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+The Project Gutenberg EBook of The Mentor: Walter Scott, Vol. 4, Num. 15,
+Serial No. 115, September 15, 1916, by Hamilton W. Mabie
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Mentor: Walter Scott, Vol. 4, Num. 15, Serial No. 115, September 15, 1916
+
+Author: Hamilton W. Mabie
+
+Release Date: December 5, 2013 [EBook #44367]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE MENTOR: WALTER SCOTT ***
+
+
+
+
+Produced by Juliet Sutherland, Melissa McDaniel, and the
+Online Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+Transcriber's Note:
+
+  Inconsistent hyphenation and spelling in the original document have
+  been preserved. Obvious typographical errors have been corrected.
+
+  Italic text is denoted by _underscores_.
+
+
+
+
+     LEARN ONE THING
+     EVERY DAY
+
+     SEPTEMBER 15 1916
+
+     SERIAL NO. 115
+
+     THE
+     MENTOR
+
+     WALTER SCOTT
+
+     By HAMILTON W. MABIE
+     Author and Editor
+
+     DEPARTMENT OF
+     LITERATURE
+
+     VOLUME 4
+     NUMBER 15
+
+     FIFTEEN CENTS A COPY
+
+
+
+
+The Wizard of the North
+
+
+  [Illustration]
+
+The causes of Sir Walter Scott's ascendancy are to be found in the
+goodness of his heart, the integrity of his conduct, the romantic
+and picturesque accessories and atmosphere of his life, the fertile
+brilliancy of his literary execution, the charm that he exercises,
+both as man and artist, over the imagination, the serene, tranquilizing
+spirit of his works, and, above all, the buoyancy, the happy freedom of
+his genius.
+
+  [Illustration]
+
+He was not simply an intellectual power, he was also a human and gentle
+comforter. He wielded an immense mental force, but he always wielded it
+for good, and always with tenderness. It is impossible to conceive of
+his ever having done a wrong act, or of any contact with his influence
+that would not inspire the wish to be virtuous and noble. The scope
+of his sympathy was as broad as are the weakness and need of the human
+race. He understood the hardship in the moral condition of mankind and
+he wished and tried to relieve it.
+
+  [Illustration]
+
+His writings are full of sweetness and cheer, and they contain nothing
+that is morbid--nothing that tends toward surrender or misery. He
+did not sequester himself in mental pride, but simply and sturdily,
+through years of conscientious toil, he employed the faculties of a
+strong, tender, gracious genius for the good of his fellow-creatures.
+The world loves him because he is worthy to be loved, and because
+he has lightened the burden of its care and augmented the sum of its
+happiness.
+
+From "Over the Border" by William Winter
+
+
+
+
+  [Illustration: FLORA MACIVOR--"WAVERLEY"
+
+   COURTESY, THE PAGE COMPANY
+   FROM A DRAWING BY R. W. MACBETH]
+
+
+
+
+Waverley
+
+ONE
+
+
+"Waverley" is a story of the rebellion of the chevalier Prince Charles
+Edward, in Scotland, in 1745.
+
+Edward Waverley, the central figure of the tale, was a captain of
+dragoons in the English army. He obtained a leave of absence from
+his regiment and went to Scotland for a rest, staying at the home of
+Baron Bradwardine. During his stay a band of Highlanders drove off the
+Baron's cattle, and Waverley offered his assistance in recovering them.
+
+Fergus MacIvor was the chief of the band which stole the cattle.
+Waverley met his sister, Flora, and fell in love with her, but she
+discouraged him.
+
+Later Waverley was wounded by a stag; and the rebellion having started
+in the meanwhile, one of the Highlanders, assuming Waverley to be a
+sympathizer, used his name and seal to start a mutiny in Waverley's
+troop. For this reason Waverley was dismissed from his regiment for
+desertion and treason. Indignant at this unjust treatment, Waverley
+joined the rebellion, first, however, returning home in an attempt
+to justify himself. On this trip he was arrested for treason, but was
+rescued by the Highlanders when on his way to the dungeon of Stirling
+Castle.
+
+Waverley served in the war, and when the rebellion was crushed he
+escaped, and later made his way to London. There his name was cleared
+from the false charges, and a pardon obtained for both himself and
+Baron Bradwardine. Flora's brother was executed, and she herself
+retired to a convent at Paris. Waverley married Rose, the beautiful
+daughter of Baron Bradwardine.
+
+One of the most charming scenes in the story took place shortly after
+Waverley met Flora at the home of her brother. Flora had promised to
+sing a Gaelic song for him in one of her favorite haunts. One of the
+attendants guided him to a beautiful waterfall in the neighborhood, and
+there he saw Flora.
+
+"Here, like one of those lovely forms which decorate the landscapes
+of Poussin, Waverley found Flora gazing on the waterfall. Two paces
+farther back stood Cathleen, holding a small Scottish harp, the use of
+which had been taught to Flora by Rory Dall, one of the last harpers
+of the western Highlands. The sun, now stooping in the west, gave a
+rich and varied tinge to all the objects which surrounded Waverley,
+and seemed to add more than human brilliancy to the full, expressive
+darkness of Flora's eye, exalted the richness and purity of her
+complexion, and enhanced the dignity and grace of her beautiful form.
+Edward thought he had never, even in his wildest dreams, imagined a
+figure of such exquisite and interesting loveliness. The wild beauty of
+the retreat, bursting upon him as if by magic, augmented the mingled
+feelings of delight and awe with which he approached her, like a fair
+enchantress of Boiardo or Ariosto, by whose nod the scenery around
+seemed to have been created--an Eden in the wilderness.
+
+"Flora, like every beautiful woman, was conscious of her own power,
+and pleased with its effects, which she could easily discern from
+the respectful yet confused address of the young soldier. But as she
+possessed excellent sense, she gave the romance of the scene and other
+accidental circumstance full weight in appreciating the feelings with
+which Waverley seemed obviously to be impressed; and unacquainted with
+the fanciful and susceptible peculiarities of his character, considered
+his homage as the passing tribute which a woman of even inferior charms
+might have expected in such a situation. She therefore quietly led the
+way to a spot at such a distance from the cascade that its sound should
+rather accompany than interrupt that of her voice and instrument, and
+sitting down upon a mossy fragment of rock, she took the harp from
+Cathleen."
+
+"Waverley" was the first of the world-famous series of romances
+to which it gives the title. It was published anonymously in 1814.
+Although the authorship of the series was generally accredited to
+Scott, it was never formally acknowledged until business conditions
+necessitated it in 1826.
+
+
+
+
+  [Illustration: MEG MERRILIES DIRECTS BERTRAM TO THE CAVE--"GUY
+   MANNERING"
+
+   COURTESY, THE PAGE COMPANY
+   FROM AN ETCHING BY C. O. MURRAY]
+
+
+
+
+Guy Mannering
+
+TWO
+
+
+Guy Mannering, a young Englishman traveling through Scotland, stopped
+one night at the home of the Laird of Ellangowan. When the Laird
+learned that the young man had studied astrology, he begged him to
+cast the horoscope of his son, who had been born that night. What was
+Mannering's dismay to find that two catastrophes overhung the lad,
+one at his fifth, and the other at his twenty-first year! He told the
+father, however, that he might be warned; and later went his way.
+
+The fortunes of the Laird of Ellangowan, Godfrey Bertram, waned
+rapidly. In addition to this, his son, Harry, at the age of five, was
+kidnapped. It was impossible to learn whether the child was alive or
+dead. The boy's mother died from the shock; and some years later the
+Laird himself followed her, leaving his daughter Lucy penniless.
+
+In the meanwhile, Guy Mannering had become Colonel Mannering. He had
+married and had a daughter, Julia. She had fallen in love with a young
+officer, named Vanbeest Brown, who had served in India under Colonel
+Mannering. The colonel objected to him as a suitor, because of the
+obscurity of his birth.
+
+When things were at their worst for Lucy Bertram, Colonel Mannering
+returned to England. Accidentally hearing of the straits to which she
+had been reduced, he at once invited her and her guardian to make their
+home with him and his daughter Julia.
+
+Captain Brown followed the Mannerings to England; and finally he
+proved to be the long lost Harry Bertram, brother of Lucy. He had been
+abducted with the help of Meg Merrilies, a gypsy, and some smugglers,
+at the instigation of a man named Glossin, once agent for the Laird of
+Ellangowan, who had hoped to get possession of the Laird's property.
+He finally succeeded in this; but, after his crime was discovered, he
+died a violent death in prison. Bertram had been kidnapped and taken to
+Holland, where the name of Vanbeest Brown had been given him.
+
+Meg Merrilies is regarded as one of the great characters of fiction.
+
+"The fairy bride of Sir Gawaine, while under the influence of the
+spell of her wicked stepmother, was more decrepit, probably, and what
+is commonly called more ugly, than Meg Merrilies; but I doubt if she
+possessed that wild sublimity which an excited imagination communicated
+to features marked and expressive in their own peculiar character, and
+to the gestures of a form which, her sex considered, might be termed
+gigantic. Accordingly, the Knights of the Round Table did not recoil
+with more terror from the apparition of the loathly lady placed between
+'an oak and a green holly,' than Lucy Bertram and Julia Mannering
+did from the appearance of this Galwegian sibyl upon the common of
+Ellangowan.
+
+"'For God's sake,' said Julia, pulling her purse, 'give that dreadful
+woman something, and bid her go away,'
+
+"'I cannot,' said Bertram: 'I must not offend her.'
+
+"'What keeps you here?' said Meg, exalting the harsh and rough tones
+of her hollow voice. 'Why do you not follow? Must your hour call you
+twice? Do you remember your oath?--were it at kirk or market, wedding
+or burial,'--and she held high her skinny forefinger in a menacing
+attitude....
+
+"Almost stupefied with surprise and fear, the young ladies watched
+with anxious looks the course of Bertram, his companion, and their
+extraordinary guide. Her tall figure moved across the wintry heath
+with steps so swift, so long, and so steady, that she appeared rather
+to glide than to walk. Bertram and Dinmont, both tall men, apparently
+scarce equaled her in height, owing to her longer dress and high
+headgear. She proceeded straight across the common, without turning
+aside to the winding path by which passengers avoided the inequalities
+and little rills that traversed it in different directions. Thus the
+diminishing figures often disappeared from the eye as they dived into
+such broken ground, and again ascended to sight when they were past the
+hollow. There was something frightful and unearthly, as it were, in the
+rapid and undeviating course which she pursued, undeterred by any of
+the impediments which usually incline a traveler from the direct path.
+Her way was as straight, and nearly as swift, as that of a bird through
+the air. At length they reached those thickets of natural wood which
+extended from the skirts of the common towards the glades and brook of
+Derneleugh, and were there lost to the view."
+
+"Guy Mannering" was published in 1815, the second of the Waverley
+novels to appear. It is said to have been the result of six weeks'
+work. There are less than forty characters in the book, and the plot is
+not very complicated.
+
+
+
+
+  [Illustration: EFFIE DEANS AND GEORDIE--"HEART OF MIDLOTHIAN"
+
+   COURTESY, THE PAGE COMPANY
+   FROM THE PAINTING BY SIR J. E. MILLAIS]
+
+
+
+
+Heart of Midlothian
+
+THREE
+
+
+In "Heart of Midlothian" Scott set himself to draw his own people
+at their best. The real heroine of the book is Jeanie Deans, whose
+character was drawn from that of Helen Walker, the daughter of a farmer
+in Scotland. With a few variations Jeanie's story was hers.
+
+Effie Deans, the sister of Jeanie, was doomed to death for child
+murder. Jeanie might have saved her on the witness stand by lying; but
+this she could not do even to save her sister. However, she showed the
+depth of her love by going on foot all the way to London and getting a
+pardon from the king.
+
+Effie was released; but even before Jeanie reached home, she eloped
+with her betrayer, George Staunton, who married her and took her to
+London with him. There they lived as Lord and Lady Staunton, for George
+succeeded to the title of his father.
+
+Jeanie married a Presbyterian minister, and by a combination of
+circumstances, learned that Effie's son had never really been killed,
+but had been given to the care of Meg Murdockson, whose daughter Madge
+had also been betrayed by Staunton, or Geordie Robertson, as he was
+known in Scotland.
+
+When Sir George Staunton learned this, he was anxious to discover the
+whereabouts of his son. He traced him to a certain band of vagabonds,
+of which Black Donald was the chief. Staunton attempted to arrest the
+leader, but in the affray was shot by a young lad called the Whistler.
+This lad later proved to be his long lost son.
+
+Effie, who was now Lady Staunton, overcome with grief, attempted to
+drown her sorrows in the gayeties of the fashionable world. But this
+was in vain. She could not forget her grief, and finally she retired to
+a convent in France, where she remained until her death.
+
+Jeanie and her husband were given a good parish by the Duke of Argyle,
+and through Effie's influence the children of her sister were helped
+greatly.
+
+"Heart of Midlothian" was first published anonymously in 1818. It
+takes its name from the Tolbooth, or old jail of Edinburgh, where Scott
+imagined Effie to have been in prison. This book has fewer characters
+than any other of Scott's novels. It has also a smaller variety of
+incidents, and less description of scenery. One of the most touching
+scenes in all fiction is that in which Jeanie visits her sister in the
+prison under the eyes of the jailor, Ratcliffe.
+
+"Ratcliffe marshalled her the way to the apartment where Effie was
+confined.
+
+"Shame, fear, and grief, had contended for mastery in the poor
+prisoner's bosom during the whole morning, while she had looked forward
+to this meeting; but when the door opened, all gave way to a confused
+and strange feeling that had a tinge of joy in it, as, throwing herself
+on her sister's neck, she ejaculated: 'My dear Jeanie!--my dear Jeanie!
+It's lang since I hae seen ye.' Jeanie returned the embrace with an
+earnestness that partook almost of rapture, but it was only a flitting
+emotion, like a sunbeam unexpectedly penetrating betwixt the clouds
+of a tempest, and obscured almost as soon as visible. The sisters
+walked together to the side of the pallet bed, and sat down side by
+side, took hold of each other's hands, and looked each other in the
+face, but without speaking a word. In this posture they remained for
+a minute, while the gleam of joy gradually faded from their features,
+and gave way to the most intense expression, first of melancholy, and
+then of agony, till, throwing themselves again into each other's arms,
+they, to use the language of Scripture, lifted up their voices and wept
+bitterly.
+
+"Even the hard-hearted turnkey, who had spent his life in scenes
+calculated to stifle both conscience and feeling, could not witness
+this scene without a touch of human sympathy. It was shown in a
+trifling action, but which had more delicacy in it than seemed to
+belong to Ratcliffe's character and station. The unglazed window of the
+miserable chamber was open and the beams of a bright sun fell right
+upon the bed where the sufferers were seated. With a gentleness that
+had something of reverence in it, Ratcliffe partly closed the shutter,
+and seemed thus to throw a veil over a scene so sorrowful."
+
+
+
+
+  [Illustration: THE BLACK KNIGHT AT THE HERMITAGE--"IVANHOE"
+
+   COURTESY, THE PAGE COMPANY
+   FROM A DRAWING BY AD. LALAUZE]
+
+
+
+
+Ivanhoe
+
+FOUR
+
+
+Sir Wilfred, Knight of Ivanhoe, a young Saxon knight, brave and
+handsome, was disinherited by his father because he loved Rowena, a
+Saxon heiress and a ward of his father. He therefore went on a crusade
+to Palestine with Richard the Lion Hearted. Returning, under the name
+of Desdichado (The Disinherited) he entered the lists of the Ashby
+Tournament: and, having won the victory, he was crowned by the Lady
+Rowena.
+
+At this tournament there was one knight in particular who aided
+Ivanhoe. This was the Black Knight, and his feats of valor set all the
+spectators to wondering who he might be. He was in reality Richard the
+Lion Hearted, the Crusader, King of England.
+
+Just at this time King Richard's younger brother, John, was conspiring
+to take the throne of England from him. One of his fellow conspirators
+was Maurice de Bracy, who was in love with Rowena. He captured her as
+she was returning from the tournament, and imprisoned her in the Tower
+of Torquilstone.
+
+Ivanhoe, who was wounded in the tournament, was cared for by Isaac of
+York and his daughter, Rebecca. She fell in love with him, but realized
+that she could never marry him; and knowing that Ivanhoe loved Rowena,
+she offered to give any sum of money for her release.
+
+This was not effected, however, until Torquilstone had been besieged
+by Locksley, who was really Robin Hood, and his men, led by the Black
+Knight. The Black Knight had come upon this band in his wanderings
+through Sherwood Forest. He ran across the little chapel of the Hermit,
+one of Locksley's men, in the the following manner:
+
+"The entrance to this ancient place of devotion was under a very
+low round arch, ornamented by several courses that zigzag moulding,
+resembling shark's teeth, which appears so often in the more ancient
+Saxon architecture. A belfry rose above the porch on four small
+pillars, within which hung the green and weatherbeaten bell, the feeble
+sounds of which had been some time before heard by the Black Knight.
+
+"The whole peaceful and quiet scene lay glimmering in twilight before
+the eyes of the traveler, giving him good assurance of lodging for
+the night; since it was a special duty of those hermits who dwelt
+in the woods to exercise hospitality towards benighted or bewildered
+passengers.
+
+"Accordingly, the knight took no time to consider minutely the
+particulars which we have detailed, but thanking Saint Julian (the
+patron of travelers), who had sent him good harborage, he leaped from
+his horse and assailed the door of the hermitage with the butt of his
+lance, in order to arouse attention and gain admittance."
+
+The Hermit who lived there and who gave the Black Knight food and
+lodging, was Friar Tuck.
+
+Finally Rowena was rescued and married Ivanhoe. Rebecca was carried
+away by the Templar Bois-Guilbert, who was madly and vainly in love
+with her, to the Preceptory of Templestowe, and convicted of sorcery.
+She was condemned to be burned alive, but was allowed a trial by
+combat. Ivanhoe was her champion, and in the contest with the Templar
+he was the victor. Rebecca was then pronounced guiltless and freed.
+
+"Ivanhoe" is one of Scott's most famous novels. It was written and
+published in 1819. The manuscript is now at Abbotsford.
+
+
+
+
+  [Illustration: VARNEY, LEICESTER AND AMY ROBSART--"KENILWORTH"
+
+   COURTESY, THE PAGE COMPANY
+   FROM A DRAWING BY AD. LALAUZE.]
+
+
+
+
+Kenilworth
+
+FIVE
+
+
+The central figure in "Kenilworth" is that of Queen Elizabeth of
+England, but the real heroine is Amy Robsart. She was the daughter
+of Sir Hugh Robsart. The Earl of Leicester, infatuated by her charms,
+married her secretly. He then established her at Cumnor Place, a lonely
+manor house. There she lived alone with one or two attendants. But she
+bore her solitude with pleasure as long as she was sure that Leicester
+loved her.
+
+However, Leicester and the Earl of Surrey were rivals for the favor
+of Queen Elizabeth. In fact, each hoped that he might wed her; and,
+therefore, Leicester did not want his marriage to Amy made public.
+
+Edmund Tressilian, who had been engaged to Amy, discovered her
+hiding place, and, not knowing that she was married, tried in vain to
+induce her to return home. Then he appealed to the queen; and when a
+disclosure of the truth seemed inevitable, Richard Varney, Leicester's
+closest friend, affirmed that Amy was his wife. Varney was then ordered
+to appear with her at the approaching revels at Kenilworth Castle,
+which belonged to the Earl of Leicester.
+
+Leicester and Varney went to Amy and endeavored to persuade her to pose
+for a short time as Varney's wife.
+
+"'How, my Lord of Leicester,' said the lady, disengaging herself from
+his embraces, 'is it to your wife you give the dishonourable counsel to
+acknowledge herself the bride of another--and of all men, the bride of
+that Varney?'
+
+"'Madam, I speak it in earnest--Varney is my true and faithful servant,
+trusted in my deepest secrets. I had better lose my right hand than his
+service at this moment. You have no cause to scorn him as you do.'
+
+"'I could assign one, my Lord,' replied the Countess; 'and I see he
+shakes even under that assured look of his. But he that is necessary
+as your right hand to your safety, is free from any accusation of mine.
+May he be true to you; and that he may be true, trust him not too much
+or too far. But it is enough to say, that I will not go with him unless
+by violence, nor would I acknowledge him as my husband, were all--'
+
+"'It is a temporary deception, madam,' said Leicester, irritated by her
+opposition, 'necessary for both our safeties, endangered by you through
+female caprice, or the premature desire to seize on a rank to which
+I gave you title only under condition that our marriage, for a time,
+should continue secret. If my proposal disgust you, it is yourself has
+brought it on both of us. There is no other remedy--you must do what
+your own impatient folly hath rendered necessary--I command you.'
+
+"'I cannot put your commands, my Lord,' said Amy, 'in balance with
+those of honor and conscience. I will _not_, in this instance, obey
+you. You may achieve your own dishonor, to which these crooked policies
+naturally tend, but I will do naught that can blemish mine. How could
+you again, my Lord, acknowledge me as a pure and chaste matron, worthy
+to share your fortunes, when, holding that high character, I had
+strolled the country the acknowledged wife of such a profligate fellow
+as your servant Varney?'"
+
+Later Varney attempted to drug her; and in fear of her life she escaped
+and made her way to Kenilworth. She could not get to her husband,
+however; and she was discovered and misjudged by Tressilian. Queen
+Elizabeth found her half fainting in a grotto, but Varney kept her from
+learning the truth by persuading the queen that Amy was insane. He also
+made Leicester believe that she was false and really loved Tressilian,
+a thing which was not true.
+
+For this reason Leicester gave him his signet ring and authority to act
+for him. Amy was hurriedly taken back to Cumnor Place.
+
+In the meanwhile Leicester, who really loved Amy, and soon discovered
+the injustice of his suspicions, confessed everything to Queen
+Elizabeth. The queen, feeling herself insulted, treated him with scorn
+and contempt; but she immediately dispatched Tressilian and Sir Walter
+Raleigh to bring Amy back to Kenilworth. They arrived just too late.
+Amy, decoyed from her room, stepped on a trap-door prepared by Varney,
+and plunged to her death. After her tragic taking off, Tressilian fell
+into profound melancholy and died soon after, "young in years, but old
+in grief."
+
+"Kenilworth" appeared in 1819. It was the second of Scott's great
+romances drawn from English history, and is regarded as one of the most
+delightful of English historical romances.
+
+
+
+
+  [Illustration: LUCY AND THE MASTER--"THE BRIDE OF LAMMERMOOR"
+
+   COURTESY, THE PAGE COMPANY
+   FROM THE PAINTING BY SIR J. E. MILLAIS]
+
+
+
+
+The Bride of Lammermoor
+
+SIX
+
+
+Edgar, Master of Ravenswood, was the son of Allan, Lord Ravenswood.
+His father had fought in the Revolution of 1688, and his side had been
+vanquished. For this his title had been abolished and his estate taken
+from him. He had fought hard for his rights in the courts, but in
+vain, and at length he died breathing curses on Sir William Ashton, who
+became owner of the estates.
+
+Edgar, the son, penniless and proud, had vowed vengeance on the family
+of Sir William Ashton. However, in spite of this, he fell in love with
+Lucy, Sir William's daughter. They became engaged secretly.
+
+"Ravenswood found Lucy seated alone by the ruin....
+
+"'I like this spot,' said Lucy at length, as if she had found the
+silence embarrassing: 'the bubbling murmur of the clear fountain, the
+waving of the trees, the profusion of grass and wild-flowers, that rise
+among the ruins, make it like a scene in romance. I think, too, I have
+heard it is a spot connected with the legendary lore which I love so
+well.'
+
+"'It has been thought,' answered Ravenswood, 'a fatal spot to my
+family; and I have some reason to term it so, for it was here I first
+saw Miss Ashton--and it is here I must take my leave of her for ever.'
+
+"'To take leave of us, Master!' she exclaimed; 'what can have happened
+to hurry you away?--I know Alice hates--I mean dislikes, my father--and
+I hardly understood her humor to-day, it was so mysterious. But I
+am certain my father is sincerely grateful for the high service you
+rendered us. Let us hope that having won your friendship hardly, we
+shall not lose it lightly.'
+
+"'Lose it, Miss Ashton?' said the Master of Ravenswood. 'No--wherever
+my fortune calls me--whatever she inflicts upon me--it is your
+friend--your sincere friend, who acts or suffers. But there is a fate
+on me, and I must go, or I shall add the ruin of others to my own.'
+
+"'Yet do not go from us. Master,' said Lucy; and she laid her hand,
+in all simplicity and kindness, upon the skirt of his cloak, as if to
+detain him. 'You shall not part from us. My father is powerful, he has
+friends that are more so than himself--do not go till you see what his
+gratitude will do for you. Believe me, he is already laboring in your
+behalf with the Council.'
+
+"'It may be so,' said the Master proudly; 'yet it is not to your
+father, Miss Ashton, but to my own exertions, that I ought to owe
+success in the career on which I am about to enter. My preparations are
+already made--a sword and a cloak, and a bold heart and a determined
+hand.'
+
+"Lucy covered her face with her hands, and the tears, in spite of her,
+forced their way between her fingers. 'Forgive me,' said Ravenswood,
+taking her right hand, which, after slight resistance, she yielded
+to him, still continuing to shade her face with the left. 'I am too
+rude--too rough--too intractable to deal with any being so soft and
+gentle as you are. Forget that so stern a vision has crossed your
+path of life--and let me pursue mine, sure that I can meet no worse
+misfortune after the moment it divides me from your side.'
+
+"Lucy wept on, but her tears were less bitter. Each attempt which
+the Master made to explain his purpose of departure only proved a new
+evidence of his desire to stay; until, at length, instead of bidding
+her farewell, he gave his faith to her for ever, and received her troth
+in return. The whole passed so suddenly, and arose so much out of the
+immediate impulse of the moment, that ere the Master of Ravenswood
+could reflect upon the consequences of the step which he had taken,
+their lips, as well as their hands, had pledged the sincerity of their
+affection."
+
+But Lucy's mother, the ambitious Lady Ashton, endeavored to force
+her daughter to marry another. Lady Ashton was proud and vindictive,
+and she hated the Ravenswood family with such intensity that she
+did not scruple at any means to deceive Lucy into believing her love
+unfaithful. Lucy, on the other hand, was gentle and timid. Her mother
+called her, in derision, the "Lammermoor Shepherdess," to show that she
+considered Lucy plebeian in her tastes.
+
+In the struggle, Lucy went mad. Ravenswood, thinking himself rejected,
+came to an untimely end.
+
+"The Bride of Lammermoor" is in that group of the Waverley novels
+called "Tales of My Landlord." The plot was suggested by an incident in
+the family of the Earls of Stair. The scene is laid on the east coast
+of Scotland, in the year 1700. Though somber and depressing, "The Bride
+of Lammermoor" was very popular. The plot was used by Donizetti, the
+Italian composer, for his opera Lucia di Lammermoor.
+
+
+
+
+WALTER SCOTT
+
+By HAMILTON W. MABIE
+
+_Author and Editor_
+
+
+_MENTOR GRAVURES_
+
+     LUCY AND THE MASTER
+       "_The Bride of Lammermoor_"
+
+     THE BLACK KNIGHT AT THE HERMITAGE
+       "_Ivanhoe_"
+
+     VARNEY, LEICESTER AND AMY ROBSART
+       "_Kenilworth_"
+
+     FLORA MacIVOR
+       "_Waverley_"
+
+     MEG MERRILIES DIRECTS BERTRAM TO THE CAVE
+       "_Guy Mannering_"
+
+     EFFIE DEANS AND GEORDIE
+       "_Heart of Midlothian_"
+
+Entered as second-class matter March 10, 1913, at the postoffice at New
+York, N. Y., under the act of March 3, 1879. Copyright, 1916, by The
+Mentor Association, Inc.
+
+  [Illustration: Bust of Sir Walter Scott
+   By Sir Francis Chantrey]
+
+
+                 THE MENTOR . DEPARTMENT OF LITERATURE
+                           SEPTEMBER 15, 1916
+
+
+A noted English critic said that he never sat down to write about
+Sir Walter Scott without a sense of elation and happiness; and he
+might have added without a sense of satisfaction. For the author of
+the Waverley Novels was a clean, wholesome, loyal human soul. The
+out-of-door vigor of the Highlands found in him not only a chronicler
+but an incarnation. At the end, when his strength was failing, his
+brain becoming darkened, the battle apparently going against him, his
+struggle against disaster became a moral victory and his character took
+on heroic proportions. At a time when so much writing is impaired by
+egotism, and mental and moral disease give prose and verse the odor of
+the hospitals, Scott brings a tonic atmosphere with him.
+
+He was a fortunate man; he was born in a country which he understood,
+at a time when the men, women, and events he wrote about were in the
+past but not too far in the past; and he was well born in the best
+sense. He came at the right time, in the right place, and of the right
+ancestry. In a word, he was in harmony with the conditions of his life,
+and he was spared the antagonism which often bends and sometimes breaks
+a promising talent and distorts a wholesome nature. Like Goethe he had
+a methodical father, of orderly habit, and a mother of generous heart,
+a vivid memory and the gift of pictorial talk. He said of her that if
+he had been able to paint past times it was largely because of "the
+studies with which she presented me." She had talked with a man who
+remembered the battle of Dunbar; and the day before her last illness
+she told, with great accuracy of detail, the real story of the Bride
+of Lammermoor, and indicated the points in which it differed from her
+son's famous novel. To his father Scott owed his steadiness of aim and
+his indomitable industry; to his mother he owed his vivid energy of
+mind, his tireless curiosity.
+
+  [Illustration: PORTRAIT OF SCOTT
+   By Sir Henry Raeburn]
+
+To Scotland his debt was even greater. Born in Edinburgh in 1771, four
+years before the beginning of the American Revolution, an illness in
+his second year sent him to reside with his grandfather in a country
+of crags and in the neighborhood of a ruined tower. In fine weather
+the shepherd took him to the places where the sheep were grazing
+and laid him on the ground among them. He was forgotten one day, and
+a thunderstorm broke on him. When he was found he was calling out,
+"bonny! bonny!" at each flash of lightning. His illness made him lame
+for life, but he was a boy of sweet temper and a winning disposition.
+Lameness did not daunt him; he learned to climb with great agility
+and to keep his saddle with the best of them. At the age of six he
+was reciting ballads with zest and fire, and he showed very early the
+spirit which made him a story-teller and a man of dauntless courage.
+
+
+The Boyhood of Scott
+
+At school he was noted as a daring climber, a pertinacious fighter,
+an irregular student, and a teller of fascinating tales. In the High
+School he was "more distinguished in the yards than in the class." In
+1783 he entered the Humanity and Greek classes in the University of
+Edinburgh, but his education was directed by his genius rather than by
+the school and college curriculum. He began on his grandfather's farm,
+Sandy-Knowe, in a landscape that runs to the Cheviot Hills and the
+slopes of Lammermoor, where he lay, a "puir lame laddie," on the turf
+among the sheep. Out of a volume of Ramsay's "Tea Table Miscellany" he
+was taught "Hardy Knute," long before he could read the ballad. "It was
+the first poem I ever learned," he wrote years afterwards, "the last
+I shall ever forget." His grandmother knew all the wild and romantic
+stories of the Border and the eager boy listened with his heart and
+imagination. He had only to look across the countryside to see many
+of the places where these moving events had happened: the peaks of
+Peebleshire, the crags of Hume, the landmarks of Ettrick and Yarrow;
+the Brethren Stanes were among the objects that "painted the earliest
+images on the eye of the last and greatest of the Border Minstrels."
+
+When he was thirteen years old he came upon one of those books that
+open the world of imagination to boys and girls of genius. He was
+visiting his aunt in Kelso, which he describes as the most beautiful if
+not the most romantic village in Scotland. The house stood in a garden
+in which there was a great platanus tree (plane tree), and under its
+branches, one summer afternoon, he opened "Percy's Reliques," which
+had appeared nineteen years before, and the magic of the old, stirring
+ballads which Bishop Percy had piously brought together, laid a spell
+upon him which was never broken. "The summer day sped onward so fast,"
+he wrote long afterwards, "that notwithstanding the sharp appetite of
+thirteen, I forgot the hour of dinner, was sought for with anxiety, and
+was still found entranced in my intellectual banquet." As soon as he
+could "scrape five shillings together" he bought the volumes and read
+no other books so often or with such enthusiasm.
+
+  [Illustration: ABBOTSFORD, SCOTLAND
+   The home of Walter Scott]
+
+This vital education for the work he was to do was not interrupted
+by his studies at the University. Hosts of Americans have climbed
+Arthur's Seat and picked bluebells and looked down on one of the
+most picturesque cities in Europe. Scott climbed this famous hill
+and Salisbury Crags or Blackford Hill on Saturdays and in vacation,
+carrying a bundle of books from a circulating library; and, overlooking
+one of the most enchanting landscapes in Scotland, read Spenser,
+Ariosto and other masters of romance. He learned to read Italian
+and Spanish so as to get direct access to "Don Quixote" and the
+"Decameron"; and Froissart he came to know almost by heart.
+
+
+Edinburgh and the Highlands
+
+Edinburgh was an illustrated edition of a great deal of Scotch history,
+and Scott left no part of the old town unvisited. He spent so much
+time exploring the country within reach that his father protested
+that he was becoming a strolling peddler. "Show me an old castle or a
+battlefield," he wrote, "and I was at home at once, filled it with its
+combatants in their proper costume, and overwhelmed my hearers by the
+enthusiasm of my description." So he came to know not only the spirit
+but the "form and presence" of feudalism and the ideals and code of
+manners of chivalry.
+
+  [Illustration: SIR WALTER SCOTT
+   From the painting by J. P. Knight]
+
+  [Illustration: ABBOTSFORD
+   A near view]
+
+His education went a step farther when he saw the Highlands for the
+first time in 1787. The traditions of 1715 and 1745, when the Highland
+chiefs had engaged in brave but futile attempts to restore the exiled
+Stuarts to the throne which those ill-starred Kings had forfeited by
+their inability to understand the English people, were still fresh on
+the Border. Men who had taken part in the rising of 1745 were still
+living, and Scott was fortunate enough to be the guest of one of them.
+He was to write the stories of wild Scotland as no historian had or
+could write them, and on this memorable visit he was to hear the tales
+of stirring and romantic deeds from one who had played a part in them,
+and he was to see with the eyes of youth the landscape on which they
+had been enacted. It was a happy hour in which the boy who was to
+write "Waverley" and "Rob Roy" heard from a veteran the stories of
+battle, of dashing foray, of daring deeds and hairbreadth escapes. "To
+know men who had known Rob Roy, to hear the story of the two risings
+which had shaken Scotland like an earthquake, to be a guest in remote
+and lonely castles, to be guided through wild defiles and over vast
+mountain ranges by kilted clansmen whose speech was only Gaelic and
+whose claymores were still at the service of their chiefs--this was the
+real education of the writer who was to be the scribe of his country,
+the truest of her historians."
+
+This first-hand education in romantic history was supplemented by the
+eager reading of military exploits, of medieval romance and legend, of
+the songs of the Border, of Ariosto and Cervantes. The author of "Don
+Quixote," he said later, "first inspired him with the ambition to excel
+in fiction." He was also fortunate in the possession of a memory which
+held tenaciously everything that contributed to his future work and let
+unrelated things slip through its meshes.
+
+  [Illustration: THE LIBRARY, ABBOTSFORD]
+
+He studied law and practised at the bar in a desultory way for
+fourteen years. He was appointed "Sheriff of the Court" of Ettrick,
+a position to which a comfortable salary was attached, and for five
+years he acted, without salary, as a Clerk of Sessions in the court in
+Edinburgh. He was recognized as an able man, and he was interested in
+the historical aspects of Scotch law, in its "quips and quiddities,"
+and his knowledge of its processes was shown in his novels; but he was
+an impatient and uninterested practitioner, and long before he formally
+gave up the profession he was writing poetry. While poetry and law have
+often been on good terms they have never been happy partners.
+
+  [Illustration: THE STUDY, ABBOTSFORD
+   This room is lined with Scott's favorite books and works of reference.
+   The bedroom that he used opens directly into the study.]
+
+  [Illustration: SIR WALTER SCOTT
+   From the painting by C. R. Leslie, R. A.]
+
+
+Marriage
+
+During this period Scott's affections were deeply engaged, and but
+for the interference of parents he would probably have married a
+young woman of singularly beautiful nature. His love had a very deep
+influence on his character, and it remained to the end the great
+passion of his life. In 1797 he married the daughter of a French
+royalist who, after her brother's death, came to England. She was
+described as a "lively beauty," of no great depth of nature, but she
+had humor and high spirits and she was true-hearted. He protected her
+from care, and their life together was a happy one. She was not a mate
+for her husband, but she basked in the sunshine of his prosperity, and
+she was brave in adversity.
+
+  [Illustration: SIR WALTER SCOTT AND HIS FRIENDS AT ABBOTSFORD
+
+From the painting by Thomas Faed. Those in the picture, reading from
+left to right, are, sitting: Sir Walter Scott; Henry Mackenzie, the
+Scottish novelist; George Crabbe, the English poet; John Gibson
+Lockhart, the son-in-law of Scott, and his biographer; William
+Wordsworth, the English Poet Laureate from 1843 to 1850; Francis, Lord
+Jeffrey, the Scottish critic, essayist, and jurist; Adam Ferguson, the
+Scottish philosopher and historian; John Moore, the Scottish physician
+and writer; Thomas Campbell, the writer, and Lord Rector of the
+University of Glasgow from 1826 to 1829; Archibald Constable, Scott's
+publisher from 1805 to 1826; standing: John Wilson, who wrote under the
+pseudonym of Christopher North; John Allen, the British political and
+historical writer; Sir David Wilkie, the Scottish painter.]
+
+
+Entrance Into Literature
+
+Scott made the transition from law to literature gradually. He
+published a translation of Burger's "Lenore" in 1795. While he was
+at the University he began to collect the materials which made up the
+three volumes of "The Minstrelsy of the Scottish Border," a collection
+of ballads old and new in which the "old, simple, violent world" lived
+again in song and story. The making of these books was congenial work,
+and carried still further Scott's education in the spirit and temper of
+the Scotland of clans and feuds, of reckless border warfare, dashing
+foray, fierce revenge and superstition. The various introductions and
+notes which accompanied the ballads show Scott's painstaking care for
+fact and detail; he combined in rare degree the romantic spirit, the
+antiquarian's zeal for the small details of history, and the methodical
+habits of the literary drudge.
+
+In 1805, in his thirty-fourth year, "The Lay of the Last Minstrel"
+appeared and secured a popular success of unprecedented proportions.
+The picturesque or pictorial quality of the poem and its unqualified
+romanticisms gave it a very broad appeal. It was popular in the good
+sense of the word. Mountains and wild landscapes generally, which had
+been shunned for generations, were coming into fashion, so to speak.
+They have been "in fashion" ever since, and today their appeal to
+city folk, to tired people, to men and women of imagination and active
+temperament, is irresistible. To Dr. Johnson Scotland was a wild and
+dreary waste, to Scott it was a wonderland; and a wonderland it has
+remained ever since. In the confusion of an age when every sort of
+opinion gets into print the "call of the wild" has a trumpet tone.
+"I am sensible," wrote Scott, "that if there be anything good about
+my poetry or prose either, it is a hurried frankness of composition
+which pleases soldiers, sailors, and young people of bold and active
+dispositions."
+
+  [Illustration: THE LADY OF THE LAKE
+   From the group by J. Adams Acton]
+
+  [Illustration: EFFIE DEANS AND HER SISTER, JEANIE, IN PRISON
+   This picture, illustrating Jeanie Deans' visit to her accused sister,
+   as related in "Heart of Midlothian," is from the painting by R.
+   Herdman]
+
+Three years later the strongest and most stirring of the poems,
+"Marmion," appeared. It is a poem of scenery as well as of action, its
+descriptions are both exact and living; it tells a story with clear
+and compelling vigor, and it shows at their best two of Scott's really
+great qualities: simplicity and energy. It lacked the delicate shading
+of the verbal music which gave some later English poetry a magical
+charm; but it had a fine strength of outline, a noble ruggedness. He
+said later that he loved the sternness and bold nakedness of the Border
+landscape, and that if he did not see the heather at least once a year
+he believed he would die. "The Lady of the Lake," "The Lay of the Last
+Minstrel," "The Lord of the Isles," were less effective, but the fresh
+vitality of the Highlands was in them all.
+
+
+The Crash of His Fortunes
+
+The Waverley Novels have so long stood in the forefront of Scott's
+literary achievements that it is difficult to put them out of view
+and remember that in 1814, when Scott was forty-four years old, he was
+known to the world as a poet who had laid a spell on the imagination of
+his generation. He had "broken the record" so far as monetary returns
+for poetry were concerned. Milton received about one hundred dollars
+for "Paradise Lost" and Dr. Johnson was paid about seventy-five dollars
+for "The Vanity of Human Wishes," while "The Lay of the Last Minstrel"
+brought Scott nearly four thousand dollars; for "Marmion" he received
+five thousand dollars in advance of publication, and for one-half the
+copyright of "The Lord of the Isles" he was paid over seven thousand
+five hundred dollars. He was unaware of the enormous earning powers
+which he was later to develop; he had given up his profession, and
+he longed for an income which would support his family on the scale
+which his tastes and natural generosity dictated. To secure financial
+independence he brought James Ballantyne, a former school-mate and
+editor of a local newspaper, to Edinburgh and lent him money enough
+to start a printing business. This was in 1802; three years later he
+became a silent partner with Ballantyne and his brother. In 1809 he
+took a still more venturesome step and started the publishing house of
+John Ballantyne & Company. The two brothers were men of small ability,
+and entirely without knowledge of the business on which they embarked;
+they knew something about printing but nothing about publishing. Scott
+was equally ignorant of business methods; he was a man of generous
+nature and lavish tastes, and between the recklessness of his partners,
+for which he was largely responsible, and his lavish use of money, he
+was soon in financial difficulties and a crash would have come early if
+the phenomenal popularity of the novels had not postponed the evil day.
+
+  [Illustration: PORTRAIT OF SCOTT
+   By Sir Thomas Lawrence]
+
+In 1812 he bought the farm at Abbotsford, to the ownership of which he
+had long looked forward. The country was lovely, the four acres grew
+into a great estate, the farm cottage became a stately mansion, as all
+traveled Americans know, and the owner lived like a Scotch laird but
+without a laird's steady income. He entertained lavishly and lived in
+feudal state, happy in his friends, his tenants, his horses and dogs.
+But the land alone cost more than a hundred and fifty thousand dollars!
+
+  [Illustration: A GLIMPSE OF ABBOTSFORD]
+
+In 1805 Scott was the most popular poet in Great Britain. He had opened
+a fresh field, he had command of the magic of romance which always has
+and always will, in spite of temporary changes of taste, cast a spell
+over the imagination of men; his style was simple and his method plain;
+all classes of readers could understand him. During the next ten years
+he published six or seven long poems of varying merit. When the last of
+these, "The Lord of the Isles," appeared in 1815, the popular interest
+had diminished in volume and intensity, and the poet was in serious
+financial difficulties as the result of his lavish scale of living and
+the mismanagement of his business enterprises.
+
+
+The Waverley Novels
+
+At the moment when ruin faced him he found himself suddenly in the
+possession of a great income from an unexpected source. In 1805 he had
+written, almost at a sitting, an instalment of a story of the uprising
+of 1745 in a futile attempt to restore the exiled Stuart, Charles
+Edward, to the throne. In 1814 he completed the story and published
+it anonymously under the title of "Waverley." The novel was written in
+what the oarsmen call a "spurt"; not because the novelist was writing
+carelessly at breakneck speed for immediate income, but because he
+was a tremendous worker and more concerned with the general movement
+and human interest of the story in hand than with the details of its
+workmanship. To immense energy of mind and body Scott united patience
+and methodical habits of work, as he added to a romantic imagination
+keen interest in the business of life and in the smallest detail of
+practical affairs. His appetite for facts was as marked as his capacity
+for sentiment. Scott had breadth and vigor rather than delicacy of
+imagination; that is one reason why he is out of fashion at a time
+when men want to know not only what people do but why and how they do
+it. He saw men and events in the rough; he was interested in striking
+historical incidents and events, in strongly-marked characters, in
+actions rather than in moods. In a word, Scott was a writer who took
+the world as he found it, and described it as he saw it, without
+any strong desire to reform it. He was a Tory in politics, a strong
+adherent of an ordered society; a good, sound man not haunted by
+misgiving and questioning about the general order of things.
+
+Scott's novels were literally poured out during fifteen wonderful
+years; and even then the broken man could still apply the whip to his
+exhausted and crippled brain. The popular success of the novels was
+unprecedented in the history of literature. It is estimated that Scott
+earned with his pen not less than three-quarters of a million dollars.
+The earlier stories were the best: "The Antiquary," "Old Mortality,"
+"Rob Roy," "Heart of Midlothian," "Guy Mannering." These were followed
+by the series of semi-historical novels with their brilliant historical
+portraits: "Ivanhoe," the most popular though by no means the best of
+Scott's stories, "The Monastery," "The Abbot," "Kenilworth," "Quentin
+Durward," "The Bride of Lammermoor," "The Talisman."
+
+  [Illustration: THE EMPTY CHAIR, ABBOTSFORD
+   From the painting by Sir W. Allan, R. A., in the Royal Collection]
+
+The defects of these novels and those which came later have been
+clearly pointed out since the analytical novel and the novel of purpose
+have come into vogue. Scott did not command the constructive skill of
+even the second-rate novelist of today; he was often an awkward builder
+and clumsy in putting his materials together in a coherent whole; his
+style is often loose and diffuse; he dealt largely with the outside
+of the spectacle of living; his women have no magic of loveliness,
+no mystery of temperament, though they sometimes stand out with great
+distinctness; his heroes are rarely heroic, they are often commonplace.
+
+Scott was the chronicler of feudalism, the primitive social order of
+the clan, of an aristocratic society. He was as little interested
+in Democracy as was Shakespeare; and largely for the same reason:
+his age was not anti-democratic, it had not reached the democratic
+stage. Bagehot, the famous English critic, put his limitations under
+two heads: he gives us the stir of the world but not its soul, and he
+leaves the abstract intellect unreported.
+
+His vital interest in the moving spectacle of life has given us an
+almost unrivalled report of that world, and of a great group of men and
+women whose careers, as Scott reports them, have the reality of fact
+and the dramatic interest of fiction. Jeanie Deans, Madge Wildfire,
+Diana Vernon, Meg Merrilies, Wandering Willie, Andrew Fairservice,
+and a crowd of their companions, are more alive today, after a century
+has passed, than most of the people whose names are in the telephone
+directories.
+
+Scott was a man of the kind men love to remember. His faults of nature
+are as obvious as his faults of art; but his splendid vitality makes
+them trivial. He was large hearted, frank, generous, honorable; he made
+life seem more noble by the richness of his nature and his splendid
+courage. His career was as romantic in achievement and vicissitude as
+his most striking novel. In 1826, when he was fifty-five years old, the
+two business houses in which he was a partner failed, with obligations
+amounting to nearly six hundred thousand dollars. Scott had recently
+spent large sums on the enlargement of Abbotsford, in settling his sons
+in life, and for other people; and he held the bills of Constable for
+four novels to be written in the future; the novels were written, but
+the bills were not honored. Four months after the failure Lady Scott
+died, and Scott's health was breaking. Two days after the failure he
+resumed work on "Woodstock," and set himself to pay the debt of half
+a million dollars. In two years he earned for his creditors nearly two
+hundred thousand dollars, the major part of which came from the sales
+of "Woodstock" and "The Life of Napoleon Bonaparte." If his brain had
+not given out he would have discharged the entire indebtedness in a
+few years. Working with a disabled brain but with heroic resolution,
+he wrote "Count Robert of Paris" and "Castle Dangerous." In five years
+more than three hundred thousand dollars had been paid; meantime he had
+had a stroke of paralysis. After a second stroke, when "Count Robert"
+was practically finished, the publishers objected to the work in the
+last volume. "The blow is a stunning one," wrote the broken man. "God
+knows I am at sea in the dark, and the vessel leaky.... I often wish I
+could lie down and sleep without waking. But I will fight it out if I
+can." And he fought it out; he died on July 12, 1832, and on February
+21, 1833, the creditors were paid in full. Never was a heroic fight
+more nobly won.
+
+On his death-bed Scott called his son-in-law Lockhart, who was to tell
+the story of his life in one of the great biographies, to his bedside.
+"I have but a minute to speak to you," he said. "My dear, be a good
+man.... Nothing else will give you any comfort when you come to lie
+here."
+
+  [Illustration: THE GRAVE OF SCOTT
+   At Dryburgh Abbey, Scotland]
+
+
+SUPPLEMENTARY READING
+
+     LIFE OF SIR WALTER SCOTT (In "Everyman's Library")
+     _By J. G. Lockhart_
+
+     SIR WALTER SCOTT
+     _By R. H. Hutton_
+
+     SIR WALTER SCOTT
+     _By William Winter_
+
+     Chapter in "Gray Days and Gold"
+
+     DICTIONARY OF THE CHARACTERS IN THE WAVERLEY NOVELS OF SIR
+     WALTER SCOTT
+     _By M. F. A. Husband_
+
+     SIR WALTER SCOTT STUDIED IN EIGHT NOVELS
+     _By A. S. G. Channing_
+
+     THE SCOTT COUNTRY
+     _By W. S. Crockett_
+
+
+*** Information concerning the above books may be had on application to
+the Editor of The Mentor.
+
+
+
+
+THE OPEN LETTER
+
+  [Illustration: SIR WALTER SCOTT
+   From the painting by Sir Henry Raeburn]
+
+
+What sort of a person was he; what did he look like--this Scottish
+bard, novelist, historian, essayist, and landed baronet?
+
+"There he goes," said Dr. Maginn, a contemporary of Scott's,
+"sauntering about his grounds, with his Lowland bonnet in his hand,
+dressed in his old green shooting-jacket, telling stories of every
+stone and bush, and tree and stream in sight--tales of battles and
+raids--or ghosts and fairies, as the case may be, of the days of yore."
+
+"Sauntering" is hardly the word with which to describe Scott's gait.
+"Limping" would be better, for he was lame from boyhood, and he
+supported himself in walking with a staff so heavy that it looked like
+a cudgel. Washington Irving visited Abbotsford in 1816, and described
+Scott as "limping up the gravel walk, aiding himself by a stout
+walking-stick, but moving rapidly and with vigor."
+
+       *       *       *       *       *
+
+His lameness, was no serious handicap to Sir Walter. He was a man of
+extraordinary strength, six feet tall, and of a large and powerful
+frame, with great breadth across the chest. The muscles of his arms
+were like iron. He was an exceptional and powerful wielder of an ax,
+and could bring down a tree with the best of the younger men. He was
+a master of the horse, and a bold rider. He climbed the hills till he
+wearied all but his faithful dogs, and he was proficient in sport and
+hunting. The latter, however, he did not like. "I was never at ease,"
+he said, "when I had knocked down my bird and, going to pick him up,
+he cast back his dying eye with a look of reproach. I am not ashamed
+to say that no practice ever reconciled me fully to the cruelty of the
+affair."
+
+       *       *       *       *       *
+
+The conversation of Scott was frank, hearty, picturesque, and dramatic.
+He had a great sense of humor, and a rare gift for story telling.
+He was an accomplished mimic, and he lighted up his narratives and
+anecdotes with appropriate dialect and graphic description. And, as
+a near friend once observed, "The chief charm of his conversation, he
+being a man of such eminence, was its perfect simplicity and the entire
+absence of vanity and love of display."
+
+       *       *       *       *       *
+
+He was a good listener, too--but he did not enjoy listening to classic
+music. He allowed that he "had a reasonable good ear for a jig," but
+confessed that "sonatas gave him the spleen." But he would rouse up
+at the sound of "The Blue Bells of Scotland" or "Bonnie Dundee," and
+his eye would flash an enthusiastic response to any song or verse that
+celebrated the romance, chivalry, and heroism of his native land.
+
+       *       *       *       *       *
+
+Sir Walter was a strange combination of simplicity and strength. His
+personal appearance was strikingly odd. Once seen, he could never
+be forgotten. "Although forty-eight years have passed since I met
+him," wrote an acquaintance, "his personality is as present to me now
+as it was then in the flesh. His light blue waggish eye, sheltered,
+almost screened, by overhanging straw-colored bushy brows, his scanty,
+sandy-colored hair, the length of his upper lip, his towering forehead,
+his abrupt movements, and the mingled humor, urbanity and benevolence
+of his smile." His usual costume consisted of a green cutaway coat,
+with short skirts and brass buttons; drab trousers, vest and gaiters;
+a single seal and watch-key attached to a watered black ribbon dangling
+from his fob; a loose, soft linen collar; a black silk neckerchief; and
+a low-crowned, deep-brimmed hat.
+
+  [Illustration: W. D. Moffat, EDITOR]
+
+
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+       2. Makers of American Poetry
+       3. Washington, the Capital
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+       5. Romantic Ireland
+       6. Masters of Music
+       7. Natural Wonders of America
+       8. Pictures We Love to Live With
+       9. The Conquest of the Peaks
+      10. Scotland, the Land of Song and Scenery
+      11. Cherubs in Art
+      12. Statues With a Story
+      13. Story of America in Pictures: The Discoverers
+      14. London
+      15. The Story of Panama
+      16. American Birds of Beauty
+      17. Dutch Masterpieces
+      18. Paris, the Incomparable
+      19. Flowers of Decoration
+      20. Makers of American Humor
+      21. American Sea Painters
+      22. Story of America in Pictures: The Explorers
+      23. Sporting Vacations
+      24. Switzerland: The Land of Scenic Splendors
+      25. American Novelists
+      26. American Landscape Painters
+      27. Venice, the Island City
+      28. The Wife in Art
+      29. Great American Inventors
+      30. Furniture and Its Makers
+      31. Spain and Gibraltar
+      32. Historic Spots of America
+      33. Beautiful Buildings of the World
+      34. Game Birds of America
+      35. Story of America in Pictures: The Contest for North
+          America
+      36. Famous American Sculptors
+      37. The Conquest of the Poles
+      38. Napoleon
+      39. The Mediterranean
+      40. Angels in Art
+      41. Famous Composers
+      42. Egypt, the Land of Mystery
+      43. Story of America in Pictures: The Revolution
+      44. Famous English Poets
+      45. Makers of American Art
+      46. The Ruins of Rome
+      47. Makers of Modern Opera
+      48. Duerer and Holbein
+      49. Vienna, the Queen City
+      50. Ancient Athens
+      51. The Barbizon Painters
+      52. Abraham Lincoln
+      53. George Washington
+      54. Mexico
+      55. Famous American Women Painters
+      56. The Conquest of the Air
+      57. Court Painters of France
+      58. Holland
+      59. Our Feathered Friends
+      60. Glacier National Park
+      61. Michelangelo
+      62. American Colonial Furniture
+      63. American Wild Flowers
+      64. Gothic Architecture
+      65. The Story of the Rhine
+      66. Shakespeare
+      67. American Mural Painters
+      68. Celebrated Animal Characters
+      69. Japan
+      70. The Story of the French Revolution
+      71. Rugs and Rug Making
+      72. Alaska
+      73. Charles Dickens
+      74. Grecian Masterpieces
+      75. Fathers of the Constitution
+      76. Masters of the Piano
+      77. American Historic Homes
+      78. Beauty Spots of India
+      79. Etchers and Etching
+      80. Oliver Cromwell
+      81. China
+      82. Favorite Trees
+      83. Yellowstone National Park
+      84. Famous Women Writers of England
+      85. Painters of Western Life
+      86. China and Pottery of Our Forefathers
+      87. The Story of The American Railroad
+      88. Butterflies
+      89. The Philippines
+      90. Great Galleries of The World: The Louvre
+      91. William M. Thackeray
+      92. Grand Canyon of Arizona
+      93. Architecture in American Country Homes
+      94. The Story of The Danube
+      95. Animals in Art
+      96. The Holy Land
+      97. John Milton
+      98. Joan Of Arc
+      99. Furniture of the Revolutionary Period
+     100. The Ring of the Nibelung
+     101. The Golden Age of Greece
+     102. Chinese Rugs
+     103. The War of 1812
+     104. Great Galleries of the World: The National Gallery,
+          London
+     105. Masters of the Violin
+     106. American Pioneer Prose Writers
+     107. Old Silver
+     108. Shakespeare's Country
+     109. Historic Gardens of New England
+     110. The Weather
+     111. American Poets of the Soil
+     112. Argentina
+     113. Game Animals of America
+     114. Raphael
+
+
+NUMBERS TO FOLLOW
+
+     October 2. THE YOSEMITE VALLEY. _By Dwight L. Elmendorf,
+     Lecturer and Traveler._
+
+     October 16. JOHN PAUL JONES. _By Professor Albert Bushnell
+     Hart, Harvard University._
+
+
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+The Mentor Association will also secure books for members, supplying
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+The Mentor Inquiry Department gives to its members a full and
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+End of the Project Gutenberg EBook of The Mentor: Walter Scott, Vol. 4, Num.
+15, Serial No. 115, September 15, 1916, by Hamilton W. Mabie
+
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