path: root/old/mdmmd10.txt

The Project Gutenberg EBook of Madame Midas, by Fergus Hume
#4 in our series by Fergus Hume

Copyright laws are changing all over the world. Be sure to check the
copyright laws for your country before downloading or redistributing
this or any other Project Gutenberg eBook.

This header should be the first thing seen when viewing this Project
Gutenberg file.  Please do not remove it.  Do not change or edit the
header without written permission.

Please read the "legal small print," and other information about the
eBook and Project Gutenberg at the bottom of this file.  Included is
important information about your specific rights and restrictions in
how the file may be used.  You can also find out about how to make a
donation to Project Gutenberg, and how to get involved.


**Welcome To The World of Free Plain Vanilla Electronic Texts**

**eBooks Readable By Both Humans and By Computers, Since 1971**

*****These eBooks Were Prepared By Thousands of Volunteers!*****


Title: Madame Midas

Author: Fergus Hume

Release Date: January, 2004 [EBook #4946]
[Yes, we are more than one year ahead of schedule]
[This file was first posted on April 3, 2002]

Edition: 10

Language: English

Character set encoding: ASCII

*** START OF THE PROJECT GUTENBERG EBOOK MADAME MIDAS ***




Produced by Charles Franks and the Online Distributed Proofreading Team.




MADAME MIDAS

Fergus Hume






PROLOGUE

CAST UP BY THE SEA


A wild bleak-looking coast, with huge water-worn promontories
jutting out into the sea, daring the tempestuous fury of the waves,
which dashed furiously in sheets of seething foam against the iron
rocks. Two of these headlands ran out for a considerable distance,
and at the base of each, ragged cruel-looking rocks stretched still
further out into the ocean until they entirely disappeared beneath
the heaving waste of waters, and only the sudden line of white foam
every now and then streaking the dark green waves betrayed their
treacherous presence to the idle eye. Between these two headlands
there was about half a mile of yellow sandy beach on which the waves
rolled with a dull roar, fringing the wet sands with many coloured
wreaths of sea-weed and delicate shells. At the back the cliffs rose
in a kind of semi-circle, black and precipitous, to the height of
about a hundred feet, and flocks of white seagulls who had their
nests therein were constantly circling round, or flying seaward with
steadily expanded wings and discordant cries. At the top of these
inhospitable-looking cliffs a line of pale green betrayed the
presence of vegetation, and from thence it spread inland into vast-
rolling pastures ending far away at the outskirts of the bush, above
which could be seen giant mountains with snow-covered ranges. Over
all this strange contrast of savage arid coast and peaceful upland
there was a glaring red sky--not the delicate evanescent pink of an
ordinary sunset--but a fierce angry crimson which turned the wet
sands and dark expanse of ocean into the colour of blood. Far away
westward, where the sun--a molten ball of fire--was sinking behind
the snow-clad peaks, frowned long lines of gloomy clouds--like
prison bars through which the sinking orb glowed fiercely. Rising
from the east to the zenith of the sky was a huge black cloud
bearing a curious resemblance to a gigantic hand, the long lean
fingers of which were stretched threateningly out as if to grasp the
land and drag it back into the lurid sea of blood; altogether a
cruel, weird-looking scene, fantastic, unreal, and bizarre as one of
Dore's marvellous conceptions. Suddenly on the red waters there
appeared a black speck, rising and falling with the restless waves,
and ever drawing nearer and nearer to the gloomy cliffs and sandy
beach. When within a quarter of a mile of the shore, the speck
resolved itself into a boat, a mere shallop, painted a dingy white,
and much battered by the waves as it tossed lightly on the crimson
waters. It had one mast and a small sail all torn and patched, which
by some miracle held together, and swelling out to the wind drew the
boat nearer to the land. In this frail craft were two men, one of
whom was kneeling in the prow of the boat shading his eyes from the
sunlight with his hands and gazing eagerly at the cliffs, while the
other sat in the centre with bowed head, in an attitude of sullen
resignation, holding the straining sail by a stout rope twisted
round his arm. Neither of them spoke a word till within a short
distance of the beach, when the man at the look-out arose, tall and
gaunt, and stretched out his hands to the inhospitable-looking coast
with a harsh, exulting laugh.

'At last,' he cried, in a hoarse, strained voice, and in a foreign
tongue; 'freedom at last.'

The other man made no comment on this outburst of his companion, but
kept his eyes steadfastly on the bottom of the boat, where lay a
small barrel and a bag of mouldy biscuits, the remnants of their
provisions on the voyage.

The man who had spoken evidently did not expect an answer from his
companion, for he did not even turn his head to look at him, but
stood with folded arms gazing eagerly ahead, until, with a sudden
rush, the boat drove up high and dry on the shore, sending him head-
over-heels into the wet sand. He struggled to his feet quickly, and,
running up the beach a little way, turned to see how his companion
had fared. The other had fallen into the sea, but had picked himself
up, and was busily engaged in wringing the water from his coarse
clothing. There was a smooth water-worn boulder on the beach, and,
seeing this, the man who had spoken went up to it and sat down
thereon, while his companion, evidently of a more practical turn of
mind, collected the stale biscuits which had fallen out of the bag,
then, taking the barrel carefully on his shoulder, walked up to
where the other was sitting, and threw both biscuits and barrel at
his feet.

He then flung himself wearily on the sand, and picking up a biscuit
began to munch it steadily. The other drew a tin pannikin from the
bosom of his shirt, and nodded his head towards the barrel, upon
which the eater laid down his biscuit, and, taking up the barrel,
drew the bung, and let a few drops of water trickle into the tin
dish. The man on the boulder drank every drop, then threw the
pannikin down on the sand, while his companion, who had exhausted
the contents of the barrel, looked wolfishly at him. The other,
however, did not take the slightest notice of his friend's lowering
looks, but began to eat a biscuit and look around him. There was a
strong contrast between these two waifs of the sea which the ocean
had just thrown up on the desolate coast. The man on the boulder was
a tall, slightly-built young fellow, apparently about thirty years
of age, with leonine masses of reddish-coloured hair, and a short,
stubbly beard of the same tint. His face, pale and attenuated by
famine, looked sharp and clever; and his eyes, forming a strong
contrast to his hair, were quite black, with thin, delicately-drawn
eyebrows above them. They scintillated with a peculiar light which,
though not offensive, yet gave anyone looking at him an
uncomfortable feeling of insecurity. The young man's hands, though
hardened and discoloured, were yet finely formed, while even the
coarse, heavy boots he wore could not disguise the delicacy of his
feet. He was dressed in a rough blue suit of clothes, all torn and
much stained by sea water, and his head was covered with a red cap
of wool-work which rested lightly on his tangled masses of hair.
After a time he tossed aside the biscuit he was eating, and looked
down at his companion with a cynical smile. The man at his feet was
a rough, heavy-looking fellow, squarely and massively built, with
black hair and a heavy beard of the same sombre hue. His hands were
long and sinewy; his feet--which were bare--large and ungainly: and
his whole appearance was that of a man in a low station of life. No
one could have told the colour of his eyes, for he looked
obstinately at the ground; and the expression of his face was so
sullen and forbidding that altogether he appeared to be an
exceedingly unpleasant individual. His companion eyed him for a
short time in a cool, calculating manner, and then rose painfully to
his feet.

'So,' he said rapidly in French, waving his hand towards the
frowning cliffs, 'so, my Pierre, we are in the land of promise;
though I must confess'--with a disparaging shrug of the shoulders--
'it certainly does not look very promising: still, we are on dry
land, and that is something after tossing about so long in that
stupid boat, with only a plank between us and death. Bah!'--with
another expressive shrug--'why should I call it stupid? It has
carried us all the way from New Caledonia, that hell upon earth, and
landed us safely in what may turn out Paradise. We must not be
ungrateful to the bridge that carried us over--eh, my friend?'

The man addressed as Pierre nodded an assent, then pointed towards
the boat; the other looked up and saw that the tide had risen, and
that the boat was drifting slowly away from the land.

'It goes,' he said coolly, 'back again to its proper owner, I
suppose. Well, let it. We have no further need of it, for, like
Caesar, we have now crossed the Rubicon. We are no longer convicts
from a French prison, my friend, but shipwrecked sailors; you
hear?'--with a sudden scintillation from his black eyes--
'shipwrecked sailors; and I will tell the story of the wreck.
Luckily, I can depend on your discretion, as you have not even a
tongue to contradict, which you wouldn't do if you had.'

The dumb man rose slowly to his feet, and pointed to the cliffs
frowning above them. The other answered his thought with a careless
shrug of the shoulders.

'We must climb,' he said lightly, 'and let us hope the top will
prove less inhospitable than this place. Where we are I don't know,
except that this is Australia; there is gold here, my friend, and we
must get our share of it. We will match our Gallic wit against these
English fools, and see who comes off best. You have strength, I have
brains; so we will do great things; but'--laying his hand
impressively on the other's breast--'no quarter, no yielding, you
see!'

The dumb man nodded violently, and rubbed his ungainly hands
together in delight.

'You don't know Balzac, my friend,' went on the young man in a
conversational tone, 'or I would tell you that, like Rastignac, war
is declared between ourselves and society; but if you have not the
knowledge you have the will, and that is enough for me. Come, let us
make the first step towards our wealth;' and without casting a
glance behind him, he turned and walked towards the nearest
headland, followed by the dumb man with bent head and slouching
gait.

The rain and wind had been at work on this promontory, and their
combined action had broken off great masses of rock, which lay in
rugged confusion at the base. This offered painful but secure
foothold, and the two adventurers, with much labour--for they were
weak with the privations endured on the voyage from New Caledonia--
managed to climb half way up the cliff, when they stopped to take
breath and look around them. They were now in a perilous position,
for, hanging as they were on a narrow ledge of rock midway between
earth and sky, the least slip would have cost them their lives. The
great mass of rock which frowned above them was nearly
perpendicular, yet offered here and there certain facilities for
climbing, though to do so looked like certain death. The men,
however, were quite reckless, and knew if they could get to the top
they would be safe, so they determined to attempt the rest of the
ascent.

'As we have not the wings of eagles, friend Pierre,' said the
younger man, glancing around, 'we must climb where we can find
foothold. God will protect us; if not,' with a sneer, 'the Devil
always looks after his own.'

He crept along the narrow ledge and scrambled with great difficulty
into a niche above, holding on by the weeds and sparse grass which
grew out of the crannies of the barren crag. Followed by his
companion, he went steadily up, clinging to projecting rocks--long
trails of tough grass and anything else he could hold on to. Every
now and then some seabird would dash out into their faces with wild
cries, and nearly cause them to lose their foothold in the sudden
start. Then the herbage began to get more luxurious, and the cliff
to slope in an easy incline, which made the latter part of their
ascent much easier. At last, after half an hour's hard work, they
managed to get to the top, and threw themselves breathlessly on the
short dry grass which fringed the rough cliff. Lying there half
fainting with fatigue and hunger, they could hear, as in a confused
dream, the drowsy thunder of the waves below, and the discordant
cries of the sea-gulls circling round their nests, to which they had
not yet returned. The rest did them good, and in a short time they
were able to rise to their feet and survey the situation. In front
was the sea, and at the back the grassy undulating country, dotted
here and there with clumps of trees now becoming faint and
indistinct in the rapidly falling shadows of the night. They could
also see horses and cattle moving in the distant fields, which
showed that there must be some human habitation near, and suddenly
from a far distant house which they had not observed shone a bright
light, which became to these weary waifs of the ocean a star of
hope.

They looked at one another in silence, and then the young man turned
towards the ocean again.

'Behind,' he said, pointing to the east, 'lies a French prison and
two ruined lives--yours and mine--but in front,' swinging round to
the rich fields, 'there is fortune, food, and freedom. Come, my
friend, let us follow that light, which is our star of hope, and who
knows what glory may await us. The old life is dead, and we start
our lives in this new world with all the bitter experiences of the
old to teach us wisdom--come!' And without another word he walked
slowly down the slope towards the inland, followed by the dumb man
with his head still bent and his air of sullen resignation.

The sun disappeared behind the snowy ranges--night drew a grey veil
over the sky as the red light died out, and here and there the stars
were shining. The seabirds sought their nests again and ceased their
discordant cries--the boat which had brought the adventurers to
shore drifted slowly out to sea, while the great black hand that
rose from the eastward stretched out threateningly towards the two
men tramping steadily onward through the dewy grass, as though it
would have drawn them back again to the prison from whence they had
so miraculously escaped.




CHAPTER I

THE PACTOLUS CLAIM


In the early days of Australia, when the gold fever was at its
height, and the marvellous Melbourne of to-day was more like an
enlarged camp than anything else, there was a man called Robert
Curtis, who arrived in the new land of Ophir with many others to
seek his fortune. Mr Curtis was of good family, but having been
expelled from Oxford for holding certain unorthodox opinions quite
at variance with the accepted theological tenets of the University,
he had added to his crime by marrying a pretty girl, whose face was
her fortune, and who was born, as the story books say, of poor but
honest parents. Poverty and honesty, however, were not sufficient
recommendations in the eyes of Mr Curtis, senior, to excuse such a
match; so he promptly followed the precedent set by Oxford, and
expelled his son from the family circle. That young gentleman and
his wife came out to Australia filled with ambitious dreams of
acquiring a fortune, and then of returning to heap coals of fire on
the heads of those who had turned them out.

These dreams, however, were destined never to be realised, for
within a year after their arrival in Melbourne Mrs Curtis died
giving birth to a little girl, and Robert Curtis found himself once
more alone in the world with the encumbrance of a small child. He,
however, was not a man who wore his heart on his sleeve, and did not
show much outward grief, though, no doubt, he sorrowed deeply enough
for the loss of the pretty girl for whom he had sacrificed so much.
At all events, he made up his mind at once what to do: so, placing
his child under the care of an old lady, he went to Ballarat, and
set to work to make his fortune.

While there his luck became proverbial, and he soon found himself a
rich man; but this did not satisfy him, for, being of a far-seeing
nature, he saw the important part Australia would play in the
world's history. So with the gold won by his pick he bought land
everywhere, and especially in Melbourne, which was even then
becoming metropolitan. After fifteen years of a varied life he
returned to Melbourne to settle down, and found that his daughter
had grown up to be a charming young girl, the very image of his late
wife. Curtis built a house, went in for politics, and soon became a
famous man in his adopted country. He settled a large sum of money
on his daughter absolutely, which no one, not even her future
husband, could touch, and introduced her to society.

Miss Curtis became the belle of Melbourne, and her charming face,
together with the more substantial beauties of wealth, soon brought
crowds of suitors around her. Her father, however, determined to
find a husband for her whom he could trust, and was looking for one
when he suddenly died of heart disease, leaving his daughter an
orphan and a wealthy woman.

After Mr Curtis had been buried by the side of his dead wife, the
heiress went home to her richly-furnished house, and after passing a
certain period in mourning, engaged a companion, and once more took
her position in society.

Her suitors--numerous and persistent as those of Penelope--soon
returned to her feet, and she found she could choose a husband from
men of all kinds--rich and poor, handsome and ugly, old and young.
One of these, a penniless young Englishman, called Randolph
Villiers, payed her such marked attention, that in the end Miss
Curtis, contrary to the wishes of her friends, married him.

Mr Villiers had a handsome face and figure, a varied and extensive
wardrobe, and a bad character. He, however, suppressed his real
tastes until he became the husband of Miss Curtis, and holder of the
purse--for such was the love his wife bore him that she
unhesitatingly gave him full control of all her property, excepting
that which was settled on herself by her father, which was, of
course, beyond marital control. In vain her friends urged some
settlement should be made before marriage. Miss Curtis argued that
to take any steps to protect her fortune would show a want of faith
in the honesty of the man she loved, so went to the altar and
reversed the marriage service by endowing Mr Randolph Villiers with
all her worldly goods.

The result of this blind confidence justified the warnings of her
friends--for as soon as Villiers found himself in full possession of
his wife's fortune, he immediately proceeded to spend all the money
he could lay his hands on. He gambled away large sums at his club,
betted extensively on the turf, kept open house, and finally became
entangled with a lady whose looks were much better than her morals,
and whose capacity for spending money so far exceeded his own that
in two years she completely ruined him. Mrs Villiers put up with
this conduct for some time, as she was too proud to acknowledge she
had made a mistake in her choice of a husband; but when Villiers,
after spending all her wealth in riotous living, actually proceeded
to ill-treat her in order to force her to give up the money her
father had settled on her, she rebelled. She tore off her wedding-
ring, threw it at his feet, renounced his name, and went off to
Ballarat with her old nurse and the remnants of her fortune.

Mr Villiers, however, was not displeased at this step; in fact, he
was rather glad to get rid of a wife who could no longer supply him
with money, and whose presence was a constant rebuke. He sold up the
house and furniture, and converted all available property into cash,
which cash he then converted into drink for himself and jewellery
for his lady friend. The end soon came to the fresh supply of money,
and his lady friend went off with his dearest companion, to whose
purse she had taken a sudden liking. Villiers, deserted by all his
acquaintances, sank lower and lower in the social scale, and the
once brilliant butterfly of fashion became a billiard marker, then a
tout at races, and finally a bar loafer with no visible means of
support.

Meantime Mrs Villiers was prospering in Ballarat, and gaining the
respect and good opinion of everyone, while her husband was earning
the contempt of not only his former friends but even of the
creatures with whom he now associated. When Mrs Villiers went up to
Ballarat after her short but brilliant life in Melbourne she felt
crushed. She had given all the wealth of her girlish affection to
her husband, and had endowed him with all kinds of chivalrous
attributes, only to find out, as many a woman has done before and
since, that her idol had feet of clay. The sudden shock of the
discovery of his baseness altered the whole of her life, and from
being a bright, trustful girl, she became a cold suspicious woman
who disbelieved in everyone and in everything.

But she was of too restless and ambitious a nature to be content
with an idle life, and although the money she still possessed was
sufficient to support her in comfort, yet she felt that she must do
something, if only to keep her thoughts from dwelling on those
bitter years of married life. The most obvious thing to do in
Ballarat was to go in for gold-mining, and chance having thrown in
her way a mate of her father's, she determined to devote herself to
that, being influenced in her decision by the old digger. This man,
by name Archibald McIntosh, was a shrewd, hard-headed Scotchman, who
had been in Ballarat when the diggings were in the height of their
fame, and who knew all about the lie of the country and where the
richest leads had been in the old days. He told Mrs Villiers that
her father and himself had worked together on a lead then known as
the Devil's Lead, which was one of the richest ever discovered in
the district. It had been found by five men, who had agreed with one
another to keep silent as to the richness of the lead, and were
rapidly making their fortunes when the troubles of the Eureka
stockade intervened, and, in the encounter between the miners and
the military, three of the company working the lead were killed, and
only two men were left who knew the whereabouts of the claim and the
value of it. These were McIntosh and Curtis, who were the original
holders. Mr Curtis, went down to Melbourne, and, as previously
related, died of heart disease, so the only man left of the five who
had worked the lead was Archibald McIntosh. He had been too poor to
work it himself, and, having failed to induce any speculator to go
in with him to acquire the land, he had kept silent about it, only
staying up at Ballarat and guarding the claim lest someone else
should chance on it. Fortunately the place where it was situated had
not been renowned for gold in the early days, and it had passed into
the hands of a man who used it as pasture land, quite ignorant of
the wealth which lay beneath. When Mrs Villiers came up to Ballarat,
this man wanted to sell the land, as he was going to Europe; so,
acting under the urgent advice of McIntosh, she sold out of all the
investments which she had and purchased the whole tract of country
where the old miner assured her solemnly the Devil's Lead was to be
found.

Then she built a house near the mine, and taking her old nurse,
Selina Sprotts, and Archibald McIntosh to live with her, sank a
shaft in the place indicated by the latter. She also engaged miners,
and gave McIntosh full control over the mine, while she herself kept
the books, paid the accounts, and proved herself to be a first-class
woman of business. She had now been working the mine for two years,
but as yet had not been fortunate enough to strike the lead. The
gutter, however, proved remunerative enough to keep the mine going,
pay all the men, and support Mrs Villiers herself, so she was quite
content to wait till fortune should smile on her, and the long-
looked-for Devil's Lead turned up. People who had heard of her
taking the land were astonished at first, and disposed to scoff, but
they soon begun to admire the plucky way in which she fought down
her ill-luck for the first year of her venture. All at once matters
changed; she made a lucky speculation in the share market, and the
Pactolus claim began to pay. Mrs Villiers became mixed up in mining
matters, and bought and sold on 'Change with such foresight and
promptitude of action that she soon began to make a lot of money.
Stockbrokers are not, as a rule, romantic, but one of the fraternity
was so struck with her persistent good fortune that he christened
her Madame Midas, after that Greek King whose touch turned
everything into gold. This name tickled the fancy of others, and in
a short time she was called nothing but Madame Midas all over the
country, which title she accepted complacently enough as a forecast
of her success in finding the Devil's Lead, which idea had grown
into a mania with her as it already was with her faithful henchman,
McIntosh.

When Mr Villiers therefore arrived in Ballarat, he found his wife
universally respected and widely known as Madame Midas, so he went
to see her, expecting to be kept in luxurious ease for the rest of
his life. He soon, however, found himself mistaken, for his wife
told him plainly she would have nothing to do with him, and that if
he dared to show his face at the Pactolus claim she would have him
turned off by her men. He threatened to bring the law into force to
make her live with him, but she laughed in his face, and said she
would bring a divorce suit against him if he did so; and as Mr
Villiers' character could hardly bear the light of day, he
retreated, leaving Madame in full possession of the field.

He stayed, however, in Ballarat, and took up stockbroking--living a
kind of hand-to-mouth existence, bragging of his former splendour,
and swearing at his wife for what he was pleased to call--her
cruelty. Every now and then he would pay a visit to the Pactolus,
and try to see her, but McIntosh was a vigilant guard, and the
miserable creature was always compelled to go back to his Bohemian
life without accomplishing his object of getting money from the wife
he had deserted.

People talked, of course, but Madame did not mind. She had tried
married life, and had been disappointed; her old ideas of belief in
human nature had passed away; in short, the girl who had been the
belle of Melbourne as Miss Curtis and Mrs Villiers had disappeared,
and the stern, clever, cynical woman who managed the Pactolus claim
was a new being called 'Madame Midas'.




CHAPTER II

SLIVERS


Everyone has heard of the oldest inhabitant--that wonderful piece of
antiquity, with white hair, garrulous tongue, and cast-iron memory,-
-who was born with the present century--very often before it--and
remembers George III, the Battle of Waterloo, and the invention of
the steam-engine. But in Australia, the oldest inhabitant is
localized, and rechristened an early settler. He remembers Melbourne
before Melbourne was; he distinctly recollects sailing up the Yarra
Yarra with Batman, and talks wildly about the then crystalline
purity of its waters--an assertion which we of to-day feel is open
to considerable doubt. His wealth is unbounded, his memory
marvellous, and his acquaintances of a somewhat mixed character,
comprising as they do a series of persons ranging from a member of
Parliament down to a larrikin.

Ballarat, no doubt, possesses many of these precious pieces of
antiquity hidden in obscure corners, but one especially was known,
not only in the Golden City, but throughout Victoria. His name was
Slivers--plain Slivers, as he said himself--and, from a physical
point of view, he certainly spoke the truth. What his Christian name
was no one ever knew; he called himself Slivers, and so did everyone
else, without even an Esquire or a Mister to it--neither a head nor
a tail to add dignity to the name.

Slivers was as well known in Sturt Street and at 'The Corner' as the
town clock, and his tongue very much resembled that timepiece,
inasmuch as it was always going. He was a very early settler; in
fact, so remarkably early that it was currently reported the first
white men who came to Ballarat found Slivers had already taken up
his abode there, and lived in friendly relations with the local
blacks. He had achieved this amicable relationship by the trifling
loss of a leg, an arm, and an eye, all of which portions of his body
were taken off the right side, and consequently gave him rather a
lop-sided appearance. But what was left of Slivers possessed an
abundant vitality, and it seemed probable he would go on living in
the same damaged condition for the next twenty years.

The Ballarat folk were fond of pointing him out as a specimen of the
healthy climate, but this was rather a flight of fancy, as Slivers
was one of those exasperating individuals who, if they lived in a
swamp or a desert, would still continue to feel their digestions
good and their lungs strong.

Slivers was reputed rich, and Arabian-Night-like stories were told
of his boundless wealth, but no one ever knew the exact amount of
money he had, and as Slivers never volunteered any information on
the subject, no one ever did know. He was a small, wizen-looking
little man, who usually wore a suit of clothes a size too large for
him, wherein scandal-mongers averred his body rattled like a dried
pea in a pod. His hair was white, and fringed the lower portion of
his yellow little scalp in a most deceptive fashion. With his hat on
Slivers looked sixty; take it off and his bald head immediately
added ten years to his existence. His one eye was bright and sharp,
of a greyish colour, and the loss of the other was replaced by a
greasy black patch, which gave him a sinister appearance. He was
cleaned shaved, and had no teeth, but notwithstanding this want, his
lips gripped the stem of his long pipe in a wonderfully tenacious
and obstinate manner. He carried on the business of a mining agent,
and knowing all about the country and the intricacies of the mines,
he was one of the cleverest speculators in Ballarat.

The office of Slivers was in Sturt Street, in a dirty, tumble-down
cottage wedged between two handsome modern buildings. It was a
remnant of old Ballarat which had survived the rage for new houses
and highly ornamented terraces. Slivers had been offered money for
that ricketty little shanty, but he declined to sell it, averring
that as a snail grew to fit his house his house had grown to fit
him.

So there it stood--a dingy shingle roof overgrown with moss--a
quaint little porch and two numerously paned windows on each side.
On top of the porch a sign-board--done by Slivers in the early days,
and looking like it--bore the legend 'Slivers, mining agent.' The
door did not shut--something was wrong with it, so it always stood
ajar in a hospitable sort of manner. Entering this, a stranger would
find himself in a dark low-roofed passage, with a door at the end
leading to the kitchen, another on the right leading to the bedroom,
and a third on the left leading to the office, where most of
Slivers' indoor life was spent. He used to stop here nearly all day
doing business, with the small table before him covered with scrip,
and the mantelpiece behind him covered with specimens of quartz, all
labelled with the name of the place whence they came. The inkstand
was dirty, the ink thick and the pens rusty; yet, in spite of all
these disadvantages, Slivers managed to do well and make money. He
used to recommend men to different mines round about, and whenever a
manager wanted men, or new hands wanted work, they took themselves
off to Slivers, and were sure to be satisfied there. Consequently,
his office was nearly always full; either of people on business or
casual acquaintances dropping in to have a drink--Slivers was
generous in the whisky line--or to pump the old man about some new
mine, a thing which no one ever managed to do. When the office was
empty, Slivers would go on sorting the scrip on his table, drinking
his whisky, or talking to Billy. Now Billy was about as well known
in Ballarat as Slivers, and was equally as old and garrulous in his
own way. He was one of those large white yellow-crested cockatoos
who, in their captivity, pass their time like galley-slaves, chained
by one leg. Billy, however, never submitted to the indignity of a
chain--he mostly sat on Slivers' table or on his shoulder,
scratching his poll with his black claw, or chattering to Slivers in
a communicative manner. People said Billy was Slivers' evil spirit,
and as a matter of fact, there was something uncanny in the wisdom
of the bird. He could converse fluently on all occasions, and needed
no drawing out, inasmuch as he was always ready to exhibit his
powers of conversation. He was not a pious bird--belonging to
Slivers, he could hardly be expected to be--and his language was
redolent of Billingsgate. So Billy being so clever was quite a
character in his way, and, seated on Slivers' shoulder with his
black bead of an eye watching his master writing with the rusty pen,
they looked a most unholy pair.

The warm sunlight poured through the dingy windows of the office,
and filled the dark room with a sort of sombre glory. The atmosphere
of Slivers' office was thick and dusty, and the sun made long beams
of light through the heavy air. Slivers had pushed all the scrip and
loose papers away, and was writing a letter in the little clearing
caused by their removal. On the old-fashioned inkstand was a paper
full of grains of gold, and on this the sunlight rested, making it
glitter in the obscurity of the room. Billy, seated on Slivers'
shoulder, was astonished at this, and, inspired by a spirit of
adventure, he climbed down and waddled clumsily across the table to
the inkstand, where he seized a small nugget in his beak and made
off with it. Slivers looked up from his writing suddenly: so, being
detected, Billy stopped and looked at him, still carrying the nugget
in his beak.

'Drop it,' said Slivers severely, in his rasping little voice. Billy
pretended not to understand, and after eyeing Slivers for a moment
or two resumed his journey. Slivers stretched out his hand for the
ruler, whereupon Billy, becoming alive to his danger, dropped the
nugget, and flew down off the table with a discordant shriek.

'Devil! devil! devil!' screamed this amiable bird, flopping up and
down on the floor. 'You're a liar! You're a liar! Pickles.'

Having delivered himself of this bad language, Billy waddled to his
master's chair, and climbing up by the aid of his claws and beak,
soon established himself in his old position. Slivers, however, was
not attending to him, as he was leaning back in his chair drumming
in an absent sort of way with his lean fingers on the table. His
cork arm hung down limply, and his one eye was fixed on a letter
lying in front of him. This was a communication from the manager of
the Pactolus Mine requesting Slivers to get him more hands, and
Slivers' thoughts had wandered away from the letter to the person
who wrote it, and from thence to Madame Midas.

'She's a clever woman,' observed Slivers, at length, in a musing
sort of tone, 'and she's got a good thing on in that claim if she
only strikes the Lead.'

'Devil,' said Billy once more, in a harsh voice.

'Exactly,' answered Slivers, 'the Devil's Lead. Oh, Lord! what a
fool I was not to have collared that ground before she did; but that
infernal McIntosh never would tell me where the place was. Never
mind, I'll be even with him yet; curse him.'

His expression of face was not pleasant as he said this, and he
grasped the letter in front of him in a violent way, as if he were
wishing his long fingers were round the writer's throat. Tapping
with his wooden leg on the floor, he was about to recommence his
musings, when he heard a step in the passage, and the door of his
office being pushed violently open, a man entered without further
ceremony, and flung himself down on a chair near the window.

'Fire!' said Billy, on seeing this abrupt entry; 'how's your
mother!--Ballarat and Bendigo--Bendigo and Ballarat.'

The newcomer was a man short and powerfully built, dressed in a
shabby-genteel sort of way, with a massive head covered with black
hair, heavy side whiskers and moustache, and a clean shaved chin,
which had that blue appearance common to very dark men who shave.
His mouth--that is, as much as could be seen of it under the
drooping moustache--was weak and undecided, and his dark eyes so
shifty and restless that they seemed unable to meet a steady gaze,
but always looked at some inanimate object that would not stare them
out of countenance.

'Well, Mr Randolph Villiers,' croaked Slivers, after contemplating
his visitor for a few moments, 'how's business?'

'Infernally bad,' retorted Mr Villiers, pulling out a cigar and
lighting it. 'I've lost twenty pounds on those Moscow shares.'

'More fool you,' replied Slivers, courteously, swinging round in his
chair so as to face Villiers. 'I could have told you the mine was no
good; but you will go on your own bad judgment.'

'It's like getting blood out of a stone to get tips from you,'
growled Villiers, with a sulky air. 'Come now, old boy,' in a
cajoling manner, 'tell us something good--I'm nearly stone broke,
and I must live.'

'I'm hanged if I see the necessity,' malignantly returned Slivers,
unconsciously quoting Voltaire; 'but if you do want to get into a
good thing--'

'Yes! yes!' said the other, eagerly bending forward.

'Get an interest in the Pactolus,' and the agreeable old gentleman
leaned back and laughed loudly in a raucous manner at his visitor's
discomfited look.

'You ass,' hissed Mr Villiers, between his closed teeth; 'you know
as well as I do that my infernal wife won't look at me.'

'Ho, ho!' laughed the cockatoo, raising his yellow crest in an angry
manner; 'devil take her--rather!'

'I wish he would!' muttered Villiers, fervently; then with an uneasy
glance at Billy, who sat on the old man's shoulder complacently
ruffling his feathers, he went on: 'I wish you'd screw that bird's
neck, Slivers; he's too clever by half.'

Slivers paid no attention to this, but, taking Billy off his
shoulder, placed him on the floor, then turned to his visitor and
looked at him fixedly with his bright eye in such a penetrating
manner that Villiers felt it go through him like a gimlet.

'I hate your wife,' said Slivers, after a pause.

'Why the deuce should you?' retorted Villiers, sulkily. 'You ain't
married to her.'

'I wish I was,' replied Slivers with a chuckle. 'A fine woman, my
good sir! Why, if I was married to her I wouldn't sneak away
whenever I saw her. I'd go up to the Pactolus claim and there I'd
stay.'

'It's easy enough talking,' retorted Villiers crossly, 'but you
don't know what a fiend she is! Why do you hate her?'

'Because I do,' retorted Slivers. 'I hate her; I hate McIntosh; the
whole biling of them; they've got the Pactolus claim, and if they
find the Devil's Lead they'll be millionaires.'

'Well,' said the other, quite unmoved, 'all Ballarat knows that
much.'

'But I might have had it!' shrieked Slivers, getting up in an
excited manner, and stumping up and down the office. 'I knew Curtis,
McIntosh and the rest were making their pile, but I couldn't find
out where; and now they're all dead but McIntosh, and the prize has
slipped through my fingers, devil take them!'

'Devil take them,' echoed the cockatoo, who had climbed up again on
the table, and was looking complacently at his master.

'Why don't you ruin your wife, you fool?' said Slivers, turning
vindictively on Villiers. 'You ain't going to let her have all the
money while you are starving, are you?'

'How the deuce am I to do that?' asked Villiers, sulkily, relighting
his cigar.

'Get the whip hand of her,' snarled Slivers, viciously; 'find out if
she's in love, and threaten to divorce her if she doesn't go
halves.'

'There's no chance of her having any lovers,' retorted Villiers;
'she's a piece of ice.'

'Ice melts,' replied Slivers, quickly. 'Wait till "Mr Right" comes
along, and then she'll begin to regret being married to you, and
then--'

'Well?'

'You'll have the game in your own hands,' hissed the wicked old man,
rubbing his hands. 'Oh!' he cried, spinning round on his wooden leg,
'it's a lovely idea. Wait till we meet "Mr Right", just wait,' and
he dropped into his chair quite overcome by the state of excitement
he had worked himself into.

'If you've quite done with those gymnastics, my friend,' said a soft
voice near the door, 'perhaps I may enter.'

Both the inmates of the office looked up at this, and saw that two
men were standing at the half-open door--one an extremely handsome
young man of about thirty, dressed in a neat suit of blue serge, and
wearing a large white wide-awake hat, with a bird's-eye handkerchief
twisted round it. His companion was short and heavily built, dressed
somewhat the same, but with his black hat pulled down over his eyes.

'Come in,' growled Slivers, angrily, when he saw his visitors. 'What
the devil do you want?'

'Work,' said the young man, advancing to the table. 'We are new
arrivals in the country, and were told to come to you to get work.'

'I don't keep a factory,' snarled Slivers, leaning forward.

'I don't think I would come to you if you did,' retorted the
stranger, coolly. 'You would not be a pleasant master either to look
at or to speak to.'

Villiers laughed at this, and Slivers stared dumbfounded at being
spoken to in such a manner.

'Devil,' broke in Billy, rapidly. 'You're a liar--devil.'

'Those, I presume, are your master's sentiments towards me,' said
the young man, bowing gravely to the bird. 'But as soon as he
recovers the use of his tongue, I trust he will tell us if we can
get work or not.'

Slivers was just going to snap out a refusal, when he caught sight
of McIntosh's letter on the table, and this recalled to his mind the
conversation he had with Mr Villiers. Here was a young man handsome
enough to make any woman fall in love with him, and who, moreover,
had a clever tongue in his head. All Slivers' animosity revived
against Madame Midas as he thought of the Devil's Lead, and he
determined to use this young man as a tool to ruin her in the eyes
of the world. With these thoughts in his mind, he drew a sheet of
paper towards him, and dipping the rusty pen in the thick ink,
prepared to question his visitors as to what they could do, with a
view to sending them out to the Pactolus claim.

'Names?' he asked, grasping his pen firmly in his left hand.

'Mine,' said the stranger, bowing, 'is Gaston Vandeloup, my friend's
Pierre Lemaire--both French.'

Slivers scrawled this down in the series of black scratches, which
did duty with him for writing.

'Where do you come from?' was his next question.

'The story,' said M. Vandeloup, with suavity, 'is too long to repeat
at present; but we came to-day from Melbourne.'

'What kind of work can you do?' asked Slivers, sharply.

'Anything that turns up,' retorted the Frenchman.

'I was addressing your companion, sir; not you,' snarled Slivers,
turning viciously on him.

'I have to answer for both,' replied the young man, coolly, slipping
one hand into his pocket and leaning up against the door in a
negligent attitude, 'my friend is dumb.'

'Poor devil!' said Slivers, harshly.

'But,' went on Vandeloup, sweetly, 'his legs, arms, and eyes are all
there.'

Slivers glared at this fresh piece of impertinence, but said
nothing. He wrote a letter to McIntosh, recommending him to take on
the two men, and handed it to Vandeloup, who received it with a bow.

'The price of your services, Monsieur?' he asked.

'Five bob,' growled Slivers, holding out his one hand.

Vandeloup pulled out two half-crowns and put them in the thin, claw-
like fingers, which instantly closed on them.

'It's a mining place you're going to,' said Slivers, pocketing the
money; 'the Pactolus claim. There's a pretty woman there. Have a
drink?'

Vandeloup declined, but his companion, with a grunt, pushed past
him, and filling a tumbler with the whisky, drank it off. Slivers
looked ruefully at the bottle, and then hastily put it away, in case
Vandeloup should change his mind and have some.

Vandeloup put on his hat and went to the door, out of which Pierre
had already preceded him.

'I trust, gentlemen,' he said, with a graceful bow, 'we shall meet
again, and can then discuss the beauty of this lady to whom Mr
Slivers alludes. I have no doubt he is a judge of beauty in others,
though he is so incomplete himself.'

He went out of the door, and then Slivers sprang up and rushed to
Villiers.

'Do you know who that is?' he asked, in an excited manner, pulling
his companion to the window.

Villiers looked through the dusty panes, and saw the young Frenchman
walking away, as handsome and gallant a man as he had ever seen,
followed by the slouching figure of his friend.

'Vandeloup,' he said, turning to Slivers, who was trembling with
excitement.

'No, you fool,' retorted the other, triumphantly. That is "Mr
Right".'




CHAPTER III

MADAME MIDAS AT HOME


Madame Midas was standing on the verandah of her cottage, staring
far away into the distance, where she could see the tall chimney and
huge mound of white earth which marked the whereabouts of the
Pactolus claim. She was a tall voluptuous-looking woman of what is
called a Junoesque type--decidedly plump, with firm white hands and
well-formed feet. Her face was of a whitish tint, more like marble
than flesh, and appeared as if modelled from the antique--with the
straight Greek nose, high and smooth forehead, and full red mouth,
with firmly-closed lips. She had dark and piercing eyes, with heavy
arched eyebrows above them, and her hair, of a bluish-black hue, was
drawn smoothly over the forehead, and coiled in thick wreaths at the
top of her small, finely-formed head. Altogether a striking-looking
woman, but with an absence of animation about her face, which had a
calm, serene expression, effectually hiding any thoughts that might
be passing in her mind, and which resembled nothing so much in its
inscrutable look as the motionless calm which the old Egyptians gave
to their sphinxes. She was dressed for coolness in a loose white
dress, tied round her waist with a crimson scarf of Indian silk; and
her beautifully modelled arms, bare to the elbow, and unadorned by
any trinkets, were folded idly in front of her as she looked out at
the landscape, which was mellowed and full of warmth under the
bright yellow glare of the setting sun.

The cottage--for it was nothing else--stood on a slight rise
immediately in front of a dark wood of tall gum-trees, and there was
a long row of them on the right, forming a shelter against the
winds, as if the wood had thrown a protecting arm around the
cottage, and wanted to draw it closer to its warm bosom. The country
was of an undulating character, divided into fields by long rows of
gorse hedges, all golden with blossoms, which gave out a faint,
peach-like odour. Some of these meadows were yellow with corn--some
a dull red with sorrel, others left in their natural condition of
bright green grass--while here and there stood up, white and ghost-
like, the stumps of old trees, the last remnants of the forests,
which were slowly retreating before the axe of the settler. These
fields, which had rather a harlequin aspect with their varied
colours, all melted together in the far distance into an
indescribable neutral tint, and ended in the dark haze of the bush,
which grew over all the undulating hills. On the horizon, however,
at intervals, a keen eye could see some tall tree standing boldly
up, outlined clearly against the pale yellow of the sky. There was a
white dusty road or rather a track between two rough fences, with a
wide space of green grass on each side, and here and there could be
seen the cattle wandering idly homeward, lingering every now and
then to pull at a particularly tempting tuft of bush grass growing
in the moist ditches which ran along each side of the highway.
Scattered over this pastoral-looking country were huge mounds of
white earth, looking like heaps of carded wool, and at the end of
each of these invariably stood a tall, ugly skeleton of wood. These
marked the positions of the mines--the towers contained the winding
gear, while the white earth was the clay called mulloch, brought
from several hundred feet below the surface. Near these mounds were
rough-looking sheds with tall red chimneys, which made a pleasant
spot of colour against the white of the clay. On one of these
mounds, rather isolated from the others, and standing by itself in
the midst of a wide green paddock, Mrs Villiers' eyes were fixed,
and she soon saw the dark figure of a man coming slowly down the
white mound, along the green field and advancing slowly up the hill.
When she saw him coming, without turning her head or raising her
voice, she called out to someone inside,

'Archie is coming, Selina--you had better hurry up the tea, for he
will be hungry after such a long day.'

The person inside made no answer save by an extra clatter of some
domestic utensils, and Madame apparently did not expect a reply, for
without saying anything else she walked slowly down the garden path,
and leaned lightly over the gate, waiting for the newcomer, who was
indeed none other than Archibald McIntosh, the manager of the
Pactolus.

He was a man of about medium height, rather thin than otherwise,
with a long, narrow-looking head and boldly cut features--clean
shaved save for a frill of white hair which grew on his throat up
the sides of his head to his ears, and which gave him rather a
peculiar appearance, as if he had his jaw bandaged up. His eyes were
grey and shrewd-looking, his lips were firmly compressed--in fact,
the whole appearance of his face was obstinate--the face of a man
who would stick to his opinions whatever anyone else might say to
the contrary. He was in a rough miner's dress, all splashed with
clay, and as he came up to the gate Madame could see he was holding
something in his hand.

'D'ye no ken what yon may be?' he said, a smile relaxing his grim
features as he held up a rather large nugget; ''tis the third yin
this week!'

Madame Midas took the nugget from him and balanced it carefully in
her hand, with a thoughtful look in her face, as if she was making a
mental calculation.

'About twenty to twenty-five ounces, I should say,' she observed in
her soft low voice; 'the last we had was fifteen, and the one before
twenty--looks promising for the gutter, doesn't it?'

'Well, I'll no say but what it micht mean a deal mair,' replied
McIntosh, with characteristic Scotch caution, as he followed Madame
into the house; 'it's no a verra bad sign, onyhow; I winna say but
what we micht be near the Devil's Lead.'

'And if we are?' said Madame, turning with a smile.

'Weel, mem, ye'll have mair siller nor ye'll ken what to dae wi',
an' 'tis to be hoped ye'll no be making a fool of yersel.'

Madame laughed--she was used to McIntosh's plain speaking, and it in
no wise offended her. In fact, she preferred it very much more than
being flattered, as people's blame is always genuine, their praise
rarely so. At all events she was not displeased, and looked after
him with a smile in her dark eyes as he disappeared into the back
kitchen to make himself decent for tea. Madame herself sat down in
an arm-chair in the bow window, and watched Selina preparing the
meal.

Selina Jane Sprotts, who now acted as servant to Mrs Villiers, was
rather an oddity in her way. She had been Madame's nurse, and had
followed her up to Ballarat, with the determination of never leaving
her. Selina was a spinster, as her hand had never been sought in
marriage, and her personal appearance was certainly not very
fascinating. Tall and gaunt, she was like a problem from Euclid, all
angles, and the small quantity of grey hair she possessed was
screwed into a hard lump at the back of her head. Her face was
reddish in colour, and her mouth prim and pursed up, as if she was
afraid of saying too much, which she need not have been, as she
rarely spoke, and was as economical of her words as she was of
everything else. She was much given to quoting proverbs, and hurled
these prepared little pieces of wisdom on every side like pellets
out of a pop-gun. Conversation which consists mainly of proverbs is
rarely exhilarating; consequently Miss Sprotts was not troubled to
talk much, either by Madame or McIntosh.

Miss Sprotts moved noiselessly about the small room, in a
wonderfully dextrous manner considering her height, and, after
laying the table, placed the teapot on the hob to 'draw', thereby
disturbing a cat and a dog who were lying in front of the fire--for
there was a fire in the room in spite of the heat of the day, Selina
choosing to consider that the house was damp. She told Madame she
knew it was damp because her bones ached, and as she was mostly
bones she certainly had a good opportunity of judging.

Annoyed at being disturbed by Miss Sprotts, the dog resigned his
comfortable place with a plaintive growl, but the cat, of a more
irritable temperament, set up and made a sudden scratch at her hand,
drawing blood therefrom.

'Animals,' observed Selina, grimly, 'should keep their place;' and
she promptly gave the cat a slap on the side of the head, which sent
him over to Madame's feet, with an angry spit. Madame picked him up
and soothed his ruffled feelings so successfully, that he curled
himself up on her lap and went to sleep.

By-and-bye Archie, who had been making a great splashing in the back
premises, came in looking clean and fresh, with a more obstinate
look about his face than ever. Madame went to the tea-table and sat
down, for she always had her meals with them, a fact of which they
were very proud, and they always treated her with intense respect,
though every now and then they were inclined to domineer. Archie,
having seen that the food on the table was worth thanking God for,
asked a blessing in a peremptory sort of manner, as if he thought
Heaven required a deal of pressing to make it attentive. Then they
commenced to eat in silence, for none of the party were very much
given to speech, and no sound was heard save the rattling of the
cups and saucers and the steady ticking of the clock. The window was
open, and a faint breeze came in--cool and fragrant with the scent
of the forest, and perfumed with the peach-like odour of the gorse
blossoms. There was a subdued twilight through all the room, for the
night was coming on, and the gleam of the flickering flames of the
fire danced gaily against the roof and exaggerated all objects to an
immense size. At last Archie pushed back his chair to show that he
had finished, and prepared to talk.

'I dinna see ony new bodies coming,' he said, looking at his
mistress. 'They, feckless things, that left were better than none,
though they should hae been skelped for their idleness.'

'You have written to Slivers?' said Madame, raising her eyes.

'That wudden-legged body,' retorted McIntosh. 'Deed and I have, but
the auld tyke hasna done onything to getting me what I want. Weel,
weel,' in a resigned sort of a manner, 'we micht be waur off than we
are, an' wha kens but what Providence will send us men by-and-bye?'

Selina looked up at this, saw her opportunity, and let slip an
appropriate proverb.

'If we go by by-and-bye lane,' she said sharply, 'we come to the
gate of never.'

This being undeniable, no one gave her the pleasure of contradicting
her, for Archie knew it was impossible to argue with Selina, so
handy was she with her proverbial wisdom--a kind of domestic Tupper,
whose philosophy was of the most irritating and unanswerable kind.
He did the wisest thing he could under the circumstances, and
started a new subject.

'I say yon the day.'

'Yon' in this case meant Mr Villiers, whose name was tabooed in the
house, and was always spoken of in a half-hinting kind of way. As
both her servants knew all about her unhappy life, Madame did not
scruple to talk to them.

'How was he looking?' she asked, smoothing the crumbs off her dress.

'Brawly,' replied Archie, rising; 'he lost money on that Moscow
mine, but he made a fine haul owre the Queen o' Hearts claim.'

'The wicked,' observed Selina, 'flourish like a green bay tree.'

'Ou, ay,' retorted McIntosh, drily; 'we ken a' aboot that, Selina--
auld Hornie looks after his ain.'

'I think he leads a very hand-to-mouth existence,' said Madame,
calmly; 'however rich he may become, he will always be poor, because
he never was a provident man.'

'He's comin' tae see ye, mem,' said Archie, grimly, lighting his
pipe.

Madame rose to her feet and walked to the window.

'He's done that before,' she said, complacently; 'the result was not
satisfactory.'

'Continual dropping wears away a stone,' said Selina, who was now
clearing away.

'But not iron,' replied Madame, placidly; 'I don't think his
persistence will gain anything.'

Archie smiled grimly, and then went outside to smoke his pipe, while
Madame sat down by the open window and looked out at the fast-fading
landscape.

Her thoughts were not pleasant. She had hoped to cut herself off
from all the bitterness and sorrow of her past life, but this
husband of hers, like an unquiet spirit, came to trouble her and
remind her of a time she would willingly have forgotten. She looked
calm and quiet enough sitting there with her placid face and smooth
brow; but this woman was like a slumbering volcano, and her passions
were all the more dangerous from being kept in check.

A bat flew high up in the air across the clear glow of the sky,
disappearing into the adjacent bush, and Madame, stretching out her
hand, idly plucked a fresh, dewy rose off the tree which grew round
the window.

'If I could only get rid of him,' she thought, toying with the
flower; 'but it is impossible. I can't do that without money, and
money I never will have till I find that lead. I must bribe him, I
suppose. Oh, why can't he leave me alone now? Surely he has ruined
my life sufficiently in the past to let me have a few years, if not
of pleasure, at least of forgetfulness.' And with a petulant gesture
she hurled the rose out of the window, where it struck Archie a soft
and fragrant blow on the cheek.

'Yes,' said Madame to herself, as she pulled down the window, 'I
must get rid of him, and if bribery won't do--there are other
means.'




CHAPTER IV

THE GOOD SAMARITAN


Is there anyone nowadays who reads Cowper--that charming, domestic
poet who wrote 'The Task', and invested even furniture with the
glamour of poesy? Alas! to many people Cowper is merely a name, or
is known only as the author of the delightfully quaint ballad of
John Gilpin. Yet he was undoubtedly the Poet Laureate of
domesticity, and every householder should possess a bust or picture
of him--placed, not amid the frigid splendours of the drawing room,
but occupying the place of honour in his own particular den, where
everything is old-fashioned, cheery, and sanctified by long usage.
No one wrote so pleasantly about the pleasures of a comfortable room
as Cowper. And was he not right to do so? After all, every hearth is
the altar of the family, whereon the sacred fire should be kept
constantly burning, waxing and waning with the seasons, but never be
permitted to die out altogether. Miss Sprotts, as before mentioned,
was much in favour of a constant fire, because of the alleged
dampness of the house, and Madame Midas did not by any means object,
as she was a perfect salamander for heat. Hence, when the outward
door was closed, the faded red curtains of the window drawn, and the
newly replenished fire blazed brightly in the wide fireplace, the
room was one which even Cowper--sybarite in home comforts as he was-
-would have contemplated with delight.

Madame Midas was seated now at the small table in the centre of the
room, poring over a bewildering array of figures, and the soft glow
of the lamp touched her smooth hair and white dress with a subdued
light.

Archie sat by the fire, half asleep, and there was a dead silence in
the room, only broken by the rapid scratching of Madame's pen or the
click of Selina's needles. At last Mrs Villiers, with a sigh of
relief, laid down her pen, put all her papers together, and tied
them neatly with a bit of string.

'I'm afraid I'll have to get a clerk, Archie,' she said, as she put
the papers away, 'the office work is getting too much for me.'

''Deed, mem, and 'tis that same I was thinkin' o',' returned Mr
McIntosh, sitting bolt upright in his chair, lest the imputation of
having been asleep should be brought against him. 'It's ill wark
seein' ye spoilin' your bonny eyes owre sic a muckle lot o' figures
as ye hae there.'

'Someone must do it,' said Madame, resuming her seat at the table.

'Then why not get a body that can dae it?' retorted Archie; 'not but
what ye canna figure yersel', mem, but really ye need a rest, and if
I hear of onyone in toun wha we can trust I'll bring him here next
week.'

'I don't see why you shouldn't,' said Madame, musingly; 'the mine is
fairly under way now, and if things go on as they are doing, I must
have someone to assist me.'

At this moment a knock came to the front door, which caused Selina
to drop her work with a sudden start, and rise to her feet.

'Not you, Selina,' said Madame, in a quiet voice; 'let Archie go; it
may be some tramp.'

''Deed no, mem,' replied Archie, obstinately, as he arose from his
seat; ''tis verra likely a man fra the warks saying he wants to go.
There's mair talk nor sense aboot them, I'm thinkin'--the yattering
parrots.'

Selina resumed her knitting in a most phlegmatic manner, but Madame
listened intently, for she was always haunted by a secret dread of
her husband breaking in on her, and it was partly on this account
that McIntosh stayed in the house. She heard a murmur of voices, and
then Archie returned with two men, who entered the room and stood
before Madame in the light of the lamp.

''Tis two men fra that wudden-legged gowk o' a Slivers,' said
Archie, respectfully. 'Ain o' them has a wee bit letter for ye'--
turning to receive same from the foremost man.

The man, however, did not take notice of Archie's gesture, but
walking forward to Madame, laid the letter down before her. As he
did so, she caught sight of the delicacy of his hands, and looked up
suddenly with a piercing gaze. He bore the scrutiny coolly, and took
a chair in silence, his companion doing the same, while Madame
opened the letter and read Slivers' bad writing with a dexterity
only acquired by long practice. Having finished her perusal, she
looked up slowly.

'A broken-down gentleman,' she said to herself, as she saw the easy
bearing and handsome face of the young man; then looking at his
companion, she saw by his lumpish aspect and coarse hands, that he
occupied a much lower rank of life than his friend.

Monsieur Vandeloup--for it was he--caught her eye as she was
scrutinising them, and his face broke into a smile--a most charming
smile, as Madame observed mentally, though she allowed nothing of
her thoughts to appear on her face.

'You want work,' she said, slowly folding up the letter, and placing
it in her pocket; 'do you understand anything about gold-mining?'

'Unfortunately, no, Madame,' said Vandeloup, coolly; 'but we are
willing to learn.'

Archie grunted in a dissatisfied manner, for he was by no means in
favour of teaching people their business, and, besides, he thought
Vandeloup too much of a gentleman to do good work.

'You look hardly strong enough for such hard labour,' said Mrs
Villiers, doubtfully eyeing the slender figure of the young man.
'Your companion, I think, will do, but you--'

'I, Madame, am like the lilies of the field that neither toil nor
spin,' replied Vandeloup, gaily; 'but, unfortunately, I am now
compelled by necessity to work, and though I should prefer to earn
my bread in an easier manner, beggars,'--with a characteristic
shrug, which did not escape Madame's eye--cannot be choosers.'

'You are French?' she asked quickly, in that language.

'Yes, Madame,' he replied in the same tongue, 'both my friend and
myself are from Paris, but we have not been long out here.'

'Humph,' Madame leaned her head on her hand and thought, while
Vandeloup looked at her keenly, and remembered what Slivers had
said.

'She is, indeed, a handsome woman,' he observed, mentally; 'my lines
will fall in pleasant places, if I remain here.'

Mrs Villiers rather liked the looks of this young man; there was a
certain fascination about him which few women could resist, and
Madame, although steeled to a considerable extent by experience, was
yet a woman. His companion, however, she did not care about--he had
a sullen and lowering countenance, and looked rather dangerous.

'What is your name?' she asked the young man.

'Gaston Vandeloup.'

'You are a gentleman?'

He bowed, but said nothing.

'And you?' asked Madame, sharply turning to the other.

He looked up and touched his mouth.

'Pardon him not answering, Madame,' interposed Vandeloup, 'he has
the misfortune to be dumb.'

'Dumb?' echoed Madame, with a glance of commiseration, while Archie
looked startled, and Selina mentally observed that silence was
golden.

'Yes, he has been so from his birth,--at least, so he gives me to
understand,' said Gaston, with a shrug of his shoulders, which
insinuated a doubt on the subject; 'but it's more likely the result
of an accident, for he can hear though he cannot speak. However, he
is strong and willing to work; and I also, if you will kindly give
me an opportunity,' added he, with a winning smile.

'You have not many qualifications,' said Madame, shortly, angry with
herself for so taking to this young man's suave manner.

'Probably not,' retorted Vandeloup, with a cynical smile. 'I fancy
it will be more a case of charity than anything else, as we are
starving.'

Madame started, while Archie murmured 'Puir deils.'

'Surely not as bad as that?' observed Mrs Villiers, in a softer
tone.

'Why not?' retorted the Frenchman, carelessly. 'Manna does not fall
from heaven as in the days of Moses. We are strangers in a strange
land, and it is hard to obtain employment. My companion Pierre can
work in your mine, and if you will take me on I can keep your
books'--with a sudden glance at a file of papers on the table.

'Thank you, I keep my own books,' replied Madame, shortly. 'What do
you say to engaging them, Archie?'

'We ma gie them a try,' said McIntosh, cautiously. 'Ye do need a
figger man, as I tauld ye, and the dour deil can wark i' the claim.'

Madame drew a long breath, and then made up her mind.

'Very well,' she said, sharply; 'you are engaged, M. Vandeloup, as
my clerk, and your companion can work in the mine. As to wages and
all that, we will settle to-morrow, but I think you will find
everything satisfactory.'

'I am sure of that, Madame,' returned Vandeloup, with a bow.

'And now,' said Madame Midas, graciously, relaxing somewhat now that
business was over, 'you had better have some supper.'

Pierre's face lighted up when he heard this invitation, and
Vandeloup bowed politely.

'You are very kind,' he said, looking at Mrs Villiers in a friendly
manner; 'supper is rather a novelty to both of us.'

Selina meanwhile had gone out, and returned with some cold beef and
pickles, a large loaf and a jug of beer. These she placed on the
table, and then retired to her seat again, inwardly rebellious at
having two tramps at the table, but outwardly calm.

Pierre fell upon the victuals before him with the voracity of a
starving animal, and ate and drank in such a savage manner that
Madame was conscious of a kind of curious repugnance, and even
Archie was startled out of his Scotch phlegm.

'I wadna care aboot keepin' yon long,' he muttered to himself; 'he's
mair like a cannibal nor a ceevalized body.'

Vandeloup, however, ate very little and soon finished; then filling
a glass with beer, he held it to his lips and bowed again to Madame
Midas.

'To your health, Madame,' he said, drinking.

Mrs Villiers bowed courteously. This young man pleased her. She was
essentially a woman with social instincts, and the appearance of
this young and polished stranger in the wilds of the Pactolus claim
promised her a little excitement. It was true that every now and
then, when she caught a glimpse from his scintillating eyes, she was
conscious of a rather unpleasant sensation, but this she put down to
fancy, as the young man's manners were really charming.

When the supper was ended, Pierre pushed back his chair into the
shadow and once more relapsed into his former gloom, but Vandeloup
stood up and looked towards Madame in a hesitating manner.

'I'm afraid, Madame, we disturb you,' he murmured vaguely, though in
his heart he wished to stay in this pleasant room and talk to such a
handsome woman; 'we had best be going.'

'Not at all,' answered Madame, graciously, 'sit down; you and your
friend can sleep in the men's quarters to-night, and to-morrow we
will see if we can't provide you with a better resting-place.'

Vandeloup murmured something indistinctly, and then resumed his
seat.

'Meanwhile,' said Mrs Villiers, leaning back in her chair, and
regarding him fixedly, 'tell me all about yourselves.'

'Alas, Madame,' answered Vandeloup, with a charming smile and
deprecating shrug of his shoulders, 'there is not much to tell. I
was brought up in Paris, and, getting tired of city life, I came out
to India to see a little of the world; then I went over to Borneo,
and was coming down to Australia, when our vessel was wrecked and
all on board were drowned but myself and this fellow,' pointing to
Pierre, 'who was one of the sailors. We managed to get a boat, and
after tossing about for nearly a week we were cast up on the coast
of Queensland, and from thence came to Melbourne. I could not get
work there, neither could my friend, and as we heard of Ballarat we
came up here to try to get employment, and our lines, Madame,'--with
another bow--'have fallen in a pleasant place.'

'What a dreadful chapter of accidents,' said Madame, coolly looking
at him to see if he was speaking the truth, for experience of her
husband had inspired her with an instinctive distrust of men.
Vandeloup, however, bore her scrutiny without moving a muscle of his
face, so Madame at last withdrew her eyes, quite satisfied that his
story was true.

'Is there no one in Paris to whom you can write?' she asked, after a
pause.

'Luckily, there is,' returned Gaston, 'and I have already sent a
letter, asking for a remittance, but it takes time to get an answer,
and as I have lost all my books, papers, and money, I must just wait
for a few months, and, as I have to live in the meantime, I am glad
to obtain work.'

'Still, your consul--' began Mrs Villiers.

'Alas, Madame, what can I say--how can I prove to him that I am what
I assert to be? My companion is dumb and cannot speak for me, and,
unluckily, he can neither read nor write. I have no papers to prove
myself, so my consul may think me--what you call--a scamp. No; I
will wait till I receive news from home, and get to my own position
again; besides,' with a shrug, 'after all, it is experience.'

'Experience,' said Madame, quietly, 'is a good schoolmaster, but the
fees are somewhat high.'

'Ah!' said Vandeloup, with a pleased look, 'you know Heine, I
perceive, Madame. I did not know he was read out here.'

'We are not absolute barbarians, M. Vandeloup,' said Madame, with a
smile, as she arose and held out her hand to the young man; 'and now
good night, for I am feeling tired, and I will see you to-morrow. Mr
McIntosh will show you where you are to sleep.'

Vandeloup took the hand she held out to him and pressed it to his
lips with a sudden gesture. 'Madame,' he said, passionately, 'you
are an angel, for to-day you have saved the lives of two men.'

Madame snatched her hand away quickly, and a flush of annoyance
spread over her face as she saw how Selina and Archie stared.
Vandeloup, however, did not wait for her answer, but went out,
followed by Pierre. Archie put on his hat and walked out after them,
while Madame Midas stood looking at Selina with a thoughtful
expression of countenance.

'I don't know if I've done a right thing, Selina,' she said, at
length; 'but as they were starving I could hardly turn them away.'

'Cast your bread on the waters and it shall come back after many
days--buttered,' said Selina, giving her own version of the text.

Madame laughed.

'M. Vandeloup talks well,' she observed.

'So did HE,' replied Selina, with a sniff, referring to Mr Villiers;
'once bitten, twice shy.'

'Quite right, Selina,' replied Mrs Villiers, coolly; 'but you are
going too fast. I'm not going to fall in love with my servant.'

'You're a woman,' retorted Selina, undauntedly, for she had not much
belief in her own sex.

'Yes, who has been tricked and betrayed by a man,' said Madame,
fiercely; 'and do you think because I succour a starving human being
I am attracted by his handsome face? You ought to know me better
than that, Selina. I have always been true to myself,' and without
another word she left the room.

Selina stood still for a moment, then deliberately put away her
work, slapped the cat in order to relieve her feelings, and poked
the fire vigorously.

'I don't like him,' she said, emphasizing every word with a poke.
'He's too smooth and handsome, his eyes ain't true, and his tongue's
too smart. I hate him.'

Having delivered herself of this opinion, she went to boil some
water for Mr McIntosh, who always had some whisky hot before going
to bed.

Selina was right in her estimate of Vandeloup, and, logically
argued, the case stood thus:--

Some animals of a fine organization have an instinct which warns
them to avoid approaching danger.

Woman is one of these finely-organized animals. ERGO--

Let no woman go contrary to her instinct.




CHAPTER V

MAMMON'S TREASURE HOUSE


At the foot of the huge mound of white mulloch which marked the site
of the Pactolus Mine was a long zinc-roofed building, which was
divided into two compartments. In one of these the miners left their
clothes, and put on rough canvas suits before going down, and here
also they were searched on coming up in order to see if they had
carried away any gold. From this room a long, narrow passage led to
the top of the shaft, so that any miner having gold concealed upon
him could not throw it away and pick it up afterwards, but had to go
right into the searching room from the cage, and could not possibly
hide a particle without being found out by the searchers. The other
room was the sleeping apartment of such miners as stayed on the
premises, for the majority of the men went home to their families
when their work was done.

There were three shifts of men on the Pactolus during the twenty-
four hours, and each shift worked eight hours at a time--the first
going on at midnight and knocking off at eight in the morning, the
second commencing at eight and ending at four in the afternoon, and
the third starting at four and lasting until midnight again, when
the first shift of men began anew.

Consequently, when M. Vandeloup awoke next morning at six o'clock
the first shift were not yet up, and some of the miners who had to
go on at eight were sleeping heavily in their beds. The sleeping
places were berths, ranging along two sides of the room, and divided
into upper and lower compartments like those on shipboard.

Gaston having roused himself naturally wanted to see where he was,
so rubbing his eyes and yawning he leaned on his elbow and took a
leisurely survey of his position.

He saw a rather large room lighted at regular intervals by three
square windows, and as these were uncurtained, the cold, searching
light of daybreak was slowly stealing through them into the
apartment, and all the dusky objects therein were gradually
revealing themselves in the still light. He could hear the heavy,
monotonous breathing of the men, and the restless turning and
tossing of those who could not sleep.

Gaston yawned once or twice, then feeling disinclined for any more
sleep, he softly put on his clothes, so as not to awake Pierre, who
slept in the berth below, and descending from his sleeping-place
groped his way to the door and went out into the cool fragrant
morning.

There was a chill wind blowing from the bush, bringing with it a
faint aromatic odour, and on glancing downwards he saw that the
grass was wet with dew. The dawn was burning redly in the east, and
the vivid crimson of the sky put him in mind of that sunset under
which he had landed with his companion on the Queensland coast.
Suddenly a broad shaft of yellow light broke into the pale pink of
the sky, and with a burst of splendour the sun rose slowly into
sight from behind the dark bush, and all the delicate workings of
the dawn disappeared in the flood of golden light which poured over
the landscape.

Vandeloup looked idly at all this beauty with an unobservant eye,
being too much occupied with his thoughts to take notice of
anything; and it was only when two magpies near him broke into a
joyous duet, in which each strove to emulate the other's mellow
notes, that he awoke from his brown study, and began to walk back
again to the mine.

'I must let nothing stand in my way to acquire money,' he said,
musingly; 'with it one can rule the world; without it--but how trite
and bald these well-worn maxims seem! Why do I repeat them, parrot-
like, when I see what I have to do so clearly before me? That
woman, for instance--I must begin by making her my friend. Bah! she
is that already; I saw it in her eyes, which she can't control as
she does her face. Yes, I must make her my friend; my very dear
friend--and then--well, to my mind, the world-pivot is a woman. I
will spare no one in order to attain my ends--I will make myself my
own God, and consider no one but myself, and those who stand in my
path must get out of it or run the chance of being crushed. This,'
with a cynical smile, 'is what some would call the devil's
philosophy; at all events, it is good enough for me.'

He was near the mine by this time, and hearing someone calling to
him he looked up, and saw McIntosh walking towards him. There was a
stir in the men's quarters now, and he could see the door was open
and several figures were moving briskly about, while a number of
others were crossing the fields. The regular beat of the machinery
still continued, and the smoke was pouring out thick and black from
the tall red chimney, while the wheels were spinning round in the
poppet-heads as the mine slowly disgorged the men who had been
working all night.

McIntosh came slowly along with his hands in his pockets and a
puzzled look on his severe face. He could not make up his mind
whether to like or dislike this young man, but Madame Midas had
seemed so impressed that he had half made up his mind to dislike him
out of a spirit of contradiction.

'Weemen are sae easy pleased, puir feckless bodies,' he said to
himself, 'a bonny face is a' they fash their heads aboot, though the
same may be already in the grip of auld Nickyben. Weel, weel, if
Madam does fancy the lad--an' he's no bad lookin', I'll say that--
she may just hae her ain way, and I'll keep my e'e on baith.'

He looked grimly at the young man as he came briskly forward with a
gay smile.

'Ye're a verra early bird,' he said, fondling his frill of white
hair, and looking keenly at the tall, slim figure of the Frenchman.

'Case of "must", my friend,' returned Vandeloup, coolly; 'it's only
rich men can afford to be in bed, not poor devils like me.'

'You're no muckle like ither folk,' said the suspicious old
Scotchman, with a condemnatory sniff.

'Of that I am glad,' retorted Vandeloup, with suavity, as he walked
beside him to the men's quarters. 'What a horrible thing to be the
duplicate of half-a-dozen other men. By the way,' breaking off into
a new subject, 'Madame Midas is charming.'

'Aye, aye,' said Archie, jealously, 'we ken all aboot they French-
fangled way o' gieing pretty words, and deil a scrap of truth in ony
o' them.'

Gaston was about to protest that he said no more than he felt, which
was indeed the truth, but Archie impatiently hurried him off to
breakfast at the office, as he declared himself famishing. They made
a hearty meal, and, having had a smoke and a talk, prepared to go
below.

First of all, they arrayed themselves in underground garments--not
grave clothes, though the name is certainly suggestive of the
cemetery--which consisted of canvas trousers, heavy boots, blue
blouses of a rough woollen material, and a sou'wester each. Thus
accoutred, they went along to the foot of the poppet heads, and
Archie having opened a door therein, Vandeloup saw the mouth of the
shaft yawning dark and gloomy at his feet. As he stood there, gazing
at the black hole which seemed to pierce down into the entrails of
the earth, he turned round to take one last look at the sun before
descending to the nether world.

This is quite a new experience to me,' he said, as they stepped into
the wet iron cage, which had ascended to receive them in answer to
Archie's signal, and now commenced to drop down silently and swiftly
into the pitchy darkness. 'It puts me in mind of Jules Verne's
romances.'

Archie did not reply, for he was too much occupied in lighting his
candle to answer, and, moreover, knew nothing about romances, and
cared still less. So they went on sliding down noiselessly into the
gloom, while the water, falling from all parts of the shaft, kept
splashing constantly on the top of the cage and running in little
streams over their shoulders.

'It's like a nightmare,' thought the Frenchman, with a nervous
shudder, as he saw the wet walls gleaming in the faint light of the
candle. 'Worthy of Dante's "Inferno".'

At last they reached the ground, and found themselves in the main
chamber, from whence the galleries branched off to east and west.

It was upheld on all sides by heavy wooden supports of bluegum and
stringy bark, the scarred surfaces of which made them look like the
hieroglyphic pillars in old Egyptian temples. The walls were
dripping with damp, and the floor of the chamber, though covered
with iron plates, was nearly an inch deep with yellow-looking water,
discoloured by the clay of the mine. Two miners in rough canvas
clothes were waiting here, and every now and then a trolly laden
with wash would roll suddenly out of one of the galleries with a
candle fastened in front of it, and would be pushed into the cage
and sent up to the puddlers. Round the walls candles fastened to
spikes were stuck into the woodwork, and in their yellow glimmer the
great drops of water clinging to the roof and sides of the chamber
shone like diamonds.

'Aladdin's garden,' observed Vandeloup, gaily, as he lighted his
candle at that of Archie's and went towards the eastern gallery,
'only the jewels are not substantial enough.'

Archie showed the Frenchman how to carry his candle in the miner's
manner, so that it could not go out, which consisted in holding it
low down between the forefinger and third finger, so that the hollow
palm of the hand formed a kind of shield; and then Vandeloup,
hearing the sound of falling water close to him, asked what it was,
whereupon Archie explained it was for ventilating purposes. The
water fell the whole height of the mine through a pipe into a
bucket, and a few feet above this another pipe was joined at right
angles to the first and stretched along the gallery near the roof
like a never-ending serpent right to the end of the drive. The air
was driven along this by the water, and then, being released from
the pipe, returned back through the gallery, so that there was a
constant current circulating all through the mine.

As they groped their way slowly along, their feet splashed into
pools of yellow clayey water at the sides of the drive, or stumbled
over the rough ground and rugged rails laid down for the trollies.
All along the gallery, at regular intervals, were posts of stringy
bark in a vertical position, while beams of the same were laid
horizontally across the top, but so low that Vandeloup had to stoop
constantly to prevent himself knocking his head against their
irregular projections.

Clinging to these side posts were masses of white fungus, which the
miners use to remove discolorations from their hands, and from the
roof also it hung like great drifts of snow, agitated with every
breath of wind as the keen air, damped and chilled by the
underground darkness, rushed past them. Every now and then they
would hear a faint rumble in the distance, and Archie would drag his
companion to one side while a trolly laden with white, wet-looking
wash, and impelled by a runner, would roll past with a roaring and
grinding of wheels.

At intervals on each side of the main drive black chasms appeared,
which Archie informed his companion were drives put in to test the
wash, and as these smaller galleries continued branching off,
Vandeloup thought the whole mine resembled nothing so much as a
herring-bone.

Being accustomed to the darkness and knowing every inch of the way,
the manager moved forward rapidly, and sometimes Vandeloup lagged so
far behind that all he could see of his guide was the candle he
carried, shining like a pale yellow star in the pitchy darkness. At
last McIntosh went into one of the side galleries, and going up an
iron ladder fixed to the side of the wall, they came to a second
gallery thirty feet above the other, and branching off at right
angles.

This was where the wash was to be found, for, as Archie informed
Vandeloup, the main drives of a mine were always put down thirty or
forty feet below the wash, and then they could work up to the higher
levels, the reason of this being that the leads had a downward
tendency, and it was necessary for the main drive to be sunk below,
as before mentioned, in order to get the proper levels and judge the
gutters correctly. At the top of the ladder they found some empty
trucks which had delivered their burden into a kind of shoot,
through which it fell to the lower level, and there another truck
was waiting to take it to the main shaft, from whence it went up to
the puddlers.

Archie made Vandeloup get into one of these trucks, and though they
were all wet and covered with clay, he was glad to do so, and be
smoothly carried along, instead of stumbling over the rails and
splashing among the pools of water. Every now and then as they went
along there would be a gush of water from the dripping walls, which
was taken along in pipes to the main chamber, and from thence pumped
out of the mine by a powerful pump, worked by a beam engine, by
which means the mine was kept dry.

At last, after they had gone some considerable distance, they saw
the dim light of a candle, and heard the dull blows of a pick, then
found themselves at the end of the drive, where a miner was working
at the wash. The wash wherein the gold is found was exceedingly well
defined, and represented a stratified appearance, being sandwiched
in between a bed of white pipe-clay and a top layer of brownish
earth, interspersed with gravel. Every blow of the pick sent forth
showers of sparks in all directions, and as fast as the wash was
broken down the runner filled up the trollies with it. After asking
the miner about the character of the wash, and testing some himself
in a shovel, Archie left the gallery, and going back to the shoot,
they descended again to the main drive, and visited several other
faces of wash, the journey in each instance being exactly the same
in all respects. Each face had a man working at it, sometimes two,
and a runner who loaded the trucks, and ran them along to the
shoots. In spite of the ventilation, Vandeloup felt as if he was in
a Turkish bath, and the heat was in some places very great. At the
end of one of the drives McIntosh called Vandeloup, and on going
towards him the young man found him seated on a truck with the plan
of the mine before him, as he wanted to show him all the
ramifications of the workings.

The plan looked more like a map of a city than anything else, with
the main drive doing duty as the principal street, and all the
little galleries, branching off in endless confusion, looked like
the lanes and alleys of a populous town.

'It's like the catacombs in Rome,' said Vandeloup to McIntosh, after
he had contemplated the plan for some time; 'one could easily get
lost here.'

'He micht,' returned McIntosh, cautiously, 'if he didna ken a' aboot
the lie of the mine--o'er yonder,' putting one finger on the plan
and pointing with the other to the right of the tunnel; 'we found a
twenty-ounce nugget yesterday, and ain afore that o' twenty-five,
and in the first face we were at twa months ago o'er there,'
pointing to the left, 'there was yin big ain I ca'd the Villiers
nugget, which as ye ken is Madame's name.'

'Oh, yes, I know that,' said Vandeloup, much interested; 'do you
christen all your nuggets?'

'If they're big enough,' replied Archie.

'Then I hope you will find a hundred-ounce lump of gold, and call it
the Vandeloup,' returned the young man, laughing.

There's mony a true word spoke in jest, laddie,' said Archie,
gravely; 'when we get to the Deil's Lead we may find ain o' that
size.'

'What do you mean by leads?' asked Vandeloup, considerably puzzled.

Thereupon Archie opened his mouth, and gave the young man a
scientific lecture on mining, the pith of which was as follows:--

'Did ye no ken,' said Mr McIntosh, sagaciously, 'in the auld days--I
winna say but what it micht be as far back as the Fa' o' Man, may be
a wee bit farther--the rains washed a' the gold fra the taps o' the
hills, where the quartz reefs were, down tae the valleys below,
where the rivers ye ken were flowin'. And as the ages went on, an'
nature, under the guidance o' the Almighty, performed her work, the
river bed, wiv a' its gold, would be covered o'er with anither
formation, and then the river, or anither yin, would flow on a new
bed, and the precious metal would be washed fra the hills in the
same way as I tauld ye of, and the second river bed would be also
covered o'er, and sae the same game went on and is still
progressin'. Sae when the first miners came doon tae this land of
Ophir the gold they got by scratchin' the tap of the earth was the
latest deposit, and when ye gae doon a few hundred feet ye come on
the second river--or rather, I should say, the bed o' the former
river-and it is there that the gold is tae be found; and these
dried-up rivers we ca' leads. Noo, laddie, ye ma ken that at present
we are in the bed o' ain o' these auld streams three hun'red feet
frae the tap o' the earth, and it's here we get the gold, and as we
gae on we follow the wandrin's o' the river and lose sight o' it.'

'Yes,' said Vandeloup quickly, 'but you lost this river you call the
Devil's Lead--how was that?'

'Weel,' said Mr McIntosh, deliberately, 'rivers are varra like human
bein's in the queer twists they take, and the Deil's Lead seems to
hae been ain like that. At present we are on the banks o' it, where
we noo get these nuggets; but 'tis the bed I want, d'ye ken, the
centre, for its there the gold is; losh, man,' he went on,
excitedly, rising to his feet and rolling up the plan, 'ye dinna ken
how rich the Deil's Lead is; there's just a fortune in it."

"I suppose these rivers must stop at a certain depth?"

"Ou, ay," returned the old Scotchman, "we gae doon an' doon till we
come on what we ma ca' the primary rock, and under that there is
nothin'--except," with a touch of religious enthusiasm, "maybe 'tis
the bottomless pit, where auld Hornie dwells, as we are tauld in the
Screepture; noo let us gae up again, an' I'll show ye the puddlers
at wark."

Vandeloup had not the least idea what the puddlers were, but
desirous of learning, he followed his guide, who led him into
another gallery, which formed a kind of loop, and joined again with
the main drive. As Gaston stumbled along, he felt a touch on his
shoulder, and on turning, saw it was Pierre, who had been put to
work with the other men, and was acting as one of the runners.

"Ah! you are there, my friend," said Vandeloup, coolly, looking at
the uncouth figure before him by the feeble glimmer of his candle;
"work away, work away; it's not very pleasant, but at all events,"
in a rapid whisper, "it's better than New Caledonia."

Pierre nodded in a sullen manner, and went back to his work, while
Vandeloup hurried on to catch up to McIntosh, who was now far ahead.

"I wish," said this pleasant young man to himself, as he stumbled
along, "I wish that the mine would fall in and crush Pierre; he's
such a dead weight to be hanging round my neck; besides, he has such
a gaol-bird look about him that it's enough to make the police find
out where he came from; if they do, good-bye to wealth and
respectability."

He found Archie waiting for him at the entrance to the main drive,
and they soon arrived at the bottom of the shaft, got into the cage,
and at last reached the top of the earth again. Vandeloup drew a
long breath of the fresh pure air, but his eyes felt quite painful
in the vivid glare of the sun.

"I don't envy the gnomes," he said gaily to Archie as they went on
to the puddlers; "they must have been subject to chronic
rheumatism."

Mr McIntosh, not having an acquaintance with fairy lore, said
nothing in reply, but took Vandeloup to the puddlers, and showed all
the process of getting the gold.

The wash was carried along in the trucks from the top of the shaft
to the puddlers, which were large circular vats into which water was
constantly gushing. The wash dirt being put into these, there was an
iron ring held up by chains, having blunt spikes to it, which was
called a harrow. Two of these being attached to beams laid crosswise
were dragged round and round among the wash by the constant
revolution of the cross-pieces. This soon reduced all the wash dirt
to a kind of fine, creamy-looking syrup, with heavy white stones in
it, which were removed every now and then by the man in charge of
the machine. Descending to the second story of the framework,
Vandeloup found himself in a square chamber, the roof of which was
the puddler. In this roof was a trap-door, and when the wash dirt
had been sufficiently mixed the trap-door was opened, and it was
precipitated through on to the floor of the second chamber. A kind
of broad trough, running in a slanting direction and called a
sluice, was on one side, and into this a quantity of wash was put,
and a tap at the top turned on, which caused the water to wash the
dirt down the sluice. Another man at the foot, with a pitchfork,
kept shifting up the stones which were mixed up with the gravel, and
by degrees all the surplus dirt was washed away, leaving only these
stones and a kind of fine black sand, in which the gold being heavy,
had stayed. This sand was carefully gathered up with a brush and
iron trowel into a shallow tin basin, and then an experienced miner
carefully manipulated the same with clear water. What with blowing
with the breath, and allowing the water to flow gently over it, all
the black sand was soon taken away, and the bottom of the tin dish
was then covered with dirty yellow grains of gold interspersed with
little water-worn nuggets. Archie took the gold and carried it down
to the office, where it was first weighed and then put into a little
canvas bag, which would be taken to the bank in Ballarat, and there
sold at the rate of four pounds an ounce or thereabouts.

'Sae this, ye ken,' said Archie, when he had finished all his
explanations, 'is the way ye get gold.'

'My faith,' said Vandeloup, carelessly, with a merry laugh, 'gold is
as hard to get in its natural state as in its artificial.'

"An' harder," retorted Archie, "forbye there's nae sic wicked wark
aboot it."

"Madame will be rich some day," remarked Vandeloup, as they left the
office and walked up towards the house.

"Maybe she will," replied the other, cautiously. "Australia's a
gran' place for the siller, ye ken. I'm no verra far wrang but what
wi' industry and perseverance ye may mak a wee bit siller yersel',
laddie."

"It won't be my fault if I don't," returned M. Vandeloup, gaily;
"and Madame Midas," he added, mentally, "will be an excellent person
to assist me in doing so."




CHAPTER VI

KITTY


Gaston Vandeloup having passed all his life in cities found that his
existence on the Pactolus claim was likely to be very dreary. Day
after day he arose in the morning, did his office work, ate his
meals, and after a talk with Madame Midas in the evening went to bed
at ten o'clock. Such Arcadian simplicity as this was not likely to
suit the highly cultivated tastes he had acquired in his earlier
life. As to the episode of New Caledonia M. Vandeloup dismissed it
completely from his mind, for this young man never permitted his
thoughts to dwell on disagreeable subjects.

His experiences as a convict had been novel but not pleasant, and he
looked upon the time which had elapsed since he left France in the
convict ship to the day he landed on the coast of Queensland in an
open boat as a bad nightmare, and would willingly have tried to
treat it as such, only the constant sight of his dumb companion,
Pierre Lemaire, reminded him only too vividly of the reality of his
trouble. Often and often did he wish that Pierre would break his
neck, or that the mine would fall in and crush him to death; but
nothing of the sort happened, and Pierre continued to vex his eyes
and to follow him about with a dog-like fidelity which arose--not
from any love of the young man, but--from the fact that he found
himself a stranger in a strange land, and Vandeloup was the only
person he knew. With such a millstone round his neck, the young
Frenchman often despaired of being able to get on in Australia.
Meanwhile he surrendered himself to the situation with a kind of
cynical resignation, and looked hopefully forward to the time when a
kind Providence would rid him of his unpleasant friend.

The feelings of Madame Midas towards Vandeloup were curious. She had
been a very impressionable girl, and her ill-fated union with
Villiers had not quite succeeded in deadening all her feelings,
though it had doubtless gone a good way towards doing so. Being of
an appreciative nature, she liked to hear Vandeloup talk of his
brilliant life in Paris, Vienna, London, and other famous cities,
which to her were merely names. For such a young man he had
certainly seen a great deal of life, and, added to this, his skill
as a talker was considerable, so that he frequently held Madame,
Selina, and McIntosh spell-bound by his fairy-like descriptions and
eloquent conversation. Of course, he only talked of the most general
subjects to Mrs Villiers, and never by any chance let slip that he
knew the seamy side of life--a side with which this versatile young
gentleman was pretty well acquainted. As a worker, Gaston was
decidedly a success. Being quick at figures and easily taught
anything, he soon mastered all the details of the business connected
with the Pactolus claim, and Madame found that she could leave
everything to him with perfect safety, and could rely on all matters
of business being well and promptly attended to. But she was too
clever a woman to let him manage things himself, or even know how
much she trusted him; and Vandeloup knew that whatever he did those
calm dark eyes were on him, and that the least slip or neglect on
his part would bring Madame Midas to his side with her quiet voice
and inflexible will to put him right again.

Consequently the Frenchman was careful not to digress or to take too
much upon himself, but did his work promptly and carefully, and soon
became quite indispensable to the work of the mine. In addition to
this he had made himself very popular with the men, and as the
months rolled on was looked upon quite as a fixture in the Pactolus
claim.

As for Pierre Lemaire, he did his work well, ate and slept, and kept
his eye on his companion in case he should leave him in the lurch;
but no one would have guessed that the two men, so different in
appearance, were bound together by a guilty secret, or were, morally
speaking, both on the same level as convicts from a French prison.

A whole month had elapsed since Madame had engaged M. Vandeloup and
his friend, but as yet the Devil's Lead had not been found. Madame,
however, was strong in her belief that it would soon be discovered,
for her luck--the luck of Madame Midas--was getting quite a proverb
in Ballarat.

One bright morning Vandeloup was in the office running up endless
columns of figures, and Madame, dressed in her underground garments,
was making ready to go below, just having stepped in to see Gaston.

'By the way, M. Vandeloup,' she said in English, for it was only in
the evenings they spoke French, 'I am expecting a young lady this
morning, so you can tell her I have gone down the mine, but will be
back in an hour if she will wait for me.'

'Certainly, Madame,' said Vandeloup, looking up with his bright
smile; 'and the young lady's name?'

'Kitty Marchurst,' replied Madame, pausing a moment at the door of
the office; 'she is the daughter of the Rev. Mark Marchurst, a
minister at Ballarat. I think you will like her, M. Vandeloup,' she
went on, in a conversational tone; 'she is a charming girl--only
seventeen, and extremely pretty.'

'Then I am sure to like her,' returned Gaston, gaily; 'I never could
resist the charm of a pretty woman.'

'Mind,' said Madame, severely, holding up her finger, 'you must not
turn my favourite's head with any of your idle compliments; she has
been very strictly brought up, and the language of gallantry is
Greek to her.'

Vandeloup tried to look penitent, and failed utterly.

'Madame,' he said, rising from his seat, and gravely bowing, 'I will
speak of nothing to Mademoiselle Kitty but of the weather and the
crops till you return.'

Madame laughed pleasantly.

'You are incorrigible, M. Vandeloup,' she said, as she turned to go.
'However, don't forget what I said, for I trust you.'

When Mrs Villiers had gone, closing the office door after her,
Gaston was silent for a few minutes, and then burst out laughing.

'She trusts me,' he said, in a mocking tone. 'In heaven's name, why?
I never did pretend to be a saint, and I'm certainly not going to be
one because I'm put on my word of honour. Madame,' with an ironical
bow in the direction of the closed door, 'since you trust me I will
not speak of love to this bread-and-butter miss, unless she proves
more than ordinarily pretty, in which case,' shrugging his
shoulders, 'I'm afraid I must betray your trust, and follow my own
judgment.'

He laughed again, and then, going back to his desk, began to add up
his figures. At the second column, however, he paused, and commenced
to sketch faces on the blotting paper.

'She's the daughter of a minister,' he said, musingly. 'I can guess,
then, what like she is--prim and demure, like a caricature by Cham.
In that case she will be safe from me, for I could never bear an
ugly woman. By the way, I wonder if ugly women think themselves
pretty; their mirrors must lie most obligingly if they do. There was
Adele, she was decidedly plain, not to say ugly, and yet so
brilliant in her talk. I was sorry she died; yes, even though she
was the cause of my exile to New Caledonia. Bah! it is always a
woman one has to thank for one's misfortunes--curse them; though why
I should I don't know, for they have always been good friends to me.
Ah, well, to return to business, Mademoiselle Kitty is coming, and I
must behave like a bear in case she should think my intentions are
wrong.'

He went to work on the figures again, when suddenly he heard a high
clear voice singing outside. At first he thought it was a bird, but
no bird could execute such trills and shakes, so by the time the
voice arrived at the office door M. Vandeloup came to the conclusion
that the owner of the voice was a woman, and that the woman was Miss
Kitty Marchurst.

He leaned back in his chair and wondered idly if she would knock at
the door or enter without ceremony. The latter course was the one
adopted by Miss Marchurst, for she threw open the door and stood
there blushing and pouting at the embarrassing situation in which
she now found herself.

'I thought I would find Mrs Villiers here,' she said, in a low,
sweet voice, the peculiar timbre of which sent a thrill through
Gaston's young blood, as he arose to his feet. Then she looked up,
and catching his dark eyes fixed on her with a good deal of
admiration in them, she looked down and commenced drawing figures on
the dusty floor with the tip of a very dainty shoe.

'Madame has gone down the mine,' said M. Vandeloup, politely, 'but
she desired me to say that she would be back soon, and that you were
to wait here, and I was to entertain you;' then, with a grave bow,
he placed the only chair in the office at the disposal of his
visitor, and leaned up against the mantelpiece in an attitude of
unstudied grace. Miss Marchurst accepted his offer, and depositing
her small person in the big cane chair, she took furtive glances at
him, while Gaston, whose experience of women was by no means
limited, looked at her coolly, in a manner which would have been
rude but for the charming smile which quivered upon his lips.

Kitty Marchurst was a veritable fairy in size, and her hands and
feet were exquisitely formed, while her figure had all the plumpness
and roundness of a girl of seventeen--which age she was, though she
really did not look more than fourteen. An innocent child-like face,
two limpid blue eyes, a straight little nose, and a charming rose-
lipped mouth were Kitty's principal attractions, and her hair was
really wonderful, growing all over her head in crisp golden curls.
Child-like enough her face looked in repose, but with the smile came
the woman--such a smile, a laughing merry expression such as the
Greeks gave to Hebe. Dressed in a rough white dress trimmed with
pale blue ribbons, and her golden head surmounted by a sailor hat,
with a scarf of the same azure hue tied around it, Kitty looked
really charming, and Vandeloup could hardly restrain himself from
taking her up in his arms and kissing her, so delightfully fresh and
piquant she appeared. Kitty, on her side, had examined Gaston with a
woman's quickness of taking in details, and she mentally decided he
was the best-looking man she had ever seen, only she wished he would
talk. Shyness was not a part of her nature, so after waiting a
reasonable time for Vandeloup to commence, she determined to start
herself.

'I'm waiting to be entertained,' she said, in a hurried voice,
raising her eyes; then afraid of her own temerity, she looked down
again.

Gaston smiled a little at Kitty's outspoken remark, but remembering
Madame's injunction he rather mischievously determined to carry out
her desires to the letter.

'It is a very nice day,' he said, gravely. Kitty looked up and
laughed merrily.

'I don't think that's a very original remark,' she said coolly,
producing an apple from her pocket. 'If that's all you've got to
say, I hope Madame won't be long.'

Vandeloup laughed again at her petulance, and eyed her critically as
she took a bit out of the red side of the apple with her white
teeth.

'You like apples?' he asked, very much amused by her candour.

'Pretty well,' returned Miss Marchurst, eyeing the fruit in a
disparaging manner; 'peaches are nicer; are Madame's peaches ripe?'
looking anxiously at him.

'I think they are,' rejoined Gaston, gravely.

'Then we'll have some for tea,' decided Kitty, taking another bite
out of her apple.

'I'm going to stay to tea, you know,' she went on in a
conversational tone. 'I always stay to tea when I'm on a visit here,
and then Brown--that's our man,' in an explanatory manner, 'comes
and fetches me home.'

'Happy Brown!' murmured Vandeloup, who really meant what he said.

Kitty laughed, and blushed.

'I've heard all about you,' she said, coolly, nodding to him.

'Nothing to my disadvantage, I hope,' anxiously.

'Oh dear, no: rather the other way,' returned Miss Marchurst, gaily.
'They said you were good-looking--and so you are, very good-
looking.'

Gaston bowed and laughed, rather amused at the way she spoke, for he
was used to being flattered by women, though hardly in the outspoken
way of this country maiden.

'She's been strictly brought up,' he muttered sarcastically, 'I can
see that. Eve before the fall in all her innocence.'

'I don't like your eyes,' said Miss Kitty, suddenly.

'What's the matter with them?' with a quizzical glance.

'They look wicked.'

'Ah, then they belie the soul within,' returned Vandeloup,
seriously. 'I assure you, I'm a very good young man.'

Then I'm sure not to like you,' said Kitty, gravely shaking her
golden head. 'Pa's a minister, you know, and nothing but good young
men come to our house; they're all so horrid,' viciously, 'I hate
'em.'

Vandeloup laughed so much at this that Kitty rose to her feet and
looked offended.

'I don't know what you are laughing at,' she said, throwing her
half-eaten apple out of the door; 'but I don't believe you're a good
young man. You look awfully bad,' seriously. 'Really, I don't think
I ever saw anyone look so bad.'

'Suppose you undertake my reformation?' suggested Vandeloup,
eagerly.

'Oh! I couldn't; it wouldn't be right; but,' brightly, 'pa will.'

'I don't think I'll trouble him,' said Gaston, hastily, who by no
means relished the idea. 'I'm too far gone to be any good.'

She was about to reply when Madame Midas entered, and Kitty flew to
her with a cry of delight.

'Why, Kitty,' said Madame, highly pleased, 'I am so glad to see you,
my dear; but keep off, or I'll be spoiling your dress.'

'Yes, so you will,' said Kitty, retreating to a safe distance; 'what
a long time you have been.'

'Have I, dear?' said Madame, taking off her underground dress; 'I
hope M. Vandeloup has proved a good substitute.'

'Madame,' answered Vandeloup, gaily, as he assisted Mrs Villiers to
doff her muddy garments, 'we have been talking about the crops and
the weather.'

'Oh, indeed,' replied Mrs Villiers, who saw the flush on Kitty's
cheek, and by no means approved of it; 'it must have been very
entertaining.'

'Very!' assented Gaston, going back to his desk.

'Come along, Kitty,' said Madame, with a keen glance at her clerk,
and taking Kitty's arm within her own, 'let us go to the house, and
see if we can find any peaches.'

'I hope we'll find some big ones,' said Kitty, gluttonously, as she
danced along by the side of Mrs Villiers.

'Temptation has been placed in my path in a very attractive form,'
said Vandeloup to himself, as he went back to those dreary columns
of figures, 'and I'm afraid that I will not be able to resist.'

When he came home to tea he found Kitty was as joyous and full of
life as ever, in spite of the long hot afternoon and the restless
energy with which she had been running about. Even Madame Midas felt
weary and worn out by the heat of the day, and was sitting
tranquilly by the window; but Kitty, with bright eyes and restless
feet, followed Selina all over the house, under the pretence of
helping her, an infliction which that sage spinster bore with
patient resignation.

After tea it was too hot to light the lamp, and even Selina let the
fire go out, while all the windows and doors were open to let the
cool night wind blow in. Vandeloup sat on the verandah with McIntosh
smoking cigarettes and listening to Madame, who was playing
Mendelssohn's 'In a Gondola', that dreamy melody full of the swing
and rhythmic movement of the waves. Then to please old Archie she
played 'Auld Lang Syne'--that tender caressing air which is one of
the most pathetic and heart-stirring melodies in the world. Archie
leaned forward with bowed head as the sad melody floated on the air,
and his thoughts went back to the heather-clad Scottish hills. And
what was this Madame was now playing, with its piercing sorrow and
sad refrain? Surely 'Farewell to Lochaber', that bitter lament of
the exile leaving bonny Scotland far behind. Vandeloup, who was not
attending to the music, but thinking of Kitty, saw two big tears
steal down McIntosh's severe face, and marvelled at such a sign of
weakness.

'Sentiment from him?' he muttered, in a cynical tone; 'why, I should
have as soon expected blood from a stone.'

Suddenly the sad air ceased, and after a few chords, Kitty commenced
to sing to Madame's accompaniment. Gaston arose to his feet, and
leaned up against the door, for she was singing Gounod's charming
valse from 'Mirella', the bird-like melody of which suited her high
clear voice to perfection. Vandeloup was rather astonished at
hearing this innocent little maiden execute the difficult valse with
such ease, and her shake was as rapid and true as if she had been
trained in the best schools of Europe. He did not know that Kitty
had naturally a very flexible voice, and that Madame had trained her
for nearly a year. When the song was ended Gaston entered the room
to express his thanks and astonishment, both of which Kitty received
with bursts of laughter.

'You have a fortune in your throat, mademoiselle,' he said, with a
bow, 'and I assure you I have heard all the great singers of to-day
from Patti downwards.'

'I have only been able to teach her very little,' said Madame,
looking affectionately at Miss Marchurst, who now stood by the
table, blushing at Vandeloup's praises, 'but when we find the
Devil's Lead I am going to send her home to Italy to study singing.'

'For the stage?' asked Vandeloup.

'That is as it may be,' replied Madame, enigmatically, 'but now, M.
Vandeloup, you must sing us something.'

'Oh, does he sing?' said Kitty, joyously.

'Yes, and play too,' answered Madame, as she vacated her seat at the
piano and put her arm round Kitty, 'sing us something from the
"Grand Duchess", Monsieur.'

He shook his head.

'Too gay for such an hour,' he said, running his fingers lightly
over the keys; 'I will give you something from "Faust".'

He had a pleasant tenor voice, not very strong, but singularly pure
and penetrating, and he sang 'Salve Dinora', the exquisite melody of
which touched the heart of Madame Midas with a vague longing for
love and affection, while in Kitty's breast there was a feeling she
had never felt before. Her joyousness departed, her eyes glanced at
the singer in a half-frightened manner, and she clung closer to
Madame Midas as if she were afraid, as indeed she was.

When Vandeloup finished the song he dashed into a riotous student
song which he had heard many a time in midnight Paris, and finally
ended with singing Alfred de Musset's merry little chanson, which he
thought especially appropriate to Kitty:--

Bonjour, Suzon, ma fleur des bois, Es-tu toujours la plus jolie, Je
reviens, tel que tu me vois,

D'un grand votage en Italie.

Altogether Kitty had enjoyed her evening immensely, and was quite
sorry when Brown came to take her home. Madame wrapped her up well
and put her in the buggy, but was rather startled to see her flushed
cheeks, bright eyes, and the sudden glances she stole at Vandeloup,
who stood handsome and debonair in the moonlight.

'I'm afraid I've made a mistake,' she said to herself as the buggy
drove off.

She had, for Kitty had fallen in love with the Frenchman.

And Gaston?

He walked back to the house beside Madame, thinking of Kitty, and
humming the gay refrain of the song he had been singing--

'Je passe devant ta maison Ouvre ta porte, Bonjour, Suzon.'

Decidedly it was a case of love at first sight on both sides.




CHAPTER VII

MR VILLIERS PAYS A VISIT


Slivers and his friend Villiers were by no means pleased with the
existing state of things. In sending Vandeloup to the Pactolus
claim, they had thought to compromise Madame Midas by placing her in
the society of a young and handsome man, and counting on one of two
things happening--either that Madame would fall in love with the
attractive Frenchman, and seek for a divorce in order to marry him--
which divorce Villiers would of course resist, unless she bribed him
by giving him an interest in the Pactolus--or that Villiers could
assume an injured tone and accuse Vandeloup of being his wife's
lover, and threaten to divorce her unless she made him her partner
in the claim. But they had both reckoned wrongly, for neither of
these things happened, as Madame was not in love with Vandeloup, and
acted with too much circumspection to give any opportunity for
scandal. Consequently, Slivers and Co., not finding matters going to
their satisfaction, met one day at the office of the senior partner
for the purpose of discussing the affair, and seeing what could be
done towards bringing Madame Midas to their way of thinking.

Villiers was lounging in one of the chairs, dressed in a white linen
suit, and looked rather respectable, though his inflamed face and
watery eyes showed what a drunkard he was. He was sipping a glass of
whisky and water and smoking his pipe, while he watched Slivers
stumping up and down the office, swinging his cork arm vehemently to
and fro as was his custom when excited. Billy sat on the table and
eyed his master with a steady stare, or else hopped about among the
papers talking to himself.

'You thought you were going to do big things when you sent that
jackadandy out to the Pactolus,' said Villiers, after a pause.

'At any rate, I did something,' snarled Slivers, in a rage, 'which
is more than you did, you whisky barrel.'

'Look here, don't you call names,' growled Mr Villiers, in a sulky
tone. 'I'm a gentleman, remember that.'

'You were a gentleman, you mean,' corrected the senior partner, with
a malignant glance of his one eye. 'What are you now?'

'A stockbroker,' retorted the other, taking a sip of whisky.

'And a damned poor one at that,' replied the other, sitting on the
edge of the table, which position caused his wooden leg to stick
straight out, a result which he immediately utilized by pointing it
threateningly in the direction of Villiers.

'Look here,' said that gentleman, suddenly sitting up in his chair
in a defiant manner, 'drop these personalities and come to business;
what's to be done? Vandeloup is firmly established there, but
there's not the slightest chance of my wife falling in love with
him.'

'Wait,' said Slivers, stolidly wagging his wooden leg up and down;
'wait, you blind fool, wait.'

'Wait for the waggon!' shrieked Billy, behind, and then supplemented
his remarks by adding, 'Oh, my precious mother!' as he climbed up on
Slivers' shoulder.

'You always say wait,' growled Villiers, not paying any attention to
Billy's interruption; 'I tell you we can't wait much longer; they'll
drop on the Devil's Lead shortly, and then we'll be up a tree.'

'Then, suppose you go out to the Pactolus and see your wife,'
suggested Slivers.

'No go,' returned Villiers, gloomily, 'she'd break my head.'

'Bah! you ain't afraid of a woman, are you?' snarled Slivers,
viciously.

'No, but I am of McIntosh and the rest of them,' retorted Villiers.
'What can one man do against twenty of these devils. Why, they'd
kill me if I went out there; and that infernal wife of mine wouldn't
raise her little finger to save me.'

'You're a devil!' observed Billy, eyeing Villiers from his perch on
Slivers' shoulder. 'Oh, Lord! ha! ha! ha!' going into fits of
laughter; then drawing himself suddenly up, he ejaculated 'Pickles!'
and shut up.

'It's no good beating about the bush,' said the wooden-legged man,
getting down from the table. 'You go out near the claim, and see if
you can catch her; then give it to her hot.'

'What am I to say?' asked Villiers, helplessly.

Slivers looked at him with fiery scorn in his one eye.

'Say!' he shrieked, waving his cork arm, 'talk about your darned
honour! Say she's dragging your noble name through the mud, and say
you'll divorce her if she don't give you half a share in the
Pactolus; that will frighten her.'

'Pickles!' again ejaculated the parrot.

'Oh, no, it won't,' said Villiers; 'Brag's a good dog, but he don't
bite. I've tried that game on before, and it was no go.'

'Then try it your own way,' grumbled Slivers, sulkily, going to his
seat and pouring himself out some whisky. 'I don't care what you do,
as long as I get into the Pactolus, and once I'm in the devil
himself won't get me out.'

Villiers thought a moment, then turned to go.

'I'll try,' he said, as he went out of the door, 'but it's no go, I
tell you, she's stone,' and with a dismal nod he slouched away.

'Stone, is she?' cried the old man, pounding furiously on the floor
with his wooden leg, 'then I'd smash her; I'd crush her; I'd grind
her into little bits, damn her,' and overcome by his rage, Slivers
shook Billy off his shoulder and took a long drink.

Meanwhile Mr Villiers, dreading lest his courage should give way,
went to the nearest hotel and drank pretty freely so that he might
bring himself into an abnormal condition of bravery. Thus primed, he
went to the railway station, took the train to the Pactolus claim,
and on arriving at the end of his journey had one final glass of
whisky to steady his nerves.

The last straw, however, breaks the camel's back, and this last
drink reduced Mr Villiers to that mixed state which is known in
colonial phrase as half-cocked. He lurched out of the hotel, and
went in the direction of the Pactolus claim. His only difficulty was
that, as a matter of fact, the solitary mound of white earth which
marked the entrance to the mine, suddenly appeared before his eyes
in a double condition, and he beheld two Pactolus claims, which
curious optical delusion rather confused him, inasmuch as he was
undecided to which he should go.

'Itsh the drinksh,' he said at length, stopping in the middle of the
white dusty road, and looking preternaturally solemn; 'it maksh me
see double: if I see my wife, I'll see two of her, then'--with a
drunken giggle--'I'll be a bigamist.'

This idea so tickled him, that he commenced to laugh, and, finding
it inconvenient to do so on his legs, he sat down to indulge his
humour freely. A laughing jackass perched on the fence at the side
of the road heard Mr Villiers' hilarity, and, being of a convivial
turn of mind itself, went off into fits of laughter also. On hearing
this echo Mr Villiers tried to get up, in order to punish the man
who mocked him, but, though his intentions were good, his legs were
unsteady, and after one or two ineffectual attempts to rise he gave
it up as a bad job. Then rolling himself a little to one side of the
dusty white road, he went sound asleep, with his head resting on a
tuft of green grass. In his white linen suit he was hardly
distinguishable in the fine white dust of the road, and though the
sun blazed hotly down on him and the mosquitos stung him, yet he
slept calmly on, and it was not till nearly four o'clock in the
afternoon that he woke up. He was more sober, but still not quite
steady, being in that disagreeable temper to which some men are
subject when suffering a recovery. Rising to his feet, with a hearty
curse, he picked up his hat and put it on; then, thrusting his hands
into his pockets, he slouched slowly along, bent upon meeting his
wife and picking a quarrel with her.

Unluckily for Madame Midas, she had that day been to Ballarat, and
was just returning. She had gone by train, and was now leaving the
station and walking home to the Pactolus along the road. Being
absorbed in thought, she did not notice the dusty figure in front of
her, otherwise she would have been sure to have recognised her
husband, and would have given him a wide berth by crossing the
fields instead of going by the road. Mr Villiers, therefore, tramped
steadily on towards the Pactolus, and his wife tramped steadily
after him, until at last, at the turn of the road where it entered
her property, she overtook him.

A shudder of disgust passed through her frame as she raised her eyes
and saw him, and she made a sudden gesture as though to fall behind
and thus avoid him. It was, however, too late, for Mr Villiers,
hearing footsteps, turned suddenly and saw the woman he had come to
see standing in the middle of the road.

Husband and wife stood gazing at one another for a few moments in
silence, she looking at him with an expression of intense loathing
on her fine face, and he vainly trying to assume a dignified
carriage--a task which his late fit of drunkenness rendered
difficult.

At last, his wife, drawing her dress together as though his touch
would have contaminated her, tried to pass, but on seeing this he
sprang forward, before she could change her position, and caught her
wrist.

'Not yet!' he hissed through his clenched teeth; 'first you must
have a word with me.'

Madame Midas looked around for aid, but no one was in sight. They
were some distance from the Pactolus, and the heat of the afternoon
being intense, every one was inside. At last Madame saw some man
moving towards them, down the long road which led to the station,
and knowing that Vandeloup had been into town, she prayed in her
heart that it might be he, and so prepared to parley with her
husband till he should come up. Having taken this resolution, she
suddenly threw off Villiers' grasp, and turned towards him with a
superb gesture of scorn.

'What do you want?' she asked in a low, clear voice, but in a tone
of concentrated passion.

'Money!' growled Villiers, insolently planting himself directly in
front of her, 'and I'm going to have it.'

'Money!' she echoed, in a tone of bitter irony; 'have you not had
enough yet? Have you not squandered every penny I had from my father
in your profligacy and evil companions? What more do you want?'

'A share in the Pactolus,' he said, sullenly.

His wife laughed scornfully. 'A share in the Pactolus!' she echoed,
with bitter sarcasm, 'A modest request truly. After squandering my
fortune, dragging me through the mire, and treating me like a slave,
this man expects to be rewarded. Listen to me, Randolph Villiers,'
she said, fiercely, stepping up to him and seizing his hand, 'this
land we now stand on is mine--the gold underneath is mine; and if
you were to go on your knees to me and beg for a morsel of bread to
save you from starving, I would not lift one finger to succour you.'

Villiers writhed like a snake under her bitter scorn.

'I understand,' he said, in a taunting tone; 'you want it for your
lover.'

'My lover? What do you mean?'

'What I say,' he retorted boldly, 'all Ballarat knows the position
that young Frenchman holds in the Pactolus claim.'

Mrs Villiers felt herself grow faint--the accusation was so
horrible. This man, who had embittered her life from the time she
married him, was still her evil genius, and was trying to ruin her
in the eyes of the world. The man she had seen on the road was now
nearly up to them, and with a revulsion of feeling she saw that it
was Vandeloup. Recovering herself with an effort, she turned and
faced him steadily.

'You lied when you spoke just now,' she said in a quiet voice. 'I
will not lower myself to reply to your accusation; but, as there is
a God above us, if you dare to cross my path again, I will kill
you.'

She looked so terrible when she said this that Villiers
involuntarily drew back, but recovering himself in a moment, he
sprang forward and caught her arm.

'You devil! I'll make you pay for this,' and he twisted her arm till
she thought it was broken. 'You'll kill me, will you?--you!--you!'
he shrieked, still twisting her arm and causing her intense pain,
'you viper!'

Suddenly, when Madame was almost fainting with pain, she heard a
shout, and knew that Vandeloup had come to the rescue. He had
recognised Madame Midas down the road, and saw that her companion
was threatening her; so he made all possible speed, and arrived just
in time.

Madame turned round to see Vandeloup throw her husband into a ditch
by the side of the road, and walk towards her. He was not at all
excited, but seemed as cool and calm as if he had just been shaking
hands with Mr Villiers instead of treating him violently.

'You had better go home, Madame,' he said, in his usual cool voice,
'and leave me to deal with this--gentleman; you are not hurt?'

'Only my arm,' replied Mrs Villiers, in a faint voice; 'he nearly
broke it. But I can walk home alone.'

'If you can, do so,' said Vandeloup, with a doubtful look at her. 'I
will send him away.'

'Don't let him hurt you.'

'I don't think there's much danger,' replied the young man, with a
glance at his arms, 'I'm stronger than I look.'

'Thank you, Monsieur,' said Madame Midas, giving him her hand; 'you
have rendered me a great service, and one I will not forget.'

He bent down and kissed her hand, which action was seen by Mr
Villiers as he crawled out of the ditch. When Madame Midas was gone
and Vandeloup could see her walking homeward, he turned to look for
Mr Villiers, and found him seated on the edge of the ditch, all
covered with mud and streaming with water--presenting a most
pitiable appearance. He regarded M. Vandeloup in a most malignant
manner, which, however, had no effect on that young gentleman, who
produced a cigarette, and having lighted it proceeded to talk.

'I'm sorry I can't offer you one,' said Gaston, affably, 'but I
hardly think you would enjoy it in your present damp condition. If I
might be permitted to suggest anything,' with a polite smile, 'a
bath and a change of clothes would be most suitable to you, and you
will find both at Ballarat. I also think,' said Vandeloup, with an
air of one who thinks deeply, 'that if you hurry you will catch the
next train, which will save you a rather long walk.'

Mr Villiers glared at his tormentor in speechless anger, and tried
to look dignified, but, covered as he was with mud, his effort was
not successful.

'Do you know who I am?' he said at length, in a blustering manner.

'Under some circumstances,' said M. Vandeloup, in a smooth voice, 'I
should have taken you for a mud bank, but as you both speak and
smile I presume you are a man of the lowest type; as you English
yourselves say--a blackguard.'

'I'll smash you!' growled Villiers, stepping forward.

'I wouldn't try if I were you,' retorted Vandeloup, with a
disparaging glance. 'I am young and strong, almost a total
abstainer; you, on the contrary, are old and flabby, with the
shaking nerves of an incurable drunkard. No, it would be hardly fair
for me to touch you.'

'You dare not lay a finger on me,' said Villiers, defiantly.

'Quite right,' replied Vandeloup, lighting another cigarette,
'you're rather too dirty for close companionship. I really think
you'd better go; Monsieur Sleeves no doubt expects you.'

'And this is the man that I obtained work for,' said Mr Villiers,
addressing the air.

'It's a very ungrateful world,' said Vandeloup, calmly, with a shrug
of his shoulders; 'I never expect anything from it; I'm sorry if you
do, for you are sure to be disappointed.'

Villiers, finding he could make nothing out of the imperturbable
coolness of the young Frenchman, turned to go, but as he went, said
spitefully--

'You can tell my wife I'll pay her for this.'

'Accounts are paid on Saturdays,' called out M. Vandeloup, gaily;
'if you call I will give you a receipt of the same kind as you had
to-day.'

Villiers made no response, as he was already out of hearing, and
went on his way to the station with mud on his clothes and rage in
his heart.

Vandeloup looked after him for a few minutes with a queer smile on
his lips, then turned on his heel and walked home, humming a song.




CHAPTER VIII

MADAME MIDAS STRIKES 'ILE'


Aesop knew human nature very well when he wrote his fable of the old
man and his ass, who tried to please everybody and ended up by
pleasing nobody. Bearing this in mind, Madame Midas determined to
please herself, and take no one's advice but her own with regard to
Vandeloup. She knew if she dismissed him from the mine it would give
colour to her husband's vile insinuations, so she thought the wisest
plan would be to take no notice of her meeting with him, and let
things remain as they were. It turned out to be the best thing she
could have done, for though Villiers went about Ballarat accusing
her of being the young Frenchman's mistress, everyone was too well
aware of existing circumstances to believe what he said. They knew
that he had squandered his wife's fortune, and that she had left him
in disgust at his profligacy, so they declined to believe his
accusations against a woman who had proved herself true steel in
withstanding bad fortune. So Mr Villiers' endeavours to ruin his
wife only recoiled on his own head, for the Ballarat folk argued,
and rightly, that whatever she did it was not his place to cast the
first stone at her, seeing that the unsatisfactory position she was
now in was mainly his own work. Villiers, therefore, gained nothing
by his attempt to blacken his wife's character except the contempt
of everyone, and even the few friends he had gained turned their
backs on him until no one would associate with him but Slivers, who
did so in order to gain his own ends. The company had quarrelled
over the unsuccessful result of Villiers' visit to the Pactolus, and
Slivers, as senior partner, assisted by Billy, called Villiers all
the names he could lay his tongue to, which abuse Villiers accepted
in silence, not even having the spirit to resent it. But though he
was outwardly sulky and quiet, yet within he cherished a deep hatred
against his wife for the contempt with which he was treated, and
inwardly vowed to pay her out on the first feasible opportunity.

It was now nearly six months since Vandeloup had become clerk at the
Pactolus, and he was getting tired of it, only watching his
opportunity to make a little money and go to Melbourne, where he had
not much doubt as to his success. With a certain sum of money to
work on, M. Vandeloup thought that with his talents and experience
of human nature he would soon be able to make a fortune,
particularly as he was quite unfettered by any scruples, and as long
as he made money he did not care how he gained it. With such an
adaptable nature he could hardly help doing well, but in order to
give him the start he required a little capital, so stayed on at the
Pactolus and saved every penny he earned in the hope of soon
accumulating enough to leave. Another thing that kept him there was
his love for Kitty--not a very pure or elevating love certainly,
still it was love for all that, and Vandeloup could not tear himself
away from the place where she resided.

He had called on Kitty's father, the Rev. Mark Marchurst, who lived
at the top of Black Hill, near Ballarat, and did not like him. Mr
Marchurst, a grave, quiet man, who was the pastor of a particular
sect, calling themselves very modestly 'The Elect', was hardly the
kind of individual to attract a brilliant young fellow like
Vandeloup, and the wonder was that he ever had such a charming
daughter.

Kitty had fallen deeply in love with Vandeloup, so as he told her he
loved her in return, she thought that some day they would get
married. But nothing was farther from M. Vandeloup's thoughts than
marriage, even with Kitty, for he knew how foolish it would be for
him to marry before making a position.

'I don't want a wife to drag me back,' he said to himself one day
when Kitty had hinted at matrimony; 'when I am wealthy it will be
time enough to think of marriage, but it will be long before I am
rich, and can I wait for Bebe all that time? Alas! I do not think
so.'

The fact was, the young man was very liberal in his ideas, and
infinitely preferred a mistress to a wife. He had not any evil
designs towards Kitty, but her bright manner and charming face
pleased him, and he simply enjoyed the hours as they passed. She
idolised him, and Gaston, who was accustomed to be petted and
caressed by women, accepted all her affection as his due. Curiously
enough, Madame Midas, lynx-eyed as she was, never suspected the true
state of affairs. Vandeloup had told Kitty that no one was to know
of their love for one another, and though Kitty was dying to tell
Madame about it, yet she kept silent at his request, and acted so
indifferently towards him when under Mrs Villiers' eye, that any
doubts that lady had about the fascinations of her clerk soon
vanished.

As to M. Vandeloup, the situation was an old one for him accustomed
as he had been to carry on with guilty wives under the very noses of
unsuspecting husbands, and on this occasion he acted admirably. He
was very friendly with Kitty in public--evidently looking upon her
as a mere child, although he made no difference in his manner. And
this innocent intrigue gave a piquant flavour to his otherwise dull
life.

Meanwhile, the Devil's Lead was still undiscovered, many people
declaring it was a myth, and that such a lead had never existed.
Three people, however, had a firm belief in its existence, and were
certain it would be found some day--this trio being McIntosh, Madame
Midas, and Slivers.

The Pactolus claim was a sort of Naboth's vineyard to Slivers, who,
in company with Billy, used to sit in his dingy little office and
grind his teeth as he thought of all the wealth lying beneath those
green fields. He had once even gone so far as to offer to buy a
share in the claim from Madame Midas, but had been promptly refused
by that lady--a circumstance which by no means added to his love for
her.

Still the Devil's Lead was not found, and people were beginning to
disbelieve in its existence, when suddenly indications appeared
which showed that it was near at hand. Nuggets, some large, some
small, began to be constantly discovered, and every day news was
brought into Ballarat about the turning-up of a thirty-ounce or a
twenty-ounce nugget in the Pactolus, when, to crown all, the news
came and ran like wildfire through the city that a three hundred
ounce nugget had been unearthed.

There was great excitement over this, as such a large one had not
been found for some time, and when Slivers heard of its discovery he
cursed and swore most horribly; for with his long experience of gold
mining, he knew that the long-looked for Devil's Lead was near at
hand. Billy, becoming excited with his master, began to swear also;
and these two companions cursed Madame Midas and all that belonged
to her most heartily. If Slivers could only have seen the interior
of Madame Midas's dining room, by some trick of necromancy, he would
certainly not have been able to do the subject justice in the
swearing line.

There were present Madame Midas, Selina, McIntosh, and Vandeloup,
and they were all gathered round the table looking at the famous
nugget. There it lay in the centre of the table, a virgin mass of
gold, all water-worn and polished, hollowed out like a honeycomb,
and dotted over with white pebbles like currants in a plum pudding.

'I think I'll send it to Melbourne for exhibition,' said Mrs
Villiers, touching the nugget very lightly with her fingers.

''Deed, mum, and 'tis worth it,' replied McIntosh, whose severe face
was relaxed in a grimly pleasant manner; 'but losh! 'tis naething
tae what 'ull come oot o' the Deil's Lead.'

'Oh, come, now,' said Vandeloup, with a disbelieving smile, 'the
Devil's Lead won't consist of nuggets like that.'

'Maybe no,' returned the old Scotchman, dryly; 'but every mickle
makes a muckle, and ye ken the Lead wull hae mony sma' nuggets,
which is mair paying, to my mind, than yin large ain.'

'What's the time?' asked Madame, rather irrelevantly, turning to
Archie.

Mr McIntosh drew out the large silver watch, which was part and
parcel of himself, and answered gravely that it was two o'clock.

'Then I'll tell you what,' said Mrs Villiers, rising; 'I'll take it
in with me to Ballarat and show it to Mr Marchurst.'

McIntosh drew down the corners of his mouth, for, as a rigid
Presbyterian, he by no means approved of Marchurst's heretical
opinions, but of course said nothing as Madame wished it.

'Can I come with you, Madame?' said Vandeloup, eagerly, for he never
lost an opportunity of seeing Kitty if he could help it.

'Certainly,' replied Madame, graciously; 'we will start at once.'

Vandeloup was going away to get ready, when McIntosh stopped him.

'That friend o' yours is gangin' awa' t' the toun the day,' he said,
touching Vandeloup lightly on the shoulder.

'What for?' asked the Frenchman, carelessly.

''Tis to see the play actors, I'm thinkin',' returned Archie, dryly.
'He wants tae stap all nicht i' the toun, so I've let him gae, an'
have tauld him to pit up at the Wattle Tree Hotel, the landlord o'
which is a freend o' mine.'

'Very kind of you, I'm sure,' said Vandeloup, with a pleasant smile;
'but may I ask what play actors you refer to?'

'I dinna ken anythin' about sic folk,' retorted Mr McIntosh,
piously, 'the deil's ain bairns, wha wull gang into the pit of
Tophet.'

'Aren't you rather hard on them, Archie?' said Madame Midas, smiling
quietly. 'I'm very fond of the theatre myself.'

'It's no for me to give ma opeenion about ma betters,' replied
Archie, ungraciously, as he went out to see after the horse and
trap; 'but I dinna care aboot sitting in the seat of the scornfu',
or walking in the ways of the unrighteous,' and with this parting
shot at Vandeloup he went away.

That young man shrugged his shoulders, and looked at Madame Midas in
such a comical manner that she could not help smiling.

'You must forgive Archie,' she said, pausing at the door of her
bedroom for a moment. 'He has been brought up severely, and it is
hard to rid oneself of the traditions of youth.'

'Very traditional in this case, I'm afraid,' answered Gaston,
referring to McIntosh's age.

'If you like,' said Madame, in a kindly tone, 'you can stay in to-
night yourself, and go to the theatre.'

'Thank you, Madame,' replied Gaston, gravely. 'I will avail myself
of your kind permission.'

'I'm afraid you will find an Australian provincial company rather a
change after the Parisian theatres,' said Mrs Villiers, as she
vanished into her room.

Vandeloup smiled, and turned to Selina, who was busy about her
household work.

'Mademoiselle Selina,' he said, gaily, 'I am in want of a proverb to
answer Madame; if I can't get the best I must be content with what I
can get. Now what piece of wisdom applies?'

Selina, flattered at being applied to, thought a moment, then raised
her head triumphantly--

'"Half a loaf is better than none,"' she announced, with a sour
smile.

'Mademoiselle,' said Vandeloup, gravely regarding her as he stood at
the door, 'your wisdom is only equalled by your charming
appearance,' and with an ironical bow he went out.

Selina paused a moment in her occupation of polishing spoons, and
looked after him, doubtful as to whether he was in jest or earnest.
Being unable to decide, she resumed her work with a stifled chuckle,
and consoled herself with a proverb.

'To be good is better than to be beautiful,' which saying, as
everyone knows, is most consoling to plain-looking people.

The great nugget was carefully packed in a stout wooden box by
Archie, and placed in the trap by him with such caution that Madame,
who was already seated in it, asked him if he was afraid she would
be robbed.

'It's always best to be on the richt side, mem,' said Archie,
handing her the reins; 'we dinna ken what may happen.'

'Why, no one knows I am taking this to Ballarat to-day,' said
Madame, drawing on her gloves.

'Don't they?' thought M. Vandeloup, as he took his seat beside her.
'She doesn't know that I've told Pierre.'

And without a single thought for the woman whose confidence he was
betraying, and of whose bread and salt he had partaken, Vandeloup
shook the reins, and the horse started down the road in the
direction of Ballarat, carrying Madame Midas and her nugget.

'You carry Caesar and his fortunes, M. Vandeloup,' she said, with a
smile.

'I do better,' he answered, gaily, 'I carry Madame Midas and her
luck.'




CHAPTER IX

LOVE'S YOUNG DREAM


Mr Mark Marchurst was a very peculiar man. Brought up in the
Presbyterian religion, he had early displayed his peculiarity by
differing from the elders of the church he belonged to regarding
their doctrine of eternal punishment. They, holding fast to the
teachings of Knox and Calvin, looked upon him in horror for daring
to have an opinion of his own; and as he refused to repent and have
blind belief in the teachings of those grim divines, he was turned
out of the bosom of the church. Drifting to the opposite extreme, he
became a convert to Catholicism; but, after a trial of that ancient
faith, found it would not suit him, so once more took up a neutral
position. Therefore, as he did not find either religion perfectly in
accordance with his own views, he took the law into his own hands
and constructed one which was a queer jumble of Presbyterianism,
Catholicism, and Buddhism, of which last religion he was a great
admirer. As anyone with strong views and a clever tongue will find
followers, Mr Marchurst soon gathered a number of people around him
who professed a blind belief in the extraordinary doctrines he
promulgated. Having thus founded a sect he got sufficient money out
of them to build a temple--for so he called the barn-like edifice he
erected--and christened this new society which he had called into
existence 'The Elect'. About one hundred people were members of his
church, and with their subscriptions, and also having a little money
of his own, he managed to live in a quiet manner in a cottage on the
Black Hill near to his temple. Every Sunday he held forth morning
and evening, expounding his views to his sparse congregation, and
was looked upon by them as a kind of prophet. As a matter of fact,
the man had that peculiar power of fascination which seems to be
inseparable from the prophetic character, and it was his intense
enthusiasm and eloquent tongue that cast a spell over the simple-
minded people who believed in him. But his doctrines were too
shallow and unsatisfactory ever to take root, and it could be easily
seen that when Marchurst died 'The Elect' would die also,--that is,
as a sect, for it was not pervaded by that intense religious fervour
which is the life and soul of a new doctrine. The fundamental
principles of his religion were extremely simple; he saved his
friends and damned his enemies, for so he styled those who were not
of the same mind as himself. If you were a member of 'The Elect', Mr
Marchurst assured you that the Golden Gate was wide open for you,
whereas if you belonged to any other denomination you were lost for
ever; so according to this liberal belief, the hundred people who
formed his congregation would all go straight to Heaven, and all the
rest of mankind would go to the devil.

In spite of the selfishness of this theory, which condemned so many
souls to perdition, Marchurst was a kindly natured man, and his
religion was more of an hallucination than anything else. He was
very clever at giving advice, and Madame Midas esteemed him highly
on this account. Though Marchurst had often tried to convert her,
she refused to believe in the shallow sophistries he set forth, and
told him she had her own views on religion, which views she declined
to impart to him, though frequently pressed to do so. The zealot
regretted this obstinacy, as, according to his creed, she was a lost
soul, but he liked her too well personally to quarrel with her on
that account, consoling himself with the reflection that sooner or
later, she would seek the fold. He was more successful with M.
Vandeloup, who, having no religion whatever, allowed Marchurst to
think he had converted him, in order to see as much as he could of
Kitty. He used to attend the Sunday services regularly, and
frequently came in during the week ostensibly to talk to Marchurst
about the doctrines of 'The Elect', but in reality to see the old
man's daughter.

On this bright afternoon, when everything was bathed in sunshine, Mr
Marchurst, instead of being outside and enjoying the beauties of
Nature, was mewed up in his dismal little study, with curtains
closely drawn to exclude the light, a cup of strong tea, and the
Bible open at 'The Lamentations of Jeremiah'. His room was lined
with books, but they had not that friendly look books generally
have, but, bound in dingy brown calf, looked as grim and uninviting
as their contents, which were mostly sermons and cheerful
anticipations of the bottomless pit. It was against Marchurst's
principles to gratify his senses by having nice things around him,
and his whole house was furnished in the same dismal manner.

So far did he carry this idea of mortifying the flesh through the
eyes that he had tried to induce Kitty to wear sad-coloured dresses
and poke bonnets; but in this attempt he failed lamentably, as Kitty
flatly refused to make a guy of herself, and always wore dresses of
the lightest and gayest description.

Marchurst groaned over this display of vanity, but as he could do
nothing with the obdurate Kitty, he allowed her to have her own way,
and made a virtue of necessity by calling her his 'thorn in the
flesh'.

He was a tall thin man, of a bleached appearance, from staying so
much in the dark, and so loosely put together that when he bowed he
did not as much bend as tumble down from a height. In fact, he
looked so carelessly fixed up that when he sat down he made the
onlooker feel quite nervous lest he should subside into a ruin, and
scatter his legs, arms, and head promiscuously all over the place.
He had a sad, pale, eager-looking face, with dreamy eyes, which
always seemed to be looking into the spiritual world. He wore his
brown hair long, as he always maintained a man's hair was as much
his glory as a woman's was hers, quoting Samson and Absalom in
support of this opinion. His arms were long and thin, and when he
gesticulated in the pulpit on Sundays flew about like a couple of
flails, which gave him a most unhappy resemblance to a windmill. The
'Lamentations of Jeremiah' are not the most cheerful of reading, and
Mr Marchurst, imbued with the sadness of the Jewish prophet,
drinking strong tea and sitting in a darkened room, was rapidly
sinking into a very dismal frame of mind, which an outsider would
have termed a fit of the blues. He sat in his straight-backed chair
taking notes of such parts of the 'Lamentations' as would tend to
depress the spirits of the 'Elect' on Sunday, and teach them to
regard life in a proper and thoroughly miserable manner.

He was roused from his dismal musings by the quick opening of the
door of his study, when Kitty, joyous and gay in her white dress,
burst like a sunbeam into the room.

"I wish, Katherine," said her father, in a severe voice, "I wish you
would not enter so noisily and disturb my meditations."

"You'll have to put your meditations aside for a bit," said Kitty,
disrespectfully, crossing to the window and pulling aside the
curtains, "for Madame Midas and M. Vandeloup have come to see you."

A flood of golden light streamed into the dusky room, and Marchurst
put his hand to his eyes for a moment, as they were dazzled by the
sudden glare.

"They've got something to show you, papa," said Kitty, going back to
the door: "a big nugget--such a size--as large as your head."

Her father put his hand mechanically to his head to judge of the
size, and was about to answer when Madame Midas, calm, cool, and
handsome, entered the room, followed by Vandeloup, carrying a wooden
box containing the nugget. It was by no means light, and Vandeloup
was quite thankful when he placed it on the table.

"I hope I'm not disturbing you, Mr Marchurst," said Madame, sitting
down and casting a glance at the scattered papers, the cup of tea,
and the open Bible, "but I couldn't help gratifying my vanity by
bringing the new nugget for you to see."

"It's very kind of you, I'm sure," responded Mr Marchurst, politely,
giving way suddenly in the middle as if he had a hinge in his back,
which was his idea of a bow. "I hope this," laying his hand on the
box, "may be the forerunner of many such."

"Oh, it will," said Vandeloup, cheerfully, "if we can only find the
Devil's Lead."

"An unholy name," groaned Marchurst sadly, shaking his head. "Why
did you not call it something else?"

"Simply because I didn't name it," replied Madame Midas, bluntly;
"but if the lead is rich, the name doesn't matter much."

"Of course not," broke in Kitty, impatiently, being anxious to see
the nugget. "Do open the box; I'm dying to see it."

"Katherine! Katherine!" said Marchurst, reprovingly, as Vandeloup
opened the box, "how you do exaggerate--ah!" he broke off his
exhortation suddenly, for the box was open, and the great mass of
gold was glittering in its depths. 'Wonderful!'

'What a size!' cried Kitty, clapping her hands as Vandeloup lifted
it out and placed it on the table; 'how much is it worth?'

'About twelve hundred pounds,' said Madame, quietly, though her
heart throbbed with pride as she looked at her nugget; 'it weighs
three hundred ounces.'

'Wonderful!' reiterated the old man, passing his thin hand lightly
over the rough surface; 'verily the Lord hath hidden great treasure
in the entrails of the earth, and the Pactolus would seem to be a
land of Ophir when it yields such wealth as this.'

The nugget was duly admired by everyone, and then Brown and Jane,
who formed the household of Marchurst, were called in to look at it.
They both expressed such astonishment and wonder, that Marchurst
felt himself compelled to admonish them against prizing the
treasures of earth above those of heaven. Vandeloup, afraid that
they were in for a sermon, beckoned quietly to Kitty, and they both
stealthily left the room, while Marchurst, with Brown, Jane, and
Madame for an audience, and the nugget for a text, delivered a short
discourse.

Kitty put on a great straw hat, underneath which her piquant face
blushed and grew pink beneath the fond gaze of her lover as they
left the house together and strolled up to the Black Hill.

Black Hill no doubt at one time deserved its name, being then
covered with dark trees and representing a black appearance at a
distance; but at present, owing to the mines which have been worked
there, the whole place is covered with dazzling white clay, or
mulloch, which now renders the title singularly inappropriate. On
the top of the hill there is a kind of irregular gully or pass,
which extends from one side of the hill to the other, and was cut in
the early days for mining purposes. Anything more extraordinary can
hardly be imagined than this chasm, for the sides, which tower up on
either side to the height of some fifty or sixty feet, are all pure
white, and at the top break into all sorts of fantastic forms. The
white surface of the rocks are all stained with colours which
alternate in shades of dark brown, bright red and delicate pink.
Great masses of rock have tumbled down on each side, often coming so
close together as to almost block up the path. Here and there in the
white walls can be seen the dark entrances of disused shafts; and
one, at the lowest level of the gully, pierces through the hill and
comes out on the other side. There is an old engine-house near the
end of the gully, with its red brick chimney standing up gaunt and
silent beside it, and the ugly tower of the winding gear adjacent.
All the machinery in the engine-house, with the huge wheels and
intricate mechanism, is silent now--for many years have elapsed
since this old shaft was abandoned by the Black Hill Gold Mining
Company.

At the lower end of the pass there is an engine-house in full
working order, and a great plateau of slate-coloured mulloch runs
out for some yards, and then there is a steep sloping bank formed by
the falling earth. In the moonlight this wonderful white gully looks
weird and bizarre; and even as Vandeloup and Kitty stood at the top
looking down into its dusty depths in the bright sunshine, it looks
fantastic and picturesque.

Seated on the highest point of the hill, under the shadow of a great
rock, the two lovers had a wonderful view of Ballarat. Here and
there they could see the galvanized iron roofs of the houses
gleaming like silver in the sunlight from amid the thick foliage of
the trees with which the city is studded. Indeed, Ballarat might
well be called the City of Trees, for seen from the Black Hill it
looks more like a huge park with a sprinkling of houses in it than
anything else. The green foliage rolls over it like the waves of the
ocean, and the houses rise up like isolated habitations. Now and
then a red brick building, or the slender white spire of a church
gave a touch of colour to the landscape, and contrasted pleasantly
with the bluish-white roofs and green trees. Scattered all through
the town were the huge mounds of earth marking the mining-shafts of
various colours, from dark brown to pure white, and beside them,
with the utmost regularity, were the skeleton towers of the poppet
heads, the tall red chimneys, and the squat, low forms of the
engine-houses. On the right, high up, could be seen the blue waters
of Lake Wendouree flashing like a mirror in the sunlight. The city
was completely encircled by the dark forests, which stretched far
away, having a reddish tinge over their trees, ending in a sharply
defined line against the clear sky; while, on the left arose Mount
Warreneip like an undulating mound and, further along, Mount
Bunniyong, with the same appearance.

All this wonderful panorama, however, was so familiar to Kitty and
her lover that they did not trouble themselves to look much at it;
but the girl sat down under the big rock, and Vandeloup flung
himself lazily at her feet.

'Bebe,' said Vandeloup, who had given her this pet name, 'how long
is this sort of life going to last?'

Kitty looked down at him with a vague feeling of terror at her
heart. She had never known any life but the simple one she was now
leading, and could not imagine it coming to an end.

'I'm getting tired of it,' said Vandeloup, lying back on the grass,
and, putting his hands under his head, stared idly at the blue sky.
'Unfortunately, human life is so short nowadays that we cannot
afford to waste a moment of it. I am not suited for a lotus-eating
existence, and I think I shall go to Melbourne.'

'And leave me?' cried Kitty, in dismay, never having contemplated
such a thing as likely to happen.

'That depends on yourself, Bebe,' said her lover, quickly rolling
over and looking steadily at her, with his chin resting on his
hands; 'will you come with me?'

'As your wife?' murmured Kitty, whose innocent mind never dreamt of
any other form of companionship.

Vandeloup turned away his face to conceal the sneering smile that
crept over it. His wife, indeed! as if he were going to encumber
himself with marriage before he had made a fortune, and even then it
was questionable as to whether he would surrender the freedom of
bachelorhood for the ties of matrimony.

'Of course,' he said, in a reassuring tone, still keeping his face
turned away, 'we will get married in Melbourne as soon as we
arrive.'

'Why can't papa marry us,' pouted Kitty, in an aggrieved tone.

'My dear child,' said the Frenchman, getting on his knees and coming
close to her, 'in the first place, your father would not consent to
the match, as I am poor and unknown, and not by any means the man he
would choose for you; and in the second place, being a Catholic,'--
here M. Vandeloup looked duly religious--'I must be married by one
of my own priests.'

'Then why not in Ballarat?' objected Kitty, still unconvinced.

'Because your father would never consent,' he whispered, putting his
arm round her waist; 'we must run away quietly, and when we are
married can ask his pardon and,' with a sardonic sneer, 'his
blessing.'

A delicious thrill passed through Kitty when she heard this. A real
elopement with a handsome lover--just like the heroines in the story
books. It was delightfully romantic, and yet there seemed to be
something wrong about it. She was like a timid bather, longing to
plunge into the water, yet hesitating through a vague fear. With a
quick catching of the breath she turned to Vandeloup, and saw him
with his burning scintillating eyes fastened on her face.

'Don't look like that,' she said, with a touch of virginal fear,
pushing him away, 'you frighten me.'

'Frighten you, Bebe?' he said, in a caressing tone; 'my heart's
idol, you are cruel to speak like that; you must come with me, for I
cannot and will not leave you behind.'

'When do you go?' asked Kitty, who was now trembling violently.

'Ah!' M. Vandeloup was puzzled what to say, as he had no very
decided plan of action. He had not sufficient money saved to justify
him in leaving the Pactolus--still there were always possibilities,
and Fortune was fond of playing wild pranks. At the same time there
was nothing tangible in view likely to make him rich, so, as these
thoughts rapidly passed through his mind, he resolved to temporize.

'I can't tell you, Bebe,' he said, in a caressing tone, smoothing
her curly hair. 'I want you to think over what I have said, and when
I do go, perhaps in a month or so, you will be ready to come with
me. No,' he said, as Kitty was about to answer, 'I don't want you to
reply now, take time to consider, little one,' and with a smile on
his lips he bent over and kissed her tenderly.

They sat silently together for some time, each intent on their own
thoughts, and then Vandeloup suddenly looked up.

'Will Madame stay to dinner with you, Bebe?' he asked.

Kitty nodded.

'She always does,' she answered; 'you will come too.'

Vandeloup shook his head.

'I am going down to Ballarat to the Wattle Tree Hotel to see my
friend Pierre,' he said, in a preoccupied manner, 'and will have
something to eat there. Then I will come up again about eight
o'clock, in time to see Madame off.'

'Aren't you going back with her?' asked Kitty, in surprise, as they
rose to their feet.

'No,' he replied, dusting his knees with his hand, 'I stay all night
in Ballarat, with Madame's kind permission, to see the theatre. Now,
good-bye at present, Bebe,' kissing her, 'I will be back at eight
o'clock, so you can excuse me to Madame till then.'

He ran gaily down the hill waving his hat, and Kitty stood looking
after him with pride in her heart. He was a lover any girl might
have been proud of, but Kitty would not have been so satisfied with
him had she known what his real thoughts were.

'Marry!' he said to himself, with a laugh, as he walked gaily along;
'hardly! When we get to Melbourne, my sweet Bebe, I will find some
way to keep you off that idea--and when we grow tired of one
another, we can separate without the trouble or expense of a
divorce.'

And this heartless, cynical man of the world was the keeper into
whose hands innocent Kitty was about to commit the whole of her
future life.

After all, the fabled Sirens have their equivalent in the male sex,
and Homer's description symbolizes a cruel truth.



CHAPTER X

FRIENDS IN COUNCIL


The Wattle Tree Hotel, to which Mr McIntosh had directed Pierre, was
a quiet little public-house in a quiet street. It was far away from
the main thoroughfares of the city, and a stranger had to go up any
number of quiet streets to get to it, and turn and twist round
corners and down narrow lanes until it became a perfect miracle how
he ever found the hotel at all.

To a casual spectator it would seem that a tavern so difficult of
access would not be very good for business, but Simon Twexby, the
landlord, knew better. It had its regular customers, who came there
day after day, and sat in the little back parlour and talked and
chatted over their drinks. The Wattle Tree was such a quiet haven of
rest, and kept such good liquor, that once a man discovered it he
always came back again; so Mr Twexby did a very comfortable trade.

Rumour said he had made a lot of money out of gold-mining, and that
he kept the hotel more for amusement than anything else; but,
however this might be, the trade of the Wattle Tree brought him in a
very decent income, and Mr Twexby could afford to take things easy--
which he certainly did.

Anyone going into the bar could see old Simon--a stolid, fat man,
with a sleepy-looking face, always in his shirt sleeves, and wearing
a white apron, sitting in a chair at the end, while his daughter, a
sharp, red-nosed damsel, who was thirty-five years of age, and
confessed to twenty-two, served out the drinks. Mrs Twexby had long
ago departed this life, leaving behind her the sharp, red-nosed
damsel to be her father's comfort. As a matter of fact, she was just
the opposite, and Simon often wished that his daughter had departed
to a better world in company with her mother. Thin, tight-laced,
with a shrill voice and an acidulated temper, Miss Twexby was still
a spinster, and not even the fact of her being an heiress could
tempt any of the Ballarat youth to lead her to the altar.
Consequently Miss Twexby's temper was not a golden one, and she
ruled the hotel and its inmates--her father included--with a rod of
iron.

Mr Villiers was a frequent customer at the Wattle Tree, and was in
the back parlour drinking brandy and water and talking to old Twexby
on the day that Pierre arrived. The dumb man came into the bar out
of the dusty road, and, leaning over the counter, pushed a letter
under Miss Twexby's nose.

'Bills?' queried that damsel, sharply.

Pierre, of course, did not answer, but touched his lips with his
hand to indicate he was dumb. Miss Twexby, however, read the action
another way.

'You want a drink,' she said, with a scornful toss of her head.
'Where's your money?'

Pierre pointed out the letter, and although it was directed to her
father, Miss Twexby, who managed everything, opened it and found it
was from McIntosh, saying that the bearer, Pierre Lemaire, was to
have a bed for the night, meals, drinks, and whatever else he
required, and that he--McIntosh--would be responsible for the money.
He furthermore added that the bearer was dumb.

'Oh, so you're dumb, are you,' said Miss Twexby, folding up the
letter and looking complacently at Pierre. 'I wish there were a few
more men the same way; then, perhaps, we'd have less chat.'

This being undeniable, the fair Martha--for that was the name of the
Twexby heiress--without waiting for any assent, walking into the
back parlour, read the letter to her father, and waited
instructions, for she always referred to Simon as the head of the
house, though as a matter of fact she never did what she was told
save when it tallied with her own wishes.

'It will be all right, Martha, I suppose,' said Simon sleepily.

Martha asserted with decision that it would be all right, or she
would know the reason why; then marching out again to the bar, she
drew a pot of beer for Pierre--without asking him what he would
have--and ordered him to sit down and be quiet, which last remark
was rather unnecessary, considering that the man was dumb. Then she
sat down behind her bar and resumed her perusal of a novel called
The Duke's Duchesses, or The Milliner's Mystery,' which contained a
ducal hero with bigamistic proclivities, and a virtuous milliner
whom the aforesaid duke persecuted. All of which was very
entertaining and improbable, and gave Miss Twexby much pleasure,
judging from the sympathetic sighs she was heaving.

Meanwhile, Villiers having heard the name of Pierre Lemaire, and
knowing he was engaged in the Pactolus claim, came round to see him
and try to find out all about the nugget. Pierre was sulky at first,
and sat drinking his beer sullenly, with his old black hat drawn
down so far over his eyes that only his bushy black beard was
visible, but Mr Villiers' suavity, together with the present of
half-a-crown, had a marked effect on him. As he was dumb, Mr
Villiers was somewhat perplexed how to carry on a conversation with
him, but he ultimately drew forth a piece of paper, and sketched a
rough presentation of a nugget thereon, which he showed to Pierre.
The Frenchman, however, did not comprehend until Villiers produced a
sovereign from his pocket, and pointed first to the gold, and then
to the drawing, upon which Pierre nodded his head several times in
order to show that he understood. Villiers then drew a picture of
the Pactolus claim, and asked Pierre in French if the nugget was
still there, as he showed him the sketch. Pierre shook his head,
and, taking the pencil in his hand, drew a rough representation of a
horse and cart, and put a square box in the latter to show the
nugget was on a journey.

'Hullo!' said Villiers to himself, 'it's not at her own house, and
she's driving somewhere with it, I wonder where to?'

Pierre--who not being able to write, was in the habit of drawing
pictures to express his thoughts--nudged his elbow and showed him a
sketch of a man in a box waving his arms.

'Auctioneer?' hazarded Mr Villiers, looking at this keenly. Pierre
stared at him blankly; his comprehension of English was none of the
best, so he did not know what auctioneer meant. However, he saw that
Villiers did not understand, so he rapidly sketched an altar with a
priest standing before it blessing the people.

'Oh, a priest, eh?--a minister?' said Villiers, nodding his head to
show he understood. 'She's taken the nugget to show it to a
minister! Wonder who it is?'

This was speedily answered by Pierre, who, throwing down the pencil
and paper, dragged him outside on to the road, and pointed to the
white top of the Black Hill. Mr Villiers instantly comprehended.

'Marchurst, by God!' he said in English, smiting his leg with his
open hand. 'Is Madame there now?' he added in French, turning to
Pierre.

The dumb man nodded and slouched slowly back into the hotel.
Villiers stood out in the blazing sunshine, thinking.

'She's got the nugget with her in the trap,' he said to himself;
'and she's taken it to show Marchurst. Well, she's sure to stop
there to tea, and won't start for home till about nine o'clock: it
will be pretty dark by then. She'll be by herself, and if I--' here
he stopped and looked round cautiously, and then, without another
word, set off down the street at a run.

The fact was, Mr Villiers had come to the conclusion that as his
wife would not give him money willingly, the best thing to be done
would be to take it by force, and accordingly he had made up his
mind to rob her of the nugget that night if possible. Of course
there was a risk, for he knew his wife was a determined woman;
still, while she was driving in the darkness down the hill, if he
took her by surprise he would be able to stun her with a blow and
get possession of the nugget. Then he could hide it in one of the
old shafts of the Black Hill Company until he required it. As to the
possibility of his wife knowing him, there would be no chance of
that in the darkness, so he could escape any unpleasant inquiries,
then take the nugget to Melbourne and get it melted down secretly.
He would be able to make nearly twelve hundred pounds out of it, so
the game would certainly be worth the candle. Full of this brilliant
idea of making a good sum at one stroke, Mr Villiers went home, had
something to eat, and taking with him a good stout stick, the nob of
which was loaded with lead, he started for the Black Hill with the
intent of watching Marchurst's house until his wife left there, and
then following her down the hill and possessing himself of the
nugget.

The afternoon wore drowsily along, and the great heat made everybody
inclined to sleep. Pierre had demanded by signs to be shown his
bedroom, and having been conducted thereto by a crushed-looking
waiter, who drifted aimlessly before him, threw himself on the bed
and went fast asleep.

Old Simon, in the dimly-lit back parlour, was already snoring, and
only Miss Twexby, amid the glitter of the glasses in the bar and the
glare of the sunshine through the open door, was wide awake.
Customers came in for foaming tankards of beer, and sometimes a
little girl, with a jug hidden under her apron, would appear, with a
request that it might be filled for 'mother', who was ironing.
Indeed, the number of women who were ironing that afternoon, and
wanted to quench their thirst, was something wonderful; but Miss
Twexby seemed to know all about it as she put a frothy head on each
jug, and received the silver in exchange. At last, however, even
Martha the wide-awake was yielding to the somniferous heat of the
day when a young man entered the bar and made her sit up with great
alacrity, beaming all over her hard wooden face.

This was none other than M. Vandeloup, who had come down to see
Pierre. Dressed in flannels, with a blue scarf tied carelessly round
his waist, a blue necktie knotted loosely round his throat under the
collar of his shirt, and wearing a straw hat on his fair head, he
looked wonderfully cool and handsome, and as he leaned over the
counter composedly smoking a cigarette, Miss Twexby thought that the
hero of her novel must have stepped bodily out of the book. Gaston
stared complacently at her while he pulled at his fair moustache,
and thought how horribly plain-looking she was, and what a contrast
to his charming Bebe.

'I'll take something cool to drink,' he said, with a yawn, 'and also
a chair, if you have no objection,' suiting the action to the word;
'whew! how warm it is.'

'What would you like to drink, sir?' asked the fair Martha, putting
on her brightest smile, which seemed rather out of place on her
features; 'brandy and soda?'

'Thank you, I'll have a lemon squash if you will kindly make me
one,' he said, carelessly, and as Martha flew to obey his order, he
added, 'you might put a little curacoa in it.'

'It's very hot, ain't it,' observed Miss Twexby, affably, as she cut
up the lemon; 'par's gone to sleep in the other room,' jerking her
head in the direction of the parlour, 'but Mr Villiers went out in
all the heat, and it ain't no wonder if he gets a sunstroke.'

'Oh, was Mr Villiers here?' asked Gaston, idly, not that he cared
much about that gentleman's movements, but merely for something to
say.

'Lor, yes, sir,' giggled Martha, 'he's one of our regulars, sir.'

'I can understand that, Mademoiselle,' said Vandeloup, bowing as he
took the drink from her hand.

Miss Twexby giggled again, and her nose grew a shade redder at the
pleasure of being bantered by this handsome young man.

'You're a furriner,' she said, shortly; 'I knew you were,' she went
on triumphantly as he nodded, 'you talk well enough, but there's
something wrong about the way you pronounces your words.'

Vandeloup hardly thought Miss Twexby a mistress of Queen's English,
but he did not attempt to contradict her.

'I must get you to give me a few lessons,' he replied, gallantly,
setting down the empty glass; 'and what has Mr Villiers gone out
into the heat for?'

'It's more nor I can tell,' said Martha, emphatically, nodding her
head till the short curls dangling over her ears vibrated as if they
were made of wire. 'He spoke to the dumb man and drew pictures for
him, and then off he goes.'

The dumb man! Gaston pricked up his ears at this, and, wondering
what Villiers wanted to talk to Pierre about, he determined to find
out.

'That dumb man is one of our miners from the Pactolus,' he said,
lighting another cigarette; 'I wish to speak to him--has he gone out
also?'

'No, he ain't,' returned Miss Twexby, decisively; 'he's gone to lie
down; d'ye want to see him; I'll send for him--' with her hand on
the bell-rope.

'No, thank you,' said Vandeloup, stopping her, 'I'll go up to his
room if you will show me the way.'

'Oh, I don't mind,' said Martha, preparing to leave the bar, but
first ringing the bell so that the crushed-looking waiter might come
and attend to possible customers; 'he's on the ground floor, and
there ain't no stairs to climb--now what are you looking at, sir?'
with another gratified giggle, as she caught Vandeloup staring at
her.

But he was not looking at her somewhat mature charms, but at a bunch
of pale blue flowers, among which were some white blossoms she wore
in the front of her dress.

'What are these?' he asked, touching the white blossoms lightly with
his finger.

'I do declare it's that nasty hemlock!' said Martha, in surprise,
pulling the white flowers out of the bunch; 'and I never knew it was
there. Pah!' and she threw the blossom down with a gesture of
disgust. 'How they smell!'

Gaston picked up one of the flowers, and crushed it between his
fingers, upon which it gave out a peculiar mousy odour eminently
disagreeable. It was hemlock sure enough, and he wondered how such a
plant had come into Australia.

'Does it grow in your garden?' he asked Martha.

That damsel intimated it did, and offered to show him the plant, so
that he could believe his own eyes.

Vandeloup assented eagerly, and they were soon in the flower garden
at the back of the house, which was blazing with vivid colours, in
the hot glare of the sunshine.

There you are,' said Miss Twexby, pointing to a corner of the garden
near the fence where the plant was growing; 'par brought a lot of
seeds from home, and that beastly thing got mixed up with them. Par
keeps it growing, though, 'cause no one else has got it. It's quite
a curiosity.'

Vandeloup bent down and examined the plant, with its large, round,
smooth, purple-spotted stem--its smooth, shining green leaves, and
the tiny white flowers with their disagreeable odour.

'Yes, it is hemlock,' he said, half to himself; 'I did not know it
could be grown here. Some day, Mademoiselle,' he said, turning to
Miss Twexby and walking back to the house with her, 'I will ask you
to let me have some of the roots of that plant to make an experiment
with.'

'As much as you like,' said the fair Martha, amiably; 'it's a nasty
smelling thing. What are you going to make out of it?'

'Nothing particular,' returned Vandeloup, with a yawn, as they
entered the house and stopped at the door of Pierre's room. 'I'm a
bit of a chemist, and amuse myself with these things.'

'You are clever,' observed Martha, admiringly; 'but here's that
man's room--we didn't give him the best'--apologetically--'as miners
are so rough.'

'Mademoiselle,' said Vandeloup, eagerly, as she turned to go, 'I see
there are a few blossoms of hemlock left in your flower there,'
touching it with his finger; 'will you give them to me?'

Martha Twexby stared; surely this was the long-expected come at
last--she had secured a lover; and such a lover--handsome, young,
and gallant,--the very hero of her dreams. She almost fainted in
delighted surprise, and unfastening the flowers with trembling
fingers, gave them to Gaston. He placed them in a button-hole of his
flannel coat, then before she could scream, or even draw back in
time, this audacious young man put his arm round her and kissed her
virginal lips. Miss Twexby was so taken by surprise, that she could
offer no resistance, and by the time she had recovered herself,
Gaston had disappeared into Pierre's room and closed the door after
him.

'Well,' she said to herself, as she returned to the bar, 'if that
isn't a case of love at first sight, my name ain't Martha Twexby,'
and she sat down in the bar with her nerves all of a flutter, as she
afterwards told a female friend who dropped in sometimes for a
friendly cup of tea.

Gaston closed the door after him, and found himself in a moderately
large room, with one window looking on to the garden, and having a
dressing-table with a mirror in front of it. There were two beds,
one on each side, and on the farthest of these Pierre was sleeping
heavily, not even Gaston's entrance having roused him. Going over to
him, Vandeloup touched him slightly, and with a spring the dumb man
sat up in bed as if he expected to be arrested, and was all on the
alert to escape.

'It's only I, my friend,' said Gaston, in French, crossing over to
the other bed and sitting on it. 'Come here; I wish to speak to
you.'

Pierre rose from his sleeping place, and, stumbling across the room,
stood before Gaston with downcast eyes, his shaggy hair all tossed
and tumbled by the contact with the pillow. Gaston himself coolly
relit his cigarette, which had gone out, threw his straw hat on the
bed, and then, curling one leg inside the other, looked long and
keenly at Pierre.

'You saw Madame's husband to-day?' he said sharply, still eyeing the
slouching figure before him, that seemed so restless under his
steady gaze.

Pierre nodded and shuffled his large feet.

'Did he want to know about his wife?'

Another nod.

'I thought so; and about the new nugget also, I presume?'

Still another nod.

'Humph,' thoughtfully. 'He'd like to get a share of it, I've no
doubt.'

The dumb man nodded violently; then, crossing over to his own bed,
he placed the pillow in the centre of it, and falling on his knees,
imitated the action of miners in working at the wash. Then he arose
to his feet and pointed to the pillow.

'I see,' said M. Vandeloup, who had been watching this pantomime
with considerable interest; 'that pillow is the nugget of which our
friend wants a share.'

Pierre assented; then, snatching up the pillow, he ran with it to
the end of the room.

'Oh,' said Gaston, after a moment's thought, 'so he's going to run
away with it. A very good idea; but how does he propose to get it?'

Pierre dropped his pillow and pointed in the direction of the Black
Hill.

'Does he know it's up there?' asked Vandeloup; 'you told him, I
suppose?' As Pierre nodded, 'Humph! I think I can see what Mr
Villiers intends to do--rob his wife as she goes home tonight.'

Pierre nodded in a half doubtful manner.

'You're not quite sure,' interrupted M. Vandeloup, 'but I am. He
won't stop at anything to get money. You stay all night in town?'

The dumb man assented.

'So do I,' replied Vandeloup; 'it's a happy coincidence, because I
see a chance of our getting that nugget.' Pierre's dull eyes
brightened, and he rubbed his hands together in a pleased manner.

'Sit down,' said Vandeloup, in a peremptory tone, pointing to the
floor. 'I wish to tell you what I think.'

Pierre obediently dropped on to the floor, where he squatted like a
huge misshapen toad, while Vandeloup, after going to the door to see
that it was closed, returned to the bed, sat down again, and, having
lighted another cigarette, began to speak. All this precaution was
somewhat needless, as he was talking rapidly in French, but then M.
Vandeloup knew that walls have ears and possibly might understand
foreign languages.

'I need hardly remind you,' said Vandeloup, in a pleasant voice,
'that when we landed in Australia I told you that there was war
between ourselves and society, and that, at any cost, we must try to
make money; so far, we have only been able to earn an honest
livelihood--a way of getting rich which you must admit is remarkably
slow. Here, however, is a chance of making, if not a fortune, at
least a good sum of money at one stroke. This M. Villiers is going
to rob his wife, and his plan will no doubt be this: he will lie in
wait for her, and when she drives slowly down the hill, he will
spring on to the trap and perhaps attempt to kill her; at all
events, he will seize the box containing the nugget, and try to make
off with it. How he intends to manage it I cannot tell you--it must
be left to the chapter of accidents; but,' in a lower voice, bending
forward, 'when he does get the nugget we must obtain it from him.'

Pierre looked up and drew his hand across his throat.

'Not necessarily,' returned Vandeloup, coolly; 'I know your adage,
"dead men tell no tales," but it is a mistake--they do, and to kill
him is dangerous. No, if we stun him we can go off with the nugget,
and then make our way to Melbourne, where we can get rid of it
quietly. As to Madame Midas, if her husband allows her to live--
which I think is unlikely--I will make our excuses to her for
leaving the mine. Now, I'm going up to M. Marchurst's house, so you
can meet me at the top of the hill, at eight o'clock tonight. Madame
will probably start at half-past eight or nine, so that will give us
plenty of time to see what M. Villiers is going to do.'

They both rose to their feet. Then Vandeloup put on his hat, and,
going to the glass, arranged his tie in as cool and nonchalant a
manner as if he had been merely planning the details for a picnic
instead of a possible crime. While admiring himself in the glass he
caught sight of the bunch of flowers given to him by Miss Twexby,
and, taking them from his coat, he turned round to Pierre, who stood
watching him in his usual sullen manner.

'Do you see these?' he asked, touching the white blossoms with the
cigarette he held between his fingers.

Pierre intimated that he did.

'From the plant of these, my friend,' said Vandeloup, looking at
them critically, 'I can prepare a vegetable poison as deadly as any
of Caesar Borgia's. It is a powerful narcotic, and leaves hardly any
trace. Having been a medical student, you know,' he went on,
conversationally, 'I made quite a study of toxicology, and the juice
of this plant,' touching the white flower, 'has done me good
service, although it was the cause of my exile to New Caledonia.
Well,' with a shrug of the shoulders as he put the flowers back in
his coat, 'it is always something to have in reserve; I did not know
that I could get this plant here, my friend. But now that I have I
will prepare a little of this poison,--it will always be useful in
emergencies.'

Pierre looked steadily at the young man, and then slipping his hand
behind his back he drew forth from the waistband of his trousers a
long, sharp, cruel-looking knife, which for safety had a leather
sheath. Drawing this off, the dumb man ran his thumb along the keen
edge, and held the knife out towards Vandeloup, who refused it with
a cynical smile.

'You don't believe in this, I can see,' he said, touching the dainty
bunch of flowers as Pierre put the knife in its sheath again and
returned it to its hiding-place. 'I'm afraid your ideas are still
crude--you believe in the good old-fashioned style of blood-letting.
Quite a mistake, I assure you; poison is much more artistic and neat
in its work, and to my mind involves less risk. You see, my Pierre,'
he continued, lazily watching the blue wreaths of smoke from his
cigarette curl round his head, 'crime must improve with
civilization; and since the Cain and Abel epoch we have refined the
art of murder in a most wonderful manner--decidedly we are becoming
more civilized; and now, my friend,' in a kind tone, laying his
slender white hand on the shoulder of the dumb man, 'you must really
take a little rest, for I have no doubt but what you will need all
your strength tonight should M. Villiers prove obstinate. Of
course,' with a shrug, 'if he does not succeed in getting the
nugget, our time will be simply wasted, and then,' with a gay smile,
touching the flowers, 'I will see what I can do in the artistic
line.'

Pierre lay down again on the bed, and turning his face to the wall
fell fast asleep, while M. Vandeloup, humming a merry tune, walked
gaily out of the room to the bar, and asked Miss Twexby for another
drink.

'Brandy and soda this time, please,' he said, lazily lighting
another cigarette; 'this heat is so enervating, and I'm going to
walk up to Black Hill. By the way, Mademoiselle,' he went on, as she
opened the soda water, 'as I see there are two beds in my friend's
room I will stay here all night.'

'You shall have the best room,' said Martha, decisively, as she
handed him the brandy and soda.

'You are too kind,' replied M. Vandeloup, coolly, as he took the
drink from her, 'but I prefer to stay with my silent friend. He was
one of the sailors in the ship when I was wrecked, as you have no
doubt heard, and looks upon me as a sort of fetish.'

Miss Twexby knew all about the wreck, and thought it was beautiful
that he should condescend to be so friendly with a common sailor.
Vandeloup received all her speeches with a polite smile, then set
down his empty glass and prepared to leave.

'Mademoiselle,' he said, touching the flowers, 'you see I still have
them--they will remind me of you,' and raising his hat he strolled
idly out of the hotel, and went off in the direction of the Black
Hill.

Miss Twexby ran to the door, and shading her eyes with her hands
from the blinding glare of the sun, she watched him lounging along
the street, tall, slender, and handsome.

'He's just lovely,' she said to herself, as she returned to the bar
'but his eyes are so wicked; I don't think he's a good young man.'

What would she have said if she had heard the conversation in the
bedroom?




CHAPTER XI

THEODORE WOPPLES, ACTOR


Mr Villiers walked in a leisurely manner along the lower part of the
town, with the intent of going up to his destination through the old
mining gully. He took this route for two reasons--first, because the
afternoon was hot, and it was easier climbing up that way than going
by the ordinary road; and, second, on his journey through the chasm
he would be able to mark some place where he could hide the nugget.
With his stick under his arm, Mr Villiers trudged merrily along in a
happy humour, as if he was bent on pleasure instead of robbery. And
after all, as he said to himself, it could not be called a genuine
robbery, as everything belonging to his wife was his by right of the
marriage service, and he was only going to have his own again. With
this comfortable thought he climbed slowly up the broken tortuous
path which led to the Black Hill, and every now and then would pause
to rest, and admire the view.

It was now nearly six o'clock, and the sun was sinking amid a blaze
of splendour. The whole of the western sky was a sea of shimmering
gold, and this, intensified near the horizon to almost blinding
brightness, faded off towards the zenith of the sky into a delicate
green, and thence melted imperceptibly into a cold blue.

Villiers, however, being of the earth, earthy, could not be troubled
looking very long at such a common-place sight as a sunset; the same
thing occurred every evening, and he had more important things to do
than to waste his time gratifying his artistic eye. Arriving on the
plateau of earth just in front of the gully, he was soon entering
the narrow gorge, and tramped steadily along in deep thought, with
bent head and wrinkled brows. The way being narrow, and Villiers
being preoccupied, it was not surprising that as a man was coming
down in the opposite direction, also preoccupied, they should run
against one another. When this took place it gave Mr Villiers rather
a start, as it suggested a possible witness to the deed he
contemplated, a thing for which he was by no means anxious.

'Really, sir,' said the stranger, in a rich, rolling voice, and in a
dignified tone, 'I think you might look where you are going. From
what I saw of you, your eyes were not fixed on the stars, and thus
to cause your unwatched feet to stumble; in fact,' said the speaker,
looking up to the sky, 'I see no stars whereon you could fix your
gaze.'

This somewhat strange mode of remonstrance was delivered in a solemn
manner, with appropriate gestures, and tickled Mr Villiers so much
that he leaned up against a great rock abutting on the path, and
laughed long and loudly.

'That is right, sir,' said the stranger, approvingly; 'laughter is
to the soul what food is to the body. I think, sir,' in a Johnsonian
manner, 'the thought is a happy one.'

Villiers assented with a nod, and examined the speaker attentively.
He was a man of medium height, rather portly than otherwise, with a
clean-shaved face, clearly-cut features, and two merry grey eyes,
which twinkled like stars as they rested on Villiers. His hair was
greyish, and inclined to curl, but could not follow its natural
inclination owing to the unsparing use of the barber's shears. He
wore a coat and trousers of white flannel, but no waistcoat; canvas
shoes were on his feet, and a juvenile straw hat was perched on his
iron-grey hair, the rim of which encircled his head like a halo of
glory. He had small, well-shaped hands, one of which grasped a light
cane, and the other a white silk pocket handkerchief, with which he
frequently wiped his brow. He seemed very hot, and, leaning on the
opposite side of the path against a rock, fanned himself first with
his handkerchief and then with his hat, all the time looking at Mr
Villiers with a beaming smile. At last he took a silver-mounted
flask from his pocket and offered it to Villiers, with a pleasant
bow.

'It's very hot, you know,' he said, in his rich voice, as Villiers
accepted the flask.

'What, this?' asked Villiers, indicating the flask, as he slowly
unscrewed the top.

'No; the day, my boy, the day. Ha! ha! ha!' said the lively
stranger, going off into fits of laughter, which vibrated like small
thunder amid the high rocks surrounding them. 'Good line for a
comedy, I think. Ha! ha!--gad, I'll make a note of it,' and diving
into one of the pockets of his coat, he produced therefrom an old
letter, on the back of which he inscribed the witticism with the
stump of a pencil.

Meanwhile Villiers, thinking the flask contained brandy, or at least
whisky, took a long drink of it, but found to his horror it was
merely a weak solution of sherry and water.

'Oh, my poor stomach,' he gasped, taking the flask from his lips.

'Colic?' inquired the stranger with a pleasant smile, as he put back
the letter and pencil, 'hot water fomentations are what you need.
Wonderful cure. Will bring you to life again though you were at your
last gasp. Ha!' struck with a sudden idea, '"His Last Gasp", good
title for a melodrama--mustn't forget that,' and out came the letter
and the pencil again.

Mr Villiers explained in a somewhat gruff tone that it was not
colic, but that his medical attendant allowed him to drink nothing
but whisky.

'To be taken twenty times a day, I presume,' observed the stranger,
with a wink; 'no offence meant, sir,' as Villiers showed a
disposition to resent this, 'merely a repartee. Good for a comedy, I
fancy; what do you think?'

'I think,' said Mr Villiers, handing him back the flask, 'that
you're very eccentric.'

'Eccentric?' replied the other, in an airy tone, 'not at all, sir.
I'm merely a civilized being with the veneer off. I am not hidden
under an artificial coat of manner. No, I laugh--ha! ha! I skip, ha!
ha!' with a light trip on one foot. 'I cry,' in a dismal tone. 'In
fact, I am a man in his natural state--civilized sufficiently, but
not over civilized.'

'What's your name?' asked Mr Villiers, wondering whether the portly
gentleman was mad.

For reply the stranger dived into another pocket, and, bringing to
light a long bill-poster, held it up before Mr Villiers.

'Read! mark! and inwardly digest!' he said in a muffled tone behind
the bill.

This document set forth in red, black, and blue letters, that the
celebrated Wopples Family, consisting of twelve star artistes, were
now in Ballarat, and would that night appear at the Academy of Music
in their new and original farcical comedy, called 'The Cruet-Stand'.
Act I: Pepper! Act II: Mustard! Act III: Vinegar.

'You, then,' said Villiers, after he had perused this document, 'are
Mr Wopples?'

'Theodore Wopples, at your service,' said that gentleman, rolling up
the bill, then putting it into his pocket, he produced therefrom a
batch of tickets. 'One of these,' handing a ticket to Villiers,
'will admit you to the stalls tonight, where you will see myself and
the children in "The Cruet-Stand".'

'Rather a peculiar title, isn't it?' said Villiers, taking the
ticket.

'The play is still more peculiar, sir,' replied Mr Wopples,
restoring the bulky packet of tickets to his pocket, 'dealing as it
does with the adventures of a youth who hides his father's will in a
cruet stand, which is afterwards annexed by a comic bailiff.'

'But isn't it rather a curious thing to hide a will in a cruet
stand?' asked Villiers, smiling at the oddity of the idea.

'Therein, sir, lies the peculiarity of the play,' said Mr Wopples,
grandly. 'Of course the characters find out in Act I that the will
is in the cruet stand; in Act II, while pursuing it, they get mixed
up with the bailiff's mother-in-law; and in Act III,' finished Mr
Wopples, exultingly, 'they run it to earth in a pawnshop. Oh, I
assure you it is a most original play.'

'Very,' assented the other, dryly; 'the author must be a man of
genius--who wrote it?'

'Its a translation from the German, sir,' said Mr Wopples, taking a
drink of sherry and water, 'and was originally produced in London as
"The Pickle Bottle", the will being hidden with the family onions.
In Melbourne it was the success of the year under the same title.
I,' with an air of genius, 'called it "The Cruet Stand".'

'Then how did you get a hold of it,' asked Villiers.

'My wife, sir,' said the actor, rolling out the words in his deep
voice. 'A wonderful woman, sir; paid a visit to Melbourne, and
there, sir, seated at the back of the pit between a coal-heaver and
an apple-woman, she copied the whole thing down.'

'But isn't that rather mean?'

'Certainly not,' retorted Wopples, haughtily; 'the opulent Melbourne
managers refuse to let me have their new pieces, so I have to take
the law into my own hands. I'll get all the latest London successes
in the same way. We play "Ours" under the title of "The Hero's
Return, or the Soldier's Bride": we have done the "Silver King" as
"The Living Dead", which was an immense success.'

Villiers thought that under such a contradictory title it would
rather pique the curiosity of the public.

'To-morrow night,' pursued Mr Wopples, 'we act "Called Back", but it
is billed as "The Blind Detective"; thus,' said the actor, with
virtuous scorn, 'do we evade the grasping avarice of the Melbourne
managers, who would make us pay fees for them.'

'By the way,' said Mr Wopples, breaking off suddenly in a light and
airy manner, 'as I came down here I saw a lovely girl--a veritable
fairy, sir--with golden hair, and a bright smile that haunts me
still. I exchanged a few remarks with her regarding the beauty of
the day, and thus allegorically referred to the beauty of herself--a
charming flight of fancy, I think, sir.'

'It must have been Kitty Marchurst,' said Villiers, not attending to
the latter portion of Mr Wopples' remarks.

'Ah, indeed,' said Mr Wopples, lightly, 'how beautiful is the name
of Kitty; it suggests poetry immediately--for instance:

Kitty, ah Kitty, You are so pretty, Charming and witty, That 'twere
a pity I sung not this ditty In praise of my Kitty.

On the spur of the moment, sir, I assure you; does it not remind you
of Herrick?'

Mr Villiers bluntly said it did not.

'Ah! perhaps it's more like Shakespeare?' observed the actor, quite
unabashed. 'You think so?'

Mr Villiers was doubtful, and displayed such anxiety to get away
that Mr Wopples held out his hand to say goodbye.

'You'll excuse me, I know,' said Mr Wopples, in an apologetic tone,
'but the show commences at eight, and it is now half-past six. I
trust I shall see you tonight.'

'It's very kind of you to give me this ticket,' said Villiers, in
whom the gentlemanly instinct still survived.

'Not at all; not at all,' retorted Mr Wopples, with a wink.
'Business, my boy, business. Always have a good house first night,
so must go into the highways and byways for an audience. Ha!
Biblical illustration, you see;' and with a gracious wave of his
hand he skipped lightly down the path and disappeared from sight.

It was now getting dark; so Mr Villiers went on his own way, and
having selected a mining shaft where he could hide the nugget, he
climbed up to the top of the hill, and lying down under the shadow
of a rock where he could get a good view of Marchurst's house, he
waited patiently till such time as his wife would start for home.

'I'll pay you out for all you've done,' he muttered to himself, as
he lay curled up in the black shadow like a noisome reptile. 'Tit
for tat, my lady!-tit for tat!'




CHAPTER XII

HIGHWAY ROBBERY


Dinner at Mr Marchurst's house was not a particularly exhilarating
affair. As a matter of fact, though dignified with the name of
dinner, it was nothing more than one of those mixed meals known as
high tea. Vandeloup knew this, and, having a strong aversion to the
miscellaneous collection of victuals which appeared on Mr
Marchurst's table, he dined at Craig's Hotel, where he had a nice
little dinner, and drank a pint bottle of champagne in order to
thoroughly enjoy himself. Madame Midas also had a dislike to tea-
dinners, but, being a guest, of course had to take what was going;
and she, Kitty, and Mr Marchurst, were the only people present at
the festive board. At last Mr Marchurst finished and delivered a
long address of thanks to Heaven for the good food they had enjoyed,
which good food, being heavy and badly cooked, was warranted to give
them all indigestion and turn their praying to cursing. In fact,
what with strong tea, hurried meals, and no exercise, Mr Marchurst
used to pass an awful time with the nightmare, and although he was
accustomed to look upon nightmares as visions, they were due more to
dyspepsia than inspiration.

After dinner Madame sat and talked with Marchurst, but Kitty went
outside into the warm darkness of the summer night, and tried to
pierce the gloom to see if her lover was coming. She was rewarded,
for M. Vandeloup came up about half-past eight o'clock, having met
Pierre as arranged. Pierre had found out Villiers in his hiding-
place, and was watching him while Villiers watched the house. Being,
therefore, quite easy in his mind that things were going smoothly,
Vandeloup came up to the porch where Kitty was eagerly waiting for
him, and taking her in his arms kissed her tenderly. Then, after
assuring himself that Madame was safe with Marchurst, he put his arm
round Kitty's waist, and they walked up and down the path with the
warm wind blowing in their faces, and the perfume of the wattle
blossoms permeating the drowsy air. And yet while he was walking up
and down, talking lover-like nonsense to the pretty girl by his
side, Vandeloup knew that Villiers was watching the house far off,
with evil eyes, and he also knew that Pierre was watching Villiers
with all the insatiable desire of a wild beast for blood. The moon
rose, a great shield of silver, and all the ground was strewn with
the aerial shadows of the trees. The wind sighed through the
branches of the wattles, and made their golden blossoms tremble in
the moonlight, while hand in hand the lovers strolled down the path
or over the short dry grass. Far away in the distance they heard a
woman singing, and the high sweet voice floated softly towards them
through the clear air.

Suddenly they heard the noise of a chair being pushed back inside
the house, and knew that Madame was getting ready to go. They moved
simultaneously towards the door, but in the porch Gaston paused for
a moment, and caught Kitty by the arm.

'Bebe,' he whispered softly, 'when Madame is gone I am going down
the hill to Ballarat, so you will walk with me a little way, will
you not?'

Of course, Kitty was only too delighted at being asked to do so, and
readily consented, then ran quickly into the house, followed by
Vandeloup.

'You here?' cried Madame, in surprise, pausing for a moment in the
act of putting on her bonnet. 'Why are you not at the theatre?'

'I am going, Madame,' replied Gaston, calmly, 'but I thought I would
come up in order to assist you to put the nugget in the trap.'

'Oh, Mr Marchurst would have done that,' said Madame, much gratified
at Vandeloup's attention. 'I'm sorry you should miss your evening's
pleasure for that.'

'Ah, Madame, I do but exchange a lesser pleasure for a greater one,'
said the gallant Frenchman, with a pleasant smile; 'but are you sure
you will not want me to drive you home?'

'Not at all,' said Madame, as they all went outside; 'I am quite
safe.'

'Still, with this,' said Mr Marchurst, bringing up the rear, with
the nugget now safely placed in its wooden box, 'you might be
robbed.'

'Not I,' replied Mrs Villiers, brightly, as the horse and trap were
brought round to the gate by Brown. 'No one knows I've got it in the
trap, and, besides, no one can catch up with Rory when he once
starts.'

Marchurst put the nugget under the seat of the trap, but Madame was
afraid it might slip out by some chance, so she put the box
containing it in front, and then her feet on the box, so that it was
absolutely impossible that it could get lost without her knowing.
Then saying goodbye to everyone, and telling M. Vandeloup to be out
at the Pactolus before noon the next day, she gathered up the reins
and drove slowly down the hill, much to the delight of Mr Villiers,
who was getting tired of waiting. Kitty and Vandeloup strolled off
in the moonlight, while Marchurst went back to the house.

Villiers arose from his hiding-place, and looked up savagely at the
serene moon, which was giving far too much light for his scheme to
succeed. Fortunately, however, he saw a great black cloud rapidly
advancing which threatened to hide the moon; so he set off down the
hill at a run in order to catch his wife at a nasty part of the road
some distance down, where she would be compelled to go slowly, and
thus give him a chance to spring on the trap and take her by
surprise. But quick as he was, Pierre was quicker, and both
Vandeloup and Kitty could see the two black figures running rapidly
along in the moonlight.

'Who are those?' asked Kitty, with a sudden start. 'Are they going
after Madame?'

'Little goose,' whispered her lover, with a laugh; 'if they are they
will never catch up to that horse. It's all right, Bebe,' with a
reassuring smile, seeing that Kitty still looked somewhat alarmed,
'they are only some miners out on a drunken frolic.'

Thus pacified, Kitty laughed gaily, and they wandered along in the
moonlight, talking all the fond and foolish nonsense they could
think of.

Meanwhile the great black cloud had completely hidden the moon, and
the whole landscape was quite dark. This annoyed Madame, as,
depending on the moonlight, the lamps of the trap were not lighted,
and she could not see in the darkness how to drive down a very
awkward bit of road that she was now on.

It was very steep, and there was a high bank on one side, while on
the other there was a fall of about ten feet. She felt annoyed at
the darkness, but on looking up saw that the cloud would soon pass,
so drove on slowly quite content. Unluckily she did not see the
figure on the high bank which ran along stealthily beside her, and
while turning a corner, Mr Villiers--for it was he--dropped suddenly
from the bank on to the trap, and caught her by the throat.

'My God!' cried the unfortunate woman, taken by surprise, and,
involuntarily tightening the reins, the horse stopped--'who are
you?'

Villiers never said a word, but tightened his grasp on her throat
and shortened his stick to give her a blow on the head. Fortunately,
Madame Midas saw his intention, and managed to wrench herself free,
so the blow aimed at her only slightly touched her, otherwise it
would have killed her.

As it was, however, she fell forward half stunned, and Villiers,
hurriedly dropping his stick, bent down and seized the box which he
felt under his feet and intuitively guessed contained the nugget.

With a cry of triumph he hurled it out on to the road, and sprang
out after it; but the cry woke his wife from the semi-stupor into
which she had fallen.

Her head felt dizzy and heavy from the blow, but still she had her
senses about her, and the moon bursting out from behind a cloud,
rendered the night as clear as day.

Villiers had picked up the box, and was standing on the edge of the
bank, just about to leave. The unhappy woman recognised her husband,
and uttered a cry.

'You! you!' she shrieked, wildly, 'coward! dastard! Give me back
that nugget!' leaning out of the trap in her eagerness.

'I'll see you damned first,' retorted Villiers, who, now that he was
recognised, was utterly reckless as to the result. 'We're quits now,
my lady,' and he turned to go.

Maddened with anger and disgust, his wife snatched up the stick he
had dropped, and struck him on the head as he took a step forward.
With a stifled cry he staggered and fell over the embankment, still
clutching the box in his arms. Madame let the stick fall, and fell
back fainting on the seat of the trap, while the horse, startled by
the noise, tore down the road at a mad gallop.

Madame Midas lay in a dead faint for some time, and when she came to
herself she was still in the trap, and Rory was calmly trotting
along the road home. At the foot of the hill, the horse, knowing
every inch of the way, had settled down into his steady trot for the
Pactolus, but when Madame grasped the situation, she marvelled to
herself how she had escaped being dashed to pieces in that mad
gallop down the Black Hill.

Her head felt painful from the effects of the blow she had received,
but her one thought was to get home to Archie and Selina, so
gathering up the reins she sent Rory along as quickly as she could.
When she drove up to the gate Archie and Selina were both out to
receive her, and when the former went to lift her off the trap, he
gave a cry of horror at seeing her dishevelled appearance and the
blood on her face.

'God save us!' he cried, lifting her down; 'what's come t' ye, and
where's the nugget?' seeing it was not in the trap.

'Lost!' she said, in a stupor, feeling her head swimming, 'but
there's worse.'

'Worse?' echoed Selina and Archie, who were both standing looking
terrified at one another.

'Yes,' said Mrs Villiers, in a hollow whisper, leaning forward and
grasping Archie's coat, 'I've killed my husband,' and without
another word, she fell fainting to the ground.

At the same time Vandeloup and Pierre walked into the bar at the
Wattle Tree Hotel, and each had a glass of brandy, after which
Pierre went to his bed, and Vandeloup, humming a gay song, turned on
his heel and went to the theatre.




CHAPTER XIII

A GLIMPSE OF BOHEMIA


'AH!' says Thackeray, pathetically, 'Prague is a pleasant city, but
we all lose our way to it late in life.'

The Wopples family were true Bohemians, and had not yet lost their
way to the pleasant city. They accepted good and bad fortune with
wonderful equanimity, and if their pockets were empty one day, there
was always a possibility of their being full the next. When this was
the case they generally celebrated the event by a little supper, and
as their present season in Ballarat bid fair to be a successful one,
Mr Theodore Wopples determined to have a convivial evening after the
performance was over.

That the Wopples family were favourites with the Ballarat folk was
amply seen by the crowded house which assembled to see 'The Cruet
Stand'. The audience were very impatient for the curtain to rise, as
they did not appreciate the overture, which consisted of airs from
'La Mascotte', adapted for the violin and piano by Mr Handel
Wopples, who was the musical genius of the family, and sat in the
conductor's seat, playing the violin and conducting the orchestra of
one, which on this occasion was Miss Jemima Wopples, who presided at
the piano. The Wopples family consisted of twelve star artistes,
beginning with Mr Theodore Wopples, aged fifty, and ending with
Master Sheridan Wopples, aged ten, who did the servants' characters,
delivered letters, formed the background in tableaux, and made
himself generally useful. As the cast of the comedy was only eight,
two of the family acted as the orchestra, and the remaining two took
money at the door. When their duties in this respect were over for
the night, they went into the pit to lead the applause.

At last the orchestra finished, and the curtain drew up, displaying
an ancient house belonging to a decayed family. The young Squire,
present head of the decayed family (Mr Cibber Wopples), is fighting
with his dishonest steward (admirably acted by Mr Dogbery Wopples),
whose daughter he wants to marry. The dishonest steward, during Act
I, without any apparent reason, is struck with remorse, and making
his will in favour of the Squire, departs to America, but afterwards
appears in the last act as someone else. Leaving his will on the
drawing-room table, as he naturally would, it is seized by an Eton
boy (Master Sheridan Wopples), who hides it, for some unexplained
reason, in the cruet-stand, being the last piece of family plate
remaining to the decayed family. This is seized by a comic bailiff
(Mr Theodore Wopples), who takes it to his home; and the decayed
family, finding out about the will, start to chase the bailiff and
recover the stolen property from him. This brought the play on to
Act II, which consisted mainly of situations arising out of the
indiscriminate use of doors and windows for entrances and exits. The
bailiff's mother-in-law (Mrs Wopples) appears in this act, and,
being in want of a new dress, takes the cruet stand to her 'uncle'
and pawns it; so Act II ends with a general onslaught of the decayed
family on Mrs Wopples.

Then the orchestra played the 'Wopples' Waltz', dedicated to Mr
Theodore Wopples by Mr Handel Wopples, and during the performance of
this Mr Villiers walked into the theatre. He was a little pale, as
was only natural after such an adventure as he had been engaged in,
but otherwise seemed all right. He walked up to the first row of the
stalls, and took his seat beside a young man of about twenty-five,
who was evidently much amused at the performance.

'Hullo, Villiers!' said this young gentleman, turning round to the
new arrival, 'what d'ye think of the play?'

'Only just got in,' returned Mr Villiers, sulkily, looking at his
programme. 'Any good?' in a more amiable tone.

'Well, not bad,' returned the other, pulling up his collar; 'I've
seen it in Melbourne, you know--the original, I mean; this is a very
second-hand affair.'

Mr Villiers nodded, and became absorbed in his programme; so, seeing
he was disinclined for more conversation, the young gentleman turned
his attention to the 'Wopples Waltz', which was now being played
fast and furiously by the indefatigable orchestra of two.

Bartholomew Jarper--generally called Barty by his friends--was a
bank clerk, and had come up to Ballarat on a visit. He was well
known in Melbourne society, and looked upon himself quite as a
leader of fashion. He went everywhere, danced divinely--so the
ladies said--sang two or three little songs, and played the same
accompaniment to each of them, was seen constantly at the theatres,
plunged a little at the races, and was altogether an extremely gay
dog. It is, then, little to be wondered at that, satiated as he was
with Melbourne gaiety, he should be vastly critical of the humble
efforts of the Wopples family to please him. He had met Villiers at
his hotel, when both of them being inebriated they swore eternal
friendship. Mr Villiers, however, was very sulky on this particular
night, for his head still pained him, so Barty stared round the
house in a supercilious manner, and sucked the nob of his cane for
refreshment between the acts.

Just as the orchestra were making their final plunge into the finale
of the 'Wopples' Waltz', M. Vandeloup, cool and calm as usual,
strolled into the theatre, and, seeing a vacant seat beside
Villiers, walked over and took it.

'Good evening, my friend,' he said, touching Villiers on the
shoulder. 'Enjoying the play, eh?'

Villiers angrily pushed away the Frenchman's hand and glared
vindictively at him.

'Ah, you still bear malice for that little episode of the ditch,'
said Vandeloup with a gay laugh. 'Come, now, this is a mistake; let
us be friends.'

'Go to the devil!' growled Villiers, crossly.

'All right, my friend,' said M. Vandeloup, serenely crossing his
legs. 'We'll all end up by paying a visit to that gentleman, but
while we are on earth we may as well be pleasant. Seen your wife
lately?'

This apparently careless inquiry caused Mr Villiers to jump suddenly
out of his seat, much to the astonishment of Barty, who did not know
for what reason he was standing up.

'Ah! you want to look at the house, I suppose,' remarked M.
Vandeloup, lazily; 'the building is extremely ugly, but there are
some redeeming features in it. I refer, of course, to the number of
pretty girls,' and Gaston turned round and looked steadily at a red-
haired damsel behind him, who blushed and giggled, thinking he was
referring to her.

Villiers resumed his seat with a sigh, and seeing that it was quite
useless to quarrel with Vandeloup, owing to that young man's
coolness, resolved to make the best of a bad job, and held out his
hand with a view to reconciliation.

'It's no use fighting with you,' he said, with an uneasy laugh, as
the other took his hand, 'you are so deuced amiable.'

'I am,' replied Gaston, calmly examining his programme; 'I practise
all the Christian virtues.'

Here Barty, on whom the Frenchman's appearance and conversation had
produced an impression, requested Villiers, in a stage whisper, to
introduce him--which was done. Vandeloup looked the young man coolly
up and down, and eventually decided that Mr Barty Jarper was a
'cad', for whatever his morals might be, the Frenchman was a
thorough gentleman. However, as he was always diplomatic, he did not
give utterance to his idea, but taking a seat next to Barty's, he
talked glibly to him until the orchestra finished with a few final
bangs, and the curtain drew up on Act III.

The scene was the interior of a pawnshop, where the pawnbroker, a
gentleman of Hebraic descent (Mr Buckstone Wopples), sells the cruet
to the dishonest steward, who has come back from America disguised
as a sailor. The decayed family all rush in to buy the cruet stand,
but on finding it gone, overwhelm the pawnbroker with reproaches, so
that to quiet them he hides them all over the shop, on the chance
that the dishonest steward will come back. The dishonest steward
does so, and having found the will tears it up on the stage, upon
which he is assaulted by the decayed family, who rush out from all
parts. Ultimately, he reveals himself and hands back the cruet stand
and the estates to the decayed family, after which a general
marrying all round took place, which proceeding was very gratifying
to the boys in the gallery, who gave their opinions very freely, and
the curtain fell amid thunders of applause. Altogether 'The Cruet
Stand' was a success, and would have a steady run of three nights at
least, so Mr Wopples said--and as a manager of long standing, he was
thoroughly well up in the subject.

Villiers, Vandeloup, and Barty went out and had a drink, and as none
of them felt inclined to go to bed, Villiers told them he knew Mr
Theodore Wopples, and proposed that they should go behind the scenes
and see him. This was unanimously carried, and after some difficulty
with the door-keeper--a crusty old man with a red face and white
hair, that stood straight up in a tuft, and made him look like an
infuriated cockatoo--they obtained access to the mysterious regions
of the stage, and there found Master Sheridan Wopples practising a
breakdown while waiting for the rest of the family to get ready.
This charming youth, who was small, dried-up and wonderfully sharp,
volunteered to guide them to his father's dressing-room, and on
knocking at the door Mr Wopples' voice boomed out 'Come in,' in such
an unexpected manner that it made them all jump.

On entering the room they found Mr Wopples, dressed in a light tweed
suit, and just putting on his coat. It was a small room, with a
flaring gas-jet, under which there was a dressing-table littered
over with grease, paints, powder, vaseline and wigs, and upon it
stood a small looking-glass. A great basket-box with the lid wide
open stood at the end of the room, with a lot of clothes piled up on
it, and numerous other garments were hung up upon the walls. A
washstand, with a basin full of soapy water, stood under a
curtainless window, and there was only one chair to be seen, which
Mr Wopples politely offered to his visitor. Mr Villiers, however,
told him he had brought two gentlemen to introduce to him, at which
Mr Wopples was delighted; and on the introduction taking place,
assured both Vandeloup and Barty that it was one of the proudest
moments of his life-a stock phrase he always used when introduced to
visitors. He was soon ready, and preceded the party out of the room,
when he stopped, struck with a sudden idea.

'I have left the gas burning in my dressing-room,' he said, in his
rolling voice, 'and, if you will permit me, gentlemen, I will go
back and turn it off.'

This was rather difficult to manage, inasmuch as the stairs were
narrow, and three people being between Mr Wopples and his dressing-
room, he could not squeeze past.

Finally the difficulty was settled by Villiers, who was last, and
who went back and turned out the gas.

When he came down he found Mr Wopples waiting for him.

'I thank you, sir,' he said, grandly, 'and will feel honoured if you
will give me the pleasure of your company at a modest supper
consisting principally of cold beef and pickles.'

Of course, they all expressed themselves delighted, and as the
entire Wopples family had already gone to their hotel, Mr Wopples
with his three guests went out of the theatre and wended their way
towards the same place, only dropping into two or three bars on the
way to have drinks at Barty's expense.

They soon arrived at the hotel, and having entered, Mr Wopples
pushed open the door of a room from whence the sound of laughter
proceeded, and introduced the three strangers to his family. The
whole ten, together with Mrs Wopples, were present, and were seated
around a large table plentifully laden with cold beef and pickles,
salads, bottles of beer, and other things too numerous to mention.
Mr Wopples presented them first to his wife, a faded, washed-out
looking lady, with a perpetual simper on her face, and clad in a
lavender muslin gown with ribbons of the same description, she
looked wonderfully light and airy. In fact she had a sketchy
appearance as if she required to be touched up here and there, to
make her appear solid, which was of great service to her in her
theatrical career, as it enabled her to paint on the background of
herself any character she wished to represent.

'This,' said Mr Wopples in his deep voice, holding his wife's hand
as if he were afraid she would float upward thro' the ceiling like a
bubble--a not unlikely thing seeing how remarkably ethereal she
looked; 'this is my flutterer.'

Why he called her his flutterer no one ever knew, unless it was
because her ribbons were incessantly fluttering; but, had he called
her his shadow, the name would have been more appropriate.

Mrs Wopples fluttered down to the ground in a bow, and then
fluttered up again.

'Gentlemen,' she said, in a thin, clear voice, 'you are welcome. Did
you enjoy the performance?'

'Madame,' returned Vandeloup, with a smile, 'need you ask that?'

A shadowy smile floated over Mrs Wopples' indistinct features, and
then her husband introduced the rest of the family in a bunch.

'Gentlemen,' he said, waving his hand to the expectant ten, who
stood in a line of five male and five female, 'the celebrated
Wopples family.'

The ten all simultaneously bowed at this as if they were worked by
machinery, and then everyone sat down to supper, Mr Theodore Wopples
taking the head of the table. All the family seemed to admire him
immensely, and kept their eyes fastened on his face with
affectionate regard.

'Pa,' whispered Miss Siddons Wopples to Villiers, who sat next to
her, 'is a most wonderful man. Observe his facial expression.'

Villiers observed it, and admitted also in a whisper that it was
truly marvellous.

Cold beef formed the staple viand on the table, and everyone did
full justice to it, as also to beer and porter, of which Mr Wopples
was very generous.

'I prefer to give my friends good beer instead of bad champagne,' he
said, pompously. 'Ha! ha! the antithesis, I think, is good.'

The Wopples family unanimously agreed that it was excellent, and Mr
Handel Wopples observed to Barty that his father often made jokes
worthy of Tom Hood, to which Barty agreed hastily, as he did not
know who Tom Hood was, and besides was flirting in a mild manner
with Miss Fanny Wopples, a pretty girl, who did the burlesque
business.

'And are all these big boys and girls yours, Madame?' asked
Vandeloup, who was rather astonished at the number of the family,
and thought some of them might have been hired for theatrical
purposes. Mrs Wopples nodded affirmatively with a gratified flutter,
and her husband endorsed it.

'There are four dead,' he said, in a solemn voice. 'Rest their
souls.'

All the ten faces round the board reflected the gloom on the
parental countenance, and for a few moments no one spoke.

'This,' said Mr Wopples, looking round with a smile, at which all
the other faces lighted up, 'this is not calculated to make our
supper enjoyable, children. I may tell you that, in consequence of
the great success of "The Cruet Stand", we play it again to-morrow
night.'

'Ah!' said Mr Buckstone Wopples, with his mouth full, 'I knew it
would knock 'em; that business of yours, father, with the writ is
simply wonderful.'

All the family chorused 'Yes,' and Mr Wopples admitted, with a
modest smile, that it was wonderful.

'Practise,' said Mr Wopples, waving a fork with a piece of cold beef
at the end of it, 'makes perfect. My dear Vandeloup, if you will
permit me to call you so, my son Buckstone is truly a wonderful
critic.'

Vandeloup smiled at this, and came to the conclusion that the
Wopples family was a mutual admiration society. However, as it was
now nearly twelve o'clock, he rose to take his leave.

'Oh, you're not going yet,' said Mr Wopples, upon which all the
family echoed, 'Surely, not yet,' in a most hospitable manner.

'I must,' said Vandeloup, with a smile. 'I know Madame will excuse
me,' with a bow to Mrs Wopples, who thereupon fluttered nervously;
'but I have to be up very early in the morning.'

'In that case,' said Mr Wopples, rising, 'I will not detain you;
early to bed and early to rise, you know; not that I believe in it
much myself, but I understand it is practised with good results by
some people.'

Vandeloup shook hands with Mr and Mrs Wopples, but feeling unequal
to taking leave of the ten star artistes in the same way, he bowed
in a comprehensive manner, whereupon the whole ten arose from their
chairs and bowed unanimously in return.

'Good night, Messrs Villiers and Jarper,' said Vandeloup, going out
of the door, 'I will see you to-morrow.'

'And we also, I hope,' said Mr Wopples, ungrammatically. 'Come and
see "The Cruet Stand" again. I'll put your name on the free list.'

M. Vandeloup thanked the actor warmly for this kind offer, and took
himself off; as he passed along the street he heard a burst of
laughter from the Wopples family, no doubt caused by some witticism
of the head of the clan.

He walked slowly home to the hotel, smoking a cigarette, and
thinking deeply. When he arrived at the 'Wattle Tree' he saw a light
still burning in the bar, and, on knocking at the door, was admitted
by Miss Twexby, who had been making up accounts, and whose virgin
head was adorned with curl-papers.

'My!' said this damsel, when she saw him, 'you are a nice young man
coming home at this hour--twelve o'clock. See?' and, as a proof of
her assertion, she pointed to the clock.

'Were you waiting up for me, dear?' asked Vandeloup, audaciously.

'Not I,' retorted Miss Twexby, tossing her curl-papers; 'I've been
attending to par's business; but, oh, gracious!' with a sudden
recollection of her head-gear, 'you've seen me in undress.'

'And you look more charming than ever,' finished Vandeloup, as he
took his bedroom candle from her. 'I will see you in the morning. My
friend still asleep, I suppose?'

'I'm sure I don't know. I haven't seen him all the evening,' replied
Miss Twexby, tossing her head, 'now, go away. You're a naughty,
wicked, deceitful thing. I declare I'm quite afraid of you.'

'There's no need, I assure you,' replied Vandeloup, in a slightly
sarcastic voice, as he surveyed the plain-looking woman before him;
'you are quite safe from me.'

He left the bar, whistling an air, while the fair Martha returned to
her accounts, and wondered indignantly whether his last remark was a
compliment or otherwise.

The conclusion she came to was that it was otherwise, and she
retired to bed in a very wrathful frame of mind.




CHAPTER XIV

A MYSTERIOUS DISAPPEARANCE


Madame Midas, as may be easily guessed, did not pass a very pleasant
night after the encounter with Villiers. Her head was very painful
with the blow he had given her, and added to this she was certain
she had killed him.

Though she hated the man who had ruined her life, and who had tried
to rob her, still she did not care about becoming his murderess, and
the thought was madness to her. Not that she was afraid of
punishment, for she had only acted in self-defence, and Villiers,
not she, was the aggressor.

Meanwhile she waited to hear if the body had been found, for ill
news travels fast; and as everyone knew Villiers was her husband,
she was satisfied that when the corpse was found she would be the
first to be told about it.

But the day wore on, and no news came, so she asked Archie to go
into Ballarar and see if the discovery had been made.

''Deed, mem,' said Archie, in a consoling tone, 'I'm thinkin' there's
na word at all. Maybe ye only stapped his pranks for a wee bit, and
he's a' richt.'

Madame shook her head.

'I gave him such a terrible blow,' she said, mournfully, 'and he
fell like a stone over the embankment.'

'He didna leave go the nugget, onyhow, ye ken,' said Archie, dryly;
'so he couldna hae been verra far gone, but I'll gang intil the toun
and see what I can hear.'

There was no need for this, however, for just as McIntosh got to the
door, Vandeloup, cool and complacent, sauntered in, but stopped
short at the sight of Mrs Villiers sitting in the arm-chair looking
so ill.

'My dear Madame,' he cried in dismay, going over to her, 'what is
the matter with you?'

'Matter enow,' growled McIntosh, with his hand on the door handle;
'that deil o' a' husband o' her's has robbed her o' the nugget.'

'Yes, and I killed him,' said Madame between her clenched teeth.

'The deuce you did,' said Vandeloup, in surprise, taking a seat,
'then he was the liveliest dead man I ever saw.'

'What do you mean?' asked Madame, leaning forward, with both hands
gripping the arms of her chair; 'is--is he alive?'

'Of course he is,' began Vandeloup; 'I--' but here he was stopped by
a cry from Selina, for her mistress had fallen back in her chair in
a dead faint.

Hastily waving for the men to go away, she applied remedies, and
Madame soon revived. Vandeloup had gone outside with McIntosh, and
was asking him about the robbery, and then told him in return about
Villiers' movements on that night. Selina called them in again, as
Madame wanted to hear all about her husband, and Vandeloup was just
entering when he turned to McIntosh.

'Oh, by the way,' he said, in a vexed tone, 'Pierre will not be at
work today.'

'What for no?' asked McIntosh, sharply.

'He's drunk,' replied Vandeloup, curtly, 'and he's likely to keep
the game up for a week.'

'We'll see about that,' said Mr McIntosh, wrathfully; 'I tauld yon
gowk o' a Twexby to give the mon food and drink, but I didna tell
him to mack the deil fu'.'

'It wasn't the landlord's fault,' said Vandeloup; 'I gave Pierre
money--if I had known what he wanted it for I wouldn't have done it-
-but it's too late now.'

McIntosh was about to answer sharply as to the folly of giving the
man money, when Madame's voice was heard calling them impatiently,
and they both had to go in at once.

Mrs Villiers was ghastly pale, but there was a look of determination
about her which showed that she was anxious to hear all. Pointing to
a seat near herself she said to Vandeloup--

'Tell me everything that happened from the time I left you last
night.'

'My faith,' replied Vandeloup, carelessly taking the seat, 'there
isn't much to tell--I said goodbye to Monsieur Marchurst and
Mademoiselle Kitty and went down to Ballarar.'

'How was it you did not pass me on the way?' asked Madame, quickly
fixing her piercing eyes on him. 'I drove slowly.'

He bore her scrutiny without blenching or even changing colour.

'Easily enough,' he said, calmly, 'I went the other direction
instead of the usual way, as it was the shortest route to the place
I was stopping at.'

'The "Wattle Tree", ye ken, Madame,' interposed McIntosh.

'I had something to eat there,' pursued Vandeloup, 'and then went to
the theatre. Your husband came in towards the end of the performance
and sat next to me.'

'Was he all right?' asked Mrs Villiers, eagerly.

Vandeloup shrugged his shoulders.

'I didn't pay much attention to him,' he said, coolly; 'he seemed to
enjoy the play, and afterwards, when we went to supper with the
actors, he certainly ate very heartily for a dead man. I don't think
you need trouble yourself, Madame; your husband is quite well.'

'What time did you leave him?' she asked, after a pause.

'About twenty minutes to twelve, I think,' replied Vandeloup, 'at
least, I reached the "Wattle Tree" at about twelve o'clock, and I
think it did take twenty minutes to walk there. Monsieur Villiers
stopped behind with the theatre people to enjoy himself.'

Enjoying himself, and she, thinking him dead, was crying over his
miserable end; it was infamous! Was this man a monster who could
thus commit a crime one moment and go to an amusement the next? It
seemed like it, and Mrs Villiers felt intense disgust towards her
husband as she sat with tightly clenched hands and dry eyes
listening to Vandeloup's recital.

'Weel,' said Mr McIntosh at length, rubbing his scanty hair, 'the
deil looks after his ain, as we read in Screepture, and this child
of Belial is flourishing like a green bay tree by mony waters; but
we ma' cut it doon an' lay an axe at the root thereof.'

'And how do you propose to chop him down?' asked Vandeloup,
flippantly.

'Pit him intil the Tolbooth for rinnin' awa' wi' the nugget,'
retorted Mr McIntosh, vindictively.

'A very sensible suggestion,' said Gaston, approvingly, smoothing
his moustache. 'What do you say, Madame?'

She shook her head.

'Let him keep his ill-gotten gains,' she said, resignedly. 'Now that
he has obtained what he wanted, perhaps he'll leave me alone; I will
do nothing.'

'Dae naethin'!' echoed Archie, in great wrath. 'Will ye let that
freend o' Belzibub rin awa' wid a three hun'red ounces of gold an'
dae naethin'? Na, na, ye mauna dae it, I tell ye. Oh, aye, ye may
sit there, mem, and glower awa' like a boggle, but ye aren'a gangin'
to make yoursel' a martyr for yon. Keep the nugget? I'll see him
damned first.'

This was the first time that Archie had ever dared to cross Mrs
Villiers' wishes, and she stared in amazement at the unwonted
spectacle. This time, however, McIntosh found an unexpected ally in
Vandeloup, who urged that Villiers should be prosecuted.

'He is not only guilty of robbery, Madame,' said the young
Frenchman, 'but also of an attempt to murder you, and while he is
allowed to go free, your life is not safe.'

Selina also contributed her mite of wisdom in the form of a
proverb:--

'A stitch in time saves nine,' intimating thereby that Mr Villiers
should be locked up and never let out again, in case he tried the
same game on with the next big nugget found.

Madame thought for a few moments, and, seeing that they were all
unanimous, she agreed to the proposal that Villiers should be
prosecuted, with the stipulation, however, that he should be first
written to and asked to give up the nugget. If he did, and promised
to leave the district, no further steps would be taken; but if he
declined to do so, his wife would prosecute him with the uttermost
rigour of the law. Then Madame dismissed them, as she was anxious to
get a little sleep, and Vandeloup went to the office to write the
letter, accompanied by McIntosh, who wanted to assist in its
composition.

Meanwhile there was another individual in Ballarat who was much
interested in Villiers, and this kind-hearted gentleman was none
other than Slivers. Villiers was accustomed to come and sit in his
office every morning, and talk to him about things in general, and
the Pactolus claim in particular. On this morning, however, he did
not arrive, and Slivers was much annoyed thereat. He determined to
give Villiers a piece of his mind when he did see him. He went about
his business at 'The Corner', bought some shares, sold others, and
swindled as many people as he was able, then came back to his office
and waited in all the afternoon for his friend, who, however, did
not come.

Slivers was just going out to seek him when the door of his office
was violently flung open, and a tall, raw-boned female entered in a
very excited manner. Dressed in a dusty black gown, with a crape
bonnet placed askew on her rough hair, this lady banged on Slivers'
table a huge umbrella and demanded where Villiers was.

'I don't know,' snapped Slivers, viciously; 'how the devil should
I?'

'Don't swear at me, you wooden-legged little monster,' cried the
virago, with another bang of the umbrella, which raised such a cloud
of dust that it nearly made Slivers sneeze his head off. 'He ain't
been home all night, and you've been leading him into bad habits,
you cork-armed libertine.'

'Hasn't been home all night, eh?' said Slivers, sitting up quickly,
while Billy, who had been considerably alarmed at the gaunt female,
retired to the fireplace, and tried to conceal himself up the
chimney. 'May I ask who you are?'

'You may,' said the angry lady, folding her arms and holding the
umbrella in such an awkward manner that she nearly poked Slivers'
remaining eye out.

'Well, who are you?' snapped Slivers, crossly, after waiting a
reasonable time for an answer and getting none.

'I'm his landlady,' retorted the other, with a defiant snort.
'Matilda Cheedle is my name, and I don't care who knows it.'

'It's not a pretty name,' snarled Slivers, prodding the ground with
his wooden leg, as he always did when angry. 'Neither are you. What
do you mean by banging into my office like an insane giraffe?'--this
in allusion to Mrs Cheedle's height.

'Oh, go on! go on!' said that lady defiantly; 'I've heard it all
before; I'm used to it; but here I sit until you tell me where my
lodger is;' and suiting the action to the word, Mrs Cheedle sat down
in a chair with such a bang that Billy gave a screech of alarm and
said, 'Pickles!'

'Pickles, you little bag of bones!' cried Mrs Cheedle, who thought
that the word had proceeded from Slivers, 'don't you call me
"Pickles"--but I'm used to it. I'm a lonely woman since Cheedle went
to the cemetery, and I'm always being insulted. Oh, my nerves are
shattered under such treatment'--this last because she saw the
whisky bottle on the table, and thought she might get some.

Slivers took the hint, and filling a glass with whisky and water
passed it to her, and Mrs Cheedle, with many protestations that she
never touched spirits, drank it to the last drop.

'Was Villiers always in the habit of coming home?' he asked.

'Always,' replied Mrs Cheedle; 'he's bin with me eighteen months and
never stopped out one night; if he had,' grimly, 'I'd have known the
reason of his rampagin'.'

'Strange,' said Slivers, thoughtfully, fixing Mrs Cheedle with his
one eye; 'when did you see him last?'

'About three o'clock yesterday,' said Mrs Cheedle, looking sadly at
a hole in one of her cotton gloves; 'his conduct was most
extraordinary; he came home at that unusual hour, changed his linen
clothes for a dark suit, and, after he had eaten something, put on
another hat, and walked off with a stick under his arm.'

'And you've never seen him since?'

'Not a blessed sight of him,' replied Mrs Cheedle; 'you don't think
any harm's come to him, sir? Not as I care much for him--the drunken
wretch--but still he's a lodger and owes me rent, so I don't know
but what he might be off to Melbourne without paying, and leaving
his boxes full of bricks behind.'

'I'll have a look round, and if I see him I'll send him home,' said
Slivers, rising to intimate the interview was at end.

'Very well, mind you do,' said the widow, rising and putting the
empty glass on the table, 'send him home at once and I'll speak to
him. And perhaps,' with a bashful glance, 'you wouldn't mind seeing
me up the street a short way, as I'm alone and unprotected.'

'Stuff!' retorted Slivers, ungraciously, 'there's plenty of light,
and you are big enough to look after yourself.'

At this Mrs Cheedle snorted loudly like a war-horse, and flounced
out of the office in a rage, after informing Slivers in a loud voice
that he was a selfish, cork-eyed little viper, from which confusion
of words it will easily be seen that the whisky had taken effect on
the good lady.

When she had gone Slivers locked up his office, and sallied forth to
find the missing Villiers, but though he went all over town to that
gentleman's favourite haunts, mostly bars, yet he could see nothing
of him; and on making inquiries heard that he had not been seen in
Ballarat all day. This was so contrary to Villiers' general habits
that Slivers became suspicious, and as he walked home thinking over
the subject he came to the conclusion there was something up.

'If,' said Slivers, pausing on the pavement and addressing a street
lamp, 'he doesn't turn up to-morrow I'll have a look for him again.
If that don't do I'll tell the police, and I shouldn't wonder,' went
on Slivers, musingly, 'I shouldn't wonder if they called on Madame
Midas.'




CHAPTER XV

SLIVERS IN SEARCH OF EVIDENCE


Slivers was puzzled over Villiers' disappearance, so he determined
to go in search of evidence against Madame Midas, though for what
reason he wanted evidence against her no one but himself--and
perhaps Billy--knew. But then Slivers always was an enigma regarding
his reasons for doing things, and even the Sphinx would have found
him a difficult riddle to solve.

The reasons he had for turning detective were simply these: It soon
became known that Madame Midas had been robbed by her husband of the
famous nugget, and great was the indignation of everyone against Mr
Villiers. That gentleman would have fared very badly if he had made
his appearance, but for some reason or another he did not venture
forth. In fact, he had completely disappeared, and where he was no
one knew. The last person who saw him was Barty Jarper, who left him
at the corner of Lydiard and Sturt Streets, when Mr Villiers had
announced his intention of going home. Mrs Cheedle, however,
asserted positively that she had never set eyes on him since the
time she stated to Slivers, and as it was now nearly two weeks since
he had disappeared things were beginning to look serious. The
generally received explanation was that he had bolted with the
nugget, but as he could hardly dispose of such a large mass of gold
without suspicion, and as the police both in Ballarat and Melbourne
had made inquiries, which proved futile, this theory began to lose
ground.

It was at this period that Slivers asserted himself--coming forward,
he hinted in an ambiguous sort of way that Villiers had met with
foul play, and that some people had their reasons for wishing to get
rid of him. This was clearly an insinuation against Madame Midas,
but everyone refused to believe such an impossible story, so Slivers
determined to make good his words, and went in search of evidence.

The Wopples Family having left Ballarat, Slivers was unable to see
Mr Theodore Wopples, who had been in Villiers' company on the night
of his disappearance.

Mr Barty Jarper, however, had not yet departed, so Slivers waylaid
him, and asked him in a casual way to drop into his office and have
a drink, with a view of finding out from him all the events of that
night.

Barty was on his way to a lawn tennis party, and was arrayed in a
flannel suit of many colours, with his small, white face nearly
hidden under a large straw hat. Being of a social turn of mind, he
did not refuse Slivers' invitation, but walked into the dusty office
and assisted himself liberally to the whisky.

'Here's fun, old cock!' he said, in a free and easy manner, raising
his glass to his lips; 'may your shadow never be less.'

Slivers hoped devoutly that his shadow never would be less, as that
would involve the loss of several other limbs, which he could ill
spare; so he honoured Mr Jarper's toast with a rasping little laugh,
and prepared to talk.

'It's very kind of you to come and talk to an old chap like me,'
said Slivers, in as amiable a tone as he could command, which was
not much. 'You're such a gay young fellow!'

Mr Jarper acknowledged modestly that he was gay, but that he owed
certain duties to society, and had to be mildly social.

'And so handsome!' croaked Slivers, winking with his one eye at
Billy, who sat on the table. 'Oh, he's all there, ain't he, Billy?'

Billy, however, did not agree to this, and merely observed
'Pickles,' in a disbelieving manner.

Mr Jarper felt rather overcome by this praise, and blushed in a
modest way, but felt that he could not return the compliment with
any degree of truth, as Slivers was not handsome, neither was he all
there.

He, however, decided that Slivers was an unusually discerning
person, and worthy to talk to, so prepared to make himself
agreeable.

Slivers, who had thus gained the goodwill of the young man by
flattery, plunged into the subject of Villiers' disappearance.

'I wonder what's become of Villiers,' he said, artfully pushing the
whisky bottle toward Barty.

'I'm sure I don't know,' said Barty in a languid, used-up sort of
voice, pouring himself out some more whisky, 'I haven't seen him
since last Monday week.'

'Where did you leave him on that night?' asked Slivers.

'At the corner of Sturt and Lydiard Streets.'

'Early in the morning, I suppose?'

'Yes--pretty early--about two o'clock, I think.'

'And you never saw him after that?'

'Not a sight of him,' replied Barty; 'but, I say, why all this
thusness?'

'I'll tell you after you have answered my questions,' retorted
Slivers, rudely, 'but I'm not asking out of curiosity--its
business.'

Barty thought that Slivers was very peculiar, but determined to
humour him, and to take his leave as early as possible.

'Well, go on,' he said, drinking his whisky, 'I'll answer.'

'Who else was with you and Villiers on that night?' asked Slivers in
a magisterial kind of manner.

'A French fellow called Vandeloup.'

'Vandeloup!' echoed Slivers in surprise; 'oh, indeed! what the devil
was he doing?'

'Enjoying himself,' replied Barty, coolly; 'he came into the theatre
and Villiers introduced him to me; then Mr Wopples asked us all to
supper.'

'You went, of course?'

'Rather, old chap; what do you take us for?'--this from Barty, with
a knowing wink.

'What time did Vandeloup leave?' asked Slivers, not paying any
attention to Barty's pantomime.

'About twenty minutes to twelve.'

'Oh! I suppose that was because he had to drive out to the
Pactolus?'

'Not such a fool, dear boy; he stayed all night in town.'

'Oh!' ejaculated Slivers, in an excited manner, drumming on the
table with his fingers, 'where did he stay?'

'At the Wattle Tree Hotel.'

Slivers mentally made a note of this, and determined to go there and
find out at what time Vandeloup had come home on the night in
question, for this suspicious old man had now got it into his head
that Vandeloup was in some way responsible for Villiers'
disappearance.

'Where did Villiers say he was going when he left you?' he asked.

'Straight home.'

'Humph! Well, he didn't go home at all.'

'Didn't he?' echoed Barty, in some astonishment. 'Then what's become
of him? Men don't disappear in this mysterious way without some
reason.'

'Ah, but there is a reason,' replied Slivers, bending across the
table and clawing at the papers thereon with the lean fingers of his
one hand.

'Why! what do you think is the reason?' faltered Barty, letting his
eye-glass drop out of his eye, and edging his chair further away
from this terrible old man.

'Murder!' hissed the other through his thin lips. 'He's been
murdered!'

'Lord!' ejaculated Barty, jumping up from his chair in alarm;
'you're going too far, old chap.'

'I'm going further,' retorted Slivers, rising from his chair and
stumping up and down the room; 'I'm going to find out who did it,
and then I'll grind her to powder; I'll twist her neck off, curse
her.'

'Is it a woman?' asked Barty, who now began to think of making a
retreat, for Slivers, with his one eye blazing, and his cork arm
swinging rapidly to and fro, was not a pleasant object to
contemplate.

This unguarded remark recalled Slivers to himself.

That's what I want to find out,' he replied, sulkily, going back to
his chair. 'Have some more whisky?'

'No, thanks,' answered Barty, going to the door, 'I'm late as it is
for my engagement; ta, ta, old chap, I hope you'll drop on the he or
she you're looking for; but you're quite wrong, Villiers has bolted
with the nugget, and that's a fact, sir,' and with an airy wave of
his hand Barty went out, leaving Slivers in anything but a pleasant
temper.

'Bah! you peacock,' cried this wicked old man, banging his wooden
leg against the table, 'you eye-glass idiot--you brainless puppy--
I'm wrong, am I? we'll see about that, you rag-shop.' This last in
allusion to Barty's picturesque garb. 'I've found out all I want
from you, and I'll track her down, and put her in gaol, and hang
her--hang her till she's as dead as a door nail.'

Having given vent to this pleasant sentiment, Slivers put on his
hat, and, taking his stick, walked out of his office, but not before
Billy saw his intention and had climbed up to his accustomed place
on the old man's shoulder. So Slivers stumped along the street, with
the cockatoo on his shoulder, looking like a depraved Robinson
Crusoe, and took his way to the Wattle Tree Hotel.

'If,' argued Slivers to himself, as he pegged bravely along, 'if
Villiers wanted to get rid of the nugget he'd have come to me, for
he knew I'd keep quiet and tell no tales. Well, he didn't come to
me, and there's no one else he could go to. They've been looking for
him all over the shop, and they can't find him; he can't be hiding
or he'd have let me know; there's only one explanation--he's been
murdered--but not for the gold--oh, dear no--for nobody knew he had
it. Who wanted him out of the way?--his wife. Would she stick at
anything?--I'm damned if she would. So it's her work. The only
question is did she do it personally or by deputy. I say deputy,
'cause she'd be too squeamish to do it herself. Who would she select
as deputy?--Vandeloup! Why?--'cause he'd like to marry her for her
money. Yes, I'm sure it's him. Things look black against him: he
stayed in town all night, a thing he never did before--leaves the
supper at a quarter to twelve, so as to avoid suspicion; waits till
Villiers comes out at two in the morning and kills him. Aha! my
handsome jackadandy,' cried Slivers, viciously, suddenly stopping
and shaking his stick at an imaginary Vandeloup; 'I've got you under
my thumb, and I'll crush the life out of you--and of her also, if I
can;' and with this amiable resolution Slivers resumed his way.

Slivers' argument was plausible, but there were plenty of flaws in
it, which, however, he did not stop to consider, so carried away was
he by his anger against Madame Midas. He stumped along doggedly,
revolving the whole affair in his mind, and by the time he arrived
at the Wattle Tree Hotel he had firmly persuaded himself that
Villiers was dead, and that Vandeloup had committed the crime at the
instigation of Mrs Villiers.

He found Miss Twexby seated in the bar, with a decidedly cross face,
which argued ill for anyone who held converse with her that day; but
as Slivers was quite as crabbed as she was, and, moreover, feared
neither God nor man--much less a woman--he tackled her at once.

'Where's your father?' he asked, abruptly, leaning on his stick and
looking intently at the fair Martha's vinegary countenance.

'Asleep!' snapped that damsel, jerking her head in the direction of
the parlour; 'what do you want?'--very disdainfully.

'A little civility in the first place,' retorted Slivers, rudely,
sitting down on a bench that ran along the wall, and thereby causing
his wooden leg to stick straight out, which, being perceived by
Billy, he descended from the old man's shoulder and turned the leg
into a perch, where he sat and swore at Martha.

'You wicked old wretch,' said Miss Twexby, viciously--her nose
getting redder with suppressed excitement--'go along with you, and
take that irreligious parrot with you, or I'll wake my par.'

'He won't thank you for doing so,' replied Slivers, coolly; 'I've
called to see him about some new shares just on the market, and if
you don't treat me with more respect I'll go, and he'll be out of a
good thing.'

Now, Miss Twexby knew that Slivers was in the habit of doing
business with her parent, and, moreover was a power in the share
market, so she did not deem it diplomatic to go too far, and
bottling up her wrath for a future occasion, when no loss would be
involved, she graciously asked Slivers what he'd be pleased to have.

'Whisky,' said Slivers, curtly, leaning his chin on his stick, and
following her movements with his one eye. 'I say!'

'Well?' asked Miss Twexby, coming from behind the bar with a glass
and a bottle of whisky, 'what do you say?'

'How's that good-looking Frenchman?' asked Slivers, pouring himself
out some liquor, and winking at her in a rakish manner with his one
eye.

'How should I know?' snapped Martha, angrily, 'he comes here to see
that friend of his, and then clears out without as much as a good
day; a nice sort of friend, indeed,' wrathfully, 'stopping here
nearly two weeks and drunk all the time; he'll be having delirious
trimmings before he's done.'

'Who will ?' said Slivers, taking a sip of his whisky and water.

'Why, that other Frenchman!' retorted Martha, going to her place
behind the bar, 'Peter something; a low, black wretch, all beard,
with no tongue, and a thirst like a lime-kiln.'

'Oh, the dumb man.'

Miss Twexby nodded.

'That's him,' she said, triumphantly, 'he's been here for the last
two weeks.'

'Drunk, I think you said,' remarked Slivers, politely.

Martha laughed scornfully, and took out some sewing.

'I should just think so,' she retorted, tossing her head, 'he does
nothing but drink all day, and run after people with that knife.'

'Very dangerous,' observed Slivers, gravely shaking his head; 'why
don't you get rid of him?'

'So we are,' said Miss Twexby, biting off a bit of cotton, as if she
wished it were Pierre's head; 'he is going down to Melbourne the day
after to-morrow.'

Slivers got weary of hearing about Pierre, and plunged right off
into the object of his visit.

'That Vandeloup,' he began.

'Well?' said Miss Twexby, letting the work fall on her lap.

'What time did he come home the night he stopped here?'

'Twelve o'clock.'

'Get along with you,' said Slivers, in disgust, 'you mean three
o'clock.'

'No, I don't,' retorted Martha, indignantly; 'you'll be telling me I
don't know the time next.'

'Did he go out again?

'No, he went to bed.'

This quite upset Slivers' idea--as if Vandeloup had gone to bed at
twelve, he certainly could not have murdered Villiers nearly a mile
away at two o'clock in the morning. Slivers was puzzled, and then
the light broke on him--perhaps it was the dumb man.

'Did the other stay here all night also?'

Miss Twexby nodded. 'Both in the same room,' she answered.

'What time did the dumb chap come in?'

'Half-past nine.'

Here was another facer for Slivers--as it could not have been
Pierre.

'Did he go to bed?'

'Straight.'

'And did not leave the house again?'

'Of course not,' retorted Miss Twexby, impatiently; 'do you think
I'm a fool--no one goes either in or out of this house without my
knowing it. The dumb devil went to bed at half-past nine, and Mr
Vandeloup at half-past twelve, and they neither of them came out of
their rooms till next morning.'

'How do you know Vandeloup was in at twelve?' asked Slivers, still
unconvinced.

'Drat the man, what's he worryin' about?' rejoined Miss Twexby,
snappishly; 'I let him in myself.'

This clearly closed the subject, and Slivers arose to his feet in
great disgust, upsetting Billy on to the floor.

'Devil!' shrieked Billy, as he dropped. 'Oh, my precious mother.
Devil--devil--devil--you're a liar--you're a liar--Bendigo and
Ballarat--Ballarat and Bendigo--Pickles!'

Having thus run through a portion of his vocabulary, he subsided
into silence, and let Slivers pick him up in order to go home.

'A nice pair you are,' muttered Martha, grimly, looking at them. 'I
wish I had the thrashing of you. Won't you stay and see par?' she
called out as Slivers departed.

'I'll come to-morrow,' answered Slivers, angrily, for he felt very
much out of temper; then, in a lower voice, he observed to himself,
'I'd like to put that jade in a teacup and crush her.'

He stumped home in silence, thinking all the time; and it was only
when he arrived back in his office that he gave utterance to his
thoughts.

'It couldn't have been either of the Frenchmen,' he said, lighting
his pipe. 'She must have done it herself.'




CHAPTER XVI

MCINTOSH SPEAKS HIS MIND


It was some time before Mrs Villiers recovered from the shock caused
by her encounter with her husband. The blow he had struck her on the
side of the head turned out to be more serious than was at first
anticipated, and Selina deemed it advisable that a doctor should be
called in. So Archie went into Ballarat, and returned to the
Pactolus with Dr Gollipeck, an eccentric medical practitioner, whose
peculiarities were the talk of the city.

Dr Gollipeck was tall and lank, with an unfinished look about him,
as if Nature in some sudden freak had seized an incomplete skeleton
from a museum and hastily covered it with parchment. He dressed in
rusty black, wore dingy cotton gloves, carried a large white
umbrella, and surveyed the world through the medium of a pair of
huge spectacles. His clothes were constantly coming undone, as he
scorned the use of buttons, and preferred pins, which were always
scratching his hands. He spoke very little, and was engaged in
composing an erudite work on 'The Art of Poisoning, from Borgia to
Brinvilliers'.

Selina was not at all impressed with his appearance, and mentally
decided that a good wash and a few buttons would improve him
wonderfully. Dr Gollipeck, however, soon verified the adage that
appearances are deceptive--as Selina afterwards remarked to Archie--
by bringing Madame Midas back to health in a wonderfully short space
of time. She was now convalescent, and, seated in the arm-chair by
the window, looked dreamily at the landscape. She was thinking of
her husband, and in what manner he would annoy her next; but she
half thought--and the wish was father to the half thought--that
having got the nugget he would now leave her alone.

She knew that he had not been in Ballarat since that fatal night
when he had attacked her, but imagined that he was merely hiding
till such time as the storm should blow over and he could enjoy his
ill-gotten gains in safety. The letter asking him to give up the
nugget and ordering him to leave the district under threat of
prosecution had been sent to his lodgings, but was still lying there
unopened. The letters accumulated into quite a little pile as weeks
rolled on, yet Mr Villiers, if he was alive, made no sign, and if he
was dead, no traces had been found of his body. McIntosh and Slivers
had both seen the police about the affair, one in order to recover
the nugget, the other actuated by bitter enmity against Madame
Midas. To Slivers' hints, that perhaps Villiers' wife knew more than
she chose to tell, the police turned a deaf ear, as they assured
Slivers that they had made inquiries, and on the authority of Selina
and McIntosh could safely say that Madame Midas had been home that
night at half-past nine o'clock, whereas Villiers was still alive in
Ballarat--as could be proved by the evidence of Mr Jarper--at two
o'clock in the morning. So, foiled on every side in his endeavours
to implicate Mrs Villiers in her husband's disappearance, Slivers
retired to his office, and, assisted by his ungodly cockatoo, passed
many hours in swearing at his bad luck and in cursing the absent
Villiers.

As to M. Vandeloup, he was indefatigable in his efforts to find
Villiers, for, as he very truly said, he could never repay Madame
Midas sufficiently for her kindness to him, and he wanted to do all
in his power to punish her cruel husband. But in spite of all this
seeking, the whereabouts of Mr Randolph Villiers remained
undiscovered, and at last, in despair, everyone gave up looking.
Villiers had disappeared entirely, and had taken the nugget with
him, so where he was and what he was doing remained a mystery.

One result of Madame's illness was that M. Vandeloup had met Dr
Gollipeck, and the two, though apparently dissimilar in both
character and appearance, had been attracted to one another by a
liking which they had in common. This was the study of toxicology, a
science at which the eccentric old man had spent a lifetime. He
found in Vandeloup a congenial spirit, for the young Frenchman had a
wonderful liking for the uncanny subject; but there was a difference
in the aims of both men, Gollipeck being drawn to the study of
poisons from a pure love of the subject, whereas Vandeloup wanted to
find out the secrets of toxicology for his own ends, which were
anything but disinterested.

Wearied of the dull routine of the office work, Vandeloup was taking
a walk in the meadows which surrounded the Pactolus, when he saw Dr
Gollipeck shuffling along the dusty white road from the railway
station.

'Good day, Monsieur le Medecin,' said Vandeloup, gaily, as he came
up to the old man; 'are you going to see our mutual friend?'

Gollipeck, ever sparing of words, nodded in reply, and trudged on in
silence, but the Frenchmen, being used to the eccentricities of his
companion, was in nowise offended at his silence, but went on
talking in an animated manner.

'Ah, my dear friend,' he said, pushing his straw hat back on his
fair head; 'how goes on the great work?'

'Capitally,' returned the doctor, with a complacent smile; 'just
finished "Catherine de Medici"--wonderful woman, sir--quite a
mistress of the art of poisoning.'

'Humph,' returned Vandeloup, thoughtfully, lighting a cigarette, 'I
do not agree with you there; it was her so-called astrologer,
Ruggieri, who prepared all her potions. Catherine certainly had the
power, but Ruggieri possessed the science--a very fair division of
labour for getting rid of people, I must say--but what have you got
there?' nodding towards a large book which Gollipeck carried under
his arm.

'For you,' answered the other, taking the book slowly from under his
arm, and thereby causing another button to fly off, 'quite new,--
work on toxicology.'

'Thank you,' said Vandeloup, taking the heavy volume and looking at
the title; 'French, I see! I'm sure it will be pleasant reading.'

The title of the book was 'Les Empoisonneurs d'Aujourd'hui, par MM.
Prevol et Lebrun', and it had only been published the previous year;
so as he turned over the leaves carelessly, M. Vandeloup caught
sight of a name which he knew. He smiled a little, and closing the
book put it under his arm, while he turned smilingly towards his
companion, whom he found looking keenly at him.

'I shall enjoy this book immensely,' he said, touching the volume.
Dr Gollipeck nodded and chuckled in a hoarse rattling kind of way.

'So I should think,' he answered, with another sharp look, 'you are
a very clever young man, my friend.'

Vandeloup acknowledged the compliment with a bow, and wondered
mentally what this old man meant. Gaston, however, was never without
an answer, so he turned to Gollipeck again with a nonchalant smile
on his handsome lips.

'So kind of you to think well of me,' he said, coolly flicking the
ash off the end of his cigarette with his little finger; 'but why do
you pay me such a compliment?'

Gollipeck answered the question by asking another.

'Why are you so fond of toxicology?' he said, abruptly, shuffling
his feet in the long dry grass in which they were now walking in
order to rub the dust off his ungainly, ill-blacked shoes.

Vandeloup shrugged his shoulders.

'To pass the time,' he said, carelessly, 'that is all; even office
work, exciting as it is, becomes wearisome, so I must take up some
subject to amuse myself.'

'Curious taste for a young man,' remarked the doctor, dryly.

'Nature,' said M. Vandeloup, 'does not form men all on the same
pattern, and my taste for toxicology has at least the charm of
novelty.'

Gollipeck looked at the young man again in a sharp manner.

'I hope you'll enjoy the book,' he said, abruptly, and vanished into
the house.

When he was gone, the mocking smile so habitual to Vandeloup's
countenance faded away, and his face assumed a thoughtful
expression. He opened the book, and turned over the leaves rapidly,
but without finding what he was in search of. With an uneasy laugh
he shut the volume with a snap, and put it under his arm again.

'He's an enigma,' he thought, referring to the doctor; 'but he can't
suspect anything. The case may be in this book, but I doubt if even
this man with the barbarous name can connect Gaston Vandeloup, of
Ballarat, with Octave Braulard, of Paris.'

His face reassumed its usual gay look, and throwing away the half-
smoked cigarette, he walked into the house and found Madame Midas
seated in her arm-chair near the window looking pale and ill, while
Archie was walking up and down in an excited manner, and talking
volubly in broad Scotch. As to Dr Gollipeck, that eccentric
individual was standing in front of the fire, looking even more
dilapidated than usual, and drying his red bandanna handkerchief in
an abstract manner. Selina was in another room getting a drink for
Madame, and as Vandeloup entered she came back with it.

'Good day, Madame,' said the Frenchman, advancing to the table, and
putting his hat and the book down on it. 'How are you today?'

'Better, much better, thank you,' said Madame, with a faint smile;
'the doctor assures me I shall be quite well in a week.'

'With perfect rest and quiet, of course,' interposed Gollipeck,
sitting down and spreading his handkerchief over his knees.

'Which Madame does not seem likely to get,' observed Vandeloup,
dryly, with a glance at McIntosh, who was still pacing up and down
the room with an expression of wrath on his severe face.

'Ou, ay,' said that gentleman, stopping in front of Vandeloup, with
a fine expression of scorn. 'I ken weel 'tis me ye are glowerin' at-
-div ye no' ken what's the matter wi' me?'

'Not being in your confidence,' replied Gaston, smoothly, taking a
seat, 'I can hardly say that I do.'

'It's just that Peter o' yours,' said Archie, with a snort; 'a puir
weecked unbaptised child o' Satan.'

'Archie!' interposed Madame, with some severity.

'Your pardon's begged, mem,' said Archie, sourly turning to her;
'but as for that Peter body, the Lord keep me tongue fra' swearin',
an' my hand from itching to gie him ain on the lug, when I think o'
him.'

'What's he been doing?' asked Vandeloup, coolly. 'I am quite
prepared to hear anything about him in his present state.'

'It's just this,' burst forth Archie, wrathfully. 'I went intil the
toun to the hotel, to tell the body he must come back tae the mine,
and I find him no in a fit state for a Christian to speak to.'

'Therefore,' interposed Vandeloup, in his even voice, without
lifting his eyes, 'it was a pity you did speak to him.'

'I gang t' the room,' went on Archie excitedly, without paying any
attention to Vandeloup's remark, 'an' the deil flew on me wi' a
dirk, and wud hae split my weasand, but I hed the sense to bang the
door to, and turn the key in the lock. D'y ca' that conduct for a
ceevilized body?'

'The fact is, M. Vandeloup,' said Madame, quietly, 'Archie is so
annoyed at this conduct that he does not want Lemaire to come back
to work.'

'Ma certie, I should just think so,' cried McIntosh, rubbing his
head with his handkerchief. 'Fancy an imp of Beelzebub like yon in
the bowels o' the earth. Losh! but it macks my bluid rin cauld when
I think o' the bluidthirsty pagan.'

To Vandeloup, this information was not unpleasant. He was anxious to
get rid of Pierre, who was such an incubus, and now saw that he
could send him away without appearing to wish to get rid of him. But
as he was a diplomatic young man he did not allow his satisfaction
to appear on his face.

'Aren't you rather hard on him?' he said, coolly, leaning back in
his chair; 'he is simply drunk, and will be all right soon.'

'I tell ye I'll no have him back,' said Archie, firmly; 'he's ain o'
they foreign bodies full of revolutions an' confusion o' tongues,
and I'd no feel safe i' the mine if I kenned that deil was doon
below wi' his dirk.'

'I really think he ought to go,' said Madame, looking rather
anxiously at Vandeloup, 'unless, M. Vandeloup, you do not want to
part with him.'

'Oh, I don't want him,' said Vandeloup, hastily; 'as I told you, he
was only one of the sailors on board the ship I was wrecked in, and
he followed me up here because I was the only friend he had, but now
he has got money--or, at least, his wages must come to a good
amount.'

'Forty pounds,' interposed Archie.

'So I think the best thing he can do is to go to Melbourne, and see
if he can get back to France.'

'And you, M. Vandeloup?' asked Dr Gollipeck, who had been listening
to the young Frenchman's remarks with great interest; 'do you not
wish to go to France?'

Vandeloup rose coolly from his chair, and, picking up his book and
hat, turned to the doctor.

'My dear Monsieur,' he said, leaning up against the wall in a
graceful manner, 'I left France to see the world, so until I have
seen it I don't think it would be worthwhile to return.'

'Never go back when you have once put your hand to the plough,'
observed Selina, opportunely, upon which Vandeloup bowed to her.

'Mademoiselle,' he said, quietly, with a charming smile, 'has put
the matter into the shell of a nut; Australia is my plough, and I do
not take my hand away until I have finished with it.'

'But that deil o' a Peter,' said Archie, impatiently.

'If you will permit me, Madame,' said Vandeloup, 'I will write out a
cheque for the amount of money due to him, and you will sign it. I
will go into Ballarat to-morrow, and get him away to Melbourne. I
propose to buy him a box and some clothes, as he certainly is not
capable of getting them himself.'

'You have a kind heart, M. Vandeloup,' said Madame, as she assented
with a nod.

A stifled laugh came from the Doctor, but as he was such an
extremely eccentric individual no one minded him.

'Come, Monsieur,' said Vandeloup, going to the door, 'let us be off
to the office and see how much is due to my friend,' and with a bow
to Madame, he went out.

'A braw sort o' freend,' muttered Archie, as he followed.

'Quite good enough for him,' retorted Dr Gollipeck, who overheard
him.

Archie looked at him approvingly, nodded his head, and went out
after the Frenchman, but Madame, being a woman and curious, asked
the doctor what he meant.

His reply was peculiar.

'Our friend,' he said, putting his handkerchief in his pocket and
seizing his greasy old hat, 'our friend believes in the greatest
number.'

'And what is the greatest number?' asked Madame, innocently.

'Number one,' retorted the Doctor, and took his leave abruptly,
leaving two buttons and several pins on the floor as traces of his
visit.




CHAPTER XVII

THE BEST OF FRIENDS MUST PART


Union is strength, and if Dr Gollipeck had only met Slivers and
revealed his true opinion of Vandeloup to him, no doubt that clever
young man would have found himself somewhat embarrassed, as a great
deal of a man's past history can be found out by the simple plan of
putting two and two together. Fortunately, however, for Gaston,
these two gentlemen never met, and Gollipeck came to the conclusion
that he could see nothing to blame in Vandeloup's conduct, though he
certainly mistrusted him, and determined mentally to keep an eye on
his movements. What led him to be suspicious was the curious
resemblance the appearance of this young man had to that of a
criminal described in the 'Les Empoisonneurs d'Aujourd'hui' as
having been transported to New Caledonia for the crime of poisoning
his mistress. Everything, however, was vague and uncertain; so Dr
Gollipeck, when he arrived home, came to the above-named conclusion
that he would watch Vandeloup, and then, dismissing him from his
mind, went to work on his favourite subject.

Meanwhile, M. Vandeloup slept the sleep of the just, and next
morning, after making his inquiries after the health of Madame
Midas--a thing he never neglected to do--he went into Ballarat in
search of Pierre. On arriving at the Wattle Tree Hotel he was
received by Miss Twexby in dignified silence, for that astute damsel
was beginning to regard the fascinating Frenchman as a young man who
talked a great deal and meant nothing.

He was audacious enough to win her virgin heart and then break it,
so Miss Twexby thought the wisest thing would be to keep him at a
distance. So Vandeloup's bright smiles and merry jokes failed to
call forth any response from the fair Martha, who sat silently in
the bar, looking like a crabbed sphinx.

'Is my friend Pierre in?' asked Vandeloup, leaning across the
counter, and looking lovingly at Miss Twexby.

That lady intimated coldly that he was in, and had been for the last
two weeks; also that she was sick of him, and she'd thank M.
Vandeloup to clear him out--all of which amused Vandeloup mightily,
though he still continued to smile coolly on the sour-faced damsel
before him.

'Would you mind going and telling him I want to see him?' he asked,
lounging to the door.

'Me!' shrieked Martha, in a shrill voice, shooting up from behind
the counter like an infuriated jack-in-the-box. 'No, I shan't. Why,
the last time I saw him he nearly cut me like a ham sandwich with
that knife of his. I am not,' pursued Miss Twexby, furiously, 'a
loaf of bread to be cut, neither am I a pin-cushion to have things
stuck into me; so if you want to be a corpse, you'd better go up
yourself.'

'I hardly think he'll touch me,' replied Vandeloup, coolly, going
towards the door which led to Pierre's bedroom. 'You've had a lot of
trouble with him, I'm afraid; but he's going down to Melbourne
tonight, so it will be all right.'

'And the bill?' queried Miss Twexby, anxiously.

'I will pay it,' said Vandeloup, at which she was going to say he
was very generous, but suppressed the compliment when he added, 'out
of his own money.'

Gaston, however, failed to persuade Pierre to accompany him round to
buy an outfit. For the dumb man lay on his bed, and obstinately
refused to move out of the room. He, however, acquiesced sullenly
when his friend told him he was going to Melbourne, so Vandeloup
left the room, having first secured Pierre's knife, and locked the
door after him. He gave the knife to Miss Twexby, with injunctions
to her to keep it safe, then sallied forth to buy his shipwrecked
friend a box and some clothes.

He spent about ten pounds in buying an outfit for the dumb man,
hired a cab to call at the 'Wattle Tree' Hotel at seven o'clock to
take the box and its owner to the station. And then feeling he had
done his duty and deserved some recompense, he had a nice little
luncheon and a small bottle of wine for which he paid out of
Pierre's money. When he finished he bought a choice cigar, had a
glass of Chartreuse, and after resting in the commercial room for a
time he went out for a walk, intending to call on Slivers and Dr
Gollipeck, and in fact do anything to kill time until it would be
necessary for him to go to Pierre and take him to the railway
station.

He walked slowly up Sturt Street, and as the afternoon was so warm,
thought he would go up to Lake Wendouree, which is at the top of the
town, and see if it was any cooler by the water. The day was
oppressively hot, but not with the bright, cheery warmth of a
summer's day, for the sun was hidden behind great masses of angry-
looking clouds, and it seemed as if a thunderstorm would soon break
over the city. Even Vandeloup, full of life and animation as he was,
felt weighed down by the heaviness of the atmosphere, and feeling
quite exhausted when he arrived at the lake, he was glad enough to
sit down on one of the seats for a rest.

The lake under the black sky was a dull leaden hue, and as there was
no wind the water was perfectly still. Even the trees all round it
were motionless, as there came no breeze to stir their leaves, and
the only sounds that could be heard were the dull croaking of the
frogs amid the water grasses, and the shrill cries of children
playing on the green turf. Every now and then a steamer would skim
across the surface of the water in an airy manner, looking more like
a child's clockwork toy than anything else, and Vandeloup, when he
saw one of these arrive at the little pier, almost expected to see a
man put in a huge key to the paddle wheels and wind it up again.

On one of the seats Vandeloup espied a little figure in white, and
seeing that it was Kitty, he strolled up to her in a leisurely
manner. She was looking at the ground when he came up, and was
prodding holes in the spongy turf with her umbrella, but glanced up
carelessly as he came near. Then she sprang up with a cry of joy,
and throwing her arms around his neck, she kissed him twice.

'I haven't seen you for ages,' said Kitty, putting her arm in his as
they sat down. 'I just came up here for a week, and did not think
I'd see you.'

'The meeting was quite accidental, I know,' replied Gaston, leaning
back lazily; 'but none the less pleasant on that account.'

'Oh, no,' said Kitty, gravely shaking her head; 'unexpected meetings
are always pleasanter than those arranged, for there's never any
disappointment about them.'

'Oh, that's your experience, is it?' answered her lover, with an
amused smile, pulling out his cigarette case. 'Well, suppose you
reward me for my accidental presence here, and light a cigarette for
me.'

Kitty was of course delighted, and took the case while M. Vandeloup
leaned back in the seat, his hands behind his head, and stared
reflectively at the leaden-coloured sky. Kitty took out a cigarette
from the case, placed it between her pretty lips, and having
obtained a match from one of her lover's pockets, proceeded to light
it, which was not done without a great deal of choking and pretty
confusion. At length she managed it, and bending over Gaston, placed
it in his mouth, and gave him a kiss at the same time.

'If pa knew I did this, he'd expire with horror,' she said, sagely
nodding her head.

'Wouldn't be much loss if he did,' replied Vandeloup, lazily,
glancing at her pretty face from under his eyelashes; 'your father
has a great many faults, dear.'

'Oh, "The Elect" think him perfect,' said Kitty, wisely.

'From their point of view, perhaps he is,' returned Gaston, with a
faint sneer; 'but he's not a man given to exuberant mirth.'

'Well, he is rather dismal,' assented Kitty, doubtfully.

'Wouldn't you like to leave him and lead a jollier life?' asked
Vandeloup, artfully, 'in Melbourne, for instance.'

Kitty looked at him half afraid.

'I--I don't know,' she faltered, looking down.

'But I do, Bebe,' whispered Gaston, putting his arm round her waist;
'you would like to come with me.'

'Why? Are you going?' cried Kitty, in dismay.

Vandeloup nodded.

'I think I spoke about this before,' he said, idly brushing some
cigarette ash off his waistcoat.

'Yes,' returned Kitty, 'but I thought you did not mean it.'

'I never say anything I do not mean,' answered Vandeloup, with the
ready lie on his lips in a moment; 'and I have got letters from
France with money, so I am going to leave the Pactolus.'

'And me?' said Kitty, tearfully.

'That depends upon yourself, Bebe,' he said rapidly, pressing her
burning cheek against his own; 'your father would never consent to
my marriage, and I can't take you away from Ballarat without
suspicions, so--'

'Yes?' said Kitty, eagerly, looking at him.

'You must run away,' he whispered, with a caressing smile.

'Alone?'

'For a time, yes,' he answered, throwing away his cigarette;
'listen--next week you must meet me here, and I will give you money
to keep you in Melbourne for some time; then you must leave Ballarat
at once and wait for me at the Buttercup Hotel in Gertrude Street,
Carlton; you understand?'

'Yes,' faltered Kitty, nervously; 'I--I understand.'

'And you will come?' he asked anxiously, looking keenly at her, and
pressing the little hand he held in his own. Just as she was going
to answer, as if warning her of the fatal step she was about to
take, a low roll of thunder broke on their ears, and Kitty shrank
back appalled from her lover's embrace.

'No! no! no!' she almost shrieked, hysterically, trying to tear
herself away from his arms, 'I cannot; God is speaking.'

'Bah!' sneered Vandeloup, with an evil look on his handsome face,
'he speaks too indistinctly for us to guess what he means; what are
you afraid of? I will join you in Melbourne in two or three weeks,
and then we will be married.'

'But my father,' she whispered, clasping her hot hands convulsively.

'Well, what of him?' asked Vandeloup, coolly; 'he is so wrapped up
in his religion that he will not miss you; he will never find out
where you are in Melbourne, and by the time he does you will be my
wife. Come,' he said, ardently, whispering the temptation in her
ear, as if he was afraid of being heard, 'you must consent; say yes,
Bebe; say yes.'

She felt his hot breath on her cheek, and felt rather than saw the
scintillations of his wonderful eyes, which sent a thrill through
her; so, utterly exhausted and worn out by the overpowering nervous
force possessed by this man, she surrendered.

'Yes,' she whispered, clinging to him with dry lips and a beating
heart; 'I will come!' Then her overstrained nature gave way, and
with a burst of tears she threw herself on his breast.

Gaston let her sob quietly for some time, satisfied with having
gained his end, and knowing that she would soon recover. At last
Kitty grew calmer, and drying her eyes, she rose to her feet wan and
haggard, as if she was worn out for the want of sleep, and not by
any manner of means looking like a girl who was in love. This
appearance was caused by the revolt of her religious training
against doing what she knew was wrong. In her breast a natural
instinct had been fighting against an artificial one; and as Nature
is always stronger than precept, Nature had conquered.

'My dear Bebe,' said Vandeloup, rising also, and kissing her white
cheek, 'you must go home now, and get a little sleep; it will do you
good.'

'But you?' asked Kitty, in a low voice, as they walked slowly along.

'Oh, I,' said M. Vandeloup, airily; 'I am going to the Wattle Tree
Hotel to see my friend Pierre off to Melbourne.'

Then he exerted himself to amuse Kitty as they walked down to town,
and succeeded so well that by the time they reached Lydiard Street,
where Kitty left him to go up to Black Hill, she was laughing as
merrily as possible. They parted at the railway crossing, and Kitty
went gaily up the white dusty road, while M. Vandeloup strolled
leisurely along the street on his way to the Wattle Tree Hotel.

When he arrived he found that Pierre's box had come, and was placed
outside his door, as no one had been brave enough to venture inside,
although Miss Twexby assured them he was unarmed--showing the knife
as a proof.

Gaston, however, dragged the box into the room, and having made
Pierre dress himself in his new clothes, he packed all the rest in a
box, corded it, and put a ticket on it with his name and
destination, then gave the dumb man the balance of his wages. It was
now about six o'clock, so Vandeloup went down to dinner; then
putting Pierre and his box into the cab, stepped in himself and
drove off.

The promise of rain in the afternoon was now fulfilled, and it was
pouring in torrents. The gutters were rivers, and every now and then
through the driving rain came the bluish dart of a lightning flash.

'Bah!' said Vandeloup, with a shiver, as they got out on the station
platform, 'what a devil of a night.'

He made the cab wait for him, and, having got Pierre's ticket, put
him in a second-class carriage and saw that his box was safely
placed in the luggage-van. The station was crowded with people going
and others coming to say goodbye; the rain was beating on the high-
arched tin roof, and the engine at the end of the long train was
fretting and fuming like a living thing impatient to be gone.

'You are now on your own responsibility, my friend,' said Vandeloup
to Pierre, as he stood at the window of the carriage; 'for we must
part, though long together have we been. Perhaps I will see you in
Melbourne; if I do you will find I have not forgotten the past,'
and, with a significant look at the dumb man, Vandeloup lounged
slowly away.

The whistle blew shrilly, the last goodbyes were spoken, the guard
shouted 'All aboard for Melbourne,' and shut all the doors, then,
with another shriek and puff of white steam, the train, like a long,
lithe serpent, glided into the rain and darkness with its human
freight.

'At last I have rid myself of this dead weight,' said Vandeloup, as
he drove along the wet streets to Craig's Hotel, where he intended
to stay for the night, 'and can now shape my own fortune. Pierre is
gone, Bebe will follow, and now I must look after myself.'




CHAPTER XVIII

M. VANDELOUP IS UNJUSTLY SUSPECTED


'It never rains but it pours' is an excellent proverb, and a very
true one, for it is remarkable how events of a similar nature follow
closely on one another's heels when the first that happened has set
the ball a-rolling. Madame Midas believed to a certain extent in
this, and she half expected that when Pierre went he would be
followed by M. Vandeloup, but she certainly did not think that the
disappearance of her husband would be followed by that of Kitty
Marchurst. Yet such was the case, for Mr Marchurst, not seeing Kitty
at family prayers, had sent in the servant to seek for her, and the
scared domestic had returned with a startled face and a letter for
her master. Marchurst read the tear-blotted little note, in which
Kitty said she was going down to Melbourne to appear on the stage.
Crushing it up in his hand, he went on with family prayers in his
usual manner, and after dismissing his servants for the night, he
went up to his daughter's room, and found that she had left nearly
everything behind, only taking a few needful things with her. Seeing
her portrait on the wall he took it down and placed it in his
pocket. Then, searching through her room, he found some ribbons and
lace, a yellow-backed novel, which he handled with the utmost
loathing, and a pair of gloves. Regarding these things as the
instruments of Satan, by which his daughter had been led to
destruction, he carried them downstairs to his dismal study and
piled them in the empty fireplace. Placing his daughter's portrait
on top he put a light to the little pile of frivolities, and saw
them slowly burn away. The novel curled and cracked in the scorching
flame, but the filmy lace vanished like cobwebs, and the gloves
crackled and shrank into mere wisps of black leather. And over all,
through the flames, her face, bright and charming, looked out with
laughing lips and merry eyes--so like her mother's, and yet so
unlike in its piquant grace--until that too fell into the hollow
heart of the flames, and burned slowly away into a small pile of
white ashes.

Marchurst, leaving the dead ashes cold and grey in the dark
fireplace, went to his writing table, and falling on his knees he
passed the rest of the night in prayer.

Meanwhile, the man who was the primary cause of all this trouble was
working in the office of the Pactolus claim with a light heart and
cool head. Gaston had really managed to get Kitty away in a very
clever manner, inasmuch as he never appeared publicly to be
concerned in it, but directed the whole business secretly. He had
given Kitty sufficient money to keep her for some months in
Melbourne, as he was in doubt when he could leave the Pactolus
without being suspected of being concerned in her disappearance. He
also told her what day to leave, and all that day stayed at the mine
working at his accounts, and afterwards spent the evening very
pleasantly with Madame Midas. Next day McIntosh went into Ballarat
on business, and on returning from the city, where he had heard all
about it--rumour, of course, magnifying the whole affair greatly--he
saw Vandeloup come out of the office, and drew up in the trap beside
the young man.

'Aha, Monsieur,' said Vandeloup, gaily, rolling a cigarette in his
slender fingers, and shooting a keen glance at Archie; 'you have had
a pleasant day.'

'Maybe yes, maybe no,' returned McIntosh, cautiously, fumbling in
the bag; 'there's naething muckle in the toun, but--deil tack the
bag,' he continued, tetchily shaking it. 'I've gotten a letter or so
fra' France.'

'For me?' cried Vandeloup, eagerly, holding out his hands.

'An' for who else would it be?' grumbled Archie, giving the letter
to him--a thin, foreign looking envelope with the Parisian post mark
on it; 'did ye think it was for that black-avised freend o' yours?'

'Hardly!' returned Vandeloup, glancing at the letter with
satisfaction, and putting it in his pocket. 'Pierre couldn't write
himself, and I doubt very much if he had any friends who could--not
that I knew his friends,' he said, hastily catching sight of
McIntosh's severe face bent inquiringly on him, 'but like always
draws to like.'

Archie's only answer to this was a grunt.

'Are ye no gangin' tae read yon?' he asked sourly.

'Not at present,' replied Vandeloup, blowing a thin wreath of blue
smoke, 'by-and-bye will do. Scandal and oysters should both be fresh
to be enjoyable, but letters--ah, bah,' with a shrug, 'they can
wait. Come, tell me the news; anything going on?'

'Weel,' said McIntosh, with great gusto, deliberately flicking a fly
off the horse's back with a whip, 'she's ta'en the bit intil her
mouth and gane wrang, as I said she would.'

'To what special "she" are you alluding to?' asked Vandeloup, lazily
smoothing his moustache; 'so many of them go wrong, you see, one
likes to be particular. The lady's name is--?'

'Katherine Marchurst, no less,' burst forth Archie, in triumph;
'she's rin awa' to be a play-actor.'

'What? that child?' said Vandeloup, with an admirable expression of
surprise; 'nonsense! It cannot be true.'

'D'ye think I would tell a lee?' said Archie, wrathfully, glowering
down on the tall figure pacing leisurely along. 'God forbid that my
lips should fa' tae sic iniquity. It's true, I tell ye; the lass has
rin awa' an' left her faither--a godly mon, tho' I'm no of his way
of thinkin--to curse the day he had sic a bairn born until him. Ah,
'tis sorrow and dule she hath brought tae his roof tree, an' sorrow
and dule wull be her portion at the hands o' strangers,' and with
this scriptural ending Mr McIntosh sharply whipped up Rory, and went
on towards the stable, leaving Vandeloup standing in the road.

'I don't think he suspects, at all events,' thought that young man,
complacently. 'As to Madame Midas--pouf! I can settle her suspicions
easily; a little virtuous indignation is most effective as a blind;'
and M. Vandeloup, with a gay laugh, strolled on towards the house in
the gathering twilight.

Suddenly he recollected the letter, which had escaped his thoughts,
in his desire to see how McIntosh would take the disappearance of
Kitty, so as there was still light to see, he leaned up against a
fence, and, having lighted another cigarette, read it through
carefully. It appeared to afford him considerable satisfaction, and
he smiled as he put it in his pocket again.

'It seems pretty well forgotten, this trouble about Adele,' he said,
musingly, as he resumed his saunter; 'I might be able to go back
again in a few years, if not to Paris at least to Europe--one can be
very happy in Monaco or Vienna, and run no risk of being found out;
and, after all,' he muttered, thoughtfully, fingering his moustache,
'why not to Paris? The Republic has lasted too long already. Sooner
or later there will be a change of Government, and then I can go
back a free man, with a fortune of Australian gold. Emperor, King,
or President, it's all the same to me, as long as I am left alone.'

He walked on slowly, thinking deeply all the time, and when he
arrived at the door of Mrs Villiers' house, this clever young man,
with his accustomed promptitude and decision, had settled what he
was going to do.

'Up to a certain point, of course,' he said aloud, following his
thoughts, 'after that, chance must decide.'

Madame Midas was very much grieved at the news of Kitty's Escapade,
particularly as she could not see what motive she had for running
away, and, moreover, trembled to think of the temptations the
innocent girl would be exposed to in the metropolis. After tea, when
Archie had gone outside to smoke his pipe, and Selina was busy in
the kitchen washing the dishes, she spoke to Vandeloup on the
subject. The young Frenchman was seated at the piano in the
darkness, striking a few random chords, while Madame was by the fire
in the arm-chair. It was quite dark, with only the rosy glow of the
fire shining through the room. Mrs Villiers felt uneasy; was it
likely that Vandeloup could have any connection with Kitty's
disappearance? Impossible! he had given her his word of honour, and
yet--it was very strange. Mrs Villiers was not, by any means, a
timid woman, so she determined to ask Gaston right out, and get a
decided answer from him, so as to set her mind at rest.

'M. Vandeloup,' she said, in her clear voice, 'will you kindly come
here a moment?

'Certainly, Madame,' said Gaston, rising with alacrity from the
piano, and coming to the fireside; 'is there anything I can do?'

'You have heard of Miss Marchurst's disappearance?' she asked,
looking up at him.

Vandeloup leaned his elbow on the mantelpiece, and looked down into
the fire, so that the full blaze of it could strike his face. He
knew Madame Midas prided herself on being a reader of character, and
knowing he could command his features admirably, he thought it would
be politic to let her see his face, and satisfy herself as to his
innocence.

'Yes, Madame,' he answered, in his calm, even tones, looking down
inquiringly at the statuesque face of the woman addressing him;
'Monsieur,' nodding towards the door, 'told me, but I did not think
it true.'

'I'm afraid it is,' sighed Madame, shaking her head. 'She is going
on the stage, and her father will never forgive her.'

'Surely, Madame--' began Vandeloup, eagerly.

'No,' she replied, decisively, 'he is not a hard man, but his way of
looking at things through his peculiar religious ideas has warped
his judgment--he will make no attempt to save her, and God knows
what she will come to.'

'There are good women on the stage,' said Vandeloup, at a loss for a
reply.

'Certainly,' returned Madame, calmly, 'there are black and white
sheep in every flock, but Kitty is so young and inexperienced, that
she may become the prey of the first handsome scoundrel she meets.'

Madame had intuitively guessed the whole situation, and Vandeloup
could not help admiring her cleverness. Still his face remained the
same, and his voice was as steady as ever as he answered--

'It is much to be regretted; but still we must hope for the best.'

Was he guilty? Madame could not make up her mind, so determined to
speak boldly.

'Do you remember that day I introduced her to you?'

Vandeloup bowed.

'And you gave me your word of honour you would not try to turn her
head,' pursued Madame, looking at him; 'have you kept your word?'

'Madame,' said Vandeloup, gravely, 'I give you my word of honour
that I have always treated Mlle Kitty as a child and your friend. I
did not know that she had gone until I was told, and whatever
happens to her, I can safely say that it was not Gaston Vandeloup's
fault.'

An admirable actor this man, not a feature of his face moved, not a
single deviation from the calmness of his speech--not a quickening
of the pulse, nor the rush of betraying blood to his fair face--no!
Madame withdrew her eyes quite satisfied, M. Vandeloup was the soul
of honour and was innocent of Kitty's disgrace.

'Thank God!' she said, reverently, as she looked away, for she would
have been bitterly disappointed to have found her kindness to this
man repaid by base treachery towards her friend; 'I cannot tell you
how relieved I feel.'

M. Vandeloup withdrew his face into the darkness, and smiled in a
devilish manner to himself. How these women believed--was there any
lie too big for the sex to swallow? Evidently not--at least, so he
thought. But now that Kitty was disposed of, he had to attend to his
own private affairs, and put his hand in his pocket for the letter.

'I wanted to speak to you on business, Madame,' he said, taking out
the letter; 'the long-expected has come at last.'

'You have heard from Paris?' asked Madame, in an eager voice.

'I have,' answered the Frenchman, calmly; 'I have now the letter in
my hand, and as soon as Mlle Selina brings in the lights I will show
it to you.'

At this moment, as if in answer to his request, Selina appeared with
the lamp, which she had lighted in the kitchen and now brought in to
place on the table. When she did so, and had retired again,
Vandeloup placed his letter in Madame's hand, and asked her to read
it.

'Oh, no, Monsieur,' said Mrs Villiers, offering it back, 'I do not
wish to read your private correspondence.'

Vandeloup had calculated on this, for, as a matter of fact, there
was a good deal of private matter in the letter, particularly
referring to his trip to New Caledonia, which he would not have
allowed her to see. But he knew it would inspire her with confidence
in him if he placed it wholly in her hands, and resolved to boldly
venture to do so. The result was as he guessed; so, with a smile, he
took it back again.

'There is nothing private in it, Madame,' he said, opening the
letter; 'I wanted you to see that I had not misrepresented myself--
it is from my family lawyer, and he has sent me out a remittance of
money, also some letters of introduction to my consul in Melbourne
and others; in fact,' said M. Vandeloup, with a charming smile,
putting the letter in his pocket, 'it places me in my rightful
position, and I shall assume it as soon as I have your permission.'

'But why my permission ?' asked Madame, with a faint smile, already
regretting bitterly that she was going to lose her pleasant
companion.

'Madame,' said Vandeloup, impressively, bending forward, 'in the
words of the Bible--when I was hungry you gave me food; when I was
naked you gave me raiment. You took me on, Madame, an unknown waif,
without money, friends, or a character; you believed in me when no
one else did; you have been my guardian angel: and do you think that
I can forget your goodness to me for the last six months? No!
Madame,' rising, 'I have a heart, and while I live that heart will
ever remember you with gratitude and love;' and bending forward he
took her hand and kissed it gallantly.

'You think too much of what I have done,' said Madame, who was,
nevertheless, pleased at this display of emotion, albeit, according
to her English ideas, it seemed to savour too much of the
footlights. 'I only did to you what I would do to all men. I am
glad, in this instance, to find my confidence has not been
misplaced; when do you think of leaving us?'

'In about two or three weeks,' answered Vandeloup, carelessly, 'but
not till you find another clerk; besides, Madame, do not think you
have lost sight of me for ever; I will go down to Melbourne, settle
all my affairs, and come up and see you again.'

'So you say,' replied Mrs Villiers, sceptically smiling.

'Well,' replied M. Vandeloup, with a shrug, 'we will see--at all
events, gratitude is such a rare virtue that there is decided
novelty in possessing it.'

'M. Vandeloup,' said Madame, suddenly, after they had been chatting
for a few moments, 'one thing you must do for me in Melbourne.'

'I will do anything you wish,' said Vandeloup, gravely.

'Then,' said Madame, earnestly, rising and looking him in the face,
'you must find Kitty, and send her back to me.'

'Madame,' said Vandeloup, solemnly, 'it will be the purpose of my
life to restore her to your arms.'




CHAPTER XIX

THE DEVIL'S LEAD


There was great dismay at the Pactolus Mine when it became known
that Vandeloup was going to leave. During his short stay he had made
himself extremely popular with the men, as he always had a bright
smile and a kind word for everyone, so they all felt like losing a
personal friend. The only two who were unfeigningly glad at
Vandeloup's departure were Selina and McIntosh, for these two
faithful hearts had seen with dismay the influence the Frenchman was
gradually gaining over Madame Midas. As long as Villiers lived they
felt safe, but now that he had so mysteriously disappeared, and was
to all appearances dead, they dreaded lest their mistress, in a
moment of infatuation, should marry her clerk. They need not,
however, have been afraid, for much as Mrs Villiers liked the young
Frenchman, such an idea had never entered her head, and she was far
too clever a woman ever to tempt matrimony a second time, seeing how
dearly it had cost her.

Madame Midas had made great efforts to find Kitty, but without
success; and, in spite of all inquiries and advertisements in the
papers, nothing could be discovered regarding the missing girl.

At last the time drew near for Vandeloup's departure, when all the
sensation of Kitty's escapade and Villiers' disappearance was
swallowed up in a new event, which filled Ballarat with wonder. It
began in a whisper, and grew into such a roar of astonishment that
not only Ballarat, but all Victoria, knew that the far-famed Devil's
Lead had been discovered in the Pactolus claim. Yes, after years of
weary waiting, after money had been swallowed up in apparently
useless work, after sceptics had sneered and friends laughed, Madame
Midas obtained her reward. The Devil's Lead was discovered, and she
was now a millionaire.

For some time past McIntosh had not been satisfied with the
character of the ground in which he had been working, so abandoning
the shaft he was then in, he had opened up another gallery to the
west, at right angles from the place where the famous nugget had
been found. The wash was poor at first, but McIntosh persevered,
having an instinct that he was on the right track. A few weeks' work
proved that he was right, for the wash soon became richer; and as
they went farther on towards the west, following the gutter, there
was no doubt that the long-lost Devil's Lead had been struck. The
regular return had formerly been five ounces to the machine, but now
the washing up invariably gave twenty ounces, and small nuggets of
water-worn gold were continually found in the three machines. The
main drive following the lead still continued dipping westward, and
McIntosh now commenced blocking and putting in side galleries,
expecting when this was done he would thoroughly prove the Devil's
Lead, for he was quite satisfied he was on it. Even now the yield
was three hundred and sixty ounces a week, and after deducting
working expenses, this gave Madame Midas a weekly income of one
thousand one hundred pounds, so she now began to see what a wealthy
woman she was likely to be. Everyone unfeigningly rejoiced at her
good fortune, and said that she deserved it. Many thought that now
she was so rich Villiers would come back again, but he did not put
in an appearance, and it was generally concluded he had left the
colony.

Vandeloup congratulated Madame Midas on her luck when he was going
away, and privately determined that he would not lose sight of her,
as, being a wealthy woman, and having a liking for him, she would be
of great use. He took his farewell gracefully, and went away,
carrying the good wishes of all the miners; but McIntosh and Selina,
still holding to their former opinion, were secretly pleased at his
departure. Madame Midas made him a present of a hundred pounds, and,
though he refused it, saying that he had money from France, she
asked him as a personal favour to take it; so M. Vandeloup, always
gallant to ladies, could not refuse. He went in to Ballarat, and put
up at the Wattle Tree Hotel, intending to start for the metropolis
next morning; but on his way, in order to prepare Kitty for his
coming, sent a telegram for her, telling her the train he would
arrive by, in order that she might be at the station to meet him.

After his dinner he suddenly recollected that he still had the
volume which Dr Gollipeck had lent him, so, calling a cab, he drove
to the residence of that eccentric individual to return it.

When the servant announced M. Vandeloup, she pushed him in and
suddenly closed the door after her, as though she was afraid of some
of the doctor's ideas getting away.

'Good evening, doctor,' said Vandeloup, laying the book down on the
table at which Gollipeck was seated; 'I've come to return you this
and say good-bye.'

'Aha, going away?' asked Gollipeck, leaning back in his chair, and
looked sharply at the young man through his spectacles, 'right--see
the world--you're clever--won't go far wrong--no!'

'It doesn't matter much if I do,' replied Vandeloup, shrugging his
shoulders, and taking a chair, 'nobody will bother much about me.'

'Eh!' queried the doctor, sharply, sitting up. 'Paris--friends--
relations.'

'My only relation is an aunt with a large family; she's got quite
enough to do looking after them, without bothering about me,'
retorted M. Vandeloup; 'as to friends--I haven't got one.'

'Oh!' from Gollipeck, with a cynical smile, 'I see; let us say--
acquaintances.'

'Won't make any difference,' replied Vandeloup, airily; 'I turned my
acquaintances into friends long ago, and then borrowed money off
them; result: my social circle is nil. Friends,' went on M.
Vandeloup, reflectively, 'are excellent as friends, but damnable as
bankers.'

Gollipeck chuckled, and rubbed his hands, for this cynicism pleased
him. Suddenly his eye caught the book which the young man had
returned.

'You read this?' he said, laying his hand on it; 'good, eh?'

'Very good, indeed,' returned M. Vandeloup, smoothly; 'so kind of
you to have lent it to me--all those cases quoted were known to me.'

'The case of Adele Blondet, for instance, eh?' asked the old man
sharply.

'Yes, I was present at the trial,' replied Vandeloup, quietly; 'the
prisoner Octave Braulard was convicted, condemned to death,
reprieved, and sent to New Caledonia.'

'Where he now is,' said Gollipeck, quickly, looking at him.

'I presume so,' replied Vandeloup, lazily. 'After the trial I never
bothered my head about him.'

'He poisoned his mistress, Adele Blondet,' said the doctor.

'Yes,' answered Vandeloup, leaning forward and looking at Gollipeck,
'he found she was in love with an Englishman, and poisoned her--you
will find it all in the book.'

'It does not mention the Englishman,' said the doctor, thoughtfully
tapping the table with his hand.

'Nevertheless he was implicated in it, but went away from Paris the
day Braulard was arrested,' answered Vandeloup. 'The police tried to
find him, but could not; if they had, it might have made some
difference to the prisoner.'

'And the name of this Englishman?'

'Let me see,' said Vandeloup, looking up reflectively; 'I almost
forget it--Kestroke or Kestrike, some name like that. He must have
been a very clever man to have escaped the French police.'

'Ah, hum!' said the doctor, rubbing his nose, 'very interesting
indeed; strange case!'

'Very,' assented M. Vandeloup, as he arose to go, 'I must say good-
bye now, doctor; but I am coming up to Ballarat on a visit shortly.'

'Ah, hum! of course,' replied Gollipeck, also rising, 'and we can
have another talk over this book.'

'That or any book you like,' said Vandeloup, with a glance of
surprise; 'but I don't see why you are so much taken up with that
volume; it is not a work of genius.'

'Well, no,' answered Gollipeck, looking at him; 'still, it contains
some excellent cases of modern poisoning.'

'So I saw when I read it,' returned Vandeloup, indifferently. 'Good-
bye,' holding out his hand, 'or rather I should say au revoir.'

'Wine?' queried the Doctor, hospitably.

Vandeloup shook his head, and walked out of the room with a gay
smile, humming a tune. He strolled slowly down Lydiard Street,
turning over in his mind what the doctor had said to him.

'He is suspicious,' muttered the young man to himself, thoughtfully,
'although he has nothing to go on in connecting me with the case.
Should I use the poison here I must be careful, for that man will be
my worst enemy.'

He felt a hand on his shoulder, and turning round saw Barty Jarper
before him. That fashionable young man was in evening dress, and
represented such an extent of shirt front and white waistcoat,--not
to mention a tall collar, on the top of which his little head was
perched like a cocoanut on a stick,--that he was positively
resplendent.

'Where are you going to?' asked the gorgeous Barty, smoothing his
incipient moustache.

'Well, I really don't know,' answered Vandeloup, lighting a
cigarette. 'I am leaving for Melbourne to-morrow morning, but to-
night I have nothing to do. You, I see, are engaged,' with a glance
at the evening dress.

'Yes,' returned Barty, in a bored voice; 'musical party on,--they
want me to sing.'

Vandeloup had heard Barty's vocal performance, and could not forbear
a smile as he thought of the young man's three songs with the same
accompaniment to each. Suppressing, however, his inclination to
laugh, he asked Barty to have a drink, which invitation was promptly
accepted, and they walked in search of a hotel. On the way, they
passed Slivers' house, and here Vandeloup paused.

'This was the first house I entered here,' he said to Barty, 'and I
must go in and say good-bye to my one-armed friend with the
cockatoo.'

Mr Jarper, however, drew back.

'I don't like him,' he said bluntly, 'he's an old devil.'

'Oh, it's always as well to accustom oneself to the society of
devils,' retorted Vandeloup, coolly, 'we may have to live with them
constantly some day.'

Barty laughed at this, and putting his arm in that of Vandeloup's,
they went in.

Slivers' door stood ajar in its usual hospitable manner, but all
within was dark.

'He must be out,' said Barty, as they stood in the dark passage.

'No,' replied Vandeloup, feeling for a match, 'someone is talking in
the office.'

'It's that parrot,' said Barty, with a laugh, as they heard Billy
rapidly running over his vocabulary; 'let's go in.'

He pushed open the door, and was about to step into the room, when
catching sight of something on the floor, he recoiled with a cry,
and caught Vandeloup by the arm.

'What's the matter?' asked the Frenchman, hastily.

'He's dead,' returned Barty, with a sort of gasp; 'see, he's lying
on the floor dead!'

And so he was! The oldest inhabitant of Ballarat had joined the
great majority, and, as it was afterwards discovered, his death was
caused by the breaking of a blood-vessel. The cause of it was not
clear, but the fact was, that hearing of the discovery of the
Devil's Lead, and knowing that it was lost to him for ever, Slivers
had fallen into such a fit of rage, that he burst a blood-vessel and
died in his office with no one by him.

The light of the street lamp shone through the dusty windows into
the dark room, and in the centre of the yellow splash lay the dead
man, with his one eye wide open, staring at the ceiling, while
perched on his wooden leg, which was sticking straight out, sat the
parrot, swearing. It was a most repulsive sight, and Barty, with a
shudder of disgust, tried to drag his companion away, but M.
Vandeloup refused to go, and searched his pockets for a match to see
more clearly what the body was like.

'Pickles,' cried Billy, from his perch on the dead man's wooden leg;
'oh, my precious mother,--devil take him.'

'My faith,' said M. Vandeloup, striking a match, 'the devil has
taken him,' and leaving Barty shivering and trembling at the door,
he advanced into the room and stood looking at the body. Billy at
his approach hopped off the leg and waddled up to the dead man's
shoulder, where he sat cursing volubly, and every now and then going
into shrieks of demoniacal laughter. Barty closed his ears to the
devilish mirth, and saw M. Vandeloup standing over the corpse, with
the faint light of the match flickering in his hand.

'Do you know what this is?' he asked, turning to Barty.

The other looked at him inquiringly.

'It is the comedy of death,' said the Frenchman, throwing down the
match and going to the door.

They both went out to seek assistance, and left the dark room with
the dead man lying in the pool of yellow light, and the parrot
perched on the body, muttering to itself. It was a strange mingling
of the horrible and grotesque, and the whole scene was hit off in
the phrase applied to it by Vandeloup. It was, indeed, 'The Comedy
of Death'!




PART II


CHAPTER I

TEMPUS FUGIT


A whole year had elapsed since the arrival of Vandeloup in
Melbourne, and during that time many things had happened.
Unfortunately, in spite of his knowledge of human nature, and the
fact that he started with a good sum of money, Gaston had not made
his fortune. This was due to the fact that he was indisposed to work
when his banking account was at all decent; so he had lived like a
prince on his capital, and trusted to his luck furnishing him with
more when it was done.

Kitty had joined him in Melbourne as arranged, and Gaston had
established her in a place in Richmond. It was not a regular
boarding-house, but the lady who owned it, Mrs Pulchop by name, was
in the habit of letting apartments on reasonable terms; so Vandeloup
had taken up his abode there with Kitty, who passed as his wife.

But though he paid her all the deference and respect due to a wife,
and though she wore a marriage ring, yet, as a matter of fact, they
were not married. Kitty had implored her lover to have the ceremony
performed as soon as he joined her; but as the idea was not to M.
Vandeloup's taste, he had put her off, laughingly at first, then
afterwards, when he began to weary of her, he said he could not
marry her for at least a year. The reason he assigned for this was
the convenient one of family affairs; but, in reality, he foresaw he
would get tired of her in that time, and did not want to tie himself
so that he could not leave her when he wished. At first, the girl
had rebelled against this delay, for she was strongly biased by her
religious training, and looked with horror on the state of
wickedness in which she was living. But Gaston laughed at her
scruples, and as time went on, her finer feelings became blunted,
and she accepted the position to which she was reduced in an
apathetic manner.

Sometimes she had wild thoughts of running away, but she still loved
him too well to do so; and besides, there was no one to whom she
could go, as she well knew her father would refuse to receive her.
The anomalous position which she occupied, however, had an effect on
her spirits, and from being a bright and happy girl, she became
irritable and fretful. She refused to go out anywhere, and when she
went into town, either avoided the principal streets, or wore a
heavy veil, so afraid was she of being recognised by anyone from
Ballarat and questioned as to how she lived. All this was very
disagreeable to M. Vandeloup, who had a horror of being bored, and
not finding Kitty's society pleasant enough, he gradually ceased to
care for her, and was now only watching for an opportunity to get
rid of her without any trouble. He was a member of the Bachelor's
Club, a society of young men which had a bad reputation in
Melbourne, and finding Kitty was so lachrymose, he took a room at
the Club, and began to stay away four or five days at a time. So
Kitty was left to herself, and grew sad and tearful, as she
reflected on the consequence of her fatal passion for this man. Mrs
Pulchop was vastly indignant at Vandeloup neglecting his wife, for,
of course, she never thought she was anything else to the young man,
and did all in her power to cheer the girl up, which, however, was
not much, as Mrs Pulchop herself was decidedly of a funereal
disposition.

Meanwhile, Gaston was leading a very gay life in Melbourne. His good
looks and clever tongue had made him a lot of friends, and he was
very popular both in drawing-room and club. The men voted him a
jolly sort of fellow and a regular swagger man, while the ladies
said that he was heavenly; for, true to his former tactics,
Vandeloup always made particular friends of women, selecting, of
course, those whom he thought would be likely to be of use to him.
Being such a favourite entailed going out a great deal, and as no
one can pose as a man of fashion without money, M. Vandeloup soon
found that his capital was rapidly melting away. He then went in for
gambling, and the members of The Bachelors, being nearly all rich
young men, Gaston's dexterity at ecarte and baccarat was very useful
to him, and considerably augmented his income.

Still, card-playing is a somewhat precarious source from which to
derive an income, so Vandeloup soon found himself pretty hard up,
and was at his wit's end how to raise money. His gay life cost him a
good deal, and Kitty, of course, was a source of expense, although,
poor girl, she never went anywhere; but there was a secret drain on
his purse of which no one ever dreamed. This was none other than
Pierre Lemaire, who, having spent all the money he got at the
Pactolus, came and worried Vandeloup for more. That astute young man
would willingly have refused him, but, unfortunately, Pierre knew
too much of his past life for him to do so, therefore he had to
submit to the dumb man's extortions with the best grace he could. So
what with Kitty's changed manner, Pierre wanting money, and his own
lack of coin, M. Vandeloup was in anything but an enviable position,
and began to think it was time his luck--if he ever had any--should
step in. He thought of running up to Ballarat and seeing Madame
Midas, whom he knew would lend him some money, but he had a certain
idea in his head with regard to that lady, so wished to retain her
good opinion, and determined not to apply to her until all other
plans for obtaining money failed. Meanwhile, he went everywhere, was
universally admired and petted, and no one who saw him in society
with his bright smile and nonchalant manner, would have imagined
what crafty schemes there were in that handsome head.

Madame Midas was still up at Ballarat and occupying the same
cottage, although she was now so wealthy she could have inhabited a
palace, had she been so minded. But prosperity had not spoiled Mrs
Villiers. She still managed her own affairs, and did a great deal of
good with her money,--expending large sums for charitable purposes,
because she really wished to do good, and not, like so many rich
people, for the purpose of advertising herself.

The Pactolus was now a perfect fortune, and Madame Midas being the
sole owner, her wealth was thought to be enormous, as every month a
fresh deluge of gold rolled into her coffers from the inexhaustible
Devil's Lead. McIntosh, of course, still managed the mine, and took
great pride in his success, especially after so many people had
scoffed at it.

Various other mines had started in the vicinity, and had been
floated on the Melbourne market, where they kept rising and falling
in unison with the monthly yield of the Pactolus. The Devil's Lead
was rather unequal, as sometimes the ground would be rich, while
another time it would turn out comparatively poor. People said it
was patchy, and some day would run out altogether, but it did not
show any signs of exhaustion, and even if it had, Madame Midas was
now so wealthy that it mattered comparatively little. When the
monthly yield was small, the mines round about would fall in the
share market to a few shillings, but if it was large, they would
rush up again to as many pounds, so that the brokers managed to do
pretty well out of the fluctuations of the stock.

One thing astonished Madame Midas very much, and that was the
continuous absence of her husband. She did not believe he was dead,
and fully expected to see him turn up some time; but as the months
passed on, and he did not appear, she became uneasy. The idea of his
lurking round was a constant nightmare to her, and at last she
placed the matter in the hands of the police, with instructions to
try to ascertain what became of him.

The police did everything in their power to discover Villiers'
whereabouts, but without success. Unfortunately, Slivers, who might
have helped them, being so well acquainted with the missing man's
habits, was dead; and, after trying for about three months to find
some traces of Villiers, the police gave up the search in despair.
Madame Midas, therefore, came to the conclusion that he was either
dead or had left the colony, and though half doubtful, yet hoped
that she had now seen the last of him.

She had invested her money largely in land, and thus being above the
reach of poverty for the rest of her life, she determined to take up
her abode in Melbourne for a few months, prior to going to England
on a visit. With this resolution, she gave up her cottage to Archie,
who was to live in it, and still manage the mine, and made
preparations to come down to Melbourne with Selina Sprotts.

Vandeloup heard of this resolution, and secretly rejoiced at it, for
he thought that seeing she liked him so much, now that her husband
was to all appearances dead, she might marry him, and it was to this
end he had kept up his acquaintance with her. He never thought of
the girl he had betrayed, pining away in a dull lodging. No, M.
Vandeloup, untroubled by the voice of conscience, serenely waited
the coming of Madame Midas, and determined, if he could possibly
arrange it, to marry her. He was the spider, and Madame Midas the
fly; but as the spider knew the fly he had to inveigle into his web
was a very crafty one, he determined to act with great caution; so,
having ascertained when Madame Midas would be in Melbourne, he
awaited her arrival before doing anything, and trusted in some way
to get rid of Kitty before she came. It was a difficult game, for M.
Vandeloup knew that should Kitty find out his intention she would at
once go to Mrs Villiers, and then Madame would discover his baseness
in ruining the girl. M. Vandeloup, however, surveyed the whole
situation calmly, and was not ill-pleased at the position of
affairs. Life was beginning to bore him in Melbourne, and he wanted
to be amused. Here was a comedy worthy of Moliere--a jealous woman,
a rich lady, and a handsome man.

'My faith,' said M. Vandeloup, smiling to himself as he thought of
the situation, 'it's a capital comedy, certainly; but I must take
care it doesn't end as a tragedy.'




CHAPTER II

DISENCHANTMENT


It is said that 'creaking doors hang the longest,' and Mrs Pulchop,
of Carthage Cottage, Richmond, was an excellent illustration of the
truth of this saying. Thin, pale, with light bleached-looking hair,
and eyebrows and eyelashes to match, she looked so shadowy and
unsubstantial, than an impression was conveyed to the onlooker that
a breath might blow her away. She was often heard to declare, when
anything extra-ordinary happened, that one might 'knock her down
with a feather', which, as a matter of fact, was by no means a
stretch of fancy, provided the feather was a strong one and Mrs
Pulchop was taken unawares. She was continually alluding to her
'constitootion', as if she had an interest in politics, but in
reality she was referring to her state of health, which was
invariably bad. According to her own showing, there was not a single
disease under the sun with which she had not been afflicted, and she
could have written a whole book on the subject of medicine, and put
herself in, in every instance, as an illustrative case.

Mr Pulchop had long since departed this life, being considerably
assisted in his exit from this wicked world by the quantity of
patent medicines his wife compelled him to take to cure him, which
unfortunately, however, had the opposite effect.

Mrs Pulchop said he had been a handsome man, but according to the
portrait she had of him he resembled a bull-dog more than anything
else in nature. The young Pulchops, of which there were two, both of
the female sex, took after their father in appearance and their
mother in temperament, and from the time they could talk and crawl
knew as much about drops, poultices, bandages, and draughts as many
a hospital nurse of mature age.

One day Vandeloup sent a telegram to Kitty saying he would be home
to dinner, and as he always required something extra in the way of
cooking, Kitty went to interview Mrs Pulchop on the subject. She
found that lady wrapped up in a heavy shawl, turning herself into a
tea-kettle by drinking hot water, the idea being, as she assured
Kitty, to rouse up her liver. Miss Topsy Pulchop was tying a bandage
round her face, as she felt a toothache coming on, while Miss Anna
Pulchop was unfortunately quite well, and her occupation being gone,
was seated disconsolately at the window trying to imagine she felt
pains in her back.

'Ah!' groaned Mrs Pulchop, in a squeaky voice, sipping her hot
water; 'you don't know, my dear, what it is to be aworrited by your
liver--tortures and inquisitions ain't in it, my love.'

Kitty said she was very sorry, and asked her if nothing would
relieve her sufferings, but Mrs Pulchop shook her head triumphantly.

'My sweet young thing,' said the patient, with great gusto, 'I've
tried everything under the sun to make it right, but they ain't no
good; it's always expanding and a contracting of itself unbeknown to
me, and throwing the bile into the stomach, which ain't its proper
place.'

'It does sound rather nasty,' assented Kitty; 'and Topsy seems to be
ill, too.'

'Toothache,' growled Topsy, who had a deep, bass voice, and being
modelled on the canine lines of her late lamented father, the growl
suited her admirably. 'I had two out last week, and now this one's
started.'

'Try a roasted fig, Topsy dear,' suggested her mother, who, now,
having finished her hot water, looked longingly at the kettle for
more.

'Toothache,' growled Topsy, in reply, 'not gumboil;' the remedy
suggested by Mrs Pulchop being for the latter of these ills.

'You are quite well, at any rate,' said Kitty to Anna, cheerfully.

Anna, however, declined to be considered in good health. 'I fancy my
back is going to ache,' she said, darkly placing her hand in the
small of it. 'I'll have to put a linseed poultice on it tonight, to
draw the cold out.'

Then she groaned dismally, and her mother and sister, hearing the
familiar sound, also groaned, so there was quite a chorus, and Kitty
felt inclined to groan also, out of sympathy.

'M. Vandeloup is coming to dinner tonight,' she said, timidly, to
Mrs Pulchop.

'And a wonder it is, my sweet angel,' said that lady, indignantly,
rising and glancing at the pretty girl, now so pale and sad-looking,
'it's once in a blue moon as he comes 'ome, a--leaving you to mope
at home like a broken-hearted kitten in a coal box. Ah, if he only
had a liver, that would teach him manners.'

Groans of assent from the Misses Pulchops, who both had livers and
were always fighting with them.

'And what, my neglected cherub,' asked Mrs Pulchop, going to a
looking-glass which always hung in the kitchen, for the three to
examine their tongues in, 'what shall I give you for dinner?'

Kitty suggested a fowl, macaroni cheese, and fruit for dessert,
which bill of fare had such an effect on the family that they all
groaned in unison.

'Macaroni cheese,' growled Topsy, speaking from the very depth of
the cork soles she wore to keep her feet dry; 'there's nothing more
bilious. I couldn't look at it.'

'Ah,' observed Mrs Pulchop, 'you're only a weak gal, and men is that
obstinate they'd swaller bricks like ostriges sooner nor give in as
it hurt 'em. You shall 'ave a nice dinner, Mrs Vanloops, tho' I
can't deny but what it ull be bilious.'

Thus warned, Kitty retired into her own room and made herself nice
for Gaston to look on when he came.

Poor thing, it was so rarely now that he came home to dinner, that a
visit from him was regarded by her in the light of a treat. She
dressed herself in a pretty white dress and tied a blue sash round
her waist, so that she might look the same to him as when he first
saw her. But her face was now worn and white, and as she looked at
her pallor in the glass she wished she had some rouge to bring a
touch of colour to her cheeks. She tried to smile in her own merry
way at the wan reflection she beheld, but the effort was a failure,
and she burst into tears.

At six o'clock everything was ready for dinner, and having seen that
all was in good order, Kitty walked outside to watch for Gaston.

There was a faint, warm, light outside, and the sky was of a pale
opaline tint, while the breeze blowing across the garden brought the
perfume of the flowers to her, putting Kitty in mind of Mrs
Villiers' garden at Ballarat. Oh, those innocent days! would they
never come again? Alas! she knew that they would not--the subtle
feeling of youth had left her for ever; and this girl, leaning up
against the house with her golden head resting on her arm, knew that
the change had come over her which turns all from youth to age.

Suddenly she heard the rattle of wheels, and rousing herself from
her reverie, she saw a hansom cab at the gate, and M. Vandeloup
standing on the pavement paying the driver. She also heard her lover
tell the cabman to call for him at eight o'clock, and her heart sank
within her as she thought that he would be gone again in two hours.
The cab drove off, and she stood cold and silent on the verandah
waiting for Gaston, who sauntered slowly up the walk with one hand
in the pocket of his trousers. He was in evening dress, and the
night being warm he did not wear an overcoat, so looked tall and
slim in his dark clothes as he came up the path swinging his cane
gaily to and fro.

'Well, Bebe,' he said, brightly, as he bent down and kissed her,
'here I am, you see; I hope you've got a nice dinner for me?'

'Oh, yes,' answered Kitty, trying to smile, and walking before him
into the house; 'I told Mrs Pulchop, and she has made special
preparations.'

'How is that walking hospital?' asked Vandeloup, carelessly taking
off his hat; 'I suppose she is ill as usual.'

'So she says,' replied Kitty, with a laugh, as he put his arm in
hers and walked into the room; 'she is always ill.'

'Why, Bebe, how charming you look tonight,' said Vandeloup, holding
her at arm's length; 'quite like your old self.'

And indeed she looked very pretty, for the excitement of seeing him
had brightened her eyes and flushed her cheeks, and standing in the
warm light of the lamp, with her golden hair floating round her
head, she looked like a lovely picture.

'You are not going away very soon?' she whispered to Gaston, coming
close to him, and putting her hand on his shoulder; 'I see so little
of you now.'

'My dear child, I can't help it,' he said, carelessly removing her
hand and walking over to the dinner table; 'I have an engagement in
town tonight.'

'Ah, you no longer care for me,' said Kitty, with a stifled sob.

Vandeloup shrugged his shoulders.

'If you are going to make a scene,' he said, coldly, 'please
postpone it. I don't want my appetite taken away; would you kindly
see if the dinner is ready?'

Kitty dried her eyes and rang the bell, upon which Mrs Pulchop
glided into the room, still wrapped in her heavy shawl.

'It ain't quite ready yet, sir,' she said, in answer to Gaston's
question; 'Topsy 'aving been bad with the toothache, which you can't
expect people to cook dinners as is ill!'

'Why don't you send her to the hospital?' said Vandeloup, with a
yawn, looking at his watch.

'Never,' retorted Mrs Pulchop, in a decisively shrill voice; 'their
medicines ain't pure, and they leaves you at the mercy of doctors to
be practised on like a pianer. Topsy may go to the cemetery like her
poor dear father, but never to an inquisition of a hospital;' and
with this Mrs Pulchop faded out of the room, for her peculiar mode
of egress could hardly be called walking out.

At last dinner made its appearance, and Kitty recovering her
spirits, they had a very pleasant meal together, and then Gaston sat
over his coffee with a cigarette, talking to Kitty.

He never was without a cigarette in his mouth, and his fingers were
all stained a yellowish brown by the nicotine. Kitty lay back in a
big arm-chair listening to his idle talk and admiring him as he sat
at the dinner table.

'Can't you stay tonight?' she said, looking imploringly at him.

Vandeloup shook his head gently.

'I have an engagement, as I told you before,' he said, lazily;
'besides, evenings at home are so dreary.'

'I will be here,' said Kitty, reproachfully.

'That will, of course, make a difference,' answered Gaston, with a
faint sneer; 'but you know,' shrugging his shoulders, 'I do not
cultivate the domestic virtues.'

'What will you do when we are married?' said Kitty, with an uneasy
laugh.

'Enough for the day is the evil thereof,' replied M. Vandeloup, with
a gay smile.

'What do you mean?' asked the girl, with a sudden start.

Vandeloup arose from his seat, and lighting another cigarette he
lounged over to the fireplace, and leaned against the mantelpiece
with his hands in his pockets.

'I mean that when we are married it will be time enough to talk
about such things,' he answered, looking at her through his
eyelashes.

'Then we will talk about them very shortly,' said Kitty, with an
angry laugh, as her hands clenched the arms of the chair tightly;
'for the year is nearly up, and you promised to marry me at the end
of it.'

'How many things do we intend to do that are never carried out?'
said Gaston, gently. 'Do you mean that you will break your promise?'
she asked, with a scared face.

Vandeloup removed the cigarette from his mouth, and, leaning one
elbow on the mantelpiece, looked at her with a smile.

'My dear,' he said, quietly, 'things are not going well with me at
present, and I want money badly.'

'Well?' asked Kitty in a whisper, her heart beating loudly.

'You are not rich,' said her lover, 'so why should we two paupers
get married, only to plunge ourselves into misery?'

'Then you refuse to marry me?' she said, rising to her feet.

He bowed his head gently.

'At present, yes,' he answered, and replaced the cigarette between
his lips.

Kitty stood for a moment as if turned to stone, and then throwing up
her hands with a gesture of despair, fell back into the chair, and
burst into a flood of tears. Vandeloup shrugged his shoulders in a
resigned sort of manner, and glanced at his watch to see when it
would be time for him to go. Meanwhile he smoked quietly on, and
Kitty, after sobbing for some time, dried her eyes, and sat up in
the chair again.

'How long is this going to last?' she asked, in a hard voice.

'Till I get rich!'

'That may be a long time?'

'It may.'

'Perhaps never?'

'Perhaps!'

'And then I will never be your wife?'

'Unfortunately, no.'

'You coward!' burst forth Kitty, rising from her seat, and crossing
over to him; 'you made me leave my home with your false promises,
and now you refuse to make me the only reparation that is in your
power.'

'Circumstances are against any virtuous intentions I may entertain,'
retorted Vandeloup, coolly.

Kitty looked at him for a moment, then ran over to a desk near the
window, and took from thence a small bottle of white glass with two
red bands round it. She let the lid of the desk fall with a bang,
then crossed to Vandeloup, holding the bottle up before him.

'Do you know what this is?' she asked, in a harsh voice.

'The poison I made in Ballarat,' he answered, coolly, blowing a
wreath of smoke; 'how did you get hold of it?'

'I found it in your private desk,' she said, coldly.

'That was wrong, my dear,' he answered, gently, 'you should never
betray confidences--I left the desk in your charge, and it should
have been sacred to you.'

'Out of your own mouth are you condemned,' said the girl, quickly;
'you have betrayed my confidence and ruined me, so if you do not fix
a day for our marriage, I swear I will drink this and die at your
feet.'

'How melodramatic you are, Bebe,' said Vandeloup, coolly; 'you put
me in mind of Croisette in "Le Sphinx".'

'You don't believe I will do it.'

'No! I do not.'

'Then see.' She took the stopper out of the bottle and held it to
her lips. Vandeloup did not stir, but, still smoking, stood looking
at her with a smile. His utter callousness was too much for her, and
replacing the stopper again, she slipped the bottle into her pocket
and let her hands fall idly by her side.

'I thought you would not do it,' replied Gaston, smoothly, looking
at his watch; 'you must really excuse me, I hear the cab wheels
outside.'

Kitty, however, placed herself in front of him as he moved towards
the door.

'Listen to me,' she said, in a harsh voice, with white face and
flaming eyes; 'to-night I leave this house for ever.'

He bowed his head.

'As it pleases you,' he replied, simply.

'My God!' she cried, 'have you no love for me now?'

'No,' he answered, coldly and brutally, 'I am tired of you.'

She fell on her knees and clutched his hand.

'Dear Gaston! dear Gaston!' she cried, covering it with kisses,
'think how young I am, how my life is ruined, and by you. I gave up
everything for your sake--home, father, and friends--you will not
cast me off like this after all I have sacrificed for you? Oh, for
God's sake, speak--speak!'

'My dear,' said Vandeloup, gravely, looking down at the kneeling
figure with the streaming eyes and clenched hands, 'as long as you
choose to stay here I will be your friend--I cannot afford to marry
you, but while you are with me our lives will be as they have been;
good-bye at present,' touching her forehead coldly with his lips, 'I
will call to-morrow afternoon to see how you are, and I trust this
will be the last of such scenes.'

He drew his hand away from hers, and she sat on the floor dull and
silent, with her eyes fixed on the ground and an aching in her
heart. Vandeloup went into the hall, put on his hat, then lighting
another cigarette and taking his stick, walked gaily out of the
house, humming an air from 'La Belle Helene'. The cab was waiting
for him at the door, and telling the man to drive to the Bachelors'
Club, he entered the cab and rattled away down the street without a
thought for the broken-hearted woman he left behind.

Kitty sat on the floor with her folded hands lying carelessly on her
lap and her eyes staring idly at the carpet. This, then, was the end
of all her hopes and joys--she was cast aside carelessly by this man
now that he wearied of her. Love's young dream had been sweet
indeed; but, ah! how bitter was the awakening. Her castles in the
air had all melted into clouds, and here in the very flower of her
youth she felt that her life was ruined, and she was as one
wandering in a sterile waste, with a black and starless sky
overhead. She clasped her hands with a sensation of pain, and a rose
at her breast fell down withered and dead. She took it up with
listless fingers, and with the quiver of her hand the leaves fell
off and were scattered over her white dress in a pink shower. It was
an allegory of her life, she thought. Once it had been as fresh and
full of fragrance as this dead rose; then it had withered, and now
she saw all her hopes and beliefs falling off one by one like the
faded petals. Ah, there is no despair like that of youth; and Kitty,
sitting on the floor with hot dry eyes and a pain in her heart, felt
that the sun of her life had set for ever.

**

So still the night was. No moon as yet, but an innumerable blaze of
stars set like diamonds in the dark blue sky. A smoky yellowish haze
hung over the city, but down in the garden amid the flowers all was
cool and fragrant. The house was quite dark, and a tall mulberry
tree on one side of it was black against the clear sky. Suddenly the
door opened, and a figure came out and closed the door softly after
it. Down the path it came, and standing in the middle of the garden,
raised a white tear-stained face to the dark sky. A dog barked in
the distance, and then a fresh cold breeze came sweeping through the
trees and stirring the still perfumes of the flowers. The figure
threw its hands out towards the house with a gesture of despair,
then gliding down the path it went out of the gate and stole quietly
down the lonely street.




CHAPTER III

M. VANDELOUP HEARS SOMETHING TO HIS ADVANTAGE


As he drove rapidly into town Gaston's thoughts were anything but
pleasant. Not that he was thinking about Kitty, for he regarded the
scene he had with her as merely an outburst of hysterical passion,
and did not dream she would take any serious step. He forgot all
about her when he left the house, and, lying back in the cab smoking
one of his everlasting cigarettes, pondered about his position. The
fact was he was very hard up for money, and did not know where to
turn for more. His luck at cards was so great that even the
Bachelors, used as they were to losing large sums, began to murmur
among themselves that M. Vandeloup was too clever, and as that young
gentleman by no means desired to lose his popularity he stopped
playing cards altogether, and so effectually silenced everyone. So
this mode of making money was gone, and until Madame Midas arrived
in town Vandeloup did not see how he was going to keep on living in
his former style. But as he never denied himself anything while he
had the money, he ordered the cabman to drive to Paton's, the
florist in Swanston Street, and there purchased a dainty bunch of
flowers for his button hole. From thence he drove to his club, and
there found a number of young fellows, including Mr Barty Jarper,
all going to the Princess Theatre to see 'The Mikado'. Barty rushed
forward when Vandeloup appeared and noisily insisted he should come
with them. The men had been dining, and were exhilarated with wine,
so Vandeloup, not caring to appear at the theatre with such a noisy
lot, excused himself. Barty and his friends, therefore, went off by
themselves, and left Vandeloup alone. He picked up the evening paper
and glanced over it with a yawn, when a name caught his eye which he
had frequently noticed before.

'I say,' he said to a tall, fair young fellow who had just entered,
'who is this Meddlechip the paper is full of?'

'Don't you know?' said the other, in surprise; 'he's one of our
richest men, and very generous with his money.'

'Oh, I see! buys popularity,' replied Vandeloup, coolly; 'how is it
I've never met him?'

'He's been to China or Chile--or--something commencing with a C,'
returned the young man, vaguely; 'he only came back to Melbourne
last week; you are sure to meet him sooner or later.'

'Thanks, I'm not very anxious,' replied Vandeloup, with a yawn;
'money in my eyes does not compensate for being bored; where are you
going to-night?'

'"Mikado",' answered the other, whose name was Bellthorp; 'Jarper
asked me to go up there; he's got a box.'

'How does he manage to pay for all these things?' asked Vandeloup,
rising; 'he's only in a bank, and does not get much money.'

'My dear fellow,' said Bellthorp, putting his arm in that of
Vandeloup's, 'wherever he gets it, he always has it, so as long as
he pays his way it's none of our business; come and have a drink.'

Vandeloup assented with a laugh, and they went to the bar.

'I've got a cab at the door,' he said to Bellthorp, after they had
finished their drinks, and were going downstairs; 'come with me, and
I'll go up to the Princess also; Jarper asked me and I refused, but
men as well as women are entitled to change their minds.'

They got into the cab and drove up Collins Street to the Princess
Theatre. After dismissing the cab, they went up stairs and found the
first act was just over, and the bar was filled with a crowd of
gentlemen, among whom Barty and his friends were conspicuous. On the
one side the doors opened on to the wide stone balcony, where a
number of ladies were seated, and on the other balcony a lot of men
were smoking. Leaving Bellthorp with Jarper, Vandeloup ordered a
brandy and soda and went out on the balcony to smoke.

The bell rang to indicate the curtain was going to rise on the
second act, and the bar and balconies gradually emptied themselves
into the theatre. M. Vandeloup, however, still sat smoking, and
occasionally drinking his brandy and soda, while he thought over his
difficulties, and wondered how he could get out of them. It was a
wonderfully hot night, and not even the dark blue of the moonless
sky, studded with stars, could give any sensation of coolness. Round
the balcony were several windows belonging to the dressing-rooms of
the theatre, and the lights within shone through the vivid red of
the blinds with which they were covered. The door leading into the
bar was wide open, and within everything seemed hot, even under the
cool, white glare of the electric lights, which shone in large oval-
shaped globes hanging from the brass supports in clusters like those
grapes known as ladies' fingers. In front stretched the high
balustrade of the balcony, and as Vandeloup leaned back in his chair
he could see the white blaze of the electric lights rising above
this, and then the luminous darkness of the summer's night. Beyond a
cluster of trees, with a path, lit by gas lamps, going through it,
the lights of which shone like dull yellow stars. On the right arose
the great block of Parliament-buildings, with the confused mass of
the scaffolding, standing up black and dense against the sky. A
pleasant murmur arose from the crowded pavement below, and through
the incessant rattle of cabs and sharp, clear cries of the street
boys, Gaston could hear the shrill tones of a violin playing the
dreamy melody of the 'One Summer's Night in Munich' valse, about
which all Melbourne was then raving.

He was so occupied with his own thoughts that he did not notice two
gentlemen who came in from the bar, and taking seats a little
distant from him, ordered drinks from the waiter who came to attend
to them. They were both in evening dress, and had apparently left
the opera in order to talk business, for they kept conversing
eagerly, and their voices striking on Vandeloup's ear he glanced
round at them and then relapsed into his former inattentive
position. Now, however, though apparently absorbed in his own
thoughts, he was listening to every word they said, for he had
caught the name of The Magpie Reef, a quartz mine, which had lately
been floated on the market, the shares of which had run up to a
pound, and then, as bad reports were circulated about it, dropped
suddenly to four shillings. Vandeloup recognised one as Barraclough,
a well-known stockbroker, but the other was a dark, wiry-looking man
of medium height, whom he had never seen before.

'I tell you it's a good thing,' said Barraclough, vehemently laying
his hand on the table; 'Tollerby is the manager, and knows
everything about it.'

'Gad, he ought to,' retorted the other with a laugh, 'if he's the
manager; but I don't believe in it, dear boy, I never did; it
started with a big splash, and was going to be a second Long Tunnel
according to the prospectus; now the shares are only four shillings-
-pshaw!'

'Yes, but you forget the shares ran up to a pound,' replied
Barraclough, quickly; 'and now they are so cheap we can snap them up
all over the market, and then--'

'Well?' asked the other, with interest.

'They will run up, old fellow--see?' and the Broker rubbed his hands
gleefully.

'How are you going to get up a "Boom" on them?' asked the wiry man,
sceptically; 'the public won't buy blindly, they must see
something.'

'And so they shall,' said Barraclough, eagerly; 'Tollerby is sending
down some of the stone.'

'From the Magpie Reef?' asked the other, suspiciously.

'Of course,' retorted the Broker, indignantly; 'you did not think it
was salted, did you? There is gold in the reef, but it is patchy.
See,' pulling out a pocket-book, 'I got this telegram from Tollerby
at four o'clock to-day;' he took a telegram from the pocket-book and
handed it to his companion.

'Struck it rich--evidently pocket--thirty ounces to machine,' read
the other slowly; 'gad! that looks well, why don't you put it in the
papers?'

'Because I don't hold enough shares,' replied the other,
impatiently; 'don't you understand? To-morrow I go on 'Change and
buy up all the shares at four shillings I can lay my hands on, then
at the end of the week the samples of stone--very rich--come down. I
publish this telegram from the manager, and the "Boom" starts.'

'How high do you think the shares will go?' asked the wiry man,
thoughtfully.

Barraclough shrugged his shoulders, and replaced the telegram in his
pocket-book.

'Two or three pounds, perhaps more,' he replied, rising. 'At all
events, it's a good thing, and if you go in with me, we'll clear a
good few thousand out of it.'

'Come and see me to-morrow morning,' said the wiry man, also rising.
'I think I'll stand in.'

Barraclough rubbed his hands gleefully, and then slipping his arm in
that of his companion they left the balcony and went back to the
theatre.

Vandeloup felt every nerve in his body tingling. Here was a chance
to make money. If he only had a few hundreds he could buy up all the
Magpie shares he could get and reap the benefit of the rise. Five
hundred pounds! If he could obtain that sum he could buy two
thousand five hundred shares, and if they went to three pounds, he
could clear nearly eight thousand. What an idea! It was ripe fruit
tumbling off the tree without the trouble of plucking it. But five
hundred pounds! He had not as many pence, and he did not know where
to get it. If he could only borrow it from someone--but then he
could offer no security. A sense of his own helplessness came on him
as he saw this golden tide flowing past his door, and yet was unable
to take advantage of it. Five hundred pounds! The sum kept buzzing
in his head like a swarm of bees, and he threw himself down again in
his chair to try and think where he could get it.

A noise disturbed him, and he saw that the opera was over, and a
crowd of gentlemen were thronging into the bar. Jarper was among
them, and he thought he would speak to him on the subject. Yes,
Barty was a clever little fellow, and seemed always able to get
money. Perhaps he would be able to assist him. He stepped out of the
balcony into the light and touched Barty on the shoulder as he stood
amid his friends.

'Hullo! it's you!' cried Barty, turning round. 'Where have you been,
old chap?'

'Out on the balcony,' answered Vandeloup, curtly.

'Come and have supper with us,' said Barty, hospitably. 'We are
going to have some at Leslie's.'

'Yes, do come,' urged Bellthorp, putting his arm in that of
Vandeloup's; 'we'll have no end of fun.'

Vandeloup was just going to accept, as he thought on the way he
could speak privately to Barty about this scheme he had, when he saw
a stout gentleman at the end of the room taking a cup of coffee at
the counter, and talking to another gentleman who was very tall and
thin. The figure of the stout gentleman seemed familiar to
Vandeloup, and at this moment he turned slowly round and looked down
the room. Gaston gave a start when he saw his face, and then smiled
in a gratified manner to himself.

'Who is that gentleman with the coffee?' he asked Barty.

'Those stout and lean kine,' said Barty, airily, 'puts one in mind
of Pharaoh's dream, doesn't it?'

'Yes, yes!' retorted Gaston, impatiently; 'but who are they?'

'The long one is Fell, the railway contractor,' said Barty, glancing
with some surprise at Vandeloup, 'and the other is old Meddlechip,
the millionaire.'

'Meddlechip,' echoed Vandeloup, as if to himself; 'my faith!'

'Yes,' broke in Bellthorp, quickly; 'the one we were speaking of at
the club--do you know him?'

'I fancy I do,' said Vandeloup, with a strange smile. 'You must
excuse me to your supper to-night.'

'No, we won't,' said Barty, firmly; 'you must come.'

'Then I'll look in later,' said Vandeloup, who had not the slightest
intention of going. 'Will that do?'

'I suppose it will have to,' said Bellthorp, in an injured tone;
'but why can't you come now?'

'I've got to see about some business,' said Vandeloup.

'What, at this hour of the night?' cried Jarper, in a voice of
disgust.

Vandeloup nodded, and lit a cigarette.

'Well, mind you come in later,' said Barty, and then he and his
friends left the bar, after making Vandeloup promise faithfully he
would come.

Gaston sauntered slowly up to the coffee bar, and asked for a cup in
his usual musical voice, but when the stout gentleman heard him
speak he turned pale and looked up. The thin one had gone off to
talk to someone else, so when Vandeloup got his coffee he turned
slowly round and looked straight at Meddlechip seated in the chair.

'Good evening, M. Kestrike,' he said, quietly.

Meddlechip, whose face was usually red and florid-looking, turned
ghastly pale, and sprang to his feet.

'Octave Braulard!' he gasped, placing his coffee cup on the counter.

'At your service,' said Vandeloup, looking rapidly round to see that
no one overheard the name, 'but here I am Gaston Vandeloup.'

Meddlechip passed his handkerchief over his face and moistened his
dry lips with his tongue.

'How did you get here?' he asked, in a strangled voice.

'It's a long story,' said M. Vandeloup, putting his coffee cup down
and wiping his lips with his handkerchief; 'suppose we go and have
supper somewhere, and I'll tell you all about it.'

'I don't want any supper,' said Meddlechip, sullenly, his face
having regained its normal colour. 'Possibly not, but I do,' replied
Vandeloup, sweetly, taking his arm; 'come, let us go.'

Meddlechip did not resist, but walked passively out of the bar with
Vandeloup, much to the astonishment of the thin gentleman, who
called out to him but without getting any answer.

Meddlechip went to the cloak room and put on his coat and hat. Then
he followed Vandeloup down the stairs and paused at the door while
the Frenchman hailed a hansom. When it drove up, however, he stopped
short at the edge of the pavement.

'I won't go,' he said, determinedly.

Vandeloup looked at him with a peculiar gleam in his dark eyes, and
bowed.

'Let me persuade you, Monsieur,' he said, blandly, holding the door
of the cab open.

Meddlechip glanced at him, and then, with a sigh of resignation,
entered the cab, followed by Vandeloup.

'Where to, sir?' asked the cabman, through the trap.

'To Leslie's Supper Rooms,' replied the Frenchman, and the cab drove
off.




CHAPTER IV

THE CASE OF ADELE BLONDET


Leslie's Supper Rooms in Bourke Street East were very well known--
that is, among a certain class. Religious people and steady
businessmen knew nothing about such a place except by reputation,
and looked upon it, with horror, as a haunt of vice and dissipation.

Though Leslie's, in common with other places had to close at a
certain hour, yet when the shutters were up, the door closed, and
the lights extinguished in the front of the house, there was plenty
of life and bustle going on at the back, where there were charmingly
furnished little rooms for supper parties. Barty Jarper had engaged
one of these apartments, and with about a dozen young men was having
a good time of it when Vandeloup and Meddlechip drove up. After
dismissing the cab and looking up and down the street to see that no
policeman was in sight, Vandeloup knocked at the door in a peculiar
manner, and it was immediately opened in a stealthy kind of way.
Gaston gave his name, whereupon they were allowed to enter, and the
door was closed after them in the same quiet manner, all of which
was very distasteful to Mr Meddlechip, who, being a public man and a
prominent citizen, felt that he was breaking the laws he had
assisted to make. He looked round in some disgust at the crowds of
waiters, and at the glimpses he caught every now and then of
gentlemen in evening dress, and what annoyed him more than anything
else--ladies in bright array. Oh! a dissipated place was Leslie's,
and even in the daytime had a rakish-looking appearance as if it had
been up all night and knew a thing or two. Mr Meddlechip would have
retreated from this den of iniquity if he could, but as he wanted to
have a thorough explanation with Vandeloup, he meekly followed the
Frenchman through a well-lighted passage, with statues on either
side holding lamps, to a little room beautifully furnished, wherein
a supper table was laid out. Here the waiter who conducted them took
their hats and Meddlechip's coat and hung them up, then waited
respectfully for M. Vandeloup to give his orders. A portly looking
waiter he was, with a white waistcoat, a white shirt, which bulged
out in a most obtrusive manner, and a large white cravat, which was
tied round an equally large white collar. When he walked he rolled
along like a white-crested wave, and with his napkin under his arm,
the heel of one foot in the hollow of the other, and his large red
face, surmounted by a few straggling tufts of black hair, he was
truly wonderful to behold.

This magnificent creature, who answered to the name of Gurchy,
received Vandeloup's orders with a majestic bend of his head, then
rolling up to Mr Meddlechip, he presented the bill of fare to that
gentleman, who, however, refused it.

'I don't want any supper,' he said, curtly.

Gurchy, though a waiter, was human, and looked astonished, while
Vandeloup remonstrated in a suave manner.

'But, my dear sir,' he said, leaning back in his chair, 'you must
have something to eat. I assure you,' with a significant smile, 'you
will need it.'

Meddlechip's lips twitched a little as the Frenchman spoke, then,
with an uneasy laugh, he ordered something, and drew his chair up to
the table.

'And, waiter,' said Vandeloup, softly, as Gurchy was rolling out of
the door, 'bring some wine, will you? Pommery, I think, is best,' he
added, turning to Meddlechip.

'What you like,' returned that gentleman, impatiently, 'I don't
care.'

'That's a great mistake,' replied Gaston, coolly; 'bad wine plays
the deuce with one's digestion--two bottles of Pommery, waiter.'

Gurchy nodded, that is to say his head disappeared for a moment in
the foam of his collar, then re-appeared again as he slowly rolled
out of the door and vanished.

'Now, then, sir,' said Meddlechip, sharply, rising from his seat and
closing the door, 'what did you bring me here for?'

M. Vandeloup raised his eyebrows in surprise.

'How energetic you are, my dear Kestrike,' he said, smoothly, lying
down on the sofa, and contemplating his shoes with great
satisfaction; 'just the same noisy, jolly fellow as of yore.'

'Damn you!' said the other, fiercely, at which Gaston laughed.

'You had better leave that to God,' he answered, mockingly; 'he
understands more about it than you do.'

'Oh, I know you of old,' said Meddlechip, walking up and down
excitedly; 'I know you of old, with your sneers and your coolness,
but it won't do here,' stopping opposite the sofa, and glaring down
at Vandeloup; 'it won't do here!'

'So you've said twice,' replied M. Vandeloup, with a yawn. 'How do
you want me to conduct myself? Do tell me; I am always open to
improvement.'

'You must leave Australia,' said Meddlechip, sharply, and breathing
hard.

'If I refuse?' asked M. Vandeloup, lazily, smiling to himself.

'I will denounce you as a convict escaped from New Caledonia!'
hissed the other, putting his hands in his pockets, and bending
forward.

'Indeed,' said Gaston, with a charming smile, 'I don't think you
will go so far as that, my friend.'

'I swear,' said Meddlechip, loudly, raising his hand, 'I swear--'

'Oh, fie!' observed M. Vandeloup, in a shocked tone; 'an old man
like you should not swear; it's very wrong, I assure you; besides,'
with a disparaging glance, 'you are not suited to melodrama.'

Meddlechip evidently saw it was no good trying to fight against the
consummate coolness of this young man, so with a great effort
resolved to adapt himself to the exigencies of the case, and fight
his adversary with his own weapons.

'Well,' he said at length, resuming his seat at the table, and
trying to speak calmly, though his flushed face and quivering lips
showed what an effort it cost him; 'let us have supper first, and we
can talk afterwards.'

'Ah, that's much better,' remarked M. Vandeloup, sitting up to the
table, and unrolling his napkin. 'I assure you, my dear fellow, if
you treat me well, I'm a very easy person to deal with.'

The eyes of the two men met for a moment across the table, and
Vandeloup's had such a meaning look in them, that Meddlechip dropped
his own with a shiver.

The door opened, and the billowy waiter rolled up to the table, and
having left a deposit of plates and food thereon, subsided once more
out of the door, then rolled in again with the champagne. He drew
the cork of one of the bottles, filled the glasses on the table, and
then after giving a glance round to see that all was in order,
suddenly found that it was ebb-tide, and rolled slowly out of the
door, which he closed after him.

Meddlechip ate his supper in silence, but drank a good deal of
champagne to keep his courage up for the coming ordeal, which he
knew he must go through. Vandeloup, on the other hand, ate and drank
very little, as he talked gaily all the time about theatres, racing,
boating, in fact of everything except the thing the other man wanted
to hear.

'I never mix up business with pleasure, my dear fellow,' said
Gaston, amiably, guessing his companion's thoughts; 'when we have
finished supper and are enjoying our cigars, I will tell you a
little story.'

'I don't want to hear it,' retorted the other, harshly, having an
intuitive idea what the story would be about.

'Possibly not,' replied M. Vandeloup, smoothly; 'nevertheless it is
my wish that you should hear it.'

Meddlechip looked as if he were inclined to resent this plain
speaking, but after a pause evidently thought better of it, and went
on tranquilly eating his supper.

When they had finished Gaston rang the bell, and when the billow
rolled in, ordered a fresh bottle of wine and some choice cigars of
a brand well known at Leslie's. Gurchy's head disappeared in foam
again, and did not emerge therefrom till he was out of the door.

Try one of these,' said M. Vandeloup, affably, to Meddlechip, when
the billow had rolled in with the cigars and wine, 'it's an
excellent brand.'

'I don't care about smoking,' answered Meddlechip.

'To please me,' urged M. Vandeloup, persuasively; whereupon
Meddlechip took one, and having lighted it puffed away evidently
under protest, while the billow opened the new bottle of wine,
freshened up the glasses, and then rolled majestically out of the
door, like a tidal wave.

'Now then for the story,' said M. Vandeloup, leaning back
luxuriously on the sofa, and blowing a cloud of smoke.

'I don't want to hear it,' retorted the other, quickly; 'name your
terms and let us end the matter.'

'Pardon me,' said M. Vandeloup, with a smile, 'but I refuse to
accept any terms till I have given you thoroughly to understand what
I mean; so you must hear this little tale of Adele Blondet.'

'For God's sake, no!' cried the other, hoarsely, rising to his feet;
'I tell you I am haunted by it; by day and by night, sleeping or
waking, I see her face ever before me like an accusing angel.'

'Curious,' murmured M. Vandeloup, 'especially as she was not by any
means an angel.'

'I thought it was done with,' said Meddlechip, twisting his fingers
together, while the large drops of perspiration stood on his
forehead, 'but here you come like a spectre from the past and revive
all the old horrors.'

'If you call Adele a horror,' retorted Vandeloup, coolly, 'I am
certainly going to revive her, so you had best sit down and hear me
to the end, for you certainly will not turn me from my purpose.'

Meddlechip sank back into his chair with a groan, while his
relentless enemy curled himself up on the sofa in a more comfortable
position and began to talk.

'We will begin the story,' said M. Vandeloup, in a conversational
tone, with an airy wave of his delicate white hand, 'in the good
old-fashioned style of our fairy tales. Once upon a time--let us say
three years ago--there lived in Paris a young man called Octave
Braulard, who was well born and comfortably off. He had a fancy to
be a doctor, and was studying for the medical profession when he
became entangled with a woman. Mademoiselle Adele Blondet was a
charmingly ugly actress, who was at that time the rage of Paris. She
attracted all the men, not by her looks, but by her tongue. Octave
Braulard,' went on M. Vandeloup, complacently looking at himself,
'was handsome, and she fell in love with him. She became his
mistress, and caused a nine days' wonder in Paris by remaining
constant to him for six months. Then there came to Paris an English
gentleman from Australia--name, Kestrike; position, independent;
income, enormous. He had left Madame his wife in London, and came to
our wicked Paris to amuse himself. He saw Adele Blondet, and was
introduced to her by Braulard; result, Kestrike betrayed his friend
Braulard by stealing from him his mistress. Why was this? Was
Kestrike handsome? No. Was he fascinating? No. Was he rich? Yes.
Therein lay the secret; Adele loved the purse, not the man.
Braulard,' said Gaston, rising from the sofa quickly and walking
across the room, 'felt his honour wounded. He remonstrated with
Adele, no use; he offered to fight a duel with the perfidious
Kestrike, no use; the thief was a coward.'

'No,' cried Meddlechip, rising, 'no coward.'

'I say, yes!' said Vandeloup, crossing to him, and forcing him back
in his chair; 'he betrayed his friend and refused to give him the
satisfaction of a gentleman. What did Braulard do? Rest quiet? No.
Revenge his honour? Yes! One night,' pursued Gaston, in a low
concentrated voice, grasping Meddlechip's wrist firmly, and looking
at him with fiery eyes, 'Braulard prepared a poison, a narcotic
which was quick in its action, fatal in its results. He goes to the
house of Adele Blondet at half-past twelve o'clock--the hour now,'
he said, rapidly swinging round and pointing to the clock on the
mantelpiece, which had just struck the half-hour; 'he found them at
supper,' releasing Meddlechip's wrist and crossing to the sofa; 'he
sat opposite Kestrike, as he does now,' leaning forward and glaring
at Meddlechip, who shrank back in his chair. 'Adele, at the head of
the table, laughs and smiles; she looks at her old lover and sees
murder in his face; she is ill and retires to her room. Kestrike
follows her to see what is the matter. Braulard is left alone; he
produces a bottle and pours its contents into a cup of coffee,
waiting for Adele. Kestrike returns, saying Adele is ill; she wants
a drink. He takes her the poisoned cup of coffee; she drinks it and
falls'--with a long breath--'asleep. Kestrike returns to the room,
asks Braulard to leave the house. Braulard refuses. Kestrike is
afraid, and would leave himself; he rises from the table; so does
Braulard;'--here Gaston rose and crossed to Meddlechip, who was also
on his feet--'he goes to Kestrike, seizes his wrist, thus--drags him
to the bedroom, and there on the bed lies Adele Blonde--dead--killed
by the poison of one lover given her by the other--and the murderers
look at one another--thus.'

Meddlechip wrenched his hand from Vandeloup's iron grip and fell
back ghastly white in his chair, with a strangled cry, while the
Frenchman stood over him with eyes gleaming with hatred.

'Kestrike,' pursued Vandeloup, rapidly, 'is little known in Paris--
his name is an assumed one--he leaves France before the police can
discover how he has poisoned Adele Blondet, and crosses to England--
meets Madame, his wife, and returns to Australia, where he is
called--Meddlechip.'

The man in the chair threw up his hands as if to keep the other off,
and uttered a stifled cry.

'He then goes to China,' went on Gaston, bending nearer to the
shrinking figure, 'and returns after twelve months, where he meets
Octave Braulard in the theatre--yes, the two murderers meet in
Melbourne! How came Braulard here? Was it chance? No. Was it design?
No. Was it Fate? Yes.'

He hissed the words in Meddlechip's ear, and the wretched man shrank
away from him again.

'Braulard,' pursued Vandeloup, in a calmer tone, 'also left the
house of Adele Blondet. She is found dead; one of her lovers cannot
be found; the other, Braulard, is accused of the crime; he defies
the police to prove it; she has been poisoned. Bah! there is no
trace. Braulard will be free. Stop! who is this man called Prevol,
who appears? He is a fellow student of Braulard's, and knows the
poison. Braulard is lost! Prevol examines the body, proves that
poison has been given--by whom? Braulard, and none other. He is
sentenced to death; but he is so handsome that Paris urges pardon.
No; it is not according to the law. Still, spare his life? Yes. His
life is spared. The galleys at Toulon? No. New Caledonia? Yes. He is
sent there. But is Braulard a coward? No. Does he rest as a convict?
No. He makes friends with another convict; they steal a boat, and
fly from the island; they drift, and drift, for days and days; the
sun rises, the sun sets--still they drift; their food is giving out,
the water in the barrel is low--God! are they to die of thirst and
famine? No. The sky is red--like blood--the sun is sinking; land is
in the distance--they are saved!' falling on his knees; 'they are
saved, thank God!'

Meddlechip, who had recovered himself, wiped his face with his
handkerchief, and sneered with his white lips at the theatrical way
Gaston was behaving in. Vandeloup saw this, and, springing to his
feet, crossed to the millionaire.

'Braulard,' he continued, quickly, 'lands on the coast of
Queensland; he comes to Sydney--no work; to Melbourne--no work; he
goes to Ball'rat--work there at a gold-mine. Braulard takes the name
of Vandeloup and makes money; he comes to Melbourne, lives there a
year, he is in want of money, he is in despair; at the theatre he
overhears a plan which will give him money, but he needs capital--
despair again, he will never get it. Aha! Fate once more intervenes-
-he sees M. Kestrike, now Meddlechip, he will ask him for the money,
and the question is, will he get it? So the story is at an end.' He
ended with his usual smile, all his excitement having passed away,
and lounging over to the supper-table lit a cigarette and sat down
on the sofa.

Meddlechip sat silently looking at the disordered supper-table and
thinking deeply. The dishes were scattered about the white cloth,
and some vividly red cherries had fallen down from the fruit dish in
the centre, some salt was spilt near his elbow, the napkins, twisted
into thin wisps, were lying among the dirty dishes, and the
champagne glasses, half filled with the straw-coloured wine, were
standing near the empty bottles. Meddlechip thought for a few
moments, and then looked up suddenly in a cool, collected, business-
like manner.

'As I understand you,' he said, in a steady voice, 'the case stands
thus: you know a portion, or rather, I should say, an episode of my
life, I would gladly forget. I did not commit the murder.'

'No, but you gave her the poison.'

'Innocently I did, I confess.'

'Bah! who will believe that?' retorted M. Vandeloup, with a shrug;
'but never mind this at present; let me hear what you intend to do.'

'You know a secret,' said Meddlechip, nervously, 'which is dangerous
to me; you want to sell it; well, I will be the buyer--name your
price.'

'Five hundred pounds,' said Vandeloup, quietly.

'Is that all?' asked the other, with a start of surprise; 'I was
prepared for five thousand.'

'I am not exorbitant in my demands,' answered Vandeloup, smoothly;
'and as I told you, I have a scheme on hand by which I may make a
lot of money-five hundred pounds is sufficient to do what I want. If
the scheme succeeds, I will be rich enough to do without any more
money from you.'

'Yes; but if it fails?' said Meddlechip, doubtfully.

'If it fails, I will be obliged to draw on you again,' returned
Gaston, candidly; 'you can't say, however, that I am behaving badly
to you.'

'No,' answered Meddlechip, looking at him. 'I must say you are
easier to deal with than I anticipated. Well, if I give you my
cheque for five hundred--'

'Say six hundred,' observed Vandeloup, rising and going to a small
table in the corner of the room on which were pens and ink. 'I want
an extra hundred.'

'Six hundred then be it,' answered Meddlechip, quietly, rising and
going to his overcoat, from whence he took his cheque book. 'For
this amount you will be silent.'

M. Vandeloup bowed gracefully.

'On my word of honour,' he replied, gaily; 'but, of course,' with a
sudden glance at Meddlechip, 'you will treat me as a friend--ask me
to your house, and introduce me to Madame, your wife.'

'I don't see the necessity,' returned Meddlechip, angrily, going
over to the small table and sitting down.

'Pardon me, I do' answered the Frenchman, with a dangerous gleam in
his eyes.

'Well, well, I agree,' said Meddlechip, testily, taking up a pen and
opening his cheque book. 'You, of course, can dictate your own
terms.'

'I understand that perfectly,' replied Vandeloup, delicately,
lighting a cigarette, 'and have done so. You can't say they are
hard, as I said before.'

Meddlechip did not answer, but wrote out a cheque for six hundred
pounds, and then handed it to Vandeloup, who received it with a bow
and slipped it into his waistcoat pocket.

'With this,' he said, touching his pocket, 'I hope to make nearly
ten thousand in a fortnight.'

Meddlechip stared at him.

'I hope you will,' he answered, gruffly, 'all the better for my
purse if you do.'

'That, of course, goes without saying,' replied Vandeloup, lazily.
'Have some more wine?' touching the bell.

'No more, thank you,' said Meddlechip, putting on his overcoat.
'It's time I was off.'

'By the way,' said M. Vandeloup, coolly, 'I have not any change in
my pocket; you might settle for the supper.'

Meddlechip burst out laughing.

'Confound your impudence,' he said, quickly, 'I thought you asked me
to supper.'

'Oh, yes,' replied Vandeloup, taking his hat and stick, 'but I
intended you to pay for it.'

'You were pretty certain of your game, then?'

'I always am,' answered Vandeloup, as the door opened, and Gurchy
rolled slowly into the room.

Meddlechip paid the bill without making further objections, and then
they both left Leslie's with the same precautions as had attended
their entry. They walked slowly down Bourke Street, and parted at
the corner, Meddlechip going to Toorak, while Vandeloup got into a
cab and told the man to drive to Richmond, then lit a cigarette and
gave himself up to reflection as he drove along.

'I've done a good stroke of business tonight,' he said, smiling, as
he felt the cheque in his pocket, 'and I'll venture the whole lot on
this Magpie reef. If it succeeds I will be rich; if it does not--
well, there is always Meddlechip as my banker.' Then his thoughts
went back to Kitty, for the reason of his going home so late was
that he wanted to find out in what frame of mind she was.

'She'll never leave me,' he said, with a laugh, as the cab drew up
in front of Mrs Pulchop's house; 'if she does, so much the better
for me.'

He dismissed his cab, and let himself in with the latch key; then
hanging up his hat in the hall he went straight to the bedroom and
lit the gas. He then crossed to the bed, expecting to find Kitty
sound asleep, but to his surprise the bed was untouched, and she was
not there.

'Ah!' he said, quietly, 'so she has gone, after all. Poor little
girl, I wonder where she is. I must really look after her to-morrow;
at present,' he said, pulling off his coat, with a yawn, 'I think
I'll go to bed.'

He went to bed, and laying his head on the pillow was soon fast
asleep, without even a thought for the girl he had ruined.




CHAPTER V


THE KEY OF THE STREET

When Kitty left Mrs Pulchop's residence she had no very definite
idea as to what she was going to do with herself. Her sole thought
was to get as far away from her former life as possible--to
disappear in the crowd and never to be heard of again. Poor little
soul, she never for a moment dreamed that it was a case of out of
the frying pan into the fire, and that the world at large might
prove more cruel to her than Vandeloup in particular. She had been
cut to the heart by his harsh cold words, but notwithstanding he had
spoken so bitterly she still loved him, and would have stayed beside
him, but her jealous pride forbade her to do so. She who had been
queen of his heart and the idol of his life could not bear to
receive cold looks and careless words, and to be looked upon as an
encumbrance and a trouble. So she thought if she left him altogether
and never saw him again he would, perhaps, be sorry for her and
cherish her memory tenderly for evermore. If she had only known
Gaston's true nature she would not thus have buoyed herself up with
false hopes of his sorrow, but as she believed in him as implicitly
as a woman in love with a man always does, in a spirit of self-
abnegation she cut herself off from him, thinking it would be to his
advantage if not to her own.

She went into town and wandered about listlessly, not knowing where
to go, till nearly twelve o'clock, and the streets were gradually
emptying themselves of their crowds. The coffee stalls were at all
the corners, with hungry-looking people of both sexes crowded round
them, and here and there in door steps could be seen some outcasts
resting in huddled heaps, while the policemen every now and then
would come up and make them move on.

Kitty was footsore and heart-weary, and felt inclined to cry, but
was nevertheless resolved not to go back to her home in Richmond.
She dragged herself along the lonely street, and round the corner
came on a coffee stall with no one at it except one small boy whose
head just reached up to the counter. Such a ragged boy as he was,
with a broad comical-looking face--a shaggy head of red hair and a
hat without any brim to it--his legs were bandy and his feet were
encased in a pair of men's boots several sizes too large for him. He
had a bundle of newspapers under one arm and his other hand was in
his pocket rattling some coppers together while he bargained with
the coffee-stall keeper over a pie. The coffee stall had the name of
Spilsby inscribed on it, so it is fair to suppose that the man
therein was Spilsby himself. He had a long grey beard and a meek
face, looking so like an old wether himself it appeared almost the
act of a cannibal on his part to eat a mutton pie. A large placard
at the back of the stall set forth the fact that 'Spilsby's
Specials' were sold there for the sum of one penny, and it was over
'Spilsby's Specials' the ragged boy was arguing.

'I tell you I ain't agoin' to eat fat,' he said, in a hoarse voice,
as if his throat was stuffed up with one of his own newspapers. 'I
want a special, I don't want a hordinary.'

'This are a special, I tells you,' retorted Spilsby,
ungrammatically, pushing a smoking pie towards the boy; 'what a
young wiper you are, Grattles, a-comin' and spoilin' my livin' by
cussin' my wictuals.'

'Look 'ere,' retorted Grattles, standing on the tips of his large
boots to look more imposing, 'my stumick's a bit orf when it comes
to fat, and I wants the vally of my penny; give us a muttony one,
with lots of gravy.'

''Ere y'are, then,' said Spilsby, quite out of temper with his
fastidious customer; ''ere's a pie as is all made of ram as 'adn't
got more fat on it than you 'ave.'

Grattles examined the article classed under this promising
description with a critical air, and then laid down his penny and
took the pie.

'It's a special, ain't it?' he asked, suspiciously smelling it.

'It's the specialest I've got, any'ow,' answered Spilsby, testily,
putting the penny in his pocket; 'you'd eat a 'ole sheep if you
could get it for a penny, you greedy young devil, you.'

Here Kitty, who was feeling faint and ill with so much walking, came
forward and asked for a cup of coffee.

'Certainly, dear,' said Spilsby, with a leer, pouring out the
coffee; 'I'm allays good to a pretty gal.'

'It's more nor your coffee is,' growled Grattles, who had finished
his special and was now licking his fingers, 'it's all grounds and
'ot water.'

'Go away, you wicious thing,' retorted Spilsby, mildly, giving Kitty
her coffee and change out of the money she handed him, 'or I'll set
the perlice on yer.'

'Oh, my eye!' shrieked Grattles, executing a grimace after the
fashion of a favourite comedian; 'he ain't a tart, oh, no--'es a
pie, 'e are, a special, a muttony special; 'e don't kill no kittings
and call 'em sheep, oh, no; 'e don't buy chicory and calls it
coffee, blest if 'e does; 'e's a corker, 'e are, and 'is name ain't
the same as 'is father's.'

'What d'ye mean,' asked Spilsby, fiercely--that is, as fiercely as
his meek appearance would let him; 'what do you know of my parents,
you bandy-legged little devil? who's your--progenitor, I'd like to
know?'

'A dook, in course,' said Grattles loftily; 'but we don't, in
consequence of 'er Nibs bein' mixed up with the old man's mother,
reweal the family skeletons to low piemen,' then, with a fresh
grimace, he darted along the street as quickly as his bandy legs
could carry him.

Spilsby took no notice of this, but, seeing some people coming round
the corner, commenced to sing out his praises of the specials.

' 'Ere yer are--all 'ot an' steamin',' he cried, in a kind of loud
bleat, which added still more to his sheep-like appearance:
'Spilsby's Specials--oh, lovely--ain't they nice; my eye, fine
muttin pies; who ses Spilsby's; 'ave one, miss?' to Kitty.

Thank you, no,' replied Kitty, with a faint smile as she put down
her empty cup; 'I'm going now.'

Spilsby was struck by the educated manner in which she spoke and by
the air of refinement about her.

'Go home, my dear,' he said, kindly, leaning forward; 'this ain't no
time for a young gal like you to be out.'

'I've got no home,' said Kitty, bitterly, 'but if you could direct
me--'

'Here, you,' cried a shrill female voice, as a woman dressed in a
flaunting blue gown rushed up to the stall, 'give us a pie quick;
I'm starvin'; I've got no time to wait.'

'No, nor manners either,' said Spilsby, with a remonstrating bleat,
pushing a pie towards her; 'who are you, a-shovin' your betters,
Portwine Annie?'

'My betters,' scoffed the lady in blue, looking Kitty up and down
with a disdainful smile on her painted face; 'where are they, I'd
like to know?'

''Ere, 'old your tongue,' bleated Spilsby, angrily, 'or I'll tell
the perlice at the corner.'

'And much I care,' retorted the shrill-voiced female, 'seeing he's a
particular friend of mine.'

'For God's sake tell me where I can find a place to stop in,'
whispered Kitty to the coffee-stall keeper.

'Come with me, dear,' said Portwine Annie, eagerly, having overheard
what was said, but Kitty shrank back, and then gathering her cloak
around her ran down the street.

'What do you do that for, you jade?' said Spilsby, in a vexed tone;
'don't you see the girl's a lady.'

'Of course she is,' retorted the other, finishing her pie; 'we're
all ladies; look at our dresses, ain't they fine enough? Look at our
houses, aren't they swell enough?'

'Yes, and yer morals, ain't they bad enough?' said Spilsby, washing
up the dirty plate.

'They're quite as good as many ladies in society, at all events,'
replied Portwine Annie, with a toss of her head as she walked off.

'Oh, it's a wicked world,' bleated Spilsby, in a soft voice, looking
after the retreating figure. 'I'm sorry for that poor gal--I am
indeed--but this ain't business,' and once more raising his voice he
cried up his wares, 'Oh, lovely; ain't they muttony? Spilsby's
specials, all 'ot; one penny.'

Meanwhile Kitty was walking quickly down Elizabeth Street, and
turning round the corner ran right up against a woman.

'Hullo!' said the woman, catching her wrist, 'where are you off to?'

'Let me go,' cried Kitty, in a panting voice.

The woman was tall and handsome, but her face had a kindly
expression on it, and she seemed touched with the terrified tone of
the girl.

'My poor child,' she said, half contemptuously, releasing her, 'I
won't hurt you. Go if you like. What are you doing out at this time
of the night?'

'Nothing,' faltered Kitty, with quivering lips, lifting her face up
to the pale moon. The other saw it in the full light and marked how
pure and innocent it was.

'Go home, dear,' she said, in a soft tone, touching the girl kindly
on the shoulder, 'it's not fit for you to be out at this hour. You
are not one of us.'

'My God! no,' cried Kitty, shrinking away from her.

The other smiled bitterly.

'Ah! you draw away from me now,' she said, with a sneer; 'but what
are you, so pure and virtuous, doing on the streets at this hour? Go
home in time, child, or you will become like me.'

'I have no home,' said Kitty, turning to go.

'No home!' echoed the other, in a softer tone; 'poor child! I cannot
take you with me--God help me; but here is some money,' forcing a
shilling into the girl's hand, 'go to Mrs Rawlins at Victoria
Parade, Fitzroy--anyone will tell you where it is--and she will take
you in.'

'What kind of a place is it?' said Kitty.

'A home for fallen women, dear,' answered the other, kindly.

'I'm not a fallen woman!' cried the girl, wildly, 'I have left my
home, but I will go back to it--anything better than this horrible
life on the streets.'

'Yes, dear,' said the woman, softly, 'go home; go home, for God's
sake, and if you have a father and mother to shield you from harm,
thank heaven for that. Let me kiss you once,' she added, bending
forward, 'it is so long since I felt a good woman's kiss on my lips.
Good-bye.'

'Good-bye,' sobbed Kitty, raising her face, and the other bent down
and kissed the child-like face, then with a stifled cry, fled away
through the moonlit night.

Kitty turned away slowly and walked up the street. She knew there
was a cab starting opposite the Town Hall which went to Richmond,
and determined to go home. After all, hard though her life might be
in the future, it would be better than this cruel harshness of the
streets.

At the top of the block, just as she was about to cross Swanston
Street, a party of young men in evening dress came round the corner
singing, and evidently were much exhilarated with wine. These were
none other than Mr Jarper and his friends, who, having imbibed a
good deal more than was good for them, were now ripe for any
mischief. Bellthorp and Jarper, both quite intoxicated, were walking
arm-in-arm, each trying to keep the other up, so that their walking
mostly consisted of wild lurches forward, and required a good deal
of balancing.

'Hullo!' cried Bellthorp solemnly--he was always solemn when
intoxicated--'girl--pretty--eh!'

'Go 'way,' said Barty, staggering back against the wall, 'we're
Christian young men.'

Kitty tried to get away from this inebriated crew, but they all
closed round her, and she wrung her hands in despair. 'If you are
gentlemen you will let me go,' she cried, trying to push past.

'Give us kiss first,' said a handsome young fellow, with his hat
very much on one side, putting his arm round her waist, 'pay toll,
dear.'

She felt his hot breath on her cheek and shrieked out wildly, trying
to push him away with all her force. The young man, however, paid no
attention to her cries, but was about to kiss her when he was taken
by the back of the neck and thrown into the gutter.

'Gentlemen!' said a rich rolling voice, which proceeded from a
portly man who had just appeared on the scene. 'I am astonished,'
with the emphasis on the first person singular, as if he were a man
of great note.

'Old boy,' translated Bellthorp to the others, 'is 'tonished.'

'You have,' said the stranger, with an airy wave of his hand, 'the
appearance of gentlemen, but, alas! you are but whited sepulchres,
fair to look upon, but full of dead men's bones within.'

'Jarper,' said Bellthorp, solemnly, taking Barty's arm, 'you're a
tombstone with skeleton inside--come along--old boy is right--set of
cads 'suiting an unprotected gal--good night, sir.'

The others picked up their companion out of the gutter, and the
whole lot rolled merrily down the street.

'And this,' said the gentleman, lifting up his face to the sky in
mute appeal to heaven, 'this is the generation which is to carry on
Australia. Oh, Father Adam, what a dissipated family you have got--
ah!--good for a comedy, I think.'

'Oh!' cried Kitty, recognising a familiar remark, 'it's Mr Wopples.'

'The same,' said the airy Theodore, laying his hand on his heart,
'and you, my dear--why, bless me,' looking closely at her, 'it is
the pretty girl I met in Ballarat--dear, dear--surely you have not
come to this.'

'No, no,' said Kitty, quickly, laying her hand on his arm, 'I will
tell you all about it, Mr Wopples; but you must be a friend to me,
for I sadly need one.'

'I will be your friend,' said the actor, emphatically, taking her
arm and walking slowly down the street; 'tell me how I find you
thus.'

'You won't tell anyone if I do?' said Kitty, imploringly.

'On the honour of a gentleman,' answered Wopples, with grave
dignity.

Kitty told him how she had left Ballarat, but suppressed the name of
her lover, as she did not want any blame to fall on him. But all the
rest she told freely, and when Mr Wopples heard how on that night
she had left the man who had ruined her, he swore a mighty oath.

'Oh, vile human nature,' he said, in a sonorous tone, 'to thus
betray a confiding infant! Where,' he continued, looking inquiringly
at the serene sky, 'where are the thunderbolts of Heaven that they
fall not on such?'

No thunderbolt making its appearance to answer the question, Mr
Wopples told Kitty he would take her home to the family, and as they
were just starting out on tour again, she could come with them.

'But will Mrs Wopples receive me?' asked Kitty, timidly.

'My dear,' said the actor, gravely, 'my wife is a good woman, and a
mother herself, so she can feel for a poor child like you, who has
been betrayed through sheer innocence.'

'You do not despise me?' said Kitty, in a low voice.

'My dear,' answered Wopples, quietly, 'am I so pure myself that I
can judge others? Who am I,' with an oratorical wave of the hand,
'that I should cast the first stone?--ahem!--from Holy Writ. In
future I will be your father; Mrs Wopples, your mother, and you will
have ten brothers and sisters--all star artistes.'

'How kind you are,' sobbed Kitty, clinging trustfully to him as they
went along.

'I only do unto others as I would be done by,' said Mr Wopples,
solemnly. 'That sentiment,' continued the actor, taking off his hat,
'was uttered by One who, tho' we may believe or disbelieve in His
divinity as a God, will always remain the sublimest type of perfect
manhood the world has ever seen.'

Kitty did not answer, and they walked quickly along; and surely this
one good deed more than compensated for the rest of the actor's
failings.



CHAPTER VI

ON CHANGE


Young Australia has a wonderful love for the excitement of gambling-
-take him away from the betting ring and he goes straight to the
share market to dabble in gold and silver shares. The Great Humbug
Gold Mining Company is floated on the Melbourne market--a perfect
fortune in itself, which influential men are floating in a kind of
semi-philanthropic manner to benefit mankind at large, and
themselves in particular. Report by competent geologists; rich
specimens of the reef exhibited to the confiding public; company of
fifty thousand shares at a pound each; two shillings on application;
two shillings on allotment; the balance in calls which influential
men solemnly assure confiding public will never be needed. Young
Australia sees a chance of making thousands in a week; buys one
thousand shares at four shillings--only two hundred pounds; shares
will rise and Young Australia hopefully looks forward to pocketing
two or three thousand by his modest venture of two hundred; company
floated, shares rising slowly. Young Australia will not sell at a
profit, still dazzled by his chimerical thousands. Calls must be
made to put up machinery; shares have a downward tendency. Never
mind, there will only be one or two calls, so stick to shares as
parents of possible thousands. Machinery erected; now crushing; two
or three ounces to ton a certainty. Shares have an upward tendency;
washing up takes place--two pennyweights to ton. Despair! Shares run
down to nothing, and Young Australia sees his thousands disappear
like snow in the sun. The Great Humbug Reef proves itself worthy of
its name, and the company collapses amid the groans of confiding
public and secret joy of influential men, who have sold at the top
price.

Vandeloup knew all about this sort of thing, for he had seen it
occur over and over again in Ballarat and Melbourne. So many came to
the web and never got out alive, yet fresh flies were always to be
found. Vandeloup was of a speculative nature himself, and had he
been possessed of any surplus cash would, no doubt, have risked it
in the jugglery of the share market, but as he had none to spare he
stood back and amused himself with looking at the 'spider and the
fly' business which was constantly going on. Sometimes, indeed, the
fly got the better of spider number one, but was unable to keep away
from the web, and was sure to fall into the web of spider number
two.

M. Vandeloup, therefore, considered the whole affair as too risky to
be gone into without unlimited cash; but now he had a chance of
making money, he determined to try his hand at the business. True,
he knew that he was in for a swindle, but then he was behind the
scenes, and would benefit by the knowledge he had gained. If the
question at issue had really been that of getting gold out of the
reef and paying dividends with the profits, Gaston would have
snapped his fingers scornfully, and held aloof; but this was simply
a running up of shares by means of a rich reef being struck. He
intended to buy at the present market value, which was four
shillings, and sell as soon as he could make a good profit--say, at
one pound--so there was not much chance of him losing his money. The
shares would probably drop again when the pocket of gold was worked
out, but then that would be none of his affair, as he would by that
time have sold out and made his pile. M. Vandeloup was a fly who was
going straight into the webs of stockbroking spiders, but then he
knew as much about this particular web as the spiders themselves.

Full of his scheme to make money, Vandeloup started for town to see
a broker--first, however, having settled with Mrs Pulchop over
Kitty's disappearance. He had found a letter from Kitty in the
bedroom, in which she had bidden him good-bye for ever, but this he
did not show to Mrs Pulchop, merely stating to that worthy lady that
his 'wife' had left him.

'And it ain't to be wondered at, the outraged angel,' she said to
Gaston, as he stood at the door, faultlessly dressed, ready to go
into town; 'the way you treated her were shameful.'

Gaston shrugged his shoulders, lit a cigarette, and smiled at Mrs
Pulchop.

'My dear lady,' he said, blandly, 'pray attend to your medicine
bottles and leave my domestic affairs alone; you certainly
understand the one, but I doubt your ability to come to any
conclusion regarding the other.'

'Fine words don't butter no parsnips,' retorted Mrs Pulchop,
viciously; 'and if Pulchop weren't an Apoller, he had a kind heart.'

'Spare me these domestic stories, please,' said Vandeloup, coldly,
'they do not interest me in the least; since my "wife",' with a
sneer, 'has gone, I will leave your hospitable roof. I will send for
all my property either today or to-morrow, and if you make out your
account in the meantime, my messenger will pay it. Good day!' and
without another word Vandeloup walked slowly off down the path,
leaving Mrs Pulchop speechless with indignation.

He went into town first, to the City of Melbourne Bank, and cashed
Meddlechip's cheque for six hundred pounds, then, calling a hansom,
he drove along to the Hibernian Bank, where he had an account, and
paid it into his credit, reserving ten pounds for his immediate use.
Then he reentered his hansom, and went along to the office of a
stockbroker, called Polglaze, who was a member of 'The Bachelors',
and in whose hands Vandeloup intended to place his business.

Polglaze was a short, stout man, scrupulously neatly dressed, with
iron grey hair standing straight up, and a habit of dropping out his
words one at a time, so that the listener had to construct quite a
little history between each, in order to arrive at their meaning,
and the connection they had with one another.

'Morning!' said Polglaze, letting the salutation fly out of his
mouth rapidly, and then closing it again in case any other word
might be waiting ready to pop out unknown to him.

Vandeloup sat down and stated his business briefly.

'I want you to buy me some Magpie Reef shares,' he said, leaning on
the table.

'Many?' dropped out of Polglaze's mouth, and then it shut again with
a snap. 'Depends on the price,' replied Vandeloup, with a shrug; 'I
see in the papers they are four shillings.'

Mr Polglaze took up his share book, and rapidly turned over the
leaves--found what he wanted, and nodded.

'Oh!' said Vandeloup, making a rapid mental calculation, 'then buy
me two thousand five hundred. That will be about five hundred
pounds' worth.'

Mr Polglaze nodded; then whistled.

'Your commission, I presume,' said Vandeloup, making another
calculation, 'will be threepence?'

'Sixpence,' interrupted the stockbroker.

'Oh, I thought it was threepence,' answered Vandeloup, quietly;
'however, that does not make any difference to me. Your commission
at that rate will be twelve pounds ten shillings?'

Polglaze nodded again, and sat looking at Vandeloup like a stony
mercantile sphinx.

'If you will, then, buy me these shares,' said Vandeloup, rising,
and taking up his gloves and hat, 'when am I to come along and see
you?'

'Four,' said Polglaze.

Today?' inquired Vandeloup.

A nod from the stockbroker.

'Very well,' said Vandeloup, quietly, 'I'll give you a cheque for
the amount, then. There's nothing more to be said, I believe?' and
he walked over to the door.

'Say!' from Polglaze.

'Yes,' replied Gaston, indolently, swinging his stick to and fro.

'New?' inquired the stockbroker.

'You mean to this sort of thing?' said Vandeloup, looking at him,
and receiving a nod in token of acquiescence, added, 'entirely.'

'Risky,' dropped from the Polglaze mouth. 'I never knew a gold mine
that wasn't,' retorted Vandeloup, dryly.

'Bad,' in an assertive tone, from Polglaze.

'This particular mine, I suppose you mean?' said Gaston, with a
yawn, 'very likely it is. However, I'm willing to take the risk.
Good day! See you at four,' and with a careless nod, M. Vandeloup
lounged out of the office.

He walked along Collins Street, met a few friends, and kept a look-
out for Kitty. He, however, did not see her, but there was a
surprise in store for him, for turning round into Swanston Street,
he came across Archie McIntosh. Yes, there he was, with his grim,
severe Scotch face, with the white frill round it, and Gaston smiled
as he saw the old man, dressed in rigid broadcloth, casting
disproving looks on the pretty girls walking along.

'A set o' hizzies,' growled the amiable Archie to himself, 'prancin'
alang wi' their gew-gaws an' fine claes, like war horses--the
daughters o' Zion that walk wi' mincin' steps an' tinklin'
ornaments.'

'How do you do?' said Vandeloup, touching the broadcloth shoulder;
upon which McIntosh turned.

'Lord save us!' he ejaculated, grimly, 'it's yon French body. An'
hoo's a' wi' ye, laddie? Eh, but ye're brawly dressed, my young
man,' with a disproving look; 'I'm hopin' they duds are paid for.'

'Of course they are,' replied Vandeloup, gaily, 'do you think I
stole them?'

'Weel, I'll no gae sa far as that,' remarked Archie, cautiously;
'maybe ye have dwelt by the side o' mony waters, an' flourished. If
he ken the Screepture ye'll see God helps those wha help
themselves.'

'That means you do all the work and give God the credit,' retorted
Gaston, with a sneer; 'I know all about that.'

'Ah, ye'll gang tae the pit o' Tophet when ye dee,' said Mr
McIntosh, who had heard this remark with horror; 'an' ye'll no be
sae ready wi' your tongue there, I'm thinkin'; but ye are not
speerin aboot Mistress Villiers.'

'Why, is she in town?' asked Vandeloup, eagerly.

'Ay, and Seliny wi' her,' answered Archie, fondling his frill;
'she's varra rich noo, as ye've nae doot heard. Ay, ay,' he went on,
'she's gotten a braw hoose doon at St Kilda, and she's going to set
up a carriage, ye ken. She tauld me,' pursued Mr McIntosh, sourly,
looking at Vandeloup, 'if I saw ye I was to be sure to tell ye to
come an' see her.'

'Present my compliments to Madame,' said Vandeloup, quickly, 'and I
will wait on her as soon as possible.'

'Losh save us, laddie,' said McIntosh, irritably, 'you're as fu' o'
fine wards as a play-actor. Have ye seen onything doon in this pit
o' Tophet o' the bairn that rin away?'

'Oh, Miss Marchurst!' said Vandeloup, smoothly, ready with a lie at
once. 'No, I'm sorry to say I've never set eyes on her.'

'The mistress is joost daft aboot her,' observed McIntosh,
querulously; 'and she's ganging tae look all thro' the toun tae find
the puir wee thing.'

'I hope she will!' said M. Vandeloup, who devoutly hoped she
wouldn't. 'Will you come and have a glass of wine, Mr McIntosh?'

Til hae a wee drappy o' whusky if ye've got it gude,' said McIntosh,
cautiously, 'but I dinna care for they wines that sour on a body's
stomach.'

McIntosh having thus graciously assented, Vandeloup took him up to
the Club, and introduced him all round as the manager of the famous
Pactolus. All the young men were wonderfully taken up with Archie
and his plain speaking, and had Mr McIntosh desired he could have
drunk oceans of his favourite beverage. However, being a Scotchman
and cautious, he took very little, and left Vandeloup to go down to
Madame Midas at St Kilda, and bearing a message from the Frenchman
that he would call there the next day.

Archie having departed, Vandeloup got through the rest of the day as
he best could. He met Mr Wopples in the street, who told him how he
had found Kitty, quite unaware that the young man before him was the
villain who had betrayed the girl. Vandeloup was delighted to think
that Kitty had not mentioned his name, and quite approved of Mr
Wopples' intention to take the girl on tour. Having thus arranged
for Kitty's future, Gaston went along to his broker, and found that
the astute Polglaze had got him his shares.

'Going up,' said Polglaze, as he handed the scrip to Vandeloup and
got a cheque in exchange.

'Oh, indeed!' said Vandeloup, with a smile. 'I suppose my two
friends have begun their little game already,' he thought, as he
slipped the scrip into his breast pocket.

'Information?' asked Polglaze, as Vandeloup was going.

'Oh! you'd like to know where I got it,' said M. Vandeloup, amiably.
'Very sorry I can't tell you; but you see, my dear sir, I am not a
woman, and can keep a secret.'

Vandeloup walked out, and Polglaze looked after him with a puzzled
look, then summed up his opinion in one word, sharp, incisive, and
to the point--

'Clever!' said Polglaze, and put the cheque in his safe.

Vandeloup strolled along the street thinking.

'Bebe is out of my way,' he thought, with a smile; 'I have a small
fortune in my pocket, and,' he continued, thoughtfully, 'Madame
Midas is in Melbourne. I think now,' said M. Vandeloup, with another
smile, 'that I have conquered the blind goddess.'




CHAPTER VII

THE OPULENCE OF MADAME MIDAS


A wealthy man does not know the meaning of the word friendship. He
is not competent to judge, for his wealth precludes him giving a
proper opinion. Smug-faced philanthropists can preach comfortable
doctrines in pleasant rooms with well-spread tables and good
clothing; they can talk about human nature being unjustly accused,
and of the kindly impulses and good thoughts in everyone's breasts.
Pshaw! anyone can preach thus from an altitude of a few thousands a
year, but let these same self-complacent kind-hearted gentlemen
descend in the social scale--let them look twice at a penny before
spending it--let them face persistent landladies, exorbitant
landlords, or the bitter poverty of the streets, and they will not
talk so glibly of human nature and its inherent kindness. No; human
nature is a sort of fetish which is credited with a great many
amiable qualities it never possesses, and though there are
exceptions to the general rule, Balzac's aphorism on mankind that
'Nature works by self-interest,' still holds good today.

Madame Midas, however, had experienced poverty and the coldness of
friends, so was completely disillusionised as to the disinterested
motives of the people who now came flocking around her. She was very
wealthy, and determined to stop in Melbourne for a year, and then go
home to Europe, so to this end she took a house at St Kilda, which
had been formerly occupied by Mark Frettlby, the millionaire, who
had been mixed up in the famous hansom cab murder nearly eighteen
months before. His daughter, Mrs Fitzgerald, was in Ireland with her
husband, and had given instructions to her agents to let the house
furnished as it stood, but such a large rent was demanded, that no
one felt inclined to give it till Mrs Villiers appeared on the
scene. The house suited her, as she did not want to furnish one of
her own, seeing she was only going to stop a year, so she saw
Thinton and Tarbet, who had the letting of the place, and took it
for a year. The windows were flung open, the furniture brushed and
renovated, and the solitary charwoman who had been ruler in the
lonely rooms so long, was dismissed, and her place taken by a whole
retinue of servants. Madame Midas intended to live in style, so went
to work over the setting up of her establishment in such an
extravagant manner that Archie remonstrated. She took his
interference in a good humoured way, but still arranged things as
she intended; and when her house was ready, waited for her friends
to call on her, and prepared to amuse herself with the comedy of
human life. She had not long to wait, for a perfect deluge of
affectionate people rolled down upon her. Many remembered her--oh,
quite well--when she was the beautiful Miss Curtis; and then her
husband--that dreadful Villiers--they hoped he was dead--squandering
her fortune as he had done--they had always been sorry for her, and
now she was rich--that lovely Pactolus--indeed, she deserved it all-
-she would marry, of course--oh, but indeed, she must. And so the
comedy went on, and all the actors flirted, and ogled, and nodded,
and bowed, till Madame Midas was quite sick of the falseness and
frivolity of the whole thing. She knew these people, with their
simpering and smiling, would visit her and eat her dinners and drink
her wines, and then go away and abuse her thoroughly. But then
Madame Midas never expected anything else, so she received them with
smiles, saw through all their little ways, and when she had amused
herself sufficiently with their antics, she let them go.

Vandeloup called on Madame Midas the day after she arrived, and Mrs
Villiers was delighted to see him. Having an object in view, of
course Gaston made himself as charming as possible, and assisted
Madame to arrange her house, told her about the people who called on
her, and made cynical remarks about them, all of which amused Madame
Midas mightily. She grew weary of the inane gabble and narrow
understandings of people, and it was quite a relief for her to turn
to Vandeloup, with his keen tongue and clever brains. Gaston was not
a charitable talker--few really clever talkers are--but he saw
through everyone with the uttermost ease and summed them up in a
sharp incisive way, which had at least the merit of being clever.
Madame Midas liked to hear him talk, and seeing what humbugs the
people who surrounded her were, and how well she knew their motives
in courting her for her wealth, it is not to be wondered at that she
should have been amused at having all their little weaknesses laid
bare and classified by such a master of satire as Vandeloup. So they
sat and watched the comedy and the unconscious actors playing their
parts, and felt that the air was filled with heavy sensuous perfume,
and the lights were garish, and that there was wanting entirely that
keen cool atmosphere which Mallock calls 'the ozone of
respectability'.

Vandeloup had prospered in his little venture in the mining market,
for, true to the prediction of Mr Barraclough--who, by the way, was
very much astonished at the sudden demand for shares by Polglaze,
and vainly pumped that reticent individual to find out what he was
up to--the Magpie Reef shares ran up rapidly. A telegram was
published from the manager stating a rich reef had been struck.
Specimens of the very richest kind were displayed in Melbourne, and
the confiding public suddenly woke to the fact that a golden tide
was flowing past their doors. They rushed the share market, and in
two weeks the Magpie Reef shares ran from four shillings to as many
pounds. Vandeloup intended to sell at one pound, but when he saw the
rapid rise and heard everyone talking about this Reef, which was to
be a second Long Tunnel, he held his shares till they touched four
pounds, then, quite satisfied with his profit, he sold out at once
and pocketed nearly ten thousand pounds, so that he was provided for
the rest of his life. The shares ran up still higher, to four pounds
ten shillings, then dropped to three, in consequence of certain
rumours that the pocket of gold was worked out. Then another rich
lead was struck, and they ran up again to five pounds, and
afterwards sank to two pounds, which gradually became their regular
price in the market. That Barraclough and his friend did well was
sufficiently proved by the former taking a trip to Europe, while his
friend bought a station and set up as a squatter. They, however,
never knew how cleverly M. Vandeloup had turned their conversation
to his advantage, and that young gentleman, now that he had made a
decent sum, determined to touch gold mining no more, and, unlike
many people, he kept his word.

Now that he was a man of means, Vandeloup half decided to go to
America, as a larger field for a gentleman of his brilliant
qualities, but the arrival of Madame Midas in Melbourne made him
alter his mind. Her husband was no doubt dead, so Gaston thought
that as soon as she had settled down he would begin to pay his court
to her, and without doubt would be accepted, for this confident
young man never for a moment dreamed of failure. Meanwhile he sent
all Kitty's wardrobe after her as she went with the Wopples family,
and the poor girl, taking this as a mark of renewed affection, wrote
him a very tearful little note, which M. Vandeloup threw into the
fire. Then he looked about and ultimately got a very handsome suite
of rooms in Clarendon Street, East Melbourne. He furnished these
richly, and having invested his money in good securities, prepared
to enjoy himself.

Kitty, meanwhile, had become a great favourite with the Wopples
family, and they made a wonderful pet of her. Of course, being in
Rome, she did as the Romans did, and went on the stage as Miss
Kathleen Wopples, being endowed with the family name for dramatic
reasons. The family were now on tour among the small towns of
Victoria, and seemed to be well-known, as each member got a
reception when he or she appeared on the stage. Mr Theodore Wopples
used to send his agent ahead to engage the theatre--or more often a
hall--bill the town, and publish sensational little notices in the
local papers. Then when the family arrived Mr Wopples, who was
really a gentleman and well-educated, called on all the principal
people of the town and so impressed them with the high class
character of the entertainment that he never failed to secure their
patronage. He also had a number of artful little schemes which he
called 'wheezes', the most successful of these being a lecture on
The Religious Teaching of Shakespeare', which he invariably
delivered on a Sunday afternoon in the theatre of any town he
happened to be in, and not infrequently when requested occupied the
pulpit and preached capital sermons. By these means Mr Wopples kept
up the reputation of the family, and the upper classes of all the
towns invariably supported the show, while the lower classes came as
a matter of course. Mr Wopples, however, was equally as clever in
providing a bill of fare as in inducing the public to come to the
theatre, and the adaptability of the family was really wonderful.
One night they would play farcical comedy; then Hamlet, reduced to
four acts by Mr Wopples, would follow on the second night; the next
night burlesque would reign supreme; and when the curtain arose on
the fourth night Mr Wopples and the star artistes would be acting
melodrama, and throw one another off bridges and do strong
starvation business with ragged clothes amid paper snowstorms.

Kitty turned out to be a perfect treasure, as her pretty face and
charming voice soon made her a favourite, and when in burlesque she
played Princess to Fanny Wopples' Prince, there was sure to be a
crowded house and lots of applause. Kitty's voice was clear and
sweet as a lark's, and her execution something wonderful, so Mr
Wopples christened her the Australian Nightingale, and caused her to
be so advertised in the papers. Moreover, her dainty appearance, and
a certain dash and abandon she had with her, carried the audience
irresistibly away, and had Fanny Wopples not been a really good
girl, she would have been jealous of the success achieved by the
new-comer. She, however, taught Kitty to dance breakdowns, and at
Warrnambool they had a benefit, when 'Faust, M.D.' was produced, and
Fanny sang her great success, 'I've just had a row with mamma', and
Kitty sang the jewel song from 'Faust' in a manner worthy of
Neilson, as the local critic--who had never heard Neilson--said the
next day. Altogether, Kitty fully repaid the good action of Mr
Wopples by making his tour a wonderful success, and the family
returned to Melbourne in high glee with full pockets.

'Next year,' said Mr Wopples, at a supper which they had to
celebrate the success of their tour, 'we'll have a theatre in
Melbourne, and I'll make it the favourite house of the city, see if
I don't.'

It seemed, therefore, as though Kitty had found her vocation, and
would develop into an operatic star, but fate intervened, and Miss
Marchurst retired from the stage, which she had adorned so much.
This was due to Madame Midas, who, driving down Collins Street one
day, saw Kitty at the corner walking with Fanny Wopples. She
immediately stopped her carriage, and alighting therefrom, went
straight up to the girl, who, turning and seeing her for the first
time, grew deadly pale.

'Kitty, my dear,' said Madame, gravely, 'I have been looking for you
vainly for a year--but I have found you at last.'

Kitty's breast was full of conflicting emotions; she thought that
Madame knew all about her intimacy with Vandeloup, and that she
would speak severely to her. Mrs Villiers' next words, however,
reassured her.

'You left Ballarat to go on the stage, did you not?' she said
kindly, looking at the girl; 'why did you not come to me?--you knew
I was always your friend.'

'Yes, Madame,' said Kitty, putting out her hand and averting her
head, 'I would have come to you, but I thought you would stop me
from going.'

'My dear child,' replied Madame, 'I thought you knew me better than
that; what theatre are you at?'

'She's with us,' said Miss Fanny, who had been staring at this
grave, handsomely-dressed lady who had alighted from such a swell
carriage; 'we are the Wopples Family.'

'Ah!' said Mrs Villiers, thinking, 'I remember, you were up at
Ballarat last year. Well, Kitty, will you and your friend drive down
to St Kilda with me, and I'll show you my new house?'

Kitty would have refused, for she was afraid Madame Midas would
perhaps send her back to her father, but the appealing looks of
Fanny Wopples, who had never ridden in a carriage in her life, and
was dying to do so, decided her to accept. So they stepped into the
carriage, and Mrs Villiers told the coachman to drive home.

As they drove along, Mrs Villiers delicately refrained from asking
Kitty any questions about her flight, seeing that a stranger was
present, but determined to find out all about it when she got her
alone down at St Kilda.

Kitty, on her part, was thinking how to baffle Madame's inquiries.
She knew she would be questioned closely by her, and resolved not to
tell more than she could help, as she, curiously enough--considering
how he had treated her--wished to shield Vandeloup. But she still
cherished a tender feeling for the man she loved, and had Vandeloup
asked her to go back and live with him, would, no doubt, have
consented. The fact was, the girl's nature was becoming slightly
demoralised, and the Kitty who sat looking at Madame Midas now--
though her face was as pretty, and her eyes as pure as ever--was not
the same innocent Kitty that had visited the Pactolus, for she had
eaten of the Tree of Knowledge, and was already cultured in worldly
wisdom. Madame, of course, believed that Kitty had gone from
Ballarat straight on to the stage, and never thought for a moment
that for a whole year she had been Vandeloup's mistress, so when
Kitty found this out--as she very soon did--she took the cue at
once, and asserted positively to Madame that she had been on the
stage for eighteen months.

'But how is it,' asked Madame, who believed her fully, 'that I could
not find you?'

'Because I was up the country all the time,' replied Kitty, quickly,
'and of course did not act under my real name.'

'You would not like to go back to your father, I suppose,' suggested
Madame.

Kitty made a gesture of dissent.

'No,' she answered, determinedly; 'I was tired of my father and his
religion; I'm on the stage now, and I mean to stick to it.'

'Kitty! Kitty!' said Madame, sadly, 'you little know the
temptations--'

'Oh! yes, I do,' interrupted Kitty, impatiently; 'I've been nearly
two years on the stage, and I have not seen any great wickedness--
besides, I'm always with Mrs Wopples.'

'Then you still mean to be an actress?' asked Madame.

'Yes,' replied Kitty, in a firm voice; 'if I went back to my father,
I'd go mad leading that dull life.'

'But why not stay with me, my dear?' said Mrs Villiers, looking at
her; 'I am a lonely woman, as you know, and if you come to me, I
will treat you as a daughter.'

'Ah! how good you are,' cried the girl in a revulsion of feeling,
falling on her friend's neck; 'but indeed I cannot leave the stage--
I'm too fond of it.'

Madame sighed, and gave up the argument for a time, then showed the
two girls all over the house, and after they had dinner with her,
she sent them back to town in her carriage, with strict injunctions
to Kitty to come down next day and bring Mr Wopples with her. When
the two girls reached the hotel where the family was staying, Fanny
gave her father a glowing account of the opulence of Madame Midas,
and Mr Wopples was greatly interested in the whole affair. He was
grave, however, when Kitty spoke to him privately of what Madame had
said to her, and asked her if she would not like to accept Mrs
Villiers' offer. Kitty, however, said she would remain on the stage,
and as Wopples was to see Madame Midas next day, made him promise he
would say nothing about having found her on the streets, or of her
living with a lover. Wopples, who thoroughly understood the girl's
desire to hide her shame from her friends, agreed to this, so Kitty
went to bed confident that she had saved Vandeloup's name from being
dragged into the affair.

Wopples saw Madame next day, and a long talk ensued, which ended in
Kitty agreeing to stay six months with Mrs Villiers, and then, if
she still wished to continue on the stage, she was to go to Mr
Wopples. On the other hand, in consideration of Wopples losing the
services of Kitty, Madame promised that next year she would give him
sufficient money to start a theatre in Melbourne. So both parted
mutually satisfied. Kitty made presents to all the family, who were
very sorry to part with her, and then took up her abode with Mrs
Villiers, as a kind of adopted daughter, and was quite prepared to
play her part in the comedy of fashion.

So Madame Midas had been near the truth, yet never discovered it,
and sent a letter to Vandeloup asking him to come to dinner and meet
an old friend, little thinking how old and intimate a friend Kitty
was to the young man.

It was, as Mr Wopples would have said, a highly dramatic situation,
but, alas, that the confiding nature of Madame Midas should thus
have been betrayed, not only by Vandeloup, but by Kitty herself--the
very girl whom, out of womanly compassion, she took to her breast.

And yet the world talks about the inherent goodness of human nature.




CHAPTER VIII

M. VANDELOUP IS SURPRISED


Owing to the quiet life Kitty had led since she came to Melbourne,
and the fact that her appearance on the stage had taken place in the
country, she felt quite safe when making her appearance in Melbourne
society that no one would recognise her or know anything of her past
life. It was unlikely she would meet with any of the Pulchop family
again, and she knew Mr Wopples would hold his tongue regarding his
first meeting with her, so the only one who could reveal anything
about her would be Vandeloup, and he would certainly be silent for
his own sake, as she knew he valued the friendship of Madame Midas
too much to lose it. Nevertheless she awaited his coming in
considerable trepidation, as she was still in love with him, and was
nervous as to what reception she would meet with. Perhaps now that
she occupied a position as Mrs Villiers' adopted daughter he would
marry her, but, at all events, when she met him she would know
exactly how he felt towards her by his demeanour.

Vandeloup, on the other hand, was quite unaware of the surprise in
store for him, and thought that the old friend he was to meet would
be some Ballarat acquaintance of his own and Madame's. In his
wildest flight of fancy he never thought it would be Kitty, else his
cool nonchalance would for once have been upset at the thought of
the two women he was interested in being under the same roof.
However, where ignorance is bliss--well M. Vandeloup, after dressing
himself carefully in evening dress, put on his hat and coat, and,
the evening being a pleasant one, thought he would stroll through
the Fitzroy Gardens down to the station.

It was pleasant in the gardens under the golden light of the sunset,
and the green arcades of trees looked delightfully cool after the
glare of the dusty streets. Vandeloup, strolling along idly, felt a
touch on his shoulder and wheeled round suddenly, for with his past
life ever before him he always had a haunting dread of being
recaptured.

The man, however, who had thus drawn his attention was none other
than Pierre Lemaire, who stood in the centre of the broad asphalt
path, dirty, ragged and disreputable-looking. He had not altered
much since he left Ballarat, save that he looked more dilapidated-
looking, but stood there in his usual sullen manner, with his hat
drawn down over his eyes. Some stray wisps of grass showed that he
had been camping out all the hot day on the green turf under the
shadow of the trees, and it was easy to see from his appearance what
a vagrant he was. Vandeloup was annoyed at the meeting and cast a
rapid look around to see if he was observed. The few people,
however, passing were too intent on their own business to give more
than a passing glance at the dusty tramp and the young man in
evening dress talking to him, so Vandeloup was reassured.

'Well, my friend,' he said, sharply, to the dumb man, 'what do you
want?'

Pierre put his hand in his pocket.

'Oh, of course,' replied M. Vandeloup, mockingly, 'money, money,
always money; do you think I'm a bank, always to be drawn on like
this?'

The dumb man made no sign that he had heard, but stood sullenly
rocking himself to and fro an'd chewing a wisp of the grass he had
picked off his coat.

'Here,' said the young man, taking out a sovereign and giving it to
Pierre; 'take this just now and don't bother me, or upon my word,'
with a disdainful look, 'I shall positively have to hand you over to
the law.'

Pierre glanced up suddenly, and Vandeloup caught the gleam of his
eyes under the shadow of the hat.

'Oh! you think it will be dangerous for me,' he said, in a gay tone;
'not at all, I assure you. I am a gentleman, and rich; you are a
pauper, and disreputable. Who will believe your word against mine?
My faith! your assurance is quite refreshing. Now, go away, and
don't trouble me again, or,' with a sudden keen glance, 'I will do
as I say.'

He nodded coolly to the dumb man, and strode gaily along under the
shade of the heavily foliaged oaks, while Pierre looked at the
sovereign, slipped it into his pocket, and slouched off in the
opposite direction without even a glance at his patron.

At the top of the street Vandeloup stepped into a cab, and telling
the man to drive to the St Kilda Station, in Elizabeth Street, went
off into a brown study. Pierre annoyed him seriously, as he never
seemed to get rid of him, and the dumb man kept turning up every now
and then like the mummy at the Egyptian feast to remind him of
unpleasant things.

'Confound him!' muttered Vandeloup, angrily, as he alighted at the
station and paid the cabman, 'he's more trouble than Bebe was; she
did take the hint and go, but this man, my faith!' shrugging his
shoulders, 'he's the devil himself for sticking.'

All the way down to St Kilda his reflections were of the same
unpleasant nature, and he cast about in his own mind how he could
get rid of this pertinacious friend. He could not turn him off
openly, as Pierre might take offence, and as he knew more of M.
Vandeloup's private life than that young gentleman cared about, it
would not do to run the risk of an exposure.

'There's only one thing to be done,' said Gaston, quietly, as he
walked down to Mrs Villiers' house; 'I will try my luck at marrying
Madame Midas; if she consents, we can go away to Europe as man and
wife; if she does not I will go to America, and, in either case,
Pierre will lose trace of me.'

With this comfortable reflection he went into the house and was
shown into the drawing room by the servant. There were no lights in
the room, as it was not sufficiently dark for them, and Vandeloup
smiled as he saw a fire in the grate.

'My faith!' he said to himself, 'Madame is as chilly as ever.'

The servant had retired, and he was all by himself in this large
room, with the subdued twilight all through it, and the flicker of
the flames on the ceiling. He went to the fire more from habit than
anything else, and suddenly came on a big armchair, drawn up close
to the side, in which a woman was sitting.

'Ah! the sleeping beauty,' said Vandeloup, carelessly; 'in these
cases the proper thing to do in order to wake the lady is to kiss
her.'

He was, without doubt, an extremely audacious young man, and though
he did not know who the young lady was, would certainly have put his
design into execution, had not the white figure suddenly rose and
confronted him. The light from the fire was fair on her face, and
with a sudden start Vandeloup saw before him the girl he had ruined
and deserted.

'Bebe?' he gasped, recoiling a step.

'Yes!' said Kitty, in an agitated tone, 'your mistress and your
victim.'

'Bah!' said Gaston, coolly, having recovered from the first shock of
surprise. 'That style suits Sarah Bernhardt, not you, my dear. The
first act of this comedy is excellent, but it is necessary the
characters should know one another in order to finish the play.'

'Ah!' said Kitty, with a bitter smile, 'do I not know you too well,
as the man who promised me marriage and then broke his word? You
forgot all your vows to me.'

'My dear child,' replied Gaston leisurely, leaning up against the
mantelpiece, 'if you had read Balzac you would discover that he
says, "Life would be intolerable without a certain amount of
forgetting." I must say,' smiling, 'I agree with the novelist.'

Kitty looked at him as he stood there cool and complacent, and threw
herself back into the chair angrily.

'Just the same,' she muttered restlessly, 'just the same.'

'Of course,' replied Vandeloup, raising his eyebrows in surprise.
'You have only been away from me six weeks, and it takes longer than
that to alter any one. By the way,' he went on smoothly, 'how have
you been all this time? I have no doubt your tour has been as
adventurous as that of Gil Bias.'

'No, it has not,' replied Kitty, clenching her hands. 'You never
cared what became of me, and had not Mr Wopples met me in the street
on that fearful night, God knows where I would have been now.'

'I can tell you,' said Gaston, coolly, taking a seat. 'With me. You
would have soon got tired of the poverty of the streets, and come
back to your cage.'

'My cage, indeed!' she echoed, bitterly, tapping the ground with her
foot. 'Yes, a cage, though it was a gilded one.'

'How Biblical you are getting,' said the young man, ironically; 'but
kindly stop speaking in parables, and tell me what position we are
to occupy to each other. As formerly?'

'My God, no!' she flashed out suddenly.

'So much the better,' he answered, bowing. 'We will obliterate the
last year from our memories, and I will meet you to-night for the
first time since you left Ballarat. Of course,' he went on, rather
anxiously, 'you have told Madame nothing?'

'Only what suited me,' replied the girl, coldly, stung by the
coldness and utter heartlessness of this man.

'Oh!' with a smile. 'Did it include my name?'

'No,' curtly.

'Ah!' with a long indrawn breath, 'you are more sensible than I gave
you credit for.'

Kitty rose to her feet and crossed rapidly over to where he sat calm
and smiling.

'Gaston Vandeloup!' she hissed in his ear, while her face was quite
distorted by the violence of her passion, 'when I met you I was an
innocent girl--you ruined me, and then cast me off as soon as you
grew weary of your toy. I thought you loved me, and,' with a stifled
sob, 'God help me, I love you still.'

'Yes, my Bebe,' he said, in a caressing tone, taking her hand.

'No! no,' she cried, wrenching them away, while an angry spot of
colour glowed on her cheek, 'I loved you as you were--not as you are
now--we are done with sentiment, M. Vandeloup,' she said, sneering,
'and now our relations to one another will be purely business ones.'

He bowed and smiled.

'So glad you understand the position,' he said, blandly; 'I see the
age of miracles is not yet past when a woman can talk sense.'

'You won't disturb me with your sneers,' retorted the girl, glaring
fiercely at him out of the gathering gloom in the room; 'I am not
the innocent girl I once was.'

'It is needless to tell me that,' he said, coarsely.

She drew herself up at the extreme insult.

'Have a care, Gaston,' she muttered, hurriedly, 'I know more about
your past life than you think.'

He rose from his seat and approached his face, now white as her own,
to hers.

'What do you know?' he asked, in a low, passionate voice.

'Enough to be dangerous to you,' she retorted, defiantly.

They both looked at one another steadily, but the white face of the
woman did not blench before the scintillations of his eyes.

'What you know I don't know,' he said, steadily; 'but whatever it
is, keep it to yourself, or--,' catching her wrist.

'Or what?' she asked, boldly.

He threw her away from him with a laugh, and the sombre fire died
out of his eyes.

'Bah!' he said, gaily, 'our comedy is turning into a tragedy; I am
as foolish as you; I think,' significantly, 'we understand one
another.'

'Yes, I think we do,' she answered, calmly, the colour coming back
to her cheek. 'Neither of us are to refer to the past, and we both
go on our different roads unhindered.'

'Mademoiselle Marchurst,' said Vandeloup, ceremoniously, 'I am
delighted to meet you after a year's absence--come,' with a gay
laugh, 'let us begin the comedy thus, for here,' he added quickly,
as the door opened, 'here comes the spectators.'

'Well, young people,' said Madame's voice, as she came slowly into
the room, 'you are all in the dark; ring the bell for lights, M.
Vandeloup.'

'Certainly, Madame,' he answered, touching the electric button,
'Miss Marchurst and myself were renewing our former friendship.'

'How do you think she is looking?' asked Madame, as the servant came
in and lit the gas.

'Charming,' replied Vandeloup, looking at the dainty little figure
in white standing under the blaze of the chandelier; 'she is more
beautiful than ever.'

Kitty made a saucy little curtsey, and burst into a musical laugh.

'He is just the same, Madame,' she said merrily to the tall, grave
woman in black velvet, who stood looking at her affectionately,
'full of compliments, and not meaning one; but when is dinner to be
ready?' pathetically, 'I'm dying of starvation.'

'I hope you have peaches, Madame,' said Vandeloup, gaily; 'the first
time I met Mademoiselle she was longing for peaches.'

'I am unchanged in that respect,' retorted Kitty, brightly; 'I adore
peaches still.'

'I am just waiting for Mr Calton,' said Madame Midas, looking at her
watch; 'he ought to be here by now.'

'Is that the lawyer, Madame?' asked Vandeloup.

'Yes,' she replied, quietly, 'he is a most delightful man.'

'So I have heard,' answered Vandeloup, nonchalantly, 'and he had
something to do with a former owner of this house, I think.'

'Oh, don't talk of that,' said Mrs Villiers, nervously; 'the first
time I took the house, I heard all about the Hansom Cab murder.'

'Why, Madame, you are not nervous,' said Kitty, gaily.

'No, my dear,' replied the elder, quietly, 'but I must confess that
for some reason or another I have been a little upset since coming
here; I don't like being alone.'

'You shall never be that,' said Kitty, fondly nestling to her.

'Thank you, puss,' said Madame, tapping her cheek; 'but I am
nervous,' she said, rapidly; 'at night especially. Sometimes I have
to get Selina to come into my room and stay all night.'

'Madame Midas nervous,' thought Vandeloup to himself; 'then I can
guess the reason; she is afraid of her husband coming back to her.'

Just at this moment the servant announced Mr Calton, and he entered,
with his sharp, incisive face, looking clever and keen.

'I must apologise for being late, Mrs Villiers,' he said, shaking
hands with his hostess; 'but business, you know, the pleasure of
business.'

'Now,' said Madame, quickly, 'I hope you have come to the business
of pleasure.'

'Very epigrammatic, my dear lady,' said Calton, in his high, clear
voice; 'pray introduce me.'

Madame did so, and they all went to dinner, Madame with Calton and
Kitty following with Vandeloup.

'This,' observed Calton, when they were all seated at the dinner
table, 'is the perfection of dining; for we are four, and the
guests, according to an epicure, should never be less than the
Graces nor greater than the Muses.'

And a very merry little dinner it was. All four were clever talkers,
and Vandeloup and Calton being pitted against one another, excelled
themselves; witty remarks, satirical sayings, and well-told stories
were constantly coming from their lips, and they told their stories
as their own and did not father them on Sydney Smith.

'If Sydney Smith was alive,' said Calton, in reference to this, 'he
would be astonished at the number of stories he did not tell.'

'Yes,' chimed in Vandeloup, gaily, 'and astounded at their
brilliancy.'

'After all,' said Madame, smiling, 'he's a sheet-anchor for some
people; for the best original story may fail, a dull one ascribed to
Sydney Smith must produce a laugh.'

'Why?' asked Kitty, in some wonder.

'Because,' explained Calton, gravely, 'society goes mainly by
tradition, and our grandmothers having laughed at Sydney Smith's
jokes, they must necessarily be amusing. Depend upon it, jokes can
be sanctified by time quite as much as creeds.'

'They are more amusing, at all events,' said Madame, satirically.
'Creeds generally cause quarrels.'

Vandeloup shrugged his shoulders.

'And quarrels generally cause stories,' he said, smiling; 'it is the
law of compensation.'

They then went to the drawing-room and Kitty and Vandeloup both
sang, and treated one another in a delightfully polite way. Madame
Midas and Calton were both clever, but how much cleverer were the
two young people at the piano.

'Are you going to Meddlechip's ball?' said Calton to Madame.

'Oh, yes,' she answered, nodding her head, 'I and Miss Marchurst are
both going.'

'Who is Mr Meddlechip?' asked Kitty, swinging round on the piano-
stool.

'He is the most charitable man in Melbourne,' said Gaston, with a
faint sneer.

'Great is Diana of the Ephesians,' said Calton, mockingly. 'Because
Mr Meddlechip suffers from too much money, and has to get rid of it
to prevent himself being crushed like Tarpeia by the Sabine shields,
he is called charitable.'

'He does good, though, doesn't he?' asked Madame.

'See advertisement,' scoffed Calton. 'Oh, yes! he will give
thousands of pounds for any public object, but private charity is a
waste of money in his eyes.'

'You are very hard on him,' said Madame Midas, with a laugh.

'Ah! Mr Calton believes as I do,' cried Vandeloup, 'that it's no
good having friends unless you're privileged to abuse them.'

'It's one you take full advantage of, then,' observed Kitty,
saucily.

'I always take what I can get,' he returned, mockingly; whereon she
shivered, and Calton saw it.

'Ah!' said that astute reader of character to himself, 'there's
something between those two. 'Gad! I'll cross-examine my French
friend.'

They said good-night to the ladies, and walked to the St Kilda
station, from thence took the train to town, and Calton put into
force his cross-examination. He might as well have tried his artful
questions on a rock as on Vandeloup, for that clever young gentleman
saw through the barrister at once, and baffled him at every turn
with his epigrammatic answers and consummate coolness.

'I confess,' said Calton, when they said good-night to one another,
'I confess you puzzle me.'

'Language,' observed M. Vandeloup, with a smile, 'was given to us to
conceal our thoughts. Good night!'

And they parted.

'The comedy is over for the night,' thought Gaston as he walked
along, 'and it was so true to nature that the spectators never
thought it was art.'

He was wrong, for Calton did.




CHAPTER IX

A PROFESSIONAL PHILANTHROPIST


We have professional diners-out, professional beauties, professional
Christians, then why not professional philanthropists? This
brilliant century of ours has nothing to do with the word charity,
as it savours too much of stealthy benevolence, so it has
substituted in its place the long word philanthropy, which is much
more genteel and comprehensive. Charity, the meekest of the
Christian graces, has been long since dethroned, and her place is
taken by the blatant braggard Philanthropy, who does his good deeds
in a most ostentatious manner, and loudly invites the world to see
his generosity, and praise him for it. Charity, modestly hooded,
went into the houses of the poor, and tendered her gifts with
smiles. Philanthropy now builds almshouses and hospitals, and rails
at poverty if it has too much pride to occupy them. And what indeed,
has poverty to do with pride?--it's far too sumptuous and expensive
an article, and can only be possessed by the rich, who can afford to
wear it because it is paid for. Mr Meddlechip was rich, so he bought
a large stock of pride, and wore it everywhere. It was not personal
pride--he was not good-looking; it was not family pride--he never
had a grandfather; nor was it pecuniary pride--he had too much money
for that. But it was a mean, sneaking, insinuating pride that
wrapped him round like a cloak, and pretended to be very humble, and
only holding its money in trust for the poor. The poor ye have
always with you--did not Mr Meddlechip know it? Ask the old men and
women in the almshouses, and they would answer yes; but ask the
squalid inhabitants of the slums, and they would probably say,
'Meddlechip, 'o's 'e?' Not that the great Ebenezer Meddlechip was
unknown--oh, dear, no--he was a representative colonial; he sat in
Parliament, and frequently spoke at those enlarged vestry meetings
about the prosperity of the country. He laid foundation stones. He
took the chair at public meetings. In fact, he had his finger in
every public pie likely to bring him into notoriety; but not in
private pies, oh, dear, no; he never did good by stealth and blush
to find it fame. Any blushes he might have had would have been angry
ones at his good deed not being known.

He had come in the early days of the colony, and made a lot of
money, being a shrewd man, and one who took advantage of every tide
in the affairs of men. He was honest, that is honest as our present
elastic acceptation of the word goes--and when he had accumulated a
fortune he set to work to buy a few things. He bought a grand house
at Toorak, then he bought a wife to do the honours of the grand
house, and when his domestic affairs were quite settled, he bought
popularity, which is about the cheapest thing anyone can buy. When
the Society for the Supplying of Aborigines with White Waistcoats
was started he headed the list with one thousand pounds--bravo,
Meddlechip! The Secretary of the Band of Hard-up Matrons asked him
for fifty pounds, and got five hundred--generous Meddlechip! And at
the meeting of the Society for the Suppression of Vice among Married
Men he gave two thousand pounds, and made a speech on the occasion,
which made all the married men present tremble lest their sins
should find them out-noble Meddlechip! He would give thousands away
in public charity, have it well advertised in the newspapers, and
then wonder, with humility, how the information got there; and he
would give a poor woman in charge for asking for a penny, on the
ground that she was a vagrant. Here, indeed, was a man for Victoria
to be proud of; put up a statue to him in the centre of the city;
let all the school children study a list of his noble actions as
lessons; let the public at large grovel before him, and lick the
dust of his benevolent shoes, for he is a professional
philanthropist.

Mrs Meddlechip, large, florid, and loud-voiced, was equally as well
known as her husband, but in a different way. He posed as
benevolence, she was the type of all that's fashionable--that is,
she knew everyone; gave large parties, went out to balls, theatres,
and lawn tennis, and dressed in the very latest style, whether it
suited her or not. She had been born and brought up in the colonies,
but when her husband went to London as a representative colonial she
went also, and stayed there a whole year, after which she came out
to her native land and ran everything down in the most merciless
manner. They did not do this in England--oh! dear no! nothing so
common--the people in Melbourne had such dreadfully vulgar manners;
but then, of course, they are not English; there was no aristocracy;
even the dogs and horses were different; they had not the stamp of
centuries of birth and breeding on them. In fact, to hear Mrs
Meddlechip talk one would think that England was a perfect
aristocratic paradise, and Victoria a vulgar--other place. She
totally ignored the marvellously rapid growth of the country, and
that the men and women in it were actually the men and women who had
built it up year by year, so that even now it was taking its place
among the nations of the earth. But Mrs Meddlechip was far too
ladylike and fashionable for troubling about such things--oh dear,
no--she left all these dry facts to Ebenezer, who could speak about
them in his own pompous, blatant style at public meetings.

This lady was one of those modern inventions known as a frisky
matron, and said and did all manner of dreadful things, which people
winked at because--she was Mrs Meddlechip, and eccentric. She had a
young man always dangling after her at theatres and dances--
sometimes one, sometimes another, but there was one who was a
fixture. This was Barty Jarper, who acted as her poodle dog, and
fetched and carried for her in the most amiable manner. When any new
poodle dog came on the scene Barty would meekly resign his position,
and retire into the background until such time as he was whistled
back again to go through his antics. Barty attended her everywhere,
made up her programmes, wrote out her invitations, danced with
whosoever he was told, and was rewarded for all these services by
being given the crumbs from the rich man's table. Mr Jarper had a
meek little way with Mrs Meddlechip, as if he was constantly
apologising for having dared to have come into the world without her
permission, but to other people he was rude enough, and in his own
mean little soul looked upon himself quite as a man of fashion. How
he managed to go about as he did was a standing puzzle to his
friends, as he got only a small salary at the Hibernian Bank; yet he
was to be seen at balls, theatres, tennis parties; constantly
driving about in hansoms; in fact, lived as if he had an independent
income. The general opinion was that he was supplied with money by
Mrs Meddlechip, while others said he gambled; and, indeed, Barty was
rather clever at throwing sixes, and frequently at the Bachelors'
Club won a sufficient sum to give him a new suit of clothes or pay
his club subscription for the year. He was one of those bubbles
which dance on the surface of society, yet are sure to vanish some
day, and if God tempered the wind to any particular shorn lamb, that
shorn lamb was Barty Jarper.

The Meddlechips were giving a ball, therefore the mansion at Toorak
was brilliantly illuminated and crowded with fashionable people. The
ball-room was at the side of the house, and from it French windows
opened on to a wide verandah, which was enclosed with drapery and
hung with many-coloured Chinese lanterns. Beyond this the smooth
green lawns stretched away to a thick fringe of trees, which grew
beside the fence and screened the Meddlechip residence from the
curious gaze of vulgar eyes.

Kitty came under the guardianship of Mrs Riller, a young matron with
dark hair, an imperious manner, and a young man always at her heels.
Mrs Villiers intended to have come, but at the last moment was
seized with one of her nervous fits, so decided to stop at home with
Selina for company. Kitty, therefore, accompanied Mrs Riller to the
ball, but the guardianship of that lady was more nominal than
anything else, as she went off with Mr Bellthorp after introducing
Kitty to Mrs Meddlechip, and flirted and danced with him the whole
evening. Kitty, however, did not in the least mind being left to her
own devices, for being an extremely pretty girl she soon had plenty
of young men round her anxious to be introduced. She filled her
programme rapidly and kept two valses for Vandeloup, as she knew he
was going to be present, but he as yet had not made his appearance.

He arrived about a quarter past ten o'clock, and was strolling
leisurely up to the house, when he saw Pierre, standing amid a
number of idlers at the gate. The dumb man stepped forward, and
Vandeloup paused with a smile on his handsome lips, though he was
angry enough at the meeting.

'Money again, I suppose?' he said to Pierre, in a low voice, in
French; 'don't trouble me now, but come to my rooms to-morrow.'

The dumb man nodded, and Vandeloup walked leisurely up the path.
Then Pierre followed him right up to the steps which led to the
house, saw him enter the brilliantly-lighted hall, and then hid
himself in the shrubs which grew on the edge of the lawn. There, in
close hiding, he could hear the sound of music and voices, and could
see the door of the fernery wide open, and caught glimpses of dainty
dresses and bare shoulders within.

Vandeloup, quite ignorant that his friend was watching the house,
put on his gloves leisurely, and walked in search of his hostess.

Mrs Meddlechip glanced approvingly at Vandeloup as he came up, for
he was extremely good-looking, and good-looking men were Mrs
Meddlechip's pet weakness. Barty was in attendance on his liege
lady, and when he saw how she admired Vandeloup, he foresaw he would
be off duty for some time. It would be Vandeloup promoted vice
Jarper resigned, but Barty very well knew that Gaston was not a man
to conduct himself like a poodle dog, so came to the conclusion he
would be retained for use and M. Vandeloup for ornament. Meanwhile,
he left Mrs Meddlechip to cultivate the acquaintance of the young
Frenchman, and went off with a red-haired girl to the supper-room.
Red-haired girl, who was remarkably ugly and self-complacent, had
been a wallflower all the evening, but thought none the less of
herself on that account. She assured Barty she was not hungry, but
when she finished supper Mr Jarper was very glad, for the supper's
sake, she had no appetite.

'She's the hungriest girl I ever met in my life,' he said to
Bellthorp afterwards; 'ate up everything I gave her, and drank so
much lemonade, I thought she'd go up like a balloon.'

When Barty had satisfied the red-haired girl's appetite--no easy
matter--he left her to play wallflower and make spiteful remarks on
the girls who were dancing, and took out another damsel, who smiled
and smiled, and trod on his toes when he danced, till he wished her
in Jericho. He asked if she was hungry, but, unlike the other girl,
she was not; he said she must be tired, but oh, dear no, she was
quite fresh; so she danced the whole waltz through and bumped Barty
against everyone in the room; then said his step did not suit hers,
which exasperated him so much--for Barty flattered himself on his
waltzing--that he left her just as she was getting up a flirtation,
and went to have a glass of champagne to soothe his feelings.
Released from Mrs Meddlechip, Gaston went in search of Kitty, and
found her flirting with Felix Rolleston, who was amusing her with
his gay chatter.

'This is a deuced good-looking chappie,' said Mr Rolleston, fixing
his eyeglass in his eye and looking critically at Gaston as he
approached them; 'M. Vandeloup, isn't it?'

Kitty said it was.

'Oh! yes,' went on Felix, brightly, 'saw him about town--don't know
him personally; awfully like a fellow I once knew called Fitzgerald-
-Brian Fitzgerald--married now and got a family; funny thing,
married Miss Frettlby, who used to live in your house.'

'Oh! that hansom cab murder,' said Kitty, looking at him, 'I've
heard all about that.'

'Egad! I should think you had,' observed Mr Rolleston, with a grin,
'it was a nine days' wonder; but here's your friend, introduce me,
pray,' as Vandeloup came up.

Kitty did so, and Felix improved the occasion.

'Knew you by sight,' he said, shaking hands with Gaston, 'but it's a
case of we never speak as we pass by, and all that sort of thing--
come and look me up,' hospitably, 'South Yarra.'

'Delighted,' said Gaston, smoothly, taking Kitty's programme and
putting his name down for the two vacant waltzes.

'Reciprocal, I assure you,' said the lively Felix. 'Oh, by Jove!
excuse me, Miss Marchurst--there's a polka--got to dance with a
girl--you'll see me in a minute--she's a maypole--I'm not, ha! ha!
You'll say it's the long and the short of it--ta-ta at present.'

He hopped off gaily, and they soon saw him steering the maypole
round the room, or rather, the maypole steered Felix, for her idea
of the dance was to let Felix skip gaily round her; then she lifted
him up and put him down a few feet further on, when he again
skipped, and so the performance went on, to the intense amusement of
Kitty and Gaston.

'My faith!' said Vandeloup, satirically, dropping into a seat beside
Kitty, 'she is a maypole, and he's a merry peasant dancing round it.
By the way, Bebe, why isn't Madame here to-night?'

'She's not well,' replied Kitty, unfurling her fan; 'I don't know
what's come over her, she's so nervous.'

'Oh! indeed,' said Vandeloup, politely; 'Hum!--still afraid of her
husband turning up,' he said to himself, as Kitty was carried away
for a valse by Mr Bellthorp; 'how slow all this is?' he went on,
yawning, and rising from his seat; 'I shan't stay long, or that old
woman will be seizing me again. Poor Kestrike, surely his sin has
been punished enough in having such a wife,' and M. Vandeloup
strolled away to speak to Mrs Riller, who, being bereft of
Bellthorp, was making signals to him with her fan.

Barty Jarper had been hard at work all night on the poodle-dog
system, and had danced with girls who could not dance, and talked
with girls that could not talk, so, as a reward for his work, he
promised himself a dance with Kitty. At the beginning of the evening
he had secured a dance from her, and now, all his duties for the
evening being over, he went to get it. Bellthorp had long since
returned to Mrs Riller and flirtation, and Kitty had been dancing
with a tall young man, with unsteady legs and an eye-glass that
would not stick in his eye. She did not particularly care about Mr
Jarper, with his effeminate little ways, but was quite glad when he
came to carry her off from the unsteady legs and the eye-glass. The
dance was the Lancers; but Kitty declared she would not dance it as
she felt weary, so made Mr Jarper take her to supper. Barty was
delighted, as he was hungry himself, so they secured a pleasant
little nook, and Barty foraged for provisions.

'You know all about this house,' said Kitty, when she saw how
successful the young man was in getting nice things.

'Oh, yes,' murmured Barty, quite delighted, 'I know most of the
houses in Melbourne--I know yours.'

'Mrs Villiers'?' asked Kitty.

Barty nodded.

'Used to go down there a lot when Mr Frettlby lived there,' he said,
sipping his wine. 'I know every room in it.'

'You'd be invaluable as a burglar,' said Kitty, a little
contemptuously, as she looked at his slim figure.

'I dare say,' replied Barty, who took the compliment in good faith.
'Some night I'll climb up to your room and give you a fright.'

'Shows how much you know,' retorted Miss Marchurst. 'My room is next
to Madame's on the ground floor.'

'I know,' said Barty, sagely, nodding his head. 'It used to be a
boudoir--nice little room. By the way, where is Mrs Villiers to-
night?'

'She's not well,' replied Kitty, yawning behind her fan, for she was
weary of Barty and his small talk. 'She's very worried.'

'Over money matters, I suppose?'

Kitty laughed and shook her head.

'Hardly,' she answered.

'I dare say,' replied Barty, 'she's awfully rich. You know, I'm in
the bank where her account is, and I know all about her. Rich! oh,
she is rich! Lucky thing for that French fellow if he marries her.'

'Marries her?' echoed Kitty, her face growing pale. 'M. Vandeloup?'

'Yes,' replied Barty, pleased at having made a sensation. 'Her first
husband has vanished, you know, and all the fellows are laying bets
about Van marrying the grass widow.'

'What nonsense!' said Kitty, in an agitated voice. 'M. Vandeloup is
her friend--nothing more.'

Barty grinned.

'I've seen so much of that "friendship, and nothing more",
business,' he said, significantly, whereupon Kitty rose to her feet.

'I'm tired,' she said, coldly. 'Kindly take me to Mrs Riller.'

'I've put my foot into it,' thought Jarper, as he led her away. 'I
believe she's spoons on Van herself.'

Mrs Riller was not very pleased to see Kitty, as Mr Bellthorp was
telling her some amusing scandals about her dearest friends, and, of
course, had to stop when Kitty came up.

'Not dancing, dear?' she asked, with a sympathetic smile, glancing
angrily at Bellthorp, who seemed more struck with Kitty than he had
any right to be, considering he was her property.

'No,' replied Kitty, 'I'm a little tired.'

'Miss Marchurst,' observed Bellthorp, leaning towards her, 'I'm sure
I've seen you before.'

Kitty felt a chill running through her veins as she remembered where
their last meeting had been. The extremity of the danger gave her
courage.

'I dare say,' she replied, coldly turning her back on the young man,
'I'm not invisible.'

Mrs Killer looked with all her eyes, for she wanted to know all
about this pretty girl who dropped so unexpectedly into Melbourne
society, so she determined to question Bellthorp when she got him
alone. To this end she finessed.

'Oh! there's that lovely valse,' she said, as the band struck up
'One summer's night in Munich'. 'If you are not engaged, Mr
Bellthorp, we must have a turn.'

'Delighted,' replied Bellthorp, languidly offering his arm, but
thinking meanwhile, 'confound these women, how they do work a man.'

'You, I suppose,' said Mrs Riller to Kitty, 'are going to play
wallflower.'

'Hardly,' observed a cool voice behind them; 'Miss Marchurst dances
this with me--you see, Mrs Riller,' as that lady turned and saw
Vandeloup, 'she has not your capability at playing wallflower,' with
a significant glance at Bellthorp.

Mrs Riller understood the look, which seemed to pierce into the very
depths of her frivolous little soul, and flushed angrily as she
moved away with Mr Bellthorp and mentally determined to be even with
Vandeloup on the first occasion.

Gaston, quite conscious of the storm he had raised, smiled serenely,
and then offered his arm to Kitty, which she refused, as she was
determined to find out from his own lips the truth of Jarper's
statement regarding Madame Midas.

'I don't want to dance,' she said curtly, pointing to the seat
beside her as an invitation for him to sit down.

'Pardon me,' observed Vandeloup, blandly, 'I do; we can talk
afterwards if you like.'

Their eyes met, and then Kitty arose and took his arm, with a
charming pout. It was no good fighting against the quiet, masterful
manner of this man, so she allowed him to put his arm round her
waist and swing her slowly into the centre of the room. 'One
summer's night in Munich' was a favourite valse, and everyone who
could dance, and a good many who could not, were up on the floor.
Every now and then, through the steady beat of the music, came the
light laugh of a woman or the deeper tones of a man's voice; and the
glare of the lights, the flashing jewels on the bare necks and arms
of women, the soft frou-frou of their dresses, as their partners
swung them steadily round, and the subtle perfume of flowers gave an
indescribable sensuous flavour to the whole scene. And the valse--
who does not know it? with its sad refrain, which comes in every now
and then throughout, even in the most brilliant passages. The whole
story of a man's faith and a woman's treachery is contained therein.

'One summer's night in Munich,' sighed the heavy bass instruments,
sadly and reproachfully, 'I thought your heart was true!' Listen to
the melancholy notes of the prelude which recall the whole scene--do
you not remember? The stars are shining, the night wind is blowing,
and we are on the terrace looking down on the glittering lights of
the city. Hark! that joyous sparkling strain, full of riant
laughter, recalls the sad students who wandered past, and then from
amid the airy ripple of notes comes the sweet, mellow strain of the
'cello, which tells of love eternal amid the summer roses; how the
tender melody sweeps on full of the perfume and mystic meanings of
that night. Hark! is that the nightingale in the trees, or only the
silvery notes of a violin, which comes stealing through the steady
throb and swing of the heavier stringed instruments? Ah! why does
the rhythm stop? A few chords breaking up the dream, the sound of a
bugle calling you away, and the valse goes into the farewell motif
with its tender longing and passionate anguish. Good-bye! you will
be true? Your heart is mine, good-bye, sweetheart! Stop! that
discord of angry notes--she is false to her soldier lover! The stars
are pale, the nightingale is silent, the rose leaves fall, and the
sad refrain comes stealing through the room again with its bitter
reproach, 'One summer's night in Munich I knew your heart was
false.'

Kitty danced for a little time, but was too much agitated to enjoy
the valse, in spite of the admirable partner M. Vandeloup made. She
was determined to find out the truth, so stopped abruptly, and
insisted on Vandeloup taking her to the conservatory.

'What for?' he asked, as they threaded their way through the crowded
room. 'Is it important?'

'Very,' she replied, looking straight at him; 'it is essential to
our comedy.'

M. Vandeloup shrugged his shoulders.

'My faith!' he murmured, as they entered the fernery; 'this comedy
is becoming monotonous.'




CHAPTER X

IN THE FERNERY


The fernery was a huge glass building on one side of the ballroom,
filled with Australian and New Zealand ferns, and having a large
fountain in the centre sending up a sparkling jet of water, which
fell into the shallow stone basin filled with water lilies and their
pure white flowers. At the end was a mimic representation of a
mountain torrent, with real water tumbling down real rocks, and here
and there in the crannies and crevices grew delicate little ferns,
while overhead towered the great fronds of the tree ferns. The roof
was a dense mass of greenery, and wire baskets filled with sinuous
creepers hung down, with their contents straggling over. Electric
lights in green globes were skilfully hidden all round, and a faint
aquamarine twilight permeated the whole place, and made it look like
a mermaid's grotto in the depths of the sea. Here and there were
delightful nooks, with well-cushioned seats, many of which were
occupied by pretty girls and their attendant cavaliers. On one side
of the fernery a wide door opened on to a low terrace, from whence
steps went down to the lawn, and beyond was the dark fringe of trees
wherein Pierre was concealed.

Kitty and Vandeloup found a very comfortable nook just opposite the
door, and they could see the white gleam of the terrace in the
luminous starlight. Every now and then a couple would pass, black
silhouettes against the clear sky, and around they could hear the
murmur of voices and the musical tinkling of the fountain, while the
melancholy music of the valse, with its haunting refrain, sounded
through the pale green twilight. Barty Jarper was talking near them,
in his mild little way, to a tall young lady in a bilious-looking
green dress, and further off Mr Bellthorp was laughing with Mrs
Riller behind the friendly shelter of her fan.

'Well,' said Vandeloup, amiably, as he sank into a seat beside
Kitty, 'what is this great matter you wish to speak about?'

'Madame Midas,' retorted Kitty, looking straight at him.

'Such a delightful subject,' murmured Gaston, closing his eyes, as
he guessed what was coming; 'go on, I'm all attention.'

'You are going to marry her,' said Miss Marchurst, bending towards
him and closing her fan with a snap.

Vandeloup smiled faintly.

'You don't say so?' he murmured, opening his eyes and looking at her
lazily; 'who told you this news--for news it is to me, I assure
you?'

'Then it's not true?' added Kitty, eagerly, with a kind of gasp.

'I'm sure I don't know,' he replied, indolently fingering his
moustache; 'I haven't asked her yet.'

'You are not going to do so?' she said, rapidly, with a flush on her
face.

'Why not?' in surprise; 'do you object?'

'Object? my God!' she ejaculated, in a low fierce tone; 'have you
forgotten what we are to one another?'

'Friends, I understand,' he said, looking at his hands, admiringly.

'And something more,' she added, bitterly; 'lovers!'

'Don't talk so loud, my dear,' replied Vandeloup, coolly; 'it
doesn't do to let everyone know your private business.'

'It's private now,' she said, in a voice of passion, 'but it will
soon be public enough.'

'Indeed! which paper do you advertise in?'

'Listen to me, Gaston,' she said, taking no notice of his sneer;
'you will never marry Madame Midas; sooner than that, I will reveal
all and kill myself.'

'You forget,' he said, gently; 'it is comedy, not tragedy, we play.'

'That is as I choose,' she retorted; 'see!' and with a sudden
gesture she put her hand into the bosom of her dress and took out
the bottle of poison with the red bands. 'I have it still.'

'So I perceive,' he answered, smiling. 'Do you always carry it about
with you, like a modern Lucrezia Borgia?'

'Yes,' she answered quietly; 'it never leaves me, you see,' with a
sneer. 'As you said yourself, it's always well to be prepared for
emergencies.'

'So it appears,' observed Vandeloup, with a yawn, sitting up. 'I
wouldn't use that poison if I were you; it is risky.'

'Oh, no, it's not,' answered Kitty; 'it is fatal in its results, and
leaves no trace behind.'

'There you are wrong,' replied Gaston, coolly; 'it does leave traces
behind, but makes it appear as if apoplexy was the cause of death.
Give me the bottle?' peremptorily.

'No!' she answered, defiantly, clenching it in her hand.

'I say yes,' he said, in an angry whisper; 'that poison is my
secret, and I'm not going to have you play fast and loose with it;
give it up,' and he placed his hand on her wrist.

'You hurt my wrist,' she said.

'I'll break your wrist, my darling,' he said, quietly, 'if you don't
give me that bottle.'

Kitty wrenched her hand away, and rose to her feet.

'Sooner than that, I'll throw it away,' she said, and before he
could stop her, she flung the bottle out on to the lawn, where it
fell down near the trees.

'Bah! I will find it,' he said, springing to his feet, but Kitty was
too quick for him.

'M. Vandeloup,' she said aloud, so that everyone could hear; 'kindly
take me back to the ball-room, will you, to finish our valse.'

Vandeloup would have refused, but she had his arm, and as everyone
was looking at him, he could not refuse without being guilty of
marked discourtesy. Kitty had beaten him with his own weapons, so,
with a half-admiring glance at her, he took her back to the ball-
room, where the waltz was just ending.

'At all events,' he said in her ear, as they went smoothly gliding
round the room, 'you won't be able to do any mischief with it now to
yourself or to anyone else.'

'Won't I?' she retorted quickly; 'I have some more at home.'

'The deuce!' he ejaculated.

'Yes,' she replied, triumphantly; 'the bottle I got that belonged to
you, I put half its contents into another. So you see I can still do
mischief, and,' in a fierce whisper, 'I will, if you don't give up
this idea of marrying Madame Midas.'

'I thought you knew me better than that,' he said, in a tone of
concentrated passion. 'I will not.'

Then I'll poison her,' she retorted.

'What, the woman who has been so kind to you?'

'Yes, I'd rather see her dead than married to a devil like you.'

'How amiable you are, Bebe,' he said, with a laugh, as the music
stopped.

'I am what you have made me,' she replied, bitterly, and they walked
into the drawing-room.

After this Vandeloup clearly saw that it was a case of diamond cut
diamond, for Kitty was becoming as clever with her tongue as he was.
After all, though she was his pupil, and was getting as hardened and
cynical as possible, he did not think it fair she should use his own
weapons against himself. He did not believe she would try and poison
Madame Midas, even though she was certain of not being detected, for
he thought she was too tender-hearted. But, alas! he had taught her
excellently well, and Kitty was rapidly arriving at the conclusion
he had long since come to, that number one was the greatest number.
Besides, her love for Vandeloup, though not so ardent as it had
been, was too intense for her to let any other woman get a hold of
him. Altogether, M. Vandeloup was in an extremely unpleasant
position, and one of his own making.

Having given Kitty over to the tender care of Mrs Rolleston,
Vandeloup hurried outside to look for the missing bottle. He had
guessed the position it fell in, and, striking a match, went to look
over the smooth close-shorn turf. But though he was a long time, and
looked carefully, the bottle was gone.

'The devil!' said Vandeloup, startled by this discovery. 'Who could
have picked it up?'

He went back into the conservatory, and, sitting down in his old
place, commenced to review the position.

It was most annoying about the poison, there was no doubt of that.
He only hoped that whoever picked it up would know nothing about its
dangerous qualities. After all, he could be certain about that, as
no one but himself knew what the poison was and how it could be
used. The person who picked up the bottle would probably throw it
away again as useless; and then, again, perhaps when Kitty threw the
bottle away the stopper came out, and the contents would be lost.
And then Kitty still had more left, but--bah!--she would not use it
on Madame Midas. That was the vague threat of a jealous woman to
frighten him. The real danger he was in lay in the fact that she
might tell Madame Midas the relations between them, and then there
would be no chance of his marrying at all. If he could only stop
Kitty's mouth in some way--persuasion was thrown away on her. If he
could with safety get rid of her he would. Ah! that was an idea. He
had some of this poison--if he could only manage to give it to her,
and thus remove her from his path. There would be no risk of
discovery, as the poison left no traces behind, and if it came to
the worst, it would appear she had committed suicide, for poison
similar to what she had used would be found in her possession. It
was a pity to kill her, so young and pretty, and yet his safety
demanded it; for if she told Madame Midas all, it might lead to
further inquiries, and M. Vandeloup well knew his past life would
not bear looking into. Another thing, she had threatened him about
some secret she held--he did not know what it was, and yet almost
guessed; if that was the secret she must be got rid of, for it would
imperil not only his liberty, but his life. Well, if he had to get
rid of her, the sooner he did so the better, for even on the next
day she might tell all--he would have to give her the poison that
night--but how? that was the difficulty. He could not do it at this
ball, as it would be too apparent if she died--no--it would have to
be administered secretly when she went home. But then she would go
to Madame Midas' room to see how she was, and then would retire to
her own room. He knew where that was--just off Mrs Villiers' room;
there were French windows in both rooms--two in Mrs Villiers', and
one in Kitty's. That was the plan--they would be left open as the
night was hot. Suppose he went down to St Kilda, and got into the
garden, he knew every inch of the way; then he could slip into the
open window, and if it was not open, he could use a diamond ring to
cut the glass. He had a diamond ring he never wore, so if Kitty was
discovered to be poisoned, and the glass cut, they would never
suspect him, as he did not wear rings at all, and the evidence of
the cut window would show a diamond must have been used. Well,
suppose he got inside, Kitty would be asleep, and he could put the
poison into the water carafe, or he could put it in a glass of water
and leave it standing; the risk would be, would she drink it or not-
-he would have to run that risk; if he failed this time, he would
not the next. But, then, suppose she awoke and screamed--pshaw! when
she saw it was he Kitty would not dare to make a scene, and he could
easily make some excuse for his presence there. It was a wild
scheme, but then he was in such a dangerous position that he had to
try everything.

When M. Vandeloup had come to this conclusion he arose, and, going
to the supper room, drank a glass of brandy; for even he, cool as he
was, felt a little nervous over the crime he was about to commit. He
thought he would give Kitty one last chance, so when she was already
cloaked, waiting with Mrs Killer for the carriage, he drew her
aside.

'You did not mean what you said tonight,' he whispered, looking
searchingly at her.

'Yes, I did,' she replied, defiantly; 'if you push me to
extremities, you must take the consequences.'

'It will be the worse for you,' he said, threateningly, as the
carriage drove up.

'I'm not afraid of you,' she retorted, shrugging her shoulders, a
trick she had learned from him; 'you have ruined my life, but I'm
not going to let you ruin Madame's. I'd sooner see her dead than in
your arms.'

'Remember, I have warned you,' he said, gravely, handing her to the
carriage. 'Good night!'

'Good night!' she answered, mockingly; 'and to-morrow,' in a low
voice, 'you will be astonished.'

'And to-morrow,' he said to himself, as the carriage drove off, 'you
will be dead.'




CHAPTER XI

THE VISION OF MISS KITTY MARCHURST


Everyone knows the story of Damocles, and how uncomfortable he felt
with the sword suspended by a hair over his head. No one could enjoy
their dinner under such circumstances, and it is much to be thankful
for that hosts of the present day do not indulge in these practical
jokes. But though history does not repeat itself exactly regarding
the suspended sword, yet there are cases when a sense of impending
misfortune has the same effect on the spirits. This was the case of
Madame Midas. She was not by any means of a nervous temperature, yet
ever since the disappearance of her husband she was a prey to a
secret dread, which, reacting on her nerves, rendered her miserable.
Had Mr Villiers only appeared, she would have known how to deal with
him, and done so promptly, but it was his absence that made her
afraid. Was he dead? If so, why was his body not found; if he was
not dead, why did he not reappear on the scene. Allowing, for the
sake of argument, that he had stolen the nugget and left the colony
in order to enjoy the fruits of his villainy--well, the nugget
weighed about three hundred ounces--and that if he disposed of it,
as he must have done, it would give him a sum of money a little over
one thousand pounds. True, his possession of such a large mass of
gold would awake suspicions in the mind of anyone he went to; but
then, there were people who were always ready to do shady things,
provided they were well paid. So whomsoever he went to would levy
blackmail on him on threat of informing the police and having him
arrested. Therefore, the most feasible thing would be that he had
got about half of the value of the nugget, which would be about six
hundred pounds. Say that he did so, a whole year had elapsed, and
Madame Midas knew her husband well enough to know that six hundred
pounds would soon slip through his fingers, so at the present time
he must once more be penniless. If he was, why did he not come back
to her and demand more money now she was rich? Even had he gone to a
distant place, he would always have kept enough money to pay his way
back to Victoria, so that he could wring money out of her. It was
this unpleasant feeling of being watched that haunted her and made
her uneasy. The constant strain began to tell on her; she became ill
and haggard-looking, and her eyes were always glancing around in the
anxious manner common to hunted animals. She felt as though she were
advancing on a masked battery, and at any moment a shot might strike
her from the most unexpected quarter. She tried to laugh off the
feeling and blamed herself severely for the morbid state of mind
into which she was falling; but it was no use, for by day and night
the sense of impending misfortune hung over her like the sword of
Damocles, ready to fall at any moment. If her husband would only
appear, she would settle an income on him, on condition he ceased to
trouble her, but at present she was fighting in the dark with an
unknown enemy. She became afraid of being left alone, and even when
seated quietly with Selina, would suddenly start and look
apprehensively towards the door, as if she heard his footstep.
Imagination, when uncontrolled, can keep the mind on a mental rack,
to which that of the Inquisition was a bed of roses.

Selina was grieved at this state of things, and tried to argue and
comfort her mistress with the most amiable proverbs, but she was
quite unable to administer to a mind diseased, and Mrs Villiers'
life became a perfect hell upon earth.

'Are my troubles never going to end?' she said to Selina on the
night of the Meddlechip ball, as she paced restlessly up and down
her room; 'this man has embittered the whole of my life, and now he
is stabbing me in the dark.'

'Let the dead past bury its dead,' quoted Selina, who was arranging
the room for the night.

'Pshaw!' retorted Madame, impatiently, walking to the French window
at the end of the room and opening it; 'how do you know he is dead?
Come here, Selina,' she went on, beckoning to the old woman, and
pointing outside to the garden bathed in moonlight; 'I have always a
dread lest he may be watching the house. Even now he may be
concealed yonder'--pointing down the garden.

Selina looked out, but could see nothing. There was a smooth lawn,
burnt and yellow with the heat, which stretched for about fifty
feet, and ended in a low quickset hedge at the foot of a red brick
wall which ran down that side of the property. The top of this wall
was set with broken bottles, and beyond was the street, where they
could hear people passing along. The moonlight rendered all this as
light as day, and, as Selina pointed out to her mistress, there was
no place where a man could conceal himself. But this did not satisfy
Madame; she left the window half open, so that the cool night wind
could blow in, and drew together the red velvet curtains which hung
there.

'You've left the window open,' remarked Selina, looking at her
mistress, 'and if you are nervous it will not make you feel safe.'

Madame Midas glanced at the window.

'It's so hot,' she said, plaintively, 'I will get no sleep. Can't
you manage to fix it up, so that I can leave it open?'

'I'll try,' answered Selina, and she undressed her mistress and put
her to bed, then proceeded to fix up a kind of burglar trap. The bed
was a four-poster, with heavy crimson curtains, and the top was
pushed against the wall, near the window. The curtains of the window
and those of the bed prevented any draught blowing in; and directly
in front of the window, Selina set a small wood table, so that
anyone who tried to enter would throw it over, and thus put the
sleeper on the alert. On this she put a night-light, a book, in case
Madame should wake up and want to read--a thing she very often did--
and a glass of homemade lemonade, for a night drink. Then she locked
the other window and drew the curtains, and, after going into
Kitty's room, which opened off the larger one, and fixing up the one
window there in the same way, she prepared to retire, but Madame
stopped her.

'You must stay all night with me, Selina,' she said, irritably. 'I
can't be left alone.'

'But, Miss Kitty,' objected Selina, 'she'll expect to be waited for
coming home from the ball.'

'Well, she comes in here to go to her own room,' said Madame,
impatiently; 'you can leave the door unlocked.'

'Well,' observed Miss Sprotts, grimly, beginning to undress herself,
'for a nervous woman, you leave a great many windows and doors
open.'

'I'm not afraid as long as you are with me,' said Madame, yawning;
'it's by myself I get nervous.'

Miss Sprotts sniffed, and observed that 'Prevention is better than
cure,' then went to bed, and both she and Madame were soon fast
asleep. Selina slept on the outside of the bed, and Madame, having a
sense of security from being with someone, slumbered calmly; so the
night wore drowsily on, and nothing could be heard but the steady
ticking of the clock and the heavy breathing of the two women.

A sleepy servant admitted Kitty when she came home from the ball,
and had said goodbye to Mrs Killer and Bellthorp. Then Mrs Riller,
whose husband had gone home three hours before, drove away with
Bellthorp, and Kitty went into Madame's room, while the sleepy
servant, thankful that his vigil for the night was over, went to
bed. Kitty found Madame's door ajar, and went in softly, fearful
lest she might wake her. She did not know that Selina was in the
room, and as she heard the steady breathing of the sleepers, she
concluded that Madame was asleep, and resolved to go quietly into
her own room without disturbing the sleeper. So eerie the room
looked with the faint night-light burning on the table beside the
bed, and all the shadows, not marked and distinct as in a strong
glare, were faintly confused. Just near the door was a long chevral
glass, and Kitty caught sight of herself in it, wan and spectral-
looking, in her white dress, and, as she let the heavy blue cloak
fall from her shoulders, a perfect shower of apple blossoms were
shaken on to the floor. Her hair had come undone from its sleek,
smooth plaits, and now hung like a veil of gold on her shoulders.
She looked closely at herself in the glass, and her face looked worn
and haggard in the dim light. A pungent acrid odour permeated the
room, and the heavy velvet curtains moved with subdued rustlings as
the wind stole in through the window. On a table near her was a
portrait of Vandeloup, which he had given Madame two days before,
and though she could not see the face she knew it was his.
Stretching out her hand she took the photograph from its stand, and
sank into a low chair which stood at the end of the room some
distance from the bed. So noiseless were her movements that the two
sleepers never awoke, and the girl sat in the chair with the
portrait in her hand dreaming of the man whom it represented. She
knew his handsome face was smiling up at her out of the glimmering
gloom, and clenched her hands in anger as she thought how he had
treated her. She let the portrait fall on her lap, and leaning back
in the chair, with all her golden hair showering down loosely over
her shoulders, gave herself up to reflection.

He was going to marry Madame Midas--the man who had ruined her life;
he would hold another woman in his arms and tell her all the false
tales he had told her. He would look into her eyes with his own, and
she would be unable to see the treachery and guile hidden in their
depths. She could not stand it. False friend, false lover, he had
been, but to see him married to another--no! it was too much. And
yet what could she do? A woman in love believes no ill of the man
she adores, and if she was to tell Madame Midas all she would not be
believed. Ah! it was useless to fight against fate, it was too
strong for her, so she would have to suffer in silence, and see them
happy. That story of Hans Andersen's, which she had read, about the
little mermaid who danced, and felt that swords were wounding her
feet while the prince smiled on his bride--yes, that was her case.
She would have to stand by in silence and see him caressing another
woman, while every caress would stab her like a sword. Was there no
way of stopping it? Ah! what is that? The poison--no! no! anything
but that. Madame had been kind to her, and she could not repay her
trust with treachery. No, she was not weak enough for that. And yet
suppose Madame died? no one could tell she had been poisoned, and
then she could marry Vandeloup. Madame was sleeping in yonder bed,
and on the table there was a glass with some liquid in it. She would
only have to go to her room, fetch the poison, and put it in there--
then retire to bed. Madame would surely drink during the night, and
then--yes, there was only one way--the poison!

How still the house was: not a sound but the ticking of the clock in
the hall and the rushing scamper of a rat or mouse. The dawn reddens
faintly in the east and the chill morning breeze comes up from the
south, salt with the odours of the ocean. Ah! what is that? a
scream--a woman's voice--then another, and the bell rings furiously.
The frightened servants collect from all parts of the house, in all
shapes of dress and undress. The bell sounds from the bedroom of Mrs
Villiers, and having ascertained this they all rush in. What a sight
meets their eyes. Kitty Marchurst, still in her ball dress, clinging
convulsively to the chair; Madame Midas, pale but calm, ringing the
bell; and on the bed, with one arm hanging over, lies Selina
Sprotts--dead! The table near the bed was overturned on the floor,
and the glass and the night-lamp both lie smashed to pieces on the
carpet.

'Send for a doctor at once,' cried Madame, letting go the bell-rope
and crossing to the window; 'Selina has had a fit of some sort.'

Startled servant goes out to stables and wakes up the grooms, one of
whom is soon on horseback riding for dear life to Dr Chinston.
Clatter--clatter along in the keen morning air; a few workmen on
their way to work gaze in surprise at this furious rider. Luckily,
the doctor lives in St Kilda, and being awoke out of his sleep,
dresses himself quickly, and taking the groom's horse, rides back to
Mrs Villiers' house. He dismounts, enters the house, then the
bedroom. Kitty, pale and wan, is seated in the chair; the window
curtains are drawn, and the cold light of day pours into the room,
while Madame Midas is kneeling beside the corpse, with all the
servants around her. Dr Chinston lifts the arm; it falls limply
down. The face is ghastly white, the eyes staring; there is a streak
of foam on the tightly clenched mouth. The doctor puts his hand on
the heart--not a throb; he closes the staring eyes reverently, and
turns to the kneeling woman and the frightened servants.

'She is dead,' he says, briefly, and orders them to leave the room.

'When did this occur, Mrs Villiers?' he asked, when the room had
been cleared and only himself, Madame, and Kitty remained.

'I can't tell you,' replied Madame, weeping; 'she was all right last
night when we went to bed, and she stayed all night with me because
I was nervous. I slept soundly, when I was awakened by a cry and saw
Kitty standing beside the bed and Selina in convulsions; then she
became quite still and lay like that till you came. What is the
cause?'

'Apoplexy,' replied the doctor, doubtfully; 'at least, judging from
the symptoms; but perhaps Miss Marchurst can tell us when the attack
came on?'

He turned to Kitty, who was shivering in the chair and looked so
pale that Madame Midas went over to her to see what was the matter.
The girl, however, shrank away with a cry as the elder woman
approached, and rising to her feet moved unsteadily towards the
doctor.

'You say she,' pointing to the body, 'died of apoplexy?'

'Yes,' he answered, curtly, 'all the symptoms of apoplexy are
there.'

'You are wrong!' gasped Kitty, laying her hand on his arm, 'it is
poison!'

'Poison!' echoed Madame and the Doctor in surprise.

'Listen,' said Kitty, quickly, pulling herself together by a great
effort. 'I came home from the ball between two and three, I entered
the room to go to my own,' pointing to the other door; 'I did not
know Selina was with Madame.'

'No,' said Madame, quietly, 'that is true, I only asked her to stop
at the last moment.'

'I was going quietly to bed,' resumed Kitty, hurriedly, 'in order
not to waken Madame, when I saw the portrait of M. Vandeloup on the
table; I took it up to look at it.'

'How could you see without a light?' asked Dr Chinston, sharply,
looking at her.

'There was a night light burning,' replied Kitty, pointing to the
fragments on the floor; 'and I could only guess it was M.
Vandeloup's portrait; but at all events,' she said, quickly, 'I sat
down in the chair over there and fell asleep.'

'You see, doctor, she had been to a ball and was tired,' interposed
Madame Midas; 'but go on, Kitty, I want to know why you say Selina
was poisoned.'

'I don't know how long I was asleep,' said Kitty, wetting her dry
lips with her tongue, 'but I was awoke by a noise at the window
there,' pointing towards the window, upon which both her listeners
turned towards it, 'and looking, I saw a hand coming out from behind
the curtain with a bottle in it; it held the bottle over the glass
on the table, and after pouring the contents in, then withdrew.'

'And why did you not cry out for assistance?' asked the doctor,
quickly.

'I couldn't,' she replied, 'I was so afraid that I fainted. I
recovered my senses, Selina had drank the poison, and when I got up
on my feet and went to the bed she was in convulsions; I woke
Madame, and that's all.'

'A strange story,' said Chinston, musingly, 'where is the glass?'

'It's broken, doctor,' replied Madame Midas; 'in getting out of bed
I knocked the table down, and both the night lamp and glass
smashed.'

'No one could have been concealed behind the curtain of the window?'
said the doctor to Madame Midas.

'No,' she replied, 'but the window was open all night; so if it is
as Kitty says, the man who gave the poison must have put his hand
through the open window.'

Dr Chinston went to the window and looked out; there were no marks
of feet on the flower bed, where it was so soft that anyone standing
on it would have left a footmark behind.

'Strange,' said the doctor, 'it's a peculiar story,' looking at
Kitty keenly.

'But a true one,' she replied boldly, the colour coming back to her
face; 'I say she was poisoned.'

'By whom?' asked Madame Midas, the memory of her husband coming back
to her.

'I can't tell you,' answered Kitty, 'I only saw the hand.'

'At all events,' said Chinston, slowly, 'the poisoner did not know
that your nurse was with you, so the poison was meant for Mrs
Villiers.'

Tor me?' she echoed, ghastly pale; 'I knew it,--my husband is alive,
and this is his work.'




CHAPTER XII

A STARTLING DISCOVERY


Ill news travels fast, and before noon the death of Selina Sprotts
was known all over Melbourne. The ubiquitous reporter, of course,
appeared on the scene, and the evening papers gave its own version
of the affair, and a hint at foul play. There was no grounds for
this statement, as Dr Chinston told Kitty and Madame Midas to say
nothing about the poison, and it was generally understood that the
deceased had died from apoplexy. A rumour, however, which originated
none knew how, crept about among everyone that poison was the cause
of death, and this, being added to by some and embellished in all
its little details by others, there was soon a complete story made
up about the affair. At the Bachelor's Club it was being warmly
spoken about when Vandeloup came in about eight o'clock in the
evening; and when he appeared he was immediately overwhelmed with
inquiries. He looked cool and calm as usual, and stood smiling
quietly on the excited group before him.

'You know Mrs Villiers,' said Bellthorp, in an assertive tone, 'so
you must know all about the affair.' 'I don't see that,' returned
Gaston, pulling at his moustache, 'knowing anyone does not include a
knowledge of all that goes on in the house. I assure you, beyond
what there is in the papers, I am as ignorant as you are.'

'They say this woman--Sprotts or Potts, or something--died from
poison,' said Barty Jarper, who had been all round the place
collecting information.

'Apoplexy, the doctor says,' said Bellthorp, lighting a cigarette;
'she was in the same room with Mrs Villiers and was found dead in
the morning.'

'Miss Marchurst was also in the room,' put in Barty, eagerly.

'Oh, indeed!' said Vandeloup, smoothly, turning to him; 'do you
think she had anything to do with it?'

'Of course not,' said Rolleston, who had just entered, 'she had no
reason to kill the woman.'

Vandeloup smiled.

'So logical you are,' he murmured, 'you want a reason for
everything.'

'Naturally,' retorted Felix, fixing in his eyeglass, 'there is no
effect without a cause.'

'It couldn't have been Miss Marchurst,' said Bellthorp, 'they say
that the poison was poured out of a bottle held by a hand which came
through the window--it's quite true,' defiantly looking at the
disbelieving faces round him; 'one of Mrs Villiers' servants heard
it in the house and told Mrs Killer's maid.'

'From whence,' said Vandeloup, politely, 'it was transmitted to you-
-precisely.'

Bellthorp reddened slightly, and turned away as he saw the other
smiling, for his relations with Mrs Killer were well known.

'That hand business is all bosh,' observed Felix Rolleston,
authoritatively; 'it's in a play called "The Hidden Hand".'

'Perhaps the person who poisoned Miss Sprotts, got the idea from
it?' suggested Jarper.

'Pshaw, my dear fellow,' said Vandeloup, languidly; 'people don't go
to melodrama for ideas. Everyone has got their own version of this
story; the best thing to do is to await the result of the inquest.'

'Is there to be an inquest?' cried all.

'So I've heard,' replied the Frenchman, coolly; 'sounds as if there
was something wrong, doesn't it?'

'It's a curious poisoning case,' observed Bellthorp.

'Ah, but it isn't proved that there is any poisoning about it,' said
Vandeloup, looking keenly at him; 'you jump to conclusions.'

'There is no smoke without fire,' replied Rolleston, sagely. 'I
expect we'll all be rather astonished when the inquest is held,' and
so the discussion closed.

The inquest was appointed to take place next day, and Calton had
been asked by Madame Midas to be present on her behalf. Kilsip, a
detective officer, was also present, and, curled up like a cat in
the corner, was listening to every word of the evidence.

The first witness called was Madame Midas, who deposed that the
deceased, Selina Jane Sprotts, was her servant. She had gone to bed
in excellent health, and next morning she had found her dead.

The Coroner asked a few questions relative to the case.

Q. Miss Marchurst awoke you, I believe?

A. Yes.

Q. And her room is off yours?

A. Yes.

Q. Had she to go through your room to reach her own?

A. She had. There was no other way of getting there.

Q. One of the windows of your room was open?

A. It was--all night.

Miss Kitty Marchurst was then called, and being sworn, gave her
story of the hand coming through the window. This caused a great
sensation in Court, and Calton looked puzzled, while Kilsip,
scenting a mystery, rubbed his lean hands together softly.

Q. You live with Mrs Villiers, I believe, Miss Marchurst?

A. I do.

Q. And you knew the deceased intimately?

A. I had known her all my life.

Q. Had she anyone who would wish to injure her?

A. Not that I knew of. She was a favourite with everyone.

Q. What time did you come home from the ball you were at?

A. About half-past two, I think. I went straight to Mrs Villiers'
room.

Q. With the intention of going through it to reach your own?

A. Yes.

Q. You say you fell asleep looking at a portrait. How long did you
sleep?

A. I don't know. I was awakened by a noise at the window, and saw
the hand appear.

Q. Was it a man's hand or a woman's?

A. I don't know. It was too indistinct for me to see clearly; and I
was so afraid, I fainted.

Q. You saw it pour something from a bottle into the glass on the
table?

A. Yes; but I did not see it withdraw. I fainted right off.

Q. When you recovered your senses, the deceased had drank the
contents of the glass?

A. Yes. She must have felt thirsty and drank it, not knowing it was
poisoned. Q. How do you know it was poisoned?

A. I only suppose so. I don't think anyone would come to a window
and pour anything into a glass without some evil purpose.

The Coroner then asked why the glass with what remained of the
contents had not been put in evidence, but was informed that the
glass was broken.

When Kitty had ended her evidence and was stepping down, she caught
the eye of Vandeloup, who was looking at her keenly. She met his
gaze defiantly, and he smiled meaningly at her. At this moment,
however, Kilsip bent forward and whispered something to the Coroner,
whereupon Kitty was recalled.

Q. You were an actress, Miss Marchurst?

A. Yes. I was on tour with Mr Theodore Wopples for some time.

Q. Do you know a drama called 'The Hidden Hand'?

A. Yes--I have played in it once or twice.

Q. Is there not a strong resemblance between your story of this
crime and the drama?

A. Yes, it is very much the same.

Kilsip then gave his evidence, and deposed that he had examined the
ground between the window, where the hand was alleged to have
appeared, and the garden wall. There were no footmarks on the
flower-bed under the window, which was the only place where
footmarks would show, as the lawn itself was hard and dry. He also
examined the wall, but could find no evidence that anyone had
climbed over it, as it was defended by broken bottles, and the
bushes at its foot were not crushed or disturbed in any way.

Dr Chinston was then called, and deposed that he had made a post-
mortem examination of the body of the deceased. The body was that of
a woman of apparently fifty or fifty-five years of age, and of
medium height; the body was well nourished. There were no ulcers or
other signs of disease, and no marks of violence on the body. The
brain was congested and soft, and there was an abnormal amount of
fluid in the spaces known as the ventricles of the brain; the lungs
were gorged with dark fluid blood; the heart appeared healthy, its
left side was contracted and empty, but the right was dilated and
filled with dark fluid blood; the stomach was somewhat congested,
and contained a little partially digested food; the intestines here
and there were congested, and throughout the body the blood was dark
and fluid.

Q. What then, in your opinion, was the cause of death?

A. In my opinion death resulted from serous effusion on the brain,
commonly known as serous apoplexy.

Q. Then you found no appearances in the stomach, or elsewhere, which
would lead you to believe poison had been taken?

A. No, none.

Q. From the post-mortem examination could you say the death of the
deceased was not due to some narcotic poison?

A. No: the post-mortem appearances of the body are quite consistent
with those of poisoning by certain poisons, but there is no reason
to suppose that any poison has been administered in this case, as I,
of course, go by what I see; and the presence of poisons, especially
vegetable poisons, can only be detected by chemical analysis.

Q. Did you analyse the contents of the stomach chemically?

A. No; it was not my duty to do so; I handed over the stomach to the
police, seeing that there is suspicion of poison, and thence it will
go to the Government analyst.

Q. It is stated that the deceased had convulsions before she died--
is this not a symptom of narcotic poisoning?

A. In some cases, yes, but not commonly; aconite, for instance,
always produces convulsions in animals, seldom in man.

Q. How do you account for the congested condition of the lungs?

A. I believe the serous effusion caused death by suspended
respiration.

Q. Was there any odour perceptible?

A. No, none whatsoever.

The inquest was then adjourned till next day, and there was great
excitement over the affair. If Kitty Marchurst's statement was true,
the deceased must have died from the administration of poison; but,
on the other hand, Dr Chinston asserted positively that there was no
trace of poison, and that the deceased had clearly died from
apoplexy. Public opinion was very much divided, some asserting that
Kitty's story was true, while others said she had got the idea from
'The Hidden Hand', and only told it in order to make herself
notorious. There were plenty of letters written to the papers on the
subject, each offering a new solution of the difficulty, but the
fact remained the same, that Kitty said the deceased had been
poisoned; the doctor that she had died of apoplexy. Calton was
considerably puzzled over the matter. Of course, there was no doubt
that the man who committed the murder had intended to poison Madame
Midas, but the fact that Selina stayed all night with her, had
resulted in the wrong person being killed. Madame Midas told Calton
the whole story of her life, and asserted positively that if the
poison was meant for her, Villiers must have administered it. This
was all very well, but the question then arose, was Villiers alive?
The police were once more set to work, and once more their search
resulted in nothing. Altogether the whole affair was wrapped in
mystery, as it could not even be told if a murder had been
committed, or if the deceased had died from natural causes. The only
chance of finding out the truth would be to have the stomach
analysed, and the cause of death ascertained; once that was done,
and the matter could be gone on with, or dropped, according to the
report of the analyst. If he said it was apoplexy, Kitty's story
would necessarily have to be discredited as an invention; but if, on
the other hand, the traces of poison were found, search would have
to be made for the murderer. Matters were at a deadlock, and
everyone waited impatiently for the report of the analyst. Suddenly,
however, a new interest was given to the case by the assertion that
a Ballarat doctor, called Gollipeck, who was a noted toxicologist,
had come down to Melbourne to assist at the analysis of the stomach,
and knew something which would throw light on the mysterious death.

Vandeloup saw the paragraph which gave this information, and it
disturbed him very much.

'Curse that book of Prevol's,' he said to himself, as he threw down
the paper: 'it will put them on the right track, and then--well,'
observed M. Vandeloup, sententiously, 'they say danger sharpens a
man's wits; it's lucky for me if it does.'




CHAPTER XIII

DIAMOND CUT DIAMOND


M. Vandeloup's rooms in Clarendon Street, East Melbourne, were very
luxuriously and artistically furnished, in perfect accordance with
the taste of their owner, but as the satiated despot is depicted by
the moralists as miserable amid all his splendour, so M. Gaston
Vandeloup, though not exactly miserable, was very ill at ease. The
inquest had been adjourned until the Government analyst, assisted by
Dr Gollipeck, had examined the stomach, and according to a paragraph
in the evening paper, some strange statements, implicating various
people, would be made next day. It was this that made Vandeloup so
uneasy, for he knew that Dr Gollipeck would trace a resemblance
between the death of Selina Sprotts in Melbourne and Adele Blondet
in Paris, and then the question would arise how the poison used in
the one case came to be used in the other. If that question arose it
would be all over with him, for he would not dare to face any
examination, and as discretion is the better part of valour, M.
Vandeloup decided to leave the country. With his usual foresight he
had guessed that Dr Gollipeck would be mixed up in the affair, so
had drawn his money out of all securities in which it was invested,
sent most of it to America to a New York bank, reserving only a
certain sum for travelling purposes. He was going to leave Melbourne
next morning by the express train for Sydney, and there would catch
the steamer to San Francisco via New Zealand and Honolulu. Once in
America and he would be quite safe, and as he now had plenty of
money he could enjoy himself there. He had given up the idea of
marrying Madame Midas, as he dare not run the risk of remaining in
Australia, but then there were plenty of heiresses in the States he
could marry if he chose, so to give her up was a small matter.
Another thing, he would be rid of Pierre Lemaire, for once let him
put the ocean between him and the dumb man he would take care they
never met again. Altogether, M. Vandeloup had taken all precautions
to secure his own safety with his usual promptitude and coolness,
but notwithstanding that another twelve hours would see him on his
way to Sydney en route for the States, he felt slightly uneasy, for
as he often said, 'There are always possibilities.'

It was about eight o'clock at night, and Gaston was busy in his
rooms packing up to go away next morning. He had disposed of his
apartments to Bellthorp, as that young gentleman had lately come in
for some money and was dissatisfied with the paternal roof, where he
was kept too strictly tied up.

Vandeloup, seated in his shirt sleeves in the midst of a chaos of
articles of clothing, portmanteaux, and boxes, was, with the
experience of an accomplished traveller, rapidly putting these all
away in the most expeditious and neatest manner. He wanted to get
finished before ten o'clock, so that he could go down to his club
and show himself, in order to obviate any suspicion as to his going
away. He did not intend to send out any P.P.C. cards, as he was a
modest young man and wanted to slip unostentatiously out of the
country; besides, there was nothing like precaution, as the least
intimation of his approaching departure would certainly put Dr
Gollipeck on the alert and cause trouble. The gas was lighted, there
was a bright glare through all the room, and everything was in
confusion, with M. Vandeloup seated in the centre, like Marius amid
the ruins of Carthage. While thus engaged there came a ring at the
outer door, and shortly afterwards Gaston's landlady entered his
room with a card.

'A gentleman wants to see you, sir,' she said, holding out the card.

'I'm not at home,' replied Vandeloup, coolly, removing the cigarette
he was smoking from his mouth; 'I can't see anyone tonight.'

'He says you'd like to see him, sir,' answered the woman, standing
at the door.

'The deuce he does,' muttered Vandeloup, uneasily; 'I wonder what
this pertinacious gentleman's name is? and he glanced at the card,
whereon was written 'Dr Gollipeck'.

Vandeloup felt a chill running through him as he rose to his feet.
The battle was about to begin, and he knew he would need all his wit
and skill to get himself out safely. Dr Gollipeck had thrown down
the gauntlet, and he would have to pick it up. Well, it was best to
know the worst at once, so he told the landlady he would see
Gollipeck downstairs. He did not want him to come up there, as he
would see all the evidences of his intention to leave the country.

'I'll see him downstairs,' he said, sharply, to the landlady; 'ask
the gentleman to wait.'

The landlady, however, was pushed roughly to one side, and Dr
Gollipeck, rusty and dingy-looking as ever, entered the room.

'No need, my dear friend,' he said in his grating voice, blinking at
the young man through his spectacles, 'we can talk here.'

Vandeloup signed to the landlady to leave the room, which she did,
closing the door after her, and then, pulling himself together with
a great effort, he advanced smilingly on the doctor.

'Ah, my dear Monsieur,' he said, in his musical voice, holding out
both hands, 'how pleased I am to see you.'

Dr Gollipeck gurgled pleasantly in his throat at this and laughed,
that is, something apparently went wrong in his inside and a rasping
noise came out of his mouth.

'You clever young man,' he said, affectionately, to Gaston, as he
unwound a long crimson woollen scarf from his throat, and thereby
caused a button to fly off his waistcoat with the exertion. Dr
Gollipeck, however, being used to these little eccentricities of his
toilet, pinned the waistcoat together, and then, sitting down,
spread his red bandanna handkerchief over his knees, and stared
steadily at Vandeloup, who had put on a loose velvet smoking coat,
and, with a cigarette in his mouth, was leaning against the
mantelpiece. It was raining outside, and the pleasant patter of the
raindrops was quite audible in the stillness of the room, while
every now and then a gust of wind would make the windows rattle, and
shake the heavy green curtains. The two men eyed one another keenly,
for they both knew they had an unpleasant quarter of an hour before
them, and were like two clever fencers--both watching their
opportunity to begin the combat. Gollipeck, with his greasy coat,
all rucked up behind his neck, and his frayed shirt cuffs coming
down on his ungainly hands, sat sternly silent, so Vandeloup, after
contemplating him for a few moments, had to begin the battle.

'My room is untidy, is it not?' he said, nodding his head carelessly
at the chaos of furniture. 'I'm going away for a few days.'

'A few days; ha, ha!' observed Gollipeck, something again going
wrong with his inside. 'Your destination is--

'Sydney,' replied Gaston, promptly.

'And then?' queried the doctor.

Gaston shrugged his shoulders.

'Depends upon circumstances,' he answered, lazily.

'That's a mistake,' retorted Gollipeck, leaning forward; 'it depends
upon me.'

Vandeloup smiled.

'In that case, circumstances, as represented by you, will permit me
to choose my own destinations.'

'Depends entirely upon your being guided by circumstances, as
represented by me,' retorted the Doctor, grimly.

'Pshaw!' said the Frenchman, coolly, 'let us have done with
allegory, and come to common sense. What do you want?'

'I want Octave Braulard,' said Gollipeck, rising to his feet.

Vandeloup quite expected this, and was too clever to waste time in
denying his identity.

'He stands before you,' he answered, curtly, 'what then?'

'You acknowledge, then, that you are Octave Braulard, transported to
New Caledonia for the murder of Adele Blondet?' said the Doctor
tapping the table with one hand.

'To you--yes,' answered Vandeloup, crossing to the door and locking
it; 'to others--no.'

'Why do you lock the door?' asked Gollipeck, gruffly.

'I don't want my private affairs all over Melbourne,' retorted
Gaston, smoothly, returning to his position in front of the
fireplace; 'are you afraid?'

Something again went wrong with Dr Gollipeck's inside, and he grated
out a hard ironical laugh.

'Do I look afraid?' he asked, spreading out his hands.

Vandeloup stooped down to the portmanteau lying open at his feet,
and picked up a revolver, which he pointed straight at Gollipeck.

'You make an excellent target,' he observed, quickly, putting his
finger on the trigger.

Dr Gollipeck sat down, and arranged his handkerchief once more over
his knees.

'Very likely,' he answered, coolly, 'but a target you won't practise
on.'

'Why not?' asked Vandeloup, still keeping his finger on the trigger.

'Because the pistol-shot would alarm the house,' said Gollipeck,
serenely, 'and if I was found dead, you would be arrested for my
murder. If I was only wounded I could tell a few facts about M.
Octave Braulard that would have an unpleasant influence on the life
of M. Gaston Vandeloup.'

Vandeloup laid the pistol down on the mantelpiece with a laugh, lit
a cigarette, and, sitting down in a chair opposite Gollipeck, began
to talk.

'You are a brave man,' he said, coolly blowing a wreath of smoke, 'I
admire brave men.'

'You are a clever man,' retorted the doctor; 'I admire clever men.'

'Very good,' said Vandeloup, crossing one leg over the other. 'As we
now understand one another, I await your explanation of this visit.'

Dr Gollipeck, with admirable composure, placed his hands on his
knees, and acceded to the request of M. Vandeloup.

'I saw in the Ballarat and Melbourne newspapers,' he said, quietly,
'that Selina Sprotts, the servant of Mrs Villiers, was dead. The
papers said foul play was suspected, and according to the evidence
of Kitty Marchurst, whom, by the way, I remember very well, the
deceased had been poisoned. An examination was made of the body, but
no traces of poison were found. Knowing you were acquainted with
Madame Midas, and recognising this case as a peculiar one--seeing
that poison was asserted to have been given, and yet no appearances
could be found--I came down to Melbourne, saw the doctor who had
analysed the body, and heard what he had to say on the subject. The
symptoms were described as apoplexy, similar to those of a woman who
died in Paris called Adele Blondet, and whose case was reported in a
book by Messrs Prevol and Lebrun. Becoming suspicious, I assisted at
a chemical analysis of the body, and found that the woman Sprotts
had been poisoned by an extract of hemlock, the same poison used in
the case of Adele Blondet. The man who poisoned Adele Blondet was
sent to New Caledonia, escaped from there, and came to Australia,
and prepared this poison at Ballarat; and why I called here tonight
was to know the reason M. Octave Braulard, better known as Gaston
Vandeloup, poisoned Selina Sprotts in mistake for Madame Midas.'

If Doctor Gollipeck had thought to upset Vandeloup by this recital,
he was never more mistaken in his life, for that young gentleman
heard him coolly to the end, and taking the cigarette out of his
mouth, smiled quietly.

'In the first place,' he said, smoothly, 'I acknowledge the truth of
all your story except the latter part, and I must compliment you on
the admirable way you have guessed the identity of Braulard with
Vandeloup, as you have no proof to show that they are the same. But
with regard to the death of Mademoiselle Sprotts, she died as you
have said; but I, though the maker of the poison, did not administer
it.'

'Who did, then?' asked Gollipeck, who was quite prepared for this
denial.

Vandeloup smoothed his moustache, and looked at the doctor with a
keen glance.

'Kitty Marchurst,' he said, coolly.

The rain was beating wildly against the windows and someone in the
room below was playing the eternal waltz, 'One summer's night in
Munich', while Vandeloup, leaning back in his chair, stared at Dr
Gollipeck, who looked at him disbelievingly.

'It's not true,' he said, harshly; 'what reason had she to poison
the woman Sprotts?'

'None at all,' replied Vandeloup, blandly; 'but she had to poison
Mrs Villiers.'

'Go on,' said Gollipeck, gruffly; 'I've no doubt you will make up an
admirable story.'

'So kind of you to compliment me,' observed Vandeloup, lightly; 'but
in this instance I happen to tell the truth--Kitty Marchurst was my
mistress.'

'It was you that ruined her, then?' cried Gollipeck, pushing back
his chair.

Vandeloup shrugged his shoulders.

'If you put it that way--yes,' he answered, simply; 'but she fell
into my mouth like ripe fruit. Surely,' with a sneer, 'at your age
you don't believe in virtue?'

'Yes, I do,' retorted Gollipeck, fiercely.

'More fool you!' replied Gaston, with a libertine look on his
handsome face. 'Balzac never said a truer word than that "a woman's
virtue is man's greatest invention." Well, we won't discuss morality
now. She came with me to Melbourne and lived as my mistress; then
she wanted to marry me, and I refused. She had a bottle of the
poison which I had made, and threatened to take it and kill herself.
I prevented her, and then she left me, went on the stage, and
afterwards meeting Madame Midas, went to live with her, and we
renewed our acquaintance. On the night of this--well, murder, if you
like to call it so--we were at a ball together. Mademoiselle
Marchurst heard that I was going to marry Madame Midas. She asked me
if it was true. I did not deny it; and she said she would sooner
poison Mrs Villiers than see her married to me. She went home, and
not knowing the dead woman was in bed with Madame Midas, poisoned
the drink, and the consequences you know. As to this story of the
hand, bah! it is a stage play, that is all!'

Dr Gollipeck rose and walked to and fro in the little clear space
left among the disorder.

'What a devil you are!' he said, looking at Vandeloup admiringly.

'What, because I did not poison this woman?' he said, in a mocking
tone. 'Bah! you are less moral than I thought you were.'

The doctor did not take any notice of this sneer, but, putting his
hands in his pockets, faced round to the young man.

'I give my evidence to-morrow,' he said quietly, looking keenly at
the young man, 'and I prove conclusively the woman was poisoned. To
do this, I must refer to the case of Adele Blondet, and then that
implicates you.'

'Pardon me,' observed Vandeloup, coolly, removing some ash from his
velvet coat, 'it implicates Octave Braulard, who is at present,'
with a sharp look at Gollipeck, 'in New Caledonia.'

'If that is the case,' asked the doctor, gruffly, 'who are you?'

'I am the friend of Braulard,' said Vandeloup, in a measured tone.
'Myself, Braulard, and Prevol--one of the writers of the book you
refer to--were medical students together, and we all three
emphatically knew about this poison extracted from hemlock.'

He spoke so quietly that Gollipeck looked at him in a puzzled
manner, not understanding his meaning.

'You mean Braulard and Prevol were medical students?' he said,
doubtfully.

'Exactly,' assented M. Vandeloup, with an airy wave of his hand.
'Gaston Vandeloup is a fictitious third person I have called into
existence for my own safety--you understand. As Gaston Vandeloup, a
friend of Braulard, I knew all about this poison, and manufactured
it in Ballarat for a mere experiment, and as Gaston Vandeloup I give
evidence against the woman who was my mistress on the ground of
poisoning Selina Sprotts with hemlock.'

'You are not shielding yourself behind this girl?' asked the doctor,
coming close to him.

'How could I?' replied Vandeloup, slipping his hand into his pocket.
'I could not have gone down to St Kilda, climbed over a wall with
glass bottles on top, and committed the crime, as Kitty Marchurst
says it was done. If I had done this there would be some trace--no,
I assure you Mademoiselle Marchurst, and none other, is the guilty
woman. She was in the room--Madame Midas asleep in bed. What was
easier for her than to pour the poison into the glass, which stood
ready to receive it? Mind you, I don't say she did it deliberately--
impulse--hallucination--madness--what you like--but she did it.'

'By God!' cried Gollipeck, warmly, 'you'd argue a rope round the
girl's neck even before she has had a trial. I believe you did it
yourself.'

'If I did,' retorted Vandeloup, coolly, 'when I am in the witness-
box I run the risk of being found out. Be it so. I take my chance of
that; but I ask you to keep silent as to Gaston Vandeloup being
Octave Braulard.'

'Why should I?' said the doctor, harshly.

'For many admirable reasons,' replied Vandeloup, smoothly. 'In the
first place, as Braulard's friend, I can prove the case against
Mademoiselle Marchurst quite as well as if I appeared as Braulard
himself. In the next place, you have no evidence to prove I am
identical with the murderer of Adele Blondet; and, lastly, suppose
you did prove it, what satisfaction would it be to you to send me
back to a French prison? I have suffered enough for my crime, and
now I am rich and respectable, why should you drag me back to the
depths again? Read "Les Miserables" of our great Hugo before you
answer, my friend.'

'Read the book long ago,' retorted Gollipeck, gruffly, more moved by
the argument than he cared to show; 'I will keep silent about this
if you leave the colony at once.'

'I agree,' said Vandeloup, pointing to the floor; 'you see I had
already decided to travel before you entered. Any other
stipulation?'

'None,' retorted the doctor, putting on his scarf again; 'with
Octave Braulard I have nothing to do: I want to find out who killed
Selina Sprotts, and if you did, I won't spare you.'

'First, catch your hare,' replied Vandeloup, smoothly, going to the
door and unlocking it; 'I am ready to stand the test of a trial, and
surely that ought to content you. As it is, I'll stay in Melbourne
long enough to give you the satisfaction of hanging this woman for
the murder, and then I will go to America.'

Dr Gollipeck was disgusted at the smooth brutality of this man, and
moved hastily to the door.

'Will you not have a glass of wine?' asked Vandeloup, stopping him.

'Wine with you?' said the doctor, harshly, looking him up and down;
'no, it would choke me,' and he hurried away.

'I wish it would,' observed M. Vandeloup, pleasantly, as he
reentered the room, 'whew! this devil of a doctor--what a dangerous
fool, but I have got the better of him, and at all events,' he said,
lighting another cigarette, 'I have saved Vandeloup from suffering
for the crime of Braulard.'




CHAPTER XIV

CIRCUMSTANTIAL EVIDENCE


There was no doubt the Sprotts' poisoning case was the sensation of
the day in Melbourne. The papers were full of it, and some even went
so far as to give a plan of the house, with dotted lines thereon, to
show how the crime was committed. All this was extremely amusing,
for, as a matter of fact, the evidence as yet had not shown any
reasonable ground for supposing foul play had taken place. One
paper, indeed, said that far too much was assumed in the case, and
that the report of the Government analyst should be waited for
before such emphatic opinions were given by the press regarding the
mode of death. But it was no use trying to reason with the public,
they had got it into their sage heads that a crime had been
committed, and demanded evidence; so as the press had no real
evidence to give, they made it up, and the public, in private
conversations, amplified the evidence until they constructed a
complete criminal case.

'Pshaw!' said Rolleston, when he read these sensational reports, 'in
spite of the quidnuncs the mountain will only produce a mouse after
all.'

But he was wrong, for now rumours were started that the Government
analyst and Dr Gollipeck had found poison in the stomach, and that,
moreover, the real criminal would be soon discovered. Public opinion
was much divided as to who the criminal was--some, having heard the
story of Madame's marriage, said it was her husband; others insisted
Kitty Marchurst was the culprit, and was trying to shield herself
behind this wild story of the hand coming from behind the curtains;
while others were in favour of suicide. At all events, on the
morning when the inquest was resumed, and the evidence was to be
given of the analysis of the stomach, the Court was crowded, and a
dead silence pervaded the place when the Government analyst stood up
to give his evidence. Madame Midas was present, with Kitty seated
beside her, the latter looking pale and ill; and Kilsip, with a
gratified smile on his face which seemed as though he had got a clue
to the whole mystery, was seated next to Calton. Vandeloup,
faultlessly dressed, and as cool and calm as possible, was also in
Court; and Dr Gollipeck, as he awaited his turn to give evidence,
could not help admiring the marvellous nerve and courage of the
young man.

The Government analyst being called, was sworn in the usual way, and
deposed that the stomach of the deceased had been sent to him to be
analysed. He had used the usual tests, and found the presence of the
alkaloid of hemlock, known under the name of conia. In his opinion
the death of the deceased was caused by the administration of an
extract of hemlock. (Sensation in the Court.)

Q. Then in your opinion the deceased has been poisoned?

A. Yes, I have not the least doubt on the subject, I detected the
conia very soon after the tests were applied.

There was great excitement when this evidence was concluded, as it
gave quite a new interest to the case. The question as to the cause
of death was now set at rest--the deceased had been murdered, so the
burning anxiety of every one was to know who had committed the
crime. All sorts of opinions were given, but the murmur of voices
ceased when Dr Gollipeck stood up to give his evidence.

He deposed that he was a medical practitioner, practising at
Ballarat; he had seen the report of the case in the papers, and had
come down to Melbourne as he thought he could throw a certain light
on the affair--for instance, where the poison was procured.
(Sensation.) About three years ago a crime had been committed in
Paris, which caused a great sensation at the time. The case being a
peculiar one, was reported in a medical work, by Messieurs Prevol
and Lebrun, which he had obtained from France some two years back.
The facts of the case were shortly these: An actress called Adele
Blondet died from the effects of poison, administered to her by
Octave Braulard, who was her lover; the deceased had also another
lover, called Kestrike, who was supposed to be implicated in the
crime, but he had escaped; the woman in this case had been poisoned
by an extract of hemlock, the same poison used as in the case of
Selina Sprotts, and it was the similarity of the symptoms that made
him suspicious of the sudden death. Braulard was sent out to New
Caledonia for the murder. While in Paris he had been a medical
student with two other gentlemen, one of whom was Monsieur Prevol,
who had reported the case, and the other was at present in Court,
and was called M. Gaston Vandeloup. (Sensation in Court, everyone's
eye being fixed on Vandeloup, who was calm and unmoved.) M.
Vandeloup had manufactured the poison used in this case, but with
regard to how it was administered to the deceased, he would leave
that evidence to M. Vandeloup himself.

When Gollipeck left the witness-box there was a dead silence, as
everyone was too much excited at his strange story to make any
comment thereon. Madame Midas looked with some astonishment on
Vandeloup as his name was called out, and he moved gracefully to the
witness-box, while Kitty's face grew paler even than it was before.
She did not know what Vandeloup was going to say, but a great dread
seized her, and with dry lips and clenched hands she sat staring at
him as if paralysed. Kilsip stole a look at her and then rubbed his
hands together, while Calton sat absolutely still, scribbling
figures on his notepaper.

M. Gaston Vandeloup, being sworn, deposed: He was a native of
France, of Flemish descent, as could be seen from his name; he had
known Braulard intimately; he also knew Prevol; he had been eighteen
months in Australia, and for some time had been clerk to Mrs
Villiers at Ballarat; he was fond of chemistry--yes; and had made
several experiments with poisons while up at Ballarat with Dr
Gollipeck, who was a great toxicologist; he had seen the hemlock in
the garden of an hotel-keeper at Ballarat, called Twexby, and had
made an extract therefrom; he only did it by way of experiment, and
had put the bottle containing the poison in his desk, forgetting all
about it; the next time he saw that bottle was in the possession of
Miss Kitty Marchurst (sensation in Court); she had threatened to
poison herself; he again saw the bottle in her possession on the
night of the murder; this was at the house of M. Meddlechip. A
report had been circulated that he (the witness) was going to marry
Mrs Villiers, and Miss Marchurst asked him if it was true; he had
denied it, and Miss Marchurst had said that sooner than he (the
witness) should marry Mrs Villiers she would poison her; the next
morning he heard that Selina Sprotts was dead.

Kitty Marchurst heard all this evidence in dumb horror. She now knew
that after ruining her life this man wanted her to die a felon's
death. She arose to her feet and stretched out her hands in protest
against him, but before she could speak a word the place seemed to
whirl round her, and she fell down in a dead faint. This event
caused great excitement in court, and many began to assert
positively that she must be guilty, else why did she faint. Kitty
was taken out of Court, and the examination was proceeded with,
while Madame Midas sat pale and horror-struck at the revelations
which were now being made.

The Coroner now proceeded to cross-examine Vandeloup.

Q. You say you put the bottle containing this poison into your desk;
how did Miss Marchurst obtain it?

A. Because she lived with me for some time, and had access to my
private papers.

Q. Was she your wife?

A. No, my mistress (sensation in Court).

Q. Why did she leave you?

A. We had a difference of opinion about the question of marriage, so
she left me.

Q. She wanted you to make reparation; in other words, to marry her?

A. Yes.

Q. And you refused?

A. Yes.

Q. It was on this occasion she produced the poison first?

A. Yes. She told me she had taken it from my desk, and would poison
herself if I did not marry her; she changed her mind, however, and
went away.

Q. Did you know what became of her?

A. Yes; I heard she went on the stage with M. Wopples.

Q. Did she take the poison with her?

A. Yes.

Q. How do you know she took the poison with her?

A. Because next time I saw her it was still in her possession.

Q. That was at Mr Meddlechip's ball?

A. Yes.

Q. On the night of the commission of the crime?

A. Yes.

Q. What made her take it to the ball?

A. Rather a difficult question to answer. She heard rumours that I
was to marry Mrs Villiers, and even though I denied it declined to
believe me; she then produced the poison, and said she would take
it.

Q. Where did this conversation take place?

A. In the conservatory.

Q. What did you do when she threatened to take the poison?

A. I tried to take it from her.

Q. Did you succeed?

A. No; she threw it out of the door.

Q. Then when she left Mr Meddlechip's house to come home she had no
poison with her?

A. I don't think so.

Q. Did she pick the bottle up again after she threw it out?

A. No, because I went back to the ball-room with her; then I came
out myself to look for the bottle, but it was gone.

Q. You have never seen it since.

A. No, it must have been picked up by someone who was ignorant of
its contents.

Q. By your own showing, M. Vandeloup, Miss Marchurst had no poison
with her when she left Mr Meddlechip's house. How, then, could she
commit this crime?

A. She told me she still had some poison left; that she divided the
contents of the bottle she had taken from my desk, and that she
still had enough left at home to poison Mrs Villiers.

Q. Did she say she would poison Mrs Villiers?

A. Yes, sooner than see her married to me. (Sensation.)

Q. Do you believe she went away from you with the deliberate
intention of committing the crime.

A. I do.

M. Vandeloup then left the box amid great excitement, and Kilsip was
again examined. He deposed that he had searched Miss Marchurst's
room, and found half a bottle of extract of hemlock. The contents of
the bottle had been analysed, and were found identical with the
conia discovered in the stomach of the deceased.

Q. You say the bottle was half empty?

A. Rather more than that: three-quarters empty.

Q. Miss Marchurst told M. Vandeloup she had poured half the contents
of one bottle into the other. Would not this account for the bottle
being three-quarters empty?

A. Possibly; but if the first bottle was full, it is probable she
would halve the poison exactly; so if it had been untouched, it
ought to be half full.

Q. Then you think some of the contents of this bottle were used?

A. That is my opinion.

Vandeloup was recalled, and deposed that the bottle Kitty took from
his desk was quite full; and moreover, when the other bottle which
had been found in her room, was shown to him, he declared that it
was as nearly as possible the same size as the missing bottle. So
the inference drawn from this was that the bottle produced being
three-quarters empty, some of the poison had been used.

The question now arose that as the guilt of Miss Marchurst seemed so
certain, how was it that Selina Sprotts was poisoned instead of her
mistress; but this was settled by Madame Midas, who being recalled,
deposed that Kitty did not know Selina slept with her on that night,
and the curtains being drawn, could not possibly tell two people
were in the bed.

This was all the evidence obtainable, and the coroner now proceeded
to sum up.

The case, he said, was a most remarkable one, and it would be
necessary for the jury to consider very gravely all the evidence
laid before them in order to arrive at a proper conclusion before
giving their verdict. In the first place, it had been clearly proved
by the Government analyst that the deceased had died from effects of
conia, which was, as they had been told, the alkaloid of hemlock, a
well-known hedge plant which grows abundantly in most parts of Great
Britain. According to the evidence of Dr Chinston, the deceased had
died from serous apoplexy, and from all the post-mortem appearances
this was the case. But they must remember that it was almost
impossible to detect certain vegetable poisons, such as aconite and
atropia, without minute chemical analysis. They would remember a
case which startled London some years ago, in which the poisoner had
poisoned his brother-in-law by means of aconite, and it taxed all
the ingenuity and cleverness of experts to find the traces of poison
in the stomach of the deceased. In this case, however, thanks to Dr
Gollipeck, who had seen the similarity of the symptoms between the
post-mortem appearance of the stomach of Adele Blondet and the
present case, the usual tests for conia were applied, and as they
had been told by the Government analyst, the result was conia was
found. So they could be quite certain that the deceased had died of
poison--that poison being conia. The next thing for them to
consider was how the poison was administered. According to the
evidence of Miss Marchurst, some unknown person had been standing
outside the window and poured the poison into the glass on the
table. Mrs Villiers had stated that the window was open all night,
and from the position of the table near it--nothing would be easier
than for anyone to introduce the poison into the glass as asserted
by Miss Marchurst. On the other hand, the evidence of the detective
Kilsip went to show that no marks were visible as to anyone having
been at the window; and another thing which rendered Miss
Marchurst's story doubtful was the resemblance it had to a drama in
which she had frequently acted, called 'The Hidden Hand'. In the
last act of that drama poison was administered to one of the
characters in precisely the same manner, and though of course such a
thing might happen in real life, still in this case it was a highly
suspicious circumstance that a woman like Miss Marchurst, who had
frequently acted in the drama, should see the same thing actually
occur off the stage. Rejecting, then, as improbable the story of the
hidden hand, seeing that the evidence was strongly against it, the
next thing was to look into Miss Marchurst's past life and see if
she had any motive for committing the crime. Before doing so,
however, he would point out to them that Miss Marchurst was the only
person in the room when the crime was committed. The window in her
own room and one of the windows in Mrs Villiers' room were both
locked, and the open window had a table in front of it, so that
anyone entering would very probably knock it over, and thus awaken
the sleepers. On the other hand, no one could have entered in at the
door, because they would not have had time to escape before the
crime was discovered. So it was clearly shown that Miss Marchurst
must have been alone in the room when the crime was committed. Now
to look into her past life--it was certainly not a very creditable
one. M. Vandeloup had sworn that she had been his mistress for over
a year, and had taken the poison manufactured by himself out of his
private desk. Regarding M. Vandeloup's motives in preparing such a
poison he could say nothing. Of course, he probably did it by way of
experiment to find out if this colonial grown hemlock possessed the
same poisonous qualities as it did in the old world. It was a
careless thing of him, however, to leave it in his desk, where it
could be obtained, for all such dangerous matters should be kept
under lock and key. To go back, however, to Miss Marchurst. It had
been proved by M. Vandeloup that she was his mistress, and that they
quarrelled. She produced this poison, and said she would kill
herself. M. Vandeloup persuaded her to abandon the idea, and she
subsequently left him, taking the poison with her. She then went on
the stage, and subsequently left it in order to live with Mrs
Villiers as her companion. All this time she still had the poison,
and in order to prevent her losing it she put half of it into
another bottle. Now this looked very suspicious, as, if she had not
intended to use it she certainly would never have taken such trouble
over preserving it. She meets M. Vandeloup at a ball, and, hearing
that he is going to marry Mrs Villiers, she loses her head
completely, and threatens to poison herself. M. Vandeloup tries to
wrench the poison from her, whereupon she flings it into the garden.
This bottle has disappeared, and the presumption is that it was
picked up. But if the jury had any idea that the poison was
administered from the lost bottle, they might as well dismiss it
from their minds, as it was absurd to suppose such an improbable
thing could happen. In the first place no one but M. Vandeloup and
Miss Marchurst knew what the contents were, and in the second place
what motive could anyone who picked it up have in poisoning Mrs
Villiers, and why should they adopt such an extraordinary way of
doing it, as Miss Marchurst asserted they did? On the other hand,
Miss Marchurst tells M. Vandeloup that she still has some poison
left, and that she will kill Mrs Villiers sooner than see her
married to him. She declares to M. Vandeloup that she will kill her,
and leaves the house to go home with, apparently, all the intention
of doing so. She comes home filled with all the furious rage of a
jealous woman, and enters Mrs Villiers' room, and here the jury will
recall the evidence of Mrs Villiers, who said Miss Marchurst did not
know that the deceased was sleeping with her. So when Miss Marchurst
entered the room, she naturally thought that Mrs Villiers was by
herself, and would, as a matter of course, refrain from drawing the
curtains and looking into the bed, in case she should awaken her
proposed victim. There was a glass with drink on the table; she was
alone with Mrs Villiers, her heart filled with jealous rage against
a woman she thinks is her rival. Her own room is a few steps away--
what, then, was easier for her than to go to her own room, obtain
the poison, and put it into the glass? The jury will remember in the
evidence of Mr Kilsip, the bottle was three-quarters empty, which
argued some of it had been used. All the evidence against Miss
Marchurst was purely circumstantial, for if she committed the crime,
no human eye beheld her doing so. But the presumption of her having
done so, in order to get rid of a successful rival, was very strong,
and the weight of evidence was dead against her. The jury would,
therefore, deliver their verdict in accordance with the facts laid
before them.

The jury retired, and the court was very much excited. Everyone was
quite certain that Kitty was guilty, but there was a strong feeling
against M. Vandeloup as having been in some measure the cause,
though indirectly, of the crime. But that young gentleman, in
accordance with his usual foresight, had left the court and gone
straight home, as he had no wish to face a crowd of sullen faces,
and perhaps worse. Madame Midas sat still in the court awaiting the
return of the jury, with the calm face of a marble sphinx. But,
though she suffered, no appearances of suffering were seen on her
serene face. She never had believed in human nature, and now the
girl whom she had rescued from comparative poverty and placed in
opulence had wanted to kill her. M. Vandeloup, whom she admired and
trusted, what black infamy he was guilty of--he had sworn most
solemnly he never harmed Kitty, and yet he was the man who had
ruined her. Madame Midas felt that the worst had come--Vandeloup
false, Kitty a murderess, her husband vanished, and Selina dead. All
the world was falling into ruins around her, and she remained alone
amid the ruins with her enormous fortune, like a golden statue in a
deserted temple. With clasped hands, aching heart, but impassive
face, she sat waiting for the end.

The jury returned in about half an hour, and there was a dead
silence as the foreman stood up to deliver the verdict.

The jury found as follows:--

That the deceased, Selina Jane Sprotts, died on the 21st day of
November, from the effects of poison, namely, conia, feloniously
administered by one Katherine Marchurst, and the jury, on their
oaths, say that the said Katherine Marchurst feloniously, wilfully,
and maliciously did murder the said deceased.

That evening Kitty was arrested and lodged in the Melbourne Gaol, to
await her trial on a charge of wilful murder.




CHAPTER XV

KISMET


Of two evils it is always best to choose the least, and as M.
Vandeloup had to choose between the loss of his popularity or his
liberty, he chose to lose the former instead of the latter. After
all, as he argued to himself, Australia at large is a small portion
of the world, and in America no one would know anything about his
little escapade in connection with Kitty. He knew that he was in
Gollipeck's power, and that unless he acceded to that gentleman's
demand as to giving evidence he would be denounced to the
authorities as an escaped convict from New Caledonia, and would be
sent back there. Of course, his evidence could not but prove
detrimental to himself, seeing how badly he had behaved to Kitty,
but still as going through the ordeal meant liberty, he did so, and
the result was as he had foreseen. Men, as a rule, are not very
squeamish, and view each other's failings, especially towards women,
with a lenient eye, but Vandeloup had gone too far, and the
Bachelors' Club unanimously characterised his conduct as 'damned
shady', so a letter was sent requesting M. Vandeloup to take his
name off the books of the club. He immediately resigned, and wrote a
polite letter to the secretary, which brought uneasy blushes to the
cheek of that gentleman by its stinging remarks about his and his
fellow clubmen's morality. He showed it to several of the members,
but as they all had their little redeeming vices, they determined to
take no notice, and so M. Vandeloup was left alone. Another thing
which happened was that he was socially ostracised from society, and
his table, which used to be piled up with invitations, soon became
quite bare. Of course, he knew he could force Meddlechip to
recognise him, but he did not choose to do so, as all his thoughts
were fixed on America. He had plenty of money, and with a new name
and a brand new character, Vandeloup thought he would prosper
exceedingly well in the States. So he stayed at home, not caring to
face the stony faces of friends who cut him, and waited for the
trial of Kitty Marchurst, after which he intended to leave for
Sydney at once, and take the next steamer to San Francisco. He did
not mind waiting, but amused himself reading, smoking, and playing,
and was quite independent of Melbourne society. Only two things
worried him, and the first of these was the annoyance of Pierre
Lemaire, who seemed to have divined his intention of going away, and
haunted him day and night like an unquiet spirit. Whenever Vandeloup
looked out, he saw the dumb man watching the house, and if he went
for a walk, Pierre would slouch sullenly along behind him, as he had
done in the early days. Vandeloup could have called in the aid of a
policeman to rid himself of this annoyance, but the fact was he was
afraid of offending Pierre, as he might be tempted to reveal what he
knew, and the result would not be pleasant. So Gaston bore patiently
with the disagreeable system of espionage the dumb man kept over
him, and consoled himself with the idea that once he was on his way
to America, it would not matter two straws whether Pierre told all
he knew, or kept silent. The other thing which troubled the young
man were the words Kitty had made use of in Mrs Villiers' drawing-
room regarding the secret she said she knew. It made him uneasy, for
he half guessed what it was, and thought she might tell it to
someone out of revenge, and then there would be more troubles for
him to get out of. Then, again, he argued that she was too fond of
him ever to tell anything likely to injure him, even though he had
put a rope round her neck. If he could have settled the whole affair
by running away, he would have done so, but Gollipeck was still in
Melbourne, and Gaston knew he could not leave the town without the
terrible old man finding it out, and bringing him back. At last the
torture of wondering how much Kitty knew was too much for him, and
he determined to go to the Melbourne gaol and interview her. So he
obtained an order from the authorities to see her, and prepared to
start next morning. He sent the servant out for a hansom, and by the
time it was at the door, M. Vandeloup, cool, calm, and well dressed,
came down stairs pulling on his gloves. The first thing he saw when
he got outside was Pierre waiting for him with his old hat pulled
down over his eyes, and his look of sullen resignation. Gaston
nodded coolly to him, and told the cabby he wanted to go to the
Melbourne gaol, whereupon Pierre slouched forward as the young man
was preparing to enter the cab, and laid his hand on his arm.

'Well,' said Vandeloup, in a quiet voice, in French, shaking off the
dumb man's arm, 'what do you want?'

Pierre pointed to the cab, whereupon M. Vandeloup shrugged his
shoulders. 'Surely you don't want to come to the gaol with me,' he
said, mockingly, 'you'll get there soon enough.'

The other nodded, and made a step towards the cab, but Vandeloup
pushed him back.

'Curse the fool,' he muttered to himself, 'I'll have to humour him
or he'll be making a scene--you can't come,' he added aloud, but
Pierre still refused to go away.

This conversation or rather monologue, seeing M. Vandeloup was the
only speaker, was carried on in French, so the cabman and the
servant at the door were quite ignorant of its purport, but looked
rather astonished at the conduct of the dirty tramp towards such an
elegant-looking gentleman. Vandeloup saw this and therefore
determined to end the scene.

'Well, well,' he said to Pierre in French, 'get in at once,' and
then when the dumb man entered the cab, he explained to the cabman
in English:--'This poor devil is a pensioner of mine, and as he
wants to see a friend of his in gaol I'll take him with me.'

He stepped into the cab which drove off, the cabman rather
astonished at the whole affair, but none the less contented himself
with merely winking at the pretty servant girl who stood on the
steps, whereupon she tossed her head and went inside.

As they drove along Vandeloup said nothing to Pierre, not that he
did not want to, but he mistrusted the trap-door in the roof of the
cab, which would permit the cabman to overhear everything. So they
went along in silence, and when they arrived at the gaol Vandeloup
told the cabman to wait for him, and walked towards the gaol.

'You are coming inside, I suppose,' he said, sharply, to Pierre, who
still slouched alongside.

The dumb man nodded sullenly.

Vandeloup cursed Pierre in his innermost heart, but smiled blandly
and agreed to let him enter with him. There was some difficulty with
the warder at the door, as the permission to see the prisoner was
only made out in the name of M. Vandeloup, but after some
considerable trouble they succeeded in getting in.

'My faith!' observed Gaston, lightly, as they went along to the
cell, conducted by a warder, 'it's almost as hard to get into gaol
as to get out of it.'

The warder admitted them both to Kitty's cell, and left them alone
with her. She was seated on the bed in the corner of the cell, in an
attitude of deepest dejection. When they entered she looked up in a
mechanical sort of manner, and Vandeloup could see how worn and
pinched-looking her face was. Pierre went to one end of the cell and
leaned against the wall in an indifferent manner, while Vandeloup
stood right in front of the unhappy woman. Kitty arose when she saw
him, and an expression of loathing passed over her haggard-looking
face.

'Ah!' she said, bitterly, rejecting Vandeloup's preferred hand, 'so
you have come to see your work; well, look around at these bare
walls; see how thin and ugly I have grown; think of the crime with
which I am charged, and surely even Gaston Vandeloup will be
satisfied.'

The young man sneered.

'Still as good at acting as ever, I see,' he said, mockingly;
'cannot you even see a friend without going into these heroics?'

'Why have you come here?' she asked, drawing herself up to her full
height.

'Because I am your friend,' he answered, coolly.

'My friend!' she echoed, scornfully, looking at him with contempt;
'you ruined my life a year ago, now you have endeavoured to fasten
the guilt of murder on me, and yet you call yourself my friend; a
good story, truly,' with a bitter laugh.

'I could not help giving the evidence I did,' replied Gaston,
coolly, shrugging his shoulders; 'if you are innocent, what I say
will not matter.'

'If I am innocent!' she said, looking at him steadily; 'you villain,
you know I am innocent!'

'I know nothing of the sort.'

Then you believe I committed the crime?'

'I do.'

Kitty sat helplessly down on the bed, and passed her hand across her
eyes.

'My God!' she muttered, 'I am going mad.'

'Not at all unlikely,' he replied, carelessly.

She looked vacantly round the cell, and caught sight of Pierre
shrinking back into the shadow.

'Why did you bring your accomplice with you?' she said, looking at
Gaston.

M. Vandeloup shrugged his shoulders.

'Really, my dear Bebe,' he said, lazily, 'I don't know why you
should call him my accomplice, as I have committed no crime.'

'Have you not?' she said, rising to her feet, and bending towards
him, 'think again.'

Vandeloup shook his head, with a smile.

'No, I do not think I have,' he answered, glancing keenly at her; 'I
suppose you want me to be as black as yourself?'

'You coward!' she said, in a rage, turning on him, 'how dare you
taunt me in this manner? it is not enough that you have ruined me,
and imperilled my life, without jeering at me thus, you coward?'

'Bah!' retorted Vandeloup, cynically, brushing some dust off his
coat, 'this is not the point; you insinuate that I committed a
crime, perhaps you will tell me what kind of a crime?'

'Murder,' she replied, in a whisper.

'Oh, indeed,' sneered Gaston, coolly, though his lips twitched a
little, 'the same style of crime as your own? and whose murder am I
guilty of, pray?'

'Randolph Villiers.'

Vandeloup shrugged his shoulders.

'Who can prove it?' he asked, contemptuously.

'I can!'

'You,' with a sneer, 'a murderess?'

'Who can prove I am a murderess?' she cried, wildly.

'I can,' he answered, with an ugly look; 'and I will if you don't
keep a quiet tongue.'

'I will keep quiet no longer,' boldly rising and facing Vandeloup,
with her hands clenched at her sides; 'I have tried to shield you
faithfully through all your wickedness, but now that you accuse me
of committing a crime, which accusation you know is false, I accuse
you, Gaston Vandeloup, and your accomplice, yonder,' wheeling round
and pointing to Pierre, who shrank away, 'of murdering Randolph
Villiers, at the Black Hill, Ballarat, for the sake of a nugget of
gold he carried.'

Vandeloup looked at her disdainfully.

'You are mad,' he said, in a cold voice; 'this is the raving of a
lunatic; there is no proof of what you say; it was proved
conclusively that myself and Pierre were asleep at our hotel while
M. Villiers was with Jarper at two o'clock in the morning.'

'I know that was proved,' she retorted, 'and by some jugglery on
your part; but, nevertheless, I saw you and him,' pointing again to
Pierre, 'murder Villiers.'

'You saw it,' echoed Vandeloup, with a disbelieving smile; 'tell me
how?'

'Ah!' she cried, making a step forward, 'you do not believe me, but
I tell you it is true--yes, I know now who the two men were
following Madame Midas as she drove away: one was her husband, who
wished to rob her, and the other was Pierre, who, acting upon your
instructions, was to get the gold from Villiers should he succeed in
getting it from Madame. You left me a few minutes afterwards, but I,
with my heart full of love--wretched woman that I was--followed you
at a short distance, unwilling to lose sight of you even for a
little time. I climbed down among the rocks and saw you seat
yourself in a narrow part of the path. Curiosity then took the place
of love, and I watched to see what you were going to do. Pierre--
that wretch who cowers in the corner--came down the path and you
spoke to him in French. What was said I did not know, but I guessed
enough to know you meditated some crime. Then Villiers came down the
path with the nugget in its box under his arm. I recognised the box
as the one which Madame Midas had brought to our house. When
Villiers came opposite you you spoke to him; he tried to pass on,
and then Pierre sprang out from behind the rock and the two men
struggled together, while you seized the box containing the gold,
which Villiers had let fall, and watched the struggle. You saw that
Villiers, animated by despair, was gradually gaining the victory
over Pierre, and then you stepped in--yes; I saw you snatch Pierre's
knife from the back of his waist and stab Villiers in the back. Then
you put the knife into Pierre's hand, all bloody, as Villiers fell
dead, and I fled away.'

She stopped, breathless with her recital, and Vandeloup, pale but
composed, would have answered her, when a cry from Pierre startled
them. He had come close to them, and was looking straight at Kitty.

'My God!' he cried; 'then I am innocent?'

'You!' shrieked Kitty, falling back on her bed; 'who are you?'

The man pulled his hat off and came a step nearer.

'I am Randolph Villiers!'

Kitty shrieked again and covered her face with her hands, while
Vandeloup laughed in a mocking manner, though his pale face and
quivering lip told that his mirth was assumed.

'Yes,' said Villiers, throwing his hat on the floor of the cell, 'it
was Pierre Lemaire, and not I, who died. The struggle took place as
you have described, but he,' pointing to Vandeloup, 'wishing to get
rid of Pierre for reasons of his own stabbed him, and not me, in the
back. He thrust the knife into my hand, and I, in my blind fury,
thought that I had murdered the dumb man. I was afraid of being
arrested for the murder, so, as suggested by Vandeloup, I changed
clothes with the dead man and wrapped my own up in a bundle. We hid
the body and the nugget in one of the old mining shafts and then
came down to Ballarat. I was similar to Pierre in appearance, except
that my chin was shaven. I went down to the Wattle Tree Hotel as
Pierre after leaving my clothes outside the window of the bedroom
which Vandeloup pointed out to me. Then he went to the theatre and
told me to rejoin him there as Villiers. I got my own clothes into
the room, dressed again as myself; then, locking the door, so that
the people of the hotel might suppose that Pierre slept, I jumped
out of the window of the bedroom and went to the theatre. There I
played my part as you know, and while we were behind the scenes Mr
Wopples asked me to put out the gas in his room. I did so, and took
from his dressing-table a black beard, in order to disguise myself
as Pierre till my beard had grown. We went to supper, and then I
parted with Jarper at two o'clock in the morning, and went back to
the hotel, where I climbed into the bedroom through the window and
reassumed Pierre's dress for ever. It was by Vandeloup's advice I
pretended to be drunk, as I could not go to the Pactolus, where my
wife would have recognised me. Then I, as the supposed Pierre, was
discharged, as you know. Vandeloup, aping friendship, drew the dead
man's salary and bought clothes and a box for me. In the middle of
one night I still disguised as Pierre, slipped out of the window,
and went up to Black Hill, where I found the nugget and brought it
down to my room at the Wattle Tree Hotel. Then Vandeloup brought in
the box with my clothes, and we packed the nugget in it, together
with the suit I had worn at the time of the murder. Following his
instructions, I came down to Melbourne, and there disposed of the
nugget--no need to ask how, as there are always people ready to do
things of that sort for payment. When I was paid for the nugget, and
I only got eight hundred pounds, the man who melted it down taking
the rest, I had to give six hundred to Vandeloup, as I was in his
power as I thought, and dare not refuse in case he should denounce
me for the murder of Pierre Lemaire. And now I find that I have been
innocent all the time, and he has been frightening me with a shadow.
He, not I, was the murderer of Pierre Lemaire, and you can prove
it.'

During all this recital, which Kitty listened to with staring eyes,
Vandeloup had stood quite still, revolving in his own mind how he
could escape from the position in which he found himself. When
Villiers finished his recital he raised his head and looked
defiantly at both his victims.

'Fate has placed the game in your hands,' he said coolly, while they
stood and looked at him; 'but I'm not beaten yet, my friend. May I
ask what you intend to do?'

'Prove my innocence,' said Villiers, boldly.

'Indeed!' sneered Gaston, 'at my expense, I presume.'

'Yes! I will denounce you as the murderer of Pierre Lemaire.'

'And I,' said Kitty, quickly, 'will prove Villiers' innocence.'

Vandeloup turned on her with all the lithe, cruel grace of a tiger.

'First you must prove your own innocence,' he said, in a low, fierce
voice. 'Yes; if you can hang me for the murder of Pierre Lemaire, I
can hang you for the murder of Selina Sprotts; yes, though I know
you did not do it.'

'Ah!' said Kitty, quickly, springing forward, 'you know who
committed the crime.'

'Yes,' replied Vandeloup, slowly, 'the man who committed the crime
intended to murder Madame Midas, and he was the man who hated her
and wished her dead--her husband.'

'I?' cried Villiers, starting forward, 'you lie.'

Vandeloup wheeled round quickly on him, and, getting close to him,
spoke rapidly.

'No, I do not lie,' he said, in a concentrated voice of anger; 'you
followed me up to the house of M. Meddlechip, and hid among the
trees on the lawn to watch the house; you saw Bebe throw the bottle
out, and picked it up; then you went to St Kilda and, climbing over
the wall, committed the crime, as she,' pointing to Kitty, 'saw you
do; I met you in the street near the house after you had committed
it, and see,' plunging his hand into Villiers' pocket, 'here is the
bottle which contained the poison,' and he held up to Kitty the
bottle with the two red bands round it, which she had thrown away.

'It is false!' cried Villiers, in despair, seeing that all the
evidence was against him.

'Prove it, then,' retorted Vandeloup, knocking at the door to summon
the warder. 'Save your own neck before you put mine in danger.'

The door opened, and the warder appeared. Kitty and Villiers gazed
horror-struck at one another, while Vandeloup, without another word,
rapidly left the cell. The warder beckoned to Villiers to come, and,
with a deep sigh, he obeyed.

'Where are you going?' asked Kitty, as he moved towards the door.

'Going?' he repeated, mechanically. 'I am going to see my wife.'

He left the cell, and when he got outside the gaol he saw the hansom
with Vandeloup in it driving rapidly away. Villiers looked at the
retreating vehicle in despair. 'My God,' he murmured, raising his
face to the blue sky with a frightful expression of despair; 'how am
I to escape the clutches of this devil?'




CHAPTER XVI

BE SURE THY SIN WILL FIND THEE OUT


Madame Midas was a remarkably plucky woman, but it needed all her
pluck and philosophy to bear up against the terrible calamities
which were befalling her. Her faith in human nature was completely
destroyed, and she knew that all the pleasure of doing good had gone
out of her life. The discovery of Kitty's baseness had wounded her
deeply, and she found it difficult to persuade herself that the girl
had not been the victim of circumstances. If Kitty had only trusted
her when she came to live with her all this misery and crime would
have been avoided, for she would have known Madame Midas would never
have married Vandeloup, and thus would have had no motive for
committing the crime. Regarding Vandeloup's pretensions to her hand,
Mrs Villiers laughed bitterly to herself. After the misery of her
early marriage it was not likely she was going to trust herself and
her second fortune again to a man's honour. She sighed as she
thought what her future life must be. She was wealthy, it was true,
but amid all her riches she would never be able to know the meaning
of friendship, for all who came near her now would have some motive
in doing so, and though Madame Midas was anxious to do good with her
wealth, yet she knew she could never expect gratitude in return. The
comedy of human life is admirable when one is a spectator; but ah!
the actors know they are acting, and have to mask their faces with
smiles, restrain the tears which they would fain let flow, and mouth
witty sayings with breaking hearts. Surely the most bitter of all
feelings is that cynical disbelief in human nature which is so
characteristic of our latest civilization.

Madame Midas, however, now that Melbourne was so hateful to her,
determined to leave it, and sent up to Mr Calton in order to confer
with him on the subject. Calton came down to St Kilda, and was shown
into the drawing-room where Mrs Villiers, calm and impenetrable
looking as ever, sat writing letters. She arose as the barrister
entered, and gave him her hand.

'It was kind of you to come so quickly,' she said, in her usual
quiet, self-contained manner; 'I wish to consult you on some matters
of importance.'

'I am at your service, Madame,' replied Calton, taking a seat, and
looking keenly at the marble face before him; 'I am glad to see you
looking so well, considering what you have gone through.'

Mrs Villiers let a shadowy smile flit across her face.

'They say the Red Indian becomes utterly indifferent to the torture
of his enemies after a certain time,' she answered, coldly; 'I think
it is the same with me. I have been deceived and disillusionized so
completely that I have grown utterly callous, and nothing now can
move me either to sorrow or joy.'

'A curious answer from a curious woman,' thought Calton, glancing at
her as she sat at the writing-table in her black dress with the
knots of violet ribbons upon it; 'what queer creatures experience
makes us.'

Madame Midas folded her hands loosely on the table, and looked
dreamily out of the open French window, and at the trellis covered
with creeping plants beyond, through which the sun was entering in
pencils of golden light. Life would have been so sweet to her if she
had only been content to be deceived like other people; but then she
was not of that kind. Faith with her was a religion, and when
religion is taken away, what remains?--nothing.

'I am going to England,' she said, abruptly, to Calton, rousing
herself out of these painful reflections.

'After the trial, I presume?' observed Calton, slowly.

'Yes,' she answered, hesitatingly; 'do you think they will--they
will--hang the girl?'

Calton shrugged his shoulders. 'I can't tell you,' he answered, with
a half smile; 'if she is found guilty--well--I think she will be
imprisoned for life.'

'Poor Kitty,' said Madame, sadly, 'it was an evil hour when you met
Vandeloup. What do you think of him?' she asked, suddenly.

'He's a scoundrel,' returned Calton, decisively; still, a clever
one, with a genius for intrigue; he should have lived in the times
of Borgian Rome, where his talents would have been appreciated; now
we have lost the art of polite murder.'

'Do you know,' said Mrs Villiers, musingly, leaning back in her
chair, 'I cannot help thinking Kitty is innocent of this crime.'

'She may be,' returned Calton, ambiguously, 'but the evidence seems
very strong against her.'

'Purely circumstantial,' interrupted Madame Midas, quickly.

'Purely circumstantial, as you say,' assented Calton; 'still, some
new facts may be discovered before the trial which may prove her to
be innocent. After the mystery which enveloped the death of Oliver
Whyte in the hansom cab murder I hesitate giving a decided answer,
in any case till everything has been thoroughly sifted; but, if not
Kitty Marchurst, whom do you suspect--Vandeloup?'

'No; he wanted to marry me, not to kill me.'

'Have you any enemy, then, who would do such a thing?'

'Yes; my husband.'

'But he is dead.'

'He disappeared,' corrected Madame, 'but it was never proved that he
was dead. He was a revengeful, wicked man, and if he could have
killed me, without hurting himself, he would,' and rising from her
seat she paced up and down the room slowly.

'I know your sad story,' said the barrister, 'and also how your
husband disappeared; but, to my mind, looking at all the
circumstances, you will not be troubled with him again.'

A sudden exclamation made him turn his head, and he saw Madame
Midas, white as death, staring at the open French window, on the
threshold of which was standing a man--medium height, black beard,
and a haggard, hunted look in his eyes.

'Who is this?' cried Calton, rising to his feet.

Madame Midas tottered, and caught at the mantelpiece for support.

'My husband,' she said, in a whisper.

'Alive?' said Calton, turning to the man at the window.

'I should rather think so,' said Villiers, insolently, advancing
into the room; 'I don't look like a dead man, do I?'

Madame Midas sprang forward and caught his wrist.

'So you have come back, murderer!' she hissed in his ear.

'What do you mean?' said her husband, wrenching his hand away.

'Mean?' she cried, vehemently; 'you know what I mean. You cut
yourself off entirely from me by your attempt on my life, and the
theft of the gold; you dare not have showed yourself in case you
received the reward of your crime; and so you worked in the dark
against me. I knew you were near, though I did not see you; and you
for a second time attempted my life.'

'I did not,' muttered Villiers, shrinking back from the indignant
blaze of her eyes. 'I can prove--'

'You can prove,' she burst out, contemptuously, drawing herself up
to her full height, 'Yes! you can prove anything with your cowardly
nature and lying tongue; but prove that you were not the man who
came in the dead of night and poisoned the drink waiting for me,
which was taken by my nurse. You can prove--yes, as God is my judge,
you shall prove it, in the prisoner's dock, e'er you go to the
gallows.'

During all this terrible speech, Villiers had crouched on the
ground, half terrified, while his wife towered over him, magnificent
in her anger. At the end, however, he recovered himself a little,
and began to bluster.

'Every man has a right to a hearing,' he said, defiantly, looking
from his wife to Calton; 'I can explain everything.'

Madame Midas pointed to a chair.

'I have no doubt you will prove black is white by your lying,' she
said, coldly, returning to her seat; 'I await this explanation.'

Thereupon Villiers sat down and told them the whole story of his
mysterious disappearance, and how he had been made a fool of by
Vandeloup. When he had ended, Calton, who had resumed his seat, and
listened to the recital with deep interest, stole a glance at Madame
Midas, but she looked as cold and impenetrable as ever.

'I understand, now, the reason of your disappearance,' she said,
coldly; 'but that is not the point. I want to know the reason you
tried to murder me a second time.'

'I did not,' returned Villiers, quietly, with a gesture of dissent.

'Then Selina Sprotts, since you are so particular,' retorted his
wife, with a sneer; 'but it was you who committed the crime.'

'Who says I did?' cried Villiers, standing up.

'No one,' put in Calton, looking at him sharply, 'but as you had a
grudge against your wife, it is natural for her to suspect you, at
the same time it is not necessary for you to criminate yourself.'

'I am not going to do so,' retorted Villiers; 'if you think I'd be
such a fool as to commit a crime and then trust myself to my wife's
tender mercies, you are very much mistaken. I am as innocent of the
murder as the poor girl who is in prison.'

'Then she is not guilty?' cried Mrs Villiers, rising.

'No,' returned Villiers, coldly, 'she is innocent.'

'Oh, indeed,' said Calton, quietly; 'then if you both are innocent,
who is the guilty person?'

Villiers was about to speak when another man entered the open
window. This was none other than Kilsip, who advanced eagerly to
Villiers.

'He has come in at the gate,' he said, quickly.

'Have you the warrant,' asked Villiers, as a sharp ring was heard at
the front door.

Kilsip nodded, and Villiers turned on his wife and Calton, who were
too much astonished to speak.

'You asked me who committed the crime,' he said, in a state of
suppressed excitement; 'look at that door,' pointing to the door
which led into the hall, 'and you will see the real murderer of
Selina Sprotts appear.'

Calton and Madame Midas turned simultaneously, and the seconds
seemed like hours as they waited with bated breath for the opening
of the fatal door. The same name was on their lips as they gazed
with intense expectation, and that name was--Gaston Vandeloup.

The noise of approaching footsteps, a rattle at the handle of the
door, and it was flung wide open as the servant announced--

'Mr Jarper.'

Yes, there he stood, meek, apologetic, and smiling--the fast-living
bank-clerk, the darling of society, and the secret assassin--Mr
Bartholomew Jarper.

He advanced smilingly into the room, when suddenly the smile died
away, and his face blanched as his eyes rested on Villiers. He made
a step backward as if to fly, but in a moment Kilsip was on him.

'I arrest you in the Queen's name for the murder of Selina Sprotts,'
and he slipped the handcuffs on his wrists.

The wretched young man fell down on the floor with an agonised
shriek.

'It's a lie--it's a lie,' he howled, beating his manacled hands on
the carpet, 'none can prove I did it.'

'What about Vandeloup?' said Villiers, looking at the writhing
figure at his feet, 'and this proof?' holding out the bottle with
the red bands.

Jarper looked up with an expression of abject fear on his white
face, then with a shriek fell back again in a swoon.

Kilsip went to the window and a policeman appeared in answer to his
call, then between them they lifted up the miserable wretch and took
him to a cab which was waiting, and were soon driving off up to the
station, from whence Jarper was taken to the Melbourne gaol.

Calton turned to Madame Midas and saw that she also had fainted and
was lying on the floor. He summoned the servants to attend to her,
then, making Villiers come with him, he went up to his office in
town in order to get the whole story of the discovery of the
murderer.

The papers were full of it next day, and Villiers' statement,
together with Jarper's confession, were published side by side. It
appeared that Jarper had been living very much above his income, and
in order to get money he had forged Mrs Villiers' name for several
large amounts. Afraid of being discovered, he was going to throw
himself on her mercy and confess all, which he would have done had
Madame Midas come to the Meddlechip's ball. But overhearing the
conversation between Kitty and Vandeloup in the conservatory, and
seeing the bottle flung out, he thought if he secured it he could
poison Madame Midas without suspicion and throw the guilt upon
Kitty. He secured the bottle immediately after Vandeloup took Kitty
back to the ball-room, and then went down to St Kilda to commit the
crime. He knew the house thoroughly as he had often been in it, and
saw that the window of Madame's room was open. He then put his
overcoat on the glass bottles on top of the wall and leapt inside,
clearing the bushes. He stole across the lawn and stepped over the
flower-bed, carefully avoiding making any marks. He had the bottle
of poison with him, but was apparently quite ignorant how he was to
introduce it into the house, but on looking through the parting of
the curtains he saw the glass with the drink on the table. Guessing
that Madame Midas was in bed and would probably drink during the
night, he put his hand through the curtains and poured all the
poison into the glass, then noiselessly withdrew. He jumped over the
wall again, put on his overcoat, and thought he was safe, when he
found M. Vandeloup was watching him and had seen him in all his
actions. Vandeloup, whose subtle brain immediately saw that if
Madame Midas was dead he could throw the blame on Kitty and thus get
rid of her without endangering himself, agreed to keep silent, but
made Jarper give up the bottle to him. When Jarper had gone
Vandeloup, a few yards further down, met Villiers, but supposed that
he had just come on the scene. Villiers, however, had been watching
the house all night, and had also been watching Meddlechip's. The
reason for this was he thought his wife was at the ball, and wanted
to speak to her. He had followed Kitty and Mrs Killer down to St
Kilda by hanging on to the back of the brougham, thinking the latter
was his wife. Finding his mistake, he hung round the house for about
an hour without any object, and was turning round the corner to go
home when he saw Jarper jump over the wall, and, being unseen in the
shadow, overheard the conversation and knew that Jarper had
committed the crime. He did not, however, dare to accuse Jarper of
murder, as he thought it was in Vandeloup's power to denounce him as
the assassin of Pierre Lemaire, so for his own safety kept quiet.
When he heard the truth from Kitty in the prison he would have
denounced the Frenchman at once as the real criminal, but was so
bewildered by the rapid manner in which Vandeloup made up a case
against him, and especially by the bottle being produced out of his
pocket--which bottle Vandeloup, of course, had in his hand all the
time--that he permitted him to escape. When he left the gaol,
however, he went straight to the police-office and told his story,
when a warrant was immediately granted for the arrest of Jarper.
Kilsip took the warrant and went down to St Kilda to Mrs Villiers'
house to see her before arresting Jarper; but, as before described,
Jarper came down to the house on business from the bank and was
arrested at once.

Of course, there was great excitement over the discovery of the real
murderer, especially as Jarper was so well known in Melbourne
society, but no one pitied him. In the days of his prosperity he had
been obsequious to his superiors and insolent to those beneath him,
so that all he gained was the contempt of one and the hate of the
other. Luckily, he had no relatives whom his crime would have
disgraced, and as he had not succeeded in getting rid of Madame
Midas, he intended to have run away to South America, and had forged
a cheque in her name for a large amount in order to supply himself
with funds. Unhappily, however, he had paid that fatal visit and had
been arrested, and since then had been in a state of abject fear,
begging and praying that his life might be spared. His crime,
however, had awakened such indignation that the law was allowed to
take its course, so early one wet cold morning Barty Jarper was
delivered into the hands of the hangman, and his mean, pitiful
little soul was launched into eternity.

Kitty was of course released, but overwhelmed with shame and agony
at all her past life having been laid bare, she did not go to see
Madame Midas, but disappeared amid the crowd, and tried to hide her
infamy from all, although, poor girl, she was more sinned against
than sinning.

Vandeloup, for whom a warrant was out for the murder of Lemaire, had
also disappeared, and was supposed to have gone to America.

Madame Midas suffered severely from the shocks she had undergone
with the discovery of everyone's baseness. She settled a certain
income on her husband, on condition she never was to see him again,
which offer he readily accepted, and having arranged all her affairs
in Australia, she left for England, hoping to find in travel some
alleviation, if not forgetfulness, of the sorrow of the past. A good
woman--a noble woman, yet one who went forth into the world broken-
hearted and friendless, with no belief in anyone and no pleasure in
life. She, however, was of too fine a nature ever to sink into the
base, cynical indifference of a misanthropic life, and the wealth
which she possessed was nobly used by her to alleviate the horrors
of poverty and to help those who needed help. Like Midas, the Greek
King, from whence her quaint name was derived, she had turned
everything she touched into gold, and though it brought her no
happiness, yet it was the cause of happiness to others; but she
would give all her wealth could she but once more regain that trust
in human nature which had been so cruelly betrayed.




EPILOGUE

THE WAGES OF SIN


Such a hot night as it was--not a breath of wind, and the moon, full
orbed, dull and yellow, hangs like a lamp in the dark blue sky. Low
down on the horizon are great masses of rain clouds, ragged and
angry-looking, and the whole firmament seems to weigh down on the
still earth, where everything is burnt and parched, the foliage of
the trees hanging limp and heavily, and the grass, yellow and sere,
mingling with the hot, white dust of the roads. Absolute stillness
everywhere down here by the Yarra Yarra, not even the river making a
noise as it sweeps swiftly down on its winding course between its
low mud banks. No bark of a dog or human voice breaks the stillness;
not even the sighing of the wind through the trees. And throughout
all this unearthly silence a nervous vitality predominates, for the
air is full of electricity, and the subtle force is permeating the
whole scene. A long trail of silver light lies on the dark surface
of the river rolling along, and here and there the current swirls
into sombre, cruel-looking pools--or froths, and foams in lines of
dirty white around the trunks of spectral-looking gum trees, which
stretch out their white, scarred branches over the waters.

Just a little way below the bridge which leads to the Botanical
Gardens, on the near side of the river, stands an old, dilapidated
bathing-house, with its long row of dressing-rooms, doorless and
damp-looking. A broad, irregular wooden platform is in front of
these, and slopes gradually down to the bank, from whence narrow,
crazy-looking steps, stretching the whole length of the platform, go
down beneath the sullen waters. And all this covered with black
mould and green slime, with whole armies of spiders weaving grey,
dusky webs in odd corners, and a broken-down fence on the left half
buried in bush rank grass--an evil-looking place even in the
daytime, and ten times more evil-looking and uncanny under the light
of the moon, which fills it with vague shadows. The rough, slimy
platform is deserted, and nothing is heard but the squeaking and
scampering of the water-rats, and every now and then the gurgling of
the river as it races past, as if it was laughing quietly in a
ghastly manner over the victims it had drowned.

Suddenly a black shadow comes gliding along the narrow path by the
river bank, and pauses a moment at the entrance to the platform.
Then it listens for a few minutes, and again hurries down to the
crazy-looking steps. The black shadow standing there, like the
genius of solitude, is a woman, and she has apparently come to add
herself to the list of the cruel-looking river's victims. Standing
there, with one hand on the rough rail, and staring with fascinated
eyes on the dull muddy water, she does not hear a step behind her.
The shadow of a man, who has apparently followed her, glides from
behind the bathing-shed, and stealing down to the woman on the verge
of the stream, lays a delicate white hand on her shoulder. She turns
with a startled cry, and Kitty Marchurst and Gaston Vandeloup are
looking into one another's eyes. Kitty's charming face is worn and
pallid, and the hand which clutches her shawl is trembling nervously
as she gazes at her old lover. There he stands, dressed in old black
clothes, worn and tattered looking, with his fair auburn hair all
tangled and matted; his chin covered with a short stubbly beard of
some weeks' growth, and his face gaunt and haggard-looking--the very
same appearance as he had when he landed in Australia. Then he
sought to preserve his liberty; now he is seeking to preserve his
life. They gaze at one another in a fascinated manner for a few
moments, and then Gaston removes his hand from the girl's shoulder
with a sardonic laugh, and she buries her face in her hands with a
stifled sob.

'So this is the end,' he said, pointing to the river, and fixing his
scintillating eyes on the girl; 'this is the end of our lives; for
you the river--for me the hangman.'

'God help me,' she moaned, piteously; 'what else is left to me but
the river?'

'Hope,' he said, in a low voice; 'you are young; you are beautiful;
you can yet enjoy life; but,' in a deliberate cruel manner, 'you
will not, for the river claims you as its victim.'

Something in his voice fills her with fear, and looking up she reads
death in his face, and sinking on her knees she holds out her
helpless hands with a pitying cry for life.

'Strange,' observed M. Vandeloup, with a touch of his old airy
manner; 'you come to commit suicide and are not afraid; I wish to
save you the trouble, and you are, my dear--you are illogical.'

'No! no!' she mutters, twisting her hands together, 'I do not want
to die; why do you wish to kill me?' lifting her wan face to his.

He bent down, and caught her wrist fiercely.

'You ask me that?' he said, in a voice of concentrated passion, 'you
who, with your long tongue, have put the hangman's rope round my
throat; but for you, I would, by this time, have been on my way to
America, where freedom and wealth awaits me. I have worked hard, and
committed crimes for money, and now, when I should enjoy it, you,
with your feminine devilry, have dragged me back to the depths.'

'I did not make you commit the crimes,' she said, piteously.

'Bah!' with a scoffing laugh, 'who said you did? I take my own sins
on my own shoulders; but you did worse; you betrayed me. Yes; there
is a warrant out for my arrest, for the murder of that accursed
Pierre. I have eluded the clever Melbourne police so far, but I have
lived the life of a dog. I dare not even ask for food, lest I betray
myself. I am starving! I tell you, starving! you harlot! and it is
your work.'

He flung her violently to the ground, and she lay there, a huddled
heap of clothing, while, with wild gesticulations, he went on.

'But I will not hang,' he said, fiercely; 'Octave Braulard, who
escaped the guillotine, will not perish by a rope. No; I have found
a boat going to South America, and to-morrow I go on board of her,
to sail to Valparaiso; but before I go I settle with you.'

She sprang suddenly to her feet with a look of hate in her eyes.

'You villain!' she said, through her clenched teeth, 'you ruined my
life, but you shall not murder me!'

He caught her wrist again, but he was weak for want of food, and she
easily wrenched it away.

'Stand back!' she cried, retreating a little.

'You think to escape me,' he almost shrieked, all his smooth cynical
mask falling off; 'no, you will not; I will throw you into the
river. I will see you sink to your death. You will cry for help. No
one will hear you but God and myself. Both of us are merciless. You
will die like a rat in a hole, and that face you are so proud of
will be buried in the mud of the river. You devil! your time has
come to die.'

He hissed out the last word in a low, sibilant manner, then sprang
towards her to execute his purpose. They were both standing on the
verge of the steps, and instinctively Kitty put out her hands to
keep him off. She struck him on the chest, and then his foot slipped
on the green slime which covered the steps, and with a cry of
baffled rage he fell backward into the dull waters, with a heavy
splash. The swift current gripped him, and before Kitty could utter
a sound, she could see him rising out in midstream, and being
carried rapidly away. He threw up his hands with a hoarse cry for
help, but, weakened by famine, he could do nothing for himself, and
sank for the second time. Again he rose, and the current swept him
near shore, almost within reach of a fallen tree. He made a
desperate effort to grasp it, but the current, mocking his puny
efforts, bore him away once again in its giant embrace, and with a
wild shriek on God he sank to rise no more.

The woman on the bank, with white face and staring eyes, saw the
fate which he had meant for her meted out to him, and when she saw
him sink for the last time, she covered her face with her hand and
fled rapidly away into the shadowy night.

The sun is setting in a sea of blood, and all the west is lurid with
crimson and barred by long black clouds. A heavy cloud of smoke shot
with fiery red hangs over the city, and the din of many workings
sound through the air. Down on the river the ships are floating on
the blood-stained waters, and all their masts stand up like a forest
of bare trees against the clear sky. And the river sweeps on red and
angry-looking under the sunset, with the rank grass and vegetation
on its shelving banks. Rats are scampering along among the wet
stones, and then a vagrant dog poking about amid some garbage howls
dismally. What is that black speck on the crimson waters? The trunk
of a tree perhaps; no, it is a body, with white face and tangled
auburn hair; it is floating down with the current. People are
passing to and fro on the bridge, the clock strikes in the town
hall, and the dead body drifts slowly down the red stream far into
the shadows of the coming night--under the bridge, across which the
crowd is hurrying, bent on pleasure and business, past the tall
warehouses where rich merchants are counting their gains, under the
shadow of the big steamers with their tall masts and smoky funnels.
Now it is caught in the reeds at the side of the stream; no, the
current carries it out again, and so down the foul river, with the
hum of the city on each side and the red sky above, drifts the dead
body on its way to the sea. The red dies out of the sky, the veil of
night descends, and under the cold starlight--cold and cruel as his
own nature--that which was once Gaston Vandeloup floats away into
the still shadows.

FINIS






End of the Project Gutenberg EBook of Madame Midas, by Fergus Hume

*** END OF THE PROJECT GUTENBERG EBOOK MADAME MIDAS ***

This file should be named mdmmd10.txt or mdmmd10.zip
Corrected EDITIONS of our eBooks get a new NUMBER, mdmmd11.txt
VERSIONS based on separate sources get new LETTER, mdmmd10a.txt

Produced by Charles Franks and the Online Distributed Proofreading Team.

Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the US
unless a copyright notice is included.  Thus, we usually do not
keep eBooks in compliance with any particular paper edition.

We are now trying to release all our eBooks one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to tell us about any error or corrections,
even years after the official publication date.

Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg eBooks is at
Midnight, Central Time, of the last day of the stated month.  A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.

Most people start at our Web sites at:
http://gutenberg.net or
http://promo.net/pg

These Web sites include award-winning information about Project
Gutenberg, including how to donate, how to help produce our new
eBooks, and how to subscribe to our email newsletter (free!).


Those of you who want to download any eBook before announcement
can get to them as follows, and just download by date.  This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.

http://www.ibiblio.org/gutenberg/etext03 or
ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03

Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

Just search by the first five letters of the filename you want,
as it appears in our Newsletters.


Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work.  The
time it takes us, a rather conservative estimate, is fifty hours
to get any eBook selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc.   Our
projected audience is one hundred million readers.  If the value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour in 2002 as we release over 100 new text
files per month:  1240 more eBooks in 2001 for a total of 4000+
We are already on our way to trying for 2000 more eBooks in 2002
If they reach just 1-2% of the world's population then the total
will reach over half a trillion eBooks given away by year's end.

The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.

Here is the briefest record of our progress (* means estimated):

eBooks Year Month

    1  1971 July
   10  1991 January
  100  1994 January
 1000  1997 August
 1500  1998 October
 2000  1999 December
 2500  2000 December
 3000  2001 November
 4000  2001 October/November
 6000  2002 December*
 9000  2003 November*
10000  2004 January*


The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.

We need your donations more than ever!

As of February, 2002, contributions are being solicited from people
and organizations in: Alabama, Alaska, Arkansas, Connecticut,
Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
Virginia, Wisconsin, and Wyoming.

We have filed in all 50 states now, but these are the only ones
that have responded.

As the requirements for other states are met, additions to this list
will be made and fund raising will begin in the additional states.
Please feel free to ask to check the status of your state.

In answer to various questions we have received on this:

We are constantly working on finishing the paperwork to legally
request donations in all 50 states.  If your state is not listed and
you would like to know if we have added it since the list you have,
just ask.

While we cannot solicit donations from people in states where we are
not yet registered, we know of no prohibition against accepting
donations from donors in these states who approach us with an offer to
donate.

International donations are accepted, but we don't know ANYTHING about
how to make them tax-deductible, or even if they CAN be made
deductible, and don't have the staff to handle it even if there are
ways.

Donations by check or money order may be sent to:

Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109

Contact us if you want to arrange for a wire transfer or payment
method other than by check or money order.

The Project Gutenberg Literary Archive Foundation has been approved by
the US Internal Revenue Service as a 501(c)(3) organization with EIN
[Employee Identification Number] 64-622154.  Donations are
tax-deductible to the maximum extent permitted by law.  As fund-raising
requirements for other states are met, additions to this list will be
made and fund-raising will begin in the additional states.

We need your donations more than ever!

You can get up to date donation information online at:

http://www.gutenberg.net/donation.html


***

If you can't reach Project Gutenberg,
you can always email directly to:

Michael S. Hart <hart@pobox.com>

Prof. Hart will answer or forward your message.

We would prefer to send you information by email.


**The Legal Small Print**


(Three Pages)

***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this eBook, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this eBook if you want to.

*BEFORE!* YOU USE OR READ THIS EBOOK
By using or reading any part of this PROJECT GUTENBERG-tm
eBook, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this eBook by
sending a request within 30 days of receiving it to the person
you got it from. If you received this eBook on a physical
medium (such as a disk), you must return it with your request.

ABOUT PROJECT GUTENBERG-TM EBOOKS
This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this eBook
under the "PROJECT GUTENBERG" trademark.

Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.

To create these eBooks, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's eBooks and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other eBook medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] Michael Hart and the Foundation (and any other party you may
receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
all liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this eBook within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.

THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.

INDEMNITY
You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause:  [1] distribution of this eBook,
[2] alteration, modification, or addition to the eBook,
or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this eBook electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:

[1]  Only give exact copies of it.  Among other things, this
     requires that you do not remove, alter or modify the
     eBook or this "small print!" statement.  You may however,
     if you wish, distribute this eBook in machine readable
     binary, compressed, mark-up, or proprietary form,
     including any form resulting from conversion by word
     processing or hypertext software, but only so long as
     *EITHER*:

     [*]  The eBook, when displayed, is clearly readable, and
          does *not* contain characters other than those
          intended by the author of the work, although tilde
          (~), asterisk (*) and underline (_) characters may
          be used to convey punctuation intended by the
          author, and additional characters may be used to
          indicate hypertext links; OR

     [*]  The eBook may be readily converted by the reader at
          no expense into plain ASCII, EBCDIC or equivalent
          form by the program that displays the eBook (as is
          the case, for instance, with most word processors);
          OR

     [*]  You provide, or agree to also provide on request at
          no additional cost, fee or expense, a copy of the
          eBook in its original plain ASCII form (or in EBCDIC
          or other equivalent proprietary form).

[2]  Honor the eBook refund and replacement provisions of this
     "Small Print!" statement.

[3]  Pay a trademark license fee to the Foundation of 20% of the
     gross profits you derive calculated using the method you
     already use to calculate your applicable taxes.  If you
     don't derive profits, no royalty is due.  Royalties are
     payable to "Project Gutenberg Literary Archive Foundation"
     the 60 days following each date you prepare (or were
     legally required to prepare) your annual (or equivalent
     periodic) tax return.  Please contact us beforehand to
     let us know your plans and to work out the details.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.

The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."

If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:
hart@pobox.com

[Portions of this eBook's header and trailer may be reprinted only
when distributed free of all fees.  Copyright (C) 2001, 2002 by
Michael S. Hart.  Project Gutenberg is a TradeMark and may not be
used in any sales of Project Gutenberg eBooks or other materials be
they hardware or software or any other related product without
express permission.]

*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*