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+<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Slips of Speech, by John H. Bechtel</div>
+<div style='display:block; margin:1em 0'>
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online
+at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+are not located in the United States, you will have to check the laws of the
+country where you are located before using this eBook.
+</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Slips of Speech</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: John H. Bechtel</div>
+<div style='display:block; margin:1em 0'>Release Date: April 7, 2002 [eBook #4983]<br />
+[Most recently updated: July 28, 2021]</div>
+<div style='display:block; margin:1em 0'>Language: English</div>
+<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
+<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Jim Weiler, xooqi.com.</div>
+<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK SLIPS OF SPEECH ***</div>
+
+<h1>Slips of Speech</h1>
+
+<p class="center">
+A helpful book for everyone who aspires to correct the everyday errors of
+speaking and writing.
+</p>
+
+<h2 class="no-break">by John H. Bechtel</h2>
+
+<h5>Author of &ldquo;Practical Synonyms,&rdquo; &ldquo;Pronunciation,&rdquo;
+etc.</h5>
+
+<h4>Philadelphia</h4>
+
+<h4>The Penn Publishing Company</h4>
+
+<h4>1901</h4>
+
+<hr />
+
+<h4>COPYRIGHT 1895 BY THE PENN PUBLISHING COMPANY</h4>
+
+<hr />
+
+<h2>Contents</h2>
+
+<table summary="" style="">
+
+<tr>
+<td> <a href="#chap00">INTRODUCTION</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap01">I. TASTE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap02">II. CHOICE OF WORDS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap03">III. CONTRACTIONS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap04">IV. POSSESSIVE CASE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap05">V. PRONOUNS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap06">VI. NUMBER</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap07">VII. ADVERBS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap08">VIII. CONJUNCTIONS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap09">IX. CORRELATIVES</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap10">X. THE INFINITIVE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap11">XI. PARTICIPLES</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap12">XII. PREPOSITIONS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap13">XIII. THE ARTICLE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap14">XIV. REDUNDANCY</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap15">XV. TWO NEGATIVES</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap16">XVI. ACCORDANCE OF VERB WITH SUBJECT</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap17">INDEX</a></td>
+</tr>
+
+</table>
+
+<div class="chapter">
+
+<h2><a name="chap00"></a>INTRODUCTION</h2>
+
+<p>
+Homer, in all probability, knew no rules of rhetoric, and was not tortured with
+the consideration of grammatical construction, and yet his verse will endure
+through time. If everybody possessed the genius of Homer, rules and cautions in
+writing would be unnecessary.
+</p>
+
+<p>
+To-day all men speak, and most men write, but it is observed that those who
+most closely follow Homer&rsquo;s method of writing without rules are most
+unlike Homer in the results. The ancient bard was a law unto himself; we need
+rules for our guidance.
+</p>
+
+<p>
+Rules of writing are the outgrowth of the study of the characteristics and
+qualities of style which distinguish the best writers from those of inferior
+skill and ability. Grammarians and rhetoricians, according to their several
+lines of investigation, set forth the laws and principles governing speech, and
+formulate rules whereby we may follow the true, and avoid the false.
+</p>
+
+<p>
+Grammar and rhetoric, as too often presented in the schools, are such
+uninviting studies that when
+<a name="Page04"></a>
+school-days are ended, the books are laid aside, and are rarely consulted
+afterward. The custom of formally burning the text-books after the final
+examinations&mdash;a custom that prevails in some institutions&mdash;is but
+an emphatic method of showing how the students regard the subjects treated in
+the books.
+</p>
+
+<p>
+If all the rules and principles had been thoroughly mastered, the huge bonfire
+of text-books in grammar and rhetoric might be regarded a fitting celebration
+of the students&rsquo; victory over the difficulties of &ldquo;English
+undefiled.&rdquo; But too often these rules are merely memorized by the student
+for the purpose of recitation, and are not engrafted upon his everyday habit of
+speech. They are, therefore, soon forgotten, and the principles involved are
+subject to daily violation.
+</p>
+
+<p>
+Hence arises the need of books like SLIPS OF SPEECH, in which the common faults
+of speakers and writers are pointed out, and the correct use of words shown.
+Brief and informal in treatment, they will be read and consulted when the more
+voluminous text-books will be left untouched.
+</p>
+
+<p>
+The copious index appended to this volume will afford a ready reference to the
+many subjects discussed, and will contribute greatly to the convenience and
+permanent value of the book.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>SLIPS OF SPEECH</h2>
+
+<p class="letter">
+&ldquo;We should be as careful of our words as of our
+actions.&rdquo;&mdash;CICERO.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap01"></a>CHAPTER I<br />
+Taste</h2>
+
+<p>
+Taste is a universal gift. It has been found in some degree in all nations,
+races, and ages. It is shown by the savage in his love of personal decoration;
+by the civilized man in his love of art.
+</p>
+
+<p>
+But while it is thus universal, it is as different among men as their faces,
+complexions, characters, or languages. Even among people of the same nation, it
+is as different as the degrees of society. The same individual at different
+periods of life, shows this variableness of taste.
+</p>
+
+<p>
+These diversities of taste imply a susceptibility to improvement. Good taste in
+writing forms no exception to the rule. While it seems to require some basis in
+nature, no degree of inborn aptitude will compensate for the lack of careful
+training.
+</p>
+
+<p>
+To give his natural taste firmness and fineness a writer needs to read the best
+literature, not merely so
+<a name="Page08"></a>
+as to know it, but so as to feel the beauty, the fitness, the charm, the
+strength, the delicacy of a well-chosen word.
+</p>
+
+<p>
+The study of the proper arrangement and the most effective expression of our
+thoughts prompts us to think more accurately. So close is the connection
+between the thought and its expression that looseness of style in speaking and
+writing may nearly always be traced to indistinctness and feebleness in the
+grasp of the subject. No degree of polish in expression will compensate for
+inadequacy of knowledge. But with the fullest information upon any subject,
+there is still room for the highest exercise of judgment and good sense in the
+proper choice and arrangement of the thoughts, and of the words with which to
+express them.
+</p>
+
+<p>
+The concurrent testimony of those best qualified to render a decision, has
+determined what authors reflect the finest literary taste, and these writers
+should be carefully studied by all who aspire to elegance, accuracy, and
+strength in literary expression.
+</p>
+
+<p class="center">
+<b>Fine Writing</b>
+</p>
+
+<p>
+Never hesitate to call a spade a <i>spade</i>. One of the most frequent
+violations of good taste consists in the effort to dress a common subject in
+high-sounding language. The ass in the fable showed his stupidity
+<a name="Page09"></a>
+when he put on the lion&rsquo;s skin and expected the other animals to declare
+him to be the king of beasts. The distinction of a subject lies in its own
+inherent character, and no pompous parade of words will serve to exalt a
+commonplace theme.
+</p>
+
+<p class="center">
+<b>Poetic Terms</b>
+</p>
+
+<p>
+In the expression of homely ideas and the discussion of affairs of every-day
+life, avoid such poetic forms as <i>o&rsquo;er</i> for over, <i>ne&rsquo;er
+</i>for never, <i>&rsquo;mid</i> for amid, <i>e&rsquo;en</i> for even,
+<i>&rsquo;gan</i> for began, <i>&rsquo;twixt</i> for betwixt,
+<i>&rsquo;neath</i> for beneath, <i>list</i> for listen, <i>oft</i> for often,
+<i>morn</i> for morning, <i>eve</i> for evening, <i>e&rsquo;er</i> for ever,
+<i>ere</i> for before, <i>&rsquo;tis</i> for it is, <i>&rsquo;twas </i>for it
+was.
+</p>
+
+<p>
+In all prose composition, avoid such poetic forms as <i>swain, wight, mead,
+brake, dingle, dell, zephyr.</i>
+</p>
+
+<p class="center">
+<b>Foreign Words</b>
+</p>
+
+<p>
+The unrestrained use of foreign words, whether from the ancient or from the
+modern languages, savors of pedantry and affectation. The ripest scholars, in
+speaking and writing English, make least use of foreign words or phrases.
+Persons who indulge in their use incur the risk of being charged with a desire
+to exhibit their linguistic attainments.
+</p>
+
+<p>
+On the other hand, occasions arise when the use of words from a foreign tongue
+by one who is
+<a name="Page10"></a>
+thoroughly familiar with them, will add both grace and exactness to his style.
+</p>
+
+<p>
+Rarely use a foreign term when your meaning can be as well expressed in
+English. Instead of <i>blasé,</i> use surfeited, or wearied; for <i>cortège
+</i>use procession for <i>couleur de rose,</i> rose-color; for <i>déjeuner,
+</i>breakfast; for <i>employe,</i> employee; for <i>en route,</i> on the way;
+for <i>entre nous,</i> between ourselves; for <i>fait accompli,</i> an
+accomplished fact; for <i>in toto,</i> wholly, entirely; for <i>penchant,
+</i>inclination; for <i>raison d&rsquo;être,</i> reason for existence; for
+<i>recherché,</i> choice, refined; for <i>rôle,</i> part; for <i>soirée
+dansante,</i> an evening dancing party; for <i>sub rosa,</i> secretly, etc.
+</p>
+
+<p>
+The following incident from the <i>Detroit Free Press</i> is in point:
+</p>
+
+<p>
+The gentleman from the West pulled his chair up to the hotel table, tucked his
+napkin under his chin, picked up the bill-of-fare and began to study it
+intently. Everything was in restaurant French, and he didn&rsquo;t like it.
+</p>
+
+<p>
+&ldquo;Here, waiter,&rdquo; he said, sternly, &ldquo;there&rsquo;s nothing on
+this I want.&rdquo;
+</p>
+
+<p>
+&ldquo;Ain&rsquo;t there nothin&rsquo; else you would like for dinner,
+sir?&rdquo; inquired the waiter, politely.
+</p>
+
+<p>
+&ldquo;Have you got any <i>sine qua non?&rdquo;</i>
+</p>
+
+<p>
+The waiter gasped.
+</p>
+
+<p>
+&ldquo;No, sir,&rdquo; he replied.
+</p>
+
+<p>
+<a name="Page11"></a>
+&ldquo;Got any <i>bon mots?&rdquo;</i>
+</p>
+
+<p>
+&ldquo;N&mdash;no, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Got any <i>semper idem?&rdquo;</i>
+</p>
+
+<p>
+&ldquo;No, sir, we hain&rsquo;t.&rdquo;
+</p>
+
+<p>
+&ldquo;Got any <i>jeu d&rsquo;esprits?&rdquo;</i>
+</p>
+
+<p>
+&ldquo;No, sir; not a one.&rdquo;
+</p>
+
+<p>
+&ldquo;Got any <i>tempus fugit?&rdquo;</i>
+</p>
+
+<p>
+&ldquo;I reckon not, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Got any <i>soirée dansante?&rdquo;</i>
+</p>
+
+<p>
+&ldquo;No, sir.&rdquo;
+</p>
+
+<p>
+The waiter was edging off.
+</p>
+
+<p>
+&ldquo;Got any <i>sine die?&rdquo;</i>
+</p>
+
+<p>
+&ldquo;We hain&rsquo;t, sir.&rdquo;
+</p>
+
+<p>
+&ldquo;Got any <i>e pluribus unum?&rdquo;</i>
+</p>
+
+<p>
+The waiter&rsquo;s face showed some sign of intelligence.
+</p>
+
+<p>
+&ldquo;Seems like I heard ob dat, sir,&rdquo; and he rushed out to the kitchen,
+only to return empty-handed.
+</p>
+
+<p>
+&ldquo;We ain&rsquo;t got none, sir,&rdquo; he said, in a tone of
+disappointment.
+</p>
+
+<p>
+&ldquo;Got any <i>mal de mer?&rdquo;</i>
+</p>
+
+<p>
+&ldquo;N&mdash;no, sir.&rdquo;
+</p>
+
+<p>
+The waiter was going to pieces fast.
+</p>
+
+<p>
+The gentleman from the West, was as serene as a May morning.
+</p>
+
+<p>
+&ldquo;Got any <i>vice versa?&rdquo;</i> he inquired again.
+</p>
+
+<p>
+The waiter could only shake his head.
+</p>
+
+<p>
+<a name="Page12"></a>
+&ldquo;No? Well, maybe you&rsquo;ve got some bacon and cabbage, and a corn
+dodger?&rdquo;
+</p>
+
+<p>
+&ldquo;&rsquo;Deed we have, sir,&rdquo; exclaimed the waiter, in a tone of the
+utmost relief, and he fairly flew out to the kitchen.
+</p>
+
+<p class="center">
+<b>Trite Expressions</b>
+</p>
+
+<p>
+Words and phrases which may once have been striking and effective, or witty and
+felicitous, but which have become worn out by oft-repeated use, should be
+avoided. The following hackneyed phrases will serve to illustrate: &ldquo;The
+staff of life,&rdquo; &ldquo;gave up the ship,&rdquo; &ldquo;counterfeit
+presentment,&rdquo; &ldquo;the hymeneal altar,&rdquo; &ldquo;bold as a
+lion,&rdquo; &ldquo;throw cold water upon,&rdquo; &ldquo;the rose upon the
+cheek,&rdquo; &ldquo;lords of creation,&rdquo; &ldquo;the weaker sex,&rdquo;
+&ldquo;the better half,&rdquo; &ldquo;the rising generation,&rdquo;
+&ldquo;tripping the light fantastic toe,&rdquo; &ldquo;the cup that cheers but
+does not inebriate,&rdquo; &ldquo;in the arms of Morpheus,&rdquo; &ldquo;the
+debt of nature,&rdquo; &ldquo;the bourne whence no traveler returns,&rdquo;
+&ldquo;to shuffle off this mortal coil,&rdquo; &ldquo;the devouring
+element,&rdquo; &ldquo;a brow of alabaster.&rdquo;
+</p>
+
+<p class="center">
+<b>Pet Words</b>
+</p>
+
+<p>
+Avoid pet words, whether individual, provincial, or national in their use. Few
+persons are entirely free from the overuse of certain words. Young people
+largely employ such words as <i>delightful, delicious,</i>
+<a name="Page13"></a>
+<i>exquisite,</i> and other expressive adjectives, which constitute a kind of
+society slang.
+</p>
+
+<p class="center">
+<b>Overworked Expressions</b>
+</p>
+
+<p>
+Words and phrases are often taken up by writers and speakers, repeated, and
+again taken up by others, and thus their use enlarges in ever-widening circles
+until the expressions become threadbare. Drop them before they have reached
+that state. <i>Function, environment, trend, the masses, to be in touch with,
+to voice the sentiments of&mdash;</i>these are enough to illustrate the kind
+of words referred to.
+</p>
+
+<p class="center">
+<b>Very Vulgar Vulgarisms</b>
+</p>
+
+<p>
+No one who has any regard for purity of diction and the proprieties of
+cultivated society will be guilty of the use of such expressions as
+<i>yaller</i> for yellow, <i>feller</i> for fellow, <i>kittle</i> for kettle,
+<i>kiver</i> for cover, <i>ingons</i> for onions, <i>cowcumbers</i> for
+cucumbers, <i>sparrowgrass</i> for asparagus, <i>yarbs</i> for herbs, <i>taters
+</i>for potatoes, <i>tomats</i> for tomatoes, <i>bile</i> for boil,
+<i>hain&rsquo;t </i>for ain&rsquo;t or isn&rsquo;t, <i>het</i> for heated,
+<i>kned</i> for kneaded, <i>sot</i> for sat or set, <i>teeny</i> for tiny,
+<i>fooling you</i> for deceiving you, <i>them</i> for those, <i>shut up</i> for
+be quiet, or be still, or cease speaking, <i>went back on me</i> for deceived
+me or took advantage of me, a <i>power of people</i> for a great many
+<a name="Page14"></a>
+people, a <i>power of money</i> for great wealth, a <i>heap of houses</i> for
+many houses, <i>lots of books</i> for many books, <i>lots of corn</i> for much
+corn or large quantities of corn, <i>gents</i> for gentlemen, and many others
+of a similar character.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="Page15"></a><a name="chap02"></a>CHAPTER II<br />
+Choice of Words</h2>
+
+<p>
+Our American writers evince much variety in their graces of diction, but in the
+accurate choice of words James Russell Lowell and William Cullen Bryant stand
+out conspicuous above the rest. So careful and persistent was the latter, that
+during the time that he was editor of <i>The Evening Post,</i> of New York
+City, he required the various writers upon that paper to avoid the use of a
+long list of words and expressions which he had prepared for them, and which
+were commonly employed by other papers. This list was not only used, but
+enlarged by his successors.
+</p>
+
+<p>
+Strive to cultivate the habit of observing words; trace their delicate shades
+of meaning as employed by the most polished writers; note their suggestiveness;
+mark the accuracy with which they are chosen. In this way your mind will be
+kept on the alert to discover the beauties as well as the blemishes of all the
+thought pictures that are presented, and your vocabulary will be greatly
+enlarged and enriched.
+</p>
+
+<p class="center">
+<a name="Page16"></a>
+BRYANT&rsquo;S LIST OF OBJECTIONABLE EXPRESSIONS
+</p>
+
+<p class="noindent">
+<i>Above,</i> and <i>over,</i> use more than.<br/> <i>Artiste,</i> use
+artist.<br/> <i>Aspirant.</i><br/> <i>Authoress</i><br/> <i>Beat,</i> use
+defeat. <br/> <i>Bagging,</i> use capturing. <br/> <i>Balance,</i> use
+remainder. <br/> <i>Banquet,</i> use dinner or supper. <br/> <i>Bogus.</i><br/>
+<i>Casket,</i> use coffin. <br/> <i>Claimed,</i> use asserted. <br/>
+<i>Collided.</i><br/> <i>Commence,</i> use begin. <br/> <i>Compete.</i><br/>
+<i>Cortege,</i> use procession. <br/> <i>Cotemporary,</i> use contemporary.
+<br/> <i>Couple,</i> use two. <br/> <i>Darkey,</i> use negro. <br/> <i>Day
+before yesterday,</i> use the day before yesterday. <br/> <i>Débût.</i><br/>
+<i>Decease,</i> as a verb. <br/> <i>Democracy,</i> applied to a political
+party. <br/> <i>Develop,</i> use expose. <br/> <i>Devouring element,</i> use
+fire. <br/> <i>Donate.</i><br/> <i>Employe.</i><br/> <i>Enacted,</i> use acted.
+<br/> <i>Endorse,</i> use approve. <br/> <i>En route.</i><br/> <i>Esq.</i><br/>
+<i>Graduate,</i> use is graduated. <br/> <i>Gents,</i> use gentlemen. <br/>
+<i>Hon.</i><br/> <i>House,</i> use House of Representatives. <br/>
+<i>Humbug.</i><br/> <i>Inaugurate,</i> use begin. <br/> <i>In our
+midst.</i><br/> <i>Item,</i> use particle, extract, or paragraph. <br/> <i>Is
+being done,</i> and all similar passive forms. <br/> <i>Jeopardize.</i><br/>
+<i>Jubilant,</i> use rejoicing.<br/>
+<a name="Page17"></a>
+<i>Juvenile,</i> use boy. <br/> <i>Lady,</i> use wife. <br/> <i>Last,</i> use
+latest. <br/> <i>Lengthy,</i> use long. <br/> <i>Leniency,</i> use lenity.
+<br/> <i>Loafer.</i><br/> <i>Loan,</i> or <i>loaned,</i> use lend or lent.
+<br/> <i>Located.</i><br/> <i>Majority,</i> use most. <br/> <i>Mrs.
+President.</i><br/> <i>Mrs. Governor.</i><br/> <i>Mrs. General.</i><br/>
+<i>Mutual,</i> use common. <br/> <i>Official,</i> use officer. <br/>
+<i>Ovation.</i><br/> <i>On yesterday.</i><br/> <i>Over his signature.</i><br/>
+<i>Pants,</i> use pantaloons. <br/> <i>Parties,</i> use persons. <br/>
+<i>Partially,</i> use partly. <br/> <i>Past two weeks,</i> use last two weeks.
+<br/> <i>Poetess.</i><br/> <i>Portion,</i> use part. <br/> <i>Posted,</i> use
+informed. <br/> <i>Progress,</i> use advance. <br/> <i>Quite,</i> when prefixed
+to good, large, etc. <br/> <i>Raid,</i> use attack. <br/> <i>Realized,</i> use
+obtained. <br/> <i>Reliable,</i> use trustworthy. <br/> <i>Rendition,</i> use
+performance. <br/> <i>Repudiate,</i> use reject or disown. <br/> <i>Retire,</i>
+as an active verb.v <i>Rev.,</i> use the Rev. <br/> <i>Role,</i> use part.
+<br/> <i>Roughs.</i><br/> <i>Rowdies.</i><br/> <i>Secesh.</i><br/>
+<i>Sensation,</i> use noteworthy event. <br/> <i>Standpoint,</i> use point of
+view. <br/> <i>Start,</i> in the sense of setting out. <br/> <i>State,</i> use
+say. <br/> <i>Taboo.</i><br/> <i>Talent,</i> use talents or ability. <br/>
+<i>Talented.</i><br/> <i>Tapis.</i><br/> <i>The deceased.</i><br/> <i>War,</i>
+use dispute or disagreement.
+</p>
+
+<p class="center">
+<a name="Page18"></a>
+STILTS
+</p>
+
+<p>
+Avoid bombastic language. Work for plain expressions rather than for the
+unusual. Use the simplest words that the subject will bear.
+</p>
+
+<p>
+The following clipping, giving an account of the commencement exercises of a
+noted female college, strikingly illustrates what to avoid:
+</p>
+
+<p>
+&ldquo;Like some beacon-light upon a rock-bound coast against which the surges
+of the ocean unceasingly roll, and casting its beams far across the waters
+warning the mariner from the danger near, the college, like a Gibraltar, stands
+upon the high plains of learning, shedding its rays of knowledge, from the
+murmurings of the Atlantic to the whirlwinds of the Pacific, guiding womankind
+from the dark valley of ignorance, and wooing her with wisdom&rsquo;s lore,
+leads creation&rsquo;s fairest, purest, best into flowery dells where she can
+pluck the richest food of knowledge, and crowns her brow with a coronet of gems
+whose brilliancy can never grow dim: for they glisten with the purest thought,
+that seems as a spark struck from the mind of Deity. There is no need for the
+daughters of this community to seek colleges of distant climes whereat to be
+educated, for right here in their own city, God&rsquo;s paradise on earth, is
+situated a noble college, the bright diadem of that paradise, that has done
+more for the higher education of woman than any institution in our land.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page19"></a>
+PURITY
+</p>
+
+<p>
+An author&rsquo;s diction is pure when he uses such words only as belong to the
+idiom of the language. The only standard of purity is the practice of the best
+writers and speakers. A violation of purity is called a barbarism.
+</p>
+
+<p>
+Unlike the Latin, Greek, or Hebrew, the English is a living language, and, like
+all living organisms, manifests its life by taking in new material and casting
+off old waste continually. Science, art, and philosophy give rise to new ideas
+which, in turn, demand new words for their expression. Of these, some gain a
+permanent foothold, while others float awhile upon the currents of conversation
+and newspaper literature and then disappear.
+</p>
+
+<p>
+Good usage is the only real authority in the choice of reputable words; and to
+determine, in every case, what good usage dictates, is not an easy matter.
+Authors, like words, must be tested by time before their forms of expression
+may become a law for others. Pope, in his <i>Essay on Criticism,</i> laid down
+a rule which, for point and brevity, has never been excelled:
+</p>
+
+<p class="poem">
+&ldquo;In words, as fashions, the same rule will hold;<br/>
+Alike fantastic, if too new or old;<br/>
+Be not the first by whom the new are tried,<br/>
+Nor yet the last to lay the old aside.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page20"></a>
+BARBARISMS
+</p>
+
+<p>
+Campbell, in his <i>Philosophy of Rhetoric,</i> says that a word to be
+legitimate must have these three signs of authority:
+</p>
+
+<p class="letter">
+1. It must be <i>reputable,</i> or that of educated people, as opposed to that
+of the ignorant or vulgar.<br/>
+2. It must be <i>national,</i> as opposed to what is either local or
+technical.<br/>
+3. It must be <i>present,</i> as opposed to what is obsolete.
+</p>
+
+<p>
+Any word that does not have these three qualities may, in general, be styled a
+barbarism.
+</p>
+
+<p class="center">
+ANGLICIZED WORDS
+</p>
+
+<p>
+Many foreign words, in process of time, become so thoroughly domesticated that
+their translation, or the use of an awkward equivalent, would be a greater mark
+of pedantry than the use of the foreign words. The proper use of such terms as
+<i>fiat, palladium, cabal, quorum, omnibus, antique, artiste, coquette, ennui,
+physique, régime, tableau, amateur,</i> cannot be censured on the ground of
+their foreign character.
+</p>
+
+<p class="center">
+OBSOLETE WORDS
+</p>
+
+<p>
+Some writers affect an antiquated style by the introduction of such words as
+<i>peradventure, perchance,</i>
+<a name="Page21"></a>
+<i>anon, behest, quoth, erewhile.</i> The use of such words gives a strange
+sound to the sentence, and generally indicates that the writer is not
+thoroughly in earnest. The expression is lowered in tone and is made to sound
+fantastic.
+</p>
+
+<p class="center">
+NEW WORDS
+</p>
+
+<p>
+A word should not be condemned because it is new. If it is really needed it
+will be welcomed, and soon find a permanent place. Shakespeare, Addison, and
+Johnson introduced many new words, to which their names afterward gave a
+sanction. Carlyle, Coleridge, Tennyson, and Browning have introduced or given
+currency to new words, and made strange ones familiar.
+</p>
+
+<p>
+New words are objectionable when they are employed without proper authority.
+The chief sources of supply of the objectionable kind are the current slang of
+the street and the sensational newspaper. They are often the result of a desire
+to say things in such a manner as to reflect smartness upon the speaker, or to
+present things in a humorous or picturesque way. That they are frequently very
+effective cannot be gainsaid. Sometimes they are coined in the heat of
+political or social discussion, and, for a time, express what everybody is
+talking about; but it is impossible to tell whether they will live beyond
+<a name="Page22"></a>
+the occasion that produced them. So long as their usage is doubtful it is safer
+not to employ them.
+</p>
+
+<p class="center">
+SLANG
+</p>
+
+<p>
+Slang is somewhat like chicken-pox or measles, very catching, and just as
+inevitable in its run; and very few of us escape it. It is severest, too, where
+the sanitary conditions are most favorable to its development. Where there is
+least thought and culture to counteract its influence slang words crowd out
+those of a more serious character, until, in time, the young and inexperienced
+speaker or writer is unable to distinguish between the counterfeit and the
+genuine.
+</p>
+
+<p>
+While most persons condemn slang, there are very few who are entirely free from
+its use. It varies greatly in its degrees of coarseness or refinement, and
+adapts itself to all classes and conditions. Many know no other language, and
+we are unwillingly compelled to admit that while their speech is often
+ungrammatical and unrhetorical, it is generally clear, concise, and forcible.
+</p>
+
+<p>
+Strive to acquire a vocabulary so large and to cultivate a taste so fine that
+when a slang expression rises to your mind you can use it if you think it best
+fits the occasion, or substitute something better in its place. Purity of
+diction is a garden of slow growth even under the most favorable conditions,
+and the
+<a name="Page23"></a>
+unrestrained indulgence in slang is like scattering seeds of the vilest plants
+among the choicest flowers.
+</p>
+
+<p class="center">
+SOCIETY SLANG
+</p>
+
+<p>
+&ldquo;This is an <i>elegant</i> day,&rdquo; &ldquo;that is an <i>elegant</i>
+view,&rdquo; &ldquo;Mary is <i>awfully nice,&rdquo; &ldquo;</i>Jennie is
+<i>dreadfully sweet,&rdquo;</i> &ldquo;Gertrude is <i>delicious,&rdquo;</i> and
+&ldquo;Tom is <i>perfectly splendid.&rdquo;</i> The use of such extravagant
+phrases tends to weaken the significance of the words when legitimately
+employed.
+</p>
+
+<p class="center">
+COMMERCIAL SLANG
+</p>
+
+<p>
+Commercial terms are employed in the common language of everyday life to such
+an extent as to constitute a form of commercial slang. The following will serve
+for illustration; &ldquo;The <i>balance</i> of the journey&rdquo; for
+remainder, &ldquo;he was <i>well posted.&rdquo;</i> for well informed, &ldquo;I
+<i>calculate</i> he will come to-morrow&rdquo; for believe or think, &ldquo;I
+<i>reckon</i> he is your friend&rdquo; for I suppose.
+</p>
+
+<p class="center">
+COMMON SLANG
+</p>
+
+<p>
+To materialize, to burglarize, to enthuse, to suicide, to wire, to jump upon,
+to sit upon, to take in, are a few of the many examples of slang that should be
+avoided.
+</p>
+
+<p class="center">
+<a name="Page24"></a>
+PROVINCIALISMS
+</p>
+
+<p>
+A word that is used only in a limited part of the country is called a
+provincialism. It must be known and recognized for what it is worth, but not
+obtruded where it does not belong.
+</p>
+
+<p>
+Whatever may be said of the faults of speech of the American people, it is
+doubtful if any other nation, whether it covers a large territory or is limited
+in area, speaks the language native to the country with the uniformity that we
+do. Yet, there are peculiarities that mark the expression of most of our
+people, even among the best informed. The words <i>calculate, reckon,</i> and
+<i>guess</i> are not the only words that betray the locality of the speaker.
+Any person who has been five hundred miles from home cannot fail to have
+observed words that were used differently from the way in which he had been
+accustomed to use them, and he probably heard terms of expression that seemed
+strange to him. In like manner, his own expressions sounded strange to those
+who heard him. That which distinguished his speech from theirs and theirs from
+his would, in large part, be covered by the word &ldquo;provincialism.&rdquo;
+</p>
+
+<p>
+Not only do we have local and sectional peculiarities of speech, but we may be
+said to have national mannerisms. Mr. Alexander Melville Bell, the
+<a name="Page25"></a>
+eminent elocutionist, relates that some years ago when residing in Edinburgh, a
+stranger called to make some inquiries in regard to professional matters.
+</p>
+
+<p>
+&ldquo;I have called on you, sir, for the purpose of,&rdquo; etc.
+</p>
+
+<p>
+&ldquo;When did you cross the Atlantic?&rdquo; I asked.
+</p>
+
+<p>
+The stranger looked up with surprise amounting almost to consternation.
+</p>
+
+<p>
+&ldquo;How do you know that I have crossed the Atlantic?&rdquo;
+</p>
+
+<p>
+&ldquo;Your manner of using the little word &lsquo;sir&rsquo; is not heard in
+England or Scotland.&rdquo;
+</p>
+
+<p>
+This gentleman, Mr. Bell says, was one of the most eminent teachers of
+elocution in America, and his speech was perfectly free from ordinary local
+coloring, in all but the one little element which had escaped observation.
+</p>
+
+<p class="center">
+WHICH?
+</p>
+
+<p>
+Much diversity of usage exists and some difference of opinion prevails
+concerning the proper expression to use when you are addressed, and fail to
+understand just what has been said. Such interrogative rejoinders as
+<i>&ldquo;What?&rdquo; &ldquo;How?&rdquo; &ldquo;Which?&rdquo;
+&ldquo;Hey?&rdquo;</i> are plainly objectionable. <i>&ldquo;Sir?&rdquo; </i>and
+<i>&ldquo;Madam!&rdquo;</i> once common, are no longer tolerated in society.
+The English expression <i>&ldquo;Beg pardon&rdquo;</i> has found favor, but it
+is not wholly acceptable. <i>&ldquo;Excuse me&rdquo;</i>
+<a name="Page26"></a>
+is suggested by a writer on the subject. It has no more syllables than
+<i>&ldquo;Beg pardon,&rdquo;</i> and is nearly equivalent in signification, but
+it is also subject to the objection that it is often used to imply a difference
+of opinion, as when a person makes a statement to which you take exception, you
+begin your reply with the expression, <i>&ldquo;Excuse me.&rdquo;</i>
+</p>
+
+<p>
+Whatever is adopted will doubtless be a convenient contraction, like
+<i>&ldquo;Beg pardon,&rdquo;</i> which is a short way of saying, &ldquo;I beg
+your pardon for failing to understand what you said;&rdquo; or &ldquo;<i>Excuse
+me,&rdquo;</i> which is a condensation of &ldquo;Excuse me for not fully
+grasping your meaning.&rdquo;
+</p>
+
+<p class="center">
+WORDS IMPROPERLY USED<br/><br/>
+<b>Commodious&mdash;Convenient</b>
+</p>
+
+<p>
+A word of caution in the use of the smaller dictionaries is necessary. The most
+elaborate definition often fails to give an adequate idea of the signification
+of a term unless it is accompanied with one or more quotations illustrating its
+use. The small dictionaries give only the briefest definitions, without
+illustration, and therefore should be interpreted with caution.
+</p>
+
+<p>
+Some years ago a young man of moderate attainments was very desirous of
+enlarging his vocabulary
+<a name="Page27"></a>
+and of using words beyond the ordinary vernacular of his neighborhood. To this
+end, he made a small vest-pocket lexicon his constant companion.
+</p>
+
+<p>
+Having consulted it in the course of a conversation with a friend, he remarked,
+as he was about to return it to his pocket, &ldquo;What a commodious book this
+is.&rdquo; His friend suggested that he again consult the
+&ldquo;commodious&rdquo; volume. With a look of the utmost confidence he turned
+to the word, and exclaimed: &ldquo;There! I knew I was right. <i>Commodious</i>
+means <i>convenient,</i> and that is just what this little book is.&rdquo;
+</p>
+
+<p>
+It was useless to explain that smallness sometimes renders a thing
+inconvenient, and this young man, doubtless, still felicitates himself upon his
+intimate acquaintance with that <i>commodious</i> pocket dictionary.
+</p>
+
+<p class="center">
+<b>Ability, Capacity</b>
+</p>
+
+<p>
+A fond mother was told by the principal of a boarding-school that her daughter
+would not be graduated, as she lacked capacity. &ldquo;Get her a capacity. Her
+father don&rsquo;t stand on the matter of expense. Get her anything she wants.
+He&rsquo;ll foot the bill.&rdquo; But for once the indulgent mother was obliged
+to learn that there are some things money will not purchase. The father had the
+financial <i>ability,</i> but the daughter lacked the necessary intellectual
+<i>capacity.</i>
+</p>
+
+<p>
+<a name="Page28"></a>
+But we may have literary as well as financial ability. <i>Ability </i>implies
+the power of doing; <i>capacity</i> the faculty of receiving.
+</p>
+
+<p class="center">
+<b>About, Almost</b>
+</p>
+
+<p>
+&ldquo;This work is <i>about</i> done.&rdquo; Use &ldquo;<i>almost</i>
+done.&rdquo;
+</p>
+
+<p class="center">
+<b>Acceptance, Acceptation</b>
+</p>
+
+<p>
+These words cannot be used interchangeably. &ldquo;He wrote signifying his
+<i>acceptance</i> of the office.&rdquo; &ldquo;According to the common
+<i>acceptation</i> of this term, he is a knave.&rdquo;
+</p>
+
+<p class="center">
+<b>Access, Accession</b>
+</p>
+
+<p>
+&ldquo;He gained <i>access</i> to the fort.&rdquo; &ldquo;The only
+<i>accession,</i> which the Roman empire received was the province of
+Britain.&rdquo;
+</p>
+
+<p class="center">
+<b>Accident, Injury</b>
+</p>
+
+<p>
+Accident is sometimes used incorrectly for <i>injury.</i> as &ldquo;His
+<i>accident</i> was very painful.&rdquo;
+</p>
+
+<p class="center">
+<b>Mutual, Common</b>
+</p>
+
+<p>
+Some men seek to be great by copying great men&rsquo;s faults. Dickens may say
+&ldquo;Our Mutual Friend,&rdquo; but Dickens&rsquo;s strong point was not
+grammar. If you have a friend in common with Smith, in speaking of him to
+Smith, say our <i>common </i>friend. The word <i>mutual</i> should always
+convey a sense of reciprocity, as &ldquo;Happy in our mutual help and mutual
+love.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page29"></a>
+<b>Myself</b>
+</p>
+
+<p>
+This word is generally used for emphasis, as &ldquo;I <i>myself</i> will do
+it,&rdquo; &ldquo;I wrote it <i>myself.&rdquo;</i> It should not be used for
+the unemphatic pronouns <i>I</i> and <i>me,</i> as in &ldquo;James and
+<i>myself</i> are going to town,&rdquo; &ldquo;He gave the books to James and
+<i>myself.&rdquo;</i> It is properly used with a reflexive verb without
+emphasis, as &ldquo;I will defend <i>myself.&rdquo;</i>
+</p>
+
+<p class="center">
+<b>Negligence, Neglect</b>
+</p>
+
+<p>
+<i>Negligence</i> is the habit, <i>neglect</i> the act, of leaving things
+undone. The adjectives <i>negligent</i> and <i>neglectful</i> should, in like
+manner, be discriminated.
+</p>
+
+<p class="center">
+<b>Never, Not</b>
+</p>
+
+<p>
+The word <i>never</i> is sometimes colloquially used for <i>not, </i>as
+&ldquo;I <i>never</i> remember to have seen Lincoln.&rdquo; Say &ldquo;I <i>do
+not </i>remember,&rdquo; etc. <i>Never</i> should not be used in reference to
+events that can take place but once, as &ldquo;Warren <i>never</i> died at
+Lexington.&rdquo;
+</p>
+
+<p class="center">
+<b>Love, Like</b>
+</p>
+
+<p>
+We may <i>love</i> our parents, our children, our country, the truth; and we
+may <i>like</i> roast turkey and cranberry sauce. &ldquo;I <i>love
+</i>cherries,&rdquo; &ldquo;I <i>adore</i> strawberries,&rdquo; are school-girl
+expressions that should be avoided. Love is an emotion of the heart, and not of
+the palate.
+</p>
+
+<p class="center">
+<a name="Page30"></a>
+<b>Cheap, Low-priced</b>
+</p>
+
+<p>
+These words are often used synonymously. A picture purchased for ten thousand
+dollars may be cheap; another, for which ten dollars was paid, although
+low-priced, may be dear.
+</p>
+
+<p class="center">
+<b>Mad, Angry</b>
+</p>
+
+<p>
+The frequent use of <i>mad</i> in the sense of angry should be avoided. A
+person who is insane is <i>mad.</i> A dog that has hydrophobia is <i>mad.</i>
+Figuratively we say <i>mad,</i> with rage, <i>mad</i> with terror, <i>mad</i>
+with pain; but to be vexed, or angry, or out of patience, does not justify the
+use of so strong a term as <i>mad.</i>
+</p>
+
+<p class="center">
+<b>Most, Almost, Very</b>
+</p>
+
+<p>
+Sometimes incorrectly used for <i>almost,</i> as &ldquo;He writes to me
+<i>most</i> every week.&rdquo;
+</p>
+
+<p>
+It is often loosely used in the sense of <i>very,</i> as &ldquo;This is a
+<i>most </i>interesting book.&rdquo; Aim to use <i>most</i> only as the
+superlative of <i>much</i>, or <i>many.</i> Do not use the indefinite article
+before it, as &ldquo;This is <i>a most</i> beautiful picture.&rdquo; We may say
+&ldquo;This is <i>the most </i>beautiful picture,&rdquo; for here comparison is
+implied.
+</p>
+
+<p class="center">
+<b>Portion, Part</b>
+</p>
+
+<p>
+&ldquo;Give me the <i>portion</i> of goods that falleth to me.&rdquo; &ldquo;We
+traveled a <i>part</i> of the distance on foot.&rdquo; <i>Portion</i> is
+applied to that which is set aside for a special
+<a name="Page31"></a>
+purpose, often as the share or allotment of an individual, as the wife&rsquo;s
+<i>portion,</i> the <i>portion</i> of the oldest son, etc. <i>Part</i> is a
+more general term.
+</p>
+
+<p class="center">
+<b>Postal</b>
+</p>
+
+<p>
+Bryant would not have said, &ldquo;I will send you a <i>postal</i> by
+to-morrow&rsquo;s mail.&rdquo; <i>Postal card</i> or <i>post card</i> would be
+better.
+</p>
+
+<p class="center">
+<b>Practical, Practicable</b>
+</p>
+
+<p>
+These words are sometimes confounded. <i>Practicable</i> means &ldquo;that may
+be done or accomplished,&rdquo; and implies that the means or resources are
+available; as, a <i>practicable</i> road, a <i>practicable</i> aim.
+<i>Practical</i> means &ldquo;capable of being turned to use or account;&rdquo;
+as, &ldquo;The <i>practical</i> man begins by doing; the theorist often ends by
+thinking.&rdquo;
+</p>
+
+<p class="center">
+<b>Predicate</b>
+</p>
+
+<p>
+This word is sometimes incorrectly used in the sense of <i>form </i>or
+<i>base;</i> as, &ldquo;He <i>predicated</i> his statement on the information
+he had just received.&rdquo; Neither should it be used in the sense of
+<i>predict; </i>as, &ldquo;The sky is overcast, and I <i>predicate</i> a storm
+tomorrow.&rdquo;
+</p>
+
+<p class="center">
+<b>Prefer&mdash;than</b>
+</p>
+
+<p>
+&ldquo;I <i>prefer</i> to walk <i>than</i> to ride.&rdquo; Say &ldquo;I prefer
+walking to riding;&rdquo; or, &ldquo;I would rather walk than
+<a name="Page32"></a>
+ride.&rdquo; &ldquo;To skate is <i>preferable than</i> to coast.&rdquo; Say
+&ldquo;Skating is preferable to coasting.&rdquo;
+</p>
+
+<p class="center">
+<b>Amount, Number</b>
+</p>
+
+<p>
+<i>Amount</i> applies to what is thought of in the mass or bulk, as money,
+wheat, coal. <i>Number</i> is used when we think of the individuals composing
+the mass, as men, books, horses, vessels.
+</p>
+
+<p class="center">
+<b>Answer, Reply</b>
+</p>
+
+<p>
+An <i>answer</i> implies a question. We may <i>reply</i> to a remark or
+assertion. A <i>reply</i> is more formal than an <i>answer.</i>
+</p>
+
+<p class="center">
+<b>Antagonize, Alienate, Oppose</b>
+</p>
+
+<p>
+The word <i>antagonize</i> should not be used in the sense of <i>alienate;</i>
+as, &ldquo;Your proposition will <i>antagonize</i> many supporters of the
+measure.&rdquo; &ldquo;The Senate <i>opposed</i> the bill which passed the
+House&rdquo; is better than &ldquo;<i>antagonized</i> the bill.&rdquo;
+</p>
+
+<p class="center">
+<b>Anticipate, Expect</b>
+</p>
+
+<p>
+&ldquo;The arrival of the President was hourly <i>anticipated&rdquo;</i> is
+pompous. Use <i>expected.</i>
+</p>
+
+<p class="center">
+<b>Any, At all</b>
+</p>
+
+<p>
+&ldquo;He was so far from the speaker&rsquo;s platform that he could not hear
+<i>any.&rdquo;</i> Better &ldquo;that he could not hear,&rdquo; or &ldquo;hear
+at all,&rdquo; or &ldquo;hear what was said.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page33"></a>
+<b>Apparent, Evident</b>
+</p>
+
+<p>
+These words are often used interchangeably. That which is <i>apparent</i> may
+be what it appears to be, or it may be very different; that which is <i>evident
+</i>admits of no doubt. The same is true of <i>apparently</i> and
+<i>evidently.</i>
+</p>
+
+<p class="center">
+<b>Prejudice</b>
+</p>
+
+<p>
+&ldquo;He is not the best person for the position, but his many kindnesses to
+me <i>prejudice</i> me in his favor.&rdquo; We may be prejudiced against a
+person or thing, but cannot be prejudiced in favor. Use <i>predispose.</i>
+</p>
+
+<p class="center">
+<b>Presume</b>
+</p>
+
+<p>
+This word is often employed when <i>think, believe,</i> or <i>daresay </i>would
+be better.
+</p>
+
+<p class="center">
+<b>Pretend, Profess</b>
+</p>
+
+<p>
+&ldquo;I do not <i>pretend</i> to be an orator.&rdquo; <i>Pretend</i> means
+<i>to feign, to sham;</i> as, &ldquo;He <i>pretends</i> to be asleep,&rdquo;
+and should not be used when <i>claim</i> or <i>profess</i> would better suit
+the purpose.
+</p>
+
+<p class="center">
+<b>Preventative</b>
+</p>
+
+<p>
+The correct form of the word is <i>preventive,</i> not <i>preventative.</i>
+</p>
+
+<p class="center">
+<b>Previous, Previously</b>
+</p>
+
+<p>
+The adjective <i>previous</i> is often incorrectly used for the adverb
+<i>previously;</i> as, &ldquo;Previous to his imprisonment he made a confession
+of his crime.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page34"></a>
+<b>Promise, Assure</b>
+</p>
+
+<p>
+&ldquo;I <i>promise</i> you we had a good time yesterday.&rdquo; <i>Promise</i>
+relates to the future, hence &ldquo;I <i>assure</i> you,&rdquo; etc., would be
+better.
+</p>
+
+<p class="center">
+<b>Propose, Purpose</b>
+</p>
+
+<p>
+To <i>propose</i> is to set before the mind for consideration; to
+<i>purpose</i> is to intend. &ldquo;I <i>propose</i> sending my son to
+college&rdquo; should be &ldquo;I <i>purpose,&rdquo;</i> etc. &ldquo;I
+<i>propose</i> that you go to college, my son.&rdquo; &ldquo;Thank you, father,
+I accept the proposal.&rdquo;
+</p>
+
+<p class="center">
+<b>Sparrowgrass, Asparagus</b>
+</p>
+
+<p>
+The word <i>sparrowgrass,</i> which is a corruption of the word
+<i>asparagus,</i> illustrates how readily the uneducated mind associates an
+unusual term with another that is familiar, and as the mental impression is
+received through the ear, and lacks that definiteness which the printed form
+would give, the new idea, when repeated, often assumes a picturesque, if not a
+ludicrous, form. Many of Mrs. Partington&rsquo;s quaint sayings furnish further
+illustration.
+</p>
+
+<p>
+The following incident, from a Western paper, shows the successive stages in
+the farmer&rsquo;s mental operations from the familiar terms <i>skin, hide,
+oxhide, </i>up to the unfamiliar chemical term <i>oxide,</i> through which he
+was obliged to pass before he succeeded in making known his wants:
+</p>
+
+<p>
+<a name="Page35"></a>
+The man was in a brown study when he went into the drug store.
+</p>
+
+<p>
+&ldquo;What can we do for you?&rdquo; inquired the clerk.
+</p>
+
+<p>
+&ldquo;I want black&mdash;something of something,&rdquo; he said; &ldquo;have
+you got any?&rdquo;
+</p>
+
+<p>
+&ldquo;Probably we have,&rdquo; replied the clerk, &ldquo;but you&rsquo;ll have
+to be more definite than that to get it.&rdquo;
+</p>
+
+<p>
+The farmer thought for a moment.
+</p>
+
+<p>
+&ldquo;Got any black sheepskin of something?&rdquo; he asked.
+</p>
+
+<p>
+&ldquo;No; we don&rsquo;t keep sheepskins. We have chamois-skins,
+though.&rdquo;
+</p>
+
+<p>
+&ldquo;That ain&rsquo;t it, I know,&rdquo; said the customer. &ldquo;Got any
+other kind of skins?&rdquo;
+</p>
+
+<p>
+&ldquo;No.&rdquo;
+</p>
+
+<p>
+&ldquo;Skins&mdash;skins&mdash;skins!&rdquo; slowly repeated the man,
+struggling with his slippery memory. &ldquo;Calfskin seems to be something like
+it. Got any black calfskins of anything?&rdquo;
+</p>
+
+<p>
+&ldquo;No, not one,&rdquo; and the clerk laughed.
+</p>
+
+<p>
+The customer grew red in the face.
+</p>
+
+<p>
+&ldquo;Confound it!&rdquo; he said, &ldquo;if it ain&rsquo;t a skin, what in
+thunder is it?&rdquo;
+</p>
+
+<p>
+&ldquo;Possibly it&rsquo;s a hide?&rdquo; suggested the clerk.
+</p>
+
+<p>
+&ldquo;That&rsquo;s it! That&rsquo;s it!&rdquo; exclaimed the man.
+</p>
+
+<p>
+&ldquo;Have you got any black hides of something or anything?&rdquo;
+</p>
+
+<p>
+<a name="Page36"></a>
+The clerk shook his head sadly as the man tramped up and down the store.
+</p>
+
+<p>
+&ldquo;Got any black cowhide of anything?&rdquo; he asked, after a
+moment&rsquo;s thought.
+</p>
+
+<p>
+The clerk&rsquo;s face showed a gleam of intelligence, and then broke into a
+smile.
+</p>
+
+<p>
+&ldquo;Possibly it&rsquo;s black oxide of manganese you want?&rdquo; he said,
+quietly.
+</p>
+
+<p>
+&ldquo;Of course, that&rsquo;s it!&rdquo; he exclaimed, as he threw his arms
+around the clerk&rsquo;s neck. &ldquo;I knowed blamed well there was a skin or
+hide or something somewhere about the thing,&rdquo; and he calmed down quietly
+and waited for what he wanted.
+</p>
+
+<p class="center">
+<b>Accord, Give</b>
+</p>
+
+<p>
+&ldquo;They <i>accorded</i> him due praise.&rdquo; &ldquo;They <i>gave</i> him
+the desired information.&rdquo;
+</p>
+
+<p class="center">
+<b>Act, Action</b>
+</p>
+
+<p>
+&ldquo;The best portion of a good man&rsquo;s life is his little, nameless,
+unremembered <i>acts</i> of kindness and of love.&rdquo; &ldquo;Suit the
+<i>action</i> to the word.&rdquo; <i>Action</i> suggests the operation;
+<i>act</i>, the accomplished result.
+</p>
+
+<p class="center">
+<b>Adherence, Adhesion</b>
+</p>
+
+<p>
+These words were once interchangeable, but are now distinct. <i>Adhesion
+</i>relates to physical bodies; <i>adherence</i> to mental states.
+</p>
+
+<p class="center">
+<a name="Page37"></a>
+<b>Adopt, Take</b>
+</p>
+
+<p>
+&ldquo;What course will you <i>take?&rdquo;</i> is better than &ldquo;What
+course will you <i>adopt?&rdquo;</i>
+</p>
+
+<p class="center">
+<b>Affect, Effect</b>
+</p>
+
+<p>
+These words are sometimes confounded. &ldquo;The climate <i>affected </i>their
+health.&rdquo; &ldquo;They sailed away without <i>effecting</i> their
+purpose.&rdquo;
+</p>
+
+<p class="center">
+<b>Aggravate, Exasperate</b>
+</p>
+
+<p>
+To <i>aggravate</i> means to intensify, to make worse; to <i>exasperate
+</i>means to provoke, to irritate. &ldquo;To <i>aggravate</i> the horrors of
+the scene.&rdquo; &ldquo;His remarks <i>exasperated</i> me.&rdquo; &ldquo;His
+conduct <i>aggravates</i> me&rdquo; should be &ldquo;His conduct <i>annoys</i>
+(or <i>displeases,</i> or <i>irritates, </i>or <i>exasperates)</i> me.&rdquo;
+</p>
+
+<p class="center">
+<b>Alleviate, Relieve</b>
+</p>
+
+<p>
+These words differ chiefly in degree. The latter is the stronger word.
+</p>
+
+<p class="center">
+<b>Proposal, Proposition</b>
+</p>
+
+<p>
+A <i>proposition</i> implies consideration or discussion; a <i>proposal
+</i>contemplates acceptance or rejection. &ldquo;Your <i>proposition</i> to
+build our new warehouse has received favorable consideration, and we are ready
+to receive your <i>proposals.&rdquo;</i>
+</p>
+
+<p class="center">
+<b>Providing, Provided</b>
+</p>
+
+<p>
+&ldquo;You may go to skate, <i>providing</i> you first finish your task.&rdquo;
+Incorrect. You should say <i>provided.</i>
+</p>
+
+<p class="center">
+<a name="Page38"></a>
+<b>Proved, Proven</b>
+</p>
+
+<p>
+<i>Proven</i> is sometimes incorrectly used for <i>proved.</i> &ldquo;The
+evidence was complete and his guilt was fully <i>proved.&rdquo; Not proven</i>
+is a legal term used in England to denote that the guilt of the accused is not
+made out, though not disproved.
+</p>
+
+<p class="center">
+<b>Quantity, Number</b>
+</p>
+
+<p>
+<i>Quantity</i> refers to the <i>how much; number</i> to the <i>how many.
+</i>&ldquo;He purchased a large <i>quantity</i> of <i>wheat, corn, apples,
+lime, </i>and <i>sand,</i> and a <i>number</i> of <i>houses, stores</i>,
+<i>chairs, </i>and <i>books.&rdquo;</i> It is, therefore, incorrect to say,
+&ldquo;There was a large <i>quantity</i> of bicycles in the yard,&rdquo;
+&ldquo;He sold a large <i>quantity</i> of books at auction.&rdquo;
+</p>
+
+<p class="center">
+<b>Quite a few</b>
+</p>
+
+<p>
+In some parts of the country this expression is in common use in the sense of
+<i>many, a large number,</i> etc. &ldquo;How many people were at church
+to-day?&rdquo; <i>&ldquo;Quite a few,&rdquo;</i> meaning a considerable number.
+</p>
+
+<p class="center">
+<b>Commence, Begin</b>
+</p>
+
+<p>
+Some persons always <i>commence,</i> but never <i>begin.</i> The tendency
+toward pomp and parade in speech prompts many persons to avoid the use of our
+strong, rugged Anglo-Saxon words, and to substitute their high-sounding Latin
+equivalents, until, in time, the preferable native forms come to be regarded as
+<a name="Page39"></a>
+commonplace and objectionable. American usage is more faulty than English in
+this regard. Use <i>begin</i> and <i>beginning</i> more, and <i>commence
+</i>and, <i>commencement</i> less.
+</p>
+
+<p class="center">
+<b>Complete, Finished</b>
+</p>
+
+<p>
+There is a distinction in the use of these words that is not always observed.
+<i>Complete</i> signifies <i>nothing lacking,</i> every element and part being
+supplied. That which is <i>finished</i> has had all done to it that was
+intended. A vessel may be <i>finished</i> and yet be <i>incomplete.</i>
+</p>
+
+<p class="center">
+<b>Conclusion, End</b>
+</p>
+
+<p>
+The more pretentious word <i>conclusion</i> is often used where the simple
+Anglo-Saxon word <i>end</i> would be preferable.
+</p>
+
+<p class="center">
+<b>Conscious, Aware</b>
+</p>
+
+<p>
+&ldquo;He was <i>aware</i> of the enemy&rsquo;s designs.&rdquo;
+&ldquo;<i>Conscious</i> of his fate, he boldly approached the furious
+beast.&rdquo; <i>Conscious</i> relates to what is within our own mind;
+<i>aware</i> to what is without.
+</p>
+
+<p class="center">
+<b>Continual, Continuous</b>
+</p>
+
+<p>
+<i>Continuous</i> implies <i>uninterrupted, unbroken. Continual </i>relates to
+acts that are frequently repeated. &ldquo;The <i>continuous</i> ride is often
+finished in five hours, but owing to <i>continual</i> delays we were eight
+hours on the way.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page40"></a>
+<b>Convict, Convince</b>
+</p>
+
+<p>
+The Irishman who brandished his club and, exclaimed that he was open to
+conviction, but he would like to see the man that could convince him, used a
+form of argument that was most convincing, but failed in his discrimination of
+language. <i>Convict</i> refers to the outer condition, and generally applies
+to something wrong; <i>convince,</i> which may be used of either right or
+wrong, refers to the judgment.
+</p>
+
+<p class="center">
+<b>Custom, Habit</b>
+</p>
+
+<p>
+<i>Habit</i> is a tendency which leads us to do easily; <i>custom</i> grows out
+of the habitual doing or frequent repetition of the same act. <i>Custom
+</i>refers to the usages of society, or of the individual; <i>habit</i> refers
+more frequently to the individual acts. &ldquo;Ill <i>habits</i> gather by
+unseen degrees.&rdquo;
+</p>
+
+<p>
+&ldquo;Man yields to custom as he bows to fate,<br/> In all things ruled&mdash;
+mind, body, and estate.&rdquo;
+</p>
+
+<p class="center">
+<b>Want, Need</b>
+</p>
+
+<p>
+These words are often used interchangeably, but should be discriminated.
+<i>Need</i> implies the lack; <i>want</i> also implies the lack, but couples
+with it the wish to supply the lack. &ldquo;Some men <i>need</i> help, but will
+not ask for it; others <i>want</i> help (that is, they need help, or think they
+do, and ask for it) and get it, too.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page41"></a>
+<b>Way, Away</b>
+</p>
+
+<p>
+&ldquo;He is <i>way</i> down in Florida,&rdquo; is incorrect. &ldquo;He is
+<i>away </i>down in Florida&rdquo; is better grammar. &ldquo;He is in
+Florida&rdquo; is still better. <i>Down</i> indicates the direction, and
+<i>away</i> magnifies the distance. As most persons know the direction, and as
+modern railway travel shortens long distances, the abbreviated sentence is
+sufficiently full.
+</p>
+
+<p class="center">
+<b>Ways, Way</b>
+</p>
+
+<p>
+&ldquo;He is a long <i>ways</i> from home&rdquo; is a very common, but faulty
+expression. Say &ldquo;Uncle Charles is now a long <i>way</i> on his
+journey.&rdquo; &ldquo;The boat is a good <i>way</i> off the shore.&rdquo;
+</p>
+
+<p class="center">
+<b>Whole, All</b>
+</p>
+
+<p>
+&ldquo;The <i>whole</i> of the scholars went to the fair to-day.&rdquo;
+<i>&ldquo;All</i> of the school went to the fair to-day.&rdquo; The sentences
+will be improved by transposing <i>whole</i> and <i>all. &ldquo;All</i> of the
+scholars went to the fair to-day,&rdquo; not half of them. &ldquo;The
+<i>whole</i> school went to the fair to-day,&rdquo; not a part of it.
+<i>All</i> refers to the individual scholars; <i>whole</i> to the school as a
+unit.
+</p>
+
+<p class="center">
+<b>Without, Unless</b>
+</p>
+
+<p>
+&ldquo;He cannot miss the way <i>without</i> he forgets my instructions.&rdquo;
+&ldquo;I will not dig the potatoes <i>without</i> Tom comes to help.&rdquo; Use
+<i>unless </i>instead of <i>without.</i>
+</p>
+
+<p class="center">
+<a name="Page42"></a>
+<b>Worse, More</b>
+</p>
+
+<p>
+&ldquo;He dislikes arithmetic <i>worse</i> than grammar.&rdquo; Use <i>more</i>
+instead of <i>worse.</i>
+</p>
+
+<p class="center">
+<b>Rarely, Rare</b>
+</p>
+
+<p>
+&ldquo;It is <i>rarely</i> that you hear of a prodigal youth growing into an
+economical man.&rdquo; <i>Rarely</i> should be <i>rare</i> to form the
+adjective attribute of the verb.
+</p>
+
+<p class="center">
+<b>Real, Really</b>
+</p>
+
+<p>
+<i>Real</i> is often incorrectly used as an adverb, especially by schoolgirls;
+as, &ldquo;I think he is <i>real</i> mean.&rdquo; The grammar will be improved
+by substituting <i>really</i> for <i>real,</i> but the expression, as a whole,
+being applied to all kinds and degrees of offenses, has become meaningless.
+</p>
+
+<p>
+<i>Real</i> is often carelessly used in the sense of <i>very;</i> as <i>real
+</i>pretty, <i>real</i> bright, <i>real</i> kind.
+</p>
+
+<p class="center">
+<b>Recipe, Receipt</b>
+</p>
+
+<p>
+A <i>recipe</i> is a formula for making some mixture or preparation of
+materials; a <i>receipt</i> is an acknowledgment of that which has been
+received.
+</p>
+
+<p class="center">
+<b>Region, Neighborhood</b>
+</p>
+
+<p>
+<i>Region</i> is a broader and more comprehensive term, and should not be
+applied to the narrow limits of a <i>neighborhood.</i>
+</p>
+
+<p class="center">
+<a name="Page43"></a>
+<b>Remit, Send</b>
+</p>
+
+<p>
+The word <i>remit</i> is often used when <i>send</i> would be better.
+<i>Remit</i> means to send back, to forgive, to relax. In its commercial sense
+it means to transmit or send money in payment of a demand; as, &ldquo;He
+<i>remitted </i>the amount by mail.&rdquo;
+</p>
+
+<p class="center">
+<b>Residence, House</b>
+</p>
+
+<p>
+This pretentious word is often used when <i>house</i> or <i>home</i> would be
+in better taste.
+</p>
+
+<p class="center">
+<b>Deface, Disfigure</b>
+</p>
+
+<p>
+&ldquo;The walls of many public buildings are <i>defaced</i> by persons who
+desire that their names shall remain when they are gone.&rdquo; &ldquo;They
+<i>disfigure</i> their faces that they may appear unto men to fast.&rdquo;
+<i>Disfigure</i> applies more generally to persons; <i>deface,</i> to things.
+</p>
+
+<p class="center">
+<b>Demean, Degrade</b>
+</p>
+
+<p>
+The word <i>demean</i> is often incorrectly used in the sense of <i>degrade,
+lower.</i> It should be used in the sense of <i>behave, conduct, deport,</i>
+and not in the sense of <i>degrade.</i>
+</p>
+
+<p class="center">
+<b>Depot, Station</b>
+</p>
+
+<p>
+For many years the word <i>depôt</i> was largely employed in the sense of a
+railway station. Its primary meaning is a <i>warehouse</i> or <i>storehouse</i>
+or <i>military station.</i> As applied to a stopping place for railroad trains
+the
+<a name="Page44"></a>
+English word <i>station</i> is greatly to be preferred to the French word
+<i>depôt,</i> and is rapidly coming into general use in this country.
+</p>
+
+<p class="center">
+<b>Description, Kind</b>
+</p>
+
+<p>
+&ldquo;Flowers of every <i>description</i> were found in his garden.&rdquo; In
+the above sense the word <i>kind</i> or <i>variety</i> would be more
+appropriate.
+</p>
+
+<p class="center">
+<b>Bring, Fetch, Carry</b>
+</p>
+
+<p>
+<i>Bring</i> implies motion from the object toward the person who issues the
+command or makes the request. <i>Fetch</i> implies two motions, first, toward
+the object; second, toward the person who wishes it. The gardener, who is in
+the garden, calls to his servant, who is at the barn, &ldquo;John, <i>bring</i>
+me the rake. You will find it in the barn.&rdquo; And if John is with him in
+the garden, he would say, &ldquo;John, <i>fetch</i> me the rake from the
+barn.&rdquo;
+</p>
+
+<p>
+The use of <i>fetch</i> is more common among English writers than with us. In
+fact, many speakers and writers in America rarely use the word.
+</p>
+
+<p>
+<i>Carry</i> is a more general term, and means <i>to convey,</i> without
+thought of the direction.
+</p>
+
+<p class="center">
+<b>Character, Reputation</b>
+</p>
+
+<p>
+These words are often confounded. &ldquo;Character,&rdquo; says Abbott,
+&ldquo;is what a person is; reputation is what he is supposed to be. Character
+is in himself,
+<a name="Page45"></a>
+reputation is in the minds of others. Character is injured by temptations and
+by wrong-doing; reputation by slanders and libels. Character endures throughout
+defamation in every form, but perishes where there is a voluntary
+transgression; reputation may last through numerous transgressions, but be
+destroyed by a single, and even an unfounded, accusation or aspersion.&rdquo;
+</p>
+
+<p class="center">
+<b>Farther, Further</b>
+</p>
+
+<p>
+Although these words are often used interchangeably even by good writers, yet a
+finer taste and a keener power of discrimination is shown in the use of
+<i>farther</i> when referring to literal distance, and of <i>further </i>in
+reference to quantity or degree; as, &ldquo;Each day&rsquo;s journey removes
+them <i>farther</i> from home,&rdquo; &ldquo;He concluded his speech by
+remarking that he had nothing <i>further</i> to say.&rdquo; <i>Farther</i> is
+the comparative of <i>far; further</i> is the comparative of <i>forth.</i>
+</p>
+
+<p class="center">
+<b>Fault, Defect</b>
+</p>
+
+<p>
+Speakers and writers often fail to discriminate in the use of these words. A
+<i>defect</i> implies a deficiency, a lack, a falling short, while a
+<i>fault</i> signifies that there is something wrong.
+</p>
+
+<p class="letter">
+&ldquo;Men still had faults, and men will have them still,<br/>
+He that hath none, and lives as angels do<br/>
+Must be an angel.&rdquo;
+</p>
+
+<p>
+<a name="Page46"></a>
+&ldquo;It is in general more profitable to reckon up our defects than to boast
+of our attainments.&rdquo;
+</p>
+
+<p class="center">
+<b>Few, Little</b>
+</p>
+
+<p>
+These words and their comparatives, <i>fewer, less,</i> are often confounded.
+<i>Few</i> relates to number, or to what may be counted; <i>little </i>refers
+to quantity, or to what may be measured. A man may have <i>few </i>books and
+<i>little</i> money; he may have <i>fewer</i> friends and <i>less </i>influence
+than his neighbor. But do not say &ldquo;The man has <i>less </i>friends than
+his neighbor.&rdquo;
+</p>
+
+<p class="center">
+<b>Each other, One another</b>
+</p>
+
+<p>
+While some excellent authorities use these expressions interchangeably, most
+grammarians and authors employ <i>each other</i> in referring to two persons or
+things, and <i>one another</i> when more than two are considered; as,
+&ldquo;Both contestants speak kindly of <i>each other.&rdquo;
+</i>&ldquo;Gentlemen are always polite to <i>one another.&rdquo;</i>
+</p>
+
+<p>
+Those who prefer to have wide latitude in speech will be glad to know that
+Murray, in one of the rules in his grammar, says, &ldquo;Two negatives in
+English destroy <i>one another.&rdquo;</i>
+</p>
+
+<p>
+Shakespeare says, &ldquo;It is a good divine that follows his own instructions.
+I can easier teach twenty what were good to be done, than be one of
+<a name="Page47"></a>
+the twenty to follow mine own teaching.&rdquo; This is as true of expression as
+of morals.
+</p>
+
+<p class="center">
+<b>Either, Neither</b>
+</p>
+
+<p>
+&ldquo;Palms and beautiful flowers lined the hall on <i>either</i> side,&rdquo;
+is a common but faulty form of expression. <i>Either</i> refers to one of two
+things. In the foregoing sentence the thought is that <i>both</i> sides of the
+hall were lined, hence the word <i>both</i> should have been used. If, however,
+each side of the hall is thought of separately, then <i>each,</i> would be the
+proper word to employ.
+</p>
+
+<p>
+<i>&ldquo;Either</i> of the two books will please you.&rdquo; <i>&ldquo;Any</i>
+of the three books will prove satisfactory.&rdquo; <i>&ldquo;Any one</i> of the
+five men would make a good candidate.&rdquo; <i>&ldquo;Neither</i> of the two
+men will serve.&rdquo; <i>&ldquo;None</i> of the ten men were present.&rdquo;
+&ldquo;<i>Not one</i> of all the houses was left standing.&rdquo; These
+sentences represent the best usage with regard to <i>either, neither,</i> and
+also of <i>any, none, any one, not one.</i>
+</p>
+
+<p class="center">
+<b>These kind</b>
+</p>
+
+<p>
+Adjectives implying number must agree with the nouns which they qualify.
+<i>This</i> and <i>that</i> qualify nouns in the singular; <i>these </i>and
+<i>those</i> belong to nouns in the plural.
+</p>
+
+<p>
+<i>&ldquo;These kind</i> of potatoes grow well in this soil.&rdquo; Use
+<i>this. &ldquo;This </i>twenty <i>years</i> have I known him.&rdquo;
+<a name="Page48"></a>
+Use <i>these.</i> &ldquo;The beam was <i>two foot</i> above my head,&rdquo; Use
+<i>feet. </i>&ldquo;For <i>this,</i> among other reasons, I abandoned the
+profession.&rdquo; Say &ldquo;For <i>this</i> reason, among others, I abandoned
+the profession.&rdquo; &ldquo;He rides the bicycle daily, and by <i>this
+means</i> he preserves his health.&rdquo; &ldquo;The partners were all honest,
+courteous, and industrious, and by <i>these means </i>acquired wealth.&rdquo;
+The word <i>means</i> being either singular or plural, the two preceding
+sentences are both correct.
+</p>
+
+<p class="center">
+<b>Some means or another</b>
+</p>
+
+<p>
+&ldquo;By <i>some means or another</i> he always gets the better part of the
+bargain.&rdquo; This sentence may be corrected by saying <i>&ldquo;one means or
+another,&rdquo;</i> or <i>&ldquo;some means or other.&rdquo;</i>
+</p>
+
+<p class="center">
+<b>Than</b>
+</p>
+
+<p>
+After <i>other, otherwise, else,</i> or an adjective in the comparative degree,
+<i>than</i> should be used, and not <i>but</i> or <i>except.</i>
+</p>
+
+<p>
+&ldquo;No other way <i>but</i> this was open to him.&rdquo; Use <i>than.</i>
+</p>
+
+<p>
+&ldquo;History and philosophy cannot otherwise affect the mind <i>but</i> for
+its enlargement and benefit.&rdquo; Use <i>than.</i>
+</p>
+
+<p>
+&ldquo;Flowers are often nothing else <i>but</i> cultivated weeds.&rdquo; Use
+<i>than.</i>
+</p>
+
+<p>
+&ldquo;He no sooner entered the bridge <i>but</i> he met an infuriated bull
+coming toward him.&rdquo; Use <i>than.</i>
+</p>
+
+<p>
+<a name="Page49"></a>
+&ldquo;He offered no other objection <i>except</i> the one already
+mentioned.&rdquo; Use <i>than.</i>
+</p>
+
+<p>
+&ldquo;He read five other books on &lsquo;Crime and Its Causes&rsquo; <i>in
+addition to </i>those you named.&rdquo; Use <i>than.</i>
+</p>
+
+<p>
+With equal propriety we may say, &ldquo;He offered no objection except the one
+already mentioned,&rdquo; or &ldquo;He read five books on &lsquo;Crime and Its
+Causes&rsquo; in addition to those you named.&rdquo; It is the use of the word
+<i>other,</i> or <i>otherwise,</i> or <i>else,</i> that makes necessary the
+correlative term <i>than.</i>
+</p>
+
+<p class="center">
+<b>Besides</b>
+</p>
+
+<p>
+After <i>else</i> and <i>other</i> the preposition <i>besides</i> is sometimes
+employed.
+</p>
+
+<p>
+&ldquo;Other boys <i>besides</i> these are mischievous.&rdquo;
+</p>
+
+<p>
+&ldquo;Other arts <i>besides</i> music are elevating and inspiring.&rdquo;
+</p>
+
+<p>
+&ldquo;We must have recourse to something else <i>besides</i>
+punishment.&rdquo;
+</p>
+
+<p>
+It will be observed that the use of <i>besides</i> in this section differs from
+the use of <i>than</i> in the preceding discussion. <i>&ldquo;Other...
+than&rdquo; </i>is exclusive of those mentioned; whereas, &ldquo;<i>other...
+besides&rdquo; </i>includes those mentioned.
+</p>
+
+<p class="center">
+<b>Other</b>
+</p>
+
+<p>
+&ldquo;Iron is more useful than all the metals.&rdquo; The faultiness of this
+sentence becomes apparent when
+<a name="Page50"></a>
+we remember that iron itself is a metal and is included in the word <i>metals,
+</i>which forms one side of the comparison. In short, &ldquo;Iron is more
+useful than iron together with all the other metals.&rdquo; This statement is
+absurd. The sentence should, therefore, read, &ldquo;Iron is more useful than
+all the <i>other </i>metals.&rdquo;
+</p>
+
+<p>
+&ldquo;The Washington monument is higher than any monument in America.&rdquo;
+Since it is in America, and as it cannot be higher than itself, the sentence is
+made correct by adding the word <i>other;</i> as, &ldquo;The Washington
+monument is higher than any <i>other</i> monument in America.&rdquo;
+</p>
+
+<p>
+&ldquo;This book, which I have just finished, is superior to any work on the
+subject that I have yet seen.&rdquo; Say &ldquo;to any <i>other</i>
+work.&rdquo;
+</p>
+
+<p>
+&ldquo;Of all other creatures, man is the most highly endowed.&rdquo; Say
+&ldquo;of all creatures,&rdquo; etc.
+</p>
+
+<p>
+&ldquo;No general was ever so beloved by his soldiers.&rdquo; Say &ldquo;No
+<i>other </i>general,&rdquo; etc.
+</p>
+
+<p>
+&ldquo;Nothing delights him so much as a storm at sea.&rdquo; &ldquo;Nothing
+<i>else </i>delights him,&rdquo; etc.
+</p>
+
+<p class="center">
+<b>One&rsquo;s, His</b>
+</p>
+
+<p>
+Whether we should say &ldquo;One ought to know <i>one&rsquo;s</i> own
+mind,&rdquo; or &ldquo;One ought to know <i>his</i> own mind,&rdquo; is a
+question that the critics have earnestly discussed, but have never settled,
+except as each settles it for
+<a name="Page51"></a>
+himself. The masculine pronoun is often used with an antecedent whose gender is
+not known. There can, therefore, be no objection to the use of <i>his</i> on
+the question of gender. As a matter of euphony, <i>his</i> is preferable to
+<i>one&rsquo;s.</i> Both have the sanction of good usage.
+</p>
+
+<p class="center">
+<b>None</b>
+</p>
+
+<p>
+Although literally signifying <i>no one,</i> the word <i>none</i> may be used
+with a plural verb, having the force of a collective noun.
+</p>
+
+<p class="letter">
+<i>&ldquo;None</i> but the brave deserves the fair.&rdquo;&mdash;
+<i>Dryden.</i><br/>
+<br/>
+<i>&ldquo;None</i> knew thee but to love thee,<br/>
+<i>None</i> named thee but to praise.&rdquo;&mdash;<i>Halleck.</i><br/>
+<br/>
+&ldquo;I look for ghosts; but <i>none</i> will force<br/>
+Their way to
+me.&rdquo;&mdash;<i>Wordsworth.</i><br/>
+<br/>
+&ldquo;Of all the girls that
+e&rsquo;er were seen,<br/>
+There&rsquo;s <i>none</i> so fine as
+Nelly.&rdquo;&mdash;<i>Swift.</i>
+</p>
+
+<p class="center">
+<b>All, Whole</b>
+</p>
+
+<p>
+The word <i>all</i> is often incorrectly used for <i>the whole.</i>
+</p>
+
+<p>
+&ldquo;The river rose and spread over all the valley.&rdquo; This should be
+&ldquo;over the <i>whole</i> valley.&rdquo;
+</p>
+
+<p>
+&ldquo;The day being stormy, the members of Class A were <i>all</i> the
+children at school to-day.&rdquo; Correct by saying &ldquo;were the only
+children at school to-day.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page52"></a>
+<b>Perpetually, Continually</b>
+</p>
+
+<p>
+<i>Perpetually</i> is not synonymous with <i>continually. Perpetually </i>means
+never-ceasing. That which is done <i>continually</i> may be subject to
+interruptions.
+</p>
+
+<p class="center">
+<b>Persuade, Advise</b>
+</p>
+
+<p>
+&ldquo;Almost thou <i>persuadest</i> me to be a Christian.&rdquo; Paul had
+<i>advised </i>many persons to become Christians, some of whom, like Agrippa,
+were <i>almost persuaded.</i>
+</p>
+
+<p class="center">
+<b>Wharf, Dock</b>
+</p>
+
+<p>
+These words are sometimes confounded. The <i>wharf</i> is the pier, or landing,
+upon which the vessel unloads her cargo. The <i>dock</i> is the artificial
+waterway, or basin, formed by the wharves. &ldquo;The vessel came into the
+<i>dock</i> and was made fast to the <i>wharf.&rdquo;</i>
+</p>
+
+<p class="center">
+<b>Contemptible, Contemptuous</b>
+</p>
+
+<p>
+<i>Contemptible</i> is sometimes incorrectly used for <i>contemptuous.</i> A
+story is told of Richard Parson, an English scholar and critic. A gentleman
+being in dispute with him, angrily exclaimed, &ldquo;My opinion of you is most
+<i>contemptible,</i> sir,&rdquo; upon which Parson quickly retorted, &ldquo;I
+never knew an opinion of yours that was not <i>contemptible.&rdquo;</i>
+</p>
+
+<p class="center">
+<b>Healthy, Wholesome</b>
+</p>
+
+<p>
+These terms are not synonymous. Toadstools may be <i>healthy,</i> but they
+would not be regarded as
+<a name="Page53"></a>
+<i>wholesome.</i> Plants and animals are <i>healthy</i> when the conditions of
+their growth are favorable. They are <i>wholesome</i> when, as food, they
+promote the health of those persons who eat them.
+</p>
+
+<p class="center">
+<b>In a fix</b>
+</p>
+
+<p>
+Many persons instead of saying &ldquo;He is in trouble,&rdquo; or &ldquo;He is
+in an awkward position,&rdquo; or &ldquo;He is perplexed,&rdquo; or
+<i>embarrassed,</i> employ the vulgarism, &ldquo;He is <i>in a fix.&rdquo;</i>
+Although Shakespeare may say, &ldquo;This was the <i>most unkindest</i> cut of
+all,&rdquo; and De Quincey may write, &ldquo;Poor Aroar cannot live and cannot
+die&mdash;so that he is in an <i>almighty fix,&rdquo;</i> we lesser mortals
+are forbidden such expressions.
+</p>
+
+<p class="center">
+<b>Fly, Flee</b>
+</p>
+
+<p>
+In a general sense <i>fly</i> is applied to winged creatures and <i>flee</i> to
+persons. &ldquo;What exile from himself can <i>flee?&rdquo;</i> &ldquo;When the
+swallows homeward <i>fly.&rdquo;</i> The past tense forms are sometimes
+confused, as, &ldquo;The inhabitants <i>flew</i> to the fort for safety,&rdquo;
+&ldquo;The wild geese have all <i>fled</i> to the South.&rdquo; The principal
+parts of the verbs are:
+</p>
+
+<p class="letter">
+Present.          Past.          Perf. part.<br />
+fly,              flew,          flown.<br />
+flee,             fled,          fled.
+</p>
+
+<p>
+The verbs <i>flew</i> and <i>fled</i> in the foregoing sentences should be
+transposed. <i>Fly</i> implies motion either
+<a name="Page54"></a>
+from or toward. <i>Flee</i> implies motion from. <i>Fly</i> may be used, in a
+figurative sense, of persons, to indicate great speed as of wings. &ldquo;I
+<i>flew </i>to his rescue.&rdquo; &ldquo;He <i>flew</i> to my rescue.&rdquo;
+&ldquo;Resist the devil and he will <i>flee</i> from you.&rdquo;
+</p>
+
+<p>
+The word <i>flown</i> is sometimes used erroneously as the past tense or
+perfect participle of the verb <i>flow.</i> The parts of this verb are <i>flow,
+flowed, flowed. &ldquo;</i>The river has <i>overflowed</i> (not
+<i>overflown)</i> its banks.&rdquo;
+</p>
+
+<p class="center">
+<b>Get, Got</b>
+</p>
+
+<p>
+Because a horse is willing is no reason why he should be ridden to death. The
+verb <i>get</i> and its past-tense form <i>got</i> admit of many meanings, as
+the following, from an old English publication, fully proves: &ldquo;I
+<i>got</i> on horseback within ten minutes after I <i>got</i> your letter. When
+I <i>got </i>to Canterbury I <i>got</i> a chaise for town; but I <i>got</i> wet
+through before I <i>got</i> to Canterbury, and I have <i>got</i> such a cold as
+I shall not be able to <i>get</i> rid of in a hurry. I <i>got</i> to the
+Treasury about noon, but, first of all, I <i>got</i> shaved and dressed. I soon
+<i>got </i>into the secret of <i>getting</i> a memorial before the Board, but I
+could not <i>get</i> an answer then. However, I <i>got</i> intelligence from
+the messenger that I should most likely <i>get</i> an answer the next morning.
+As soon as I <i>got</i> back to my inn I <i>got</i> my supper and <i>got</i> to
+bed. It was not long before I <i>got</i> to sleep.
+<a name="Page55"></a>
+When I <i>got</i> up in the morning I <i>got</i> myself dressed, and then
+<i>got</i> my breakfast, that I might <i>get</i> out in time to <i>get</i> an
+answer to my memorial. As soon as I <i>got</i> it I <i>got</i> into the chaise
+and <i>got</i> to Canterbury by three, and about teatime I <i>got</i> home. I
+have <i>got</i> nothing more to say.&rdquo;
+</p>
+
+<p>
+Those who are disposed to overwork the words <i>get</i> and <i>got</i> will
+find it interesting and profitable to read the foregoing exercise, substituting
+other words for those in italics.
+</p>
+
+<p>
+With <i>have</i> the word <i>got</i> is generally superfluous; as, &ldquo;I
+have <i>got</i> a cold,&rdquo; &ldquo;I have <i>got</i> to go to Boston this
+evening,&rdquo; &ldquo;Have you <i>got</i> Hires&rsquo;s root-beer on
+draught?&rdquo; For &ldquo;I <i>did not get</i> to meet your cousin,&rdquo; say
+&ldquo;I <i>had no opportunity,&rdquo;</i> or &ldquo;I <i>was prevented,&rdquo;
+</i>etc.
+</p>
+
+<p>
+Another very faulty use of <i>got</i> is heard in such expressions as &ldquo;He
+<i>got</i> killed,&rdquo; &ldquo;They <i>got</i> beaten,&rdquo; &ldquo;She
+<i>got</i> cured,&rdquo; etc. <i>Was</i> or <i>were</i> would be more
+appropriate.
+</p>
+
+<p>
+Since <i>to get</i> means <i>to obtain, to procure, to gain,</i> the use of the
+word is justified in such expressions as &ldquo;I have <i>got</i> a larger farm
+than you have, because I have worked harder for it.&rdquo; &ldquo;I have
+<i>got</i> a better knowledge of the Pacific coast than he has, because I
+traveled extensively through that region.&rdquo; And yet, when we have been
+overworked, the physician usually prescribes a period of absolute rest; so, in
+<a name="Page56"></a>
+view of the multifarious uses to which <i>get</i> has been applied, would it
+not be well to permit it to retire for a time, in order that it may the more
+quickly be rejuvenated.
+</p>
+
+<p class="center">
+<b>Guess, Reckon, Calculate, Allow</b>
+</p>
+
+<p>
+&ldquo;I <i>guess</i> he is not going to vote to-day.&rdquo; &ldquo;I
+<i>reckon</i> we are going to have fair weather now.&rdquo; &ldquo;I
+<i>calculate</i> this ground would grow good potatoes.&rdquo; &ldquo;I
+<i>allow</i> she&rsquo;s the prettiest girl that ever visited these
+parts.&rdquo; The foregoing sentences may be improved by recasting them.
+&ldquo;I think he is not going to (or will not) vote to-day.&rdquo; &ldquo;I
+believe we shall now have fair weather.&rdquo; &ldquo;I suppose this ground
+would yield fine potatoes.&rdquo; &ldquo;I regard her as the handsomest lady
+that has ever visited this place (or <i>neighborhood,</i> or <i>locality).</i>
+</p>
+
+<p class="center">
+<b>Gums, Overshoes</b>
+</p>
+
+<p>
+&ldquo;Tom is outside, cleaning his <i>gums</i> on the mat.&rdquo; While a mat
+will do very well for <i>overshoes,</i> a tooth-brush and sozodont would be
+better for the <i>gums.</i>
+</p>
+
+<p class="center">
+<b>Funny</b>
+</p>
+
+<p>
+&ldquo;Isn&rsquo;t it <i>funny</i> that Smith, who resided in Chicago, should
+have died the same day that his father died in Boston?&rdquo;
+&ldquo;Isn&rsquo;t it <i>funny </i>that the murderer who escaped hanging on a
+mere technicality of the law
+<a name="Page57"></a>
+should have been killed the next day in a railroad accident?&rdquo; &ldquo;How
+<i>funny </i>that these maples should grow so tall on this mountain top!&rdquo;
+&ldquo;It is <i>funny</i> to think that James, who now pays his addresses to
+me, should once have been in love with my youngest sister.&rdquo; The foregoing
+illustrations are not more incongruous than those we daily hear. <i>Odd,
+strange, peculiar, unusual, </i>represent some of the ideas intended to be
+conveyed by that much-abused word.
+</p>
+
+<p class="center">
+<b>Good deal, Great deal</b>
+</p>
+
+<p>
+This idiom is defended by some authorities as being in perfectly good use, and
+by others it is denounced as being incorrect. Both <i>good deal </i>and
+<i>greet deal</i> are somewhat colloquial, and should be used sparingly in
+writing.
+</p>
+
+<p class="center">
+<b>Had better, Would better</b>
+</p>
+
+<p>
+Like <i>a good deal</i> and some other idioms, this expression is denounced by
+some writers and defended by others. Grammatical construction supports more
+strongly the forms <i>would better, would rather,</i> etc. &ldquo;I had rather
+be a doorkeeper in the house of my God, than to dwell in the tents of
+wickedness.&rdquo; &ldquo;I would rather read than drive to-day.&rdquo;
+&ldquo;I would rather not go.&rdquo; Omit <i>rather</i> and the superiority of
+<i>would</i> over <i>had</i> becomes apparent.
+</p>
+
+<p class="center">
+<a name="Page58"></a>
+<b>If, Whether</b>
+</p>
+
+<p>
+&ldquo;I do not know <i>if</i> he sold his farm or exchanged it for city
+property.&rdquo; Use <i>whether.</i>
+</p>
+
+<p class="center">
+<b>Illy, Ill</b>
+</p>
+
+<p>
+Do not use <i>illy</i> for <i>ill.</i> The former is becoming obsolete, and the
+latter, as an adverb, is taking its place. Say &ldquo;An ill-ventilated
+room,&rdquo; not &ldquo;an illy-ventilated room.&rdquo;
+</p>
+
+<p class="center">
+<b>Implicit</b>
+</p>
+
+<p>
+This word means <i>tacitly understood, resting on the word or authority of
+another.</i> It should not be used in the sense of <i>unbounded, unlimited.</i>
+</p>
+
+<p class="center">
+<b>Individual</b>
+</p>
+
+<p>
+This word should not be used broadly in the sense of <i>a</i> <i>person,</i>
+but should always convey some thought of <i>a</i> <i>single </i>thing or
+person, as opposed to many.
+</p>
+
+<p class="center">
+<b>Journal</b>
+</p>
+
+<p>
+As this word is from the French, <i>jour,</i> day, it should not be applied to
+a monthly or quarterly magazine.
+</p>
+
+<p class="center">
+<b>Know as</b>
+</p>
+
+<p>
+&ldquo;I do not <i>know as</i> I can see you to-day.&rdquo; Say <i>know
+that.</i>
+</p>
+
+<p class="center">
+<a name="Page59"></a>
+<b>Last, Latest</b>
+</p>
+
+<p>
+&ldquo;Did you receive my <i>last</i> letter?&rdquo;
+</p>
+
+<p>
+&ldquo;I hope not. I enjoy your letters very much, and I trust you may live to
+write many more.&rdquo;
+</p>
+
+<p class="center">
+<b>Cunning</b>
+</p>
+
+<p>
+This word is much used by young ladies in speaking of what is small, or dainty,
+or pleasing, as &ldquo;A <i>cunning</i> little bonnet,&rdquo; <i>&ldquo;A
+cunning </i>little watch,&rdquo; etc. While the word properly embodies the idea
+of skill or dexterity on the part of the workman, and while the appreciation of
+such skill, in speaking of the artist or artisan, might be expressed by
+<i>cunning,</i> it is better not to use the word in referring to the product of
+the workmanship.
+</p>
+
+<p class="center">
+<b>Curious</b>
+</p>
+
+<p>
+<i>Curious</i> means <i>inquisitive, rare.</i> In the sense of <i>strange
+</i>or <i>remarkable,</i> its use should be guarded.
+</p>
+
+<p class="center">
+<b>Cute</b>
+</p>
+
+<p>
+This word is often used colloquially in the sense of <i>clever, sharp, shrewd,
+ingenious, cunning.</i> It is doubtless an abbreviation of <i>acute.</i> It is
+not found in good literary usage.
+</p>
+
+<p class="center">
+<b>Favor, Resemble</b>
+</p>
+
+<p>
+The use of the word <i>favor</i> in the sense of <i>resemble</i> is a
+provincialism that should be avoided. &ldquo;The
+<a name="Page60"></a>
+son <i>favors</i> the father&rdquo; is correct if the meaning be that the son
+shows favor or kindness to the father; but if reference to their similarity of
+appearance is intended, the verb <i>resemble</i> should be employed.
+</p>
+
+<p class="center">
+<b>Balance, Remainder</b>
+</p>
+
+<p>
+This word, like numerous others, has been borrowed from the commercial world,
+and has had such a wide use that its faultiness is not noticed even by many who
+regard themselves as careful speakers and writers. &ldquo;I cut down part of
+the timber this year, and expect to cut the <i>balance</i> next spring.&rdquo;
+&ldquo;My cousin will remain with us the <i>balance</i> of this week.&rdquo;
+&ldquo;James ate half of the melon to-day, and will eat the <i>balance</i>
+to-morrow.&rdquo; In these and all similar cases the word <i>remainder</i>
+should be used. <i>Balance</i> is a term that applies to accounts, and
+signifies the amount necessary to be added to one side of the account in order
+to make it equal the other.
+</p>
+
+<p class="center">
+<b>Behave</b>
+</p>
+
+<p>
+&ldquo;Now, my children, you must <i>behave</i> while I am gone.&rdquo; The
+mother intended to ask her children to <i>behave well,</i> but as <i>behave</i>
+is a neutral word, and may be followed by <i>well</i> or <i>ill,</i> her form
+of expression permits the children to supply whichever adverb suits them the
+better. <i>Behave</i> requires a qualifying word to make the meaning clear.
+</p>
+
+<p class="center">
+<a name="Page61"></a>
+<b>Bound</b>
+</p>
+
+<p>
+&ldquo;He was <i>determined</i> to study medicine,&rdquo; not &ldquo;He was
+<i>bound,&rdquo; </i>etc. <i>Bound</i> implies that he was under a bond or
+obligation to another, rather than impelled by the action of his own mind.
+</p>
+
+<p class="center">
+<b>Better, Best</b>
+</p>
+
+<p>
+While some good writers violate the rule, yet the best authorities restrict the
+use of the comparative degree to two objects.
+</p>
+
+<p>
+&ldquo;Mary is the <i>better</i> scholar of the two.&rdquo;
+</p>
+
+<p>
+&ldquo;Although both are young, Susan is the <i>younger.&rdquo;</i>
+</p>
+
+<p>
+&ldquo;Of two evils, choose the <i>lesser,&rdquo;</i> not the <i>least.</i>
+</p>
+
+<p class="center">
+<b>Former, First</b>
+</p>
+
+<p>
+<i>Former</i> and <i>latter</i> being adjectives of the comparative degree,
+should be used in speaking of two objects. When more than two objects are
+named, use <i>first</i> and <i>last.</i>
+</p>
+
+<p>
+&ldquo;My sons, John and Luther, are both at college. The <i>first </i>expects
+to study law, and the <i>last</i> to study medicine.&rdquo; Use <i>former
+</i>and <i>latter.</i>
+</p>
+
+<p>
+&ldquo;New York, Philadelphia, and Chicago are the most populous cities in the
+United States. The <i>former</i> has long been at the front; the <i>latter
+</i>has only recently entered the race.&rdquo; Use <i>first</i> and <i>last
+</i>instead of <i>former</i> and <i>latter.</i>
+</p>
+
+<p class="center">
+<a name="Page62"></a>
+<b>These, Those</b>
+</p>
+
+<p>
+When objects near and remote are referred to, <i>this</i> and its plural
+<i>these</i> are applied to the objects near at hand, <i>that</i> and its
+plural <i>those</i> to objects at a distance.
+</p>
+
+<p>
+When reference is made to contrasted antecedent terms, <i>this</i> and
+<i>these</i> are applied to the latter; <i>that</i> and <i>those</i> to the
+former, as
+</p>
+
+<p class="letter">
+&ldquo;Farewell my friends! farewell my foes!<br/>
+ My peace with <i>these,</i> my love with <i>those!&rdquo;</i><br/>
+</p>
+
+<p class="left">
+<i>&mdash;Burns.</i>
+</p>
+
+<p class="center">
+<b>Fictitious Writer</b>
+</p>
+
+<p>
+Do not say a <i>fictitious writer</i> when you mean a <i>writer of fiction.</i>
+</p>
+
+<p class="center">
+<b>Firstly</b>
+</p>
+
+<p>
+<i>First</i> is an adverb as well as an adjective. We should, therefore, say
+first, secondly, thirdly, and not <i>firstly, secondly, </i>etc.
+</p>
+
+<p class="center">
+<b>First-rate</b>
+</p>
+
+<p>
+An article may be rated in quality as first, or second, or third. If it rates
+<i>first,</i> it may be called a <i>first-rate</i> article. The word is
+properly used as an adjective, but should not be employed as an adverb, as in
+the sentence, &ldquo;He sings first-rate.&rdquo;
+</p>
+
+<p class="center">
+<b>Fix, Mend, Repair</b>
+</p>
+
+<p>
+<i>Fix</i> means <i>to make fast,</i> but its incorrect use in the sense of
+<i>mend, repair, arrange,</i> is so common that the
+<a name="Page63"></a>
+word when properly used sounds strange, if not strained. &ldquo;To <i>fix
+up</i> the room,&rdquo; &ldquo;to <i>fix up</i> the accounts,&rdquo; &ldquo;to
+<i>fix up</i> matters with my creditors,&rdquo; &ldquo;to <i>fix</i> the
+rascals who betrayed me,&rdquo; are examples illustrating the looseness with
+which the word is used.
+</p>
+
+<p class="center">
+<b>Round, Square</b>
+</p>
+
+<p>
+When a thing is <i>round</i> or <i>square</i> it cannot be <i>rounder </i>or
+<i>squarer.</i> These adjectives do not admit of comparative and superlative
+forms. But we may say <i>more nearly round</i> or <i>less nearly square.</i>
+</p>
+
+<p class="center">
+<b>States, Says</b>
+</p>
+
+<p>
+&ldquo;He <i>states</i> he is going fishing to-morrow.&rdquo; <i>States</i> is
+too formal a word, and should be used only of some important assertion.
+&ldquo;He <i>says</i> he is going,&rdquo; etc.
+</p>
+
+<p class="center">
+<b>Stop, Stay</b>
+</p>
+
+<p>
+To <i>stop</i> is to cease moving. &ldquo;At what hotel do you <i>stop&rdquo;
+</i>should be &ldquo;At what hotel do you <i>stay.&rdquo;</i> &ldquo;When you
+come to the city <i>stay</i> with me,&rdquo; not <i>stop</i> with me.
+</p>
+
+<p class="center">
+<b>Subtile, Subtle</b>
+</p>
+
+<p>
+<i>Subtile</i> means thin, fine, rare, delicate; <i>subtle</i> means sly,
+artful, cunning, elusive. &ldquo;More <i>subtile</i> web Arachne cannot
+spin.&rdquo; &ldquo;He had to contend with a <i>subtle</i> foe.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page64"></a>
+<b>Summons</b>
+</p>
+
+<p>
+He was <i>summonsed</i> to appear before the judge&rdquo; should be &ldquo;He
+was <i>summoned</i> to appear,&rdquo; etc.
+</p>
+
+<p class="center">
+<b>Tasty</b>
+</p>
+
+<p>
+Often used in colloquial speech when <i>tasteful</i> would be better.
+<i>Tastily</i> for <i>tastefully</i> is still worse.
+</p>
+
+<p class="center">
+<b>Team</b>
+</p>
+
+<p>
+Properly this word relates only to the horses, and does not include the
+carriage.
+</p>
+
+<p class="center">
+<b>Those kind, These sort</b>
+</p>
+
+<p>
+&ldquo;It is unpleasant to have to associate with <i>those kind</i> of
+people.&rdquo; &ldquo;<i>These sort</i> of sheep are the most
+profitable.&rdquo; <i>Kind</i> and <i>sort</i> are nouns of the singular
+number; <i>these</i> and <i>those</i> are plural, and, according to the laws of
+grammar, the adjective and noun must agree in number. The corrected sentences
+will read: &ldquo;It is unpleasant to have to associate with <i>this kind</i>
+of people.&rdquo; <i>&ldquo;This sort</i> of sheep is the most
+profitable.&rdquo; The fault arises by associating in the mind the adjectives
+<i>these</i> and <i>those</i> with the nouns <i>sheep</i> and <i>people,</i>
+which nouns are more prominent in the mind than the nouns <i>kind</i> and
+<i>sort.</i> If the ear is not satisfied, the sentences may readily be recast;
+as, &ldquo;It is unpleasant to have to associate with people of <i>that
+kind.&rdquo;</i> &ldquo;Sheep of <i>this sort</i> are the most
+profitable.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page65"></a>
+<b>Transpire, Happen</b>
+</p>
+
+<p>
+This word, from <i>trans,</i> across, through, and <i>spirare,</i> to breathe,
+means, physiologically, to pass off in the form of vapor or insensible
+perspiration, or, botanically, to evaporate from living cells. Its general
+meaning is to become known, to escape from secrecy.
+</p>
+
+<p>
+It is frequently employed in the sense of to occur, to come to pass, but this
+use is condemned by the best critics in England and America. &ldquo;The
+proceedings of the secret session of the council soon <i>transpired.&rdquo;</i>
+This sentence illustrates the true meaning of the word.
+</p>
+
+<p class="center">
+<b>Make, Manufacture</b>
+</p>
+
+<p>
+These words may, in some cases, be used interchangeably, but <i>make</i> has
+much the wider range of meanings. The following story, related by Eli Perkins,
+will illustrate this fact:
+</p>
+
+<p>
+I was talking one day with Mr. Depew, President of the New York Central
+Railroad, about demand and supply. I said the price of any commodity is always
+controlled by the demand and supply.
+</p>
+
+<p>
+&ldquo;Not always, Eli,&rdquo; said Depew; &ldquo;demand and supply don&rsquo;t
+always govern prices. Business tact sometimes governs them.&rdquo;
+</p>
+
+<p>
+&ldquo;When,&rdquo; I asked, &ldquo;did an instance ever occur when the price
+did not depend on demand and supply?&rdquo;
+</p>
+
+<p>
+<a name="Page66"></a>
+&ldquo;Well,&rdquo; said Mr. Depew, &ldquo;the other day I stepped up to a
+German butcher, and, out of curiosity, asked:
+</p>
+
+<p>
+&ldquo;&lsquo;What&rsquo;s the price of sausages?&rsquo;
+</p>
+
+<p>
+&ldquo;&lsquo;Dwenty cends a bound,&rsquo; he said.
+</p>
+
+<p>
+&ldquo;&lsquo;You asked twenty-five this morning,&rsquo; I replied.
+</p>
+
+<p>
+&ldquo;&lsquo;Yah; dot vas ven I had some. Now I ain&rsquo;t got none, I sell
+him for dwenty cents. Dot makes a repudation for selling cheab, und I
+don&rsquo;t lose noddings.&rsquo;
+</p>
+
+<p>
+&ldquo;You see,&rdquo; said Mr. Depew, laughing, &ldquo;I didn&rsquo;t want any
+sausage and the man didn&rsquo;t have any; no demand and no supply, and still
+the price of sausage went down five cents.&rdquo;
+</p>
+
+<p>
+&ldquo;Well, there are strange things in this world,&rdquo; I said. &ldquo;Now,
+take the words <i>manufacture</i> and <i>make.</i> I always thought that both
+words meant the same thing.&rdquo;
+</p>
+
+<p>
+&ldquo;Why, they do, Eli,&rdquo; said Mr. Depew.
+</p>
+
+<p>
+&ldquo;Not always,&rdquo; I said.
+</p>
+
+<p>
+&ldquo;Now, when could they have a different meaning?&rdquo;
+</p>
+
+<p>
+&ldquo;Why, this morning I came down from Albany on a Central car
+<i>manufactured </i>to carry fifty passengers, but it was <i>made</i> to carry
+seventy-two people.&rdquo;
+</p>
+
+<p>
+&ldquo;Yes, I dare say; but we&rsquo;ll now talk about the Behring Sea
+question.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page67"></a>
+<b>Truth, Veracity</b>
+</p>
+
+<p>
+&ldquo;The <i>veracity</i> of his statement is doubted.&rdquo; The sentence
+should be, &ldquo;The truth of his statement is doubted,&rdquo; or &ldquo;In
+making that statement his <i>veracity</i> is doubted.&rdquo; <i>Veracity</i> is
+applied to the person; <i>truth </i>to the thing.
+</p>
+
+<p class="center">
+<b>Try the experiment</b>
+</p>
+
+<p>
+&ldquo;They are <i>trying the experiment</i> of running railroad trains by
+electricity.&rdquo; This should be, &ldquo;They are <i>making the
+experiment,&rdquo;</i> etc. The word <i>experiment</i> contains the idea of
+<i>trial,</i> hence, <i>to try the experiment</i> is to <i>try the trial.</i>
+</p>
+
+<p class="center">
+<b>Little piece</b>
+</p>
+
+<p>
+&ldquo;I will go with you <i>a</i> <i>little piece.&rdquo; A short distance</i>
+or <i>a</i> <i>part of the way</i> would be more appropriate.
+</p>
+
+<p class="center">
+<b>Every confidence</b>
+</p>
+
+<p>
+&ldquo;I have <i>every confidence</i> in his ability to succeed.&rdquo;
+<i>Confidence </i>is a unit; <i>every</i> implies several units considered
+separately. &ldquo;I have <i>the greatest</i> confidence in his ability to
+succeed&rdquo; is correct.
+</p>
+
+<p class="center">
+<b>Ugly</b>
+</p>
+
+<p>
+This word properly applies to the appearance of a person or thing, hence such
+expressions as &ldquo;He has an <i>ugly</i> temper,&rdquo; &ldquo;This is an
+<i>ugly </i>customer,&rdquo; &ldquo;That was an <i>ugly</i> rumor,&rdquo; etc.,
+although common in colloquial discourse, should be avoided in dignified
+address.
+</p>
+
+<p class="center">
+<a name="Page68"></a>
+<b>Unbeknown</b>
+</p>
+
+<p>
+This is a provincialism that should be avoided. Use <i>unknown.</i>
+</p>
+
+<p class="center">
+<b>Underhanded</b>
+</p>
+
+<p>
+Often incorrectly used for <i>underhand;</i> as &ldquo;That was a contemptible
+and <i>underhanded</i> trick.&rdquo;
+</p>
+
+<p class="center">
+<b>Calligraphy</b>
+</p>
+
+<p>
+This word means not writing, simply, but beautiful writing; hence, to say,
+&ldquo;His <i>calligraphy</i> is wretched&rdquo; is equivalent to saying,
+&ldquo;His excellent writing is poor,&rdquo; which is a contradiction of terms.
+</p>
+
+<p class="center">
+<b>Can but, Cannot but</b>
+</p>
+
+<p>
+These expressions are sometimes confounded. &ldquo;If I perish, I <i>can but
+perish,&rdquo;</i> means &ldquo;I can <i>only</i> perish,&rdquo; or &ldquo;I
+can do <i>no more than </i>perish.&rdquo; &ldquo;I <i>cannot but</i> speak of
+the things I have heard&rdquo; means that I am under a moral necessity to speak
+of these things. The past tense forms <i>could but</i> and <i>could not but</i>
+should be, in like manner, discriminated.
+</p>
+
+<p class="center">
+<b>Casualty, Casuality</b>
+</p>
+
+<p>
+The latter word is sometimes used in place of the former. The first is
+legitimate; the second is without authority. The words <i>specialty</i> and
+<i>speciality</i> have a termination similar to the above. They may generally
+be used interchangeably and are both legitimate.
+</p>
+
+<p class="center">
+<a name="Page69"></a>
+<b>Complected.</b>
+</p>
+
+<p>
+&ldquo;The lady is light <i>complected,</i> has blue eyes, and auburn
+hair.&rdquo; <i>Complected</i> is a provincialism without sanction. &ldquo;The
+lady is of light complexion, has blue eyes,&rdquo; etc.
+</p>
+
+<p class="center">
+<b>Disremember</b>
+</p>
+
+<p>
+This word is obsolete. Use <i>forget,</i> or &ldquo;I do not remember.&rdquo;
+</p>
+
+<p class="center">
+<b>Lie, Lay</b>
+</p>
+
+<p>
+The verbs <i>lie</i> and <i>lay</i> are often confounded, even by intelligent
+persons. <i>Lie</i> does not take an object. We cannot <i>lie</i> a thing. It
+is therefore intransitive.
+</p>
+
+<p>
+<i>Lay,</i> which means to place in position, requires an object. We <i>lay
+</i>a book on a table, or bricks on the wall. It is therefore transitive.
+</p>
+
+<p>
+The principal parts of the first verb are <i>lie, lay, lain;</i> and of the
+second, <i>lay, laid, laid.</i> The word <i>lay</i> is found in both, and this
+is, in part, accountable for the confusion. The most frequent errors result
+from using <i>laid,</i> the past tense form of the transitive verb, when the
+word <i>lay,</i> the past tense form of the intransitive verb, should be used.
+The ear naturally expects the usual past tense ending of the <i>d</i> or <i>t
+</i>sound, and as that is absent in the past tense of <i>lie,</i> the past
+tense form of the other verb is substituted. For the same reason the participle
+form <i>laid</i> is often incorrectly used for <i>lain.</i>
+</p>
+
+<p>
+<a name="Page70"></a>
+&ldquo;He told me to <i>lie</i> down, and I <i>lay</i> down,&rdquo; not <i>laid
+down. &ldquo;</i>I told him to <i>lay</i> the book down, and he <i>laid</i> it
+down.&rdquo; &ldquo;The ship <i>lay</i> at anchor.&rdquo; &ldquo;They
+<i>lay</i> by during the storm.&rdquo; &ldquo;The book is <i>lying</i> on the
+shelf.&rdquo; &ldquo;He <i>lay</i> on the ground and took cold.&rdquo;
+&ldquo;They <i>lay</i> in ambush.&rdquo; <i>&ldquo;Lie</i> low or he will
+discover you.&rdquo; &ldquo;The goods are still <i>lying</i> on his
+hands.&rdquo; &ldquo;Time <i>lay</i> heavily on their hands.&rdquo; &ldquo;We
+must <i>lie</i> over at the next station.&rdquo; &ldquo;A motion was made that
+the resolution <i>lie</i> on the table.&rdquo; &ldquo;Now I <i>lie</i> down to
+sleep.&rdquo; &ldquo;Now I <i>lay</i> me down to sleep.&rdquo;
+</p>
+
+<p>
+The foregoing sentences illustrate the correct usage of these confusing verbs.
+</p>
+
+<p class="center">
+<b>As, That</b>
+</p>
+
+<p>
+&ldquo;Did your cousin go to town yesterday?&rdquo; &ldquo;Not <i>as</i> I
+know.&rdquo; Better, &ldquo;Not <i>that</i> I know.&rdquo; Better still,
+&ldquo;I do not know.&rdquo; &ldquo;I do not know <i>as</i> I shall go.&rdquo;
+Use <i>that</i> for <i>as</i>.
+</p>
+
+<p class="center">
+<b>Bad toothache</b>
+</p>
+
+<p>
+As it is a rare thing to have a good toothache, we scarcely need the adjective
+<i>bad</i> to distinguish between the two kinds of toothache. Say
+<i>severe.</i>
+</p>
+
+<p class="center">
+<b>Beautifully, Beautiful</b>
+</p>
+
+<p>
+After verbs of seeing, feeling, tasting, and smelling, the adverb is often
+incorrectly used for the adjective.
+</p>
+
+<p>
+<a name="Page71"></a>
+&ldquo;The colonel looked <i>handsomely</i> in his military dress,&rdquo;
+&ldquo;I feel <i>splendidly</i> to-day,&rdquo; &ldquo;This peach tastes
+<i>badly,&rdquo; &ldquo;</i>The rose smells <i>sweetly,&rdquo;</i> are
+incorrect. Use <i>handsome</i> for <i>handsomely, very well</i> or <i>in good
+spirits</i> for <i>splendidly, tastes bad</i> or <i>has a disagreeable
+taste</i> for <i>badly,</i> and <i>sweet</i> for <i>sweetly.</i>
+</p>
+
+<p class="center">
+<b>Beg, Beg leave</b>
+</p>
+
+<p>
+&ldquo;I <i>beg</i> to announce the sale of a collection of rare and costly
+rugs.&rdquo; &ldquo;I <i>beg</i> to acknowledge your kindness in sending me
+this handsome present.&rdquo; In each case say &ldquo;I <i>beg leave
+to,&rdquo;</i> etc.
+</p>
+
+<p class="center">
+<b>Due, Owing</b>
+</p>
+
+<p>
+His success was <i>due</i> to his honesty and energy.&rdquo; That is <i>due
+</i>which should be paid as a debt; that is <i>owing</i> which is referred to
+as a cause or source.
+</p>
+
+<p>
+&ldquo;The bill is now <i>due</i> and payable at the gas office.&rdquo;
+&ldquo;His success was <i>owing</i> to his honesty and energy.&rdquo;
+</p>
+
+<p class="center">
+<b>Each, Every</b>
+</p>
+
+<p>
+&ldquo;I see him at his office <i>each</i> day of the week.&rdquo; In this
+sentence the word <i>every</i> would be better. <i>Each</i> refers to single
+days particularized. Here reference is made to what occurs on all days without
+exception.
+</p>
+
+<p>
+Both words refer to nouns in the singular, hence such expressions as the
+following are incorrect:
+<a name="Page72"></a>
+&ldquo;Every soldier and sailor stood at <i>their</i> post.&rdquo; &ldquo;The
+prisoners were discharged and went each <i>their</i> several ways.&rdquo;
+Correct by saying, &ldquo;The prisoners were discharged and went each
+<i>his</i> several way,&rdquo; &ldquo;Every soldier and sailor stood at
+<i>his</i> post.&rdquo;
+</p>
+
+<p class="center">
+<b>Each, Both</b>
+</p>
+
+<p>
+<i>&ldquo;Both</i> parties maintained their original positions.&rdquo; As the
+parties are thought of separately, the sentence should be: &ldquo;Each party
+maintained its original position.&rdquo; &ldquo;Both parties strove to place
+their best candidates upon the ticket&rdquo; is correct, because the parties
+are thought of collectively.
+</p>
+
+<p class="center">
+<b>Both, Both of</b>
+</p>
+
+<p>
+<i>Both</i> is used alone before nouns and <i>both of</i> before pronouns.
+<i>&ldquo;Both</i> men have studied the currency question.&rdquo;
+<i>&ldquo;Both of </i>them are well informed in matters relating to the
+currency.&rdquo;
+</p>
+
+<p class="center">
+<b>Ever, Never</b>
+</p>
+
+<p>
+&ldquo;Let him be <i>ever</i> so rich,&rdquo; says Emerson. &ldquo;You spend
+<i>ever </i>so much money in entertaining your equals and betters,&rdquo; says
+Thackeray. &ldquo;Though he run <i>ever</i> so fast, he cannot win the
+race.&rdquo; Writers and grammarians differ, some preferring <i>ever</i>,
+others <i>never.</i>
+</p>
+
+<p class="center">
+<a name="Page73"></a>
+<b>Every once in a while</b>
+</p>
+
+<p>
+This is a cumbersome, awkward expression that should be avoided.
+<i>Occasionally, frequently, at intervals,</i> are among the expressions that
+may be used in its place.
+</p>
+
+<p class="center">
+<b>Exceptionable, Exceptional</b>
+</p>
+
+<p>
+&ldquo;He enjoyed <i>exceptionable</i> opportunities for acquiring the Greek
+language.&rdquo; Say <i>exceptional opportunities.</i>
+</p>
+
+<p class="center">
+<b>Female, Woman</b>
+</p>
+
+<p>
+The word <i>female</i> is often employed when <i>woman</i> would be better.
+<i>Female</i> applies to all of the feminine gender, including the brute
+creation.
+</p>
+
+<p class="center">
+<b>Poet, Poetess</b>
+</p>
+
+<p>
+The tendency to increase the number of nouns with the feminine ending
+<i>ess</i> should be checked. Avoid <i>poetess, authoress, doctress,</i> and
+other newly-invented words of this kind.
+</p>
+
+<p class="center">
+<b>Fewer, Less</b>
+</p>
+
+<p>
+<i>Fewer</i> refers to number, <i>less</i> to quantity. &ldquo;He had
+<i>less</i> friends than I, and yet he was elected.&rdquo; Say &ldquo;He had
+<i>fewer </i>friends.&rdquo; &ldquo;There were no <i>less</i> than fifty cows
+in the field.&rdquo; Use <i>fewer.</i>
+</p>
+
+<p class="center">
+<b>Right smart</b>
+</p>
+
+<p>
+In some portions of the South the expression <i>right smart</i> is employed in
+colloquial discourse to convey
+<a name="Page74"></a>
+the idea of a large quantity or in large measure; as, &ldquo;We have <i>right
+smart </i>of peaches this summer,&rdquo; meaning &ldquo;We have a large crop of
+peaches;&rdquo; &ldquo;He knows <i>right smart</i> of Latin&rdquo; for
+&ldquo;He knows considerable Latin&rdquo; or &ldquo;He is well versed in
+Latin.&rdquo;
+</p>
+
+<p class="center">
+<b>Little bit</b>
+</p>
+
+<p>
+&ldquo;Will you have some of this pudding?&rdquo;
+</p>
+
+<p>
+&ldquo;If you please. Give me <i>a little bit.&rdquo;</i>
+</p>
+
+<p>
+&ldquo;Did you injure yourself when you fell?&rdquo;
+</p>
+
+<p>
+&ldquo;No; but I soiled my clothing <i>a little bit.&rdquo;</i>
+</p>
+
+<p>
+<i>A small portion</i> or <i>piece,</i> in the first sentence, and
+<i>slightly,</i> in the second, would serve as good equivalents for <i>a</i>
+<i>little bit.</i>
+</p>
+
+<p class="center">
+<b>Sight</b>
+</p>
+
+<p>
+&ldquo;There was a <i>sight</i> of people at the fair to-day.&rdquo; In the
+sense of <i>a large number,</i> this word, like the word <i>lot,</i> should be
+avoided.
+</p>
+
+<p class="center">
+<b>Crowd</b>
+</p>
+
+<p>
+A dozen persons may constitute a <i>crowd</i> if they push and jostle one
+another by reason of insufficient space. A thousand men will not form a crowd
+if all have ample room to sit or stand or move about.
+</p>
+
+<p class="center">
+<b>Chuck-full</b>
+</p>
+
+<p>
+This word is not authorized. <i>Chock-full</i> and <i>choke-full</i> may be
+used, but are not elegant.
+</p>
+
+<p class="center">
+<a name="Page75"></a>
+<b>Contemplate, Propose</b>
+</p>
+
+<p>
+<i>Contemplate</i> is often incorrectly used for <i>propose;</i> as, &ldquo;I
+<i>contemplate</i> going to the country.&rdquo;
+</p>
+
+<p class="center">
+<b>Dispense, Dispense with</b>
+</p>
+
+<p>
+These expressions are not synonymous. <i>To dispense</i> is <i>to give; to
+dispense with</i> is <i>to do without.</i> The pharmacist <i>dispenses
+</i>medicines; we should be pleased if we could <i>dispense with</i> them.
+</p>
+
+<p class="center">
+<b>Dry, Thirsty</b>
+</p>
+
+<p>
+<i>Dry</i> is often incorrectly used in the sense of <i>thirsty; </i>as,
+&ldquo;I am <i>dry;</i> let me have a glass of water.&rdquo; To say, &ldquo;I
+am <i>dry; </i>my waterproof and umbrella kept out the rain,&rdquo; is correct.
+</p>
+
+<p class="center">
+<b>Dutch, German</b>
+</p>
+
+<p>
+Do not call a <i>German</i> a Dutchman. A Dutchman comes from Holland, a German
+from Germany.
+</p>
+
+<p class="center">
+<b>Evacuate, Vacate</b>
+</p>
+
+<p>
+<i>Evacuate</i> means <i>to make empty,</i> and should not be used in the sense
+of <i>to go</i> <i>away, to vacate.</i>
+</p>
+
+<p class="center">
+<b>Different than, Different to</b>
+</p>
+
+<p>
+&ldquo;The school is conducted in a very <i>different</i> manner <i>than</i> it
+used to be.&rdquo; &ldquo;This basket of roses is <i>different to</i>
+yours.&rdquo; The above and similar expressions are decided vulgarisms, and
+should be avoided.
+</p>
+
+<p>
+<a name="Page76"></a>
+&ldquo;The school is conducted in a very different manner <i>from</i> what it
+used to be.&rdquo; &ldquo;This basket of roses is different <i>from</i>
+yours.&rdquo;
+</p>
+
+<p class="center">
+<b>Drive, Ride</b>
+</p>
+
+<p>
+Some confusion exists in the use of the words <i>drive</i> and <i>ride.</i> In
+England the distinction is made of applying <i>ride</i> to going on horseback
+and <i>drive</i> to going in a carriage, whether you ride or drive. That usage
+is not closely followed in this country. He who guides the horse <i>drives;</i>
+the rest of the company <i>ride.</i> The noun and participial forms are more
+excusable than the verb. &ldquo;Jones asked me to <i>drive </i>with him this
+afternoon.&rdquo; But as Jones expects to do the driving himself, the speaker
+should have said, &ldquo;Jones asked me to <i>take a ride,&rdquo;</i> or
+<i>&ldquo;go driving,&rdquo;</i> or <i>&ldquo;take a drive,&rdquo;</i> etc.
+</p>
+
+<p class="center">
+<b>Couple, Several</b>
+</p>
+
+<p>
+The word <i>couple</i> is often incorrectly used in the sense of
+<i>several;</i> as, a <i>couple</i> of horses, mules, birds, trees, houses,
+etc. The use of the word <i>couple</i> is not only limited to two, but to two
+that may be coupled or yoked together. A man and wife are spoken of as a
+<i>couple.</i> We speak of a <i>span</i> of horses, a <i>yoke</i> of oxen, a
+<i>brace</i> of ducks, a <i>pair</i> of gloves.
+</p>
+
+<p class="center">
+<a name="Page77"></a>
+<b>Directly, Immediately, As soon as</b>
+</p>
+
+<p>
+A faulty English use of the above words has found some favor in the United
+States. <i>&ldquo;Directly</i> the whistle blew the workmen left the
+shop.&rdquo; Say <i>&ldquo;As soon as</i> the whistle blew,&rdquo; etc.
+<i>&ldquo;Immediately</i> he closed his speech his opponent rose to
+reply.&rdquo; Say &ldquo;<i>When&rdquo;</i> or <i>&ldquo;As soon as </i>he
+closed his speech,&rdquo; etc.
+</p>
+
+<p>
+<i>Directly</i> denotes without any delay; <i>immediately</i> implies without
+any interposition of other occupation.
+</p>
+
+<p class="center">
+<b>Agreeably disappointed</b>
+</p>
+
+<p>
+When our hopes are blasted, our plans balked, our expectations defeated, our
+intentions thwarted, we are <i>disappointed.</i> We prefer the agreeable to the
+disagreeable, and plan and labor to secure it. When our plans fail we are
+disappointed, but not <i>agreeably disappointed.</i> If the new conditions,
+which are not of our seeking, prove agreeable, it is only after the sense of
+disappointment has vanished.
+</p>
+
+<p class="center">
+<b>Allude to, Refer to, Mention</b>
+</p>
+
+<p>
+The word <i>allude</i> is often incorrectly used. Allusion is the by-play of
+language. It means to hint at by remote suggestions, to speak of figuratively
+or sportively.
+</p>
+
+<p>
+Whatever is directly mentioned, or spoken of, or described, cannot be said to
+be <i>alluded to.</i> The terms
+<a name="Page78"></a>
+differ in degree, the first being the weakest. An <i>allusion</i> is an
+indirect reference.
+</p>
+
+<p class="center">
+<b>Among the rest</b>
+</p>
+
+<p>
+&ldquo;Mary sat on the beach <i>among the rest.&rdquo;</i> Say <i>&ldquo;with
+the rest.&rdquo;</i>
+</p>
+
+<p class="center">
+<b>Peruse</b>
+</p>
+
+<p>
+This is one of those high-sounding terms too often employed when <i>read
+</i>would be much better.
+</p>
+
+<p class="center">
+<b>Emigrants, Immigrants</b>
+</p>
+
+<p>
+These words are sometimes confounded. &ldquo;Did you see the <i>emigrants</i>
+on the &lsquo;Indiana,&rsquo; which arrived this morning?&rdquo; &ldquo;Did the
+<i>immigrants</i> go directly to Italy?&rdquo; Exchange the italicized words in
+the two sentences and they will be correctly used.
+</p>
+
+<p class="center">
+<b>Somewheres</b>
+</p>
+
+<p>
+The terminal <i>s</i> should be omitted in such words as <i>anywheres,
+somewheres, nowheres, anyways, hereabouts, thereabouts, whereabouts.</i> In
+such cases as &ldquo;Whereabouts did you find him?&rdquo; and &ldquo;We knew
+his whereabouts,&rdquo; the <i>s</i> is properly retained.
+</p>
+
+<p class="center">
+<b>Apart, Aside</b>
+</p>
+
+<p>
+&ldquo;May I see you <i>apart</i> from the others?&rdquo; It should be,
+&ldquo;May I see you <i>privately&rdquo;</i> or &ldquo;<i>aside&rdquo;?</i>
+</p>
+
+<p class="center">
+<b>Fire, Throw</b>
+</p>
+
+<p>
+We <i>fire</i> a gun, but <i>throw</i> a stone. To <i>fire a stone, fire him
+out of the house, fire him out of our employ,</i> may
+<a name="Page79"></a>
+be graphic ways of presenting the thought, but good writers never use them and
+good speakers should avoid them.
+</p>
+
+<p class="center">
+<b>The First, Single</b>
+</p>
+
+<p>
+&ldquo;I have not found <i>the first</i> objection to his candidacy.&rdquo; Say
+<i>&ldquo;a single objection,&rdquo;</i> or <i>&ldquo;no objection.&rdquo;</i>
+</p>
+
+<p class="center">
+<b>First two</b>
+</p>
+
+<p>
+Such has been the strong desire to continue to use forms of expression that we
+have long used that not a little time and effort have been expended in the
+endeavor to make the wrong appear right. It is an accepted fact, however, that
+a large majority of the best speakers and writers now say <i>the first two, the
+last five,</i> etc., rather than <i>the two first, the five last.</i>
+</p>
+
+<p class="center">
+<b>Future, Subsequent</b>
+</p>
+
+<p>
+The word <i>future</i> is sometimes used instead of <i>subsequent; </i>as,
+&ldquo;Until he was eighteen years old his conduct was marked by cruelty and
+malice, but his <i>future</i> life was characterized by kindness and
+generosity.&rdquo; <i>Future</i> looks forward from the present, and not from
+some point of time in the past.
+</p>
+
+<p class="center">
+<b>Gent&rsquo;s pants</b>
+</p>
+
+<p>
+&ldquo;<i>Gent&rsquo;s pants</i> scoured and pressed.&rdquo; Business signs and
+business advertisements are responsible for many vulgarisms. Never say
+<i>gent&rsquo;s</i> nor <i>pants.</i> Even <i>pantaloons</i> is not so good a
+word as <i>trousers.</i>
+</p>
+
+<p class="center">
+<a name="Page80"></a>
+<b>Sit, Set</b>
+</p>
+
+<p>
+Few words afford a more fertile field for grammatical blundering than the verbs
+<i>sit</i> and <i>set.</i> The important fact to remember in the use of the
+words is that <i>sit,</i> in modern usage, is an intransitive verb, and does
+not take an object, while <i>set,</i> which means <i>to place in position,
+</i>is transitive, and requires an object to complete its meaning. You cannot
+<i>sit</i> a thing, but you do <i>set</i> or place a thing.
+</p>
+
+<p>
+The verb <i>sit</i> undergoes a slight change with the change of tense or time.
+&ldquo;I <i>sit</i> at the window today.&rdquo; &ldquo;I <i>sat</i> at the
+window yesterday.&rdquo; &ldquo;I have <i>sat</i> at the window daily for many
+years.&rdquo; <i>&ldquo;Sitting </i>at the window, I saw the storm
+arise.&rdquo; &ldquo;Having <i>sat</i> at his table, I can testify to his
+hospitality.&rdquo;
+</p>
+
+<p>
+The transitive verb <i>set</i> undergoes no tense changes. &ldquo;See me
+<i>set</i> this vase on the table.&rdquo; &ldquo;He <i>set</i> his seal to the
+paper yesterday.&rdquo; &ldquo;Jones will not <i>set</i> the world on fire with
+his writings.&rdquo; &ldquo;Having <i>set </i>my affairs in order, I returned
+home.&rdquo; &ldquo;I <i>sit</i> down.&rdquo; &ldquo;I <i>sat </i>down.&rdquo;
+&ldquo;I <i>set</i> him down.&rdquo;
+</p>
+
+<p>
+There are many intransitive uses of the verb <i>set;</i> as, &ldquo;The sun
+<i>sets,&rdquo;</i> &ldquo;The tide <i>sets</i> toward the south,&rdquo;
+&ldquo;The fruit has <i>set,&rdquo; &ldquo;</i>He <i>set</i> out for
+Boston.&rdquo;
+</p>
+
+<p>
+There is a difference of opinion as to whether we should say &ldquo;The coat
+<i>sets </i>well&rdquo; or &ldquo;The coat <i>sits</i> well,&rdquo; with the
+greater weight in favor of <i>sits.</i> &ldquo;The
+<a name="Page81"></a>
+hen <i>sits</i> on her eggs.&rdquo; &ldquo;She is a <i>sitting</i> hen.&rdquo;
+When the verb is used reflexively use <i>set</i> and not <i>sat;</i> as,
+&ldquo;I <i>set</i> me down beside her,&rdquo; not &ldquo;I <i>sat</i> me down
+beside her.&rdquo;
+</p>
+
+<p class="center">
+<b>Anyhow</b>
+</p>
+
+<p>
+This word can scarcely be regarded as elegant, and should not be used except in
+colloquial style.
+</p>
+
+<p class="center">
+<b>Awful</b>
+</p>
+
+<p>
+Few words among the many that go to make up the vocabulary of American slang
+have been in longer use and have a wider range than the word <i>awful.</i> From
+the loftiest and most awe-inspiring themes to the commonest trifle, this
+much-abused word has been employed. A correct speaker or writer almost fears to
+use the word lest he should suggest the idea of slang, and thus detract from
+the subject to which the word might most fitly be applied.
+</p>
+
+<p>
+Even the grammatical form of the word is often violated in such expressions as
+&ldquo;Isn&rsquo;t he <i>awful</i> nice?&rdquo; &ldquo;That hat of hers is
+<i>awful</i> pretty.&rdquo; To say <i>awfully nice</i> and <i>awfully
+pretty</i> would improve the grammar, but the gross vulgarism remains.
+</p>
+
+<p>
+The word, when properly used, means &ldquo;inspiring with awe or dread&rdquo;
+often accompanied with reverence, as when Milton says:
+</p>
+
+<p class="letter">
+<a name="Page82"></a>
+&ldquo;The trumpet spake not to the armed throng;<br/>
+And kings sat still with awful eye,<br/>
+As if they surely knew their sovran Lord was by.&rdquo;
+</p>
+
+<p class="center">
+<b>Back up</b>
+</p>
+
+<p>
+In the sense of <i>support,</i> this, and the shorter expression <i>back</i>,
+are doubtless borrowed from the commercial world. While they may be tolerated
+in conversation, they must be regarded as slang.
+</p>
+
+<p class="center">
+<b>Bulk</b>
+</p>
+
+<p>
+This word is often incorrectly used for <i>most</i> or <i>the greater part;
+</i>as, &ldquo;The <i>bulk</i> of the people opposed the measure.&rdquo;
+<i>Bulk</i> refers to size, not to numbers.
+</p>
+
+<p class="center">
+<b>Burglarize</b>
+</p>
+
+<p>
+This word is often used by the more sensational reporters in their reports of
+crime. It should be avoided.
+</p>
+
+<p class="center">
+<b>But what, But that</b>
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know <i>but what</i> I shall have to punish him.&rdquo;
+The sentence should read, &ldquo;I don&rsquo;t know <i>but that</i> I shall
+have to punish him.&rdquo; It is equivalent to, &ldquo;I think that I shall
+have to punish him.&rdquo; The omission of <i>but</i> will convey the opposite
+meaning. &ldquo;I don&rsquo;t know that I shall have to punish him&rdquo; is
+equivalent to &ldquo;I think that I shall not have to punish him.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page83"></a>
+<b>Calculate</b>
+</p>
+
+<p>
+A provincialism often used in the sense of <i>think, deem, suppose, believe;
+</i>as, &ldquo;I calculate the train will be here in ten minutes.&rdquo;
+</p>
+
+<p class="center">
+<b>Calculated, Liable</b>
+</p>
+
+<p>
+This word is often incorrectly used in the sense of <i>likely, liable, apt;</i>
+as, &ldquo;His utterances are <i>calculated</i> to injure his cause.&rdquo; In
+the proper use of the word there is present the idea of purpose or intent.
+</p>
+
+<p class="center">
+<b>Leave, Quit</b>
+</p>
+
+<p>
+<i>Leave</i> is often incorrectly used for <i>quit;</i> as, &ldquo;That eminent
+actor expects soon to <i>leave</i> the stage.&rdquo; It would be a misfortune
+if he should take the stage with him. Say <i>&ldquo;quit</i> the stage.&rdquo;
+</p>
+
+<p>
+&ldquo;Henry has <i>quit</i> smoking.&rdquo; Here <i>left off</i> or
+<i>stopped</i> would be better.
+</p>
+
+<p>
+&ldquo;The President gave me <i>lief</i> to speak with him.&rdquo; Say
+&ldquo;gave me <i>leave.&rdquo;</i>
+</p>
+
+<p>
+<i>Let it alone</i> and <i>let me be</i> are preferable to <i>leave it alone
+</i>and <i>leave me be.</i>
+</p>
+
+<p class="center">
+<b>A 1</b>
+</p>
+
+<p>
+&ldquo;I have just read an A 1 article on the currency, question in the last
+issue of the <i>North American Review!&rdquo;</i> This is an expression from
+the vocabulary of business converted into the slang of the street.
+</p>
+
+<p class="center">
+<a name="Page84"></a>
+<b>Luck</b>
+</p>
+
+<p>
+<i>Luck,</i> like <i>behavior,</i> may be either good or bad. &ldquo;The
+carpenter has met with luck; he fell and broke his leg.&rdquo; &ldquo;The
+manager has met with luck; his salary has been doubled.&rdquo; The adjective
+<i>lucky</i> and the adverb <i>luckily</i> are used only in a favorable sense.
+</p>
+
+<p class="center">
+<b>Make way with</b>
+</p>
+
+<p>
+This expression is often incorrectly used for <i>make away with;</i> as,
+&ldquo;The Judge gave the boot-blacks a Christmas dinner, and the begrimed
+urchins quickly <i>made way</i> with the turkey and cranberry sauce.&rdquo; Say
+<i>&ldquo;made away with,&rdquo; </i>etc.
+</p>
+
+<p>
+To <i>make way</i> is <i>to make room, to provide a way, to dispatch.</i>
+</p>
+
+<p class="center">
+<b>In our midst</b>
+</p>
+
+<p>
+&ldquo;The doctor settled <i>in our midst.&rdquo;</i> Say &ldquo;<i>among
+us,&rdquo;</i> or &ldquo;<i>in our neighborhood.&rdquo;</i>
+</p>
+
+<p class="center">
+<b>Indorse, Endorse</b>
+</p>
+
+<p>
+From the Latin <i>dorsum,</i> the back, these words have come to mean the
+writing of one&rsquo;s name across the back of a check or draft or other
+commercial paper to signify its transfer to another or to secure its payment.
+To <i>indorse</i> a man&rsquo;s arguments or opinions is an incorrect use of
+the word.
+</p>
+
+<p>
+While both forms of spelling the word are in good usage, <i>indorse</i> seems
+to be coming into more general favor.
+</p>
+
+<p class="center">
+<a name="Page85"></a>
+<b>In, Into</b>
+</p>
+
+<p>
+<i>In</i> is often incorrectly used for <i>into;</i> as, &ldquo;He hurried up
+the street and rushed <i>in</i> the store.&rdquo; We walk <i>in</i> a room when
+the walking is wholly within the apartment; we walk <i>into</i> a room when we
+enter it from some other room or from the outside.
+</p>
+
+<p class="center">
+<b>Just going to</b>
+</p>
+
+<p>
+&ldquo;I was <i>just going to</i> write you a letter.&rdquo; Say &ldquo;I was
+<i>just about to</i> write you a letter.&rdquo;
+</p>
+
+<p class="center">
+<b>Kind of</b>
+</p>
+
+<p>
+&ldquo;James swallowed the dose, and now feels <i>kind of</i> sick.&rdquo; Use
+<i>slightly</i> or <i>somewhat,</i> or some other modifier, instead of <i>kind
+of.</i>
+</p>
+
+<p class="center">
+<b>Knowing</b>
+</p>
+
+<p>
+Do not use <i>knowing</i> for <i>skilful</i> or <i>intelligent.</i> &ldquo;He
+is a <i>knowing</i> artist.&rdquo; &ldquo;See him prick up his ears; he is a
+<i>knowing </i>cur.&rdquo;
+</p>
+
+<p class="center">
+<b>Clever, Smart</b>
+</p>
+
+<p>
+In England the word <i>clever</i> is applied to one who is bright, intelligent,
+ready, apt; in the United States it is often misapplied to one who is
+good-natured, kind, or accommodating.
+</p>
+
+<p>
+&ldquo;Do you believe in corporal punishment for stupid school-children?&rdquo;
+</p>
+
+<p>
+&ldquo;Yes; a spanking always makes them <i>smart.&rdquo;</i>
+</p>
+
+<p>
+<a name="Page86"></a>
+To express cleverness, brightness, intelligence, aptness, the adjectives
+<i>clever, bright, intelligent, apt,</i> are better than the word <i>smart.</i>
+</p>
+
+<p class="center">
+<b>Posted, Informed</b>
+</p>
+
+<p>
+&ldquo;He is well <i>posted</i> on all matters relating to
+cattle-breeding.&rdquo; Say <i>informed.</i>
+</p>
+
+<p class="center">
+<b>Perspire, Sweat</b>
+</p>
+
+<p>
+While all mankind belongs to the animal kingdom, and no person can feel
+offended at being called an animal, yet society observes certain distinctions
+in speaking of men and of beasts. <i>To sweat</i> and <i>to feed </i>are
+expressions that apply to the latter; <i>to perspire</i> and <i>to eat </i>to
+the former.
+</p>
+
+<p class="center">
+<b>Empty</b>
+</p>
+
+<p>
+The Mississippi river <i>flows,</i> or <i>discharges its water</i> into the
+Gulf of Mexico, but it can not <i>empty</i> so long as any water remains in the
+river.
+</p>
+
+<p class="center">
+<b>Enjoyed poor health</b>
+</p>
+
+<p>
+&ldquo;Gold that buys health can never be ill spent,<br/> Nor hours laid out in
+harmless merriment.&rdquo;
+</p>
+
+<p>
+The negative form of expression, &ldquo;I have not <i>enjoyed</i> good
+health,&rdquo; is not only correct, but is, at the same time, a polite way of
+modestly stating a fact. To say &ldquo;I have <i>enjoyed</i> poor health for
+the past year&rdquo; is to express a kind of enjoyment not generally
+appreciated. It is like being <i>agreeably disappointed.</i>
+</p>
+
+<p class="center">
+<a name="Page87"></a>
+<b>Aberration of intellect</b>
+</p>
+
+<p>
+&ldquo;He is afflicted with a slight aberration of intellect.&rdquo; Simplicity
+would suggest, &ldquo;He is slightly insane.&rdquo;
+</p>
+
+<p class="center">
+<b>Above, Foregoing</b>
+</p>
+
+<p>
+&ldquo;Let me call your attention to the <i>above</i> passage.&rdquo; The
+highest authority does not sanction the use of <i>above</i> as an adjective.
+Say &ldquo;the <i>foregoing</i> passage.&rdquo;
+</p>
+
+<p class="center">
+<b>Allowed, Said</b>
+</p>
+
+<p>
+&ldquo;He <i>allowed</i> this was the best speech he had heard.&rdquo; This is
+a provincialism that should be avoided. Use <i>said,</i> or <i>declared,</i> or
+<i>admitted,</i> according to the meaning.
+</p>
+
+<p class="center">
+<b>Alternation</b>
+</p>
+
+<p>
+This word is sometimes used in the sense of an unbroken series. It properly
+signifies a reciprocal succession, as &ldquo;The alternation of summer and
+winter produces an ever-changing scene.&rdquo;
+</p>
+
+<p class="center">
+<b>Alternative</b>
+</p>
+
+<p>
+Etymologically and by general use, this word refers to a choice between two;
+as, &ldquo;If this demand is refused the <i>alternative</i> is war.&rdquo; But
+Gladstone is quoted as saying, &ldquo;My decided preference is for the fourth
+and last of these <i>alternatives.&rdquo;</i>
+</p>
+
+<p class="center">
+<b>Anniversary</b>
+</p>
+
+<p>
+From <i>annus,</i> a year, means recurring every year. <i>Centennial</i> means
+once in a hundred years. What then does <i>centennial anniversary</i> mean? Use
+<i>centenary.</i>
+</p>
+
+<p class="center">
+<a name="Page88"></a>
+<b>Learn, Teach</b>
+</p>
+
+<p>
+&ldquo;I taught him grammar,&rdquo; not &ldquo;I learned him grammar.&rdquo;
+&ldquo;He taught us history.&rdquo;
+</p>
+
+<p class="center">
+<b>Lease, Let, Rent, Hire</b>
+</p>
+
+<p>
+We may <i>lease</i> to or from. &ldquo;I <i>leased</i> the farm to my
+neighbor.&rdquo; &ldquo;I <i>leased</i> this house from Brown.&rdquo; We
+<i>let</i> to another; as, &ldquo;I <i>let </i>my house to my cousin.&rdquo; We
+may <i>rent</i> to or from another. We may <i>hire</i> from another,&rdquo; as,
+&ldquo;I hired a servant;&rdquo; &ldquo;he hired a boat.&rdquo; With <i>out</i>
+and reflexively we may hire to another; as,&rdquo; I hired out my
+horses;&rdquo; &ldquo;he hired himself to the miller.&rdquo;
+</p>
+
+<p class="center">
+<b>Like, As</b>
+</p>
+
+<p>
+Avoid the use of <i>like</i> in the sense of <i>as</i>. &ldquo;He thinks just
+<i>as </i>(not <i>like)</i> his father does.&rdquo; That Anthony Trollope, Hugh
+Conway and other writers are chargeable with this offence does not justify the
+use of <i>like</i> for <i>as</i>, but rather proves the need of constant
+vigilance in order to avoid such errors.
+</p>
+
+<p class="center">
+<b>Lit, Lighted, Alighted</b>
+</p>
+
+<p>
+&ldquo;He <i>lighted</i> the candle.&rdquo; &ldquo;The crow <i>alighted</i> on
+the top of the tree.&rdquo; Avoid the use of <i>lit</i> in such cases, and also
+that slang form, as, &ldquo;I <i>lit on</i> a beautiful passage in
+Browning,&rdquo; in the sense of <i>met with.</i>
+</p>
+
+<p class="center">
+<b>Lend, Loan</b>
+</p>
+
+<p>
+&ldquo;Will you <i>lend</i> me your book,&rdquo; is better than &ldquo;Will you
+<i>loan</i> me your book.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page89"></a>
+<b>Near, Nearly</b>
+</p>
+
+<p>
+&ldquo;James is not <i>near</i> so good a scholar as his brother is.&rdquo; Use
+<i>nearly.</i>
+</p>
+
+<p class="center">
+<b>Nasty, Nice</b>
+</p>
+
+<p>
+<i>Nasty</i> is a strong adjective, and should be used only in reference to
+what is offensively filthy, foul, or defiled. Such expressions as a <i>nasty
+</i>day, a <i>nasty</i> rain, mark a loose and careless use of the word.
+</p>
+
+<p>
+The word <i>nice</i> once meant <i>foolish, ignorant, weak, effeminate.</i> It
+has now come to mean <i>exact, fine, finished, exciting admiration on account
+of skill or exactness;</i> as <i>nice</i> proportions, <i>nice</i> workmanship,
+a <i>nice</i> distinction in philosophy. It is loosely and colloquially used in
+application to what is pleasing, agreeable, delightful, good.
+</p>
+
+<p>
+A bright young lady was once asked, &ldquo;Don&rsquo;t you think <i>nice</i> is
+a <i>nasty </i>word?&rdquo; She replied, &ldquo;And do you think <i>nasty</i>
+is <i>a nice</i> word.&rdquo; The subject was abruptly changed.
+</p>
+
+<p class="center">
+<b>Nicely</b>
+</p>
+
+<p>
+&ldquo;How do you feel this morning?&rdquo; <i>&ldquo;Nicely,</i> thank
+you.&rdquo; The foregoing use of the word is as incorrect as it is common. Use
+<i>very well</i> instead.
+</p>
+
+<p class="center">
+<b>No good, No use</b>
+</p>
+
+<p>
+&ldquo;How does that new machine work?&rdquo; &ldquo;It&rsquo;s <i>no
+good.&rdquo; &ldquo;</i>Shall I try again?&rdquo; &ldquo;No; it&rsquo;s
+<i>no</i> <i>use.&rdquo;</i> The answers should have been, <i>&ldquo;It is of
+no good, it is of no use.&rdquo;</i>
+</p>
+
+<p class="center">
+<a name="Page90"></a>
+<b>O, Oh</b>
+</p>
+
+<p>
+While good usage is far from uniform, many excellent authors employ <i>O</i>
+only in cases of direct address and <i>oh</i> when strong and sudden emotion is
+to be expressed. <i>O</i> is always written with a capital letter, and should
+be followed by the name of the person or thing addressed, and the exclamation
+or interrogation point placed at the end of the sentence; as, &ldquo;O Death,
+where is thy sting? O Grave, where is thy victory?&rdquo; &ldquo;O the cold and
+cruel winter!&rdquo;
+</p>
+
+<p>
+<i>Oh</i> in the body of a sentence may begin with a small letter, and is
+immediately followed by the exclamation point; as, &ldquo;Oh! how terrible was
+his fate!&rdquo; &ldquo;The sad intelligence was gently given, but oh! the
+shock was almost unbearable.&rdquo;
+</p>
+
+<p class="center">
+<b>Observe, Say</b>
+</p>
+
+<p>
+&ldquo;He <i>observed</i> that the orphan pines while the oppressor
+feeds.&rdquo; To <i>observe</i> is to notice carefully, to attend closely to
+what one sees. In the above sentence <i>said</i> or <i>remarked</i> should be
+used instead of <i>observed.</i>
+</p>
+
+<p class="center">
+<b>Of any, Of all</b>
+</p>
+
+<p>
+&ldquo;This is the largest tree <i>of any</i> I have seen.&rdquo; The meaning
+clearly is, that of all the trees I have seen this is the largest. Hence, <i>of
+any</i> should be changed to <i>of all.</i>
+</p>
+
+<p class="center">
+<a name="Page91"></a>
+<b>Older, Elder</b>
+</p>
+
+<p>
+<i>Elder</i> and <i>eldest</i> are terms applied chiefly to persons, generally
+in speaking of members of the same family, while <i>older</i> and <i>oldest
+</i>are applied to persons of different families, and also to things.
+</p>
+
+<p>
+&ldquo;His <i>elder</i> brother died yesterday.&rdquo; &ldquo;His <i>eldest</i>
+sister has gone to Italy on her wedding trip.&rdquo; &ldquo;Our <i>oldest</i>
+neighbor was born in 1825.&rdquo; &ldquo;This oak is <i>older</i> than that
+pine.&rdquo; The foregoing sentences illustrate the best usage as applied to
+the comparatives <i>older</i> and <i>elder</i> and the superlatives
+<i>oldest</i> and <i>eldest.</i>
+</p>
+
+<p>
+When the direct comparison is made the word <i>older</i> is used, followed by
+the conjunction <i>than;</i> as, &ldquo;My father is <i>older than</i> my
+mother.&rdquo; But when the comparison is assumed the word <i>elder</i> should
+be employed; as, &ldquo;My father is the <i>elder</i> of my parents.&rdquo;
+</p>
+
+<p class="center">
+<b>Only</b>
+</p>
+
+<p>
+Perhaps no other word in the language is so often misplaced as the word
+<i>only.</i> The only general rule is to place it as near as possible to the
+word which it modifies. &ldquo;He <i>only</i> lent me a dollar&rdquo; means
+that he did not make me a present of the dollar, but expects me to return it.
+&ldquo;He lent me <i>only</i> a dollar&rdquo; means that the sum lent was
+neither greater nor less than one dollar. The former expression is often used
+when the latter should be.
+</p>
+
+<p>
+<a name="Page92"></a>
+<i>&ldquo;Only</i> the man walked to the post-office to-day.&rdquo; The woman
+did not walk with him.
+</p>
+
+<p>
+&ldquo;The man <i>only</i> walked to the post-office to-day.&rdquo; He did not
+ride or drive.
+</p>
+
+<p>
+&ldquo;The man walked <i>only</i> to the post-office to-day.&rdquo; He did not
+go so far as the store.
+</p>
+
+<p>
+&ldquo;The man walked to the post-once <i>only</i> to-day.&rdquo; Yesterday he
+rode and the day before he drove. Today is the only day that he walked.
+</p>
+
+<p>
+George Eliot, in <i>Middlemarch,</i> says: &ldquo;I <i>only</i> know two
+gentlemen who sing at all well,&rdquo; and in another place, &ldquo;I have
+<i>only</i> seen her once before.&rdquo; The word <i>only</i> should be placed
+before two in the first sentence, and before <i>once</i> in the second.
+</p>
+
+<p class="center">
+<b>Onto</b>
+</p>
+
+<p>
+There is a growing tendency to write the words <i>on</i> and <i>to</i> as one
+word. &ldquo;Although nearly drowned he yet had strength enough to climb
+<i>onto </i>the rock.&rdquo; The use of <i>upon</i> or <i>on</i> is generally
+better. When neither of these can be used write <i>on</i> and <i>to</i> as
+separate words.
+</p>
+
+<p class="center">
+<b>Outstart</b>
+</p>
+
+<p>
+This word is sometimes used when <i>outset</i> should be employed.
+</p>
+
+<p class="center">
+<b>Over and Above</b>
+</p>
+
+<p>
+&ldquo;He earned twenty dollars <i>over and above</i> his expenses.&rdquo; Use
+<i>more than</i> or <i>above.</i>
+</p>
+
+<p class="center">
+<a name="Page93"></a>
+<b>Party, Person</b>
+</p>
+
+<p>
+&ldquo;Is she the <i>party</i> of whom you spoke?&rdquo; &ldquo;No; she is the
+<i>person.&rdquo;</i>
+</p>
+
+<p>
+One man may be a party to a contract or agreement. Several men may form a
+party. When no contract is implied, one man or woman must be spoken of as a
+<i>person,</i> not as a <i>party.</i>
+</p>
+
+<p class="center">
+<b>Patron, Customer</b>
+</p>
+
+<p>
+Unless there is a sense of obligation or condescension, use the term
+<i>customer</i> and not <i>patron.</i> In like manner, use <i>custom
+</i>instead of <i>patronage.</i>
+</p>
+
+<p class="center">
+<b>Per</b>
+</p>
+
+<p>
+<i>Per</i> is a Latin preposition and should be used only with Latin nouns. We
+should say <i>per annum,</i> but not <i>per year; per diem,</i> and not <i>per
+day; per capita,</i> and not <i>per head.</i> &ldquo;He received a thousand
+dollars <i>a</i> <i>year</i> is shorter and better than &ldquo;he received a
+thousand dollars <i>per year.&rdquo;</i>
+</p>
+
+<p class="center">
+<b>Perchance, Peradventure</b>
+</p>
+
+<p>
+These are poetic and archaic forms that should be avoided in ordinary prose.
+</p>
+
+<p class="center">
+<b>Performers</b>
+</p>
+
+<p>
+&ldquo;The entertainment consisted of reading, recitations, and singing, and
+the <i>performers</i> acquitted themselves well.&rdquo; Readers, reciters, and
+singers are not
+<a name="Page94"></a>
+<i>performers.</i> The term is applied to the stage, and to those who play on
+musical instruments. Even in the latter application, &ldquo;he <i>plays</i>
+well on the piano,&rdquo; is better than &ldquo;he <i>performs</i> well on the
+piano.&rdquo;
+</p>
+
+<p class="center">
+<b>Period, Point</b>
+</p>
+
+<p>
+Do not use <i>period</i> for <i>a point</i> of time. <i>Period </i>implies
+extended time.
+</p>
+
+<p class="center">
+<b>Nothing like</b>
+</p>
+
+<p>
+&ldquo;James is <i>nothing like</i> so successful as his brother&rdquo;
+illustrates a colloquialism that should be avoided. Use <i>not nearly so,</i>
+etc.
+</p>
+
+<p class="center">
+<b>Notorious, Noted</b>
+</p>
+
+<p>
+&ldquo;He was elected to Congress, then Governor, and we now think of sending
+him to the United States Senate. He is becoming quite <i>notorious.&rdquo;
+</i>The word <i>notorious</i> implies some bad or doubtful quality or
+characteristic, and must not be used in the sense of <i>noted</i> or
+<i>famous.</i>
+</p>
+
+<p class="center">
+<b>Nowhere near so</b>
+</p>
+
+<p>
+&ldquo;He trapped <i>nowhere near</i> so many rabbits as his cousin.&rdquo;
+This vulgarism should be avoided. Use <i>not nearly.</i>
+</p>
+
+<p class="center">
+<b>Plead</b>
+</p>
+
+<p>
+The past tense of <i>read</i> is <i>read,</i> but the past tense of
+<i>plead</i> is <i>pleaded,</i> not <i>plead. &ldquo;</i>The prisoner
+<i>pleaded </i>for mercy.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page95"></a>
+<b>Plenty, Plentiful</b>
+</p>
+
+<p>
+&ldquo;Money is <i>plenty</i> this summer.&rdquo; <i>Plenty</i> is a noun and
+should not be used as an adjective. Therefore &ldquo;money is <i>plentiful</i>
+this summer.&rdquo; Shakespeare says, &ldquo;If reasons were as <i>plenty</i>
+as blackberries,&rdquo; etc., but words have settled into more definite grooves
+since Shakespeare&rsquo;s time. &ldquo;This house is <i>plenty</i> large
+enough.&rdquo; Neither is <i>plenty</i> an adverb. Say, &ldquo;This house is
+quite large enough,&rdquo; or, simply, <i>large enough.</i>
+</p>
+
+<p class="center">
+<b>About, around</b>
+</p>
+
+<p>
+&ldquo;She was pleased with the conversation <i>about</i> her.&rdquo; Use
+&ldquo;<i>around</i> her.&rdquo;
+</p>
+
+<p>
+&ldquo;She was pained by the conversation <i>about</i> her.&rdquo; Use
+&ldquo;<i>concerning </i>her.&rdquo;
+</p>
+
+<p class="center">
+<b>Overlook, Oversee</b>
+</p>
+
+<p>
+This word means to look down upon from a place that is over or above; as,
+&ldquo;From the top of the Washington monument you can readily <i>overlook</i>
+the city.&rdquo; But it also means to look over and beyond an object in order
+to see a second object, thus missing the view of the first object; hence, to
+refrain from bestowing notice upon, to neglect. The confounding of these two
+ideas begets ambiguity, as &ldquo;Brown&rsquo;s business was <i>to overlook</i>
+the workmen in the shop.&rdquo; His business was <i>to oversee</i> or
+<i>superintend</i> them, and not to <i>neglect</i> or <i>overlook</i> them.
+</p>
+
+<p class="center">
+<a name="Page96"></a>
+<b>Revolting</b>
+</p>
+
+<p>
+To <i>revolt</i> is to <i>rebel,</i> to <i>renounce allegiance,</i> but the
+participial form <i>revolting</i> also means <i>repugnant, loathsome.</i> In
+the sentence, &ldquo;A band of <i>revolting</i> Huns has just passed down the
+street,&rdquo; we should be in doubt whether the speaker referred to their acts
+against the government or to their appearance. The use of the word
+<i>rebellious</i> in the former sense, and of <i>disagreeable</i> or
+<i>disgusting,</i> or the stronger adjectives given above, for the latter
+meaning, would make the sentence clear.
+</p>
+
+<p class="center">
+<b>Unexampled</b>
+</p>
+
+<p>
+Such adjectives as <i>unexampled, unparalleled, unprecedented,</i> do not admit
+of comparison, hence such expressions as <i>the most unexampled </i>bravery,
+<i>the most unparalleled heroism,</i> etc., should be avoided.
+</p>
+
+<p class="center">
+<b>Utter</b>
+</p>
+
+<p>
+This verb should be distinguished from <i>express</i> or <i>say. Utter
+</i>carries with it the idea of articulate expression, except in the sense of
+<i>uttering</i> false coins or forged notes.
+</p>
+
+<p>
+As an adjective it is defined by <i>complete, perfect, absolute,</i> etc., but
+it can be applied only to what is unpleasant or unfavorable. &ldquo;I enjoyed
+<i>utter</i> happiness&rdquo; would be an absurd expression, but &ldquo;I was
+doomed to <i>utter</i> misery&rdquo; illustrates a proper use of the word.
+</p>
+
+<p class="center">
+<a name="Page97"></a>
+<b>Valuable, Valued</b>
+</p>
+
+<p>
+These words are not synonymous; <i>valuable</i> means precious, costly, having
+value; <i>valued</i> refers to our estimation of the worth. &ldquo;He is one of
+our most <i>valued</i> contributors,&rdquo; not <i>valuable,</i> unless you are
+thinking of the value of his contributions and the smallness of the
+compensation.
+</p>
+
+<p class="center">
+<b>Very pleased</b>
+</p>
+
+<p>
+A few participles used as adjectives may be directly modified by <i>too</i> or
+<i>very;</i> as, &ldquo;I was <i>very tired,&rdquo; &ldquo;</i>He was <i>too
+fatigued</i> to go farther.&rdquo;
+</p>
+
+<p>
+We sometimes hear the expression, &ldquo;I was <i>very pleased,&rdquo;</i> but
+the critics insist upon &ldquo;I was <i>very much</i> pleased,&rdquo; or
+&ldquo;greatly pleased,&rdquo; or &ldquo;very greatly pleased.&rdquo;
+</p>
+
+<p class="center">
+<b>Vicinity</b>
+</p>
+
+<p>
+Often too high-sounding a word for the thought; <i>neighborhood</i> is less
+pretentious.
+</p>
+
+<p class="center">
+<b>The old man</b>
+</p>
+
+<p>
+The use of such words as <i>dad, daddy, mam, mammy, the old man, the old
+woman,</i> when applied to parents, not only indicates a lack of refinement,
+but shows positive disrespect. The words <i>pap, pappy, governor, </i>etc., are
+also objectionable. After the first lispings of childhood the words <i>papa</i>
+and <i>mamma</i>, properly accented, should be insisted upon by parents, and at
+<a name="Page98"></a>
+the age of twelve or fifteen the words <i>father</i> and <i>mother</i> should
+be substituted and ever after used, as showing a proper respect on the part of
+children.
+</p>
+
+<p class="center">
+<b>Great big</b>
+</p>
+
+<p>
+&ldquo;He gave me a <i>great big</i> apple.&rdquo; This is a colloquialism that
+should be avoided. Use <i>large.</i>
+</p>
+
+<p class="center">
+<b>Argue, Augur</b>
+</p>
+
+<p>
+&ldquo;The hollow whistling of the wind among the trees <i>argues</i> an
+approaching storm.&rdquo; Use <i>augurs.</i>
+</p>
+
+<p class="center">
+<b>Barbaric, Barbarous</b>
+</p>
+
+<p>
+<i>Barbaric</i> refers to a people; <i>barbarous</i> to their low state of life
+and their habits of cruelty.
+</p>
+
+<p class="center">
+<b>Cut in half</b>
+</p>
+
+<p>
+A colloquialism in very frequent use. &ldquo;I will <i>cut</i> this melon <i>in
+half</i> and share it with you.&rdquo; Say, <i>cut in two,</i> or <i>cut in
+halves,</i> or <i>cut in two parts.</i>
+</p>
+
+<p class="center">
+<b>Hearty meal</b>
+</p>
+
+<p>
+&ldquo;He ate a hearty meal before starting on his journey.&rdquo;
+<i>Hearty</i> applies to the eater rather than to the meal. &ldquo;He ate
+heartily,&rdquo; etc.
+</p>
+
+<p class="center">
+<b>Some better</b>
+</p>
+
+<p>
+&ldquo;John has been <i>right sick,</i> but is now <i>some</i> better.&rdquo;
+<i>Somewhat, rather,</i> or <i>slightly</i> may take the place of <i>some.</i>
+The sentence may be otherwise improved. &ldquo;John has been <i>quite ill,</i>
+but is now <i>somewhat</i> better.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page99"></a>
+<b>Through, Finished</b>
+</p>
+
+<p>
+Unless you have fallen through a trap door and finished your career, do not
+say, &ldquo;I am through,&rdquo; when you mean &ldquo;I have finished.&rdquo;
+The school-boy says, &ldquo;I <i>am through with,</i> that lesson,&rdquo; when
+he should say, &ldquo;I <i>have finished</i> that lesson.&rdquo; The farmer
+asks the man in his employ, <i>&ldquo;Are </i>you <i>through with</i> that
+field?&rdquo; when he should have asked, <i>&ldquo;Have </i>you <i>finished</i>
+ploughing that field?&rdquo; You ask your friend, <i>&ldquo;Are </i>you
+<i>through, with Trilby?&rdquo;</i> when you should ask, <i>&ldquo;Have</i> you
+<i>finished</i> reading <i>Trilby.&rdquo;</i>
+</p>
+
+<p class="center">
+<b>Winterish</b>
+</p>
+
+<p>
+Do not say <i>summerish</i> and <i>winterish,</i> but <i>summery,</i> or
+<i>summerlike,</i> and <i>wintry.</i>
+</p>
+
+<p class="center">
+<b>Wish</b>
+</p>
+
+<p>
+The word <i>hope</i> should be employed instead of <i>wish</i> in such cases
+as, &ldquo;I <i>wish</i> you may succeed in your undertaking.&rdquo;
+</p>
+
+<p class="center">
+<b>Right</b>
+</p>
+
+<p>
+This little word has many meanings and is put to many uses. In the following
+senses it should be avoided:
+</p>
+
+<p>
+&ldquo;Stand <i>right</i> here.&rdquo; In most instances the briefer
+expression, &ldquo;Stand here,&rdquo; is sufficient. If it is necessary to
+locate the place more definitely or to emphasize the position, &ldquo;Stand
+just here,&rdquo; or &ldquo;Stand on this very spot,&rdquo; may be better.
+</p>
+
+<p>
+<a name="Page100"></a>
+&ldquo;The train came to a standstill <i>right</i> here.&rdquo; Better,
+&ldquo;The train stopped <i>just</i> here.&rdquo;
+</p>
+
+<p>
+&ldquo;Do it <i>right away.&rdquo;</i> This is a colloquialism that should be
+avoided. <i>Immediately, instantly, at once, without delay,</i> are expressions
+that may safely be substituted for <i>right away.</i>
+</p>
+
+<p>
+&ldquo;I heard of your misfortune, and came to you <i>right away.&rdquo;</i>
+&ldquo;John, post this letter for me <i>right off.&rdquo; Directly</i> or
+<i>immediately,</i> in the place of <i>right away</i> and <i>right off,</i> is
+better English.
+</p>
+
+<p>
+&ldquo;James is <i>right</i> sick, and the doctor comes to see him <i>right
+</i>often.&rdquo; The use of <i>right</i> as an intensive with adjectives and
+adverbs is very common in many quarters. <i>Quite ill</i> or <i>very ill</i> is
+better than <i>right sick,</i> and <i>often</i> or <i>frequently</i> is better
+than <i>right often.</i>
+</p>
+
+<p>
+&ldquo;We have a <i>right</i> good crop of wheat this year.&rdquo; Use <i>very
+</i>instead of <i>right.</i>
+</p>
+
+<p>
+&ldquo;You have as good a <i>right</i> to be punished as I have.&rdquo; The
+person addressed would gladly relinquish his <i>right.</i> &ldquo;You <i>merit
+</i>punishment as well as I,&rdquo; or &ldquo;You <i>deserve</i> to be
+punished,&rdquo; etc.
+</p>
+
+<p class="center">
+<b>Shall, Will, Should, Would</b>
+</p>
+
+<p>
+Few persons can claim to be entirely free from slips of speech in the use of
+these auxiliaries. Simply to express a future action or event, <i>shall </i>is
+used with the first person and <i>will</i> with the second and third; as,
+</p>
+
+<p class="letter">
+<a name="Page101"></a>
+I shall read,                    We shall read,<br />
+You will read,                 You will read,<br />
+He will read,                    They will read.
+</p>
+
+<p>
+But when I desire to show determination on my part to do a certain thing, or
+when I exercise my authority over another, or express promise, command, or
+threat, <i>will</i> is used in the first person and <i>shall</i> in the second
+and third; as,
+</p>
+
+<p class="letter">
+I will read,                      We will read,<br />
+You shall read,                 You shall read,<br />
+He shall read,                    They shall read.
+</p>
+
+<p>
+<i>Shall</i> primarily implies obligation; <i>will</i> implies intention or
+purpose. <i>Will</i> and <i>would</i> should be used whenever the subject names
+the one whose will controls the action; <i>shall</i> and <i>should</i> must be
+employed whenever the one named by the subject is under the control of another.
+</p>
+
+<p>
+The difference between <i>should</i> and <i>would</i> is, in general, about the
+same as that between <i>shall</i> and <i>will.</i>
+</p>
+
+<p>
+The foregoing suggestions cover the ordinary uses of these auxiliaries, but
+there are some special cases deserving attention.
+</p>
+
+<p>
+<i>Will,</i> in the first person, expresses assent or promise, as well as
+determination; as,
+</p>
+
+<p>
+&ldquo;I will read this poem for you since you have requested it.&rdquo;
+</p>
+
+<p>
+<a name="Page102"></a>
+&ldquo;I will meet you to-morrow at the time appointed.&rdquo;
+</p>
+
+<p>
+<i>Will,</i> in the second person, may express a command; as,
+</p>
+
+<p>
+&ldquo;You will take the places assigned you.&rdquo;
+</p>
+
+<p>
+&ldquo;You will report immediately at my office.&rdquo;
+</p>
+
+<p>
+<i>Will</i> is sometimes employed to express a general fact, without conveying
+the idea of futurity; as, &ldquo;Accidents will happen.&rdquo;
+&ldquo;Differences will arise.&rdquo;
+</p>
+
+<p>
+<i>Will</i> is sometimes incorrectly used instead of <i>shall;</i> as,
+<i>&ldquo;Will</i> I go?&rdquo; for <i>&ldquo;Shall</i> I go?&rdquo; This fault
+is common in Scotland, and prevails to some extent in this country.
+</p>
+
+<p>
+<i>Will</i> is also used where <i>may</i> would be more appropriate; as,
+&ldquo;Be that as it <i>will.&rdquo;</i>
+</p>
+
+<p class="center">
+<b>Shall you? Will you?</b>
+</p>
+
+<p>
+The distinction between <i>shall</i> and <i>will</i> in the interrogative forms
+of the second person are not very clearly defined. Many writers and speakers
+use them interchangeably. The answer should have the same auxiliary as the
+question.
+</p>
+
+<p>
+&ldquo;Shall you go to town to-morrow?&rdquo; &ldquo;I <i>shall.&rdquo;</i>
+</p>
+
+<p>
+&ldquo;Will you attend to this matter promptly?&rdquo; &ldquo;I
+<i>will.&rdquo;</i>
+</p>
+
+<p class="center">
+<b>Should, Would, Ought</b>
+</p>
+
+<p>
+<i>Should</i> is often used in the sense of <i>ought;</i> as, &ldquo;Mary
+should remain at home to-day and wait upon her sick mother.&rdquo;
+</p>
+
+<p>
+<a name="Page103"></a>
+<i>Should</i> and <i>would</i> are employed to express a conditional assertion;
+as, &ldquo;I <i>should</i> go to college, if I could secure the necessary
+means.&rdquo; &ldquo;He <i>would</i> have gone fishing, if his father had been
+willing.&rdquo;
+</p>
+
+<p>
+<i>Would</i> is often used to express a custom, a determination, or a wish; as,
+&ldquo;He <i>would</i> sit all day and moan.&rdquo; <i>&ldquo;Would</i> to God
+we had died in the land of Egypt.&rdquo; &ldquo;He <i>would</i> go, and his
+parents could not prevent him.&rdquo;
+</p>
+
+<p class="center">
+<b>Talented</b>
+</p>
+
+<p>
+Certain authors and critics, including Coleridge, have objected strongly to the
+use of <i>talented.</i> One writer argues that since there is no such verb as
+<i>to talent,</i> the formation of such a participle as <i>talented</i> cannot
+be defended, and he further declares that no good writer is known to use it,
+Webster <i>(The International Dictionary)</i> states that, as a formative,
+<i>talented</i> is just as analogical and legitimate as <i>gifted, bigoted,
+moneyed, lauded, lilied, honeyed,</i> and numerous other adjectives having a
+participial form, but derived directly from nouns and not from verbs.
+</p>
+
+<p>
+We must therefore conclude that the use of <i>talented</i> as an adjective is
+entirely legitimate.
+</p>
+
+<p class="center">
+<b>Climb down</b>
+</p>
+
+<p>
+The critics generally oppose the use of the expression <i>climb down. </i>When
+the verb is employed
+<a name="Page104"></a>
+without its adverbial modifier, the upward direction is always understood. In
+figurative language, as &ldquo;Black vapors climb aloft, and cloud the
+day,&rdquo; &ldquo;The general climbed the heights of fame,&rdquo; the upward
+direction is also understood.
+</p>
+
+<p>
+But in a specific sense <i>climb</i> is defined &ldquo;to mount laboriously,
+especially by the use of hands and feet.&rdquo; Here the manner seems to be as
+important as the direction. When the same manner must be employed in
+descending, as a tree, a mast, or a steep, rocky cliff, the general term
+<i>descend</i> fails to convey the meaning, and to use <i>slip, slide, drop,
+tumble, fall,</i> would be incorrect. We are then left to choose between the
+short and clear, but objectionable, expression <i>climb down</i> and some long
+and cumbersome equivalent.
+</p>
+
+<p class="center">
+<b>Mighty</b>
+</p>
+
+<p>
+Never use <i>mighty</i> in the sense of <i>very,</i> or <i>exceedingly.</i> It
+is not only inappropriate but inelegant.
+</p>
+
+<p class="center">
+<b>Of, From</b>
+</p>
+
+<p>
+&ldquo;She had consumption and died <i>from</i> the disease.&rdquo; Say,
+&ldquo;died <i>of </i>the disease.&rdquo;
+</p>
+
+<p class="center">
+<b>On, Over, Upon</b>
+</p>
+
+<p>
+&ldquo;Mary called <i>upon</i> her friend.&rdquo; Say, &ldquo;called <i>on</i>
+her friend.&rdquo; &ldquo;The Senator prevailed <i>over</i> his friends to
+support his bill.&rdquo; Say, &ldquo;prevailed <i>upon</i> his
+<a name="Page105"></a>
+friends.&rdquo; &ldquo;The candidate prevailed <i>over</i> his enemies.&rdquo;
+</p>
+
+<p class="center">
+<b>Partake</b>
+</p>
+
+<p>
+This word means <i>to take a part of, to share with</i> another. It is often
+incorrectly used for <i>ate,</i> as &ldquo;He <i>partook</i> sparingly of the
+food.&rdquo;
+</p>
+
+<p class="center">
+<b>Powerful sight</b>
+</p>
+
+<p>
+This is a Westernism to be avoided. It is used indiscriminately for a <i>large
+number,</i> a <i>great quantity,</i> a <i>vast amount,</i> etc.
+</p>
+
+<p class="center">
+<b>Apprehend, Comprehend</b>
+</p>
+
+<p>
+To <i>apprehend</i> is to take into the mind; to <i>comprehend</i> is to
+understand fully what is already there. We may <i>apprehend</i> many truths
+which we do not <i>comprehend.</i>
+</p>
+
+<p class="center">
+<b>Introduce, Present</b>
+</p>
+
+<p>
+<i>Present</i> implies more formality than <i>introduce.</i> We introduce one
+friend to another. An envoy is <i>presented</i> to the King. Foreign ministers
+are <i>presented</i> to the President of the United States.
+</p>
+
+<p class="center">
+<b>Same as</b>
+</p>
+
+<p>
+&ldquo;This is the <i>same</i> story <i>as</i> I read last week.&rdquo; Use
+<i>same that.</i>
+</p>
+
+<p class="center">
+<a name="Page106"></a>
+<b>Section</b>
+</p>
+
+<p>
+&ldquo;We raise finer horses in our <i>section.&rdquo;</i> This is an
+Americanism that should be avoided. Neighborhood, vicinity, region, part of the
+country or State, may be substituted for <i>section.</i>
+</p>
+
+<p class="center">
+<b>Seldom or ever</b>
+</p>
+
+<p>
+This incorrect expression is sometimes used instead of <i>seldom or never
+</i>or <i>seldom if ever.</i> &ldquo;I have <i>seldom if ever</i> heard so
+eloquent an oration.&rdquo; &ldquo;I have <i>seldom or never</i> seen the
+man.&rdquo;
+</p>
+
+<p class="center">
+<b>Sewage, Sewerage</b>
+</p>
+
+<p>
+These words have distinct meanings. <i>Sewage</i> refers to the contents of the
+sewer; <i>sewerage</i> to the system of sewers.
+</p>
+
+<p class="center">
+<b>Sociable, Social</b>
+</p>
+
+<p>
+&ldquo;He is one of the most <i>sociable</i> men I have met. He is fond of
+society, and is very ready in conversation.&rdquo; <i>Sociable</i> means
+companionable; <i>social</i> applies to the relations of men in society; as
+<i>social </i>duties, <i>social</i> pleasures, <i>social</i> interests.
+</p>
+
+<p class="center">
+<b>Specialty, Speciality</b>
+</p>
+
+<p>
+These words are interchangeable, but the former is the better word.
+</p>
+
+<p class="center">
+<b>Requirement, Requisition, Requisite</b>
+</p>
+
+<p>
+While these words have something in common, each has a meaning peculiar to
+itself. <i>Requirement</i>
+<a name="Page107"></a>
+means that which is required as an essential condition, or as something
+necessary; <i>requisition,</i> that which is required as of right, a demand or
+application made as by authority; <i>requisite,</i> that which is required by
+the nature of things, or by circumstances, that which cannot be dispensed with.
+&ldquo;She understood the nature of the child and of its
+<i>requirements.&rdquo;</i> &ldquo;The officer made a <i>requisition</i> for
+more troops.&rdquo; &ldquo;This is as much a <i>requisite</i> as food and
+clothing.&rdquo;
+</p>
+
+<p class="center">
+<b>Sick, Ill</b>
+</p>
+
+<p>
+There is a growing tendency to discriminate between <i>sickness </i>and
+<i>illness,</i> limiting the words <i>sick</i> and <i>sickness</i> to some
+slight disturbance of the physical system, as nausea, and applying the words
+<i>ill</i> and <i>illness</i> to protracted disease and disordered health.
+</p>
+
+<p class="center">
+<b>Scholar, Pupil</b>
+</p>
+
+<p>
+Although these words are often used synonymously and with good authority, it
+would be better to limit the former to learned persons and to apply the latter
+to persons under instruction.
+</p>
+
+<p class="center">
+<b>Commenced to write</b>
+</p>
+
+<p>
+&ldquo;I <i>commenced to write</i> at a very early age.&rdquo; After the verb
+<i>commence</i> the best writers use the verbal
+<a name="Page108"></a>
+noun instead of the infinitive with <i>to;</i> as, &ldquo;I <i>commenced
+writing </i>at a very early age.&rdquo;
+</p>
+
+<p class="center">
+<b>Beside, Besides</b>
+</p>
+
+<p>
+These words were formerly used interchangeably, but the best writers of to-day
+make a distinction. <i>Beside</i> means by <i>the side of. Besides </i>means
+<i>in addition to. Besides</i> is sometimes incorrectly used for <i>except;</i>
+as, &ldquo;No trees will grow here <i>besides</i> the pine.&rdquo;
+</p>
+
+<p class="center">
+<b>Bountiful, Plentiful</b>
+</p>
+
+<p>
+<i>Bountiful</i> applies to the giver; <i>plentiful</i> to the things
+furnished. &ldquo;The <i>bountiful</i> Giver of all good furnishes a
+<i>plentiful </i>supply of all things needful for our comfort and
+happiness.&rdquo; Do not say a <i>bountiful</i> repast, a <i>bountiful</i>
+harvest.
+</p>
+
+<p class="center">
+<b>Attacked, Burst, Drowned</b>
+</p>
+
+<p>
+The incorrect past tense forms <i>attackted, bursted, drownded,</i> are
+sometimes heard; as, &ldquo;The cashier was <i>attackted</i> by three of the
+ruffians,&rdquo; &ldquo;The cannon <i>bursted</i> and killed the
+gunners,&rdquo; &ldquo;The fishermen were <i>drownded</i> off the bar.&rdquo;
+Use <i>attacked, burst, drowned.</i>
+</p>
+
+<p class="center">
+<b>All</b>
+</p>
+
+<p>
+This little word is used in a great many ways, some of which are quite
+colloquial, and in some cases provincial. When the grocer&rsquo;s clerk has
+taken your order he is prompted to say, &ldquo;Is that <i>all?&rdquo;</i> Or if
+<a name="Page109"></a>
+he should say, &ldquo;Is there anything else that you wish?&rdquo; you are
+likely to reply, &ldquo;No; that is <i>all.&rdquo;</i> Whether used in the
+question or in the reply, the word <i>all</i> should be avoided, or else the
+expression should be expanded so as to make a clear sentence.
+</p>
+
+<p>
+A friend calls to see you, and, finding you alone when he expected to meet
+others with you, he says, &ldquo;Good morning; I see you are <i>all</i>
+alone.&rdquo; <i>All</i> is not a good equivalent for <i>quite</i> or
+<i>entirely,</i> either of which words would be better than <i>all.</i> In
+truth, the sentence is as clear and as strong and more concise without the use
+of a modifier. &ldquo;I see you are <i>alone.&rdquo;</i>
+</p>
+
+<p class="center">
+<b>Inaugurate</b>
+</p>
+
+<p>
+<i>To inaugurate</i> means <i>to induct</i> into office or <i>to set in
+motion</i> with formality and serious ceremony. Pompous writers too often
+employ the word in referring to commonplace events. A new business is
+<i>established.</i> A new hall or library is <i>opened.</i> A new pastor is
+<i>installed.</i> A new order of procedure is <i>adopted.</i> In general, the
+word <i>begin</i> or <i>commence</i> would be more appropriate than
+<i>inaugurate.</i>
+</p>
+
+<p class="center">
+<b>Came across, Met with</b>
+</p>
+
+<p>
+&ldquo;I <i>came across</i> the passage quite unexpectedly.&rdquo; Better,
+&ldquo;I <i>chanced upon,&rdquo;</i> or &ldquo;<i>happened upon,,&rdquo;</i> or
+&ldquo;<i>met with</i> the passage quite unexpectedly.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page110"></a>
+<b>Expect</b>
+</p>
+
+<p>
+Few words are more frequently incorrectly used than <i>expect. &ldquo;</i>I
+<i>expect</i> you went to town yesterday,&rdquo; &ldquo;I <i>expect</i> you
+will hear from me to-morrow,&rdquo; &ldquo;I <i>expect</i> the train has
+arrived,&rdquo; represent some of the uses to which this word is often put.
+<i>Expect</i> refers wholly to the future, and should not refer to present or
+past events; as, &ldquo;I <i>expect </i>you to write me from Liverpool.&rdquo;
+&ldquo;John <i>expects</i> to see his father to-morrow.&rdquo; Among the
+expressions that can most readily and appropriately be substituted for
+<i>expect</i> are <i>suspect, suppose, think, believe, presume, daresay.</i>
+</p>
+
+<p class="center">
+<b>Over with</b>
+</p>
+
+<p>
+&ldquo;After the supper was <i>over with</i> the guests departed.&rdquo; Omit
+<i>with.</i>
+</p>
+
+<p class="center">
+<b>Overflown</b>
+</p>
+
+<p>
+&ldquo;The lowlands along the river are <i>overflown.&rdquo;</i> Use
+<i>overflowed. </i>The perfect participle of <i>overflow</i> is
+<i>overflowed,</i> not <i>overflown.</i>
+</p>
+
+<p class="center">
+<b>Good piece</b>
+</p>
+
+<p>
+&ldquo;I have come a <i>good piece</i> to see you.&rdquo; Say &ldquo;I have
+come a <i>long distance</i> to see you.&rdquo;
+</p>
+
+<p class="center">
+<b>Stand a chance</b>
+</p>
+
+<p>
+&ldquo;He does not stand any chance of an election.&rdquo; Say, &ldquo;It is
+not probable that he will be elected.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page111"></a>
+<b>No more than I could help</b>
+</p>
+
+<p>
+&ldquo;As I was not in sympathy with the cause, I gave <i>no more than I could
+help.&rdquo;</i> So accustomed are we to hearing this awkward, blundering
+expression that we readily understand the meaning it is intended to convey, and
+should be sorely puzzled to interpret the correct form. Let us analyze it. I
+gave five dollars. That much I could not help (giving). I gave no more. Hence,
+&ldquo;I gave no more than I could not help.&rdquo; This last form appears to
+be correct. By changing the phraseology the sentence can be greatly improved.
+&ldquo;I gave no more than I felt compelled to give.&rdquo; &ldquo;I made my
+contribution as small as possible.&rdquo; &ldquo;My gift was limited to the
+measure of my sense of obligation.&rdquo;
+</p>
+
+<p class="center">
+<b>Above, More than, Preceding</b>
+</p>
+
+<p>
+&ldquo;It is <i>above</i> a week since I heard from my brother.&rdquo; We may
+say <i>&ldquo;above</i> the earth,&rdquo; <i>&ldquo;above</i> the
+housetops,&rdquo; but in the preceding sentence it is better to say, &ldquo;It
+is <i>more than</i> a week since I heard from my brother.&rdquo;
+</p>
+
+<p>
+&ldquo;In the <i>above</i> paragraph he quotes from Horace.&rdquo; Say,
+&ldquo;In the <i>preceding</i> or <i>foregoing</i> paragraph,&rdquo; etc. The
+awkwardness of the use of the word <i>above</i> becomes very apparent when the
+line in which it occurs is found at the top of a page, and the passage
+<a name="Page112"></a>
+to which reference is made appears at the bottom of the previous page.
+</p>
+
+<p class="center">
+<b>Climax</b>
+</p>
+
+<p>
+The Greek word <i>climax</i> means literally <i>a</i> <i>ladder, </i>and
+implies <i>ascent, upward movement.</i> The best authors use it only in this
+sense, and not to denote the highest point.
+</p>
+
+<p class="center">
+<b>Factor</b>
+</p>
+
+<p>
+This word, from the Latin <i>factor,</i> a doer, an agent, signifies
+<i>working, doing, effecting.</i> Its frequent use in the sense of <i>source
+</i>or <i>part</i> should be avoided.
+</p>
+
+<p class="letter">
+&ldquo;All are but <i>factors</i> of one stupendous whole,<br/>
+Whose body Nature is, and God the soul.&rdquo;
+</p>
+
+<p>
+Pope employs the better word <i>parts.</i>
+</p>
+
+<p class="center">
+<b>Hung, Hanged</b>
+</p>
+
+<p>
+Pictures, signs, bells, and other inanimate objects are <i>hung; </i>men are
+<i>hanged.</i> While some writers ignore this distinction, the best authorities
+observe it.
+</p>
+
+<p class="center">
+<b>Healthy, Healthful</b>
+</p>
+
+<p>
+A lady wrote to a paper asking, &ldquo;Are plants in a sleeping-room
+<i>unhealthy?&rdquo;</i> The answer came, &ldquo;Not necessarily; we have seen
+some very <i>healthy</i> plants growing in sleeping-rooms.&rdquo;
+</p>
+
+<p>
+Persons are <i>healthy</i> or <i>unhealthy.</i> A plant or tree is
+<a name="Page113"></a>
+<i>healthy</i> or <i>unhealthy</i> according as it possesses vigor. Food,
+surroundings and conditions are <i>healthful</i> or <i>unhealthful
+</i>according as they promote or destroy health.
+</p>
+
+<p class="center">
+<b>Idea, Opinion</b>
+</p>
+
+<p>
+&ldquo;Many persons think that the interior of the earth is a mass of fire;
+what is your <i>idea?&rdquo;</i> Say, &ldquo;What is your
+<i>opinion?&rdquo;</i>
+</p>
+
+<p class="center">
+<b>Alone, Only</b>
+</p>
+
+<p>
+&ldquo;An <i>only</i> child&rdquo; is one that has neither brother nor sister.
+&ldquo;A child <i>alone&rdquo;</i> is one that is left to itself. &ldquo;Virtue
+<i>alone</i> makes us happy&rdquo; means that virtue unaccompanied by any other
+advantages is sufficient to make us happy. &ldquo;Virtue <i>only</i> makes us
+happy&rdquo; means that nothing else can do it.
+</p>
+
+<p class="center">
+<b>Grow, Raise, Rear</b>
+</p>
+
+<p>
+&ldquo;We <i>grow</i> wheat, corn, oats, and potatoes on our farm.&rdquo;
+&ldquo;We <i>raise</i> wheat,&rdquo; etc., would be better. With the same
+propriety we might use <i>sleep</i> for <i>lodge,</i> and <i>eat</i> for
+<i>feed,</i> or supply with food; as, &ldquo;We can <i>eat</i> and <i>sleep</i>
+fifty persons at one time.&rdquo;
+</p>
+
+<p>
+The word <i>raise</i> is often incorrectly used in the sense of <i>rear;
+</i>as, &ldquo;She <i>raised</i> a family of nine children.&rdquo; It is
+sometimes employed in the sense of <i>increase,</i> as, &ldquo;The landlord
+<i>raised</i> my<i> </i>rent.&rdquo; <i>Increased</i> would be better.
+</p>
+
+<p class="center">
+<a name="Page114"></a>
+<b>Has went</b>
+</p>
+
+<p>
+&ldquo;He goes to school,&rdquo; &ldquo;He went to school yesterday,&rdquo;
+&ldquo;He has gone to the West.&rdquo; Avoid such ungrammatical forms as
+&ldquo;He <i>has</i> <i>went,&rdquo; &ldquo;</i>I <i>have</i> saw.&rdquo;
+</p>
+
+<p class="center">
+<b>Badly, Greatly</b>
+</p>
+
+<p>
+<i>Badly</i> is often incorrectly used for <i>greatly</i> or <i>very much,</i>
+as, &ldquo;I need it <i>badly,&rdquo;</i> &ldquo;He was <i>badly</i>
+hurt.&rdquo;
+</p>
+
+<p>
+&ldquo;That fence wants painting <i>badly,</i> I think I&rsquo;ll do it
+myself,&rdquo; said the economical husband.
+</p>
+
+<p>
+&ldquo;Yes,&rdquo; said his wife, &ldquo;you had better do it yourself if you
+think it wants to be done <i>badly.&rdquo;</i>
+</p>
+
+<p class="center">
+<b>At you</b>
+</p>
+
+<p>
+&ldquo;If you don&rsquo;t stop teasing me I will do something <i>at</i>
+you,&rdquo; meaning &ldquo;I will punish you.&rdquo; That form of expression is
+very common in some localities, and it is even more inelegant than common. The
+use of the preposition <i>to</i> instead of <i>at</i> would be a slight
+improvement, but the sentence should be entirely recast.
+</p>
+
+<p class="center">
+<b>Haply, Happily</b>
+</p>
+
+<p>
+In the reading of the Scriptures the word <i>happily</i> is sometimes used
+where the archaic word <i>haply</i> should be employed. In like manner the word
+<i>thoroughly</i> is substituted for the old form <i>throughly.</i> Both words
+should be pronounced as they are spelled.
+</p>
+
+<p class="center">
+<a name="Page115"></a>
+<b>Thanks</b>
+</p>
+
+<p>
+To say &ldquo;I thank you&rdquo; requires but little more effort than to say
+<i>&ldquo;Thanks,&rdquo;</i> and it will be received as a more sincere token of
+thankfulness.
+</p>
+
+<p class="center">
+<b>Got to</b>
+</p>
+
+<p>
+This inelegant expression is often employed where <i>must</i> would serve the
+purpose better. &ldquo;This work <i>has got to be</i> done.&rdquo; Say,
+&ldquo;Must be done.&rdquo;
+</p>
+
+<p class="center">
+<b>Hangs on</b>
+</p>
+
+<p>
+&ldquo;The cold weather <i>hangs on.&rdquo;</i> Better, &ldquo;The cold weather
+continues.&rdquo;
+</p>
+
+<p class="center">
+<b>Under the Weather</b>
+</p>
+
+<p>
+&ldquo;Are you well?&rdquo; &ldquo;No; I have been quite <i>under the
+weather.&rdquo; </i>Substitute <i>sick</i> or <i>ill,</i> for the colloquial
+expression <i>under the weather.</i>
+</p>
+
+<p class="center">
+<b>Again, Against</b>
+</p>
+
+<p>
+<i>Again</i> is often erroneously used for <i>against;</i> as, &ldquo;He leaned
+<i>again</i> the tree for support.&rdquo; Say, &ldquo;He leaned <i>against</i>
+the tree for support.&rdquo;
+</p>
+
+<p class="center">
+<b>Could, Can, Will</b>
+</p>
+
+<p>
+<i>Could</i> is often incorrectly employed where <i>can</i> or <i>will</i>
+would be more appropriate.
+</p>
+
+<p>
+<i>&ldquo;Could</i> you lend me a dollar this morning?&rdquo; If the thought of
+the inquirer is, &ldquo;Are you willing to lend,&rdquo; etc., he should have
+used <i>will </i>instead of <i>could;</i>
+<a name="Page116"></a>
+but if his thought was, &ldquo;Are you able to lend,&rdquo; or &ldquo;Do you
+have a dollar to spare this morning,&rdquo; he should have used <i>can.</i>
+</p>
+
+<p class="center">
+<b>Bravery, Courage</b>
+</p>
+
+<p>
+<i>Bravery</i> is inborn; <i>courage</i> is the result of reason and
+determination. The <i>brave</i> are often reckless; the <i>courageous</i> are
+always cautious.
+</p>
+
+<p class="center">
+<b>Hate</b>
+</p>
+
+<p>
+Avoid the use of <i>hate</i> for <i>dislike,</i> and all other intensive words
+when the thought is more correctly expressed by a milder word.
+</p>
+
+<p class="center">
+<b>Pretty, Very</b>
+</p>
+
+<p>
+<i>Pretty</i> is often incorrectly used in the sense of <i>very </i>or
+<i>moderately,</i> as &ldquo;He was <i>pretty</i> badly hurt,&rdquo; &ldquo;He
+is a <i>pretty</i> good scholar,&rdquo; &ldquo;She is <i>pretty</i>
+wealthy,&rdquo; &ldquo;Thomas is <i>pretty</i> ugly.&rdquo; So common is this
+provincialism in some localities that the incongruity of such an expression as
+the last would pass undiscovered.
+</p>
+
+<p class="center">
+<b>Lot, Number</b>
+</p>
+
+<p>
+The use of <i>lot</i> for <i>number</i> or <i>many</i> is a colloquialism that
+should be avoided. &ldquo;He collected a <i>lot (large number) </i>of books on
+the subject.&rdquo; &ldquo;A <i>lot</i> of policemen were gathered there&rdquo;
+&ldquo;I ate <i>lots of</i> oranges while I was in Florida.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page117"></a>
+<b>Lead a dance</b>
+</p>
+
+<p>
+&ldquo;He <i>led</i> his companion <i>a fine dance.&rdquo;</i> This expression,
+as generally used, is ironical, and implies that the leader conducts those who
+are led through experiences unfamiliar to them and usually to their
+disadvantage. To lead astray, to deceive, to corrupt the morals of, may be
+substituted for the foregoing inelegant expression.
+</p>
+
+<p class="center">
+<b>Try and</b>
+</p>
+
+<p>
+&ldquo;Have you been to the country this summer?&rdquo; &ldquo;No; but I will
+<i>try and go </i>next week.&rdquo;. The second speaker intends to convey the
+idea that it is his purpose to go if nothing occurs to prevent, but his going
+is still a matter of uncertainty. His statement, however, when properly
+interpreted means that he not only will try, but that he positively will go.
+</p>
+
+<p>
+&ldquo;Try <i>and</i> finish that work to-day.&rdquo; Here the purpose is not
+to command that the work shall be finished, but that the trial shall be made.
+As the sentence stands two distinct commands are given, first, that the trial
+shall be made, and, second, that the work must be completed. The sentence
+should read, &ldquo;Try to finish that work to-day.&rdquo;
+</p>
+
+<p>
+Use <i>to</i> instead of <i>and</i> in such expressions as &ldquo;Try <i>and
+</i>make it convenient to come,&rdquo; &ldquo;Try <i>and</i> do your work
+properly,&rdquo; &ldquo;Try <i>and</i> think of your lessons,&rdquo; &ldquo;Try
+<i>and</i> go <i>and</i> see our sick neighbor.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="Page118"></a><a name="chap03"></a>CHAPTER III<br />
+Contractions</h2>
+
+<p>
+Whatever may be said against employing contractions in dignified discourse,
+their use in colloquial speech is too firmly established to justify our
+censure. But, in their use, as, indeed, in the use of all words, proper
+discrimination must be shown.
+</p>
+
+<p>
+Just why <i>haven&rsquo;t, hasn&rsquo;t, doesn&rsquo;t, isn&rsquo;t,
+wasn&rsquo;t,</i> are regarded as being in good repute, and <i>ain&rsquo;t,
+weren&rsquo;t, mightn&rsquo;t, oughtn&rsquo;t,</i> are regarded with less
+favor, and why <i>shalln&rsquo;t, willn&rsquo;t</i> are absolutely excluded, it
+would be difficult to explain.
+</p>
+
+<p>
+<i>Use determines the law of language,</i> whether for single words,
+grammatical forms, or grammatical constructions. Wherever a people, by common
+consent, employ a particular word to mean a certain thing, that word becomes an
+inherent part of the language of that people, whether it has any basis in
+etymology or not. We must not wrest this law to our own convenience, however,
+by assuming that such words and phrases as are introduced and employed by the
+illiterate, or even by the educated, within a circumscribed territory, are,
+therefore, to be regarded as
+<a name="Page119"></a>
+reputable words. The sanction of all classes, the educated as well as the
+uneducated, throughout the entire country in which the language is spoken, is
+necessary and preliminary to the proper introduction of a new word into the
+language.
+</p>
+
+<p class="center">
+<b>Ain&rsquo;t</b>
+</p>
+
+<p>
+This word is a contraction of <i>am</i> <i>not</i> or <i>are not, </i>and can,
+therefore, be used only with the singular pronouns <i>I</i> and <i>you</i>, and
+with the plural pronouns <i>we, you,</i> and <i>they,</i> and with nouns in the
+plural.
+</p>
+
+<p>
+I <i>am not</i> pleased. I <i>ain&rsquo;t</i> pleased.
+</p>
+
+<p>
+You <i>are not</i> kind. You <i>ain&rsquo;t</i> kind.
+</p>
+
+<p>
+They <i>are not</i> gentlemen. They <i>ain&rsquo;t</i> gentlemen.
+</p>
+
+<p>
+These sentences will serve to illustrate the proper use of <i>ain&rsquo;t,</i>
+if it is ever proper to use such an inelegant word as that. &ldquo;James
+<i>ain&rsquo;t</i> a good student,&rdquo; &ldquo;Mary <i>ain&rsquo;t</i> a
+skillful musician,&rdquo; or &ldquo;This orange <i>ain&rsquo;t</i>
+sweet,&rdquo; are expressions frequently heard, yet those who use them would be
+shocked to hear the same expressions with the proper equivalent <i>am not</i>
+or <i>are not</i> substituted for the misleading <i>ain&rsquo;t.</i>
+</p>
+
+<p>
+The expression <i>ain&rsquo;t</i> is compounded of the verb <i>am</i> or
+<i>are</i> and the adverb <i>not,</i> and by the contraction the three vocal
+impulses <i>I-am-not,</i> or <i>you-are-not,</i> or <i>they-are-not,</i> are
+reduced to two. By compounding the pronoun with the verb and preserving the
+full adverb,
+<a name="Page120"></a>
+as in &ldquo;<i>I&rsquo;m not,&rdquo; &ldquo;You&rsquo;re not,&rdquo;</i>
+&ldquo;<i>They&rsquo;re not,&rdquo;</i> we also reduce the three vocal impulses
+to two, thus securing as short a contraction in sound and one that is as fully
+adapted to colloquial speech, and that is, at the same time, in much better
+taste.
+</p>
+
+<p>
+The old form for <i>ain&rsquo;t</i> was <i>an&rsquo;t,</i> but this has now
+become obsolete. It will be a blessing to the English-speaking people when the
+descendant shall sleep with his father.
+</p>
+
+<p>
+<i>Are not</i> is sometimes contracted into <i>aren&rsquo;t,</i> but this form
+has not found much favor.
+</p>
+
+<p class="center">
+<b>Can&rsquo;t and Couldn&rsquo;t</b>
+</p>
+
+<p>
+As <i>cannot</i> and <i>could not</i> may be used with pronouns of the first,
+second, or third person, in either number, and with nouns in both numbers, no
+error is likely to follow the use of their contracted forms.
+</p>
+
+<p>
+Why <i>cannot</i> is properly written as one word, and <i>could not
+</i>requires two, is not founded upon any principle of philosophy. The
+concurrent sanction of all classes in all parts of the English-speaking world
+establishes it as law.
+</p>
+
+<p>
+Observe that the <i>a</i> in the verb <i>can&rsquo;t</i> is broader in sound
+than the <i>short a</i> in the noun <i>cant.</i>
+</p>
+
+<p class="center">
+<b>Don&rsquo;t and Didn&rsquo;t</b>
+</p>
+
+<p>
+<i>Don&rsquo;t</i> is a contraction of <i>do not.</i> It is in very general use
+and in good repute. It may be employed
+<a name="Page121"></a>
+wherever the expanded expression <i>do not</i> could be applied, and only
+there.
+</p>
+
+<p>
+&ldquo;One swallow <i>don&rsquo;t</i> make a spring&rdquo; is equivalent to
+saying, &ldquo;One swallow <i>do not</i> make a spring.&rdquo; We may say
+&ldquo;<i>I don&rsquo;t,&rdquo; &ldquo;You don&rsquo;t,&rdquo; &ldquo;We
+don&rsquo;t,&rdquo; &ldquo;They don&rsquo;t,&rdquo; &ldquo;The men</i> (or
+<i>birds,</i> or <i>trees) don&rsquo;t,&rdquo;</i> but we must use
+<i>doesn&rsquo;t</i> with <i>he,</i> or <i>she,</i> or <i>it,</i> or <i>the
+man, the grove, the cloud,</i> etc.
+</p>
+
+<p>
+Unlike the verb <i>do</i>, its past tense form <i>did</i> undergoes no change
+in conjugation, hence the contraction <i>didn&rsquo;t</i> is also uniform.
+</p>
+
+<p class="center">
+<b>Haven&rsquo;t, Hasn&rsquo;t, and Hadn&rsquo;t</b>
+</p>
+
+<p>
+The verb <i>have,</i> like the verb <i>do,</i> has a distinct form for the
+third person singular. The same change affects the contraction. I
+<i>haven&rsquo;t,</i> you <i>haven&rsquo;t,</i> he <i>hasn&rsquo;t.</i> The
+construction <i>hadn&rsquo;t</i> undergoes no change.
+</p>
+
+<p class="center">
+<b>Haint, Taint</b>
+</p>
+
+<p>
+<i>Haint</i> is used indiscriminately for <i>haven&rsquo;t</i> and
+<i>hasn&rsquo;t. Taint</i> is used for <i>tisn&rsquo;t.</i> Their use is
+indicative of an entire lack of culture.
+</p>
+
+<p class="center">
+<b>Isn&rsquo;t</b>
+</p>
+
+<p>
+No one need hesitate to use this word. It is smooth in utterance and
+contributes much to the freedom and ease of social intercourse. Its equivalent
+is too stately for colloquial forms of speech, and is often
+<a name="Page122"></a>
+suggestive of pedantry. Compare <i>&ldquo;Isn&rsquo;t</i> he an eloquent
+speaker?&rdquo; &ldquo;<i>Isn&rsquo;t</i> this a beautiful flower?&rdquo; with
+<i>&ldquo;Is not</i> he an eloquent speaker?&rdquo; &ldquo;<i>Is</i> this
+<i>not</i> a beautiful flower?&rdquo;
+</p>
+
+<p class="center">
+<b>Wasn&rsquo;t</b>
+</p>
+
+<p>
+Although not so elegant as the present tense form <i>isn&rsquo;t,</i> yet the
+contraction <i>wasn&rsquo;t</i> is in excellent repute. It is properly used
+only in the first and third persons singular. No one who makes any pretension
+to culture would be guilty of saying&rdquo; You <i>was</i> my neighbor, but you
+<i>wasn&rsquo;t</i> my friend,&rdquo; &ldquo;We <i>was</i> engaged in trade,
+and they <i>wasn&rsquo;t </i>of any use to us.&rdquo; Say we <i>were</i> or
+<i>were not,</i> but never <i>wasn&rsquo;t</i> or <i>wa&rsquo;nt.</i>
+</p>
+
+<p class="center">
+<b>Weren&rsquo;t</b>
+</p>
+
+<p>
+The forms <i>aren&rsquo;t,</i> and <i>weren&rsquo;t</i> do not have the
+sanction of the best speakers and writers, and should be used sparingly, if at
+all.
+</p>
+
+<p class="center">
+<b>Shouldn&rsquo;t and Wouldn&rsquo;t</b>
+</p>
+
+<p>
+These are frequently used in speech, but are not so common in writing.
+</p>
+
+<p class="center">
+<b>Mustn&rsquo;t, Mayn&rsquo;t, Mightn&rsquo;t, and Oughtn&rsquo;t</b>
+</p>
+
+<p>
+<i>Mustn&rsquo;t</i> may be used in light conversation, but not in writing. The
+others should be avoided in speech and writing.
+</p>
+
+<p class="center">
+<a name="Page123"></a>
+<b>I&rsquo;m, You&rsquo;re, He&rsquo;s, She&rsquo;s, It&rsquo;s, We&rsquo;re,
+They&rsquo;re</b>
+</p>
+
+<p>
+The contractions formed by compounding the pronoun with the verb are very
+common, and tend to preserve conversation from becoming stiff and formal. Nouns
+in the singular are sometimes compounded in like manner; as,
+&ldquo;John&rsquo;s going by the early train,&rdquo; &ldquo;Mary&rsquo;s caught
+a bird.&rdquo; Not many verbs beside <i>is</i> and <i>has</i> are thus
+compounded, and the practice should be discouraged.
+</p>
+
+<p class="center">
+<b>Mayst, Mightst</b>
+</p>
+
+<p>
+Although <i>mayst, canst, mightst, couldst, wouldst,</i> and <i>shouldst</i>
+are contracted forms, the apostrophe is not employed to indicate the
+contraction.
+</p>
+
+<p class="center">
+<b>Daren&rsquo;t, Dursent</b>
+</p>
+
+<p>
+<i>Dare not</i> is sometimes contracted to <i>daren&rsquo;t</i> and <i>durst
+not</i> to<i> dursent,</i> but the practice should not be encouraged.
+</p>
+
+<p class="center">
+<b>Let&rsquo;s</b>
+</p>
+
+<p>
+While verbs are often contracted when compounded with pronouns, as
+<i>it&rsquo;s, he&rsquo;s, I&rsquo;m, you&rsquo;re,</i> etc., the pronoun must
+not be contracted to form a combination with the verb. It may be a poor rule,
+but it will not work both ways. <i>Let&rsquo;s</i> should therefore be <i>let
+us.</i>
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="Page124"></a><a name="chap04"></a>CHAPTER IV<br/>
+Possessive Case</h2>
+
+<p>
+Some time ago a shoe merchant called upon the writer to know how to arrange the
+points in the wording of a new sign that he was preparing to place over his
+door. He made a specialty of shoes for men and boys. He presented a paper
+containing the lines:
+</p>
+
+<p class="center">
+Men&rsquo;s and Boy&rsquo;s Shoes.<br/> Mens&rsquo; and Boys&rsquo; Shoes.
+</p>
+
+<p>
+He was politely informed that both were incorrect; that the two words form
+their plurals differently, and that the possessive case is, therefore, formed
+in a different manner. The plural of <i>man</i> is <i>men,;</i> the plural of
+<i>boy</i> is <i>boys</i>. The possessive of <i>man</i> is <i>man&rsquo;s;</i>
+of <i>men</i> is <i>men&rsquo;s.</i> The possessive of <i>boy</i> is
+<i>boy&rsquo;s;</i> of <i>boys</i> is <i>boys&rsquo;.</i> In the latter case we
+are obliged to place the apostrophe after the <i>s</i> in order to distinguish
+the possessive plural from the possessive singular. All nouns that form their
+plurals by adding <i>s</i> to the singular, form their possessive case as the
+word <i>boy </i>does. The sign should therefore read:
+</p>
+
+<p class="center">
+Men&rsquo;s and Boys&rsquo; Shoes.
+</p>
+
+<p class="center">
+<a name="Page125"></a>
+<b>Singular Nouns</b>
+</p>
+
+<p>
+All nouns in the singular form their possessive case by adding the apostrophe
+and the letter <i>s</i>; as, child&rsquo;s, girl&rsquo;s, woman&rsquo;s,
+bird&rsquo;s, brother&rsquo;s, sister&rsquo;s, judge&rsquo;s, sailor&rsquo;s.
+</p>
+
+<p>
+When the noun ends in <i>s, sh, ch, ce, se,</i> or <i>x</i>, the additional
+<i>s</i> makes another syllable in pronouncing the word; as, James&rsquo;s,
+Charles&rsquo;s, witness&rsquo;s, duchess&rsquo;s, countess&rsquo;s,
+Rush&rsquo;s, March&rsquo;s, prince&rsquo;s, horse&rsquo;s, fox&rsquo;s. In
+poetry the terminal <i>s</i> is sometimes omitted for the sake of the meter.
+</p>
+
+<p>
+While writers differ, the tendency in modern usage is toward the additional
+<i>s</i> in such expressions as <i>Mrs. Hemans&rsquo;s Poems, Junius&rsquo;s
+Letters, Knowles&rsquo;s &ldquo;Virginius,&rdquo; Knox&rsquo;s Sermons,
+Brooks&rsquo;s Arithmetics, Rogers&rsquo;s Essays.</i>
+</p>
+
+<p>
+By long-established usage such expressions as <i>for conscience&rsquo; sake,
+for righteousness&rsquo; sake, for qoodness&rsquo; sake, for Jesus&rsquo;
+sake,</i> have become idioms. Some authorities justify the omission of the
+possessive <i>s</i> when the next word begins with <i>s</i>, as in
+<i>Archimedes&rsquo; screw, Achilles&rsquo; sword.</i>
+</p>
+
+<p class="center">
+<b>Plural Nouns</b>
+</p>
+
+<p>
+Most nouns form their plurals by adding <i>s</i> or <i>es</i> to the singular.
+These plurals form their possessive by adding the apostrophe; as,
+horses&rsquo;, countesses&rsquo;, foxes&rsquo;, churches&rsquo;,
+princes&rsquo;. Nouns whose plurals are formed otherwise than by adding
+<i>s</i> or <i>es,</i> form their possessive
+<a name="Page126"></a>
+case by adding the apostrophe and <i>s,</i> just as nouns in the singular do;
+as, men&rsquo;s, women&rsquo;s, children&rsquo;s, seraphim&rsquo;s.
+</p>
+
+<p class="center">
+<b>Pronouns</b>
+</p>
+
+<p>
+Sometimes the mistake is made of using the apostrophe with the possessive
+personal pronouns; as, her&rsquo;s, our&rsquo;s, it&rsquo;s. The personal and
+relative pronouns do not require the apostrophe, but the indefinite pronouns
+<i>one</i> and <i>other</i> form their possessives in the same manner as nouns;
+as, &ldquo;<i>each other&rsquo;s eyes,&rdquo; &ldquo;a hundred others&rsquo;
+woes.&rdquo;</i>
+</p>
+
+<p class="center">
+<b>Double Possessives</b>
+</p>
+
+<p>
+&ldquo;John and Mary&rsquo;s sled,&rdquo; means one sled belonging jointly to
+John and Mary. &ldquo;John&rsquo;s and Mary&rsquo;s sleds&rdquo; means that one
+sled belongs to John, the other to Mary.
+</p>
+
+<p>
+&ldquo;Men, women, and children&rsquo;s shoes for sale here.&rdquo; When
+several possessives connected by <i>and</i> refer to the same noun, the sign of
+the possessive is applied to the last one only.
+</p>
+
+<p>
+When a disjunctive word or words are used, the sign must be annexed to each
+word; as, &ldquo;These are Charles&rsquo;s or James&rsquo;s books.&rdquo;
+</p>
+
+<p class="center">
+<b>Possessive of Nouns in Apposition</b>
+</p>
+
+<p>
+When two nouns are in apposition, or constitute a title, the possessive sign is
+affixed to the last, as
+<a name="Page127"></a>
+&ldquo;For David my servant&rsquo;s sake,&rdquo; &ldquo;Give me here John the
+Baptist&rsquo;s head in a charger,&rdquo; &ldquo;The Prince of Wales&rsquo;s
+yacht,&rdquo; &ldquo;Frederick the Great&rsquo;s kindness.&rdquo;
+</p>
+
+<p class="center">
+<b>After &ldquo;of&rdquo;</b>
+</p>
+
+<p>
+By a peculiarity of idiom the possessive sign is used with a noun in the
+objective; as, &ldquo;This is a story <i>of Lincoln&rsquo;s,&rdquo;</i>
+&ldquo;That is a letter <i>of the President&rsquo;s,&rdquo;</i> &ldquo;A
+patient <i>of Dr. Butler&rsquo;s,&rdquo;</i> &ldquo;A pupil <i>of Professor
+Ludlam&rsquo;s.&rdquo;</i>
+</p>
+
+<p>
+In ordinary prose the custom of the best writers is to limit the use of the
+possessive chiefly to persons and personified objects; to time expressions, as,
+<i>an hour&rsquo;s delay, a moment&rsquo;s thought;</i> and to such idioms as
+<i>for brevity&rsquo;s sake.</i>
+</p>
+
+<p>
+Avoid such expressions as, &ldquo;America&rsquo;s champion baseball
+player,&rdquo; &ldquo;Chicago&rsquo;s best five-cent cigar,&rdquo; &ldquo;Lake
+Michigan&rsquo;s swiftest steamer.&rdquo;
+</p>
+
+<p class="center">
+<b>Somebody else&rsquo;s</b>
+</p>
+
+<p>
+The question whether we should say &ldquo;This is somebody&rsquo;s else
+pencil,&rdquo; or &ldquo;This is somebody else&rsquo;s pencil,&rdquo; has been
+warmly argued by the grammarians, the newspapers, and the schools. If some
+leading journal or magazine were to write somebody else as one word, others
+would, doubtless, follow, and the question of the possessive would settle
+itself. The word <i>notwithstanding</i> is composed of three separate words,
+<a name="Page128"></a>
+which are no more closely united in thought than are the three words <i>some,
+body,</i> and <i>else.</i> Two of the latter are already united, and the close
+mental union of the third with the first and second would justify the
+innovation.
+</p>
+
+<p>
+But the words are at present disunited. A majority of the best writers still
+conform to the old custom of placing the possessive with <i>else.</i>
+</p>
+
+<p>
+&ldquo;People were so ridiculous with their illusions, carrying their
+fool&rsquo;s caps unawares, thinking their own lies opaque, while <i>everybody
+else&rsquo;s </i>were transparent.&rdquo;&mdash;<i>George Eliot.</i>
+</p>
+
+<p>
+Some make a distinction by placing the possessive with <i>else</i> when the
+noun follows, and with <i>somebody</i> when the noun precedes; as, &ldquo;This
+is <i>somebody else&rsquo;s</i> pencil,&rdquo; and &ldquo;This pencil is
+<i>somebody&rsquo;s else.&rdquo; </i>This distinction is not generally
+followed.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="Page129"></a><a name="chap05"></a>CHAPTER V<br/>
+Pronouns</h2>
+
+<p>
+The correct use of the pronouns, personal and relative, involves a degree of
+skill which many speakers and writers fail to possess. The choice of the
+appropriate pronoun, the agreement with its antecedent, the proper case form,
+are matters that require careful consideration.
+</p>
+
+<p class="center">
+<b>Case Forms</b>
+</p>
+
+<p>
+Following <i>am, are, is, was,</i> and other forms of the verb <i>to be,</i>
+the pronoun must be in the nominative case.
+</p>
+
+<p>
+&ldquo;Are you the person that called?&rdquo; &ldquo;Yes; I am
+<i>him.&rdquo;</i> The answer should have been, &ldquo;I am <i>he.&rdquo;</i>
+</p>
+
+<p>
+&ldquo;I saw a man trespassing on my grounds, and I think you are
+<i>him.&rdquo; </i>Say, &ldquo;You are <i>he.&rdquo;</i>
+</p>
+
+<p>
+&ldquo;It is only <i>me;</i> don&rsquo;t be afraid.&rdquo; &ldquo;It is only
+<i>I&rdquo;</i> is the correct form.
+</p>
+
+<p>
+&ldquo;It was <i>him</i> that struck you, not <i>me.&rdquo;</i> Change
+<i>him,</i> to <i>he,</i> and <i>me</i> to <i>I.</i>
+</p>
+
+<p>
+&ldquo;It might have been <i>him</i> that sent you the present.&rdquo; Use
+<i>he, </i>not <i>him.</i>
+</p>
+
+<p>
+<a name="Page130"></a>
+&ldquo;It is <i>him whom</i> you said it was.&rdquo; The sentence should be,
+&ldquo;It is <i>he who</i> you said it was.&rdquo;
+</p>
+
+<p>
+&ldquo;That was but a picture of him and not <i>him</i> himself.&rdquo; Say,
+&ldquo;and not <i>he</i> himself.&rdquo;
+</p>
+
+<p class="center">
+<b>After Verbs and Prepositions</b>
+</p>
+
+<p>
+When a pronoun depends upon a verb or a preposition the pronoun must be in the
+objective case.
+</p>
+
+<p>
+&ldquo;Between you and <i>I,</i> that picture is very faulty.&rdquo; The
+pronouns <i>you </i>and <i>I</i> depend upon the preposition <i>between.</i>
+The pronoun <i>I </i>should therefore be in the objective case, and the
+sentence should be, &ldquo;Between <i>you</i> and <i>me,</i> that picture is
+very faulty.&rdquo;
+</p>
+
+<p>
+&ldquo;The president of the meeting appointed <i>you</i> and <i>I</i> upon the
+committee.&rdquo; As both pronouns are objects of the transitive verb
+<i>appointed, </i>both should be in the objective case. <i>You</i> having the
+same form in the objective as in the nominative is, therefore, correct, but
+<i>I</i> should be changed to <i>me.</i>
+</p>
+
+<p>
+&ldquo;The teacher selected <i>he</i> and <i>I</i> to represent the
+class.&rdquo; The pronouns are the objects of the verb <i>selected,</i> and
+should be changed to <i>him</i> and <i>me.</i> The infinitive <i>to
+represent,</i> like other infinitives, can have no subject, and, therefore,
+does not control the case of the pronouns.
+</p>
+
+<p class="center">
+<b>Interrogatives</b>
+</p>
+
+<p>
+When a question is asked, the subject is usually placed after the verb, or
+between the auxiliary and
+<a name="Page131"></a>
+the verb; as, &ldquo;Did you go to town?&rdquo; &ldquo;Will he sail
+to-day?&rdquo; &ldquo;Has your uncle arrived?&rdquo; &ldquo;Hearest thou thy
+mother&rsquo;s call?&rdquo;
+</p>
+
+<p>
+The object or attribute of the verb, when a pronoun, is often used to introduce
+the sentence. &ldquo;<i>Who</i> should I see coming toward me but my old
+friend?&rdquo; <i>Who</i> should be <i>whom,</i> for it is the object, and not
+the subject, of the verb <i>should see.</i>
+</p>
+
+<p>
+<i>&ldquo;Whom</i> do you think that tall gentleman is?&rdquo; <i>Whom</i>
+should be <i>who,</i> as it is the attribute of the verb <i>is.</i>
+</p>
+
+<p>
+&ldquo;<i>Who</i> do you take me for?&rdquo; Being the object of the
+preposition <i>for, who</i> should be <i>whom.</i>
+</p>
+
+<p class="center">
+<b>After &ldquo;To be&rdquo;</b>
+</p>
+
+<p>
+&ldquo;I knew it was <i>him&rdquo;</i> is incorrect, because the word which
+forms the pronoun attribute of the verb <i>was</i> must be in the nominative
+case. But the infinitive of the neuter verb requires the objective case.
+Therefore we must say, &ldquo;I knew it to be <i>him,&rdquo;</i> not &ldquo;I
+knew it to be <i>he.&rdquo;</i> The latter faulty form is very frequently
+employed.
+</p>
+
+<p>
+&ldquo;<i>Who</i> did you suppose it to be?&rdquo; Incorrect. Say,
+<i>&ldquo;whom.&rdquo;</i>
+</p>
+
+<p>
+<i>&ldquo;Whom</i> did you suppose it was?&rdquo; Incorrect. Say,
+<i>&ldquo;who.&rdquo;</i>
+</p>
+
+<p class="center">
+<a name="Page132"></a>
+<b>After the Imperative</b>
+</p>
+
+<p>
+The imperative mood requires the objective case after it. &ldquo;Let you and
+<i>I</i> try it.&rdquo; It should be, &ldquo;Let you and <i>me</i> try
+it.&rdquo;
+</p>
+
+<p>
+&ldquo;Let <i>he</i> who made thee answer that.&rdquo;&mdash;<i>Byron.</i> He
+should have said, &ldquo;Let <i>him</i> who made thee answer that.&rdquo;
+</p>
+
+<p>
+&ldquo;Let <i>him</i> be <i>whom,</i> he may.&rdquo; <i>Him</i> is the
+objective after the imperative <i>let,</i> and is correct. <i>Whom</i> should
+be <i>who,</i> as pronoun attribute of the verb <i>may be.</i>
+&ldquo;<i>Who</i> he may be, I cannot tell,&rdquo; is correct.
+&ldquo;<i>Who</i> he may be, let him be,&rdquo; is also correct. By
+transposing, and by omitting <i>be,</i> we have &ldquo;Let him be <i>who</i> he
+may.&rdquo;
+</p>
+
+<p>
+&ldquo;Let the sea roar, and the fullness thereof; the world, and <i>they</i>
+that dwell therein.&rdquo; When, as in this case, the verb is widely separated
+from its object, we need to give particular care to the case of the pronoun
+which constitutes the object. <i>They</i> should be <i>them.</i>
+</p>
+
+<p class="center">
+<b>Silent Predicate</b>
+</p>
+
+<p>
+&ldquo;Who will go with us to the woods? <i>Me.&rdquo;</i> The complete answer
+would be,&rdquo; Me will go with you to the woods,&rdquo; the faultiness of
+which is evident. The answer should be &ldquo;<i>I.&rdquo;</i>
+</p>
+
+<p class="center">
+<b>After &ldquo;Than&rdquo; and &ldquo;As&rdquo;</b>
+</p>
+
+<p>
+The objective pronoun is often incorrectly used for the nominative after
+<i>than</i> or <i>as</i>.
+</p>
+
+<p>
+<a name="Page133"></a>
+&ldquo;He can swim better <i>than me.&rdquo;</i> The complete sentence would
+be, &ldquo;He can swim better than <i>I</i> can swim.&rdquo; The omission of
+the verb <i>can swim </i>affords no reason for changing <i>I</i> to <i>me.</i>
+</p>
+
+<p>
+&ldquo;He is no better than <i>me.&rdquo;</i> Say, &ldquo;He is no better than
+<i>I,&rdquo; </i>meaning, <i>I am.</i>
+</p>
+
+<p>
+&ldquo;They are common people, such as you and <i>me</i>.&rdquo; Such people
+&ldquo;as you and I are.&rdquo; The pronoun should be <i>I,</i> not <i>me.</i>
+</p>
+
+<p class="center">
+<b>Parenthetical Expressions</b>
+</p>
+
+<p>
+When a parenthetical expression comes between a pronoun in the nominative case
+and its verb, the objective is often incorrectly used instead of the
+nominative.
+</p>
+
+<p>
+&ldquo;She sang for the benefit of those <i>whom</i> she thought might be
+interested.&rdquo; The explanatory parenthesis <i>&ldquo;she thought&rdquo;</i>
+comes between the pronominal subject and its verb <i>might be interested.</i>
+Omit the explanatory clause and the case of the pronoun becomes clear.
+&ldquo;She sang for the benefit of those <i>who</i> might be interested.&rdquo;
+</p>
+
+<p class="center">
+<b>Agreement with Antecedent</b>
+</p>
+
+<p>
+A pronoun must agree with its antecedent in <i>gender, person,</i> and
+<i>number.</i> The gender and person usually take care of themselves, but the
+number of pronouns is a serious obstacle to correct speech.
+</p>
+
+<p>
+<a name="Page134"></a>
+&ldquo;One tells the quality of <i>their</i> minds when <i>they</i> try to talk
+well&rdquo;&mdash;<i>George Eliot,</i> in <i>Middlemarch.</i> The pronouns
+<i>their </i>and <i>they</i> should be singular.
+</p>
+
+<p>
+&ldquo;Everybody has something to say which <i>they think</i> is worthy of
+being heard.&rdquo; <i>Everybody</i> refers to persons singly, and not
+collectively. <i>They think</i> should be <i>he thinks, he</i> being the proper
+pronoun to employ when the gender is not indicated.
+</p>
+
+<p>
+&ldquo;Every nation has laws and customs of <i>their</i> own.&rdquo; The use of
+the word <i>every</i> necessitates a pronoun in the singular, hence
+<i>their</i> should be <i>its.</i>
+</p>
+
+<p>
+&ldquo;Every one is accountable for <i>their</i> own acts.&rdquo; Use
+<i>his.</i>
+</p>
+
+<p>
+&ldquo;She studied his countenance like an inscription, and deciphered
+<i>each</i> rapt expression that crossed it, and stored <i>them</i> in her
+memory.&rdquo; Change <i>them</i> to <i>it.</i>
+</p>
+
+<p>
+&ldquo;Each of them, in <i>their</i> turn, received the reward to which <i>they
+were</i> entitled.&rdquo; This should be &ldquo;Each of them in <i>his</i> turn
+received the reward to which <i>he was</i> entitled.&rdquo;
+</p>
+
+<p>
+<i>No</i> and <i>not,</i> like <i>each</i> and <i>every,</i> when they qualify
+a plural antecedent, or one consisting of two or more nouns, require a pronoun
+in the singular.
+</p>
+
+<p>
+&ldquo;No policeman, no employee, no citizen dared to lift <i>their</i>
+hand&rdquo; Say, <i>his</i> hand.
+</p>
+
+<p class="center">
+<a name="Page135"></a>
+<b>Or, Nor</b>
+</p>
+
+<p>
+When the antecedent consists of two or more nouns separated by <i>or, nor, as
+well as,</i> or any other disjunctive, the pronoun must be singular.
+</p>
+
+<p>
+&ldquo;Neither spelling nor parsing <i>receive</i> the attention <i>they</i>
+once received.&rdquo; Verb and pronoun should be singular, <i>receives</i> and
+<i>it.</i>
+</p>
+
+<p class="center">
+<b>Collective Noun</b>
+</p>
+
+<p>
+When a noun of multitude or collective noun is the antecedent, the pronoun,
+like the verb, must be plural or singular according to the sense intended to be
+conveyed.
+</p>
+
+<p class="center">
+<b>Ambiguity</b>
+</p>
+
+<p>
+Never leave the antecedent of your pronoun in doubt.
+</p>
+
+<p>
+&ldquo;John tried to see his father in the crowd, but could not, because <i>he
+</i>was so short.&rdquo; If the father was short, repeat the noun and omit the
+pronoun, as &ldquo;John tried to see his father in the crowd but could not
+because his father was so short.&rdquo; If John was short, recast the sentence:
+&ldquo;John, being short of stature, tried in vain to see his father in the
+crowd.&rdquo;
+</p>
+
+<p>
+&ldquo;He said to his friend that, if he did not feel better soon, he thought
+he had better go home.&rdquo; This sentence is susceptible of four
+interpretations. We shall omit the first part of the sentence in the last
+<a name="Page136"></a>
+three interpretations, as it is the same in all. &ldquo;He said to his friend:
+&lsquo;If I do not feel better soon, I think I had better go
+home.&rsquo;&rdquo; &ldquo;If I do not feel better soon, I think you had better
+go home.&rdquo; &ldquo;If you do not feel better soon, I think I had better go
+home.&rdquo; &ldquo;If you do not feel better soon, I think you had better go
+home.&rdquo;
+</p>
+
+<p>
+&ldquo;The lad cannot leave his father; for, if he should leave <i>him, he</i>
+would die.&rdquo; To avoid ambiguity substitute <i>his father</i> for the
+italicised pronouns. The repetition is not pleasant, but it is the lesser of
+two evils.
+</p>
+
+<p class="center">
+<b>Needless Pronouns</b>
+</p>
+
+<p>
+Avoid all pronouns and other words that are not essential to the meaning.
+</p>
+
+<p>
+&ldquo;The father <i>he</i> died, the mother <i>she</i> soon followed <i>after,
+</i>and the children <i>they</i> were <i>all</i> taken <i>down</i> sick.&rdquo;
+</p>
+
+<p>
+&ldquo;Let every one turn from <i>his or her</i> evil ways.&rdquo; Unless there
+is special reason for emphasizing the feminine pronoun, avoid the awkward
+expression <i>his or her.</i> The pronoun <i>his</i> includes the other.
+</p>
+
+<p class="center">
+<b>Mixed Pronouns</b>
+</p>
+
+<p>
+Do not use two styles of the pronoun in the same Sentence. &ldquo;Enter
+<i>thou</i> into the joy of <i>your</i> Lord.&rdquo; &ldquo;Love <i>thyself</i>
+last, and others will love <i>you</i>.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page137"></a>
+<b>Them, Those</b>
+</p>
+
+<p>
+It should not be necessary to caution the reader against the use of <i>them
+</i>for <i>those.</i>
+</p>
+
+<p>
+&ldquo;Fetch me <i>them</i> books.&rdquo; &ldquo;Did you see <i>them,</i> fat
+oxen?&rdquo; &ldquo;<i>Them&rsquo;s</i> good; I&rsquo;ll take another
+dish.&rdquo;
+</p>
+
+<p class="center">
+<b>Which, Who</b>
+</p>
+
+<p>
+&ldquo;Those <i>which</i> say so are mistaken.&rdquo; <i>Who</i> is applied to
+persons; <i>which,</i> to the lower animals and to inanimate things.
+</p>
+
+<p>
+&ldquo;He has some friends <i>which</i> I know.&rdquo; <i>Whom,</i> the
+objective case form of the pronoun <i>who,</i> should here be used.
+</p>
+
+<p>
+&ldquo;The dog, <i>who</i> was called Rover, went mad.&rdquo; Use <i>which.</i>
+</p>
+
+<p class="center">
+<b>What, That</b>
+</p>
+
+<p>
+<i>That</i> is applied to persons, animals, and things. <i>What </i>is applied
+to things. The antecedent of <i>what</i> should not be expressed. <i>What</i>
+is both antecedent and relative.
+</p>
+
+<p>
+&ldquo;All <i>what</i> he saw he described.&rdquo; Say, &ldquo;What he
+saw,&rdquo; or &ldquo;All <i>that </i>he saw,&rdquo; etc.
+</p>
+
+<p class="center">
+<b>Uniform Relatives</b>
+</p>
+
+<p>
+When several relative clauses relate to the same antecedent, they should have
+the same relative pronoun.
+</p>
+
+<p>
+&ldquo;It was Joseph <i>that</i> was sold into Egypt, who
+<a name="Page138"></a>
+became governor of the land, and <i>which</i> saved his father and brothers
+from famine.&rdquo; Change <i>that</i> and <i>which</i> to <i>who</i>.
+</p>
+
+<p class="center">
+<b>Choice of Relatives</b>
+</p>
+
+<p>
+Since <i>who</i> and <i>that</i> are both applied to persons, and <i>which</i>
+and <i>that</i> are both applied to animals and things, it often becomes a
+serious question which relative we shall employ. Much has been written upon the
+subject, but the critics still differ in theory and in practice. The following
+is probably as simple a statement of the general rule as can be found:
+</p>
+
+<p>
+If the relative clause is of such a nature that it could be introduced by
+<i>and he, and she, and it, and they,</i> etc., the relative <i>who</i> (for
+persons) and <i>which</i> (for animals or things) should be used in preference
+to the relative <i>that.</i>
+</p>
+
+<p>
+&ldquo;Man <i>that</i> is born of a woman is of few days, and full of
+trouble.&rdquo; The language of the Bible and of Shakespeare must stand,
+although the forms of expression differ greatly from those employed at the
+present day. According to modern standards, <i>that</i> should be <i>who.</i>
+</p>
+
+<p>
+&ldquo;The earth is enveloped by an ocean of air <i>that</i> is a compound of
+oxygen and nitrogen!&rdquo; Change <i>that</i> to <i>which</i>.
+</p>
+
+<p>
+The relative <i>that</i> should be used in preference to <i>who</i> or
+<i>which:</i>
+</p>
+
+<p class="noindent">
+<a name="Page139"></a>
+(1) When the antecedent names both persons and things;<br/>
+(2) When it would prevent ambiguity;<br/>
+(3) After the words <i>same, very, all;</i><br/>
+(4) After the interrogative pronoun <i>who;</i><br/>
+(5) After adjectives expressing quality in the highest degree.
+</p>
+
+<p>
+&ldquo;The wisest men <i>who</i> ever lived made mistakes.&rdquo; Use
+<i>that.</i> See (5).
+</p>
+
+<p>
+&ldquo;He lived near a stagnant pool <i>which</i> was a nuisance.&rdquo; Use
+<i>that. </i>See (2).
+</p>
+
+<p>
+&ldquo;All <i>who</i> knew him loved him.&rdquo; Say <i>that.</i> See (3).
+</p>
+
+<p>
+&ldquo;Who <i>who</i> saw him did not pity him.&rdquo; See (4).
+</p>
+
+<p>
+&ldquo;He spake of the men and things <i>which</i> he had seen.&rdquo; See (1).
+</p>
+
+<p>
+&ldquo;These are my pupils <i>which</i> I have brought to see you.&rdquo; Use
+<i>whom, </i>as <i>which</i> is not applied to persons.
+</p>
+
+<p>
+&ldquo;This is the window <i>whose</i> panes were broken by the rude
+boys.&rdquo; Use &ldquo;the panes of <i>which.&rdquo;</i> Because of its
+convenience, perhaps, the faulty <i>whose</i> is very largely used; as,
+&ldquo;The eagle <i>whose</i> wings,&rdquo; &ldquo;The house <i>whose</i>
+gables,&rdquo; &ldquo;The ocean <i>whose</i> waves,&rdquo; &ldquo;The vessel
+<i>whose</i> sails,&rdquo; &ldquo;The play <i>whose</i> chief merit,&rdquo;
+&ldquo;Music <i>whose </i>chief attraction,&rdquo; etc.
+</p>
+
+<p class="center">
+<a name="Page140"></a>
+<b>Which and Who after &ldquo;And&rdquo;</b>
+</p>
+
+<p>
+<i>Which</i> and <i>who</i> cannot follow <i>and</i> unless there has been a
+preceding <i>which</i> or <i>who</i> in the same sentence and in the same
+construction.
+</p>
+
+<p>
+&ldquo;The more important rules, definitions and observations, <i>and which</i>
+are therefore the most proper to be committed to memory, are printed
+<i>with</i> a large type.&rdquo;&mdash;<i>Murray&rsquo;s Grammar.</i> In
+Moore&rsquo;s <i>Bad English</i> the sentence is corrected thus: &ldquo;The
+rules, definitions, and observations <i>which </i>are the more important,
+<i>and which</i> are therefore the most proper to be committed to memory, are
+printed in larger type.&rdquo;
+</p>
+
+<p class="center">
+<b>Adverbs for Relative Pronouns</b>
+</p>
+
+<p>
+Adverbs are often employed where a preposition with a relative pronoun would
+better express the sense.
+</p>
+
+<p>
+&ldquo;There is no method known <i>how</i> his safety may be assured.&rdquo;
+Use <i>by which</i> instead of <i>how.</i>
+</p>
+
+<p>
+&ldquo;He wrote me a letter <i>where</i> he repeated his instructions.&rdquo;
+&ldquo;Letter <i>in which</i> he repeated,&rdquo; etc.
+</p>
+
+<p>
+&ldquo;And curse the country <i>where</i> their fathers dwelt.&rdquo;
+<i>&ldquo;In which </i>their fathers dwelt.&rdquo;
+</p>
+
+<p>
+&ldquo;This is a case <i>where</i> large interests are involved.&rdquo; The
+preposition and relative will better express the meaning; as, &ldquo;This is a
+case <i>in which </i>large interests are involved.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page141"></a>
+<b>Misplaced Relative</b>
+</p>
+
+<p>
+The relative should be so placed as to prevent ambiguity, and as near as
+possible to its antecedent.
+</p>
+
+<p>
+&ldquo;Mr. Smith needs a surgeon, <i>who</i> has broken his arm.&rdquo; Say,
+&ldquo;Mr. Smith, <i>who</i> has broken,&rdquo; etc.
+</p>
+
+<p>
+&ldquo;The figs were in small wooden boxes, <i>which</i> we ate.&rdquo;
+&ldquo;The figs <i>which </i>we ate,&rdquo; etc.
+</p>
+
+<p>
+&ldquo;He needs no boots <i>that</i> cannot walk.&rdquo; &ldquo;He <i>that</i>
+cannot walk,&rdquo; etc.
+</p>
+
+<p class="center">
+<b>Omitted Relatives</b>
+</p>
+
+<p>
+The relative pronoun is often omitted when it should be expressed.
+</p>
+
+<p>
+&ldquo;The next falsehood he told was the worst of all.&rdquo; Say, &ldquo;The
+next falsehood <i>that</i> he told,&rdquo; etc.
+</p>
+
+<p>
+&ldquo;It is little we know of the divine perfections.&rdquo; Say,
+&ldquo;Little <i>that</i> we know.&rdquo;
+</p>
+
+<p>
+&ldquo;Almost all the irregularities in the construction of any language have
+arisen from the ellipsis of some words which were originally inserted in the
+sentence and made it regular.&rdquo;&mdash;<i>Murray&rsquo;s Grammar.</i> The
+sentence should end with &ldquo;<i>and which</i> made it regular.&rdquo;
+</p>
+
+<p class="center">
+<b>The one, the other</b>
+</p>
+
+<p>
+When <i>the one</i> and <i>the other</i> refer to things previously mentioned,
+<i>the one</i> applies to the first mentioned, and <i>the other</i> to the last
+mentioned.
+</p>
+
+<p>
+&ldquo;Homer was a genius, Virgil an artist: in <i>the one</i> we most admire
+the man; in <i>the other,</i> the work.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="Page142"></a><a name="chap06"></a>CHAPTER VI<br/>
+Number</h2>
+
+<p>
+Many persons of moderate education regard nouns that do not end with <i>s</i>
+or <i>es</i> as singular. Even the gifted pen of Addison once slipped so far as
+to betray him into using the word <i>seraphim,</i> in the singular.
+</p>
+
+<p class="center">
+<b>Cherubim, Seraphim</b>
+</p>
+
+<p>
+The words <i>cherub</i> and <i>seraph,</i> are singular. <i>Cherub, </i>as
+applied to a little child, takes the English plural, <i>cherubs.</i> As applied
+to an order of angels, it takes the Hebrew plural, <i>cherubim.</i> The
+singular, <i>seraph,</i> has an English plural, <i>seraphs,</i> as well as the
+Hebrew plural, <i>seraphim.</i> The double plurals, <i>cherubims</i> and
+<i>seraphims,</i> although found in the King James version of the Bible, are
+regarded as faulty in modern writing, and should be avoided.
+</p>
+
+<p class="center">
+<b>News</b>
+</p>
+
+<p>
+Although plural in form, the word <i>news</i> is singular in meaning; as,
+&ldquo;The <i>news</i> from Europe this morning is quite interesting.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page143"></a>
+<b>Acoustics</b>
+</p>
+
+<p>
+Names of sciences ending in <i>ics,</i> are generally regarded as singular.
+<i>&ldquo;Acoustics</i> is a very considerable branch of physics.&rdquo; Do not
+say, &ldquo;The <i>acoustics</i> of this hall <i>are</i> good,&rdquo; but
+&ldquo;The <i>acoustic</i> <i>properties</i> of this hall are good.&rdquo;
+</p>
+
+<p>
+Dialectics, dynamics, economics, mathematics, ethics, politics, tactics, when
+used as substantives, require a verb in the singular.
+</p>
+
+<p class="center">
+<b>Analysis</b>
+</p>
+
+<p>
+Many words like <i>analysis, crisis, ellipsis, emphasis, hypothesis, oasis,
+parenthesis, synopsis,</i> form their plurals by changing the termination
+<i>is</i> into <i>es;</i> as, <i>analyses, crises,</i> etc. The word <i>iris
+</i>takes the English plural <i>irises;</i> Latin plural is <i>irides.
+Chrysalis</i> has only the Latin plural, <i>chrysalides;</i> but <i>chrysalid,
+</i>which means the same as <i>chrysalis,</i> takes the English plural,
+<i>chrysalids.</i>
+</p>
+
+<p class="center">
+<b>Terminus</b>
+</p>
+
+<p>
+<i>Terminus, radius, alumnus,</i> and some other words ending in <i>us</i>,
+form their plurals by changing the termination <i>us</i> into <i>i</i>; as
+<i>termini, radii,</i> etc.
+</p>
+
+<p>
+Many words ending in <i>us</i> that formerly were written with only the Latin
+plural, are now given an English plural also; as, <i>focuses, foci; cactuses,
+cacti; sarcophaguses, sarcophagi; convolvuluses, convolvuli ; funguses, fungi;
+nucleuses, nuclei.</i>
+</p>
+
+<p>
+<a name="Page144"></a>
+<i>Isthmus, prospectus, rebus,</i> take only the English plural.
+</p>
+
+<p>
+<i>Apparatus</i> has no plural. Avoid <i>apparatuses.</i>
+</p>
+
+<p>
+The plural of <i>genius,</i> as applied to a man of unusual vigor of mind, is
+<i>geniuses.</i> When applied to a good or bad spirit, the plural is
+<i>genii.</i>
+</p>
+
+<p class="center">
+<b>Formula</b>
+</p>
+
+<p>
+<i>Formulas, larvas, stigmas,</i> are regular English plurals; <i>formulae,
+larvae,</i> and <i>stigmata</i> are the classical plurals. <i>Nebulae</i> and
+<i>alumnae</i> are the proper plurals, the latter being the feminine noun
+corresponding to the masculine plural <i>alumni.</i>
+</p>
+
+<p class="center">
+<b>Datum, Phenomenon</b>
+</p>
+
+<p>
+<i>Datum, erratum, candelabrum,</i> and <i>memorandum</i> form their plurals by
+changing <i>um</i> to <i>a</i>; as, <i>data, errata,</i> etc. The last two also
+take the English plurals, <i>memorandums, candelabrums.</i>
+</p>
+
+<p>
+The plural of <i>phenomenon</i> and <i>criterion</i> are <i>phenomena,
+criteria,</i> although <i>criterions</i> is sometimes employed.
+</p>
+
+<p>
+The plural forms, <i>data, strata,</i> and <i>phenomena,</i> are so much more
+frequently used than their singular forms, <i>datum, stratum,</i> and
+<i>phenomenon,</i> that some writers have slipped into the habit of using the
+plurals with a singular meaning; as, &ldquo;The <i>aurora borealis</i> is a
+very strange <i>phenomena.&rdquo;</i> &ldquo;Our <i>data</i> is insufficient to
+establish a theory.&rdquo; &ldquo;The <i>strata</i> is broken and
+irregular.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page145"></a>
+<b>Mussulmans</b>
+</p>
+
+<p>
+While most words ending in <i>man</i> become plural by changing this
+termination to <i>men,</i> as <i>gentlemen, noblemen, clergymen, statesmen,
+</i>the following simply add <i>s</i>: <i>dragomans, Mussulmans, Ottomans,
+talismans</i> &ldquo;A dozen dragomans offered their services as guides and
+interpreters.&rdquo; &ldquo;A band of Mussulmans cut off our retreat.&rdquo;
+&ldquo;Those fierce Ottomans proved to be very revengeful.&rdquo; &ldquo;He
+purchased five finely upholstered ottomans for his drawing-room.&rdquo;
+</p>
+
+<p class="center">
+<b>Heroes, Cantos</b>
+</p>
+
+<p>
+Most nouns ending in <i>o</i> add <i>es</i> to form the plural; as, <i>heroes,
+negroes, potatoes, stuccoes, manifestoes, mosquitoes.</i> Words ending in
+<i>io</i> or <i>yo</i> add <i>s;</i> as, <i>folios, nuncios, olios, ratios,
+embryos</i>.
+</p>
+
+<p>
+The following words, being less frequently used, often puzzle us to know
+whether to add <i>s</i> or <i>es</i> to form the plural: <i>armadillos, cantos,
+cuckoos, halos, juntos, octavos, provisos, salvos, solos, twos, tyros,
+virtuosos.</i>
+</p>
+
+<p class="center">
+<b>Alms, Odds, Riches</b>
+</p>
+
+<p>
+Many nouns that end in <i>s</i> have a plural appearance, and we are often
+perplexed to know whether to use <i>this</i> or <i>these,</i> and whether to
+employ a singular or a plural verb when the noun is used as a substantive.
+</p>
+
+<p>
+<i>Amends</i> is singular. <i>Assets, dregs, eaves, bees, pincers, riches,
+scissors, sheers, tongs, vitals,</i> are plural. When we
+<a name="Page146"></a>
+say <i>a</i> <i>pair of pincers,</i> or <i>scissors</i>, or <i>shears,</i> or
+<i>tongs,</i> the verb should be singular. <i>Tidings,</i> in
+Shakespeare&rsquo;s time, was used indiscriminately with a singular or plural
+verb, but is now generally regarded as plural.
+</p>
+
+<p>
+<i>Alms</i> and <i>headquarters</i> are usually made plural, but are
+occasionally found with a singular verb. <i>Pains</i> is usually singular.
+<i>Means, odds,</i> and <i>species</i> are singular or plural, according to the
+meaning.
+</p>
+
+<p>
+&ldquo;By <i>this means</i> he accomplished his purpose.&rdquo; &ldquo;What
+other <i>means is </i>left to us?&rdquo; &ldquo;Your <i>means are</i> very
+slender, and your waste is great.&rdquo;
+</p>
+
+<p class="center">
+<b>Proper Names</b>
+</p>
+
+<p>
+These are usually pluralized by adding <i>s</i>; as, <i>the Stuarts, the
+Caesars, the Beechers, the Brownings.</i>
+</p>
+
+<p class="center">
+<b>Titles with Proper Names</b>
+</p>
+
+<p>
+Shall we say <i>the Miss Browns, the Misses Brown,</i> or <i>the Misses
+Browns?</i> Great diversity of opinion prevails. Gould Brown says: &ldquo;The
+name and not the title is varied to form the plural; as, <i>the Miss Howards,
+the two Mr. Clarks.&rdquo;</i>
+</p>
+
+<p>
+Alexander Bain, LL. D., says: &ldquo;We may say <i>the Misses Brown,</i> or
+<i>the Miss Browns,</i> or even <i>the Misses Browns.&rdquo;</i>
+</p>
+
+<p>
+The chief objection to the last two forms is found when the proper name ends
+with <i>s</i>, as when we say, <i>the Miss Brookses, the Miss Joneses, the Miss
+Pottses, the</i>
+<a name="Page147"></a>
+<i>Miss Blisses.</i> The form <i>the Misses Brooks</i> is objected to by some
+on the ground that it sounds affected. On the whole the rule given by Gould
+Brown is the best, and is quite generally observed.
+</p>
+
+<p class="center">
+<b>Knight Templar</b>
+</p>
+
+<p>
+Both words are made plural, <i>Knights Templars,</i> a very unusual way of
+forming the plural.
+</p>
+
+<p class="center">
+<b>Plural Compounds</b>
+</p>
+
+<p>
+The plural sign of a compound word is affixed to the principal part of the
+word, to the part that conveys the predominant idea; as, <i>fathers-in-law,
+man-servants, outpourings, ingatherings.</i> In such words as <i>handfuls,
+cupfuls, mouthfuls,</i> the plural ending is added to the subordinate part
+because the ideas are so closely associated as to blend into one.
+</p>
+
+<p class="center">
+<b>Beaus, Beaux</b>
+</p>
+
+<p>
+Some words ending in <i>eau</i> have only the English plurals, as <i>bureaus,
+portmanteaus;</i> others take both the English and the French plurals, as
+<i>beaus, beaux; flambeaus, flambeaux; plateaus, plateaux;</i> and still others
+take only the foreign plural; as, <i>bateaux, chateaux, tableaux.</i>
+</p>
+
+<p class="center">
+<b>Pair, Couple, Brace</b>
+</p>
+
+<p>
+After numerals, the singular form of such words as these is generally employed;
+as, five <i>pair</i> of gloves, eight <i>couple</i> of dancers, three
+<i>brace</i> of pigeons, five
+<a name="Page148"></a>
+<i>dozen</i> of eggs, four <i>score</i> years, twenty <i>sail</i> of ships,
+fifty <i>head</i> of cattle, six <i>hundred</i> of these men, two <i>thousand
+</i>of these cattle, etc.
+</p>
+
+<p>
+After such indefinite adjectives as <i>few, many, several,</i> some of the
+above words take the plural form; as, several <i>hundreds,</i> many
+<i>thousands.</i>
+</p>
+
+<p class="center">
+<b>Index, Appendix</b>
+</p>
+
+<p>
+<i>Indexes</i> of books; <i>indices,</i> if applied to mathematical signs in
+algebra. <i>Appendixes</i> or <i>appendices.</i>
+</p>
+
+<p class="center">
+<b>Fish, Fly</b>
+</p>
+
+<p>
+The plural of <i>fish</i> is <i>fishes</i> when considered individually, and
+<i>fish</i> when considered collectively. &ldquo;My three pet <i>fishes</i>
+feed out of my hand.&rdquo; &ldquo;Six barrels of <i>fish</i> were landed from
+the schooner.&rdquo;
+</p>
+
+<p>
+Most words ending in <i>y</i> change this termination into <i>ies,</i> as
+<i>duties, cities,</i> etc. The plural of <i>fly,</i> the insect, is formed in
+the usual manner, but fly, a light carriage, adds <i>s</i>; as, &ldquo;Six
+<i>flys </i>carried the guests to their homes.&rdquo;
+</p>
+
+<p class="center">
+<b>Animalcule</b>
+</p>
+
+<p>
+The plural of this word is <i>animalcules.</i> There is no plural
+<i>animalculae.</i> The plural of the Latin <i>animalculum</i> is
+<i>animalcula.</i>
+</p>
+
+<p class="center">
+<b>Bandit</b>
+</p>
+
+<p>
+This word has two plural forms, <i>bandits</i> and <i>banditti.</i>
+</p>
+
+<p class="center">
+<a name="Page149"></a>
+<b>Brother</b>
+</p>
+
+<p>
+Plural <i>brothers,</i> when referring to members of the same family;
+<i>brethren,</i> when applied to members of the same church or society.
+</p>
+
+<p class="center">
+<b>Die</b>
+</p>
+
+<p>
+Plural <i>dies,</i> when the stamp with which seals are impressed is meant;
+<i>dice,</i> the cubes used in playing backgammon.
+</p>
+
+<p class="center">
+<b>Herring</b>
+</p>
+
+<p>
+The plural is <i>herrings,</i> but <i>shad, trout, bass, pike, pickerel,
+grayling,</i> have no plural form. &ldquo;I caught three <i>bass</i> and seven
+fine <i>pickerel</i> this morning.&rdquo;
+</p>
+
+<p class="center">
+<b>Grouse</b>
+</p>
+
+<p>
+The names of game birds, as <i>grouse, quail, snipe, woodcock,</i> usually take
+no plural form.
+</p>
+
+<p class="center">
+<b>Pea</b>
+</p>
+
+<p>
+Considered individually the plural is <i>peas;</i> when referring to the crop
+the proper form is <i>pease.</i>
+</p>
+
+<p class="center">
+<b>Penny</b>
+</p>
+
+<p>
+&ldquo;He gave me twelve bright new <i>pennies,&rdquo;</i> referring to the
+individual coins. &ldquo;I paid him twelve <i>pence,&rdquo;</i> meaning a
+<i>shilling.</i>
+</p>
+
+<p class="center">
+<b>Wharf</b>
+</p>
+
+<p>
+Plural, generally <i>wharves</i> in America; <i>wharfs</i> in England.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="Page150"></a><a name="chap07"></a>CHAPTER VII<br/>
+Adverbs</h2>
+
+<p>
+The clearness of the sentence is often dependent upon the proper placing of the
+adverb. No absolute rule can be laid down, but it should generally be placed
+before the word it qualifies. It is sometimes necessary to place it after the
+verb, and occasionally between the auxiliary and the verb, but it should never
+come between <i>to</i> and the <i>infinitive.</i>
+</p>
+
+<p>
+&ldquo;I have thought of marrying <i>often.&rdquo;</i> As the adverb relates to
+the thinking, and not to the marrying, the sentence should read, &ldquo;I have
+<i>often </i>thought of marrying.&rdquo;
+</p>
+
+<p>
+&ldquo;We have <i>often</i> occasion to speak of health.&rdquo; This should be,
+&ldquo;We <i>often</i> have occasion,&rdquo; etc,
+</p>
+
+<p>
+&ldquo;It remains then <i>undecided</i> whether we shall go to Newport or
+Saratoga.&rdquo; Place <i>undecided</i> before <i>then.</i>
+</p>
+
+<p class="center">
+<b>Adjective or Adverb?</b>
+</p>
+
+<p>
+There is often a doubt in the mind of the speaker whether to use the adjective
+or the adverb, and too frequently he reaches a wrong decision. When the
+limiting word expresses a quality or state of the
+<a name="Page"></a>
+subject or of the object of a verb, the adjective must be employed; but if the
+manner of the action is to be expressed, the adverb must be used. The verbs
+<i>be, seem, look, taste, smell,</i> and <i>feel</i> furnish many
+stumbling-blocks.
+</p>
+
+<p>
+&ldquo;This rose smells <i>sweetly.&rdquo;</i> As the property or quality of
+the rose is here referred to, and not the manner of smelling, the adjective
+<i>sweet </i>should be employed, and not the adverb <i>sweetly.</i>
+</p>
+
+<p>
+&ldquo;Thomas feels quite <i>badly</i> about it.&rdquo; Here, again, it is the
+condition of Thomas&rsquo;s mind, and not the manner of feeling, that is to be
+expressed; hence, <i>badly</i> should be <i>bad</i> or <i>uncomfortable.</i>
+</p>
+
+<p>
+&ldquo;Didn&rsquo;t she look <i>beautifully</i> upon the occasion of her
+wedding?&rdquo; No; she looked <i>beautiful.</i>
+</p>
+
+<p>
+&ldquo;The sun shines brightly.&rdquo; <i>Bright</i> is the better word.
+</p>
+
+<p>
+&ldquo;The child looks <i>cold,&rdquo;</i> refers to the condition of the
+child. &ldquo;The lady looked <i>coldly</i> upon her suitor,&rdquo; refers to
+the manner of looking.
+</p>
+
+<p>
+&ldquo;The boy feels warm&rdquo; is correct. &ldquo;The boy feels <i>warmly</i>
+the rebuke of his teacher&rdquo; is equally correct.
+</p>
+
+<p>
+While license is granted to the poets to use the adjective for the adverb, as
+in the line
+</p>
+
+<p class="poem">
+&ldquo;They fall <i>successive</i> and <i>successive</i> rise,&rdquo;
+</p>
+
+<p class="noindent">
+in prose the one must never be substituted for the other.
+</p>
+
+<p>
+<a name="Page152"></a>
+<i>&ldquo;Agreeably</i> to my promise, I now write,&rdquo; not
+<i>&ldquo;Agreeable</i> to my promise.&rdquo;
+</p>
+
+<p>
+&ldquo;An <i>awful</i> solemn funeral,&rdquo; should be &ldquo;An
+<i>awfully</i> solemn funeral.&rdquo;
+</p>
+
+<p>
+&ldquo;He acts <i>bolder</i> than was expected,&rdquo; should be &ldquo;He acts
+<i>more boldly.&rdquo;</i>
+</p>
+
+<p>
+&ldquo;Helen has been <i>awful</i> sick, but she is now <i>considerable
+</i>better.&rdquo; &ldquo;Helen has been very ill, but she is now
+<i>considerably </i>better.&rdquo;
+</p>
+
+<p>
+Do not use <i>coarser</i> for more coarsely, <i>finer</i> for more finely,
+<i>harsher</i> for more harshly, <i>conformable</i> for conformably, <i>decided
+</i>for decidedly, <i>distinct</i> for distinctly, <i>fearful</i> for
+fearfully, <i>fluent</i> for fluently.
+</p>
+
+<p>
+Do not say &ldquo;This melon is <i>uncommon</i> good,&rdquo; but &ldquo;This
+melon is <i>uncommonly</i> good.&rdquo;
+</p>
+
+<p>
+The word <i>ill</i> is both an adjective and an adverb. Do not say &ldquo;He
+can illy afford to live in such a house,&rdquo; but &ldquo;He can <i>ill</i>
+afford.&rdquo;
+</p>
+
+<p>
+&ldquo;That was a <i>dreadful</i> solemn sermon.&rdquo; To say &ldquo;That was
+a <i>dreadfully </i>solemn sermon&rdquo; would more grammatically express what
+the speaker intended, but <i>very</i> or <i>exceedingly</i> would better
+express the meaning.
+</p>
+
+<p class="center">
+<b>Such, So</b>
+</p>
+
+<p>
+<i>Such</i> is often improperly used for the adverb <i>so.</i>
+</p>
+
+<p>
+&ldquo;In <i>such</i> a mild and healthful climate.&rdquo; This should be,
+&ldquo;In <i>so</i> mild and healthful a climate.&rdquo;
+</p>
+
+<p>
+<a name="Page153"></a>
+&ldquo;With all due deference to <i>such</i> a high authority on <i>such</i> a
+very important matter.&rdquo; Change to, &ldquo;With all due deference to
+<i>so</i> high an authority on <i>so</i> very important a matter.&rdquo;
+</p>
+
+<p class="center">
+<b>Good, Well</b>
+</p>
+
+<p>
+Many intelligent persons carelessly use the adjective <i>good</i> in the sense
+of the adverb <i>well;</i> as, &ldquo;I feel <i>good</i> to-day.&rdquo;
+&ldquo;Did you sleep <i>good</i> last night?&rdquo; &ldquo;Does this coat look
+<i>good</i> enough to wear on the street?&rdquo; &ldquo;I can do it as
+<i>good</i> as he can.&rdquo; The frequent indulgence in such errors dulls the
+sense of taste and weakens the power of discrimination.
+</p>
+
+<p class="center">
+<b>Very much of</b>
+</p>
+
+<p>
+&ldquo;She is <i>very much of</i> a lady.&rdquo; Say, &ldquo;She is very
+ladylike.&rdquo; &ldquo;He is <i>very much of</i> a gentleman.&rdquo; Say,
+&ldquo;He is very gentlemanly.&rdquo;
+</p>
+
+<p class="center">
+<b>Quite</b>
+</p>
+
+<p>
+This adverb is often incorrectly used in the sense of <i>very</i> or
+<i>rather.</i> It should be employed only in the sense of <i>wholly</i> or
+<i>entirely.</i> These sentences are therefore incorrect:
+</p>
+
+<p>
+&ldquo;He was wounded <i>quite</i> severely.&rdquo;
+</p>
+
+<p>
+&ldquo;James was <i>quite</i> tired of doing nothing.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page154"></a>
+<b>How</b>
+</p>
+
+<p>
+This word is sometimes used when another would be more appropriate.
+</p>
+
+<p>
+&ldquo;He said <i>how</i> he would quit farming.&rdquo; Use <i>that.</i>
+</p>
+
+<p>
+&ldquo;Ye see <i>how</i> that not many wise men are called.&rdquo; We must read
+the Bible as we find it, but in modern English the sentence would be corrected
+by omitting <i>how.</i>
+</p>
+
+<p>
+&ldquo;Be careful <i>how</i> you offend him.&rdquo; If the manner of offending
+is the thought to be expressed, the sentence is correct. But the true meaning
+is doubtless better expressed by, &ldquo;Be careful <i>lest</i> you offend
+him.&rdquo;
+</p>
+
+<p class="center">
+<b>No, Not</b>
+</p>
+
+<p>
+&ldquo;I cannot tell whether he will come or <i>no.&rdquo;</i> &ldquo;Whether
+he be a sinner or <i>no</i> I know not.&rdquo; In such cases <i>not</i> should
+be used instead of <i>no.</i>
+</p>
+
+<p class="center">
+<b>This much</b>
+</p>
+
+<p>
+<i>&ldquo;This much</i> can be said in his favor.&rdquo; Change <i>this
+much</i> to <i>so</i> <i>much</i> or<i> thus much.</i>
+</p>
+
+<p class="center">
+<b>That far</b>
+</p>
+
+<p>
+The expressions <i>this far</i> and <i>that far,</i> although they are very
+common, are, nevertheless, incorrect. <i>Thus</i> <i>far</i> or <i>so far
+</i>should be used instead.
+</p>
+
+<p class="center">
+<a name="Page155"></a>
+<b>Over, More than</b>
+</p>
+
+<p>
+&ldquo;There were not <i>over</i> thirty persons present.&rdquo; <i>Over</i> is
+incorrect; <i>above</i> has some sanction; but <i>more than,</i> is the best,
+and should be used.
+</p>
+
+<p class="center">
+<b>Real good</b>
+</p>
+
+<p>
+This is one of those good-natured expressions that insinuate themselves into
+the speech of even cultured people. <i>Very good</i> is just as short, and much
+more correct. <i>Really good</i> scarcely conveys the thought intended.
+</p>
+
+<p class="center">
+<b>So nice</b>
+</p>
+
+<p>
+&ldquo;This basket of flowers is <i>so</i> <i>nice.&rdquo; So nice</i> does not
+tell <i>how</i> <i>nice. So</i> requires a correlative to complete its meaning.
+Use <i>very nice</i> or <i>very pretty.</i>
+</p>
+
+<p class="center">
+<b>Pell-mell</b>
+</p>
+
+<p>
+&ldquo;He rushes <i>pell-mell</i> down the street.&rdquo; One bird cannot flock
+by itself, nor can one man rush <i>pell-mell.</i> It will require at least
+several men to produce the intermixing and confusion which the word is intended
+to convey.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="Page156"></a><a name="chap08"></a>CHAPTER VIII<br/>
+Conjunctions</h2>
+
+<p>
+As a general rule, sentences should not begin with conjunctions. <i>And,
+or,</i> and <i>nor</i> are often needlessly employed to introduce a sentence.
+The disjunctive <i>but</i> may sometimes be used to advantage in this position,
+and in animated and easy speech or writing the coordinate conjunction
+<i>and</i> may be serviceable, but these and all other conjunctions, when made
+to introduce sentences, should be used sparingly.
+</p>
+
+<p class="center">
+<b>Reason, Because</b>
+</p>
+
+<p>
+&ldquo;The <i>reason</i> I ask you to tell the story is <i>because</i> you can
+do it better than I.&rdquo; <i>Because</i> means <i>&ldquo;for the
+reason</i>.&rdquo; This makes the sentence equivalent to &ldquo;The
+<i>reason</i> I ask you to tell the story is <i>for the reason</i> that you can
+do it better than I.&rdquo; Use <i>that </i>instead of because.
+</p>
+
+<p>
+<i>&ldquo;Because</i> William studied law is no <i>reason</i> why his brother
+should not do so.&rdquo; The following is better: <i>&ldquo;That</i> William
+studied law is no <i>reason</i> why his brother should not do so.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page157"></a>
+<b>Only, Except, But</b>
+</p>
+
+<p>
+&ldquo;The house was as convenient as his, <i>only</i> that it was a trifle
+smaller.&rdquo; Use <i>except</i> for <i>only.</i>
+</p>
+
+<p>
+&ldquo;The field was as large as his, <i>only</i> the soil was less
+fertile.&rdquo; Use <i>but</i> for <i>only.</i>
+</p>
+
+<p class="center">
+<b>But, Except</b>
+</p>
+
+<p>
+&ldquo;Being the eldest of the brothers <i>but</i> Philip, who was an invalid,
+he assumed charge of his father&rsquo;s estate.&rdquo; <i>Except</i> is better
+than <i>but.</i>
+</p>
+
+<p class="center">
+<b>But what, But that</b>
+</p>
+
+<p>
+&ldquo;Think no man so perfect <i>but what</i> he may err.&rdquo; Say,
+<i>&ldquo;but that</i> he may err.&rdquo;
+</p>
+
+<p>
+&ldquo;I could not think <i>but what</i> he was insane.&rdquo; Use <i>but
+that.</i>
+</p>
+
+<p class="center">
+<b>But, If</b>
+</p>
+
+<p>
+&ldquo;I should not wonder <i>but</i> the assembly would adjourn to-day.&rdquo;
+Use <i>if</i> instead of <i>but.</i>
+</p>
+
+<p class="center">
+<b>But, That</b>
+</p>
+
+<p>
+&ldquo;I have no doubt <i>but</i> he will serve you well.&rdquo; Say,
+&ldquo;<i>that </i>he will serve you well.&rdquo;
+</p>
+
+<p class="center">
+<b>That, That</b>
+</p>
+
+<p>
+&ldquo;I wished to show, by your own writings, <i>that</i> so far were you from
+being competent to teach others English composition, <i>that</i> you had need
+yourself to study its first principles.&rdquo;&mdash;<i>Moon, Dean&rsquo;s
+English.</i>
+</p>
+
+<p>
+The second <i>that</i> is superfluous. This fault is very
+<a name="Page158"></a>
+common with writers who use long sentences. The intervention of details between
+the first <i>that</i> and the clause which it is intended to introduce causes
+the writer to forget that he has used the introductory word, and prompts him to
+repeat it unconsciously.
+</p>
+
+<p class="center">
+<b>But</b>
+</p>
+
+<p>
+&ldquo;There is no doubt <i>but</i> that he is the greatest painter of the
+age.&rdquo; The word <i>but</i> is superfluous. &ldquo;He never doubted
+<i>but</i> that he was the best fisherman on the coast.&rdquo; Omit <i>but.</i>
+</p>
+
+<p class="center">
+<b>That</b>
+</p>
+
+<p>
+&ldquo;He told me he would write as soon as he reached London.&rdquo; Say,
+&ldquo;He told me <i>that</i> he would write,&rdquo; etc.
+</p>
+
+<p class="center">
+<b>Than</b>
+</p>
+
+<p>
+&ldquo;The Romans loved war better <i>than</i> the Greeks.&rdquo; Such
+ambiguous forms should be avoided. As it is not probable that the speaker
+intended to say that the Romans loved war better than they loved the Greeks, he
+should have framed his sentence thus: &ldquo;The Romans loved war better than
+the Greeks did.&rdquo;
+</p>
+
+<p class="center">
+<b>But that</b>
+</p>
+
+<p>
+&ldquo;He suffered no inconvenience <i>but that</i> arising from the
+dust.&rdquo; <i>But that,</i> or <i>except that,</i> is correct. Some persons
+improperly use <i>than that</i> after <i>no.</i>
+</p>
+
+<p>
+&ldquo;I don&rsquo;t know <i>but</i> <i>that</i> I shall go to Europe.&rdquo;
+Omit <i>that. &ldquo;</i>I don&rsquo;t know <i>but</i> I shall go,&rdquo; etc.
+</p>
+
+<p class="center">
+<a name="Page159"></a>
+<b>Other than</b>
+</p>
+
+<p>
+&ldquo;We suffered no <i>other</i> inconvenience <i>but</i> that arising from
+the dust.&rdquo; This is incorrect. After <i>other</i> we should use <i>than.
+</i>Therefore, &ldquo;We suffered no <i>other</i> inconvenience <i>than</i>
+that arising from the dust.&rdquo;
+</p>
+
+<p>
+After <i>else, other, rather,</i> and all comparatives, the latter term of
+comparison should be introduced by the conjunction <i>than.</i>
+</p>
+
+<p class="center">
+<b>Either the</b>
+</p>
+
+<p>
+&ldquo;Passengers are requested not to converse with <i>either</i> conductor or
+driver.&rdquo; This is one of those business notices that are often more
+concise than correct. It implies that there are two conductors and two drivers.
+The sentence should read, &ldquo;Passengers are requested not to converse with
+<i>either the </i>conductor <i>or the</i> driver.&rdquo;
+</p>
+
+<p class="center">
+<b>Lest, That</b>
+</p>
+
+<p>
+&ldquo;I feared <i>lest</i> I should be left behind.&rdquo; Use the copulative
+<i>that, </i>and not the disjunctive <i>lest.</i> &ldquo;I feared <i>that</i> I
+should be left behind.&rdquo;
+</p>
+
+<p class="center">
+<b>Otherwise than</b>
+</p>
+
+<p>
+&ldquo;He cannot do <i>otherwise but</i> follow your direction.&rdquo; Use
+<i>than, </i>not <i>but,</i> after <i>otherwise.</i> Hence, &ldquo;He cannot do
+<i>otherwise than</i> follow,&rdquo; etc.
+</p>
+
+<p class="center">
+<b>After that</b>
+</p>
+
+<p>
+<i>&ldquo;After that</i> I have attended to the business I will call upon
+you.&rdquo; The word <i>that</i> is superfluous.
+</p>
+
+<p class="center">
+<a name="Page160"></a>
+<b>But what</b>
+</p>
+
+<p>
+&ldquo;His parents will never believe <i>but what</i> he was enticed away by
+his uncle.&rdquo; Omit <i>what.</i> The use of <i>but that</i> would be equally
+objectionable. <i>But</i> is sufficient.
+</p>
+
+<p>
+A reconstruction of the sentence would improve it. &ldquo;His parents will
+always believe,&rdquo; or &ldquo;Will never cease to believe that,&rdquo; etc.
+</p>
+
+<p class="center">
+<b>Doubt not but</b>
+</p>
+
+<p>
+&ldquo;I <i>doubt not but</i> your friend will return.&rdquo; Say, &ldquo;I
+<i>doubt not that</i> your friend will return.&rdquo;
+</p>
+
+<p class="center">
+<b>Not impossible but</b>
+</p>
+
+<p>
+&ldquo;It is <i>not impossible but</i> he may call to-day.&rdquo; Use <i>that
+</i>instead of <i>but.</i>
+</p>
+
+<p class="center">
+<b>Whether, Whether</b>
+</p>
+
+<p>
+&ldquo;Ginevra has not decided <i>whether</i> she will study history or
+<i>whether</i> she will study philosophy.&rdquo; As there is nothing gained in
+clearness or in emphasis by the repetition of <i>&ldquo;whether she
+will,&rdquo;</i> this shorter sentence would be better: &ldquo;Ginevra has not
+decided whether she will study history or philosophy.&rdquo;
+</p>
+
+<p class="center">
+<b>As though</b>
+</p>
+
+<p>
+&ldquo;He spoke <i>as</i> <i>though,</i> he had a customer for his
+house.&rdquo; Say, &ldquo;<i>as</i> <i>if</i> he had a <i>purchaser,&rdquo;</i>
+etc.
+</p>
+
+<p class="center">
+<a name="Page161"></a>
+<b>Except</b>
+</p>
+
+<p>
+&ldquo;I will not let thee go <i>except</i> thou bless me.&rdquo; This use of
+the word <i>except</i> occurs frequently in the Scriptures, but it is now
+regarded as obsolete. The word <i>unless</i> should be used instead.
+</p>
+
+<p>
+&ldquo;Few speakers <i>except</i> Burke could have held their attention.&rdquo;
+In this sentence, <i>besides</i> should take the place of <i>except.</i>
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="Page162"></a><a name="chap09"></a>CHAPTER IX<br/>
+Correlatives</h2>
+
+<p>
+Certain adverbs and conjunctions, in comparison or antithesis, require the use
+of corresponding adverbs and conjunctions. Such corresponding words are called
+correlatives. The following are the principal ones in use:
+</p>
+
+<p class="letter">
+as, as.<br />
+as, so.<br />
+both, and.<br />
+if, then.<br />
+either, or.<br />
+neither, nor.<br />
+not only, but.<br />
+not only, but also.<br />
+not only, but even.<br />
+not merely, but.<br />
+not merely, but also.<br />
+not merely, but even.<br />
+so, as.<br />
+so, that.<br />
+such, as.<br />
+such, that.<br />
+though, yet.<br />
+when, then.<br />
+where, there.<br />
+whether, or.
+</p>
+
+<p>
+The improper grouping of these correlatives is the cause of many errors in
+speech and writing.
+</p>
+
+<p class="center">
+<b>As... as</b>
+</p>
+
+<p>
+&ldquo;She is <i>as</i> wise <i>as</i> she is good.&rdquo; &ldquo;Mary is
+<i>as</i> clever <i>as </i>her brother.&rdquo; The correlatives <i>as... as</i>
+are
+<a name="Page163"></a>
+employed in expressing equality. Their use in any other connection is
+considered inelegant. <i>&ldquo;As</i> far <i>as</i> I am able to judge, he
+would make a very worthy officer.&rdquo; This is a very common error. The
+sentence should be, <i>&ldquo;So</i> far <i>as</i> I am able,&rdquo; etc.
+</p>
+
+<p>
+<i>As</i> is often followed by <i>so. &ldquo;As</i> thy days, <i>so</i> shall
+thy strength be.&rdquo;
+</p>
+
+<p class="center">
+<b>So... as</b>
+</p>
+
+<p>
+In such negative assertions as, &ldquo;This is not <i>as</i> fine a tree
+<i>as</i> that,&rdquo; the first <i>as</i> should be changed to <i>so</i>. Say,
+&ldquo;She is not <i>so</i> handsome <i>as</i> she once was.&rdquo; &ldquo;This
+edition of Tennyson is not <i>so</i> fine <i>as</i> that.&rdquo;
+</p>
+
+<p class="center">
+<b>Either, Neither</b>
+</p>
+
+<p>
+The correlatives <i>either, or,</i> and <i>neither, nor,</i> are employed when
+two objects are mentioned; as, <i>&ldquo;Either</i> you <i>or</i> I must go to
+town to-day,&rdquo; &ldquo;<i>Neither</i> James <i>nor</i> Henry was proficient
+in history.&rdquo;
+</p>
+
+<p>
+&ldquo;He <i>neither</i> bought, sold, <i>or</i> exchanged stocks and
+bonds.&rdquo; The sentence should be, &ldquo;He <i>neither</i> bought, sold,
+<i>nor</i> exchanged stocks and bonds.&rdquo;
+</p>
+
+<p>
+&ldquo;That is not true, <i>neither.&rdquo;</i> As we already have one negative
+in the word <i>not,</i> the word <i>neither</i> should be changed <i>to
+either,</i> to avoid the double negation.
+</p>
+
+<p>
+A negative other than <i>neither</i> may take either <i>or</i> or <i>nor </i>as
+its correlative, &ldquo;She was <i>not</i> so handsome as her mother, <i>or
+</i>so brilliant as her father.&rdquo; &ldquo;He was <i>never</i> happy <i>nor
+</i>contented afterward.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page164"></a>
+<b>Position of correlatives</b>
+</p>
+
+<p>
+The placing of correlatives requires care. &ldquo;He <i>not only</i> gave me
+advice, <i>but also</i> money.&rdquo; This is a faulty construction because the
+first member of the correlative, <i>not only,</i> being placed before the verb
+<i>gave</i> leads us to expect that the action of <i>giving</i> is to be
+contrasted with some other action. The close of the sentence reveals the fact
+that the words <i>advice</i> and <i>money</i> represent the ideas intended for
+contrast. The first correlative should, therefore, have been placed before
+<i>advice,</i> and the sentence should read, &ldquo;He gave me <i>not only</i>
+advice, <i>but also </i>money.&rdquo;
+</p>
+
+<p>
+&ldquo;I remember that I am not here as a censor <i>either</i> of manners <i>or
+</i>morals.&rdquo; This sentence from Richard Grant White will be improved by
+changing the position of the first member of the correlative. &ldquo;I remember
+that I am not here as a censor of <i>either</i> manners <i>or</i>
+morals.&rdquo;
+</p>
+
+<p>
+&ldquo;I <i>neither</i> estimated myself highly <i>nor</i> lowly.&rdquo; It
+should be, &ldquo;I estimated myself <i>neither</i> highly <i>nor</i>
+lowly.&rdquo;
+</p>
+
+<p>
+&ldquo;He <i>neither</i> attempted to excite anger, <i>nor</i> ridicule, <i>nor
+</i>admiration.&rdquo; The sentence should be, &ldquo;He attempted to excite
+<i>neither </i>anger, <i>nor</i> ridicule, <i>nor</i> admiration.&rdquo; But
+here we have the correlative <i>neither, nor,</i> used with more than two
+objects, which is a violation of a principle previously stated. The
+<a name="Page165"></a>
+sentence is purposely introduced to call attention to the fact that many
+respectable writers not only use <i>neither, nor,</i> with three or more
+objects, but also defend it. This usage may be avoided by a reconstruction of
+the sentence; as, &ldquo;He did not attempt to excite anger, nor ridicule, nor
+admiration.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="Page166"></a><a name="chap10"></a>CHAPTER X<br/>
+The Infinitive</h2>
+
+<p>
+Many errors arise from not knowing how to use the infinitive mood. Perhaps the
+most common fault is to interpose an adverb between the preposition <i>to</i>
+and the infinitive verb; as, &ldquo;It is not necessary <i>to accurately
+relate</i> all that he said.&rdquo; &ldquo;You must not expect <i>to always
+find</i> people agreeable.&rdquo; Whether we shall place the adverb before the
+verb or after it must often be determined by considerations of emphasis and
+smoothness as well as of clearness and correctness. In the foregoing sentences
+it is better to place <i>accurately</i> after the verb, and <i>always</i>
+before the preposition <i>to.</i>
+</p>
+
+<p class="center">
+<b>Supply &ldquo;to&rdquo;</b>
+</p>
+
+<p>
+The preposition <i>to</i> as the sign of the infinitive is often improperly
+omitted.
+</p>
+
+<p>
+&ldquo;Please <i>write</i> clearly, so that we may understand,&rdquo;
+&ldquo;Your efforts will tend to hinder rather than <i>hasten</i> the
+work,&rdquo; &ldquo;Strive so to criticise as not to embarrass
+<a name="Page167"></a>
+nor <i>discourage</i> your pupil.&rdquo; These sentences will be corrected by
+inserting <i>to</i> before the italicized words.
+</p>
+
+<p>
+In such expressions as &ldquo;Please <i>excuse</i> my son&rsquo;s
+absence,&rdquo; &ldquo;Please <i>write</i> me a letter,&rdquo; &ldquo;Please
+<i>hand</i> me the book,&rdquo; many authorities insist upon the use of
+<i>to</i> before the verb. The sentences may, however, be regarded as softened
+forms of the imperative; as, <i>&ldquo;Hand</i> me the book, if you
+please.&rdquo; Transposed, &ldquo;If you please, hand me the book.&rdquo;
+Contracted, &ldquo;Please, hand me the book.&rdquo; From this, the comma may
+have slipped out and left the sentence as first written.
+</p>
+
+<p class="center">
+<b>Omit &ldquo;to&rdquo;</b>
+</p>
+
+<p>
+When a series of infinitives relate to the same object, the word <i>to</i>
+should be used before the first verb and omitted before the others; as,
+&ldquo;He taught me <i>to read, write,</i> and <i>cipher.&rdquo;</i> &ldquo;The
+most accomplished way of using books at present is to serve them as some do
+lords&mdash;<i>learn</i> their titles and then <i>brag</i> of their
+acquaintance.&rdquo;
+</p>
+
+<p>
+The active verbs <i>bid, dare, feel, hear, let, make, need, see,</i> and their
+participles, usually take the infinitive after them, without the preposition
+<i>to.</i> Such expressions, as &ldquo;He bade me <i>to depart,&rdquo;
+&ldquo;</i>I dare <i>to say</i> he is a villain,&rdquo; &ldquo;I had difficulty
+in making him <i>to see</i> his error,&rdquo; are, therefore, wrong, and are
+corrected by omitting <i>to.</i>
+</p>
+
+<p class="center">
+<a name="Page168"></a>
+<b>Incomplete Infinitive</b>
+</p>
+
+<p>
+Such incomplete expressions as the following are very common: &ldquo;He has not
+gone to Europe, nor is he likely <i>to.&rdquo; &ldquo;</i>She has not written
+her essay, nor does she intend <i>to.&rdquo; &ldquo;</i>Can a man arrive at
+excellence who has no desire <i>to?&rdquo;</i> The addition of the word
+<i>go</i> to the first sentence, and of <i>write it,</i> to the second would
+make them complete. In the case of the third sentence it would be awkward to
+say, &ldquo;Can a man arrive at excellence who has no desire <i>to arrive at
+excellence.&rdquo;</i> We therefore substitute the more convenient expression
+&ldquo;<i>to do so.&rdquo;</i>
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="Page169"></a><a name="chap11"></a>CHAPTER XI<br/>
+Participles</h2>
+
+<p>
+Participles relate to nouns or pronouns, or else are governed by prepositions.
+Those ending in <i>ing</i> should not be made the subjects or objects of verbs
+while they retain the government and adjuncts of participles. They may often be
+converted into nouns or take the form of the infinitive.
+</p>
+
+<p>
+&ldquo;Not <i>attending</i> to this rule is the cause of a very common
+error.&rdquo; Better, <i>&ldquo;Inattention</i> to this rule,&rdquo; etc.
+&ldquo;He abhorred <i>being</i> in debt.&rdquo; Better, &ldquo;He abhorred
+<i>debt,&rdquo; &ldquo;Cavilling</i> and <i>objecting</i> upon any subject is
+much easier than <i>clearing</i> up difficulties.&rdquo; Say, &ldquo;<i>To
+cavil</i> and <i>object</i> upon any subject is much easier than <i>to clear
+</i>up difficulties.&rdquo;
+</p>
+
+<p class="center">
+<b>Omit &ldquo;of&rdquo;</b>
+</p>
+
+<p>
+Active participles have the same government as the verbs from which they are
+derived. The preposition <i>of,</i> therefore, should not be used after the
+participle, when the verb would not require it. Omit <i>of</i> in such
+expressions as these: &ldquo;Keeping <i>of</i> one day
+<a name="Page170"></a>
+in seven,&rdquo; &ldquo;By preaching <i>of</i> repentance,&rdquo; &ldquo;They
+left beating <i>of </i>Paul,&rdquo; &ldquo;From calling <i>of</i> names they
+came to blows,&rdquo; &ldquo;They set about repairing <i>of</i> the
+walls.&rdquo;
+</p>
+
+<p>
+If the article <i>the</i> occurs before the participle, the preposition <i>of
+</i>must be retained; as, &ldquo;They strictly observed <i>the keeping of</i>
+one day in seven.&rdquo;
+</p>
+
+<p>
+When a transitive participle is converted into a noun, <i>of</i> must be
+inserted to govern the object following. &ldquo;He was very exact in <i>forming
+</i>his sentences,&rdquo; &ldquo;He was very exact in <i>the formation of</i>
+his sentences.&rdquo;
+</p>
+
+<p class="center">
+<b>Omit the possessive</b>
+</p>
+
+<p>
+The possessive case should not be prefixed to a participle that is not taken in
+all respects as a noun. It should, therefore, be expunged in the following
+sentences: &ldquo;By <i>our</i> offending others, we expose ourselves.&rdquo;
+&ldquo;She rewarded the boy for <i>his</i> studying so diligently.&rdquo;
+&ldquo;He errs in <i>his</i> giving the word a double construction.&rdquo;
+</p>
+
+<p>
+The possessives in such cases as the following should be avoided: &ldquo;I have
+some recollection of his <i>father&rsquo;s</i> being a judge.&rdquo; &ldquo;To
+prevent <i>its </i>being a dry detail of terms.&rdquo; These sentences may be
+improved by recasting them. &ldquo;I have some recollection that his father was
+a judge.&rdquo; &ldquo;To prevent it from being a dry detail of terms.&rdquo;
+</p>
+
+<p>
+<a name="Page171"></a>
+When the noun or pronoun to which the participle relates is a passive subject,
+it should not have the possessive form; as, &ldquo;The daily instances of
+<i>men&rsquo;s </i>dying around us remind us of the brevity of human
+life.&rdquo; &ldquo;We do not speak of a <i>monosyllable&rsquo;s</i> having a
+primary accent.&rdquo; Change <i>men&rsquo;s</i> to <i>men,</i> and
+<i>monosyllable&rsquo;s</i> to <i>monosyllable.</i>
+</p>
+
+<p class="center">
+<b>After verbs</b>
+</p>
+
+<p>
+Verbs do not govern participles. &ldquo;I intend <i>doing</i> it,&rdquo;
+&ldquo;I remember <i>meeting</i> Longfellow,&rdquo; and similar expressions
+should be changed by the substitution of the infinitive for the participle; as,
+&ldquo;I intend <i>to do it,&rdquo; </i>&ldquo;I remember <i>to have met</i>
+Longfellow.&rdquo;
+</p>
+
+<p>
+After verbs signifying <i>to persevere, to desist,</i> the participle ending in
+<i>ing</i> is permitted; as, &ldquo;So when they <i>continued asking</i> him,
+he lifted up himself, and said unto them.&rdquo;
+</p>
+
+<p class="center">
+<b>Place</b>
+</p>
+
+<p>
+In the use of participles and of verbal nouns, the leading word in sense should
+always be made the leading word, and not the adjunct, in the construction.
+</p>
+
+<p>
+&ldquo;They did not give notice of the <i>pupil</i> leaving.&rdquo; Here, the
+leading idea is <i>leaving. Pupil</i> should, therefore, be subordinate by
+changing its form to the possessive; as, &ldquo;They did not give notice of the
+<i>pupil&rsquo;s </i>leaving.&rdquo; Better still, &ldquo;They did not give
+notice that the pupil had left.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page172"></a>
+<b>Clearness</b>
+</p>
+
+<p>
+The word to which the participle relates should stand out clearly. &ldquo;By
+giving way to sin, trouble is encountered.&rdquo; This implies that trouble
+gives way to sin. The relation of the participle is made clear by saying,
+&ldquo;By giving way to sin, we encounter trouble.&rdquo;
+</p>
+
+<p>
+&ldquo;By yielding to temptation, our peace is sacrificed.&rdquo; This should
+be, &ldquo;By yielding to temptation we sacrifice our peace.&rdquo;
+</p>
+
+<p>
+&ldquo;A poor child was found in the streets by a wealthy and benevolent
+gentleman, suffering from cold and hunger.&rdquo; Say, &ldquo;A poor child,
+suffering from cold and hunger, was found,&rdquo; etc.
+</p>
+
+<p class="center">
+<b>Awkward Construction</b>
+</p>
+
+<p>
+Such awkward sentences as the following should be avoided. In most cases they
+will require to be recast.
+</p>
+
+<p>
+&ldquo;But as soon as the whole body <i>is attempted to be carved,</i> a
+disproportion between its various parts results.&rdquo;
+</p>
+
+<p>
+&ldquo;The offence <i>attempted to be charged</i> should be alleged under
+another section of the statute.&rdquo; The following is a better arrangement:
+</p>
+
+<p>
+&ldquo;But as soon as an attempt is made to carve the whole body,&rdquo; etc.
+&ldquo;The offence which it is attempted to charge,&rdquo; etc.
+</p>
+
+<p class="center">
+<a name="Page173"></a>
+<b>Is building</b>
+</p>
+
+<p>
+The active participle in a passive sense is employed by many excellent writers
+and is condemned by others.
+</p>
+
+<p>
+&ldquo;Corn <i>is selling</i> for fifty cents a bushel.&rdquo;
+</p>
+
+<p>
+&ldquo;Corn <i>is</i> <i>being sold</i> for fifty cents a bushel.&rdquo;
+</p>
+
+<p>
+The commercial world evidently prefers the former sentence. There is a
+breeziness and an energy in it that is lacking in the latter. It must, however,
+be used with caution. In the following examples the passive form is decidedly
+better than the active: &ldquo;The foundation <i>was</i> <i>being
+laid,&rdquo;</i> &ldquo;They <i>are being educated,&rdquo; &ldquo;</i>While the
+speech <i>was being delivered,&rdquo; </i>etc.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="Page174"></a><a name="chap12"></a>CHAPTER XII<br/>
+Prepositions</h2>
+
+<p>
+Clearness and elegance of style are, in no small degree, dependent upon the
+choice and right use of prepositions. Many rules have been formulated, some of
+which are deserving of consideration, while others are nearly or quite useless.
+Among the latter may be mentioned, by way of illustration, the oft-repeated
+rule that <i>between</i> or <i>betwixt</i> must invariably be used when only
+two things are referred to, and that <i>among</i> must be employed when more
+than two are named. While it is true that the order could not be reversed, that
+<i>among,</i> when used, must be employed in reference to three or more persons
+or things, and that <i>between</i> may always be employed in speaking of two
+objects, yet the practice of many of the best writers does not limit the use of
+<i>between</i> to two objects. In fact, there are cases in which <i>among</i>
+will not take the place of <i>between;</i> as, &ldquo;I set out eighty trees
+with ample space <i>between</i> them.&rdquo; &ldquo;The stones on his farm were
+so plentiful that the grass could not grow up <i>between</i> them.&rdquo;
+</p>
+
+
+<p class="center">
+<a name="Page175"></a>
+<b>Between, Among</b>
+</p>
+
+<p>
+&ldquo;The seven children divided the apples <i>between</i> them.&rdquo; Two
+children may divide apples <i>between,</i> them, but in this case it is better
+to say, &ldquo;The seven children divided the apples <i>among</i> them.&rdquo;
+</p>
+
+<p>
+George Eliot, in <i>Middlemarch,</i> says: &ldquo;The fight lay entirely
+<i>between </i>Pinkerton, the old Tory member; Bagster, the new Whig member;
+and Brook, the Independent member.&rdquo; In this case, <i>between</i> or
+<i>with</i> is more satisfactory than <i>among,</i> although three persons are
+referred to.
+</p>
+
+<p class="center">
+<b>Choice</b>
+</p>
+
+<p>
+Many sentences betoken ignorance and others indicate extreme carelessness on
+the part of the writers by the inapt choice of their prepositions, which often
+express relations so delicate in their distinctions that nothing short of an
+extended study of the best writers will confer the desired skill. We present
+some examples.
+</p>
+
+<p class="center">
+<b>By, In</b>
+</p>
+
+<p>
+&ldquo;We do not accept the proposition referred to <i>by</i> your
+letter.&rdquo; The writer should have employed the preposition <i>in.</i>
+</p>
+
+<p class="center">
+<b>Differ with, From</b>
+</p>
+
+<p>
+We differ <i>with</i> a person in opinion or belief; we differ <i>from</i> him
+in appearance, in attainments, in wealth, in rank, etc.
+</p>
+
+<p class="center">
+<a name="Page176"></a>
+<b>Different from, To, Than</b>
+</p>
+
+<p>
+&ldquo;Your story is very plausible, but Henry&rsquo;s is different <i>to
+</i>that.&rdquo; &ldquo;My book is quite different <i>than</i> his.&rdquo; The
+adjective <i>different</i> must not be followed by the preposition <i>to</i> or
+<i>than. </i>The sentences will be correct when <i>from</i> is substituted.
+</p>
+
+<p class="center">
+<b>At, To</b>
+</p>
+
+<p>
+Never use the vulgar expression, &ldquo;He is <i>to</i> home.&rdquo; Say <i>at
+home.</i>
+</p>
+
+<p class="center">
+<b>Preferred before, To</b>
+</p>
+
+<p>
+&ldquo;He was <i>preferred before</i> me.&rdquo; Say <i>preferred to me.</i>
+</p>
+
+<p class="center">
+<b>With, Of</b>
+</p>
+
+<p>
+&ldquo;He died <i>with</i> consumption.&rdquo; <i>Of</i> is the proper
+preposition to employ. But we say, He is afflicted <i>with</i> rheumatism, or
+bronchitis, or other disease.
+</p>
+
+<p class="center">
+<b>In respect of, To</b>
+</p>
+
+<p>
+&ldquo;In respect <i>of</i> this matter, he is at fault.&rdquo; Better,
+<i>&ldquo;to</i> this matter.&rdquo;
+</p>
+
+<p class="center">
+<b>Of, From</b>
+</p>
+
+<p>
+&ldquo;He was acquitted <i>from</i> the charge of larceny.&rdquo; Acquitted
+<i>of </i>the charge.
+</p>
+
+<p class="center">
+<b>In, Into</b>
+</p>
+
+<p>
+<i>Into</i> implies direction or motion. &ldquo;They walked <i>into</i> the
+church,&rdquo; means that they entered it from the outside. &ldquo;They walked
+<i>in</i> the church,&rdquo; means that they walked back and forth within the
+church.
+</p>
+
+<p>
+<a name="Page177"></a>
+&ldquo;The vessel is <i>in</i> port.&rdquo; &ldquo;She came <i>into</i> port
+yesterday.&rdquo;
+</p>
+
+<p class="center">
+<b>Of, In</b>
+</p>
+
+<p>
+&ldquo;There was no use <i>of</i> asking his permission, for he would not grant
+it.&rdquo; <i>In</i> asking.
+</p>
+
+<p class="center">
+<b>In, On</b>
+</p>
+
+<p>
+&ldquo;He is a person <i>in</i> whom you can rely.&rdquo; &ldquo;That is a man
+<i>in</i> whose statements you can depend.&rdquo; Use <i>on</i> for <i>in.</i>
+</p>
+
+<p class="center">
+<b>To, With</b>
+</p>
+
+<p>
+Two persons are reconciled <i>to</i> each other; two doctrines or measures are
+reconciled <i>with</i> each other when they are made to agree.
+</p>
+
+<p>
+&ldquo;This noun is in apposition <i>to</i> that.&rdquo; Use <i>with.</i>
+</p>
+
+<p class="center">
+<b>With, By</b>
+</p>
+
+<p>
+These two prepositions are often confounded. They have a similarity of
+signification with a difference of use. Both imply a connection between some
+instrument or means and the agent by whom it is used. <i>With</i> signifies the
+closer relation and <i>by</i> the more remote one.
+</p>
+
+<p>
+It is said that an ancient king of Scotland once asked his nobles by what
+tenure they held their lands. The chiefs drew their swords, saying,
+<i>&ldquo;By </i>these we acquired our lands, and <i>with</i> these we will
+defend them.&rdquo;
+</p>
+
+<p>
+<i>By</i> often relates to the person; <i>with</i> to the instrument.
+</p>
+
+<p>
+<a name="Page178"></a>
+&ldquo;He lay on the ground half concealed <i>with</i> a clump of
+bushes.&rdquo; &ldquo;That speech was characterized <i>with</i>
+eloquence.&rdquo; Use <i>by</i> in the last two sentences.
+</p>
+
+<p class="center">
+<b>With, To</b>
+</p>
+
+<p>
+We <i>correspond with</i> a person when we exchange letters. In speaking of the
+adaptation of one object to another, the preposition <i>to </i>should be used
+after the verb correspond; as, &ldquo;This picture corresponds <i>to</i>
+that.&rdquo; <i>With</i> is often incorrectly used in such cases instead of
+<i>to.</i>
+</p>
+
+<p class="center">
+<b>Position</b>
+</p>
+
+<p>
+The old grammarian gave a very good rule when he said, &ldquo;A preposition is
+a very bad word to end a sentence with;&rdquo; but it is sometimes easier to
+follow his example than his precept. In general, the strength of a sentence is
+improved by not placing small particles at the end.
+</p>
+
+<p>
+&ldquo;Which house do you live <i>in?&rdquo;</i> Better, &ldquo;In which house
+do you live?&rdquo;
+</p>
+
+<p>
+&ldquo;Avarice is a vice which most men are guilty <i>of.&rdquo;</i> Say,
+&ldquo;of which most men are guilty.&rdquo;
+</p>
+
+<p>
+&ldquo;He is a man that you should be acquainted <i>with.&rdquo;</i> Say,
+<i>&ldquo;with </i>whom you should be acquainted.&rdquo;
+</p>
+
+<p>
+&ldquo;Is this the man that you spoke <i>of?&rdquo;</i> Better,
+<i>&ldquo;of</i> whom you spoke.&rdquo;
+</p>
+
+<p>
+&ldquo;These are principles that our forefathers died <i>for.&rdquo;</i>
+Rather, <i>&ldquo;for </i>which our forefathers died.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page179"></a>
+<b>Omission</b>
+</p>
+
+<p>
+Prepositions are often omitted when their use is necessary to the correct
+grammatical construction of the sentence.
+</p>
+
+<p>
+&ldquo;They now live on this side the river.&rdquo; Say, &ldquo;on this side
+<i>of</i> the river.&rdquo;
+</p>
+
+<p>
+&ldquo;Esther and Helen sit opposite each other.&rdquo; It is more correct to
+say, &ldquo;sit opposite <i>to</i> each other.&rdquo;
+</p>
+
+<p>
+&ldquo;John is worthy our help.&rdquo; Better, &ldquo;<i>of</i> our
+help.&rdquo;
+</p>
+
+<p>
+&ldquo;What use is this to us?&rdquo; <i>Of</i> what use, etc.
+</p>
+
+<p>
+&ldquo;This law was passed the same year that I was born.&rdquo; Say, &ldquo;In
+the same year,&rdquo; etc.
+</p>
+
+<p>
+&ldquo;Washington was inaugurated President April 30, 1789.&rdquo; Some critics
+insist upon the insertion of <i>on</i> before a date, as <i>&ldquo;on</i> April
+30,&rdquo; but general usage justifies its omission. With equal force they
+might urge the use of <i>in</i> before 1789. The entire expression of day,
+month, and year is elliptical.
+</p>
+
+<p>
+If the same preposition be required by several nouns or pronouns, it must be
+repeated in every case if it be repeated at all. &ldquo;He is interested <i>in
+</i>philosophy, history, and <i>in</i> science.&rdquo; This sentence may be
+corrected by placing <i>in</i> before history or by omitting it before science.
+The several subjects are individualized more strongly by the use of <i>in
+</i>before each noun. This is shown in the greater obscurity given to
+<i>history</i> by the omission of the preposition in the foregoing sentence.
+</p>
+
+<p>
+<a name="Page180"></a>
+&ldquo;We may have a feeling of innocence or of guilt, of merit or
+demerit.&rdquo; Insert <i>of</i> before demerit.
+</p>
+
+<p class="center">
+<b>Needless Prepositions</b>
+</p>
+
+<p>
+Prepositions, like other parts of speech that contribute nothing to the
+meaning, should not be suffered to cumber the sentence.
+</p>
+
+<p>
+Where am I <i>at?</i> Where is my book <i>at?</i> I went there <i>at</i> about
+noon. In what latitude is Chicago <i>in?</i> Where are you going <i>to?
+</i>Take your hat off <i>of</i> the table. Where has James been <i>to?</i> They
+offered <i>to</i> Caesar a crown. This is a subject <i>of</i> which I intended
+to speak <i>about</i> (omit <i>of</i> or <i>about,</i> but not both). She has a
+sister <i>of</i> ten years old. Leap <i>in</i> with me into this angry flood.
+</p>
+
+<p>
+The older writers employed the useless <i>for</i> in such expressions as, What
+went ye out <i>for</i> to see? The apostles and elders came together <i>for
+</i>to consider <i>of</i> this matter.
+</p>
+
+<p class="center">
+<b>All of</b>
+</p>
+
+<p>
+A very common error is the unnecessary use of the preposition <i>of</i> after
+<i>all;</i> as, &ldquo;during <i>all of</i> this period,&rdquo; &ldquo;in
+<i>all of</i> these cases,&rdquo; &ldquo;for <i>all of</i> the
+conditions,&rdquo; etc.
+</p>
+
+<p class="center">
+<b>Up above</b>
+</p>
+
+<p>
+In most cases one of these prepositions will be found useless. &ldquo;The
+ladder reached <i>up above</i> the chimney.&rdquo;
+</p>
+
+<p class="center">
+<b>From hence</b>
+</p>
+
+<p>
+The adverbs <i>hence, thence, whence,</i> include the idea of <i>from.</i> The
+preposition should, therefore, be omitted.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="Page181"></a><a name="chap13"></a>CHAPTER XIII<br/>
+The Article</h2>
+
+<p>
+<i>A,</i> which is a shortened form of <i>an,</i> signifies <i>one, </i>or
+<i>any. An</i> was formerly used before nouns beginning with either a consonant
+or a vowel sound, but now <i>an</i> is used before a vowel sound and <i>a</i>
+before a consonant sound; as, <i>a</i> book, <i>a</i> hat, <i>an </i>apple,
+<i>an</i> eagle.
+</p>
+
+<p>
+It will be observed that <i>an</i> heiress, <i>an</i> herb, <i>an</i> honest
+man, <i>an</i> honorable career, <i>an</i> hourly visit, <i>a</i> euchre party,
+<i>a</i> euphemism, <i>a</i> eulogy, <i>a</i> union, etc., are not exceptions
+to the foregoing rule, for the <i>h</i> being silent in <i>heiress, herb,
+</i>etc., the article <i>an</i> precedes a vowel sound, and in <i>euphemism,
+eulogy, union,</i> the article <i>a</i> precedes the consonant sound of <i>y.
+</i>Compare <i>u-nit</i> with <i>you knit.</i>
+</p>
+
+<p>
+In like manner some persons have felt disposed to say <i>many an one
+</i>instead of <i>many a one</i> because of the presence of the vowel <i>o</i>.
+But the sound is the consonant sound of <i>w</i> as in <i>won</i>, and the
+article should be <i>a</i> and not <i>an.</i>
+</p>
+
+<p>
+There is a difference of opinion among writers concerning the use of <i>a</i>
+and <i>an,</i> before words
+<a name="Page182"></a>
+beginning with <i>h,</i> when not silent, especially when the accent falls on
+the second syllable; as, <i>a</i> harpoon, <i>a</i> hegira, <i>a</i> herbarium,
+<i>a</i> herculean effort, <i>a</i> hiatus, <i>a</i> hidalgo, <i>a</i>
+hydraulic engine, <i>a</i> hyena, <i>a</i> historian. The absence of the accent
+weakens the <i>h </i>sound, and makes it seem as if the article <i>a</i> was
+made to precede a vowel. The use of <i>an</i> is certainly more euphonious and
+is supported by <i>Webster&rsquo;s Dictionary</i> and other high authority.
+</p>
+
+<p class="center">
+<b>The Honorable, The Reverend</b>
+</p>
+
+<p>
+Such titles as <i>Honorable</i> and <i>Reverend</i> require the article
+<i>the;</i> as, &ldquo;The Honorable William R. Gladstone is often styled
+&lsquo;The Grand Old Man,&rsquo;&rdquo; &ldquo;The Reverend Henry Ward Beecher
+was an eloquent orator,&rdquo; not <i>Honorable William, E. Gladstone,</i> or
+<i>Reverend Henry Ward Beecher.</i>
+</p>
+
+<p class="center">
+<b>Article omitted</b>
+</p>
+
+<p>
+&ldquo;A clergyman and philosopher entered the hall together.&rdquo;
+<i>&ldquo;A </i>clergyman and philosopher&rdquo; means one person who is both
+clergyman and philosopher. The article should be repeated. <i>&ldquo;A</i>
+clergyman and <i>a</i> philosopher entered the hall together.&rdquo;
+</p>
+
+<p>
+<i>&ldquo;A</i> red and white flag&rdquo; means one flag of two colors.
+<i>&ldquo;A</i> red and <i>a</i> white flag&rdquo; means two flags, a red flag
+and a white flag. <i>&ldquo;A </i>great and <i>a</i> good man has
+departed.&rdquo; The verb <i>has</i> implies that only
+<a name="Page183"></a>
+one man has departed, hence the sentence should be, &ldquo;A great and good man
+has departed.&rdquo;
+</p>
+
+<p>
+&ldquo;They sang the first and second verse,&rdquo; should be, &ldquo;They sang
+<i>the</i> first and <i>the</i> second verse.&rdquo; &ldquo;The literal and
+figurative meaning of words&rdquo; should be, <i>&ldquo;The</i> literal and
+<i>the</i> figurative meaning of words.&rdquo;
+</p>
+
+<p>
+&ldquo;In framing of his sentences he was very exact,&rdquo; should be,
+&ldquo;In <i>the </i>framing,&rdquo; etc., or, &ldquo;In framing his sentences
+he was very exact.&rdquo; &ldquo;The masculine and feminine gender,&rdquo;
+should be, &ldquo;<i>The</i> masculine and <i>the </i>feminine gender.&rdquo;
+</p>
+
+<p>
+&ldquo;After singing a hymn, Miss Willard made a stirring address.&rdquo; If
+Miss Willard alone sang the hymn the sentence is correct. If the congregation
+sang the hymn the sentence should be, &ldquo;After <i>the</i> singing of a
+hymn, Miss Willard made a stirring address.&rdquo;
+</p>
+
+<p>
+&ldquo;He is but a poor writer at best.&rdquo; Say, &ldquo;at <i>the</i>
+best.&rdquo; &ldquo;He received but a thousand votes at most.&rdquo; Say,
+&ldquo;at <i>the</i> most.&rdquo;
+</p>
+
+<p>
+&ldquo;John came day before yesterday.&rdquo; Say, <i>&ldquo;the</i> day before
+yesterday.&rdquo;
+</p>
+
+<p class="center">
+<b>Article redundant</b>
+</p>
+
+<p>
+&ldquo;Shakespeare was a greater writer than <i>an</i> actor,&rdquo; should be,
+&ldquo;Shakespeare was a greater writer than actor.&rdquo;
+</p>
+
+<p>
+&ldquo;This is the kind of <i>a</i> tree of which he was
+<a name="Page184"></a>
+speaking,&rdquo; should be, &ldquo;This is the kind of tree,&rdquo; etc.
+&ldquo;What kind of <i>a</i> bird is this?&rdquo; should be, &ldquo;What kind
+of bird.&rdquo;
+</p>
+
+<p>
+&ldquo;The one styled <i>the</i> Provost is the head of the University,&rdquo;
+should be, &ldquo;The one styled Provost.&rdquo;
+</p>
+
+<p>
+&ldquo;The nominative and <i>the</i> objective cases,&rdquo; should be
+&ldquo;The nominative and objective cases.&rdquo;
+</p>
+
+<p>
+&ldquo;He made a mistake in <i>the</i> giving out the text.&rdquo; Say
+&ldquo;in giving out the text,&rdquo; or, &ldquo;in <i>the</i> giving out of
+the text.&rdquo; In the latter instance, the participle becomes a noun and may
+take the article before it.
+</p>
+
+<p class="center">
+<b>Articles interchanged</b>
+</p>
+
+<p>
+<i>&ldquo;An</i> elephant is the emblem of Siam,&rdquo; should be, &ldquo;The
+elephant is the emblem,&rdquo; etc. &ldquo;A digraph is <i>the</i> union of two
+letters to represent one sound.&rdquo; Should be, &ldquo;A digraph is <i>a</i>
+union,&rdquo; etc.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="Page185"></a><a name="chap14"></a>CHAPTER XIV<br/>
+Redundancy</h2>
+
+<p>
+We are all creatures of habit. Our sayings, as well as our doings, are largely
+a series of habits. In some instances we are unconscious of our peculiarities
+and find it almost impossible to shake them off.
+</p>
+
+<p>
+The following are verbatim expressions as they dropped from the lips of a young
+clergyman in the pulpit. They show a deeply-seated habit of repetition of
+thought. As he was a graduate of one of the first colleges in the land, we are
+the more surprised that the habit was not checked before he passed through his
+college and seminary courses. The expressions are here given as a caution to
+others to be on their guard: &ldquo;Supremest and highest,&rdquo;
+&ldquo;separate and sever us,&rdquo; &ldquo;derision, sarcasm, and
+contempt,&rdquo; &ldquo;disobedient and disloyal and sinful,&rdquo; &ldquo;hold
+aloof from iniquity, from sin,&rdquo; &ldquo;necessity of being reclaimed and
+brought back,&rdquo; &ldquo;their beautiful and their elegant city,&rdquo;
+&ldquo;so abandoned and given up to evil and iniquity,&rdquo; &ldquo;soaked and
+stained with human gore and blood,&rdquo; &ldquo;beautiful and
+resplendent,&rdquo; &ldquo;hardened and solidified into stone and
+adamant,&rdquo; &ldquo;this
+<a name="Page186"></a>
+arctic splendor and brilliancy,&rdquo; &ldquo;were being slaughtered and cut
+down,&rdquo; &ldquo;in the rapidity and the swiftness of the train,&rdquo;
+&ldquo;with all the mightiness and the splendor of his genius,&rdquo;
+&ldquo;the force and the pressure it brings to bear,&rdquo; &ldquo;has and
+possesses the power,&rdquo; &ldquo;lights flashed and gleamed.&rdquo;
+</p>
+
+<p>
+The above were all taken from a single discourse. Another peculiarity of the
+same speaker was his use of the preposition <i>between.</i> Instead of saying,
+&ldquo;Between him and his father there was a perfect understanding of the
+matter,&rdquo; he would say, &ldquo;Between him and <i>between</i> his father
+there was a perfect understanding of the matter.&rdquo;
+</p>
+
+<p>
+Young writers will find it a valuable exercise to go through a letter, essay,
+or other composition which they have written, with the view of ascertaining how
+many words they can eliminate without diminishing the force of what has been
+written. An article or two from the daily paper, and an occasional page from
+some recent work of fiction will afford further opportunity for profitable
+practice in pruning.
+</p>
+
+<p class="center">
+<b>Widow woman</b>
+</p>
+
+<p>
+&ldquo;And Jeroboam the son of Nebat, an Ephrathite of Zereda, Solomon&rsquo;s
+servant, whose mother&rsquo;s name was Zeruah, a <i>widow woman,</i> even he
+lifted up his hand against the king.&rdquo;&mdash;I Kings xi, 26.
+</p>
+
+<p>
+<a name="Page187"></a>
+The expression is now regarded as an archaism, and not to be used in modern
+speech or writing. Omit <i>woman.</i>
+</p>
+
+<p class="center">
+<b>Why</b>
+</p>
+
+<p>
+Many persons have a foolish habit of beginning their answer to a question with
+the word <i>why</i>. In some cases it doubtless has its origin in the desire to
+gain time while the mind is preparing the answer, but in most instances it is
+merely a habit.
+</p>
+
+<p>
+Some persons prefix the word <i>why</i> to the statement of a fact or to the
+asking of a question. This is even worse than to employ it to introduce the
+answer. Restrict it to its legitimate use.
+</p>
+
+<p class="center">
+<b>Look at here</b>
+</p>
+
+<p>
+This is one of the numerous expressions designed to call the attention of the
+person addressed to the speaker. It is both ungrammatical and vulgar. The
+omission of <i>at</i> will render it grammatical. &ldquo;<i>See here&rdquo;</i>
+is still better.
+</p>
+
+<p class="center">
+<b>Look and see</b>
+</p>
+
+<p>
+<i>&ldquo;Look and see</i> if the teacher is coming.&rdquo; The words
+<i>&ldquo;look and&rdquo; </i>are superfluous. &ldquo;See whether the teacher
+is coming&rdquo; is a better expression.
+</p>
+
+<p class="center">
+<b>Recollect of</b>
+</p>
+
+<p>
+The word <i>of</i> is superfluous in such expressions; as, &ldquo;I
+<i>recollect of </i>crossing Lake Champlain on the ice,&rdquo; &ldquo;Do you
+<i>recollect of</i> his paying you a compliment?&rdquo;
+</p>
+
+<p class="center">
+<a name="Page188"></a>
+<b>Settle up, down</b>
+</p>
+
+<p>
+&ldquo;He has <i>settled up</i> his father&rsquo;s affairs.&rdquo; &ldquo;He
+has <i>settled down </i>upon the old farm.&rdquo; <i>Up</i> and <i>down</i> may
+be omitted.
+</p>
+
+<p>
+&ldquo;He has <i>settled down</i> to business&rdquo; is a colloquial expression
+which may be improved by recasting the sentence.
+</p>
+
+<p class="center">
+<b>In so far</b>
+</p>
+
+<p>
+&ldquo;He is not to blame <i>in so far</i> as I understand the
+circumstances.&rdquo; <i>&ldquo;In so</i> <i>far</i> as I know he is a
+thoroughly honest man.&rdquo; <i>&ldquo;In so far</i> as I have influence it
+shall be exerted in your favor.&rdquo; Omit <i>in.</i>
+</p>
+
+<p class="center">
+<b>Pocket-handkerchief</b>
+</p>
+
+<p>
+The word <i>handkerchief</i> conveys the full meaning. <i>Pocket </i>is
+therefore superfluous and should be omitted. If a cloth or tie for the neck is
+meant, call it a <i>neck tie</i> or a <i>neckerchief,</i> but not a
+<i>neck-handkerchief.</i>
+</p>
+
+<p class="center">
+<b>Have got</b>
+</p>
+
+<p>
+&ldquo;I <i>have got</i> a fine farm.&rdquo; &ldquo;He <i>has got</i> four sons
+and three daughters.&rdquo; &ldquo;James <i>has</i> <i>got</i> a rare
+collection of butterflies.&rdquo; In such expressions <i>got</i> is
+superfluous. But, if the idea of gaining or acquiring is to be conveyed, the
+word <i>got</i> may be retained; as, &ldquo;I <i>have got</i> my
+license,&rdquo; &ldquo;I <i>have got</i> my degree,&rdquo; &ldquo;I <i>have
+got</i> my reward.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page189"></a>
+<b>Off of</b>
+</p>
+
+<p>
+&ldquo;Can I borrow a pencil <i>off</i> <i>of</i> you?&rdquo; &ldquo;I bought a
+knife <i>off</i> <i>of</i> him yesterday.&rdquo; Such faulty expressions are
+very common among school children, and should be promptly checked by the
+teacher. The <i>off</i> is superfluous.
+</p>
+
+<p>
+&ldquo;He jumped <i>off</i> <i>of</i> the boat.&rdquo; Say, &ldquo;He jumped
+<i>off</i> the boat.&rdquo;
+</p>
+
+<p>
+The young lady appointed to sell articles at a church fair entreated her
+friends to &ldquo;buy something <i>off of</i> me.&rdquo; She should say,
+&ldquo;Please buy something from me,&rdquo; or &ldquo;Make your purchases at my
+table.&rdquo;
+</p>
+
+<p class="center">
+<b>For to see</b>
+</p>
+
+<p>
+&ldquo;But what went ye out <i>for</i> to see? A man clothed in soft
+raiment?&rdquo; Matt. xi, 8. &ldquo;I will try <i>for</i> to do what you
+wish.&rdquo; This form of expression, once very common, is now obsolete. Omit
+<i>for.</i>
+</p>
+
+<p class="center">
+<b>Appreciate highly</b>
+</p>
+
+<p>
+To <i>appreciate</i> is to set a full value upon a thing. We may <i>value
+highly,</i> or <i>prize highly,</i> or <i>esteem</i> <i>highly,</i> but the
+word <i>highly</i> when used with <i>appreciate</i> is superfluous.
+</p>
+
+<p class="center">
+<b>Ascend up</b>
+</p>
+
+<p>
+&ldquo;With great difficulty they <i>ascended up</i> the hill.&rdquo; As they
+could not <i>ascend down</i> the hill it is evident that the word <i>up</i> is
+superfluous.
+</p>
+
+<p class="center">
+<a name="Page190"></a>
+<b>Been to</b>
+</p>
+
+<p>
+&ldquo;Where has he <i>been to?&rdquo;</i> The sentence is not only more
+concise, but more elegant without the terminal <i>to.</i>
+</p>
+
+<p class="center">
+<b>Both</b>
+</p>
+
+<p>
+The sentence, &ldquo;The two children <i>both</i> resembled each other,&rdquo;
+will be greatly improved by omitting the word <i>both.</i> So also in
+&ldquo;These baskets are <i>both</i> alike,&rdquo; &ldquo;William and I
+<i>both</i> went to Cuba.&rdquo;
+</p>
+
+<p class="center">
+<b>But that</b>
+</p>
+
+<p>
+&ldquo;I do not doubt <i>but that</i> my uncle will come.&rdquo; The sentence
+is shorter and more clear without the word <i>but. &ldquo;</i>I have no idea
+<i>but that</i> the crew was drowned.&rdquo; Here <i>but</i> is necessary.
+Without it the opposite meaning would be conveyed.
+</p>
+
+<p class="center">
+<b>Equally as well</b>
+</p>
+
+<p>
+&ldquo;James did it well, but Henry did it <i>equally as</i> <i>well.&rdquo; As
+well</i> or <i>equally well</i> should be used instead of <i>equally as well.
+</i>&ldquo;This method will be equally <i>as</i> efficacious.&rdquo; Omit
+<i>as</i>.
+</p>
+
+<p class="center">
+<b>Everywheres</b>
+</p>
+
+<p>
+&ldquo;I have looked <i>everywheres</i> for the book, and I cannot find
+it.&rdquo; This is a vulgarism that should be avoided. Say <i>everywhere.</i>
+</p>
+
+<p class="center">
+<b>Feel like</b>
+</p>
+
+<p>
+&ldquo;I feel <i>like</i> as if I should be sick.&rdquo; The word <i>like
+</i>is unnecessary.
+</p>
+
+<p class="center">
+<a name="Page191"></a>
+<b>Few</b>
+</p>
+
+<p>
+&ldquo;There are a few persons who read well.&rdquo; This sentence will be
+improved by saying, &ldquo;Few persons read well.&rdquo;
+</p>
+
+<p class="center">
+<b>Help but be</b>
+</p>
+
+<p>
+This is an awkward expression which is improved by being reduced to the two
+words <i>help being;</i> as, &ldquo;I could not help being moved by his
+appeal.&rdquo;
+</p>
+
+<p class="center">
+<b>Kind of a</b>
+</p>
+
+<p>
+&ldquo;He jumped into a <i>kind of a</i> chaise, and hurried off to the
+station.&rdquo; <i>A</i> <i>kind of chaise</i> would be better.
+</p>
+
+<p class="center">
+<b>New beginner</b>
+</p>
+
+<p>
+&ldquo;Mary plays on the piano very well for a <i>new beginner.&rdquo;</i> If
+she is a <i>beginner</i> she must of necessity be <i>new</i> to it.
+</p>
+
+<p class="center">
+<b>Opens up</b>
+</p>
+
+<p>
+&ldquo;This story <i>opens up</i> beautifully.&rdquo; The <i>up</i> is
+superfluous.
+</p>
+
+<p class="center">
+<b>Seeming paradox</b>
+</p>
+
+<p>
+The word <i>paradox</i> alone implies all that the word <i>seeming </i>is
+intended to convey, hence <i>seeming</i> is superfluous. &ldquo;This was once a
+paradox but time now gives it proof.&rdquo;
+</p>
+
+<p class="center">
+<b>Different</b>
+</p>
+
+<p>
+&ldquo;There were ten <i>different</i> men ready to accept the offer.&rdquo; As
+no reference to the appearance or characteristics of the men is intended, the
+word <i>different</i> is unnecessary.
+</p>
+
+<p class="center">
+<a name="Page192"></a>
+<b>Rise up</b>
+</p>
+
+<p>
+&ldquo;They <i>rose up</i> early and started on their journey.&rdquo; <i>Up</i>
+is superfluous and should be omitted.
+</p>
+
+<p class="center">
+<b>Sink down</b>
+</p>
+
+<p>
+&ldquo;The multitude <i>sank down</i> upon the ground.&rdquo; As they could not
+<i>sink up </i>or in any other direction than <i>down,</i> the latter word
+should be omitted.
+</p>
+
+<p class="center">
+<b>Smell of</b>
+</p>
+
+<p>
+&ldquo;Did you <i>smell of</i> the roses?&rdquo; &ldquo;No; but I
+<i>smelled</i> them and found them very fragrant.&rdquo; &ldquo;The gardener
+<i>smelt of</i> them for he has been culling them all morning and his clothing
+is perfumed with them.&rdquo; The <i>of</i> is superfluous in such expressions
+as <i>taste of, feel of,</i> and usually in <i>smell of.</i>
+</p>
+
+<p class="center">
+<b>Think for</b>
+</p>
+
+<p>
+&ldquo;He is taller than you <i>think for.&rdquo; For</i> is unnecessary.
+&ldquo;He is taller than you think&rdquo; is the contracted form of &ldquo;He
+is taller than you think he is.&rdquo;
+</p>
+
+<p class="center">
+<b>Differ among themselves</b>
+</p>
+
+<p>
+&ldquo;The authorities <i>differed among</i> themselves.&rdquo; The words
+<i>among themselves</i> may be omitted.
+</p>
+
+<p class="center">
+<b>End up</b>
+</p>
+
+<p>
+&ldquo;That <i>ends up</i> the business.&rdquo; Say &ldquo;that <i>ends</i> (or
+<i>closes</i>) the business.&rdquo;
+</p>
+
+<p class="center">
+<b>Had have</b>
+</p>
+
+<p>
+&ldquo;Had I <i>have</i> known that he was a lawyer I should have consulted
+him.&rdquo; Omit <i>have.</i>
+</p>
+
+<p class="center">
+<a name="Page193"></a>
+<b>Had ought to</b>
+</p>
+
+<p>
+&ldquo;I had ought to have gone to school to-day; I hadn&rsquo;t ought to have
+gone fishing.&rdquo; Incorrect. Say, &ldquo;I ought to have gone (or <i>I
+should have gone) </i>to school to-day; I ought not to have gone
+fishing.&rdquo; If the second clause is not an after-thought the sentence can
+be still further improved by condensing it; as, &ldquo;I should have gone to
+school to-day, and not to have gone fishing.&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="Page194"></a><a name="chap15"></a>CHAPTER XV<br/>
+Two Negatives</h2>
+
+<p>
+The use of two negatives in a sentence is much more common than is generally
+supposed. To assume that only those who are grossly ignorant of grammatical
+rules and constructions employ them, is an error. Writers whose names are as
+bright stars in the constellation of literature have slipped on this
+treacherous ground.
+</p>
+
+<p>
+A negation, in English, admits of only one negative word. The use of a single
+negative carries the meaning halfway around the circle. The meaning is
+therefore diametrically opposed to that which would be expressed without the
+negative. The use of a second negative would carry the meaning the remaining
+distance around the circle, thus bringing it to the starting point, and making
+it equivalent to the affirmative. The second negative destroys the effect of
+the first. The two negatives are equivalent to an affirmative.
+</p>
+
+<p class="center">
+<b>Double Negatives</b>
+</p>
+
+<p>
+While two negatives in the same sentence destroy each other, a double negative
+has the effect of a more
+<a name="Page195"></a>
+exact and guarded affirmative; as, &ldquo;It is <i>not im</i>probable that
+Congress will convene in special session before the end of the summer.&rdquo;
+&ldquo;It is <i>not un</i>important that, he attend to the matter at
+once.&rdquo; &ldquo;His story was <i>not in</i>credible.&rdquo; &ldquo;The fund
+was <i>not in</i>exhaustible.&rdquo;
+</p>
+
+<p class="center">
+<b>Redundant Negatives</b>
+</p>
+
+<p>
+<i>&ldquo;No</i> one <i>else</i> but the workmen had any business at the
+meeting.&rdquo; Omit <i>else.</i>
+</p>
+
+<p>
+&ldquo;Let us see whether <i>or not</i> there was <i>not</i> a mistake in the
+record.&rdquo; Omit either <i>or not</i> or the second <i>not.</i>
+</p>
+
+<p>
+&ldquo;The boat will <i>not</i> stop <i>only</i> when the signal flag is
+raised.&rdquo; Omit <i>not</i> or change <i>only</i> to <i>except.</i>
+</p>
+
+<p>
+&ldquo;He will <i>never</i> return, I <i>don&rsquo;t believe.&rdquo;</i> Say,
+&ldquo;He will never return,&rdquo; or, if that statement is two emphatic, say,
+&ldquo;I don&rsquo;t believe he will ever return.&rdquo;
+</p>
+
+<p class="center">
+<b>Don&rsquo;t want none</b>
+</p>
+
+<p>
+&ldquo;I <i>don&rsquo;t want none,&rdquo; &ldquo;</i>I <i>ain&rsquo;t got
+nothing,&rdquo; &ldquo;</i>He <i>can&rsquo;t do no more,&rdquo;</i> are
+inelegant expressions that convey a meaning opposed to that intended.
+</p>
+
+<p>
+&ldquo;I don&rsquo;t want any,&rdquo; or, &ldquo;I do not want any,&rdquo; or,
+&ldquo;I want none,&rdquo; are correct equivalents for the first sentence;
+&ldquo;I haven&rsquo;t anything,&rdquo; or, &ldquo;I have nothing,&rdquo;
+should take the place of the second; and, &ldquo;He can&rsquo;t do any
+more,&rdquo; or, &ldquo;He can do no more,&rdquo; or &ldquo;He cannot do
+more,&rdquo; will serve for the third.
+</p>
+
+<p class="center">
+<a name="Page196"></a>
+<b>Not&mdash;Hardly</b>
+</p>
+
+<p>
+&ldquo;I <i>cannot</i> stop to tell you <i>hardly</i> any of the adventures
+that befell Theseus.&rdquo; Change <i>cannot</i> to <i>can</i>. &ldquo;I have
+<i>not </i>had a moment&rsquo;s time to read <i>hardly</i> since I left
+school.&rdquo; Say, &ldquo;I have hardly a moment&rsquo;s time,&rdquo; etc.
+</p>
+
+<p class="center">
+<b>No&mdash;no</b>
+</p>
+
+<p>
+&ldquo;The faculties are called into <i>no</i> exercise by doing a thing merely
+because others do it, <i>no</i> more than by believing a thing only because
+others believe it,&rdquo; says George P. Marsh. He should have used <i>any
+</i>instead of the second <i>no.</i>
+</p>
+
+<p class="center">
+<b>Nothing&mdash;nor</b>
+</p>
+
+<p>
+&ldquo;There was <i>nothing</i> at the Columbian Exposition more beautiful,
+<i>nor</i> more suggestive of the progress of American art, than
+Tiffany&rsquo;s display.&rdquo; Change <i>nor</i> to <i>or.</i>
+</p>
+
+<p class="center">
+<b>Can&rsquo;t do nothing</b>
+</p>
+
+<p>
+&ldquo;He says he <i>can&rsquo;t do nothing</i> for me.&rdquo; Use &ldquo;He
+can do nothing,&rdquo; or &ldquo;He can&rsquo;t do anything for me.&rdquo;
+</p>
+
+<p class="center">
+<b>Cannot by no means</b>
+</p>
+
+<p>
+This double negative should be avoided. &ldquo;I <i>cannot by no means
+</i>permit you to go.&rdquo; Say, &ldquo;I <i>cannot possibly,&rdquo;</i> or
+&ldquo;I <i>cannot, under any consideration,</i> permit you to go.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page197"></a>
+<b>Nor&mdash;no</b>
+</p>
+
+<p>
+&ldquo;Give not me counsel, <i>nor</i> let <i>no</i> comforter delight mine
+ear,&rdquo; says Shakespeare.
+</p>
+
+<p>
+&ldquo;There can be no rules laid down, <i>nor no</i> manner
+recommended,&rdquo; says Sheridan.
+</p>
+
+<p>
+&ldquo;No skill could obviate, <i>nor no</i> remedy dispel the terrible
+infection.&rdquo;
+</p>
+
+<p>
+The foregoing sentences may be corrected by changing <i>nor</i> to <i>and.</i>
+</p>
+
+<p class="center">
+<b>Not&mdash;no</b>
+</p>
+
+<p>
+&ldquo;I pray you bear with me; I <i>cannot</i> go <i>no</i> further,&rdquo;
+says Shakespeare. &ldquo;I can go <i>no</i> further,&rdquo; or &ldquo;I cannot
+go <i>any</i> further,&rdquo; will make the sentence correct.
+</p>
+
+<p class="center">
+<b>Nor&mdash;not</b>
+</p>
+
+<p>
+&ldquo;I never did repent for doing good, <i>nor</i> shall <i>not</i>
+now.&rdquo;
+</p>
+
+<p>
+&ldquo;We need not, <i>nor</i> do <i>not,</i> confine the purposes of
+God.&rdquo;
+</p>
+
+<p>
+&ldquo;Which do not continue, <i>nor</i> are <i>not</i> binding.&rdquo;
+</p>
+
+<p>
+&ldquo;For my part I love him <i>not, nor</i> hate him <i>not.&rdquo;</i>
+</p>
+
+<p>
+In these sentences, change <i>nor</i> to <i>and.</i>
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="Page198"></a><a name="chap16"></a>CHAPTER XVI<br/>
+Accordance of Verb with Subject</h2>
+
+<p>
+No rule of grammar is more familiar to the schoolboy than that which relates to
+the agreement of the verb with its subject, or nominative, and none that is
+more frequently violated. It would be a mistake, however, to assume that the
+schoolboy is the only transgressor. Ladies and gentlemen of culture and
+refinement, writers and speakers of experience and renown, have alike been
+caught in the quicksands of verb constructions.
+</p>
+
+<p>
+&ldquo;This painting is one of the finest masterpieces that ever <i>was</i>
+given to the world.&rdquo; A transposition of the sentence will show that the
+verb should be <i>were,</i> and not <i>was. &ldquo;</i>Of the finest
+masterpieces that ever <i>were </i>given to the world, this painting is
+one.&rdquo;
+</p>
+
+<p>
+&ldquo;His essay on &lsquo;Capital and Labor&rsquo; is one of the best that
+<i>has</i> ever been written on the subject.&rdquo; The verb should be
+<i>have.</i>
+</p>
+
+<p>
+&ldquo;The steamer, with all her passengers and crew, <i>were</i> lost.&rdquo;
+The subject is <i>steamer,</i> and the verb should be <i>was.</i>
+</p>
+
+<p class="center">
+<a name="Page199"></a>
+<b>Interrogative sentences</b>
+</p>
+
+<p>
+&ldquo;What <i>signifies</i> his good resolutions, when he does not possess
+strength of purpose sufficient to put them into practice?&rdquo;
+<i>Resolutions</i> is the subject, and the verb should be <i>signify.</i>
+</p>
+
+<p>
+&ldquo;Of what profit is his prayers, while his practices are the abomination
+of the neighborhood?&rdquo; <i>Prayers</i> being plural, the verb should be
+<i>are.</i>
+</p>
+
+<p>
+&ldquo;What <i>avails</i> good sentiments with a bad life?&rdquo; Use
+<i>avail.</i>
+</p>
+
+<p class="center">
+<b>Subject after the Verb</b>
+</p>
+
+<p>
+&ldquo;In virtue and piety <i>consist</i> the happiness of man.&rdquo;
+<i>Happiness, </i>the subject, being singular, the verb should be
+<i>consists,</i> to agree with its nominative.
+</p>
+
+<p>
+&ldquo;To these recommendations <i>were</i> appended a copy of the minority
+report.&rdquo; A transposition of the sentence will show that the verb should
+be <i>was</i>, and not <i>were.</i> &ldquo;A copy of the minority report
+<i>was</i> appended to these recommendations.&rdquo;
+</p>
+
+<p>
+Whenever the sentence is introduced by a phrase consisting in part of a noun in
+the plural, or several nouns in the singular or plural, and, especially, where
+the subject follows the verb; care must be taken to keep the nominative well in
+mind, so that the verb may be in strict accord with it.
+</p>
+
+<p class="center">
+<a name="Page200"></a>
+<b>Compound Subjects</b>
+</p>
+
+<p>
+When a verb has two or more nominatives it must be plural. These nominatives
+may or may not be connected by <i>and</i> or other connecting particle. The
+nominatives may consist of nouns or pronouns, either singular or plural, or
+they may be phrases.
+</p>
+
+<p>
+&ldquo;Washington and Lincoln <i>were</i> chosen instruments of
+government.&rdquo;
+</p>
+
+<p>
+&ldquo;Judges and senates <i>have</i> been bought for gold,
+</p>
+
+<p>
+Esteem and love <i>were</i> never to be sold.&rdquo;&mdash;<i>Pope.</i>
+</p>
+
+<p>
+&ldquo;Art, empire, earth itself, to change <i>are </i>doomed.&rdquo;&mdash;
+<i>Beattie.</i>
+</p>
+
+<p>
+&ldquo;You and he <i>resemble</i> each other.&rdquo;
+</p>
+
+<p>
+&ldquo;To read and to sing <i>are</i> desirable accomplishments.&rdquo;
+</p>
+
+<p>
+&ldquo;To be wise in our own eyes, to be wise in the opinion of the world, and
+to be wise in the sight of our Creator, <i>are</i> three things so very
+different as rarely to coincide.&rdquo;&mdash;<i>Blair.</i>
+</p>
+
+<p class="center">
+<b>Singular in Meaning</b>
+</p>
+
+<p>
+Nominatives are sometimes plural in form but singular in meaning. Such
+nominatives require a verb in the singular.
+</p>
+
+<p>
+&ldquo;The philosopher and poet <i>was</i> banished from his country.&rdquo;
+<i>Was</i> is correct, because philosopher and poet are the same person.
+</p>
+
+<p>
+<a name="Page201"></a>
+&ldquo;Ambition, and not the safety of the state, <i>was</i> concerned.&rdquo;
+<i>Was</i> is correct, because <i>ambition</i> is the subject. The words,
+<i>&ldquo;and not the safety of the state,&rdquo;</i> simply emphasize the
+subject, but do not give it a plural meaning.
+</p>
+
+<p>
+&ldquo;Truth, and truth only, <i>is</i> worth seeking for its own sake.&rdquo;
+Another case of emphasis.
+</p>
+
+<p class="center">
+<b>Each, Every, No, Not</b>
+</p>
+
+<p>
+When two or more nominatives are qualified by one of the foregoing words the
+verb must be singular.
+</p>
+
+<p>
+&ldquo;Every limb and feature <i>appears</i> with its respective
+grace.&rdquo;&mdash;<i>Steele.</i>
+</p>
+
+<p>
+&ldquo;Not a bird, not a beast, not a tree, not a shrub <i>were</i> to be
+seen.&rdquo; Use <i>was</i> instead of <i>were.</i>
+</p>
+
+<p class="center">
+<b>Poetical Construction</b>
+</p>
+
+<p>
+When the verb separates its nominatives, it agrees with that which precedes it.
+</p>
+
+<p>
+&ldquo;Forth in the pleasing spring, Thy beauty <i>walks,</i> thy tenderness,
+and love.&rdquo;&mdash;<i>Thomson.</i> <i></i>
+</p>
+
+<p class="center">
+<b>Or, Nor, As well as, But, Save</b>
+</p>
+
+<p>
+When two or more nominatives in the singular are separated by such words as the
+preceding, the verb must be singular.
+</p>
+
+<p>
+&ldquo;Veracity, as well as justice, <i>is</i> to be our rule of
+life.&rdquo;&mdash;<i>Butler.</i>
+</p>
+
+<p>
+<a name="Page202"></a>
+&ldquo;Not a weed nor a blade of grass <i>were</i> to be seen.&rdquo; Change
+<i>were </i>to <i>was</i>.
+</p>
+
+<p>
+&ldquo;Nothing but wailings <i>were</i> heard.&rdquo; Transpose. &ldquo;Nothing
+<i>was</i> heard but wailings.&rdquo; The verb should be <i>was</i>.
+</p>
+
+<p>
+&ldquo;Either one or the other of them <i>are</i> in the wrong.&rdquo; The verb
+should be <i>is.</i>
+</p>
+
+<p>
+If, however, one or more of the nominatives are plural, the verb must be
+plural.
+</p>
+
+<p>
+&ldquo;It is not his wealth, or gifts, or culture that <i>gives</i> him this
+distinction.&rdquo; <i>Gifts</i> being plural, the verb should be <i>give.</i>
+</p>
+
+<p>
+Some authorities say that the verb should agree in number with the subject
+which is placed next before it, and be understood (or silent) to the rest; as,
+&ldquo;Neither he nor his brothers <i>were</i> there,&rdquo; &ldquo;Neither his
+brothers nor he was there,&rdquo; &ldquo;Neither you nor I <i>am</i>
+concerned.&rdquo;
+</p>
+
+<p>
+Prof. Genung, author of <i>Outlines of Rhetoric,</i> says: &ldquo;When a clash
+of concord arises, either choose subjects that have the same number, or choose
+a verb that has the same form for both numbers.&rdquo; He gives this sentence
+to show the change of verb: &ldquo;Fame or the emoluments of valor <i>were</i>
+(<i>was</i>) never to be his.&rdquo; &ldquo;Fame or the emoluments of valor
+could never be his.&rdquo; And this sentence to show the change of one of the
+subjects: &ldquo;Neither the halter nor
+<a name="Page203"></a>
+bayonets <i>are</i> (<i>is</i>) sufficient to prevent us from obtaining our
+rights.&rdquo; &ldquo;Neither the halter nor the bayonet <i>is</i> sufficient
+to prevent us from obtaining our rights.&rdquo;
+</p>
+
+<p class="center">
+<b>Collective Nouns</b>
+</p>
+
+<p>
+Collective nouns, like <i>army, committee, class, peasantry, nobility, </i>are,
+grammatically, singular, but they are often so modified by their surroundings
+as to convey a plural idea, and when so modified the verb must be plural. When
+the collective noun conveys the idea of unity, the verb must be singular.
+</p>
+
+<p>
+&ldquo;The army <i>was</i> disbanded.&rdquo;
+</p>
+
+<p>
+&ldquo;The council <i>were</i> divided.&rdquo;
+</p>
+
+<p>
+&ldquo;A number of men and women <i>were</i> present.&rdquo;
+</p>
+
+<p>
+&ldquo;The people <i>rejoice</i> in their freedom.&rdquo;
+</p>
+
+<p>
+&ldquo;The peasantry <i>go</i> barefoot, and the middle sort <i>make</i> use of
+wooden shoes.&rdquo;
+</p>
+
+<p>
+&ldquo;The world <i>stands</i> in awe of your majesty.&rdquo;
+</p>
+
+<p>
+&ldquo;All the world <i>are</i> spectators of your conduct.&rdquo;
+</p>
+
+<p class="center">
+<b>Weights, Measures, and Values</b>
+</p>
+
+<p>
+The names of weights, measures, and values, when considered as wholes, require
+singular verbs, and when considered as units require verbs in the plural.
+</p>
+
+<p>
+&ldquo;There <i>is</i> twenty shillings in my purse,&rdquo; meaning one pound
+in value. &ldquo;There <i>are</i> twenty shillings in my purse,&rdquo; meaning
+twenty separate coins, each being a shilling. &ldquo;Sixty-three gallons
+<i>equals</i> a hogshead.&rdquo; &ldquo;Ten tons of coal <i>are</i> consumed
+daily.&rdquo;
+</p>
+
+<p class="center">
+<a name="Page204"></a>
+<b>Titles of Books</b>
+</p>
+
+<p>
+Whether the form be singular or plural, the title is considered a unit, and
+requires a verb in the singular; as, &ldquo;&lsquo;The Merry Wives of
+Windsor&rsquo; <i>was</i> written by Shakespeare.&rdquo; &ldquo;Dr.
+Holmes&rsquo;s <i>American Annals was</i> published in 1805.&rdquo;
+</p>
+
+<p class="center">
+<b>Whereabouts</b>
+</p>
+
+<p>
+&ldquo;The whereabouts of his cousins <i>were</i> not known to him.&rdquo; The
+plural form of this word is misleading. The verb should be <i>was.</i>
+</p>
+
+<p class="center">
+<b>Phenomena, Effluvia</b>
+</p>
+
+<p>
+&ldquo;A strange phenomena,&rdquo; &ldquo;A disagreeable effluvia&rdquo; are
+incorrect forms not infrequently met with. Both words are plural, and require
+plural verbs and also the omission of the article <i>a.</i>
+</p>
+
+<p class="center">
+<b>You was</b>
+</p>
+
+<p>
+This very incorrect form is often employed by those who know better, and who
+use it, seemingly, out of courtesy to the uneducated people with whom they are
+brought in contact. If it be a courtesy, it is one that is &ldquo;more honored
+in the breach than in the observance.&rdquo;
+</p>
+
+<p>
+Those who use the expression ignorantly are not likely to read this book, or
+any other of a similar character, and need scarcely be told that <i>was</i>
+should be <i>were</i>.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>
+<a name="Page209"></a><a name="chap17"></a>INDEX</h2>
+
+<p class="noindent">
+A, An, 181.<br/> Aberration of intellect, 87.<br/> A 1,83.<br/> A hundred
+others&rsquo; woes&mdash;Pronouns, 126.<br/> Ability, Capacity, 27.<br/>
+About, Almost, 28.<br/> About, Around, 95.<br/> Above, More than, Preceding,
+111.<br/> Above, Foregoing, 87.<br/> Above up, 180.<br/> Acceptance,
+Acceptation, 28.<br/> Access, Accession, 28.<br/> Accident, Injury, 28.<br/>
+Accord, Give, 86.<br/> Accordance of Verb with Subject, 198.<br/> Collective
+Nouns, 203.<br/> Compound Subjects, 200.<br/> Each, Every, No, Not, 201.<br/>
+Interrogative sentences, 199.<br/> Or, Nor, As well as, But, Save, 201.<br/>
+Phenomena, Effluvia, 204.<br/> Poetical Construction, 201.<br/> Singular in
+Meaning, 200.<br/> Subject after the Verb, 199.<br/> Titles of Books, 204.<br/>
+Weights, Measures, and Values, 203.<br/> Whereabouts, 204.<br/> You was,
+204.<br/> Acoustics, Ethics, Politics, 143.<br/> Act, Action, 86.<br/>
+Adherence, Adhesion, 36.<br/> Adjective or Adverb, 150.<br/> Adopt, Take,
+37.<br/> Adverbs, 150.<br/> Adverbs for Relative Pronouns, 140.<br/> Advise,
+Persuade, 52.<br/> Affect, Effect, 37.<br/> After <i>of&mdash;</i>Possessive
+case, 127.<br/> After <i>than</i> and as&mdash;Pronouns, 132.<br/> After that,
+159.<br/> After the Imperative&mdash;Pronouns, 132.<br/> After verbs&mdash;
+Participles, 171.<br/> After the verb To be&mdash;Pronouns, 131.<br/> After
+verbs and prepositions&mdash;Pronouns, 130.<br/> Again, Against, 115.<br/>
+Aggravate, Exasperate, 37.<br/> Agreeably disappointed, 77.<br/> Agreement with
+Antecedent&mdash;Pronouns, 133.<br/> Ain&rsquo;t, 119.<br/> Alex. Melville
+Bell, 24.<br/> Alienate, Antagonize, Oppose, 32.<br/> Alighted, Lit, Lighted,
+88.<br/> All, Is that all? 108.<br/> All of, 180.<br/> All, Whole, 41, 51.<br/>
+Alleviate, Relieve, 37.<br/> Allow, Guess, Reckon, Calculate, 56.<br/> Allowed,
+Said, 87.<br/> Allude to, Refer to, 77.<br/> Almost, About, 28.<br/> Almost,
+Most, Very, 30.<br/> Alms, Odds, Riches, 145.<br/> Alone, Only, 113.<br/>
+Alternative, 87.<br/> Alternation, 87.<br/> Alumna, Formula, 144,<br/> Alumnus,
+Terminus, Cactus, 143.<br/> Ambiguity&mdash;Pronouns, 135.<br/> Among the
+rest, 78.<br/> Among, Between, 175.<br/> Amount, Number, 32.<br/> Analysis,
+Crises, 143.<br/> And, To&mdash;Try and, 117.<br/> Anglicized Words, 20.<br/>
+Angry, Mad, 30.<br/> Animalcules, not Animalculae, 148.<br/> Anniversary,
+87.<br/> Answer, Reply, 32.<br/> Antagonize, Alienate, Oppose, 32.<br/>
+Anticipate, Expect, 32.<br/> Any, At all, 32.<br/> Anyhow, 81.<br/> Anyways,
+Somewheres, Thereabouts, 78.<br/> Apart, Aside, 78.<br/> Apparent, Evident,
+33.<br/> Appendix, Index, 148.<br/> Appointed you and <i>I&mdash;</i>after
+verbs and prepositions, 130.<br/> Appreciate highly, 189.<br/> Apprehend,
+Comprehend, 105.<br/> Archimedes&rsquo; Screw, 125.<br/> Argue, Augur, 98.<br/>
+Around, About, 95.<br/> Articles, 181.<br/> A, An, 181.<br/> Interchanged,
+184.<br/> Omitted, 182.<br/> Redundant, 183.<br/> Titles&mdash;The Reverend,
+182.<br/> <i>As</i> after <i>Equally,</i> 190.<br/> As... as, 162.<br/> As,
+Like, 88.<br/> As... so, 163.<br/> As soon as, Directly, Immediately, 77.<br/>
+As, That, 70.<br/> As though, As if, 160.<br/> As well as, Or, Nor, But, Save,
+201.<br/> Ascend up, 189.<br/> Aside, Apart, 78.<br/> Asparagus, Sparrowgrass,
+34.<br/> Assets, Alms, Scissors, 145.<br/> Assure, Promise, 34.<br/> At all,
+Any, 32.<br/> At, To, 176.<br/> At you, 114.<br/> Attacked, Burst, Drowned,
+108.<br/> Aware, Conscious, 39.<br/> Away, Way, 41.<br/> Awful, 81.<br/>
+Awkward construction&mdash;Participles, 172.
+</p>
+
+<p class="noindent">
+Back up, Support, 82.<br/> Badly, Greatly, 114.<br/> Bad toothache, 70.<br/>
+Balance, Remainder, 60.<br/> Bandits, Banditti, 148.<br/> Barbaric, Barbarous,
+98.<br/> Barbarisms, 20.<br/> Beaus, Tableaux, Chateaux, 147.<br/> Beautifully,
+Beautiful, 70.<br/> Because, Reason, 156. <br/> Been to, 190.<br/> Beg, Beg
+leave, 71.<br/> Beg pardon, Which? 26.<br/> Begin, Commence, 38.<br/> Behave,
+60.<br/> Bell, Alex. Melville, 24.<br/> Besides, 49.<br/> Beside, Besides,
+108.<br/> Better, Best, 61.<br/> Between, Among, 175.<br/> Between you and
+<i>I&mdash;</i>After verbs and prepositions, 130.<br/> Black Oxide of
+Manganese, 36.<br/> Bombastic Language, 18.<br/> Both, 190.<br/> Both, Both of,
+72.<br/> Both, Each, 72.<br/> Bound, 61.<br/> Bountiful, Plentiful, 108.<br/>
+Brace, Pair, Couple, 147.<br/> Bravery, Courage, 116.<br/> Bring, Fetch, Carry,
+44.<br/> Brooks&rsquo;s Arithmetics, 125.<br/> Brothers, Brethren, 149.<br/>
+Bryant&rsquo;s list, 16.<br/> Bulk, 82.<br/> Burglarize, 82.<br/> Burst,
+Attacked, Drowned, 108.<br/> But, Except, 157.<br/> But, If, 157.<br/> But,
+Only, Except, 157.<br/> But, Or, Nor, Save&mdash;As well as, 201.<br/>
+<i>But</i> superfluous, 158.<br/> But that, 158, 190.<br/> But that, But what,
+82, 157.<br/> But that, 157.<br/> But that, Than that, 158.<br/> But what,
+160.<br/> But what, But that, 82, 157.<br/> By, In, 175.<br/> By, With, 177.
+</p>
+
+<p class="noindent">
+Calculate, 83.<br/> Calculate, Guess, Reckon, Allow, 56.<br/> Calculated,
+Liable, 83.<br/> Calligraphy, 68.<br/> Came across, Met with, 109.<br/>
+Campbell&rsquo;s law, 20.<br/> Can, Could, Will, 115.<br/> Can but, Cannot but,
+68.<br/> Cannot by no means, 196.<br/> Can&rsquo;t and Couldn&rsquo;t,
+120.<br/> Can&rsquo;t do nothing, 196.<br/> Cantos, Heroes, 145.<br/> Capacity,
+Ability, 27.<br/> Carry, Bring, Fetch, 44.<br/> Case forms&mdash;Pronouns,
+129.<br/> Casualty, Casuality, 68.<br/> Character, Reputation, 44.<br/>
+Chauncey Depew and Eli Perkins, 65.<br/> Cheap, Low-priced, 30.<br/> Cherubim,
+Seraphim, 142.<br/> Choice of prepositions, 175.<br/> Choice of
+relatives&mdash;Pronouns, 138.<br/> Choice of words, 15.<br/> Chrysalis,
+Analysis, 143.<br/> Chuck-full, 74.<br/> Clearness&mdash;Participles,
+172.<br/> Clever, Smart, 85.<br/> Climax, 112.<br/> Climb down, 103.<br/>
+Collective nouns, 203.<br/> Collective nouns&mdash;Pronouns, 135.<br/>
+Commence, Begin, 38.<br/> Commenced to write, 107.<br/> Commercial slang,
+23.<br/> Commodious, Convenient, 26.<br/> Common, Mutual, 28.<br/> Common
+slang, 23.<br/> Complected, 69.<br/> Complete, Finished, Through, 39, 99.<br/>
+Compound subject, 200.<br/> Comprehend, Apprehend, 105.<br/> Conclusion, End,
+39.<br/> Conjunctions, 156.<br/> Conscious, Aware, 39.<br/> Contemplate,
+Propose, 75.<br/> Contemptible, Contemptuous, 52.<br/> Continual, Continuous,
+39.<br/> Continually, Perpetually, 52.<br/> Contractions, 118.<br/> Convenient,
+Commodious, 26.<br/> Convict, Convince, 40.<br/> Correlatives, 162.<br/> Could,
+Can, Will, 115.<br/> Couldn&rsquo;t, Can&rsquo;t, 120.<br/> Couple, Pair,
+Brace, 147.<br/> Couple, Several, 76.<br/> Courage, Bravery, 116.<br/>
+Criterion, Datum, 144.<br/> Crowd, 74.<br/> Cunning, 59.<br/> Cupfuls&mdash;
+Plural compounds, 147.<br/> Curious, 59.<br/> Custom, Habit, 40.<br/> Customer,
+Patron, 93.<br/> Cute, 59.<br/> Cut in half, 98.
+</p>
+
+<p class="noindent">
+Daren&rsquo;t, Dursen&rsquo;t, 123.<br/> Data, Strata, 144.<br/> Datum,
+Phenomenon, 144, 204.<br/> Deface, Disfigure, 43.<br/> Defect, Fault, 45.<br/>
+Degrade, Demean, 43.<br/> Depot, Station, 43.<br/> Description, Kind, 44.<br/>
+Didn&rsquo;t, Don&rsquo;t, 120.<br/> Dies, Dice, 149.<br/> Differ among
+themselves, 192.<br/> Different, 191.<br/> Differ with, From, 175.<br/>
+Different from, to, than, 75, 176.<br/> Directly, Immediately, As soon as,
+77.<br/> Disfigure, Deface, 43.<br/> Disremember, 69.<br/> Dispense, Dispense
+with, 75.<br/> Dock, Wharf, 52.<br/> Don&rsquo;t and Didn&rsquo;t, 120.<br/>
+Don&rsquo;t want none, 195.<br/> Double negatives, 194.<br/> Double
+possessives, 126.<br/> Doubt not but, 160.<br/> Dreadful solemn&mdash;
+Adjective or adverb? 152.<br/> Drive, Ride, 76.<br/> Drowned, Attacked, Burst,
+108.<br/> Dry, Thirsty, 75.<br/> Due, Owing, 71.<br/> Dursent, Daren&rsquo;t,
+123.<br/> Dutch, German, 75.
+</p>
+
+<p class="noindent">
+Each, Both, 72.<br/> Each, Every, 71.<br/> Each, Every, No, Not, 201.<br/> Each
+other, One another, 46.<br/> Each other&rsquo;s eyes&mdash;Pronouns, 126.<br/>
+Each... <i>their&mdash;</i>Agreement with antecedent, 134.<br/> Effect,
+Affect, 37.<br/> Effluvia, Phenomena, 144, 204.<br/> Either, Neither, 47,
+163.<br/> Either the... or the, 159.<br/> Elder, Older, 91.<br/> Eli Perkins
+and Chauncey Depew, 65.<br/> Ellipsis, Analysis, 143.<br/> Else ...besides,
+49.<br/> Else than, Other than, 159.<br/> Emigrants, Immigrants, 78.<br/>
+Empty, 86.<br/> End, Conclusion, 39.<br/> Endorse, Indorse, 84.<br/> End up,
+192.<br/> Enjoy, 86.<br/> Enjoyed poor health, 36.<br/> Equally as well,
+190.<br/> Evacuate, Vacate, 75.<br/> Ever, Never, 72.<br/> Every confidence,
+67.<br/> Every, Each, 71.<br/> Every, Each, No, Not, 201.<br/> Everybody
+else&rsquo;s, 128.<br/> Everybody... <i>they&mdash;</i>Agreement with
+antecedent, 134.<br/> Every once in awhile, 73.<br/> Everywheres, 190.<br/>
+Evident, Apparent, 33.<br/> Exasperate, Aggravate, 37.<br/> Except, But,
+157.<br/> Except, But, Only, 157.<br/> Except, Unless, Besides, 161.<br/>
+Exceptionable, Exceptional, 73.<br/> Excuse me&mdash;Which? 26.<br/> Expect,
+Anticipate, 32.<br/> Expect, Suspect, Suppose, 110.
+</p>
+
+<p class="noindent">
+Factor, 112.<br/> Farther, Further, 45.<br/> Fathers-in-law&mdash;Plural
+compounds, 147.<br/> Fault, Defect, 45.<br/> Favor, Resemble, 59.<br/> Feel
+like, 190.<br/> Feels badly&mdash;Adjective or adverb? 151.<br/> Female,
+Woman, 73.<br/> Fetch, Bring, Carry, 44.<br/> Few, 191.<br/> Few, Little,
+46.<br/> Fewer, Less, 73.<br/> Fictitious writer, 62.<br/> Fine writing,
+8.<br/> Finished, Complete, Through, 39, 99.<br/> Fire, Throw, 78.<br/> First,
+Firstly, 62.<br/> First, Former, 61.<br/> First-rate, 62.<br/> First two,
+79.<br/> Fish, Fly, 148.<br/> Fix, In a, 53.<br/> Fix, Mend, Repair, 62.<br/>
+Fly, Flee, 53.<br/> Flys, Fishes, 148.<br/> Foregoing, Above, 87.<br/> Foreign
+words, 9.<br/> Former, First, 61.<br/> Formulas, Larvas, Stigmas, 144.<br/> For
+to see, 189.<br/> Frederick the Great&rsquo;s Kindness&mdash;Nouns in
+apposition, 127.<br/> From hence, thence, whence, 180.<br/> From, Of, 104,
+176.<br/> Funny, 56.<br/> Further, Farther, 45.<br/> Future, Subsequent, 79.
+</p>
+
+<p class="noindent">
+Gent&rsquo;s pants, 79.<br/> German, Dutch, 75.<br/> Get, Got, 54.<br/> Give,
+Accord, 36.<br/> Good deal, Great deal, 57.<br/> Good piece, Long distance,
+110.<br/> Good usage, 19.<br/> Good, Well, 158.<br/> Got to, Must, 115.<br/>
+Governor, the old man, 97.<br/> Great big, 98.<br/> Great deal, Good deal,
+57.<br/> Greatly, Badly, 114.<br/> Grouse, Quail, Snipe, 149.<br/> Grow, Raise,
+Rear, 113.<br/> Guess, Reckon, Calculate, Allow, 56.<br/> Gums, Overshoes, 56.
+</p>
+
+<p class="noindent">
+Habit, Custom, 40.<br/> Had better, Would better, 57.<br/> Had have, 192.<br/>
+Had ought to, 193.<br/> Hadn&rsquo;t, Haven&rsquo;t, Hasn&rsquo;t, 121.<br/>
+Haint, Taint, 121.<br/> Hangs on, Continues, 115.<br/> Have got, 188.<br/> Have
+saw, Has went, 114.<br/> Haven&rsquo;t, Hasn&rsquo;t, Hadn&rsquo;t, 121.<br/>
+Haply, Happily, 114.<br/> Happen, Transpire, 65.<br/> Has went, Have saw,
+114.<br/> Hate, Dislike, 116.<br/> Healthy, Wholesome, 52.<br/> Healthy,
+Healthful, 112.<br/> Hearty meal, 98.<br/> He is no better than <i>me&mdash;
+</i>After <i>than</i> and as, 133.<br/> Help but be, 191.<br/> Heroes, Cantos,
+Stuccoes, 145.<br/> Herrings, Trout, Pike, 149.<br/> He&rsquo;s, She&rsquo;s,
+It&rsquo;s, 123.<br/> Hey? Which? 25.<br/> Hire, Lease, Let, Rent, 88.<br/>
+His, One&rsquo;s, 50.<br/> His or her&mdash;Needless pronouns, 136.<br/> Hope,
+Wish, 99.<br/> House, Residence, 43.<br/> <i>How</i> for <i>by which&mdash;
+</i>Adverbs for relative pronouns, 140<br/> How, That, 154.<br/> Hung, Hanged,
+112.
+</p>
+
+<p class="noindent">
+I am <i>him</i>-Case forms, 129.<br/> Idea, Opinion, 113.<br/> If, But,
+157.<br/> If, Whether, 58.<br/> Ill, Sick, 107.<br/> Illy, Ill, 58.<br/>
+Immediately, Directly, As soon as, 77.<br/> Immigrants, Emigrants, 78.<br/>
+Implicit, 58.<br/> I&rsquo;m, You&rsquo;re, He&rsquo;s, She&rsquo;s,
+It&rsquo;s, We&rsquo;re, They&rsquo;re, 123.<br/> In a fix, 53.<br/> In, By,
+175.<br/> In, Into, 85, 176.<br/> In, Of, 177.<br/> In, On, 177.<br/> In our
+midst, 84.<br/> In respect of, To, 176.<br/> In so far, 188.<br/> Inaugurate,
+109.<br/> Incomplete Infinitive, 168.<br/> Index, Appendix, 148.<br/>
+Individual, 58.<br/> Indorse, Endorse, 84.<br/> Infinitive, 166.<br/>
+Infinitive, Incomplete, 168.<br/> Infinitive needed&mdash;Supply <i>To,</i>
+166.<br/> Infinitive unnecessary&mdash;Omit &ldquo;To,&rdquo; 167.<br/>
+Informed, Posted, 86.<br/> Injury, Accident, 28.<br/> Interchanged Articles,
+184.<br/> Interrogatives&mdash;Pronouns, 130.<br/> Interrogative sentences,
+199.<br/> Into, In, 85, 176.<br/> Introduce, Present, 105.<br/> &ldquo;Is
+building,&rdquo; 173.<br/> Isn&rsquo;t, 121.<br/> It&rsquo;s, He&rsquo;s,
+She&rsquo;s, 123.<br/> It is <i>me&mdash;</i>Case forms, 129.
+</p>
+
+<p class="noindent">
+John and Mary&rsquo;s sled&mdash;Double possessives, 126.<br/> Journal,
+68.<br/> Junius&rsquo;s letters, 125.<br/> Juntos, Heroes, Virtuosos, 145.<br/>
+Just going to, 85.
+</p>
+
+<p class="noindent">
+Kind, Description, 44.<br/> Kind of, 85.<br/> Kind of a, 191.<br/> Knights
+Templars, 147.<br/> Know as, Know that, 58.<br/> Knowing, 85.
+</p>
+
+<p class="noindent">
+Last, Latest, 59.<br/> Lay, Lie, 69.<br/> Lead a dance, 117.<br/> Learn, Teach,
+88.<br/> Lease, Let, Rent, Hire, 88.<br/> Leave, Quit, 83.<br/> Lend, Loan,
+88.<br/> Less, Fewer, 73.<br/> Lest, That, 159.<br/> Let it alone, Leave it
+alone, 83.<br/> Let, Lease, Rent, Hire, 88.<br/> Let you and <i>I</i> try
+it&mdash;After the Imperative, 132.<br/> Let&rsquo;s, 123.<br/> Liable,
+Calculated, 83.<br/> Lie, Lay, 69.<br/> Lighted, Lit, Alighted, 88.<br/> Like,
+As, 88.<br/> Like, Love, 29.<br/> List of Principal Correlatives, 162.<br/>
+Lit, Lighted, 88.<br/> Little, Few, 46.<br/> Little piece, Short distance,
+67.<br/> Little bit, 74.<br/> Loan, Lend, 88.<br/> Look and see, 187.<br/> Look
+at here, 187.<br/> Lot, Number, 116. Love, Like, 29.<br/> Low-priced, Cheap,
+30.<br/> Luck, 84.
+</p>
+
+<p class="noindent">
+Mad, Angry, 30.<br/> Make, Manufacture, 65.<br/> Make way with, 84.<br/>
+Mayn&rsquo;t, Mustn&rsquo;t, Mightn&rsquo;t, Oughtn&rsquo;t, 122.<br/> Mayst,
+Mightest, 123.<br/> Means, Alms, Headquarters, 146.<br/> Measures, Weights,
+Values, 203.<br/> Memorandum, Datum, 144.<br/> Mend, Fix, Repair, 62.<br/>
+Mention, Allude to, Refer to, 77.<br/> Men&rsquo;s and boys&rsquo; shoes,
+124.<br/> Men, women, and children&rsquo;s shoes&mdash;Double possessives,
+126.<br/> Met with, Came across, 109.<br/> Mightn&rsquo;t, Mustn&rsquo;t,
+Mayn&rsquo;t, Oughtn&rsquo;t, 122.<br/> Mightst, Mayst, 123.<br/> Mighty, Very,
+104.<br/> Misplaced relatives&mdash;Pronouns, 141.<br/> Mixed pronouns,
+136.<br/> More than, Above, Preceding, 111.<br/> More than, Over, 155.<br/>
+More, Worse, 42.<br/> Mosquitoes, Heroes, Halos, 145.<br/> Most, Almost, Very,
+30.<br/> Musselmans, Dragomans, 145.<br/> Mustn&rsquo;t, Mayn&rsquo;t,
+Mightn&rsquo;t, and Oughtn&rsquo;t, 122.<br/> Mutual, Common, 28.<br/> Myself,
+29.
+</p>
+
+<p class="noindent">
+Nasty, Nice, 89.<br/> Near, Nearly, 89.<br/> Need, Want, 40.<br/> Needless
+Articles, 183.<br/> Needless Prepositions, 180.<br/> Needless Pronouns,
+136.<br/> Negatives, 194.<br/> Negligence, Neglect, 29.<br/> Neighborhood,
+Region, 42.<br/> Neither, Either, 47, 163.<br/> Neither... nor, Either,
+163.<br/> Never, Ever, 72.<br/> Never... nor (or or), Either, 163.<br/> Never,
+Not, 29.<br/> News, 142.<br/> New beginner, 191.<br/> New Words, 21.<br/> Nice,
+Nasty, 89.<br/> Nicely, 89.<br/> No, Each, Every, Not, 201.<br/> No... no, 154,
+196.<br/> No, Not, 154.<br/> No good, No use, 89.<br/> No more than I could
+help, 111.<br/> No use, No good, 89.<br/> Nor... no, 197.<br/> Nor, Or&mdash;
+Pronouns, 135.<br/> Nor, Or, As well as, But, Save, 201.<br/> Nor... not,
+197.<br/> None, Singular or plural, 51.<br/> Not... hardly, 196.<br/> Not
+impossible but, 160.<br/> Not... neither, Either, 163.<br/> Not, Never,
+29.<br/> Not... or (or <i>nor),</i> Either, 163.<br/> Not... no, 197.<br/>
+Noted, Notorious, 94.<br/> Nothing like, 94.<br/> Nothing... nor, 196.<br/>
+Notorious, Noted, 94.<br/> Nouns in Apposition&mdash;Possessive Case 126.<br/>
+Nouns, Plural-Possessive Case, 125.<br/> Nouns, Singular&mdash;Possessive
+Case, 125.<br/> Nowhere near so, 94.<br/> Nucleus, Terminus, Fungus, 143.<br/>
+Number, 142.<br/> Number, Amount, 32.<br/> Number, Lot, 116.<br/> Number,
+Quantity, 38.
+</p>
+
+<p class="noindent">
+O, Oh, 90.<br/> Observe, Say, 90.<br/> Obsolete Words, 20.<br/> Odds, Alms,
+Riches, 145.<br/> Of any, Of all, 90.<br/> Of, From, 104,176.<br/> Of, In,
+177.<br/> &ldquo;Of&rdquo; redundant, 169.<br/> Of, With, 176.<br/> Off of,
+189.<br/> Older, Elder, 91.<br/> Omission of Article, 182.<br/> Omit the
+Possessive, 170.<br/> Omission of Preposition, 179.<br/> Omit &ldquo;Of,&rdquo;
+169.<br/> Omit &ldquo;To,&rdquo; 167.<br/> Omitted Relatives&mdash;Pronouns,
+141.<br/> On, Over, Upon, 104.<br/> One another, Each other, 46.<br/> One...
+they&mdash;Agreement with Antecedent, 134.<br/> One&rsquo;s, His, 50.<br/>
+Only, 91.<br/> Only, Alone, 113.<br/> Only, Except, But, 157.<br/> Onto, Upon,
+92.<br/> Opens up, 191.<br/> Opinion, Idea, 113.<br/> Oppose, antagonize,
+Alienate, 32.<br/> Or. Nor, As well as, But, Save, 201.<br/> Or, Nor&mdash;
+Pronouns, 135.<br/> Other, 49.<br/> Other... besides, 49.<br/> Other than,
+159.<br/> Other than, Otherwise than, 48.<br/> Otherwise than, Otherwise but,
+159.<br/> Ottomans, Mussulmans, 145.<br/> Ought, Should, Would, 102.<br/>
+Oughtn&rsquo;t, Mustn&rsquo;t, Mayn&rsquo;t, Mightn&rsquo;t, 122.<br/>
+Outstart, 92.<br/> Over and Above, More than, 92.<br/> Over, More than,
+155.<br/> Over, On, Upon, 104.<br/> Over with, 110.<br/> Overflown, Overflowed,
+110.<br/> Overlook, Oversee, 95.<br/> Overshoes, Gums, 56.<br/> Overworked
+Expressions, 13.<br/> Owing, Due, 71.<br/> Oxide of Manganese, Black, 36.
+</p>
+
+<p class="noindent">
+Pair, Couple, Brace, 147.<br/> Pants, Gent&rsquo;s, 79.<br/> Pappy, the Old
+Man, 97.<br/> Parenthetical Expressions&mdash;Pronouns, 133.<br/> Part,
+Portion, 30.<br/> Partake, Ate, 105.<br/> Participles, 169,<br/> After Verbs,
+171.<br/> Awkward Construction, 172.<br/> Clearness, 172.<br/> &ldquo;Is
+building,&rdquo; 173.<br/> &ldquo;Of&rdquo; redundant, 169.<br/> Omit the
+Possessive, 170.<br/> Place of, 171.<br/> Party, Person, 93.<br/> Patron,
+Customer, 93.<br/> Peas, Pease, 149.<br/> Pell-mell, 155.<br/> Pennies, Pence,
+149.<br/> Per, 93.<br/> Peradventure, Perchance, 93.<br/> Performers, 93. <br/>
+Period, Point, 94.<br/> Perpetually, Continually, 52.<br/> Person, Party,
+93.<br/> Perspire, Sweat, 86.<br/> Persuade, Advise, 52.<br/> Peruse, 78.<br/>
+Pet Words, 12.<br/> Phenomena, Data, Effluvia, 144, 204.<br/> Place of
+Participles, 171.<br/> Plead, Pleaded, 94.<br/> Plenty, Plentiful, 95.<br/>
+Plural Compounds, 147.<br/> Plural Nouns, 125.<br/> Pocket-handkerchief,
+188.<br/> Poet, Poetess, 73.<br/> Poetic Terms, 9.<br/> Poetical Construction,
+201.<br/> Point, Period, 94.<br/> Politics, Acoustics, Ethics, 143.<br/>
+Portion, Part, 30.<br/> Position of Correlatives, 164.<br/> Position of
+Preposition, 178.<br/> Possessive Case, 124.<br/> After of, 127.<br/> Double
+possessives, 126.<br/> Nouns, Singular, 125.<br/> &rdquo; Plural, 125.<br/>
+&rdquo; in apposition, 126.<br/> Pronouns, 126.<br/> Somebody else&rsquo;s,
+127.<br/> Postal, 31.<br/> Posted, Informed, 86.<br/> Powerful sight, 105.<br/>
+Practical, Practicable, 31.<br/> Preceding, Above, More than, 111.<br/>
+Predicate, 31.<br/> Prefer than, 31.<br/> Preferred before, to, 176.<br/>
+Prejudice, 33.<br/> Prepositions, 174.<br/> All of, 180.<br/> At, To, 176.<br/>
+Between, Among, 175.<br/> By, In, 175.<br/> Choice, 175.<br/> Differ with,
+from, 175.<br/> Different from, to, than, 176.<br/> From hence, 180.<br/> In,
+Into, 176.<br/> In, On, 177.<br/> In respect of, to, 176.<br/> Needless
+prepositions, 180.<br/> Of, In, 177.<br/> Of, From, 176.<br/> Omission of
+prepositions, 179.<br/> Position, 178.<br/> Preferred before, to, 176.<br/> To,
+With, 177.<br/> Up above, 180.<br/> With, By, 177.<br/> With, Of, 176.<br/>
+With, To, 178.<br/> Present, Introduce, 105.<br/> Presume, Think, Believe,
+33.<br/> Pretend, Profess, 33.<br/> Pretty, Very, 116.<br/> Preventative,
+Preventive, 33.<br/> Previous, Previously, 33.<br/> Profess, Pretend, 33.<br/>
+Promise, Assure, 34.<br/> Pronouns, 129.<br/> Adverbs for Relative Pronouns,
+140.<br/> After <i>than</i> and as, 132.<br/> &rdquo; the Imperative,
+132.<br/> &rdquo; To be, 131.<br/> &rdquo; Verbs and Prepositions, 130.<br/>
+Agreement with Antecedent, 133.<br/> Ambiguity, 135.<br/> Case Forms, 129.<br/>
+Choice of Relatives, 138.<br/> Collective Nouns, 135.<br/> Interrogatives,
+130.<br/> Misplaced Relatives, 141.<br/> Mixed, 136.<br/> Needless, 136.<br/>
+Omitted Relatives, 141.<br/> Or, Nor, 135.<br/> Parenthetical expressions,
+133.<br/> Silent Predicate, 132.<br/> The one, the other, 141.<br/> Uniform
+Relatives, 137.<br/> <i> Which</i> and who after and, 140.<br/>
+Pronouns&mdash;Possessive Case, 126.<br/> Pronouns&mdash;Personal and
+Relative, 129.<br/> Proper Names&mdash;Plurals, 146.<br/> Propose, Purpose,
+34.<br/> Proposal, Proposition, 37.<br/> Propose, Contemplate, 75.<br/>
+Prospectus, Terminus, Apparatus, 148.<br/> Proved, Proven, 38.<br/> Providing,
+Provided, 37.<br/> Provincialisms, 24.<br/> Pupil, Scholar, 107.<br/> Purity of
+Diction, 19.<br/> Purpose, Propose, 34.
+</p>
+
+<p class="noindent">
+Quail, Grouse, Woodcock, 149.<br/> Quantity, Number, 38.<br/> Quite, Very,
+Rather, 153.<br/> Quite a few, 38.<br/> Quit, Leave, 83.
+</p>
+
+<p class="noindent">
+Raise, Grow, Rear, 113.<br/> Rarely, Rare, 42.<br/> Rather than, Other than,
+159.<br/> Real, Really, 42.<br/> Real good, 155.<br/> Rear, Raise, Grow,
+113.<br/> Reason, Because, 156.<br/> Receipt, Recipe, 42.<br/> Reckon, Guess,
+Calculate, Allow, 56.<br/> Recollect of, 187.<br/> Redundancy, 185.<br/>
+Redundant Article, 183.<br/> Redundant Negatives, 195.<br/> Refer to, Allude
+to, 77.<br/> Region, Neighborhood, 42.<br/> Relieve, Alleviate, 37.<br/>
+Remainder, Balance, 60.<br/> Remit, Send, 43.<br/> Rent, Lease, Let, Hire,
+88.<br/> Repair, Fix, Mend, 62.<br/> Reply, Answer, 32.<br/> Reputation,
+Character, 44.<br/> Requisite, Requisition, Requirement, 106.<br/> Resemble,
+Favor, 59.<br/> Residence, House, 43.<br/> Restaurant French, 10.<br/>
+Revolting, 96.<br/> Reverend, 182.<br/> Riches, Alms, Odds, 145.<br/> Ride,
+Drive, 76.<br/> Right, Right here, Just here, 99.<br/> Right smart, 73.<br/>
+Rise up, 192.<br/> Round, Square, 63.
+</p>
+
+<p class="noindent">
+Said, Allowed, 87.<br/> Same as, Same that, 105.<br/> Save, But, Or, Nor, As
+well as, 201.<br/> Say, Observe, 90.<br/> Says, States, 63.<br/> Scholar,
+Pupil, 107.<br/> Section, Region, 106.<br/> Seeming Paradox, 191.<br/> Seldom
+or ever, 106.<br/> Send, Remit, 43.<br/> Seraphim, Cherubim, 142.<br/> Set,
+Sit, 80.<br/> Settle up, down, 188.<br/> Several, Couple, 76.<br/> Sewage,
+Sewerage, 106.<br/> Shall, Will, Should, Would, 100.<br/> Shall you? Will you?
+102.<br/> She&rsquo;s, He&rsquo;s, It&rsquo;s, 123.<br/> Should, Would, Ought,
+102.<br/> Should, Would, Shall, Will, 100.<br/> Shouldn&rsquo;t and
+Wouldn&rsquo;t, 122.<br/> Sick, Ill, 107.<br/> Sight, Many, 74.<br/> Silent
+Predicate&mdash;Pronouns, 132.<br/> Single, The first, 79.<br/> Singular
+Nouns, 125.<br/> Singular in Meaning, 201.<br/> Sink down, 192.<br/> Sit, Set,
+80.<br/> Slang, 22.<br/> Slang, Commercial, Common, and Society, 23.<br/>
+Smart, Clever, 85.<br/> Smell of, 192.<br/> Smells sweetly&mdash;Adjective or
+Adverb? 151.<br/> Sociable, Social, 106.<br/> Society Slang, 23.<br/> So... as,
+163.<br/> So far, That far, 154.<br/> So nice, 155.<br/> So, Such, 152.<br/>
+Solos, Heroes, Octavos, 145.<br/> Some better, 98.<br/> Some means or another,
+48.<br/> Somebody else&rsquo;s, 127.<br/> Somewheres, Anyways, Thereabouts,
+78.<br/> Sparrowgrass, Asparagus, 34.<br/> Specialty, Speciality, 106.<br/>
+Square, Round, 63.<br/> Stand a chance, 110.<br/> States, Says, 63.<br/>
+Station, Depot, 43.<br/> Stay, Stop, 63.<br/> Stilts, 18.<br/> Stop, Stay,
+63.<br/> Strata, Data, 144.<br/> Subject after the verb, 199.<br/> Subsequent,
+Future, 79.<br/> Subtile, Subtle, 63.<br/> Such as you and <i>me&mdash;
+</i>After than and as, 133.<br/> Such, So, 152.<br/> Summerish, Winterish,
+99.<br/> Summons, 64.<br/> Supply &ldquo;To,&rdquo; 166.<br/> Support, Back up,
+82.<br/> Sweat, Perspire, 86.
+</p>
+
+<p class="noindent">
+Tableaux, Beaus, Plateaus, 147.<br/> Tactics, Acoustics, 143.<br/> Taint,
+Haint, 121.<br/> Take, Adopt, 37.<br/> Talented, 103.<br/> Taste, 7.<br/>
+Tasty, Tasteful, 64.<br/> Team, 64.<br/> Teach, Learn, 88.<br/> Terminus,
+Radius, Focus, 143.<br/> Than, 48.<br/> <i>Than</i> ambiguous, 158.<br/>
+Thanks, I thank you, 115.<br/> That, As, 70.<br/> That, But, 157.<br/> That
+far, Thus far, 154.<br/> That, Lest, 159.<br/> That omitted, 158.<br/> That,
+that, 157.<br/> The father he died&mdash;Needless pronouns, 136.<br/> The
+first, Single, 79.<br/> The Honorable, the Reverend, 182.<br/> The Infinitive,
+166.<br/> The Miss Browns&mdash;Titles, 146.<br/> The Old Man, 97.<br/> The
+one, the other&mdash;Pronouns, 141.<br/> Them books, 137.<br/> Thereabouts,
+Somewheres, Any ways, 78.<br/> These kind, Those kind, 47.<br/> These sort,
+Those kind, 64.<br/> These, Those, 62.<br/> They&rsquo;re, We&rsquo;re,
+You&rsquo;re, 123.<br/> Think for, 192.<br/> Thirsty, Dry, 75.<br/> This much,
+154.<br/> This twenty years, These kind, 47.<br/> Those kind, These sort,
+64.<br/> Through, Finished, Complete, 39, 99.<br/> Throw, Fire, 78.<br/> Titles
+of Books, 204.<br/> Titles&mdash;The Reverend, the Honorable, 182.<br/> Titles
+with Proper Names, 146.<br/> To always find&mdash;The Infinitive, 166.<br/>
+To, With, 177, 178.<br/> To, At, 176.<br/> Transpire, Happen, 65.<br/> Trite
+Expressions, 12.<br/> Truth, Veracity, 67.<br/> Try and, Try to, 117.<br/> Try
+the experiment, 67.<br/> Two foot, These kind, 48.<br/> Two Negatives, 194.
+</p>
+
+<p class="noindent">
+Ugly, 67.<br/> Unbeknown, 68.<br/> Underhanded, 68.<br/> Under the weather,
+Ill, 115.<br/> Unexampled, 96.<br/> Uniform Relatives&mdash;Pronouns,
+137.<br/> Unless, Without, 41.<br/> Up above, 180.<br/> Upon, On, Over,
+104.<br/> Utter, Express, 96.
+</p>
+
+<p class="noindent">
+Vacate, Evacuate, 75.<br/> Valuable, Valued, 97.<br/> Values, Weights,
+Measures, 203.<br/> Veracity, Truth, 67.<br/> Very, Most, Almost, 30.<br/> Very
+much of, 153.<br/> Very pleased, 97.<br/> Very, Pretty, 116.<br/> Very Vulgar
+Vulgarisms, 13.<br/> Vicinity, Neighborhood, 97.<br/> Vulgarisms, 13.
+</p>
+
+<p class="noindent">
+Want, Need, 40.<br/> Wasn&rsquo;t, 122.<br/> Way, Away, 41.<br/> Ways, way,
+41.<br/> Weights, Measures, and Values, 203.<br/> Well, Good, 153.<br/>
+Weren&rsquo;t, 122.<br/> We&rsquo;re, They&rsquo;re, You&rsquo;re, 123.<br/>
+Wharf, Dock, 52.<br/> Wharf, Wharves, 149.<br/> What for <i>that,</i> 137.<br/>
+What? Which? Hey? 25.<br/> Whereabouts, 204.<br/> <i>Where</i> for <i>in
+which&mdash;</i>Adverbs for Relative Pronouns, 140.<br/> Whether, If, 58.<br/>
+Whether... Whether, 160.<br/> Which? 25.<br/> Which? Beg pardon, 25.<br/> Which
+for <i>who,</i> 137.<br/> Which? What? 25.<br/> Which and <i>who</i> after
+<i>and&mdash;</i>Pronouns, 140.<br/> Who should I see&mdash;Interrogatives,
+131.<br/> Whole, All, 41, 51.<br/> Wholesome, Healthy, 52.<br/> <i>Whom</i> do
+you think he is&mdash;Interrogatives, 131.<br/> Why, 187.<br/> Widow woman,
+186.<br/> Will, Could, Can, 115.<br/> Will, Shall, Should, Would, 100.<br/>
+Will you? Shall you? 102.<br/> Winterish, Summerish, 99.<br/> Wish, Hope,
+99.<br/> With, By, 177.<br/> With, Of, 176.<br/> With, To, 177, 178.<br/>
+Without, Unless, 41.<br/> Woman, Female, 73.<br/> Words, Anglicized, 20.<br/>
+Words Improperly Used, 26.<br/> Words, New, 21.<br/> Words, Obsolete. 20.<br/>
+Words to be avoided, 18.<br/> Worse, More, 42.<br/> Would better, Had better,
+57.<br/> Would Should, Ought, 102.<br/> Would, Should, Shall, Will, 100.<br/>
+Wouldn&rsquo;t, Shouldn&rsquo;t, 122.
+</p>
+
+<p class="noindent">
+You are <i>him&mdash;</i>Case Forms, 129.<br/> You&rsquo;re, We&rsquo;re,
+They&rsquo;re, 123.<br/> You was, 204.
+</p>
+
+<hr />
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<p class="center">
+<i>Popular Handbooks</i>
+</p>
+
+<hr />
+
+<p>
+Some books are designed for entertainment, others for information. This series
+combines both features. The information is not only complete and reliable, it
+is compact and readable. In this busy, bustling age it is required that the
+information which books contain shall be ready to hand and presented in the
+clearest and briefest manner possible. These volumes are replete with valuable
+information, compact in form and unequalled in point of merit and cheapness.
+They are the latest as well as the best books on the subjects of which they
+treat. No one wishing to have a fund of general information or who has the
+desire for self-improvement can afford to be without them.
+</p>
+
+<p class="center">
+<b><i>Cloth, each, 50 Cents</i></b>
+</p>
+
+<hr />
+
+<p>
+<b><i>The Penn Publishing Company</i></b>
+</p>
+
+<p>
+<b><i>923 ARCH STREET PHILADELPHIA</i></b>
+</p>
+
+<hr />
+
+<p class="center">
+<b>ETIQUETTE</b>
+</p>
+
+<p class="center">
+<b>By Agnes H. Morton</b>
+</p>
+
+<p>
+There is no passport to good society like good manners. Even though a person
+possess wealth and intelligence, his success in life may be marred by ignorance
+of social customs. A perusal of this book will prevent such blunders. It is a
+book for everybody, for the select sets as well as for the less ambitious. The
+subject is presented in a bright and interesting manner, and represents the
+latest vogue.
+</p>
+
+<hr />
+
+<p class="center">
+<b>LETTER WRITING</b>
+</p>
+
+<p class="center">
+<b>By Agnes H. Morton</b>
+</p>
+
+<p>
+Why do most persons dislike letter writing? Is it not because they cannot say
+the right thing in the right place? This admirable book not only shows by
+numerous examples just what kind of letters to write, but by directions and
+suggestions enables the reader to become an accomplished original letter
+writer. There are forms for all kinds of business and social letters, including
+invitations, acceptances, letters of sympathy, congratulations, and love
+letters.
+</p>
+
+<hr />
+
+<p class="center">
+<b>QUOTATIONS</b>
+</p>
+
+<p class="center">
+<b>By Agnes H. Morton</b>
+</p>
+
+<p>
+A clever compilation of pithy quotations, selected from a great variety of
+sources, and alphabetically arranged according to the sentiment. In addition to
+all the popular quotations in current use, it contains many rare bits of prose
+and verse not generally found in similar collections. An important feature of
+the book is the characteristic lines from well known authors, in which the
+familiar sayings are credited to their original sources.
+</p>
+
+<hr />
+
+<p class="center">
+<b>THINGS WORTH KNOWING</b>
+</p>
+
+<p class="center">
+<b>By John H. Bechtel</b>
+</p>
+
+<p>
+It is a comparatively easy task to fill a book with a mass of uninteresting
+statistical matter. It is quite another thing to get together a vast
+accumulation of valuable material on all conceivable subjects. This book is
+thoroughly up to date, and embraces many subjects not usually found in works of
+this kind. It contains information for everybody, whether it pertains to
+health, household, business, affairs of state, foreign countries, or the
+planets, and all most conveniently indexed.
+</p>
+
+<hr />
+
+<p class="center">
+<b>A DICTIONARY OF MYTHOLOGY</b>
+</p>
+
+<p class="center">
+<b>By John H. Bechtel</b>
+</p>
+
+<p>
+The average person dislikes to look up a mythological subject because of the
+time occupied. This book remedies that difficulty because in it can be found at
+a glance just what is wanted. It is comprehensive, convenient, condensed, and
+the information is presented in such an interesting manner as when once read to
+be always remembered. A distinctive feature of the book is the pronunciation of
+the proper names, something found in few other works.
+</p>
+
+<hr />
+
+<p class="center">
+<b>SLIPS OF SPEECH</b>
+</p>
+
+<p class="center">
+<b>By John H. Bechtel</b>
+</p>
+
+<p>
+Who does not make them? The best of us do. Why not avoid them? Any one inspired
+with the spirit of self-improvement can readily do so. No necessity for
+studying rules of grammar or rhetoric when this book can be had. It teaches
+both without the study of either. It is a counsellor, a critic, a companion,
+and a guide, and is written in a most entertaining and chatty style.
+</p>
+
+<hr />
+
+<p class="center">
+<b>HANDBOOK OF PRONUNCIATION</b>
+</p>
+
+<p class="center">
+<b>By John H. Bechtel</b>
+</p>
+
+<p>
+What is more disagreeable than a faulty pronunciation? No other defect so
+clearly shows a lack of culture. This book contains over 5,000 words on which
+most of us are apt to trip. They are here pronounced in the clearest and
+simplest manner, and according to the best authority. It is more readily
+consulted than a dictionary, and is just as reliable.
+</p>
+
+<hr />
+
+<p class="center">
+<b>PRACTICAL SYNONYMS</b>
+</p>
+
+<p class="center">
+<b>By John H. Bechtel</b>
+</p>
+
+<p>
+Any one with the least desire to add to his vocabulary or to improve his choice
+of words should have a copy of this book. It is designed mainly to meet the
+wants of busy merchants or lawyers, thoughtful clergymen or teachers, and
+wide-awake school-boys or girls who are ambitious to express the thoughts of
+the mind in more fitting phrases than they are at present capable of doing.
+</p>
+
+<hr />
+
+<p class="center">
+<b>TOASTS</b>
+</p>
+
+<p class="center">
+<b>By William Pittenger</b>
+</p>
+
+<p>
+Most men dread being called upon to respond to a toast or to make an address.
+What would you not give for the ability to be rid of this embarrassment? No
+need to give much when you can learn the art from this little book. It will
+tell you how to do it; not only that, but by example it will show the way. It
+is valuable not alone to the novice, but the experienced speaker will gather
+from it many suggestions.
+</p>
+
+<hr />
+
+<p class="center">
+<b>THE DEBATER&rsquo;S TREASURY</b>
+</p>
+
+<p class="center">
+<b>By William Pittenger</b>
+</p>
+
+<p>
+There is no greater ability than the power of skillful and forcible debate, and
+no accomplishment more readily acquired if the person is properly directed. In
+this little volume are directions for organizing and conducting debating
+societies and practical suggestions for all who desire to discuss questions in
+public. There is also a list of over 200 questions for debate, with arguments
+both affirmative and negative.
+</p>
+
+<hr />
+
+<p class="center">
+<b>PUNCTUATION</b>
+</p>
+
+<p class="center">
+<b>By Paul Allardyce</b>
+</p>
+
+<p>
+Few persons can punctuate properly; to avoid mistakes, many do not punctuate at
+all. A perusal of this book will remove all difficulties and make all points
+clear. The rules are clearly stated and freely illustrated, thus furnishing a
+most useful volume. The author is everywhere recognized as the leading
+authority upon the subject, and what he has to say is practical, concise, and
+comprehensive.
+</p>
+
+<hr />
+
+<p class="center">
+<b>ORATORY</b>
+</p>
+
+
+<p class="center">
+<b>By Henry Ward Beecher</b>
+</p>
+
+<p>
+It must be conceded that few men ever enjoyed a wider experience or achieved a
+higher reputation in the realm of public oratory than Mr. Beecher. What he had
+to say on this subject was born of experience, and his own inimitable style was
+at once both statement and illustration of his theme. This volume is a unique
+and masterly treatise on the fundamental principles of true oratory.
+</p>
+
+</div><!--end chapter-->
+
+<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK SLIPS OF SPEECH ***</div>
+<div style='text-align:left'>
+
+<div style='display:block; margin:1em 0'>
+Updated editions will replace the previous one&#8212;the old editions will
+be renamed.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Creating the works from print editions not protected by U.S. copyright
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