summaryrefslogtreecommitdiff
path: root/44113-h
diff options
context:
space:
mode:
Diffstat (limited to '44113-h')
-rw-r--r--44113-h/44113-h.htm497
1 files changed, 40 insertions, 457 deletions
diff --git a/44113-h/44113-h.htm b/44113-h/44113-h.htm
index 093eeb4..8a6c9ab 100644
--- a/44113-h/44113-h.htm
+++ b/44113-h/44113-h.htm
@@ -2,7 +2,7 @@
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
<head>
- <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" />
<meta http-equiv="Content-Style-Type" content="text/css" />
<title>
The Project Gutenberg eBook of "The Strand Magazine January 1904 Vol xxvii", by Various.
@@ -279,44 +279,7 @@ ins {
</style>
</head>
<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of The Strand Magazine, Volume XXVII, January
-1904, No. 157, by Various
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-
-Title: The Strand Magazine, Volume XXVII, January 1904, No. 157
-
-Author: Various
-
-Release Date: November 5, 2013 [EBook #44113]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE STRAND MAGAZINE, VOLUME XXVII, JANUARY 1904, NO. 157 ***
-
-
-
-
-Produced by Jane Robins, Jonathan Ingram and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-
-
-
-
-</pre>
-
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 44113 ***</div>
<hr class="chap" />
@@ -660,7 +623,7 @@ case, Watson."</p>
Charlington Hall. Then, again, how about the connection between
Carruthers and Woodley, since they appear to be men of such a different
type? How came they <em>both</em> to be so keen upon looking up Ralph Smith's
-relations? One more point. What sort of a <em>ménage</em> is it which pays
+relations? One more point. What sort of a <em>ménage</em> is it which pays
double the<span class="pagenum"><a name="Page_7" id="Page_7">[7]</a></span> market price for a governess, but does not keep a horse
although six miles from the station? Odd, Watson&mdash;very odd!"</p>
@@ -1493,7 +1456,7 @@ you 'ave a brush to 'old."</p>
<p>This is gallantry and this is appreciation of art. Five minutes later,
after seeing the champion of Byles's Rents again victorious in the sack
-race, we descend to the painting room to find Miss Millie White (ætat
+race, we descend to the painting room to find Miss Millie White (ætat
eight), the celebrated animal painter, daughter of Larry White; the
well-known Shoreditch navvy, surrounded by her admirers. In another part
of the same room we come upon quite an animated group of talented
@@ -1553,7 +1516,7 @@ the slums of London and teaching the slum waifs how to play. For the
London guttersnipe doesn't know how to play. As a rule, he or she can
maunder about and fight and scream and exchange badinage and throw
stones in the gutter, but of true games the gamin is as ignorant as his
-parents are of <i xml:lang="fr">entrées</i> or Euclid. Before the association was started
+parents are of <i xml:lang="fr">entrées</i> or Euclid. Before the association was started
in 1891 there was no one to teach them the mysteries of battledore and
shuttlecock, sack races, kiss-in-the-ring, picture-books, dolls, and
doll dressmaking. As their motto expressed it, the association, whose
@@ -1763,7 +1726,7 @@ of her nephew's warnings.</p>
description, and I don't suppose has ever been on one in her life."</p>
<p>"Then it's time she tried it," said Lady Otterburn. "There isn't a horse
-in the place that could draw a buggy fourteen miles to the depôt and
+in the place that could draw a buggy fourteen miles to the depôt and
back and bring her here in time for dinner."</p>
<p>"Well, you'll see," said Otterburn. "She'll tell us what she thinks of
@@ -2631,7 +2594,7 @@ impressions per hour.</p>
</div>
<p class="drop-capi2"><span class="smcap">Sadi</span> the fiddler, carrying the little black case under his arm, locked
the door of his garret as carefully as though it had contained the
-wealth of the Cæsars. It was the night of Monday, the twenty-first day
+wealth of the Cæsars. It was the night of Monday, the twenty-first day
of September, in the year 1870. Sadi had not tasted food for twenty
hours, and, though he well understood that there was very little to eat
in the town of Strasburg, he went forth bravely in quest of it. After
@@ -2641,7 +2604,7 @@ than a poor, crazy fiddler.</p>
<p>"Heaven knows they have music enough here," he said to himself, as he
descended the narrow staircase and came out beneath the eaves of the old
houses. This was the thirty-second night since the hated Prussians had
-come swarming down from Wörth and had invested the city like an army of
+come swarming down from Wörth and had invested the city like an army of
human locusts. There was scarcely a minute by day or night when the
great guns ceased to thunder, or the shots to play havoc with the
ancient streets of gallant Strasburg. Even as the fiddler walked away
@@ -2963,7 +2926,7 @@ answer.</p>
could eat the bones off your dishes."</p>
<p>"Then he shall sup with us. A hungry man makes friends with strange
-company, and we are that, as you guess, Maître Sadi. Come, sergeant,
+company, and we are that, as you guess, Maître Sadi. Come, sergeant,
fill our friend a bowl of soup. Let him spy out that to begin with. Eh,
Sadi, you will not refuse a bowl of soup even from the Prussians? Then
let us see you fall to. We can talk of old friends afterwards."</p>
@@ -3327,7 +3290,7 @@ consume the hardest bone in his stomack."</p>
speaks for itself.</p>
<p>Lizards are always interesting. "There was a lizzard 8 cubits long
-brought to Rome from Ætheopia by the command of a Cardinal of Lisbon and
+brought to Rome from Ætheopia by the command of a Cardinal of Lisbon and
the mouth of it was so wide that a child might be put into it.... Put
alive into a new earthen vessel and boyle'd with 3 Sextaryes of Wine and
one Cyathus, it is excellent food for one sick of the Pthisick, if he
@@ -3412,7 +3375,7 @@ driven into the sea, but how could anyone face a beast with a man's
head?" Leigh Hunt goes on to describe how the Mantichora impressed his
whole childhood. Doubtless the sensations of the eighteenth-century
child were the same felt by the early seventeenth century Prince Henry.
-The Mantichora was the <i xml:lang="fr">bête noire</i> of the Royal nursery, we may depend
+The Mantichora was the <i xml:lang="fr">bête noire</i> of the Royal nursery, we may depend
upon it.</p>
<p>Scarcely less dreadful was the Collogruis, whose picture is given on the
@@ -3534,7 +3497,7 @@ same virtue if you cut it off."</p>
<p>Of the ram we are told that "for six winter months he sleeps on his
right side; but after the vernal equinoctiall he rests on his right.
-Ælianus hath discovered this, but the butchers deny it."</p>
+Ælianus hath discovered this, but the butchers deny it."</p>
<p>"The Camel hath a manifold belly, either because he hath a great body:
or, because he eats Thorny &amp; Woody substances, God hath provided for the
@@ -4477,7 +4440,7 @@ hands, and at the same moment a tall, pale man, slightly bent, walked
slowly across the room.</p>
<p>On this occasion I simply made an appointment to see M. Curie the next
-morning at the École de Physique; but I profited by the opportunity to
+morning at the École de Physique; but I profited by the opportunity to
ask his assistant, M. Danne, some preliminary questions about radium.
Was it true, <em>could</em> it be true, that this strange substance gives forth
heat and light ceaselessly and is really an inexhaustible source of
@@ -4533,11 +4496,11 @@ and vivid imagination it is doubtful if radium would ever have been
dreamed of, and without her determination and patience against detail it
is likely the dream would never have been realized.</p>
-<p>The next day I found M. Curie in one of the rambling sheds of the École
+<p>The next day I found M. Curie in one of the rambling sheds of the École
de Physique bending over a small porcelain dish, where a colourless
liquid was simmering, perhaps half a teacupful, and he was watching it
with concern, always fearful of some accident. He had lost nearly a
-decigramme (1·5 grains troy) of radium, he said, only a few weeks before
+decigramme (1·5 grains troy) of radium, he said, only a few weeks before
in a curious way. He had placed some radium salts in a small tube, and
this inside another tube, in which he created a vacuum. Then he began to
heat both tubes over an electric furnace, when, suddenly, at about 2,000
@@ -4629,7 +4592,7 @@ could perceive neither.</p>
<p>"Of course it is," he replied. "I will take you into a dark room
presently and let you see the light for yourself. As for the heat, a
-thermometer would show that this tube of radium is 2·7 degrees F. warmer
+thermometer would show that this tube of radium is 2·7 degrees F. warmer
than the surrounding air."</p>
<p>"Is it always that much warmer?"</p>
@@ -4682,10 +4645,10 @@ very small quantity of radium, about six centigrammes (nine-tenths of a
grain troy).</p>
<p>"We estimate," said he, "that a decigramme of radium will illuminate a
-square décimètre (fifteen square inches) of surface sufficient for
+square décimètre (fifteen square inches) of surface sufficient for
reading."</p>
-<p>"And a kilogramme (2·2 pounds) of radium?"</p>
+<p>"And a kilogramme (2·2 pounds) of radium?"</p>
<p>"A kilogramme of radium would illuminate a room thirty feet square with
a mild radiance; and the light would be much brighter if screens of
@@ -4758,7 +4721,7 @@ two of radium, say a kilogramme (two and one-fifth pounds), would cost.</p>
<p>"A kilogramme of radium would cost"&mdash;he figured rapidly on a sheet of
paper&mdash;"with the very cheapest methods that we have of purifying the
-crude material it would cost about ten million francs (£400,000). Under
+crude material it would cost about ten million francs (£400,000). Under
existing conditions radium is worth about three thousand times its
weight in pure gold."</p>
@@ -4788,7 +4751,7 @@ on it.</p>
<p>My informant referred with proper pride to the difficulties that had
confronted them when they started these radium works in 1901. It was a
new problem in practical chemistry to bring together infinitesimal
-traces of a metal lost in tons of <i xml:lang="fr">débris</i>. It was like searching for
+traces of a metal lost in tons of <i xml:lang="fr">débris</i>. It was like searching for
specks of dust hidden in a sand heap, or for drops of perfume scattered
in a river. Still, they went at it<span class="pagenum"><a name="Page_69" id="Page_69">[69]</a></span> with good heart, for the end
justified the effort. If it took a ton of uranite dust to yield as much
@@ -4827,7 +4790,7 @@ DESCRIBED IN THE ARTICLE.</p>
two glass vessels, one containing a thermometer and a tube of radium,
the other containing a thermometer and no radium. Both vessels were
closed with cotton, and it was presently seen that the thermometer in
-the vessel containing the radium registered constantly 5·4 degrees F.
+the vessel containing the radium registered constantly 5·4 degrees F.
higher than the thermometer which was not so influenced.</p>
<p>The most striking experiment presented by M. Curie in his London lecture
@@ -4988,18 +4951,18 @@ to thrive under the treatment.</p>
<p>But the most startling experiment performed thus far at the Pasteur
Institute is one undertaken by M. Danysz, February 3rd, 1903, when he
-placed three or four dozen little worms that live in flour, the larvæ
+placed three or four dozen little worms that live in flour, the larvæ
<em>Ephestia kuehniella</em>, in a glass flask, where they were exposed for a
-few hours to the rays of radium. He placed a like number of larvæ in a
+few hours to the rays of radium. He placed a like number of larvæ in a
control flask where there was no radium, and he left enough flour in
-each flask for the larvæ to live upon. After several weeks it was found
-that most of the larvæ in the radium flask had been killed, but that a
+each flask for the larvæ to live upon. After several weeks it was found
+that most of the larvæ in the radium flask had been killed, but that a
few of them had escaped the destructive action of the rays by crawling
away to distant corners of the flask, where they were still living. But
-<em>they were living</em><span class="pagenum"><a name="Page_72" id="Page_72">[72]</a></span> <em>as larvæ, not as moths</em>, whereas in the natural
+<em>they were living</em><span class="pagenum"><a name="Page_72" id="Page_72">[72]</a></span> <em>as larvæ, not as moths</em>, whereas in the natural
course they should have become moths long before, as was seen by the
-control flask, where the larvæ had all changed into moths, and these had
-hatched their eggs into other larvæ, and these had produced other moths.
+control flask, where the larvæ had all changed into moths, and these had
+hatched their eggs into other larvæ, and these had produced other moths.
All of which made it clear that the radium rays had arrested the
development of these little worms.</p>
@@ -5011,10 +4974,10 @@ development of these little worms.</p>
</div>
</div>
-<p>More weeks passed and still three or four of the larvæ lived, and four
+<p>More weeks passed and still three or four of the larvæ lived, and four
full months after the original exposure I saw a larva alive and
-wriggling while its contemporary larvæ in the other jar had long since
-passed away as aged moths, leaving generations of moths' eggs and larvæ
+wriggling while its contemporary larvæ in the other jar had long since
+passed away as aged moths, leaving generations of moths' eggs and larvæ
to witness this miracle, for here was a larva, venerable among his kind,
a patriarch <em>Ephestia kuehniella</em>, that had actually lived through
<em>three times the span of life accorded to his fellows</em>, and that still
@@ -5476,7 +5439,7 @@ expressed a weakness, which surpass ordinary material in this respect.
After all, they are not so bad as Gambetta's trousers in the statue
opposite the Louvre in Paris, already alluded to and reproduced on page
76. The sculptor's aim was apparently to breech his subject
-æsthetically, and he has spared no pains to bring about this result. As
+æsthetically, and he has spared no pains to bring about this result. As
a matter of truth, M. Alphonse Daudet has borne printed witness to the
fact that Gambetta's trousers were invariably too short&mdash;not too
long&mdash;and revealed some inches of white sock. But could a sculptor be
@@ -5627,7 +5590,7 @@ Etheridge.</p>
<p>"As you will."</p>
<p>Clearly they were all waiting for him to continue. He perceived that he
-was the centre of observation, of interest&mdash;Ivan Féodor Vassilitch,
+was the centre of observation, of interest&mdash;Ivan Féodor Vassilitch,
sometime captain of a<span class="pagenum"><a name="Page_82" id="Page_82">[82]</a></span> Cossack regiment that had made a reputation for
hardihood and valour unique even amongst those northern soldiers whose
nerves have the iron coldness of their ice-plains. He raised his glass,
@@ -5913,7 +5876,7 @@ came between&mdash;&mdash;"</p>
<p>"What, that fellow in the coat? How strange! I seem to know him, too.
Even his back is familiar. Let me think. Where on earth did I
meet&mdash;ah!&mdash;no, it's slipped me again. Yet I'm sure&mdash;almost sure&mdash;that
-I&mdash;got it, by thunder! The man's Vassilitch&mdash;Ivan Féodor Vassilitch, a
+I&mdash;got it, by thunder! The man's Vassilitch&mdash;Ivan Féodor Vassilitch, a
countryman of yours; not a bad sort, but cold and hard&mdash;hard as
sheet-iron. You have met him, perhaps?"</p>
@@ -5988,7 +5951,7 @@ swept into her mistress's face.</p>
<p>"I will see him," said Gabrielle.</p>
-<p>There entered Ivan Féodor Vassilitch. The lines of his face relaxed at
+<p>There entered Ivan Féodor Vassilitch. The lines of his face relaxed at
sight of her, and a smile almost of sweetness raised his black
moustache. "Why do you not light your English country roads?" he
demanded, laughing. "I had only the light of your window to guide me for
@@ -6000,7 +5963,7 @@ spirit of banter. "I am not yet naturalized. Where have you been?"</p>
<div class="figcenter">
<a href="images/i_086.jpg"><img src="images/i_086sm.jpg" width="500" height="388" alt="" /><br />
<span class="largerimage">Larger Image</span></a><br />
-<div class="caption"><p>"THERE ENTERED IVAN FÉODOR VASSILITCH."</p>
+<div class="caption"><p>"THERE ENTERED IVAN FÉODOR VASSILITCH."</p>
</div>
</div>
@@ -7600,7 +7563,7 @@ us and our traps."</p>
<p>Aunt Emma, indeed, was staying with some Jevonses&mdash;very prim ladies.
They were middle-aged and wore very smart blouses, and they were fond of
-<i xml:lang="fr">matinées</i> and shopping, and they did not care about children.</p>
+<i xml:lang="fr">matinées</i> and shopping, and they did not care about children.</p>
<p>"I know mother would be pleased to see us if we went back," said Jane.</p>
@@ -8155,7 +8118,7 @@ this case."&mdash;Mr. John Alderson, 12, Albert Road, Stroud Green, N.</p>
<img src="images/i_116b.jpg" width="418" height="550" alt="" />
</div>
-<p>"While staying in Jersey I visited a point called La Corbière, where I
+<p>"While staying in Jersey I visited a point called La Corbière, where I
noticed a mirror in the form of a ball standing out in the open on a
pedestal. Objects reflected in it were so clear that I determined to
photograph it, with the result that rather curious shapes were given to
@@ -8284,7 +8247,7 @@ as a beer hall within and contains ten round tables, each capable of
accommodating five or six persons. There is also a large counter. It is
one of the most remarkable of the many advertising devices ever carried
out in this enterprising 'Land of the Rising Sun.' The photograph was
-taken by Mr. G. M. Arab, of this city."&mdash;Mr. W. J. Toms, Kobé, Japan.</p>
+taken by Mr. G. M. Arab, of this city."&mdash;Mr. W. J. Toms, Kobé, Japan.</p>
<p><span class="pagenum"><a name="Page_119" id="Page_119">[119]</a></span></p>
@@ -8422,386 +8385,6 @@ Fetlar, Shetland.</p>
<p>Fixed various punctuation.</p>
</div>
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of The Strand Magazine, Volume XXVII,
-January 1904, No. 157, by Various
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE STRAND MAGAZINE, VOLUME XXVII, JANUARY 1904, NO. 157 ***
-
-***** This file should be named 44113-h.htm or 44113-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/4/1/1/44113/
-
-Produced by Jane Robins, Jonathan Ingram and the Online
-Distributed Proofreading Team at http://www.pgdp.net
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License (available with this file or online at
-http://gutenberg.org/license).
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org/license
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation web page at http://www.pglaf.org.
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://pglaf.org/fundraising. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at
-809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official
-page at http://pglaf.org
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit http://pglaf.org
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: http://pglaf.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart is the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-</pre>
-
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 44113 ***</div>
</body>
</html>