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diff --git a/4397-h/4397-h.htm b/4397-h/4397-h.htm index 12dbe50..12bd607 100644 --- a/4397-h/4397-h.htm +++ b/4397-h/4397-h.htm @@ -1,15 +1,13 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" -"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> -<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> +<!DOCTYPE html> +<html lang="en"> <head> -<meta http-equiv="Content-Type" content="text/html;charset=utf-8" /> -<meta http-equiv="Content-Style-Type" content="text/css" /> -<title>The Forsyte Saga, Complete, by John Galsworthy</title> +<meta charset="utf-8"> +<title>The Forsyte Saga, Complete | Project Gutenberg</title> -<style type="text/css"> +<style> -body { margin-left: 20%; - margin-right: 20%; +body { margin-left: 10%; + margin-right: 10%; text-align: justify; background:#faebd7; } @@ -71,104 +69,97 @@ a:link {color:blue; text-decoration:none} a:visited {color:blue; text-decoration:none} a:hover {color:red} +.h2, .h3, .h4, .h5 { + text-align: center; + display: block; + margin-left: 0; + margin-right: 0; + font-weight: bold; +} +.h2 { + font-size: 1.5em; + margin-top: 0.83em; + margin-bottom: 0.83em; +} +.h3 { + font-size: 1.17em; + margin-top: 1em; + margin-bottom: 1em; +} +.h4 { + font-size: 1em; + margin-top: 1.33em; + margin-bottom: 1.33em; +} +.h5 { + font-size: .83em; + margin-top: 1.67em; + margin-bottom: 1.67em; +} + </style> </head> <body> - -<pre> -The Project Gutenberg EBook of The Forsyte Saga, Complete, by John Galsworthy - -This eBook is for the use of anyone anywhere in the United States and most -other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms of -the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you'll have -to check the laws of the country where you are located before using this ebook. - -Title: The Forsyte Saga, Complete - -Author: John Galsworthy - -Release Date: January 23, 2002 [EBook #4397] -[Most recently updated: May 26, 2020] - -Language: English - -Character set encoding: UTF-8 - -*** START OF THIS PROJECT GUTENBERG EBOOK THE FORSYTE SAGA, COMPLETE *** - - - - -Produced by David Widger - - - - - - -</pre> - +<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 4397 ***</div> <h3> <a href="#link2H_TOC">List of Volumes</a> </h3> <p> - <br /> + <br > </p> <div class="fig" style="width:80%;"> - <img alt="spines (203K)" src="images/spines.jpg" width="100%" /><br /> + <img alt="spines (203K)" src="images/spines.jpg" style="width: 100%"><br > </div> <p> - <br /> <br /> + <br > <br > </p> <div class="fig" style="width:80%;"> - <img alt="subscription (12K)" src="images/subscription.jpg" width="100%" /><br /> + <img alt="subscription (12K)" src="images/subscription.jpg" style="width: 100%"><br > </div> <p> - <br /> <br /> + <br > <br > </p> <div class="fig" style="width:80%;"> - <img alt="editon (10K)" src="images/editon.jpg" width="100%" /><br /> + <img alt="editon (10K)" src="images/editon.jpg" style="width: 100%"><br > </div> <p> - <br /> <br /> + <br > <br > </p> <div class="fig" style="width:80%;"> - <img alt="titlepage1 (38K)" src="images/titlepage1.jpg" width="100%" /><br /> + <img alt="titlepage1 (38K)" src="images/titlepage1.jpg" style="width: 100%"><br > </div> <p> - <br /> <br /> + <br > <br > </p> <div class="fig" style="width:80%;"> - <img alt="frontis1 (60K)" src="images/frontis1.jpg" width="100%" /><br /> + <img alt="frontis1 (60K)" src="images/frontis1.jpg" style="width: 100%"><br > </div> <p> - <br /> <br /> + <br > <br > </p> <h1> FORSYTE SAGA </h1> - <h3> + <div class="h3"> Complete - </h3> + </div> <p> - <br /> + <br > </p> - <h2> + <div class="h2"> By John Galsworthy - </h2> + </div> <p> - <br /> <br /> + <br > <br > </p> <p> - <br /> <br /> + <br > <br > </p> - <hr /> + <hr > <p> - <br /> <br /> + <br > <br > </p> <h2> Contents @@ -178,7 +169,7 @@ Produced by David Widger <a href="#link2H_PREF"> PREFACE: </a> </p> <p class="toc"> - <a href="#link2H_4_0003"> <big><b>THE MAN OF PROPERTY</b></big> </a> + <a href="#link2H_4_0003"> <span style="font-size: larger"><b>THE MAN OF PROPERTY</b></span> </a> </p> <p class="toc"> <a href="#link2H_PARTa1"> <b>PART I</b> </a> @@ -215,7 +206,7 @@ Produced by David Widger <a href="#link2HCH0009"> CHAPTER IX—DEATH OF AUNT ANN </a> </p> <p> - <br /> + <br > </p> <p class="toc"> <a href="#link2H_PARTa2"> <b>PART II</b> </a> @@ -267,7 +258,7 @@ Produced by David Widger </a> </p> <p> - <br /> + <br > </p> <p class="toc"> <a href="#link2H_PARTa3"> <b>PART III</b> </a> @@ -305,10 +296,10 @@ Produced by David Widger <a href="#link2H_4_0039"> THE FORSYTE SAGA—VOLUME II </a> </p> <p> - <br /> <br /> + <br > <br > </p> <p class="toc"> - <a href="#link2H_4_0040"> <big><b>INDIAN SUMMER OF A FORSYTE</b></big> + <a href="#link2H_4_0040"> <span style="font-size: larger"><b>INDIAN SUMMER OF A FORSYTE</b></span> </a> </p> <p class="toc"> @@ -327,10 +318,10 @@ Produced by David Widger <a href="#link2H_4_0045"> V </a> </p> <p> - <br /> + <br > </p> <p class="toc"> - <a href="#link2H_4_0046"> <big><b>IN CHANCERY</b></big> </a> + <a href="#link2H_4_0046"> <span style="font-size: larger"><b>IN CHANCERY</b></span> </a> </p> <p class="toc"> <a href="#link2H_PARTb1"> <b>PART 1</b> </a> @@ -384,7 +375,7 @@ Produced by David Widger WANTS </a> </p> <p> - <br /> + <br > </p> <p class="toc"> <a href="#link2H_PARTb2"> <b>PART II</b> </a> @@ -435,7 +426,7 @@ Produced by David Widger <a href="#link2HCH0060"> CHAPTER XIV—OUTLANDISH NIGHT </a> </p> <p> - <br /> + <br > </p> <p class="toc"> <a href="#link2H_PARTb3"> <b>PART III</b> </a> @@ -483,16 +474,16 @@ Produced by David Widger <a href="#link2HCH0074"> CHAPTER XIV—HIS </a> </p> <p> - <br /> <br /> + <br > <br > </p> <p class="toc"> - <a href="#link2H_4_0094"> <big><b>AWAKENING</b></big> </a> + <a href="#link2H_4_0094"> <span style="font-size: larger"><b>AWAKENING</b></span> </a> </p> <p> - <br /> + <br > </p> <p class="toc"> - <a href="#link2H_4_0095"> <big><b>TO LET</b></big> </a> + <a href="#link2H_4_0095"> <span style="font-size: larger"><b>TO LET</b></span> </a> </p> <p class="toc"> <a href="#link2H_PARTc1"> <b>PART I</b> </a> @@ -534,7 +525,7 @@ Produced by David Widger <a href="#link2H_4_0108"> XII.—CAPRICE </a> </p> <p> - <br /> + <br > </p> <p class="toc"> <a href="#link2H_PARTc2"> <b>PART II</b> </a> @@ -573,7 +564,7 @@ Produced by David Widger <a href="#link2H_4_0120"> XI.—TIMOTHY PROPHESIES </a> </p> <p> - <br /> + <br > </p> <p class="toc"> <a href="#link2H_PARTc3"> <b>PART III</b> </a> @@ -613,12 +604,12 @@ Produced by David Widger </p> </blockquote> <p> - <br /> <br /> + <br > <br > </p> - <hr /> + <hr > <p> - <a name="link2H_TOC" id="link2H_TOC"> - <!-- H2 anchor --> </a> <br /> <br /> + <a id="link2H_TOC"> + <!-- H2 anchor --> </a> <br > <br > </p> <h2> Volumes @@ -636,18 +627,18 @@ Produced by David Widger <div class="chapter"> - <h1><a name="link2H_4_0001" id="link2H_4_0001"></a> + <h1><a id="link2H_4_0001"></a> THE MAN OF PROPERTY </h1> <p> - <br /> <br /> + <br > <br > </p> <blockquote> <p> - TO MY WIFE:<br /> <br /> I DEDICATE THE FORSYTE SAGA IN ITS ENTIRETY, - <br /> BELIEVING IT TO BE OF ALL MY WORKS THE LEAST <br /> UNWORTHY OF ONE - WITHOUT WHOSE ENCOURAGEMENT, <br /> SYMPATHY AND CRITICISM I COULD NEVER - HAVE <br /> BECOME EVEN SUCH A WRITER AS I AM. + TO MY WIFE:<br > <br > I DEDICATE THE FORSYTE SAGA IN ITS ENTIRETY, + <br > BELIEVING IT TO BE OF ALL MY WORKS THE LEAST <br > UNWORTHY OF ONE + WITHOUT WHOSE ENCOURAGEMENT, <br > SYMPATHY AND CRITICISM I COULD NEVER + HAVE <br > BECOME EVEN SUCH A WRITER AS I AM. </p> </blockquote> @@ -655,7 +646,7 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2H_PREF" id="link2H_PREF"></a> + <h2><a id="link2H_PREF"></a> PREFACE: </h2> <p> @@ -787,12 +778,12 @@ Produced by David Widger <div class="chapter"> <h1> - THE MAN OF PROPERTY<a name="link2H_4_0003" id="link2H_4_0003"></a> + THE MAN OF PROPERTY<a id="link2H_4_0003"></a> </h1> <h2> by JOHN GALSWORTHY </h2> -<pre xml:space="preserve"> +<pre> “........You will answer The slaves are ours.....” @@ -806,7 +797,7 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2H_PARTa1" id="link2H_PARTa1"></a> + <h2><a id="link2H_PARTa1"></a> PART I </h2> @@ -814,8 +805,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0001" id="link2HCH0001"></a> - CHAPTER I<br/>“AT HOME” AT OLD JOLYON’S + <h2><a id="link2HCH0001"></a> + CHAPTER I<br>“AT HOME” AT OLD JOLYON’S </h2> <p> Those privileged to be present at a family festival of the Forsytes have @@ -1757,8 +1748,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0002" id="link2HCH0002"></a> - CHAPTER II<br/>OLD JOLYON GOES TO THE OPERA + <h2><a id="link2HCH0002"></a> + CHAPTER II<br>OLD JOLYON GOES TO THE OPERA </h2> <p> At five o’clock the following day old Jolyon sat alone, a cigar @@ -2164,15 +2155,15 @@ Produced by David Widger Potch,” couched in these words. </p> <p class="letter"> - “M<small>Y</small> D<small>EAREST</small> F<small>ATHER</small>,<br/> + “M<small>Y</small> D<small>EAREST</small> F<small>ATHER</small>,<br> “Your generous gift was welcome as a sign that you might think worse of me. I return it, but should you think fit to invest it for the benefit of the little chap (we call him Jolly), who bears our Christian and, by - courtesy, our surname, I shall be very glad.<br/> + courtesy, our surname, I shall be very glad.<br> “I hope with all my heart that your health is as good as ever. </p> <p class="right"> - “Your loving son,<br/> + “Your loving son,<br> “J<small>O</small>.” </p> <p> @@ -2180,15 +2171,15 @@ Produced by David Widger Jolyon had sent this reply: </p> <p class="letter"> - “M<small>Y</small> D<small>EAR</small> J<small>O</small>,<br/> + “M<small>Y</small> D<small>EAR</small> J<small>O</small>,<br> “The sum (£500) stands in my books for the benefit of your boy, under the name of Jolyon Forsyte, and will be duly-credited with interest at 5 per cent. I hope that you are doing well. My health remains good at present. </p> <p class="right"> - “With love, I am,<br/> - “Your affectionate Father,<br/> + “With love, I am,<br> + “Your affectionate Father,<br> “J<small>OLYON</small> F<small>ORSYTE</small>.” </p> <p> @@ -2516,8 +2507,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0003" id="link2HCH0003"></a> - CHAPTER III<br/>DINNER AT SWITHIN’S + <h2><a id="link2HCH0003"></a> + CHAPTER III<br>DINNER AT SWITHIN’S </h2> <p> In Swithin’s orange and light-blue dining-room, facing the Park, the @@ -3315,8 +3306,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0004" id="link2HCH0004"></a> - CHAPTER IV<br/>PROJECTION OF THE HOUSE + <h2><a id="link2HCH0004"></a> + CHAPTER IV<br>PROJECTION OF THE HOUSE </h2> <p> Soames Forsyte walked out of his green-painted front door three days after @@ -3846,8 +3837,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0005" id="link2HCH0005"></a> - CHAPTER V<br/>A FORSYTE MÉNAGE + <h2><a id="link2HCH0005"></a> + CHAPTER V<br>A FORSYTE MÉNAGE </h2> <p> Like the enlightened thousands of his class and generation in this great @@ -4196,8 +4187,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0006" id="link2HCH0006"></a> - CHAPTER VI<br/>JAMES AT LARGE + <h2><a id="link2HCH0006"></a> + CHAPTER VI<br>JAMES AT LARGE </h2> <p> It was not long before Soames’s determination to build went the @@ -4673,8 +4664,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0007" id="link2HCH0007"></a> - CHAPTER VII<br/>OLD JOLYON’S PECCADILLO + <h2><a id="link2HCH0007"></a> + CHAPTER VII<br>OLD JOLYON’S PECCADILLO </h2> <p> Old Jolyon came out of Lord’s cricket ground that same afternoon @@ -5081,8 +5072,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0008" id="link2HCH0008"></a> - CHAPTER VIII<br/>PLANS OF THE HOUSE + <h2><a id="link2HCH0008"></a> + CHAPTER VIII<br>PLANS OF THE HOUSE </h2> <p> Forsytes, as is generally admitted, have shells, like that extremely @@ -5589,8 +5580,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0009" id="link2HCH0009"></a> - CHAPTER IX<br/>DEATH OF AUNT ANN + <h2><a id="link2HCH0009"></a> + CHAPTER IX<br>DEATH OF AUNT ANN </h2> <p> There came a morning at the end of September when Aunt Ann was unable to @@ -5746,10 +5737,10 @@ Produced by David Widger following invitation to every male member of the family: </p> <p class="letter"> - <i>“To——<br/> + <i>“To——<br> “Your presence is requested at the funeral of Miss Ann Forsyte, in Highgate Cemetery, at noon of Oct. 1st. Carriages will meet at ‘The Bower,’ - Bayswater Road, at 10.45. No flowers by request.<br/> + Bayswater Road, at 10.45. No flowers by request.<br> “R.S.V.P.”</i> </p> <p> @@ -5938,12 +5929,12 @@ Produced by David Widger inspect the new inscription on the marble of the family vault: </p> <p class="center"> - SACRED TO THE MEMORY OF<br/> - <big>ANN FORSYTE</big>,<br/> - THE DAUGHTER OF THE ABOVE<br/> - JOLYON AND ANN FORSYTE,<br/> - WHO DEPARTED THIS LIFE THE 27TH DAY OF<br/> - SEPTEMBER, 1886,<br/> + SACRED TO THE MEMORY OF<br> + <span style="font-size: larger">ANN FORSYTE</span>,<br> + THE DAUGHTER OF THE ABOVE<br> + JOLYON AND ANN FORSYTE,<br> + WHO DEPARTED THIS LIFE THE 27TH DAY OF<br> + SEPTEMBER, 1886,<br> AGED EIGHTY-SEVEN YEARS AND FOUR DAYS. </p> <p> @@ -5998,7 +5989,7 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2H_PARTa2" id="link2H_PARTa2"></a> + <h2><a id="link2H_PARTa2"></a> PART II </h2> @@ -6006,8 +5997,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0010" id="link2HCH0010"></a> - CHAPTER I<br/>PROGRESS OF THE HOUSE + <h2><a id="link2HCH0010"></a> + CHAPTER I<br>PROGRESS OF THE HOUSE </h2> <p> The winter had been an open one. Things in the trade were slack; and as @@ -6437,8 +6428,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0011" id="link2HCH0011"></a> - CHAPTER II<br/>JUNE’S TREAT + <h2><a id="link2HCH0011"></a> + CHAPTER II<br>JUNE’S TREAT </h2> <p> Dinner began in silence; the women facing one another, and the men. @@ -6862,15 +6853,15 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0012" id="link2HCH0012"></a> - CHAPTER III<br/>DRIVE WITH SWITHIN + <h2><a id="link2HCH0012"></a> + CHAPTER III<br>DRIVE WITH SWITHIN </h2> <p> Two lines of a certain song in a certain famous old school’s songbook run as follows: </p> <p class="poem"> - “How the buttons on his blue frock shone, tra-la-la!<br/> + “How the buttons on his blue frock shone, tra-la-la!<br> How he carolled and he sang, like a bird!...” </p> <p> @@ -7431,8 +7422,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0013" id="link2HCH0013"></a> - CHAPTER IV<br/>JAMES GOES TO SEE FOR HIMSELF + <h2><a id="link2HCH0013"></a> + CHAPTER IV<br>JAMES GOES TO SEE FOR HIMSELF </h2> <p> Those ignorant of Forsyte ’Change would not, perhaps, foresee all @@ -7990,8 +7981,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0014" id="link2HCH0014"></a> - CHAPTER V<br/>SOAMES AND BOSINNEY CORRESPOND + <h2><a id="link2HCH0014"></a> + CHAPTER V<br>SOAMES AND BOSINNEY CORRESPOND </h2> <p> James said nothing to his son of this visit to the house; but, having @@ -8102,27 +8093,27 @@ Produced by David Widger James read as follows: </p> <p class="right"> - “309D, S<small>LOANE</small> S<small>TREET</small>,<br/> + “309D, S<small>LOANE</small> S<small>TREET</small>,<br> “<i>May</i> 15, </p> <p class="letter"> - “D<small>EAR</small> F<small>ORSYTE</small>,<br/> + “D<small>EAR</small> F<small>ORSYTE</small>,<br> “The construction of your house being now completed, my duties as architect have come to an end. If I am to go on with the business of decoration, which at your request I undertook, I should like you to - clearly understand that I must have a free hand.<br/> + clearly understand that I must have a free hand.<br> “You never come down without suggesting something that goes counter to my scheme. I have here three letters from you, each of which recommends an article I should never dream of putting in. I had your father here - yesterday afternoon, who made further valuable suggestions.<br/> + yesterday afternoon, who made further valuable suggestions.<br> “Please make up your mind, therefore, whether you want me to - decorate for you, or to retire which on the whole I should prefer to do.<br/> + decorate for you, or to retire which on the whole I should prefer to do.<br> “But understand that, if I decorate, I decorate alone, without - interference of any sort.<br/> + interference of any sort.<br> “If I do the thing, I will do it thoroughly, but I must have a free hand. </p> <p class="right"> - “Yours truly,<br/> + “Yours truly,<br> “P<small>HILIP</small> B<small>OSINNEY</small>.” </p> <p> @@ -8134,11 +8125,11 @@ Produced by David Widger comparable to the very finest in Tacitus: </p> <p class="letter"> - T<small>HOS</small>. T. S<small>ORROW</small>,<br/> + T<small>HOS</small>. T. S<small>ORROW</small>,<br> Inventor. </p> <p class="letter"> - B<small>ERT</small> M. P<small>ADLAND</small>,<br/> + B<small>ERT</small> M. P<small>ADLAND</small>,<br> Proprietor. </p> <p> @@ -8681,13 +8672,13 @@ Produced by David Widger The evening post carried the following reply to Bosinney: </p> <p class="right"> - “F<small>ORSYTE</small>, B<small>USTARD AND</small> F<small>ORSYTE</small>,<br/> - “Commissioners for Oaths,<br/> - “92001, B<small>RANCH</small> L<small>ANE</small>, P<small>OULTRY</small>, E.C.,<br/> + “F<small>ORSYTE</small>, B<small>USTARD AND</small> F<small>ORSYTE</small>,<br> + “Commissioners for Oaths,<br> + “92001, B<small>RANCH</small> L<small>ANE</small>, P<small>OULTRY</small>, E.C.,<br> “<i>May</i> 17, 1887. </p> <p class="letter"> - “D<small>EAR</small> B<small>OSINNEY</small>,<br/> + “D<small>EAR</small> B<small>OSINNEY</small>,<br> “I have, received your letter, the terms of which not a little surprise me. I was under the impression that you had, and have had all along, a “free hand”; for I do not recollect that any @@ -8700,28 +8691,28 @@ Produced by David Widger originally contemplated. </p> <p class="right"> - “I am,<br/> - “Yours truly,<br/> + “I am,<br> + “Yours truly,<br> “S<small>OAMES</small> F<small>ORSYTE</small>.” </p> <p> On the following day he received a note from Bosinney: </p> <p class="right"> - “P<small>HILIP</small> B<small>AYNES</small> B<small>OSINNEY</small>,<br/> - “Architect,<br/> - “309D, S<small>LOANE</small> S<small>TREET</small>, S.W.,<br/> + “P<small>HILIP</small> B<small>AYNES</small> B<small>OSINNEY</small>,<br> + “Architect,<br> + “309D, S<small>LOANE</small> S<small>TREET</small>, S.W.,<br> “<i>May</i> 18. </p> <p class="letter"> - “D<small>EAR</small> F<small>ORSYTE</small>,<br/> + “D<small>EAR</small> F<small>ORSYTE</small>,<br> “If you think that in such a delicate matter as decoration I can bind myself to the exact pound, I am afraid you are mistaken. I can see that you are tired of the arrangement, and of me, and I had better, therefore, resign. </p> <p class="right"> - “Yours faithfully,<br/> + “Yours faithfully,<br> “P<small>HILIP</small> B<small>AYNES</small> B<small>OSINNEY</small>.” </p> <p> @@ -8729,11 +8720,11 @@ Produced by David Widger the dining-room, when Irene had gone to bed, he composed the following: </p> <p class="right"> - “62, M<small>ONTPELLIER</small> S<small>QUARE</small>, S.W.,<br/> + “62, M<small>ONTPELLIER</small> S<small>QUARE</small>, S.W.,<br> “<i>May</i> 19, 1887. </p> <p class="letter"> - “D<small>EAR</small> B<small>OSINNEY</small>,<br/> + “D<small>EAR</small> B<small>OSINNEY</small>,<br> “I think that in both our interests it would be extremely undesirable that matters should be so left at this stage. I did not mean to say that if you should exceed the sum named in my letter to you by ten @@ -8744,7 +8735,7 @@ Produced by David Widger which I know it is difficult to be absolutely exact. </p> <p class="right"> - “Yours truly,<br/> + “Yours truly,<br> “S<small>OAMES</small> F<small>ORSYTE</small>.” </p> <p> @@ -8754,7 +8745,7 @@ Produced by David Widger “<i>May</i> 20. </p> <p class="letter"> - “D<small>EAR</small> F<small>ORSYTE</small>,<br/> + “D<small>EAR</small> F<small>ORSYTE</small>,<br> “Very well. </p> <p class="right"> @@ -8765,8 +8756,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0015" id="link2HCH0015"></a> - CHAPTER VI<br/>OLD JOLYON AT THE ZOO + <h2><a id="link2HCH0015"></a> + CHAPTER VI<br>OLD JOLYON AT THE ZOO </h2> <p> Old Jolyon disposed of his second Meeting—an ordinary Board—summarily. @@ -8995,10 +8986,10 @@ Produced by David Widger its wheels: </p> <p class="poem"> - “I and my horses and my men you know,<br/> - Indeed the whole turn-out have cost a pot.<br/> - But we were worth it every penny. Look<br/> - At Master and at Missis now, the dawgs!<br/> + “I and my horses and my men you know,<br> + Indeed the whole turn-out have cost a pot.<br> + But we were worth it every penny. Look<br> + At Master and at Missis now, the dawgs!<br> Ease with security—ah! that’s the ticket!” </p> <p> @@ -9082,8 +9073,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0016" id="link2HCH0016"></a> - CHAPTER VII<br/>AFTERNOON AT TIMOTHY’S + <h2><a id="link2HCH0016"></a> + CHAPTER VII<br>AFTERNOON AT TIMOTHY’S </h2> <p> If old Jolyon, as he got into his cab, had said: “I <i>won’t</i> @@ -9282,9 +9273,9 @@ Produced by David Widger Mother, ere I die,” with a refrain like an anthem: </p> <p class="poem"> - “Kiss me, Mother, ere I die;<br/> - Kiss me-kiss me, Mother, ah!<br/> - Kiss, ah! kiss me e-ere I—<br/> + “Kiss me, Mother, ere I die;<br> + Kiss me-kiss me, Mother, ah!<br> + Kiss, ah! kiss me e-ere I—<br> Kiss me, Mother, ere I d-d-die!” </p> <p> @@ -9294,7 +9285,7 @@ Produced by David Widger </p> <div class="fig" style="width:100%;"> -<img src="images/fig01.jpg" width="398" height="98" alt="" /> +<img src="images/fig01.jpg" alt="" style="width: 398px; height: 98px"> </div> <p> @@ -9714,8 +9705,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0017" id="link2HCH0017"></a> - CHAPTER VIII<br/>DANCE AT ROGER’S + <h2><a id="link2HCH0017"></a> + CHAPTER VIII<br>DANCE AT ROGER’S </h2> <p> Roger’s house in Prince’s Gardens was brilliantly alight. @@ -10120,8 +10111,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0018" id="link2HCH0018"></a> - CHAPTER IX<br/>EVENING AT RICHMOND + <h2><a id="link2HCH0018"></a> + CHAPTER IX<br>EVENING AT RICHMOND </h2> <p> Other eyes besides the eyes of June and of Soames had seen “those @@ -10258,15 +10249,15 @@ Produced by David Widger “<i>June</i> 30. </p> <p class="letter"> - “D<small>EAR</small> I<small>RENE</small>,<br/> + “D<small>EAR</small> I<small>RENE</small>,<br> “I hear that Soames is going to Henley tomorrow for the night. I thought it would be great fun if we made up a little party and drove down - to, Richmond. Will you ask Mr. Bosinney, and I will get young Flippard.<br/> + to, Richmond. Will you ask Mr. Bosinney, and I will get young Flippard.<br> “Emily (they called their mother Emily—it was so chic) will lend us the carriage. I will call for you and your young man at seven o’clock. </p> <p class="right"> - “Your affectionate sister,<br/> + “Your affectionate sister,<br> “W<small>INIFRED</small> D<small>ARTIE</small>. </p> <p> @@ -10282,11 +10273,11 @@ Produced by David Widger scheme deserved. In the first place young Flippard wrote: </p> <p class="letter"> - “D<small>EAR</small> M<small>RS</small>. D<small>ARTIE</small>,<br/> + “D<small>EAR</small> M<small>RS</small>. D<small>ARTIE</small>,<br> “Awfully sorry. Engaged two deep. </p> <p class="right"> - “Yours,<br/> + “Yours,<br> “A<small>UGUSTUS</small> F<small>LIPPARD</small>.” </p> <p> @@ -10480,8 +10471,8 @@ Produced by David Widger mandoline, and voices singing the old round: </p> <p class="poem"> - “A boat, a boat, unto the ferry,<br/> - For we’ll go over and be merry;<br/> + “A boat, a boat, unto the ferry,<br> + For we’ll go over and be merry;<br> And laugh, and quaff, and drink brown sherry!” </p> <p> @@ -10681,8 +10672,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0019" id="link2HCH0019"></a> - CHAPTER X<br/>DIAGNOSIS OF A FORSYTE + <h2><a id="link2HCH0019"></a> + CHAPTER X<br>DIAGNOSIS OF A FORSYTE </h2> <p> It is in the nature of a Forsyte to be ignorant that he is a Forsyte; but @@ -10722,14 +10713,14 @@ Produced by David Widger sympathy and disgust: </p> <p class="right"> - “S<small>HELDRAKE</small> H<small>OUSE</small>,<br/> - “B<small>ROADSTAIRS</small>,<br/> + “S<small>HELDRAKE</small> H<small>OUSE</small>,<br> + “B<small>ROADSTAIRS</small>,<br> “<i>July</i> 1. </p> <p class="letter"> - “M<small>Y</small> D<small>EAR</small> J<small>O</small>,”<br/> + “M<small>Y</small> D<small>EAR</small> J<small>O</small>,”<br> (The Dad’s handwriting had altered very little in the thirty odd - years that he remembered it.)<br/> + years that he remembered it.)<br> “We have been here now a fortnight, and have had good weather on the whole. The air is bracing, but my liver is out of order, and I shall be glad enough to get back to town. I cannot say much for June, her health @@ -10748,8 +10739,8 @@ Produced by David Widger very distressing to me, I worry about it at night. With my love to Jolly and Holly. </p> <p class="right"> - “I am,<br/> - “Your affect. father,<br/> + “I am,<br> + “Your affect. father,<br> “J<small>OLYON</small> F<small>ORSYTE</small>.” </p> <p> @@ -11142,8 +11133,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0020" id="link2HCH0020"></a> - CHAPTER XI<br/>BOSINNEY ON PAROLE + <h2><a id="link2HCH0020"></a> + CHAPTER XI<br>BOSINNEY ON PAROLE </h2> <p> The day after the evening at Richmond Soames returned from Henley by a @@ -11452,8 +11443,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0021" id="link2HCH0021"></a> - CHAPTER XII<br/>JUNE PAYS SOME CALLS + <h2><a id="link2HCH0021"></a> + CHAPTER XII<br>JUNE PAYS SOME CALLS </h2> <p> Jolyon stood in the narrow hall at Broadstairs, inhaling that odour of @@ -11883,8 +11874,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0022" id="link2HCH0022"></a> - CHAPTER XIII<br/>PERFECTION OF THE HOUSE + <h2><a id="link2HCH0022"></a> + CHAPTER XIII<br>PERFECTION OF THE HOUSE </h2> <p> “One mockturtle, clear; one oxtail; two glasses of port.” @@ -12363,8 +12354,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0023" id="link2HCH0023"></a> - CHAPTER XIV<br/>SOAMES SITS ON THE STAIRS + <h2><a id="link2HCH0023"></a> + CHAPTER XIV<br>SOAMES SITS ON THE STAIRS </h2> <p> Soames went up-stairs that night with the feeling that he had gone too @@ -12610,7 +12601,7 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2H_PARTa3" id="link2H_PARTa3"></a> + <h2><a id="link2H_PARTa3"></a> PART III </h2> @@ -12618,8 +12609,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0024" id="link2HCH0024"></a> - CHAPTER I<br/>MRS. MACANDER’S EVIDENCE + <h2><a id="link2HCH0024"></a> + CHAPTER I<br>MRS. MACANDER’S EVIDENCE </h2> <p> Many people, no doubt, including the editor of the “Ultra @@ -13159,8 +13150,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0025" id="link2HCH0025"></a> - CHAPTER II<br/>NIGHT IN THE PARK + <h2><a id="link2HCH0025"></a> + CHAPTER II<br>NIGHT IN THE PARK </h2> <p> Although with her infallible instinct Mrs. Small had said the very thing @@ -13367,8 +13358,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0026" id="link2HCH0026"></a> - CHAPTER III<br/>MEETING AT THE BOTANICAL + <h2><a id="link2HCH0026"></a> + CHAPTER III<br>MEETING AT THE BOTANICAL </h2> <p> Young Jolyon, whose circumstances were not those of a Forsyte, found at @@ -14031,8 +14022,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0027" id="link2HCH0027"></a> - CHAPTER IV<br/>VOYAGE INTO THE INFERNO + <h2><a id="link2HCH0027"></a> + CHAPTER IV<br>VOYAGE INTO THE INFERNO </h2> <p> The morning after a certain night on which Soames at last asserted his @@ -14561,8 +14552,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0028" id="link2HCH0028"></a> - CHAPTER V<br/>THE TRIAL + <h2><a id="link2HCH0028"></a> + CHAPTER V<br>THE TRIAL </h2> <p> In the morning of his case, which was second in the list, Soames was again @@ -14973,8 +14964,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0029" id="link2HCH0029"></a> - CHAPTER VI<br/>SOAMES BREAKS THE NEWS + <h2><a id="link2HCH0029"></a> + CHAPTER VI<br>SOAMES BREAKS THE NEWS </h2> <p> In leaving the Court Soames did not go straight home. He felt disinclined @@ -15167,13 +15158,13 @@ Produced by David Widger rug chest in the hall. </p> <p class="letter"> - Mr. and Mrs. Bareham Culcher.<br/> - Mrs. Septimus Small.<br/> - Mrs. Baynes.<br/> - Mr. Solomon Thornworthy.<br/> - Lady Bellis.<br/> - Miss Hermione Bellis.<br/> - Miss Winifred Bellis.<br/> + Mr. and Mrs. Bareham Culcher.<br> + Mrs. Septimus Small.<br> + Mrs. Baynes.<br> + Mr. Solomon Thornworthy.<br> + Lady Bellis.<br> + Miss Hermione Bellis.<br> + Miss Winifred Bellis.<br> Miss Ella Bellis. </p> <p> @@ -15550,8 +15541,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0030" id="link2HCH0030"></a> - CHAPTER VII<br/>JUNE’S VICTORY + <h2><a id="link2HCH0030"></a> + CHAPTER VII<br>JUNE’S VICTORY </h2> <p> June had waited for her chance, scanning the duller columns of the @@ -16011,8 +16002,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0031" id="link2HCH0031"></a> - CHAPTER VIII<br/>BOSINNEY’S DEPARTURE + <h2><a id="link2HCH0031"></a> + CHAPTER VIII<br>BOSINNEY’S DEPARTURE </h2> <p> Old Jolyon was not given to hasty decisions; it is probable that he would @@ -16508,8 +16499,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0032" id="link2HCH0032"></a> - CHAPTER IX<br/>IRENE’S RETURN + <h2><a id="link2HCH0032"></a> + CHAPTER IX<br>IRENE’S RETURN </h2> <p> After leaving James and old Jolyon in the mortuary of the hospital, Soames @@ -16792,21 +16783,21 @@ Produced by David Widger </div><!--end chapter--> - <hr /> + <hr > <div class="fig" style="width:80%;"> - <img alt="titlpage2 (51K)" src="images/titlpage2.jpg" width="100%" /><br /> + <img alt="titlpage2 (51K)" src="images/titlpage2.jpg" style="width: 100%"><br > </div> <p> - <br /> <br /> + <br > <br > </p> <div class="fig" style="width:80%;"> - <img alt="frontis2 (109K)" src="images/frontis2.jpg" width="100%" /><br /> + <img alt="frontis2 (109K)" src="images/frontis2.jpg" style="width: 100%"><br > </div> <div class="chapter"> - <h2><a name="link2H_4_0039" id="link2H_4_0039"></a> + <h2><a id="link2H_4_0039"></a> THE FORSYTE SAGA—VOLUME II </h2> <h3> @@ -16820,11 +16811,11 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2H_4_0040" id="link2H_4_0040"></a> + <h2><a id="link2H_4_0040"></a> INDIAN SUMMER OF A FORSYTE </h2> <p class="poem"> -“And Summer’s lease hath all too short a date.”<br/> +“And Summer’s lease hath all too short a date.”<br> —Shakespeare </p> @@ -16832,7 +16823,7 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2H_4_0041" id="link2H_4_0041"></a> + <h2><a id="link2H_4_0041"></a> I </h2> <p> @@ -17520,7 +17511,7 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2H_4_0042" id="link2H_4_0042"></a> + <h2><a id="link2H_4_0042"></a> II </h2> <p> @@ -17869,7 +17860,7 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2H_4_0043" id="link2H_4_0043"></a> + <h2><a id="link2H_4_0043"></a> III </h2> <p> @@ -18256,7 +18247,7 @@ Produced by David Widger goes, fifteen thousand pounds free of legacy duty.” </p> <p class="right"> - “Yours faithfully,<br/> + “Yours faithfully,<br> “J<small>OLYON</small> F<small>ORSYTE</small>.” </p> <p> @@ -18268,7 +18259,7 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2H_4_0044" id="link2H_4_0044"></a> + <h2><a id="link2H_4_0044"></a> IV </h2> <p> @@ -18311,15 +18302,15 @@ Produced by David Widger <p class="letter"> “M<small>Y DEAR</small> I<small>RENE</small>,—I have to be up in town to-morrow. If you would like to have a look in at the opera, come and dine with me quietly - ....”<br/> + ....”<br> But where? It was decades since he had dined anywhere in London save at his Club or at a private house. Ah! that new-fangled place close to Covent - Garden....<br/> + Garden....<br> “Let me have a line to-morrow morning to the Piedmont Hotel whether to expect you there at 7 o’clock. </p> <p class="right"> - “Yours affectionately,<br/> + “Yours affectionately,<br> “J<small>OLYON</small> F<small>ORSYTE</small>.” </p> <p> @@ -18522,7 +18513,7 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2H_4_0045" id="link2H_4_0045"></a> + <h2><a id="link2H_4_0045"></a> V </h2> <p> @@ -18845,7 +18836,7 @@ Produced by David Widger sweetness to me. </p> <p class="right"> - “Lovingly your<br/> + “Lovingly your<br> I<small>RENE</small>.” </p> <p> @@ -18875,7 +18866,7 @@ Produced by David Widger the sooner the better. </p> <p class="right"> - “My love to you,<br/> + “My love to you,<br> “J<small>OLYON</small> F<small>ORSYTE</small>.” </p> <p class="noindent"> @@ -19016,12 +19007,12 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2H_4_0046" id="link2H_4_0046"></a> + <h2><a id="link2H_4_0046"></a> IN CHANCERY </h2> <p class="poem"> - Two households both alike in dignity,<br/> - From ancient grudge, break into new mutiny.<br/> + Two households both alike in dignity,<br> + From ancient grudge, break into new mutiny.<br> —<i>Romeo and Juliet</i> </p> <p class="center"> @@ -19032,7 +19023,7 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2H_PARTb1" id="link2H_PARTb1"></a> + <h2><a id="link2H_PARTb1"></a> PART 1 </h2> @@ -19040,8 +19031,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0033" id="link2HCH0033"></a> - CHAPTER I<br/>AT TIMOTHY’S + <h2><a id="link2HCH0033"></a> + CHAPTER I<br>AT TIMOTHY’S </h2> <p> The possessive instinct never stands still. Through florescence and feud, @@ -19382,8 +19373,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0034" id="link2HCH0034"></a> - CHAPTER II<br/>EXIT A MAN OF THE WORLD + <h2><a id="link2HCH0034"></a> + CHAPTER II<br>EXIT A MAN OF THE WORLD </h2> <p> That a man of the world so subject to the vicissitudes of fortunes as @@ -19858,8 +19849,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0035" id="link2HCH0035"></a> - CHAPTER III<br/>SOAMES PREPARES TO TAKE STEPS + <h2><a id="link2HCH0035"></a> + CHAPTER III<br>SOAMES PREPARES TO TAKE STEPS </h2> <p> When Soames entered his sister’s little Louis Quinze drawing-room, @@ -19888,7 +19879,7 @@ Produced by David Widger <p> Soames read, on Iseeum Club paper, these words: </p> - + <p class="letter"> ‘You will not get chance to insult in my own again. I am leaving country to-morrow. It’s played out. I’m tired of being @@ -20160,8 +20151,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0036" id="link2HCH0036"></a> - CHAPTER IV<br/>SOHO + <h2><a id="link2HCH0036"></a> + CHAPTER IV<br>SOHO </h2> <p> Of all quarters in the queer adventurous amalgam called London, Soho is @@ -20181,10 +20172,10 @@ Produced by David Widger up in Montpellier Square: </p> <p class="center"> - FOR SALE<br/> + FOR SALE<br> T<small>HE</small> L<small>EASE OF THIS</small> D<small>ESIRABLE</small> - R<small>ESIDENCE</small><br/> -<br/> + R<small>ESIDENCE</small><br> +<br> Enquire of Messrs. Lesson and Tukes, Court Street, Belgravia. </p> <p> @@ -20438,8 +20429,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0037" id="link2HCH0037"></a> - CHAPTER V<br/>JAMES SEES VISIONS + <h2><a id="link2HCH0037"></a> + CHAPTER V<br>JAMES SEES VISIONS </h2> <p> The butler himself opened the door, and closing it softly, detained Soames @@ -20741,8 +20732,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0038" id="link2HCH0038"></a> - CHAPTER VI<br/>NO-LONGER-YOUNG JOLYON AT HOME + <h2><a id="link2HCH0038"></a> + CHAPTER VI<br>NO-LONGER-YOUNG JOLYON AT HOME </h2> <p> Trees take little account of time, and the old oak on the upper lawn at @@ -20920,7 +20911,7 @@ Produced by David Widger afternoon of October 4th, 1899, when a card was brought to him which caused his eyebrows to go up: </p> -<pre xml:space="preserve"> +<pre> MR. SOAMES FORSYTE THE SHELTER, CONNOISSEURS CLUB, @@ -21197,8 +21188,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0039" id="link2HCH0039"></a> - CHAPTER VII<br/>THE COLT AND THE FILLY + <h2><a id="link2HCH0039"></a> + CHAPTER VII<br>THE COLT AND THE FILLY </h2> <p> When young Val left the presence of the last generation he was thinking: @@ -21529,8 +21520,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0040" id="link2HCH0040"></a> - CHAPTER VIII<br/>JOLYON PROSECUTES TRUSTEESHIP + <h2><a id="link2HCH0040"></a> + CHAPTER VIII<br>JOLYON PROSECUTES TRUSTEESHIP </h2> <p> When those two were gone Jolyon did not return to his painting, for @@ -21945,8 +21936,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0041" id="link2HCH0041"></a> - CHAPTER IX<br/>VAL HEARS THE NEWS + <h2><a id="link2HCH0041"></a> + CHAPTER IX<br>VAL HEARS THE NEWS </h2> <p> The keeping of engagements had not as yet been a conspicuous feature in @@ -22438,8 +22429,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0042" id="link2HCH0042"></a> - CHAPTER X<br/>SOAMES ENTERTAINS THE FUTURE + <h2><a id="link2HCH0042"></a> + CHAPTER X<br>SOAMES ENTERTAINS THE FUTURE </h2> <p> It was full late for the river, but the weather was lovely, and summer @@ -22638,8 +22629,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0043" id="link2HCH0043"></a> - CHAPTER XI<br/>AND VISITS THE PAST + <h2><a id="link2HCH0043"></a> + CHAPTER XI<br>AND VISITS THE PAST </h2> <p> On a Tuesday evening after dining at his club Soames set out to do what @@ -22927,8 +22918,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0044" id="link2HCH0044"></a> - CHAPTER XII<br/>ON FORSYTE ’CHANGE + <h2><a id="link2HCH0044"></a> + CHAPTER XII<br>ON FORSYTE ’CHANGE </h2> <p> Soames belonged to two clubs, “The Connoisseurs,” which he put @@ -23542,8 +23533,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0045" id="link2HCH0045"></a> - CHAPTER XIII<br/>JOLYON FINDS OUT WHERE HE IS + <h2><a id="link2HCH0045"></a> + CHAPTER XIII<br>JOLYON FINDS OUT WHERE HE IS </h2> <p> Jolyon stood at the window in Holly’s old night nursery, converted @@ -23863,8 +23854,8 @@ Produced by David Widger funny!” he thought, “really deuced funny!” </p> - <h2><a name="link2HCH0046" id="link2HCH0046"></a> - CHAPTER XIV<br/>SOAMES DISCOVERS WHAT HE WANTS + <h2><a id="link2HCH0046"></a> + CHAPTER XIV<br>SOAMES DISCOVERS WHAT HE WANTS </h2> <p> It is so much easier to say, “Then we know where we are,” than @@ -24021,7 +24012,7 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2H_PARTb2" id="link2H_PARTb2"></a> + <h2><a id="link2H_PARTb2"></a> PART II </h2> @@ -24029,8 +24020,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0047" id="link2HCH0047"></a> - CHAPTER I<br/>THE THIRD GENERATION + <h2><a id="link2HCH0047"></a> + CHAPTER I<br>THE THIRD GENERATION </h2> <p> Jolly Forsyte was strolling down High Street, Oxford, on a November @@ -24475,14 +24466,14 @@ Produced by David Widger and read it again beneath a lamp. </p> <p class="letter"> - “D<small>EAR</small> J<small>OLYON</small>,<br/> + “D<small>EAR</small> J<small>OLYON</small>,<br> “Soames came again to-night—my thirty-seventh birthday. You were right, I mustn’t stay here. I’m going to-morrow to the Piedmont Hotel, but I won’t go abroad without seeing you. I feel lonely and down-hearted. </p> <p class="right"> - “Yours affectionately,<br/> + “Yours affectionately,<br> “I<small>RENE</small>.” </p> <p> @@ -24538,8 +24529,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0048" id="link2HCH0048"></a> - CHAPTER II<br/>SOAMES PUTS IT TO THE TOUCH + <h2><a id="link2HCH0048"></a> + CHAPTER II<br>SOAMES PUTS IT TO THE TOUCH </h2> <p> Of all those radiant firms which emblazon with their windows the West End @@ -24957,8 +24948,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0049" id="link2HCH0049"></a> - CHAPTER III<br/>VISIT TO IRENE + <h2><a id="link2HCH0049"></a> + CHAPTER III<br>VISIT TO IRENE </h2> <p> Jolyon found June waiting on the platform at Paddington. She had received @@ -25326,8 +25317,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0050" id="link2HCH0050"></a> - CHAPTER IV<br/>WHERE FORSYTES FEAR TO TREAD + <h2><a id="link2HCH0050"></a> + CHAPTER IV<br>WHERE FORSYTES FEAR TO TREAD </h2> <p> Quivering from the defeat of his hopes, with the green morocco case still @@ -25507,7 +25498,7 @@ Produced by David Widger departure, requiring him to return. </p> <p class="letter"> - “D<small>EAR</small> M<small>ONTAGUE</small>,<br/> + “D<small>EAR</small> M<small>ONTAGUE</small>,<br> “I have received your letter with the news that you have left me for ever and are on your way to Buenos Aires. It has naturally been a great shock. I am taking this earliest opportunity of writing to tell you that I @@ -25517,7 +25508,7 @@ Produced by David Widger Please cable to me. </p> <p class="right"> - “Your still affectionate wife,<br/> + “Your still affectionate wife,<br> “W<small>INIFRED</small> D<small>ARTIE</small>.” </p> <p> @@ -25718,8 +25709,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0051" id="link2HCH0051"></a> - CHAPTER V<br/>JOLLY SITS IN JUDGMENT + <h2><a id="link2HCH0051"></a> + CHAPTER V<br>JOLLY SITS IN JUDGMENT </h2> <p> The possessive instinct, which, so determinedly balked, was animating two @@ -26096,8 +26087,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0052" id="link2HCH0052"></a> - CHAPTER VI<br/>JOLYON IN TWO MINDS + <h2><a id="link2HCH0052"></a> + CHAPTER VI<br>JOLYON IN TWO MINDS </h2> <p> A little private hotel over a well-known restaurant near the Gare St. @@ -26131,7 +26122,7 @@ Produced by David Widger answer which procured him a pleasurable shiver of the nerves: </p> <p class="letter"> - “M<small>Y DEAR</small> J<small>OLYON</small>,<br/> + “M<small>Y DEAR</small> J<small>OLYON</small>,<br> “It will be a happiness for me to see you. </p> <p class="right"> @@ -26301,8 +26292,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0053" id="link2HCH0053"></a> - CHAPTER VII<br/>DARTIE VERSUS DARTIE + <h2><a id="link2HCH0053"></a> + CHAPTER VII<br>DARTIE VERSUS DARTIE </h2> <p> The suit—Dartie <i>versus</i> Dartie—for restitution of those @@ -26714,7 +26705,7 @@ Produced by David Widger Goat’s Club. His thoughts were on Holly and what he must do before her brother showed her this thing in to-morrow’s paper. </p> - <hr /> + <hr > <p> When Val had left them Soames and Winifred made their way to the Cheshire Cheese. He had suggested it as a meeting place with Mr. Bellby. At that @@ -26799,8 +26790,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0054" id="link2HCH0054"></a> - CHAPTER VIII<br/>THE CHALLENGE + <h2><a id="link2HCH0054"></a> + CHAPTER VIII<br>THE CHALLENGE </h2> <p> The morning had been misty, verging on frost, but the sun came out while @@ -27110,8 +27101,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0055" id="link2HCH0055"></a> - CHAPTER IX<br/>DINNER AT JAMES’ + <h2><a id="link2HCH0055"></a> + CHAPTER IX<br>DINNER AT JAMES’ </h2> <p> Dinner parties were not now given at James’ in Park Lane—to @@ -27461,8 +27452,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0056" id="link2HCH0056"></a> - CHAPTER X<br/>DEATH OF THE DOG BALTHASAR + <h2><a id="link2HCH0056"></a> + CHAPTER X<br>DEATH OF THE DOG BALTHASAR </h2> <p> Jolyon, who had crossed from Calais by night, arrived at Robin Hill on @@ -27688,8 +27679,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0057" id="link2HCH0057"></a> - CHAPTER XI<br/>TIMOTHY STAYS THE ROT + <h2><a id="link2HCH0057"></a> + CHAPTER XI<br>TIMOTHY STAYS THE ROT </h2> <p> On Forsyte ’Change news of the enlistment spread fast, together with @@ -28075,8 +28066,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0058" id="link2HCH0058"></a> - CHAPTER XII<br/>PROGRESS OF THE CHASE + <h2><a id="link2HCH0058"></a> + CHAPTER XII<br>PROGRESS OF THE CHASE </h2> <p> Two days after the dinner at James’, Mr. Polteed provided Soames @@ -28375,8 +28366,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0059" id="link2HCH0059"></a> - CHAPTER XIII<br/>“HERE WE ARE AGAIN!” + <h2><a id="link2HCH0059"></a> + CHAPTER XIII<br>“HERE WE ARE AGAIN!” </h2> <p> Imogen’s frocks for her first season exercised the judgment of her @@ -28945,8 +28936,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0060" id="link2HCH0060"></a> - CHAPTER XIV<br/>OUTLANDISH NIGHT + <h2><a id="link2HCH0060"></a> + CHAPTER XIV<br>OUTLANDISH NIGHT </h2> <p> Soames doggedly let the spring come—no easy task for one conscious @@ -29055,7 +29046,7 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2H_PARTb3" id="link2H_PARTb3"></a> + <h2><a id="link2H_PARTb3"></a> PART III </h2> @@ -29063,8 +29054,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0061" id="link2HCH0061"></a> - CHAPTER I<br/>SOAMES IN PARIS + <h2><a id="link2HCH0061"></a> + CHAPTER I<br>SOAMES IN PARIS </h2> <p> Soames had travelled little. Aged nineteen he had made the “petty @@ -29363,8 +29354,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0062" id="link2HCH0062"></a> - CHAPTER II<br/>IN THE WEB + <h2><a id="link2HCH0062"></a> + CHAPTER II<br>IN THE WEB </h2> <p> Soames returned to England the following day, and on the third morning @@ -29576,8 +29567,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0063" id="link2HCH0063"></a> - CHAPTER III<br/>RICHMOND PARK + <h2><a id="link2HCH0063"></a> + CHAPTER III<br>RICHMOND PARK </h2> <p> On the afternoon that Soames crossed to France a cablegram was received by @@ -29790,12 +29781,12 @@ Produced by David Widger when he received this letter: </p> <p class="right"> - “G<small>REEN</small> H<small>OTEL</small>,<br/> - “R<small>ICHMOND</small>.<br/> + “G<small>REEN</small> H<small>OTEL</small>,<br> + “R<small>ICHMOND</small>.<br> “<i>June</i> 13. </p> <p class="letter"> - “M<small>Y DEAR</small> J<small>OLYON</small>,<br/> + “M<small>Y DEAR</small> J<small>OLYON</small>,<br> “You will be surprised to see how near I am to you. Paris became impossible—and I have come here to be within reach of your advice. I would so love to see you again. Since you left Paris I don’t think I @@ -29803,7 +29794,7 @@ Produced by David Widger boy? No one knows, I think, that I am here at present. </p> <p class="right"> - “Always your friend,<br/> + “Always your friend,<br> “I<small>RENE</small>.” </p> <p> @@ -29896,8 +29887,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0064" id="link2HCH0064"></a> - CHAPTER IV<br/>OVER THE RIVER + <h2><a id="link2HCH0064"></a> + CHAPTER IV<br>OVER THE RIVER </h2> <p> Jolly was tired to death of dreams. They had left him now too wan and weak @@ -29951,8 +29942,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0065" id="link2HCH0065"></a> - CHAPTER V<br/>SOAMES ACTS + <h2><a id="link2HCH0065"></a> + CHAPTER V<br>SOAMES ACTS </h2> <p> A sealed letter in the handwriting of Mr. Polteed remained unopened in @@ -29970,7 +29961,7 @@ Produced by David Widger he read: </p> <p class="letter"> - “D<small>EAR</small> S<small>IR</small>,<br/> + “D<small>EAR</small> S<small>IR</small>,<br> “In accordance with your suggestion we have duly taken the matter up at the other end with gratifying results. Observation of 47 has enabled us to locate 17 at the Green Hotel, Richmond. The two have been observed to @@ -29981,7 +29972,7 @@ Produced by David Widger from you. </p> <p class="right"> - “Very faithfully yours,<br/> + “Very faithfully yours,<br> “C<small>LAUD</small> P<small>OLTEED</small>.” </p> <p> @@ -30093,8 +30084,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0066" id="link2HCH0066"></a> - CHAPTER VI<br/>A SUMMER DAY + <h2><a id="link2HCH0066"></a> + CHAPTER VI<br>A SUMMER DAY </h2> <p> His boy was seldom absent from Jolyon’s mind in the days which @@ -30176,7 +30167,7 @@ Produced by David Widger minute he saw Irene coming towards the Gate. “We must scuttle back to Robin Hill,” he thought. </p> - <hr /> + <hr > <p> The storm had passed over the Poultry at four o’clock, bringing welcome distraction to the clerks in every office. Soames was drinking a @@ -30194,7 +30185,7 @@ Produced by David Widger Richmond, and Robin Hill, respectively. </p> <p class="right"> - “Faithfully yours,<br/> + “Faithfully yours,<br> “L<small>INKMAN AND</small> L<small>AVER</small>.” </p> <p> @@ -30418,8 +30409,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0067" id="link2HCH0067"></a> - CHAPTER VII<br/>A SUMMER NIGHT + <h2><a id="link2HCH0067"></a> + CHAPTER VII<br>A SUMMER NIGHT </h2> <p> Soames left dead silence in the little study. “Thank you for that @@ -30553,8 +30544,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0068" id="link2HCH0068"></a> - CHAPTER VIII<br/>JAMES IN WAITING + <h2><a id="link2HCH0068"></a> + CHAPTER VIII<br>JAMES IN WAITING </h2> <p> Sweated to serenity, Soames dined at the Remove and turned his face toward @@ -30784,8 +30775,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0069" id="link2HCH0069"></a> - CHAPTER IX<br/>OUT OF THE WEB + <h2><a id="link2HCH0069"></a> + CHAPTER IX<br>OUT OF THE WEB </h2> <p> On Forsyte ’Change the announcement of Jolly’s death, among a @@ -31159,7 +31150,7 @@ Produced by David Widger tether. </p> <p class="letter"> - “M<small>Y DEAR</small> M<small>ADAME</small> (he said),<br/> + “M<small>Y DEAR</small> M<small>ADAME</small> (he said),<br> “You will see by the enclosed newspaper cutting that I obtained my decree of divorce to-day. By the English Law I shall not, however, be free to marry again till the decree is confirmed six months hence. In the @@ -31168,8 +31159,8 @@ Produced by David Widger to come and stay at my river house. </p> <p class="right"> - “I am, dear Madame,<br/> - “Sincerely yours,<br/> + “I am, dear Madame,<br> + “Sincerely yours,<br> “S<small>OAMES</small> F<small>ORSYTE</small>.” </p> <p> @@ -31194,8 +31185,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0070" id="link2HCH0070"></a> - CHAPTER X<br/>PASSING OF AN AGE + <h2><a id="link2HCH0070"></a> + CHAPTER X<br>PASSING OF AN AGE </h2> <p> The marriage of Soames with Annette took place in Paris on the last day of @@ -31706,8 +31697,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0071" id="link2HCH0071"></a> - CHAPTER XI<br/>SUSPENDED ANIMATION + <h2><a id="link2HCH0071"></a> + CHAPTER XI<br>SUSPENDED ANIMATION </h2> <p> The war dragged on. Nicholas had been heard to say that it would cost @@ -32035,8 +32026,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0072" id="link2HCH0072"></a> - CHAPTER XII<br/>BIRTH OF A FORSYTE + <h2><a id="link2HCH0072"></a> + CHAPTER XII<br>BIRTH OF A FORSYTE </h2> <p> Soames walked out of the garden door, crossed the lawn, stood on the path @@ -32380,8 +32371,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0073" id="link2HCH0073"></a> - CHAPTER XIII<br/>JAMES IS TOLD + <h2><a id="link2HCH0073"></a> + CHAPTER XIII<br>JAMES IS TOLD </h2> <p> A simple cold, caught in the room with double windows, where the air and @@ -32596,8 +32587,8 @@ Produced by David Widger <div class="chapter"> - <h2><a name="link2HCH0074" id="link2HCH0074"></a> - CHAPTER XIV<br/>HIS + <h2><a id="link2HCH0074"></a> + CHAPTER XIV<br>HIS </h2> <p> He had much to see to, that night and all next day. A telegram at @@ -32771,20 +32762,20 @@ Produced by David Widger </div><!--end chapter--> <p> - <a name="link2H_4_0092" id="link2H_4_0092"> - <!-- H2 anchor --> </a> <br /> <br /> + <a id="link2H_4_0092"> + <!-- H2 anchor --> </a> <br > <br > </p> <div class="fig" style="width:80%;"> - <img alt="titlepage3 (37K)" src="images/titlepage3.jpg" width="100%" /><br /> + <img alt="titlepage3 (37K)" src="images/titlepage3.jpg" style="width: 100%"><br > </div> <p> - <br /> <br /> + <br > <br > </p> <div class="fig" style="width:80%;"> - <img alt="frontis3 (120K)" src="images/frontis3.jpg" width="100%" /><br /> + <img alt="frontis3 (120K)" src="images/frontis3.jpg" style="width: 100%"><br > </div> <p> - <br /> <br /> + <br > <br > </p> <h2> THE FORSYTE SAGA—VOLUME III. @@ -32793,27 +32784,27 @@ Produced by David Widger By John Galsworthy </h3> <p> - <a name="link2H_4_0093" id="link2H_4_0093"> + <a id="link2H_4_0093"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> AWAKENING </h2> <p> - <br /> + <br > </p> <h3> TO CHARLES SCRIBNER </h3> <p> - <a name="link2H_4_0094" id="link2H_4_0094"> + <a id="link2H_4_0094"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> AWAKENING @@ -33949,36 +33940,36 @@ Produced by David Widger fell into the dreamless sleep, which rounded off his past. </p> <p> - <a name="link2H_4_0095" id="link2H_4_0095"> + <a id="link2H_4_0095"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> TO LET </h2> -<pre xml:space="preserve"> +<pre> “From out the fatal loins of those two foes A pair of star-crossed lovers take their life.” —Romeo and Juliet. </pre> <p> - TO CHARLES SCRIBNER <a name="link2H_PARTc1" id="link2H_PARTc1"> + TO CHARLES SCRIBNER <a id="link2H_PARTc1"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> PART I </h2> <p> - <a name="link2H_4_0097" id="link2H_4_0097"> + <a id="link2H_4_0097"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> I.—ENCOUNTER @@ -34790,11 +34781,11 @@ Produced by David Widger “Au revoir!” he heard the boy reply. </p> <p> - <a name="link2H_4_0098" id="link2H_4_0098"> + <a id="link2H_4_0098"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> II.—FINE FLEUR FORSYTE @@ -35240,11 +35231,11 @@ Produced by David Widger Ah! She was “fine”—“fine!” </p> <p> - <a name="link2H_4_0099" id="link2H_4_0099"> + <a id="link2H_4_0099"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> III.—AT ROBIN HILL @@ -35612,11 +35603,11 @@ Produced by David Widger soul-even-to his mother. </p> <p> - <a name="link2H_4_0100" id="link2H_4_0100"> + <a id="link2H_4_0100"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> IV.—THE MAUSOLEUM @@ -36033,16 +36024,16 @@ Produced by David Widger mausoleum! And, turning on his heel, he went out, and caught his train. </p> <p> - <a name="link2H_4_0101" id="link2H_4_0101"> + <a id="link2H_4_0101"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> V.—THE NATIVE HEATH </h2> -<pre xml:space="preserve"> +<pre> “His foot's upon his native heath, His name's—Val Dartie.” </pre> @@ -36545,11 +36536,11 @@ Produced by David Widger his bookmaker's, the Iseeum Club, and Victoria station. </p> <p> - <a name="link2H_4_0102" id="link2H_4_0102"> + <a id="link2H_4_0102"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> VI.—JON @@ -36764,11 +36755,11 @@ Produced by David Widger overwhelmed by novelty. </p> <p> - <a name="link2H_4_0103" id="link2H_4_0103"> + <a id="link2H_4_0103"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> VII.—FLEUR @@ -37060,11 +37051,11 @@ Produced by David Widger “Your, </p> <p> - “FLEUR.” <a name="link2H_4_0104" id="link2H_4_0104"> + “FLEUR.” <a id="link2H_4_0104"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> VIII.—IDYLL ON GRASS @@ -37303,11 +37294,11 @@ Produced by David Widger he loses his way! The boy's an idiot!” </p> <p> - <a name="link2H_4_0105" id="link2H_4_0105"> + <a id="link2H_4_0105"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> IX. GOYA @@ -37863,11 +37854,11 @@ Produced by David Widger 'Why doesn't she come?' </p> <p> - <a name="link2H_4_0106" id="link2H_4_0106"> + <a id="link2H_4_0106"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> X.—TRIO @@ -38195,11 +38186,11 @@ Produced by David Widger “As you will, my love.” </p> <p> - <a name="link2H_4_0107" id="link2H_4_0107"> + <a id="link2H_4_0107"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> XI.—DUET @@ -38597,7 +38588,7 @@ Produced by David Widger <p> The words of a comic song— </p> -<pre xml:space="preserve"> +<pre> “Paddington groan-worst ever known He gave a sepulchral Paddington groan—” </pre> @@ -38608,11 +38599,11 @@ Produced by David Widger feeling that it would not rhyme. </p> <p> - <a name="link2H_4_0108" id="link2H_4_0108"> + <a id="link2H_4_0108"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> XII.—CAPRICE @@ -39152,21 +39143,21 @@ Produced by David Widger And long into the “small” night he brooded. </p> <p> - <a name="link2H_PARTc2" id="link2H_PARTc2"> + <a id="link2H_PARTc2"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> PART II </h2> <p> - <a name="link2H_4_0110" id="link2H_4_0110"> + <a id="link2H_4_0110"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> I.—MOTHER AND SON @@ -39275,7 +39266,7 @@ Produced by David Widger long after, he lay awake, listening to the cry of the sentry as the hours struck, and forming in his head these lines: </p> -<pre xml:space="preserve"> +<pre> “Voice in the night crying, down in the old sleeping Spanish city darkened under her white stars! @@ -39387,11 +39378,11 @@ Produced by David Widger hardly ever ceased to occupy their minds. </p> <p> - <a name="link2H_4_0111" id="link2H_4_0111"> + <a id="link2H_4_0111"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> II.—FATHERS AND DAUGHTERS @@ -40103,11 +40094,11 @@ Produced by David Widger slipping over her head. </p> <p> - <a name="link2H_4_0112" id="link2H_4_0112"> + <a id="link2H_4_0112"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> III.—MEETINGS @@ -40649,11 +40640,11 @@ Produced by David Widger they thought the more. </p> <p> - <a name="link2H_4_0113" id="link2H_4_0113"> + <a id="link2H_4_0113"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> IV.—IN GREEN STREET @@ -40930,11 +40921,11 @@ Produced by David Widger not sweet. </p> <p> - <a name="link2H_4_0114" id="link2H_4_0114"> + <a id="link2H_4_0114"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> V.—PURELY FORSYTE AFFAIRS @@ -41285,11 +41276,11 @@ Produced by David Widger brown-paper parcel, and was borne down into the bowels of the earth. </p> <p> - <a name="link2H_4_0115" id="link2H_4_0115"> + <a id="link2H_4_0115"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> VI.—SOAMES' PRIVATE LIFE @@ -41824,11 +41815,11 @@ Produced by David Widger Dust! </p> <p> - <a name="link2H_4_0116" id="link2H_4_0116"> + <a id="link2H_4_0116"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> VII.—JUNE TAKES A HAND @@ -42100,11 +42091,11 @@ Produced by David Widger thought, 'Boris is wonderful.' </p> <p> - <a name="link2H_4_0117" id="link2H_4_0117"> + <a id="link2H_4_0117"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> VIII.—THE BIT BETWEEN THE TEETH @@ -42464,11 +42455,11 @@ Produced by David Widger desirable. </p> <p> - <a name="link2H_4_0118" id="link2H_4_0118"> + <a id="link2H_4_0118"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> IX.—THE FAT IN THE FIRE @@ -43031,11 +43022,11 @@ Produced by David Widger 'Yes,' she thought, jolly! Oh, Jon!' </p> <p> - <a name="link2H_4_0119" id="link2H_4_0119"> + <a id="link2H_4_0119"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> X.—DECISION @@ -43267,11 +43258,11 @@ Produced by David Widger from the worst of life's evils—indecision. </p> <p> - <a name="link2H_4_0120" id="link2H_4_0120"> + <a id="link2H_4_0120"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> XI.—TIMOTHY PROPHESIES @@ -43893,21 +43884,21 @@ Produced by David Widger said. She—she was “holding on”! </p> <p> - <a name="link2H_PARTc3" id="link2H_PARTc3"> + <a id="link2H_PARTc3"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> PART III </h2> <p> - <a name="link2H_4_0122" id="link2H_4_0122"> + <a id="link2H_4_0122"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> I.—OLD JOLYON WALKS @@ -44257,11 +44248,11 @@ Produced by David Widger creepered windows, he kissed her. </p> <p> - <a name="link2H_4_0123" id="link2H_4_0123"> + <a id="link2H_4_0123"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> II.—CONFESSION @@ -44563,11 +44554,11 @@ Produced by David Widger There was a great wrench; and darkness.... </p> <p> - <a name="link2H_4_0124" id="link2H_4_0124"> + <a id="link2H_4_0124"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> III.—IRENE @@ -44755,11 +44746,11 @@ Produced by David Widger name crawling on his bed. </p> <p> - <a name="link2H_4_0125" id="link2H_4_0125"> + <a id="link2H_4_0125"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> IV.—SOAMES COGITATES @@ -45167,11 +45158,11 @@ Produced by David Widger closed on his senses, drowsing them. </p> <p> - <a name="link2H_4_0126" id="link2H_4_0126"> + <a id="link2H_4_0126"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> V.—THE FIXED IDEA @@ -45362,11 +45353,11 @@ Produced by David Widger 'Monday,' thought Fleur; 'Monday!' </p> <p> - <a name="link2H_4_0127" id="link2H_4_0127"> + <a id="link2H_4_0127"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> VI.—DESPERATE @@ -45530,7 +45521,7 @@ Produced by David Widger <p> Her eyes gleamed, she swayed toward him. “Jon—I love you! Don't give me up! If you do, I don't know what—I feel so desperate. - What does it matter—all that past-compared with this?” + What does it matter—all that past—compared with this?” </p> <p> She clung to him. He kissed her eyes, her cheeks, her lips. But while he @@ -45715,11 +45706,11 @@ Produced by David Widger breath, with an awful held-up feeling within him. </p> <p> - <a name="link2H_4_0128" id="link2H_4_0128"> + <a id="link2H_4_0128"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> VII.—EMBASSY @@ -46132,11 +46123,11 @@ Produced by David Widger front door. </p> <p> - <a name="link2H_4_0129" id="link2H_4_0129"> + <a id="link2H_4_0129"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> VIII.—THE DARK TUNE @@ -46364,11 +46355,11 @@ Produced by David Widger somehow.” How fatuous! But what could he have said? </p> <p> - <a name="link2H_4_0130" id="link2H_4_0130"> + <a id="link2H_4_0130"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> IX.—UNDER THE OAK-TREE @@ -46490,11 +46481,11 @@ Produced by David Widger which soon would be to let. </p> <p> - <a name="link2H_4_0131" id="link2H_4_0131"> + <a id="link2H_4_0131"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> X.—FLEUR'S WEDDING @@ -46964,11 +46955,11 @@ Produced by David Widger Soames, and—he didn't know—he couldn't see! </p> <p> - <a name="link2H_4_0132" id="link2H_4_0132"> + <a id="link2H_4_0132"> <!-- H2 anchor --> </a> </p> <div style="height: 4em;"> - <br /><br /><br /><br /> + <br ><br ><br ><br > </div> <h2> XI.—THE LAST OF THE OLD FORSYTES @@ -47376,385 +47367,15 @@ Produced by David Widger the world! </p> <p> - <br /> <br /> + <br > <br > </p> <div class="fig" style="width:80%;"> - <img alt="cutpages (132K)" src="images/cutpages.jpg" width="100%" /><br /> + <img alt="cutpages (132K)" src="images/cutpages.jpg" style="width: 100%"><br > </div> <p> - <br /> <br /> - </p> -<pre xml:space="preserve"> - - - - - -End of Project Gutenberg's The Forsyte Saga, Complete, by John Galsworthy - -*** END OF THIS PROJECT GUTENBERG EBOOK THE FORSYTE SAGA, COMPLETE *** - -***** This file should be named 4397-h.htm or 4397-h.zip ***** -This and all associated files of various formats will be found in: - http://www.gutenberg.org/4/3/9/4397/ - -Produced by David Widger - -Updated editions will replace the previous one--the old editions -will be renamed. - -Creating the works from public domain print editions means that no -one owns a United States copyright in these works, so the Foundation -(and you!) can copy and distribute it in the United States without -permission and without paying copyright royalties. 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