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diff --git a/44981-0.txt b/44981-0.txt new file mode 100644 index 0000000..f09f03f --- /dev/null +++ b/44981-0.txt @@ -0,0 +1,2308 @@ +*** START OF THE PROJECT GUTENBERG EBOOK 44981 *** + +[Illustration: HARPER'S YOUNG PEOPLE +AN ILLUSTRATED WEEKLY.] + + * * * * * + +VOL. II.--NO. 71. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR +CENTS. + +Tuesday, March 8, 1881. Copyright, 1881, by HARPER & BROTHERS. $1.50 per +Year, in Advance. + + * * * * * + + + + +[Illustration: "SUGARING OFF."--DRAWN BY W. R. YEAGER.] + +FUN IN A SUGAR BUSH. + +BY WILLIAM O. STODDARD. + + +"Well, yes, Jerry," remarked Salina Meadows, "old Mr. Wire'll be glad to +have anybody come to see him that knows as much about sugar as you do." + +"It's all the hobby he's got," said her brother Phin. "He makes the best +maple sugar in all these parts. Whitest and cleanest. Biggest lot of it, +too." + +"I've heard him say," added Rush Potts, "that no man was ever too old to +learn. Glad we could bring you along." + +"There isn't much about sugar I don't know," replied Jerry Buntley, +modestly, with a pull at his dog-skin gloves to make them fit tighter. +"You just ought to see a real sugar plantation once." + +"I would like to," said Hannah Potts, all the red in her rosy face +coming to the surface to meet the wind that blew in her face from the +direction of old Mr. Wire's great forest on the hill-side. + +They were all cuddling down in Elder Meadows's great box sleigh, and +Phin Meadows was putting the sorrel span along the road in a way that +made their bells dance lively enough, for the March thaw had only just +begun, and the sleighing was capital. + +Jerry Buntley had told them more about sugar that day than they had ever +heard before. It was a great treat to be invited to a maple-sugaring at +old Mr. Wire's, and Jerry's country cousins were glad of having +something worth while to take with them by way of payment; that is, they +were glad to take Jerry. + +He was glad to go, and he talked sugar until every soul in the sleigh +thought he could taste candy, and Phin found himself comparing the color +of his sorrel team to that of the five pounds his mother sent back to +Barnes's grocery store, because, as she said, "She wasn't going to pay +any 'leven cents a pound for building sand." + +It was not many minutes before they pulled up in front of old Mr. Wire's +big rambling old farm-house, and there were Jim and Sally Wire coming +out to meet them. Old Mrs. Wire was in the doorway, and she looked +twenty years younger as soon as they had a look at her husband. Mainly +because the difference in their ages was a good deal more than that. + +Nobody knew how tall Mr. Wire would have been if he had stood up, but +the oldest old ladies around Lender's Mills village all said he'd had +that stoop in his shoulders ever since they'd known him. + +"My mother used to say," said Elder Meadows, "that old Wire's father was +a short, stocky man, and built his log-house to fit himself, and so when +his son got taller'n he was himself, he had to hold his head down, +'specially coming through the door." + +There he was now, and the visitors had not been in the house five +minutes before Salina Meadows told how much Jerry Buntley knew about +sugar. + +"His father sells tons of it, and his brother's a clerk in a sugar +store, and his uncle's a book-keeper in a sugar refinery in the city--" + +"Ten stories high!" put in Jerry, with a down look of modesty. + +"--and he's seen sugar plantations, and molasses factories, and where +they make all sorts of candy." + +"You don't say!" exclaimed Mrs. Wire. "I'm glad you fetched him along." + +"Wa'al, so'm I," said old Mr. Wire. "No man ain't ever too old to l'arn. +I've only been a-b'ilin' sap for a leetle risin' of fifty year, and I +don't know much. You're jest in time. The sun's lookin' down warm +to-day, and we was jest a-wantin' to set out for the bush." + +"It isn't the fur-away bush," said Mrs. Wire; "it's that there patch +nighest the house. The trees ain't been tapped this five year, and +they'll run the best kind." + +"There'll be more here by-and-by," said Sally Wire. "Don't take your +things off. We'll have a real good time." + +Old Mr. Wire took Jerry Buntley right along with him--under his wing, as +you might say. He asked him questions, too, and nobody could guess how +many times Jerry made him exclaim, "You don't say!" or, "Do tell, now, +is that so?" + +The forest had been left standing on all that hill-side for nothing else +in the world but sugar. It was not half an hour before the Wires and +their visitors were crunching over the crust among the trees, or +standing around the great fires that had been built and lit before they +came. Every fire had a great iron kettle on it, and every kettle was +bubbling for dear life, except when a dash of cold sap was ladled into +it from the barrel that stood under the nearest tree. + +"It's afternoon now," said Sally Wire. "I do hope the other folks'll get +here before it's too dark. But then we can have a good time at the house +in the evening." + +"Boys," said old Mr. Wire, "if you want to help, you jest take them two +auger bits and them spiles, and go and tap a fresh lot of trees over +there to the east'ard. Jim and I'll go round with the buckets." + +Wonderfully white and clean were all his buckets and shoulder-yokes, and +his wooden troughs that caught the sap as it dripped into them from the +ends of the wooden spiles he had driven into the trees he had tapped +already. There was plenty of work for him and his son, and so Jerry +Buntley and Phin Meadows and Rush Potts marched away to the east, while +the girls hung around the kettles, and tested the syrup, in every way +they knew how, to see if any of it had boiled long enough. + +"We'll have plenty to sugar off with in the house this evening," said +Sally Wire; "but we mustn't let any of it get burned." + +Jerry took possession of an auger and a bundle of spiles, and Phin took +the other auger, and Rush Potts said he'd just go along to learn how. + +"Catching cold are you, Phineas?" asked Jerry, as he began to work his +auger into a splendidly tall tree, and Phin and Rush both were seized +with a sudden fit of coughing, + +"Ugh, ugh, ugh--no--ugh--I guess not. Bore it deep, Jerry. Old man Wire +is particular about that." + +"Guess I know how to tap a tree," said Jerry. "The sun shines right on +this one, and the sap'll run well." + +"Ugh--ugh--ugh," coughed Rush Potts. "I guess I'll help Phin. He doesn't +know as much as you do." + +"I should say not," diffidently replied Jerry; but he had finished his +first tree quite skillfully, and now he went for his second with all the +zeal of a true sportsman. + +"Phineas," he shouted, a moment later, "when you come to a maple of this +kind, knock off the outer bark. It bores easier." + +"All right," replied Phin, with his mouth half full of his handkerchief. +But he added, in a lower voice: "Rush, stop rolling in the snow. He's +tapping a hickory this time." + +"T'other was an elm. Oh, if he isn't fun! What'll old man Wire say to +that?" + +"Keep still. Get up, can't you? I can't bore a hole worth a cent. Give +me a spile." + +Jerry was an enthusiastic sugar-maker, and his rapidity of work was a +credit to him. + +"Maple this time," said Phin, at the end of Jerry's next job. "But look +at what he's doing now." + +"Beech! There'll be more sugar 'n old Wire'll know what to do with." + +"We must pitch in, Rush. I want to be on hand when old Wire comes to see +if his spiles are set right. Maybe it'll kill him." + +"I've tapped pretty nearly two trees to their one," said Jerry to +himself, "but I won't boast of it. Here's a remarkably fine tree, right +in the sun. I hope they won't make any mistakes." + +With that he started his twist of steel into the yielding wood of one of +the noblest silver-birches in all that forest, and in a wonderfully +short time there was another spile fitted. Whether there would be any +need for Mr. Wire to put a sap trough under the end of that spile was +quite another question. + +The crust was thick, and bore very well, so that the girls had no +wading to do in going from one fire to another; and Jim Wire and his +father worked like beavers at emptying the sap troughs, and carrying in +the almost colorless, sweetish-tasting liquid their trees had yielded +them. + +"Now, Jim," said Mr. Wire at last, "we'd better take a lot of troughs +and follow them fellers. 'Twon't do to waste any sap." + +Phin and Rush saw them coming, and at once stopped work. So did Jerry +Buntley, for he had some suggestions to make about those spiles. It +seemed to him that some of them were bored too small for the quantity of +sap which was expected to run through them. + +He and the others came up just as the gray-headed old sugar-maker +stopped in front of Jerry's first tree, and they got there in time to +wink hard at Jim Wire. All three of them stepped around behind Jerry and +Mr. Wire. + +"You've sot that there spile in jest about right, Mr. Buntley," said Mr. +Wire, without changing a muscle of his wrinkled face; "but this kind of +maple don't give any sugar at this season of the year. It isn't a winter +maple; it's the kind we call an ellum." + +"Ah! Oh yes! Strange I didn't notice." + +"Doesn't yield anything but brown sugar--common brown sugar. It's all +right, though. I declar'!" + +He was looking at the shell-bark hickory now, and that specimen of +Jerry's work was a hard pull on his politeness. + +"Jim," he said, "put a trough under thar. It's a changin' world. Things +isn't what they used to be. Mebbe thar's sugar into hickory nowadays." + +"Hickory?" gasped Jerry. "That's a fact. I kind o' didn't look up to see +what it was." + +"And ye couldn't ha' told by the bark; of course not. I'd +say--now--there--well--exactly--nobody ain't never too old to l'arn. +Beech, bass-wood, ellum, black walnut, birch--if thar'd been a saxafrax, +he'd ha' gone and tapped it for root-beer." + +There was an explosion behind them just then, for the three other boys +gave it up the moment they saw it had been too much for old Mr. Wire. + +"Put troughs to all on 'em, Jim," said the latter, solemnly, recovering +himself. "Stop your ignorant, on-mannerly laughin'. Mr. Buntley, jest +you come back to the kittles, and tell me over ag'in what you was +a-sayin' about surrup." + +Jerry was beginning to understand the tree joke, but he could not see +why Phin Meadows should roll Rush Potts and Jim Wire over in the snow +the way he did, for he said to himself: + +"It's a mistake any man would make. One tree is just like another. I +wonder how Mr. Wire tells them apart? I think I will ask him before we +go to the house." + +So he did, and the old man answered him with cast-iron politeness that +he knew his trees, just as he did his dogs, by their bark. + +When the day in the sugar bush was over, however, and when, after +supper, the fun in the house began, with a round dozen more of country +boys and girls to keep it up, Jerry heard all sorts of things. The +syrup, carried in and boiled down in the kettles over the kitchen fire, +was cooled, on the snow, and every other way, into "hickory sugar," +"birch candy," "elm taffy," "beech twist," and all sorts of uncommon +sweetness, and Jerry overheard Mrs. Wire saying to Hannah Potts: + +"You don't say! Did he really tap 'em all? He looks as if he might know +suthin', too. Mebbe he was jokin'." + +All the rest were, except old Mr. Wire; and when the sorrel span was +brought out to take home the sleigh-load that came from Lender's Mills +village, he said to Jerry Buntley: + +"No man ain't never too old to l'arn, and it wasn't knowin' too much +made me stoop-shouldered. Thar's a heap o' sense in what you told me +about that new way of settlin' surrup." + +Nevertheless, Jim Wire went around the next morning and took away all +the troughs from under the trees which had not yielded any sap, and put +them where they were likely to do more good. + + + + +[Begun in No. 58 of HARPER'S YOUNG PEOPLE, December 7.] + +TOBY TYLER; + +OR, TEN WEEKS WITH A CIRCUS. + +BY JAMES OTIS. + +CHAPTER XIII. + +TOBY ATTEMPTS TO RESIGN HIS SITUATION. + + +At last it was possible for Toby to speak of his loss with some degree +of calmness, and then he immediately began to reckon up what he could +have done with the money if he had not lost it. + +"Now see here, Toby," said Ben, earnestly, "don't go to doin' anything +of that kind. The money's lost, an' you can't get it back by talkin'; so +the very best thing for you is to stop thinkin' what you could do if you +had it, an' just to look at it as a goner." + +"But--" persisted Toby. + +"I tell you there's no buts about it," said Ben, rather sharply. "Stop +talkin' about what's gone, an' just go to thinkin' how you'll get more. +Do what you've a mind to the monkey, but don't keep broodin' over what +you can't help." + +Toby knew that the advice was good, and he struggled manfully to carry +it into execution, but it was very hard work. At all events, there was +no sleep for his eyes that night, and when, just about daylight, the +train halted to wait a more seasonable hour in which to enter the town, +the thought of what he might have done with his lost money was still in +Toby's mind. + +Only once did he speak crossly to the monkey, and that was when he put +him into the cage preparatory to commencing his morning's work. Then he +said: + +"You wouldn't had to go into this place many times more if you hadn't +been so wicked; for by to-morrow night we'd been away from this circus, +an' on the way to home an' Uncle Dan'l. Now you've spoiled my chance an' +your own for a good while to come, an' I hope before the day is over +you'll feel as bad about it as I do." + +It seemed to Toby as if the monkey understood just what he said to him, +for he sneaked over into one corner, away from the other monkeys, and +sat there, looking very penitent and very dejected. + +Then, with a heavy heart, Toby began his day's work. + +Hard as had been Toby's lot previous to losing his money, and difficult +as it had been to bear the cruelty of Mr. Job Lord and his precious +partner Mr. Jacobs, it was doubly hard now while this sorrow was fresh +upon him. + +Previous to this, when he had been kicked or cursed by one or the other +of the partners, Toby thought exultantly that the time was not very far +distant when he should be beyond the reach of his brutal task-masters, +and that thought had given him strength to bear all that had been put +upon him. + +Now the time of his deliverance from this bondage seemed very far off, +and each cruel word or blow caused him the greater sorrow because of the +thought that but for the monkey's wickedness he would have been nearly +free from that which made his life so very miserable. + +If he had looked sad and mournful before, he looked doubly so now, as he +went his dreary round of the tent, crying, "Here's your cold lemonade," +or "Fresh-baked pea-nuts, ten cents a quart," and each day there were +some in the audience who pitied the boy because of the misery which +showed so plainly in his face, and they gave him a few cents more than +his price for what he was selling, or gave him money without buying +anything at all, thereby aiding him to lay up something again toward +making his escape. + +Those few belonging to the circus who knew of Toby's intention to escape +tried their best to console him for the loss of his money, and that +kind-hearted couple, the skeleton and his fat wife, tried to force him +to take a portion of their scanty earnings in the place of that which +the monkey had thrown away. But this Toby positively refused to do, and +to the arguments which they advanced as reasons why they should help him +along, he only replied that until he could get the money by his own +exertions he would remain with Messrs. Lord and Jacobs, and get along as +best he could. + +Every hour in the day the thought of what might have been if he had not +lost his money so haunted his mind, that, finally he resolved to make +one bold stroke, and tell Mr. Job Lord that he did not want to travel +with the circus any longer. + +As yet he had not received the two dollars which had been promised him +for his two weeks' work, and another one was nearly due. If he could get +this money, it might, with what he had saved again, suffice to pay his +railroad fare to Guilford, and if it would not, he resolved to accept +from the skeleton sufficient to make up the amount needed. + +He naturally shrank from the task; but the hope that he might possibly +succeed gave him the necessary amount of courage, and when he had gotten +his work done, on the third morning after he had lost his money, and Mr. +Lord appeared to be in an unusually good temper, he resolved to try the +plan. + +It was just before the dinner hour; trade had been unexceptionally good, +and Mr. Lord had even spoken in a pleasant tone to Toby when he told him +to fill up the lemonade pail with water, so that the stock might not be +disposed of too quickly, and with too little profit. + +Toby poured in quite as much water as he thought the already weak +mixture could receive and retain any flavor of lemon, and then, as his +employer motioned him to add more, he mixed another quart in, secretly +wondering what it would taste like. + +"When you're mixin' lemonade for circus trade," said Mr. Lord, in such a +benign, fatherly tone, that one would have found it difficult to believe +that he ever spoke harshly, "don't be afraid of water, for there's where +the profit comes in. Always have a piece of lemon-peel floatin' on the +top of every glass, an' it tastes just as good to people as if it cost +twice as much." + +Toby could not agree exactly with that opinion, neither did he think it +wise to disagree, more especially since he was going to ask the very +great favor of being discharged; therefore he nodded his head gravely, +and began to stir up what it pleased Mr. Lord to call lemonade, so that +the last addition might be more thoroughly mixed with the others. + +Two or three times he attempted to ask the favor which seemed such a +great one, and each time the words stuck in his throat, until it seemed +to him that he should never succeed in getting them out. + +Finally, in his despair, he stammered out: + +"Don't you think you could find another boy in this town, Mr. Lord?" + +Mr. Lord moved around sideways, in order to bring his crooked eye to +bear squarely on Toby, and then there was a long interval of silence, +during which time the boy's color rapidly came and went, and his heart +beat very fast with suspense and fear. + +"Well, what if I could?" he said at length. "Do you think that trade is +so good I could afford to keep two boys, when there isn't half work +enough for one?" + +Toby stirred the lemonade with renewed activity, as if by this process +he was making both it and his courage stronger, and said, in a low +voice, which Mr. Lord could scarcely hear: + +"I didn't think that; but you see I ought to go home, for Uncle Dan'l +will worry about me, an', besides, I don't like a circus very well." + +Again there was silence on Mr. Lord's part, and again the crooked eye +glowered down on Toby. + +"So," he said--and Toby could see that his anger was rising very +fast--"you don't like a circus very well, an' you begin to think that +your uncle Daniel will worry about you, eh? Well, I want you to +understand that it don't make any difference to me whether you like a +circus or not, and I don't care how much your uncle Daniel worries. You +mean that you want to get away from me, after I've been to all the +trouble and expense of teaching you the business." + +Toby bent his head over the pail, and stirred away as if for dear life. + +"If you think you're going to get away from here until you've paid me +for all you've eat, an' all the time I've spent on you, you're mistaken, +that's all. You've had an easy time with me--too easy, in fact--and +that's what ails you. Now you just let me hear two words more out of +your head about going away--only two more--an' I'll show you what a +whipping is. I've only been playing with you before when you thought you +was getting a whipping; but you'll find out what it means if I so much +as see a thought in your eyes about goin' away. An' don't you dare to +try to give me the slip in the night, an' run away; for if you do, I'll +follow you, an' have you arrested. Now you mind your eye in the future." + +It is impossible to say how much longer Mr. Lord might have continued +this tirade, had not a member of the company--one of the principal +riders--called him one side to speak with him. + +Poor Toby was so much confused by the angry words which had followed his +very natural and certainly very reasonable suggestion that he paid no +attention to anything around him, until he heard his own name +mentioned, and then, fearing lest some new misfortune was about to +befall him, he listened intently. + +"I'm afraid you couldn't do much of anything with him," he heard Mr. +Lord say. "He's had enough of this kind of life already, so he says, an' +I expect the next thing he does will be to try to run away." + +"I'll risk his getting away from you, Job," he heard the other say; "but +of course I've got to take my chances. I'll take him in hand from eleven +to twelve each day--just your slack time of trade--and I'll not only +give you half of what he can earn in the next two years, but I'll pay +you for his time if he gives us the slip before the season is out." + +Toby knew that they were speaking of him, but what it all meant he could +not imagine. + +"What are you going to do with him first?" Job asked. + +"Just put him right into the ring, and teach him what riding is. I tell +you, Job, the boy's smart enough, and before the season's over I'll have +him so that he can do some of the bare-back acts, and perhaps we'll get +some money out of him before we go into winter-quarters." + +[Illustration: TOBY AND THE LITTLE BOY CUSTOMERS.] + +Toby understood the meaning of their conversation only too well, and he +knew that his lot, which before seemed harder than he could bear, was +about to be intensified through this Mr. Castle, of whom he had +frequently heard, and who was said to be a rival of Mr. Lord's, so far +as brutality went. The two men now walked toward the large tent, and +Toby was left alone with his thoughts and the two or three little boy +customers, who looked at him wonderingly, and envied him because he +belonged to the circus. + +During the ride that night he told old Ben what he had heard, +confidently expecting that that friend at least would console him. But +Ben was not the champion which he had expected. The old man who had been +with a circus, "man and boy, nigh to forty years," did not seem to think +it any calamity that he was to be taught to ride. + +"That Mr. Castle is a little tough on boys," old Ben said, thoughtfully; +"but it'll be a good thing for you, Toby. Just so long as you stay with +Job Lord, you won't be nothin' more'n a candy boy; but after you know +how to ride, it'll be another thing, an' you can earn a good deal of +money, an' be your own boss." + +"But I don't want to stay with the circus," wailed Toby; "I don't want +to learn to ride, an' I do want to get back to Uncle Dan'l." + +"That may all be true, an' I don't dispute it," said Ben, "but you see +you didn't stay with your uncle Daniel when you had the chance, an' you +did come with the circus. You've told Job you wanted to leave, an' he'll +be watchin' you all the time to see that you don't give him the slip. +Now, what's the consequence? Why, you can't get away for a while, +anyhow, an' you'd better try to amount to something while you are here. +Perhaps after you've got so you can ride, you may want to stay, an' I'll +see to it that you get all of your wages, except enough to pay Castle +for learnin' of you." + +"I sha'n't want to stay," said Toby. "I wouldn't stay if I could ride +all the horses at once, an' was gettin' a hundred dollars a day." + +"But you can't ride one horse, an' you hain't gettin' but a dollar a +week, an' still I don't see any chance of your gettin' away yet awhile," +said Ben, in a matter-of-fact tone, as he devoted his attention again to +his horses, leaving Toby to his own sad reflections, and the positive +conviction that boys who run away from home do not have a good time, +except in stories. + +The next forenoon, while Toby was deep in the excitement of selling to a +boy no larger than himself, and with just as red hair, three cents' +worth of pea-nuts and two sticks of candy, and while the boy was trying +to induce him to "throw in" a piece of gum because of the quantity +purchased, Job Lord called him aside, and Toby knew that his troubles +had begun. + +"I want you to go in an' see Mr. Castle; he's goin' to show you how to +ride," said Mr. Lord, in as kindly a tone as if he were conferring some +favor on the boy. + +If Toby had dared to, he would have rebelled then and there, and refused +to go; but as he hadn't the courage for such proceeding, he walked +meekly into the tent, and toward the ring. + +[TO BE CONTINUED.] + + + + +THE NATIONAL FLOWER OF JAPAN. + +BY WILLIAM ELIOT GRIFFIS. + + +[Illustration] + +The cherry blossom is the national flower of Japan, as the rose is of +England, the lily of France, the thistle of Scotland, and the shamrock +of Ireland. On the Mikado's flags, papers, and carriages, and on the +soldiers' caps and uniform, you will see the open chrysanthemum. But +the flower of the people and of the nation is the flower of the +blossoming cherry-tree. + +"Do not all cherry-trees blossom?" you will ask. + +Yes; but the Japanese cultivate all over Japan, by the millions, the +sakura-tree, which is valued only for the beauty of its blossoms. +Botanists call it _Prunus pseudocerasus_. From an entire tree you could +not get ripe cherries enough to make a pie; but the blooms are massed +together on the boughs like clouds, and the blooms are often as large as +a rose. Picnics in Japan are called, "Going to see the flowers." In +June, millions of the people go out to sing and sport and laugh and play +under the cherry-trees, or to catch "the snow-showers that do not fall +from the skies." There are tens of thousands of stanzas of poetry about +the cherry-tree. Some of the people become so enchanted with the lovely +blossoms that they actually say their prayers under them, or even +worship the famous old trees. Here is an instance, which the artist has +told by his pencil. A sacred cherry-tree has been carefully surrounded +by a fence of bamboo, and two old gentlemen are worshipping the tree, +while one young fellow is snickering at them from around the corner, and +the other's mouth is wide open with astonishment, and he is probably +saying, "Naru hodo" (Well, I declare!). + + + + +PUSSY WILLOW. + +BY MARIAN DOUGLAS. + + + The brook is brimmed with melted snow, + The maple sap is running, + And on the highest elm a crow + His big black wings is sunning. + A close green bud the May-flower lies + Upon its mossy pillow; + And sweet and low the South Wind blows, + And through the brown fields calling goes, + "Come, Pussy! Pussy Willow! + Within your close brown wrapper stir; + Come out and show your silver fur; + Come, Pussy! Pussy Willow!" + + Soon red will bud the maple-trees, + The bluebirds will be singing, + And yellow tassels in the breeze + Be from the poplars swinging; + And rosy will the May-flower lie + Upon its mossy pillow, + But you must come the first of all. + "Come, Pussy!" is the South Wind's call-- + "Come, Pussy! Pussy Willow!" + A fairy gift to children dear, + The downy firstling of the year-- + Come, Pussy! Pussy Willow! + + + + +THE ANTS AT HOME. + +BY CHARLES MORRIS. + + +The brook that ran merrily by the garden of Woodbine Cottage, prattling +like a happy child on a holiday, grew sober and quiet further down, +spreading into a broad sheet of gleaming water, through whose liquid +surface glistened the silvery sands that adorned its bed. + +Here the soft green verdure spread like a rich carpet, and Harry and +Willie Mason lay buried in the deep grasses until only their heads +appeared above the waving blades. On the bank of the brook sat their +uncle Ben, his kindly face turned with a pleasant smile to the +questioning boys. + +"So you want to hear some more queer stories about ants?" he said. "Why, +I thought we were well done with the subject." + +"But you said, you know, that there was a lot more of odd things," +replied Harry, "and Willie wants ever so much to hear them. Don't you, +Willie?" + +"I guess _you_ does," retorted Willie, with a sly gesture. + +Uncle Ben laughed heartily. "So it is one word for Willie, and two for +yourself," he said. "But what shall I tell you about? Shall I describe +that strange tree which keeps up a standing army of ants to preserve it +from injury, while it in return finds the ants in food and shelter?" + +"A tree!" cried Harry, with a shout of laughter. "It must be a thinking +tree, then." + +"I suppose so--in its way. Not just in our way, of course. One can +hardly believe such things of a tree." + +"_I_ don't b'lieve it," said Willie, sturdily. + +"What a born critic you are!" replied his uncle, with a quizzical look +at the little doubter. "It is true, nevertheless. The tree in question +is called the bull's-horn acacia. A species of ants lives upon it, and +protects it from insects which would injure its foliage, such as slugs +and caterpillars. But the odd thing is the mode in which the tree +manages to provide for these ant soldiers." + +"Is they the soldiers you kept talking 'bout?" asked Willie. + +"Oh no; those were soldier ants who went out in armies, and fought +battles with other ant armies, or attacked the nests of the negro ants +and carried off their young to bring them up as slaves. These soldiers +only fight for the good of the tree." + +"Which takes care of them in return?" asked Harry. + +"Precisely. There are certain cavities in its outer surface which serve +as barracks for these regiments of ants. But the most curious feature is +the mode in which the tree provides food for its defenders. When the +leaves are young, and in danger from insects, there opens a little gland +at their base, which is filled with a honey-like liquid. The ants are +very fond of this, and lap it up greedily. They run from one gland to +another, and are thus kept constantly about the young leaves. And these +little chaps bite shrewdly, so that no other creeping thing dares to +venture near the leaves." + +"Well, that is certainly very curious," said Harry, raising himself on +one arm half out of his grassy bed. + +"But that is only part of the provision," continued his uncle. "The leaf +is what is called a compound leaf, consisting of a number of leaflets on +one stem. When this compound leaf first unfolds, there appears at its +base a little yellow fruit-like body, attached by a fine point to the +leaf. It is a beautiful object through the microscope, looking like a +little golden pear. It is not quite ripe when the leaf first opens, and +the ants may be seen busily running from one to another to see if any +are ripe. Whenever one is found to be ripe, the ant bites it off at the +small point of attachment, and carries it eagerly away to its nest. But +they do not ripen all at once, so that the ants are kept about the +leaves until these are old enough to be out of danger." + +"Well, I never heard anything quite so queer about trees!" exclaimed +Harry. + +"There are many strange instances of trees being aided by insects," +remarked Uncle Ben; "but I doubt if there is any stranger than this. +There is one tree, of the genus _Triplaris_, whose trunk, limbs, and +even its smallest twigs, are hollow. If any person happens to break or +even to shake one of these twigs, he might well imagine that the tree +was alive, for he will instantly find it covered with multitudes of +creeping brown creatures, which bite furiously. It is, in fact, +inhabited by myriads of ants, which occupy the whole interior, and which +protect the tree from its enemies by their vicious bite." + +"I hardly think I would like to break switches from that tree," laughed +Harry. + +"I's mighty sure I wouldn't," said Willie. + +"There is another tree, called the trumpet-tree," continued their uncle. +"This has a hollow stem, divided by partitions, like the reeds which +grow on our river shores. Ants get into this tree by boring a hole from +the outside. They then bore through the partitions, and get the run of +the whole interior. Every cell made by the partitions serves them as a +separate apartment, some being devoted to eggs, and some to their young +in different stages of growth. One cell is kept as the home of the +queen, this royal lady having an apartment of her own." + +"Do the ants protect this tree too?" asked Harry. + +"Oh yes; they rush out in millions if the tree is shaken, and are very +apt to make things uncomfortable for intruders." + +"Don't feed 'em on pears, does it?" asked Willie. + +"Not exactly; they do not get their living directly from the tree; but +they feed on it indirectly. The fact is, this species keeps a kind of +ant cows. These are minute insects, which attach themselves to the +interior of the tree, and live on its juices. They give out a honey-like +liquid, of which the ants are very fond, and lap up with great +eagerness. You see thus that there are various ways in which plants feed +the ants which protect them from other insects." + +"Are there any other ants that live on trees?" asked Harry. + +"Yes, indeed. Ants are very apt to take possession of hollow trees. They +build thin partitions, which divide the interior of the tree into halls, +galleries, and saloons, and they live there thoroughly sheltered from +the weather. The Ethiopian ants hollow out long galleries, and use the +finely powdered wood which has fallen to the bottom of the tree to stop +up every chink in the floors, to make partitions, and to fill up useless +apartments. There are also yellow ants which construct entire stories of +this decayed wood. They mix it with a little earth and spider's web, and +thus make it into a sort of _papier-maché_." + +"Don't think that's so awful smart," protested Willie. "Jess don't the +wasps an' the hornets make paper nests too?" + +"Very true," replied his uncle. "There is another curious ant, though, +which makes its nest out of leaves. These are large, strong leaves, but +the little creatures somehow draw their edges together, and gum them +fast, so that they make themselves a close, roomy shelter inside. They +have been seen at work, thousands of them tugging away for dear life at +the edges of the leaves. If they are startled, and made to loose their +hold of the edge, it flies back so strongly that it is a marvel how they +ever drew it in." + +"Don't they sometimes build very large nests on the ground," asked +Harry--"much larger than the little ant-hills we see about here?" + +"I should think so, indeed! Why, the common red ant of England builds a +nest of any rubbish it can find, such as straw, leaves, and bits of wood +mixed with earth, often as large as a small hay-cock. But this is a +trifle, compared with some tropical ant-hills. Travellers in Guiana +describe ant-hills which are fifteen or twenty feet high, and thirty or +forty feet wide at the base. You might well fancy they were houses for +elephants, instead of for ants." + +"I should imagine they must be elephantine ants," remarked Harry. + +"Not at all. There is a very small ant in New South Wales whose hills +are eight or ten feet high. But this is not all; these great mounds are +only the upper part of the ant city. It extends as deeply under-ground. +There is one ant described that builds a nest of forty stories, twenty +above and twenty under ground. These stories are divided into numerous +saloons and apartments, with narrow galleries, and inclined planes for +stairways. The partitions are usually very thin, but the ceilings are +often supported by pillars and buttresses, just like our great halls." + +"It must take the ants a long while to build such nests as that," +remarked Harry. + +"I guesses so," said Willie. "I's seen 'em, many and many a time, +running up with their wee little bits of dirt, and I knows they'd jess +be ever and ever so long." + +"But you do not stop to think what can be done by keeping at it," said +Uncle Ben. "They are the very hardest of hard workers. They never seem +to tire or lie down to rest, so that it is astonishing what progress +they make. It is said that they will finish a complete story to their +nest, with all its rooms, galleries, vaulted roofs, and partitions, in +seven or eight hours. They use wet clay in the work, and put it together +very rapidly." + +"I suppose these big nests are built just like the little ones we have +here," said Harry, with a questioning look. + +"Yes, on much the same principle. In fact, our little mason ants are +very expert builders. Some of them only build while it is raining, or +while the ground continues wet. If it gets so dry that the earth will +not stick together, they pull down their unfinished walls, and heap the +earth over the finished portions. The ash-colored mason is very curious +in his ways. He begins by bringing a quantity of earth, which he heaps +on the roof of his old home. Then he goes to work upon this, excavating +galleries, just as a laborer will dig ditches across a field. Finally he +roofs over these galleries. But if he should begin a roof before the +walls are high enough, he will carefully take it down, and build the +walls higher before proceeding with his roof." + +"Why, what smart little chaps they are! They must think, anyhow. Don't +you believe so, Uncle Ben?" + +"One would fancy so, at any rate. They may not be able to think like +philosophers, but they certainly think like builders. I could give you +other evidences of it. If you saw them carefully closing the doors of +their nests at night or in wet weather, and opening them again in the +morning, and carrying their young out-of-doors to enjoy the sun on +bright days, and a dozen other shrewd habits, you might well imagine +they thought it all out. Among the strangest of these ant-philosophers +are the driver ants of West Africa, a species which can not endure the +hot suns of that region. If they are caught by the fierce rays of the +sun when out travelling, they at once build themselves a covered archway +of clay--a long tunnel whose sides and roof are cemented by some gummy +material from their own bodies. Under this they travel safe from the +sun. It is said of the same ants that when they are obliged to cross a +stream in their journeys, they will ascend a tree, and run out on a low +limb that hangs over the opposite side. From this they drop a line of +ants to the earth, each clinging firmly to the one above it. Over this +living line the whole army passes. Other travellers relate that if they +can not cross the stream in this way, they will drop a line of ants to +the water, from which a horizontal line, supported on the water, runs to +the other side; forming a living bridge, over which the whole army +marches. For my part, I hardly know what to think of these stories, +since the driver ants are entirely blind." + +"I guesses that's 'nough," said Willie. "Let's go play, Harry. Ants +can't do that, anyway. They doesn't do nuffin but work all the time." + +"Indeed you are very much mistaken, my young friend," replied his uncle. +"They are just as fond of play as you are. They will wrestle with one +another, and ride on each other's backs, as if it were the greatest fun +in the world. And they have been seen practicing gymnastic sports, +climbing, hanging down by one leg, and letting themselves fall from a +distance, as if they enjoyed it hugely. In fact, they are up to almost +as many pranks and capers as young boys. I doubt, however, if they get +into mischief as often. But go on; I won't detain you any longer from +your play." + +"Maybe you's glad 'nough to get rid of us," said Willie, slyly, as he +snatched Harry's cap and ran away with it. In an instant the ants were +forgotten, and there was a hot chase across the grassy meadow. + + + + +[Illustration: ABDULLAH AND HIS FRIENDS.] + +AN EGYPTIAN BOOT-BLACK. + +BY L. M. F. + + +I am only a poor Egyptian boot-black, but, for all that, I do not +consider myself the inferior of any living being, and feel very proud to +own that I am a descendant from one of the most ancient nations existing +on the face of the earth. I was born in Cairo, Egypt; so were all my +ancestors, and no other land bears the imprints of the soles of their +feet, for they lived and died in this sunny land. + +My name is Abdullah (_i. e._, servant of God). I am an orphan; my +parents died before I was five, leaving me a waif trusting to the mercy +of the world at large. Having no home, and no kith or kin to claim me, I +was thrown into the streets to hunt up my own living. I used to wander +up and down begging for a para, a piece of bread, or anything with which +I could satisfy the pangs of hunger. Thus I passed about four years of +my life living on beggary, till one day I noticed a boy blacking an +Englishman's boots, and he paid the boy one piastre for doing it. I at +once resolved to earn my living that way, and begged the boy to instruct +me. He first refused, but on my telling him I was an orphan, he at once +taught me how to handle the brushes, and gave me a couple of old ones +which he had in his box. I gratefully accepted them. Hastening to one of +the stores, I begged for an empty little box, and fastening it to a +piece of rope I had found on a dust heap, I slung it across my shoulder +proudly, in imitation of all boot-blacks. How could I get some blacking? +was my next thought. I entered a grocery store, and said to the owner, +"Ya sidi" (_i. e._, my lord), "I will black your boots for a couple of +figs." + +"You don't look like a boot-black," he responded. + +"I can black boots better than ten boot-blacks," said I, confidently. + +"All right," said he, seating himself, and presenting me his foot; +"black away." + +I tremblingly opened my box, and taking out my brushes hesitatingly +said: + +"Ya sidi, my blacking is not very good; it is rather dry. If you let me +use your blacking, I could make your shoes like a mirror." + +"Very well," he unsuspectingly said, handing me a large box of blacking +from a well-filled shelf over his head. "I guess mine is fresher; but +make them fine, for I want to go to a wedding." + +"Halla rassi" (_i. e._, on my head), I replied, setting to work. It +being a very hot day, this gentleman was dressed in a long spotless +white caftan touching his ankles. I worked vigorously, and in my +eagerness to do the thing well, I got the blacking smeared over my +hands, which left large black marks on his ankles, and, worst of all, I +had a nice sprinkling of black dots all over his white suit. + +"Oh, you young rascal!" he exclaimed, hurriedly, glancing at his +condition, "what have you done?" + +He was just about dealing me a blow, when I grasped my box and brushes +and made my escape. Exasperated that he had missed me, with an oath he +flung the box of blacking after me, which hit me on the shoulder. I +joyfully clutched the blacking, and ran into another street as fast as +my legs could carry me. Breathless, I sat down on a door-step to +contemplate my next undertaking, whereupon four professional boot-blacks +roughly accosted me, asking how long I had been a boot-black, and to +what district I belonged. I replied that I did not belong to any; upon +which they began roughly pushing me, and wanted to take away my brushes +and blacking; but I fought manfully and desperately for them. + +"Hafarêm" (_i. e._, well done), said one. "You are a ghadah" (_i. e._, +fine fellow). "You can fight well; and as you have no one, we will take +you in our company, provided you divide your earnings with us." + +Of course I acceded with great pleasure. + +The Egyptian boot-blacks have a regular constitution and set of laws; +not written out or printed, but not the less enforced. + +1. The city of Cairo is divided into about a dozen boot-black districts. + +2. The strongest boot-black in his district shall be the Sheik, or +chief, until some stronger boy whips him; then the strongest boy takes +his place. + +3. Every boot-black must obey his Sheik. + +4. Always stand by a boot-black, even if from another district. + +5. Only Mohammedans are allowed the privilege of being boot-blacks. Any +other sects taking up the trade must be put down. + +I soon learned all these rules, and followed them closely. The +Mohammedans, with the exception of the military men and those in the +Viceroy's service, never have their boots blackened. A true Mohammedan +looks on blackened boots as on something sacrilegious, so that we +boot-blacks are regarded with scorn by our pious neighbors. The +boot-black trade is in the European part of the city; that is where we +mostly get our customers. We charge no regular price, but take just what +we can get. Our worst customers are the military officers and policemen, +for they often fail to pay us a single para; and if they are in a good +humor, thereby refraining from giving us a kick, they will occasionally +throw us the end of a cigar, and we are obliged to submit to this +treatment with all humility. The European and American tourists are our +genii, for they often give us a franc for polishing their boots. The +Christians and Jews who reside in the city do not pay us well. Some of +the richer ones give twenty paras (equal to two cents); while others, +such as grocery men, pay us in an orange, or a few figs, or a handful of +dates. Thus we barely make a living among a population of four hundred +thousand inhabitants. Our voices are heard among the first sounds of the +early morning, calling, "Boyâ! boyâ! boy-â-â-â!" (_i. e._, blacking). We +frequent the streets where most customers are to be found, and often +have a fight with some boot-black from another district who is trying to +obtain the best custom. + +Once in the year there is a gathering of the faithful followers of +Mohammed for a pilgrimage to Mecca. The streets are filled with gay +processions escorting the pious pilgrims. All the boot-blacks on that +day unite in full force, every Sheik marching at the head of his company +brandishing a stick; our boxes are slung across our shoulders to +designate our trade; and we all heartily join in making as much noise as +possible, shouting, "Boyâ! boyâ-â-â!" as we lead a camel richly +harnessed through the streets of the city. There are hundreds of such +other camels in this grand procession, led by various parties. Slowly we +file through the streets, amid the hearty cheers of the citizens, and +wend our way toward the desert, where we leave our camel to the charge +of some faithful pilgrim, and return back again to our daily routine of +boot-blacking. + +I have been a successful boot-black for five years, and I am now the +Sheik of my district, which position I gained by being the strongest and +most able fighter, and best story-teller, consequently, as a badge of +honor, I wear a small turban around my cap. The four boys who first +patronized me are my best friends. After a hard day's work, we often +resort to some quiet spot on a door-step, and, seating myself, my +friends cluster round me for a thrilling tale from the _Arabian Nights_. +Ali sits on my left, resting his weary arm on my knee, for he is the +best boot-polisher in the city, and works very hard. Mustapha, on my +right, has his only brother Hassan's head resting in his lap. Mahmud is +the youngest, and is rather restless. He is fond of standing up, brushes +in hand, and trying to see if he can not chance to spy some customer +wanting his boots blackened, for he is ambitious to make as much money +as possible, as he has an old grandmother, whom he loves dearly, to +support. + +Not long ago a kind American lady, who seems to have taken an interest +in us poor boot-blacks, started an evening school for us. As she had +been good to me, and had once helped me out of a serious difficulty, I +used all my power as Sheik of my district to make the boys attend. At +first it seemed rather dull work to spend two evenings every week in +school, but our kind friend made it so pleasant for us that we gradually +grew to like it, and now think our school evenings the pleasantest of +the week. I am trying hard to learn what is taught us, and hope some +time to be something better than an Egyptian boot-black. + + + + +[Illustration: THE FAITHFUL SENTINEL.] + + + + +AN AWFUL SCENE. + +BY JIMMY BROWN. + + +I have the same old, old story to tell. My conduct has been such +again--at any rate, that's what father says; and I've had to go up +stairs with him, and I needn't explain what that means. It seems very +hard, for I'd tried to do my very best, and I'd heard Sue say, "That boy +hasn't misbehaved for two days good gracious I wonder what can be the +matter with him." There's a fatal litty about it, I'm sure. Poor father! +I must give him an awful lot of trouble, and I know he's had to get two +new bamboo canes this winter just because I've done so wrong, though I +never meant to do it. + +It happened on account of coasting. We've got a magnificent hill. The +road runs straight down the middle of it, and all you have to do is to +keep on the road. There's a fence on one side, and if you run into it, +something has got to break. John Kruger, who is a stupid sort of a +fellow, ran into it last week head first, and smashed three pickets, and +everybody said it was a mercy he hit it with his head, or he might have +broken some of his bones, and hurt himself. There isn't any fence on the +other side, but if you run off the road on that side, you'll go down the +side of a hill that's steeper than the roof of the Episcopal church, and +about a mile long, with a brook full of stones down at the bottom. + +The other night Mr. Travers said-- But I forgot to say that Mr. Martin +is back again, and coming to our house worse than ever. He was there, +and Mr. Travers and Sue, all sitting in the parlor, where I was +behaving, and trying to make things pleasant, when Mr. Travers said, +"It's a bright moonlight night let's all go out and coast." Sue said, "O +that would be lovely Jimmy get your sled." I didn't encourage them, and +I told father so, but he wouldn't admit that Mr. Travers or Sue or Mr. +Martin or anybody could do anything wrong. What I said was, "I don't +want to go coasting. It's cold and I don't feel very well, and I think +we ought all to go to bed early so we can wake up real sweet and +good-tempered." But Sue just said, "Don't you preach Jimmy if you're +lazy just say so and Mr. Travers will take us out." Then Mr. Martin he +must put in and say, "Perhaps the boy's afraid don't tease him he ought +to be in bed anyhow." Now I wasn't going to stand this, so I said, "Come +on. I wanted to go all the time, but I thought it would be best for old +people to stay at home, and that's why I didn't encourage you." So I got +out my double-ripper, and we all went out on the hill and started down. + +I sat in front to steer, and Sue sat right behind me, and Mr. Travers +sat behind her to hold her on, and Mr. Martin sat behind him. We went +splendidly, only the dry snow flew so that I couldn't see anything, and +that's why we got off the road and on to the side hill before I knew it. + +The hill was just one glare of ice, and the minute we struck the ice the +sled started away like a hurricane. I had just time to hear Mr. Martin +say, "Boy mind what you're about or I'll get off," when she struck +something--I don't know what--and everybody was pitched into the air, +and began sliding on the ice without anything to help them, except me. I +caught on a bare piece of rock, and stopped myself. I could see Sue +sitting up straight, and sliding like a streak of lightning, and crying, +"Jimmy father Charles Mr. Martin O my help me." Mr. Travers was on his +stomach, about a rod behind her, and gaining a little on her, and Mr. +Martin was on his back, coming down head first, and beating them both. +All of a sudden he began to go to pieces. Part of him would slide off +one way, and then another part would try its luck by itself. I can tell +you it was an awful and surreptitious sight. They all reached the bottom +after a while, and when I saw they were not killed, I tried it myself, +and landed all right. Sue was sitting still, and mourning, and saying, +"My goodness gracious I shall never be able to walk again. My comb is +broken and that boy isn't fit to live." Mr. Travers wasn't hurt very +much, and he fixed himself all right with some pins I gave him, and his +handkerchief; but his overcoat looked as if he'd stolen it from a +scarecrow. When he had comforted Sue a little (and I must say some +people are perfectly sickening the way they go on), he and I collected +Mr. Martin--all except his teeth--and helped put him together, only I +got his leg on wrong side first, and then we helped him home. + +This was why father said that my conduct was such, and that his friend +Martin didn't seem to be able to come into his house without being +insulted and injured by me. I never insulted him. It isn't my fault if +he can't slide down a hill without coming apart. However, I've had my +last suffering on account of him. The next time he comes apart where I +am, I shall not wait to be punished for it, but shall start straight for +the North Pole, and if I discover it the British government will pay me +mornamillion dollars. I'm able to sit down this morning, but my spirits +are crushed, and I shall never enjoy life any more. + + + + +[Begun in HARPER'S YOUNG PEOPLE No. 66, February 1.] + +PHIL'S FAIRIES. + +BY MRS. W. J. HAYS, + +AUTHOR OF "PRINCESS IDLEWAYS," ETC. + +CHAPTER VI. + +THE FAIRY'S STORY. + + +"I promised you a story," said the little voice, close to his ear again. + +"Yes, I know you did; can you tell it now?" + +"To be sure I can, if I only have time. I did not bring any of my people +to-night; they are helping some of the herb elves. It is a little late +in the season, and some blossoms have been slow in opening, so that we +have to urge them." + +"How?" asked Phil. + +"By coaxing and persuasion for some of them; others we have to blow upon +quite forcibly." + +"I am ready for the story when you are," said Phil. + +"It is a wild affair, and one that all children might not care to hear; +but to you, I fancy, nothing comes amiss." + +"No, I like almost everything," said Phil. + +"I shall begin just as my grandmother used to. Once upon a time, in the +days of enchantment, there was a dreadful old ogre--" + +"Do not make him too dreadful, or I shall have bad dreams," interrupted +Phil. + +The fairy laughed and flapped her little wings. "Now you must not be +afraid; it will all come out right in the end. When I said the ogre was +dreadful, I meant he was ugly-looking: we fairies like everything +beautiful. Shall I go on?" + +"Oh yes, and please forgive me for stopping you." + +"This ogre was ugly, with a shaggy head, a shaggy beard, and fierce +eyes, and he lived all by himself in a great stone castle on the shore +of a large lake. His principal pleasure consisted in tormenting +everything and everybody he came near; but if he had any preference, it +was for boys; to tease and ill-use them had the power of affording him +great happiness. Lazy, loitering little fellows were in especial danger, +for he would catch them quite easily by throwing over their heads the +nets he used in fishing, drag them off to his castle, and keep them in a +dungeon until there would be no chance of discovery, and the boys' +parents would think them lost forever. Thus he would gain a very useful, +active set of laborers for a stone wall he was building, for so afraid +were they of his displeasure, and so fearful that they might be starved, +since the only food they received was dried and salted fish, that these +boys worked like bees in a hive, only it was a sullen, painful sort of +working, for they never sang or shouted, whistled or talked, and they +were thin and wretched, and more like machines than boys. + +"Now in this lake, on the shore of which was the ogre's castle, was an +island, where lived a Princess whom the ogre had bewitched, but who had +also regained her liberty, and near whom the ogre could never again +come; even to land on her island or bathe in the water near would at +once change him into a shark. + +"This Princess, passing the ogre's castle in her beautiful swan-like +sailing-boat, had seen the unhappy little boys at work on the stone +wall; her sympathies had been aroused at so sad a sight, and she +determined to wait her chance, and do what she could to relieve them. +The chance came one day when the ogre had gone on a fishing excursion, +from which he would not return till night. He had given the boys their +rations of salt fish, and had commanded them in the gruffest tones to be +sure and do an unusual amount of work in his absence, or they should all +have chains on again; for when they were first caught he always chained +them for fear they might try to escape; but they so soon lost all spirit +and all desire for freedom that their chains were removed to enable them +to work more easily. + +[Illustration: APPROACH OF THE SWAN-LIKE BOAT.] + +"He had no sooner disappeared in his great clumsy craft laden with +seines and harpoons, and baskets and jugs, than a whispering began among +the boys, a sad sort of sighing and crying, almost like the whispering +of wind in the tree-tops, which changed again to looks and glances of +surprise as a beautiful vessel with silken sails floated up to the +wharf, and a lovely gracious-looking lady clothed in white stepped from +the boat, and came rapidly toward them. + +"'Boys,' said she, addressing them in a very soft sweet voice, 'I have +come to release you from this cruel bondage; will you trust me, and go +with me?' + +"'Yes, yes,' came from more than a dozen little tongues. + +"'Come, then, at once. Drop your work, get into my boat, and we will be +off. We have no time to lose, for your cruel master might possibly +change his course and overtake us; then we should be in great danger.' + +"The boys crowded about her, and with a wild cry followed her to her +little vessel, and almost tumbled into it in their delight. It was with +some difficulty that she kept them balanced, and prevented their falling +out; but once packed, there were so many of them that they could not +move. The vessel seemed to start of itself; its sails swelled out and +spread themselves like wings, and away they dashed over the rippling +waves, which rose and fell, and hurried them on their way. The ogre's +castle was quickly left far behind, and the tired boys breathed more +freely as it disappeared entirely from their view. In another minute +they fell fast asleep, and did not waken till the motion of the boat +ceased, and they found themselves gliding into a quiet harbor, fringed +on each side with lovely shrubs that dipped their beautiful flowers into +the calm water. Then the lady bade them follow her as she stepped from +the boat on to the soft grass, and led them past fruits and flowers, and +winding walks and fountains, up to the dazzling crystal palace in which +she lived. Here the boys were halted while she made them this little +speech: 'Boys, this is my home, these are my gardens; for a while you +will have to remain here. We may have trouble with the ogre, but I want +you to have no trouble among yourselves. Kindness, good-humor, pleasant +looks and words, must prevail. There must be no envy, no selfishness, no +desire to get the better of each other in any way. I demand obedience; +if I receive it, all will be well; if I do not, you will have to suffer +the consequence. Now I have said all that I need. These flowers, these +fruits, are yours to enjoy in moderation.' + +"As she ceased speaking, she clapped her hands, and a troupe of servants +appeared. They led the boys to marble baths, where waters gushed and +flowed in liquid beauty, and groves of orange-trees made a dense thicket +about them. Here each boy was made sweet and clean, and provided with a +suit of white clothes. When they emerged from the baths, they saw before +them on the lawn tables filled with the most tempting food--roasted +meats, broiled birds, pitchers of milk and cream, biscuits and jellies +and ices. + +"The utmost order prevailed. Starved as the poor boys were, the grace +and beauty of their surroundings made them gentle and patient. At each +plate was a tiny nose-gay held in the beak of a crystal bird, the body +of which was a finger-bowl. Every plate was of exquisite workmanship. +Some had birds of gay plumage; some had fierce tigers' heads or +shaggy-maned lions; others bore designs of tools or curious instruments; +but that which most delighted the boys was a dish of crystal, an exact +imitation of the _Swan_--the _Fairy Swan_--in which they had sailed to +this lovely island. It was laden with choice fruits. While the boys +feasted as they had never before done in their lives, strains of sweet +music became audible; and they could also hear the soft splash of the +waves on the shore, or the dripping and tinkling of fountains, as the +waters sparkled and fell in their marble basins. + +"After they had feasted, the boys wandered off in most delightful +idleness to all parts of the island. They climbed the trees, which bore +blossoms, fruits, and nuts, all at the same time; they fished in the +little coves; they waded in the shallow basins; and nothing would have +marred their happiness had not one tall boy, with unnaturally strong and +keen vision, declared that he saw the ogre's sail coming in the +direction of the island. + +"This was terrible, and had the effect of bringing all the boys together +from their various amusements, just as chickens run from a hovering +hawk. Together they crowded for a moment in mute dismay, unable to +speak, to even hide, waiting the approach of their cruel foe. + +"Nearer came the sail, and now they could all discern it. Its great +clumsy shape, its heavy lumbering action, were not to be mistaken. + +"What should they do? + +"'Run for the Princess,' said one. + +"'Too cowardly, that,' said another; and indeed their good abundant meal +had begun to put strange courage in their little hearts. + +"'Let's meet him, and fight him,' said one. + +"'Let's upset his boat,' said another. + +"'How?' + +"'By pelting him with stones when he comes near enough.' + +"'Good!' cried they all; and they began gathering all the bits of rock +and pebbles they could find. + +"Now came a roar of ogreish rage from the boat as it neared them. + +"'I'll have ye again!' screamed the ogre. + +"Then began the attack--a volley of small stones, nuts, fruits, anything +they had in their pockets. + +"One of the ogre's eyes was closed, so certain had been the aim of the +tall boy who acted as leader. + +"But the boat came nearer, and they were very much afraid the ogre would +leap from it, when one of the boys whispered: + +"'I'll go out to tempt him. Once get him in the water, and he's a goner. +He'll be bewitched.' + +"So he off with his jacket, and out he waded, while the others looked on +in breathless admiration. + +"The ogre looked with his one eye in eager derision; then forgetting his +danger, and regarding the boy much as he might do an unwary fish that he +would gobble up, he sprang from his boat into the shallow water, +preparing not only to snatch the one boy, but to seize them all in a +great seine he dragged after him, when suddenly the waves from the +centre of the lake began hissing and seething, a tremendous swell set in +toward the shore, driving the brave little fellow who had gone out to +tempt the enemy completely off his legs, and obliging him to swim to the +land, which he had no sooner reached than a great shout from all the +boys made him look back, when, lo and behold! there was no ogre, only a +great shark, with open jaws and a shining row of teeth, floundering +about, and dashing himself in angry transports against the sides of the +ogre boat, which he vainly attempted to board. And now could be seen +swarms of little fish attacking the great one, darting hither and +thither, now at his head, now at his tail, but keeping well away from +his open jaws. And the waves began to be colored with the shark's blood. +At last, wearied and wounded, with an angry snap of his jaws he dived +down, and was seen no more. + +"Then the boys gave another loud huzza, when, like a broad flash of +sunshine, the lovely Princess came among them. + +"'Boys,' said she, 'you have proved yourselves brave youngsters. The +ogre can never again trouble you. He will be a shark for three thousand +years, and he will not care to stay in these waters, with so many +enemies about him. Now when you have regained your good looks and +strength, I will take you all home. Here is the key of my sweetmeat +closet. Run off, now, and have a good time.' + +"The sweetmeat closet was a large inclosure where grew sugar-almond +trees, candied pears, candied plums, and where even the bark and twigs +of trees and bushes were of chocolate. In the centre was a pond of +quivering jelly. Mounds and pyramids of jumbles and iced cakes abounded. +They were too tempting to be long looked at without tasting, and the +boys helped themselves gladly. + +"A long sweet strain from a bugle called them away from this delightful +spot, and on a broad smooth field they found bats and balls, ten-pins +and velocipedes--in short, everything a boy could want to play with. + +"After this they supped in simple fashion, each boy with only a great +bowl of bread and milk. Then to more music they were marched to their +beds--downy white nests in a great room arched with glass, through which +they could see the moon and stars shining, and where the dawn could +waken them with its early light. + +"Such was their life for two of the most happy weeks of their lives, and +never did boys thrive better. They grew fat and rosy; they sang, they +danced, they played. Every time the Princess came among them they +shouted with glee, and nearly cracked their young throats in doing her +honor. But all fine things come to an end some time. Once more they were +packed in the _Fairy Swan_, and away they sailed for the land of reality +and for home. The Princess gave them each a beautiful portrait of +herself, of the island, and of the _Swan_. And each boy promised that +whenever he had a chance to perform a kind action he would do it in +remembrance of the gentle courtesy of the Princess. And so ends my fairy +story. Good-night, Phil." + +"Good-night. Oh, how nice it was! I thank you so much!" and sleepy Phil +turned to see the little white butterfly wings skimming out of the +window, while a long sweet sigh came from his wind harp, sounding like +"Good-night--good-night," again. + +[TO BE CONTINUED.] + + + + +[Illustration] + +CHILDREN AT TEA. + +BY S. B. + + + I am very anxious, children dear, + That you should quiet be, + And take care to behave quite well + While I pour out the tea. + + Matilda Jane, I need not scold, + For you behave so well; + You sit so straight, and try your best + To please me, I can tell. + + But oh, Belinda, what a sight! + See how she sits awry; + I can not make that child obey, + No matter how I try. + + Her hair is always in a furze; + Her dress and sash untied; + She drops her shoes, turns in her toes, + I know not what beside. + + But now for once, Belinda dear, + I trust you will behave; + Not spill the milk, nor spoil your dress-- + My trouble try to save. + + And then you both shall have a cup + Of most delicious tea, + A piece of cake, perhaps some jam, + And then go out with me. + + + + +[Illustration: A WISE DOG.] + + + + +[Illustration: OUR POST-OFFICE BOX] + + + ST. JOHN, NEW BRUNSWICK. + + I wish to tell the little readers of the Post-office Box about our + pony. He is a dear little fellow, and just like a playful kitten. + Sometimes Dexter--the pony--will not go the way you want him to. + The other day I was going for Eddie, my brother, and down at our + gate Dexter wanted to go one way, and I the other. As he is very + hard on the mouth, he turned round to go home again. In doing so he + upset the little sleigh, and the box came off, and away went Dexter + up the drive and into the carriage-house. + + When mamma saw it all through the window, she thought I was hurt, + and she sent the man down to the gate. When he got there, all he + could see was a heap of buffalo-robes, cushions, seats, and other + things, with a pair of legs sticking out from under them. I was + not hurt, and as soon as I could get up I went to the house to be + brushed off. I am twelve years old. + + FREDDIE L. T. + + * * * * * + + TROY, NEW YORK. + + I can hardly wait until I get YOUNG PEOPLE. I think the story of + "Toby Tyler and Mr. Stubbs" is just splendid. One wet day two + little friends came to play with me. Bertha was the fat woman, and + I was Toby. I wish you could have seen Allie as our Living + Skeleton. We found out that Mr. Treat knew what he was talking + about when he said it was much easier to get a fat woman than a + skeleton. We had great fun playing tableaux. + + MORTON B. + + * * * * * + +The following letter is not written in Chinese, nor in Sanskrit, nor in +any other uncommon language, but is simply a "Baby Letter," written by +little four-year-old Bertha S., to Our Post-office Box. Bertha's mother +writes that the little girl is sure her letter will be printed, and that +the circle in the lower left-hand corner is a kiss for the editor. After +that, it wouldn't do to disappoint her, would it? + +[Illustration] + + * * * * * + + MONTGOMERY, ALABAMA. + + My father brings me YOUNG PEOPLE every week. I keep my papers in my + wall-pocket that grandma gave me Christmas. I got a beautiful doll + for a present, too. + + Christmas week we had snow here, and we had a fine time + sleigh-riding and snow-balling. + + I am going to New Orleans with papa and mamma for _mardi gras_. + + NELLIE O. + + * * * * * + + NEWPORT, RHODE ISLAND. + + I have already received a sufficient supply of German stamps, and + have sent away all my Swedish and Swiss stamps in exchange, and + have no more to give. + + I will try to answer all the letters I have received, but there + are so many it will take me some time. + + I think YOUNG PEOPLE is lovely, and I would not like to be without + it. + + ALICE V. SMITH. + + * * * * * + + BUFFALO, NEW YORK. + + Mamma takes YOUNG PEOPLE for me, and I like it very much, + especially the story of "Toby Tyler." Poor little fellow, I feel so + sorry for him! + + I have a mud-turtle that I like about as well as Toby did Mr. + Stubbs. I brought it from the country last August. Its shell is + about as large as a silver half-dollar. We keep it in a glass dish + of water, with sand and pretty stones at the bottom, and a piece + of quartz for it to sun itself on. It has refused food ever since + last October, until yesterday, when we gave it some raw beefsteak, + and it ate it greedily. In the summer we feed it on wiggles and + flies. I have named it Topsy, and it is very tame. It has slept a + good deal of the time this winter. + + CARRIE O. + + * * * * * + + SACRAMENTO, CALIFORNIA. + + DEAR YOUNG PEOPLE,--The Sacramento River has broken the levee + entirely. I am five years old, and mamma has taken me away from + school because I am sick, and I have forgotten how to read. + + In Sacramento there are lots of flowers. Only one rose-bush is in + bloom in the back yard. There are little fingers on the bushes + that make them hold to the lattice. + + I went down to see the big river with my papa. I stood on a + steamboat. I thought the boat was moving, but it was only the big + drift and the water passing us. I saw the great, enormous chains + that the anchors are fastened to. They made me think of the great, + enormous squids that pull down the boats to the bottom of the + ocean. That's all. [The above was written by Ottie's mamma from + dictation, without change of a word.] + + HENRY OSCAR B. + + * * * * * + + If any of the readers of HARPER'S YOUNG PEOPLE will send me a + collection of United States postage stamps, I will send in return a + collection of Java postage stamps. + + A. VAN HEEL, + Samarang, Java. + + * * * * * + + We were at Avon Springs last summer, and while there we found some + petrified shells and other fossils. We dug them from under a + stratum of rock five or six feet below the surface of the earth, + where they had lain for ages. I will exchange some of them for any + kind of ore, sea-shells, or other curiosities. + + EMMA HUNT, + 59 South Ninth Street, Brooklyn, E. D., N. Y. + + * * * * * + + I want to tell you what a nice time I had one day in January. It + was a very stormy Monday. I went to school; and although it is a + very large school, only about one hundred scholars came, and in my + room there were only eight. We did not have any classes, but spent + the time in guessing words; that is, the letters of a word were + given out all mixed up, and we had to guess the word they would + spell. One easy one was oobk, which spells book. This is a very + nice game. + + I will exchange fifteen Connecticut postmarks (no duplicates), for + fifteen of any other State except Michigan, Wisconsin, and New + Jersey. + + WILLIE E. HILL, + 32 Pratt Street, Hartford, Conn. + + * * * * * + + A few days ago we went into a beautiful cave that is on the farm of + one of our neighbors, and got a great many nice stalactites and + stalagmites. One of the stalactites is almost transparent, and in + all of them there are beautiful crystals. We saw some stalagmites + over twelve inches high. In one place the roof of the cave is + covered with fossil shells. We tried to break some off, but could + not get any whole ones. + + We have a large collection of curiosities, and would be glad to + exchange with any of the readers of YOUNG PEOPLE for relics, + minerals, or curiosities of any kind. + + HARRY R. BARTLETT and BROTHER, + P. O. Box 8, Greensburg, Green County, Ky. + + * * * * * + + I am trying to make a scrap quilt, and I would like to have scraps + from different parts of the United States. If any little boy or + girl will send me a nice package of silk scraps, I will send in + return Texas mosses, grasses, forest curiosities, six different + kinds of acorns, or snail-shells. + + NINON G. HARE, + Lynchburg, Harris County, Texas. + + * * * * * + + I am trying to get a collection of postage stamps. I have a scroll + saw, and can make many pretty things. If any one will send me + twenty-five foreign stamps, I will send in return two easels I have + made. + + E. M. WRIGHT, + Bremen, Marshall County, Ind. + + * * * * * + + I have some postmarks, some silver ore, some shells from Florida, + and a pretty stone--I do not know where it came from--which I would + like to exchange for coins. + + FREDERICK PFANS, + 11 Beaver Street, Newark, N. J. + + * * * * * + + I have a few Greek newspapers which I would like to exchange for + Indian arrow-heads and relics. + + CHARLES WARREN, + 1577 Atlantic Avenue, Brooklyn, N. Y. + + * * * * * + + I live three miles from nine Indian mounds, and I have a great many + arrow-heads, and twenty-seven spear-heads. I will exchange a rock + from Missouri for one from any other State, and my brother will + exchange an Indian stone hatchet for six stone arrow-heads or + spear-heads. + + WILLIAM REEL, + Baden P. O., St. Louis, Mo. + + * * * * * + + I have just been reading YOUNG PEOPLE. A friend of mine and I take + it together. We live near each other, and often go to the beach to + gather shells and mosses. In the spring we have a great variety of + wild flowers. I would like to exchange pressed wild flowers, + sea-mosses, and shells from the Pacific coast for a moss-agate, a + bunch of cotton just as it is picked with the seeds in it, or any + other curiosity from the Central or Southern States, or the + Atlantic coast. + + CAROLINE BALDWIN, Santa Cruz, Cal. + + * * * * * + +The following exchanges are also offered by correspondents: + + German postage stamps, for minerals, fossils, or ores. + + P. C. HENNIGHAUSEN, + 143 Sharp Street, Baltimore, Md. + + * * * * * + + Foreign postage stamps, for Chinese and South American stamps, or + for coins. + + KEARNY MASON, + 2119 Pine Street, St. Louis, Mo. + + * * * * * + + Twenty-five foreign postage stamps (no duplicates), for ten United + States department stamps. + + W. W. BRADEN, + 445 East One-hundred-and-eighteenth Street, + New York City. + + * * * * * + + Foreign postage stamps, for curiosities. + + LEWIS PIERSON, + 57 Third Place, Brooklyn, N. Y. + + * * * * * + + Postage stamps, for minerals. Correspondents are requested to label + all specimens. + + R. T. ANDREWS, + 214 Clermont Avenue, Brooklyn, N. Y. + + * * * * * + + Cowries, scallops, cockle-shells, Chinese coins, stamps, and + postmarks, for quartz crystals, gypsum, hematite, copper, lead, or + graphite. Correspondents will please label specimens. + + E. V. SHEERAR, + Wellsville, Allegany County, N. Y. + + * * * * * + + Stamps, for minerals, ores, Indian relics, or old and rare American + coins. + + JOHN E. HODGES, + 153 South Paca Street, Baltimore, Md. + + * * * * * + + Stamps from Egypt, Iceland, Ceylon, St. Helena, Persia, Ecuador, + and other foreign countries, for United States stamps. + + JOHN L. CASPAR, + P. O. Box 8, China Grove, Rowan County, N. C. + + * * * * * + + Stuffed birds. + + HARRY GREENE, + 8 Myrtle Street, Boston, Mass. + + * * * * * + + Two Cape of Good Hope stamps, for two Mexican stamps. + + EMMA K. GRIFFIN, + Fond du Lac, Wis. + + * * * * * + + A stone from Massachusetts or New Jersey, for one from any other + State except Missouri; soil of New Jersey, for soil of any other + State; or specimens of mica, for any kind of ore. + + F. L. FOSTER, + Fairmount Avenue, Elizabeth, N. J. + + * * * * * + + Postmarks and stamps, for stamps. + + WILLIAM M. WHITFIELD, + 235 West Thirty-fourth Street, New York City. + + * * * * * + + Old issues of United States postage stamps and postmarks, for + foreign stamps. + + EDITH L. SMITH, + Glenburn, Lackawanna County, Penn. + + * * * * * + + Foreign postage stamps, shells, and other curiosities, for others. + + G. H. SMITH, + Care of Mr. J. B. Wright, + Columbus, Muscogee County, Ga. + + * * * * * + + Stones from Missouri, New Jersey, or Pennsylvania, for stones from + any Southern or Western State excepting Georgia, Illinois, + Colorado, and Minnesota. + + FRED P. HALL, + 238 Warren Street, Jersey City, N. J. + + * * * * * + + Rare Indian relics, for minerals and stamps. + + NELLIE SUGDEN, + 49 West Fifty-third Street, New York City. + + * * * * * + + United States and foreign postmarks, for stamps. + + SAMUEL J. LUTZ, + Circleville, Pickaway County, Ohio. + + * * * * * + + Twenty-five postmarks, for two foreign postage stamps. + + FRANK RIGGS, + P. O. Box 107, Watseka, Iroquois County, Ill. + + * * * * * + + United States revenue stamps and postmarks, for foreign stamps; or + a stone from Kentucky, for one from any other State. + + HARRY PULLIAM, + 275 West Broadway, Louisville, Ky. + + * * * * * + + A printing outfit, for a scroll saw or a good printing-press. + + FRANK RAWIE, + Canton, Stark County, Ohio. + + * * * * * + + Postage stamps. + + STAFFORD R. SOUTHWICK, + 131 East Seventy-ninth Street, New York City. + + * * * * * + + Foreign postage stamps and foreign and United States revenue + stamps, for old United States or rare foreign stamps. + + BRYANT WILLARD, + Newport Barracks, Newport, Ky. + + * * * * * + + Fifteen Michigan postmarks and eight of other States, for one + Chinese postage stamp. + + ARTHUR K. WILLYOUNG, + 147 Park Street, Detroit, Mich. + + * * * * * + + Two specimens of California wood, for every set of twenty-five + postmarks. + + H. M. H., + 60 West Rutland Square, Boston, Mass. + + * * * * * + + Postage stamps. Swedish and Danish stamps especially desired. + + WILLARD FRANCIS, + 258 Market Street, San Francisco, Cal. + + * * * * * + + Asbestos and United States internal revenue stamps, for fossil fern + and gold ore. + + LYMAN NEWELL, + Slater National Bank, Pawtucket, R. I. + + * * * * * + + Sandwich Island or Canadian stamps, for other foreign stamps. + + M. D. AUSTIN, + 1199 Main Street, Buffalo, N. Y. + + * * * * * + + Stamps of British Guinea, Newfoundland, France, Norway, and + Hong-Kong, for stamps of Honduras, Peru, Persia, Brazil, and + Mexico. + + FRANK H. NICHOLS, + 341 East Indiana Street, Chicago, Ill. + + * * * * * + + Minerals, forest woods, stamps, and sea-shells, for new specimens + of the same. Minerals preferred. + + CHARLES R. FLETCHER, + 144 Cambridge Street, East Cambridge, Mass. + + * * * * * + + Postmarks and foreign postage stamps. + + LILLIE W. HOUSE, + 85 Whitney Place, Buffalo, N. Y. + + * * * * * + + Postage stamps. + + CHARLES UHLER, + Mechanicsburg, Cumberland County, Penn. + + * * * * * + + United States postmarks, for stamps. + + EDDIE EARL, + P. O. Box 714, Leominster, Mass. + + * * * * * + + Ocean curiosities, for soil from any State excepting Pennsylvania + and New Jersey. + + HARRY LEWIS, care of J. W. Barton, + Northwest Corner of Front and Market Streets, + Philadelphia, Penn. + + * * * * * + + Stones from the Great Lakes, for foreign postage stamps. + + WAT H. T. MAYO, + Hague, Westmoreland County, Va. + + * * * * * + + Ten rare foreign stamps, for ten Brazilian stamps. No duplicates. + + IKE HAMMOND and FRED CROSE, + Lock Box 152, Greencastle, Putnam Co., Ind. + + * * * * * + + Old United postage stamps, for foreign stamps, Indian arrow-heads, + or other curiosities. + + ELBERT E. HURD, + Lempster, Sullivan County, N. H. + + * * * * * + + Foreign stamps, old United States copper one-cent and half-cent + coins, for foreign coins, postmarks, and curiosities. + + CHARLES GRUNER, + 79 Park Avenue, Brooklyn, N. Y. + + * * * * * + + Soil from Massachusetts, for soil of Ohio. + + EVERETT CRANE, + Weymouth, Norfolk County, Mass. + + * * * * * + + Foreign postage stamps, for minerals and Indian relics. + + GARRY B. POST, care of George R. Post, + New Britain, Hartford County, Conn. + + * * * * * + + Minerals, for sea-shells, agates, and curiosities of all kinds; or + lichens, moss, pressed ferns and flowers from Illinois, for moss, + ferns, and flowers from other States and Canada. + + MARY LOWRY, + Elizabethtown, Hardin County, Ill. + + * * * * * + + Spar, fossils, stamps, and postmarks, for ocean curiosities. Thirty + varieties of foreign stamps, or twenty stamps and twelve foreign + postmarks, for a box of sea-shells and a star-fish. + + OSCAR RAUCHFUSS, + Golconda, Pope County, Ill. + + * * * * * + + American copper coins. + + ED SWEET, + Wellsville, Allegany County, N. Y. + + * * * * * + + Postage stamps, for stamps, curiosities, and Indian relics. + + FRANCIS B. WHEATON, + 55 Park Street, Providence, R. I. + + * * * * * + + Asbestos and mica, for foreign stamps, especially from Nova Scotia, + Prince Edward Island, or Newfoundland. + + WILLIE BOGARDUS, + 1455 Lexington Avenue, New York City. + + * * * * * + + A stone from Illinois, for a stone from any other State or + Territory. + + BLYTHE HENDERSON, + 101 Third Street, Peoria, Ill. + + * * * * * + + Foreign and United States War Department stamps, for rare and old + coins, a ten-cent piece of 1879, stamps, shells, copper or zinc + ore, or stones and soil from any State except Wisconsin. + + CLARE B. BIRD, + Jefferson, Jefferson County, Wis. + + * * * * * + + United States postage stamps, for the same or foreign stamps. + + CLINTON F. HICKS, + Pine River, Waushara County, Wis. + + * * * * * + + Twenty-five rare and old postmarks, for twelve foreign stamps. + + BAKER BROS, + P. O. Box 5, Comstocks, N. Y. + + * * * * * + + Soil of Ohio, for that of any other State. + + HARRY LAURIMORE, + Lock Box 6, Greenville, Darke County, Ohio. + + * * * * * + +CARRIE E.--The book you inquire about is not contained in the "Franklin +Square Library." The only answer possible to your other question was +given in HARPER'S YOUNG PEOPLE No. 15, February 10, 1880. + + * * * * * + +T. H. P.--The line, "Tall oaks from little acorns grow," occurs in a +poem entitled "The School-boy's Address," which is given in old Readers. +The following paragraph in reference to the authorship of this poem has +been kindly written by Mr. Benson J. Lossing, with whose name the +readers of YOUNG PEOPLE are familiar: + + "'The School-boy's Address,' in Bingham's _Columbian Orator_, + beginning, 'You'd scarce expect one of my age,' was written by + David Everett, principal of the New Ipswich (New Hampshire) + Academy, in the winter of 1791, previous to his entrance to + Dartmouth College. It was written for a favorite pupil, Ephraim + Hartwell Farrer, and was spoken at a school exhibition at the + academy that same winter. + + "At the centennial celebration of the founding of New Ipswich, in + 1850, Mr. Farrer, then a white-haired man sixty-six years of age, + was called upon to respond to the toast, 'Rev. Stephen Farrer, the + first pastor of New Ipswich: The memory of the just is blessed.' + Mr. E. H. Farrer was a son of the venerable pastor. When he arose + to respond, his first words were, + + "'You'd scarce expect one of my age + To speak in public on the stage.' + + "These words he had spoken just fifty-nine years before." + + * * * * * + +ALICE B.--You will find a description of a very simple way to make +snow-shoes in a letter from May C. T. in the Post-office Box of HARPER'S +YOUNG PEOPLE No. 65. The best snow-shoes are a light frame-work covered +with a netting of stout thongs, but these would be difficult for you to +obtain, and you could not make them yourself. + + * * * * * + +F. S. K.--The poet Longfellow was born in Portland, Maine, on February +27, 1807. He studied at Bowdoin College, in Brunswick, Maine, graduating +in 1825. Nathaniel Hawthorne, John S. C. Abbott, and some others who +afterward became distinguished literary men, were his classmates. After +leaving college he spent several years in Europe, and on his return, in +1829, became Professor of Modern Languages at Bowdoin College. In 1835 +he again visited Europe, and one year later became Professor of Modern +Languages and Literature at Harvard University. He made his home in the +historic Cragie House, once Washington's head-quarters, which he soon +purchased. Longfellow resigned his position at Harvard in 1854, but +still continues to reside in the historic mansion in Cambridge. Honorary +degrees have been conferred upon him by the Universities of Oxford and +Edinburgh, and his name is dear to the heart of every American. + + * * * * * + +I. CHASE.--The letter from your Prince Edward Island correspondent +published in the Post-office Box of YOUNG PEOPLE No. 62 probably +explains your trouble. + + * * * * * + +C. U.--A five-kreutzer German stamp is worth about two cents, United +States currency. + + * * * * * + +Correct answers to puzzles have been received from Jimmie F. Burns, Lila +Baker, A. E. Cressingham, Richard Owen C., C. D. Chipman, W. K. +Crithens, R. H. Davidson, Linda and Susie Egbert, Philip S. Gillis, +Jesse S. Godine, Carrie and George Hall, Frank H. H., Charles Jefferson, +Norman D. Lippincott, William A. Lewis, Andrew E. P., "Red Lion," +"Starry Flag," Louis K. Sayre, "L. U. Stral," I. W. Trotter, "The Dawley +Boys," Eva J. Turner, Howard J. Van Doren, Bennie C. Woodward, Edith M. +Wetmore, J. Anthony Walker, Willie F. Woolard, "Young Solver." + + * * * * * + +PUZZLES FROM YOUNG CONTRIBUTORS. + +No. 1. + +ENIGMA. + + My first in old, but not in new. + My second in toll, not in curfew. + My third in enemy, not in foe. + My fourth in pack, but not in stow. + My fifth in quarrel, not in fight. + My sixth in heavy, not in light. + I am renowned in ancient song + For something most absurdly long. + + T. H. + + * * * * * + +No. 2. + +NUMERICAL CHARADES. + + 1. I am a famous place in the Western part of the United States, + composed of 14 letters. + My 3, 7, 13, 5 is a twig. + My 7, 2, 14 is a trifle. + My 5, 2, 11, 8 is a small burrowing animal. + My 9, 4, 6, 12 is a curtain. + My 1, 10, 5 is a tropical vegetable. + + WILLIAM A. L. + + 2. I am an English bird composed of 8 letters. + My 1, 2, 3, 4, 5 is one of the cereals. + My 6, 7, 8 is a part of the body. + + CARRIE E. + + 3. I am a flower composed of 6 letters. + My 2, 5, 1 is a verb. + My 3, 6, 4 is a boy's name. + + W. I. T. + + * * * * * + +No. 3. + +CHARADE. + + My first is to be disordered in mind. + My second is a letter of the alphabet. + My third is an illuminating agent. + My fourth is a public conveyance. + My whole is found on the map of the Eastern Hemisphere. + + WILLIE L. K. + + * * * * * + +No. 4. + +DOUBLE ACROSTIC. + +An East Indian tree. Worthless. The ancient name of a country in Europe. +A fish. A river in Germany. Birds belonging to the thrush family. +Primals and finals spell the name of a country. + + HUGH. + + * * * * * + +No. 5. + +ENIGMA. + + First in mend, not in patch. + Second in knob, not in latch. + Third in boat, not in raft. + Fourth in brig, not in craft. + Fifth in sail, not in mast. + Sixth in second, not in last. + My whole is a Southern city gay, + Upon the shore of a lovely bay. + + C. P. M. + + * * * * * + +ANSWERS TO PUZZLES IN No. 68. + +No. 1. + + D A C T Y L + A D O R E + C O Z Y + T R Y + Y E + L + +No. 2. + + C O N T R O V E R S Y + I N D E L I B L E + O M N I B U S + F A V O R + D E N + B + A R T + G U A V A + G A R N I S H + I N V E C T I V E + T H O U G H T L E S S + +No. 3. + +Leadville. + +No. 4. + +A Valentine. + +No. 5. + +Mango. + + + + +WIGGLES. + + +On the following page are a few of the best ideas of Wiggle No. 17, +given in No. 65. We hope that our young contributors whose Wiggles are +omitted will not be greatly disappointed at not seeing their names +published, as has been customary. More than five hundred answers to this +Wiggle were sent in, and to publish all the names would require more +than a column of the Post-office Box space. Therefore the editor has +decided that hereafter no names shall be published save those whose +Wiggles are used. Three "Wigglers"--Joe Ulmer, Ada Allen, and +O. M. W.--hit upon our artist's idea, and sent in correct answers to +Wiggle No. 17. If these three will send their full names and addresses +to the editor, they will hear of something pleasant from him. Will "B," +who gave a correct answer to Wiggle No. 16, also send his or her name +and address? + + + + +HARPER'S YOUNG PEOPLE. + + +SINGLE COPIES, 4 cents; ONE SUBSCRIPTION, one year, $1.50; FIVE +SUBSCRIPTIONS, one year, $7.00--_payable in advance, postage free_. + +The Volumes of HARPER'S YOUNG PEOPLE commence with the first Number in +November of each year. + +Subscriptions may begin with any Number. When no time is specified, it +will be understood that the subscriber desires to commence with the +Number issued after the receipt of the order. + +Remittances should be made by POST-OFFICE MONEY-ORDER OR DRAFT, to avoid +risk of loss. + + HARPER & BROTHERS, + Franklin Square, N. Y. + + + + +[Illustration: SOME DRAWINGS OF WIGGLE No. 17, OUR ARTIST'S IDEA, AND +NEW WIGGLE, No. 18.--SEE PAGE 303.] + + + + + +End of Project Gutenberg's Harper's Young People, March 8, 1881, by Various + +*** END OF THE PROJECT GUTENBERG EBOOK 44981 *** |
