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diff --git a/43981-h/43981-h.htm b/43981-h/43981-h.htm index c552a6f..6525d3d 100644 --- a/43981-h/43981-h.htm +++ b/43981-h/43981-h.htm @@ -3,7 +3,7 @@ <html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en"> <head> - <meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" /> + <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> <title>Punch, or the London Charivari, June 29th, 1895.</title> @@ -109,44 +109,7 @@ display : none; </style> </head> <body> - - -<pre> - -The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 108, -June 29, 1895, by Various - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org/license - - -Title: Punch, or the London Charivari, Vol. 108, June 29, 1895 - -Author: Various - -Release Date: October 19, 2013 [EBook #43981] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOL. 108, JUNE 29, 1895 *** - - - - -Produced by Malcolm Farmer, Lesley Halamek and the Online -Distributed Proofreading Team at http://www.pgdp.net - - - - - - -</pre> - +<div>*** START OF THE PROJECT GUTENBERG EBOOK 43981 ***</div> <hr /> <p><span class="pagenum"><a name="page301" id="page301"></a>[pg 301]</span></p> @@ -161,12 +124,12 @@ Distributed Proofreading Team at http://www.pgdp.net <h2>OPERATIC NOTES.</h2> -<p><i>Monday.</i>—Tannhäuserites disappointed. Signor <span class="sc">Vignas</span> indisposed. -<i>Tannhäuser's</i> understudy <i>Faust</i> put up. House good. -Performance better. <span class="sc">Plançon</span>,—once <i>Jupiter</i> now +<p><i>Monday.</i>—Tannhäuserites disappointed. Signor <span class="sc">Vignas</span> indisposed. +<i>Tannhäuser's</i> understudy <i>Faust</i> put up. House good. +Performance better. <span class="sc">Plançon</span>,—once <i>Jupiter</i> now <i>Mephistopheles</i>, the extremes meeting in one singer,—excellent. <span class="sc">Melba</span> quite the -German Fräulein. <span class="sc">Bevignani</span>, C. B., +German Fräulein. <span class="sc">Bevignani</span>, C. B., <i>i.e.</i>, "Conducting Beautifully," in the chair.</p> @@ -240,10 +203,10 @@ too trying for emotional persons. <i>Pagliacci</i>, tragedy; <i>Cavalleria Rusticana</i> tragedy also; tragedy from beginning to end; even the celebrated <i>mezzo</i> very like a wail! Not kind of <span class="sc">Druriolanus</span> to afflict us thus. Madame <span class="sc">Bellincioni</span>, "the original <i>Santuzza</i>," -admirable. Honours easy between Madame <span class="sc">Calvé</span> and <span class="sc">Bellincioni</span>. +admirable. Honours easy between Madame <span class="sc">Calvé</span> and <span class="sc">Bellincioni</span>. The latter played it first abroad; but the former had the start of her <i>here</i>. In some of the action peculiarly characteristic of the type, -<span class="sc">Bellincioni</span> wins, not by a neck, but by two hands. <span class="sc">Calvé</span> more +<span class="sc">Bellincioni</span> wins, not by a neck, but by two hands. <span class="sc">Calvé</span> more striking (hands down) in her jealous agony. Signor <span class="sc">Valentine Figaro Ancona</span> excellent as <i>Alfio</i>; the situation when <span class="sc">Vignas</span>, @@ -260,7 +223,7 @@ because she's Admirable." <i>Harold</i> improveth on representation. <i>William Malet</i> played by <span class="sc">Richard Green</span>. Nice of the librettist, Sir <span class="sc">Edward Malet</span>, to keep the memory of his ancestor Green. It must -make singers rather nervous to have the composer <i>vis-à-vis</i> conducting +make singers rather nervous to have the composer <i>vis-à -vis</i> conducting his own work; as <span class="sc">Wagstaff</span> observes, "in this instance it must have the effect of Cowin' them." 'Nother week gone.</p> @@ -294,14 +257,14 @@ the sounds get confused, I fancy the Germans are coughing and the Frenchman is saying "<i>Ja, ja, ja,</i>" and then——</p> <p>There, now I am awake again. Why, there's someone knocking -at the door. "<i>Pardon, monsieur, avez-vous reçu votre linge?</i>" -"<i>Mais, oui, je l'ai reçu hier.</i>" "<i>Pardon, monsieur, il y a des +at the door. "<i>Pardon, monsieur, avez-vous reçu votre linge?</i>" +"<i>Mais, oui, je l'ai reçu hier.</i>" "<i>Pardon, monsieur, il y a des faux-cols.</i>" -"<i>Non, je les ai reçus tous.</i>" "<i>Mais, monsieur——</i>" "<i>Mais -qu'est-ce que vous me chantez là? Laissez-moi tranquille.</i>" "<i>Mais, -monsieur, le monsieur en face m'a dit que monsieur a reçu des +"<i>Non, je les ai reçus tous.</i>" "<i>Mais, monsieur——</i>" "<i>Mais +qu'est-ce que vous me chantez là ? Laissez-moi tranquille.</i>" "<i>Mais, +monsieur, le monsieur en face m'a dit que monsieur a reçu des faux-cols que monsieur——</i>" Confound the collars! Get up, -let in the <i>garçon</i>, examine my collars and the collars of the <i>monsieur +let in the <i>garçon</i>, examine my collars and the collars of the <i>monsieur en face</i>, who is just packing up, rectify the mistake of the washerwoman, and am again alone. Now is it worth going to sleep or not? Will try once more.</p> @@ -314,7 +277,7 @@ Positively, absolute silence. The coughing Frenchman must have been suffocated; the Germans—no, nothing could stop the Germans from talking, only they have gone out of hearing. And the <i>femme de chambre</i> has hurried off to fetch that hot water for somebody, and -the <i>garçon</i> is not banging his broom about in this <i>couloir</i>, and +the <i>garçon</i> is not banging his broom about in this <i>couloir</i>, and there is no baggage coming or going, and no door crashing; and, in the midst of profound peace, I think drowsily of quiet country afternoons, @@ -322,7 +285,7 @@ when one hears only the humming of the bees, and the whispering of the aspens, and then, and then——Hullo! What's up now? There's someone else knocking. My last chance gone. My head is aching more than ever. "<i>Eh bien?</i>" "<i>C'est l'eau -chaude que vous avez commandée, Monsieur.</i>"</p> +chaude que vous avez commandée, Monsieur.</i>"</p> <hr class="medium" /> @@ -662,7 +625,7 @@ the seal.</p> <p>"<span class="sc">Tell him to clean your Boots, John—and mine too.</span>"</p> -<p>"<span class="sc">All right. Er—Garçong, nettoyez may Bot, si voo play—et aussee mah +<p>"<span class="sc">All right. Er—Garçong, nettoyez may Bot, si voo play—et aussee mah Fam!</span>"</p></div> <hr class="medium" /> @@ -813,9 +776,9 @@ outside. Excellent dinner; but general arrangement more suited to time of Methuselah than our shorter-lived day. Sat down at 7.30; finished by 11.30. Peculiarity of <i>menu</i> was the interpolation of cold speeches among the hot dishes. As soon as we swallowed -our <i>Klare Schildkrötensuppe</i>, and toyed with our <i>Forellen, +our <i>Klare Schildkrötensuppe</i>, and toyed with our <i>Forellen, blau mit Butter</i>, Chairman rose and proposed toast to Emperor. -Next came on the table (sideways, of course) <i>Helgoländer hummer +Next came on the table (sideways, of course) <i>Helgoländer hummer auf amerikanische Art</i>. Before the dish was removed, another gentleman on his legs proposing health of Mr. G. So on through the meal: first a bite and sup, then a speech. Practice interesting, @@ -833,7 +796,7 @@ again, it is not only embarrassing, but becomes costly.</p> <p><i>Off Jutland, Sunday.</i>—Don <span class="sc">Currie</span> last night gave return banquet on <i>Tantallon Castle</i> to Hamburgers. Done in princely style. Over two hundred sat down in brilliantly lighted saloon. Had our speeches, as usual with <i>nous -autres</i>, served with the dessert instead of as <i>entrées</i>. Few, short, pithy, and +autres</i>, served with the dessert instead of as <i>entrées</i>. Few, short, pithy, and one historical. Don <span class="sc">Currie</span> proposed toasts to his fellow Sovereigns, the Queen of <span class="sc">England</span> and Emperor of <span class="sc">Germany</span>. Burgomaster of Hamburg toasted Mr. G., who responded in speech, lofty in sentiment, @@ -947,7 +910,7 @@ set ye fine! Ye can see <i>Five Coonties</i> frae there!</span>"</p></div> <h3>THE LEADING MOTIVE OF THE "W. O.," WITH VARIATIONS.</h3> <p><i>The General Idea</i> (<i>supplied at Pall Mall</i>). That, although the -British Army costs (exclusive of extras) £57 per man, the War +British Army costs (exclusive of extras) £57 per man, the War Office is the best <i>bureau</i> in the world. The establishments over which the Secretary of State and the Commander-in-Chief preside, are necessarily incapable of improvement, as they are absolutely @@ -956,29 +919,29 @@ perfect. This being so, nothing more need, can, and should be said.</p> <p><i>Commentary No. 1</i> (<i>supplied by Printing House Square</i>). That the General Idea of the War Office is ridiculous. That were Pall Mall to be occupied by the staff of a merchant's office, the nation -would be saved millions, and the £57 (exclusive of extras) per man +would be saved millions, and the £57 (exclusive of extras) per man arrangement would soon be regarded as an extravagant product of the wasteful past.</p> <p><i>Commentary No. 2</i> (<i>supplied by a military writer</i>). That civilians cannot possibly know anything about the working of a Government Office. As Pall Mall says it is perfect, it is to be presumed -that it is. Why not leave well alone? And as for £57 (exclusive -of extras) per man, why, is not that arrangement less than £60?</p> +that it is. Why not leave well alone? And as for £57 (exclusive +of extras) per man, why, is not that arrangement less than £60?</p> <p><i>Commentary No. 3</i> (<i>supplied anonymously</i>). Opinion of military writer not worth the paper containing it. Look abroad. Does the -foreign service cost £57 per man, exclusive of extras? Not at all. +foreign service cost £57 per man, exclusive of extras? Not at all. Then what can be done on the Continent, can, and should be done in England.</p> <p><i>Commentary No. 4</i> (<i>supplied by the working-classes</i>). What! pay, -£57 (exclusive of extras) for a soldier? Much better abolish the +£57 (exclusive of extras) for a soldier? Much better abolish the Army, and reduce the price of beer!</p> <p><i>Commentary No. 5 and last</i> (<i>supplied by</i> Private <span class="sc">Thomas Atkins</span>). -What, I cost £57 a year, exclusive of extras! Well, all I can say +What, I cost £57 a year, exclusive of extras! Well, all I can say is, that precious little of the money or the perquisites gets into <i>my</i> pockets! Worse luck to it!</p> @@ -1021,7 +984,7 @@ would be a pleasing compliment to Russia if some specimens of Russian architecture could be erected in Paris, it is believed that the <i>Commission des Monuments Historiques</i> will cover the Louvre with laths and canvas, painted to represent the Kremlin, and by similar -means will transform the Champs Elysées into the Nevsky Prospect, +means will transform the Champs Elysées into the Nevsky Prospect, and will give to Notre Dame the appearance of the forts at Cronstadt.</p> <p>The <span class="sc">Khedive</span> has expressed an opinion that the Pyramids look old @@ -1339,7 +1302,7 @@ disposed to "feu," should think of the "Many" instead.</p> Theatres.</span>—Capital fun at <span class="sc">Druriolanus's</span> Drury Lane, by the Ducal Court Company. Farcical -Comedy, <span class="sc">Hasemann's</span> <i>Töchter</i>, +Comedy, <span class="sc">Hasemann's</span> <i>Töchter</i>, played by the Ducal Creatures. How we have been going it in the theatrical world! <span class="sc">Sara</span> in @@ -1547,7 +1510,7 @@ cutting remarks. They come from Sheffield.</p> <div class="figcenter" style="width: 600px;"><a href="images/311-1500.png"><img src="images/311-600.png" width="600" height="340" alt="Mr Punch, fishing" /></a></div> <ul class="none"> -<li>"À bas the Club Sweep," 253</li> +<li>"À bas the Club Sweep," 253</li> <li>A-dress by Mr. Speaker, 232</li> @@ -1829,7 +1792,7 @@ cutting remarks. They come from Sheffield.</p> <li>Letters from the Shades, 142</li> -<li>Letter to a Débutante, 46</li> +<li>Letter to a Débutante, 46</li> <li>"Light Fantastic" (The), 78</li> @@ -1863,7 +1826,7 @@ cutting remarks. They come from Sheffield.</p> <li>Meeting a very Old Friend, 161</li> -<li>Menu à la Mode (The), 133</li> +<li>Menu à la Mode (The), 133</li> <li>Merry may our Kiel grow! 310</li> @@ -1973,7 +1936,7 @@ cutting remarks. They come from Sheffield.</p> <li>"Penny plain—but Oscar coloured," 36</li> -<li>Philistine Pæan (A), 222</li> +<li>Philistine Pæan (A), 222</li> <li>"Pity the Poor Artist!" 66</li> @@ -2095,7 +2058,7 @@ cutting remarks. They come from Sheffield.</p> <li>Streets of London (The), 217</li> -<li>Strikes à la Mode de Paris, 205</li> +<li>Strikes à la Mode de Paris, 205</li> <li>Studio-Seeker's Vade Mecum (The), 157</li> @@ -2203,7 +2166,7 @@ cutting remarks. They come from Sheffield.</p> <li>Vive le Tailleur du Roi! 35</li> -<li>"Voici le Sabre de mon Père!" 63</li> +<li>"Voici le Sabre de mon Père!" 63</li> <li class="spaceabove">Wail of the Walworth Woter (The), 241</li> @@ -2335,7 +2298,7 @@ cutting remarks. They come from Sheffield.</p> <li>Baron's Indelicate Wife (The), 162</li> -<li>Benevolent Gent and Tipsy Protégé, 16</li> +<li>Benevolent Gent and Tipsy Protégé, 16</li> <li>Best Claret he'd got (The), 54</li> @@ -2565,7 +2528,7 @@ cutting remarks. They come from Sheffield.</p> <li>Parliamentary "Liberty Men" going aboard, 202</li> -<li>Playing Wagner during a Tête-à-tête, 119</li> +<li>Playing Wagner during a Tête-à -tête, 119</li> <li>Plumber Joe and the Pipes, 86</li> @@ -2699,387 +2662,7 @@ cutting remarks. They come from Sheffield.</p> <hr class="full" /> <p class="center2">LONDON: BRADBURY, AGNEW, & CO., LD., PRINTERS, WHITEFRIARS.</p> - - - - - - - -<pre> - - - - - -End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. -108, June 29, 1895, by Various - -*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOL. 108, JUNE 29, 1895 *** - -***** This file should be named 43981-h.htm or 43981-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/3/9/8/43981/ - -Produced by Malcolm Farmer, Lesley Halamek and the Online -Distributed Proofreading Team at http://www.pgdp.net - - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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