summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--4696.txt1262
-rw-r--r--4696.zipbin0 -> 21617 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/wtctl10.txt1254
-rw-r--r--old/wtctl10.zipbin0 -> 21509 bytes
7 files changed, 2532 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/4696.txt b/4696.txt
new file mode 100644
index 0000000..90df6e5
--- /dev/null
+++ b/4696.txt
@@ -0,0 +1,1262 @@
+The Project Gutenberg EBook of The Witch of Atlas, by Percy Bysshe Shelley
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Witch of Atlas
+
+Author: Percy Bysshe Shelley
+
+Posting Date: August 24, 2009 [EBook #4696]
+Release Date: November, 2003
+First Posted: March 3, 2002
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE WITCH OF ATLAS ***
+
+
+
+
+Produced by Sue Asscher
+
+
+
+
+
+
+
+
+
+The Witch of Atlas
+
+
+by
+
+Percy Bysshe Shelley
+
+
+
+
+
+ TO MARY
+ (ON HER OBJECTING TO THE FOLLOWING POEM, UPON THE
+ SCORE OF ITS CONTAINING NO HUMAN INTEREST).
+
+ 1.
+ How, my dear Mary,--are you critic-bitten
+ (For vipers kill, though dead) by some review,
+ That you condemn these verses I have written,
+ Because they tell no story, false or true?
+ What, though no mice are caught by a young kitten, _5
+ May it not leap and play as grown cats do,
+ Till its claws come? Prithee, for this one time,
+ Content thee with a visionary rhyme.
+
+ 2.
+ What hand would crush the silken-winged fly,
+ The youngest of inconstant April's minions, _10
+ Because it cannot climb the purest sky,
+ Where the swan sings, amid the sun's dominions?
+ Not thine. Thou knowest 'tis its doom to die,
+ When Day shall hide within her twilight pinions
+ The lucent eyes, and the eternal smile, _15
+ Serene as thine, which lent it life awhile.
+
+ 3.
+ To thy fair feet a winged Vision came,
+ Whose date should have been longer than a day,
+ And o'er thy head did beat its wings for fame,
+ And in thy sight its fading plumes display; _20
+ The watery bow burned in the evening flame.
+ But the shower fell, the swift Sun went his way--
+ And that is dead.--O, let me not believe
+ That anything of mine is fit to live!
+
+ 4.
+ Wordsworth informs us he was nineteen years _25
+ Considering and retouching Peter Bell;
+ Watering his laurels with the killing tears
+ Of slow, dull care, so that their roots to Hell
+ Might pierce, and their wide branches blot the spheres
+ Of Heaven, with dewy leaves and flowers; this well _30
+ May be, for Heaven and Earth conspire to foil
+ The over-busy gardener's blundering toil.
+
+ 5.
+ My Witch indeed is not so sweet a creature
+ As Ruth or Lucy, whom his graceful praise
+ Clothes for our grandsons--but she matches Peter, _35
+ Though he took nineteen years, and she three days
+ In dressing. Light the vest of flowing metre
+ She wears; he, proud as dandy with his stays,
+ Has hung upon his wiry limbs a dress
+ Like King Lear's 'looped and windowed raggedness.' _40
+
+ 6.
+ If you strip Peter, you will see a fellow
+ Scorched by Hell's hyperequatorial climate
+ Into a kind of a sulphureous yellow:
+ A lean mark, hardly fit to fling a rhyme at;
+ In shape a Scaramouch, in hue Othello. _45
+ If you unveil my Witch, no priest nor primate
+ Can shrive you of that sin,--if sin there be
+ In love, when it becomes idolatry.
+
+
+ THE WITCH OF ATLAS.
+
+ 1.
+ Before those cruel Twins, whom at one birth
+ Incestuous Change bore to her father Time, _50
+ Error and Truth, had hunted from the Earth
+ All those bright natures which adorned its prime,
+ And left us nothing to believe in, worth
+ The pains of putting into learned rhyme,
+ A lady-witch there lived on Atlas' mountain _55
+ Within a cavern, by a secret fountain.
+
+ 2.
+ Her mother was one of the Atlantides:
+ The all-beholding Sun had ne'er beholden
+ In his wide voyage o'er continents and seas
+ So fair a creature, as she lay enfolden _60
+ In the warm shadow of her loveliness;--
+ He kissed her with his beams, and made all golden
+ The chamber of gray rock in which she lay--
+ She, in that dream of joy, dissolved away.
+
+ 3.
+ 'Tis said, she first was changed into a vapour, _65
+ And then into a cloud, such clouds as flit,
+ Like splendour-winged moths about a taper,
+ Round the red west when the sun dies in it:
+ And then into a meteor, such as caper
+ On hill-tops when the moon is in a fit: _70
+ Then, into one of those mysterious stars
+ Which hide themselves between the Earth and Mars.
+
+ 4.
+ Ten times the Mother of the Months had bent
+ Her bow beside the folding-star, and bidden
+ With that bright sign the billows to indent _75
+ The sea-deserted sand--like children chidden,
+ At her command they ever came and went--
+ Since in that cave a dewy splendour hidden
+ Took shape and motion: with the living form
+ Of this embodied Power, the cave grew warm. _80
+
+ 5.
+ A lovely lady garmented in light
+ From her own beauty--deep her eyes, as are
+ Two openings of unfathomable night
+ Seen through a Temple's cloven roof--her hair
+ Dark--the dim brain whirls dizzy with delight. _85
+ Picturing her form; her soft smiles shone afar,
+ And her low voice was heard like love, and drew
+ All living things towards this wonder new.
+
+ 6.
+ And first the spotted cameleopard came,
+ And then the wise and fearless elephant; _90
+ Then the sly serpent, in the golden flame
+ Of his own volumes intervolved;--all gaunt
+ And sanguine beasts her gentle looks made tame.
+ They drank before her at her sacred fount;
+ And every beast of beating heart grew bold, _95
+ Such gentleness and power even to behold.
+
+ 7.
+ The brinded lioness led forth her young,
+ That she might teach them how they should forego
+ Their inborn thirst of death; the pard unstrung
+ His sinews at her feet, and sought to know _100
+ With looks whose motions spoke without a tongue
+ How he might be as gentle as the doe.
+ The magic circle of her voice and eyes
+ All savage natures did imparadise.
+
+ 8.
+ And old Silenus, shaking a green stick _105
+ Of lilies, and the wood-gods in a crew
+ Came, blithe, as in the olive copses thick
+ Cicadae are, drunk with the noonday dew:
+ And Dryope and Faunus followed quick,
+ Teasing the God to sing them something new; _110
+ Till in this cave they found the lady lone,
+ Sitting upon a seat of emerald stone.
+
+ 9.
+ And universal Pan, 'tis said, was there,
+ And though none saw him,--through the adamant
+ Of the deep mountains, through the trackless air, _115
+ And through those living spirits, like a want,
+ He passed out of his everlasting lair
+ Where the quick heart of the great world doth pant,
+ And felt that wondrous lady all alone,--
+ And she felt him, upon her emerald throne. _120
+
+ 10.
+ And every nymph of stream and spreading tree,
+ And every shepherdess of Ocean's flocks,
+ Who drives her white waves over the green sea,
+ And Ocean with the brine on his gray locks,
+ And quaint Priapus with his company, _125
+ All came, much wondering how the enwombed rocks
+ Could have brought forth so beautiful a birth;--
+ Her love subdued their wonder and their mirth.
+
+ 11.
+ The herdsmen and the mountain maidens came,
+ And the rude kings of pastoral Garamant-- _130
+ Their spirits shook within them, as a flame
+ Stirred by the air under a cavern gaunt:
+ Pigmies, and Polyphemes, by many a name,
+ Centaurs, and Satyrs, and such shapes as haunt
+ Wet clefts,--and lumps neither alive nor dead, _135
+ Dog-headed, bosom-eyed, and bird-footed.
+
+ 12.
+ For she was beautiful--her beauty made
+ The bright world dim, and everything beside
+ Seemed like the fleeting image of a shade:
+ No thought of living spirit could abide, _140
+ Which to her looks had ever been betrayed,
+ On any object in the world so wide,
+ On any hope within the circling skies,
+ But on her form, and in her inmost eyes.
+
+ 13.
+ Which when the lady knew, she took her spindle _145
+ And twined three threads of fleecy mist, and three
+ Long lines of light, such as the dawn may kindle
+ The clouds and waves and mountains with; and she
+ As many star-beams, ere their lamps could dwindle
+ In the belated moon, wound skilfully; _150
+ And with these threads a subtle veil she wove--
+ A shadow for the splendour of her love.
+
+ 14.
+ The deep recesses of her odorous dwelling
+ Were stored with magic treasures--sounds of air,
+ Which had the power all spirits of compelling, _155
+ Folded in cells of crystal silence there;
+ Such as we hear in youth, and think the feeling
+ Will never die--yet ere we are aware,
+ The feeling and the sound are fled and gone,
+ And the regret they leave remains alone. _160
+
+ 15.
+ And there lay Visions swift, and sweet, and quaint,
+ Each in its thin sheath, like a chrysalis,
+ Some eager to burst forth, some weak and faint
+ With the soft burthen of intensest bliss.
+ It was its work to bear to many a saint _165
+ Whose heart adores the shrine which holiest is,
+ Even Love's:--and others white, green, gray, and black,
+ And of all shapes--and each was at her beck.
+
+ 16.
+ And odours in a kind of aviary
+ Of ever-blooming Eden-trees she kept, _170
+ Clipped in a floating net, a love-sick Fairy
+ Had woven from dew-beams while the moon yet slept;
+ As bats at the wired window of a dairy,
+ They beat their vans; and each was an adept,
+ When loosed and missioned, making wings of winds, _175
+ To stir sweet thoughts or sad, in destined minds.
+
+ 17.
+ And liquors clear and sweet, whose healthful might
+ Could medicine the sick soul to happy sleep,
+ And change eternal death into a night
+ Of glorious dreams--or if eyes needs must weep, _180
+ Could make their tears all wonder and delight,
+ She in her crystal vials did closely keep:
+ If men could drink of those clear vials, 'tis said
+ The living were not envied of the dead.
+
+ 18.
+ Her cave was stored with scrolls of strange device, _185
+ The works of some Saturnian Archimage,
+ Which taught the expiations at whose price
+ Men from the Gods might win that happy age
+ Too lightly lost, redeeming native vice;
+ And which might quench the Earth-consuming rage _190
+ Of gold and blood--till men should live and move
+ Harmonious as the sacred stars above;
+
+ 19.
+ And how all things that seem untameable,
+ Not to be checked and not to be confined,
+ Obey the spells of Wisdom's wizard skill; _195
+ Time, earth, and fire--the ocean and the wind,
+ And all their shapes--and man's imperial will;
+ And other scrolls whose writings did unbind
+ The inmost lore of Love--let the profane
+ Tremble to ask what secrets they contain. _200
+
+ 20.
+ And wondrous works of substances unknown,
+ To which the enchantment of her father's power
+ Had changed those ragged blocks of savage stone,
+ Were heaped in the recesses of her bower;
+ Carved lamps and chalices, and vials which shone _205
+ In their own golden beams--each like a flower,
+ Out of whose depth a fire-fly shakes his light
+ Under a cypress in a starless night.
+
+ 21.
+ At first she lived alone in this wild home,
+ And her own thoughts were each a minister, _210
+ Clothing themselves, or with the ocean foam,
+ Or with the wind, or with the speed of fire,
+ To work whatever purposes might come
+ Into her mind; such power her mighty Sire
+ Had girt them with, whether to fly or run, _215
+ Through all the regions which he shines upon.
+
+ 22.
+ The Ocean-nymphs and Hamadryades,
+ Oreads and Naiads, with long weedy locks,
+ Offered to do her bidding through the seas,
+ Under the earth, and in the hollow rocks, _220
+ And far beneath the matted roots of trees,
+ And in the gnarled heart of stubborn oaks,
+ So they might live for ever in the light
+ Of her sweet presence--each a satellite.
+
+ 23.
+ 'This may not be,' the wizard maid replied; _225
+ 'The fountains where the Naiades bedew
+ Their shining hair, at length are drained and dried;
+ The solid oaks forget their strength, and strew
+ Their latest leaf upon the mountains wide;
+ The boundless ocean like a drop of dew _230
+ Will be consumed--the stubborn centre must
+ Be scattered, like a cloud of summer dust.
+
+ 24.
+ 'And ye with them will perish, one by one;--
+ If I must sigh to think that this shall be,
+ If I must weep when the surviving Sun _235
+ Shall smile on your decay--oh, ask not me
+ To love you till your little race is run;
+ I cannot die as ye must--over me
+ Your leaves shall glance--the streams in which ye dwell
+ Shall be my paths henceforth, and so--farewell!'-- _240
+
+ 25.
+ She spoke and wept:--the dark and azure well
+ Sparkled beneath the shower of her bright tears,
+ And every little circlet where they fell
+ Flung to the cavern-roof inconstant spheres
+ And intertangled lines of light:--a knell _245
+ Of sobbing voices came upon her ears
+ From those departing Forms, o'er the serene
+ Of the white streams and of the forest green.
+
+ 26.
+ All day the wizard lady sate aloof,
+ Spelling out scrolls of dread antiquity, _250
+ Under the cavern's fountain-lighted roof;
+ Or broidering the pictured poesy
+ Of some high tale upon her growing woof,
+ Which the sweet splendour of her smiles could dye
+ In hues outshining heaven--and ever she _255
+ Added some grace to the wrought poesy.
+
+ 27.
+ While on her hearth lay blazing many a piece
+ Of sandal wood, rare gums, and cinnamon;
+ Men scarcely know how beautiful fire is--
+ Each flame of it is as a precious stone _260
+ Dissolved in ever-moving light, and this
+ Belongs to each and all who gaze upon.
+ The Witch beheld it not, for in her hand
+ She held a woof that dimmed the burning brand.
+
+ 28.
+ This lady never slept, but lay in trance _265
+ All night within the fountain--as in sleep.
+ Its emerald crags glowed in her beauty's glance;
+ Through the green splendour of the water deep
+ She saw the constellations reel and dance
+ Like fire-flies--and withal did ever keep _270
+ The tenour of her contemplations calm,
+ With open eyes, closed feet, and folded palm.
+
+ 29.
+ And when the whirlwinds and the clouds descended
+ From the white pinnacles of that cold hill,
+ She passed at dewfall to a space extended, _275
+ Where in a lawn of flowering asphodel
+ Amid a wood of pines and cedars blended,
+ There yawned an inextinguishable well
+ Of crimson fire--full even to the brim,
+ And overflowing all the margin trim. _280
+
+ 30.
+ Within the which she lay when the fierce war
+ Of wintry winds shook that innocuous liquor
+ In many a mimic moon and bearded star
+ O'er woods and lawns;--the serpent heard it flicker
+ In sleep, and dreaming still, he crept afar-- _285
+ And when the windless snow descended thicker
+ Than autumn leaves, she watched it as it came
+ Melt on the surface of the level flame.
+
+ 31.
+ She had a boat, which some say Vulcan wrought
+ For Venus, as the chariot of her star; _290
+ But it was found too feeble to be fraught
+ With all the ardours in that sphere which are,
+ And so she sold it, and Apollo bought
+ And gave it to this daughter: from a car
+ Changed to the fairest and the lightest boat _295
+ Which ever upon mortal stream did float.
+
+ 32.
+ And others say, that, when but three hours old,
+ The first-born Love out of his cradle lept,
+ And clove dun Chaos with his wings of gold,
+ And like a horticultural adept, _300
+ Stole a strange seed, and wrapped it up in mould,
+ And sowed it in his mother's star, and kept
+ Watering it all the summer with sweet dew,
+ And with his wings fanning it as it grew.
+
+ 33.
+ The plant grew strong and green, the snowy flower _305
+ Fell, and the long and gourd-like fruit began
+ To turn the light and dew by inward power
+ To its own substance; woven tracery ran
+ Of light firm texture, ribbed and branching, o'er
+ The solid rind, like a leaf's veined fan-- _310
+ Of which Love scooped this boat--and with soft motion
+ Piloted it round the circumfluous ocean.
+
+ 34.
+ This boat she moored upon her fount, and lit
+ A living spirit within all its frame,
+ Breathing the soul of swiftness into it. _315
+ Couched on the fountain like a panther tame,
+ One of the twain at Evan's feet that sit--
+ Or as on Vesta's sceptre a swift flame--
+ Or on blind Homer's heart a winged thought,--
+ In joyous expectation lay the boat. _320
+
+ 35.
+ Then by strange art she kneaded fire and snow
+ Together, tempering the repugnant mass
+ With liquid love--all things together grow
+ Through which the harmony of love can pass;
+ And a fair Shape out of her hands did flow-- _325
+ A living Image, which did far surpass
+ In beauty that bright shape of vital stone
+ Which drew the heart out of Pygmalion.
+
+ 36.
+ A sexless thing it was, and in its growth
+ It seemed to have developed no defect _330
+ Of either sex, yet all the grace of both,--
+ In gentleness and strength its limbs were decked;
+ The bosom swelled lightly with its full youth,
+ The countenance was such as might select
+ Some artist that his skill should never die, _335
+ Imaging forth such perfect purity.
+
+ 37.
+ From its smooth shoulders hung two rapid wings,
+ Fit to have borne it to the seventh sphere,
+ Tipped with the speed of liquid lightenings,
+ Dyed in the ardours of the atmosphere: _340
+ She led her creature to the boiling springs
+ Where the light boat was moored, and said: 'Sit here!'
+ And pointed to the prow, and took her seat
+ Beside the rudder, with opposing feet.
+
+ 38.
+ And down the streams which clove those mountains vast, _345
+ Around their inland islets, and amid
+ The panther-peopled forests whose shade cast
+ Darkness and odours, and a pleasure hid
+ In melancholy gloom, the pinnace passed;
+ By many a star-surrounded pyramid _350
+ Of icy crag cleaving the purple sky,
+ And caverns yawning round unfathomably.
+
+ 39.
+ The silver noon into that winding dell,
+ With slanted gleam athwart the forest tops,
+ Tempered like golden evening, feebly fell; _355
+ A green and glowing light, like that which drops
+ From folded lilies in which glow-worms dwell,
+ When Earth over her face Night's mantle wraps;
+ Between the severed mountains lay on high,
+ Over the stream, a narrow rift of sky. _360
+
+ 40.
+ And ever as she went, the Image lay
+ With folded wings and unawakened eyes;
+ And o'er its gentle countenance did play
+ The busy dreams, as thick as summer flies,
+ Chasing the rapid smiles that would not stay, _365
+ And drinking the warm tears, and the sweet sighs
+ Inhaling, which, with busy murmur vain,
+ They had aroused from that full heart and brain.
+
+ 41.
+ And ever down the prone vale, like a cloud
+ Upon a stream of wind, the pinnace went: _370
+ Now lingering on the pools, in which abode
+ The calm and darkness of the deep content
+ In which they paused; now o'er the shallow road
+ Of white and dancing waters, all besprent
+ With sand and polished pebbles:--mortal boat _375
+ In such a shallow rapid could not float.
+
+ 42.
+ And down the earthquaking cataracts which shiver
+ Their snow-like waters into golden air,
+ Or under chasms unfathomable ever
+ Sepulchre them, till in their rage they tear _380
+ A subterranean portal for the river,
+ It fled--the circling sunbows did upbear
+ Its fall down the hoar precipice of spray,
+ Lighting it far upon its lampless way.
+
+ 43.
+ And when the wizard lady would ascend _385
+ The labyrinths of some many-winding vale,
+ Which to the inmost mountain upward tend--
+ She called 'Hermaphroditus!'--and the pale
+ And heavy hue which slumber could extend
+ Over its lips and eyes, as on the gale _390
+ A rapid shadow from a slope of grass,
+ Into the darkness of the stream did pass.
+
+ 44.
+ And it unfurled its heaven-coloured pinions,
+ With stars of fire spotting the stream below;
+ And from above into the Sun's dominions _395
+ Flinging a glory, like the golden glow
+ In which Spring clothes her emerald-winged minions,
+ All interwoven with fine feathery snow
+ And moonlight splendour of intensest rime,
+ With which frost paints the pines in winter time. _400
+
+ 45.
+ And then it winnowed the Elysian air
+ Which ever hung about that lady bright,
+ With its aethereal vans--and speeding there,
+ Like a star up the torrent of the night,
+ Or a swift eagle in the morning glare _405
+ Breasting the whirlwind with impetuous flight,
+ The pinnace, oared by those enchanted wings,
+ Clove the fierce streams towards their upper springs.
+
+ 46.
+ The water flashed, like sunlight by the prow
+ Of a noon-wandering meteor flung to Heaven; _410
+ The still air seemed as if its waves did flow
+ In tempest down the mountains; loosely driven
+ The lady's radiant hair streamed to and fro:
+ Beneath, the billows having vainly striven
+ Indignant and impetuous, roared to feel _415
+ The swift and steady motion of the keel.
+
+ 47.
+ Or, when the weary moon was in the wane,
+ Or in the noon of interlunar night,
+ The lady-witch in visions could not chain
+ Her spirit; but sailed forth under the light _420
+ Of shooting stars, and bade extend amain
+ Its storm-outspeeding wings, the Hermaphrodite;
+ She to the Austral waters took her way,
+ Beyond the fabulous Thamondocana,--
+
+ 48.
+ Where, like a meadow which no scythe has shaven, _425
+ Which rain could never bend, or whirl-blast shake,
+ With the Antarctic constellations paven,
+ Canopus and his crew, lay the Austral lake--
+ There she would build herself a windless haven
+ Out of the clouds whose moving turrets make _430
+ The bastions of the storm, when through the sky
+ The spirits of the tempest thundered by:
+
+ 49.
+ A haven beneath whose translucent floor
+ The tremulous stars sparkled unfathomably,
+ And around which the solid vapours hoar, _435
+ Based on the level waters, to the sky
+ Lifted their dreadful crags, and like a shore
+ Of wintry mountains, inaccessibly
+ Hemmed in with rifts and precipices gray,
+ And hanging crags, many a cove and bay. _440
+
+ 50.
+ And whilst the outer lake beneath the lash
+ Of the wind's scourge, foamed like a wounded thing,
+ And the incessant hail with stony clash
+ Ploughed up the waters, and the flagging wing
+ Of the roused cormorant in the lightning flash _445
+ Looked like the wreck of some wind-wandering
+ Fragment of inky thunder-smoke--this haven
+ Was as a gem to copy Heaven engraven,--
+
+ 51.
+ On which that lady played her many pranks,
+ Circling the image of a shooting star, _450
+ Even as a tiger on Hydaspes' banks
+ Outspeeds the antelopes which speediest are,
+ In her light boat; and many quips and cranks
+ She played upon the water, till the car
+ Of the late moon, like a sick matron wan, _455
+ To journey from the misty east began.
+
+ 52.
+ And then she called out of the hollow turrets
+ Of those high clouds, white, golden and vermilion,
+ The armies of her ministering spirits--
+ In mighty legions, million after million, _460
+ They came, each troop emblazoning its merits
+ On meteor flags; and many a proud pavilion
+ Of the intertexture of the atmosphere
+ They pitched upon the plain of the calm mere.
+
+ 53.
+ They framed the imperial tent of their great Queen _465
+ Of woven exhalations, underlaid
+ With lambent lightning-fire, as may be seen
+ A dome of thin and open ivory inlaid
+ With crimson silk--cressets from the serene
+ Hung there, and on the water for her tread _470
+ A tapestry of fleece-like mist was strewn,
+ Dyed in the beams of the ascending moon.
+
+ 54.
+ And on a throne o'erlaid with starlight, caught
+ Upon those wandering isles of aery dew,
+ Which highest shoals of mountain shipwreck not, _475
+ She sate, and heard all that had happened new
+ Between the earth and moon, since they had brought
+ The last intelligence--and now she grew
+ Pale as that moon, lost in the watery night--
+ And now she wept, and now she laughed outright. _480
+
+ 55.
+ These were tame pleasures; she would often climb
+ The steepest ladder of the crudded rack
+ Up to some beaked cape of cloud sublime,
+ And like Arion on the dolphin's back
+ Ride singing through the shoreless air;--oft-time _485
+ Following the serpent lightning's winding track,
+ She ran upon the platforms of the wind,
+ And laughed to hear the fire-balls roar behind.
+
+ 56.
+ And sometimes to those streams of upper air
+ Which whirl the earth in its diurnal round, _490
+ She would ascend, and win the spirits there
+ To let her join their chorus. Mortals found
+ That on those days the sky was calm and fair,
+ And mystic snatches of harmonious sound
+ Wandered upon the earth where'er she passed, _495
+ And happy thoughts of hope, too sweet to last.
+
+ 57.
+ But her choice sport was, in the hours of sleep,
+ To glide adown old Nilus, where he threads
+ Egypt and Aethiopia, from the steep
+ Of utmost Axume, until he spreads, _500
+ Like a calm flock of silver-fleeced sheep,
+ His waters on the plain: and crested heads
+ Of cities and proud temples gleam amid,
+ And many a vapour-belted pyramid.
+
+ 58.
+ By Moeris and the Mareotid lakes, _505
+ Strewn with faint blooms like bridal chamber floors,
+ Where naked boys bridling tame water-snakes,
+ Or charioteering ghastly alligators,
+ Had left on the sweet waters mighty wakes
+ Of those huge forms--within the brazen doors _510
+ Of the great Labyrinth slept both boy and beast,
+ Tired with the pomp of their Osirian feast.
+
+ 59.
+ And where within the surface of the river
+ The shadows of the massy temples lie,
+ And never are erased--but tremble ever _515
+ Like things which every cloud can doom to die,
+ Through lotus-paven canals, and wheresoever
+ The works of man pierced that serenest sky
+ With tombs, and towers, and fanes, 'twas her delight
+ To wander in the shadow of the night. _520
+
+ 60.
+ With motion like the spirit of that wind
+ Whose soft step deepens slumber, her light feet
+ Passed through the peopled haunts of humankind.
+ Scattering sweet visions from her presence sweet,
+ Through fane, and palace-court, and labyrinth mined _525
+ With many a dark and subterranean street
+ Under the Nile, through chambers high and deep
+ She passed, observing mortals in their sleep.
+
+ 61.
+ A pleasure sweet doubtless it was to see
+ Mortals subdued in all the shapes of sleep. _530
+ Here lay two sister twins in infancy;
+ There, a lone youth who in his dreams did weep;
+ Within, two lovers linked innocently
+ In their loose locks which over both did creep
+ Like ivy from one stem;--and there lay calm _535
+ Old age with snow-bright hair and folded palm.
+
+ 62.
+ But other troubled forms of sleep she saw,
+ Not to be mirrored in a holy song--
+ Distortions foul of supernatural awe,
+ And pale imaginings of visioned wrong; _540
+ And all the code of Custom's lawless law
+ Written upon the brows of old and young:
+ 'This,' said the wizard maiden, 'is the strife
+ Which stirs the liquid surface of man's life.'
+
+ 63.
+ And little did the sight disturb her soul.-- _545
+ We, the weak mariners of that wide lake
+ Where'er its shores extend or billows roll,
+ Our course unpiloted and starless make
+ O'er its wild surface to an unknown goal:--
+ But she in the calm depths her way could take, _550
+ Where in bright bowers immortal forms abide
+ Beneath the weltering of the restless tide.
+
+ 64.
+ And she saw princes couched under the glow
+ Of sunlike gems; and round each temple-court
+ In dormitories ranged, row after row, _555
+ She saw the priests asleep--all of one sort--
+ For all were educated to be so.--
+ The peasants in their huts, and in the port
+ The sailors she saw cradled on the waves,
+ And the dead lulled within their dreamless graves. _560
+
+ 65.
+ And all the forms in which those spirits lay
+ Were to her sight like the diaphanous
+ Veils, in which those sweet ladies oft array
+ Their delicate limbs, who would conceal from us
+ Only their scorn of all concealment: they _565
+ Move in the light of their own beauty thus.
+ But these and all now lay with sleep upon them,
+ And little thought a Witch was looking on them.
+
+ 66.
+ She, all those human figures breathing there,
+ Beheld as living spirits--to her eyes _570
+ The naked beauty of the soul lay bare,
+ And often through a rude and worn disguise
+ She saw the inner form most bright and fair--
+ And then she had a charm of strange device,
+ Which, murmured on mute lips with tender tone, _575
+ Could make that spirit mingle with her own.
+
+ 67.
+ Alas! Aurora, what wouldst thou have given
+ For such a charm when Tithon became gray?
+ Or how much, Venus, of thy silver heaven
+ Wouldst thou have yielded, ere Proserpina _580
+ Had half (oh! why not all?) the debt forgiven
+ Which dear Adonis had been doomed to pay,
+ To any witch who would have taught you it?
+ The Heliad doth not know its value yet.
+
+ 68.
+ 'Tis said in after times her spirit free _585
+ Knew what love was, and felt itself alone--
+ But holy Dian could not chaster be
+ Before she stooped to kiss Endymion,
+ Than now this lady--like a sexless bee
+ Tasting all blossoms, and confined to none, _590
+ Among those mortal forms, the wizard-maiden
+ Passed with an eye serene and heart unladen.
+
+ 69.
+ To those she saw most beautiful, she gave
+ Strange panacea in a crystal bowl:--
+ They drank in their deep sleep of that sweet wave, _595
+ And lived thenceforward as if some control,
+ Mightier than life, were in them; and the grave
+ Of such, when death oppressed the weary soul,
+ Was as a green and overarching bower
+ Lit by the gems of many a starry flower. _600
+
+ 70.
+ For on the night when they were buried, she
+ Restored the embalmers' ruining, and shook
+ The light out of the funeral lamps, to be
+ A mimic day within that deathy nook;
+ And she unwound the woven imagery _605
+ Of second childhood's swaddling bands, and took
+ The coffin, its last cradle, from its niche,
+ And threw it with contempt into a ditch.
+
+ 71.
+ And there the body lay, age after age.
+ Mute, breathing, beating, warm, and undecaying, _610
+ Like one asleep in a green hermitage,
+ With gentle smiles about its eyelids playing,
+ And living in its dreams beyond the rage
+ Of death or life; while they were still arraying
+ In liveries ever new, the rapid, blind _615
+ And fleeting generations of mankind.
+
+ 72.
+ And she would write strange dreams upon the brain
+ Of those who were less beautiful, and make
+ All harsh and crooked purposes more vain
+ Than in the desert is the serpent's wake _620
+ Which the sand covers--all his evil gain
+ The miser in such dreams would rise and shake
+ Into a beggar's lap;--the lying scribe
+ Would his own lies betray without a bribe.
+
+ 73.
+ The priests would write an explanation full, _625
+ Translating hieroglyphics into Greek,
+ How the God Apis really was a bull,
+ And nothing more; and bid the herald stick
+ The same against the temple doors, and pull
+ The old cant down; they licensed all to speak _630
+ Whate'er they thought of hawks, and cats, and geese,
+ By pastoral letters to each diocese.
+
+ 74.
+ The king would dress an ape up in his crown
+ And robes, and seat him on his glorious seat,
+ And on the right hand of the sunlike throne _635
+ Would place a gaudy mock-bird to repeat
+ The chatterings of the monkey.--Every one
+ Of the prone courtiers crawled to kiss the feet
+ Of their great Emperor, when the morning came,
+ And kissed--alas, how many kiss the same! _640
+
+ 75.
+ The soldiers dreamed that they were blacksmiths, and
+ Walked out of quarters in somnambulism;
+ Round the red anvils you might see them stand
+ Like Cyclopses in Vulcan's sooty abysm,
+ Beating their swords to ploughshares;--in a band _645
+ The gaolers sent those of the liberal schism
+ Free through the streets of Memphis, much, I wis,
+ To the annoyance of king Amasis.
+
+ 76.
+ And timid lovers who had been so coy,
+ They hardly knew whether they loved or not, _650
+ Would rise out of their rest, and take sweet joy,
+ To the fulfilment of their inmost thought;
+ And when next day the maiden and the boy
+ Met one another, both, like sinners caught,
+ Blushed at the thing which each believed was done _655
+ Only in fancy--till the tenth moon shone;
+
+ 77.
+ And then the Witch would let them take no ill:
+ Of many thousand schemes which lovers find,
+ The Witch found one,--and so they took their fill
+ Of happiness in marriage warm and kind. _660
+ Friends who, by practice of some envious skill,
+ Were torn apart--a wide wound, mind from mind!--
+ She did unite again with visions clear
+ Of deep affection and of truth sincere.
+
+ 80.
+ These were the pranks she played among the cities _665
+ Of mortal men, and what she did to Sprites
+ And Gods, entangling them in her sweet ditties
+ To do her will, and show their subtle sleights,
+ I will declare another time; for it is
+ A tale more fit for the weird winter nights _670
+ Than for these garish summer days, when we
+ Scarcely believe much more than we can see.
+
+
+
+
+
+
+
+
+
+End of Project Gutenberg's The Witch of Atlas, by Percy Bysshe Shelley
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE WITCH OF ATLAS ***
+
+***** This file should be named 4696.txt or 4696.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/4/6/9/4696/
+
+Produced by Sue Asscher
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/4696.zip b/4696.zip
new file mode 100644
index 0000000..be6cfdf
--- /dev/null
+++ b/4696.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..126b9af
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #4696 (https://www.gutenberg.org/ebooks/4696)
diff --git a/old/wtctl10.txt b/old/wtctl10.txt
new file mode 100644
index 0000000..ebb45d5
--- /dev/null
+++ b/old/wtctl10.txt
@@ -0,0 +1,1254 @@
+The Project Gutenberg Etext of The Witch of Atlas, by Percy Bysshe Shelley
+#2 in our series by Percy Bysshe Shelley
+
+Copyright laws are changing all over the world. Be sure to check the
+copyright laws for your country before downloading or redistributing
+this or any other Project Gutenberg file.
+
+We encourage you to keep this file, exactly as it is, on your own disk,
+thereby keeping an electronic path open for future readers.
+
+Please do not remove this.
+
+This header should be the first thing seen when anyone starts to
+view the etext. Do not change or edit it without written permission.
+The words are carefully chosen to provide users with the information
+they need to understand what they may and may not do with the etext.
+To encourage this, we have moved most of the information to the end,
+rather than having it all here at the beginning.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*****These Etexts Were Prepared By Thousands of Volunteers!*****
+
+Information on contacting Project Gutenberg to get etexts, and
+further information, is included below. We need your donations.
+
+The Project Gutenberg Literary Archive Foundation is a 501(c)(3)
+organization with EIN [Employee Identification Number] 64-6221541
+Find out about how to make a donation at the bottom of this file.
+
+
+
+Title: The Witch of Atlas
+
+Author: Percy Bysshe Shelley
+
+Release Date: November, 2003 [Etext #4696]
+[Yes, we are more than one year ahead of schedule]
+[This file was first posted on March 3, 2002]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: ASCII
+
+The Project Gutenberg Etext of The Witch of Atlas, by Percy Bysshe Shelley
+***********This file should be named wtctl10.txt or wtctl10.zip***********
+
+Corrected EDITIONS of our etexts get a new NUMBER, wtctl11.txt
+VERSIONS based on separate sources get new LETTER, wtctl10a.txt
+
+Produced by Sue Asscher <asschers@dingoblue.net.au>
+
+
+Project Gutenberg Etexts are often created from several printed
+editions, all of which are confirmed as Public Domain in the US
+unless a copyright notice is included. Thus, we usually do not
+keep etexts in compliance with any particular paper edition.
+
+The "legal small print" and other information about this book
+may now be found at the end of this file. Please read this
+important information, as it gives you specific rights and
+tells you about restrictions in how the file may be used.
+
+
+
+
+
+
+
+
+
+
+
+ TO MARY
+ (ON HER OBJECTING TO THE FOLLOWING POEM, UPON THE
+ SCORE OF ITS CONTAINING NO HUMAN INTEREST).
+
+ 1.
+ How, my dear Mary,--are you critic-bitten
+ (For vipers kill, though dead) by some review,
+ That you condemn these verses I have written,
+ Because they tell no story, false or true?
+ What, though no mice are caught by a young kitten, _5
+ May it not leap and play as grown cats do,
+ Till its claws come? Prithee, for this one time,
+ Content thee with a visionary rhyme.
+
+ 2.
+ What hand would crush the silken-winged fly,
+ The youngest of inconstant April's minions, _10
+ Because it cannot climb the purest sky,
+ Where the swan sings, amid the sun's dominions?
+ Not thine. Thou knowest 'tis its doom to die,
+ When Day shall hide within her twilight pinions
+ The lucent eyes, and the eternal smile, _15
+ Serene as thine, which lent it life awhile.
+
+ 3.
+ To thy fair feet a winged Vision came,
+ Whose date should have been longer than a day,
+ And o'er thy head did beat its wings for fame,
+ And in thy sight its fading plumes display; _20
+ The watery bow burned in the evening flame.
+ But the shower fell, the swift Sun went his way--
+ And that is dead.--O, let me not believe
+ That anything of mine is fit to live!
+
+ 4.
+ Wordsworth informs us he was nineteen years _25
+ Considering and retouching Peter Bell;
+ Watering his laurels with the killing tears
+ Of slow, dull care, so that their roots to Hell
+ Might pierce, and their wide branches blot the spheres
+ Of Heaven, with dewy leaves and flowers; this well _30
+ May be, for Heaven and Earth conspire to foil
+ The over-busy gardener's blundering toil.
+
+ 5.
+ My Witch indeed is not so sweet a creature
+ As Ruth or Lucy, whom his graceful praise
+ Clothes for our grandsons--but she matches Peter, _35
+ Though he took nineteen years, and she three days
+ In dressing. Light the vest of flowing metre
+ She wears; he, proud as dandy with his stays,
+ Has hung upon his wiry limbs a dress
+ Like King Lear's 'looped and windowed raggedness.' _40
+
+ 6.
+ If you strip Peter, you will see a fellow
+ Scorched by Hell's hyperequatorial climate
+ Into a kind of a sulphureous yellow:
+ A lean mark, hardly fit to fling a rhyme at;
+ In shape a Scaramouch, in hue Othello. _45
+ If you unveil my Witch, no priest nor primate
+ Can shrive you of that sin,--if sin there be
+ In love, when it becomes idolatry.
+
+
+ THE WITCH OF ATLAS.
+
+ 1.
+ Before those cruel Twins, whom at one birth
+ Incestuous Change bore to her father Time, _50
+ Error and Truth, had hunted from the Earth
+ All those bright natures which adorned its prime,
+ And left us nothing to believe in, worth
+ The pains of putting into learned rhyme,
+ A lady-witch there lived on Atlas' mountain _55
+ Within a cavern, by a secret fountain.
+
+ 2.
+ Her mother was one of the Atlantides:
+ The all-beholding Sun had ne'er beholden
+ In his wide voyage o'er continents and seas
+ So fair a creature, as she lay enfolden _60
+ In the warm shadow of her loveliness;--
+ He kissed her with his beams, and made all golden
+ The chamber of gray rock in which she lay--
+ She, in that dream of joy, dissolved away.
+
+ 3.
+ 'Tis said, she first was changed into a vapour, _65
+ And then into a cloud, such clouds as flit,
+ Like splendour-winged moths about a taper,
+ Round the red west when the sun dies in it:
+ And then into a meteor, such as caper
+ On hill-tops when the moon is in a fit: _70
+ Then, into one of those mysterious stars
+ Which hide themselves between the Earth and Mars.
+
+ 4.
+ Ten times the Mother of the Months had bent
+ Her bow beside the folding-star, and bidden
+ With that bright sign the billows to indent _75
+ The sea-deserted sand--like children chidden,
+ At her command they ever came and went--
+ Since in that cave a dewy splendour hidden
+ Took shape and motion: with the living form
+ Of this embodied Power, the cave grew warm. _80
+
+ 5.
+ A lovely lady garmented in light
+ From her own beauty--deep her eyes, as are
+ Two openings of unfathomable night
+ Seen through a Temple's cloven roof--her hair
+ Dark--the dim brain whirls dizzy with delight. _85
+ Picturing her form; her soft smiles shone afar,
+ And her low voice was heard like love, and drew
+ All living things towards this wonder new.
+
+ 6.
+ And first the spotted cameleopard came,
+ And then the wise and fearless elephant; _90
+ Then the sly serpent, in the golden flame
+ Of his own volumes intervolved;--all gaunt
+ And sanguine beasts her gentle looks made tame.
+ They drank before her at her sacred fount;
+ And every beast of beating heart grew bold, _95
+ Such gentleness and power even to behold.
+
+ 7.
+ The brinded lioness led forth her young,
+ That she might teach them how they should forego
+ Their inborn thirst of death; the pard unstrung
+ His sinews at her feet, and sought to know _100
+ With looks whose motions spoke without a tongue
+ How he might be as gentle as the doe.
+ The magic circle of her voice and eyes
+ All savage natures did imparadise.
+
+ 8.
+ And old Silenus, shaking a green stick _105
+ Of lilies, and the wood-gods in a crew
+ Came, blithe, as in the olive copses thick
+ Cicadae are, drunk with the noonday dew:
+ And Dryope and Faunus followed quick,
+ Teasing the God to sing them something new; _110
+ Till in this cave they found the lady lone,
+ Sitting upon a seat of emerald stone.
+
+ 9.
+ And universal Pan, 'tis said, was there,
+ And though none saw him,--through the adamant
+ Of the deep mountains, through the trackless air, _115
+ And through those living spirits, like a want,
+ He passed out of his everlasting lair
+ Where the quick heart of the great world doth pant,
+ And felt that wondrous lady all alone,--
+ And she felt him, upon her emerald throne. _120
+
+ 10.
+ And every nymph of stream and spreading tree,
+ And every shepherdess of Ocean's flocks,
+ Who drives her white waves over the green sea,
+ And Ocean with the brine on his gray locks,
+ And quaint Priapus with his company, _125
+ All came, much wondering how the enwombed rocks
+ Could have brought forth so beautiful a birth;--
+ Her love subdued their wonder and their mirth.
+
+ 11.
+ The herdsmen and the mountain maidens came,
+ And the rude kings of pastoral Garamant-- _130
+ Their spirits shook within them, as a flame
+ Stirred by the air under a cavern gaunt:
+ Pigmies, and Polyphemes, by many a name,
+ Centaurs, and Satyrs, and such shapes as haunt
+ Wet clefts,--and lumps neither alive nor dead, _135
+ Dog-headed, bosom-eyed, and bird-footed.
+
+ 12.
+ For she was beautiful--her beauty made
+ The bright world dim, and everything beside
+ Seemed like the fleeting image of a shade:
+ No thought of living spirit could abide, _140
+ Which to her looks had ever been betrayed,
+ On any object in the world so wide,
+ On any hope within the circling skies,
+ But on her form, and in her inmost eyes.
+
+ 13.
+ Which when the lady knew, she took her spindle _145
+ And twined three threads of fleecy mist, and three
+ Long lines of light, such as the dawn may kindle
+ The clouds and waves and mountains with; and she
+ As many star-beams, ere their lamps could dwindle
+ In the belated moon, wound skilfully; _150
+ And with these threads a subtle veil she wove--
+ A shadow for the splendour of her love.
+
+ 14.
+ The deep recesses of her odorous dwelling
+ Were stored with magic treasures--sounds of air,
+ Which had the power all spirits of compelling, _155
+ Folded in cells of crystal silence there;
+ Such as we hear in youth, and think the feeling
+ Will never die--yet ere we are aware,
+ The feeling and the sound are fled and gone,
+ And the regret they leave remains alone. _160
+
+ 15.
+ And there lay Visions swift, and sweet, and quaint,
+ Each in its thin sheath, like a chrysalis,
+ Some eager to burst forth, some weak and faint
+ With the soft burthen of intensest bliss.
+ It was its work to bear to many a saint _165
+ Whose heart adores the shrine which holiest is,
+ Even Love's:--and others white, green, gray, and black,
+ And of all shapes--and each was at her beck.
+
+ 16.
+ And odours in a kind of aviary
+ Of ever-blooming Eden-trees she kept, _170
+ Clipped in a floating net, a love-sick Fairy
+ Had woven from dew-beams while the moon yet slept;
+ As bats at the wired window of a dairy,
+ They beat their vans; and each was an adept,
+ When loosed and missioned, making wings of winds, _175
+ To stir sweet thoughts or sad, in destined minds.
+
+ 17.
+ And liquors clear and sweet, whose healthful might
+ Could medicine the sick soul to happy sleep,
+ And change eternal death into a night
+ Of glorious dreams--or if eyes needs must weep, _180
+ Could make their tears all wonder and delight,
+ She in her crystal vials did closely keep:
+ If men could drink of those clear vials, 'tis said
+ The living were not envied of the dead.
+
+ 18.
+ Her cave was stored with scrolls of strange device, _185
+ The works of some Saturnian Archimage,
+ Which taught the expiations at whose price
+ Men from the Gods might win that happy age
+ Too lightly lost, redeeming native vice;
+ And which might quench the Earth-consuming rage _190
+ Of gold and blood--till men should live and move
+ Harmonious as the sacred stars above;
+
+ 19.
+ And how all things that seem untameable,
+ Not to be checked and not to be confined,
+ Obey the spells of Wisdom's wizard skill; _195
+ Time, earth, and fire--the ocean and the wind,
+ And all their shapes--and man's imperial will;
+ And other scrolls whose writings did unbind
+ The inmost lore of Love--let the profane
+ Tremble to ask what secrets they contain. _200
+
+ 20.
+ And wondrous works of substances unknown,
+ To which the enchantment of her father's power
+ Had changed those ragged blocks of savage stone,
+ Were heaped in the recesses of her bower;
+ Carved lamps and chalices, and vials which shone _205
+ In their own golden beams--each like a flower,
+ Out of whose depth a fire-fly shakes his light
+ Under a cypress in a starless night.
+
+ 21.
+ At first she lived alone in this wild home,
+ And her own thoughts were each a minister, _210
+ Clothing themselves, or with the ocean foam,
+ Or with the wind, or with the speed of fire,
+ To work whatever purposes might come
+ Into her mind; such power her mighty Sire
+ Had girt them with, whether to fly or run, _215
+ Through all the regions which he shines upon.
+
+ 22.
+ The Ocean-nymphs and Hamadryades,
+ Oreads and Naiads, with long weedy locks,
+ Offered to do her bidding through the seas,
+ Under the earth, and in the hollow rocks, _220
+ And far beneath the matted roots of trees,
+ And in the gnarled heart of stubborn oaks,
+ So they might live for ever in the light
+ Of her sweet presence--each a satellite.
+
+ 23.
+ 'This may not be,' the wizard maid replied; _225
+ 'The fountains where the Naiades bedew
+ Their shining hair, at length are drained and dried;
+ The solid oaks forget their strength, and strew
+ Their latest leaf upon the mountains wide;
+ The boundless ocean like a drop of dew _230
+ Will be consumed--the stubborn centre must
+ Be scattered, like a cloud of summer dust.
+
+ 24.
+ 'And ye with them will perish, one by one;--
+ If I must sigh to think that this shall be,
+ If I must weep when the surviving Sun _235
+ Shall smile on your decay--oh, ask not me
+ To love you till your little race is run;
+ I cannot die as ye must--over me
+ Your leaves shall glance--the streams in which ye dwell
+ Shall be my paths henceforth, and so--farewell!'-- _240
+
+ 25.
+ She spoke and wept:--the dark and azure well
+ Sparkled beneath the shower of her bright tears,
+ And every little circlet where they fell
+ Flung to the cavern-roof inconstant spheres
+ And intertangled lines of light:--a knell _245
+ Of sobbing voices came upon her ears
+ From those departing Forms, o'er the serene
+ Of the white streams and of the forest green.
+
+ 26.
+ All day the wizard lady sate aloof,
+ Spelling out scrolls of dread antiquity, _250
+ Under the cavern's fountain-lighted roof;
+ Or broidering the pictured poesy
+ Of some high tale upon her growing woof,
+ Which the sweet splendour of her smiles could dye
+ In hues outshining heaven--and ever she _255
+ Added some grace to the wrought poesy.
+
+ 27.
+ While on her hearth lay blazing many a piece
+ Of sandal wood, rare gums, and cinnamon;
+ Men scarcely know how beautiful fire is--
+ Each flame of it is as a precious stone _260
+ Dissolved in ever-moving light, and this
+ Belongs to each and all who gaze upon.
+ The Witch beheld it not, for in her hand
+ She held a woof that dimmed the burning brand.
+
+ 28.
+ This lady never slept, but lay in trance _265
+ All night within the fountain--as in sleep.
+ Its emerald crags glowed in her beauty's glance;
+ Through the green splendour of the water deep
+ She saw the constellations reel and dance
+ Like fire-flies--and withal did ever keep _270
+ The tenour of her contemplations calm,
+ With open eyes, closed feet, and folded palm.
+
+ 29.
+ And when the whirlwinds and the clouds descended
+ From the white pinnacles of that cold hill,
+ She passed at dewfall to a space extended, _275
+ Where in a lawn of flowering asphodel
+ Amid a wood of pines and cedars blended,
+ There yawned an inextinguishable well
+ Of crimson fire--full even to the brim,
+ And overflowing all the margin trim. _280
+
+ 30.
+ Within the which she lay when the fierce war
+ Of wintry winds shook that innocuous liquor
+ In many a mimic moon and bearded star
+ O'er woods and lawns;--the serpent heard it flicker
+ In sleep, and dreaming still, he crept afar-- _285
+ And when the windless snow descended thicker
+ Than autumn leaves, she watched it as it came
+ Melt on the surface of the level flame.
+
+ 31.
+ She had a boat, which some say Vulcan wrought
+ For Venus, as the chariot of her star; _290
+ But it was found too feeble to be fraught
+ With all the ardours in that sphere which are,
+ And so she sold it, and Apollo bought
+ And gave it to this daughter: from a car
+ Changed to the fairest and the lightest boat _295
+ Which ever upon mortal stream did float.
+
+ 32.
+ And others say, that, when but three hours old,
+ The first-born Love out of his cradle lept,
+ And clove dun Chaos with his wings of gold,
+ And like a horticultural adept, _300
+ Stole a strange seed, and wrapped it up in mould,
+ And sowed it in his mother's star, and kept
+ Watering it all the summer with sweet dew,
+ And with his wings fanning it as it grew.
+
+ 33.
+ The plant grew strong and green, the snowy flower _305
+ Fell, and the long and gourd-like fruit began
+ To turn the light and dew by inward power
+ To its own substance; woven tracery ran
+ Of light firm texture, ribbed and branching, o'er
+ The solid rind, like a leaf's veined fan-- _310
+ Of which Love scooped this boat--and with soft motion
+ Piloted it round the circumfluous ocean.
+
+ 34.
+ This boat she moored upon her fount, and lit
+ A living spirit within all its frame,
+ Breathing the soul of swiftness into it. _315
+ Couched on the fountain like a panther tame,
+ One of the twain at Evan's feet that sit--
+ Or as on Vesta's sceptre a swift flame--
+ Or on blind Homer's heart a winged thought,--
+ In joyous expectation lay the boat. _320
+
+ 35.
+ Then by strange art she kneaded fire and snow
+ Together, tempering the repugnant mass
+ With liquid love--all things together grow
+ Through which the harmony of love can pass;
+ And a fair Shape out of her hands did flow-- _325
+ A living Image, which did far surpass
+ In beauty that bright shape of vital stone
+ Which drew the heart out of Pygmalion.
+
+ 36.
+ A sexless thing it was, and in its growth
+ It seemed to have developed no defect _330
+ Of either sex, yet all the grace of both,--
+ In gentleness and strength its limbs were decked;
+ The bosom swelled lightly with its full youth,
+ The countenance was such as might select
+ Some artist that his skill should never die, _335
+ Imaging forth such perfect purity.
+
+ 37.
+ From its smooth shoulders hung two rapid wings,
+ Fit to have borne it to the seventh sphere,
+ Tipped with the speed of liquid lightenings,
+ Dyed in the ardours of the atmosphere: _340
+ She led her creature to the boiling springs
+ Where the light boat was moored, and said: 'Sit here!'
+ And pointed to the prow, and took her seat
+ Beside the rudder, with opposing feet.
+
+ 38.
+ And down the streams which clove those mountains vast, _345
+ Around their inland islets, and amid
+ The panther-peopled forests whose shade cast
+ Darkness and odours, and a pleasure hid
+ In melancholy gloom, the pinnace passed;
+ By many a star-surrounded pyramid _350
+ Of icy crag cleaving the purple sky,
+ And caverns yawning round unfathomably.
+
+ 39.
+ The silver noon into that winding dell,
+ With slanted gleam athwart the forest tops,
+ Tempered like golden evening, feebly fell; _355
+ A green and glowing light, like that which drops
+ From folded lilies in which glow-worms dwell,
+ When Earth over her face Night's mantle wraps;
+ Between the severed mountains lay on high,
+ Over the stream, a narrow rift of sky. _360
+
+ 40.
+ And ever as she went, the Image lay
+ With folded wings and unawakened eyes;
+ And o'er its gentle countenance did play
+ The busy dreams, as thick as summer flies,
+ Chasing the rapid smiles that would not stay, _365
+ And drinking the warm tears, and the sweet sighs
+ Inhaling, which, with busy murmur vain,
+ They had aroused from that full heart and brain.
+
+ 41.
+ And ever down the prone vale, like a cloud
+ Upon a stream of wind, the pinnace went: _370
+ Now lingering on the pools, in which abode
+ The calm and darkness of the deep content
+ In which they paused; now o'er the shallow road
+ Of white and dancing waters, all besprent
+ With sand and polished pebbles:--mortal boat _375
+ In such a shallow rapid could not float.
+
+ 42.
+ And down the earthquaking cataracts which shiver
+ Their snow-like waters into golden air,
+ Or under chasms unfathomable ever
+ Sepulchre them, till in their rage they tear _380
+ A subterranean portal for the river,
+ It fled--the circling sunbows did upbear
+ Its fall down the hoar precipice of spray,
+ Lighting it far upon its lampless way.
+
+ 43.
+ And when the wizard lady would ascend _385
+ The labyrinths of some many-winding vale,
+ Which to the inmost mountain upward tend--
+ She called 'Hermaphroditus!'--and the pale
+ And heavy hue which slumber could extend
+ Over its lips and eyes, as on the gale _390
+ A rapid shadow from a slope of grass,
+ Into the darkness of the stream did pass.
+
+ 44.
+ And it unfurled its heaven-coloured pinions,
+ With stars of fire spotting the stream below;
+ And from above into the Sun's dominions _395
+ Flinging a glory, like the golden glow
+ In which Spring clothes her emerald-winged minions,
+ All interwoven with fine feathery snow
+ And moonlight splendour of intensest rime,
+ With which frost paints the pines in winter time. _400
+
+ 45.
+ And then it winnowed the Elysian air
+ Which ever hung about that lady bright,
+ With its aethereal vans--and speeding there,
+ Like a star up the torrent of the night,
+ Or a swift eagle in the morning glare _405
+ Breasting the whirlwind with impetuous flight,
+ The pinnace, oared by those enchanted wings,
+ Clove the fierce streams towards their upper springs.
+
+ 46.
+ The water flashed, like sunlight by the prow
+ Of a noon-wandering meteor flung to Heaven; _410
+ The still air seemed as if its waves did flow
+ In tempest down the mountains; loosely driven
+ The lady's radiant hair streamed to and fro:
+ Beneath, the billows having vainly striven
+ Indignant and impetuous, roared to feel _415
+ The swift and steady motion of the keel.
+
+ 47.
+ Or, when the weary moon was in the wane,
+ Or in the noon of interlunar night,
+ The lady-witch in visions could not chain
+ Her spirit; but sailed forth under the light _420
+ Of shooting stars, and bade extend amain
+ Its storm-outspeeding wings, the Hermaphrodite;
+ She to the Austral waters took her way,
+ Beyond the fabulous Thamondocana,--
+
+ 48.
+ Where, like a meadow which no scythe has shaven, _425
+ Which rain could never bend, or whirl-blast shake,
+ With the Antarctic constellations paven,
+ Canopus and his crew, lay the Austral lake--
+ There she would build herself a windless haven
+ Out of the clouds whose moving turrets make _430
+ The bastions of the storm, when through the sky
+ The spirits of the tempest thundered by:
+
+ 49.
+ A haven beneath whose translucent floor
+ The tremulous stars sparkled unfathomably,
+ And around which the solid vapours hoar, _435
+ Based on the level waters, to the sky
+ Lifted their dreadful crags, and like a shore
+ Of wintry mountains, inaccessibly
+ Hemmed in with rifts and precipices gray,
+ And hanging crags, many a cove and bay. _440
+
+ 50.
+ And whilst the outer lake beneath the lash
+ Of the wind's scourge, foamed like a wounded thing,
+ And the incessant hail with stony clash
+ Ploughed up the waters, and the flagging wing
+ Of the roused cormorant in the lightning flash _445
+ Looked like the wreck of some wind-wandering
+ Fragment of inky thunder-smoke--this haven
+ Was as a gem to copy Heaven engraven,--
+
+ 51.
+ On which that lady played her many pranks,
+ Circling the image of a shooting star, _450
+ Even as a tiger on Hydaspes' banks
+ Outspeeds the antelopes which speediest are,
+ In her light boat; and many quips and cranks
+ She played upon the water, till the car
+ Of the late moon, like a sick matron wan, _455
+ To journey from the misty east began.
+
+ 52.
+ And then she called out of the hollow turrets
+ Of those high clouds, white, golden and vermilion,
+ The armies of her ministering spirits--
+ In mighty legions, million after million, _460
+ They came, each troop emblazoning its merits
+ On meteor flags; and many a proud pavilion
+ Of the intertexture of the atmosphere
+ They pitched upon the plain of the calm mere.
+
+ 53.
+ They framed the imperial tent of their great Queen _465
+ Of woven exhalations, underlaid
+ With lambent lightning-fire, as may be seen
+ A dome of thin and open ivory inlaid
+ With crimson silk--cressets from the serene
+ Hung there, and on the water for her tread _470
+ A tapestry of fleece-like mist was strewn,
+ Dyed in the beams of the ascending moon.
+
+ 54.
+ And on a throne o'erlaid with starlight, caught
+ Upon those wandering isles of aery dew,
+ Which highest shoals of mountain shipwreck not, _475
+ She sate, and heard all that had happened new
+ Between the earth and moon, since they had brought
+ The last intelligence--and now she grew
+ Pale as that moon, lost in the watery night--
+ And now she wept, and now she laughed outright. _480
+
+ 55.
+ These were tame pleasures; she would often climb
+ The steepest ladder of the crudded rack
+ Up to some beaked cape of cloud sublime,
+ And like Arion on the dolphin's back
+ Ride singing through the shoreless air;--oft-time _485
+ Following the serpent lightning's winding track,
+ She ran upon the platforms of the wind,
+ And laughed to hear the fire-balls roar behind.
+
+ 56.
+ And sometimes to those streams of upper air
+ Which whirl the earth in its diurnal round, _490
+ She would ascend, and win the spirits there
+ To let her join their chorus. Mortals found
+ That on those days the sky was calm and fair,
+ And mystic snatches of harmonious sound
+ Wandered upon the earth where'er she passed, _495
+ And happy thoughts of hope, too sweet to last.
+
+ 57.
+ But her choice sport was, in the hours of sleep,
+ To glide adown old Nilus, where he threads
+ Egypt and Aethiopia, from the steep
+ Of utmost Axume, until he spreads, _500
+ Like a calm flock of silver-fleeced sheep,
+ His waters on the plain: and crested heads
+ Of cities and proud temples gleam amid,
+ And many a vapour-belted pyramid.
+
+ 58.
+ By Moeris and the Mareotid lakes, _505
+ Strewn with faint blooms like bridal chamber floors,
+ Where naked boys bridling tame water-snakes,
+ Or charioteering ghastly alligators,
+ Had left on the sweet waters mighty wakes
+ Of those huge forms--within the brazen doors _510
+ Of the great Labyrinth slept both boy and beast,
+ Tired with the pomp of their Osirian feast.
+
+ 59.
+ And where within the surface of the river
+ The shadows of the massy temples lie,
+ And never are erased--but tremble ever _515
+ Like things which every cloud can doom to die,
+ Through lotus-paven canals, and wheresoever
+ The works of man pierced that serenest sky
+ With tombs, and towers, and fanes, 'twas her delight
+ To wander in the shadow of the night. _520
+
+ 60.
+ With motion like the spirit of that wind
+ Whose soft step deepens slumber, her light feet
+ Passed through the peopled haunts of humankind.
+ Scattering sweet visions from her presence sweet,
+ Through fane, and palace-court, and labyrinth mined _525
+ With many a dark and subterranean street
+ Under the Nile, through chambers high and deep
+ She passed, observing mortals in their sleep.
+
+ 61.
+ A pleasure sweet doubtless it was to see
+ Mortals subdued in all the shapes of sleep. _530
+ Here lay two sister twins in infancy;
+ There, a lone youth who in his dreams did weep;
+ Within, two lovers linked innocently
+ In their loose locks which over both did creep
+ Like ivy from one stem;--and there lay calm _535
+ Old age with snow-bright hair and folded palm.
+
+ 62.
+ But other troubled forms of sleep she saw,
+ Not to be mirrored in a holy song--
+ Distortions foul of supernatural awe,
+ And pale imaginings of visioned wrong; _540
+ And all the code of Custom's lawless law
+ Written upon the brows of old and young:
+ 'This,' said the wizard maiden, 'is the strife
+ Which stirs the liquid surface of man's life.'
+
+ 63.
+ And little did the sight disturb her soul.-- _545
+ We, the weak mariners of that wide lake
+ Where'er its shores extend or billows roll,
+ Our course unpiloted and starless make
+ O'er its wild surface to an unknown goal:--
+ But she in the calm depths her way could take, _550
+ Where in bright bowers immortal forms abide
+ Beneath the weltering of the restless tide.
+
+ 64.
+ And she saw princes couched under the glow
+ Of sunlike gems; and round each temple-court
+ In dormitories ranged, row after row, _555
+ She saw the priests asleep--all of one sort--
+ For all were educated to be so.--
+ The peasants in their huts, and in the port
+ The sailors she saw cradled on the waves,
+ And the dead lulled within their dreamless graves. _560
+
+ 65.
+ And all the forms in which those spirits lay
+ Were to her sight like the diaphanous
+ Veils, in which those sweet ladies oft array
+ Their delicate limbs, who would conceal from us
+ Only their scorn of all concealment: they _565
+ Move in the light of their own beauty thus.
+ But these and all now lay with sleep upon them,
+ And little thought a Witch was looking on them.
+
+ 66.
+ She, all those human figures breathing there,
+ Beheld as living spirits--to her eyes _570
+ The naked beauty of the soul lay bare,
+ And often through a rude and worn disguise
+ She saw the inner form most bright and fair--
+ And then she had a charm of strange device,
+ Which, murmured on mute lips with tender tone, _575
+ Could make that spirit mingle with her own.
+
+ 67.
+ Alas! Aurora, what wouldst thou have given
+ For such a charm when Tithon became gray?
+ Or how much, Venus, of thy silver heaven
+ Wouldst thou have yielded, ere Proserpina _580
+ Had half (oh! why not all?) the debt forgiven
+ Which dear Adonis had been doomed to pay,
+ To any witch who would have taught you it?
+ The Heliad doth not know its value yet.
+
+ 68.
+ 'Tis said in after times her spirit free _585
+ Knew what love was, and felt itself alone--
+ But holy Dian could not chaster be
+ Before she stooped to kiss Endymion,
+ Than now this lady--like a sexless bee
+ Tasting all blossoms, and confined to none, _590
+ Among those mortal forms, the wizard-maiden
+ Passed with an eye serene and heart unladen.
+
+ 69.
+ To those she saw most beautiful, she gave
+ Strange panacea in a crystal bowl:--
+ They drank in their deep sleep of that sweet wave, _595
+ And lived thenceforward as if some control,
+ Mightier than life, were in them; and the grave
+ Of such, when death oppressed the weary soul,
+ Was as a green and overarching bower
+ Lit by the gems of many a starry flower. _600
+
+ 70.
+ For on the night when they were buried, she
+ Restored the embalmers' ruining, and shook
+ The light out of the funeral lamps, to be
+ A mimic day within that deathy nook;
+ And she unwound the woven imagery _605
+ Of second childhood's swaddling bands, and took
+ The coffin, its last cradle, from its niche,
+ And threw it with contempt into a ditch.
+
+ 71.
+ And there the body lay, age after age.
+ Mute, breathing, beating, warm, and undecaying, _610
+ Like one asleep in a green hermitage,
+ With gentle smiles about its eyelids playing,
+ And living in its dreams beyond the rage
+ Of death or life; while they were still arraying
+ In liveries ever new, the rapid, blind _615
+ And fleeting generations of mankind.
+
+ 72.
+ And she would write strange dreams upon the brain
+ Of those who were less beautiful, and make
+ All harsh and crooked purposes more vain
+ Than in the desert is the serpent's wake _620
+ Which the sand covers--all his evil gain
+ The miser in such dreams would rise and shake
+ Into a beggar's lap;--the lying scribe
+ Would his own lies betray without a bribe.
+
+ 73.
+ The priests would write an explanation full, _625
+ Translating hieroglyphics into Greek,
+ How the God Apis really was a bull,
+ And nothing more; and bid the herald stick
+ The same against the temple doors, and pull
+ The old cant down; they licensed all to speak _630
+ Whate'er they thought of hawks, and cats, and geese,
+ By pastoral letters to each diocese.
+
+ 74.
+ The king would dress an ape up in his crown
+ And robes, and seat him on his glorious seat,
+ And on the right hand of the sunlike throne _635
+ Would place a gaudy mock-bird to repeat
+ The chatterings of the monkey.--Every one
+ Of the prone courtiers crawled to kiss the feet
+ Of their great Emperor, when the morning came,
+ And kissed--alas, how many kiss the same! _640
+
+ 75.
+ The soldiers dreamed that they were blacksmiths, and
+ Walked out of quarters in somnambulism;
+ Round the red anvils you might see them stand
+ Like Cyclopses in Vulcan's sooty abysm,
+ Beating their swords to ploughshares;--in a band _645
+ The gaolers sent those of the liberal schism
+ Free through the streets of Memphis, much, I wis,
+ To the annoyance of king Amasis.
+
+ 76.
+ And timid lovers who had been so coy,
+ They hardly knew whether they loved or not, _650
+ Would rise out of their rest, and take sweet joy,
+ To the fulfilment of their inmost thought;
+ And when next day the maiden and the boy
+ Met one another, both, like sinners caught,
+ Blushed at the thing which each believed was done _655
+ Only in fancy--till the tenth moon shone;
+
+ 77.
+ And then the Witch would let them take no ill:
+ Of many thousand schemes which lovers find,
+ The Witch found one,--and so they took their fill
+ Of happiness in marriage warm and kind. _660
+ Friends who, by practice of some envious skill,
+ Were torn apart--a wide wound, mind from mind!--
+ She did unite again with visions clear
+ Of deep affection and of truth sincere.
+
+ 80.
+ These were the pranks she played among the cities _665
+ Of mortal men, and what she did to Sprites
+ And Gods, entangling them in her sweet ditties
+ To do her will, and show their subtle sleights,
+ I will declare another time; for it is
+ A tale more fit for the weird winter nights _670
+ Than for these garish summer days, when we
+ Scarcely believe much more than we can see.
+
+
+
+
+
+
+
+
+The Project Gutenberg Etext of The Witch of Atlas, by Percy Bysshe Shelley
+***********This file should be named wtctl10.txt or wtctl10.zip***********
+
+Corrected EDITIONS of our etexts get a new NUMBER, wtctl11.txt
+VERSIONS based on separate sources get new LETTER, wtctl10a.txt
+
+Produced by Sue Asscher <asschers@dingoblue.net.au>
+
+More information about this book is at the top of this file.
+
+We are now trying to release all our etexts one year in advance
+of the official release dates, leaving time for better editing.
+Please be encouraged to tell us about any error or corrections,
+even years after the official publication date.
+
+Please note neither this listing nor its contents are final til
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so.
+
+Most people start at our Web sites at:
+http://gutenberg.net or
+http://promo.net/pg
+
+These Web sites include award-winning information about Project
+Gutenberg, including how to donate, how to help produce our new
+etexts, and how to subscribe to our email newsletter (free!).
+
+
+Those of you who want to download any Etext before announcement
+can get to them as follows, and just download by date. This is
+also a good way to get them instantly upon announcement, as the
+indexes our cataloguers produce obviously take a while after an
+announcement goes out in the Project Gutenberg Newsletter.
+
+http://www.ibiblio.org/gutenberg/etext03 or
+ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03
+
+Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
+
+Just search by the first five letters of the filename you want,
+as it appears in our Newsletters.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any eBook selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. Our
+projected audience is one hundred million readers. If the value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour in 2002 as we release over 100 new text
+files per month: 1240 more eBooks in 2001 for a total of 4000+
+We are already on our way to trying for 2000 more eBooks in 2002
+If they reach just 1-2% of the world's population then the total
+will reach over half a trillion eBooks given away by year's end.
+
+The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
+This is ten thousand titles each to one hundred million readers,
+which is only about 4% of the present number of computer users.
+
+Here is the briefest record of our progress (* means estimated):
+
+eBooks Year Month
+
+ 1 1971 July
+ 10 1991 January
+ 100 1994 January
+ 1000 1997 August
+ 1500 1998 October
+ 2000 1999 December
+ 2500 2000 December
+ 3000 2001 November
+ 4000 2001 October/November
+ 6000 2002 December*
+ 9000 2003 November*
+10000 2004 January*
+
+
+The Project Gutenberg Literary Archive Foundation has been created
+to secure a future for Project Gutenberg into the next millennium.
+
+We need your donations more than ever!
+
+As of February, 2002, contributions are being solicited from people
+and organizations in: Alabama, Alaska, Arkansas, Connecticut,
+Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
+Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
+Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
+Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
+Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
+Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
+Virginia, Wisconsin, and Wyoming.
+
+We have filed in all 50 states now, but these are the only ones
+that have responded.
+
+As the requirements for other states are met, additions to this list
+will be made and fund raising will begin in the additional states.
+Please feel free to ask to check the status of your state.
+
+In answer to various questions we have received on this:
+
+We are constantly working on finishing the paperwork to legally
+request donations in all 50 states. If your state is not listed and
+you would like to know if we have added it since the list you have,
+just ask.
+
+While we cannot solicit donations from people in states where we are
+not yet registered, we know of no prohibition against accepting
+donations from donors in these states who approach us with an offer to
+donate.
+
+International donations are accepted, but we don't know ANYTHING about
+how to make them tax-deductible, or even if they CAN be made
+deductible, and don't have the staff to handle it even if there are
+ways.
+
+The most recent list of states, along with all methods for donations
+(including credit card donations and international donations), may be
+found online at http://www.gutenberg.net/donation.html
+
+Donations by check or money order may be sent to:
+
+Project Gutenberg Literary Archive Foundation
+PMB 113
+1739 University Ave.
+Oxford, MS 38655-4109
+
+Contact us if you want to arrange for a wire transfer or payment
+method other than by check or money order.
+
+
+The Project Gutenberg Literary Archive Foundation has been approved by
+the US Internal Revenue Service as a 501(c)(3) organization with EIN
+[Employee Identification Number] 64-622154. Donations are
+tax-deductible to the maximum extent permitted by law. As fund-raising
+requirements for other states are met, additions to this list will be
+made and fund-raising will begin in the additional states.
+
+We need your donations more than ever!
+
+You can get up to date donation information at:
+
+http://www.gutenberg.net/donation.html
+
+
+***
+
+If you can't reach Project Gutenberg,
+you can always email directly to:
+
+Michael S. Hart <hart@pobox.com>
+
+Prof. Hart will answer or forward your message.
+
+We would prefer to send you information by email.
+
+
+**The Legal Small Print**
+
+
+(Three Pages)
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you may distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-tm etexts,
+is a "public domain" work distributed by Professor Michael S. Hart
+through the Project Gutenberg Association (the "Project").
+Among other things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the "PROJECT GUTENBERG" trademark.
+
+Please do not use the "PROJECT GUTENBERG" trademark to market
+any commercial products without permission.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] Michael Hart and the Foundation (and any other party you may
+receive this etext from as a PROJECT GUTENBERG-tm etext) disclaims
+all liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold Michael Hart, the Foundation,
+and its trustees and agents, and any volunteers associated
+with the production and distribution of Project Gutenberg-tm
+texts harmless, from all liability, cost and expense, including
+legal fees, that arise directly or indirectly from any of the
+following that you do or cause: [1] distribution of this etext,
+[2] alteration, modification, or addition to the etext,
+or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word
+ processing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Foundation of 20% of the
+ gross profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Literary Archive Foundation"
+ the 60 days following each date you prepare (or were
+ legally required to prepare) your annual (or equivalent
+ periodic) tax return. Please contact us beforehand to
+ let us know your plans and to work out the details.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+Project Gutenberg is dedicated to increasing the number of
+public domain and licensed works that can be freely distributed
+in machine readable form.
+
+The Project gratefully accepts contributions of money, time,
+public domain materials, or royalty free copyright licenses.
+Money should be paid to the:
+"Project Gutenberg Literary Archive Foundation."
+
+If you are interested in contributing scanning equipment or
+software or other items, please contact Michael Hart at:
+hart@pobox.com
+
+[Portions of this header are copyright (C) 2001 by Michael S. Hart
+and may be reprinted only when these Etexts are free of all fees.]
+[Project Gutenberg is a TradeMark and may not be used in any sales
+of Project Gutenberg Etexts or other materials be they hardware or
+software or any other related product without express permission.]
+
+*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.10/04/01*END*
+
+End of Project Gutenberg's The Witch of Atlas, by Percy Bysshe Shelley
+
diff --git a/old/wtctl10.zip b/old/wtctl10.zip
new file mode 100644
index 0000000..53b284b
--- /dev/null
+++ b/old/wtctl10.zip
Binary files differ