it was carried to a cairn that was in part
-demolished, to serve to form the bank of the pound.
-This cairn was ringed about with upright stones, and
-contained a kistvaen. The latter was rifled, and
-most of the stones removed to form the walls; but
-a few of the inclosing uprights were not meddled
-with, and between two was found firmly wedged
-a beautiful flint scraper.</p>
-
-<p>As the drift tin was exhausted, and the slag of the
-earlier miners was used up, it became necessary to
-run adits for tin, and work the veins. These adits
-remain in several places, and where they have been
-opened have yielded up iron bars and picks. But
-these are not more ancient than mediæval times,
-probably late in them. That gold was found in the
-granite rubble of the stream-beds is likely. A model
-of a gold-washing apparatus was found on the moor
-a few years ago. It was made of zinc.</p>
-<p><span class="pagenum"><a name="Page_123" id="Page_123">[Pg 123]</a></span></p>
-<p>According to an old Irish historical narrative, a
-bard was wont to carry a wand of "white bronze"
-or tin, and his shoes were also tin-plated.<a name="FNanchor_14_14" id="FNanchor_14_14"></a><a href="#Footnote_14_14" class="fnanchor">[14]</a> One
-wonders whether at any time a bard thus shod and
-with his rod of office strode over Dartmoor and
-chanted historic ballads there!</p>
-
-<p>For such as would care to see these dry bones of
-antiquarian research into the past of tin-streamers
-clothed with flesh, I must refer them to my novel of
-<cite>Guavas the Tinner</cite>, in which I have described the
-mode of life of the metal-seekers on the moor in the
-time of Elizabeth.</p>
-
-<div class="footnotes"><h3>FOOTNOTES:</h3>
-
-<div class="footnote">
-
-<p><a name="Footnote_12_12" id="Footnote_12_12"></a><a href="#FNanchor_12_12"><span class="label">[12]</span></a> <cite>Archæologia</cite>, vol. lvi. part 2, 1899.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_13_13" id="Footnote_13_13"></a><a href="#FNanchor_13_13"><span class="label">[13]</span></a> <cite>Dartmoor Pictorial Records</cite>, 1893.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_14_14" id="Footnote_14_14"></a><a href="#FNanchor_14_14"><span class="label">[14]</span></a> <cite>Silva Gadhelica</cite>, ii. p. 271.</p>
-
-<p><span class="pagenum"><a name="Page_124" id="Page_124">[Pg 124]</a></span></p></div></div>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>CHAPTER IX.<br />
-
-LYDFORD</h2>
-
-<div class="hangindent">
-
-<p>An out-of-the-world spot&mdash;The church dilapidated&mdash;The clerk&mdash;Situation
-of Lydford&mdash;An early fortress&mdash;The church of S. Petrock&mdash;British
-foundations&mdash;Monument of the watch-maker&mdash;The castle&mdash;A
-prison&mdash;Mr. Radford&mdash;Will Huggins&mdash;Primitive gate-hinges&mdash;The
-gorge&mdash;The waterfall&mdash;The Gubbins crew&mdash;Black Down&mdash;Entries
-in the registers of Mary Tavy&mdash;Mary and Peter Tavy
-churches&mdash;Bridestowe church&mdash;Bronescombe's Loaf and Cheese&mdash;Tavy
-Cleave&mdash;Peat-works&mdash;Cross on Sourton Down.</p></div>
-
-
-<p class="drop-capw"><span class="smcap">Fifty</span> years ago Lydford was one of the most
-out-of-the-world and wild spots in England.
-I had almost written God-forsaken, but checked my
-pen, for God forsakes no place, though He may tarry
-to bless. There were no resident gentry&mdash;there never
-had been, as a glance at the registers reveals. There
-was no resident rector&mdash;there had not been within
-the memory of the oldest inhabitant. The rector
-was a wealthy pluralist, rector of Southill and
-Callington, in Cornwall, who hardly ever showed his
-face in Lydford, the largest parish in England, and
-maintained a poor curate there on a hundred pounds
-a year in a miserable cottage.</p>
-
-<p>The people were a law to themselves, and had the
-credit of being inveterate poachers.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p124.jpg" width="700" height="472" alt="" />
-<div class="caption"><p>ON THE LYD</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_125" id="Page_125">[Pg 125]</a></span></p>
-
-<p>The houses, thatched, built of moor-stones, not set
-in mortar, were in a ruinous condition. The aspect
-of the place was that of an Irish village. It was
-dominated by a ruined castle, and possessed a church
-fast lapsing to ruin, and was girt in by walls long
-ago reduced to heaps. One Christmas Day the
-curate went to the church for the celebration of the
-Holy Communion, and found the altar covered with
-snow that had blown in through the battered east
-window and under the cracked slates of the roof.</p>
-
-<p>"I'll sweep it off," said the clerk.</p>
-
-<p>"On no account. God has spread His table," said
-the curate; and he celebrated on the white sheet of
-snow.</p>
-
-<p>In the cottage that served as parsonage it was not
-much better. The curate had two rooms downstairs
-and one above. One room was slate-paved. Upstairs
-there was no ceiling, and he had occasionally
-to spread his umbrella over his head and pillow when
-he went to bed.</p>
-
-<p>Now all is changed, or changing.</p>
-
-<p>The church has been restored, and is a model of
-what a church should be. The old parsonage has
-been pulled down, and stables built on the site, and
-the late Mr. Street, the architect, erected an absurd
-Scottish castle with angle turrets and extinguisher
-caps to serve as rectory. The ruinous houses are
-being replaced by trim, if ugly, habitations. Only
-the gaunt castle remains gutted.</p>
-
-<p>About fifty years ago the clerk was addicted to
-lifting his elbow too freely, and came to church occasionally
-in a hilarious condition. The climax was
-reached at a funeral, when he tumbled into the grave
-before the coffin, and apostrophised the dead man<span class="pagenum"><a name="Page_126" id="Page_126">[Pg 126]</a></span>
-as he scrambled out: "Beg parding, Ted; I bain't
-minded to change places wi' you just yet."</p>
-
-<p>The curate was compelled to discharge him and
-appoint another, Peter X.</p>
-
-<p>The old clerk refused to accept his dismissal, and
-gathered his adherents, and on the ensuing Sunday
-marched at their head to the house of God. Peter,
-advised of this, summoned his supporters, and,
-having the keys, ensconced himself early within the
-sacred building, in the clerk's pew, surrounded by
-his upholders. The rival party entered, and a battle
-ensued between the factions. The curate absolutely
-refused to perform the service to the clerking of the
-dismissed official, and finally the latter and his gang
-were ejected from the church, loudly professing that
-they would all turn Dissenters.</p>
-
-<p>This Peter remained clerk for fifty years. He
-obtained a subsidiary revenue by carrying children
-afflicted with "the thrush" up the tower, and holding
-them over the battlements at each pinnacle, whilst
-he recited the Lord's Prayer. For this he received
-a small gratuity.</p>
-
-<p>He was a most worthy man, and, as he is now
-dead, I do not scruple to mention that the story I
-have told in <cite>Furze Bloom</cite>, under the title of "Peter
-Lempole," pertained to him. He never married, the
-reason being that he had a childish old brother
-entirely dependent on him. Peter was engaged to
-a bright, pretty girl; but one day she said to him,
-"When us is married, then, mind y', Peter, I'm not
-going to have that silly brother of yourn in the
-house with me." "Indeed!" was Peter's retort; "then
-into my house <em>you</em> shall never come."</p>
-
-<p><span class="pagenum"><a name="Page_127" id="Page_127">[Pg 127]</a></span></p>
-
-<p>Lydford occupies a tongue of land between two
-ravines, one cleft perpendicularly to a depth of
-seventy feet, the other steep, but not sheer through
-rock. The old line of fortifications, much degraded
-by the plough, may be traced distinctly, nevertheless,
-across the only portion of the headland by which
-attack was possible. It is the sort of fortress which
-goes by the name of cliff castle on the Cornish and
-Welsh coasts.</p>
-
-<p>That it was a site chosen by the prehistoric population
-is undoubted. Such a natural fortress could
-not have been overlooked, and it was held since
-remote times till the Normans came. Yet, notwithstanding
-the position being almost impregnable, it
-was taken, and the town of Lydford was burnt by
-the Danes in 997 after they had destroyed the
-Abbey of Tavistock. From Domesday it would
-appear that at the Conquest Lydford was a walled
-town. It sent burgesses to Parliament twice in the
-reign of Edward I.</p>
-
-<p>The church is dedicated to S. Petrock, and at its
-restoration some remains of the old British church
-were discovered three feet below the pavement of the
-present edifice. The slabs that had lain on the floor
-of the original oratory were taken up and placed
-within the doorway of the present church; so that
-the worshippers may stand on the very stones on
-which their ancestors stood in the sixth century.
-That into the walls of the reconstructed church
-most of the stones of the original edifice were incorporated,
-is more than probable.</p>
-
-<p>There are several Petrock churches round the moor<span class="pagenum"><a name="Page_128" id="Page_128">[Pg 128]</a></span>&mdash;Harford,
-South Brent, Clannaborough; and probably
-the original founder and patron of Buckfast
-Abbey was this saint.</p>
-
-<p>The great distinction between British foundations
-and those that were Roman was this: a British church
-was called after its founder, whereas a Roman church
-received its name from some scraps of dead bones
-of a saint laid under the altar, or placed in it.
-Unhappily, we have no record of S. Petrock's labours
-in Devon, but there can exist little hesitation in
-holding that he was an apostle of the district about
-Dartmoor and of a tract north of it as well, as also
-that he laboured and died in Cornwall.</p>
-
-<p>Here is what Bede tells us of the manner of consecration
-among the Celts. It must be premised
-that the historian is speaking of Cedd, Bishop of
-the East Saxons from 653 to 664, to whom Oidilvald,
-King of the Deisa, had given a piece of land.
-Cedd had received his training from Celtic monks at
-Iona.</p>
-
-<div class="blockquot">
-
-<p>"This man of God, wishing by prayer and fasting to
-purge the place of its former pollution of wickedness, and
-so to lay the foundation of the monastery, entreated the
-king that he would grant him the means and permission
-to dwell there for that purpose, during the whole time
-of Lent, which was then at hand. In all the days of this
-time, except on Sundays, he fasted till the evening, according
-to custom, and then took no other sustenance than
-a little bread, one hen's egg, and a little milk mixed with
-water. This, he said, was the custom of those of whom
-he had learned the rule of regular discipline; first to
-consecrate to our Lord, by prayer and fasting, the places<span class="pagenum"><a name="Page_129" id="Page_129">[Pg 129]</a></span>
-which they had newly received for building a monastery
-or a church.</p>
-
-<p>"When there were ten days of Lent still remaining
-there came a messenger to call him to the king, and he,
-that the religious work might not be intermitted, on
-account of the king's affairs, entreated his priest, Cynebil,
-who was also his brother, to complete the work that had
-been so piously begun. Cynebil readily complied, and
-when the time of fasting and prayer was over he there
-built the monastery, which is now called Lastingham."<a name="FNanchor_15_15" id="FNanchor_15_15"></a><a href="#Footnote_15_15" class="fnanchor">[15]</a></p></div>
-
-<p>The name Petrock is really Peterkin, the Celtic
-diminutive of Peter, and it is probable that Peter
-Tavy is another of his foundations, as well as certain
-other churches now regarded as dedicated to the
-great apostle.</p>
-
-<p>The Saxons, who were saturated with Latin ideas,
-when they obtained supremacy, rededicated the
-churches to saints of the Roman calendar, if they
-were able to obtain from Italy some scraps of bone
-that it was pretended had belonged to one of the
-saints of the Latin calendar. But there is no evidence
-that the British Christians did other than call
-their churches after the names of the founders.</p>
-
-<p>Lydford church is of fifteenth-century Perpendicular,
-but in the chancel is an earlier piscina, and
-the font is possibly pre-Norman. The chancel screen
-is gone, but the rood staircase remains.</p>
-
-<p>In the churchyard is the often-quoted epitaph of
-George Routleigh:&mdash;</p>
-
-<div class="center">
-<div class="poem"><div class="stanza">
-<span class="i0">"Here lies in horizontal position<br /></span>
-<span class="i6">the outside case of<br /></span>
-<span class="i0">George Routleigh, watch-maker,<br /></span>
-<span class="i0">whose abilities in that line were an honour<br /></span><span class="pagenum"><a name="Page_130" id="Page_130">[Pg 130]</a></span>
-<span class="i12">to his profession.<br /></span>
-<span class="i6">Integrity was the main-spring<br /></span>
-<span class="i8">and Prudence the regulator<br /></span>
-<span class="i6">of all the actions of his life.<br /></span>
-<span class="i6">Humane, generous and liberal<br /></span>
-<span class="i8">his Hand never stopped<br /></span>
-<span class="i6">till he had relieved distress.<br /></span>
-<span class="i2">So nicely regulated were all his motions<br /></span>
-<span class="i8">that he never went wrong,<br /></span>
-<span class="i10">except when set agoing<br /></span>
-<span class="i4">by people who did not know his key.<br /></span>
-<span class="i2">Even then he was easily set right again.<br /></span>
-<span class="i0">He had the art of disposing his time so well<br /></span>
-<span class="i8">that his hours glided away<br /></span>
-<span class="i10">in one continual round<br /></span>
-<span class="i10">of pleasure and delight.<br /></span>
-<span class="i6">Till an unlucky minute put a period to<br /></span>
-<span class="i18">his existence.<br /></span>
-<span class="i6">He departed this life Nov. 14, 1802,<br /></span>
-<span class="i20">aged 57,<br /></span>
-<span class="i20">wound up<br /></span>
-<span class="i8">in hopes of being taken in hand<br /></span>
-<span class="i18">by his Maker<br /></span>
-<span class="i4">and of being thoroughly cleaned, repaired<br /></span>
-<span class="i18">and set agoing<br /></span>
-<span class="i14">in the World to Come."<br /></span>
-</div></div>
-</div>
-
-<p>In the churchyard may be noticed some altar
-tombs of the type not infrequent round the moor.</p>
-
-<p>Due west of the church, across the graveyard
-hedge, is a small camp, possibly British.</p>
-
-<p>The castle is planted on a tump, a natural elevation
-artificially shaped, and is not particularly interesting.
-It is square, and was built after the Conquest.<span class="pagenum"><a name="Page_131" id="Page_131">[Pg 131]</a></span>
-By a charter of Edward I. it was constituted a
-Stannary prison. Richard Strode, of Newnham Park,
-one of the principal gentry of the county, moved in
-Parliament to restrain the miners from discharging
-their refuse into the rivers with the result of choking
-up the harbours. The miners were so incensed
-against him that they captured him in 1512, had
-him summarily tried by their Stannary Laws, on
-Crockern Tor, and threw him into Lydford gaol,
-where he languished for some time, and it was with
-considerable difficulty that his release was obtained.</p>
-
-<p>What with Forest Laws and Stannary Laws,
-Lydford Castle rarely lacked tenants. Even in 1399
-Lydford law was held in bad repute, for Wright, in
-his collection of political poems, prints some verses
-of that date which speak of it as such; and William
-Browne, in 1644, wrote on it:&mdash;</p>
-
-<div class="center">
-<div class="poem"><div class="stanza">
-<span class="i0">"I oft have heard of Lydford law,<br /></span>
-<span class="i0">How in the morn they hang and draw,<br /></span>
-<span class="i2">And sit in judgment after:<br /></span>
-<span class="i0">At first I wondered at it much,<br /></span>
-<span class="i0">But soon I found the matter such<br /></span>
-<span class="i2">As it deserves no laughter.<br /></span>
-</div><div class="stanza">
-<span class="i0">"They have a castle on a hill;<br /></span>
-<span class="i0">I took it for some old wind-mill,<br /></span>
-<span class="i2">The vanes blown off by weather.<br /></span>
-<span class="i0">Than lie therein one night 'tis guessed<br /></span>
-<span class="i0">'Twere better to be stoned or pressed<br /></span>
-<span class="i2">Or hanged, ere you come thither."<br /></span>
-</div></div>
-</div>
-
-<p>And so on for sixteen verses.</p>
-
-<p>Below the castle is the water-gate where is the
-only spring from which Lydford town was supplied<span class="pagenum"><a name="Page_132" id="Page_132">[Pg 132]</a></span>
-till Mr. Radford brought drinking water into the
-place.</p>
-
-<p>With Lydford the name of Daniel Radford will
-be indissolubly connected&mdash;one of the noblest and
-kindest of men, and one of the most modest. He
-cut the way up the ravine by which the gorge was
-made accessible. When I was a boy the only method
-by which it could be explored was by swimming and
-scrambling in summer, when the water was low.
-Mr. Radford built Bridge House and restored the
-church. It was due to him that I undertook, in
-1888, to collect the folk-music in Devon and Cornwall;
-and it is in Lydford churchyard that he lies,
-awaiting the resurrection of the just. Not without
-deep feeling can I pen these lines to commemorate
-one of the best men whom it has been my happiness
-to know.</p>
-
-<p>As I have mentioned the folk-music of Devon,
-I may here add that one of my assistants was old
-Will Huggins, of Lydford, a mason, who entered
-enthusiastically into the work. I had an attack
-of influenza in the winter of 1889-90, and had to
-leave England for Italy. Before my departure Will
-promised me to go about among his old cronies and
-collect ancient ballads. Alas! he caught a chill; it
-fell on his chest, and when I returned in the spring,
-it was to learn that he was gone.</p>
-
-<div class="center">
-<div class="poem"><div class="stanza">
-<span class="i0">"I'm going, I reckon, full mellow<br /></span>
-<span class="i2">To lay in the churchyard my head;<br /></span>
-<span class="i0">So say, God be wi' you, old fellow,<br /></span>
-<span class="i2">The last of the singers is dead."<br /></span>
-</div></div>
-</div>
-<p><span class="pagenum"><a name="Page_133" id="Page_133">[Pg 133]</a></span></p>
-<p>In the village street may be noticed, built into the
-hedge or wall, a piece of granite with a round hole
-like a rock basin depressed in it. Actually it is one
-of the stones of a gate-hinge.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p133.jpg" width="700" height="687" alt="" />
-<div class="caption"><p>A PRIMITIVE HINGE.</p></div>
-</div>
-
-<p>Formerly the gates around Dartmoor had no iron
-hinges, but turned in sockets cut in granite blocks.
-Few of these now remain in use, but the stones may
-be noticed lying about in many places, and it is really
-marvellous that the antiquaries of the past did not
-suppose they were basins for sacrificial lustration.</p>
-
-<p>In 1880 the late Mr. Lukis was in Devon, planning
-the rude stone monuments on Dartmoor for the Royal
-Society of Antiquaries. He came on some of these
-cuplike holes in stones, and carefully measured and
-drew them. Happily, I was able to show a gate
-swinging between two of these blocks, and so explain
-to him their purpose.</p>
-
-<p><span class="pagenum"><a name="Page_134" id="Page_134">[Pg 134]</a></span></p>
-
-<p>The Lydford ravine is the finest of its kind in
-England. A bridge crosses it, and it is worth while
-looking over the parapet into the gulf below, through
-which the river writhes and leaps. The gardens
-of Bridge House are thrown open on Mondays, when
-a visitor may descend and thread the gorge. But
-decidedly the best way for him to see the beauties
-of the Lyd valley, where most restricted and romantic,
-is for him to descend at the waterfall, a pretty but not
-grand slide of a lateral brook, and ascend the ravine
-of the Lyd from thence; he will pass through the
-gorge where finest, under the bridge, and pursue his
-course till he comes out at a mill below the south
-gate of Lydford. Hence a half-mile will take him to
-Kitt's Steps, another fall, a leap of the Lyd into
-a basin half choked with the rubbish from a mine.
-The mine happily failed, but it has left its heaps in
-the glen as a permanent disfigurement.</p>
-
-<p>Considerable caution must be exercised in ascending
-the gorge, as the path is narrow, and in places
-slippery. A schoolmistress was killed here a few
-years ago. She turned to look at the sun glancing
-through the leaves at the entrance of the chasm,
-became giddy, and fell over. She was dead when her
-body was recovered.</p>
-
-<p>Inhabiting the valley and lateral combes of the
-Lyd, in the time of Charles I. and the Commonwealth,
-was a race of men called the Gubbinses.
-They were wild and lawless, and maintained themselves
-by stealing sheep and cattle, and carrying them
-into the labyrinth of glens where they could not be
-traced.</p>
-
-<p><span class="pagenum"><a name="Page_135" id="Page_135">[Pg 135]</a></span></p>
-
-<p>Fuller, in his account of the wonders of the county
-of Devon, includes the Gubbinses. He heard of them
-during his stay in Exeter, 1644-7.</p>
-
-<div class="blockquot">
-
-<p>"I have read of an England beyond Wales, but the
-Gubbings land is a Scythia within England, and they be
-pure heathens therein. It lyeth near Brenttor, in the edge
-of Dartmore.... They are a peculiar of their own making,
-exempt from Bishop, Archdeacon, and all Authority, either
-ecclesiastical or civil. They live in cotts (rather holes than
-houses) like swine, having all in common, multiplied, without
-marriage, into many hundreds. Their language is the
-drosse of the dregs of the vulgar Devonian; and the more
-learned a man is, the worse he can understand them. Their
-wealth consists in other men's goods, and they live by
-stealing the sheep on the More, and vain it is for any to
-search their Houses, being a Work beneath the pains of a
-Sheriff, and above the powers of any constable. Such
-their fleetness, they will out-run many horses: vivaciousnesse,
-they outlive most men, living in the ignorance of
-luxury, the Extinguisher of Life, they hold together like
-Burrs, offend One, and All will revenge his quarrel."</p></div>
-
-<p>William Browne speaks of them as near Lydford:&mdash;</p>
-
-<div class="center">
-<div class="poem"><div class="stanza">
-<span class="i0">"And near thereto's the Gubbins' cave,<br /></span>
-<span class="i0">A people that no knowledge have<br /></span>
-<span class="i4">Of law, of God, or men;<br /></span>
-<span class="i0">Whom Cæsar never yet subdued;<br /></span>
-<span class="i0">Who've lawless liv'd; of manners rude;<br /></span>
-<span class="i4">All savage in their den.<br /></span>
-</div><div class="stanza">
-<span class="i0">"By whom, if any pass that way,<br /></span>
-<span class="i0">He dares not the least time to stay,<br /></span>
-<span class="i4">But presently they howl;<br /></span>
-<span class="i0">Upon which signal they do muster<br /></span>
-<span class="i0">Their naked forces in a cluster,<br /></span>
-<span class="i4">Led forth by Roger Rowle."<br /></span>
-</div></div>
-</div>
-<p><span class="pagenum"><a name="Page_136" id="Page_136">[Pg 136]</a></span></p>
-<p>It cannot be said that the race is altogether extinct.
-The magistrates have had much trouble with certain
-persons living in hovels on the outskirts of the moor,
-who subsist in the same manner. They carry off
-lambs and young horses before they are marked, and
-when it is difficult, not to say impossible, for the
-owners to identify them. Their own ewes always
-have doubles.</p>
-
-<p>In the West Okement valley, in a solitary spot,
-are the foundations of a cottage in which for many
-years a man lived, preying upon the flocks and cattle
-on the moor, and carrying on his depredations with
-such cunning that he was never caught. It was
-shrewdly suspected that he was in league with a
-number of small farmers, and that he was by this
-means able to pass on his captures and ensure their
-concealment.</p>
-
-<p>Black Down is an extensive ridge of moorland
-traversed by the high road from Okehampton to
-Tavistock. The highest point is called Gibbet Hill,
-but tradition is silent as to who hung there.</p>
-
-<p>In the Mary Tavy register occurs this entry:&mdash;</p>
-
-<div class="blockquot">
-
-<p>"1691, March 12, William Warden, a currier, was
-whipped by the Parson and Churchwardens of Whitchurch,
-and ordered to be passed on as a wandering rogue
-from parish to parish, by the officers therein, in 26 days
-to his native place, Cheshunt in Hertfordshire, and as the
-Churchwardens were conveying him on horseback over
-Black Down, he died on the back of the horse, and was
-buried the same night."</p></div>
-
-<p>The parson of Whitchurch was a Mr. Polwhele,
-who was also justice of peace.</p>
-
-<p><span class="pagenum"><a name="Page_137" id="Page_137">[Pg 137]</a></span></p>
-
-<p>Here is another curious entry in the same book
-of registers:&mdash;</p>
-
-<div class="blockquot">
-
-<p>"1756, Sept. 12, Robert Elford, was baptized, the child
-of Susanna Elford by her sister's husband, to whom she
-was married with the consent of her sister, the wife, who
-was at the wedding."</p></div>
-
-<p>Here the union is not with a <em>deceased</em> wife's sister,
-but the living wife's sister. There is no entry relative
-to this marriage, so that the pair must have got their
-unhallowed union blessed in some remote parish,
-where the relationship was not known.</p>
-
-<p>In 1760 William Creedy, sojourner, and Susanna
-Elford had their banns called, but there is no entry
-of a marriage.</p>
-
-<p>Another entry in the same register book is suggestive
-of a scandal.</p>
-
-<div class="blockquot">
-
-<p>"1627, Aug. 5, Baptized, Nicolas filius Mri. Johan.
-Cake jam senio confecti."</p></div>
-
-<p>Mary Tavy church, picturesquely situated, not on
-the Tavy, but on a little confluent, was barbarously
-renovated some years ago, but of late much loving
-care has been bestowed upon the structure, and something
-has been done to efface the mischief wrought
-by the architect who had dealt with it previously.
-The new screen is remarkably good, and in accordance
-with Devonshire work of the sixteenth century.
-The stained glass is excellent.</p>
-
-<p>Peter Tavy church was disfigured rather later
-than Mary Tavy. It possessed an interesting Tudor
-square pew, richly carved, and with posts at the<span class="pagenum"><a name="Page_138" id="Page_138">[Pg 138]</a></span>
-corners supporting heraldic beasts. This was demolished
-at the so-called restoration. Some scraps
-have been preserved and worked up to form a screen
-across the tower arch. All the modern work is of
-the vulgarest description, in yellow deal. A portion
-of the screen with saints painted on it is preserved
-within the altar rails.</p>
-
-<p>Peter Tavy Combe must on no account be
-neglected; it is a remarkably picturesque valley.</p>
-
-<p>Another church that may be visited from Lydford
-is Bridestowe, dedicated to S. Bridget, who had a
-sanctuary of refuge here, now called the Sentry.
-The original church stood in a different position,
-and contained the Norman arch now erected at the
-entrance to the church avenue. It was turned into
-a church-house, then became ruinous and was pulled
-down. The reason for the removal of the parish
-church in the fifteenth century was probably because
-the old church was near the road at a turn, so that
-there was not space available to enlarge it.</p>
-
-<p>This church has suffered from maltreatment by
-a late rector, who tore down the old roodscreen,
-sawed it down the middle, and plastered the tracery
-so treated against a deal dwarf screen, <em>inverted</em>,
-and against a vestry door. To make matters worse,
-he boarded the entire interior of the chancel with
-deal, varnished. It presented the appearance of a
-cabin of a ship. This has now happily disappeared.
-It is greatly to be desired that the screen should
-be restored.</p>
-
-<p>Second to the Dart only in beauty is the West
-Okement that comes foaming down from the bogs<span class="pagenum"><a name="Page_139" id="Page_139">[Pg 139]</a></span>
-about Cranmere through a fine ravine between Yes
-Tor and Amicombe Hill. If the river be followed
-up from Meldon Viaduct, a point is reached where it
-rushes over a barrier of rocks fallen from Black Tor,
-and divides about an islet. But perhaps the best way
-to see this valley is to ascend a combe, crossed at the
-foot by the Lake Viaduct, and follow a track that
-sweeps round Sourton Tor, and ascend to Bronescombe's
-Loaf and Cheese, where is a fine cairn.
-On the slope between Sourton Tor and Bronescombe's
-Loaf lies a large slab of granite through
-which a dyke of elvan has been thrust. In this
-elvan have been cut the moulds for two bronze
-axe-heads.</p>
-
-<p>Walter Bronescombe was Bishop of Exeter between
-1258 and 1280, and he lies buried in the Cathedral
-under a fine canopied tomb. The effigy is of his own
-date, and gives apparently a true portrait of a worthy
-prelate.</p>
-
-<p>One day he was visiting this portion of his diocese,
-and had ventured to ride over the moor from Widdecombe.
-He and his retinue had laboured through
-bogs, and almost despaired of reaching the confines
-of the wilderness. Moreover, on attaining Amicombe
-Hill they knew not which way to take, for the
-bogs there are nasty; and his attendants dispersed
-to seek a way. The Bishop was overcome with
-fatigue, and was starving. He turned to his chaplain
-and said, "Our Master in the wilderness was offered
-by Satan bread made of stones. If he were now to
-make the same offer to me, I doubt if I should have
-the Christian fortitude to refuse."</p>
-
-<p><span class="pagenum"><a name="Page_140" id="Page_140">[Pg 140]</a></span></p>
-
-<p>"Ah!" sighed the chaplain, "and a hunch of cheese
-as well!"</p>
-
-<p>"Bread and cheese I could not hold out against,"
-said the Bishop.</p>
-
-<p>Hardly had he spoken before a moorman rose up
-from a peat dyke and drew nigh; he had a wallet
-on his back.</p>
-
-<p>"Master!" called the chaplain, "dost thou chance
-to have a snack of meat with thee?"</p>
-
-<p>"Ay, verily," replied the moorman, and approached,
-hobbling, for he was apparently lame. "I have with
-me bread and cheese, naught else."</p>
-
-<p>"Give it us, my son," said the Bishop; "I will well
-repay thee."</p>
-
-<p>"Nay," replied the stranger, "I be no son of thine.
-And I ask no reward save that thou descend from
-thy steed, doff thy cap, and salute me with the title
-of master."</p>
-
-<p>"I will do that," said the Bishop, and alighted.</p>
-
-<p>Then the strange man produced a loaf and a large
-piece of cheese.</p>
-
-<p>Now, the Bishop was about to take off his cap and
-address the moorman in a tone of entreaty and by
-the title of master, when the chaplain perceived that
-the man had one foot like that of a goat. He
-instantly cried out to God, and signified what he
-saw to the prelate, who, in holy horror, made the
-sign of the cross, and lo! the moorman vanished,
-and the bread and cheese remained transformed
-to stone.</p>
-
-<p>Do you doubt it? Go and see. Look on the
-Ordnance Survey map and you will find Bread
-and Cheese marked there. Only Bronescombe's
-name has been transformed to Brandescombe.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p141.jpg" width="700" height="477" alt="" />
-<div class="caption"><p>HARE TOR</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_141" id="Page_141">[Pg 141]</a></span></p>
-
-<p>But the Bishop, to make atonement, and to
-ease his conscience for having so nearly yielded
-to temptation, spent great sums on the rebuilding
-of his cathedral.</p>
-
-<p>From the Bread and Cheese, a walk along the
-brow of the hill by the Slipper Stones&mdash;so called
-because there Bishop Bronescombe dropped one
-of the coverings of his feet&mdash;shows the valley to
-perfection, with Black Tor rising above it, and Yes
-Tor towering high aloft in the rear. By the stream
-below is a stunted copse, a relic of the ancient arms
-of forest that stole up the ravines far into the moor,
-but of which now hardly any remain. At Stinga
-Tor, further up, is a fine logan rock. The visitor
-may return by the peat-works and the noble pile of
-Lynx Tor to the valley of the Lyd.</p>
-
-<p>An interesting excursion may be made to Tavy
-Cleave. The course to be adopted, so as to see it in
-perfection, is to go on to the moor from the Dartmoor
-Inn. Here in its proper season, August to October,
-the field gentian, with its dull purple flowers, may be
-gathered. A descent to the Lyd by some old mine
-works opens a fine view of Lynx, Hare, and Doe
-Tors, and the little farm named after the latter lies
-before one, solitary in the midst of heather and
-swamp. Stepping-stones allow the river to be
-crossed, and the farm is reached and passed, and
-Hare Tor is aimed at. Old stream-works and prospecting
-pits abound. By leaving the summit of
-Hare Tor on the left, a cluster of rocks rising above<span class="pagenum"><a name="Page_142" id="Page_142">[Pg 142]</a></span>
-the grass and heather must be struck at, and suddenly
-before the eye opens the ravine of the Tavy, that
-foams far below over a bar of red granite.</p>
-
-<p>Between the rocks and Ger Tor is a cluster of hut
-circles in tolerable preservation, and a very interesting
-collection is found on a spur of Stannon, on the further
-side of the Tavy.</p>
-
-<p>Lynx Tor may be ascended from Lydford. The
-summit is occupied by a fine mass of rocks, and
-commands a superb view as far as the Atlantic in
-one direction, and Plymouth Sound and the Channel
-in another.</p>
-
-<p>Near Lynx Tor are the peat-works already
-mentioned. Various attempts have been made to
-find for the peat a use that may prove commercially
-successful, but hitherto these attempts have not been
-satisfactory to investors. The bogs are hungry, and
-swallow up a good deal of money.</p>
-
-<p>Hence a short diversion will take to the logan
-rock on Stinga Tor.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p142.jpg" width="700" height="334" alt="" />
-<div class="caption"><p>INSCRIPTION ON SOURTON CROSS.</p></div>
-</div>
-
-<p>On Sourton Down stands an old granite cross that<span class="pagenum"><a name="Page_143" id="Page_143">[Pg 143]</a></span>
-bears an inscription only to be read when the sun
-is setting and casts its rays aslant over the face.
-Apparently the monolith was shaped into a Latin
-cross at some period later than the inscription, which
-belongs to the sixth century. It is headed by the
-early Christian symbol of the ☧ but badly made.
-The same symbol occurs on the inscribed stone at
-Southill. The granite is of a very coarse texture,
-especially where the figure occurs and at the beginning
-of the name.</p>
-
-<p>As for every person, so for every place, a time
-comes if waited for. It has come for Lydford, burnt
-by Danes, deserted in the Middle Ages, abandoned
-by its rectors.</p>
-
-<div class="center">
-<div class="poem"><div class="stanza">
-<span class="i0">"At six o'clock I came along<br /></span>
-<span class="i0">And prayed for those that were to stay<br /></span>
-<span class="i2">Within a place so arrant;<br /></span>
-<span class="i0">Wide and ope the winds so roar,<br /></span>
-<span class="i0">By God's grace I'll come there no more<br /></span>
-<span class="i2">Till forc'd by a tin warrant."<br /></span>
-</div></div>
-</div>
-
-<p>So wrote Browne in the seventeenth century.</p>
-
-<p>But the time has arrived for Lydford at last, and
-now in summer it is hardly possible for a visitor to
-obtain lodgings, unless he has written to secure them
-months before, so greatly does Lydford attract to it
-those who have eyes to see beautiful scenery and
-hearts to appreciate it.</p>
-
-<div class="footnotes"><h3>FOOTNOTES:</h3>
-
-<div class="footnote">
-
-<p><a name="Footnote_15_15" id="Footnote_15_15"></a><a href="#FNanchor_15_15"><span class="label">[15]</span></a> <cite>Hist. Eccl.</cite>, iii. c. 23.</p>
-
-<p><span class="pagenum"><a name="Page_144" id="Page_144">[Pg 144]</a></span></p></div></div>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>CHAPTER X.<br />
-
-BELSTONE</h2>
-
-<div class="hangindent">
-
-<p>Derivation of the name&mdash;Phoenicians&mdash;Taw Marsh&mdash;Artillery practice
-on the moors&mdash;Encroachments&mdash;The East Okement&mdash;Pounds and
-hut circles&mdash;Stone rows on Cosdon&mdash;Cranmere Pool&mdash;Sticklepath&mdash;Christian
-inscribed stones&mdash;South Zeal&mdash;West Wyke&mdash;North
-Wyke&mdash;The wicked Richard Weekes&mdash;South Tawton church&mdash;The
-West Okement&mdash;Yes Tor&mdash;Camp and Roman road&mdash;Throwleigh.</p></div>
-
-
-<p class="drop-capw"><span class="smcap">A good</span> deal of pseudo-antiquarianism has been
-expressed relative to the name of a little moorland
-parish two and a half miles uphill from Okehampton.
-It is now called Belstone, and it has been
-surmised that here stood a stone dedicated to Baal,
-whose worship had been introduced by the Phœnicians.</p>
-
-<p>I must really quote one of the finest specimens
-of "exquisite fooling" I have ever come across. It
-appeared as a sub-article in the <cite>Western Morning
-News</cite> in 1890.</p>
-
-<p>It was headed:&mdash;</p>
-
-<div class="blockquot">
-
-<p class="center">"<span class="smcap">Phœnicians in Dart Vale.</span></p>
-
-<p class="center">"[SPECIAL.]
-</p>
-
-<p>"Much interest, not only local but world-wide, was
-aroused a few months back by the announcement of a
-Phœnician survival at Ipplepen, in the person of Mr.
-Thomas Ballhatchet, descendant of the priest of the Sun<span class="pagenum"><a name="Page_145" id="Page_145">[Pg 145]</a></span>
-Temple there, and until lately owner of the plot of land
-called Baalford, under Baal Tor, a priestly patrimony,
-which had come down to him through some eighteen
-or twenty centuries, together with his name and his marked
-Levantine features and characteristics.</p>
-
-<p>"Such survivals are not infrequent among Orientals, as,
-for instance, the Cohens, Aaron's family, the Bengal Brahmins,
-the Rechabites, etc. Ballhatchet's sole peculiarity is
-his holding on to the land, in which, however, he is kept
-in countenance in England by the Purkises, who drew the
-body of Rufus to its grave in Winchester Cathedral on
-2nd August, 1100.</p>
-
-<p>"Further quiet research makes it clear beyond all manner
-of doubt that the Phœnician tin colony, domiciled at
-Totnes, and whose Sun Temple was located on their eastern
-sky-line at Ipplepen, have left extensive traces of their
-presence all the way down the Dart in the identical and
-unaltered names of places, a test of which the Palestine
-Exploration Committee record the priceless value. To give
-but one instance. The beautiful light-refracting diadem
-which makes Belliver<a name="FNanchor_16_16" id="FNanchor_16_16"></a><a href="#Footnote_16_16" class="fnanchor">[16]</a> the most striking of all her sister
-tors, received from the Semite its consecration as 'Baallivyah,'
-Baal, crown of beauty or glory. The word itself
-occurs in Proverbs i. 9 and iv. 9, and as both Septuagint
-and Vulgate so render it, it must have borne that meaning
-in the third century <span class="smcap">B.C.</span>, and in the third century <span class="smcap">A.D.</span>, and,
-of course, in the interval. There are many other instances
-quite as close, and any student of the new and fascinating
-science of Assyriology will continually add to them. A
-portrait of Ballhatchet, with some notes by an eminent and
-well-known Semitic scholar, may probably appear in the
-<cite>Graphic</cite>; in the meantime it may be pointed out that his
-<span class="pagenum"><a name="Page_146" id="Page_146">[Pg 146]</a></span>name is typically Babylonian. Not only is there at Pantellaria
-the gravestone of one Baal-yachi (Baal's beloved), but
-no less than three clay tablets from the Sun Temple of
-Sippara (the Bible Sepharvaim) bear the names of Baal-achi-iddin,
-Baal-achi-utsur, and Baal-achi-irriba. This last,
-which bears date 22 Sivan (in the eleventh year of Nabonidus,
-<span class="smcap">B.C.</span> 540), just two years before the catastrophe which
-followed on Belshazzar's feast, is in the possession of Mr.
-W. G. Thorpe, <span class="smcap">F.S.A.</span> It is in beautiful condition, and
-records a loan by one Dinkiva to Baal-achi-irriba (Baal will
-protect his brother), on the security of some slaves."</p></div>
-
-<p>One really wonders in reading such nonsense as
-this whether modern education is worth much, when
-a man could write such trash and an editor could
-admit it into his paper.</p>
-
-<p>Ballhatchet means the hatchet or gate to a ball,
-<em>i.e.</em> a mine.</p>
-
-<p>As it happens, there is not a particle of trustworthy
-evidence that the Phœnicians ever traded directly
-with Cornwall and Devon. The intermediary traders
-were the Veneti of what is now Vannes, and the tin
-trade was carried through Gaul to Marseilles, as is
-shown by traces left on the old trade route. In the
-next place, there is no evidence that our British
-or Ivernian ancestors ever heard the name of Baal.
-And finally, Belstone is not named after a stone at
-all, to return to the point whence we started. In
-Domesday it is Bellestham, or the <em>ham</em>, meadow of
-Belles or Bioll, a Saxon name that remains among
-us as Beale.</p>
-
-<p>Belstone is situated at the lip of Taw Marsh, once
-a fine lake, with Steeperton Tor rising above it at<span class="pagenum"><a name="Page_147" id="Page_147">[Pg 147]</a></span>
-the head. Partly because the river has fretted a
-way through the joints of the granite, forming Belstone
-Cleave, and partly on account of the silting up
-of the lake-bed with rubble brought down by the
-several streams that here unite, the lake-bed is now
-filled up with sand and gravel and swamp.</p>
-
-<p>The military authorities coveted this tract for
-artillery practice. They set up butts, but woman
-intervened. A very determined lady marched up to
-them, although the warning red flags fluttered, and
-planted herself in front of a target, took out of her
-reticule a packet of ham sandwiches and a flask of
-cold tea, and declared her intention of spending the
-day there. In vain did the military protest, entreat,
-remonstrate; she proceeded to nibble at her sandwiches
-and defied them to fire.</p>
-
-<p>She carried the day.</p>
-
-<p>Since then Taw Marsh has been the playfield of
-many children, and has been rambled over by
-visitors, but the artillery have abstained from practising
-on it.</p>
-
-<p>The fact is that the military have made the moors
-about Okehampton impossible for the visitor, and
-those who desire to rove over it in pursuit of health
-have been driven from Okehampton to Belstone, and
-object to be moved on further.</p>
-
-<p>What with the camp at Okehampton and the
-prisons at Princetown and encroachments on every
-side, the amount of moorland left open to the rambler
-is greatly curtailed.</p>
-
-<p>The privation is not only felt by the visitor but
-also by the farmer, who has a right to send out<span class="pagenum"><a name="Page_148" id="Page_148">[Pg 148]</a></span>
-his sheep and cattle upon the moor in summer, and
-in times of drought looks to this upland as his
-salvation.</p>
-
-<p>A comparison between what the Forest of Dartmoor
-was at the beginning of this century and its
-condition to-day shows how inclosures have crept
-on&mdash;nay, not crept, increased by leaps; and what
-is true of the forest is true also of the commons
-that surround it. Add to the inclosed land the large
-tract swept by the guns at Okehampton, and the
-case becomes more grave still. The public have
-been robbed of their rights wholesale. Not a word
-can now be raised against the military. The Transvaal
-War has brought home to us the need we have
-to become expert marksmen, and the Forest of
-Dartmoor seems to offer itself for the purpose of
-a practising-ground. Nevertheless, one accepts the
-situation with a sigh.</p>
-
-<p>There is a charming excursion up the East Okement
-from the railway bridge to Cullever Steps,
-passing on the way a little fall of the river, not
-remarkable for height but for picturesqueness. There
-is no path, and the excursion demands exertion.</p>
-
-<p>On Belstone Common is a stone circle and near it
-a fallen menhir. The circle is merely one of stones
-that formed a hut, which had upright slabs lining
-it within as well as girdling without.</p>
-
-<p>Under Belstone Tor, among the "old men's workings"
-by the Taw, an experienced eye will detect
-a blowing-house, but it is much dilapidated.</p>
-
-<p>The Taw and an affluent pour down from the
-central bog, one on each side of Steeperton Tor,<span class="pagenum"><a name="Page_149" id="Page_149">[Pg 149]</a></span>
-and from the east the small brook dances into Taw
-Marsh. Beside the latter, on the slopes, are numerous
-pounds and hut circles, and near its source is
-a stone circle, of which the best uprights have
-been carried off for gateposts. South of it is a
-menhir, the Whitmoor Stone, leaning, as the
-ground about it is marshy. Cosdon, or, as it is
-incorrectly called occasionally, Cawsand, is a huge
-rounded hill ascending to 1,785 feet, crowned with
-dilapidated cairns and ruined kistvaens. East of the
-summit, near the turf track from South Zeal, is a
-cairn that contained three kistvaens. One is perfect,
-one wrecked, and of the third only the space remained
-and indications whence the slabs had been
-torn. From these three kistvaens in one mound
-start three stone rows that are broken through by
-the track, but can be traced beyond it for some
-way; they have been robbed, as the householders of
-South Zeal have been of late freely inclosing large
-tracts of their common, and have taken the stones
-for the construction of walls about their fields.</p>
-
-<p>By ascending the Taw, Cranmere Pool may be
-reached, but is only so far worth the visit that the
-walk to and from it gives a good insight into the
-nature of the central bogs. The pool is hardly more
-than a puddle. Belstone church is not interesting;
-it was rebuilt, all but the tower, in 1881.</p>
-
-<p><span class="pagenum"><a name="Page_150" id="Page_150">[Pg 150]</a></span></p>
-
-<div class="figcenter" style="width: 518px;">
-<img src="images/p150.jpg" width="518" height="700" alt="" />
-<div class="caption"><p>INSCRIBED STONE, STICKLEPATH.</p></div>
-</div>
-
-<p>Under Cosdon nestles Sticklepath. "Stickle" is the
-Devonshire for steep. Here is a holy well near an
-inscribed stone. A second inscribed stone is by the
-roadside to Okehampton. At Belstone are two more,
-but none of these bear names. They are Christian
-monuments of the sixth, or at latest seventh,
-century. At Sticklepath was a curious old cob
-thatched chapel, but this has been unnecessarily
-destroyed, and a modern erection of no interest or
-beauty has taken its place. South Zeal is an interesting
-little village, through which ran the old
-high-road, but which is now left on one side. For
-long it was a treasury of interesting old houses;
-many have disappeared recently, but the "Oxenham
-Arms," the seat of the Burgoyne family, remains,
-the fine old village cross, and the chapel, of granite.<span class="pagenum"><a name="Page_151" id="Page_151">[Pg 151]</a></span>
-Above South Zeal, on West Wyke Moor, is the
-house that belonged to the Battishill family, with
-a ruined cross near it. The house has been much
-spoiled of late; the stone mullions have been removed
-from the hall window, but the ancient gateway,
-surmounted by the Battishill arms, and with
-the date 1656, remains untouched. It is curious,
-because one would hardly have expected a country
-gentleman to have erected an embattled gateway
-during the Commonwealth, and in the style of the
-early Tudor kings. In the hall window are the
-arms of Battishill, impaled with a coat that cannot
-be determined as belonging to any known
-family. In the same parish of South Tawton is
-another old house, North Wyke, that belonged to
-the Wyke or Weekes family. The ancient gatehouse
-and chapel are interesting; they belong, in
-my opinion, to the sixteenth century, and to the
-latter part of the same. The chapel has a corbel,
-the arms of Wykes and Gifford; and John Wyke
-of North Wyke, who was buried in 1591, married
-the daughter of Sir Roger Gifford. The gateway
-can hardly be earlier. The house was built by the
-same man, but underwent great alteration in the
-fashion introduced from France by Charles II., when
-the rooms were raised and the windows altered into
-<em>croisées</em>.</p>
-
-<p>Touching this house a tale is told.</p>
-
-<p>About the year 1660 there was a John Weekes
-of North Wyke, who was a bachelor, and lived in
-the old mansion along with his sister Katherine,
-who was unmarried, and his mother. He was a man<span class="pagenum"><a name="Page_152" id="Page_152">[Pg 152]</a></span>
-of weak intellect, and was consumptive. John came
-of age in 1658. In the event of his death without
-will his heir would be his uncle John, his father's
-brother, who died in 1680. This latter John had
-a son Roger.</p>
-
-<p>Now it happened that there was a great scamp
-of the name of Richard Weekes, born at Hatherleigh,
-son of Francis Weekes of Honeychurch, possibly a
-remote connection, but not demonstrably so.</p>
-
-<p>He was a gentleman pensioner of Charles II., but
-spent most of his leisure time in the Fleet Prison.
-One day this rascal came down from London, it
-is probable at the suggestion of consumptive John's
-mother and sister, who could not be sure what he,
-with his feeble mind, might do with the estate.</p>
-
-<p>Richard ingratiated himself into the favour of
-John, and urged him not to risk his health in so
-bleak and exposed a spot as South Tawton, but
-to seek a warmer climate, and he invited him to
-Plymouth. The unsuspicious John assented.</p>
-
-<p>When John was cajoled to Plymouth, Richard
-surrounded him with creatures of his own, a doctor
-and two lawyers, who, with Richard's assistance,
-coaxed, bullied, and persuaded the sickly John into
-making a deed of settlement of all his estate in
-favour of Richard. The unhappy man did this, but
-with a curious proviso enabling him to revoke his
-act by word as well as by deed. Richard had now
-completely outwitted John's mother and sister, who
-had been conspirators with him, on the understanding
-that they were to share the spoils.</p>
-
-<div class="figcenter" style="width: 563px;">
-<img src="images/p152.jpg" width="563" height="700" alt="" />
-<div class="caption"><p>NORTH WYKE GATE HOUSE</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_153" id="Page_153">[Pg 153]</a></span></p>
-
-<p>After a while, when it was clear that John was
-dying, Richard hurried him back to North Wyke,
-where he expired on Saturday, September 21st,
-1661, but not till he had been induced by his mother
-and sister to revoke his will verbally, for they had
-now learned how that the wily Richard had got the
-better of them.</p>
-
-<p>Next day, Sunday, Richard Weekes arrived,
-booted and spurred, at the head of a party of men
-he had collected. With sword drawn he burst into
-the house, and when Katherine Weekes attempted to
-bar the way he knocked her down. Then he drove
-the widow mother into a closet and locked the door
-on her. He now cleared the house of the servants,
-and proceeded to take possession of all the documents
-and valuables that the mansion contained. Poor
-John's body lay upstairs: no regard was paid to
-that, and, saying "I am come to do the devil's work
-and my own," he drove Katherine out of the house,
-and she was constrained to take refuge for the night
-in a neighbouring farm. The widow, Mary Weekes,
-was then liberated and also turned out of doors.</p>
-
-<p>The heir-at-law was the uncle John, against whom
-Mary and Katherine Weekes had conspired with the
-scoundrel Richard. This latter now sought Uncle
-John, made him drunk, and got him to sign a deed,
-when tipsy, conveying all his rights to the said
-Richard for the sum of fifty pounds paid down.
-Richard was now in possession. The widow thereupon
-brought an action in Chancery against Richard.
-The lawyers saw the opportunity. Here was a noble
-estate that might be sucked dry, and they descended
-on it with this end in view.</p>
-
-<p><span class="pagenum"><a name="Page_154" id="Page_154">[Pg 154]</a></span></p>
-
-<p>The lawsuit was protracted for forty years, from
-1661 to 1701, when the heirs of the wicked Richard
-retained the property, but it had been so exhausted
-and burdened, that the suit was abandoned undecided.
-Richard Weekes died in 1670.</p>
-
-<p>The plan resorted to in order to keep possession
-after the forcible entry was this. The son of Richard
-Weekes had married a Northmore of Well, in South
-Tawton, and the Northmores bought up all the
-debts on the estate and got possession of the mortgages,
-and worked them persistently and successfully
-against the rightful claimants till, worried and
-wearied out, and with empty purses, they were
-unable further to pursue the claim. In 1713 the
-estate was sold by John Weekes, the grandson of
-Richard, who had also married a Northmore, and
-North Wyke passed away from the family after
-having been in its possession since the reign of
-Henry III.</p>
-
-<p>It was broken up into two farms, and the house
-divided into two. Recently it has, however, been
-repurchased by a descendant of the original possessors,
-in a female line, the Rev. W. Wykes Finch, and the
-house is being restored in excellent taste.</p>
-
-<p>In South Tawton church is a fine monument of
-the common ancestor, John Wyke, 1591. The church
-has been renovated, monumental slabs sawn in half
-and used to line the drain round the church externally.
-With the exception of the sun-dial, bearing
-the motto from Juvenal, "<i lang="la">Obrepet non intellecta
-senectus</i>," and a Burgoyne monument and that of
-"Warrior Wyke," the church does not present much<span class="pagenum"><a name="Page_155" id="Page_155">[Pg 155]</a></span>
-of interest at present, whatever it may have done
-before it fell into the hands of spoilers.</p>
-
-<p>The West Okement comes down from the central
-bogs through a fine "Valley of Rocks," dividing and
-forming an islet overgrown with wild rose and whortleberry.
-Above it stands Shilstone Tor, telling by its
-name that on it at one time stood a cromlech, which
-has been destroyed. This valley furnishes many
-studies for the artist.</p>
-
-<p>Hence Yes Tor may be ascended, for long held
-to be the highest elevation on Dartmoor. The
-highest peak it is, rising to 2,030 feet, but it is over-topped
-by the rounded High Willhayes, 2,039 feet.
-Between Yes Tor and Mill Tor is a rather nasty bog.
-Mill Tor consists of a peculiar granite; the feldspar
-is so pure that speculators have been induced to
-attempt to make soda-water bottles out of it, by
-fusing without the adjunct of other materials.</p>
-
-<p>On the extreme edge of a ridge above the East
-Okement, opposite Belstone Tor, is a camp, much
-injured by the plough. Apparently from it leads
-a paved raised causeway or road, presumed to be
-Roman; but why such a road should have been made
-from a precipitous headland above the Okement, and
-whither it led, are shrouded in mystery. Near this
-road, in 1897, was found a hoard of the smallest
-Roman coins, probably the store of some beggar,
-which he concealed under a rock, and died without
-being able to recover it. All pertained to the years
-between <span class="smcap">A.D.</span> 320 and 330.</p>
-
-<p>Of Okehampton I will say nothing here, as the
-place has had a chapter devoted to it in my <em>Book of<span class="pagenum"><a name="Page_156" id="Page_156">[Pg 156]</a></span>
-the West</em>&mdash;too much space, some might say, for in
-itself it is devoid of interest. Its charm is in the
-scenery round, and its great attraction during the
-summer is the artillery camp on the down above
-Okehampton Park. On the other side of Belstone,
-Throwleigh may be visited, where there are numerous
-prehistoric relics. There were many others, but they
-have been destroyed, amongst others a fine inclosure
-like Grimspound, but more perfect, as the inclosing
-wall was not ruinous throughout, and the stones were
-laid in courses. The pulpit of Throwleigh church is
-made up of old bench-ends.</p>
-
-<div class="footnotes"><h3>FOOTNOTES:</h3>
-
-<div class="footnote">
-
-<p><a name="Footnote_16_16" id="Footnote_16_16"></a><a href="#FNanchor_16_16"><span class="label">[16]</span></a> Belliver is a modern contraction of Bellaford, as Redever is
-Redaford.</p>
-
-<p><span class="pagenum"><a name="Page_157" id="Page_157">[Pg 157]</a></span></p></div></div>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>CHAPTER XI.<br />
-
-CHAGFORD</h2>
-
-<div class="hangindent">
-
-<p>"Chagford in the dirt"&mdash;The making of Chagford&mdash;The old clerk&mdash;The
-church&mdash;Tincombe Lane&mdash;Chagford Common&mdash;Flint finds&mdash;Scaur
-Hill circle&mdash;Stone rows&mdash;The Tolmen&mdash;The Teign river&mdash;Camps
-on it&mdash;Drewsteignton cromlech&mdash;Gidleigh&mdash;Old farmhouses&mdash;Fernworthy&mdash;The
-Grey Wethers&mdash;Teignhead House&mdash;Browne's
-House&mdash;Story about it&mdash;Grimspound&mdash;Birch Tor stone rows&mdash;Chaw
-Gully&mdash;The Webburn.</p></div>
-
-
-<p class="drop-capw"><span class="smcap">Chagford</span> is in Domesday written Chageford,
-and this is the local pronunciation of the name
-at the present day. The natives say "Chageford in
-the dirt&mdash;O good Lord!"</p>
-
-<p>But Chagford has had the ability and promptitude
-to get out of the dirt and prove itself to be anything
-but a stick-in-the-mud place. It is with places as
-with people, some have good luck fall to them, others
-make their fortunes for themselves. Okehampton
-belongs to the former class, Chagford to the latter.
-It owes almost everything to a late rector, who, resolved
-on pushing the place, invited down magazine
-editors and professional <em>littérateurs</em>, entertained them,
-drove them about, and was rewarded by articles
-appearing in journals and serials, be-lauding Chagford
-for its salubrious climate, its incomparable scenery,
-its ready hospitality, its rural sweetness, and its
-archæological interest.</p>
-
-<p><span class="pagenum"><a name="Page_158" id="Page_158">[Pg 158]</a></span></p>
-
-<p>Whither the writers pointed with their pens, thither
-the public ran, and Chagford was made. It has now
-every appliance suitable&mdash;pure water, electric lighting,
-telephone, a bicycle shop, and doctors to patch
-broken heads and set broken limbs of those upset
-from the "bikes."</p>
-
-<p>Chagford is undoubtedly a picturesque and pleasant
-spot. It is situated near Dartmoor, and is sheltered
-from the cold and from the rainy drift that comes
-from the south-west. The lodging-house keepers
-know how to make visitors comfortable, and to
-charge for so doing. The church has been restored,
-coaches run to bring visitors, and the roads and lanes
-have been widened.</p>
-
-<p>I recall the church before modern ideas had penetrated
-to Chagford. At that time the clerk, who
-also led the orchestra, gave out the psalm from his
-seat under the reading-desk, then, <em>whistling</em> the tune,
-he marched slowly down the nave, ascended to the
-gallery with leisure, and the performance began.</p>
-
-<p>The church, dedicated to S. Michael, was rebuilt
-in the middle of the fifteenth century, when the
-Gorges family owned much land in the parish.
-Their cognisance, the <em>whirlpool</em>, a canting cognisance
-(<em>gurges</em>), appears in the bosses of the roof. It contains
-two monuments of some importance: one is
-a handsome stone altar tomb, with a canopy supported
-on columns, in memory of Sir John Whiddon,
-of Whiddon Park, Judge of Queen's Bench, who
-died in 1575; the other is to commemorate John
-Prouze, who died in 1664.</p>
-
-<p>The Three Crowns Inn, opposite the church, is a<span class="pagenum"><a name="Page_159" id="Page_159">[Pg 159]</a></span>
-picturesque building of the seventeenth century.
-Chagford was one of the Stannary towns, but no
-remains of the court-house exist.</p>
-
-<p>On Mattadon, above the town, stands a rude early
-cross of granite.</p>
-
-<p>The ascent to the moor by Tincombe Lane, as
-I remember it half a century ago, was no better than
-a watercourse, strewn with boulders, to be scrambled
-up or down at the risk of dislocation of the ankle.
-It then well merited the descriptive lines:&mdash;</p>
-
-<div class="center">
-<div class="poem"><div class="stanza">
-<span class="i0">"Tincombe Lane is all uphill<br /></span>
-<span class="i2">Or downhill, as you take it;<br /></span>
-<span class="i0">You tumble up, and crack your crown,<br /></span>
-<span class="i2">Or tumble down and break it.<br /></span>
-</div><div class="stanza">
-<span class="i0">"Tincombe Lane is crook'd and straight,<br /></span>
-<span class="i2">Here pothook, there as arrow,<br /></span>
-<span class="i0">'Tis smooth to foot, 'tis full of rut,<br /></span>
-<span class="i2">'Tis wide, and then, 'tis narrow.<br /></span>
-</div><div class="stanza">
-<span class="i0">"Tincombe Lane is just like life,<br /></span>
-<span class="i2">From when you leave your mother;<br /></span>
-<span class="i0">'Tis sometimes this, 'tis sometimes that,<br /></span>
-<span class="i2">'Tis one thing or the other."<br /></span>
-</div></div>
-</div>
-
-<p>Now all is changed. A steam-roller goes up and
-down Tincombe Lane, the angles have been rounded,
-the precipitous portions made easy, the ruts filled up.
-And life likewise is now made easy for the rising
-generation&mdash;possibly too easy. Ruggedness had a
-charm of its own, and bred vigour of constitution
-and moral physique.</p>
-
-<p>Chagford having lost, by death, the whistling clerk,
-started a blind organist. Now, also, he is gone.<span class="pagenum"><a name="Page_160" id="Page_160">[Pg 160]</a></span>
-Every peculiarity is being crushed out of modern life
-by the steam-roller, civilisation.</p>
-
-<p>Chagford Common, as I recall it, half a century
-ago, was strewn thick with hut circles. One ascended
-to it by Tincombe Lane and came into a prehistoric
-world, a Pompeii of a past before Rome was. It was
-dense with hut circles, pounds, and every sort of relic
-of the ancient inhabitants of the moor. But inclosures
-have been made, and but a very few relics
-of the aboriginal settlement remain. One of the
-most curious, the "Roundy Pound," only escaped
-through urgent remonstrance made to spare it. The
-road carried over the common annually eats up the
-remains of old, as the road-menders take away the
-stones from the hut circles to metal the highway.</p>
-
-<p>At Batworthy, one of the inclosures, there must
-have been anciently a manufactory of flint tools and
-weapons. Countless spalls of flint and a fine collection
-of fabricated weapons and tools have been found
-there, and the collection has been presented from this
-place to the Plymouth Municipal Museum.</p>
-
-<p>On Gidleigh Common, beside the Teign, opposite
-Batworthy, is Scaur Hill circle. It consists of thirty-two
-stones, at present, of which eight are prostrate.
-The highest of the stones is a little over six feet.
-The circle is ninety-two feet in diameter. Apparently
-leading towards this ring, on the Chagford side of
-the river, was a very long double row of stones, with
-a second double row or avenue branching from it.</p>
-<p><span class="pagenum"><a name="Page_161" id="Page_161">[Pg 161]</a></span></p>
-<div class="figcenter" style="width: 700px;">
-<img src="images/p160.jpg" width="700" height="324" alt="" />
-<div class="caption"><p>PLAN OF STONE ROWS NEAR CAISTOR ROCK.</p>
-
-<p>(Taken in 1851. Scale <sup>1</sup>⁄<sub>12</sub> in. to 10 feet.)</p>
-
-<p>A. The Longstone. Hence in a northerly direction the row continued for 520 feet.
-B. Cairn. C. Cairn with ring of stones.</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_162" id="Page_162">[Pg 162]</a></span></p>
-
-<p>There was a third double row, which started from
-the Longstone, near Caistor Rock. This Longstone
-is still standing, but the stone rows have been shamefully
-robbed by a farmer to build his newtake walls.
-I give plan of the rows as taken by me in 1851.
-There was another line of stones leading from the
-Three Boys to the Longstone. The Three Boys
-were three big stones that have disappeared, and the
-line from them has also been obliterated. This
-portion I unfortunately did not plan in 1851.</p>
-
-<p>In the valley of the Teign is the so-called tolmen,
-a natural formation. In the same slab or stone may
-be seen the beginnings of a second hole. But it is
-curious as showing that the river at one time rolled
-at a higher elevation than at present. The scenes
-on a ramble up the river from Chagford to Holy
-Street Mill and the mill itself are familiar to many,
-as having furnished subjects for pictures in the Royal
-Academy.</p>
-
-<p>The river Teign below Whiddon Park winds in
-and out among wooded precipitous hills to where
-the Exeter road descends in zigzags to Fingle
-Bridge, passing on its way Cranbrook Castle, a
-stone camp. The <em>brook</em> in the name is a corruption
-of <em>burgh</em> or <em>burrh</em>. On the opposite side of the valley,
-frowning across at Cranbrook, is Prestonbury Camp.</p>
-
-<p>With advantage the river may be followed down
-for several miles to Dunsford Bridge, and the opportunity
-is then obtained of gathering white heath which
-grows on the slopes. At Shilstone in Drewsteignton
-is the only cromlech in the county. It is a fine
-monument. A few years ago it fell, but has been
-re-erected in its old position. After recent ploughing
-flints may be picked up in the field where it stands.</p>
-
-<p>Gidleigh merits a visit, the road to it presenting<span class="pagenum"><a name="Page_163" id="Page_163">[Pg 163]</a></span>
-many delicious peeps. Gidleigh possesses the ruin
-of a doll castle that once belonged to the Prouze
-family. The church contains a screen in good preservation.
-In the parish of Throwleigh is the
-interesting manor house Wanson, of which I have
-told a story in my <cite>Old English Home</cite>.</p>
-
-<p>But perhaps more interesting than manor houses
-are the old farm buildings in the neighbourhood of
-Chagford, rapidly disappearing or being altered out
-of recognition to adapt them to serve as lodging-houses
-to receive visitors.</p>
-
-<p>One such adaptation may be noticed in Tincombe
-Lane. An old house is passed, where the ancient
-mullioned windows have been heightened and the
-floors and ceilings raised, to the lasting injury of
-the house itself, considered from a picturesque point
-of view. A passable road leads up the South Teign
-to Fernworthy, a substantial farm in a singularly
-lone spot. But there was another farm even more
-lonely at Assacombe, where a lateral stream descends
-to the Teign, but it has been abandoned, and consists
-now of ruin only. Near it is a well-preserved
-double stone row leading from a cairn and finishing
-at a blocking-stone.</p>
-
-<p>At Fernworthy itself is a circle of upright stones
-and the remains of several stone rows sorely mutilated
-for the construction of a newtake wall. In a tumulus
-near these monuments was found an urn containing
-ashes, with a flint knife, and another, very small, of
-bronze or copper, and a large polished button of
-horn. On Chagford Common, near Watern Hill, is
-a double pair of rows leading from a cairn and a<span class="pagenum"><a name="Page_164" id="Page_164">[Pg 164]</a></span>
-small menhir, to blocking-stones. Although the
-stones of which they are composed are small, the
-rows are remarkably well preserved.</p>
-
-<p>It will repay the visitor to continue his ascent of
-the South Teign to the Grey Wethers, two circles
-of stone, of which, however, many are fallen. Here
-exploration, such as has been conducted at Fernworthy
-circle, shows that the floors are deep in
-ashes, and this leads to the surmise that the circles
-were the crematories of the dead who lie in the
-cairns and tunnels in the neighbourhood.</p>
-
-<p>Near the source of the North Teign is Teignhead
-House, one of the most solitary spots in England.
-A shepherd resides there, but it is not for many
-winters that a woman can endure the isolation and
-retain her reason.</p>
-
-<p>And yet there remain the ruins of a house in
-a still more lonely situation. The moorman points
-it out as Browne's House.</p>
-
-<p>Although, judging from the dilapidation and the
-lichened condition of the stones, one could have supposed
-that this edifice was of great antiquity, yet it
-is not so by any means. There are those still alive
-who remember when the chimney fell; and who had
-heard of both the building, the occupying, and the
-destruction of Browne's House. Few indeed have
-seen the ruin, for it is in so remote a spot that only
-the shepherd, the rush-cutter, and the occasional
-fisherman approach it.</p>
-
-<p>On the Ordnance Survey, faint indications of inclosures
-are given on the spot, but no name is
-attached. Yet every moorman, if asked what these
-ruins are, will tell you that it is the wreck of
-Browne's House.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p164.jpg" width="700" height="538" alt="" />
-<div class="caption"><p>GRIMSPOUND, AND ENTRANCE</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_165" id="Page_165">[Pg 165]</a></span></p>
-
-<p>The story told me relative to this solitary spot was
-that Browne, an ungainly, morose man, had a pretty
-young wife, of whom he was jealous. He built this
-place in which to live with her away from the society
-of men, and the danger such proximity might bring
-to his connubial happiness.</p>
-
-<p>Grimspound will be visited from Chagford. The
-way to it after leaving the high-road from Post Bridge
-to Moreton, which it crosses, traverses Shapleigh
-Common, where are numerous inclosures in connection
-with hut circles. One of these is very large,
-and constructed of huge slabs of granite. Several of
-these larger circles were occupied only in summer,
-it would appear, as there are scanty traces of fire in
-them, whereas attached to them are small huts, the
-floors of which are thickly strewn with charcoal and
-fragments of pottery, and presumably the cooking
-was done in these latter.</p>
-
-<p>Grimspound is an irregular circular inclosure containing
-four acres within the boundary wall. It is
-situated on the slope of a hill, and the position is
-obviously ill-adapted for defence, as it is commanded
-by higher ground on three sides. A little stream,
-the Grimslake, flows through the inclosure.</p>
-
-<p>The wall itself is double-faced, and the two faces
-have fallen inwards. This shows that the core could
-not have been of turf, as in that case shrubs would
-have rooted themselves therein and have thrust the
-walls outward. In several places openings appear
-from the inside of the pound into the space between<span class="pagenum"><a name="Page_166" id="Page_166">[Pg 166]</a></span>
-the walls. It is possible that this intermediate
-hollow was used for stores, and that the walls were
-tied together with timber, and surmounted with
-a parapet of turf. A trackway from Manaton to
-Headland Warren runs through the pound, and the
-wall has been broken through for this purpose in two
-places; but the original entrance to the S.S.E. is
-perfect, and is paved, and in it three steps have been
-formed, as the descent was into the pound, another
-token that the inclosure was not intended as a
-fortress.</p>
-
-<p>The entrance is 8 feet wide, and no outwork was
-constructed to protect it from being "rushed" by an
-enemy. The walls of the inclosure here and
-throughout are from 10 feet to 12 feet thick, and
-stone does not exist in any part which could raise
-them above 5 feet 6 inches in height. Each wall
-is 3 feet 6 inches wide at base, and was 3 feet at top.
-On the west side is a huge slab set on edge, measuring
-10 feet by 5 feet, and it is from 9 inches to 1 foot
-in thickness, and weighs from 3 to 4 tons. Other
-stones, laid in courses, if not so long, are not of less
-weight. Such a wall as that inclosing Grimspound
-would cost, with modern appliances and with horse
-power for drawing the stone, three guineas per land
-yard, and a land yard would engage four men for a
-week.</p>
-
-<p>When, moreover, we consider that the circumference
-of the wall measures over 1,500 feet, it becomes
-obvious that a large body of men must have been
-engaged in the erection.</p>
-
-<p><span class="pagenum"><a name="Page_167" id="Page_167">[Pg 167]</a></span></p>
-
-<div class="figcenter" style="width: 577px;">
-<img src="images/p166.jpg" width="577" height="700" alt="" />
-<div class="caption"><p>GRIMSPOUND</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_168" id="Page_168">[Pg 168]</a></span></p>
-
-<p>Presumably Grimspound was not a fortified village,
-and was merely a pound into which cattle were
-driven for protection against wolves. It is just
-possible, but hardly probable, that it was the place
-of refuge for the scattered population on Hookner
-and Hamildon.</p>
-
-<p>Within the pound are twenty-four hut circles;
-most have been explored, and one (No. III. on the
-plan) has been partially restored, and is inclosed
-within a railing. The object of this restoration was
-to discover, by piling up the stones found in and
-about the wall of the hut, what its height had been
-originally, and this was determined to have been
-four feet.</p>
-
-<p>Unless wantonly injured by trippers, it will serve
-to exhibit what the structure of these habitations
-was, with its paved platform as bed, and its hearth
-and vestibule.</p>
-
-<p>A double hut (XVIII., XIX.) is interesting because
-a tall stone was erected beside it, as though to indicate
-it as being the residence of some man of
-importance, maybe the sheik of the community.
-In hut XVI. is a double bed, one couch divided from
-the other by upright stones.</p>
-
-<p>In several of the huts, in the floor, are laid flat
-stones with a smooth surface, and it was supposed
-that these served as chopping-stones, but further
-explorations have led to the belief that they were
-employed to sustain a central pole that upheld
-the roof.</p>
-
-<p>On the <em>col</em> above Grimspound, near the source of
-Grimslake, is a cairn that contains a small kistvaen,
-and is surrounded by a circle of stones set upright.</p>
-
-<p><span class="pagenum"><a name="Page_169" id="Page_169">[Pg 169]</a></span></p>
-
-<div class="figcenter" style="width: 400px;">
-<a href="images/p168_full.jpg"><img src="images/p168_thumb.jpg" width="400" height="287" alt="" /></a>
-<div class="caption"><p><a href="images/p168_full.jpg">PLAN OF HUT III., GRIMSPOUND.</a></p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_170" id="Page_170">[Pg 170]</a></span></p>
-
-<p>Numerous cairns crown the heights. One immense
-tumulus, King's Barrow, has at some unknown time
-been excavated with great labour.</p>
-
-<p>The great central trackway crosses Hamildon, and
-is very perfect where it does so. It had apparently
-no connection whatever with Grimspound.</p>
-
-<p>From Grimspound may be seen, on the brow of
-the ridge connecting Birch Tor and Challacombe
-Down, a series of stone rows. They lead to a
-blocking-stone, or menhir, at the south extremity.
-The northern end has been destroyed by tin-streamers,
-whose works in Chaw Gully are interesting,
-for mining has been combined with streaming.
-The rock has been cut through, but no signs of the
-use of iron wedges for splitting the granite can here
-be discovered. It is traditionally told that what was
-done was to cut a groove in the granite, fill that with
-quicklime, and pour water on it. The lime in swelling
-split the rock. Ravens nest here; and I have
-seen rock doves and the pair of ravens nesting
-almost side by side.</p>
-
-<p>Below is the Webburn, the stream turned up by
-tinners. There one mine continues in activity&mdash;the
-"Golden Dagger." Above is Vitifer, where fortunes
-have been made&mdash;and lost; mostly the latter by
-investors, mainly the former by the "captains" and
-promoters.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p170.jpg" width="700" height="472" alt="" />
-<div class="caption"><p>NEAR MANATON</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_171" id="Page_171">[Pg 171]</a></span></p>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>CHAPTER XII.<br />
-
-MANATON</h2>
-
-<div class="hangindent">
-
-<p>Beauty of the site&mdash;The church&mdash;Destruction of the cross&mdash;Lustleigh
-Cleave&mdash;North Bovey&mdash;Lustleigh church&mdash;Prouze tombs&mdash;The sacrifice
-of a cat&mdash;Bishop Stapeldon's stone&mdash;Becka fall&mdash;The eastern
-side of the moor&mdash;Hound Tor&mdash;The sycamore&mdash;Hey Tor&mdash;Camp or
-pound&mdash;Rippon Tor&mdash;Foale's Arrishes&mdash;Finger-marks on pottery&mdash;Salubrity
-of Dartmoor&mdash;Settlers&mdash;Widdecombe in October&mdash;The
-church&mdash;Thunderstorm&mdash;"Lady" Darke&mdash;Old farmhouses&mdash;The
-Song of "Widdecombe Fair."</p></div>
-
-
-<p class="drop-capw"><span class="smcap">The</span> position of Manaton is one of remarkable
-beauty, between Lustleigh Cleave and the ridge
-on which stands Bowerman's Nose, and which swells
-up to Hound Tor.</p>
-
-<p>The church is dedicated to S. Winefred, the Welsh
-martyr maid, and has its fine screen carefully restored.
-It formerly possessed a singular feature, which the
-"restoring" architect destroyed, because singular.
-This was a small window in the east wall opening
-from the outside, <em>under</em> the altar. Perhaps there
-were relics of S. Winefred kept beneath the altar,
-and through this <i lang="la">fenestrella confessionis</i> the devotees
-could touch them. But, indeed, the destroyer has
-been at Manaton and effaced more than this window.
-On the tor that commands the village were formerly
-many prehistoric monuments. The farm Langstone
-by its name proclaims that on it was a menhir. In<span class="pagenum"><a name="Page_172" id="Page_172">[Pg 172]</a></span>
-the churchyard was a fine granite cross. A former
-rector, the Rev. C. Carwithen, wantonly destroyed it
-in the night. The people had been wont at a funeral
-to carry the corpse the way of the sun thrice round
-the cross before interment. He preached against the
-custom ineffectually, so he secretly smashed the cross.
-There are two logan rocks within easy reach&mdash;the
-Whooping Stone on Easdon, and the Nutcracker in
-Lustleigh Cleave.</p>
-
-<p>This cleave is very picturesque. "Cleave" properly
-is a local softening of the word "cliff," and applies to
-the rocks, but in common use it has come incorrectly
-to be applied to the valley below the crags. Through
-the stone-strewn trough of the vale the sparkling
-Bovey finds its way with some difficulty, diving
-under the boulders at Horsham Steps, and running
-unseen for some considerable distance, only proclaiming
-its presence by its murmurs and whispers.</p>
-
-<p>That there was some fighting done across this
-valley is probable, because there are camps on both
-sides.</p>
-
-<p>In honourable contrast with Mr. Carwithen stands
-Mr. Jones, the curate of North Bovey, who fished the
-old village cross out of the brook, where it had lain
-since the iconoclastic period of the Civil Wars, and
-re-erected it in 1829.</p>
-
-<p>North Bovey church, pleasantly situated, possesses
-a screen much mutilated, but capable of restoration.
-Far superior to it in preservation is that of Lustleigh,
-which is of the same character as that of Bridford,
-perhaps post-Reformation, and contains a series of
-figures in the lower compartments representing clergy<span class="pagenum"><a name="Page_173" id="Page_173">[Pg 173]</a></span>
-in their caps and surplices and "liripipets," and not
-saints. There is some old glass in the church, in one
-window a representation of S. Margaret. There are
-monumental effigies in the church of the Prouze
-family. One of these is of Sir William Prouze, to
-whom the manor of Lustleigh belonged. By his will he
-directed that he should be buried with his ancestors
-at Lustleigh; but he died at a distance, and was
-interred at Holbeton. Some time after, the wishes
-of her father having come to the knowledge of Lady
-Alice, the wife of Sir Roger Mules, Baron of Cadbury,
-and finding that they had been disregarded, the dutiful
-daughter petitioned Grandisson, Bishop of Exeter in
-1329, that the remains might be removed from Holbeton
-to Lustleigh, and the prayer was granted.</p>
-
-<p>Forming the sill of the south door is a long
-granite stone with a Romano-British inscription,
-the reading of which has not been satisfactorily
-made out.</p>
-
-<p>In the chancel may be noticed the stone brackets,
-perforated for the cords employed for the suspension
-of the Lenten veil.</p>
-
-<p>A story associated with Lustleigh church has its
-parallels elsewhere. After it had been built the
-devil threatened to destroy it, stained glass and all,
-unless he were given a sacrifice. Now it happened
-that a bumpkin was present in the churchyard with
-a pack of cards in his pocket, and the Evil One
-immediately demanded him as his due; but the
-man, with great presence of mind, pounced on a
-cat that was stalking by and dashed out its brains
-against the wall of the porch. This satisfied the<span class="pagenum"><a name="Page_174" id="Page_174">[Pg 174]</a></span>
-powers of darkness, and the consecration of the
-church followed. The story is a clumsy late cooking
-up of the old belief that before a building could be
-occupied a life must be sacrificed to the telluric
-deities. A horse, a dog, a sow&mdash;in this case a cat
-was offered up. Echoes of the same are found
-everywhere.<a name="FNanchor_17_17" id="FNanchor_17_17"></a><a href="#Footnote_17_17" class="fnanchor">[17]</a> Most Devonshire churchyards were
-formerly supposed to be haunted by some animal or
-other, which had been buried under the cornerstone.
-When S. Columba took possession of Iona the question
-arose as to who was to die and be buried so as
-to secure the place for ever to the community. One
-of his monks, Oran by name, offered himself, and he
-was buried alive under the foundations of the new
-abbey.</p>
-
-<p>The rectory house possesses its ancient hall open
-to the roof. In the hedge between the church and
-station is the "Bishop's Stone," a large block, bearing
-the arms of Bishop Stapeldon (1307-26), who was
-murdered in the riots occasioned by Edward II.
-favouring the Despensers. He was fallen on by the
-London mob in Cheapside, stripped, and beheaded
-by them.</p>
-
-<p>Strewn about Lustleigh are numerous masses of
-granite, rounded, and like loaves of bread. This
-is due to the weathering of the granite, which is
-soft, but some, if not most, appear to have been
-carried to where they lie by water.</p>
-
-<p>The stream Becka forms a fall into the valley of
-the Bovey, through woods, but except in very rainy
-weather it is insignificant, and hardly merits to be
-considered a waterfall; it is properly only a water-trickle.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p175.jpg" width="700" height="473" alt="" />
-<div class="caption"><p>HOUND TOR</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_175" id="Page_175">[Pg 175]</a></span></p>
-
-<p>The eastern flank of the moor is infinitely richer
-in vegetation than the western. The whole of Dartmoor
-stands up as a wall against the prevalent
-north-west and south-west winds that distort the
-trees on the west side. Moreover, owing to the
-shelter thus furnished, and to the disintegration of
-the granite trending in this direction so as to form
-deep beds of gravel, the valleys and hillsides are
-clothed with rich vegetation. Pines flourish.</p>
-
-<p>Hound Tor is a noble mass of rocks. It derives
-its name from the shape assumed by the blocks on
-the summit, that have been weathered into forms resembling
-the heads of dogs peering over the natural
-battlements, and listening to hear the merry call
-of the horn. Below it, on the Manaton side, nestles
-Hound Tor Farm, picturesquely enfolded in a sycamore
-grove.</p>
-
-<p>The sycamore, by the way, is peculiarly the tree
-for Dartmoor and other exposed situations. The
-beech cowers and turns from the blast, and it
-divides so soon as its taproot touches rock; but the
-sycamore stands up, indifferent to wind and rain,
-to which it opposes the broad green leaves that it
-turns against the blast, and so shelters itself as with
-scale armour.</p>
-
-<p>On Hound Tor is a circle of stones containing
-a kistvaen.</p>
-
-<p>The road that leads to Widdecombe and Ashburton
-ascends to Hound Tor; but there is another<span class="pagenum"><a name="Page_176" id="Page_176">[Pg 176]</a></span>
-road to Ashburton by Hey Tor that branches off to
-the left before Hound Tor Farm is reached, and
-scrambles up to Trendlebere Down, passing an
-almost destroyed stone row starting from a cairn
-beside the highway. The road runs at a great
-elevation (1,080 feet) for some miles. There is a
-pleasant and homely inn at Hey Tor Vale, where
-the traveller may rest and gather strength to visit
-Holwell Tor and Hey Tor Rocks. Holwell Tor was
-at one time surrounded by a stone rampart, but
-quarrymen have sadly injured it, and it is not now
-easy to decide whether the inclosure was merely
-a pound, like Grimspound, or a stone camp, like
-Whit Tor.</p>
-
-<p>Hey Tor Rocks form two fine masses, and are unlike
-most of the moorland tors, in that the granite is
-very consistent, and is not broken into the usual
-layers of soft beds alternating with hard layers. The
-view of the valley below Hey Tor and Grea Tor
-on one side, and the ridge of Bone Hill on the
-other, is fine.</p>
-
-<p>The road, commanding to the east a vast stretch
-of the rich lowlands of Devon, passes Saddle Tor
-and reaches Rippon Tor, where is a good logan
-stone. Here are several cairns much mutilated by
-the road-makers. On the further side of the road,
-by Pill Tor, are remains of an extensive prehistoric
-settlement. Many huts and inclosures remain. The
-place bears the name of Foale's Arrishes, from a
-man of that appellation who spent his energies in
-converting the prehistoric inclosures into fields for
-his own use, to the destruction of much that was
-interesting, and to his own very dubitable advantage.
-The huts have, however, yielded fine specimens
-of ornamented pottery. The decoration is here and
-there made with a woman's finger-nail. Consider
-that! Some poor barbaric squaw five thousand years
-ago fashioned the damp clay with her hands and
-devised a rude pattern, which she incised with her
-nails. She is long ago gone to dust, and her dust
-dispersed, but the impress of her nails remains.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p176.jpg" width="700" height="483" alt="" />
-<div class="caption"><p>HEY TOR ROCKS</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_177" id="Page_177">[Pg 177]</a></span></p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p177.jpg" width="700" height="417" alt="" />
-<div class="caption"><p>FRAGMENT OF POTTERY.</p></div>
-</div>
-
-<p>This is much like what we are all doing, and doing
-unconsciously&mdash;leaving little finger-touches on our
-creations, giving shape to the minds and habits of
-our children and of those with whom we are brought
-into contact, shaping, adorning, or disfiguring our
-epoch, and the impressions we leave are indelible;
-they will in turn be transmitted to ages to come.</p>
-
-<p>Some of the ornamentation, as in a specimen from<span class="pagenum"><a name="Page_178" id="Page_178">[Pg 178]</a></span>
-Smallacombe Rocks, is made with a twisted cord.
-The pottery is all hand-made, shaped without the
-wheel, and very imperfectly burnt. It is not red,
-because there was little iron in the clay.</p>
-
-<p>One large hut at Foale's Arrishes had a seat carried
-round part at least of the interior, made of branches
-that were held from spreading by sharp stones planted
-upright in the floor. The kitchen was on the left side
-of the entrance in a subsidiary structure.</p>
-
-<p>It has, of late, become a thing not unusual for
-young fellows, if suffering from delicacy of the lungs,
-to rent or buy a farm on Dartmoor. No research
-after parasitic microbes thenceforth concerns them.
-The fresh air, the constant exercise, the joyous
-existence on the wild moor are fatal to tubercular
-bacteria. Rude health, buoyant spirits, unflagging
-energy result from such treatment.</p>
-
-<p>It is, it must be admitted, surpassing hard to
-induce servants from the "in-country" to take
-situations on Dartmoor. The air there is as unsuited
-to them as to other microbes. But the settler
-lights his own fires, cooks his own meals, makes his
-own bed; and, as one of them assured me, his
-experience proved to him that a man can keep a
-hunter at the same cost as he can a servant-maid:
-therefore, why be worried with the latter?</p>
-
-<p>At Post Bridge they have had a succession of
-curates who have lived this life in cabins or hovels,
-and have learned to love it. It has one drawback,
-and one only&mdash;it makes the hands rough and grimy.
-But what are gloves for, but to cover dirty hands
-when we go to town to make display?</p>
-
-<p><span class="pagenum"><a name="Page_179" id="Page_179">[Pg 179]</a></span></p>
-
-<p>As to food. Rabbits are to be had at any moment;
-geese, ducks live and luxuriate on the moor; an
-occasional blackcock or moorhen and a brace of
-snipe give zest; and trout are to be obtained for
-the labour or pleasure of angling for them. The
-price of horses is mounting; any number may be
-grown on the moor. Sheep, cattle&mdash;you turn them
-out, and they thrive on the sweet grass, and know
-not the maladies that afflict flocks and herds in the
-world twelve hundred feet below.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p179.jpg" width="700" height="590" alt="" />
-<div class="caption"><p>ORNAMENTED POTTERY.</p></div>
-</div>
-
-<p>Let it not be supposed that in winter Dartmoor
-is a desolation and a horror. It is by no means an
-unpleasant place for a sojourn then. When below
-are mud and mist, aloft on the moor the ground is
-hard with frost and the air crisp and clear. Down
-below we are oppressed with the fall of the leaf,<span class="pagenum"><a name="Page_180" id="Page_180">[Pg 180]</a></span>
-affecting us, if inclined to asthma and bronchitis;
-and in the short, dull days of December and January
-our spirits wax dark amidst naked trees and when
-our ankles are deep in mud. There are no trees on
-Dartmoor to expose their naked limbs, and tell us
-that vegetation is dead. The shoulders of down are
-draped in brown sealskin mantles&mdash;the ling and
-heather, as lovely in its sleep as in its waking state;
-the mosses, touched by frost, turn to rainbow hues.
-For colour effects give me Dartmoor in winter.</p>
-
-<p>And then the peat fires! What fires can surpass
-them? They do not flame, but they glow, and
-diffuse an aroma that fills the lungs with balm.
-The turf-cutting is one of the annual labours on
-the moor. Every farm has its peat-bog, and in the
-proper season a sufficiency of fuel is cut, then carried
-and stacked for winter use. I may be mistaken, but
-it seems to me that cooking done over a peat fire
-surpasses cooking at the best club in London. But
-it may be that on the moor one relishes a meal in a
-manner impossible elsewhere.</p>
-
-<p>Widdecombe-in-the-Moor is a village in a valley
-walled off from the world by high ridges on the east
-and on the west. The entire bed of the valley has
-been washed and rewashed by streamers for tin.
-Bag Park is a gentleman's seat laid out on this collection
-of refuse, and the pines and firs luxuriate in
-the granite rubble and grow, as if it were to them
-a pleasure to thrust up their leaders and expand their
-boughs.</p>
-
-<p>I shall never forget a drive through Widdecombe
-one October day, when the sun was shining bright,<span class="pagenum"><a name="Page_181" id="Page_181">[Pg 181]</a></span>
-and the air was soft. The sycamores had shed their
-leaves; but the expedition was one through coral
-land. The rowan or mountain-ash, which was everywhere,
-was burdened with clusters of scarlet berries,
-and the hedges were wreathed with rose-hips and
-dense with ruddy haws.</p>
-
-<p>The church of Widdecombe has a very fine tower,
-built, it is said, by the tinners. The roof has many
-of the original bosses, carved and painted with
-heads, flowers, and leaves. One has the figure on it
-of S. Catherine with her wheel. One boss has on
-it three rabbits, each with a single ear, which unite in
-the centre, forming a triangle. One exactly similar
-is in Tavistock church.</p>
-
-<p>Part of the lower portion of the roodscreen remains
-with figures of saints on it.</p>
-
-<p>The story of the great thunderstorm in which
-Widdecombe church was struck, on Sunday, October
-21st, 1638, when the congregation were present
-at divine service, has often been told, notably by
-Mr. Blackmore in his novel <cite>Christowel</cite>.</p>
-
-<p>Prince, in his <cite>Worthies of Devon</cite>, thus narrates
-the circumstances:&mdash;</p>
-
-<div class="blockquot">
-
-<p>"In the afternoon, in service time, there happened a
-very great darkness, which still increased to that degree,
-that they could not see to read; soon after, a terrible and
-fearful thunder was heard, like the noise of so many great
-guns, accompanied with dreadful lightning, to the great
-amazement of the people; the darkness still increasing,
-that they could not see each other, when there presently
-came such an extraordinary flame of lightning, as filled the
-church with fire, smoak, and a loathsome smell, like brim-<span class="pagenum"><a name="Page_182" id="Page_182">[Pg 182]</a></span>stone;
-a ball of fire came in likewise at the window, and
-passed through the church, which so affrighted the congregation,
-that most of them fell down in their seats; some
-upon their knees, others on their faces, and some one upon
-another, crying out of burning and scalding, and all giving
-themselves up for dead. There were in all four persons
-killed, and sixty-two hurt, divers of them having their linen
-burnt, tho' their outward garments were not so much as
-singed.... The church itself was much torn and defaced
-with the thunder and lightning, a beam whereof, breaking
-in the midst, fell down between the minister and clerk, and
-hurt neither. The steeple was much wrent; and it was
-observed where the church was most torn, there the least
-hurt was done among the people. There was none hurted
-with the timber or stone; but one man, who, it was judged,
-was killed by the fall of a stone."</p></div>
-
-<p>The monument of this man, Roger Hill, is in
-the church, as also an account in verse of the storm,
-composed by the village schoolmaster.</p>
-
-<p>For many years the incumbent of Widdecombe
-was a man who was reputed to be the son of
-George IV. when Prince Regent. His sister, married
-to a captain, who deserted her, occupied a cottage,
-now in ruins, under Crockern Tor. She also was
-believed to be of blood-royal with a bar sinister.
-Both the parson and his sister had been brought
-up about Court. He, when given the living of
-Widdecombe&mdash;- to get him out of sight and mind&mdash;brought
-with him a large consignment of excellent
-port, and that drew to his parsonage such rare men
-as would brave the moors and storms for the sake
-of a carouse.</p>
-
-<p><span class="pagenum"><a name="Page_183" id="Page_183">[Pg 183]</a></span></p>
-
-<p>His sister, in the desolate cottage under Crockern
-Tor, languished and died, leaving her only child,
-Caroline, to the charge of her uncle. She was sent
-for her education to a famous school in Queen's
-Square, London, where she associated with girls
-belonging to families of the first rank.</p>
-
-<p>A certain air of distinction, as well as the story
-that circulated relative to her mother's origin, made
-her an object of interest, and her imperious manner
-commanded respect.</p>
-
-<p>The vicarage was by no means a good place in
-which a young girl should grow to maturity. The
-house was not frequented by men of the best
-character, and the wildest stories are told of the
-goings-on there in the forties and fifties.</p>
-
-<p>Caroline was, however, a girl of exceptionally
-strong character; she was early called on to hold
-her own with the associates of her uncle and frequenters
-of the vicarage, and she was quite able to
-enforce upon them a proper behaviour towards
-herself.</p>
-
-<p>Unhappily, she had been reared without any
-religious principles; her law was consequently her
-own caprice, fortunately held in check by a strong
-sense of personal dignity.</p>
-
-<p>The position she was in was as forlorn and unpromising
-as any in which a young girl could find
-herself.</p>
-
-<p>She was full of generous impulses, but they were
-wholly untrained; she possessed furious passions,
-which were held in check solely by her pride. She
-would do at one time a generous act and next a dirty<span class="pagenum"><a name="Page_184" id="Page_184">[Pg 184]</a></span>
-trick, "just," as the people said, "as though she were
-a pixy."</p>
-
-<p>A gentleman named Darke, visiting her uncle on
-some business, married Caroline, and soon after her
-uncle died suddenly, having made a will in her
-favour.</p>
-
-<p>The vicarage was well furnished and contained
-articles of great value, in pictures, plate, etc., supposed
-to have been presented to him, but most likely
-obtained with money lent at Court to those temporarily
-embarrassed.</p>
-
-<p>The manor had been sold, and was purchased by
-Mrs. Darke's trustees at her request, and from that
-time she insisted on being entitled "Lady" Darke;
-and into this she moved with her dogs, horses, and
-husband.</p>
-
-<p>This latter had soon discovered what an imperious
-character she possessed. His will might clash with
-hers, but hers would never give way. Her character
-was the toughest and most energetic, and by degrees
-he fell into a condition of submission and insignificance
-which it was painful to witness, and which
-"Lady" Darke herself resented, without being aware
-that it was due to her own overbearing behaviour.</p>
-
-<p>She kept nine or ten horses in her stables&mdash;some
-had never been broken in; some she rode on, others
-were driven in pairs. But towards the end of her
-life the horses were not taken out, and ate their
-heads off many times over.</p>
-
-<p>If a visitor of distinction was expected, she sent
-for him her carriage and pair with silver-mounted
-harness. For ordinary use she employed her <span class="pagenum"><a name="Page_185" id="Page_185">[Pg 185]</a></span>brass-mounted
-harness; but Bill, her husband, was despatched
-to market in the little trap in which she
-fetched coals. Latterly Mr. Darke was sent to make
-purchases at Ashburton, with a long list of "chores,"
-<em>i.e.</em> of articles he was to bring back with him, written
-out during the week on a slip of paper from a
-pocket-book. Here is one: "Kidney-beans and
-cucumbers; tea, and green paint with driers; brushes
-and putty; sweets; and a frock-body for myself; a
-milkpan, fourteen inches; side-combs, 3<em>s.</em> 6<em>d.</em>; ostler's
-boy and fish; lavender; pain-killer; wine, salad oil,
-harness paste, and rice; also ribs of beef, grate for
-blue bedroom, india-rubber; rabbits, grind scissors,
-cheese, inn and ostler."</p>
-
-<p>She ruled her husband, and indeed everyone with
-whom she came in contact. He, cut off from social
-intercourse with his fellows, out of the current of
-intellectual life, with no other work to do than to
-fulfil her behests, sank in his own estimation, and fell
-into degradation without making an effort to rise out
-of it.</p>
-
-<p>An instance of her despotic character may be
-given. One day she wanted to have her hay made;
-she was anxious lest a change of weather should
-come on. She issued an imperious order to the curate
-of the parish to come and help save the hay. He
-sent an apology. This rendered her furious. She
-went in quest of him, met him in the village, and
-falling on him soundly boxed his ears in public.</p>
-
-<p>She was an implacable hater; and living on the
-wilds, half educated, she was superstitious, and believed
-in witchcraft, and in her own power to <span class="pagenum"><a name="Page_186" id="Page_186">[Pg 186]</a></span>ill-wish
-such individuals as offended her. She was
-caught on one occasion with a doll into which she
-was sticking pins and needles, in the hope and with
-the intent thereby of producing aches and cramps in
-a neighbour. On another occasion she laid a train of
-gunpowder on her hearth, about a figure of dough,
-and ignited it, for the purpose of conveying an
-attack of fever to the person against whom she was
-animated with resentment.</p>
-
-<p>It need hardly be said that believing in her own
-powers others believed in them as well, and dreaded
-offending her.</p>
-
-<p>She was kind-hearted, and impulsive in her
-generosity. She divided the parish into two halves&mdash;one
-she gave over to the doctor and kept the other
-to herself. "He kills with his physic," she said, "I
-keep alive and recover with my soups and port wine."</p>
-
-<p>She was vastly angry with the vicar, her uncle's
-successor, about some trifle, and she went after him
-with her whip and threatened to chastise him with
-it. He actually summoned her, and swore that he
-lived in bodily fear of the lady.</p>
-
-<p>She liked to have visitors drop in on her, but not
-to be warned of their coming; for she took a pride
-in showing what she could provide for table on the
-spur of the moment; and forth would come a ham,
-half a goose, a boiled leg of mutton, a big cheese
-and celery, produced as by magic, and would be
-served by herself in an old gown, red turnover handkerchief
-on her shoulders, and a coal-scuttle bonnet
-on her head.</p>
-
-<p>Mrs. Darke at one time played on the piano after<span class="pagenum"><a name="Page_187" id="Page_187">[Pg 187]</a></span>
-the meal to get her guests to dance, but the cats tore
-the instrument open and made their nests and kittened
-among the strings, and the damp air rusted the wires.
-Then she bought a barrel-organ, and forced her
-husband to turn the handle in the corner and grind
-out the music for the dancers. However, on one
-occasion, having tasted too often a bottle within
-reach, though out of sight, he fell forward in the
-middle of a dance and brought the instrument down
-with him. The instrument was so broken that it
-could no longer be used. Mr. Darke died at last in
-one of the fits to which he was liable, having retired
-to rest by mistake under in place of on the bed.</p>
-
-<p>By this time the lady had become very deaf.</p>
-
-<p>On hearing the news of the decease some friends
-went to see her.</p>
-
-<p>"Very grieved, madam, at your sad loss!"</p>
-
-<p>"Ah! Bill is dead. He might have done worse;
-he might have lived. You will stop and dine, of
-course."</p>
-
-<p>They had to tarry to see to matters of business.
-"Now, look here," said "Lady" Darke, "I'll have no
-more 'truck' with Bill. He has been trouble to me
-long enough. I shall send him to his friends in
-Plymouth. Let them bury him."</p>
-
-<p>"Madam," said the nurse, "we want to lay him
-out. Will you give me a sheet?"</p>
-
-<p>"A sheet! One of my good linen sheets! Not I.
-Take a pig-cloth"; that is to say, one in which bacon
-was salted. And actually her husband was laid in
-his coffin in one of these "pig-cloths."</p>
-
-<p>In Mrs. Cudlip's novel, <cite>She Cometh Not, He Saith</cite>,<span class="pagenum"><a name="Page_188" id="Page_188">[Pg 188]</a></span>
-is a description of a meeting with the lady that is
-very true to life, as is also the account of the downstairs
-arrangement of the manor house.</p>
-
-<p>In later years "Lady" Darke became infirm. She
-neglected everything, and no one dared do anything
-in the house without her orders. Until she came
-downstairs in the morning there could be no breakfast,
-as she kept the keys. The house was infested
-with cats and dogs, and her servants did not dare
-to get rid of any of them, or to drive them out of the
-rooms. The large room over the kitchen she alone
-entered. The door was padlocked, and the key of
-the padlock she kept attached to her garter. Thence
-the key had to be taken after her death to obtain
-admission. It was found to contain a confused mass
-of sundry articles to the depth of three feet above the
-floor, the accumulation of many years. Bureaus were
-there with guineas and banknotes in the drawers,
-and quantities of old silver plate, bearing the arms
-and crests of men of title who had been about the
-Court of the Prince Regent; and the whole was
-veiled in cobwebs that hung from the ceiling so long
-and so dense as to hide the further extremity of the
-chamber.</p>
-
-<p>"Lady" Darke retained her imperious disposition
-to the end; it was in vain that it was suggested to
-her that she should have an attendant to be always
-with her. She often sat up the whole night by her
-fire, and her servants dared not retire to bed till their
-mistress had given the signal that they were to
-depart.</p>
-
-<p>Of relations she had none; at least none who<span class="pagenum"><a name="Page_189" id="Page_189">[Pg 189]</a></span>
-came near her, and when she was dead much
-difficulty was found in discovering any persons who
-had claim to her inheritance.</p>
-
-<p>She died quite suddenly, and left no will.</p>
-
-<p>Her trustees had to advertise before they could
-find relations, and then those who presented themselves
-were the children of her father by a third
-wife. Her dogs and cats were first killed, then
-several old horses that were dragging themselves
-about the field in extreme old age.</p>
-
-<p>Her plate and pictures were sold.</p>
-
-<p>To the best of my knowledge no portrait of her
-remains.</p>
-
-<p>She was a fine woman, and must at one time have
-been handsome. It was fancied by many that her
-features bore a resemblance to the pictures of
-George IV. in his young days. The mystery
-relative to her mother and uncle was never solved,
-and it is possible enough that the supposed paternity
-was due to idle gossip.</p>
-
-<p>There were vast collections of letters among the
-remains, but these were all destroyed, and nothing
-was allowed to transpire as to their contents.</p>
-
-<p>The story from beginning to end is one of infinite
-sadness. It is of one with a remarkably strong but
-undisciplined character, one full of good impulses,
-who had never been taught religious duty, and given
-no religious belief, who was therefore condemned to
-waste a profitless life in a remote village, without
-purpose, without self-discipline, without hope, without
-God.</p>
-
-<p>There are some interesting old farmhouses about<span class="pagenum"><a name="Page_190" id="Page_190">[Pg 190]</a></span>
-Widdecombe; one is at Chittleford, another on
-Corndon. The primitive type of farm on the moor
-was an inclosed courtyard, entered through a gate.
-Opposite the gate is the dwelling-house, with a
-projecting porch, with an arched granite door and a
-mullioned window over it. On one side of the
-entrance is the dwelling-room, on the other the
-saddle and sundry chamber. The well, which is a
-stream of water from the moor conducted by a small
-leat to the house, is under cover; and the cattle-sheds
-open into the yard, so as to be reached with ease
-from the house without exposure to the storms.</p>
-
-<p>These farm dwellings are rapidly disappearing,
-and are making way for more pretentious and extremely
-hideous buildings. Such as remain are
-remarkably picturesque, and should be photographed
-before they are destroyed.</p>
-
-<p>Widdecombe must not be quitted without a reference
-to the famous ballad of the old grey mare taken
-there to the fair; a ballad that is immensely popular
-in Devon, and one to the air of which the Devon
-Regiment went against the Boers.</p>
-
-<div class="figcenter" style="width: 466px;">
-<img src="images/p190.jpg" width="466" height="700" alt="" />
-<div class="caption"><p>LOWER TARR</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_191" id="Page_191">[Pg 191]</a></span></p>
-
-<div class="center">
-<div class="poem"><div class="stanza">
-<span class="i0">"Tom Pearce, Tom Pearce, lend me thy grey mare,<br /></span>
-<span class="i4">All along, down along, out along, lee.<br /></span>
-<span class="i0">For I want for to go to Widdecombe Fair,<br /></span>
-<span class="i4">Wi' Bill Brewer, Jan Stewer, Peter Gurney, Peter Davy,<br /></span>
-<span class="i6">Dan'l Whiddon, Harry Hawk,<br /></span>
-<span class="i0">Old Uncle Tom Cobleigh and all.<br /></span>
-</div><div class="stanza">
-<span class="i10"><em>Chorus</em>&mdash;Old Uncle Tom Cobleigh and all.<br /></span>
-</div><div class="stanza">
-<span class="i0">"And when shall I see again my grey mare?<br /></span>
-<span class="i4">All along, down along, out along, lee.<br /></span>
-<span class="i0">By Friday soon, or Saturday noon,<br /></span>
-<span class="i4">Wi' Bill Brewer, etc.<br /></span>
-</div><div class="stanza">
-<span class="i0">"Then Friday came, and Saturday noon,<br /></span>
-<span class="i2">All along, down along, out along, lee.<br /></span>
-<span class="i0">But Tom Pearce's old mare hath not trotted home,<br /></span>
-<span class="i2">Wi' Bill Brewer, etc.<br /></span>
-</div><div class="stanza">
-<span class="i0">"So Tom Pearce he got up to the top of the hill<br /></span>
-<span class="i2">All along, down along, out along, lee.<br /></span>
-<span class="i0">And he seed his old mare down a-making her will,<br /></span>
-<span class="i2">Wi' Bill Brewer, etc."<br /></span>
-</div></div>
-</div>
-
-<div class="figcenter" style="width: 648px;">
-<img src="images/p191.jpg" width="648" height="700" alt="" />
-</div>
-
-<p>Now it does not appear from the song <em>why</em> the
-mare was so dead beat. But a clever American
-artist, who has illustrated the song, has brought her
-knowledge of human nature to bear on the story.
-She has shown in her pictures how that the borrower<span class="pagenum"><a name="Page_192" id="Page_192">[Pg 192]</a></span>
-of the horse met with a pretty gipsy girl at the fair,
-and persuaded her to ride away with him <i lang="fr">en croupe</i>.
-This explains at once why the horse was so overcome
-that it "fell sick and died."</p>
-
-<p>One can understand also how that this ballad
-being a man's song, a veil is delicately thrown over
-this incident.</p>
-
-<p>I do not quote the entire ballad.</p>
-
-<div class="center">
-<div class="poem"><div class="stanza">
-<span class="i0">"When the wind whistles cold on the moor of a night,<br /></span>
-<span class="i2">All along, down along, out along, lee.<br /></span>
-<span class="i0">Tom Pearce's old mare doth appear ghastly white,<br /></span>
-<span class="i2">Wi' Bill Brewer, etc.<br /></span>
-</div><div class="stanza">
-<span class="i0">"And all the long night be heard skirling and groans,<br /></span>
-<span class="i2">All along, down along, out along, lee.<br /></span>
-<span class="i0">From Tom Pearce's old mare in her rattling bones,<br /></span>
-<span class="i2">Wi' Bill Brewer, etc."<br /></span>
-</div></div>
-</div>
-
-<div class="footnotes"><h3>FOOTNOTES:</h3>
-
-<div class="footnote">
-
-<p><a name="Footnote_17_17" id="Footnote_17_17"></a><a href="#FNanchor_17_17"><span class="label">[17]</span></a> See my article on "Foundations" in <cite>Strange Survivals</cite> (Methuen
-and Co., 1892). See also my <cite>Book of the West</cite>, i. p. 331.</p>
-
-<p><span class="pagenum"><a name="Page_193" id="Page_193">[Pg 193]</a></span></p></div></div>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>CHAPTER XIII.<br />
-
-HOLNE</h2>
-
-<div class="hangindent">
-
-<p>Holne church and screen&mdash;Epitaph&mdash;Holne Chase&mdash;The Coffin-stone&mdash;Dartmeet
-Bridge&mdash;Dolly's Cot&mdash;Dolly Trebble&mdash;Sherrill&mdash;Yar
-Tor&mdash;Proposed new road&mdash;Pixy Holt&mdash;Blowing-house at Okebrook&mdash;Jolly
-Lane Cot&mdash;Song-hunting under difficulties&mdash;The Sandy
-Way&mdash;Childe's Tomb&mdash;Crosses in a line&mdash;Swincombe&mdash;Gobbetts
-Mine&mdash;Crazing-mill stones&mdash;Holne vicarage&mdash;Charles Kingsley&mdash;Old
-customs at Holne&mdash;Similar custom at King's Teignton&mdash;Sacrifice
-of sheep.</p></div>
-
-
-<p class="drop-capw"><span class="smcap">At</span> Holne the old church house, now an inn,
-affords very comfortable quarters, and from it
-many interesting excursions may be made.</p>
-
-<p>Holne church has preserved its old screen and
-pulpit, the former rich with paintings of saints. Both
-were probably erected by Oldam, Bishop of Exeter,
-1504-19. In the churchyard is the following doggerel
-inscription:&mdash;</p>
-
-<div class="center">
-<div class="poem"><div class="stanza">
-<span class="i0">"Here lies poor old Ned, on his last mattrass bed.<br /></span>
-<span class="i2">During life he was honest and free;<br /></span>
-<span class="i0">He knew well the chase, but has now run his race,<br /></span>
-<span class="i2">And his name it was Colling, d'ye see.<br /></span>
-</div><div class="stanza">
-<span class="i4">He died December 28th, 1780, aged 77."<br /></span>
-</div></div>
-</div>
-
-<p>From the vicarage garden a noble view of the
-windings of the Dart through Holne Chase is to
-be obtained&mdash;permission asked and given.</p>
-
-<p>To see Holne Chase, it should be ascended as far<span class="pagenum"><a name="Page_194" id="Page_194">[Pg 194]</a></span>
-as New Bridge, and thence descended through the
-Buckland Drives. Permission is given on fixed days.</p>
-
-<p>In Holne Wood, where the river makes a loop, is
-an early camp, with indications of hut circles in it,
-but thrown out of shape by the trees growing in the
-area. Near the entrance charcoal-burners have
-formed their hole in which to burn the timber. A
-finer and better preserved camp is Hembury.</p>
-
-<p>In the Chase, on the Buckland side under Awsewell
-Rock, are the remains of furnaces and great heaps of
-slag. The point is where there is a junction of the
-granite and the sedimentary rocks. Above the wooded
-flank of the hill, the rocks are pierced and honeycombed
-by miners following veins of ore, probably
-copper. The workings are very primitive, and
-deserve inspection. The little village of Buckland
-should not be neglected. It is marvellously picturesque,
-but the houses do not appear to be healthy,
-being buried in foliage. The church has not been
-restored. It possesses an old screen with curious
-paintings, some impossible to interpret; and it is in
-the old bepewed, neglected condition familiar now
-only to those whose years number something about
-sixty or seventy. Buckland-in-the-Moor is the full
-name of this parish, but it is no longer in the moor.
-Colonel Bastard, ancestor of the present owner,
-planted all the heathery land and hillsides with
-trees, and received therefor the thanks of Parliament
-as one who by so doing had deserved well of his
-country.</p>
-
-<p>If Holne Chase be beautiful, so is the Dart above
-New Bridge. A more interesting drive can hardly<span class="pagenum"><a name="Page_195" id="Page_195">[Pg 195]</a></span>
-be taken than one branching off from the main road
-before reaching Pound's Gate and following a grassy
-track called "Dr. Blackall's Drive," that sweeps round
-the heights above the Dart and rejoins the road
-between Mel Tor and Sharpie Tor.</p>
-
-<p>But to see the Dart valley in perfection the river
-should be followed up on foot from New Bridge to
-that of Dartmeet, and thence up to Post Bridge.</p>
-
-<p>The descent to Dartmeet by the road is one of
-over five hundred feet. Halfway is the Coffin-stone,
-on which five crosses are cut, and which is split in
-half&mdash;the story goes, by lightning. On this it is
-customary to rest a dead man on his way from the
-moor beyond Dartmeet to his final resting-place at
-Widdecombe. When the coffin is laid on this stone,
-custom exacts the production of the whisky bottle,
-and a libation all round to the manes of the deceased.</p>
-
-<p>One day a man of very evil life, a terror to his
-neighbours, was being carried to his burial, and his
-corpse was laid on the stone whilst the bearers
-regaled themselves. All at once, out of a passing
-cloud shot a flash, and tore the coffin and the dead
-man to pieces, consuming them to cinders, and
-splitting the stone. Do you doubt the tale? See
-the stone cleft by the flash.</p>
-
-<p>Among the many hundreds who annually visit
-Dartmeet, I do not suppose that more than one
-sees the real beauties to which this spot opens the
-way. Actually, Dartmeet Bridge is situated at
-the least interesting and least picturesque point
-on the river.</p>
-
-<p>To know the Dart and see its glories, a visitor<span class="pagenum"><a name="Page_196" id="Page_196">[Pg 196]</a></span>
-must desert the bridge and ascend the river. I
-will indicate to him two walks, each of remarkable
-beauty and each an easy one.</p>
-
-<p>The first is this: Ascend the Dart on the <em>left</em>.
-This can be done by passing through a gate
-above Dartmeet Cottage, and descending to the
-river, where remain a few of the venerable oaks that
-once abounded at Brimpts, but were wantonly cut
-down at the beginning of this century. Ascend
-by a fisherman's path through the plantation to
-where the wood ends, and the hills falling back
-reveal a pleasant meadow, with, rising out of it
-by the river, a holt or pile of rocks overgrown with
-oaks. The view from this is beautiful. Proceeding
-half a mile a ruined cottage is reached, where the
-stately Yar Tor may be seen to advantage. This
-ruin is called Dolly's Cot.</p>
-
-<p>Dolly, who has given her name to this ruin, was a
-somewhat remarkable woman. She lived with her
-brother, orphans, by Princetown when Sir Thomas
-Tyrwhitt settled at Tor Royal. She was a remarkably
-handsome girl, and she seems to have caught
-the eye of this gentleman, who located her and her
-brother in the lodge, and then, as the brother kept a
-sharp look-out on his sister, he got rid of him by
-obtaining for him an appointment in the House of
-Lords, where he looked after the lighting, and had
-as his perquisite the ends of the wax tapers. As
-fresh candles were provided every day, and the
-sessions were at times short, the perquisites were
-worth a good deal.</p>
-
-<div class="figcenter" style="width: 509px;">
-<img src="images/p196.jpg" width="509" height="700" alt="" />
-<div class="caption"><p>THE CLEFT ROCK ABOVE HOLNE CHASE</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_197" id="Page_197">[Pg 197]</a></span></p>
-
-<p>However, if the brother were away Dolly had
-another to watch over her, one Tom Trebble, a
-young and handsome moorman, who did not at all
-relish the manner in which Sir Thomas, Warden
-of the Stannaries, hovered about Miss Dolly.</p>
-
-<p>But a climax was reached when the Prince Regent
-arrived at Tor Royal to visit his forest of Dartmoor.
-The Prince's eye speedily singled Dolly out, and the
-blue coat and brass buttons, white ducks tightly
-strapped, and the curled-brimmed hat were to be
-seen on the way to Dolly's cottage a little too frequently
-to please Tom Trebble. So to cut his
-anxieties short he whisked Dolly on to the pillion
-of his moor cob and rode off with her to Lydford,
-where they were married. Then he carried her away
-to this cottage&mdash;now a ruin&mdash;on the Dart, to which
-led no road, hardly a path even, and where she was
-likely to be out of the way of both the Prince and
-his humble servant, Sir Thomas.</p>
-
-<p>In this solitary cottage Tom and Dolly lived for
-many years. She survived her husband, and gained
-her livelihood by working at the tin-mine of Hexworthy,
-where one of the shafts recently sunk was
-named after her.</p>
-
-<p>The candle-snuffer realised&mdash;so it was said&mdash;a
-good fortune out of the wax taper-ends, and never
-returned to Dartmoor.</p>
-
-<p>Dolly lived to an advanced age, and even as an
-old woman was remarkably handsome and of a
-distinguished appearance.</p>
-
-<p>It is now difficult to collect authentic information
-concerning her, as only very old people remember
-Dolly. She was buried at Widdecombe, and aged<span class="pagenum"><a name="Page_198" id="Page_198">[Pg 198]</a></span>
-moor folk still speak of her funeral, at which all
-the women mourners wore white skirts, <em>i.e.</em> their
-white petticoats <em>without</em> the coloured skirts of their
-gowns, and white kerchiefs pinned as crossovers to
-cover their shoulders.</p>
-
-<p>The distance is between six and seven miles.
-Dolly was borne to her grave by the tin-miners,
-and followed not only by the mine-workers, but
-by all the women of the moorside, and all in
-their white petticoats; and as they went they
-sang psalms.</p>
-
-<p>From Dolly's Cot the hill can be ascended to
-"The Seven Sisters," seven conspicuous old Scotch
-pines, whereof one has lost its head. Thence a
-road is reached that takes a visitor back to Dartmeet
-by Brimpts.</p>
-
-<p>The other walk, even finer, is this: Ascend the
-hill on the Ashburton road till a road breaks away
-to the left to Sherrill. Follow this, when on the <em>col</em>
-a kistvaen, inclosed in a circle, is reached. North of
-this is a much-ruined set of stone rows, three parallel
-lines running 660 feet, but so plundered that only
-158 stones remain. The road descends to a pleasant
-little settlement, Sherrill, or Sher-well, consisting of
-a farm and some cottages. The Sher-well bursts
-out in one strong spring beside the road, and becomes
-a good stream almost directly.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p199.jpg" width="700" height="469" alt="" />
-<div class="caption"><p>YAR TOR</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_199" id="Page_199">[Pg 199]</a></span></p>
-
-<p>The situation is warm and sheltered, and the
-ground is cultivated. The road descends to the
-Wallabrook, which it crosses, to Babeney. Thence
-a track leads down the Wallabrook to its junction
-with the Dart, where is disclosed what I hold to be one
-of the finest, if not the finest view on Dartmoor.
-A tract of level pasture lies at the junction of
-the streams, and from this Yar Tor soars up a
-veritable mountain. Few of the Dartmoor heights
-are so situated as to show themselves to such advantage.
-On the right, a spur well clothed in dark
-fir plantations comes down from Brimpts; and on
-the left is a clitter of bold granite rocks. The time
-to visit this is certainly the evening, when Yar Tor is
-bathed in a golden glory, and the woods are steeped
-in royal purple.</p>
-
-<p>Thence a path, or track rather, leads down the Dart
-on the east side, past Badgers' Holt to the bridge.</p>
-
-<p>And perhaps on the way the <i lang="la">Graphis scripta</i> may be
-found, but it is chiefly to be discovered on old hollies,
-a mysterious writing, characters scrawled by delicate
-hands, and understandable only by the pixies, who
-are credited with thus writing their messages to one
-another. Actually this is a lichen, that strangely
-affects a script.</p>
-
-<p>It was at Badgers' Holt that old Dan Leaman
-lived, on whom a trick was played which I have
-already related in my <cite>Book of the West</cite>.</p>
-
-<p>What a solitary life must have been led by the
-occupants of the scattered farms and cottages at
-Babeney, Sherrill, Dury, and the like, in former times!
-And yet those who occupied them got to love the
-isolation. A woman at Sherrill, who had been in
-service and had married a moorman, said to me, "I
-wouldn't live here if I could help it; but, Lor' bless y',
-my old man, there's no gettin' he away from atop o'
-Widdecombe chimney"&mdash;that is to say, the level of the<span class="pagenum"><a name="Page_200" id="Page_200">[Pg 200]</a></span>
-church tower. The reach of its bells formed the
-world&mdash;the only world in which he cared to live. In
-a cottage near Sherrill lived an old woman absolutely
-alone, who for sixty years never once allowed her fire
-to go out.</p>
-
-<p>If it be desired to open out Dartmoor, a road
-should be carried up the Dart from New Bridge to
-Dartmeet, and thence, still following the river, to
-Post Bridge. The owners of the banks of the Dart
-below New Bridge to Holne Bridge&mdash;in fact, of Holne
-Chase&mdash;could then hardly refuse to allow it to be
-carried through their land to Holne Bridge, and then
-a drive would be created passing through scenery
-unsurpassed in England. Another ought to be
-engineered up the Webburn from its meet with the
-Dart, past Lizwell to Widdecombe; then that solitary
-village would be at once accessible, and brought into
-the world.</p>
-
-<p>Below Dartmeet Bridge, if the river be followed
-on the right through a wood, the Pixy Holt is
-reached, a cave in which the little good folk are
-supposed to dwell. It is the correct thing to leave
-a pin or some other trifle in acknowledgment when
-visiting their habitation.</p>
-
-<p>Where the Okebrook drops into the West Dart
-is an old blowing-house, with moulds for the tin,
-ruined, and with a stout oak growing up in the
-midst. There are also mortar-stones in the ruin.
-Above Huccaby Bridge are the remains of a fine
-circle of standing stones that has been sadly mutilated.
-Another, far more perfect, is at Sherberton.</p>
-
-<p>Near the bridge is Jolly Lane Cot, the house of<span class="pagenum"><a name="Page_201" id="Page_201">[Pg 201]</a></span>
-Sally Satterleigh, that was built and occupied in
-one day. Her father was desirous of marrying a
-wife and bringing her to a home; but he had no
-home to which to introduce her, and the farmers
-round not only would afford no help, but proved
-obstructive. One day when it was Holne Revel, and
-the farmers had gone thither, the labouring people
-assembled in swarms, set to work and built up the
-cottage, and before the farmers returned, lively with
-drink, from the revel, the man was in the cottage
-and had lighted a fire on the hearth, and this constituted
-a freeholding from which no man might
-dispossess him. This man was a notable singer,
-and his old daughter, now a grandmother, remembered
-some of his songs. One wild and stormy
-day, Mr. Bussell, of Brazen Nose College, now Dr.
-Bussell and tutor of his college, drove over with me
-from Princetown to get her songs from her.</p>
-
-<p>But old Sally could not sit down and sing. We
-found that the sole way in which we could extract
-the ballads from her was by following her about as
-she did her usual work. Accordingly we went after
-her when she fed the pigs, or got sticks from the
-firewood rick, or filled a pail from the spring, pencil
-and notebook in hand, dotting down words and
-melody. Finally she did sit to peel some potatoes,
-when Mr. Bussell with a MS. music-book in hand,
-seated himself on the copper. This position he
-maintained as she sang the ballad of "Lord Thomas
-and the Fair Eleanor," till her daughter applied fire
-under the cauldron, and Mr. Bussell was forced to
-skip from his perch.</p>
-
-<p><span class="pagenum"><a name="Page_202" id="Page_202">[Pg 202]</a></span></p>
-
-<p>Holne forms the extreme eastern end of a long
-ridge that terminates to the west in Down Tor. This
-hog's back stands over 1,500 feet above the sea, and is
-the watershed. From it stream the Avon, the Erme,
-the Yealm, and the Plym in a southerly direction,
-and north of it are the West Dart and the Swincombe
-river. It is a rounded back of moor, without
-granite tors, thickly sown with bogs. But there is
-a track, the Sandy Way, that threads these morasses
-from Holne, and leads to Childe's Tomb, a kistvaen,
-with a cross near it.</p>
-
-<p>The story is well known.</p>
-
-<p>A certain Childe, a hunter, lost his way in winter
-in this wilderness. Snow fell thick and his horse
-could go no further.</p>
-
-<div class="center">
-<div class="poem"><div class="stanza">
-<span class="i0">"In darkness blind, he could not find<br /></span>
-<span class="i2">Where he escape might gain,<br /></span>
-<span class="i0">Long time he tried, no track espied,<br /></span>
-<span class="i2">His labours all in vain.<br /></span>
-</div><div class="stanza">
-<span class="i0">"His knife he drew, his horse he slew<br /></span>
-<span class="i2">As on the ground it lay;<br /></span>
-<span class="i0">He cut full deep, therein to creep,<br /></span>
-<span class="i2">And tarry till the day.<br /></span>
-</div><div class="stanza">
-<span class="i0">"The winds did blow, fast fell the snow,<br /></span>
-<span class="i2">And darker grew the night,<br /></span>
-<span class="i0">Then well he wot he hope might not<br /></span>
-<span class="i2">Again to see the light.<br /></span>
-</div><div class="stanza">
-<span class="i0">"So with his finger dipp'd in blood,<br /></span>
-<span class="i2">He scrabbled on the stones&mdash;<br /></span>
-<span class="i0">'This is my will, God it fulfil,<br /></span>
-<span class="i2">And buried be my bones.<br /></span>
-</div><div class="stanza">
-<span class="i0">"'Whoe'er it be that findeth me,<br /></span>
-<span class="i2">And brings me to a grave;<br /></span>
-<span class="i0">The lands that now to me belong<br /></span>
-<span class="i2">In Plymstock he shall have.'"<br /></span>
-</div></div>
-</div>
-<p><span class="pagenum"><a name="Page_203" id="Page_203">[Pg 203]</a></span></p>
-<p>The story goes on to say that when the monks
-of Buckfast heard of this they made ready to transport
-the body to their monastery. But the monks
-of Tavistock were beforehand with them; they threw
-a bridge over the Tavy, ever after called Guile
-Bridge, and carried the dead Childe to their abbey.
-Thenceforth they possessed the Plymstock estate.</p>
-
-<p>The kistvaen is, of course, not Childe's grave, for
-it is prehistoric, and Childe was not buried there.
-But the cross may have been set up to mark the spot
-where he was found.</p>
-
-<p>Childe's Cross was quite perfect, standing on a
-three-stepped pedestal, till in or about 1812, when it
-was nearly destroyed by the workmen of a Mr.
-Windeatt, who was building a farmhouse near by.
-The stones that composed it have, however, been for
-the most part recovered, and the cross has been
-restored as well as might be under the circumstances.</p>
-
-<p>The Sandy Way was doubtless a very ancient track
-across the moor from east to west, as it is marked
-by crosses, as may be judged by the Ordnance map.
-1, Horne's Cross; 2 and 3, crosses on Down Ridge;
-4 and 5, crosses on Terhill; 6 and 7, crosses near Fox
-Tor, in the Newtake; 8, Childe's Cross; 9, Seward's
-or Nun's Cross; 10, cross on Walkhampton Common.</p>
-
-<p>Swincombe, formerly Swan-combe, runs to the
-north of the ridge, and has the sources of its river
-in the Fox Tor mires and near Childe's Tomb.</p>
-
-<p>It runs north-east, and then abruptly passes north
-to decant into the West Dart.</p>
-
-<p>Near this is Gobbetts Mine, a very interesting<span class="pagenum"><a name="Page_204" id="Page_204">[Pg 204]</a></span>
-spot, for here are samples of the modern deep mining
-shaft, the shallow workings, and the deep, open cuttings
-of the earlier times, and the stream works of
-the "old men." Thus we have on one spot a compendium
-of the history of mining for tin. Among
-the relics lying about are the remains of an old
-crazing-mill, consisting of the upper and the nether
-stones. The nether stone is 3 feet 10 inches in
-diameter, and 10 inches thick. In the periphery is a
-groove forming a lip, that served readily to discharge
-the ground material.</p>
-
-<div class="figcenter" style="width: 550px;">
-<img src="images/p204.jpg" width="550" height="444" alt="" />
-<div class="caption"><p>CRAZING-MILL STONE, UPPER GOBBETTS.</p></div>
-</div>
-
-<p>The upper stone has a roughly convex back, and
-an eye as well as four holes drilled in it. Into these<span class="pagenum"><a name="Page_205" id="Page_205">[Pg 205]</a></span>
-holes posts were fitted, which carried two bars, so
-that the stone was made to revolve by horse or man
-power, like the arrangement of a capstan.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p205.jpg" width="700" height="307" alt="" />
-<div class="caption"><p>METHOD OF USING THE MILL-STONES. SECTION.</p></div>
-</div>
-
-<p>The hole or eye of the nether stone was for the
-purpose of receiving a conical plug, the apex of
-which penetrated partly into the eye of the upper
-stone, and served the double purpose of keeping the
-runner stone in position and of distributing the feed
-equally on the grinding-surfaces. To further assist
-this are four curved master-furrows or grooves, radiating
-from the eye of the grinding-surface of the upper
-stone. The mill, worked by men or by horses, was
-of slow speed, and water was introduced to assist
-the propulsion of the ground material towards the
-grooved lip in the periphery of the stone. This and
-the feed were, of course, introduced through the
-circular hole in the top stone.</p>
-
-<p>On the site of what was evidently the blowing-house
-is a mould-stone, about 4 feet by 3. The
-mould is 15 inches long by 11 inches wide at one<span class="pagenum"><a name="Page_206" id="Page_206">[Pg 206]</a></span>
-end, and 10 inches at the other, and 4 to 5 inches
-deep. There are also cavities for sample ingots.</p>
-
-<p>Other stones lie about with hollows worked in
-them, that seem to have been mortar-stones, used
-for pounding up the ore, at a period earlier than that
-at which the crazing-mill was introduced.</p>
-
-<p>Further up the Swincombe, on the left, a little
-stream descends that has had its bed turned over
-and over. This is Deep Swincombe, and here are
-the remains of the earliest known smelting-house
-yet noticed on Dartmoor. It has been fully described
-in a previous chapter. On all sides we
-discover traces of those who in ancient times came
-to Dartmoor and toiled after metal. We go in
-swarms there now&mdash;to spend our metal and idle and
-gain health. So the old order changeth, and with
-it men's moods and manners.</p>
-
-<p>To return to Holne. In the parsonage Charles
-Kingsley was born, but the house has since been to
-a large extent rebuilt. On a fly-sheet of the Book of
-Burial Registers is the entry, "The Vicarage House,
-being very <em>dilapidated</em>, was taken down and rebuilt
-by the Vicar (the Rev. John D. Parham) in the year
-1832." It was in that "very dilapidated" house that
-Charles Kingsley was born.</p>
-
-<p>A curious custom existed at Holne, now given up.
-There is, near the village, a "Ploy (play) Field" in
-which stood formerly a rude granite stone six or
-seven feet high.</p>
-
-<p>On May morning, before daybreak, the young men
-of the village were wont to assemble there and then
-proceed to the moor, where they selected a ram lamb,<span class="pagenum"><a name="Page_207" id="Page_207">[Pg 207]</a></span>
-and, after running it down, brought it in triumph
-to the Ploy Field, fastened it to the granite post, cut
-its throat, and then roasted it whole&mdash;skin, wool, etc.
-At midday a struggle took place, at the risk of cut
-hands, for a slice, it being supposed to confer luck
-for the ensuing year on the fortunate devourer. As
-an act of gallantry the young men sometimes fought
-their way through the crowd to get a slice for the
-chosen amongst the young women, all of whom, in
-their best dresses, attended the Ram Feast, as it
-was called. Dancing, wrestling, and other games,
-assisted by copious libations of cider during the
-afternoon, prolonged the festivity till midnight. This
-is now entirely of the past, but a somewhat similar
-popular festival survives at King's Teignton, or did
-so till recently. There Whitsuntide is the season
-chosen. A lamb is drawn about the parish on
-Whitsun Monday in a cart covered with garlands
-of lilac, laburnum, and other flowers, when persons
-are requested to give something towards the animal
-and attendant expenses. On Tuesday morning it is
-killed and roasted whole in the middle of the village.
-The lamb is then sold in slices to the poor at a
-cheap rate. The story told to account for this
-festival is that the village once suffered from a
-dearth of water, when the inhabitants were advised
-to pray for water; whereupon a fountain burst forth
-in a meadow about a third of a mile above the river,
-in an estate now called Rydon, a supply sufficient
-to meet the necessities of the villagers. A lamb,
-it is said, has ever since been sacrificed as a return
-offering at Whitsuntide in the manner above mentioned.</p>
-
-<p><span class="pagenum"><a name="Page_208" id="Page_208">[Pg 208]</a></span></p>
-
-<p>The said water appears like a large pond, from
-which in rainy weather may be seen jets springing
-up some inches above the surface in many parts.</p>
-
-<p>I know the case of a farmer on the edge of
-Dartmoor, whose cattle were afflicted with some
-disorder in 1879; he thereupon conveyed a sheep to
-the ridge above his house, sacrificed and burnt it
-there, as an offering to the Pysgies. The cattle at
-once began to recover, and did well after, nor were
-there any fresh cases of sickness amongst them.
-Since then I have been told of other and very
-similar cases.</p>
-
-<p><span class="pagenum"><a name="Page_209" id="Page_209">[Pg 209]</a></span></p>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>CHAPTER XIV.<br />
-
-IVYBRIDGE</h2>
-
-<div class="hangindent">
-
-<p>The moors on the south not bold&mdash;South Brent&mdash;Destruction of the
-screen&mdash;The Avon&mdash;Zeal Plains crowded with prehistoric remains&mdash;The
-Abbots' Way&mdash;Huntingdon's Cross&mdash;Petre's Cross&mdash;Hobajohn's
-Cross&mdash;Stone row&mdash;Remains upon Erme Plains&mdash;The
-Staldon stone row&mdash;Other rows&mdash;Beehive huts&mdash;Harford
-church&mdash;Hall&mdash;The Duchess of Kingston&mdash;The Yealm valley&mdash;Blowing-houses&mdash;Long
-wall&mdash;Hawns and Dendles&mdash;The tripper
-and ferns&mdash;Wisdome&mdash;Slade&mdash;Fardell&mdash;The Fardell Stone.</p></div>
-
-
-<p class="drop-capw"><span class="smcap">This</span> not very interesting spot may be chosen
-as a centre whence the Avon, Erme, and Yealm
-river valleys may be explored. The distances are
-considerable, but the railway facilitates reaching
-starting-points&mdash;South Brent for the Avon, and
-Cornwood for the Yealm. It is advisable to ascend
-one river, cross a ridge, and descend another river.</p>
-
-<p>The moors on this, the south, side are by no means
-so bold as are those on the other sides, but the valleys
-are hardly to be surpassed for beauty; and they give
-access to very remarkable groups of antiquities, the
-distance to some of which beyond inclosed land,
-and the absence of roads on this part of the moor
-has saved these latter from destruction.</p>
-
-<p>In Ivybridge itself there is absolutely nothing
-worth seeing, but the churches of Ugborough and
-Ermington richly deserve a visit; and there are<span class="pagenum"><a name="Page_210" id="Page_210">[Pg 210]</a></span>
-some old manor houses, as Fardell, Fillham, Slade,
-and Fowelscombe, that may be seen with interest.
-We will begin with the valley of the Avon.</p>
-
-<p>South Brent is dominated by Brent Hill, that
-was formerly crowned with a chapel dedicated to
-S. Michael. The parish church, a foundation of
-S. Petrock, possessed a fine carved oak screen.
-The church has, however, been taken in hand by
-that iconoclast the "restorer," who has left it empty,
-swept and garnished&mdash;a thing of nakedness and a
-woe for ever. The screen&mdash;the one glory of the
-church&mdash;was cast forth into the graveyard, and there
-allowed to rot.</p>
-
-<p>The Avon foams down from the moor through a
-contracted throat, affording scenes of great beauty
-in its ravine. It receives the Glazebrook some way
-below South Brent, and the Bala about the same
-distance above it.</p>
-
-<p>The river has to be ascended for two miles and
-a half before Shipley Bridge is reached, and then
-the moor is in front of one, with Zeal Plains spread
-out, strewn with prehistoric settlements that have
-not as yet been properly investigated.</p>
-
-<p>The Abbots' Way, a track from Buckfast to
-Tavistock, crosses the Avon at Huntingdon's Cross,
-a rude un-chamfered stone four feet and a half high.
-It stands immediately within the forest bounds. The
-moors already traversed are the commons of Brent
-and Dean. The cross is romantically situated in
-a rocky basin, the rising ground about it covered
-with patches of heather, with here and there a granite
-boulder protruding through the turf.</p>
-
-<p><span class="pagenum"><a name="Page_211" id="Page_211">[Pg 211]</a></span></p>
-
-<div class="blockquot">
-
-<p>"All around is still and silent, save the low murmuring
-of the waters as they run over their pebbly bed. The only
-signs of life are the furry inhabitants of the warren, and,
-perchance, a herd of Dartmoor ponies, wild as the country
-over which they roam, and a few sheep or cattle grazing on
-the slopes. The cross is surrounded by rushes, and a
-dilapidated wall&mdash;the warren enclosure&mdash;runs near it."<a name="FNanchor_18_18" id="FNanchor_18_18"></a><a href="#Footnote_18_18" class="fnanchor">[18]</a></p></div>
-
-<p>The Abbots' Way may here be distinctly seen
-ascending the left bank of the Avon.</p>
-
-<p>On Quick Beam Hill, over which the Abbots' Way
-climbs to reach the valley of the Erme, is another
-cross, concerning which something must be said, as
-it shows that not only educated and intelligent architects
-are iconoclasts, but also illiterate and stupid
-workmen.</p>
-
-<p>There is a cairn that bears the name of Whitaburrow,
-and till the year 1847, erect on it in the
-centre stood an old grey moorstone cross. In that
-year a company was formed to extract naphtha from
-the peat, and its works were established near Shipley
-Bridge, to which the peat was conveyed from this
-spot in tram-waggons.</p>
-
-<p>There being no place of shelter near, the labourers
-erected a house on the summit of the cairn, which
-measures one hundred and ninety feet in circumference,
-and requiring a large stone as a support
-for their chimney-breast, they knocked off the arms
-of the cross and employed the shaft for that purpose.
-The house has disappeared with the exception of the
-foundations and about three feet in height of walling,<span class="pagenum"><a name="Page_212" id="Page_212">[Pg 212]</a></span>
-but the poor old maimed shaft stands there aloft, just
-as the poor old maimed church of South Brent stands
-on the river far below. Each has lost that which
-made it significant and beautiful, each mutilated by
-the stupidity of man.</p>
-
-<p>The cross takes its name from Sir William Petre
-of Tor Brian, who possessed certain rights over
-Brent Moor. He was Secretary of State in four
-reigns&mdash;those of Henry VIII., Edward VI., Mary, and
-Elizabeth&mdash;and seems to have conformed to whichever
-religion was favoured by the Sovereign, like the
-Vicar of Bray. He died in 1571, and was the
-ancestor of the present Lord Petre.</p>
-
-<p>On Ugborough Moor, that adjoins, is a third cross,
-called that of Hobajohn, which is planted, singularly
-enough, in the midst of a stone row. This row
-starts on Butterdon Hill, above Ivybridge, and passes
-within a short distance of Sharp Tor. I have not
-seen it, but learn that it, like most other stone rows,
-starts from a cairn inclosed within upright stones.
-It must, if really a stone row, be something like
-three miles in length. The cross has also been
-mutilated, and lies prostrate.</p>
-
-<p>A fourth cross, Spurle's or Pearl's Cross, on
-Ugborough Moor, has lost its shaft.</p>
-
-<p>The Abbots' Way from Avon valley leads to the
-Erme valley, where Redlake enters it at a very
-interesting point. Here, at the junction of this
-feeder, is a well-preserved blowing-house, with its
-wheel-pit and with its tin-moulds lying in the ruins.</p>
-
-<p>The whole of Erme Plains and the valley for three
-miles down is simply crowded with hut circles,<span class="pagenum"><a name="Page_213" id="Page_213">[Pg 213]</a></span>
-pounds, and other remains. On the height above,
-Staldon Moor, is a stone row of really astounding
-length, of which something has been already said.
-It starts at the south end from a large circle, which
-formerly inclosed a cairn, and stretches away to
-the north, over hill and down dale, for two miles
-and a quarter, and terminates in a kistvaen. The
-stones are not large, but the row is fairly intact.</p>
-
-<p>Due south of this, on the south side of the highest
-point of Stall Moor, Staldon Barrow, are two more
-stone rows, almost, but not quite, in a line. In the
-neighbourhood are many cairns and kistvaens.
-The stones here are larger. Taken together the
-rows run over 1,400 feet. They can be seen from
-Cornwood Station when the light is favourable.</p>
-
-<p>Again another row on Burford Down, a continuation
-of the same moor, starts from a circle containing
-a kistvaen near Tristis Rock, and stretches away
-north to a wall and across an inclosed field, but here
-it has been sadly pillaged for the construction of the
-wall. It still runs 1,500 feet. The Erme valley has
-been much worked by streamers, and some of the
-mining operations have been carried on at a comparatively
-recent period.</p>
-
-<p>By the side of a little lateral gully on the right
-hand in descending the river is a beehive hut among
-the streamers' mounds; it is quite intact, and shelter
-may be taken in it from a passing storm. It is,
-however, not prehistoric, but is a miners' <em>cache</em>.</p>
-
-<p>Another, also perfect, is a little further down, on
-the other side of the river before reaching Piles
-Wood.</p>
-
-<p><span class="pagenum"><a name="Page_214" id="Page_214">[Pg 214]</a></span></p>
-
-<p>Harford church, another foundation of S. Petrock,
-stands high. It contains nothing of interest except
-an altar tomb with brasses upon it, in memory of
-Thomas Williams, Speaker of the House of Commons,
-of the family of that name formerly resident at
-Stowford, in the parish. And in the second place, a
-monument to John and Agnes Prideaux, the parents
-of John Prideaux, Bishop of Worcester. This was
-set up by the latter in 1639.</p>
-
-<p>Hall, not far from the church, was for some time
-the residence of the notorious Elizabeth Chudleigh,
-Duchess of Kingston, who was tried and condemned
-for bigamy. It was a hard case. She was born in
-1726, and was the daughter of Colonel Thomas
-Chudleigh, who died when Elizabeth was quite a
-child. In 1744, when she was aged only eighteen,
-she visited her maternal aunt, Anne Hanmer, at
-Lainston, near Winchester, met at the Winchester
-Races Lieutenant Hervey, second son of Lord Hervey,
-and grandson of the Earl of Bristol, who was then
-aged twenty. He was invited to Lainston, and one
-night in a foolish frolic, at eleven o'clock, with the
-connivance, if not at the instigation, of Mrs. Hanmer,
-Elizabeth was married to Lieutenant Hervey by the
-rector in the little roofless ruin of a church. No
-registers were signed, and the bridegroom left in
-two days to rejoin his ship, and sailed for the West
-Indies.</p>
-
-<p>She never after that received Lieutenant Hervey
-as her husband, and he instituted a suit in the
-Consistory Court of the Bishop of London for the
-jactitation of the marriage, and sentence was given<span class="pagenum"><a name="Page_215" id="Page_215">[Pg 215]</a></span>
-in 1769 declaring that the marriage form gone
-through in 1744 was null and void. On the
-strength of this Elizabeth married the Duke of
-Kingston, March 8, 1769.</p>
-
-<p>No attempt was made during the lifetime of the
-Duke to dispute the legality of the union; neither
-he nor Elizabeth had the least doubt that the former
-marriage had been legally dissolved. But when the
-Duke left all his great fortune to Elizabeth, then his
-nephews were furious, and raked up against her the
-charge of bigamy, on the grounds that the sentence
-of the Consistory Court was invalid. She was tried
-in Westminster Hall before her peers in 1776, and
-the trial lasted five days.</p>
-
-<p>The penalty for bigamy was death, but she could
-escape this sentence by claiming the benefit of a
-statute of William and Mary, which commuted
-death to branding in the hand and imprisonment.
-The peers found her guilty, but she escaped punishment
-by flying to the Continent, where she died
-in 1788.<a name="FNanchor_19_19" id="FNanchor_19_19"></a><a href="#Footnote_19_19" class="fnanchor">[19]</a></p>
-
-<p>Harford Hall, where she resided, has about it no
-architectural features; it never can have been other
-than a small mansion, and is now a mere farmhouse.
-The trees around it alone indicate that it was at one
-time a gentleman's seat.</p>
-
-<p>If now we strike across Stall Moor to the Yealm
-we come on Yealm Steps, where the river falls over
-a mass of granite débris. Here are two blowing-houses,<span class="pagenum"><a name="Page_216" id="Page_216">[Pg 216]</a></span>
-one above the steps and the other below.
-The lower house on the eastern side of the stream
-is a mere heap of ruins with, however, the door-jamb
-standing and facing the north.<a name="FNanchor_20_20" id="FNanchor_20_20"></a><a href="#Footnote_20_20" class="fnanchor">[20]</a> No wheel-pit is
-visible, but there are traces of a watercourse at a
-high level to the north-east of the hut. Near the
-entrance is a stone with one perfect mould in it, and
-another imperfect. A second mould-stone is lying
-near an angle in the eastern wall of the house. It
-has in it two moulds adjoining each other&mdash;one at
-a lower level than the other, and connected by a
-channel. The high-level cavity is 15 inches long,
-8 inches wide, and 3 inches deep. At one end is
-a groove one inch deep, perpendicular, and running
-down the side of the mould three inches; that is,
-from top to bottom.</p>
-
-<p>The low-level mould is 17 inches long, 12 inches
-wide, and 5 inches deep. These cavities have been
-used for the purification of tin, for the molten metal
-mixed with furnace impurities poured in on the
-high-level hollow would flow in a purer condition
-into the low-level mould.</p>
-
-<p>This blowing-house has been excavated, somewhat
-superficially, but nothing was found in it to give
-token of the period to which it belonged. About
-a quarter of a mile further up the river, but on the
-western bank, is another ruin. The doorway, which
-is very imperfect, is on the eastern side. One mould-stone
-remains, containing a mould 17 inches long,
-12 inches wide, and from 4 to 5 inches deep.</p>
-<p><span class="pagenum"><a name="Page_217" id="Page_217">[Pg 217]</a></span></p>
-<p>The whole slope of Stall Moor towards the south
-is strewn with hut circles, and between the Yealm
-and Broadall Lake is a pound containing several.
-On the further side of the stream is another pound,
-at which begins a singular wall that extends for over
-three miles as far as the Plym at Trowlesworthy
-Warren. For what purpose this wall was erected&mdash;whether
-as a boundary, or whether for defence&mdash;cannot
-be determined. It is in connection with
-several pounds and clusters of hut circles.</p>
-
-<p>In the valley of Hawns and Dendles is a pretty
-cascade, a great haunt of the tripper, who ravages the
-Yealm valley and tears up and carries off the ferns
-and roots of wild flowers.</p>
-
-<p>A few instances of the habits of the tripper may
-not seem amiss, as exhibited in the Yealm valley.</p>
-
-<p>Blachford was the residence of the late Lord
-Blachford, the friend of Gladstone.</p>
-
-<p>One day my lady saw a woman&mdash;a tripper&mdash;in
-front of the house, where there is a rockery, tearing
-up ferns. Lady Blachford rushed forth to interfere.</p>
-
-<p>"Oh!" said the tripper, "I only did it so as to get
-a sight of Lord Blachford. I thought if I executed
-some mischief I might draw him forth."</p>
-
-<p>A peculiarly fine rhododendron grew in front of the
-vicarage. It attracted the tripper by its beautiful
-masses of flower. One evening an individual of
-this not uncommon species proceeded to tear it up,
-assisted by trowel and knife; and finally having
-hacked through the roots, carried it off; but finding
-the load burdensome at the first hill, threw it away.</p>
-
-<p>A gentleman residing further down the valley was<span class="pagenum"><a name="Page_218" id="Page_218">[Pg 218]</a></span>
-cultivating a rare flowering shrub. After seven years
-it put forth its tassels of bloom. He tarried a day
-or two before gathering the blossoms till they were
-fully out. His wife was an invalid, and he purposed
-showing them to her when in their full perfection.
-But before he carried his purpose into execution, he
-went to Cornwood Station to meet a friend, when
-he perceived a "lady" on the platform with her
-hands full of the flowers. He approached her and
-civilly inquired where she had obtained the beautiful
-bunches.</p>
-
-<p>"Oh! they were growing in Mr. P.'s ground, so
-I went in and gathered them. I know Mr. P. well,
-and I am convinced he would not object."</p>
-
-<p>"You have the advantage of me, madam. I am
-Mr. P. But to a lady, as to a Christian, all things
-are lawful, though all things may not be expedient."</p>
-
-<p>A friend threw open his grounds to a great party
-of school teachers and their scholars. The neighbourhood
-had been denuded of the <i lang="la">Osmunda regalis</i>
-by the tripper, but the beautiful fern had a sanctuary
-in his preserves. However, the visitors dug up, tore
-away, and destroyed his plants wholesale, and returned
-to town burdened with the wreckage. The
-<em>Osmunda</em> is a slow grower, and takes many years
-to reach maturity.</p>
-
-<p>So much for the tripper. I do not in the least
-suppose any of this race will see more of my book
-than the outside. But I write this for the intelligent
-visitor, to warn him against Hawns and Dendles
-on Plymouth early closing day (Wednesday) in
-summer.</p>
-
-<p><span class="pagenum"><a name="Page_219" id="Page_219">[Pg 219]</a></span></p>
-
-<p>Wisdome is the ancestral house of the Rogers
-family, of which the late Lord Blachford was the representative.
-It is a modest, picturesque old moorland
-mansion of a small gentle family. Slade, on the
-other hand, must have been a house of consequence;
-it still possesses a noble hall, with richly carved
-oak wainscotting. Steart has handsome carved
-armorial gates; and Fardell is remarkable as a home
-of the Raleigh family, and had its licensed chapel.
-The grandfather of the navigator lived at Fardell,
-and Sir Walter himself was probably there much
-in his early days. Here was found an ogham
-inscription on a stone, now in the British Museum,
-which shows that the Irish had conquered and
-colonised Devon as far south as Cornwood. Other
-oghams have been found at Tavistock, and at
-Lewannick, near Launceston.</p>
-
-<p>According to local belief, the stone indicated
-where treasure was hid; and a jingle was current
-in the neighbourhood:&mdash;</p>
-
-<div class="center">
-<div class="poem"><div class="stanza">
-<span class="i0">"Between this stone and Fardell Hall<br /></span>
-<span class="i0">Lies as much money as the devil can haul."<br /></span>
-</div></div>
-</div>
-
-<p>The stone bore the inscription, "Fanonii Macquisini"
-on one side, and "Sapanni" on the other.
-The "Mac" in the name is conclusively Irish, as
-also the oghams.</p>
-
-<div class="footnotes"><h3>FOOTNOTES:</h3>
-
-<div class="footnote">
-
-<p><a name="Footnote_18_18" id="Footnote_18_18"></a><a href="#FNanchor_18_18"><span class="label">[18]</span></a> <span class="smcap">Crossing</span>, <cite>Ancient Crosses of Dartmoor</cite>, p. 15.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_19_19" id="Footnote_19_19"></a><a href="#FNanchor_19_19"><span class="label">[19]</span></a> I have told her story in full in <cite>Historic Oddities and Strange
-Events</cite>. Methuen and Co., 1889.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_20_20" id="Footnote_20_20"></a><a href="#FNanchor_20_20"><span class="label">[20]</span></a> This is the scene chosen by me for my story <cite>Guavas the Tinner</cite>.</p>
-
-<p><span class="pagenum"><a name="Page_220" id="Page_220">[Pg 220]</a></span></p></div></div>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>CHAPTER XV.<br />
-
-YELVERTON</h2>
-
-<div class="hangindent">
-
-<p>Yelverton or Elford-town&mdash;Longstone&mdash;The Elfords&mdash;"The Silly
-Doe"&mdash;Mr. Collier on otter-hunting&mdash;Sheeps Tor church&mdash;The
-reservoir&mdash;The old vicarage&mdash;The Bull-ring&mdash;Rajah Brooke&mdash;Roman's
-Cross&mdash;The Deancombe valley&mdash;Coaches&mdash;Down Tor
-stone row&mdash;Nun's Cross&mdash;Roundy Farm&mdash;Clakeywell Pool&mdash;Strange
-voices&mdash;Leather Tor&mdash;Drizzlecombe and its remains&mdash;Old
-customs at Sheeps Tor&mdash;Meavy&mdash;Church&mdash;Marchant's Cross&mdash;China-clay
-and William Cookworthy&mdash;The Dewerstone&mdash;The
-Wild Huntsman&mdash;Tavistock.</p></div>
-
-
-<p class="drop-capw"><span class="smcap">Yelverton</span> is a corruption of Elford-town.
-The mansion near the station was formerly a
-seat of the Elfords of Sheeps Tor. The family is
-now extinct, at least in the neighbourhood where
-at one time it was of dignity and well estated.
-Yelverton is itself a mere collection of villa residences
-of Plymouth men of business, but it forms
-a convenient point of departure for many interesting
-expeditions.</p>
-
-<p>The principal residence of the Elfords was at
-Longstone, in Sheeps Tor, where the old house
-remains little altered, and where the <em>windstrew</em>
-should be seen, a granite platform, raised above the
-field, on which thrashing could be carried on by
-the aid of the winds that carried away the chaff.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p220.jpg" width="700" height="471" alt="" />
-<div class="caption"><p>THE DEWERSTONE</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_221" id="Page_221">[Pg 221]</a></span></p>
-
-<p>The tor which gives its name to the village and
-parish stands by itself, and rises to about 1,200 feet.
-It is a picturesque hill, and only needs the addition
-of another couple of hundred put to its elevation
-to make it perfect.</p>
-
-<p>The basin below the village was anciently a lake,
-the water being retained by a barrier of rock where
-stands now the dam for the reservoir. This, in time,
-was silted up to the depth of ninety feet, and now
-the Plymouth Corporation, by the construction of a
-fine and eminently picturesque barrier across the
-narrow gorge through which the Meavy flows, have
-reconverted this basin into a lake.</p>
-
-<p>Near the summit of the tor is the Pixy Cave, in
-which Squire Elford remained concealed whilst the
-Roundheads searched Longstone for him. Some
-faithful tenants in the village kept him supplied with
-food till pursuit was at an end. The Elfords inherited
-Longstone from the Scudamores at the close
-of the fifteenth century. The parish was then called
-Shettes Tor, from the Celtic <em>syth</em>, steep; but the
-name has been altered in this or last century. The
-last Elford of Sheeps Tor was John, who married
-Admonition Prideaux, and died without issue in 1748,
-his six children having predeceased him. A side
-branch of the family&mdash;to which, however, Sheeps Tor
-did not fall&mdash;produced Sir William Elford, Bart., of
-Bickham, but he died in 1837, without male issue,
-and the title became extinct. His monument is in
-Totnes church.</p>
-
-<p>A man named Cole, working at the granite quarries
-at Merrivale Bridge, a few years ago sang me a song
-concerning a doe that escaped from Elford Park, which
-was probably situated where is now Yelverton.</p>
-
-<p><span class="pagenum"><a name="Page_222" id="Page_222">[Pg 222]</a></span></p>
-
-<div class="center">
-<p>THE SILLY DOE</p>
-
-<div class="poem"><div class="stanza">
-<span class="i0">Give ear unto my mournful song<br /></span>
-<span class="i2">Gay huntsmen every one,<br /></span>
-<span class="i0">And unto you I will relate<br /></span>
-<span class="i2">My sad and doleful moan.<br /></span>
-<span class="i0">O here I be a silly Doe,<br /></span>
-<span class="i2">From Elford Park I strayed,<br /></span>
-<span class="i0">In leaving of my company<br /></span>
-<span class="i2">Myself to death betrayed.<br /></span>
-</div><div class="stanza">
-<span class="i0">The master said I must be slain<br /></span>
-<span class="i2">For 'scaping from his bounds:<br /></span>
-<span class="i0">"O keeper, wind the hunting horn,<br /></span>
-<span class="i2">And chase him with your hounds."<br /></span>
-<span class="i0">A Duke of royal blood was there,<br /></span>
-<span class="i2">And hounds of noble race;<br /></span>
-<span class="i0">They gathered in a rout next day,<br /></span>
-<span class="i2">And after me gave chase.<br /></span>
-</div><div class="stanza">
-<span class="i0">They roused me up one winter morn,<br /></span>
-<span class="i2">The frost it cut my feet,<br /></span>
-<span class="i0">My red, red blood came trickling down,<br /></span>
-<span class="i2">And made the scent lie sweet.<br /></span>
-<span class="i0">For many a mile they did me run,<br /></span>
-<span class="i2">Before the sun went down,<br /></span>
-<span class="i0">Then I was brought to give a teen,<br /></span>
-<span class="i2">And fall upon the groun'.<br /></span>
-</div><div class="stanza">
-<span class="i0">The first rode up, it was the Duke:<br /></span>
-<span class="i2">Said he, "I'll have my will!"<br /></span>
-<span class="i0">A blade from out his belt he drew<br /></span>
-<span class="i2">My sweet red blood to spill.<br /></span>
-<span class="i0">So with good cheer they murdered me,<br /></span>
-<span class="i2">As I lay on the ground;<br /></span>
-<span class="i0">My harmless life it bled away,<br /></span>
-<span class="i2">Brave huntsmen cheering round.<br /></span>
-</div></div>
-</div>
-<p><span class="pagenum"><a name="Page_223" id="Page_223">[Pg 223]</a></span></p>
-<p>I am a little puzzled as to whether the dry sarcasm
-in this song is intentional.<a name="FNanchor_21_21" id="FNanchor_21_21"></a><a href="#Footnote_21_21" class="fnanchor">[21]</a> The melody is peculiarly
-sweet and plaintive. <em>When</em> a royal duke hunted last
-on Dartmoor I have been unable to ascertain.</p>
-
-<p>The red deer were anciently common on Dartmoor.
-It was not till King John's reign that Devon was
-disafforested, with the exception of Dartmoor and
-Exmoor. But the deer were mischievous to the
-crops of the farmer, and to the young plantations,
-and farmers, yeomen, and squires combined to get
-rid of them from Dartmoor. Still, however, occasionally
-one runs from Exmoor and takes refuge in
-the woods about the Dart, the Plym, and the Tavy.</p>
-
-<p>But it is for fox, hare, and otter hunting that the
-sportsman goes to Dartmoor, and not for the deer.
-A very pretty sight it is to see a pack with the
-scarlet coats after it sweeping over the moorside in
-pursuit of Reynard, and to hear the music of the
-hounds and horns.</p>
-
-<p>For the harriers the great week is that after hare-hunting
-is at an end in the lowlands or "in-country."
-Then the several packs that have hunted through the
-season on the circumference of the moor unite on it,
-and take turns through the week on the moor itself.
-The great day of that week is Bellever Day, when
-the meet is on the tor of that name. I have described
-it in my <cite>Book of the West</cite>, and will not repeat
-what has been already related. But I will venture to
-quote an account of otter-hunting on the Dart from
-the pen of Mr. William Collier, than whom no one<span class="pagenum"><a name="Page_224" id="Page_224">[Pg 224]</a></span>
-has been more of an enthusiast for sport on the
-moor.</p>
-
-<div class="blockquot">
-
-<p>"The West Dart is the perfection of a Dartmoor river,
-flowing bright and rapid over a bed of granite boulders
-richly covered with moss and lichen, its banks bedecked
-with ferns and wild flowers of the moor, and fringed with
-the bog-myrtle and withy.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p224.jpg" width="700" height="471" alt="" />
-<div class="caption"><p>SHEEPS TOR</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_225" id="Page_225">[Pg 225]</a></span></p>
-
-<p>"Water holds scent well, and the whiff so fragrant to the
-nose of the hound rises to the surface and floats down
-stream, calling forth his musical chant of praise. For this
-reason otter-hunters draw up stream, and before the lair of
-the otter is reached the welkin rings with the music of the
-pack. The otter has left his trail on the banks, and on the
-stones where he has landed when fishing, his spoor can be
-seen freshly printed on a sandy nook, and he is very likely
-to be found in a well-known and remarkably safe holt, as
-they call it in the West, about half a mile above Dart Meet,
-which he shares at times with foxes, though his access to it
-is under water, and theirs, of course, above. If he were
-but wise enough to stay there he might defy his legitimate
-enemies to do their worst. But he knows not man or his
-little ways, and he has heard the unwonted strain of the
-hounds as they have been crying over his footsteps hard
-by. They mark him in his retreat, and the whole pack
-proclaim that he is in the otter's parlour, the strongest
-place on the river. It is in a large rock hanging over a
-deep, dark pool, in a corner made by a turn in the river,
-with an old battered oak tree growing somehow from the
-midst, and backed by a confused jumble of granite blocks.
-The artist and the fisherman both admire this spot, though
-for totally different reasons, but the hunter likes it not, for
-he knows too well that if he runs the fox or the otter here
-his sport is over. A fox or an otter if run here is likely to
-stay; he has experienced the dangers and wickedness of
-the world at large; but if found here in his quiet and
-repose he takes alarm at the unusual turmoil, and incontinently
-bolts. The otter is known to have a way in under
-water, where no terrier can go, and he is so far safer than
-the fox. The most arduous otter-hunters, therefore, when
-the hounds mark, plunge up to their necks in the water to
-frighten him out with their otter-poles. He has long known
-the Dart as a quiet, peaceable, happy hunting-ground; and
-he makes the fatal mistake of bolting, little recking what a
-harrying awaits him for the next four hours. There immediately
-arises a yell of 'Hoo-gaze!' the view halloo of
-the otter-hunter, probably an older English hunting halloo
-than 'Tally ho!' and the din of the hounds and terriers, the
-human scream, and the horn, like Bedlam broken loose,
-which he hears behind him, make him hurry up-stream as
-best he may. The master of the hounds, if he knows his
-business, will now call for silence, and, taking out his
-watch, will give the otter what he calls a quarter of an
-hour's law. It is wonderful how fond sportsmen are of
-law; perhaps there is an affinity between prosecuting
-a case and pursuing a chase. He wants the otter to go
-well away from his parlour, and his object for the rest of
-the day will be to keep him out of it. If he is a real
-good sporting otter-hunter he will tell his field that he
-wants his hounds to kill the otter without assistance from
-them; for in the West of England the vice of mobbing
-the otter is too common, with half the field in the water,
-hooting, yelling, poking with otter-poles, mixing the wrong
-scent (their own) with the right, making the water muddy,
-and turning the river into a brawling brook with a vengeance.
-The true otter-hunter only wants his huntsman
-and whip, and perhaps a very knowing and trustworthy
-friend, besides himself, to help in hunting the otter <em>with<span class="pagenum"><a name="Page_226" id="Page_226">[Pg 226]</a></span>
-his hounds</em>, and not with men. The master gives the chase
-a good quarter of an hour by the clock; and, leaving the
-unearthly, or perhaps too earthly sounds behind him, the
-otter makes up-stream as fast as he can go. It is surprising
-how far an otter can get in the time, but fear lends speed
-to his feet. Then begins the prettiest part of the sport.
-The hounds are laid on, they dash into the river, and
-instantly open in full cry. The water teems with the scent
-of the otter; but the deep pools, rapid stickles, and rocky
-boulders over which the river foams hinder the pace. There
-is ample time to admire the spirit-stirring and beautiful
-scene. The whole pack swimming a black-looking pool
-under a beetling tor in full chorus; now and then an encouraging
-note on the horn; the echoes of the deep valley;
-the foaming and roaring Dart flowing down from above;
-the rich colour from the fern, the gorse, the heather, the
-moss, and the wild flowers; a few scattered weather-beaten
-oaks and fir trees, and the stately tors aloft, striking on the
-eye and ear, make one feel that otter-hunting on Dartmoor
-is indeed a sport.</p>
-
-<p>"The Dart is a large river, for a Dartmoor stream, and
-presents many obstacles to the hounds; but they pursue
-the chase for some distance, and at length stop and mark,
-as they did before. The otter has got out of hearing, and
-has rested in a lair known to him under the river-bank.
-The terriers and an otter-pole dislodge him, and the sport
-becomes fast and furious. He is seen in all directions,
-sometimes apparently in two places at once, which makes
-the novice think there are two or three otters afoot.
-'Hoo-gaze!' is now often heard, as one or another
-catches sight of him, and the field become very noisy
-and excited. It is still the object to run him up-stream,
-whilst he now finds it easier to swim down. 'Look out
-below!' is therefore heard in the fine voice of the master.<span class="pagenum"><a name="Page_227" id="Page_227">[Pg 227]</a></span>
-There is a trusty person down-stream watching a shallow
-stickle, where the otter must be seen if he passes. Suddenly
-the clamour ceases, and silence prevails. The otter
-has mysteriously disappeared, and he has to be fresh found.
-The master is in no hurry. There is too much scent in
-the water of various sorts, and he will be glad to pause
-till it has floated away. He takes his hounds down-stream.
-The trusty man says the otter has not passed; but this
-makes no difference. Some way further down, with a
-wave of his hand, he sends all the hounds into the river
-again with a dash. They draw up-stream again, pass the
-trusty man still at his post, and reach the spot where the
-otter vanished. The river is beautifully clear again, and
-an old hound marks. A good hour, perhaps, has been lost,
-or rather spent, since the otter disappeared, and here he
-has been in one of his under-water dry beds. He is
-routed out by otter-poles, and liveliness again prevails,
-especially when he takes to the land to get down-stream
-by cutting off a sharp curve in the river&mdash;a way he has
-learnt in his frogging expeditions&mdash;and the hounds run him
-then like a fox. He is only too glad to plunge headlong
-into the river again, and he has reached it below the trusty
-man, who, however, goes down to the next shallow, and
-takes with him some others to turn the otter up from his
-safe parlour. They are hunting him now in a long deep
-pool, where he shifts from bank to bank, moving under
-water whilst the hounds swim above. He has a large
-supply of air in his lungs, which he vents as he uses it,
-and which floats to the surface in a series of bubbles.
-Otter-hunters calls it his chain, and it follows him wherever
-he goes, betraying his track in the muddiest water. He
-craftily puts his nose, his nose only, up to get a fresh
-supply of air now and then, under a bush or behind a
-rock, and then owners of sharp eyes call 'Hoo-gaze!' He<span class="pagenum"><a name="Page_228" id="Page_228">[Pg 228]</a></span>
-finds himself in desperate straits, and he makes up his
-mind to go for his parlour at all hazards; but the hounds
-catch sight of him in the shallow of the trusty man, and
-the chase comes to an end. Otters are never speared in
-the West."<a name="FNanchor_22_22" id="FNanchor_22_22"></a><a href="#Footnote_22_22" class="fnanchor">[22]</a></p></div>
-
-<p>And now to return to Sheeps Tor and the picturesque
-village that nestles under it.</p>
-
-<p>The one building-stone is granite, grey and soft
-of tone. The village is small, and consists of a few
-cottages about the open space before the church.</p>
-
-<p>This latter is of the usual moorland type, and in
-the Perpendicular style. Observe above the porch
-the curious carved stone, formerly forming part of a
-sun-dial, and dated 1640. It represents wheat growing
-out of a skull, and bears the inscription&mdash;</p>
-
-<p class="center">"Mors janua vitæ."
-</p>
-
-<p>This church has most unfortunately been vulgarised
-internally. It once possessed not only a magnificent
-roodscreen, rich with gold and colour, but also a
-fifteenth-century carved pulpit that matched with
-the screen. The church was delivered over to a
-Tavistock builder to make watertight, as cheaply
-as might be, and he succeeded triumphantly in
-transforming what was once a treasury of art into
-a desolation. A few poor fragments of the screen
-have been set up in the church by the vicar, with
-an appeal to visitors to do something to obliterate
-the infamy of its destruction by a restoration out
-of what little remains. Most fortunately, working
-drawings were taken of the screen before its destruction.
-I give not only a drawing to scale of a bay as
-it was, but also of a bay as it should be if restored, for
-the vaulting had disappeared before its final ruin and
-removal. Near the church stood formerly the old
-vicarage, a mediæval dwelling, intact, with its oak,
-nail-studded door and its panelled walls. This also
-has been destroyed.</p>
-
-<div class="figcenter" style="width: 556px;">
-<img src="images/p228.jpg" width="556" height="700" alt="" />
-<div class="caption"><p>PORTION OF SCREEN, SHEEPS TOR</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_229" id="Page_229">[Pg 229]</a></span></p>
-
-<p>What of old times still remains is the bull-ring to
-the south-east of the church. On the churchyard
-wall sat the principal parishioners, as in a dress circle.
-Near by is S. Leonard's Well, but it possesses no
-architectural interest.</p>
-
-<p>In Burra Tor Wood is a pretty waterfall. Burra Tor
-was the residence of Rajah Brooke when in England.
-It had been presented to him by the Baroness
-Burdett Coutts and other admirers. In Sheeps Tor
-churchyard he lies, but Burra Tor has been sold since
-his death.</p>
-
-<p>Above the wood stands Roman's Cross, probably
-called after S. Rumon or Ruan, whose body lay at
-Tavistock. There is another Rumon's Cross on Lee
-Moor.</p>
-
-<p>The drive from Douseland round Yennadon, above
-the dam and the reservoir, to Sheeps Tor village,
-is hardly to be surpassed for beauty anywhere on
-the moor.</p>
-
-<p>A walk that will richly repay the pedestrian is
-one up the valley of the Narra Tor Brook, between
-Sheeps Tor and Down Tor. He follows the Devonport
-leat till he reaches the turn on the right to
-Nosworthy Bridge. He passes Vinneylake, where<span class="pagenum"><a name="Page_230" id="Page_230">[Pg 230]</a></span>
-are two interesting <em>caches</em>, one cut out of the conglomerate
-rubble brought down from the decomposed
-rocks above. This is now used as a turnip-house, but
-it is to be suspected it was anciently employed as a
-private still-house. In a field hard by is another,
-more like some of the Cornish structural fogous. It
-is roofed over with slabs of granite.</p>
-
-<p>The ascent of Deancombe presents many peeps of
-great beauty. At the farm the road comes to an
-end, and here the tor must be ascended. East of
-Down Tor is a very fine stone row, starting from a
-circle of stones inclosing a cairn, and extending in
-the direction of a large, much-disturbed cairn. There
-is a blocking-stone at the eastern end, and a menhir
-by the ring of stones at the west end of the row.
-The length is 1,175 feet.</p>
-
-<p>I visited this row with the late Mr. Lukis in 1880,
-when we found that men had been recently engaged
-on the row with crowbars. They had thrown down
-the two largest stones at the head. We appealed to
-Sir Massey Lopes, and he stopped the destruction of
-the monument, and since then Mr. R. Burnard and I
-have re-erected the stones then thrown down.</p>
-
-<p>On the slope of Coombshead Tor are numerous
-hut circles and a pound.</p>
-
-<p>From the stone row a walk along the ridge of the
-moor leads to Nun's Cross. This bore on it the
-inscription, "<span class="smcap">CRUX SIWARDI</span>." It is very rude; it
-stands 7 feet 4 inches high, and is fixed in a socket
-cut in a block of stone sunk in the ground. It was
-overthrown and broken about 1846, but was restored
-by the late Sir Ralph Lopes. By whom and for what
-cause it was overthrown never transpired. The inscription
-with the name of Siward is now difficult
-to decipher. On the other side of the cross is
-"<span class="smcap">BOC&mdash;LOND</span>"&mdash;three letters forming one line, and the
-remaining four another, directly under it. The cross
-is alluded to in a deed of 1240 as then standing.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p230.jpg" width="700" height="468" alt="" />
-<div class="caption"><p>ON THE MEAVY</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_231" id="Page_231">[Pg 231]</a></span></p>
-
-<p>Nun's Cross is probably a corruption of Nant
-Cross, the cross at the head of the <em>nant</em> or valley.
-The whole of Newleycombe Lake has been extensively
-streamed. The hill to the north is dense with relics
-of an ancient people. Roundy Farm, now in ruins,
-takes its name from the pounds which contributed
-to form the walls of its inclosures, many of which
-follow the old circular erections that once inclosed
-a primeval village. The ruined farmhouse bears the
-initials of a Crymes, a family once as great as that of
-the Elfords, but now gone. It is interesting to know
-that the farmer's wife of Kingset, that now includes
-Roundy Farm, was herself a Crymes. One very
-perfect hut circle here was for long used as a potato
-garden.</p>
-
-<p>Hard by is Clakeywell Pool, by some called Crazy-well.
-It is an old mine-work, now filled with water.
-It covers nearly an acre, and the banks are in part
-a hundred feet high. According to popular belief,
-at certain times at night a loud voice is heard calling
-from the water in articulate tones, naming the next
-person who is to die in the parish. At other times
-what are heard are howls as of a spirit in torment.
-The sounds are doubtless caused by a swirl of wind
-in the basin that contains the pond. An old lady,
-now deceased, told me how that as a child she<span class="pagenum"><a name="Page_232" id="Page_232">[Pg 232]</a></span>
-dreaded going near this tarn&mdash;she lived at Shaugh&mdash;fearing
-lest she should hear the voice calling her by
-name.</p>
-
-<p>The idea of mysterious voices is a very old one.
-The schoolboy will recall the words of Virgil in the
-first <cite>Georgic</cite>:&mdash;</p>
-
-<p class="center">"Vox ... per lucos vulgo exaudita silentes Ingens."
-</p>
-
-<p>The "wisht hounds" that sweep overhead in the
-dark barking are brent-geese going north or returning
-south. They have given occasion to many stories
-of strange voices in the sky.</p>
-
-<p>In Ceylon the devil-bird has been the source of
-much superstitious terror.</p>
-
-<p>A friend who has long lived in Ceylon says:
-"Never shall I forget when first I heard it. I was
-at dinner, when suddenly the wildest, most agonised
-shrieks pierced my ear. I was under the impression
-that a woman was being murdered outside my house.
-I snatched up a cudgel and ran forth to her aid,
-but saw no one." The natives regard this cry of
-the mysterious devil-bird with the utmost fear.
-They believe that to hear it is a sure presage of
-death; and they are not wrong. When they have
-heard it, they pine to death, killed by their own conviction
-that life is impossible.</p>
-
-<p>Autenrieth, professor and physician at Tübingen,
-in 1822 published a treatise on <cite>Aërial Voices</cite>, in
-which he collected a number of strange accounts of
-mysterious sounds heard in the sky, and which he<span class="pagenum"><a name="Page_233" id="Page_233">[Pg 233]</a></span>
-thought could not all be deduced from the cries of
-birds at night. He thus generalises the sounds:&mdash;</p>
-
-<div class="blockquot">
-
-<p>"They are heard sometimes flying in this direction, then
-in the opposite through the air; mostly, they are heard as
-though coming down out of the sky; but at other times as
-if rising from the ground. They resemble occasionally
-various musical instruments; occasionally also the clash of
-arms, or the rattle of drums, or the blare of trumpets.
-Sometimes they are like the tramp of horses, or the discharge
-of distant artillery. But sometimes, also, they consist
-in an indescribably hollow, thrilling, sudden scream.
-Very commonly they resemble all kinds of animal tones,
-mostly the barking of dogs. Quite as often they consist
-in a loud call, so that the startled hearer believes himself
-to be called by name, and to hear articulate words addressed
-to him. In some instances, Greeks have believed
-they were spoken to in the language of Hellas, whereas
-Romans supposed they were addressed in Latin. The
-modern Highlanders distinctly hear their vernacular Gaelic.
-These aërial voices accordingly are so various that they
-can be interpreted differently, according to the language
-of the hearer, or his inner conception of what they might
-say."</p></div>
-
-<p>The Jews call the mysterious voice that falls from
-the heaven Bathkol, and have many traditions relative
-to it. The sound of arms and of drums and
-artillery may safely be set down to the real vibrations
-of arms, drums, and artillery at a great distance,
-carried by the wind.</p>
-
-<p>In the desert of Gobi, which divides the mountainous
-snow-clad plateau of Thibet from the milder
-regions of Asia, travellers assert that they have heard<span class="pagenum"><a name="Page_234" id="Page_234">[Pg 234]</a></span>
-sounds high up in the sky as of the clash of arms or
-of musical martial instruments. If travellers fall to
-the rear or get separated from the caravan, they hear
-themselves called by name. If they go after the
-voice that summons them, they lose themselves in
-the desert. Sometimes they hear the tramp of
-horses, and taking it for that of their caravan, are
-drawn away, and wander from the right course and
-become hopelessly lost. The old Venetian traveller
-Marco Polo mentions these mysterious sounds, and
-says that they are produced by the spirits that haunt
-the desert. They are, however, otherwise explicable.
-On a vast plain the ear loses the faculty of judging
-direction and distance of sounds; it fails to possess,
-so to speak, acoustic perspective. When a man has
-dropped away from the caravan, his comrades call to
-him; but he cannot distinguish the direction whence
-their voices come, and he goes astray after them.</p>
-
-<p>Rubruquis, whom Louis IX. sent in 1253 to the
-court of Mongu-Khan, the Mongol chief, says that
-in the Altai Mountains, that fringe the desert of Gobi,
-demons try to lure travellers astray. As he was
-riding among them one evening with his Mongol
-guide, he was exhorted by the latter to pray, because
-otherwise mishaps might occur through the demons
-that haunted the mountains luring them out of the
-right road.</p>
-
-<p>Morier, the Persian traveller, at the beginning of
-this century speaks of the salt desert near Khom.
-On it, he says, travellers are led astray by the cry
-of the goblin Ghul, who, when he has enticed them
-from the road, rends them with his claws. Russian<span class="pagenum"><a name="Page_235" id="Page_235">[Pg 235]</a></span>
-accounts of Kiev in the beginning of the nineteenth
-century mention an island lying in a salt marsh between
-the Caspian and the Aral Sea, where, in the
-evening, loud sounds are heard like the baying of
-hounds, and hideous cries as well; consequently the
-island is reputed to be haunted, and no one ventures
-near it.</p>
-
-<p>That the Irish banshee may be traced to an owl
-admits of little doubt; the description of the cries
-so closely resembles what is familiar to those who
-live in an owl-haunted district, as to make the
-identification all but certain. Owls are capricious
-birds. One can never calculate on them for hooting.
-Weeks will elapse without their letting their notes
-be heard, and then all at once for a night or two they
-will be audible, and again become silent&mdash;even for
-months.</p>
-
-<p>The river Dart is said to cry. The sound is a
-peculiarly weird one; it is heard only when the
-wind is blowing down its deep valley, and is produced
-by the compression of the air in the winding
-passage. Whether it is calling for its annual
-tribute of a human life, I do not know, but of the
-river it is said:&mdash;</p>
-
-<div class="center">
-<div class="poem"><div class="stanza">
-<span class="i0">"The Dart, the Dart&mdash;the cruel Dart<br /></span>
-<span class="i0">Every year demands a heart!"<br /></span>
-</div></div>
-</div>
-
-<p>To return to our walk.</p>
-
-<p>If the path be taken leading back to Nosworthy
-Bridge, beside and in the road will be seen several
-mould-stones for tin.</p>
-
-<p>Leather Tor is a fine pile of ruined granite. I<span class="pagenum"><a name="Page_236" id="Page_236">[Pg 236]</a></span>
-have been informed that great quantities of flints
-have been found there, showing that at this spot
-there was a manufacturing of silex weapons and
-tools.</p>
-
-<p>From Sheeps Tor the Drizzlecombe remains are
-reached with great ease. Here, near a tributary
-of the Plym, are three stone rows and two fine
-menhirs, a kistvaen, a large tumulus, and beside
-the stream a blowing-house with its mould-stones.
-Two of the rows are single, but one is double for
-a portion of its length only. There are blocking-stones
-and menhirs to each. The row connected
-with the great menhir is 260 feet long.</p>
-
-<p>Sheeps Tor has been brought into the world by
-the construction of the reservoir. Formerly it was
-a place very much left to itself. There the old
-fiddler hung on who played venerable tunes, to
-which the people danced their old country dances.
-These latter may still be seen there, but, alas! the
-aged fiddler is dead. At one time it was a great
-musical centre, and it was asserted that two-thirds
-of the male population were in the church choir,
-acting either as singers or as instrumentalists.</p>
-
-<p>We will now turn our steps towards Meavy.</p>
-
-<p>Here is a house that belonged to the Drake family,
-half pulled down, a village cross under a very ancient
-oak, and a church in good condition.</p>
-
-<p>There is some very early rude carving at the
-chancel arch in a pink stone, whence derived has
-not been ascertained.</p>
-
-<p>Marchant's Cross is at the foot of the steep ascent
-to Ringmoor Down. It is the tallest of all the<span class="pagenum"><a name="Page_237" id="Page_237">[Pg 237]</a></span>
-moor crosses, being no less than 8 feet 2 inches
-in height.</p>
-
-<p>Another cross is in the hedge on Lynch Common.</p>
-
-<div class="figcenter" style="width: 602px;">
-<img src="images/p237.jpg" width="602" height="700" alt="" />
-<div class="caption"><p>CHANCEL CAPITAL, MEAVY.</p></div>
-</div>
-
-<p>Trowlesworthy Warren is situated among hut
-circles and inclosures. There is a double stone
-row on the southern slope, but it has been sadly
-mutilated. The whole of the neighbouring moors are
-strewn with primeval habitations.</p>
-
-<p>On Lee Moor and Headon Down may be seen the
-production of kaolin.</p>
-
-<p>William Cookworthy, born at Kingsbridge in
-Devon, in 1705, was one of a large family. His
-father lost all his property in South Sea stock,
-and died leaving his widow to rear the children<span class="pagenum"><a name="Page_238" id="Page_238">[Pg 238]</a></span>
-as best she might. They were Quakers, and help
-was forthcoming from the Friends. William kept
-his eyes about him, and discovered the china-clay
-which is found to so large an extent in Devon
-and Cornwall, and he laid the foundation of the
-kaolin trade between 1745 and 1750. One of the
-first places where he identified the clay was on
-Tregonning Hill in S. Breage parish, Cornwall,
-and to his dying day he was unaware of the
-enormous deposits on Lee Moor close to his Plymouth
-home.</p>
-
-<p>He took out a patent in 1768 for the manufacture
-of Plymouth china, specimens of which are now
-eagerly sought after.</p>
-
-<p>Kaolin is dissolved feldspar, deposited from the
-granite which has yielded to atmospheric and
-aqueous influences.</p>
-
-<p>The white clay is dug out of pits and then is
-washed in tanks, in which the clayey sediment is
-collected. This sediment has, however, first to be
-purged of much of its mica and coarser particles
-as the stream in which it is dissolved is conveyed
-slowly over shallow "launders."</p>
-
-<p>At the bottom of the pits are plugs, and so soon
-as the settled kaolin is sufficiently thick, these plugs
-are withdrawn, and the clay, now of the consistency
-of treacle, is allowed to flow into tanks at a lower
-level. Here it remains for three weeks or a month
-to thicken, when it is transferred to the "dry," a
-long shed with a well-ventilated roof, and with a furnace
-at one end and flues connected with it that
-traverse the whole "dry" and discharge into a chimney<span class="pagenum"><a name="Page_239" id="Page_239">[Pg 239]</a></span>
-at the further end of the building. On the floor of this
-shed the clay rapidly dries, and it is then removed
-in spadefuls and packed in barrels or bags, or merely
-tossed into trucks for lading vessels. The clay is
-now white as snow, and is employed either in the
-Staffordshire potteries for the manufacture of porcelain,
-or else for bleaching&mdash;that is to say, for
-thickening calicoes, and for putting a surface on
-paper. Some is employed in the manufacture of
-alum; a good deal goes to Paris to be served up as
-the white sugar of confectionery, and it is hinted that
-not a little is employed in the adulteration of flour.
-America, as well, imports it for the manufacture of
-artificial teeth.</p>
-
-<p>Great heaps of white refuse will be seen about the
-china-clay works; these are composed of the granitic
-sandy residuum. Of this there are several qualities,
-and it is sold to plasterers and masons, and the
-coarsest is gladly purchased for gravelling garden
-walks. The water that flows from the clay works
-is white as milk, and has a peculiar sweet taste.
-Cows are said to drink it with avidity. The full
-pans in drying present a metallic blue or green glaze
-on the surface.</p>
-
-<p>The kaolin sent to Staffordshire travels by boat
-from Plymouth to Runcorn, where it is transhipped
-on to barges on the Bridgewater Canal, and is so
-conveyed to the belt of pottery towns, Burslem,
-Hanley, Stoke, and Longton.</p>
-
-<p>The Dewerstone towers up at the junction of the
-Meavy and the Plym. On the side of the Plym
-there are sheer precipices of granite standing up as<span class="pagenum"><a name="Page_240" id="Page_240">[Pg 240]</a></span>
-church spires above the brawling river. The face
-towards the Meavy is less abrupt, and it is on this
-side that an ascent can be made, but it is a scramble.</p>
-
-<p>On reaching the top, it will be seen that the
-headland has been fortified by a double rampart
-of stone thrown across the neck of land. Wigford
-Down is in the rear, with kistvaens and tumuli and
-hut circles on it.</p>
-
-<p>The visitor should descend in the direction of
-Goodameavy, and thence follow down the river that
-abounds in beautiful scenes. It was formerly believed
-that a wild hunter appeared on the summit of Dewerstone,
-attended by his black dogs, blowing a horn.
-From Dewerstone the visitor may walk to Bickleigh
-Station, and take the train for Tavistock, which I have
-written about in my <cite>Book of the West</cite>, and will not
-re-describe in the present work.</p>
-
-<div class="footnotes"><h3>FOOTNOTES:</h3>
-
-<div class="footnote">
-
-<p><a name="Footnote_21_21" id="Footnote_21_21"></a><a href="#FNanchor_21_21"><span class="label">[21]</span></a> I have given it, with the original air, in the <cite>Garland of Country
-Song</cite>. Methuen.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_22_22" id="Footnote_22_22"></a><a href="#FNanchor_22_22"><span class="label">[22]</span></a> Slightly curtailed from <span class="smcap">W. F. Collier</span>, <cite>Country Matters in Short</cite>.
-Duckworth, London, 1899.</p>
-
-<p><span class="pagenum"><a name="Page_241" id="Page_241">[Pg 241]</a></span></p></div></div>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>CHAPTER XVI.<br />
-
-POST BRIDGE</h2>
-
-<div class="hangindent">
-
-<p>A filled-up lake-bed&mdash;Stannon&mdash;The great central trackway&mdash;Destruction
-of monuments&mdash;Cyclopean bridge&mdash;Blowing-house&mdash;Another
-up the river&mdash;Cut Hill&mdash;The Jack-o'-lantern&mdash;The maid
-and the lantern&mdash;Gathering lichens&mdash;Dyes&mdash;The coral moss&mdash;Birds&mdash;The
-cuckoo&mdash;The wren&mdash;Rooks and daddy longlegs&mdash;The Lych
-Way&mdash;Bellever Tor.</p></div>
-
-
-<p class="drop-capw"><span class="smcap">A colony</span> about a school-chapel and a few
-deformed beech trees in a basin among tors
-constitute Post Bridge.</p>
-
-<p>Here the East Dart flows through a filled-up lake-bed,
-and passes away by a narrow cleft that it has
-sawn for itself through the granite.</p>
-
-<p>The beech trees were planted at the same time
-that two lodges were erected by a gentleman called
-Hullett, who was induced to believe that he could
-convert a portion of Dartmoor into paradise. He
-purposed building a mansion at Stannon, and actually
-began the house. But by the time the lodges were
-set up and a wing of his house, he had discovered
-that Dartmoor would spell ruin, and he threw up
-his attempt. And Dartmoor will spell ruin unless
-approached and treated in the only suitable manner.
-It will pasture cattle and feed ponies and sheep, but
-it will never grow corn and roots.</p>
-
-<p><span class="pagenum"><a name="Page_242" id="Page_242">[Pg 242]</a></span></p>
-
-<p>The great central causeway crossed the modern road
-near the Dissenting chapel, and may be traced in the
-marsh aiming for the river, beyond which it ascends
-the hill and strikes along the brow behind Archerton.
-It is paved, and is a continuation of the old Fosse
-Way. It is certainly not Roman work, but British.</p>
-
-<p>Post Bridge has been termed, not accurately, a
-prehistoric metropolis of the moor. This is because
-round the ancient lake-bed were numerous pounds
-containing hut circles. Most of these have now been
-destroyed, yet one remains perfect&mdash;Broadun; and
-adjoining it is Broadun Ring, where the outer circle
-of the inclosure has been pulled down, but a considerable
-number of the huts has been spared.
-There remain indications of fifteen of these inclosures.
-More have certainly been destroyed.</p>
-
-<p>Lake-head Hill has been almost denuded of the
-monuments that once crowded it. They were
-systematically removed by the farmer at Bellever.
-Happily one kistvaen has been left on the summit,
-and there are two or three others, small and ruinous,
-on the sides.</p>
-
-<p>The "cyclopean bridge" over the Dart is composed
-of rude masses of granite maintained in
-position by their own weight. It was the old pack-horse
-bridge.</p>
-
-<p>There are other bridges of the same description;
-one is on the stream at Bellever, one under Bairdown.
-But a structure of this sort is the simplest and most
-easily reared on Dartmoor, where lime is not found,
-and has to be brought at great expense from a
-distance.</p>
-
-<p><span class="pagenum"><a name="Page_243" id="Page_243">[Pg 243]</a></span></p>
-
-<p>Great numbers of worked flints are found in this
-neighbourhood, and a bronze ferrule to a spear was
-dug up a few years ago in Gawlor Bottom.</p>
-
-<p>A little way, but a few steps below the bridge, on
-the west side, is a comparatively modern blowing-house;
-two mould-stones for tin may be seen there
-lying among the nettles. This house is built with
-mortar and is of considerable size, whereas the
-ancient blowing-houses are very small, and no lime
-has been employed in their construction. One of
-these with a <em>cache</em> may be found in the midst of the
-tinners' heaps if the Dart be followed up to where it
-makes a sudden bend and comes from the east.
-Here a tongue of hill stands out above it, and a
-stream sweeps down from the north to join it. A
-very short distance up this stream is the blowing-house
-with a beehive <em>cache</em>.</p>
-
-<p>If this stream be pursued, and Sittaford Tor be
-aimed at, then a few hundred yards to the right of
-the tor the Grey Wethers will be found, two very fine
-circles in contact with one another; but the stones of
-one are nearly all down.</p>
-
-<p>If the Ordnance Sheet XCIX., N.W., be taken,
-and the ridge followed north-west along the line
-indicated by bench-marks, Cut Hill will finally be
-attained, which is all bog, but which has a gash cut
-in it to afford a passage through the moors from
-Okehampton to Post Bridge. This expedition will
-take the visitor into some of the wildest and most
-desolate portions of the northern half of Dartmoor.</p>
-
-<p>Many years ago the question was mooted in, I
-think, the <cite>Times</cite>, whether there were really such
-things as Jack-o'-lanterns.</p>
-
-<p><span class="pagenum"><a name="Page_244" id="Page_244">[Pg 244]</a></span></p>
-
-<p>Few instances can be recorded where this <i lang="la">ignis
-fatuus</i> has been seen on Dartmoor, probably because
-so few cattle are lost in the bogs there. I was told
-by a man accustomed to draw turf, that he has seen
-the legs and belly of the horse as though on fire,
-where it had been splashed by the peat water.</p>
-
-<p>I walked one night from Plymouth to Tavistock
-across Roborough Down, before it was inclosed and
-built upon, and I then saw a little blue flame dancing
-on a pool. I went on my knees and crept close to it,
-to make quite sure what it was, and that it was not
-a glow-worm.</p>
-
-<p>Mr. Coaker, of Sherberton, informs me that he has
-on several occasions seen the Jack-o'-lantern. There
-is a bit of marshy land where rises Muddy Lake,
-near the road from Princetown to Ashburton, and
-he has seen it there. Sometimes, according to his
-account, it appears like the flash of a lantern, and
-then disappears, and presently flashes again. It has
-also been seen by him in the boggy ground of Slade
-by Huccaby Bridge. There, on one occasion, he
-made his way towards it. From a distance the light
-seemed to be considerable, but as he approached it
-appeared only as a small flame.</p>
-
-<p>The Rev. T. E. Fox, curate, living at Post Bridge,
-and serving the little chapel there and that at
-Huccaby, has also seen it, in Brimpts, hovering, a
-greenish-blue flame, about three feet above the soil;
-and a woman living near informs me that she also
-has noticed it in the same place.<a name="FNanchor_23_23" id="FNanchor_23_23"></a><a href="#Footnote_23_23" class="fnanchor">[23]</a></p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p245.jpg" width="700" height="520" alt="" />
-<div class="caption"><p>LAKE-HEAD, KISTVAEN</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_245" id="Page_245">[Pg 245]</a></span></p>
-
-<p>The reader must excuse me if I tell the tales just
-as told to me, and mix up facts with what I consider
-fictions. I cannot doubt that these lights have been
-seen by others as well as by myself, and I am not
-surprised if here and there some superstition has
-attached itself to these phenomena.</p>
-
-<p>The following story is told in the parish of Broad-woodwidger,
-where is a field in which, it is asserted,
-Will-o'-the-wisp is seen.</p>
-
-<p>The farmer's son was delicate, and in haymaking
-time assisted in the work, and I have no doubt,
-notwithstanding his feeble lungs, in making sweet
-hay with the maidens. However, he over-exerted
-himself, broke a blood-vessel, and died. Ever since
-a blue flame has been seen dancing in this field, and
-even on the top of the haycocks.</p>
-
-<p>The tale I have heard told, as a child, of a blue
-flame being seen leaving the churchyard and travelling
-down the lanes or roads to a certain door, and
-there waiting and returning accompanied by another
-flame, which appeared simultaneously with a death
-occurring in the house, is doubtless a distortion of a
-fact that such a flame as the Jack-o'-lantern <em>does</em>
-occasionally appear in graveyards.</p>
-
-<p>A miner engaged at the Whiteworks crossed the
-moor on a Saturday to Cornwood, to see a brother
-who was dangerously ill, and started to return somewhat
-late on the Sunday afternoon. In consequence,
-night overtook him on the moor; he became
-entangled among the bogs, and was in sore distress,
-unable to proceed or to retreat.</p>
-
-<p>Being an eminently God-fearing man, he took off
-his cap and prayed.</p>
-
-<p><span class="pagenum"><a name="Page_246" id="Page_246">[Pg 246]</a></span></p>
-
-<p>All at once a little light sprang up and moved
-forward. He knew that this was a Will-o'-the-wisp,
-and that it was held to lead into dangerous
-places; but his confidence in Providence was so
-strong, and so assured was he that the light was
-sent in answer to his prayer, that he followed it.
-He was conducted over ground fairly firm, though
-miry, till he reached heather and a sound footing,
-whereupon the flame vanished. Thanking God, he
-pursued his way, taking his direction by the stars,
-and reached his destination in safety.</p>
-
-<p>"I tell the tale as 'twas told to me," but I will not
-vouch for the truth of it, as I did not hear it from
-the man himself, nor did I know him personally, so
-as to judge whether his word could be trusted.</p>
-
-<p>Here, however, is an instance on which implicit
-reliance can be placed.</p>
-
-<p>Mr. W. Bennett Dawe, of Hill, near Ashburton,
-together with his family, saw one on several nights
-in succession in the autumn of 1898. The month
-of September had been very hot and dry, and this
-was succeeded by a heavy rainfall in October during
-twenty-three days. The mean temperature of the
-month was 54·7, being 4° above the average of
-twenty years. The warm damp season following
-on the heated ground and the boggy deposits in the
-Dart valley resulted in the generation of a good
-deal of decomposition. Mr. Dawe and several of his
-household observed at night a light of a phosphorescent
-nature in the meadows between Ashburton
-and Pridhamsleigh. It appeared to hover a little
-above the ground and dance to and fro, then race<span class="pagenum"><a name="Page_247" id="Page_247">[Pg 247]</a></span>
-off in another direction, as if affected by currents
-of air. This was watched during several evenings,
-and the members of his family were wont as darkness
-fell to go out and observe it. The meadows are
-on deep alluvial soil, formerly marsh, and were
-drained perhaps sixty years ago.</p>
-
-<p>The same gentleman saw a similar flame in the
-form of a ball some forty years previously in the
-low and then marshy valley between Tor Abbey
-gateway and the Paignton road, near where is now
-the Devon Rosery. The valley was then undrained.
-The gas generated, which catches fire on rising
-to the surface, is phosphoretted hydrogen, and is
-certainly evolved by decay of animal matter in
-water; if occasionally seen in churchyards it is
-probably after continued rain, when the graves have
-become sodden.</p>
-
-<p>Jack-o'-lantern is called in Yorkshire Peggy-wi'-t'-wisp;
-consequently the treacherous, misleading
-character is there attributed to a sprite of that
-sex which has misled man from the first moment
-she appeared on earth&mdash;who never rested till she
-had led him out of the terrestrial paradise into
-one of her own making.</p>
-
-<p>I was talking about this one evening in a little
-tavern, over the fire, to a Cornishman, when he laughed
-and volunteered a song. It was one, he said, that was
-employed as a test to see whether a man were sober
-enough to be able to repeat the numbers correctly
-that followed at the close of each stanza.<a name="FNanchor_24_24" id="FNanchor_24_24"></a><a href="#Footnote_24_24" class="fnanchor">[24]</a></p>
-
-<p><span class="pagenum"><a name="Page_248" id="Page_248">[Pg 248]</a></span></p><div class="center">
-<div class="poem"><div class="stanza">
-<span class="i0">"As I trudged on at ten at night<br /></span>
-<span class="i2">My way to fair York city,<br /></span>
-<span class="i0">I saw before a lantern light<br /></span>
-<span class="i2">Borne by a damsel pretty.<br /></span>
-<span class="i0">I her accos't, 'My way I've lost,<br /></span>
-<span class="i2">Your lantern let me carry!<br /></span>
-<span class="i0">Then through the land, both hand in hand,<br /></span>
-<span class="i2">We'll travel. Prithee tarry.'<br /></span>
-<span class="i4">20, 18, 16, 14, 12, 10, 8, 6, 4, 2,<br /></span>
-<span class="i4">19, 17, 15, 13, 11, 9, 7, 5, 3, 1.<br /></span>
-</div><div class="stanza">
-<span class="i0">"She tripp'd along, so nimble she,<br /></span>
-<span class="i2">The lantern still a-swinging,<br /></span>
-<span class="i0">And 'Follow, follow, follow me!'<br /></span>
-<span class="i2">Continually was singing.<br /></span>
-<span class="i0">'Thy footsteps stay!' She answered, 'Nay!'<br /></span>
-<span class="i2">'Your name? You take my fancy.'<br /></span>
-<span class="i0">She laughing said, nor turn'd her head,<br /></span>
-<span class="i2">'I'm only Northern Nancy.'<br /></span>
-<span class="i22">20, 18, 16, etc.<br /></span>
-</div><div class="stanza">
-<span class="i0">"She sped along, I in the lurch,<br /></span>
-<span class="i2">A lost and panting stranger,<br /></span>
-<span class="i0">Till, lo! I found me at the Church,<br /></span>
-<span class="i2">She'd led me out of danger.<br /></span>
-<span class="i0">'Ring up the clerk,' she said; 'yet hark!<br /></span>
-<span class="i2">Methinks here comes the pass'n;<br /></span>
-<span class="i0">He'll make us one, then thou art done;<br /></span>
-<span class="i2">He'll thee securely fasten.'<br /></span>
-<span class="i22">20, 18, 16, etc.<br /></span>
-</div><div class="stanza">
-<span class="i0">"'Man is a lost and vagrant clown<br /></span>
-<span class="i2">That should at once be pounded,'<br /></span>
-<span class="i0">She said, and laid the matter down<br /></span>
-<span class="i2">With arguments well grounded.<br /></span>
-<span class="i0">For years a score, and even more,<br /></span>
-<span class="i2">I've lain in wedlock's fetter,<br /></span>
-<span class="i0">Faith! she was right; here, tied up tight,<br /></span>
-<span class="i2">I could not have fared better.<br /></span>
-<span class="i22">20, 18, 16, etc."<br /></span>
-</div></div>
-</div>
-<p><span class="pagenum"><a name="Page_249" id="Page_249">[Pg 249]</a></span></p>
-<p>An industry on Dartmoor that has become completely
-extinct is the collection of lichen from the
-rocks for the use of the dyers. There exists in MS.
-an interesting book by a Dr. Tripe, of Ashburton,
-recording what he saw and did each day, at the close
-of last century. He says that he observed women
-scraping off the lichen from the rocks near the Drewsteignton
-cromlech. This they sold to the dyers, who
-dried it, reduced it to powder, and treated it with a solution
-of tin in <i lang="la">aqua fortis</i> and another ingredient, when
-a most vivid scarlet dye was produced. The lichen is
-called botanically <i lang="la">Lichinoides saxatile</i>. Other lichens
-were employed to give purple and yellow colours.
-The cudbear and crab's-eye lichens (<i lang="la">Lecanora tartarea</i>
-and <i lang="la">Lecanora parella</i>) gave a dye of a royal purple,
-and the two species called <i lang="la">Parmelia saxatilis</i> and
-<i lang="la">Parmelia omphalodes</i> gave a yellowish brown. Moss
-also was employed for the purpose; the <i lang="la">Hypnum
-cupressiforme</i> yielded a rich reddish brown.</p>
-
-<p>"Lichens and mosses," says Mr. Parfitt, "are the
-pioneers of the vegetable kingdom in attacking the
-hard and almost impenetrable rocks, and so preparing
-the way for the more noble plants&mdash;the trees
-and shrubs&mdash;by gradual disintegration, and by adding
-their own dead bodies to the soil, enrich it for the
-food of others."<a name="FNanchor_25_25" id="FNanchor_25_25"></a><a href="#Footnote_25_25" class="fnanchor">[25]</a></p>
-
-<p>It is marvellous to see how the lichen attaches
-itself to the granite. A harshly glaring piece that
-the quarrymen have cut is touched with fine specks
-that spread into black and crocus-yellow circles, and<span class="pagenum"><a name="Page_250" id="Page_250">[Pg 250]</a></span>
-tone down the stone to a sober tint. Unhappily of
-late years there has been much firing of the furze
-and heather on the moor, and the flames destroy the
-beautiful lichens and mosses, and leave the old stones
-white and ghostly, not to be reclothed with the old
-tints for centuries.</p>
-
-<p>I do not think that we have any idea of the slowness
-with which the lichens spread; a century to
-them is nothing&mdash;it passes as a watch in the night.
-There is a granite post I often go by. It was set
-up just seventy years ago, and on it the largest
-golden circle of the <i lang="la">Physcia parietina</i> has attained
-the diameter of an inch. Mr. Parfitt mentions in
-connection with it a rocky crag at Baggy Point,
-North Devon, where it covers the whole surface with
-a coat of golden colour. It spreads more rapidly
-on slate than it does on granite, and especially on
-such slates as are liable to rapid disintegration. The
-Woodland and the Coryton slates are readily attacked
-by it. The growth begins with a splash about the
-size of a sixpence, and increases to that of a plate,
-when the centre breaks up, and the ring becomes
-detached in fragments which meet others, and so
-appear to cover the rock or roof.</p>
-
-<p>One of the most beautiful of the lichens on the
-moor is the coral moss, <i lang="la">Sphærophoron coralloides</i>. It
-is a pale greenish-white, upright-growing lichen, that
-forms a cup, and somewhat resembles an old Venetian
-wineglass. Then points of brilliant scarlet form
-round the lip of the cup, and increase in size till
-the whole presents a wonderful appearance as of
-sealing-wax splashed over the soil. It is not con<span class="pagenum"><a name="Page_251" id="Page_251">[Pg 251]</a></span>fined
-to the moorland, but grows also in woods,
-where there has been a clearance made. I came
-upon a wonderful carpet of sprinkled scarlet and
-white on one occasion, where there was a woodman's
-track through an old oak coppice. But it must be
-capricious, for of late years when searching for it in
-the same spot I have found no more. The black
-coral moss is scarce, but it has been found about
-Lynx and Yes Tors.</p>
-
-<p>The birds on Dartmoor have a hard time of it, not
-only because of the guns levelled at them, but because
-of the "swaling" or burning of the moor, which takes
-place at the time when they are nesting. In East
-Anglia there are along the coast the "bird tides,"
-as the people say. At that period when the plovers
-and sea-mews are nesting in the marshes, there are unusually
-low tides, a provision of God, so it is held, for
-the protection of the feathered creatures whilst laying
-and hatching out their eggs. So the ancients told of
-the halcyon days when the gods had pity on the seabirds,
-and smoothed seven to eleven days in the winter
-solstice, that they might with safety hatch their young.
-But on Dartmoor man has none of this pity; he
-selects the very time when the poor birds are sitting
-in their nests on their eggs, or are cherishing their
-callow young, for enveloping them in flames. The
-buzzard, the hen-harrier, and the sparrow-hawk are
-now chiefly seen in the most lonely portions of the
-moor. Gulls visit it on the approach of stormy
-weather; but the ring-ouzel is there throughout the
-year. The golden and grey plovers are abundant;
-the pipe of the curlew may be heard; black grouse<span class="pagenum"><a name="Page_252" id="Page_252">[Pg 252]</a></span>
-and quail may be shot, as also snipe. By the water,
-that living jewel the kingfisher can be observed
-watching for his prey, and about every farm the blue
-tit, called locally the hicky maul or hicka noddy, is
-abundant. The sand martin breeds in a few places.
-The heron has a place where she builds at Archerton.</p>
-
-<p>The snow bunting and cirl bunting are met with
-occasionally.</p>
-
-<p>The cuckoo is heard on the moor before he visits
-the lowlands. "March, he sits on his perch; April,
-he tunes his bill; May, he sings all day; June, he
-alters his tune, and July, away he do fly." So say
-the people.</p>
-
-<p>One of the freshest and most delicious of Devonshire
-folk-melodies is that connected with a song
-about the cuckoo.</p>
-
-<div class="center">
-<div class="poem"><div class="stanza">
-<span class="i0">"The cuckoo is a pretty bird,<br /></span>
-<span class="i2">She sings as she flies;<br /></span>
-<span class="i0">She bringeth good tidings,<br /></span>
-<span class="i2">She telleth no lies.<br /></span>
-<span class="i0">She sucketh sweet flowers<br /></span>
-<span class="i2">To keep her voice clear,<br /></span>
-<span class="i0">And when she sings 'Cuckoo'<br /></span>
-<span class="i2">The summer draweth near."<a name="FNanchor_26_26" id="FNanchor_26_26"></a><a href="#Footnote_26_26" class="fnanchor">[26]</a><br /></span>
-</div></div>
-</div>
-
-<p>There is a saying among the country folk:&mdash;</p>
-
-<div class="center">
-<div class="poem"><div class="stanza">
-<span class="i0">"Kill a robin or a wren,<br /></span>
-<span class="i0">Never prosper, boy or man."<br /></span>
-</div></div>
-</div>
-
-<p>The wren is said to be the king of all birds. The
-story told to account for this is that the birds once
-assembled to elect a sovereign, and agreed that that<span class="pagenum"><a name="Page_253" id="Page_253">[Pg 253]</a></span>
-one of the feathered creation who soared highest
-should be esteemed king. The eagle mounted, and
-towered aloft high above the rest, but was outwitted
-by the wren, who, unobserved and unfelt, had hopped
-on to the eagle's back.</p>
-
-<p>The birds were so distressed and angry at the
-trick that they resolved to drown the wren in their
-tears. Accordingly they procured a pan into which
-each bird in turn wept. When it was nearly full the
-blundering old owl came up. "With such big eyes,"
-said the birds, "he will weep great tears." But he
-perched on the edge of the pan and upset it.
-Thenceforth the wren has reigned undisputed king
-of the birds.</p>
-
-<p>There is a curious story told of a wren. In one
-of the Irish rebellions a party of British military
-were out after the enemy when, having made a long
-march, they lay down to sleep and left no one to
-keep sentinel. As they lay slumbering the murderous
-rascals stole up, creeping like snakes in the grass
-and among the bushes, and would have butchered
-the entire party had it not been for a wren, which,
-perching on the drum belonging to the company,
-tapped it repeatedly with its little beak. This roused
-the soldiers, they became aware of their situation,
-and were able just in time to fire on their assailants
-and disperse them.</p>
-
-<p>In Ireland, and in Pembrokeshire and elsewhere in
-South Wales, it was usual, on S. Stephen's Day or
-at the New Year, to put a wren in a lantern that
-was decorated with ribbons and carry it about to
-farms and cottages, with a song, which was repaid<span class="pagenum"><a name="Page_254" id="Page_254">[Pg 254]</a></span>
-by a small coin. Whether such a custom existed
-in Devon I cannot say; I remember nothing of
-the sort.</p>
-
-<p>The sparrow-hawk is often seen quivering aloft in
-the air. A curious story is told of one by Mr. Elliot.</p>
-
-<div class="blockquot">
-
-<p>"As is well known, not only sparrow-hawks, but other
-birds of prey as well as other species, repair to the same
-site year after year for nesting. This knowledge is valuable
-to the keepers, who look up these haunts and try to shoot
-the old birds before they hatch their eggs. On one
-occasion he shot the female as she came off the nest, and
-this satisfied him, but on visiting the spot later he was
-surprised at another female flying off; on climbing to the
-nest he found that the male must have found another mate,
-as they had built a second nest over and into the old one,
-which contained four eggs, whilst the freshly-built nest
-contained five."<a name="FNanchor_27_27" id="FNanchor_27_27"></a><a href="#Footnote_27_27" class="fnanchor">[27]</a></p></div>
-
-<p>One has supposed hitherto that the gay widower
-who looked out for another spouse after having lost
-the first was a product of the human species only.</p>
-
-<p>A visitor to Dartmoor in June or July will be
-surprised to find flights of rooks over it. As soon
-as their maternal cares are over, they desert the
-rookeries on the lowland and go for change of air
-and diet to the moor, where they feed on the
-whortleberry, possibly, but most certainly on the
-daddy longlegs and its first cousin, who is the hateful
-wireworm in his fully developed form. A friend
-one day saw a bit of the moor dense with rooks,<span class="pagenum"><a name="Page_255" id="Page_255">[Pg 255]</a></span>
-and surprised at their movements and excitement,
-observed them closely, and discovered that they were
-having a glut of daddy longlegs. The light and
-friable peat earth exactly suits the wireworm in its
-early stages, and when the pest emerged from the
-soil full blown, then the rooks were down on him
-before he could come to our gardens and turnip
-fields to devastate them.</p>
-
-<p>The one deficiency in the soil on Dartmoor is
-lime. That will sweeten the grass and enable the
-cattle to thrive. Bullocks and other cattle will do
-on the moor, but they really need a change to land
-on lime whilst they are growing. The roots of the
-grass and heather are ravenous after lime, and for
-this reason it is that of the many interments on the
-moor hardly a particle of bone remains.</p>
-
-<p>From Post Bridge starts the Lych Way, the Road
-of the Dead, along which corpses were conveyed to
-Lydford, the parish church, until, in 1260, Bishop
-Bronescombe gave licence to the inhabitants of
-Dartmoor, who lived nearer to Widdecombe than
-to Lydford, to resort thither for baptisms and
-funerals.</p>
-
-<p>The Lych Way may be traced from Conies Down
-Tor to Whitabarrow; thence it strikes for Hill Bridge,
-and so across the spur of Black Down to Lydford
-church.</p>
-
-<p>When I was a boy I heard strange tales of the
-Lych Way&mdash;and of funerals being seen passing over
-it of moonlight nights. But superstition is dead
-now on Dartmoor, as elsewhere, and ghosts as well as
-pixies have been banished, not as the old moormen<span class="pagenum"><a name="Page_256" id="Page_256">[Pg 256]</a></span>
-say, by the "ding-dongs" of the church and mission
-chapel bells, but by the voice of the schoolmaster.</p>
-
-<p>A walk or scramble down the Dart will take to
-the ruins of the Snaily House, the story concerning
-which I have told elsewhere.<a name="FNanchor_28_28" id="FNanchor_28_28"></a><a href="#Footnote_28_28" class="fnanchor">[28]</a> It may be carried
-on to Dartmeet, where a little colony of inhabitants
-will be found, and a return may be taken over Bellever
-Tor, a striking height that holds its own,
-and seems to be the true centre of the moor. On
-its slopes are several kistvaens, but all have been
-robbed of their covering-stones. There is an unpleasant
-morass between Bellever Tor and the high-road.</p>
-
-<p>I was witness here of a rather amusing scene. A
-gentleman with his wife and a young lady friend of
-hers had driven out, from Princetown or Tavistock,
-and when near Bellever the latter expressed a wish
-to go to the summit of the tor. The gentleman
-looked at his better half, who gave consent with a
-nod, whereupon he started with the young lady, and
-his wife drove on and put up the horse at Post Bridge,
-then walked back to meet the two as they returned
-to the high-road, on which madame promenaded.
-Now, as it fell out, the husband missed his way on
-trying to reach the high-road, and got to the morass,
-where he and the young lady walked up and down,
-and every now and then he extended his hand and
-helped her along from one tuft of grass to another.
-They went up&mdash;got more involved&mdash;then down
-again, and were fully half an hour in the morass.</p>
-<p><span class="pagenum"><a name="Page_257" id="Page_257">[Pg 257]</a></span></p>
-<p>Madame paced up and down the road, glaring at
-her husband and the young lady dallying on the
-moor, as she took it; for she was quite unable to
-apprehend the reason why they did not come to
-her as the crow flies, and as she considered was
-her due. Her pace was accelerated, her turns
-sharper, her glances more indignant, as minute after
-minute passed. She saw them approach, then turn
-and retrace their steps, gyrate, holding each other's
-hands, and walk down the slope some way. Then
-along the road, snorting like a war-horse, went the
-lady. She flourished her parasol at them; she
-called, they paid no attention. Finally they headed
-the swamp and arrived on the firm road. Thereupon
-the lady strode forward speechless with wrath
-towards Post Bridge and the inn, where a high tea
-was ready. Not a word would she vouchsafe to
-either. Not a word of explanation would she listen
-to from her husband.</p>
-
-<p>Curious to see the end, I went on to Webb's Inn,
-and came in on the party.</p>
-
-<p>The gentleman sat limp and crestfallen.</p>
-
-<p>An excellent tea was ready. Cold chicken, ham,
-whortleberry jam and Devonshire cream. He ate
-nothing.</p>
-
-<p>"My dear," said madame to her husband, "you are
-not eating."</p>
-
-<p>"No, precious!" he replied. "I have lost my
-appetite."</p>
-
-<p>"But," retorted she, "the moor gives one."</p>
-
-<p>"Not to me," he responded feebly. "I don't feel
-well. The moor has taken mine away."</p>
-
-<p><span class="pagenum"><a name="Page_258" id="Page_258">[Pg 258]</a></span></p>
-
-<p>Obviously there had been an interview, <em>tête-à-tête</em>,
-before they sat down.</p>
-
-<p>Presently I saw them drive away.</p>
-
-<p>Madame brandished the whip and held the reins,
-and the young lady friend sat in front.</p>
-
-<p>Monsieur was behind, disconsolate and sniffing.</p>
-
-<div class="footnotes"><h3>FOOTNOTES:</h3>
-
-<div class="footnote">
-
-<p><a name="Footnote_23_23" id="Footnote_23_23"></a><a href="#FNanchor_23_23"><span class="label">[23]</span></a> I have been informed that the Jack-o'-lantern is only to be seen
-after a hot summer, at the end of July, and in August and September.
-As the moormen say, "When the vaen rises," <em>i.e.</em> when there is
-fermentation going on in the fen or vaen.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_24_24" id="Footnote_24_24"></a><a href="#FNanchor_24_24"><span class="label">[24]</span></a> I have had to considerably tone down the original, which was
-hardly presentable if given <em>verbatim</em>.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_25_25" id="Footnote_25_25"></a><a href="#FNanchor_25_25"><span class="label">[25]</span></a> "The Lichen Flora of Devonshire," in <cite>Transactions of the
-Devonshire Association</cite>, 1883.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_26_26" id="Footnote_26_26"></a><a href="#FNanchor_26_26"><span class="label">[26]</span></a> Given in <cite>A Garland of Country Song</cite>. Methuen, 1895.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_27_27" id="Footnote_27_27"></a><a href="#FNanchor_27_27"><span class="label">[27]</span></a> E. A. S. Elliot, "Birds in the South Hams," <cite>Transactions of
-the Devonshire Association</cite>, 1899.</p></div>
-
-<div class="footnote">
-
-<p><a name="Footnote_28_28" id="Footnote_28_28"></a><a href="#FNanchor_28_28"><span class="label">[28]</span></a> <cite>Dartmoor Idylls.</cite> Methuen, 1896.</p>
-
-<p><span class="pagenum"><a name="Page_259" id="Page_259">[Pg 259]</a></span></p></div></div>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>CHAPTER XVII.<br />
-
-PRINCETOWN</h2>
-
-<div class="hangindent">
-
-<p>Sir Thomas Tyrwhitt and Princetown&mdash;A desolate spot&mdash;The prisons&mdash;Escapes&mdash;A
-burglary&mdash;Merrivale Bridge and its group of remains&mdash;Staple
-Tor&mdash;Walk up the Walkham to Merrivale Bridge&mdash;Harter
-Tor&mdash;Black Tor logan stone&mdash;Tor Royal&mdash;Wistman's Wood&mdash;Bairdown
-Man&mdash;Langstone Moor Circle&mdash;Fice's Well&mdash;Whitchurch&mdash;Archpriests&mdash;Heath
-and heather&mdash;Heather ale&mdash;White Heath.</p></div>
-
-
-<p class="drop-capw"><span class="smcap">King Louis XIV.</span> selected the most barren
-and intractable bit of land out of which to
-create Versailles, with its gardens, plantations, and
-palace; and Sir Thomas Tyrwhitt chose the most
-inhospitable site for the planting of a town. Sir
-Thomas was Black Rod, and Warden of the Stannaries.
-He was a man of a sanguine temperament,
-for he calculated on reaping gold where he sowed
-shillings, and that in Dartmoor bogs.</p>
-
-<p>At his recommendation prisons were erected at
-Princetown in 1806, at a cost of £130,000, for the
-captives in the French and American wars. Sir
-George Magrath, <span class="smcap">M.D.</span>, the physician who presided
-over the medical department from 1814 until the
-close of the war, testified to the salubrity of the
-establishment.</p>
-
-<div class="blockquot">
-
-<p>"From personal correspondence with other establishments
-similar to Dartmoor, I presume the statistical record
-of that great tomb of the living (embosomed as it is in<span class="pagenum"><a name="Page_260" id="Page_260">[Pg 260]</a></span>
-a desert and desolate waste of wild, and in the winter
-time terrible scenery, exhibiting the sublimity and grandeur
-occasionally of elemental strife, but never partaking of
-the beautiful of Nature; its climate, too, cheerless and
-hyperborean), with all its disadvantages, will show that the
-health of its incarcerated tenants, in a general way, equalled,
-if not surpassed, any war prison in England or Scotland.
-This might be considered an anomaly in sanitary history,
-when we reflect how un-genially it might be supposed to
-act on southern constitutions; for it was not unusual in
-the months of December and January for the thermometer
-to stand at thirty-three to thirty-five degrees below freezing,
-indicating cold almost too intense to support animal life.
-But the density of the congregated numbers in the prison
-created an artificial climate, which counteracted the torpifying
-effect of the Russian climate without. Like most
-climates of extreme heat or cold, the newcomers required
-a seasoning to assimilate their constitution to its
-peculiarities, in the progress of which indispositions,
-incidental to low temperature, assailed them; and it
-was an everyday occurrence among the reprobate and
-incorrigible classes of the prisoners, who gambled away
-their clothing and rations, for individuals to be brought
-up to the receiving room in a state of suspended animation,
-from which they were usually resuscitated by the process
-resorted to in like circumstances in frigid regions. I
-believe one death only took place during my sojourn at
-Dartmoor, from torpor induced by cold, and the profligate
-part of the French were the only sufferers. As soon as
-the system became acclimated to the region in which they
-lived, health was seldom disturbed."</p></div>
-
-<p>There were from seven to nine thousand prisoners
-incarcerated in the old portion of the establishment.<span class="pagenum"><a name="Page_261" id="Page_261">[Pg 261]</a></span>
-They were packed for the night in stages one above
-another, and we can well believe that by this means
-they "created an artificial climate," but it must have
-been an unsavoury as well as an unwholesome one.</p>
-
-<p>Over the prison gates is the inscription "<i lang="la">Parcere
-subjectis</i>," and the discomfort of so many being
-crammed into insufficient quarters strikes us now,
-and renders the inscription ironical; but it was not so
-regarded or intended at the time. Our convicts are
-nursed in the lap of luxury as compared with the condition
-of the prisoners at the beginning of the century.
-But then the criminal is the spoiled child of the age,
-to be petted, and pampered, and excused.</p>
-
-<p>A convict with one eye, his nose smashed on one
-side, with coarse fleshy lips, was accosted by the
-chaplain. "For what are you in here, my man?"
-"For bigamy," was the reply. "'Twasn't my fault;
-the women would have me."</p>
-
-<p>One marvels that such a deformed, plain spot as
-the <em>col</em> between the two Hessary Tors should have
-been selected for a town. The only reply one can
-give is that Sir Thomas Tyrwhitt and the Prince
-Regent would have it so. It is on the most inclement
-site that could have been selected, catching
-the clouds from the south-west, and condensing fog
-about it when everywhere else is clear. It is exposed
-equally to the north and east winds. It stands over
-fourteen hundred feet above the sea, above the sources
-of the Meavy, in the ugliest as well as least suitable
-situation that could have been selected; the site determined
-by Sir Thomas, so as to be near his granite
-quarries.</p>
-
-<p><span class="pagenum"><a name="Page_262" id="Page_262">[Pg 262]</a></span></p>
-
-<p>There have been various attempts made by prisoners
-to escape. One of the most desperate was in November,
-1880, when a conspiracy had been organised
-among the convicts. At the time a good many
-were engaged in a granite quarry. They had agreed
-to make a sudden dash on the warders, overpower
-them, whilst in the quarry; and they chose for the
-attempt the day in the month on which the governor
-went to Plymouth to receive the money for payment
-of the officials, with intent to waylay, rob, and murder
-him, then to break up into parties of two, and disperse
-over the moor.</p>
-
-<p>One of the conspirators betrayed them, so that the
-scheme was known. It was deemed advisable not
-in any way to alter the usual arrangements, lest this
-should inspire suspicion in the minds of the convicts.
-The warders, armed with rifles, who keep guard at
-a distance round the quarry, were told when they
-heard the chief warder's whistle to close round the
-quarry, and, if necessary, fire.</p>
-
-<p>The gang was marched, as usual, under a slender
-escort, to the quarry, and work was begun as usual.
-All went well till suddenly the ringleader turned
-about and, with his crowbar, struck at the head
-warder and staggered him for the moment: he reeled
-and almost fell. Instantly the convict shouted to
-his fellows, "Follow me, boys! Hurrah for freedom!"
-And they made a dash for the entrance to the quarry.</p>
-
-<p>Meanwhile the head warder had rallied sufficiently
-to whistle, but before the outer ring of guards appeared
-some of the under warders discharged their
-rifles at the two leading convicts. One fell dead, the<span class="pagenum"><a name="Page_263" id="Page_263">[Pg 263]</a></span>
-other was riddled with shot, yet, strange to say, lived,
-and, I believe, is alive still.</p>
-
-<p>Before the rest of the conspirators could master
-the warders in the quarry and get away, the men
-who had been summoned appeared on the edge of
-the hollow, that was like a crater, with their rifles
-aimed at the convicts, who saw the game was up,
-and submitted.</p>
-
-<p>There are always some crooked minds and perverse
-spirits in England ready to side with the
-enemies of their country or of society, whether Boers
-or burglars; and so it was in this case. A great
-outcry was made at the shooting of the two ringleaders.
-If a warder had been killed, no pity would
-have been felt for him by these faddists. All their
-feelings of sympathy were enlisted on behalf of the
-wrongdoer.</p>
-
-<p>A curious case occurred in 1895.</p>
-
-<p>On March 10th, Sunday, at night, the chaplain,
-who lived in a house in the town, being unable to
-sleep, about half-past eleven went downstairs in his
-dressing-gown. He was surprised to notice a light
-approaching from the study. Then he observed a
-man emerge into the hall, holding a large clasp
-knife in his hand. On seeing the chaplain, whose
-name was Rickards, he uttered a yell, and rushed
-at him with the knife.</p>
-
-<p>The chaplain, who maintained his nerve, said,
-"Stop this fooling, and come in here and let us have
-a little talk; you have clearly lost your way."</p>
-
-<p>The fellow offered no resistance, and allowed himself
-to be led into the study, where the Rev. C.<span class="pagenum"><a name="Page_264" id="Page_264">[Pg 264]</a></span>
-Rickards quietly seated himself on the table, and
-said to the burglar, "Now, we shall get on better
-if you give me up that knife." At the same time
-he took hold of the blade and attempted to gain
-possession of it. He had disengaged two of the
-man's fingers from it, when the fellow drew the knife
-away, thereby badly cutting the chaplain's hand.
-Mr. Rickards then jumped off the table, exclaiming,
-"This is not fair!"</p>
-
-<p>"Look here," said the burglar, "I won't be took
-at no price," and flourished the knife defiantly.
-Noticing that the fellow's pockets bulged greatly,
-Mr. Rickards said, "You're not going out with my
-property," and closed with him, and endeavoured
-to put his hand into one of the pockets. The
-burglar resisted, and made for the door. Mr.
-Rickards now got near where his gun hung on the
-wall; he took it down, and clicked the hammer.
-The gun was not loaded. The burglar then blew
-out the candle he carried, and ran from the room.
-Mr. Rickards at once loaded his gun with cartridges,
-and followed the fellow into the passage. He still
-had his own candle alight. The man then bolted
-into the drawing-room, and endeavoured to open
-the window. The chaplain entered, and said, "Now
-bail up; up with your arms, or I shall fire."</p>
-
-<p>Thereupon the burglar made a dash at him, head
-down, and the chaplain retreated, the man rushing
-after him. Mr. Rickards had no desire to fire, and
-as the fellow plunged past him, he struck at him
-with the gun, but missed him. The fellow then
-dashed through the doorway, and ran again into the<span class="pagenum"><a name="Page_265" id="Page_265">[Pg 265]</a></span>
-study. The chaplain pursued him, and, standing in
-the doorway, said, "Now I have you. The gun is
-loaded, and I shall certainly fire if you come towards
-me."</p>
-
-<p>The burglar stood for a moment eyeing him, and
-then made a leap at him with the uplifted knife;
-and Mr. Rickards fired at his legs. The man was
-hit, and staggered back against the mantel-board.
-The chaplain said, "Have you had enough?"</p>
-
-<p>Again the fellow gathered himself up with raised
-knife to fall on him, when Mr. Rickards said coolly,
-"The other barrel is loaded, and I shall fire if you
-advance." The man, however, again came on, when
-the chaplain fired again, and hit the man in his
-right arm, and the knife fell. Mr. Rickards stooped,
-picked up the knife, closed it, and put it into his
-pocket. Then, thinking that there might be more
-than this one man engaged in the burglary, he reloaded
-his gun. The burglar now went down in a
-lump on the hearthrug, bleeding badly.</p>
-
-<p>By this time the house was roused; the servants
-had taken alarm, and had sent for the warders, who
-arrived, and a doctor was summoned.</p>
-
-<p>The fellow had been engaged in a good many
-robberies prior to this.</p>
-
-<p>One night a couple of young convicts escaped,
-and obtained entrance into the doctor's house, where
-evidently a large supper party had been held, as the
-tables had not been cleared after the departure of
-the guests. Afterwards, when retaken, one of the
-men said:&mdash;</p>
-
-<p>"Sir, it was just as though the doctor had made<span class="pagenum"><a name="Page_266" id="Page_266">[Pg 266]</a></span>
-ready, and was expecting us to supper. The table
-was laid, and there were chickens and ham, tongue,
-and cold meats, with puddings, cakes, and decanters
-of wine, making our mouths fairly water. We ate
-and ate as only two hungry convicts could eat after
-the semi-starvation of prison diet. I could not look
-at a bit more when I had finished. 'Try just a leetle
-slice more of this ham,' said my chum. 'No, thank
-you, Bill; I couldn't eat another mouthful to save my
-life.' And so we left, and were caught on going out."</p>
-
-<p>Soon after this the chaplain visited the fellow who
-had been recaptured, and seeing him depressed and
-in a very unhappy frame of mind, said to him, "Anything
-on your soul, man? Your conscience troubling
-you?"</p>
-
-<p>"Terrible," answered the convict; "I shall never
-get over my self-reproach&mdash;not taking another slice
-of ham."</p>
-
-<p>An old man succeeded in getting away in a fog;
-he ran as far as Ilsington before he was caught.</p>
-
-<p>When brought back he was rather oddly attired,
-and amongst other things carried a labourer's hoe.
-This he employed vigorously when crossing fields,
-if anyone came in sight. When captured a farmer
-came to view him. "Why, drat it," he exclaimed,
-"that's the man I saw hoeing Farmer Coaker's stubble
-fields the other day. It struck me as something new
-in farming, and I was going to ask him what there
-was in it that he paid a labourer to hoe his stubbles."
-This same convict, who was acquainted with the
-neighbourhood, whilst temporarily at large paid a
-visit to his wife one night. He asked her to let him<span class="pagenum"><a name="Page_267" id="Page_267">[Pg 267]</a></span>
-come into the house, telling who he was. "Not
-likely; you don't come in here. The policeman's
-about the place, and I don't want 'ee," was her
-cheering reply.</p>
-
-<p>During another recent escape from Dartmoor an
-amusing incident occurred in a lonely lane on a dark
-night in the neighbourhood of Walkhampton. Two
-warders on guard mistook an inoffensive but partially
-inebriated farmer for the escaped convict, and
-he mistook them for a couple of runaways.</p>
-
-<p>"Here he comes," exclaimed one warder to the
-other at the sound of approaching footsteps. "Now
-for him," as they both pounced out of the hedge
-where they had been in hiding, and seized hold of
-the man.</p>
-
-<p>"Look here, my good fellows," he cried. "I know
-who you be. You be them two runaways from
-Princetown, and I'll give you all I've got, clothes
-and all, if only you won't murder me. I've got a
-wife and childer to home. I'm sure now I don't
-a bit mind goin' home wi'out any of my clothes
-on to my body. My wife'll forgive that, under the
-sarcumstances; but to go back wi'out nother my
-clothes nor my body either&mdash;that would be more
-nor my missus could bear and forgive. I'd niver
-hear the end of it."</p>
-
-<p>Formerly the manner in which escapes were made
-was by the convicts when peat-cutting building up a
-comrade in a peat-stack, but the warders are now too
-much on the alert for this to take place successfully.</p>
-
-<p>Such buildings as have been erected at Princetown
-are ugly. The only structure that is not so is the<span class="pagenum"><a name="Page_268" id="Page_268">[Pg 268]</a></span>
-"Plume of Feathers," erected by the French prisoners.
-Every other house is hideous, and most hideous of
-all are the rows of residences recently erected for the
-warders, for they are pretentious as well as ugly.</p>
-
-<p>Yet Princetown may serve as a centre for excursions,
-if the visitor can endure the intermittent rushes
-of the trippers on their "cherry-bangs," and the persistent
-presence of the convict. If he objects to
-these, he can find accommodation a couple of miles
-off, at Two Bridges; but if he desire creature comforts
-he is sure of good entertainment at Princetown.</p>
-
-<p>The group of remains at Merrivale Bridge is within
-an easy walk. These are the most famous on
-Dartmoor&mdash;not for their size or consequence, but
-because most accessible, being beside the road. But
-the whole collection is happily very complete.</p>
-
-<p>There is a menhir, a so-called sacred circle, stone
-rows, a kistvaen, a pound, hut circles, and a cairn.</p>
-
-<p>The menhir was the starting-point of a stone row
-that has been plundered for the construction of a
-wall. The sacred circle is composed of very small
-stones, and probably at one time inclosed a cairn.
-The stone rows that exist are fairly perfect. Those
-on the south, a double row, start from a cairn at
-the west end that has been almost destroyed, and
-end in blocking-stones to the east. They are, however,
-interrupted by a small cairn within a ring of
-stones, and, curiously enough, much as at Chagford,
-another row starts near it at a tangent from a partly
-destroyed cairn. The double row runs 849 feet.</p>
-
-<div class="figcenter" style="width: 544px;">
-<img src="images/p269.jpg" width="544" height="700" alt="" />
-<div class="caption"><p>STAPLE TOR</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_269" id="Page_269">[Pg 269]</a></span></p>
-
-<p>The north pair of rows is imperfect; it probably
-had a cairn at the west end, but of it no traces now
-remain. It consists of a double row, and ends in a
-blocking-stone at the east end. It can be traced
-for only 590 feet.</p>
-
-<p>A fine kistvaen, formerly in a cairn, lies to the
-south of the southern pair of rows. A few years ago a
-stonecutter at Merrivale Bridge took a gatepost out
-of the coverer. In this kistvaen have been found,
-though previously rifled, a flint knife and a polishing
-stone. There were formerly two large cairns near,
-but both have been destroyed by the road-makers,
-as have also many of the hut circles; a good many,
-however, yet remain, and some are inclosed within a
-pound. In this ground is an apple-crusher, like an
-upper millstone, that has been cut, but never removed,
-because the demand for these stones ceased
-with the introduction of the screw-press. Some ardent
-but not experienced antiquaries have supposed it
-to be a cromlech! As such it is figured in Major
-Hamilton Smith's plan of the remains in 1828.</p>
-
-<p>The tor Over Tor, on the right-hand side of the
-road, was overthrown by some trippers&mdash;the first
-swallows of a coming flight&mdash;early in the century.</p>
-
-<p>The descent to Merrivale Bridge is fine; the bold
-tors of Roos and Staple stand up grandly above the
-Walkham river. Walkham, by the way, is Wallacombe,
-the valley of the Walla.</p>
-
-<p>The flank of Mis Tor towards the river is strewn
-with inclosures and hut circles.</p>
-
-<p>On Staple Tor is a so-called tolmen, a freak of
-nature, unassisted by art. Cox Tor beyond is
-crowned with cairns, but they have been rifled.</p>
-
-<p>A very charming excursion may be made by<span class="pagenum"><a name="Page_270" id="Page_270">[Pg 270]</a></span>
-following the Plymouth road to Peak Hill, then
-descending to Hockworthy Bridge, and ascending
-the river as best possible thence, by Woodtown to
-Merrivale Bridge. There is a lane above Ward
-Bridge that mounts the hillside on the east, and
-commands a fine view of Vixen Tor with Staple
-and Roos Tors behind. In the evening, when the
-valley is in purple shade, a flood of golden glory
-from the west illumines Vixen Tor, and this is the
-true light in which the river should be ascended. A
-so-called cyclopean bridge is passed that spans a
-stream foaming down to join the Walkham.</p>
-
-<p>Walkhampton church need not arrest the pedestrian;
-it has a fine tower, but contains absolutely
-nothing of interest. Adjoining the churchyard is,
-however, a very early church house, probably more
-ancient than the present Perpendicular church.</p>
-
-<p>Sampford Spiney has its village church, a quaint,
-small, old manor house, and a good tower to the
-church. It is somewhat curious that the dedication
-of neither of these churches is recorded.</p>
-
-<p>Within an easy stroll of Princetown to the south
-is Harter Tor. There are here many hut circles, and
-below Harter Tor are stone avenues leading from
-cairns.</p>
-
-<p>Black Tor, that looks down on these remains, is
-also above a blowing-house and miners' hut, not
-of an ancient date, as it had a chimney and fireplace.
-The mould-stone lies in the grass and weed.</p>
-
-<p>Black Tor has on it a logan stone that can be
-rocked by taking hold of a natural handle. On its
-summit is a rock basin.</p>
-
-<div class="figcenter" style="width: 700px;">
-<img src="images/p270.jpg" width="700" height="471" alt="" />
-<div class="caption"><p>OLD BLOWING-HOUSE ON THE MEAVY</p></div>
-</div>
-
-<p><span class="pagenum"><a name="Page_271" id="Page_271">[Pg 271]</a></span></p>
-
-<div class="figcenter" style="width: 600px;">
-<img src="images/p271.jpg" width="600" height="473" alt="" />
-<div class="caption"><p>BLOWING-HOUSE BELOW BLACK TOR.</p></div>
-</div>
-
-<p>Tor Royal was built by Sir Thomas Tyrwhitt, and
-there he entertained the Prince Regent when that
-worthy visited Dartmoor. Tradition tells of high
-revelry and debauches taking place on that occasion.
-Sir Thomas planted trees that are doing fairly well.
-In the valley of the West Dart, under Longaford
-and Littaford Tors, is Wistman's Wood, now sadly
-reduced in size. It has been assumed to be the last
-remains of the forest that once covered Dartmoor.
-But no forest ever did that; at all events no forest
-of trees. The ashes of the fires used by the primitive
-inhabitants show that peat was their principal<span class="pagenum"><a name="Page_272" id="Page_272">[Pg 272]</a></span>
-fuel, and that what oak and alder they burned was
-small and stunted.</p>
-
-<p>In the sheltered combes doubtless trees grew, but
-not to any height and size.</p>
-
-<p>The early antiquaries, S. Rowe and E. Atkyns
-Bray, talked much tall nonsense about Wistman's
-Wood as a sacred grove, dedicated to the rites of
-Druidism, and of the collection of mistletoe from
-the boughs of the oaks. As it happens, there are
-no prehistoric monuments near the wood to indicate
-that it was held in reverence, and no mistletoe grows
-in Devon, and in Somersetshire only on apple trees.
-Indeed, the mistletoe will not grow higher than five
-or six hundred feet above the sea, and Wistman's
-Wood is not much less than a thousand feet above
-the sea-level.</p>
-
-<p>In July, 1882, the central portion of the wood
-was set fire to, it was thought by trippers, in an
-attempt to boil a kettle. This has helped to reduce
-the ancient wood; but what prevents its increase is
-the sheep, which eat the young trees as they shoot
-up. It has been said that Wistman's Wood oaks
-produce no acorns. This, however, is not the case.
-The trees are so venerable that their power to bear
-fruit is nearly over, yet they still produce some
-acorns, and there are young oaks growing&mdash;but not
-where sheep roam&mdash;that have come from these parent
-stocks.</p>
-
-<p>By ascending Bairdown, aiming for Lydford Tor,
-and then following the ridge almost due north, but
-with a little deflection to the west, Devil Tor may
-be reached, and near this stands the most impressive<span class="pagenum"><a name="Page_273" id="Page_273">[Pg 273]</a></span>
-menhir on the moor, the Bairdown Man. The height
-is only twelve feet, but it is clothed in black lichen,
-and stands in such a solitary spot that it inevitably
-leaves an impression on the imagination. There is
-no token of there having ever been a stone row in
-connection with it.</p>
-
-<p>It may here be noticed that the names Lydford
-Tor, Littaford, Longaford, Belleford, Reddaford, do
-not apply to any <em>fords</em> over the streams, which may
-be crossed without difficulty, but take their appellation
-from the Celtic <em>fordd</em>, "a way," and the tors
-about the Cowsick and West Dart take their titles
-from the great central causeway or from the Lych
-Way that passed by them.</p>
-
-<p>The portion of the Cowsick above Two Bridges
-abounds in charming studies of river, rock, and
-timber.</p>
-
-<p>An excursion to Great Mis Tor will enable the
-visitor to see a large rock basin, the Devil's Frying-pan
-as it is called, and then, if he descends Greenaball,
-where are cairns, he will see on the slope
-opposite him, beyond the Walkham, a large village,
-consisting of circular pounds and hut circles. On
-reaching the summit of the hill he will see a fine
-circle of upright stones. It was originally double,
-but nearly all the stones forming the outer ring have
-been removed. The rest were fallen, but have been
-re-erected by His Grace the Duke of Bedford.</p>
-
-<p>In such a case there can be no arbitrary restoration,
-for the holes that served as sockets for the
-stones can always be found, together with the trigger-stones.
-Indeed, it is easy by the shape of the<span class="pagenum"><a name="Page_274" id="Page_274">[Pg 274]</a></span>
-socket-holes to see in which way the existing stones
-were planted.</p>
-
-<p>About half a mile to the north-west is the Langstone,
-which gives its name to this down; it is of a
-basaltic rock, and not, as is usual, of granite. Fice's
-Well, which I remember in the midst of moor, is
-now included within the newtake of the prisons,
-and a wall has been erected to protect it. This
-deprives it of much of its charm. It was erected
-by John Fitz in 1568. Cut on the granite coverer
-are the initials of John Fitz and the date.</p>
-
-<p>The tradition is that John Fitz of Fitzford and his
-lady were once pixy-led whilst on Dartmoor. After
-long wandering in vain effort to find their way, they
-dismounted to rest their horses by a pure spring that
-bubbled up on a heathery hillside. There they
-quenched their thirst; but the water did more than
-that&mdash;it opened their eyes, and dispelled the pixy
-glamour that had been cast over them, so that at
-once they were able to take a right direction so as
-to reach Tavistock before dark night fell. In gratitude
-for this, John Fitz adorned the spring with a
-granite structure, on which were cut in low-relief his
-initials and the date of his adventure.</p>
-
-<p>There are some old crosses that may be seen by
-such as are interested in these venerable relics. The
-Windy-post stands between Barn Hill and Feather
-Tor, and there are also two on Whitchurch Down.
-One of these, the more modern, of the fifteenth
-century, has lost its shaft, and is reduced to a head;
-but the other cross may, perhaps, date from the
-seventh century&mdash;it may even be earlier. Whitchurch<span class="pagenum"><a name="Page_275" id="Page_275">[Pg 275]</a></span>
-was an archpriesthood; there were two of these in
-Devon and one in Cornwall. The origin of these
-archpriesthoods is probably this.</p>
-
-<p>In Celtic countries the king liked to have his
-household priest, who ministered to the retinue and
-to his family. On the other hand, the tribe had its
-own saint, who was the ecclesiastical official for the
-tribe and educated the young.</p>
-
-<p>As the kings increased in power, and the old tribal
-arrangement broke down, they had their household
-priests consecrated bishops, and the tribal lands
-were constituted their dioceses. But in Devon and
-Cornwall this could not be, as the Saxons took all
-power away from the native princes, and the Latin
-ecclesiastics would not endure the peculiar ecclesiastical
-organisation of the Celts. The household
-priests of the conquered chieftains therefore simply
-remained as archpriests. The Saxon and then the
-Norman nobles were not averse from having their own
-chaplains free from episcopal jurisdiction, and in some
-places the archpriest remained on. But the bishops
-did not like them, and one by one gobbled them up.
-Whitchurch was regulated by Bishop Stapeldon in
-1332. At present only one archpriesthood lingers on,
-that of Haccombe. At an episcopal visitation, when
-the name of the archpriest is recited by the episcopal
-official, he does not respond, as to answer the citation
-would be a recognition of the bishop's jurisdiction
-over Haccombe. The very fine piece of screen in
-Whitchurch was placed there by a former Lord
-Devon. It comes from Moreton Hampstead. When
-the dunderheads there cast it forth, the Earl secured<span class="pagenum"><a name="Page_276" id="Page_276">[Pg 276]</a></span>
-it and placed it where it might be preserved and
-valued. It is of excellent work.</p>
-
-<p>Before laying down my pen I feel that I have not
-done homage to that which, after all, gives the flavour
-of poetry to the moorland&mdash;the heath and heather.
-I was one day on the top of the coach from Holsworthy
-to Bude, between two Scotch ladies, and I
-put to them the question, "Which is heath and which
-heather&mdash;that with the large, or that with the small
-bells?" And Jennie, on my right, said: "The large
-bell&mdash;that is heather"; but Grizel, on my left, said:
-"Nay, the small bell&mdash;that is heather." As Scottish
-women were undecided, I referred to books, and
-take their decision. The large bell is heath; the ling,
-that is heather.</p>
-
-<p>In old times, so it is said, the Picts made of the
-heather a most excellent beer, and the secret was
-preserved among them. Leyden says that when
-the Picts were exterminated, a father and son, who
-alone survived, were brought before Kenneth the
-Conqueror, who promised them life if they would
-divulge the secret of heather ale. As they remained
-silent, the son was put to death before the eyes of
-his father. This exercise of cruelty failed in its
-effect. "Sire," said the old Pict, "your threats might
-have influenced my son, but they have no effect on
-me." The king suffered the Pict to live, and the
-secret remained untold.</p>
-
-<p>Ah, weel! the Scotch make up for their loss upon
-whisky.</p>
-
-<p>A recent writer, referring to the story, says: "It is
-just possible that the grain of truth contained in the<span class="pagenum"><a name="Page_277" id="Page_277">[Pg 277]</a></span>
-tradition may be, that all the northern nations, as the
-Swedes still do, used the narcotic gale (<i lang="la">Myrica gale</i>),
-which grows among the heather, to give bitterness
-and strength to the barley beer; and hence the belief
-that the beer was made chiefly of the heather itself."</p>
-
-<p>I do not hold this. I suspect that the ale was
-metheglin, made of the honey extracted from the
-heather by the bees. Metheglin is still made round
-Dartmoor, but it is only good and "heady" when
-many years old. Avoid that which is younger than
-three winters. When it is older, drink sparingly.<a name="FNanchor_29_29" id="FNanchor_29_29"></a><a href="#Footnote_29_29" class="fnanchor">[29]</a></p>
-
-<p>It is quite certain that the ancient Irish brewed a
-beer, which we can hardly think came from barley.
-S. Bridget has left but one poetical composition
-behind her, and that begins:&mdash;</p>
-
-<div class="center">
-<div class="poem"><div class="stanza">
-<span class="i0">"I should like a great lake of ale<br /></span>
-<span class="i2">For the King of kings.<br /></span>
-<span class="i0">I should like the whole company of Heaven<br /></span>
-<span class="i2">To be drinking it eternally!"<br /></span>
-</div></div>
-</div>
-
-<p>The heath was doubtless largely used in former
-times, from the Prehistoric Age, not only as a thatch
-for the huts and hovels, but as a litter for the beds.
-Indeed, heath or heather is still employed in the
-Scottish Highlands along with the peat earth as a
-substitute for mortar between the stones of which
-a cottage is built. And that heather was employed
-for bedding who can question? Leather is tanned<span class="pagenum"><a name="Page_278" id="Page_278">[Pg 278]</a></span>
-even better with heath than with oak-bark, and of it
-a brilliant yellow dye is produced.</p>
-
-<p>But&mdash;ah, me! the heath and the heather!&mdash;it is
-not for the beer produced therefrom, not for the tan,
-not for the dye, that we love it. Wonderful is the
-sight of the moorside flushed with pink when the
-heather is in bloom&mdash;it is as though, like a maiden,
-it had suddenly awoke to the knowledge that it was
-lovely, and blushed with surprise and pleasure at the
-discovery.</p>
-
-<p>But how short-lived is the heath!</p>
-
-<p>It lies dead&mdash;a warm chocolate-brown, mantling
-the hills from October till July. Only in the midsummer
-does it timidly put forth its leaves&mdash;its
-spines rather&mdash;and then it flushes again in September.
-It blooms for about a fortnight, perhaps three
-weeks, and then subsides into its brown winter sleep.
-But what browns! what splendours of colour we have
-when the fern is in its russet decay and the heather
-is in its velvet sleep!</p>
-
-<p>To him who wanders over the moor, and looks
-at the flowers at his feet, some day comes the proud
-felicity of lighting on the white heath&mdash;and that
-found ensures happiness. And I, as I make my
-<em>congé</em>, hand it to my reader with best wishes for his
-enjoyment of that region I love best in the world.</p>
-
-<div class="footnotes"><h3>FOOTNOTES:</h3>
-
-<div class="footnote">
-
-<p><a name="Footnote_29_29" id="Footnote_29_29"></a><a href="#FNanchor_29_29"><span class="label">[29]</span></a> Yet there is the Devonshire white ale&mdash;the composition of which
-is a secret&mdash;that is still drunk in the South Hams, and in one tavern in
-Tavistock. It is a singular, curdy liquor, in the manufacture of which
-egg is employed. Is heath used also? <i lang="es">Qu en sabe?</i></p>
-
-<p><span class="pagenum"><a name="Page_279" id="Page_279">[Pg 279]</a></span></p></div></div>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>INDEX</h2>
-
-
-
-<ul id="index"><li class="ifrst">Abbots' Way, <a href="#Page_210">210</a>-11.</li>
-
-<li>Algeria, <a href="#Page_36">36</a>.</li>
-
-<li>Amusing scene, <a href="#Page_256">256</a>.</li>
-
-<li>Ancient tenements, <a href="#Page_24">24</a>.</li>
-
-<li>Archerton, <a href="#Page_27">27</a>.</li>
-
-<li>Archpriests, <a href="#Page_275">275</a>.</li>
-
-<li>Arrow-heads, <a href="#Page_37">37</a>-8.</li>
-
-<li>Asphodel, <a href="#Page_11">11</a>.</li>
-
-<li>Assacombe, <a href="#Page_163">163</a>.</li>
-
-<li>Aune Head, <a href="#Page_6">6</a>.</li>
-
-<li>Avon River, <a href="#Page_210">210</a>-11.</li>
-
-<li>Axe River, <a href="#Page_1">1</a>.</li>
-
-
-<li class="indx">Bairdown Man, <a href="#Page_273">273</a>.</li>
-
-<li>Bath huts, <a href="#Page_46">46</a>.</li>
-
-<li>Batworthy, <a href="#Page_160">160</a>.</li>
-
-<li>Becka Fall, <a href="#Page_174">174</a>.</li>
-
-<li>Beehive huts, <a href="#Page_213">213</a>.</li>
-
-<li>Bee-keeping, <a href="#Page_13">13</a>.</li>
-
-<li>Bellever, <a href="#Page_145">145</a>, <a href="#Page_223">223</a>, <a href="#Page_242">242</a>, <a href="#Page_256">256</a>.</li>
-
-<li>Belstone, <a href="#Page_144">144</a>-8, <a href="#Page_156">156</a>.</li>
-
-<li>Bidlake, <a href="#Page_106">106</a>-7.</li>
-
-<li>Birds of the moor, <a href="#Page_251">251</a>-2.</li>
-
-<li>Bishop's Stone, <a href="#Page_174">174</a>.</li>
-
-<li>Blachford, <a href="#Page_217">217</a>, <a href="#Page_219">219</a>.</li>
-
-<li>Black Tor, <a href="#Page_270">270</a>.</li>
-
-<li>Blowing-houses, <a href="#Page_120">120</a>-1, <a href="#Page_148">148</a>, <a href="#Page_200">200</a>, <a href="#Page_215">215</a>-16, <a href="#Page_270">270</a>.</li>
-
-<li>Bog plants, <a href="#Page_11">11</a>-12.</li>
-
-<li>Bogs, <a href="#Page_2">2</a>-11, <a href="#Page_202">202</a>.</li>
-
-<li>Bovey Heathfield, <a href="#Page_15">15</a>.</li>
-
-<li>Bowerman's Nose, <a href="#Page_75">75</a>.</li>
-
-<li>Brent Tor, <a href="#Page_97">97</a>, <a href="#Page_102">102</a>-4.</li>
-
-<li>Bridestowe, <a href="#Page_23">23</a>;</li>
-<li class="isub1">church, <a href="#Page_138">138</a>.</li>
-
-<li>Bridges, <a href="#Page_72">72</a>-3, <a href="#Page_242">242</a>.</li>
-
-<li>Brimpts, <a href="#Page_25">25</a>, <a href="#Page_196">196</a>.</li>
-
-<li>Bronescombe's Loaf, <a href="#Page_139">139</a>-41.</li>
-
-<li>Bronze implements, <a href="#Page_15">15</a>.</li>
-
-<li>Brooke, Rajah, <a href="#Page_229">229</a>.</li>
-
-<li>Broom, Yellow, <a href="#Page_12">12</a>.</li>
-
-<li>Browne's House, <a href="#Page_164">164</a>.</li>
-
-<li>Buckbean, <a href="#Page_11">11</a>.</li>
-
-<li>Buckland-in-the-Moor, <a href="#Page_194">194</a>.</li>
-
-<li>Bull-ring, <a href="#Page_229">229</a>.</li>
-
-<li>Burglary, <a href="#Page_263">263</a>-5.</li>
-
-<li>Burial alive, <a href="#Page_174">174</a>.</li>
-
-<li>Burleigh Wood Camp, <a href="#Page_104">104</a>-6.</li>
-
-<li>Burra Tor, <a href="#Page_229">229</a>.</li>
-
-
-<li class="indx">Caches, <a href="#Page_213">213</a>, <a href="#Page_230">230</a>.</li>
-
-<li>Cainnech, S., story of, <a href="#Page_64">64</a>-5.</li>
-
-<li>Cairns, <a href="#Page_71">71</a>-2, <a href="#Page_101">101</a>, <a href="#Page_211">211</a>, <a href="#Page_269">269</a>.</li>
-
-<li>Caistor Rock, <a href="#Page_160">160</a>.</li>
-
-<li>Camps, <a href="#Page_72">72</a>, <a href="#Page_82">82</a>-3, <a href="#Page_97">97</a>-107, <a href="#Page_130">130</a>, <a href="#Page_155">155</a>, <a href="#Page_162">162</a>, <a href="#Page_240">240</a>.</li>
-
-<li>Canoe, <a href="#Page_15">15</a>.</li>
-
-<li>Castle, Lydford, <a href="#Page_131">131</a>.</li>
-
-<li>Causeway, great central, <a href="#Page_71">71</a>, <a href="#Page_170">170</a>, <a href="#Page_242">242</a>.</li>
-
-<li>Chagford, <a href="#Page_157">157</a>-60.</li>
-
-<li>Chaw Gully, <a href="#Page_170">170</a>.</li>
-
-<li>Childe the Hunter, <a href="#Page_202">202</a>-3.
-<span class="pagenum"><a name="Page_280" id="Page_280">[Pg 280]</a></span></li>
-<li>Chinese, <a href="#Page_33">33</a>-5, <a href="#Page_84">84</a>.</li>
-
-<li>Circles, stone, <a href="#Page_57">57</a>-9, <a href="#Page_101">101</a>, <a href="#Page_160">160</a>, <a href="#Page_163">163</a>, <a href="#Page_164">164</a>, <a href="#Page_273">273</a>.</li>
-
-<li>Clakeywell Pool, <a href="#Page_231">231</a>.</li>
-
-<li>Clerk, old, <a href="#Page_125">125</a>-6, <a href="#Page_158">158</a>.</li>
-
-<li>Clitters, <a href="#Page_17">17</a>, <a href="#Page_75">75</a>.</li>
-
-<li>Coffin-stone, <a href="#Page_195">195</a>.</li>
-
-<li>Commons, <a href="#Page_23">23</a>.</li>
-
-<li>Convicts, <a href="#Page_262">262</a>-3, <a href="#Page_265">265</a>-7.</li>
-
-<li>Cooking-holes, <a href="#Page_44">44</a>-6, <a href="#Page_70">70</a>;</li>
-<li class="isub1">pots, <a href="#Page_46">46</a>, <a href="#Page_70">70</a>.</li>
-
-<li>Cookworthy, William, <a href="#Page_237">237</a>-8.</li>
-
-<li>Coral moss, <a href="#Page_250">250</a>-1.</li>
-
-<li>Cosdon, <a href="#Page_149">149</a>.</li>
-
-<li>Country dances, <a href="#Page_236">236</a>.</li>
-
-<li>Cox Tor, <a href="#Page_269">269</a>.</li>
-
-<li>Cranbrook Castle, <a href="#Page_104">104</a>, <a href="#Page_162">162</a>.</li>
-
-<li>Cranmere Pool, <a href="#Page_7">7</a>, <a href="#Page_149">149</a>.</li>
-
-<li>Cromlech, <a href="#Page_55">55</a>, <a href="#Page_57">57</a>, <a href="#Page_162">162</a>.</li>
-
-<li>Crosses, Celtic, <a href="#Page_42">42</a>;</li>
-<li class="isub1">on Dartmoor, <a href="#Page_65">65</a>-6, <a href="#Page_159">159</a>, <a href="#Page_203">203</a>, <a href="#Page_210">210</a>-12, <a href="#Page_236">236</a>, <a href="#Page_274">274</a>.</li>
-
-<li>Cuckoo, <a href="#Page_252">252</a>.</li>
-
-<li>Culture, encroachment of, <a href="#Page_26">26</a>-8.</li>
-
-<li>Cut Hill, <a href="#Page_243">243</a>.</li>
-
-
-<li class="indx">Daddy longlegs, <a href="#Page_254">254</a>-5.</li>
-
-<li>Damnonii, <a href="#Page_44">44</a>.</li>
-
-<li>Dartmoor:</li>
-<li class="isub1">ancient inhabitants, <a href="#Page_29">29</a>-51;</li>
-<li class="isub1">antiquities, <a href="#Page_52">52</a>-73;</li>
-<li class="isub1">bogs, <a href="#Page_2">2</a>-10;</li>
-<li class="isub1">camps, <a href="#Page_97">97</a>-107;</li>
-<li class="isub1">cradle of rivers, <a href="#Page_1">1</a>;</li>
-<li class="isub1">forest, <a href="#Page_22">22</a>, <a href="#Page_24">24</a>-5, <a href="#Page_271">271</a>;</li>
-<li class="isub1">granite, <a href="#Page_16">16</a>;</li>
-<li class="isub1">lakes, <a href="#Page_15">15</a>, <a href="#Page_16">16</a>;</li>
-<li class="isub1">plants, <a href="#Page_11">11</a>-13, <a href="#Page_19">19</a>-21;</li>
-<li class="isub1">Preservation Society, <a href="#Page_27">27</a>;</li>
-<li class="isub1">salubrity of, <a href="#Page_178">178</a>-9, <a href="#Page_259">259</a>-60;</li>
-<li class="isub1">tin-streaming, <a href="#Page_108">108</a>-123;</li>
-<li class="isub1">tors, <a href="#Page_7">7</a>, <a href="#Page_14">14</a>-15, <a href="#Page_75">75</a>, <i lang="la">et passim</i>;</li>
-<li class="isub1">venville parishes, <a href="#Page_22">22</a>-3.</li>
-
-<li>Dart River, <a href="#Page_194">194</a>-200;</li>
-<li class="isub1">East, <a href="#Page_241">241</a>;</li>
-<li class="isub1">West, <a href="#Page_224">224</a>, <a href="#Page_256">256</a>;</li>
-<li class="isub1">cry of, <a href="#Page_235">235</a>;</li>
-<li class="isub1">otter-hunting on, <a href="#Page_224">224</a>-8.</li>
-
-<li>Dedication of Celtic Churches, <a href="#Page_128">128</a>-9.</li>
-
-<li>Deer, <a href="#Page_223">223</a>.</li>
-
-<li>Destruction of antiquities, <a href="#Page_53">53</a>-5, <a href="#Page_162">162</a>, <a href="#Page_172">172</a>, <a href="#Page_210">210</a>, <a href="#Page_211">211</a>, <a href="#Page_228">228</a>.</li>
-
-<li>Dewerstone, <a href="#Page_104">104</a>, <a href="#Page_239">239</a>-40.</li>
-
-<li>Dolly Trebble, <a href="#Page_196">196</a>-7.</li>
-
-<li>Dolmens, <a href="#Page_55">55</a>-6.</li>
-
-<li>Dolmen-builders, <a href="#Page_36">36</a>-9.</li>
-
-<li>Drewsteignton cromlech, <a href="#Page_162">162</a>.</li>
-
-<li>Drift, a Dartmoor, <a href="#Page_25">25</a>.</li>
-
-<li>Drizzlecombe, <a href="#Page_60">60</a>, <a href="#Page_63">63</a>, <a href="#Page_120">120</a>, <a href="#Page_236">236</a>.</li>
-
-<li>Druids, <a href="#Page_80">80</a>-1, <a href="#Page_272">272</a>.</li>
-
-<li>Duchy, <a href="#Page_27">27</a>.</li>
-
-<li>Dunnabridge Pound, <a href="#Page_26">26</a>.</li>
-
-<li>Dyeing, <a href="#Page_249">249</a>.</li>
-
-
-<li class="indx">Elford family, <a href="#Page_221">221</a>.</li>
-
-<li>Epitaphs, <a href="#Page_129">129</a>-30, <a href="#Page_193">193</a>.</li>
-
-<li>Erme Plains, <a href="#Page_212">212</a>;</li>
-<li class="isub1">river, <a href="#Page_211">211</a>.</li>
-
-<li>Escapes of convicts, <a href="#Page_265">265</a>-7.</li>
-
-<li>Exe River, <a href="#Page_1">1</a>.</li>
-
-
-<li class="indx">Fardell, <a href="#Page_219">219</a>.</li>
-
-<li>Farmhouses, <a href="#Page_190">190</a>.</li>
-
-<li>Fernworthy, <a href="#Page_163">163</a>.</li>
-
-<li>Fice's Well, <a href="#Page_274">274</a>.</li>
-
-<li>Flint finds, <a href="#Page_160">160</a>, <a href="#Page_243">243</a>;</li>
-<li class="isub1">tools and weapons, <a href="#Page_30">30</a>, <a href="#Page_37">37</a>, <a href="#Page_38">38</a>, <a href="#Page_45">45</a>, <a href="#Page_49">49</a>.</li>
-
-<li>Foale's Arrishes, <a href="#Page_176">176</a>-8.</li>
-
-<li>Fordd = a road, <a href="#Page_273">273</a>.</li>
-
-<li>Forest, <a href="#Page_22">22</a>, <a href="#Page_24">24</a>-5, <a href="#Page_271">271</a>.</li>
-
-<li>Fox-hunting, <a href="#Page_223">223</a>.</li>
-
-<li>Fox Tor Mire, <a href="#Page_6">6</a>.</li>
-
-<li>Fresh air, <a href="#Page_178">178</a>.</li>
-
-<li>Funeral customs, <a href="#Page_83">83</a>-96.</li>
-
-<li>Fur Tor Cut, <a href="#Page_7">7</a>-8.</li>
-
-<li>Furze, <a href="#Page_12">12</a>-13.</li>
-
-
-<li class="indx">Gael, <a href="#Page_39">39</a>, <a href="#Page_41">41</a>-2.
-<span class="pagenum"><a name="Page_281" id="Page_281">[Pg 281]</a></span></li>
-<li>Galford, <a href="#Page_105">105</a>-6.</li>
-
-<li>Gates, how hung, <a href="#Page_133">133</a>.</li>
-
-<li>Ghosts, <a href="#Page_90">90</a>-1.</li>
-
-<li>Gidleigh, <a href="#Page_162">162</a>-3.</li>
-
-<li>Gobbetts, <a href="#Page_117">117</a>, <a href="#Page_203">203</a>-6.</li>
-
-<li>Gold, <a href="#Page_122">122</a>.</li>
-
-<li>Granite, <a href="#Page_14">14</a>-16.</li>
-
-<li>Greenaball, <a href="#Page_273">273</a>.</li>
-
-<li>Grey Wethers, <a href="#Page_164">164</a>, <a href="#Page_243">243</a>.</li>
-
-<li>Grimspound, <a href="#Page_165">165</a>-70.</li>
-
-<li>Gubbinses, <a href="#Page_134">134</a>-5.</li>
-
-
-<li class="indx">Harford church, <a href="#Page_214">214</a>.</li>
-
-<li>Harter Tor, <a href="#Page_270">270</a>.</li>
-
-<li>Hawns and Dendles, <a href="#Page_217">217</a>.</li>
-
-<li>Heather, <a href="#Page_276">276</a>-8;</li>
-<li class="isub1">white, <a href="#Page_162">162</a>.</li>
-
-<li>Hembury Castle, <a href="#Page_104">104</a>.</li>
-
-<li>Hey Tor Rocks, <a href="#Page_176">176</a>.</li>
-
-<li>Holne Chase, <a href="#Page_194">194</a>;</li>
-<li class="isub1">church, <a href="#Page_193">193</a>.</li>
-
-<li>Hound Tor, <a href="#Page_175">175</a>.</li>
-
-<li>Huccaby Bridge, <a href="#Page_200">200</a>.</li>
-
-<li>Hut circles, <a href="#Page_43">43</a>-4, <a href="#Page_66">66</a>-71, <a href="#Page_148">148</a>, <a href="#Page_168">168</a>, <a href="#Page_176">176</a>, <a href="#Page_212">212</a>-13.</li>
-
-
-<li class="indx">Idol, wooden, <a href="#Page_15">15</a>.</li>
-
-<li>Inscribed stones, <a href="#Page_142">142</a>-3, <a href="#Page_173">173</a>, <a href="#Page_219">219</a>.</li>
-
-<li>Iron: introduction of, <a href="#Page_29">29</a>;</li>
-<li class="isub1">smelting, <a href="#Page_112">112</a>;</li>
-<li class="isub1">smelting-houses, <a href="#Page_194">194</a>.</li>
-
-<li>Ivybridge, <a href="#Page_209">209</a>.</li>
-
-
-<li class="indx">Jack-o'-Lantern, <a href="#Page_243">243</a>-7.</li>
-
-<li>Jolly Lane Cot, <a href="#Page_200">200</a>-1.</li>
-
-
-<li class="indx">Kaolin, <a href="#Page_237">237</a>-9.</li>
-
-<li>Kingset, <a href="#Page_231">231</a>.</li>
-
-<li>Kingsley, Charles, <a href="#Page_206">206</a>.</li>
-
-<li>King's Oven, <a href="#Page_122">122</a>.</li>
-
-<li>King's Teignton, <a href="#Page_207">207</a>.</li>
-
-<li>Kingston, Duchess of, <a href="#Page_214">214</a>-15.</li>
-
-<li>Kistvaens, <a href="#Page_57">57</a>, <a href="#Page_101">101</a>, <a href="#Page_149">149</a>, <a href="#Page_168">168</a>, <a href="#Page_175">175</a>, <a href="#Page_268">268</a>-9.</li>
-
-
-<li class="indx">"Lady" Darke, <a href="#Page_183">183</a>-9.</li>
-
-<li>Lake-bed, <a href="#Page_16">16</a>.</li>
-
-<li>Lake-head Hill, <a href="#Page_242">242</a>.</li>
-
-<li>Langstone, <a href="#Page_10">10</a>, <a href="#Page_101">101</a>, <a href="#Page_160">160</a>, <a href="#Page_274">274</a>.</li>
-
-<li>Laurence, Archbishop, <a href="#Page_87">87</a>.</li>
-
-<li>Leather Tor, <a href="#Page_235">235</a>.</li>
-
-<li>Lichens, <a href="#Page_199">199</a>, <a href="#Page_249">249</a>-50.</li>
-
-<li>Lime, deficiency of, <a href="#Page_255">255</a>.</li>
-
-<li>Logan rocks, <a href="#Page_75">75</a>-9, <a href="#Page_141">141</a>, <a href="#Page_270">270</a>.</li>
-
-<li>Luminous moss, <a href="#Page_19">19</a>-20.</li>
-
-<li>Lustleigh church, <a href="#Page_173">173</a>-4.</li>
-
-<li>Lych Way, <a href="#Page_255">255</a>.</li>
-
-<li>Lydford, <a href="#Page_107">107</a>, <a href="#Page_124">124</a>-32, <a href="#Page_134">134</a>-5.</li>
-
-<li>Lynx Tor, <a href="#Page_141">141</a>-2.</li>
-
-
-<li class="indx">"Maid and Lantern," ballad, <a href="#Page_248">248</a>.</li>
-
-<li>Manaton, <a href="#Page_171">171</a>-2.</li>
-
-<li>Marchant's Cross, <a href="#Page_236">236</a>.</li>
-
-<li>Mary Tavy church, <a href="#Page_137">137</a>;</li>
-<li class="isub1">registers, <a href="#Page_136">136</a>-7.</li>
-
-<li>May Day customs, <a href="#Page_206">206</a>-7.</li>
-
-<li>Meavy, <a href="#Page_236">236</a>-7.</li>
-
-<li>Menhirs, <a href="#Page_62">62</a>-6, <a href="#Page_101">101</a>, <a href="#Page_149">149</a>, <a href="#Page_236">236</a>, <a href="#Page_268">268</a>, <a href="#Page_273">273</a>.</li>
-
-<li>Merrivale Bridge, <a href="#Page_120">120</a>, <a href="#Page_268">268</a>-9.</li>
-
-<li>Mires, <a href="#Page_6">6</a>, <a href="#Page_8">8</a>.</li>
-
-<li>Mistletoe, <a href="#Page_272">272</a>.</li>
-
-<li>Mis Tor, <a href="#Page_269">269</a>, <a href="#Page_273">273</a>.</li>
-
-<li>Murcens, <a href="#Page_102">102</a>.</li>
-
-
-<li class="indx">Neolithic man, <a href="#Page_31">31</a>-51.</li>
-
-<li>North Bovey, <a href="#Page_172">172</a>.</li>
-
-<li>Nun's Cross, <a href="#Page_230">230</a>-1.</li>
-
-
-<li class="indx">Oaks, <a href="#Page_272">272</a>.</li>
-
-<li>Oghams, <a href="#Page_219">219</a>.</li>
-
-<li>Okebrook, <a href="#Page_200">200</a>.</li>
-
-<li>Okement River, <a href="#Page_1">1</a>;</li>
-<li class="isub1">West, <a href="#Page_136">136</a>, <a href="#Page_138">138</a>.</li>
-
-<li>Otter-hunting, <a href="#Page_224">224</a>-8.
-<span class="pagenum"><a name="Page_282" id="Page_282">[Pg 282]</a></span></li>
-<li>Otter River, <a href="#Page_1">1</a>.</li>
-
-<li>Over Tor, <a href="#Page_269">269</a>.</li>
-
-
-<li class="indx">Palæolithic man, <a href="#Page_30">30</a>.</li>
-
-<li>Palgrave, Mr., <a href="#Page_31">31</a>.</li>
-
-<li>Peat fires, <a href="#Page_180">180</a>;</li>
-<li class="isub1">works, <a href="#Page_142">142</a>.</li>
-
-<li>Pebbles, <a href="#Page_47">47</a>.</li>
-
-<li>Peter Tavy church, <a href="#Page_137">137</a>-8.</li>
-
-<li>Petrock, S., <a href="#Page_12">12</a>, <a href="#Page_127">127</a>, <a href="#Page_129">129</a>, <a href="#Page_214">214</a>.</li>
-
-<li>Phœnicians, <a href="#Page_144">144</a>-6.</li>
-
-<li>Pixy Cave, <a href="#Page_200">200</a>, <a href="#Page_221">221</a>.</li>
-
-<li>Plym River, <a href="#Page_239">239</a>.</li>
-
-<li>Population, ancient, <a href="#Page_48">48</a>-9.</li>
-
-<li>Post Bridge, <a href="#Page_48">48</a>, <a href="#Page_241">241</a>-58.</li>
-
-<li>Pottery, neolithic, <a href="#Page_30">30</a>, <a href="#Page_38">38</a>, <a href="#Page_177">177</a>-8.</li>
-
-<li>Pounds, <a href="#Page_26">26</a>, <a href="#Page_48">48</a>.</li>
-
-<li>Prideaux, John, <a href="#Page_214">214</a>.</li>
-
-<li>Prince's Hall, <a href="#Page_27">27</a>.</li>
-
-<li>Princetown, <a href="#Page_27">27</a>, <a href="#Page_259">259</a>-71.</li>
-
-<li>Prisoners, <a href="#Page_261">261</a>.</li>
-
-<li>Prisons, <a href="#Page_259">259</a>-61.</li>
-
-
-<li class="indx">Quarters of the Forest, <a href="#Page_25">25</a>.</li>
-
-
-<li class="indx">Radford, Daniel, the late, <a href="#Page_132">132</a>.</li>
-
-<li>Ravens, <a href="#Page_170">170</a>.</li>
-
-<li>Ravine, Lydford, <a href="#Page_134">134</a>.</li>
-
-<li>Redlake Mires, <a href="#Page_7">7</a>.</li>
-
-<li>Redmoor Mire, <a href="#Page_9">9</a>.</li>
-
-<li>Reservoir, Burra Tor, <a href="#Page_221">221</a>.</li>
-
-<li>Rock basins, <a href="#Page_78">78</a>-9, <a href="#Page_273">273</a>.</li>
-
-<li>Rooks, <a href="#Page_254">254</a>.</li>
-
-<li>Roos Tor, <a href="#Page_78">78</a>.</li>
-
-<li>Roundy Farm, <a href="#Page_231">231</a>.</li>
-
-<li>Roundy Pound, <a href="#Page_160">160</a>.</li>
-
-<li>Row. <em>See</em> Stone rows.</li>
-
-
-<li class="indx">Salubrity of Dartmoor, <a href="#Page_178">178</a>-9, <a href="#Page_259">259</a>-60.</li>
-
-<li>Samoyeds, <a href="#Page_58">58</a>-9.</li>
-
-<li>Satterleigh, Sally, <a href="#Page_201">201</a>.</li>
-
-<li>Scaur Hill Circle, <a href="#Page_160">160</a>.</li>
-
-<li>Screens in churches, <a href="#Page_163">163</a>, <a href="#Page_171">171</a>, <a href="#Page_172">172</a>, <a href="#Page_210">210</a>, <a href="#Page_228">228</a>, <a href="#Page_275">275</a>.</li>
-
-<li>Shapleigh Common, <a href="#Page_165">165</a>.</li>
-
-<li>Sheeps Tor, <a href="#Page_220">220</a>-2, <a href="#Page_228">228</a>, <a href="#Page_236">236</a>.</li>
-
-<li>Sherrill, <a href="#Page_199">199</a>-200.</li>
-
-<li>"Silly Doe," ballad, <a href="#Page_222">222</a>.</li>
-
-<li>Slade, <a href="#Page_219">219</a>.</li>
-
-<li>Snaily House, <a href="#Page_256">256</a>.</li>
-
-<li>Sourton Down, <a href="#Page_142">142</a>.</li>
-
-<li>South Brent church, <a href="#Page_210">210</a>.</li>
-
-<li>Sparrow-hawk, <a href="#Page_254">254</a>.</li>
-
-<li>Staple Tor, <a href="#Page_269">269</a>.</li>
-
-<li>Steeperton Tor, <a href="#Page_146">146</a>, <a href="#Page_148">148</a>.</li>
-
-<li>Sticklepath, <a href="#Page_149">149</a>-50.</li>
-
-<li>Stinga Tor, <a href="#Page_141">141</a>.</li>
-
-<li>Stonehenge, <a href="#Page_31">31</a>, <a href="#Page_40">40</a>.</li>
-
-<li>Stone rows, <a href="#Page_60">60</a>-2, <a href="#Page_149">149</a>, <a href="#Page_160">160</a>-2, <a href="#Page_163">163</a>, <a href="#Page_176">176</a>, <a href="#Page_212">212</a>, <a href="#Page_213">213</a>, <a href="#Page_268">268</a>-9.</li>
-
-<li>Sundew, <a href="#Page_11">11</a>.</li>
-
-<li>Sweet gale, <a href="#Page_11">11</a>-12.</li>
-
-<li>Swincombe, <a href="#Page_114">114</a>-20, <a href="#Page_203">203</a>.</li>
-
-
-<li class="indx">Tailor lost on the moor, <a href="#Page_4">4</a>-5.</li>
-
-<li>Taw Marsh, <a href="#Page_146">146</a>-7.</li>
-
-<li>Teign River, <a href="#Page_160">160</a>, <a href="#Page_162">162</a>, <a href="#Page_164">164</a>.</li>
-
-<li>Throwleigh, <a href="#Page_156">156</a>, <a href="#Page_163">163</a>.</li>
-
-<li>Tin, <a href="#Page_22">22</a>, <a href="#Page_30">30</a>;</li>
-<li class="isub1">streaming, <a href="#Page_108">108</a>-23.</li>
-
-<li>Tincombe Lane, <a href="#Page_159">159</a>.</li>
-
-<li>Tolmens, <a href="#Page_79">79</a>-80, <a href="#Page_162">162</a>, <a href="#Page_269">269</a>.</li>
-
-<li>Tor Royal, <a href="#Page_271">271</a>.</li>
-
-<li>Tors, <a href="#Page_17">17</a>-18.</li>
-
-<li>Tracklines, <a href="#Page_47">47</a>, <a href="#Page_71">71</a>.</li>
-
-<li>Trackway, great central, <a href="#Page_170">170</a>, <a href="#Page_242">242</a>.</li>
-
-<li>Trippers, <a href="#Page_217">217</a>-18, <a href="#Page_268">268</a>.</li>
-
-<li>Tristis Rock, <a href="#Page_213">213</a>.</li>
-
-<li>Two Bridges, <a href="#Page_268">268</a>.</li>
-
-<li>Tyrwhitt, Sir Thomas, <a href="#Page_26">26</a>, <a href="#Page_196">196</a>, <a href="#Page_259">259</a>-61, <a href="#Page_271">271</a>.
-<span class="pagenum"><a name="Page_283" id="Page_283">[Pg 283]</a></span></li>
-<li>Vectis, <a href="#Page_110">110</a>.</li>
-
-<li>Venville parishes, <a href="#Page_22">22</a>-3.</li>
-
-<li>Vitifer, <a href="#Page_170">170</a>.</li>
-
-<li>Vixen Tor, <a href="#Page_75">75</a>, <a href="#Page_270">270</a>.</li>
-
-<li>Voices, strange, <a href="#Page_232">232</a>-5.</li>
-
-
-<li class="indx">Walkham River, <a href="#Page_269">269</a>-70.</li>
-
-<li>Walkhampton church, <a href="#Page_270">270</a>.</li>
-
-<li>Weekes family, <a href="#Page_151">151</a>-4.</li>
-
-<li>West Okement valley, <a href="#Page_155">155</a>.</li>
-
-<li>West Wyke, <a href="#Page_151">151</a>.</li>
-
-<li>Whitaburrow, <a href="#Page_211">211</a>.</li>
-
-<li>Whitchurch, <a href="#Page_274">274</a>.</li>
-
-<li>White ale, <a href="#Page_277">277</a>.</li>
-
-<li>Whitmoor Stone, <a href="#Page_149">149</a>.</li>
-
-<li>Whit Tor Camp, <a href="#Page_48">48</a>, <a href="#Page_98">98</a>-100.</li>
-
-<li>Whortleberry, <a href="#Page_20">20</a>-1.</li>
-
-<li>Widdecombe-in-the-Moor, <a href="#Page_180">180</a>-2;</li>
-<li class="isub1">Fair ballad, <a href="#Page_190">190</a>-2.</li>
-
-<li>Williams, Sir Thomas, <a href="#Page_214">214</a>.</li>
-
-<li>Windstrew, <a href="#Page_220">220</a>.</li>
-
-<li>Wireworm, <a href="#Page_254">254</a>.</li>
-
-<li>Wistman's Wood, <a href="#Page_271">271</a>-2.</li>
-
-<li>Wolfram, <a href="#Page_21">21</a>.</li>
-
-<li>Wren, <a href="#Page_252">252</a>-3.</li>
-
-
-<li class="indx">Yar Tor, <a href="#Page_199">199</a>.</li>
-
-<li>Yealm River, <a href="#Page_215">215</a>.</li>
-
-<li>Yelverton, <a href="#Page_220">220</a>.</li>
-
-<li>Yes Tor, <a href="#Page_155">155</a>.</li>
-
-
-<li class="indx">Zeal Plains, <a href="#Page_210">210</a>.</li>
-
-<li>Zeal, South, <a href="#Page_150">150</a>-1.</li>
-</ul>
-<p><span class="pagenum"><a name="Page_284" id="Page_284">[Pg 284]</a></span></p>
-
-<p class="center p6">PLYMOUTH<br />
-W. BRENDON AND SON, LIMITED<br />
-PRINTERS
-</p>
-
-<p><span class="pagenum"><a name="Page_1001" id="Page_1001">[Pg 1001]</a></span></p>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h2>A CATALOGUE OF BOOKS<br />
-PUBLISHED BY METHUEN<br />
-AND COMPANY: LONDON<br />
-36 ESSEX STREET<br />
-W.C.</h2>
-<div class="chapter"></div>
-<hr class="chap" />
-
-
-
-
-<h3>CONTENTS</h3>
-
-
-<div class="center">
-<table border="0" cellpadding="4" cellspacing="0" summary="CONTENTS">
- <tr>
- <th></th>
- <th>PAGE</th>
- </tr>
- <tr>
- <td>General Literature,</td>
- <td class="tdr"><a href="#Page_1002">2</a>-20</td>
- </tr>
- <tr>
- <td>Ancient Cities,</td>
- <td class="tdr"><a href="#Page_1020">20</a></td>
- </tr>
- <tr>
- <td>Antiquary's Books,</td>
- <td class="tdr"><a href="#Page_1020">20</a></td>
- </tr>
- <tr>
- <td>Arden Shakespeare,</td>
- <td class="tdr"><a href="#Page_1020">20</a></td>
- </tr>
- <tr>
- <td>Beginner's Books,</td>
- <td class="tdr"><a href="#Page_1021">21</a></td>
- </tr>
- <tr>
- <td>Business Books,</td>
- <td class="tdr"><a href="#Page_1021">21</a></td>
- </tr>
- <tr>
- <td>Byzantine Texts,</td>
- <td class="tdr"><a href="#Page_1021">21</a></td>
- </tr>
- <tr>
- <td>Churchman's Bible,</td>
- <td class="tdr"><a href="#Page_1022">22</a></td>
- </tr>
- <tr>
- <td>Churchman's Library,</td>
- <td class="tdr"><a href="#Page_1022">22</a></td>
- </tr>
- <tr>
- <td>Classical Translations,</td>
- <td class="tdr"><a href="#Page_1022">22</a></td>
- </tr>
- <tr>
- <td>Classics of Art,</td>
- <td class="tdr"><a href="#Page_1023">23</a></td>
- </tr>
- <tr>
- <td>Commercial Series,</td>
- <td class="tdr"><a href="#Page_1023">23</a></td>
- </tr>
- <tr>
- <td>Connoisseur's Library,</td>
- <td class="tdr"><a href="#Page_1023">23</a></td>
- </tr>
- <tr>
- <td>Library of Devotion,</td>
- <td class="tdr"><a href="#Page_1023">23</a></td>
- </tr>
- <tr>
- <td>Illustrated Pocket Library of Plain and Coloured Books,</td>
- <td class="tdr"><a href="#Page_1024">24</a></td>
- </tr>
- <tr>
- <td>Junior Examination Series,</td>
- <td class="tdr"><a href="#Page_1025">25</a></td>
- </tr>
- <tr>
- <td>Junior School-Books,</td>
- <td class="tdr"><a href="#Page_1026">26</a></td>
- </tr>
- <tr>
- <td>Leaders of Religion,</td>
- <td class="tdr"><a href="#Page_1026">26</a></td>
- </tr>
- <tr>
- <td>Little Books on Art,</td>
- <td class="tdr"><a href="#Page_1026">26</a></td>
- </tr>
- <tr>
- <td>Little Galleries,</td>
- <td class="tdr"><a href="#Page_1027">27</a></td>
- </tr>
- <tr>
- <td>Little Guides,</td>
- <td class="tdr"><a href="#Page_1027">27</a></td>
- </tr>
- <tr>
- <td>Little Library,</td>
- <td class="tdr"><a href="#Page_1027">27</a></td>
- </tr>
- <tr>
- <td>Little Quarto Shakespeare,</td>
- <td class="tdr"><a href="#Page_1029">29</a></td>
- </tr>
- <tr>
- <td>Miniature Library,</td>
- <td class="tdr"><a href="#Page_1029">29</a></td>
- </tr>
- <tr>
- <td>Oxford Biographies,</td>
- <td class="tdr"><a href="#Page_1029">29</a></td>
- </tr>
- <tr>
- <td>School Examination Series,</td>
- <td class="tdr"><a href="#Page_1029">29</a></td>
- </tr>
- <tr>
- <td>School Histories,</td>
- <td class="tdr"><a href="#Page_1030">30</a></td>
- </tr>
- <tr>
- <td>Textbooks of Science,</td>
- <td class="tdr"><a href="#Page_1030">30</a></td>
- </tr>
- <tr>
- <td>Simplified French Texts,</td>
- <td class="tdr"><a href="#Page_1030">30</a></td>
- </tr>
- <tr>
- <td>Standard Library,</td>
- <td class="tdr"><a href="#Page_1030">30</a></td>
- </tr>
- <tr>
- <td>Textbooks of Technology,</td>
- <td class="tdr"><a href="#Page_1031">31</a></td>
- </tr>
- <tr>
- <td>Handbooks of Theology,</td>
- <td class="tdr"><a href="#Page_1031">31</a></td>
- </tr>
- <tr>
- <td>Westminster Commentaries,</td>
- <td class="tdr"><a href="#Page_1032">32</a></td>
- </tr>
- <tr>
- <td>Fiction,</td>
- <td class="tdr"><a href="#Page_1032">32</a>-37</td>
- </tr>
- <tr>
- <td>The Shilling Novels,</td>
- <td class="tdr"><a href="#Page_1037">37</a></td>
- </tr>
- <tr>
- <td>Books for Boys and Girls,</td>
- <td class="tdr"><a href="#Page_1039">39</a></td>
- </tr>
- <tr>
- <td>Novels of Alexandre Dumas,</td>
- <td class="tdr"><a href="#Page_1039">39</a></td>
- </tr>
- <tr>
- <td>Methuen's Sixpenny Books,</td>
- <td class="tdr"><a href="#Page_1039">39</a></td>
- </tr>
-</table></div>
-
-<p class="center">FEBRUARY 1908
-</p>
-
-<p><span class="pagenum"><a name="Page_1002" id="Page_1002">[Pg 1002]</a></span></p>
-
-<p class="ph2">A CATALOGUE OF<br />
-<span class="smcap">Messrs. Methuen's</span><br />
-PUBLICATIONS
-</p>
-<div class="blockquot">
-<p>Colonial Editions are published of all Messrs. <span class="smcap">Methuen's</span> Novels issued
-at a price above 2<em>s.</em> 6<em>d.</em>, and similar editions are published of some works of
-General Literature. These are marked in the Catalogue. Colonial editions
-are only for circulation in the British Colonies and India.</p>
-</div>
-<p class="center">I.P.L. represents Illustrated Pocket Library.
-</p>
-
-
-<h3><span class="smcap">Part I.&mdash;General Literature</span></h3>
-
-<div class="hangindent">
-
-<p><strong>Abbott (J. H. M.).</strong> Author of 'Tommy
-Cornstalk.' AN OUTLANDER IN
-ENGLAND: <span class="smcap">Being some Impressions of
-an Australian Abroad</span>. <em>Second Edition.
-Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Acatos (M. J.).</strong> See Junior School Books.</p>
-
-<p><strong>Adams (Frank).</strong> JACK SPRATT. With 24
-Coloured Pictures. <em>Super Royal 16mo. 2s.</em></p>
-
-<p><strong>Adeney (W. F.)</strong>, M.A. See Bennett and
-Adeney.</p>
-
-<p><strong>Æschylus.</strong> See Classical Translations.</p>
-
-<p><strong>Æsop.</strong> See I.P.L.</p>
-
-<p><strong>Ainsworth (W. Harrison).</strong> See I.P.L.</p>
-
-<p><strong>Alderson (J. P.).</strong> MR. ASQUITH. With
-Portraits and Illustrations. <em>Demy 8vo.
-7s. 6d. net.</em></p>
-
-<p><strong>Aldis (Janet).</strong> MADAME GEOFFRIN,
-HER SALON, AND HER TIMES.
-With many Portraits and Illustrations.
-<em>Second Edition. Demy 8vo. 10s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Alexander (William)</strong>, D.D., Archbishop
-of Armagh. THOUGHTS AND
-COUNSELS OF MANY YEARS.
-<em>Demy 16mo. 2s. 6d.</em></p>
-
-<p><strong>Alken (Henry).</strong> THE NATIONAL
-SPORTS OF GREAT BRITAIN. With
-descriptions in English and French. With
-51 Coloured Plates. <em>Royal Folio. Five
-Guineas net.</em> The Plates can be had
-separately in a Portfolio. <em>£3, 3s. net.</em></p>
-
-<p class="blockquot">
-See also I.P.L.<br />
-</p>
-
-<p><strong>Allen (C. C.).</strong> See Textbooks of Technology.</p>
-
-<p><strong>Allen (Jessie).</strong> See Little Books on Art.</p>
-
-<p><strong>Allen (J. Romilly)</strong>, F.S.A. See Antiquary's
-Books.</p>
-
-<p><strong>Almack (E.).</strong> See Little Books on Art.</p>
-
-<p><strong>Amherst (Lady).</strong> A SKETCH OF
-EGYPTIAN HISTORY FROM THE
-EARLIEST TIMES TO THE PRESENT
-DAY. With many Illustrations.
-<em>Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Anderson (F. M.).</strong> THE STORY OF THE
-BRITISH EMPIRE FOR CHILDREN.
-With many Illustrations. <em>Cr. 8vo. 2s.</em></p>
-
-<p><strong>Anderson (J. G.)</strong>, B.A., Examiner to London
-University, NOUVELLE GRAMMAIRE
-FRANÇAISE. <em>Cr. 8vo. 2s.</em></p>
-
-<p>EXERCICES DE GRAMMAIRE FRANÇAISE.
-<em>Cr. 8vo. 1s. 6d.</em></p>
-
-<p><strong>Andrewes (Bishop).</strong> PRECES PRIVATAE.
-Edited, with Notes, by <span class="smcap">F. E.
-Brightman</span>, M.A., of Pusey House, Oxford.
-<em>Cr. 8vo. 6s.</em></p>
-
-<p><strong>Anglo-Australian.</strong> AFTER-GLOW MEMORIES.
-<em>Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Anon.</strong> FELISSA; OR, THE LIFE
-AND OPINIONS OF A KITTEN OF
-SENTIMENT. With 12 Coloured Plates.
-<em>Post 16mo. 2s. 6d. net.</em></p>
-
-<p><strong>Aristotle.</strong> THE NICOMACHEAN
-ETHICS. Edited, with an Introduction
-and Notes, by <span class="smcap">John Burnet</span>, M.A., Professor
-of Greek at St. Andrews. <em>Cheaper
-issue. Demy 8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Atkins (H. G.).</strong> See Oxford Biographies.</p>
-
-<p><strong>Atkinson (C. M.).</strong> JEREMY BENTHAM.
-<em>Demy 8vo. 5s. net.</em></p>
-
-<p><strong>Atkinson (T. D.).</strong> A SHORT HISTORY
-OF ENGLISH ARCHITECTURE.
-With over 200 Illustrations. <em>Second Edition.
-Fcap. 8vo. 3s. 6d. net.</em></p>
-
-<p>A GLOSSARY OF TERMS USED IN
-ENGLISH ARCHITECTURE. Illustrated.
-<em>Second Ed. Fcap. 8vo. 3s. 6d. net.</em></p>
-
-<p><strong>Auden (T.)</strong>, M.A., F.S.A. See Ancient Cities.</p>
-
-<p><strong>Aurelius (Marcus) and Epictetus.</strong>
-WORDS OF THE ANCIENT WISE:
-Thoughts from. Edited by <span class="smcap">W. H. D.
-Rouse</span>, M.A., Litt.D. <em>Fcap. 8vo. 3s. 6d.
-net.</em> See also Standard Library.</p>
-
-<p><strong>Austen (Jane).</strong> See Little Library and
-Standard Library.</p>
-
-<p><strong>Bacon (Francis).</strong> See Little Library and
-Standard Library.</p>
-
-<p><strong>Baden-Powell (R. S. S.)</strong>, Major-General.
-THE DOWNFALL OF, PREMPEH. A
-Diary of Life in Ashanti 1895. Illustrated.
-<em>Third Edition. Large Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.
-</p>
-<p><span class="pagenum"><a name="Page_1003" id="Page_1003">[Pg 1003]</a></span></p>
-
-
-<p>THE MATABELE CAMPAIGN, 1896.
-With nearly 100 Illustrations. <em>Fourth
-Edition. Large Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Bailey (J. C.)</strong>, M.A. See Cowper.</p>
-
-<p><strong>Baker (W. G.)</strong>, M.A. See Junior Examination
-Series.</p>
-
-<p><strong>Baker (Julian L.)</strong>, F.I.C., F.C.S. See Books
-on Business.</p>
-
-<p><strong>Balfour (Graham).</strong> THE LIFE OF
-ROBERT LOUIS STEVENSON. <em>Fourth
-Edition. Revised. Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Ballard (A.)</strong>, B.A., LL.B. See Antiquary's
-Books.</p>
-
-<p><strong>Bally (S. E.).</strong> See Commercial Series.</p>
-
-<p><strong>Banks (Elizabeth L.).</strong> THE AUTOBIOGRAPHY
-OF A 'NEWSPAPER
-GIRL.' <em>Second Edition. Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Barham (R. H.).</strong> See Little Library.</p>
-
-<p><strong>Baring (The Hon. Maurice).</strong> WITH
-THE RUSSIANS IN MANCHURIA.
-<em>Third Edition. Demy 8vo. 7s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p>A YEAR IN RUSSIA. <em>Second Edition.
-Demy 8vo. 7s. 6d.</em></p>
-
-<p><strong>Baring-Gould (S.).</strong> THE LIFE OF
-NAPOLEON BONAPARTE. With over
-150 Illustrations in the Text, and a Photogravure
-Frontispiece. <em>Royal 8vo. 10s. 6d. net.</em></p>
-
-<p>THE TRAGEDY OF THE CÆSARS.
-With numerous Illustrations from Busts,
-Gems, Cameos, etc. <em>Sixth Edition. Royal
-8vo. 10s. 6d. net.</em></p>
-
-<p>A BOOK OF FAIRY TALES. With
-numerous Illustrations by <span class="smcap">A. J. Gaskin</span>.
-<em>Third Edition. Cr. 8vo. Buckram. 6s.</em></p>
-
-<p>OLD ENGLISH FAIRY TALES. With
-numerous Illustrations by <span class="smcap">F. D. Bedford</span>.
-<em>Third Edition. Cr. 8vo. Buckram. 6s.</em></p>
-
-<p>THE VICAR OF MORWENSTOW. Revised
-Edition. With a Portrait. <em>Third
-Edition. Cr. 8vo. 3s. 6d.</em></p>
-
-<p>A BOOK OF DARTMOOR: A Descriptive
-and Historical Sketch. With Plans and
-numerous Illustrations. <em>Second Edition.
-Cr. 8vo. 6s.</em></p>
-
-<p>A BOOK OF DEVON. Illustrated.
-<em>Second Edition. Cr. 8vo. 6s.</em></p>
-
-<p>A BOOK OF CORNWALL. Illustrated.
-<em>Second Edition. Cr. 8vo. 6s.</em></p>
-
-<p>A BOOK OF NORTH WALES. Illustrated.
-<em>Cr. 8vo. 6s.</em></p>
-
-<p>A BOOK OF SOUTH WALES. Illustrated.
-<em>Cr. 8vo. 6s.</em></p>
-
-<p>A BOOK OF BRITTANY. Illustrated. <em>Cr.
-8vo. 6s.</em></p>
-
-<p>A BOOK OF THE RIVIERA. Illustrated.
-<em>Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p>A BOOK OF THE RHINE: From Cleve
-to Mainz. Illustrated. <em>Second Edition.
-Crown 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p>A BOOK OF THE PYRENEES. With
-24 Illustrations. <em>Crown 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p>A BOOK OF GHOSTS. With 8 Illustrations
-by <span class="smcap">D. Murray Smith</span>. <em>Second Edition.
-Cr. 8vo. 6s.</em></p>
-
-<p>OLD COUNTRY LIFE. With 67 Illustrations.
-<em>Fifth Edition. Large Cr. 8vo. 6s.</em></p>
-
-<p>A GARLAND OF COUNTRY SONG:
-English Folk Songs with their Traditional
-Melodies. Collected and arranged by <span class="smcap">S.
-Baring-Gould</span> and <span class="smcap">H. F. Sheppard</span>.
-<em>Demy 4to. 6s.</em></p>
-
-<p>SONGS OF THE WEST: Folk Songs of
-Devon and Cornwall. Collected from the
-Mouths of the People. By <span class="smcap">S. Baring-Gould</span>,
-M.A., and <span class="smcap">H. Fleetwood Sheppard</span>, M.A.
-New and Revised Edition, under the musical
-editorship of <span class="smcap">Cecil J. Sharp</span>, Principal of
-the Hampstead Conservatoire. <em>Large Imperial
-8vo. 5s. net.</em></p>
-
-<p>A BOOK OF NURSERY SONGS AND
-RHYMES. Edited by <span class="smcap">S. Baring-Gould</span>,
-and Illustrated by the Birmingham Art
-School. <em>A New Edition. Long Cr. 8vo.
-2s. 6d. net.</em></p>
-
-<p>STRANGE SURVIVALS AND SUPERSTITIONS.
-<em>Third Edition. Cr. 8vo.
-2s. 6d. net.</em></p>
-
-<p>YORKSHIRE ODDITIES AND
-STRANGE EVENTS. <em>New and Revised
-Edition. Cr. 8vo. 2s. 6d. net.</em></p>
-
-<p class="blockquot">
-See also Little Guides.<br />
-</p>
-
-<p><strong>Barker (Aldred F.).</strong> See Textbooks of
-Technology.</p>
-
-<p><strong>Barker (E.)</strong>, M.A. (Late) Fellow of Merton
-College, Oxford. THE POLITICAL
-THOUGHT OF PLATO AND ARISTOTLE.
-<em>Demy 8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Barnes (W. E.)</strong>, D.D. See Churchman's
-Bible.</p>
-
-<p><strong>Barnett (Mrs. P. A.).</strong> See Little Library.</p>
-
-<p><strong>Baron (R. R. N.)</strong>, M.A. FRENCH PROSE
-COMPOSITION. <em>Second Edition. Cr. 8vo.
-2s. 6d. Key, 3s. net.</em></p>
-
-<p class="blockquot">
-See also Junior School Books.<br />
-</p>
-
-<p><strong>Barron (H. M.)</strong>, M.A., Wadham College,
-Oxford. TEXTS FOR SERMONS. With
-a Preface by Canon <span class="smcap">Scott Holland</span>.
-<em>Cr. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Bartholomew (J. G.)</strong>, F.R.S.E. See C. G.
-Robertson.</p>
-
-<p><strong>Bastable (C. F.)</strong>, M.A. THE COMMERCE
-OF NATIONS. <em>Fourth Ed.
-Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Bastian (H. Charlton)</strong>, M.D., F.R.S.
-THE EVOLUTION OF LIFE. Illustrated.
-<em>Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Batson (Mrs. Stephen).</strong> A CONCISE
-HANDBOOK OF GARDEN FLOWERS.
-<em>Fcap. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Batten (Loring W.)</strong>, Ph.D., S.T.D. THE
-HEBREW PROPHET. <em>Cr. 8vo. 2s. 6d. net.</em></p>
-
-<p><strong>Bayley (R. Child).</strong> THE COMPLETE
-PHOTOGRAPHER. With over 100
-Illustrations. <em>Second Ed.</em> With Note on
-Direct Colour Process. <em>Demy 8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Beard (W. S.).</strong> EASY EXERCISES IN
-ALGEBRA. <em>Cr. 8vo. 1s. 6d.</em> See Junior
-Examination Series and Beginner's Books.</p>
-
-<p><span class="pagenum"><a name="Page_1004" id="Page_1004">[Pg 1004]</a></span></p>
-
-<p><strong>Beckford (Peter).</strong> THOUGHTS ON
-HUNTING. Edited by <span class="smcap">J. Otho Paget</span>,
-and Illustrated by <span class="smcap">G. H. Jalland</span>. <em>Second
-Edition. Demy 8vo. 6s.</em></p>
-
-<p><strong>Beckford (William).</strong> See Little Library.</p>
-
-<p><strong>Beeching (H. C.)</strong>, M.A., Canon of Westminster.
-See Library of Devotion.</p>
-
-<p><strong>Begbie (Harold).</strong> MASTER WORKERS.
-Illustrated. <em>Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Behmen (Jacob).</strong> DIALOGUES ON THE
-SUPERSENSUAL LIFE. Edited by
-<span class="smcap">Bernard Holland</span>. <em>Fcap. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Bell (Mrs. A.).</strong> THE SKIRTS OF THE
-GREAT CITY. <em>Second Ed. Cr. 8vo. 6s.</em></p>
-
-<p><strong>Belloc (Hilaire)</strong>, M.P. PARIS. With
-Maps and Illustrations. <em>Second Edition,
-Revised. Cr. 8vo. 6s.</em></p>
-
-<p>HILLS AND THE SEA. <em>Second Edition.
-Crown 8vo. 6s.</em></p>
-
-<p><strong>Bellot (H. H. L.)</strong>, M.A. THE INNER AND
-MIDDLE TEMPLE. With numerous
-Illustrations. <em>Crown 8vo. 6s. net.</em></p>
-
-<p><strong>Bennett (W. H.)</strong>, M.A. A PRIMER OF
-THE BIBLE. <em>Fourth Ed. Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Bennett (W. H.)</strong> and <strong>Adeney (W. F.)</strong>. A
-BIBLICAL INTRODUCTION. <em>Fourth
-Edition. Cr. 8vo. 7s. 6d.</em></p>
-
-<p><strong>Benson (Archbishop).</strong> GOD'S BOARD:
-Communion Addresses. <em>Second Edition.
-Fcap. 8vo. 3s. 6d. net.</em></p>
-
-<p><strong>Benson (A. C.)</strong>, M.A. See Oxford Biographies.</p>
-
-<p><strong>Benson (R. M.).</strong> THE WAY OF HOLINESS:
-a Devotional Commentary on the
-119th Psalm. <em>Cr. 8vo. 5s.</em></p>
-
-<p><strong>Bernard (E. R.)</strong>, M.A., Canon of Salisbury.
-THE ENGLISH SUNDAY. <em>Fcap. 8vo.
-1s. 6d.</em></p>
-
-<p><strong>Bertouch (Baroness de).</strong> THE LIFE
-OF FATHER IGNATIUS. Illustrated.
-<em>Demy 8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Beruete (A. de).</strong> See Classics of Art.</p>
-
-<p><strong>Betham-Edwards (M.).</strong> HOME LIFE
-IN FRANCE. Illustrated. <em>Fourth and
-Cheaper Edition. Crown 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Bethune-Baker (J. F.)</strong>, M.A. See Handbooks
-of Theology.</p>
-
-<p><strong>Bidez (M.).</strong> See Byzantine Texts.</p>
-
-<p><strong>Biggs (C. R. D.)</strong>, D.D. See Churchman's Bible.</p>
-
-<p><strong>Bindley (T. Herbert)</strong>, B.D. THE OECUMENICAL
-DOCUMENTS OF THE
-FAITH. With Introductions and Notes.
-<em>Second Edition. Cr. 8vo. 6s. net.</em></p>
-
-<p><strong>Binns (H. B.).</strong> THE LIFE OF WALT
-WHITMAN. Illustrated. <em>Demy 8vo.
-10s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Binyon (Lawrence).</strong> THE DEATH OF
-ADAM, AND OTHER POEMS. <em>Cr. 8vo.
-3s. 6d. net.</em></p>
-
-<p class="blockquot">
-See also W. Blake.<br />
-</p>
-
-<p><strong>Birnstingl (Ethel).</strong> See Little Books on
-Art.</p>
-
-<p><strong>Blair (Robert).</strong> See I.P.L.</p>
-
-<p><strong>Blake (William).</strong> THE LETTERS OF
-WILLIAM BLAKE, <span class="smcap">together with a
-Life by Frederick Tatham</span>. Edited
-from the Original Manuscripts, with an
-Introduction and Notes, by <span class="smcap">Archibald G.
-B. Russell</span>. With 12 Illustrations.
-<em>Demy 8vo. 7s. 6d. net.</em></p>
-
-<p>ILLUSTRATIONS OF THE BOOK OF
-JOB. With a General Introduction by
-<span class="smcap">Lawrence Binyon</span>. <em>Quarto. 21s. net.</em></p>
-
-<p class="blockquot">
-See also I.P.L. and Little Library.<br />
-</p>
-
-<p><strong>Blaxland (B.)</strong>, M.A. See Library of
-Devotion.</p>
-
-<p><strong>Bloom (J. Harvey)</strong>, M.A. SHAKESPEARE'S
-GARDEN, Illustrated.
-<em>Fcap. 8vo. 3s. 6d.; leather, 4s. 6d. net.</em></p>
-
-<p class="blockquot">
-See also Antiquary's Books.<br />
-</p>
-
-<p><strong>Blouet (Henri).</strong> See Beginner's Books.</p>
-
-<p><strong>Boardman (T. H.)</strong>, M.A. See Textbooks
-of Science.</p>
-
-<p><strong>Bodley (J. E. C.)</strong>, Author of 'France.' THE
-CORONATION OF EDWARD VII.
-<em>Demy 8vo. 21s. net.</em> By Command of the
-King.</p>
-
-<p><strong>Body (George)</strong>, D.D. THE SOUL'S
-PILGRIMAGE: Devotional Readings
-from his writings. Selected by <span class="smcap">J. H. Burn</span>,
-B.D., F.R.S.E. <em>Demy 16mo. 2s. 6d.</em></p>
-
-<p><strong>Bona (Cardinal).</strong> See Library of Devotion.</p>
-
-<p><strong>Boon (F. C.).</strong> See Commercial Series.</p>
-
-<p><strong>Borrow (George).</strong> See Little Library.</p>
-
-<p><strong>Bos (J. Ritzema).</strong> AGRICULTURAL
-ZOOLOGY. Translated by <span class="smcap">J. R. Ainsworth
-Davis</span>, M.A. With 155 Illustrations.
-<em>Cr. 8vo. Third Edition. 3s. 6d.</em></p>
-
-<p><strong>Botting (C. G.)</strong>, B.A. EASY GREEK
-EXERCISES. <em>Cr. 8vo. 2s.</em> See also
-Junior Examination Series.</p>
-
-<p><strong>Boulting (W.).</strong> TASSO AND HIS TIMES.
-With 24 Illustrations. <em>Demy 8vo. 10s. 6d.
-net.</em></p>
-
-<p><strong>Boulton (E. S.)</strong>, M.A. GEOMETRY ON
-MODERN LINES. <em>Cr. 8vo. 2s.</em></p>
-
-<p><strong>Boulton (William B.).</strong> THOMAS
-GAINSBOROUGH. With 40 Illustrations.
-<em>Second Ed. Demy 8vo. 7s. 6d. net.</em></p>
-
-<p>SIR JOSHUA REYNOLDS, P.R.A. With
-49 Illustrations. <em>Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Bowden (E. M.).</strong> THE IMITATION OF
-BUDDHA: Being Quotations from
-Buddhist Literature for each Day in the
-Year. <em>Fifth Edition. Cr. 16mo. 2s. 6d.</em></p>
-
-<p><strong>Boyd-Carpenter (Margaret).</strong> THE
-CHILD IN ART. Illustrated. <em>Second
-Edition. Large Crown 8vo. 6s.</em></p>
-
-<p><strong>Boyle (W.).</strong> CHRISTMAS AT THE ZOO.
-With Verses by <span class="smcap">W. Boyle</span> and 24 Coloured
-Pictures by <span class="smcap">H. B. Neilson</span>. <em>Super Royal
-16mo. 2s.</em></p>
-
-<p><strong>Brabant (F. G.)</strong>, M.A. See Little Guides.</p>
-
-<p><strong>Bradley (A. G.).</strong> ROUND ABOUT WILTSHIRE.
-With 30 Illustrations of which
-14 are in colour by <span class="smcap">T. C. Gotch</span>. <em>Second Ed.
-Cr. 8vo. 6s.</em></p>
-
-<p><strong>Bradley (J. W.).</strong> See Little Books on Art.</p>
-
-<p><strong>Braid (James) and Others.</strong> GREAT
-GOLFERS IN THE MAKING. By
-Thirty-Four Famous Players. Edited, with
-an Introduction, by <span class="smcap">Henry Leach</span>. With 34
-Portraits. <em>Second Ed. Demy 8vo. 7s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><span class="pagenum"><a name="Page_1005" id="Page_1005">[Pg 1005]</a></span></p>
-
-<p><strong>Brailsford (H. N.).</strong> MACEDONIA:
-ITS RACES AND ITS FUTURE.
-Illustrated. <em>Demy 8vo. 12s. 6d. net.</em></p>
-
-<p><strong>Brodrick (Mary)</strong> and <strong>Morton (Anderson)</strong>.
-A CONCISE HANDBOOK OF EGYPTIAN
-ARCHÆOLOGY. Illustrated. <em>Cr.
-8vo. 3s. 6d.</em></p>
-
-<p><strong>Brooks (E. E.)</strong>, B.Sc. See Textbooks of
-Technology.</p>
-
-<p><strong>Brooks (E. W.).</strong> See Byzantine Texts.</p>
-
-<p><strong>Brown (P. H.)</strong>, LL.D., Fraser Professor of
-Ancient (Scottish) History at the University
-of Edinburgh. SCOTLAND IN THE
-TIME OF QUEEN MARY. <em>Demy 8vo.
-7s. 6d. net.</em></p>
-
-<p><strong>Brown (S. E.)</strong>, M.A., Camb., B.A., B.Sc.,
-London; Senior Science Master at Uppingham
-School. A PRACTICAL CHEMISTRY
-NOTE-BOOK FOR MATRICULATION
-AND ARMY CANDIDATES:
-<span class="smcap">Easier Experiments on the Commoner
-Substances</span>. <em>Cr. 4to. 1s. 6d. net.</em></p>
-
-<p><strong>Browne (Sir Thomas).</strong> See Standard
-Library.</p>
-
-<p><strong>Brownell (C. L.).</strong> THE HEART OF
-JAPAN. Illustrated. <em>Third Edition.
-Cr. 8vo. 6s.; also Demy 8vo. 6d.</em></p>
-
-<p><strong>Browning (Robert).</strong> See Little Library.</p>
-
-<p><strong>Buckland (Francis T.).</strong> CURIOSITIES
-OF NATURAL HISTORY. Illustrated
-by <span class="smcap">H. B. Neilson</span>. <em>Cr. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Buckton (A. M.).</strong> THE BURDEN OF
-ENGELA: a Ballad-Epic. <em>Second Edition.
-Cr. 8vo. 3s. 6d. net.</em></p>
-
-<p>KINGS IN BABYLON. A Drama. <em>Crown
-8vo. 1s. net.</em></p>
-
-<p>EAGER HEART: A Mystery Play. <em>Sixth
-Edition. Cr. 8vo. 1s. net.</em></p>
-
-<p><strong>Budge (E. A. Wallis).</strong> THE GODS OF
-THE EGYPTIANS. With over 100
-Coloured Plates and many Illustrations.
-<em>Two Volumes. Royal 8vo. £3, 3s. net.</em></p>
-
-<p><strong>Buist (H. Massac).</strong> THE MOTOR YEAR
-BOOK AND AUTOMOBILISTS'
-ANNUAL FOR 1906. <em>Demy 8vo. 7s. 6d.
-net.</em></p>
-
-<p><strong>Bull (Paul)</strong>, Army Chaplain. GOD AND
-OUR SOLDIERS. <em>Second Edition.
-Cr. 8vo. 6s.</em></p>
-
-<p><strong>Bulley (Miss).</strong> See Lady Dilke.</p>
-
-<p><strong>Bunyan (John).</strong> THE PILGRIM'S PROGRESS.
-Edited, with an Introduction
-by <span class="smcap">C. H. Firth</span>, M.A. With 39 Illustrations
-by <span class="smcap">R. Anning Bell</span>. <em>Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">See also Library of Devotion and
-Standard Library.</p>
-
-<p><strong>Burch (G. J.)</strong>, M.A., F.R.S. A MANUAL
-OF ELECTRICAL SCIENCE. Illustrated.
-<em>Cr. 8vo. 3s.</em></p>
-
-<p><strong>Burgess (Gelett).</strong> GOOPS AND HOW TO
-BE THEM. Illustrated. <em>Small 4to. 6s.</em></p>
-
-<p><strong>Burke (Edmund).</strong> See Standard Library.</p>
-
-<p><strong>Burn (A. E.)</strong>, D.D., Rector of Handsworth
-and Prebendary of Lichfield.</p>
-
-<p class="blockquot">
-See Handbooks of Theology.<br />
-</p>
-
-<p><strong>Burn (J. H.)</strong>, B.D. THE CHURCHMAN'S
-TREASURY OF SONG.
-Selected and Edited by. <em>Fcap 8vo. 3s. 6d.
-net.</em> See also Library of Devotion.</p>
-
-<p><strong>Burnand (Sir F. C.).</strong> RECORDS AND
-REMINISCENCES. With a Portrait by
-<span class="smcap">H. V. Herkomer</span>. <em>Cr. 8vo. Fourth and
-Cheaper Edition. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Burns (Robert)</strong>, THE POEMS OF. Edited
-by <span class="smcap">Andrew Lang</span> and <span class="smcap">W. A. Craigie</span>. With
-Portrait. <em>Third Edition. Demy 8vo, gilt
-top. 6s.</em></p>
-
-<p><strong>Burnside (W. F.)</strong>, M.A. OLD TESTAMENT
-HISTORY FOR USE IN
-SCHOOLS. <em>Third Edition. Cr. 8vo.
-3s. 6d.</em></p>
-
-<p><strong>Burton (Alfred).</strong> See I.P.L.</p>
-
-<p><strong>Bussell (F. W.)</strong>, D.D., Fellow and Vice
-Principal of Brasenose College, Oxford.
-CHRISTIAN THEOLOGY AND SOCIAL
-PROGRESS: The Bampton
-Lectures for 1905. <em>Demy 8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Butler (Joseph).</strong> See Standard Library.</p>
-
-<p><strong>Caldecott (Alfred)</strong>, D.D. See Handbooks
-of Theology.</p>
-
-<p><strong>Calderwood (D. S.)</strong>, Headmaster of the Normal
-School, Edinburgh. TEST CARDS
-IN EUCLID AND ALGEBRA. In three
-packets of 40, with Answers, 1<em>s.</em> each. Or
-in three Books, price 2<em>d.</em>, 2<em>d.</em>, and 3<em>d.</em></p>
-
-<p><strong>Cambridge (Ada) [Mrs. Cross].</strong> THIRTY
-YEARS IN AUSTRALIA. <em>Demy 8vo.
-7s. 6d.</em></p>
-
-<p><strong>Canning (George).</strong> See Little Library.</p>
-
-<p><strong>Capey (E. F. H.).</strong> See Oxford Biographies.</p>
-
-<p><strong>Careless (John).</strong> See I.P.L.</p>
-
-<p><strong>Carlyle (Thomas).</strong> THE FRENCH
-REVOLUTION. Edited by <span class="smcap">C. R. L.
-Fletcher</span>, Fellow of Magdalen College,
-Oxford. <em>Three Volumes. Cr. 8vo. 18s.</em></p>
-
-<p>THE LIFE AND LETTERS OF OLIVER
-CROMWELL. With an Introduction
-by <span class="smcap">C. H. Firth</span>, M.A., and Notes and
-Appendices by Mrs. <span class="smcap">S. C. Lomas</span>. <em>Three
-Volumes. Demy 8vo. 18s. net.</em></p>
-
-<p><strong>Carlyle (R. M. and A. J.)</strong>, M.A. See Leaders
-of Religion.</p>
-
-<p><strong>Channer (C. C.) and Roberts (M. E.).</strong>
-LACEMAKING IN THE MIDLANDS,
-PAST AND PRESENT. With 16 full-page
-Illustrations. <em>Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Chapman (S. J.).</strong> See Books on Business.</p>
-
-<p><strong>Chatterton (Thomas).</strong> See Standard
-Library.</p>
-
-<p><strong>Chesterfield (Lord)</strong>, THE LETTERS OF,
-TO HIS SON. Edited, with an Introduction
-by <span class="smcap">C. Strachey</span>, and Notes by <span class="smcap">A.
-Calthrop</span>. <em>Two Volumes. Cr. 8vo. 12s.</em></p>
-
-<p><strong>Chesterton (G. K.).</strong> CHARLES DICKENS.
-With two Portraits in photogravure. <em>Fifth
-Edition. Demy 8vo. 7s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Childe (Charles P.)</strong>, B.A., F.R.C.S. THE
-CONTROL OF A SCOURGE: <span class="smcap">Or,
-How Cancer is Curable</span>. <em>Demy 8vo.
-7s. 6d. net.</em></p>
-
-<p><span class="pagenum"><a name="Page_1006" id="Page_1006">[Pg 1006]</a></span></p>
-
-<p><strong>Christian (F. W.).</strong> THE CAROLINE
-ISLANDS. With many Illustrations and
-Maps. <em>Demy 8vo. 12s. 6d. net.</em></p>
-
-<p><strong>Cicero.</strong> See Classical Translations.</p>
-
-<p><strong>Clarke (F. A.)</strong>, M.A. See Leaders of Religion.</p>
-
-<p><strong>Clausen (George)</strong>, A.R.A., R. W. S. AIMS
-AND IDEALS IN ART: Eight Lectures
-delivered to the Students of the Royal
-Academy of Arts. With 32 Illustrations.
-<em>Second Edition. Large Post 8vo. 5s. net.</em></p>
-
-<p>SIX LECTURES ON PAINTING. <em>First
-Series.</em> With 19 Illustrations. <em>Third
-Edition, Large Post 8vo. 3s. 6d. net.</em></p>
-
-<p><strong>Cleather (A. L.).</strong> See Wagner.</p>
-
-<p><strong>Clinch (G.).</strong> See Little Guides.</p>
-
-<p><strong>Clough (W. T.).</strong> See Junior School Books
-and Textbooks of Science.</p>
-
-<p><strong>Clouston (T. S.)</strong>, M.D., C.C.D., F.R.S.E.,
-Lecturer on Mental Diseases in the University
-of Edinburgh. THE HYGIENE
-OF MIND. With 10 Illustrations. <em>Fourth
-Edition. Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Coast (W. G.)</strong>, B.A. EXAMINATION
-PAPERS IN VERGIL. <em>Cr. 8vo. 2s.</em></p>
-
-<p><strong>Cobb (W. F.)</strong>, M.A. THE BOOK OF
-PSALMS: with a Commentary. <em>Demy 8vo.
-10s. 6d. net.</em></p>
-
-<p><strong>Coleridge (S. T.)</strong>, POEMS OF. Selected
-and Arranged by <span class="smcap">Arthur Symons</span>. With
-a photogravure Frontispiece. <em>Fcap. 8vo.
-2s. 6d. net.</em></p>
-
-<p><strong>Collingwood (W. G.)</strong>, M.A. THE LIFE
-OF JOHN RUSKIN. With Portraits.
-<em>Sixth Edition. Cr. 8vo. 2s. 6d. net.</em></p>
-
-<p><strong>Collins (W. E.)</strong>, M.A. See Churchman's
-Library.</p>
-
-<p><strong>Colonna.</strong> HYPNEROTOMACHIA POLIPHILI
-UBI HUMANA OMNIA NON
-NISI SOMNIUM ESSE DOCET
-ATQUE OBITER PLURIMA SCITU
-SANE QUAM DIGNA COMMEMORAT.
-An edition limited to 350 copies on
-hand-made paper. <em>Folio. £3, 3s. net.</em></p>
-
-<p><strong>Combe (William).</strong> See I.P.L.</p>
-
-<p><strong>Conrad (Joseph).</strong> THE MIRROR OF
-THE SEA: Memories and Impressions.
-<em>Third Edition. Cr. 8vo. 6s.</em></p>
-
-<p><strong>Cook (A. M.)</strong>, M.A., and <strong>Marchant (C. E.)</strong>,
-M.A. PASSAGES FOR UNSEEN
-TRANSLATION. Selected from Greek and
-Latin Literature. <em>Fourth Ed. Cr. 8vo. 3s. 6d.</em></p>
-
-<p>LATIN PASSAGES FOR UNSEEN
-TRANSLATION. <em>Third Ed. Cr. 8vo. 1s. 6d.</em></p>
-
-<p><strong>Cooke-Taylor (R. W.).</strong> THE FACTORY
-SYSTEM. <em>Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Corelli (Marie).</strong> THE PASSING OF THE
-GREAT QUEEN. <em>Second Ed. Fcap. 4to. 1s.</em></p>
-
-<p>A CHRISTMAS GREETING. <em>Cr. 4to. 1s.</em></p>
-
-<p><strong>Corkran (Alice).</strong> See Little Books on Art.</p>
-
-<p><strong>Cotes (Everard).</strong> SIGNS AND PORTENTS
-IN THE FAR EAST. With 24
-Illustrations. <em>Second Edition. Demy 8vo.
-7s. 6d. net.</em></p>
-
-<p><strong>Cotes (Rosemary).</strong> DANTE'S GARDEN.
-With a Frontispiece. <em>Second Edition.
-Fcap. 8vo. 2s. 6d.; leather, 3s. 6d. net.</em></p>
-
-<p>BIBLE FLOWERS. With a Frontispiece
-and Plan. <em>Fcap. 8vo. 2s. 6d. net.</em></p>
-
-<p><strong>Cowley (Abraham).</strong> See Little Library.</p>
-
-<p><strong>Cowper (William)</strong>, THE POEMS OF.
-Edited with an Introduction and Notes by
-<span class="smcap">J. C. Bailey</span>, M.A. Illustrated, including
-two unpublished designs by <span class="smcap">William
-Blake</span>. <em>Demy 8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Cox (J. Charles)</strong>, LL.D., F.S.A. See Little
-Guides, The Antiquary's Books, and Ancient
-Cities.</p>
-
-<p><strong>Cox (Harold)</strong>, B.A., M.P. LAND
-NATIONALISATION AND LAND
-TAXATION. <em>Second Edition revised.
-Cr. 8vo. 3s. 6d. net.</em></p>
-
-<p><strong>Crabbe (George).</strong> See Little Library.</p>
-
-<p><strong>Craigie (W. A.).</strong> A PRIMER OF BURNS.
-<em>Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Craik (Mrs.).</strong> See Little Library.</p>
-
-<p><strong>Crane (Capt. C. P.).</strong> See Little Guides.</p>
-
-<p><strong>Crane (Walter).</strong> AN ARTIST'S REMINISCENCES.
-<em>Second Edition.</em></p>
-
-<p><strong>Crashaw (Richard).</strong> See Little Library.</p>
-
-<p><strong>Crawford (F. G.).</strong> See Mary C. Danson.</p>
-
-<p><strong>Crofts (T. R. N.)</strong>, M.A. See Simplified
-French Texts.</p>
-
-<p><strong>Cross (J. A.)</strong>, M.A. THE FAITH OF
-THE BIBLE. <em>Fcap. 8vo. 2s. 6d. net.</em></p>
-
-<p><strong>Cruikshank (G.).</strong> THE LOVING BALLAD
-OF LORD BATEMAN. With 11
-Plates. <em>Cr. 16mo. 1s. 6d. net.</em></p>
-
-<p><strong>Crump (B.).</strong> See Wagner.</p>
-
-<p><strong>Cunliffe (Sir F. H. E.)</strong>, Fellow of All Souls'
-College, Oxford. THE HISTORY OF
-THE BOER WAR. With many Illustrations,
-Plans, and Portraits. <em>In 2 vols.
-Quarto. 15s. each.</em></p>
-
-<p><strong>Cunynghame (H. H.)</strong>, C.B. See Connoisseur's
-Library.</p>
-
-<p><strong>Cutts (E. L.)</strong>, D.D. See Leaders of Religion.</p>
-
-<p><strong>Daniell (G. W.)</strong>, M.A. See Leaders of
-Religion.</p>
-
-<p><strong>Danson (Mary C.) and Crawford (F. G.).</strong>
-FATHERS IN THE FAITH. <em>Fcap.
-8vo. 1s. 6d.</em></p>
-
-<p><strong>Dante.</strong> LA COMMEDIA DI DANTE.
-The Italian Text edited by <span class="smcap">Paget Toynbee</span>,
-M.A., D. Litt. <em>Cr. 8vo. 6s.</em></p>
-
-<p>THE PURGATORIO OF DANTE.
-Translated into Spenserian Prose by <span class="smcap">C.
-Gordon Wright</span>. With the Italian text.
-<em>Fcap. 8vo. 2s. 6d. net.</em></p>
-
-<p class="blockquot">See also Paget Toynbee, Little Library,
-Standard Library, and Warren-Vernon.</p>
-
-<p><strong>Darley (George).</strong> See Little Library.</p>
-
-<p><strong>D'Arcy (R. F.)</strong>, M.A. A NEW TRIGONOMETRY
-FOR BEGINNERS. With
-numerous diagrams. <em>Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Davenport (Cyril).</strong> See Connoisseur's
-Library and Little Books on Art.</p>
-
-<p><strong>Davey (Richard).</strong> THE PAGEANT OF
-LONDON. With 40 Illustrations in
-Colour by <span class="smcap">John Fulleylove</span>, R.I. <em>In Two
-Volumes. Demy 8vo. 15s. net.</em></p>
-
-<p><strong>Davis (H. W. C.)</strong>, M.A., Fellow and Tutor
-of Balliol College, Author of 'Charlemagne.'
-ENGLAND UNDER THE NORMANS
-AND ANGEVINS: 1066-1272. With Maps
-and Illustrations. <em>Demy 8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Dawson (Nelson).</strong> See Connoisseur's Library.</p>
-
-<p><span class="pagenum"><a name="Page_1007" id="Page_1007">[Pg 1007]</a></span></p>
-
-<p><strong>Dawson (Mrs. N.).</strong> See Little Books on
-Art.</p>
-
-<p><strong>Deane (A. C.).</strong> See Little Library.</p>
-
-<p><strong>Dearmer (Mabel).</strong> A CHILD'S LIFE OF
-CHRIST. With 8 Illustrations in Colour
-by <span class="smcap">E. Fortescue-Brickdale</span>. <em>Large Cr.
-8vo. 6s.</em></p>
-
-<p><strong>Delbos (Leon).</strong> THE METRIC SYSTEM.
-<em>Cr. 8vo. 2s.</em></p>
-
-<p><strong>Demosthenes.</strong> AGAINST CONON AND
-CALLICLES. Edited by <span class="smcap">F. Darwin
-Swift</span>, M.A. <em>Second Edition. Fcap.
-8vo. 2s.</em></p>
-
-<p><strong>Dickens (Charles).</strong> See Little Library,
-I.P.L., and Chesterton.</p>
-
-<p><strong>Dickinson (Emily).</strong> POEMS. <em>Cr. 8vo.
-4s. 6d. net.</em></p>
-
-<p><strong>Dickinson (G. L.)</strong>, M.A., Fellow of King's
-College, Cambridge. THE GREEK
-VIEW OF LIFE. <em>Sixth Edition. Cr.
-8vo. 2s. 6d.</em></p>
-
-<p><strong>Dilke (Lady)</strong>, <strong>Bulley (Miss)</strong>, and <strong>Whitley
-(Miss)</strong>. WOMEN'S WORK. <em>Cr. 8vo.
-2s. 6d.</em></p>
-
-<p><strong>Dillon (Edward).</strong> See Connoisseur's Library
-and Little Books on Art.</p>
-
-<p><strong>Ditchfield (P. H.)</strong>, M.A., F.S.A. THE
-STORY OF OUR ENGLISH TOWNS.
-With an Introduction by <span class="smcap">Augustus
-Jessopp</span>, D.D. <em>Second Edition. Cr. 8vo. 6s.</em></p>
-
-<p>OLD ENGLISH CUSTOMS: Extant at
-the Present Time. <em>Cr. 8vo. 6s.</em></p>
-
-<p>ENGLISH VILLAGES. Illustrated. <em>Second
-Edition. Cr. 8vo. 2s. 6d. net.</em></p>
-
-<p>THE PARISH CLERK. With 31
-Illustrations. <em>Third Edition. Demy 8vo.
-7s. 6d. net.</em></p>
-
-<p><strong>Dixon (W. M.)</strong>, M.A. A PRIMER OF
-TENNYSON. <em>Second Edition. Cr. 8vo.
-2s. 6d.</em></p>
-
-<p>ENGLISH POETRY FROM BLAKE TO
-BROWNING. <em>Second Edition. Cr. 8vo.
-2s. 6d.</em></p>
-
-<p><strong>Doney (May).</strong> SONGS OF THE REAL.
-<em>Cr. 8vo. 3s. 6d. net.</em></p>
-
-<p class="blockquot">
-A volume of poems.<br />
-</p>
-
-<p><strong>Douglas (James).</strong> THE MAN IN THE
-PULPIT. <em>Cr. 8vo. 2s. 6d. net.</em></p>
-
-<p><strong>Dowden (J.)</strong>, D.D., Lord Bishop of Edinburgh.
-See Churchman's Library.</p>
-
-<p><strong>Drage (G.).</strong> See Books on Business.</p>
-
-<p><strong>Driver (S. R.)</strong>, D.D., D.C.L., Canon of Christ
-Church, Regius Professor of Hebrew in the
-University of Oxford. SERMONS ON
-SUBJECTS CONNECTED WITH THE
-OLD TESTAMENT. <em>Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-See also Westminster Commentaries.<br />
-</p>
-
-<p><strong>Dry (Wakeling).</strong> See Little Guides.</p>
-
-<p><strong>Dryhurst (A. R.).</strong> See Little Books on Art.</p>
-
-<p><strong>Du Buisson (J. C.)</strong>, M.A. See Churchman's
-Bible.</p>
-
-<p><strong>Duguid (Charles).</strong> See Books on Business.</p>
-
-<p><strong>Dumas (Alexander).</strong> MY MEMOIRS.
-Translated by <span class="smcap">E. M. Waller</span>. With Portraits.
-<em>In Six Volumes. Cr. 8vo. 6s. each.</em>
-Volume I.</p>
-
-<p><strong>Dunn (J. T).</strong>, D.Sc., <strong>and Mundella (V. A.)</strong>.
-GENERAL ELEMENTARY SCIENCE.
-With 114 Illustrations. <em>Second Edition.
-Cr. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Dunstan (A. E.)</strong>, B.Sc. See Junior School
-Books and Textbooks of Science.</p>
-
-<p><strong>Durham (The Earl of).</strong> A REPORT ON
-CANADA. With an Introductory Note.
-<em>Demy 8vo. 4s. 6d. net.</em></p>
-
-<p><strong>Dutt (W. A.).</strong> THE NORFOLK BROADS.
-With coloured Illustrations by <span class="smcap">Frank
-Southgate</span>. <em>Second Edition. Cr. 8vo.
-6s.</em></p>
-
-<p>WILD LIFE IN EAST ANGLIA. With
-16 Illustrations in colour by <span class="smcap">Frank Southgate</span>,
-R.B.A. <em>Second Edition. Demy
-8vo. 7s. 6d. net.</em></p>
-
-<p class="blockquot">
-See also Little Guides.<br />
-</p>
-
-<p><strong>Earle (John)</strong>, Bishop of Salisbury. MICROCOSMOGRAPHIE,
-<span class="smcap">OR</span> A PIECE OF
-THE WORLD DISCOVERED. <em>Post
-16mo. 2s. net.</em></p>
-
-<p><strong>Edmonds (Major J. E.).</strong> See W. B. Wood.</p>
-
-<p><strong>Edwards (Clement)</strong>, M.P. RAILWAY
-NATIONALIZATION. <em>Second Edition
-Revised. Crown 8vo. 2s. 6d. net.</em></p>
-
-<p><strong>Edwards (W. Douglas).</strong> See Commercial
-Series.</p>
-
-<p><strong>Egan (Pierce).</strong> See I.P.L.</p>
-
-<p><strong>Egerton (H. E.)</strong>, M.A. A HISTORY OF
-BRITISH COLONIAL POLICY. New
-and Cheaper Issue. <em>Demy 8vo. 7s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Ellaby (C. G.).</strong> See Little Guides.</p>
-
-<p><strong>Ellerton (F. G.).</strong> See S. J. Stone.</p>
-
-<p><strong>Ellwood (Thomas)</strong>, THE HISTORY OF
-THE LIFE OF. Edited by <span class="smcap">C. G. Crump</span>,
-M.A. <em>Cr. 8vo. 6s.</em></p>
-
-<p><strong>Epictetus.</strong> See Aurelius.</p>
-
-<p><strong>Erasmus.</strong> A Book called in Latin ENCHIRIDION
-MILITIS CHRISTIANI,
-and in English the Manual of the Christian
-Knight.</p>
-
-<p class="blockquot">From the edition printed by Wynken de
-Worde, 1533. <em>Fcap. 8vo. 3s. 6d. net.</em></p>
-
-<p><strong>Fairbrother (W. H.)</strong>, M.A. THE PHILOSOPHY
-OF T. H. GREEN. <em>Second
-Edition. Cr. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Fea (Allan).</strong> SOME BEAUTIES OF THE
-SEVENTEENTH CENTURY. With
-82 Illustrations. <em>Second Edition. Demy
-8vo. 12s. 6d. net.</em></p>
-
-<p><strong>Ferrier (Susan).</strong> See Little Library.</p>
-
-<p><strong>Fidler (T. Claxton)</strong>, M.Inst., C.E. See
-Books on Business.</p>
-
-<p><strong>Fielding (Henry).</strong> See Standard Library.</p>
-
-<p><strong>Finn (S. W.)</strong>, M.A. See Junior Examination
-Series.</p>
-
-<p><strong>Firth (J. B.).</strong> See Little Guides.</p>
-
-<p><strong>Firth (C. H.)</strong>, M.A. CROMWELL'S
-ARMY: A History of the English Soldier
-during the Civil Wars, the Commonwealth,
-and the Protectorate. <em>Cr. 8vo. 6s.</em></p>
-
-<p><span class="pagenum"><a name="Page_1008" id="Page_1008">[Pg 1008]</a></span></p>
-
-<p><strong>Fisher (G. W.)</strong>, M.A. ANNALS OF
-SHREWSBURY SCHOOL. Illustrated.
-<em>Demy 8vo. 10s. 6d.</em></p>
-
-<p><strong>FitzGerald (Edward).</strong> THE RUBÁIYÁT
-OF OMAR KHAYYÁM. Printed from
-the Fifth and last Edition. With a Commentary
-by Mrs. <span class="smcap">Stephen Batson</span>, and a
-Biography of Omar by <span class="smcap">E. D. Ross</span>. <em>Cr.
-8vo. 6s.</em> See also Miniature Library.</p>
-
-<p><strong>FitzGerald (H. P.).</strong> A CONCISE HANDBOOK
-OF CLIMBERS, TWINERS,
-AND WALL SHRUBS. Illustrated.
-<em>Fcap. 8vo. 3s. 6d. net.</em></p>
-
-<p><strong>Fitzpatrick (S. A. O.).</strong> See Ancient Cities.</p>
-
-<p><strong>Flecker (W. H.)</strong>, M.A., D.C.L., Headmaster
-of the Dean Close School, Cheltenham.
-THE STUDENT'S PRAYER BOOK.
-<span class="smcap">The Text of Morning and Evening
-Prayer and Litany.</span> With an Introduction
-and Notes. <em>Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Flux (A. W.)</strong>, M.A., William Dow Professor
-of Political Economy in M'Gill University,
-Montreal. ECONOMIC PRINCIPLES.
-<em>Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Fortescue (Mrs. G.).</strong> See Little Books on Art.</p>
-
-<p><strong>Fraser (David).</strong> A MODERN CAMPAIGN;
-OR, WAR AND WIRELESS
-TELEGRAPHY IN THE FAR EAST.
-Illustrated. <em>Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Fraser (J. F.).</strong> ROUND THE WORLD
-ON A WHEEL. With 100 Illustrations.
-<em>Fifth Edition. Cr. 8vo. 6s.</em></p>
-
-<p><strong>French (W.)</strong>, M.A. See Textbooks of
-Science.</p>
-
-<p><strong>Freudenreich (Ed. von).</strong> DAIRY BACTERIOLOGY.
-A Short Manual for the
-Use of Students. Translated by <span class="smcap">J. R.
-Ainsworth Davis</span>, M.A. <em>Second Edition.
-Revised. Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Fulford (H. W.)</strong>, M.A. See Churchman's
-Bible.</p>
-
-<p><strong>Gallaher (D.) and Stead (W. J.).</strong> THE
-COMPLETE RUGBY FOOTBALLER,
-ON THE NEW ZEALAND SYSTEM.
-With an Account of the Tour of the New
-Zealanders in England. With 35 Illustrations.
-<em>Second Ed. Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Gallichan (W. M.).</strong> See Little Guides.</p>
-
-<p><strong>Gambado (Geoffrey, Esq.).</strong> See I.P.L.</p>
-
-<p><strong>Gaskell (Mrs.).</strong> See Little Library and
-Standard Library.</p>
-
-<p><strong>Gasquet</strong>, the Right Rev. Abbot, O.S.B. See
-Antiquary's Books.</p>
-
-<p><strong>George (H. B.)</strong>, M.A., Fellow of New College,
-Oxford. BATTLES OF ENGLISH HISTORY.
-With numerous Plans. <em>Fourth
-Edition.</em> Revised, with a new Chapter
-including the South African War. <em>Cr. 8vo.
-3s. 6d.</em></p>
-
-<p>A HISTORICAL GEOGRAPHY OF THE
-BRITISH EMPIRE. <em>Second Edition.
-Cr. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Gibbins (H. de B.)</strong>, Litt.D., M.A. INDUSTRY
-IN ENGLAND: HISTORICAL
-OUTLINES. With 5 Maps. <em>Fifth
-Edition. Demy 8vo. 10s. 6d.</em></p>
-
-<p>THE INDUSTRIAL HISTORY OF
-ENGLAND. <em>Fourteenth Edition.</em> Revised.
-With Maps and Plans. <em>Cr. 8vo. 3s.</em></p>
-
-<p>ENGLISH SOCIAL REFORMERS.
-<em>Second Edition. Cr. 8vo. 2s. 6d.</em></p>
-
-<p class="blockquot">See also Commercial Series and R. A.
-Hadfield.</p>
-
-<p><strong>Gibbon (Edward).</strong> THE DECLINE AND
-FALL OF THE ROMAN EMPIRE.
-Edited with Notes, Appendices, and Maps,
-by <span class="smcap">J. B. Bury</span>, M.A., Litt.D., Regius Professor
-of Greek at Cambridge. <em>In Seven
-Volumes. Demy 8vo. Gilt top, 8s. 6d. each.
-Also, Cr. 8vo. 6s. each.</em></p>
-
-<p>MEMOIRS OF MY LIFE AND WRITINGS.
-Edited by <span class="smcap">G. Birkbeck Hill</span>,
-LL.D <em>Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-See also Standard Library.<br />
-</p>
-
-<p><strong>Gibson (E. C. S.)</strong>, D.D., Lord Bishop of
-Gloucester. See Westminster Commentaries,
-Handbooks of Theology, and Oxford Biographies.</p>
-
-<p><strong>Gilbert (A. R.).</strong> See Little Books on Art.</p>
-
-<p><strong>Gloag (M. R.)</strong> and <strong>Wyatt (Kate M.)</strong>. A
-BOOK OF ENGLISH GARDENS.
-With 24 Illustrations in Colour. <em>Demy
-8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Godfrey (Elizabeth).</strong> A BOOK OF REMEMBRANCE.
-Edited by. <em>Fcap. 8vo.
-2s. 6d. net.</em></p>
-
-<p><strong>Godley (A. D.)</strong>, M.A., Fellow of Magdalen
-College, Oxford. LYRA FRIVOLA.
-<em>Fourth Edition. Fcap. 8vo. 2s. 6d.</em></p>
-
-<p>VERSES TO ORDER. <em>Second Edition.
-Fcap. 8vo. 2s. 6d.</em></p>
-
-<p>SECOND STRINGS. <em>Fcap. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Goldsmith (Oliver).</strong> THE VICAR OF
-WAKEFIELD. <em>Fcap. 32mo.</em> With 10
-Plates in Photogravure by Tony Johannot.
-<em>Leather, 2s. 6d. net.</em></p>
-
-<p class="blockquot">
-See also I.P.L. and Standard Library.<br />
-</p>
-
-<p><strong>Goodrich-Freer (A.).</strong> IN A SYRIAN
-SADDLE. <em>Demy 8vo. 7s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Gorst (Rt. Hon. Sir John).</strong> THE CHILDREN
-OF THE NATION. <em>Second
-Edition. Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Goudge (H. L.)</strong>, M.A., Principal of Wells
-Theological College. See Westminster Commentaries.</p>
-
-<p><strong>Graham (P. Anderson).</strong> THE RURAL
-EXODUS. <em>Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Granger (F. S.)</strong>, M.A., Litt.D. PSYCHOLOGY.
-<em>Third Edition. Cr. 8vo. 2s. 6d.</em></p>
-
-<p>THE SOUL OF A CHRISTIAN. <em>Cr. 8vo. 6s.</em></p>
-
-<p><strong>Gray (E. M'Queen).</strong> GERMAN PASSAGES
-FOR UNSEEN TRANSLATION. <em>Cr.
-8vo. 2s. 6d.</em></p>
-
-<p><strong>Gray (P. L.)</strong>, B.Sc. THE PRINCIPLES OF
-MAGNETISM AND ELECTRICITY:
-an Elementary Text-Book. With 181
-Diagrams. <em>Cr. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Green (G. Buckland)</strong>, M.A., late Fellow
-of St. John's College, Oxon. NOTES ON
-GREEK AND LATIN SYNTAX.
-<em>Second Ed. revised. Crown 8vo. 3s. 6d.</em></p>
-
-<p><span class="pagenum"><a name="Page_1009" id="Page_1009">[Pg 1009]</a></span></p>
-
-<p><strong>Green (E. T.)</strong>, M.A. See Churchman's
-Library.</p>
-
-<p><strong>Greenidge (A. H. J.)</strong>, M.A. A HISTORY
-OF ROME: From 133-104 <span class="smcap">B.C.</span> <em>Demy
-8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Greenwell (Dora).</strong> See Miniature Library.</p>
-
-<p><strong>Gregory (R. A.).</strong> THE VAULT OF
-HEAVEN. A Popular Introduction to
-Astronomy. Illustrated. <em>Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Gregory (Miss E. C.).</strong> See Library of
-Devotion.</p>
-
-<p><strong>Grubb (H. C.).</strong> See Textbooks of Technology.</p>
-
-<p><strong>Gwynn (M. L.).</strong> A BIRTHDAY BOOK.
-New and cheaper issue. <em>Royal 8vo. 5s. net.</em></p>
-
-<p><strong>Haddon (A. C.)</strong>, Sc.D., F.R.S. HEAD-HUNTERS
-BLACK, WHITE, AND
-BROWN. With many Illustrations and a
-Map. <em>Demy 8vo. 15s.</em></p>
-
-<p><strong>Hadfield (R. A.)</strong> and <strong>Gibbins (H. de B.)</strong>.
-A SHORTER WORKING DAY. <em>Cr.
-8vo. 2s. 6d.</em></p>
-
-<p><strong>Hall (R. N.) and Neal (W. G.).</strong> THE
-ANCIENT RUINS OF RHODESIA.
-Illustrated. <em>Second Edition, revised.
-Demy 8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Hall (R, N.).</strong> GREAT ZIMBABWE.
-With numerous Plans and Illustrations.
-<em>Second Edition. Royal 8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Hamilton (F. J.)</strong>, D.D. See Byzantine Texts.</p>
-
-<p><strong>Hammond (J. L.).</strong> CHARLES JAMES
-FOX. <em>Demy 8vo. 10s. 6d.</em></p>
-
-<p><strong>Hannay (D.).</strong> A SHORT HISTORY OF
-THE ROYAL NAVY, 1200-1688. Illustrated.
-<em>Demy 8vo. 7s. 6d. each.</em></p>
-
-<p><strong>Hannay (James O.)</strong>, M.A. THE SPIRIT
-AND ORIGIN OF CHRISTIAN
-MONASTICISM. <em>Cr. 8vo. 6s.</em></p>
-
-<p>THE WISDOM OF THE DESERT. <em>Fcap.
-8vo. 3s. 6d. net.</em></p>
-
-<p><strong>Hardie (Martin).</strong> See Connoisseur's Library.</p>
-
-<p><strong>Hare (A. T.)</strong>, M.A. THE CONSTRUCTION
-OF LARGE INDUCTION COILS.
-With numerous Diagrams. <em>Demy 8vo. 6s.</em></p>
-
-<p><strong>Harrison (Clifford).</strong> READING AND
-READERS. <em>Fcap. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Harvey (Alfred)</strong>, M.B. See Ancient Cities.</p>
-
-<p><strong>Hawthorne (Nathaniel).</strong> See Little Library.</p>
-
-<p>HEALTH, WEALTH AND WISDOM.
-<em>Cr. 8vo. 1s. net.</em></p>
-
-<p><strong>Heath (Frank R.).</strong> See Little Guides.</p>
-
-<p><strong>Heath (Dudley).</strong> See Connoisseur's Library.</p>
-
-<p><strong>Hello (Ernest).</strong> STUDIES IN SAINTSHIP.
-Translated from the French by
-<span class="smcap">V. M. Crawford</span>. <em>Fcap. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Henderson (B. W.)</strong>, Fellow of Exeter
-College, Oxford. THE LIFE AND
-PRINCIPATE OF THE EMPEROR
-NERO. Illustrated. <em>New and cheaper
-issue. Demy 8vo. 7s. 6d. net.</em></p>
-
-<p>AT INTERVALS. <em>Fcap. 8vo. 2s. 6d. net.</em></p>
-
-<p><strong>Henderson (T. F.).</strong> See Little Library and
-Oxford Biographies.</p>
-
-<p><strong>Henderson (T. F.), and Watt (Francis).</strong>
-SCOTLAND OF TO-DAY. With many
-Illustrations, some of which are in colour.
-<em>Second Edition. Cr. 8vo. 6s.</em></p>
-
-<p><strong>Henley (W. E.).</strong> ENGLISH LYRICS.
-<em>Second Edition. Cr. 8vo. 2s. 6d. net.</em></p>
-
-<p><strong>Henley (W. E.)</strong> and <strong>Whibley (C.)</strong>. A BOOK
-OF ENGLISH PROSE. <em>Cr. 8vo. 2s. 6d.
-net.</em></p>
-
-<p><strong>Henson (H. H.)</strong>, B.D., Canon of Westminster.
-APOSTOLIC CHRISTIANITY: As Illustrated
-by the Epistles of St. Paul to the
-Corinthians. <em>Cr. 8vo. 6s.</em></p>
-
-<p>LIGHT AND LEAVEN: <span class="smcap">Historical and
-Social Sermons</span>. <em>Cr. 8vo. 6s.</em></p>
-
-<p><strong>Herbert (George).</strong> See Library of Devotion.</p>
-
-<p><strong>Herbert of Cherbury (Lord).</strong> See Miniature
-Library.</p>
-
-<p><strong>Hewins (W. A. S.)</strong>, B.A. ENGLISH
-TRADE AND FINANCE IN THE
-SEVENTEENTH CENTURY. <em>Cr. 8vo.
-2s. 6d.</em></p>
-
-<p><strong>Hewitt (Ethel M.).</strong> A GOLDEN DIAL.
-A Day Book of Prose and Verse. <em>Fcap.
-8vo. 2s. 6d. net.</em></p>
-
-<p><strong>Heywood (W.).</strong> PALIO AND PONTE:
-A Book of Tuscan Games. Illustrated.
-<em>Royal 8vo. 21s. net.</em></p>
-
-<p class="blockquot">
-See also St. Francis of Assisi.<br />
-</p>
-
-<p><strong>Hill (Clare).</strong> See Textbooks of Technology.</p>
-
-<p><strong>Hill (Henry)</strong>, B.A., Headmaster of the Boy's
-High School, Worcester, Cape Colony. A
-SOUTH AFRICAN ARITHMETIC.
-<em>Cr. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Hind (C. Lewis).</strong> DAYS IN CORNWALL.
-With 16 Illustrations in Colour by <span class="smcap">William
-Pascoe</span>, and 20 Photographs. <em>Second
-Edition. Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Hirst (F. W.).</strong> See Books on Business.</p>
-
-<p><strong>Hoare (J. Douglas).</strong> ARCTIC EXPLORATION.
-With 18 Illustrations and Maps.
-<em>Demy 8vo, 7s. 6d. net.</em></p>
-
-<p><strong>Hobhouse (L. T.)</strong>, Fellow of C.C.C., Oxford.
-THE THEORY OF KNOWLEDGE.
-<em>Demy 8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Hobson (J. A.)</strong>, M.A. INTERNATIONAL
-TRADE: A Study of Economic Principles.
-<em>Cr. 8vo. 2s. 6d. net.</em></p>
-
-<p>PROBLEMS OF POVERTY. <em>Sixth Edition.
-Cr. 8vo. 2s. 6d.</em></p>
-
-<p>THE PROBLEM OF THE UNEMPLOYED.
-<em>Third Edition. Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Hodgkin (T.)</strong>, D.C.L. See Leaders of
-Religion.</p>
-
-<p><strong>Hodgson (Mrs. W.).</strong> HOW TO IDENTIFY
-OLD CHINESE PORCELAIN. <em>Second
-Edition. Post 8vo. 6s.</em></p>
-
-<p><strong>Hogg (Thomas Jefferson).</strong> SHELLEY
-AT OXFORD. With an Introduction by
-<span class="smcap">R. A. Streatfeild</span>. <em>Fcap. 8vo. 2s. net.</em></p>
-
-<p><strong>Holden-Stone (G. de).</strong> See Books on
-Business.</p>
-
-<p><strong>Holdich (Sir T. H.)</strong>, K.C.I.E. THE
-INDIAN BORDERLAND: being a
-Personal Record of Twenty Years. Illustrated.
-<em>Demy 8vo. 10s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><span class="pagenum"><a name="Page_1010" id="Page_1010">[Pg 1010]</a></span></p>
-
-<p><strong>Holdsworth (W. S.)</strong>, M.A. A HISTORY
-OF ENGLISH LAW. <em>In Two Volumes.
-Vol. I. Demy 8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Holland (H. Scott)</strong>, Canon of St. Paul's
-See Library of Devotion.</p>
-
-<p><strong>Holt (Emily).</strong> THE SECRET OF POPULARITY:
-How to Achieve Social Success.
-<em>Cr. 8vo. 3s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Holyoake (G. J.).</strong> THE CO-OPERATIVE
-MOVEMENT TO-DAY. <em>Fourth Edition.
-Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Hone (Nathaniel J.).</strong> See Antiquary's Books.</p>
-
-<p><strong>Hoppner.</strong> See Little Galleries.</p>
-
-<p><strong>Horace.</strong> See Classical Translations.</p>
-
-<p><strong>Horsburgh (E. L. S.)</strong>, M.A. WATERLOO:
-A Narrative and Criticism. With Plans.
-<em>Second Edition. Cr. 8vo. 5s.</em></p>
-
-<p class="blockquot">
-See also Oxford Biographies.<br />
-</p>
-
-<p><strong>Horth (A. C.).</strong> See Textbooks of Technology.</p>
-
-<p><strong>Horton (R. F.)</strong>, D.D. See Leaders of Religion.</p>
-
-<p><strong>Hosie (Alexander).</strong> MANCHURIA. With
-Illustrations and a Map. <em>Second Edition.
-Demy 8vo. 7s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>How (F. D.).</strong> SIX GREAT SCHOOLMASTERS.
-With Portraits and Illustrations.
-<em>Second Edition. Demy 8vo. 7s. 6d.</em></p>
-
-<p><strong>Howell (A. G. Ferrers).</strong> FRANCISCAN
-DAYS. Translated and arranged by. <em>Cr.
-8vo. 3s. 6d. net.</em></p>
-
-<p><strong>Howell (G.).</strong> TRADE UNIONISM&mdash;<span class="smcap">New
-and Old</span>. <em>Fourth Edition. Cr. 8vo.
-2s. 6d.</em></p>
-
-<p><strong>Hudson (Robert).</strong> MEMORIALS OF A
-WARWICKSHIRE PARISH. Illustrated.
-<em>Demy 8vo. 15s. net.</em></p>
-
-<p><strong>Huggins (Sir William)</strong>, K.C.B., O.M.,
-D.C.L., F.R.S. THE ROYAL SOCIETY;
-<span class="smcap">or, Science in the State and in the
-Schools</span>. With 25 Illustrations. <em>Wide
-Royal 8vo. 4s. 6d. net.</em></p>
-
-<p><strong>Hughes (C. E.).</strong> THE PRAISE OF
-SHAKESPEARE. An English Anthology.
-With a Preface by <span class="smcap">Sidney Lee</span>.
-<em>Demy 8vo. 3s. 6d. net.</em></p>
-
-<p><strong>Hughes (Thomas).</strong> TOM BROWN'S
-SCHOOLDAYS. With an Introduction
-and Notes by <span class="smcap">Vernon Rendall</span>. <em>Leather.
-Royal 32mo. 2s. 6d. net.</em></p>
-
-<p><strong>Hutchinson (Horace G.).</strong> THE NEW
-FOREST. Illustrated in colour with
-50 Pictures by <span class="smcap">Walter Tyndale</span> and 4
-by <span class="smcap">Lucy Kemp-Welch</span>. <em>Third Edition.
-Cr. 8vo. 6s.</em></p>
-
-<p><strong>Hutton (A. W.)</strong>, M.A. See Leaders of
-Religion and Library of Devotion.</p>
-
-<p><strong>Hutton (Edward).</strong> THE CITIES OF
-UMBRIA. With many Illustrations, of
-which 20 are in Colour, by <span class="smcap">A. Pisa</span>. <em>Third
-Edition. Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p>THE CITIES OF SPAIN. <em>Third Edition.</em>
-With many Illustrations, of which 24 are in
-Colour, by <span class="smcap">A. W. Remington</span>. <em>Demy 8vo.
-7s. 6d. net.</em></p>
-
-<p>FLORENCE AND NORTHERN TUSCANY.
-With Coloured Illustrations by
-<span class="smcap">William Parkinson</span>. <em>Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p>ENGLISH LOVE POEMS. Edited with
-an Introduction. <em>Fcap. 8vo. 3s. 6d. net.</em></p>
-
-<p><strong>Hutton (R. H.).</strong> See Leaders of Religion.</p>
-
-<p><strong>Hutton (W. H.)</strong>, M.A. THE LIFE OF
-SIR THOMAS MORE. With Portraits.
-<em>Second Edition. Cr. 8vo. 5s.</em></p>
-
-<p class="blockquot">
-See also Leaders of Religion.<br />
-</p>
-
-<p><strong>Hyde (A. G.).</strong> GEORGE HERBERT AND
-HIS TIMES. With 32 Illustrations.
-<em>Demy 8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Hyett (F. A.).</strong> A SHORT HISTORY OF
-FLORENCE. <em>Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Ibsen (Henrik).</strong> BRAND. A Drama.
-Translated by <span class="smcap">William Wilson</span>. <em>Third
-Edition. Cr. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Inge (W. R.)</strong>, M.A., Fellow and Tutor of
-Hertford College, Oxford. CHRISTIAN
-MYSTICISM. The Bampton Lectures for
-1899. <em>Demy 8vo. 12s. 6d. net.</em> See also
-Library of Devotion.</p>
-
-<p><strong>Innes (A. D.)</strong>, M.A. A HISTORY OF THE
-BRITISH IN INDIA. With Maps and
-Plans. <em>Cr. 8vo. 6s.</em></p>
-
-<p>ENGLAND UNDER THE TUDORS.
-With Maps. <em>Second Edition. Demy 8vo.
-10s. 6d. net.</em></p>
-
-<p><strong>Jackson (C. E.)</strong>, B.A. See Textbooks of
-Science.</p>
-
-<p><strong>Jackson (S.)</strong>, M.A. See Commercial Series.</p>
-
-<p><strong>Jackson (F. Hamilton).</strong> See Little Guides.</p>
-
-<p><strong>Jacob (F.)</strong>, M.A. See Junior Examination
-Series.</p>
-
-<p><strong>James (W. H. N.)</strong>, A.R.C.S., A.I.E.E. See
-Textbooks of Technology.</p>
-
-<p><strong>Jeans (J. Stephen).</strong> TRUSTS, POOLS,
-AND CORNERS. <em>Cr. 8vo. 2s. 6d.</em></p>
-
-<p class="blockquot">
-See also Books on Business.<br />
-</p>
-
-<p><strong>Jeffreys (D. Gwyn).</strong> DOLLY'S THEATRICALS.
-Described and Illustrated with 24
-Coloured Pictures. <em>Super Royal 16mo. 2s. 6d.</em></p>
-
-<p><strong>Jenks (E.)</strong>, M.A., Reader of Law in the
-University of Oxford. ENGLISH LOCAL
-GOVERNMENT. <em>Second Edition. Cr.
-8vo. 2s. 6d.</em></p>
-
-<p><strong>Jenner (Mrs. H.).</strong> See Little Books on Art.</p>
-
-<p><strong>Jennings (Oscar)</strong>, M.D., Member of the
-Bibliographical Society. EARLY WOODCUT
-INITIALS, containing over thirteen
-hundred Reproductions of Pictorial Letters
-of the Fifteenth and Sixteenth Centuries.
-<em>Demy 4to. 21s. net.</em></p>
-
-<p><strong>Jessopp (Augustus)</strong>, D.D. See Leaders of
-Religion.</p>
-
-<p><strong>Jevons (F. B.)</strong>, M.A., Litt. D., Principal of
-Bishop Hatfield's Hall, Durham. RELIGION
-IN EVOLUTION. <em>Cr. 8vo.
-3s. 6d. net.</em></p>
-
-<p class="blockquot">See also Churchman's Library and Handbooks
-of Theology.</p>
-
-<p><strong>Johnson (Mrs. Barham).</strong> WILLIAM BODHAM
-DONNE AND HIS FRIENDS.
-Illustrated. <em>Demy 8vo. 10s. 6d. net.</em></p>
-
-<p><span class="pagenum"><a name="Page_1011" id="Page_1011">[Pg 1011]</a></span></p>
-
-<p><strong>Johnston (Sir H. H.)</strong>, K.C.B. BRITISH
-CENTRAL AFRICA. With nearly 200
-Illustrations and Six Maps. <em>Third Edition.
-Cr. 4to. 18s. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Jones (R. Crompton)</strong>, M.A. POEMS
-OF THE INNER LIFE. Selected by.
-<em>Thirteenth Edition. Fcap. 8vo. 2s. 6d. net.</em></p>
-
-<p><strong>Jones (H.).</strong> See Commercial Series.</p>
-
-<p><strong>Jones (H. F.).</strong> See Textbooks of Science.</p>
-
-<p><strong>Jones (L. A. Atherley)</strong>, K.C., M.P. THE
-MINERS' GUIDE TO THE COAL
-MINES REGULATION ACTS. <em>Cr. 8vo.
-2s. 6d. net.</em></p>
-
-<p>COMMERCE IN WAR. <em>Royal 8vo. 21s. net.</em></p>
-
-<p><strong>Jonson (Ben).</strong> See Standard Library.</p>
-
-<p><strong>Juliana (Lady) of Norwich.</strong> REVELATIONS
-OF DIVINE LOVE. Ed. by <span class="smcap">Grace
-Warrack</span>. <em>Second Edit. Cr. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Juvenal.</strong> See Classical Translations.</p>
-
-<p>'<strong>Kappa.</strong>' LET YOUTH BUT KNOW:
-A Plea for Reason in Education. <em>Cr. 8vo.
-3s. 6d. net.</em></p>
-
-<p><strong>Kaufmann (M.).</strong> SOCIALISM AND
-MODERN THOUGHT. <em>Second Edition.
-Cr. 8vo. 2s. 6d. net.</em></p>
-
-<p><strong>Keating (J. F.)</strong>, D.D. THE AGAPE AND
-THE EUCHARIST. <em>Cr. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Keats (John).</strong> THE POEMS OF. Edited
-with Introduction and Notes by <span class="smcap">E. de Selincourt</span>,
-M.A. <em>Second Edition. Demy 8vo.
-7s. 6d. net.</em></p>
-
-<p>REALMS OF GOLD. Selections from the
-Works of. <em>Fcap. 8vo. 3s. 6d. net.</em></p>
-
-<p class="blockquot">
-See also Little Library and Standard Library.<br />
-</p>
-
-<p><strong>Keble (John).</strong> THE CHRISTIAN YEAR.
-With an Introduction and Notes by <span class="smcap">W. Lock</span>,
-D.D., Warden of Keble College. Illustrated
-by <span class="smcap">R. Anning Bell</span>. <em>Third Edition. Fcap.
-8vo. 3s. 6d.; padded morocco, 5s.</em></p>
-
-<p class="blockquot">
-See also Library of Devotion.<br />
-</p>
-
-<p><strong>Kelynack (T. N.)</strong>, M.D., M.R.C.P., Hon.
-Secretary of the Society for the Study of
-Inebriety. THE DRINK PROBLEM
-IN ITS MEDICO-SOCIOLOGICAL
-ASPECT. Edited by. With 2 Diagrams.
-<em>Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Kempis (Thomas à).</strong> THE IMITATION
-OF CHRIST. With an Introduction by
-<span class="smcap">Dean Farrar</span>. Illustrated by <span class="smcap">C. M. Gere</span>.
-<em>Third Edition. Fcap. 8vo. 3s. 6d.; padded
-morocco. 5s.</em></p>
-
-<p class="blockquot">Also Translated by <span class="smcap">C. Bigg</span>, D.D. <em>Cr.
-8vo. 3s. 6d.</em> See also Library of Devotion
-and Standard Library.</p>
-
-<p><strong>Kennedy (Bart.).</strong> THE GREEN
-SPHINX. <em>Cr. 8vo. 3s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Kennedy (James Houghton)</strong>, D.D., Assistant
-Lecturer in Divinity in the University of
-Dublin. ST. PAUL'S SECOND AND
-THIRD EPISTLES TO THE CORINTHIANS.
-With Introduction, Dissertations
-and Notes. <em>Cr. 8vo. 6s.</em></p>
-
-<p><strong>Kimmins (C. W.)</strong>, M.A. THE CHEMISTRY
-OF LIFE AND HEALTH. Illustrated.
-<em>Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Kinglake (A. W.).</strong> See Little Library.</p>
-
-<p><strong>Kipling (Rudyard).</strong> BARRACK-ROOM
-BALLADS. <em>82nd Thousand. Twenty-third
-Edition. Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p>THE SEVEN SEAS. <em>65th Thousand.
-Eleventh Edition. Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p>THE FIVE NATIONS. <em>42nd Thousand.
-Third Edition. Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p>DEPARTMENTAL DITTIES. <em>Sixteenth
-Edition. Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Knight (Albert E.).</strong> THE COMPLETE
-CRICKETER. Illus. <em>Demy 8vo. 7s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Knight (H. J. C.)</strong>, M.A. See Churchman
-Bible.</p>
-
-<p><strong>Knowling (R. J.)</strong>, M.A., Professor of New
-Testament Exegesis at King's College,
-London. See Westminster Commentaries.</p>
-
-<p><strong>Lamb (Charles and Mary)</strong>, THE WORKS
-OF. Edited by <span class="smcap">E. V. Lucas</span>. Illustrated.
-<em>In Seven Volumes. Demy 8vo. 7s. 6d. each.</em></p>
-
-<p class="blockquot">
-See also Little Library and E. V. Lucas.<br />
-</p>
-
-<p><strong>Lambert (F. A. H.).</strong> See Little Guides.</p>
-
-<p><strong>Lambros (Professor).</strong> See Byzantine Texts.</p>
-
-<p><strong>Lane-Poole (Stanley).</strong> A HISTORY OF
-EGYPT IN THE MIDDLE AGES. Fully
-Illustrated. <em>Cr. 8vo. 6s.</em></p>
-
-<p><strong>Langbridge (F.)</strong>, M.A. BALLADS OF THE
-BRAVE: Poems of Chivalry, Enterprise,
-Courage, and Constancy. <em>Third Edition.
-Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Law (William).</strong> See Library of Devotion
-and Standard Library.</p>
-
-<p><strong>Leach (Henry).</strong> THE DUKE OF DEVONSHIRE.
-A Biography. With 12 Illustrations.
-<em>Demy 8vo. 12s. 6d. net.</em></p>
-
-<p class="blockquot">
-See also James Braid.<br />
-</p>
-
-<p>GREAT GOLFERS IN THE MAKING.
-With 34 Portraits. <em>Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Le Braz (Anatole).</strong> THE LAND OF
-PARDONS. Translated by <span class="smcap">Frances M.
-Gostling</span>. Illustrated in colour. <em>Second
-Edition. Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Lee (Captain L. Melville).</strong> A HISTORY
-OF POLICE IN ENGLAND. <em>Cr. 8vo.
-3s. 6d. net.</em></p>
-
-<p><strong>Leigh (Percival).</strong> THE COMIC ENGLISH
-GRAMMAR. Embellished with upwards
-of 50 characteristic Illustrations by <span class="smcap">John
-Leech</span>. <em>Post 16mo. 2s. 6d. net.</em></p>
-
-<p><strong>Lewes (V. B.)</strong>, M.A. AIR AND WATER.
-Illustrated. <em>Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Lewis (Mrs. Gwyn).</strong> A CONCISE
-HANDBOOK OF GARDEN SHRUBS.
-Illustrated. <em>Fcap. 8vo. 3s. 6d. net.</em></p>
-
-<p><strong>Lisle (Fortunéede).</strong> See Little Books on Art.</p>
-
-<p><strong>Littlehales (H.).</strong> See Antiquary's Books.</p>
-
-<p><strong>Lock (Walter)</strong>, D.D., Warden of Keble
-College. ST. PAUL, THE MASTERBUILDER.
-<em>Second Ed. Cr. 8vo. 3s. 6d.</em></p>
-
-<p>THE BIBLE AND CHRISTIAN LIFE.
-<em>Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-See also Leaders of Religion and Library of Devotion.<br />
-</p>
-
-<p><span class="pagenum"><a name="Page_1012" id="Page_1012">[Pg 1012]</a></span></p>
-
-<p><strong>Locker (F.).</strong> See Little Library.</p>
-
-<p><strong>Lodge (Sir Oliver)</strong>, F.R.S. THE SUBSTANCE
-OF FAITH ALLIED WITH
-SCIENCE: A Catechism for Parents
-and Teachers. <em>Eighth Ed. Cr. 8vo. 2s. net.</em></p>
-
-<p><strong>Lofthouse (W. F.)</strong>, M.A. ETHICS AND
-ATONEMENT. With a Frontispiece.
-<em>Demy 8vo. 5s. net.</em></p>
-
-<p><strong>Longfellow (H. W.).</strong> See Little Library.</p>
-
-<p><strong>Lorimer (George Horace).</strong> LETTERS
-FROM A SELF-MADE MERCHANT
-TO HIS SON. <em>Sixteenth Edition. Cr. 8vo.
-3s. 6d.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p>OLD GORGON GRAHAM. <em>Second Edition.
-Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Lover (Samuel).</strong> See I.P.L.</p>
-
-<p><strong>E. V. L.</strong> and <strong>C. L. G.</strong> ENGLAND DAY BY
-DAY: Or, The Englishman's Handbook to
-Efficiency. Illustrated by <span class="smcap">George Morrow</span>.
-<em>Fourth Edition. Fcap. 4to. 1s. net.</em></p>
-
-<p><strong>Lucas (E. V.).</strong> THE LIFE OF CHARLES
-LAMB. With 25 Illustrations. <em>Fourth
-Edition. Demy 8vo. 7s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p>A WANDERER IN HOLLAND. With
-many Illustrations, of which 20 are in Colour,
-by <span class="smcap">Herbert Marshall</span>. <em>Eighth Edition.
-Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p>A WANDERER IN LONDON. With 16
-Illustrations in Colour by <span class="smcap">Nelson Dawson</span>,
-and 36 other Illustrations. <em>Sixth Edition.
-Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p>FIRESIDE AND SUNSHINE. <em>Third
-Edition. Fcap. 8vo. 5s.</em></p>
-
-<p>THE OPEN ROAD: a Little Book for Wayfarers.
-<em>Twelfth Edition. Fcap. 8vo. 5s.;
-India Paper, 7s. 6d.</em></p>
-
-<p>THE FRIENDLY TOWN: a Little Book
-for the Urbane. <em>Third Edition. Fcap.
-8vo. 5s.; India Paper, 7s. 6d.</em></p>
-
-<p>CHARACTER AND COMEDY. <em>Third
-Edition.</em></p>
-
-<p><strong>Lucian.</strong> See Classical Translations.</p>
-
-<p><strong>Lyde (L. W.)</strong>, M.A. See Commercial Series.</p>
-
-<p><strong>Lydon (Noel S.).</strong> See Junior School Books.</p>
-
-<p><strong>Lyttelton (Hon. Mrs. A.).</strong> WOMEN AND
-THEIR WORK. <em>Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Macaulay (Lord).</strong> CRITICAL AND HISTORICAL
-ESSAYS. Edited by <span class="smcap">F. C. Montague</span>,
-M.A. <em>Three Volumes. Cr. 8vo. 18s.</em></p>
-
-<p class="blockquot">
-The only edition of this book completely annotated.<br />
-</p>
-
-<p><strong>M'Allen (J. E. B.)</strong>, M.A. See Commercial
-Series.</p>
-
-<p><strong>MacCulloch (J. A.).</strong> See Churchman's
-Library.</p>
-
-<p><strong>MacCunn (Florence A.).</strong> MARY
-STUART. With over 60 Illustrations, including
-a Frontispiece in Photogravure.
-<em>New and Cheaper Edition. Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-See also Leaders of Religion.<br />
-</p>
-
-<p><strong>McDermott (E. R.).</strong> See Books on Business.</p>
-
-<p><strong>M'Dowal (A. S.).</strong> See Oxford Biographies.</p>
-
-<p><strong>Mackay (A. M.).</strong> See Churchman's Library.</p>
-
-<p><strong>Macklin (Herbert W.)</strong>, M.A. See Antiquary's
-Books.</p>
-
-<p><strong>Mackenzie (W. Leslie)</strong>, M.A., M.D.,
-D.P.H., etc. THE HEALTH OF THE
-SCHOOL CHILD. <em>Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Mdlle Mori (Author of).</strong> ST. CATHERINE
-OF SIENA AND HER TIMES.
-With 28 Illustrations. <em>Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Magnus (Laurie)</strong>, M.A. A PRIMER OF
-WORDSWORTH. <em>Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Mahaffy (J. P.)</strong>, Litt.D. A HISTORY OF
-THE EGYPT OF THE PTOLEMIES.
-Fully Illustrated. <em>Cr. 8vo. 6s.</em></p>
-
-<p><strong>Maitland (F. W.)</strong>, LL.D., Downing Professor
-of the Laws of England in the University of
-Cambridge. CANON LAW IN ENGLAND.
-<em>Royal 8vo. 7s. 6d.</em></p>
-
-<p><strong>Malden (H. E.)</strong>, M.A. ENGLISH RECORDS.
-A Companion to the History of
-England. <em>Cr. 8vo. 3s. 6d.</em></p>
-
-<p>THE ENGLISH CITIZEN: HIS RIGHTS
-AND DUTIES. <em>Seventh Edition. Cr.
-8vo. 1s. 6d.</em></p>
-
-<p class="blockquot">
-See also School Histories.<br />
-</p>
-
-<p><strong>Marchant (E. C.)</strong>, M.A., Fellow of Peterhouse,
-Cambridge. A GREEK ANTHOLOGY
-<em>Second Edition. Cr. 8vo. 3s. 6d.</em></p>
-
-<p class="blockquot">
-See also A. M. Cook.<br />
-</p>
-
-<p><strong>Marr (J. E.)</strong>, F.R.S., Fellow of St John's College,
-Cambridge. THE SCIENTIFIC
-STUDY OF SCENERY. <em>Second Edition.</em>
-Illustrated. <em>Cr. 8vo. 6s.</em></p>
-
-<p>AGRICULTURAL GEOLOGY. Illustrated.
-<em>Cr. 8vo. 6s.</em></p>
-
-<p><strong>Marriott (J. A. R.).</strong> THE LIFE AND
-TIMES OF LORD FALKLAND. With 20
-Illustrations. <em>Second Ed. Dy. 8vo. 7s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Marvell (Andrew).</strong> See Little Library.</p>
-
-<p><strong>Masefield (John).</strong> SEA LIFE IN NELSON'S
-TIME. Illustrated. <em>Cr. 8vo.
-3s. 6d. net.</em></p>
-
-<p>ON THE SPANISH MAIN. With 22
-Illustrations and a Map. <em>Demy 8vo.
-10s. 6d. net.</em></p>
-
-<p>A SAILOR'S GARLAND. Edited and
-Selected by. <em>Second Ed. Cr. 8vo. 3s. 6d. net.</em></p>
-
-<p><strong>Maskell (A.).</strong> See Connoisseur's Library.</p>
-
-<p><strong>Mason (A. J.)</strong>, D.D. See Leaders of Religion.</p>
-
-<p><strong>Massee (George).</strong> THE EVOLUTION OF
-PLANT LIFE: Lower Forms. Illustrated.
-<em>Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Masterman (C. F. G.)</strong>, M.A., M.P.
-TENNYSON AS A RELIGIOUS
-TEACHER. <em>Cr. 8vo. 6s.</em></p>
-
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-
-<p><strong>May (Phil).</strong> THE PHIL MAY ALBUM.
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-OF ENGLISH LITERATURE. <em>Cr.
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-Also Cr. 8vo. 3d. net.</em></p>
-
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-author's 'Peace or War in South
-Africa.'</p>
-<p><span class="pagenum"><a name="Page_1013" id="Page_1013">[Pg 1013]</a></span></p>
-
-<p>ENGLAND'S RUIN: <span class="smcap">Discussed in Sixteen
-Letters to the Right Hon.
-Joseph Chamberlain, M.P.</span> <em>Seventh Edition.
-Cr. 8vo. 3d. net.</em></p>
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-<em>Cr. 8vo. 2s. 6d. net.</em></p>
-
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-OF SIR JOHN EVERETT
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-With many Illustrations, of which 2 are in
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-
-<p class="blockquot">
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-
-<p class="blockquot">See also Little Library and Standard
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-
-<p><strong>Minchin (H. C.)</strong>, M.A. See R. Peel.</p>
-
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-OF BIOLOGY. Illustrated. <em>Second Edition.
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-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Moffat (Mary M.).</strong> QUEEN LOUISA OF
-PRUSSIA. With 20 Illustrations. <em>Fourth
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-
-<p>'<strong>Moil (A.).</strong>' See Books on Business.</p>
-
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-
-<p><strong>Molinos (Dr. Michael de).</strong> See Library of
-Devotion.</p>
-
-<p><strong>Money (L. G. Chiozza)</strong>, M.P. RICHES
-AND POVERTY. <em>Fourth Edition. Demy
-8vo. 5s. net.</em></p>
-
-<p><strong>Montagu (Henry)</strong>, Earl of Manchester. See
-Library of Devotion.</p>
-
-<p><strong>Montaigne.</strong> A DAY BOOK OF. Edited
-by <span class="smcap">C. F. Pond</span>. <em>Fcap. 8vo. 3s. 6d. net.</em></p>
-
-<p><strong>Montmorency (J. E. G. de)</strong>, B.A., LL.B.
-THOMAS À KEMPIS, HIS AGE AND
-BOOK. With 22 Illustrations. <em>Second
-Edition. Demy 8vo. 7s. 6d. net.</em></p>
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-<p><strong>Moore (H. E.).</strong> BACK TO THE LAND.
-An Inquiry into Rural Depopulation. <em>Cr.
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-
-<p><strong>Moorhouse (E. Hallam).</strong> NELSON'S
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-<em>Second Edition. Demy 8vo. 7s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Moran (Clarence G.).</strong> See Books on Business.</p>
-
-<p><strong>More (Sir Thomas).</strong> See Standard Library.</p>
-
-<p><strong>Morfill (W. R.)</strong>, Oriel College, Oxford. A
-HISTORY OF RUSSIA FROM PETER
-THE GREAT TO ALEXANDER II.
-With Maps and Plans. <em>Cr. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Morich (R. J.)</strong>, late of Clifton College. See
-School Examination Series.</p>
-
-<p><strong>Morris (J.).</strong> THE MAKERS OF JAPAN.
-With 24 Illustrations. <em>Demy 8vo. 12s. 6d.
-net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Morris (J. E.).</strong> See Little Guides.</p>
-
-<p><strong>Morton (Miss Anderson).</strong> See Miss Brodrick.</p>
-
-<p><strong>Moule (H. C. G.)</strong>, D.D., Lord Bishop of Durham.
-See Leaders of Religion.</p>
-
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-CHEMISTRY OF FIRE. Illustrated.
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-
-<p><strong>Mundella (V. A.)</strong>, M.A. See J. T. Dunn.</p>
-
-<p><strong>Munro (R.)</strong>, LL.D. See Antiquary Books.</p>
-
-<p><strong>Naval Officer (A).</strong> See I.P.L.</p>
-
-<p><strong>Neal (W. G.).</strong> See R. N. Hall.</p>
-
-<p><strong>Newman (Ernest).</strong> HUGO WOLF.
-<em>Demy 8vo. 6s.</em></p>
-
-<p><strong>Newman (George)</strong>, M.D., D.P.H., F.R.S.E.,
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-Social Problem</span>. With 16 Diagrams.
-Demy <em>8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Newman (J. H.) and others.</strong> See Library
-of Devotion.</p>
-
-<p><strong>Nichols (J. B. B.).</strong> See Little Library.</p>
-
-<p><strong>Nicklin (T.)</strong>, M.A. EXAMINATION
-PAPERS IN THUCYDIDES. <em>Cr. 8vo. 6s.</em></p>
-
-<p><strong>Nimrod.</strong> See I.P.L.</p>
-
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-SIR WALTER SCOTT. Illustrated.
-<em>Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Norregaard (B. W.).</strong> THE GREAT
-SIEGE: The Investment and Fall of Port
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-
-<p><strong>Norway (A. H.).</strong> NAPLES. With 25 Coloured
-Illustrations by <span class="smcap">Maurice Greiffenhagen</span>.
-<em>Second Edition. Cr. 8vo. 6s.</em></p>
-
-<p><strong>Novalis.</strong> THE DISCIPLES AT SAIS AND
-OTHER FRAGMENTS. Edited by Miss
-<span class="smcap">Una Birch</span>. <em>Fcap. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Oldfield (W. J.)</strong>, M.A., Prebendary of
-Lincoln. A PRIMER OF RELIGION.
-<span class="smcap">Based on the Catechism of the Church
-of England.</span> <em>Fcap. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Oldham (F. M.)</strong>, B.A. See Textbooks of
-Science.</p>
-
-<p><strong>Oliphant (Mrs.).</strong> See Leaders of Religion.</p>
-
-<p><strong>Oman (C. W. C.)</strong>, M.A., Fellow of All Souls',
-Oxford. A HISTORY OF THE ART
-OF WAR. The Middle Ages, from the
-Fourth to the Fourteenth Century. Illustrated.
-<em>Demy 8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Ottley (R. L.)</strong>, D.D. See Handbooks of
-Theology and Leaders of Religion.</p>
-
-<p><strong>Overton (J. H.).</strong> See Leaders of Religion.</p>
-
-<p><strong>Owen (Douglas).</strong> See Books on Business.</p>
-
-<p><strong>Oxford (M. N.)</strong>, of Guy's Hospital. A HANDBOOK
-OF NURSING. <em>Fourth Edition.
-Cr. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Pakes (W. C. C.).</strong> THE SCIENCE OF
-HYGIENE. Illustrated. <em>Demy 8vo. 15s.</em></p>
-
-<p><span class="pagenum"><a name="Page_1014" id="Page_1014">[Pg 1014]</a></span></p>
-
-<p><strong>Parker (Gilbert).</strong> A LOVER'S DIARY.
-<em>Fcap. 8vo. 5s.</em></p>
-
-<p><strong>Parkes (A. K.).</strong> SMALL LESSONS ON
-GREAT TRUTHS. <em>Fcap. 8vo. 1s. 6d.</em></p>
-
-<p><strong>Parkinson (John).</strong> PARADISI IN SOLE
-PARADISUS TERRESTRIS, OR A
-GARDEN OF ALL SORTS OF PLEASANT
-FLOWERS. <em>Folio. £3, 3s. net.</em></p>
-
-<p><strong>Parmenter (John).</strong> HELIO-TROPES, OR
-NEW POSIES FOR SUNDIALS, 1625.
-Edited by <span class="smcap">Percival Landon</span>. <em>Quarto.
-3s. 6d. net.</em></p>
-
-<p><strong>Parmentier (Prof. Leon).</strong> See Byzantine
-Texts.</p>
-
-<p><strong>Parsons (Mrs. Clement).</strong> GARRICK
-AND HIS CIRCLE. With 36 Illustrations.
-<em>Second Edition. Demy 8vo.
-12s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Pascal.</strong> See Library of Devotion.</p>
-
-<p><strong>Paston (George).</strong> SOCIAL CARICATURE
-IN THE EIGHTEENTH
-CENTURY. With over 200 Illustrations.
-<em>Imperial Quarto. £2, 12s. 6d. net.</em></p>
-
-<p class="blockquot">
-See also Little Books on Art and I.P.L.<br />
-</p>
-
-<p>LADY MARY WORTLEY MONTAGU.
-With 24 Portraits and Illustrations.
-<em>Second Edition. Demy 8vo. 15s. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Paterson (W. R.)</strong> (Benjamin Swift). LIFE'S
-QUESTIONINGS. <em>Cr. 8vo. 3s. 6d. net.</em></p>
-
-<p><strong>Patterson (A. H.).</strong> NOTES OF AN EAST
-COAST NATURALIST. Illustrated in
-Colour by <span class="smcap">F. Southgate</span>. <em>Second Edition.
-Cr. 8vo. 6s.</em></p>
-
-<p>NATURE IN EASTERN NORFOLK.
-A series of observations on the Birds,
-Fishes, Mammals, Reptiles, and Stalk-eyed
-Crustaceans found in that neighbourhood,
-with a list of the species. With
-12 Illustrations in colour, by <span class="smcap">Frank
-Southgate</span>. <em>Second Edition. Cr. 8vo.
-6s.</em></p>
-
-<p><strong>Peacock (N.).</strong> See Little Books on Art.</p>
-
-<p><strong>Peake (C. M. A.)</strong>, F.R.H.S. A CONCISE
-HANDBOOK OF GARDEN
-ANNUAL AND BIENNIAL PLANTS.
-With 24 Illustrations. <em>Fcap. 8vo. 3s. 6d. net.</em></p>
-
-<p><strong>Peel (Robert)</strong>, and <strong>Minchin (H. C.)</strong>, M.A.
-OXFORD. With 100 Illustrations in
-Colour. <em>Cr. 8vo. 6s.</em></p>
-
-<p><strong>Peel (Sidney)</strong>, late Fellow of Trinity College,
-Oxford, and Secretary to the Royal Commission
-on the Licensing Laws. PRACTICAL
-LICENSING REFORM. <em>Second
-Edition. Cr. 8vo. 1s. 6d.</em></p>
-
-<p><strong>Petrie (W. M. Flinders)</strong>, D.C.L., L.L.D., Professor
-of Egyptology at University College.
-A HISTORY OF EGYPT, <span class="smcap">from the
-Earliest Times to the Present Day</span>.
-Fully Illustrated. <em>In six volumes. Cr.
-8vo. 6s. each.</em></p>
-<div class="blockquot">
-<p><span class="smcap">Vol. i. Prehistoric Times to XVIth
-Dynasty.</span> <em>Sixth Edition.</em></p>
-
-<p><span class="smcap">Vol. ii. The XVIIth and XVIIIth
-Dynasties.</span> <em>Fourth Edition.</em></p>
-
-<p><span class="smcap">Vol. iii. XIXth to XXXth Dynasties.</span></p>
-
-<p><span class="smcap">Vol. iv. The Egypt of the Ptolemies.
-J. P. Mahaffy</span>, Litt. D.</p>
-
-<p><span class="smcap">Vol. v. Roman Egypt. J. G. Milne</span>, M.A.</p>
-
-<p><span class="smcap">Vol. vi. Egypt in the Middle Ages.
-Stanley Lane-Poole</span>, M.A.</p>
-</div>
-<p>RELIGION AND CONSCIENCE IN
-ANCIENT EGYPT. Illustrated. <em>Cr.
-8vo. 2s. 6d.</em></p>
-
-<p>SYRIA AND EGYPT, FROM THE TELL
-EL AMARNA TABLETS. <em>Cr. 8vo. 2s. 6d.</em></p>
-
-<p>EGYPTIAN TALES. Illustrated by <span class="smcap">Tristram
-Ellis</span>. <em>In Two Volumes. Cr. 8vo.
-3s. 6d. each.</em></p>
-
-<p>EGYPTIAN DECORATIVE ART. With
-120 Illustrations. <em>Cr. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Phillips (W. A.).</strong> See Oxford Biographies.</p>
-
-<p><strong>Phillpotts (Eden).</strong> MY DEVON YEAR.
-With 38 Illustrations by <span class="smcap">J. Ley Pethybridge</span>.
-<em>Second and Cheaper Edition.
-Large Cr. 8vo. 6s.</em></p>
-
-<p>UP ALONG AND DOWN ALONG.
-Illustrated by <span class="smcap">Claude Shepperson</span>.
-<em>Cr. 4to. 5s. net.</em></p>
-
-<p class="blockquot">
-A volume of poems.<br />
-</p>
-
-<p><strong>Plarr (Victor G.).</strong> See School Histories.</p>
-
-<p><strong>Plato.</strong> See Standard Library.</p>
-
-<p><strong>Plautus.</strong> THE CAPTIVI. Edited, with
-an Introduction, Textual Notes, and a Commentary,
-by <span class="smcap">W. M. Lindsay</span>, Fellow of
-Jesus College, Oxford. <em>Demy 8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Plowden-Wardlaw (J. T.)</strong>, B.A., King's
-College, Cambridge. See School Examination
-Series.</p>
-
-<p><strong>Podmore (Frank).</strong> MODERN SPIRITUALISM.
-<em>Two Volumes. Demy 8vo.
-21s. net.</em></p>
-
-<p class="blockquot">
-A History and a Criticism.<br />
-</p>
-
-<p><strong>Poer (J. Patrick Le).</strong> A MODERN
-LEGIONARY. <em>Cr. 8vo. 6s.</em></p>
-
-<p><strong>Pollard (Alice).</strong> See Little Books on Art.</p>
-
-<p><strong>Pollard (A. W.).</strong> OLD PICTURE BOOKS.
-Illustrated. <em>Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Pollard (Eliza F.).</strong> See Little Books on Art.</p>
-
-<p><strong>Pollock (David)</strong>, M.I.N.A. See Books on
-Business.</p>
-
-<p><strong>Potter (M. C.)</strong>, M.A., F.L.S. A TEXTBOOK
-OF AGRICULTURAL BOTANY.
-Illustrated. <em>Second Edition. Cr. 8vo.
-4s. 6d.</em></p>
-
-<p><strong>Power (J. O'Connor).</strong> THE MAKING
-OF AN ORATOR. <em>Cr. 8vo. 6s.</em></p>
-
-<p><strong>Prance (G.).</strong> See R. Wyon.</p>
-
-<p><strong>Prescott (O. L.).</strong> ABOUT MUSIC, AND
-WHAT IT IS MADE OF. <em>Cr. 8vo.
-3s. 6d. net.</em></p>
-
-<p><strong>Price (L. L.)</strong>, M.A., Fellow of Oriel College,
-Oxon. A HISTORY OF ENGLISH
-POLITICAL ECONOMY. <em>Fifth Edition.
-Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Primrose (Deborah).</strong> A MODERN
-BŒOTIA. <em>Cr. 8vo. 6s.</em></p>
-
-<p><strong>Protheroe (Ernest).</strong> THE DOMINION
-OF MAN. <span class="smcap">Geography in its Human
-Aspect.</span> With 32 full-page Illustrations.
-<em>Cr. 8vo. 2s.</em></p>
-
-<p><span class="pagenum"><a name="Page_1015" id="Page_1015">[Pg 1015]</a></span></p>
-
-<p><strong>Pugin</strong> and <strong>Rowlandson</strong>. THE MICROCOSM
-OF LONDON, <span class="smcap">or London in
-Miniature</span>. With 104 Illustrations in
-colour. <em>In Three Volumes. Small 4to.
-£3, 3s. net.</em></p>
-
-<p><strong>'Q' (A. T. Quiller Couch).</strong> THE
-GOLDEN POMP. <span class="smcap">A Procession of
-English Lyrics.</span> <em>Second Edition. Cr. 8vo.
-2s. 6d. net.</em></p>
-
-<p><strong>Quevedo Villegas.</strong> See Miniature Library.</p>
-
-<p><strong>G. R.</strong> and <strong>E. S.</strong> THE WOODHOUSE CORRESPONDENCE.
-<em>Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Rackham (R. B.)</strong>, M.A. See Westminster
-Commentaries.</p>
-
-<p><strong>Ragg (Laura M.).</strong> THE WOMEN-ARTISTS
-OF BOLOGNA. With 20 Illustrations.
-<em>Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Ragg (Lonsdale)</strong>, B.D., Oxon. DANTE
-AND HIS ITALY. With 32 Illustrations
-largely from contemporary Frescoes
-and Documents. <em>Demy 8vo. 12s 6d. net.</em></p>
-
-<p><strong>Rahtz (F. J.)</strong>, M.A., B.Sc., Lecturer in
-English at Merchant Venturers' Technical
-College, Bristol. HIGHER ENGLISH.
-<em>Second Edition. Cr. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Randolph (B. W.)</strong>, D.D. See Library of
-Devotion.</p>
-
-<p><strong>Rannie (D. W.)</strong>, M.A. A STUDENT'S
-HISTORY OF SCOTLAND. <em>Cr. 8vo.
-3s. 6d.</em></p>
-
-<p><strong>Rashdall (Hastings)</strong>, M.A., Fellow and
-Tutor of New College, Oxford. DOCTRINE
-AND DEVELOPMENT. <em>Cr.
-8vo. 6s.</em></p>
-
-<p><strong>Raven (J. J.)</strong>, D.D. See Antiquary's Books.</p>
-
-<p><strong>Rawstorne (Lawrence, Esq.).</strong> See I.P.L.</p>
-
-<p><strong>Raymond (Walter).</strong> See School Histories.</p>
-
-<p><strong>A Real Paddy.</strong> See I.P.L.</p>
-
-<p><strong>Reason (W.)</strong>, M.A. UNIVERSITY AND
-SOCIAL SETTLEMENTS. <em>Cr. 8vo.
-2s. 6d.</em></p>
-
-<p><strong>Redpath (H. A.)</strong>, M.A. See Westminster
-Commentaries.</p>
-
-<p><strong>Reynolds.</strong> See Little Galleries.</p>
-
-<p><strong>Rhoades (J. F.).</strong> See Simplified French Texts.</p>
-
-<p><strong>Rhodes (W. E.).</strong> See School Histories.</p>
-
-<p><strong>Rieu (H.)</strong>, M.A. See Simplified French
-Texts.</p>
-
-<p><strong>Roberts (M. E.).</strong> See C. C. Channer.</p>
-
-<p><strong>Robertson (A.)</strong>, D.D., Lord Bishop of
-Exeter. REGNUM DEI. The Bampton
-Lectures of 1901. <em>Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Robertson (C. Grant)</strong>, M.A., Fellow of All
-Souls' College, Oxford, Examiner in the
-Honours School of Modern History, Oxford,
-1901-1904. SELECT STATUTES, CASES,
-AND CONSTITUTIONAL DOCUMENTS,
-1660-1832. <em>Demy 8vo. 10s. 6d.
-net.</em></p>
-
-<p><strong>Robertson (C. Grant)</strong> and <strong>Bartholomew
-(J. G.)</strong>, F.R.S.E., F.R.G.S. A HISTORICAL
-AND MODERN ATLAS OF
-THE BRITISH EMPIRE. <em>Demy Quarto.
-4s. 6d. net.</em></p>
-
-<p><strong>Robertson (Sir G. S.)</strong>, K.C.S.I. CHITRAL:
-<span class="smcap">The Story of a Minor Siege</span>. <em>Third
-Edition.</em> Illustrated. <em>Cr. 8vo. 2s. 6d. net.</em></p>
-
-<p><strong>Robinson (A. W.)</strong>, M.A. See Churchman's
-Bible.</p>
-
-<p><strong>Robinson (Cecilia).</strong> THE MINISTRY
-OF DEACONESSES. With an Introduction
-by the late Archbishop of Canterbury.
-<em>Cr. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Robinson (F. S.).</strong> See Connoisseur's Library.</p>
-
-<p><strong>Rochefoucauld (La).</strong> See Little Library.</p>
-
-<p><strong>Rodwell (G.)</strong>, B.A. NEW TESTAMENT
-GREEK. A Course for Beginners. With
-a Preface by <span class="smcap">Walter Lock</span>, D.D., Warden
-of Keble College. <em>Fcap. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Roe (Fred).</strong> OLD OAK FURNITURE. With
-many Illustrations by the Author, including
-a frontispiece in colour. <em>Demy 8vo. 10s. 6d.
-net.</em></p>
-
-<p><strong>Rogers (A. G. L.)</strong>, M.A. See Books on
-Business.</p>
-
-<p><strong>Romney.</strong> See Little Galleries.</p>
-
-<p><strong>Roscoe (E. S.).</strong> See Little Guides.</p>
-
-<p><strong>Rose (Edward).</strong> THE ROSE READER.
-Illustrated. <em>Cr. 8vo. 2s. 6d. Also in 4
-Parts. Parts I. and II. 6d. each; Part
-III. 8d.; Part IV. 10d.</em></p>
-
-<p><strong>Rowntree (Joshua).</strong> THE IMPERIAL
-DRUG TRADE. <span class="smcap">A Re-Statement of
-the Opium Question.</span> <em>Second and
-Cheaper Edition. Cr. 8vo. 2s. net.</em></p>
-
-<p><strong>Royde-Smith (N. G.).</strong> THE PILLOW
-BOOK: <span class="smcap">A Garner of Many Moods</span>.
-<em>Second Edition. Cr. 8vo. 4s. 6d. net.</em></p>
-
-<p><strong>Rubie (A. E.)</strong>, D.D. See Junior School
-Books.</p>
-
-<p><strong>Russell (W. Clark).</strong> THE LIFE OF
-ADMIRAL LORD COLLINGWOOD.
-With Illustrations by <span class="smcap">F. Brangwyn</span>.
-<em>Fourth Edition. Cr. 8vo. 6s.</em></p>
-
-<p><strong>Sainsbury (Harrington)</strong>, M.D., F.R.C.P.
-PRINCIPIA THERAPEUTICA.
-<em>Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>St. Anselm.</strong> See Library of Devotion.</p>
-
-<p><strong>St. Augustine.</strong> See Library of Devotion.</p>
-
-<p><strong>St. Bernard.</strong> See Library of Devotion.</p>
-
-<p><strong>Sales (St. Francis de).</strong> See Library of
-Devotion.</p>
-
-<p><strong>St. Cyres (Viscount).</strong> See Oxford Biographies.</p>
-
-<p><strong>St. Francis of Assisi.</strong> THE LITTLE
-FLOWERS OF THE GLORIOUS
-MESSER ST. FRANCIS AND HIS
-FRIARS. Newly translated by <span class="smcap">William
-Heywood</span>. With an Introduction by <span class="smcap">A.
-G. F. Howell</span>, and 40 Illustrations from
-Italian Painters. <em>Demy 8vo. 5s. net.</em></p>
-
-<p class="blockquot">See also Standard Library and Library of
-Devotion.</p>
-
-<p><strong>'Saki' (H. Munro).</strong> REGINALD. <em>Second
-Edition. Fcap. 8vo. 2s. 6d. net.</em></p>
-
-<p><strong>Salmon (A. L.).</strong> See Little Guides.</p>
-
-<p><strong>Sargeaunt (J.)</strong>, M.A. ANNALS OF
-WESTMINSTER SCHOOL. Illustrated.
-<em>Demy 8vo. 7s. 6d.</em></p>
-
-<p><strong>Sathas (C.).</strong> See Byzantine Texts.</p>
-
-<p><strong>Schmitt (John).</strong> See Byzantine Texts.</p>
-
-<p><strong>Scott (A. M.).</strong> WINSTON SPENCER
-CHURCHILL. With Portraits and Illustrations.
-<em>Cr. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Scudamore (Cyril).</strong> See Little Guides.</p>
-
-<p><span class="pagenum"><a name="Page_1016" id="Page_1016">[Pg 1016]</a></span></p>
-
-<p><strong>Selis (V. P.)</strong>, M.A. THE MECHANICS
-OF DAILY LIFE. Illustrated. <em>Cr. 8vo.
-2s. 6d.</em></p>
-
-<p><strong>Selous (Edmund).</strong> TOMMY SMITH'S
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-<em>Ninth Edition. Fcap. 8vo. 2s. 6d.</em></p>
-
-<p class="blockquot">
-<em>School Edition, 1s. 6d.</em><br />
-</p>
-
-<p>TOMMY SMITH'S OTHER ANIMALS.
-With 12 Illustrations by <span class="smcap">Augusta Guest</span>.
-<em>Fourth Edition. Fcap. 8vo. 2s. 6d.</em></p>
-
-<p><em>School Edition, 1s. 6d.</em></p>
-
-<p><strong>Settle (J. H.).</strong> ANECDOTES OF
-SOLDIERS. <em>Cr. 8vo. 3s. 6d. net.</em></p>
-
-<p><strong>Shakespeare (William).</strong></p>
-
-<p>THE FOUR FOLIOS, 1623; 1632; 1664;
-1685. <em>Each £4, 4s. net</em>, or a complete set,
-<em>£12, 12s. net.</em></p>
-
-<p class="blockquot">Folios 3 and 4 are ready.</p>
-
-<p class="blockquot">Folio 2 is nearly ready.</p>
-
-<p class="blockquot">See also Arden, Standard Library and Little Quarto Shakespeare.</p>
-
-<p><strong>Sharp (A.).</strong> VICTORIAN POETS. <em>Cr.
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-
-<p><strong>Sharp (Cecil).</strong> See S. Baring-Gould.</p>
-
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-
-<p><strong>Shedlock (J. S.).</strong> THE PIANOFORTE
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-
-<p><strong>Shelley (Percy B.).</strong> ADONAIS; an Elegy
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-
-<p><strong>Sheppard (H. F.)</strong>, M.A. See S. Baring-Gould.</p>
-
-<p><strong>Sherwell (Arthur)</strong>, M.A. LIFE IN WEST
-LONDON. <em>Third Edition. Cr. 8vo.
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-
-<p><strong>Shipley (Mary E.).</strong> AN ENGLISH
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-
-<p><strong>Sime (J.).</strong> See Little Books on Art.</p>
-
-<p><strong>Simonson (G. A.).</strong> FRANCESCO
-GUARDI. With 41 Plates. <em>Imperial
-4to. £2, 2s. net.</em></p>
-
-<p><strong>Sketchley (R. E. D.).</strong> See Little Books on
-Art.</p>
-
-<p><strong>Skipton (H. P. K.).</strong> See Little Books on
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-
-<p><strong>Sladen (Douglas).</strong> SICILY: The New
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-<em>Second Edition. Cr. 8vo. 5s. net.</em></p>
-
-<p><strong>Small (Evan)</strong>, M.A. THE EARTH. An
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-
-<p><strong>Smallwood (M. G.).</strong> See Little Books on
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-
-<p><strong>Smedley (F. E.).</strong> See I.P.L.</p>
-
-<p><strong>Smith (Adam).</strong> THE WEALTH OF
-NATIONS. Edited with an Introduction
-and numerous Notes by <span class="smcap">Edwin Cannan</span>,
-M.A. <em>Two volumes. Demy 8vo. 21s. net.</em></p>
-
-<p><strong>Smith (Horace and James).</strong> See Little
-Library.</p>
-
-<p><strong>Smith (H. Bompas)</strong>, M.A. A NEW
-JUNIOR ARITHMETIC. <em>Crown 8vo.
-2s.</em> With Answers, <em>2s. 6d.</em></p>
-
-<p><strong>Smith (R. Mudie).</strong> THOUGHTS FOR
-THE DAY. Edited by. <em>Fcap. 8vo.
-3s. 6d. net.</em></p>
-
-<p><strong>Smith (Nowell C.).</strong> See W. Wordsworth.</p>
-
-<p><strong>Smith (John Thomas).</strong> A BOOK FOR
-A RAINY DAY: Or, Recollections of the
-Events of the Years 1766-1833. Edited by
-<span class="smcap">Wilfred Whitten</span>. Illustrated. <em>Wide
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-
-<p><strong>Snell (F. J.).</strong> A BOOK OF EXMOOR.
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-
-<p><strong>Snowden (C. E.).</strong> A HANDY DIGEST OF
-BRITISH HISTORY. <em>Demy 8vo. 4s. 6d.</em></p>
-
-<p><strong>Sophocles.</strong> See Classical Translations.</p>
-
-<p><strong>Sornet (L. A.).</strong> See Junior School Books.</p>
-
-<p><strong>South (E. Wilton)</strong>, M.A. See Junior School
-Books.</p>
-
-<p><strong>Southey (R.).</strong> ENGLISH SEAMEN.
-Edited by <span class="smcap">David Hannay</span>.</p>
-
-<p class="blockquot">Vol. <span class="smcap">I.</span> (Howard, Clifford, Hawkins,
-Drake, Cavendish). <em>Second Edition. Cr.
-8vo. 6s.</em></p>
-
-<p class="blockquot">Vol. <span class="smcap">II.</span> (Richard Hawkins, Grenville,
-Essex, and Raleigh). <em>Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">See also Standard Library.</p>
-
-<p><strong>Spence (C. H.)</strong>, M.A. See School Examination
-Series.</p>
-
-<p><strong>Spicer (A. D.).</strong> THE PAPER TRADE.
-With Maps and Diagrams. <em>Demy 8vo.
-12s. 6d. net.</em></p>
-
-<p><strong>Spooner (W. A.)</strong>, M.A. See Leaders of
-Religion.</p>
-
-<p><strong>Staley (Edgcumbe).</strong> THE GUILDS OF
-FLORENCE. Illustrated. <em>Second Edition.
-Royal 8vo. 16s. net.</em></p>
-
-<p><strong>Stanbridge (J. W.)</strong>, B.D. See Library of
-Devotion.</p>
-
-<p>'<strong>Stancliffe.</strong>' GOLF DO'S AND DONT'S.
-<em>Second Edition. Fcap. 8vo. 1s.</em></p>
-
-<p><strong>Stead (W. J.).</strong> See D. Gallaher.</p>
-
-<p><strong>Stedman (A. M. M.)</strong>, M.A.</p>
-
-<p>INITIA LATINA: Easy Lessons on Elementary
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-
-<p>FIRST LATIN LESSONS. <em>Tenth Edition.
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-
-<p>FIRST LATIN READER. With Notes
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-
-<p>EASY SELECTIONS FROM CÆSAR.
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-
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-
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-
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-<em>Fourth Edition, Cr. 8vo. 1s.</em></p>
-
-<p><span class="pagenum"><a name="Page_1017" id="Page_1017">[Pg 1017]</a></span></p>
-
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-
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-
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-
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-
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-
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-
-<p>FRENCH VOCABULARIES FOR REPETITION:
-Arranged according to Subjects.
-<em>Thirteenth Edition. Fcap. 8vo. 1s.</em></p>
-
-<p class="blockquot">
-See also School Examination Series.<br />
-</p>
-
-<p><strong>Steel (R. Elliott)</strong>, M.A., F.C.S. THE
-WORLD OF SCIENCE. With 147
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-
-<p class="blockquot">
-See also School Examination Series.<br />
-</p>
-
-<p><strong>Stephenson (C.)</strong>, of the Technical College,
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-
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-TRUTHS OF THE CHRISTIAN
-FAITH. <em>Cr. 8vo. 3s. 6d.</em></p>
-
-<p><strong>Sterne (Laurence).</strong> See Little Library.</p>
-
-<p><strong>Sterry (W.)</strong>, M.A. ANNALS OF ETON
-COLLEGE. Illustrated. <em>Demy 8vo. 7s. 6d.</em></p>
-
-<p><strong>Steuart (Katherine).</strong> BY ALLAN
-WATER. <em>Second Edition. Cr. 8vo. 6s.</em></p>
-
-<p><strong>Stevenson (R. L.).</strong> THE LETTERS OF
-ROBERT LOUIS STEVENSON TO
-HIS FAMILY AND FRIENDS.
-Selected and Edited by <span class="smcap">Sidney Colvin</span>.
-<em>Third Edition. Cr. 8vo. 12s.</em></p>
-
-<p><span class="smcap">Library Edition.</span> <em>Demy 8vo. 2 vols. 25s. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p>VAILIMA LETTERS. With an Etched
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-Edition. Cr. 8vo. Buckram. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p>THE LIFE OF R. L. STEVENSON. See
-G. Balfour.</p>
-
-<p><strong>Stevenson (M. I.).</strong> FROM SARANAC
-TO THE MARQUESAS. Being Letters
-written by Mrs. <span class="smcap">M. I. Stevenson</span> during
-1887-8. <em>Cr. 8vo. 6s. net.</em></p>
-
-<p>LETTERS FROM SAMOA, 1891-95. Edited
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-many Illustrations. <em>Second Edition. Cr.
-8vo. 6s. net.</em></p>
-
-<p><strong>Stoddart (Anna M.).</strong> See Oxford Biographies.</p>
-
-<p><strong>Stokes (F. G.)</strong>, B.A. HOURS WITH
-RABELAIS. From the translation of <span class="smcap">Sir
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-a Portrait in Photogravure. <em>Cr. 8vo. 3s. 6d.
-net.</em></p>
-
-<p><strong>Stone (S. J.).</strong> POEMS AND HYMNS.
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-M.A. With Portrait. <em>Cr. 8vo. 6s.</em></p>
-
-<p><strong>Storr (Vernon F.)</strong>, M.A., Lecturer in
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-AND DIVINE PURPOSE. <em>Cr.
-8vo. 5s. net.</em></p>
-
-<p><strong>Straker (F.).</strong> See Books on Business.</p>
-
-<p><strong>Streane (A. W.)</strong>, D.D. See Churchman's
-Bible.</p>
-
-<p><strong>Streatfeild (R. A.).</strong> MODERN MUSIC
-AND MUSICIANS. With 24 Illustrations.
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-net.</em></p>
-
-<p><strong>Stroud (H.)</strong>, D.Sc., M.A. PRACTICAL
-PHYSICS. With many Diagrams. <em>Second
-Edition. 3s. net.</em></p>
-
-<p><strong>Strutt (Joseph).</strong> THE SPORTS AND
-PASTIMES OF THE PEOPLE OF
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-F.S.A. <em>Quarto. 21s. net.</em></p>
-
-<p><strong>Stuart (Capt. Donald).</strong> THE STRUGGLE
-FOR PERSIA. With a map. <em>Cr. 8vo. 6s.</em></p>
-
-<p><strong>Sturch (F.)</strong>, Staff Instructor to the Surrey
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-Isometric and Oblique Projection.
-With 50 Plates and 140 Figures. <em>Foolscap.
-5s. net.</em></p>
-
-<p><strong>Suddards (F.).</strong> See C. Stephenson.</p>
-
-<p><strong>Surtees (R. S.).</strong> See I.P.L.</p>
-
-<p><strong>Symes (J. E.)</strong>, M.A. THE FRENCH
-REVOLUTION. <em>Second Edition. Cr. 8vo.
-2s. 6d.</em></p>
-
-<p><strong>Sympson (E. M.)</strong>, M.A., M.D. See Ancient
-Cities.</p>
-
-<p><span class="pagenum"><a name="Page_1018" id="Page_1018">[Pg 1018]</a></span></p>
-
-<p><strong>Tacitus.</strong> AGRICOLA. With Introduction
-Notes, Map, etc., by <span class="smcap">R. F. Davis</span>, M.A.
-<em>Fcap. 8vo. 2s.</em></p>
-
-<p>GERMANIA. By the same Editor. <em>Fcap.
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-
-<p><strong>Tallack (W.).</strong> HOWARD LETTERS AND
-MEMORIES. <em>Demy 8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Tauler (J.).</strong> See Library of Devotion.</p>
-
-<p><strong>Taylor (A. E.).</strong> THE ELEMENTS OF
-METAPHYSICS. <em>Demy 8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Taylor (F. G.)</strong>, M.A. See Commercial Series.</p>
-
-<p><strong>Taylor (I. A.).</strong> See Oxford Biographies.</p>
-
-<p><strong>Taylor (John W.).</strong> THE COMING OF
-THE SAINTS: Imagination and Studies
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-With 26 Illustrations. <em>Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Taylor (T. M.)</strong>, M.A., Fellow of Gonville
-and Caius College, Cambridge. A CONSTITUTIONAL
-AND POLITICAL
-HISTORY OF ROME. <em>Cr. 8vo. 7s. 6d.</em></p>
-
-<p><strong>Teasdale-Buckell (G. T.).</strong> THE COMPLETE
-SHOT. Illustrated. <em>Second Ed.</em></p>
-
-<p><strong>Tennyson (Alfred, Lord).</strong> THE EARLY
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-M.A. <em>Cr. 8vo. 6s.</em></p>
-
-<p>IN MEMORIAM, MAUD, AND THE
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-Collins</span>, M.A. <em>Cr. 8vo. 6s.</em> See also
-Little Library.</p>
-
-<p><strong>Terry (C. S.).</strong> See Oxford Biographies.</p>
-
-<p><strong>Thackeray (W. M.).</strong> See Little Library.</p>
-
-<p><strong>Theobald (F. V.)</strong>, M.A. INSECT LIFE.
-Illustrated. <em>Second Edition Revised. Cr.
-8vo. 2s. 6d.</em></p>
-
-<p><strong>Thompson (A. H.).</strong> See Little Guides.</p>
-
-<p><strong>Tileston (Mary W.).</strong> DAILY STRENGTH
-FOR DAILY NEEDS. <em>Fourteenth Edition.
-Medium 16mo. 2s. 6d. net.</em> Also an
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-
-<p><strong>Tompkins (H. W.)</strong>, F.R.H.S. See Little
-Guides.</p>
-
-<p><strong>Townley (Lady Susan).</strong> MY CHINESE
-NOTE-BOOK. With 16 Illustrations and
-2 Maps. <em>Third Ed. Demy 8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Toynbee (Paget)</strong>, M.A., D.Litt. See
-Oxford Biographies.</p>
-
-<p><strong>Trench (Herbert).</strong> DEIRDRE WEDDED
-AND OTHER POEMS. <em>Cr. 8vo. 5s.</em></p>
-
-<p class="blockquot">An episode of Thirty hours delivered by
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-Usnach.</p>
-
-<p><strong>Trevelyan (G. M.)</strong>, Fellow of Trinity College,
-Cambridge. ENGLAND UNDER THE
-STUARTS. With Maps and Plans. <em>Third
-Edition. Demy 8vo. 10s. 6d. net.</em></p>
-
-<p><strong>Troutbeck (G. E.).</strong> See Little Guides.</p>
-
-<p><strong>Tyler (E. A.)</strong>, B.A., F.C.S. See Junior
-School Books.</p>
-
-<p><strong>Tyrrell-Gill (Frances).</strong> See Little Books
-on Art.</p>
-
-<p><strong>Vardon (Harry).</strong> THE COMPLETE
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-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Vaughan (Henry).</strong> See Little Library.</p>
-
-<p><strong>Vaughan (Herbert M.)</strong>, B.A. (Oxon.). THE
-LAST OF THE ROYAL STUARTS,
-HENRY STUART, CARDINAL,
-DUKE OF YORK. With 20 Illustrations.
-<em>Second Edition. Demy 8vo. 10s. 6d. net.</em></p>
-
-<p>THE NAPLES RIVIERA. With 25 Illustrations
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-<em>Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Voegelin (A.)</strong>, M.A. See Junior Examination
-Series.</p>
-
-<p><strong>Waddell (Col. L. A.)</strong>, LL.D., C.B. LHASA
-AND ITS MYSTERIES. With a Record
-of the Expedition of 1903-1904. With 155
-Illustrations and Maps. <em>Third and
-Cheaper Edition. Demy 8vo. 7s. 6d. net.</em></p>
-
-<p><strong>Wade (G. W.)</strong>, D.D. OLD TESTAMENT
-HISTORY. With Maps. <em>Fifth Edition.
-Cr. 8vo. 6s.</em></p>
-
-<p><strong>Wagner (Richard).</strong> MUSIC DRAMAS:
-Interpretations, embodying Wagner's own
-explanations. By <span class="smcap">A. L. Cleather</span> and
-<span class="smcap">B. Crump</span>. <em>In Four Volumes. Fcap 8vo.
-2s. 6d. each.</em></p>
-
-<div class="blockquot">
-<p><span class="smcap">Vol. i.</span>&mdash;<span class="smcap">The Ring of the Nibelung.</span>
-<em>Third Edition.</em></p>
-
-<p><span class="smcap">Vol. ii.</span>&mdash;<span class="smcap">Parsifal</span>, <span class="smcap">Lohengrin</span>, and
-<span class="smcap">The Holy Grail</span>.</p>
-
-<p><span class="smcap">Vol. iii.</span>&mdash;<span class="smcap">Tristan and Isolde.</span></p>
-</div>
-
-<p><strong>Wall (J. C.).</strong> DEVILS. Illustrated by the
-Author and from photographs. <em>Demy 8vo.
-4s. 6d. net.</em> See also Antiquary's Books.</p>
-
-<p><strong>Walters (H. B.).</strong> See Little Books on Art
-and Classics of Art.</p>
-
-<p><strong>Walton (F. W.).</strong> See School Histories.</p>
-
-<p><strong>Walton (Izaac)</strong> and <strong>Cotton (Charles)</strong>.
-See I.P.L., Standard Library, and Little
-Library.</p>
-
-<p><strong>Warren-Vernon (Hon. William)</strong>, M.A.
-READINGS ON THE INFERNO OF
-DANTE, based on the Commentary of
-<span class="smcap">Benvenuto da Imola</span> and other authorities.
-With an Introduction by the Rev. Dr.
-<span class="smcap">Moore</span>. In Two Volumes. <em>Second Edition</em>,
-entirely re-written. <em>Cr. 8vo. 15s. net.</em></p>
-
-<p><strong>Waterhouse (Mrs. Alfred).</strong> WITH THE
-SIMPLE-HEARTED: Little Homilies to
-Women in Country Places. <em>Second Edition.
-Small Pott 8vo. 2s. net.</em></p>
-
-<p class="blockquot">
-See also Little Library.<br />
-</p>
-
-<p><strong>Watt (Francis).</strong> See T. F. Henderson.</p>
-
-<p><strong>Weatherhead (T. C.)</strong>, M.A. EXAMINATION
-PAPERS IN HORACE. <em>Cr. 8vo.
-2s.</em> See also Junior Examination Series.</p>
-
-<p><strong>Webber (F. C.).</strong> See Textbooks of Technology.</p>
-
-<p><strong>Weir (Archibald)</strong>, M.A. AN INTRODUCTION
-TO THE HISTORY OF
-MODERN EUROPE. <em>Cr. 8vo. 6s.</em></p>
-
-<p><strong>Wells (Sidney H.).</strong> See Textbooks of Science.</p>
-
-<p><strong>Wells (J.)</strong>, M. A., Fellow and Tutor of Wadham
-College. OXFORD AND OXFORD
-LIFE. <em>Third Edition. Cr. 8vo. 3s. 6d.</em></p>
-
-<p>A SHORT HISTORY OF ROME. <em>Eighth
-Edition.</em> With 3 Maps. <em>Cr. 8vo. 3s. 6d.</em></p>
-
-<p class="blockquot">
-See also Little Guides.<br />
-</p>
-
-<p><strong>Wheldon (F. W.).</strong> A LITTLE BROTHER
-TO THE BIRDS. With 15 Illustrations,<span class="pagenum"><a name="Page_1019" id="Page_1019">[Pg 1019]</a></span>
-7 of which are by <span class="smcap">A. H. Buckland</span>. <em>Large
-Cr. 8vo. 6s.</em></p>
-
-<p><strong>Whibley (C).</strong> See W. E. Henley.</p>
-
-<p><strong>Whibley (L.)</strong>, M.A., Fellow of Pembroke
-College, Cambridge. GREEK OLIGARCHIES:
-THEIR ORGANISATION
-AND CHARACTER. <em>Cr. 8vo. 6s.</em></p>
-
-<p><strong>Whitaker (G. H.)</strong>, M.A. See Churchman's
-Bible.</p>
-
-<p><strong>White (Gilbert).</strong> THE NATURAL
-HISTORY OF SELBORNE. Edited by
-<span class="smcap">L. C. Miall</span>, F.R.S., assisted by <span class="smcap">W. Warde
-Fowler</span>, M.A. <em>Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-See also Standard Library.<br />
-</p>
-
-<p><strong>Whitfield (E. E.).</strong> See Commercial Series.</p>
-
-<p><strong>Whitehead (A. W.).</strong> GASPARD DE
-COLIGNY. Illustrated. <em>Demy 8vo.
-12s. 6d. net.</em></p>
-
-<p><strong>Whiteley (R. Lloyd)</strong>, F.I.C., Principal of
-the Municipal Science School, West Bromwich.
-AN ELEMENTARY TEXTBOOK
-OF INORGANIC CHEMISTRY.
-<em>Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Whitley (Miss).</strong> See Lady Dilke.</p>
-
-<p><strong>Whitten (W.).</strong> See John Thomas Smith.</p>
-
-<p><strong>Whyte (A. G.)</strong>, B.Sc. See Books on Business.</p>
-
-<p><strong>Wilberforce (Wilfrid).</strong> See Little Books
-on Art.</p>
-
-<p><strong>Wilde (Oscar).</strong> DE PROFUNDIS. <em>Eleventh
-Edition. Cr. 8vo. 5s. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p>THE DUCHESS OF PADUA. <em>Demy 8vo.
-12s. 6d. net.</em></p>
-
-<p>POEMS. <em>Demy 8vo. 12s. 6d. net.</em></p>
-
-<p>INTENTIONS. <em>Demy 8vo. 12s. 6d. net.</em></p>
-
-<p>SALOME, AND OTHER PLAYS. <em>Demy
-8vo. 12s. 6d. net.</em></p>
-
-<p>LADY WINDERMERE'S FAN. <em>Demy
-8vo. 12s. 6d. net.</em></p>
-
-<p>A WOMAN OF NO IMPORTANCE.
-<em>Demy 8vo. 12s. 6d. net.</em></p>
-
-<p>AN IDEAL HUSBAND. <em>Demy 8vo.
-12s. 6d. net.</em></p>
-
-<p>THE IMPORTANCE OF BEING EARNEST.
-<em>Demy 8vo. 12s. 6d. net.</em></p>
-
-<p>A HOUSE OF POMEGRANATES and
-THE HAPPY PRINCE. <em>Demy 8vo.
-12s. 6d. net.</em></p>
-
-<p>LORD ARTHUR SAVILE'S CRIME and
-OTHER PROSE PIECES. <em>Demy 8vo.
-12s. 6d. net.</em></p>
-
-<p><strong>Wilkins (W. H.)</strong>, B.A. THE ALIEN
-INVASION. <em>Cr. 8vo. 2s. 6d.</em></p>
-
-<p><strong>Williams (A.).</strong> PETROL PETER: or
-Pretty Stories and Funny Pictures. Illustrated
-in Colour by <span class="smcap">A. W. Mills</span>. <em>Demy
-4to. 3s. 6d. net.</em></p>
-
-<p><strong>Williamson (M. G.).</strong> See Ancient Cities.</p>
-
-<p><strong>Williamson (W.).</strong> THE BRITISH
-GARDENER. Illustrated. <em>Demy 8vo.
-10s. 6d.</em></p>
-
-<p><strong>Williamson (W.)</strong>, B.A. See Junior Examination
-Series, Junior School Books, and
-Beginner's Books.</p>
-
-<p><strong>Willson (Beckles).</strong> LORD STRATHCONA:
-the Story of his Life. Illustrated.
-<em>Demy 8vo. 7s. 6d.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Wilmot-Buxton (E. M.).</strong> MAKERS OF
-EUROPE. <em>Cr. 8vo. Eighth Ed. 3s. 6d.</em></p>
-
-<p class="blockquot">A Text-book of European History for
-Middle Forms.</p>
-
-<p>THE ANCIENT WORLD. With Maps and
-Illustrations. <em>Cr. 8vo. 3s. 6d.</em></p>
-
-<p class="blockquot">
-See also Beginner's Books.<br />
-</p>
-
-<p><strong>Wilson (Bishop.).</strong> See Library of Devotion.</p>
-
-<p><strong>Wilson (A. J.).</strong> See Books on Business.</p>
-
-<p><strong>Wilson (H. A.).</strong> See Books on Business.</p>
-
-<p><strong>Wilson (J. A).</strong> See Simplified French
-Texts.</p>
-
-<p><strong>Wilton (Richard)</strong>, M.A. LYRA PASTORALIS:
-Songs of Nature, Church, and
-Home. <em>Pott 8vo. 2s. 6d.</em></p>
-
-<p><strong>Winbolt (S. E.)</strong>, M.A. EXERCISES IN
-LATIN ACCIDENCE. <em>Cr. 8vo. 1s. 6d.</em></p>
-
-<p>LATIN HEXAMETER VERSE: An Aid
-to Composition. <em>Cr. 8vo. 3s. 6d.</em> <span class="smcap">Key</span>,
-<em>5s. net.</em></p>
-
-<p><strong>Windle (B. C. A.)</strong>, F.R.S., F.S.A. See Antiquary's
-Books, Little Guides, Ancient
-Cities, and School Histories.</p>
-
-<p><strong>Winterbotham (Canon)</strong>, M.A., B.Sc.,
-LL.B. See Churchman's Library.</p>
-
-<p><strong>Wood (Sir Evelyn)</strong>, F.M., V.C., G.C.B.,
-G.C.M.G. FROM MIDSHIPMAN TO
-FIELD-MARSHAL. With 24 Illustrations
-and Maps. <em>A New and Cheaper
-Edition. Demy 8vo. 7s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Wood (J. A. E.).</strong> See Textbooks of
-Technology.</p>
-
-<p><strong>Wood (J. Hickory).</strong> DAN LENO. Illustrated.
-<em>Third Edition. Cr. 8vo. 6s.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Wood (W. Birkbeck)</strong>, M.A., late Scholar of
-Worcester College, Oxford, and <strong>Edmonds
-(Major J. E.)</strong>, R.E., D.A.Q.-M.G. A
-HISTORY OF THE CIVIL WAR IN
-THE UNITED STATES. With an
-Introduction by <span class="smcap">H. Spenser Wilkinson</span>.
-With 24 Maps and Plans. <em>Second Edition.
-Demy 8vo. 12s. 6d. net.</em></p>
-
-<p><strong>Wordsworth (Christopher).</strong> See Antiquary's
-Books.</p>
-
-<p><strong>Wordsworth (W.).</strong> POEMS BY. Selected
-by <span class="smcap">Stopford A. Brooke</span>. With 40 Illustrations
-by <span class="smcap">Edmund H. New</span>. With a
-Frontispiece in Photogravure. <em>Demy 8vo.
-7s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Wordsworth (W.)</strong> and <strong>Coleridge (S. T.)</strong>.
-See Little Library.</p>
-
-<p><strong>Wright (Arthur)</strong>, D.D., Fellow of Queen's
-College, Cambridge. See Churchman's
-Library.</p>
-
-<p><strong>Wright (C. Gordon).</strong> See Dante.</p>
-
-<p><strong>Wright (J. C.).</strong> TO-DAY. <em>Demy 16mo.
-1s. 6d. net.</em></p>
-
-<p><strong>Wright (Sophie).</strong> GERMAN VOCABULARIES
-FOR REPETITION. <em>Fcap. 8vo.
-1s. 6d.</em></p>
-
-<p><strong>Wrong (George M.)</strong>, Professor of History
-in the University of Toronto. THE
-EARL OF ELGIN. Illustrated. <em>Demy
-8vo. 7s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><span class="pagenum"><a name="Page_1020" id="Page_1020">[Pg 1020]</a></span></p>
-
-<p><strong>Wyatt (Kate M.).</strong> See M. R. Gloag.</p>
-
-<p><strong>Wylde (A. B.).</strong> MODERN ABYSSINIA.
-With a Map and a Portrait. <em>Demy 8vo.
-15s. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p><strong>Wyndham (Rt. Hon. George)</strong>, M.P. THE
-POEMS OF WILLIAM SHAKESPEARE.
-With an Introduction and
-Notes. <em>Demy 8vo. Buckram, gilt top.
-10s. 6d.</em></p>
-
-<p><strong>Wyon (R.)</strong> and <strong>Prance (G.)</strong>. THE LAND
-OF THE BLACK MOUNTAIN. Being
-a Description of Montenegro. With 40
-Illustrations. <em>Cr. 8vo. 2s. 6d. net.</em></p>
-
-<p><strong>Yeats (W. B.).</strong> A BOOK OF IRISH
-VERSE. Selected from Modern Writers.
-<em>Revised and Enlarged Edition. Cr. 8vo.
-3s. 6d.</em></p>
-
-<p><strong>Young (Filson).</strong> THE COMPLETE
-MOTORIST. With 138 Illustrations.
-<em>Seventh Edition, Revised and Rewritten.
-Demy. 8vo. 12s. 6d. net.</em></p>
-
-<p class="blockquot">
-A Colonial Edition is also published.<br />
-</p>
-
-<p>THE JOY OF THE ROAD: An Appreciation
-of the Motor Car. <em>Small Demy 8vo.
-5s. net.</em></p>
-
-<p><strong>Young (T. M.).</strong> THE AMERICAN
-COTTON INDUSTRY: A Study of
-Work and Workers. <em>Cr. 8vo. Cloth, 2s. 6d.;
-paper boards, 1s. 6d.</em></p>
-
-<p><strong>Zimmern (Antonia).</strong> WHAT DO WE
-KNOW CONCERNING ELECTRICITY?
-<em>Fcap. 8vo. 1s. 6d. net.</em></p></div>
-
-
-<h4>Ancient Cities</h4>
-
-<p class="center">General Editor, B. C. A. WINDLE, D.Sc., F.R.S.</p>
-
-<p class="center"><em>Cr. 8vo. 4s. 6d. net.</em>
-</p>
-
-<div class="hangindent">
-
-<p><span class="smcap">Chester.</span> By B. C. A. Windle, D.Sc. F.R.S.
-Illustrated by E. H. New.</p>
-
-<p><span class="smcap">Shrewsbury.</span> By T. Auden, M.A., F.S.A.
-Illustrated.</p>
-
-<p><span class="smcap">Canterbury.</span> By J. C. Cox, LL.D., F.S.A.
-Illustrated.</p>
-
-<p><span class="smcap">Edinburgh.</span> By M. G. Williamson, M.A.
-Illustrated by Herbert Railton.</p>
-
-<p><span class="smcap">Lincoln.</span> By E. Mansel Sympson, M.A.,
-M.D. Illustrated by E. H. New.</p>
-
-<p><span class="smcap">Bristol.</span> By Alfred Harvey. Illustrated
-by E. H. New.</p>
-
-<p><span class="smcap">Dublin.</span> By S. A. O. Fitzpatrick. Illustrated
-by W. C. Green.</p></div>
-
-
-<h4>The Antiquary's Books</h4>
-
-<p class="center">General Editor, J. CHARLES COX, LL.D., F.S.A.</p>
-
-<p class="center"><em>Demy 8vo. 7s. 6d. net.</em>
-</p>
-
-<div class="hangindent">
-
-<p><span class="smcap">English Monastic Life.</span> By the Right
-Rev. Abbot Gasquet, O.S.B. Illustrated.
-<em>Third Edition.</em></p>
-
-<p><span class="smcap">Remains of the Prehistoric Age in
-England.</span> By B. C. A. Windle, D.Sc.,
-F.R.S. With numerous Illustrations and
-Plans.</p>
-
-<p><span class="smcap">Old Service Books of the English
-Church.</span> By Christopher Wordsworth,
-M.A., and Henry Littlehales. With
-Coloured and other Illustrations.</p>
-
-<p><span class="smcap">Celtic Art.</span> By J. Romilly Allen, F.S.A.
-With numerous Illustrations and Plans.</p>
-
-<p><span class="smcap">Archæology and False Antiquities.</span>
-By R. Munro, LL.D. Illustrated.</p>
-
-<p><span class="smcap">Shrines of British Saints.</span> By J. C. Wall.
-With numerous Illustrations and Plans.</p>
-
-<p><span class="smcap">The Royal Forests of England.</span> By J.
-C. Cox, LL.D., F.S.A. Illustrated.</p>
-
-<p><span class="smcap">The Manor and Manorial Records.</span>
-By Nathaniel J. Hone. Illustrated.</p>
-
-<p><span class="smcap">English Seals.</span> By J. Harvey Bloom.
-Illustrated.</p>
-
-<p><span class="smcap">The Domesday Inquest.</span> By Adolphus
-Ballard, B.A., LL.B. With 27 Illustrations.</p>
-
-<p><span class="smcap">The Brasses of England.</span> By Herbert
-W. Macklin, M.A. With many Illustrations.
-<em>Second Edition.</em></p>
-
-<p><span class="smcap">Parish Life in Mediæval England.</span> By
-the Right Rev. Abbott Gasquet, O.S.B.
-With many Illustrations. <em>Second Edition.</em></p>
-
-<p><span class="smcap">The Bells of England.</span> By Canon J. J.
-Raven, D.D., F.S.A. With Illustrations.
-<em>Second Edition.</em></p></div>
-
-
-<h4>The Arden Shakespeare</h4>
-
-<p class="center"><em>Demy 8vo. 2s. 6d. net each volume.</em></p>
-
-<p class="center">General Editor, W. J. CRAIG.</p>
-
-<p class="center">An edition of Shakespeare in single Plays. Edited with a full Introduction, Textual
-Notes, and a Commentary at the foot of the page.
-</p>
-
-<div class="hangindent">
-
-<p><span class="smcap">Hamlet.</span> Edited by Edward Dowden.</p>
-
-<p><span class="smcap">Romeo and Juliet.</span> Edited by Edward
-Dowden.</p>
-
-<p><span class="smcap">King Lear.</span> Edited by W. J. Craig.</p>
-
-<p><span class="smcap">Julius Caesar.</span> Edited by M. Macmillan.</p>
-
-<p><span class="smcap">The Tempest.</span> Edited by Moreton Luce.</p>
-
-<p><span class="pagenum"><a name="Page_1021" id="Page_1021">[Pg 1021]</a></span></p>
-
-<p><span class="smcap">Othello.</span> Edited by H. C. Hart.</p>
-
-<p><span class="smcap">Titus Andronicus.</span> Edited by H. B. Baildon.</p>
-
-<p><span class="smcap">Cymbeline.</span> Edited by Edward Dowden.</p>
-
-<p><span class="smcap">The Merry Wives of Windsor.</span> Edited by
-H. C. Hart.</p>
-
-<p><span class="smcap">A Midsummer Night's Dream.</span> Edited by
-H. Cuningham.</p>
-
-<p><span class="smcap">King Henry V.</span> Edited by H. A. Evans.</p>
-
-<p><span class="smcap">All's Well That Ends Well.</span> Edited by
-W. O. Brigstocke.</p>
-
-<p><span class="smcap">The Taming of the Shrew.</span> Edited by
-R. Warwick Bond.</p>
-
-<p><span class="smcap">Timon of Athens.</span> Edited by K. Deighton.</p>
-
-<p><span class="smcap">Measure for Measure.</span> Edited by H. C.
-Hart.</p>
-
-<p><span class="smcap">Twelfth Night.</span> Edited by Moreton Luce.</p>
-
-<p><span class="smcap">The Merchant of Venice.</span> Edited by
-C. Knox Pooler.</p>
-
-<p><span class="smcap">Troilus and Cressida.</span> Edited by K.
-Deighton.</p>
-
-<p><span class="smcap">Antony and Cleopatra.</span> Edited by R. H.
-Case.</p>
-
-<p><span class="smcap">Love's Labour's Lost.</span> Edited by H. C.
-Hart.</p>
-
-<p><span class="smcap">The Two Gentlemen of Verona.</span> R,.
-Warwick Bond.</p>
-
-<p><span class="smcap">Pericles.</span> Edited by K. Deighton.</p>
-
-<p><span class="smcap">The Comedy of Errors.</span> Edited by H.
-Cuningham.</p>
-
-<p><span class="smcap">King Richard iii.</span> Edited by A. H.
-Thompson.</p>
-
-<p><span class="smcap">King John.</span> Edited by Ivor B. John.</p></div>
-
-
-<h4>The Beginner's Books</h4>
-
-<p class="center">Edited by W. WILLIAMSON, B.A.
-</p>
-
-<div class="hangindent">
-
-<p><span class="smcap">Easy French Rhymes.</span> By Henri Blouet.
-<em>Second Edition.</em> Illustrated. <em>Fcap. 8vo. 1s.</em></p>
-
-<p><span class="smcap">Easy Stories from English History.</span> By
-E. M. Wilmot-Buxton, Author of 'Makers
-of Europe.' <em>Third Edition. Cr. 8vo. 1s.</em></p>
-
-<p><span class="smcap">Easy Exercises in Arithmetic.</span> Arranged
-by W. S. Beard. <em>Second Edition. Fcap.
-8vo.</em> Without Answers, 1<em>s.</em> With Answers,
-1<em>s.</em> 3<em>d.</em></p>
-
-<p><span class="smcap">Easy Dictation and Spelling.</span> By W.
-Williamson, B.A. <em>Sixth Ed. Fcap. 8vo. 1s.</em></p>
-
-<p><span class="smcap">An Easy Poetry Book.</span> Selected and
-arranged by W. Williamson, B.A., Author
-of 'Dictation Passages.' <em>Second Edition.
-Cr. 8vo. 1s.</em></p></div>
-
-
-<h4>Books on Business</h4>
-
-<p class="center"><em>Cr. 8vo. 2s. 6d. net.</em>
-</p>
-
-<div class="hangindent">
-
-<p><span class="smcap">Ports and Docks.</span> By Douglas Owen.</p>
-
-<p><span class="smcap">Railways.</span> By E. R. McDermott.</p>
-
-<p><span class="smcap">The Stock Exchange.</span> By Chas. Duguid.
-<em>Second Edition.</em></p>
-
-<p><span class="smcap">The Business of Insurance.</span> By A. J.
-Wilson.</p>
-
-<p><span class="smcap">The Electrical Industry: Lighting,
-Traction, and Power.</span> By A. G. Whyte,
-B.Sc.</p>
-
-<p><span class="smcap">The Shipbuilding Industry</span>: Its History,
-Science, Practice, and Finance. By David
-Pollock, M.I.N.A.</p>
-
-<p><span class="smcap">The Money Market.</span> By F. Straker.</p>
-
-<p><span class="smcap">The Business Side of Agriculture.</span> By
-A. G. L. Rogers, M.A.</p>
-
-<p><span class="smcap">Law in Business.</span> By H. A. Wilson.</p>
-
-<p><span class="smcap">The Brewing Industry.</span> By Julian L.
-Baker, F.I.C., F.C.S.</p>
-
-<p><span class="smcap">The Automobile Industry.</span> By G. de H.
-Stone.</p>
-
-<p><span class="smcap">Mining and Mining Investments.</span> By
-'A. Moil.'</p>
-
-<p><span class="smcap">The Business of Advertising.</span> By Clarence
-G. Moran, Barrister-at-Law. Illustrated.</p>
-
-<p><span class="smcap">Trade Unions.</span> By G. Drage.</p>
-
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-<div class="hangindent">
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-
-<p><span class="smcap">The Christian Year.</span> Edited by Walter
-Lock, D.D. <em>Fourth Edition.</em></p>
-
-<p><span class="smcap">The Imitation of Christ.</span> Edited by C.
-Bigg, D.D. <em>Fourth Edition.</em></p>
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-<p><span class="pagenum"><a name="Page_1024" id="Page_1024">[Pg 1024]</a></span></p>
-
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-Lock, D.D. <em>Second Edition.</em></p>
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-C. C. J. Webb, M.A.</p>
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-Edited by H. C. Beeching, M.A., Canon of
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-Edited by J. H. Burn, B.D.</p>
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-German Mystics. Edited by W. R. Inge, M.A.</p>
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-By St. Francis de Sales. Translated and
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-With an Introduction by A. G.
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-Canon Scott Holland.</p></div>
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-<h4>The Illustrated Pocket Library of Plain and Coloured Books</h4>
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-<h5>COLOURED BOOKS</h5>
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-By Nimrod. With 18 Coloured Plates by
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-17 Coloured Plates and 100 Woodcuts in the
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-<p class="blockquot">This volume is reprinted from the extremely
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-<p><span class="smcap">Ask Mamma.</span> By R. S. Surtees. With 13
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-<p><span class="smcap">The Tour of Dr. Syntax in Search of
-the Picturesque.</span> By William Combe.
-With 30 Coloured Plates by T. Rowlandson.</p>
-
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-of Consolation.</span> By William Combe.
-With 24 Coloured Plates by T. Rowlandson.</p>
-
-<p><span class="smcap">The Third Tour of Doctor Syntax in
-Search of a Wife.</span> By William Combe.
-With 24 Coloured Plates by T. Rowlandson.</p>
-
-<p><span class="smcap">The History of Johnny Quae Genus</span>: the
-Little Foundling of the late Dr. Syntax.
-By the Author of 'The Three Tours.' With
-24 Coloured Plates by Rowlandson.</p>
-
-<p><span class="smcap">The English Dance of Death</span>, from the
-Designs of T. Rowlandson, with Metrical
-Illustrations by the Author of 'Doctor
-Syntax.' <em>Two Volumes.</em></p>
-
-<p class="blockquot">
-This book contains 76 Coloured Plates.<br />
-</p>
-
-<p><span class="smcap">The Dance of Life</span>: A Poem. By the Author
-of 'Doctor Syntax.' Illustrated with 26
-Coloured Engravings by T. Rowlandson.</p>
-
-<p><span class="pagenum"><a name="Page_1025" id="Page_1025">[Pg 1025]</a></span></p>
-
-<p><span class="smcap">Life in London</span>: or, the Day and Night
-Scenes of Jerry Hawthorn, Esq., and his
-Elegant Friend, Corinthian Tom. By
-Pierce Egan. With 36 Coloured Plates by
-I. R. and G. Cruikshank. With numerous
-Designs on Wood.</p>
-
-<p><span class="smcap">Real Life in London</span>: or, the Rambles
-and Adventures of Bob Tallyho, Esq., and
-his Cousin, The Hon. Tom Dashall. By an
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-<em>Two Volumes.</em></p>
-
-<p><span class="smcap">The Life of an Actor.</span> By Pierce Egan.
-With 27 Coloured Plates by Theodore Lane,
-and several Designs on Wood.</p>
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-<p><span class="smcap">The Vicar of Wakefield.</span> By Oliver Goldsmith.
-With 24 Coloured Plates by T. Rowlandson.</p>
-
-<p><span class="smcap">The Military Adventures of Johnny
-Newcome.</span> By an Officer. With 15 Coloured
-Plates by T. Rowlandson.</p>
-
-<p><span class="smcap">The National Sports of Great Britain.</span>
-With Descriptions and 51 Coloured Plates
-by Henry Alken.</p>
-
-<p class="blockquot">This book is completely different from the
-large folio edition of 'National Sports' by
-the same artist, and none of the plates are
-similar.</p>
-
-<p><span class="smcap">The Adventures of a Post Captain.</span> By
-A Naval Officer. With 24 Coloured Plates
-by Mr. Williams.</p>
-
-<p><span class="smcap">Gamonia</span>: or, the Art of Preserving Game;
-and an Improved Method of making Plantations
-and Covers, explained and illustrated
-by Lawrence Rawstorne, Esq. With 15
-Coloured Plates by T. Rawlins.</p>
-
-<p><span class="smcap">An Academy for Grown Horsemen</span>: Containing
-the completest Instructions for
-Walking, Trotting, Cantering, Galloping,
-Stumbling, and Tumbling. Illustrated with
-27 Coloured Plates, and adorned with a
-Portrait of the Author. By Geoffrey
-Gambado, Esq.</p>
-
-<p><span class="smcap">Real Life in Ireland</span>, or, the Day and
-Night Scenes of Brian Boru, Esq., and his
-Elegant Friend, Sir Shawn O'Dogherty.
-By a Real Paddy. With 19 Coloured Plates
-by Heath, Marks, etc.</p>
-
-<p><span class="smcap">The Adventures of Johnny Newcome in
-the Navy.</span> By Alfred Burton. With 16
-Coloured Plates by T. Rowlandson.</p>
-
-<p><span class="smcap">The Old English Squire</span>: A Poem. By
-John Careless, Esq. With 20 Coloured
-Plates after the style of T. Rowlandson.</p></div>
-
-
-<h5>PLAIN BOOKS</h5>
-
-<div class="hangindent">
-
-<p><span class="smcap">The Grave</span>: A Poem. By Robert Blair.
-Illustrated by 12 Etchings executed by Louis
-Schiavonetti from the original Inventions of
-William Blake. With an Engraved Title Page
-and a Portrait of Blake by T. Phillips, R.A.</p>
-
-<p class="blockquot">
-The illustrations are reproduced in photogravure.<br />
-</p>
-
-<p><span class="smcap">Illustrations of the Book of Job.</span> Invented
-and engraved by William Blake.</p>
-
-<p class="blockquot">
-These famous Illustrations&mdash;21 in number&mdash;are reproduced in photogravure.<br />
-</p>
-
-<p><span class="smcap">Æsop's Fables.</span> With 380 Woodcuts by
-Thomas Bewick.</p>
-
-<p><span class="smcap">Windsor Castle.</span> By W. Harrison Ainsworth.
-With 22 Plates and 87 Woodcuts in the Text
-by George Cruikshank.</p>
-
-<p><span class="smcap">The Tower of London.</span> By W. Harrison
-Ainsworth. With 40 Plates and 58 Woodcuts
-in the Text by George Cruikshank.</p>
-
-<p><span class="smcap">Frank Fairlegh.</span> By F. E. Smedley. With
-30 Plates by George Cruikshank.</p>
-
-<p><span class="smcap">Handy Andy.</span> By Samuel Lover. With 24
-Illustrations by the Author.</p>
-
-<p><span class="smcap">The Compleat Angler.</span> By Izaak Walton
-and Charles Cotton. With 14 Plates and 77
-Woodcuts in the Text.</p>
-
-<p class="blockquot">This volume is reproduced from the beautiful
-edition of John Major of 1824.</p>
-
-<p><span class="smcap">The Pickwick Papers.</span> By Charles Dickens.
-With the 43 Illustrations by Seymour and
-Phiz, the two Buss Plates, and the 32 Contemporary
-Onwhyn Plates.</p></div>
-
-
-<h4>Junior Examination Series</h4>
-
-<p class="center">Edited by A. M. M. STEDMAN, M.A. <em>Fcap. 8vo. 1s.</em>
-</p>
-
-<div class="hangindent">
-
-<p><span class="smcap">Junior French Examination Papers.</span> By
-F. Jacob, M.A. <em>Second Edition.</em></p>
-
-<p><span class="smcap">Junior Latin Examination Papers.</span> By C.
-G. Botting, B.A. <em>Fourth Edition.</em></p>
-
-<p><span class="smcap">Junior English Examination Papers.</span> By
-W. Williamson, B.A.</p>
-
-<p><span class="smcap">Junior Arithmetic Examination Papers.</span>
-By W. S. Beard. <em>Fourth Edition.</em></p>
-
-<p><span class="smcap">Junior Algebra Examination Papers.</span> By
-S. W. Finn, M.A.</p>
-
-<p><span class="smcap">Junior Greek Examination Papers.</span> By T.
-C. Weatherhead, M.A.</p>
-
-<p><span class="smcap">Junior General Information Examination
-Papers.</span> By W. S. Beard.</p>
-
-<p><span class="smcap">A Key to the above.</span> <em>3s. 6d. net.</em></p>
-
-<p><span class="smcap">Junior Geography Examination Papers.</span>
-By W. G. Baker, M.A.</p>
-
-<p><span class="smcap">Junior German Examination Papers.</span> By
-A. Voegelin, M.A.</p></div>
-
-<p><span class="pagenum"><a name="Page_1026" id="Page_1026">[Pg 1026]</a></span></p>
-
-
-<h4>Junior School-Books</h4>
-
-<p class="center">Edited by O. D. INSKIP, LL.D., and W. WILLIAMSON, B.A.
-</p>
-
-<div class="hangindent">
-
-<p><span class="smcap">A Class-Book of Dictation Passages.</span> By
-W. Williamson, B.A. <em>Thirteenth Edition.
-Cr. 8vo. 1s. 6d.</em></p>
-
-<p><span class="smcap">The Gospel According to St. Matthew.</span>
-Edited by E. Wilton South, M.A. With
-Three Maps. <em>Cr. 8vo. 1s. 6d.</em></p>
-
-<p><span class="smcap">The Gospel According to St. Mark.</span> Edited
-by A. E. Rubie, D.D. With Three Maps.
-<em>Cr. 8vo. 1s. 6d.</em></p>
-
-<p><span class="smcap">A Junior English Grammar.</span> By W. Williamson,
-B.A. With numerous passages for parsing
-and analysis, and a chapter on Essay Writing.
-<em>Fourth Edition. Cr. 8vo. 2s.</em></p>
-
-<p><span class="smcap">A Junior Chemistry.</span> By E. A. Tyler, B.A.,
-F.C.S. With 78 Illustrations. <em>Fourth Edition.
-Cr. 8vo. 2s. 6d.</em></p>
-
-<p><span class="smcap">The Acts of the Apostles.</span> Edited by
-A. E. Rubie, D.D. <em>Cr. 8vo. 2s.</em></p>
-
-<p><span class="smcap">A Junior French Grammar.</span> By L. A.
-Sornet and M. J. Acatos. <em>Second Edition.
-Cr. 8vo. 2s.</em></p>
-
-<p><span class="smcap">Elementary Experimental Science.</span> <span class="smcap">Physics</span>
-by W. T. Clough, A.R.C.S. <span class="smcap">Chemistry</span>
-by A. E. Dunstan, B.Sc. With 2 Plates and
-154 Diagrams. <em>Fifth Edition. Cr. 8vo.
-2s. 6d.</em></p>
-
-<p><span class="smcap">A Junior Geometry.</span> By Noel S. Lydon.
-With 276 Diagrams. <em>Sixth Edition. Cr.
-8vo. 2s.</em></p>
-
-<p><span class="smcap">Elementary Experimental Chemistry.</span>
-By A. E. Dunstan, B.Sc. With 4 Plates and
-109 Diagrams. <em>Second Edition revised. Cr. 8vo. 2s.</em></p>
-
-<p><span class="smcap">A Junior French Prose.</span> By R. R. N.
-Baron, M.A. <em>Third Edition. Cr. 8vo. 2s.</em></p>
-
-<p><span class="smcap">The Gospel According to St. Luke.</span> With
-an Introduction and Notes by William
-Williamson, B.A. With Three Maps. <em>Cr.
-8vo. 2s.</em></p>
-
-<p><span class="smcap">The First Book of Kings.</span> Edited by
-A. E. Rubie, D.D. With Maps. <em>Cr. 8vo.
-2s.</em></p></div>
-
-
-<h4>Leaders of Religion</h4>
-
-<p class="center">Edited by H. C. BEECHING, M.A., Canon of Westminster. <em>With Portraits.</em></p>
-
-<p class="center"><em>Cr. 8vo. 2s. net.</em>
-</p>
-
-<div class="hangindent">
-
-<p><span class="smcap">Cardinal Newman.</span> By R. H. Hutton.</p>
-
-<p><span class="smcap">John Wesley.</span> By J. H. Overton, M.A.</p>
-
-<p><span class="smcap">Bishop Wilberforce.</span> By G. W. Daniell,
-M.A.</p>
-
-<p><span class="smcap">Cardinal Manning.</span> By A. W. Hutton, M.A.</p>
-
-<p><span class="smcap">Charles Simeon.</span> By H. C. G. Moule, D.D.</p>
-
-<p><span class="smcap">John Keble.</span> By Walter Lock, D.D.</p>
-
-<p><span class="smcap">Thomas Chalmers.</span> By Mrs. Oliphant.</p>
-
-<p><span class="smcap">Lancelot Andrewes.</span> By R. L. Ottley,
-D.D. <em>Second Edition.</em></p>
-
-<p><span class="smcap">Augustine of Canterbury.</span> By E. L.
-Cutts, D.D.</p>
-
-<p><span class="smcap">William Laud.</span> By W. H. Hutton, M.A.
-<em>Third Edition.</em></p>
-
-<p><span class="smcap">John Knox.</span> By F. MacCunn. <em>Second Edition.</em></p>
-
-<p><span class="smcap">John Howe.</span> By R. F. Horton, D.D.</p>
-
-<p><span class="smcap">Bishop Ken.</span> By F. A. Clarke, M.A.</p>
-
-<p><span class="smcap">George Fox, the Quaker.</span> By T. Hodgkin,
-D.C.L. <em>Third Edition.</em></p>
-
-<p><span class="smcap">John Donne.</span> By Augustus Jessopp, D.D.</p>
-
-<p><span class="smcap">Thomas Cranmer.</span> By A. J. Mason, D.D.</p>
-
-<p><span class="smcap">Bishop Latimer.</span> By R. M. Carlyle and A.
-J. Carlyle, M.A.</p>
-
-<p><span class="smcap">Bishop Butler.</span> By W. A. Spooner, M.A.</p></div>
-
-
-<h4>Little Books on Art</h4>
-
-<p class="center"><em>With many Illustrations. Demy 16mo. 2s. 6d. net.</em>
-</p>
-
-<p class="blockquot">A series of monographs in miniature, containing the complete outline of the
-subject under treatment and rejecting minute details. These books are produced
-with the greatest care. Each volume consists of about 200 pages, and contains from
-30 to 40 illustrations, including a frontispiece in photogravure.</p>
-
-<div class="hangindent">
-
-<p><span class="smcap">Greek Art.</span> H. B. Walters. <em>Third Edition.</em></p>
-
-<p><span class="smcap">Bookplates.</span> E. Almack.</p>
-
-<p><span class="smcap">Reynolds.</span> J. Sime. <em>Second Edition.</em></p>
-
-<p><span class="smcap">Romney.</span> George Paston.</p>
-
-<p><span class="smcap">Greuze and Boucher.</span> Eliza F. Pollard.</p>
-
-<p><span class="smcap">Vandyck.</span> M. G. Smallwood.</p>
-
-<p><span class="smcap">Turner.</span> Frances Tyrrell-Gill.</p>
-
-<p><span class="smcap">Dürer.</span> Jessie Allen.</p>
-
-<p><span class="smcap">Hoppner.</span> H. P. K. Skipton.</p>
-
-<p><span class="smcap">Holbein.</span> Mrs. G. Fortescue.</p>
-
-<p><span class="smcap">Watts.</span> R. E. D. Sketchley.</p>
-
-<p><span class="smcap">Leighton.</span> Alice Corkran.</p>
-
-<p><span class="smcap">Velasquez.</span> Wilfrid Wilberforce and A. R.
-Gilbert.</p>
-
-<p><span class="smcap">Corot.</span> Alice Pollard and Ethel Birnstingl.</p>
-
-<p><span class="smcap">Raphael.</span> A. R. Dryhurst.</p>
-
-<p><span class="smcap">Millet.</span> Netta Peacock.</p>
-
-<p><span class="smcap">Illuminated MSS.</span> J. W. Bradley.</p>
-
-<p><span class="smcap">Christ in Art.</span> Mrs. Henry Jenner.</p>
-
-<p><span class="smcap">Jewellery.</span> Cyril Davenport.</p>
-
-<p><span class="pagenum"><a name="Page_1027" id="Page_1027">[Pg 1027]</a></span></p>
-
-<p><span class="smcap">Burne-Jones.</span> Fortunée de Lisle. <em>Third
-Edition.</em></p>
-
-<p><span class="smcap">Rembrandt.</span> Mrs. E. A. Sharp.</p>
-
-<p><span class="smcap">Claude.</span> Edward Dillon.</p>
-
-<p><span class="smcap">The Arts of Japan.</span> Edward Dillon.</p>
-
-<p><span class="smcap">Enamels.</span> Mrs. Nelson Dawson.</p></div>
-
-
-<h4>The Little Galleries</h4>
-
-<p class="center"><em>Demy 16mo. 2s. 6d. net.</em>
-</p>
-
-<p class="blockquot">A series of little books containing examples of the best work of the great painters.
-Each volume contains 20 plates in photogravure, together with a short outline of the
-life and work of the master to whom the book is devoted.</p>
-
-<div class="blockquot">
-<ul><li><span class="smcap">A Little Gallery of Reynolds.</span></li>
-<li><span class="smcap">A Little Gallery of Romney.</span></li>
-<li><span class="smcap">A Little Gallery of Hoppner.</span></li>
-<li><span class="smcap">A Little Gallery of Millais.</span></li>
-<li><span class="smcap">A Little Gallery of English Poets.</span></li>
-</ul>
-</div>
-
-
-<h4>The Little Guides</h4>
-
-<p class="center">With many Illustrations by <span class="smcap">E. H. New</span> and other artists, and from photographs.</p>
-
-<p class="center"><em>Small Pott 8vo, cloth, 2s. 6d. net; leather, 3s. 6d. net.</em>
-</p>
-
-<p class="blockquot">Messrs. <span class="smcap">Methuen</span> are publishing a small series of books under the general title
-of <span class="smcap">The Little Guides</span>. The main features of these books are (1) a handy and
-charming form, (2) artistic Illustrations by <span class="smcap">E. H. New</span> and others, (3) good plans
-and maps, (4) an adequate but compact presentation of everything that is interesting
-in the natural features, history, archæology, and architecture of the town or
-district treated.</p>
-
-<div class="hangindent">
-
-<p><span class="smcap">Cambridge and its Colleges.</span> By A.
-Hamilton Thompson. <em>Second Edition.</em></p>
-
-<p><span class="smcap">Oxford and its Colleges.</span> By J. Wells,
-M.A. <em>Seventh Edition.</em></p>
-
-<p><span class="smcap">St. Paul's Cathedral.</span> By George Clinch.</p>
-
-<p><span class="smcap">Westminster Abbey.</span> By G. E. Troutbeck.</p>
-
-<p><span class="smcap">The English Lakes.</span> By F. G. Brabant, M.A.</p>
-
-<p><span class="smcap">The Malvern Country.</span> By B. C. A.
-Windle, D.Sc., F.R.S.</p>
-
-<p><span class="smcap">Shakespeare's Country.</span> By B. C. A.
-Windle, D.Sc., F.R.S. <em>Third Edition.</em></p>
-
-<p><span class="smcap">Buckinghamshire.</span> By E. S. Roscoe.</p>
-
-<p><span class="smcap">Cheshire.</span> By W. M. Gallichan.</p>
-
-<p><span class="smcap">Cornwall.</span> By A. L. Salmon.</p>
-
-<p><span class="smcap">Derbyshire.</span> By J. Charles Cox, LL.D.,
-F.S.A.</p>
-
-<p><span class="smcap">Devon.</span> By S. Baring-Gould.</p>
-
-<p><span class="smcap">Dorset.</span> By Frank R. Heath.</p>
-
-<p><span class="smcap">Hampshire.</span> By J. Charles Cox, LL.D.,
-F.S.A.</p>
-
-<p><span class="smcap">Hertfordshire.</span> By H. W. Tompkins,
-F.R.H.S.</p>
-
-<p><span class="smcap">The Isle of Wight.</span> By G. Clinch.</p>
-
-<p><span class="smcap">Kent.</span> By G. Clinch.</p>
-
-<p><span class="smcap">Kerry.</span> By C. P. Crane.</p>
-
-<p><span class="smcap">Middlesex.</span> By John B. Firth.</p>
-
-<p><span class="smcap">Northamptonshire.</span> By Wakeling Dry.</p>
-
-<p><span class="smcap">Norfolk.</span> By W. A. Dutt.</p>
-
-<p><span class="smcap">Oxfordshire.</span> By F. G. Brabant, M.A.</p>
-
-<p><span class="smcap">Suffolk.</span> By W. A. Dutt.</p>
-
-<p><span class="smcap">Surrey.</span> By F. A. H. Lambert.</p>
-
-<p><span class="smcap">Sussex.</span> By F. G. Brabant, M.A. <em>Second
-Edition.</em></p>
-
-<p><span class="smcap">The East Riding of Yorkshire.</span> By J. E.
-Morris.</p>
-
-<p><span class="smcap">The North Riding of Yorkshire.</span> By J. E.
-Morris.</p>
-
-<p><span class="smcap">Brittany.</span> By S. Baring-Gould.</p>
-
-<p><span class="smcap">Normandy.</span> By C. Scudamore.</p>
-
-<p><span class="smcap">Rome.</span> By C. G. Ellaby.</p>
-
-<p><span class="smcap">Sicily.</span> By F. Hamilton Jackson.</p></div>
-
-
-<h4>The Little Library</h4>
-
-<p class="center">With Introductions, Notes, and Photogravure Frontispieces.</p>
-
-<p class="center"><em>Small Pott 8vo. Each Volume, cloth, 1s. 6d. net; leather, 2s. 6d. net.</em>
-</p>
-
-<div class="hangindent">
-
-<p><strong>Anon.</strong> ENGLISH LYRICS, A LITTLE BOOK OF.</p>
-
-<p><strong>Austen (Jane).</strong> PRIDE AND PREJUDICE.
-Edited by <span class="smcap">E. V. Lucas</span>. <em>Two Vols.</em></p>
-
-<p>NORTHANGER ABBEY. Edited by <span class="smcap">E. V.
-Lucas</span>.</p>
-
-<p><strong>Bacon (Francis).</strong> THE ESSAYS OF LORD
-BACON. Edited by <span class="smcap">Edward Wright</span>.</p>
-
-<p><span class="pagenum"><a name="Page_1028" id="Page_1028">[Pg 1028]</a></span></p>
-
-<p><strong>Barham (R. H.).</strong> THE INGOLDSBY
-LEGENDS. Edited by <span class="smcap">J. B. Atlay</span>.
-<em>Two Volumes.</em></p>
-
-<p><strong>Barnett (Mrs. P. A.).</strong> A LITTLE BOOK
-OF ENGLISH PROSE. <em>Second Edition.</em></p>
-
-<p><strong>Beckford (William).</strong> THE HISTORY
-OF THE CALIPH VATHEK. Edited
-by <span class="smcap">E. Denison Ross</span>.</p>
-
-<p><strong>Blake (William).</strong> SELECTIONS FROM
-WILLIAM BLAKE. Edited by <span class="smcap">M.
-Perugini</span>.</p>
-
-<p><span class="smcap">Borrow (George)</span>. LAVENGRO. Edited
-by <span class="smcap">F. Hindes Groome</span>. <em>Two Volumes.</em></p>
-
-<p>THE ROMANY RYE. Edited by <span class="smcap">John
-Sampson</span>.</p>
-
-<p><strong>Browning (Robert).</strong> SELECTIONS
-FROM THE EARLY POEMS OF
-ROBERT BROWNING. Edited by <span class="smcap">W.
-Hall Griffin</span>, M.A.</p>
-
-<p><strong>Canning (George).</strong> SELECTIONS FROM
-THE ANTI-JACOBIN: with <span class="smcap">George
-Canning's</span> additional Poems. Edited by
-<span class="smcap">Lloyd Sanders</span>.</p>
-
-<p><strong>Cowley (Abraham).</strong> THE ESSAYS OF
-ABRAHAM COWLEY. Edited by <span class="smcap">H. C.
-Minchin</span>.</p>
-
-<p><strong>Crabbe (George).</strong> SELECTIONS FROM
-GEORGE CRABBE. Edited by <span class="smcap">A. C.
-Deane</span>.</p>
-
-<p><strong>Craik (Mrs.).</strong> JOHN HALIFAX,
-GENTLEMAN. Edited by <span class="smcap">Anne
-Matheson</span>. <em>Two Volumes.</em></p>
-
-<p><strong>Crashaw (Richard).</strong> THE ENGLISH
-POEMS OF RICHARD CRASHAW.
-Edited by <span class="smcap">Edward Hutton</span>.</p>
-
-<p><strong>Dante (Alighieri).</strong> THE INFERNO OF
-DANTE. Translated by <span class="smcap">H. F. Cary</span>.
-Edited by <span class="smcap">Paget Toynbee</span>, M.A., D.Litt.</p>
-
-<p>THE PURGATORIO OF DANTE. Translated
-by <span class="smcap">H. F. Cary</span>. Edited by <span class="smcap">Paget
-Toynbee</span>, M.A., D.Litt.</p>
-
-<p>THE PARADISO OF DANTE. Translated
-by <span class="smcap">H. F. Cary</span>. Edited by <span class="smcap">Paget
-Toynbee</span>, M.A., D.Litt.</p>
-
-<p><strong>Darley (George).</strong> SELECTIONS FROM
-THE POEMS OF GEORGE DARLEY.
-Edited by <span class="smcap">R. A. Streatfeild</span>.</p>
-
-<p><strong>Deane (A. C.).</strong> A LITTLE BOOK OF
-LIGHT VERSE.</p>
-
-<p><strong>Dickens (Charles).</strong> CHRISTMAS BOOKS.
-<em>Two Volumes.</em></p>
-
-<p><strong>Ferrier (Susan).</strong> MARRIAGE.
-Edited by <span class="smcap">A. Goodrich-Freer</span> and <span class="smcap">Lord
-Iddesleigh</span>. <em>Two Volumes.</em></p>
-
-<p>THE INHERITANCE. <em>Two Volumes.</em></p>
-
-<p><strong>Gaskell (Mrs.).</strong> CRANFORD. Edited by
-<span class="smcap">E. V. Lucas</span>. <em>Second Edition.</em></p>
-
-<p><strong>Hawthorne (Nathaniel).</strong> THE SCARLET
-LETTER. Edited by <span class="smcap">Percy Dearmer</span>.</p>
-
-<p><strong>Henderson (T. F.).</strong> A LITTLE BOOK
-OF SCOTTISH VERSE.</p>
-
-<p><strong>Keats (John).</strong> POEMS. With an Introduction
-by <span class="smcap">L. Binyon</span>, and Notes by <span class="smcap">J.
-Masefield</span>.</p>
-
-<p><strong>Kinglake (A. W.).</strong> EOTHEN. With an
-Introduction and Notes. <em>Second Edition.</em></p>
-
-<p><strong>Lamb (Charles).</strong> ELIA, AND THE
-LAST ESSAYS OF ELIA. Edited by
-<span class="smcap">E. V. Lucas</span>.</p>
-
-<p><strong>Locker (F.).</strong> LONDON LYRICS. Edited
-by <span class="smcap">A. D. Godley</span>, M.A. A reprint of the
-First Edition.</p>
-
-<p><strong>Longfellow (H. W.).</strong> SELECTIONS
-FROM LONGFELLOW. Edited by
-<span class="smcap">L. M. Faithfull</span>.</p>
-
-<p><strong>Marvell (Andrew).</strong> THE POEMS OF
-ANDREW MARVELL. Edited by <span class="smcap">E.
-Wright</span>.</p>
-
-<p><strong>Milton (John).</strong> THE MINOR POEMS
-OF JOHN MILTON. Edited by <span class="smcap">H. C.
-Beeching</span>, M.A., Canon of Westminster.</p>
-
-<p><strong>Moir (D. M.).</strong> MANSIE WAUCH. Edited
-by <span class="smcap">T. F. Henderson</span>.</p>
-
-<p><strong>Nichols (J. B. B.).</strong> A LITTLE BOOK OF
-ENGLISH SONNETS.</p>
-
-<p><strong>Rochefoucauld (La).</strong> THE MAXIMS OF
-LA ROCHEFOUCAULD. Translated
-by <span class="smcap">Dean Stanhope</span>. Edited by
-<span class="smcap">G. H. Powell</span>.</p>
-
-<p><strong>Smith (Horace and James).</strong> REJECTED
-ADDRESSES. Edited by <span class="smcap">A. D. Godley</span>,
-M.A.</p>
-
-<p><strong>Sterne (Laurence).</strong> A SENTIMENTAL
-JOURNEY. Edited by <span class="smcap">H. W. Paul</span>.</p>
-
-<p><strong>Tennyson (Alfred, Lord).</strong> THE EARLY
-POEMS OF ALFRED, LORD TENNYSON.
-Edited by <span class="smcap">J. Churton Collins</span>,
-M.A.</p>
-
-<p>IN MEMORIAM. Edited by <span class="smcap">H. C.
-Beeching</span>, M.A.</p>
-
-<p>THE PRINCESS. Edited by <span class="smcap">Elizabeth
-Wordsworth</span>.</p>
-
-<p>MAUD. Edited by <span class="smcap">Elizabeth Wordsworth</span>.</p>
-
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-
-<p><span class="smcap">Abdallah.</span> Adapted by J. A. Wilson.</p>
-
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-series may represent something of the diversity and splendour of our English tongue. The
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-3. <span class="smcap">Clearness of Type.</span> 4. <span class="smcap">Simplicity.</span> The books are well printed on good paper at a
-price which on the whole is without parallel in the history of publishing. Each volume contains
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-
-<div class="hangindent">
-
-<p><span class="smcap">The Meditations of Marcus Aurelius.</span>
-The translation is by R. Graves.</p>
-
-<p><span class="smcap">Sense and Sensibility.</span> By Jane Austen.</p>
-
-<p><span class="smcap">Essays and Counsels</span> and <span class="smcap">The New
-Atlantis</span>. By Francis Bacon, Lord
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-
-<p><span class="smcap">Religio Medici</span> and <span class="smcap">Urn Burial</span>. By
-Sir Thomas Browne. The text has been
-collated by A. R. Waller.</p>
-
-<p><span class="smcap">The Pilgrim's Progress.</span> By John Bunyan.</p>
-
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-
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-
-<p><span class="smcap">The Analogy of Religion, Natural and
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-
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-volumes.</p>
-
-
-<div class="blockquot">
-<p><span class="smcap">Vol. i.</span>&mdash;Miscellaneous Poems.
-<span class="pagenum"><a name="Page_1031" id="Page_1031">[Pg 1031]</a></span></p>
-
-<p><span class="smcap">Vol. ii.</span>&mdash;The Rowley Poems.</p>
-</div>
-
-<p><span class="smcap">The New Life and Sonnets.</span> By Dante.
-Translated into English by D. G. Rossetti.</p>
-
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-
-<p><span class="smcap">Cranford.</span> By Mrs. Gaskell.</p>
-
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-In 7 double volumes.</p></div>
-
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-
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-
-<div class="hangindent">
-
-<p><span class="smcap">The Vicar of Wakefield.</span> By Oliver
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-
-<p><span class="smcap">The Poems and Plays of Oliver Goldsmith.</span></p>
-
-<p><span class="smcap">The Works of Ben Jonson.</span></p></div>
-
-<div class="hangindent">
-
-<p><span class="smcap">Vol. i.</span>&mdash;The Case is Altered. Every Man
-in His Humour. Every Man out of His
-Humour.</p>
-
-<p><span class="smcap">Vol. ii.</span>&mdash;Cynthia's Revels; The Poetaster.
-The text has been collated by H. C. Hart.</p></div>
-
-<div class="hangindent">
-
-<p><span class="smcap">The Poems of John Keats.</span> Double volume.
-The Text has been collated by E. de
-Selincourt.</p>
-
-<p><span class="smcap">On the Imitation of Christ.</span> By Thomas
-à Kempis.</p></div>
-
-<div class="hangindent">
-
-<p>The translation is by C. Bigg, D.D.,
-Canon of Christ Church.</p></div>
-
-<div class="hangindent">
-
-<p><span class="smcap">A Serious Call to a Devout and Holy
-Life.</span> By William Law.</p>
-
-<p><span class="smcap">Paradise Lost.</span> By John Milton.</p>
-
-<p><span class="smcap">Eikonoklastes and the Tenure of Kings
-and Magistrates.</span> By John Milton.</p>
-
-<p><span class="smcap">Utopia and Poems.</span> By Sir Thomas More.</p>
-
-<p><span class="smcap">The Republic of Plato.</span> Translated by
-Sydenham and Taylor. Double Volume.
-The translation has been revised by
-W. H. D. Rouse.</p>
-
-<p><span class="smcap">The Little Flowers of St. Francis.</span>
-Translated by W. Heywood.</p>
-
-<p><span class="smcap">The Works of William Shakespeare.</span> In
-10 volumes.</p>
-
-<div class="blockquot">
-
-<p><span class="smcap">Vol. i.</span>&mdash;The Tempest; The Two Gentlemen
-of Verona; The Merry Wives of Windsor;
-Measure for Measure; The Comedy of
-Errors.</p>
-
-<p><span class="smcap">Vol. ii.</span>&mdash;Much Ado About Nothing; Love's
-Labour's Lost; A Midsummer Night's
-Dream; The Merchant of Venice; As You
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-<p><span class="smcap">Vol. iii.</span>&mdash;The Taming of the Shrew; All's
-Well that Ends Well; Twelfth Night; The
-Winter's Tale.</p>
-
-<p><span class="smcap">Vol. iv.</span>&mdash;The Life and Death of King John;
-The Tragedy of King Richard the Second;
-The First Part of King Henry <span class="smcap">IV.</span>; The
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-
-<p><span class="smcap">Vol. v.</span>&mdash;The Life of King Henry <span class="smcap">V.</span>; The
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-
-<p><span class="smcap">Vol. vi.</span>&mdash;The Third Part of King Henry
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-
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-<p><span class="smcap">The Poems of Percy Bysshe Shelley.</span> In 4
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-
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-<p><span class="smcap">Vol. i.</span>&mdash;Alastor; The Dæmon of the World;
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-
-<p>The Text has been revised by C. D. Locock.</p></div>
-
-<p><span class="smcap">The Life of Nelson.</span> By Robert Southey.</p>
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-Selborne.</span> By Gilbert White.</p></div>
-
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-<h4>Textbooks of Technology</h4>
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-
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-
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-Second Master and Instructor of Physics
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-of Electrical Engineering, Manchester
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-
-<p><span class="smcap">Engineering Workshop Practice.</span> By
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-With many Diagrams. <em>Cr. 8vo. 2s.</em></p></div>
-
-
-<h4>Handbooks of Theology</h4>
-
-<p class="center">Edited by R. L. OTTLEY, D.D., Professor of Pastoral Theology at Oxford,
-and Canon of Christ Church, Oxford.
-</p>
-
-<p class="blockquot">The series is intended, in part, to furnish the clergy and teachers or students of
-Theology with trustworthy Textbooks, adequately representing the present position<span class="pagenum"><a name="Page_1032" id="Page_1032">[Pg 1032]</a></span>
-of the questions dealt with; in part, to make accessible to the reading public an
-accurate and concise statement of facts and principles in all questions bearing on
-Theology and Religion.</p>
-
-<div class="hangindent">
-
-<p><span class="smcap">The XXXIX. Articles of the Church of
-England.</span> Edited by E. C. S. Gibson,
-D.D. <em>Fifth Edition. Demy 8vo. 12s. 6d.</em></p>
-
-<p><span class="smcap">An Introduction to the History of
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-Litt.D. <em>Third Edition. Demy 8vo. 10s. 6d.</em></p>
-
-<p><span class="smcap">The Doctrine of the Incarnation.</span> By R.
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-
-<p><span class="smcap">An Introduction to the History of the
-Creeds.</span> By A. E. Burn, D.D. <em>Demy
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-
-<p><span class="smcap">The Philosophy of Religion in England
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-<em>Demy 8vo. 10s. 6d.</em></p>
-
-<p><span class="smcap">A History of Early Christian Doctrine.</span>
-By J. F. Bethune-Baker, M.A. <em>Demy 8vo.
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-
-
-<h4>The Westminster Commentaries</h4>
-
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-</p>
-
-<p class="blockquot">The object of each commentary is primarily exegetical, to interpret the author's
-meaning to the present generation. The editors will not deal, except very subordinately,
-with questions of textual criticism or philology; but, taking the English
-text in the Revised Version as their basis, they will try to combine a hearty acceptance
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-
-<div class="hangindent">
-
-<p><span class="smcap">The Book of Genesis.</span> Edited with Introduction
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-<em>Sixth Edition. Demy 8vo. 10s. 6d.</em></p>
-
-<p><span class="smcap">The Book of Job.</span> Edited by E. C. S. Gibson,
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-
-<p><span class="smcap">The Acts of the Apostles.</span> Edited by R.
-B. Rackham, M.A. <em>Demy 8vo. Third
-Edition. 10s. 6d.</em></p>
-
-<p><span class="smcap">The First Epistle of Paul the Apostle
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-
-<p><span class="smcap">The Epistle of St. James.</span> Edited with Introduction
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-D.D. <em>Demy 8vo. 6s.</em></p>
-
-<p><span class="smcap">The Book of Ezekiel.</span> Edited by H. A. Redpath,
-M.A., D.Litt. <em>Demy 8vo. 10s. 6d.</em></p></div>
-
-
-<h3><span class="smcap">Part II.&mdash;Fiction</span></h3>
-
-<div class="hangindent">
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-
-<p><span class="pagenum"><a name="Page_1033" id="Page_1033">[Pg 1033]</a></span></p>
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-
-<p><span class="pagenum"><a name="Page_1034" id="Page_1034">[Pg 1034]</a></span></p>
-
-<div class="hangindent">
-
-<p>THE LADDER TO THE STARS. <em>Second
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-<p><strong>Le Queux (W.).</strong> THE HUNCHBACK OF
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-
-<p>THE CLOSED BOOK. <em>Third Ed. Cr. 8vo. 6s.</em></p></div>
-
-<p><span class="pagenum"><a name="Page_1035" id="Page_1035">[Pg 1035]</a></span></p>
-
-<div class="hangindent">
-
-<p>THE VALLEY OF THE SHADOW.
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-<p>BEHIND THE THRONE. <em>Third Edition.
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-
-<p><span class="pagenum"><a name="Page_1036" id="Page_1036">[Pg 1036]</a></span></p>
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-
-<p class="blockquot">
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-
-<p><strong>Sergeant (Adeline).</strong> BARBARA'S
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-
-<p class="blockquot">
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-</p>
-
-<p><strong>Shannon (W. F.).</strong> THE MESS DECK.
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-
-<p class="blockquot">
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-</p>
-
-<p><strong>Waltz (E. C.).</strong> THE ANCIENT LANDMARK:
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-6s.</em></p></div>
-
-<p><span class="pagenum"><a name="Page_1037" id="Page_1037">[Pg 1037]</a></span></p>
-
-<div class="hangindent">
-
-<p><strong>Watson (H. B. Marriott).</strong> ALARUMS
-AND EXCURSIONS. <em>Cr. 8vo. 6s.</em></p>
-
-<p>CAPTAIN FORTUNE. <em>Third Edition.
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-
-<p class="blockquot">
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-</p>
-
-<p><strong>Wells (H. G.).</strong> THE SEA LADY. <em>Cr.
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-
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-
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-
-<p><strong>Williamson (C. N. and A. M.).</strong> THE
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-
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-
-
-<h4>Methuen's Shilling Novels</h4>
-
-<p class="center"><em>Cr. 8vo. Cloth, 1s. net.</em>
-</p>
-
-<div class="hangindent">
-
-<p><strong>Author of 'Miss Molly.'</strong> THE GREAT
-RECONCILER.</p>
-
-<p><strong>Balfour (Andrew).</strong> VENGEANCE IS
-MINE.</p>
-
-<p>TO ARMS.</p>
-
-<p><strong>Baring-Gould (S.).</strong> MRS. CURGENVEN
-OF CURGENVEN.</p>
-
-<p>DOMITIA.</p>
-
-<p>THE FROBISHERS.</p>
-
-<p>CHRIS OF ALL SORTS.</p>
-
-<p>DARTMOOR IDYLLS.</p>
-
-<p><strong>Barlow (Jane)</strong>, Author of 'Irish Idylls.'
-FROM THE EAST UNTO THE
-WEST.</p>
-
-<p>A CREEL OF IRISH STORIES.</p>
-
-<p>THE FOUNDING OF FORTUNES.</p>
-
-<p>THE LAND OF THE SHAMROCK.</p>
-
-<p><strong>Barr (Robert).</strong> THE VICTORS.</p>
-
-<p><strong>Bartram (George).</strong> THIRTEEN EVENINGS.</p>
-
-<p><strong>Benson (E. F.)</strong>, Author of 'Dodo.' THE
-CAPSINA.</p>
-
-<p><strong>Bowles (G. Stewart).</strong> A STRETCH OFF
-THE LAND.</p>
-
-<p><strong>Brooke (Emma).</strong> THE POET'S CHILD.</p>
-
-<p><strong>Bullock (Shan F.).</strong> THE BARRYS.</p>
-
-<p>THE CHARMER.</p>
-
-<p>THE SQUIREEN.</p>
-
-<p>THE RED LEAGUERS.</p>
-
-<p><strong>Burton (J. Bloundelle).</strong> THE CLASH
-OF ARMS.</p>
-
-<p>DENOUNCED.</p>
-
-<p>FORTUNE'S MY FOE.</p>
-
-<p>A BRANDED NAME.</p>
-
-<p><strong>Capes (Bernard).</strong> AT A WINTER'S
-FIRE.</p>
-
-<p><strong>Chesney (Weatherby).</strong> THE BAPTIST
-RING.</p>
-
-<p>THE BRANDED PRINCE.</p>
-
-<p>THE FOUNDERED GALLEON.</p>
-
-<p>JOHN TOPP.</p>
-
-<p>THE MYSTERY OF A BUNGALOW.</p>
-
-<p><strong>Clifford (Mrs. W. K.).</strong> A FLASH OF
-SUMMER.</p>
-
-<p><strong>Cobb, (Thomas).</strong> A CHANGE OF FACE.</p>
-
-<p><strong>Collingwood (Harry).</strong> THE DOCTOR
-OF THE 'JULIET.'</p>
-
-<p><strong>Cornford (L. Cope).</strong> SONS OF ADVERSITY.</p>
-
-<p><strong>Cotterell (Constance).</strong> THE VIRGIN
-AND THE SCALES.</p>
-
-<p><strong>Crane (Stephen).</strong> WOUNDS IN THE
-RAIN.</p>
-
-<p><strong>Denny (C. E.).</strong> THE ROMANCE OF
-UPFOLD MANOR.</p>
-
-<p><strong>Dickinson (Evelyn).</strong> THE SIN OF
-ANGELS.</p>
-
-<p><strong>Dickson (Harris).</strong> THE BLACK WOLF'S
-BREED.</p>
-
-<p><strong>Duncan (Sara J.).</strong> THE POOL IN THE
-DESERT.</p>
-
-<p>A VOYAGE OF CONSOLATION. Illustrated.</p>
-
-<p><strong>Embree (C. F.).</strong> A HEART OF FLAME.
-Illustrated.</p>
-
-<p><strong>Fenn (G. Manville).</strong> AN ELECTRIC
-SPARK.</p>
-
-<p>A DOUBLE KNOT.</p></div>
-
-<p><span class="pagenum"><a name="Page_1038" id="Page_1038">[Pg 1038]</a></span></p>
-
-<div class="hangindent">
-
-<p><strong>Findlater (Jane H.).</strong> A DAUGHTER OF
-STRIFE.</p>
-
-<p><strong>Fitzstephen (G.).</strong> MORE KIN THAN
-KIND.</p>
-
-<p><strong>Fletcher (J. S.).</strong> DAVID MARCH.</p>
-
-<p>LUCIAN THE DREAMER.</p>
-
-<p><strong>Forrest (R. E.).</strong> THE SWORD OF
-AZRAEL.</p>
-
-<p><strong>Francis (M. E.).</strong> MISS ERIN.</p>
-
-<p><strong>Gallon (Tom).</strong> RICKERBY'S FOLLY.</p>
-
-<p><strong>Gerard (Dorothea).</strong> THINGS THAT
-HAVE HAPPENED.</p>
-
-<p>THE CONQUEST OF LONDON.</p>
-
-<p>THE SUPREME CRIME.</p>
-
-<p><strong>Gilchrist (R. Murray).</strong> WILLOWBRAKE.</p>
-
-<p><strong>Glanville (Ernest).</strong> THE DESPATCH
-RIDER.</p>
-
-<p>THE KLOOF BRIDE.</p>
-
-<p>THE INCA'S TREASURE.</p>
-
-<p><strong>Gordon (Julien).</strong> MRS. CLYDE.</p>
-
-<p>WORLD'S PEOPLE.</p>
-
-<p><strong>Goss (C. F.).</strong> THE REDEMPTION OF
-DAVID CORSON.</p>
-
-<p><strong>Gray (E. M'Queen).</strong> MY STEWARDSHIP.</p>
-
-<p><strong>Hales (A. G.).</strong> JAIR THE APOSTATE.</p>
-
-<p><strong>Hamilton (Lord Ernest).</strong> MARY HAMILTON.</p>
-
-<p><strong>Harrison (Mrs. Burton).</strong> A PRINCESS
-OF THE HILLS. Illustrated.</p>
-
-<p><strong>Hooper (I.).</strong> THE SINGER OF MARLY.</p>
-
-<p><strong>Hough (Emerson).</strong> THE MISSISSIPPI
-BUBBLE.</p>
-
-<p><strong>'Iota' (Mrs. Caffyn).</strong> ANNE MAULEVERER.</p>
-
-<p><strong>Jepson (Edgar).</strong> THE KEEPERS OF
-THE PEOPLE.</p>
-
-<p><strong>Keary (C. F.).</strong> THE JOURNALIST.</p>
-
-<p><strong>Kelly (Florence Finch).</strong> WITH HOOPS
-OF STEEL.</p>
-
-<p><strong>Langbridge (V.) and Bourne (C. H.).</strong>
-THE VALLEY OF INHERITANCE.</p>
-
-<p><strong>Linden (Annie).</strong> A WOMAN OF SENTIMENT.</p>
-
-<p><strong>Lorimer (Norma).</strong> JOSIAH'S WIFE.</p>
-
-<p><strong>Lush (Charles K.).</strong> THE AUTOCRATS.</p>
-
-<p><strong>Macdonell (Anne).</strong> THE STORY OF
-TERESA.</p>
-
-<p><strong>Macgrath (Harold).</strong> THE PUPPET
-CROWN.</p>
-
-<p><strong>Mackie (Pauline Bradford).</strong> THE VOICE
-IN THE DESERT.</p>
-
-<p><strong>Marsh (Richard).</strong> THE SEEN AND
-THE UNSEEN.</p>
-
-<p>GARNERED.</p>
-
-<p>A METAMORPHOSIS.</p>
-
-<p>MARVELS AND MYSTERIES.</p>
-
-<p>BOTH SIDES OF THE VEIL.</p>
-
-<p><strong>Mayall (J. W.).</strong> THE CYNIC AND THE
-SYREN.</p>
-
-<p><strong>Meade (L. T.).</strong> RESURGAM.</p>
-
-<p><strong>Monkhouse (Allan).</strong> LOVE IN A LIFE.</p>
-
-<p><strong>Moore (Arthur).</strong> THE KNIGHT PUNCTILIOUS.</p>
-
-<p><strong>Nesbit, E. (Mrs. Bland).</strong> THE LITERARY
-SENSE.</p>
-
-<p><strong>Norris (W. E.).</strong> AN OCTAVE.</p>
-
-<p>MATTHEW AUSTIN.</p>
-
-<p>THE DESPOTIC LADY.</p>
-
-<p><strong>Oliphant (Mrs.).</strong> THE LADY'S WALK.</p>
-
-<p>SIR ROBERT'S FORTUNE.</p>
-
-<p>THE TWO MARY'S.</p>
-
-<p><strong>Pendered (M. L.).</strong> AN ENGLISHMAN.</p>
-
-<p><strong>Penny (Mrs. Frank).</strong> A MIXED MARRIAGE.</p>
-
-<p><strong>Phillpotts (Eden).</strong> THE STRIKING
-HOURS.</p>
-
-<p>FANCY FREE.</p>
-
-<p><strong>Pryce (Richard).</strong> TIME AND THE
-WOMAN.</p>
-
-<p><strong>Randall (John).</strong> AUNT BETHIA'S
-BUTTON.</p>
-
-<p><strong>Raymond (Walter).</strong> FORTUNE'S DARLING.</p>
-
-<p><strong>Rayner (Olive Pratt).</strong> ROSALBA.</p>
-
-<p><strong>Rhys (Grace).</strong> THE DIVERTED VILLAGE.</p>
-
-<p><strong>Rickert (Edith).</strong> OUT OF THE CYPRESS
-SWAMP.</p>
-
-<p><strong>Roberton (M. H.).</strong> A GALLANT QUAKER.</p>
-
-<p><strong>Russell (W. Clark).</strong> ABANDONED.</p>
-
-<p><strong>Saunders (Marshall).</strong> ROSE À CHARLITTE.</p>
-
-<p><strong>Sergeant (Adeline).</strong> ACCUSED AND
-ACCUSER.</p>
-
-<p>BARBARA'S MONEY.</p>
-
-<p>THE ENTHUSIAST.</p>
-
-<p>A GREAT LADY.</p>
-
-<p>THE LOVE THAT OVERCAME.</p>
-
-<p>THE MASTER OF BEECHWOOD.</p>
-
-<p>UNDER SUSPICION.</p>
-
-<p>THE YELLOW DIAMOND.</p>
-
-<p>THE MYSTERY OF THE MOAT.</p>
-
-<p><strong>Shannon (W. F.).</strong> JIM TWELVES.</p>
-
-<p><strong>Stephens (R. N.).</strong> AN ENEMY OF THE
-KING.</p>
-
-<p><strong>Strain (E. H.).</strong> ELMSLIE'S DRAG NET.</p>
-
-<p><strong>Stringer (Arthur).</strong> THE SILVER POPPY.</p>
-
-<p><strong>Stuart (Esmè).</strong> CHRISTALLA.</p>
-
-<p>A WOMAN OF FORTY.</p>
-
-<p><strong>Sutherland (Duchess of).</strong> ONE HOUR
-AND THE NEXT.</p>
-
-<p><strong>Swan (Annie).</strong> LOVE GROWN COLD.</p>
-
-<p><strong>Swift (Benjamin).</strong> SORDON.</p>
-
-<p>SIREN CITY.</p>
-
-<p><strong>Tanqueray (Mrs. B. M.).</strong> THE ROYAL
-QUAKER.</p>
-
-<p><strong>Thompson (Vance).</strong> SPINNERS OF
-LIFE.</p>
-
-<p><strong>Trafford-Taunton (Mrs. E. W.).</strong> SILENT
-DOMINION.</p>
-
-<p><strong>Upward (Allen).</strong> ATHELSTANE FORD.</p>
-
-<p><strong>Waineman (Paul).</strong> A HEROINE FROM
-FINLAND.</p>
-
-<p>BY A FINNISH LAKE.</p>
-
-<p><strong>Watson (H. B. Marriott).</strong> THE SKIRTS
-OF HAPPY CHANCE.</p>
-
-<p>'<strong>Zack.</strong>' TALES OF DUNSTABLE WEIR.</p></div>
-
-<p><span class="pagenum"><a name="Page_1039" id="Page_1039">[Pg 1039]</a></span></p>
-
-
-<h4>Books for Boys and Girls</h4>
-
-<p class="center"><em>Illustrated. Crown 8vo. 3s. 6d.</em>
-</p>
-
-<div class="hangindent">
-
-<p><span class="smcap">The Getting Well of Dorothy.</span> By Mrs.
-W. K. Clifford. <em>Second Edition.</em></p>
-
-<p><span class="smcap">Only a Guard-Room Dog.</span> By Edith E.
-Cuthell.</p>
-
-<p><span class="smcap">The Doctor of the Juliet.</span> By Harry
-Collingwood.</p>
-
-<p><span class="smcap">Little Peter.</span> By Lucas Malet. <em>Second
-Edition.</em></p>
-
-<p><span class="smcap">Master Rockafellar's Voyage.</span> By W.
-Clark Russell. <em>Third Edition.</em></p>
-
-<p><span class="smcap">The Secret of Madame de Monluc.</span> By
-the Author of "Mdlle. Mori."</p>
-
-<p><span class="smcap">Syd Belton</span>: Or, the Boy who would not go
-to Sea. By G. Manville Fenn.</p>
-
-<p><span class="smcap">The Red Grange.</span> By Mrs. Molesworth.</p>
-
-<p><span class="smcap">A Girl of the People.</span> By L. T. Meade.
-<em>Second Edition.</em></p>
-
-<p><span class="smcap">Hepsy Gipsy.</span> By L. T. Meade. 2<em>s.</em> 6<em>d.</em></p>
-
-<p><span class="smcap">The Honourable Miss.</span> By L. T. Meade.
-<em>Second Edition.</em></p>
-
-<p><span class="smcap">There was once a Prince.</span> By Mrs. M. E.
-Mann.</p>
-
-<p><span class="smcap">When Arnold comes Home.</span> By Mrs. M. E.
-Mann.</p></div>
-
-
-<h4>The Novels of Alexandre Dumas</h4>
-
-<p class="center"><em>Price 6d. Double Volumes, 1s.</em>
-</p>
-
-<div class="hangindent">
-
-<p><span class="smcap">Acté.</span></p>
-
-<p><span class="smcap">The Adventures of Captain Pamphile.</span></p>
-
-<p><span class="smcap">Amaury.</span></p>
-
-<p><span class="smcap">The Bird of Fate.</span></p>
-
-<p><span class="smcap">The Black Tulip.</span></p>
-
-<p><span class="smcap">The Castle of Eppstein.</span></p>
-
-<p><span class="smcap">Catherine Blum.</span></p>
-
-<p><span class="smcap">Cecile.</span></p>
-
-<p><span class="smcap">The Chevalier D'Harmental.</span> Double
-volume.</p>
-
-<p><span class="smcap">Chicot the Jester.</span> Being the first part of
-The Lady of Monsoreau.</p>
-
-<p><span class="smcap">Conscience.</span></p>
-
-<p><span class="smcap">The Convict's Son.</span></p>
-
-<p><span class="smcap">The Corsican Brothers</span>; and <span class="smcap">Otho the
-Archer</span>.</p>
-
-<p><span class="smcap">Crop-Eared Jacquot.</span></p>
-
-<p><span class="smcap">The Fencing Master.</span></p>
-
-<p><span class="smcap">Fernande.</span></p>
-
-<p><span class="smcap">Gabriel Lambert.</span></p>
-
-<p><span class="smcap">Georges.</span></p>
-
-<p><span class="smcap">The Great Massacre.</span> Being the first part of
-Queen Margot.</p>
-
-<p><span class="smcap">Henri de Navarre.</span> Being the second part
-of Queen Margot.</p>
-
-<p><span class="smcap">Hélène de Chaverny.</span> Being the first part
-of the Regent's Daughter.</p>
-
-<p><span class="smcap">Louise de la Vallière.</span> Being the first
-part of <span class="smcap">The Vicomte de Bragelonne</span>.
-Double Volume.</p>
-
-<p><span class="smcap">Maître Adam.</span></p>
-
-<p><span class="smcap">The Man in the Iron Mask.</span> Being
-the second part of <span class="smcap">The Vicomte de
-Bragelonne</span>. Double volume.</p>
-
-<p><span class="smcap">The Mouth of Hell.</span></p>
-
-<p><span class="smcap">Nanon.</span> Double volume.</p>
-
-<p><span class="smcap">Pauline</span>; <span class="smcap">Pascal Bruno</span>; and <span class="smcap">Bontekoe</span>.</p>
-
-<p><span class="smcap">Père La Ruine.</span></p>
-
-<p><span class="smcap">The Prince of Thieves.</span></p>
-
-<p><span class="smcap">The Reminiscences of Antony.</span></p>
-
-<p><span class="smcap">Robin Hood.</span></p>
-
-<p><span class="smcap">The Snowball</span> and <span class="smcap">Sultanetta</span>.</p>
-
-<p><span class="smcap">Sylvandire.</span></p>
-
-<p><span class="smcap">Tales of the Supernatural.</span></p>
-
-<p><span class="smcap">The Three Musketeers.</span> With a long
-Introduction by Andrew Lang. Double
-volume.</p>
-
-<p><span class="smcap">Twenty Years After.</span> Double volume.</p>
-
-<p><span class="smcap">The Wild Duck Shooter.</span></p>
-
-<p><span class="smcap">The Wolf-Leader.</span></p></div>
-
-
-<h4>Methuen's Sixpenny Books</h4>
-
-<div class="hangindent">
-
-<p><strong>Albanesi (E. M.).</strong> LOVE AND LOUISA.</p>
-
-<p><strong>Austen (Jane).</strong> PRIDE AND PREJUDICE.</p>
-
-<p><strong>Bagot (Richard).</strong> A ROMAN MYSTERY.</p>
-
-<p><strong>Balfour (Andrew).</strong> BY STROKE OF
-SWORD.</p>
-
-<p><strong>Baring-Gould (S.).</strong> FURZE BLOOM.</p>
-
-<p>CHEAP JACK ZITA.</p>
-
-<p>KITTY ALONE.</p>
-
-<p>URITH.</p>
-
-<p>THE BROOM SQUIRE.</p>
-
-<p>IN THE ROAR OF THE SEA.</p>
-
-<p>NOÉMI.</p>
-
-<p>A BOOK OF FAIRY TALES. Illustrated.</p>
-
-<p>LITTLE TU'PENNY.</p>
-
-<p>THE FROBISHERS.</p>
-
-<p>WINEFRED.</p>
-
-<p><strong>Barr (Robert).</strong> JENNIE BAXTER,
-JOURNALIST.</p>
-
-<p>IN THE MIDST OF ALARMS.</p>
-
-<p>THE COUNTESS TEKLA.</p>
-
-<p>THE MUTABLE MANY.</p>
-
-<p><strong>Benson (E. F.).</strong> DODO.</p>
-
-<p><strong>Brontë (Charlotte).</strong> SHIRLEY.</p>
-
-<p><strong>Brownell (C. L.).</strong> THE HEART OF
-JAPAN.</p>
-
-<p><strong>Burton (J. Bloundelle).</strong> ACROSS THE
-SALT SEAS.</p>
-
-<p><strong>Caffyn (Mrs.)</strong> ('Iota'). ANNE MAULEVERER.</p>
-
-<p><strong>Capes (Bernard).</strong> THE LAKE OF
-WINE.</p>
-
-<p><strong>Clifford (Mrs. W. K.).</strong> A FLASH OF
-SUMMER.</p>
-
-<p>MRS. KEITH'S CRIME.</p>
-
-<p><strong>Corbett (Julian).</strong> A BUSINESS IN
-GREAT WATERS.</p>
-
-<p><strong>Croker (Mrs. B. M.).</strong> PEGGY OF THE
-BARTONS.</p>
-
-<p>A STATE SECRET.</p></div>
-
-<p><span class="pagenum"><a name="Page_1040" id="Page_1040">[Pg 1040]</a></span></p>
-
-<div class="hangindent">
-
-<p>ANGEL.</p>
-
-<p>JOHANNA.</p>
-
-<p><strong>Dante (Alighieri).</strong> THE VISION OF
-DANTE (Cary).</p>
-
-<p><strong>Doyle (A. Conan).</strong> ROUND THE RED
-LAMP.</p>
-
-<p><strong>Duncan (Sara Jeannette).</strong> A VOYAGE
-OF CONSOLATION.</p>
-
-<p>THOSE DELIGHTFUL AMERICANS.</p>
-
-<p><strong>Eliot (George).</strong> THE MILL ON THE
-FLOSS.</p>
-
-<p><strong>Findlater (Jane H.).</strong> THE GREEN
-GRAVES OF BALGOWRIE.</p>
-
-<p><strong>Gallon (Tom).</strong> RICKERBY'S FOLLY.</p>
-
-<p><strong>Gaskell (Mrs.).</strong> CRANFORD.</p>
-
-<p>MARY BARTON.</p>
-
-<p>NORTH AND SOUTH.</p>
-
-<p><strong>Gerard (Dorothea).</strong> HOLY MATRIMONY.</p>
-
-<p>THE CONQUEST OF LONDON.</p>
-
-<p>MADE OF MONEY.</p>
-
-<p><strong>Gisslng (George).</strong> THE TOWN TRAVELLER.</p>
-
-<p>THE CROWN OF LIFE.</p>
-
-<p><strong>Glanville (Ernest).</strong> THE INCA'S
-TREASURE.</p>
-
-<p>THE KLOOF BRIDE.</p>
-
-<p><strong>Gleig (Charles).</strong> BUNTER'S CRUISE.</p>
-
-<p><strong>Grimm (The Brothers).</strong> GRIMM'S
-FAIRY TALES. Illustrated.</p>
-
-<p><strong>Hope (Anthony).</strong> A MAN OF MARK.</p>
-
-<p>A CHANGE OF AIR.</p>
-
-<p>THE CHRONICLES OF COUNT
-ANTONIO.</p>
-
-<p>PHROSO.</p>
-
-<p>THE DOLLY DIALOGUES.</p>
-
-<p><strong>Hornung (E. W.).</strong> DEAD MEN TELL
-NO TALES.</p>
-
-<p><strong>Ingraham (J. H.).</strong> THE THRONE OF
-DAVID.</p>
-
-<p><strong>Le Queux (W.).</strong> THE HUNCHBACK OF
-WESTMINSTER.</p>
-
-<p><strong>Levett-Yeats (S. K.).</strong> THE TRAITOR'S
-WAY.</p>
-
-<p><strong>Linton (E. Lynn).</strong> THE TRUE HISTORY
-OF JOSHUA DAVIDSON.</p>
-
-<p><strong>Lyall (Edna).</strong> DERRICK VAUGHAN.</p>
-
-<p><strong>Malet (Lucas).</strong> THE CARISSIMA.</p>
-
-<p>A COUNSEL OF PERFECTION.</p>
-
-<p><strong>Mann (Mrs. M. E.).</strong> MRS. PETER
-HOWARD.</p>
-
-<p>A LOST ESTATE.</p>
-
-<p>THE CEDAR STAR.</p>
-
-<p>ONE ANOTHER'S BURDENS.</p>
-
-<p><strong>Marchmont (A. W.).</strong> MISER HOADLEY'S
-SECRET.</p>
-
-<p>A MOMENT'S ERROR.</p>
-
-<p><strong>Marryat (Captain).</strong> PETER SIMPLE.</p>
-
-<p>JACOB FAITHFUL.</p>
-
-<p><strong>Marsh (Richard).</strong> THE TWICKENHAM
-PEERAGE.</p>
-
-<p>THE GODDESS.</p>
-
-<p>THE JOSS.</p>
-
-<p>A METAMORPHOSIS.</p>
-
-<p><strong>Mason (A. E. W.).</strong> CLEMENTINA.</p>
-
-<p><strong>Mathers (Helen).</strong> HONEY.</p>
-
-<p>GRIFF OF GRIFFITHSCOURT.</p>
-
-<p>SAM'S SWEETHEART.</p>
-
-<p><strong>Meade (Mrs. L. T.).</strong> DRIFT.</p>
-
-<p><strong>Mitford (Bertram).</strong> THE SIGN OF THE
-SPIDER.</p>
-
-<p><strong>Montresor (F. F.).</strong> THE ALIEN.</p>
-
-<p><strong>Morrison (Arthur).</strong> THE HOLE IN
-THE WALL.</p>
-
-<p><strong>Nesbit (E.).</strong> THE RED HOUSE.</p>
-
-<p><strong>Norris (W. E.).</strong> HIS GRACE.</p>
-
-<p>GILES INGILBY.</p>
-
-<p>THE CREDIT OF THE COUNTY.</p>
-
-<p>LORD LEONARD.</p>
-
-<p>MATTHEW AUSTIN.</p>
-
-<p>CLARISSA FURIOSA.</p>
-
-<p><strong>Oliphant (Mrs.).</strong> THE LADY'S WALK.</p>
-
-<p>SIR ROBERT'S FORTUNE.</p>
-
-<p>THE PRODIGALS.</p>
-
-<p><strong>Oppenheim (E. Phillips).</strong> MASTER OF
-MEN.</p>
-
-<p><strong>Parker (Gilbert).</strong> THE POMP OF THE
-LAVILETTES.</p>
-
-<p>WHEN VALMOND CAME TO PONTIAC.</p>
-
-<p>THE TRAIL OF THE SWORD.</p>
-
-<p><strong>Pemberton (Max).</strong> THE FOOTSTEPS
-OF A THRONE.</p>
-
-<p>I CROWN THEE KING.</p>
-
-<p><strong>Phillpotts (Eden).</strong> THE HUMAN BOY.</p>
-
-<p>CHILDREN OF THE MIST.</p>
-
-<p>'<strong>Q.</strong>' THE WHITE WOLF.</p>
-
-<p><strong>Ridge (W. Pett).</strong> A SON OF THE STATE.</p>
-
-<p>LOST PROPERTY.</p>
-
-<p>GEORGE AND THE GENERAL.</p>
-
-<p><strong>Russell (W. Clark).</strong> A MARRIAGE AT
-SEA.</p>
-
-<p>ABANDONED.</p>
-
-<p>MY DANISH SWEETHEART.</p>
-
-<p>HIS ISLAND PRINCESS.</p>
-
-<p><strong>Sergeant (Adeline).</strong> THE MASTER OF
-BEECHWOOD.</p>
-
-<p>BARBARA'S MONEY.</p>
-
-<p>THE YELLOW DIAMOND.</p>
-
-<p>THE LOVE THAT OVERCAME.</p>
-
-<p><strong>Surtees (R. S.).</strong> HANDLEY CROSS.
-Illustrated.</p>
-
-<p>MR. SPONGE'S SPORTING TOUR.
-Illustrated.</p>
-
-<p>ASK MAMMA. Illustrated.</p>
-
-<p><strong>Walford (Mrs. L. B.).</strong> MR. SMITH.</p>
-
-<p>COUSINS.</p>
-
-<p>THE BABY'S GRANDMOTHER.</p>
-
-<p><strong>Wallace (General Lew).</strong> BEN-HUR.</p>
-
-<p>THE FAIR GOD.</p>
-
-<p><strong>Watson (H. B. Marriot).</strong> THE ADVENTURERS.</p>
-
-<p><strong>Weekes (A. B.).</strong> PRISONERS OF WAR.</p>
-
-<p><strong>White (Percy).</strong> A PASSIONATE
-PILGRIM.</p></div>
-
-
-<div class="chapter"></div>
-<hr class="chap" />
-<p>&nbsp;</p>
-<div class="tnotes covernote">
- <p>The cover image was created by the transcriber and is placed in the public domain.</p>
-</div>
-
-<div id="transnote">
-
-<h2>TRANSCRIBER'S NOTE</h2>
-
-
-<p>Silently corrected simple spelling, grammar, and typographical errors.</p>
-
-<p>Retained anachronistic and non-standard spellings as printed.</p>
-</div>
-
-<p>&nbsp;</p>
-<hr class="full" />
-<p>***END OF THE PROJECT GUTENBERG EBOOK A BOOK OF DARTMOOR***</p>
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