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+<meta http-equiv="Content-Type" content="text/html; charset=UTF-8" />
 <title>The Project Gutenberg eBook of Pictures in Umbria, by Katharine S. (Katharine Sarah) Macquoid</title>
     <link rel="coverpage" href="images/cover.jpg" />
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@@ -263,26 +263,10 @@ td {padding-left: 1em;
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+<div>*** START OF THE PROJECT GUTENBERG EBOOK 43754 ***</div>
 <h1 class="pg">The Project Gutenberg eBook, Pictures in Umbria, by Katharine S.
 (Katharine Sarah) Macquoid, Illustrated by Thomas R. Macquoid</h1>
-<p>This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever.  You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at <a
-href="http://www.gutenberg.org">www.gutenberg.org</a></p>
-<p>Title: Pictures in Umbria</p>
-<p>Author: Katharine S. (Katharine Sarah) Macquoid</p>
-<p>Release Date: September 17, 2013  [eBook #43754]</p>
-<p>Language: English</p>
-<p>Character set encoding: ISO-8859-1</p>
-<p>***START OF THE PROJECT GUTENBERG EBOOK PICTURES IN UMBRIA***</p>
 <p>&nbsp;</p>
-<h4 class="center">E-text prepared by Ann Jury, Melissa McDaniel,<br />
-    and the Online Distributed Proofreading Team<br />
-    (<a href="http://www.pgdp.net">http://www.pgdp.net</a>)<br />
-    from page images generously made available by<br />
-    Internet Archive<br />
-    (<a href="http://archive.org">http://archive.org</a>)</h4>
 <p>&nbsp;</p>
 <table border="0" style="background-color: #ccccff;margin: 0 auto;" cellpadding="10">
   <tr>
@@ -374,14 +358,14 @@ By THOMAS R. MACQUOID, R.I.</p>
 <p class="i1"><i>Da Porta Sole, ...</i></p>
 </div>
 <div class="stanza">
-<p><i>Di quella costa l�, dov'ella frange</i></p>
-<p class="i1"><i>Pi� sua rattezza, nacque al mondo un Sole,</i></p>
+<p><i>Di quella costa là, dov'ella frange</i></p>
+<p class="i1"><i>Più sua rattezza, nacque al mondo un Sole,</i></p>
 <p class="i1"><i>Come fa questo tal volta di Gange.</i></p>
-<p><i>Per� chi d'esso loco fa parole,</i></p>
-<p class="i1"><i>Non dica Ascesi, ch� direbbe corto,</i></p>
+<p><i>Però chi d'esso loco fa parole,</i></p>
+<p class="i1"><i>Non dica Ascesi, chè direbbe corto,</i></p>
 <p class="i1"><i>Ma Oriente, se proprio dir vuole.</i></p>
 <p><i>Non era ancor molto lontan dall'orto,</i></p>
-<p class="i1"><i>Ch� cominci� a far sentir la terra</i></p>
+<p class="i1"><i>Chè cominciò a far sentir la terra</i></p>
 <p class="i1"><i>Della sua gran virtude alcun conforto.</i></p>
 </div>
 <div class="stanza">
@@ -578,7 +562,7 @@ By THOMAS R. MACQUOID, R.I.</p>
 <td class="tdr"><a href="#i_b_103">103</a></td>
 </tr>
 <tr>
-<td>FA�ADE OF SAN BERNARDINO</td>
+<td>FAÇADE OF SAN BERNARDINO</td>
 <td class="tdr"><a href="#i_b_105">105</a></td>
 </tr>
 <tr>
@@ -714,9 +698,9 @@ Three Companions," and the very quaint "Fioretti
 di San Francesco."</i></p>
 
 <p><i>"The Life of San Bernardino of Siena," by Pierre
-Cl�ment, was also very useful. In the book itself I
+Clément, was also very useful. In the book itself I
 speak of the great enjoyment I found in Monsieur Paul
-Sabatier's thoughtful "Vie de Saint Fran�ois d'Assisi,"
+Sabatier's thoughtful "Vie de Saint François d'Assisi,"
 and in Miss Lina Duff Gordon's charming "Story of
 Assisi."</i></p>
 
@@ -803,7 +787,7 @@ years of rapine and murder, the grave
 Urbino painter, Giovanni Sanzio, with
 his fair-haired son, Raffaelle. Giovanni
 came to Perugia to place the lad with
-the illiterate genius of Citt� del Pieve,
+the illiterate genius of Città del Pieve,
 Pietro Vannucci, whose praise was in
 every one's mouth, and who had already
 <span class="pagenum"><a name="Page_4" id="Page_4"></a></span>
@@ -826,13 +810,13 @@ of brightness.</p>
 a very different picture, when poor,
 roughly clad, coarse-featured Cristoforo
 Vannucci came trudging along on foot
-from Citt� del Pieve, holding the
+from Città del Pieve, holding the
 red fist of his little son, Pietro. The
 square-faced, square-headed boy was
 only eleven years old, yet his father
 already firmly believed in his genius,
 and had brought him all the way
-from Citt� del Pieve to present him
+from Città del Pieve to present him
 to the great Umbrian master, Benedetto
 <span class="pagenum"><a name="Page_5" id="Page_5"></a></span>
 Bonfigli, who was then at work
@@ -847,7 +831,7 @@ San Giorgio, and the great master's
 other pupils.</p>
 
 <p>One learns in Perugia how the student
-from Citt� del Pieve raised the tone
+from Città del Pieve raised the tone
 and widened the scope of the existing
 Umbrian school, and gave to it a grace
 and ease, to say nothing of higher
@@ -881,7 +865,7 @@ compared with the Holborn Viaduct;
 but these travellers do not come under
 the spell of the place; they see only
 an old city, part Etruscan, part Roman,
-chiefly medi�val, perched on top of
+chiefly mediæval, perched on top of
 a hill, girt with massive walls which
 look down thirteen hundred feet and
 more, to the fertile valley of the
@@ -1197,7 +1181,7 @@ of amulets and charms. Some of
 these, especially those for protection
 from lightning, are bits of prehistoric
 stones, and exhibit a grotesque mingling
-of pagan and medi�val superstition.</p>
+of pagan and mediæval superstition.</p>
 
 <p>A little case embroidered with the
 Agnus Dei contained a triangular stone
@@ -1366,9 +1350,9 @@ are said to be in some places
 built on the foundation of the Etruscan
 wall. The Piazza itself is full of
 infinite variety: on the right are two
-quaint grey medi�val palaces, with
+quaint grey mediæval palaces, with
 balconies and windows; the Palazzo
-del Capitano del Popolo or del Podest�,
+del Capitano del Popolo or del Podestà,
 and the ancient university, are now
 used as Law Courts. One can fancy
 the sometimes inflammatory, sometimes
@@ -1757,7 +1741,7 @@ fact, like Christians, Perugia might have
 held sovereign sway in Umbria.</p>
 
 <p>Instead of this, though nominally
-governed by the Podest�, or chief magistrate
+governed by the Podestà, or chief magistrate
 and the Priori, she was frequently
 forced to defend herself against Papal
 plots and aggression; almost constantly
@@ -3198,7 +3182,7 @@ WINDOW.</p>
 </div>
 
 <p>We had greatly desired to see the
-fa�ade of the Oratory built
+façade of the Oratory built
 in honour of San Bernardino
 of Siena, and we went in
 search of it. Going past the
@@ -3315,15 +3299,15 @@ of San Francesco, beside which is
 <span class="pagenum"><a name="Page_103" id="Page_103"></a></span>
 <span class="pagenum"><a name="Page_104" id="Page_104"></a></span>
 <span class="pagenum"><a name="Page_105" id="Page_105"></a></span>
-the matchless fa�ade of the chapel or
+the matchless façade of the chapel or
 oratory of San Bernardino of Siena.</p>
 
 <div class="figcenter"><a name="i_b_105" id="i_b_105"></a>
 <img src="images/i_b_105.jpg" width="264" height="219" alt="" />
-<p class="caption">FA�ADE OF SAN BERNARDINO.</p>
+<p class="caption">FAÇADE OF SAN BERNARDINO.</p>
 </div>
 
-<p>The detail of this fa�ade is even more
+<p>The detail of this façade is even more
 beautiful than we had expected; the
 colour of its rosy marbles and terra-cotta
 adds warmth to the exquisite
@@ -3332,7 +3316,7 @@ both in design and execution, than any
 Della Robbia work we had seen. We
 were glad to find this opinion endorsed
 by Mr. Perkins in his Tuscan Sculptors.
-The fa�ade is the work of Agostino
+The façade is the work of Agostino
 Ducci or Gucci, of Florence.
 <span class="pagenum"><a name="Page_106" id="Page_106"></a></span></p>
 
@@ -3342,7 +3326,7 @@ Ducci or Gucci, of Florence.
 </div>
 
 <p>A circular arch, almost as wide as the
-fa�ade, surmounts two square-headed
+façade, surmounts two square-headed
 entrance doors; these are surrounded
 by delicately carved ornament in low
 relief. Above the door is a frieze, on
@@ -4436,7 +4420,7 @@ whose labour brought them and set
 them in their places for their Etruscan
 masters. Near here must have been the
 house of that chief citizen who, seeing
-the Romans, headed by Octavius C�sar,
+the Romans, headed by Octavius Cæsar,
 masters of his native city, and that there
 was no longer a hope of freedom from
 the detested yoke, set fire to his dwelling,
@@ -4767,7 +4751,7 @@ of St. Francis").
 that the hills looking down on us, now
 varied by exquisite cloud-shadows, had
 listened to cheerful lays, improvised in
-the Proven�al tongue by Francis as
+the Provençal tongue by Francis as
 he trudged along this road. He did not
 have his hymns rendered into Italian
 verse, so that they might be understood
@@ -5216,7 +5200,7 @@ Cimabue's atelier.</p>
 <p>It is strange that the painter should
 have so greatly admired the simple
 love for and the truthful rendering of
-nature which characterises his prot�g�'s
+nature which characterises his protégé's
 work, for Cimabue himself clung to
 the stiff drawing and unlovely ideals of
 <span class="pagenum"><a name="Page_191" id="Page_191"></a></span>
@@ -5552,7 +5536,7 @@ fourth fresco of the series, in which
 the saint is shown praying before
 the crucifix in San Damiano. Those
 who have read the beautiful <i>Vie de
-Saint Fran�ois d'Assise</i>, by Monsieur Paul
+Saint François d'Assise</i>, by Monsieur Paul
 Sabatier, will understand the meaning
 of this fresco, though it has been so
 sadly injured by damp. For those who
@@ -6240,7 +6224,7 @@ Temple of Minerva we came to the
 cathedral of Assisi, San Rufino, built
 by Giovanni da Gubbio in twelfth
 and early part of thirteenth century.
-It has an interesting brown fa�ade
+It has an interesting brown façade
 and a picturesque campanile; its three
 fine doorways and rose windows are
 full of beauty, but the interior is comparatively
@@ -7593,7 +7577,7 @@ himself to prayer. He took with him
 the three men who are said to have
 written the charming sketch of him,
 called, in the French version of it,
-<i>La L�gende des trois Compagnons</i>, Fra
+<i>La Légende des trois Compagnons</i>, Fra
 Leone, Fra Masseo, and Fra Angelo.</p>
 
 <p>When they had travelled for two
@@ -7688,7 +7672,7 @@ tormented him, his joyousness and his
 poetic power returned with their early
 vigour; for it was during these weeks
 of peaceful outer life, though blind,
-and suffering from h�morrhage of the
+and suffering from hæmorrhage of the
 lungs, that he composed his famous
 Canticle.
 <span class="pagenum"><a name="Page_284" id="Page_284"></a></span></p>
@@ -7716,13 +7700,13 @@ of the Sun.</p>
 <p class="i1">Laudate sie, mi signore, cum tucte le tue creature</p>
 <p>specialmente messor lo frate sole,</p>
 <p>lo quale jorna, et illumini per lui;</p>
-<p>Et ellu � bellu e radiante cum grande splendore;</p>
+<p>Et ellu è bellu e radiante cum grande splendore;</p>
 <p>de te, altissimo, porta significatione.</p>
 </div>
 <div class="stanza">
 <p class="i1">Laudato si, mi signore, per sora luna e le stelle,
 <span class="pagenum"><a name="Page_285" id="Page_285"></a></span></p>
-<p>in celu l'�i formate clarite et pretiose et belle.</p>
+<p>in celu l'ài formate clarite et pretiose et belle.</p>
 </div>
 <div class="stanza">
 <p class="i1">Laudate si, mi signore, per frate vento</p>
@@ -7731,12 +7715,12 @@ of the Sun.</p>
 </div>
 <div class="stanza">
 <p class="i1">Laudato si, mi signore, per sor acqua,</p>
-<p>la quale � multo utile et humele et pretiosa et casta.</p>
+<p>la quale è multo utile et humele et pretiosa et casta.</p>
 </div>
 <div class="stanza">
 <p class="i1">Laudato si, mi signore, per frate focu,</p>
 <p>per lo quale enallumini la nocte,</p>
-<p>ed ello � bello et jucundo et robustoso et forte.</p>
+<p>ed ello é bello et jucundo et robustoso et forte.</p>
 </div>
 <div class="stanza">
 <p class="i1">Laudato si, mi signore, per sora nostra matre terra,</p>
@@ -7754,8 +7738,8 @@ of the Sun.</p>
 <p class="i1">Laudato si, mi signore, per sora nostra morte corporale,</p>
 <p>da la quale nullu homo vivente po skappare;</p>
 <p>guai a quilli ke morrano ne le peccata mortali;</p>
-<p>beata quilli ke se trovar� ne, le tue sanctissime voluntali,</p>
-<p>ka la morte secunda nol farr� male.</p>
+<p>beata quilli ke se trovarà ne, le tue sanctissime voluntali,</p>
+<p>ka la morte secunda nol farrà male.</p>
 </div>
 <div class="stanza">
 <p>Laudate et benedicete mi signore, et rengratiate</p>
@@ -8358,7 +8342,7 @@ but quite as bright-looking as he was.</p>
 <p>I asked him if he had a father or a
 mother, but he shook his head.</p>
 
-<p>"Oim�, Signora!&mdash;io son padre di
+<p>"Oimè, Signora!&mdash;io son padre di
 famiglia," he said, with a merry laugh,
 and he pointed again to the black-eyed
 urchins.
@@ -8761,360 +8745,6 @@ in October.
 
 <p>&nbsp;</p>
 <p>&nbsp;</p>
-<hr class="full" />
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+<div>*** END OF THE PROJECT GUTENBERG EBOOK 43754 ***</div>
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author	nfenwick <nfenwick@pglaf.org>	2025-03-07 14:36:34 -0800
committer	nfenwick <nfenwick@pglaf.org>	2025-03-07 14:36:34 -0800
commit	382241317a42df7c3cc6aca881b6783cdba31717 (patch)
tree	f8fe7bf9ca46aa0acb16e333322db4e2c3431bf4 /43754-h
parent	1a6ab2da28acbf81848f5a74075b04b94f45543e (diff)