summaryrefslogtreecommitdiff
path: root/old/50902-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/50902-0.txt')
-rw-r--r--old/50902-0.txt4296
1 files changed, 0 insertions, 4296 deletions
diff --git a/old/50902-0.txt b/old/50902-0.txt
deleted file mode 100644
index 326aadf..0000000
--- a/old/50902-0.txt
+++ /dev/null
@@ -1,4296 +0,0 @@
-The Project Gutenberg EBook of How to Be a Detective, by Old King Brady
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: How to Be a Detective
-
-Author: Old King Brady
-
-Release Date: January 11, 2016 [EBook #50902]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK HOW TO BE A DETECTIVE ***
-
-
-
-
-Produced by Craig Kirkwood, Demian Katz and the Online
-Distributed Proofreading Team at http://www.pgdp.net (Images
-courtesy of the Digital Library@Villanova University
-(http://digital.library.villanova.edu/))
-
-
-
-
-
-
-Transcriber’s Notes:
-
-Text enclosed by underscores is in italics (_italics_), and text
-enclosed by equal signs is in bold (=bold=).
-
-Additional Transcriber’s Notes are at the end.
-
- * * * * *
-
-
-
-
-HOW TO BE A DETECTIVE
-
-
- By OLD KING BRADY
-
- (The World Known Detective).
-
- In which he lays down some valuable and sensible rules for beginners,
- and also relates some adventures and experiences of well known
- detectives.
-
- NEW YORK:
- FRANK TOUSEY, Publisher,
- 24 UNION SQUARE.
-
- * * * * *
-
-Entered according to Act of Congress, in the year 1902, by
-
-FRANK TOUSEY,
-
-in the Office of the Librarian of Congress at Washington, D. C.
-
- * * * * *
-
-HOW TO BE A DETECTIVE
-
-By OLD KING BRADY.
-
-
-
-
-INTRODUCTORY. OLD KING BRADY TELLS WHY HE WROTE THE BOOK.
-
-
-Some of my friends will no doubt wonder why I should leave the beaten
-track and contrary to the course I have always adopted of furnishing
-notes to my friend, the New York detective, write a book myself.
-
-The fact of the matter is the number of boys who love to read my
-adventures has grown to be so numerous--it is away up in the hundreds
-of thousands Mr. Tousey tells me--that their wishes have got to be
-respected.
-
-For several years they have been asking for instructions from me which
-will transform them from school-boys into full-fledged detectives, as
-though touched by a magician’s wand.
-
-The idea of such a thing!
-
-But there are many who would like to become detectives if they could,
-and are willing to take time to learn the business, which, believe me,
-has to be learned like everything else.
-
-Of course there may be some “smart Alecks” who have picked up the
-business--doubtless there are--but like extra smart people in other
-lines they do not often make it a success.
-
-Therefore I say that to give a series of rules which, if followed, will
-make a boy a detective, would only be to make a fool of myself and my
-pupils too.
-
-It can’t be done.
-
-In our business no two situations are ever alike; the case you are
-working on to-day is totally different from the case of to-morrow, and
-the case of next week different again from either, and so it goes.
-
-What I propose to do, therefore, is to tell how I made one boy--no,
-two--detectives. Let their experiences serve for others to go by.
-
-First, however, let me give a list of the particular qualities and
-attainments necessary to make a good detective, and say also a few
-words on the different kinds of detectives--the good and the bad.
-
-
-QUALIFICATIONS OF A GOOD DETECTIVE.
-
-1. Indomitable courage and good health.
-
-2. Strict honesty.
-
-3. A fair education. _Necessary._
-
-4. A knowledge of languages. _Highly desirable._
-
-5. The ability to read men readily. (This is a quality which will
-improve by practice. It cannot be expected at first.)
-
-6. Perseverance.
-
-7. An agreeable disposition; the ability to make one’s self popular
-among men.
-
-8. An acquaintance with the methods of changing the facial appearance
-and arranging disguises. (This is perhaps the hardest thing of all to
-acquire. Most detectives will not disclose these secrets. The help of a
-good theatrical costumer, or an actor should be sought. Practice makes
-perfect--don’t forget that.)
-
-9. Capability of careful thought and the ability to weigh evidence, and
-not to allow yourself to be deceived by appearances.
-
-10. Caution.
-
-11. Control of the temper.
-
-12. Last, and most important of all, Common Sense.
-
-Now I say that unless a boy possesses to a certain degree these twelve
-qualifications he better not think about becoming a detective.
-
-The office is an important one and performs a great use in the world,
-but it can easily be prevented and the detective degraded to the level
-of a hired spy.
-
-Never in my life have I undertaken a case where I have not at least
-_believed_ that I was working on the right side.
-
-I don’t propose to sell my services to bad men to work out bad ends.
-
-Others are not so particular. Such are not true detectives--they are
-simply spies.
-
-As to the means of getting the opportunity to learn the business of
-detective, I can only say that it is just like everything else; there
-are all sorts of ways.
-
-Application to some good private detective agency will give you that
-information. If it is not convenient to do that, consult some honest
-detective, either police or private, and he may be able to tell you how
-to get a start.
-
-For a boy to throw up his business and go a stranger to any of our
-great cities with the idea of at once blooming out into a detective can
-only bring disappointment.
-
-You have got to start right to come out right.
-
-There are hundreds of detectives, moreover, who barely make a living.
-Only the experienced and the skillful grow rich, for it is in this
-business precisely the same as in everything else.
-
-Only hard work, patience, pluck and perseverance will win the fight.
-
- I remain, my dear readers,
- Your obedient servant,
- JAMES BRADY.
-
- _New York, April 1, 1890._
-
-
-
-
-CHAPTER I. A LETTER FROM DETECTIVE KEAN.
-
-
-One of the brightest and most successful of our New York detectives is
-Mr. Samuel Kean, at present attached to Pinkerton’s Agency.
-
-He was one of my pupils, and a better one I never had.
-
-I have therefore selected a few of his early cases to illustrate the
-kind of work that a young detective has to engage in.
-
-Let him tell about his first case himself. I thought it would be more
-interesting to let him do his own talking, and accordingly wrote him
-and asked that he would describe his first case in his own way. Here is
-the answer I received:
-
- NEW YORK, March 20th, 1890.
-
- MY DEAR MR. BRADY,--You ask me to write you a letter and tell you all
- about my first case and how I became a detective.
-
- Now it will be very easy for me to do this, for I have never
- forgotten a single thing that happened that night, and I don’t
- believe I ever shall forget, if I live to be a hundred years old; and
- yet, after all, it wasn’t much of a case. It would have been mere
- child’s play to you if you had been in my position, which, of course,
- you wouldn’t. For you wouldn’t have allowed yourself to be deceived
- the way I was--that’s one thing sure.
-
- I was between eighteen and nineteen then, and had left school some
- six months before I got the idea of being a detective.
-
- My father was dead against it from the start, and my mother wouldn’t
- let me even mention the subject, but you see I had been reading about
- you and your wonderful cases in the NEW YORK DETECTIVE LIBRARY, and
- I got an idea that I would like no better fun than to be a detective
- myself.
-
- “Pooh! You haven’t got the courage to be a detective!” exclaimed my
- father one evening, when I broached the subject for the hundredth
- time. “You’d run at the first fire, Sam.”
-
- “Did I get my cowardice from you, sir?” I asked mildly.
-
- “Not much! You got it from----”
-
- “Don’t say it came from my side of the house, Mr. Kean!” snapped my
- mother. “My father was all through the Mexican war, and you got a
- substitute when they drafted you time of the Southern rebellion. The
- boy is a plaguey sight braver than you are.”
-
- Now I had my mother on my side from that moment.
-
- The result of my father’s fling was a big family row, which ended in
- the old gentleman’s getting me a letter of introduction to you, Mr.
- Brady. I took the letter down to your office one morning, and that’s
- the way it began.
-
- “I don’t know about this,” was the first thing you said. “Young men
- born with silver spoons in their mouths rarely make good detectives.
- Don’t you think you’d better try your hand at some other line of
- business, my friend?”
-
- I told you that I meant to be a detective if I died for it, I
- believe, or something of that sort. I know I wanted very much to
- speak with you alone, and felt rather mad because there was another
- person in the office, a slim, freckled-faced, red-headed young chap
- of about my own age, whose cheap dress showed that he belonged to
- the working classes. I had rather a contempt for him, and was just
- wishing he’d get out, when you sent him out without my asking.
-
- “Now that fellow has got the very kind of stuff in him that good
- detectives are made of,” you remarked, and I remember I inwardly
- laughed at you.
-
- “Why, he’s nothing but an ordinary street boy,” I thought to myself.
- You know who I refer to--Dave Doyle.
-
- Then you talked to me a long time, and asked me all about my
- education and my health, besides a whole lot of other questions,
- which at the time seemed to me were of no account, but which I now
- understand to be most important.
-
- As almost every answer I gave seemed to be the very one you did not
- want, I had just about made up my mind that you were going to reject
- me entirely, when all at once you surprised me by saying that I could
- try it if I wanted to for two months, after which you would either
- pay me something regular in the way of wages, or tell me to get out.
-
- I don’t suppose you know it, Mr. Brady, but when I left your office
- that morning I felt about nine feet high.
-
- I was sure of success, and I firmly believe that it was the very
- certainty I felt that made me succeed.
-
- I was to report next day, and I did so.
-
- You put me in charge of a man named Mulligan, one of the lowest type
- of police detectives, who was looking for a pickpocket called Funeral
- Pete, a fellow who made a point of robbing people at funerals.
-
- “Funeral Pete” had taken alarm, and was in hiding, and Mulligan and I
- undertook to find out where.
-
- Well, we didn’t find out, but I learned a lot of other things, for
- Mulligan dragged me through nearly every dive in New York.
-
- I was amazed and not a little startled.
-
- Had I got to mix up with such dreadful people as these in order to
- make myself a detective?
-
- It made me sick to think of it, still I had no notion of turning back.
-
- This state of affairs kept up for a couple of weeks.
-
- First I was sent out with one detective, then with another. There was
- no disguising, no shadowing, nor shooting. Everything seemed terribly
- commonplace.
-
- One night I spoke to you about my disappointment. I told you this
- wasn’t the sort of thing I wanted, that I had expected to go about
- disguised with wigs and false mustaches, carrying revolvers,
- bowie-knives, dark lanterns and handcuffs in my pockets, and all that
- sort of thing.
-
- How you laughed! I shall never forget it.
-
- “Why, bless you, some one’s got to do the kind of work you’re doing,”
- you said, “and very often just such work becomes necessary in the
- most important cases. However, if you’re tired of it I’ll try you on
- another sort of a job and see how you make out.”
-
- You took me into the office and began to talk.
-
- “Did you ever study bookkeeping?” you asked.
-
- “Yes,” said I.
-
- “How good a bookkeeper are you?”
-
- “I can do double entry.”
-
- “As they teach it in schools?”
-
- “Yes.”
-
- “Humph. I’m afraid that won’t amount to much, still, you can try.”
-
- “Try what?”
-
- “Listen to me! To-morrow morning you go down to No. ---- Broadway,
- office of the Eagle Steamship Line, and say I’m the bookkeeper Old
- King Brady spoke of. That will be enough. They’ll engage you.”
-
- “What for?”
-
- “To keep books, of course.”
-
- “But I don’t want to be a book-keeper--I want to be a detective.”
-
- “Hold on, hold on! A detective has got to be anything and everything.
- You will take the job and go to work. You will also keep your eyes
- open and try and find out who is robbing the safe every night or two,
- of small amounts--do you understand?”
-
- “Ah! I’m going to be put on a case at last then?”
-
- “Of course you are. There is no information to give you except that
- some one of your fellow employees is a thief, and I want to catch
- him. You must watch every man in the office and you mustn’t let one
- of them know that you are watching. As for further instructions, I
- haven’t got any to give. It is a case for you to show what you are
- made of. I will give you one week to accomplish something in. If
- you have nothing to report at the end of that time, I shall put on
- another man.”
-
- Wasn’t that putting me on my mettle?
-
- Well, I thought so then, and I haven’t changed my opinion since.
-
- I resolved to show you what sort of stuff I was made of before the
- week had passed.
-
- Of course, when I presented myself at the Eagle steamship office I
- was engaged at once.
-
- The line ran down to South America somewhere--Brazil, if I remember
- rightly--and the proprietor’s name was Sandman, a bald-headed, snuffy
- old Scotchman who was terribly exercised about the robberies, but I
- felt very sure, from what I heard the other clerks say, that, even
- if I did succeed in catching the thief, I needn’t look for any big
- reward, for, with one voice, they pronounced Mr. Sandman “meaner than
- mud.”
-
- Now the store occupied by Mr. Sandman was on the west side of
- Broadway and had a half-story opening on a level with the New Church
- street sidewalk in the rear, where the freight was kept and from
- which most of the shipping was done.
-
- The clerks all had desks inside a big wire partition down near the
- door, and old man Sandman’s office was in the rear, while the safe
- which was being robbed stood between the last desk and the private
- office, with only the door leading down into the freight department
- between.
-
- I was immediately put to work on the outward freight book.
-
- It was simple enough. I hadn’t the least trouble in keeping the book,
- but how to worm myself into the secrets of my fellow clerks--there
- was the rub.
-
- There were six of them altogether.
-
- Jim Gleason, the “inward freight,” on my left; old Mr. Buzby,
- the head book-keeper, on my right; Hen Spencer, the foreign
- correspondent, stood nearest the safe all day, and then there was a
- fellow named Mann, another named Grady, and an office boy; besides
- these, there were the fellows in the freight department down-stairs.
-
- Which out of all this crowd was the thief?
-
- Never did I so fully realize my want of experience in the business as
- when I had been in the office of the Eagle Line a few days, without
- being able to accomplish anything more than to get every one down on
- me.
-
- “He’s always snoopin’ about and listenin’ to what a feller says,” I
- overheard Grady say to Mr. Buzby one day.
-
- “That’s so,” replied the book-keeper. “I seen him peekin’ into the
- safe the other day. I don’t see what old Sandman wants him for
- anyhow. He’s slower than death about his work and as thick-headed as
- a mule.”
-
- I was in the closet blacking my boots at the time for it was near the
- hour to close.
-
- Oh, how mad I was! for I knew they were talking about me.
-
- I made up my mind then and there that old Buzby was the thief.
- “Anyway,” I reasoned when I left, soon after, “if it ain’t him, who
- is it? He’s the only one besides Mr. Sandman who has the key.”
-
- Such was my theory at the end of the first week.
-
- I pumped Jim Gleason next to me, the pleasantest fellow in the whole
- office, a little inclined to be fast, perhaps, if his everlasting
- chatter about girls, policy and horse races meant anything, but so
- kind, and seemed to take such a fancy to me, that I couldn’t help
- liking him better than any one else in the crowd for all that.
-
- From him I learned that the robberies had been going on for a long
- time, even continued since I came there. This greatly surprised me.
- The safe was an old one, he said, and Sandman was too mean to buy
- a better. Somebody who had a key was doing the stealing, Gleason
- thought, and he openly hinted that Mr. Buzby was the thief.
-
- Saturday night came, and according to orders I went up to your office
- to report.
-
- “How are you getting on?” says you.
-
- “Not at all,” says I, “except that I’m certain that old Buzby, the
- book-keeper, is doing the stealing.”
-
- “Can you prove it?”
-
- “Oh, no!”
-
- “What makes you think so?”
-
- “The clerks all think so.”
-
- “When you say all which ones do you really mean?”
-
- “Jim Gleason for one--Spencer for another.”
-
- “Which one told you this?”
-
- “Gleason.”
-
- “How came he to tell you?”
-
- “Well, he works next to me, and we got to talking.”
-
- “Did you tell him you were a detective?” you asked, turning on me
- suddenly.
-
- “Well, I’m afraid he guesses it,” I replied, turning red.
-
- “Why?”
-
- “From something he said.”
-
- “After you had given yourself away?”
-
- I grew redder still.
-
- “I was asking him about the robbery, and he suddenly asked me what I
- wanted to know so much about it for.”
-
- “And what did you say?”
-
- “I said, ‘of nothing, just curiosity;’ then he asked me how much they
- paid me, and told me in a whisper that he’d caught on to my little
- racket, and knew I was a detective.”
-
- “And you denied it?”
-
- “Yes.”
-
- “Be very sure he didn’t believe you,” you said. Then you told me that
- I was a fool to give myself away, and I expected to hear you say
- “don’t go there again. I’ll put another man on,” but you didn’t, and
- Monday morning I went back to the desk the same as usual. I had no
- instructions from you how to act, for we had been interrupted in our
- conversation, and I hadn’t seen you since.
-
- Monday night Jim Gleason asked me out to have a drink, and I went and
- took a beer with him. While we were in the saloon Hen Spencer dropped
- in.
-
- “So there’s another new man taken on,” he remarked.
-
- “Who?” asked Gleason.
-
- “Feller in the freight room down-stairs. Wouldn’t wonder if he was a
- detective, too. I seen him snooping round old Buzby’s desk. I only
- wish I wasn’t dependin’ on the old feller’s good opinion to keep me
- solid with Sandman, I could tell a thing or two, but there ain’t no
- use. The old man thinks the sun rises and sets in Buzby’s ear.”
-
- “What could you tell?” I asked.
-
- “Oh, no matter.”
-
- “Have another drink?”
-
- “Well, I don’t mind,” he said, and after that I treated to cigars
- and made myself as pleasant as possible, bound to work it out of him
- before I got through.
-
- And I succeeded. We were seated at a table talking confidentially
- in a little while, and I was flattering myself on my shrewdness in
- drawing young Spencer out.
-
- It happened that he had seen in old Buzby’s desk a false key to the
- outer door of the freight room, which was supposed to be entirely in
- charge of the freight superintendent.
-
- “I tell you what it is, fellers,” he added, “if we could only manage
- to get that key and slip in there some night, I have a key what would
- open his desk, and I’m sure we’d find something among his papers to
- prove that he’s the one who is prigging money from the safe.”
-
- I jumped at the idea.
-
- “Get me the key for an hour,” I said, “and I’ll have another made.”
-
- “Great scheme!” cried Jim Gleason. “If you do that we may catch him
- in the very act. Look here, Hen, I may as well tell you a secret. Mr.
- Kean is a detective. He’s put in the office to watch us.”
-
- “Shut up with your nonsense!” I cried. “I only want to help you
- fellows--that’s all.”
-
- “Don’t deny it,” persisted Gleason.
-
- “I might have guessed as much,” said Spencer. “I never seen a sharper
- fellow than you are, Sam Kean. Don’t you fret. I’ll snake the key out
- of old Buzby’s desk while he’s at lunch to-morrow. We’ll have him
- where the wool is short and don’t you forget it. It’ll serve him just
- right too, for all his impudence to me.”
-
- “How much has he taken altogether?” I asked.
-
- “Why he reports that $500 is missing so far,” was Spencer’s reply,
- “but as he’s doing the stealing himself, how is one going to tell?”
-
- After that I did not attempt to deny to these two that I was in the
- office as a spy.
-
- They got the key and I had the duplicate made.
-
- Thursday night was set for the execution of our little plan, for the
- reason that Spencer pretended to have been told by the old bookkeeper
- that he was going out of town that night.
-
- “I’ll bet you what you like it’s only a dodge,” he said. “That’s the
- night he intends to make his next haul.”
-
- I was in high feather. I had no orders to go to the office and
- report to you so I didn’t go.
-
- “Wait till I surprise Mr. Brady by dragging Buzby to the New Church
- street station,” I said to myself, for we three had agreed to do that
- very thing, provided we caught him in the store.
-
- When the store closed that evening I slipped down-stairs to try my
- key in the lock of the freight-room door.
-
- All hands had gone, or at least I supposed they had, so I was
- awfully startled at having a slim young fellow with black hair and
- determined-looking face suddenly pop up from behind some cases and
- ask me what the mischief I was doing there.
-
- Really I forget what excuse I made, but I know I lit out as soon as I
- could, and made the best of my way up-stairs.
-
- When I met Gleason and Spencer at a certain beer saloon in Greenwich
- street at eleven o’clock that night I told them about it, and could
- see that they looked worried.
-
- “That’s the new hand, Jack Rody,” said Jim.
-
- “I hope he ain’t one of Buzby’s pals,” added Hen, “but I wouldn’t be
- one mite surprised if he was.”
-
- Now I thought this was nonsense, and I said so. We got to talking
- about other things, and there the matter dropped.
-
- “Time’s up, boys,” said Jim at last, just as the clock struck twelve.
- “We’d better slip round there now. There’s just one thing that
- worries me though.”
-
- “What’s that?” asked Hen.
-
- “Suppose the cop catches us trying to enter the store.”
-
- “Well,” replied Gleason. “Sam can fix that. He’s got his shield I
- suppose.”
-
- “I’ve got no shield,” I answered, this disagreeable possibility
- occurring to me for the first time.
-
- But I was a good deal worried. I felt that it would be simply
- sickening to be arrested for burglary and have to send for you to get
- me out.
-
- No such trouble occurred, however.
-
- We watched our chance and slipped in through the back door of the
- Eagle Line office without the slightest difficulty.
-
- It was not until we got the door shut and locked that I began to
- wonder what we were going to do for a light.
-
- “Oh, I looked out for that,” whispered Jim. “I’ve got a dark lantern.”
-
- He pulled it out, lit it and flashed it round him. There was no sign
- of Jack Rody, though I must confess I half expected to see him spring
- up from behind the cases again.
-
- “Old Buz ain’t here, that’s one thing sure,” whispered Gleason, when
- we got up-stairs into the office.
-
- “We’ll lay for him an hour or so, anyhow,” replied Spencer.
-
- “Mebbe he’s been here already,” suggested Jim.
-
- “Suppose we open the safe and see if he’s taken anything?” said
- Spencer, after a moment.
-
- Now I give you my word, Mr. Brady, that this was the first I began to
- suspect there was anything wrong.
-
- “Open the safe!” I exclaimed. “How are you fellows going to open the
- safe? What do you mean?”
-
- “We mean this,” hissed Jim, turning suddenly upon me, “we are tired
- of playing a dangerous game for small stakes. There’s a thousand
- dollars in that safe to-night and we intend to have it, and leave you
- here to be pulled in as the thief.”
-
- I was thunderstruck. I saw it all.
-
- “You’ve been playing me for a sucker,” I blurted out. “I’ll show
- you----”
-
- “No you won’t!” breathed Spencer, drawing a revolver and thrusting
- it in my face. “We have been playing you for just what you are. You
- pretend to be a detective! Bah! you’re nothing but a little squirt,
- anyhow. We’ll fix you. Here, Jim, give him his drink.”
-
- I fought like a tiger, never heeding the revolver, for I was sure
- they wouldn’t shoot. Still I did not dare to make any outcry, for
- that would be sure to bring matters to a crisis.
-
- It was all over in a minute. They had me down, and, while Gleason
- held me, Spencer got a rope out of his desk and tied me. Then Jim
- forced my mouth open, while his companion poured a lot of whisky
- down my throat, almost strangling me. I seemed to be entirely
- powerless to help myself.
-
- Then I yelled like a good fellow.
-
- All it amounted to was to cause them to jam a handkerchief in my
- mouth.
-
- Never before nor since have I been a prey to such terrible feelings
- as I endured while I lay there and watched those two scoundrels open
- that safe.
-
- Spencer was the one who had the key--a ridiculous old thing made up
- of a number of steel prongs which fitted in a slot.
-
- I thought then and I still think that it served Sandman just right to
- be robbed, for trusting his money in such an old-fashioned affair.
-
- Well, they opened it and they took the money from the cash-drawer,
- shaking the bills in my face in triumph.
-
- “They’ll find you here in the morning,” sneered Gleason. “Mebbe
- they’ll believe your story, and mebbe they won’t. Anyhow your goose
- on the detective force is cooked. Next time you try to pump a fellow,
- go at it in the right way.”
-
- Of course I could say nothing--only stare helplessly.
-
- I heard them laugh, I saw them move toward the basement door.
-
- Then all of a sudden I saw the door fly open, and a determined voice
- shouted:
-
- “Drop that money, gents, and the shooter along with it, or I’ll drop
- you!”
-
- It was Jack Rody, the new freight clerk.
-
- His face was pale, but determined, as he stood there covering those
- two rascals with a cocked revolver in each hand, and to my further
- surprise I saw that his hair was not black now, but red.
-
- Then I knew him.
-
- It was David Doyle, the young fellow I had met in your office the day
- I first called.
-
- Did we capture them?
-
- Well, we just did.
-
- Rather, I should say, Dave Doyle did it.
-
- He made them release me, and then we took them to the station
- together, and next day Jim Gleason confessed that he and Spencer had
- done all the stealing.
-
- You remember the end of it. They turned out to be a couple of
- worthless fellows and went up to the Elmira Reformatory in the end.
-
- You were not very hard on me for the ridiculous way in which I had
- managed the affair--not half as hard as you might have been.
-
- That’s the story of my first case, Mr. Brady, and it taught me a
- lesson which I never forgot. Yours truly,
-
- SAM KEAN.
-
- * * * * *
-
-NOTE.--I may as well add that I knew all about that midnight business
-from the first.
-
-No sooner had Sam Kean told me of the conversation he had had with Jim
-Gleason than I suspected the fellow, and put an experienced man to
-watch him nights.
-
-I soon found that he and Spencer were inseparable companions; that they
-were drunkards and gamblers, and capable of committing any crime.
-
-Kean had made a blunder very common with beginners in the detective
-business. He had not properly weighed the evidence, and had become a
-cat’s-paw of the real criminal through allowing himself to be flattered.
-
-I didn’t blame him a bit.
-
-When I first began to go about as a detective, I fell into a similar
-trap several times.
-
-I was so sure Gleason and Spencer were doing the stealing, that I would
-have arrested them on suspicion and forced a confession out of them,
-had it not been that I wanted Sam Kean to understand just how foolish
-he had really been.
-
-Well, he found out--don’t make any mistake about that. A more
-thoroughly taken down individual you never saw.
-
-After that he was willing enough to receive all the instructions I had
-a mind to give him.
-
-You see I got Doyle into the freight-room at the end of the week, just
-as I told him I would, but Dave’s appearance was altered by a black
-wig, and Sam never guessed who it was. Besides that I was in the cellar
-and came to the rescue at the proper moment.
-
-It was Dave and I who took those two young scoundrels around to the New
-Church street station, or rather I did the most of it, for Dave had all
-he could do to take care of Sam.
-
-Do you notice that my account of the end of the affair differs slightly
-from his? You will observe that he don’t mention me at all?
-
-Well, no wonder. The poor fellow was so drunk that he did not know
-which end he was standing on that night.
-
-He says they forced liquor down his throat after he was bound. I know
-this to be true, for Dave saw them doing it through the key-hole; but
-I’m afraid Sam had taken several drinks before, or the stuff would not
-have had the effect upon him that it did.
-
-Now this brings me to another and most important point--one that a
-young man in starting upon the career of a detective has got to pay
-more attention to than anything else.
-
-As a detective you will often be thrown into positions where you have
-got to drink.
-
-Now a drinking detective is but a poor worthless creature, as a rule.
-Then what are you going to do?
-
-Here, again, no rule can be laid down. You must be guided by your
-constitution, by your conscience, by circumstances.
-
-If you allow liquor to get control of you be very sure you will not be
-able to control your man. To think this is to make a great mistake.
-
-Great criminals are seldom drunkards. If they lead you to drink, it is
-only that they may get the best of you in some way or other.
-
-Still, to refuse absolutely, would be to excite suspicion, which leaves
-you between two fires, as it were.
-
-I can only warn you--I cannot dictate.
-
-The best way is to plead that liquor never agrees with you--too much
-never agrees with any one--and stick to temperance drinks.
-
-If you feel that you must drink, make your drinks as small as possible
-and as few.
-
-Some detectives have a knack of slyly turning their glass into the
-cuspidore or on the floor; others make it a rule to call for gin and
-then fill another glass with an equal amount of water; both the gin and
-the water being white they drink the latter and pretend to taste the
-gin.
-
-These tricks may work satisfactorily if your man is under the influence
-himself, but if he is sober you are pretty sure to get caught at it and
-have your plans spoiled.
-
-Whisky may have helped some detectives to make captures, and procure
-information which could never have been obtained without its aid; but
-on the other hand it has ruined thousands of young men who have set out
-to follow our business, and sent them to a drunkard’s grave.
-
-
-
-
-CHAPTER II. CAUGHT BY A HAT.
-
-
-Very often a little thing will furnish a clew and bring the criminal
-into the hands of the law, where all the shrewdness and vigilance in
-the world proves at fault.
-
-The older I grow, the more firmly I believe that circumstances have a
-great deal to do with the success of some detectives. You may call it
-Providence, luck or whatever name you like.
-
-You may lay out your plans in the most careful manner, but you seldom
-follow them as you originally propose.
-
-Indeed, a detective who cannot break one of his rules and change his
-mind to suit the occasion, can never hope to be a success.
-
-Little things, sudden ideas which seize hold of your mind, often lead
-you to results which the best formed plans could never do. Such has
-ever been my experience, and such also is the experience of my old
-pupil, Dave Doyle, who began to study under me at about the same time
-as Sam Kean.
-
-Dave was a smart fellow, and a born detective, although a young man of
-no education at all, and for this reason unfitted for certain kinds of
-detective work.
-
-Let me introduce one case in particular where Dave succeeded by
-following a sudden idea which seized hold of me. Later on Dave began to
-get ideas of his own.
-
-I will let him tell the story himself.
-
-
-DAVE DOYLE’S FIRST CASE.
-
-When Mr. Philander Camm defaulted and ran away with $100,000 of the
-funds of the Bakers’ Bank there was the biggest kind of a row.
-
-A big reward was offered to any detective who would get him, and there
-seemed to be a chance that some one might earn it, for it was believed
-that the thief hadn’t left New York.
-
-I had just gone to work for Old King Brady then, and when I read the
-account in the papers I says to myself:
-
-“I wish I could scoop in that reward.”
-
-I went up to the office that morning and spoke to Mr. Brady about it.
-
-“Well,” he says, “and if you did get him the reward wouldn’t be yours
-by rights, but mine. Ain’t you working for me?”
-
-Now I hadn’t looked at the thing that way, but I saw right off he was
-right.
-
-“I’d like to get it for you then,” I says.
-
-“That’s another part of speech,” says he, “and maybe you can. I ain’t
-got time to work up the case myself. Go ahead and see what you can do.
-If anything comes out of it I won’t be mean.”
-
-“Do you mean it?” says I.
-
-“Of course I do,” says he. “You’ve got to take up a big case some time,
-and this will be a good one to begin with. You’ll have every detective
-of any account against you, though. There ain’t one chance in forty
-that you’ll succeed.”
-
-Wasn’t that encouraging?
-
-But Old King Brady always did put things straight and call a spade a
-spade.
-
-“What shall I do?” I asked him.
-
-“Don’t ask me,” he says. “Make up some plan for yourself.”
-
-“I s’pose he’ll try and get away by some of the railroads?” I says. “I
-might go and watch for him at the depot.”
-
-“Can you watch all the depots at once, Doyle?” he says, laughing. “Then
-there’s the steamboats, too, and you know he might take a notion to
-walk.”
-
-I saw at once that he was right; then I asked him again what he’d do if
-he was in my place, and owned right up that I had no ideas.
-
-He thought a few minutes, and then he said:
-
-“Where does this man Camm live?”
-
-“Don’t know,” I says. “The paper says he is a bachelor, and used to
-live in Forty-sixth street, but he gave up his room three weeks ago.”
-
-“Where did he come from?”
-
-“Paper says he was born in Middlebury, Vermont,” I says.
-
-Then he went and got a geography and looked on the map.
-
-“If he came from Middlebury he knows all about Canada,” he says, “and
-he’ll be sure to steer north if he hasn’t gone already. If I was you
-I’d go up to the Grand Central Depot, and ask the man who sells the
-sleeping car berths if any one of his description has engaged a berth
-for to-night or last night. It’s most likely he’s gone.”
-
-“But he was seen at one o’clock this morning in the Fifth Avenue
-Hotel,” I says.
-
-“How do you know?” he says. “Because the papers say so? That’s no
-proof. Just like as not that was all a put up job. Go up to the depot
-first of all, Doyle, and tell the fellow in the office I sent you. He
-knows me.”
-
-Well, I went.
-
-I had a good description of the defaulter from the papers, but bless
-you! I didn’t need it.
-
-The fellow in the sleeping-car office was fly and right up to business.
-He knew all about it before I got there, but the worst of it was he’d
-told what he knew to two other fellows before he told me.
-
-“That man engaged lower 10 for to-night,” he says, “in the Montreal
-express. You won’t be able to do nothing about it though. There’s two
-ahead of you watching already. They think his taking the berth is only
-a blind, and that he’ll go up on one of the day trains.”
-
-I was that disappointed that I could have cried when I left the office,
-for there stood Ed Duffy and old man Pease a-laughing at me. You see
-I’d been introduced to both of them by Mr. Brady, and they knew just
-who I was.
-
-“Say, young feller,” says Duffy, “you just go back and tell Old King
-Brady that he’d better come himself instead of sending a kid like you.
-’Twon’t make no difference, though. The fellow will be here in half an
-hour. He’s going to take the ten o’clock train.”
-
-Wasn’t I mad?
-
-You’d just better believe I was.
-
-When I went back to Mr. Brady, though, he only laughed at me.
-
-“What do you ’spose them fellows do for a living?” he says. “They are
-up to their business as well as you or me.”
-
-“I ’spose I may as well give it up,” I says.
-
-“Not at all,” says he. “Wouldn’t do nothing of the sort. I don’t
-believe they’re going to get him just because they happen to be laying
-for him, and if you do you’re a fool.”
-
-“Why, don’t you think he’s off for Montreal?” I says.
-
-“Yes,” says he, “of course, but not that way. The taking of that berth
-in his own name is a dead give away. He’ll never go over the Central
-road.”
-
-“What way, then?” I says.
-
-“How do I know?” says he, “but I’ve got an idea.”
-
-I asked him what it was, and he told me to go down to the bank and try
-and find out where Mr. Camm had been living for the last few weeks.
-
-“But I can’t find out that,” I says. “Others have tried it and failed.
-How can I hope to succeed?”
-
-“Never you mind, Dave, you go,” he says. “Something tells me you will
-succeed.”
-
-So I went.
-
-I had a note from Mr. Brady to the bank president, and he treated me
-civil enough.
-
-“I don’t know where he lived, and no one else don’t neither,” he says.
-“He’s kept himself in hiding for more’n three weeks.”
-
-“Ain’t there anything here what belongs to him?” I asked, for you see
-I’d been figuring it all out on the way down to the bank and it come to
-me somehow that this was what I wanted to say.
-
-“Why there’s lots of things,” says the president. “There’s his old coat
-and two or three old hats, and an umbrella and a couple of pair of old
-shoes, but what does that amount to?”
-
-“Let me see ’em?” says I.
-
-He showed me a clothes closet where the things were along with a lot of
-other rubbish. I couldn’t make nothing out of them, although I examined
-everything carefully till I come to one hat--a plug--which looked to me
-to be new.
-
-Now you may laugh just as much as you please, but I knowed right away
-as soon as I took the hat into my hands that I’d found what I was
-looking for.
-
-“This is a new one,” I says to the president, who stood right behind me.
-
-“Maybe. I don’t know nothing at all about it,” he says.
-
-“But it is,” says I. “It ain’t never been worn at all. Did it come to
-the bank from the maker, or did he bring it?”
-
-“You’ll have to ask Camm; I’ll never tell you,” he says.
-
-Well, now I’d just like to have had the chance to ask Camm, you bet.
-
-But there wasn’t any show then, so I asked the man whose name was in
-the hat. It was Silverstein in the Bowery, a little dried-up Jew.
-
-Now I expected nothing but to get fired out as soon as ever I went into
-the store, so I just tried a little dodge.
-
-I went in with a rush.
-
-“Say!” I says. “Mr. Brady wants to know who you sold this hat to?”
-
-Silverstein looked as though he’d like to eat me. They say he sells
-policy slips as well as hats, and I reckoned on that to make him afraid.
-
-“What Brady?” he says.
-
-“Old King Brady, the detective,” says I.
-
-“Mein freund, how I can be ogspeged to know efery hat vat I sells. Who
-I sells him to--huh?”
-
-“Mr. Brady don’t want to know who you sell all your hats to,” I say,
-“he only wants to know who you sold this one to.”
-
-Silverstein took the hat and examined it closely.
-
-“Vell, I tells you,” he said, slowly. “I onderstand vat Mr. Brady
-vants. Dis hat I sells to an old gustomer vat’s named Camm.”
-
-“Yes, yes. But where did you deliver it; or did he take it with him
-when he bought it?”
-
-“I send him,” says Silverstein. It was like pulling teeth to get a word
-out of him, but I saw that sooner or later he meant to tell.
-
-“Where did you send the hat?”
-
-“To Brooklyn.”
-
-“Whereabouts in Brooklyn?”
-
-He looked in his order book and told me it was a certain number on
-Rockaway avenue, which, by the way, was in that part of Brooklyn then
-known as East New York.
-
-At that time it was all lots out there, with only a few straggling
-houses and plenty of geese, goats and pigs. It’s a little better now,
-but as it was then I wouldn’t have lived there if they’d given me a
-house rent free.
-
-I went out to East New York late that afternoon, for I wanted to talk
-to Old King Brady first off, and I had to wait for him to come in.
-
-“You’re on the right track,” he said. “Go, and good luck go with you.
-Do you think you can arrest him if you happen to get the chance?”
-
-“Well, now, there’ll be a rough fight if he gets away from me,” I says.
-
-“Go on,” he says, “and don’t let me see you again till you have
-something to report.”
-
-Now that kind of worried me, for I didn’t feel at all sure that I was
-going to find my man just because I’d got the number of the house where
-he sent the hat.
-
-On the way out to East New York I got to thinking suppose I was the
-defaulter what would I do?
-
-Would I come back to the city and run the risk of being taken if I was
-hiding out there in the lots?
-
-“Not much!” I says to myself. “I’d just keep right on by the Long
-Island railroad, get to Greenport and cross over to New London, where I
-could take the train on the Northern railroad straight to Montreal.”
-
-Why, it was a splendid chance. The more I thought about it the more I
-seemed to see how splendid it was.
-
-“He’s done it! I’ll just bet a dollar he’s done it!” I thought. “The
-taking of that berth on the Central was a blind just as Old King Brady
-said. He’s gone already, I make no doubt.”
-
-However, I kept right on.
-
-You never seen such forlorn houses as these were in all your born days.
-
-There was a whole row of them, many as a dozen altogether. The windows
-were all broke and the doors bursted in, and in one or two places
-the folks in the neighborhood had carried away a whole lot of the
-weather-boards to burn.
-
-There was only two houses in the whole row what had folks living into
-them, and one of them was the very number I wanted.
-
-I tell you I was all in a shake when I knocked on the door--there
-wasn’t no bell.
-
-When the woman came to the door I had my little story all ready.
-
-“Here’s Mr. Camm’s hat, mum,” I says, “I came over from Mr.
-Silverstein’s in the Bowery. There’s a dollar to pay.”
-
-“No, there ain’t!” she blurted right out mad like, then she switched up
-all of a sudden and looked scared like.
-
-“I don’t know what yer talkin’ about,” she says. “There ain’t nobody of
-that name here. You must have got the wrong house.”
-
-I was half way through the door, and tried to get the whole way in, but
-she sorter got in front of me and worked me out into the airy.
-
-“You needn’t try to crowd in here,” she says. “Get off with your lies
-and your hat.”
-
-“Say, you don’t expect me to lug that hat-box all the way back to the
-Bowery,” I says. “Mr. Silverstein has sent hats to this house before,
-and I guess you can’t fool me if you try.”
-
-But I want you to understand that she would slam the door in my face,
-and she did.
-
-Just as I was backing out of the yard I heard a slight rattle of the
-blinds at one of the upper windows.
-
-I looked up and caught a glimpse of a man’s face looking at me through
-the slats.
-
-“Say, is this your hat, mister?” I hollered.
-
-The face disappeared.
-
-“By thunder, I’ve a good mind to chuck the thing in the lot sooner than
-lug it all the way back to New York,” I hollered again, loud enough for
-any one to hear.
-
-Then I walked off like I was mad.
-
-“That’s him!” I thought to myself. “That’s Camm.”
-
-Now, how did I know?
-
-Couldn’t tell you if I was to try, but I did know. I never had no more
-doubt about Camm being in that house from that minute than I have that
-I’m Dave Doyle.
-
-And I was right.
-
-Wait till you hear what I did, and you’ll see.
-
-I did chuck away the hat-box--I had no further use for it. I threw it
-in a lot, and went over to the Howard House, where the train on the
-Long Island Railroad used to start from and stop in them days, and
-looked at a time-table. Right away I seen that there was a train for
-Greenport at half past eight. It was then pretty near six o’clock.
-
-Back I goes and lays around the lots a-watching.
-
-Part of the time I was up at the end of the row, hiding in one of the
-unoccupied houses. Part of the time I kept between them and the Howard
-House, for I felt dead sure my man would come out sooner or later.
-
-At quarter to eight I was round in front, hiding behind a tree and
-watching the front door, when all at once it came flashing over me,
-“What’s to hinder him from going out the back way and cutting across
-lots?”
-
-I run up the street to the end of the row, where I could get a view of
-the lots in the rear.
-
-Sure enough!
-
-There was a man all muffled up to the eyes in a big ulster coat,
-traveling across lots toward the Howard House, carrying a black leather
-grip sack in his hand.
-
-Was it Mr. Camm?
-
-It might have been him, or, for that matter, anybody else. How did I
-even know he came out of that house at all?
-
-I cut after him, not running, of course, but walking fast enough to
-gain on him some.
-
-This I could see was making him nervous, and he began to walk all the
-faster. I took it for a good sign that it was really Camm.
-
-“If he buys a ticket for Greenport, I’ll grab him,” says I to myself.
-
-I took a good look at him, wondering how much fight there was into him.
-He wasn’t a very big feller, and I was considered a perfect terror down
-in the fourth ward, so I wasn’t afraid.
-
-“I’m good for two like him,” thinks I, and I pinned my shield on inside
-my coat, so as to show if a crowd tried to hustle me. But, gracious!
-you never know how things is going to come out.
-
-We’d got pretty well over to the Howard House by this time, and right
-ahead, between him and the station, was a lot of empty freight-cars
-standing.
-
-He struck around the cars on one side and me on the other. When I got
-onto the platform there wasn’t nothing of him to be seen.
-
-Thunderation, wasn’t I mad!
-
-“He’s given me the slip,” I thought. “He’s tumbled to my little
-racket,” and I ran around on the other side of the cars, thinking he
-must have dodged back.
-
-But he wasn’t there. I couldn’t see nothing of him no where. I bet you
-I was just about the sickest fellow in East New York then.
-
-Had he slipped into one of the freight cars?
-
-I thought so, and I was just going to look when all of a sudden the
-train came thundering in.
-
-It was a sort of a switch train. It ran down from Jamaica and then went
-right back again, passengers changing cars at Jamaica for the regular
-trains on the Long Island road.
-
-Now I hardly knew what to do.
-
-The conductor was yelling all aboard, and there wasn’t a minute to lose.
-
-The train, as it stood, was right close alongside these empty freight
-cars, and it would have been an easy matter for a man to step from one
-to the other.
-
-“That’s what he means to do,” thinks I, and I jumped into the forward
-car, which was nearest to where I stood, and began to hurry through the
-train.
-
-He wasn’t in that car, nor in the next.
-
-Just as I crossed the platform to the car the train started, and I
-began to think he’d given me the slip altogether, for he wasn’t in the
-last car either, as far as I could see.
-
-I ran through the car as fast as I could with my mind made up to jump
-off the platform. When I got to the rear door and was just about to
-open it, I suddenly saw my man jump from one of the empty freight cars
-as we passed and land on the platform right before my eyes.
-
-You oughter see me open that door!
-
-I was out on the platform in a second. He gave one look at me and
-seemed to know just what I wanted, too, for he out with a gun and
-rammed it right in my face.
-
-“Blast you! I’ll never be taken alive!” he hissed.
-
-But I gave the shooter one clip and sent it flying off the train.
-
-“Help! Murder!” he yelled as we went sweeping past the platform of the
-Howard House.
-
-I grabbed him by the throat and had him down in a minute. Two men
-jumped into the car and grabbed me.
-
-“He’s a thief! He’s trying to rob me!” he hollered.
-
-“I’m a detective--he’s a defaulter! Help me, gents!” I said, as cool as
-I could.
-
-Well, we got him--that’s all there is to it.
-
-More than that we got the boodle--a hundred thousand clear. It was all
-in the bag.
-
-They stopped the train and we took him off. One of the fellers what had
-jumped on was a policeman, and he helped me take him to the East New
-York station. We found a ticket for Greenport on him and a time-table
-of the Northern New London Railroad. I never had the least doubt but
-what he’d a-got through safe to Montreal if it hadn’t been for Mr.
-Brady sending me out to East New York that night.
-
-As for the reward, Old King Brady scooped it in, and a big laugh we had
-on Detective Duffy and the old man Pease, who hung around the Grand
-Central till midnight watching for their man who never came.
-
-“But it was only guess work after all,” says Old King Brady, when he
-gave me a big lump of money out of the reward a couple of weeks later
-on.
-
-Very true.
-
-It was all guess work.
-
-But there’s something funny about Old King Brady and his guesses.
-
-Somehow or other he manages to guess right nine times out of ten.
-
- * * * * *
-
-NOTE.--Now this case is only a sample of a good many.
-
-I don’t know why I got the impression that Mr. Camm would try to reach
-Montreal by the Long Island road, but I had it as well as Dave Doyle. I
-don’t know why I get half my impressions, but I always follow them, and
-they don’t often lead me astray.
-
-One thing in particular is very strongly illustrated by this case which
-a young detective should always remember, and it is something which the
-majority of our oldest hands are pretty apt to forget.
-
-Don’t trust to appearances. They are pretty sure to lead you astray.
-
-Put yourself in the place of the criminal. Try and fancy how you would
-act if you were placed in his position, and be guided in what you do
-thereby.
-
-Now here is a rule and it is a good one--yet it is not always safe to
-follow it.
-
-There is another thing to be considered--the intelligence of the
-criminal.
-
-Mr. Camm was an intelligent man--emphatically so.
-
-Was it to be supposed that an intelligent man making off with a hundred
-thousand dollars would openly engage a berth in a sleeping car in his
-own name?
-
-Decidedly not. It was a blind on the face of it. If I had been in
-his place I would never for an instant have expected any one to
-be deceived by so transparent an action, but I took another thing
-into consideration. Mr. Camm was not as well used to the methods of
-criminals as I was, therefore I did not blame him for thinking that he
-might deceive the detectives by his little game.
-
-And was he so far out of the way either?
-
-Evidently not, since he did fool Detective Duffy and my friend Mr.
-Pease completely, and this brings me to another point.
-
-Some detectives can never see beyond the length of their noses. They
-seize upon the first clew offered and hold to it like grim death, never
-stopping to think that what they consider a clew may be only a bait.
-
-Such men can never make their mark in this business, no matter how long
-they stick at it. They are constantly getting into hot water, and have
-only themselves to blame.
-
-Now a word more about my young friend Doyle.
-
-He is sharp, shrewd and persevering, but in spite of it he is only
-adapted to certain kinds of work, and can never hope to become a great
-success.
-
-Why?
-
-Simply because he is not possessed of all the qualifications I have
-laid down.
-
-Dave lacks education. He has never in his life moved in good society.
-Often it becomes necessary for a detective to disguise himself as a
-high-toned gentleman and move in the best society of the land.
-
-To send Dave Doyle on such a mission would be worse than nonsense. He
-would fail before he had the chance to begin.
-
-Take a case where it is necessary to track a man through the slums
-and Dave hasn’t his equal. Take a case of shadowing where untiring
-vigilance and bulldog pertinacity are the principal requirements, and
-he is there, too, but in disguises he’s just nowhere. That freckled
-face and red hair of his is a dead give away--you understand what I
-mean.
-
-To be a successful detective a man must be a thorough gentleman in
-every sense of the word.
-
-A gentleman can adapt himself to the lowest as well as those who are
-higher in the social scale, but the case cannot be reversed.
-
-There are many cases where even I would be useless.
-
-Suppose, for instance, it were necessary to worm our way into the
-confidence of a young lady. What could an old man like me hope to
-accomplish in a case like that?
-
-Nothing, of course.
-
-It would be necessary to have an assistant, either a good-looking young
-man or a woman.
-
-So you see no detective can cover the whole ground, and you must not
-only know how to choose your assistants, but how to use them to the
-best advantage.
-
-That’s where the all important qualification of good judgment and
-common sense comes in.
-
-
-
-
-CHAPTER III. SHADOWING.
-
-
-The art of shadowing is perhaps one of the most difficult things a
-detective has to learn.
-
-I mean, of course, difficult to become a good shadow--of the ordinary
-species, dogging the steps of the suspected criminal, giving themselves
-away at every possible opportunity, we have plenty and to spare.
-
-It is not an easy matter to shadow some men unsuspected, and yet there
-are others whom one could follow half around the world and never a
-suspicion aroused.
-
-Thus the ease or difficulty in the case of shadowing depends as much on
-the subject as upon the shadower; still a good shadower can accomplish
-wonders even with a difficult subject if he only gives his mind to his
-work.
-
-The best shadows are men of common minds and insignificant appearance,
-who will pass readily without special notice in a crowd.
-
-Men with strong minds and intense will power are apt, by the very
-intensity of their thought, to impress their subject with their
-presence, which he soon detects and the usefulness of the detective is
-gone.
-
-Now for these very reasons I do not consider myself a good shadower,
-although long experience has enabled me to become quite expert at the
-business nevertheless.
-
-I am too tall; my appearance is too marked.
-
-I can, it is true, change my appearance by disguises, but I cannot add
-to or take from my stature, and my victim soon falls to wondering why
-so many tall men keep following him--from that moment my usefulness is
-gone.
-
-I always choose medium sized men with light brown hair and mild blue
-eyes for shadows, when I can get them. A boy makes a splendid shadow.
-I have used them a great deal, and often very successfully. A woman if
-she is shrewd makes the very best of shadows for a man, but a very bad
-one for another woman.
-
-My experience has shown me that most men seldom notice plain women in
-the street, although the contrary is generally believed to be the case.
-
-Of course in all this I allude to city work. Out in the country it
-is altogether different. There the shadow must worm himself into the
-confidence of his subject and travel with him. He will surely lose him
-if he don’t.
-
-And this is often done, and most successfully.
-
-I once sent a young man all over South America with a defaulting bank
-cashier. It was necessary to inveigle the fellow upon United States
-soil before he could be arrested.
-
-To do this was difficult. My man first struck him in the city of
-Mexico and made his acquaintance at a hotel, taking pains to get an
-introduction to him which put him on a proper footing at the start.
-
-For over a year he stuck to him and they grew to be like brothers.
-
-They visited Brazil, Chili, Buenos Ayres and Peru; eating together,
-sleeping together, and all that sort of thing.
-
-Long before the year was over the defaulter confessed the whole story
-to my man. He had taken $100,000 and had it all with him in gold and
-bills of exchange except what had been spent in his wanderings.
-
-One day while at Callao, Peru, my man induced him to visit an American
-man-of-war then lying in the harbor.
-
-This was the opportunity for which he had been so long seeking, and he
-immediately revealed himself and placed the defaulter under arrest,
-for to all intents and purposes they were then on American soil.
-
-“My God! Jim, you can’t mean it!” the poor wretch exclaimed. “And I
-loved you so!”
-
-Then he covered his face with his hands and cried like a child.
-
-He brought him back on the man-of-war and the bank recovered $60,000 by
-the operation; the balance had been used up for expenses, and went to
-pay me the cost of the detective’s trip, which I personally advanced.
-
-Now this was a shrewd piece of work. I admired my man for it from a
-business standpoint, but from a moral one I despised him.
-
-I never could have done what he did in the world. It ain’t my nature.
-It needs a consummate hypocrite to successfully play such a role as
-that.
-
-But such men are necessary to the detective force, and we must have
-them. I suppose all my readers are aware that we make use of thieves,
-gamblers and other hard characters very often to assist us in our work.
-
-We have got to do this. We could not get along at all if we didn’t. Yet
-we never trust them one inch further than our interests are concerned;
-if we did we should get fooled every time.
-
-So you see there are shadows and shadows, and the only rule I can lay
-down is the rule of common sense.
-
-In shadowing use your judgment. Employ such means as circumstances seem
-to demand. Disguises will help you--are often entirely necessary, but
-it don’t do to put too much dependence on them. Common sense, quickness
-of thought, and a glib tongue will do more for the shadow than the best
-disguise ever made.
-
-I remember a very clever piece of double shadowing accomplished shortly
-after Sam Kean began to study with me.
-
-As I sent him west soon after it occurred it became necessary for
-him to write out a deposition of the case to be used by the district
-attorney in preparing the trial of this criminal. I happened to come
-across a copy of that document in my desk the other day, and may as
-well incorporate it here. I will call it
-
-
-THE STORY OF THE JEWEL THIEF.
-
-On a certain afternoon in February, I was sitting in Mr. Brady’s private
-office, waiting to receive instructions, when the boy brought in two
-cards. They bore the names of Mr. Marcus Welton and Mr. J. Denby Opdyke.
-
-“Two high-toned ducks.” I immediately thought.
-
-“Skip into that closet, Kean,” old King Brady whispered to me. “I want
-you to have a good look at these fellows, and listen to what they say.
-You know where the peep-hole is, or you ought to, for I showed you the
-other day.”
-
-I knew, and in a moment I had my eye glued against it.
-
-I was not mistaken in my estimate of the visitors. They were a couple
-of dudes of the most pronounced sort.
-
-Welton was short and sallow, with big bulging eyes, a drawling voice.
-He looked what he was--a society fool.
-
-His companion, however, was quite different. He was a tall, handsome
-fellow, with brown hair, shrewd gray eyes, and a determined mouth; yet
-there was something about his face which repelled me at once.
-
-Both men were dressed in the most pronounced fashion of the day, and
-bore every evidence of possessing abundant means.
-
-“Aw, Mr. Bwady, you got my note left here yestawday, I dessay,” drawled
-Welton.
-
-“I did, sir,” replied the detective in his usual quick way. “Be seated,
-please.”
-
-They accepted the invitation and Welton continued:
-
-“What I want to see you about is a private mattaw. For some time past
-there have been wobbowies of jewelry in some of our best society. These
-wobbowies always take place on the occasion of parties or balls.”
-
-“Yes, sir,” said Old King Brady as he paused.
-
-“We want you to catch the thief,” said Mr. Welton. “My--aw--mother has
-been wobbed of a lot of diamonds. They were taken when she gave her
-ball a week ago. I want them--aw--wecovered. My fwiend, Mr. Opdyke,
-has a fwiend who has been wobbed. Mrs. Porthouse, widow of Admirwal
-Porthouse of the Navy. No doubt you knew the admiral. She has lost
-diamonds too--she wants them wecovered.”
-
-“And very valuable ones they were, I assure you, sir,” put in Mr.
-Opdyke, who did not lisp.
-
-“But have you no clew to the thief, gentlemen? Nothing to go by?” asked
-the detective.
-
-No, they had absolutely nothing to offer. They wanted the thief caught
-and the diamonds recovered--they had no ideas beyond that.
-
-Old King Brady thought a moment.
-
-“When does society give its next ball, gentlemen?” he asked.
-
-“To-night at Mrs. Lispenard’s,” answered Mr. Welton, promptly.
-
-“Very good. To-night I will have a detective at Mrs. Lispenard’s, and
-we will see what can be done.”
-
-“Give him a letter to me and I’ll post him,” said Mr. Opdyke. “My
-office is at No. -- Wall street. Let him come before three.”
-
-“Very good,” replied Old King Brady, and they left.
-
-Now I fully expected that I was going to be sent out on that case, but
-I wasn’t.
-
-When I came out of the closet Old King Brady had nothing to say about
-it, and didn’t allude to the matter for nearly five weeks--in fact till
-after Lent.
-
-One day he called me aside and said, “You remember those two dudes who
-called on me that day you hid in the closet?”
-
-“Yes,” said I.
-
-“I sent a man to Opdyke,” he said, “and just as I supposed there was
-nothing taken that night.”
-
-“Surely you don’t suspect Mr. Opdyke gave you away?” I exclaimed.
-
-“I do. He may not have done it intentionally, but I’m certain he did
-it. I also have other suspicions. I’ve been quietly looking into this
-case.”
-
-“And your suspicions are?”
-
-“No matter. I want you to take a hand in it, Kean.”
-
-“All right, sir,” I said, willing enough.
-
-“To-night Mrs. Welton, the mother of that young squirt, gives a ball.
-You are to be present. You will be admitted without question, for the
-servant who tends the door will be one of my men.”
-
-“And then, sir?”
-
-“And then you’ll catch the jewel thief if you can,” he replied,
-somewhat testily.
-
-“But have you no instructions?” I asked.
-
-“No, sir. How can I have instructions when I don’t know anything
-about the matter? Do the best you can. I select you because you are a
-gentleman and have moved in good society. I expect you to catch that
-jewel thief to-night Mr. Kean.”
-
-“But,” I protested, “ain’t you expecting too much?”
-
-“That remains to be seen, sir.”
-
-“I thought Mrs. Welton’s diamonds were stolen?”
-
-“Bless my soul, sir!” he exclaimed, “the woman is worth four or five
-millions--don’t you suppose she’s bought new ones? Go, now, and do your
-very best.”
-
-I left the office feeling that I had shouldered a big responsibility.
-
-Hurrying home I dressed in my swallow tail and took a cab to Mrs.
-Welton’s. I had cards with all sorts of names engraved on them then. I
-remember the one I handed to the butler bore the name of Mr. Winfield
-Went. I eyed the man and saw at a glance that he was disguised. I
-thought I recognized him, but more on that matter later on.
-
-Once by the door, of course I passed into the parlors unchallenged, my
-assumed name was announced, and Mrs. Welton greeted me most effusively.
-Whether she knew me or not for what I really was I cannot say.
-
-Mr. Opdyke was there, and so was Marcus Welton, but I am sure neither
-of these gentlemen had the faintest suspicion that I was not straight.
-
-The parlors were a perfect blaze of light; beautiful women and
-correctly attired men were moving in every direction; hidden behind a
-bank of flowers a noted orchestra discussed Lanner, Strauss, Offenbach,
-and other noted composers of that day.
-
-Did I join in and dance?
-
-Well, now, you may be very sure I did.
-
-Fortunately there was no one present whom I knew, for Mrs. Welton’s was
-several pegs higher than any house I had ever visited before.
-
-“What in the world am I to do?” I kept thinking. “Where am I to begin?”
-It was a puzzler, but I hadn’t learned the secret of patient waiting
-then.
-
-After supper I strolled into the smoking-room.
-
-There were a lot of gentlemen there, Mr. Opdyke among the rest.
-
-I had no more than crossed the threshold than I perceived that they
-were talking about the jewel thief.
-
-“He’s given you one call, hasn’t he, Welton?” asked a Mr. Dalledouze.
-
-“Yaas,” drawled Welton. “He got away with a lot, too. But my mother
-has weplaced them. She don’t wear diamonds to-night, because she’s
-afraid to show them, but there’s ten thousand dollars’ worth in her
-dressing-case up-stairs, all the same.”
-
-“Gad! I wouldn’t blow about it if I was you then,” spoke up a Mr.
-Partello. “Whoever the jewel thief is, be very sure he passes for a
-gentleman. He may be right among us now for all we know.”
-
-Then everybody looked at me because I was a stranger, and I haven’t the
-least doubt that some of them put me down for the thief.
-
-“He’s bound to be caught sooner or later, though!” said Mr. Opdyke.
-
-“Sure,” replied Partello. “No balls given without detectives now,
-gentlemen.”
-
-“I’m surprised,” I put in, “not to see one here to-night.”
-
-“How do you know there ain’t one?” demanded Opdyke, putting his single
-glass into his eye, and staring at me.
-
-“Is there one?” I asked, as innocent as you please.
-
-“I know nothing about it,” he said, shortly. I turned away, and began
-talking to a gentleman who stood near me. But I kept my eye upon
-everybody in the room.
-
-“If the thief is here, he heard Welton’s foolish boast about the
-diamonds,” I reflected. “If he heard that he will try to get them, and
-there’s no better chance than now, while the gentlemen are busy with
-their cigars.”
-
-I watched curiously to see who would be the first to leave the room,
-and made up my mind that I had got to do a little shadowing. I was
-right.
-
-“Welton!” exclaimed Mr. Opdyke suddenly. “I don’t want to hurt your
-feelings, old fellow, but these cigars of yours are not worth a
-continental.”
-
-“Bought ’em at Lark and Gilford’s anyhow!” retorted Welton. “They cawst
-twenty dollars a hundred, by Jove, so they ought to be good.”
-
-“Pshaw! Price has got nothing to do with it,” cried Opdyke. “Let me
-give you a cigar that I’ve struck. It’s in my overcoat pocket. I’ll
-fetch it in just one minute. You wait.”
-
-Now I had made up my mind to follow the first man who left the room,
-and consequently I started to follow Mr. Opdyke.
-
-Of course I had to wait a moment for decency’s sake, then I hurried out
-to the coat-room. I went straight, too.
-
-Mr. Opdyke was not there.
-
-“Where’s that gentleman who was here a second ago, Sam?” I asked of the
-darky who had charge of the coats.
-
-“Warn’t no gemplum here, sah!” replied the fellow grinning, for I had
-tipped him a dollar.
-
-“Sure?”
-
-“Suah as death, sah.”
-
-I retreated. But I had not gone two steps before I met Mr. Opdyke
-coming along the hall.
-
-“Got through smoking?” he asked, nodding pleasantly.
-
-“Yes,” I replied. “You were right about those cigars.”
-
-“Of course I was.”
-
-“Did you get those of yours?”
-
-“Oh, yes. Just got them from my top coat. Have one?”
-
-“Thank you.”
-
-I accepted the weed, but I knew that it didn’t come from his coat.
-
-“Madame,” said I to Mrs. Welton, drawing her aside a few moments later.
-“I have a confession to make!”
-
-“What is it, Mr. Went?” She was all smiles as she put the question,
-and when I informed her that I was a detective she didn’t look a bit
-disturbed.
-
-“Well, sir, what is it?” she asked. “I knew a detective was in the
-house, but I confess I did not suspect you.”
-
-“I want you to go immediately and look at your jewel case,” I whispered.
-
-She turned pale, and yet she ought to have expected it.
-
-“You don’t mean----” she began.
-
-“But I do, though. Which is your room, madam?”
-
-She told me.
-
-It was close to the door of that room that I met Mr. Opdyke with his
-cigars.
-
-Mrs. Welton took my advice.
-
-“I’ll wait for you at the foot of the stairs,” I whispered.
-
-In a moment she came back, looking paler still.
-
-“Every diamond has been taken,” she whispered, excitedly, “and you know
-the thief?”
-
-“Pardon me, madam; I only suspect.”
-
-“Who?”
-
-“No matter.”
-
-“Not--not my son?”
-
-“Thank God, no, Mrs. Welton.”
-
-She looked relieved.
-
-“Don’t you arrest him here!” she said, hurriedly. “I’d rather lose the
-diamonds twice over than to have it occur in my house. I’ll reward
-Mr. Brady handsomely if the jewels are recovered, but it must be done
-somewhere else.”
-
-She left me, and I at once got my hat and coat and hurried to the
-street.
-
-As I passed out I noticed that there was another doorkeeper now, but I
-thought nothing of it at the time.
-
-Did I suspect Opdyke then?
-
-I did, and with reason.
-
-When I started to go back to the smoking room he was in the coat room
-getting ready to leave. I did not stop to speak or delay a moment, but
-just tipped the darky a wink, got my coat and slid out ahead.
-
-“I’ll shadow that man,” I thought. “It won’t do to arrest him and get
-left.”
-
-Candidly, I hardly cared to undertake the job, for he was a big,
-powerful fellow and had Mr. Dalledouze with him.
-
-I slipped across the street, changing my opera hat for a slouch felt,
-and putting on a false mustache.
-
-There I stood behind a tree peering out and watching the steps of the
-Welton mansion with eager eyes.
-
-I was disappointed when I saw them come out together, but it couldn’t
-be helped.
-
-It was then just one o’clock.
-
-They passed me and never suspected, still talking about the cigars.
-
-Then I glided after them and saw them enter the Brunswick. They went
-into the bar-room and so did I, but I simply passed in one door and out
-the other. They were drinking at the bar; that was enough to tell me
-that they meant to come out soon.
-
-Opdyke came out alone ten minutes later. Afterward I learned that his
-companion lived at the hotel.
-
-He started down Fifth avenue. I moved along on the other side of the
-way.
-
-Once he looked round, and I knew that he was looking at me.
-
-Did he suspect?
-
-Evidently, for he crossed right over and managed to get behind me. I
-grew nervous, but there was no safe way but to keep straight on.
-
-How keenly I listened to the ring of his footsteps I’ll never tell you.
-I still heard them; he was coming toward me--not going back.
-
-“He don’t suspect,” I muttered. “Perhaps, after all, I’m wrong.”
-
-Soon he passed me, for I had slackened my pace. He never turned his
-eyes, though, but just walked straight across the square, passed the
-Fifth Avenue Hotel, and I saw him stop and speak to a hack driver on
-the Twenty-third street side.
-
-Now, here is where what Old King Brady called my fine work came in.[1]
-I saw Mr. Opdyke enter that hack, and I saw the driver leap on the box
-and whip up his horses, but I did not make the mistake of thinking that
-my man was inside.
-
-Why?
-
-Positively I can’t tell. I was too far away to see the dodge, but I
-felt sure that he had passed through the hack, paying the fellow to
-drive off as he did.
-
-Therefore, instead of running after the hack down Twenty-third street,
-as a fool would have done, I shot over to lower Fifth avenue, and was
-just in time to spy my man walking on ahead at a rapid pace.
-
-He had crossed the street while I was watching the hack.
-
-Now I felt that I had no ordinary person to deal with. He knew me, and
-he knew that I knew him.
-
-Twice he looked around, but I took care to remain as much as possible
-in the shadow of the buildings, so he did not see me. While I walked I
-changed my hat for another and put on English side whiskers--then I
-was a different man.
-
-Where was he going?
-
-I had not long to wait without knowing.
-
-He hurried down Fifth avenue to Waverly Place--along Waverly Place to a
-certain side street, running up the stoop of the corner house. Before I
-could reach the spot he had passed inside.
-
-Had I lost him?
-
-At first I thought so, and was wondering what I ought to do when a
-policeman came along.
-
-I showed him my shield and told him what I was after.
-
-“What’s going on in there?” I asked, pointing to the house.
-
-“Sure that’s Mike Reed’s,” said the officer. “You must be a new hand at
-the business if you don’t know Big Mike.”
-
-Now I didn’t know Big Mike, and I said so, whereupon I was informed
-that the big one ran a little game. How well the fellow knew!
-
-“Is it a tough place?” I asked.
-
-“So, so,” replied the officer.
-
-I was too proud to ask him to help me. I was resolved to capture that
-man myself and take him to the station--something I had never done as
-yet.
-
-But I am willing to admit that I was all in a tremble when I pulled
-Mike Reed’s bell.
-
-There was no trouble in getting in.
-
-One sharp look on the part of the darky door-tender, and I was admitted.
-
-There were quite a few persons in the lower rooms, and among them Mr.
-Opdyke. He was standing over the _rouge-et-noir_ table, and had already
-taken a hand in the game.
-
-I walked boldly up to the table and joined in.
-
-Opdyke looked up at me as I bought the chips, but his glance was only
-momentary. It was quite evident that he did not suspect.
-
-We played out four rounds, and to my astonishment I won.
-
-I could see that Opdyke was getting worked up, and I threw down the
-cards and walked away.
-
-I was deeply perplexed.
-
-How could I accomplish my purpose without raising a scene?
-
-There was one way which had suggested itself to me at the outset, and
-for want of a better plan I resolved to try that.
-
-Now before I entered Big Mike’s at all, I had walked around on the side
-street and taken a careful survey of the ground.
-
-There was a low brick wall dividing the yard from the street, and a
-back piazza behind the house.
-
-If I could only get him out into the back yard and through the side
-gate I thought, I shall be all right.
-
-I knew it was make or break with me. If he was an innocent man, my
-detective career was as good as closed, for Opdyke was a lawyer and a
-member of a good New York family. Nothing short of finding the jewels
-in his possession would fill the bill.
-
-Then I resolved to try the power of dollars and my official shield.
-
-“Sam,” I said, button-holing the darky in the hall.
-
-“Yes, sir.”
-
-“Do you want to make ten dollars?”
-
-“Yes, sir, you bet, ef it won’t cost me my job.”
-
-“Do you see that tall, black-haired man in there?”
-
-“Yes, sir.”
-
-“Know him?”
-
-“Yes, sir. He often come here.”
-
-“Is he liberal to you?”
-
-“Never give me a cent, sir.”
-
-“Look here, I’ll give you ten dollars now if you do just as I say.
-It shan’t cost you your job and I’ll give you ten more. Sam, I’m a
-detective. I want that man, and I won’t get him out of here without a
-row--see!”
-
-Sam’s eyes rolled until only the whites could be seen. I had displayed
-my shield.
-
-“What can I do, sir?” he asked, pocketing the bill.
-
-“That back door,” I whispered, “is it ever used?”
-
-“Always, to go out of after midnight, sir.”
-
-“And the gate?”
-
-“The gate opens on the inside, sir, wif a spring latch.”
-
-“Sam,” I continued, “you open that gate, let me out the back way, and
-then call out that gentleman, and tell him quietly that some one is on
-the back stoop who wants to see him. If he comes out, you’ll find a ten
-dollar bill on the stoop just as soon as we’re gone. Be sure you lock
-the door after he passes through.”
-
-When I told Old King Brady about that scheme, he laughed, and said it
-was a crazy one, and might have got me into a heap of trouble.
-
-Very good. I’m willing he should think so. It succeeded all the same.
-
-Sam opened the gate, let me out on the stoop, and there I waited, ten
-dollar bill in hand.
-
-It was only for a few moments I had to wait, but I just want you to
-understand that I got nervous. I was all in a shake when the door
-suddenly opened, and Mr. J. Dudley Opdyke, without a hat, stepped out.
-
-“You!” he exclaimed. “What the devil do you want with me, sir, that you
-couldn’t say inside?”
-
-Bang went the door behind him, and the key was heard to turn in the
-lock.
-
-I think he suspected the moment the door closed, but I didn’t give him
-the chance to do anything--not even to say a word.
-
-“I want you!” I hissed, covering him with my revolver, and clutching
-his arm with what Old King Brady calls my iron grip.
-
-He never said a word, but just went for me.
-
-In an instant my revolver was knocked out of my hand, and we, locked in
-each other’s arms, went rolling down the stoop.
-
-Then I thought he had me.
-
-He was trying to get at his pistol--I had no other weapon than the one
-I had lost.
-
-Everything seemed to depend then upon who happened to be the under dog.
-
-Well, the under dog that time happened to be my humble self.
-
-“I’ll never be taken alive,” he breathed, half rising and planting his
-knee on my breast.
-
-I saw the glitter of his revolver. I saw him raise it--heard the cock
-click, when suddenly a firm voice now grown familiar to me spoke.
-
-“Don’t yer do it, boss. Drop that shooter or you’re a dead duck.
-One--two----”
-
-The revolver went ringing to the pavement, and through the gate a man
-came dashing with a cocked revolver in each hand. By that I would have
-known him if by nothing else.
-
-It was Mrs. Welton’s butler, but it was also Dave Doyle!
-
-“Grab him!” he breathed.
-
-I had already grabbed him.
-
-“Snake him through the gate before the house gets onto us!” he added.
-
-Well, in spite of the fight he showed we “snaked” him through the gate.
-
-“What do you want?” Opdyke stammered, now completely cowed.
-
-“These!” I exclaimed, pulling a jewel-case out of his inner pocket. “I
-haven’t been shadowing you for nothing, my friend.”
-
-“Diamonds!” echoed Dave, holding him while I opened the case.
-
-“I knowed we’d fetch him, Sam, soon as ever I seen you go out of the
-house and started on the shadow myself.”
-
-Well, we got him safely to the station-house, and then sent for Old
-King Brady.
-
-After that I--but I think I’ve told my story about to the end, so I may
-just as well wind up right here.
-
- * * * * *
-
-NOTE:--Now, this is a case of double shadowing, and it illustrates also
-a great principle in detective science, (which is that when two men
-are earnestly working in a case, both determined to succeed) they will
-seemingly play into each other’s hands.
-
-I don’t know how to explain it, but it’s almost always so.
-
-Dave Doyle told me next morning that he was just as certain that Sam
-Kean would try to get his man out by the back way as he ever was of
-anything.
-
-How did he know it?
-
-Now that is something I can’t tell you--I can only say that the same
-thing has often happened to me.
-
-You see I was inclined to suspect Opdyke, because I had taken the
-trouble to inquire into his habits, but I had no idea that Sam would
-get anything more than a clew that night.
-
-Yet to make sure I had Doyle put on the door as butler, Mrs. Welton was
-perfectly informed of the whole plot.
-
-As soon as Opdyke and his friend Dalledouze left the house, Dave, who
-had been alive to what was going on, followed them.
-
-He shadowed Sam all the way to Big Mike’s, and never gave himself away
-once.
-
-How did he do it?
-
-Why by keeping at a considerable distance and always in the shadow.
-
-Of course one runs a risk of losing the game by doing this, but Dave
-took the chances and won.
-
-If Sam’s shadowing work was good, then Dave’s was better, but if I had
-told either that the other one was working on the case I doubt if the
-result would have been so good.
-
-You can’t act out your true nature if you know some one is watching you
-all the time.
-
-Sam had not the faintest idea that Dave Doyle was on the case until
-he sprang through Big Mike’s back gate just in time to save his life,
-while Dave, who had been in the house all the afternoon, never knew
-that Sam was coming until he suddenly appeared at the door.
-
-Before this Dave had selected Mr. Opdyke as the thief--I mean before
-the night of the party, because he had shadowed him to Big Mike’s the
-day previous, and there saw him exhibit a set of diamond jewelry--pin,
-ear-rings, etc.--of great value, which Dave at once recognized as
-stolen goods.
-
-That is why I hoped Sam would trap him, and that it would be valuable
-practice for him, I knew, so--but there I’ve said enough and need only
-add that after a long and weary trial Opdyke was convicted and sent to
-Sing Sing on a fifteen year sentence, which was all it amounted to,
-for he had powerful friends possessed of that mysterious influence
-“political pull.”
-
-Would you believe it? In less than six months I met Opdyke walking down
-Broadway with all the assurance you please.
-
-“Hello!” I exclaimed, grabbing him by the arm unceremoniously, “how did
-you get out?”
-
-“Go to thunder and find out!” he retorted, pulling away.
-
-I wasn’t to be put off that way, so I grabbed him again and let him
-understand that I meant business. I ran him around to headquarters in
-short order.
-
-Well, what do you think it amounted to for me?
-
-Confidentially, let me tell you, that it came pretty near depriving me
-of my own position on the police force.
-
-Next day I met Mr. Opdyke sailing down Wall street.
-
-I didn’t arrest him that time. He is now a noted stock operator and is
-believed to be a millionaire, but I know him to be a rascal from the
-crown of his head to the soles of his feet.
-
-That’s the way the efforts of the detective are often brought to
-nought. It is an outrage and a shame that it should be so, but so it is.
-
-“Didn’t I send you to the island for six months last week?” asked my
-friend Judge Curtain of a seedy looking specimen who was brought before
-him for petty larceny the other day.
-
-“Yes, yer honor,” was the answer.
-
-“Then how is it that you are here?”
-
-“Dunno, yer honor,” grinned the thief.
-
-Nor did any one else seem to know.
-
-This time the judge gave him two years, but six months later I saw him
-walking calmly down the Bowery one night.
-
-That’s the way it goes in New York and always has.
-
-If you are ever going to make a successful detective you have got to
-mind your own business strictly and not attempt to correct the morals
-of those over you. Nothing but trouble for yourself can ever result.
-
-FOOTNOTE:
-
-[1] It is to illustrate Sam Kean’s shrewdness at this particular point
-that I cite the case, to show how easily we may be thrown off the scent
-when the criminal suspects.--O. K. B.
-
-
-
-
-CHAPTER IV. DISGUISES.
-
-
-My chapter on shadowing was such a long one, that I am afraid I have
-tired my reader out.
-
-Still, shadowing is a very important feature of the detective business,
-and must receive particular attention if you want to be a success.
-
-Let us now discuss disguises, the most important thing of all, perhaps.
-
-There is far less disguising done by detectives than most people
-imagine.
-
-It requires an artist to make a success in this line.
-
-I flatter myself that I have been exceedingly successful as a
-disguiser, and at one time in my life my great forte was disguising as
-an old woman. I sometimes do that yet, but not very often, for it is a
-terribly dangerous part to play.
-
-Now I can’t be expected to expose my secret methods of changing my
-appearance which it has taken me a life time to learn.
-
-Nor can any other detective. They simply won’t do it. I’ll advise, but
-further than that I cannot go.
-
-A poorly arranged disguise is worse than none at all, for a sharp
-criminal can almost always penetrate it, and the moment he does it’s
-all up with you, of course.
-
-For ordinary work full disguises are not necessary.
-
-But a detective should keep a smooth-shaven face and closely-cropped
-hair at all times, so that by slipping on a false mustache or a wig he
-can alter his whole appearance. This is about as far as it usually is
-necessary to go.
-
-Suppose my man who went with the defaulter to South America had
-depended on a disguise how far do you suppose he could have got without
-being discovered?
-
-You see the point. A calm exterior at all times and unbounded assurance
-is better than the best disguise.
-
-Of course if a man is a bit of a ventriloquist it is a great help, but
-this is a rare gift, and not always to be depended upon even with those
-who possess it.
-
-Change of clothing will do much. I always carry several hats; they are
-made expressly for me, and can be stowed away on my person. My usual
-coat is reversible; so is my vest, but with the trousers you can do
-nothing in a hurry, of course.
-
-A stand-up collar in place of a turn-down, a colored necktie instead of
-a black one, a few skillfully-placed lines about the eyes and mouth will
-change your whole appearance more than you have any idea.
-
-This is about all I’ve got to say on the subject of disguises. It is
-something every man must learn for himself. The best detectives rarely
-employ them, but they are sometimes an absolute necessity for all that.
-
-Dave Doyle, at the very beginning of his career, began to show marked
-ability in making up a disguise.
-
-I remember one case in particular where I sent him after some green
-goods men in which he did very clever work in that line. Let him tell
-the story himself.
-
-
-DAVE DOYLE AND THE GREEN GOODS MEN.
-
-When Old King Brady gave me that circular of the green goods men, sent
-to him from Bean Corners, Kentucky, by an honest store-keeper, and told
-me that he expected I would bag the fellows, I own up I was kind of
-stumped.
-
-“You’ve got to get good evidence against them, Dave,” he said. “It
-won’t be no use for you to pull ’em in without you can prove just what
-they are.”
-
-The first thing I did was to ask Old King Brady to give me
-instructions, but he wouldn’t do nothing of the sort.
-
-“Work it your own way,” he said. “I won’t promise that I shan’t put
-another man on either. I want to see how you make out.”
-
-Well, the first thing I did was to take a long walk up Broadway and
-think. I can always think better on Broadway than anywhere else.
-
-I had read the circular over two or three times and about knew it by
-heart.
-
-It was signed by a feller named Clancy and stated, as all them
-green-goods circulars do, that he had some of the best counterfeit
-money in the world--so good that no one could ever detect it--which he
-was willing to sell at such a cheap price that a man could easy get
-rich in a week or two if he could only work the stuff off.
-
-Of course there was no address. The fellow what got the circular was
-told to write to the New York post-office and make an appointment at
-some hotel.
-
-This is just what I done. I wrote a letter to Mr. Clancy and sent it
-out to a cousin of mine in Wisconsin to mail. I didn’t tell any one I
-done this.
-
-After about ten days I got a letter from my cousin enclosing one from
-Mr. Clancy.
-
-He was very glad that I had sense enough to take in the greatest
-opportunity of the age. He would meet me at Van Dyke’s hotel in the
-Bowery, just as I said, and would soon show me the way to get rich.
-
-I said in my answer that I’d be in front of the hotel on a certain
-day at a certain hour, and would blow my nose twice with a red
-handkerchief. He was to know me by that. The name I gave was Spalding.
-I made out I kept a country store at Jim’s River--that’s the name of
-the town where my cousin lived.
-
-Of course I was on hand at the appointed time.
-
-So was Mr. Clancy.
-
-I was made up just a little--not much--but I wasn’t made up like Mr.
-Spalding.
-
-Not a bit of it. I got Sam Kean to do that, for I had told him all
-about the case, and asked him to help me out, which of course he did,
-for ever since that night I saved his life in that Broadway store, Sam
-and me has been the best of friends.
-
-Sam stood right in front of the Van Dyke just as the big clock behind
-the bar was striking three.
-
-I was just across Bayard street, standing in the doorway of the New
-England, taking the whole business in.
-
-No sooner had Sam pulled out his red handkerchief, and given a snort
-that knocked the cornet fellow in the Dime Museum across the street
-silly, than I saw a good-looking chap with black whiskers and very
-respectable, come across the Bowery.
-
-He walked right by me, so I got a good look at him. Next thing I knew
-he was talking to Sam.
-
-I watched ’em for near half an hour. He seen me watching, too, and got
-nervous, but this was just what I wanted, so I never budged.
-
-Bimeby he give it up, and Sam went back into the hotel, Mr. Clancy
-making tracks down the Bowery as fast as ever he could go.
-
-“That’s all right,” says I. “So far first-rate.”
-
-I wanted to speak to Sam most awfully, but I didn’t dare, for you see I
-couldn’t tell who might be watching, so I just scooted down the Bowery,
-and catching up with man, gave him a tap on the shoulder.
-
-You’d just orter seen him turn on me, but I was as cool as a cucumber,
-you bet.
-
-“What yer want?” he says.
-
-“You,” says I, showing my shield.
-
-He turned white and then began to bluff.
-
-“Oh, you go to blazes!” he says. “You don’t know what you’re talking
-about.”
-
-“Yes, I do,” I says. “I know well enough. I’m sent after Clancy, the
-green goods man, and you’re the very fellow, but if you’ll jest keep
-your shirt on we may fix the thing up.”
-
-“Say, young feller,” he whispered, catching my arm, “say, I ain’t
-Clancy. Clancy’s a friend of mine, but if they’re onto our racket mebbe
-we might fix it up together for him.”
-
-“Of course, if you’re only reasonable,” I says.
-
-“Oh, I’m the most reasonablest feller you ever seen,” he says, “if you
-only rub me the right way. Let’s come and have a drink. I seen you
-watching me back there, and I know’d you was a detective. I know’d,
-too, that you was one of the sensible kind.”
-
-Well, we went and had a drink--in fact we had three or four.
-
-“Are the police onto us?” he says.
-
-“They are,” says I. “If they wasn’t, why would I be here? They know
-all about you, and I advise you as a friend to change your quarters at
-once.”
-
-“To-day?” he says, looking kind of scared like.
-
-“Yes, to-day.”
-
-“Won’t to-morrow do?” he says, laying a twenty dollar bill down on the
-table where we was sitting.
-
-“Green goods?” says I, picking up the bill.
-
-“Not much,” says he, laughing. “I guess you know what green goods
-amounts to as well as I do, Reilly,”--Reilly was the name I give him
-when we first began to talk.
-
-“To-morrow won’t do. I’m on the case to-day,” I says, “but to-morrow
-I’ve got to go to Boston, and they may put on another man when I tell
-them I saw you trying to scoop in a sucker at the Van Dyke.”
-
-“But you won’t tell ’em?” he says.
-
-“Oh, I’ll have to,” says I. “How do I know that some other feller
-wasn’t watching me same as I was watching you?”
-
-He looked kind of nervous and bothered like, and I knew why.
-
-“Look here, boss,” I says, “how long do you want?”
-
-“Only about an hour,” he says eager like, “and then I’ll be ready to
-move, and there’ll be a hundred dollars dropped anywheres you say.”
-
-“It’s a go,” says I. “Is that sucker well lined?”
-
-“Three thousand,” says he. “I seen a thousand of it meself, and I know
-there’s more.”
-
-I may as well mention that Old King Brady lent me a thousand to work
-with--real green goods; not a good bill among the lot, I thought.
-
-“When are you going to meet him?” I says.
-
-“About five o’clock,” says he, “in front of the Astor House. He’s
-afraid to move about in daylight for fear the police will go for him.
-Ha--ha! the fool. He’s just about the greenest I ever seen, yet he
-seems to be an intelligent kind of a chap, too.”
-
-“You shall have the time,” says I. “I won’t report till six
-o’clock--will that do?”
-
-“Oh, elegantly! Where’ll you lay in the meanwhile?”
-
-“Is there a back way out of this place?”
-
-“You bet there is.”
-
-“Then that’s enough. I’ll manage the rest.”
-
-“An’ the hundred dollars?”
-
-I gave him a fictitious address to which I told him to mail the
-money--as though he would have done it in any case.
-
-Then we separated, I going out the back way, he by the front.
-
-So far my little scheme had worked to a charm.
-
-When I got round into Chatham Square I looked in every direction for
-Mr. Clancy without being able to get a sight of him. At last I slid
-into a certain saloon just above the Atlantic Garden. I expected to
-find Mr. Spalding of Jim’s River waiting for me there and I did.
-
-I made for the wash-room, and presently he followed.
-
-“What luck, Sam?” I whispered, as soon as I made sure that we were
-alone.
-
-“Bully--he bit.”
-
-“I should say so. You showed him the green goods?”
-
-“Yes: he was so struck with the bigness of the pile that he never
-stopped to look at them particularly--he feels dead sure they’re all
-straight.”
-
-“You didn’t find out where his place is?”
-
-“Ah, no, I’m to meet him at the Astor House at 5, and he’s to take me
-there.”
-
-“I know all that,” I answered hurriedly. “Off with your clothes, old
-man.”
-
-“Not here, Dave,” he says.
-
-“Yes, here. We’ll change a piece at a time. Must do it. All would be
-spoiled if we were to be seen together.”
-
-It was ticklish changing, but we got through with it splendid.
-
-There was a glass in the place, and when I looked at myself I declare
-I could hardly believe it wasn’t Sam in his disguise what was standing
-there, but of course Sam hadn’t red hair, so he didn’t look much like
-me.
-
-I didn’t want that, though--didn’t expect it. ’Twasn’t part of the game.
-
-“Lay low now, young feller,” says I, “and don’t let ’em see you. If
-there’s any sign of a row you just sail right in.”
-
-“You bet I will!” says he. “I ain’t forgot, Dave, that you saved my
-life twice,” which was all very well for him to say, and I had no
-objection to his thinking so, though, between ourselves, I never felt
-that that fellow Opdyke had the courage to shoot.
-
-Well, I was at the Astor House at five o’clock, feeling a little bit
-shaky I will admit.
-
-I seen him coming across from the post office. He’d been to get more
-green goods letters from country suckers, I s’pose.
-
-First off I thought he was going past, but pretty soon he saw me and
-steered straight for me.
-
-I watched him close as he gave me one sharp look. Then I knew I was
-safe.
-
-“You’re on time,” he says, coming up close to me. “See, I’ve been
-over to the post-office, look at this bunch of letters. They are all
-from fellows who’ve tried my goods and want more. That’s the kind of
-business I do.”
-
-“Let me read one of the letters so I’ll know you ain’t foolin’ me,” I
-says, doing Sam’s country voice as well as I could.
-
-I saw him come the flim-flam and snake a letter out of his pocket and
-work it into the bundle.
-
-That was the letter he gave me to read, of course, and equally of
-course it was a blooming fake.
-
-It told how the writer had used up ten thousand dollars in green goods
-in three months without ever having a complaint.
-
-He was the slickest fellow with his hands ever I seen. He got another
-out of his pocket somehow, pretending to get it out of the pile, and I
-never seen him, although I was looking for that very thing.
-
-“Seems to be a good business,” says I.
-
-“You bet,” says he.
-
-“Can we go now?” says I.
-
-“We could have gone this afternoon if it hadn’t been for you,” says he.
-“There’s nothing at all to fear. I’ve been doing this thing too long
-not to know how to manage the racket, you bet.”
-
-“Where’s your place?” says I.
-
-“Come with me and I’ll show you,” says he.
-
-I asked him if he was sure there wasn’t no one watching us, which gave
-me an excuse to look ’round for Sam, who had stopped over by the post
-office. I couldn’t see nothing of him, though, and I wondered where
-he’d gone.
-
-“Come on; it’s all safe,” says Clancy. “I’ve got the biggest pull with
-the police of any man in New York. Why, I pay the commissioners their
-little divvy. I don’t bother with no captains even. There isn’t an
-officer of the force what would dare to touch me.”
-
-I could hardly keep from laughing as I followed him around into Ann
-street, where gamblers and green goods men used to be a big sight
-plentier in them days than they are now.
-
-We got to a door on the left hand side just beyond the alley.
-
-I thought he was going up-stairs to Jack Bridge’s place, but no, he
-made a dive down into a lager beer saloon in the basement, took me into
-a back room and then, unlocking a door, we landed in a little box of a
-place about four by five, where there was nothing but a stove, a desk
-and a couple of chairs.
-
-He locked the door first of all--then he turned on me.
-
-I tell you now if I wasn’t measuring that man it’s a caution!
-
-“I wonder which of us two’s got the most muscle,” thinks I.
-
-“Let’s see your money, Mr. Spalding!” says he, handing me a cigar and
-lighting one himself.
-
-“Let’s see yours!” says I. “Gimme a light!”
-
-“You’re a cool one,” says he. “D’yer ’spose I’m going to give up my
-green goods and take my chances of getting my pay?”
-
-“But you’ve seen my money once.”
-
-“Oh, all right. You’re suspicious. You think I ain’t straight. That’s
-what’s the matter with you, my boy.”
-
-“Not at all. I only want to be on the safe side. I haven’t come all the
-way from Wisconsin to be sucked in--let me tell you that.”
-
-“You needn’t holler so,” he says. “I hain’t deef. Do you want every one
-in the saloon to hear you?”
-
-“You don’t think there’s no danger, do you?” I says.
-
-“No, I guess nothing serious is done yet,” says he, “but to make all
-sure I’ll just step out and look how the land lays.”
-
-I knew his game. He’d gone to make ready to shift the bags--it was
-the old dodge. I made up my mind to use the minute I had for all it
-was worth. There was two doors to the place, the one leading into the
-saloon we’d came in by. I wanted to see where the other led to and I
-found out, for I opened it with one of my skeleton keys. Theater Alley
-was outside.
-
-I didn’t fasten the door, and had no more’n time to get back to the
-desk where he’d left me than Mr. Clancy was in again.
-
-“It’s all right,” he says. “Nobody tumbled. Don’t talk so loud
-again--that’s all. Now I’ll show you the goods, and we’ll close this
-little transaction in just about two seconds. I want you to understand,
-my friend, that this is no saw-dust swindle. I know you think so, but
-you are as much mistaken as though you’d lost your shirt. There’ll
-be no sending the goods by express. No, sir. I shall give them to you
-right in this room, and here they are.”
-
-He opened a drawer in the desk and took out a big pile of new
-greenbacks--straight money, mind you, every bit of it. It takes money
-to run a green-goods business, I want you to understand.
-
-“How much’ll you take?” says he, after I had examined one or two sample
-bills till I told him I was satisfied.
-
-“Guess I’ll strike in with a thousand dollars’ worth,” says I. “How
-much’ll that buy?”
-
-“Three thousand,” he says. “I’m going to be liberal with you, Spalding,
-and give you three for one.”
-
-“Wall,” says I as though I was thinking like, “if that’s the case you’d
-better make it two thousand.”
-
-“Say three?”
-
-“Hain’t got so much.”
-
-“But you said you had up at the Van Dyke.”
-
-“Wall, letter go,” I says. “You see, three thousand in counterfeit
-bills was just what I had.”
-
-He counted out his money and I counted mine.
-
-Then he counted mine and I counted his.
-
-“How you going to carry it?” says he, kinder nervous like.
-
-His eyes were fixed so sharp on his own money in my hands that he
-hardly looked at mine, and as the place was kinder dark never seemed to
-tumble to the fact that it wasn’t all O.K.
-
-“Carry it in my pockets,” says I.
-
-“That pile?” says he--“you see it was all ones and fives, while mine
-was in fifties and hundreds and there was a slew of ’em. You can’t do
-it. You’d be overhauled before you could get to the Herald office. I’ll
-lend you my grip sack,” he says.
-
-It was the old dodge--just what I’d been expecting. I felt kind of
-nervous myself then, especially for Old King Brady’s counterfeit money,
-for it’s against the law for any one to handle counterfeit money--even
-detectives are not excepted, I want you to understand, and my boss had
-told me he’d hold me responsible if it wasn’t got back.
-
-He put his money in the bag and mine in the desk.
-
-Then he put the bag on the desk and began jumping round all of a
-sudden, whispering that there was a row in the saloon and he’d have to
-go out and see what it was. There must have been a row if noise went
-for anything, but I’ve no doubt it was a put up job.
-
-He ran to the door, and I pretended to follow him, but all the same I
-had my eye peeled for the bag, and saw it disappear through a panel in
-the back of the desk just as I had expected, and another just like it
-come in its place.
-
-“It’s all right; only two fellers fighting,” he says, popping in next
-minute. “Now, then, everything is all straight, and you’d better light
-out as soon as you can, for that fight may draw the cops in.”
-
-He picked up the bag and handed it to me.
-
-“You’d better go out this way,” he says, pointing to the door.
-
-Now the ticklish time had come.
-
-Where was Sam? It had been arranged that he should follow me and be
-ready to help in case I needed him, but I hadn’t seen nothing of him
-when I looked out.
-
-Clancy seemed surprised when he found the door unlocked.
-
-“Slide right out,” he whispered. “I hear some one coming.”
-
-“All right,” says I, “but you’ll come, too,” and I grabbed him by the
-collar, and, before he knew what was coming, was dragging him up the
-steps.
-
-I’d dropped the bag and had yanked out my revolver, but I never got the
-chance to use it--oh, no!
-
-Quick as a wink he out with a knife and tried to get at me.
-
-I saw the flash of the blade and managed to knock up his arm.
-
-Then I went down right in the alley and he on top of me.
-
-I tell you I was scared. Things began to dance before my eyes, and I
-thought I was a goner when all at once two men jumped out from behind a
-lot of ash barrels and pulled him over on his back.
-
-“Old King Brady!” I heard him gasp, and there it ended as far as he was
-concerned.
-
-“Hold him, Dave!” hollered Old King Brady, diving through the door.
-
-Me and the other fellow held on like grim death, you bet. Let’s see, I
-forgot to say that the other fellow was Sam.
-
-That was about the end of it altogether, for Old King Brady scooped in
-his pal at the point of the revolver just as he was coming through the
-door to find out what the row was all about.
-
-It was a mighty lucky thing for me, too, that they happened to come
-along just as they did, for if they hadn’t I honestly believe I’d been
-a dead man in about one minute’s time.
-
-We scooped ’em both, but we didn’t get their money, for of course the
-bag was stuffed with old newspaper. What became of it we never knew.
-Old King Brady found his in the drawer of the desk, though, and when I
-began to talk about it as counterfeit he only laughed at me.
-
-“I was fooling you about that, Dave,” he said. “It’s every dollar of it
-good.”
-
- * * * * *
-
-NOTE.--Of course I wouldn’t have dared to handle counterfeit money any
-more for that purpose than any other, for it’s entirely against the law
-even to have the stuff in your possession.
-
-I own I let Dave believe that it was counterfeit, although I didn’t
-actually tell him so, and I did this because I thought he’d be too
-cautious with it and spoil the whole game if he thought it was good.
-
-Of course I ran the risk of losing it--I knew that. I expected to lose
-it, but I was willing to take the chances for the sake of accomplishing
-my ends.
-
-Now I must say that my pupil displayed considerable ingenuity in
-handling the case, and as I had never asked him, and he had never told
-me any of his plans from the moment he began to work, he was justly
-surprised that I happened along as I did.
-
-But it was no accident.
-
-I knew all about it. I saw the meeting at the Van Dyke, I overheard the
-conversation in the saloon, I followed them from the Astor House to Ann
-street, and was peering through the window when the transfer of the
-money was made.
-
-Dave told Sam Keen all about the business, and Sam, by my direction,
-told me.
-
-I had put the boy on his mettle, but I didn’t propose to see him
-harmed, and he came precious near losing his life as it was.
-
-Now there’s an example of how I can shadow. I’d say more about it, but
-I don’t want to boast.
-
-I changed my appearance three times that afternoon. Sam knew me, for
-he helped me, but Dave never had the slightest suspicion that he was
-under “Old King Brady’s” eye.
-
-We sent those two rascals up for a long term, and so far as I know,
-they served it out. I presume the saloon keeper got the money and kept
-it. Of course he was one of the gang, and I closed up his place in a
-hurry, but as I could prove nothing against him he was soon set free.
-
-Dave, adopting Sam’s disguise, was as skillful a piece of business as I
-ever did.
-
-I don’t think Clancy--that wasn’t his name by the way--has the
-slightest idea to this day that he was not dealing with the same person
-from first to last.
-
-
-
-
-CHAPTER V. RINGING IN.
-
-
-Another very important duty that a detective often has to perform is to
-“ring in with the gang.”
-
-To arrest a criminal without having first obtained sufficient evidence
-to convict him of his crimes, seldom leads to any good result.
-
-Often gangs of thieves organize for business, and if you get one you
-get all of them, as a rule, for thieves seldom have any honor among
-themselves, the old saying to the contrary, nevertheless.
-
-Now to catch a gang like this it is often necessary to select a man to
-join them, a very ticklish business, by the way.
-
-If the thieves are young men, you’ve got to get a young man to do the
-job. I’d be no use at all in such a case.
-
-I remember shortly after the green goods case that an order came to me
-from the inspector to look into the matter of a gang of young toughs
-who were believed to make their headquarters in an unused sewer away up
-on First avenue.
-
-For a long time these scoundrels had maintained a perfect reign of
-terror in the neighborhood of East 66th street, knocking men down
-and robbing them in broad daylight, breaking into stores, coming the
-flim-flam game on women, and all that sort of business.
-
-There’s just such a gang operating on the West side of New York now,
-and the police seem quite powerless to do anything to put them down.
-
-When the matter was placed in my hands I sent for Dave and told him
-that he must join that gang, find out their secret hiding-place and
-then betray them into my hands.
-
-Dave heaved a sigh.
-
-“Couldn’t you get somebody else to do that beside me, Mr. Brady?” he
-asked.
-
-“Why, Dave,” said I, “you have been selected because I think you just
-the man for the job. What’s the matter with you going? Why do you
-object?”
-
-“Well, to tell the trute, Mr. Brady (Dave always dropped into his old
-New York accent the moment he was the least excited), that gang is a
-tough one.”
-
-“You are afraid?”
-
-“Oh, no!”
-
-“I could hardly believe it after all the evidence I have had of your
-courage. What, then?”
-
-“Bad luck to it all, me first cousin, Patsey Malloy, is running that
-gang,” he blurted out. “You wouldn’t have me go against my own flesh
-and blood!”
-
-“Now you look here, young man,” said I, going up to him and shaking my
-finger in his face. “You just want to understand one thing, and that
-is, if you are ever going to make a successful detective, you’ve got to
-lay all personal considerations aside. This Patsey Malloy--is he a bad
-one?”
-
-“You’re right, he is!” replied Dave gloomily.
-
-“Has he broken the law?”
-
-“A t’ousand times!”
-
-“And you are under your solemn oath to arrest all lawbreakers?”
-
-Dave looked confused.
-
-“Can’t we fix it no way so’s to save Patsy?” he asked.
-
-“If that could be done I suppose you would just as soon see the rest
-bagged as not?” said I.
-
-“Why, of course!” he answered, hastily. “And I think it can be fixed.
-I’ll see Patsy and let him know it’s either a question of his turning
-State’s evidence and giving me the gang or having some one else put on
-what’ll scoop ’em all in.”
-
-“Would he do that?” I asked.
-
-“Why, of course, rather than be took himself,” replied Dave, looking
-surprised that I should ask such a question.
-
-That settled it so far as Dave was concerned. I told him that I’d think
-about it and let him know. I saw at once that he was not the man for
-the work. Then I sent for Sam Kean.
-
-As soon as he came I told him the whole story.
-
-“Do you think you could ring in with that gang?” I asked.
-
-“I’d like to try ever so much,” he said. “I’ve wanted this long time to
-see what I could do with the roughest classes.”
-
-“Ain’t you afraid?”
-
-“Not a bit of it.”
-
-“If they get an idea of the truth they’ll certainly kill you. Your life
-wouldn’t be worth two cents.”
-
-“I’ll take the risk, Mr. Brady,” he said, boldly.
-
-“All right,” said I; “you shall do it; but you must work quick. I want
-you to begin to-night.”
-
-“I’ll do it, sir,” he said, and he did do it most effectually. Let him
-tell the rest of the story himself.
-
-
-JOINING THE GANG.
-
-It was a cold night when I joined the sewer gang.
-
-Old King Brady says I must make a short story of it, so I’ll just begin
-in the middle and not tell how I located the gang--how I found that one
-of their hanging out places was a certain gin mill on the corner of
-First avenue and Seventy-third street; how I learned that they numbered
-more than seventy, ranging in age from twelve years to thirty. Briefly
-I found out all that and more.
-
-It was a howling wilderness up in that neigborhood in those days,
-though it’s all altered now; literally howling that night, for the
-wind blew a perfect gale, as it is very apt to do in the month of March.
-
-I knew all about the neighborhood, for during the week I had been
-scouring it in every direction collecting evidence.
-
-I heard of men being waylaid and knocked down in broad daylight, or
-unwary drunkards being lured into those solitudes, robbed and thrown
-over the rocks into the East River; of burglaries and all sorts of
-outrages being committed. Yes, I want you to understand that gang was
-tough.
-
-So was I--in appearance.
-
-I wore a pair of ragged trousers, old shoes with my frozen toes
-almost on the ground. Overcoat I had none, and the coat I did have
-was thin, dirty and ragged, buttoned up to the throat to conceal a
-fearful-looking shirt, under which were three others, or I should
-certainly have frozen to death. As for my hat, I need only say that I
-picked it out of the ash scow at the Seventeenth street dump.
-
-When I reached the lumber shed on the corner of Sixty-ninth street I
-stopped and whistled, leaning up against the fence.
-
-Presently I heard a voice speak through a knot-hole in the fence and
-say:
-
-“Is it you?”
-
-“Yes,” said I.
-
-“All O.K.?”
-
-“Yes,” said I. “I’m to meet him in ten minutes. I had a long talk with
-him last night and all is fixed.”
-
-“Where is it?” asked the voice.
-
-“Couldn’t find out,” I replied. “You’ll have to follow me and see.”
-
-“All right. Be very careful,” said the voice--then all was quiet.
-
-I had worked hard to get as far as I had got in the business. How I
-managed to get acquainted with one of the leading spirits of the gang I
-ain’t going to tell.
-
-It is enough to say that I had got acquainted with him and that he had
-promised to initiate me that night.
-
-“Red McCann”--that was his name. I met him in the gin-mill ten minutes
-later.
-
-He and two other toughs were waiting for me by appointment. They
-greeted me in the most friendly manner and we had several beers at my
-expense.
-
-It was a great night for me, and I was expected to treat. I was going
-to “join the gang.”
-
-Soon we started across lots working down toward the river. Just what
-street we were near at last I can’t say, for but few were opened then,
-and these being cut through the solid rock all looked alike. It was
-terrible cold, and I want you to understand that I was glad to get to
-the end of the journey at last.
-
-“Ain’t we most there?” I asked of Red McCann. “I’m just about perished.”
-
-“Oh, you’ll be there soon enough, cully,” he answered, winking at his
-companion, a fellow called “Schnitz.” Whether it was really his name or
-not, I’m sure I don’t know.
-
-I saw the wink, and for the first time I began to wonder whether, after
-all, I had not deceived myself in thinking that I had deceived these
-fellows as to my true character.
-
-But, no; I couldn’t believe it--I wouldn’t believe it.
-
-I had worked so hard to accomplish my purpose. I had gone to lengths
-that made me shudder to think of.
-
-Beside, I knew if they even suspected me my life was scarce worth a
-rush. I forced myself--absolutely forced myself--not to be afraid.
-
-“Is it much further, Red?” I asked in my best “tough” dialect.
-
-“Only a little way,” he answered. “Do you see that house right by the
-river bank?”
-
-“Yes.”
-
-“Do you see de woods on de left?”
-
-“The woods,” was a little clump of locust trees, once a shady grove in
-some gentleman’s grounds in the days when the house would have been
-called a mansion.
-
-“I see,” I said.
-
-“Well, we get into the sewer through that house by way of de cellar,”
-answered Red. “We’ve got a underground passage cut jist like you read
-about in dime novels. Oh, I tell you it’s bully! We’ve got feather beds
-and eat off chiny dishes. We only take our beer out of silver mugs----”
-
-“You lie,” broke in Schnitz laughing; “we keep our beer in silver kegs
-and drink it outer gold steins.”
-
-“You’re fooling me, boys,” said I, in dismay, an icy coldness striking
-around my heart.
-
-“Not much, you son of a gun!” cried Red. “It’s you who are trying to
-fool us. Hey fellers! Here we are! Let’s initiate Detective Kean!”
-
-Can you fancy my feelings at that moment?
-
-If you can’t try and fancy them at the next, when I suddenly found
-myself surrounded by twenty or thirty of the toughest-looking specimens
-I ever laid my eyes on.
-
-We had reached the grove now, and a man seemed to spring from behind
-every tree.
-
-I saw that my midnight mission was already accomplished.
-
-Make no mistake--I had joined the gang!
-
-It was no use to attempt to defend myself.
-
-They were around me like a pack of wolves in an instant, a dozen
-hands held me, a dozen more were going through my clothes, possessing
-themselves of revolvers, knives, money--everything, even to my official
-shield, which, like a fool, I had loose in my trousers’ pocket.
-
-If ever I felt sick it was then, but I had hope.
-
-The voice which talked to me through the lumber yard fence was Old King
-Brady’s.
-
-He ought to be on hand with a posse of police even now.
-
-“Oh, you needn’t look for your friends,” cried Red McCann sneeringly.
-“We seen you talking with them down by the lumber yard. We’ve fixed all
-that--we’ve given ’em the proper steer.
-
-“Hey fellers!” he added, “this is the bloke what tought he was goin’
-ter ring in wid us. What’ll we do wid him! It’s for you to say.”
-
-“Punch him! Slug him! Shoot him! Drown him?”
-
-These and several other pleasing suggestions were offered by the crowd.
-
-Where was Old King Brady?
-
-Was it as Red claimed that he had been thrown off the scent.
-
-I felt that I was lost then, and I am willing to admit that I gave
-myself up to die, for they fell upon me like savages, kicking and
-beating me, dragging me at last to the edge of the rocky bluffs which
-overhung the East river, and pushing me over.
-
-Before I knew what was coming I went whirling through the air with
-frightful velocity, striking the water below with a resounding splash.
-
-That is the way I joined the gang!
-
-Never shall I forget the moment when I rose to the surface and began
-struggling with that terrible current which sweeps through the narrow
-channel between Blackwell’s Island the New York shore.
-
-It seemed hours since I had fallen, yet it could scarce have been
-seconds.
-
-Up on the hill I could hear men shouting, and as I straggled toward the
-rocks I saw Old King Brady and his policemen appear on the bluffs and
-look down.
-
-“Help! help! help!” I shouted, but the wind swept my voice over to the
-island. To my despair I saw Old King Brady turn away and I knew that he
-had not heard.
-
-“Help! help! Help, Mr. Brady!” called another voice right before me as
-if in echo of my own.
-
-I raised my eyes and looked ahead.
-
-I was near the rocks now, swimming as well at my bruised and frozen
-limbs would permit.
-
-There, crouching upon them, I saw the figure of one of the gang whom I
-instantly recognized as a fellow who had been particularly active in
-the attack upon myself.
-
-Oh, how my heart sank!
-
-I turned on my back and was about to strike out into the deep channel,
-when suddenly I saw Old King Brady coming back to the edge of the bluff.
-
-“Hold on, Sam. Hold on! Don’t go back for God’s sake!” called the
-fellow on the rocks in a familiar voice.
-
-He leaned forward, caught my foot, and began dragging me in shore.
-
-Did I resist him?
-
-Oh, no! I guess not.
-
-I was so surprised, so overcome, that I think I must have fainted.
-
-When I came to myself a moment later, I was lying on the rocks above
-the reach of the tide, and bending over me were Old King Brady and the
-young tough.
-
-“Kean! Kean! rouse yourself!” exclaimed the detective. “I was just a
-moment or two slow. Thank goodness! he’s coming round all right again!
-You’ve been deceived, Kean; they’re on to you----”
-
-“Well, I should think I might know it,” I answered, somewhat testily.
-“I’ve been sucked in, fooled, played with--it’s a wonder I wasn’t
-killed.”
-
-“Which you might have been if it hadn’t been for our friend here,” he
-answered, glancing at the young man who had appeared upon the rocks.
-“It’s all right though. You’ve tracked ’em here, and that’s been the
-means of bringing about just what we want, or will be. This young man
-is going to show us the way into the sewer, he says.”
-
-“To turn informer?” said I. “Why, he’s one of the gang, you know.”
-
-“Yes, yes, and here come _my_ gang down the rocks at last. Now, then,
-young man, pilot the way, and I’ll make it worth your while, you can be
-very sure.”
-
-He raised his lantern, which he had drawn from his pocket, and threw
-its light before the villain’s face, starting back as he did so with an
-exclamation of surprise.
-
-“Dave! Dave Doyle! It can’t be,” he burst out.
-
-“But it is, though, Mr. Brady,” was the quiet reply. “You wouldn’t
-trust me, so I had to do this job myself. I’ve done it too. Call your
-men, get ready your revolvers. I’m going to show you the secret way
-into the sewer, and there’s nothing in the world to prevent you from
-capturing the whole gang.”
-
- * * * * *
-
-NOTE.--Well, I own I was surprised when my lantern suddenly revealed
-Dave standing there upon the rocks.
-
-You see, I hadn’t been thinking anything about the fellow, so why
-should I expect to see him? I was taken all aback.
-
-I presume my readers expected an entirely different termination to this
-story.
-
-Let me add, so did I.
-
-I thought Sam was succeeding splendidly, I never dreamed that Dave had
-moved in the matter till I saw through his carefully arranged disguise
-as we three stood there on the rocks.
-
-I have introduced this case simply to show you how detectives sometimes
-get left as well as other folks.
-
-It was Dave, not Sam who showed us the secret entrance to the sewer
-in which the gang had their headquarters, and whither they had now
-retreated in fancied security. I had not been deceived by the false
-“steer.”
-
-But I have not space enough left to tell how we captured them.
-
-Let it suffice to say that we did capture them, that we scooped them
-in completely, and during the brief fight none fought better than Dave
-Doyle who captured his cousin with his own hands.
-
-To this day I doubt if Mr. Patsy Malloy knows that it was Dave.
-
-We broke up the sewer gang forever, and sent a lot of them over to the
-island, and now for the point I want to bring out strong.
-
-Every man to his own kind.
-
-That’s the best rule a detective has to follow.
-
-If it is hard to make a silk purse out of a sow’s ear, it is equally
-hard to make a sow’s ear out of a silk purse.
-
-I tried to make a tough out of Sam Kean, and I failed.
-
-Why, Dave, who had secretly joined the sewer gang a week before Sam got
-ready to begin, told me that they saw through Sam from the very start.
-
-“He couldn’t fool ’em, Mr. Brady,” he said. “I was awful sorry I
-couldn’t warn him, and I would have done so if I’d knowed he was going
-to come that night, but I didn’t until it was too late. I meant all
-along to tell him in time.”
-
-“Why couldn’t he fool ’em, Dave?” I asked.
-
-“Can’t you tell a tough when you see one?”
-
-“I rather think I can.”
-
-“Then so can we tell a gentleman. I’m a tough myself, and I know.”
-
-He was right, but be overstated the case in calling himself a tough.
-
-Dave Doyle had been born among them and brought up among them, but he
-never was a tough himself, but a thoroughly honest fellow from the word
-go.
-
-When I intimated that he was not the man for the sewer-gang job, on
-account of his relationship with the leader, he resolved to show me
-that he was the man, and he did.
-
-Dave succeeded without an effort where Sam, with all his efforts,
-failed, and came within an ace of losing his life.
-
-Therefore, I say, every one to his place.
-
-But Sam Kean made a splendid detective. I used him as my society man
-for years, until he went off at last on his own hook.
-
-So also with Dave. He remained my man for the work in the slums and a
-better one I never had.
-
- * * * * *
-
-Now then, boys, has all this taught you how to become a detective?
-
-I’m afraid not.
-
-I’m afraid that after all you feel disappointed that I have not laid
-down some cast-iron rule which will throw you into the high tide of
-success in our business like the touch of Aladdin’s lamp.
-
-Let me say to the disappointed ones confidentially give up the idea of
-ever becoming a detective.
-
-It will be just as well, in fact, a great deal better.
-
-If you can’t see the force of all my remarks, if you can’t learn the
-lessons contained in the cases cited, believe the old man when he tells
-that your genius runs in other channels, and you will do better to
-leave the detective business severely alone.
-
-As for the rest of you--you who have read this little book and enjoyed
-it, I mean--there is at least reason to believe that you might make
-successful detectives if you have a mind to persevere.
-
-But is the game worth the candle?
-
-Think what a detective’s life means.
-
-Hard work, exposed to cold, hunger, thirst, great danger, and every
-privation. I’ve been through all of these things, and just so sure as
-you embark in the business you’ll find yourselves there too.
-
-Another thing which I haven’t mentioned that shouldn’t be forgotten.
-It is the social position which the detective occupies--always has and
-always will.
-
-By nine men out of ten he is looked upon as a spy, and regarded with
-dislike and distrust.
-
-A detective can have but few friends; many have none.
-
-Men may flatter him and praise his shrewdness, but they will ever shun
-him and keep him at arm’s length.
-
-I have grown rich at the business--very rich--but let me say right here
-that I am one in a thousand.
-
-Most of our detectives work hard and suffer much, and in the end die
-poor and despised.
-
-If you don’t believe me hunt up some detective and ask him; he’ll tell
-you the same thing.
-
-Still if you must be a detective start right and be honest, and you
-will always be able to respect yourself, no matter what others may
-think.
-
-[Illustration: THE END.]
-
- * * * * *
-
-ARE YOU READING
-
-“Work AND Win”
-
-IT CONTAINS
-
-The Great Fred Fearnot Stories
-
-ISSUED EVERY FRIDAY
-
-32 PAGES PRICE 5 CENTS
-
-HANDSOME COLORED COVERS
-
-Each number details the interesting, humorous and startling adventures
-of two bright, independent boys. They see everything in life, enjoy
-plenty fun and do all the good they can. Don’t miss these stories.
-
-THEY ARE FINE
-
-Read the Following Titles:
-
-No.
-
-294 Fred Fearnot’s Wall Street Game; or, Fighting the Bucket Shops.
-
-295 Fred Fearnot’s Society Circus; or, The Fun That Built a
-School-House.
-
-296 Fred Fearnot’s Wonderful Courage; or, The Mistake of the Train
-Robber.
-
-297 Fred Fearnot’s Friend from India, and the Wonderful Things He Did.
-
-298 Fred Fearnot and the Poor Widow; or, Making a Mean Man Do Right.
-
-299 Fred Fearnot’s Cowboys; or, Tackling the Ranch Raiders.
-
-300 Fred Fearnot and the Money Lenders; or, Breaking Up a Swindling
-Gang.
-
-301 Fred Fearnot’s Gun Club; or, Shooting for a Diamond Cup.
-
-302 Fred Fearnot and the Braggart; or, Having Fun with an Egotist.
-
-303 Fred Fearnot’s Fire Brigade; or, Beating the Insurance Frauds.
-
-304 Fred Fearnot’s Temperance Lectures; or, Fighting Rum and Ruin.
-
-305 Fred Fearnot and the “Cattle Queen”; or, A Desperate Woman’s Game.
-
-306 Fred Fearnot and the Boomers; or, The Game that Failed.
-
-
-_For sale by all newsdealers or sent to any address on receipt of
-price, 5 cents per copy, in money or postage stamps_
-
-FRANK TOUSEY, Publisher, 24 Union Square, N. Y.
-
- * * * * *
-
-USEFUL AND INSTRUCTIVE BOOKS.
-
-HOW TO KEEP AND MANAGE PETS--Giving complete information as to the
-manner and method of raising, keeping, taming, breeding, and managing
-all kinds of pets; also giving full instructions for making cages,
-etc. Fully explained by 28 illustrations, making it the most complete
-book of the kind ever published. Price 10 cents. Address Frank Tousey,
-publisher, New York.
-
-HOW TO DO ELECTRICAL TRICKS--Containing a large collection of
-instructive and highly amusing electrical tricks, together with
-illustrations. By A. Anderson. Price 10 cents. For sale by all
-newsdealers, or sent, post-paid, upon receipt of the price. Address
-Frank Tousey, Publisher, New York.
-
-HOW TO WRITE LETTERS--A wonderful little book, telling you how to write
-to your sweetheart, your father, mother, sister, brother, employer;
-and, in fact everybody and anybody you wish to write to. Every young
-man and every young lady in the land should have this book. It is for
-sale by all newsdealers. Price 10 cents, or sent from this office on
-receipt of price. Address Frank Tousey, publisher, New York.
-
-HOW TO DO PUZZLES--Containing over 300 interesting puzzles and
-conundrums with key to same. A complete book. Fully illustrated. By
-A. Anderson. Price 10 cents. For sale by all newsdealers, or sent,
-post-paid, upon receipt of the price. Address Frank Tousey, Publisher,
-New York.
-
-HOW TO DO 40 TRICKS WITH CARDS--Containing deceptive Card Tricks
-as performed by leading conjurers and magicians. Arranged for home
-amusement. Fully illustrated. Price 10 cents. Address Frank Tousey,
-publisher, New York.
-
-HOW TO MAKE A MAGIC LANTERN--Containing a description of the lantern,
-together with its history and invention. Also full directions for its
-use and for painting slides. Handsomely illustrated, by John Allen.
-Price 10 cents. For sale by all newsdealers in the United States and
-Canada, or will be sent to your address, post-paid, on receipt of
-price. Address Frank Tousey, publisher, New York.
-
-HOW TO BECOME AN ACTOR--Containing complete instructions how to make up
-for various characters on the stage; together with the duties of the
-Stage Manager, Prompter, Scenic Artist and Property Man. By a prominent
-Stage Manager. Price 10 cents. Address Frank Tousey, publisher, N. Y.
-
- * * * * *
-
-GET A COPY OF
-
-“Secret Service”
-
-CONTAINING
-
-_Exciting stories of Old and Young King Brady, Detectives_
-
-By A NEW YORK DETECTIVE
-
-Price 5 Cents
-
-Issued Weekly Colored Covers
-
-32 Pages
-
-Read how these famous detectives work up dangerous cases and run the
-criminals down. Every story is a rare treat and contains the most
-startling adventures, deep mysteries and interesting scenes.
-
-YOU WILL LIKE THESE STORIES
-
-Here are Some of the Best Numbers:
-
-No.
-
-286 The Bradys in the Saddle; or, Chasing “Broncho Bill.”
-
-287 The Bradys and the Mock Millionaire; or, The Trail which Led to
-Tuxedo.
-
-288 The Bradys’ Wall Street Trail; or, The Matter of X. Y. Z.
-
-289 The Bradys and the Bandit’s Gold; or, Secret Work in the Southwest.
-
-290 The Bradys and Captain Thunderbolt; or, Daring Work in Death Valley.
-
-291 The Bradys’ Trip to Chinatown; or, Trailing an Opium Fiend.
-
-292 The Bradys and Diamond Dan; or, The Mystery of the John Street
-Jewels.
-
-293 The Bradys on Badman’s Island; or, Trapping the Texas “Terror.”
-
-294 The Bradys and the Hop Hitters; or, Among the Opium Fiends of
-’Frisco.
-
-295 The Bradys and “Boston Ben”; or, Tracking a Trickster to Tennessee.
-
-296 The Bradys’ Latest “Bad” Man; or, The Case of Idaho Ike.
-
-297 The Bradys and the Wall Street “Wonder”; or, The Keen Detective’s
-Quick Case.
-
-298 The Bradys’ Call to Kansas; or, The Matter of Marshal Mundy.
-
-299 The Bradys and Old Bill Battle; or, After the Colorado Coiners.
-
-_For sale by all newsdealers or sent to any address on receipt of
-price, 5 cents per copy, in money or postage stamps_
-
-FRANK TOUSEY Publisher, 24 Union Square, N. Y.
-
- * * * * *
-
-USEFUL AND INSTRUCTIVE BOOKS.
-
-HOW TO BECOME AN ENGINEER--Containing full instructions how to proceed
-in order to become a locomotive engineer; also directions for building
-a model locomotive; together with a full description of everything an
-engineer should know. Price 10 cents. For sale by all newsdealers,
-or we will send it to you, postage free, upon receipt of the price.
-Address Frank Tousey, publisher, New York.
-
-HOW TO BECOME A NAVAL CADET--Complete instructions of how to gain
-admission to the Annapolis Naval Academy. Also containing the course
-of instructions, descriptions of grounds and buildings, historical
-sketch, and everything a boy should know to become an officer in the
-United States Navy. Compiled and written by Lu Senarens, Author of “How
-to Become a West Point Military Cadet.” Price 10 cents. For sale by
-every newsdealer in the United States and Canada, or will be sent to
-your address, post-paid, on receipt of the price. Address Frank Tousey,
-Publisher, New York.
-
-HOW TO DO CHEMICAL TRICKS--Containing over one hundred highly amusing
-and instructive tricks with chemicals. By A. Anderson. Handsomely
-illustrated. Price 10 cents. For sale by all newsdealers, or sent
-post-paid, upon receipt of price. Address Frank Tousey, Publisher, New
-York.
-
-HOW TO MAKE MUSICAL INSTRUMENTS--Full directions how to make a Banjo,
-Violin, Zither, Æolian Harp, Xylophone and other musical instruments,
-together with a brief description of nearly every musical instrument
-used in ancient or modern times. Profusely illustrated. By Algernon
-S. Fitzgerald, for 20 years bandmaster of the Royal Bengal Marines.
-Price 10 cents. For sale by all newsdealers, or we will send it to
-your address, postpaid, on receipt of the price. Address Frank Tousey,
-publisher, New York.
-
-MULDOON’S JOKES--This is one of the most original joke books ever
-published, and it is brimful of wit and humor. It contains a large
-collection of songs, jokes, conundrums, etc., of Terrence Muldoon, the
-great wit, humorist, and practical joker of the day. We offer this
-amusing book together with the picture of “Muldoon,” for the small sum
-of 10 cents. Every boy who can enjoy a good substantial joke should
-obtain a copy immediately. Address Frank Tousey, publisher, New York.
-
-HOW TO DO THE BLACK ART--Containing a complete description of the
-mysteries of Magic and Sleight-of-Hand, together with many wonderful
-experiments. By A. Anderson. Illustrated. Price 10 cents. Address Frank
-Tousey, publisher, N. Y.
-
-HOW TO BE A DETECTIVE--By Old King Brady, the world known detective. In
-which he lays down some valuable and sensible rules for beginners, and
-also relates some adventures and experiences of well-known detectives.
-Price 10 cents. For sale by all newsdealers in the United States and
-Canada, or sent to your address, post-paid, on receipt of price.
-Address Frank Tousey, publisher, New York.
-
-HOW TO BECOME A CONJURER--Containing tricks with Dominoes, Dice, Cups
-and Balls, Hats, etc. Embracing 36 illustrations. By A. Anderson. Price
-10 cents. Address Frank Tousey, publisher, New York.
-
-HOW TO DO MECHANICAL TRICKS--Containing complete instructions for
-performing over sixty Mechanical Tricks. By A. Anderson. Fully
-illustrated. Price 10 cents. For sale by all newsdealers, or we will
-send it by mail, postage free, upon receipt of price. Address Frank
-Tousey, Publisher, N. Y.
-
-HOW TO DO SIXTY TRICKS WITH CARDS--Embracing all of the latest and most
-deceptive card tricks with illustrations. By A. Anderson. Price 10
-cents. For sale by all newsdealers, or we will send it to you by mail,
-postage free, upon receipt of price. Address Frank Tousey, Publisher,
-N. Y.
-
-HOW TO MAKE ELECTRICAL MACHINES--Containing full directions for making
-electrical machines, induction coils, dynamos, and many novel toys to
-be worked by electricity. By R. A. R. Bennett. Fully illustrated. Price
-10 cents. For sale by all newsdealers in the United States and Canada,
-or will be sent to your address, post-paid, on receipt of price.
-Address Frank Tousey, publisher, New York.
-
-HOW TO BECOME A BOWLER--A complete manual of bowling. Containing full
-instructions for playing all the standard American and German games,
-together with rules and systems of sporting in use by the principal
-bowling clubs in the United States. By Bartholomew Batterson. Price 10
-cents. For sale by all newsdealers in the United States and Canada, or
-sent to your address, postage free, on receipt of the price. Address
-Frank Tousey, publisher, New York.
-
- * * * * *
-
-The Greatest Library Out
-
-“Pluck and Luck”
-
-Complete Stories of Adventure
-
-_BY THE BEST AUTHORS_
-
-Colored Covers Issued Every Wednesday 32 Pages
-
-THE LARGEST 5-CENT WEEKLY PUBLISHED
-
-It contains a variety of stories. Among them are Wall Street stories,
-Engineer stories, Fire stories and School stories. Each one is
-intensely interesting, filled with startling incidents and will give
-you the greatest pleasure.
-
-DON’T MISS READING THEM
-
-Here are a Few of the Titles:
-
-No.
-
-319 Edwin Forrest’s Boy Pupil; or, The Struggles and Triumphs of a Boy
-Actor. By N. S. Wood, The Young American Actor.
-
-320 Air Line Will, The Young Engineer of the New Mexico Express. By
-Jas. C. Merritt.
-
-321 The Richest Boy in Arizona; or, The Mystery of the Gila. By Howard
-Austin.
-
-322 Twenty Degrees Beyond the Arctic Circle; or, Deserted in the Land
-of Ice. By Berton Bertrew.
-
-323 Young King Kerry, the Irish Rob Roy; or, The Lost Lilly of
-Killarney. By Allyn Draper.
-
-324 Canoe Carl; or, A College Boy’s Cruise in the Far North. By Allan
-Arnold.
-
-325 Randy Rollins, the Boy Fireman. A Story of Heroic Deeds. By
-Ex-Fire-Chief Warden.
-
-326 Green Mountain Joe, the Old Trapper of Malbro Pond. By An Old Scout.
-
-327 The Prince of Rockdale School; or, A Fight for a Railroad. By
-Howard Austin.
-
-328 Lost in the City; or, The Lights and Shadows of New York. By H. K.
-Shackleford.
-
-329 Switchback Sam, the Young Pennsylvania Engineer; or, Railroading in
-the Oil Country. By Jas. C. Merritt.
-
-330 Trapeze Tom, the Boy Acrobat; or, Daring Work in the Air. By Berton
-Bertrew.
-
-331 Yellowstone Kelly, A Story of Adventures in the Great West. By An
-Old Scout.
-
-332 The Poisoned Wine; or, A Desperate Game. A True Temperance Story.
-By H. K. Shackleford.
-
-333 Shiloh Sam; or, General Grant’s Best Boy Scout. By Gen. Jas. A.
-Gordon.
-
-_For sale by all newsdealers or sent to any address on receipt of
-price, 5 cents per copy, in money or postage stamps_
-
-FRANK TOUSEY, Publisher, 24 Union Square, N. Y.
-
- * * * * *
-
-OUR TEN CENT HAND BOOKS.
-
-USEFUL, INSTRUCTIVE AND AMUSING.
-
-Containing valuable information on almost every subject, such as
-=Writing=, =Speaking=, =Dancing=, =Cooking=; also =Rules of Etiquette=,
-=The Art of Ventriloquism=, =Gymnastic Exercises=, and =The Science of
-Self-Defense=, =etc.=, =etc.=
-
-1 Napoleon’s Oraculum and Dream Book.
-
-2 How to Do Tricks.
-
-3 How to Flirt.
-
-4 How to Dance.
-
-5 How to Make Love.
-
-6 How to Become an Athlete.
-
-7 How to Keep Birds.
-
-8 How to Become a Scientist.
-
-9 How to Become a Ventriloquist.
-
-10 How to Box.
-
-11 How to Write Love Letters.
-
-12 How to Write Letters to Ladies.
-
-13 How to Do It; or, Book of Etiquette.
-
-14 How to Make Candy.
-
-15 How to Become Rich.
-
-16 How to Keep a Window Garden.
-
-17 How to Dress.
-
-18 How to Become Beautiful.
-
-19 Frank Tousey’s U. S. Distance Tables, Pocket Companion and Guide.
-
-20 How to Entertain an Evening Party.
-
-21 How to Hunt and Fish.
-
-22 How to Do Second Sight.
-
-23 How to Explain Dreams.
-
-24 How to Write Letters to Gentlemen.
-
-25 How to Become a Gymnast.
-
-26 How to Row, Sail and Build a Boat.
-
-27 How to Recite and Book of Recitations.
-
-28 How to Tell Fortunes.
-
-29 How to Become an Inventor.
-
-30 How to Cook.
-
-31 How to Become a Speaker.
-
-32 How to Ride a Bicycle.
-
-33 How to Behave.
-
-34 How to Fence.
-
-35 How to Play Games.
-
-36 How to Solve Conundrums.
-
-37 How to Keep House.
-
-38 How to Become Your Own Doctor.
-
-39 How to Raise Dogs, Poultry, Pigeons and Rabbits.
-
-40 How to Make and Set Traps.
-
-41 The Boys of New York End Men’s Joke Book.
-
-42 The Boys of New York Stump Speaker.
-
-43 How to Become a Magician.
-
-44 How to Write in an Album.
-
-45 The Boys of New York Minstrel Guide and Joke Book.
-
-46 How to Make and Use Electricity.
-
-47 How to Break, Ride and Drive a Horse.
-
-48 How to Build and Sail Canoes.
-
-49 How to Debate.
-
-50 How to Stuff Birds and Animals.
-
-51 How to Do Tricks with Cards.
-
-52 How to Play Cards.
-
-53 How to Write Letters.
-
-54 How to Keep and Manage Pets.
-
-55 How to Collect Stamps and Coins.
-
-56 How to Become an Engineer.
-
-57 How to Make Musical Instruments.
-
-58 How to Become a Detective.
-
-59 How to Make a Magic Lantern.
-
-60 How to Become a Photographer.
-
-61 How to Become a Bowler.
-
-62 How to Become a West Point Military Cadet.
-
-63 How to Become a Naval Cadet.
-
-64 How to Make Electrical Machines.
-
-65 Muldoon’s Jokes.
-
-66 How to Do Puzzles.
-
-67 How to Do Electrical Tricks.
-
-68 How to Do Chemical Tricks.
-
-69 How to Do Sleight of Hand.
-
-70 How to Make Magic Toys.
-
-71 How to Do Mechanical Tricks.
-
-72 How to Do Sixty Tricks with Cards.
-
-73 How to Do Tricks with Numbers.
-
-74 How to Write Letters Correctly.
-
-75 How to Become a Conjuror.
-
-76 How to Tell Fortunes by the Hand.
-
-77 How to Do Forty Tricks with Cards.
-
-78 How to Do the Black Art.
-
-79 How to Become an Actor.
-
-80 Gus Williams’ Joke Book.
-
-All the above books are for sale by newsdealers throughout the United
-States and Canada, or they will be sent, post-paid, to your address, on
-receipt of 10c. each.
-
-_Send Your Name and Address for Our Latest Illustrated Catalogue._
-
-FRANK TOUSEY, Publisher,
-
-24 UNION SQUARE, NEW YORK.
-
- * * * * *
-
-Transcriber’s Notes:
-
-The one footnote has been moved to the end of its chapter and relabeled.
-
-Punctuation has been made consistent.
-
-Variations in spelling and hyphenation were retained as they appear in
-the original publication, except that obvious typos have been corrected.
-
-Changes have been made as follows:
-
-p. 21: Greenpoint changed to Greenport (to Greenport and)
-
-p. 27: statue changed to stature (my stature, and)
-
-
-
-
-
-End of the Project Gutenberg EBook of How to Be a Detective, by Old King Brady
-
-*** END OF THIS PROJECT GUTENBERG EBOOK HOW TO BE A DETECTIVE ***
-
-***** This file should be named 50902-0.txt or 50902-0.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/0/9/0/50902/
-
-Produced by Craig Kirkwood, Demian Katz and the Online
-Distributed Proofreading Team at http://www.pgdp.net (Images
-courtesy of the Digital Library@Villanova University
-(http://digital.library.villanova.edu/))
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-