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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..9f57f44 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,13 @@ +* text=auto +*.txt text +*.md text +*.htm text +*.html text +*.png binary +*.jpg binary +*.svg text +*.pdf binary +*.bmp binary +*.zip binary +*.midi binary +*.mp3 binary diff --git a/4700.txt b/4700.txt new file mode 100644 index 0000000..aa1887c --- /dev/null +++ b/4700.txt @@ -0,0 +1,1839 @@ +The Project Gutenberg EBook of The Unforseen Return, by Jean-Francois Regnard + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +** This is a COPYRIGHTED Project Gutenberg eBook, Details Below ** +** Please follow the copyright guidelines in this file. ** + +Title: The Unforseen Return + +Author: Jean-Francois Regnard + +Translator: Frank J. Morlock + +Posting Date: May 20, 2013 [EBook #4700] +Release Date: November, 2003 +First Posted: March 3, 2002 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE UNFORSEEN RETURN *** + + + + +Produced by Dagny and Frank J. Morlock + + + + + + + + + + + +This Etext is for private use only. No republication for profit in +print or other media may be made without the express consent of the +Copyright Holder. The Copyright Holder is especially concerned about +performance rights in any media on stage, cinema, or television, or +audio or any other media, including readings for which an entrance fee +or the like is charge. Permissions should be addressed to: Frank +Morlock, 6006 Greenbelt Rd, #312, Greenbelt, MD 20770, USA or +frankmorlock@msn.com. Other works by this author may be found at +http://www.cadytech.com/dumas/personnage.asp?key=130 + + + + THE UNFORSEEN RETURN + Comedy in One Act + + BY REGNARD + + Translated and adapted + By Frank J. Morlock + + + +Characters French names + +Mr. Edward Richly (Clitandre) +Belinda (Lucile) +Clarissa (Cydalise) +Squire (Marquis) +Lucy (Lisette) +Mrs. Prim (Mme. Bertrand) +Roger (Merlin) +Jeremy (Jacquinet) +Mr. Andre (M. Andre) +Mr. Richly (M. Geronte) + +Six men, four women + + + +The scene is a street before Richly's house. Lucy, a maid is +approaching from one side and encounters Mrs. Prim. + + +Mrs. Prim: +Ah, there you are! I'm very glad to meet you. Let's take the +opportunity to have a little serious conversation, Miss Lucy. + +Lucy: (easily) +Just as serious as you please, Mrs. Prim. + +Mrs. Prim: +You know perfectly well that I am displeased with the behavior of my +niece. + +Lucy: +Really Madam. And what's she done wrong, may I ask? + +Mrs. Prim. +She does nothing but wrong--and to make it worse she surrounds herself +with a wench like you who gives her the worst possible advice and who +pushes her over the precipice--where she's heading if she hasn't +already fallen. + +Lucy: +Well, Mrs. Prim, this is at the very least, a serious conversation as +you put it--and if I were to respond as seriously I don't know where +it might end. But the respect I have for your age, and for the aunt of +my mistress prevents me from responding to you without respect. + +Mrs. Prim: +My age! You're a model of moderation! + +Lucy: +It would be nice if you were, too, Madam. You are not the first to +spread scandal about your niece; remarks that have no foundation +except in your disordered imagination. + +Mrs. Prim: +My disordered imagination! What impudence. (furiously) It's the +disorder of your actions which make me speak out--and there is nothing +worse than the life you are living. + +Lucy: +How is that--what's wrong with our life if you please? + +Mrs. Prim: +What? Is there anything more scandalous than the expenditures Belinda +is constantly making--a girl without a penny in income. + +Lucy: +You have credit, Madame. + +Mrs. Prim: +Just what she needs to maintain a large house and extravagant tastes. + +Lucy: +Is she forbidden to make her fortune? + +Mrs. Prim: +And how is she to make her fortune? + +Lucy: +Very innocently. She drinks, eats, sings, laughs, gambles, walks to +take the air--and wealth comes to us while we sleep, I assure you. + +Mrs. Prim: +And meanwhile her reputation evaporates. She'll learn. She won't have +a penny of mine. My brother, who wanted her to be a nun will +disinherit her. Patience, patience, she won't always be young. + +Lucy: +Very true, that's why we must put our time to good use. + +Mrs. Prim: +Oh, very well--and all the profit you will get from that will be to +die in a charity ward: both dishonored. + +Lucy: +Oh, for that, no Madam. A successful marriage will prevent that +prophecy from being fulfilled. + +Mrs. Prim: +A successful marriage. She's going to get married? + +Lucy: +Yes indeed. + +Mrs. Prim: +Just in time! But I won't be a party to it. I won't help her make +anyone think she's either respectable or rich. I renounce her as my +niece, and I will not aid her to deceive anyone; goodbye. + +Lucy: +Don't trouble yourself--we know our business better than you. + +Mrs. Prim: +I believe this will be some grand alliance! + +(Exit Mrs. Prim in a huff) + +Lucy: +This will be a fine marriage and when it is consummated you will be +honored to receive her and be her aunt. (shouting after Mrs. Prim) You +just wait and see! (Lucy is annoyed, stung by Mrs. Prim's remarks. She +would like to say more but cannot.) + +Roger: (entering) +Good day, child. Who was that old lady you were talking with? + +Lucy: +Who? That was Mrs. Prim, my mistress's aunt. + +Roger: +I didn't recognize her. I wasn't paying much attention. + +Lucy: +The old girl's very well off. She owns a lot of property in London. +Belinda is very well connected, at least. + +Roger: +But she hasn't any money of her own. + +Lucy: +There's no reason to give up. Money will come. If her three uncles, +two aunts, three cousins and two nephews die--she will have a very +large inheritance. Ha, ha! Do you know that if the Plague were to +strike again, Belinda would cut quite a figure. + +Roger: +She has a nice figure already. + +Lucy: +Her beauty carries all before it. + +Roger: +My master is absolutely determined to marry her. + +Lucy: +And she is absolutely determined to marry him. + +Roger: +There would perhaps be some trouble if our good father were to return +--but he won't for a while. We'll have the time to prepare and my +master will be happy--except for the chagrin of marrying Belinda. + +Lucy: +What--what are you trying to say? + +Roger: +Marriage is subject to its ups and downs. + +Lucy: +You are very polite to think that Mr. Edward would ever repent of +marrying Belinda, a young lady that I have brought up myself. + +Roger: +So much the worse. + +Lucy: +A pretty girl, young and well developed. + +Roger: +That part doesn't reassure me. + +Lucy: +A girl easy to live with. + +Roger: +Most girls are not hard to live with--at first. + +Lucy: +A young lady who is wise and virtuous. + +Roger: (wonderingly) +And you say you raised her? + +Lucy: (furiously) +Why don't you go ahead and say what you want to say wiseacre? + +Roger: +Well do you want me to speak openly? I don't like this alliance at +all. And I forsee that it won't benefit anyone. Mr. Edward spends his +money because he is in love and love makes a man open handed: marriage +ruins love. If my master becomes a miser where will we be? + +Lucy: +He's of too prodigal a nature ever to turn miser. Has he given orders +for today's feast? + +Roger: +Let's see. Three cooks arrived with their set ups. Leonard, the famous +Leonard marched at their head. The illustrious Florel has sent six +bottles of Champagne--he made it himself. + +Lucy: +So much the better. I love expensive stuff--but here is Mr. Edward. + +(Edward Townley enters from the house. He is youthful, open, and +expensively dressed.) + +Edward: +Ha! Good day, my dear Lucy--how are things with you, child? And how is +your beautiful lady? + +Lucy: +She's at home with Clarissa. + +Edward: +Go, run, my dear Lucy: beg her to come here as soon as possible. I +have no happy moments except those I pass with her. + +Lucy: +You two are made for each other. When you're not around she's bored to +death. She won't delay I promise you. + +(Exit Lucy) + +Roger: +Well, sir! You're really going to get married? Very soon you will have +finished your love affair and your money. Not the best way to finish +the business. But if you are going to do it so be it. What will we +tell your father when he returns from his business trip to Spain? + +Edward: +You always have inopportune thoughts. Look my friend: frolic in the +present, have no regret for the past; and don't whatever you do read +irritating portents in the future. That's the secret of happiness. By +the way, haven't you received any money for me in the past few days? + +Roger: +In the last three weeks I've obtained a half year's rent on the farm +in advance. In return you've given Farmer Small a quittance for the +entire year. + +Edward: +Excellent! + +Roger: +Last week I received 1,800 pounds for those two paintings your father +refused to sell for thirty thousand. + +Edward: +Fine! + +Roger: +Fine! Also, I got 200 pounds for that tapestry your father purchased +for five thousand two years ago. + +Edward: +Better! + +Roger: Yes, yes, we've had a real white sale during his absence +haven't we? + +Edward: +It's a little nourishment that we must take sometimes; and we will +work together on more nourishment in the future. + +Roger: +Work by yourself because I have a bad conscience about being the +instrument of your ruin. It's with my help you've been able to +dissipate 10,000 pounds, not to mention another ten thousand you owe +here and there to usurers and money lenders, who are just waiting to +fall on us and gobble everything up when the day comes to pay them +back. + +Edward: +The one who disturbs me the most and causes me the most embarrassment +is this Mr. Andre. He persecutes me and I only owe him a hundred +pounds! + +Roger: +He isn't only after that. You also gave him a promissory note for 500 +pounds. Four days ago he took out a judgement on the note. And it +won't be pleasant if you spend your wedding night in jail. + +Edward: (calmly) +We will find a way to deal with him. + +Roger: +What way? We have no cash at all. All your income is taken in advance +and spent as received. The townhouse furniture has been sold for a +song--we've cut down the timber at the country house under the pretext +of using it for fuel. As for me, I swear to you that I see no way out. + +Edward: +If my father can be kept from returning another five or six months I +will have plenty of time to repair by my economy the expensive +disorders of my youth. + +Roger: +Assuredly. And your esteemed father, for his part--hasn't he worked +hard to amass all this wealth? + +Edward: +Without a doubt. + +Roger: +It's better that you practice this foolishness while he's still alive. +After he's dead he won't be in a position to straighten things out. + +Edward; +You're right, Roger. + +Roger: +Sir, you're not so bad that you can't, at least, speak well. Your +father will have made a huge profit from his trip--and you will have +made a huge expenditure in his absence. Of what can he complain when +he returns? It will be as if he had never gone, and at worst it will +be his fault for having been so foolish as to make the trip. + +Edward: +You're really talking some sense today, Roger. + +Roger: +Between you and me, your father is not very bright. I've led him by +the nose and you know it. I can make him believe anything I want to. +And when he comes back this time I think I still have power enough to +pull you out of this sorry mess. Let's go sir. Good cheer and a warm +fire. Courage returns to me. How many for dinner tonight? + +Edward: +Five or six. + +Roger: +And your dear friend the self styled Squire who has helped you to +gobble up so much of your wealth so stylishly--will he be here? + +Edward: +He promised me he would, but here is the charming Belinda and her +cousin-- + +(Enter Belinda, Clarissa and Lucy) + +Belinda: +The precautions you make me take, Edward, can only be justified by the +success they are having--and I will be entirely lost in worldliness if +our marriage doesn't end all the pleasure parties I'm used to. + +Edward: +I have never had any other sentiments, pretty Belinda--and here is +your friend who can bear witness to it. + +Clarissa: +I guarantee the goodness of your heart if you must take this moment to +justify yourself; but I, who never get mixed up in anything +adventurous and who haven't seen the conclusion of this affair--what +kind of role must I play--and what will people say of it, I pray? + +Roger: +They'll say that people are known by the company they keep--and that +the company made you get married. My master has so many friends--you +have only to pick. + +Lucy: +Take one, madame. The crazier things are--the more fun. Come on--make +a choice! + +Clarissa: +I'll marry the devil. Now that you mention it, I think I'll marry off +Lucy--because of the company. It's a very contagious example. + +Edward: +I wish you'd follow our example. I have a young friend who is +alienated from his family. That's the way to recommend him. Has he +told you of his feelings? + +Clarissa: +No. This sort of marriage doesn't interest me. I don't follow anyone's +lead. I want to take a husband as independent as I am. + +Edward: +Well said. My friend isn't the type to let you put a bridle on him. + +Roger: +But here is the Squire who comes to see you. I am going to see if +everything is ready for your supper. + +(Exit Roger to the house) + +Squire: (entering from the street) +Your servant, my friend. Ah, ladies, I am delighted to see you. You +are waiting for me and that's very proper. I am the very soul of your +parties, I admit. The premier mover in your pleasures, I know it. +Where are we now? Is the supper ready? Are we getting married? Shall +we abandon ourselves to wine? Come on, bring on the gaiety--I've never +been in such a mood, in such spirits--I defy you to bore me. + +Clarissa: +Truly, Squire, you were wise to wait. + +Lucy: +It would be silly if a Squire were the first to come! One would think +he had nothing to do. + +Squire: +I assure you ladies that my coach cannot fly faster. It's less than +three quarters of an hour since I left Saint James. You know I usually +use arabian horses. There are simply no better horses for a quick +rendezvous. + +Edward: +What affair is so pressing? + +Squire: +If we didn't have flying carriages like that we'd miss half our +opportunities. + +Melinda: +And since when, Squire, are you mixed up with going to court? It seems +that you ordinarily stay at Oxford. + +Squire: +Well, what of it, my dear. + +(To Edward) +Here you are awash in pleasure--you swim in delights. You know the +interest that I take in all that concerns you. What happiness when two +well tested hearts approach the long awaited moment--there one sees +the ending of--a novel. This is a great day for you. + +Edward: +I feel my happiness in all this talk. + +(To Squire) +But tell me, I beg you, have you been, as you promised, to the jeweler +for the diamonds? + +Squire: (to Clarissa) +And you pretty cousin, what is it? Your heart says nothing to you? The +example should encourage you--don't you wish, in marrying, to pay your +debts to love and nature? It is terrible to be useless in this world. + +Clarissa: +I am not bored yet with my virginity. + +Squire: +Whenever you please we will take the same momentous step--hearts +united. I am made for the ladies, and, in all modesty, the ladies are +made for me. May I be damned if you are not to my taste. I am ready to +love you one day to the point of adoration--to the point of madness! +But not to the point of marriage. I like amours without consequences-- +you understand me, I'm sure? + +Lucy: +Truly, this speech is so plain it needs no commentary. What! Squire! +For shame! + +Squire: +You can't know how much this little fellow shames me. It is true this +little bourgeois hasn't an equal, and that I treat him like family, +introduce him into society, teach him to gamble, educate his taste in +manners, furniture, and horses. I lead him a little astray--but these +little gentlemen are not very happy unless one inspires them with the +manners of the court and they learn to ruin themselves in two or three +years. + +Lucy: +Have you many scholars? + +Squire: +Where is Roger? I don't see him here. He's a pretty fellow. I love +him. I find him admirable as a trickster, to keep off creditors, to +calm usurers, to persuade and pacify merchants. To sell all the +furniture in a house quietly and quickly. How fashionable, how witty +of your father, how prudent, to leave you a governor so wise, an +economist so knowing. This rogue values twenty thousand pounds rent, +the same way a baby does a half penny. + +(Enter Roger) + +Roger: +Ladies and gentlemen, when you wish to enter supper is ready. + +Squire: +Yes. Well said. We mustn't lose time. I told you that Roger was a +pretty fellow. I feel in a praiseworthy mood to drink wine. You will +see if I remain in that mood. Come ladies--those who love me--follow +me. + +Edward: +Moments are very precious to lovers. Let's not lose any time. + +(Exit all but Roger into the house) + +Roger: +Well, thank God, business is good, our lovers are happy. May Heaven +make it last a long while! But what do I see? There, I believe comes +Jeremy, the valet of our absent master. + +(Enter Jeremy) + +Jeremy: +At last I'm home. Hey, good day, Roger--the prodigal returns. How are +you? + +Roger: +And you--dreadful apparition, how are you? + +Jeremy: +As you see, couldn't be better. A little tired, but we had a very +successful trip. + +Roger: +What! "We" had a very successful trip? You didn't come alone? + +Jeremy: +What a question. Of course not. Came with my master. He went to the +customs house with the merchandise while I came with the personal +baggage and the joyous news for his son that he is returned in perfect +health. + +Roger: +News like that will certainly rejoice him. + +(Low) +What are we going to do? + +Jeremy: +Something wrong? You don't look well--and you don't seem very glad to +see us. + +Roger: +I'm not. This is most troublesome. All is lost. Now tell me--will he +be kept at the custom house long? + +Jeremy: +No--he'll be here any minute. + +Roger: +In an minute? I think I'll go nuts. + +Jeremy: +But what the hell's the matter with you? + +Roger: +I don't know. Oh, the cursed old man. To return at such a bad time-- +and not to forewarn us. What a treacherous bastard. + +Jeremy: +You must be up to something deep; this unexpected return hasn't upset +your plans too much, has it? + +Roger: +Oh, no! They'll all mixed up--by all the devils in hell! + +Jeremy: +Too bad. + +Roger: +Jeremy, my poor, Jeremy, help me to arrange things, I beg you. + +Jeremy: +Me-- What do you want me to do? + +Roger: +Go--rest. Go in. You'll find good company--nothing to upset you. +They'll make you drink Champagne. + +Jeremy: +Not hard to get me to do that. + +Roger: +Tell Mr. Edward that his father is back--but not to worry, I will wait +for him here--and try to do all I can. I will sell myself to the devil +if I know what! Tell him not to worry, and as for you, begin by +getting drunk and go to bed. + +Jeremy: +I will obey your orders exactly, don't fret. + +(Exit Jeremy into the house) + +Roger: +Come, Roger, pull yourself together my boy: courage! Here we have a +violent father returning impromptu from a long trip; a son in the +midst of an orgy; the house in disorder full of cooks and caterers in +preparation for an impending wedding--and all we have to do is prevent +this from being discovered. Ah, here comes the old man. Let's stand +aside a little and think of a way to prevent him from entering his own +house. + +(Enter Mr. Richly) + +Richly: +Now after all my work and all the risks I've run-- See: by Heaven's +grace, my voyage has a happy ending. I return to my dear old home and +I believe my son will be very happy to see me back and in good health. + +Roger: (aside) +Not as happy as we would be to know you are well--but elsewhere. + +Richly: +Children owe a good deal to fathers who work tirelessly to leave them +well off. + +Roger: (aside) +Yes; but not to those who return so inopportunely. + +Richly: +I don't wish to delay anymore entering home and giving my son the +pleasure of knowing I'm safely returned. I believe the poor boy will +die of joy to see me. + +Roger: (aside) +It wouldn't surprise me if he's already half dead just knowing you're +here. But it's necessary to meet him. + +(Aloud) +What do I see? Just Heaven--am I awake--is it a ghost? + +Richly: +I believe if I am not deceived, that it's Roger. + +Roger: +Indeed, it is Mr. Richly himself--or else the devil in his shape. +Seriously speaking, is it you, my dear master? + +Richly: +Yes, it's me, Roger. How've you been? + +Roger: +As you see, sir, very much at your service like a faithful servant, +bright eyed and bushy-tailed--and always ready to obey you. + +Richly: +That's good news. Let's go in. + +Roger: +We weren't expecting you and I assure you, you have fallen on us from +the clouds, as it were. + +Richly: +No, I came by carriage from Portsmouth where my ship happily arrived +several days ago. But now-- + +Roger: +How well you look! What a face! How stout! The air in Spain must do +wonders for men of your age. You ought to stay there, sir--for your +health-- + +(Low) +and our safety. + +Richly: +And how is my son? Has he taken good care of the business? Is it +profitable under his management? + +Roger: +Oh, as to that, why I tell you, he has done so well--you wouldn't +believe how he's into money. Your business is in a state that would +astonish you--my word on it. + +Richly: +You really make me happy, Roger, to give me such fine news. He's +stored up a big pile of money, eh? + +Roger: +Not at all, sir. + +Richly: +Not at all? How's that! + +Roger: +No, I tell you this boy is the best manager you could wish. He follows +your footsteps. He drives your money like a race horse. If he can make +a buck he will work day and night. + +Richly: +That comes from setting kids a good example. I'm dying with impatience +to hug him. Come along, Roger. + +Roger: +He's not inside, sir, and if you are in a hurry to see him, I +suggest-- + +(Enter Mr. Andre) + +Andre: +Good day, Roger-- + +Roger: +Your servant, Mr. Andre, your servant. + +(Low) +Here's a villainous loan shark who picks a fine time to come demand +his money. + +Andre: +You know, Mr. Roger, I've been here everyday lately without finding +your master. If he cannot pay me today, tomorrow I will swear out a +warrant against him and you know it very well. + +Roger: (aside) +This will ruin us. + +Richly: +What's this all about? + +Roger: +I will explain everything to you when we are alone. Nothing to be +concerned about! + +Andre: +A mere business of one hundred pounds owed to me for which I have a +receipt and a judgement which I intend to put into execution. + +Richly: +What's he talking about, Roger? + +Roger: +He's a fiend who will do just what he says. + +Richly: +Edward owes you--? + +Andre: +Yes, indeed, Mr. Edward Richly, a child whose father is off somewhere +and who will be pleasantly surprised on his return when he learns of +the life his son has led in his absence. + +Roger: +This doesn't look too good. + +Andre: +The son is a gambler, a spendthrift, and a wencher, while they say the +father is a villain, a miser, and a tightass. + +Richly: +What do you intend to say to this miser and tightass? + +Andre: +I don't want to talk to you, I want to speak to the father of Mr. +Edward Richly who is in two words an imbecile and a fool. + +Richly: +Roger-- + +Roger: +He's telling you the truth, sir. Mr. Edward does owe him-- + +Richly: +And you told me of his exemplary conduct. + +Roger: +Yes, sir. It's a result of his careful management that he owes this +money. + +Richly: +What--borrow money from a loan shark. + +(To Mr. Andre) +I see by looking at you, sir, that you're in the right line. + +Andre: +Yes, sir, and I believe that you are also in the same profession. + +Roger: (aside) +How easily honest men recognize each other. + +Richly: +You dare to say this is the result of his superior management! + +Roger: +Peace! Don't say a word. When you know the bottom of this thing you +will be enchanted. He has bought a house--a mansion for ten thousand +pounds-- + +Richly: +A house for ten thousand? + +Roger: +And easily worth fifteen. He didn't have enough cash, so in order not +to lose the bargain, he borrowed money from this honest swindler you +see here. You are not so angry as you were, I bet. + +Richly: +On the contrary, I'm overjoyed. Oh, sir, this Mr. Edward who owes you +the money is my son. + +Roger: +And this gentleman is the father--got it? + +Andre: +I've overjoyed as well. + +Richly: +Don't worry about your money. I approve what my son has done. Come +back tomorrow and you will have your money--in cash. + +Andre: +I'm your servant, sir. + +(Exit Mr. Andre, delighted) + +Richly: +Now tell me in what part of town is the house located? + +Roger: +In what part of town? + +Richly: +Yes, there are several neighborhoods. This one here for example. + +Roger: +Well, indeed, it's also located in this quarter. + +Richly: +Good--so much the better. Where exactly? + +Roger: +Hold on--(pointing) Do you see that house with an arbor where the +windows have been repainted? + +Richly: +Yes, well--? + +Roger: +That's not it. But a little farther off. The one with the big +gatehouse which is right next to the other one. Well, it's a little +behind that on the next street. Cattycornered to it. + +Richly: +I don't see that one from here. + +Roger: +I can't help that. + +Richly: +Isn't that the home of Mrs. Prim? + +Roger: +Right. Mrs. Prim. Couldn't remember her name. Good buy, isn't it? + +Richly: +Absolutely. But why did the stupid woman sell off her inheritance? + +Roger: +One can't foresee everything that will happen in life as the +philosophers say. She's been very unfortunate--she's gone plum crazy. + +Richly: +Gone crazy? + +Roger: +Raving. Her family tried to stop her. And her son who is a rake gave +his house for a fraction of the money hers was worth. + +(Low) +I'm getting in deeper and deeper. + +Richly: +But she doesn't have any son that I know of. + +Roger: +She doesn't have a son? + +Richly: +No. I'm sure of it. + +Roger: +Must have been her daughter then. + +Richly: +I'm irritated by this mischance. But I've amused myself long enough. +Open the door for me, will you? + +Roger: (low) +Ouf! Now we've reached the crisis. + +Richly: +What's the matter? Has something happened to my son? + +Roger: +No, sir. + +Richly: +Has someone stolen something in my absence? + +Roger: +Not at all. + +(Low) +What will I tell him? + +Richly: +Explain everything. Speak. + +Roger: +I an hardly keep from crying. Don't go in, sir. Your house--this dear +house--which you love--has for the last six months-- + +Richly: +Well--my house--for the last six months-- + +Roger: +The devil is haunting the place, sir. He made us take up residence +elsewhere. + +Richly: +The devil is in my house? + +Roger: +Yes, sir. Haunts the place. In fact, that's what has forced your son +to buy another house. We couldn't live there any more. + +Richly: +You're kidding me. It isn't possible. + +Roger: +There's no sort of malicious trick they haven't put on me. Sometimes +they mock me when I'm unable to move my feet. Sometimes they shave my +beard with a red hot razor--and without fail every night they affront +me with the stench of sulfur. + +Richly: +And now I say again, you're putting me on. + +Roger: +Not at all, sir. What hasn't happened to me? We've brought the best +exorcists in London. There's no way to force them out; this spirit is +furiously tenacious--he's the one that possesses women when they have +the devil in them. + +Richly: +A horrible thought has occurred to me. Tell me, I beg you, have they +been in the wine cellar? + +Roger: +Alas, sir, they forage everywhere. + +Richly: +I am lost. I buried fifty thousand pounds in that wine cellar. + +Roger: +Fifty thousand pounds! Sir, there are fifty thousand pounds in your +house? + +Richly: +In the wine cellar. + +Roger: +In the wine cellar. That's exactly where they hold their Sabbath.-- +Oh, if only we had known this. And where in the wine cellar if you +please? + +Richly: +To the left as you enter. Under a big block of stone near the door. + +Roger: +Fifty thousand pounds under a big block of stone! You should have told +us--we could have saved you from this unlucky pass. It's on the left +as you go in, you say. + +Richly: +Yes. The place is easy to find. + +Roger: +I'll easily find it. But you know, sir, that it's worth your life-- +you're risking your neck to go in there? And the whole sum is in gold? + +Richly: +All in pure gold. + +Roger: (aside) +Good. Easier to carry. + +(Aloud) +Oh, as to that, sir, since we know the cause of the evil it won't be +hard to find a remedy. I believe we'll--manage. Leave it to me. + +Richly: +I have trouble believing all you tell me. You tell me so many stories +about these matters that I don't know what to believe. I'll trust you +for now, but I'll find out what's what. What reversals one sees in +life! One can't make a little money without men or the devil trying to +get it away from you. The devil is not going to have it! + +(Exit Richly) + +(Enter Lucy) + +Lucy: +Ah, my poor Roger. Is it true that Mr. Edward's father has returned? + +Roger: +Only too true, but to console us, I have found a treasure. + +Lucy: +A treasure? + +Roger: +In the wine cellar, as you enter--to the left under a large black +stone--a sack which contains fifty thousand pounds. + +Lucy: +Fifty thousand pounds. + +Roger: +Yes, child, and I tell you that will be plenty--run find the sack, the +sack--hurry! + +Lucy: +But-- + +Roger: +The devil take you with your buts. Mr. Richly will return. Save +yourself--hide, quickly. To the treasure. To the treasure. + +(Exit Lucy) + +We are about to have a nice explanation. Now to navigate your ship and +bring it into port. + +(Reenter Richly) + +Richly: +You see I wasn't long. I found my porters near here and I've told them +to wait because it seems a good idea to store my goods in the house my +son has bought. + +Roger: +A new fix! + +Richly: +I don't recognize the place too well, so you can take me there +yourself. + +Roger; +I want to, sir, but-- + +Richly: +But what! The Devil isn't master there, too, is he? + +Roger: +Mrs. Prim is still living there. + +Richly: +Still living there? + +Roger: +Yes, indeed. It's agreed that she will stay out her term, and--as her +mind is weak--she gets in a furious state whenever anyone talks to her +about vacating. She's really crazy, you see. + +Richly: +I'll talk to her in a way that will calm her down. + +Roger: +You! + +(Aside) +All is lost. + +Richly: +You're making me very impatient. I absolutely want to speak to her, I +tell you. + +Roger: +Well, in that case--talk to her--because happily, here she comes. But +remember she's a basket case. + +Mrs. Prim: (entering) +Well, here's Mr. Richly returned, it seems. + +Roger: (low to Mrs. Prim) +Yes, Madam, indeed it is he--but he's lost his wits. His ship was +wrecked and he drank salt water. It turned his head. + +Mrs. Prim: +What a shame--the poor man! + +Roger: +If he happens by chance to accost you, he may say something odd. Don't +pay any attention. We're going to have him locked up. + +(To Richly) +If you speak to her, have a little patience with her weakness. Think +of her as a clock that's a bit cuckoo. + +Richly: +Leave her to me. + +Mrs. Prim: +There's something strange and distracted about his manner. + +Richly: +How her looks have changed. She has haggard eyes. + +Mrs. Prim: +Well--it's Mr. Richly. You've come back to England, eh? + +Richly: +Ready to render you my devoirs. + +Mrs. Prim: +I'm very distressed about the misfortune you've suffered. + +Richly: +I have to be patient. They say devils are occupying my house. But it +will be all right after we kick them out. They'll be worn out staying +there. + +Mrs. Prim: (aside) +Devils in his house! I'd better not contradict him, it might make him +worse. + +Richly: +I'd like, madam, to store some packages that I brought back with me in +your house. + +Mrs. Prim: (aside) +He doesn't realize that his ship was wrecked. What a pity. + +(Aloud) +I am at your service and my house is more yours than mine. + +Richly: +Oh, madam, I have no intention of abusing you of the condition you are +in. + +(To Roger) +But really, Roger, this woman is not as crazy as you said she was. + +Roger: +She has a few good moments--but it won't last. + +Richly: +Tell me, Mrs. Prim, have you always been as wise and as reasonable as +you are now? + +Mrs. Prim: +I don't think anybody, Mr. Richly, has ever seen me otherwise. + +Richly: +But it that's so your family shouldn't have you locked up. + +Mrs. Prim: +Locked up--me--have me locked up? + +Richly: (aside) +She's totally unaware of her illness. + +Mrs. Prim: +But if you are not ordinarily more crazy than at present, I think it's +very wrong you should be put away. + +Richly: +Me put away? + +(Aside) +Now she's out of whack; there it is, there it is. Let's change the +subject. + +(Aloud) +Well, is it that you're irritated about their selling your house? + +Mrs. Prim: +They sold my house? + +Richly: +At least it's better that my son bought it at a bargain price. + +Mrs. Prim: +My poor Mr. Richly. My house hasn't been sold, and it's not for sale. + +Richly: +There! There! Don't upset yourself, I promise you you will always have +your apartment--just as if you still owned it--and as if you were in +good mental health. + +Mrs. Prim: +What do you mean as if I was still in good mental health! Go away, +you're an old madman, an old madman who shouldn't be allowed out of +Bedlam--of Bedlam, my friend. + +Roger: (To Mrs. Prim) +Are you wise to fight with a wacko? + +Richly: +Oh, if that's your attitude, you can get out. The house belongs to me, +and I'll put my luggage there in spite of you. Just look at this crazy +old woman. + +Roger: (To Richly) +What are you getting in a rage for with a woman who has lost her mind? + +Mrs. Prim: +Just try. I'll be waiting for you. Back to your padded cell you +lunatic! Hurry and lock him up, he's becoming dangerous, I'm warning +you. + +(Exit Mrs. Prim in a huff) + +Roger: (aside) +I don't quite know how I am going to get out of this. + +Squire: (entering from the house) +What's all this hullabaloo? Beating on an honest man's door and +scandalizing the neighborhood? + +Richly: +Roger, what's going on? + +Roger: +The devils in your house are a little drunk. They frolic in the wine +cellar. + +Richly: +Some kind of swindle is afoot, I'm sure of it. + +Squire: +They say the master of this house has just returned from a long sea +voyage--would you be he by any chance? + +Richly: +Yes, sir, I am he. + +Squire: +I congratulate you, sir. That was a beautiful trip and a wonderful +lesson for a young man. You must know, sir, that your son has been +learning wonderful manners while you were gone. Really fine manners. +The boy is very generous. Doesn't resemble you at all. You are a +villain, sir. + +Richly: +Sir, sir! + +Roger: +These teasing devils are insolent. + +Richly: +You are a rogue. + +Squire: +We were very upset, very worried--full of concern over your return. In +your absence your son was ready to kill himself from malaise. In +truth, he disliked everything in life. He gave up all his vanities. +Everything that could attach him to this earth: wealth, furniture, +honors. This boy loves you so much it's unbelievable. + +Roger: +He would have died of worry during your absence if it hadn't been for +this honest gentleman. + +Richly: +He! How is it you're in my house, sir, if you please? + +Squire: +Don't you understand without my telling you? I've just drunk champagne +in the best company. He's still feasting which is the best way +possible for him to comfort himself in your absence. + +Richly: +This swindler will ruin me. I'm going in. + +Roger: +Stop! I will not allow you to enter. + +Richly: +I can't go in to my own house? + +Squire: +No. The company is not ready to receive you. + +Richly: +What do you mean? + +Squire: +It wouldn't be proper for a son who knows how to live and who has been +learning manners from me to receive his father in a house which has +nothing in it but the four walls. + +Richly: +What--four walls? My beautiful paintings which cost me three thousand +pounds--are they gone? + +Squire: +We got eighteen hundred for them. Not a bad sale. + +Richly: +Not a bad sale. Masterpieces like that. + +Squire: +Bah! The subject was lugubrious. The fall of Troy with a villainous +wooden horse that had neither mouth nor tail. We made a friend out of +the buyer. + +Richly: +Ah, gallowsbird. + +Squire: +Weren't there a couple of other paintings that represented something? + +Richly: +Oh, yes. They were originals by a master some think to be Leonardo-- +they represented the Rape of the Sabines. + +Squire: +Right. We got rid of them, too--because of delicacy of conscience. + +Richly: +Delicacy of conscience! + +Squire: +A wise, virtuous, religious man like Mr. Richly--and to have immodest +nude Sabine women about him--fie! Nudity is not for the young. + +(Reenter Mrs. Prim) + +Mrs. Prim: +Ah, truly, I have just been warned of some nice business, Mr. Richly. +They say your son is marrying my niece. + +Richly: +I don't know about your niece, but my son is a rogue, Mrs. Prim. + +Roger: +Yes, a rake who has led me astray and who has caused-- + +Squire: +Let's not complain about each other or speak ill of those who are not +present. One shouldn't condemn people without hearing them first. Pay +attention, if you please, Mr. Richly. You've got to look on the bright +side. If you are happy, the whole world will be happy. Besides, it's +not your fault. And you can't do anything about it but kick up a fuss. +If you are patient no one will laugh at you. + +Richly: +Go to the devil with your sophistries. But what do I see. They're +running off with my fifty thousand pounds. + +Mrs. Prim: +It's that bitch of a Lucy and my niece. + +Richly: +And my swindler son. + +(Enter Edward and the others) + +Edward: +Daddy, it's no longer necessary to abuse your credulity. All this has +been due to the zeal of Roger to keep you out of the house while I +married Belinda. I ask you to pardon my past behaviour. Bless this +marriage, I beg you. + +(Low) +Then you can have your fifty thousand back, and I promise to be better +in the future. + +Richly: +Ah, gallowsbird, do you mock me? + +Roger: +It's true, sir. + +Mrs. Prim: +Belinda is my niece--and if your son has married her, I'll give her a +dowry which will satisfy you. + +Richly: +Can you do that? Aren't you under restraint? + +Roger: +That was only my trick. + +Richly: +What the house--? + +Roger: +Part of the same thing. + +Richly: +What a misfortune! But if you will give me my money back, I've got +enough sense of humor to give my consent, if you want it. It's the +only way to prevent worse from happening. + +Squire: +Well, said. That pleases me. Shake, Mr. Richly--you're a brave man. I +want to drink with you. Let's go back in and have more to drink and +eat. You know it was a lucky thing you came just in time for the +wedding. + + +CURTAIN + + + + + + + + + + + +End of Project Gutenberg's The Unforseen Return, by Jean-Francois Regnard + +*** END OF THIS PROJECT GUTENBERG EBOOK THE UNFORSEEN RETURN *** + +***** This file should be named 4700.txt or 4700.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/4/7/0/4700/ + +Produced by Dagny and Frank J. Morlock + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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Ver.12.12.00 FOR COPYRIGHT PROTECTED ETEXTS*END* + + + +This etext was produced by Dagny, dagnypg@yahoo.com +and Frank J. Morlock, frankmorlock@msn.com + + + +This Etext is for private use only. No republication for profit in +print or other media may be made without the express consent of the +Copyright Holder. The Copyright Holder is especially concerned about +performance rights in any media on stage, cinema, or television, or +audio or any other media, including readings for which an entrance fee +or the like is charge. Permissions should be addressed to: Frank +Morlock, 6006 Greenbelt Rd, #312, Greenbelt, MD 20770, USA or +frankmorlock@msn.com. Other works by this author may be found at +http://www.cadytech.com/dumas/personnage.asp?key=130 + + + + THE UNFORSEEN RETURN + Comedy in One Act + + BY REGNARD + + Translated and adapted + By Frank J. Morlock + + + +Characters French names + +Mr. Edward Richly (Clitandre) +Belinda (Lucile) +Clarissa (Cydalise) +Squire (Marquis) +Lucy (Lisette) +Mrs. Prim (Mme. Bertrand) +Roger (Merlin) +Jeremy (Jacquinet) +Mr. Andre (M. Andre) +Mr. Richly (M. Geronte) + +Six men, four women + + + +The scene is a street before Richly's house. Lucy, a maid is +approaching from one side and encounters Mrs. Prim. + + +Mrs. Prim: +Ah, there you are! I'm very glad to meet you. Let's take the +opportunity to have a little serious conversation, Miss Lucy. + +Lucy: (easily) +Just as serious as you please, Mrs. Prim. + +Mrs. Prim: +You know perfectly well that I am displeased with the behavior of my +niece. + +Lucy: +Really Madam. And what's she done wrong, may I ask? + +Mrs. Prim. +She does nothing but wrong--and to make it worse she surrounds herself +with a wench like you who gives her the worst possible advice and who +pushes her over the precipice--where she's heading if she hasn't +already fallen. + +Lucy: +Well, Mrs. Prim, this is at the very least, a serious conversation as +you put it--and if I were to respond as seriously I don't know where +it might end. But the respect I have for your age, and for the aunt of +my mistress prevents me from responding to you without respect. + +Mrs. Prim: +My age! You're a model of moderation! + +Lucy: +It would be nice if you were, too, Madam. You are not the first to +spread scandal about your niece; remarks that have no foundation +except in your disordered imagination. + +Mrs. Prim: +My disordered imagination! What impudence. (furiously) It's the +disorder of your actions which make me speak out--and there is nothing +worse than the life you are living. + +Lucy: +How is that--what's wrong with our life if you please? + +Mrs. Prim: +What? Is there anything more scandalous than the expenditures Belinda +is constantly making--a girl without a penny in income. + +Lucy: +You have credit, Madame. + +Mrs. Prim: +Just what she needs to maintain a large house and extravagant tastes. + +Lucy: +Is she forbidden to make her fortune? + +Mrs. Prim: +And how is she to make her fortune? + +Lucy: +Very innocently. She drinks, eats, sings, laughs, gambles, walks to +take the air--and wealth comes to us while we sleep, I assure you. + +Mrs. Prim: +And meanwhile her reputation evaporates. She'll learn. She won't have +a penny of mine. My brother, who wanted her to be a nun will +disinherit her. Patience, patience, she won't always be young. + +Lucy: +Very true, that's why we must put our time to good use. + +Mrs. Prim: +Oh, very well--and all the profit you will get from that will be to +die in a charity ward: both dishonored. + +Lucy: +Oh, for that, no Madam. A successful marriage will prevent that +prophecy from being fulfilled. + +Mrs. Prim: +A successful marriage. She's going to get married? + +Lucy: +Yes indeed. + +Mrs. Prim: +Just in time! But I won't be a party to it. I won't help her make +anyone think she's either respectable or rich. I renounce her as my +niece, and I will not aid her to deceive anyone; goodbye. + +Lucy: +Don't trouble yourself--we know our business better than you. + +Mrs. Prim: +I believe this will be some grand alliance! + +(Exit Mrs. Prim in a huff) + +Lucy: +This will be a fine marriage and when it is consummated you will be +honored to receive her and be her aunt. (shouting after Mrs. Prim) You +just wait and see! (Lucy is annoyed, stung by Mrs. Prim's remarks. She +would like to say more but cannot.) + +Roger: (entering) +Good day, child. Who was that old lady you were talking with? + +Lucy: +Who? That was Mrs. Prim, my mistress's aunt. + +Roger: +I didn't recognize her. I wasn't paying much attention. + +Lucy: +The old girl's very well off. She owns a lot of property in London. +Belinda is very well connected, at least. + +Roger: +But she hasn't any money of her own. + +Lucy: +There's no reason to give up. Money will come. If her three uncles, +two aunts, three cousins and two nephews die--she will have a very +large inheritance. Ha, ha! Do you know that if the Plague were to +strike again, Belinda would cut quite a figure. + +Roger: +She has a nice figure already. + +Lucy: +Her beauty carries all before it. + +Roger: +My master is absolutely determined to marry her. + +Lucy: +And she is absolutely determined to marry him. + +Roger: +There would perhaps be some trouble if our good father were to return +--but he won't for a while. We'll have the time to prepare and my +master will be happy--except for the chagrin of marrying Belinda. + +Lucy: +What--what are you trying to say? + +Roger: +Marriage is subject to its ups and downs. + +Lucy: +You are very polite to think that Mr. Edward would ever repent of +marrying Belinda, a young lady that I have brought up myself. + +Roger: +So much the worse. + +Lucy: +A pretty girl, young and well developed. + +Roger: +That part doesn't reassure me. + +Lucy: +A girl easy to live with. + +Roger: +Most girls are not hard to live with--at first. + +Lucy: +A young lady who is wise and virtuous. + +Roger: (wonderingly) +And you say you raised her? + +Lucy: (furiously) +Why don't you go ahead and say what you want to say wiseacre? + +Roger: +Well do you want me to speak openly? I don't like this alliance at +all. And I forsee that it won't benefit anyone. Mr. Edward spends his +money because he is in love and love makes a man open handed: marriage +ruins love. If my master becomes a miser where will we be? + +Lucy: +He's of too prodigal a nature ever to turn miser. Has he given orders +for today's feast? + +Roger: +Let's see. Three cooks arrived with their set ups. Leonard, the famous +Leonard marched at their head. The illustrious Florel has sent six +bottles of Champagne--he made it himself. + +Lucy: +So much the better. I love expensive stuff--but here is Mr. Edward. + +(Edward Townley enters from the house. He is youthful, open, and +expensively dressed.) + +Edward: +Ha! Good day, my dear Lucy--how are things with you, child? And how is +your beautiful lady? + +Lucy: +She's at home with Clarissa. + +Edward: +Go, run, my dear Lucy: beg her to come here as soon as possible. I +have no happy moments except those I pass with her. + +Lucy: +You two are made for each other. When you're not around she's bored to +death. She won't delay I promise you. + +(Exit Lucy) + +Roger: +Well, sir! You're really going to get married? Very soon you will have +finished your love affair and your money. Not the best way to finish +the business. But if you are going to do it so be it. What will we +tell your father when he returns from his business trip to Spain? + +Edward: +You always have inopportune thoughts. Look my friend: frolic in the +present, have no regret for the past; and don't whatever you do read +irritating portents in the future. That's the secret of happiness. By +the way, haven't you received any money for me in the past few days? + +Roger: +In the last three weeks I've obtained a half year's rent on the farm +in advance. In return you've given Farmer Small a quittance for the +entire year. + +Edward: +Excellent! + +Roger: +Last week I received 1,800 pounds for those two paintings your father +refused to sell for thirty thousand. + +Edward: +Fine! + +Roger: +Fine! Also, I got 200 pounds for that tapestry your father purchased +for five thousand two years ago. + +Edward: +Better! + +Roger: Yes, yes, we've had a real white sale during his absence +haven't we? + +Edward: +It's a little nourishment that we must take sometimes; and we will +work together on more nourishment in the future. + +Roger: +Work by yourself because I have a bad conscience about being the +instrument of your ruin. It's with my help you've been able to +dissipate 10,000 pounds, not to mention another ten thousand you owe +here and there to usurers and money lenders, who are just waiting to +fall on us and gobble everything up when the day comes to pay them +back. + +Edward: +The one who disturbs me the most and causes me the most embarrassment +is this Mr. Andre. He persecutes me and I only owe him a hundred +pounds! + +Roger: +He isn't only after that. You also gave him a promissory note for 500 +pounds. Four days ago he took out a judgement on the note. And it +won't be pleasant if you spend your wedding night in jail. + +Edward: (calmly) +We will find a way to deal with him. + +Roger: +What way? We have no cash at all. All your income is taken in advance +and spent as received. The townhouse furniture has been sold for a +song--we've cut down the timber at the country house under the pretext +of using it for fuel. As for me, I swear to you that I see no way out. + +Edward: +If my father can be kept from returning another five or six months I +will have plenty of time to repair by my economy the expensive +disorders of my youth. + +Roger: +Assuredly. And your esteemed father, for his part--hasn't he worked +hard to amass all this wealth? + +Edward: +Without a doubt. + +Roger: +It's better that you practice this foolishness while he's still alive. +After he's dead he won't be in a position to straighten things out. + +Edward; +You're right, Roger. + +Roger: +Sir, you're not so bad that you can't, at least, speak well. Your +father will have made a huge profit from his trip--and you will have +made a huge expenditure in his absence. Of what can he complain when +he returns? It will be as if he had never gone, and at worst it will +be his fault for having been so foolish as to make the trip. + +Edward: +You're really talking some sense today, Roger. + +Roger: +Between you and me, your father is not very bright. I've led him by +the nose and you know it. I can make him believe anything I want to. +And when he comes back this time I think I still have power enough to +pull you out of this sorry mess. Let's go sir. Good cheer and a warm +fire. Courage returns to me. How many for dinner tonight? + +Edward: +Five or six. + +Roger: +And your dear friend the self styled Squire who has helped you to +gobble up so much of your wealth so stylishly--will he be here? + +Edward: +He promised me he would, but here is the charming Belinda and her +cousin-- + +(Enter Belinda, Clarissa and Lucy) + +Belinda: +The precautions you make me take, Edward, can only be justified by the +success they are having--and I will be entirely lost in worldliness if +our marriage doesn't end all the pleasure parties I'm used to. + +Edward: +I have never had any other sentiments, pretty Belinda--and here is +your friend who can bear witness to it. + +Clarissa: +I guarantee the goodness of your heart if you must take this moment to +justify yourself; but I, who never get mixed up in anything +adventurous and who haven't seen the conclusion of this affair--what +kind of role must I play--and what will people say of it, I pray? + +Roger: +They'll say that people are known by the company they keep--and that +the company made you get married. My master has so many friends--you +have only to pick. + +Lucy: +Take one, madame. The crazier things are--the more fun. Come on--make +a choice! + +Clarissa: +I'll marry the devil. Now that you mention it, I think I'll marry off +Lucy--because of the company. It's a very contagious example. + +Edward: +I wish you'd follow our example. I have a young friend who is +alienated from his family. That's the way to recommend him. Has he +told you of his feelings? + +Clarissa: +No. This sort of marriage doesn't interest me. I don't follow anyone's +lead. I want to take a husband as independent as I am. + +Edward: +Well said. My friend isn't the type to let you put a bridle on him. + +Roger: +But here is the Squire who comes to see you. I am going to see if +everything is ready for your supper. + +(Exit Roger to the house) + +Squire: (entering from the street) +Your servant, my friend. Ah, ladies, I am delighted to see you. You +are waiting for me and that's very proper. I am the very soul of your +parties, I admit. The premier mover in your pleasures, I know it. +Where are we now? Is the supper ready? Are we getting married? Shall +we abandon ourselves to wine? Come on, bring on the gaiety--I've never +been in such a mood, in such spirits--I defy you to bore me. + +Clarissa: +Truly, Squire, you were wise to wait. + +Lucy: +It would be silly if a Squire were the first to come! One would think +he had nothing to do. + +Squire: +I assure you ladies that my coach cannot fly faster. It's less than +three quarters of an hour since I left Saint James. You know I usually +use arabian horses. There are simply no better horses for a quick +rendezvous. + +Edward: +What affair is so pressing? + +Squire: +If we didn't have flying carriages like that we'd miss half our +opportunities. + +Melinda: +And since when, Squire, are you mixed up with going to court? It seems +that you ordinarily stay at Oxford. + +Squire: +Well, what of it, my dear. + +(To Edward) +Here you are awash in pleasure--you swim in delights. You know the +interest that I take in all that concerns you. What happiness when two +well tested hearts approach the long awaited moment--there one sees +the ending of--a novel. This is a great day for you. + +Edward: +I feel my happiness in all this talk. + +(To Squire) +But tell me, I beg you, have you been, as you promised, to the jeweler +for the diamonds? + +Squire: (to Clarissa) +And you pretty cousin, what is it? Your heart says nothing to you? The +example should encourage you--don't you wish, in marrying, to pay your +debts to love and nature? It is terrible to be useless in this world. + +Clarissa: +I am not bored yet with my virginity. + +Squire: +Whenever you please we will take the same momentous step--hearts +united. I am made for the ladies, and, in all modesty, the ladies are +made for me. May I be damned if you are not to my taste. I am ready to +love you one day to the point of adoration--to the point of madness! +But not to the point of marriage. I like amours without consequences-- +you understand me, I'm sure? + +Lucy: +Truly, this speech is so plain it needs no commentary. What! Squire! +For shame! + +Squire: +You can't know how much this little fellow shames me. It is true this +little bourgeois hasn't an equal, and that I treat him like family, +introduce him into society, teach him to gamble, educate his taste in +manners, furniture, and horses. I lead him a little astray--but these +little gentlemen are not very happy unless one inspires them with the +manners of the court and they learn to ruin themselves in two or three +years. + +Lucy: +Have you many scholars? + +Squire: +Where is Roger? I don't see him here. He's a pretty fellow. I love +him. I find him admirable as a trickster, to keep off creditors, to +calm usurers, to persuade and pacify merchants. To sell all the +furniture in a house quietly and quickly. How fashionable, how witty +of your father, how prudent, to leave you a governor so wise, an +economist so knowing. This rogue values twenty thousand pounds rent, +the same way a baby does a half penny. + +(Enter Roger) + +Roger: +Ladies and gentlemen, when you wish to enter supper is ready. + +Squire: +Yes. Well said. We mustn't lose time. I told you that Roger was a +pretty fellow. I feel in a praiseworthy mood to drink wine. You will +see if I remain in that mood. Come ladies--those who love me--follow +me. + +Edward: +Moments are very precious to lovers. Let's not lose any time. + +(Exit all but Roger into the house) + +Roger: +Well, thank God, business is good, our lovers are happy. May Heaven +make it last a long while! But what do I see? There, I believe comes +Jeremy, the valet of our absent master. + +(Enter Jeremy) + +Jeremy: +At last I'm home. Hey, good day, Roger--the prodigal returns. How are +you? + +Roger: +And you--dreadful apparition, how are you? + +Jeremy: +As you see, couldn't be better. A little tired, but we had a very +successful trip. + +Roger: +What! "We" had a very successful trip? You didn't come alone? + +Jeremy: +What a question. Of course not. Came with my master. He went to the +customs house with the merchandise while I came with the personal +baggage and the joyous news for his son that he is returned in perfect +health. + +Roger: +News like that will certainly rejoice him. + +(Low) +What are we going to do? + +Jeremy: +Something wrong? You don't look well--and you don't seem very glad to +see us. + +Roger: +I'm not. This is most troublesome. All is lost. Now tell me--will he +be kept at the custom house long? + +Jeremy: +No--he'll be here any minute. + +Roger: +In an minute? I think I'll go nuts. + +Jeremy: +But what the hell's the matter with you? + +Roger: +I don't know. Oh, the cursed old man. To return at such a bad time-- +and not to forewarn us. What a treacherous bastard. + +Jeremy: +You must be up to something deep; this unexpected return hasn't upset +your plans too much, has it? + +Roger: +Oh, no! They'll all mixed up--by all the devils in hell! + +Jeremy: +Too bad. + +Roger: +Jeremy, my poor, Jeremy, help me to arrange things, I beg you. + +Jeremy: +Me-- What do you want me to do? + +Roger: +Go--rest. Go in. You'll find good company--nothing to upset you. +They'll make you drink Champagne. + +Jeremy: +Not hard to get me to do that. + +Roger: +Tell Mr. Edward that his father is back--but not to worry, I will wait +for him here--and try to do all I can. I will sell myself to the devil +if I know what! Tell him not to worry, and as for you, begin by +getting drunk and go to bed. + +Jeremy: +I will obey your orders exactly, don't fret. + +(Exit Jeremy into the house) + +Roger: +Come, Roger, pull yourself together my boy: courage! Here we have a +violent father returning impromptu from a long trip; a son in the +midst of an orgy; the house in disorder full of cooks and caterers in +preparation for an impending wedding--and all we have to do is prevent +this from being discovered. Ah, here comes the old man. Let's stand +aside a little and think of a way to prevent him from entering his own +house. + +(Enter Mr. Richly) + +Richly: +Now after all my work and all the risks I've run-- See: by Heaven's +grace, my voyage has a happy ending. I return to my dear old home and +I believe my son will be very happy to see me back and in good health. + +Roger: (aside) +Not as happy as we would be to know you are well--but elsewhere. + +Richly: +Children owe a good deal to fathers who work tirelessly to leave them +well off. + +Roger: (aside) +Yes; but not to those who return so inopportunely. + +Richly: +I don't wish to delay anymore entering home and giving my son the +pleasure of knowing I'm safely returned. I believe the poor boy will +die of joy to see me. + +Roger: (aside) +It wouldn't surprise me if he's already half dead just knowing you're +here. But it's necessary to meet him. + +(Aloud) +What do I see? Just Heaven--am I awake--is it a ghost? + +Richly: +I believe if I am not deceived, that it's Roger. + +Roger: +Indeed, it is Mr. Richly himself--or else the devil in his shape. +Seriously speaking, is it you, my dear master? + +Richly: +Yes, it's me, Roger. How've you been? + +Roger: +As you see, sir, very much at your service like a faithful servant, +bright eyed and bushy-tailed--and always ready to obey you. + +Richly: +That's good news. Let's go in. + +Roger: +We weren't expecting you and I assure you, you have fallen on us from +the clouds, as it were. + +Richly: +No, I came by carriage from Portsmouth where my ship happily arrived +several days ago. But now-- + +Roger: +How well you look! What a face! How stout! The air in Spain must do +wonders for men of your age. You ought to stay there, sir--for your +health-- + +(Low) +and our safety. + +Richly: +And how is my son? Has he taken good care of the business? Is it +profitable under his management? + +Roger: +Oh, as to that, why I tell you, he has done so well--you wouldn't +believe how he's into money. Your business is in a state that would +astonish you--my word on it. + +Richly: +You really make me happy, Roger, to give me such fine news. He's +stored up a big pile of money, eh? + +Roger: +Not at all, sir. + +Richly: +Not at all? How's that! + +Roger: +No, I tell you this boy is the best manager you could wish. He follows +your footsteps. He drives your money like a race horse. If he can make +a buck he will work day and night. + +Richly: +That comes from setting kids a good example. I'm dying with impatience +to hug him. Come along, Roger. + +Roger: +He's not inside, sir, and if you are in a hurry to see him, I +suggest-- + +(Enter Mr. Andre) + +Andre: +Good day, Roger-- + +Roger: +Your servant, Mr. Andre, your servant. + +(Low) +Here's a villainous loan shark who picks a fine time to come demand +his money. + +Andre: +You know, Mr. Roger, I've been here everyday lately without finding +your master. If he cannot pay me today, tomorrow I will swear out a +warrant against him and you know it very well. + +Roger: (aside) +This will ruin us. + +Richly: +What's this all about? + +Roger: +I will explain everything to you when we are alone. Nothing to be +concerned about! + +Andre: +A mere business of one hundred pounds owed to me for which I have a +receipt and a judgement which I intend to put into execution. + +Richly: +What's he talking about, Roger? + +Roger: +He's a fiend who will do just what he says. + +Richly: +Edward owes you--? + +Andre: +Yes, indeed, Mr. Edward Richly, a child whose father is off somewhere +and who will be pleasantly surprised on his return when he learns of +the life his son has led in his absence. + +Roger: +This doesn't look too good. + +Andre: +The son is a gambler, a spendthrift, and a wencher, while they say the +father is a villain, a miser, and a tightass. + +Richly: +What do you intend to say to this miser and tightass? + +Andre: +I don't want to talk to you, I want to speak to the father of Mr. +Edward Richly who is in two words an imbecile and a fool. + +Richly: +Roger-- + +Roger: +He's telling you the truth, sir. Mr. Edward does owe him-- + +Richly: +And you told me of his exemplary conduct. + +Roger: +Yes, sir. It's a result of his careful management that he owes this +money. + +Richly: +What--borrow money from a loan shark. + +(To Mr. Andre) +I see by looking at you, sir, that you're in the right line. + +Andre: +Yes, sir, and I believe that you are also in the same profession. + +Roger: (aside) +How easily honest men recognize each other. + +Richly: +You dare to say this is the result of his superior management! + +Roger: +Peace! Don't say a word. When you know the bottom of this thing you +will be enchanted. He has bought a house--a mansion for ten thousand +pounds-- + +Richly: +A house for ten thousand? + +Roger: +And easily worth fifteen. He didn't have enough cash, so in order not +to lose the bargain, he borrowed money from this honest swindler you +see here. You are not so angry as you were, I bet. + +Richly: +On the contrary, I'm overjoyed. Oh, sir, this Mr. Edward who owes you +the money is my son. + +Roger: +And this gentleman is the father--got it? + +Andre: +I've overjoyed as well. + +Richly: +Don't worry about your money. I approve what my son has done. Come +back tomorrow and you will have your money--in cash. + +Andre: +I'm your servant, sir. + +(Exit Mr. Andre, delighted) + +Richly: +Now tell me in what part of town is the house located? + +Roger: +In what part of town? + +Richly: +Yes, there are several neighborhoods. This one here for example. + +Roger: +Well, indeed, it's also located in this quarter. + +Richly: +Good--so much the better. Where exactly? + +Roger: +Hold on--(pointing) Do you see that house with an arbor where the +windows have been repainted? + +Richly: +Yes, well--? + +Roger: +That's not it. But a little farther off. The one with the big +gatehouse which is right next to the other one. Well, it's a little +behind that on the next street. Cattycornered to it. + +Richly: +I don't see that one from here. + +Roger: +I can't help that. + +Richly: +Isn't that the home of Mrs. Prim? + +Roger: +Right. Mrs. Prim. Couldn't remember her name. Good buy, isn't it? + +Richly: +Absolutely. But why did the stupid woman sell off her inheritance? + +Roger: +One can't foresee everything that will happen in life as the +philosophers say. She's been very unfortunate--she's gone plum crazy. + +Richly: +Gone crazy? + +Roger: +Raving. Her family tried to stop her. And her son who is a rake gave +his house for a fraction of the money hers was worth. + +(Low) +I'm getting in deeper and deeper. + +Richly: +But she doesn't have any son that I know of. + +Roger: +She doesn't have a son? + +Richly: +No. I'm sure of it. + +Roger: +Must have been her daughter then. + +Richly: +I'm irritated by this mischance. But I've amused myself long enough. +Open the door for me, will you? + +Roger: (low) +Ouf! Now we've reached the crisis. + +Richly: +What's the matter? Has something happened to my son? + +Roger: +No, sir. + +Richly: +Has someone stolen something in my absence? + +Roger: +Not at all. + +(Low) +What will I tell him? + +Richly: +Explain everything. Speak. + +Roger: +I an hardly keep from crying. Don't go in, sir. Your house--this dear +house--which you love--has for the last six months-- + +Richly: +Well--my house--for the last six months-- + +Roger: +The devil is haunting the place, sir. He made us take up residence +elsewhere. + +Richly: +The devil is in my house? + +Roger: +Yes, sir. Haunts the place. In fact, that's what has forced your son +to buy another house. We couldn't live there any more. + +Richly: +You're kidding me. It isn't possible. + +Roger: +There's no sort of malicious trick they haven't put on me. Sometimes +they mock me when I'm unable to move my feet. Sometimes they shave my +beard with a red hot razor--and without fail every night they affront +me with the stench of sulfur. + +Richly: +And now I say again, you're putting me on. + +Roger: +Not at all, sir. What hasn't happened to me? We've brought the best +exorcists in London. There's no way to force them out; this spirit is +furiously tenacious--he's the one that possesses women when they have +the devil in them. + +Richly: +A horrible thought has occurred to me. Tell me, I beg you, have they +been in the wine cellar? + +Roger: +Alas, sir, they forage everywhere. + +Richly: +I am lost. I buried fifty thousand pounds in that wine cellar. + +Roger: +Fifty thousand pounds! Sir, there are fifty thousand pounds in your +house? + +Richly: +In the wine cellar. + +Roger: +In the wine cellar. That's exactly where they hold their Sabbath.-- +Oh, if only we had known this. And where in the wine cellar if you +please? + +Richly: +To the left as you enter. Under a big block of stone near the door. + +Roger: +Fifty thousand pounds under a big block of stone! You should have told +us--we could have saved you from this unlucky pass. It's on the left +as you go in, you say. + +Richly: +Yes. The place is easy to find. + +Roger: +I'll easily find it. But you know, sir, that it's worth your life-- +you're risking your neck to go in there? And the whole sum is in gold? + +Richly: +All in pure gold. + +Roger: (aside) +Good. Easier to carry. + +(Aloud) +Oh, as to that, sir, since we know the cause of the evil it won't be +hard to find a remedy. I believe we'll--manage. Leave it to me. + +Richly: +I have trouble believing all you tell me. You tell me so many stories +about these matters that I don't know what to believe. I'll trust you +for now, but I'll find out what's what. What reversals one sees in +life! One can't make a little money without men or the devil trying to +get it away from you. The devil is not going to have it! + +(Exit Richly) + +(Enter Lucy) + +Lucy: +Ah, my poor Roger. Is it true that Mr. Edward's father has returned? + +Roger: +Only too true, but to console us, I have found a treasure. + +Lucy: +A treasure? + +Roger: +In the wine cellar, as you enter--to the left under a large black +stone--a sack which contains fifty thousand pounds. + +Lucy: +Fifty thousand pounds. + +Roger: +Yes, child, and I tell you that will be plenty--run find the sack, the +sack--hurry! + +Lucy: +But-- + +Roger: +The devil take you with your buts. Mr. Richly will return. Save +yourself--hide, quickly. To the treasure. To the treasure. + +(Exit Lucy) + +We are about to have a nice explanation. Now to navigate your ship and +bring it into port. + +(Reenter Richly) + +Richly: +You see I wasn't long. I found my porters near here and I've told them +to wait because it seems a good idea to store my goods in the house my +son has bought. + +Roger: +A new fix! + +Richly: +I don't recognize the place too well, so you can take me there +yourself. + +Roger; +I want to, sir, but-- + +Richly: +But what! The Devil isn't master there, too, is he? + +Roger: +Mrs. Prim is still living there. + +Richly: +Still living there? + +Roger: +Yes, indeed. It's agreed that she will stay out her term, and--as her +mind is weak--she gets in a furious state whenever anyone talks to her +about vacating. She's really crazy, you see. + +Richly: +I'll talk to her in a way that will calm her down. + +Roger: +You! + +(Aside) +All is lost. + +Richly: +You're making me very impatient. I absolutely want to speak to her, I +tell you. + +Roger: +Well, in that case--talk to her--because happily, here she comes. But +remember she's a basket case. + +Mrs. Prim: (entering) +Well, here's Mr. Richly returned, it seems. + +Roger: (low to Mrs. Prim) +Yes, Madam, indeed it is he--but he's lost his wits. His ship was +wrecked and he drank salt water. It turned his head. + +Mrs. Prim: +What a shame--the poor man! + +Roger: +If he happens by chance to accost you, he may say something odd. Don't +pay any attention. We're going to have him locked up. + +(To Richly) +If you speak to her, have a little patience with her weakness. Think +of her as a clock that's a bit cuckoo. + +Richly: +Leave her to me. + +Mrs. Prim: +There's something strange and distracted about his manner. + +Richly: +How her looks have changed. She has haggard eyes. + +Mrs. Prim: +Well--it's Mr. Richly. You've come back to England, eh? + +Richly: +Ready to render you my devoirs. + +Mrs. Prim: +I'm very distressed about the misfortune you've suffered. + +Richly: +I have to be patient. They say devils are occupying my house. But it +will be all right after we kick them out. They'll be worn out staying +there. + +Mrs. Prim: (aside) +Devils in his house! I'd better not contradict him, it might make him +worse. + +Richly: +I'd like, madam, to store some packages that I brought back with me in +your house. + +Mrs. Prim: (aside) +He doesn't realize that his ship was wrecked. What a pity. + +(Aloud) +I am at your service and my house is more yours than mine. + +Richly: +Oh, madam, I have no intention of abusing you of the condition you are +in. + +(To Roger) +But really, Roger, this woman is not as crazy as you said she was. + +Roger: +She has a few good moments--but it won't last. + +Richly: +Tell me, Mrs. Prim, have you always been as wise and as reasonable as +you are now? + +Mrs. Prim: +I don't think anybody, Mr. Richly, has ever seen me otherwise. + +Richly: +But it that's so your family shouldn't have you locked up. + +Mrs. Prim: +Locked up--me--have me locked up? + +Richly: (aside) +She's totally unaware of her illness. + +Mrs. Prim: +But if you are not ordinarily more crazy than at present, I think it's +very wrong you should be put away. + +Richly: +Me put away? + +(Aside) +Now she's out of whack; there it is, there it is. Let's change the +subject. + +(Aloud) +Well, is it that you're irritated about their selling your house? + +Mrs. Prim: +They sold my house? + +Richly: +At least it's better that my son bought it at a bargain price. + +Mrs. Prim: +My poor Mr. Richly. My house hasn't been sold, and it's not for sale. + +Richly: +There! There! Don't upset yourself, I promise you you will always have +your apartment--just as if you still owned it--and as if you were in +good mental health. + +Mrs. Prim: +What do you mean as if I was still in good mental health! Go away, +you're an old madman, an old madman who shouldn't be allowed out of +Bedlam--of Bedlam, my friend. + +Roger: (To Mrs. Prim) +Are you wise to fight with a wacko? + +Richly: +Oh, if that's your attitude, you can get out. The house belongs to me, +and I'll put my luggage there in spite of you. Just look at this crazy +old woman. + +Roger: (To Richly) +What are you getting in a rage for with a woman who has lost her mind? + +Mrs. Prim: +Just try. I'll be waiting for you. Back to your padded cell you +lunatic! Hurry and lock him up, he's becoming dangerous, I'm warning +you. + +(Exit Mrs. Prim in a huff) + +Roger: (aside) +I don't quite know how I am going to get out of this. + +Squire: (entering from the house) +What's all this hullabaloo? Beating on an honest man's door and +scandalizing the neighborhood? + +Richly: +Roger, what's going on? + +Roger: +The devils in your house are a little drunk. They frolic in the wine +cellar. + +Richly: +Some kind of swindle is afoot, I'm sure of it. + +Squire: +They say the master of this house has just returned from a long sea +voyage--would you be he by any chance? + +Richly: +Yes, sir, I am he. + +Squire: +I congratulate you, sir. That was a beautiful trip and a wonderful +lesson for a young man. You must know, sir, that your son has been +learning wonderful manners while you were gone. Really fine manners. +The boy is very generous. Doesn't resemble you at all. You are a +villain, sir. + +Richly: +Sir, sir! + +Roger: +These teasing devils are insolent. + +Richly: +You are a rogue. + +Squire: +We were very upset, very worried--full of concern over your return. In +your absence your son was ready to kill himself from malaise. In +truth, he disliked everything in life. He gave up all his vanities. +Everything that could attach him to this earth: wealth, furniture, +honors. This boy loves you so much it's unbelievable. + +Roger: +He would have died of worry during your absence if it hadn't been for +this honest gentleman. + +Richly: +He! How is it you're in my house, sir, if you please? + +Squire: +Don't you understand without my telling you? I've just drunk champagne +in the best company. He's still feasting which is the best way +possible for him to comfort himself in your absence. + +Richly: +This swindler will ruin me. I'm going in. + +Roger: +Stop! I will not allow you to enter. + +Richly: +I can't go in to my own house? + +Squire: +No. The company is not ready to receive you. + +Richly: +What do you mean? + +Squire: +It wouldn't be proper for a son who knows how to live and who has been +learning manners from me to receive his father in a house which has +nothing in it but the four walls. + +Richly: +What--four walls? My beautiful paintings which cost me three thousand +pounds--are they gone? + +Squire: +We got eighteen hundred for them. Not a bad sale. + +Richly: +Not a bad sale. Masterpieces like that. + +Squire: +Bah! The subject was lugubrious. The fall of Troy with a villainous +wooden horse that had neither mouth nor tail. We made a friend out of +the buyer. + +Richly: +Ah, gallowsbird. + +Squire: +Weren't there a couple of other paintings that represented something? + +Richly: +Oh, yes. They were originals by a master some think to be Leonardo-- +they represented the Rape of the Sabines. + +Squire: +Right. We got rid of them, too--because of delicacy of conscience. + +Richly: +Delicacy of conscience! + +Squire: +A wise, virtuous, religious man like Mr. Richly--and to have immodest +nude Sabine women about him--fie! Nudity is not for the young. + +(Reenter Mrs. Prim) + +Mrs. Prim: +Ah, truly, I have just been warned of some nice business, Mr. Richly. +They say your son is marrying my niece. + +Richly: +I don't know about your niece, but my son is a rogue, Mrs. Prim. + +Roger: +Yes, a rake who has led me astray and who has caused-- + +Squire: +Let's not complain about each other or speak ill of those who are not +present. One shouldn't condemn people without hearing them first. Pay +attention, if you please, Mr. Richly. You've got to look on the bright +side. If you are happy, the whole world will be happy. Besides, it's +not your fault. And you can't do anything about it but kick up a fuss. +If you are patient no one will laugh at you. + +Richly: +Go to the devil with your sophistries. But what do I see. They're +running off with my fifty thousand pounds. + +Mrs. Prim: +It's that bitch of a Lucy and my niece. + +Richly: +And my swindler son. + +(Enter Edward and the others) + +Edward: +Daddy, it's no longer necessary to abuse your credulity. All this has +been due to the zeal of Roger to keep you out of the house while I +married Belinda. I ask you to pardon my past behaviour. Bless this +marriage, I beg you. + +(Low) +Then you can have your fifty thousand back, and I promise to be better +in the future. + +Richly: +Ah, gallowsbird, do you mock me? + +Roger: +It's true, sir. + +Mrs. Prim: +Belinda is my niece--and if your son has married her, I'll give her a +dowry which will satisfy you. + +Richly: +Can you do that? Aren't you under restraint? + +Roger: +That was only my trick. + +Richly: +What the house--? + +Roger: +Part of the same thing. + +Richly: +What a misfortune! But if you will give me my money back, I've got +enough sense of humor to give my consent, if you want it. It's the +only way to prevent worse from happening. + +Squire: +Well, said. That pleases me. Shake, Mr. Richly--you're a brave man. I +want to drink with you. Let's go back in and have more to drink and +eat. You know it was a lucky thing you came just in time for the +wedding. + + +CURTAIN + + + +End of this Project Gutenberg etext of The Unforseen Return by +Jean-Francois Regnard, translated by Frank J. Morlock. diff --git a/old/unfor10.zip b/old/unfor10.zip Binary files differnew file mode 100644 index 0000000..acee3cb --- /dev/null +++ b/old/unfor10.zip |
