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diff --git a/4368-h/4368-h.htm b/4368-h/4368-h.htm index c24dbfb..2d162b9 100644 --- a/4368-h/4368-h.htm +++ b/4368-h/4368-h.htm @@ -1,13 +1,10 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" -"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> - -<html xmlns="http://www.w3.org/1999/xhtml" lang="en" xml:lang="en"> - <head> -<meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> -<title> - The Project Gutenberg eBook of Flappers And Philosophers, by F. Scott Fitzgerald. -</title> -<style type="text/css"> +<!DOCTYPE html> +<html lang="en"> +<head> +<meta charset="utf-8"> +<title>Flappers And Philosophers | Project Gutenberg</title> +<link rel="icon" href="images/cover.jpg" type="image/x-cover"> +<style> p {margin-top:.2em;text-align:justify;margin-bottom:.2em;text-indent:2%;} .c {text-align:center;text-indent:0%;} @@ -22,9 +19,9 @@ small {font-size:75%;} .poem {margin-left:25%;text-indent:0%;} - h1,h4 {text-align:center;clear:both;} + h1,h3 {text-align:center;clear:both;} - h3 {margin-top: 10%;text-align:center;clear:both;} + h2 {margin-top: 10%;text-align:center;clear:both;} hr {width:90%;margin:2em auto 2em auto;clear:both;color:black;} @@ -42,67 +39,40 @@ a:hover {background-color:#ffffff;color:#FF0000;text-decoration:underline;} </style> </head> <body> +<div style='text-align:center'>*** START OF THE PROJECT GUTENBERG EBOOK 4368 ***</div> -<pre> - -Project Gutenberg's Flappers and Philosophers, by F. Scott Fitzgerald - -This eBook is for the use of anyone anywhere at no cost and with -almost no restrictions whatsoever. You may copy it, give it away or -re-use it under the terms of the Project Gutenberg License included -with this eBook or online at www.gutenberg.org - -Title: Flappers and Philosophers - -Author: F. Scott Fitzgerald - -Posting Date: January 2, 2011 [EBook #4368] -Release Date: August, 2003 -First Posted: January 19, 2002 -Last Updated: August 18, 2011] - -Language: English - -Character set encoding: ISO-8859-1 - -*** START OF THIS PROJECT GUTENBERG EBOOK FLAPPERS AND PHILOSOPHERS *** - -Produced by Curtis A. Weyant - -</pre> - -<h1>FLAPPERS AND PHILOSOPHERS<br /><br /> -<small>by<br /><br /> +<h1>FLAPPERS AND PHILOSOPHERS<br ><br > +<small>by<br ><br > F. SCOTT FITZGERALD</small></h1> -<p class="cb"><br /><br /> -<br /><br /> +<p class="cb"><br ><br > +<br ><br > To Zelda</p> -<h3><a name="Contents" id="Contents"></a>Contents</h3> - -<table border="0" cellpadding="2" cellspacing="0" summary=""> -<tr><td align="left"><a href="#The_Offshore_Pirate"><b>The Offshore Pirate</b></a></td></tr> -<tr><td align="left"><a href="#The_Ice_Palace"><b>The Ice Palace</b></a></td></tr> -<tr><td align="left"><a href="#Head_and_Shoulders"><b>Head and Shoulders</b></a></td></tr> -<tr><td align="left"><a href="#The_Cut-Glass_Bowl"><b>The Cut-Glass Bowl</b></a></td></tr> -<tr><td align="left"><a href="#Bernice_Bobs_Her_Hair"><b>Bernice Bobs Her Hair</b></a></td></tr> -<tr><td align="left"><a href="#Benediction"><b>Benediction</b></a></td></tr> -<tr><td align="left"><a href="#Dalyrimple_Goes_Wrong"><b>Dalyrimple Goes Wrong</b></a></td></tr> -<tr><td align="left"><a href="#The_Four_Fists"><b>The Four Fists</b></a></td></tr> +<h2><a id="Contents"></a>Contents</h2> + +<table style="border: none; padding: 2px; border-spacing: 0px;"> +<tr><td style="text-align: left;"><a href="#The_Offshore_Pirate"><b>The Offshore Pirate</b></a></td></tr> +<tr><td style="text-align: left;"><a href="#The_Ice_Palace"><b>The Ice Palace</b></a></td></tr> +<tr><td style="text-align: left;"><a href="#Head_and_Shoulders"><b>Head and Shoulders</b></a></td></tr> +<tr><td style="text-align: left;"><a href="#The_Cut-Glass_Bowl"><b>The Cut-Glass Bowl</b></a></td></tr> +<tr><td style="text-align: left;"><a href="#Bernice_Bobs_Her_Hair"><b>Bernice Bobs Her Hair</b></a></td></tr> +<tr><td style="text-align: left;"><a href="#Benediction"><b>Benediction</b></a></td></tr> +<tr><td style="text-align: left;"><a href="#Dalyrimple_Goes_Wrong"><b>Dalyrimple Goes Wrong</b></a></td></tr> +<tr><td style="text-align: left;"><a href="#The_Four_Fists"><b>The Four Fists</b></a></td></tr> </table> <p> -<br /> -<br /> -<br /> +<br > +<br > +<br > </p> <h1>FLAPPERS AND PHILOSOPHERS</h1> -<h3><a name="The_Offshore_Pirate" id="The_Offshore_Pirate"></a>The Offshore Pirate</h3> +<h2><a id="The_Offshore_Pirate"></a>The Offshore Pirate</h2> -<h4>I</h4> +<h3>I</h3> <p>This unlikely story begins on a sea that was a blue dream, as colorful as blue-silk stockings, and beneath a sky as blue as the @@ -316,7 +286,7 @@ came a hail from over the side.</p> condemning glance at his niece and, turning, ran swiftly down the ladder.</p> -<h4>II</h4> +<h3>II</h3> <p>Five o'clock robed down from the sun and plumped soundlessly into the sea. The golden collar widened into a glittering island; and @@ -327,28 +297,28 @@ harmony and in perfect rhythm to an accompanying sound of oars dealing the blue writers. Ardita lifted her head and listened.</p> <p class="poem"> -<span style="margin-left: 2.5em;">"Carrots and Peas,</span><br /> -<span style="margin-left: 3em;">Beans on their knees,</span><br /> -<span style="margin-left: 3em;">Pigs in the seas,</span><br /> -<span style="margin-left: 5em;">Lucky fellows!</span><br /> -<span style="margin-left: 3em;">Blow us a breeze,</span><br /> -<span style="margin-left: 3em;">Blow us a breeze,</span><br /> -<span style="margin-left: 3em;">Blow us a breeze,</span><br /> -<span style="margin-left: 5em;">With your bellows."</span><br /> +<span style="margin-left: 2.5em;">"Carrots and Peas,</span><br > +<span style="margin-left: 3em;">Beans on their knees,</span><br > +<span style="margin-left: 3em;">Pigs in the seas,</span><br > +<span style="margin-left: 5em;">Lucky fellows!</span><br > +<span style="margin-left: 3em;">Blow us a breeze,</span><br > +<span style="margin-left: 3em;">Blow us a breeze,</span><br > +<span style="margin-left: 3em;">Blow us a breeze,</span><br > +<span style="margin-left: 5em;">With your bellows."</span><br > </p> <p>Ardita's brow wrinkled in astonishment. Sitting very still she listened eagerly as the chorus took up a second verse.</p> <p class="poem"> -<span style="margin-left: 2.5em;">"Onions and beans,</span><br /> -<span style="margin-left: 3em;">Marshalls and Deans,</span><br /> -<span style="margin-left: 3em;">Goldbergs and Greens</span><br /> -<span style="margin-left: 5em;">And Costellos.</span><br /> -<span style="margin-left: 3em;">Blow us a breeze,</span><br /> -<span style="margin-left: 3em;">Blow us a breeze,</span><br /> -<span style="margin-left: 3em;">Blow us a breeze,</span><br /> -<span style="margin-left: 5em;">With your bellows."</span><br /> +<span style="margin-left: 2.5em;">"Onions and beans,</span><br > +<span style="margin-left: 3em;">Marshalls and Deans,</span><br > +<span style="margin-left: 3em;">Goldbergs and Greens</span><br > +<span style="margin-left: 5em;">And Costellos.</span><br > +<span style="margin-left: 3em;">Blow us a breeze,</span><br > +<span style="margin-left: 3em;">Blow us a breeze,</span><br > +<span style="margin-left: 3em;">Blow us a breeze,</span><br > +<span style="margin-left: 5em;">With your bellows."</span><br > </p> <p>With an exclamation she tossed her book to the desk, where it @@ -358,10 +328,10 @@ rowing and one standing up in the stern keeping time to their song with an orchestra leader's baton.</p> <p class="poem"> -<span style="margin-left: 2.5em;">"Oysters and Rocks,</span><br /> -<span style="margin-left: 3em;">Sawdust and socks,</span><br /> -<span style="margin-left: 3em;">Who could make clocks</span><br /> -<span style="margin-left: 5em;">Out of cellos?——"</span><br /> +<span style="margin-left: 2.5em;">"Oysters and Rocks,</span><br > +<span style="margin-left: 3em;">Sawdust and socks,</span><br > +<span style="margin-left: 3em;">Who could make clocks</span><br > +<span style="margin-left: 5em;">Out of cellos?——"</span><br > </p> <p>The leader's eyes suddenly rested on Ardita, who was leaning over @@ -535,7 +505,7 @@ dollars I miss my guess."</p> <p>"Well," he said "for the present we'll call it—mud—Florida mud."</p> -<h4>III</h4> +<h3>III</h3> <p>Within ten minutes after Curtis Carlyle's interview with a very frightened engineer the yacht Narcissus was under way, steaming @@ -582,7 +552,7 @@ felt that this man, on the contrary, was preoccupied with his own defiance.</p> <p>She was much more interested in him than she was in her own -situation, which affected her as the prospect of a matineé might +situation, which affected her as the prospect of a matineé might affect a ten-year-old child. She had implicit confidence in her ability to take care of herself under any and all circumstances.</p> @@ -613,7 +583,7 @@ nerve for a flapper."</p> <p>"Beg your pardon."</p> -<p>"As to nerve," she continued slowly, "it's my one redeemiug +<p>"As to nerve," she continued slowly, "it's my one redeeming feature. I'm not afraid of anything in heaven or earth."</p> <p>"Hm, I am."</p> @@ -652,7 +622,7 @@ children that would have passed Curtis Carlyle with a sniff. But the ragged little "poh white" used to sit beside her piano by the hour and try to get in an alto with one of those kazoos that boys hum through. Before he was thirteen he was picking up a -living teasing ragtime out of a battered violin in little cafés +living teasing ragtime out of a battered violin in little cafés round Nashville. Eight years later the ragtime craze hit the country, and he took six darkies on the Orpheum circuit. Five of them were boys he had grown up with; the other was the little @@ -684,7 +654,7 @@ suicide." They all used it.</p> thousand dollars a night, and it seemed as if these crystallized all his distaste for his mode of livlihood. They took place in clubs and houses that he couldn't have gone into in the daytime. -After all, he was merely playing to rôle of the eternal monkey, a +After all, he was merely playing to rôle of the eternal monkey, a sort of sublimated chorus man. He was sick of the very smell of the theatre, of powder and rouge and the chatter of the greenroom, and the patronizing approval of the boxes. He couldn't @@ -735,14 +705,14 @@ together in a haunting melody that soared in poignant harmonics toward the moon. And Ardita listens in enchantment.</p> <p class="poem"> -<span style="margin-left: 2em;">"Oh down——</span><br /> -<span style="margin-left: 5em;">oh down,</span><br /> -<span style="margin-left: 2.5em;">Mammy wanna take me down milky way,</span><br /> -<span style="margin-left: 2.5em;">Oh down,</span><br /> -<span style="margin-left: 5em;">oh down,</span><br /> -<span style="margin-left: 2.5em;">Pappy say to-morra-a-a-ah</span><br /> -<span style="margin-left: 2.5em;">But mammy say to-day,</span><br /> -<span style="margin-left: 2.5em;">Yes—mammy say to-day!"</span><br /> +<span style="margin-left: 2em;">"Oh down——</span><br > +<span style="margin-left: 5em;">oh down,</span><br > +<span style="margin-left: 2.5em;">Mammy wanna take me down milky way,</span><br > +<span style="margin-left: 2.5em;">Oh down,</span><br > +<span style="margin-left: 5em;">oh down,</span><br > +<span style="margin-left: 2.5em;">Pappy say to-morra-a-a-ah</span><br > +<span style="margin-left: 2.5em;">But mammy say to-day,</span><br > +<span style="margin-left: 2.5em;">Yes—mammy say to-day!"</span><br > </p> <p>Carlyle sighed and was silent for a moment looking up at the @@ -765,7 +735,7 @@ in on you like a dream, like the exquisite eyes of a girl."</p> <p>Again she made no answer. She had been sound asleep for some time.</p> -<h4>IV</h4> +<h3>IV</h3> <p>In the dense sun-flooded noon of next day a spot in the sea before them resolved casually into a green-and-gray islet, @@ -1035,7 +1005,7 @@ last summer told me my calves are worth five hundred dollars."</p> <p>There didn't seem to be any answer to this, so Carlyle was silent, permitting himself only a discreet interior smile.</p> -<h4>V</h4> +<h3>V</h3> <p>When the night crept down in shadowy blue and silver they threaded the shimmering channel in the rowboat and, tying it to a @@ -1057,7 +1027,7 @@ just eighteen and you were——"</p> <p>"Twenty-five."</p> <p>"——well, we were both conventional successes. I was an utterly -devastating débutante and you were a prosperous musician just +devastating débutante and you were a prosperous musician just commissioned in the army——"</p> <p>"Gentleman by act of Congress," he put in ironically.</p> @@ -1122,7 +1092,7 @@ manifestation of courage had unconsciously been the thing that attracted me. I began separating courage from the other things of life. All sorts of courage—the beaten, bloody prize-fighter coming up for more—I used to make men take me to prize-fights; -the déclassé woman sailing through a nest of cats and looking at +the déclassé woman sailing through a nest of cats and looking at them as if they were mud under her feet; the liking what you like always; the utter disregard for other people's opinions—just to live as I liked always and to die in my own way— Did you bring @@ -1208,7 +1178,7 @@ she reached the sea.</p> laughter curled up the side of the cliff and into his anxious ears that he knew he loved her.</p> -<h4>VI</h4> +<h3>VI</h3> <p>Time, having no axe to grind, showered down upon them three days of afternoons. When the sun cleared the port-hole of Ardita's @@ -1230,7 +1200,7 @@ off southward; she dreaded all the eventualities that presented themselves to her; thoughts were suddenly troublesome and decisions odious. Had prayers found place in the pagan rituals of her soul she would have asked of life only to be unmolested -for a while, lazily acquiescent to the ready, naïf flow of +for a while, lazily acquiescent to the ready, naïf flow of Carlyle's ideas, his vivid boyish imagination, and the vein of monomania that seemed to run crosswise through his temperament and colored his every action.</p> @@ -1657,10 +1627,10 @@ rest of my life."</p> she had heard them singing before.</p> <p class="poem"> -<span style="margin-left: 2em;">"Time is a thief;</span><br /> -<span style="margin-left: 2.5em;">Gladness and grief</span><br /> -<span style="margin-left: 2.5em;">Cling to the leaf</span><br /> -<span style="margin-left: 4.5em;">As it yellows——"</span><br /> +<span style="margin-left: 2em;">"Time is a thief;</span><br > +<span style="margin-left: 2.5em;">Gladness and grief</span><br > +<span style="margin-left: 2.5em;">Cling to the leaf</span><br > +<span style="margin-left: 4.5em;">As it yellows——"</span><br > </p> <p>"What was in the bags?" she asked softly.</p> @@ -1671,7 +1641,7 @@ I told you."</p> <p>"Perhaps I can guess the other one," she said; and reaching up on her tiptoes she kissed him softly in the illustration.</p> -<h3><a name="The_Ice_Palace" id="The_Ice_Palace"></a>The Ice Palace</h3> +<h2><a id="The_Ice_Palace"></a>The Ice Palace</h2> <p>The sunlight dripped over the house like golden paint over an art jar, and the freckling shadows here and there only intensified @@ -1915,7 +1885,7 @@ the infant earth.</p> <p>"Hi!" she murmured, smiling.</p> -<h4>II</h4> +<h3>II</h3> <p>In November Harry Bellamy, tall, broad, and brisk, came down from his Northern city to spend four days. His intention was to @@ -2084,7 +2054,7 @@ seen."</p> <p>"March, Harry."</p> -<h4>III</h4> +<h3>III</h3> <p>All night in the Pullman it was very cold. She rang for the porter to ask for another blanket, and when he couldn't give her @@ -2097,7 +2067,7 @@ stumbled up to the diner for a cup of coffee. The snow had filtered into the vestibules and covered the door with a slippery coating. It was intriguing this cold, it crept in everywhere. Her breath was quite visible and she blew into the air with a -naïve enjoyment. Seated in the diner she stared out the window at +naïve enjoyment. Seated in the diner she stared out the window at white hills and valleys and scattered pines whose every branch was a green platter for a cold feast of snow. Sometimes a solitary farmhouse would fly by, ugly and bleak and lone on the @@ -2110,8 +2080,8 @@ feeling the bracing air of which Harry had spoken. This was the North, the North—her land now!</p> <p class="poem"> -<span style="margin-left: 2.5em;">"Then blow, ye winds, heighho!</span><br /> -<span style="margin-left: 3em;">A-roving I will go,"</span><br /> +<span style="margin-left: 2.5em;">"Then blow, ye winds, heighho!</span><br > +<span style="margin-left: 3em;">A-roving I will go,"</span><br > </p> <p class="nind">she chanted exultantly to herself.</p> @@ -2229,7 +2199,7 @@ since eighty-five. Built out of blocks of the clearest ice they could find—on a tremendous scale."</p> <p>She rose and walking to the window pushed aside the heavy Turkish -portières and looked out.</p> +portières and looked out.</p> <p>"Oh!" she cried suddenly. "There's two little boys makin' a snow man! Harry, do you reckon I can go out an' help 'em?"</p> @@ -2313,12 +2283,12 @@ older than they are—as if I'd tell their mothers on them!"</p> <p>In the South an engaged girl, even a young married woman, expected the same amount of half-affectionate badinage and -flattery that would be accorded a débutante, but here all that +flattery that would be accorded a débutante, but here all that seemed banned. One young man after getting well started on the subject of Sally Carrol's eyes and, how they had allured him ever since she entered the room, went into a violent convulsion when -he found she was visiting the Bellamys—was Harry's fiancée. He -seemed to feel as though he had made some risqué and inexcusable +he found she was visiting the Bellamys—was Harry's fiancée. He +seemed to feel as though he had made some risqué and inexcusable blunder, became immediately formal and left her at the first opportunity.</p> @@ -2429,7 +2399,7 @@ the world."</p> books mean more than people to me anyway."</p> <p>"But writers all speak about the South being tragic. You -know—Spanish señoritas, black hair and daggers an' haunting +know—Spanish señoritas, black hair and daggers an' haunting music."</p> <p>He shook his head.</p> @@ -2468,7 +2438,7 @@ back seat.</p> <p>She buried her face deep in his fur coat and trembled involuntarily as his cold lips kissed the tip of her ear.</p> -<h4>IV</h4> +<h3>IV</h3> <p>The first week of her visit passed in a whirl. She had her promised toboggan-ride at the back of an automobile through a @@ -2642,13 +2612,13 @@ sighed in the low encore they seemed so nearly out of sight that she could have waved good-by.</p> <p class="poem"> -<span style="margin-left: 2.5em;">"Away, Away,</span><br /> -<span style="margin-left: 4.5em;">Away down South in Dixie!</span><br /> -<span style="margin-left: 3em;">Away, away,</span><br /> -<span style="margin-left: 4.5em;">Away down South in Dixie!"</span><br /> +<span style="margin-left: 2.5em;">"Away, Away,</span><br > +<span style="margin-left: 4.5em;">Away down South in Dixie!</span><br > +<span style="margin-left: 3em;">Away, away,</span><br > +<span style="margin-left: 4.5em;">Away down South in Dixie!"</span><br > </p> -<h4>V</h4> +<h3>V</h3> <p>It was a particularly cold night. A sudden thaw had nearly cleared the streets the day before, but now they were traversed @@ -2729,8 +2699,8 @@ crystal walls Sally Carrol found herself repeating over and over two lines from "Kubla Khan":</p> <p class="poem"> -<span style="margin-left: 2.5em;">"It was a miracle of rare device,</span><br /> -<span style="margin-left: 3em;">A sunny pleasure-dome with caves of ice!"</span><br /> +<span style="margin-left: 2.5em;">"It was a miracle of rare device,</span><br > +<span style="margin-left: 3em;">A sunny pleasure-dome with caves of ice!"</span><br > </p> <p>In the great glittering cavern with the dark shut out she took a @@ -2751,7 +2721,7 @@ over on the other side.</p> <p>The music eased to a sighing complaint, and from outside drifted in the full-throated remnant chant of the marching clubs. It grew -louder like some pæan of a viking tribe traversing an ancient +louder like some pæan of a viking tribe traversing an ancient wild; it swelled—they were coming nearer; then a row of torches appeared, and another and another, and keeping time with their moccasined feet a long column of gray-mackinawed figures swept @@ -2920,7 +2890,7 @@ heart as he came racing down the next passage—"to-morrow!" she cried with delirious, unstrained passion—"To-morrow! To-morrow! To-morrow!"</p> -<h4>VI</h4> +<h3>VI</h3> <p>The wealth of golden sunlight poured a quite enervating yet oddly comforting heat over the house where day long it faced the dusty @@ -2957,18 +2927,18 @@ her face.</p> <p>"Hate to move," sighed Sally Carol lazily, "but I reckon so."</p> -<h3><a name="Head_and_Shoulders" id="Head_and_Shoulders"></a>Head and Shoulders</h3> +<h2><a id="Head_and_Shoulders"></a>Head and Shoulders</h2> <p>In 1915 Horace Tarbox was thirteen years old. In that year he took the examinations for entrance to Princeton University and -received the Grade A—excellent—in Cæsar, Cicero, Vergil, +received the Grade A—excellent—in Cæsar, Cicero, Vergil, Xenophon, Homer, Algebra, Plane Geometry, Solid Geometry, and Chemistry.</p> <p>Two years later while George M. Cohan was composing "Over There," Horace was leading the sophomore class by several lengths and digging out theses on "The Syllogism as an Obsolete Scholastic -Form," and during the battle of Château-Thierry he was sitting at +Form," and during the battle of Château-Thierry he was sitting at his desk deciding whether or not to wait until his seventeenth birthday before beginning his series of essays on "The Pragmatic Bias of the New Realists."</p> @@ -3364,7 +3334,7 @@ hundred years of his influence he had never radiated before.</p> <p>Hume was radiating attar of roses.</p> -<h4>II</h4> +<h3>II</h3> <p>On Thursday night Horace Tarbox sat in an aisle seat in the fifth row and witnessed "Home James." Oddly enough he found that he @@ -3386,7 +3356,7 @@ patience in the aisle.</p> want to satisfy it for me in the Taft Grill just communicate your answer to the big-timber guide that brought this and oblige.</p> -<p class="r"><span style="margin-right: 4em;">Your friend,</span><br /> +<p class="r"><span style="margin-right: 4em;">Your friend,</span><br > Marcia Meadow."</p> <p>"Tell her,"—he coughed—"tell her that it will be quite all @@ -3492,7 +3462,7 @@ wrote Wendell a thank-you letter, and he printed it in his column—said that the style was like Carlyle's, only more rugged and that I ought to quit dancing and do North American literature. This got me a coupla more vaudeville offers and a -chance as an ingénue in a regular show. I took it—and here I +chance as an ingénue in a regular show. I took it—and here I am, Omar."</p> <p>When she finished they sat for a moment in silence she draping @@ -3584,7 +3554,7 @@ I'll be eighteen then."</p> yet with a vague challenge, at the calling, and walked quickly away.</p> -<h4>III</h4> +<h3>III</h3> <p>He was there again. She saw him when she took her first glance at the restless Manhattan audience—down in the front row with @@ -3628,8 +3598,8 @@ than to some men every pretty girl is suggestive. She made it a stunt.</p> <p class="poem"> -<span style="margin-left: 2.5em;">"Uptown, downtown, jelly on a spoon,</span><br /> -<span style="margin-left: 3em;">After sundown shiver by the moon."</span><br /> +<span style="margin-left: 2.5em;">"Uptown, downtown, jelly on a spoon,</span><br > +<span style="margin-left: 3em;">After sundown shiver by the moon."</span><br > </p> <p>He was not watching her now. She saw that clearly. He was looking @@ -3638,9 +3608,9 @@ expression he had worn in the Taft Grill. A wave of exasperation swept over her—he was criticising her.</p> <p class="poem"> -<span style="margin-left: 2.5em;">"That's the vibration that thrills me,</span><br /> -<span style="margin-left: 3em;">Funny how affection fi-lls me</span><br /> -<span style="margin-left: 6em;">Uptown, downtown——"</span><br /> +<span style="margin-left: 2.5em;">"That's the vibration that thrills me,</span><br > +<span style="margin-left: 3em;">Funny how affection fi-lls me</span><br > +<span style="margin-left: 6em;">Uptown, downtown——"</span><br > </p> <p>Unconquerable revulsion seized her. She was suddenly and horribly @@ -3651,9 +3621,9 @@ hers—these shoulders shaking—were they hers? Were they real? Surely shoulders weren't made for this!</p> <p class="poem"> -<span style="margin-left: 2.5em;">"Then—you'll see at a glance</span><br /> -<span style="margin-left: 3em;">I'll need some funeral ushers with St. Vitus dance</span><br /> -<span style="margin-left: 3em;">At the end of the world I'll——"</span><br /> +<span style="margin-left: 2.5em;">"Then—you'll see at a glance</span><br > +<span style="margin-left: 3em;">I'll need some funeral ushers with St. Vitus dance</span><br > +<span style="margin-left: 3em;">At the end of the world I'll——"</span><br > </p> <p>The bassoon and two cellos crashed into a final chord. She paused @@ -3786,7 +3756,7 @@ sound very logical."</p> <p>And as Marcia couldn't talk through her ears she had to.</p> -<h4>IV</h4> +<h3>IV</h3> <p>Horace and Marcia were married early in February. The sensation in academic circles both at Yale and Princeton was tremendous. @@ -4170,7 +4140,7 @@ tangible. Marcia with her written book; I with my unwritten ones. Trying to choose our mediums and then taking what we get—and being glad."</p> -<h4>V</h4> +<h3>V</h3> <p>"Sandra Pepys, Syncopated," with an introduction by Peter Boyce Wendell the columnist, appeared serially in <i>Jordan's Magazine</i>, @@ -4275,7 +4245,7 @@ eyes gazed intently at Anton Laurier.</p> <p>"About raps. Don't answer them! Let them alone—have a padded door."</p> -<h3><a name="The_Cut-Glass_Bowl" id="The_Cut-Glass_Bowl"></a>The Cut-Glass Bowl</h3> +<h2><a id="The_Cut-Glass_Bowl"></a>The Cut-Glass Bowl</h2> <p>There was a rough stone age and a smooth stone age and a bronze age, and many years afterward a cut-glass age. In the cut-glass @@ -4515,7 +4485,7 @@ and then she flung herself wildly at Gedney.</p> helplessly on his outstretched arm. "You did this! Get out of here—get out—get <i>out</i>! <i>get</i> <i>out</i>!"</p> -<h4>II</h4> +<h3>II</h3> <p>Concerning Mrs. Harold Piper at thirty-five, opinion was divided—women said she was still handsome; men said she was @@ -4568,7 +4538,7 @@ they were entertaining on short notice that night, as she stood in her bedroom window in the late afternoon she discovered that she was quite tired. Ten years before she would have lain down and slept, but now she had a feeling that things needed watching: -maids were cleaning down-stairs, bric-à-brac was all over the +maids were cleaning down-stairs, bric-à -brac was all over the floor, and there were sure to be grocery-men that had to be talked to imperatively—and then there was a letter to write Donald, who was fourteen and in his first year away at school.</p> @@ -4734,7 +4704,7 @@ slipped it from her fingers, and carried it to the sideboard.</p> but he only laughed. Acknowledging her defeat but disclaiming all future interest in the punch, she left the room.</p> -<h4>III</h4> +<h3>III</h3> <p>At seven-thirty, her cheeks glowing and her high-piled hair gleaming with a suspicion of brilliantine, Evylyn descended the @@ -5036,7 +5006,7 @@ rolled over her. After all, it was his trouble, too.</p> <p>"Yes," she answered listlessly, "I suppose you'd better."</p> -<h4>IV</h4> +<h3>IV</h3> <p>If Evylyn's beauty had hesitated an her early thirties it came to an abrupt decision just afterward and completely left her. A @@ -5260,7 +5230,7 @@ still, black form, hundreds of prisms and cubes and splinters of glass reflected the light in little gleams of blue, and black edged with yellow, and yellow, and crimson edged with black.</p> -<h3><a name="Bernice_Bobs_Her_Hair" id="Bernice_Bobs_Her_Hair"></a>Bernice Bobs Her Hair</h3> +<h2><a id="Bernice_Bobs_Her_Hair"></a>Bernice Bobs Her Hair</h2> <p>After dark on Saturday night one could stand on the first tee of the golf-course and see the country-club windows as a yellow @@ -5488,7 +5458,7 @@ brother's, and anyway he considered it bad form to sneer at people for not having money. But Bernice had had no intention of sneering. She was merely nervous.</p> -<h4>II</h4> +<h3>II</h3> <p>When Marjorie and Bernice reached home at half after midnight they said good night at the top of the stairs. Though cousins, @@ -5614,7 +5584,7 @@ forty-five they are caves in which we hide.</p> <p>Having decided this, Marjorie said good night. When she came out into the hall it was quite empty.</p> -<h4>III</h4> +<h3>III</h3> <p>While Marjorie was breakfasting late next day Bernice came into the room with a rather formal good morning, sat down opposite, @@ -5791,7 +5761,7 @@ weep with you you'll be disappointed. Go or stay, just as you like." And picking up her letters she left the room.</p> <p>Bernice claimed a headache and failed to appear at luncheon. They -had a matinée date for the afternoon, but the headache +had a matinée date for the afternoon, but the headache persisting, Marjorie made explanation to a not very downcast boy. But when she returned late in the afternoon she found Bernice with a strangely set face waiting for her in her bedroom.</p> @@ -5918,7 +5888,7 @@ hadn't better bob your hair."</p> <p>Bernice collapsed backward upon the bed.</p> -<h4>IV</h4> +<h3>IV</h3> <p>On the following Wednesday evening there was a dinner-dance at the country club. When the guests strolled in Bernice found her @@ -6085,7 +6055,7 @@ name—Warren——</p> <p>She fell asleep.</p> -<h4>V</h4> +<h3>V</h3> <p>To Bernice the next week was a revelation. With the feeling that people really enjoyed looking at her and listening to her came @@ -6381,7 +6351,7 @@ they turned to Marjorie.</p> <p>"Be glad to," he said slowly.</p> -<h4>VI</h4> +<h3>VI</h3> <p>Bernice did not fully realize the outrageous trap that had been set for her until she met her aunt's amazed glance just before @@ -6450,7 +6420,7 @@ you'd go through with it. I'm really mighty sorry."</p> <p>Then Bernice winced as Marjorie tossed her own hair over her shoulders and began to twist it slowly into two long blond braids -until in her cream-colored negligée she looked like a delicate +until in her cream-colored negligée she looked like a delicate painting of some Saxon princess. Fascinated, Bernice watched the braids grow. Heavy and luxurious they were moving under the supple fingers like restive snakes—and to Bernice remained this @@ -6535,7 +6505,7 @@ herself.</p> <p>Then picking up her staircase she set off at a half-run down the moonlit street.</p> -<h3><a name="Benediction" id="Benediction"></a>Benediction</h3> +<h2><a id="Benediction"></a>Benediction</h2> <p>The Baltimore Station was hot and crowded, so Lois was forced to stand by the telegraph desk for interminable, sticky seconds @@ -6593,7 +6563,7 @@ Love</p> <p>And never be sorry—thought Lois—and never be sorry——</p> -<h4>II</h4> +<h3>II</h3> <p>Trees filtering light onto dapple grass. Trees like tall, languid ladies with feather fans coquetting airily with the ugly roof of @@ -7004,7 +6974,7 @@ Leaning over, kissed his forehead.</p> <p>"You're hard, Kieth," she said, "and I love you for it—and you're sweet."</p> -<h4>III</h4> +<h3>III</h3> <p>Back in the reception-room Lois met a half-dozen more of Kieth's particular friends; there was a young man named Jarvis, rather @@ -7043,7 +7013,7 @@ you were coming. It's pretty good, isn't it?"</p> <p>There were tears trembling in Lois' eyes.</p> -<h4>IV</h4> +<h3>IV</h3> <p>Then half an hour later over in the chapel things suddenly went all wrong. It was several years since Lois had been at @@ -7137,7 +7107,7 @@ went out</i>.</p> half-cry she rocked on her feet and reeled backward into Kieth's suddenly outstretched arms.</p> -<h4>V</h4> +<h3>V</h3> <p>"Lie still, child."</p> @@ -7157,7 +7127,7 @@ there. Jarvis felt it, too."</p> oddly broken and chastened, as if some one had held her stripped soul up and laughed.</p> -<h4>VI</h4> +<h3>VI</h3> <p>Half an hour later she walked leaning on Kieth's arm down the long central path toward the gate.</p> @@ -7234,7 +7204,7 @@ to any one in the world."</p> <p>"We might—just a minute——"</p> -<p>It was a pietà, a life-size statue of the Blessed Virgin set +<p>It was a pietà , a life-size statue of the Blessed Virgin set within a semicircle of rocks.</p> <p>Feeling a little self-conscious she dropped on her knees beside @@ -7309,12 +7279,12 @@ gate-post, his lips half parted in a smile.</p> <p>"Lois," he said aloud in a sort of wonder, "Lois, Lois."</p> <p>Later, some probationers passing noticed him kneeling before the -pietà, and coming back after a time found him still there. And he +pietà , and coming back after a time found him still there. And he was there until twilight came down and the courteous trees grew garrulous overhead and the crickets took up their burden of song in the dusky grass.</p> -<h4>VII</h4> +<h3>VII</h3> <p>The first clerk in the telegraph booth in the Baltimore Station whistled through his buck teeth at the second clerk:</p> @@ -7346,7 +7316,7 @@ Italy.</p> <p>"Tore it up, eh?" said the second clerk.</p> -<h3><a name="Dalyrimple_Goes_Wrong" id="Dalyrimple_Goes_Wrong"></a>Dalyrimple Goes Wrong</h3> +<h2><a id="Dalyrimple_Goes_Wrong"></a>Dalyrimple Goes Wrong</h2> <p>In the millennium an educational genius will write a book to be given to every young man on the date of his disillusion. This @@ -7361,7 +7331,7 @@ people over thirty will refer to it as "depressing."</p> <p>This prelude belongs to the story of a young man who lived, as you and I do, before the book.</p> -<h4>II</h4> +<h3>II</h3> <p>The generation which numbered Bryan Dalyrimple drifted out of adolescence to a mighty fan-fare of trumpets. Bryan played the @@ -7493,7 +7463,7 @@ had not been hot.</p> <p>"Why the devil did I thank the son of a gun?" he muttered.</p> -<h4>III</h4> +<h3>III</h3> <p>Next morning Mr. Hanson informed him coldly of the necessity of punching the time-clock at seven every morning, and delivered @@ -7511,7 +7481,7 @@ forward to his next one. In his youth his taste had run to loud ties, but now it seemed to have faded, like his vitality, and was expressed in pale-lilac four-in-hands and indeterminate gray collars. Charley was listlessly struggling that losing -struggle against mental, moral, and physical anæmia that takes +struggle against mental, moral, and physical anæmia that takes place ceaselessly on the lower fringe of the middle classes.</p> <p>The first morning he stretched himself on a row of cereal @@ -7617,17 +7587,17 @@ fingering in a ledger on the stenographer's desk.</p> <p>Half unconsciously he turned a page—he caught sight of his name —it was a salary list:</p> -<table border="0" cellpadding="0" cellspacing="0" summary=""> -<tr><td align="left">Dalyrimple</td></tr> -<tr><td align="left">Demming</td></tr> -<tr><td align="left">Donahoe</td></tr> -<tr><td align="left">Everett</td></tr> +<table style="border: none; padding: 0px; border-spacing: 0px;"> +<tr><td style="text-align: left;">Dalyrimple</td></tr> +<tr><td style="text-align: left;">Demming</td></tr> +<tr><td style="text-align: left;">Donahoe</td></tr> +<tr><td style="text-align: left;">Everett</td></tr> </table> <p>His eyes stopped—</p> -<table border="0" cellpadding="0" cellspacing="0" summary=""> -<tr><td align="left">Everett.........................$60</td></tr> +<table style="border: none; padding: 0px; border-spacing: 0px;"> +<tr><td style="text-align: left;">Everett.........................$60</td></tr> </table> <p>So Tom Everett, Macy's weak-chinned nephew, had started at sixty @@ -7788,7 +7758,7 @@ audibly frightened footsteps scurried away into the night.</p> snatched off his mask, and running quickly across the street, darted down an alley.</p> -<h4>IV</h4> +<h3>IV</h3> <p>Yet, however Dalyrimple justified himself intellectually, he had many bad moments in the weeks immediately following his decision. @@ -7836,7 +7806,7 @@ gratifications of the normal appetites—and he had a strong conviction that the materials, if not the inspiration of happiness, could be bought with money.</p> -<h4>V</h4> +<h3>V</h3> <p>The night came that drew him out upon his second venture, and as he walked the dark street he felt in himself a great @@ -7971,7 +7941,7 @@ and there through his life, past and future, through fear and laughter. With a vague, inopportune wish that he were married, he fell into a deep sleep about half past five.</p> -<h4>VI</h4> +<h3>VI</h3> <p>Though the newspaper account of the burglary failed to mention the false teeth, they worried him considerably. The picture of @@ -7995,7 +7965,7 @@ announced that the police had a clew—they knew that the burglar was in town. However, they didn't mention what the clew was.</p> -<h4>VII</h4> +<h3>VII</h3> <p>At the end of a month "Burglar Bill of the Silver District was the nurse-girl's standby for frightening children. Five @@ -8031,7 +8001,7 @@ had been about to stop work, but a fear of attracting attention to his being in funds prevented him. So he worked on, no longer in listlessness, but with contemptuous amusement.</p> -<h4>VIII</h4> +<h3>VIII</h3> <p>Then with astounding suddenness something happened that changed his plans and put an end to his burglaries.</p> @@ -8164,7 +8134,7 @@ courage—there was no payment—all that was drivel—drivel.</p> <p>He sprang to his feet with clinched hands in a sort of triumph.</p> -<p>"Well, Bryan," said Mr. Macy stepping through the portières.</p> +<p>"Well, Bryan," said Mr. Macy stepping through the portières.</p> <p>The two older men smiled their half-smiles at him.</p> @@ -8186,7 +8156,7 @@ same side of the fence."</p> <p>"I want to thank you, sir," said Dalyrimple simply. He felt a whimsical moisture gathering back of his eyes.</p> -<h3><a name="The_Four_Fists" id="The_Four_Fists"></a>The Four Fists</h3> +<h2><a id="The_Four_Fists"></a>The Four Fists</h2> <p>At the present time no one I know has the slightest desire to hit Samuel Meredith; possibly this is because a man over fifty @@ -8331,7 +8301,7 @@ Samuel Meredith was one of the best-liked boys of his class—and no one was any stronger for him than his first friend and constant companion, Gilly Hood.</p> -<h4>II</h4> +<h3>II</h3> <p>Samuel became the sort of college student who in the early nineties drove tandems and coaches and tallyhos between @@ -8424,7 +8394,7 @@ imposing it upon others had faded out in a certain gutter. Within that year his class had somehow stopped referring to him as a snob.</p> -<h4>III</h4> +<h3>III</h3> <p>After a few years Samuel's university decided that it had shone long enough in the reflected glory of his neckties, so they @@ -8442,7 +8412,7 @@ used his former ability as a dodging half-back in twisting through Wall Street crowds as runner for a bank.</p> <p>His diversion was—women. There were half a dozen: two or three -débutantes, an actress (in a minor way), a grass-widow, and one +débutantes, an actress (in a minor way), a grass-widow, and one sentimental little brunette who was married and lived in a little house in Jersey City.</p> @@ -8525,7 +8495,7 @@ the ferry, leaving her always on the tiny front porch, after she had gone in and lit the gas to use the security of his masculine presence outside. This grew to be a ceremony—and it annoyed him. Whenever the comfortable glow fell out through the -front windows, that was his <i>congé</i>; yet he never suggested coming +front windows, that was his <i>congé</i>; yet he never suggested coming in and Marjorie didn't invite him.</p> <p>Then, when Samuel and Marjorie had reached a stage in which they @@ -8567,7 +8537,7 @@ overstimulated, and made her generally miserable. They must have had too much pride to talk it out—for Marjorie's husband was, after all, pretty decent—so it drifted on from one misunderstanding to another. Marjorie kept coming more and more -to Samuel; when a woman can accept masculine sympathy at is much +to Samuel; when a woman can accept masculine sympathy that is much more satisfactory to her than crying to another girl. But Marjorie didn't realize how much she had begun to rely on him, how much he was part of her little cosmos.</p> @@ -8651,7 +8621,7 @@ little house, the eternal heroic figure, the defender of his home.</p> <p>There was a pause and then Samuel turned quickly away and went down the path for the last time.</p> -<h4>IV</h4> +<h3>IV</h3> <p>Of course, after the third blow Samuel put in several weeks at conscientious introspection. The blow years before at Andover @@ -8951,366 +8921,6 @@ can feel again the gorgeous clarity, the lightning sanity of those four fists.</p> -<pre> - - - - -End of Project Gutenberg's Flappers and Philosophers, by F. Scott Fitzgerald - -*** END OF THIS PROJECT GUTENBERG EBOOK FLAPPERS AND PHILOSOPHERS *** - -***** This file should be named 4368-h.htm or 4368-h.zip ***** -This and all associated files of various formats will be found in: - https://www.gutenberg.org/4/3/6/4368/ - -Produced by Curtis A. 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