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diff --git a/44850-h/44850-h.htm b/44850-h/44850-h.htm index 66884a3..2013deb 100644 --- a/44850-h/44850-h.htm +++ b/44850-h/44850-h.htm @@ -3,7 +3,7 @@ <html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> <title>Punch, or the London Charivari, May 25th, 1895.</title> @@ -111,46 +111,7 @@ display : none; </style> </head> <body> - - -<pre> - -The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 108, -May 25, 1895, by Various - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - - -Title: Punch, or the London Charivari, Vol. 108, May 25, 1895 - -Author: Various - -Editor: Sir Francis Burnand - -Release Date: February 9, 2014 [EBook #44850] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH, CHARIVARI, MAY 25, 1895 *** - - - - -Produced by Malcolm Farmer, Lesley Halamek and the Online -Distributed Proofreading Team at http://www.pgdp.net - - - - - - -</pre> - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 44850 ***</div> <p><span class="pagenum"><a name="page241" id="page241"></a>[pg 241]</span></p> @@ -178,7 +139,7 @@ the Royal Academy in 1831.]</p></div> beginning of last week it was midsummer weather, and <i>not</i> to have cast off winter clothing and donned light attire would have been deemed "Midsummer -madness." But by Thursday "<i>on a changé tout +madness." But by Thursday "<i>on a changé tout cela</i>," except the clothes, and we were in midwinter! The <i>Daily Telegraph's</i> weather-clerk observed, that all "this @@ -521,7 +482,7 @@ kitchen, as I loathe all birds—but this is <i>not</i> for publication).</p <p>I will show ye the stand of wax-flowers fashioned by my maternal grandmother—which will give ye an opportunity of commenting upon the heredity of genius in my talented family—and ye may peer into -the silver <i>épergne</i> that was presented to my Uncle at the Cattle Show +the silver <i>épergne</i> that was presented to my Uncle at the Cattle Show for a prize pig. Ye will probably think it necessary to make a copy of the inscription.</p> @@ -609,7 +570,7 @@ the stir and excitement of</p> money and we pocket it.</i> No further liabilities whatever.]</p> <p>the world, while we sit at home and tattle over the tea-things and -marry when we're asked. And, <i>à propos</i>, how I longed to tell +marry when we're asked. And, <i>à propos</i>, how I longed to tell <span class="sc">Aspasia</span> that my heart is hers! But I am a man; it was for <i>her</i> to speak.</p> @@ -656,7 +617,7 @@ with.</p> <div class="figleft" style="width: 300px;"><a href="images/245a-680.png"><img src="images/245a-300.png" width="300" height="269" alt="Vocal and Orchestral. Marguerite and Strauss." /></a> <p class="center">Vocal and Orchestral. Marguerite and Strauss.</p></div> -<p><i>Tuesday.</i>—<span class="sc">Boïto's</span> <i>Mefistofele</i>. "An opera that 'grows on +<p><i>Tuesday.</i>—<span class="sc">Boïto's</span> <i>Mefistofele</i>. "An opera that 'grows on you,'" says <span class="sc">Lounger</span> in the Lobby. "If there were a probability of many such growing on <i>you</i>, my dear <span class="sc">Lounger</span>," quoth Sir @@ -677,7 +638,7 @@ is "getting a big girl now." Charming as <i>Margherita</i> and <i>La belle -Hélène</i>. Signor +Hélène</i>. Signor <span class="sc">de Lucia</span> a rather timorous and bashful <i>Faust</i>, with one @@ -688,11 +649,11 @@ and the other for praying the latter to conduct him safely and keep him from temptation to go wrong. <i>Faust</i> in situation of <span class="sc">Toole</span> in <i>The Houseboat</i>, -when he used to exclaim, "<span class="sc">Sarah</span>! I'm slipping!" <span class="sc">Plançon</span> +when he used to exclaim, "<span class="sc">Sarah</span>! I'm slipping!" <span class="sc">Plançon</span> equally good as <i>Jupiter</i> or <i>Mefistofele</i>; this time it is <i>Mefisto</i>.</p> -<p><i>Wednesday.</i>—<i>Le Prophète.</i> In spite of name, unprofitable opera. +<p><i>Wednesday.</i>—<i>Le Prophète.</i> In spite of name, unprofitable opera. Signor <span class="sc">Tamagno</span> (or familiarly <span class="sc">Tam Agno</span>), as <i>Jean of Leyden</i>, rather over-laden, but bearing burthen bravely. <span class="sc">Tam</span> receives big <i>encore</i> @@ -711,13 +672,13 @@ In spite of this, warm welcome to <i>Pagliacci</i> and to Madame <span class="sc Moody</span> as <i>Nedda</i>. She is quite the character: Moody yet lively. <span class="sc">Ancona</span> and <span class="sc">De Lucia</span> good and dramatic as ever as <i>Tonio</i> and -<i>Canio</i>. <i>Début</i> of Miss <span class="sc">Marie Engle</span>, who, whether German or +<i>Canio</i>. <i>Début</i> of Miss <span class="sc">Marie Engle</span>, who, whether German or French, will be a favourite with the Engle-ish, starting uncommonly -well as <i>Little Bo-Peep-Baucis</i>. <i>King Jove-Plançon</i> and +well as <i>Little Bo-Peep-Baucis</i>. <i>King Jove-Plançon</i> and <i>Vulcan-Castelmary</i>, the limping Olympian, excellent as usual. Everyone suffering from wintry blasts in stalls envies <i>Vulcan</i> rubbing his -hands and warming himself at <i>Bonnard-Philémon's</i> fire. Such a +hands and warming himself at <i>Bonnard-Philémon's</i> fire. Such a night in May is enough to knock any piece to shivers. The conductors of the operatic 'bus were, for the first journey, Soothing <span class="sc">Seppilli</span>; and for the second, Beaming <span class="sc">Bevignani</span>.</p> @@ -727,7 +688,7 @@ Cosmopolitan Caste, going stronger than ever. House full and fully satisfied. Hard to please if it had not been so, with <span class="sc">Albani</span> as <i>Elsa</i>,—(says <span class="sc">Wagstaff</span>, affecting a drawl, "Nobody else-a can touch her -in this"),—<i>Jupiter-Plançon</i> as a King, not of gods but men, and +in this"),—<i>Jupiter-Plançon</i> as a King, not of gods but men, and <span class="sc">Bertran</span>, from La Scala, as a <i>First-Knight Lohengrin</i>. As to intruder <i>Ortruda</i> and Terrible <i>Telramonda</i>, these heavy weights are @@ -763,7 +724,7 @@ her illustrious namesake.</p> <p class="ind1">[At Gamlingay, in Cambridgeshire, Mr. <span class="sc">Dew</span> declined to undertake the duties of -cemetery superintendent for a salary of £5, +cemetery superintendent for a salary of £5, and Mr. <span class="sc">Howe</span> was consequently appointed to the post.]</p> @@ -966,7 +927,7 @@ dialogue.</p> <hr class="medium" /> -<p class="ind1"><span class="sc">Politics à la Perkyn Middlewick.</span>—The Radical wire-pullers +<p class="ind1"><span class="sc">Politics à la Perkyn Middlewick.</span>—The Radical wire-pullers now regard the middle-class Walworth voters (for Mr. <span class="sc">Bailey</span>) as "Shop 'uns," and the county division which returned Colonel <span class="sc">Williams</span> as "inferior Dosset"!</p> @@ -992,7 +953,7 @@ Travers</span> <i>and</i> <span class="sc">Muriel Vane</span> <i>on garden-chair <span class="sc">Viola</span> <i>is twenty, dark-eyed, and animated; she holds a scarlet parasol.</i> <span class="sc">Muriel</span> <i>is eighteen; she has very fair hair, parted with puritanical -precision; the naïve innocence of her manner is not without a +precision; the naïve innocence of her manner is not without a suggestion of artistic premeditation.</i></p> <p><i>Muriel</i> (<i>embroidering</i>). It is a marvel to me, <span class="sc">Viola</span>, that @@ -1774,382 +1735,7 @@ adapted from the French.</i></p> <hr /> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. -108, May 25, 1895, by Various - -*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH, CHARIVARI, MAY 25, 1895 *** - -***** This file should be named 44850-h.htm or 44850-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/4/8/5/44850/ - -Produced by Malcolm Farmer, Lesley Halamek and the Online -Distributed Proofreading Team at http://www.pgdp.net - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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