summaryrefslogtreecommitdiff
path: root/44055-h
diff options
context:
space:
mode:
Diffstat (limited to '44055-h')
-rw-r--r--44055-h/44055-h.htm646
1 files changed, 113 insertions, 533 deletions
diff --git a/44055-h/44055-h.htm b/44055-h/44055-h.htm
index eb135ee..fbc1936 100644
--- a/44055-h/44055-h.htm
+++ b/44055-h/44055-h.htm
@@ -2,7 +2,7 @@
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
<head>
- <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" />
<meta http-equiv="Content-Style-Type" content="text/css" />
<title>
The Project Gutenberg eBook of With Wellington in Spain, by Captain F. S. Brereton.
@@ -95,50 +95,7 @@ table {
</style>
</head>
<body>
-
-
-<pre>
-
-The Project Gutenberg EBook of With Wellington in Spain, by F. S. Brereton
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-Title: With Wellington in Spain
- A Story of the Peninsula
-
-Author: F. S. Brereton
-
-Illustrator: W. Rainey
-
-Release Date: October 27, 2013 [EBook #44055]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK WITH WELLINGTON IN SPAIN ***
-
-
-
-
-Produced by sp1nd, JoAnn Greenwood, and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive)
-
-
-
-
-
-
-</pre>
-
-
-
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 44055 ***</div>
<p class="p4 center"><big>With Wellington in Spain</big><br /><br /></p>
@@ -651,7 +608,7 @@ the house.</p>
<p>"Those two quarrelling," he said over his shoulder.</p>
<p>"Then it isn't Master Tom's doing," declared
-Huggins, with decision. "That Master José's
+Huggins, with decision. "That Master José's
always at him. He's sly, he is; he's jealous of
his cousin."</p>
@@ -708,7 +665,7 @@ to the floor.</p>
<p>"That was a coward's blow!" declared Septimus
hotly, advancing into the room; "the kick was contemptible.
-Stand away in that corner, José. I will<span class="pagenum"><a name="Page_19" id="Page_19">[19]</a></span>
+Stand away in that corner, José. I will<span class="pagenum"><a name="Page_19" id="Page_19">[19]</a></span>
thrash you severely if you attempt another movement."</p>
<p>He closed the door quietly behind him, placed
@@ -766,12 +723,12 @@ cowardly blow and kick. "What have you to answer?"</p>
<p>"Ah!" exclaimed Septimus, regarding the youth
coldly, till the latter reddened beneath his scrutiny.
-"He started it, José, you say. Why?"</p>
+"He started it, José, you say. Why?"</p>
<p>The youth addressed reddened even more at the
question, while his eyes shifted from the face of his
interrogator to Tom's, and then across to the girl's.
-Contrasting the two young fellows, Tom and José,
+Contrasting the two young fellows, Tom and José,
one could not compliment the latter; for he seemed
to be the very opposite of Tom. A year his senior,
perhaps, he was lanky and lean, while his arms and
@@ -779,10 +736,10 @@ legs and body seemed to writhe and twist as his eyes
shifted from corner to corner. The chin disclosed
weakness of character and want of firmness, to which<span class="pagenum"><a name="Page_21" id="Page_21">[21]</a></span>
thin lips and watery eyes added nothing. In short,
-José was anything but attractive.</p>
+José was anything but attractive.</p>
<p>"Why did Tom start this quarrel?" asked Septimus
-relentlessly, his glasses turned on José all the
+relentlessly, his glasses turned on José all the
while.</p>
<p>"I don't know," came the surly answer. "He's
@@ -792,12 +749,12 @@ always quarrelling."</p>
turning upon Tom the same close scrutiny. "Why?"</p>
<p>"He didn't!" came abruptly from the girl, who
-was standing a few paces from him. "José is not
+was standing a few paces from him. "José is not
telling the truth. Even though he is my brother, I
can't remain quiet and know that he is blaming Tom
for what is really his own fault."</p>
-<p>José's eyes gleamed as his sister spoke. His brows
+<p>José's eyes gleamed as his sister spoke. His brows
were knit together and his thin lips pursed, as is the
case with one in anger. At that moment this unattractive
youth looked as if he would willingly have
@@ -813,7 +770,7 @@ Marguerite, tell me about it."</p>
towards her brother. "He splashed the letter I was
writing with ink, and then threw some over my needlework.
Tom asked him to stop, and then called him
-a bully. José threw the inkpot at him promptly."</p>
+a bully. José threw the inkpot at him promptly."</p>
<p>"Ah!" came from the man seated in the centre.
"And then?"</p>
@@ -823,7 +780,7 @@ a bully. José threw the inkpot at him promptly."</p>
<p>"Tom knocked him down twice; then they began
to struggle together."</p>
-<p>"It's a lie!" shouted José, beside himself with rage,
+<p>"It's a lie!" shouted José, beside himself with rage,
his pale lips trembling.</p>
<p>"Eh?" asked Tom curtly, advancing a pace towards
@@ -833,7 +790,7 @@ him, and looking threatening.</p>
rights I ought to leave you two to settle the matter
between you. I have no fears as to what the result
would be; for a man or youth who accuses his sister
-of lying deserves a thrashing, while you, José, deserve
+of lying deserves a thrashing, while you, José, deserve
it twice over. You have lied yourself, and I myself
saw you deliver a cowardly blow. You will remain
here and go on with your work; Tom will come
@@ -841,13 +798,13 @@ below with me. For the future try to be friendly to
one another, at least till you are parted."</p>
<p>"Parted?" asked Tom curiously, while a scowl
-showed on José's face.</p>
+showed on José's face.</p>
<p>"Yes, parted," repeated Septimus. "The time has
come for you to go to Oporto, Tom, there to act as
representative of this business."</p>
-<p>José's face was a study as he listened to the words
+<p>José's face was a study as he listened to the words
and saw the pride and enthusiasm with which Tom
was so obviously filled. Even Marguerite was regarding
her cousin as if he were a hero, and, indeed,
@@ -855,35 +812,35 @@ that was the light in which she was wont to look at
him. For ever since he was a little fellow Tom had
been Marguerite's special protector, and often and
often had he saved her from her brother's ill treatment.
-José was, in fact, a bully. Sneaking and mean<span class="pagenum"><a name="Page_23" id="Page_23">[23]</a></span>
+José was, in fact, a bully. Sneaking and mean<span class="pagenum"><a name="Page_23" id="Page_23">[23]</a></span>
by nature, he was the very opposite of his sister, and
ever since the two had been brought to the house
he had been jealous of his cousin Tom. That was
the secret of their ill feeling from the beginning.
-Provided José treated Marguerite fairly, Tom was
+Provided José treated Marguerite fairly, Tom was
prepared to live on good terms with him. But
-always José regarded Tom as a fortunate rival, as his
+always José regarded Tom as a fortunate rival, as his
future master; for was not Tom the son attached to
the firm? And now to hear that he was to go to
-Oporto, there to rule the roast, filled José with envy
+Oporto, there to rule the roast, filled José with envy
and hatred. He could see Tom his own master, with
-clerks to do his bidding, while he, José, the less fortunate,
+clerks to do his bidding, while he, José, the less fortunate,
was slaving at a humble desk in England.
It roused his ire when he recollected that were there
no Tom he himself would fill his place, and would
one day be the head of the firm of Septimus John
Clifford &amp; Son.</p>
-<p>The scowl on José's face had deepened as Septimus
+<p>The scowl on José's face had deepened as Septimus
spoke. Tom's happy features incensed him to
the point of bursting. A moment or so later, when
the door had closed between him and the other three,
and while their steps still resounded in the passage,
-José gave full vent to his hatred and anger. He
+José gave full vent to his hatred and anger. He
pranced up and down the room. He glared out
through the window as Tom appeared, and if looks
could have killed, that young fellow would have
-ceased to exist forthwith. Then José flung himself
+ceased to exist forthwith. Then José flung himself
petulantly on to a chair, buried his face in his hands,
and remained in that position for some few minutes,
his restless limbs writhing and twitching meanwhile.</p>
@@ -895,17 +852,17 @@ the wall opposite.</p>
<p>"Why not?" he asked himself, as if apropos of
nothing, while a cunning leer bent his lips. "If
-there were no Tom, José would go to Oporto. And
+there were no Tom, José would go to Oporto. And
who would carry out the work more fittingly? Tom
shall not go there. I swear that I will prevent him."</p>
<p>He was poring over a book half an hour later when
Septimus entered the room again with the intention
of having a serious conversation with him, and to all
-appearances José was a different individual. He was
+appearances José was a different individual. He was
sorry for the anger he had shown, sorry that he had
insulted his sister, and eager to be friendly with everyone.
-But, then, José was a crafty individual. That
+But, then, José was a crafty individual. That
night as he lay in bed within ten feet of our hero he
was concocting plans whereby to defeat the aims of
Septimus, and bring about the downfall of Tom, his
@@ -940,7 +897,7 @@ respectful Huggins on the evening of that very day
on which our hero was introduced. "That will put
a stop to all fighting, and no doubt separation will
wipe out old enmities, and in time to come the two,
-Tom and José, will be capital friends. There's a boat
+Tom and José, will be capital friends. There's a boat
sailing on Friday fortnight."</p>
<p>"The <i>Mary Anne</i>," agreed Huggins. "Takes
@@ -986,7 +943,7 @@ carried himself jauntily, and one and all could see<span class="pagenum"><a name
that he was full of good spirits to overflowing, and
was eagerly awaiting the voyage.</p>
-<p>"That Master José'd give his boots to be in his
+<p>"That Master José'd give his boots to be in his
place," reflected Huggins one afternoon, as Tom
went racing across the flower-decked courtyard, and
Marguerite after him. "It was a bad day, Emmott,
@@ -996,17 +953,17 @@ lady. She's different; she's like Master Tom. We
all love her."</p>
<p>"And dislike the brother&mdash;yes," agreed the junior
-clerk; "and I too have a feeling that Master José
+clerk; "and I too have a feeling that Master José
bodes no good to his cousin. See his face&mdash;he's
watching the two going off down the river."</p>
-<p>José was, in fact, lounging in the forecourt, one
+<p>José was, in fact, lounging in the forecourt, one
hand resting on the boundary wall, while his lean,
lanky body and thin limbs twisted and writhed, as if
to keep still were with him an impossibility. But it
was not those twisting limbs that repelled the two
old clerks watching him from the window&mdash;it was
-José's face. The brows were drawn close together,
+José's face. The brows were drawn close together,
the lips were half-parted, while there was an intense
look in the eyes which there was no fathoming.</p>
@@ -1016,7 +973,7 @@ that Master Tom isn't ready to be friendly. He is;
for he's one of the easygoing sort. Still, he's a
stickler for what's proper, and he's stood by Miss
Marguerite as if he were her own brother. That
-José's scowling."</p>
+José's scowling."</p>
<p><span class="pagenum"><a name="Page_28" id="Page_28">[28]</a></span></p>
@@ -1025,16 +982,16 @@ could doubt the fact; but nevertheless it was impossible
to read the thoughts passing through his brain.
Could they have done so, both Huggins and Emmott
would have found ample reason for their feelings of
-uneasiness. For José was scheming. Jealous of his
+uneasiness. For José was scheming. Jealous of his
cousin, as we have said already, he had been envious
of Tom almost from the day when Mr. Septimus had
brought his orphaned nephew and niece to his house.
-The children of Mr. Septimus's sister, José and Marguerite,
+The children of Mr. Septimus's sister, José and Marguerite,
had been born in Oporto, and had had the
misfortune to lose first their mother and then their
father, brother of Dom Juan de Esteros. Thereafter
they had lived with Mr. Septimus as if they were
-his own children. And here was José scheming to
+his own children. And here was José scheming to
wreck his cousin's chances in the world, whereas
gratitude towards his Uncle Septimus should have
made of him a fast friend, and one ready to help Tom
@@ -1051,11 +1008,11 @@ he'll order me about."</p>
<p>It was a petty, childish manner in which to look at
the matter, and showed the narrow-minded view which
-José took of life. Contrary from his cradle almost, he<span class="pagenum"><a name="Page_29" id="Page_29">[29]</a></span>
+José took of life. Contrary from his cradle almost, he<span class="pagenum"><a name="Page_29" id="Page_29">[29]</a></span>
was mean in thought and act, and here was one of
his mean thoughts muttered beneath his breath, while
his scowling eyes followed the retreating figure of his
-cousin. José writhed his way back into the house,
+cousin. José writhed his way back into the house,
and appeared again with a cap. Huggins, watching
from the office, saw him go away along the bank of
the river after the retreating figures of the other
@@ -1073,8 +1030,8 @@ boy."</p>
<p>The matter was arranged on the instant, and within
five minutes Emmott sauntered away in the wake of
-José. He followed him at a discreet distance along
-the river bank, till José dived in amongst a number
+José. He followed him at a discreet distance along
+the river bank, till José dived in amongst a number
of houses which clambered down to the water's edge.
He caught sight of him again beyond them, and half
an hour later watched him in converse with a ruffianly
@@ -1082,20 +1039,20 @@ looking fellow whom he had accosted.</p>
<p>"Don't know the man," Emmott told himself.
"Never saw him in my life before, so far as I am
-aware. José seems to know him. He's&mdash;he's giving
+aware. José seems to know him. He's&mdash;he's giving
him money."</p>
<p>Half-hidden behind the wall surrounding a warehouse,
one of the many erected there&mdash;for this was a<span class="pagenum"><a name="Page_30" id="Page_30">[30]</a></span>
busy part of the city, and huge barges found deep
water when the tide was up, and could load right
-alongside the bank&mdash;Emmott watched as José passed
+alongside the bank&mdash;Emmott watched as José passed
something to the hand of the man he was conversing
with. The latter, a huge fellow, dressed somewhat
like a seaman, and bearded, might have been a sailor
from one of the many ships lying in the river, or he
might have been employed at one of the warehouses.
-He touched his forehead as José put something into
+He touched his forehead as José put something into
his hand, while the lad himself looked craftily about
him to make sure that no one was watching.</p>
@@ -1105,10 +1062,10 @@ good; but how can one say that his talk with that
rascal and the giving of money has anything to do
with Master Tom? Mr. Septimus would laugh at the
very idea, and tell us to mind our own business; but
-I for one shall keep my eyes on this José."</p>
+I for one shall keep my eyes on this José."</p>
<p>If the clerk imagined that he was thereby to catch
-José out in some underhand act he was very much
+José out in some underhand act he was very much
mistaken, for the young fellow was as crafty as he was
clever. More than that, though in his heart he hated
Tom, he was wise enough to know that scowls and
@@ -1412,7 +1369,7 @@ burst into uproarious laughter. It was obvious, in
fact, to each one of these rascals that Sam had at
hand a ready means with which to force more money
from the man who had bribed him to capture our
-hero. Let us put the matter clearly. José had met
+hero. Let us put the matter clearly. José had met
the ruffian Sam some time before, and had discovered
him to be one of those infamous crimps who earned
a rich living by snatching men from their employment
@@ -1510,10 +1467,10 @@ other room to do a little business."</p>
youth cringing in the squalid den to which the rascal
Sam made his way. There, beneath the same smoky
lamp which the woman had borne to the door, sat
-José, writhing this way and that, his limbs never at
+José, writhing this way and that, his limbs never at
rest for a moment, his fingers twining, his eyes shifting
to every quarter, his lips twisting this way and
-that. José would have run from his own shadow on
+that. José would have run from his own shadow on
that occasion. The enormity of the crime he was
perpetrating had frightened him intensely. Not
that he thought of Tom; he was considering himself
@@ -1526,7 +1483,7 @@ action?</p>
<p><span class="pagenum"><a name="Page_43" id="Page_43">[43]</a></span></p>
-<p>José could not answer; his knees positively shook
+<p>José could not answer; his knees positively shook
beneath him, while his bloodless lips would not frame
the words he wished to utter. He lifted squirming,
trembling fingers to his lips and mouthed at Sam.
@@ -1542,18 +1499,18 @@ earned, or mighty near it."</p>
<p>He led the trembling youth to the door of the other
room, now closed upon the poor fellows placed there,
-and sliding a shutter to one side bade José look in.</p>
+and sliding a shutter to one side bade José look in.</p>
<p>"Eh?" he growled in his ear. "The right bird?
No mistake, my hearty?"</p>
<p>Yes, there was Tom, pale and worn and sorrowful-looking,
and more than a little dazed if the truth be
-spoken. José recognized him at once, and in place
+spoken. José recognized him at once, and in place
of feeling compassion for his cousin let all the old
feelings of envy and resentment have full sway. The
eyes looking through the shutter scowled at poor
-Tom. José's pallid cheeks suddenly reddened at the
+Tom. José's pallid cheeks suddenly reddened at the
thought of an approaching triumph. He backed
away, stepped into the smaller room again, and sat
down with a swagger.</p>
@@ -1571,7 +1528,7 @@ him?"</p>
<p>"Then here is the money&mdash;take it."</p>
-<p>José handed over twenty sovereigns, and as if the
+<p>José handed over twenty sovereigns, and as if the
act had sealed his guilt promptly began to tremble
and writhe again. It was with a grin of triumph
that Sam saw him off the doorstep.</p>
@@ -1976,7 +1933,7 @@ family?"</p>
<p>Tom told him, wondering all the while whether
there were one amongst them capable of getting him
-impressed so as to remove him. "José?" he asked
+impressed so as to remove him. "José?" he asked
himself. "Impossible! He'd never be guilty of
such ingratitude to father, though I suppose, if I
were out of the way, he would succeed to the business
@@ -1984,7 +1941,7 @@ one of these fine days."</p>
<p>Little by little the commander ferreted such thoughts
out of our hero, and ended by placing his finger on
-the name of José.</p>
+the name of José.</p>
<p>"Your cousin, you said," he exclaimed. "You
were always good friends?"</p>
@@ -2904,7 +2861,7 @@ us fast friends. So Tom's been impressed."</p>
He had wondered time and again how that impressment
had been brought about, whether by accident
or design, and had never been able to bring himself
-to believe that José was responsible. Mr. Riley's
+to believe that José was responsible. Mr. Riley's
words made him open his ears.</p>
<p>"You are sure, sir?" he asked.</p>
@@ -4629,7 +4586,7 @@ retreat proceeded, and ever the gallant rearguard held
the French at bay.</p>
<p>"On the last day of 1808 Moore quitted Astorga
-in Léon. On the very next, the first day of 1809,
+in Léon. On the very next, the first day of 1809,
Napoleon entered the same place with 80,000 men, his
advance guard of relentless cavalry being still in touch
with our men. There the great Bonaparte remained,
@@ -4710,7 +4667,7 @@ Blake, and Beresford.</p>
Victor, with some 20,000 men, was on the
Tagus. Sebastiani was in La Mancha with a force
not quite so strong. Thousands were collected about
-Madrid, in Galicia, Léon, and Old Castille also, while
+Madrid, in Galicia, Léon, and Old Castille also, while
there was a division of cavalry and 40,000 infantry
stationed in Aragon and Catalonia. Their very
numbers give you an idea of the almost impossible
@@ -4965,7 +4922,7 @@ thin limbs writhed and twisted incongruously, whose
fingers twitched and plucked at moving lips, and
whose very appearance bespoke indecision, a wavering
courage, meanness, and all that that implies. It
-was José, Tom's cousin, and his image drew a growl
+was José, Tom's cousin, and his image drew a growl
from our hero.</p>
<p>"Always interfering and getting in the way," he
@@ -5441,7 +5398,7 @@ one grizzled trooper, taking to his pipe when
he had finished his own meal, and levelling his
remarks at Andrews. "Never before!"</p>
-<p>"Right!" ejaculated Andrews. "<i lang="fr" xml:lang="fr">Très bien!</i>" for
+<p>"Right!" ejaculated Andrews. "<i lang="fr" xml:lang="fr">Très bien!</i>" for
he had picked up an odd word or two of the language.
"Proper sort, ain't he?"</p>
@@ -5879,7 +5836,7 @@ a jiffy."</p>
<p>Stamping with impatience because common sense
and lack of strength told him that he himself was
-unfit to join in the mêlée, and, in fact, even to clamber
+unfit to join in the mêlée, and, in fact, even to clamber
down the steps, the naval lieutenant put to good
purpose a stentorian voice trained in a service where
lung power is required, and where the weakling is
@@ -6020,7 +5977,7 @@ the trooper held a floury hand aloft as if to show his
amazement. "He asks why, when the reason is<span class="pagenum"><a name="Page_174" id="Page_174">[174]</a></span>
plain. <i lang="fr" xml:lang="fr">Dites donc, mon fou</i>; is it so often, then, that
we fight under the eye and command of an English
-<i lang="fr" xml:lang="fr">garçon</i>? Poof! That is the charm of the thing.
+<i lang="fr" xml:lang="fr">garçon</i>? Poof! That is the charm of the thing.
I tell you, yesterday I said to myself: 'Pierre, you will
be chopped to pieces before the sun comes up to-morrow.
You and your comrades will be but mince
@@ -6993,7 +6950,7 @@ one of these days?"</p>
the usual impetuosity and carelessness of youth, to
reckon the risks to be run in achieving such honours.
But then Tom did not realize what was before him.
-To begin with, he reckoned without José de Esteros,
+To begin with, he reckoned without José de Esteros,
his most unloving cousin, whom he imagined still
in England.</p>
@@ -7030,7 +6987,7 @@ Army rations are good enough when there's nothing
else to be had, but give me the sight of a town now
and again. There'll be dinners to be had, there'll
be invitations galore to the houses of the big people,
-dances, fêtes, everything you can wish for or imagine."</p>
+dances, fêtes, everything you can wish for or imagine."</p>
<p>Jack laughed uproariously, the happy laugh of a
youth who is bent on pleasure, and who is ready to
@@ -7232,7 +7189,7 @@ riding before him, and then ducked back out of sight.</p>
from the sea, and an officer! Ah!"</p>
<p>The scowl deepened, for the moment was a bitter
-one for José. Yes, it was José de Esteros, whom we
+one for José. Yes, it was José de Esteros, whom we
saw last in London, the scheming vindictive nephew
to whom John Clifford had given a home for many
a year, and who had rewarded his uncle after such
@@ -7252,7 +7209,7 @@ too! How? And in Oporto! Why?"</p>
It was for his arrest that Tom had come without a<span class="pagenum"><a name="Page_209" id="Page_209">[209]</a></span>
doubt, and here again was added injury. Let us
realize the position of affairs exactly. Far from being
-sorry for the rascally action he had undertaken, José
+sorry for the rascally action he had undertaken, José
vented the whole of his own displeasure on Tom's
unconscious head. He had always been jealous of
our hero. He hated him now because of the failure
@@ -7262,25 +7219,25 @@ had come so soon. Indeed, Tom had scarcely
reached the ship after his impressment when Huggins,
John Clifford's faithful clerk, had unravelled the conspiracy,
and had compelled the ruffian who had captured
-him to admit the fact. And José had had a
+him to admit the fact. And José had had a
near escape of being sent to prison; for with the unravelling
of the conspiracy came the knowledge that
he had robbed his uncle. But this wretched youth
was as crafty as he was sneaking. Swift to detect
discovery, he had once more robbed his uncle and
had departed. A ship sailing that very evening for
-Oporto took him aboard, and within a week José
+Oporto took him aboard, and within a week José
de Esteros had presented himself at his uncle's, at
Don Juan de Estero's house, where the Portuguese
branch of the famous firm of Septimus John Clifford
&amp; Son was established. And there he had remained
for two months, giving it out that his cousin had
-run away from home, and that he, José, had been
+run away from home, and that he, José, had been
sent to take his place. Cleverly intercepting the
-frantic letters which John Clifford wrote, José kept
+frantic letters which John Clifford wrote, José kept
up the deception till, one fine morning, the faithful
Huggins landed and appeared at the office. Then<span class="pagenum"><a name="Page_210" id="Page_210">[210]</a></span>
-José ran again and hid himself in the hovels of the
+José ran again and hid himself in the hovels of the
city. It was in one of these that he was located on
the morning of Tom's entry, engaged, one may be
sure, in further rascally schemes which the unexpected
@@ -7296,7 +7253,7 @@ me."</p>
while his limbs writhed and seemed to knot themselves
together.</p>
-<p>"I'll kill him!" José hissed, as Tom began to pass
+<p>"I'll kill him!" José hissed, as Tom began to pass
out of his vision. "Yes, and I'll make use of the
information which Don Juan gave me. Ha, ha! It
makes me smile. He took me into his confidence.
@@ -7312,26 +7269,26 @@ protruding eyes which a second before had been fixed
upon the stalwart form of Andrews, then the only one
of the three horsemen remaining visible, lost themselves
in a vacant gaze. In those few following
-seconds José saw himself powerful and rich, head of
+seconds José saw himself powerful and rich, head of
a prosperous old firm, a partner of the business in<span class="pagenum"><a name="Page_211" id="Page_211">[211]</a></span>
the place of his cousin Tom, successor to his Uncle
Juan's riches.</p>
<p>Let us turn from the contemplation of a youth so
-devoid of all that was pleasant and taking&mdash;José was
+devoid of all that was pleasant and taking&mdash;José was
born with a kink, a moral kink, if you will&mdash;let us
leave him with it and follow Tom and his comrade.
-But in doing so let us remember that though José
+But in doing so let us remember that though José
might be weak, he was yet a force to be reckoned
with, a force, had Tom but known it, likely enough
to come between him and those much-cherished ambitions.
-José might easily intervene between the gallant
+José might easily intervene between the gallant
and handsome staff officer whom he called cousin and
that post in the army to which youthful good spirits
and assurance caused him to aspire.</p>
<p>"The way to the house of Septimus John Clifford
-&amp; Son, <i lang="es" xml:lang="es">señor</i>," answered a man of whom Tom made
+&amp; Son, <i lang="es" xml:lang="es">señor</i>," answered a man of whom Tom made
an enquiry. "There are few in this city who do not
know the name and the house. Pass directly on till
you enter another square, then turn to the left, descending
@@ -7408,7 +7365,7 @@ you, lad."</p>
son, and it was half an hour later before our hero
recollected that he had left Jack waiting outside. By
then he had learned all that had happened during
-his absence from England. How José's cruel conspiracy
+his absence from England. How José's cruel conspiracy
had been discovered. How in course of time
a report had come through the Admiralty telling of
Tom's impressment, of the action at sea, and of his
@@ -7421,7 +7378,7 @@ had gone to the bottom of the sea with his comrades.</p>
<p><span class="pagenum"><a name="Page_214" id="Page_214">[214]</a></span></p>
-<p>"Then there was the case of José, your cousin," he
+<p>"Then there was the case of José, your cousin," he
said severely. "He acted like a hound all through,
and but for Huggins would have done us further
injury. Imagine the duplicity and cunning of the
@@ -7565,7 +7522,7 @@ a day later by Alfonso. He rode up on a big mule,
and dropped from his saddle at the porch of the
house. A fine, frank young fellow he proved to be.</p>
-<p>"Glad to meet you, señors," he cried. "Which is
+<p>"Glad to meet you, señors," he cried. "Which is
my cousin?"</p>
<p>"You speak English?" asked Tom, when the greetings
@@ -7639,7 +7596,7 @@ into small squares, with some fifty paces between them.</p>
"If they've courage, and will stand fast, cavalry will
have little terror for them. If they break&mdash;&mdash;"</p>
-<p>"Every man would be cut to pieces, <i lang="es" xml:lang="es">señor</i>," said
+<p>"Every man would be cut to pieces, <i lang="es" xml:lang="es">señor</i>," said
Alfonso. "That is a thing they know. I trust soon<span class="pagenum"><a name="Page_220" id="Page_220">[220]</a></span>
that we may have an opportunity of testing their
courage."</p>
@@ -8318,7 +8275,7 @@ town, wait for a letter, and then return."</p>
<p>"To whom?" asked Tom curtly, while the men
about strained their ears to hear what was passing.</p>
-<p>"To my employer, <i lang="es" xml:lang="es">señor</i>."</p>
+<p>"To my employer, <i lang="es" xml:lang="es">señor</i>."</p>
<p>"And he is&mdash;&mdash;?"</p>
@@ -9142,7 +9099,7 @@ rooms; after that we know nothing."</p>
<p>"There is merely this," came the answer, while
a slip of paper was thrust into his hands. "We
found it resting on the table, weighted so that it could
-not blow away. Read, <i lang="es" xml:lang="es">señor</i>."</p>
+not blow away. Read, <i lang="es" xml:lang="es">señor</i>."</p>
<p>Tom scanned the lines for some few moments,
while his smooth forehead wrinkled deeply. "Thus
@@ -9655,7 +9612,7 @@ quarter. The St. Roque bastion, in between these two
latter, was to be stormed by Major Wilson, who was
in command of the guards of the trenches. Finally,
the Portuguese were to see what could be done with
-the Tête de Pont, the outwork on the far bank of the
+the Tête de Pont, the outwork on the far bank of the
River Guadiana, commanding the head of the bridge.</p>
<p>A dull hum above the trenches told of excitement.
@@ -9838,11 +9795,11 @@ Tom's command.</p>
<p>"Well?" he questioned in Portuguese, his accent
none of the best. "Any news? Any more callers?"</p>
-<p>"None, <i lang="es" xml:lang="es">señor</i>."</p>
+<p>"None, <i lang="es" xml:lang="es">señor</i>."</p>
<p>"And the news?"</p>
-<p>"Good, <i lang="es" xml:lang="es">señor</i>; he lives. He will get well and
+<p>"Good, <i lang="es" xml:lang="es">señor</i>; he lives. He will get well and
strong to command us."</p>
<p>There was a gleam of pleasure in the eyes of the
@@ -9857,8 +9814,8 @@ worst&mdash;&mdash;"</p>
<p>"Yes," responded the other, in a patois both could
understand, "yes, he would command. But it would
-not be the same; the <i lang="es" xml:lang="es">Señor</i> Tom is one man, the
-<i lang="es" xml:lang="es">Señor</i> Jack another."</p>
+not be the same; the <i lang="es" xml:lang="es">Señor</i> Tom is one man, the
+<i lang="es" xml:lang="es">Señor</i> Jack another."</p>
<p>Inside stood the faithful Andrews and Howeley,
drawn stiffly to attention, saluting their officer. Jack's
@@ -9915,7 +9872,7 @@ Clifford's head clerk he would then and there have
made a discovery of vast importance, and one which
we will at once hand on to the reader. For this
sneaking intruder, bearing a stiletto in one hand,
-was none other than José de Esteros, Tom's cousin,
+was none other than José de Esteros, Tom's cousin,
now sunk to the lowest depths of infamy, and forestalled
just in the nick of time in the endeavour to
carry out further villainy. He had made good his
@@ -10245,7 +10202,7 @@ as a bullock. Shot outside that Portuguese church,
and cut to mincemeat by those rascals. But this
business of yours interests me solely because you
happen to be a pal of mine, and in my opinion very
-much injured. This José is a scoundrel. What's
+much injured. This José is a scoundrel. What's
more, I believe him to be at the bottom of all these
troubles. He's that spy, sir, I declare! He's the
very same scoundrel who crept in here with the idea
@@ -10253,7 +10210,7 @@ of doing you a mortal mischief. There, think it out,
and don't wonder if I am a little interested in this
curious and blackguardly mystery."</p>
-<p>Could this really be the case? Was José de
+<p>Could this really be the case? Was José de
Esteros not only the rascal who had caused Tom's
impressment, as we know, and Tom and his friends
now knew, to be the case; but also, was he the
@@ -10268,7 +10225,7 @@ killed in the storming?</p>
<p>"Humbug!" Tom declared, nursing the arm which
he had worn in a sling since receiving his injuries.
-"I grant that José was the cause of my impressment.
+"I grant that José was the cause of my impressment.
There I owe him a grudge, Jack."</p>
<p>"Eh?" asked the adjutant, stoking his pipe with a
@@ -10279,13 +10236,13 @@ since," came the serious answer. And then Tom
went off into roars of laughter, while Jack pretended
indignation.</p>
-<p>"Granted that José was the cause of that portion,"
+<p>"Granted that José was the cause of that portion,"
Tom continued. "We know he came to Oporto;
there we lose sight of him. The spy comes on the
scene. Granted here, again, that he it was who abducted
my father and uncle, for the note left was in
the same handwriting as that other we secured outside
-Ciudad Rodrigo; but that doesn't say that José
+Ciudad Rodrigo; but that doesn't say that José
was the spy, even if you argue that he has reasons
for wishing to abduct my two relatives. Now, does
it?"</p>
@@ -10295,7 +10252,7 @@ that."</p>
<p>"I don't; I agree that, from what I can remember
of it, there is a similarity. But I'm not by any means
-sure; besides, José couldn't be such a rascal."</p>
+sure; besides, José couldn't be such a rascal."</p>
<p><span class="pagenum"><a name="Page_296" id="Page_296">[296]</a></span></p>
@@ -10305,22 +10262,22 @@ who tries to get rid of a cousin with whom he has
lived all his life, as this fellow did, will take on any
piece of rascality. Look at his actions on arrival at
Oporto, and think of his cunning. My boy, this
-José's at the bottom of the whole matter, so keep
+José's at the bottom of the whole matter, so keep
your eye open."</p>
<p>How Tom was to keep his eye open his adjutant
failed to explain, nor was there any further evidence
-to convict José of this added piece of rascality. Tom
+to convict José of this added piece of rascality. Tom
was still in ignorance of the personality of the spy
whom he had traced to Oporto, and thence to
Badajoz. He knew that the man was responsible for
the abduction of Septimus and Don Juan de Esteros.
-But was José the spy? Was the spy the man who
+But was José the spy? Was the spy the man who
had crept into these quarters in Badajoz with the
obvious intention of slaying Tom, and, if so, what
was his object?</p>
-<p>"It's José all the time," declared Jack, cocksure of
+<p>"It's José all the time," declared Jack, cocksure of
the fact.</p>
<p>"Doubtful," repeated Tom, still refusing to believe
@@ -11129,7 +11086,7 @@ before him. His slumbering mind cared not a jot
for the dangers of the task which his commander
had given him. If there had been fifty spies to
capture, if there had been fifty mysteries hanging
-about the persons of the rascal José and Tom's two
+about the persons of the rascal José and Tom's two
relatives abducted from Oporto, that young fellow
would still have slept. For he had fought his first
big engagement. He had done strenuous work, and
@@ -11222,7 +11179,7 @@ it'll be the worse for you."</p>
that brought a supercilious grin from the young
man.</p>
-<p>"<i lang="es" xml:lang="es">Si, señor</i>," he said, "but there is time; there is
+<p>"<i lang="es" xml:lang="es">Si, señor</i>," he said, "but there is time; there is
always time."</p>
<p>Jack gripped his meaning with difficulty, and then
@@ -11427,14 +11384,14 @@ about, we may be invited to join. Who knows,
through such a gang we might get hold of that fellow
who captured your father and mine?"</p>
-<p>"José, eh?" asked his cousin.</p>
+<p>"José, eh?" asked his cousin.</p>
<p>"Perhaps."</p>
<p>"In any case the rascal we were after in Oporto,
whose spy we captured going to Ciudad Rodrigo.
That's the puzzle. We agree that it was he who<span class="pagenum"><a name="Page_329" id="Page_329">[329]</a></span>
-abducted our parents. But is he also José, and if so,
+abducted our parents. But is he also José, and if so,
or the reverse, is he associated with the ruffians who
have been robbing the dispatch box of his lordship,
the leader of this army?"</p>
@@ -11442,7 +11399,7 @@ the leader of this army?"</p>
<p>There the puzzle was laid out in all its bareness and
meagreness. There were links missing in the chain
of flimsy evidence; but this was certain, both lads
-had lost a father while José was in the country.</p>
+had lost a father while José was in the country.</p>
<p>"Heigho! We'll leave the matter and get to
roost," sighed Tom, for driving a team of fractious
@@ -11688,7 +11645,7 @@ into a room but dimly lighted. Ten men were present,
a full ten, seated about a rickety table.</p>
<p>Who were they? Conspirators? Yes, without<span class="pagenum"><a name="Page_336" id="Page_336">[336]</a></span>
-doubt. Was José there? Impossible to say. Then
+doubt. Was José there? Impossible to say. Then
any other they could recognize? No&mdash;yes.</p>
<p>Tom's eyes pierced the flimsy disguise of one of
@@ -11800,8 +11757,8 @@ them understand that the end is near. Go."</p>
to his side, while he was otherwise helpless. He
fixed his eyes upon that central figure and tried to
pierce the disguise, for disguised this leader of the
-conspirators was. But was it José? He scoffed at the
-idea. José ringleader of such a group! He had not
+conspirators was. But was it José? He scoffed at the
+idea. José ringleader of such a group! He had not
the pluck for such a venture. Then who? He knew
the voice, masked though it was. It had been familiar
at some occasion. Where, then? When?</p>
@@ -11961,10 +11918,10 @@ leaned against the dirty walls, surveying their prisoner
with satisfied grimaces, while cigarettes protruded
from their lips.</p>
-<p>"<i lang="es" xml:lang="es">Señor Inglise</i>," began one&mdash;when the fat man
+<p>"<i lang="es" xml:lang="es">Señor Inglise</i>," began one&mdash;when the fat man
interrupted him.</p>
-<p>"<i lang="es" xml:lang="es">Señor</i> indeed! Prisoner. Dog of an Englishman!"</p>
+<p>"<i lang="es" xml:lang="es">Señor</i> indeed! Prisoner. Dog of an Englishman!"</p>
<p>"As you will," shrugged the other. "Dog of an
Englishman! Here is a test, and our fat friend will
@@ -12002,7 +11959,7 @@ blow here, a thrust with his stiletto there, and he
would be out of the room. But there was Alfonso.
No&mdash;the time had not yet come for shooting.</p>
-<p>"<i lang="es" xml:lang="es">Señors</i>, you choose to joke," he said pleasantly.
+<p>"<i lang="es" xml:lang="es">Señors</i>, you choose to joke," he said pleasantly.
"What next?"</p>
<p>"For you, nothing after my bullet. For us, the
@@ -12234,7 +12191,7 @@ leader, the shadowy individual, obviously disguised,
with the writhing hand across his mouth and the
assumed voice.</p>
-<p>"Could that be José? No. The fellow was too
+<p>"Could that be José? No. The fellow was too
short. But&mdash;but, awfully like him, that writhing
hand. And the voice too?"</p>
@@ -12827,7 +12784,7 @@ he had not shown before, even in the midst of strenuous
adventure? He went red-hot from head to foot
and gazed desperately about him. What could have
caused this sudden nervousness? Could it be that
-one of the speakers must be José, the rascally cousin
+one of the speakers must be José, the rascally cousin
who had already done him such an injury, or could
it be possible&mdash;&mdash;?</p>
@@ -13242,7 +13199,7 @@ see the features.</p>
<p>"The prisoners have admitted that he was their
leader," said Jack.</p>
-<p>It was José. Tom turned away with a feeling of
+<p>It was José. Tom turned away with a feeling of
sickness. After all, it was not pleasant to think that
a cousin could have been such a rascal. There, in
fact, was the end of all his scheming, all his meanness
@@ -13331,383 +13288,6 @@ down the menace which threatened England.</p>
<p>All illustrations, except for the frontispiece, were relocated to the text describing their action.</p>
</div>
-
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of Project Gutenberg's With Wellington in Spain, by F. S. Brereton
-
-*** END OF THIS PROJECT GUTENBERG EBOOK WITH WELLINGTON IN SPAIN ***
-
-***** This file should be named 44055-h.htm or 44055-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/4/4/0/5/44055/
-
-Produced by sp1nd, JoAnn Greenwood, and the Online
-Distributed Proofreading Team at http://www.pgdp.net (This
-file was produced from images generously made available
-by The Internet Archive)
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-</pre>
-
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 44055 ***</div>
</body>
</html>