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+The Project Gutenberg EBook of Olaf van Geldern, by Pencho Slaveykov
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Olaf van Geldern
+
+Author: Pencho Slaveykov
+
+Posting Date: April 20, 2013 [EBook #4909]
+Release Date: January, 2004
+First Posted: March 24, 2002
+
+Language: Bulgarian
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK OLAF VAN GELDERN ***
+
+
+
+
+Produced by Snezhina Gileva
+
+
+
+
+
+
+
+
+
+
+
+ОЛАФ ВАН ГЕЛДЕРН
+
+
+
+Той и сам не знае кога е роден, но като го запитат, казва, че сега е на
+36 години. Родното му градче, Грасдорф, е скътано в една гънка от
+росните поли на Харц, оная величествена планина, която лежи като мила
+сянка на душата му и която нему е по сърце да възпява в своите песни.
+Цял ред години го познавам аз, както познавам себе си, и макар помежду
+ни често да е минавала черна котка - ний сме си и до ден днешен интимни
+и добри приятели. И това, което аз зная и ще кажа за него, той сам ще
+го подпише.
+
+Олаф е издънка на видна фамилия и драго му е, дето е тъй, без да прави
+от това какъвто и да е капитал. Както за себе си, тъй и за фамилията, с
+чието име се кити, той не обича май да говори. Твърде рядко се отпуща
+да спомене само нещо за баща си - между другото, и как той често е
+натяквал, че пише нескопосни стихове, може би с омисъл така да го
+подсети да си учи уроците. Неговите уши са май длъжки и той обяснява
+това не като знак на особно благоволение на природата, а като
+свидетелство за особното внимание на учителите му към тях: те са ги
+дърпали безмилостно в надежда да измъкнат през тях упорития му мързел.
+Това е единствената негова печала от училището.
+
+Едничко, що му се е удало още през детинство, да изучи както тряба, то
+е отечествената география. И то по твърде прост начин. Баща му, като
+учител, журналист и народен трибун, е бил принуждаван (поради
+опърничавостта си и изключителните обстоятелства на онова време) да
+скита от град на град, където и жена и деца са вървели подире му. По
+тоя начин бъдащия поет се е запознавал пряко с всички баирища, при
+които тия градове са настанени, газил и къпал се е по цели дни в сума
+реки, а горските шубраци, скали и пещери са му дошепвали дивните
+приказки, с които домашните ратайкини са дразнили всяка вечер
+трепетното му въображение. Все от ония дни е и интимното му познанство
+с родното слънце; и макар че той сега се спогажда по-добре с нощта,
+цалувките на негова пръв интимен познайник и до днес още личат на
+лицето му - черно, като лице на някой фараонов потомък. Аз вярвам, че
+на стария ван Гелдерн ще е било драго да гледа такъв пакостник, какъвто
+е бил Олаф, и по него да си спомня свое!
+
+то детинство.
+
+Стария необезветвен от бурите дъб ще е усещал може би, че изникналия от
+семето му младок няма да го посрами с израста си; дори при сгоден
+случай той сам е тласкал и явно и покрито тоя му израст. Така, когато
+за родния край на нашия поет настанаха усилни дни (1881 год.) и баща му
+биде грабнат една нощ от полицейските вълци - бдители на обществения
+ред - и отведен на заточение, на Олафа се падна да чуе свети бащини
+думи: "Кога отраснеш, бъди като баща си; не се бой от вълци!" Но
+крушата беше паднала и тъй под крушата. Тя - когато и ней дойде време -
+показа колко е опърничава: - инак не би преседнала на толкова гърла!
+Като баща си, той често обича да мисли не като другите, и не само да
+мисли, а и говори, що му е на сърце. За неприятностите от това малко го
+е еня: може би защото предпочита приятността - да реже с ножът,
+изострен на бащино точило, и така да не пречи, а да дава свободен
+размах на своя натюрел. Честолюбив, той не ще и да знай, че ония, на
+чийто гърла пресяда, ще го!
+
+ сметнат за самилюбец. Не е чудно и да е такъв, понеже е творец, и
+както всичките негови добри колеги гали в душата си звярът на
+отвращението към светите чувства на филистрите, към скрижалните
+заповеди на чичо Сноба. Бащино наследство е у него обичта му към всичко
+достойно за обич; а при друго едно наследство - светата злоба - нашият
+поет се е постарал да попритури и от себе си нещичко. Това, що
+изповядват обикновено хероите на словото, е и негова изповед: гневът е
+мерило на моята любов! И горд е той не на шега, но с шеги мисли, че
+добре прикрива гордостта си пред нищите духом - некадърниците да
+проумеят в това трагизма на тая гордост. А неговий смях и присмех над
+себе си е такъв добър коментар, какъвто не са дори самотността и
+тъмеящата понякога в погледа му меланхолия!
+
+С тия вродени качества и капризно развити инстинкти Олаф ван Гелдерн
+влачи своята световна съдба и едва ли може се каза, че не е доволен от
+нея. Види се, сред неприветната действителност и безсънни нощи, пълни с
+безпокойни мечти и кошмарни привидения, него ще спохождат нерядко и
+хубави сънища. А нима сънищата не са и те извор на щастие? Най-хубавият
+негов сън е - съня за живота му след смъртта. И орисията на досегашнния
+му живот като че ли някак подкрепя неговата вяра, че това не ще е само
+сън. Може тя да е наивна - дори твърде наивна, - нещо като вярата на
+Ибсеновия Хелмер, който се залъгва с блян, че е призван да извърши
+велико нещо на божия свят. И колко прав е един друг херой от същата
+Ибсенова драма - Дивата патица - с горчиво истинните думи: оставете
+човеку световната измама! За да го удържи в живота, койт не му е
+същинска майка. Тоя живот не всякога е поднасял вкусни блюда на
+трапезата му, както се вижда от следните няколко: - Като е прескачал
+веднъж плет (не след, а !
+
+преди двайсет-годишната си възраст, тоест не за кобилица го е
+прескачал), счупил е на две свирката на десния си крак; тресла го е
+тригодишна треска; три пъти са го влачили коне и по един път е падал от
+и под файтон; десетина пъти са го давили псета; веднъж се е давил; и
+още веднъж без малко е щял да се ожени; веднъж е измъкнат изпод
+вагоните на изщъпнат от релсите трен; веднъж са го гонили и пушкали
+подире му кървожадните прусаци (1887)... И горен, и бесен, и заравян е
+жив във земята. Прилича на легенда, нали? Все пак тя е действителна,
+както и оная на баща му, стария ван Гелдерн, когото господ е обичал, та
+го е орисал с легенда.
+
+На развитието на негова талант, освен господ с легендата си, влияли са
+скитанията му дома и по чужбина. Доколкото мога да съдя аз, главните
+станции на неговото художествено развитие са станциите на скитанията му:
+Виена, Париж и Лайпциг. Особено последнята, дето той си е почивал дълги
+години при извънредно добри стопани, гостинничари и книжари, на които
+още не е изплатил борчовете си. Няколко пъти се е ръкувал с Юнгфрау,
+оная дивна красавица, която и нему, както и на великия руски романист,
+е пришепвала световни тайни. Ходил е дори в белокаменната Москва - да
+се яви в полицията: невероятна причина за пътешествие, но колкото по-
+невероятна, толкова по-истинска. За немските гостинничари той и досега
+си спомня с особена симпатия. Най-вече за трима от тях: един елинин,
+един юдей и един шваба. С втория от тях поетът се е познавал заочно и
+от по-напред, на което обстоятелство се дължи, види се, отпослешната им
+интимност: - и обичта си към немците той дължи изключително нему, на
+блед!
+
+ния Хайнрих, когото немците тъй мразят, а без чийто песни поезията им
+би била тъй скучна! За своето умствено развитие, за уяснението на
+своята задача като писател той дължи премного на тези готови всякому за
+услуга господа, особено на швабата; но неговите поетически чувства и
+интереси са закърмени най-напред от руските художници на словото, които
+тъй победоносно шествуват сега по Европа. Онова, което ван Гелдерн
+изпървом инстиктивно е възприемал от тях - диренето на человека и в
+звяра, - вече като възмогнат певец, той сам съзнателно туря за основа
+на своите творения. В това е коренът на негова идеализъм: не на умът, а
+на сърцето рожба. Зад него е спотаена и причината на пренебрежението му
+към съвременни и по-отдавнашни европейски херои на перото, които дирят
+и ценят само звяра в человека. Но едва ли тия обични нему руски
+чародейци биха му въздействали тъй, ако неговата душа не би била сгодна
+почва за такива въздействия, ако баща му - сам техен възпитаник - не бе
+му оставил н!
+
+аследствено разположение за възприемане чувства на човещина к!
+
+ъм човека
+
+... Неговите първи опити на перото са били преводи от руските поети. И
+досега няколко от тях са спазени, но не се съмнявам, че и тях ще
+сполети участта на пълния превод на Тургеневите Записки на ловеца;
+защото всяка година не малко и вети и нови работи той принася жъртва на
+критическите си пресъди и критичните си настроения. - Той не плаче над
+и за тях, както Ахилес пред трупът на горящия си побратим, а само
+стиска зъби и в умът му танцуват глупости, които обаче твърде скоро
+изчезват, както и принесените жъртва.
+
+Олаф ван Гелдерн отдавна се е прибрал от скитанията си по чужбина, грей
+на домашната камина нозете си - в които ревматизма сече съчки - и се
+старае да живей в мир и любов със своята вярна съпруга - неволята,
+добра приятелка на музата му. Двете приятелки често се спохождат, и
+поета подслушва интимният им разговор, и не само го подслушва, но го
+зема за канва на творенията си, върху която въображението му шие узори
+с копринени нишки. "От всички досегашни негови творения вей неприветния
+дъх на нерадостна концепция на живота, резултат на собствената му
+нерадостна съдба" - тъй казва един негов критик. И той може би е прав.
+Може би - макар че сам поета е на друго мнение: Ето какво бележи той в
+един от пътнишките си очерки, което прилича да е лична изповед:
+"Писател, който уважава себе си и своето дело, нека не престъпва прагът
+на никоя школа, на никое теке, в което с молитвеници в ръка са дошли да
+струват метани достойните за съжаление. Бъдете елини ( не византийци)
+на модерния свя!
+
+т, без никакъв катехизис за изкуството и неговите цели. Личното ви
+вдъхновение да е подбуда за творчество, действителността единствен
+предмет на наблюдения и възсъздаване. Така, и само така, възникват
+творения, в които реализмът върви ръка за ръка с висшите стремления на
+идеалния дух, както те вървят и в живота. Примера на русите е пример и
+за нас. Че и ние като тях имаме великото преимущество пред другите
+европейски народи: настоящето ни не е обвързано с миналото - и ний като
+тях няма защо да ангажираме за в бъдаще духът си с патологични
+измислици на разни декаденти на културата... Учете се от слънцето - да
+огрявате всичко, старайте се да проникват вред животворните ви лучи.
+Утешавайте с безутешното, - дето няма утеха с друго... Божествений
+учителю, ти творецо на Живи мощи, чийто благороден образ е образа на
+моя спасител! Нима ужасната съдба на онзи полутруп, когото ти си
+възсъздал с такава омая, не е откровение за мен? Каква симпатия към
+човека лъхти от разказа ти за тегло!
+
+то на оная неволница, която дълги години не се е дигала от св!
+
+оя одър-г
+
+роб! А все пак нея, и в това й състояние, обземат тихи възторзи и пред
+най-дребните проявления на живота: пред дъхът на полските цветя, пред
+чуроликът на лястовичките. Поезията на уединението - ти я разкри на
+душата ми, поръси ме с живата вода на вяра, че ще се събуди за живот
+онзи, на когото и чужди, и свои гледаха като на мъртвец. Светлината,
+която ти пръскаш над чуждата неволя, осветли моята - и прогони
+помрачението от егоистичните чувства, що затъмняваха погледа ми..." На
+онзи, който се изповядва с такива думи, имат ли основа да му натрапват
+"нерадостни концепции на живота" А това натрапване го опровергават и
+самите му творения, съдбата на чийто херои, макар често и нерадостна, е
+възсъздадена тъй че в нашето впечатление не остава ни сянка на ужас и
+гнетително чувство. Душевния кризис у ван Гелдерна, разведрен под
+влиянието на Живи мощи от Тургенева, се изостря и пречупя с Короленкова
+Слепец музикант, оня злочестник, когото чуждата неволя възражда за
+живот, посветен на съ!
+
+буждане добри чувства в човешкото сърце. Но моето намерение тук не е да
+разправям за това, а само да отбележа неверността на един възглед за
+мирогледа (Lebensauffassung) на поета. Наистина той разказва най-вече
+нерадостни събития из живота на разни неволници, но не към тяхната
+външна съдба е взрян погледа му, а към онзи мир на чувства, настроения
+и душевни кризиси, от които не лъхти тъмния дъх на отрицание, песимизъм.
+Това, както и болезнения анализ на "що става в душите" на хероите му,
+най-ясно показват грамадното влияние на руските писатели върху нашия
+поет.
+
+Такъв е човекът, който от двадесетина години насам е приставен ратай у
+Гюрга Самовила ("най-предня девойка"), подобно на онова селянче, за
+което народната приказка разправя, че се ценило да служи у дядо попа -
+три години за три пари. В негова роден край, както и у нас, трудът на
+художника толкова чини; и мнозина херои на перото, след като са опитали
+сила на тоя мегдан, за да си осигурат колко-годе човешки живот,
+записвали са се в еснафа на хамалите. Свобода и самостоятелност -
+покровителите на гения - не са познайници с нашия поет, и това е една
+от великите негови скърби - отрова, която е убивала, още в зародиш сума
+негови рожби. За да не подсмърча за къшей хляб, той чиновничествува,
+т.е. прахосва времето си с "работа", която всякой идиот сто пъти по-
+добре от него би вършил. И температурата на неговото творчество в
+последно време е паднала под нула. Произведенията му, откак и той е
+наред с хората - не са май за пред хора; те са случайна работа,
+драскотене фейлетони по вестни!
+
+ци, преводи и автобиографически бележки, с които Олаф ван Гелдерн се
+мъчи да заглавика себе си и да се подиграй с наивните читатели.
+
+А било е време, когато сам той и неговите критици са съзирали нещо в
+творенията му, в онзи рой ситни песни, балади, монолози и поеми, които
+блещукат като хубава огърлица, изтървана случайно на някое бунище,
+каквото е напр. българската литература. От тия си творения сам поета е
+доволен - и недоволен. Доколкото мога да досетя, недоволството му не е
+толкова от тях, колкото от мисълта, че с тях той не е дал всичко, що
+може да даде; а да създаде другите, които му разпъват душата, няма
+необходимата за това външна охолност. И да не е съвсем тъй, все пак в
+цялата догадка половината е несъмнено истина.
+
+Коледа 1902 г.
+
+P.S. Когато преглеждах първата коректура на тая бележка за Олаф ван
+Гелдерна, получих вест, че той починал скоропостижно. Вече беше късно
+да променям това, що бях написал, макар че смъртта дава свобода на
+перото ми, и аз бих могъл още много неща да кажа, а казаните с
+недомлъвки да изтъкна по-ясно. Сега той преминава в другата фаза на
+своя живот, за която приживе бяха хубавите му сънища. На един свой
+събрат, жив и в смъртта, когото нашия поет е възпял, той влага в устата
+следните думи - несъмнено ехо на собствени интимни чувства:
+
+
+
+"Честит е тоз избранник, чийто дух,
+като ковчега Ноев, пренесе
+от прежний свят в послешний онова,
+което е в промени непроменно.
+Той подир смърт от себе си оставя
+най-чистото, най-хубавото - жица
+от царството на сенките безплътни,
+която ще го свързва с тоя мир."
+
+
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Olaf van Geldern, by Pencho Slaveykov
+
+*** END OF THIS PROJECT GUTENBERG EBOOK OLAF VAN GELDERN ***
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+The Project Gutenberg EBook of Olaf van Geldern, by Pencho Slaveykov
+(#1 in our series by Pencho Slaveykov, note that #2 is our etext #3433,
+with a September 2002 release date.)
+
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+Title: Olaf van Geldern
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+Author: Pencho Slaveykov
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+Release Date: January, 2004 [EBook #4909]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on March 24, 2002]
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+Edition: 10
+
+Language: Bulgarian
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+Character set encoding: Windows 1251
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+*** START OF THE PROJECT GUTENBERG EBOOK, OLAF VAN GELDERN ***
+
+
+
+
+This etext was produced by Snezhina Gileva.
+
+
+
+
+
+ , , , 36 . , , , , . , , - . , , .
+ , , . , , , . - , , , . , : . .
+, , , . . , , , ( ) , . , , , , , . ; - , - , . , , , !
+ .
+ , ; . , (1881 .) - - , : " , ; !" . - - : - ! , , , , . : - , , , . , , , , !
+ . , , , . ; - - . , , : ! , , - . , !
+ , . , , , . ? - - . , . - , - , , . - - : ! , . , : - ( , !
+ - , ), ; ; ; ; ; ; ; (1887)... , , . , ? , , , , .
+ , , . , : , . , , , . , , , , . - : , -, -. . - : , . -, , , : - , !
+ , , ! , , ; - , . , - , - , . : , . - , . , , - - !
+ !
+
+... . , , ; . - , , , , .
+ , - - - , . , , , , . " , " - . . - : , : ", , , , . ( ) !
+, . , . , , , , . . : - ... - , . , - ... , , ! , , ? !
+ , !
+ -
+! , , - : , . - , , , , . , , - , ..." , , " " , , , . , , , , , !
+ . , (Lebensauffassung) . - , , , , , . , " " , - .
+ , ("- "), , , - . , , ; , , - , . - - , - , , . , , .. "", - . . , - ; , !
+, , .
+ , , , , , , , . . - . , , , , ; , , . , .
+ 1902 .
+P.S. , , . , , , , -. , . , , , - :
+
+" , ,
+ ,
+ ,
+ .
+
+-, - -
+ ,
+ ."
+
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK, OLAF VAN GELDERN ***
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