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- <head>
- <title>
- Paul Rundel, by Will N. Harben
- </title>
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-
-<pre>
-
-The Project Gutenberg EBook of Paul Rundel, by Will N. Harben
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-
-
-Title: Paul Rundel
- A Novel
-
-Author: Will N. Harben
-
-Release Date: January 11, 2016 [EBook #50898]
-Last Updated: March 12, 2018
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK PAUL RUNDEL ***
-
-
-
-
-Produced by David Widger from page images generously
-provided by the Internet Archive
-
-
-
-
-
-
-</pre>
-
- <div style="height: 8em;">
- <br /><br /><br /><br /><br /><br /><br /><br />
- </div>
- <h1>
- PAUL RUNDEL
- </h1>
- <h3>
- A Novel
- </h3>
- <h2>
- By Will N. Harben
- </h2>
- <h4>
- Harper and Brothers
- </h4>
- <h3>
- 1912
- </h3>
- <p>
- <br /><br /><a name="linklinkimage-0001" id="linklinkimage-0001"> </a>
- </p>
- <div class="fig" style="width:50%">
- <img src="images/0006.jpg" alt="0006 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0006.jpg"><i>Original</i></a>
- </h5>
- <p>
- <br /><br /><a name="linklinkimage-0002" id="linklinkimage-0002"> </a>
- </p>
- <div class="fig" style="width:50%">
- <img src="images/0007.jpg" alt="0007 " width="100%" /><br />
- </div>
- <h5>
- <a href="images/0007.jpg"><i>Original</i></a>
- </h5>
- <h3>
- TO
- </h3>
- <h3>
- </h3>
- <h3>
- THE MEMORY OF MY LITTLE SON ERIC
- </h3>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <br /><br />
- </p>
- <p>
- <b>CONTENTS</b>
- </p>
- <p class="toc">
- <a href="#linklinkone"> I </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0001"> CHAPTER I </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0002"> CHAPTER II </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0003"> CHAPTER III </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0004"> CHAPTER IV </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0005"> CHAPTER V </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0006"> CHAPTER VI </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0007"> CHAPTER VII </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0008"> CHAPTER VIII </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0009"> CHAPTER IX </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0010"> CHAPTER X </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0011"> CHAPTER XI </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0012"> CHAPTER XII </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0013"> CHAPTER XIII </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0014"> CHAPTER XIV </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0015"> CHAPTER XV </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0016"> CHAPTER XVI </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0017"> CHAPTER XVII </a>
- </p>
- <p>
- <br />
- </p>
- <p class="toc">
- <a href="#linklink2H_4_0018"> II </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0018"> CHAPTER I </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0019"> CHAPTER II </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0020"> CHAPTER III </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0021"> CHAPTER IV </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0022"> CHAPTER V </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0023"> CHAPTER VI </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0024"> CHAPTER VII </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0025"> CHAPTER VIII </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0026"> CHAPTER IX </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0027"> CHAPTER X </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0028"> CHAPTER XI </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0029"> CHAPTER XII </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0030"> CHAPTER XIII </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0031"> CHAPTER XIV </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0032"> CHAPTER XV </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0033"> CHAPTER XVI </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0034"> CHAPTER XVII </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0035"> CHAPTER XVIII </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0036"> CHAPTER XIX </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0037"> CHAPTER XX </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0038"> CHAPTER XXI </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0039"> CHAPTER XXII </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0040"> CHAPTER XXIII </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0041"> CHAPTER XXIV </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0042"> CHAPTER XXV </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0043"> CHAPTER XXVI </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0044"> CHAPTER XXVII </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0045"> CHAPTER XXVIII </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0046"> CHAPTER XXIX </a>
- </p>
- <p class="toc">
- <a href="#linklink2HCH0047"> CHAPTER XXX </a>
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklinkone" id="linklinkone"> </a>
- </p>
- <h2>
- I
- </h2>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0001" id="linklink2HCH0001"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER I
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">F</span>ROM the window of
- her husband's shop in the mountain-village of Grayson, Cynthia Tye stood
- peering out on the Square. She was tall, gaunt, and thin-so thin, in fact,
- that her fingers, pricked by her needle and gnarled at the joints, had a
- hold in energy only, as she pressed them down on her contourless hips. She
- had left her work in the living-room and kitchen back of the shop and come
- in to question the shoemaker as to what he wanted for his dinner, the
- boiling and stewing hour having arrived.
- </p>
- <p>
- Silas, whose sedentary occupation had supplied him with the surplus flesh
- his wife needed, and whose genial pate was as bald as an egg, save for a
- bare fringe of gray which overlapped his ears on the sides and impinged
- upon his shirt-collar behind, looked up and smiled broadly.
- </p>
- <p>
- &ldquo;I wish you'd quit that, Cynthy. I really do.&rdquo; Every outward and inward
- part of the man lent itself to his smile, the broad, clean-shaven Irish
- lip, the big, facile mouth, the almost wrinkleless pink cheeks, the clear,
- twinkling blue eyes, the besmirched goatee&mdash;in fact, all his rotund,
- satisfied self between his chin and the bench on which he sat shook like a
- mass of animated jelly.
- </p>
- <p>
- &ldquo;Quit what?&rdquo; She turned on him suddenly. &ldquo;Why, quit always and <i>eternally</i>
- comin' to me when I'm chock full o' breakfast, and askin' me what I want
- to eat for dinner. I can still taste my coffee. I reckon settin' humped
- over this way between meals ain't exactly accordin' to nature in its best
- state. I'd ruther live in a boardin'-house and take what was served, hit
- or miss, than to digest a meal in my mind three hours before I eat it.&rdquo;
- </p>
- <p>
- &ldquo;Huh! I say!&rdquo; Cynthia sniffed, &ldquo;and what about me, who not only has to
- think about it beforehand, but has to pick it in the garden, git it ready
- for the pots, smell the fumes of it from daylight till dark, and worry all
- night for fear something, will sour or be ate up by the cat, dog, or
- chickens?&rdquo;
- </p>
- <p>
- Silas laughed till his tools&mdash;last, hammer, and knife&mdash;rattled
- in his leather apron. &ldquo;You got the best o' that argument,&rdquo; he chuckled, as
- he pressed the shoe he was repairing down between his fat knees, crossed
- his short feet, and reached for a box of nails which had fallen to the
- floor. Then his merriment ceased. He bent a tender glance on the woman and
- a gentle cadence crept into his voice: &ldquo;The Lord knows you <i>do</i> have
- a hard time, Cynthy, an' no jokin'. I wish thar was some way around it. I
- lie awake many and many a night just thinkin' how happy me'n you'd be if
- we could take a trip off some'rs and not have nothin' to bother about for
- one week anyway. What are you gazin' at out thar so steady?&rdquo;
- </p>
- <p>
- &ldquo;I'm watchin' that pore boy, Paul Rundel,&rdquo; Cynthia returned, with a sigh.
- &ldquo;I never see 'im without my heart achin'. He's haulin' bark for Jim Hoag's
- tannery. He driv' up on a big load to the post-office while I was out
- gatherin' beans just now. You remember them two devilish Harris boys that
- picked the row with 'im at the hitchin'-rack last week? Well, I saw 'em at
- the corner and thought they looked suspicious. Then I knowed they was
- waitin' for 'im, for they nudged one another and picked up brickbats, and
- went to Paul's wagon. I couldn't hear what was said, but it looked like
- they was darin' Paul to git down, for they kept swingin' their bricks and
- shakin' their fists at 'im.&rdquo;
- </p>
- <p>
- &ldquo;What a pity, what a pity!&rdquo; The shoemaker sighed. &ldquo;That boy is tryin' his
- level best to live right, and thar was two ag'in' one, and both bigger and
- stronger.&rdquo;
- </p>
- <p>
- &ldquo;Well, Paul kin take care of hisself,&rdquo; Cynthia said, with a chuckle. &ldquo;It
- looked like he was in for serious trouble, and I was runnin' to the fence
- to try to call somebody to help him, when, lo and behold! I saw him reach
- back on the load o' bark and pick up a double-barreled gun and stick the
- butt of it to his shoulder. I am a Christian woman, and I don't believe in
- bloodshed, but when them scamps drapped the'r bricks and broke for the
- blacksmith shop like dogs with their tails twixt their legs I shouted and
- laughed till I cried. Paul got down and was makin' for the shop, when the
- marshal&mdash;Budd Tibbs&mdash;stopped 'im and made 'im put up the gun and
- go back to his wagon. The next minute I saw the Harris boys slip out the
- back door of the shop and slink off out o' sight.&rdquo;
- </p>
- <p>
- &ldquo;It's bad, bad, bad!&rdquo; Silas deplored. &ldquo;Sometimes I wonder why the Lord
- lets things run slipshod like that. Paul has a bright mind. He is as sharp
- as a brier. He loves to read about what's goin' on over the world. If thar
- ever was a boy that needed good advice and trainin' he is one. He's right
- at the turnin'-point, too; he's got a high temper, a lot o' sperit, and
- won't stand naggin' from high or low. And what's he got at home? Nothin'
- that wouldn't take life and hope out of any ambitious boy&mdash;a daddy
- that is half dead, and won't work a lick&mdash;&rdquo;
- </p>
- <p>
- &ldquo;And a mammy,&rdquo; Cynthia broke in, with indignation, &ldquo;Si, that is the
- vainest, silliest woman that ever breathed, traipsin' out to meetin' in
- her flimsy finery bought by that boy's hard work. They say, because she's
- passably good-lookin' and can sing well, that she thinks herself too good
- to lay her hands to a thing. She don't love Ralph Rundel, nor <i>never</i>
- did, or she couldn't act that way when he is sick. I've heard, on good
- authority, that she never cared much for Paul, even when he was a baby&mdash;folks
- say she didn't want 'im to come when he did, and she never took care of
- 'im like a mother ought to.&rdquo;
- </p>
- <p>
- &ldquo;I've watched Paul a long time,&rdquo; Silas remarked. &ldquo;Me'n him are purty good
- friends. He's rough on the outside, but now and then I see away down into
- his heart. He worries about his daddy's bad health constantly. They are
- more like two brothers than father and son, anyway, and as Ralph grows
- weaker he leans more and more on his boy. It certainly is sad. I saw 'em
- both down at Hoag's cotton-gin last fall. Paul had run across some
- second-hand school-books somewhar, and was tryin' to explain 'em to his
- pa, but he couldn't make any impression on him. Ralph looked like he was
- tryin' to show interest, but it wasn't in 'im. I tell you, Cynthy, the
- hardest job our Creator ever put on his creatures is for 'em to have
- unbounded faith in the perfection in the unseen when thar is so much out
- o' joint always before our eyes.&rdquo;
- </p>
- <p>
- &ldquo;Yes, but <i>you</i> never lose faith,&rdquo; Cynthia said, proudly. &ldquo;I'd have
- let loose long ago if I hadn't had you to keep me agoin'.&rdquo;
- </p>
- <p>
- &ldquo;You see, Cynthy, I've noticed that something bright always follows on the
- heels of what is dark.&rdquo; Silas hammered the words in with the tacks, which
- he held in his mouth. &ldquo;Peace hovers over war and drops down after it like
- rain on dry soil; joy seems to pursue sorrow like sunshine pushin' clouds
- away, and, above all, love conquers hate, and you know our Lord laid
- particular stress on that.&rdquo;
- </p>
- <p>
- &ldquo;Paul has just left the post-office,&rdquo; Cynthia said. &ldquo;He's left his hosses
- standin' and is headed this way.&rdquo;
- </p>
- <p>
- &ldquo;He's comin' after his daddy's shoes,&rdquo; Silas replied. &ldquo;I've had 'em ready
- for a week. I took 'em out to his wagon one day, but he didn't have the
- money, and although I offered to credit him he wouldn't hear to it. He's
- as independent as a hog on ice. I tell you thar's lots in that boy.&rdquo;
- </p>
- <p>
- Cynthia, as the youth was crossing the street, turned back into her
- kitchen. A moment later Paul entered the shop. He was thin almost to
- emaciation, just merging into the quickly acquired height of a boy of
- sixteen, and had the sallow complexion that belongs to the ill-nourished
- mountaineers of the South. His coarse brown hair fought against the
- restrictions of the torn straw hat, which, like a miniature tent, rested
- on the back part of his head. The legs of his trousers were frayed at the
- bottoms and so crudely patched at the knees that the varicolored stitches
- were observable across the room. He wore no coat, and his threadbare shirt
- of heavy, checked cotton had lost its buttons at the sleeves and neck. He
- had a finely shaped head, a strong chin, and a good nose. A pair of dreamy
- brown eyes in somber sockets were still ablaze from their recently kindled
- fires. His mouth was large and somehow, even in the grasp of anger,
- suggested the capacity for tenderness and ideality.
- </p>
- <p>
- &ldquo;Hello, young man!&rdquo; Silas greeted him as he peered at the boy above his
- brass-rimmed spectacles and smiled genially. &ldquo;Here at last. I was afraid
- you'd let them shoes take the dry-rot in my shop, and just because you
- wouldn't owe me a few cents for a day or two.&rdquo;
- </p>
- <p>
- Paul made no reply. His restless glance roved sullenly over the heap of
- mended shoes and boots on the floor, and, selecting the pair he was
- looking for, he ran a quivering finger along the freshly polished edge of
- the soles and bent the leather testingly.
- </p>
- <p>
- &ldquo;Some o' the white oak you helped tan out thar at Hoag's,&rdquo; Silas jested.
- &ldquo;If it ain't the best the brand on it is a liar, and I have been buncoed
- by your rich boss.&rdquo;
- </p>
- <p>
- This also evoked no response. Thrusting the shoes under his arm, the boy
- put his hand into his pocket and drew out some small coins and counted
- them on the low window-sill close to the shoemaker. He was turning away
- when Silas stopped him. Pointing to a chair bottomed with splints of white
- oak and strengthened by strips of leather interlaced and tacked to the
- posts he said:
- </p>
- <p>
- &ldquo;Take that seat; I hain't seed you in a coon's age, Paul, and I want to
- talk to you.&rdquo;
- </p>
- <p>
- With a slightly softened expression, the boy glanced through the open
- doorway out into the beating sunshine toward his horses and wagon.
- </p>
- <p>
- &ldquo;I've got to move on.&rdquo; He drew his tattered sleeve across his damp brow
- and looked at the floor. &ldquo;I got another load to bring down from the
- mountain.&rdquo;
- </p>
- <p>
- Silas peered through the window at the horses and nodded slowly. &ldquo;Them
- pore pantin' brutes need the rest they are gettin' right now. Set down!
- set down! You don't have to hurry.&rdquo;
- </p>
- <p>
- Reluctantly the youth complied, holding the shoes in his lap. Silas
- hammered diligently for a moment, and then the furrows on his kindly brow
- deepened as he stared steadily through his glasses, which were seldom free
- from splotches of lampblack and beeswax.
- </p>
- <p>
- &ldquo;I wonder, Paul, if you'd git mad if I was to tell you that I've always
- had a whoppin' big interest in you?&rdquo;
- </p>
- <p>
- The boy made as if about to speak, but seemed to have no command of tact
- or diplomacy. He flushed faintly; his lashes flickered; he fumbled the
- shoes in his lap, but no words were forthcoming. However, to Silas this
- was answer enough, and he was encouraged to go on.
- </p>
- <p>
- &ldquo;You see, Paul, I've knowed you since you was so high&rdquo;&mdash;Silas held
- his hammer out on a level with his knee&mdash;&ldquo;and I have watched you
- close ever since. Yore daddy&mdash;that was in his palmy days&mdash;used
- to take you with 'im when he'd go afishin', and I used to meet you an' him
- on the creek-bank. You was as plump and pink a toddler as I ever laid eyes
- on, just the age of the only one the Lord ever sent us. When mine was
- alive I was so full of the joy of it that I just naturally wanted to grab
- up every baby I met and hug it. I never could hear a child cry over a
- stubbed toe, a stone-bruise, or any little disappointment without actually
- achin' at the heart. But our son was taken, Paul, taken right when he was
- the very light an' music of our lives. And, my boy, let me tell you, if
- ever a Christian come nigh wagin' open war with his Maker I did on that
- day. God looked to me like a fiend incarnate, and His whole universe, from
- top to bottom, seemed a trap to catch an' torture folks in. But as time
- passed somehow my pain growed less, until now I am plumb resigned to the
- Lord's will. He knowed best. Yes, as I say, I always felt a big interest
- in you, and have prayed for you time after time, for I know your life is a
- tough uphill one. Paul, I hope you will excuse me, but a thing took place
- out thar in front of my window just now that&mdash;&rdquo;
- </p>
- <p>
- A grunt of somnolent rage escaped the boy, and Silas saw him clench his
- fist. His voice quivered with passion: &ldquo;Them two devils have been picking
- at me for more than a year, calling me names and throwing rocks at me from
- behind fences. Yesterday they made fun of my father, and so I got ready,
- and&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I know, I know!&rdquo;&mdash;the shoemaker sighed, reproachfully&mdash;&ldquo;and so
- you deliberately, an' in a calm moment, laid that gun on yore load of
- bark, and&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Yes, and both barrels was loaded with heavy buck-shot!&rdquo; the boy exulted,
- his tense face afire, his eyes flashing, &ldquo;and if they hadn't run like two
- cowardly pups I'd have blowed holes in 'em as big as a hat.&rdquo;
- </p>
- <p>
- Silas made a derogatory sound with his tongue and lips. &ldquo;Oh, how blind you
- was, my pore boy&mdash;you was too mad to see ahead; folk always are when
- they are wrought up. Paul, stop for one minute and think. If you had
- killed one or both of 'em, that wouldn't have settled the trouble. You
- don't think so now, but you'd have gone through bottomless pits of
- remorse. The Lord has made it that way. Young as you are, you'd have died
- on the scaffold, or toiled through life as a convict, for it would have
- been murder, and deliberate at that.&rdquo;
- </p>
- <p>
- The youth shrugged his thin shoulders. &ldquo;I wouldn't have cared,&rdquo; he
- answered. &ldquo;I tell you it ain't ended, Uncle Si. Them fellows has got to
- take back what they said about my father. They've got to take it back, I
- tell you! If they don't, I'll kill 'em if it takes a lifetime to do it.
- I'll kill 'em!&rdquo;
- </p>
- <p>
- Silas groaned. A pained look of concern gathered in his mild eyes. He
- reached for the polishing-iron which was being heated in the flame of a
- smoking lamp on his bench and wiped it on his dingy apron. &ldquo;It won't do!&rdquo;
- he cried, and his bald head seemed drawn down by fear and anxiety.
- &ldquo;Something has got to be done; they are a pair of low, cowardly whelps
- that are try in' to bully you, but you've got to quit thinkin' about
- murder. It won't do, I say; the devil is behind it. You stand away above
- fellows like them. You've got the makin' of a big man in you. You love to
- read and inquire, and they don't know their a b c's and can't add two
- figures. You mustn't lower yourself to such riffraff, and you wouldn't if
- you didn't let the worst part o' yourself get the upper hand.&rdquo;
- </p>
- <p>
- When the boy had left the shop Silas stood watching him from the doorway.
- It was a pathetic figure which climbed upon the load of bark, and swung
- the long whip in the air.
- </p>
- <p>
- &ldquo;What a pity! What a pity!&rdquo; the old man exclaimed, and he wrung his hands
- beneath his apron; then seating himself on his bench he reluctantly
- resumed his work. &ldquo;As promising as he is, he may go clean to the dogs.
- Poor boy!&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0002" id="linklink2HCH0002"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER II
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">I</span>T was now near
- noon, as was indicated by the clock on the low, dome-capped tower of the
- Court House in the center of the village square. Paul recognized several
- idlers who stood on a street-corner as he drove past. They looked at him
- and smiled approvingly, and one cried out:
- </p>
- <p>
- &ldquo;Bully for you, Paul! You are all wool and a yard wide.&rdquo;
- </p>
- <p>
- &ldquo;And guaranteed not to tear or shrink!&rdquo; another added, with a laugh over
- his borrowed wit; but the boy neither answered nor smiled. A sudden breeze
- from the gray, beetling cliffs of the near-by mountain fanned his damp
- brow, and he gazed straight ahead down the long road. Hot broodings over
- his wrongs surged within him, and the fact that he had so completely
- routed his enemies failed to comfort him at all. They could still laugh
- and sneer and repeat behind his back what they had dared to say to his
- face about a helpless man who had offended no one. Cowards that they were,
- they would keep their lies afloat, and even add to them.
- </p>
- <p>
- His road took him past the lumber-yard, sawmills, brick and lime kilns,
- and through the sordid negro quarter, which was a cluster of ramshackle
- shanties made of unpainted upright boards grown brown and fuzzy, with now
- and then a more primitive log cabin, a relic of pioneer and Cherokee days.
- Vast fields of fertile lands belonging to his employer, James Hoag, lay on
- both sides of the road just outside the village. There were stretches of
- corn, cotton, and wheat in the best state of cultivation, beyond which, on
- a gentle rise, stood the planter's large two-story house, a white frame
- structure with a double veranda and outside blinds painted green. Beyond
- the house, at the foot of the slope, could be seen the dun roofs of the
- long sheds and warehouses of Hoag's tannery, to which Paul was taking the
- bark. A big gate had to be opened, and the boy was drawing rein with the
- intention of getting down when Hoag himself, astride a mettlesome bay
- mare, passed.
- </p>
- <p>
- &ldquo;Wait, I'll open it,&rdquo; he said, and spurring his mount close to the gate he
- kicked the wooden latch upward and swung the gate aside. &ldquo;Drive ahead&rdquo; he
- ordered. &ldquo;I can pull it to.&rdquo;
- </p>
- <p>
- Paul obeyed, indifferent even to the important man's presence. He would
- have forgotten Hoag's existence had the mare not borne him alongside the
- wagon again. The horseman was a middle-aged man of sturdy physique, fully
- six feet in height, and above two hundred pounds in weight. His skin was
- florid, his limbs were strong, firm, and muscular, his hands red and
- hair-grown. There was a cold, cruel expression in the keen blue eyes under
- the scraggy brows, which was not softened by a sweeping tobacco-stained
- mustache. He wore well-fitting top-boots which reached above the knee, and
- into which the legs of his trousers had been neatly folded. A wheeled spur
- of polished brass was strapped to the heel of his right boot. He sat his
- horse with the ease and grace of a cavalry officer. He held his mare in
- with a tense hand, and scanned the load of bark with a critical eye.
- </p>
- <p>
- &ldquo;How much more of that lot is left up there?&rdquo; he asked.
- </p>
- <p>
- &ldquo;About two cords, or thereabouts,&rdquo; the boy said, carelessly.
- </p>
- <p>
- &ldquo;Well,&rdquo; Hoag said, &ldquo;when you get that all stacked under the shed I want
- you to haul down the lot on Barrett's ridge. There is a good pile of it,
- and it's been exposed to the weather too long. I don't know exactly where
- it lies; but Barrett will point it out if he ain't too lazy to walk up to
- it.&rdquo;
- </p>
- <p>
- &ldquo;I know where it is,&rdquo; Paul informed him. &ldquo;I helped strip it.&rdquo;
- </p>
- <p>
- &ldquo;Oh, well, that's all right. You might put on higher standards and rope
- 'em together at the top. That dry stuff ain't very heavy, and it is down
- grade.&rdquo;
- </p>
- <p>
- He showed no inclination to ride on, continuing to check his mare.
- Presently his eyes fell on the stock of the gun which was half hidden by
- the bark, and his lips curled in a cold smile of amusement.
- </p>
- <p>
- &ldquo;Say,&rdquo; he said, with a low laugh, &ldquo;do you go loaded for bear like this all
- the time?&rdquo;
- </p>
- <p>
- A slow flush of resentment rose into the boy's face. He stared straight at
- Hoag, muttered something inarticulately and then, with a distinct scowl,
- looked away.
- </p>
- <p>
- The man's careless smile deepened; the boy's manner and tone were too
- characteristic and genuine, and furnished too substantial a proof of a
- quality Hoag admired to have offended him. Indeed, there was a touch of
- tentative respect in his voice, a gleam of callous sympathy in his eyes as
- he went on:
- </p>
- <p>
- &ldquo;I was at the post-office just now. I saw it all. I noticed them fellows
- layin' for you the other day, and wondered what would come of it. I don't
- say it to flatter you, Paul&rdquo;&mdash;here Hoag chuckled aloud&mdash;&ldquo;but I
- don't believe you are afraid of anything that walks the earth. I reckon it
- is natural for a man like me to sorter love a fair fight. It may be
- because you work for me and drive my team; but when I looked out the
- post-office window as I was stampin' a letter, and saw them whelps lyin'
- in wait for you, I got mad as hell. I wasn't goin' to let 'em hurt you,
- either. I'd have kicked the breath out of 'em at the last minute, but
- somehow I was curious to see what you'd do, and, by gum! when that first
- brickbat whizzed by you, and you lit down with your gun leveled, and they
- scooted to shelter like flyin' squirrels, I laid back and laughed till I
- was sore. That was the best bottle of medicine they ever saw, and they
- would have had a dose in a minute. They slid into the blacksmith's shop
- like it was a fort an' shut the door. I reckin you'd have shot through the
- planks if Budd Tibbs hadn't stopped you.&rdquo;
- </p>
- <p>
- No appreciation of these profuse compliments showed itself in the boy's
- face. It was rigid, colorless and sullen, as if he regarded the man's
- observations as entirely too personal to be allowed. An angry retort
- trembled on his lips, and even this Hoag seemed to note and relish. His
- smile was unctuous; he checked his horse more firmly.
- </p>
- <p>
- &ldquo;They won't bother you no more,&rdquo; he said, more seductively. &ldquo;Such skunks
- never run ag'in' your sort after they once see the stuff you are made of.
- That gun and the way you handled it was an eye-opener. Paul, you are a
- born fightin' man, and yore sort are rare these days. You'll make yore way
- in the world. Bein' afraid of man or beast will stunt anybody's growth.
- Pay back in the coin you receive, and don't put up with insult or abuse
- from anybody. Maybe you don't know why I first took a sorter likin' to
- you. I'd be ashamed to tell you if I didn't know that you was jest a boy
- at the time, and I couldn't afford to resent what you said. You was a foot
- shorter than you are now, and not half as heavy. You remember the day yore
- pa's shoats broke through the fence into my potato field? You was out in
- the wet weeds tryin' to drive 'em home. I'd had a drink or two more than I
- could tote, and several things had gone crooked with me, and I was out o'
- sorts. I saw you down there, and I made up my mind that I'd give you a
- thrashin'&rdquo;&mdash;Hoag was smiling indulgently&mdash;&ldquo;and on my way through
- the thicket I cut me a stout hickory withe as big at the butt as my thumb,
- and taperin' off like a whip at the end. You remember how I cussed and
- ripped and went on?&rdquo;
- </p>
- <p>
- &ldquo;You bet I remember,&rdquo; Paul growled, and his eyes flashed, &ldquo;and if you'd
- hit me once it would have been the worst day's work you ever did.&rdquo;
- </p>
- <p>
- The planter blinked in mild surprise, and there was just a hint of chagrin
- in his tone. &ldquo;Well, I didn't touch you. Of course I wasn't afraid of you
- or the rock you picked up. I've never seen the <i>man</i> I was afraid of,
- much less a boy as little as you was; but as you stood there, threatenin'
- to throw, I admit I admired your grit. The truth is, I didn't have the
- heart, even drunk as I was, to lick you. Most boys of your size would have
- broke and run. My boy, Henry, would, I know.&rdquo;
- </p>
- <p>
- &ldquo;He'll fight all right,&rdquo; Paul said. &ldquo;He's no coward. I like him. He's been
- a friend to me several times. He is not as bad as some folks think. He
- drinks a little, and spends money free, and has a good time; but he's not
- stuck up. He doesn't like to work, and I don't blame him. I wouldn't, in
- his place. Huh! you bet I wouldn't.&rdquo;
- </p>
- <p>
- &ldquo;Well, I'm goin' to put 'im between the plow-handles before long,&rdquo; the
- planter said, with a frown. &ldquo;He's gettin' too big for his britches. Say,
- you'll think I'm a friend worth havin' some time. Just after that thing
- happened at the post-office, and you'd gone into Tye's shop, Budd Tibbs
- turned to me and said he believed it was his duty as marshal to make a
- council case against you for startin' to use that gun as you did. I saw
- the way the land lay in a minute. Them skunks are akin to his wife, and he
- was mad. I told him, I did, that he might summon me as a witness, and that
- I'd swear you acted in self-defense, and prefer counter-charges against
- the dirty whelps. Huh, you ought to have seen him wilt! He knows how many
- votes I control, and he took back-water in fine shape.&rdquo;
- </p>
- <p>
- &ldquo;I reckon I can look after my own business,&rdquo; the boy made answer, in a
- surly tone. &ldquo;I ain't afraid o' no court. I'll have my rights if I die
- gettin' 'em.&rdquo; Hoag laughed till his sides shook. &ldquo;I swear you are the
- funniest cuss I ever knew. You ain't one bit like a natural boy. You act
- and talk like a man that's been through the rubs.&rdquo; Hoag suddenly glanced
- across a meadow where some men were at work cutting hay, and his
- expression changed instantly. &ldquo;I never told 'em to mow thar,&rdquo; he swore,
- under his breath. &ldquo;Take your bark on. You know where to put it,&rdquo; and
- turning his horse he galloped across the field, his massive legs swinging
- to and from the flanks of his mare.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0003" id="linklink2HCH0003"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER III
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HAT afternoon at
- dusk Paul drove down the mountain with his last load of bark for the day.
- The little-used road was full of sharp turns around towering cliffs and
- abrupt declivities, worn into gullies by washouts, and obstructed by
- avalanchine boulders. In places decayed trees had fallen across the way,
- and these the young wagoner sometimes had to cut apart and roll aside. The
- high heap of bark on the groaning vehicle swayed like a top-heavy load of
- hay, and more than once Paul had to dismount from the lead horse he rode,
- scotch the wheels with stones, and readjust the bark, tightening the ropes
- which held the mass together. At times he strode along by the horses,
- holding the reins between his teeth, that his hands might be free to
- combat the vines and bushes through which he plunged as blindly as an
- animal chased by a hunter. His arms, face, and ankles were torn by thorns
- and briers, his ill-clad feet cut to the bone by sharp stones. Accidents
- had often happened to him on that road. Once he had fallen under the
- wheels, and narrowly escaped being crushed to death, a perilous thing
- which would have haunted many a man's life afterward, but which Paul
- forgot in a moment.
- </p>
- <p>
- Near the foot of the mountain the road grew wide, smooth, and firm; his
- team slowed down, and he took a book from the wagon, reading a few pages
- as he walked along. He was fond of the history of wars in all countries;
- the bloodshed and narrow escapes of early pioneer days in America
- enthralled his fancy. He thought no more of a hunter's killing a redskin
- than he himself would have thought of shooting a wild duck with a rifle.
- </p>
- <p>
- As he started down the last incline between him and Grayson he replaced
- his book on the wagon. The dusk had thickened till he could scarcely see
- the print on the soiled pages. Below, the houses of the village were
- scattered, as by the hand of chance, from north to south between gentle
- hills, beyond which rose the rugged mountains now wrapped in darkness. He
- made out the sides of the Square by the lights in the various buildings.
- There was the hotel, with its posted lamps on either end of the veranda.
- Directly opposite stood the post-office. He could make no mistake in
- locating the blacksmith's shop, for its forge gave out intermittent,
- bellows-blown flashes of deep red. Other dots of light were the open doors
- of stores and warehouses. Like vanishing stars some were disappearing, for
- it was closing-time, and the merchants were going home to supper. This
- thought gave the boy pleasant visions. He was hungry.
- </p>
- <p>
- It was quite dark when he had unloaded the wagon at the tannery and driven
- on past Hoag's pretentious home to the antiquated cottage in which he
- lived. It had six rooms, a sagging roof of boards so rotten and black with
- age that they lost thickness in murky streams during every heavy rain.
- There was a zigzag fence in front, which was ill cared for, as the leaning
- comers and decayed rails testified. Against the fence, at the edge of the
- road, stood a crude log barn, a corn-crib made of unbarked pine poles,
- above which was a hay-loft. Close about was a malodorous pig-pen, a
- cow-lot, a wagon-shed, and a pen-like stall for horses.
- </p>
- <p>
- The chickens had gone to roost; the grunting and squealing of the pigs had
- been stilled by the pails of swill Paul's father, Ralph Rundel, had
- emptied into their dug-out wooden troughs. In the light of the kitchen
- fire, which shone through the open door and the glassless windows, Paul
- saw his father in his favorite place, seated in a chair under an
- apple-tree at the side of the house. Ralph rose at the sound of the
- clanking trace-chains and came to the gate. He rubbed his eyes drowsily,
- as if he had just waked from a nap, and swung on the gate with both hands.
- </p>
- <p>
- &ldquo;No use puttin' the wagon under shelter,&rdquo; he said, in a querulous tone, as
- his slow eyes scanned the studded vault overhead. &ldquo;No danger o' rain this
- night&mdash;no such luck for crops that are burnin' to the roots. The
- stalks o' my upland cotton-patch has wilted like sorghum cut for the
- press. Say, Paul, did you fetch me that tobacco? I'm dyin' for a smoke.&rdquo;
- He uttered a low laugh. &ldquo;I stole some o' yore aunt's snuff and filled my
- pipe; but, by hunkey, I'd miscalculated&mdash;I sucked the whole charge
- down my throat, and she heard me a-coughin' and caught me with the box in
- my hand.&rdquo;
- </p>
- <p>
- Paul thrust his hand into his hip-pocket and drew forth a small white bag
- with a brilliant label gummed on it. &ldquo;Bowman was clean out o' that fine
- cut,&rdquo; he said, as he gave it into the extended hand. &ldquo;He said this was
- every bit as good.&rdquo;
- </p>
- <p>
- &ldquo;I'll not take his word for it till I've tried it,&rdquo; Ralph Rundel answered,
- as he untied the bag and tested the mixture between thumb and forefinger.
- &ldquo;Storekeepers sell what they have in stock, and kin make such fellers as
- us take dried cabbage-leaves if they take a notion.&rdquo;
- </p>
- <p>
- Ralph was only fifty years of age, and yet he had the manner, decrepitude,
- and spent utterance of a man of seventy. His scant, iron-gray hair was
- disheveled; his beard, of the same grizzled texture, looked as if it never
- had been trimmed, combed, or brushed, and was shortened only by periodical
- breaking at the ends. Despite his crude stoicism, his blue eyes, in their
- deep sockets, had a wistful, yearning look, and his cheeks were so hollow
- that his visage reminded one of a vitalized skull. His chest, only half
- covered by a tattered, buttonless shirt, was flat; he was bent by
- rheumatism, which had left him stiff, and his hands were mere human
- talons.
- </p>
- <p>
- Paul was busy unhooking the traces from the swingletrees and untying the
- straps of the leather collars, when Ralph's voice came to him above the
- creaking of the harness and impatient stamping of the hungry horses.
- </p>
- <p>
- &ldquo;I noticed you took yore gun along this mornin'. Did you kill me a bird,
- or a bushy-tail? Seems like my taste for salt pork is clean gone.&rdquo;
- </p>
- <p>
- &ldquo;I didn't run across a thing,&rdquo; Paul answered, as he lifted the harness
- from the lead horse and allowed the animal to go unguided to his stall
- through the gate Ralph held open. &ldquo;Besides, old Hoag counts my loads, and
- keeps tab on my time. I can't dawdle much and draw wages from him.&rdquo;
- </p>
- <p>
- &ldquo;Did he pay you anything to-day?&rdquo; Ralph was filling his pipe, feebly
- packing the tobacco into the bowl with a shaky forefinger.
- </p>
- <p>
- &ldquo;He had no small change,&rdquo; Paul answered. &ldquo;Said he would have some
- to-morrow. You can wait till then, surely.&rdquo;
- </p>
- <p>
- &ldquo;Oh yes, I'll have to make out, I reckon.&rdquo;
- </p>
- <p>
- At this juncture a woman appeared in the kitchen doorway. She was a
- blue-eyed, blond-haired creature of solid build in a soiled gray
- print-dress. She was Paul's aunt, Amanda Wilks, his mother's sister, a
- spinster of middle age with a cheerful exterior and a kindly voice.
- </p>
- <p>
- &ldquo;You'd better come on in and git yore supper, Paul,&rdquo; she called out. &ldquo;You
- like yore mush hot, and it can't be kept that away after it's done without
- bakin' it like a pone o' bread. You've got to take it with sour blue-john,
- too. Yore ma forgot to put yesterday's milk in the spring-house, and the
- cow kicked over to-night's supply just as I squirted the last spoonful in
- the bucket. Thar is some cold pork and beans. You'll have to make out.&rdquo;
- </p>
- <p>
- &ldquo;I didn't expect to get anythin' t'eat!&rdquo; Paul fumed, hot with a healthy
- boy's disappointment, and he tossed the remainder of the harness on to the
- wagon and followed the horse to the stall. He was in the stable for
- several minutes. His father heard him muttering inarticulately as he
- pulled down bundles of fodder from the loft, broke their bands, and threw
- ears of corn into the troughs. Ralph sucked his pipe audibly, slouched to
- the stable-door under a burden of sudden concern, and looked in at his son
- between the two heads of the munching animals.
- </p>
- <p>
- &ldquo;Come on in,&rdquo; he said, persuasively. &ldquo;I know you are mad, and you have
- every right to be after yore hard work from break o' day till now; but
- nobody kin depend on women. Mandy's been makin' yore ma a hat all day.
- Flowery gewgaws an' grub don't go together.&rdquo;
- </p>
- <p>
- Paul came out. &ldquo;Never mind,&rdquo; he said. &ldquo;It don't make no difference.
- Anything will do.&rdquo; Father and son walked side by side into the
- fire-lighted kitchen. A clothless table holding a few dishes and pans
- stood in the center of the room. Just outside the door, on a little
- roofless porch, there was a shelf which held a tin basin, a cedar pail
- containing water, and a gourd dipper with a long, curved handle. And going
- to this shelf, Paul filled the basin and bathed his face and hands, after
- which he turned to a soiled towel on a roller against the weatherboarding
- and wiped himself dry, raking back his rebellious hair with a bit of a
- comb, while his father stood close by watching him with the gaze of an
- affectionate dog.
- </p>
- <p>
- &ldquo;That'll do, that'll do,&rdquo; Ralph attempted to jest. &ldquo;Thar ain't no company
- here for you to put on airs before. Set down! set down!&rdquo;
- </p>
- <p>
- Paul obeyed, and his father remained smoking in the doorway, still eying
- him with attentive consideration. Amanda brought from the fire a
- frying-pan containing the hot, bubbling mush, and pushed an empty brown
- bowl and spoon toward him.
- </p>
- <p>
- &ldquo;Help yoreself; thar's the milk in the pan,&rdquo; she said. &ldquo;If it is too sour
- you might stir a spoonful o' 'lasses in it. I've heard folks say it helps
- a sight.&rdquo;
- </p>
- <p>
- Paul was still angry, but he said nothing, and helped himself abundantly
- to the mush. However, he sniffed audibly as he lifted the pan and poured
- some of the thin, bluish fluid into his bowl.
- </p>
- <p>
- &ldquo;It wasn't my fault about the cow,&rdquo; Amanda contended. &ldquo;Scorchin' weather
- like this is the dickens on dumb brutes. Sook was a-pawin' an' switchin'
- 'er tail all the time I had hold of 'er tits. It must 'a' been a stingin'
- fly that got in a tender spot. Bang, bang! was all the warnin' I had, an'
- I found myself soaked from head to foot with milk. I've heard o' fine
- society folks, queens an' the like, washin' all over in it to soften their
- skins and limber their joints; but I don't need nothin' o' that sort. Yore
- ma's not back yet. She went over to see about the singin'-class they want
- her in. She had on 'er best duds an' new hat, and looked like a gal o'
- twenty. She was as frisky as a young colt. I ironed 'er pink sash, an' put
- in a little starch to mash out the wrinkles and make it stand stiff-like.
- They all say she's got the best alto in Grayson. I rolled 'er hair up in
- papers last night, an' tuck it down to-day. You never saw sech pretty
- kinks in your life. Jeff Warren come to practise their duet, an' him and
- Addie stood out in the yard an' run the scales an' sung several pieces
- together. It sounded fine, an' if I had ever had any use for 'im I'd have
- enjoyed it more; but I never could abide 'im. He gits in too many fights,
- and got gay too quick after he buried his wife. He was dressed as fine as
- a fiddle, an' had a joke for every minute. Folks say he never loved Susie,
- an' I reckon they wasn't any too well matched. She never had a well day in
- 'er life, and I reckon it was a blessed thing she was took. A tenor voice
- an' a dandy appearance are pore consolations to a dyin' woman. But he
- treats women polite&mdash;I'll say that for 'im.&rdquo;
- </p>
- <p>
- Paul had finished his mush and milk, and helped himself to the cold
- string-beans and fat boiled pork. His father had reached for a chair,
- tilted it against the door-jamb, and seated himself in it. He eyed his son
- as if the boy's strength and rugged health were consoling reminders of his
- own adolescence. Suddenly, out of the still twilight which brooded over
- the fields and meadows and swathed the mountain-tops, came the blending
- voices of two singers. It was a familiar hymn, and its rendition was not
- unmelodious, for it held a sweet, mystic quality that vaguely appealed.
- </p>
- <p>
- &ldquo;That's Jeff an' Addie now!&rdquo; Amanda eagerly exclaimed. She went to the
- door and stood leaning against the lintel. She sighed, and her voice
- became full and round. &ldquo;Ain't that just too sweet for anything? I reckon
- they are both puffed up over the way folks take on over their music. Ever
- since they sang that duet at Sleepy Hollow camp-meetin' folks hain't
- talked of anything else.&rdquo;
- </p>
- <p>
- Paul sat with suspended knife and fork and listened. His father clutched
- the back of his chair stiffly, bore it into the yard, and eased himself
- into it. Paul watched him through the doorway, as he sat in the shadows,
- now bent over, his thin body as rigid and still as if carved from stone.
- The singing grew nearer and nearer. It seemed to float on the twilight
- like a vibrant vapor. The boy finished his supper and went out into the
- yard. His aunt had seated herself on the door-step, still entranced by the
- music. Paul moved softly across the grass to his father; but Ralph was
- unconscious of his presence. Paul saw him take in a deep, trembling
- breath, and heard him utter a long, suppressed sigh.
- </p>
- <p>
- &ldquo;What's the matter, Pa?&rdquo; the boy asked, a touch of somnolent tenderness in
- his tone.
- </p>
- <p>
- &ldquo;Matter? Me? Why, nothin', nothin'!&rdquo;
- </p>
- <p>
- Ralph started, lifted his wide-open eyes, in which a far-away expression
- lay.
- </p>
- <p>
- &ldquo;What did you ax me <i>that</i> for?&rdquo;
- </p>
- <p>
- &ldquo;I thought you looked bothered,&rdquo; Paul made answer, and he sank on the
- grass at his father's feet.
- </p>
- <p>
- &ldquo;Me? No, I'm all right.&rdquo; Ralph distinctly avoided his son's eyes, and that
- was a departure. He fumbled in his pocket for his pipe and tobacco, and
- finally got them out, only to hold them in inactive hands.
- </p>
- <p>
- The singing was over. There was a sound of merry laughter beyond the
- stable and corn-crib, and Jeff Warren's voice rose quite audibly:
- </p>
- <p>
- &ldquo;I thought I'd split my sides laughin',&rdquo; he was heard to say, with a
- satisfied chuckle, &ldquo;when Bart Perry riz an' called for order and began to
- state what the plan was to be. He was electin' hisself chief leader, an'
- never dreamt the slightest opposition; but I'd told a round dozen or more
- that if he led me'n you'd pull out, an' so I was lookin' for just what
- happened. Old Thad Thomas winked at me sorter on the side and jumped up
- an' said, 'All in favor of electin' Jeff Warren leader make it known by
- standin', an' every woman an' man-jack thar stood up, an' as Bart already
- had the floor, an' was ashamed to set down, he hisself made it unanimous.
- But Lord! he was as red as a turkey-gobbler an' mad as Tucker.&rdquo;
- </p>
- <p>
- The low reply of the woman did not reach the trio in the yard, and a
- moment later the couple parted at the front gate. Mrs. Rundel came round
- the house through the garden, walking hurriedly and yet with a daintiness
- of step that gave a certain grace to her movement. She wore a neat,
- cool-looking white muslin dress, was slender, and had good, regular
- features, light-brown eyes, abundant chestnut hair, which was becomingly
- arranged under a pretty hat.
- </p>
- <p>
- &ldquo;Supper's over, I know,&rdquo; she said, lightly, as she paused at the door-step
- and faced her sister. &ldquo;Well, they all just wouldn't break up earlier. They
- sang and sang till the last one was ready to drop. Singers is that a way
- when they haven't been together in a long time. Don't bother about me. I
- ain't a bit hungry. Mrs. Treadwell passed around some sliced ham an'
- bread, an' we had all the buttermilk we could drink.&rdquo;
- </p>
- <p>
- &ldquo;Tell me about it,&rdquo; Amanda demanded, eagerly. &ldquo;What was it Jeff was sayin'
- about Bart Perry?&rdquo;
- </p>
- <p>
- &ldquo;Oh, Bart was squelched in good fashion.&rdquo; Mrs. Rundel glanced at the
- shadowy shapes of her husband and son, and then back to the eager face of
- the questioner. &ldquo;You know what a stuck-up fool he is. He come there to run
- things, and he set in at it from the start. He hushed us up when we was
- all havin' a good time talkin', and begun a long-winded tirade about the
- big singin' he'd done over at Darley when he was workin' in the
- cotton-mill. He pointed to our song-books, which have shaped notes, you
- know, and sniffed, and said they belonged to the backest of the backwoods&mdash;said
- the notes looked like children's toy play-blocks, chickencoops,
- dog-houses, an' what not. He laughed, but nobody else did. He was in for
- burnin' the whole pile and layin' out more money for the new-fangled
- sort.&rdquo;
- </p>
- <p>
- &ldquo;I always knowed he was a fool for want o' sense,&rdquo; Amanda joined in,
- sympathetically. &ldquo;A peddler tried to sell me a song once that he said was
- all the go in Atlanta; but when I saw them mustard-seed spots, like
- tadpoles on a wire fence, I told him he couldn't take <i>me</i> in.
- Anybody with a grain o' sense knows it's easier to sing notes that you can
- tell apart than them that look pine blank alike.&rdquo;
- </p>
- <p>
- &ldquo;Some folks say it don't take long to learn the new way,&rdquo; Mrs. Rundel
- remarked, from the standpoint of a professional; &ldquo;but as Jeff said, we
- hain't got any time to throw away when we all want to sing as bad as we
- do.&rdquo;
- </p>
- <p>
- &ldquo;Well, you'd better go in and take that dress off,&rdquo; Amanda advised, as she
- reached out and caught the hem of the starched skirt and pulled it down a
- little. &ldquo;It shrinks every time it's washed, and you'll want to wear it
- again right off, I'll bound you.&rdquo;
- </p>
- <p>
- &ldquo;I don't want to wrinkle it any more than I have to,&rdquo; Mrs. Rundel
- answered. &ldquo;I want it to look nice next Sunday. We hold two sessions,
- mornin' and evenin'; and next week&mdash;the day hasn't been set yet&mdash;we
- are goin' to have a nip-and-tuck match with the Shady Grove class.&rdquo;
- </p>
- <p>
- &ldquo;That will be a heap o' fun,&rdquo; Amanda said, as her sister passed her and
- disappeared within. For a few minutes the trio in the yard were silent.
- Ralph Rundel's pipe glowed in the darkness like a thing of fitful moods.
- Paul had not heard a word of the foregoing conversation. Young as he was,
- he had many things to think of. The affair with the Harris boys flitted
- across his mind; in that, at least, he was satisfied; the vision of the
- fleeing ruffians vaguely soothed him. Something he had read in his book
- that day about Napoleon came back to him.
- </p>
- <p>
- It was the flashing of her sister's candle across the grass, as Mrs.
- Rundel passed before a window, that drew Amanda's thoughts back to a
- subject of which she was fond.
- </p>
- <p>
- &ldquo;Folks has always said I spoiled Addie,&rdquo; she said to her brother-in-law,
- in a plaintive tone, &ldquo;an' it may be so. Bein' ten year older when ma died,
- I was a mother to 'er in my best days. I had no chance myself, and somehow
- I determined she should have what I missed. I certainly made it easy for
- 'er. When she started to goin' to parties and out with young men I was
- actually miserable if she ever missed a chance. You know that, Rafe&mdash;you
- know what a plumb fool I was, considerin' how pore pa was.&rdquo;
- </p>
- <p>
- Ralph turned his head toward the speaker, but no sound came from him. His
- head rocked, but whether it was meant as a form of response, or was
- sinking wearily, no one but himself could have told. After that silence
- fell, broken only by the grinding tread on the floor within.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0004" id="linklink2HCH0004"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER IV
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">P</span>AUL stood up,
- threw his arms backward languidly, and stretched himself.
- </p>
- <p>
- &ldquo;Goin' to bed?&rdquo; his father inquired, absent-mindedly.
- </p>
- <p>
- &ldquo;No, down to the creek; there was a plenty of cats and eels running last
- night. Where's my cup of bait?&rdquo;
- </p>
- <p>
- &ldquo;I hain't touched it&mdash;I hain't dropped a hook in water for over two
- years. My hands shake, an' I can't hold a pole steady. The bait's with
- your tackle, I reckon.&rdquo;
- </p>
- <p>
- Paul went to the wagon-shed adjoining the stable, and from the slanting
- roof took down a pair of long canes, from the tapering ends of which
- dangled crude, home-twisted lines, to which were attached rusty hooks and
- bits of hammered lead, and, with the poles on his shoulder and the
- bait-cup in his hand, he went down the path to the creek near by. He had a
- subtle fondness for Nature, in any mood or dress, and the mystic landscape
- to-night appealed to a certain famished longing within him&mdash;a sense
- of an unattainable something which haunted him in his reflective moods.
- The stars were coming out in the unclouded skies, revealing the black
- outlines of the mountain, the intervening foot-hills, the level meadows,
- where the cattle and sheep lay asleep, and over which fireflies were
- darting and flashing their tiny search-lights. The sultry air held the
- aroma of new-cut hay, of crushed and dying clover-blossom. The snarl of
- the tree-frog and the chirp of the cricket were heard close at hand, and
- in the far distance the doleful howling of a dog came in response to the
- voice of another, so much farther away that it sounded softer than an
- echo.
- </p>
- <p>
- Presently Paul reached a spot on the creek-bank where the creeping
- forest-fires had burned the bushes away, and where an abrupt curve of the
- stream formed a swirling eddy, on the surface of which floated a mass of
- driftwood, leaves, twigs, and pieces of bark. Baiting his hooks, he
- lowered them into the water, fastening one pole in the earth and holding
- the other in his hands. He had not long to wait, for soon there was a
- vigorous jerking and tugging at the pole in his hands.
- </p>
- <p>
- &ldquo;That's an eel now!&rdquo; the sportsman chuckled; &ldquo;an' I'll land 'im, if he
- don't wind his tail round a snag and break my line.&rdquo;
- </p>
- <p>
- Eels are hard to catch, and this one was seen to be nearly a yard in
- length when Paul managed to drag it ashore. Even out of water an eel is
- hard to conquer, for Nature has supplied it with a slimy skin that aids it
- to evade the strongest human grip. The boy sprang upon his prey and
- grasped it, but it wriggled from his hands, arms, and knees, and like an
- animated rubber tube bounded toward the stream.
- </p>
- <p>
- &ldquo;Nail 'im, nail 'im!&rdquo; cried out Ralph Rundel, excitedly, quickening his
- stride down the path. &ldquo;Put sand on yore hands! Lemme show you&mdash;thar
- now, you got 'im&mdash;hold 'im till I&mdash;&rdquo; But the snakelike thing,
- held for a moment in Paul's eager arms, was away again. The boy and the
- man bumped against each other as they sprang after it, and Ralph was
- fortunate enough to put the heel of his shoe on it's head and grind it
- into the earth. The dying thing coiled its lithe body round the man's
- ankle like a boa, and then gradually relaxed.
- </p>
- <p>
- Now, fully alive to the sport, Paul gave all his attention to rebaiting
- his hook. &ldquo;This one raised such a racket he has scared all the rest off,&rdquo;
- he muttered, his eyes on his line.
- </p>
- <p>
- &ldquo;They'll come back purty soon,&rdquo; Ralph said, consolingly. He sat down on
- the sand and began to fill his pipe. His excitement over the eel's capture
- had lived only a moment. There was a fixed stare in his eyes, a dreamy,
- contemplative note of weariness in his voice, which was that of a man who
- had outgrown all earthly interests.
- </p>
- <p>
- &ldquo;How firm a foundation, ye saints of the Lord!&rdquo;
- </p>
- <p>
- It was the mellow, sonorous voice of Jeff Warren singing at his home
- across the fields.
- </p>
- <p>
- &ldquo;Humph! He gits a heap o' fun out of that, fust an' last,&rdquo; Ralph remarked,
- sardonically, and he shrugged his frail shoulders. &ldquo;It ain't so much the
- singin' he loves&mdash;if I'm any judge&mdash;as what it fetches to his
- net, as the sayin' is. He is a born lady's man. Jeff knows exactly when
- an' how to say the things that tickle a woman's fancy. I think&mdash;I
- think yore ma loves to hear 'im talk mighty nigh as well as she loves to
- hear 'im sing. I don't know&rdquo;&mdash;a slight pause&mdash;&ldquo;I say I don't
- know, but I <i>think</i> so.&rdquo;
- </p>
- <p>
- Paul thought he had a bite, and he raised his hook to see if the bait was
- intact. Ralph sighed audibly. He embraced his thin knees with his arms,
- and held the unlighted pipe in his hands. The hook was back in the water;
- the boy's face was half averted.
- </p>
- <p>
- &ldquo;Thar's a good many points about Jeff that women like,&rdquo; Ralph resumed, in
- a forced, tentative tone. &ldquo;He's a strappin', fine-lookin' feller, for one
- thing; young, strong, an' always gittin' in fights over some'n or other.
- The impression is out amongst women an' gals that he won't let nobody pass
- the slightest slur ag'in' one o' the sex in his hearin'. That will take a
- man a long way in the opinion of females; but all the same, he's a sly
- devil. He'll do to watch&mdash;in my opinion, that is. I've thought some
- that maybe&mdash;well, I don't know that I'd go that fur neither; but a
- feller like me, for instance, will have odd notions once in a while,
- especially if he ain't actively engaged an' busy, like I am most o' the
- time since I've been so porely. I was goin' to say that I didn't know but
- what I ort to sorter, you know&rdquo;&mdash;Ralph hesitated, and then plunged&mdash;&ldquo;warn
- yore mother to&mdash;to go it sorter slow with Jeff.&rdquo;
- </p>
- <p>
- Paul turned his back on the speaker and began to examine the bait on his
- hook; he shrugged his shoulders sensitively, and even in the vague
- starlight evinced a certain show of awkwardness. But Ralph was
- unobservant; his mental pictures were evidently more clear to him than
- material ones.
- </p>
- <p>
- &ldquo;Yore aunt Mandy is right,&rdquo; Ralph resumed. &ldquo;She shorely did spoil yore ma
- for any real responsibility in life. La me! it was the talk of the
- neighborhood&mdash;I mean Mandy's love-affair was. She was just a gal when
- she took a big fancy to a Yankee soldier that come along in one o'
- Sherman's regiments. He was to come back after the war was over, but he
- never did. It mighty nigh killed 'er; but yore ma was then growin' up, and
- Mandy just seemed to find comfort in pamperin' and indulgin' her. Addie
- certainly got all that was a-goin'! No gal in the neighborhood had nicer
- fixin's; she was just like a doll kept in a bandbox. Stacks and stacks o'
- fellows was after her, me in the bunch, of course. At first it looked like
- I didn't stand much of a show; but my grandfather died about then an' left
- me the farm I used to own. I reckon that turned the scale, for the rest o'
- the fellows didn't own a foot o' land, a stick o' timber, or a head o'
- stock. I say it turned the scale, but I don't mean that Addie cared much
- one way or the other. Mandy had it in hand. I begun to see that she sorter
- held the rest off and throwed me an' Addie together like at every possible
- chance&mdash;laughin' an' jokin' an' takin' a big interest an' tellin' me
- she was on my side. You see, it was a case o' the real thing with me. From
- the fust day I ever laid eyes on yore ma, an' heard 'er talk in her
- babyish way, I couldn't think o' nothin' else. I felt a little squeamish
- over bein' so much older 'an her; but Mandy laughed good an' hearty, an'
- said we'd grow together as time passed. Addie kept me in hot water for a
- long while even after that&mdash;looked like she didn't want Mandy to
- manage for her, an' kicked over the traces some. I remember I had to beg
- an' beg, an' Mandy argued an' scolded an' nagged till Addie finally
- consented. But, la me! how a feller's hopes kin fall! Hard times came. I
- borrowed on my land to keep Addie supplied with nice things, an' my crops
- went crooked. I lost money in a sawmill, an' finally got to be a
- land-renter like I am now, low in health an' spirits, an' dependent on you
- for even my tobacco&mdash;<i>tobacco</i>.&rdquo; Ralph repeated the word, for
- his voice had become indistinct.
- </p>
- <p>
- &ldquo;That's all right,&rdquo; Paul said, testily. &ldquo;Go on to bed. Settin' up like
- this ain't goin' to do you no good.&rdquo;
- </p>
- <p>
- &ldquo;It does me more good'n you think,&rdquo; Ralph asserted. &ldquo;I hold in all day
- long with not a soul to talk to, an' dyin' to say things to somebody. I
- ain't hardly got started. Thar's a heap more&mdash;a heap that I'm afraid
- you are too young to understand; but you will some day. Yore time will
- come, too. Yore lady-love will cross yore track, an' you'll see visions in
- her eyes that never was on land or sea. I look at you sometimes an' think
- that maybe you will become a great man, an' I'll tell you why. It is
- because you are sech a hard worker an' stick to a job so steady, and
- because you've got sech a hot, spicy temper when folks rile you by
- treatin' you wrong. Folks say thar is some'n in blood, an' I don't want
- you to think because I'm sech a flat failure that you have to be. Experts
- in sech matters say that a body is just as apt to copy after far-off kin
- as that which is close by, and I want to tell you something. It is about
- the Rundel stock. Three year ago, when I was a witness in a moonshine case
- at government court, in Atlanta, my expenses was paid, an' I went down,
- an' while I was in the city a feller called on me at my boardin'-house. He
- said the paper had printed my name in connection with the case, an' he
- looked me up because he was interested in everybody by the name o' Rundel.
- He was writin' a family history for some rich folks that wanted it all
- down in black an' white to keep for future generations to look at. He was
- dressed fine, and talked like a presidin' elder or a bishop. He told me,
- what I never had heard before, that the name ought to be spelled with an A
- in front&mdash;Arundel. He had a short way o' twistin' it that I can't
- remember. He said thar was several ways o' callin' the name, an' he
- laughed an' said he met one old backwoods chap in Kentucky that said his
- was 'Runnels' because his neighbors called 'im that, an' he liked the
- sound of it. He set for a good hour or more tellin' me about the ups an'
- downs of folks by the name. He said what made the whole thing so
- encouragin' was that the majority of 'em was continually on the rise. He'd
- knowed 'em, he said, to be plumb down an' out for several generations, an'
- then to pop up an' produce a man of great fame an' power. He had a list o'
- big guns as long as yore arm. I knowed I was too far gone to benefit by it
- myself, but I thought about you, an' I felt comforted. I've always
- remembered with hope an' pride, too, what Silas Tye told me about the
- tramp phrenologist that examined heads at his shop one day. He said men
- was payin' the'r quarters an' listenin' to predictions an' hearin' nothin'
- of any weight; but that the feller kept lookin' at you while you set
- waitin', an' finally Tye said the feller told the crowd that you had sech
- a fine head an' eye an' shaped hands an' feet an' ankles, like a blooded
- hoss, that he would pass on you for nothin'. Tye said you got mad an' went
- off in a big huff; but the feller stuck to what he'd said. He declared
- you'd make yore way up in the world as sure as fate, if you wasn't halted
- by some accident or other.&rdquo;
- </p>
- <p>
- Paul saw his line moving forward, his tense hands eagerly clutching his
- rod, but the swishing cord suddenly became slack on the surface of the
- water. An impatient oath slipped from his lips.
- </p>
- <p>
- &ldquo;Snapped my line right at the sinker!&rdquo; he cried. &ldquo;He was a jim-dandy, too,
- bigger than that one.&rdquo; He threw the pole with the broken line on the bank
- and grasped the other. If he had heard the rambling talk of his father it
- was completely forgotten.
- </p>
- <p>
- &ldquo;Folks laugh at me'n you both,&rdquo; Ralph ran on, a softer cadence in his
- voice. &ldquo;They say I've been a mammy to you, a nuss' an' what not. Well, I
- reckon thar's truth in it. After I found&mdash;found that me'n yore ma
- wasn't the sweethearts I thought we would be, an' you'd come an' looked so
- little an' red an' helpless in the pore little cradle I made out of a
- candle-box with wobbly rockers&mdash;I say, I reckon then that I did
- sorter take yore ma's place. She wasn't givin' milk, an' the midwife
- advised a bottle, and it looked like neither one o' the women would keep
- it filled an' give it at the right time. I'd go to the field an' try to
- work, but fearin' you was neglected I'd go to the house an' take you up
- an' tote you about. It was turnin' things the wrong way, I reckon, but I
- was a plumb fool about you. Yore mother seemed willin' to shift the job,
- an' yore aunt was always busy fixin' this or that trick for her to wear.
- But I ain't complainin'&mdash;understand that&mdash;I liked it. Yore
- little warm, soft body used to give me a feelin' no man kin describe. An'
- I suffered, too. Many a night I got up when you was croupy, an' uncovered
- the fire an' put on wood an' set an' rocked you, fearin' every wheezy
- breath you drawed would stop in yore throat. But I got my reward, if
- reward was deserved, for you gave me the only love that I ever knowed
- about. Even as a baby you'd cry for me&mdash;cry when I left you, an' coo
- an' chuckle, an' hold out yore little chubby hands whenever I come. As you
- got older you'd toddle down the field-road to meet me, yore yaller, flaxen
- head hardly as high as the broom-sedge. I loved to tote you even after you
- got so big folks said I looked ridiculous. You was about seven when my
- wagon run over me an' laid me up for a spell. I'll never forget how you
- acted. You was the only one in the family that seemed a bit bothered.
- You'd come to my bed the minute you got home from school, an' set thar an'
- rub my head. While that spell lasted I was the baby, an' you the mammy,
- an' to this day I ain't able to recall a happier time.&rdquo;
- </p>
- <p>
- Ralph rose and stood by his son for a moment, his gaze on the steady rod.
- &ldquo;I'll take the eel to the house,&rdquo; he said, &ldquo;an' skin it an' slice it up
- an' salt it down for breakfast. You may find me in yore bed. This is one
- o' the times I feel like sleepin' with you&mdash;that is, if you don't
- care?&rdquo;
- </p>
- <p>
- &ldquo;It is all right, go ahead,&rdquo; Paul said; &ldquo;there is plenty of room.&rdquo;
- </p>
- <p>
- With the eel swinging in his hand, his body bent, Ralph trudged toward the
- house, which, a dun blur on the landscape, showed in the hazy starlight. A
- dewy robe had settled on every visible object. An owl was dismally hooting
- in the wood, which sloped down from the craggy mountain. In the stagnant
- pools of the lowlands frogs were croaking, hooting, and snarling; the
- mountain-ridge, with its serried trees against the sky, looked like a vast
- sleeping monster under cloud-coverings.
- </p>
- <p>
- Now and then Jeff Warren was heard singing.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0005" id="linklink2HCH0005"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER V
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span>T certain times
- during the year Paul was en abled to earn a little extra money by hauling
- fire-wood to the village and selling it to the householders. One morning
- he was standing by his wagon, waiting for a customer for a load of oak,
- when Hoag came from the bar-room at the hotel and steered toward him. The
- planter's face was slightly flushed from drink, and he was in a jovial
- mood.
- </p>
- <p>
- &ldquo;Been playing billiards,&rdquo; he said, thickly, and he jerked his thumb toward
- the green, swinging doors of the bar. &ldquo;Had six tilts with a St. Louis
- drummer, an' beat the socks off of 'im. I won his treats an' I'm just a
- little bit full, but it will wear off. It's got to. I'm goin' in to eat
- dinner with my sister&mdash;you've seen 'er&mdash;Mrs. Mayfield. She's up
- from Atlanta with her little girl to git the mountain air an' country
- cookin'.&rdquo;
- </p>
- <p>
- At this moment Peter Kerr, the proprietor of the hotel, came out ringing
- the dinner-bell. He was a medium-sized man of forty, with black eyes and
- hair, the skin of a Spaniard, and an ever-present, complacent smile. He
- strode from end to end of the long veranda, swinging the bell in front of
- him. When Kerr was near, Hoag motioned to him to approach, and Kerr did
- so, silencing the bell by catching hold of the clapper and swinging the
- handle downward. Hoag laid his hand on Paul's shoulder and bore down with
- unconscious weight.
- </p>
- <p>
- &ldquo;Say, Pete,&rdquo; he said, &ldquo;you know this boy?&rdquo;
- </p>
- <p>
- &ldquo;Oh, yes, everybody does, I reckon,&rdquo; Kerr answered patronizingly.
- </p>
- <p>
- &ldquo;Well, he's the best hand I've got,&rdquo; Hoag said, sincerely enough; &ldquo;the
- hardest worker in seven States. Now, here's what I want. Paul eats out at
- my home as a rule an' he's got to git dinner here at my expense to-day.
- Charge it to me.&rdquo;
- </p>
- <p>
- Paul flushed hotly&mdash;an unusual thing for him&mdash;and shook his
- head.
- </p>
- <p>
- &ldquo;I'm goin' <i>home</i> to dinner,&rdquo; he stammered, his glance averted.
- </p>
- <p>
- &ldquo;You'll do nothing of the sort,&rdquo; Hoag objected, warmly. &ldquo;You've got that
- wood to sell, an' nobody will buy it at dinner-time. Every livin' soul is
- at home. Besides, I want to talk over some matters with you afterward. Fix
- 'im a place, Pete, an' make them niggers wait on 'im.&rdquo;
- </p>
- <p>
- There was no way out of it, and Paul reluctantly gave in. With burly
- roughness, which was not free from open patronage, the planter caught him
- by the arm and drew him up the steps of the hotel and on into the house,
- which Paul knew but slightly, having been there only once or twice to sell
- game, vegetables, or other farm produce.
- </p>
- <p>
- The office was noisily full of farmers, traveling salesmen, lawyers,
- merchants, and clerks who boarded there or dropped in to meals at the
- special rate given to all citizens of the place and vicinity. On the right
- hand was a long, narrow &ldquo;wash-room.&rdquo; It had shelves holding basins and
- pails of water, sloping troughs into which slops were poured, towels on
- wooden rollers, and looking-glasses from the oaken frames of which
- dangled, at the ends of strings, uncleanly combs and brushes.
- </p>
- <p>
- When he had bathed his face and hands and brushed his hair, Paul returned
- to the office, where the proprietor&mdash;with some more patronage&mdash;took
- him by the arm and led him to the door of the big dining-room. It was a
- memorable event in the boy's life. He was overwhelmed with awe; he had the
- feeling that his real ego was encumbered with those alien things&mdash;legs,
- arms, body, and blood which madly throbbed in his veins and packed into
- his face. He would not have hesitated for an instant to engage in a
- hand-to-hand fight with a man wearing the raiment of an emperor's guard,
- if occasion had demanded it; but this new thing under the heavens gave him
- pause as nothing else ever had done. The low-ceiled room, with its many
- windows curtained in white, gauzy stuff, long tables covered with snowy
- linen, glittering glass, sparkling plated-ware, and gleaming china, seemed
- to have sprung into being by some enchantment full of designs against his
- timidity. There was a clatter of dishes, knives, forks, and spoons; a busy
- hum of voices; the patter of swift-moving feet; the jar and bang of the
- door opening into the adjoining kitchen, as the white-aproned negroes
- darted here and there, holding aloft trays of food.
- </p>
- <p>
- Seeing Paul hesitating where the proprietor had left him, the negro head
- waiter came and led him to a seat at a small table in a corner somewhat
- removed from the other diners. It was the boy's rough aspect and poor
- clothing which had caused this discrimination against him, but he was
- unaware of the difference. Indeed, he was overjoyed to find that his
- entrance and presence were unnoticed. He felt very much out of place with
- all those queer dishes before him. The napkin, folded in a goblet at his
- plate, was a thing he had heard of but never used, and it remained
- unopened, even after the waiter had shaken it out of the goblet to give
- him ice-water. There were hand-written bills of fare on the other tables,
- but the waiter simply brought Paul a goodly supply of food and left him.
- He was a natural human being and unusually hungry, and for a few moments
- he all but forgot his surroundings in pure animal enjoyment. His appetite
- satisfied, he sat drinking his coffee and looking about the room. On his
- right was a long table, at which sat eight or ten traveling salesmen; and
- in their unstudied men-of-the-world ease, as they sat ordering cigars from
- the office, striking matches under their chairs, and smoking in lounging
- attitudes, telling yams and jesting with one another, they seemed to the
- boy to be a class quite worthy of envy. They dressed well; they spent
- money; they knew all the latest jokes; they traveled on trains and lived
- in hotels; they had seen the great outer world. Paul decided that he would
- like to be a drummer; but something told him that he would never be
- anything but what he was, a laborer in the open air&mdash;a servant who
- had to be obedient to another's will or starve.
- </p>
- <p>
- At this moment his attention was drawn to the entrance. Hoag was coming in
- accompanied by a lady and little girl, and, treading ponderously, he led
- them down the side of the room to a table on Paul's left. Hoag seemed
- quite a different man, with his unwonted and clumsy air of gallantry as he
- stood holding the back of his sister's chair, which he had drawn out, and
- spoke to the head waiter about &ldquo;something special&rdquo; he had told the cook to
- prepare. And when he sat down he seemed quite out of place, Paul thought,
- in the company of persons of so much obvious refinement. He certainly bore
- no resemblance to his sister or his niece. Mrs. Mayfield had a fair,
- smooth brow, over which the brown tresses fell in gentle waves; a slender
- body, thin neck, and white, tapering hands. But it was Ethel, the little
- girl, who captured and held from that moment forth the attention of the
- mountain-boy. Paul had never beheld such dainty, appealing loveliness. She
- was as white and fair as a lily. Her long-lashed eyes were blue and
- dreamy; her nose, lips, and chin perfect in contour. She wore a pretty
- dress of dainty blue, with white stockings and pointed slippers. How
- irreverent, even contaminating, seemed Hoag's coarse hand when it rested
- once on her head as he smiled carelessly into the girl's face! Paul felt
- his blood boil and throb.
- </p>
- <p>
- &ldquo;Half drunk!&rdquo; he muttered. &ldquo;He's a hog, and ought to be kicked.&rdquo;
- </p>
- <p>
- Then he saw that Hoag had observed him, and to his great consternation the
- planter sat smiling and pointing the prongs of his fork at him. Paul heard
- his name called, and both the lady and her daughter glanced at him and
- smiled in quite a friendly way, as if the fork had introduced them. Paul
- felt the blood rush to his face; a blinding mist fell before his eyes, and
- the whole noisy room became a chaos of floating objects. When his sight
- cleared he saw that the three were looking in another direction; but his
- embarrassment was not over, for the head waiter came to him just then and
- told him that Mr. Hoag wanted him to come to his table as soon as his
- dinner was finished.
- </p>
- <p>
- Paul gulped his coffee down now in actual terror of something intangible,
- and yet more to be dreaded than anything he had ever before encountered.
- He was quite certain that he would not obey. Hoag might take offense,
- swear at him, discharge him; but that was of no consequence beside the
- horrible ordeal the man's drunken brain had devised. Hoag was again
- looking at him; he was smiling broadly, confidently, and swung his head to
- one side in a gesture which commanded Paul to come over. Mrs. Mayfield's
- face also wore a slight smile of agreement with her brother's mood; but
- Ethel, the little girl, kept her long-lashed and somewhat conscious eyes
- on the table. Again the hot waves of confusion beat in Paul's face, brow,
- and eyes. He doggedly shook his head at Hoag, and then his heart sank, for
- he knew that he was also responding to the lady's smile in a way that was
- unbecoming in a boy even of the lowest order, yet he was powerless to act
- otherwise. Like a blind man driven desperate by encroaching danger that
- could not be located, he rose, turned toward the door, and fairly plunged
- forward. The toe of his right foot struck the heel of his left, and he
- stumbled and almost fell. To get out he had to pass close to Hoag's table,
- and though he did not look at the trio, he felt their surprised stare on
- him, and knew that they were reading his humiliation in his flaming face.
- He heard the planter laugh in high merriment, and caught the words: &ldquo;Come
- here, you young fool, we are not goin' to bite you!&rdquo;
- </p>
- <p>
- It seemed to the boy, as he incontinently fled the spot, that the whole
- room had witnessed his disgrace. In fancy he heard the waiters laughing
- and the amused comments of the drummers.
- </p>
- <p>
- The landlord tried to detain him as he hurried through the office.
- </p>
- <p>
- &ldquo;Did you git enough t'eat?&rdquo; he asked; but, as if pursued by a horde of
- furies, Paul dashed on into the street.
- </p>
- <p>
- He found a man inspecting his load of wood and sold it to him, receiving
- instructions as to which house to take it to and where it was to be left.
- With the hot sense of humiliation still on him, he drove down the street
- to the rear fence of a cottage and threw the wood over, swearing at
- himself, at Hoag, at life in general, but through it all he saw Ethel
- Mayfield's long, golden hair, her eyes of dreamy blue, and pretty, curving
- lips. She remained in his thoughts as he drove his rattling wagon home
- through the slanting rays of the afternoon sun. She was in his mind so
- much, indeed, from that day on, that he avoided contact with the members
- of his family. He loved to steal away into the woods alone, or to the
- hilltops, and fancy that she was with him listening to his wise
- explanation of this or that rural thing which a girl from a city could not
- know, and which a girl from a city, to be well informed, ought to know.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0006" id="linklink2HCH0006"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER VI
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">B</span>Y chance he met
- her a week or so later. She and her mother were spending the day at
- Hoag's, and near noon Ethel had strolled across the pasture, gathering
- wild-flowers. Paul had been working at the tannery assisting a negro
- crushing bark for the vats, and was starting home to get his dinner when
- he saw her. She wore a big sailor hat and a very becoming dress of a
- different color from the one he had first seen her in. He wanted to take a
- good look at her, but was afraid she would see him. She had her hands full
- of flowers and fern leaves, and was daintily picking her way through the
- thick broom-sedge. He had passed on, and his back was to her when he heard
- her scream out in fright, and, turning, he saw her running toward him. He
- hurried back, climbed over the rail fence, and met her. &ldquo;A snake, a
- snake!&rdquo; she cried, white with terror. &ldquo;Where?&rdquo; he asked, boyishly
- conscious that his moment had arrived for showing contempt for all such
- trivialities.
- </p>
- <p>
- &ldquo;There,&rdquo; she pointed, &ldquo;back under those rocks. It was coiled up right
- under my feet and ran when it saw me.&rdquo;
- </p>
- <p>
- There was a fallen branch of a tree near by, and coolly picking it up he
- broke it across his knee to the length of a cudgel, then twisted the twigs
- and bark off. He swung it easily like a ball-player handling a bat.
- </p>
- <p>
- &ldquo;Now, come show me,&rdquo; he said, riding on a veritable cloud of
- self-confidence. &ldquo;Where did it go?&rdquo;
- </p>
- <p>
- &ldquo;Oh, I'm afraid!&rdquo; she cried. &ldquo;Don't go, it will bite you!&rdquo;
- </p>
- <p>
- He laughed contemptuously. &ldquo;How could it?&rdquo; he sneered. &ldquo;It wouldn't stand
- a ghost of a chance against this club.&rdquo; He advanced to the pile of rocks
- she now indicated, and she stood aloof, holding her breath, her little
- hands pressed to her white cheeks, as he began prying the stones and
- boldly thrusting into crevices. Presently from the heap a brownish snake
- ran. Ethel saw it and screamed again; but even as he struck she heard him
- laugh derisively. &ldquo;Don't be silly!&rdquo; he said, and the next moment he had
- the dying thing by the tail, calmly holding it up for her inspection, its
- battered and flattened head touching the ground.
- </p>
- <p>
- &ldquo;It's a highland moccasin,&rdquo; he nonchalantly instructed her. &ldquo;They are as
- poisonous as rattlers. It's a good thing you didn't step on it, I tell
- you. They lie in the sun, and fellers mowing hay sometimes get bit to the
- bone.&rdquo;
- </p>
- <p>
- &ldquo;Drop it! Put it down!&rdquo; Ethel cried, her pretty face still pale. &ldquo;Look,
- it's moving!&rdquo;
- </p>
- <p>
- &ldquo;Oh, it will wiggle that way till the sun goes down,&rdquo; he smiled down from
- his biological height; &ldquo;but it is plumb done for. Lawsy me! I've killed
- more of them than I've got fingers and toes.&rdquo;
- </p>
- <p>
- Reassured, she drew nearer and looked at him admiringly. He was certainly
- a strong, well-formed lad, and his courage was unquestionable. Out of
- respect for her fears he dropped the reptile, and she bent down and
- examined it. Again the strange, new power she had from the first exercised
- over him seemed to exude from her whole being, and he felt a return of the
- cold, insecure sensation of the hotel dining-room. His heart seemed to be
- pumping its blood straight to his face and brain. Her little white hands
- were so frail and flower-like; her golden tresses, falling over her proud
- shoulders like a gauzy mantle, gave out a delicate fragrance. What a
- vision of loveliness! Seen close at hand, she was even prettier than he
- had thought. He had once admired Sally Tibbits, whom he had kissed at a
- corn-husking, as a reward for finding the red ear which lay almost in
- Sally's lap, and which, according to the game, she could have hidden; but
- Sally had never worn shoes, that he could remember, and as he recalled her
- now, by way of comparison, her legs were ridiculously brown and
- brier-scratched; her homespun dress was a poor bag of a thing, and her
- dingy chestnut hair seemed as lifeless as her neglected complexion. And
- Ethel's voice! He had never heard anything so mellow, soft, and
- bewitching. She seemed like a princess in one of his storybooks, the sort
- tailors' sons used to meet and marry by rubbing up old lamps.
- </p>
- <p>
- &ldquo;What are you going to do with it?&rdquo; She looked straight at him, and he
- felt the force of her royal eyes.
- </p>
- <p>
- &ldquo;Well, I don't intend to take it to the graveyard,&rdquo; he boldly jested.
- &ldquo;I'll leave it here for the buzzards.&rdquo; He pointed to the cloud-flecked
- sky, where several vultures were slowly circling. &ldquo;They'll settle here as
- soon as our backs are turned. Folks say they go by the smell of rotten
- flesh, but I believe their sense is keener than that. I wouldn't be much
- surprised if they watched and seed me kill that snake.&rdquo;
- </p>
- <p>
- &ldquo;How funny you talk!&rdquo; Ethel said, in no tone of disrespect, but rather
- that of the mild inquisitiveness of a stranger studying a foreign tongue.
- &ldquo;You said <i>seed</i> for <i>saw</i>. Why, my teacher would give me awful
- marks if I made a mistake like that. Of course, it may be correct here in
- the mountains.&rdquo; Paul flushed a deeper red; there was a touch of resentment
- in his voice.
- </p>
- <p>
- &ldquo;Folks talk that way round here,&rdquo; he blurted out; &ldquo;grown-up folks. We
- don't try to put on style like stuck-up town folks.&rdquo;
- </p>
- <p>
- &ldquo;Please forgive me.&rdquo; Ethel's voice fell; she put out her hand and lightly
- touched his. &ldquo;I didn't mean to hurt your feelings, and I never will say
- such a thing again&mdash;never, on my honor.&rdquo;
- </p>
- <p>
- He bitterly repented it afterward, but he rudely drew his hand away, and
- stood frowning, his glance averted.
- </p>
- <p>
- &ldquo;I am very sorry,&rdquo; Ethel said, &ldquo;and I can't blame you&mdash;I really
- can't. What I said was a great deal worse than your little mistake. My
- mother says rudeness is never excusable.&rdquo;
- </p>
- <p>
- &ldquo;Oh, it's all right,&rdquo; he gave in, as gracefully as he could.
- </p>
- <p>
- &ldquo;And are you sure you aren't mad with me?&rdquo; she pursued, anxiously.
- </p>
- <p>
- &ldquo;Nothin' to be mad about,&rdquo; he returned, kicking the snake with his foot.
- </p>
- <p>
- &ldquo;Well, I hope you won't hate me,&rdquo; she said. &ldquo;I feel that I know you pretty
- well. Uncle told us a lot about you that day at the hotel. He said you
- were the bravest boy he ever saw and the hardest worker. I saw you looked
- embarrassed that day, and he had no right to tease you as he did; but he
- was&mdash;of course, you know what was the matter with him?&rdquo;
- </p>
- <p>
- Paul nodded. &ldquo;I wasn't going to pay any attention to him,&rdquo; he declared. &ldquo;I
- wasn't&mdash;wasn't fixed up fit to&mdash;to be seen by anybody, any more
- than I am now, for that matter; but I can't do the work I have to do and
- go dressed like a town dude.&rdquo;
- </p>
- <p>
- &ldquo;Of course not&mdash;of course not,&rdquo; Ethel agreed, sympathetically, &ldquo;and
- Uncle says you spend all you make on others, anyway. He was telling us
- about how you loved your father and took care of him. You know, I think
- that is wonderful, and so does mama. Boys are not like that in Atlanta;
- they are lazy and spoiled, and bad, generally. People in a city are so
- different, you know. Mama says the greatest men were once poor country
- boys. I'd think that was encouraging, if I was&mdash;if I <i>were</i> you&mdash;see,
- I make slips myself! After <i>if</i> you must always say were to be
- strictly correct. Just think of it, when I am grown up you may be a great
- man, and be ashamed even to know me.&rdquo;
- </p>
- <p>
- He shrugged his shoulders and frowned. The flush had partly left his face,
- leaving splotches of white here and there. &ldquo;No hopes of me ever mak-in'
- any sort of rise,&rdquo; he declared. &ldquo;There is too much to do at home; I don't
- get time to go to school or study.&rdquo;
- </p>
- <p>
- &ldquo;What a pity!&rdquo; Ethel sighed. She swept him from head to foot critically.
- Touches of pink lay on her cheeks just below her earnest eyes. &ldquo;You are
- good-looking&mdash;you&mdash;you really are handsome, and so strong and
- brave! Somehow I feel certain that you are going to be successful. I&mdash;I
- am going to pray for it. They say God answers prayers when they are the
- right kind, and I know mine would be right.&rdquo;
- </p>
- <p>
- &ldquo;I don't believe any of that rubbish,&rdquo; he said, loftily. &ldquo;I've heard your
- uncle Jim laugh at the preachers and folks that get converted one day and
- are plumb over it the next. He says they are the biggest fools in the
- world.&rdquo;
- </p>
- <p>
- &ldquo;I know he talks that way, and it worries mama awfully,&rdquo; the girl said.
- &ldquo;I'm afraid he's terribly bad. You see, he drinks, plays cards, curses,
- and is hard on the negroes who work for him. Now, the truth is that the
- people who go to church really are better than he is, and that, in itself,
- ought to show he's wrong&mdash;don't you think so?&rdquo;
- </p>
- <p>
- &ldquo;He just uses his natural brain,&rdquo; Paul returned, philosophically. &ldquo;He says
- there is just one life, an' he's goin' to get all he can out of it. I
- don't blame him. He's rich&mdash;he can buy and sell the folks round here
- that say he don't know what he's talkin' about. He says there ain't no
- God, and he can prove it. He made it purty plain one day while he was
- talking to a crowd at the tan-yard. He told 'em, if they believed there
- was any such thing, for 'em to pray for some'n and see if they'd get it.
- He told about a gang of Methodists that was praying for money to make a
- church bigger, and the lightning struck it and burned it down.&rdquo;
- </p>
- <p>
- &ldquo;Did you never pray yourself?&rdquo; Ethel questioned, quite irrelevantly.
- </p>
- <p>
- He hesitated; his color flamed again in his face, and he avoided her
- gentle, upward gaze. &ldquo;Not&mdash;not since I was very little,&rdquo; he said,
- awkwardly. &ldquo;I don't believe in it; the whole shoutin', singin-and-prayin'
- bunch of meetin'-folks make me sick.
- </p>
- <p>
- &ldquo;Uncle is responsible for all that,&rdquo; Ethel declared. &ldquo;You naturally would
- look up to him; but I believe he is wrong&mdash;I really do. I like good
- people, and, while he is my uncle, I&mdash;well, I don't feel the same
- toward him as I would if he were a different sort of man.&rdquo;
- </p>
- <p>
- &ldquo;He's all right,&rdquo; Paul defended. &ldquo;He's rough, and curses some when he's
- mad, but you can count on him to keep his word in a deal. He's no
- hypocrite. Lots of folks believe as he does, but are afraid to own it; he
- stands his ground and tells them all exactly what he thinks, and says they
- can lump it.&rdquo;
- </p>
- <p>
- They had been walking side by side across the grass, and had reached the
- point where their ways parted. He was turning homeward, when she advanced
- impulsively and touched him almost timidly on the arm. Her pretty red lip
- was quivering and her hand shook visibly.
- </p>
- <p>
- &ldquo;I don't care what uncle says&mdash;or what <i>any one</i> says. I believe
- there is a God, and I believe He is good, and I am going to pray to Him to
- make you have faith.&rdquo;
- </p>
- <p>
- There were incipient tears in her eyes, and, as if to avoid his wondering
- stare, she lowered her head suddenly and walked away.
- </p>
- <p>
- At the front gate his father stood waiting for him, a mild look of
- excitement in his weary eyes. &ldquo;Heard the news?&rdquo; he inquired.
- </p>
- <p>
- &ldquo;No; what's happened?&rdquo; Paul answered.
- </p>
- <p>
- &ldquo;Enough, I reckon, to them that's hit by it,&rdquo; Ralph returned. &ldquo;Old Alf
- Rose, over t'other side o' the mountain, was found dead in a thicket close
- to his house. He was beat bad, his skull was all mashed in.&rdquo;
- </p>
- <p>
- &ldquo;Who did it?&rdquo; Paul asked.
- </p>
- <p>
- &ldquo;They don't know for sure; but he was robbed of all he had in his pockets,
- an' his hat was gone. A nigger, Pete Watson, is missin', and they say the
- sheriff and a passle o' deputies, an' half the county, are out scourin'
- the woods for 'im. Ef they ketch 'im thar 'll be a lynchin' as sure as
- preachin'.&rdquo;
- </p>
- <p>
- A voice now came from the farm-house. It was Amanda leaning out of the
- kitchen window.
- </p>
- <p>
- &ldquo;Come on in an' git yore dinner,&rdquo; she cried. &ldquo;Don't listen to that stuff
- or you won't eat a bite. Yore pa's chatter has already turned my stomach
- inside out.&rdquo;
- </p>
- <p>
- &ldquo;That's the woman of it,&rdquo; Ralph sniffed, wearily. &ldquo;They both begged an'
- begged for particulars, an' wormed every bit they could out o' me, an' now
- they talk about its gaggin' em.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0007" id="linklink2HCH0007"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER VII
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HAT evening, after
- Hoag had put his sister and niece into his phaeton, and told Cato, the
- negro driver, to take them to Grayson, he went back to the veranda where
- his wife and her mother, Mrs. Sarah Tilton, stood waving their
- handkerchiefs at the departing guests. Mrs. Hoag was a thin, wanfaced
- woman of questionable age and health. In honor of the visitors she wore
- her best black-silk gown, and its stiff, rigid folds and white-lace collar
- gave her a prim and annual-excursion look. There was a tired expression in
- her gray eyes, a nervous twitching of her needle-pricked fingers. Her
- mother was of a lustier type, having a goodly allotment of flesh, plenty
- of blood and activity of limb and brain, and a tongue which occupied
- itself on every possible occasion with equal loquacity in small or large
- affairs.
- </p>
- <p>
- &ldquo;I couldn't help from thinkin' what an awful time we'd have had,&rdquo; she was
- saying to her daughter, &ldquo;if they had stayed here this summer instead of at
- the hotel. I can stand it for a day or two, but three months on a stretch
- would lay me stark and stiff in my grave. Did you ever in all yore bom
- days see such finicky ways? They nibbled at the lettuce like tame rabbits
- eatin' cabbage-leaves, and wiped their lips or fingers every minute,
- whether they got grease on 'em or not, and then their prissy talk! I <i>presume</i>,
- if Harriet said <i>presee-um</i> once she did fully a dozen times, an' I
- didn't know any more what it meant than if she'd been talkin' Choctaw.&rdquo;
- </p>
- <p>
- &ldquo;They are simply not used to our country ways,&rdquo; Mrs. Hoag sighed. &ldquo;I don't
- feel like they are, to say, stuck up. I think they was just tryin' to be
- easy an' natural-like.&rdquo;
- </p>
- <p>
- &ldquo;Maybe she'd find it easier to go back to the way she used to live before
- her pa sent 'er off to that fine boardin'-school in Macon,&rdquo; Mrs. Tilton
- retorted, with a smile that froze into a sort of grimace of satisfaction.
- &ldquo;She used to go barefooted here in the mountains; she was a regular tomboy
- that wanted to climb every tree in sight, slide down every bank, and wade
- in every mud-puddle and branch anywheres about. She was eternally stuffin'
- her stomach with green apples, raw turnips, an' sweet potatoes, an'
- smearin' her face with 'lasses or preserves. She laid herself up for a
- week once for eatin' a lot o' pure licorice an' cinnamon-bark that she
- found in the drug-store her uncle used to keep at the cross-roads.&rdquo;
- </p>
- <p>
- Hoag sat down in a chair, tilted it back against the wall, and cast a
- summarizing glance toward his com, wheat, and cotton fields beyond the
- brown roofs of the long sheds and warehouses of the tannery at the foot of
- the hill. He seldom gave the slightest heed to the current observations of
- his wife or her mother. If they had not found much to say about the
- visitors, it would have indicated that they were unwell and needed a
- doctor, and of course that would have meant money out of his pocket, which
- was a matter of more moment than the most pernicious gossip. Hoag's
- younger son, Jack, a golden-haired child three years of age, toddled round
- the house and putting his chubby hands on the lowest of the veranda steps,
- glanced up at his father, and smiled and cooed. Hoag leaned forward, crude
- tenderness in his look and movement.
- </p>
- <p>
- &ldquo;That's right!&rdquo; he cried, gently, and he held his hands out encouragingly.
- &ldquo;Crawl up to daddy, Jack. I was lookin' for you, little boy. I was
- wonderin' where you was at. Got scared o' the fine town folks, an' hid
- out, didn't you?&rdquo;
- </p>
- <p>
- Slowly, retarded as Jack was by his short skirt, he mounted step after
- step, constantly applauded by his father, till, red in the face and
- panting, he reached the top and was eagerly received into the extended
- arms.
- </p>
- <p>
- &ldquo;Bully boy!&rdquo; Hoag cried. &ldquo;I knew you'd stick to it and never say die. You
- are as full o' pluck as an egg is of meat.&rdquo; And the planter pressed the
- bonny head against his breast and stroked the soft, curling hair with his
- big, red hand.
- </p>
- <p>
- Few of Hoag's friends knew of his almost motherly tenderness and fondness
- for his child. In returning home at night, even if it was very late, he
- never would go to bed without looking into his wife's room to see if Jack
- was all right. And every morning, before rising, he would call the child
- to him, and the two would wake The rest of the family With their romping
- and laughter. Sometimes Hoag would dress the boy, experiencing a delight
- in the clumsy action which he could not have analyzed. His devotion to
- Jack seemed all the more remarkable for his indifferent manner toward his
- older son, Henry, a lad of fifteen, who had a mischievous disposition
- which made him rather unpopular in the neighborhood. Many persons thought
- Henry was like his father in appearance, though quite the reverse in the
- habit of thrift or business foresight. Mrs. Tilton, the grandmother,
- declared that the boy was being driven to the dogs as rapidly as could be
- possible, for he had never known the meaning of paternal sympathy or
- advice, and never been made to do any sort of work. Be that as it might,
- Henry was duly sworn at or punished by Hoag at least once a week.
- </p>
- <p>
- The phaeton returned from the village. Cato drove the horses into the
- stable-yard and put them into their stalls, whistling as he fed them and
- rubbed them down. The twilight was thickening over the fields and meadows.
- The dew was falling. The nearest hills were no longer observable. Jack,
- still in his father's arms on the veranda, was asleep; the touch of the
- child's breath on the man's cheek was a subtle, fragrant thing that
- conveyed vague delight to his consciousness. Henry rode up to the stable,
- turned his horse over to Cato, and came toward the house. He was, indeed,
- like his father in shape, build, and movement. He paused at the foot of
- the steps, glanced indifferently at Hoag and said:
- </p>
- <p>
- &ldquo;I passed Sid Trawley back on the mountain-road. He said, tell you he
- wanted to see you to-night without fail; he said, tell you not to leave
- till he got here.&rdquo;
- </p>
- <p>
- &ldquo;Oh, all right,&rdquo; Hoag said, with a steady, interested stare at his son,
- who now stood beside him. &ldquo;I'll be here.&rdquo;
- </p>
- <p>
- His voice waked the sleeping child. Jack sat up, rubbed his eyes, and then
- put a little hand on his father's face. &ldquo;Dack hungry; Dack want his
- supper,&rdquo; he lisped.
- </p>
- <p>
- Hoag-swung him gently to and fro like a woman rocking an infant to sleep.
- &ldquo;Hold on!&rdquo; He was speaking to Henry, and his tone was harsh and abrupt.
- &ldquo;Did you water that horse?&rdquo;
- </p>
- <p>
- Henry leaned in the doorway, idly lashing his legs with his riding-whip.
- &ldquo;No; the branch was a quarter of a mile out of the way. Cato will lead him
- to the well.&rdquo;
- </p>
- <p>
- &ldquo;You know better than that,&rdquo; Hoag growled. &ldquo;You didn't even tell Cato the
- horse hadn't been watered. He would let him stay in the lot all night
- without a drop, hot as he is. Go water 'im now. <i>Go</i>, I tell you! You
- are getting so triflin' you ain't fit to live.&rdquo;
- </p>
- <p>
- Henry stared, and his stare kindled into a resentful glare. His whip hung
- steadily by his side. It was as if he were about to retort, but kept
- silence.
- </p>
- <p>
- &ldquo;Go 'tend to that horse,&rdquo; Hoag repeated, &ldquo;an' don't you ever do a thing
- like that again. You are none too good to do work o' that sort; I did
- plenty of it at your age. I had to work like a nigger an' I'm none the
- worse for it.&rdquo;
- </p>
- <p>
- Henry stood still. He had his father's temper, and it was being roughly
- handled. Jack, now thoroughly awake, put both his hands on his father's
- face and stroked his cheeks soothingly, as if conscious of the storm that
- was about to break. Then, slowly and with inarticulate mutterings, Henry
- turned and retraced his steps down the path to the stable. Hoag leaned
- over till Jack had to clutch the lapels of his coat to keep from falling.
- </p>
- <p>
- &ldquo;An' don't you raise a row with that nigger, neither,&rdquo; Hoag called out. &ldquo;I
- won't have it. You are not boss about this place.&rdquo;
- </p>
- <p>
- Henry paused in the path, turned a defiant face toward his father, and
- stood still for several seconds, then slowly went on to the stable.
- </p>
- <p>
- &ldquo;Dack want his supper, daddy,&rdquo; Jack murmured.
- </p>
- <p>
- &ldquo;All right, baby,&rdquo; Hoag said, in a tone of blended anger and gentleness,
- and with the child in his arms he went through the dark hall into the
- diningroom adjoining the kitchen in the rear of the house. Here, at the
- table next to his own place, he put Jack into the child's high-chair, and
- sat down beside him, his massive arm and hand still encircling the tiny
- shoulders.
- </p>
- <p>
- &ldquo;Now, make Dilly bring Jack's mush an' milk!&rdquo; Hoag said, with a laugh.
- &ldquo;Call 'er&mdash;call 'er loud!&rdquo;
- </p>
- <p>
- &ldquo;Dilly!&rdquo; Jack obeyed. &ldquo;Oh, Dilly!&rdquo;
- </p>
- <p>
- &ldquo;Louder; she didn't hear you.&rdquo; Hoag shook with laughter, and patted the
- child on the head encouragingly.
- </p>
- <p>
- &ldquo;Dilly! Oh, Dilly!&rdquo; Jack cried.
- </p>
- <p>
- &ldquo;Oh, I hear you, young marster,&rdquo; the portly negress laughed, as she
- shuffled into the room. &ldquo;I was gittin' yo' mush en milk, honey. I 'clar',
- 'fo' de Lawd you make me jump out'n my skin, I was so scared.&rdquo;
- </p>
- <p>
- &ldquo;Where's the rest o' the folks?&rdquo; Hoag inquired, with an impatient glance
- toward the door.
- </p>
- <p>
- &ldquo;Bofe of 'em say dey don't want er bite after eatin' all dat watermelon
- dis evenin',&rdquo; the cook answered. &ldquo;Miz Hoag say she gwine ter lie down
- right off, kase she got off dat hot dress en feel weak after so much
- doin's terday. She ain't er well 'oman, Marse Hoag&mdash;she ain't, suh. I
- know, kase I seed er lots of um in my day en time. She hain't got no
- spirit, suh; en when 'omen git dat way it's er bad sign o' what may come.&rdquo;
- </p>
- <p>
- Hoag showed no interest in the comment. He reached for the big platter of
- cold string-beans and boiled pork, and helped himself abundantly. He
- poured out his own coffee, and drank it hot from the saucer without sugar
- or cream. He used both hands in breaking the big, oval-shaped pone of
- corn-bread. He enjoyed his food as a hungry beast might, and yet he paused
- every now and then to feed the child with a spoon or to wipe the mush from
- the little chin. It was Jack's drooping head and blinking eyes that caused
- Hoag to hasten through the meal. He took the child to the little bed in
- its mother's room and put it down gently.
- </p>
- <p>
- &ldquo;Go to sleep,&rdquo; he said. &ldquo;Now go to sleep.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0008" id="linklink2HCH0008"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER VIII
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">H</span>E went back to the
- veranda through the unlighted hall, and stood looking across the lawn
- toward the gate. There was no moon; but the stars were out, and cast a
- soft radiance over the undulating landscape. Along the steep side of the
- nearest mountain forest fires in irregular lines pierced the thicker
- darkness of the distance, and their blue smoke drifted in lowering wisps
- over the level fields.
- </p>
- <p>
- &ldquo;Some'n's surely up, if Trawley wants to see me to-night,&rdquo; Hoag mused. &ldquo;I
- wonder if my men&mdash;&rdquo; He saw a horse and rider emerge from the gloom
- down the road leading on to Grayson. There was no sound of hoofs, for the
- animal was moving slowly, as if guided with caution. Nearer and nearer the
- horse approached, till it was reined in at the barnyard gate.
- </p>
- <p>
- &ldquo;That's him,&rdquo; Hoag muttered, and with a furtive look into the hall behind
- him he tiptoed softly down the steps, and then, his feet muffled by the
- grass, he strode briskly down to the gate. As he drew near the horseman,
- who was a slender young man in a broad-brimmed slouch hat, easy shirt, and
- wide leather belt, and with a heavy blond mustache, dismounted and leaned
- on the top-rail of the fence.
- </p>
- <p>
- &ldquo;Hello, Cap,&rdquo; was his greeting. &ldquo;'Fraid you might not be at home. Henry
- didn't know whether you would be or not, but I come on&mdash;wasn't
- nothin' else to do. The klan is all worked up in big excitement. They
- didn't want to move without your sanction; but if you'd been away we'd 'a'
- had to. Business is business. This job has to go through.&rdquo;
- </p>
- <p>
- &ldquo;What's up now?&rdquo; Hoag asked, eagerly.
- </p>
- <p>
- &ldquo;They've caught that nigger Pete Watson.&rdquo;
- </p>
- <p>
- &ldquo;Who has&mdash;my boys?&rdquo;
- </p>
- <p>
- &ldquo;No; the sheriff&mdash;Tom Lawler an' three o' his deputies.&rdquo;
- </p>
- <p>
- &ldquo;You don't say; where?&rdquo;
- </p>
- <p>
- &ldquo;In the swamp, in the river-bottom just beyond Higgins's farm. Ten of the
- klan happened to be waiting at Larkin's store when Lawler whizzed by with
- 'em in a two-hoss hack.&rdquo;
- </p>
- <p>
- Hoag swore; his voice shook with excitement. &ldquo;An' you fellers didn't try
- to head 'em off, or&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Head 'em off, hell! an' them with three cocked Winchesters 'cross their
- laps an' it broad daylight. Besides, the boys said you'd be mad&mdash;like
- you have been every time they've moved a peg without orders. You remember
- how you cursed an' raved when&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Well, never mind that!&rdquo; Hoag fumed. &ldquo;Where did they take the black
- devil?&rdquo;
- </p>
- <p>
- &ldquo;To jail in Grayson; he's under lock an' key all right. We followed, and
- saw 'im put in. He's the blue-gum imp that killed old Rose. Lawler told
- some o' our boys that he hain't owned up to it yet, but he's guilty. Sam
- and Alec Rose are crazy&mdash;would 'a' gone right in the jail an' shot
- everything in sight if we all hadn't promised 'em you'd call out the klan
- an' take action at once.&rdquo;
- </p>
- <p>
- &ldquo;I see, I see.&rdquo; Hoag's head rose and fell like a buoy on a wave of
- self-satisfaction. &ldquo;The boys are right. They know nothin' can be done in
- any sort o' decent order without a leader. You know yourself, Sid, that
- every time they've gone on their own hook they've had trouble, an' fetched
- down public criticism.&rdquo;
- </p>
- <p>
- &ldquo;We all know that well enough, Cap,&rdquo; Trawley said, &ldquo;an' the last one of
- the gang is dependent on you. It is wonderful how they stick to you, an'
- rely on yore judgment. But, say, we hain't got a minute to lose. The thing
- is primed an' cocked. We kin pass the word along an' have every man out by
- twelve o'clock. I just need your sanction; that's all I'm here for.&rdquo;
- </p>
- <p>
- In the starlight the lines, protuberances, and angles of Hoag's face stood
- out as clearly as if they had been carved from stone. He stroked his
- mustache, lips, and chin; he drew himself erect and threw his shoulders
- back with a sort of military precision. He felt himself to be a pivot upon
- which much turned, and he enjoyed the moment.
- </p>
- <p>
- &ldquo;Wait,&rdquo; he said, &ldquo;let me study a minute. I&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Study hell! Look here, Jim Hoag&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Stop!&rdquo; Hoag broke in sternly, and he leaned on the fence and glared at
- Trawley. &ldquo;You know you are breakin' rules&mdash;you know the last one of
- you has sworn never to speak my name at a time like this. I was to be
- called 'Captain,' an' nothin' else; but here you go blurtin' out my name.
- There is no tellin' when somebody may be listenin'.&rdquo;
- </p>
- <p>
- &ldquo;Excuse me, Cap, you are dead right. I was wrong; it was a slip o' the
- lip. I won't let it happen again.&rdquo;
- </p>
- <p>
- Hoag's anger was observable even in the dim light. It trembled in his tone
- and flashed in his eyes.
- </p>
- <p>
- &ldquo;Beggin' pardon don't rectify a mistake like that when the damage is
- done,&rdquo; he muttered. &ldquo;You fellers ain't takin' any risk. I'd be the one to
- hold the bag if the authorities got onto us. They would nab the leader
- first.&rdquo;
- </p>
- <p>
- &ldquo;You are too shaky and suspicious,&rdquo; the other retorted, in sanguine
- contempt of caution. &ldquo;We hain't got a man but would die ruther than turn
- traitor, an' thar ain't no court or jury that could faze us. As you said
- in yore speech at the last regular meetin', we are a law unto ourselves.
- This is a white man's country, Cap, an' we ain't goin' to let a few lazy
- niggers run it.&rdquo;
- </p>
- <p>
- &ldquo;The boys sort o' liked that speech, didn't they?&rdquo; Hoag's voice ran smooth
- again.
- </p>
- <p>
- &ldquo;It was a corker, an' tickled 'em all,&rdquo; Trawley smiled. &ldquo;They will put you
- in the legislature by a big vote whenever you say the word.&rdquo;
- </p>
- <p>
- &ldquo;I don't want it&mdash;I ain't that sort,&rdquo; Hoag said, grandiloquently.
- &ldquo;I'm satisfied if I can help a little here at home&mdash;sorter hold you
- boys together an' make you cautious. A thing like this to-night has to be
- managed in a cool-headed way that will convince the public that there is a
- power that can be relied on outside o' the tardy one that costs taxpayers
- so much to keep up. It would tickle a black whelp like Pete Watson to be
- tried at our expense. He'd love the best in the world to set up in court
- an' be looked at as some'n out o' the general run, an' incite others o'
- his stripe to go an' kill helpless white men an' insult white women. The
- rope, the torch, an' our spooky garb an' masks are the only things niggers
- are afraid of.&rdquo;
- </p>
- <p>
- &ldquo;You think that is it, do you?&rdquo; Trawley said, with a low, pleased laugh.
- </p>
- <p>
- &ldquo;More'n anything else,&rdquo; affirmed Hoag, &ldquo;along with our swift action. Say,
- I've been thinkin' over some'n Sid. You said when you fust rid up that the
- klan won't act without a leader, an' my business sometimes calls me off to
- Atlanta or Augusta&mdash;now it is important, in case I'm away at any
- time, to have some sort o' head, an' I've been thinkin' that, as you are
- sech an active member, you ought to be made my lieutenant&mdash;&rdquo;
- </p>
- <p>
- &ldquo;You don't mean that, do you, Cap&mdash;you don't surely&mdash;&rdquo; Trawley's
- voice seemed submerged in a flood of agreeable surprise.
- </p>
- <p>
- &ldquo;I do, an' I'm goin' to propose it at the next full meetin'. I want a
- young man like you that I can confer with now and then an' chat over
- matters. A feller can't always git at a big body like ours by hisself, an'
- you seem to be better fitted to the office than any other member.&rdquo;
- </p>
- <p>
- &ldquo;I'm much obliged, Cap.&rdquo; Trawley beamed, and his voice was round and full.
- &ldquo;I'd like to stand in with you an' I'll do my best. I promise you that.
- The whole thing is fun to me.&rdquo;
- </p>
- <p>
- &ldquo;You've been more help to me already than anybody else,&rdquo; Hoag said, &ldquo;and
- I'm goin' to propose yore name an' see that it goes through. Now, we
- haven't got any time to lose in this job to-night. Send the word along the
- line, Tell all hands to meet at Maxwell's cove by eleven o'clock&mdash;that
- will give us plenty o' time to git things in shape.&rdquo;
- </p>
- <p>
- The dawn of the following day was on the point of breaking when Henry Hoag
- crossed the garden behind the farm-house, stealthily unlocked the front
- door, and crept up the stairs to his room. He had been out &ldquo;skylarking&rdquo;
- with some of his friends, and did not want his parents to know the hour of
- his return home. He did not light the candle on his bureau, but proceeded
- to undress in the dark. Suddenly he paused, as he sat on the edge of his
- bed removing his shoes, and listened. It was a soft footfall on the steps
- of the veranda, the gentle turning of a key in the lock of the door, the
- creaking of the hinges, followed by the clicking of the latch as the door
- was closed. A moment later a clumsy tread slurred along the lower corridor
- to Hoag's room.
- </p>
- <p>
- Henry chuckled. &ldquo;Got in by the skin of my teeth,&rdquo; he said. &ldquo;If he knew I
- watched that thing from start to finish he'd beat me 'in an inch o' my
- life. He tried to change his voice, but he was too excited to hide it.
- Gee! didn't that poor nigger beg? Ugh, I'm afraid I'll see 'im in my
- sleep, and hear that last gurgle.&rdquo;
- </p>
- <p>
- Henry cautiously lowered a shoe to the floor and sat still for a moment.
- &ldquo;Poor old Pete!&rdquo; he mused. &ldquo;He swore he didn't do it, and somehow it
- seemed to me that he wasn't lyin'. I'd have turned him loose and risked
- it. Poor fellow! Poor fellow!&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0009" id="linklink2HCH0009"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER IX
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">H</span>OAG was in a
- reflective mood as he rode along his field-road in the crisp morning air.
- The sockets of his eyes were puffed out, and he looked like a man who had
- lost much sleep, and was braced up for the duties of the day by drink.
- Within certain material limits he was satisfied with himself. The dew
- seemed to have added succulence to his fat corn-stalks and sugar-cane; his
- wheat and cotton were in prime condition, especially the latter, of which
- his judgment had prompted an unusually large planting, and according to
- the market reports the staple would bring a fine price.
- </p>
- <p>
- The affair of the preceding night had gone off with quiet, order, and
- dignity. His followers had listened to his usual speech with respect and
- close attention, and he was sure he had never spoken better. His threat
- that if his wishes were disobeyed in the slightest he would renounce the
- leadership had had the desired effect of proving that he was not a man to
- be trifled with. He told them he was giving his valuable time to the
- office, and had held himself in duty bound to answer every call, and would
- continue to do so as long as they realized the importance of his advice
- and services.
- </p>
- <p>
- As he rode into Grayson he saw the sheriff and Budd Tibbs, the village
- marshal, on a one-horse dray, followed by a motley group of men, women,
- and children afoot, and Hoag knew that they were bound for the spot where
- the body of the lynched man was still hanging. The sheriff would cut the
- rope, an inquest would be held, and the corpse would be taken away for
- burial. On the street-corners at the Square stood groups of storekeepers
- without their hats and coats, blandly gazing after the dray and officers.
- The thought came to Hoag that some of the men on the street might wonder
- why he did not stop and chat about the matter, as would be natural for an
- ordinary citizen to do, who, living out of the village, might only just
- have heard of the happening; but Hoag was not in the mood for the adroit
- part he would have to play. His brain felt heavy and his thoughts were
- sluggish. The sight of the grave faces stirred a vague, unaccountable
- discontent within him, and he urged his horse to move faster. Suddenly the
- crude sign of a boot and shoe painted on a swinging board over the door of
- Silas Tye's shop caught his attention, and reminded him of something he
- wanted to say to the cobbler, so he dismounted at the door, hitched his
- horse to a post in front, and went into the shop.
- </p>
- <p>
- Silas was at work putting a half-sole on a shoe which he held tightly
- clamped between his knees, and looked up over his murky spectacles and
- nodded.
- </p>
- <p>
- &ldquo;Good momin', Brother Hoag,&rdquo; he said. &ldquo;Some'n I kin do for you?&rdquo;
- </p>
- <p>
- &ldquo;Not at present, Uncle Si.&rdquo; Hoag sat down in a chair, thrust his hand into
- his hip-pocket, and taking out a piece of plug-tobacco, bit off the corner
- and rolled it about in his mouth. &ldquo;No, I hain't got no work for you
- to-day. In fact, I come to sponge on you&mdash;to see if you can't give me
- a piece o' business advice. They say every man to his line, an' I reckon
- you know as much about ready-made shoes as anybody else at Grayson.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I don't know; I don't know much about manufactured stuff.&rdquo; Silas
- shook his bald head gently. &ldquo;I kin tell good leather by the feel, look,
- an' smell of it; but mendin' has got to be my chief work now, an' mendin'
- shoddy goods at that. I kin make as good a boot as you or any other man
- would wear, but not at the machine-made price. A pair o' my boots will
- outwear any three from a box sold over a counter, but nobody round here
- will believe it.&rdquo;
- </p>
- <p>
- &ldquo;I don't doubt it&mdash;I don't doubt it for a minute,&rdquo; Hoag agreed, &ldquo;and
- this is what I want to consult you about. I want your opinion. You know
- I've got that tannery, and I sometimes tan bigger quantities of hides,
- Uncle Si, than I am willin' to let go at the average price offered in
- Atlanta by the jobbers. So you see, in turnin' it over in my mind, it
- struck me all at once that I might put up a little factory on my place for
- makin' plain shoes by machinery, an' in that way work off surplus stock,
- increase my output of leather, and make the middleman's profit. If you
- will look out on the Square any day you'll see it perfectly black with
- idle niggers, an' I could put some of 'em to work, an'&mdash;&rdquo;
- </p>
- <p>
- The shoemaker glanced up and smiled faintly. &ldquo;I reckon you won't see many
- in sight this momin',&rdquo; he sighed, as he resumed his work. &ldquo;The pore devils
- are scared out o' their senses by that thing last night. It's awful,
- awful!&rdquo;
- </p>
- <p>
- There was a pause. Hoag's eyelashes fluttered. &ldquo;Yes, yes, I reckon so,&rdquo; he
- said. &ldquo;I was goin' on to say&mdash;&rdquo;
- </p>
- <p>
- But some sound in the street had caught Tye's attention and, forgetful of
- his customer, he rose and stood at the door and looked out. The wrinkles
- on his brow and about his kindly eyes were drawn and deepened as he peered
- over the brass rims of his glasses. Hoag heard him sigh again, and saw him
- rubbing the sole of the shoe absent-mindedly.
- </p>
- <p>
- &ldquo;What's goin' on?&rdquo; the tanner asked, without moving from his chair.
- </p>
- <p>
- &ldquo;It's that poor nigger Pete Watson's wife an' daughters,&rdquo; was the answer.
- &ldquo;They've come to claim the body&mdash;Dick Morgan is showin' 'em which way
- to go. Lord, Lord, they do look pitiful! They ain't even cryin'&mdash;niggers
- seldom do at sech a time. Looks like they won't shed tears before the
- whites for fear it will make 'em mad. They learnt who the'r masters was
- before the war, an' they ain't over it. I knowed Pete Watson&mdash;I've
- mended shoes for 'im. He was always a civil nigger, an' clever enough.
- I've had talks with 'im, an' I've been astonished to hear what sensible
- ideas he had. He appeared to me to be a Christian&mdash;a Christian that
- understood what the Lord really meant when he was here on earth, an'
- that's rare even among the whites.&rdquo;
- </p>
- <p>
- Silas came back to his bench and slowly sat down. &ldquo;Lord, Lord, what a
- pity, what a pity!&rdquo; he continued to mutter.
- </p>
- <p>
- &ldquo;They say he was undoubtedly guilty.&rdquo; Hoag felt his anger rising, and yet
- he realized that he must restrain himself. &ldquo;That is the current report,
- anyway,&rdquo; he said.
- </p>
- <p>
- &ldquo;It always <i>is</i> the report,&rdquo; Silas said. &ldquo;Even if a mistake was made
- the public would never know it. The gang that did the work would see to
- that.&rdquo;
- </p>
- <p>
- &ldquo;We are gittin' away from what we was talkin' about,&rdquo; Hoag said. &ldquo;I was
- asking you what you thought about me startin' a little shoe-plant?&rdquo;
- </p>
- <p>
- &ldquo;I'm afraid it wouldn't pay,&rdquo; Silas said, deliberately. &ldquo;They make shoes a
- sight cheaper in the big works up North than you possibly could down here
- in the backwoods with untrained help. It's been tried, without success,
- several times here an' thar. The Yankees understand the knack o' splittin'
- leather an' usin' both halves, an' even the middle, for different
- purposes. You can't make shoes right an' put in good stock at the prices
- Northern made-up goods fetch.&rdquo; Silas selected a woman's shoe from a pile
- on the floor, and with his blackened thumb pried the worn bottom open.
- &ldquo;Look at that&mdash;stuffed with leather shavin's an' glue! That's what
- you'd have to contend with. When folks go to buy they go by looks, not
- quality. Then yore help would fall down on you. You can't turn easy-goin',
- jolly singin' an' dancin' black boys an' gals into drudgin' machines all
- at once. They come from a drowsy, savage race an' a hot climate, an' you
- can't make 'em over in a day. La, la&mdash;&rdquo; The shoemaker bent sideways
- to look out of the doorway toward the spot where the lynching had
- occurred. &ldquo;That's why that thing seems so pitiful.&rdquo;
- </p>
- <p>
- Hoag felt his ire rising, but he curbed himself. &ldquo;They say&mdash;folks
- say, I'm told&mdash;that the nigger was <i>guilty</i>,&rdquo; he muttered. &ldquo;When
- the neighbors first went to his house they found the old hat Rose had on
- when he was murdered. That fact may not be generally known.&rdquo;
- </p>
- <p>
- &ldquo;Yes, it is,&rdquo; Silas replied; &ldquo;but if that's all the mob acted on they
- acted on powerful flimsy evidence. I've heard men say so this mornin'&mdash;good
- lawyers right here in town. Besides, I myself heard&mdash;why, a man set
- right whar you are a-settin' at this minute, Brother Hoag, an' told me not
- ten minutes ago that he seed Pete with his own eyes pick up the hat on the
- side o' the road long after the killin'. Now, you see, the fact that Pete
- had Rose's hat wouldn't actually condemn 'im in a court of law, while it
- would be proof enough for a drunken gang o' hotheaded nigger-haters. For
- all we know, somebody else done the killin' an' thro wed the hat down. I
- myself don't believe that even a <i>fool</i> nigger would kill a man an'
- tote his hat along a public road for everybody to see, an' take it home
- an' give it to one o' his boys to wear. It don't stand to reason.&rdquo;
- </p>
- <p>
- A grim look of blended anger and chagrin had settled on Hoag's face, He
- crossed his legs and tapped the heel of his boot with the butt of his
- riding-whip.
- </p>
- <p>
- &ldquo;I'm not takin' up for the&mdash;the men that did the job,&rdquo; he said. &ldquo;I
- have no idea who they are or whar they come from&mdash;all abouts in the
- mountains, I reckon; but any man with an eye in his head can see that the
- niggers in this country are gettin' out of all bounds. Thar is not a day
- that some white woman ain't mistreated or scared out o' her senses. I
- wouldn't trust a nigger an inch. I've seed the best of 'em&mdash;psalm-singers
- an' exhorters in meetin'&mdash;turn right round an' commit acts that only
- hell itself could devise.&rdquo;
- </p>
- <p>
- &ldquo;I know, I know,&rdquo; Silas sighed; &ldquo;an' in my opinion that's exactly why we
- need law&mdash;an' good law at that. Niggers are natural imitators of the
- whites; they see lawlessness, an' they git lawless. Mob law stirs up the
- worst that's in 'em. They see injustice done&mdash;the wrong man lynched,
- for instance&mdash;an' they brood over it in secret an' want to hit back,
- an' they do it the first chance. I don't see you at meetin' often, Brother
- Hoag, an' you may not depend much on Scripture&mdash;many busy men don't,
- these days; but it is my chief guide, an' our Lord an' Master laid down
- rules of conduct that if they was half obeyed thar wouldn't be a speck o'
- strife betwixt white an' black. Lovin' the humblest&mdash;'the least of
- these,' as our Saviour put it&mdash;an' turnin' t'other cheek as a daily
- practice wouldn't leave an openin' for such as that last night.&rdquo;
- </p>
- <p>
- Silas put some wooden pegs into his mouth, and began to make holes in the
- shoe-bottom with an awl and a flat-headed hammer. Hoag glared steadily at
- the bald pate for a moment, and then, shrugging his shoulders, he stood
- up. There was a red spot on each of his cheeks, a sullen, thwarted sort of
- flare in his eyes.
- </p>
- <p>
- &ldquo;Well, I'll have to be goin',&rdquo; he said, winding his pliant whip around his
- hand. &ldquo;I see you won't help me build that shoe-factory. I may do it, an' I
- may not. Thar is another deal I may put the money in, but that's plumb out
- o' your line. So long.&rdquo;
- </p>
- <p>
- The cobbler raised his eyes and muttered an inarticulate something from
- his peg-filled mouth, and watched Hoag as he went out and unhitched his
- horse.
- </p>
- <p>
- &ldquo;He's one o' the big men o' the county,&rdquo; Silas mused, &ldquo;an' yet he don't
- seem to have the slightest inkling o' what rail justice means. I reckon
- the almighty dollar has plumb blinded him. He wasn't any more concerned
- with what I told 'im about that pore darky than if I'd been talkin' about
- a dead hog. Well, they say he's give up believin' in a God or a future
- life, an' if he has he's livin' up to his lights, or <i>down</i> to 'em&mdash;I
- don't know which.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0010" id="linklink2HCH0010"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER X
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">I</span>N morbid
- ill-humor, and vaguely discontented under an intangible something that
- seemed to press upon him from external sources, Hoag went to his horse. At
- another time the conviction that a mere cobbler had convinced him of his
- lack of judgment in regard to a business venture would have irritated him
- beyond expression; but, strange to say, Silas had said other things that
- were even more objectionable, and Hoag had been obliged to sit and listen,
- and by his silence leave the impression on the stupid lout that he was
- right. The fellow was no doubt talking that way to others, and others were
- talking to him in the same vein.
- </p>
- <p>
- Diagonally across the street was the front entrance to a big
- livery-stable. It had a high board front, on which was painted a horse in
- a racing-gig and a driver in a jockey's cap leaning forward whip in hand,
- feet firmly braced. Beneath the picture were the words:
- </p>
- <h3>
- &ldquo;TRAWLEY'S FEED AND SALE STABLES&rdquo;
- </h3>
- <p>
- And thither Hoag led his horse. On the edge of the sidewalk a negro was
- washing the dust from a new buggy with a sponge and a pail of water.
- Another negro close by was trimming the mane and tail of a horse with a
- big pair of clicking shears. They had been conversing in low, earnest
- tones, but they ceased and applied themselves vigorously to work as the
- tanner approached.
- </p>
- <p>
- &ldquo;Hold my hoss,&rdquo; he said to the man with the pail. &ldquo;Is Sid about?&rdquo;
- </p>
- <p>
- &ldquo;Back inside, boss.&rdquo; The negro touched his hat, swept a broad, flat foot
- backward, and took the bridle. &ldquo;Leastwise, he was, suh, des er minute
- ergo. He was talkin' ter er gipsy dat had er muel ter swap. Dey didn't
- come ter no trade, dough. I know, kase de gipsy rid his muel off up de
- street.&rdquo;
- </p>
- <p>
- Hoag turned into the stable, which was a spacious structure with wide
- doors at each end, bare, brown rafters overhead, and a storm-shattered
- shingle roof, which in places let in rifts of sunshine and exposed bits of
- sky. On either side of a wide passage, from end to end of the building,
- were stalls, some occupied by horses, and all smelling of manure and musty
- hay. There was a sound of the champing of feeding animals, the swishing of
- tails, for the flies were plentiful, and the satisfied accompaniment of
- pawing hoofs on the soggy ground.
- </p>
- <p>
- In the rear doorway stood a man who had just stepped into view from the
- yard in the rear. It was Trawley. He had a stick of soft pine in his hand,
- and was nervously whittling with a big pocket-knife, his broad, slouch hat
- pushed back on his head and turned up in front. Sid was quite as well
- known for the good stable he ran as for his fighting tendencies, the quick
- use of a &ldquo;gun,&rdquo; and general habits of brave recklessness.
- </p>
- <p>
- Toward him, with a forced smile of companionship, Hoag walked, cautiously
- looking into the stalls as he passed.
- </p>
- <p>
- &ldquo;They are all in front,&rdquo; Trawley said, reassuringly when they met; &ldquo;but we
- don't want to be seen confabbin' together, to-day of all days.&rdquo; He jerked
- his knife toward the yard. &ldquo;Come out here whar it's quiet.&rdquo;
- </p>
- <p>
- With a steady stare of awakening wonder over Sid's unwonted caution Hoag
- followed, first into the open glare of the sun and then under the roof of
- a wagon-shed.
- </p>
- <p>
- &ldquo;If you hadn't come in, I was goin' to ride out to see you,&rdquo; Trawley said,
- with a frown which lay heavily on his sharp-cut features. &ldquo;I reckon you've
- heard&mdash;bad news travels fast.&rdquo;
- </p>
- <p>
- &ldquo;News? I hain't heard nothin'.&rdquo; Hoag held the butt of his whip against his
- lower lip and stared questioningly. &ldquo;Say, what's up?&rdquo;
- </p>
- <p>
- &ldquo;Enough, God knows&mdash;hell's to pay. We've got to git together right
- away an' take action o' some sort. Say&mdash;wait a minute.&rdquo;
- </p>
- <p>
- The negro who had been cleaning the buggy was drawing it through the
- stable toward them, and his master strode angrily to the rear door.
- </p>
- <p>
- &ldquo;Leave that buggy thar,&rdquo; he ordered, &ldquo;an' go back to the front an' stay
- till I come.&rdquo;
- </p>
- <p>
- With a blank look of astonishment the negro dropped the tongue of the
- buggy, and turned back to the front. Hoag heard Trawley softly grumbling
- as he came back.
- </p>
- <p>
- &ldquo;I'll break a board over that nigger's head one o' these days,&rdquo; he
- growled. &ldquo;He was try in' to get back here to see what me'n you are up to.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I reckon not&mdash;I reckon not,&rdquo; Hoag said, his gaze anxiously fixed
- on Trawley's face. &ldquo;Just now you said somethin' about news.&rdquo;
- </p>
- <p>
- &ldquo;You'll think it's news when you hear it,&rdquo; the stable-man said, taking off
- his hat and mopping his hot brow with a soiled handkerchief. &ldquo;Cap, the
- last thing me or you could possibly expect has done happened. The sheriff
- of Canton County has just telegraphed that he's got the man that killed
- old Rose.&rdquo;
- </p>
- <p>
- &ldquo;Got the man that&mdash;bosh! Why <i>we</i>&mdash;&rdquo; The words fell from
- Hoag's lips like bits of metal, and he broke off with a low oath. For a
- moment neither he nor Trawley spoke. Hoag laughed defiantly, mechanically,
- and without mirth. Then his face glowed faintly. &ldquo;Oh, I see, the sheriff
- over thar don't know what&mdash;what took place here last night. He's
- nabbed some triflin' nigger that had a suspicious look, an' is holdin' 'im
- for&mdash;&rdquo;
- </p>
- <p>
- &ldquo;'Twasn't no nigger,&rdquo; Trawley said. &ldquo;It is a tramp&mdash;a white man that
- the sheriff says passed Rose's farm yesterday afoot.&rdquo;
- </p>
- <p>
- &ldquo;Well, what o' that?&rdquo; Hoag showed irritability. &ldquo;We'll have to wire the
- sheriff to turn the man loose&mdash;that's all&mdash;that's all!&rdquo;
- </p>
- <p>
- &ldquo;If that <i>was</i> all, it <i>would</i> be easy; but it ain't, by a long
- shot,&rdquo; Trawley sniffed. &ldquo;The tramp had Rose's old silver watch with his
- name cut on it!&rdquo;
- </p>
- <p>
- &ldquo;You mean&mdash;&rdquo; But Hoag knew well what he meant, and was in no mood for
- idle remarks. When thwarted in anything, justly or unjustly, he became
- angry; he felt his rage rising now over his sheer inability to cope with a
- situation which certainly demanded all his poise, all his mental forces.
- </p>
- <p>
- &ldquo;We are simply in a hole,&rdquo; Trawley muttered, still wiping the sweat from
- his brow. &ldquo;In a hole, an' a deep one at that.&rdquo;
- </p>
- <p>
- &ldquo;What makes you think so?&rdquo; Hoag was glaring into the eyes of his
- companion, as a man in dense darkness trying to see.
- </p>
- <p>
- &ldquo;Because we are,&rdquo; Trawley answered. &ldquo;The sheriff over thar in Canton won't
- want to admit he's made a mistake with the proof he holds. He'll bring his
- man to trial an' the fellow will be convicted. The fact that we&mdash;that
- us boys in this county strung up a nigger for the crime won't make any
- difference over thar, but it will make a lot here.&rdquo;
- </p>
- <p>
- &ldquo;I don't see how.&rdquo;
- </p>
- <p>
- &ldquo;Well, I do, if you don't, Cap. We are in, an' we are in deep. You have a
- curious way about you&mdash;you git so mad when things go ag'in' you that
- you won't admit facts when they are before you. As for me, I've been here
- thinkin' over it all momin'. It is nasty&mdash;the whole damn thing is
- nasty. The niggers are gittin' bold enough anyway, along with what the
- Atlanta papers have been sayin' in their favor, an' the Governor talkin'
- about orderin' troops out, an' the like, an' now this will simply stir up
- the State. We kin keep the main body of niggers down by what we done&mdash;what
- was done last night; but thar are some sly ones with white blood an' hell
- in 'em. We are all in danger. Look at this stable.&rdquo; Trawley waved his damp
- handkerchief toward the big building and surrounding wagon-sheds. &ldquo;One of
- the devils could sneak up here any night and set fire to all I got an'
- burn it to the ground. It is so dry it would go up like powder. I've got
- several thousand dollars' worth of vehicles, to say nothin' of live-stock
- that can't be driv' out at such a time, an' I don't carry insurance,
- because the rate is too high, owin' to the risk bein' so heavy; Land as
- for you&mdash;your tannery, house, cotton-gin, warehouse, an'&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Thar's no good talkin' about all <i>that!</i>&rdquo; Hoag broke in, with a
- lowering frown. &ldquo;We've got to do something, an' do it quick.&rdquo;
- </p>
- <p>
- &ldquo;Wait a minute,&rdquo; Trawley said. &ldquo;I hear one o' them niggers whistlin' for
- me; it may be one o' our&mdash;one of&mdash;may be somebody lookin' for us
- now. Thar'll be excitement, big excitement, when it spreads about through
- the mountains.&rdquo;
- </p>
- <p>
- There was an oak in the yard which shaded the well, and Hoag went to the
- well and sat down on the end of a long dug-out watering-trough. He was
- beginning to perspire freely, and he took off his hat and fanned himself
- in a nervous, jerky fashion. His hands were damp, and on their red backs,
- and along his heavy wrists, the hairs stood like dank reeds in a miniature
- swamp. He was in high dudgeon; everything seemed to have turned against
- him. Tye's unconscious lecture and crude object-lessons, combined with the
- old man's spiritual placidity and saintly aloofness from the horrors he
- shrank from, were galling in the extreme. Then Trawley's fears that
- certain property might be destroyed by way of retaliation were worth
- considering; and, lastly, there was the humiliation of such a grave
- mistake becoming public, even though the perpetrators themselves might not
- be known. From where Hoag sat he could look into the stable, and he saw
- Trawley going from stall to stall showing the horses to a well-dressed
- stranger, who looked like a traveling salesman of the better class.
- Presently the man left the stable, and Trawley, still holding his stick
- and knife in hand, came back to Hoag.
- </p>
- <p>
- &ldquo;Damn fool from up North,&rdquo; he explained, angrily. &ldquo;Wanted to hire a rig
- an' hosses to go over the mountain, whar he's got some lumber interests.
- He talked to me like&mdash;I wish you'd a-heard 'im. I couldn't hardly pin
- 'im down to business, he was so full o' the hangin'. He happened to see
- 'em cut down the body an' haul it away. Of course, he had no idea that I&mdash;he
- seemed to lay it to a gang o' cutthroats from over whar he was to go, an'
- wondered if it would be safe for a Northern man to drive out unarmed an'
- without a bodyguard.&rdquo;
- </p>
- <p>
- &ldquo;Why didn't you slap his jaw?&rdquo; Hoag growled, inconsistently.
- </p>
- <p>
- &ldquo;Yes, an' had 'im ax what it was to me,&rdquo; Trawley snarled. &ldquo;I did, in a
- roundabout way, try to show up our side, an' what we have to contend with;
- but he just kept groanin', 'My Lord, my Lord,' an' sayin' that old woman
- an' her children was the pitifulest sight he ever saw! He said&rdquo;&mdash;Trawley
- shrugged his shoulders and made a grimace as he tugged at his mustache&mdash;&ldquo;he
- said all of us <i>civilized</i> citizens&mdash;them was his words&mdash;ought
- to band together an' 'force law an' order&mdash;that it was killin' our
- interests. He had been countin' on locatin' here, he said, but was afeard,
- when the thing got in the papers, his company would back out an' not
- develop their property. He seemed awfully put out. I tried to tell 'im
- that if he knowed niggers as we do he'd see it our way; but the truth is,
- I was so bothered over that dang tramp's arrest that&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I've been studyin' over that.&rdquo; Hoag dismissed the stranger from his mind
- with a fierce frown. &ldquo;There is only one thing to do. Set down here&mdash;set
- down!&rdquo;
- </p>
- <p>
- Sid complied. &ldquo;If you can think of any way out o' the mess you can beat
- me,&rdquo; he said, dejectedly.
- </p>
- <p>
- &ldquo;Thar is just one thing for us to do.&rdquo; Hoag was to some extent regaining
- his self-possession, his old autocratic mien had returned. &ldquo;You fellows
- are all goin' to git rattled an' somebody's got to keep a clear head an'
- plan how to act. The klan will naturally look to me; it is really on my
- shoulders; we'll sink or fall by my judgment. Some of us have got to git
- together to-night an' march over thar to the Canton jail an' take that
- tramp out.&rdquo;
- </p>
- <p>
- &ldquo;An' lynch 'im? Good Lord, Cap&mdash;&rdquo;
- </p>
- <p>
- &ldquo;No, fool, not lynch 'im&mdash;that wouldn't do&mdash;that never would do
- in the world; we must send 'im about his business&mdash;hustle 'im out o'
- the country an'&mdash;an' circulate the report that he was arrested by
- mistake, which&mdash;which I've no doubt he was. Pete Watson sold 'im the
- watch. That's plain enough.&rdquo;
- </p>
- <p>
- &ldquo;Oh, ah, I see&mdash;by gum, I see; but what about the sheriff over thar?
- Fellers o' that sort are sometimes proud o' makin' an arrest in a case
- like that.&rdquo;
- </p>
- <p>
- &ldquo;That's the only hill to climb an' we may fail; but we've got to try it. I
- know 'im purty well. He expects to be re-elected, an' half of our boys
- live in his county an' vote thar. We must show 'im the damage the thing
- would work among the niggers, an' sort o' make a&mdash;a political issue
- of it; show 'im that he'll git beat, an' beat bad, if he goes ag'in' so
- many.&rdquo;
- </p>
- <p>
- &ldquo;By gum, you <i>are</i> a corker, Cap&mdash;you sure are.&rdquo; Hoag's eyes
- gleamed, a look of pride settled on his face; he crossed his legs and
- tapped the spur on his heel with the butt of his whip till the little
- pronged wheel spun like a circular saw, &ldquo;When I'm driv' clean to the wall
- like this I generally see a loophole,&rdquo; he said. &ldquo;Now, let's set to work;
- you send out the word in the usual way, an' have 'em meet at the Cove.&rdquo;
- </p>
- <p>
- &ldquo;Good, good! It's worth tryin', anyway.&rdquo; Trawley breathed more freely.
- &ldquo;I'll notify most o' the boys&mdash;especially them that live in Canton
- County.&rdquo;
- </p>
- <p>
- &ldquo;Order out as many as you can,&rdquo; Hoag said. &ldquo;At night it will be hard for
- the sheriff to know who they all are, an' the bigger the crowd the better;
- but, say&mdash;I've just thought of something important. You'll have to
- leave Sam an' Alec Rose out. You see it stands to reason that they'd never
- consent to let the tramp off, an'&mdash;an'&mdash;well, we can't kill 'im.
- He's got to go free.&rdquo;
- </p>
- <p>
- &ldquo;Yes, Sam an' Alec will have to be left out&mdash;they are crazy enough as
- it is. I'll caution the other boys not to let 'em know a thing about it.&rdquo;
- </p>
- <p>
- &ldquo;That's the idea.&rdquo; Hoag was starting away, when Trawley, still seated on
- the trough, called him back.
- </p>
- <p>
- &ldquo;Wait; thar was something else I had on my mind to tell you, but it has
- clean slipped away. I intended to tell you last night, but we had so much
- to do, an' thar was so much excitement. Lemme see&mdash;oh yes, now I
- remember!&rdquo; Trawley stood up and caught the lapel of Hoag's thin coat.
- &ldquo;Say, Cap, I want to warn you, as a friend, you are goin' to have more
- trouble with Jeff Warren. He hain't never been satisfied since you an' him
- had that fight last spring. He says he licked you, an' that you've been
- denying it. He was here at the stable yesterday talkin' about what he was
- goin' to do with you when he meets you. He's heard some'n he claims you
- said about him an' Ralph Rundel's wife. I reckon he is actin' the fool
- about 'er, an' maybe he is takin' advantage of a sick man; but nobody
- knows, for sure. Some think Jeff is honorable. Anyway, you'll have to look
- out an' not let 'im git the drop on you. He's a bloodthirsty devil when
- he's mad, an' he hain't got sense enough to know that he'd compromise the
- woman worse by fightin' for her than lettin' the matter blow over.&rdquo;
- </p>
- <p>
- Hoag stood silent, facing his companion. His countenance became rigid and
- his heavy brows fell together; there was a peculiar twitching about his
- nostrils. &ldquo;I don't know what I said about him an' her, an' I care less.&rdquo;
- He spoke in halting, uncertain tones. &ldquo;I've got no use for 'im, an' never
- had.&rdquo;
- </p>
- <p>
- &ldquo;Well, I thought there'd be no harm in puttin' you on yore guard.&rdquo; Trawley
- looked at his chief as if perplexed over his mood. &ldquo;He's a hot-headed
- devil, that will shoot at the drop of a hat.&rdquo;
- </p>
- <p>
- Hoag stood rigid. There was a fixed stare in his eyes. His lips quivered,
- as if on the verge of utterance, and then he looked down at the ground.
- Trawley eyed him in slow surprise for a moment, then he said:
- </p>
- <p>
- &ldquo;I hope, Cap, you don't think I am meddlin' in yore private business. It
- is not often that I tote any sort o' tale betwixt two men; but Jeff is
- such a rampant daredevil, an' so crazy right now, that&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I'm not afraid of 'im. Good God, don't think that!&rdquo; Hoag was quite pale.
- &ldquo;It was only&mdash;say, Sid, it's like this: do you think that a man like
- me, with all I've got at stake, one way or another, can afford to&mdash;to
- take even chances with a shiftless fool like Jeff Warren?&rdquo;
- </p>
- <p>
- &ldquo;It ain't what you, or me, or anybody can <i>afford</i> to do,&rdquo; the
- stable-owner returned, &ldquo;or <i>want</i> to do, for that matter; when a chap
- like Jeff is loaded for bear an' on our trail we've either got to git
- ready for 'im or&mdash;or swear out a peace-warrant, an' me or you'd
- rather be hung than do the like o' that. As for me, in all rows I treat
- everybody alike. If a black buck nigger wants satisfaction out o' me he
- can git it&mdash;you bet he can.&rdquo;
- </p>
- <p>
- &ldquo;Yes, yes, I know,&rdquo; Hoag said, his eyes shifting restlessly in their deep
- sockets, his fingers fumbling his whip. &ldquo;I was just wondering; did he&mdash;did
- you notice whether Warren was totin' a gun or not?&rdquo;
- </p>
- <p>
- &ldquo;I think he was; that's why I mentioned the matter to you. In fact, he was
- inquiring if anybody had seen you&mdash;said he knowed enough law to know
- that if he went to yore house on such serious business that he'd be held
- accountable, wharas, if you an' him met on a public highway it would be
- all right, beca'se it was your unjustified remark ag'in' a woman that
- started the thing.&rdquo;
- </p>
- <p>
- Hoag stared into the face of his companion for another minute. It was as
- if he wanted some sort of advice and did not know how to ask for it. He
- shrugged his shoulders, lashed the hot air with his whip, cleared his
- throat, and said:
- </p>
- <p>
- &ldquo;I hope you don't think I'm afraid o' the dirty puppy, Sid?&rdquo;
- </p>
- <p>
- &ldquo;Afraid, oh no!&rdquo; Trawley replied, indifferently. &ldquo;Of course not. You kin
- shoot as straight as he can. Besides, if it come to the worst&mdash;if he
- did happen to git the best of it&mdash;you are in as good a shape to die
- as any man I know. You'd leave your wife an' family well provided for.
- Take my advice and don't give 'im a chance to draw a gun. Pull down, and
- pull down quick!&rdquo;
- </p>
- <p>
- Trawley led the way back into the stable, and at the front the two men
- parted. Hoag was on the sidewalk when Trawley called to him, and came to
- his side.
- </p>
- <p>
- &ldquo;If you hain't got a gun on you, you kin take mine,&rdquo; he said, in a low
- tone.
- </p>
- <p>
- &ldquo;I've got one,&rdquo; Hoag answered, a far-off look in his eyes, and he slid a
- hand over his bulging hip-pocket. &ldquo;I never go without it.&rdquo;
- </p>
- <p>
- &ldquo;Well, if nothin' happens, then I'll meet you tonight,&rdquo; Trawley reminded
- him. &ldquo;We must put that thing through.&rdquo;
- </p>
- <p>
- Hoag nodded. &ldquo;All right,&rdquo; he returned, abstractedly. &ldquo;All right&mdash;all
- right.&rdquo;
- </p>
- <p>
- &ldquo;If nothin' happens!&rdquo; The words fairly stung his consciousness as he
- walked away. &ldquo;If nothin' happens!&rdquo; His feet and legs felt heavy. There was
- a cold, tremulous sensation in the region of his pounding heart.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0011" id="linklink2HCH0011"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XI
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">H</span>OAG had some
- important business to transact in the little bank on one of the comers of
- the Square, and he was detained there half an hour or more. The thought
- flashed on him, as he sat alone at the banker's desk in the rear, that a
- prudent man at such a time would make a will; but the idea chilled him,
- horrified him. This feeling was followed by a desperate sort of anger over
- the realization that a low, shiftless clodhopper could so materially upset
- a man of his importance. He had recalled the idle remark which had reached
- Warren's ears, and knew it was the kind of thing the man would fight to
- the death about. And there was no way out of it&mdash;no way under the
- sun. He could not&mdash;as Trawley had said&mdash;appeal to the law for
- protection; such a course would make him the laughing-stock of all his
- followers, who thought him to be a man of unquestioned courage. Hoag drew
- a sheet of paper to him and began to write, but was unable to fix his mind
- on the matter in hand. It seemed utterly trivial beside the encroaching
- horror. Jeff Warren might walk in at any moment and level his revolver;
- Jeff Warren would kill the traducer of a woman in a church or in a group
- of mourners over a new grave and feel that he had done his duty. Hoag
- crumpled up the sheet of paper and dropped it into a waste-paper basket
- under the desk. He thrust his hand behind him and drew out his revolver
- and looked at it. He noticed, as he twirled the polished cylinder, that
- his fingers shook. He ground his teeth, uttered a low oath, and put the
- revolver back into his pocket. How could he defend himself with nerves
- such as the combination of tobacco and whisky had given him? He rose and
- went through the bank to the street, returning the banker's smiling
- salutation from the little grated window as he passed out.
- </p>
- <p>
- He drew a breath of relief when he reached the sidewalk, for Warren was
- not in sight. To Hoag an irrelevant sort of mocking placidity rested on
- the scene. Storekeepers, clerks, and cotton-buyers were moving about
- without their coats, pencils behind their ears. Countrymen from the
- mountains in white-hooded wagons were unloading grain, potatoes, apples,
- chickens in coops, and bales of hay, with their hearts in their work,
- while he, the financial superior of them all, was every minute expecting
- to grapple with a bloody and ignominious death. He had a deed to record at
- the Court House, and he went into the big, cool building and turned the
- document over to the clerk with instructions to keep the paper till he
- called for it. Two lank, coatless farmers, seated near the desk, were
- playing checkers on a worn, greasy board.
- </p>
- <p>
- &ldquo;Ah, ha!&rdquo; one of them said, &ldquo;cap that un, an' watch me swipe the balance.&rdquo;
- </p>
- <p>
- Hoag was going out when he saw, carelessly leaning in the doorway at the
- front of the hall, the man he was dreading to meet. For an instant he had
- an impulse to fall back into the clerk's office, and then the sheer
- futility of such a course presented itself. Besides, the tall, slender
- man, with dark hair and eyes and waxed mustache, who had no weapon in
- sight, was calmly addressing him.
- </p>
- <p>
- &ldquo;I want to see you, Jim Hoag,&rdquo; he said. &ldquo;Suppose we step back in the yard
- at the end o' the house?&rdquo;
- </p>
- <p>
- &ldquo;Oh, hello, Warren, how are you?&rdquo; Hoag said, forcing a desperate smile to
- his stiff mouth and chilled cheeks.
- </p>
- <p>
- &ldquo;I'll try to show you how I am in a few minutes,&rdquo; Warren answered, coldly,
- and he led the way down the hall, his high-heeled boots ringing on the
- bare floor, toward the door at the end. &ldquo;Or maybe it will be t'other way&mdash;you
- may show me. Well, if you can, you are welcome.&rdquo;
- </p>
- <p>
- &ldquo;I see you are lookin' for trouble, Jeff,&rdquo; Hoag began. &ldquo;I heard you wanted
- to see me, an' I heard you was mad at some fool lie or other that&mdash;&rdquo;
- </p>
- <p>
- &ldquo;You step out here on the grass,&rdquo; Warren said. &ldquo;I never seed the day I
- wouldn't give even a bloated skunk like you a fair chance. Draw your gun.
- You've got more money 'an I have, Hoag; but, by God! my honor an' the
- honor of a respectable lady of my acquaintance is worth as much to me as&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Look here, Jeff, I ain't armed.&rdquo; Hoag lied flatly as he saw Warren thrust
- his hand behind him. &ldquo;You say you want to act fair, then be fair&mdash;be
- reasonable. The truth is&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, I see&mdash;well, if you ain't ready, that alters it! No man can't
- accuse me of pullin' down on a feller that ain't fixed. I know you ain't
- a-goin' to back down after what I've said to your teeth, an' I'll set here
- on this step an' you go across to the hardware store an' fix yourself.
- Mine's a thirty-eight. I don't care what size you git. I want you to be
- plumb satisfied. Don't tell anybody, either. We don't want no crowd. This
- is our affair.&rdquo; Hoag moved a step nearer to the offended man. He smiled
- rigidly. His voice fell into appealing, pleading gentleness.
- </p>
- <p>
- &ldquo;Looky here, Jeff, you an' me 've had differences, I know, an' thar's been
- plenty o' bad blood betwixt us; but as God is my judge I never had any
- deep ill-will ag'in' you. I've always known you was a brave man, an' I
- admired it in you. You are mad now, an' you are not seein' things
- straight. You've heard some'n or other; but it ain't true. Now, I don't
- want any trouble with you, an&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Trouble!&rdquo; Warren's dark eyes flashed; his voice rang like steel striking
- steel. It was an odd blending of threat and laughter. &ldquo;If we don't have
- trouble the sun won't set to-night. I'm talkin' about what you said at the
- post-office t'other day to a gang about me an' a certain neighbor's wife.&rdquo;
- </p>
- <p>
- &ldquo;I think I can guess what you are talkin' about, an' you've got it plumb
- crooked, Jeff.&rdquo; Hoag bent toward the man and laid a bloodless hand full of
- soothing intent on his shoulder. &ldquo;You say you are a fair man, Jeff, an' I
- know you are, an' when a man like me says he's sorry and wants to fix
- things straight&mdash;without bloodshed&mdash;be reasonable. I didn't mean
- to reflect on the lady. I just said, if I remember right, that it looked
- like she admired you some. An' if you say so, I'll apologize to her
- myself. No man could ask more than that.&rdquo;
- </p>
- <p>
- The fierce dark eyes blinked; their glare subsided. There was a momentous
- pause.
- </p>
- <p>
- &ldquo;I wouldn't want 'er to hear a thing like that,&rdquo; Warren faltered. &ldquo;Too
- much has been said anyway, one way an' another, by meddlin' gossips, an'
- it would hurt her feelin's. I didn't want to fight about it, but couldn't
- hold in. An' if you say you didn't mean nothin' disrespectful, why, that
- will have to do. We'll drop it. I don't want bloodshed myself, if I kin
- get around it.&rdquo;
- </p>
- <p>
- &ldquo;I don't want any either, Jeff,&rdquo; Hoag said, still pacifically, and yet his
- fury, contempt for himself, and hatred for the man before him were already
- returning, &ldquo;so we'll call it settled?&rdquo;
- </p>
- <p>
- &ldquo;All right, all right,&rdquo; Warren agreed; &ldquo;it will have to do. When a man
- talks like you do nothin' more is to be said. I never yet have whipped a
- man that didn't want to fight. I'd as soon hit a suckin' baby.&rdquo; They
- parted, Warren going into the Court House and Hoag to the stable for his
- horse. Trawley was at the front waiting for him.
- </p>
- <p>
- &ldquo;Hello,&rdquo; he cried, &ldquo;I see he didn't plug you full o' holes. I watched 'im
- follow you into the Court House, an' expected to hear a whole volley o'
- shots.&rdquo;
- </p>
- <p>
- &ldquo;He <i>did</i> want to see me,&rdquo; Hoag sneered, loftily. &ldquo;In fact, he come
- while I was havin' a paper recorded an' wanted to see me. He tried to git
- me to admit I was slanderin' that woman, an' I gave 'im a piece o' my mind
- about it. Her son works for me, an' I think a lot of the boy. I wouldn't
- have Paul hear a thing like that for anything. He's all right an' is
- tryin' hard to make his way. I told Jeff if he wanted bloodshed to git up
- some other pretext an' I'd give 'im all he wanted. A triflin' scamp like
- he is can't stamp me in public as a traducer of women.&rdquo;
- </p>
- <p>
- &ldquo;I see, I see,&rdquo; said Trawley, in vague approval. &ldquo;Well, that's out of the
- way, an' we can attend to the other matter. It's a serious thing, Jim
- Hoag. The sheriff over in Canton may tell us to mind our own rat-killin',
- and then we <i>would</i> be in a box.&rdquo;
- </p>
- <p>
- &ldquo;We've got to bring all our force to bear an' pull 'im round,&rdquo; Hoag said.
- &ldquo;I'm goin' to see a few of our main men here in town, an' sorter map out a
- plan. If we go at it right, we'll pull it through. I'll meet you all at
- the Cove to-night.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0012" id="linklink2HCH0012"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XII
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">I</span>T was late in the
- afternoon when Hoag rode up to his house and delivered his horse to Cato,
- with instructions to feed and water the animal and rub him down carefully,
- as he had to &ldquo;use him again after supper.&rdquo;
- </p>
- <p>
- In the hall he met his wife. She had a tired, anxious look on her face,
- which seemed flushed by the heat of the cooking-stove, over which she had
- been working.
- </p>
- <p>
- &ldquo;Have the cows come up?&rdquo; he asked her.
- </p>
- <p>
- &ldquo;Yes.&rdquo; She glanced at him timidly. &ldquo;Mother is down attendin' to the
- milkin' with Dilly. I'm watchin' the meat in the stove.&rdquo;
- </p>
- <p>
- &ldquo;You'd better take it up as soon as it's good done,&rdquo; he said. &ldquo;I don't
- want supper to be late ag'in&mdash;not to-night, anyway. I've got to ride
- out to see a man that's got a lot o' land to sell.&rdquo;
- </p>
- <p>
- &ldquo;It's about done,&rdquo; she answered, wearily, &ldquo;an' I'll take it up an' set the
- table.&rdquo;
- </p>
- <p>
- He passed on to the kitchen, filled a dipper with water from the pail, and
- drank; then he returned to the front veranda and sat down in a latticed
- corner, over which honeysuckles climbed. He removed his coat, for the air
- was close and hot. He opened the bosom of his moist shirt, and fanned his
- face, big neck, and hairy chest with his hat. He was upset, dissatisfied,
- angry. So many things had gone contrary to his wishes. Why had he allowed
- Silas Tye to talk to him in such a vein? Why had he not defended the
- worthy principle he and his followers stood for? What could an ignorant
- shoemaker know of such grave and important issues? Then there was the
- memory of Jeff Warren's grimly determined mouth, set jaws, and flaming
- eyes, as he stood placidly demanding satisfaction of him&mdash;<i>of him</i>.
- Hoag's rage ran through him like streams of liquid fire, the glow of which
- hung before his eyes like a mist of flame. Why had he not&mdash;he
- clenched his brawny fist and the muscles of his arm drew taut&mdash;why
- had he not beaten the insolent fellow's face to a pulp for daring to talk
- of satisfaction to him? The man, even now, was perhaps recounting what had
- happened in his stoical, inconsequential way, and there were some persons&mdash;<i>some</i>,
- at least&mdash;who would think that the apology was the last resort of a
- coward. Men who didn't really know him might fancy such to be the case.
- Yes, he must have it out with Warren. Some day&mdash;before long, too&mdash;he
- would call him down publicly on some pretext or other in which a woman's
- fame was not involved, and prove himself to others and, yes&mdash;to
- himself.
- </p>
- <p>
- There was a soft step in the hallway behind him. It was his wife. He felt
- rather than saw her presence in the doorway.
- </p>
- <p>
- &ldquo;What is it&mdash;what is it?&rdquo; he demanded, impatiently.
- </p>
- <p>
- He heard her catch her breath, and knew the delay in replying was due to
- habitual timidity. He repeated his question fiercely, for there was
- satisfaction in being stern to some one after the humiliating manner in
- which he had received Warren.
- </p>
- <p>
- &ldquo;You say you are goin' out after supper?&rdquo; she faltered. &ldquo;I hope you ain't
- goin' far, because&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I'm goin' as far as I <i>want</i> to go,&rdquo; he hurled at her. &ldquo;I won't let
- you nor your mammy dabble in my affairs. I don't have to make excuses
- neither. My business is my business. I'll have to be late; but that's
- neither here nor thar, whether I am or not. I see you both with your heads
- together now and then, and I know what you say&mdash;I know what you think&mdash;but
- I'll be my own boss in this establishment, an' you may as well count on
- it.&rdquo;
- </p>
- <p>
- &ldquo;Don't, don't! Please don't talk so loud!&rdquo; she implored him, for his voice
- had risen almost to a shriek. &ldquo;Didn't Paul Rundel tell you? I sent 'im in
- town to find you. Surely you know&mdash;&rdquo;
- </p>
- <p>
- &ldquo;To find me? What for?&rdquo;
- </p>
- <p>
- &ldquo;Why, the baby's awful sick; he's just dropped to sleep. Paul got Dr. Lynn
- as quick as he could, an' then went on after you.&rdquo;
- </p>
- <p>
- &ldquo;Sick&mdash;sick&mdash;is Jack sick?&rdquo;
- </p>
- <p>
- Hoag lowered the front part of his chair to the floor and stood up. He
- stared into the shrinking face for a moment, and then he spoke in a low,
- startled voice.
- </p>
- <p>
- &ldquo;What did the doctor say ailed him?&rdquo;
- </p>
- <p>
- &ldquo;He said he couldn't tell yet. Jack's got a powerful high fever. Dr. Lynn
- said it might be very serious, and it might not. He left some medicine,
- an' told me to watch the child close. He said he'd be back as soon as he
- could possibly get here. He'd have stayed on, but he was obliged to attend
- to Mrs. Petty, who ain't expected to last through the night.&rdquo;
- </p>
- <p>
- Silence fell as the woman ceased speaking. Hoag's breathing through his
- big, hair-lined nostrils was audible. He put his hand on the door-facing
- and swayed toward it. Every trace of his anger had vanished.
- </p>
- <p>
- &ldquo;I didn't see Paul.&rdquo; He had lowered his voice to an undertone. &ldquo;I had no
- idea Jack was sick. When&mdash;when did you first notice it?&rdquo;
- </p>
- <p>
- &ldquo;About four o'clock. He was playin' in the yard, as usual, an' I didn't
- dream anything was wrong till Aunt Dilly come to me an' said Jack acted
- odd. She said she'd been watchin' 'im through the window, an' he'd quit
- playin' an' would lie down on the grass awhile an' then git up an' play a
- little an' then lie down ag'in. I went out and found him with the hottest
- skin I ever felt an' a queer, glassy look in his eyes. I toted 'im in an'
- put 'im on the bed, an' then I saw he was plumb out o' his head, thinkin'
- he saw ugly things which he said was comin' to git 'im. He was that way,
- off an' on, till the doctor come.&rdquo;
- </p>
- <p>
- One of Hoag's greatest inconsistencies was the tendency to anger whenever
- anything went contrary to his desires. He was angry now, angry while he
- was filled with vague fear and while certain self-accusing thoughts
- flitted about him like winged imps of darkness. He wanted to charge some
- one with having neglected the child, and he would have done so at any
- moment less grave. Just then a low moan came from Mrs. Hoag's room on the
- right of the hall, and she hastened to Jack's bedside. Hoag followed on
- tiptoe and bent over the child, who lay on his little bed before a window
- through which the fading light was falling.
- </p>
- <p>
- The child recognized his father and held up his flushed arms.
- </p>
- <p>
- &ldquo;Daddy, Dack's hick. It's hot&mdash;hot!&rdquo;
- </p>
- <p>
- &ldquo;I know&mdash;I know,&rdquo; Hoag said, soothingly, his hand on the child's
- brow; &ldquo;the medicine will cool you off after a while.&rdquo;
- </p>
- <p>
- &ldquo;Black' things come to catch Dack&mdash;oh, Daddy, don't let 'em&mdash;don't
- let 'em!&rdquo;
- </p>
- <p>
- &ldquo;You was out o' your head,&rdquo; Hoag heard himself saying, almost cooingly.
- &ldquo;It was a bad dream&mdash;that's all&mdash;a mean, bad dream.&rdquo;
- </p>
- <p>
- Then a vague stare of coming unconsciousness crept into the child's eyes
- and the long lashes drooped to the flushed cheeks. Hoag drew himself
- erect, held his breath lest his exhaling might waken the child, and crept
- quietly from the room back to the veranda.
- </p>
- <p>
- The twilight was thickening over the fields and meadows. The mountains
- loomed up like sinister monsters against the sky. Clouds of blue smoke
- from forest fires, far and near, hovered over the valley. The sultry air
- was laden with the odor of burning twigs, leaves, and underbrush. There
- was a step on the back porch, and, turning, he saw Mrs. Tilton coming in,
- bowed between two pails of milk. He went to her as she stood at the
- kitchen-table straining the warm, fragrant fluid into a brown jar. &ldquo;What
- do you think ails the baby?&rdquo; he inquired. &ldquo;Looks to me like scarlet
- fever,&rdquo; she answered, with the stoicism of her age and sex. &ldquo;I hain't seen
- many cases in my time, but from the indications&mdash;&rdquo; He swore under his
- breath, angry at her for even suggesting such a horrible possibility. &ldquo;I
- reckon you don't know much about such things. Wait till the doctor says
- it's as bad as that before you jump at it so quick.&rdquo;
- </p>
- <p>
- &ldquo;I didn't <i>say</i> I knowed for sure,&rdquo; Mrs. Tilton flared, resentfully.
- &ldquo;But thar's one thing certain, the doctor is worried&mdash;I saw that
- plain enough; he is worried, an' I never would 'a' thought o' scarlet
- fever if he hadn't said a lot of it was goin' round about.&rdquo;
- </p>
- <p>
- &ldquo;Who's got it?&rdquo; Hoag demanded, as fiercely as a lawyer browbeating a
- refractory witness.
- </p>
- <p>
- &ldquo;Why, the McKinneys' youngest gal. They sent 'er over here to borrow salt
- t'other day just before she was took down, an' her an' Jack&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I reckon you'll say you let Jack play with 'er next,&rdquo; Hoag blustered, in
- the tone of a rough man to a rough man.
- </p>
- <p>
- &ldquo;How could we tell?&rdquo; was the admission, calmly enough made. &ldquo;She hadn't
- broke out&mdash;she <i>did</i> look sort o' red; but it was a hot day, an'
- I thought she'd been runnin', as children will do. Jack was playin' in the
- straw that was cut last week, an' she come by an'&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Pack of fools&mdash;pack of idiots!&rdquo; Hoag thundered, and he went back to
- the veranda, where for several minutes he stood staring dejectedly into
- the night. He was there holding his unlighted pipe in his hand, his ears
- bent to catch any sound from the sick-room, when Aunt Dilly, the fat cook,
- came shuffling in her slipshod way up behind him.
- </p>
- <p>
- &ldquo;Supper's on de table, Marse Jim,&rdquo; she announced, in a low tone of
- concern. &ldquo;Miss Sarah an' 'er ma say dey don't feel like eatin' a bite&mdash;dey
- is so clean upset an' outdone.&rdquo;
- </p>
- <p>
- Hoag was not conscious of any desire for food, but as a matter of form or
- habit he followed the negress to the dining-room across the hall from
- where the child lay and took his usual seat at the long table. A lamp with
- a pink paper shade stood in the center of the board, and threw a rosy glow
- over the dishes and cold vegetables and meat. Hoag helped himself to the
- cabbage and beans, and broke the corn pone, and poured out his coffee. He
- ate slowly and yet without due mastication, for he was constantly
- listening, with knife and fork poised in the air, for any sound from the
- sick-room. The sight of the high, empty chair in which the baby usually
- sat next to him sent a shudder through him and tightened his throat.
- Hurrying through his supper, he rose and went back to his seat on the
- veranda. The fear that was on him was like a palpable weight which crushed
- him physically as well as mentally. Recent disagreeable occurrences
- flitted before his mind's eye like specters. It seemed to him, all at
- once, that a malignant destiny might be taking him in hand. An evil sun
- had risen on him that day, and this was its setting. Jack, the flower of
- his life&mdash;the only creature he had ever really loved&mdash;was going
- to die&mdash;to die, actually to die! Hoag stifled an upsurging groan. His
- head sank till his chin touched his bare breast, and then he drew himself
- up in resentful surprise over his weakness. The night crept on like a vast
- thing full of omnipotent and crafty design. It was twelve o'clock, and yet
- he had not thought of sleep, although he had not closed his eyes the night
- before. He heard voices in the sick-room, and was about to go thither,
- when the door opened and Mrs. Tilton came along the hall and stopped at
- his chair.
- </p>
- <p>
- &ldquo;I thought you was in bed,&rdquo; she said, in a strange, reserved tone. &ldquo;I'm
- awfully worried. I'm afraid it's goin' ag'in' Sarah. She ain't strong
- enough to stand up under it. If Jack goes she'll go too. Mark my
- prediction.&rdquo;
- </p>
- <p>
- &ldquo;How's the baby?&rdquo; Hoag impatiently demanded.
- </p>
- <p>
- &ldquo;I don't know; he's tossin' awful. Looks like Dr. Lynn would have been
- here by this time; but he said the only thing to do was to wait an' see
- how the medicine acted. Are you goin' to stay up?&rdquo;
- </p>
- <p>
- Hoag's head rocked. &ldquo;Yes, I want to hear what he says. I'll be out here if&mdash;if
- you&mdash;need me.&rdquo;
- </p>
- <p>
- &ldquo;All right.&rdquo; And the old woman slipped away in the unlighted hall, and he
- heard her softly opening the door of the sick-room. The silence of the
- night grew profound. The moon was rising like a flaming world above the
- mountain, throwing its mystical veil over the landscape. There was a sound
- of a closing gate at the foot of the lawn, and some one entered and came
- up the walk. It was Henry. He had a cane in his hand, and was idly
- slashing the flowers which bordered the walk. He was whistling in a low,
- contented way. Down the steps crept his father, and they met a little
- distance from the house.
- </p>
- <p>
- &ldquo;Stop that infernal noise!&rdquo; Hoag commanded. &ldquo;Hain't you got an ounce o'
- sense? The baby's sick an' you'll wake 'im. Whar 've you been?&rdquo;
- </p>
- <p>
- &ldquo;Over at John Wells's house,&rdquo; the boy replied. &ldquo;Tobe is going off to
- Texas, and everybody was saying good-by.&rdquo;
- </p>
- <p>
- &ldquo;I'll believe that when I have to,&rdquo; Hoag growled. &ldquo;I can smell liquor on
- you now. You fairly stink with it.&rdquo;
- </p>
- <p>
- &ldquo;'Twasn't nothing but an eggnog Mrs. Wells made,&rdquo; the boy said, slowly,
- studying the face before him.
- </p>
- <p>
- &ldquo;Well, you go on to bed,&rdquo; Hoag ordered. &ldquo;An' don't you make a bit o' noise
- goin' in, either. Don't wake that child.&rdquo;
- </p>
- <p>
- &ldquo;I ain't agoin' to wake 'im,&rdquo; Henry answered, as he turned away. &ldquo;I'm
- sorry he's sick. Can I see him?&rdquo;
- </p>
- <p>
- &ldquo;No, you can't! Go to bed an' let 'im alone.&rdquo;
- </p>
- <p>
- When his son had disappeared into the house Hoag stood for a moment
- staring at the light which filtered through the green blinds of his wife's
- room, and then, hearing the beating of hoofs on the road, he moved on to
- the gate with an eager, tentative step.
- </p>
- <p>
- &ldquo;That's the doctor now,&rdquo; he thought. &ldquo;What the hell's he creepin' along
- like a snail for when we've been waitin'&mdash;&rdquo; But the horse had stopped
- in the shadow of the barn, and Hoag saw the rider still in the saddle
- leaning sideways and peering at him.
- </p>
- <p>
- &ldquo;What's the matter, Doc?&rdquo; Hoag called out. &ldquo;Want me to hitch yo' hoss?&rdquo;
- </p>
- <p>
- &ldquo;It hain't the doctor&mdash;it's me, Cap. Anybody in sight&mdash;road
- clear?&rdquo;
- </p>
- <p>
- An oath of combined surprise and disappointment escaped Hoag's tense lips.
- It was Trawley, and for the first time since he had parted with the man
- that afternoon he recalled his appointment. He said nothing, but opened
- the gate, passed out, and went along the fence to the horse and rider.
- </p>
- <p>
- &ldquo;I come by to report.&rdquo; Trawley threw a leg over the rump of his steaming
- horse and stood down on the ground. &ldquo;Met Paul Rundel in town searchin'
- high an' low for you, an' heard your baby was purty bad off, so when I met
- the boys&mdash;eighty odd&mdash;an' we'd waited as long as we possibly
- could, I explained to 'em and took command, an' we went on; we just had to&mdash;time
- was powerful short, you know. We rode fast, goin' an' comin'.&rdquo;
- </p>
- <p>
- Trawley ceased speaking and looked at his chief in slow astonishment, for
- Hoag was blankly staring at the ground.
- </p>
- <p>
- &ldquo;My God, Cap, the little chap hain't&mdash;dead, is he?&rdquo;
- </p>
- <p>
- &ldquo;No, no, not yet&mdash;not yet,&rdquo; Hoag muttered; &ldquo;but he may be before
- mornin'.&rdquo;
- </p>
- <p>
- &ldquo;You don't say! That's bad, powerful bad, for I know what a great pet he
- is, an' a bright, knowin' child, too, if thar ever was one. Well, I reckon
- you want to know what we done? We got thar in the neighborhood o' nine
- o'clock, an' rid straight to the jail. The sheriff was thar hisself on
- guard, an' at first he thought we was a gang bent on lynchin', an' shet
- all doors an' talked about firin' on us; but I'd appointed Sim Cotes as
- spokesman, an' we raised a white flag an' called the sheriff out. Then Sim
- laid down the law in a speech as smooth as goose grease. As fast as the
- sheriff would raise an objection Sim would knock it into a cocked hat,
- till finally the feller didn't have a leg to stand on. Sim told 'im that
- if he didn't act sensible five hundred men would be out in the mornin'
- workin' for his defeat in the next election. He wiggled, an' argued, an'
- mighty nigh prayed&mdash;they say he's a deacon or some'n or other; but he
- had his price, an' he finally tumbled. He went in an' talked with the
- jailer an' his wife. The woman was on our side; said she didn't want to
- see the tramp strung up nohow. It was funny; we had 'im whar the wool was
- short, as the sayin' is, an' so&mdash;&rdquo;
- </p>
- <p>
- Trawley stopped, for Hoag had turned abruptly and was looking past him to
- the cross-roads at the corner of his property.
- </p>
- <p>
- &ldquo;That must be Doc Lynn now,&rdquo; he said, excitedly.
- </p>
- <p>
- &ldquo;No, it ain't,&rdquo; Trawley answered. &ldquo;That is a drummer in a rig o' mine. He
- went over to Tyler Station before daylight, an' was to git back to-night.
- I know the hoss's trot. Say, Cap, we shore did act in hot blood last
- night. We kin say what we like to the public, but we certainly sent one
- innocent coon to judgment. That measly tramp was as guilty as ever a man
- was.&rdquo;
- </p>
- <p>
- &ldquo;You think so?&rdquo; Hoag said, listlessly.
- </p>
- <p>
- &ldquo;Yes; we led 'im down the road apiece after we left the jail. He hadn't
- heard our dicker with the sheriff, an' made shore we was in for hangin'
- 'im. He must o' had a streak o' good old-fashioned religion in 'im, for
- all the way we heard 'im prayin' like rips. Even when we all got around
- 'im to explain he drapped on his knees in the road and confessed to the
- whole dern business. He didn't ax for mercy, either, but just begged for a
- few minutes to pray. The boys was all feelin' purty good over the way
- things was goin' an' was in for some fun, so nobody let on for a while,
- an' Sim Cotes, in as solemn a voice as a judge, called out that we'd 'low
- 'im three minutes, an' we all set down on the grass like Indians smokin' a
- pipe o' peace, an' tuck it in like a show. It seemed he didn't really
- intend to kill old Rose; he just wanted to stun 'im so he could get what
- he had, but the old man put up a regular wild-cat fight, an' was yellin'
- so loud for help, that he had to settle 'im to save his own skin.&rdquo;
- </p>
- <p>
- &ldquo;Then you let 'im go,&rdquo; Hoag prompted. &ldquo;Hurry up, I don't want to stay here
- all night.&rdquo;
- </p>
- <p>
- &ldquo;Yes; some o' the boys was in for givin' the poor devil a sound lashin';
- but he really looked like he wasn't strong enough to stand up under it,
- an' we didn't dare disable 'im, so when we explained to 'im that he was
- free if he'd get clean out o' the country an' hold his tongue, he was the
- funniest lookin' sight you ever saw. By gum, he actually tried to kiss our
- hands; he crawled about on his knees in the road, cryin' an' whimperin'
- an' beggin' the Lord to bless us. It actually unstrung some o' the boys&mdash;looked
- like they hardly knowed what to do or say. The tramp started off, lookin'
- back over his shoulder like he was afraid somebody would shoot, an' when
- he got to the top o' the rise he broke into a run an' he hit the grit like
- a scared rabbit.&rdquo;
- </p>
- <p>
- Trawley laughed impulsively; but no sign of amusement escaped Hoag. His
- eyes were fixed on a horse and buggy down the road.
- </p>
- <p>
- &ldquo;That must be the doctor,&rdquo; he said. &ldquo;You go on to town.&rdquo;
- </p>
- <p>
- &ldquo;All right, all right, Cap,&rdquo; was the reply. &ldquo;I just thought I'd stop by
- an' let you know how it come out. Good night.&rdquo;
- </p>
- <p>
- &ldquo;Good night,&rdquo; Hoag gloomily echoed, and he went back to the gate, where he
- stood waiting for the doctor.
- </p>
- <p>
- The physician was a man past middle age, full-bearded, iron-gray, and
- stockily built. He got out of his buggy with the deliberation of his
- profession.
- </p>
- <p>
- &ldquo;How is the child now?&rdquo; he asked, as he hitched his horse to the fence.
- </p>
- <p>
- &ldquo;I don't know, Doc; you'd better hurry in an' look at 'im. You think he is
- dangerous, don't you?&rdquo;
- </p>
- <p>
- &ldquo;I thought so when I saw 'im; but I can't tell sure yet. Couldn't get here
- a bit sooner&mdash;tried my best, but couldn't.&rdquo;
- </p>
- <p>
- Hoag opened the gate, and they both passed through. On the still air the
- trotting of Trawley's horse fell faintly on their ears. As they neared the
- house the light in the sick-room was turned up and Mrs. Tilton came to the
- front door.
- </p>
- <p>
- &ldquo;Walk in, Doctor,&rdquo; Hoag said, and he remained at the foot of the steps,
- his bare head catching the silvery beams of the moon. Hoag heard his
- mother-in-law speaking in a low, explanatory tone, as she led the doctor
- along the dark hall.
- </p>
- <p>
- What would the verdict be? Hoag asked himself. Other men had lost their
- children, why should not he&mdash;he, of all men, take his turn at that
- sort of fatality? He paced the grass in front of the house impatiently. He
- shrank from seeing the child. There was something in the small, suffering
- face which he felt would unman him. The minutes seemed to drag like hours.
- There was a constant grinding and rumbling of feet on the floor within,
- the mumbling of low voices. Hoag strained his ears for the sound of Jack's
- voice, but it did not come. Perhaps&mdash;perhaps the little fellow was
- sinking; children died that way, often without pain or struggle. Hoag for
- one instant leaned toward the hereditary instinct of prayer, and then
- shrugged his shoulders as he remembered that he had long since given all
- that up. Belief in God and a future life belonged to a period far back in
- his memory, when, as a smooth-faced youth, he had erroneously thought
- himself converted at a revival in which the whole countryside had given
- itself over to tears, rejoicings, and resolutions. No; if Jack was dying,
- that was the end of the little life&mdash;marvelous as it was&mdash;it was
- the end, the very end. Hoag sat down on the lowest step of the veranda,
- gripped his big hands between his knees, and stared at the pale, pitiless
- moon.
- </p>
- <p>
- The sound of a closing door fell on his ears; a heavy step rang in the
- hall. The doctor was coming out. Hoag stood up and faced him as he crossed
- the veranda, his medicine-case in hand. How damnably placid seemed the
- bearded face; how like that of an official executioner or an undertaker
- bent on mere profit.
- </p>
- <p>
- &ldquo;Well, well?&rdquo; Hoag gulped. &ldquo;Well, how is it?&rdquo;
- </p>
- <p>
- &ldquo;I had my scare for nothing.&rdquo; The doctor bent his body to look around a
- tree to see if his horse was where he had left it. &ldquo;It isn't scarlet
- fever. The child has eaten something that went against him. He had a
- raging fever; but it's down now, and if you will look to his diet for a
- day or two he'll be all right.&rdquo;
- </p>
- <p>
- Hoag said nothing; something like a blur fell before his eyes, and the
- fence, trees, bam, and stables rose and fell like objects floating on a
- turbulent cloud. &ldquo;Good night,&rdquo; he heard the doctor saying as from a
- distance. &ldquo;Goodnight&rdquo;&mdash;it seemed an echo from within him, rather than
- a product of his lips. The blur lifted; he steadied himself, and stood
- watching the doctor as he unhitched his horse and got into the buggy.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0013" id="linklink2HCH0013"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XIII
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">O</span>N this same night
- certain things were happening at Ralph Rundel's cottage. The hour was
- late. Paul, who was suddenly roused from the profound slumber of a tired
- toiler, was sure of this, though he had no means of ascertaining the exact
- time.
- </p>
- <p>
- &ldquo;Don't you dare hit 'er, Rafe Rundel, don't you&mdash;don't you, I say!&rdquo;
- was the cry which at first seemed to the boy to be a part of a confused
- dream, and which resolved itself into distinct utterance as his eyes and
- ears gradually opened.
- </p>
- <p>
- &ldquo;I wasn't tryin' to hit 'er, Mandy, an' you know it.&rdquo; It was Ralph
- Rundel's despondent and yet accusing voice which broke the pale stillness
- of the night. &ldquo;I just want 'er to tell me the plain, unvarnished truth,
- an' she's got to! She cayn't be a wife o' mine an' carry on like that, an'
- do it underhand. I want to know if they met by agreement. I was on the
- hill an' saw Jeff waitin' at the creek ford. He had no business thar, an'
- stood behind the bushes, an' kept peepin' at our house till she come out
- an' went down to 'im. Then they walked to the spring an' set for a good
- hour, Jeff bent toward 'er, an' she was a-listenin' close, an' a-lookin'
- toward the house every minute like she was afeard somebody would come.&rdquo;
- </p>
- <p>
- It was Amanda Wilks who now spoke as the startled boy put his feet on the
- floor and sat on the bed, grimly alert.
- </p>
- <p>
- &ldquo;Looks like Rafe is axin' a reasonable enough question, Addie,&rdquo; she was
- heard to say. &ldquo;At least it seems so to me, an' I know I am tryin' to be
- fair to both sides, so I am.&rdquo;
- </p>
- <p>
- &ldquo;It <i>is</i> fair,&rdquo; Ralph passionately supplemented, &ldquo;an' if she is
- honest an' wants to do right she will talk straight an' be as open as day.
- As my wife the law gives me the right to&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Law? What's law amount to when a woman's plumb miserable?&rdquo; Mrs. Rundel
- said, in a low, rebellious tone, and Paul heard her bare feet thump on the
- floor as she flounced about the room. &ldquo;I hate you. I've hated you all
- along. I can't remember when I didn't hate you. No livin' woman with any
- refined feelin's could help it. I want liberty, that's all. I won't have
- you prowlin' about in the woods and watchin' me like a hawk every time a
- neighbor speaks decent to me. Lemme tell you some'n; you'd better never
- let Jeff Warren know you make charges ag'in' me like you are a-doin'. He'd
- thrash you 'in an inch o' your life, if you <i>are</i> married to me. I'll
- not tell you why I happened to go down to the spring. That's <i>my</i>
- business.&rdquo;
- </p>
- <p>
- Paul heard his father utter a low, despairing groan as he left the room
- and stalked through the corridor and out at the front door. Going to the
- window, the boy looked out just as Ralph turned the corner and paused in
- the moonlight, his ghastly profile as clear-cut as if it had been carved
- in stone. Paul saw him raise his stiff arms to the sky, and heard him
- muttering unintelligible words. The window-sash was up, the sill low to
- the ground, and dressed only in his night-shirt, the boy passed through
- the opening and stood on the dewy grass.
- </p>
- <p>
- There he paused a moment, for he heard his aunt speaking to her sister
- admonishingly: &ldquo;Rafe's jest got a man's natural pride an' jealousy. You
- know folks in a out-o'-the-way settlement like this will talk, an'&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Well, let 'em talk! Let 'em talk! Let 'em talk!&rdquo; the wife retorted,
- fiercely. &ldquo;I don't care what they say. I won't be a bound slave to Rafe
- Rundel if I <i>did</i> marry 'im. I'm entitled to my natural likes and
- dislikes the same now as I ever was. No woman alive could care for a man
- hawkin' an' spittin' an' coughin' about the house, with water in his eyes&mdash;sneezin'
- an' snifflin' an' groanin', as peevish as a spoilt child, an' wantin' to
- know every single minute where I am and what I am doin'. I'm finished with
- 'im, I tell you&mdash;I'm plumb finished with 'im, an' he knows it. Yes,
- he knows it, an' that's why he was in sech a tantrum just now, pullin' my
- bedclothes off, shakin' his fist like a crazy fool, an' stormin' around in
- the dead o' night.&rdquo;
- </p>
- <p>
- The pacific voice of Amanda Wilks here broke in; but Paul did not wait to
- hear what she was saying, for his father, with bowed and shaking form, was
- tottering away in the moonlight toward the cow-lot. Ralph reached the rail
- fence, and with an audible moan he bent his head upon it. Paul's feet fell
- noiselessly on the dewy grass as he crept toward him. Reaching him he
- touched him on the shoulder.
- </p>
- <p>
- &ldquo;Father,&rdquo; Paul said, softly, &ldquo;what's the matter? Are you sick?&rdquo;
- </p>
- <p>
- Slowly Ralph Rundel raised his head and stared at his son, but he said
- nothing. His tattered nightshirt was carelessly stuffed under the
- waistband of his gaping trousers, which were supported by a single
- suspender over his shoulder. The other suspender hung in a loop over his
- hip. His grizzled head was bare, as were his attenuated feet. He continued
- to stare, as if he had no memory of the speaker's face, his lip hanging
- loose, quivering, and dripping with saliva. The damp, greenish pallor of
- death itself was on him, and it gleamed like phosphorus in the rays of the
- moon. A tremulous groan passed out from his low chest, and his head sank
- to the fence again.
- </p>
- <p>
- &ldquo;Father, father, don't you know me? <i>Paul!</i> Don't you know me?&rdquo; The
- boy touched the gray head; he shook it persuasively, and it rocked like a
- mechanical tiling perfectly poised. The man's knees bent, quivered, and
- then straightened up again.
- </p>
- <p>
- &ldquo;Father, father, it's me&mdash;<i>Paul!</i>&mdash;your son! What's the
- matter?&rdquo;
- </p>
- <p>
- Ralph turned his face slowly to one side.
- </p>
- <p>
- &ldquo;Oh, it's you!&mdash;my boy! my boy! I thought&mdash;&rdquo; He looked about the
- cow-lot vacantly, and then fixed his all but glazed eyes on his son's
- face, and said: &ldquo;You go back to bed, my boy; you can't do me no good&mdash;nobody
- on earth can. I'm done for. I feel it all over me like the sweat o'
- death.&rdquo;
- </p>
- <p>
- &ldquo;Father, tell me&rdquo;&mdash;Paul stood erect, his head thrown back, and his
- young voice rang sharply on the still air&mdash;&ldquo;do you believe that dirty
- whelp&mdash;&rdquo; There was an insane glare in Rundel's watery eyes, and his
- head rocked back and forth again.
- </p>
- <p>
- &ldquo;He's after your ma, Paul.&rdquo; Ralph emitted another groan. &ldquo;He's took with
- 'er purty face, an' has set in to make a plumb fool of 'er, and make 'er
- hate me. He's the kind o' devil that won't pick and choose for hisself,
- like an honest man, out in the open among free gals an' women, but thinks
- that nothin' ain't as good as another man's holdin's. He thinks he is
- sorry fer 'er because she's tied to a sick man; but it hain't that&mdash;it's
- the devil in 'im!&rdquo;
- </p>
- <p>
- The boy laid his arm on his father's shoulders; his lips moved, but no
- sound issued; his face was rigid and white.
- </p>
- <p>
- &ldquo;I ain't talkin' without grounds.&rdquo; Ralph's faint voice trailed away on its
- wave of agony. &ldquo;Friends have come to me an' reported the doin's of the two
- at singin'. He fetches her a bunch of flowers every day, an' they set an'
- sing out o' the same book with the'r heads plumped together. He walks
- mighty nigh all the way home with her through the woods, an' sneaks off as
- soon as they git in sight o' the house. He makes all manner o' fun o' me&mdash;tellin'
- folks, so I've been told, that I can't last long, an' that she never
- knowed what rale healthy love was nohow.&rdquo;
- </p>
- <p>
- Paul's hand was now on his father's head, and he was gently stroking the
- long, thick hair, though his eyes were blazing, his breast heaving, as
- from an inner tempest.
- </p>
- <p>
- Ralph turned and looked toward the house. The light was out now, and there
- was no sound.
- </p>
- <p>
- &ldquo;I reckon she's gone back to sleep,&rdquo; Ralph wailed, bitterly. &ldquo;What does
- she care how I feel? She could have no idea, you couldn't neither, Paul,
- fur you are too young. But maybe some day you will know the awful, awful
- sting o' havin' the world look on in scorn, while a big strappin' brute of
- a daredevil an' the mother o' yore child&mdash;oh, my God! I can't stand
- it&mdash;I jest <i>can't!</i> I'd die a million deaths rather than&mdash;it's
- in the Rundel blood, I reckon, planted thar deep by generations an'
- generations o' proud folks. I'm goin' to kill 'im, Paul. I don't know when
- or how, exactly, but it's got to be done, if God will only give me the
- strength. It won't be no sin; it couldn't be; it would be just wipin' out
- one o' the slimy vipers o' life.&rdquo;
- </p>
- <p>
- &ldquo;If you don't, I will, father. I swear it here an' now,&rdquo; the boy solemnly
- vowed, removing his hand from the cold brow and looking off in the
- mystical light which lay over the fields.
- </p>
- <p>
- &ldquo;Huh, we won't <i>both</i> have to do it!&rdquo; Ralph spoke as if half
- dreaming, certainly not realizing his son's frame of mind. &ldquo;It never would
- be any satisfaction to have it said that it took two of us to fix 'im,
- even if he <i>is</i> rated high on his fightin' record. No, that's <i>my</i>
- job; you keep clean out of it!&rdquo;
- </p>
- <p>
- &ldquo;Come to my bed, father.&rdquo; Paul caught his arm and drew him gently from the
- fence. &ldquo;You are shakin' from head to foot; your teeth are chatterin', an'
- you are cold through an' through.&rdquo;
- </p>
- <p>
- Ralph allowed himself to be led along; now and then he would stumble over
- a tuft of grass, as if he had lost the power of lifting his feet. Once he
- paused, threw his arms about his son's shoulder, and said, almost in
- fright, as he bore down heavily:
- </p>
- <p>
- &ldquo;I feel odd, powerful odd. I feel cold clean through to my insides, like
- my entrails was turnin' to rock. I can hardly git my breath. I don't seem
- to&mdash;to send it clean down. It stops in my chest like, an' I am all of
- a quiver, an' weak, an' dizzy-like. I can't see a yard ahead of me.&rdquo;
- </p>
- <p>
- &ldquo;You'll feel better when you are in bed,&rdquo; Paul said, soothingly, and he
- led his father on to the quiet, house and into his room. He undressed him,
- wiped the dew from his numb, bloodless feet on a towel, and made him lie
- down.
- </p>
- <p>
- &ldquo;I feel drowsy,&rdquo; Ralph sighed. &ldquo;Everything is in a sort of dreamy jumble.
- I hardly remember what me'n you was&mdash;was talkin' about. I'm weak.
- I've been so bothered that I hain't eat much in several days.&rdquo;
- </p>
- <p>
- Presently Paul saw that he was asleep, and lay down beside the still form.
- After a while he, too, fell into slumber, and the remainder of the night
- crept along.
- </p>
- <p>
- The first hint of dawn was announced by the crowing of cocks, the far and
- near barking of dogs, the grunting of pigs, the chirping of early birds,
- as they flew about in the dewy branches of the trees. Paul waked and went
- to his window and looked out. The gray light of a new day lay like an aura
- on the brow of the mountain. The recollection of what had taken place in
- the night flashed upon him with startling freshness. He recalled Jeff
- Warren's visage, his mother in her dainty dress, ribbons and flowers, and
- his blood began to throb and boil. In a storm of hot pity he glanced
- toward his father, who in the dark corner lay as still as the cracked
- plastering, against which his grim profile was cast. Suddenly Paul had a
- great fear; he held his breath to listen, and strained his eyes to pierce
- the shadows. Was Ralph Rundel breathing? Did ever living man lie so still,
- so silent? Paul went to the bed, drew down the sheet, and bent over the
- face. Eyes and mouth open&mdash;Ralph was dead. Paul shook him gently and
- called to him, but there was no response. The body was still slightly
- warm, but fast growing stiff.
- </p>
- <p>
- Quickly dressing, Paul went across the corridor and knocked on the door of
- his aunt's room.
- </p>
- <p>
- &ldquo;What is it now? Oh, what do you want now?&rdquo; Amanda called out, in drowsy
- impatience. &ldquo;You've kept me awake nearly all night with your fussin', an'
- jest as I am gittin' my fust bit o' rest&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Aunt Manda, you'd better come&mdash;&rdquo; Paul's voice faltered and broke.
- &ldquo;You'd better come see if you think&mdash;&rdquo;
- </p>
- <p>
- &ldquo;What is it? Oh, what is it now?&rdquo; He heard her feet strike the floor and
- the loose planks creak as she groped her way to the door, which she
- unlocked and drew open. &ldquo;It ain't nigh day.&rdquo; She cast inquiring eyes
- toward the yard. &ldquo;What's got into you wantin' breakfast earlier an'
- earlier every mornin' you live?&rdquo;
- </p>
- <p>
- Paul swallowed a lump in his throat, mutely jerked his head toward his
- room. &ldquo;I think&mdash;I think father's dead,&rdquo; he said, simply.
- </p>
- <p>
- &ldquo;Dead? Dead?&rdquo; the woman gasped, incredulously. She stared blankly at her
- nephew, and then, holding her unbuttoned nightgown at the neck, she strode
- across the corridor into Paul's room. He followed to the threshold, and
- dumbly watched her as she made a quick examination of the body. She drew
- herself up, uttered a little scream, and came to him wringing her hands.
- </p>
- <p>
- &ldquo;Oh, God will punish us!&rdquo; she said. &ldquo;The Almighty will throw a blight on
- this house! He's gone, an' his last words was a curse on your ma, an' on
- me for spoilin' 'er. O God&mdash;God, have mercy! An' he went with revenge
- in his heart an' hate in his soul. Oh, Rafe's gone&mdash;Rafe's gone!&rdquo;
- </p>
- <p>
- Amanda stood leaning against the wall moaning and ejaculating bits of
- prayers. The door of Mrs. Rundel's room opened, and with her hair rolled
- up in bits of paper she peered out.
- </p>
- <p>
- &ldquo;What is it?&rdquo; she inquired, peevishly. &ldquo;What's the matter? Gone? Did you
- say he was gone? What if he <i>has</i> gone? He's been threatening to
- leave all summer. He'll be back. You can count on that. He knows a good
- thing when he sees it, and he'll lie around here till he dies of old age
- or dries up an' is blown away.&rdquo;
- </p>
- <p>
- &ldquo;No, he won't be back!&rdquo; Paul strode to her and stood coldly staring at
- her. &ldquo;He's dead. He died of a broken heart, an' you done it&mdash;you an'
- Jeff Warren between you.&rdquo;
- </p>
- <p>
- &ldquo;Dead&mdash;dead, you say?&rdquo; And, as if to make sure, Mrs. Rundel stalked
- stiffly across the corridor to Ralph's body and bent over it. They saw her
- raise one of the limp hands and pass her own over the pallid brow. Then,
- without a word, she drew herself erect and came back to her son and
- sister. Her face was white and rigid; the coming wrinkles in her cheeks
- and about her mouth seemed deeper than ever before. She faced Paul, a
- blended expression of fear and dogged defiance in her eyes.
- </p>
- <p>
- &ldquo;Don't you ever <i>dare</i> to&mdash;to talk to me like you did just now,&rdquo;
- she said, fiercely. &ldquo;I won't stand it. You are too young a boy to dictate
- to me.&rdquo;
- </p>
- <p>
- &ldquo;I may be that,&rdquo; he snarled, &ldquo;but I'll dictate to somebody else if I'm
- hung for it. You hear me&mdash;if I'm <i>hung</i> for it!&rdquo;
- </p>
- <p>
- She shrank under this bitter onslaught. She seemed to waver a moment, then
- she went into her room, lighted her candle, and began to dress.
- </p>
- <p>
- Her sister followed and stood beside her. &ldquo;Don't take on,&rdquo; Amanda said.
- &ldquo;Don't go an' fancy it is yore fault. Paul is out o' his head with grief
- an' don't know what he's sayin'. Rafe was a sick, dyin' man, anyway; his
- mind was unhinged; that was plain by the way he suspicioned you. Now, I'll
- git breakfast an' attend to everything; don't set in to cryin' an' make
- yourself sick; what is done is done, an' can't be helped.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0014" id="linklink2HCH0014"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XIV
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">L</span>IKE a human
- machine obeying the laws of habit, Paul went about his usual morning
- duties, feeding and currying the horses, taking slop to the pigs, driving
- up the cow from the pasture, and chopping wood for the fire. Amanda came
- to him at the woodpile, rolling the flakes of dough from her fingers. The
- first direct rays of the sun were breaking over the brow of the hill.
- </p>
- <p>
- &ldquo;I'll have the coffee an' biscuits done right off,&rdquo; she said, in a
- motherly tone, which seemed to be borrowed from some past memory or the
- long-worn habit of protecting her sister. &ldquo;I'll call you purty soon. Paul,
- you'll have to make the best of it. I've been expectin' it for a long
- time. He's been gettin' peevish an' losin' flesh an' strength. Then, like
- most folks in that fix, he let his fancy run rife, an' that hurried him
- on. It's awful&mdash;awful havin' a dead person right here in the house;
- but it comes to high an' low alike. I know you are cut to the quick, an'
- inclined to fix the blame on somebody; but that will wear off an' you 'll
- git reconciled. You'll miss 'im, I know&mdash;an' that sharp, for he
- leaned on you as if you an' 'im had swapped places.&rdquo;
- </p>
- <p>
- Paul said nothing. He filled his arms with the wood and started into the
- kitchen. Amanda saw his dull, bloodshot eyes above the heap as he turned.
- </p>
- <p>
- She followed, and as he noiselessly lowered the wood to the stone hearth,
- she stood over him.
- </p>
- <p>
- &ldquo;There is a thing that must be attended to,&rdquo; she said. &ldquo;I sort o' hate to
- be left with just me an' Addie alone with him in thar like that; but
- you'll have' to go to town an' order a coffin. Webb an' Wiggins keeps 'em
- at the furniture-store, an' in hot weather like this they will want the
- order early. You just pick out the sort you think we kin afford&mdash;they're
- got all grades&mdash;an' they will trim it. If I was you I'd make them
- send it. It would look more decent than for you to haul it out on the
- wagon. We'll keep your poor pa till to-morrow; it won't look right to be
- in too great a hurry; thar is sech a sight o' talk these days about bury
- in' folks alive, here among the ignorant whites an' blacks.&rdquo; When he had
- finished his morning's work Paul came in and sat down at the table to the
- coffee and eggs and hot cakes his aunt had prepared, but he ate without
- his usual relish. He was just finishing when Abe Langston, a neighboring
- farmer, a tall, thin man about forty years of age, with long, brown beard,
- and without a coat, collar, or necktie, appeared, hat in hand, at the
- door.
- </p>
- <p>
- &ldquo;We've just heard it over our way,&rdquo; he said to Amanda. &ldquo;I told my wife I'd
- come over before I set in to cuttin' hay in the bottom. Powerful sudden
- an' unexpected, wasn't it?&rdquo;
- </p>
- <p>
- &ldquo;Yes, he seemed to pass away in his sleep like.&rdquo; Amanda was wiping her red
- eyes on her apron. &ldquo;It was a weak heart, no doubt, an' it is a comfort to
- feel that he never suffered.&rdquo;
- </p>
- <p>
- &ldquo;I'll go take a look at 'im,&rdquo; Langston said, laying his hat on the
- door-sill. &ldquo;I sent my oldest gal over after John Tobines an' Andy Warner,
- an' when they git here we three will lay 'im out. John's handy with a
- razor&mdash;he used to work in a barber's shop&mdash;an' he'll shave the
- pore fellow an' trim his hair. Some o' the young men an' women will want
- to set up here to-night, an' give you an' Addie a chance to snatch a
- little sleep.&rdquo;
- </p>
- <p>
- &ldquo;That will be obligin' of 'em,&rdquo; Amanda answered, still wiping her eyes.
- &ldquo;You kin tell 'em I'll fix a nice snack an' some coffee to sorter freshen
- 'em up. How many do you reckon will come?&rdquo;
- </p>
- <p>
- &ldquo;Oh, I'd fix for four couples, anyway. Thar is a certain crowd that always
- count on sech occasions&mdash;you know who they are as well as I do, I
- reckon?&rdquo;
- </p>
- <p>
- &ldquo;Yes, Polly Long an' her bunch.&rdquo; Amanda followed the man across the
- corridor into the room where the corpse lay, and as Paul was leaving he
- heard her continuing, plaintively: &ldquo;Death is just the awfulest, awfulest
- thing we come across in this life, Brother Langston. We know so little&mdash;so
- powerful little about it. One minute we see the sparkle of the soul in the
- eye, hear a voice full of life; you catch a smile, or a knowin' look, an'
- maybe the next minute just a empty shell lies before you. Rafe was a good,
- patient man, an' he suffered a lot, fust an' last.&rdquo;
- </p>
- <p>
- &ldquo;Did he make his <i>peace?</i>&rdquo; Langston inquired. &ldquo;That is the fust
- thought I have when a body dies. Do you think he was all right? He didn't
- go to meetin' often, an' I never happened to hear 'im say what his hopes
- of reward was.&rdquo;
- </p>
- <p>
- &ldquo;I don't know&mdash;I really don't know,&rdquo; Amanda returned, and Paul,
- lingering in the kitchen doorway, heard her voice falter. &ldquo;Brother
- Langston, sometimes I was bothered purty sharp on that score. Him and Paul
- both used to repeat some o' Jim Hoag's terrible sayin's like they thought
- they was smart an' funny, an' neither one of 'em ever would read the
- Bible, or seek spiritual advice, an' sech a thing as family prayer, or a
- blessin' asked at the table was never heard in this house.&rdquo;
- </p>
- <p>
- &ldquo;I know.&rdquo; The masculine voice sounded louder now, as if its owner had come
- back into the corridor. &ldquo;That's why I was axin'. Folks cayn't take up
- notions like Hoag has in a God-fearin' community like our'n an' flaunt 'em
- about without causin' comment. My own opinion is that Jim Hoag is a devil
- in the garb of a man. He's larnt Paul all the awful things the boy
- believes, an' a man that will lead the young off like that ought to be
- tarred an' feathered an' rid out o' the community on a sharp rail. If he
- didn't have so much money he'd 'a' been called down long ago.&rdquo;
- </p>
- <p>
- Paul was in the stable-yard when Amanda came out to him.
- </p>
- <p>
- &ldquo;I forgot to tell you,&rdquo; she said. &ldquo;Your pa won't have to have new clothes;
- his Sunday suit will do for weather like this when I've ironed out the
- wrinkles; but you ought to buy 'im some black slippers, an' a pair o'
- white store socks an' a plain black necktie&mdash;they keep all sech at
- the furniture-store. You just tell 'em what's lackin' an' they will put
- 'em in.&rdquo;
- </p>
- <p>
- She glanced at her nephew's face in surprise, for it was flushed, and his
- eyes were flashing angrily.
- </p>
- <p>
- &ldquo;What's the matter?&rdquo; she asked, leaning on the fence and eying him in
- growing wonder.
- </p>
- <p>
- &ldquo;I heard you an' Langston talkin' in thar, standin' right over 'im,&rdquo; Paul
- blurted out, &ldquo;an' him cold an' dead an' unable to take up for hisse'f.
- Make his peace nothin'! He died before he could settle the things he had
- to settle. If thar <i>was</i> sech a fool thing as a heaven, how could he
- enjoy it with Jeff Warren here gloatin' over him? But that will be
- settled. You hear me&mdash;that will be settled, an' before many days,
- too.&rdquo;
- </p>
- <p>
- &ldquo;I know you are not goin' to act the fool, if you are just a hot-headed
- boy,&rdquo; Amanda said. &ldquo;You are all wrought up now ag'in' your ma an'
- everybody; but that will wear off. I know when my <i>own</i> father died I&mdash;&rdquo;
- </p>
- <p>
- But the boy refused to hear. He turned into a stall and began to put a
- bridle on a horse, which he led out into the yard with only a blanket on
- its back. There was uncurbed fury in the very spring he made from the
- ground to his seat. His face was fire-red, and he thrust his heels against
- the horse's flanks with such force that the animal gave a loud grunt as he
- lurched toward the open gate.
- </p>
- <p>
- &ldquo;Wait, Paul, wait!&rdquo; Amanda cried after him. &ldquo;You've forgot some'n. I
- wouldn't stop you, but you can't do without it.&rdquo;
- </p>
- <p>
- He drew rein and glared down on her.
- </p>
- <p>
- &ldquo;You haven't got the measure of&mdash;of the body. I never thought of it
- just now when Brother Langston was here, an' he's gone to hurry up Tobines
- an' Warner. I'd go an' do it myself, but it ain't exactly a woman's place.
- I'll hold yo' hoss.&rdquo;
- </p>
- <p>
- He stared at her for a moment, the color dying down in his face. Then,
- with obvious reluctance, he slid off the horse and went into the room
- where the corpse lay covered with a sheet. He was looking about for a
- piece of string with which to take the required measurement, when he
- recalled that he and his father were exactly the same height, and, with a
- sense of relief, he was turning from the room when an uncontrollable
- impulse came over him to look upon the face beneath the covering. He
- hesitated for a moment, then, going to the bed, he drew the sheet down and
- gazed at the white, set countenance. A storm of pity and grief broke over
- him. He had a mother's yearning to kiss the cold, pale brow, to fondle the
- wasted form, to speak to the closed eyes, and compel the rigid lips to
- utter some word of recognition. Glancing furtively toward the door, then
- toward the window, and with his face close to the dead one, he said:
- </p>
- <p>
- &ldquo;Don't you bother about Jeff Warren, father. I'll attend to him. I'll do
- it&mdash;I'll do it. He sha'n't gloat over you, an' you like this. He
- sha'n't&mdash;he sha'n't!&rdquo;
- </p>
- <p>
- His voice clogged up, and he tenderly drew the sheet back over the still,
- white face. Across the corridor he heard his mother moving about in her
- room; but the door was closed, and he could not see her. Going out, he
- took the bridle from Amanda's hands, threw it back on the neck of his
- horse, clutched a collar-worn tuft of the animal's mane, and sprang
- astride of its back.
- </p>
- <p>
- &ldquo;I won't have to bother about a new dress for yore ma,&rdquo; Amanda remarked,
- her slow eyes studying the boy's grief-pinched face. &ldquo;We ain't got time to
- get one ready, an' she kin put on my black alpaca an' borrow Mrs. Penham's
- veil that she's about through with. I know she didn't wear it two Sundays
- ago, an' I reckon her mournin's over. It's in purty good condition.&rdquo;
- </p>
- <p>
- Paul rode toward the village. In the first cotton-field on the left-hand
- side of the way the two Harris brothers were cutting out weeds with hoes
- that tinkled on the buried stones and flashed in the slanting rays of the
- sun. They both paused, looked at him steadily and half defiantly, and
- then, as if reminded of the gruesome thing which had come upon him in the
- night, they looked down and resumed their work.
- </p>
- <p>
- Further on was the farm-house belonging to Jeff Warren, and at the well in
- the yard Paul descried Warren turning the windlass to water a mule which
- stood with its head over a big tub. Paul saw the man looking at him, but
- he glanced away. He swung his heels against the flanks of his horse and
- rode on through a mist which hung before his sight.
- </p>
- <p>
- Paul went straight to the furniture-store and gave his order, and was
- leaving when Mrs. Tye came hastily across the street from her husband's
- shop. There was a kindly light in her eyes, and her voice shook with timid
- emotion.
- </p>
- <p>
- &ldquo;I saw you ride past jest now,&rdquo; she began. &ldquo;We heard the news a few
- minutes ago, an' me an' Si was awfully sorry. He told me to run across an'
- beg you to stop at the shop a minute. He wants to see you. I don't know
- when I've seed 'im so upset. Thar, I see 'im motionin' to us now. Let's go
- over.&rdquo;
- </p>
- <p>
- Paul mechanically complied, and as they turned she laid her hand gently on
- his arm.
- </p>
- <p>
- &ldquo;Thar is nothin' a body kin say that will do a bit o' good at sech a sad
- time,&rdquo; she gulped. &ldquo;I've got so I jest hold my tongue when sech a blow
- falls. But I wish the Lord would show me some way to comfort you. It must
- be awful, for I know how you doted on yore pore pa, an' how he worshiped
- you. Maybe it will comfort you if I tell you what he said to me t'other
- day. I reckon he was pulled down in sperits by ill health or some'n, for
- he told me that if it hadn't been for you he'd 'a' killed hisse'f long
- ago. Of course that was a wicked thought, but I reckon he hardly knowed
- what he was sayin'. He jest couldn't git through talkin' about you, an'
- the way you loved 'im an' looked after 'im at all times. That will be a
- comfort, Paul&mdash;after a while it will all settle down an' seem right&mdash;his
- death, I mean; then the recollection that you was so good to him will be a
- sweet memory that will sustain an' strengthen you all through life.&rdquo;
- </p>
- <p>
- They had reached the open door of the shop, and Silas rose from his bench,
- shaking the shavings of leather and broken wooden pegs from his apron. In
- his left hand he held the coarse shoe he was repairing and the right he
- gave to Paul.
- </p>
- <p>
- &ldquo;I hain't done nothin' but set here an' pray since I heard it,&rdquo; he began,
- sympathetically, his rough fingers clinging to Paul's. &ldquo;In a case like
- this God is the only resort. I sometimes think that one of the intentions
- of death is to force folks to look to the Almighty an' cry out for help.
- That seems to me to be proof enough to convince the stoutest unbelievers
- of a higher power, for when a blow like this falls we jest simply beg for
- mercy, an' we know down inside of us that no human aid can be had, an'
- that help naturally ought to come from some'r's.&rdquo;
- </p>
- <p>
- Paul made no response. Mrs. Tye had placed a chair for him near her
- husband's bench, and the boy sank into it, and sat staring dumbly at the
- floor.
- </p>
- <p>
- &ldquo;I've got some hot coffee on the stove,&rdquo; Mrs. Tye said, gently. &ldquo;You'd
- feel better, Paul, maybe, if you'd take a cup along with some o' my fresh
- biscuits and butter.&rdquo;
- </p>
- <p>
- He shook his head, mumbled his thanks, and forgot what she had said. He
- was contrasting Jeff Warren as he stood at the well in the full vigor of
- health with a still, wasted form under a sheet in a silent, deserted room.
- Mrs. Tye left the shop, and her husband continued his effort at
- consolation.
- </p>
- <p>
- &ldquo;I know exactly how you feel, Paul, for I've been through it. I've served
- my Heavenly Master as well as I know how ever since His redeemin' light
- broke over me away back when I was young; but when He took my only child
- He took all that seemed worth while in my life. Folks will tell you that
- time will heal the wound; but I never waste words over that, for I know,
- from experience, that when a body is bowed down like you are, that it
- ain't the future you need as a salve, but somethin' right now. Thar is one
- thing that will help, an' I wish I actually knowed you had it. Paul,
- empty-minded men like Jim Hoag may sneer and poke fun, but jest as shore
- as that light out thar in the street comes from the sun thar is a
- spiritual flood from God hisse'f that pores into hearts that are not
- wilfully closed ag'in' it. I don't want to brag, but I don't know how I
- can make it plain without tellin' my own experience. My boy, I'm a pore
- man; I make my livin' at the humblest work that man ever engaged in, an'
- yet from momin' till night I'm happy&mdash;I'm plumb happy. As God is my
- judge, I wouldn't swap places with any millionaire that ever walked the
- earth, for I know his money an' gaudy holdin's would stand betwixt me an'
- the glory I've got. If I had an idle hour to spare, do you know whar I'd
- be? I'd be on the side o' that mountain, starin' out over the blue hills,
- a-shoutin' an' a-singin' praises to God. Some folks say I'm crazy on
- religion&mdash;let 'em&mdash;let 'em! History is chock full of accounts of
- great men, learned in all the wisdom of earth&mdash;princes, rulers,
- poets, who, like St. Paul an' our Lord, declared that all things which was
- not of the sperit was vanity, dross, an' the very dregs an' scum of
- existence. So you see, as I look at it&mdash;an' as maybe you don't just
- yet&mdash;yore pa ain't like you think he is. You see 'im lyin' thar like
- that, an' you cayn't look beyond the garment of flesh he has shucked off,
- but I can. He's beat you 'n me both, Paul; his eyes are opened to a blaze
- o' glory that would dazzle and blind our earthly sight. Death is jest a
- ugly gate that we pass through from a cloudy, dark, stuffy place out into
- the vast open air of Eternity. O Paul, Paul, I want you to try to get hold
- of this thing, for you need it. This is a sharp crisis in yore life;
- you've let some things harden you, an' if you don't watch out this great
- stunnin' blow may drag you even deeper into the mire. I feel sech a big
- interest in you that I jest can't hold in. I know I'm talkin' powerful
- plain, an' uninvited, too, but I can't help it. Knowin' that you've been
- about Jim Hoag a good deal, an' rememberin' little remarks you've dropped
- now an' then, I'm afraid you hain't got as much faith in the goodness of
- God as&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Goodness of God! Huh&mdash;poof!&rdquo; Paul snorted, his stare on the ground.
- </p>
- <p>
- &ldquo;Paul, Paul, don't, don't say that!&rdquo; Tye pleaded, his kindly eyes filling.
- &ldquo;I can't bear to hear it from a young boy like you. Youth is the time most
- folks believe in all that's good; doubts sometimes come on later in life.
- It sounds awful to hear you say sech rebellious things when you stand so
- much in need of, the <i>only help in all the universe</i>.&rdquo;
- </p>
- <p>
- &ldquo;I don't believe there <i>is</i> any God,&rdquo; Paul muttered, fiercely, &ldquo;and
- if I did I'd not believe he was a good one, when I know what's took place
- an' what's goin' on. The wild beasts in the woods come from the same
- source as me, an' they fight for what they get; bugs and worms and flying
- things and crawling things live on one another. That's the only way for us
- to do if we expect to live. The only difference in men and beasts is that
- men can remember wrongs longer and know how to plan revenge, an' <i>git</i>
- it.&rdquo;
- </p>
- <p>
- &ldquo;Oh, my Lord!&rdquo; The shoemaker lowered his head and seemed to be praying.
- Presently he looked up, grasped his beard with his blackened fingers, and
- pulled his lips apart. &ldquo;I see, you are like most folks when they are under
- a great, fresh grief. I've knowed some o' the best Christians to turn
- square ag'in' the'r Maker at sech times&mdash;especially women who had
- lost the'r young in some horrible way&mdash;but even they'd come around
- finally to admit that God knowed best. Take my own case. Would I want my
- boy back now? No, no, Paul; as great as the pride an' joy would be I know
- he's in better hands than mine. It's hard on you now; but, sad as it is,
- this may result in good&mdash;good that you can't begin to see in advance.
- If we had the all-seein' eye we might pass judgment; but we are blind&mdash;blind
- as moles. You can't see that yore pore pa is better off, but he is&mdash;he
- is. I know he is&mdash;God knows he is.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0015" id="linklink2HCH0015"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XV
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span>T the end of the
- main street, as he rode homeward, Paul saw Ethel Mayfield coming toward
- him, her head down as if in deep thought. His first impulse was to turn
- aside, to avoid meeting her, but he saw that such a thing would be
- unpardonable. In spite of the weight that was on him, he felt the warm
- blood of embarrassment rushing to his face as the distance shortened
- between them.
- </p>
- <p>
- There was a sweet, startled look of concern in her childish eyes as she
- raised them to him.
- </p>
- <p>
- &ldquo;Stop a minute,&rdquo; she said; and as he awkwardly drew rein she continued:
- &ldquo;I've just heard about your father. Two men were talking over there by a
- fence on the side of the road and I listened. Oh, it is awful, awful! I am
- so sorry for you, for they say you loved him so much, an' were always so
- good to him.&rdquo;
- </p>
- <p>
- A strange sense of confused helplessness surged over Paul. As she looked
- up at him so frankly he feared that she would read in his face the fact
- that she had been in his mind almost constantly since their meeting that
- day in the meadow. This disturbed him, and also the realization that
- common politeness demanded some sort of reply in accord with the
- refinement of her easy expression of sympathy. But that was beyond him. He
- felt his blood beating into his eyes. She appeared like a spirit thing
- poised upon an evanescent cloud; not for him save in fancy, not for any
- boy outside of dreams. In sheer desperation, and under the intuition that
- he ought not to sit on his horse while she stood, he dismounted.
- </p>
- <p>
- &ldquo;Thank you, thank you.&rdquo; He seemed to hear the words as if they were spoken
- by other lips than his own, and again he had the exquisite sense of
- nearness to her, which had so enthralled him before. A wondrous,
- delectable force seemed to radiate from her and play upon his whole
- enraptured being.
- </p>
- <p>
- &ldquo;I have never seen any one die,&rdquo; she went on, &ldquo;and they say you were there
- alone with him. Oh, how very sad, and you&mdash;you are not much older
- than I am. Sad things are coming to you very early. I wish I could say
- something, or do something, Paul, but I don't really know how. I'm just a
- girl. My mother seems to know what to say at such times, but I don't.
- Grief like this simply overpowers me. I feel as if&mdash;as if I must cry,
- I'm so sorry for you.&rdquo;
- </p>
- <p>
- He saw her pretty lips quivering, her glorious eyes filling, and he dug
- the toe of his worn shoe into the sand of the road. He was becoming
- conscious of the tattered appearance of his working-clothes, his
- saddleless horse, his rough, perspiring hands and cuffless wrists. How odd
- that she, who was so daintily dressed, so wholly detached from his sordid
- life, could stand talking to him so kindly, so intimately!
- </p>
- <p>
- &ldquo;You are very good&mdash;very!&rdquo; he stammered. &ldquo;Better than anybody else.
- If they were all like you it wouldn't seem so&mdash;so bad.&rdquo;
- </p>
- <p>
- &ldquo;It may seem forward of me and bold,&rdquo; Ethel returned, &ldquo;for really we have
- only been together once before, and yet (I don't know how <i>you</i> feel)&mdash;but
- <i>I</i> feel, somehow, Paul, as if we were very old friends. I admire you
- because you are brave and strong. You are not like&mdash;like the boys in
- Atlanta. You are different (uncle says you are not afraid of anything on
- earth). You know a girl could not keep from wanting <i>that</i> sort of a
- friend. I don't mean that I'd want to see you hurt ever&mdash;ever; but it
- is nice for a girl to feel that she has a friend who would take any risk
- for her. My mother says I get a lot of notions that are not good for me
- out of novels. Well, I don't know how that is, but I like you, and I am
- very, very sad about your father. If I had not met you here I would have
- written you a note. Can you tell me when&mdash;when he is to be buried?&rdquo;
- </p>
- <p>
- He told her that the funeral would be at the village church the next day,
- and therewith his voice broke, and for the first time his heart heaved and
- his eyes filled.
- </p>
- <p>
- &ldquo;I wanted to know because I am going to send some flowers,&rdquo; she said; and
- then, observing the signs of his emotion and his averted face, she
- suddenly and impulsively caught his hand and pressed it between both of
- her own. &ldquo;Don't, don't cry!&rdquo; she pleaded. &ldquo;I couldn't stand to see it!&rdquo;
- Her own lashes were wet and her sweet mouth was drawn tight. &ldquo;Oh, I wish
- there was something I could do or say, but I can't think of a thing. Yes,
- there is one thing, and it must help, because the Bible and the wisest men
- say it will at such times. I have been praying for you, and I am going to
- keep on doing it. Paul, from what you said the other day, I suppose you&mdash;have
- never been converted?&rdquo;
- </p>
- <p>
- He shook his head, swallowed, but kept his face turned away, conscious
- that it was distorted by contending emotions.
- </p>
- <p>
- &ldquo;I have been,&rdquo; she said, still pressing his hand, &ldquo;and, O Paul, it was
- glorious! It happened at a camp-meeting where mother took me and my
- cousin, Jennie Buford, in the country below Atlanta, last summer. It was
- all so wonderful&mdash;the singing, shouting, and praying. I was so happy
- that I felt like flying. Since then I have felt so good and secure and
- contented. The Bible is full of meaning to me now. I love to read it when
- I am alone in my room. It is beautiful when you begin to understand it,
- and know that it is actually the Word of our Creator. I am sure I shall
- lead a Christian life, as my mother is doing. It has made Jennie happy,
- too. We are like two twins, you know. We have been together nearly every
- day since we were babies. There is only a fence between our houses in
- Atlanta, and she sleeps with me or I with her every night. She was sick
- last winter, and they thought she was going to die. She thought so, too;
- she told me so, but would not tell her mother because she would be so
- broken-hearted. I prayed for Jennie all that night&mdash;all night. I
- hardly stopped a minute.&rdquo;
- </p>
- <p>
- &ldquo;And she didn't die?&rdquo; Paul looked at her with a glance of mild incredulity
- in his eyes.
- </p>
- <p>
- &ldquo;No; the doctor said she was better and she got well. It would have killed
- me if she had been taken, I love her so much. We are so much alike that I
- often read her thoughts and she reads mine. Many and many a time we have
- told each other exactly what we were thinking about.&rdquo;
- </p>
- <p>
- &ldquo;Thought transference,&rdquo; he said. &ldquo;I've read about that. It may be true.&rdquo;
- </p>
- <p>
- Ethel now released his hand and flushed slightly. &ldquo;Excuse me,&rdquo; she
- faltered, her lashes touching her cheeks. &ldquo;I hardly knew what I was
- doing.&rdquo;
- </p>
- <p>
- It was his turn to color now, and they stood awkwardly facing each other.
- She, however, recovered herself quickly.
- </p>
- <p>
- &ldquo;I am going to pray for you more and more now,&rdquo; she went on, soothingly.
- &ldquo;It will surely help you. I know that God answers prayers when they are
- made in the right spirit. He must help you bear this sorrow, and He will&mdash;He
- will.&rdquo;
- </p>
- <p>
- &ldquo;Thank you, thank you,&rdquo; Paul muttered, his wavering eyes on the road
- leading between zigzag rail fences on to his home. &ldquo;I must be going now.
- I've got a good many things to attend to.&rdquo;
- </p>
- <p>
- &ldquo;Of course, I know&mdash;I know,&rdquo; Ethel responded, gravely.
- </p>
- <p>
- A wagon was approaching from the direction of the village. It was drawn by
- two sturdy mules, which thrust their hoofs into the dust of the road so
- deeply that a constant cloud of the fine particles hovered over the
- vehicle. A negro man wearing a tattered straw hat, soiled shirt and
- trousers, and without shoes, was driving. Ethel caught Paul's hand
- impulsively, and drew him and his horse to the side of the road.
- </p>
- <p>
- &ldquo;Wait till they pass,&rdquo; she said. &ldquo;Oh, what nasty dust!&rdquo;
- </p>
- <p>
- She saw him staring at the wagon, a rigid look on his face. &ldquo;It's the
- coffin,&rdquo; he explained. &ldquo;It is going out home.&rdquo;
- </p>
- <p>
- The wagon rumbled on. There was an unpainted wooden box behind the negro's
- seat, and on it rested a plain walnut coffin, thickly coated with dust.
- The sun had warmed the new varnish, and there was an odor of it in the
- air.
- </p>
- <p>
- &ldquo;Oh, it is so sad!&rdquo; Paul caught the words from the averted lips of his
- companion. &ldquo;I wish I could do something, or say something, but I can't.&rdquo;
- </p>
- <p>
- Again his despair fell upon him. As he mounted his horse it seemed to him
- that he was a moving thing that was dead in all its parts. He couldn't
- remember that he had ever tipped his hat to any one in his life, and yet
- he did so now gracefully enough. He felt that he ought to reply to the
- words she had so feelingly uttered, but the muscles of his throat had
- tightened. A great sob was welling up within him and threatening to burst.
- He started his horse, and with his back to her, his head bent toward the
- animal's neck, he slowly rode away.
- </p>
- <p>
- &ldquo;Poor boy!&rdquo; Ethel said, as the mules, the wagon, the coffin, and Paul
- floated and vanished in the mist before her eyes. She turned and moved on
- toward the village, her head lowered, softly crying and earnestly praying.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0016" id="linklink2HCH0016"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XVI
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span>CCORDING to rural
- custom the young men and young women of the neighborhood came that evening
- to keep watch over Ralph Rundel's body. In an open coffin resting on two
- chairs, it occupied the center of the room in which he died.
- </p>
- <p>
- Amanda had been busy all day cooking dainties&mdash;pies, cakes, custards,
- and making cider from apples gathered in the orchard. She had swept and
- dusted the house throughout, put the candles into their places, cleaned
- and filled the lamps, and altered her black dress to fit the slender form
- of her sister, who had been in her room all day, refusing to show herself
- to the constant stream of curious, inquiring visitors&mdash;men, women,
- and children who sat about the front and rear doors, leaned on the fences
- of the yard and cow-lot, and even invaded the kitchen.
- </p>
- <p>
- As for Paul, no one seemed to notice him, and of sympathy for him little
- was expressed. Mute and dejected he moved about, attending to his father's
- former duties as well as his own.
- </p>
- <p>
- The night fell. The stars came out. There was a low hum of good cheer and
- merriment from the assembled company inside. To escape it, Paul slipped
- behind the house and threw himself down on the grass sward beneath the
- apple-trees. His awful sorrow, weird and gruesome, for which there was no
- outlet, gave him actual physical pain.
- </p>
- <p>
- There was singing within the house. The young persons were practising
- hymns for the funeral service the next day. Mistakes were made, and there
- was merry, spontaneous laughter, which grated on the boy's ears. He buried
- his face in the cool, fragrant grass, and thus subdued the rising sob of
- which he was ashamed. In his mind's eye he saw the exquisite face of Ethel
- Mayfield, but even it held scant comfort, for how could such as she belong
- to such deplorable surroundings? The tones of her gentle voice, as she
- promised to pray for him, seemed a part of some vague dream from which
- sordid fact had roused him.
- </p>
- <p>
- &ldquo;Prayers?&rdquo; he sneered. &ldquo;What puny mortal could pray this away, or undo the
- damnable thing even by the weight of a hair? There isn't any God to pray
- to&mdash;there isn't anything but pain, torment, and death.&rdquo; There was a
- tentative step on the grass. Amanda was groping her way around the well.
- He saw her peering here and there in the shadows under the trees. &ldquo;Oh!&rdquo;
- she exclaimed, on seeing him, as he suddenly sat up and turned his face
- toward her. &ldquo;You gave me a scare. At sech a time a body is apt to think
- they see ghosts, whether they do or not. I've been lookin' high an' low
- for you, an' axin' the company whar you was at. You hain't had no supper,
- have you?&rdquo;
- </p>
- <p>
- He answered briefly in the negative.
- </p>
- <p>
- &ldquo;Well, come on in the kitchen,&rdquo; she pursued. &ldquo;I've kept some 'taters and
- pork-chops hot, an' thar's plenty o' cold buttermilk.&rdquo;
- </p>
- <p>
- &ldquo;I don't want anything,&rdquo; he said, impatiently, and even roughly. &ldquo;I
- couldn't swallow a bite to save my life&mdash;not to save my life, I
- couldn't!&rdquo;
- </p>
- <p>
- Her hands on her hips, Amanda stared down at him. &ldquo;This ain't a-goin' to
- do, Paul,&rdquo; she gently protested. &ldquo;This ain't no time for you to pout an'
- be cranky. You are our only man now. Yore ma's shet up in her room with a
- mad cryin' spell every half-hour, an' I have to lay down my work an' run,
- pacify, an' pet 'er. She's got all sorts o' finicky notions in 'er head
- that folks are a-talkin' about her an' a certain party. She heard 'em
- a-laughin' in thar jest now, an' actually started in to give 'em a piece
- o' 'er mind. I got to 'er in time&mdash;thank the Lord! She's now in bed
- cryin' like 'er heart is broke.&rdquo;
- </p>
- <p>
- &ldquo;Huh, I see, I see!&rdquo; Paul sniffed. &ldquo;An' well she may be afraid o' talk,
- an' <i>you</i> too, for bringing her up as you have. Folks say she's jest
- a doll, and she is&mdash;she is, and a fool flimsy one at that!&rdquo;
- </p>
- <p>
- &ldquo;I ain't a-goin' to listen to you, boy,&rdquo; Amanda broke in, firmly. &ldquo;You are
- too young an' inexperienced to talk that way about the woman that fetched
- you into the world an' gave you what life you got. If your ma was petted
- an' sp'ilt, that was <i>my</i> fault, not her'n, an' bein' sp'ilt only
- makes sech things as this go harder with 'er. If her an' yore pa wasn't
- the most lovin' match that could be imagined, that wasn't her fault, nor
- his'n either. God made 'em both, an' for all I know He may have fetched
- 'em together, an' in makin' a mess o' that He didn't act no wuss than in
- lettin' some other folks&mdash;folks that I know about&mdash;live a
- lifetime without <i>any</i> sort o' try at the game. Now, jest shet up,
- an' he'p me tote this sad thing through. I got to go set the table for
- them folks, an' then I'll slide into bed. Whar do you intend to sleep?
- That's what I wanted to see you about. That crowd has got yore room. I can
- lay you a pallet down on the floor in the kitchen. It would be sort o'
- hard, but&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I'm going to stay outside,&rdquo; he told her. &ldquo;I'm going down to the haystack.
- The house is too hot, anyway; I couldn't go to sleep in there with all
- that ding-dong and racket.&rdquo;
- </p>
- <p>
- &ldquo;Well, I'm goin' in,&rdquo; answered Amanda, who was really not listening to his
- observations. &ldquo;It won't hurt you to sleep out once on such a warm night,
- anyway, an' they <i>are</i> making' a lot o' noise. They don't get many
- such chances through the year. It is the fust time I've fixed for young
- folks in a long time. Thar's one pair in thar&rdquo;&mdash;Amanda tittered&mdash;&ldquo;that
- will set up housekeepin' inside o' six months. Mark my predictions. I
- ketched 'em a-huggin' on the front steps as I come out.&rdquo;
- </p>
- <p>
- When his aunt left him Paul threw himself back on the grass and gazed up
- at the sky and the far-off blinking stars. How unreal seemed the dead face
- and stark form of his father as he had last looked upon it! Could it be
- actually all that was left of the gentle, kindly and patient parent who
- had always been so dear? Whence had flown the soft, halting voice, the
- flash of the eye, the only caressing touch Paul had ever known? That&mdash;that
- thing in there boxed and ready for burial was all there ever was, or ever
- could be again, of a wonderfully appealing personality, and to-morrow even
- that would sink out of sight forever and forever.
- </p>
- <p>
- There was an audible footfall at the fence near the farther side of the
- cottage. Paul sat up and stared through the semi-darkness. It was a tall,
- slender figure of a man in a broad-brimmed hat. He was cautiously moving
- along the fence, as if trying to look into the room where the corpse lay.
- Suddenly a stream of light from within fell on his face. It was Jeff
- Warren. Paul sprang to his feet and stood panting, his muscles drawn.
- </p>
- <p>
- &ldquo;Don't, don't!&rdquo; a voice within him seemed to caution him. &ldquo;Not now&mdash;not
- now! Be ashamed!&rdquo; At this juncture some one called out in a low, subdued
- tone:
- </p>
- <p>
- &ldquo;Is that you, Jeff?&rdquo;
- </p>
- <p>
- &ldquo;Yes, Andy. Kin I come in thar with you all?&rdquo;
- </p>
- <p>
- &ldquo;I dunno; wait a minute, Jeff.&rdquo; Andrew Warner emerged from the shadow of
- the house and advanced to the fence. &ldquo;I railly don't believe I would,
- Jeff, if I was you. We've got a-plenty, an' they all intend to spend the
- night.&rdquo;
- </p>
- <p>
- &ldquo;I see, I see. Well, I didn't know how you was fixed, an' I heard you all
- a-singin' clean across the bottom. Say, Andy, Mrs. Rundel ain't in thar
- with you, is she?&rdquo;
- </p>
- <p>
- &ldquo;No, we hain't any of us seed 'er; she's been shet up tight all day.&rdquo;
- </p>
- <p>
- There was a noticeable pause. Paul crept closer and stood behind a trunk
- of an apple-tree, the branches of which, laden with unripe fruit, almost
- touched the ground. He could still see the two men, and their voices were
- quite audible.
- </p>
- <p>
- &ldquo;I see, I see.&rdquo; Jeff Warren was speaking now. &ldquo;Have you heard anybody say&mdash;do
- you happen to know, Andy, how she is&mdash;takin' it?&rdquo;
- </p>
- <p>
- &ldquo;Purty hard, purty hard, it looks like, Jeff. We've heard 'er cryin' an'
- takin' on several times; she seems powerful upset.&rdquo;
- </p>
- <p>
- &ldquo;I see, I see,&rdquo; Warren repeated, and Paul saw him lean toward his
- companion. &ldquo;Say, Andy, I want you to do me a favor, if you will. I want
- you to git Mrs. Rundel to come out here a minute&mdash;jest a minute. You
- needn't let on to anybody else. The little woman must be awful troubled,
- an' me an' her are powerful good friends. I reckon if you told 'er I was
- out here, maybe she&mdash;&rdquo;
- </p>
- <p>
- Paul saw the other man turn his head and stand, staring irresolutely at
- the house. &ldquo;I can't do that, Jeff,&rdquo; he was heard to say presently. &ldquo;That
- may be all right from the way you look at it, but I don't want no hand in
- such. If I was you, I'd wait&mdash;that's all, I'd wait. Out of respect
- for what folks would say or think, I'd put it off. Seems to me like she'd
- want that 'erse'f&mdash;in fact, I'm shore any sensible woman would.&rdquo;
- </p>
- <p>
- &ldquo;All right, Andy, all right!&rdquo; Warren answered, awkwardly, as his hand
- tugged at his mustache. &ldquo;I was jest sorter bothered, that's all. I'll take
- yore advice. I know you are a friend an' mean well. I'll go home an' git
- to bed. As you say, I kin afford to wait. What surprises me is to hear you
- say she's takin' on. I reckon she's sorter upset by havin' a death in the
- house. Rafe was at the end o' his string, anyway; you know that as well as
- I do.&rdquo;
- </p>
- <p>
- &ldquo;If the poor fellow had lived he would have called you to taw,&rdquo; was the
- significant and yet not unfriendly reply. &ldquo;The devil's light was in his
- eye, Jeff. Rafe Rundel was talkin' a lot an' growin' wuss an' wuss.&rdquo;
- </p>
- <p>
- &ldquo;I knowed all that, too,&rdquo; Warren was heard to say. &ldquo;His wife kept me
- posted. Well, well, so long, Andy! I'll git to bed.&rdquo;
- </p>
- <p>
- &ldquo;Not now, not now!&rdquo; Paul's inner voice cautioned, as with actual lips, and
- invisible hands seemed to detain him. &ldquo;Wait, wait; there is plenty of
- time!&rdquo; He leaned against the tree and saw Warren's form disappear in the
- starlight. The man's confident whistle came back on the hot, still air as
- he strode along the road, becoming more and more indistinct in the misty
- distance.
- </p>
- <p>
- Paul went down to the hay-field, looking here and there for a bed to lie
- upon. Presently he found a heap of freshly cut, succulent clover, full of
- the crushed perfume of the white and pink blossoms, and damp and cool with
- the dew. Upon this lair he sank, his tense young face upturned to the
- stars. How he loathed the silly woman who had borne him! How he detested
- the happy-go-lucky man who had caught her fancy! How he yearned for the
- living presence of the dead! His throat felt tight. Unshed tears seemed to
- trickle down within him. There was a dull aching about his heart. Again,
- as in a dream, the gentle face of Ethel Mayfield came before him. Her
- voice was as sweet and soothing as transcendent music. The lovely child
- had said she was going to pray for him. Perhaps even now she was doing so;
- and she had declared that prayers were answered. The belief was silly. It
- was like an inexperienced little city girl to entertain such thoughts, yet
- what she had said and the way she had said it were strangely comforting. A
- fiercely fought sob broke within him. Tears swept down his cheeks and
- trickled into the clover. The pain within him lessened. He became drowsy.
- The vision of the child with her beautiful hair and eyes became an airy,
- floating thing; the heavens were full of sweet musical laughter. Ethel
- seemed to be taken up into a sunlit cloud, and for a moment was hidden
- from view. Then he saw her returning. She was not alone. Holding her hand
- was Ralph Rundel&mdash;Ralph Rundel transfigured, spirit-like, and yet
- himself. He was full of the glow of youth. There were no lines, no shadows
- in his face. His body was erect; he was smiling at his son in a
- fathomless, eternal way.
- </p>
- <p>
- &ldquo;If they tell you I'm dead, don't you believe a word of it,&rdquo; he said. &ldquo;For
- I ain't&mdash;I ain't!&rdquo;
- </p>
- <p>
- Paul awoke with a start. The moon was rising; the whole landscape was
- flooded with the pale light of a reflected day. Subdued laughter and the
- drone of voices came from the window of the room where the body lay.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0017" id="linklink2HCH0017"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XVII
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">E</span>ARLY in the
- morning following the funeral Hoag sent Cato with a message to Paul. There
- was some work to be done, and the boy was to come at once and see about
- it. Mrs. Rundel, in her black dress, was near and heard the negro
- speaking, but she turned indifferently into her room and closed the door.
- </p>
- <p>
- &ldquo;Well, I'd go,&rdquo; Amanda advised her nephew. &ldquo;Mopin' around home like this
- won't do any good. At sech a time a body ought to keep the hands an' feet
- an' even the brain busy. I'd go stark crazy if I'd allow myself to set an'
- brood. It seems to me that I see yore pore pa's white face everywhar I
- turn, an' when I ain't seein' that I seem to hear his voice talkin' like
- nothin' out o' the way had happened. I even git a whiff o' his tobacco now
- an' then. Do you know, I think maybe death is made horrible like this to
- warn each of us of what is ahead. Me'n you, as little as we count on it,
- have got to be put away exactly like Rafe was, an' we may not have any
- more notice than he had, neither. Some o' the sanctified folks doubt whar
- he's gone, but I don't&mdash;much. Somehow I can't believe that he's gone
- to a bad place, because he had sech a hard time of it here for sech a
- long, long time. His pride was cut to the quick, an' he had a lot more o'
- that than most folks knowed about. Of course, you can't remember his young
- sparkin' days like I do. He used to dress as fine as a fiddle an' held his
- head powerful high; but time, an' poverty, an' trouble, an' one thing or
- other, kept pullin' it down an' down, till it struck the pillow he died
- on. Well, well, he's gone, an' we 'll miss 'im. I shall, I know, for I
- already do, an' they say the worst time ain't always right after the
- buryin'. Thar's always a stir and excitement over puttin' a person away
- that keeps you from lookin' the thing square in the face.&rdquo;
- </p>
- <p>
- Fires of anger and resentment were smoldering in the boy's breast, but he
- said nothing, and turned down the road to Hoag's. He found the planter
- moving about in the bark-strewn tan-yard between the vats, the black
- contents of which were on a level with the ground. He was giving blunt
- orders to three or four negroes who were piling up and sorting out a great
- heap of green hides. The day was dry and hot, and a disagreeable odor of
- decaying flesh was on the still air. He noticed Paul, and carelessly
- nodded, but for a moment was too busy to speak to him. He held a note-book
- in his hand, in which he had found some mistakes of record and
- calculations. They were his own errors, but he was no less angry for that.
- Finally he approached Paul, and as he moved was actively scratching,
- erasing, stabbing the paper with his pencil, and muttering oaths.
- </p>
- <p>
- &ldquo;How the hell can I do head-work,&rdquo; he growled, giving the boy a blazing
- glance, &ldquo;an' have to watch these black devils like a hawk all the time?
- The minute my back is turned they set down an' sulk an' shirk. They need a
- thousand lashes on their bare backs. That's the only thing they
- understand. Look how that whelp, Sambo, is skulkin'. I hit 'im with a
- piece o' plank just now, an' he thinks he's threatening me. Huh! I know
- 'em from the ground up. Did Cato tell you I wanted to see you?&rdquo;
- </p>
- <p>
- &ldquo;Yes, an' I come right over,&rdquo; Paul stolidly replied.
- </p>
- <p>
- Hoag closed his note-book, keeping the pencil between the leaves, and
- thrust it into his pocket. &ldquo;I saw you comin' back from the graveyard
- yesterday, an' I decided I'd try to find regular work for you. I kin
- always depend on you gittin' a job done, an' that's sayin' a lot. You
- hain't got a lazy bone in your body, if I do say it, an' it will be the
- makin' of you in the long run. Now, my mill-race has washed in till the
- flow is gittin' sluggish an' thin. The bottom of it, for fully a quarter
- of a mile, has got to be shoveled out an' lowered to an even grade. It
- will take you a month at least, but it will be regular work. The dam's all
- right, so we don't have to bother with that. I want you to come over every
- day after breakfast, an' then go to my house for yore dinner. It will save
- you the walk home, an' you kin git in more time. How would you like the
- job at the old wages?&rdquo;
- </p>
- <p>
- &ldquo;I'm willin',&rdquo; Paul answered, listlessly.
- </p>
- <p>
- &ldquo;Well, pick you out a spade in the tool-house right now, an' go to the dam
- an' begin to work toward the mill. The mill's shut down, an' the race
- bed's just wet enough to make the shovelin' soft. Some o' the banks are
- purty steep an' you 'll have to throw purty high, but you are equal to
- it.&rdquo;
- </p>
- <p>
- Paul went at once to the mill-dam. The work was really arduous, but the
- spot was shaded by thickly foliaged trees, and the shallow water, in which
- he stood in his bare feet, cooled his blood. Bending under his heavy
- implement filled with the heavier mud he worked like a machine, the sweat
- streaming from him, and constantly conscious of that strange, aching
- vacancy in his heart which nothing could fill.
- </p>
- <p>
- At noon he put down his spade and went to Hoag's, as he had often done
- before, for his lunch. No one else was in the dining-room, and Mrs. Tilton
- brought him his dinner, putting it before him in a gentle, motherly way.
- </p>
- <p>
- &ldquo;I told Aunt Dilly to let me wait on you,&rdquo; she said, a note of sympathy
- creeping into her voice. &ldquo;I was sorry I couldn't get out to the funeral
- yesterday. I've got Jackie to watch now, an' he's just gettin' on his
- feet, after his spell. His mother ain't a bit well, either; she ain't
- touched hardly a bite since he was so bad off. I think she ought to go to
- Atlanta to consult a special doctor, but Jim won't hear to it. He says,
- when a body gits too sick for home treatment their natural time's come,
- anyway, an' the money would be throwed away. I wish I could tell you how
- sorry I am about your pa. I know how much you both thought of each other.
- La, he used to come here while you was choppin' wood on the mountain, an'
- set in the kitchen door an' talk an' talk with tears in his old eyes about
- how sorry he was not to be stronger, so you wouldn't have to work so hard.
- He said you was the best boy that ever lived. Now, I'm just goin' to shet
- up,&rdquo; Mrs. Tilton said, regretfully. &ldquo;I see you are about to cry.&rdquo; She went
- to the window quickly and looked out into the yard. &ldquo;I see Jackie makin'
- his mud-pies. Oh,&rdquo; she turned to Paul, &ldquo;thar's something I wanted to say.
- You left your gun here t'other day. It's loaded, an' I don't like to see
- it around. Jackie might git hold of it. I wish you would take it home.&rdquo;
- </p>
- <p>
- &ldquo;I'll take it to work with me now,&rdquo; Paul promised, &ldquo;and take it home from
- there.&rdquo;
- </p>
- <p>
- Paul toiled diligently that afternoon till the sun was down. He had just
- come out of the water, put on his shoes, and with his gun under his arm
- was starting home, when Hoag appeared on the embankment of the race and
- surveyed the work which had been done.
- </p>
- <p>
- &ldquo;Good, good; prime, prime!&rdquo; he said, approvingly. &ldquo;You've done as much as
- a couple of buck niggers would have done in twice the time. Keep up that
- lick an' you 'll reach the sluice earlier than I counted on. I won't split
- hairs with you on the pay for this job. If it goes through at this rate
- I'll tack on something extra.&rdquo;
- </p>
- <p>
- Paul said nothing. He tried to feel grateful for the praise he had
- received, but he was too tired in body and mind to care for anything.
- Throughout the long day he had constantly deliberated over the thought
- that it would now be impossible for him to continue the life he was
- leading. With the death of his father his heart and soul seemed to have
- died.
- </p>
- <p>
- Hoag joined him as he walked homeward, the gun under his arm.
- </p>
- <p>
- &ldquo;I could see the graveyard from the hill yesterday,&rdquo; he remarked, &ldquo;an' I
- picked you out in the bunch. You looked powerfully lonely, an' the thought
- struck me that you was about the only real mourner. Women don't grieve for
- any but their own babies, an' them two from your house would have acted
- about the same at any other funeral. I was sorry for your daddy, Paul. He
- never made much headway in the world, but he deserved a better shake o'
- the dice. In his last days he toted an awful load. He used to talk purty
- free to me&mdash;just like a child would at times. He talked purty plain
- to <i>me</i>, I reckon, because he knowed I hain't a speck o' use for the
- damn snake-in-the-grass that was takin' sech a low, underhanded advantage
- of him behind his back. You needn't repeat this; I'm tellin' it just to
- you in private. If&mdash;you see, Paul&mdash;if it ever does come to words
- betwixt me an' Jeff Warren, I'll have to shoot 'im as I would a dog, an' a
- thing like that is troublesome, especially when I look on 'im as mud under
- my feet. I'd hate to have to stand trial for killin' a puppy, an' the law
- would demand <i>some</i> form-o' settlement.. Your pa would have killed
- 'im if he lived. I was lookin' for it every day; he was lyin' low for his
- chance. Preachers, slobberin' revivalists, an' fools like old Tye will
- talk to you about turnin' the other cheek; but the great, all-important
- first law of life is to fight for what you git, hold on to it when you git
- it, an' mash hell out of everything that tries to run over you. That's
- been my rule, an' it works like a charm. If I'd been your daddy I'd have
- shot that dirty whelp two months ago.&rdquo;
- </p>
- <p>
- They had reached the point <i>where</i> their ways parted. The gray
- twilight was thickening. Hoag's big white house gleamed through the trees
- surrounding it. There were lights in the kitchen and diningroom. All
- Nature seemed preparing for sleep. The tinkling of sheep and cow bells
- came drowsily to the ear; the church-bell, a creaking, cast-iron affair,
- was ringing for the singing-class to meet.
- </p>
- <p>
- &ldquo;Well, so long,&rdquo; Hoag finished, with a wave of his fat hand in the dusk.
- &ldquo;Set in bright an' early in the momin' an' let's see how many yards you'll
- wipe out before sundown.&rdquo;
- </p>
- <p>
- Paul walked on, so weary now that the gun he was carrying almost slipped
- from his inert arm. Presently his own home came into view, beyond the
- field of corn. Ralph Rundel had planted and hoed so feebly. Paul's heart
- sank into the very ooze of despair. How incongruous was the thought that
- his father would not be at the gate to meet him, as had been his habit for
- so many years! The boy stopped in a corner of the rail fence at the
- roadside and leaned on his gun. An indescribable pain, which was at once
- physical and mental, had his whole young being in a crushing grasp. The
- kitchen door was open, and the red logs of an open fire shone out on the
- sward about the house. Tree-frogs were snarling, fireflies were flashing
- here and there over the dewy meadows like tiny, short-lived meteors. Paul
- heaved a sigh, stifled a groan, bit his lip, and trudged on.
- </p>
- <p>
- As he got nearer to the house, he suddenly became aware of the fact that
- two figures, that of a man and a woman, were standing at the bars of the
- barnyard. He recognized the white-clad form on the inside as his mother's.
- The tall, slender man with the broad hat and square shoulders was Jeff
- Warren&mdash;that would have been plain even if his voice in some
- indistinct utterance had not been heard. The blood of fury, goaded to the
- point of insanity, raged within the youth. He felt its close, hot pressure
- above his eyes, and a red veil fell before his sight. Hoag's recent words
- rang in his ears. Revenge, revenge! Yes, that was the only thing worth
- having. Paul bent lower. His gun trailed the ground like the gun of a
- pioneer hunter. He crept silently forward, keeping the fence between him
- and the pair, till he was close enough to overhear the colloquy. It was
- Jeff Warren's voice and his suave, daredevil tone.
- </p>
- <p>
- &ldquo;Oh, I know the boy hates me. I've seed it in the little scamp's face many
- a time. Rafe must 'a' put 'im up to it when his mind was so flighty; but
- we'll straighten him out between us when we git things runnin' smooth.
- He'll think I'm a rip-snortin' stepdaddy when <i>I</i> git through with
- 'im.&rdquo;
- </p>
- <p>
- The hot pressure on Paul's brain increased. Pausing in a corner of the
- fence, he grasped his gun in both hands and cocked it with tense,
- determined fingers. His father's dead face rose before him. It seemed to
- smile approvingly. Hoag's words came to him like the advice of an oracle.
- He strained his ears to hear what his mother was saying, but her low
- utterance failed to reach him. Jeff Warren was turning away, his broad hat
- gallantly swung toward the ground.
- </p>
- <p>
- &ldquo;Well, I'll see you ag'in 'fore long,&rdquo; he said merrily. &ldquo;I know how you
- feel, but all that will soon wear off. We kin wait a decent time, but I'm
- in the race, I tell you. I'll talk all them notions out o' your purty
- head.&rdquo;
- </p>
- <p>
- Paul saw his mother vanish in the dusk, and, merrily intoning the tune of
- a hymn, Warren came on toward Paul. On he Strode, still swinging his hat.
- Paul heard him softly chuckling.
- </p>
- <p>
- &ldquo;Halt, you dirty coward!&rdquo; Paul cried, as he stepped in front of him, the
- gun leveled at the broad chest.
- </p>
- <p>
- &ldquo;What&mdash;what? Good God!&rdquo; Warren gasped. &ldquo;Put down that gun, you young
- fool! Drop it, I say, or I'll&mdash;&rdquo;
- </p>
- <p>
- Warren was about to spring forward as the only means of self-protection,
- but before he could do so there was a flash, a ringing report, a puff of
- smoke, and with a groan Warren bent forward, his hands on his breast. He
- swayed back and forth, groaning. He reeled, tottered sideways, made a
- strenuous effort to keep erect, then fell forward, gasping audibly, and
- lay still.
- </p>
- <p>
- Paul lowered his gun, and for a moment stood looking at the fallen man.
- His blood was wildly beating in his heart and brain. There was a barking
- of dogs far and near. Glancing toward the house, he noticed the forms of
- his mother and aunt framed by the kitchen doorway, the firelight behind
- them.
- </p>
- <p>
- &ldquo;It may be somebody shootin' bats&rdquo;&mdash;Amanda's voice held a distinct
- note of alarm&mdash;&ldquo;but I was shore I heard somebody speak sharp-like
- just before the shot was fired. Let's run down thar an' look.&rdquo;
- </p>
- <p>
- They dropped out of sight. Paul heard the patter of their feet, knew they
- were coming, and, for no reason which he could fathom, he retreated in the
- direction from which he had come. As if in a flash he caught and held the
- idea that, having done his duty, he would turn himself over to an officer
- of the law, as he had read of men doing in similar circumstances.
- </p>
- <p>
- He had gone only a few hundred yards when he heard the two women screaming
- loudly; and why he did so he could not have explained, but he quickened
- his gait into a slow, bewildered sort of trot, the gun still in his hands.
- Perhaps it was due to the thought that he wanted voluntarily to give
- himself up before any one should accuse him of trying to flee. He was
- nearing Hoag's barn, and thinking of making a short cut to the village
- across the fields, when a man suddenly burst from the thicket at the side
- of the road and faced him. It was Hoag himself.
- </p>
- <p>
- &ldquo;Hold thar!&rdquo; he cried, staring through the dusk at Paul. &ldquo;What's all that
- screamin' mean? I heard a gun go off, an' rememberin' that you&mdash;say,
- did you&mdash;Good God! What you comin' back this way for?&rdquo;
- </p>
- <p>
- &ldquo;I've killed Jeff Warren,&rdquo; Paul answered, calmly. &ldquo;I'm goin' to Grayson to
- give myself up.&rdquo;
- </p>
- <p>
- &ldquo;Good Lord, you don't say&mdash;why, why&mdash;&rdquo; Hoag's voice trailed away
- into silence, silence broken only by the voices of the two women in the
- distance calling for help.
- </p>
- <p>
- &ldquo;Yes, I shot 'im&mdash;you know why; you yourself said&mdash;&rdquo;
- </p>
- <p>
- Hoag suddenly laid a trembling hand on Paul's arm. The boy had never seen
- his employer turn pale before, or show so much agitation. &ldquo;Looky' here,
- you didn't go an'&mdash;an' do that because I&mdash;on account o' anything
- <i>I</i> said. Shorely you didn't&mdash;shorely you didn't! Come into the
- thicket, quick! Folks will be passin' here in a minute. Them fool women
- will rip the'r lungs out. Say, you didn't really <i>kill</i> 'im, did you&mdash;actually
- kill 'im?&rdquo;
- </p>
- <p>
- Paul avoided his eyes. &ldquo;You go back there an' see if I didn't,&rdquo; he said,
- doggedly.
- </p>
- <p>
- Hoag stared incredulously for a moment, then, with a firm grip on Paul's
- arm, he drew him deeper into the thicket.
- </p>
- <p>
- &ldquo;Something's got to be done,&rdquo; he panted. &ldquo;If you give yourself up for
- trial they will worm out o' you that I said&mdash;that I was talkin' to
- you, an'&mdash;Looky' here, boy, do you know what this means? Are you
- plumb out o' your senses?&rdquo;
- </p>
- <p>
- &ldquo;I don't care <i>what</i> it means,&rdquo; Paul retorted. &ldquo;I've put <i>him</i>
- out o' the way for good and all.&rdquo;
- </p>
- <p>
- &ldquo;Good Lord, you are a cool un! Wait here; don't stir! I'll come back. I'll
- run down thar to make sure.&rdquo;
- </p>
- <p>
- Hoag moved excitedly toward the road. He had just reached it when a man
- came running past at full speed in the direction of the village. &ldquo;Hold,
- hold!&rdquo; Hoag cried. &ldquo;What's wrong?&rdquo;
- </p>
- <p>
- The runner slackened his speed a little; but did not stop. It was Abe
- Langston.
- </p>
- <p>
- &ldquo;Somebody's shot Jeff Warren down thar by the fence. He's as dead as a
- door-nail. I'm goin' to send out the alarm an' git the sheriff.&rdquo;
- </p>
- <p>
- In a cloud of self-raised dust Langston dashed away. Hoag stood hesitating
- for a moment, then turned back to Paul, finding him seated on the decaying
- trunk of a fallen tree, the gun resting on his slender knees. Hoag stood
- before him.
- </p>
- <p>
- &ldquo;You've got to git out o' this,&rdquo; he panted, excitedly. &ldquo;You've done a
- thing that the court will hold you responsible for. I ain't sure you was
- justified nohow. The fellow was just in love, that's all. A jury will call
- it unprovoked, cold-blood, deliberate, what-not. You ain't in no fix to
- fight it, an' you'd be a plumb idiot to stay here an' let 'em lay hold of
- you.' The only sensible thing for you to do is to show a clean pair o'
- heels, an' git out for good an' all. You don't seem overly satisfied here
- with them women on your hands nohow, an' the world is big and wide. I
- don't want my name used&mdash;<i>mind that</i>. If you <i>do</i> git
- caught an' fetched back, I hope you'll have the decency not to lug me an'
- this advice in even under oath. I'm tryin' to help you. Make a bee-line
- through the mountains to North Carolina an' board the first train. Throw
- that gun down. Don't be caught red-handed; it would be a plumb give-away.&rdquo;
- </p>
- <p>
- &ldquo;What's the use?&rdquo; Paul shifted his feet, and raised his sullen eyes.
- </p>
- <p>
- &ldquo;Thar's a heap o' use,&rdquo; Hoag returned, impatiently. &ldquo;You may not think so
- now, but you will after you've laid in that dang dirty jail in town, an'
- been tuck to court to be gazed at by the public, with no money to pay fees
- with, no friends on hand, an' nothin' before you but to be hung by the
- neck till you are dead, dead, dead. Take my advice. Git away off some'r's
- in the world, change your name, burn yore bridges behind you, an' start
- life 'new all for yoreself without any load like the one you've always had
- like a millstone round your neck.&rdquo;
- </p>
- <p>
- Paul rose to his feet, rested the stock of his gun on the trunk of the
- tree; he looked off through the twilight wistfully.
- </p>
- <p>
- &ldquo;You really think that would be best?&rdquo; he faltered.
- </p>
- <p>
- &ldquo;It certainly will, if you kin manage to git away,&rdquo; Hoag said. &ldquo;Why, if
- you stay here, you will be in a damn sight wuss fix than the skunk you
- shot. He's out o' <i>his</i> trouble, but if you stay here yours will just
- be beginnin'.&rdquo;
- </p>
- <p>
- &ldquo;Well, I'll go,&rdquo; Paul consented. &ldquo;I can get away all right. I know the
- woods and mountains.&rdquo;
- </p>
- <p>
- &ldquo;Well, throw your gun down behind that log an make off. Say, if they press
- you hard on your way through the country, an' you find yourself near the
- farms of Tad Barton, Press Talcot, Joe Thomas, or old man Jimmy Webb, say
- this to 'em&mdash;tell 'em I said&mdash;No, I won't give you no password.
- I haven't got the right to do it without due form. It's ag'in' the rules;
- but you tell either of 'em that I said put you out of sight, give you grub
- or a place to sleep, an' that I said pass you along to the railroad. Got
- any money? Here is five dollars. I owe you that much, anyway, and it's all
- I happen to have in my pocket. Now, you hit the grit.&rdquo;
- </p>
- <p>
- Paul took the money and indifferently thrust it into his pocket. Hoag held
- out his hand. &ldquo;I don't want you to go away with the idea that I had
- anything much ag'in' the feller you shot; that's done away with now. We've
- had one or two little scraps, but they didn't amount to anything. Say&rdquo;&mdash;Hoag
- pointed to the creek&mdash;&ldquo;if I was you I'd wade along that watercourse
- for a mile or two. The sheriff might take a notion to put bloodhounds on
- your track, an' the stream will wash away the scent. Good-by. Make the
- best of it. I'd ask you to drop me a line, but that wouldn't be safe for
- me or you either. Cut this section clean out&mdash;it's been tough on you,
- anyway. You can make a livin'. You've got a great head on you for learnin'&mdash;I've
- heard plenty o' sensible folk say so. Good-by.&rdquo; They parted. Hoag went
- deliberately toward the constantly growing group where Jeff Warren had
- fallen. He had almost reached it when he met Aunt Dilly, who had been
- anxiously inquiring for him. She was whimpering and wiping her eyes on her
- apron.
- </p>
- <p>
- &ldquo;Oh, Marse Hoag,&rdquo; she cried, &ldquo;I'se been searchin' fer you everwhar. Dey
- want you up at de house right off.&rdquo;
- </p>
- <p>
- &ldquo;Want me? What's the matter?&rdquo;
- </p>
- <p>
- &ldquo;I dunno, suh; but Miz Hoag drapped off ter sleep-like in 'er chair, en
- her ma cayn't wake 'er up. Cato done run fer de doctor. Suppen's wrong,
- suh, suppen powerful wrong. Hit don't look lak des er faintin' spell.&rdquo;
- </p>
- <p>
- Hoag stifled an oath of impatience, glanced at the silent group, hesitated
- a moment, and then turned homeward. At the gate he saw Mrs. Tilton waving
- her hands wildly in a signal for him to hurry.
- </p>
- <p>
- &ldquo;She's dead!&rdquo; she sobbed. &ldquo;She's growing cold.&rdquo; Hoag passed through the
- gate which she held open.
- </p>
- <p>
- &ldquo;Keep the baby away,&rdquo; he said. &ldquo;There is no use lettin' 'im look at her.
- He's too young to&mdash;to see a thing like that.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2H_4_0018" id="linklink2H_4_0018"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- II
- </h2>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0018" id="linklink2HCH0018"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER I
- </h2>
- <h3>
- |SEVEN years passed. It was early summer.
- </h3>
- <p>
- Externally James Hoag had changed. He was a heavier man; his movements
- were more sluggish, his hair was turning white, his face was wrinkled and
- had the brown splotches indicative of a disordered liver. There was on
- him, at times, a decided nervousness which he more or less frankly,
- according to mood, attributed to his smoking too much at night and the
- habit of tippling. He had grown more irritable and domineering. Beneath
- the surface, at least, he had strongly objected to his mother-in-law's
- continuing to look to him for support after her daughter's death. But Mrs.
- Tilton had told him quite firmly that she now had only one duty in life,
- and that was the care of her grandchild, Jack; and Hoag, quick, harsh, and
- decided in his dealings with others, knew no way of refusing.
- </p>
- <p>
- He had really thought of marrying again; but the intimate presence of the
- mother-in-law and his inability to quite make up his mind as to which
- particular woman of his acquaintance could be trusted not to have motives
- other than a genuine appreciation of himself had delayed the step. Indeed,
- he had given the subject much thought, but objections more or less real
- had always arisen. The girl was too young, pretty, and spoiled by the
- attention of younger and poorer men, or the woman was too old, too plain,
- too settled, or too wise in the ways of the world. So Hoag had all but
- relinquished the thought, and if he had any heart he gave it to Jack, for
- whom he still had a remarkable paternal passion, as for his son Henry he
- still had little love or sympathy. For the last three or four years he had
- regarded Henry as an idle fellow who would never succeed in anything.
- </p>
- <p>
- The &ldquo;klan&rdquo; of which Hoag was still the leader continued to hold its secret
- meetings, framed crude laws under his dictation, and inflicted grim and
- terrible punishment. And these men honestly believed their method to be
- more efficacious than the too tardy legal courts of the land.
- </p>
- <p>
- Hoag had been to one of these meetings in a remote retreat in the
- mountains one moonlit night, and about twelve o'clock was returning. He
- was just entering the gate of his stable-yard when his attention was
- attracted to the approach along the road of a man walking toward Grayson,
- a traveler's bag in his hand. It was an unusual thing at that hour, and,
- turning his horse loose in the yard, Hoag went back to the gate and leaned
- on it, curiously and even officiously eying the approaching pedestrian. As
- the man drew nearer, lightly swinging his bag, Hoag remarked the easy
- spring in his stride, and noted that he was singing softly and
- contentedly. He was sure the man was a stranger, for he saw nothing
- familiar in the figure as to dress, shape, or movement.
- </p>
- <p>
- &ldquo;Must be a peddler in some line or other,&rdquo; he said to himself; &ldquo;but a
- funny time o' night to be out on a lonely road like this.&rdquo;
- </p>
- <p>
- It would have been unlike Hoag to have let the pedestrian pass without
- some sort of greeting, and, closing the gate, he stepped toward the center
- of the road and stood waiting.
- </p>
- <p>
- &ldquo;Good evening,&rdquo; he said, when the man was quite close to him.
- </p>
- <p>
- &ldquo;Good evening.&rdquo; The stranger looked up suddenly, checking his song, and
- stared at Hoag steadily in apparent surprise. Then he stopped and lowered
- his bag to the ground. &ldquo;I wonder,&rdquo; he said, &ldquo;if this is&mdash;can this
- possibly be Mr. Jim Hoag?&rdquo;
- </p>
- <p>
- &ldquo;That's who it is,&rdquo; was the calm reply; &ldquo;but I don't know as I've ever
- laid eyes on you before.&rdquo;
- </p>
- <p>
- &ldquo;Oh yes, you have.&rdquo; The stranger laughed almost immoderately. &ldquo;You look
- closely, Mr. Hoag, and you'll recognize a chap you haven't seen in many a
- long, long year.&rdquo;
- </p>
- <p>
- Hoag took the tall, well-built young man in from head to foot. He was well
- and stylishly dressed, wore a short, silky beard, and had brown eyes and
- brown hair. Hoag dubiously shook his head.
- </p>
- <p>
- &ldquo;You've got the best o' me,&rdquo; he said, slowly. &ldquo;I'm good at recollectin'
- faces, as a rule, too; but my sight ain't what it used to be, an' then
- bein' night-time&mdash;&rdquo;
- </p>
- <p>
- &ldquo;It was after dark the last time you saw me, Mr. Hoag.&rdquo; The stranger was
- extending his hand and smiling. &ldquo;Surely you haven't forgotten Ralph
- Rundel's son Paul?&rdquo;
- </p>
- <p>
- &ldquo;Paul Rundel&mdash;good Lord!&rdquo; Hoag took the extended hand clumsily, his
- eyes dilating. &ldquo;It can't be&mdash;why, why, I thought you was dead an'
- done for long ago. I've thought many a time that I'd try to locate you.
- You see, after advisin' you&mdash;after tellin' you, as I did that night,
- that I thought you ought to run away, why, I sort o' felt&mdash;&rdquo;
- </p>
- <p>
- Hoag seemed unable to voice his train of thought and slowed up to an
- awkward pause.
- </p>
- <p>
- &ldquo;Yes, I know&mdash;I understand,&rdquo; Paul Rundel said, his face falling into
- seriousness, his voice full and earnest. &ldquo;I know I'm late about it; but it
- is better to be late than never when you intend to do the right thing. I
- committed a crime, Mr. Hoag, and the kind of a crime that can't be brushed
- out of a man's conscience by any sort of process. I've fought the hardest
- battle that any man of my age ever waged. For years I tried to follow your
- advice, and live my life in my own way, but I failed utterly. I started
- out fair, but it finally got me down. I saw I had to do the right thing,
- and I am here for that purpose.&rdquo;
- </p>
- <p>
- &ldquo;You don't mean&mdash;you can't mean,&rdquo; Hoag stammered, &ldquo;that you think&mdash;that
- you actually <i>believe</i>&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I mean exactly what I say.&rdquo; The young, bearded face was all seriousness.
- &ldquo;I stood it, I tell you, as long as I could in my own way, and finally
- made up my mind that I'd let God Almighty take me in hand. It was like
- sweating blood, but I got to it. In my mind, sleeping and waking, I've
- stood on the scaffold a thousand times, anyway, and now, somehow, I don't
- dread it a bit&mdash;not a bit. It would take a long time to explain it,
- Mr. Hoag, but I mean what I say. There is only one thing I dread, and that
- is a long trial. I'm going to plead guilty and let them finish me as soon
- as possible. I want to meet the man I killed face to face in the Great
- Beyond and beg his pardon in the presence of God. Then I will have done as
- much of my duty as is possible at such a late day.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I see!&rdquo; Hoag fancied he understood. One of his old shrewd looks stoic
- into his visage. If Paul Rundel thought he was as easily taken in as that,
- he had mistaken his man, that was certain. Hoag put his big hand to his
- mouth and crushed out an expanding smile, the edge of which showed itself'
- in his twinkling eyes. &ldquo;Oh, I see,&rdquo; he said, with the sort of seduction he
- used in his financial dealings; &ldquo;you hain't heard nothin' from here since
- you went off&mdash;nothin' at all?&rdquo;
- </p>
- <p>
- &ldquo;Not a word, Mr. Hoag, since I left you down there seven years ago,&rdquo; was
- the reply. &ldquo;I must have walked thirty miles that night through the worst
- up-and-down country in these mountains before day broke. I struck a band
- of horse-trading gipsies at sun-up in the edge of North Carolina, and they
- gave me breakfast. They were moving toward the railroad faster than I
- could walk. I was completely fagged out, and they took pity on me and let
- me lie down on some straw and quilts in one of their vans. I slept soundly
- nearly all day. I wasn't afraid of being caught; in fact, I didn't care
- much one way or the other. I was sick at heart, blue and morbid. I suppose
- conscience was even then getting in its work.&rdquo;
- </p>
- <p>
- &ldquo;I see.&rdquo; Hoag was studying the young man's face, voice, and manner in
- growing perplexity. There was something so penetratingly sincere about the
- fellow. Hoag had heard of men being haunted by conscience till they would,
- of their own volition, give themselves up for punishment, but he had never
- regarded such things as possible, and he refused to be misled now. &ldquo;Then
- you took a train?&rdquo; he said, like a close cross-questioner. &ldquo;You took the
- train?&rdquo;
- </p>
- <p>
- &ldquo;Yes, I left the gipsies at Randal's Station, on the B: A. &amp; L., and
- slipped into an unlocked boxcar bound for the West. It was an awful trip;
- but after many ups and downs I reached Portland in about as sad a plight
- as a boy of my age could well be in. I found work as a printer's devil on
- a newspaper. From that I began to set type. I studied hard at night, and
- finally got to be an editorial writer. You see, I kept myself out of view
- as much as possible&mdash;stayed at my boardinghouse from dark till
- morning, and, having access to a fine library, I read to&mdash;to kill
- time and keep my mind off my crime.&rdquo;
- </p>
- <p>
- &ldquo;Your <i>crime?</i> Oh, you mean that you thought&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I couldn't possibly get away from it, Mr. Hoag.&rdquo; Paul's voice quivered,
- and he drew his slender hand across his eyes. &ldquo;Night or day, dark or
- light, Jeff Warren was always before me. I've seen him reel, stagger, and
- fall, and heard him groan millions and millions of times. It would take
- all night to tell you about those awful years of sin and remorse&mdash;that
- soul-racking struggle to defy God, which simply had to end, and did end,
- only a few days ago. When I left here I believed as you did about
- spiritual things, Mr. Hoag, and I thought I could live my life out as I
- wished, but I know better now. My experience during those seven years
- would convince any infidel on earth that God is in every atom of matter in
- the universe. The human being does not live who will not, sooner or later,
- bow down under this truth&mdash;if not here, he will in the Great Beyond.&rdquo;
- </p>
- <p>
- &ldquo;Bosh!&rdquo; Hoag growled, his heavy brows meeting in a fierce frown of
- displeasure.
- </p>
- <p>
- &ldquo;Oh, I see you still think as you used to think,&rdquo;
- </p>
- <p>
- Paul went on, regretfully; &ldquo;but you'll come to it some day&mdash;you'll
- come to it in God's own good time. It is a satisfaction to me to know that
- I am giving you a proof of <i>my</i> reformation, anyway. You know, if you
- will stop to think about it, Mr. Hoag, that I am giving vital proof that
- I, at least, am convinced or I would not be willing to give my life up
- like this. It isn't hard to die when you know you are dying to fulfil a
- wonderful divine law; in fact, to mend a law which you yourself have
- broken!&rdquo;
- </p>
- <p>
- &ldquo;I don't know what you are trying to git at, an' I don't care,&rdquo; Hoag
- blustered. &ldquo;I don't know what your present object is, what sort of an ax
- you got to grind; but I'll tell you what I think, Paul, an' you kin smoke
- it in your pipe if you want to. Somebody round here has kept you posted.
- You know how the land lays, an' have made up your mind to turn preacher, I
- reckon&mdash;if you ain't already one&mdash;an' you think it will be a
- fine card to make these damn fools here in the backwoods think you really
- <i>was</i> ready to go to the scaffold, an' the like o' that. But the
- truth will leak out. Sooner or later folks&mdash;even the silliest of 'em&mdash;will
- git onto your game. You can't look <i>me</i> square in the eye, young man,
- an' tell <i>me</i> that you don't know Jeff Warren didn't die, an' that
- when he married your mammy an' moved away the case ag'in' you was
- dismissed. Huh, I ain't as green as a gourd!&rdquo;
- </p>
- <p>
- Paul started, stared incredulously at the speaker, his mouth falling open
- till his white teeth gleamed in the moonlight. He leaned forward, his
- breath coming and going audibly, his broad chest swelling. He laid his
- hand on Hoag's shoulder and bore down on it heavily. Hoag felt it
- quivering as if it were charged with an electric current. Paul was trying
- to speak, trying to be calm. He swallowed; his lips moved automatically;
- he put his disengaged hand on Hoag's other shoulder and forced him to look
- at him. He shook him. In his face was the light of a great nascent joy.
- </p>
- <p>
- &ldquo;Don't say he's alive unless&mdash;my God, unless it's true!&rdquo; he cried,
- shaking Hoag again. &ldquo;That would be the act of a fiend in human shape. I
- couldn't stand it. Speak, speak, speak, man! Don't you understand? Speak!
- Is it true&mdash;is it possible that&mdash;&rdquo; Paul's voice broke in a great
- welling sob of excitement and his quivering head began to sink.
- </p>
- <p>
- Hoag was quite taken aback. This was genuine; of that he was convinced.
- &ldquo;Thar's no use gittin' so worked up,&rdquo; he said. &ldquo;Jeff is sound an' well.
- I'm sorry I talked like I did, for I see you must 'a' been in the dark,
- an'&mdash;&rdquo;
- </p>
- <p>
- He went no further. Paul had removed his hands. A light was on his face
- that seemed superhuman. He raised his eyes to the sky. He swerved toward
- the side of the road like a man entranced till he reached the fence, and
- there he rested his head on his arms and stood bowed, still, and silent.
- </p>
- <p>
- &ldquo;Huh, this is a purty pickle!&rdquo; Hoag said to himself. He stood nonplussed
- for several minutes, and then advanced to Paul, treading the ground
- noiselessly till he was close to him. And then he heard the young man
- muttering an impassioned prayer.
- </p>
- <p>
- &ldquo;I thank thee, O God, I thank thee! O, blessed Father! O, merciful
- Creator, this&mdash;this is thy reward!&rdquo;
- </p>
- <p>
- Hoag touched him on the shoulder, and Paul turned his eyes upon him, which
- were full of exultant tears. &ldquo;Say,&rdquo; Hoag proposed, kindly enough, &ldquo;thar
- ain't no need o' you goin' on to Grayson to-night. The hotel ain't runnin'
- this summer, nohow. Pete Kerr an' his wife closed it for a month to go off
- on a trip. I've got a big, cool room in my house that ain't occupied. Stay
- with me as long as you like. We are sort o' old friends, an' you are
- entirely welcome. I'd love the best in the world to have you.&rdquo;
- </p>
- <p>
- &ldquo;It is very good of you.&rdquo; Paul was calmer now, though his countenance was
- still aglow with its supernal light. &ldquo;I really am very tired. I've walked
- ten miles&mdash;all the way from Darby Crossroads. The hack broke down
- there a little after dark, and as I wanted to give myself up before
- morning&mdash;before meeting anybody&mdash;I came on afoot. The driver was
- a new man, and so he had no idea of who I was or what my intentions were.
- Oh, Mr. Hoag, you can't imagine how I feel. You have given me such a great
- joy. I know I am acting like a crazy man, but I can't help it. It is so
- new, so fresh&mdash;so glorious!&rdquo;
- </p>
- <p>
- &ldquo;The <i>whole thing</i> seems crazy to me,&rdquo; said Hoag, with a return of
- his old bluntness; &ldquo;but that's neither here nor thar. You seem to be in
- earnest. Pick up yore valise an' let's go in the house.&rdquo;
- </p>
- <p>
- &ldquo;Are you sure you have room for me?&rdquo; Paul asked, as he went for his bag.
- </p>
- <p>
- &ldquo;Plenty, plenty. My sister, Mrs. Mayfield, an' Ethel, from Atlanta&mdash;you
- remember them&mdash;they are spending the summer here, as they always do
- now. They went to Atlanta yesterday&mdash;some o' their kin is sick&mdash;Jennie
- Buford. They will be back tomorrow by dinner-time. But when they come you
- needn't stir. We've got plenty o' room. You are welcome to stay as long as
- you like. I want to talk to you about the West.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0019" id="linklink2HCH0019"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER II
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">H</span>OAG led the way
- through the gate and up the walk toward the house.
- </p>
- <p>
- &ldquo;Do you think you'll be likely to settle down here again?&rdquo; he inquired.
- </p>
- <p>
- &ldquo;Oh, I shall now&mdash;I shall now,&rdquo; Paul returned, eagerly. &ldquo;I've been so
- homesick for these old mountains and valleys that I shall never want to
- leave them. It is that way with most men; they never find any spot so
- attractive as the place where they were brought up.&rdquo;
- </p>
- <p>
- &ldquo;The reason I asked,&rdquo; Hoag said, with a touch of pride, &ldquo;was this. I've
- increased my interests here a powerful sight since you went away. I've
- added on two more good-sized farms. My tannery is double what it was, an'
- my flour-mill's a new one with the patent-roller process. Then I run a
- brickyard t'other side o' town, and a shingle-mill and a little spoke an'
- hub factory. I tell you this so you'll understand the situation. I'm
- gittin' too stiff an' heavy to ride about much, an' I've got to have a
- general superintendent. The fellow that was with me for the last four
- years left me high an' dry a week ago, after a row me an' him had over a
- trifle, when you come to think about it. It just struck me that you might
- want to think it over an' see how you'd like the job.&rdquo;
- </p>
- <p>
- &ldquo;I should like it, I am sure,&rdquo; Paul said, gratefully.
- </p>
- <p>
- &ldquo;I am going to stay here, and I'll have to keep busy.&rdquo;
- </p>
- <p>
- &ldquo;Well, we'll talk it over to-morrow,&rdquo; Hoag said, in quite a tone of
- satisfaction. &ldquo;I reckon we'll agree on the price. If you are as hard a
- worker as you used to be I'll be more 'an pleased.&rdquo;
- </p>
- <p>
- They were now at the veranda steps. The front door was locked; Hoag opened
- it with a key which was fastened to his suspenders by a steel chain, and
- the two went into the unlighted hall. The owner of the house fumbled about
- in the dark until he found a couple of candles on a table, and, scratching
- a match on his thigh, he lighted them.
- </p>
- <p>
- &ldquo;Now we are all hunky-dory,&rdquo; he chuckled. &ldquo;I'm goin' to give you a good
- room, an' if I don't live on the fat of the land as to grub nobody else
- does. If we come to terms, I'll want you to stay right here, whar I can
- consult you at a moment's notice.&rdquo;
- </p>
- <p>
- &ldquo;That would be nice indeed,&rdquo; Paul returned, as he followed his host up the
- uncarpeted stairs to a hall, which was the counterpart of the one below.
- </p>
- <p>
- At the front end of the hall Hoag pushed a door open and entering a large
- bedroom, put one of the candles on the mantelpiece. &ldquo;Here you are,&rdquo; he
- said, pleasantly, waving his heavy hand over the furniture, which
- consisted of a table, a couple of chairs, a bureau, wardrobe, and a fully
- equipped wash-stand. &ldquo;You 'll have to admit&rdquo;&mdash;Hoag smiled at this&mdash;&ldquo;that
- it is better than the place you was headed for. The last time I peeped in
- that jail thar wasn't any beds that I could see&mdash;niggers an' tramps
- was lyin' on iron bars with nothin' under 'em but scraps o' blankets.&rdquo;
- </p>
- <p>
- Just then there was the sound of a creaking bed in the room adjoining.
- </p>
- <p>
- Hoag put his own candle down on the table. &ldquo;It's Henry,&rdquo; he explained.
- &ldquo;He's been poutin' all day. Me'n him had some hot words at supper. He
- wants me to furnish some money for him to go in business on. Him an'
- another man want to start a produce store in Grayson, but I won't put hard
- cash in inexperienced hands. It would be the same as stickin' it in a
- burnin' brush-heap. He's quit drinkin' an' gamblin', but he won't work.&rdquo;
- </p>
- <p>
- &ldquo;I've seen young men like him,&rdquo; Paul said. &ldquo;Henry wasn't brought up to
- work, and he may be helpless. He ought to be encouraged.&rdquo;
- </p>
- <p>
- &ldquo;Well, I'll not encourage him by puttin' a lot o' cash in his clutches,&rdquo;
- Hoag sniffed. &ldquo;If he'd set in an' work like you used to do, for instance,
- thar's no tellin' what I would do for him in the long run. Well, I'm
- keepin' you up. I'll see you in the mornin'. Good night.&rdquo;
- </p>
- <p>
- &ldquo;Good night,&rdquo; Paul said.
- </p>
- <p>
- With his lighted candle in his hand Hoag went down-stairs and turned into
- his own room, adjoining the one in which Jack and his grandmother slept.
- Putting his candle on a table, he began to undress. He had finished and
- was about to lie down when he heard a light footfall in the next room. A
- connecting door was pushed open and a tall, slender boy in a white
- nightgown stood in the moonlight which streamed through a vine-hung window
- and fell on the floor.
- </p>
- <p>
- &ldquo;Is that you, Daddy?&rdquo;
- </p>
- <p>
- &ldquo;Yes, son.&rdquo; There was an odd note of affection in Hoag's welcoming tone.
- &ldquo;Do you want anything?&rdquo;
- </p>
- <p>
- The boy crept forward slowly. &ldquo;I got scared. I woke and heard you talkin'
- up-stairs like you was still quarreling with Henry.&rdquo;
- </p>
- <p>
- &ldquo;You must have been dreaming.&rdquo; The father held out his arms and drew the
- boy into a gentle embrace. &ldquo;Do you want to sleep with your old daddy?&rdquo;
- </p>
- <p>
- &ldquo;Oh yes!&rdquo; Jack crawled from his father's arms to the back part of the bed
- and stretched out his slender white legs against the plastered wall. &ldquo;May
- I sleep here till morning, and get up when you do?&rdquo;
- </p>
- <p>
- &ldquo;Yes, if you want to. Do you railly love to sleep in my bed?&rdquo;
- </p>
- <p>
- Hoag was now lying down, and Jack put his arm under his big neck and
- hugged him. &ldquo;Yes, I do; I don't like my little bed; it's too short.&rdquo;
- </p>
- <p>
- &ldquo;Thar, kiss daddy on the cheek and go to sleep,&rdquo; Hoag said, under the
- thrill of delight which the boy's caresses invariably evoked. &ldquo;It's late&mdash;awful
- late fer a chap like you to be awake.&rdquo;
- </p>
- <p>
- Jack drew his arm away, rolled back against the cool wall, and sighed.
- </p>
- <p>
- &ldquo;Daddy,&rdquo; he said, presently, just as Hoag was composing himself for sleep,
- &ldquo;I don't want Grandma to tag after me so much. She watches me like a hawk,
- an' is always saying if I don't look out I'll grow up and be good for
- nothing like Henry. Daddy, what makes Henry that way?&rdquo;
- </p>
- <p>
- &ldquo;I don't know; he's just naturally lazy. Now go to sleep.&rdquo;
- </p>
- <p>
- &ldquo;Some folks like Henry very, very much,&rdquo; the boy pursued, getting further
- and further from sleep. &ldquo;Grandma says he really is trying to be good, but
- don't know how. Was you like him when you was young, Daddy?&rdquo;
- </p>
- <p>
- &ldquo;No&mdash;I don't know; why, no, I reckon not. Why do you ask such silly
- questions?&rdquo;
- </p>
- <p>
- &ldquo;Grandma told Aunt Dilly one day that you always did drink, but that you
- didn't often show it. She said Henry had quit, and that was wonderful for
- any one who had it in his blood like Henry has. Is it in my blood, too,
- Daddy?&rdquo;
- </p>
- <p>
- &ldquo;No.&rdquo; Hoag's patience was exhausted. &ldquo;Now go to sleep. I've got to rest,
- I'm tired, and must work to-morrow.&rdquo;
- </p>
- <p>
- &ldquo;Are you a soldier, Daddy?&rdquo; Jack pursued his habit of ignoring all
- commands from that particular source.
- </p>
- <p>
- &ldquo;No, I'm not. Now go to sleep; if you don't, I'll send you back to your
- own bed.&rdquo;
- </p>
- <p>
- &ldquo;Then why does Mr. Trawley call you 'Captain'?&rdquo;
- </p>
- <p>
- &ldquo;Who said&mdash;who told you he called me that?&rdquo; Hoag turned his massive
- head on his pillow and looked at the beautiful profile of his son, as it
- was outlined against the wall.
- </p>
- <p>
- &ldquo;Oh, I heard him the other day, when he rode up after you to go somewhere.
- I was in the loft at the barn fixing my pigeon-box and heard him talking
- to you down at the fence. Just as he started off he said, 'Captain, your
- men will wait for you at the usual place. They won't stir without your
- commands.'&rdquo;
- </p>
- <p>
- Hoag's head moved again; his eyes swept on to the ceiling; there was a
- pause; his wit seemed sluggish.
- </p>
- <p>
- &ldquo;Are you really a captain, Daddy?&rdquo; Jack raised himself on his elbow and
- leaned over his father's face, &ldquo;No; lie down and go to sleep,&rdquo; Hoag said,
- sternly. &ldquo;Some people call me that just out of&mdash;out of respect, just
- as a sort o' nickname. The war is over; thar ain't no real captains now.&rdquo;
- </p>
- <p>
- &ldquo;I think I know why they call you that.&rdquo; Jack's delicate face was warm
- with pride, and his young voice was full and round. &ldquo;It is because you are
- the bravest an' richest and best one. That's why Mr. Trawley said they
- wouldn't stir till you told them. I asked Grandma about it, and she looked
- so funny and acted so queer! She wouldn't say anything to <i>me</i>, but
- she went straight to Aunt Dilly, and they talked a long time, and Grandma
- looked like she was bothered. That was the night the White Caps rode along
- the road after that runaway negro. I saw Grandma watching from the window.
- She thought I was asleep, but I got up and looked out of the other window
- and she didn't know it. Oh, they looked awful in their long, white things.
- Aunt Dilly was down in the yard, and she told Grandma that God was going
- to have revenge, because the Bible said so. She said Cato had left his
- cabin and was hiding in the woods for fear they might get <i>him</i>. She
- said Cato was a good nigger, and that it was a sin to scare him and all
- the rest like that. Daddy, what <i>are</i> the White Caps? Where do they
- come from?&rdquo;
- </p>
- <p>
- &ldquo;Oh, from roundabout in the mountains!&rdquo; Hoag returned, uneasily. &ldquo;Now go
- to sleep. You are nervous; you are shaking all over; those men won't hurt
- you.&rdquo;
- </p>
- <p>
- &ldquo;But they <i>do</i> get white folks sometimes, and take them out and whip
- them,&rdquo; Jack said, tremulously. &ldquo;Aunt Dilly said one day to Cato that they
- begun on the blacks, but they had sunk so low that they were after their
- own race now. What would we do if they was to come here after&mdash;&rdquo; The
- little voice trailed away on the still air, and glancing at the boy's face
- Hoag saw that the pretty, sensitive lips were quivering.
- </p>
- <p>
- &ldquo;After who?&rdquo; he asked, curious in spite of his caution.
- </p>
- <p>
- &ldquo;After Henry,&rdquo; Jack gulped. &ldquo;They might, you know, to whip him for not
- working. They did whip a poor white man last summer because he let his
- wife and children go hungry. Daddy, if they was&mdash;really <i>was</i> to
- ride up here and call Henry out, would you shoot them? What would be the
- use, when there are so many and every one has a gun?&rdquo;
- </p>
- <p>
- &ldquo;They&mdash;they are not coming after Henry.&rdquo; Hoag was at the end of his
- resources. &ldquo;Git all that rubbish out o' your head an' go to sleep!&rdquo;
- </p>
- <p>
- &ldquo;How do you know they won't come, Daddy? Oh, Daddy, Henry really is my
- only brother an' I love 'im. You don't know how good he is to me
- sometimes. He mends my things, and makes toys for me with his knife, and
- tells me stories about sailors and soldiers and Indians.&rdquo;
- </p>
- <p>
- Hoag turned on his side and laid a caressing hand on the boy's brow. &ldquo;Now,
- now,&rdquo; he said, soothingly, &ldquo;let's both go to sleep.&rdquo;
- </p>
- <p>
- &ldquo;All right, Daddy.&rdquo; Jack leaned over his father's face and kissed him.
- &ldquo;Good night.&rdquo;
- </p>
- <p>
- &ldquo;Good night.&rdquo; Hoag rolled over to the front side of the bed, straightened
- himself out and closed his eyes.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0020" id="linklink2HCH0020"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER III
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">O</span>N finding himself
- alone in his room, Paul began to realize the full import of the startling
- information Hoag had imparted to him. He stood before an open window, and
- with the sense of being afloat on a sea of actual ecstasy he gazed into
- the mystic moonlight. Northward lay the village, and to the left towered
- the mountains for which he had hungered all the years of his absence. How
- restful, God-blessed seemed the familiar meadows and fields in their
- drowsy verdure! He took deep draughts of the mellow air, his broad chest
- expanding, his arms extended wide, as if to clasp the whole in a
- worshiping embrace.
- </p>
- <p>
- &ldquo;Thank God,&rdquo; he cried, fervently, &ldquo;I am not a murderer! My prayers are
- answered. The Lord is showing me the way&mdash;and <i>such</i> a way&mdash;such
- a glorious, blessed way!&rdquo;
- </p>
- <p>
- And to-morrow&mdash;his thoughts raced madly onward&mdash;to-morrow the
- dawn would break. The land he loved, the hills and vales he adored, would
- be flooded with the blaze of his first day of actual life. Ethel would be
- there&mdash;little Ethel, who, of course, was now a young woman&mdash;there,
- actually there, in that very house! Would she remember him&mdash;the
- ragged boy whom she had so unselfishly befriended? What must she think of
- him&mdash;if she thought of him at all&mdash;for acting as he had? Oh yes,
- that was it&mdash;if she thought of him at all! He had treasured her every
- word. Her face and voice, in all their virginal sympathy, had been
- constantly with him during the terrible years through which he had
- struggled.
- </p>
- <p>
- The dawn was breaking. Paul lay sleeping; his bearded face held a frown of
- pain; his lips were drawn downward and twisted awry. He was dreaming. He
- saw himself seated at his desk in the editorial room of the paper on which
- he had worked in the West. He seemed to be trying to write an article, but
- the sheets of paper before him kept fluttering to the floor and
- disappearing from sight. There was a rap on the door, the latch was
- turned, and an officer in uniform entered and stood beside him.
- </p>
- <p>
- &ldquo;I'm sorry,&rdquo; he said, &ldquo;but you'll have to come with me. You are wanted
- back in Georgia. We've been looking for you for years, but we've landed
- you at last.&rdquo;
- </p>
- <p>
- Paul seemed to see and hear the jingle of a pair of steel handcuffs. A
- dead weight bore down on his brain as the metal clasped his wrists. Dense
- darkness enveloped him, and he felt himself being jerked along at a mad
- pace.
- </p>
- <p>
- &ldquo;I intended to give myself up,&rdquo; he heard himself explaining to his captor.
- &ldquo;I'm guilty. I did it. Day after day I've told myself that I would go back
- and own it, but I put it off.&rdquo;
- </p>
- <p>
- &ldquo;That's the old tale.&rdquo; The officer seemed to laugh out of the darkness.
- &ldquo;Your sort are always intending to do right, but never get to it. They are
- going to hang you back there in the mountains, young man, hang you till
- you are dead, dead, dead! Ethel Mayfield's there&mdash;she is the same
- beautiful girl&mdash;but she will be ashamed to acknowledge she ever knew
- you. She used to pray for you&mdash;silly young thing!&mdash;and this is
- the answer. You'll die like a dog, young man, with a rope around your
- neck.&rdquo;
- </p>
- <p>
- Paul waked slowly; his face was wet with cold perspiration. At first he
- fancied he was in a prison cell lying on a narrow cot. Such queer sounds
- were beating into his consciousness&mdash;the crowing of cocks, the
- barking of dogs, the gladsome twittering of birds! Then he seemed to be a
- boy again, lying in his bed in the farm-house. His father was calling him
- to get up. The pigs were in the potato-field. But how could Ralph Rundel
- call to him, for surely he was dead? Yes, he was dead, and Jeff Warren&mdash;Jeff
- Warren&mdash;Why, Hoag had said that he had&mdash;recovered. Recovered!
- </p>
- <p>
- Paul opened his eyes and looked about him in a bewildered way. The room,
- in the gray light which streamed in at the windows, was unfamiliar. He sat
- up on the edge of his bed and tried to collect his thoughts; then he rose
- to his feet and sprang to the window.
- </p>
- <p>
- &ldquo;Thank God, thank God!&rdquo; he cried, as he stared out at the widening
- landscape and the truth gradually fastened itself upon him. &ldquo;Thank God,
- I'm free&mdash;free&mdash;free!&rdquo;
- </p>
- <p>
- He told himself that he could not possibly go to sleep again, and
- hurriedly and excitedly he began to put on his clothes.
- </p>
- <p>
- When he had finished dressing he crept out into the silent hall and softly
- tiptoed down the stairs. The front door was ajar, and, still aglow with
- his vast new joy, he passed out into the yard. The dewy lawn had a beauty
- he had never sensed before. The great trees, solemn and stately, lifted
- their fronded tops into the lowering mist. The air held the fragrance of
- flowers. Red and white roses besprent with dew bordered the walks, bloomed
- in big beds, and honeysuckles and morning-glories climbed the lattice of
- the veranda. Down the graveled walk, under the magnolias, the leaves of
- which touched his bare head, Paul strode, his step elastic, his whole
- being ablaze with mystic delight. Reaching the road, he took the nearest
- path up the mountain. He waved his arms; he ran; he jumped as he had
- jumped when a boy; he whistled; he sang; he wept; he prayed; he exulted.
- Higher and higher he mounted in the rarefied air, his feet slipping on the
- red-brown pine-needles and dry heather till he reached an open promontory
- where a flat ledge sharply jutted out over the gray void below. Like a
- fearless, winged creature he stood upon the edge of it. The eastern sky
- was taking on a tinge of lavender. Slowly this warmed into an
- ever-expanding sea of pink, beneath the breathless waves of which lay the
- palpitating sun. Paul stretched out his arms toward the light and stood as
- dumb and still as the gray boulders and gnarled trees behind him. He was
- athrob with a glorious sense of the Infinite, which seemed to enter his
- being like a flood at its height.
- </p>
- <p>
- &ldquo;Free! Free!&rdquo; he shouted, as the tears burst from his eyes and streamed
- down his cheeks. &ldquo;Forgiven, forgiven! I was blind and now I see! I stand
- on the fringe of the eternal and see with the eyes of truth. All is well
- with God and every created thing, vast and infinitesimal! O Lord, I thank
- Thee; with my whole being, which is spirit of Thy spirit and flesh of Thy
- flesh, I thank Thee! Holy, holy, holy, is the Lord God Almighty! He is in
- me, and I am in Him!&rdquo;
- </p>
- <p>
- Paul covered his face with his hands and the hot tears trickled through
- his fingers. His body shook with sobs. Presently he became calmer,
- uncovered his face, and looked again toward the east. The day, like a
- blazing torrent, was leaping into endless space, lapping up with tongues
- of fire islands and continents of clouds. Raising his hands heavenward,
- Paul cried out, in a clear, firm voice that rebounded from the cliffs
- behind him:
- </p>
- <p>
- &ldquo;O God, my blessed Creator, Thou hast led me through the agony of travail,
- through the pits and caverns of sin and remorse to the foot of Thy throne.
- Dimly I see Thy veiled face. I hear the far-off hosts of eternal wisdom
- chanting the deathless song of Love. Take me&mdash;command me, body, mind,
- and soul! Burden me again, and yet again; torture me, afflict me; grind me
- as a filthy worm beneath the heel of Thy Law; but in the end give me this&mdash;this
- wondrous sense of Thee and transcendent knowledge of myself. Here, now and
- forever, I consecrate myself to Thy cause. O blessed God, who art love and
- naught but love. I thank Thee, I thank Thee!&rdquo;
- </p>
- <p>
- The sun, now a great, red disk, had burst into sight. The golden light lay
- shimmering on hill and vale. Every dewy blade of grass, stalk of grain,
- and dripping leaf seemed to breathe afresh. From the lower boughs of the
- trees night-woven cobwebs hung, the gauzy snares of creatures as wise as
- Napoleon and materially as cruel. The scattered houses of Grayson were now
- in view. Paul feasted his eyes on the Square, and the diverging streets
- which led into the red-clay mountain roads. The hamlet was almost devoid
- of life. He saw, or thought he saw, his old friend, Silas Tye, go out to
- the public pump in front of his shop, fill a pail with water, and
- disappear. In the wagon-yard were two canvas-covered wagons and a
- camp-fire, over which men, women, and children were cooking breakfast.
- Paul's glance swept down the rugged slope to Hoag's house. Cato was
- feeding the horses and cattle in the stable-yard. Aunt Dilly, in a red
- linsey frock, was chopping stove-wood close to the kitchen, the thwacks of
- her dull ax sharply audible. Paul suddenly had a desire to speak to these
- swarthy toilers, to take them by the hand and make them feel his boundless
- friendliness to them, and so, with a parting look at the view below, he
- turned and began to retrace his steps.
- </p>
- <p>
- Cato was near the kitchen door helping Dilly take in the wood when Paul
- went up the front walk, turned the corner of the house, and approached
- him. The negro stared in astonishment, then laid down his burden and held
- out his hands.
- </p>
- <p>
- &ldquo;My Gawd, Mister Paul, is dis you? Lawd, Law'd 'a' mussy!&rdquo;
- </p>
- <p>
- &ldquo;Yes, it is I,&rdquo; the young man answered; &ldquo;I've got back at last.&rdquo;
- </p>
- <p>
- &ldquo;It's a wonder I knowed you wid dat beard, an' dem fine riggin's on.&rdquo; Cato
- was eying Paul's modern raiment with a slow, covetous glance. &ldquo;But it was
- dem eyes o' your'n I knowed you by. Nobody ain't gwine ter forgit dem
- peepers. Somehow dey look as saft as 'er woman's. What yer been done ter
- yo'se'f&mdash;you ain't de same. My Gawd, you ain't de same po' boy dat
- tried yo' level best ter kill dat white man wid er gun.&rdquo;
- </p>
- <p>
- Paul was saved the embarrassment of a reply by the sudden appearance of
- Aunt Dilly, who was literally running down the steps from the kitchen
- porch.
- </p>
- <p>
- &ldquo;Don't tell me dat is Marse Paul Rundel?&rdquo; she cried. &ldquo;I ain't gwine
- believe it. De gen'man's er foolin' you, you blockhead idiot!&rdquo;
- </p>
- <p>
- &ldquo;That's who it is, Aunt Dilly.&rdquo; Paul held out his hand cordially and
- clasped her rasping, toil-stiffened fingers. &ldquo;I've got back, never to
- leave again.&rdquo;
- </p>
- <p>
- &ldquo;Lawd, Lawd, it is&mdash;it sho is dat ve'y boy!&rdquo; Dilly cried. &ldquo;You right,
- Cato, he got de eyes en de voice. I'd know 'em anywhar. My, my, my, but
- you sho is changed er sight! I ain't never expect ter see dat raggety
- white boy turn inter er fine gen'man lak dis. Lawd, what gwine ter happen
- next?&rdquo;
- </p>
- <p>
- Paul conversed with the two for several minutes, and then went up to his
- room on a hint from Dilly that breakfast would soon be served. Paul had
- been in his room only a short while when he heard the door of Henry Hoag's
- room open and Henry appeared.
- </p>
- <p>
- &ldquo;Hello, Paul!&rdquo; he said, cordially extending his hand. &ldquo;I wouldn't have
- known you from a side of sole-leather if I hadn't heard you talking to
- Cato and Dilly down there. I didn't know you were back. I thought you'd
- cut this section off your map. I'm goin' to do it some day, if I can get
- up enough money to start on. What you ever came back here for is one on
- me. It certainly is the jumpin'-off place.&rdquo;
- </p>
- <p>
- &ldquo;It is the only home I ever knew,&rdquo; Paul returned. &ldquo;You know it is natural
- for a man to want to see old landmarks.&rdquo;
- </p>
- <p>
- &ldquo;I reckon so, I reckon so.&rdquo; Henry's roving glance fell on. Paul's valise.
- &ldquo;I suppose you've seen a good deal of the world. I certainly envy you. I
- am tired of this. I am dying of the dry-rot. I need something to do, but
- don't know how to find it. I tried life insurance, but every man I
- approached treated it as a joke. I made one trip as a drummer for a
- fancy-goods firm in Baltimore. I didn't sell enough to pay my railroad
- fare. The house telegraphed me to ship my sample trunks back. My father
- had advanced me a hundred to start on, and when I came home he wanted to
- thrash me. I'll give you a pointer, Paul; if you are lookin' for a job,
- you can land one with him. He's crazy to hire an overseer, but he wouldn't
- trust it to me. The chap that left 'im wouldn't stand his jaw and the old
- man can't attend to the work himself. Take a tip from me. If you accept
- the job, have a distinct understandin' that he sha'n't cuss you black an'
- blue whenever he takes a notion. He's worse at that than he used to be,
- an' the only way to git along with him is to knock 'im down and set on him
- right at the start. He hasn't but one decent trait, an' that is his love
- for little Jack. He'd go any lengths for that kid. Well, so would I. The
- boy is all right&mdash;lovely little chap. He hasn't a jill of the Hoag
- blood in him.&rdquo;
- </p>
- <p>
- &ldquo;I haven't seen Jack yet,&rdquo; Paul said. &ldquo;He was a baby when I left.&rdquo;
- </p>
- <p>
- There was the harsh clanging of a bell below; Cato was vigorously ringing
- it on the back porch.
- </p>
- <p>
- &ldquo;That's breakfast now.&rdquo; Henry nodded toward the door. &ldquo;Don't wait for me&mdash;I
- usually dodge the old man. We've got summer boarders&mdash;kin folks.
- Cousin Eth' and her mammy are here with all their finicky airs. Eth's a
- full-fledged young lady now of the Atlanta upper crust, and what she don't
- know about what's proper and decent in manners never was written in a book
- of etiquette. She begun to give me lessons last year about how and when to
- use a fork&mdash;said I made it rattle between my teeth. I called her
- down. She knows I don't ask her no odds. There is a swell fellow in
- Atlanta, a banker, Ed Peterson, that comes up to spend Sunday with her now
- and then. I never have been able to find out whether Eth' cares for him or
- not. The old man likes him because he's got money, and he's trying to make
- a match of it. I think Aunt Harriet leans that way a little, too, but I'm
- not sure. Oh, he's too dinky-dinky for anything&mdash;can't drive out from
- town without a nigger to hold his horse, and wears kid gloves in hot
- weather, and twists his mustache.&rdquo;
- </p>
- <p>
- Glad to get away from the loquacious gossip, Paul descended the stairs to
- the dining-room. Here nothing had been changed. The same old-fashioned
- pictures in veneered mahogany frames were hanging between the windows. The
- same figured china vases stood on the mantelpiece over the fireplace,
- which was filled with evergreens, and the hearth was whitewashed as when
- he had last seen it. Mrs. Tilton, looking considerably older, more
- wrinkled, thinner, and bent, stood waiting for him at the head of the
- table.
- </p>
- <p>
- &ldquo;I'm glad to see you ag'in, Paul,&rdquo; She extended her hand and smiled
- cordially. &ldquo;I've wondered many and many a time if you'd ever come back.
- Jim was telling me about you just now. How relieved you must feel to find
- things as they are! Set down at the side there. Jim's out among the
- beehives with Jack. They have to have a romp every momin'. Jack is a big
- boy now, and powerful bright. There, I hear 'em coming.&rdquo;
- </p>
- <p>
- &ldquo;Get up! Get up! Whoa!&rdquo; the child's voice rang out, and Hoag, puffing and
- panting, with Jack astride his shoulders, stood pawing like a restive
- horse at the edge of the porch.
- </p>
- <p>
- &ldquo;Jump down now,&rdquo; Hoag said, persuasively. &ldquo;One more round!&rdquo; the boy cried,
- with a merry laugh.
- </p>
- <p>
- &ldquo;No; off you go or I'll dump you on the porch.&rdquo;
- </p>
- <p>
- &ldquo;You can't!&rdquo; Jack retorted. &ldquo;You ain't no Mexican bronco. I'll dig my
- heels in your flanks and stick on till you are as tame as a kitten.&rdquo;
- </p>
- <p>
- &ldquo;No; get down now, I'm hungry,&rdquo; Hoag insisted; &ldquo;besides, we've got
- company, an' we mustn't keep 'im waiting.&rdquo;
- </p>
- <p>
- That seemed to settle the argument, and in a moment Jack entered, casting
- shy glances at the visitor, to whom he advanced with a slender hand
- extended.
- </p>
- <p>
- &ldquo;You can't remember me, Jack,&rdquo; Paul said. &ldquo;You were a little tot when I
- left.&rdquo;
- </p>
- <p>
- Jack said nothing. He simply withdrew his hand and took a seat beside his
- father, against whom he leaned, his big brown eyes, under long lashes,
- studiously regarding the visitor. The boy was remarkably beautiful. His
- golden-brown hair was as fine as cobwebs; his forehead was high and broad;
- his features were regular; his limbs slender and well-shaped. An
- experienced physiognomist would have known that he possessed a sensitive,
- artistic temperament.
- </p>
- <p>
- Paul heard little of the casual talk that was going on. His elation clung
- to him like an abiding reality. The sunshine lay on the grass before the
- open door. The lambent air was full of the sounds peculiar to the boyhood
- which had seemed so far behind him and yet had returned. Hens were
- clucking as they scratched the earth and made feints at pecking food left
- uncovered for their chirping broods. Waddling ducks and snowy geese, with
- flapping wings, screamed one to another, and innumerable bird-notes far
- and near, accompanied by the rat-tat of the woodpecker, were heard. A
- donkey was braying. A peacock with plumage proudly spread stalked
- majestically across the grass, displaying every color of the rainbow in
- his dazzling robe.
- </p>
- <p>
- Breakfast over, Hoag led Paul into the old-fashioned parlor and gave him a
- cigar. &ldquo;I've got to ride out in the country,&rdquo; he said, &ldquo;an' so I may not
- see you again till after dark. I've been thinkin' of that proposition I
- sorter touched on last night. Thar ain't no reason why me'n you can't git
- on. We always did, in our dealin's back thar, an' I need a manager
- powerful bad. I paid t'other man a hundred a month an' his board throwed
- in, an' I'm willin' to start out with you on the same basis, subject to
- change if either of us ain't satisfied. It's the best an' easiest job in
- this county by long odds. What do you say? Is it a go?&rdquo;
- </p>
- <p>
- &ldquo;I'm very glad to get it,&rdquo; Paul answered. &ldquo;I shall remain here in the
- mountains, and I want to be busy. I'll do my best to serve you.&rdquo;
- </p>
- <p>
- &ldquo;Well, that's settled,&rdquo; Hoag said, in a tone of relief. &ldquo;Knock about as
- you like to-day, and tomorrow we'll ride around an' look the ground over.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0021" id="linklink2HCH0021"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER IV
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">P</span>AUL'S first
- impulse, on finding himself alone, was to walk to Grayson and look up his
- old friends; but so new and vivifying was his freedom from the cares which
- had so long haunted him that he wanted to hug the sense of it to himself
- still longer in solitude. So, leaving the farm-house, he went to the
- summit of a little wooded hill back of the tannery and sat down in the
- shade of the trees. In his boundless joy he actually felt imponderable. He
- had an ethereal sense of being free from his body, of flying in the azure
- above the earth, floating upon the fleecy clouds. He noticed a windblown
- drift of fragrant pine-needles in the cleft of a rock close by, and
- creeping into the cool nook like a beast into its lair, he threw himself
- down and chuckled and laughed in sheer delight.
- </p>
- <p>
- Ethel, little Ethel, who had once been his friend&mdash;who had prayed for
- him and wept with him in sorrow&mdash;was coming. That very day he was to
- see her again after all those years; but she would not look the same. She
- was no longer a child. She had changed as he had changed. Would she know
- him? Would she even remember him&mdash;the gawky farm-hand she had so
- sweetly befriended? No; it was likely that he and all that pertained to
- him had passed out of her mind. The memory of her, however, had been his
- constant companion; her pure, childish faith had been an ultimate factor
- in his redemption.
- </p>
- <p>
- The morning hours passed. It was noon, and the climbing sun dropped its
- direct rays full upon him. He left the rocks and stood out in the open,
- unbaring his brow to the cooling breeze which swept up from the fields of
- grain and cotton. His eyes rested on the red road leading to the village.
- Wagons, pedestrians, droves of sheep and cattle driven by men on horses,
- were passing back and forth. Suddenly his heart sprang like a startled
- thing within him. Surely that was Hoag's open carriage, with Cato on the
- high seat in front. Yes, and of the two ladies who sat behind under
- sunshades the nearer one was Ethel. Paul turned cold from head to foot,
- and fell to trembling. How strange to see her, even at that distance, in
- the actual flesh, when for seven years she had been a dream! A blinding
- mist fell before his eyes, and when he had brushed it away the carriage
- had passed out of view behind the intervening trees. In great agitation he
- paced to and fro. How could he possibly command himself sufficiently to
- face her in a merely conventional way? He had met women and won their
- friendship in the West, and had felt at ease in good society. But this was
- different. Strange to say, he was now unable to see himself as other than
- the awkward, stammering lad clothed in the rags of the class to which he
- belonged.
- </p>
- <p>
- Hardly knowing what step to take, he turned down the incline toward the
- farm-house, thinking that he might gain his room unseen by the two ladies.
- At the foot of the hill there was a great, deep spring, and feeling
- thirsty he paused to bend down and drink from the surface, as he had done
- when a boy. Drawing himself erect, he was about to go on, when his eye
- caught a flash of a brown skirt among the drooping willows that bordered
- the stream, and Ethel came out, her hands full of maiden-hair ferns. At
- first she did not see him, busy as she was shaking the water from the
- ferns and arranging them. She wore a big straw hat, a close-fitting
- shirt-waist, and a neat linen skirt. How much she was changed! She was
- taller, her glorious hair, if a shade darker, seemed more abundant. She
- was slender still, and yet there was a certain fullness to her form which
- added grace and dignity to the picture he had so long treasured. Suddenly,
- while he stood as if rooted in the ground, she glanced up and saw him.
- </p>
- <p>
- &ldquo;Oh!&rdquo; he heard her ejaculate, and he fancied that her color heightened a
- trifle. Transferring the ferns to her left hand, she swept toward him as
- lightly as if borne on a breeze, her right hand held out cordially. &ldquo;I
- really wouldn't have known you, Paul,&rdquo; she smiled, &ldquo;if Uncle Jim had not
- told me you were here. Oh, I'm <i>so</i> glad to see you!&rdquo;
- </p>
- <p>
- As he held her soft hand it seemed to him that he was drawing
- self-possession and faith in himself from her ample store of cordiality.
- </p>
- <p>
- &ldquo;I would have known you anywhere,&rdquo; he heard himself saying, quite frankly.
- &ldquo;And yet you have changed very, very much.&rdquo;
- </p>
- <p>
- Thereupon he lost himself completely in the bewitching spell of her face
- and eyes. He had thought her beautiful as a little girl, but he had not
- counted on seeing her like this&mdash;on finding himself fairly torn
- asunder by a force belonging peculiarly to her.
- </p>
- <p>
- He marveled over his emotions&mdash;even feared them, as he stole glances
- at her long-lashed, dreamy eyes, witnessed the sunrise of delicate
- embarrassment in her rounded cheeks, and caught the ripened cadences of
- the voice which had haunted him like music heard in a trance.
- </p>
- <p>
- &ldquo;You have changed a great deal,&rdquo; she was saying, as she led him toward the
- spring. &ldquo;A young man changes more when&mdash;when there really is
- something unusual in him. I was only a little girl when I knew you, Paul,
- but I was sure that you would succeed in the world. At least I counted on
- it till&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Till I acted as I did,&rdquo; he said, sadly, prompted by her hesitation.
- </p>
- <p>
- She looked at him directly, though her glance wavered slightly.
- </p>
- <p>
- &ldquo;If I lost hope then,&rdquo; she replied, &ldquo;it was because I could not look far
- enough into the future. Surely it has turned out for the best. Uncle told
- me <i>why</i> you came back. Oh, I think that is wonderful, wonderful!
- Till now I have never believed such a thing possible of a man, and yet I
- know it now because&mdash;because you did it.&rdquo;
- </p>
- <p>
- He avoided her appealing eyes, looking away into the blue, sunlit
- distance. His lip shook when he answered:
- </p>
- <p>
- &ldquo;Some day I'll tell you all about it. I'll unfold it to you like a book,
- page by page, chapter by chapter. It is a story that opens in the
- blackness of night and ends in the blaze of a new day.&rdquo;
- </p>
- <p>
- &ldquo;I know what you mean&mdash;oh, I know!&rdquo; Ethel sighed. &ldquo;The news of that
- night was my first realization of life's grim cruelty. Somehow I felt&mdash;
- I suppose other imaginative girls are the same way&mdash;I felt that it
- was a sort of personal matter to me because I had met you as I had. I
- didn't blame you. I couldn't understand it fully, but I felt that it was
- simply a continuation of your ill-luck. I cried all that night. I could
- not go to sleep. I kept fancying I saw you running away through the
- mountains with all those men trying to catch you.&rdquo;
- </p>
- <p>
- &ldquo;So you didn't&mdash;really blame me?&rdquo; Paul faltered. &ldquo;You didn't think me
- so very, very bad?&rdquo;
- </p>
- <p>
- &ldquo;No, I think I made a sort of martyr of you,&rdquo; Ethel confessed. &ldquo;I knew you
- did it impulsively, highly wrought up as you were over your poor father's
- death. You can't imagine how I worried the first few days after&mdash;after
- you left. You see, no one knew whether Jeff Warren would live or not. Oh,
- I was happy, Paul, when the doctor declared he was out of danger! I would
- have given a great deal then to have known how to reach you, but&mdash;but
- no one knew. Then, somehow, as the years passed, the impression got out
- that you were dead. Everybody seemed to believe it except old Mr. Tye, the
- shoemaker.&rdquo;
- </p>
- <p>
- &ldquo;My faithful old friend!&rdquo; Paul said. &ldquo;He was constantly giving me good
- advice which I refused to take.&rdquo;
- </p>
- <p>
- &ldquo;I sometimes go into his shop and sit and talk to him,&rdquo; Ethel continued.
- &ldquo;He is a queer old man, more like a saint than an ordinary human being. He
- declares he is in actual communion with God&mdash;says he has visions of
- things not seen by ordinary sight. He told me once, not long ago, that you
- were safe and well, and that you would come home again, and be happier
- than you ever were before. I remember I tried to hope that he knew. How
- strange that he guessed aright!&rdquo;
- </p>
- <p>
- &ldquo;I understand him now better than I did when I was here,&rdquo; Paul returned.
- &ldquo;I didn't know it then, but I now believe such men as he are spiritually
- wiser than all the astute materialists the world has produced. What they
- know they get by intuition, and that comes from the very fountain of
- infinite wisdom to the humble perhaps more than to the high and mighty.&rdquo;
- </p>
- <p>
- &ldquo;I am very happy to see you again,&rdquo; Ethel declared, a shadow crossing her
- face; &ldquo;but, Paul, you find me&mdash;you happen to find me in really great
- trouble.&rdquo;
- </p>
- <p>
- &ldquo;You!&rdquo; he cried. &ldquo;Why?&rdquo;
- </p>
- <p>
- Ethel breathed out a tremulous sigh. &ldquo;You have heard me speak of my
- cousin, Jennie Buford. She and I are more intimate than most sisters. We
- have been together almost daily all our lives. She is very ill. We were
- down to see her yesterday. She had an operation performed at a hospital a
- week ago, and her condition is quite critical. We would not have come back
- up here, but no one is allowed to see her, and I could be of no service. I
- am afraid she is going to die, and if she <i>should</i>&mdash;&rdquo; Ethel's
- voice clogged, and her eyes filled.
- </p>
- <p>
- &ldquo;I'm so sorry,&rdquo; Paul said, &ldquo;but you mustn't give up hope.&rdquo;
- </p>
- <p>
- &ldquo;Life seems so cruel&mdash;such a great waste of everything that is really
- worth while,&rdquo; Ethel said, rebelliously. &ldquo;Jennie's mother and father are
- almost crazed with grief. Jennie is engaged to a nice young man down
- there, and he is prostrated over it. Why, oh why, do such things happen?&rdquo;
- </p>
- <p>
- &ldquo;There is a good reason for everything,&rdquo; Paul replied, a flare of gentle
- encouragement in his serious eyes. &ldquo;Often the things that seem the worst
- really are the best in the end.&rdquo;
- </p>
- <p>
- &ldquo;There can be nothing good, or kind, or wise in Jennie's suffering,&rdquo; Ethel
- declared, her pretty lips hardening, a shudder passing over her. &ldquo;She is a
- sweet, good girl, and her parents are devout church members. The young man
- she is engaged to is the soul of honor, and yet all of us are suffering
- sheer agony.&rdquo;
- </p>
- <p>
- &ldquo;You must try not to look at it quite that way,&rdquo; Paul insisted, gently.
- &ldquo;You must hope and pray for her recovery.&rdquo;
- </p>
- <p>
- Ethel shrugged her shoulders, buried her face in the ferns, and was
- silent. Presently, looking toward the farm-house, she said: &ldquo;I see mother
- waiting for me. Good-by, I'll meet you at luncheon.&rdquo; She was moving away,
- but paused and turned back. &ldquo;You may think me lacking in religious
- feeling,&rdquo; she faltered, her glance averted, &ldquo;but I am very, very unhappy.
- I am sure the doctors are not telling us everything. I am afraid I'll
- never see Jennie alive again.&rdquo;
- </p>
- <p>
- He heard her sob as she abruptly turned away. He had an impulsive desire
- to follow and make a further effort to console her, but he felt
- instinctively that she wanted to be alone. He was sure of this a moment
- later, for he saw her using her handkerchief freely, and noted that she
- all but stumbled along the path leading up to the house. Mrs. Mayfield was
- waiting for her on the veranda, and Paul saw the older lady step down to
- the ground and hasten to meet her daughter.
- </p>
- <p>
- &ldquo;Poor, dear girl!&rdquo; Paul said to himself, his face raised to the
- cloud-flecked sky. &ldquo;Have I passed through my darkness and come out into
- the light, only to see her entering hers? O merciful God, spare her! spare
- her!&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0022" id="linklink2HCH0022"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER V
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HAT afternoon Paul
- went to Grayson, noting few changes in the place. The sun was fiercely
- beating down on the streets of the Square. Two or three lawyers, a
- magistrate, the county ordinary, and the clerk of the court sat in chairs
- on the shaded side of the Court House. Some were whittling sticks, others
- were playing checkers, all were talking politics. Under the board awnings
- in front of the stores the merchants sat without their coats, fighting the
- afternoon heat by fanning themselves and sprinkling water on the narrow
- brick sidewalks. A group of one-horse drays, on which idle negroes sat
- dangling their legs and teasing one another, stood in the shade of the
- hotel. The only things suggesting coolness were the towering mountains,
- the green brows of which rose into the snowy, breeze-blown clouds
- overhead.
- </p>
- <p>
- Paul found Silas Tye at his bench in his shop. He was scarcely changed at
- all. Indeed, he seemed to be wearing exactly the same clothing, using the
- same tools, mending the same shoes. On his bald pate glistened beads of
- sweat which burst now and then and trickled down to his bushy eyebrows.
- Paul had approached noiselessly, and was standing looking in at him from
- the doorway, when the shoemaker glanced up and saw him. With an
- ejaculation of delight he dropped his work and advanced quickly, a grimy
- hand held out.
- </p>
- <p>
- &ldquo;Here you are, here you are!&rdquo; he cried, drawing the young man into the
- shop. &ldquo;Bearded and brown, bigger an' stronger, but the same Paul I used to
- know. How are you? How are you?&rdquo;
- </p>
- <p>
- &ldquo;I'm all right, thank you,&rdquo; Paul answered, as he took the chair near the
- bench and sat down. &ldquo;How is Mrs. Tye?&rdquo;
- </p>
- <p>
- &ldquo;Sound as a dollar, and simply crazy to see you,&rdquo; Silas replied, with a
- chuckle. &ldquo;If you hadn't come in we'd 'a' got a hoss an' buggy from Sid
- Trawley's stable an' 'a' rid out to see you. Jim Hoag this mornin' was
- tellin' about you gittin' back, an' said he'd already hired you to manage
- for him. Good-luck, good-luck, my boy; that's a fine job. Cynthy's just
- stepped over to a neighbor's, an' will be back purty soon. Oh, she was
- tickled when she heard the news&mdash;she was so excited she could hardly
- eat her dinner. She thought a sight of you. In fact, both of us sort o'
- laid claim to you.&rdquo;
- </p>
- <p>
- &ldquo;Till I disgraced myself and had to run away,&rdquo; Paul sighed. &ldquo;I'm ashamed
- of that, Uncle Si. I want to say that to you first of all.&rdquo;
- </p>
- <p>
- &ldquo;Don't talk that way.&rdquo; Silas waved his awl deprecatingly. &ldquo;Thank the Lord
- for what it's led to. Hoag was tellin' the crowd how you come back to give
- yourself up. Said he believed it of you, but wouldn't of anybody else.
- Lord, Lord, that was the best news I ever heard! Young as you are, you'll
- never imagine how much good an act o' that sort will do in a community
- like this. It is a great moral lesson. As I understand it, you fought the
- thing with all your might and main&mdash;tried to forget it, tried to live
- it down, only in the end to find that nothin' would satisfy you&mdash;nothin'
- but to come back here and do your duty.&rdquo;
- </p>
- <p>
- &ldquo;Yes, you are right,&rdquo; Paul assented. &ldquo;I'll tell you all about it some
- time. I'm simply too happy now to look back on such disagreeable things.
- It was awful, Uncle Si.&rdquo;
- </p>
- <p>
- &ldquo;I know, and I don't blame you for not talking about it,&rdquo; the old man
- said. &ldquo;Sad things are better left behind. But it is all so glorious! Here
- you come with your young head bowed before the Lord, ready to receive your
- punishment, only to find yourself free, free as the winds of heaven, the
- flowers of the fields, the birds in the woods. Oh, Paul, you can't see it,
- but joy is shining out o' you like a spiritual fire. Your skin is clear;
- your honest eyes twinkle like stars. It's worth it&mdash;your reward is
- worth all you've been through, an' more. Life is built that way. We have
- hunger to make us enjoy eatin'; cold, that we may know how nice warmth
- feels; pain, that we may appreciate health; evil, that we may know good
- when we see it; misery, that we may have joy, and death, that we may have
- bliss everlasting. I've no doubt you've suffered, but it has rounded you
- out and made you strong as nothing else could have done. I reckon you'll
- look up all your old acquaintances right away.&rdquo;
- </p>
- <p>
- Paul's glance went to the littered floor. &ldquo;First of all, Uncle Si, I want
- to inquire about my mother.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I see.&rdquo; The cobbler seemed to sense the situation as a delicate one,
- and he paused significantly. &ldquo;Me an' Cynthy talked about that this momin'.
- In fact, we are both sort o' bothered over it. Paul, I don't think anybody
- round here knows whar your ma an' Jeff moved to after they got married.
- But your aunt went with 'em; she was bound to stick to your ma.&rdquo;
- </p>
- <p>
- &ldquo;They married&rdquo;&mdash;Paul's words came tardily&mdash;&ldquo;very soon after&mdash;after
- Warren recovered, I suppose?&rdquo;
- </p>
- <p>
- &ldquo;No; she kept him waitin' two years. Thar was an awful mess amongst 'em.
- Your ma an' your aunt stood for you to some extent, but Jeff was awful
- bitter. The trouble with Jeff was that he'd never been wounded by anybody
- in his life before, an' that a strip of a boy should shove 'im an inch o'
- death's door an' keep 'im in bed so long was a thing that rankled. Folks
- about here done 'em both the credit to think you acted too hasty, an' some
- thought Jim Hoag was back of it. The reason your ma kept Jeff waitin' so
- long was to show the public that she hadn't done nothin' she was ashamed
- of, an' folks generally sympathized with 'er. Finally she agreed to marry
- Jeff if he'd withdraw the case ag'in' you. It was like pullin' eye-teeth,
- but Jeff finally give in an' had a lawyer fix it all up. But he was mad,
- and is yet, I've no doubt.&rdquo;
- </p>
- <p>
- &ldquo;I understand.&rdquo; Paul was looking wistfully out of the window into the
- street. &ldquo;And would you advise me, Uncle Si, to&mdash;to try to find them?&rdquo;
- </p>
- <p>
- &ldquo;I don't believe I would,&rdquo; Silas opined slowly, his heavy brows meeting
- above his spectacles; &ldquo;at least not at present, Paul. I'd simply wait an'
- hope for matters to drift into a little better shape. Jeff is a bad man, a
- fellow that holds a grudge, and, late as it is, he'd want a settlement o'
- some sort. I've talked to him. I've tried to reason with him, but nothin'
- I'd say would have any weight. I reckon he's been teased about it, an' has
- put up with a good many insinuations. Let 'em all three alone for the
- present. You've got a high temper yourself, an' while you may think you
- could control it, you might not be able to do it if a big hulk of a man
- like Jeff was to jump on you an' begin to pound you.&rdquo;
- </p>
- <p>
- &ldquo;No; I see that you are right,&rdquo; Paul sighed; &ldquo;but I am sorry, for I'd like
- my mother to understand how I feel. She may think I still blame her for&mdash;for
- fancying Warren, even when my father was alive, but I don't. Rubbing up
- against the world, Uncle Si, teaches one a great many things. My mother
- was only obeying a natural yearning. She was seeking an ideal which my
- poor father could not fulfil. He was ill, despondent, suspicious, and
- faultfinding, and she was like a spoiled child. I am sure she never really
- loved him. I was in the wrong. No one could know that better than I do.
- When I went away that awful night I actually hated her, but as the years
- went by, Uncle Si, a new sort of tenderness and love stole over me. When
- I'd see other men happy with their mothers my heart would sink as I
- remembered that I had a living one who was dead to me. Her face grew
- sweeter and more girl-like. I used to recall how she smiled, and how
- pretty and different from other women she looked wearing the nice things
- Aunt Amanda used to make for her. I'd have dreams in which I'd hear her
- singing and laughing and talking, and I'd wake with the weighty feeling
- that I had lost my chance at a mother. It seemed to me that if I had not
- been so hasty&rdquo;&mdash;Paul sighed&mdash;&ldquo;she and I would have loved each
- other, and I could have had the joy of providing her with many comforts.&rdquo;
- </p>
- <p>
- Silas lowered his head toward his lap. The pegs, hammer and awl, and
- scraps of leather jostled together in his apron. He was weeping and
- valiantly trying to hide his tears. He took off his spectacles and laid
- them on the bench beside him. Only his bald pate was in view. Presently an
- uncontrollable sob broke from his rugged chest, and he looked at the young
- man with swimming eyes.
- </p>
- <p>
- &ldquo;You've been redeemed,&rdquo; he said. &ldquo;I see it&mdash;I see it! Nobody but a
- Son of God could look and talk like you do. My reward has come. I don't
- take it to myself&mdash;that would be a sin; but I want you to know that
- I've prayed for you every day and night since you left&mdash;sometimes in
- much fear an' doubt, but with a better feelin' afterward. You may not
- believe it, but I am sure there are times when I actually know that things
- are happenin' for good or ill to folks I love&mdash;even away off at a
- distance.&rdquo;
- </p>
- <p>
- &ldquo;That is a scientific fact.&rdquo; Paul was greatly moved by his old friend's
- tone and attitude. &ldquo;It is a spiritual fact according to the laws of
- telepathy or thought-transference. Most scientists now believe in it.&rdquo;
- </p>
- <p>
- &ldquo;You say they do?&rdquo; Silas was wiping his flowing eyes and adjusting his
- spectacles. &ldquo;Well, many and many a time I've had proof of it. I could tell
- wonders that I've experienced, but I won't now&mdash;that is, I won't tell
- you of but one thing, an' that concerned you. Last Christmas Eve me'n
- Cynthy had cooked a big turkey for the next day, an' made a lot o' other
- preparations. We had toys an' little tricks to give this child and that
- one. We had laid in things for pore neighbors to eat and wear, an' both of
- us was in about as jolly a mood as ever we was in all our lives. We set up
- rather late that night, an' sung an' read from the Bible, an' prayed as
- usual, an' then we went to bed. But I couldn't sleep. I got to thinkin'
- about you an' wonderin' whar you was at an' what sort o' Christmas you was
- to have. I rolled an' tumbled. Cynthy was asleep&mdash;the pore thing was
- awful tired&mdash;an' I got up an' went to the fireplace, where I had
- buried some coals in the ashes to kindle from in the momin' and bent over,
- still thinkin' o' you. Then all at once&mdash;I don't know how to describe
- it any other way than to say it was like a big, black, soggy weight that
- come down on me. It bore in from all sides, like a cloud that you can
- feel, an' I could hardly breathe. Then something&mdash;it wasn't a voice,
- it wasn't words spoke out of any human mouth, it was just knowledge&mdash;knowledge
- plainer and deeper than words could have expressed&mdash;knowledge from
- God, from space&mdash;from some'r's outside myself&mdash;that told me you
- was in a sad, sad plight. I couldn't say what it was, but it was awful. It
- seemed to me that you was swayin' to an' fro between good an' evil,
- between light and darkness&mdash;between eternal life an' eternal death. I
- never felt so awful in all my life, not even when my own boy died. I got
- down on my knees there in the ashes, and I prayed as I reckon never a man
- prayed before. I pleaded with the Lord and begged 'im to help you&mdash;to
- drag you back from the open pit or abyss, or whatever it was, that you was
- about to walk into. For awhile the thing seemed to hang an' waver like,
- and then, all at once, it was lifted, an' I knowed that you was safe. I <i>knowed</i>
- it&mdash;I <i>knowed</i> it.&rdquo;
- </p>
- <p>
- Silas ceased speaking, his mild, melting glance rested on the young man's
- face.
- </p>
- <p>
- Paul sat in grave silence for a moment, his features drawn as by painful
- recollection.
- </p>
- <p>
- &ldquo;Your intuition was right,&rdquo; he said. &ldquo;On that night, Uncle Si, I met and
- passed through the greatest crisis of my life. I was tempted to take a
- step that was wrong. I won't speak of it now, but I'll tell you all about
- it some day. Something stopped me. Invisible hands seemed pushed out from
- the darkness to hold me back. Your prayers saved me, I am sure of it now.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0023" id="linklink2HCH0023"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER VI
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">B</span>EFORE the end of
- his first week's work Paul had reason to believe that Hoag was highly
- pleased with his executive ability. Paul had a good saddle-horse at his
- disposal, and he made daily visits to the various properties of his
- employer. He hired hands at his own discretion, and had a new plan of
- placing them on their honor as to the work that was to be done in his
- absence. Hoag was surprised. He had found it difficult to secure
- sufficient men, while under Paul's management the places were always
- filled. There was a clockwork regularity in it all. From his window every
- morning at sunrise Hoag could see men diligently at work in his fields,
- and at the tannery and mill. There was a fresh, buoyant activity in it
- all. The young man had replaced old, worn-out tools and implements with
- new ones, in which the workers took pride.
- </p>
- <p>
- Paul's room looked as much like an office as a bedchamber. On his table
- Hoag discovered a most orderly set of accounts; on the walls hung charts,
- time-cards, and maps of the woodlands, with careful estimates of the cost
- of felling trees and the best disposition of the bark and timber. There
- was little doubt that Paul was infusing the spirit of the West into the
- slower habits of the South, and Hoag chuckled inwardly, finding it
- difficult to keep from openly expressing his enthusiasm. Paul convinced
- him, in a moment's talk, that the steam-engine and machinery at the
- cotton-gin were worn out, and that the whole should be renewed. Hoag saw,
- too, that the young man was right when he called attention to the careless
- manner in which the cotton lands had been fertilized. The negroes had used
- no judgment in placing the guano, having often put it on soil that did not
- need it&mdash;soil which could better be enriched by the till now unused
- loam of the marshes and the decayed matter of the forests.
- </p>
- <p>
- &ldquo;Go ahead with yore rat-killin',&rdquo; Hoag was fond of saying. &ldquo;You've got the
- right idea. I'm not such a old dog that I can't learn new tricks. Them
- fellows out West know a good many twists and turns that we ain't onto, an'
- I'm willin' to back you up with the cash on anything you propose.&rdquo;
- </p>
- <p>
- His niece was with him on the lawn one morning as he was opening his mail.
- </p>
- <p>
- &ldquo;Just look at that letter,&rdquo; he said, with a low, pleased laugh, as he
- offered it for inspection. &ldquo;I'm in a cool thousand dollars on this one
- deal. My scrub of a white-trash manager told me last week that the man in
- Atlanta who has been handlin' my leather was buncoin' me good an' strong.
- I didn't think he knowed what he was talkin' about then, but it seems he'd
- been readin' market reports an' freight rates, an' now I know he was
- right. He asked me to write to Nashville for prices. I did, an' here is an
- offer that is away ahead of any my Atlanta agent ever got, an' I save his
- commission to boot. Who'd 'a' thought, Eth', that such a puny no-account
- skunk as Ralph Rundel could be the daddy o' sech an up-to-date chap as
- Paul?&rdquo;
- </p>
- <p>
- Ethel's sweet face took on a serious cast. &ldquo;I don't think we ought to
- judge our mountain people by their present unfortunate condition,&rdquo; she
- said. &ldquo;I was reading in history the other day that many of them are really
- the descendants of good English, Scotch, and Irish families. I have an
- idea, from his name alone, that Paul came from some family of worth.&rdquo;
- </p>
- <p>
- &ldquo;You may be right,&rdquo; Hoag admitted. &ldquo;I know my daddy used to tell us boys
- that the Hoag stock away back in early times was big fighters, not afraid
- o' man, Indian, or beast. One of 'em was a pirate of the high seas, who
- had his own way purty much, and died with his boots on. Pa was proud o'
- that. He used to set an' tell about it. He learnt us boys to fight when we
- wasn't more'n knee high. The hardest lickin' Pa ever give me was for
- comin' home from school cryin' once because another chap had got the best
- of me. I never shall forget it. Pa was as mad as a wildcat at me, an'
- t'other fellow too. An' the next mornin', as I started to school, he tuck
- me out in the yard an' picked up a sharp rock, he did, an' showed me how
- to cup my hand over it and sorter hide it like. He told me to keep it in
- my pocket, an' if the fellow said another word to me to use it on 'im like
- a pair o' brass knucks.&rdquo;
- </p>
- <p>
- &ldquo;Oh,&rdquo; Ethel cried, &ldquo;that wasn't right! It was a shame!&rdquo;
- </p>
- <p>
- &ldquo;That's what the <i>fellow</i> thought.&rdquo; Hoag burst out laughing. &ldquo;He was
- standin' in a gang braggin' about our fight when I got to school an' I
- went up to 'im, I did, an' spit on him. He drawed back to hit me, but I
- let 'im have a swipe with my rock that laid his jaw open to the bone. He
- bled like a stuck pig, an' had to git a doctor to sew the crack up. After
- that you bet he let me alone, an' folks in general knowed I wouldn't do to
- fool with, either. The teacher o' that school&mdash;it was jest a log
- shack in the country&mdash;used to use the hickory on the boys, an' I've
- seen 'im even tap the bare legs o' the gals; but he never dared touch me.
- He knowed better. He drawed me up before 'im one day for stickin' a pin in
- a little runt of a boy, and axed me what I done it for. I looked 'im
- straight in the eyes, an' told 'im I did it because it would make the boy
- grow. I axed 'im what he expected to do about it. He had a switch in his
- hand, but he turned red an' hummed an' hawed while the whole school was
- laughin', an' then he backed down&mdash;crawfished on the spot&mdash;said
- he'd see me about it after school; but I didn't stay, an' that was the end
- of it. The man on the farm whar he boarded told Pa that the fellow was
- afraid to go out at night, thinkin' I'd throw rocks at 'im. Say, Eth', not
- changin' the subject, how are you an' Ed Peterson gittin' on?&rdquo;
- </p>
- <p>
- &ldquo;Oh, about the same,&rdquo; Ethel answered, with a slight shrug. &ldquo;I got a letter
- from him yesterday. He had been to the hospital to inquire about Jennie,
- and he thought I'd like to hear she wasn't any worse.&rdquo;
- </p>
- <p>
- &ldquo;Well, it ain't no business o' mine,&rdquo; Hoag smiled knowingly, &ldquo;but I hope
- you won't keep the fellow in torment any longer than you can help. He
- sorter confides in me, you know, an' every time I'm in Atlanta he throws
- out hints like he is in the dark an' can hardly see his way clear. He is a
- man with a long business head on 'im, an' he certainly knows what he wants
- in the woman line. He's powerfully well thought of in bankin' circles,
- an', as you know, his folks are among the best in the South.&rdquo;
- </p>
- <p>
- Ethel, frowning slightly, was avoiding her uncle's curious gaze. &ldquo;I shall
- not marry any man,&rdquo; she said, quite firmly, &ldquo;until I know that I really
- love him.&rdquo;
- </p>
- <p>
- &ldquo;Love a dog's hind foot!&rdquo; Hoag sneered. &ldquo;Looky' here, Eth', take it
- straight from me. That is a delusion an' a snare. Many an' many a
- good-hearted gal has spoiled her whole life over just that highfalutin
- notion. They've tied the'rselves to incompetent nincompoops with low brows
- an' hair plastered down over their eyes&mdash;chaps who couldn't make a
- decent livin'&mdash;and let men pass by that was becomin' financial powers
- in the land. Ed Peterson is of the right stripe. He ain't no fool. He
- knows you've got property in your own name an' that I've set somethin'
- aside for you, an' he's jest got sense enough to know that it is as easy
- to love a woman with money as without.&rdquo;
- </p>
- <p>
- &ldquo;How does he know?&rdquo; Ethel's lips were drawn tight; there was a steady
- light in her eyes as she stood looking toward the mountain. &ldquo;How does he
- know that you intend, or even ever thought of&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, you see, he has all my papers down thar,&rdquo; Hoag explained. &ldquo;He keeps
- 'em for me in the bank vault. He knows all about my business, and
- naturally he'd be on to a thing like that. I hain't never intimated that
- I'd coerce you in any way, but he knows I look favorably on the outcome.
- In fact, I've told 'im a time or two that, as far as I was concerned, he
- had a clean right-o'-way. He's sure I am on his side, but he don't seem at
- all satisfied about you. He's a jealous cuss, an' as much as I like him, I
- have to laugh at 'im sometimes.&rdquo;
- </p>
- <p>
- &ldquo;Jealous!&rdquo; Ethel exclaimed, with a lofty frown of vague displeasure.
- </p>
- <p>
- &ldquo;Yes; he gits that way once in a while on mighty slight provocation,&rdquo; Hoag
- rambled on. &ldquo;I was tellin' 'im t'other day, when I was down thar, about
- Paul Rundel comin' back, an' what a solid chap he'd turned out to be with
- all his bookish ideas an' odd religious notions&mdash;givin' hisse'f up to
- the law, an' the like. Ed didn't seem much interested till I told 'im that
- the women round about generally admired Paul, an' loved to hear 'im talk&mdash;like
- your mother does, for instance&mdash;an' that most of 'em say he has fine
- eyes an' is good-lookin'. Right then Ed up an' wanted to know whar Paul
- was livin'&rdquo;&mdash;Hoag tittered&mdash;&ldquo;whar he slept an' ate. An' when I
- told 'im he stayed here at the house with us, he had the oddest look about
- the eyes you ever saw. I teased 'im a little&mdash;I couldn't help it. I
- was in a good-humor, for he had just told me about a Northern feller that
- wanted to buy some o' my wild mountain-land at a good figure. But I let up
- on 'im after awhile, for he really was down in the mouth. 'Do you know,'
- said he, 'that I'd tackle any man on earth in a race for a woman quicker
- than I would a religious crank or a spindle-legged preacher of any
- denomination whatever.'&rdquo;
- </p>
- <p>
- &ldquo;I don't think you ought to talk me over that way,&rdquo; Ethel returned,
- coldly. &ldquo;You'll make me dislike him. He and I are good friends now, but no
- girl likes to have men speak of her as if she were a piece of property on
- the market.&rdquo;
- </p>
- <p>
- &ldquo;Oh, Ed Peterson is all right,&rdquo; Hoag declared, his eyes on Jack, who was
- climbing a tree near the fence. &ldquo;That child will fall and hurt hisse'f one
- o'these days. Oh, Jack! Come down from there&mdash;that's a good boy; come
- down, daddy wants you.&rdquo; Looking at Ethel suddenly, he saw that she was
- smiling.
- </p>
- <p>
- &ldquo;What in thunder is funny about <i>that?</i>&rdquo; he inquired.
- </p>
- <p>
- Ethel laughed softly. &ldquo;I was just thinking of your sneer at the idea of
- any one's loving another. You perhaps never loved any one else in your
- life, but your whole soul is wrapped up in Jack.&rdquo;
- </p>
- <p>
- &ldquo;I reckon you are right,&rdquo; Hoag confessed, half sheepishly, as he started
- down the steps toward his son. &ldquo;Sometimes I wonder what's got into me. He
- has sech a strange, kittenish way o' gittin' round a fellow. I believe, if
- I was to come home some night an' find him sick or hurt I'd go stark
- crazy. He ain't like no other child I ever dealt with.&rdquo;
- </p>
- <p>
- &ldquo;He'll be more and more of a mystery to you the older he gets,&rdquo; Ethel
- answered. &ldquo;He has a strong imagination and great talent for drawing. I'm
- teaching him. He loves to have me read to him, and he makes up stories out
- of his own head that really are wonderful.&rdquo;
- </p>
- <p>
- &ldquo;I always thought he'd make a smart man, a teacher, or a lawyer, or
- something like that,&rdquo; Hoag returned, proudly, and he hurried away, calling
- loudly to his son to get down.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0024" id="linklink2HCH0024"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER VII
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">I</span>T is held by many
- philosophers that in order to appreciate happiness one must first
- experience its direct antithesis, and it may have been Paul Rundel's early
- misfortunes that gave to his present existence so much untrammeled
- delight. For one thing, he was again&mdash;and with that new soul of his&mdash;amid
- the rural scenes and folk he loved so passionately.
- </p>
- <p>
- His heart was full of actual joy as he rode down the mountain-side one
- Saturday afternoon, for the next day would be a day of rest, and he had
- worked hard all the week. There was a particular book he intended to read,
- certain fancies of his own which he wanted to note down in manuscript, and
- hoped to talk over with Ethel.
- </p>
- <p>
- He was a nature-worshiper, and to-day Nature had fairly wrapped her robe
- of enchantment about him. The sky had never seemed so blue; space had
- never held so many hints of the Infinite. Scarcely a flower on the
- roadside escaped his eye. The gray and brown soil itself had color that
- appealed to his senses, and the valley stretching away under the bluish
- veil of distance seemed some vague dream-spot ever receding from his
- grasp. The day was a perfect one. Since early morning a gentle breeze had
- been steadily blowing and the air was crisp and bracing.
- </p>
- <p>
- It was growing dusk when he reached home. He was just entering the front
- gate when he saw Ethel walking back and forth on the lawn. Something in
- her hanging head and agitated step told him that her mind was not at ease.
- At first he thought she might wish to avoid him, but, hearing the clicking
- of the gate-latch, she turned and advanced across the grass to him. Then
- he saw that she held a folded letter in her hand and there was a perturbed
- look on her face.
- </p>
- <p>
- &ldquo;Not bad news, I hope?&rdquo; he ventured.
- </p>
- <p>
- &ldquo;I don't know exactly.&rdquo; Her voice quivered, and she looked at him with a
- shadow of dumb worry in her eyes. &ldquo;This letter is from my aunt, Jennie's
- mother. She proposes that mother and I come down at once. She&mdash;she&mdash;&rdquo;
- Ethel's voice shook with rising emotion. &ldquo;She doesn't say there is really
- any <i>new</i> danger. In fact, at the last report the doctors said Jennie
- was doing as well as could be expected; but somehow&mdash;you see, the
- fact that my aunt wants us to come looks as if&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, I hope you won't lose hope,&rdquo; Paul tried to say, consolingly. &ldquo;At such
- a distance, and not being with your cousin, it is natural for you to
- exaggerate the&mdash;&rdquo;
- </p>
- <p>
- &ldquo;No; listen,&rdquo; Ethel now fairly sobbed. &ldquo;I've reflected a good deal over
- our recent talk about thought-transference, and I am sure there is much in
- it. Jennie and I used to think of the same things at the same time, and I
- am sure&mdash;I really <i>feel</i> that something is going wrong&mdash;that
- she is worse. This letter was written last night and mailed this morning.
- I was not greatly worried till about three o'clock to-day, but since then
- I have been more depressed than I ever was in my life. Somehow I can't
- possibly conquer it. Paul, I'm afraid Jennie is going to die&mdash;she may
- be&mdash;be dying now, actually dying, and if she should, if she <i>should</i>&mdash;&rdquo;
- Ethel dropped her eyes, her breast rose tumultuously, and she looked away
- from him.
- </p>
- <p>
- There was nothing Paul could do or say. He simply stood still and mute, a
- storm of pain and sympathy raging within him.
- </p>
- <p>
- Ethel seemed to understand and appreciate his silence, for she turned to
- him and said, more calmly:
- </p>
- <p>
- &ldquo;Of course, it may be only my imagination&mdash;my overwrought fears. I'm
- going to try to feel more hopeful. We leave on the eight o'clock train.
- Mother's packing our things now. It is good of you to be so sympathetic; I
- knew you would be.&rdquo;
- </p>
- <p>
- She turned away. With a halting step she went up the veranda steps and
- ascended the stairs to her mother's room. Paul was seated on the lawn in
- the dusk smoking a cigar, when Mrs. Tilton came out to him.
- </p>
- <p>
- &ldquo;I saw you talkin' to Ethel just now,&rdquo; she began. &ldquo;I reckon she spoke to
- you about her cousin?&rdquo;
- </p>
- <p>
- He nodded and regarded the old wrinkled face steadily as Mrs. Tilton
- continued, in a tone of resignation:
- </p>
- <p>
- &ldquo;Harriet ain't told Ethel the worst of it. A telegram come about an hour
- by sun, but she didn't let Ethel see it. It said come on the fust train&mdash;the
- doctors has plumb give up. Harriet is afraid Ethel couldn't stand the trip
- on top of news like that, an' she won't let her know. It's goin' to be
- awful on the pore child. I'm actually afraid she won't be able to bear it.
- In all my born days I've never seen such love as them two girls had for
- each other.&rdquo;
- </p>
- <p>
- Paul's heart sank in dismay. &ldquo;Do you think, Mrs. Tilton,&rdquo; he said, &ldquo;that I
- could be of any service? To-morrow is Sunday, and I am not busy, you know.
- Could I help by going down with them?&rdquo;
- </p>
- <p>
- &ldquo;No, I don't believe I would,&rdquo; the old woman answered. &ldquo;Jim is goin'
- along. He don't care nothin' about Jennie, but he'll take that excuse to
- get down there to see his friends. Harriet will bring Ethel back here
- right after the buryin'. She as good as told me so; she thinks a quiet
- place like this will be better than down thar among so many sad reminders.
- I want to tell you now, Paul, an' I don't intend to flatter you neither;
- but when Jim was talkin' so big on the porch t'other night, an' pokin' fun
- at the idea of a future life, an' you sat down on 'im so flat, an' said
- all them purty things so full o' hope to old folks like me, I jest set
- thar in the dark an' shed tears o' joy. I could 'a' tuck you in my arms
- an' 'a' hugged you. He is a-hirin' you, an' would naturally like for you
- to agree with him; but you fired your convictions at him the same as you
- would 'a' done at anybody else. I'm sick an' tired o' the way he's always
- talked&mdash;classin' humanity with cattle an' hogs like he does. I
- believe thar's a life after this un; if I didn't I'd go crazy. If I didn't
- know, actually <i>know</i>, that my poor daughter, who suffered all them
- years as that man's wife, was happy now, I'd be a fiend incarnate, an' go
- rantin' over the world like a she-devil let loose. I say I don't want to
- flatter you, but you've been like a ray o' sunshine in this house ever
- since you got here. If I had been an' infidel all my life the sight o'
- your face and the sound o' your voice would turn me flat over.&rdquo;
- </p>
- <p>
- Mrs. Tilton was crying. She wiped her eyes on her apron and moved away in
- the twilight. Paul looked, up at the window of Ethel's room, through which
- a light was shining. Then he bowed his head, locked his hands in front of
- him. He remained so for several minutes, then he said, fervently:
- </p>
- <p>
- &ldquo;O God, my Lord and Master, my Creator, my All, be merciful. I pray Thee,
- oh, be merciful&mdash;be merciful!&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0025" id="linklink2HCH0025"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER VIII
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>WO days after this
- Hoag came back from Atlanta, reaching home just at noon.
- </p>
- <p>
- &ldquo;I didn't go to the funeral myself,&rdquo; he carelessly remarked at the
- dinner-table. &ldquo;I had some fellers to see on business, an' I ain't much of
- a hand at such parades of flowers an' black stuff, nohow. Harriet is
- standin' it all right, but Eth' is in a purty bad fix. They've had a
- doctor with 'er ever since Jennie died. Eth' had never seen anybody die
- before, an' it seems that Jennie knowed enough to recognize 'er, an'
- begged 'er to stick by 'er side to the very end. Eth' has been nearly
- crazy ever since. She was too upset to go to the buryin', although plenty
- o' carriages was on hand, an' she could have rid in comfort. They offered
- me a seat at their expense, but, as I say, I had other fish to fry.&rdquo;
- </p>
- <p>
- &ldquo;I knew it would go hard with Ethel,&rdquo; Mrs. Tilton sighed. &ldquo;It is a pity
- they let 'er see it. Such things are hard enough even on old, experienced
- folks. When are they comin' up, or did they say?&rdquo;
- </p>
- <p>
- &ldquo;To-morrow. That ain't no place for 'em down thar in all that whiz,
- hustle, an' chatter, with a nigger fetchin' in a card or a bunch o'
- flowers every minute. The fellers that run the flower-stores certainly are
- in clover.&rdquo;
- </p>
- <p>
- Mrs. Mayfield and Ethel came in on the nighttrain which reached Grayson at
- ten o'clock, and, having retired, Paul saw neither of them till the next
- day. He had risen for his early morning walk, and gone down to the front
- lawn, where he was surprised to see Mrs. Mayfield nervously walking back
- and forth, her troubled glance on the ground. He had never seen her look
- so grave, so despondent. Her hair was drawn more tightly across her brow,
- and there was no trace of color in her pinched and troubled face. Seeing
- him, she bowed and made a pathetic little gesture of welcome. He hesitated
- for a moment as to whether he might intrude upon her, but some appealing
- quality of friendliness in her sad glance reassured him, and, hat in hand,
- he crossed the grass to her.
- </p>
- <p>
- &ldquo;I was very sorry to hear your bad news,&rdquo; he said. &ldquo;I was sorry, too, that
- there seemed nothing I could do to help.&rdquo;
- </p>
- <p>
- &ldquo;Thank you; you are very kind,&rdquo; the lady said, her thin lips quivering
- sensitively. &ldquo;I have thought of you, Paul, several times since the blow
- came. After our recent talks I am sure you could have given us more
- consolation than almost any one else. At a time like this there is
- absolutely nothing to lean on except the goodness and wisdom of God.&rdquo;
- </p>
- <p>
- &ldquo;Yes, of course,&rdquo; he responded, simply.
- </p>
- <p>
- &ldquo;I am not worrying about Jennie now,&rdquo; Mrs. Mayfield went on, gravely,
- sweeping his face with almost yearning eyes. &ldquo;At my age one becomes
- accustomed to face death calmly, but, Paul, I am actually alarmed about
- the effect on Ethel.&rdquo;
- </p>
- <p>
- &ldquo;I know, and I am sorry,&rdquo; Paul said; &ldquo;very, very sorry.&rdquo;
- </p>
- <p>
- &ldquo;She has hardly touched any sort of food since Jennie died,&rdquo; Mrs. Mayfield
- asserted, in a tremulous tone. &ldquo;She is wasting away. She can't sleep even
- under opiates. She cries constantly, and declares she can't get her mind
- from it for a moment. We ought not to have allowed her to see the end, but
- we could not avoid it. Jennie was conscious almost to the last minute,
- though she did not realize she was dying. They thought it best not to tell
- her, and she begged Ethel and her parents and me and the young man she was
- to marry&mdash;begged us not to leave her. She seemed quite afraid. Then
- suddenly she had a terrible convulsion. She was clinging to my daughter's
- hand when she died. Ethel fainted, and had to be taken home in a carriage.
- She&mdash;she&mdash;Paul, she has lost all faith in the goodness of God,
- in an after-life, in everything. She is simply desperate and defiant. She
- can't be made to see any sort of justice in it. She is bitter, very
- bitter, and hard and resentful. Two kind-hearted ministers down there
- tried to talk to her, but she almost laughed in their faces. Some sweet
- old ladies&mdash;intimate friends of ours&mdash;tried to pacify her, too,
- but could do nothing. I wish you had been there. You have comforted me
- more than any one else ever did. Your faith seems such a living, active
- thing, and even while down there under all that sadness I found myself
- somehow feeling that your thoughts&mdash;your prayers were with us.&rdquo;
- </p>
- <p>
- &ldquo;Yes, yes,&rdquo; he nodded, his blood mounting to his face, &ldquo;that was all I
- could do. Prayer is a wonderful force, but unfortunately it seems without
- great or immediate effect unless it arises out of faith itself, and
- perfect faith is very rare.&rdquo;
- </p>
- <p>
- &ldquo;I understand,&rdquo; the lady sighed. &ldquo;I hear Ethel coming down. I wish you
- would talk to her. I am sure you can do her good, and something must be
- done. No medicine can help her; her trouble is of the mind. It is natural
- for persons to lose faith under a shock like this, and in time get over
- it; but&mdash;but, Paul, I've known people to die of grief, and that is
- really what I am afraid of.&rdquo;
- </p>
- <p>
- Ethel, as she descended the veranda steps, saw them. She wavered for a
- moment, as if undecided which way to go, and then, as if reluctantly, she
- came on to them. Paul noted the drawn whiteness of her face and the dark
- rings about her despairing eyes. Her whole being seemed to vibrate from a
- tense state of nervousness. Her lips were fixed in a piteous grimace as
- she gave Paul her hand.
- </p>
- <p>
- &ldquo;Mother's told you about it, I am sure,&rdquo; were her first words.
- </p>
- <p>
- &ldquo;Yes,&rdquo; he nodded, sympathetically, &ldquo;it is very sad.&rdquo;
- </p>
- <p>
- She took a deep, tremulous breath, and her lips were drawn tight as from
- inner pain. &ldquo;Paul,&rdquo; she said, bitterly, &ldquo;I didn't know till now that even
- an <i>omnipotent</i> God could invent a thing as horrible as all that was.
- If&mdash;if it would amount to anything I would curse him&mdash;actually
- curse him.&rdquo;
- </p>
- <p>
- &ldquo;I am going to leave you with Paul,&rdquo; Mrs. Mayfield said, suddenly catching
- her breath as if in pain. &ldquo;I have something to do up-stairs. Listen to
- him, my child. He has comforted me, and he can comfort you. You must not
- allow yourself to become hard like this. Oh, you mustn't&mdash;you
- mustn't, darling! You'll break my heart.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I don't know what to do&mdash;I don't know what to do!&rdquo; Ethel shook
- with dry sobs, and there was a fixed stare in her beautiful eyes. &ldquo;I can't
- think of Jennie being gone&mdash;being put away like that, when she had so
- much to live for, and when the happiness of so many depended on her
- recovery.&rdquo;
- </p>
- <p>
- Without a word, and with an appealing and significant backward glance at
- Paul, Mrs. Mayfield moved away.
- </p>
- <p>
- &ldquo;Would you like to walk down to the spring?&rdquo; Paul proposed, gently. &ldquo;The
- air is so fresh and invigorating, and breakfast won't be ready for some
- time yet.&rdquo;
- </p>
- <p>
- She listlessly complied, walking along at his side like a drooping human
- flower in movement. He heard her sighing constantly. He did not speak
- again till they were seated at the spring, then he said:
- </p>
- <p>
- &ldquo;Your mother overrates my power of giving consolation; there is nothing
- helpful that any mortal can do at such a time. I cannot give you my faith.
- It came to me only after years and years of suffering, sordid misery, and
- dense spiritual blindness. But I want to try, if you don't mind. I'd give
- my life to&mdash;to save you pain, to turn you from your present despair.
- Will you listen to me if I'll tell you some of the things that I passed
- through? You can't see it as I do, Ethel, but I am absolutely positive
- that your cousin is now a thousand times happier than she was&mdash;happier
- than you or I, or any one on earth.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I know what you will say,&rdquo; Ethel wailed, softly. &ldquo;I believed such
- things once, as you know. But I haven't been frank with you, Paul. Seeing
- your beautiful faith which brought you back here in such a wonderful way,
- I could not bear to let you know the truth; but I have been in doubt for a
- long time, and now I have nothing to hold to&mdash;absolutely nothing. You
- might argue a thousand years and you could not&mdash;kind and gentle
- though you are&mdash;convince me that a just and merciful God would allow
- my poor cousin to suffer as she suffered, and cause me to feel as I feel
- only through my love for her. If there <i>is</i> a good God, He is
- powerless to avert such as that, and a creator who is not omnipotent is no
- God at all. We are a lot of helpless material creatures staggering through
- darkness, dragging bleeding hearts after us, and yearning for what can
- never be ours. That's the awful, repulsive truth, Paul. It's unpleasant,
- but it's the truth.&rdquo;
- </p>
- <p>
- &ldquo;I will tell you what I passed through after I left here, if you will let
- me,&rdquo; Paul began, a look of pained sensitiveness clutching his mobile
- features. &ldquo;It is hard to have you&mdash;of all persons&mdash;know to what
- depths of degradation I sank; but I feel&mdash;something seems to tell me&mdash;that
- my story may help you. Will you hear me?&rdquo;
- </p>
- <p>
- &ldquo;Perhaps you ought not to tell me anything that is unpleasant,&rdquo; Ethel
- said, listlessly.
- </p>
- <p>
- Paul lowered his head and looked at the ground. &ldquo;I am not sure, Ethel,
- that it is not my duty to go from man to man, house to house, and tell it
- word for word, thought for thought, deed for deed. The world, as never
- before in its history, is groping for spiritual light, and my life&mdash;my
- soul-experiences&mdash;would shed it upon any thinking person. No one
- could pass through what I have passed through and doubt the existence of
- God and His inexpressible goodness. It is painful to tell you, for, above
- all, I want your good opinion, and yet I must. Will you listen, Ethel?&rdquo;
- </p>
- <p>
- &ldquo;Yes, yes,&rdquo; she answered; &ldquo;but, Paul, if I am absent-minded don't blame
- me. I've not thought of a single thing since Jennie died but the way she
- looked then, and in her coffin afterward. I don't think I can ever get
- those things out of my mind. They are simply driving me insane.&rdquo;
- </p>
- <p>
- &ldquo;Nothing but an absolutely different point of view will help you,&rdquo; Paul
- said, gravely, his glance now resting tenderly on her grief-stricken face.
- &ldquo;When my father died I, too, was desperate. When I ran away from here that
- terrible night I was as near akin to a wild beast as ever mortal man was.
- I was at heart a murderer gloating like a bloodthirsty savage over
- another's death. I won't go into detail over the earliest part of what I
- went through. I traveled with a band of thieving gipsies for a while.
- Later I joined a circus, and there gravitated to the same sort of
- associates. Some of the company were not immoral; but I was a murderer
- hiding my guilt, and among only the lowest of the low did I feel at home.
- All others I hated.&rdquo;
- </p>
- <p>
- &ldquo;Oh, do you think you ought to&mdash;ought to&mdash;&rdquo; Ethel faltered. &ldquo;How
- can it do any good to&mdash;&rdquo; Her voice failed her, and she stared at him
- dumbly.
- </p>
- <p>
- &ldquo;I think I ought to tell you, because it is the hardest thing in the world
- for me to do,&rdquo; he said, his tone low and labored. &ldquo;I want you to know me
- as I was at my worst. I can't feel that I have the right to sit by you and
- be treated as a friend while you are unaware of what I have been. For the
- first two years I was as low as the lowest. I hated life, man, everything,
- and yet there was always something holding me back from absolute crime.
- Down deep within me there was always a voice, always a picture, always a
- sunlit scene&mdash;&rdquo;
- </p>
- <p>
- He choked up, pretended to cough, and looked away to avoid her inquiring
- eyes.
- </p>
- <p>
- &ldquo;I don't quite understand,&rdquo; she prompted him, with her first show of
- interest.
- </p>
- <p>
- He turned and looked steadily into her great, shadowy eyes.
- </p>
- <p>
- &ldquo;The scene was the roadside down there, Ethel. The picture was that of a
- refined, gentle little girl, her eyes full of sympathy. The voice was
- hers, telling me that she was going to pray for&mdash;for me.&rdquo;
- </p>
- <p>
- &ldquo;Oh, oh, why do you say that now?&rdquo; Ethel cried. &ldquo;Now, now, after I have
- told you that I no longer&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Because the little girl ought to know,&rdquo; he answered. &ldquo;She should be told
- of the clinging effect her promise&mdash;her prayers&mdash;had on a
- storm-tossed human soul. The scene, the voice, the picture, never left the
- wanderer. They grew like pure flowers in the mire of his deepest sin. In
- many cases it is the memory of prayers at a mother's knee in childhood
- that haunts the worldly minded in after-life; but my childhood had no
- prayers, and that little girl became my guardian angel.&rdquo;
- </p>
- <p>
- &ldquo;Oh, Paul, Paul, don't, don't!&rdquo; Ethel cried, and for a moment she seemed
- to have forgotten her grief.
- </p>
- <p>
- &ldquo;But I must go on,&rdquo; Paul answered. &ldquo;I finally reached Portland and settled
- down. I was tired of roaming, and under a small printer I began to learn
- type-setting. I made rapid progress. I had access to a good public
- library, and I passed most of my evenings in study. Later I began
- reporting on a big newspaper, and from that I gradually drifted into the
- writing of editorials. I don't take any credit for the success I met, for
- the articles I wrote were readable only because they were without heart or
- soul, and appealed only to individuals like myself. I ridiculed
- everything, tore down everything. A thing only had to be praised by others
- for me to hurl my vitriol upon it. The arrant hypocrisy of the
- church-members, the mental weakness of the preachers, and the gullibility
- of the public were my choice themes. Birds of my own particular feather
- flocked about me and congratulated me. I became vain of my powers. I was
- sure that I was a great intellectual force in the world. My salary was
- raised, and I found myself in comfortable circumstances. I belonged to a
- small society of advanced thinkers, as we styled ourselves. We held
- meetings once a week and prepared and read essays. The great materialistic
- scientists and writers were our guides and gods. We pitied all the rest of
- the world for its inability to reach our height. That went on for several
- years, then an odd thing happened.&rdquo;
- </p>
- <p>
- &ldquo;What was that?&rdquo; Ethel was now almost eagerly leaning forward, her pale
- lips parted.
- </p>
- <p>
- The color in Paul's cheeks had deepened. &ldquo;I must tell that, too,&rdquo; he said.
- &ldquo;And I shall not shirk the humiliation of it. There was a young poet in
- Boston whose parents lived in Portland. His books had been widely
- circulated, and when he came out on a visit the papers had a great deal to
- say about him. I don't think I ever sank lower than I did then.&rdquo; Paul's
- voice faltered. &ldquo;I was jealous. I read his books out of curiosity, and
- found them wholly spiritual, full of dreams, ideality, and mysticism. Then
- I sat up all of one night and wrote the most caustic and virulent attack
- on his work that I had ever written. It was published at once, and created
- a local sensation. My friends gave me a dinner in honor of it, and we
- drank a good deal of beer and filled the air with smoke. Selections from
- the poet's books were read and laughed at. That seemed all right; but an
- unexpected thing happened. The next day the young man called at the office
- and sent in his card, asking particularly for me. It made me furious; my
- associates on the paper thought he had come to demand personal
- satisfaction, and so did I. I kept him waiting in the reception-room for
- some time, and then I went in to him, fully expecting trouble. So you can
- imagine my surprise to have him rise and extend his hand in a timid and
- yet cordial manner. I had never seen him before, and I was struck by the
- wonderful, almost suffering delicacy of his face and a certain expression
- in his big, dreamy eyes that I had never seen before. He seemed greatly
- embarrassed, so much so that at first he seemed unable to talk. Presently
- he managed to tell me, in the frankest, most gentle manner, that he had
- come to see me because, after reading my article, he was afraid he or his
- work had offended me personally in some way. I was completely taken aback.
- I simply couldn't make him out. I was tempted to speak roughly, but
- couldn't. We sat down, and he started to explain more fully why he had
- come. He said it was his aim in life to live in harmony with God's law,
- and that, as he saw it, the feeling between him and me was spiritual
- discord which ought not to exist. He said he was sure, when I understood
- him fully, that I could have no personal animus against him for
- conscientiously writing the poems I had attacked. He said it was the
- highest law of life for all men to love one another, and until they did
- there would be human discord. I can't tell you half he said. I know,
- somehow, that for the first time in my experience I found myself facing a
- human being who was more spirit than matter, and who possessed a power
- against which I had no weapon. He seemed to feel my embarrassment, and
- rose to go. At the door he gave me his hand again and pressed mine warmly.
- 'I am sure,' he said, 'that nothing but good can result from this visit.
- Something within me always tells me when I ought to do a thing like this.
- It is always hard to do; but if I refuse to obey I invariably suffer for
- it.'&rdquo;
- </p>
- <p>
- &ldquo;How very strange!&rdquo; Ethel exclaimed. &ldquo;And what came of it?&rdquo;
- </p>
- <p>
- &ldquo;Much, much,&rdquo; Paul answered. &ldquo;When he had gone I remained for some time in
- the room with the door closed. I was hot from head to foot with shame. I
- felt worse than if I had been thrashed in public. I did not know what to
- do, and I was sure something had to be done. I returned to the office, and
- the reporters and printers gathered about me, full of jokes and eager for
- information. I could say nothing. A mechanical jest rose to my lips, but I
- didn't utter it. I could no longer make sport of him behind his back. I
- put on my hat and went for a walk. I felt sure that I owed him a public
- apology, and I knew that I would not be able to make it, and that fairly
- confounded me. I admired him more than any man I had ever met. During that
- walk a maddening mental picture rose before me.&rdquo; Here the speaker's voice
- quivered. &ldquo;I fancied, Ethel&mdash;I fancied that I saw you as I last saw
- you. Some one was presenting that young man to you. I saw you both walking
- off together across the meadows in the sunshine among the flowers. He was
- gathering them for you. You were receiving them, and it seemed to me that
- you and he were mated <i>as man and woman never had been mated before</i>.&rdquo;
- </p>
- <p>
- &ldquo;Oh, Paul, don't!&rdquo; Ethel protested. &ldquo;You must not think of me that way;
- but go on&mdash;go on!&rdquo;
- </p>
- <p>
- &ldquo;Day after day, week after week,&rdquo; Paul continued, &ldquo;I fought the
- inclination to write that apology. I'd start it, only to throw it aside as
- something above and beyond my nature. I began to loath myself. I had
- sufficient cause. I was a murderer living under a false name, continually
- lying about my past, haunted by remorse, and gradually losing my reason.
- Then came the crisis. I call it my 'black day.' You will despise me when I
- confess it, but I decided to&mdash;kill myself.&rdquo;
- </p>
- <p>
- &ldquo;Oh, Paul, Paul!&rdquo; Ethel covered her face with her hands. &ldquo;How <i>could</i>
- you&mdash;how <i>could</i> you?&rdquo;
- </p>
- <p>
- &ldquo;I was a blind man, goaded to despair. I was swimming with my last feeble
- stroke in a torrent of sin. It was Christmas Eve. The joy of the rest of
- the world only added to my loneliness. All my acquaintances had gone to
- relatives and friends, and I was alone in my desolate room. I had never
- faced myself so plainly as I did that night. I did not believe there was
- any future life, and I told myself that I was tired of the struggle, and
- wanted to go to sleep never to wake again. I thought that would solve it,
- you see, I wrote a note to old Silas Tye, feeling somehow that I wanted
- him to know what had happened to me. I got ready. Forgive me, but I want
- you to hear it all. The door' and windows were tightly closed, and I
- turned on the gas and lay down on the bed. I folded my hands on my breast.
- I was sorry for myself. Then, just as I was beginning to notice the odor
- of the gas, I seemed to see old Uncle Si on his knees praying for me, and
- I asked myself what was he praying for, to whom or what was he praying? My
- next thought was of you and your sweet, girlish faith, and then I recalled
- the poet and his beautiful ideas of life. All at once, as if in a flash of
- light, came the thought that you three might be right and I wrong; that
- while I could kill my body I might never be able to kill my soul. 'God
- help me!' I cried, and why I did not know, for I had never prayed before.
- I sprang up and turned out the gas and opened the windows and breathed the
- fresh air deep into my lungs. Just then the church-bells of the city rang
- out in the announcement of the day on which Christ was born. I was
- tingling all over with a strange, new hope. What if I should, after all,
- actually be immortal?
- </p>
- <p>
- &ldquo;I sat down before the fire and asked myself, for the first time in my
- life, 'Am I flesh, blood, and bones, or am I wholly spirit?' Was it a
- physical possibility for my brain-cells&mdash;tiny fragments of matter&mdash;to
- evoke the spiritual tempest through which I was passing? Was there a God
- and was He good? If not, why was the universe?
- </p>
- <p>
- &ldquo;I had brought home a new book&mdash;the <i>Life of Tolstoi</i>&mdash;to
- review, and I began to read it with the first touch of sympathy I had ever
- given such a work. It clutched me and held me like a vise. At one time
- Tolstoi&mdash;like myself&mdash;had been tempted to kill himself because
- he had no faith, and life was nothing without it. Like myself, he had been
- influenced by materialistic thinkers and worldly-minded associates. He had
- wealth, a noble's title, and great fame, and yet he had thrown them all
- over that he might become as a little child. Among the great men of the
- earth&mdash;his mental peers&mdash;he could not find the peace of soul
- that he found reflected in the faces of the poorest peasants on his
- estate. He wanted to be like them, because he felt they were more like God
- than he. For him the riddle was solved. It struck me that his life was a
- wonderful revelation of spiritual truth, if it was anything aside from
- senility. To satisfy myself on this point I spent the next day reading his
- books, becoming more and more convinced of his rational sincerity and the
- unity of his life from beginning to end. Tolstoi's admiration for Rousseau
- led me to Rousseau's life and <i>Confessions</i>. From him I went to
- Plato, Epictetus, and Marcus Aurelius, and all the great poets. I
- neglected my duties on the paper, and fairly buried myself in books such
- as I'd never read before. My desire to satisfy myself that my soul was
- immortal became a veritable passion. I read everything that could possibly
- throw a light on the subject. The first thing that I became convinced of
- was my stupendous ignorance. For instance, I had never dreamt that one
- could have any faith which was not founded on the religious creeds of
- which I had heard all my life; but I soon saw that it was possible to
- acquire a belief like that of Emerson, Whitman, Wordsworth, and Goethe,
- which soared above all so-called revelation and reached out into the
- transcendental. I read the works of many philosophers, spurning almost
- angrily those who leaned to the material side of life and reverently
- devouring those who, like Kant and Hegel, were idealistic. Among the
- modern ones William James seemed inspired. Then Bergson held me with his
- idea that the simple intuition of the trusting masses was a better guide
- to hidden truth than the intellectuality of all the scholars.&rdquo;
- </p>
- <p>
- &ldquo;I didn't know you had read so much,&rdquo; Ethel said, when Paul paused and sat
- tenderly regarding her grief-stricken face.
- </p>
- <p>
- &ldquo;I was forced to,&rdquo; he smiled. &ldquo;I was in a corner fighting for life against
- awful odds. I was sick and disgusted with existence. In my new atmosphere
- I began to breathe for the first time. I was sensing the eternal meaning
- of things. I began to see why I had been made to suffer, and I was glad.
- The habits of my associates, their cramped and aimless lives, now seemed
- horribly sordid. It sounded strange to hear them speak so seriously and
- gravely of trivial affairs when a vast new world was fairly throbbing
- around me. I ventured to speak with a tentative sort of respect of some of
- the books I had read, and they laughed at me. I was forced into cowardly
- craftiness. I hid my wonderful secret and continued to go among them. But
- that couldn't go on. One cannot serve both the spirit and the flesh and be
- true to either, so I gave up my associates. I apologized to the poet,
- wrote a strong review of a new book of his, and we became good friends.&rdquo;
- </p>
- <p>
- &ldquo;Then, then&rdquo;&mdash;Ethel laid an eager hand on his arm&mdash;&ldquo;then you
- decided to&mdash;to come home?&rdquo;
- </p>
- <p>
- Paul smiled reminiscently, his glance on the gray wisps of clouds slowly
- lifting themselves from the mountain-side up into the full blaze of the
- sun.
- </p>
- <p>
- &ldquo;I simply had to do it,&rdquo; he said. &ldquo;It was as inevitable as life itself. I
- knew it was right, and that settled it.&rdquo;
- </p>
- <p>
- &ldquo;So you came!&rdquo; Ethel cried. &ldquo;You came back.&rdquo;
- </p>
- <p>
- &ldquo;Yes, and when I reached here that night and learned the truth I saw God's
- hand in it all. Now, you see why I have told you this. Can you believe
- there is any other design than good&mdash;infinite good&mdash;behind
- sorrow, trouble, and agony? Your grief is great&mdash;it seems unbearable
- now; but behind it, above it, beyond it is a purpose so divinely wise that
- no mortal sense can grasp it.&rdquo;
- </p>
- <p>
- Just then Cato appeared at the kitchen door ringing the breakfast-bell.
- Ethel rose apathetically, and they slowly walked toward the house
- together. They saw her mother among the flowers waiting for them. Paul
- heard his companion sigh and, looking at her, he saw that she had lapsed
- into despair again.
- </p>
- <p>
- &ldquo;I can't bear it,&rdquo; he heard her say. &ldquo;I can't&mdash;I can't. It's awful,
- awful!&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0026" id="linklink2HCH0026"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER IX
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">H</span>OAG rode into the
- village the next morning, and as his horse bore him along through the
- balmy air he ruminated over the object he had in view. He had determined
- to see Sid Trawley and have a straight talk with him about certain private
- matters. He no longer doubted that the liveryman was persistently avoiding
- him. Sid had not answered to his name at the last roll-call of the &ldquo;klan,&rdquo;
- and vague rumors were afloat. One of the younger members had jocularly
- remarked that Sid had simply &ldquo;got cold feet, an' was tryin' to shirk the
- entire thing.&rdquo; At any rate, Hoag was sure that Trawley was not deporting
- himself as an aide-decamp should, and Hoag was determined to have a
- distinct understanding about it. It was not Hoag's way to beat about the
- bush, and Trawley knew too much regarding matters more or less
- confidential to be allowed to act as he was acting without good and
- sufficient reasons. As his horse cantered along the street near the
- livery-stable, Hoag was quite sure that he saw Trawley in the doorway and
- that he had purposely withdrawn from view.
- </p>
- <p>
- &ldquo;Huh, that's cheeky!&rdquo; Hoag muttered, as he reined in at the stable,
- dismounted, and threw his bridle-rein to a negro attendant.
- </p>
- <p>
- &ldquo;Which way did Sid go?&rdquo; he asked the man, suddenly.
- </p>
- <p>
- The negro's eyelashes flickered hesitatingly, and he avoided the white
- man's stare.
- </p>
- <p>
- &ldquo;I dunno, boss, I hain't seed 'im,&rdquo; the man said. &ldquo;He was heer dis
- mawnin', but I don't know whar he is now.&rdquo;
- </p>
- <p>
- &ldquo;You are a liar, you black imp!&rdquo; Hoag growled. &ldquo;I saw 'im right here a
- minute ago.&rdquo;
- </p>
- <p>
- The negro made no response; he shrugged his shoulders doggedly, and his
- bead-like eyes were full of cautious concern as he led the horse to a
- stall.
- </p>
- <p>
- Hoag stared after him, a sullen, thwarted expression on his face. &ldquo;Don't
- take the saddle off,&rdquo; he yelled. &ldquo;I'm goin' back right away.&rdquo; And with
- that he suddenly turned into the little office on the right, finding
- Trawley at his desk, a queer look, half of fear, half of sheepishness, in
- his shifting eyes. Hoag was now positive that the man was trying to avoid
- him, and a fierce demand for explanation was on his tongue, but he managed
- to restrain himself. Indeed, he felt that this was a case that required
- diplomatic handling, for Trawley had a temper, and at present had the look
- of a man driven into a corner.
- </p>
- <p>
- &ldquo;Hello, Sid,&rdquo; Hoag said. &ldquo;How goes it?&rdquo;
- </p>
- <p>
- &ldquo;Oh, so so,&rdquo; Trawley answered, awkwardly. &ldquo;How's things out your way?&rdquo;
- </p>
- <p>
- &ldquo;Oh, about as common.&rdquo; Hoag was wondering over Trawley's sallow
- complexion, once so ruddy, and the nervousness of a frame which surely had
- lost weight and poise. The two did not shake hands. Hoag idly tapped the
- green cloth of the desk, beating little ridges of dust into view, and
- fixed his purposeful eyes on the dingy, small-paned window which was hung
- over with cobwebs.
- </p>
- <p>
- &ldquo;You hain't answered at roll-call lately,&rdquo; he suddenly plunged.
- </p>
- <p>
- &ldquo;I couldn't find the time.&rdquo; Trawley was opening a canvas-backed ledger
- with thin, quivering fingers. &ldquo;I've been powerful busy, Cap. Lots an' lots
- o' rigs an' hosses goin' out an' comin' in&mdash;can't trust my shebang
- with these coons. They don't feed an' water my stock&mdash;or rub 'em down
- when they come in tired. They git things all balled up&mdash;send out
- hosses on long trips that hain't had no rest; one o' my best mules dropped
- dead t'other day an'&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I understand all that.&rdquo; Hoag's eyes bore down on him impatiently. &ldquo;But
- you didn't <i>use</i> to be so all-fired anxious about this dang stable.
- It's a new twist altogether. Say, has anything gone crooked with you?&rdquo;
- </p>
- <p>
- &ldquo;What makes you ax that?&rdquo; Trawley's words crept slowly from his stiff
- lips, and his glance rose, only to fall precipitately.
- </p>
- <p>
- &ldquo;I don't know,&rdquo; Hoag replied. &ldquo;Some o' the boys said they didn't know but
- what you'd took to doctorin' yorese'f&mdash;got a fool notion in yore head
- that you was about to git down sick.&rdquo;
- </p>
- <p>
- &ldquo;Well, I <i>am</i> sick&mdash;if you want to know,&rdquo; Trawley suddenly
- declared. &ldquo;I'm not a sound man, by a long shot.&rdquo;
- </p>
- <p>
- &ldquo;Oh, come off!&rdquo; Hoag laughed. &ldquo;You've been eatin' too much or smokin'
- more'n you ought. Maybe yore liquor ain't o' the right brand. There's a
- lot o' poison in the truck shoved over bar-counters these days. You
- oughtn't to touch any but straight moonshine corn. Some o' our boys make
- the best that ever slid down a gullet.&rdquo;
- </p>
- <p>
- &ldquo;'Tain't nothin' o' that sort,&rdquo; Trawley sighed, despondently. &ldquo;Dr. Lynn
- examined me an' wasn't a bit satisfied. He said my stomach had clean gone
- back on me. Nothin' I eat won't stay down. I roll an' tumble at night an'
- shake all over durin' the day. Doc said it was serious.&rdquo;
- </p>
- <p>
- &ldquo;Oh, now I understand.&rdquo; Hoag seemed slightly relieved. &ldquo;But you hain't
- a-goin' to let <i>that</i> scare the socks off you. Besides, Lynn may be
- mistaken.&rdquo;
- </p>
- <p>
- Trawley's chin dropped despondently. &ldquo;He knows as much as any doctor, I
- reckon. Looked to me like he considered my case hopeless. He shook his
- head all the time he was talkin'. He&mdash;he hinted purty strong that I
- ought to be prepared, that I might&mdash;might have to go any day.&rdquo;
- Trawley's scant blood had left his face and his lip hung limply.
- </p>
- <p>
- Hoag shrugged his shoulders indifferently. &ldquo;So you've let that scare you
- plumb off from old habits. You set here an' mope instead o' bein' up an'
- about with the rest of us. We all got to die some time or other.&rdquo;
- </p>
- <p>
- Trawley glared fiercely out from his labyrinth of fears. &ldquo;You wait till it
- gits <i>you</i> down!&rdquo; he blurted out. &ldquo;<i>You</i> kin talk, standin' thar
- with that solid pouch on you&mdash;an' a meal in it that you can hold
- down. Don't talk to me; I know when I'm in trouble!&rdquo;
- </p>
- <p>
- &ldquo;I know when you will be, shore enough, if you don't mark my words.&rdquo; Hoag
- was now employing his favorite browbeating method, and his eyes flashed
- threateningly. &ldquo;You have been shootin' off your mouth to outsiders. You
- are like a scared old hag with fits. I heard that hobgoblin tale you told
- about seein' the ghost o' Pete Watson. The tale's goin' the rounds,
- gittin' bigger an' bigger, like a cake o' beeswax that everybody adds a
- chunk to, an' thar wasn't a thing in it but your fool jim-jams.&rdquo;
- </p>
- <p>
- &ldquo;I know what I <i>know!</i>&rdquo; Trawley said, a shadow of superstition in his
- eyes. &ldquo;I was in my right senses&mdash;I was seein' as plain as I am now.
- The fust time he appeared I was wide awake, settin' up in a chair in the
- kitchen. The next time I was in my corn-crib a little after dark. Pete put
- his hand to his neck; I heard 'im groan an' gurgle. He comes to my bed
- sometimes when I'm asleepin' an' pulls the covers off an' then darts right
- through the wall. The last time he told me that me nor none o' the klan
- would ever have peace&mdash;that black folks was the same as white whar he
- was at, an' that accordin' to the book o' judgment to kill the innocent
- was the unpardonable sin alluded to in Scripture.&rdquo;
- </p>
- <p>
- &ldquo;Poof, Sid, you are gone clean daffy!&rdquo; Hoag sneered, though a serious
- expression had captured his features, for he was wondering how far this
- indiscreet babbler could be trusted to recount such imaginings.
- </p>
- <p>
- &ldquo;He got <i>you</i> in it all right,&rdquo; Trawley said, vindictively. &ldquo;I ain't
- the only one. The last time he come to me I was drivin' the cow home from
- the pasture after dark. At fust I thought it was a calf or a stray hog;
- but he come on till he was close by my side, limpin' along like he used to
- do, with his old flipflap feet. He talked as plain as ever he did in this
- life. He said I was to die a slow death an' a terrible one&mdash;that my
- folks would think I was dead an' put me in the ground, but that I'd lie
- thar an' wait till him an' some more come an' twisted my sperit out an'
- tuck it on to torment. Then he fetched you in.&rdquo;
- </p>
- <p>
- &ldquo;Me?&rdquo; Hoag sniffed. &ldquo;Well, I'm glad he hain't forgot me. I hope he
- remembers the time I lambasted 'im for breakin' that new plow o' mine.&rdquo;
- </p>
- <p>
- &ldquo;Yes; he said yore time was comin', too; he said you was the prime mover
- an' power in the organization&mdash;that you was a rank coward at heart,
- an' that you jest loved the fun o' scarin' niggers because you was afraid
- o' brave white men. I dunno, I'm jest tellin' you what he told me. He said
- your luck was goin' to turn flat ag'in' you&mdash;that your present
- support would sluff away, an' you'd find yourself alone with nothin'
- 'twixt you an' the Almighty but the niggers you'd sent on ahead, an' that
- you'd git on your knees to 'em an' beg 'em to speak a kind word for you,
- but that they'd turn a deef ear. He may have missed it in yore case, but
- was right about <i>me</i>. Jim Hoag, I'm a dyin' man, an' I'm in hell
- already.&rdquo; Hoag was becoming angry. Had he dared he would have spoken more
- sharply. He told himself that Trawley had lost his reason, and that he was
- a very unsafe man in his present condition, holding the knowledge he held.
- </p>
- <p>
- &ldquo;You'll have to git out o' this,&rdquo; he said, sternly. &ldquo;You need a change.&rdquo;
- </p>
- <p>
- &ldquo;I need more'n that,&rdquo; Trawley groaned, and he beat the top of his desk
- with a limp, splaying hand. &ldquo;I need medicine that ain't in no bottle or
- doctor's saddle-bags. I know what I need, but I don't know whar to git it.
- I need what my good old mammy had when she died, shoutin' an' talkin'
- about her folks that had gone on, who she declared was right thar over the
- bed holdin' out their hands to her.&rdquo;
- </p>
- <p>
- &ldquo;Take it from me, Sid,&rdquo; Hoag said, carelessly, &ldquo;all that stuff is pure
- poppycock. When a man's time comes the jig is up&mdash;that's all; he's
- done for; he's put in the ground an' rots. As for me, that's all I want or
- expect.&rdquo;
- </p>
- <p>
- &ldquo;I know you've always said that,&rdquo; Trawley answered, &ldquo;an' I used to think
- maybe you was right, bein' sech a big man in your way; but I know
- different now. Say, Jim Hoag, what do you make o' Paul Rundel?&rdquo;
- </p>
- <p>
- &ldquo;Make o' 'im&mdash;what do you mean?&rdquo;
- </p>
- <p>
- &ldquo;I want to know what could 'a' fetched 'imback here to give up to the
- halter like he did unless&mdash;unless he was led by some'n in 'im bigger,
- wider, an' higher than jest his mortal body?&rdquo;
- </p>
- <p>
- Hoag smiled significantly, and idly tapped the leg of his trousers with
- his whip. &ldquo;Just betwixt us two, Sid, I never have knowed just <i>what</i>
- Paul's game was. I saw he was a good man for the job I had open, an' I
- tuck 'im in. I never have bothered about the tale he told. That was his
- lookout. He's got a clear head for business. He understands human nature,
- an' he was sharp enough, I reckon, to know that nine juries out o' ten
- would be lenient in a case like his'n. He was homesick for these old
- mountains, an' was willin' to serve a year or two an' be done with it.&rdquo;
- </p>
- <p>
- &ldquo;That won't do at all&mdash;<i>not at all</i>,&rdquo; Trawley protested, with
- firmness. &ldquo;I've never seed an eye like his'n in a human head. He heard I
- was ailin', an' come in here last week friendly like to talk to me. Well&rdquo;&mdash;Trawley
- averted his face and sat linking his fingers like wooden prongs&mdash;&ldquo;I
- just don't know how to tell you about it, Cap. He said&mdash;Paul said
- some o' the quarest, most comfortin' things that ever a sick man heard. I
- want to see 'im ag'in&mdash;I just <i>must</i>. I've been to preachers,
- an' to old Christian men like Tye over thar, an' they all gave me the same
- stale song-and-dance; but this young fellow, with his shinin' face an'
- happy way, had some'n fresh. Why, he said that the Lord just couldn't be
- hard on any repentant soul He'd ever created. I wish I could tell you how
- Paul fixed it, but I can't remember. He said the ugly sights I'd seed was
- just in <i>me</i>&mdash;just in my own mind&mdash;an' that as soon as I
- seed that I was part an' parcel of God Hisse'f all them gloomy shadows
- would pass away an' I'd see visions o' true light. He cited the thief on
- the cross&mdash;you remember about that feller? He was dyin' thar by the
- Saviour, you know, an' the Lord said to him, 'This day shalt thou be with
- me in Paradise.' As Paul fixed it up nothin' the thief had done in days
- gone by was to be helt ag'in' 'im&mdash;<i>nothin'!</i> He says it is all
- a matter of wrong thought or right thought. He told a purty tale that was
- sorter like a new-fashioned parable. He said, take two brothers, for
- instance. A lawyer comes away across the ocean from the old country an'
- tells 'em, on his word an' honor, that a kinsman has died over thar an'
- left 'em a million apiece, but that they will have to be patient an' wait
- a year before the money will be paid into the'r hands. Now, Paul said one
- of 'em, for example, would believe the lawyer an' spend his year full o'
- happy expectations, but t'other wouldn't trust the lawyer's statement, an'
- in his doubt an' uncertainty his year would be the most miserable he ever
- spent. Both come in at the end on the same actual level, you see, Cap, but
- the trustin' fellow got in twelve months quicker&mdash;that's all. Paul
- says that illustrates what is called havin' the kingdom of heaven within
- you&mdash;it's our'n if we'll just believe it's our'n an' move in an' take
- possession.&rdquo;
- </p>
- <p>
- Hoag's countenance was full of shadow. For a moment he seemed undecided as
- to what to say. He whipped his leg steadily and cleared his throat. One of
- the negro attendants leaned in at the door and asked Trawley a question,
- and the liveryman replied sharply:
- </p>
- <p>
- &ldquo;Give 'im any pair he wants, an' don't disturb me ag'in while I'm
- talkin'.&rdquo; He uttered a low groan as the negro withdrew and looked up at
- his frowning companion. &ldquo;I tell you, Jim Hoag, when a man gits in trouble
- like I am in, a puny thing like whether he rents a turnout, or a hub is
- split, or a tire off, amounts to so little that it makes 'im mad to think
- about it.&rdquo;
- </p>
- <p>
- &ldquo;Looky' here, Sid!&rdquo; Hoag's beetling brows ran together, and his tone was
- fierce and direct. &ldquo;I want to git at this thing right now, so as to know
- what to depend on. Like the rest of us, you are under oath of secrecy to
- the klan. Did you say anything to Paul Rundel to lead him to suspect that&mdash;&rdquo;
- </p>
- <p>
- &ldquo;No, I didn't,&rdquo; Trawley groaned. &ldquo;I kept it all back, an' thar's right
- whar I think my chief trouble lies. I've taken an oath that binds me to
- the devil an' his imps. Paul says, to git the real thing you've got to go
- at it with a clean breast, an' I can't be that way with you fellows
- tellin' me to come to your secret meetin's an' layin' claim to me. I
- hain't give you all away, an' I ain't goin' to, but I'm in a bad fix. I
- want to clean up an' git right, but I don't know how. It seems wrong to
- break my oath, an' wuss to keep it.&rdquo;
- </p>
- <p>
- &ldquo;I can say to you right here, Sid&rdquo;&mdash;Hoag moved toward the door, a
- dark, red flush on his face&mdash;&ldquo;if you do betray our body you'll regret
- it, an' you know well enough why.&rdquo;
- </p>
- <p>
- So speaking, and without another glance at the man he was leaving, Hoag
- strode away. Aflame with fury, he mounted his horse and rode homeward.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0027" id="linklink2HCH0027"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER X
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HE following night
- was dark and sultry. A slight, brief rain had pattered upon the hot and
- dusty earth, leaving a warm, thick moisture in the air. The clouds,
- shifting, dissolving, and massing overhead, alternately revealed and hid
- the stars. The moon's white disk hung behind a filmy veil above the
- mountain-top. Hoag had retired to his room in anything but a pleasant
- mood. He could count on browbeating the average man under him, the man who
- was afraid of the good or ill opinion of his fellows; but the man who was
- afraid of the Infinite, as in Trawley's case, was different.
- </p>
- <p>
- Hoag had removed his coat and his shirt was open in front. He sat in a
- chair at a window overlooking his tannery. He was smoking, as usual. In
- fact, the habit had grown upon him to such an extent that he was afraid of
- what he called &ldquo;a tobacco-heart.&rdquo; There were occasional warnings, in
- certain muscular flutterings and lapses into drowsiness that had not
- belonged to his more buoyant period. He told himself that he was taking on
- flesh too rapidly. He was sure he was eating more than he should; that his
- toddies were acting as an unnatural stimulant to an appetite which had
- always been too vigorous.
- </p>
- <p>
- On a table behind him a lamp was dimly burning, and the bed in its billowy
- warmth looked uninviting. The old clock in the hall below had struck
- eleven when he rose to disrobe. Suddenly he heard Rover, the watch-dog,
- bark loudly and scamper down the lawn toward the tannery. Then there was
- silence, broken by a subdued muttering under the dark sheds. Hoag was sure
- that the dog had been silenced by some one, and the circumstance was
- suspicious, to say the least, and must be looked into. So, taking his
- revolver from the table, and in order that he might not wake Jack or Mrs.
- Tilton in the next room, he opened his door softly, then crept noiselessly
- out at the side-entrance and went across the damp lawn down the slope,
- avoiding this or that obstacle in his progress&mdash;a beehive, a
- lawn-mower, or a dismantled cider-press left at the mercy of the weather.
- He was soon under the sheds groping his way, most cautiously now, for it
- was quite dark, between the open vats, and stumbling over heaps of used
- and unused tan-bark, his eyes and ears alert. He asked himself, in growing
- wonder, what had become of Rover, for surely the dog was somewhere near.
- At this juncture he heard a dull, thumping sound in the warehouse a
- hundred yards to the left, and cocking his revolver he strode quickly in
- that direction. Reaching the warehouse, and turning the corner, he saw at
- the door of the building a horse and open road-wagon, at the side of which
- Rover sat on his haunches idly beating the ground with his tail. Wholly
- nonplussed, Hoag stepped noiselessly on to the long platform, and peered
- in at the sliding door. At the farthest end of the room, in the dim light
- of a lantern, he saw a man half pushing, half rolling a heavy bale of
- leather toward the door. Crouched down, as the intruder was over his work,
- Hoag could not see his face, but presently it appeared quite clearly in
- the light. It was Henry. It was his son. He was a thief caught in the act.
- Volcanic fury swept over Hoag. The would-be thief was of his own blood, of
- his own loins. Revolver in hand, and indignantly quivering in every inch
- of his fat body, Hoag glided from the dark into the light.
- </p>
- <p>
- &ldquo;What the hell does this mean?&rdquo; he demanded, in a loud and yet guttural
- tone.
- </p>
- <p>
- The young man at the bale of leather, without hat or coat, his brow red
- and streaming with perspiration, started and, looking up, faced his
- father. For an instant his glance wavered, but as Hoag thundered out a
- repetition of his question, Henry drew himself up defiantly and glared
- straight at him.
- </p>
- <p>
- &ldquo;You see well enough,&rdquo; he answered, doggedly.
- </p>
- <p>
- &ldquo;So you are a thief&mdash;a low, sneaking, prowling night-robber?&rdquo; Hoag
- gasped, taken aback by his son's unexpected attitude. &ldquo;You&mdash;you!&rdquo;
- </p>
- <p>
- &ldquo;Call it what you like!&rdquo; Henry hurled at him. &ldquo;I don't care. You are
- rollin' in money, makin' it hand over fist&mdash;goin' to your grave rich,
- and I haven't any way of living. Other fellows' daddies help them along,
- but you never give me a cent. I used to ask you, and you'd curse me and
- threaten to kick me out. I'm your son, and you are stinkin' rich. You
- can't bluff me. I'm reckless. I don't care a tinker's damn what I do. I
- need money&mdash;that's all&mdash;I need it.&rdquo;
- </p>
- <p>
- Hoag stood puffing. He was conscious of a fluttering about his heart, and
- he had the sudden fear that an outburst might mean his undoing on the
- spot, but he was too angry to control himself.
- </p>
- <p>
- &ldquo;So you are a thief!&rdquo; he panted. &ldquo;You eat at my table, sleep under my
- roof, an' come here with a wagon to steal my stuff. Do you know what I'm
- goin' to do with you?&rdquo;
- </p>
- <p>
- &ldquo;Not knowing, I can't say,&rdquo; Henry answered, with colloquial quotation.
- &ldquo;I've known you to get weak-kneed, as you did the day Jeff Warren called
- you to taw at the Court House. Jeff saw through it and told how you ate
- the crow he shoved at you on the point of his gun.&rdquo;
- </p>
- <p>
- This angry taunt was the worst missile the desperate young man could have
- thrown. It drove splotches of pallor into the crimson of his father's
- face.
- </p>
- <p>
- &ldquo;You mean you think I'm a coward?&rdquo; Hoag cried. &ldquo;You&mdash;you dare&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I don't mean nothing about it; I <i>know</i> it,&rdquo; Henry retorted, still
- with the furious smile on his lips, a reckless flare in his eyes.
- </p>
- <p>
- &ldquo;Well, I'll show you what I'm goin' to do to <i>you</i>, anyway,&rdquo; Hoag
- said, fiercely. &ldquo;I'm goin' to give you the best lickin' you ever had in
- all your bom days.&rdquo;
- </p>
- <p>
- &ldquo;You say you are!&rdquo; Henry laughed, almost with actual spontaneity.
- </p>
- <p>
- &ldquo;Yes, I am, an' right here an' now.&rdquo;
- </p>
- <p>
- &ldquo;'Right here an' now,'&rdquo; Henry repeated, grimly. &ldquo;Well, that is a good
- joke; 'right here an' now'&mdash;poof! You'd better set in. It will be
- breakfast time before long.&rdquo;
- </p>
- <p>
- &ldquo;You wait a minute,&rdquo; Hoag growled, as he took up the lantern and placed it
- on a bale of cotton; then he turned back to the door, closed the shutter
- and fastened the metal latch with fingers that fumbled and evoked an
- audible clatter in the silent room. Then, with his revolver in his
- hip-pocket, he stalked back to his son, who sat on the bale of leather
- sullenly picking his teeth with a splinter. Their eyes met like those of
- two infuriated beasts driven into contact by the goads of spectators.
- Beyond the lantern's flare the darkness hung like a curtain. Hoag picked
- up a piece of hard-twisted hemp rope about a yard in length, and with
- furious jerks proceeded to tie a knot in one end of it.
- </p>
- <p>
- &ldquo;You not only try to rob me, but you dare to insult me!&rdquo; he cried, frothy
- saliva trickling from the corners of his big, weak mouth. &ldquo;I'm goin' to
- give you a lickin' that you won't forget till you die.&rdquo;
- </p>
- <p>
- Henry stood up. A smile dawned on his face and died; he locked his hands
- behind him; his lips were as firm as if cut in granite; his eyelids drew
- close together, and the balls gleamed with the fire of invincible purpose.
- </p>
- <p>
- &ldquo;Wait a minute,&rdquo; he said. &ldquo;You are an older man than I am, an' you are my
- daddy, but if you lay the weight of your hand on me I'll kill you as sure
- as you've got a live hair on your head.&rdquo;
- </p>
- <p>
- &ldquo;You mean to threaten me&mdash;you damned midnight prowler!&rdquo; And Hoag,
- brandishing his rope, sprang at his son like a tiger on its prey. But
- Henry quickly and deftly caught the descending rope, jerked it from the
- fat fingers, and threw it against the wall. Then, while Hoag stood for an
- instant bewildered, Henry clutched him round his big, bare neck and began
- to push him backward over the bale of leather. From side to side the two
- swung, grunting, panting, swearing. A mist was before Hoag's eyes; ten
- prongs of steel were piercing and separating the bones and muscles of his
- neck. He was gasping for breath when, by an extra effort, he tore his
- son's hands away. For a second they stood warily shifting from side to
- side, and then they locked in the embrace of madmen, and the struggle for
- supremacy was renewed. Over the rough floor, here and there among boxes,
- bundles, and bales, they slid and pounded. Suddenly Henry became conscious
- that his father was trying to get his hand into his hip-pocket.
- </p>
- <p>
- &ldquo;Oh, that's your game, eh?&rdquo; he said, between his teeth. &ldquo;Two can work at
- it.&rdquo; And the younger suddenly slid his hand over the back of the older man
- and grasped the hilt of the revolver. Then he ducked downward suddenly and
- stood aside, the weapon in his hand.
- </p>
- <p>
- &ldquo;Stand back!&rdquo; he ordered, calmly, and Hoag, with eyes of despair on the
- revolver, fell away. Visions of death flashed and flared before him&mdash;visions
- of the monster Trawley was fearing. He held up his hands; their shadows on
- the wall quivered like the moving branches of a tree in a storm.
- </p>
- <p>
- &ldquo;Don't, for God's sake, don't!&rdquo; he pleaded. &ldquo;I'm&mdash;I'm your father.&rdquo;
- </p>
- <p>
- Henry stared for a moment, and then an expression of sheer horror crept
- over his face. Suddenly he threw the revolver against the wall and bowed
- his head to a cotton bale.
- </p>
- <p>
- &ldquo;My God, oh, my God!&rdquo; he cried, his hands pressed into the sockets of his
- eyes, his breast heaving.
- </p>
- <p>
- Slowly Hoag lowered his uplifted hands. Silence ensued&mdash;silence
- broken only by the audible panting of the two men. Presently Hoag spoke.
- </p>
- <p>
- &ldquo;You started to kill me,&rdquo; he gasped. &ldquo;Why didn't you do it? You had the
- chance.&rdquo;
- </p>
- <p>
- &ldquo;Oh, my God&mdash;oh, my God!&rdquo; Henry exclaimed, in muffled tones. &ldquo;Yes,
- yes, I came near it. I didn't know what I was about. You got me in a
- corner. You started at me. You made me mad. But I am not a murderer&mdash;bad
- as I am, I am not that. I saw you trying to pull the gun and forgot what I
- was doing.&rdquo;
- </p>
- <p>
- &ldquo;Huh, you say you did?&rdquo; Hoag seemed unable to formulate anything else.
- &ldquo;You say you did?&rdquo; Suddenly stepping aside, Henry picked up the rope his
- father had held a moment before. Hoag stared helplessly as he came toward
- him with it extended in his hands.
- </p>
- <p>
- &ldquo;Take it!&rdquo; Henry gulped.
- </p>
- <p>
- &ldquo;What for?&rdquo; Hoag asked, wonderingly.
- </p>
- <p>
- &ldquo;I want you to whip me,&rdquo; Henry replied, huskily. &ldquo;I'll stand here and let
- you lay it on till you are tired. You'll never give me enough to satisfy
- me. I need it and I want it. You have every right to give it to me, and I
- want it done.&rdquo;
- </p>
- <p>
- Unconscious of what he was doing, Hoag accepted the rope, allowing it to
- hang loosely from his inert fingers. There was another silence. Henry had
- turned his back and bent his shoulders over the cotton bale.
- </p>
- <p>
- Hoag twisted the rope awkwardly in his hands for a moment, then threw it
- down.
- </p>
- <p>
- &ldquo;What did you need money for?&rdquo; he suddenly inquired. &ldquo;Tell me; you might
- as well.&rdquo;
- </p>
- <p>
- &ldquo;I borrowed a hundred dollars from Sam Pitman last year,&rdquo; came from
- Henry's averted lips. &ldquo;He's in hard luck. They are about to sell his farm
- for debt. His family is suffering. He told me that my hundred would tide
- him over.&rdquo;
- </p>
- <p>
- &ldquo;I see, I see,&rdquo; Hoag muttered.
- </p>
- <p>
- &ldquo;I didn't know how else to get it,&rdquo; Henry went on. &ldquo;I tried a number of
- ways, but failed. I want you to know that I've never stole before. Somehow
- I made myself believe it wouldn't be wrong in such a case to take from my
- own father. Of course I was wrong, but I tried to see it that way. I knew
- where I could raise the money on the leather, and&mdash;well, that's all.
- I want you to whip me. Nothing else will satisfy me. After that I'll go
- away for good and all.&rdquo;
- </p>
- <p>
- &ldquo;Thar ain't no use to talk that way,&rdquo; Hoag said, falteringly. &ldquo;I didn't
- know you needed money as bad as that. Pitman <i>is</i> in a hard fix, an'
- I'll tell you what I'll do. It's plumb foolish for you to&mdash;to talk
- about goin' off an' all that. I'll tell you what I'll do. I'll pay that
- debt off in the momin'. I reckon you think I'm purty hard on you. Well, I
- suppose I am. I was fetched up hard, an' I've got hard. Now, go put up the
- hoss an' wagon. I feel bad about this. I don't know why, but I feel bad.&rdquo;
- </p>
- <p>
- &ldquo;Father, I can't&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Now, go on an' do as I tell you. I know when I want to do a thing, an' I
- want to pay Pitman that money, an'&mdash;an' I want you to stay on here at
- home. Now, go put up the hoss an' wagon. If I'm satisfied you ought to be,
- an' me'n you will have to rub out an' begin over ag'in in some sort o'
- fashion. You was mad an' I was mad. You've got my temper an' I can't blame
- you. Now, go on. I'll lock the door.&rdquo;
- </p>
- <p>
- &ldquo;Very well,&rdquo; Henry said, and he picked up his coat and hat and moved away
- into the darkness, leaving his father with the lighted lantern in his
- hand.
- </p>
- <p>
- Hoag stood still for a moment. He heard his son clucking to the horse,
- then came the sound of the wagon-wheels scraping against the edge of the
- platform, and the grinding of the horse's hoofs on the stony road, as it
- was driven toward the stables. Hoag extinguished the lantern by lowering
- it suddenly, and, going out, he closed the sliding door and locked it with
- fingers which quivered as with palsy.
- </p>
- <p>
- He sat down on the platform, his heavy feet and legs hanging limply, and
- stared out into space.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0028" id="linklink2HCH0028"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XI
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">O</span>NE evening at the
- end of that week Paul met
- </p>
- <p>
- Mrs. Mayfield walking back and forth on the lawn. Her head was enveloped
- in a light shawl and her eyes were downcast. Presently she turned toward
- him, and he saw that she had been weeping.
- </p>
- <p>
- &ldquo;I was going to inquire of Mrs. Tilton how your daughter is,&rdquo; he began. &ldquo;I
- have not seen her since the morning I walked with her to the spring.&rdquo;
- </p>
- <p>
- The lady touched her thin lips with her handkerchief and made an obvious
- effort to control her voice. She laid her hand on his arm almost with a
- gesture of despair, and he felt the delicate fingers tremble.
- </p>
- <p>
- &ldquo;I've been wanting to see you,&rdquo; she faltered. &ldquo;The poor child seldom
- leaves her bed. The doctor says nothing but time will do her any good. She
- scarcely eats anything, and has grown thin and white, and oh, so nervous!
- Jennie's death has simply terrified her&mdash;shocked her through and
- through. She cries constantly. I wake up in the night and hear weeping and
- moaning. The doctor can't deceive me. I know he is worried, because he
- comes often and asks so many questions. He admits that grief like Ethel's
- sometimes results disastrously, and I myself have never seen so serious a
- case as hers. Paul, she has lost all faith in God and religion. She came
- up-stairs, after you talked to her that day, in what seemed to be a really
- more hopeful mood. She put her head in my lap and cried for the first time
- in a natural way, but she hardened again soon afterward. That afternoon
- letters came from Jennie's father and mother and the young man Jennie was
- to marry, and Ethel went into hysterics. She really did not know what she
- was saying or doing. Oh, it was pitiful! She says she simply can't get
- away from the memory of the awful details. It was my fault; she should
- never have been there. Jennie wanted her, though, and there was no time
- for reflection. We were all excited.&rdquo;
- </p>
- <p>
- &ldquo;Something must be done to take your daughter's mind from it,&rdquo; Paul
- advised, gravely. &ldquo;A mental picture like that should not be held. It is
- decidedly dangerous.&rdquo;
- </p>
- <p>
- &ldquo;That's why I wanted to see you,&rdquo; Mrs. Mayfield said. &ldquo;You can help me if
- you will. My brother says you are going to drive over the mountain
- tomorrow on business. I really think Ethel would go along if you would
- care to take her.&rdquo;
- </p>
- <p>
- &ldquo;I should be delighted,&rdquo; he answered. &ldquo;I'd be a poor companion at such a
- time, but the view from the mountain at this time of the year is
- wonderful, and the trip might divert her thoughts.&rdquo;
- </p>
- <p>
- &ldquo;Then I'll have her ready,&rdquo; Mrs. Mayfield promised. &ldquo;And oh, Paul, I do
- hope you will impress some of your beautiful thoughts upon her. Religion,
- faith in God's goodness, and the hope of immortality are absolutely the
- only sustaining things at such a time. If I had not had them to cling to
- when my poor husband died I think I should have lost my reason. I doubted
- at first&mdash;I could see no justice in his sufferings and mine; but I
- have become reconciled. People are more material in their ideas nowadays,
- and Ethel has come across some injurious books which have influenced her.
- She is so gentle and sweet&mdash;really, it is her pity for Jennie that is
- causing it all. She is not thinking of herself. That is the state of mind
- of a mother who has lost a child; she feels, somehow, that her child has
- been wrongly treated and she resents it.&rdquo;
- </p>
- <p>
- &ldquo;I'll do my best to cheer her up to-morrow,&rdquo; Paul said, a note of
- despondency creeping into his voice, &ldquo;though I am afraid I can't do much.&rdquo;
- </p>
- <p>
- &ldquo;I am sure you can do far more than any one else,&rdquo; Mrs. Mayfield said, as
- she glanced at the window of her daughter's room and turned to go in.
- &ldquo;I'll have her ready.&rdquo;
- </p>
- <p>
- After breakfast the following morning Cato brought the horse and buggy
- around to the veranda, and Paul went out to see if everything was in
- readiness for the trip, having received a message at breakfast from Mrs.
- Mayfield that Ethel was quite willing to go. Presently he heard the two
- ladies descending the stairs, and a moment later they joined him in the
- yard. Paul was shocked by Ethel's appearance. She was quite pale and there
- were despondent shadows under her eyes, but, withal, he had never seen her
- look so beautiful; it was as if some rare, suppressed radiance were
- issuing from her hair, skin, and pain-filled eyes, the long lashes of
- which seemed dipped in the essence of tears.
- </p>
- <p>
- &ldquo;I know you will think I'm very troublesome, Paul,&rdquo; she smiled, sadly, as
- she gave him her hand to get into the buggy. &ldquo;I've been so despondent that
- I have avoided all of you. It is very kind of you to bother with me
- to-day.&rdquo;
- </p>
- <p>
- &ldquo;It is certainly a great pleasure to me,&rdquo; he answered, as he tucked the
- lap-robe about her feet. &ldquo;You mustn't try to talk unless you care to.&rdquo;
- </p>
- <p>
- &ldquo;It seems to me that I can think of only one subject,&rdquo; she sighed, as she
- leaned over the wheel and kissed her mother. &ldquo;I seem to be floating on a
- sea of unreality, under clouds of despair. I was looking from the window
- of my room just now and saw the people going to work at the tannery, and
- in the fields with their pails and tools, and I wanted to scream. It
- seemed so queer for them to be moving about as if nothing unusual had
- happened when&rdquo;&mdash;Her voice failed her. With a sensitive tightening of
- the lips Mrs. Mayfield signaled Paul to drive on, and he started the
- horse.
- </p>
- <p>
- They had gone some distance along the stony road which wound gradually up
- the mountain-side before either of them spoke. It was Ethel who broke the
- silence.
- </p>
- <p>
- &ldquo;There is no time in the world, Paul,&rdquo; she said, huskily, &ldquo;in which one so
- keenly feels and appreciates the kindness of friends as a time like this.
- I can see that you are sorry for me, and I want you to know how grateful I
- am, but I simply can't express it. My very heart and soul seem to have
- died within me.&rdquo;
- </p>
- <p>
- &ldquo;You mustn't try,&rdquo; he answered. &ldquo;You must simply realize that all things
- are right. Even <i>this</i> great sorrow, sad as it appears, is for the
- best, if only you could see it in the right light.&rdquo;
- </p>
- <p>
- &ldquo;I remember you said so the other day. And, Paul, I did try hard. A
- beautiful faith in personal immortality, like yours, really does keep away
- the horror of death, and I tried, with all my mind and body, to grasp it.
- I prayed and prayed for your faith, and it seemed to me, at certain
- moments, that I came so close to it that I could almost sense it as a
- wonderful reality. It would flash before me like a beautiful dream, and
- then vanish, leaving nothing but that awful scene in its place. For half
- an hour yesterday I was almost happy. It seemed to me that Jennie was
- really not dead. I fancied she was there with me, telling me&mdash;not in
- words, but in some subtle way&mdash;not to grieve, that she was in a new
- life full of joy and freedom.&rdquo;
- </p>
- <p>
- &ldquo;That is the thought you ought to endeavor to hold,&rdquo; Paul fervently
- declared, &ldquo;because it is simple truth. In fact, you deny the ultimate aim
- of life in looking at it in any other way.&rdquo;
- </p>
- <p>
- &ldquo;You will say it was a small thing, perhaps,&rdquo; Ethel went on, &ldquo;which threw
- me back into despair. It was this: Shortly after our talk at the spring, I
- picked up a newspaper, and the first thing I saw was a long article
- concerning a statement made by Edison, to the effect that the result of
- all his careful and lifelong investigations was the conclusion that the
- immortality of the soul was an utter impossibility. Paul, I dropped from
- hope to despair in an instant. I tried to think you might be right and he
- wrong, but I failed. I asked myself this question: If God is good enough
- to grant us another and a better life, why will He allow one of the
- greatest men of our age to deny it, and let me&mdash;<i>me</i>, suffering
- and praying for light as I am&mdash;come across his denial in grim, black
- letters on white paper?&rdquo;
- </p>
- <p>
- &ldquo;That raises a little scientific point.&rdquo; Paul looked at her wistful face
- and half smiled. &ldquo;You allowed yourself to be influenced, almost
- self-hypnotized, by one single mental picture.&rdquo;
- </p>
- <p>
- &ldquo;How so?&rdquo; Ethel inquired.
- </p>
- <p>
- Paul smiled again. &ldquo;Why, you let Mr. Edison&mdash;with all due respect to
- his knowledge of merely material things&mdash;you let him loom too large
- before your sight. One may hold a little ugly insect so close to the eye
- that it will shut out the light of billions of suns and stars. When it is
- a question of opinion alone it would be better to go to specialists in the
- particular field we are investigating. Mr. Edison is a specialist in <i>material</i>
- things, not spiritual things. We would not go to a coal-miner who had
- spent his life underground to render an opinion on the effects of sunlight
- on flowers; nor to a boilermaker for an opinion on music played to the
- vanishing-point of delicate expression. We have one great historical
- authority on spiritual matters. Christ told us that there is a life beyond
- this, and he died asserting it. There was another&mdash;Socrates&mdash;who
- realized it so strongly that he laughed in the face of death. Ethel, I
- cannot believe that God would create men like those, allow them to suffer
- for others as they did, and then prove them to be liars outright or
- self-deceived simpletons.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I'm so glad I came this morning!&rdquo; Ethel cried, looking up at him
- gratefully. &ldquo;You have given me so much hope. Your faith is wonderful, and
- you seem to inspire me with it.&rdquo;
- </p>
- <p>
- &ldquo;No, we really must not go to our material scientists for hope in such
- things,&rdquo; Paul resumed, &ldquo;but rather to our great imaginative poets,
- artists, and idealistic philosophers, all of whom knew there could be no
- continuity of progress without eternal life. Evolution of matter is only a
- visible symbol of the evolution of the unseen. I can fancy Jesus meeting
- one of our great self-satisfied materialists and hear Him say: 'Verily,
- verily, thou hast thy reward; sooner shalt thou see through a mountain of
- adamant than look into the kingdom of heaven.'&rdquo;
- </p>
- <p>
- Ethel laughed softly. &ldquo;You are making me ashamed of myself, Paul. I am
- going to try harder than ever to do my duty. I know what it is, but I am
- simply stunned. My uncle and aunt write me that the young man Jennie was
- to have married has gone to drinking again. He simply could not stand his
- great grief. That is another thing that seems so unfair and unreasonable.
- For Jennie's sake he gave up the habit, and promised her and her parents
- never to drink again. Now he is going to ruin, when if Jennie had lived&mdash;&rdquo;
- Ethel's voice broke, and she did not finish what she had started to say.
- </p>
- <p>
- &ldquo;But can't you see what your cousin may have escaped?&rdquo; Paul reasoned. &ldquo;A
- young man who is weak enough to allow a sorrow&mdash;even a sorrow like
- that&mdash;to throw him into dissipation would not be likely to make a
- worthy husband. After marriage some other disappointment might have upset
- him, and a woman married to such a man would have led a miserable life.&rdquo;
- </p>
- <p>
- &ldquo;Oh, that's true,&rdquo; Ethel admitted, &ldquo;and Jennie never could have borne it;
- she was so frail and sensitive.&rdquo;
- </p>
- <p>
- &ldquo;There's surely a good reason for all that happens,&rdquo; Paul said. &ldquo;But we
- can't be expected to understand what is withheld from us.&rdquo;
- </p>
- <p>
- They were both silent for a while. They had reached the highest point of
- the road, and the lower mountains and hills fell away on all sides like
- the green billows of a mighty ocean. Above it all shone the sun. The blue,
- cloud-flecked sky arched over them like a vast dome. The breeze which
- fanned their faces was refreshing and laden with the fragrance of wild
- flowers. Paul called her attention to the mill at the foot of the mountain
- to which they were going, and started the horse down the incline.
- </p>
- <p>
- &ldquo;I am to have a visitor Sunday,&rdquo; Ethel remarked, her glance on the horse.
- &ldquo;My friend, Mr. Peterson, is coming up to spend the day.&rdquo;
- </p>
- <p>
- &ldquo;Oh!&rdquo; Paul unconsciously ejaculated, and then the color rose to his face.
- &ldquo;I have not met him. I saw him at the bank one day when I went to Atlanta
- with your uncle, but we were not introduced. He was very busy looking over
- Mr. Hoag's papers.&rdquo;
- </p>
- <p>
- &ldquo;They are great friends,&rdquo; Ethel said, somewhat awkwardly, her cheeks
- slightly tinted. &ldquo;I don't feel as if I can entertain him very well in my
- present state of mind, but I knew my uncle would be offended if I wrote
- him not to come.&rdquo;
- </p>
- <p>
- &ldquo;It will be good for you, no doubt,&rdquo; Paul said, lamely, and for no obvious
- reason he tightened the reins and shook them over the animal's back. &ldquo;He
- will bring you news from the city and it may divert your thoughts.&rdquo;
- </p>
- <p>
- &ldquo;Perhaps so. My mother thought he ought to come; he has been most kind to
- us. He is one of my best friends.&rdquo;
- </p>
- <p>
- &ldquo;Your uncle tells me that Mr. Peterson is growing rich,&rdquo; Paul remarked.
- &ldquo;He seems to have a wise head for business.&rdquo;
- </p>
- <p>
- &ldquo;Yes, he is ambitious that way, and socially, too. He belongs to the best
- clubs and has a great many friends.&rdquo;
- </p>
- <p>
- &ldquo;Your uncle says he is a member of one of the old aristocratic families
- and has many influential blood connections.&rdquo;
- </p>
- <p>
- &ldquo;Yes, I think so&rdquo;&mdash;Ethel suddenly glanced at her companion's face and
- noted that it was rigid, as if under the control of some keen emotion&mdash;&ldquo;but
- such things do not really count,&rdquo; she added, consolingly; &ldquo;they don't make
- a man any the better.&rdquo;
- </p>
- <p>
- Paul said nothing, and the horse drew them along for some distance in
- silence. Then Ethel took up the subject where it had dropped.
- </p>
- <p>
- &ldquo;I am sure you will like Mr. Peterson; he has traveled a great deal. He
- has an interest in one of the Atlanta papers, and I have heard him speak
- of having influenced some of the political editorials. For so young a man
- he is looking far ahead and is very, very shrewd. My uncle declares that
- he is a born politician, and that sooner or later he will become a
- candidate for some high office, such even as Senator or Governor.&rdquo;
- </p>
- <p>
- Suddenly Paul drew the horse to a standstill. She saw him glance up a very
- rugged steep over an abrupt cliff on the right.
- </p>
- <p>
- &ldquo;I see some violets,&rdquo; he said. &ldquo;I've been looking for some all along. If
- you will hold the reins I'll climb up and get them.&rdquo;
- </p>
- <p>
- She gave him a puzzled stare for an instant, and her lips tightened
- significantly as she answered: &ldquo;I really would like to have them, but it
- looks steep and dangerous up there; you might slip and fall over the
- cliff.&rdquo;
- </p>
- <p>
- He shrugged his shoulders and smiled bitterly.
- </p>
- <p>
- The lines of pain she had noticed about his eyes and mouth still remained.
- </p>
- <p>
- &ldquo;Oh, it is not dangerous,&rdquo; he declared. &ldquo;As a boy I have climbed up worse
- places than that; but I was barefooted then and a sort of wild animal. You
- remember how I looked and acted when I first met you? In the eyes of the
- social world I am still not much better off, for the social world&mdash;<i>your</i>
- world&mdash;draws a sharp line at birth and fortune, and they are things
- some of us have to do without.&rdquo;
- </p>
- <p>
- He had got out of the buggy and was turning away. She had a startled
- impulse to deny what he had just said, but suitable words could not be so
- quickly summoned. In no little chagrin and fear of his opinion of her, she
- sat watching him as he climbed the steep, clinging to this or that
- projecting stone crevice or deep-rooted shrub. How strong, handsome, and
- genuine he looked, with his fine, fearless head bared to the sun and
- breeze! She saw him pause for seconds at a time, looking for a new
- foothold in the rocky soil as the one he stood on slowly crumbled, rattled
- down the incline, and shot over the cliff just beneath him.
- </p>
- <p>
- She called out to him warningly once, and she was startled at the new
- quality in her voice. What could it mean? she asked herself. Surely she
- was not beginning to&mdash;She pulled her eyes from him and stared almost
- angrily at her folded hands, telling herself that she could not deeply
- care for any man. Just then she heard a small avalanche of disrupted stone
- sliding down the mountain-side, and, looking up, she saw Paul hanging by a
- single hand to a shrub, his foothold completely gone. She screamed and
- stood up in the buggy, only to have him turn his face, while his feet
- swung free, and smile reassuringly.
- </p>
- <p>
- &ldquo;Don't be afraid,&rdquo; he called out. &ldquo;I'm all right.&rdquo; And then she saw him
- calmly placing his foot on another projection.
- </p>
- <p>
- From that point he moved upward till the violets were reached, and she saw
- him gathering them and twisting them together in a tiny bunch with a
- reverence of touch which was observable even at that distance. Then, the
- stems of the flowers held between his lips, he began to make his way back,
- and moments of keen suspense followed in which she looked away from him to
- avoid the consciousness of his danger. Presently he was by her side, his
- brow beaded with perspiration, his broad chest rising and falling from his
- exertion. Without a word he gave her the violets and got into the buggy.
- </p>
- <p>
- &ldquo;Why did you take all that risk?&rdquo; she asked reproachfully. &ldquo;I want the
- flowers, it is true; but, oh! if you had lost your hold and fallen&mdash;&rdquo;
- She went no further.
- </p>
- <p>
- &ldquo;It does seem dangerous when you look at it from down here,&rdquo; he answered,
- critically glancing up at the cliff. &ldquo;But that is because we can see the
- full height of the bluff. Up there, you know, I couldn't look over the
- edge. If I had, perhaps I might have grown dizzy.&rdquo;
- </p>
- <p>
- &ldquo;Paul,&rdquo; Ethel said, after they had remained silent for several minutes, &ldquo;I
- am very grateful to you. When I am with you I don't suffer so much over
- poor Jennie's death. Somehow you inspire me with your faith. I am going to
- ask you a favor&mdash;one favor, and then I'm done with it. Will you
- please tell me positively, in so many words, that you really are convinced
- that she is still in existence. I know you've already said so, in a way,
- but I want to remember your exact words, so if I become despondent again I
- can repeat them over and over to myself.&rdquo;
- </p>
- <p>
- Paul laughed and glanced at her tenderly and wistfully. &ldquo;I believe it as
- positively as I believe that I am here with you at this moment,&rdquo; he said,
- quite gravely.
- </p>
- <p>
- &ldquo;Thank you,&rdquo; she returned, simply. &ldquo;I am going to believe it because you
- do. I know that you know the truth. I know it&mdash;I know it!&rdquo; She held
- the violets to her lips, and it was as if she kissed the purple petals.
- </p>
- <p>
- A glow as of reviving health seemed to suffuse her wan cheeks.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0029" id="linklink2HCH0029"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XII
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HAT evening after
- supper, as Paul sat writing in his room, his employer came to the door and
- looked in.
- </p>
- <p>
- &ldquo;Hello!&rdquo; was his half-tentative greeting, as he slouched in and took a
- chair near the table. &ldquo;I've just been talkin' to my sister. She's powerful
- tickled over the effect on Eth' of your trip over the mountain. She says
- she's actually astonished. It seems like the gal's goin' to quit 'er
- foolishness. I was gettin' powerful sick of it myself. It's hard enough to
- know your own end's got to come some time ahead without dyin' every time
- anybody else kicks the bucket.&rdquo;
- </p>
- <p>
- &ldquo;I'm glad to know that Miss Ethel feels better.&rdquo; Paul dipped his pen and
- continued to write.
- </p>
- <p>
- Hoag crossed his fat legs and, reaching down to his right shoe, he began
- to fumble the string. &ldquo;I want to see you about a certain matter,&rdquo; he
- began, clearing his throat. &ldquo;I don't know as you will consider it any o'
- my business exactly, but it is something that I thought you ought to be
- prepared for.&rdquo;
- </p>
- <p>
- &ldquo;What is it?&rdquo; Paul put his pen into the rack and leaned toward the
- speaker.
- </p>
- <p>
- &ldquo;Why, I was talkin' to Bob Mayburn this mornin'. You know his land joins
- mine on the west. He had a few acres to rent an' was afraid he wouldn't
- find a tenant; but he has hooked one at last, and who under the shinin'
- sun do you reckon he got?&rdquo;
- </p>
- <p>
- &ldquo;I haven't the slightest idea,&rdquo; Paul answered.
- </p>
- <p>
- &ldquo;Jeff Warren,&rdquo; Hoag said, his eyes bluntly fixed on the young man's face
- in a groping stare of pleased curiosity.
- </p>
- <p>
- &ldquo;Oh!&rdquo; Paul exclaimed. &ldquo;I didn't know he was anywhere near Grayson.&rdquo;
- </p>
- <p>
- &ldquo;He ain't got here yet,&rdquo; Hoag went on, a note of vindictive harshness
- creeping into his voice. &ldquo;The triflin' skunk has been over in Alabama with
- yore ma an' her sister tryin' to make a livin' farmin', but without any
- sort o' headway. He wrote May-burn that he was up to his eyes in debt over
- thar&mdash;plumb busted&mdash;an' that they'd all three got sick an' tired
- o' livin' among strangers, an' was anxious to git back here whar they are
- acquainted. May-burn's got a comfortable new frame cottage on his land
- that's empty, but knowin' that Jeff couldn't pay for it, he wrote 'im that
- it was already rented. Thar is an old log cabin close to the cottage, an'
- accordin' to the agreement Jeff an' his lay-out is to occupy that. It's
- tough on a feller of Jeff's high an' mighty pride, but it is as good as he
- deserves.&rdquo;
- </p>
- <p>
- Paul made no reply, a shadow lay across his sensitive face. He took up the
- pen again, but he did not begin to use it.
- </p>
- <p>
- &ldquo;I knowed you wouldn't like it a bit,&rdquo; Hoag continued, unctuously. &ldquo;Here
- you are risin' as fast as a dog can trot, gittin' the respect an'
- favorable opinion of the best folks in the county, an' it's tough to have
- a thing like that revived right when you ain't lookin' for it. I've no
- doubt you wouldn't have settled here if you had thought such a thing would
- happen.&rdquo;
- </p>
- <p>
- &ldquo;Warren is a free man.&rdquo; Paul's brows met, and his eyes held a far-off
- gleam. &ldquo;He has as much right here as I.&rdquo;
- </p>
- <p>
- &ldquo;Of course, of course,&rdquo; Hoag admitted; &ldquo;but he's got a nasty, quarrelsome
- disposition, an' accordin' to some o' his friends he still holds a big
- grudge ag'in' you. It was humiliatin' the way you plugged 'im an' left 'im
- to die like a pig in the woods. You see, whar I'm interested is this: I
- want you to keep on workin' without interruption, an' knowin' what a hot
- temper <i>you've</i> got yourself&mdash;well, I see that you an' him will
- jest have to hitch ag'in. I'm sorry he's comin' back myself. I never liked
- 'im. It is not often that I belittle myself by takin' notice of a triflin'
- clodhopper like him; but he's been in my way several times, an' may step
- in ag'in, for all I know.&rdquo;
- </p>
- <p>
- Paul drew a ledger toward him and opened it. &ldquo;I'm glad you told me this,&rdquo;
- he said. &ldquo;I've got a lot of work to do before bedtime. I know you will
- excuse me if I go at it.&rdquo;
- </p>
- <p>
- &ldquo;Oh yes, oh yes!&rdquo; Hoag rose, staring in a puzzled, thwarted sort of way.
- &ldquo;I don't want to hinder you. I'll be goin'. I just thought I'd throw out a
- hint about the matter. It is well to be prepared for trouble if it <i>has</i>
- to come, an'&mdash;an' a man like Warren is sure to pick a row.&rdquo;
- </p>
- <p>
- Hoag lingered a moment, but seeing that the young man was at work he left
- the room.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0030" id="linklink2HCH0030"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XIII
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HE following
- Sunday was a somber day for Paul Rundel. When he opened his eyes in the
- gray of dawn, and lay watching the pink flood of light as it widened and
- lengthened along the eastern horizon, his first thought was the despondent
- one under which he had dropped to sleep&mdash;it was the day Edward
- Peterson was to visit Ethel.
- </p>
- <p>
- Paul rose and stood at the window and looked out over the lawn and frowsy
- brown roofs of the tannery sheds. He was cringing under a poignant agony
- that permeated his whole being, clogged the blood in his veins, and sucked
- away the very breath of the life which had recently been so full of
- indefinable content. The cause was not hard to find. He was convinced that
- Ethel was absolutely necessary to his happiness. Had he not met her again
- on his return to Georgia she might have remained in his memory only as the
- young girl who had been so unexpectedly kind and gentle to a poor outcast;
- but he had recently found himself more nearly on a social level with her,
- and he had actually helped her. She had said so. She had shown it in her
- words and actions, in her turning, under his guidance, from despair to
- hope. Yet she was to be another man's wife, a man who was evidently not
- disturbed by any fine-spun ideas of the Infinite or of duty to humanity.
- Peterson would forge ahead in the happy way such men have, surmounting
- obstacle after obstacle, climbing higher and higher in the estimation of
- men, and reaping honor after honor. Ethel would marry him. Her uncle
- wished it, all her friends counted on it. To refuse Peterson would be
- madness. The man&mdash;especially a poor man&mdash;who would ask her to do
- otherwise for his sake would be mad. Yes, all thought of her as anything
- but a sympathetic friend must be crushed. When Jeff Warren and his wife
- came to live in their sordid cabin on the roadside Ethel and her mother
- would pass their door daily and realize fully the caste to which Paul
- belonged.
- </p>
- <p>
- He dressed himself and descended to the lawn. He raised his arms and
- lowered them, and inhaled deep breaths in his usual morning exercise; but
- it was done without zest and with the conviction that it would not be of
- benefit while such morbid thoughts ran rife within him. He must throw them
- off. He must face life as it was. He had suffered before. He must suffer
- again. After all, might he not hold Ethel in his heart as his ideal woman,
- even after she had become the wife of another? It must be&mdash;that was
- all that was left him&mdash;and yet, and yet&mdash;A sharp pain shot
- through him. His senses swam; the mocking rays of the rising sun flared
- upon him. Ethel another man's wife! Ethel the recipient of another man's
- caresses! Ethel the mother of another man's&mdash;
- </p>
- <p>
- &ldquo;O God, have mercy!&rdquo; he moaned, and he turned down toward the gate, almost
- swaying as he moved across the grass.
- </p>
- <p>
- &ldquo;Are you going for a walk?&rdquo; It was Ethel's cheery voice, and it came from
- the veranda. Glancing back he saw her lightly tripping down the steps.
- </p>
- <p>
- &ldquo;Because if you are, I'll go too&mdash;if you will let me. I was up and
- dressed, and saw you from the window. Oh, isn't the sunrise beautiful?&rdquo;
- </p>
- <p>
- As in a dream he stood waiting for her, and together they passed through
- the gate out upon the grayish, stony road, which sloped gradually up the
- mountain. He had smiled and bowed, but was unable to formulate any
- suitable words of greeting. She was studying his face slowly, furtively,
- and with an anxiety she was trying to hide.
- </p>
- <p>
- &ldquo;You look a little paler than you did yesterday,&rdquo; she said, hesitatingly.
- &ldquo;Did you not sleep well?&rdquo;
- </p>
- <p>
- &ldquo;I worked rather late last night,&rdquo; was his evasive answer. &ldquo;Night-work
- sometimes has a rather depressing effect on me.&rdquo;
- </p>
- <p>
- &ldquo;I suppose so,&rdquo; she answered, still studying his features, &ldquo;and yet
- usually you are so full of happy spirits. Perhaps you&rdquo;&mdash;she hesitated&mdash;&ldquo;would
- rather be alone?&rdquo;
- </p>
- <p>
- &ldquo;Oh, how could you say that?&rdquo; he exclaimed. &ldquo;It is just the contrary. I
- don't feel, however, that I have quite the right to intrude on you in your&mdash;your&mdash;&rdquo;
- </p>
- <p>
- &ldquo;You needn't look at it that way,&rdquo; she broke in, not yet fully convinced
- that she had fathomed his mood. &ldquo;In fact, I want to see you. I want to
- tell you how much you have helped me. You have made me realize my error. I
- was depressing my mother and every one else by my gloomy hopelessness; but
- now&mdash;well, I seem to have absorbed some of your wonderful philosophy.
- I slept last night, as uncle would say, 'like a log,' and I feel much
- better this morning.&rdquo;
- </p>
- <p>
- &ldquo;Peterson is coming; that is the cause,&rdquo; Paul groaned inwardly, and he
- glanced away, that she might not read the thought in his eyes. To her he
- said, aimlessly: &ldquo;I am glad&mdash;very, very glad. Hope is the only thing.
- Once one has it, all things become possible.&rdquo;
- </p>
- <p>
- &ldquo;And you are so <i>full</i> of it,&rdquo; she ran on, glibly. &ldquo;I was speaking to
- my mother about you last night. She declared she did not think any one
- could come in contact with you and be despondent. She said it was a
- comfort just to watch the play of your features and hear the cheerful ring
- of your voice. Perhaps you don't realize, Paul, how God has blessed you.
- To go through life throwing out a radiance like yours is&mdash;well, it is
- next to&mdash;divinity.&rdquo;
- </p>
- <p>
- &ldquo;Divinity, divinity!&rdquo; The words seemed to slip from his lips incautiously.
- &ldquo;There are philosophers, Ethel, who believe that God Himself suffers in
- His hampered effort to bring things up to His ideal, and that, as parts of
- Him, we, too, must suffer as long as He suffers. It may be that the more
- we partake of His essence the more we have to bear. Who knows? The person
- who can bury himself in the stirring affairs of earth has a bliss which,
- if due to ignorance, is nevertheless bliss.&rdquo;
- </p>
- <p>
- &ldquo;This is not like you a bit,&rdquo; Ethel said, in pained reproachfulness; and
- then a light broke upon her. She understood. Her heart beat more quickly,
- and a hot flush mantled her brow. She hoped he would not note her
- confusion. She must have time to think, to consider. Many grave things
- might hang upon what he or she might impulsively say on the crumbling edge
- of a precipice like that. She must not allow her sympathies to rule her.
- She must never encourage a man whom she did not love with her whole heart,
- and how was a girl to judge calmly when a man was such a glorified
- sufferer?
- </p>
- <p>
- &ldquo;According to your views, Paul,&rdquo; she continued, &ldquo;faith in the goodness of
- God <i>will</i> bring all possible things.&rdquo;
- </p>
- <p>
- &ldquo;Save the things of earth.&rdquo; She saw his fine mouth writhe under a sardonic
- smile as he recklessly plunged into what he knew was mad indiscretion. &ldquo;A
- jealous man cannot walk in the footsteps of a jealous God.&rdquo;
- </p>
- <p>
- Ethel avoided his desperate and yet frankly apologetic eyes. She shrank
- within herself. She was sure his words were becoming dangerously
- pertinent. She kept silence for a moment. Then she paused at a
- lichen-grown boulder, rested a white, throbbing hand on it, and listlessly
- surveyed the trees about the farm-house.
- </p>
- <p>
- &ldquo;I am sure you cannot possibly realize the good you are doing,&rdquo; she said,
- with abrupt irrelevance. &ldquo;I want to tell you something. It is about my
- cousin Henry. You know I have never liked him very much, but the other day
- I was thrown with him at the dinner-table after the others had left. He
- was very downcast and sad over some recent trouble with his father, and,
- to my great surprise, he spoke regretfully of his useless life. He said
- you had talked to him, given him good advice, and that you had helped him
- borrow money to go into business on at Grayson. Paul, I am sure you won't
- lose by it. He told me, with tears in his eyes, that he would rather die
- than disappoint you.&rdquo;
- </p>
- <p>
- &ldquo;I am sure he will succeed,&rdquo; Paul said. &ldquo;He has energy and enthusiasm, and
- is anxious to prove himself. I was surprised to have the bank accept my
- indorsement, but they did quite readily. I really have great faith in him.
- He is ashamed of himself, and that is a fine beginning.&rdquo;
- </p>
- <p>
- Ethel was turning, to proceed higher up on the road, but he stopped her.
- </p>
- <p>
- &ldquo;We must not get beyond the sound of the breakfast-bell,&rdquo; he warned her.
- </p>
- <p>
- &ldquo;No, for I am hungry,&rdquo; she answered, eying him still with anxious
- studiousness. She turned back toward the farm-house, hesitated a moment,
- and then said: &ldquo;Did you happen to see the&mdash;the flowers on the
- mantelpiece in your room? I gathered them and put them there yesterday.&rdquo;
- </p>
- <p>
- &ldquo;Oh, did you?&rdquo; he cried, eagerly. &ldquo;That was very kind of you. I thought
- that Mrs. Tilton did it. They fill the whole room with fragrance.&rdquo;
- </p>
- <p>
- &ldquo;I'm glad you like them,&rdquo; Ethel said. &ldquo;By the way, I couldn't help
- glancing at your books. I now know where you get your wisdom. What a
- wholesome group of mental companions you have!&rdquo;
- </p>
- <p>
- &ldquo;Those are my special favorites,&rdquo; he answered. &ldquo;If you wish to read any of
- them please help yourself.&rdquo;
- </p>
- <p>
- &ldquo;I was really hinting at that,&rdquo; she laughed. &ldquo;You have roused my
- curiosity. I want to read what you have read and liked. There, that is the
- breakfast-bell!&rdquo;
- </p>
- <p>
- She quickened her step, tripping on ahead of him with a little laugh which
- held a note of vague uneasiness. Presently she slowed down, and with a
- look of gentle concern in the glance which she directed to him she
- faltered:
- </p>
- <p>
- &ldquo;I hope you won't get angry with my mother for something she is going to
- inflict on you and me this morning. Being opposed to working on Sunday,
- she remained up last night and arranged the table for dinner to-day. She
- has it gleaming like a bank of snow, and fairly covered with evergreens,
- ferns, and flowers. She insists that we take our breakfast this once in
- the kitchen. She is afraid we will disarrange something. She thinks a good
- deal of Mr. Peterson&mdash;<i>Colonel</i> Peterson now, for you know the
- paper yesterday said he was taken on the staff of the Governor. He
- confided to us some time ago that he had hopes in that direction, having
- worked hard and pulled wires for the Governor during his recent campaign.
- On state occasions Mr. Peterson will wear a glittering uniform, carry a
- sword, and be as stiff as a polished brass poker. Oh, he will like it
- immensely, but I can never call him 'Colonel.'&rdquo;
- </p>
- <p>
- &ldquo;It certainly would not do to put <i>him</i> in the kitchen,&rdquo; Paul said,
- significantly; &ldquo;at least not with his regalia on. Aunt Dilly might spill
- something on his epaulets.&rdquo;
- </p>
- <p>
- &ldquo;I see even you&mdash;good as you are&mdash;can make sport of people now
- and then,&rdquo; Ethel said, her eyes twinkling approvingly. &ldquo;However, I am not
- going to let you sit in the kitchen this morning. I'll bring your
- breakfast and mine out to the table in the summer-house. It will be great
- fun, won't it?&rdquo;
- </p>
- <p>
- &ldquo;I certainly do not consider myself above the kitchen,&rdquo; he returned, in
- too bitter a tone to fall well into her forced levity. &ldquo;I've eaten at
- second table in a circus dining-tent, with the negro horse-feeders in a
- gipsy camp, as a beggar at the kitchen door of a farm-house, and barely
- escaped having my ration pushed through the iron wicket of a prison. I am
- certainly unworthy of&mdash;of the summer-house and such&mdash;such
- gracious company. I mean this&mdash;I mean it from the bottom of my
- heart.&rdquo;
- </p>
- <p>
- &ldquo;You sha'n't talk that way&mdash;you sha'n't, you sha'n't!&rdquo; Ethel's eyes
- flashed and her round, full voice quivered. &ldquo;You have said yourself that
- all those unfortunate things were behind you for ever and ever things of
- the past.&rdquo;
- </p>
- <p>
- &ldquo;Except when I need sharp, personal discipline,&rdquo; he smiled significantly,
- &ldquo;and I need that now. I need it to kill blind, hopeless, impossible
- desire.&rdquo;
- </p>
- <p>
- &ldquo;You mean&mdash;&rdquo; But Ethel checked herself. He seemed such a riddle&mdash;such
- a profound, alluring dangerous riddle as he walked beside her with that
- gray look of desperate renunciation on his sensitive face, beneath the
- surface of which smoldered unquenchable fires of passion.
- </p>
- <p>
- Suddenly he stopped her. He laid his trembling fingers on her arm for a
- bare, reverent instant.
- </p>
- <p>
- &ldquo;I am a coward at times, Ethel. You must forgive my weakness. I groan
- under a burden that I know is right because it is from the Infinite. No
- man should be as vain as I am tempted to be when I am with you. You can't
- understand now, but some day you may&mdash;if not here, in Eternity. There
- is only one way to look at it, and that is that God intends me to suffer.&rdquo;
- </p>
- <p>
- Ethel found herself unable, wisely at least, to make any sort of suitable
- response, and in awkward silence they walked along together till the gate
- was reached. Then she said, nervously, and yet with firmness that was
- quite evident: &ldquo;I want you to meet my friend to-day at dinner. I want him
- to know you. He belongs to a class of men who seem too busy to think of
- deep things&mdash;things aside from an active routine, but I am sure he
- will like you.&rdquo;
- </p>
- <p>
- Paul's face clouded over; he averted his eyes as he unlatched the gate and
- swung it open. &ldquo;Thank you, but I am afraid I can't to-day,&rdquo; he said.
- &ldquo;Uncle Si and his wife have asked me to take dinner with them.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I'm sorry,&rdquo; Ethel answered. &ldquo;My mother will regret it, too, for she
- admires you and likes you very much. But we shall have our breakfast
- together in the summer-house, sha'n't we?&rdquo; She glanced at the little
- vine-clad structure and essayed a playful smile. &ldquo;Now, run in and take a
- seat, and let me attend to everything.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0031" id="linklink2HCH0031"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XIV
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HAT afternoon,
- while the ladies were taking what Hoag called their &ldquo;sy-esta&rdquo; in their
- rooms, he entertained the guest, who was a dapper young man exquisitely
- dressed and carefully groomed, even to the daintiest of waxed mustaches.
- The two men were smoking in the big, cool parlor and chatting agreeably.
- </p>
- <p>
- &ldquo;Well, I am not going to refuse the title.&rdquo; Peterson laughed in a
- pleasurable way after Hoag had made a bald jest about the honor recently
- conferred upon him. &ldquo;I am no born idiot, Mr. Hoag. I know some folks sort
- of poke fun at the new list of Georgia colonels after every gubernatorial
- race; but even a handle to a fellow's name like that helps now and then.
- Take Colonel Pangle there in Atlanta, our big criminal lawyer, you know.
- Why, he wasn't in the war; he never fired a shot or dodged a ball. He
- organized a little local military company in his home town. I don't reckon
- he had more than thirty men at any time, and his rank, at the best
- wouldn't have been above captain; but he was a dignified-looking fellow
- with a heavy mustache and goatee, and they called him Colonel on the spot,
- and when he moved to Atlanta the title followed him. The boys at the bank
- were disposed to joke when my commission came&mdash;saluting me like a
- bunch of jumping-jacks; but you bet I cut it out. Think little of
- yourself, and the world will do the same.' That's my motto. You noticed
- how nice the papers spoke about it, didn't you? Well, I stand in with the
- reporters. They are my political friends; we take a drink together now and
- then, and they know how I look at such things. I am hitting the bull's eye
- down there in that burg, Mr. Hoag, just as you've hit it here. We are two
- of a kind. It doesn't take much gray matter to succeed among these slow,
- ante-bellum leave-overs here in the South.&rdquo;
- </p>
- <p>
- Hoag laughed heartily. &ldquo;Oh, you are all right,&rdquo; he said. &ldquo;I've had my eye
- on you ever since you started out. As the sayin' is, you could make money
- on a rock in the middle of the ocean.&rdquo;
- </p>
- <p>
- Peterson's features settled into rigidity suddenly, and he exhaled a
- tentative breath, as he held his cigar between his fingers and leaned
- toward his host. &ldquo;As certain as I am about men, business deals, and
- politics, Mr. Hoag, I'm going to admit to you that I'm a country
- school-teacher&mdash;a knot on a log&mdash;when it comes to handling a
- woman. Don't you reckon every fellow is that way that is kind o'
- submerged, so to speak, in the affairs of the business world? I know I am
- a regular stick, and I don't know how to help myself.&rdquo;
- </p>
- <p>
- &ldquo;I reckon you are talkin' about Eth',&rdquo; Hoag said, with more bluntness than
- a diplomat would have employed. &ldquo;At least, I've wondered why you an' her
- both seem so offish. I don't reckon you come all the way up here on a
- holiday like this to talk business to <i>me</i>, an' as for Eth'&mdash;well,
- I can't make 'er out, that's all; an' what's the use to try? A woman is
- hard to understand when she is willin' to be understood, an' a devil to
- fathom when she ain't. Folks tell me some high-strung gals would ruther
- die than let a man know they are gone on 'im.&rdquo;
- </p>
- <p>
- &ldquo;I know,&rdquo; Peterson replied. &ldquo;I used to size Miss Ethel up that way down
- home among the other girls; but this morning, when me'n her strolled down
- to the spring, it looked to me as if she didn't want to talk about
- anything but books&mdash;an' books that I've never heard about to boot.
- She had a thick one under her arm and I peeped in it. I think it was by
- Cato&mdash;no, that is the name of your stable-boy, isn't it? Oh, yes, now
- I remember; it was Plato, Plato. He was one of the old-time fellows,
- wasn't he&mdash;before the Revolution, anyway?&rdquo;
- </p>
- <p>
- &ldquo;Hanged if I know.&rdquo; Hoag shrugged his shoulders as if the question were a
- disagreeable incubus suddenly fastened upon him. &ldquo;I don't know any more'n
- a rabbit. I set one night an' listened to Paul Rundel an' her talkin' on
- the veranda an' I hardly understood one word in five. That fellow is the
- damnedest chap I ever run across.&rdquo;
- </p>
- <p>
- &ldquo;Is he the man you told me about coming home to give himself up?&rdquo;
- </p>
- <p>
- &ldquo;Yes; an' I've had 'im managin' for me ever since. He's a wheel-hoss. He's
- doubled my income; he's as keen as a brier; knows how to manage laborin'
- men. They think the sun rises an' sets in 'im. He don't indorse no church
- in particular, an' yet the women say he's religious. Men that was too
- triflin' to draw the breath o' life under me work like puffin'
- steam-engines for him.&rdquo;
- </p>
- <p>
- &ldquo;And he sits around at odd times and talks books?&rdquo; Peterson said, a
- faultfinding frown on his face. &ldquo;That's the way he seems to get his
- relaxation,&rdquo; Hoag returned. &ldquo;Well, I don't care how religious he is.
- Sometimes that helps. I had a little crossroads store away back in my
- early day an' I didn't have time to manage it. I kept hirin' fellows to
- run it, an' every one I got would soak me&mdash;steal money an' goods so
- thar wasn't a sign o' profit. But one day a misfit parson come along. He
- had failed to make good. He was tongue-tied an' he stuttered so bad that
- he made the mourners laugh an' had to quit preachin'. I gave him the job,
- an' it was the best deal I ever made. The fellow was so honest that he
- wouldn't use a postage-stamp for any private purpose, or take a chaw o'
- tobacco, without enterin' it on his account. He kept a big Bible on the
- counter, an' so many o' his sort hung around that the store looked like a
- Salvation headquarters; but the gang bought plenty o' goods an' paid cash.
- I never forgot that experience, an' when I saw the kind o' man Paul had
- got to be I raked 'im in.&rdquo;
- </p>
- <p>
- &ldquo;You say he&mdash;sometimes talks to Miss Ethel?&rdquo; Peterson asked, the
- flicker of vague rebellion in his eyes.
- </p>
- <p>
- &ldquo;Oh yes,&rdquo; Hoag answered, indifferently. &ldquo;She's been powerfully worried
- over Jennie's death, an' Paul, somehow, seems to brace her up with his odd
- views in regard to a happy land. Maybe&rdquo;&mdash;Hoag hesitated, and then
- pursued more confidently&mdash;&ldquo;maybe if you sorter talked a little on
- that line yourself it would catch her fancy. Anything is fair in love an'
- war when a woman is clean upset like Eth' is.&rdquo;
- </p>
- <p>
- &ldquo;I believe in religion,&rdquo; the banker declared, quite gravely. &ldquo;I always
- have a good word for it. I don't believe this world could get along
- without it. All of us at the bank are in some church or other. I'm a
- Baptist, you know; all my folks are of that persuasion. And my church has
- made me it's treasurer. First and last our bank handles a pile of its
- funds. If the heathen have to wait for it sometimes we get the interest on
- it. But, say, Mr. Hoag, I'm sort o' worried over this thing&mdash;I mean
- about this queer duck you've got working for you.&rdquo;
- </p>
- <p>
- &ldquo;Well, don't let that bother you.&rdquo; Hoag filled the awkward pause with a
- soft, satisfied chuckle. &ldquo;Eth' understands what I want, and so does her
- ma. Both of 'em know I'd never give in to her marryin' such a&mdash;why,
- he belongs to the lowest stock this country ever produced&mdash;as nigh
- dirt-eaters as any folks you ever saw. He's picked up some learnin' out
- West, an' has got brains an' pluck; but no niece o' mine could tie herself
- to a bunch o' folks like that. Humph, I say&mdash;well, I reckon not! He'd
- not have the cheek to think of it. You leave the affair in my hands. I
- won't push matters now, but I will put in my oar at the right time.&rdquo;
- </p>
- <p>
- &ldquo;Well, I don't want no woman <i>coerced</i>.&rdquo; Peterson brightened even as
- he protested. &ldquo;I don't want that exactly, but Miss Ethel is the girl I've
- been looking for. I can't get her out of my mind. She would be an ornament
- and a help to any rising man. I ought to marry; there is no sort of doubt
- on that line, and though I might look the field over she&mdash;well, she
- simply fills the bill, that's all. I'm going to erect a fine home on
- Peachtree Street, and I want her to preside over it.&rdquo;
- </p>
- <p>
- &ldquo;An' I want a place to stop when I run down thar,&rdquo; Hoag laughed. &ldquo;You
- leave it to me.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0032" id="linklink2HCH0032"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XV
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">J</span>EFF WARREN and the
- two women of his family were on their way back to their former home. A
- wagon, a rickety affair on wabbly wheels, covered by a clay-stained canvas
- stretched over hoops, and drawn by a skeleton of a horse, contained all
- their earthly possessions. Peering under the hood of the wagon, an
- observer might see two musty straw mattresses, an old hair-covered trunk,
- a table, three chairs, a box of dishes, and a sooty collection of pots,
- pans, kettles, pails, and smoothing-irons. Carefully wrapped in bedquilts,
- and tied with ropes, was the household joy, a cottage-organ. Tethered to
- the wagon in the rear was a cow which tossed her head impatiently under
- the rope around her horns, and dismally mooed to her following calf.
- </p>
- <p>
- Jeff now belonged to the shiftless class of small farmers that drifts from
- one landowner to another, renting a few acres on shares and failing on at
- least every other crop. The three members of the family were equal
- partners in misfortune; for both Mrs. Rundel and her sister quite
- frequently toiled in the fields, using the hoe, the scythe, the spade, and
- in emergencies, when Warren's rheumatism was at its worst, even the plow.
- Still of irascible temper, and grown more sensitive under adversity, Jeff
- had quarreled or fought with almost every man from whom he had rented
- land, until he now found few who would deal with him.
- </p>
- <p>
- As he walked at the side of the wagon in which his companions were riding,
- along the narrow mountain road, trampling down the underbrush which
- bordered the way, he had still about him a remnant of the old debonair
- mien which had made him a social favorite in his younger days.
- </p>
- <p>
- Amanda, as is the case with many women who have foresworn matrimonial and
- maternal cares, had withstood the blight of time remarkably well. Her
- round, rosy face had few new angles or lines, and her voice rang with
- youthful joy when she spoke of once more beholding familiar scenes and
- faces. It was her sister who had changed to a noticeable degree. There was
- a lack-luster expression about Addie's light-brown eyes, which had been so
- childlike and beautiful. Her hair was thinner; her skin had yellowed and
- withered; her teeth, for the most part, were gone, and those which
- remained appeared too prominent, isolated as they were in bare gums, when
- she forced a smile over some remark of her cheerful sister.
- </p>
- <p>
- Crude as she was, Addie had followed, her poor mental hands always
- outstretched to grasp it, an ever-receding masculine ideal. In Jeff
- Warren, with his love of music and courage before men and gallantry to all
- women, she had once believed she had found it. But ideals do not thrive so
- well under hardship as violets rooted in filth, and Addie's heart
- constantly ached for the lost and the unattainable.
- </p>
- <p>
- Suddenly Jeff turned to his companions and smiled. &ldquo;I reckon I've got a
- big surprise for you both,&rdquo; he chuckled, his hand resting on the
- wagon-bed. &ldquo;'Tain't the first o' April, but I've been foolin' you. I tol'
- you this was White Rock Mountain, but it ain't no such a thing. It is the
- south spur of our old Bald, and as soon as we pass through that gap up
- thar we'll see Grayson right at the foot.&rdquo;
- </p>
- <p>
- &ldquo;You don't say!&rdquo; Amanda clapped her hands in delight. &ldquo;Lord, Lord, I
- shorely shall be tickled to get back! I want to shake hands with everybody
- within reach. You'll never pull me away again, Jeff&mdash;never!&rdquo;
- </p>
- <p>
- Addie, in her turn, said nothing. She scarcely smiled. She was
- inexpressibly pained by the thought of having to live among old friends
- and associates in the dismantled log cabin Jeff had reluctantly described.
- A reminiscent sob rose and died within her as she recalled the comfortable
- farm-house to which Ralph Rundel, who now seemed almost faultless, had
- taken her as a bride. To this another pang of memory was added. By her
- conduct, innocent though it was, she had driven her only child from her,
- and how many times had her tired heart gone back to the sturdy youth who
- had toiled so uncomplainingly, and, young as he was, borne so many
- burdens! Was Paul alive or dead? she often asked herself. If alive, how he
- must hate her! If dead, then the baby, which she now sometimes recalled
- with the awakening yearning of a mother's dry breast, was gone forever.
- </p>
- <p>
- Slowly the horse tugged up the slope. &ldquo;Whoa!&rdquo; Amanda cried out suddenly.
- &ldquo;I'm goin' to jump out an' walk on to the top. I'm simply crazy to git a
- look at the valley. Somehow it seems like the Promised Land flowin' with
- milk an' honey.&rdquo;
- </p>
- <p>
- Only too willingly the horse stopped, and she sprang down to the ground.
- </p>
- <p>
- &ldquo;Don't you want to walk a little, Addie?&rdquo; she asked. &ldquo;You'd better limber
- up your legs. I'm as stiff as a pair o' tongs.&rdquo;
- </p>
- <p>
- Mrs. Warren sadly shook her head and Jeff tossed the reins into her lap.
- </p>
- <p>
- &ldquo;Well, you drive,&rdquo; he said. &ldquo;We'll walk on to the top an' take a peep. I
- agree with you, Mandy. I don't feel like I'll ever want to leave this
- country ag'in. I want to die an' be buried among my kin.&rdquo;
- </p>
- <p>
- The two moved faster than the tired horse, and Addie saw them on the brow
- of the mountain, outlined against the blue expanse beyond. She noticed
- Jeff pointing here and there and waving his hand; even at that distance
- the glow of his animation was observable. Reaching the top, Mrs. Rundel
- caught their words, and in the depths of her despondency she wondered over
- their gratification.
- </p>
- <p>
- &ldquo;Not a new buildin' of any sort that I kin make out,&rdquo; she heard her
- husband saying. &ldquo;Thar, you kin see Jim Hoag's house above the bunch o'
- trees. It's had a fresh coat o' paint lately; look how bright the
- window-blinds are!&rdquo;
- </p>
- <p>
- &ldquo;An' how green an' fresh everything seems!&rdquo; commented the more poetic
- spinster. &ldquo;Looks like thar's been plenty o' rain this summer. Oh, I love
- it&mdash;I love it! It's home&mdash;the only home I ever knowed.&rdquo;
- </p>
- <p>
- The horse paused close by them. The cow mooed loudly, and the calf trotted
- briskly up to her and began to butt her flabby bag with his sleek head.
- </p>
- <p>
- &ldquo;That looks like a different-shaped steeple on the Methodist
- meetin'-house,&rdquo; Amanda commented, as she shaded her eyes from the sun and
- stared steadily off into the distance.
- </p>
- <p>
- &ldquo;I believe you are right, by hunky,&rdquo; Jeff agreed. &ldquo;This un is fully ten
- foot taller, unless them trees around it has been topped since we left.&rdquo;
- He turned to his wife, and a shadow of chagrin crept across his face as he
- said: &ldquo;I see the house whar you an' Rafe used to live&mdash;thar, just
- beyond Hoag's flour-mill. Well, thar's no use cryin' over spilt milk, old
- girl; you ain't goin' back to comfort like that, as scanty as it seemed
- when you had it, an' I was goin' to do such wonders in the money line.
- We'll have to swallow a big chunk o' pride to put up with a hut like our'n
- among old friends, but we've got to live life out, an' the cabin is the
- best we kin get at present, anyway.&rdquo;
- </p>
- <p>
- Addie, holding the reins in her thin fingers, rose to her full height, her
- weary eyes on her old home, which stood out with considerable clearness on
- the red, rain-washed slope beyond a stretch of green pasture. She saw the
- side porch, and remembered how Paul's cradle had stood there on warm
- afternoons, where she and Amanda had sat and sewed. Again that sense of
- lost motherhood stirred within her, and she was conscious of a sharp
- contraction of the muscles of her throat. Surely, she mused, after all
- there was no love like that of a mother's for her child, and in her own
- case there was so much to regret. The child had been beautiful&mdash;every
- one had noticed that. Its little hands were so chubby and pink; its lips
- like a cupid's bow. As a baby it had smiled more than any baby she had
- ever seen, and yet in boyhood the smile had gradually given way to a scowl
- of ever-increasing discontent and weariness of life and its clashing
- conditions.
- </p>
- <p>
- Amanda and Jeff were now descending the mountain, and the horse plodded
- along behind them. They must hurry on, Jeff said, for the sun would soon
- be down and they must get to the cabin before dark, so as to unload and
- shape things up for the night. Fortunately, as he took care to remind
- them, they would not have to pass through the village, as the hut stood in
- the outskirts of the place, close to Hoag's property line.
- </p>
- <p>
- Reaching the foot of the mountain, they took a short cut through some old
- unfenced fields to the cabin. Here their forebodings were more than
- realized. The two-roomed hut was worse than they had expected. It was
- built of logs, and had a leaning chimney made of sticks and clay. The rain
- had washed the clay out of the cracks between the logs of the walls, and
- the openings were stuffed with rags, paper, and dried moss. The door
- shutter, with broken hinges, was lying on the ground. The doorstep was a
- single log of pine, which the former inmate of the hut had chopped half
- away for kindling-wood. The wooden shutters to the tiny, glassless windows
- had gone the same way, along with several boards of the flooring.
- </p>
- <p>
- &ldquo;Mayburn lied to me like a dirty dog!&rdquo; Jeff growled, his face dark with
- anger. &ldquo;He said it was in decent shape&mdash;good enough for any farmer.
- When I see 'im I'll&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Yes, you will want to fight 'im, an' then we'll have no roof over us at
- all,&rdquo; Amanda said, with a smile designed to soften her own disappointment
- as well as his. &ldquo;I tell you, Jeff, we've got to make the best of it an' be
- thankful. We'll have decent neighbors, I'll bet. Look at that nice house
- right in our yard.&rdquo;
- </p>
- <p>
- &ldquo;That's it,&rdquo; Jeff thundered. &ldquo;Mayburn wrote me this shack was all the
- house he had, an' that one is his, an' is empty. He insulted me by sizin'
- me up that way before I even got here.&rdquo;
- </p>
- <p>
- &ldquo;Well, he'd have insulted hisse'f by puttin' us in it without the money to
- pay for it.&rdquo; Amanda had no intention of adding fuel to her
- brother-in-law's wrath. &ldquo;A fine house like that would be worth fifteen
- dollars a month at the lowest. You better not tackle 'im about it; he
- might offer it to us cash in advance&mdash;then I'd like to know what we'd
- do. You said this momin' that we'd have to buy our first groceries on a
- credit. Jeff, yore pride has been yore drawback long enough; you've got to
- smother it or it will smother you. Now pick up that door an' hang it some
- way or other. I won't sleep in a house that can't be shut up at night.&rdquo;
- </p>
- <p>
- Warren, quite beside himself in disappointment and ill-humor, replaced the
- shutter and then went to work unloading the furniture. He soon had it all
- within. Then he announced that he must leave them, to go up to the Square
- to buy the supplies of food they needed.
- </p>
- <p>
- The two sisters had finished all that was to be done in the cabin, and
- were out in the desolate yard waiting for Warren to return.
- </p>
- <p>
- &ldquo;I see 'im,&rdquo; Amanda cried. &ldquo;He's comin' through the broom-sedge. He's took
- that way to keep from passin' Abe Langston's an' havin' to say howdy,
- He'll have to git over that or we'll never git along. He's got to take his
- medicine. The Lord's hard on 'im, but Jeff never was much of a Lord's man.
- It's the meek an' humble that the Lord favors, an' Jeff kicks ag'in' the
- pricks too much. Nothin' but a strong coffin an' plenty o' earth on top of
- it will ever humble that man.&rdquo;
- </p>
- <p>
- &ldquo;He walks like he's bothered about something.&rdquo; Mrs. Warren sighed, her
- slow gaze following her approaching husband's bowed form as he trudged
- through the thickening twilight. &ldquo;Do you suppose they have refused to
- credit him?&rdquo;
- </p>
- <p>
- &ldquo;I reckon not, for I see a bag o' something under his arm; but he's upset&mdash;you
- kin depend on it. He knows we are hungry, an' he'd strike a livelier gait
- than that if he wasn't mad as Tucker.&rdquo;
- </p>
- <p>
- As Jeff drew near they moved forward to meet him.
- </p>
- <p>
- &ldquo;Did you git anything to eat? That's what I want to know,&rdquo; Amanda said,
- with her usual disregard of even the darkest of his moods.
- </p>
- <p>
- It was as if he were going to make no response; but her eager hands were
- on the tow bag under his arm, and he sullenly answered in the affirmative.
- </p>
- <p>
- &ldquo;Smoked bacon.&rdquo; She winked cheerfully at her sister. &ldquo;I smell it.
- Sugar-cured in the bargain. Coffee, too, already parched an' ground. I'd
- know that a mile off if the wind wras in the right direction. I'm glad I
- put on the kettle.&rdquo;
- </p>
- <p>
- Jeff strode on heavily and deposited the bag at the door.
- </p>
- <p>
- &ldquo;We've all got to bunk in one room for to-night,&rdquo; Amanda told him, as she
- untied the bag and began to take out the parcels. &ldquo;There is no way fixed
- to keep the cow an' calf apart, an' she's got to graze or we can't have
- milk in the mornin', so I shut the calf up in the other room. It won't do
- no harm; it's clean and as gentle as a pet dog.&rdquo;
- </p>
- <p>
- &ldquo;That's no way to do!&rdquo; Jeff loweringly protested. &ldquo;A thing like that would
- make us the laughin'-stock of the whole county. Besides, do you know that&mdash;&rdquo;
- He seemed to hesitate, and then, as if he was thinking of something too
- unpleasant for discussion, he turned abruptly away. The two women saw him
- walk out to the well in the yard and stand still, his gaze on the village
- lights in the distance.
- </p>
- <p>
- &ldquo;What do you reckon is the matter with 'im?&rdquo; Addie inquired, listlessly.
- </p>
- <p>
- &ldquo;Go to higher powers 'an me if you want to know,&rdquo; Amanda retorted, as she
- proceeded to prepare supper. &ldquo;Something shore has rubbed 'im the wrong
- way. He was out o' sorts when he left us, an' he's ready to kill somebody
- now.&rdquo;
- </p>
- <p>
- A few minutes later supper was on the table and Jeff was summoned. He
- entered the dimly lighted room, dropped his hat on a bed, and sat down at
- one end of the table. He was hungry, as the others well knew, and yet he
- ate with less apparent relish than usual. Amanda kept up an incessant flow
- of half-philosophical chatter with more or less comforting intent, but no
- part of it evoked comment from the head of the family.
- </p>
- <p>
- Supper over, Jeff rose, reached for his hat, and was stalking out with
- bowed head at the low doorway, when Amanda suddenly uttered a little
- scream of astonishment.
- </p>
- <p>
- &ldquo;What's that in your&mdash;ain't that a pistol in your hip-pocket, Jeff
- Warren?&rdquo; she demanded, while her weaker sister stared in slow, childlike
- wonder.
- </p>
- <p>
- Impulsively and somewhat guiltily Warren slapped his hand on his bulging
- pocket and turned, blinking doggedly at the questioner.
- </p>
- <p>
- &ldquo;That's what it is!&rdquo; he answered. His tone was sullen and defiant.
- </p>
- <p>
- &ldquo;Whar did you get it?&rdquo; Amanda was now on her feet, leaning toward him in
- the meager light.
- </p>
- <p>
- &ldquo;I swapped my watch for it,&rdquo; Jeff muttered; and he drew the brim of his
- hat lower over his burning eyes.
- </p>
- <p>
- &ldquo;Your watch!&rdquo; Amanda cried. &ldquo;Why, what are we goin' to do for a timepiece
- now? Besides, we didn't have to go armed all along that lonely mountain
- road; what is the need of a pistol here in the edge of town, among old
- friends an' law-abidin' neighbors?&rdquo;
- </p>
- <p>
- &ldquo;That's <i>my</i> business,&rdquo; Warren snarled, and he turned out into the
- dark. &ldquo;Folks will <i>know</i> it's my business, too. You jest lie low an'
- see if they don't. I'll take care of number one.&rdquo;
- </p>
- <p>
- &ldquo;I know <i>how</i> you'll take care of number one,&rdquo; Amanda sneered. &ldquo;It
- will be by ignorin' number <i>three</i>, like you always have done when
- you get the devil in you as big as the side of a house. Right now you are
- just itchin' for a row with somebody, an' you are goin' to have it if I
- don't take you in hand.&rdquo;
- </p>
- <p>
- Warren's innate gallantry checked the hot outburst, the forerunner of
- which was quivering on his white lips, and without a word he went back to
- the well and stood with his hand on the windlass, a pitiful symbol of
- human discontent outlined against the star-strewn sky.
- </p>
- <p>
- &ldquo;I ain't a-goin' to put my hands in dish-water till my mind's at ease,&rdquo;
- Amanda said to her sister. &ldquo;Poor thing! I reckon you feel so bad about the
- way we are fixed that you ain't bothered about Jeff's fits: But it's
- different with your sister Mandy. When you was a young gal I worried about
- whether you'd git married or not. Later I was bothered about your first
- choice an' his jealous suspicions. Next I turned into a wet-nurse; I
- walked the floor with your baby at night, stickin' splinters in my feet at
- every step, an' <i>now</i> I've got to keep your last investment from
- danglin' from the gallows like a scarecrow on a pole.&rdquo;
- </p>
- <p>
- Together the two women went to the brooding man at the well.
- </p>
- <p>
- &ldquo;What ails you, Jeff?&rdquo; the wife began, with a timid sigh. &ldquo;Anybody can see
- you are out o' sorts.&rdquo;
- </p>
- <p>
- &ldquo;Well, I'll <i>tell</i> you what's the matter,&rdquo; Warren fumed. &ldquo;If I'd
- knowed it sooner I'd 'a' left you two beyant the mountain an' come on an'
- got it over with. I don't want to disturb women with a thing o' this
- sort.&rdquo;
- </p>
- <p>
- &ldquo;Wayburn's goin' to turn us out, that's my guess,&rdquo; Amanda dropped. &ldquo;The
- shack ain't no better'n a stable for hosses, but we can't have even that
- without more cash than we've got.&rdquo;
- </p>
- <p>
- &ldquo;No, he's had one of his old quarrels with somebody,&rdquo; Mrs. Warren
- suggested, despondently.
- </p>
- <p>
- &ldquo;I hain't had one, but I'm <i>goin</i>' to,&rdquo; Jeff threatened. &ldquo;This State
- simply ain't wide enough, or <i>long</i> enough, to hold me and the dirty
- young pup that left me lyin' in the road for dead an' went off an' gloated
- over me. He was a boy then, but he's a man now, an' fully responsible.&rdquo;
- </p>
- <p>
- &ldquo;Why, what are you talkin' about?&rdquo; Amanda's inquiring stare shifted
- excitedly back and forth between her sister's startled face and the
- sinister one of her brother-in-law. &ldquo;Is Paul alive&mdash;have you heard
- from him?&rdquo;
- </p>
- <p>
- &ldquo;Heard from 'im?&rdquo; Jeff's white lip curled and trembled like that of a
- snarling opossum. &ldquo;I hain't heard from him personally yet, nor seed 'im,
- but he's back here struttin' around in fine clothes with plenty o' money
- in his pocket, an' sayin' that&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, Jeff, oh, Jeff, are you sure?&rdquo; Mrs. Warren had turned pale, and it
- was as if she were about to faint. Amanda threw a strong arm about her and
- firmly shook her. &ldquo;Don't keel over,&rdquo; she said, almost fiercely. &ldquo;I want to
- know about this thing right now. All this dinky-dinky talk about shootin'
- may pass on <i>some</i> occasions, but when the big strappin' hulk I work
- for gits on a high jackass an' talks about killin' my own blood-nephew
- because he's got more clothes an' money than we got&mdash;well, I'll be in
- the game myself, that's the long an' short of it, I'll be in it tooth an'
- toe-nail.&rdquo;
- </p>
- <p>
- Never had Warren's gallantry been swathed in a blanket of such soaking
- dampness. He stared at his verbal antagonist with a fresh and uncurtained
- vision, and seemed unable to formulate a suitable reply.
- </p>
- <p>
- &ldquo;Never mind me.&rdquo; Amanda's tone became distinctly conciliatory, and she
- smiled faintly: &ldquo;I won't kill you till I git at the facts, anyway. I'm
- dyin' to know about the boy. Go on an' tell us.&rdquo;
- </p>
- <p>
- Jeff hesitated for a moment and then slowly complied. &ldquo;He's back from the
- West. He got a fine education, an' worked his way up somehow. He's got a
- job on big pay managin' for Jim Hoag&mdash;he's got a hundred or more
- hands under him, an' the whole' county's braggin' about 'im. He rides
- around from one place to another with his head high in the air, givin'
- orders. When he landed here he told some cock-an'-bull tale about thinkin'
- I was underground, an' wanted the law to act, an' the like, but he's a
- liar.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I'm so glad; I'm so glad!&rdquo; Amanda hugged her stupefied sister to her
- breast impulsively and kissed the sallow brow. &ldquo;I always thought thar was
- come-out in that boy, an' now I know it. I'm dyin' to see 'im.&rdquo;
- </p>
- <p>
- &ldquo;Well, he ain't dyin' to see <i>you</i>, or his mammy, either, in the
- plight you are in!&rdquo; Jeff hurled at her. &ldquo;They say he lives at Hoag's, an'
- goes gallivantin' about the country with that Atlanta gal, Ethel Mayfield.
- He's mad because we are back here to disgrace him with our dirt an' rags.
- He's the only livin' man that ever gloated over me, an' he's hand an'
- glove with my lifelong enemy. If you think I'm goin' to set back, an'&mdash;an'&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I don't care whether you <i>set</i> back, <i>stand</i> back, or <i>roll</i>
- back,&rdquo; Amanda's eyes rekindled. &ldquo;If you fetch a hair o' that boy's head
- I'll pull every one you got out an' leave 'em for bird's-nests. It's
- Paul's prosperity that's stickin' in your craw. Hand me that pistol!&rdquo;
- </p>
- <p>
- Jeff swayed defiantly backward, but she caught his arm and turned him
- round by sheer strength. &ldquo;Give it to me, I say, or you'll never darken
- that cabin-door. When I give in to you an' Addie marryin' after all that
- slanderous talk you agreed, as a man o' honor, to withdraw all charges
- ag'in that poor boy. You did that, an' now stick a cannon in the scat o'
- your pants an' lie in wait for 'im like a cutthroat in the dark. Gi' me
- that thing!&rdquo;
- </p>
- <p>
- Reluctantly Warren complied, and stood silent as Amanda scrutinized the
- weapon in her hand. &ldquo;We kin swap it for meal an' bacon,&rdquo; she said. &ldquo;Now
- let's all go to bed. I'm plumb fagged out.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0033" id="linklink2HCH0033"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XVI
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">I</span>T was the evening
- of the following day. Ethel had heard of the return of Jeff Warren and was
- quite disturbed. Since early morning Paul had been away, and Ethel fancied
- that he was unaware of the arrival of the little family. In many ways she
- pitied Paul, and she gravely feared for his safety, for there was no
- mincing the fact that Jeff Warren was a most dangerous man, with a quick,
- uncontrollable temper. Mrs. Tilton, Mrs. Mayfield, Cato, and Aunt Dilly
- were all discussing the situation. That the two men would meet was not to
- be doubted; that Paul would have to defend himself or be injured was
- regarded as a certainty.
- </p>
- <p>
- Ethel was at the window of her room just as the night began to fall, when
- Paul came in at the gate, and, with a weary step, advanced up the walk
- toward the house. Hoag was seated on the veranda, and Ethel heard the
- posts of his chair jar the floor as he rose and descended the steps. The
- two men met almost beneath her open window. Ethel was aware that their
- words might not be intended for other ears, and yet she was chained as by
- some weird and ominous spell to the spot. She dropped on her knees, leaned
- against the window-sill, and peered cautiously through the overhanging
- vines.
- </p>
- <p>
- &ldquo;Oh, yes, I heard he was here,&rdquo; she caught Paul's reply to an obvious
- question, and she was sure there was an odd, changed tone in his voice
- which seemed to have lost its old hopeful vitality. She saw him take his
- handkerchief from his pocket and slowly wipe his brow as he stood with his
- dusk-draped profile toward her.
- </p>
- <p>
- &ldquo;Well, I just thought I'd put you on your guard,&rdquo; Hoag was heard to say,
- with an unction of tone which men of his own type could have fathomed
- better than a delicate, frightened woman. &ldquo;I'm sure I'd appreciate it to
- have a friend of <i>mine</i> come to me at such a ticklish time. I know
- you've got grit. I've seed it put to a test. That's why folks are
- a-talkin' at such a rate. The opinion of one an' all is that what you did
- once you can an' will do ag'in.&rdquo;
- </p>
- <p>
- Ethel held her breath to catch Paul's tardy words. His head was lowered
- when he spoke. &ldquo;So they think I'll shoot him again, do they&mdash;they
- think that?&rdquo;
- </p>
- <p>
- &ldquo;You bet they know you won't let the skunk run roughshod over you, an'
- he's ready an' waitin'&mdash;bought 'im a gun right off&mdash;looked all
- about for you to-day, I'm told, an' some say he hinted that you'd skipped
- clean out to keep from facin' the music. I haven't met him. I hain't no
- use for the puppy, an' never did have. You've got a gun, haven't you?&rdquo;
- </p>
- <p>
- &ldquo;No, I haven't owned one since I got back from the West.&rdquo;
- </p>
- <p>
- &ldquo;You don't say&mdash;well, you'd better git one. I've got three. You can
- take your pick if you want to, but for the Lord's sake don't mix me up in
- it. I just offer it to you as I would to any other man in my employ.&rdquo;
- </p>
- <p>
- &ldquo;Thank you.&rdquo; They were moving toward the house, and the roof of the
- veranda hid them from the eyes of the awed and frightened observer. Ethel
- heard Paul uttering some unintelligible words in the hall below, and then
- he came up the stairs and entered his own room. She stood in the center of
- the floor, trembling from head to foot. He had been such a wonderful
- friend to her; under his advice she had soared to heights she had never
- reached before, and yet now he himself, strong as he had been in her
- behalf, was in peril&mdash;peril he was too brave to see. She heard her
- uncle's ponderous step as he strode through the long hall to the kitchen,
- and then it occurred to her to pray for guidance. She sank down on the
- edge of her bed and folded her delicate hands between her tense knees. Her
- lips moved, but she was not conscious of the words mutely escaping her
- lips. Suddenly she sprang up and started to the door, for Paul had left
- his room and was going down the stairs with a firm and hurried stride. Her
- hand on the door-knob, she leaned out into the darkened hall and peered
- after him. She had an impulse to call to him, yet the thought that she had
- no excuse for stopping him which would not reveal the fact that she had
- been eavesdropping checked both her voice and movement. She heard him
- crossing the veranda swiftly, and, returning to the window, she saw him on
- the walk striding toward the gate. Again she tried to cry out to him, and
- again she failed. As he reached the gate and passed out into the road she
- prayed that he would go toward the village rather than toward the cabin in
- which his stepfather lived. Her breast seemed to turn to stone the next
- instant, for he was taking the shortest cut toward the cabin. How calmly,
- fearlessly, he moved! How erectly he walked, and it was perhaps to his
- death! Ethel staggered back to her bed, sank on it face downward, and
- began to sob, began to pray as only he had taught her to pray, with all
- her young soul bent to its holy purpose.
- </p>
- <p>
- Paul strode on through the gloaming. Overhead arched the infinite symbol
- of endlessness, with here and there a twinkling gem of light. On either
- side of him the meadows and fields lay sleeping, damp with rising dew.
- Fireflies were flashing signals to their fellows; insects were snarling in
- the trees and grass; a donkey was braying in the far distance; dogs were
- barking.
- </p>
- <p>
- As Paul approached Warren's cabin the firelight from within shone through
- the open door out upon the bare ground in front. He paused for a moment,
- undecided as to how he should make his presence known&mdash;whether he
- should call out from where he stood, after the manner of mountain folk, or
- approach the threshold and rap. Just then a bulky, top-heavy looking
- object turned the corner of the cabin and advanced to the wood-pile near
- by. It was a man carrying a bunch of fagots on his shoulder. He threw it
- down, and, seeing Paul for the first time, he drew himself erect, staring
- through the darkness.
- </p>
- <p>
- &ldquo;Who goes thar?&rdquo; he grunted.
- </p>
- <p>
- Paul was about to reply when Warren suddenly grasped the handle of an ax,
- and swiftly swinging it to one side as if ready to strike a blow, he
- panted: &ldquo;Oh, it's <i>you</i>&mdash;is it? Well, I've been expectin' you
- all day. I knowed you'd hear I'd come, an' not lose time..Well, I hain't
- got no gun&mdash;my fool women folks took&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I haven't either, Jeff,&rdquo; Paul laughed, appeasingly. &ldquo;You've got the best
- of it this time; I'm at your mercy, and I'm glad of it. Turn about is fair
- play, and if you want to you can brain me with that ax. I really think I
- deserve it, Jeff. I've had seven years to regret what I did, and I don't
- want to lose a minute to tell you that I am sorry&mdash;sorry as ever a
- man was in this world.&rdquo;
- </p>
- <p>
- Silence fell. Warren leaned on his ax-handle and stared with wide eyes and
- parted lips. When he finally spoke his breath hissed through his teeth.
- </p>
- <p>
- &ldquo;Say, young feller, if you've come here to poke fun at me I tell you now
- you've&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I'm in no mood for that, Jeff,&rdquo; Paul broke in, with increased gentleness.
- &ldquo;I've done you a great injury. I was a silly boy at the time and I've
- sorely repented. I've come to beg your pardon&mdash;to beg it as humbly as
- I know how.&rdquo;
- </p>
- <p>
- &ldquo;Good God! You&mdash;you say&mdash;you mean&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I'm sorry, that's all, Jeff. I want to see my mother. You've got more
- right to her than I have now, after my conduct, but I want to see her and
- ask her to forgive me, too. A man has but one mother, Jeff, and the time
- comes to all men when they know what it means to lose one. Is she in the
- house?&rdquo; There was an awkward pause. Warren stood swaying like a human tree
- touched in every branch, twig, and leaf by clashing winds which had never
- so met before.
- </p>
- <p>
- &ldquo;Why, I thought&mdash;we thought&mdash;folks <i>all</i> thought&rdquo;&mdash;Warren
- dropped his ax, made a movement as if to regain it, then drew his lank
- body erect, and stood staring through the gloom.
- </p>
- <p>
- &ldquo;I know,&rdquo; Paul laughed softly and appealingly, &ldquo;they think blood, and
- nothing but blood, can wash out a difference like ours; but there is a
- better way, Jeff, and that is through good-will. We've been enemies long
- enough. I want to be your friend. You've taken care of my mother and aunt
- all these years, and I am genuinely grateful for it.&rdquo;
- </p>
- <p>
- Warren turned his shattered countenance aside. &ldquo;I didn't look for you to
- be this way at all&mdash;<i>at all</i>,&rdquo; he faltered, huskily. &ldquo;I reckon
- when I heard you was back here I got mad because you was makin' your way
- up so fast, and I've been steadily goin' down. The devil was in me, an' I
- thought he was in you, too. Lord, I never dreamt that you'd walk up like
- this to a&mdash;a&mdash;feller that&mdash;&rdquo; Warren waved a dejected hand
- toward the cabin&mdash;&ldquo;that had fetched your mammy to a pig-pen of a
- shack right in the neighborhood whar you are thought so much of.&rdquo;
- </p>
- <p>
- &ldquo;A man doesn't deserve to be well thought of, Jeff, who considers himself
- better in any way than a less fortunate fellow-being. If you could really
- understand me you'd see that I actually think <i>more</i> of you than if
- you were well-to-do.&rdquo;
- </p>
- <p>
- &ldquo;Oh, come off!&rdquo; Warren sharply deprecated. &ldquo;That's beyond reason. I used
- to be proud. In fact, I reckon that's what drawed me so much to your
- mother. I pitied her because your daddy made so little headway, but look
- at me now. Lord, Lord, jest look! Why, he was a <i>king</i> beside me.
- I've plumb lost my grip.&rdquo;
- </p>
- <p>
- &ldquo;I see&mdash;I know what you mean,&rdquo; Paul said, sympathetically, &ldquo;but you
- are going to get it back, Jeff, and I'm going to do all I can to help. Is
- my mother in the house?&rdquo;
- </p>
- <p>
- &ldquo;No; the calf got to the cow, an' the two wandered off somewhar. Your ma
- is down in the meadow close to the swamp tryin' to find 'em.&rdquo;
- </p>
- <p>
- &ldquo;And my aunt?&rdquo;
- </p>
- <p>
- &ldquo;Oh, Mandy&mdash;why, you see&rdquo;&mdash;Jeff appeared to be embarrassed anew&mdash;&ldquo;you
- see, Mrs. Tobe Williams, who lives over in town, driv' by this evenin'
- about an hour by sun, and&mdash;and said she'd had so much trouble gettin'
- a woman to&mdash;to cook for her big family o' children that, if Mandy
- wouldn't mind helpin' her out in a pinch, she would pay well for it. I put
- my foot down ag'in it, but Mandy wouldn't listen to reason, an' got in the
- buggy and went. It seemed to me that was my last straw. If killin' myself
- would aid anybody the least bit I'd gladly&mdash;&rdquo;
- </p>
- <p>
- Warren's voice broke, and he stood quivering from head to foot in the
- effort to control his emotion. Paul advanced and extended his hand. &ldquo;We
- must be friends, Jeff,&rdquo; he said, with feeling. &ldquo;Between us, we can make
- both of them happy.&rdquo;
- </p>
- <p>
- &ldquo;Between us! You say&mdash;&rdquo;
- </p>
- <p>
- Warren clasped the outstretched hand and clung to it as if for some sort
- of support in the strange new storm which was tossing him as he had never
- been tossed before.
- </p>
- <p>
- &ldquo;I can't make you out, Paul,&rdquo; he fairly sobbed; &ldquo;by God, I can't! Seems
- like you are foolin', an' then ag'in I know you ain't&mdash;yes, I <i>know</i>
- you ain't!&rdquo;
- </p>
- <p>
- &ldquo;No, I'm in earnest,&rdquo; Paul returned. &ldquo;Do you think my mother will be back
- soon?&rdquo;
- </p>
- <p>
- &ldquo;Yes; but you stay here an' let me step down whar she's at,&rdquo; Warren
- proposed, considerately. &ldquo;She ain't so well&mdash;in fact, she might get
- upset if&mdash;if she saw' you all of a sudden. I'll run down an'&mdash;an'
- tell her you are friendly. That'll be the main thing. She's been afraid
- you an' me would act the fool ag'in. She will be relieved and astonished.
- You wait here. I'll go tell 'er.&rdquo;
- </p>
- <p>
- When Warren had stalked away in the gloom Paul went to the cabin-door and
- glanced within. The pine-knots burning under the open fire of logs, the
- ends of which rested on stones, lighted the poor room, from which musty
- odors emerged, and he shuddered and turned away. Passing around the cabin,
- he approached the neat cottage near by. He went up on the little vine-clad
- porch and peered through the window's and side-lights of the door. Putting
- his hand into his pocket, he took out a key, and, thrusting it into the
- lock, he opened the door and entered. Striking a match, he held it above
- his head and went into all the rooms.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0034" id="linklink2HCH0034"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XVII
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">W</span>ARREN strode down
- the narrow winding path through the meadow. He crossed a swift-flowing
- creek on a narrow, sagging foot-log and went on toward the swamp. When he
- was some distance from the cabin he descried, beyond a patch of blackberry
- vines and a morass full of pond-lilies and bulrushes, the blurred outlines
- of a solitary figure. Then an unexpected sound fell upon his ears. It was
- a piping, uncertain voice endeavoring to run the scale after the manner of
- the exercises in a rural singing-class. It was Mrs. Warren. She was
- strolling toward him, beating time with a stiff index-finger held out
- before her.
- </p>
- <p>
- &ldquo;That's her!&rdquo; Jeff mused. &ldquo;She'll sing a different tune when I tell her
- what I know. By gum, the boy certainly floored me! Who would 'a thought
- it? Not me, the Lord knows.&rdquo;
- </p>
- <p>
- Skirting the boggy ground by passing along a little rise where velvety
- mullein-stalks grew in profusion, Jeff came face to face with his wife.
- With a crude instinct for dramatic surprise, he stood still without
- speaking and allowed her to approach closer to him. Listlessly intoning
- her scale and cutting the half darkness with her finger, she stopped with
- a start. Then, recognizing him, she laughed, and advanced confidently.
- </p>
- <p>
- &ldquo;You caught me,&rdquo; she said, abashed. &ldquo;I was jest wonderin' if me'n you'd
- ever sing another note. I declare my voice is all out o' whack. Some say,
- losin' the teeth spoils a voice. Well, we ain't goin' out to meetin',
- noway, I reckon, an' so we won't be asked to sing by the old crowd. I
- hain't got a thing fit to put on, an' they just sha'n't poke fun at my
- looks.&rdquo;
- </p>
- <p>
- &ldquo;I thought you hit that top-note purty clear just now,&rdquo; he said,
- evasively. He was wondering how he could smoothly explain the thing which
- had so startlingly upset all his calculations, and in which she was so
- soon to participate.
- </p>
- <p>
- &ldquo;I couldn't git the cow an' calf,&rdquo; she listlessly informed him. &ldquo;The fool
- beasts went clean over the hill. Bob Triggs saw 'em. He said they couldn't
- cross the river, an' we can drive 'em up to-morrow. But you don't get no
- milk to-night. Say, Jeff, just for the fun of it, let's try our old brag
- duet. If we kept at it in the evenin' for a few days we might sorter get
- back into harness.&rdquo;
- </p>
- <p>
- &ldquo;I don't want to sing no more, never no more,&rdquo; he answered, and something
- in the ring of his voice riveted her attention. She suddenly laid her hand
- on his arm and forced him to look at her.
- </p>
- <p>
- &ldquo;Jeff, what's the matter?&rdquo; she demanded, the comers of her sad mouth
- drooping in dire expectation. &ldquo;Some'n has happened. I know it. You come to
- meet me to let me know. Oh, Lord, Lord! you an' Paul hain't met&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Yes, but no harm was done,&rdquo; he said, unsteadily. &ldquo;I've seed 'im. He come
- to the cabin just now of his own accord. He&mdash;he wasn't lookin' for
- trouble; in fact, he talked nice. I never was so astonished since I was
- born. He&mdash;well, we shook hands an' made friends. I can't tell you&mdash;I
- don't know exactly how to explain it, but he's changed a powerful sight.'
- Nothin' like he used to be&mdash;don't talk the same&mdash;more like a
- lawyer, or a judge, or a high-up professor. Got a straight way about 'im,
- an' lots o' friendly feelin', an' even pity. He's waitin' up thar at the
- shack for you.&rdquo;
- </p>
- <p>
- &ldquo;For <i>me?</i> For <i>me?</i>&rdquo;
- </p>
- <p>
- &ldquo;Yes, he wants you, an' I told 'im if he'd stay I'd come down an' hurry
- you up.&rdquo;
- </p>
- <p>
- The woman's scant color diminished. Her eyes caught and reflected the
- meager light of the stars. Her thin breast shook under suppressed
- agitation. Her lips moved mutely. She twisted her bony fingers together
- and remained silent.
- </p>
- <p>
- &ldquo;You'd better come on,&rdquo; Warren urged, gently. &ldquo;It won't do to hold hard
- feelin's after a feller has put himself out to come forward like a man an'&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I ain't goin' a step!&rdquo; Mrs. Warren blurted out in a sob of bewildered
- protest. &ldquo;I&mdash;I don't want to see 'im ever ag'in! I ain't goin' up
- there. Tell 'im to go away. We ain't his sort. He's belittlin' himself to
- come from that fine house up there an' them fine folks to our dirty shack
- just because I am&mdash;am&mdash;his mother.&rdquo;
- </p>
- <p>
- &ldquo;Come on, come on, don't begin that!&rdquo; Warren was at the end of his
- resources. He deliberated for a moment, then caught his wife by the arm
- and attempted to draw her forward, but with a low cry she sank to the
- ground and buried her face in her lap. He stood over her, his gaze
- sweeping back to the cabin in the distance.
- </p>
- <p>
- &ldquo;Come on&mdash;what will he think?&rdquo; Warren pleaded, in a bewildered tone.
- &ldquo;I don't think I'd&mdash;I'd hurt his feelin's after&mdash;after&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I don't care what he thinks or <i>does</i>,&rdquo; surged up from the submerged
- lips. &ldquo;I'll not go a step till he's gone.&rdquo;
- </p>
- <p>
- &ldquo;Well, I've done all I can,&rdquo; Warren sighed. &ldquo;But I'll have to make some
- excuse.&rdquo;
- </p>
- <p>
- Trudging back to the cabin, he met Paul advancing eagerly toward him.
- </p>
- <p>
- &ldquo;Couldn't you find her?&rdquo; the young man inquired, anxiously.
- </p>
- <p>
- &ldquo;Yes, I found her.&rdquo; Warren pointed to the swamp with a jerky sweep of his
- rheumatic arm. &ldquo;I told 'er, too; but she wouldn't budge a step. She's
- ashamed. If you knowed everything, you'd understand how she feels. I'm
- dead sure she don't harbor a speck o' ill-will. She's a changed woman,
- Paul Rundel. She ain't the creature you left. I never give 'er no child,
- an' it looks like she's gone back in her mind to your baby days, an' she
- feels like she didn't do her full duty. I've ketched her many a time
- huggin' little youngsters, an' I knowed what that meant. She thought you
- was dead till yesterday, and of course you can see how&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I think I'll walk down there,&rdquo; Paul said, his face turned toward the
- swamp. &ldquo;I must see her tonight.&rdquo;
- </p>
- <p>
- &ldquo;Well, maybe you'd better,&rdquo; Warren acquiesced. &ldquo;As soon as she sees how&mdash;how
- well-disposed an' friendly you are I reckon she'll act different. I don't
- know, but I say I reckon she will.&rdquo;
- </p>
- <p>
- As Paul neared the edge of the swamp he came upon his mother standing near
- a clump of sassafras bushes. Her face was turned from him, and, as the
- thick grass muffled his step, she was unaware of his approach.
- </p>
- <p>
- &ldquo;O Lord, show me what to do!&rdquo; she was praying in 'tones which came
- distinctly to him on the still air. &ldquo;Oh, show me&mdash;show me!&rdquo;
- </p>
- <p>
- &ldquo;Mother!&rdquo; he cried out, and even in the vague light he saw her start, and
- gaze at him in actual fear. Then she averted her face, and he saw her
- swaying as if about to fall. Springing to her side, he took her in his
- arms, and drew her frail body against his strong breast. In the desperate
- effort to avoid his eyes she hid her face on his shoulder. He could not
- remember ever having kissed her, or having been caressed by her, and yet
- he kissed now as naturally and tenderly as if he had fondled her all his
- life.
- </p>
- <p>
- &ldquo;Don't, don't!&rdquo; she sobbed, yet there was a blended note of surprise and
- boundless delight in her opposition. Presently she struggled from his
- embrace and stood a foot or two away, now gazing at him in slow wonder
- while he took in her miserable physical aspect, the consequence of years
- of toil, poverty, and lack of proper nourishment.
- </p>
- <p>
- &ldquo;Aren't you glad to see me again, mother?&rdquo; he asked.
- </p>
- <p>
- &ldquo;I don't know&mdash;I don't know,&rdquo; she stammered, piteously. &ldquo;I thought
- you'd try to kill me an' Jeff on sight. We heard that's what you come back
- for.&rdquo;
- </p>
- <p>
- &ldquo;I came back to do my duty to God, to the law of the land, to you and
- every one. Mother, I am older and wiser now. Hard experience has opened my
- eyes and given me a clearer knowledge of right and wrong. We can't get
- away from duty. You are my mother, and a man owes his very life and soul
- to his mother.&rdquo;
- </p>
- <p>
- &ldquo;But not to me, not to <i>me</i>,&rdquo; she protested, fiercely. &ldquo;I know what I
- done, an' how inhuman I acted toward you when I was so silly an' giddy,
- when you needed a mother's love an' care. You ought not to notice me in
- the road. You've riz, an' amount to some'n, an' me an'&mdash;an' Jeff
- would be mill-rocks about your neck. We are jest scabs&mdash;human scabs!&rdquo;
- </p>
- <p>
- &ldquo;Listen, mother,&rdquo; he broke in, passionately. &ldquo;No words can describe my
- happiness. It seems to me that the very kingdom of Heaven is here among
- these old hills and mountains, and you gave it all to me, for you are
- responsible for my very being. But for you I'd never have existed. I'll
- show you what I mean, and then you will understand that poverty of the
- body can only increase the wealth of the soul.&rdquo;
- </p>
- <p>
- &ldquo;But&mdash;but we <i>are</i> in such a disgraceful plight,&rdquo; she faltered.
- &ldquo;You saw that cabin; you see my rags an' noticed Jeff's looks. You know
- what folks that used to know us will say an' think. We thought we was so
- smart. We was goin' to roll in money an' fine things an' prove that we
- knowed what we was about, but misfortune after misfortune piled on us,
- till&mdash;&rdquo;
- </p>
- <p>
- &ldquo;That's all to end,&rdquo; Paul said, with firmness. &ldquo;Do you know what I did
- to-day? As soon as I heard that Mayburn had put you in that dirty hut I
- rode over to his home and rented the cottage next door for you, and made a
- better all-round contract for Jeff&mdash;a contract under which he can
- easily earn money.&rdquo;
- </p>
- <p>
- &ldquo;You&mdash;you say?&rdquo; she gasped. She laid both her thin hands on his arms
- and flashed a hungry stare into his face. &ldquo;You say you rented that
- cottage?&rdquo;
- </p>
- <p>
- &ldquo;Yes, here is the key,&rdquo; he answered, putting it into her hand. &ldquo;You can
- move in to-night if you wish, but I wouldn't till to-morrow if I were you,
- for I have bought a complete outfit of new furniture in town and it will
- be out early in the morning.&rdquo;
- </p>
- <p>
- &ldquo;Oh, Paul, Paul&mdash;my boy, my baby!&rdquo; she was weeping now. Violent sobs
- shook her frail form from head to foot. Again he drew her into his arms,
- and stroked back her thin hair from her wrinkled brow. &ldquo;And that is not
- all, mother dear,&rdquo; he continued. &ldquo;You've waited long enough for the
- comforts and things you love. I shall supply you with everything&mdash;food,
- clothing, and anything else you want. I am going to make you three happy.
- I am able to do it, and it will be the joy of my life.&rdquo; She slowly dried
- her tears on the skirt of her dress. She looked at him, and a glad,
- childlike smile broke over her face as he led her homeward..
- </p>
- <p>
- &ldquo;It all seems like a pretty dream,&rdquo; she muttered. &ldquo;I'm afraid I'll wake in
- a minute.&rdquo;
- </p>
- <p>
- &ldquo;Life ought to be that way always,&rdquo; he said. &ldquo;If it isn't beautiful it is
- our fault. If anything goes wrong with us it is because we are out of
- harmony with the laws of the universe, which are perfect. It is never the
- universe that is wrong, but only our blind notion of it.&rdquo;
- </p>
- <p>
- &ldquo;But, oh, Paul&mdash;&rdquo; She was not capable of rising to his philosophy,
- and she paused and drew herself sorrowfully from his arm. &ldquo;You are doing
- all this, but I know how most folks look at things. They say&mdash;some do&mdash;that&mdash;that
- you are goin' with Ethel Mayfield, an' her folks are proud an' well off.
- They are not the same sort of stock as me an' Jeff, and if you tie
- yourself to us, why, may be she&mdash;&rdquo;
- </p>
- <p>
- An expression of inner pain rose to the surface of his face. &ldquo;People are
- apt to make mistakes,&rdquo; he said, awkwardly, and he forced a little
- misleading laugh. &ldquo;It is true that I have driven out with her several
- times, but it was only because she needed an escort and her mother wished
- it. She and I understand each other, in a friendly way, but that is all.&rdquo;
- </p>
- <p>
- &ldquo;So thar is nothin' in <i>that?</i>&rdquo;
- </p>
- <p>
- &ldquo;Nothing at all. Mother, I&rdquo;&mdash;his voice caught suddenly, and he
- cleared his throat&mdash;&ldquo;I am not really a marrying man. Marriage seems
- to be the happy fate of some fellows, but I am an exception. I have a
- great work before me&mdash;a sort of duty, as I see it&mdash;and these
- mountains are the best field on earth.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I'm so happy I hardly know what to do.&rdquo; Her face was fairly glowing.
- &ldquo;This thing will tickle Jeff an' Mandy to death. I am glad you made up
- with Jeff. He's all right, Paul. He means well. He's just been unlucky,
- that is all.&rdquo;
- </p>
- <p>
- &ldquo;Yes, he is all right,&rdquo; Paul agreed, &ldquo;and things will run more smoothly
- with him from now on.&rdquo;
- </p>
- <p>
- They were nearing the cabin. They saw Warren in front of the door, a
- bowed, sentinel-like figure in the red light of the fire within. His face
- was toward them as they approached, but he made no movement. His wife
- quickened her step, and going ahead of her son she took her husband's
- hands.
- </p>
- <p>
- &ldquo;Jeff, Jeff!&rdquo; she was heard to say, and Paul caught the words, &ldquo;cottage,&rdquo;
- &ldquo;furniture,&rdquo; and &ldquo;oh, ain't it glorious?&rdquo;
- </p>
- <p>
- Warren said nothing, but Paul heard him sigh. He pressed his wife's hands
- spasmodically and then dropped them. Firmly he advanced to meet his
- stepson, and paused in front of him.
- </p>
- <p>
- &ldquo;The Lord ought to have let your shot go deeper that night, Paul,&rdquo; he
- gulped, and for the first time in his life his eyes and voice were full of
- tears.
- </p>
- <p>
- &ldquo;The Lord caught that shot in His hand, Jeff,&rdquo; Paul answered. &ldquo;He saved us
- both, and we are wiser now!&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0035" id="linklink2HCH0035"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XVIII
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span>S Paul walked
- homeward a wave of transcendental ecstasy fairly lifted him from the
- ground. The stars and all space seemed his. He laughed; he sang; he
- whistled; a prayer of mystic delight rippled from his lips.
- </p>
- <p>
- He was drawing near the gate to Hoag's grounds when he noticed a man on a
- mule in the middle of the road. The rider's short legs swung back and
- forth from the plodding animal's flanks like pendulums, but his face was
- toward the village and Paul did not recognize him. Presently, however,
- when the gate was reached the rider was heard to cry &ldquo;Whoa!&rdquo; and Paul knew
- the voice. It was that of Tye, the shoemaker.
- </p>
- <p>
- &ldquo;How are you, Uncle Si?&rdquo; Paul quickened his step and approached just as
- the old man was about to dismount.
- </p>
- <p>
- &ldquo;Oh!&rdquo;&mdash;the cobbler settled back in his saddle&mdash;&ldquo;I'm glad to see
- you. I've been over the mountain deliverin' a big raft o' work. I shod a
- whole family&mdash;two grown-ups an' ten children. I want to see you, an'
- I was goin' to hitch an' go to the house.&rdquo;
- </p>
- <p>
- &ldquo;I see, I see,&rdquo; Paul smiled easily. &ldquo;Like all the rest, you want to warn
- me to look out for Jeff Warren.&rdquo;
- </p>
- <p>
- &ldquo;Not a bit of it&mdash;you are away off!&rdquo; Tye stroked his short beard with
- the fingers which held his riding-switch and grinned confidently. &ldquo;That
- will take care of itself. I don't have to be told what a feller with <i>your</i>
- light will do. I'll bet a dollar to a ginger-cake that you've been to see
- 'em already, an' you didn't act the fool, neither.&rdquo;
- </p>
- <p>
- With a laugh Paul admitted it. &ldquo;I had a narrow escape,&rdquo; he added. &ldquo;Jeff
- wanted to brain me on the spot with an ax.&rdquo;
- </p>
- <p>
- &ldquo;But you bet he didn't,&rdquo; Silas chuckled, &ldquo;an' I'll lay he's lookin' at
- things in a brighter light than ever fell across his path before. But I've
- come to see you about business&mdash;strict earthly business, an' it's
- your business, not mine. Paul, you've heard of Theodore Doran an' the big
- cotton-factory he's just built at Chester?&rdquo;
- </p>
- <p>
- &ldquo;Oh, yes,&rdquo; Paul returned. &ldquo;Some of my men have gone over there to work.&rdquo;
- </p>
- <p>
- &ldquo;Well, what do you think? Doran is stoppin' at Kerr's Hotel, buyin' up
- cotton to run on next fall, an' this mornin' he come in my shop an' took a
- seat. You see, I used to know him an' his folks powerful well. He was in a
- Sunday-school class of mine, along with three other lads, away back in the
- seventies, when he was a tow-headed scrub of a boy that nobody ever
- thought would get rich, an' so I reckon he's purty free with me in
- confidential matters. Well, he set in to chattin' in a roundabout way, an'
- it wasn't long before I took notice that the talk always somehow got back
- to you an' your expert management of Hoag's affairs. Whar I fust began to
- smell a rat was when he said he'd been to every plant an' farm of Hoag's
- an' taken a look at 'em. Then what do you reckon he said? He said he had
- looked high an' low for a man to help 'im run the big factory, but hadn't
- found the right chap. Then he went on to say that from all he had seed an'
- heard you was the one he was lookin' for. He knowed me an' you was close
- friends, an' so he bantered me to find out if I thought you'd consider a
- change. I told 'im I didn't know; but, la me! if I didn't grease the
- wheels o' your cart no man in Georgia could. I said a lot, but he had
- heard more than I could tell 'im in a month o' Sundays. He said what he
- wanted was a feller who he knowed was honest to the core, an' he was sure
- he could sleep sound with a man at the helm that had come back here, like
- you did, as a bare matter of principle.&rdquo;
- </p>
- <p>
- &ldquo;I am afraid you both are thinking entirely too well of me,&rdquo; Paul
- faltered, &ldquo;but I am glad you wanted to help me along.&rdquo;
- </p>
- <p>
- &ldquo;Well,&rdquo; Tye continued, &ldquo;the upshot of the talk was that Doran didn't want
- no mix-up with Jim Hoag over tryin' to hire a man o' his, an' he asked me,
- as your friend, to sort o' sound you. He says he's willin' to pay a big
- price for your services, an' he thinks you will take an interest in the
- work. It is to be a model mill. They have built comfortable cottages for
- the workers, with a nice garden tacked onto each one, an' they don't
- intend to employ little children. Paul, it is a fine job&mdash;there is no
- better anywhar. I told 'im I didn't think you was bound to any written
- contract to Hoag, an' Doran said he was sure you wasn't, because Hoag
- wouldn't obligate hisse'f to nobody&mdash;even a good man.&rdquo;
- </p>
- <p>
- &ldquo;No, I am not bound to him,&rdquo; Paul said, &ldquo;and I am just a little bit afraid
- he will not approve of something I am going to do. I have decided to help
- Jeff Warren and my mother.&rdquo;
- </p>
- <p>
- &ldquo;I see.&rdquo; Tye thrust his stubby fingers through the bristling mane of his
- mule, and bent down reflectively, &ldquo;No, that will make 'im as mad as a wet
- hen. He hates Jeff with all the puny soul that's in him. Paul, take my
- advice. Doran will be at the hotel to-morrow an' wants to see you. Go have
- a talk with him.&rdquo;
- </p>
- <p>
- &ldquo;It is plainly my duty,&rdquo; Paul answered, with conviction. &ldquo;There are
- certain expenses I have to meet, and I must sell my services for all they
- are worth.&rdquo;
- </p>
- <p>
- &ldquo;Well, that's what I wanted to see you about.&rdquo; Tye thrust his heels into
- the mule's flanks, shook the reins, clucked through his gashed teeth, and
- started homeward. &ldquo;Good night; you know I wish you well.&rdquo;
- </p>
- <p>
- Paul entered the gate and started up the walk toward the house. As he drew
- near the steps he saw a shadowy form emerge from the darkened doorway,
- move across the veranda, softly descend to the ground, and noiselessly
- glide toward him. It was Ethel. Her head was enveloped in a light lace
- shawl held close at her chin, and her sweet face showed pale and rigid
- through the opening.
- </p>
- <p>
- &ldquo;Oh, Paul&mdash;&rdquo; she began, but her timid voice trailed away into
- silence, and she stood staring at him, a fathomless anxiety in her eyes.
- </p>
- <p>
- &ldquo;Why, I thought you were in bed long ago,&rdquo; he said, in surprise. &ldquo;Has
- anything happened&mdash;gone wrong?&rdquo;
- </p>
- <p>
- &ldquo;No, no,&rdquo; she ejaculated; &ldquo;but you&mdash;<i>you</i>, Paul&mdash;&rdquo;
- </p>
- <p>
- Again her power of utterance forsook her, and she stood before him with
- downcast eyes. The hand holding the shawl was quivering visibly; there was
- a flare of burning suspense beneath her eyelids.
- </p>
- <p>
- &ldquo;I see,&rdquo; he said, regretfully. &ldquo;Your grief has got the upper hand again.
- You can't fully master it yet. It may be that way for some time, but you
- must keep trying to view it right, for it <i>is</i> right, Ethel. I am
- more positive of it to-night than ever before.&rdquo;
- </p>
- <p>
- &ldquo;It is not <i>that</i>&mdash;oh, it isn't <i>that!</i>&rdquo; Ethel cried. &ldquo;It
- is you, Paul&mdash;you and&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I really don't understand,&rdquo; he said, bewildered. &ldquo;You say that I&mdash;&rdquo;
- </p>
- <p>
- She released her hold on the shawl and laid her hand on his arm. &ldquo;I must
- own the truth,&rdquo; she began, tremulously, her voice steadying bravely as she
- hurried on. &ldquo;I listened to what you and my uncle said when you got home
- to-night. You were beneath my window and I could not resist it.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I see!&rdquo; A light broke on him. &ldquo;And you thought&mdash;&rdquo;
- </p>
- <p>
- &ldquo;You went to your room and then hurried away&mdash;you went straight
- toward Jeff Warren's cabin, and&mdash;&rdquo;
- </p>
- <p>
- &ldquo;And you counted on hearing gunshots,&rdquo; he laughed, reassuringly. &ldquo;Well,
- there were none. I owed him an apology and I made it. We are friends now,
- and I have my mother back.&rdquo;
- </p>
- <p>
- &ldquo;Oh, Paul, was that all?&rdquo; He could almost see her face glow in the
- darkness. &ldquo;I was afraid&mdash;oh, I was afraid that all your troubles were
- going to begin over again!&rdquo;
- </p>
- <p>
- She was silent after that. His gentle words of reassurance seemed to fall
- on closed ears. She stood staring up at the window of her room for several
- minutes, and then she said, in a tone that was quite incomprehensible to
- him: &ldquo;You think I am silly&mdash;I know you do, but worrying over Jennie's
- death has&mdash;has really unstrung me. I am not myself. I don't know what
- I am doing or saying. I give myself up to terrible fancies. Good night,
- Paul.&rdquo;
- </p>
- <p>
- He remained on the lawn after she had disappeared. He heard her slow step
- on the stair. His ecstatic spirit-dream was over. He sank on a rustic seat
- and bowed his head to his open hands. She was so dear to him and yet so
- absolutely unattainable!
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0036" id="linklink2HCH0036"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XIX
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HE next afternoon,
- following a conference with the owner of the cotton-mill, which took place
- at Tye's shop, Paul returned home. As he was about to ascend the stairs to
- his room he met Mrs. Tilton in the hall.
- </p>
- <p>
- &ldquo;Have you seen Jim?&rdquo; she inquired; and when he had answered in the
- negative she added: &ldquo;He was asking whar you was at. I thought I'd sort o'
- warn you to look out for him; he ain't in the best of tempers. Some'n's
- gone crooked somewhar or other. He actually cussed me just now an' slapped
- little Jack for the first time in over a year. The child was just comin'
- to git in his lap, an' he's been cryin' as if his heart was broke ever
- since.&rdquo;
- </p>
- <p>
- &ldquo;Where is Mr. Hoag?&rdquo; Paul asked.
- </p>
- <p>
- &ldquo;He's down at the tannery shippin' some leather.&rdquo; There were still several
- minutes to spare before supper-time, and Paul decided to seek his employer
- at once, so he turned down to the tannery. As he approached the warehouse
- the rumble of the iron truck-wheels on the heavy floor reached him, and
- above the din he heard Hoag's gruff voice giving commands to two negro
- laborers. Stepping upon the platform, Paul saw his employer near the wide
- sliding door just within the dust-filled room, and he approached him.
- </p>
- <p>
- &ldquo;Anything I can do?&rdquo; he asked, politely.
- </p>
- <p>
- &ldquo;Do! Does it look like thar's anything to do?&rdquo;
- </p>
- <p>
- Hoag hurled the words at him, his eyes flashing beneath beetling brows,
- his lip curled and drawn tight across tobacco-stained teeth.
- </p>
- <p>
- Paul stared at him unflinchingly. &ldquo;Shipments have always been made in the
- morning,&rdquo; he said, calmly. He drew a note-book from his pocket and opened
- it. &ldquo;I had this down for the first thing to-morrow.&rdquo;
- </p>
- <p>
- &ldquo;It ain't what <i>you</i> have down, but what I want done, when an' how I
- like it. I couldn't find <i>you</i>, so I had to do it <i>myself</i>.&rdquo;
- </p>
- <p>
- &ldquo;We won't talk about that at all,&rdquo; Paul retorted, drawn into anger he was
- trying hard to control. &ldquo;I know I earn my salary, and I'll be treated like
- an intelligent human being while I am at work or I'll quit. Do you
- understand that? I'll quit!&rdquo;
- </p>
- <p>
- &ldquo;Damn your soul&rdquo;&mdash;Hoag looked about on the floor as if for something
- with which to strike the speaker to earth&mdash;&ldquo;do you mean to stand thar
- an' give me any of your jaw?&rdquo;
- </p>
- <p>
- &ldquo;Not any more than you need to make you act like a man.&rdquo; Paul bent a
- steady and fearless gaze on him that made him flinch and drop his eyes.
- But Hoag was not subdued. He blinked sullenly for a moment, swore at a
- negro who was staggering past under an overloaded truck, followed him to
- the wagon at the door, where he stood, a mere husk of a man buffeted by
- fierce inner storms. Presently he came back to Paul; he had unconsciously
- crushed the order for the leather in his hand and broken the tip of his
- pencil.
- </p>
- <p>
- &ldquo;Thar's no use beatin' about the bush,&rdquo; he began, in a tone which showed
- that he was now more sure of his ground. &ldquo;I'm goin' to give you the truth
- straight from the shoulder. An' if you don't like it you kin lump it.&rdquo;
- Another loaded truck was passing and Hoag stopped it. He made a flurried
- effort to count the rolls, and failing to do so, he waved his hand
- impatiently, swore at the man, and the truck was trundled on to the door.
- </p>
- <p>
- &ldquo;You needn't waste time getting to it,&rdquo; Paul began firmly. &ldquo;I know what's
- the matter with you. You've made up your mind that slavery is not yet
- over. You've heard about what I am doing for my mother, and&mdash;&rdquo;
- </p>
- <p>
- &ldquo;That's it,&rdquo; Hoag's dead face flared. &ldquo;I may as well tell you the truth
- an' be done with it. Not a dollar&mdash;not one dollar of my money shall
- go to a low-lived, dirt-eatin' skunk like Jeff Warren.&rdquo;
- </p>
- <p>
- &ldquo;<i>Your</i> money? No; not a penny of <i>your</i> money,&rdquo; Paul laughed,
- sarcastically.
- </p>
- <p>
- &ldquo;Well, haven't you gone an' moved his whole lay-out into Mayburn's new
- house an' laid in furniture an' supplies an'&mdash;an'&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, yes, but not at <i>your</i> expense,&rdquo; Paul continued to smile. &ldquo;I
- knew you would want me to quit working for you when I did it; still, I did
- it, and I'm going to keep it up.&rdquo;
- </p>
- <p>
- &ldquo;You say you are!&rdquo; Hoag had never had his will more flatly opposed. &ldquo;Well,
- listen to me, young man. You are gittin' entirely too big for your pants.
- I took you up when you come back here under the ban of the law an'
- couldn't 'a' got a job like this to save your neck. I've been payin' you a
- hundred a month, but seein' that you are countin' on livin' like a royal
- prince, an' spendin' your wages on the rag-tag an' bobtail scum of the
- earth, from now on your pay is cut to seventy-five dollars a month.&rdquo;
- </p>
- <p>
- The eyes of the two men met. Hoag's were burning with satanic triumph;
- Paul's held a certain gleam of pity, and yet they bore down with a
- steadiness that stirred the slow surprise of his companion.
- </p>
- <p>
- &ldquo;If you mean that as final,&rdquo; Paul said, &ldquo;I have something vital and
- positive to say myself.&rdquo;
- </p>
- <p>
- &ldquo;I'll not pay a cent more,&rdquo; Hoag panted. &ldquo;I'll see you dead an' buried
- first. Any young man with the chances you had, to go an' throw 'em all
- away for a low-lived tramp clodhopper&mdash;&rdquo;
- </p>
- <p>
- &ldquo;We'll leave Warren out of the matter,&rdquo; Paul interrupted, almost fiercely.
- &ldquo;My proposition to you is this, Mr. Hoag. I do not want to leave you,
- because certain things I have got under way in your interests cannot well
- be carried out by any one else, and it would be wrong for me to cause you
- to lose. Still, I know my value. If I didn't I'd not have brains enough to
- manage your affairs as I am managing them. Only this afternoon I have had
- the offer of the superintendency of the Doran Cotton Mills. The pay is
- double my present salary&mdash;with various chances of promotion.&rdquo;
- </p>
- <p>
- &ldquo;What&mdash;what? You say that you&mdash;you say that Doran&mdash;&rdquo; But
- Hoag's utterance had failed him completely. He stood quivering from head
- to foot, his lip hanging low, his teeth parted, his breath hissing as it
- passed through them.
- </p>
- <p>
- &ldquo;I don't want to quarrel with you,&rdquo; Paul softened. &ldquo;It is wrong for two
- men to quarrel&mdash;especially wrong for one who has learned the full
- evil of it as I have, and we need not do it now. But I have certain human
- rights which, for reasons of your own, you ignore, and are trying to
- trample underfoot. It is my right to help my mother, and any one else I
- see fit to help. I cannot do these things if I work for you for less than
- my services are worth on the market. I want to remain here, and if you
- will pay me the price offered by Doran I will do so, otherwise I shall
- leave you.&rdquo;
- </p>
- <p>
- &ldquo;Pay you&mdash;pay you two hundred a month&rdquo;&mdash;Hoag gasped&mdash;&ldquo;pay
- you double what you now get so that you can spend it on a lazy,
- good-for-nothin' scamp? Not on your life! I'll see the last one of you
- dead first, an' laid out stark an' cold.&rdquo;
- </p>
- <p>
- &ldquo;Then it is settled,&rdquo; Paul answered, calmly. &ldquo;I told Doran I'd let him
- have my decision in the morning. I'll leave you on the first of next
- month.&rdquo;
- </p>
- <p>
- &ldquo;You can go an' be damned,&rdquo; Hoag swore under his breath, and raised his
- clenched fist and shook it in Paul's face. &ldquo;Git out o' my sight.&rdquo;
- </p>
- <p>
- And with that ultimatum Hoag stalked out to the platform. Paul looked at
- him regretfully a moment and then turned away.
- </p>
- <p>
- He failed to see his employer at the supper-table. He was at work in his
- room near bedtime when he heard a heavy, dragging step on the stairs. The
- next moment Hoag leaned in the open doorway. His face was flushed with
- drink; there was a thwarted glare in his bloodshot eyes.
- </p>
- <p>
- &ldquo;I reckon you meant what you said about Doran?&rdquo; he began, sullenly.
- </p>
- <p>
- &ldquo;Yes, I simply stated the facts,&rdquo; Paul answered.
- </p>
- <p>
- &ldquo;You said you'd keep on with me for the price Doran's willin' to pay?&rdquo;
- </p>
- <p>
- &ldquo;Yes,&rdquo; Paul returned, with dignity. &ldquo;I meant to put it that way.&rdquo;
- </p>
- <p>
- &ldquo;Well, I reckon&rdquo;&mdash;in blended chagrin and anger&mdash;&ldquo;you are worth
- as much to me as you are to him. The offer comes through enemies of mine
- who want to injure me&mdash;fellers that stand in with Doran&mdash;a gang
- o' narrow church elders over there, who have got it in for me. You stay
- on, an' I'll try not to kick any more over your private matters. Do you
- understand?&rdquo;
- </p>
- <p>
- &ldquo;I think so.&rdquo;
- </p>
- <p>
- &ldquo;All right, then. That's all I wanted to say.&rdquo; Hoag turned to the door. He
- stood there for a moment, then slowly faced Paul again.
- </p>
- <p>
- &ldquo;There is one other thing,&rdquo; he said, half-sheepishly. &ldquo;I got onto the fact
- that you went on Henry's note at the bank to git the money for 'im to go
- into that business on, an' I thought I'd tell you that I don't intend to
- let you lose it. Good business men think Henry is goin' to make money
- thar. In fact, I think myself that he may stick to it. I was in his store
- to-day an' his partner is well pleased with the work Henry is doin'. I
- expect to pay that note off, but I'll let 'im owe the bank a while. That
- will be best, I think.&rdquo; And with that Hoag turned and went down the
- stairs.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0037" id="linklink2HCH0037"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XX
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span> FEW days later
- Hoag was walking home from his cotton-gin. It was near noon. It had been
- cool and cloudy all the morning, and the humid air was laden with a
- hovering mist which at every moment seemed about to resolve itself into
- rain. Suddenly, in a thicket at the side of the road, he saw a man with
- his back toward him. The gaunt form resembled Sid Trawley's, yet the queer
- antics of the hatless figure belied such an association, for it was
- bending down and rising up with inexplicable regularity. Hoag paused and
- watched in growing wonder. It was plain that the man's contortions were
- not due to the lifting of any tool, for every few seconds a pair of bare,
- splaying hands would rise above the head, clutch at the air, and slowly
- descend.
- </p>
- <p>
- &ldquo;What the hell ails 'im?&rdquo; Hoag asked himself, and turning into the thicket
- he approached the animated automaton. It was Trawley. On seeing Hoag he
- flushed deeply, dropped his gaze awkwardly to the ground, and stood
- silent, though smiling in a sheepish way.
- </p>
- <p>
- &ldquo;Look here, are you gone plumb distracted?&rdquo; Hoag demanded, as he stood
- eying his old associate from head to foot.
- </p>
- <p>
- &ldquo;I reckon you might call it that,&rdquo; Trawley answered, raising his arms
- above his head and inhaling a deep breath. &ldquo;A heap o' things look plumb
- foolish if you ain't onto the scientific explanation.&rdquo;
- </p>
- <p>
- &ldquo;Well,&rdquo; Hoag tittered, &ldquo;I can't see no sense in a big strappin' feller
- like you actin' like a jumpin'-jack pullin' it's own string away out here
- in the woods all by yourself.&rdquo;
- </p>
- <p>
- Trawley threw back his broad shoulders, took a shorter breath, and
- answered: &ldquo;I railly didn't intend to be seen, Jim, much less by you, who
- never would believe nothin' outside o' your own hide. I've been doin' this
- thing for a month or more.&rdquo;
- </p>
- <p>
- &ldquo;You say you have!&rdquo; Hoag exhibited one of his rare tendencies toward a
- smile. &ldquo;I see whar you've pawed up the grass considerable. It looks like
- the ground round the hitchin'-post of a prize stallion.&rdquo;
- </p>
- <p>
- &ldquo;I reckon I <i>have</i> come here as much as anywhar else.&rdquo; The liveryman
- comically surveyed the spot in question. &ldquo;I git the walk out, an' I like
- to operate in the same spot. I can time myself, you see. I give a' hour to
- it twice a day&mdash;momin' an evenin'.&rdquo;
- </p>
- <p>
- &ldquo;You say you do!&rdquo; Hoag's smile broke broadly. &ldquo;Workin' for yourself or
- hired out?&rdquo;
- </p>
- <p>
- &ldquo;I knowed you'd joke,&rdquo; Trawley said, half abashed, &ldquo;but no joke o' your'n,
- Jim Hoag, will turn me from a thing as good as this is. I've been led by
- your sort long enough. Thar are things in heaven an' earth, Jimmy, that
- you never even saw the tail-end of, much less the head an' shoulders. I
- know, for I'm just beginnin' to catch onto a powerful big thing.&rdquo;
- </p>
- <p>
- &ldquo;The last time I saw you,&rdquo; Hoag said, with a smile, &ldquo;you swore you was
- goin' to lie flat down an' die.&rdquo;
- </p>
- <p>
- &ldquo;Yes, that's it; I did say it, an' I was as sure of it as I am that you
- are a-standin' thar pokin' fun right now. Jim, I was on the actual edge o'
- hell. I could see the smoke, smell the fumes, an' hear the smashin' o'
- teeth, mentioned in Scripture. You used to see me at work in the stable,
- but you never seed me after the sun went down an' the night piled thick
- and heavy around me. I was crazy. I expected to die right off, an' the
- trouble was that I wasn't ready. Then what do you reckon happened?&rdquo;
- </p>
- <p>
- &ldquo;I was just wonderin'.&rdquo; Hoag really was interested, and he stood staring
- seriously, all traces of humor submerged in curiosity.
- </p>
- <p>
- &ldquo;Well, I was at my lowest ebb one day. The doctor had examined me ag'in
- an' said I had no stomach that would hold a bite I ate, an' no relish for
- a thing, even soft <i>baby</i> truck. I was losin' weight as fast as a
- dump-cart o' manure with a plank gone from the bottom, an' I went to the
- stable an' set down to try to reconcile myself to the fate that all men
- has to meet sooner or later, but I couldn't. The more I thought about it
- the worse I got. Jim, in that little hour thar in my office, humped over
- my desk, I attended over ag'in every funeral I ever went to, an', more'n
- that, I seed every pore cuss our gang ever lynched a-hangin' from the
- rafters above the backs o' my hosses an' mules. I'd 'a' killed myself, but
- I knowed I'd just be hurried to judgment all the quicker, an' thar I was
- actually wallowin' in my despair. Then a miracle happened.&rdquo;
- </p>
- <p>
- &ldquo;Oh, it <i>did?</i> I thought that might be a-comin',&rdquo; Hoag sneered, &ldquo;for
- you wasn't wallowin' in anything like that when I catched you a minute
- ago.&rdquo;
- </p>
- <p>
- &ldquo;You'll say I'm a big fool,&rdquo; Trawley went on, with the glow of a mild
- fanatic in his eyes; &ldquo;but I don't give a damn. The proof of the puddin' is
- chawin' the rag, I've always heard. Right at my worst minute, who should
- walk in an' set down for a chat except Paul Rundel? I always liked that
- boy, an' when he come home to give 'imself up like he did I was one that
- believed he meant what he said. I'm convinced of it now, because he's
- livin' up to his doctrine. Well, one thing fetched on another as me'n him
- talked, till somehow I got to tellin' him how low I was an' what the
- doctor said. I thought he'd be sorry for me, but he shuck his head an'
- actually laughed. He tuck my wrist, he did, an' felt my pulse, an' then he
- peeled my eyes back an' looked at the balls, an' made me show him my
- tongue; then he slapped me on the knee&mdash;careless like&mdash;an'
- laughed free an' hearty.
- </p>
- <p>
- &ldquo;'Thar ain't nothin' much the matter with you, Sid,' he said. I know,
- because I've run across lots an' lots o' cases like your'n.' Then he
- plunged into the sensiblest talk&mdash;well, Cap&mdash;Jim, I mean&mdash;'scuse
- me, I never heard anything to equal it in all my born days. It was like a
- rousin' sermon preached by a jolly base-ball player, or a feller that just
- got the meat out of religion an' throwed the gristle to the dogs. Why, he
- told me that what ailed me couldn't be reached by any dose o' medicine
- that ever slid down a throat. He said he'd bet his hat that I had some'n
- on my mind that ought to be unloaded. I sort o' shied off thar, but he
- went into all his own trouble over that shootin'-scrape in such a free an'
- open way that I&mdash;&rdquo;
- </p>
- <p>
- &ldquo;You didn't&mdash;you didn't violate your oath to&mdash;&rdquo; Hoag started,
- and his shaggy brows met suspiciously.
- </p>
- <p>
- &ldquo;No, an' I didn't have to. He said&mdash;Paul said&mdash;totin' sin that
- was behind you an' ought to be forgot was as rank a poison to some systems
- as any virus that ever crawled through the blood, an' I admitted that I
- was bothered by some things I'd done that I didn't want to talk about.
- But, oh my! how good that boy made me feel! He said if I would just quit
- thinkin' about my stomach an' what went into it, an' keep my mind full o'
- pure thoughts, determine to act right in the future, an' take exercise in
- the open air, that I'd git as sound as a dollar right off.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I see.&rdquo; Hoag smiled more easily. &ldquo;An' you took his advice. Well, he
- ain't so far wrong. Believin' you are done for is powerful weakenin'. I
- seed a bedrid old hag once jump out o' bed when somebody yelled that a mad
- dog was headed toward her cabin. She broke out with nothin' on but a shift
- an' one stockin' an' run half a mile, waded through a creek, an' climbed a
- ten-rail fence to git to a neighbor's house, an' after that she was hale
- an' hearty.&rdquo;
- </p>
- <p>
- &ldquo;It's a sight deeper science than that when you work it accordin' to
- up-to-date rules an' regulations,&rdquo; Trawley blandly explained. &ldquo;The furder
- you advance in it the more you seem to lay hold of. You seed me bendin' up
- an' down just now. Exercise like that, 'long with deep breathin', an' the
- idea that you are, so to speak, pullin' good thoughts an' intentions into
- you along with the wind, will do more than ten wholesale drug-stores. I
- know, for I am actually a new man, from toe to scalp. I don't eat nothin'
- now but ham. Look at my muscles.&rdquo; Trawley exhibited an arm tightly
- contracted and smiled proudly. &ldquo;Why, I was ready for my windin'-sheet an'
- the coolin'-board. If I had to give up my stable, an' every hoss an' rig I
- have, or let go of this idea, I'd do it an' work like a nigger in a ditch
- for bare bread an' water. Paul calls it 'the Science of Life,' an' he's
- right. In our talk that day he said that it would be well to try, as far
- as I could, to undo any wrong I'd ever done, an' soon after that I saw
- Pete Watson's widow passin' the stable. I'll swear she did look pitiful in
- her old raggety shoes with the toes out, totterin' along with her kinky
- head down. Well, I called 'er in an' had a talk&mdash;&rdquo;
- </p>
- <p>
- &ldquo;An' give us all dead away!&rdquo; Hoag flashed in renewed fear.
- </p>
- <p>
- &ldquo;No, I didn't. She was in a powerful bad fix, an' I let 'er have a few
- dollars an' told 'er to look me up any time she was rail bad off. Lordy!
- the sight o' that old thing's face did me good for a week. I'm goin' to
- hire one o' her sons to work in the stable. I reckon I'd be a freer man if
- I wasn't sorter obligated to you boys; but I tell you now, Jim, I'm goin'
- to drag my skirts away from you all as much as possible. All that
- secret-order business an' followin' your lead got me down. Paul says, in
- all the places he's been at, he never has seed as bad a condition of
- affairs as we got right here. He says&mdash;an' I don't know whether he
- suspicioned that I was implicated or not&mdash;but he says that all that
- night-prowlin', an' scarin' half-witted niggers an' stringin' 'em up to
- limbs, won't settle our trouble. He says that we've got to be gentle with
- the blacks an' train 'em. He says the old slaveholders was kind to 'em,
- an' that's why no outrages was ever heard of before slavery was abolished,
- an' he says treatin' the niggers decent now will&mdash;&rdquo;
- </p>
- <p>
- &ldquo;He's a fool!&rdquo; Hoag growled, angrily. &ldquo;He's gone off an' lived among a lot
- o' Yankees who think niggers are a grade better'n us white folks down
- here. They don't know nigger-nature, an' <i>he</i> don't, neither, but
- I'll tell you one thing: he'd better keep his mouth shet, an' you&mdash;you
- can quit us if you want to, but you'd better not make too many brags about
- it.&rdquo;
- </p>
- <p>
- &ldquo;I'm not braggin' <i>now</i>,&rdquo; Trawley retorted. &ldquo;A feller can't well brag
- about what he is ashamed of, an' Jim, I'm heartily ashamed of all that
- business. Lord, Lord! you called me 'Lieutenant', an' I remember how proud
- I was of the title the night you give it to me an' the boys all cheered.
- 'Lieutenant!' I say, '<i>Lieutenant!</i>' I hope to git to Heaven some day
- or other, an' wouldn't I love to hear 'em call me that up thar among the
- Blest, an' ax how I had got my promotion?&rdquo;
- </p>
- <p>
- &ldquo;I see through you, Sid.&rdquo; Hoag was nettled, and yet trying to speak in a
- tone of unconcern, which in part was natural. &ldquo;Thar's more'n one way o'
- showin' the white feather. You was all right as long as you felt well an'
- strong, but the minute you begun to think about dyin' you went all to
- pieces. That's how every little jack-leg preacher makes his salary, by
- scarin' your sort out o' their socks.&rdquo;
- </p>
- <p>
- &ldquo;You are away off your base.&rdquo; Trawley stretched himself, raised his arms,
- after the manner of his health exercise, lowered them to his sides, and
- smiled confidently. &ldquo;Paul Rundel ain't no jack-leg preacher, presidin'
- elder, or bishop. He's movin' along mixin' business with joy as smooth as
- deep water headed for the ocean. He don't charge a cent; in fact, when he
- talks it looks like he does it because he can't hold in. He says religion
- don't mean givin' up the good things of the flesh or the spirit; he says
- it just means knowin' how to live, an'&mdash;<i>livin''</i>. Why, look at
- your son Henry.&rdquo;
- </p>
- <p>
- &ldquo;What's he done now?&rdquo; Hoag's eyes flickered ominously, as they bent upon
- Trawley's impassioned countenance.
- </p>
- <p>
- &ldquo;Why, nothin', except he's workin' like a wheel-hoss an' Paul started 'im
- by a few straight talks on the right line an' havin' faith in 'im. Jim
- Hoag, I've set in to live right, an' I'm goin' to keep it up.&rdquo;
- </p>
- <p>
- &ldquo;Lemme tell you some'n, Sid,&rdquo; Hoag returned, dryly. &ldquo;I've noticed that
- whenever a man is plumb played out&mdash;cayn't hold his own among men,
- loses his little pile, is hopelessly disgraced, or somebody dies that he
- thinks he has to keep&mdash;why, he goes daft about the wings he's goin'
- to wear an' the harp he's to play in a land flowin' with milk an' honey.
- Since the world begun to roll, not a word has come back from the
- spider-web place they all talk about, an' the feller that believes in it
- is simply dyin' of the dry-rot. All that a human bein' will ever git he'll
- git here on this globe. I've made what I've got by hard licks, common
- sense, an' paddlin' my own boat. A feller that sees a lot o' jimjam
- visions ahead never will buck down to real life here, an' he'll never lay
- up a dollar or own a foot of land. Wise men knowed all this long before
- Jesus Christ come teachin' that the only way to accumulate was to give
- away all you git, make a two-sided foot-mat o' your face, an' associate
- with fishermen that want to learn how to walk on the water.&rdquo;
- </p>
- <p>
- &ldquo;Say, say, Jim, that's purty tough!&rdquo; Trawley protested. But with a smile
- of conscious victory Hoag was starting away.
- </p>
- <p>
- &ldquo;Take some more deep breaths,&rdquo; he chuckled over his shoulder, &ldquo;an' while
- you are drawin' in truth suck down what I've just said. I kin <i>prove</i>
- what I'm talkin' about, but you can't prove that any sane man ever <i>dreamt</i>
- the stuff you are tryin' to believe.&rdquo;
- </p>
- <p>
- Trawley stood still on the spot he had rendered grassless by his modern
- devotions, and stared after the receding form. &ldquo;I'll bet it will take me a
- week to git away from that durn fellow's influence,&rdquo; he muttered. &ldquo;He
- believes what he says, an' lives up&mdash;or <i>down</i>, rather&mdash;to
- his doctrine, but he's kept me crooked long enough. He was my god once,
- with all his power an' money, but he ain't no longer. I said a week&mdash;shucks!
- I'm free already. That sky up thar's mine, or will be if I keep on, an'
- it's got no fence around it nuther.&rdquo; Trawley inhaled a deep breath, bent
- downward, slowly raised himself, and with a light step started home.
- </p>
- <p>
- &ldquo;I've got a sight better thing than he has,&rdquo; he continued to think of
- Hoag, &ldquo;but it wouldn't be right to gloat over 'im. The idea is to wish
- well to <i>all</i>&mdash;his sort along with the rest.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0038" id="linklink2HCH0038"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XXI
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">O</span>NE clear, warm
- evening Hoag rode along the side of the mountain. The sun had been down
- for an hour, and the valley lay beneath the soft folds of a twilight
- which, ever creeping from west to east, seemed gradually to thicken under
- the increasing rays of the constantly appearing stars. He saw the village
- lights, and from their locations knew where the main buildings stood&mdash;the
- hotel, the post-office, and the wagon-yard, marked by the red glow of the
- camp-fires. He could see, also, his own home at the end of the road up
- which he had ascended.
- </p>
- <p>
- The incline was growing steeper and his horse was stepping cautiously, and
- shying here and there at real or fancied objects in the underbrush on each
- side of the densely shaded road. Presently a point was reached where the
- horse could not well advance further, and the rider dismounted, hitched
- his rein to a bush, and, on foot, took a narrow path which led down a
- steep incline into a canon of considerable depth and breadth. Finally
- gaining a sort of level at the bottom, he trudged on into a labyrinthian
- maze of brambles, lichen-coated boulders, and thorn-bushes, headed for a
- specter-like cliff which, now and then, loomed in the starlight.
- </p>
- <p>
- Presently a firm cry of &ldquo;Halt there!&rdquo; greeted him, and a tall, lank form,
- topped by a mask of white cloth with jagged eye and mouth openings, stood
- in front of him.
- </p>
- <p>
- &ldquo;Halt yoreself, Joe Purvynes!&rdquo; Hoag answered, facetiously.
- </p>
- <p>
- &ldquo;Halt, I say! That won't do,&rdquo; and the figure raised a long-barreled gun
- and threateningly presented it. &ldquo;What's the password?&rdquo;
- </p>
- <p>
- &ldquo;Hold on, hold on!&rdquo; Hoag laughed uneasily. &ldquo;It's me, Joe!&rdquo;
- </p>
- <p>
- &ldquo;Me! I don't know no me's in this business. You give me the proper
- password or I'll plug you full o'&mdash;&rdquo;
- </p>
- <p>
- &ldquo;A white man's country,&rdquo; Hoag hurriedly complied. &ldquo;Thar, I reckon that
- will suit you.&rdquo;
- </p>
- <p>
- &ldquo;Good Lord, Cap! I swear I didn't know you,&rdquo; the sentinel exclaimed
- apologetically. &ldquo;By gum, I come 'in an inch o' givin' the signal to the
- boys up thar to lie low. It ain't for me to dictate to you, but you ought
- to obey regulations yourself if you expect the rest to keep order. Cap,
- this ain't no jokin' business; we've got to be careful.&rdquo;
- </p>
- <p>
- &ldquo;I thought you'd know my voice.&rdquo; Hoag fended the matter of! with an
- impatient gesture and an audible sniff. &ldquo;The klan arrived yet?&rdquo;
- </p>
- <p>
- &ldquo;Yes, up thar in the open; some of 'em got here at sundown. Never seed 'em
- so eager before. They've got some game up their sleeves. I may as well
- tell you. You are goin' to have trouble with 'em, Cap.&rdquo;
- </p>
- <p>
- &ldquo;Trouble? What do you mean?&rdquo;
- </p>
- <p>
- &ldquo;I don't know as I've got any ground to say it&rdquo;&mdash;the sentinel leaned
- on his gun and lifted the lower part of his mask, that he might speak more
- freely&mdash;&ldquo;but it's the young members, Cap. They ain't satisfied with
- bein' inactive so long. They say us older, men are takin' the dry-rot, an'
- won't git out at night because we want to lie in bed an' snooze.&rdquo; Hoag
- swore under his breath. He reflected a moment in silence; then he asked,
- &ldquo;Who's the ringleader?&rdquo;
- </p>
- <p>
- &ldquo;Hard to say, Cap; they are all a-talkin'. Thar's a dozen or more, but
- Nape Welborne is the worst. I may as well tell you the truth. They are
- ag'in' you; they are bent on creatin' dissatisfaction&mdash;bustin' up the
- old order an' startin' out ag'in, as they say, with new blood. They've got
- some fresh devilment to propose to-night, an' if you don't fall in line
- double-quick they are a-goin' to move to elect a new captain.&rdquo;
- </p>
- <p>
- &ldquo;I see, I see.&rdquo; Hoag felt his blood rush in an angry torrent to his head.
- &ldquo;They are mad because I didn't favor breakin' in the jail last meetin' to
- take out Mart Dill. He's Nape's uncle, you know. I was plumb right about
- that, Purvynes. Mart paid his fine an' is free now, anyway.&rdquo;
- </p>
- <p>
- &ldquo;I understand, Cap, but it made a lot of 'em mad. Of course I don't know,
- but they say you had some grudge ag'in' Mart, an' that's why you refused
- to act. They've got liquor in 'em to-night up to the neck, an' you'll have
- to handle 'em easy or we'll bust into flinders.&rdquo;
- </p>
- <p>
- &ldquo;I'll break their necks, damn them!&rdquo; Hoag turned to go on. &ldquo;They can't run
- over me roughshod. I've been at the head o' this band too long for that.&rdquo;
- </p>
- <p>
- &ldquo;Well, I've give you my opinion, Cap,&rdquo; Purvynes said, more coldly. &ldquo;I hope
- you'll try to keep down a split. Some'n seems goin' crooked, anyway. Sid
- Trawley's talkin' a lot&mdash;gone daffy an' turned into a regular
- preacher. I know a half-dozen old uns he's kept home to-night, an' Nape
- Welborne is goin' to make trouble. He hates the ground you walk on. Thar's
- no ifs and ands about that.&rdquo;
- </p>
- <p>
- Farther along, at the base of the almost perpendicular cliff, Hoag found
- fifty or sixty men waiting for him. Some lay smoking on the grass, others
- hung about in various restless attitudes, and a group of ten or twelve of
- the younger men sat eating tinned oysters and sardines with crackers, and
- drinking whisky from huge flasks which stood on the ground in their midst.
- </p>
- <p>
- A man on the edge of the assembly recognized the leader, and saluting
- respectfully, called out, &ldquo;Boys, rise; the Captain is here!&rdquo;
- </p>
- <p>
- Thereupon a formality took place which to Hoag had always been a subtle
- delight. Those standing removed their hats, and all who were seated
- struggled to their feet and stood silent and uncovered.
- </p>
- <p>
- &ldquo;How are you, boys?&rdquo; That constituted Hoag's usual greeting, and then
- every one sat down, and for a moment silence ensued. There was a fallen
- log on the border of the assemblage, and upon this the leader sat as if
- upon a judicial bench. He put his hat on the grass at his feet and folded
- his hands between his knees. There was a low tinkle of a knife-blade
- gouging out potted ham from a jagged tin, and Hoag drew himself erect and
- frowned.
- </p>
- <p>
- &ldquo;Let up on that eatin' thar!&rdquo; he said, testily. &ldquo;One thing at a time. I've
- had a hard ride to git up here, an' I'll be treated with proper respect or&mdash;&rdquo;
- </p>
- <p>
- &ldquo;You be damned!&rdquo; a low voice muttered, and a soft titter of startled
- approval rose in the group of younger men and slowly died in the
- consternation which' Hoag's fierce attitude seemed to set afloat upon the
- air.
- </p>
- <p>
- &ldquo;Who said that?&rdquo; he sharply demanded, and he half rose to his feet and
- leaned forward in a threatening attitude.
- </p>
- <p>
- There was no response. Hoag, standing fully erect now, repeated his
- question, but the surly demand elicited only a repetition of the tittering
- and a low, defiant groan.
- </p>
- <p>
- Hoag slowly and reluctantly resumed his seat. &ldquo;I'm goin' to have order an'
- obedience,&rdquo; he growled. &ldquo;That's what I'm here for, an' anybody that wants
- trouble can git it. This is <i>me</i> a-talkin'.&rdquo;
- </p>
- <p>
- The silence was unbroken now and, somewhat mollified, Hoag proceeded to
- the business of the night. &ldquo;Mr. Secretary,&rdquo; he said, &ldquo;call the roll, an'
- make careful note of absentees an' impose fines.&rdquo;
- </p>
- <p>
- A man holding a bit of lighted candle and a sheet of paper stood up and
- went through this formality.
- </p>
- <p>
- &ldquo;How many missin'?&rdquo; Hoag inquired, when the roll-call was over and the
- candle extinguished.
- </p>
- <p>
- &ldquo;Seven, not countin' Sid Trawley,&rdquo; was the response.
- </p>
- <p>
- &ldquo;Cold feet&mdash;seven more beyond the age-limit!&rdquo; a wag in the younger
- group was heard to say in a maudlin and yet defiant tone.
- </p>
- <p>
- &ldquo;Order thar!&rdquo; Hoag commanded in a stentorian voice.
- </p>
- <p>
- &ldquo;Gone to nigger prayer-meetin',&rdquo; another boldly muttered, and Hoag stamped
- his foot and called for order again. &ldquo;What have we got before the body?&rdquo;
- he inquired, in agreement with his best idea of parliamentary form. &ldquo;Do I
- hear any proposals?&rdquo;
- </p>
- <p>
- There was a short pause, then a young man in the noisy group rose. It was
- Nape Welborne. His mouth was full of the dry crackers he was munching, and
- little powdery puffs shot from his lips when he began to speak.
- </p>
- <p>
- &ldquo;Worshipful Knight, an' gentlemen of the Klan,&rdquo; he began, with an obvious
- sneer. &ldquo;I've been asked to say a few words to-night. Considerable
- dissatisfaction has got up in our body. Things has been proposed that in
- common decency ought to have gone through, an' they've been put under the
- table an' nothin' done. The general opinion is that this has come to be a
- one-man gang.&rdquo;
- </p>
- <p>
- &ldquo;Everything's been put to a vote,&rdquo; Hoag retorted, with startled and yet
- blunt dignity.
- </p>
- <p>
- Grunts and sniffs of contempt ran through the group of younger men, and
- when the Captain had secured, order Welborne resumed. It was plain that he
- was making no effort to disguise his rancor.
- </p>
- <p>
- &ldquo;Yes, they was snowed under after our <i>worshipful leader</i> showed that
- he wasn't in for action, an' the men wouldn't move without an authorized
- head.&rdquo;
- </p>
- <p>
- &ldquo;That's no way to put it,&rdquo; Hoag retorted. &ldquo;As your leader I had to say
- what I thought was wisest an' best. I always have done it, an' heard
- nothin' ag'in' it till now.&rdquo;
- </p>
- <p>
- &ldquo;Because you used to have a <i>little</i> more red blood in your veins
- than you got now, an' that's sayin' powerful little.&rdquo; The speaker's eyes
- bore down upon the upturned faces, and was greeted by a loud clapping of
- hands and boisterous exclamations of agreement.
- </p>
- <p>
- Hoag was white with helpless fury. &ldquo;You mean to say&mdash;damn you&mdash;&rdquo;
- he began, only to lapse into cautious silence, for there was something in
- the staring tenseness of the speaker and his crouching supporters which
- was ominous of a storm that was ready to break.
- </p>
- <p>
- &ldquo;Be careful, Cap!&rdquo; It was the voice of Purvynes close behind him, and the
- sentinel leaned downward on his gun to finish: &ldquo;They are drunk an' have
- got it in for you. They are bent on devilin' you tonight an' forcin' an
- issue. Look sharp!&rdquo;
- </p>
- <p>
- Welborne had drawn himself up and was silent. Hoag nodded despairingly at
- the man behind him and said: &ldquo;Go on with your proposition, Brother
- Welborne. What is it you want?&rdquo;
- </p>
- <p>
- Welborne laughed out impulsively. &ldquo;I see we are gettin' to be kin folks.
- Well, to come down to hard-pan an' brass tacks, Worshipful Knight, King o'
- the Mossbacks, I am empowered to say that&mdash;&rdquo;
- </p>
- <p>
- &ldquo;That he's got cold feet!&rdquo; a merry voice broke in with an irrepressible
- giggle.
- </p>
- <p>
- At this Hoag sprang up, but hearing Purvynes' startled warning behind him,
- and realizing what open resentment on his part would mean, he stood
- unsteadily for an instant and then sank down.
- </p>
- <p>
- &ldquo;Go on!&rdquo; he said, desperately. &ldquo;We'll hear you out.&rdquo;
- </p>
- <p>
- &ldquo;I wasn't goin' to use them nasty words <i>myself</i>,&rdquo; the speaker smiled
- down into the beardless face from which they had issued, &ldquo;for it wouldn't
- be becomin' on an occasion like this. Cold feet don't seem to fill the
- bill exactly, nohow. A man may have a cold pair when his judgment is
- ag'in' some move or other. The thing some of us new members find ourselves
- up against in our leader is rank <i>cowardice</i>, an' plenty of it.&rdquo;
- </p>
- <p>
- &ldquo;Cowardice!&rdquo; Hoag allowed his rigid lips to echo.
- </p>
- <p>
- &ldquo;That's the word,&rdquo; the speaker stared fixedly, as low murmurs of approval
- swept through the immediate group around him and permeated the borders of
- the crowd in general.
- </p>
- <p>
- &ldquo;Explain yourself.&rdquo; Hoag was conscious of fighting for some expedient of
- rescue under the shadow of toppling defeat.
- </p>
- <p>
- &ldquo;Oh, well, our boys have made up their minds that you are plumb without
- any sort o' real grit,&rdquo; Welborne said, firmly. &ldquo;You seem to be one solid
- bluff from beginnin' to end. We could cite half a dozen cases, not to
- mention the two times that Jeff Warren made you eat dirt an' lick the
- soles of his boots.&rdquo;
- </p>
- <p>
- &ldquo;It's a lie!&rdquo; Hoag floundered, recklessly. &ldquo;A low, dirty lie!&rdquo;
- </p>
- <p>
- Welborne stepped out from the group and advanced half-way to the captain.
- &ldquo;That's what I've been hopin' you'd git to,&rdquo; he said, calmly. &ldquo;I suppose
- you mean <i>me</i>. Now, rise from that log, Hoag, an' prove whether you
- got any backbone or not. You are not only a liar, but a low-lived coward
- in the bargain!&rdquo;
- </p>
- <p>
- Dead silence fell. Hoag was well aware that his power was gone&mdash;his
- throne had crumbled under his feet, for he saw the utter futility of
- fighting the young giant before him, and he knew that many of his
- supporters would regard it as inevitable.
- </p>
- <p>
- &ldquo;I didn't say <i>you</i> was a liar. I said&mdash;&rdquo;
- </p>
- <p>
- &ldquo;But I say you are worse than that,&rdquo; Welborne snarled, &ldquo;and you've got to
- set thar before us all an' chaw my statement an' gulp it down.&rdquo;
- </p>
- <p>
- &ldquo;You fellows have laid a trap for me,&rdquo; Hoag muttered, desperately. He
- glanced around at the older men. How strange it was that no word of rebuke
- came from even the wisest of them! Surely they didn't believe the charge
- of this wild young drunkard after all those years in which he had led
- them, and had their homage and respect.
- </p>
- <p>
- &ldquo;I see you don't mean to defend yourself,&rdquo; Welborne went on, glancing
- around at the gathering, &ldquo;an' that's proof enough of what I say. You've
- held your post not because you was a brave man, Jim Hoag, but because you
- had money that some men are low enough to bow before; but us young men in
- these mountains will have a leader with sand in his craw, or none at all.&rdquo;
- The speaker paused, and his fellows stood up around him. There was a warm
- shaking of hands, a rising clamor of approval, and this spread even to the
- older men, who were excitedly talking in low tones.
- </p>
- <p>
- &ldquo;Come on, boys, let's go home!&rdquo; Welborne proposed. &ldquo;We'll have that
- meetin' to-morrow night, an' we'll <i>do</i> things. Next time a good man
- gits in jail no low-lived skunk will keep him thar!&rdquo;
- </p>
- <p>
- &ldquo;Good, good!&rdquo; several voices exclaimed. The entire assemblage was on its
- feet. Hoag rose as if to demand order, but the purpose was drowned in the
- flood of dismay within him. He saw Welborne and his friends moving away.
- They were followed by others more or less slowly, who threw awkward
- backward glances at him. Presently only Purvynes and he remained.
- </p>
- <p>
- The sentinel leaned on the barrel of his gun and chewed his tobacco
- slowly.
- </p>
- <p>
- &ldquo;I seed this thing a-comin' a long time back.&rdquo; He spat deliberately,
- aiming at a stone at his feet. &ldquo;They've talked too much behind your back
- to be true to your face. I can say it now, I reckon, for I reckon you want
- to understand the thing. Do you, or do you not?&rdquo;
- </p>
- <p>
- &ldquo;Well, I don't know what to make of it,&rdquo; Hoag said, with the lips of a
- corpse, the eyes of a dying man. &ldquo;I simply don't!&rdquo;
- </p>
- <p>
- &ldquo;Well, it's this a way,&rdquo; Purvynes explained, with as much tact as he could
- command. &ldquo;Welborne didn't tell it all. What really has rankled for a long
- time was that&mdash;<i>they</i> say, you understand&mdash;that you just
- kept this thing a-goin' for a sort o' hobby to ride on when you ain't off
- in Atlanta havin' a good time. They claim that you just love to set back
- an' give orders, an' preside like a judge an' be bowed an' scraped to.
- They say that, here of late, you hain't seemed to be alive to home
- interests or present issues. They claim the niggers are gittin' unbearable
- all around, an' that you are afraid they will rise an' burn some o' your
- property. They say you don't care how much the niggers insult white folks,
- an' that you'd rather see a decent farmer's wife scared by a black imp
- than lose one o' your warehouses or mills. They are goin' to reorganize
- to-morrow night. An' listen to me, Jim&mdash;&rdquo; Hoag heard the man address
- him for the first time by his Christian name&mdash;&ldquo;they are goin' to
- raise hell. An' that's whar you an' me come in.&rdquo;
- </p>
- <p>
- &ldquo;Whar <i>we</i> come in? You don't think they would dare to&mdash;to&mdash;&rdquo;
- Hoag began tremulously, and ended in rising dismay.
- </p>
- <p>
- &ldquo;Oh, I don't mean they would actually mob you or me or any o' the old
- klan, but whatever they do will be laid at our door because we've been in
- the thing so long. The truth is, Jim, you trained them fellers to be what
- they are; they are jest sparks off of your flint. I reckon if Nape
- Welborne knowed how I looked at it he'd say <i>I</i> had cold feet, for
- I've been doin' a sight o' thinkin' lately. I've heard Paul Rundel talk on
- this line.&rdquo;
- </p>
- <p>
- &ldquo;You say you have! He's a fool.&rdquo;
- </p>
- <p>
- &ldquo;I don't know 'bout that; if he ain't got it down about right, nobody has.
- I heard him talkin' to a crowd one day at the flour-mill. He ain't afraid
- o' man nor beast. Everybody knows that. Nape Welborne chipped in once, but
- Paul settled 'im, an' Nape was ashamed to argue any longer. Paul says we
- are in an awful fix. He prophesied then that we'd turn ag'in' our own race
- an' we are a-doin' it. You yourself have made enemies among the very men
- that used to follow you, an' the Lord only knows whar it will end.&rdquo;
- </p>
- <p>
- Hoag stifled a groan and struggled to his feet. His legs felt stiff and
- heavy from inactivity. He stood staring out into the void above the
- tree-tops. The rocky fastness immediately around was as still as if the
- spot were aloof from time and space&mdash;so still, indeed, that a pebble
- of the disintegrating cliff being released by the eternal law of change
- rattled from summit to base quite audibly. From down the mountain-side
- came boisterous singing. It was Welborne and his supporters.
- </p>
- <p>
- &ldquo;D'you hear that?&rdquo; Purvynes asked, as, gun under arm, he got ready to walk
- on with his companion.
- </p>
- <p>
- &ldquo;Hear what?&rdquo; Hoag roused himself as from a confused dream.
- </p>
- <p>
- &ldquo;Them young devils!&rdquo; Purvynes chuckled, as if amused. &ldquo;They need a good
- lickin'&mdash;them boys do. Can't you hear what they are a-singin'?&rdquo;
- </p>
- <p>
- &ldquo;No, I can't. I wasn't payin' no attention.&rdquo;
- </p>
- <p>
- &ldquo;Why, it's&mdash;
- </p>
- <p>
- &ldquo;'Jim Hoag's body lies molderin' in the grave.'&rdquo;
- </p>
- <p>
- Hoag made no answer. He trudged along the rocky path in advance of the
- other. He stumped his toes occasionally, and was puffing from the
- exertion. The perspiration stood in visible drops on his furrowed brow.
- They had reached Hoag's horse, and he was preparing to mount, when a
- fusillade of pistol-shots, the clatter of horses' hoofs, and loud yells
- were heard in the distance.
- </p>
- <p>
- &ldquo;What's that?&rdquo; Hoag paused with his hand in the mane of his mount, his
- foot in the stirrup.
- </p>
- <p>
- &ldquo;Oh, it's just them fellows celebratin' their victory. I'll bet they've
- already made Nape captain. But you can see how they are a-goin' to run
- things. We'll see the day, Jim, when us older men will be sorry we didn't
- let up on this business sooner. You know, I believe the klan would 'a'
- died out long ago if you hadn't took so much pride in it.&rdquo;
- </p>
- <p>
- &ldquo;Me?&rdquo;
- </p>
- <p>
- &ldquo;Yes, you, Jim. Over half the members kept in just to curry favor one way
- or another with you, an' to drink the liquor you furnished on
- meetin'-nights, an' have som'er's to go.&rdquo;
- </p>
- <p>
- &ldquo;I reckon you are mistaken.&rdquo;
- </p>
- <p>
- &ldquo;No, I ain't. This thing's been your pet, Jim, but you're lost your grip
- on it&mdash;you have sure. An' you oughtn't to be sorry&mdash;I swear you
- oughtn't to be.&rdquo;
- </p>
- <p>
- The valley, which he could now see from the back of his horse, was
- Nature's symbol of infinite peace. From its dark depths rose the dismal
- hooting of a night-owl, the shrill piping of a tree-frog.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0039" id="linklink2HCH0039"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XXII
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span>BOUT this time
- Paul paid his first visit to the attractive cottage now occupied by Warren
- and his wife and sister-in-law. As he entered at the front door he saw his
- mother in the meadow some distance from the house. Amanda was dusting the
- new furniture in the little parlor, and, seeing him, she came forward with
- a flushed, pleased look on her round face.
- </p>
- <p>
- &ldquo;Oh, we have got things to goin' scrumptious!&rdquo; she laughed, as she grasped
- his hand and drew him into the parlor. &ldquo;Paul, it's a regular palace. The
- day the furniture come we all worked till away after dark gettin' things
- straight. That's the best cook-stove I ever saw, an' you sent enough
- groceries to last a month. I made your ma go to town an' buy the clothes
- she needed, too. The storekeeper said the more we ordered the better it
- would please him, for thar wasn't no limit to your credit. Oh, Paul, I
- wish I could think it was right.&rdquo;
- </p>
- <p>
- &ldquo;But it <i>is</i> right,&rdquo; he smiled, reassuringly. &ldquo;It is right because it
- makes me happy to be able to do it.&rdquo;
- </p>
- <p>
- &ldquo;That's what Ethel Mayfield said&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Ethel!&rdquo; he broke in, his smile subsiding. &ldquo;Have you seen her? Has she&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, yes, she was over yesterday. Paul, she's awfully nice. I don't know
- when I have ever seen a nicer young lady. She ain't one bit stuck up. She
- was passin' along by the gate an' stopped an' introduced herself to me an'
- Addie. She offered to come in an' help fix up the house, said she'd love
- to the best in the world, but we wouldn't let 'er.&rdquo;
- </p>
- <p>
- &ldquo;And you say that she said&mdash;&rdquo; Paul began, tensely, &ldquo;that she said I&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Yes; you see, your ma begun sayin' that she couldn't feel right about
- lettin' you do so much for us after all that's passed, and you know how
- Addie is&mdash;she set in to cry. That's when I discovered Ethel
- Mayfield's woman-heart. She choked up 'erself, an' put 'er arm round your
- ma in the tenderest way, and said&mdash;Paul, she said you was the best
- young man the sun ever shone on. You never heard the like since you was
- born. It looked like nothin' would stop 'er. The more she went on the more
- your ma cried, an' that started me, an' we was the silliest bunch o'
- blubberers you ever saw&mdash;wet every rag in sight. I had to change my
- apron. Ethel said you'd made a different sort o' creature of her from what
- she used to be. She declared she seed all things with a clearer sight&mdash;that
- thar wasn't any human difficulty you couldn't surmount. She told your ma
- that she knowed it was a regular joy to you to help 'er, an' that she must
- let you do it. I declare that girl looked like&mdash;I don't know what she
- <i>did</i> look like. She was as nigh an angel as any human I ever met.
- Her face was as tender as a rose an' her eyes was fairly streamin' with
- inside light. She kept takin' your ma by the hands an' pettin' 'er, an'
- tellin' 'er she was pretty. She told us how nigh distracted she'd been
- over her cousin's death, an' how you'd turned her sorrow into comfort by
- the beautiful way you looked at it.&rdquo;
- </p>
- <p>
- &ldquo;She is very kind,&rdquo; Paul said. &ldquo;Is my mother coming in?&rdquo;
- </p>
- <p>
- &ldquo;Yes, she'll be in right away. Say, Paul&rdquo;&mdash;Amanda caught his lapel
- and held on to it&mdash;&ldquo;is thar anything between you an'&mdash;I mean&mdash;it
- ain't none o' my business, but it seems to me like Ethel is just the sort
- o' girl that you would naturally take to, an'&mdash;&rdquo; Paul detached
- himself from her clinging hold, and essayed a faint smile, while his blood
- beat furiously in his face.
- </p>
- <p>
- &ldquo;You mustn't think of such things,&rdquo; he faltered, in a feeble effort to
- appear unconcerned. &ldquo;She and I are good friends, that is all. You see, she
- is to inherit something from her uncle, and he has set his heart on her
- marrying a rich young man in Atlanta&mdash;a fellow that is all right,
- too, in every way. She knew him before she knew me, and&mdash;well, I am
- not a marrying man, anyway. I really don't think I ever shall marry. Some
- men have to stay single, you know.&rdquo;
- </p>
- <p>
- Amanda recaptured his lapels, and faced him with a warm stare of
- tenderness. &ldquo;Paul, if I thought that us three old sticks-in-the-mud was
- standin' between you an' that purty, sweet girl&mdash;young as you are,
- with life spreadin' out before you like it is&mdash;after all your
- troubles, I&mdash;well, I couldn't let you&mdash;I just <i>couldn't!</i>&rdquo;
- </p>
- <p>
- &ldquo;How silly of you to think of such a thing!&rdquo; he laughed, freely. &ldquo;This
- opportunity to help you all, slight as it is, will be the very making of
- me.&rdquo;
- </p>
- <p>
- &ldquo;It's certainly makin' a man of Jeff,&rdquo; Amanda smiled, through glad tears.
- &ldquo;He's plumb different from what he used to be. He talks about you like you
- was a royal prince. He says he is acceptin' this help only as a loan, an'
- that he'll pay it back 'fore he dies or break a trace. He rises at
- daybreak, an' works like a steam-engine till after dark. He's quit singin'&mdash;says
- he's goin' to sell the organ. He's gittin' his health an' strength back,
- an' holds his head higher. A funny thing happened yesterday. You'd 'a'
- laughed if you'd been here. He's been talkin' powerful about some'n he
- heard you say in regard to controllin' the temper an' not hatin' folks,
- an' he hammers on it constantly. He says his temper has always held 'im
- down, an' that you naturally would have more respect for 'im if he'd
- control it. Me an' him happened to be stand-in' at the gate talkin' on
- that very subject, when we seed Jim Hoag ridin' along toward us. Now, Jeff
- hadn't met Hoag face to face since we got back, an' knowin' how quick on
- trigger Jeff was, an' how high an' mighty Hoag holds hisse'f with common
- folks, I was afraid the two might hitch right then an' thar. I knowed Jeff
- wouldn't avoid 'im and I was sure Hoag would make 'im mad if he had half a
- chance, an' so to avoid trouble I said to Jeff: 'Jeff,' said I, 'now is
- the time for you to practise some o' your preachin'. Meet Jim Hoag like
- you don't want no more trouble, an' all will be well betwixt you both in
- future.' I reminded 'im that it was railly his duty, seein' that you git
- your livin' out o' Hoag an' we was so much benefited.&rdquo;
- </p>
- <p>
- &ldquo;And so they made friends,&rdquo; Paul said, eagerly. &ldquo;I was afraid the old
- score would revive again.&rdquo;
- </p>
- <p>
- &ldquo;Made friends? I'll tell you how they acted an' you kin think what you
- like,&rdquo; Amanda laughed. &ldquo;I've seed Jeff in a tight place before, but not
- one o' that sort. He stood hangin' his head, his lips curlin' an' his eyes
- flashin', an' all the time Hoag's hoss was a-fetchin' 'im closer an'
- closer. I seed Jeff makin' a struggle like a man tryin' to come through at
- the mourner's bench in a revival an' bein' helt back by the devil an' all
- his imps, but the best side won, an' as Hoag got opposite the gate Jeff
- tuck a deep breath an' called out, 'Hold on a minute, Jim Hoag, I want a
- word with you.'&rdquo;
- </p>
- <p>
- &ldquo;Good!&rdquo; Paul laughed. &ldquo;It was like pulling eyeteeth, but he got there,
- didn't he?&rdquo;
- </p>
- <p>
- &ldquo;You wait till I'm through an' you'll see,&rdquo; Amanda smiled broadly, as she
- stroked her face with her big hand. &ldquo;Hoag drawed in his hoss an' looked
- down at Jeff with a face as yaller as a pumpkin an' eyes that fairly
- popped out o' their sockets.
- </p>
- <p>
- &ldquo;'What you want to see me about?' he axed, an' I declare he growled like a
- bear.
- </p>
- <p>
- &ldquo;'Why, you see, Jim,' Jeff said, leanin' on the gate, 'me an' you have
- always sorter been at outs, an' bein' as we are nigh neighbors ag'in I
- thought I'd come forward like a man an' tell you that, as far as I'm
- concerned, I'm sorry we hain't been able to git on better before this, an'
- that I hain't no ill-will any longer, an' am willin' to stack arms and
- declare peace.'&rdquo;
- </p>
- <p>
- &ldquo;Good for Jeff!&rdquo; Paul chuckled; &ldquo;he unloaded, didn't he?&rdquo;
- </p>
- <p>
- &ldquo;You wait till I git through,&rdquo; Amanda tittered under her red, crinkled
- hand. &ldquo;When Jeff got that out Hoag sorter lifted his reins, shoved his
- heels ag'in' his hoss an' snorted. Then I heerd 'im say: 'You look out for
- yourself, an' I'll do the same.'
- </p>
- <p>
- &ldquo;He was movin' on, when Jeff fairly wrenched the gate off its hinges an'
- plunged out. In a second he had the hoss by the bridle, an' was jerkin' it
- back on its haunches.
- </p>
- <p>
- &ldquo;'Say,' he yelled at Hoag, when the hoss got still, 'that thar's the fust
- an' only apology I ever made to a livin' man, an' if you don't accept it,
- and accept it quick, I'll have you off that hoss an' under my feet, whar
- I'll stomp some politeness into you.'
- </p>
- <p>
- &ldquo;Lord, I was scared!&rdquo; Amanda continued, as she joined in her nephew's
- laugh; &ldquo;for Jim Hoag was mad enough to eat a keg o' nails without chawin'
- 'em. I was on the p'int o' runnin' 'twixt the two when Hoag sobered down.&rdquo;
- </p>
- <p>
- &ldquo;'I don't want no trouble with you, Jeff,' he said. 'Let loose my bridle.
- I want to go on home.' &ldquo;'Well, do you <i>accept?</i> I heard Jeff yellin'
- at 'im, while he still hung to the reins.
- </p>
- <p>
- &ldquo;'Yes, I accept; I don't want no fuss,' Hoag said, an' Jeff let the hoss
- loose an' stood out o' the way.
- </p>
- <p>
- &ldquo;'It's a good thing you changed your mind,' he called after Hoag, who was
- joggin' on. 'I've sorter turned over a new leaf, but I hain't fastened it
- down any too tight. I could put up with <i>some</i> things from you, but
- you can't spit on my apology.'&rdquo;
- </p>
- <p>
- Paul laughed almost immoderately. &ldquo;Socrates and Jesus Christ would have
- laid down different rules for human conduct if they had known those two
- men,&rdquo; he said, as he went to the rear door and looked down toward his
- mother.
- </p>
- <p>
- Amanda followed him. &ldquo;Jim Hoag ain't the only person round here that's got
- a mean spirit,&rdquo; she commented. &ldquo;I'm thinkin' now about Tobe Williams's
- wife, Carrie; an' Jeff ain't the only one with a hot temper&mdash;I'm
- thinkin' now about <i>myself</i>.&rdquo;
- </p>
- <p>
- &ldquo;You!&rdquo; Paul smiled. &ldquo;You were always as pleasing as a basket of chips.&rdquo;
- </p>
- <p>
- &ldquo;You don't know me, boy.&rdquo; Amanda subdued an inclination to smile. &ldquo;I don't
- reckon I git mad oftener than once a year, but when I do I take a day off
- an' raise enough sand to build a court-house. I've already had my annual
- picnic since I got back.&rdquo;
- </p>
- <p>
- &ldquo;I'm sure you are joking now,&rdquo; Paul said, experimentally, an expression of
- amused curiosity clutching his face. &ldquo;You couldn't have got angry at Mrs.
- Williams.&rdquo;
- </p>
- <p>
- &ldquo;Didn't I, though&mdash;the triflin' hussy! She driv' by the day we was
- housed in that pore shack of a cabin, an' put up a tale about needin'
- somebody to help 'er out with her house-work an' bein' in sech a plight
- with her big brood o' children that I swallowed my pride an' agreed to
- help 'er. I mention pride because me'n Carrie went to school together an'
- had the same beaus. She roped one in, an' is entirely welcome to 'im, the
- Lord knows if she doesn't. Yes, I swallowed my pride an' went. I never
- hired out before, but I went. I reckon we was both lookin' at the thing
- different. I had the feelin' that I was jest, you know, helpin' a old
- friend out of a tight; an' well, I reckon, from the outcome, that Carrie
- thought she had hired a nigger wench.&rdquo;
- </p>
- <p>
- &ldquo;Oh, no, don't put it that way,&rdquo; Paul protested, half seriously, though
- his aunt's unwonted gravity amused him highly.
- </p>
- <p>
- &ldquo;Well, she acted plumb like it,&rdquo; Amanda averred, her cheeks flushed, her
- eyes flashing. &ldquo;All the way out to her house she was talkin' about Jeff's
- flat come-down, an' Addie's sad looks, an'&mdash;an', above all, our
- cabin. Said thar was a better one behind the barn, on her land, but she
- believed Tobe was goin' to pack fodder in it, an' so she reckoned we'd as
- well not apply for it. She kept talkin' about this here new cottage. She'd
- been through it, she said, an' it was fine, an' no doubt Bob Mayburn would
- rent it to some rich town family to pass the summers in. In that case she
- thought we'd naturally feel uncomfortable&mdash;she knowed <i>she</i>
- would if she was in our fix, an' have to live right up ag'in' folks that
- was so different. Take my word for it, Paul, she got me so all-fired hot
- that I wanted to jump over the buggy-wheels an' walk back home. I'd 'a'
- done it, too, but for one thing.&rdquo;
- </p>
- <p>
- &ldquo;What was that?&rdquo; Paul inquired, still amused. &ldquo;Pride,&rdquo; was the
- half-laughing answer. &ldquo;Do you know the awkwardest predicament on earth is
- to git whar you are as mad as old Harry, an' at the same time would rather
- die on the rack than let it be knowed? Well, that woman had me in that
- fix. She was playin' with me like a kitten with a dusty June-bug. She
- knowed what she was sayin' all right, an' she knowed, too, that I wouldn't
- slap 'er in the mouth&mdash;because I was too much of a lady. But if she
- didn't cut gaps in me an' rub brine in no woman ever clawed an' scratched
- another.&rdquo;
- </p>
- <p>
- &ldquo;Too bad!&rdquo; Paul said, biting his lips. &ldquo;I am wondering how it ended.&rdquo;
- </p>
- <p>
- &ldquo;You may well wonder,&rdquo; Amanda went on. &ldquo;I wanted to throw up the job, but
- was ashamed to let 'er see how mad I was. It was even wiles after we got
- to her house. She tuck me straight to the kitchen, an' with the air of a
- queen she p'inted to the nastiest lot o' pots an' pans you ever laid eyes
- on, an' said she reckoned I'd have to give 'em a good scrubbin' fust, as
- they was caked with grease. Then she told me what she wanted for supper.
- Tobe liked string-beans, an' none 'had been fetched from the patch, an'
- I'd have plenty o' time to pick 'em, an' so on, an' so on. I saw I was in
- a hole an' tried to make the best of it. But when I come to put the supper
- on the table that she had told her little girl to set the plates on I seed
- thar was just places fixed for the family. You see, she thought I'd wait
- till that triflin' gang was through an' set down to scraps. Thar was one
- other thing Carrie Williams expected to happen, but it didn't take place.&rdquo;
- </p>
- <p>
- &ldquo;She expected you to put poison in the food?&rdquo; Paul jested.
- </p>
- <p>
- &ldquo;She expected me to <i>wait</i> on 'em&mdash;to fetch the grub from the
- stove to the table an' stick it under their noses, but I didn't. I took my
- seat on the kitchen door-step. I heard 'er callin', but I was deef as a
- post. One of the gals come an' told me her ma said they wanted a hot pone
- o' bread, an' I told 'er it was in the stove, an' if she didn't hurry it
- would burn&mdash;that I smelt it already. When supper was over Carrie come
- an' told me they was finished. She said she was sorry all the preserves
- was ate up, but that the children was greedy an' hard to control when
- sweet things was in sight. I told her I didn't feel like eatin'&mdash;that
- I never did when I worked over my own cookin', an' I didn't touch a bite.
- I set in to washin' the dishes an' she hung about, still talkin'. Her main
- theme was the old times an' how many of our crowd of girls had been unable
- to keep pace an' float with her, an' the few that was left on top. Then
- she mentioned you.&rdquo;
- </p>
- <p>
- &ldquo;Me! I thought I'd get my share,&rdquo; Paul smiled.
- </p>
- <p>
- &ldquo;Oh, she didn't have nothin' but praise for you,&rdquo; Amanda returned. &ldquo;In
- fact, she thought that would rankle. She had the idea that you was plumb
- through with us, an' said it must make us ashamed to be so close to you
- an' the fine folks at Hoag's. I was tempted to hit 'er betwixt the eyes
- one good lick to make 'er see straight, but I helt in. I got even, though&mdash;oh,
- I got even!&rdquo;
- </p>
- <p>
- &ldquo;You say you did! Tell me about it,&rdquo; Paul cried, highly amused.
- </p>
- <p>
- &ldquo;We was all settin' in the yard,&rdquo; Amanda continued, &ldquo;an' was jest fixin'
- to go to bed, when Jeff come, all out o' breath, an' told us the news
- about what you'd done, an' that I was wanted back home to help move. I
- ain't sure the Lord will ever forgive me, Paul, but I never felt so good
- in all my life as I did at the sight o' that woman. She was as limp as a
- wet rag, an' fairly keeled over. She actually tried to stop Jeff from
- talkin', but I pinned 'im down an' made 'im tell it over an' over. If I
- axed 'im one question about the new cottage an' new furniture I did a
- hundred. I went furder'n that. I looked at the house they live in&mdash;it's
- jest a four-room shack, you know, made of up-an'-down boards unpainted an'
- unsealed&mdash;an' axed 'er if it wasn't awful cold in winter, an' if the
- roof didn't sag too much for safety, an' whar she put the beds when it
- leaked. The purty part of it was that Tobe (I wish I could 'a' spared him,
- for he's nice an' plain as an old shoe) kept agreein' with me, an'
- braggin' on our new house, an' sayin' that he was too hard up to better
- 'imself. Carrie got so mad she plumb lost her grip, an' told 'im to dry
- up, an' then she flounced into the house an' wouldn't come out to say
- good-by. Paul, you may preach your human-love idea till you are black in
- the face, but if it works on a woman like Carrie Williams it will be when
- she's tied hand an' foot an' soaked with chloroform. I try not to let this
- nice place an' my pride in you spoil me. I don't think anybody could
- consider me stuck-up, but if Carrie Williams calls&mdash;which she is sure
- to do&mdash;I'll show 'er every single item about the place, an' remind
- 'er how much she praised it before we got it.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0040" id="linklink2HCH0040"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XXIII
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">H</span>OAG had become so
- nervous and low-spirited that he found himself every day waking earlier
- than usual. The dusky shadows of night were still hovering over the earth
- one morning in August when, being unable to return to sleep, he rose and
- went to a window and looked out. He was preparing to shave himself when he
- happened to see a man leaning against the front fence watching the house
- attentively.
- </p>
- <p>
- &ldquo;It looks like Purvynes,&rdquo; Hoag mused. &ldquo;I wonder what on earth the fellow
- wants. This certainly ain't in his regular beat.&rdquo;
- </p>
- <p>
- Hoag put down his mug and brush, listened to see if Jack and his
- grandmother in the adjoining room were awake, then, hearing no sound in
- that part of the house, he cautiously tiptoed out into the corridor,
- opened the front door, and crossed the veranda to the lawn. He now saw
- that the man was indeed Purvynes.
- </p>
- <p>
- &ldquo;Some new trouble may be brewin',&rdquo; Hoag surmised, &ldquo;or he wouldn't be out
- as early as this.&rdquo; Purvynes saw him approaching and moved along the fence
- to the gate, where he stood waiting, a stare of subdued excitement blended
- with other emotions in his dim gray eyes. His hair was tousled, his
- grizzled head untrimmed, and there were shadows, lines, and angles in his
- sallow visage.
- </p>
- <p>
- &ldquo;Early for you to be so far from home, ain't it?&rdquo; was Hoag's introductory
- question.
- </p>
- <p>
- &ldquo;I reckon it is, Cap,&rdquo; the man answered, sheepishly, his lips quivering.
- &ldquo;I didn't know whether you was here or off in Atlanta, but&mdash;but I
- thought I'd walk over an' see. I've been awake for an hour or more&mdash;in
- fact, I hardly closed my eyes last night. My women folks are nigh
- distracted, Cap. I was here yesterday, but Cato said you was over at your
- new mill. I'd 'a' come after supper, if my women folks hadn't been afraid
- to be left alone in the dark.&rdquo;
- </p>
- <p>
- &ldquo;Huh! I see.&rdquo;
- </p>
- <p>
- There was an ominous pause. It was as if Hoag dreaded further revelations.
- He felt sure that something decidedly unpleasant lay beneath the man's
- perturbed exterior. For once in his life Hoag failed to show irritation,
- and his next question was put almost in the tone of entreaty.
- </p>
- <p>
- &ldquo;What's got into you an' them all of a sudden?&rdquo; he faltered.
- </p>
- <p>
- &ldquo;You may well ask it,&rdquo; Purvynes said with a voluminous sigh. &ldquo;A fellow may
- try to put on a brave front, an' act unconcerned when trouble's in the
- wind, but if he's got a gang o' crazy women an' children hangin' on to his
- shirt-tail he <i>is</i> in a fix.&rdquo;
- </p>
- <p>
- &ldquo;Well, what is it&mdash;what is it?&rdquo; Hoag demanded, with staccato asperity
- born of his growing anxiety.
- </p>
- <p>
- For answer Purvynes fumbled in the pocket of his patched and tattered coat
- and produced a folded sheet of foolscap paper which he awkwardly attempted
- to spread out against the palings of the fence.
- </p>
- <p>
- &ldquo;Summoned to court?&rdquo; Hoag smiled, riding a wave of sudden relief. &ldquo;Ah, I
- see&mdash;moonshinin'. Well, you needn't let that bother you. We'll all
- stick together an' swear black is white. I see. You are afeard them young
- devils may turn ag'in' us out o' spite, but I can fix all that. You just
- lie low, an'&mdash;&rdquo;
- </p>
- <p>
- &ldquo;God knows 'tain't that!&rdquo; Purvynes held the quivering sheet open. &ldquo;If that
- was all I'd not bother; I wouldn't mind goin' to Atlanta again, but we are
- up ag'in' som'n a sight worse. What do you think o' this paper?&rdquo;
- </p>
- <p>
- Hoag took the sheet, and looked at it with a dull, widening stare. It was
- headed by the crude design of two cross-bones and a skull which his &ldquo;klan&rdquo;
- had used in frightening the negroes with gruesome threats and warnings.
- Beneath the drawing was the following:
- </p>
- <h3>
- TO AWL IT CONSERNS
- </h3>
- <p>
- This is to inform the grate White mens klan that the Blak Foxes has met in
- secret session and took axion to protect ther rights. Paysyence has seased
- to bee a vurture. The white klan has lernt the foxes the trick of how to
- work in the dark. Wait and see the mighty fall. We know who the Captin is
- at last. We also know some of his main followers who is workin for his
- smile and his gold. We don't want his cash. We are after his meat and
- bones. Hel will take his sole. His body wil hang for crows to peck out the
- eyes. No power above or below this earth can save him. He wil never know
- the day or the hour. But his doom is seeled. They need Marse Jimmy down
- where the worm dyeth not. He has sowed his seed, and his harvest is rype.
- Woe unto hym and awl his gang.
- </p>
- <p>
- Signed in the blood of Blak Buck the Captin of the Foxes.
- </p>
- <p>
- his (Blak X Buck) mark.
- </p>
- <p>
- The sheet of paper shook, though the morning air was as still as a vacuum.
- Hoag was as white as death could have made him. He silently folded the
- paper and handed it back. But Purvynes waved it aside with a dumb gesture
- of despair.
- </p>
- <p>
- &ldquo;Whar did you git it?&rdquo; finally fell from Hoag's lips.
- </p>
- <p>
- &ldquo;It was tacked up on my corn-crib. I seed it from the kitchen window
- yesterday mornin' 'fore breakfast. I went out an' pulled it down.&rdquo;
- </p>
- <p>
- Hoag had never attempted a more fragile sneer. &ldquo;An' you let a puny thing
- like that scare you out o' your socks,&rdquo; he said, flamboyantly.
- </p>
- <p>
- Purvynes's hat-brim went down and his eyes were not visible to the
- desperately alert gaze of his companion. &ldquo;I can take my own medicine,
- Cap,&rdquo; he answered, doggedly, &ldquo;but I can't manage women. They read the
- thing 'fore I could hide it, an' you know what excited women would do at
- the sight of a sheet like that. My wife's been ag'in' our doin's all
- along, anyway.&rdquo;
- </p>
- <p>
- Hoag perused the sheet again, his putty-like lips moving, as was his habit
- when reading.
- </p>
- <p>
- &ldquo;How do you reckon,&rdquo; he glanced at the drawn face beside him, &ldquo;how do you
- reckon they got on to <i>me</i> as&mdash;as the main leader?&rdquo;
- </p>
- <p>
- Purvynes was quite sure he could answer the question. &ldquo;Nape Welborne's
- gang give it away. They've been braggin' right an' left about how Nape
- forced you to back down that night. They've been drunk an' talked 'fore
- black an' white like a pack o' fools.&rdquo;
- </p>
- <p>
- &ldquo;But from <i>this</i>,&rdquo; Hoag tapped the fence with the folded sheet, &ldquo;it
- looks like the nigger that wrote, this thinks I am <i>still</i> the head.&rdquo;
- </p>
- <p>
- &ldquo;An' so much the worse,&rdquo; Purvynes moaned, and he clutched the fence
- nervously as if to steady himself. &ldquo;You an' me an' all us old members has
- to suffer for the drunken pranks of them young roustabouts. When they shot
- up nigger-town last week, an' abused the women an' children, the darkies
- laid it at our door. In fact, that is the cause of this very move. It was
- the last straw, as the sayin' is. They've got plumb desperate, an' when
- niggers work underhand they will resort to anything. It's quar, as my wife
- says, that we never thought they might turn the tables an' begin our own
- game.&rdquo;
- </p>
- <p>
- Hoag shrugged his shoulders, but made no comment. His shaggy brows had met
- and overlapped. His eyes had the glare of a beast at bay.
- </p>
- <p>
- &ldquo;My wife thought&rdquo;&mdash;Purvynes evidently felt that the point was a
- delicate one, but he made it with more ease than he could have done on any
- former occasion&mdash;&ldquo;she thought maybe your boy Henry might have got
- onto you an' talked reckless, but if he did, Cap, it was some time ago,
- for the boy ain't like he used to be. He's more serious-like. I got it
- straight from one o' the gang he used to run with that he's really quit
- his old ways an' gone to work.&rdquo;
- </p>
- <p>
- &ldquo;It's Nape Welborne's lay-out,&rdquo; Hoag declared. &ldquo;They've done it out o'
- pure spite an' enmity ag'in' me.&rdquo;
- </p>
- <p>
- Purvynes had averted his eyes; he seemed to feel that the conversation was
- drifting into useless waters, so far as he was personally concerned.
- &ldquo;Well, I just come over. Cap, to ask you what you think <i>I</i> ought to
- do.&rdquo; he finally got out, as if aided by his clutch on the fence, to which
- he clung quite automatically.
- </p>
- <p>
- &ldquo;<i>You?&rdquo;</i> Hoag emphasized the word.
- </p>
- <p>
- &ldquo;Why, yes, me. You see, Cap, my women say they simply won't stay here a
- single day longer. They are scared as nigh death as any folks you ever
- saw. That's why I come to you for&mdash;for advice an' to ax a favor. I'm
- in an awful plight. I owe a good deal on my land. My brother is well
- fixed, out in Texas, you know, an' I can move thar, but I'll have to raise
- some ready cash. My farm would be good for another loan, an' you are the
- only money-lender I know. You see, you know why I have to have the money,
- an' I couldn't explain so well to a bank. So my wife said&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I don't care what she said.&rdquo; Hoag's mind seemed to be making rapid
- flights to and from his own numerous holdings. &ldquo;If you think <i>you</i>
- got anything at stake, look at me,&rdquo; he plunged, dejectedly. &ldquo;Why, the
- black imps could&mdash;could&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I ain't carin' about my farm,&rdquo; Purvynes broke in irrelevantly. &ldquo;It's
- peace of mind I want, an' freedom from the awful chatter of my folks. Even
- the little ones are scared half to death. They've picked up a word here
- an' thar an' follow me about whimperin' an' beggin' to be tuck to a place
- of safety. Women may know how to scrub an' cook an' sew, but they can't
- keep a secret like our'n when they are under pressure like this. The wives
- of all the old klan&mdash;mark my words&mdash;will be together before
- twelve o'clock to-day. They will brand the'rselves an' us by it, but they
- won't care a red cent. They'd go to the gallows in a bunch if they could
- talk about it beforehand. Cap, a hundred dollars is all I need, an'&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Don't call me Cap no more,&rdquo; Hoag snapped, angrily, &ldquo;an' don't ask me for
- money, either. I hain't got none to lend. Besides, you can't leave your
- property no more than I can mine. We've got to stay an'&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Your wife's dead, Cap&mdash;Jim, I mean&mdash;an' you kin talk, but my
- folks will git away from these mountains if they have to foot it on ragged
- uppers. They simply won't stay. Jim, my trouble is a sight deeper than
- I've admitted. I&mdash;I feel like a dead man that nobody cares enough
- about to bury. Say, I'm goin' to tell you, an' then I know you will pity
- me if it is in you to pity <i>any</i> man. Jim, I always thought my wife
- loved me as much as the average woman loves the father of her children;
- but last night&mdash;last night, away late, when she couldn't sleep, she
- come over to my bed an' set down on the rail an' talked straighter than
- she ever has in her life. Jim, she said&mdash;she said she thought I ought
- to be willin' to go away for good an' all, an' leave 'er an' the children,
- since I was responsible for this calamity. She said she was sure her an'
- the children would be let alone if I'd go clean off an' never show up
- ag'in, an' that she'd rather work 'er fingers to the bone than be bothered
- like she is. Lord, Lord, Jim, I felt so awful that I actually cried an'
- begged for mercy like a whipped child. I'd always thought she was a
- soft-hearted, lovin' woman, but she was as hard as flint. She said she'd
- rather never lay eyes on me ag'in than have this thing hangin' over her
- an' the children. She finally agreed, if I'd git the money from you an'
- leave at once, that maybe her an' the rest would follow. So that's why I
- come to see you. Jim, a rich man like you can rake up a small amount like
- that to accommodate an old&mdash;&rdquo;
- </p>
- <p>
- &ldquo;And leave <i>me</i> with the bag to hold.&rdquo; Hoag's misery was eager for
- any sort of company. &ldquo;I won't lend you a cent&mdash;not a cent!&rdquo; he
- snorted. &ldquo;We've got to&mdash;to fight this thing out. No bunch o' lazy
- niggers can scare the life out o' me.&rdquo;
- </p>
- <p>
- &ldquo;But we are tied hand an' foot, Jim,&rdquo; Purvynes faltered. &ldquo;The black brain
- that writ that warnin' is equal to a white man's when it comes to that
- sort o' warfare. I know the threat word for word by heart. I can shut my
- eyes an' see the skull an' bones. Even if we went to law for protection
- we'd have to show that sheet, an' you wouldn't want to do that as it
- stands, an' I don't believe all the Governor's guards in the State could
- help us out, for in these mountains the niggers kin stay under cover an'
- pick us off one by one as we walk about, like sharpshooters lyin' in the
- weeds an' behind trees an' rocks. Then thar is a danger that maybe you
- hain't thought of.&rdquo;
- </p>
- <p>
- &ldquo;What's that?&rdquo; Hoag asked, with a dumb stare into the other's waxlike
- countenance.
- </p>
- <p>
- &ldquo;Why, if they take a notion they kin poison all the drinkin'-water
- anywhars about. Niggers don't look far ahead. They wouldn't even think o'
- the widespread results to them as well as us.&rdquo;
- </p>
- <p>
- A desperate look of conviction crept across Hoag's eyes. At this juncture
- he heard the front door of his house open, and, turning, he saw Jack come
- out on the veranda and eagerly start down the steps toward him.
- </p>
- <p>
- &ldquo;Stay thar!&rdquo; Hoag waved his hand dejectedly. &ldquo;I'm comin' up right away.&rdquo;
- </p>
- <p>
- Jack paused on the steps, a beautiful figure with supple, slender limbs,
- high, white brow under waving curls. Even at that distance, and through
- the lowering mists which lay on the grass like downy feathers dropped from
- the wings of dawn, the two men marked the boy's expression of startled
- surprise over being so peremptorily stopped. He sat down on the steps, his
- beautiful eyes fixed inquiringly on his father.
- </p>
- <p>
- &ldquo;I'd send that boy off, anyway,&rdquo; Purvynes said, as if thinking for
- himself.
- </p>
- <p>
- &ldquo;You say you would!&rdquo; slowly and from a mouth that twitched. &ldquo;What do you
- mean by&mdash;that?&rdquo;
- </p>
- <p>
- &ldquo;I mean all the niggers know how you dote on 'im, Jim. I've heard folks
- say that they didn't believe you ever loved any other human alive or dead.
- The niggers that got up that warnin' wouldn't hesitate to strike at you
- even through a purty innocent chap like that.&rdquo;
- </p>
- <p>
- Hoag dropped his stare to the ground. He clutched a paling with a
- pulseless hand and leaned forward. &ldquo;I reckon maybe you are right,&rdquo; he
- muttered. &ldquo;I've heard of 'em doin' the like, even kidnappin' an' makin'
- threats of bodily torture.&rdquo;
- </p>
- <p>
- Hoag glanced at his son again, and, catching his eyes, he waved his hand
- and forced a smile. &ldquo;I'm comin'!&rdquo; he called out. &ldquo;See if our breakfast is
- ready. We'll have it together.&rdquo;
- </p>
- <p>
- He was turning away as if forgetful of the caller's presence, when
- Purvynes stopped him.
- </p>
- <p>
- &ldquo;What about that money, Jim?&rdquo; he inquired, slowly, desperately.
- </p>
- <p>
- &ldquo;I can't let you have it,&rdquo; was Hoag's ultimatum, in a rising tone of
- blended despair and surliness. &ldquo;We've got to fix some way to head this
- thing off an' must stand together. Your folks will have to be reasonable.
- I'll come over an' talk to&mdash;&rdquo;
- </p>
- <p>
- &ldquo;No, no, no, no!&rdquo; in rapid-fire. &ldquo;Don't come about, Jim. That would scare
- 'em worse than ever. They was afraid some nigger might see me here this
- mornin', an' if you was to come&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Huh, I'll be looked on like a leper in a pest-house 'fore long, I
- reckon!&rdquo; Hoag snarled, but perhaps not so much from anger as from a sense
- of the fitness of the remark.
- </p>
- <p>
- &ldquo;Well, don't come, Jim,&rdquo; Purvynes repeated, bluntly. &ldquo;If you hain't got no
- money for me, all well an' good, but don't come about. My women are crazy,
- an' the sight of you wouldn't help at all.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0041" id="linklink2HCH0041"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XXIV
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">I</span>N the few days
- immediately following this incident Hoag became convinced that he had
- reached the gravest crisis of his career. For the first time in his
- experience his helplessness was as real a thing as had been his prowess in
- the past. A drab veil reeking with despair seemed to hang between him and
- every visible object. He looked in stunned amazement at the people who
- were going on with their daily duties as if nothing serious had happened
- or was impending. He saw them smile, heard them laugh, and noted their
- interest in the smallest details.
- </p>
- <p>
- Death! He had been absolutely blind to its claims, but now it had taken a
- grim clutch upon his mind. It was made plain by men whom he had seen die&mdash;yes,
- by men whom he had caused to die. Their pleadings rang in his ears, and
- they themselves seemed to dog his steps like vague shapes from a
- persistent nightmare.
- </p>
- <p>
- In some unaccountable way he was conscious of a sense of being less and
- less attached to his body. There were moments in which he felt that his
- limbs were dead, while he himself was as vital as ever. He was in a sort
- of conscious trance, in which his soul was trying to break the bonds of
- the flesh, and flee to some point of safety which was constantly appearing
- and vanishing.
- </p>
- <p>
- Above all, the sight of his child playing about the place was the most
- incongruous. He avoided joining Jack on the lawn at any time, fearing that
- the act might result in disaster of some easily comprehensible sort. But
- within the house he tried to atone for the neglect by a surplus of
- affection. He would hold the boy in his arms for hours at a time and
- fondle him as he had never fondled him before. He became desperate in his
- confinement to the house, and one day he decided that he would visit some
- of the most faithful of his friends, and on his horse he started out. He
- rode from farm to farm, but soon noticed that a rare thing was happening.
- Invariably the women, like awed, impounded cattle, would come to the
- doors, and with downcast eyes and halting voices inform him that their
- fathers or husbands were away. At one farm he saw Bert Wilson, the owner,
- and one of the older members of the klan, on the bank of the little creek
- which ran through his place, and hitching his horse to the rail fence,
- Hoag, unnoticed by the farmer, climbed over and approached him. Wilson was
- fishing, and with his eyes on his rod failed to see Hoag till he was
- suddenly addressed.
- </p>
- <p>
- &ldquo;Hello, what sort o' luck?&rdquo; Hoag asked, assuming a lightness of tone and
- mien that was foreign to his habit.
- </p>
- <p>
- The man was heavy-set, florid, unbearded, and past middle age. He turned
- suddenly; his blue eyes flashed and glowed; he looked toward the roof of
- his house above the thicket in the distance and furtively bent his neck to
- view the road as if fearful of being seen.
- </p>
- <p>
- &ldquo;Oh, just so so!&rdquo; he answered, doggedly.
- </p>
- <p>
- &ldquo;What sort o' bait are you usin'?&rdquo;
- </p>
- <p>
- &ldquo;Crickets an' grasshoppers. The traps up at your mill catch all the big
- fish. Minnows an' suckers are good enough for us common folks, Jim Hoag.&rdquo;
- </p>
- <p>
- &ldquo;I'm goin' to do away with them traps, Bert,&rdquo; Hoag said, diplomatically,
- and he sank down on the grass, and thrusting his hands into his pockets he
- took out two cigars and some matches. &ldquo;Have a smoke,&rdquo; he said, holding a
- cigar toward the fisherman.
- </p>
- <p>
- &ldquo;No, thanky.&rdquo; Wilson drew his line from the water and looked at the hook.
- Hoag noted, with a touch of dismay, that the hook held no vestige of bait,
- and yet the fisherman gravely lowered it into the water and stood
- regarding it with a sullen stare.
- </p>
- <p>
- &ldquo;Hain't quit smokin', have you?&rdquo;
- </p>
- <p>
- Wilson stole another look at the road, and allowed his glance to sweep on
- to his house. Then he raised his rod, caught the swinging line in a firm
- grip, and glared at the face in the cloud of blue smoke.
- </p>
- <p>
- &ldquo;I ain't a-goin' to use none o' <i>yore</i> tobacco, Jim Hoag.&rdquo; The words
- sank deep into the consciousness of the listener.
- </p>
- <p>
- &ldquo;You say you ain't!&rdquo; Hoag shrank visibly. Desperate compromises filtered
- into his brain, only to be discarded. &ldquo;Say, Bert, what's got into you,
- anyway?&rdquo;
- </p>
- <p>
- The fat man hesitated. His cheeks and brow flushed red.
- </p>
- <p>
- &ldquo;This much has got into me, Hoag,&rdquo; he began, &ldquo;an' I'm man enough to speak
- out open. Us fellows have been followin' your lead like a damned lot o'
- idiotic sheep. You always talked up protection, protection to our women
- an' homes, when it now looks like you was just doin' it to feel your
- importance as a leader in some'n or other. You kept the thing a-goin', rid
- it like a hobby-hoss. Time after time my judgment told me to stay out o'
- the raids you instigated, but thar was always a fool notion among us that
- what one done all had to do or be disgraced, an' so we went on until
- natural hatred o' you an' your bull-headed game has brought down this
- calamity. Now, what I ask, an' what a lot more of us ask, is fur you to
- take your medicine like a man, an' not pull us into the scrape. If you
- will do this, all well an' good. You are the only one singled out so far,
- an' if you will stay away from the rest of us, an' not draw fire on us,
- all may go well; but, Jim Hoag&mdash;I reckon it's my Scotch blood
- a-talkin' now&mdash;if you don't do it, as God is my holy witness I
- wouldn't be astonished to see the old klan rise an'&mdash;an' make an
- example of you, to satisfy the niggers an' show whar we stand. I needn't
- say no more. You know what I mean. The klan has turned ag'in' you. You
- fooled 'em a long time; but since you knuckled down to Nape Welborne like
- you did they believe YOU are a rank coward, an', Jim Hoag, no coward kin
- force hisse'f on a lot o' men with families when by doin' it he puts 'em
- all in danger. Most of us believe that if you was shot, or poisoned, an'
- put plumb out o' the way, this thing would blow over. You kin act fair
- about this, or you needn't; but if you don't do it you will be <i>made</i>
- to. You fed an' pampered this thing up an' it has turned its claws an'
- fangs ag'in' you&mdash;that is all. I'm desperate myself. You are a rich
- man, but, by God! I feel like spittin' in your face, as you set thar
- smokin' so calm when my wife an' children are unable to sleep at night,
- an' afraid to go to the spring in daytime. Now, I'll say good-momin'. I'm
- goin' furder down the creek, an' I don't want you to follow me.&rdquo;
- </p>
- <p>
- &ldquo;Looky' here, Bert.&rdquo; There was a piteous, newborn frailty in Hoag's
- utterance. &ldquo;Listen a minute. I&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I'm done with you,&rdquo; Wilson waved his hand firmly. &ldquo;Not another word. You
- are in a hell of a plight, but it don't concern me. Under your rule I was
- tryin' to protect my family, an' now that I am from under it I'll do the
- same. My folks come fust with me.&rdquo;
- </p>
- <p>
- With the sun in his face, his knees drawn close to his chin, Hoag sat and
- watched the man as he stolidly strode away through the wind-stirred
- broom-sedge. The drooping willows, erect cane-brake, and stately mullein
- stalks formed a curtain of green which seemed to hang from the blue dome
- covered with snowy clouds. When Wilson had disappeared Hoag slowly rose to
- his feet, and plodded across the field to his horse. Here again, in
- mounting, he experienced the odd weightiness of his feet and legs, as if
- his mental unrest had deprived them of all physical vitality, and him of
- the means of restoring it.
- </p>
- <p>
- Reaching home, he went to the barn-yard to turn his horse over to Cato.
- The negro was always supposed to be there at that hour, but though Hoag
- called loudly several times there was no response. Swearing impatiently,
- and for the first time shrinking from his own oaths, he took off the
- bridle and saddle and fed the animal. While he was in the stall he heard a
- sudden, cracking sound in the loft overhead, and his heart sank like a
- plummet into deep water. Crouching down under the wooden trough, he drew
- his revolver and cocked it. For a moment he held his breath. Then the
- cackling of a hen in the hay above explained the sound, and restoring his
- revolver to his pocket he went to the house.
- </p>
- <p>
- Mrs. Tilton was at her churn in the side-gallery. Her slow, downward
- strokes and easy poise of body seemed wholly apart from the uncanny realm
- which he occupied alone. She looked up and eyed him curiously over her
- silver-rimmed spectacles.
- </p>
- <p>
- &ldquo;Whar's that nigger Cato?&rdquo; he demanded.
- </p>
- <p>
- &ldquo;I'm afraid he's left for good,&rdquo; she returned. &ldquo;He's acted odd all day&mdash;refused
- outright to fetch water to the kitchen. I told 'im I'd report to you, but
- he stood with the most impudent look on his face, an' wouldn't budge an
- inch. Then I watched an' saw him go in his cabin. Purty soon he come out
- with a bundle under his arm, an' started toward town. After he was out o'
- sight I went to his shack an' found that he had taken all his things&mdash;every
- scrap he could call his own. I reckon he's off for good. Aunt Dilly won't
- talk much, but she thinks it is all due to the raid the mountain men made
- on the negroes in town the other night. I know you wasn't in <i>that</i>,
- Jim, because you was here at home.&rdquo;
- </p>
- <p>
- &ldquo;No, I wasn't in it.&rdquo;
- </p>
- <p>
- &ldquo;I certainly am glad of it.&rdquo; The woman seemed to churn the words into her
- butter. &ldquo;The whole thing has been run in the ground. It is near
- cotton-pickin' time, an' if the niggers all leave the country help, won't
- be had. The crops will rot in the field for the lack o' hands to pick it
- from the bolls.&rdquo;
- </p>
- <p>
- Hoag passed on into the house and through the hall into his own chamber.
- Here the air seemed oppressively warm, the plastered walls giving out heat
- as from the closed door of a furnace. Throwing off his coat, he sat down
- before a window. Such a maze and multiplicity of thoughts had never before
- beset his brain. The incidents of his life, small and large, marched past
- with the regularity of soldiers. How strange that Sid Trawley's face,
- ablaze with its new light, should emerge so frequently from amid the
- others! How odd that he should recall Paul Rundel's notion of giving
- himself up to the law and suffering the consequences of his supposed
- crime! And the effect on both men had been astounding. Sid had nothing to
- fear, and to Paul all good things were falling as naturally as rain from
- clouds. Then there was Henry, who had suddenly turned about and was making
- a man of himself.
- </p>
- <p>
- At this moment a childish voice was heard singing a plantation melody. It
- was Jack at play on the lawn. Hoag leaned from the window and saw the boy,
- with hammer and nails, mending a toy wagon. Paul Rundel was entering the
- gate. Hoag noted the puckered lips of his manager and heard his merry
- whistle. He saw him pause, tenderly stroke Jack's waving curls, and smile.
- Who had ever seen a face more thoroughly at peace than this young man's&mdash;a
- smile more spontaneous?
- </p>
- <p>
- Hoag went to the front door and stood waiting for Paul to approach. The
- terror within him suggested that the young man might bring fresh news
- concerning the things he so much dreaded.
- </p>
- <p>
- &ldquo;Be careful, Jack,&rdquo; Paul was advising the boy. &ldquo;If you start to coast down
- a steep hill in that thing you might not be able to guide it, and&mdash;zip!
- against a tree or stump you'd go, an' we'd have to fish you out among the
- splinters.&rdquo; This was followed by some low-spoken directions from Paul, in
- which the listener on the veranda caught the words, &ldquo;friction,&rdquo; &ldquo;nuts and
- bolts,&rdquo; &ldquo;lubricating oil,&rdquo; and &ldquo;electric motor.&rdquo;
- </p>
- <p>
- Then the young man turned, and seeing Hoag he came on. There was a
- triumphant beam in his eye, an eager flush in his cheeks, as he approached
- the steps.
- </p>
- <p>
- &ldquo;Glad you are at home,&rdquo; he began. &ldquo;I was going to look you up the first
- thing.&rdquo;
- </p>
- <p>
- &ldquo;Did you want to&mdash;see me about&mdash;I mean&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Yes, I've landed that thing at last&mdash;put it through.&rdquo;
- </p>
- <p>
- &ldquo;You say you've&mdash;&rdquo; Hoag's thoughts were widely scattered. &ldquo;You say&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Why, the shingle contract, you remember.&rdquo; Paul stared wonderingly. &ldquo;You
- know you were afraid the Louisville parties would not sign up at my price,
- but they have. They take ten car-loads of pine stock at that figure and
- give us two years to fill the order. But have you&rdquo;&mdash;Paul was studying
- the man's face&mdash;&ldquo;have you changed your mind? Yesterday you thought&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, it's all right&mdash;it's splendid!&rdquo; Hoag's voice was lifeless; he
- looked away with the fixed stare of a somnambulist; he wiped his brow with
- his broad hand and dried it on his trousers. &ldquo;You say they take five
- cars?&rdquo;
- </p>
- <p>
- &ldquo;They take <i>ten</i>,&rdquo; Paul repeated, his elation oozing from him like a
- vapor. &ldquo;It will keep our force busy summer and winter and all the extra
- teams we can get. I've found a place for your idle saw-mill, too&mdash;over
- at the foot of the ridge. I'm sure, when you have time to look over my
- figures, that you will see plenty of profit for you and good wages for the
- hands. The men are all tickled. You don't look as if you were pleased
- exactly, Mr. Hoag, and if anything has happened to change your mind&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, I am pleased&mdash;I am&mdash;I am!&rdquo; Hoag asseverated. &ldquo;You've done
- well&mdash;powerful well. In fact, <i>very</i> well. I'll glance at your
- figures some time soon, but not now&mdash;not now. I'll leave it all to
- you,&rdquo; and Hoag retreated into the house and shut himself in his room.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0042" id="linklink2HCH0042"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XXV
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">T</span>HERE was a
- galvanized sheet-iron mail-box near the gate of the tannery, and in it
- once a day a carrier passing on horseback placed the letters and papers
- which came for the family. Little Jack loved to take the key and open the
- box after the carrier had passed and bring the contents to the house and
- distribute it to the various recipients. Hoag sat on the veranda one
- afternoon waiting for Jack, who had just gone to the box, having heard the
- carrier's whistle. Presently the boy came in at the gate holding several
- letters in his hands, and he brought them to his father.
- </p>
- <p>
- &ldquo;Here's one without a stamp,&rdquo; Jack smiled. &ldquo;That's funny; I thought all U.
- S. letters had to have stamps on them.&rdquo;
- </p>
- <p>
- Hoag saw only that particular envelope in the lot which was laid on his
- knee.
- </p>
- <p>
- &ldquo;It must have been an accident,&rdquo; he muttered. &ldquo;The stamp may have dropped
- off.&rdquo;
- </p>
- <p>
- &ldquo;More likely that somebody passed along, and put the letter into the box,&rdquo;
- Jack's inventive mind suggested.
- </p>
- <p>
- Hoag made no reply. He had already surmised that this might be the case.
- There was a title prefixed to his name which he had never seen written
- before, and it held his eyes like the charm of a deadly reptile.
- </p>
- <p>
- &ldquo;Captain Jimmy Hoag,&rdquo; was the superscription in its entirety, and the
- recipient remembered having seen the scrawling script before.
- Automatically he singled out the letters for Paul and for Ethel and her
- mother, and sent Jack to deliver them.
- </p>
- <p>
- When his son had disappeared Hoag rose and crept stealthily back to his
- room. Why he did so he could not have explained, but he even locked
- himself in, turning the key as noiselessly as a burglar might have done in
- the stillness of night. He laid the envelope on the bed and for a moment
- stood over it, staring down on it with desperate eyes. Then, with
- quivering, inert fingers he opened it and spread out the inclosed sheet.
- It bore the same skull and crossbones as the former warning, and beneath
- was written:
- </p>
- <p>
- <i>The day and the hour is close at hand. Keep your eye on the clock. We
- will do the rest.</i>
- </p>
- <p>
- <i>his (Blak X Buck) mark</i>.
- </p>
- <p>
- That was all. Hoag took it to the fireplace, struck a match, and was about
- to ignite the paper, but refrained. Extinguishing the match, he rested a
- quivering elbow on the mantelpiece, and reflected. What ought he to do
- with the paper? If it were found on his dead body it would explain things
- not now generally known. Dead body! How could he think of his dead body?
- <i>His</i> body, white, cold, and lifeless, perhaps with a stare of terror
- in the eyes! Why, he had never even thought of himself as being like that,
- and yet what could prevent it now? What?
- </p>
- <p>
- Some one&mdash;Ethel or her mother&mdash;was playing the piano in the
- parlor. Aunt Dilly was heard singing while at work behind the house. Jack
- ran through the hall, making a healthy boy's usual clatter, and his father
- heard him merrily calling across the lawn to Paul Rundel that he had left
- a letter for him on his table.
- </p>
- <p>
- All this was maddening. It represented life in its full swing and ardor,
- while here was something as grim and pitilessly exultant as hell itself
- could devise. Hoag folded the paper in his bloodless hands and sank upon
- the edge of his bed. He had used his brain shrewdly and skilfully
- hitherto, and in what way could he make it serve him now? Something must
- be done, but what? He could not appeal to the law, for he had made his own
- laws, and they were inadequate. He could not evoke the aid of friends, for
- they&mdash;such as they were&mdash;had left him like stampeded cattle,
- hoping that by his death the wrath of the hidden avenger might be
- appeased. He could flee and leave all his possessions to others, but
- something told him that he would be pursued.
- </p>
- <p>
- When the dusk was falling he went out on the lawn. Ethel and Paul were
- seated on a rustic bench near the summer-house, and he avoided them.
- Seeing Mrs. Mayfield at the gate, he turned round behind the house to keep
- from meeting and exchanging platitudes with her. In the back yard he
- pottered about mechanically, inspecting his beehives, his chicken-house
- and dog-kennel, receptive of only one thought. He wondered if he were
- really losing his mental balance, else why should he be so devoid of
- resources? He now realized the terrible power embodied in the gruesome
- warnings his brain had fashioned and circulated among a simple-minded,
- superstitious people. What he was now facing they had long cowered under.
- The thought of prayer, as a last resort, flashed into his mind, but he
- promptly told himself that only fools prayed. Biblical quotations flocked
- about him as if from his far-off childhood. And such quotations as they
- were!
- </p>
- <p>
- &ldquo;Vengeance is mine, saith the Lord,&rdquo; and &ldquo;What is a man profited, if he
- shall gain the whole world, and lose his own soul?&rdquo; These things seemed to
- be borne to him on the breeze that swept down from the beetling rocks of
- the mountains which leaned against the star-studded sky.
- </p>
- <p>
- After an all but sleepless night, Hoag ate breakfast with the family the
- next morning, and announced his intention of running down to Atlanta for a
- day or so on business. Paul wanted to ask some questions pertaining to his
- work, but Hoag swept them aside with a turgid wave of the hand.
- </p>
- <p>
- &ldquo;Run it yourself; it will be all right,&rdquo; he said. &ldquo;Your judgment is as
- good as mine. I don't feel exactly well here lately. I have headaches that
- I didn't use to have, an' I think I'll talk to a doctor down thar. I don't
- know; I say <i>maybe</i> I will.&rdquo;
- </p>
- <p>
- Riding to town, he left his horse at Trawley's stable, and going to the
- railway station below the Square he strolled about on the platform. A
- locomotive's whistle several miles up the valley announced that the train
- was on time. Approaching the window of the ticket-office, which was within
- the little waiting-room, he found the opening quite filled by a
- broad-brimmed farmer's hat, a pair of heavy shoulders on a long body,
- supported by a pair of gaunt jeans-clothed legs.
- </p>
- <p>
- &ldquo;Yes, I'm off for Texas.&rdquo; He recognized Purvynes's voice in cheerful
- conversation with the agent. &ldquo;My brother says I ought to come. He's got a
- good thing for me out thar&mdash;land's as black as a hat, an' as rich as
- a stable-lot a hundred year old. He was so set on havin' me that he lent
- me the money to go on. So long! Good luck to you!&rdquo;
- </p>
- <p>
- The head was withdrawn from the window; a pair of brown hands were
- awkwardly folding a long green emigrant's ticket, and Purvynes suddenly
- saw the man behind him.
- </p>
- <p>
- &ldquo;Hello, you off?&rdquo; Hoag hastily summoned a casual tone.
- </p>
- <p>
- The start, the dogged lowering of the head, the vanishing of Purvynes's
- smile, were successive blows to the shrinking consciousness of the
- inquirer.
- </p>
- <p>
- &ldquo;Yes, I'm off.&rdquo; Purvynes's eyes were now shifting restlessly. Then he
- lowered his voice, and a touch of malice crept into it as he added: &ldquo;You
- see, I didn't have to do it on your money, nuther, an' you bet I'm glad.
- It's tainted if ever cash was, an' I want to shake every grain o' Georgia
- dust off my feet, anyway.&rdquo;
- </p>
- <p>
- &ldquo;I'm goin' as far as Atlanta,&rdquo; Hoag said, tentatively. &ldquo;I may see you on
- the train.&rdquo;
- </p>
- <p>
- &ldquo;My ticket's <i>second class</i>.&rdquo; Purvynes shrugged his shoulders. &ldquo;I'll
- have to ride in the emigrant-car, next to the engine. I reckon we&mdash;we'd
- better stay apart, Jim, anyhow. I want it that way,&rdquo; he added, in a low,
- firm tone, and with smoldering fires in his eyes which seemed about to
- burst into flame.
- </p>
- <p>
- &ldquo;All right, all right!&rdquo; Hoag hastily acquiesced. &ldquo;You know best,&rdquo; and he
- turned to the window and bought his ticket. The agent made a courteous
- remark about the weather and the crops, and in some fashion Hoag
- responded, but his thoughts were far away.
- </p>
- <p>
- He found himself almost alone, in the smoking-car. He took a cigar from
- his pocket, lighted it, and, raising the window, blew the smoke outside. A
- baggage-truck was being trundled by. He could have put out his hand and
- touched the heap of trunks and bags with which it was laden. A burly negro
- was pushing it along. Raising his eyes suddenly, he saw Hoag, and there
- was no mistaking the startled look beneath the lines of his swarthy face.
- Another blow had been received. Hoag turned from the window. The train
- started on, slowly at first, and, going faster and faster, soon was
- passing through Hoag's property. Never on any other occasion had he failed
- to survey these possessions with pride and interest. The feeling had died
- within him. A drab disenchantment seemed to have fallen upon every visible
- object. All he owned&mdash;the things which had once been as his life's
- blood&mdash;had dwindled till they amounted to no more than the broken
- toys of babyhood.
- </p>
- <p>
- Beyond his fertile lands and the roofs of his buildings rose a red-soiled
- hill which was the property of the village. Hoag turned his head to look
- at it. He shuddered. Tall white shafts shone in the full yellow light.
- One, distinctly visible, marked the grave of his wife, on which Hoag had
- spared no expense. There was room for another shaft close beside it. Under
- it a murdered man would lie. That was inevitable unless something was done&mdash;and
- what could be done? &ldquo;Death, death, death!&rdquo; The smooth, flanged wheels
- seemed to grind the words into the steel rails. They were written on the
- blue sky along the earth-rimmed horizon. They were whispered from the
- lowest depths of himself. His blood crept, cold and sluggish, through his
- veins. A chill seemed to have attacked his feet and ankles and was
- gradually creeping upward. He remembered that this was said to be the
- sensation of dying, and he stood up and stamped his feet in vigorous,
- rebellious terror.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0043" id="linklink2HCH0043"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XXVI
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">B</span>Y and by Atlanta
- was reached. Slowly and with a clanging bell the train crept into the
- grimy switch-yards bordered by sooty iron furnaces, factories, warehouses,
- planing-mills, and under street bridges and on into the big depot. Here
- his ears were greeted with the usual jumble, din, and babble of voices,
- the escaping of steam, the calls of train-porters. Hoag left the car,
- joined the jostling human current on the concrete pavement, and was soon
- in the street outside. Formerly he had ridden to his hotel in a
- trolley-car, but none was in sight, and seeing a negro cabman signaling to
- him with a smile and a seductive wave of his whip he went forward and got
- in.
- </p>
- <p>
- &ldquo;Kimball House,&rdquo; he said to the man, and with a snap of the latch the door
- was closed upon him.
- </p>
- <p>
- Rumbling over the cobblestones, through the active scene which was
- bisected by the thoroughfare, he strove in vain to recapture the sensation
- he had formerly had on such outings&mdash;the sensation that he was where
- enjoyment of a certain sensual sort could be bought. Formerly the fact
- that he was able to pay for a cab, that he was headed for a hotel where
- servants would obey his beck and call, where food, drinks, and cigars
- would be exactly to his taste, and where he would be taken for a man of
- importance, would have given a certain elation of spirits, but to-day all
- this was changed.
- </p>
- <p>
- Had he been driving to an undertaker's to arrange the details of his own
- burial, he could, not have experienced a more persistent and weighty
- depression. Indeed, the realization of an intangible fate, of which death
- itself was only a part, seemed to percolate through him. His body was as
- dead as stone, his soul never more alive, more alert, more desperate.
- </p>
- <p>
- At the desk in the great noisy foyer of the hotel, where the clerks knew
- him and where he paused to register, he shrank from a cordiality and
- recognition which hitherto had been welcome enough. Even the clerks seemed
- to be ruthless automatons in whose hands his fate might rest. As one of
- them carelessly penciled the number of his room after lois signature, and
- loudly called it out to a row of colored porters, he had a sudden impulse
- to silence the voice and whisper a request for another room the number of
- which was to be private; but he said nothing, and was led away by a
- bell-boy.
- </p>
- <p>
- They took the elevator to the fifth floor. The boy, carrying his bag,
- showed him to a chamber at the end of a long, empty corridor. The servant
- unlocked the door, threw it open, and, going in, put down the bag and
- raised the sash of the window, letting in the din of the street below.
- Then he waited for orders.
- </p>
- <p>
- &ldquo;A pint of best rye whisky, and ice water!&rdquo; Hoag said. &ldquo;Bring 'em right
- away, and some cigars&mdash;a dozen good ones. Charge to my account.&rdquo;
- </p>
- <p>
- &ldquo;All right, boss,&rdquo; the porter bowed and was gone. Hoag sat down by the
- window and glanced out. He noticed a trolley-car bound for a
- pleasure-resort near the city. It had been a place to which on warm days
- he had enjoyed going. There was an open-air theater there, and he had been
- fond of getting a seat in the front row, and smiling patronizingly at the
- painted and powdered players while he smoked and drank. But this now was
- like a thing which had lived, died, and could not be revived. He had, for
- another amusement, lounged about certain pool-rooms and bucket-shops,
- spending agreeable days with men of wealth and speculative tendencies&mdash;men
- who loved a game of poker for reasonable stakes and who asked his advice
- as to the future market of cotton or wheat; but from this, too, the charm
- had flown.
- </p>
- <p>
- &ldquo;What is a man profited&mdash;&rdquo; The words seemed an echo from some voice
- stilled long ago&mdash;a voice weirdly like that of his mother, who had
- been a Christian woman. The patriarchal countenance of Silas Tye, that
- humble visage so full of mystic content and placid certitude, stood before
- his mind's eye. Then there was Paul, a younger disciple of the ancient
- one. And, after all, what a strange and wonderful life had opened out
- before the fellow! Why, he had nothing to avoid, nothing to regret,
- nothing to fear.
- </p>
- <p>
- The bell-boy brought the whisky and cigars, and when he had gone Hoag
- drank copiously, telling himself that the stimulant would restore his lost
- confidence, put to flight the absurd fancies which had beset him. He
- remained locked in his room the remainder of the afternoon. It was filled
- with the smoke of many cigars, and his brain was confused by the whisky he
- kept drinking. Looking from the window, he saw that night had fallen. The
- long streets from end to end were ablaze with light. Groping to the wall,
- he finally found an electric button and turned on the current. He had just
- gone back to the window when there was a rap on his door. He started, fell
- to quivering as from the sheer premonition of disaster, and yet he called
- out:
- </p>
- <p>
- &ldquo;Come in!&rdquo;
- </p>
- <p>
- It was the bell-boy.
- </p>
- <p>
- &ldquo;A letter for you, sir,&rdquo; he announced, holding it forward. &ldquo;A colored
- gen'man lef' it at de desk jes' er minute ergo.&rdquo;
- </p>
- <p>
- Hoag had the sensation of falling from a great height in a dizzy dream.
- &ldquo;Whar is he?&rdquo; he gasped, as he reached for the envelope.
- </p>
- <p>
- &ldquo;He's gone, sir. He tol' de clerk ter please have it tuck up quick, dat it
- was some important news, an' den he went off in er hurry.&rdquo;
- </p>
- <p>
- &ldquo;Did&mdash;did you know 'im?&rdquo; Hoag fairly gasped.
- </p>
- <p>
- &ldquo;Never seed 'im befo', sir; looked ter me like er country nigger&mdash;didn't
- seem ter know which way ter turn.&rdquo;
- </p>
- <p>
- When the boy had gone Hoag looked at the inscription on the letter. He had
- seen the writing before.
- </p>
- <p>
- &ldquo;Captin Jimmy Hoag, Kimball House, City of Atlanta,&rdquo; was on the outside.
- He sank down into his chair and fumbled the sealed envelope in his numb
- fingers. His brain was clear now. It had never been clearer. Presently he
- opened the envelope and unfolded the sheet.
- </p>
- <p>
- It ran as follows:
- </p>
- <p>
- <i>One place is as good as another. You cannot git away. We got you, and
- your time is short. Go to the end of the earth and we will be there to
- meet you. By order of his (Blak X Buck) mark.</i>
- </p>
- <p>
- With the sheet crumpled in his clammy hand, Hoag sat still for more than
- an hour. Then he rose, shook himself, and took a big drink of whisky, He
- resolved that he would throw off the cowardly paralysis that was on him
- and be done with it. He would go out and spend the evening somewhere.
- Anything was better than this self-imprisonment in solitude that was
- maddening.
- </p>
- <p>
- Going down to the office, he suddenly met Edward Peterson as he was
- turning from the counter. The young man smiled a welcome as he extended
- his hand.
- </p>
- <p>
- &ldquo;I was just going up to your room,&rdquo; he said. &ldquo;I happened to see your name
- on the register while I was looking for an out-of-town customer of ours
- who was due here to-day. Down for long?&rdquo;
- </p>
- <p>
- &ldquo;I can't say&mdash;I railly can't say,&rdquo; Hoag floundered. &ldquo;It all depends&mdash;some
- few matters to&mdash;to see to.&rdquo;
- </p>
- <p>
- &ldquo;I was going to write you,&rdquo; the banker continued, his face elongated and
- quite grave. &ldquo;I regard you as a friend, Mr. Hoag&mdash;I may say, as one
- of the best I have. I'm sure I've always looked after your interests at
- this end of the line as carefully as if they had been my own.&rdquo;
- </p>
- <p>
- &ldquo;Yes, yes, I know that, of course.&rdquo; Hoag's response was a hurried compound
- of impatience, indifference, and despair.
- </p>
- <p>
- Peterson threw an eager glance at some vacant chairs near by and touched
- Hoag's arm. &ldquo;Let's sit down,&rdquo; he entreated. &ldquo;I want to talk to you. I just
- can't put it off. I'm awfully bothered, Mr. Hoag, and if anybody can help
- me you can.&rdquo; Hoag allowed himself to be half led, half dragged to the
- chair, and he and his companion sat down together.
- </p>
- <p>
- &ldquo;It's about Miss Ethel,&rdquo; Peterson went on, desperately, laying an
- appealing hand on Hoag's massive knee. &ldquo;The last time I saw her at your house
- I thought she was friendly enough, but something is wrong now, sure. She
- won't write often, and when she does her letters are cold and stiff. I got
- one from her mother to-day. Mrs. Mayfield seems bothered. She doesn't seem
- fully to understand Miss Ethel, either.&rdquo;
- </p>
- <p>
- &ldquo;I don't know anything about it.&rdquo; Hoag felt compelled to make some reply.
- &ldquo;The truth is, I haven't had time to&mdash;to talk to Eth' lately, and&mdash;&rdquo;
- </p>
- <p>
- &ldquo;But you told me that you <i>would</i>.&rdquo; Peterson's stare was fixed and
- full of suppressed suspense. &ldquo;I've been depending on you. My&mdash;my
- pride is&mdash;I may say that my pride is hurt, Mr. Hoag. My friends down
- here consider me solid with the young lady, and it looks as if she were
- trying to pull away and leave me in the lurch. I don't see how I can stand
- it. I've never been turned down before and it hurts, especially when folks
- have regarded the thing as practically settled. Why&mdash;why, my salary
- has been raised on the strength of it.&rdquo;
- </p>
- <p>
- Hoag's entire thoughts were on the communication he had just received. He
- expected every moment to see his assassin stalk across the tiled floor
- from one of the many entrances and fire upon him. Peterson's voice and
- perturbation were as vexatious as the drone of a mosquito. Of what
- importance was another's puppy love to a man on the gallows looking for
- the last time at the sunshine? He rose to his feet; he laid his hand on
- the young man's shoulder.
- </p>
- <p>
- &ldquo;You must let me alone to-night,&rdquo; he bluntly demanded. &ldquo;I've got a matter
- of important business on my mind and I can't talk to you. You must, I tell
- you; you must!&rdquo;
- </p>
- <p>
- &ldquo;All right, all right!&rdquo; Peterson stared and gasped as if smitten in the
- face. &ldquo;I'll see you in the morning. You'll come around to the bank, won't
- you?&rdquo;
- </p>
- <p>
- &ldquo;Yes, yes&mdash;in the morning. I'll be round.&rdquo; When he was alone Hoag
- strolled back to the bar-room. He familiarly nodded to the barkeeper, and
- smiled mechanically as he called for whisky. He drank, lighted a cigar,
- leaned for an instant against the polished counter, and then, seeing a man
- entering whom he knew and wished to avoid, he turned back into the foyer.
- Presently he went to the front door and glanced up and down the street. A
- cab was at the edge of the sidewalk, and the negro driver called out to
- him:
- </p>
- <p>
- &ldquo;Ca'iage, boss? Any part de city.&rdquo;
- </p>
- <p>
- &ldquo;All right, I'm with you,&rdquo; Hoag went to the cab, whispered an address, got
- in, and closed the door. With a knowing smile the negro mounted his seat
- and drove away. At the corner he turned down Decatur Street, and presently
- drove into a short street leading toward the railroad. Here the houses on
- either side of the way had red glass in the doors, through which crimson
- rays of light streamed out on the pavement. The cab was about to slow up
- at one of the houses when Hoag rapped on the window. The driver leaned
- down and opened the door.
- </p>
- <p>
- &ldquo;What is it, boss?&rdquo;
- </p>
- <p>
- &ldquo;Take me back to the hotel,&rdquo; was the command.
- </p>
- <p>
- The driver paused in astonishment, then slowly turned his horse and
- started back.
- </p>
- <p>
- &ldquo;It might happen thar, and Jack would find out about it,&rdquo; Hoag leaned back
- and groaned. &ldquo;That would never do. It is bad enough as it is, but that
- would be worse. He might grow up an' be ashamed even to mention me. Henry
- is tryin' to do right, too, an' I'd hate for him to know.&rdquo;
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0044" id="linklink2HCH0044"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XXVII
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">A</span>T twelve o'clock
- at night, two days later, Hoag returned to Grayson. It was warm and
- cloudy, and when he left the train he found himself alone on the unlighted
- platform. No one was in sight, and yet he felt insecure. He told himself,
- when the train had rumbled away, that it would be easy for an assassin to
- stand behind the little tool-house, the closed restaurant, or the railway
- blacksmith's shop and fire upon him. So, clutching his bag in his cold
- fingers, he walked swiftly up to the Square. Here, also, no one was in
- sight, and everything was so still that he could almost fancy hearing the
- occupants of the near-by hotel breathing. He turned down to Sid Trawley's
- stable to get his horse. The dim light of a murky lantern swinging from a
- beam at the far end shone in a foggy circle. The little office on the
- right was used by Trawley as a bedroom. The door was closed, but through
- the window a faint light was visible, and there was a sound within as of a
- man removing his shoes.
- </p>
- <p>
- &ldquo;Hello, Sid, you thar?&rdquo; Hoag called out.
- </p>
- <p>
- &ldquo;Yes, yes; who's that?&rdquo;
- </p>
- <p>
- Hoag hesitated; then stepping close to the window, he said, in a lower
- tone: &ldquo;Me&mdash;Jim Hoag; I want my hoss, Sid.&rdquo;
- </p>
- <p>
- &ldquo;Oh, it's <i>you</i>; all right&mdash;all right!&rdquo;
- </p>
- <p>
- The sound in the room was louder now, and then Trawley, without coat or
- hat, his coarse shirt gaping at the neck, opened the door and came out.
- </p>
- <p>
- &ldquo;You got here quick, I'll swear,&rdquo; the liveryman ejaculated. &ldquo;Surely you
- wasn't in Atlanta like they said you was, or you couldn't 'a' got here as
- soon as this.&rdquo;
- </p>
- <p>
- &ldquo;Soon as this! What do you mean? I am just from Atlanta.&rdquo;
- </p>
- <p>
- &ldquo;Then they didn't telegraph you?&rdquo;
- </p>
- <p>
- &ldquo;No; what do you mean? I hain't heard a word from here since I left.&rdquo; Hoag
- caught his breath, thrust his hands into his pockets, and stood,
- openmouthed.
- </p>
- <p>
- &ldquo;You don't say! Then, of course, you couldn't know about Henry's trouble?&rdquo;
- </p>
- <p>
- &ldquo;No, I tell you I'm just back. What's wrong?&rdquo;
- </p>
- <p>
- &ldquo;It happened about nine o'clock to-night,&rdquo; Trawley explained. &ldquo;In fact,
- the town has just quieted down. For a while I expected the whole place to
- go up in flames. It was in the hands of the craziest mob you ever saw&mdash;Nape
- Welborne's gang.&rdquo;
- </p>
- <p>
- &ldquo;What about Henry? Was he hurt, or&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Oh, he's all right now, or was when me'n Paul Rundel, an' one or two more
- friends put 'im to bed in the hotel. Doctor Wynn says he is bruised up
- purty bad, but no bones is broke or arteries cut.&rdquo;
- </p>
- <p>
- &ldquo;Another fight, I reckon!&rdquo; Hoag was prepared to dismiss the matter as too
- slight for notice in contrast to his far heavier woes.
- </p>
- <p>
- &ldquo;Yes, but this time you won't blame him, Jim. In fact, you are the one man
- on earth that will stand up for 'im if thar's a spark o' good left in you.
- He was fightin' for you, Jim Hoag. I used to think Henry didn't amount to
- much, but I've changed. I take off my hat to 'im, an' it will stay off
- from now on.&rdquo;
- </p>
- <p>
- &ldquo;Fighting for <i>me?</i>&rdquo; Hoag's fears gathered from many directions and
- ruthlessly leaped upon him.
- </p>
- <p>
- &ldquo;Yes, it seems that Nape Welborne had it in for you for some reason or
- other, an' you bein' away he determined to take it out on your boy. I
- knowed trouble was brewin', an' I got Henry to come down here away from
- the drinkin' crowd in front o' his store. Henry has been powerfully
- interested in some o' the things Paul Rundel an' me believe here lately
- about the right way to live, an' me'n him was talkin' about it. We was
- gettin' on nice an' quiet in our talk when who should come but Nape an'
- his bloodthirsty lay-out, fifteen or twenty strong. You know Nape, an' you
- no doubt understand his sneakin', underhanded way of pickin' a fuss. He
- took a chair thar in front, an' though he knowed Henry was listenin' he
- begun on you. What he didn't say, along with his oaths and sneers, never
- could 'a' been thought of. He begun gradual-like an' kept heapin' it on
- hot an' heavy, his eyes on Henry all the time, an' his stand-by's laughin'
- an' cheerin' 'im. I never saw such a look on a human face as I seed on
- your boy's. Seemed like he was tryin' to hold in, but couldn't. I pulled
- him aside a little, an' told him to remember his good resolutions an' to
- try to stay out of a row ag'in' sech awful odds; but lookin' me straight
- in the eye he said:
- </p>
- <p>
- &ldquo;'A man can't reform to do any good, Sid, an' be a coward. He's insulting
- my father, an' I can't stand it. I can't, and I won't!'&rdquo;
- </p>
- <p>
- Trawley paused an instant, and Hoag caught his breath.
- </p>
- <p>
- &ldquo;He said that, did he&mdash;Henry said that?&rdquo;
- </p>
- <p>
- &ldquo;Yes, I tried to pacify him, knowin' that he wouldn't stand a ghost of a
- chance ag'in' sech odds, but nothin' I said had the slightest effect on
- 'im. He pulled away from me, slow an' polite like. He thanked me as nice
- as you please, then he went straight toward Welborne. He had stood so much
- already that I reckon Nape thought he was goin' to pass by, to get away,
- an' Nape was beginnin' to laugh an' start some fresh talk when Henry
- stopped in front of him suddenly an' drawed back his fist an' struck 'im a
- blow in the mouth that knocked Nape clean out o' his chair. Nape rolled
- over ag'in the wall, then sprung up spiffin' blood an' yellin', an' the
- two had it nip an' tuck for a minute, but the gang wouldn't see fair-play.
- They was all drunk an' full o' mob spirit an' they closed in on the boy
- like ants on a speck o' bread an' begun to yell, 'Lynch 'im, lynch 'im!'
- </p>
- <p>
- &ldquo;It was like flint-sparks to powder in the pan. It was the wildest mix-up
- I ever saw, and I have seed a good many in my day. Henry was in the middle
- duckin' down, striking out whenever he could, an' callin' 'em dirty dogs
- and cowardly cutthroats. They meant business. They drug the poor boy on to
- the thicket back of the Court House an' stopped under a tree. Some fellow
- had got one of my hitchin' ropes, an' they flung it 'round Henry's neck,
- and tied his hands and feet. I thought it was up with 'im, when an
- unexpected thing happened. Paul Rundel rid up on a hoss, an' jumped down
- and sprung in the middle of the mob. I was doin' all I could, but that
- wasn't nothin'. I saw Paul holdin' up his hands, an' beggin' 'em to listen
- for a minute. They kept drownin' 'im out by the'r crazy yells, but after a
- while Paul caught the'r attention, an' with his hands on Henry's shoulders
- he begun to talk. Jim Hoag, as God is my judge, I don't believe thar ever
- was made a more powerful orator than that very young feller. His words
- swept through that crowd like electricity from a dynamo. I can't begin to
- tell you what he said. It was the whole life an' law of Jesus packed into
- explodin' bomb-shells. You'd 'a' thought he was cryin', from his tender
- face, but his eyes was gleamin' like shootin'-stars, an' he was mad enough
- to fight a buzz-saw. Some fellow in the gang said, 'Git away from that
- man, Rundel, or I'll shoot you!' an' Paul laughed, an' said, 'Fire away,
- my friend, but see that you don't hit yourself while you are at it!'
- </p>
- <p>
- &ldquo;Then somebody knocked the pistol down an' Paul went on talkin'. One by
- one the crowd got ashamed and sluffed off, an' presently just me an' Paul
- an' Henry an' one or two more was left. We took Henry to the hotel an' got
- a room for 'im, an' made 'im go to bed.&rdquo;
- </p>
- <p>
- Trawley ceased speaking. Hoag stood with downcast eyes. He had nothing to
- say.
- </p>
- <p>
- &ldquo;Mark my word,&rdquo; Trawley added, confidently, &ldquo;the day o' mobs hereabouts is
- over. This was the straw that breaks the camel's back. The old klan is
- down an' out, an' Paul Rundel will settle the young gang. They respect
- 'im. They can't help it, an' he told me he was goin' to make it his chief
- aim to crush it out.&rdquo;
- </p>
- <p>
- Hoag remained silent and Trawley went to a stall in the rear and brought
- his horse forward.
- </p>
- <p>
- &ldquo;You ain't goin' in to see Henry 'fore you go out, are you?&rdquo; he asked, as
- he released the bridle-reins.
- </p>
- <p>
- &ldquo;Not to-night,&rdquo; was the reply. &ldquo;He may be 'asleep. I'll&mdash;I'll see
- 'im, I reckon, to-morrow.&rdquo;
- </p>
- <p>
- Hoag thrust a clumsy foot into the wooden stirrup, and bent his knees as
- if to mount, but failed. There was a block near by, and he led his horse
- to it, and from the block finally got into the saddle.
- </p>
- <p>
- &ldquo;Good night,&rdquo; he said, and he rode away. At the street-corner he took out
- his revolver and, holding it in one hand, he urged his horse into a
- gallop. From every fence-corner or dark clump of bushes on the roadside he
- expected to see armed men arise and confront him.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0045" id="linklink2HCH0045"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XXVIII
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">O</span>NE morning, three
- days later, as Paul was writing in his room his employer came in holding a
- sheet of paper in his hand. His face was bloated, his eyes bloodshot; he
- had lost flesh and quivered in every limb and muscle.
- </p>
- <p>
- &ldquo;I want to ask a favor,&rdquo; he said, in a tone which was almost that of
- pleading humility.
- </p>
- <p>
- &ldquo;What is it? I'm at your service,&rdquo; the young man said, politely indicating
- the vacant chair beside the table.
- </p>
- <p>
- Hoag caught the back of the chair as if to steady himself, but declined to
- sit down. He made a dismal failure of a smile of unconcern. &ldquo;You needn't
- think I'm gittin' ready to die by this move o' mine,&rdquo; he began, &ldquo;but I
- think any sensible man ought to be prepared for any possible accident to
- him. I've made my will, an' I want you to witness it. It won't be
- contested, and your name will be sufficient.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I see.&rdquo; Paul was mystified, but he took the document from the
- nerveless hand and spread it open on the table.
- </p>
- <p>
- &ldquo;You needn't bother to read it through.&rdquo; Hoag's voice trailed away toward
- indistinctness, and he coughed and cleared his throat. &ldquo;I've made an even
- divide of all my effects betwixt Jack an' Henry an' Eth', an'&mdash;an'
- I've specified that the business&mdash;in case o' my death&mdash;is to run
- on under your care till Jack is of age&mdash;that is, if you are willin':
- you to draw whatever pay you feel is reasonable or is fixed by the law.&rdquo;
- </p>
- <p>
- &ldquo;Of course that is agreeable,&rdquo; Paul answered, &ldquo;though I shall count on
- your aid and advice for a good many years, I am sure.&rdquo;
- </p>
- <p>
- Hoag blinked. He swung on the chair a moment, then he added:
- </p>
- <p>
- &ldquo;There is one more thing, an' I hope you won't object to that, neither.
- It's about Jack. The child is at the age when he kin either grow up under
- good or&mdash;or what you might call bad influence, an' somehow I want&mdash;I've
- studied over it a lot lately&mdash;an' I want to take the thing in time.
- You don't believe exactly like other folks, but you are on the safe side&mdash;the
- safest, I might say. Jack thinks the sun rises an' sets in you&rdquo;&mdash;Hoag's
- voice shook slightly&mdash;&ldquo;I reckon it's because you treat the little
- fellow so friendly an' nice, an' it struck me that in case of any&mdash;you
- know&mdash;any possible accident to me that I'd like for you to be his
- guardian.&rdquo;
- </p>
- <p>
- &ldquo;His <i>guardian?</i> I! Why, Mr. Hoag&mdash;&rdquo;
- </p>
- <p>
- &ldquo;Never mind; I know what you are goin' to say. You think you are too
- young, I reckon, but I've thought about it a lot, an' I really would feel
- better in&mdash;in my mind if you'd agree. I ain't&mdash;I can't say I am&rdquo;&mdash;Hoag
- attempted a laugh of indifference&mdash;&ldquo;actually countin' on the grave
- right <i>now</i>, but a feller like me has enemies. In fact, I may as well
- say I <i>know</i> I have some, an' they wouldn't hesitate to settle me if
- they had a fair chance. I've writ it all down thar, an' I'm goin' to sign
- it an' I want you to witness my signature.&rdquo;
- </p>
- <p>
- &ldquo;Very well, Mr. Hoag. I feel highly honored, and I'll do my best to prove
- worthy of the trust you place in me.&rdquo;
- </p>
- <p>
- &ldquo;I ain't a-worryin' about that. You are a plumb mystery to me. Sometimes I
- think you are more'n human. I know one thing&mdash;I know you are all
- right.&rdquo; Hoag's massive hand shook as he dipped a pen, leaned down, and
- wrote his name. He stood erect and watched Paul sign his name opposite it.
- </p>
- <p>
- &ldquo;You take care of it.&rdquo; Hoag waved his hand. &ldquo;Put it in the safe at the
- warehouse. I can't think of anything else right now. If&mdash;if I do,
- I'll mention it.&rdquo;
- </p>
- <p>
- &ldquo;I have an order for several grades of leather from Nashville,&rdquo; Paul
- began, picking up a letter on the table, &ldquo;and I want to consult you about&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I'd rather you wouldn't.&rdquo; A sickly look of despair had settled on the
- heavy features. &ldquo;I'm willin' to trust your judgment entirely. What you do
- will be all right. You see&mdash;you see, somehow it is a comfort at my
- time o' life&mdash;an' harassed like I am&mdash;to feel that I ain't
- obliged to bother about so many odds an' ends.&rdquo;
- </p>
- <p>
- &ldquo;Very well, as you think best,&rdquo; Paul answered. &ldquo;I'll do all I can.&rdquo;
- </p>
- <p>
- Hoag was seated on the watering-trough in the barn-yard a little later,
- his dull gaze on the sunlit mountain-side, when two soft, small hands were
- placed over his eyes from behind and he felt the clasp of a tender pair of
- arms around his neck.
- </p>
- <p>
- &ldquo;Who's got you?&rdquo; a young voice asked, in a bird-like ripple of merriment.
- </p>
- <p>
- &ldquo;Jack!&rdquo; Hoag answered, and he drew the boy into his lap, stroked his
- flowing tresses, and held him tightly against his breast.
- </p>
- <p>
- The child laughed gleefully. He sat for a moment on the big, trembling
- knee; then, seeing a butterfly fluttering over a dungheap, he sprang down
- and ran after it. It evaded the outstretched straw hat, and Hoag saw him
- climb over the fence and dart across the meadow. Away the lithe creature
- bounded&mdash;as free as the balmy breeze upon which he seemed to ride as
- easily as the thing he was pursuing. Hoag groaned. His despair held him
- like a vise. On every side hung the black curtains of his doom. All nature
- seemed to mock him. Birds were singing in the near-by woods. On the
- sloping roof of the bam blue and white pigeons were strutting and cooing.
- On the lawn a stately peacock with plumage spread strode majestically
- across the grass.
- </p>
- <p>
- To avoid meeting Jack again, Hoag passed out at the gate, and went into
- the wood, which, cool, dank, and somber, stretched away toward the
- mountain. Deeper and deeper he got in the shade of the great trees and
- leaning cliffs and boulders till he was quite out of sight or hearing of
- the house. The solitude and stillness of the spot strangely appealed to
- him. For the first time in many days he had a touch of calmness. The
- thought came to him that, if such a thing as prayer were reasonable at
- all, a spot like this would make it effective.
- </p>
- <p>
- Suddenly, as he stood looking at a cliff in front of him, he fancied that
- the leaves and branches of an overhanging bush were stirring. To make
- sure, he stared fixedly at it, and then he saw a black face emerge, a face
- that was grimly set in satisfaction. Was he asleep, and was this one of
- the numerous fancies which had haunted him in delirium? Yes, for the face
- was gone, the leaves of the bush were still. And yet, was it gone? Surely
- there was renewed activity about the bush which was not visible in its
- fellows. What was it that was slowly emerging from the branches like a bar
- of polished steel? The sunlight struck it and it flashed and blazed
- steadily. The bush swayed downward and then held firm. There was a puff of
- blue smoke. Hoag felt a stinging sensation over the region of his heart.
- Everything grew black. He felt himself falling. He heard an exultant
- laugh, which seemed to recede in the distance.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0046" id="linklink2HCH0046"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XXIX
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">I</span>T was a few weeks
- after Hoag's burial. Ethel had been for a walk and was nearing home. At
- the side of the road stood a sordid log cabin, one of the worst of its
- class. In the low doorway leaned a woman with a baby in her arms. She was
- under twenty-five years of age, and yet from her tattered dress, worn-out
- shoes, scant hair, and wan, wearied face she might have passed as the
- grandmother of her four or five little children playing about the
- door-step.
- </p>
- <p>
- Catching her eye, Ethel bowed and turned in toward the hut. As she did so,
- the woman stepped down and came forward. The children, forsaking their
- play, followed and clung to her soiled skirt, eying Ethel's black dress
- and hat with the curiosity peculiar to their ages and station. The woman's
- husband, David Harris, had been confined to his bed since the preceding
- winter, when he had been laid up by an accident due to the falling of a
- tree while at work for Hoag on the mountain, and Ethel and her mother had
- shown him and his wife some thoughtful attention.
- </p>
- <p>
- &ldquo;I stopped to ask how Mr. Harris is,&rdquo; Ethel said. &ldquo;My mother will want to
- know.&rdquo;
- </p>
- <p>
- &ldquo;He's a good deal better, Miss Ethel,&rdquo; the woman replied, pulling her
- skirt from the chubby clutch of a little barefooted girl.
- </p>
- <p>
- &ldquo;Oh, I'm so glad!&rdquo; Ethel cried. &ldquo;I suppose his new medicine is doing him
- good?&rdquo;
- </p>
- <p>
- &ldquo;No, he hasn't begun on it yet,&rdquo; Mrs. Harris answered. &ldquo;The old lot ain't
- quite used up yet. I just think it is due to cheerfulness, Miss Ethel. I
- never knowed before that puttin' hope in a sick body would work such
- wonders, but it has in Dave.&rdquo;
- </p>
- <p>
- &ldquo;He has been inclined to despondency, hasn't he?&rdquo; Ethel rejoined,
- sympathetically. &ldquo;My mother said she noticed that the last time we were
- here, and tried to cheer him up.&rdquo;
- </p>
- <p>
- &ldquo;Thar was just one thing that could cheer 'im, an' that happened.&rdquo;
- </p>
- <p>
- &ldquo;I'm glad,&rdquo; Ethel said, tentatively &ldquo;He seemed to worry about the baby's
- sickness, but the baby is well now, isn't she?&rdquo; Ethel touched the child
- under the chin and smiled into its placid blue eyes.
- </p>
- <p>
- &ldquo;No, it wasn't the baby,&rdquo; the wife went on. &ldquo;Dave got some'n off his mind
- that had been worry-in' him ever since Paul Rundel got home an' took
- charge o' Mr. Hoag's business. That upset 'im entirely, Miss Ethel&mdash;he
- actually seemed to collapse under it, an' when Mr. Hoag died he got
- worse.&rdquo;
- </p>
- <p>
- &ldquo;But why?&rdquo; Ethel groped, wonderingly.
- </p>
- <p>
- &ldquo;It was like this,&rdquo; the woman answered. &ldquo;Long time ago, when Paul an' Dave
- was boys together, they had a row o' some sort. Dave admits that him and
- his brother, Sam, who was sent off for stealin' a hoss, two year ago,
- acted powerful bad. They teased Paul an' nagged 'im constantly, till Paul
- got a gun one day an' threatened to kill 'em if they didn't let 'im alone.
- Then right on top o' that Paul had his big trouble an' run off, an' him
- an' Dave never met till&mdash;&rdquo;
- </p>
- <p>
- &ldquo;I see, but surely Paul&mdash;&rdquo; Ethel began, perplexed, and stopped
- suddenly.
- </p>
- <p>
- &ldquo;I was comin' to that, Miss Ethel. You see, Dave had a good regular job
- cuttin' an' haulin' for Mr. Hoag, an' until Paul was put in charge he
- expected, as soon as he was strong enough, to go back to work again. But
- the report went out, an' it was true, that Mr. Hoag had turned all the
- hirin' of men over to Paul an' refused to take a single man on his own
- hook.&rdquo;
- </p>
- <p>
- &ldquo;Oh, I see, and your husband was afraid&mdash;&rdquo;
- </p>
- <p>
- &ldquo;He was afraid Paul had a grudge ag'in' 'im, Miss Ethel. He talked of
- nothin' else, an' it looked like he dreamed of nothin' else. I used to
- catch 'im cryin' as he nussed the baby for me while I was fixin' 'im
- some'n to eat. He kept say in' that the Lord was punishin' 'im for the way
- he done Paul. He said no man with any spirit would hire a fellow under
- them circumstances, an' he couldn't expect it. He said Paul was plumb on
- top now since Mr. Hoag's gone, an' had a right to crow. I begged 'im to
- let me tell Paul how he felt about it, but he wouldn't hear to it; he was
- too proud. Besides, he said, no brave man would respect another for
- apologizin' at such a late day when he was after a favor. So he just
- bothered an' bothered over it till he quit eatin' an' begun to talk about
- bein' buried.&rdquo; Here the woman's voice quivered. &ldquo;He kept sayin' he didn't
- want me to spend money on layin' 'im away. He got so troubled about that
- one thing that he begged Zeke Henry, who is a carpenter, you know, to
- agree to make 'im some sort of a cheap box to be put in so that I wouldn't
- go to town an' git a costly one on a credit when the time come.&rdquo;
- </p>
- <p>
- &ldquo;How sad&mdash;how very sad!&rdquo; Ethel exclaimed. &ldquo;And then Paul must have&mdash;of
- course, you told Paul&mdash;.&rdquo;
- </p>
- <p>
- &ldquo;No, I wouldn't do that,&rdquo; the woman broke in. &ldquo;Dave would 'a' been mad;
- but one day, about a week ago, I was out in the thicket across the road
- pickin' up sticks to burn when Paul come along. I used to live over the
- mountain before he went off, an' so I thought he didn't know me. I thought
- he was goin' by without speakin' to me, for it looked like he was tryin'
- to overtake a wagon load o' lumber right ahead; but when he seed me he
- stopped an' raised his hat an' stood with it in his hand while he asked me
- how Dave was. He said he'd just heard he was so bad off, an' was awful
- sorry about it.
- </p>
- <p>
- &ldquo;I told 'im how Dave's health was, but I didn't let on about how he was
- worryin'.' Then Paul studied a minute, an' it looked to me like he was
- actually blushin'. 'I wonder,' he said, 'if Dave would let me go in an'
- see 'im. I've met nearly all of the boys I used to know, an' have been
- hopin' he'd be out so I could run across 'im.'&rdquo;
- </p>
- <p>
- &ldquo;That was just like Paul,&rdquo; Ethel said, warmly. &ldquo;And of course he saw your
- husband?&rdquo;
- </p>
- <p>
- The woman shifted the baby from her arms to her gaunt right hip. Her eyes
- glistened and her thin lips quivered. &ldquo;You'll think I'm silly, Miss
- Ethel.&rdquo; She steadied her voice with an effort. &ldquo;I break down an' cry ever'
- time I tell this. I believe people can cry for joy the same as for grief
- if it hits 'em just right. I took Paul to the door, an' went in to fix
- Dave up a little&mdash;to give 'im a clean shirt an' the like. An' all
- that time Dave was crazy to ask what Paul wanted, but was afraid Paul
- would hear 'im, an' so I saw him starin' at me mighty pitiful. I wanted to
- tell him that Paul was friendly, but I didn't know how to manage it. I
- winked at 'im, an' tried to let 'im see by my cheerfulness that it was all
- right with Paul, but Dave couldn't understand me. Somehow he thought Paul
- might still remember the old fuss, an' he was in an awful stew till Paul
- come in. But he wasn't in doubt long, Miss Ethel. Paul come in totin'
- little Phil in his arms&mdash;he'd been playin' with the child outside&mdash;an'
- shuck hands with Dave, an' set down by the bed in the sweetest, plainest
- way you ever saw. He kept rubbin' Phil's dirty legs&mdash;jest wouldn't
- let me take him, an' begun to laugh an' joke with Dave over old boyhood
- days. Well, I simply stood there an' wondered. I've seen humanity in as
- many shapes as the average mountain woman o' my age an' sort, I reckon,
- but I never, never expected to meet a man like Paul Rundel in this life.
- He seemed to lift me clean to the clouds, as he talked to Dave about the
- foolishness of bein' blue an' givin' up to a sickness like his'n. Then
- like a clap o' thunder from a clear sky he told Dave in an off-hand way,
- as if it wasn't nothin' worth mentionin', that he wanted 'im to hurry an'
- git well because he had a job for 'im bossin' the hands at the
- shingle-mill. Miss Ethel, if the Lord had split the world open an' I saw
- tongues o' fire shootin' up to the skies I wouldn't 'a' been more
- astonished.
- </p>
- <p>
- &ldquo;'Do you really mean that, Paul?' I heard Dave ask; an' then I heard Paul
- say, I certainly do, Dave, an' you won't have to wait till you are plumb
- well, either, for you kin do that sort o' work just settin' around keepin'
- tab on things in general.' An' so, Miss Ethel, that's why Dave's gittin'
- well so fast. It ain't the medicine; it's the hope an' joy that Paul
- Rundel put in 'im. They say Paul has got some new religion or other, an' I
- thank God he has found it. Love for sufferin' folks fairly leaks out of
- his face an' eyes. Before he left he had every child we have up in his
- lap, a-tellin' 'em tales about giant-killers an' hobgoblins an' animals
- that could talk, an' when he went off he left Dave cryin' like his heart
- was breakin'.&rdquo;
- </p>
- <p>
- Ethel walked slowly homeward. From a small, gray cloud in the vast blue
- overhead random drops of rain were falling upon the hot dust of the road.
- As she neared the house she saw her mother waiting for her at the front
- gate with a letter in her hand.
- </p>
- <p>
- &ldquo;I wondered where you were,&rdquo; Mrs. Mayfield said, as she held the gate ajar
- for her daughter to pass through. &ldquo;You know I can't keep from being uneasy
- since your poor uncle's death.&rdquo;
- </p>
- <p>
- &ldquo;I'm not afraid,&rdquo; Ethel smiled. She noticed that her mother had folded the
- letter tightly in her hand and seemed disinclined to refer to it.
- </p>
- <p>
- &ldquo;Who is your letter from?&rdquo; the girl questioned, as they walked across the
- lawn toward the house.
- </p>
- <p>
- &ldquo;Guess,&rdquo; Mrs. Mayfield smiled, still holding the letter tightly.
- </p>
- <p>
- &ldquo;I can't imagine,&rdquo; Ethel answered, abstractedly, for she was unable to
- detach herself from the recital she had just heard.
- </p>
- <p>
- Mrs. Mayfield paused, looked up at the threatening cloud, and then
- answered, &ldquo;It is from Mr. Peterson.&rdquo;
- </p>
- <p>
- &ldquo;Oh!&rdquo; Ethel avoided her mother's fixed stare. &ldquo;I owe him a letter.&rdquo;
- </p>
- <p>
- &ldquo;From this, I judge that you owe him several,&rdquo; Mrs. Mayfield answered in a
- significant tone. &ldquo;Ethel, I am afraid you are not treating him quite
- fairly.&rdquo;
- </p>
- <p>
- &ldquo;Fairly! Why do you say that, mother?&rdquo; Ethel showed some little vexation.
- Touches of red appeared in her cheeks and her eyes flashed.
- </p>
- <p>
- &ldquo;Because you haven't answered his recent letters, for one thing,&rdquo; was the
- reply. &ldquo;You know, daughter, that I have never tried, in the slightest, to
- influence you in this matter, and&mdash;&rdquo;
- </p>
- <p>
- &ldquo;This <i>matter!</i>&rdquo; A rippling and yet a somewhat forced laugh fell from
- the girl's curling lips. &ldquo;You speak as if you were referring to some
- business transaction.&rdquo;
- </p>
- <p>
- '&ldquo;You know what I mean,&rdquo; Mrs. Mayfield smiled good-naturedly. &ldquo;Before we
- came here this summer, while Mr. Peterson was so attentive to you in
- Atlanta, I told you that he had plainly given me to understand that he was
- in love with you, and wished to pay his addresses in the most serious and
- respectful way.&rdquo;
- </p>
- <p>
- &ldquo;Well?&rdquo; Ethel shrugged her shoulders. &ldquo;I have let him come to see me
- oftener, really, than any of my other friends, and&mdash;&rdquo;
- </p>
- <p>
- &ldquo;But that isn't all he wants, and you are well aware of it,&rdquo; the mother
- urged. &ldquo;He says you don't write to him as freely and openly as you once
- did&mdash;he has acted very considerately, I think. Owing to your uncle's
- death he did not like to intrude, but now he can't really understand you,
- and is naturally disturbed.&rdquo;
- </p>
- <p>
- &ldquo;So he has written to <i>you?</i>&rdquo; Ethel said, crisply, almost
- resentfully.
- </p>
- <p>
- &ldquo;Yes, he has written to me. I am not going to show you his letter. The
- poor fellow is deeply worried. The truth is, as he says, that most of your
- set down home look on you&mdash;&rdquo;
- </p>
- <p>
- &ldquo;As his property, I know,&rdquo; Ethel flashed forth. &ldquo;Some men are apt to allow
- a report like that to get circulated. The last time he was here he dropped
- half a dozen remarks which showed that he had no other thought than that I
- was quite carried away with him.&rdquo;
- </p>
- <p>
- Mrs. Mayfield faced the speaker with a gentle smile of perplexity. &ldquo;You
- know, dear, that I firmly believe in love-matches, and if I didn't think
- you could really love Mr. Peterson I'd never let you think of marrying
- him; but he really is such a safe, honorable man, and has such brilliant
- prospects, that I'd not be a natural mother if I were not hopeful that you&mdash;&rdquo;
- </p>
- <p>
- &ldquo;You mustn't bother with him and me, mother,&rdquo; Ethel said, weariedly. &ldquo;I
- know all his good points, and I know some of his less admirable ones; but
- I have some rights in the matter. I have really never encouraged him to
- think I would marry him, and it is because&mdash;well, because his recent
- letters have been just a little too confident that I have not answered. I
- can't bear that sort of thing from a man, and I want him to know it.&rdquo;
- </p>
- <p>
- &ldquo;Well, I'm going to wash my hands of it,&rdquo; Mrs. Mayfield said, smiling. &ldquo;I
- want you to be happy. You have suffered so keenly of late that it has
- broken my heart to see it, and I want your happiness above all. Then there
- is something else.&rdquo;
- </p>
- <p>
- &ldquo;Oh, something else?&rdquo; Ethel echoed.
- </p>
- <p>
- &ldquo;Yes, and this time I am really tempted to scold,&rdquo; the mother said, quite
- seriously. &ldquo;My dear, I am afraid you are going to make more than one man
- unhappy, and this one certainly deserves a better fate.&rdquo;
- </p>
- <p>
- Ethel avoided her mother's eyes. Her color deepened. Her proud chin
- quivered.
- </p>
- <p>
- &ldquo;What do you mean?&rdquo; she faltered.
- </p>
- <p>
- &ldquo;I mean that I am afraid Paul Rundel is in love with you, too.&rdquo;
- </p>
- <p>
- &ldquo;Paul&mdash;oh, how absurd!&rdquo; the girl answered, her face burning.
- </p>
- <p>
- &ldquo;You may say that if you wish, but I shall not change my opinion,&rdquo; Mrs.
- Mayfield rejoined, gravely. &ldquo;I am sure he wouldn't want me to suspect it&mdash;in
- fact, I think he tries to hide it from every one. It is only little signs
- he shows now and then&mdash;the way he looks when your name comes up. The
- truth is that he can hardly steady his voice when he mentions you. But he
- will never trouble you with his attentions. He has an idea that there is
- some understanding between you and Mr. Peterson, and I confess I didn't
- disabuse his mind. In fact, he said last night, when he and I were out
- here together, that he would never marry. He has an idea that he ought to
- remain single so that he may be free to carry out some plans he has for
- the public good&mdash;plans, I think, which mean a sacrifice on his part,
- in some way or other. He's simply wonderful, my child. He seems to suffer.
- You know a woman can tell intuitively when a man is that way. He seems
- both happy and unhappy. I thought I'd speak to you of this so that you may
- be careful when with him. You can be nice to him, you know, without
- leading him to think&mdash;well, to think as Mr. Peterson does.&rdquo;
- </p>
- <p>
- &ldquo;There is no danger,&rdquo; Ethel said, wistfully. &ldquo;I understand him, and I am
- sure he understands me, but&rdquo;&mdash;she hesitated and caught her mother's
- arm in a tense clasp, as they started on toward the house&mdash;&ldquo;I am
- sure, very sure, mother, that he&mdash;that Paul is not <i>really</i> in
- love with me. You don't think so, either, mother&mdash;you know you do
- not! You have so many silly fancies. You imagine that every man who looks
- at me is in love with me. Paul will never love <i>any</i> woman, much less
- me. You see, I <i>know</i>. I've talked to him a good deal here of late,
- and&mdash;and I understand him. Really, I do, mother.&rdquo; Alone in her room,
- a moment later, Ethel stood before her mirror looking at her reflection.
- </p>
- <p>
- &ldquo;He loves me&mdash;oh, he loves me!&rdquo; she whispered. &ldquo;He's loved me all
- these years. He is the grandest and best man that ever lived. He has
- lifted me above the earth, and made me understand the meaning of life. Oh,
- Paul, Paul!&rdquo; She sank down by the window and looked out. The rain was
- beginning to fall heavily. It pattered against the window-sill and wet her
- sleeve and hair, but she did not move. She breathed in the cooling air as
- if it were a delightful intoxicant borne down from heaven. The dripping
- leaves of a honeysuckle tapped her hot cheeks. She thrust her fair head
- farther out, felt the water trickle down her cheeks and chin, and laughed.
- Her mood was ecstatic, transcendent, and full of gratitude unspeakable.
- </p>
- <p>
- <br /><br />
- </p>
- <hr />
- <p>
- <a name="linklink2HCH0047" id="linklink2HCH0047"> </a>
- </p>
- <div style="height: 4em;">
- <br /><br /><br /><br />
- </div>
- <h2>
- CHAPTER XXX
- </h2>
- <p class="pfirst">
- <span class="dropcap" style="font-size: 4.00em">E</span>THEL had been to
- her uncle's grave one afternoon, and was returning through the wood which
- lay between the farmhouse and the village when she met Paul.
- </p>
- <p>
- &ldquo;I've just been up with some flowers,&rdquo; she said. &ldquo;Oh, it is so sad! I had
- a good cry.&rdquo;
- </p>
- <p>
- &ldquo;I have no doubt it made you feel better,&rdquo; he said, looking at her
- tenderly. &ldquo;Nature has made us that way.&rdquo;
- </p>
- <p>
- &ldquo;I am afraid I became rather despondent,&rdquo; she answered. &ldquo;Oh, Paul, I wish
- I had all your beautiful faith! You have actually reconciled me to poor
- dear Jennie's death. I can already see that it was best. It has made me
- kinder and broader in many ways. Do you know, Paul, there are times when I
- am fully conscious of her presence&mdash;I don't mean in the ordinary,
- spiritualistic sense, but something&mdash;I don't know how to put it&mdash;but
- something like the highest mental essence of my dear cousin seems to fold
- me in an embrace that is actually transporting. I find myself full of
- tears and joy at the same time, and almost dazed with the indescribable
- reality of it.&rdquo;
- </p>
- <p>
- &ldquo;Many sensitive persons have that experience in sorrow,&rdquo; Paul said, &ldquo;and I
- am obliged to think there is some psychic fact beneath it. There is
- something undoubtedly uplifting in a great grief. It is a certain cure for
- spiritual blindness. It tears the scales of matter from our eyes as
- nothing else can do.&rdquo;
- </p>
- <p>
- &ldquo;I can't, however, keep from being despondent over my poor uncle,&rdquo; Ethel
- sighed, as she agreed with him. &ldquo;Oh, Paul, he really wasn't prepared. He
- plunged into the dark void without the faintest faith or hope.&rdquo;
- </p>
- <p>
- Paul gravely shook his head and smiled. &ldquo;To believe that is to doubt that
- the great principle of life is love. We cannot conceive of even an earthly
- father's punishing one of his children for being blind, much less the
- Creator of us all. Your uncle through his whole life was blind to the
- truth. Had he seen it, his awakening would have been here instead of
- there, that is all.&rdquo;
- </p>
- <p>
- &ldquo;Oh, how comforting, how sweetly comforting!&rdquo; Ethel sobbed. There was a
- fallen tree near the path, and she turned aside and sat down. She folded
- her hands in her lap, while the tears stood in her eyes. &ldquo;Paul,&rdquo; she said,
- suddenly, &ldquo;you are very happy, aren't you? You must be&mdash;you have so
- much to make you so.&rdquo;
- </p>
- <p>
- He looked away toward the mountain where the slanting rays of the sun lay
- in a mellow flood, and a grave, almost despondent, expression crept into
- his eyes. He made no answer. She repeated her question in a rising tone,
- full of tender eagerness. Then without looking at her he answered, slowly
- and distinctly:
- </p>
- <p>
- &ldquo;All humanity must suffer, Ethel. It is part of the divine order.
- Suffering is to the growing soul what decayed matter is to the roots of a
- flower. Light is the opposite of darkness; joy is the opposite of
- suffering. The whole of life is made up of such contrasts; earth is
- temporary captivity, Paradise is eternal freedom.&rdquo;
- </p>
- <p>
- &ldquo;But you have already <i>had</i> your suffering,&rdquo; Ethel pursued, her
- drying eyes fixed hungrily on his face. &ldquo;Surely you&mdash;you are not
- unhappy now. I don't see how you could be so when everybody loves you so
- much, and is so appreciative of your goodness. Henry worships you. He says
- you have made a man of him. Old Mr. Tye declares you have actually put an
- end to lawlessness in these mountains. I can't see how you, of all men,
- could be unhappy for a minute.&rdquo;
- </p>
- <p>
- &ldquo;There are things&rdquo;&mdash;he was still avoiding her eyes, and he spoke with
- a sort of tortured candor as he sat down near her and raised his knee
- between his tense hands&mdash;&ldquo;there are things, Ethel, which the very
- soul of a man cries out for, but which he can never have&mdash;which he
- dare not even hope for, lest he slip into utter despondency and never
- recover his courage.&rdquo;
- </p>
- <p>
- She rose and stood before him. He had never seen her look more beautiful,
- more resolute. &ldquo;You intimated&mdash;Paul, you hinted, when you first came
- home from the West, that as a boy, away back before your great trouble,
- you&mdash;you cared for me&mdash;you said you thought of me often during
- those years. Oh, Paul, have you changed in that respect? Do you no longer&mdash;&rdquo;
- Her voice trailed away from her fluttering throat, and, covering her face
- with her blue-veined hands, she stood motionless, her breast visibly
- palpitating, her sharp intakes of breath audible.
- </p>
- <p>
- Rising, he drew her hands down and gazed passionately into her eyes. &ldquo;I
- have come to love you so much, Ethel, that I dare not even think of it. It
- takes my breath away. Every drop of blood in my body cries out for you&mdash;cries,
- cries constantly. I have never dared to hope, not for a moment. I know
- what Mr. Peterson has to offer you. He can give you everything that the
- world values. I cannot see where my future duty may call me, but I am sure
- that I can't strive for the accumulation of a great fortune. So even if I
- <i>could</i> win your love I could not feel that I had a right to it. Many
- persons think I am a fanatic, and if I am&mdash;well, I ought not to
- influence you to link your life to mine. As you say, I have suffered, and
- I have borne it so far, but whether I can possibly bear to see you the&mdash;the
- wife of another man remains to be proved. I am afraid that would drag me
- down. I think I would really lose faith in God&mdash;in everything, for I
- can't help loving you. You are more to me than life&mdash;more than
- Heaven.&rdquo;
- </p>
- <p>
- &ldquo;You mustn't desert me, Paul.&rdquo; Ethel raised his hand to her lips and
- kissed it. The action drew her warm face close to his. &ldquo;I want to go on
- with you in body and in spirit through eternity. I love you with all my
- soul. You have sweetened my life and lifted me to the very stars. I don't
- want wealth or position. I want only you&mdash;just as you are.&rdquo; He seemed
- unable to speak. Tenderly and reverently he drew her back to the log. In
- silence they sat, hand in hand, watching the shadows of the dying day
- creep across the wood and climb the mountainside.
- </p>
- <h3>
- THE END
- </h3>
- <div style="height: 6em;">
- <br /><br /><br /><br /><br /><br />
- </div>
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
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